deem-data/ArtiFact huggingface dataset:
Twaalf platen van de aankomst en inhuldiging van Willem I in Brussel en de slagen bij Quatre-Bras en Waterloo in 1815
Object type: print
Date: 1825 – 1826
Materials: paper
Techniques: aquatint, etching
Location: brussels
Subjects: walmer castle, arthur wellesley of wellington, battle (+ land forces), waterloo
Inscriptions: : ‘Déposé’, collector's mark: Lugt 12

De hertog van Wellington op het slagveld tijdens de slag bij Waterloo, 18 juni 1815. Centraal de prins te paard omgeven door zijn staf. Rechts een boerenwagen met doden en gewonden. Centraal onderaan het wapen van koning Willem I. Behoort bij een serie platen over de inhuldiging van Willem I in Brussel. Zie ook de pendant.
Teapot
Object type: teapot
Date: 1800 – 1800
Materials: clay, glaze
Culture: japanese
Roma
Object type: photograph
Date: 1851 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: square, place, circus, etc., ornamental fountain
Inscriptions: number: ‘1236’, collector's mark: ‘VOSMAER’
Revuedanseressen en zanger op een toneel
Object type: photograph
Date: 1920 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Location: prague
Artist: antonín wildt
Subjects: male singer, ballet group; dancers on the stage
Inscriptions: address: ‘WILDT, PRAGUE-I./ KRÁLODVORSKÁ-18.’
Statuette
Object type: statuette
Date: 1601 – 1633
Materials: earthenware
Techniques: glazing
Subjects: men
C.W.V. Clarke, Walker, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: lithography
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,athletes

Trade cards from "World's Champions," Second Series (N43), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Rij paramilitairen in de ontvangstzaal in het paleis van de Sultan van Langkat
Object type: photograph
Date: 1919 – 1919
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: palace - aa - civic architecture: inside, historical persons, sumatra
Portret van Johan Verster
Object type: print
Date: 1918 – 1918
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: blind, blindness, portrait of a musician
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een portret van de blinde pianist Johan Verster, met bril.
Portret van de dichter Lauderus
Object type: print
Date: 1600 – 1650
Materials: paper
Techniques: engraving
Location: leeuwarden
Subjects: moustache, beard
Inscriptions: collector's mark: Lugt 2228

Buste naar links van de dichter Lauderus in een ovaal. Onder het portret een vierregelige tekst in het Latijn.
Child's Tunic
Object type: costume and accessory
Materials: linen, wool
Techniques: weave
Culture: coptic
Location: egypt
Straatgezicht met stallen en huizen, China
Object type: photograph
Date: 1879 – 1890
Materials: paper
Techniques: albumen print
Location: china
Artist: Anonymous
Subjects: stall, stable, street, china
Inscriptions: number: ‘2.’
Acht bijbelvoorstellingen uit Johannes, Matteüs, de Apocalyps en Georg Friedrich Händel's Messiah
Object type: print
Date: 1741 – 1799
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: the new jerusalem, the holy ghost going out from christ, an angel appears, summoning peter to wake up ~ peter in prison, christ washes the feet of the apostles (john 13:1-20), the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38), christ almost vanished: only feet visible ~ ascension
Inscriptions: collector's mark: Lugt 2228
Illustrations on Bugaku (Bugakuzu) 舞楽図 （ぶがくず）
Object type: illustrated book
Date: 1823 – 1828
Materials: ink, paper
Culture: japanese
Artist: takashima chiharu 高島千春
Artist role: artist
Artist nationality: japanese
Artist dates: 1777 – 1859
Wall Fragment from a Tomb Depicting Offering Bearers
Object type: architectural fragment
Materials: limestone
Techniques: relief
Culture: egyptian
Location: egypt
Subjects: men, geese, hieroglyphs, funerary art, food, flowers
Portret van Johann Gossner
Object type: print
Date: 1792 – 1865
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: berlin, hierarchy of jurisdiction ~ roman catholic church, historical persons
Inscriptions: collector's mark: Lugt 2228
Amulet of a Plummet
Object type: costume and accessory
Materials: mineral
Culture: egyptian
Location: egypt
Gezicht op het Rijksmuseum in aanbouw
Object type: drawing
Date: 1880 – 1880
Materials: ink, paper, watercolor
Techniques: brush, pen
Subjects: city-view in general; 'veduta', permanent exhibition, museum, building-site
Inscriptions: signature, date and inscription: ‘Willy Steelink / 10 (...) van achteren gezien’

