deem-data/ArtiFact huggingface dataset:
King's attendant
Object type: crèche figure
Date: 1751 – 1800
Materials: brass, cotton, glass, textile, silk, thread, terracotta, fiber, metal
Techniques: polychrome
Subjects: swords,men

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Diverse bloemen
Object type: print
Date: 1831 – 1832
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: anton weiss
Artist role: draughtsman, print maker
Artist dates: 1801 – 1851
Subjects: flowers
Watch
Object type: watch
Date: 1601 – 1700
Materials: gilt copper, iron
Peonies
Object type: hanging scroll
Materials: gold, ink, panel, paper
Culture: japanese
Artist: fukae roshū 深江蘆舟
Artist role: artist
Artist nationality: japanese
Artist dates: 1699 – 1757

A subtly colored but glorious array of peonies, white, pink and red, are rendered against leaves rendered in mottled ink and color washes. To add a deluxe touch, in places gold pigment was dripped into the outlines of the leaves as they were being painted. As with other paintings from this group, no doubt once mounted as a pair of six-panel screens, Roshū draws on ink painting techniques of previous Rinpa masters. Rather than working in shades of gray and black, he has employed the tarashikomi technique, in which mottled washes create gradations of mineral pigments that overlap and blend together to evoke pictorial depth and emotion. The colors of the flowers are modulated: dark red stands out from the pale red background; deep purple accents stand out against pale pink; white gofun (ground oyster-shell) pigment accents the grayish petals. While archaic in flavor for his time, still his paintings on floral themes have an enduring charm. His other known surviving paintings take up the theme of the Mount Utsu scene from the Tales of Ise (2015.300.91). Other than his life dates, we know next to nothing about the artist’s biography. Active in the early 1700s, his small surviving corpus shows that he worked in an archaic Sōtatsu mode of a century before. Some sources speculate that he trained with the Rinpa master Ōgata Kōrin with whom his life span overlapped, but that cannot be confirmed. Originally a pair of six-fold screens, remounted as hanging scrolls; other examples from the same set are found in the in Feinberg Collection, Harvard University (Fig. 2); St. Louis Art Museum (Fig. 3); Freer-Sackler Gallery, National Museum of Asian Art; Narazaki Muneshige Collection, and Hosomi Museum.
Panel
Object type: panel
Date: 1601 – 1800
Materials: linen, wool
Subjects: deer,rabbits
Castor and Pollux the daughters of Lysippus Mars and Rhea, Diana and Endymion
Object type: page
Date: 1867 – 1877
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: diana (luna) visiting the sleeping endymion, mars woos rhea silvia, who may be seen sleeping on the tiber bank, with a water-jug beside her, sarcophagus, decorating 'en relief', appliquéing, (story of) the dioscuri: castor (the horse-tamer) and pollux (the boxer)
Wedjat eye inlay
Object type: inlay, wedjat eye
Date: 522 – 343
Materials: glass
Location: egypt
Brief aan Alberto Caramelli of Giovanni Caramelli
Object type: letter
Date: 1871 – 1871
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: utrecht, publisher, alberto caramelli, amsterdam, print maker, draughtsman, petrus johannes arendzen, jan caramelli, photography, cinematography, the graphic arts, historical persons (portraits and scenes from the life)
B. Gvntarius episc. Ratisbon
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving, etching
Location: munich
Subjects: male saints (with name), angels crowning and/or bringing palm-branches, insignia of bishop, e.g. mitre, crozier, prophetic dream
Inscriptions: collector's mark: Lugt 240

Op de voorgrond keizer Otto de Grote slapend in een stoel. In de lucht vliegt een engeltje met een mijter. Keizer Otto krijgt in zijn droom een visioen dat hij de eerste geestelijke die hij bij ontwaken tegenkomt moet uitroepen als bisschop van Regensburg. Op de achtergrond ontmoet keizer Otto na zijn ontwaken de Heilige Gunther, de poortwachter van het klooster St. Emmeram. De H. Gunther biedt de keizer een schoen aan in ruil voor de bisschopsambt van Regensburg. De prent heeft een Latijns onderschrift en is de 37ste prent van een 60-delige serie met als onderwerp de heiligen van Beieren.
Gezicht op een landschap in West-Kaap met Khoikhoi
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: khoikhoi
Inscriptions: collector's mark: Lugt 2228, watermark

