deem-data/ArtiFact huggingface dataset:
Spouted Vessel
Object type: vessel
Date: 2500 – 1000
Materials: cord, earthenware
Techniques: incising
Culture: japanese
Temptation or the Apple
Object type: print
Materials: paper
Techniques: hand coloring
Location: belgium
Artist: félicien rops
Artist role: artist
Artist nationality: belgian
Artist dates: 1833 – 1898
Urn with cover
Object type: urn with cover
Artist: jan (or jean) de vaere (or devaere)
Artist role: modeler
Artist dates: 1754 – 1830
Subjects: men,women
Pin
Object type: pin
Date: 1301 – 1500
Materials: silver
Culture: chancay or chimú
Location: peru
Subjects: birds
Gezicht op Stockholm
Object type: print
Date: 1870 – 1889
Materials: paper
Techniques: lithograph, hand coloring
Location: wissembourg
Subjects: palace, prospect of city, town panorama, silhouette of city
Inscriptions: : ‘Déposé’, collector's mark: Lugt 2233

Gezicht op Stockholm, met centraal het Koninklijk Paleis.
Portret van Karl Heinrich Ludwig Pölitz
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: stippling
Location: berlin
Artist: meno haas
Artist role: print maker
Artist dates: 1752 – 1833
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2233
Saint Roch and the Angel
Object type: statuette
Date: 1520 – 1520
Materials: paint
Culture: german
Location: germany
Artist: master of the biberach holy kinship
Artist role: artist
Artist nationality: german
Subjects: men,angels,saints

This sensitively carved group represents Saint Roch lifting his robe, while a small angel, his wings now missing, applies ointment to the boil on the saint’s leg. The drawn and weary face of the saint elicits empathetic anguish from the angel. The sculptor paid considerable attention to the anatomy of forms, notably in the rendering of the underlying bone structure of the face and hands and the careful articulation of the veins. Both figures are slightly rotated, which is emphasized by the long diagonal fold across the torso of Saint Roch that animates the group with implied motion.
Table Tray (Tsuigasane)
Object type: table tray
Date: 1601 – 1633
Materials: lacquer, wood
Culture: japanese
Hoofd van een oude man
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: etching, intaglio
Artist: jean baptiste pierre michiels
Artist role: print maker
Artist dates: 1821 – 1890
Subjects: old man, beard
Inscriptions: collector's mark: Lugt 2228, mark: ‘Antwerpsche Etsers 1880’
Terracotta fragment of a hydria (water jar)?
Object type: hydria fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the shoulder of a hydria?
John Bull op zijn eiland
Object type: cartoon
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: island, more than one musician with instrument - cc - 'concert champêtre', personifications of countries, nations, states, districts, etc. (+ nation; national), money-chest, treasure-chest, money-box, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 16 januari 1898.
Twaalf houtsneden
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: woodcut
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: chimera (lion/goat/snake); 'chimera' (ripa), (farm) wagon, freight wagon, cart
Inscriptions: collector's mark: Lugt 2228

Een Chimaera, een gevleugelde leeuw met schapenpoten, trekt een wagen met gepunte wielen. Op de wagen zit een man met een zwaard. Rechts worden schatten uitgestrooid. Op de achtergrond de ondergaande zon.
Sculptuur van jongen met gans, Vaticaan
Object type: photograph
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Location: vatican museums
Subjects: water-birds: goose, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘(Ed.ne Alinari) P.e 2.a N. 6648. ROMA - Museo Vaticano. Un Putto. (Scultura antica.)’
Oceaanhaven Belawan
Object type: photograph
Date: 1921 – 1921
Materials: photographic support
Techniques: gelatin silver print
Location: belawan
Artist: Anonymous
Subjects: harbour, building-site
Inscriptions: date: ‘16/6-21’, inscription: ‘No. 21 Oceaanhaven Belawan / Caisson No 1’

