deem-data/ArtiFact huggingface dataset:
Klytia wordt in een zonnebloem veranderd
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Subjects: flowers: sunflower, clytie changed into a sunflower: on account of apollo's contempt the oceanid clytie changes into a sunflower (heliotrope) (ovid, metamorphoses iv 268)
Inscriptions: collector's mark: Lugt 240
Eerste gesticht van de strafkolonie Veenhuizen, huismunt geslagen op last van de Maatschappij van Weldadigheid ter waarde van ½ cent
Object type: huismunt prison money
Date: 1818 – 1859
Materials: zinc
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: maatschappij van weldadigheid, veenhuizen

Zinken munt. Voorzijde: opschrift boven waardeaanduiding. Keerzijde: opschrift V en 1
The Forge, Passage du Dragon
Object type: print
Date: 1894 – 1894
Materials: ink, parchment
Techniques: lithograph
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Portret van Isaac Newton
Object type: print
Date: 1836 – 1850
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: london, physicist, historical persons, experiment, test ~ science and technology
The Adoration of the Shepherds
Object type: painting
Date: 1680 – 1680
Materials: oil, panel
Artist: pieter bout
Artist role: draughtsman, print maker
Artist dates: 1658 – 1719
Subjects: adoration of the christ-child by the shepherds; mary and joseph present (+ angel(s) floating in the air)
Inscriptions: signature, indecipherable text, bottom right, inscription, indistinct, top right, on the banderol held by the angel above

De aanbidding der herders. De herders hebben zich rond de verlichte kribbe verzameld. Maria tilt het laken op waarop het Christuskind ligt. Boven de stal zien engelen neer uit de hemel. Pendant van SK-A-2223.
Basket-Hilted Sword
Object type: basket hilted sword
Date: 1600 – 1625
Materials: gold, leather, silver, steel
Culture: british
Location: england

This sword is believed to have belonged to Sir William Twysden (1566–1628), who was knighted by King James I in 1603, served in Parliament for many years, and was a collector of books and manuscripts. It is one of the finest examples of a silver encrusted English basket-hilted sword of this period.
Vrouw bij een bordes te Amsterdam
Object type: sketchbook leaf
Date: 1909 – 1912
Materials: chalk, paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, adult woman, amsterdam

Vrouw bij een bordes te Amsterdam. Pagina 60 uit een schetsboek met 46 bladen vervaardigd te Amsterdam.
Hamlet and His Mother
Object type: painting
Date: 1849 – 1849
Materials: canvas, oil
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: shakespeare,men,women,hamlet
Card 772, Louise Paullin, from the Actors and Actresses series (N45, Type 7) for Dixie Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 7), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Nihonbashi Bridge, wrapper for the series "One Hundred Views of the Eastern Capital (Toto hyakkei)"
Object type: print
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
De Dam, met het Stadhuis en de Waag, te Amsterdam
Object type: book illustration
Date: 1743 – 1744
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: townhall, weigh-house, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Prent ook gebruik in: Wagenaar, Jan. Tegenwoordige staat der Vereenigde Nederlanden, vyfde deel. Behelzende het vervolg der beschrijvinge van Holland. Met naauwkeurige plans der steden en printverbeeldingen versierd / Hedendaagsche historie, of tegenwoordige staat van alle volkeren; XVde deel (…). Amsterdam: Isaak Tirion, 1744.