Genummerd linksboven: Pl. I. In de prent cijfers en letters die verdere uitleg bieden.
Menigte en karossen op een plein
Object type: drawing
Date: 1683 – 1733
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Portret van Jan Weissenbruch
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: etching
Artist: bastiaan de poorter
Artist role: painter, print maker
Artist dates: 1813 – 1880
Subjects: painter, jan weissenbruch, historical persons, portrait, self-portrait of painter, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2760
Lappet
Object type: lappet
Date: 1701 – 1733
Techniques: lace
Subjects: butterflies,flowers
Fotoreproductie van een prent van een timpaan van de tempel van Aegina
Object type: reproduction
Date: 1901 – 1901
Materials: paper
Techniques: cyanotype
Artist: Anonymous
Subjects: temple, shrine ~ greek religion
Inscriptions: number: ‘2046’
S. Justin, philosophe (St. Justin, Philosopher), April 13th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Markt op de Mariaplaats te Utrecht
Object type: drawing
Date: 1619 – 1685
Materials: chalk, paper
Techniques: brush
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: square, place, circus, etc., market, utrecht
Red Saucer
Object type: drawing and watercolor
Materials: chalk, gouache, paper, paint, watercolor
Location: belgium
Artist: giuseppe grisoni
Artist nationality: italian, born flanders
Artist dates: 1699 – 1769
Portret van Joannes Henricus Bauer op bidprent
Object type: photograph
Date: 1867 – 1867
Materials: paper
Techniques: albumen print, letterpress printing
Location: leeuwarden
Subjects: priest (roman catholic), historical persons
Inscriptions: inscription: ‘Bid voor de ziel van zaliger (...) Dat hij ruste in vrede./ G.A. de Groot, Vleeschmarkt, Leeuwarden.’
Card Number 128, Lillie Howard, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: fans,portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Sampler
Object type: sampler
Date: 1818 – 1819
Materials: linen, silk
Subjects: birds,flowers,ships
Gold ring with embossed satyr masks: on carnelian intaglio, bird
Object type: ring with satyr and bird intaglio
Date: 500 – 468
Materials: gemstone, gold
Culture: etruscan

Ring with satyr and bird intaglio from a tomb group allegedly from Vulci, one of the richest and most impressive sets of Etruscan jewelry ever found.
Figuren op een bomenlaan
Object type: sketchbook leaf
Date: 1876 – 1877
Materials: chalk, paper
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: forest path or lane

Blad 36 recto uit een schetsboek met 41 bladen.
Stamp seal
Object type: stamp seal
Date: 2333 – 1668
Materials: marble
Culture: bactria-margiana archaeological complex
Location: bactria-margiana
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 6 (recto)
Object type: book print ornament architecture
Date: 1610 – 1610
Techniques: woodcut
Artist: isabella catanea parasole
Artist role: designer
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: flowers

Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Antonio Fachetti, Rome. From top to bottom, and left to right: Design is of a pattern of full and semi-ellipsis that are ornamented with a central floral element that is then surrounded by other shapes.
Mürren and Gespallenhorn
Object type: photograph
Date: 1887 – 1887
Materials: paper
Techniques: albumen print
Location: mürren
Artist: c.c. blackburn
Artist role: fotograaf, luitenant-kolonel
Subjects: watering-place, spa, mountains
Portret van Elizabeth I Tudor, koningin van Engeland op 48-jarige leeftijd in ovaal
Object type: print
Date: 1632 – 1632
Materials: paper
Techniques: engraving
Location: the hague
Subjects: ruler, sovereign - bb - female ruler, neck-gear: collar (+ women's clothes)
Inscriptions: collector's mark: Lugt 2228

Portret van Elizabeth I Tudor, koningin van Engeland, op 48-jarige leeftijd, borststuk in ovaal met plooikraag en sieraden. Motto op ovale omlijsting, Latijns opschrift in ondermarge.
Dog chasing a rabbit in a landscape with dacha and hut
Object type: beaker or tumbler
Date: 1800 – 1810
Materials: clay, enamel, glass, mica, paper, stone, fiber
Artist: alexander vershinin
Artist role: artist
Artist dates: 1795 – 1822
Subjects: birds,dogs,rabbits,landscapes

This beaker is double-walled and twenty-one sided. Between the walls, is a detailed rendition of a landscape with figures, partly painted in enamel, partly created out of moss, straw, paper, grains of sand and bits of stone, fine clay and mica.
Hammered Copper Rattle
Object type: rattle
Date: 1 – 1566
Materials: copper
Techniques: hammering
Culture: peruvian
Location: peru
Subjects: musical instruments
Trieste. Piazza Grande
Object type: photomechanical print
Date: 1906 – 1909
Materials: cardboard
Techniques: photograph, writing
Location: trieste
Artist: Anonymous
Subjects: harbour, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Terracotta oil lamp
Object type: lamp, glazed
Date: 67 – 133
Materials: terracotta
Culture: roman