Bouwterrein met caisson in constructie. Genummerd: 21. Onderdeel van de groep van losse foto's over de aanleg van de haven Belawan aan de kust voor Medan, Sumatra 1921-1922.
Souvenir
Object type: souvenir
Date: 1867 – 1900
Materials: enamel, gold, ivory
Subjects: women

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Photographisches Fehlerbuch : ein illustrirter Rathgeber für Anfänger und Liebhaber der Photographie / von F. Schmidt
Object type: book
Date: 1895 – 1895
Materials: cardboard, paper
Techniques: photograph, printing
Location: karlsruhe
Inscriptions: date: ‘DEC/ 1999’
Alabaster alabastron (perfume vase)
Object type: alabastron
Date: 600 – 401
Culture: cypriot

The very elongated alabastron has two small lugs, a flaring neck, and a convex lip.
Uitnodiging voor de tentoonstelling van werk van de leerlingen van de Afdeling Industrieschool van de Maatschappij voor den Werkenden Stand
Object type: invitation
Date: 1909 – 1909
Materials: paper
Techniques: lithograph, letterpress printing
Location: amsterdam
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: compasses, collection, exhibition, show

Onder een gespiegelde bijenkorf zitten twee mannen aan tafel te werken, de een met een passer de ander met een potlood. Rechts en links decoratieve kaders met onder andere ginkgobladeren en tekengereedschap. In het midden een beschrijvende tekst over de tentoonstelling. Binnenin de kaart een beschrijving van de cursussen bij de Maatschappij voor den Werkenden Stand, Afdeling Industrieschool.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Interior, part of the left eye, face, neck, and left shoulder of a draped woman to left, with a bit of her upper left arm protruding from her garment?
Ex libris van Evald Løfberg
Object type: bookplate
Date: 1948 – 1948
Materials: paper
Techniques: printing block
Location: denmark
Subjects: evald løfberg, full moon, hoofed animals: stag
Inscriptions: date
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: lille
Artist: georges a. tournoux
Artist role: professor
Subjects: paris, paul verlaine, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Krimpen aan de Leck, 1756
Object type: print
Date: 1763 – 1796
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), village, ferry
Inscriptions: collector's mark: Lugt 240

Gezicht op het veerhuis in het dorp Krimpen aan de Lek met figuren en dieren op het erf. Op de Lek varen een veerboot en roeiboot, aan de overzijde ligt de dorpskern. Prent rechtsonder genummerd: 4.
Portret van K. Hoefnagel
Object type: photomechanical print
Date: 1895 – 1950
Materials: paper
Techniques: rotogravure
Artist: Anonymous
Subjects: historical persons
Card Number 58, Uart and Sommerville, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Stier in de wei
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: etching, intaglio
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: bull
Inscriptions: collector's mark: Lugt 2228
Appelboom in landschap
Object type: drawing
Date: 1880 – 1911
Materials: paper, pencil
Artist: pieter dupont
Artist role: draughtsman, print maker
Artist dates: 1870 – 1911
Subjects: trees: apple-tree
Militaire oefening op het Waterlooplein te Batavia
Object type: stereograph
Date: 1903 – 1903
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: batavia
Artist: robert julius boers
Artist dates: 1867 – 1932
Subjects: robert julius boers, batavia
Inscriptions: inscription: ‘Waterlooplein met gezicht op de Roomsche Kerk gedurende parade’

Militaire oefening op het Waterlooplein te Batavia, 1903. Op de achtergrond de rooms-katholieke kerk. Onderdeel van een groep stereofoto's van Robert Julius Boers, chef van het staatsbedrijf de Banka-tinwinning op Banka, uit de periode ca. 1900-1922.
Central Museum Madras: Group 27
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: linnaeus tripe
Artist role: artist
Artist nationality: british
Artist dates: 1822 – 1902
Subjects: lions,buddhism,avalokiteshvara,bodhisattvas

