deem-data/ArtiFact huggingface dataset:
Gesight van Duynrel in het middelpadt van de groote thuyn oostwaerts door 't ovale bosch / Conspectus Duynreliae ex femita media horti magni orientem versus per silvam oviformem
Object type: print
Date: 1675 – 1711
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2228

Gezicht op het ovale bos in de tuin van buitenplaats Duinrell, gezien richting het oosten. Rechts op het middenpad van de tuin enkele figuren. Rechtsonder genummerd: 9. Prent uit een serie van zestien prenten van Duinrell.
Vue de la Fortresse d'Ibrym
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: fortification

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Earring with Dolphin Head Finial
Object type: costume and accessory
Date: 300 – 101
Materials: stone, glass, gold, onyx, gemstone
Culture: greek
Location: greece
William "California" Brown, Catcher, New York, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Veerweg, Druten
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: druten
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, river, road, path
Staande jonge man met opgestoken hand
Object type: drawing
Date: 1800 – 1899
Materials: chalk, paper
Artist: Anonymous
Subjects: standing figure, fat (human type)
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Schilderkunst, Tekeningen.
Sic transit...
Object type: print
Date: 1880 – 1946
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: henri van der stok
Artist role: print maker
Artist dates: 1870 – 1946
Subjects: flowers: sunflower, spiders
Inscriptions: collector's mark: Lugt 2228
The Basin at Dieppe
Object type: print
Date: 1883 – 1889
Materials: ink, paper
Techniques: aquatint, burnishing, etching
Location: france
Artist: henri charles guérard
Artist role: artist
Artist nationality: french
Artist dates: 1846 – 1897
Disk (bi)
Object type: disk bi
Date: 206 – 9
Materials: glass
Culture: chinese
Le lieut. général Foy. Député du dépt. de l'Aisne
Object type: print
Date: 1818 – 1852
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, maximilien sébastien foy, historical persons
Inscriptions: collector's mark: Lugt 2228
Design for Landau, No. 3046
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Bronze bust of an Amazon
Object type: bust of amazon
Date: 1 – 100
Materials: bronze
Culture: roman
Subjects: portraits,women,amazons

In high relief: Amazon or goddess wearing an oriental cap and carrying a sheathed sword.
Portret van Johann Gottlieb Krause
Object type: print
Date: 1734 – 1734
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Deutsche Acta Eruditorum (...). dl. 187. Leipzig: Johann Gottlieb Gleditsch, 1734.
Portret van een man met bakkebaarden
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: franz wilhelm deutmann
Artist role: fotograaf
Artist dates: 1809 – 1895
Inscriptions: address: ‘F,W. DEUTMANN // PHOTOGRAPH // AMSTERDAM.’

Portret van een zittende man, recht van voren gezien, à trois quart.
Portret van Eugène de Beauharnais
Object type: print
Date: 1808 – 1868
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: carl mayer
Artist role: print maker
Artist dates: 1798 – 1868
Subjects: paris, eugène de beauharnais, historical persons
Inscriptions: collector's mark: Lugt 2228
Female sphinx amulet
Object type: female sphinx amulet
Date: 1981 – 1550
Materials: gemstone
Location: egypt
Subjects: sphinx
Twee onbekende verpleegsters
Object type: photograph
Date: 1945 – 1956
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon
Inscriptions: number: ‘15’

Twee onbekende verpleegsters. Foto gerelateerd aan de Wachenheimer familie.
Tronende vrijheidsmaagd
Object type: print
Date: 1702 – 1767
Materials: paper
Techniques: etching
Artist: jacob folkema
Artist role: draughtsman, print maker
Artist dates: 1692 – 1767
Subjects: freedom, liberty; 'libertà' (ripa), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

De vrijheidsmaagd zit naast een offerzuil op een verhoging. In haar hand houdt ze een lans met vrijheidshoed. Op de voorgrond spelen putti met boeken en een wereldbol.
Portret van H. Beeke
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: adrianus johannes ehnle
Artist role: draughtsman, print maker
Artist dates: 1819 – 1863
Subjects: book, historical persons (+ half-length portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde zit in een stoel met een boek in zijn rechterhand.
Messenheft uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: knife handle
Date: 1700 – 1743
Materials: bone
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knife-handle, straight-sided: tapering; hexagonal faceted, straight ends.
Ring set with a mouse design amulet
Object type: ring, thutmose iii, mouse amulet
Date: 1479 – 1425
Materials: gold, stone
Techniques: glazing
Location: egypt
Subjects: cartouches,mice

