deem-data/ArtiFact huggingface dataset:
Prenten tot nut van het algemeen
Object type: popular print
Date: 1861 – 1929
Materials: paper
Techniques: letterpress printing, engraving
Location: leiden
Subjects: tools, aids, implements ~ crafts and industries, plumber, street-trader, smith, blacksmith
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van gereedschap, een loodgieter, een tuinman, een smid en een koopvrouw. Onder elke voorstelling een titel en een vers. Genummerd rechtsboven: No. 2. Linksboven: Bekroond door de Maatschappij tot Nut van 't Algemeen.
Kind met onderlijf van bladranken
Object type: ornament print
Materials: paper
Techniques: engraving
Location: paris
Artist: Anonymous

Vignet. Elke bladrank eindigt in een vogelnest, bovenaan pikken vogels naar twee slangen die het kind vast heeft.
Netsuke of Puppies at Play
Object type: netsuke
Date: 1867 – 1900
Materials: ivory
Culture: japanese
Subjects: dogs
Boeddhistische tempel (mendoet) op Java
Object type: photograph
Date: 1870 – 1910
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: Anonymous
Subjects: temple, shrine ~ hinduism, buddhism, jainism, java
Inscriptions: inscription: ‘Mendoet tusschen Magelang en Djocja.’, number: ‘100’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Marseille, Port Said, Aden, Bombay, Colombo, Singapore en Nederlands-Indië.
Ingang van de Jardin Mabille, een dansgelegenheid in Parijs
Object type: photograph
Date: 1878 – 1890
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: night-club, dance-hall (+ variant), gate, entrance, paris

Onderdeel van Reisalbum Europese steden, vermoedelijk Zweeds.
De poort van het kasteel Heemstede
Object type: drawing
Date: 1786 – 1850
Materials: chalk, paper
Techniques: brush
Artist: gerrit lamberts
Artist role: bookseller, draughtsman, print maker
Artist dates: 1776 – 1850
Subjects: castle
Maisons de la porte d'Auteuil
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: charles soulier
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1875
Subjects: buildings,ruins
Cup with insects, flower sprays and grapevines
Object type: service set
Date: 1797 – 1798
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: paris

Kop van porselein, deel van een theeservies, versierd met gouden randen, insecten in kleuren en gouden strooibloemen. Opmerking: sommige delen van het theeservies zijn gemerkt met de letters GB, Rue Thirou à Paris. Opmerking: verschillende koppen beschadigd; één met gebroken oor.
The Musical Boy
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: mezzotint
Location: england
Artist: james watson (prentmaker)
Artist role: engraver
Artist nationality: irish
Artist dates: 1740 – 1790

The Irish-born mezzotint engraver James Watson reproduced paintings from several British collections with the highlights and soft-focus transitions this relatively new print medium enabled. This mezzotint is an early proof after a painting by the Dutch artist Frans Hals. Later impressions include the completed text, which states that this work was then owned by Lord Mountstuart and notes that it was reproduced at actual size. Watson’s publisher, John Boydell, one of the most active in London, was particularly keen on supplying his audience with prints after famous artworks, preferably those owned by members of the British nobility.
Westminster Bridge
Object type: photograph
Date: 1870 – 1881
Materials: cardboard, paper
Techniques: albumen print
Location: london
Artist: francis godolphin osbourne stuart
Artist role: fotograaf
Artist dates: 1843 – 1923
Subjects: bridge in city across river, canal, etc.
Inscriptions: number: ‘1054’
Hercules en de Nemeïsche leeuw
Object type: print
Date: 1528 – 1528
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: ruin of a building ~ architecture, (1) hercules chokes the nemean lion with his arms
Inscriptions: collector's mark: Lugt 2228

