deem-data/ArtiFact huggingface dataset:
Benediktenwand - Gipfel
Object type: print
Date: 1905 – 1930
Materials: cardboard
Techniques: lithograph
Location: benediktbeuern
Artist: Anonymous
Subjects: mountain-top, peak
Terracotta statuette of a woman
Object type: statuette of a woman
Date: 1450 – 1200
Materials: terracotta
Culture: cypriot
Subjects: women

The statuette is handmade and hollow and has a shaved surface. The cylindrical body is elongated and slim.
Gezicht op een monument voor Christoffel Columbus op het Plaza de Colón in Madrid
Object type: photomechanical print
Date: 1888 – 1898
Materials: paper
Techniques: photograph
Location: plaza de colón
Subjects: square, place, circus, etc., monument, statue
Portretmedaillon van Galba
Object type: drawing
Date: 1736 – 1775
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: male persons from classical history (galba) - non-aggressive activities of person from classical history, historical persons
Cup (part of a service)
Object type: cup
Date: 1750 – 1750
Materials: hard paste porcelain
Subjects: coat of arms
Portret van paus Leo XII
Object type: print
Date: 1823 – 1899
Materials: paper
Techniques: lithograph
Location: france
Artist: Anonymous
Subjects: rome, historical persons, pope
Fotoreproductie van een schilderij van drie mannen aan tafel met een bediende en een knielende schoenmaker
Object type: page
Date: 1879 – 1879
Materials: photographic support
Techniques: albumen print
Location: cologne
Subjects: shoe-maker, cobbler, house personnel, servants, dog
Inscriptions: inscription: ‘Collection NEVEN/ Coques (Gonzalez)’
Fotoreproductie van het fresco De zondvloed door Michelangelo in de Sixtijnse kapel
Object type: reproduction
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: vatican city
Subjects: the flood and destruction of mankind ~ story of noah (genesis 7:10 - 8:17), picture, painting, wall-covering
Inscriptions: collector's mark: ‘VOSMAER’, number: ‘3321.’
Glasgow Corporation Water Commissioners at Gorbals Works 4th Sept. 1880. The Hon. William Collins, Lord Provost
Object type: page
Date: 1880 – 1880
Materials: photographic support
Techniques: albumen print
Location: scottish highlands
Subjects: waterfall, committee members, board members, anonymous historical persons portrayed in a group, in a group-portrait
Teapot with cover
Object type: teapot with cover
Date: 1720 – 1730
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
General view of Port Arthur
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: japan
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘The fall of Port Arthur.’
Fontaneldoek met een randje kloskant van Helena van Slingelant-Slicher
Object type: fontaneldoek
Date: 1759 – 1764
Materials: linen
Techniques: lace
Location: southern netherlands
Artist: Anonymous

Fontaneldoek van naturelkleurig linnen met aan één zijde een randje naturelkleurige kloskant: Mechelse kant. Het 'hersenpanlapje voor borelingen' heeft een driehoekig model. Het randje kant is licht gebogen, glad aangezet en beslaat een groot deel van de langste zijde van de driehoek. De gebogen uiteinden overlappen deels het linnen. Het kantpatroon is symmetrisch en bestaat uit een rank in accolade-vorm met drie eenvoudige bloem- of bladvormen. De motieven zijn met elkaar verbonden door een traliegrond. De motieven zijn gemaakt in linnenslag en er is één soort siergrond gebruikt. De motieven zijn voorzien van dikkere glimmende contourdraden. Op de twee hoeken van het doekje, links en rechts van de zijde waaraan het kant is bevestigd, is een lang smal linnen bandje bevestigd. Op de derde hoek is het doekje gemerkt met rood borduursel met HVS/12, dat staat voor Helena van Slingelant-Slicher.
Avondmaalsschotel voor The Englisch Reformed Church
Object type: avondmaalsschotel
Date: 1771 – 1771
Materials: silver
Location: amsterdam
Artist: johannes schiotling
Artist role: silversmith
Artist dates: 1730 – 1799
Inscriptions: alloy mark: ‘Hollandse leeuw’, maker's mark, town mark: ‘Amsterdam’, date letter: ‘M (=1771)’