This ring is inscribed with the cartouche of Thutmose III.
Boy gardener
Object type: toy
Date: 1760 – 1760
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: boys,gardeners
Gezigt van de Nieuwe Haven, de Wijnbergse Kaai en Wef, in het overvloeijen van de Sas- of Zeesluis te Vlissingen 15 januarij 1808
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: haarlem
Subjects: flood, flushing
Inscriptions: collector's mark: Lugt Lugt 2228

Prent gebruikt in: Hoek, S. van. Natuur- en geschiedkundige beschrijving van den verschrikkelijken watervloed tusschen den XIVden en XVden van Louwmaand des jaars 1808. Haarlem: Adriaan Pietersz. Loosjes, 1808.
Fading Away, from "Illustrated Times"
Techniques: engraving
Artist: henry peach robinson
Artist role: artist
Artist nationality: british
Artist dates: 1830 – 1901
Subjects: girls,men,women,death,family

This wood engraving reproduces a famous pictorial photograph constructed by Henry Peach Robinson in 1858. To portray the peaceful death of a young girl surrounded by her grieving family, Robinson skillfully combined five different negatives. Although imaginary, many contemporaries criticized the subject as too painful to be tastefully rendered by such a literal medium as photography. The controversy made Robinson the most famous photographer in England and a leader of the Pictorialist movement which advocated painterly effects. Wood engravings played a crucial part in circulating images in the nineteenth century, as part of popular weekly journals such as the "Illustrated London News" and, as here, the "Illustrated Times," which ran from 1855 to 1872.
Den moestuin
Object type: print
Date: 1864 – 1922
Materials: paper
Techniques: etching
Location: brussels
Subjects: nursery, market garden
Inscriptions: collector's mark: Lugt 2228

Een vrouw aan het werk in een moestuin met bonenranken.
Bit Boss
Object type: bit bos
Date: 1501 – 1633
Materials: copper alloy
Culture: french or italian
Location: france

Bit bosses were ornamental elements decorating both sides of a horse bit. These hat-shape bit bosses, probably inspired by Ancient shield bosses excavated at the time, were very popular in Italy and France in the 16th and the early 17th century.
Commissie van Landbouw in Groningen
Object type: medal
Date: 1800 – 1875
Materials: bronze
Techniques: striking
Location: netherlands
Artist: Anonymous

Bronzen penning. Voorzijde: opschrift. Keerzijde: blanco veld binnen krans van myrteloof
Pompton Plains, New Jersey
Object type: painting
Date: 1867 – 1867
Materials: canvas, oil
Culture: american
Artist: jasper francis cropsey
Artist role: artist
Artist nationality: american
Artist dates: 1823 – 1900
Subjects: landscapes

Cropsey had worked six years in England before returning to the United States in 1863, in the midst of the Civil War. At home his work in landscape shifted to spatial compositions such as "Battlefield at Gettysburg" (unlocated), "The Valley of Wyoming" (66.113), and "Pompton Plains, New Jersey". These pictures reflect not only the artist's patriotism but his renewed interest in the aesthetics of his contemporaries, such as Sanford Gifford, whose "Kauterskill Clove" (15.30.62) helped define the aerial luminism that marked much of the work of the second-generation Hudson River School. The providential overtone of the all-pervasive light falling on the landscape here is detectable in the focal detail of the church steeple near the horizon at center.
Watermolen bij Broek in Waterland
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1915
Materials: cardboard
Techniques: photograph, lithograph
Location: broek in waterland
Subjects: sailing-ship, sailing-boat, watermill in landscape
Etende, oosterse mannen
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: etching
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: head-gear, eating, house personnel, servants
Inscriptions: collector's mark: Lugt 2228

Om de groep zittende mannen op de grond staan bediendes.
Dupont de L'Eure
Object type: print
Date: 1825 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228
Gezicht op het Kremlin in Moskou
Object type: photograph
Date: 1878 – 1890
Materials: photographic support
Techniques: albumen print
Location: moscow
Artist: Anonymous
Subjects: fortress