Markering rechtsboven (Vereen. Nederl. V Deel, Bladz. 28.) afgedekt tijdens drukken.
George Washington Park Custis
Object type: print
Materials: paper
Techniques: photolithograph
Location: united states
Artist: Anonymous
Artist nationality: american or british
Artist dates: 1801 – 1900
Gezicht op Caprarola
Object type: sketchbook leaf
Date: 1808 – 1857
Materials: paper, pencil
Location: caprarola
Artist: abraham teerlink
Artist role: draughtsman, painter
Artist dates: 1776 – 1857
Subjects: city-view, and landscape with man-made constructions, mountains
Inscriptions: annotation: ‘Caprarola’

Op de voorgrond wandelaars op een pad. Blad 18 verso en 19 recto uit een schetsboek met 28 bladen.
Cylinder seal
Object type: cylinder seal
Date: 1820 – 1730
Materials: bronze, mineral
Location: syria
Gezicht op een kasteel met een terras en een tuin, vermoedelijk in Frankrijk
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: castle, garden, terrace, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
IIe Volume De l'Oeuvre de J. Ch. Delafosse (...)
Object type: titelprent, frontispice
Date: 1771 – 1771
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: helmet, protective weapons: shield, andiron, fire-dog
Inscriptions: collector's mark: Lugt 2228

Een geornamenteerde vuurbok met een helm, schilden, wapens en guirlandes.
Portret van Johann Jacob Griesbach
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving
Location: berlin
Subjects: theologian, historical persons

Prent uit: Allgemeine deutsche Bibliothek. Berlijn en Stettin: Friedrich Nicolai, 1787, dl. 72.
Lettres a Émilie sur la Mythologie. Par C.A. Demoustier. Première partie
Object type: book
Date: 1817 – 1817
Materials: leather, paper
Techniques: letterpress printing
Location: paris
Artist: antoine augustin renouard
Artist role: publisher
Artist dates: 1765 – 1853
Subjects: utrecht, maria sara albertina swellengrebel

Lettres a Émilie sur la Mythologie, dl. 1. Boek uit het bezit van Marie Sara Albertine Swellengrebel. Gebonden met de titel en deelnummer 1 op de rug en de naam van de eigenares in een ovaal vignet op de voorkant.
Model of the Spiral Staircase of a Lighthouse
Object type: demonstration model
Date: 1834 – 1834
Materials: brass, wood
Location: netherlands
Artist: petrus van der loo
Artist dates: 1806 – 1864
Inscriptions: label, top: ‘830’ former inventory label

Dit is het model van de wenteltrap van de vuurtoren van Haamstede op het noordwesten van het eiland Schouwen, hoog 47 m, diam. 11-5.3 m, ontworpen door L. Valk en gebouwd in 1837-1840 door J.G. Palada uit Vreeswijk, met lichten van de geschutgieterij Maritz & Zoon uit Den Haag. De draaiende beweging van het optiek werd verzorgd door een uurwerk met een zwaar gewicht, dat in de binnenkoker vrij naar beneden kon zakken: hiervoor moest de trap een gat in het midden vrijlaten. Onderin de binnenkoker stond een bak met stro om het gewicht op te vangen indien het koord zou breken.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1919 – 1919
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: léon paschal
Artist role: schrijver
Artist dates: 1873 – 
Subjects: the hague, painter, philip zilcken, printed matter
Inscriptions: collector's mark: ‘RPK’
Zitkamer in het landhuis De Wilde Zwanen te Laren
Object type: photograph
Date: 1940 – 1940
Materials: paper, cardboard
Techniques: gelatin silver print
Location: laren
Artist: norbert van den berg (1901-1972)
Artist role: amateurfotograaf
Artist dates: 1901 – 1972
Subjects: interior of the house, living-room, parlour, sitting-room
Glass bowl
Object type: bowl
Date: 101 – 300
Materials: glass
Culture: roman

Colorless with pale blue green tinge Rounded rim, folded up, out, and down, with exterior horizontal rib below; flaring, broad mouth; double convex sides to body, curving in to integral base ring; bottom with deep, rounded kick and pontil scar. Broken and repaired, with two holes in sides; many pinprick bubbles; some dulling and faint iridescence, with patches of weathering film.
Goden en godinnen
Object type: print
Date: 1551 – 1580
Materials: paper
Techniques: engraving
Location: france
Artist: rené boyvin
Artist role: print maker
Artist dates: 1525 – 1598

