deem-data/ArtiFact huggingface dataset:
Reliquary Monstrance with a Tooth of Saint John the Baptist
Object type: metalwork
Materials: crystal, metal, quartz, silver, silver gilt, textile
Location: germany
Artist: weddeghe velstede
Artist nationality: german
Artist dates: 1432 – 1473

This reliquary uses the form of a miniature Gothic tower. It makes an elaborate architectural frame for a transparent rock-crystal vessel holding a relic that is identified as a tooth of Saint John the Baptist by an inscription along the base of the reliquary. Rock crystal was highly prized in the medieval Islamic world. Considered a precious stone, it was used to create a number of luxurious secular objects, including this vessel, which was probably originally intended to be a container for fragrant oils.
Soubrié. François. 39 ans, né à Livignac-le-Haut (Aveyron). Brûleur de café. Anarchiste. 14/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Stilleven van bloemen, vruchten en wild
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: etching
Artist: paul emile nicolié
Artist role: print maker
Artist dates: 1828 – 1894
Subjects: rodents: hare, still life of plants, flowers and fruit, foodstuffs; still life of foodstuffs
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Revue de la Mode, Gazette de la Famille, 24 janvier 1884, 13e annee, No. 630: Jupons & Corsets (...)
Object type: fashion print
Date: 1884 – 1884
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: corsage (+ women's clothes), flowers, clothing for the upper part of the body (+ women's clothes), pendant, trinket, 'breloque' (+ women's clothes), dress, gown: evening dress (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), border, ribbon, braid (+ women's clothes), lace (+ women's clothes), gloves, mittens (long gloves) (+ leather used for clothes), fashion plates, shoes, sandals (+ women's clothes), skirt (+ women's clothes), fan (+ women's clothes), bracelet, wristlet (+ women's clothes)
Inscriptions: caption: ‘Jupons & Corsets de la Mo.n de Plument, 33, r. Vivienne. Passementerie & Boutons de la M.on Hallard & Martin, 68, B.d Sébastopol.’, title: ‘REVUE DE LA MODE / Gazette de la Famille’, address: ‘13 & 15, Quai Voltaire Paris’

Twee vrouwen in een interieur. Links: japon van effen lichtroze zijde en 'brocatelle' versierd met wit kant en groene linten. Lange handschoenen van lichte suède. Rechts: japon van wit gebrocheerd satijn en wijnrood (claret) fluweel of satijn versierd met paarse bloemen. Onder de voorstelling enkele regels reclametekst voor verschillende producten. Prent uit het modetijdschrift Revue de la Mode (1872-1913). Uitgebreide beschrijving van de kleding op pagina 27 "PLANCHE COLORIÉE".
Pieces
Object type: piece
Date: 1701 – 1800
Materials: silk
Les Graces
Object type: print
Date: 1685 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: graces (charites), generally three in number; 'gratie' (ripa)
Inscriptions: collector's mark: Lugt 2228
L'École d'Anvers. Portraits biographies cartes de visite. Collection Dupont
Object type: photograph
Date: 1861 – 1861
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Artist: joseph dupont
Artist role: fotograaf
Artist dates: 1818 – 1901
Subjects: antwerp, painter, sculptor, portrait, self-portrait of sculptor, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: inscription: ‘ETABLISSEMENT PHOTOGRAPHIQUE/ de/ J. DUPONT/ Place de Meir 32/ ANVERS/ Maison fondée en 1853’
Roudolphus gratia dei Francorum rex
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, king
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Eudes de Mézeray, François. Chronyk van Vrankryk. 6 dln. Amsterdam: Jan Bouman en Timotheum ten Hoorn, 1685, dl. 1.
Vlotschuitvoerdersgilde van Amsterdam, gildepenning van Gerbrandt Andriez de Fris
Object type: medal
Date: 1642 – 1642
Materials: silver
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Zilveren penning. Voorzijde: schuit waar man in zit. Keerzijde: opschrift boven monogram van letters H en P; daartussen huismerk
Dorsende vrouwen voor een boerderij in Castelnuovo di Magra te Italië
Object type: drawing
Date: 1841 – 1857
Materials: chalk, paper
Artist: johan daniël koelman
Artist role: draughtsman, print maker
Artist dates: 1831 – 1857
Subjects: threshing, farm or solitary house in landscape
Portret van Johannes Chardin Miles gedragen door twee mannen in Oosters kostuum
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: paris, london, painter, historical persons, landscapes with waters, waterscapes, seascapes (in the temperate zone), exploration, expedition, voyage of discovery
Inscriptions: collector's mark: Lugt 2228, number: ‘131.’
Head of a Girl Leaning on Her Hand
Object type: print
Date: 1895 – 1900
Materials: paper
Techniques: drypoint
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926
Duit van de VOC uit Zeeland, 1785
Object type: coin
Date: 1785 – 1785
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: gekroond wapenschild van Zeeland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Tray Cloth or Cover
Object type: textile
Date: 1701 – 1800
Techniques: embroidery
Location: turkey
Moraliserende liefdesemblemen
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching
Location: paris
Subjects: qualities of love: first series (+ emblematical representation of concept)
Inscriptions: collector's mark: Lugt 2166

