deem-data/ArtiFact huggingface dataset:
The Russian Church & Town of Balaklava
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: photography, salted paper print
Location: england
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: collected by hugh edwards, crimea 1856
Vrouwelijk naakt, vooraanzicht en rugaanzicht
Object type: print
Date: 1645 – 1706
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Inscriptions: collector's mark: Lugt 2228

Twee prenten op een blad, genummerd 9 en 10.
Politiek volgt het pijpen van het Kapitaal
Object type: drawing
Date: 1900 – 1935
Materials: ink, paint, paper, pencil
Techniques: brush, pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: political caricatures and satires, flute, aulos, tibia, netherlands
Inscriptions: inscription: ‘En Satan pijpt! ...’

Een dikke duivel aangeduid als 'reactie' en 'kapitaal' speelt op een fluit en wordt gevolgd door een stoet van ministers. Ontwerp voor een politieke spotprent.
Arch of Septimius Severus, entablature, elevation; attic, base, elevation (recto) Arch of Septimius Severus, archivolt, elevation; impost, elevation; entablature, elevation; column base, elevation; column, plan (verso)
Object type: collection ornament architecture
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture
Brief aan Elsie Maud Cownie
Object type: letter
Materials: ink
Techniques: pen, printing, writing
Location: brussels
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: manchester, elsie maud cownie, workshop, studio of the artist (in general), money
Journal des Demoiselles, Supplement au No. 14, 15 Juillet 1911, No. 5006 : Parfumerie Houbigant (...)
Object type: fashion print
Date: 1911 – 1911
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), letter, envelope, head-gear: hat (+ feathers used for clothes)
Inscriptions: title: ‘Modes de Paris’, title: ‘JOURNAL DES DEMOISELLES’, caption: ‘Parfumerie HOUBIGANT 19, Faub.g S.t Honoré’

Vrouw in een japon met hoge taille en halflange mouwen. Mouwen, heup en zoom versierd met bloem-, stippen- en zig-zag-motief. Grote hoed met brede rand en verenpluim. Brief in de hand. Prent uit het modetijdschrift Journal des Demoiselles (1833 -1922).
Nineteen Drop Beads here Strung as a Necklace
Object type: necklace, bead
Date: 1648 – 1540
Materials: gold
Location: eastern delta
Gezicht op Nederhorst den Berg, 1631
Object type: book illustration
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior), nederhorst den berg
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 240.
Elektrische stroom tussen zes munten
Object type: page
Date: 1876 – 1886
Materials: paper
Techniques: photoaquatint
Location: paris
Subjects: spark ~ electricity, coin
Inscriptions: number: ‘Pl. 1.’
De Hydra in Nederland
Object type: cartoon
Date: 1886 – 1886
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: 'hydra'; 'hidra' (ripa)

Spotprent met de kerkelijke partijen als de driekoppige Hydra. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 22, 1886.
Rotunda and New Rooms - Dublin
Object type: print
Materials: paper
Techniques: aquatint, hand coloring
Location: england
Artist: james malton
Artist nationality: english
Artist dates: 1761 – 1803
Tobacco box
Object type: tobacco box
Date: 1601 – 1700
Materials: brass
Subjects: couples

The box is shaped like a book. Its cover shows a couple seated outside their house, within a hexagonal frame. Flowers are depicted in the corners. Inscribed below is: Goet begin (Good beginning). The underside is similarly engraved, the scene now reversed, and is inscribed: Goet bekage (Good end). This box would have been an appropriate gift for a newly married couple. With lined rims.
Liefdesemblemen
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: engraving
Artist: michiel le blon
Artist role: print maker
Artist dates: 1587 – 1656
Subjects: hoofed animals (with name) (+ animals eating and drinking), animals (+ animal(s) being wounded), hoofed animals: deer, (story of) cupid, amor (eros), spring, source of river or stream - hh - ideal landscapes

Twee voorstellingen van één plaat. Links: Een hert rent door een landschap met een pijl in zijn borst. Amor staat met zijn pijl en boog onder een boom en kijkt toe. Rechts: In een landschap drinkt een hert water uit een beekje. De prenten maken deel uit van een serie prenten met liefdesemblemen.
Gray's Inn Place
Object type: print
Date: 1887 – 1887
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Drag #483
Object type: drawing
Date: 1850 – 1870
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Emery J. "Moxie" Hengel, 2nd Base, Minneapolis, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Verschillende hondenrassen
Object type: print
Date: 1750 – 1820
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: dog
Inscriptions: collector's mark: Lugt 2228, watermark
Ceylon, 1/4  kransstuiver
Object type: coin
Date: 1680 – 1710
Materials: copper
Techniques: striking
Location: jaffna