Onderdeel van Reisalbum Europese steden, vermoedelijk Zweeds.
Statue de Ramses à Memphis / Statue of Ramses at Memphis
Object type: photomechanical print
Date: 1907 – 1930
Materials: cardboard
Techniques: color autotype
Location: dresden
Subjects: quadrangular pyramid, statues, paintings, etc. ~ objects of worship (egyptian religion)
Achterzijde van een huis in Blaricum, gezien vanuit de tuin
Object type: photograph
Date: 1913 – 1913
Materials: paper, cardboard
Techniques: gelatin silver print
Location: blaricum
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: garden, village, villa
Lily met Moro
Object type: photograph
Date: 1890 – 1894
Materials: paper
Techniques: collodion silver print
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: historical persons - bb - woman, dog

Foto 3 op albumblad 34 uit album "Amsterdam 1890-1894".
Buckle
Object type: buckle
Date: 1701 – 1800
Materials: gilt bronze, jade
Culture: chinese
Subjects: birds
Huizenrij
Object type: documentary photograph
Date: 1945 – 1946
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: netherlands
Pope Gregory XIII (r. 1572–85)
Object type: medal
Date: 1501 – 1600
Materials: bronze
Subjects: profiles,popes
Der Kampf im Westen - Die Soldaten des Führers im Felde II. Band
Object type: stereoscope
Date: 1940 – 1940
Materials: cardboard, linen, metal, paper, photographic support
Techniques: gelatin silver print, printing
Location: munich
Subjects: private soldier, war
Inscriptions: inscription: ‘Der Reichskommissar für die besetzten niederländischen Gebiete 3’

Boek met in de band drie stapels stereofoto's en een stereoscoop. Afgebeeld zijn Duitse soldaten in Nederland en België tijdens de Tweede Wereldoorlog. Verder bevat het boek enkele platen in vierkleurenautotypie die tussen de tekstbladen zijn gebonden. Bij deze platen zijn de achternamen van de fotografen vermeld, te weten Bauer, Engel, Kindermann, Schlickum en Folkerts. In de tekst wordt beschreven hoe de strijd verloopt op Belgisch en Nederlands grondgebied. Achterin het boek bevindt zich een lijst met beschrijvingen van de honderd stereofoto's.
De temps en temps j'aime à voir le vieux Père (...)
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: paris
Subjects: (scenes from) specific works of literature: goethe, faust
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 964
Ex libris van John Peachey Esqr.
Object type: bookplate
Date: 1782 – 1782
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Square-back armchair
Object type: armchair
Date: 1800 – 1810
Materials: wood
Culture: american
Location: united states

This chair and a matching one in the collection (1971.17.1) are from a set that descended in the family of the architectural historian Henry-Russell Hitchcock (1903–1987). A number of documented chairs similar to these examples were made by Ephraim Haines (active 1790–1811) and Henry Connelly (1770–1826) of Philadelphia.
Painted Single Spout Bottle
Object type: bottle
Date: 1401 – 1600
Materials: ceramic, pigment
Culture: peruvian
Location: peru
Kraag van machinale kant met omkrullende bloemranken en c-voluten
Object type: womenswear
Date: 1900 – 1900
Materials: cotton
Techniques: lace
Location: sankt gallen
Artist: Anonymous

Kraag van machinale kant: machinale Venetiaanse reliëfkant (etskant). Lichtgebogen rechthoekig model met flauwe ronde neklijn. Het symmetrische patroon bestaat uit omkrullende bloemranken en c-voluten. Reliëf rond bloemharten en sommige bladerranden en c-voluten. De motieven zijn met elkaar verbonden door een machinale spijlengrond met picots. De kraag is rondom afgewerkt met een boogjesrand met picots.
De zondvloed
Object type: design
Date: 1710 – 1712
Materials: ink, paper
Techniques: pen
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the ark is floating on the waters, while life on earth is destroyed ~ story of noah
Design for a Stage Set
Object type: drawing
Date: 1830 – 1890
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: trees,stage design
Aardrijkskunde
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: maps, atlases
Inscriptions: collector's mark: Lugt 2760

