deem-data/ArtiFact huggingface dataset:
Portret van Louise Adélaïde van Orléans
Object type: print
Date: 1719 – 1726
Materials: paper
Techniques: engraving, etching
Subjects: paris, historical persons - bb - woman, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
The Continence of Scipio
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: drawing, pen, stumping
Location: netherlands
Artist: Anonymous
Le Pompe: Opera Nova
Object type: book print ornament architecture
Date: 1557 – 1557
Techniques: woodcut
Artist: giovanni battista & marchio sessa
Artist role: publisher
Artist nationality: italian

Published by Giovanni Battista & Marchio Sessa, Venice. First edtion of the first pattern book for bobbin lace. Matio Pagano's mark on title page, 30 pages of designs.
Bowl with Floral Scrolls
Object type: vessel
Materials: stoneware
Techniques: carving, underglaze
Location: china
Koeien
Object type: sketchbook leaf
Date: 1928 – 1928
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: cow
Inscriptions: annotation: ‘Boemboe/ Sajor Lodé’, collector's mark: Lugt 2228a

Blad 2 recto uit een schetsboek met 12 bladen.
Sleeping Woman With Head on Arms
Object type: drawing and watercolor
Materials: chalk, charcoal, paper
Location: germany
Artist: Anonymous
Artist nationality: possibly german
Artist dates: 1700 – 1799
Leeg prentalbum
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1750 – 1850
Materials: leather, cardboard, paper
Techniques: bookbinding, printing, marbling, marbled paper
Artist: Anonymous
Subjects: book
Boerderij bij Santpoort
Object type: print
Date: 1899 – 1899
Materials: paper
Techniques: intaglio
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: farm or solitary house in landscape

Op de voorgrond enkele figuren in een weiland. Op de achtergrond bomen met kale takken. In het midden een horizontale lijn die de plaat in een onder- en bovengedeelte verdeelt.
Patrijshond vangt een bijzonder grote gans
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: etching
Artist: johann elias ridinger
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1698 – 1767
Subjects: water-birds: goose, hunting dogs, forest, wood
Inscriptions: collector's mark: Lugt 2228
Fragment (voet) van een grote schaal met rode scherf, in sgraffito-techniek een naar links gewend vrouwenborstbeeld, karikatuur met overdreven hoog voorhoofd,in oker, blauw en groen
Object type: sherd
Date: 1200 – 1899
Materials: earthenware
Location: italy
Artist: Anonymous
Grote vijver met Victoria Regia in 's Lands Plantentuin met op de achtergrond het paleis van de gouverneur-generaal te Buitenzorg
Object type: photograph
Date: 1880 – 1883
Materials: photographic support
Techniques: albumen print
Location: s lands plantentuin
Artist: Anonymous
Subjects: flowers: water-lily, palace, botanic garden, 'hortus botanicus'

Onderdeel van Reisalbum met opnames van bezienswaardigheden in Egypte, Nederlands-Indië, Singapore en Ceylon.
Table
Object type: furniture
Date: 1690 – 1730
Materials: wood
Location: new england
Artist: Anonymous
Artist nationality: american
Artist dates: 17 – 18
Subjects: furniture
Gezicht op een kapel te Băile Herculane
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: băile herculane
Artist: carl händl
Artist role: fotograaf
Subjects: parts of church exterior and annexes: chapel
Inscriptions: annotation: ‘Kapelle’, inscription: ‘Herculesbad./ Aufgenommen von Carl Händl, Photograph’, annotation: ‘Kappelle der ungarische KronungsKleinodien bei Onsova’
A Young Woman, Full Length, with Her Left Arm Outstretched
Object type: drawing
Date: 1770 – 1770
Materials: chalk
Techniques: wash
Artist: paul sandby
Artist role: artist
Artist nationality: british
Artist dates: 1731 – 1809
Subjects: women
België, Albert I, 10 centimes, 1939
Object type: coin
Date: 1939 – 1939
Materials: nickel
Techniques: striking
Location: brussels

