deem-data/ArtiFact huggingface dataset:
Landschap met figuren op een weg
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: etching
Artist: auguste herman marie de noter
Artist role: print maker
Artist dates: 1806 – 1838
Subjects: riding a horse, ass, or mule; rider, horseman, road, path, landscapes (+ landscape with figures, staffage), carrying something on the head or on the shoulders, dog
Inscriptions: collector's mark: Lugt 2228
Arrowhead (<i>Yanone</i>)
Object type: arrowhead i yanone i
Materials: steel
Culture: japanese
Location: japan
Subjects: human figures

Although today Japanese warriors are renowned most for their swordsmanship, archery, especially from horseback, has been an essential part of samurai warfare and culture for centuries. Arrows were fitted with heads of varying shape according to their intended use in war, the hunt, or target practice. Arrowheads made for use on the battlefield incorporated different designs intended for specialized purposes such as the piercing of armor or to cause maximum damage to horses and unarmored personnel. Large arrowheads, pierced and elaborately chiseled with landscapes, birds, flowers, dragons, and Buddhist divinities, were created to be admired for the beauty of their metalwork and design rather than for use in archery. Such highly elaborate examples may have been made for presentation or as a votive offerings to a shrine.
Giants crushed by rocks and the falling columns of the temple, clouds of smoke above, Poseidon in his chariot to left in the background, two spaces at left for doorways, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua
Object type: print
Date: 1680 – 1680
Techniques: etching
Artist: pietro santi bartoli
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1700
Subjects: columns,crowd
Roma en Batavia schudden elkaar de hand
Object type: print
Date: 1611 – 1611
Materials: paper
Techniques: etching
Location: southern netherlands
Subjects: personification of a city, town-patron(ess), extinct, 'historical' peoples (with name), rome
Inscriptions: collector's mark: Lugt 240

De personificaties Roma en Batavia schudden elkaar de hand. Op de voorgrond liggen de personificaties van de rivieren de Tiber, de Maas en de Rijn en de Lupa Capitolina die de tweeling Romulus en Remus zoogt.
Herrezen Christus tussen Petrus en Johannes de Evangelist
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the apostle john the evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll, the risen christ (with wounds, but without crown of thorns), sometimes holding the cross, the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara
Inscriptions: collector's mark: Lugt 2228

De herrezen Christus toont de kruiswond in zijn zijde. Hij staat tussen de H. Petrus (met sleutel) en de H. Johannes(met adelaar). In de marge een titel in het Hebreeuws, een drieregelig Bijbelcitaat uit Hand. 4 en een vierregelig Bijbelcitaat uit Hand. 3, in twee kolommen, in het Latijn.
[Couple on a Settee]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: couples,men,women
Sauceboat (part of a service)
Object type: sauceboat
Date: 1765 – 1765
Materials: hard paste porcelain
Portrait of Philips Willem (1554-1618), Prince of Orange
Object type: painting
Date: 1609 – 1633
Materials: oil, panel
Artist: michiel jansz van mierevelt
Artist role: draughtsman, painter
Artist dates: 1567 – 1641
Subjects: buren, filips willem (prins van oranje), historical persons
Inscriptions: inscription, upper left and right: ‘Prins Philips Wilhellm van Orangien / Ætatis 64 obijt. Aº. 1617 in Brussell’

These portraits were originally displayed at Honselaarsdijk, the palace built by Stadholder Frederick Henry and his wife Amalia in the 1620s near The Hague. In the style of European courts of the day, one of the palace rooms was lined with portraits of ancestors, relatives and celebrities past and present. Many of these personalities played a role in the Eighty Years War: members of the Nassau family and other commanders of the Dutch Republic's army, officers of the French and English allies and leading Spanish generals. A remarkable aspect is the number of foreigners who fought for the Dutch. The Republic's army enjoyed an international reputation and attracted young noblemen from abroad. For them, the war was a career opportunity.
River Scene in England
Object type: watercolor
Date: 1843 – 1903
Materials: gouache, watercolor, paper
Culture: american
Artist: james wells champney
Artist role: artist
Artist nationality: american
Artist dates: 1843 – 1903
Subjects: rivers,landscapes,boats
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, meander
Richard II, from Twelve Characters from Shakespeare
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: john hamilton mortimer
Artist role: artist and publisher
Artist nationality: british
Artist dates: 1740 – 1779
Subjects: richard ii, literature, prints and drawings
Z.K.H. Willem Frederik George Lodewijk, Prins van Oranje-Nassau, Kroonprins der Nederlanden (...)
Object type: print
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, william ii of the netherlands, battle, fighting in general
Inscriptions: stamp, collector's mark: Lugt 1641