Tussen de antieke ruïnes staat Hercules terwijl hij de Nemeïsche leeuw vasthoudt. Met zijn armen omklemt hij de hals van de leeuw om hem te wurgen.
[Two Identically Dressed Young Girls Standing Next to a Table]
Object type: daguerreotype
Date: 1840 – 1849
Techniques: daguerreotype
Artist: Anonymous
Artist role: artist
Subjects: girls,portraits
Verschillende zeilschepen te water met op de achtergrond een heuvelachtig landschap
Object type: album leaf
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Artist: james adamson
Artist role: fotograaf
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone), (high) hill
Inscriptions: number: ‘6’, check stamp: ‘Adamson, Rothesay.H.B/ Copyright’
The Flight of Adrammelech, from "Dalziels' Bible Gallery"
Object type: print
Date: 1865 – 1881
Materials: paper
Techniques: engraving
Artist: arthur murch
Artist role: artist
Artist nationality: british
Artist dates: 1836 – 1885
Subjects: birds,soldiers,men
Else Wachenheimer-Moos en haar broer Willy Moos met een onbekende tante of nicht in een tuin met Japanse kersenbloesem, mei 1932, Stade (Saksen)
Object type: photograph
Date: 1905 – 1932
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: germany
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: else wachenheimer-moos, willy moos, family life at home
Inscriptions: inscription: ‘Kirschblüte’

Blad bevat vier foto's. Alle foto's van Else Wachenheimer-Moos (in donkere jas zonder hoed), Willy Moos (enige man op de foto's) en onbekende tante of nicht van de familie Moos (met hoed). Uit het album, half formaat, crèmekleurig stofomslag met koordbinding met banenmotief.
Winged Pendant
Object type: pendant
Date: 901 – 1600
Materials: stone
Culture: tairona
Location: colombia
Imaginary portrait, Shuihuzhuan of Stage: Tōryūdai (Mitate Suikoden Tōrōdai) - Actor, Ichikawa Danjūrō plays as Sanjō
Object type: print
Date: 1875 – 1875
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: toyohara kunichika
Artist role: artist
Artist nationality: japanese
Artist dates: 1835 – 1900
Subjects: men,actors
Het treffen van de vogel door Anna van Croy, hertogin van Aarschot
Object type: history medal
Date: 1651 – 1707
Materials: silver
Techniques: casting
Location: brussels
Artist: denis waterloos (ii)
Artist role: medailleur
Artist dates: 1628 – 1715
Subjects: anna van croÿ (hertogin van aarschot)

Zilveren penning. Voorzijde: borststuk vrouw binnen omschrift. Keerzijde: gekroonde vogel op een staf en voetboog binnen lauwerkrans.
Twee putti en een jonge vrouw bij een piramide
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: scales, compasses, egyptian pyramids (wonder of the world), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Een jonge vrouw en twee putti met op de achtergrond een piramide. Op de voorgrond liggen attributen met een symbolische betekenis, zoals de weegschaal en de passer.
La Fileuse Écossaise
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Subjects: historical persons not known by name - bb - woman, spinning-wheel
Inscriptions: inscription: ‘Reproduction interdite en tous pays.’, inscription: ‘Bulletin du Photoclub de Paris’
St. Peter Celestine
Object type: print
Date: 1632 – 1685
Techniques: engraving
Artist: conrad lauwers
Artist role: artist
Artist nationality: flemish
Artist dates: 1632 – 1685
Subjects: saint peter
Gezicht op gevels, mogelijk aan het Damrak te Amsterdam
Object type: sketchbook leaf
Date: 1900 – 1901
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: façade (of house or building)

Gezicht op gevels, mogelijk aan het Damrak te Amsterdam. Pagina 68 uit een schetsboek met 46 bladen vervaardigd te Amsterdam.
Man met koe voor een schuur buiten Hattem
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: cow, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2233
The Adoration of the Shepherds
Object type: print
Date: 1520 – 1520
Materials: paper
Techniques: engraving, printing
Location: italy

Still unidentified by name, the 16th-century artist known as Master H. E. signed his curiously themed prints with an H. E. monogram. The Master H. E.’s Adoration of the Shepherds is an unusually windblown and eerie envisioning of the scene, set in an architectural framework more reminiscent of a ruined temple than a stable. The awestruck shepherds, the restless farm animals, and the harsh sun work together to suggest that the prints’ viewers as well are witnessing a momentous historical event, one tinged here with a hint of the supernatural.
Kalkovens bij Leiderdorp
Object type: drawing
Date: 1648 – 1671
Materials: chalk, paper
Techniques: brush
Artist: jan de bisschop
Artist role: draughtsman, print maker
Artist dates: 1628 – 1671
Subjects: factory-building, lime works, lime-burner
Spear
Object type: spear
Date: 1601 – 1700
Materials: gold, steel
Culture: north indian
Location: north india