Onderwerpsrubriek binnen de Atlas Amsterdam: Rijksmuseum.
Brief aan Gerardus Arnoldus Nicolaus Allebé
Object type: letter
Date: 1834 – 1892
Materials: ink, paper
Techniques: pen, writing
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: amsterdam, gerard arnold nicolaas allebé

Brief bevat twee gedichten. Brief werd bewaard in een bruinleren omslag met goudopdruk `1836 Hulde aan Dr. G.A.N. Allebé 1886', met daarin brieven, tekeningen en gedichten afkomstig uit de familie van de schilder August Allebé.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of a draped figure?; in front of the figure, a kantharos
Mansportret met vilthoed, in profiel
Object type: drawing
Date: 1800 – 1900
Materials: paper, pencil
Artist: Anonymous
Subjects: anonymous historical person portrayed alone
Daniël in de leeuwenkuil
Object type: print
Date: 1655 – 1690
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: daniel sitting unharmed in the lion's den, surrounded by lions
Inscriptions: collector's mark: Lugt 2228

Daniël zit met gevouwen handen en opgeheven hoofd in de leeuwenkuil. Vier leeuwen struinen om hem heen. Linksvoor ligt een doodshoofd.
Venus entrusting Cupid to Time
Object type: print
Date: 1758 – 1780
Techniques: etching
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Subjects: doves,women,female nudes,cupid,venus

This composition celebrates the birth of a child, whom Venus consigns to Saturn in his role as Father Time. The Graces sprinkle roses, and the doves that draw Venus' chariot kiss overhead. The child was once identified as Cupid, yet his lack of wings and the presence beneath him of a winged infant with a quiver play down that interpretation. On the other hand, the winged child may be delivering the sheaf of arrows—which seems too heavy for him—to the newborn. Other suggestions for the baby's identity are Venus' son Aeneas—an appropriate subject if the room contained stories from Virgil's Aeneid—or a son from the noble family that commissioned the work.
Profiel van een vrouw, naar links
Object type: drawing
Date: 1845 – 1845
Materials: paper, pencil
Artist: georgius jacobus johannes van os
Artist role: draughtsman, painter, print maker
Artist dates: 1782 – 1861
They Can't Keep Him Hid, from Puck
Object type: print
Materials: paper
Techniques: lithograph
Location: united states
Artist: louis dalrymple
Artist role: artist
Artist nationality: american
Artist dates: 1865 – 1905
Portret van mevrouw Jullien
Object type: photomechanical print
Date: 1873 – 1880
Materials: paper
Techniques: woodburytype
Artist: félix nadar
Artist role: ballonvaarder, fotograaf
Artist dates: 1820 – 1910
Subjects: historical persons - bb - woman
Aus meinem Bühnenleben
Object type: book
Date: 1876 – 1876
Materials: cardboard, linen, paper, photographic support
Techniques: salted paper print
Location: berlin
Artist: arnold wellmer
Artist role: schrijver
Artist dates: 1835 – 1915
Inscriptions: name: ‘R. Voigtländer's Sortiments-Buchhandlung (G. Barth) Kreuznach’
Miss Johnston, from the Actresses series (N246), Type 1, issued by Kinney Brothers to promote Sporting Extra Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,actresses

Trade cards from the set "Actresses" (N246), issued ca. 1890 by Kinney Brothers Tobacco to promote Sporting Extra Cigarettes. There are two types of cards in the series, varying by size.
West-Friesland, bezemstuiver, 1766
Object type: coin
Date: 1766 – 1766
Materials: silver
Techniques: striking
Location: west frisia

Zilveren munt. Voorzijde: binnen een lauwerkrans tussen waarde-aanduiding 1 S pijlenbundel. Keerzijde: opschrift in drie regels. Daarboven muntmeesterteken tussen twee punten, daaronder jaartal.
The Sudarium of Saint Veronica
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: france
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688

