deem-data/ArtiFact huggingface dataset:
Cartes-de-visite
Object type: carte de visite
Date: 1865 – 1870
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: rotterdam
Artist: johannes baer
Artist role: fotograaf
Artist dates: 1840 – 1912
Inscriptions: address: ‘J. Baer/Photographe/Rotterdam’

Cartomanie was a collecting craze. From 1855 hundreds of thousands of these portraits were annually sold worldwide. People had photographs taken of their loved ones, including their pets, and kept them in an album. Portraits of kings, writers, artists, actors, and statesmen were also collected. Photography was no longer the preserve of the wealthy; farmers and maidservants now also stood before the camera.
Sketches of Mountain Sheep
Object type: drawing and watercolor
Materials: chalk, paper
Location: england
Artist: possibly charles landseer
Artist nationality: english
Artist dates: 1799 – 1879
A Couple Addressed by a Lute Player, from The Masquerades
Object type: print
Date: 1595 – 1596
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacques de gheyn (ii)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1629
Inscriptions: Lettered lower left: "2" and "IDGeyn. Inven. et excu"
Model of an Anchor
Object type: instruction model
Date: 1879 – 1879
Materials: brass
Location: netherlands
Artist: Anonymous

Model van een 'plattehands-'anker zonder ankerstok. Beide handen zijn parallel aan elkaar gemonteerd op een as, die door het ankerkruis loopt en waarop zij draaien. De platte voorkant van de handen doet het werk van de ankerstok en dwingt de punten van de handen naar beneden. Het model heeft een harp aan het eind van de schacht en een bij het kruis, en een dubbele schalm om de schacht heen. Schaal 1:10 (schatting).
Glass jug
Object type: jug
Date: 101 – 300
Materials: glass
Culture: roman

Translucent blue green; handle in same color but with some green streaks. Tubular rim folded out, down, round, and in, and then pressed on to inside of flaring mouth; short, slightly funnel-shaped cylindrical neck, with tooling marks at base; narrow, sloping shoulder; conical body, with convex sides; broad, concave bottom; strap handle applied to shoulder with two rounded claw pads at sides and central rib, drawn up and out, turned in horizontally, drawn up in S shape to form a vertical fold as thumb rest above rim, and then trailed on to outer edge of rim and top of neck. Intact; few bubbles in body but some black and streaks in handle; dulling, weathering, and iridescence, with most of surfaces covered with a limy encrustation.
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Materials: gemstone, jade
Culture: chinese
Subjects: animals
Martelaarschap van de heilige Andreas
Object type: print
Date: 1750 – 1801
Materials: paper
Techniques: etching
Location: paris
Subjects: crucifixion of andrew: he is undressed and tied to the cross
Inscriptions: collector's mark: Lugt 240
Letter I met eend
Object type: drawing
Date: 1899 – 1899
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: heinrich m. krabbé
Artist role: draughtsman, print maker
Artist dates: 1868 – 1931
Subjects: letters, alphabet, script, water-birds: duck
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Beroep en bedrijf, Mannelijk, Eet- en drinkwaren.
Horse Picket of Royal Horse Artillery - Getting ready for Attack on Colesberg, S. Africa
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: south africa
Subjects: the soldier; the soldier's life
Inscriptions: number: ‘248’, name: ‘Works and Studios Sun Sculpture trade mark Arlington N.J. Littleton N.H. Washington D.C.’
Dress
Object type: dress
Date: 1838 – 1838
Materials: cotton
Culture: british
Landschap met vee
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes moeyaert
Artist role: draughtsman, painter, print maker
Artist dates: 1592 – 1655
Subjects: cattle, landscape with ruins
Inscriptions: collector's mark: Lugt 240

Landschap met koeien en schapen op de voorgrond. Op de heuvel links een begroeide ruïne. Onderaan de berg een herder.
Sleeves
Object type: sleeve
Date: 1860 – 1869
Culture: american
Portret van professor Raymundus Ioannis Fortis
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: verona
Artist: raffanus
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portrait of a Woman
Object type: painting
Date: 1917 – 1919
Materials: cardboard, oil
Location: italy
Artist: amedeo modigliani
Artist nationality: italian
Artist dates: 1884 – 1920
Inscriptions: Signed, u.r.: "modigliani"
Sibillen
Object type: print
Date: 1575 – 1575
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: samian sibyl
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1967

