deem-data/ArtiFact huggingface dataset:
One Hundred Cranes 百鶴圖
Object type: painting
Materials: ink, silk
Location: china
Artist: shen quan
Inscriptions: Inscription: 百鶴同春松柏萬年青，南蘋沈銓寫於松濤軒之西窗。
“Hundred cranes are jubilant in spring, pine and cypress trees are green forever. Nanpin, Shen Quan painted at the west window of the Songtao pavilion.”
Artist's Seal: 南蘋，沈铨之印
Moskou. Kremlin
Object type: photograph
Date: 1860 – 1925
Materials: photographic support
Techniques: photograph
Location: russia
Artist: Anonymous
Subjects: moskou
Thooneel der Steden ende Sterckten van 't Vereenight Nederlandt met d'aengrensende Plaetsen
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: etching
Location: antwerp
Subjects: prospect of city, town panorama, silhouette of city, deventer
Inscriptions: collector's mark: Lugt 195

Gezicht op de stad Deventer. Op de voorgrond, buiten de stadsmuren, de rivier De Ijsel. Een sloep brengt passagiers naar een zeilschip. Wandelaars en karren gaan over de brug richting Deventer. Boven het stadsgezicht een cartouche met de naam van de stad. De prent heeft een Nederlands en Frans onderschrift.
China meid Saigon
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: singapore
Artist: august sachtler
Artist role: fotograaf
Subjects: historical persons not known by name - bb - woman
Inscriptions: signature: ‘A. Sachtler photographer Singapore’, title: ‘China meid Saigon’, signature: ‘A.S. Singapore’
Gezicht op het Piazza della Borsa te Triëst
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: piazza della borsa
Artist: Anonymous
Subjects: square, place, circus, etc., monument, statue, façade (of house or building)
Inscriptions: number: ‘3.’
Saint Bartholomew
Object type: painting
Date: 1317 – 1319
Materials: gold leaf, paint, wood
Artist: simone martini
Artist role: artist
Artist nationality: italian
Artist dates: 1315 – 1344
Subjects: books,men,saints

Six other panels from the series are known. All were owned by the German painter and collector Johann Anton Ramboux in the nineteenth century, and they formed either the predella or a row of figures above the main panels of an altarpiece. The saints were originally painted on one panels are original, but have been painted an anomalous brown). The figures are based on cartoons prepared by Simone in the 1320s, but the execution was certainly entrusted to assistants. The panels have suffered from past cleanings.
Bulletin de la Société belge d'astronomie : comptes rendues des séances mensuelles de la Société et revue des sciences d'observation : astronomie, météorologie, géodésie et physique du globe
Object type: magazine
Date: 1895 – 1896
Materials: paper
Techniques: marbled paper, photoaquatint, printing
Location: brussels
Inscriptions: annotation: ‘APR/ 1991’
Portret van Daniel Bernoulli
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Zuverlässige Nachrichten von dem gegenwärtigen Zustande, Veränderung und Wachsthum der Wissenschaften. dl. 65. Leipzig: Johann Friedrich Gleditsch, 1745.
Snuff Box
Object type: metalwork
Date: 1800 – 1900
Materials: gemstone, diamond, gold
Location: england
Design for Panel Decoration
Object type: drawing
Date: 1828 – 1840
Materials: ink
Techniques: brush, pen, wash
Artist: j. hulme
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1880
Subjects: musical instruments,birds,women,flowers,leaves
Ring
Object type: ring
Date: 7000 – 330
Materials: gold
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Left halves of six kylix handles
Titus Manlius Torquatus, from "The Roman Heroes"
Object type: print
Date: 1586 – 1586
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: swords,men,horses
Plate
Object type: plate
Date: 1815 – 1825
Materials: faience
Techniques: glazing
Subjects: birds,men,women,plants

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Vrouw die een offer brengt, naar klassiek voorbeeld
Object type: sketchbook leaf
Date: 1816 – 1816
Materials: ink, paper
Techniques: pen
Artist: jonkvrouw elisabeth kemper
Artist role: draughtsman
Artist dates: 1799 – 1871
Subjects: carrying something, female persons from classical history (+ belonging to greek history), ionic order ~ architecture
Inscriptions: date: ‘1816’