Na voltooiing van de acht jaargangen van de reeks 'Prenten-magazijn voor de jeugd' in 1850 heeft Jan Schuitemaker al deze prenten heruitgegeven en omgenummerd als nr. 1 t/m 192. De oorspronkelijke jaargang wordt telkens nog vermeld rechtsonder op de prent. Binnen de jaargangen zijn prenten van hetzelfde thema in clusters van vier achter elkaar gezet.
Herder met zijn schapen bij twee bomen
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: drypoint, etching, intaglio
Location: weimar
Artist: heinrich ludwig freiherr von gleichen-russwurm
Artist role: painter, print maker
Artist dates: 1836 – 1901
Subjects: landscapes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep
Inscriptions: inscription: ‘Uit "Radirungen", Weimar 1888’, collector's mark: Lugt 2228

Prent maakt deel uit van een groep prenten die tussen 1880 en 1888 werd uitgegeven door het Gesellschaft für Radierkunst te Weimar.
Tappersgilde van Vlissingen
Object type: medal
Date: 1657 – 1657
Materials: lead
Techniques: casting
Location: flushing
Artist: Anonymous
Subjects: abraham van pere, flushing

Loden penning. Voorzijde: gekroonde fles tussen jaartal en opschrift binnen omschrift. Keerzijde: vat op tap, omringd door loofwerk; daaromheen: tuitkan met opschrift, wijnglas, kan met een oor en schotel waarop bierglas boven opschrift binnen omschrift.
Urn
Object type: urn
Date: 1801 – 1900
Artist: john s. walton
Artist role: artist
Artist dates: 1800 – 1900
Subjects: men,horses
Sacrifice of Jephthah's Daughter
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: pen
Location: italy
Artist: after sébastien bourdon
Artist nationality: french
Artist dates: 1616 – 1671
Dorpsstraat
Object type: sketchbook leaf
Date: 1908 – 1913
Materials: chalk, paper
Artist: alexander shilling
Artist role: draughtsman, print maker
Artist dates: 1859 – 1937
Subjects: village street
Inscriptions: date: ‘aug 6/13’

Blad 20 recto uit een schetsboek met 30 bladen.
The Post Office, New York
Object type: stereograph
Date: 1901 – 1901
Materials: paper, cardboard
Techniques: gelatin silver print
Location: new york city
Artist: Anonymous
Subjects: city-view in general; 'veduta', new york (city)
Inscriptions: inscription: ‘The " PERFEC" STEREOGRAPH. (Trade Mark.)/ Patented April 14, 1903. Other Patents Pending.’, copyright notice: ‘Copyright 1901 by H. C. White Co.’, number: ‘23’
Plaen de la ville d'Ath avec la Nouvelle ynondation faitte l'an 1707
Object type: drawing
Date: 1707 – 1707
Materials: paper
Location: netherlands
Artist: samuel du ry de champdoré
Artist role: draughtsman, engineer
Artist dates: 1651 – 1729
Subjects: fortress, flood, maps of cities

Plattegrond van de versterkingen om de stad Ath, met de inundaties in het jaar 1707. Rechtsboven een cartouche met de legenda a-R in het Frans en Nederlands. Onderdeel van een verzameling getekende plannen van versterkte plaatsen in Nederland en omringende landen ten tijde van de Spaanse Successieoorlog (deel C).
S. Matthaeus
Object type: print
Date: 1640 – 1701
Materials: paper
Techniques: engraving
Location: paris
Artist: pierre landry
Artist role: print maker
Artist dates: 1630 – 1701
Subjects: the apostle and evangelist matthew (mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword - portrait of male saint
Inscriptions: collector's mark: Lugt 2228
Plate six, from A Harlot's Progress
Object type: print
Location: england
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764

Hogarth engraved these six copper plates (1964.254–59) with a burin, a sharp metal tool used to incise swelling lines directly into a flattened copper surface. He worked in reverse of the final printed images, which were produced by inking the plates and running them through a roller press with dampened sheets of paper on top. The small cross at the bottom of each plate was added when Hogarth issued the second state, released over a decade after the first, much copied edition. The prints on view nearby are early second state impressions, made before the addition of other changes and noticeable wear.
Walet-hkok
Object type: walet hkok clapper
Date: 1867 – 1900
Materials: bamboo
Culture: burmese
Location: myanmar