Spears were a versatile tool for royal hunting expeditions, as demonstrated by their depiction in the paintings nearby. They were used while either on foot or on horseback, and could be thrust or thrown. Some spears were made of a single piece of iron or steel; others comprised a wooden shaft and steel spear head. Inlaid with gold, this example was intended to be both lethal and beautiful.
Portret van Pierre-Jean de Smet
Object type: book illustration
Date: 1841 – 1899
Materials: ink, paper
Techniques: letterpress printing, pen, snipping, engraving
Artist: Anonymous
Subjects: missionary, historical persons, explorer
Inscriptions: inscription: ‘Ia’, : ‘v.S. II, no 5153* B.’
Sheet with pattern of bouquets and lion heads
Object type: print
Date: 1767 – 1866
Techniques: relief print
Artist: Anonymous
Artist role: artist
Full Moon Over Mountain Scenery
Object type: print
Date: 1835 – 1835
Techniques: woodblock print
Location: japan
Artist: keisai eisen
Artist role: artist
Artist nationality: japanese
Artist dates: 1790 – 1848
Plate
Object type: decorative art
Date: 1780 – 1810
Materials: creamware, earthenware
Culture: english
Location: england
Male nude, seated and standing
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: etching
Inscriptions: collector's mark: Lugt 240
Hinazuru of the Keizetsuro
Object type: print
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Bowl
Object type: vessel
Date: 1 – 500
Materials: glass
Culture: byzantine or roman
Location: syria
Subjects: bowl

Glass vessels were part of the luxurious domestic decoration displayed in wealthy households in both urban villas and rural estates in the later Roman and early Byzantine eras (about 300–725). Glass vessels were used for a variety of purposes, including cosmetic containers. In the kitchen and for dining, pitchers served water and wine, and small cups were used for drinking. Glass was also used for lamps to light the home.

Byzantine glass craftsmen improved upon the techniques, forms, and decorative motifs they had inherited from their Roman predecessors. An imperial edict of 337 exempted glassworkers from personal taxes and attested to their relative status in society; it remained in effect for several centuries. These artisans would, in turn, pass on their craft to successive generations, including those who worked under Islamic rule after the important Byzantine provinces of Egypt, Palestine, and Syria were conquered in the seventh century.
Buddha Dipankara (Randengfo)
Object type: stele
Materials: stone
Culture: chinese
Subjects: buddhism,buddha

The inscription on the back of this stele identifies the Buddha depicted on the front as Dipankara, who was thought to have lived before the historical Buddha Shakyamuni. He is shown here attended by a group of small figures wearing the clothing of the Xianbei, the non–Han Chinese peoples who ruled the Northern Wei dynasty. The smaller standing figure to the Buddha’s right may represent a youth named Sumedha, who was destined to become the historical Buddha in another lifetime. The imagery of this large sculpture is therefore intended to illustrate the promise or possibility of enlightenment in a future life. In Buddhism, the achievement of this advanced spiritual state is the goal of all practitioners. The bodhisattva with crossed ankles on the back of the stele recalls similar figures in the collection from the Yungang cave temple complex.
Jardins Anglais
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: etching
Location: paris
Subjects: garden, country-house

Maakt deel uit van een twaalfdelige serie met buitenhuizen in de buurt van Londen. Vijf van de twaalf prenten door Guyot zijn bekend. Mogelijk zijn de overige platen nooit voltooid.
Kaart van de Provence
Object type: print
Date: 1700 – 1706
Materials: paper
Techniques: engraving, etching, hand coloring
Location: northern netherlands
Subjects: maps of separate countries or regions

Kaart van de Provence in Frankrijk, om de kaart vijftien kleinere plattegronden en gezichten op steden. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Portret van een zittende baby
Object type: photograph
Date: 1880 – 1922
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: stockholm
Artist: frans g. klemming
Artist role: fotograaf
Artist dates: 1859 – 1922
Subjects: sitting figure, historical persons, infant, baby ~ the ages of man
Inscriptions: inscription: ‘Allm. Telefon 62 61./ Fr. G. Klemming/ Stockholm/ 38 Hamngatan 38.’
Man in een stuk van een betonnen rioolbuis
Object type: photomechanical print
Date: 1906 – 1912
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: sewers, reinforced concrete ~ building material
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Gemeentebedrijven.
Netsuke of Group of Animals
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: dragons,boars,cows,horses,mice,monkeys,rabbits
John Bulls Progress
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Les frères de la bonne trogne
Object type: book illustration
Date: 1858 – 1858
Materials: paper
Techniques: etching
Location: paris
Subjects: book - mm - book open, debate, discussion (~ meeting)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485