De vrouw draagt een tuniek en parelketting en loopt met een vaas en schaal richting een altaar in de vorm van een sokkel met een Ionisch kapiteel. Blad 7 recto uit een schetsboek met 94 bladen.
Soup Tureen with Cover
Object type: ceramic
Date: 1700 – 1800
Materials: enamel, porcelain
Techniques: gilding
Location: china
Artist: Anonymous
Artist nationality: chinese
Subjects: eagles, eagle with shield
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Materials: glass, jasper, wood
Culture: chinese
Subjects: leaves
Petit-Radel
Object type: print
Date: 1820 – 1820
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Plaque with Depiction of Nandi
Object type: plaque
Materials: gold
Culture: indonesian, javanese
Subjects: bulls
Fragmentary silver bowl
Object type: fragment of a bowl
Date: 710 – 675
Materials: silver
Culture: cypriot
Subjects: women,deer,banquets
Baluster
Object type: baluster
Date: 1734 – 1766
Materials: wood
L'art de dessiner le paysage d'apres nature
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: lithograph
Artist: richard sasse
Artist role: print maker
Artist dates: 1774 – 1849
Subjects: abbey, monastery, convent ~ roman catholic church, landscape with ruins (+ city(-scape) with figures, staffage), england
Inscriptions: collector's mark: Lugt 2228

Prent behoort tot de serie 'L'art de dessiner le paysage d'apres nature'. Deze serie is in tien delen met elk zes lithografieën uitgegeven.
Miss Saff, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Bowl of Dates
Object type: bowl, food, date
Date: 1479 – 1458
Materials: pottery
Location: egypt
Subjects: fruit
The Gamboloita Bridge
Object type: drawing
Date: 1910 – 1910
Materials: crayon, ink, paper
Techniques: pen
Artist: umberto boccioni
Artist role: artist
Artist nationality: italian
Artist dates: 1882 – 1916
Subjects: bridges
Mise-en-carte (Point-paper)
Object type: drawing and watercolor
Date: 1785 – 1785
Materials: gouache, ink, paper
Techniques: drawing
Location: france
Artist: germain frères
Boek getiteld Kern des Bijbels
Object type: book
Date: 1751 – 1751
Materials: leather, paper
Location: the hague
Inscriptions: date
Breda. Vijver Valkenberg
Object type: photomechanical print
Date: 1910 – 1910
Materials: cardboard
Techniques: photograph
Location: breda
Artist: Anonymous
Subjects: park, pond
Inscriptions: date
Ruiterstandbeeld van Willem V, prins van Oranje-Nassau
Object type: print
Date: 1775 – 1805
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: william v (prince of orange), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain, equestrian statue

Ruiterstandbeeld van Willem V. In zijn rechterhand een commandostaf. Rondom liggen meerdere allegorische objecten. Op een banderol een regel Nederlandse tekst. Op een voetstuk acht regels Nederlandse tekst en zijn wapen met een kroon, gedecoreerd met de Kousenband en het devies van de Orde van de Kousenband.
Gebouwen van de Beierse regering in München, Duitsland
Object type: stereograph
Date: 1868 – 1868
Materials: cardboard, paper
Techniques: albumen print
Location: munich
Artist: charles gaudin
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: provincial government, representation of real building (either existing or having existed)
Inscriptions: number: ‘35.’, inscription: ‘60’, inscription: ‘35’
Grafmonument voor Jan van Speyk
Object type: print
Date: 1831 – 1848
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: pieter barbiers (iv)
Artist role: painter, print maker
Artist dates: 1798 – 1848
Subjects: amsterdam, antwerp, jan van speyk, coat of arms (as symbol of the state, etc.), personifications of countries, nations, states, districts, etc., historical persons, grave-building, monumental tomb, commander-in-chief, admiral
Inscriptions: collector's mark: ‘25.130’
Portret van Friedrich Hoffmann
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann georg mentzel
Artist role: print maker
Artist dates: 1677 – 1743
Subjects: historical persons, physician, doctor
Inscriptions: date