Koperen munt. Voorzijde: in een doornenkroon waarde-aanduiding 1/4 St (t omgekeeerd). Keerzijde: in een doornenkroon waarde-aanduiding 1/4 St (t omgekeerd). Gladde rand.
Gouden dubbele escudo Philips II
Object type: dubbele escudo
Date: 1600 – 1600
Materials: gold
Techniques: striking
Location: europe
Artist: Anonymous

Gouden handelsmunt afkomstig uit Nederlandse muntvondst.
Rookery Building, Chicago, Illinois, LaSalle Street Elevation
Object type: architectural drawing
Date: 1885 – 1887
Materials: paper
Location: lasalle street
Artist: burnham & root
Artist nationality: american
Artist dates: 1873 – 1891
Subjects: chicago, arches, architectural drawing, architecture, building, drawing, elevation, illinois, windows
Bladzijde uit een Deventer almanak voor het schrikkeljaar 1596
Object type: page
Date: 1596 – 1596
Materials: paper
Techniques: printing
Location: enkhuizen
Artist: Anonymous
Subjects: willem barendsz., jacob van heemskerck

Bladzijde uit een Deventer almanak voor het schrikkeljaar 1596. Eerste middenkatern, opengeslagen.
Uçetek Entari
Object type: robe
Date: 1801 – 1900
Techniques: embroidery
Location: turkey
Gipsmodel voor beeldhouwwerk op het Palais du Louvre
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘623’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 1.
Observatoire de Cadix
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: san fernando
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: observatory (~ astronomy)
Inscriptions: number: ‘2428’
Portret van Marcus Gerbezius
Object type: print
Date: 1705 – 1747
Materials: paper
Techniques: etching
Location: ljubljana
Artist: elias baeck
Artist role: print maker
Artist dates: 1679 – 1747
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Missionary House, Petchaburi
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Portret van Charles Auguste Frossard
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: letterpress printing, engraving
Location: paris
Subjects: commander-in-chief, general, marshal, historical persons

Prent uit: Le Monde Illustré 14 (1870), nr. 693, 23 juli 1870.
Fan
Object type: fan
Date: 1840 – 1840
Materials: copper, mother of pearl, paper, silver gilt
Subjects: men,women,boats
Plate 2, from XX Stuck zum (ornamental designs for goblets and beakers)
Object type: print
Date: 1601 – 1601
Materials: paper
Techniques: engraving
Location: germany
Artist: master a.p.
Portret van een onbekende man met een baard
Object type: photomechanical print
Date: 1871 – 1881
Materials: paper
Techniques: woodburytype
Subjects: historical persons not known by name (+ (full) bust portrait), beard
Spiegel der natuur en school der teekenkunde (...)
Object type: print
Date: 1641 – 1695
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: landscapes in the temperate zone

Landschap met rechts een groot bouwsel. De trap ernaast loopt af in het water. Links een rotswand. Rechtsonder genummerd: 1. De prent maakt deel uit van een album.
Huizen in ondergelopen buitenwijk van Parijs gezien door kale bomen
Object type: photograph
Date: 1901 – 1910
Materials: photographic support
Techniques: matte daylight collodion silver print
Location: paris
Artist: g. dangereux
Artist role: fotograaf
Subjects: flood (+ landscape with figures, staffage), paris

Onderdeel van fotoalbum overstroming Parijs en voorsteden 1910.
Brief aan Philip Zilcken
Object type: letter
Date: 1911 – 1911
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: rome
Artist: vittorio pica
Artist role: criticus
Artist dates: 1864 – 1930
Subjects: painter, draughtsman, philip zilcken, exhibition ~ art, the hague, rome
Inscriptions: collector's mark: ‘RPK’
Design for a Doorway
Object type: drawing
Date: 1801 – 1850
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: doors,ornament
Arrowheads, needles, hooks and harpoons
Object type: arrowhead, needle, hook and harpoon
Date: 1200 – 200
Materials: bone
Culture: japanese