Een spiegel op een donkere muur. Op de achtergrond een berglandschap. Op een banderol een devies in Latijn en een onderschrift in Frans, beide over de liefde.
Man of Sorrows with Hands Bound
Object type: print
Date: 1512 – 1512
Techniques: drypoint
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: sadness,christ
Stamp seal with snake
Object type: stamp seal
Date: 2333 – 1668
Materials: copper alloy
Culture: bactria-margiana archaeological complex
Location: bactria-margiana
Subjects: snakes
"La Chasse au Sanglier"
Object type: furnishing textile
Date: 1785 – 1785
Materials: cotton
Artist: lafosse, lionnet et médard
Artist role: manufactory
Subjects: men,horses,trees
Gezicht op de Moesi
Object type: photograph
Date: 1921 – 1922
Materials: photographic support
Techniques: gelatin silver print
Location: bukit asam
Artist: Anonymous
Subjects: colonial system, anthracite, hard coal, river, opencast mine; strip mining (+ coal), steamship, motorship, sumatra
Inscriptions: inscription: ‘Gezicht op de Moesi.’

Gezicht op de rivier Air Musi (Moesi) met een stoomschip, mogelijk de veerboot. Onderdeel van het losbladige fotoalbum aangeboden door het personeel van de Boekit-Asam Steenkolenmijnen op Sumatra aan de scheidende Ingenieur-Directeur H. Tromp op 7 januari 1922.
Mise-en-carte (Point-paper)
Object type: drawing and watercolor
Date: 1760 – 1790
Materials: gouache, ink, paper
Techniques: drawing
Location: france
Vue du Capitole Rome
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: front steps
Inscriptions: inscription: ‘1,50’, inscription: ‘Vue Du Capitole/ Rome’, inscription: ‘400-’
Water (one of four)
Object type: medallion
Date: 1701 – 1800
Materials: marble, plaster
Subjects: men,profiles,women

One of a set of four representing the elements (07.225.445a–d).
Maskerade van de Delftse studenten, 1857 (plaat 7)
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Subjects: students' pageant, costumes used in pageants, delft, dutch east indies, the

Gekostumeerde optocht van de studenten van de Koninklijke Akademie te Delft op 5 mei 1857. De optocht verbeeldt de Garebeg optocht van de sultan van Djokjakarta plus verschillende karakteristieke types uit de Indonesische archipel. Zevende plaat met de groepen genummerd 54-64. Onderdeel van de serie van acht en een half aanelkaar geplakte bladen.
Portret van Josephus Averanius
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving, etching
Location: leipzig
Subjects: historical persons

