deem-data/ArtiFact huggingface dataset:
Ontwerp voor een secretaire
Object type: design drawing
Date: 1822 – 1822
Materials: ink, paper
Techniques: brush, pen
Location: berlin
Artist: carl wilhelm marckwort
Artist role: draughtsman
Inscriptions: signature and date: ‘W. MARCKWORT. BERLIN. IV. XXVII. MDCCCXXII.’

In de bovenkast twee voluten, in 1821 gemaakt door Joseph Oberfranke. Voor- en zijaanzicht, met daaronder een in tweeën gedeelde plattegrond en een maatverdeling.
Gezicht op het weeshuis van Berlijn, gezien vanaf de Strehlow-poort
Object type: print
Date: 1749 – 1808
Materials: paper
Techniques: engraving, etching
Artist: johann georg rosenberg
Artist role: print maker
Artist dates: 1739 – 1808
Subjects: tower, clock tower ~ monumental adornment, city-view in general; 'veduta', quay, berlin
Inscriptions: collector's mark: Lugt 2228
Jug
Object type: jug
Date: 1050 – 900
Materials: terracotta
Culture: cypriot
Reading
Object type: print
Date: 1879 – 1879
Materials: chine, ink, paper
Techniques: lithograph, printing, scraping
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: women,reading
Vase
Object type: vase
Date: 1796 – 1820
Materials: glaze, porcelain
Culture: chinese
in Tree van Syn Koninglyke Mayesteyt binnen Dublin op den 16 July
Object type: history print
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: william iii (prince of orange and king of england, scotland, and ireland)

Koning Willem III trekt met zijn legers Dublin in, 16 juli 1690. Onderdeel van een serie over de lotgevallen van het Engelse koningshuis van Stuart van 1558-1711, waarvan hier zijn opgenomen zestien prenten over de strijd tussen Jacobus II en Willem III in de jaren 1688-1689.
Cap crown
Object type: cap crown
Date: 1801 – 1900
Materials: metal thread
Dubbele stuiver van Deventer, 1683
Object type: coin
Date: 1683 – 1683
Materials: silver
Techniques: striking
Location: deventer

Zilveren munt. Voorzijde: tussen waarde-aanduiding 2 S generaliteitsleeuw. Keerzijde: tweeregelig opschrift. Daarboven muntmeesterteken en daaronder jaartal. Piedfort.
At the Concert
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Animae incvria ob nimiam corporis Cvram
Object type: print
Date: 1610 – 1676
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: lust, luxury, 'luxuria'; 'lussuria' (ripa) ~ personification of one of the deadly sins, (personifications of) 'vanitas', the vanity of human life; fragilità humana, fugacità delle grandezze & della gloria mondana, meditatione della morte, opera vana, piacere vano, vana gloria, vanità (ripa), head-gear: hat (+ men's clothes), poverty; 'povertà', 'povertà del doni', 'povertà in uno ch'habbia bell'ingegno' (ripa), spirit (or soul) versus body, the soul during lifetime, ass, donkey (+ animals used symbolically)
Inscriptions: collector's mark: Lugt 2228, signature: ‘W.’

De personificatie van de lustvolle mens (Homo Carnalis) kroont een ezel met een prachtige hoofdtooi. Deze ezel staat symbool voor zijn lichaam (Caro). Achter hem op een straathoek staat een armoedig geklede vrouw, de personificatie van de door de mens verwaarloosde ziel (Anima). Prent uit een serie van vier prenten over de zorg van de mens voor het lichaam en het negeren van de ziel. Elke prent met een onderschrift in het Latijn, Frans en Nederlands.
Cap. Cardoni - Maramao, from "Balli di Sfessania" (Dance of Sfessania)
Object type: print
Date: 1622 – 1622
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: satire
Stencil
Object type: stencil
Date: 1801 – 1833
Materials: paper
Culture: japanese
Subjects: flowers
Design for an Urn
Object type: drawing
Date: 1801 – 1900
Materials: gilt, gold, gouache, graphite, watercolor
Techniques: brush, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: human figures,urns
Jehan Baptiste Houwaert
Object type: medal
Date: 1501 – 1600
Materials: lead
Artist: p. f. alexander
Artist role: artist
Artist dates: 1520 – 1578
Subjects: men,profiles
Design for an Over-Mantle Mirror Frame
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Fragment of a Book Cover
Object type: fragment of a book cover
Date: 401 – 800
Materials: bone
Techniques: engraving
Location: palestine
Portret van Aleksej Jermolov
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: politician, commander-in-chief, general, marshal, historical persons
Inscriptions: signature: ‘Worm’