De Sibille van Samos zit op een rots. Een boek ligt opengeslagen naast haar. De prent heeft een Latijns onderschrift en maakt deel uit van een tiendelige serie over de Sibillen.
Unequal Justice, plate 4 from The Abuses of The Law
Object type: print
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered lower left: "HG. f. Hhondius exc."; and below image: "Hi behoeft drie ... zugesprochnen mit der etcet"
Christ and the woman of Samaria: an arched print
Object type: print
Date: 1657 – 1658
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: the woman of samaria (john 4:4-42)
Inscriptions: collector's mark: Lugt 240, signature and date: ‘Rembrandt f. 1657’, signature and date: ‘Rembrandt f. 1658’
Interieur van de boekhandel van Lackington, Allen & Co. te Londen
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: london
Subjects: bookshelves, book-shop, bookseller
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Interieur van de boekhandel met in het midden een ronde toonbank onder een koepel. Op de voorgrond bekijken twee mannen een prent. Rechtsboven genummerd: Plate 17; linksboven: No. 4.
Johannes de Doper in de wildernis
Object type: print
Date: 1629 – 1641
Materials: paper
Techniques: etching
Location: rome
Subjects: john the baptist in the wilderness, usually accompanied by a lamb
Inscriptions: collector's mark: ‘KONING: BIBLIO:’ Lugt 240

Johannes de Doper zit aan de oever van een rivier. Hij wordt geflankeerd door zijn attributen, een houten kruis en een lam.
Bosrand met schutting
Object type: drawing
Date: 1650 – 1669
Materials: ink, paper
Techniques: pen
Artist: jan lievens
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1674
Subjects: forest, wood
Le procureur de la comune Sauce
Object type: page
Date: 1861 – 1866
Materials: photographic support
Techniques: albumen print
Location: sainte-menehould
Artist: charles leymarie
Artist role: fotograaf
Subjects: historical persons
Inscriptions: inscription: ‘d'après une Peinture à l'huile, de 1820, conservée dans la famille’
Schetsboek van Hokusai - derde deel
Object type: book
Date: 1849 – 1849
Materials: paper
Techniques: woodcut
Location: japan
Secretaire, o.a. versierd met Mercurius op een door een paard getrokken wagen in de wolken
Object type: furniture
Date: 1820 – 1820
Materials: bronze, glass, wood, marble
Techniques: gilding
Location: northern netherlands
Artist: Anonymous

Secretaire van eike- en vurenhout belijmd met mahoniehout. Op de hoeken aan de voorzijde zijn twee vrijstaande zuilen op basementen aangebracht. Het basement en het kapiteel dat een geschilderde bol draagt zijn van verguld brons, evenals het beslag onder en op de deuren en het schrijfblad; dat van de bovenlade in het vooruitspringende fries, steunend op de zuilen, stelt Mercurius op een door een paard getrokken wagen in de wolken voor. Achter het schrijfblad spiegels en plankjes. Grijs geaderd marmeren blad.
Buste van een man, vermoedelijk een Romeinse keizer
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: head (human), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘274’
Curtain Coach #876
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Open Panel Sleigh # 3805
Object type: drawing
Date: 1883 – 1883
Materials: gouache, ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Glass bowl
Object type: bowl
Date: 1 – 200
Materials: glass, gold
Culture: roman

Colorless with pale green tinge. Flaring rim, cracked off; globular body; thick, slightly concave bottom. On body, three bands of evenly-spaced wheel-abraded horizontal lines. Complete, but broken and repaired; a few bubbles; dulling, pitting, and faint weathering. The gilded decoration is not ancient.
Vrouwen, mogelijk op straat
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman, street (+ city(-scape) with figures, staffage)

Pagina 40 uit schetsboek XXXVII met 52 pagina's.
Coffin of Ikhet
Object type: coffin, ikhet
Date: 1802 – 1640
Materials: wood
Location: egypt
Subjects: coffins