Prent uit: Coster, Charles de. Légendes Flamandes. Parijs: Michel Lévy, 1858.
Thirteen at the Table, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Damasus en Ursicinus beijde naar't Bisschops ampt staande verwekken een moord in de kerk / Symmachus en Laurentius willende elk Bisschop zyn, hitsen 't volk tot moord aan
Object type: book illustration
Date: 1701 – 1701
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: rome, installation of a pope, the early christian churches, e.g. armenians, copts, syrians, the martyr and deacon laurence of rome; possible attributes: book, censer, cross, dalmatic, gridiron, palm, purse (or cup with golden coins), interior of church, street-fights, riots
Inscriptions: collector's mark: Lugt 2228

Twee voorstellingen op een plaat. Boven: de bisschopsverkiezing van Damasus in een kathedraal. Op de voorgrond wordt gevochten tussen aanhangers van twee bisschoppen. op de achtergrond de bisschopskandidaten Damasus en Ursinus. Onder: op de voorgrond gevechten tussen aanhangers van paus Symmachus en tegenpaus Laurentius. Op de achtergrond de twee pauselijke kandidaten.
Snuff bottle with stopper
Object type: snuff bottle with stopper
Date: 1701 – 1900
Materials: stone, quartz
Culture: chinese
Subjects: human figures
Self-Portrait (Caspar David Friedrich)
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: woodcut
Artist: christian friedrich
Artist role: artist
Artist nationality: german
Artist dates: 1779 – 1843
Subjects: men,self-portraits
Ante. Michot
Object type: print
Date: 1800 – 1850
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: portrait of artiste (dancer, actor, etc.), historical persons
Man en biddend meisje in een interieur
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: ink, paper, pencil
Techniques: pen
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: interior of the house, one person praying

Tekening in een kader. Blad 24 verso uit een schetsboek met 36 bladen.
Portret van Johanna Geertruida Jonker
Object type: carte de visite
Date: 1865 – 1890
Materials: cardboard, paper
Techniques: carbon print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: historical persons, amsterdam
Inscriptions: inscription: ‘Overanderlyke Kooldruk’, workshop stamp: ‘A. Greiner/ Photograph/ Nieuwendijk L. 87, Amsterdam’
Ono no Komachi Washing the Copybook (Soshiarai Komachi)
Object type: print
Techniques: hand coloring, woodblock print
Location: japan
Artist: torii kiyomasu ii
Gebruiken van priesters tijdens de mis
Object type: titelprent, frontispice
Date: 1680 – 1680
Materials: ink, paper, pencil
Techniques: etching, pen
Location: metz
Subjects: priest (roman catholic), holy mass (divine service, especially of roman catholic church), altar
Inscriptions: inscription: ‘Livre des Figures de la Messe’

Prenten maken deel uit van een serie met 35 prenten met voorstellingen van gebruiken van priesters tijdens de mis.
De serie wordt ook wel 'La Troisième Messe' genoemd.
Nieuwe Scheeps Batalien in het licht gebracht door Reinier Zeeman
Object type: titelprent, frontispice
Date: 1652 – 1656
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Subjects: title-page, warfare; military affairs (+ naval force)
Inscriptions: collector's mark: Lugt 2228

Titelblad voor een reeks van zeeslagen. De uitrusting van een oorlogsschip waaronder kanonnen, kogels, kruitvaten en twee trommels. Een zeeman blaast op een trompet waaraan een vlag hangt.
Sjees
Object type: miniature
Date: 1704 – 1734
Materials: silver
Location: haarlem
Artist: abraham van der hoeff
Artist role: silversmith
Artist dates: 1686 – 1735
Subjects: fan, two-wheeled vehicle drawn by two animals
Inscriptions: maker's mark