Kroonprins Willem Frederik George Lodewijk, de latere koning Willem II, trekt ten strijde op het slagveld bij Waterloo op 18 juni 1815. Hij raakt daarbij gewond aan zijn schouder door een kogel. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Portretten, Portretten van Vorsten uit het huis van Oranje, Regeerende Vorsten, Koningen uit het huis van Oranje.
Terracotta askos (flask) in the form of a rooster
Object type: askos in the form of a cock
Date: 400 – 301
Materials: terracotta
Culture: etruscan
Subjects: roosters

The Etruscans produced numerous askoi in the shape of ducks, but askoi in the shape of other birds are quite rare. Only one other rooster-shaped example is known, almost identical to this one. The askos in the form of a jackdaw (Corvus monedula), a Eurasian bird similar to a small crow, is the only one known. It is adorned with a protective bulla (amulet) necklace of the type usually worn by Etruscan children and must represent someone's favorite pet.
Reclames, waaronder voor Chambers Brothers Company geïllustreerd met één van hun 'Folding and Feeding Machines'
Object type: photomechanical print
Date: 1904 – 1909
Materials: paper
Techniques: autotype
Location: chicago
Artist: Anonymous
Subjects: advertising, machines, engines ~ crafts and industries
Inname van de vesting Gorinchem op 17 september 1787
Object type: print
Date: 1788 – 1788
Materials: paper, pencil
Techniques: etching, handwriting
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: berlin, frederik willem ii (koning van pruisen), history, battle, city-gate, siege
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Genealogischer-Militairischer Kalender auf das Jahr 1789. Berlijn: s.n., [1788].
Terracotta fragment of a column-krater? (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Part of a draped male; start of handle root
Effen witte kinderjurk met korte mouwen
Object type: kinderjurk
Date: 1875 – 1925
Materials: cotton
Techniques: weave
Location: europe
Artist: Anonymous

Aan de achterzijde sluit de jurk met drie knopen. De jurk heeft een ronde kraag met een tussenzetsel en is aan de onderzijde voorzien van twee stroken met elk drie oprijgjes waartussen een tussenzetsel.
Zoutvaten
Object type: album leaf
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: paris
Subjects: foliage ~ ornament, cupids: 'amores', 'amoretti', 'putti', salt-cellar, salt-shaker
Inscriptions: number: ‘4.e Cah.er’

Ontwerpen voor zes zoutvaten. Prent maakt deel uit van een album.
Cuneiform tablet: fragment of a contract (?)
Object type: cuneiform tablet
Date: 700 – 301
Materials: clay
Culture: achaemenid or babylonian
Location: mesopotamia
Design for a Grotesque Decoration
Object type: drawing
Date: 1543 – 1545
Materials: ink
Techniques: pen, wash
Artist: luzio luzzi (also known as luzio romano, luzio da todi)
Artist role: artist
Artist dates: 1519 – 1582
Subjects: ornament

Probably a fragment of a larger design, this sheet was likely a study for a wall decoration in stucco or fresco. The drawing may have served as a modello, or presentation drawing for a patron, which included annotations indicating the various colors to be used. This type of design, consisting of variously shaped panels adorned with ornamental motifs and mythological figures, was known as "grotesque" (or grotteschi, from the Italian word, grotto, or cave). Inspired by ancient Roman painting, these all’antica designs provided a significant and highly popular model for sixteenth century artists and were frequently used as ceiling or wall decorations in villas and palaces.
Rijtuig met paard en lokale koetsier in Singapore
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: singapore
Artist: Anonymous
Inscriptions: caption: ‘Nackcarriage Singapore’
Man with a Bow Case and Quiver
Object type: facsimile, puyemre tt 39, weapon
Materials: paper, paint
Location: egypt
Artist: hugh r. hopgood
Artist role: artist
Subjects: men
Diverses modes Dessinées d'apres Nature (...)
Object type: costume print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: folk costume, regional costume, amsterdam