Baptismal font, one large and two small bread dishes and two ebony offertory boxes, made for the English Reformed Church in Amsterdam, largely at the expense of the banker John Hope. Silver and ebony. Amsterdam, 1771, by Johannes Schiotling. On loan from the English Reformed Church, Amsterdam.
M.gr van Develde evêque de Gand
Object type: print
Date: 1829 – 1836
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: boom, ghent, archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: : ‘Déposé’, collector's mark: Lugt 2228
Beeld van David met het hoofd van Goliath
Object type: photograph
Date: 1880 – 1904
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: italy
Artist: Anonymous
Subjects: italy

David heeft een zwaard in zijn hand, het hoofd van Goliath ligt aan zijn voeten.
Chasuble Front with an Orphrey Band
Object type: chasuble front with orphrey band
Date: 1401 – 1500
Materials: animal substrate, cotton, gilt, linen, metal, metal thread, silk
Techniques: bookbinding, brocade, glazing, lining, weave
Culture: italian
Staande man naar links, met notenkraker (?)
Object type: drawing
Date: 1868 – 1940
Materials: ink, paper, pencil
Techniques: pen
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Portret van een staande vrouw bij een stoel
Object type: album leaf
Date: 1860 – 1886
Materials: cardboard, photographic support
Techniques: albumen print
Artist: valentin joan frescarode
Artist role: fotograaf
Artist dates: 1824 – 1903
Subjects: historical persons, standing figure - aa - female human figure, chair
Inscriptions: inscription: ‘Photographisch/ Atelier/ V. Jean Frescarode/ Firma W.H.A. Kampfraat/ Spiegelstraat/ bij de Kerkstraat CC 42/ Amsterdam’
Relief Fragment
Object type: fragment
Date: 1401 – 1500
Materials: marble
Culture: european
in 1923
Object type: photograph
Date: 1923 – 1923
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: Anonymous
Subjects: adult woman, tennis, lawn-tennis (+ sportsman, player, etc.), adult man, suriname

Onderdeel van fotoalbum van een onbekende Nederlandse familie met opnames van Suriname, Europa en Nederlands-Indië.
Saints Anthony, Sebastian and Christopher
Object type: print
Date: 1470 – 1490
Techniques: hand coloring
Artist: anonymous, german, cologne, 15th century
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 1500
Subjects: bow and arrow,men,women,saint anthony
Clavichord
Object type: clavichord
Date: 1765 – 1765
Culture: german
Location: germany
Artist: johann christoph jesse
Artist role: maker
Artist nationality: german
Artist dates: 1705 – 1787

The builder of this instrument, Johann Christoph Jesse, was organist for Saint Matin's in Halberstadt in the German state of Saxony-Anhalt. Clavichords were built as far back as the early fifteenth century, and perhaps earlier. This most personal, simplest, and quietest of European keyboard instruments was the perfect vehicle for music pedagogy, keyboard practice, and composition throughout its 400-year history. The action of the clavichord is relatively simple: the finger depresses a key which, working as a lever, causes its opposite end to rise so that a metal tongue (or tangent) hits a metal string, causing it to resonate. When the key is released, the string is damped. The clavichord is very quiet compared to the harpsichord or piano because of the inefficiency of its sound production, with the tangent hitting the string at the end of its resonating length, rather than in the middle. The tangent mechanism, however, allows a player to achieve a range, albeit narrow, of louder and softer tones as well as special effects like bebung, a form of vibrato, so that the clavichord was and is valued for its intimate expressiveness. Earlier clavichords were fretted, that is, a single string might be used to create several different notes, depending on where a tangent struck it. Unfretted clavichords, with a single note per string, came into use in the late seventeenth century. Technical description: Unfretted clavichord. Range FF-f3; soft wood case painted outside in imitation tortoise-shell, lid black with painted tortoise-shell panels, interior of lid and front board painted red; on separate carved stand with cabriole legs; natural keyheads 4.6 cm long, ebony tops with 4 score lines, black-stained arcades; accidentals 8.2 cm long, black-stained hardwood with bone tops; pivot points: naturals 19.0 bass to treble, accidentals 15.9 bass to treble; note names written on keys; keys FF, FF#, g, d2, d#2 possibly not original (FF and FF# are of softwood, whereas g, d2, d#2 are of pear. While the latter 3 are obviously replacements for missing or broken keys, the FF and FF# may have been added to enlarge compass. Plating on FF# is ivory; brass tangents; probably spruce soundboard with usual simple-section bridge backpinned from FF to a2; unpierced oblong tuning pins, note names inscribed by pins. (Hardy Schlick, 1977)
Oostpoort te Delft
Object type: photograph
Date: 1891 – 1891
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: the hague
Artist: henri de louw
Artist role: fotograaf
Artist dates: 1851 – 1944
Subjects: oostpoort
Inscriptions: date
Sir Henry Clinton
Object type: print
Techniques: etching, engraving
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Subjects: men,portraits
Karel V, Duits keizer verleent het muntrecht aan Augsburg
Object type: history medal
Date: 1523 – 1523
Materials: silver
Techniques: striking
Location: augsburg
Artist: Anonymous
Subjects: ghent, charles v (holy roman emperor and king of spain), augsburg

