deem-data/ArtiFact huggingface dataset:
Zittende boer met kruik
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: etching, roulette
Location: amsterdam
Subjects: sitting figure, jar, jug (used as drinking-vessel)
Inscriptions: collector's mark: Lugt 240, inscription: ‘geschonken aan mijnen Vriend [...] Gravenhage PvAmstel / A v Ostade del ploos v AMstel JC F: 1768’, collector's mark: Lugt 2725

Voor deze prenttekening, 'Zittende boer met kruik', maakte Ploos van Amstel vier verschillende platen (A, B, C, en D). Er bestaan afdrukken van één, twee, drie of alle vier de platen in alle mogelijke combinaties. Zie gerelateerde objecten voor de hier gebruikte platen.
Portret van Keizer Leopold II van Duitsland
Object type: print
Date: 1845 – 1855
Materials: paper
Techniques: engraving
Location: italy
Artist: gaetano bonatti
Artist role: print maker
Subjects: vienna, leopold ii (keizer van oostenrijk), historical persons
Inscriptions: collector's mark: Lugt 2228
Plate 6: a cartouche with a ram skull at top center, grapes and other fruits to either side, from "Twelve cartouches" (Recueil de douze cartouches)
Object type: print
Date: 1640 – 1645
Techniques: etching
Artist: françois collignon
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1687
Subjects: cartouches,grapes,skulls,rams
Alhambra Court in het Crystal Palace in Londen
Object type: stereograph
Date: 1854 – 1886
Materials: cardboard, photographic support
Techniques: albumen print
Location: crystal palace
Subjects: ornamental fountain
Inscriptions: number: ‘60.’
Cuneiform tablet: account of barley disbursements, Ebabbar archive
Object type: cuneiform tablet
Date: 700 – 501
Materials: clay
Culture: babylonian
Location: mesopotamia
Pair of Flintlock Pistols
Object type: pair of flintlock pistol
Date: 1650 – 1660
Materials: steel, wood
Culture: italian
Location: italy
Artist: girolamo francino
Artist role: gunsmith
Artist nationality: italian
Artist dates: 1666 – 1709

The Francino gunsmiths of Brescia and Gardone were celebrated. The superiority of Brescian barrels was long recognized. Aside from embellishment, they were sought for the quality of their metal, which was light in weight yet strong. The delicately pierced steel ornament inlaid to be flush with the surface of the stock is a characteristic design feature of Brescian firearms of this period.
Inname van Rheinberg, 1601
Object type: print
Date: 1601 – 1603
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: capture of city (after the siege)

Inname van Rheinberg door het Staatse leger onder prins Maurits en het vertrek van de Spaanse troepen, 1 augustus 1601. Plan van de stad en omgeving met de stellingen van de belegeraars. Onder de voorstelling de titel en de legenda van de cijfers 1-10, in het Duits. Linksonder genummerd: 337. De prent maakt deel uit van een album.
Nakayama Tomisaburo in the role of An no Oyasu
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Subjects: swords,men,actors
Fragrance (Noa Noa), from Fragrance (Noa Noa), title block
Object type: block
Date: 1893 – 1894
Materials: ink, wood, zinc
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Subjects: animals,women,trees

The Noa Noa woodcuts were seen for the first time by a coterie of Gauguin's friends and admirers at the artist's Paris studio exhibition in December 1894. Two art critics who attended, Julien Leclerq and Charles Morice, praised the crudely-carved woodcuts as a revolution in the art of printmaking and recognized them as a bridge between the seemingly disparate qualities of Gauguin's paintings and sculpture. This woodblock for the title print of the suite serves as an extraordinary source of information about Gauguin's working methods as it reveals the hand of the artist in every gauged mark, incised line, and jagged hollow. The block consists of nine sections of fruit wood (probably pear) joined together and sprung along horizontal joinings.
Plate
Object type: ceramic
Date: 1755 – 1765
Materials: porcelain, soft paste porcelain
Techniques: underglaze
Location: bow
Artist: bow porcelain factory
Artist nationality: london, england
Artist dates: 1744 – 1775
Inscriptions: Marked on underside with five imitation chinese characters in blue.
Two Boys as the Eccentric Monks Kanzan (Chinese: Hanshan) and Jittoku (Chinese: Shide)
Object type: print
Date: 1701 – 1800
Materials: paper
Techniques: woodblock print
Location: japan
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
Kasteel in een landschap
Object type: print
Date: 1741 – 1799
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: jean joseph hanson
Artist role: painter, print maker
Artist dates: 1731 – 1799
Subjects: castle, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Kasteel en een stenen brug in een boomrijk landschap.
Noah's Sacrifice, from "Illustrated London News"
Object type: print
Techniques: engraving
Artist: charles cheltnam
Artist role: engraver
Artist nationality: british
Artist dates: 1848 – 1857
Subjects: birds,men,women,lambs