Prent waarschijnlijk ook opgenomen in: Diverses modes dessinées d'après Nature. Amsterdam: Bernard Picart, 1728.
Brief aan Héloïse Bernard-Bodin
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: héloïse bernard-bodin

Brief gedateerd Juin Juillet Aout 1894 in latere hand.
Verscheyde schoone en vermaakelyke gezigten, in de Hofstede van Clingendaal gelegen by 's Gravenhage
Object type: print
Date: 1706 – 1767
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: french or architectonic garden; formal garden
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Gezicht op de tuinen bij Huis Clingendael te Den Haag. Op een plein omgeven door hagen wandelen figuren. Links de steiger met balustrade bij de grote vijver. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Holland.
Zelfportret van Cornelis van Noorde
Object type: drawing
Date: 1754 – 1754
Materials: chalk, paper
Artist: cornelis van noorde
Artist role: draughtsman, print maker
Artist dates: 1731 – 1795
Subjects: haarlem, draughtsman, cornelis van noorde, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of graphic artist, portrait, self-portrait of draughtsman

Zelfportret van de schilder, tekenaar en graveur Cornelis van Noorde.
Boom met liefdesappels
Object type: print
Date: 1683 – 1762
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: reuben brings mandrakes to his mother leah, mandrake, 'mandragora'
Inscriptions: collector's mark: Lugt 2228

Originele illustratie opgenomen in: Cunaeus, Petrus. De republyk der Hebreen, of gemeenebest der joden, 3 delen. Amsterdam: Wilhelmus Goeree, 1683, dl. 2, p. 490.
Portret van Hendrik Herman van den Berg
Object type: cabinet photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: marienbad
Artist: ernst pflanz
Artist role: painter
Subjects: batavia, amsterdam, hendrik herman van den berg
Inscriptions: inscription: ‘Ernst Pflanz MARIENBAD.’, inscription: ‘H. v.d Berg’
Groep dieren uit Reinaert de Vos
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: fable of reynard the fox

Prent gebruikt in: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910.
Fork
Object type: ceramic
Date: 1760 – 1760
Materials: ceramic, porcelain, silver, soft paste porcelain, steel
Techniques: underglaze
Location: worcester
Samuel Hopkins
Object type: print
Materials: paper
Techniques: engraving, mezzotint
Location: united states
Artist: hezekiah wright smith
Artist nationality: american
Artist dates: 1870 – 1879
Holland, dukaat, 1673. Proef in koper
Object type: coin
Date: 1673 – 1673
Materials: copper
Techniques: striking
Location: dordrecht

Koperen munt. Voorzijde: tussen jaartal staande ridder naar rechts. In rechterhand zwaard, in linkerhand pijlenbundel. Keerzijde: in versierd vierkant vijfregelig opschrift. Kabelrand
Near Flatmark
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: møre og romsdal
Subjects: mountains (+ landscape with figures, staffage), passenger carriage
Inscriptions: number: ‘42’
Ontwerp voor een tuindecoratie
Object type: drawing
Date: 1705 – 1769
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: daniël marot (ii)
Artist role: draughtsman
Artist dates: 1695 – 1769
Subjects: garden vase
Cylindrical bag of sawdust from Tutankhamun's Embalming Cache
Object type: cylindrical bag of sawdust
Date: 1336 – 1327
Materials: linen, wood
Location: egypt

