deem-data/ArtiFact huggingface dataset:
Ruïne van het Oost-Indisch Zeemagazijn, 1822
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: hand coloring, lithograph
Location: amsterdam
Artist: jacob plügger
Artist role: print maker
Artist dates: 1795 – 1871
Subjects: ruin of a building ~ architecture
Inscriptions: collector's mark: Lugt 2228

Ruïne van het Oost-Indisch Zeemagazijn te Amsterdam, na de instorting op 13-14 april 1822. Gezicht van de westzijde. Zie ook de pendant.
Liégeois (ou Liegois), François. 30 ans, né à Vilette (Meurthe & Moselle). Cordonnier. Anarchiste. 26/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Portret van een onbekende man
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: photograph
Subjects: historical persons not known by name
Effet de neige, vue de Maubeuge
Object type: print
Date: 1877 – 1909
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: louise danse
Artist role: painter, print maker
Artist dates: 1867 – 1948
Subjects: snow, farm or solitary house in landscape
Inscriptions: annotation: ‘1e Etat; Il n'a été tiré que 3 épreuves de cet etat’, collector's mark: Lugt 2228
The Actor Anegawa Daikichi as Ayame no Mae in the play "Miyo no Hana Yunzei Kagami," performed at the Morita Theater in the eleventh month, 1760
Object type: print
Date: 1760 – 1760
Techniques: printmaking, woodblock print
Location: japan
Artist: torii kiyomitsu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1785
The Cottage
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: etching
Location: london
Artist: john browne
Artist role: print maker
Artist dates: 1741 – 1801
Subjects: trees, walking, hiking (recreation), cottage
Inscriptions: collector's mark: Lugt 12
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic
Artist: poseidon painter
Artist role: artist

Interior, drapery and right foot of a male to right; Exterior, hooves of horse and greaved legs of a warrior to left; below, a band of oblique, black glaze addorsed palmettes with tendrils
Plate 23: Psyche on the order of Venus departing to find the golden fleece, from "The Story of Cupid and Psyche as told by Apuleius"
Object type: print
Date: 1530 – 1560
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: psyche,venus,trees

This book contains 32 plates bound together, 3 of which are by Agostino Veneziano.
Panel (Furnishing Fabric)
Object type: textile
Materials: textile
Techniques: embroidery
Culture: han chinese
Location: china
Alexander Hypsilanti, Obergeneral der gegen die Türken aufgestandenen Griechen
Object type: print
Date: 1820 – 1840
Materials: paper
Techniques: lithograph
Location: mannheim
Subjects: head-gear, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Verlichte Martinitoren te Groningen
Object type: print
Date: 1911 – 1931
Materials: paper
Techniques: etching, intaglio
Artist: arend hendriks
Artist role: print maker
Artist dates: 1901 – 1951
Subjects: full moon, parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 2228

Een vrouw met bontjas en hoed staat voor een huis waarachter de verlichte Martinitoren te zien is.
De Hoopman van Weisheyt / le capitaine prvdent
Object type: print
Date: 1577 – 1578
Materials: paper
Techniques: engraving
Location: netherlands
Artist: theodor de bry
Artist role: draughtsman, print maker
Artist dates: 1528 – 1598
Subjects: delft, william i (prince of orange), the judgement of solomon (1 kings 3:16-28), historical persons, judgement of cambyses: he appoints sisamnes' son to succeed his father, whose skin is nailed onto the judgement-seat (possibly flaying of sisamnes visible)

Medaillon met de buste van de "Hoopman van Weisheyt" (portret van Willem van Oranje). In de rand met grotesken worden de oordelen van Salomo en Cambyses afgebeeld en een voorstelling van de godsvruchtige vorst, onbeïnvloed door dood en verderf. Blad uit serie van 4 bladen met een medaillon in een brede rand van grotesken met figuren, dieren en bladranken op een donker fond. De rand rondom het medaillon en de buitenrand bevatten Nederlandse en Franse versregels.
Roma vrouw
Object type: print
Date: 1638 – 1670
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: nursing, suckling, wandering communities: romani or roma, weeping, 'en route', traveller under way, dog
Inscriptions: collector's mark: Lugt 240