This lamp, coated with a vitreous green glaze, features a central floral decoration and two extended griffin heads at either side. Its form and style of decoration are very close to those of lamps from Knidos, which feature an extension of their nozzle-volutes into a decorative animal head, normally a horse but occasionally a griffin.
Scherven van wijnflessen uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: wine bottle
Materials: cork, glass
Techniques: green glass
Location: netherlands
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Scherven van uivormige wijnflessen van groen glas waar rode (port)wijn in heeft gezeten.
Icon with the Virgin and Child
Object type: plaque fragment
Date: 934 – 1066
Materials: ivory
Culture: byzantine
Location: probably constantinople
Subjects: madonna and child
Het concert
Object type: print
Date: 1653 – 1750
Materials: paper
Techniques: etching
Location: europe
Artist: Anonymous
Subjects: instrumental and vocal music together, violin, fiddle, printed edition of musical score, instrumental popular music

Na de overname van de firma Niemeyer door British American Tabacco Group besloot deze de collectie van het Niemeyer Tabaksmuseum af te stoten. De beheerder van de collectie, het Noordelijk Scheepvaartmuseum, organiseerde in januari 2011 open dagen voor musea waar deze hun voorkeuren voor collectieonderdelen kenbaar konden maken. De objecten zijn getaxeerd door medewerkers van Christie's en vervolgens ter overname aangeboden aan de belangstellende musea. Het Rijksprentenkabinet koos 46 prenten uit de collectie tegen door de medewerkers van Christie's vastgestelde waarde.
[H. Leeflang, 2011-06-09]
E-5: English Cottage Kitchen of the Queen Anne Period, 1702-14
Object type: miniature room
Date: 1937 – 1937
Location: united states
Artist: narcissa niblack thorne
Miniature tureen with cover
Object type: tureen with cover
Date: 1790 – 1790
Materials: silver
Artist: thomas howell
Artist role: maker
Artist dates: 1791 – 1791
Gipsmodel voor beeldhouwwerk op het Palais du Louvre: "Le Courage civique et la Gloire" door Théodore-Charles Gruyère
Object type: photograph
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘885’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 1.
Maple trees at Mama, Tekona shrine and the Linked bridge
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: woodcut
Location: japan
Artist: utagawa hiroshige (i)
Artist role: draughtsman, print maker
Artist dates: 1797 – 1858
Dish (Tazza)
Object type: dish
Techniques: maiolica, glazing
Subjects: women
Laag water in de Theems
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: etching
Location: london
Artist: donald shaw maclaughlan
Artist role: painter, print maker
Artist dates: 1876 – 1938
Subjects: city-view in general; 'veduta', freight vessel, pier, quay, wharf, railway, tramway; rack railway, bridge, quay, steam locomotive, thames
Inscriptions: collector's mark: Lugt 2213a, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Vrachtschuiten in de Theems in Londen bij laag water onder een spoorbrug Cannon Street Railway Bridge waaroverheen stoomtreinen rijden. In de verte Waterloo Bridge.
Le Pate d'Anguilles, from "Contes et nouvelles en vers par Jean de La Fontaine.  A Paris, de l'imprimerie de  P. Didot, l'an III de la République, 1795"
Object type: print
Date: 1795 – 1795
Techniques: engraving, etching
Artist: jean-baptiste patas
Artist role: artist
Artist nationality: french
Artist dates: 1744 – 1802
Subjects: men,women,dining
Portrait of a Lady
Object type: painting, miniature
Date: 1820 – 1820
Materials: ivory, watercolor
Culture: american
Artist: henry inman
Artist role: artist
Artist nationality: american
Artist dates: 1801 – 1846
Subjects: portraits,women
Christus in de hof van Getsemane
Object type: print
Date: 1502 – 1510
Materials: paper
Techniques: woodcut
Location: straatsburg
Subjects: christ's prayer in the garden of gethsemane during the night
Inscriptions: collector's mark: Lugt 240

Illustraties waarschijnlijk afkomstig uit: Der heilige leben (...). Straatsburg: Johann Grüninger, 1502 of 1510.
Necklance Formed of Eight Dress Ornaments with Eight Links
Object type: necklace
Date: 1600 – 1600
Materials: enamel, gold, pearl, gemstone
Culture: transylvanian
Artist: transylvania
Artist role: artist
Artist nationality: transylvania
Artist dates: 1600 – 1893

This necklace was assembled, probably in the nineteenth century, from eight clothing ornaments dating to the early seventeenth century. The prevalence of these ornaments, called boglar, in sixteenth and seventeenth-century inventories of Hungarian women, suggests that they were relatively inexpensive, a theory supported by the minimal use of precious metal. The jewels were frequently marked on the back, presumably by the maker, with initials; in the case of the present example, “AVB.”
Theepot met deksel van aardewerk met zwartdekkende glazuur
Object type: teapot
Date: 1740 – 1770
Materials: earthenware
Location: jackfield
Artist: Anonymous