Nikkelen munt. Voorzijde: gekroond monogram van twee letters L, waartussen III. Jaaartal onderaan. Keerzijde: drie wapenschilden, waaronder waarde-aanduiding. Centrale doorboring. Gladde rand.
Gezicht op Nideggen
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Location: nideggen
Subjects: city-view in general; 'veduta'
Inscriptions: monogram: ‘BX’
Square Shawl
Object type: shawl
Date: 1901 – 1933
Techniques: embroidery
Culture: chinese
Antieke sculpturen in Rome
Object type: album leaf
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: italy
Subjects: (story of) hercules (heracles), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘31’

Naar een antiek beeld in de Capitolijnse Musea te Rome. Het beeld staat bekend als de Hercules van het Forum Boarium. Deze prent maakt deel uit van een set van 79 prenten (+ titelprent) met voorstellingen van antieke sculpturen in Rome.
The Council of War on the Morning of the Taking of the Mamelon.  Lord Raglan, Omar Pasha, Marshal Pélissier
Object type: photograph
Date: 1855 – 1855
Techniques: albumen silver print, glass negative
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: wars,men
Portret van Charles Aldis
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: printmaking
Location: london
Subjects: barber; surgeon (+ portrait of scholar, scientist), historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: European Magazine, 1827.
Plate 15: a Polish nobleman, facing away, holding his horse covered in leopard skin, four men and a horse in background, from "Diversi Capricci"
Object type: print
Date: 1644 – 1647
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,horses
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1881 – 1914
Materials: paper, cardboard
Techniques: gelatin silver print
Location: greiz
Artist: heinrich fritz
Artist dates: 1831 – 1913
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: address: ‘GREIZ, Weststr.6.’
Farm Courtyard
Object type: drawing and watercolor
Date: 1750 – 1750
Materials: chalk, paper
Location: france
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Kusatsu: Famous Post House (Kusatsu, Meibutsu tateba), from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi)
Object type: print
Date: 1833 – 1834
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: buildings,men,daily life
H. Margaretha
Object type: print
Date: 1515 – 1517
Materials: paper
Techniques: woodcut
Location: nuremberg
Subjects: the virgin martyr margaret of antioch; possible attributes: cross, crown, dragon (under feet or on chain), (chaplet of) pearls

De Heilige Margaretha met een staf en een boek, een draak onder de voeten vertrappend.. Prent maakt deel uit van een album.
Ploegende man in een rijstveld, Nederlands-Indië
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: dutch east indies
Artist: Anonymous
Inscriptions: annotation: ‘3 & 4) ploegen in een rijstveld met karbouwen’

Ploeg voortgetrokken door twee karbouwen.
Coin Depicting Two Rams
Object type: coin
Date: 400 – 310
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Evangelist Lucas
Object type: print
Date: 1593 – 1597
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: luke the evangelist; possible attributes: book, (winged) ox, portrait of the virgin, surgical instruments, painter's utensils, scroll
Inscriptions: collector's mark: Lugt 2228

Lucas de evangelist, gezeten, een boek in de handen. Een rund staat bij zijn rechterzijde. Onder de voorstelling de tekst 'S. Lvcas. evan,'. Deze prent is onderdeel van een serie van vier voorstellingen van de evangelisten, elk met de naam van de betreffende evangelist als onderschrift.
Female figurine
Object type: figure
Date: 1400 – 1533
Materials: alloy, gold, silver
Culture: inca
Location: ecuador, peru, bolivia, chile, or argentina
Subjects: women
Three-branch wall light (one of a pair) (bras de lumière)
Object type: wall light
Date: 1785 – 1785
Materials: gilt bronze