Sjees zonder kap, getrokken door een paard. In de sjees zit een man met een steek en in zijn rechterhand een stok en een vrouw met in haar rechterhand een waaier. Het beeld is gemerkt: stk.= Haarlem, mt.= toegeschreven aan Abraham van der Hoeff, en een dolfijn.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Part of the beard and upper torso of a draped male to right
Galleria Giustiniana del Marchese Vincenzo Giustiniani II
Object type: album leaf
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Artist: johann friedrich greuter
Artist role: print maker
Artist dates: 1589 – 1662
Subjects: piece of sculpture, reproduction of a piece of sculpture, amalthea, the nymph, usually in the shape of a goat, suckles the new-born jupiter

De kleine Jupiter wordt gevoed door de nimf Amalthea. Jupiter drinkt geitenmelk uit een hoorn. Midden onder het wapenschild van Vincenzo Giustiniani, die dit bas-reliëf in zijn bezit had. Prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Nederlandsche Armée / Oost-Indiën Artillerie
Object type: costume print
Date: 1823 – 1827
Materials: paper
Techniques: hand coloring, lithograph
Location: brussels
Subjects: (military) uniforms (+ artillery), dutch east indies, the

Een soldaat van de artillerie van de Oost-Indische troepen. Op de achtergrond wordt een kanon geladen. Genummerd rechtsboven: 47. Afkomstig uit een plaatwerk van uniformen van het Nederlandse leger, ca. 1825.
Isarthor, München, Duitsland
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Inscriptions: inscription: ‘Isarthore. [sic]’

Frontaal aanzicht op het Isarthor in München, Duitsland. Links een man met een handkar, rechts andere poserende voorbijgangers.
Grave Monument with Vase, for "Rhodes" (recto); Scaffolding and pulley systems (verso)
Object type: drawing
Date: 1840 – 1880
Materials: graphite, ink
Techniques: wash
Artist: alexander maxwell
Artist role: artist
Artist nationality: american
Artist dates: 1838 – 1880

Alexander Maxwell designed and made grave monuments for New York area clients in the mid-nineteenth century (a fine example is a Butterfield family mausoleum of ca. 1875 at Woodlawn Cemetery in the Bronx). They likely were related to the marble and granite suppliers Alexander Maxwell & Co. of East Canaan, Connecticut, who provided marble for New York City Hall in 1838, and for a hundred columns used in an extension of the United States Capitol, Washington DC in 1860. This drawing comes from a group of designs for private memorials.
Portret van een oude vrouw
Object type: photograph
Date: 1885 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Subjects: historical persons - bb - woman, old woman
Inscriptions: inscription: ‘W.G. Kuijer & Zonen/ Amsterdam’
Saucer (part of a service)
Object type: saucer
Date: 1765 – 1775
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008

Eighteenth- and nineteenth-century porcelain tea sets usually comprised a teapot and stand, milk jug, sugar bowl, tea caddy, spoon tray, slop basin, six or twelve tea bowls with or without handles, and six or twelve saucers, a coffee pot and six or twelve coffee cups and a dish for cake. The Worcester factory made tea bowls with a handle if the decoration was European and without a handle for Oriental designs.
What Would I Post If You Were Murdered By The Police?
Object type: poster
Date: 2020 – 2020
Techniques: letterpress
Artist: amos kennedy
Artist role: artist
Artist nationality: american
Artist dates: 1948 – 9999

A prolific letterpress artist, Kennedy wields the centuries-old technique to create prints featuring aphorisms, proverbs, and phrases that comment on current sociopolitical events. This print is part of a pair (along with TR.88.3.2021) that challenges us to imagine being confronted with difficult questions that magnify an increasingly common tendency: the posting of footage of fatal police shootings of people of color onto social media platforms.
Kom op voet met Ruth en Boaz
Object type: bowl
Date: 1874 – 1874
Materials: earthenware
Techniques: transfer decoration
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: check stamp: ‘PR // 7 (?)’, mark: ‘RUTH & BOAZ // MAASTRICHT // PETRUS REGOUT // 7IIII’

Kom van aardewerk met paars tranferdecor. Op de buitenzijde van de wand en de bodem van de kom voorstellingen van Ruth en Boaz. De binnenzijde van de wand met cartouches met bloemen.
Cup and saucer
Object type: cup and saucer
Date: 1801 – 1900
Materials: hard paste porcelain
Subjects: chinoiserie,men,women
Terracotta fragment of an undetermined shape
Object type: undetermined shape
Date: 600 – 501
Materials: terracotta
Culture: greek, attic