Zilveren penning. Voorzijde: wapenschild onder jaartal binnen omschrift. Keerzijde: gekroonde, dubbelkoppige adelaar met schild voor borst binnen omschrift
Gezicht op het kapucijnenklooster te Tervueren
Object type: print
Date: 1605 – 1673
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: cloisters ~ monastery
Inscriptions: collector's mark: Lugt 240

Het kapucijnenklooster met kloostertuin aan een landweg met bomen. Zes mensen en een hond op de weg.
Gildehoorn van het Grootveerschippers Gild te Harlingen
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: corporative organization, guild, drinking-horn, harlingen
Inscriptions: date

Gildehoorn van het Grootveerschippers Gild te Harlingen. Drinkhoren in 1550 in eigendom van het gilde, in 1627 voorzien van de zilveren banden.
Bidprentjes
Object type: print
Date: 1827 – 1894
Materials: paper
Techniques: colour, letterpress printing
Location: schaarbeek
Subjects: saints, female saints
Inscriptions: collector's mark: Lugt 2760

Blad met 15 bidprentjes met voorstellingen van heiligen in een sierlijst, met onderin telkens de naam van de heilige. Genummerd midden boven: 69.
Two Birds on a Wintry Tree
Object type: fan mounted a an album leaf
Date: 1201 – 1300
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: birds,trees,snow

Two magpies, their feathers fluffed up against the cold, represent a warm reminder of the inevitability of spring. Such pictures of paired birds were often given as birthday gifts to elderly couples. The white heads of the birds and their long tail feathers are symbols of longevity, as is the ancient tree upon which they perch, for despite being covered with snow, the tree has already sprouted new growth—a sign of its enduring vigor.
Kracht (Fortitudo)
Object type: print
Date: 1601 – 1652
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: fortitude, 'fortitudo' ~ one of the four cardinal virtues

De gepersonifieerde Kracht; een vrouwenfiguur met een zuil over haar rechter schouder. Op de achtergrond een heuvellandschap.
The Wine-Glass
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: etching
Location: england
Artist: james abbott mcneill whistler
Artist role: painter, print maker
Artist dates: 1834 – 1903
Subjects: glass, rummer
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760
Zittende man met een kruik
Object type: sketchbook leaf
Date: 1834 – 1903
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: sitting figure (+ male human being (not to be used where -a- is prescribed)), jar, jug (used as drinking-vessel)

De man zit tussen het gebladerte. Blad 3 recto uit een schetsboek met 39 bladen.
Minerva
Object type: print
Materials: paper
Techniques: engraving
Location: belgium
Artist: adriaen collaert
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1560 – 1618
Prediking van Johannes de Doper
Object type: print
Date: 1652 – 1707
Materials: paper
Techniques: etching
Location: paris
Subjects: john the baptist preaching (perhaps christ among the bystanders)
Inscriptions: collector's mark: Lugt 2165

Johannes de Doper, met staf waaraan een lint hangt, predikt voor een zittend gezelschap. Op de achtergrond meer toehoorders waaronder een man te paard en de Romeins soldaat.
Staande vrouw in een lange jurk, mogelijk een danseres
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: female dancer, standing figure - aa - female human figure

Met een hoed of hoofdtooi. Ze staat in een interieur, mogelijk in de coulissen. Met een Blad 10 verso uit schetsboek III met 36 bladen.
Quadruple orb vase
Object type: vase
Date: 1876 – 1876
Materials: porcelain
Artist: worcester factory
Artist role: maker
Artist nationality: british
Artist dates: 1751 – 2008