In een heuvelachtig landschap geeft een Roma vrouw haar baby de borst. Naast haar staat een jong kind met een nap en een lepel. Op haar rug een derde kind dat huilt. Op de achtergrond drie reizigers en een hond. ‘Heidens’ of ‘heidenen’ was een eigentijdse benaming voor Roma.
Lioness Resting
Object type: painting
Date: 1885 – 1885
Materials: oil, panel
Artist: jan van essen
Artist role: draughtsman, print maker
Artist dates: 1854 – 1936
Subjects: beasts of prey, predatory animals: lion
Inscriptions: signature and date: ‘Jan van Essen 1885’

Een liggende leeuwin, voor een steil oplopende achtergrond.
The Courtesan Umematsu of the Atarashiya Brothel Costumed as an Ohara Maiden
Object type: woodblock print
Materials: ink, paper
Techniques: woodblock print, nishiki e
Culture: japanese
Artist: ryūkōsai jokei 流光斎如圭
Artist role: artist
Artist nationality: japanese
Artist dates: 1777 – 1809
Subjects: women

This exceedingly rare early print by the pioneering Osaka print artist Ryūkōsai presents the courtesan Umematsu dressed as an Oharame, peasant women who brought bundles of charcoal and other goods from the Ohara area, north of Kyoto, into Osaka. She is garbed for a costume parade held in the summer by local courtesans and teahouse attendants.
Study of the Side of a Rocky Cliff; Verso: Dam on a Mountain Stream
Object type: drawing
Date: 1600 – 1605
Materials: ink
Techniques: pen, wash
Artist: paulus willemsz. van vianen
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1619
Subjects: mountains

The artist Paulus van Vianen is best known as a goldsmith, who worked for most of his life at the court of Rudolf II (1552–1612) in Prague. Apart from his designs for metalwork, a considerable part of his drawn oeuvre consists of landscapes and nature studies. Considering the fact that the artist made no paintings or print designs with such imagery, we can assume that Van Vianen made these drawings purely for his own pleasure. His sketches are characterized by a remarkable degree of realism, and in that respect can be considered illustrative of the artistic development at the time: during the last decades of the sixteenth- and early years of the seventeenth century, landscape painting made a leap towards greater realism, away from the more idealized and dramatized scenery. The Netherlandish artists Roelant Savery (1576–1639) and Pieter Stevens (1567–after 1626), also active at the court of Emperor Rudolf II, were among the most influential figures in this development. It is known that Van Vianen went out into nature together with his fellow countrymen to study the local scenery: several sketches by both Van Vianen and Stevens record other artists sitting amid the trees with sketchbooks on their lap. Since our drawing has the size of a small pocketbook, and is worked on both recto and verso are worked, it is likely that the sheet derived from one of the artist’s sketchbooks. The drawing on the recto shows a study of a rock formation cautiously executed in delicate pen lines and blue and brown washes. Van Vianen minutely captured all the facets of the rock’s unruly surface. In the second picture plane, in contrast, he chose a freer handling, mostly using brush and blue wash. The verso contains a sketch of a small waterfall in a mountain stream. Here, the artist obtained a powerful suggestion of the moving water and its shimmers, by using subtle gray washes over scanty pen lines.
Ontwerp voor een over een vergulde roede gedrapeerd gordijn
Object type: design drawing
Date: 1810 – 1820
Materials: graphite, ink, paper, watercolor
Techniques: aquarelle, brush, pen
Location: netherlands
Artist: Anonymous
Inscriptions: watermark
Tekst over Christus voor Pilatus
Object type: album leaf
Date: 1572 – 1572
Materials: paper
Techniques: letterpress printing
Location: antwerp

Tijdens de restauratie in 1988 bleek dat op de achterzijde van de prenten van de Passie-serie van Wierix Latijnse teksten in boekdruk staan. Deze vormen, wanneer op de juiste wijze in boekvorm gebonden (wat nu in het Heemskerck-album niet het geval is), een toelichting op de passievoorstellingen. Om de teksten zichtbaar te laten zijn de prenten bij de restauratie niet meer met de achterzijde op elkaar geplakt.
Kinderportretten
Object type: album leaf
Date: 1880 – 1920
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: head-gear, child, historical persons, trade games, imitative games, imitating adults