This virtuoso print replicates the cloth that Saint Veronica used to wipe Christ’s face on the way to his death. The cloth is called a sudarium, a contact relic containing the print-like impression of the savior’s face. Claude Mellan engraved Christ’s portrait in one seemingly unbroken line; the spiral from the center of his nose swirls outward to delineate the fabric. The artist’s way of approaching the swelling engraved line, produced with increased burin pressure, lends the image an abstract quality.
Mond der Nickerierivier, met overblijfsel van den steiger van het verzwolgen Nickerie
Object type: photograph
Date: 1891 – 1891
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: gomez burke
Artist role: fotograaf
Subjects: suriname
Inscriptions: inscription: ‘G.B.23. / Mond der Nickerierivier, met overblijfsel van den steiger van het verzwolgen Nickerie.’

Gezicht over de Nickerie rivier met restanten van een steiger van het door de rivier verzwolgen plaatsje Nickerie (of Nieuw-Rotterdam). Onderdeel van het fotoalbum Souvenir de Voyage (deel 4), over het leven van de familie Dooyer in en rond de plantage Ma Retraite in Suriname in de jaren 1906-1913.
Dolmabahçepaleis aan de Bosporus in Istanbul
Object type: photograph
Date: 1880 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: istanbul
Artist: Anonymous
Subjects: palace
Inscriptions: negative number: ‘193’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Frankrijk, Griekenland en Turkije.
Huizen
Object type: drawing
Date: 1828 – 1897
Materials: paper, pencil
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Slapende dienstmeid in een keuken
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Subjects: sleeping in chair, old woman, kitchen-interior
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11

In een keuken zit een oude dienstmeid te slapen op een stoel. Op de grond naast haar staat een pul en voor haar liggen groenten en keukenspullen.
Design from the Momordica Charantia by P. Moorgesan
Object type: print
Date: 1801 – 1900
Techniques: lithography
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today. The Momordica Charantia is a tropical and subtropical vine grown widely in Africa, Asia, and the Caribbean for its edible fruit, a type of bitter melon. The vine of the Momordica Charantia decorates the border of this print and two melons can be seen underneath the vine at the top left and right corners.
Holborn Circus
Object type: lantern slide photographic
Date: 1900 – 1906
Materials: glass
Techniques: gelatin silver transparency
Location: germany
Artist: Anonymous
Subjects: square, place, circus, etc., monument, statue
Portret van Friedrich Gottlieb Klopstock
Object type: print
Date: 1779 – 1803
Materials: paper
Techniques: engraving, etching
Location: braunschweig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Melkkan, veelkleurig beschilderd met bloemtakken op een zeegroene fond
Object type: eating drinking utensil
Date: 1737 – 1737
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: factory mark

Two jugs. Porcelain. Meissen, c. 1725 - 1730. Given by L. Mainz, 1938.
Decorative Paper with an Overall Scallop and Palmette Pattern in Black and Blue
Object type: print
Date: 1780 – 1840
Techniques: relief print
Artist: anonymous, french
Artist role: artist
Artist nationality: french
Artist dates: 1400 – 2050

Alongside other applications, decorative printed papers of this kind formed a cheaper alternative to full leather book covers. They were most often used to wrap smaller pamphlets, or cahiers and booklets consisting of only a few quires. This custom became especially popular during the second half of the eighteenth century and, accordingly, the production of these papers was widespread and incredibly varied. In general, most patterns were designed as endless repeats so that the paper could be used to cover objects of varying sizes. In addition, the same woodblocks would sometimes also be used to print on fabric. The quality of the patterns ranged from messily printed simple designs in one single color to incredibly fine and elaborate compositions in two, three, or four colors. This particular pattern is printed in black and blue, but makes clever use of the white color of the paper to complete the design.
Blade for a Kris
Object type: blade for a kris
Date: 1701 – 1900
Materials: silver, steel
Culture: philippine, moro
Location: philippines
Hortorum Viridariorumque (...)
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: etching
Location: antwerp
Subjects: garden, french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De serie ‘Hortorum Viridariorumque’ van Vredeman de Vries (Hollstein Dutch 470-490) is in deze editie van de serie door uitgever Joannes Galle ( en eerder door zijn voorganger Theodoor Galle) aangevuld met de serie ‘Tuinen’ van Vredeman de Vries (Hollstein Dutch 508-515) en met twee prenten van Pieter van der Borcht (I) (New Hollstein Dutch 161-162). De prenten zijn genummerd: 1-30. Origineel hoort bij deze editie van de serie, uitgegeven door Joannes Galle, nog een prent van Van der Borcht met nummer 31, maar deze prent ontbreekt in deze serie in de collectie van het Rijksmuseum.
Chasuble with Medallion Depicting John the Baptist
Object type: textile
Date: 1575 – 1625
Materials: gilt, linen, metal, textile, silk
Techniques: embroidery, treatment, patterning, weave, satin weave, silvered, stitching
Location: italy
Artist: andrea del sarto (andrea d'agnolo)
Artist role: artist
Artist nationality: italian
Artist dates: 1486 – 1530

