deem-data/ArtiFact huggingface dataset:
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, one letter of an inscription, O
Serie 8: Nederlandse Gebeurtenissen, 1577-1583
Object type: history print
Date: 1581 – 1585
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: vienna, matthias van oostenrijk (rooms-duits keizer), delft, william i (prince of orange), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', antwerp

Aankomst van aartshertog Matthias van Oostenrijk te Antwerpen, 21 november 1577. Matthias wordt verwelkomd door de prins van Oranje. De stoet trekt tussen hagen van soldaten langs het galgenveld naar de stad. Met onderschrift van 12 regels in het Duits. Linksonder genummerd: 137. De prent maakt deel uit van een album.
Teabowl
Object type: teabowl
Date: 1720 – 1725
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: firearms,men,horses
Portret van een staande man in uniform met sabel
Object type: album leaf
Date: 1855 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: adult man, historical persons, (military) uniforms
Inscriptions: inscription: ‘Linares è hijo/ photografos/ Calle de Sn Francisco No 7/ Cartagena’, inscription: ‘A.L. B.te S.C.D.G.’
Moeder met kind en meisje met pop
Object type: boekillustratie ontwerp
Date: 1893 – 1953
Materials: ink, paper
Techniques: pen
Artist: adri ladenius
Artist role: draughtsman
Artist dates: 1883 – 1953
Subjects: (playing with) dolls, mother and baby or young child
Inscriptions: annotation: ‘Twee moedertjes’, signature: ‘A. Ladenius.’, :, collector's mark: Lugt 2228

Een moeder zit op een stoel met een kind op schoot. Naast haar zit een meisje op een stoel met een pop op schoot.
Maarten Pauw van Wieldrecht zich met dolk verwerend tegen aanvallend (opgezet) wild zwijn
Object type: photograph
Date: 1805 – 1898
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Inscriptions: annotation: ‘Oom Maarten’, annotation: ‘No 1498.’, signature and date: ‘H. Pauw v. Wieldrecht. / Mei, 1898.’
Sutra of the Repentance Ritual of Great Compassion (Cibei daochang chanfa), Volume 1
Object type: illustrated book
Date: 1615 – 1615
Techniques: woodblock print
Culture: chinese

Printed sutras usually took the form of accordion-fold books, and they often featured an illustrated frontispiece. Legend states that the repentance ritual described in this sutra was instituted by Emperor Wu of Liang (464–549) to deliver his deceased wife from an unpleasant reincarnation as a python. This is the story depicted in the illustrated frontispiece, where a group of Buddhist monks industriously undertake the rituals prescribed in the sutra. The empress’s spirit floats free from the mouth of the snake, ascending heavenward on a cloud.
Grazende koeien in een bergweide
Object type: print
Date: 1852 – 1860
Materials: paper
Techniques: lithograph
Location: paris
Subjects: cow, cattle, mountain meadow, alp
Inscriptions: collector's mark: Lugt 2228
Portret van Jan Hofker
Object type: design
Date: 1870 – 1923
Materials: paper, pencil
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: amsterdam, historical persons

Portret van Jan Hofker; op verso een afdruk van de vernis-mougrond. Ontwerp voor een prent.
Gezichten in Amsterdam
Object type: print
Date: 1836 – 1875
Materials: paper
Techniques: tone lithography
Location: amsterdam
Artist: Anonymous
Subjects: river, the usual house or row of houses, bridge in city across river, canal, etc., street, prospect of city, town panorama, silhouette of city

Onderwerpsrubriek binnen de Atlas Amsterdam: Panorama's en verzamelprenten.
Mr. Pot De Naz.., plate 270 from Célébrités de la Caricature
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Crozier Head
Object type: crozier head
Date: 1901 – 1933
Materials: gilt copper, enamel
Culture: french
Subjects: human figures
Nederlandse vrouw met een aap
Object type: album leaf
Date: 1880 – 1910
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman, monkeys, apes, historical persons, dutch east indies, the
Kip met kuikens en andere vogels
Object type: print
Date: 1675 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: birds, fowl (cock, hen, chicken, etc.)
Inscriptions: number: ‘6’, collector's mark: Lugt 2228