Vier portretten van kinderen, waaronder een van een meisje verkleed als schilder. Deze pagina maakt deel uit van een album.
Allegory
Object type: drawing and watercolor
Date: 1770 – 1770
Materials: chalk, paper, oil
Location: france
Artist: gabriel de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1724 – 1780
Subjects: women, people, prints and drawings, putti, triangles
Inscriptions: Inscribed recto, lower left, in brush and black oil: "Aubin f. 177[?]"
“Passeio Publico” Garden
Object type: photograph
Date: 1864 – 1874
Materials: photographic support
Techniques: albumen print
Location: rio de janeiro
Artist: Anonymous
Subjects: public gardens, park
Okitsu: The Okitsu River (Okitsu, Okitsugawa), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido
Object type: print
Date: 1833 – 1834
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Illuminated Initial "A" from a Psalter or Breviary
Object type: drawing and watercolor
Date: 1450 – 1459
Materials: gold leaf, ink, paint, parchment
Techniques: cutting
Culture: german
Location: germany
Ontwerpen voor cartouches en mascarons
Object type: ornament print
Date: 1682 – 1734
Materials: paper
Techniques: etching
Subjects: fabulous animals (sometimes wrongly called 'grotesques'); 'mostri' (ripa), ornament ~ cartouche, mask, mascaron ~ ornament, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent op onversneden blad met RP-P-1964-85. Prent maakt deel uit van een album.
Adam and Eve
Object type: print
Date: 1733 – 1797
Materials: paper
Techniques: etching
Subjects: temptation and fall (genesis 3:1-7)
Inscriptions: collector's mark: Lugt 2228
Ceremonie van eerbetoon aan de groothertog van Toscane
Object type: print
Date: 1606 – 1657
Materials: paper
Techniques: etching
Location: france
Subjects: paying tribute to a ruler
Inscriptions: collector's mark: Lugt 240
Terracotta fragment of a lekanis lid (covered dish)
Object type: lekanis fragment
Date: 375 – 351
Materials: terracotta
Culture: greek, attic

Part of a lekanis lid?; the outer surface is glazed; the underside is unglazed
Gezicht op de cascades in de tuinen van Château de Vaux-le-Vicomte
Object type: album leaf
Date: 1681 – 1724
Materials: paper
Techniques: etching, hand coloring
Location: northern netherlands
Subjects: french or architectonic garden; formal garden, garden cascade

Gezicht op de cascades in de tuinen van Château de Vaux-le-Vicomte. Op de voorgrond drie zittende figuren en een hond. Prent maakt deel uit van een album.
Kaart van de Veluwe
Object type: map
Date: 1635 – 1635
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228

Deze staat van prent ook gebruikt in: De vyerighe colom klaer vertoonende in vyftich onderscheydene curieuse caarten de XVII. Nederlantsche Provincien (…). Amsterdam: Jacob Aertsz Colom (I), s.a. [ca. 1660].

En in latere uitgaven met de platen van deze publicatie, uitgegeven door Pieter van Alphen (1691) en Pieter van der Slaart (1696).

Eerdere staat van prent (zonder '10' rechtsonder) ook gebruikt in eerdere drukken van deze publicatie
Ontwerpen voor kannen en schalen
Object type: ornament print
Date: 1784 – 1784
Materials: paper
Techniques: engraving, etching
Location: england
Subjects: dinner-service, tea- and coffee-service

Blad met achttien ingeplakte bladen met ontwerpen voor kannen, schalen, mandjes en een kandelaar. Met enkele handgeschreven opschriften en nrs. 229-235 en 238-249. Onderdeel van een catalogus met assortiment modellen van Sheffield verzilverd vaatwerk (pleet) door Matthew Boulton.
Fotoreproductie van zeven etsen van portretten van onbekende mensen door Willem Linnig (II)
Object type: reproduction
Date: 1891 – 1896
Materials: photographic support
Techniques: collodion silver print
Artist: alexandre van antro
Artist role: painter
Subjects: historical persons not known by name - bb - woman, historical persons not known by name
Portret van paus Gregorius XIII
Object type: print
Date: 1582 – 1585
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: rome, gregorius xiii, 'cornucopia', horn of plenty, historical persons, pope
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Portret paus Gregorius XIII, omringd door gebeurtenissen tijdens zijn pontificaat en bouwwerken die tijdens zijn pontificaat tot stand werden gebracht. Linksboven twee keer een hoorn des overvloeds (cornucopia) met daaronder de tekst 'Abondantia'. Rechtsboven het wapen van de paus.
Portret van Philippe du Plessis-Mornay
Object type: print
Date: 1674 – 1677
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228