Functional and exceedingly decorative bronzes d’ameublement, the so-called furnishing bronzes – wall lights, candelabra, and other types of lighting, firedogs, hearth furnishings, and clocks – were an important aspect of the eighteenth-century décor. Well-known artists and sculptors designed them closely following the latest styles. An elaborate guild system regulated the process of their creation and maintained high standards of craftsmanship. Consisting of many different steps, the manufacture of gilt-bronze objects was principally in the hands of the bronze workers, who were divided in eighteenth-century France in two guilds: that of the fondeurs-ciseleurs, or casters and chasers, and that of the ciseleurs-doreurs, or chasers and gilders. These wall lights, consisting of a set of six [see also 1979.172.11–.14], are made of chased and gilded bronze and epitomize the neo-classical style prevalent at the time. The back plate of each wall light is surmounted by a ribbon from which the bracket seems to be suspended, tied in a bow knot around a large nail at the top. Two laurel sprays are entwined around this ribbon, their ends tied in another bow knot at the lower end of the stem. Three curved candle branches spring from an acanthus leaf spray also fitted with a bouquet of flowers. The branches terminate in candleholders in the shape of leaf cups The circular tapered lower part stem takes the form of a fluted torch. Even though it is not known who created these wall lights, they are beautifully chased. The matte and burnished areas would have lent the wall lights great vitality through the various ways that the flickering candle light would be reflected differently off the differently finished surfaces.
Gallerie des Modes et Costumes Français, 1785, aaa. 284: La Belle dans l'incertitud (...)
Object type: fashion print
Date: 1785 – 1785
Materials: paper, ink, watercolor
Techniques: etching, hand coloring
Location: paris
Subjects: gloves, mittens (long gloves) (+ women's clothes), dress, gown: chemise à la reine (+ women's clothes), clothing for the upper part of the body (stola) (+ women's clothes), head-gear (bonnet) (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), piece of clothing covering the breast or décolleté (fichu) (+ women's clothes), belt, girdle, waistband (+ women's clothes)
Inscriptions: title (possibly false): ‘La Belle dans l’incertitude de l’asseior, attend avec impatience son amant à la promenade: elle est en chapeau à la Caravanne, chemise à la Reine, garnie, avec une ceinture tigrée et nouée en rosette d’amour’, collector's mark: Lugt 2228

Een vrouw, ongeduldig wachtend op de komst van haar geliefde. Zij is gekleed in een roze chemise à la Reine, waarvan de onderkant van de rok is afgezet met een brede geplooide strook. Ceintuur van gespikkelde stof om de taille, in een strik (rosette d'amour) op de rug. Op het hoofd een grote muts met afhangende sluier die 'Chapeau à la Caravanne' wordt genoemd. Prent uit serie aaa. 45e Cahier de Costumes Français, 40e Suite d'Habillemens à la mode en 1785, Gallerie des Modes et Costumes Français.
Werkende mannen
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: chalk, paper
Location: scheveningen
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: working class, labourers

Ze teren mogelijk schepen. Pagina 17 uit een schetsboek met 37 bladen.
The Altar of Eros, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1514 – 1536
Techniques: engraving
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
Subjects: altars,eros,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 26 in the scrapbook.
Buffetkast van eikenhout en mahoniehout
Object type: furniture
Date: 1910 – 1910
Materials: brass, glass, wood, textile
Techniques: cutting
Location: netherlands
Artist: Anonymous
Histoire de la Genèse
Object type: print
Materials: paper
Techniques: engraving
Location: france
Subjects: the man (adam) comes to life: usually god reaches out his hand or breathes life into his nostrils
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie met mogelijk kopieën naar prenten door Etienne Delaune met illustraties bij de Genesis.
Roundel with Christ Taking Leave of His Mother
Object type: roundel
Date: 1507 – 1515
Materials: glass, paint, pigment
Culture: german, south
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: women,christ,virgin mary
Copper Tweezers
Object type: tweezer
Date: 1401 – 1500
Materials: copper
Techniques: hammering
Culture: peruvian
Location: peru
After
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: bedrooms,men,women,dogs
Lit de justice tenu a Versailles, Le 6 Aout 1787.
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: paris
Subjects: court-room
Inscriptions: collector's mark: Lugt 2233