Prent gebruikt in: Hoffmann, Friedrich. Gründliche Anweisung Wie ein Mensch vor dem frühzeitigen Tod und allerhand Arten Kranckheiten durch ordentliche Lebens-Art sich verwahren könne. Halle: Johann Gottfried Renger, 1715.
Medallion
Object type: medallion
Date: 1767 – 1800
Subjects: men,portraits
Defrauding the Customs, or Shipping the Goods Not Fairly Entered
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women
Ball bead
Object type: bead, ball
Date: 1635 – 1458
Materials: faience
Location: egypt
Design for a Stage Set at the Opéra, Paris: Balustrade
Object type: drawing
Date: 1830 – 1890
Materials: graphite
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: stage design
152. Theil
Object type: ornament print
Date: 1737 – 1806
Materials: paper
Techniques: etching
Location: augsburg
Subjects: welding (industrial process), fence, wall, paling, ornament ~ festoon, garland, flowers ~ ornament
Inscriptions: collector's mark: Lugt 2228

Twee smeedijzeren hekwerken met guirlandes, blad- en bloemmotieven en een mand met bloemen.
Terracotta fragment of a squat lekythos (oil flask)
Object type: lekythos fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Draped woman to left, wearing a chiton, himation, and sakkos, with her bent right arm protruding from the sleeve of her garment
Design for Roof Seat Break, no. 3796a
Object type: drawing
Date: 1883 – 1883
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gezicht op het stadhuis van Veere, 1743
Object type: print
Date: 1747 – 1747
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: townhall, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: date

Tijdens het maken van de platen is op de plaat van deze prent de verkeerde titel gezet: 'Het stadhuis te Vlissingen'. De juiste titel met het adres van Isaak Tirion is hieroverheen geplakt.

Prent ook gebruikt in: Wagenaar, Jan. Tegenwoordige staat der Vereenigde Nederlanden (...). Amsterdam: Isaak Tirion, 1753, dl. 10, tussen p. 168 en 169.
Footsoldier with Halberd
Object type: print
Date: 1472 – 1553
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: soldiers,weapons,men,women
La Fontaine du square de l'Archevêché; Derrière Notre-Dame
Object type: photograph
Materials: paper
Techniques: gelatin silver print, photography
Location: france
Artist: hippolyte bayard
Artist role: artist
Artist nationality: french
Artist dates: 1801 – 1887
Subjects: collected by hugh edwards
S. Gangulphe, martyr (St. Gangulphus, Martyr), May 11th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Concert of European Music (Ōshū kangengaku gassō no zu)
Object type: print
Date: 1889 – 1889
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: musical instruments,men,women,concerts,singing,cellos,pianos,violins

During the modernization of Japan in the Meiji Period, recitals of European music were among the newly imported customs. The two female violinists are set apart from the singers by their distinctive corsage bodices, gathered at the waist to fan out over part of the apron, a style that appeared frequently in La mode illustrée between 1885 and 1887.
Tile
Object type: tile
Date: 1620 – 1640
Materials: earthenware
Techniques: glazing
Subjects: cats,deer,dogs,goats,flowers
Mannen bij elkaar in een pendoppo in Gadingredjo
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: gadingredjo
Artist: Anonymous
Subjects: meeting

Onderdeel van Fotoalbum aangeboden aan de resident der Lampongse districten F.J. Junius door studerende ambtenaren van de bestuursschool te Batavia.
Seated female figurine
Object type: statuette of a woman
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: women

The figurine is handmade and solid. The face and hair are mold-made. Her left forearm is missing. With her right hand she touches her right breast.
IJzeren kapel en het Zuider portaal aan de Oude Kerk te Amsterdam
Object type: drawing
Date: 1843 – 1843
Materials: paper, pencil
Artist: johan adolph rust
Artist role: draughtsman, painter
Artist dates: 1828 – 1915
Subjects: church (exterior)
Portret van Charles-Louis Clément
Object type: book illustration
Date: 1820 – 1821
Materials: paper
Techniques: engraving, etching, roulette
Location: paris
Artist: ambroise tardieu
Artist role: print maker, printer
Artist dates: 1788 – 1841
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Prent uit: Tardieu, Ambroise. Portraits des députés, écrivains et pairs constitutionnels, défenseurs invariables de la charte et de la loi des élections du 5 février 1817. Parijs: Tardieu, Ambroise, 1820-1821.
Dronken figuren rond een tap die de vorm van de wereldbol heeft
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: earth, world as celestial body, alcoholic drinks
Inscriptions: collector's mark: Lugt 2228