In December 1907 Theodore M. Davis, a wealthy American who was funding excavations in the Valley of the Kings, discovered a small pit near the tomb of Seti I. Inside the pit were approximately a dozen large sealed whitewashed storage jars (09.184.1). Among other things, the jars contained bags of natron (a kind of salt), pieces of linen with hieratic inscriptions dated to Years 6 and 8 of a king named Tutankhamun (throne name Nebkheperure). At the time, almost nothing was know about Tutankhamun, and Davis declared that he had discovered the king's tomb. Davis received a number of the jars and their contents in the division of finds and, in 1909, he gave most of his share to the Metropolitan Museum. It was only later that Herbert Winlock, the field director of the Museum's excavations at Thebes, realized that the natron and linen were embalming refuse from the mummification of Tutankhamun. Natron, a naturally occurring salt found in the Wadi el-Natrun which is located in the desert west of the Nile Delta. It was used as a dessicant in the mummification process. Tubular bags (1988.437.1) and small sacks (1988.437.2) of unused natron were found in the storage jars from Tutankhamun's embalming cache.
Watch
Object type: watch
Date: 1766 – 1766
Materials: diamond, enamel, gold
Techniques: enamel
Artist: jean antoine lépine
Artist role: maker
Artist nationality: french
Artist dates: 1720 – 1814
Subjects: portraits,women

Lépine was appointed clockmaker (Horloger du Roy) to Louis XV (1710–1774) probably about the end of 1765 or the beginning of 1766, and he included the appointment in his signature until about 1790 or 1792, when revolutionary activity in France made a mention of the monarch impolitic, if not dangerous. In the period leading up to the Revolution, his watches became famous for their slim elegance and increasingly inventive technology. The Museum’s watch is a simpler product of the 1760s, displaying Lépine’s effort to decrease the space between the plates of the movement while still allowing room for the verge escapement.
Vaas met geometrisch ornament in blauw en geel
Object type: vase
Date: 1910 – 1910
Materials: earthenware
Techniques: painted
Location: oegstgeest
Artist: theodorus verstraaten
Artist role: painter
Artist dates: 1872 – 1945
Inscriptions: mark: ‘AMPHORA // HOLLAND 217.3 L, ontw: T. VERSTRAATEN. Ingekrast: 217.’

Vaas van aardewerk, beschilderd in blauw en geel met geometrich ornament.
Twee liggende leeuwen
Object type: print
Date: 1729 – 1729
Materials: paper
Techniques: etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: beasts of prey, predatory animals: lion, tools, aids, implements ~ crafts and industries: chain
Inscriptions: collector's mark: Lugt 2165

Prent ook als illustratie gebruikt in: Recueil de lions, dessinez d'après nature par divers maitres. Amsterdam: Bernard Picart, 1729.
Roma - S. Giovanni Laterano - Mosaico dell'abside
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: paper
Techniques: gelatin silver print
Location: rome
Artist: ernesto richter
Artist role: publisher
Subjects: interior of church, (decorated) ceiling
Inscriptions: collector's mark: ‘AFE v S’
Headquarters of General Sherman or Thomas, Chattanooga
Object type: photograph
Date: 1864 – 1864
Techniques: albumen silver print, glass negative
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: buildings,soldiers,american civil war
Koba. Interieur van het atelier
Object type: photograph
Date: 1907 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, opencast mine; strip mining, minerals and metals: tin, workshop-interior (+ men (labourers))
Inscriptions: label: ‘Koba. Interieur van het atelier’

Interieur van een werkplaats van de Banka-tinwinning te Koba. Personeel poseert bij de machines. Onderdeel van het fotoalbum over de Banka-tinwinning, ca. 1907-1919.
Visitors to Enoshima
Object type: print
Date: 1789 – 1789
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Winterlandschap met paardenslee
Object type: drawing
Date: 1731 – 1784
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Subjects: horse-sleigh, sleigh, sledge (non-sport), ice ~ freezing weather, skates (winter sports)

Winterlandschap met paardenslee, twee mannen met een bakslede, een man die schaatsen onderbindt en een vrouw die water haalt bij een bijt in het ijs. Op een bevroren vaart voor een woning. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Spel en Vermaak; IJsvermaak, Teekeningen.
Bowl wit prunus sprays and birds
Object type: bowl
Date: 1660 – 1680
Materials: cobalt, copper, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark: ‘制<BR /><BR />Zhì’
Man in wapenrusting
Object type: print
Date: 1639 – 1706
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: pieter rottermondt
Artist role: draughtsman, print maker
Artist dates:  – 1706
Subjects: the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 240
Naaiende vrouw zittend naast een wieg
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: charcoal, paper
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: sitting figure, adult woman, interior of the house, cradle, crib, home sewing; repair of clothes