These implements—an arrowhead, fishhooks, needle, and harpoon—were skillfully carved from bone, a material worked by Japanese artisans since Paleolithic times. They were found in the Obara Shell Mound at Ofunato Bay in Iwate Prefecture. According to information gleaned from shell mounds, or middens, the people of the Jōmon period relied on a variety of strategies to obtain food. The large number of fishhooks, fashioned with and without barbs, together with the rich array of marine remains found in these rubbish heaps since very early times indicate that some fifty species of fish and shellfish constituted an essential dietary staple. Toggle-head harpoons, a later innovation, facilitated the hunting of sea mammals. Attaching a line to the toggle allowed the hunter to draw in his prey once the toggle had broken away from the harpoon shaft. Further evidence gathered from these refuse dumps suggests that the Jōmon people also relied heavily on nuts, collected most actively in the autumn, and hunted animals, notably wild boar and deer.
Paardenrassen uit de Koninklijke stallen van Don Juan van Oostenrijk
Object type: print
Date: 1578 – 1582
Materials: paper
Techniques: engraving
Location: florence
Subjects: don juan van oostenrijk, horses and kindred animals
Inscriptions: collector's mark: Lugt 2228, number: ‘101’

In de voorgrond een paard in profiel. In de achtergrond een kudde wilde paarden. De prent heeft een Latijns onderschrift en maakt deel uit van het vierde deel van een 39-delige serie over de paardenrassen uit Koninklijke stallen van Don Juan van Oostenrijk.
Marble shell
Object type: shell
Date: 400 – 400
Materials: marble
Culture: greek
Subjects: shells

This work imitates a pelican's foot shell, which is common to the Mediterranean. Only a handful of marble shells are known. They must have been manufactured in the same Greek workshops that produced elegant marble vessels intended as grave offerings for the dead.
Blad met alternerend tegelpatroon van ornamenten met bloemmotieven
Object type: brocade paper
Date: 1700 – 1850
Materials: gold leaf, paint, paper
Techniques: relief print
Artist: Anonymous
Subjects: ornament derived from plant forms

Blad met alternerend tegelpatroon van ornamenten met bloemmotieven. Gebruikt als omslag.
Boom
Object type: sketchbook leaf
Date: 1892 – 1892
Materials: chalk, paper
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: trees

Blad 12 recto uit een schetsboek met 25 bladen.
Gezicht op de gletsjer van Hallett Peak
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: boston
Artist: frederick hastings chapin
Artist role: antropoloog, archeoloog, fotograaf, schrijver
Artist dates: 1852 – 1900
Subjects: landscapes, glacier, mountains

Prent op tweede ongenummerde pagina na pagina 96.
Claude Alexandre de Villeneuve Comte de Vence
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: etching
Subjects: claude-alexander de villeneuve (comte de vence), historical persons, adult man (+ sideview, profile)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4347
A Decent Story
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Carpet
Object type: carpet
Date: 1801 – 1900
Materials: wool
Techniques: pile
Location: azerbaijan
Pier table
Object type: pier table
Date: 1825 – 1830
Materials: glass, wood, marble
Techniques: gilding
Culture: american
Location: united states
Gezicht op de toren Swych Utrecht te Amsterdam
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), towers ~ fortified city, rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Rademaker, Abraham. Versameling van 100. Nederlantse Outheden en Gesigten. Amsterdam: Isaac Greve, [ca. 1726].
Portret van Johann Anton von Schaffgotsch
Object type: print
Date: 1729 – 1729
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: historical persons
Inscriptions: number: ‘1728’, collector's mark: Lugt 2228

Prent waarschijnlijk uit: Die Europäische Fama, Welche den gegenwärtigen Zustand der vornehmsten Höfe entdecket. Leipzig: Johann Friedrich Gleditsch, 1729, dl. 320.
Schotel
Object type: platter
Date: 1660 – 1680
Materials: earthenware, glaze
Techniques: painted
Location: delft
Artist: Anonymous

Schotel van blauw beschilderde faience, met een gebombeerde bodem. Op de bodem is een achtpuntige ster, waarbinnen een cirkel geschilderd en in de cirkel een afbeelding van een vrouwenfiguur op een terras. De rand is met ornamenten beschilderd.
Portrait Panel of Benjamin Franklin
Object type: portrait panel
Date: 1780 – 1780
Materials: wood
Location: germany
Subjects: benjamin franklin,portraits
Gezicht op de ruïne van de Tempio della Fortuna Augusta te Pompeï
Object type: page
Date: 1878 – 1888
Materials: photographic support
Techniques: albumen print
Location: pompeii
Artist: Anonymous
Subjects: landscape with ruins, temple, shrine ~ roman religion
Inscriptions: number: ‘3010’
Über Künstler und Kunstwerke
Object type: book
Date: 1865 – 1865
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, marbled paper, printing
Location: berlin
Artist: herman grimm
Artist role: kunsthistoricus, publicist
Artist dates: 1828 – 1901
Inscriptions: inscription: ‘In Ferd. Dümmler's (...) Todtenmaske Shakespeare's.’
Gezicht op Sint-Helena
Object type: sketchbook leaf
Date: 1848 – 1854
Materials: paper, pencil
Location: sint-helena
Artist: christian heinrich gottlieb steuerwald
Artist role: draughtsman, print maker
Artist dates: 1802 – 1874
Subjects: island