Bolvormige theepot met deksel van aardewerk met zwartdekkende glazuur. De pot heeft een C-vormig oor, een deksel met een knop en een S-vormige tuit.
Pair of  Figures
Object type: figure
Date: 200 – 200
Materials: ceramic
Culture: ixtlán del río
Location: mexico
Subjects: men,women

Paired male and female figures are common subjects in the ceramics of the western Mexico peoples of Jalisco, Colima, and Nayarit. Named for the states in which the works have been discovered in quantity in deeply buried, multichambered shaft tombs, the ceramic sculptures show aspects of daily and ritual life, from ballgame representations to feasting ceremonies to deceptively simple family scenes. While subject matter was relatively consistent throughout the entire region, style distinctions existed. The figures here are in Nayarit's Ixtlán del Río style, which is characterized by thin, pliant limbs, and stout, cylindrical torsos. Gender differences center on attire and activity, but both sexes wear numerous ornaments on ears and nose. Here the male figure wears a conical hat, a shoulder cloth, and a loincloth. He holds a drum in his right hand and raised drumstick in the other. His companion wears a shoulder cloth and skirt, and her right arm is draped around his shoulder.
Gezicht op het cabinet in de tuin van buitenplaats Petersburg
Object type: print
Date: 1729 – 1732
Materials: paper
Techniques: engraving, etching
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: french or architectonic garden; formal garden, garden buildings, country-house, nederhorst den berg
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Prent mogelijk uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in 100 heerlyke gezichten. Amsterdam: Jan Roman, s.a. Of uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in veele heerlyke gezichten. Amsterdam: Andries en Hendrik de Leth, s.a [1729-1732]. Of uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in veele heerlyke gezichten. Amsterdam: Jan Roman, s.a.
De Neude te Utrecht / Marché dite Neude à Utrecht
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: utrecht
Inscriptions: inscription: ‘Marché dite Neude à Utrecht’

Huidige staat van prent uitgegeven als onderdeel van een plaatwerk uit ca. 1824-1825 met 74 (ongenummerde) platen van de belangrijkste topografische gezichten en verschillende zeden en gewoonten in het Verenigd Koninkrijk der Nederlanden, getiteld 'Tableau des principales vues des palais et édifices : représentations et des coutumes et usages, dans les provinces septentrionales du Royaume des Pays-Bas'.

Eerdere staat gebruikt in: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Portret van Gilbert Fuchs
Object type: album leaf
Date: 1568 – 1587
Materials: paper
Techniques: letterpress printing
Subjects: historical persons, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 240

Prent gebruikt in: Reusner, Nikolaus. Contrafacturbuch: ware und Lebendige Bildnussen etlicher weitberümbten unnd Hochgelehrten Männer in Teutschland (...). Straatsburg: Bernhard Jobin, 1587.
Suit
Object type: suit
Date: 1890 – 1895
Materials: wool
Culture: american
Portret van Emmanuel Joseph Sieyès
Object type: print
Date: 1768 – 1817
Materials: paper
Techniques: stippling
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
2 Dukaten uit de rijksstad Neurenberg, 1700
Object type: dubbele dukaat
Date: 1700 – 1700
Materials: gold
Techniques: striking

Gouden munt. Voorzijde: onder versiering drie samengebonden wapenschilden. Keerzijde: paaslam met vaan, waarin aanduiding PAX, op berg. Jaartal in Romeinse letters gaat schuil in het omschrift. Gladde rand.
Gevels en haarden in de Dorische orde
Object type: album leaf
Date: 1581 – 1581
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: doric order ~ architecture, open hearth, fire-place, civic architecture; edifices; dwellings

Prent uit: Vredeman de Vries, Hans. Architectura oder Bauung der Antiquen auss dem Vitruvius, waellches sein funff Collummen orden, (...). Antwerpen: Gerard de Jode en Gerard Smits, 1581. Prent eerder verschenen in de 1577-editie.
Man pratend met vrouw, twee kinderen zitten met een korf langs kant van de weg
Object type: print
Date: 1739 – 1804
Materials: paper
Techniques: etching
Artist: johann andreas benjamin nothnagel
Artist role: print maker
Artist dates: 1729 – 1804
Subjects: 'en route', traveller under way
Inscriptions: collector's mark: Lugt 240
Roman Forum
Object type: drawing
Date: 1600 – 1699
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: architecture,columns,ruins
Croisée à archivolte drapée / Cheminée drapée
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: curtains, window, open hearth, fire-place, hangings and drapery
Inscriptions: : ‘Droits de reproduction réservés.’

Kruisvenster met kroonboog en gedrapeerde gordijnen (2855) / Haard met spiegel en draperieën (2856). Prent uit 280e Livraison.