Prent uit: L'illustration: journal universel. Parijs: Dubouchet, 1855, dl. 23, p. 4.
Charges van voetvolk en ruiterij
Object type: drawing
Date: 1602 – 1635
Materials: ink, paper
Techniques: pen
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: battle (+ land forces)
Fragment
Object type: fragment
Date: 1600 – 1600
Techniques: embroidery
March snow
Object type: photomechanical print
Date: 1883 – 1893
Materials: paper
Techniques: photoaquatint
Location: great britain
Subjects: snow, great britain
Inscriptions: watermark: ‘John Dickinson & Co.’

Originele titel is afgeleid uit literatuur.
Portrait of Yato Fumoshichi Norikane
Object type: print
Date: 1852 – 1853
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Subjects: men,portraits
Interieur van een schilderijenzaal in Penshurst Place
Object type: photomechanical print
Date: 1866 – 1876
Materials: paper
Techniques: woodburytype
Location: penshurst place
Subjects: art collection, art gallery, interior of the house
Coin
Object type: coin
Date: 701 – 900
Materials: copper
Location: iran
Gazette du Bon Ton, 1922 - No. 9 : Hermine et satin lamé / Tissu de Bianchini
Object type: fashion print
Date: 1922 – 1922
Materials: paper
Techniques: printing, letterpress printing, photochemical processes
Location: new york city
Subjects: ear-rings (+ women's clothes), coat (+ women's clothes), fashion plates
Inscriptions: date

Avondcape van hermelijn, afgezet met een brede band met een dessin van waaiers en hoeden, van Bianchini. Croquis No V uit Gazette du Bon Ton 1922, No. 9. Uitleg over de kleding op pagina "Recto des pages de croquis. Contenues dans ce fascicule (Modèles de la gazette)."
Gouden beuketak, op 23 maart 1907 als huldeblijk door Denemarken geplaatst op het praalgraf van Michiel Adriaenszoon de Ruyter
Object type: chest
Date: 1907 – 1907
Materials: brass, cardboard, copper, glass, leather, gold, velvet, wood
Techniques: woodworking, casting, cutting, engraving, forging, gilding, soldering, stitching, striking
Location: denmark
Artist: aug. thomsen
Artist role: manufacturer
Subjects: flushing, michiel adriaenszoon de ruyter
Inscriptions: date
Mannenkoppen
Object type: sketchbook leaf
Date: 1936 – 1936
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: head (human)

De mannen dragen hoofddeksels. Blad 23 recto uit een schetsboek met 73 bladen.
Pro patria
Object type: bookplate
Date: 1900 – 1900
Materials: paper
Techniques: engraving
Artist: charles william sherborn
Artist role: print maker
Artist dates: 1831 – 1912
Subjects: knight, armorial bearing, heraldry
Inscriptions: date
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: arnhem
Artist: christina elizabeth perk
Artist role: painter, sculptor
Artist dates: 1833 – 1906
Subjects: the hague, painter, draughtsman, philip zilcken, exhibition ~ art
Inscriptions: collector's mark: ‘RPK’
Gezicht op Nijmegen vanuit het noorden
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: etching, lithography
Location: netherlands
Subjects: river, nijmegen
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Gezicht op de stad Nijmegen vanuit het noorden. Op de voorgrond de rivier met zeilschepen.
Portret van Jacob Kimhi
Object type: print
Date: 1788 – 1790
Materials: paper
Techniques: engraving
Location: great britain
Subjects: historical persons, merchant, salesman
Inscriptions: collector's mark: Lugt 2228
Portret van John Hare
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: portrait of actor, actress
Inscriptions: inscription: ‘57 & 61, Elbury Street, London.’
Portrait of a Lady, Possibly of the Stanley Family
Object type: painting
Date: 1780 – 1780
Materials: canvas, oil, paint
Techniques: painting
Location: england
Artist: Anonymous
Artist nationality: British
Artist dates: 1700 – 1799
Subjects: portraits: female subject, portrait, women, trees, pearls, landscape, luxury, wealth, woman
Ruit met vogel op tak waaraan vijf bloemen
Object type: light window
Date: 1600 – 1700
Materials: glass, lead
Techniques: leading
Artist: Anonymous
Subjects: birds