FMP noemt Jan Lamsvelt als mogelijke prentmaker, maar dit is vanwege de datering niet mogelijk. Prent waarschijnlijk uit: Brandt, Geeraert (I). Historie der Reformatie (...). Amsterdam: Jan Rieuwertsz., Hendrik en Dirk Boom, 1674, dl. 2, tussen p. 520 en 521. Of uit een latere editie van het werk, uitgegeven in 1677.
Figure of a Prophet
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: men
The Tent, from an Indo-Chinese or Indian Series
Object type: textile
Date: 1700 – 1725
Materials: silk, wool
Techniques: interlocking, slit, weave
Location: england
Artist: workshop of john vanderbank, michael mazarind, or leonard chabaneix
Earring with head of ibex
Object type: earring, ibex head
Date: 300 – 101
Materials: gold
Location: egypt
Subjects: ibex

Hoops formed of wound wire with animal head terminals are the commonest type of Hellenistic earring. The heads on these earrings have been referred to as those of gazelles, but is now thought more likely to be an ibex. Ibex-head earrings are well-known in Egypt, but also Asia Minor and Cyprus. The gold bead that forms part of the collar behind the animal's head is scarcely rounded, pointing to a 3rd or probably 2nd century date.
Settee (one of a pair) (part of a set)
Object type: settee
Date: 1763 – 1764
Materials: wood, silk, velvet
Techniques: carving, gilding, painting
Artist: johann michael bauer
Artist role: maker
Artist nationality: german, born westheim
Artist dates: 1710 – 1779
Subjects: flowers
Voorzichtigheid
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues
Inscriptions: collector's mark: Lugt 2542, collector's mark: Lugt 2233

Buste van de vrouwelijke personificatie van Voorzichtigheid. Ze bekijkt zichzelf in een spiegel en houdt een slang in haar hand. De voorstelling is gevat in een cartouche, omringd door putti. In het kader in de marge een tweeregelig Bijbelcitaat uit Spr. 2 in het Latijn.
Gezicht op het dorp Werkhoven
Object type: book illustration
Date: 1745 – 1774
Materials: paper
Techniques: engraving, etching
Location: utrecht
Subjects: village, church (exterior)

Prent uit: Spilman, Hendrik. Het verheerlykt Nederland; of, kabinet van hedendaagsche gezigten (...). 9 dln. Amsterdam: Isaak Tirion, 1745-1774.
Gezichten op Huis ter Nieuburch te Rijswijk
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching, lithography
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: palace
Inscriptions: collector's mark: Lugt 2228

Vooraanzicht van Huis ter Nieuburch te Rijswijk met op de voorgrond op het voorplein koetsen.
Bildnis des Dr. jur. L.
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Subjects: historical persons
Inscriptions: monogram: ‘BX’, inscription: ‘Hamburg’
'Les Bulos Graves', Victor Hugo at his play 'Les Burgraves', from 'La Caricature'
Object type: print
Techniques: lithograph
Artist: jean-pierre moynet
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1876
Subjects: theatre,men,caricature
Attracting her attention
Object type: print
Date: 1771 – 1771
Techniques: woodblock print, hashira
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Kleine kerktoren. Edam
Object type: ansichtkaart, prentbriefkaart
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: edam
Subjects: city-view, and landscape with man-made constructions, church (exterior), bridge in city across river, canal, etc.
Pillow
Object type: textile
Date: 1825 – 1875
Materials: cotton
Techniques: weave
Location: france
Waterpoort aan de rand van een stad
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: city-view, and landscape with man-made constructions, watergate, windmill in landscape (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Joseph and Potiphar's Wife
Object type: print
Date: 1725 – 1779
Techniques: etching
Artist: lorenzo zucchi
Artist role: artist
Artist nationality: italian
Artist dates: 1704 – 1779
Watch
Object type: watch
Date: 1840 – 1840
Materials: enamel, gold
Artist: bolviller
Artist role: maker
Artist dates: 1800 – 1900
Subjects: girls,women
Corbel
Object type: corbel
Date: 1401 – 1500
Materials: limestone
Culture: french
Subjects: animals
Gezicht op Kasteel Ten Essche te Schelle
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: the hague
Subjects: castle
Inscriptions: collector's mark: Lugt 2228