Onderaan staat een Latijnse tekst. Uit serie van 16 deels genummerde bladen met vlakdecoraties van goden en godinnen in een omlijsting van grotesken met fantastische wezens, dieren, guirlandes en mascarons.
De quaestie der Philippijnen
Object type: cartoon
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: brussels, laeken, leopold ii (koning der belgen), colonial system, maps of separate countries or regions, (map of) africa, personifications of countries, nations, states, districts, etc. (+ nation; national), political caricatures and satires, philippines
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 28 augustus 1898.
Portret van Günther Jann
Object type: print
Date: 1738 – 1820
Materials: paper
Techniques: engraving, etching
Artist: georg heinrich werner
Artist role: print maker
Artist dates: 1723 – 1789
Subjects: theologian, historical persons
Vessel
Object type: vessel
Materials: ceramic
Culture: egyptian
Location: egypt
Subjects: containers, vessels
Mlle. Secroix, Paris, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Cosmetic Flask
Object type: kohl flask
Date: 1201 – 1300
Materials: amber, glass
Techniques: glassblowing
Location: egypt or syria

Vessels formed on a sand core and decorated with marvered and combed trails of contrasting colors were one of the earliest types known from Egypt and the eastern Mediterranean world. The marvered vessels produced in the Islamic areas, such as this flask, were blown on the pipe.
Koets stopt bij een dronken man die in de berm ligt
Object type: print
Date: 1659 – 1659
Materials: paper
Techniques: engraving, etching, letterpress printing
Artist: Anonymous
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Boekillustratie bij het verhaal: 't Leven duydelijck af-gebeeldt door een wakenden droom. Een verhaal over prins Philips die een dronken man meeneemt naar het hof. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Vervoermiddelen te land en te water, Vervoermiddelen te land, Reiskoetsen en post.
Romola
Object type: book
Date: 1863 – 1863
Materials: cardboard, paper, parchment, textile
Techniques: albumen print, letterpress printing
Location: leipzig
Inscriptions: retailer's mark: ‘Edward Goodban’, bookplate: ‘Pax et spes/ I.A. Pease’, inscription: ‘4800-/ 2 vol/ 43 albumines dont 19 reproductions/ dans le vol. I/ 29 albumines dont 9 reproductions/ dans le vol II/ 72 photos’
Man met paard op de Beukelsdijk
Object type: sketchbook leaf
Date: 1806 – 1895
Materials: paper, pencil
Location: delfshaven
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: horse, landscapes (+ landscape with figures, staffage)
Inscriptions: date and inscription: ‘Beukelsdijk/ Jun[...] 95.’

Blad 11 verso en 12 recto uit een schetsboek met 39 bladen.
Portret van Pierre François De Noter
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: tone lithography
Location: brussels
Subjects: ghent, painter, print maker, pierre françois de noter, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Lamech and Cain (reverse copy)
Object type: print
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: bow and arrow,children,cain
Dish with Stylized Chrysanthemum Scrolls
Object type: dish
Date: 1701 – 1750
Materials: porcelain
Techniques: underglaze
Culture: japanese
Subjects: flowers
Jaffapoort te Jeruzalem
Object type: photograph
Date: 1883 – 1888
Materials: photographic support
Techniques: albumen print
Location: jerusalem
Artist: Anonymous
Subjects: city-gate
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 32 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament

Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. From top to bottom, and left to right: Design composed of 2 horizontal registers. Top register is decorated with 3 semi-ellipse motifs that are ornamented with a central floral motif. Bottom register is decorated with 3 squares that are ornamented with a central floral motif formed primarily by circles.
Boerenwoning tussen bomen
Object type: print
Date: 1800 – 1815
Materials: paper
Techniques: etching
Location: netherlands
Artist: hermanus van brussel
Artist role: draughtsman, print maker
Artist dates: 1763 – 1815
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228
Plaque
Object type: plaque
Date: 1101 – 1200
Materials: bone
Techniques: carving, incising
Location: italy
Subjects: lions