Prent uit: Deutsche Acta Eruditorum. Leipzig: Johann Friedrich Gleditsch, 1739, dl. 232.
The Shipwreck
Object type: print
Date: 1638 – 1641
Techniques: etching
Artist: claude lorrain (claude gellée)
Artist role: artist
Artist nationality: french
Artist dates: 1604 – 1682
Subjects: human figures,ruins,shipwrecks,waves,storms
Arenleesster
Object type: print
Date: 1792 – 1801
Materials: paper
Techniques: etching
Location: paris
Subjects: gleaning, agricultural implements: sickle
Inscriptions: collector's mark: Lugt 2228
Windwijzer
Object type: weather vane
Date: 1500 – 1600
Materials: copper
Techniques: gilding

Een verguld koperen windvaan met haan. Kop en staart zijn beschadigd.
Vrouw met een hoed
Object type: sketchbook leaf
Date: 1870 – 1870
Materials: paper, pencil
Techniques: stumping
Location: netherlands
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: standing figure - aa - female human figure (+ sideview, profile), head-gear: hat (+ women's clothes)
Inscriptions: date: ‘7 Febr 70’

Vrouw met een hoed, in profiel naar links. Blad 28 verso uit een schetsboek met 40 bladen, vervaardigd in Woerden en Gouda.
Les Modes Parisiennes, 1877, No. 1768 : Ceinture-Régente de Mesdames de Vertus soeurs, (...)
Object type: fashion print
Date: 1877 – 1877
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: bow (ornamental part of clothing) (+ women's clothes), handkerchief (+ women's clothes), dress, gown: walking dress (+ women's clothes), coat (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), skirt (+ women's clothes)
Inscriptions: title: ‘LES MODES PARISIENNES’, address: ‘Bureaux, 25, Rue de Lille, 25’, caption: ‘Ceinture-Régente de Mesdames de Vertus soeurs, 12, r. Auber.’

Twee vrouwen wandelend in een tuin, op de achtergrond een landhuis. Onder de voorstelling een regel reclametekst voor de 'ceinture-Régente' van Mesdames de Vertus soeurs. Prent uit het modetijdschrift Les Modes Parisiennes (1843-1885).
School for Gallantry
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women

In this fifth print of a group of eight, a blue-uniformed suitor discovers his lady-love sleeping in the arms of a red-coated rival. Scattered instruments and a monkey wearing the dozing officer's hat and holding his whip, indicate that frenzied dancing has taken place, while Rousseau's "Eloise" ("Julie, or the New Heloise") lying open on the floor points to illicit passion. Rowlandson etched this set after drawings by Willyams, a university-educated lieutenant-colonel from Cornwall who also supplied supporting satirical text under the pseudonym Joel McCringer. Rowlandson's characteristic elegance does not disguise the dark human impulses being satirized. Modern education, it is suggested, does little to teach self-control, wisdom or empathy.
V = Victorie/ Viktorie
Object type: photograph
Date: 1943 – 1945
Materials: paper, plastic
Techniques: photography
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, tonny van renterghem, berlin, fritz kahlenberg, underground movement, partisans, netherlands

Foto van een Duits aanplakbiljet om propaganda te maken voor de Duitse overwinning: V = (Viktorie ) Duitsland wint voor Europa op alle fronten. De V = Victory campagne werd door Churchill begonnen maar al snel door de Duitsers geannexeerd. Naast de V heeft iemand de letters RAF (Royal Air Force) geschreven.
Worker Shabti of Nauny
Object type: shabti, worker, nauny
Date: 1050 – 1050
Materials: faience
Location: egypt