This print reproduces a large painting by Daniel Maclise (1847–53; Leeds Art Gallery). Noah stands at center next to a lamb on an altar, accompanied by family members and additional animals intended for sacrifice. In the background, the Ark rests on Mount Ararat as animals emerge from its open door, and a rainbow arches over the scene near heavenly beings. Noah's "Sacrificial Hymn" is printed below. While working on this painting, Maclise was commissioned to produce two large frescoes at the new Palace of Westminster devoted to British victories in the Napoleonic wars, and technical difficulties related to the unsuitability of that medium to the damp English climate occupied much of his time. "Noah's Sacrifice," as an oil on canvas, allowed the artist to work freely and demonstrate his skill with multi-figured compositions. Cheltnam's wood engraving was published in the "Illustrated London News" in December 1849, while Maclise was still at work, which may explain the schematic background.
Brief aan Philip Zilcken
Object type: letter
Date: 1871 – 1906
Materials: ink, paper
Techniques: writing
Location: wassenaar
Artist: pieter de josselin de jong
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1906
Subjects: rotterdam, amsterdam, herman robbers, philip zilcken, drawing, literature ~ arts
Inscriptions: collector's mark: ‘RPK’
Etsen naar schilderijen in The Metropolitan Museum of Art
Object type: print
Date: 1871 – 1871
Materials: paper
Techniques: etching, intaglio
Location: london
Artist: jules ferdinand jacquemart
Artist role: draughtsman, print maker
Artist dates: 1837 – 1880
Subjects: anonymous historical person portrayed alone
Inscriptions: collector's mark: ‘Koninklijk Oudheidkundig Genootschap Amsterdam / Bibliotheek’, collector's mark: Lugt 2228, number: ‘10’, inscription: ‘Adriaan de Vries’
Portret van Carl Friedrich Philipp Krutisch
Object type: print
Date: 1832 – 1874
Materials: paper
Techniques: lithograph
Location: hamburg
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228
Vase with Plum Blossoms
Object type: vase
Date: 1701 – 1800
Materials: porcelain
Culture: chinese

The vase is shaped in an elongated version of the meiping that was often used at Dehua and other kilns in the eighteenth and nineteenth centuries. It is decorated with raised designs on the neck and on the body. A series of clouds or ruyi on the neck are used to enhance the lip and the mouth. Two lions’ heads decorate the vase as well as two scenes showing blossoming plums and birds. There are no marks or inscriptions on the vase.
Bo (鈸 )
Object type: bo
Date: 1801 – 1900
Materials: bronze
Culture: chinese
Location: china

Bo is the generic name for pairs of cymbals that come in a variety of sizes, all with rims that curl upward at the edges. Bo are used together with gongs and drums for military music and play a prominent role in opera productions, where they accent the actors' movements. Several playing techniques may be employed: the discs may be clashed together or held horizontally, with one raking across the other to produce a sustained rolling sound.
Designs for Leather
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: flowers,leaves
Portret van George Canning
Object type: print
Date: 1829 – 1840
Materials: paper
Techniques: engraving
Location: hildburghausen
Artist: carl mayer
Artist role: print maker
Artist dates: 1798 – 1868
Subjects: london, historical persons
Inscriptions: collector's mark: Lugt 2228
Sutra Cover with Flowers
Object type: sutra cover
Date: 1501 – 1600
Materials: silk
Techniques: patterning, weave
Culture: chinese
Subjects: lotuses,peonies