Blad 43 recto uit een schetsboek met 58 bladen.
Envelop voor fotopapier
Object type: envelope
Date: 1907 – 1935
Materials: paper
Techniques: printing
Location: europe
Artist: Anonymous
Subjects: florence
Inscriptions: inscription: ‘Florence’
Titelpagina voor Johan Konijnenburg en Martinus Stuart, Taferelen van de staatsomwenteling in Frankrijk, 1827
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: etching
Location: zaltbommel
Artist: willem de gier
Artist role: print maker
Artist dates: 1811 – 1890
Subjects: napoleon i (emperor of the french), animal-drawn sledge (dutch: 'toeslede')
Inscriptions: collector's mark: Lugt 2228

Centraal bovenaan de titel van het boekwerk. In het midden een voorstelling van de terugtocht van Napoleon uit Rusland. Napoleon zit in een door een paard getrokken slede en vlucht naar Frankrijk om een staatsgreep te verhinderen.
Pierre Legrand
Object type: photomechanical print
Date: 1878 – 1882
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: lille, politician, historical persons
Inscriptions: inscription: ‘Le Nord Contemporain/ Revue Historique & Biographique’, inscription: ‘(La Bourse & la Mairie)’, inscription: ‘Journal le Nord Contemporain, No 16, année 1882’
Jongen en meisje met een schoen
Object type: boekillustratie ontwerp
Date: 1896 – 1937
Materials: ink, paper, pencil
Techniques: pen
Artist: dora struick du moulin
Artist role: draughtsman, print maker
Artist dates: 1866 – 1937
Subjects: shoes, sandals, kneeling figure
Inscriptions: annotation: ‘Dec’, monogram: ‘D.S.d.M.’, collector's mark: Lugt 2228, :

Een jongen knielt bij een schoen en kijkt op naar een meisje dat naast hem staat.
The Approaching Storm
Object type: print
Date: 1844 – 1844
Techniques: etching
Artist: charles-françois daubigny
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1878
Subjects: animals,trees,storms
Notities
Object type: sketchbook leaf
Date: 1908 – 1908
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Inscriptions: annotation: ‘P-letters af[...]ond/ +/ wapens + kroon ''/ 2e het getinte op de schets gemarmerd/ of donker gekleurd/ 3e het kader van lijnen goud./ [...] het zwart geteek ornament 1 ste[...]/ 2e het kader v lijnen - 2 [...]’

Blad 13 recto uit een schetsboek met 25 bladen.
Asbestwoning. Barneveld
Object type: ansichtkaart, prentbriefkaart
Date: 1913 – 1930
Materials: cardboard
Techniques: photograph
Location: barneveld
Artist: Anonymous
Subjects: ruin of a dwelling, house, castle, etc.
Beekers' Revolving Stereoscopes
Object type: photograph
Date: 1875 – 1899
Techniques: albumen print
Location: united states
Artist: Anonymous

Text printed on reverse of stereocard:

Consist in an endless chain, so arranged that each link holds a picture perpendicular, when on the top of the square shaft, by which the chain is suspended. This shaft has a handle on the outer side to bring the pictures successively to view. These instruments have either one pair of best lenses and a window on the opposite side for showing transparent as also opaque pictures. The latter are illuminated by curved reflectors under the top covers. But most of these Stereoscopes have lenses on both sides, so that two persons can see at the same time pictures placed back to back in one holder, thus doubling the capacity. To view transparencies with them one pair of these lenses, fitted in a door moves down to give the requisite light. To adjust the instrument to different eyesights the interior moves to and from by a small handle.
Portret van Bismarck
Object type: photograph
Date: 1900 – 1920
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons
Manskop met baret en een hand aan een gevest
Object type: drawing
Date: 1717 – 1719
Materials: chalk, paper
Artist: jean antoine watteau
Artist role: draughtsman, print maker
Artist dates: 1684 – 1721
Subjects: head-gear: beret

De studie van de hand aan een gevest is toegepast in een schilderij: Arlequin, Pierrot et Scapin (verblijfplaats onbekend), waarnaar ook een prent is gemaakt in 1719 door Louis Surugue.
Spanish Entertainment, from The Bulls of Bordeaux
Object type: print
Date: 1825 – 1825
Materials: crayon, paper
Techniques: lithograph
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Zinn, Catcher, Philadelphia Athletics, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
A Snow Slide in the City (from "Harper's Weekly," Vol. IV)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: animals,men,women,snow