Prent uit: Wicar, Jean-Baptiste Joseph. Tableaux, statues, bas-reliefs et camées, de la Galérie de Florence et du Palais Pitti (...). Parijs: Lacombe, 1792, dl. 2.
In de tentoonstelling van pluimvee
Object type: sketchbook leaf
Date: 1875 – 1920
Materials: ink, paper
Techniques: pen
Location: netherlands
Artist: Anonymous
Subjects: fowl (cock, hen, chicken, etc.), collection, exhibition, show

De familie brengt een bezoek aan de 'Tentoonstelling van Pluimgedierte'. Onderdeel van het schetsboek met humoristische tekeningen over het leven van een 'famille nombreuse'. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven.
"Kai Khusrau Wrestles with Shida", Folio from a Shahnama (Book of Kings)
Object type: folio from an illustrated manuscript
Date: 1330 – 1340
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: poetry,men,horses
Fotoreproductie van een getekend portret van Henriëtte Roland Holst-van der Schalk door Richard Nicolaüs Roland Holst
Object type: reproduction
Date: 1921 – 1921
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Subjects: henriëtte roland holst-van der schalk, historical persons - bb - woman, writer, poet, author
Inscriptions: check stamp: ‘Bernh./ Eilers/ A'dam’, inscription: ‘R.N. Roland Holst/ Foto naar portret van Jet (1921)/ onb. eg 63./ lijst reproducties no. XXI’
Pill Box
Object type: metalwork
Date: 1750 – 1760
Materials: gold
Location: england
Figure of a Man Standing
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: men
Statuette of the Goddess Neith
Object type: sculpture
Materials: bronze
Culture: egyptian
Location: egypt
Subjects: goddesses
Pen Box
Object type: pen box
Date: 1267 – 1333
Materials: brass, gold, silver
Techniques: inlay
Location: iran

The lavish miniaturelike overall decoration of this writing case makes it one of the most outstanding objects of its kind. The motifs find parallels in the southwestern Iranian region rather than in Mamluk Syria. The eulogic inscriptions, however, are typically Mamluk, suggesting Syrian production.
Histoire de Jason et de la conquête de la toison d'or
Object type: print
Date: 1563 – 1563
Materials: paper
Techniques: engraving
Artist: rené boyvin
Artist role: print maker
Artist dates: 1525 – 1598
Subjects: ino's machination against phrixus and helle, nephele's children, athamas with his children by nephele, phrixus and helle, before the priest, the story of the argonauts: the quest for the golden fleece
Inscriptions: collector's mark: Lugt 11

Maakt deel uit van een serie van 26 prenten met scènes uit het verhaal van Jason en het gulden vlies, uitgegeven in 1563 te Parijs.
Zweite Zukunft from Eva und die Zukunft (Rad.-Werk  III)
Object type: print
Date: 1898 – 1898
Techniques: aquatint, etching
Location: germany
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Subjects: male nudes,fish
[...] Herse
Object type: print
Date: 1840 – 1861
Materials: paper
Techniques: lithograph
Location: munich
Subjects: historical persons
Inscriptions: collector's mark: Lugt 4100, collector's mark: Lugt 2228
Rivierlandschap met zeilende boten
Object type: drawing
Date: 1733 – 1784
Materials: chalk, paper, watercolor
Techniques: brush
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: river
Inscriptions: inscription: ‘H S (?)’
Theepot van wit steengoed met reliëf versieringen; Staffordshire
Object type: teapot
Date: 1750 – 1765
Materials: stoneware
Techniques: salt glaze
Location: england
Artist: Anonymous