This small pentagonal ivory plaque depicts a lion set against foliage. With one paw raised, the lion tilts its head upwards, and its tail swings back towards the head. The craftsman has carved lines on the body to indicate fur and patterning, and holes bored into the surface may originally have been set with stones. Depictions of animal forms within framing devices were common decorative motifs in objects produced around the Mediterranean in the medieval period, and can be found ornamenting wood, textiles, ivory, metalwork and ceramics. This piece is one of a pair in the collection of The Metropolitan Museum of Art, with 67.204.2. The iconography of these plaques suggest they may be a derivative of depictions of the four Christian evangelists; here it could be a representation of Mark, whose symbol is a lion.
The Turkish Rider
Object type: drawing and watercolor
Date: 1834 – 1834
Materials: gouache, paint, paper, varnish, watercolor
Techniques: scraping
Location: france
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Inscriptions: Signed lower right: "Eug. Delacroix"
Fragment of an Animal Relief
Object type: relief fragment
Date: 1150 – 1150
Materials: marble
Culture: italian
Location: italy
Subjects: animals

Carving on the back reveals that this slab was from a lintel of an earlier, perhaps Roman, monument. Older sculptural fragments can also be seen in the adjacent doorway from San Gemini.
Scimitar with Scabbard
Object type: scimitar with scabbard
Date: 1567 – 1700
Materials: copper, copper alloy, gold, jade, silver, steel, wood
Culture: hilt and scabbard
Location: iran

This sword belongs to a distinctive group of Ottoman parade weapons mounted with gilded silver, studded with turquoise, and set with jeweled nephrite plaques. The group includes swords, shields, quivers, saddles, and related equestrian equipment. These luxurious and colorful pieces were frequently given as diplomatic presents by the Ottoman court from the late sixteenth through the seventeenth century, many of them still preserved in European collections. The saber is now fitted with a later Iranian blade of crucible (“watered”) steel inlaid in gold with the pious motto “I trust in God.”
Strook machinale kant met kelkbloempje aan c-vormig takje
Object type: strip
Date: 1850 – 1899
Materials: cotton
Techniques: lace
Location: france
Artist: Anonymous

Strook naturelkleurige machinale kant: machinale Valenciennes-kant. Het zich herhalende patroon bestaat uit een c-vormig takje waaruit de bolle kant van de c een kelkbloempje ontspringt en aan de top van de c een blaadje. Langs de onderzijde van de strook ligt een aaneenschakeling van een kortere en langere rechte lijnen, die aan de uiteinden iets omhoog krullen. Tussen de omkrullende uiteinden is tussen de bloemen in met cirkeltjes een soort halfcirkelvormig cartouche gerealiseerd, waarin een siergrond is toegepast. De motieven lijken te zijn gemaakt in linnenslag met opengewerkte randjes. De motieven zijn met elkaar verbonden door een machinale vierkante Valenciennes-grond. Boven- en onderzijde van de strook zijn recht afgewerkt waarbij de onderzijde is voorzien van picots.
Die Meininger von C. W. Allers
Object type: reproduction
Date: 1890 – 1890
Materials: paper
Techniques: photograph
Subjects: monocle, single lorgnette, portrait of actor, actress
Ganzenbordspel, ca. 1830-1850
Object type: print
Date: 1831 – 1854
Materials: chalk, paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: goose-game
Inscriptions: collector's mark: Lugt 2228