Ruitje met emailschildering van een vogel op een tak waaraan vijf kleine bloemen zitten. Opmerking: Onderdeel van de groep BK-CLXIII-a t/m r.
Sheet Fragment
Object type: fragment
Date: 301 – 400
Materials: linen, wool
Culture: coptic
Location: egypt
Innemen van Damiaten 1188 en nieuw stads wapenschild / Vicit vim virtus
Object type: print
Date: 1688 – 1689
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: haarlem

Kruisridders geknield voor de keizer en de paus ontvangen van deze de zegen en een zwaard. Op de achtergrond de verovering van de stad Damiate met het doorvaren van de ketting van de haven, 1219. Dit blad maakt deel uit van een omvangrijke prent met een grote plattegrond van Haarlem, omgeven door zeven wapenschilden, een profiel van de stad, gezichten op markante Haarlemse gebouwen en voorstellingen van belangrijke momenten uit de Haarlemse geschiedenis.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, back of draped figure sitting on a cushioned stool
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Object type: tabernacle altar
Materials: stone, wood, glass, quartz, silver gilt
Techniques: gilding, painting, veneering
Artist: reinhold vasters
Artist role: artist
Artist nationality: german
Artist dates: 1827 – 1909
Subjects: altars,adoration of the magi,adoration of the shepherds,annunciation

This tabernacle house altar contains reverse-painted glass panels depicting the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation, which were probably painted in Lombardy in the second half of the sixteenth century. The wooden frame, however, was made in the nineteenth century, probably by Reinhold Vasters (1827-1909) or someone in his workshop. Vasters was a highly skilled German silversmith and goldsmith who for a time served as restorer at the Aachen Cathedral treasury. There, in the spirit of nineteenth-century historicism, he not only restored but also replaced worn or damaged liturgical objects. It is likely that the Lehman tabernacle house altar was made expressly to house a set of sixteenth-century reverse-painted panels. The unified program and the similarity of the style of the painting on the ten rock crystal panels suggest that they were scavenged from a single piece.
Portret van Hugo de Groot
Object type: print
Date: 1829 – 1879
Materials: paper
Techniques: engraving
Artist: jan frederik christiaan reckleben
Artist role: print maker
Artist dates: 1819 – 1879
Subjects: delft, hugo de groot, historical persons, portrait of a writer

Prent mogelijk uit: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. Amsterdam: J. F. Schleijer, [1840-1884].
Untitled (Moretonhampstead, England)
Object type: photograph
Date: 1870 – 1879
Techniques: albumen print
Location: england
Artist: francis bedford
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1894
Ritual Wine Cup (Zhi)
Object type: wine cup
Date: 1034 – 1001
Materials: bronze
Culture: chinese

This elaborate set of wine vessels provides an idea of the splendor of Shang and early Zhou ritual ceremonies. The set is said to have come from a tomb uncovered in 1901; shortly thereafter, it entered the collection of Duan Fang, a senior Manchu official and one of the preeminent antiquarians of the late Qing period. The pieces vary in style and execution. Although eleven of the vessels are inscribed, only one grouping shares identical inscriptions: the two wine containers, or you (nos. 2, 3) and the tall wine container, or zun (no. 4). A second grouping has largely comparable inscriptions: the spouted water vessel, or he (no. 5) and one cup, or zhi (no. 11). A partial reconstruction of the set’s arrangement in the tomb may be established from corrosion outlines on the three principal vessels—the two wine containers, or you, and the central tall wine container, or zun—that were etched onto the surface of the altar table. The diagram shows a hypothetical arrangement of the remaining vessels around the major pieces. Even if this is accepted as the original grouping, the disparate inscriptions and vessel styles remain unexplained. Created around the time of the Zhou conquest of the Shang, and clearly by different foundries, the pieces of the set may represent the accumulated wealth of a family shrine. 青銅禁 1. Ritual Altar Table (Jin) (24.72.1) 青銅帶座卣 2. Ritual Wine Container (You) (24.72.2a-c) 青銅卣 3. Ritual Wine Container (You) (24.72.3a, b) 青銅尊 4. Ritual Wine Container (Zun) (24.72.4) 青銅盉 5. Spouted Ritual Water Vessel (He) (24.72.5a, b) 青銅觶 6. Ritual Wine Cup (Zhi) (24.72.6) 青銅斚 7. Ritual Wine Container (Jia) (24.72.7) 青銅斗 8. Ritual Ladle (Dou) (24.72.8) 青銅爵 9. Ritual Wine Vessel (Jue) (24.72.9) 青銅觚 10. Ritual Wine Beaker (Gu) (24.72.10) 青銅觶 11. Ritual Wine Cup (Zhi) (24.72.11) 青銅觶 12. Ritual Wine Cup (Zhi) (24.72.12) 青銅角 13. Ritual Wine Vessel (Jiao) (24.72.13) 青銅觶 14. Ritual Wine Cup (Zhi) (24.72.14)
Kisō Mountains in Snow
Object type: woodblock print
Date: 1857 – 1857
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: mountains,snow
Portret van Johann Hektor Bromm
Object type: print
Date: 1681 – 1681
Materials: paper
Techniques: engraving
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Ontwerp voor een secretaire
Object type: design drawing
Date: 1825 – 1835
Materials: ink, paper
Techniques: brush, pen
Inscriptions: signature: ‘C. Thiele’, watermark: ‘GE’, inscription: ‘3 6 9 12 Zoll1 2 3 4 5 Fuβ / 25 Model’