Sutras printed in the accordion-fold format were often encased by covers wrapped in decorative silks. Covers both protected the sacred words and presented the sutras in beautiful envelopes that signaled the importance of the contents within. These examples from the sixteenth century indicate the variety of sutra cover motifs, including some seemingly irrelevant to Buddhist philosophy, such as dragons, phoenixes, or the character shou, meaning longevity
Terracotta fragment of a hydria (water jar)
Object type: hydria fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic
Vrouw uit Bilbao
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates, head-gear: hat (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), pearl; pearl necklace (+ women's clothes)

Vrouw uit Bilbao in een 'robba' of overkleed, afgezet met bont. Daaronder een enkellang kleed van satijn met banden van brokaat. Parelsnoer om de hals. Heel klein hoedje op het voorhoofd (door Vecellio bizar genoemd) Handschoenen in de hand. In ornamentrand.
Dressing gown
Object type: dressing gown
Materials: cotton, silk
Culture: american or european
Koperen kaarsensnuiter, openscharende snuiter met pit bakje en scherpe punt
Object type: miniature
Date: 1690 – 1710
Materials: copper
Location: amsterdam
Artist: Anonymous

Koperen kaarsensnuiter in standaard; openscharende snuiter met pitbakje en scherpe punt.
The Actor Yamashita Kinsaku II as Moshio in the Play Izu-goyomi Shibai no Ganjitsu, Performed at the Morita Theater in the Eleventh Month, 1772
Object type: print
Date: 1772 – 1772
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Way to Calvary
Object type: drawing and watercolor
Materials: gouache, ink, paint, paper, watercolor
Techniques: brush, heightening, pen, wash
Location: belgium
Artist: jan van der straet
Spotprent op Busken Huet, 1886
Object type: cartoon
Date: 1886 – 1886
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: paris

Spotprent met een sater met een masker met gezicht van de auteur Conrad Busken Huet. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 3, 1886.
Portret van Frederik III van Denemarken en Noorwegen
Object type: book illustration
Date: 1656 – 1666
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: copenhagen (city), frederik iii (koning van denemarken en noorwegen), rocaille ornament, historical persons, king

Prent waarschijnlijk uit: Brachelius, Johannes Adolphus. Historia nostri temporis, dat is geschiedenis onses tijts (…). Rotterdam: Andries van Hoogenhuysen, 1656. Prent ook gebruikt in de 1659- en 1666-editie.
Plate
Object type: plate
Date: 1830 – 1830
Materials: earthenware
Culture: mexican
Location: mexico
Subjects: flowers
Hoofd van een vrouw, driekwart naar rechts en naar beneden kijkend
Object type: drawing
Date: 1520 – 1563
Materials: chalk, paper
Artist: francesco salviati
Artist role: draughtsman, painter, print maker
Artist dates: 1510 – 1563
Studioportret van een man in zwart pak
Object type: photograph
Date: 1870 – 1870
Materials: paper
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: historical persons not known by name
Paris. La Place de la Concorde
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1906
Materials: cardboard
Techniques: autotype
Location: paris
Artist: Anonymous
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, monument, statue, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Souvenir spoon with view of Havana Fortress from the sea
Object type: souvenir spoon
Date: 1867 – 1900
Materials: niello, silver gilt
Textile Fragment
Object type: textile fragment
Date: 1701 – 1800
Materials: linen, silk
Techniques: embroidery
Location: greece
Subjects: birds
Gloves
Object type: glove
Date: 1620 – 1640
Materials: leather, metal thread, textile, silk
Techniques: lace, embroidery, stitching
Subjects: birds,flowers