This coffin, which is inscribed for a man named Ikhet, and another inscribed for a woman named Netnefret (32.3.429a, b), are decorated in the same manner, perhaps even by the same painter. In each case, the eye panel at the head end of the left side is placed above a polychrome palace facade with a double door that is clearly bolted shut. This is a "false door" through which the spirit may leave and re-enter the coffin. These coffins are similar in style to two other black-painted coffins in gallery 109 (32.3.428a, b; 32.3.431a, b).
Latwerkpaviljoen met waterbuffet
Object type: print
Date: 1726 – 1750
Materials: paper
Techniques: etching

Met opstand en plan, met vier details van het kroonelement. Uit serie van 6 bladen, latere editie dan de serie met latwerkpaviljoens uitgegeven door Justus Danckerts. Tweede afdruk.
Glass cup
Object type: cup
Date: 101 – 300
Materials: glass
Culture: roman

Uncertain, probably colorless with pale blue green tinge. Knocked-off, uneven rim; slightly bulging collar below rim; sides expanding downward, then angled in to join bottom with uneven pushed-in center. A single wheel-abraded horizontal line around neck below collar and a band of faint lines on body above angle. Intact; many pinprick bubbles; dulling, deep pitting, and brilliant iridescent weathering on exterior; thick creamy weathering on interior. Stands aslant on base.
[Carl Haag]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: men,portraits
Terracotta fragment of a mastoid (drinking cup with narrow base) or a kyathos (cup-shaped ladle)
Object type: mastoid or kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of a vine; below, a band of black glaze
Revue suisse de photographie
Object type: book
Date: 1902 – 1902
Materials: linen, paper
Techniques: photograph, printing
Artist: rodolphe archibald reiss
Artist role: criminoloog, fotograaf, professor
Artist dates: 1875 – 1929
Inscriptions: collector's mark: ‘Dr. Frans de vos/ 64 tot Rivierenlaan, 64/ Deurne/ [...]’
Male and Female Shinto Deities
Object type: figure
Date: 901 – 1000
Materials: wood
Culture: japanese
Subjects: deities,shintō

This pair of Shinto deities is represented in human form, wearing Heian court dress to suggest sacred and secular authority. These figures were likely produced in connection with the ancient court practice of honoring the spirit ancestors of aristocratic families as a reward for their political and cultural contributions. The square faces, stout bodies, and deeply carved robes resemble the stylized rendering of early Heian-period Buddhist sculpture.
Lady in a bamboo grove
Object type: hanging scroll
Date: 1495 – 1552
Materials: ink, silk
Culture: chinese
Artist: qiu ying
Artist role: artist
Artist nationality: chinese
Artist dates: 1485 – 1562
Subjects: women,bamboo

Qiu Ying was a professional painter who lived and worked in Suzhou during the city’s flourishing sixteenth century. At the time, social divisions between educated elites and professional painters could sometimes be difficult to cross, but Qiu Ying managed to mix with the circle of Wen Zhengming despite the fact that he did not share their extensive literary training. This painting of a woman in a bamboo grove typifies Qiu’s ability to paint with polished, meticulous brushwork while still maintaining the atmosphere of understated elegance that appealed to his scholarly friends.
Treurende prinses en Riket met de Kuif
Object type: boekillustratie ontwerp
Date: 1900 – 1950
Materials: ink, paper
Techniques: pen
Artist: Anonymous
Subjects: weeping, tales and fairy tales
Inscriptions: annotation: ‘Riket m Kuif’

De prinses zit voorovergebogen te treuren op de grond. Rechts het portret van Riket met de Kuif.
Vrachtslee getrokken door een paard rijdt onder een stadspoort door
Object type: drawing
Date: 1600 – 1699
Materials: ink, paper
Techniques: pen
Artist: Anonymous
Subjects: horse

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Vervoermiddelen te land en te water, vervoermiddelen te land, Vrachtwagens.
Stomme Passie
Object type: album leaf
Date: 1520 – 1521
Materials: paper
Techniques: hand coloring
Location: amsterdam
Subjects: book in which illustrations are essential, mary pierced by a sword