After the end of the Flight, Barr & Barr ownership of the Worcester factory in 1840, the firm went through a succession of owners and mergers before falling under the ownership of Kerr & Binns in 1852. During the partnership, the factory sought to rebuild its former eighteenth-century reputation in porcelain and known for Renaissance-inspired designs. With the establishment of the Royal Worcester Porcelain Company in 1862, the company gradually gained recognition for its Japanese-inspired designs, which formed part of Japonisme, a collective fascination with Japan that took place in Europe and the United States following the opening of Japanese markets to the West by Commodore Perry in 1853.
Ko-omote Noh Mask
Object type: noh mask
Date: 1701 – 1800
Materials: wood, pigment
Culture: japanese
Subjects: masks

Ko-omote (literally “small face”) Noh masks are used for main or secondary roles, of either a young girl or a supernatural being. Inspired by Heian-period (794–1185) aristocratic style, the face is painted white, with shaved and painted eyebrows, neatly combed hair, and black-dyed teeth. The mask conveys the idea of innocent beauty.
Fotoreproductie van een tekening van de Kalverstraat door Reinier Craeyvanger
Object type: reproduction
Date: 1867 – 1882
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: haarlem
Subjects: street (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘Amsterdam/ Kalverstraat/ 2/ Gephotgr: door Ch. Binger & Co. Haarlem’
Mary de Medicis, queen of France and Navarre
Object type: print
Date: 1818 – 1852
Materials: paper
Techniques: lithograph
Location: london
Subjects: cologne, print maker, maria de' medici, historical persons
Inscriptions: collector's mark: Lugt 2228
Bloeiende staf van Aäron
Object type: book illustration
Date: 1779 – 1779
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: moses shows the flowering rod of aaron to the community
Inscriptions: collector's mark: Lugt 2228

Mozes komt met de bloeiende staf van Aäron uit de verbondstent. Voor hem zitten de stamhoofden van Israël, die hun staf weer in ontvangst nemen. Op de achtergrond is een tentenkamp te zien (Num. 17:22-24). Deze prent is een illustratie bij het vierde hoofdstuk van het vierde boek van 'Alle de werken van Flavius Josephus'.
Head of a Bodhisattva
Object type: relief fragment
Date: 901 – 1000
Materials: stone
Culture: indonesian, javanese
Subjects: buddhism,bodhisattvas
Empress Catherine II
Object type: statuette
Date: 1837 – 1837
Materials: bronze
Artist: samuel friedrich ivanovich hallberg
Artist role: artist
Artist dates: 1787 – 1839
Subjects: women

Hallberg, a sculptor of Swedish origin, studied at the Academy of Fine Arts in Saint Petersburg and in Rome. In 1831 Czar Nicholas I commissioned from him a large marble statue of Catherine II for the conference hall of the Saint Petersburg Academy. This commission gained Hallberg a permanent appointment as professor at this prestigious institution. The bronze is a reduced version of the marble. The empress is depicted as a classical Roman ruler or deity wearing a laurel wreath and a richly draped robe and holding a scroll. The klismos throne chair, stripped to its bold essentials and strikingly beautiful in its curving and absolute purity, refers reassuringly to a settled past. It underlines Catherine's characterization as the embodiment of stately authority. Combined with her heroic appearance all'antiqua (in the antique manner), all this strongly emphasizes her reputation as "The Great Catherine."
Versailles, Bassin du Nord
Object type: photograph
Date: 1901 – 1901
Techniques: albumen print
Location: france
Artist: jean-eugène-auguste atget
Artist nationality: french
Artist dates: 1857 – 1927
Subjects: collected by hugh edwards
Inscriptions: Inscribed recto, in negative, lower left, backwards, in white: "6"; verso unchecked
Samuel Verplanck
Object type: painting, miniature
Date: 1760 – 1760
Materials: gold, ivory, watercolor
Culture: dutch
Subjects: men,portraits
Fontein met Jupiter en Juno
Object type: ornament print
Date: 1560 – 1598
Materials: paper
Techniques: etching
Location: germany