Tea pot. Stoneware. England, Staffordshire, c. 1750 - 1765.
Visitekaart voor juwelier Charles George Braxmar te New York met diens portret
Object type: photograph
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Location: new york city
Artist: Anonymous
Subjects: advertising, historical persons, jeweller, goldsmith, silversmith, new york (city)
Inscriptions: inscription: ‘C. G. BRAXMAR, / Manufacturing Jeweller, / Badges, Medals &amp; Charms (...)’
Charles Floyd
Object type: painting, miniature
Date: 1804 – 1804
Materials: ivory, watercolor
Culture: american
Artist: benjamin trott
Artist role: artist
Artist nationality: american
Artist dates: 1767 – 1843
Subjects: men,portraits
Alger, Place du Gouvernement et mosquée El-Djedid
Object type: photomechanical print
Date: 1875 – 1900
Materials: cardboard, paper
Techniques: photograph
Location: algiers
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘1001’, address: ‘26 rue Bab-Azoun ALGER’
Cho Ryo, from the series "One Hundred No Dramas (Nogaku hyakuban)"
Object type: print
Date: 1898 – 1903
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Landschap met dorpen langs een rivier
Object type: print
Date: 1719 – 1741
Materials: paper
Techniques: etching
Subjects: prospect of village, silhouette of village, 'en route', traveller under way, river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Grave! Grave! Très-Grave!
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: drypoint, engraving, etching, roulette
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Zittende naakte vrouw
Object type: print
Date: 1914 – 1914
Materials: paper
Techniques: lithograph
Artist: simon moulijn
Artist role: draughtsman, print maker
Artist dates: 1866 – 1948
Subjects: sitting figure - aa - female human figure, woman (showing herself) undressed, quasi-nude
Inscriptions: collector's mark: Lugt 2228

Een naakte zittende vrouw, op de rug gezien voor een donkere achtergrond.
Slakken
Object type: sketchbook leaf
Date: 1916 – 1916
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: molluscs: snail

Blad 26 verso uit een schetsboek met 72 bladen.
Hoofd en buste van een vrouw
Object type: drawing
Date: 1888 – 1888
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, head (human) - aa - female human figure
Inscriptions: collector's mark: Lugt 2228
Brief aan Philip Zilcken
Object type: letter
Date: 1919 – 1919
Materials: ink
Techniques: pen, writing
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: théophile alexandre steinlen, paris, jean buhot, the hague, painter, philip zilcken, painting (including book-illumination, miniature-painting), temporary exhibition, 'salon'
Inscriptions: collector's mark: ‘RPK’
Exocampe minima
Object type: page
Date: 1858 – 1863
Materials: photographic support
Techniques: albumen print
Location: amherst
Artist: j.l. lovell
Artist role: fotograaf
Subjects: foot-print, track
Inscriptions: number: ‘Plate XVIII. Fig. 1. [...] Fig. 6.’
Très Parisien, 1925,  No. 9, Pl. 8: Création Jean PATOU Création JENNY - NICIAS
Object type: fashion print
Date: 1925 – 1925
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: ensembles of pieces of clothing (tailleur) (+ women's clothes), fashion plates, dress, gown (+ women's clothes)
Inscriptions: caption: ‘8. - NICIAS. - Un tailleur de velours bleu marine, sévère de ligne et de coupe, s'égaie d'une casaque de lamé or. Robe de velours citron et manteau de velours noir doublé de velours citron, font un ensemble plein de distinction.’

Mantelpakje van blauw fluweel met een goudlamé blouse. Ensemble bestaand uit een japon van ciroengeel fluweel en een mantel van zwart fluweel, met citroengele voering. Prent uit het modetijdschrift Très Parisien...La Mode, Le Chic, L'Élégance (1920-1936)
Storage Jar
Object type: jar
Date: 1201 – 1300
Materials: stoneware
Techniques: glazing
Culture: vietnamese
Subjects: birds,leaves
Valentine
Object type: valentine
Date: 1876 – 1876
Materials: gold
Techniques: chromolithography, embossing, gilding, lithograph
Artist: kate greenaway
Artist role: artist
Artist nationality: british
Artist dates: 1846 – 1901
Subjects: doves,boys,girls,reading
The Holy Family with St. Anne
Object type: print
Date: 1435 – 1503
Techniques: engraving
Artist: israhel van meckenem
Artist role: artist
Artist nationality: german
Artist dates: 1435 – 1503
Subjects: holy family,saint anne,virgin mary,jesus,saints