Maria zit met gevouwen handen op de grond. Haar hart wordt doorboord met een zwaard. Jozef zit naast haar. Prent maakt deel uit van een boek.
Robert Arnauld d'Andilly, conseiller du roi
Object type: print
Date: 1605 – 1650
Techniques: etching
Artist: jean morin
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1650
Subjects: men,portraits
Chandelier a trois lumieres
Object type: ornament print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: chandelier, candelabrum
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een geornamenteerde kandelaar met drie kaarsen. Prentnummer 325.
Protection accordée aux Beaux-Arts
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: lodewijk xiv (koning van frankrijk), minerva as patroness, eloquence; 'eloquenza', 'fermezza & gravità dell'oratione' (ripa), the muses acting together (as group)

Prent uit: Massé, Jean Baptiste. La Grande Galerie de Versailles, et les deux salons qui l'accompagnent, peints par Charles le Brun premier peintre de Louis XIV, dessinés par Jean- Baptiste Masse peintre et conseiller de l'Academie royale de peinture & sculpture; et gravés sous ses yeux par les meilleurs maitres du tems. Parijs: Imprimerie Royale, 1752.
Panel
Object type: panel
Date: 1401 – 1500
Materials: glass, paint, pigment
Culture: german or south netherlandish
Subjects: men
Carpet
Object type: carpet
Date: 1801 – 1850
Materials: wool
Techniques: pile
Location: turkmenistan
Lathyrus
Object type: drawing
Date: 1876 – 1951
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
Subjects: flowers: lathyrus
Jérusalem - Jardin de Gethsémani / Jerusalem - The Garden of Gethsemane
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard, photographic process
Location: zurich
Artist: Anonymous
Subjects: garden
View in the Woods
Object type: painting
Date: 1850 – 1890
Materials: canvas, oil
Location: netherlands
Artist: johannes warnardus bilders
Artist role: painter, print maker
Artist dates: 1811 – 1890
Subjects: forest path or lane
Inscriptions: signature: ‘JWBilders’

Boslandschap met drie figuren wandelend op een pad.
Image of a Japanese Woman (Fujo Yamato sugata)
Object type: print
Date: 1830 – 1835
Techniques: woodblock print
Location: japan
Artist: utagawa kunisada i (toyokuni iii)
Studie, mogelijk van toeschouwers in een theater
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the audience ~ art performance

Blad 29 verso uit schetsboek XVIII met 35 bladen.
Portret van twee kinderen, waarvan één staand op een bidstoel
Object type: carte de visite
Date: 1861 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: liturgical furniture, etc., historical persons, child (+ two persons)
Inscriptions: inscription: ‘A. Greiner/ Photograf/ NIEUWENDIJK L. 87/ AMSTERDAM’
Boerderij bij Brasschaat
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: etching
Artist: jean théodore joseph linnig
Artist role: draughtsman, print maker
Artist dates: 1815 – 1891
Subjects: two-wheeled vehicle drawn by one animal, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Scherf van een schotel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: platter
Date: 1700 – 1743
Materials: porcelain
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Porcelain, dish, fragment; fragm of rim, flattened, decorated.
Michelangelo
Object type: print
Date: 1546 – 1546
Materials: paper
Techniques: engraving
Location: italy
Artist: giulio bonasone
Mrs. Fred Hallen, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1701 – 1800
Materials: copper, gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: human figures,leaves
Brief aan August Allebé
Object type: letter
Date: 1918 – 1918
Materials: ink, paper
Techniques: pen, writing
Artist: abraham bredius
Artist role: kunsthistoricus, museumdirecteur
Artist dates: 1855 – 1946
Subjects: august allebé, painter, draughtsman, meindert hobbema, diseases, printed matter
Lime Container in the Form of a "Mloko" Drum Surmounted by a Crouching Figure
Object type: lime container
Date: 500 – 300
Materials: bronze
Culture: indonesian
Portret van Dominique Lampsonius
Object type: print
Date: 1604 – 1608
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: bruges, liège, draughtsman, dominicus lampsonius
Inscriptions: collector's mark: Lugt 2228

Portret van Dominique Lampsonius, bekende schilder en schrijver. Buste naar rechts. De prent heeft een Latijns boven- en onderschrift en maakt deel uit van een serie van beroemde Nederlandse en Vlaamse geleerden.