Almost 400 small funerary figures known as shabtis were found with Nauny’s burial. These can be seen as avatars, meant to carry out agricultural labor on Nauny’s behalf in the afterlife. Of the 393 shabtis discovered, 355 were workers like this one, and 37 were overseers (see for example 30.3.28.3). Based on other assemblages from this era, Nauny originally might have had a total of 365 workers, one for each day of the year. This mummiform figure holds a hoe in each hand and has a basket on its back. The inscription on the front of the body reads, "the Osiris Nauny, true of voice." This indicated that Nauny had been transformed through the process of mummification and identified with the principal god of the dead, and then had been judged to have led an ethical life. Nauny’s shabtis were divided between seven boxes. Five of these, with their shabtis, were given to The Met, while two were sent to the Egyptian Museum in Cairo.
Miidera, from the series "One Hundred No Dramas (Nogaku hyakuban)"
Object type: print
Date: 1898 – 1903
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
The Title to the French Set
Object type: print
Date: 1858 – 1858
Materials: chine, ink, paper
Techniques: printmaking, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: children,men

Whistler here depicts himself outdoors working on a copper plate surrounded by fascinated children. The image responds to a Rhineland tour he made in the summer and fall of 1858 and was used to introduce "Douze eau-fortes d'apres Nature" (Twelve Etchings from Nature), the artist's first published set. The title indicates his realist affinities with lettering added to credit Auguste Delâtre as printer and dedicating the work to Seymour Haden. As Whistler’s brother-in-law, the latter had encouraged his first serious etchings. Even when dressed in a loose traveling suit, the artist cuts a dashing figure, with romantically long hair and a beribboned hat.
Cartouche met gezicht op het buitengoed Bentveld (linkerblad)
Object type: drawing
Date: 1600 – 1699
Materials: chalk, ink, paper, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: dunes (sea not visible); in the dunes, rural housing, e.g. country-house, villa, cottage, ornament ~ cartouche

Linkerblad van voorstelling op twee bladen met een gezicht op Bentveld (rechterblad heeft objectnummer RP-T-00-411B).
Seated Female Nude
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: sitting figure - aa - female human figure

Ze leunt op haar rechterarm. Blad 35 recto uit schetsboek III met 36 bladen.
Administrative Seal
Object type: sealing, administrative
Date: 1981 – 1640
Materials: clay
Location: egypt
Mulberry, from the Fruits series (N12) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1891 – 1891
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: fruit,girls

Trade cards from the "Fruits" series (N12), issued in 1891 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Portret van Robert Devereux
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: etching
Location: london
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Graflegging van Christus
Object type: sketchbook leaf
Date: 1903 – 1908
Materials: chalk, paper
Artist: huib luns
Artist role: draughtsman, print maker
Artist dates: 1881 – 1942
Subjects: christ's entombment (possibly by angels)
Inscriptions: date and inscription: ‘1e schets voor mijn graflegging/ Maart 1908-’

Het blad is voor de helft uit het schetsboek geknipt.
Saint Matthew
Object type: statue
Date: 1470 – 1470
Materials: wood
Techniques: gilding, polychromy
Culture: brabant
Artist: brabant (diest or leuven?)
Artist role: artist
Artist nationality: brabant (diest or leuven?)
Subjects: saint matthew
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of the foot of a neck-amphora
Snuffbox in the form of a rat
Object type: snuffbox
Date: 1745 – 1745
Materials: gold, hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: mice
Feestelijkheden bij het bezoek van Maria de' Medici aan Amsterdam in 1638
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: prague, francesco i de' medici, cologne, print maker, maria de' medici, vienna, ferdinand i van habsburg (duits keizer), 'tableau vivant', triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', blessing the married couple, (civil) marriage ceremonies, amsterdam
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt in:* Baerle, Caspar van. Medicea hospes, sive descriptio publicae gratulationis, qua Serenissimam, Augustissimamque Reginam, Mariam de Medicis (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1638. En in: Baerle, Caspar van. Marie de Medicis, entrant dans Amsterdam : ou, histoire de la reception faicte à la Reyne Mere du Roy tres-Chrestien (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1638. En in: Baerle, Caspar van en Joost van den Vondel. Blyde inkomst der allerdoorluchtighste koninginne, Maria de Medicis t' Amsterdam. Vertaelt uit het Latijn (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1639.