Twee sfinxen, vooraanzicht en twee zijaanzichten, met daaronder een in tweeën gedeelde plattegrond en een maatverdeling.
Dish
Object type: ceramic
Date: 1760 – 1760
Materials: ceramic, enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Location: worcester
Nymphs and Satyr in a Classical Landscape
Object type: relief
Date: 1601 – 1700
Materials: silver
Subjects: nymphs,satyrs
Visoenen van Johannes de Evangelist op Patmos
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ between seven golden candlesticks appears to john, who falls to the ground; a sword comes out of christ's mouth and he holds seven stars in his hands, the four horsemen of the apocalypse, an angel sent by christ appears to john on patmos, the throne of god ~ revelation

Onversneden blad met vier prenten uit dezelfde serie, rechtsonder genummerd van 1 tot en met 4. Prenten maken deel uit van een prentbijbel.
Flower vase with animal-head handles
Object type: vase
Date: 1301 – 1400
Materials: copper alloy
Culture: chinese
Earring
Object type: earring
Date: 701 – 833
Materials: gold
Culture: indonesian, javanese
Nabootsing van VOC- duit Zeeland
Object type: coin
Date: 1780 – 1830
Materials: copper
Techniques: striking
Location: banjarmasin

Koperen munt. Nabootsing van duit van de VOC uit Zeeland. Voorzijde: gekroond wapenschild van Zeeland. Keerzijde: monogram van de VOC, waaronder fictief jaartal.
Notitie
Object type: sketchbook leaf
Date: 1930 – 1930
Materials: ink, paper
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Inscriptions: annotation: ‘J.J./ Als een bloem des ve[...]/ Oprecht. Zuiver. Eerlijk scherp van verstand. en hoewel/ groot van vermogen. altijd horend te leeren hulpvaardig en zacht van gemoed/ een uit duizend. drager van/ ongekende mogelijkheden/ als alle Grooten/ tot het einde overvloeiend van/ schoonheid./ een man singulier in alles’

Blad 2 verso uit een schetsboek met 9 bladen.
Johanna (Hans) de Jong met haar stiefmoeder Elisabeth de Jong op natuurijs
Object type: photograph
Date: 1900 – 1900
Materials: paper
Techniques: collodion silver print
Location: netherlands
Artist: willem de jong (fotograaf)
Artist role: arts, fotograaf
Artist dates: 1864 – 1918
Subjects: haarlem, elisabeth de jong-van tonderen, leiden, johanna petronella lambertina stokhuyzen-de jong (hans), historical persons, girl (child between toddler and youth), ice ~ freezing weather, netherlands
Inscriptions: inscription: ‘Hansje met/ omietje Beppie’, inscription: ‘Witte Angel/ "hoenhoven"-koepeltje’, inscription: ‘[...] 1/81’
The Dream of Saint Joseph
Object type: drawing
Date: 1701 – 1800
Materials: gouache, ink
Techniques: brush, highlighting, wash
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: sleeping,saint joseph
Chrismatory
Object type: metalwork
Date: 1601 – 1700
Materials: pewter
Location: france
A Saint Clothing the Poor Among the Ruins of an Earthquake
Object type: drawing and watercolor
Materials: chalk, paper
Location: france
Artist: attributed to edme bouchardon
Artist nationality: french
Artist dates: 1698 – 1762
Fan
Object type: fan
Date: 1818 – 1818
Materials: ivory, paper, parchment, silver
Techniques: etching, painting
Artist: fernando coustellier and co.
Artist role: maker
Subjects: men,women