These extraordinary ancient sculptures originally adorned the Great Stupa at Amaravati, one of the finest monuments in the Buddhist world. The pillar at the center comes from a first-century B.C. phase of construction, and illustrates the major events in the life of the Buddha; the monumental lion and column base (note their huge scale in relation to the meter stick) come from the gateway to the second-century A.D. structure. The large figure in relief is the bodhisattva Avalokiteshvara and belongs to a later phase of activity at Amaravati. When the British colonial government learned of the site's significance in 1797, the structure was being mined for its stone. Through the efforts of Walter Elliot and others, the remaining pieces were saved and entrusted to the Madras Museum; those excavated by the time this photograph was made were later transferred to the British Museum. Tripe, a career military officer and official photographer to the Government of Madras, photographed this group of "Elliot Marbles" as though they had come together in a playful-even surreal-dialogue.
Plaque with Standing Goddess
Object type: plaque
Date: 100 – 100
Materials: terracotta
Culture: indian
Subjects: maurya,mauryan,goddess
Piece
Object type: piece
Date: 1760 – 1770
Materials: metal thread, silk, wool
Subjects: flowers,leaves
Allegorische voorstelling met goddelijke deugden en Maria
Object type: print
Date: 1600 – 1700
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: mary (without the christ-child), the three theological virtues, god the father, holy ghost represented as a dove (in flames)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Voor een leeg ovaal medaillon zitten de drie goddelijke deugden Geloof (met kruis en kelk), Hoop (met anker) en Liefde (met drie kinderen). Aan de bovenzijde zit links Maria die een slang met appel vertrapt. Rechts zit een engel. In het midden verschijnt God met globe vanachter de wolken. Rechts vliegt een duif als symbool van de heilige geest. Met zijn stralen schijnt hij op de lelie die door Maria vastgehouden wordt.
Landschap
Object type: photograph
Date: 1907 – 1935
Materials: glass
Techniques: autochrome process
Location: netherlands
Artist: Anonymous
Subjects: netherlands
Bedcover Depicting Thirty-four Scenes from the Old and New Testaments
Object type: textile
Date: 1880 – 1889
Materials: cotton, textile, silk, velvet, wool, thread
Techniques: appliqué, embroidery, cutting, treatment, weave, stamping, stitching
Location: united states
Subjects: religious scenes, animals, dogs, old testament, new testament
Portret van Willem van Oranje
Object type: print
Date: 1581 – 1581
Materials: paper
Techniques: engraving
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: delft, william i (prince of orange), the pillar of cloud and the pillar of fire ~ exodus, commander-in-chief, general, marshal, armour, historical persons, moses receives the tables of the law from god
Inscriptions: caption: ‘Impia vis fremat:...pia iura tueri.’, inscription: ‘JE MAINTIENDRAY’, edge inscription: ‘GVILELM. D.G. ...LXXXI.’, signature: ‘HGoltzius fecit.’

Prins Willem van Oranje (1533-1584) speelde een centrale rol in de beginjaren van de Nederlandse opstand tegen de Spaanse koning. Hier staat hij, gekleed in militair tenue, afgebeeld als leider van de opstand. Hendrick Goltzius moet vereerd zijn geweest dat hij al op 23-jarige leeftijd de prins van Oranje mocht portretteren. De kleine voorstellingen in de indrukwekkende omlijsting verwijzen naar bijbelverhalen. De gravure van Willem van Oranje heeft als pendant het portret van Charlotte de Bourbon, zijn derde echtgenote. (RP-P-1940-258)
Très Parisien, 1923, No 5: 15.- ARMENONVILLE. - 1. Une robe du soir...
Object type: fashion print
Date: 1923 – 1923
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: lyon
Subjects: dress, gown: evening dress (+ women's clothes), border, ribbon, braid (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), fan (+ women's clothes)
Inscriptions: title: ‘Très Parisien / No 5. - 1923’, caption: ‘15. - ARMENONVILLE. - 1. Une robe du soir en faille très souple et moirée. 2. Une autre toilette en foulard imprimé. Petits rubans à la taille et au décolleté. / Tissus de chez A. PIAT et Cie, Lyon.’