The primary feature of this important vestment is the tondo or circular scene showing John the Baptist standing beside the kneeling Christ, executed entirely in needlework. It is based on a fresco painted by the High Renaissance artist Andrea del Sarto that dates between 1502 and 1517.
Le Marais d'Eau (...)
Object type: album leaf
Date: 1670 – 1703
Materials: paper
Techniques: etching
Location: paris
Subjects: plants; vegetation, garden fountain, french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn. De uitgevers vader en zoon Nicolas Langlois worden allebei vermeld als N. Langlois op hetzelfde adres.
Plate
Object type: plate
Date: 1752 – 1756
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: flowers

This example of early Chelsea domestic ware with raised decoration was modeled on contemporary Rococo silver.
Koning Willem III legt de eerste steen voor het monument ter herinnering aan de bevrijding van de Fransen
Object type: print
Date: 1863 – 1865
Materials: paper
Techniques: iris print, lithograph
Location: the hague
Subjects: brussels, willem iii (koning der nederlanden), ceremonial laying of the foundations, laying the first stone, the hague
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Een menigte heeft zich verzameld op een grote ronde tribune met daarop wapperende vaandels en de jaartallen 1813 en 1863. Links zit de Koninklijke familie en in het midden, onder een tent, legt Koning Willem III de steen. Rechts een tribune met een koor. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin. Volksleven. Openbare feesten. Vorstelijke intochten, (Illuminaties, vuurwerken en dergelijke, openbare feesten).
Spaniël bij de waterkant kijkt naar wegvliegende eend
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: mezzotint
Location: london
Subjects: hunting dogs, water-birds: duck, dog
Inscriptions: collector's mark: Lugt 240
Der Zwergstein und die Spanische Wand
Object type: print
Date: 1820 – 1850
Materials: paper
Techniques: lithograph
Location: prague
Artist: vincenz mung
Artist role: print maker
Subjects: rock-formations, landscapes in the temperate zone (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Handelingen van de apostelen
Object type: print
Date: 1591 – 1600
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: peter's vision of the unclean beasts on the roof of the house of simon the tanner: a sheet descends from heaven full of four-footed beasts, creeping things and fowl of the air
Inscriptions: collector's mark: Lugt 240

Simon bidt in het huis van Simon de leerlooier. Boven hem verschijnt een laken met allerlei onreine diersoorten. Hij kreeg drie keer het bevel om de dieren te slachten en op te eten, maar dat weigerde hij. Onder in de marge een tweeregelig onderschrift in het Latijn.
Historie der Kerken en ketteren (...) tot aan het jaar onses Heeren 1688
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: geleerde, photius

Portret van Photius Icononclasta uit een serie portretten in Historie der Kerken en ketteren van den beginne des Nieuwen Testaments tot aan het jaar onses Heeren 1688 van Godfried Arnold (1701).
Glass beaker with snake-thread decoration
Object type: beaker
Date: 301 – 400
Materials: glass
Culture: roman
Subjects: snakes