Eerdere staat gebruikt in: Le Roy, J. Groot wereldlijk tooneel des hertogdoms Braband. Den Haag: Christiaan van Lom, 1730. Deze latere staat uit onbekende (Franse?) publicatie.
Linnen, geel,  uitmonsteringslaken
Object type: coupon
Date: 1800 – 1850
Materials: textile
Techniques: weave
Artist: Anonymous

Stuk geel linnen met vlekken. In pakket met etiket: Rijksmuseum, Amsterdam. Nederlandse leger, mariniers. Diverse stukken uniform stof en/of uitmonsteringslaken.
Seated Falconer
Object type: one of a pair of figure
Materials: earthenware, pigment
Culture: chinese
Subjects: human figures,falcons
Weimar. Partie an der alten Ruine im Park
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph, lithograph
Location: hamburg
Subjects: park, ruin of a dwelling, house, castle, etc.
Terracotta fragment of a chous (jug)
Object type: chou fragment
Date: 400 – 301
Materials: terracotta
Culture: greek or south italian

Inside of the panel, ivy with korymboi
Armchair (fauteuil à la Reine) (one of a pair)
Object type: armchair
Date: 1701 – 1800
Materials: wood, velvet
Techniques: carving, gilding
Artist: jean-baptiste i tilliard
Artist role: maker
Artist nationality: french
Artist dates: 1686 – 1766

The stamp “Tilliard,” indicates that these armchairs were made by one of the important families of joiners or menuisiers working in Paris during the eighteenth century. Jean-Baptiste Tilliard I opened a furniture shop on rue de Cléry in 1730, which produced many pieces for the royal apartments at Versailles. When Tilliard I retired in 1764, his son Jacques-Jean-Baptiste Tilliard assumed control of the family workshop. The gilded beechwood frames are richly decorated with scrolls, floral sprays, acanthus leaves, and the for this workshop characteristic heart-shaped motifs on the crest rail and in the center of the sea trail. The backsides of the frames are incised indicating that these chairs were not meant to be placed against the wall but intended to be seen in the round.
Muts van tule met Rijsselse kant; be bol bestaat uit met moesjes geborduurde tule dat langs het voorhoofd is afgezet met een strook Rijsselse kant
Object type: streekdracht, streekkleding
Date: 1800 – 1900
Materials: linen
Techniques: material, embroidered, lace, weave
Location: lille
Artist: Anonymous

Muts van tule met Rijsselse kant. De bol bestaat uit met moesjes geborduurde tule. De bol is afgezet met een strook Rijsselse kant dat langs het voorhoofd geplooid is.
Terracotta fragment of a kylix: Lip cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Exterior, part of a palmette with a black frond, and an elongated central frond in added red
Narcissus
Object type: print
Date: 1662 – 1742
Materials: paper
Techniques: mezzotint
Artist: john smith (prentmaker/ uitgever)
Artist role: print maker, publisher
Artist dates: 1652 – 1743
Subjects: (story of) narcissus
Inscriptions: collector's mark: Lugt 240

Voor ander exemplaar zie: RP-P-1910-1638.
Lessines
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: tone lithography
Location: brussels
Subjects: street, city-view in general; 'veduta' (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, : ‘Déposé’
Schoolkinderen aan zee, mogelijk leerlingen van de Planciusschool
Object type: photograph
Date: 1930 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: beach (as place of recreation), elementary school; class, form, netherlands

Onderdeel van Fotoalbum met opnames van vakanties in Zuid-Frankrijk.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of the legs of a youth to right; part of a goal post; Exterior, start of foot; the underside of the floor has a wide black band, a thin band of reserve, and a thin band of black glaze, and the center is reserved
White-wood cabinet, by Michell Wettli of Berne
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: lithograph
Location: london
Subjects: writing-table, writing-desk, decorative furniture
Inscriptions: collector's mark: Lugt 2228