1. Een avondjurk van soepele 'faille' en moiré (zijde?). 2. Een ander 'toilette' van bedrukte foulard. Kleine linten bij de taille en de halslijn. Stoffen van A. Piat et Cie. Prent uit het modetijdschrift Très Parisien (1920-1936).
Gezichten van de haven van Messina
Object type: print
Date: 1603 – 1658
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: abraham de casembroot
Artist role: draughtsman, print maker
Artist dates: 1573 – 1658
Subjects: harbour, fortress, warfare; military affairs (+ oared ships, e.g.: galley), quay
Inscriptions: collector's mark: Lugt 2166

Gezicht op het zeefort van de haven van Messina. Op de voorgrond ligt een galei voor anker. Op de kade is er heel wat bezigheid. Prent uit serie van dertien prenten met gezichten van de haven van Messina
Menu Card for Adrien Hébrard
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Gezicht op een vijver met dennenbomen
Object type: photomechanical print
Date: 1872 – 1872
Materials: paper
Techniques: photograph
Location: waltham
Artist: Anonymous
Subjects: landscapes, pond, pool, trees: pine

Prent op tweede ongenummerde pagina na pagina 179.
Gezicht op Landsmeer
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: bleaching (laundering), public road in village
Inscriptions: collector's mark, collector's mark: Lugt 1641

Gezicht op enkele gebouwen in het dorp Landsmeer. Op de voorgrond worden lakens te bleken gelegd. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: topografie; profielen.
Korbeel van eikenhout waarop een vrouw in gedrapeerd gewaad, met hoorn des overvloeds
Object type: korbeel
Date: 1550 – 1600
Materials: wood
Location: northern netherlands

Korbeel van eikenhout. Op het consolevormige voorstuk is in reliëf een vrouw in een gedrapeerd gewaad en met een hoorn des overvloeds, staande op een acanthusblad, gebeeldhouwd. Afkomstig van een huis in de Mandenmakerssteeg te Amsterdam.
Op de rug gezien vrouwelijk naakt
Object type: print
Date: 1920 – 1920
Materials: paper
Techniques: lithograph
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Subjects: woman (showing herself) undressed, quasi-nude
Inscriptions: collector's mark: Lugt 2228

Het hoofd is naar rechts gedraaid, de blik naar beneden gericht.
Portret van Elizabeth Clinton
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: etching
Location: london
Artist: edward scriven
Artist role: print maker
Artist dates: 1775 – 1841
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Haerlemmer Poort / La Porte de Harlem
Object type: print
Date: 1650 – 1699
Materials: paper
Techniques: engraving, etching
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: rowing-boat, canoe, etc., bridge in city across river, canal, etc., city-gate
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: B. Poorten, verzamelbladen, D. Haarlemmerpoort(en).
Twee messenheften
Object type: print
Date: 1597 – 1625
Materials: paper
Techniques: etching
Location: amsterdam
Artist: michiel le blon
Artist role: print maker
Artist dates: 1587 – 1656
Subjects: table-knife

Op elk blad uit deze serie staan twee messenheften naast elkaar afgebeeld, gedecoreerd met Schweifwerk en gestileerde ranken in wit op een zwarte ondergrond.
Kop beschilderd in sepia
Object type: cup
Date: 1879 – 1879
Materials: porcelain
Techniques: painted
Location: netherlands
Artist: eduard alexander hilverdink
Artist role: draughtsman, painter
Artist dates: 1846 – 1891
Inscriptions: date

Kop beschilderd in sepia met een vaas met bloemen omgeven door een krans van bloemen. De kop met een gezicht op de Boerenwetering met het Rijksmuseum in aanbouw. Op de kop is de voorstelling gesigneerd E.Alex.H.
Gezicht op de Dom te Milaan
Object type: print
Date: 1759 – 1796
Materials: paper, watercolor
Techniques: brush, etching
Location: france
Subjects: church (exterior), square, place, circus, etc. (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2166, watermark
The Washerwoman
Object type: group
Date: 1752 – 1758
Materials: soft paste porcelain
Artist: capodimonte porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1740 – 1759
Subjects: boys,women,working
John Barker (1707–1787)
Object type: painting
Date: 1786 – 1786
Materials: canvas, oil
Artist: sir joshua reynolds
Artist role: artist
Artist nationality: british
Artist dates: 1723 – 1792
Subjects: men,portraits
Pigmalions Beelt
Object type: print
Date: 1628 – 1682
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: pygmalion falls in love with the statue he is carving
Inscriptions: collector's mark: Lugt 2228