Ganzenbordspel met vakjes 1-63. In het midden de spelregels. Met opschriften in rood krijt. Onderdeel van een groep van kinder- en gezelschapsspelen gedrukt in de periode ca. 1750-1850.
Ontwerpen voor suikerpotten
Object type: album leaf
Date: 1700 – 1700
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: sugar-basin, jeweller, goldsmith, silversmith, ornamenting, decorating ~ applied arts
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een album.
Child Asleep (recto), and Fishermen on Dock (verso)
Object type: drawing and watercolor
Date: 1847 – 1847
Materials: graphite, paint, paper, watercolor
Location: england
Artist: elizabeth murray
Artist nationality: english
Artist dates: 1815 – 1882
One of a Set of Twelve Chair Strips
Object type: chair strip
Date: 1736 – 1795
Materials: metal thread, silk
Culture: chinese
Subjects: birds,men,women
Gold pendant in the form of Herakle's club
Object type: pendant in the form of herakles' club
Materials: gold
Culture: cypriot

Herakles' club may have special significance in the protection of young children and infants (such as temple boys) since Herakles' first feat of heroism was strangling the serpents sent against him while he was a small baby.
Sphinx with head broken away
Object type: sphinx, headless
Date: 1 – 200
Materials: faience
Location: egypt
Subjects: sphinx
Execution of Arminians in Leiden
Object type: print
Date: 1623 – 1623
Materials: paper
Techniques: engraving, etching, letterpress
Location: netherlands
Artist: claes jansz. visscher (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1586 – 1652
Inscriptions: Inscribed verso, center, in graphite: "3752296"

Followers of the Dutch Reformed theologian Jacobus Arminius, the Arminians clashed with Calvinists in the early 17th century, particularly after Prince Maurits of Orange systematically removed Arminians from positions of power. This popular print, or broadside, was produced on the occasion of the execution of the Arminian followers of Johan van Oldenbarnevelt, whose portrait is exhibited nearby.
Ostrakon
Object type: ostrakon
Date: 301 – 700
Materials: ink, pottery
Culture: coptic
Location: egypt
Astroloog
Object type: print
Date: 1718 – 1718
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: cornelis van der sys
Artist role: publisher
Subjects: astronomical instruments, astronomy (and cosmography)
Inscriptions: collector's mark: Lugt 1641, stamp

Prent oorspronkelijk verschenen in de 100-delige serie beroepsprenten van Jan en Caspar Luyken, getiteld: Het menselyk bedryf. S.l.s.n., 1694 (eerste druk). Daarna is de titel en het vers afgesneden. De prenten in diverse publicaties verschenen en gekopieerd. Huidige staat uit: Luyken, Jan en Caspar. Spiegel van het menselyk bedryf (...). Amsterdam: Cornelis van der Sys, 1718, p. 177. Prent waarschijnlijk ook gebruikt in eerdere (1704) en latere (1730, 1749, 1767) publicaties.
Anfang der Häuslichen Glückseeligkeit
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: civil marriage ceremony
Inscriptions: collector's mark: Lugt 2228

Negende prent uit een serie met 12 scènes uit 'een liederlijk leven'. De twaalf scènes werden samen op een plaat geëtst. De tweede staat van deze serie is gebruikt als illustratie in: 'Berliner genealogischen Calender auf das Jahr 1774'. Aan de hand van deze prentserie schreef Johann Christian Ludwig Haken (1767-1835) zijn briefroman 'Der Lüderliche'.
Hemelvaart van Maria
Object type: print
Date: 1530 – 1560
Materials: paper
Techniques: engraving
Location: italy
Artist: meester van de dobbelsteen
Artist role: print maker
Subjects: the assumption of mary ('assumptio corporis'): she is borne into heaven by angels
Inscriptions: collector's mark: Lugt 240

De Hemelvaart van Maria in aanwezigheid van de apostelen. Maria wordt omgeven door wolken en engelen die haar naar de hemel dragen.
Great Hall within the Villa of Pope Julius, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: architecture,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 52 in the scrapbook.
Knife
Object type: knife
Date: 1 – 300
Materials: bronze
Culture: roman
Subjects: knives

With curved, one edged blade and moulded handle.