Proefdruk voor illustratie uit: Luyken, Jan. De onwaardige wereld, vertoond in vyftig zinnebeelden, met godlyke spreuken en stichtelyke verzen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1710, p. 124.
Earring
Object type: earring
Date: 201 – 300
Materials: gold
Culture: east germanic
Portret van Jean-François Paul de Gondi
Object type: print
Date: 1600 – 1667
Materials: paper
Techniques: engraving
Artist: michel lasne
Artist role: print maker
Artist dates: 1590 – 1667
Subjects: cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve, naar links, in een venster geflankeerd door twee gevleugelde hermen.
Broche van goud met centraal een parel
Object type: brooch
Date: 1920 – 1930
Materials: gold, pearl, silver
Location: netherlands
Artist: Anonymous

Samengestelde broche van geel en rood goud met centraal een mabe parel, voorzien van kanonsluiting. De broche is gemaakt van een ring waarvan de scheen is verwijderd en waar een brochering is aangezet. Geen verantwoordelijkheidstekens.
Embroidered Interior Textile
Object type: fragment
Date: 1750 – 1760
Materials: silk
Techniques: embroidered, weave
Location: france
Artist: Anonymous
Horses at the Ford
Object type: print
Date: 1867 – 1867
Techniques: hand coloring, lithograph
Artist: currier & ives
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1907
Subjects: horses

In this rural scene, a boy sits bareback on a dark horse, and leads two others, brown and white, into a stream. A colt already standing in the water, turns its neck to look at ducks. There is a cottage on a small hill on the far bank, a clearing beyond a wooden fence and line of trees while, at left, a dirt path leads towards a vista of fields dotted with farm buildings, and distant low mountains. The New York firm of Currier & Ives grew from a printing business established by Nathaniel Currier (1813–1888) in 1835. Expansion led, in 1857, to a partnership with his brother Charles's brother-in-law, James Merritt Ives (1824–1895). The firm operated until 1907, lithographing over 4,000 subjects for distribution across America and Europe with popular categories including landscape, marines, natural history, genre, caricatures, portraits, history and foreign views. Until the 1880s, images were printed in monochrome, then hand-colored by women who worked for the company at home.
Annie Sutherland, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses,mirrors

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Portret van Abraham Grapheus bij een tafel met vaatwerk
Object type: print
Date: 1850 – 1913
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, mug, beaker, goblet
Inscriptions: collector's mark: Lugt 2228
Piece
Object type: piece
Date: 1801 – 1900
Materials: metal thread, silk
Techniques: lace
Kat, met kleurnotities
Object type: drawing
Date: 1864 – 1936
Materials: chalk, paper
Techniques: brush
Artist: jan van essen
Artist role: draughtsman, print maker
Artist dates: 1854 – 1936
Subjects: cat
Figuren rond een bijenkorf
Object type: titelblad, titelpagina
Date: 1767 – 1767
Materials: paper
Techniques: letterpress printing
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), pegasus, the winged horse, bee-hive, apollo playing the lyre, apollo citharoedus
Inscriptions: collector's mark: Lugt 2228

Op een toneel staan figuren rond een bijenkorf, symbool van de Amsterdamse schouwburg. Op de achtergrond vliegt het gevleugelde paard Pegasus en bespeelt Apollo op de berg Parnassus de lier. De voorstelling is omlijst met gebladerte en takken, bovenin prijkt het wapen van de stad Amsterdam. Op een rand onder de bijenkorf staat een tweeregelig vers in het Nederlands.
Presents Offered to the Bride
Object type: print
Date: 1633 – 1633
Techniques: etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: interiors,women
Design for a Clock
Object type: drawing
Date: 1770 – 1790
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: flowers,leaves,clocks
Briefkaart aan Frans Buffa en Zonen
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: willem maris
Artist role: draughtsman, painter
Artist dates: 1844 – 1910
Subjects: publisher, family life
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2233
Normandy, its gothic architecture and history, as illustrated by twenty-five photographs from buildings in Rouen, Caen, Nantes, Bayeux, and Falaise
Object type: book
Date: 1865 – 1865
Materials: linen, paper, photographic support, wood
Techniques: albumen print, printing
Location: london
Inscriptions: name: ‘Hugh Parnell’
Ontwerpen voor elektrische hanglampen
Object type: sketchbook leaf
Date: 1905 – 1905
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: frame of painting, etc., electric lamp

Tevens studies van lijsten. Blad 17 verso uit een schetsboek met 27 bladen.