Gloves are replete with associations to love, honor, and loyalty, and these accessories played an important symbolic role in the portraiture of the sixteenth and seventeenth centuries. As a surrogate for their owner, gloves could be indicative of both romantic love or political allegiance, as when a woman's glove was bestowed upon her chosen contestant to be worn in a tournament. The gauntlets on this pair of gloves contain small birds and flaming hearts, surely symbols of romantic devotion. The symbol of the flaming heart in a cartouche also appears in a Dutch collection of embroidery designs for fashionable accessories, dating to the 1620s, in the Museum's collection.
S. Second et S. Alexandre, martyrs (St. Secundus and St. Alexander, Martyrs), August 26th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Pottery Flute
Object type: pottery flute
Date: 1801 – 1900
Materials: clay
Culture: mexican
Location: mexico
The Birth of the Virgin
Object type: print
Date: 1501 – 1600
Techniques: etching
Artist: anonymous, french, school of fontainebleau, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: men,women,virgin mary,birth
Twee meisjes in veld
Object type: photograph
Date: 1908 – 1915
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: netherlands

Foto op bruin albumblad 48 van familiealbum van Alphons Diepenbrock.
Ex libris van Winfred Porter Truesdell
Object type: bookplate
Date: 1901 – 1901
Materials: paper
Techniques: printing block
Location: north and central america
Subjects: sitting figure, monk(s), friar(s), lute, and special forms of lute, e.g.: theorbo
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Pendant
Object type: pendant
Date: 1101 – 1200
Materials: gold
Techniques: filigree
Location: iran
Subjects: pendants
Paus Pius IX
Object type: devotional medal
Date: 1846 – 1878
Materials: brass
Techniques: striking
Location: rome
Artist: Anonymous
Subjects: rome
Portret van Lorenzo Strozzi
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: Anonymous
Subjects: priest, archbishop, bishop, etc. (roman catholic), cardinal, historical persons
Soldaat, op de rug gezien, die zijn spies met beide handen horizontaal op neushoogte draagt, zijn rechterhand bij de voet van het wapen, zijn gezicht naar rechts gewend (nr. 30), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, op de rug gezien, die een spies (lans) met beide handen horizontaal op neushoogte draagt, zijn rechterhand bij de voet van het wapen, zijn gezicht naar rechts gewend (nr. 30), ca. 1600. Plaat 30 in de instructies voor het hanteren van de spies: Corte onderwysinghe op de figuerliicke afbeeldinghe, belanghende t'recht ghebruyck, van al t'ghene een Soldaet int handelen vande Spies noodich is. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, 's-Gravenhage, 1607. Krijgswezen rond 1600.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: onesimos
Artist role: artist

Interior, drapery; two letters of an inscription, [KA]LOS
Daoist Immortal, probably Laozi (老子)
Object type: figure
Date: 901 – 1000
Materials: bronze
Culture: chinese
Subjects: men,monks

This sculpture epitomizes the merging of religious and secular imagery in later Chinese Buddhist sculpture. With his shaven head and elongated earlobes, the figure resembles a luohan (one of the Indian disciples of the Buddha), but his refined facial features, dignified posture, long-sleeved robe, and pointed shoes—all attributes associated with Confucian scholar-officials—identify him unmistakably as a youthful monk. The sculpture’s tendency toward abstraction and stylization—the contours of the head, body, and robes are conveyed through the buildup of simple, curved forms—recall thirteenth-century images, but a radiocarbon date suggests that the piece dates to between A.D. 1324 and 1617.
Portret van George Lambert
Object type: print
Date: 1727 – 1727
Materials: paper
Techniques: mezzotint
Subjects: london, print maker, george lambert, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240
The Lamentation
Object type: painting
Date: 1330 – 1335
Materials: gold leaf, paint, wood
Culture: italian
Location: france
Artist: master of the codex of saint george
Artist role: artist
Artist nationality: italian
Artist dates: 1310 – 1335
Subjects: christ,mary magdalene,saint john the evangelist,virgin mary,lamentation,saints