A rare survival celebrating Rossini's opera, The Barber of Seville, this French fan intentionally harkens to Spanish design and is inscribed with the title, character names, and even part of the score of the opera. The printer and publisher Fernando Coustellier, who has signed and dated the fan, belonged to a long-established Parisian family of fan-makers. Soon after making this fan, he moved premises around 1830 to Valencia. In this example, Coustellier's print has been colorfully hand-tinted.
Portret van Bernardus Sandijk
Object type: print
Date: 1709 – 1709
Materials: paper
Techniques: mezzotint
Location: amsterdam
Subjects: the hague, theologian
Inscriptions: collector's mark: Lugt 964, inscription: ‘Barnardis - Zandyck / Haaga.’

De predikant Bernardus Sandijk op 28-jarige leeftijd.
Card Number 141, Miss Nults, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Bowl with Resist Design
Object type: bowl
Date: 601 – 1000
Materials: ceramic, pigment
Culture: proto-taíno
Location: dominican republic

Formed in the organic shape of a large leaf, or perhaps in the shape of a sliced guanábana fruit, this shallow bowl with a slightly inverted rim contains a slip-painted resist design on its interior. The potter used a fine paste as visible in the losses on the rim of the vessel. The design on the interior features solid rectilinear shapes and lines of equal thickness forming right angles. Pottery traditions in the Caribbean existed as early as 500 B.C., and this bowl comes from a transitional phase between what are known as Saladoid and Ostionoid cultures. These agricultural societies were the precursor to the Taíno civilizations that expanded throughout the Greater Antilles after about 1000 A.D.
Pelerine
Object type: pelerine
Date: 1834 – 1866
Materials: cotton
Culture: irish
Subjects: flowers
Broche in floraal motief met druppelvormige hanger
Object type: brooch
Date: 1770 – 1790
Materials: gemstone, silver
Location: england
Artist: Anonymous

Broche van zilver en granaten in floraal motief met druppelvormige hanger. De granaten zijn op zilverfolie gezet. Waarschijnlijk ontbreken er twee druppelvormige hangers welke van weerszijden van de centrale hanger bevestigd waren. Aan de achterzijde van de broche zijn twee oogjes zichtbaar waarmee de broche aan kleding kon worden vastgezet. De haakbrochering is van later datum.
Border
Object type: border
Date: 1501 – 1600
Materials: linen
Techniques: lace
Subjects: animals,birds
Gezicht op het IJsselmondse Veer
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: etching
Location: rotterdam
Artist: gerrit groenewegen
Artist role: draughtsman, print maker
Artist dates: 1754 – 1826
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc., ferry
Inscriptions: collector's mark: Lugt 2228

Gezicht op de Maas en het IJsselmondse Veer bij Kralingen, met op de voorgrond een roeiboot en een platbodem. Rechts de Schaardijk. Rechtsonder genummerd: 1. Deze prent maakt deel uit van een serie van zes prenten met Maasgezichten.
Soeur de la bonne femme de Normandie
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: johann georg wille
Artist role: draughtsman, print maker
Artist dates: 1715 – 1808
Subjects: old woman, head-gear: cap, flowers: tulip
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een serie van onbekende omvang naar Nederlandse en Duitse schilderijen. Op sommige prenten staat linksboven aangegeven welk nummer in de serie het betreft.
Bowl
Object type: bowl
Date: 1701 – 1800
Materials: porcelain
Techniques: underglaze
Culture: japanese
Vergelijkingen tussen schoonheden en bloemen
Object type: print
Date: 1810 – 1896
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: landscapes (+ landscape with figures, staffage), trees: pine
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Vrouw, op de rug gezien, lopend bij pijnboom en stenen lantaarn, kijkend naar volle maan.
De Drinkwaterquaestie te Amsterdam
Object type: photomechanical print
Date: 1903 – 1903
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Subjects: water-supply (~ public services), passage through the red sea, political caricatures and satires, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Prent uit: De Amsterdammer 27 (1903), nr. 1338, 15 februari 1903, p. 11.
Ganymède
Object type: photomechanical print
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Artist: charles michelez
Artist role: fotograaf, fotostudio
Artist dates: 1817 – 1883
Subjects: the rape of ganymede: he is carried off through the air by jupiter in the form of an eagle, or by the eagle of jupiter, sculpture
Inscriptions: inscription: ‘Galerie Contemporaine, Littéraire et Artistique.’