De schacht van de fontein is gedecoreerd met schelpvormige bekkens en kinderen met waterspuwende vissen. Rechts is de bekroning van de fontein weergegeven. Eén van 20 bladen uit een serie (Architectura. Von Ausztheilung, Symmetria und Proportion der fünff Seulen...) bestaande uit 193 bladen en 5 titelbladen, verdeeld over vijf boeken. Het gaat hier om een tweede, uitgebreide editie van de onder Orn Cat I-319 beschreven serie.
Fotoreproductie van een schilderij, voorstellende een portret van Robert Cleghorn
Object type: reproduction
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Inscriptions: number: ‘77’
Melkmeisje bij de poort van een boerderij
Object type: print
Date: 1773 – 1838
Materials: paper
Techniques: drypoint, etching
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: milking (+ transport of products ~ crafts, industries, agriculture), farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2233
Gezicht op een kerk
Object type: photograph
Date: 1865 – 1870
Materials: photographic support
Techniques: salted paper print
Location: barrington
Artist: Anonymous
Subjects: landscapes, church (exterior)
Blad met één portret van Jacob Ludwig Karl Grimm en twee van Wilhelm Karl Grimm
Object type: sheet
Date: 1850 – 1900
Materials: paper
Techniques: letterpress printing, snipping, engraving
Subjects: berlin, jacob ludwig karl grimm, historical persons, portrait of a writer
Inscriptions: signature: ‘E.schlitte.SC.’, number: ‘2’, signature: ‘S & G’
Voorbehouden kennis (allegorie op de wetenschap)
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving, etching
Location: london
Artist: james barry
Artist role: draughtsman, print maker
Artist dates: 1741 – 1806

Een aartsengel legt het zonnestelsel uit aan een groep wetenschappers. Van links naar rechts in de bovenste zone zijn voorgesteld de natuurkundigen: Francis Bacon, Nicolaas Copernicus, Galileo Galilei en Isaac Newton. In de onderste zone van links naar rechts zijn zittend voorgesteld de filosofen Thales van Milete en René Descartes, de wiskundige Archimedes, de theoloog Robert Grosseteste en de Franciscaan en natuurwetenschapper Roger Bacon. In het midden van de groep bevindt zich een hemelglobe met de planeet Jupiter.
The Holy Family with Saint Elizabeth and John the Baptist as a Child
Object type: print
Date: 1620 – 1620
Techniques: engraving
Artist: lucas vorsterman (i)
Artist role: artist
Artist nationality: flemish
Artist dates: 1595 – 1675
Subjects: christ,holy family,saint john the baptist,virgin mary,saints
Bird and Plum Blossoms
Object type: hanging scroll
Date: 1701 – 1900
Materials: ink, paper
Culture: japanese
Artist: unpō
Artist role: artist
Artist dates: 1765 – 1848
Subjects: birds,flowers
Oppervlakte van de zon
Object type: photograph
Date: 1885 – 1885
Materials: cardboard, paper
Techniques: carbon print
Location: meudon
Artist: pierre jules césar janssen
Artist role: astronoom, fotograaf, uitvinder
Artist dates: 1824 – 1907
Subjects: sun-spots
Inscriptions: inscription: ‘Pl. X/ Observatoire de Meudon/ Études de la Surface Solaire/ 5 Juillet 1885 - 8h 23m 12s - Diamètre du disque: 0m891 - Latitude moyenne du groupe: 11o Sud (Région Centrale)’
Oprichting van een monument voor Joan Melchior Kemper in de St. Pieterskerk te Leiden
Object type: history medal
Date: 1835 – 1835
Materials: silver
Techniques: striking
Location: utrecht
Artist: johan philip menger
Artist role: medailleur
Artist dates: 1818 – 1895
Subjects: amsterdam, leiden, jonkheer joan melchior kemper

Zilveren penning. Voorzijde: monument met opschrift binnen omschrift; afsnede: datering. Keerzijde: opschrift binnen lauwerkrans en omschrift.
An allegorical scene; a young woman at centre holding a wreath above her head, at left is a old man leaning on a stick, a younger man at right who holds a small dragon
Object type: print
Date: 1515 – 1527
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: infants,men,male nudes,women,dragons
Heidelandschap met een figuur op een pad
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: road, path, landscapes (+ landscape with figures, staffage)

Blad 31 recto uit een schetsboek met 33 bladen.
Mlle. De Lussan, from the Actresses series (N246), Type 1, issued by Kinney Brothers to promote Sporting Extra Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actresses" (N246), issued ca. 1890 by Kinney Brothers Tobacco to promote Sporting Extra Cigarettes. There are two types of cards in the series, varying by size.