The grieving faces and bold gestures on this exquisitey painted panel, highlighted against a stark gold ground, dramatically convey the emotion of the Passion of the Christ. This panel, along with its companion (acc. no. 61.200.1), are among the few surviving works by the so-called Master of the Codex of Saint George, who is named for a missal he illuminated now in the Biblioteca Apolistica Vaticana, Vatican City. Although trained in Florence, the Master of the Codex of Saint George spent much of his career in Avignon, home of the papal court from 1309 to 1377, where he assimilated characteristics of Sienese and French paintings of the period. The panels were once thought to constitute a complete devotional diptych, but careful examination has shown that they were originally part of a folding polyptych probably composed of six panels organized in an accordion-like fashion, with the pairs of panels closing over one another face-to-face. The cycle likely began with the Annunciation and the Nativity (both missing), continued with the two Cloisters panels, and concluded with the Resurrection and the Coronation of the Virgin (both Museo Nazionale del Bargello, Florence).
Reclame voor kleding van Hwakes & Reed in Greenfield, Massachusetts, met portret van een onbekende vrouw
Object type: carte de visite
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: advertising, historical persons not known by name - bb - woman
Inscriptions: inscription: ‘(...)’
Censer
Object type: censer
Date: 1001 – 1200
Materials: copper alloy
Culture: german
The Desperate Man
Object type: print
Date: 1515 – 1515
Techniques: etching
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,female nudes
Cheminées et Lambris
Object type: print
Materials: paper
Techniques: etching
Location: paris

Een schouw met rond medaillon tegen de muur van een voorkamer met daarboven een balustrade. Rechts vooraan staat een groep mensen bij twee zuilen. Uit tweede editie van serie bladen met onderboezems en houten lambrisering.
Sideboard Table
Object type: sideboard table
Date: 1790 – 1800
Materials: wood
Culture: american
Location: united states
Tafelklok, gefineerd met schildpad en zwart perenhout, en met verguld bronzen lijsten. Bekroond met vijf vazen met vlammen
Object type: table clock
Date: 1700 – 1725
Materials: brass, bronze, wood, silk, tin, shell, velvet
Techniques: gilding
Location: paris
Artist: michel-françois piolaine
Artist role: clockmaker
Inscriptions: : ‘R. May’

Bracket clock. Veneered with tortoiseshell. Paris, c. 1675 - 1680. The movement renewed, probably c. 1770 - 1790 by Piolaine.
Terracotta fragment from a closed shape
Date: 500 – 301
Materials: terracotta
Culture: greek, attic

Black glaze fragment with a pitted surface from a closed shape
Sir Henry Trollope
Object type: print
Date: 1703 – 1798
Materials: paper
Techniques: engraving
Location: london
Subjects: historical persons, commander-in-chief, admiral
Inscriptions: inscription, collector's mark: Lugt 2228
Sprinkler
Object type: sprinkler
Date: 1801 – 1900
Materials: glass
Techniques: glassblowing, molding
Location: iran

Like most Qajar-period glass vessels, this sprinkler is monochromatic with an elegant profile. The surface of the rounded body is ornamented with eight, goffered applications of glass trails. This bulbous shape with a very high, narrow neck, was one of the most common forms in late-medieval Persian glass. The small tapered mouth was used to sprinkle fragrant water infused with rose petals and other perfumes.
Christ's Entry into Jerusalem, from The Small Passion (copy)
Object type: print
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: horses,christ
The Latest Fashions, Expressly Designed and Prepared for Le Moniteur de la Mode
Object type: print
Techniques: hand coloring, engraving
Artist: a. bodin
Artist role: printmaker
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: women,fashion
Twilight with Haystacks
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: aquatint, etching
Location: france
Artist: camille pissarro
Artist role: artist
Artist nationality: french
Artist dates: 1830 – 1903
Page (broadsheet) from the 'Gaceta Callejera' (street gazette) relating to the death of General González in Chapingo on May 8, 1893
Object type: print
Date: 1893 – 1893
Materials: metal, paper
Techniques: engraving, letterpress
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,death,generals
The Tyresmith, from "The Whirlwind"
Object type: print
Materials: ink, paper
Techniques: printing, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: human figures,working
Clarence Walker, L.F. Phil - A., from Baseball strip cards (W575-2)
Object type: print
Date: 1921 – 1922
Techniques: photolithograph
Subjects: men,portraits,baseball,athletes

Clarence Walker, Left Field, Philadelphia - American, from Baseball strip cards (W575-2). W575 is comprised of two separate distinct issues known as W575-1 and W575-2. W575-2: black and white printed photo of player. White borders. Blank back. Includes a replica signature over image. Known as "autograph on shoulder" series.