Blad 5 recto uit een schetsboek met 51 bladen.
Portret van Francis Marius Baron van Lynden en Joanna van Lynden-Teding van Berkhout
Object type: photograph
Date: 1876 – 1890
Materials: photographic support
Techniques: photography
Artist: Anonymous
Subjects: haarlem, historical persons - bb - woman, historical persons
Inscriptions: annotation: ‘F.M. Baron van Lynden en Joanna v Lynden-TvB’
Affiche van Antiquariaat Junk te Amsterdam
Object type: poster
Date: 1950 – 2000
Materials: paper
Techniques: mechanical printing
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2228

Affiche met twee slapende mannen onder een boom, waarschijnlijk ontleend aan een boekillustratie.
Berdysh
Object type: arm
Date: 1500 – 1700
Materials: metal alloy, metal, steel, wood
Culture: eastern european
Location: europe
Gezicht op de Bazel en de Rijn
Object type: print
Date: 1817 – 1882
Materials: paper
Techniques: engraving
Location: geneva
Subjects: river, city-view in general; 'veduta' (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: ‘JR’, collector's mark: Lugt 2228
Portret van Johann Jodocus Schmidmair von Schwarzenbruck
Object type: print
Date: 1648 – 1663
Materials: paper
Techniques: engraving
Subjects: historical persons, hacking and thrusting weapons: sword, watch, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Tassel holder
Object type: tassel holder
Date: 500 – 301
Materials: bronze
Location: eurasian steppes
Soengeiliat. Mijn 36. Schiften van het transportspoor op den lagen stort
Object type: photograph
Date: 1900 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: soengeiliat
Artist: Anonymous
Subjects: mining, minerals and metals: tin, working class, labourers, railway, train

Onderdeel van Fotoalbum over de tinwinning op Bangka.
Shawl
Object type: costume and accessory
Date: 1867 – 1877
Materials: textile, wool
Techniques: embroidery, interlocking, laid work, stitching, tapestry, weave
Location: india
Rank badge with tiger
Object type: rank badge
Date: 1767 – 1800
Materials: metal thread, silk
Techniques: embroidery
Culture: chinese
Subjects: animals,tigers

Government officials of the Ming and Qing dynasties wore square badges sewn on the front of their robes. These badges were embroidered with birds for civil officials and animals for military officers—each creature corresponding to a specific rank. A symbol of authority and bravery, the tiger adorned the badge of a senior commander (Rank 3) in the Ming and that of a regimental vice commander (Rank 4) in the Qing.
Twaalf voorstellingen van hartstogten, tevens geschikt voor studiën
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Artist: henricus franciscus wiertz
Artist role: draughtsman, painter, print maker
Artist dates: 1784 – 1858
Subjects: historical persons (+ head (and shoulders) (portrait)), passions, emotions, affections, rage, anger
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een omslag met een tekstblad en twaalf prenten.
Julchen omhelst haar vader bij zonsondergang
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: landscapes, (lovers) embracing each other, 'symplegma', sunset
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Unger, Friederike Helene. Julchen Grünthal. 2 dln. Berlijn: Johann Friedrich Unger, 1798, dl. 1.
Shoki the Demon Queller
Materials: ink, paper
Location: japan
Artist: matsumura goshun
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1811
Corbel from the Double Sepulchral Monument of Don Àlvar Rodrigo de Cabrera, Count of Urgell and Viscount of Ager and his wife Cecilia of Foix
Object type: corbel
Date: 1300 – 1350
Materials: limestone
Culture: catalan
Location: spain

Documentary evidence suggests that this tomb ensemble was made for Àlvar Rodrigo de Cabrera and his wife, Cecília of Foix, the parents of Ermengol X. The monastery of Bellpuig de les Avellanes was abandoned and badly damaged during the Wars of Succession that began around 1700. When the monastery was reinhabited in the eighteenth century, the church with its burial chapel was reconstructed. The sarcophagi with the arms of the counts of Urgell and Foix were probably made at the time to fit the original effigies.