Colorless with green tinge; trails in same color. Outsplayed, uneven, knocked-off rim; vertical side to body, then tapering to form hollow stem; low foot, with rounded, tubular edge, made by folding; pushed-in bottom with domed kick at center and pontil mark. On body, side divided into four vertical panels, each containing a snake-thread trail (three of nine loops, one of eight) with a trailing-off tail below, all tooled flat with cross-hatch pattern; between panels, a slender vertical trail applied to lower body, drawn up, tooled to form horizontal ribs, then folded down over ribs as a plain trail. Intact; some pinprick bubbles; dulling, creamy weathering, and iridescence on exterior, soil encrustation and thicker black and brown weathering on interior. After the beaker had been blown, decoration in the form of snakes was added with molten threads of glass. Many beakers of this type have been found in northern France.
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 470 – 460
Materials: terracotta
Culture: greek, attic

At the bottom left, right hand?; thighs, left knee, and part of the right calf of a male to left, with a chlamys; part of leg of a male to left
Ioannes de la Quintinye regiorum hortorum culturae praefectus
Object type: print
Date: 1679 – 1717
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: portrait, self-portrait of architect
Inscriptions: collector's mark: Lugt 2228

Portret van botanicus Jean-Baptiste de La Quintinie, buste in ovale omlijsting met Latijns vers op voet over zijn kwaliteiten als tuinarchitect en botanicus.
Plattegrond van Lille
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: engraving, etching, hand coloring, lacquer
Location: amsterdam
Artist: Anonymous
Subjects: fortified city, maps of cities, lille

Plattegrond van de versterkingen om de stad Lille (Rijssel). Rechtsonder buigt een man, mogelijk een bode, voor een bevelhebber voor zijn legertent. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Is it Weakness thus to Dwell (valentine)
Object type: drawing and watercolor
Materials: paper
Techniques: collage, embossing, lithograph
Location: england
Artist: george kershaw
Artist nationality: english
Artist dates: 1800 – 1899
Ewer
Object type: ewer
Date: 1101 – 1200
Materials: stonepaste
Techniques: glazing
Location: iran
Close Helmet for the Tourney
Object type: close helmet for the tourney
Date: 1567 – 1600
Materials: brass, canvas, silk, steel
Culture: german
Location: germany

The tourney was a mock combat fought in an open field between two groups of mounted contestants armed with blunted lances and swords. Armor for the tourny usually was similar to that used in battle, with the addition of specialized reinforcing plates. This helmet retains its original silk-covered padded lining and canvas straps for adjusting the lining to the head.
Ex libris van William Talbot Agar
Object type: bookplate
Date: 1824 – 1906
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry
3 Pfenninge uit Pruisen van Wilhelm I, 1861
Object type: coin
Date: 1861 – 1861
Materials: copper
Techniques: striking
Location: berlin

Koperen munt. Voorzijde: gekroond wapenschild. Keerzijde: waarde-aanduiding in twee regels. Daaronder jaartal. gladde rand.
Mold for a Rings
Object type: mold, ring
Date: 1390 – 1352
Materials: pottery
Location: egypt
Liure de Panaux pour les Lambris
Object type: ornament print
Date: 1656 – 1706
Materials: paper
Techniques: etching
Location: france

Rechts is de helft van een achthoekige lijst met een landschap te zien. Blad 6 uit serie van 6 bladen met ornamentele panelen voor houten lambrisering.
Betaalpenning van 25 cents van Hotel-Cafe Du Commerce te Amsterdam
Object type: history medal
Date: 1875 – 1900
Materials: brass
Techniques: printing

Messing plaatje met instempelingen R en 25
Fortifications d'Ehrenbreitstein
Object type: stereograph
Date: 1860 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: koblenz
Artist: Anonymous
Subjects: landscape with tower or castle
Inscriptions: number: ‘No 2669.’
Soldaten en burgers op het perron bij een trein
Object type: album leaf
Date: 1895 – 1910
Materials: photographic support
Techniques: daylight paper print
Artist: Anonymous
Subjects: adult woman, railway wagon, adult man, historical persons, the soldier; the soldier's life, france
Brief aan jonkheer Barthold Willem Floris van Riemsdijk
Object type: letter
Date: 1911 – 1911
Materials: ink
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: the hague, draughtsman, sculptor, annie ermeling, maastricht, amsterdam, print maker, engineer, jonkheer barthold willem floris van riemsdijk, painter, marius jean antonin mercié, rijksmuseum amsterdam, sculpture, art collecting, historical persons (portraits and scenes from the life), dutch east indies, the, paris