* Doorgaans zijn de prenten in de bovengenoemde publicaties rechtsonder genummerd (van de huidige prent is dat de derde bekende staat). Maar er zijn ook exemplaren waarin eerdere, ongenummerde, staten van de prenten (van de huidige prent de eerste en tweede bekende staat) zijn ingebonden.
Fishnet sinker
Object type: fishnet sinker
Date: 1200 – 200
Materials: bone
Culture: japanese

The Jōmon period is the earliest period in Japanese history, lasting from roughly 14,000 to 300 BCE. The Jōmon people were primarily hunter-gatherers, hunting land animals and gathering vegetables and nuts on the land as well as hunting and fishing at sea. Fish net sinkers, which would have been used to weigh down nets when catching fish, testify to the importance of seafood in the diets of some Jōmon communities, especially those close to the sea. Fish bones found at Jōmon archaeological sites indicate that the Jōmon hunted fish not only close to the shore but also farther out in the open sea, where larger fish could be caught. There is even evidence that the Jōmon ate pufferfish, a poisonous fish considered a delicacy in modern Japan.
Funerary relief
Object type: funerary relief
Date: 200 – 273
Materials: limestone
Location: syria
Subjects: men

Inscription: (at right) 1 Mattanay, son of 2 Zubaida. Alas! (On left, one or two illegible lines) Transliteration: 1 mtny br 2 zby?dʾ ḥbl This relief is a type of funerary monument characteristic of the prosperous caravan city of Palmyra during the first three centuries A.D. Reliefs with a representation of the deceased and a short identifying inscription were used to seal burial niches in elaborately decorated communal tombs; those with a half-length or bust format became prevalent sometime after A.D. 65. Shown here is the upper body of a bearded man in high relief facing directly toward the viewer, dressed in a Greek cloak known as a himation, worn over a chiton, or tunic, and wrapped around the right arm like a sling. His left hand holds a looped fold of the himation. The background of the relief is blank except for an inscription in Palmyrene Aramaic to the right of his head giving his name and his father’s name, ending with an expression of sorrow common on funerary reliefs at Palmyra; one or two lines to the left of his head can no longer be deciphered. His upper eyelids are carefully outlined, with tear ducts indicated at the inner corners, and incised circles mark the iris of each eye. The arched eyebrows, marked by hatching, meet in the middle with two vertical furrows, creating a stern and distant expression. The gaze does not meet the viewer’s but extends far into the distance. The man’s short hair is depicted as a mass of wavy locks, slightly receding at the temples to suggest middle age, while his beard is made up of individual diamond-shaped tufts. Carved in soft local limestone, the relief shows signs of damage and wear, including flaking at the base and a break at the tip of the nose. It can be stylistically dated to around 200-273 A.D. because of the figure’s beard, the treatment of the eyes, and the manner in which he holds his himation in the left hand.
Portret van John Hales
Object type: print
Date: 1705 – 1769
Materials: paper
Techniques: engraving
Artist: christian fritzsch
Artist role: print maker
Artist dates: 1695 – 1769
Subjects: ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Bude, vue de la terrasse du tunnel
Object type: stereograph
Date: 1868 – 1868
Materials: cardboard, paper
Techniques: albumen print
Location: budapest
Artist: charles gaudin
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: city-view in general; 'veduta'
Inscriptions: number: ‘136.’
Broth bowl with cover (écuelle)
Object type: broth bowl with cover écuelle
Date: 1749 – 1750
Materials: silver
Artist: éloi guérin
Artist role: maker
Artist dates: 1704 – 1765
Portret van een Française, zittend
Object type: photograph
Date: 1883 – 1886
Materials: photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: adult woman

Onderdeel van Album van een Franse amateurfotograaf met opnames van familie, militairen, industrie, landschappen en bezienswaardigheden in Frankrijk.