Lijkt deel uit te maken van een serie prenten met mythologische onderwerpen, naar prenten door Jean Lepautre en voorzien van Nederlandse titels. Mogelijk werd de serie uitgegeven door Cornelis (I) of Cornelis (II) Danckerts, zoals vermeld op RP-P-1964-4431 en RP-P-1964-4443.
Curb Bit
Object type: armor
Date: 1501 – 1533
Materials: iron
Culture: german
Location: germany
Ludovicus XIII.D.G. Francorum et Navarrae Rex, Invictiss.
Object type: print
Date: 1624 – 1624
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: lodewijk xiii (koning van frankrijk), historical persons
Inscriptions: collector's mark: Lugt 240

Prent uit: Barclay, Jean. L'Argénis. Parijs: Claude Griset, 1624.
Groepsportret van een gezin met twee kinderen
Object type: photograph
Date: 1854 – 1885
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: family, relationship, descent, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘[...]’
Kind op weg om een ambacht te leren
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching, letterpress printing
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: handicrafts, craftsman at work, student
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Onderaan een zesregelig vers. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Indians Lamenting the Approach of the White Man (from McGuire Scrapbook)
Object type: drawing
Date: 1830 – 1830
Materials: graphite, ink, paper
Techniques: pen, wash
Culture: american
Artist: frederick stiles agate
Artist role: artist
Artist nationality: american
Artist dates: 1803 – 1844
Subjects: sadness,men

The son of English immigrants, Agate was a student of Samuel F. B. Morse and a founding member of the National Academy of Design. In this drawing, one of only a few by the artist that survives, four Indians cluster together in attitudes of despair and resignation. Agate studied and worked in Italy in the mid-1830s, and the influence of classical sculpture is evident in the poses and draperies as well as the pyramidal composition. This drawing may have been a study for a painting. It shares a dramatic sensibility with Agate’s other works of the 1830s, including "Jesuit Missionaries among the Indians" and a scene from Dante’s Inferno titled "Count Ugolino" (both whereabouts unknown).
Portret van paus Eugenius I
Object type: print
Date: 1595 – 1595
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: historical persons, pope, armorial bearing, heraldry

Prent uit: Cavalieri, Giovanni Battista de'. Effigies pontificum romanorum cum eorum vitis (...). Rome: Bartolomeo Bonfadino, 1595. Prent voor het eerst verschenen in: Cavalieri, Giovanni Battista de'. Pontificum romanorum effigies (...). Rome: Domenico Basa en Francesco Zanetti, 1580. Prent ook gebruikt in latere publicaties.
Portret van een man
Object type: carte de visite
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: jos dentel
Artist role: fotograaf
Subjects: adult man, historical persons
Two female figures seated in the clouds flanking an angel and another flying above carrying a banderole
Object type: print
Date: 1510 – 1525
Techniques: engraving
Artist: giovanni antonio da brescia
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1525

There is another impression of this print in the collection (see 53.601.63). Offset of another print on the verso, possibly a landscape.
Landschap met vier hazewindhonden
Object type: print
Date: 1659 – 1673
Materials: paper
Techniques: etching
Location: utrecht
Artist: jacob de jonckheer
Artist role: print maker
Artist dates:  – 1676
Subjects: dog
Inscriptions: collector's mark: Lugt 240

Landschap met vier hazewindhonden, één van hen liggend. Vierde prent uit een serie van vier met honden.
Stockholm. Kungl. Dramatiska Teatern
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: stockholm
Subjects: theatre (building)

Prentbriefkaart maakt deel uit van een album.
Knife
Object type: knife
Date: 1781 – 1781
Materials: gold, steel