Kip met kuikens, zittend onder een boom. Drie vogels in de boom. Een zwaan in het water links.
Card Number 7, Minnie Dupree, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Steatite Triangular Prism
Object type: prism, triangular
Date: 1800 – 1700
Materials: stone
Culture: minoan
The Lamentation
Object type: painting
Date: 1510 – 1515
Materials: oil, panel
Location: brussels
Artist: colijn de coter
Artist role: draughtsman, painter
Artist dates: 1450 – 1532
Subjects: lamentation over the dead christ by his relatives and friends (christ usually without crown of thorns)

Here the artist ‘zoomed in’ on the faces of the dead Christ and his grieving disciples. The painting is thus both intimate and confrontational. This made it easier for believers to identify with Christ’s suffering and the Virgin’s sorrow. The man on the right holding the nails from the cross is Nicodemus; it is probably also a portrait of the person who commissioned the painting.
Panel
Object type: panel
Date: 1551 – 1600
Materials: wood
Techniques: carving
Subjects: human figures,faces,horses
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

At the shoulder, a band of tongues; below, tendrils
Ensemble
Object type: ensemble
Date: 1875 – 1875
Materials: cotton, glass, silk
Culture: american

The bustle silhouette, although primarily associated with the second half of the 19th century, originated in earlier fashions as a simple bump at the back of the dress, such as with late 17th-early 18th century mantuas and late 18th- early 19th century Empire dresses. The full-blown bustle silhouette had its first Victorian appearance in the late 1860s, which started as fullness in skirts moving to the back of the dress. This fullness was drawn up in ties for walking that created a fashionable puff. This trendsetting puff expanded and was then built up with supports from a variety of different things such as horsehair, metal hoops and down. Styles of this period were often taken from historical inspiration and covered in various types of trim and lace. Accessories were petite and allowed for the focus on the large elaborate gowns. Around 1874, the style altered and the skirts began to hug the thighs in the front while the bustle at the back was reduced to a natural flow from the waist to the train. This period was marked by darker colors, asymmetrical drapery, oversize accessories and elongated forms created by full-length coats. Near the beginning of the 1880s the trends altered once again to include the bustle, this time it would reach its maximum potential with some skirts having the appearance of a full shelf at the back. The dense textiles preferred were covered in trimming, beadwork, puffs and bows to visually elevate them further. The feminine silhouette continued like this through 1889 before the skirts began to reduce and make way for the S-curve silhouette.
Terracotta bell-krater (bowl for mixing wine and water)
Object type: bell krater
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

In this magnificent vase, the shape and the gloss of its surface are paramount. The lack of figural decoration suggests that, rather than hold wine, it may have contained cold water or snow to chill a wine-filled psykter (vase for cooling wine).
Rockefeller Center. Looking north from the 70th floor of the RCA Building
Object type: ansichtkaart, prentbriefkaart
Date: 1930 – 1950
Materials: photographic support
Techniques: photography
Location: new york city
Artist: e. ratcliffe
Artist role: fotograaf
Subjects: prospect of city, town panorama, silhouette of city, manhattan
Design for Cabriolet or Victoria, no. 3785
Object type: drawing
Date: 1882 – 1882
Materials: gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Earring with ball pendant and sard setting
Object type: earring with ball pendant and sard setting
Date: 1 – 200
Materials: gold
Culture: roman
Man met kinderen in zijn tuin
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: garden, father and child(ren), man and child(ren) (family group)
Inscriptions: collector's mark: Lugt 2228

Vijfde prent afkomstig uit een serie van twaalf verschillende prenten. Deze serie is een herhaling van dezelfde serie met onderschriften in het Duits (zie: RP-P-OB-14.106). De scènes zijn op een plaat geëtst. Deze staat niet beschreven in Engelmann: met uitwerking van de lucht en schaduwpartijen maar voor toevoeging van nummers en onderschriften. Een latere staat van deze serie is ook gebruikt in: Almanac genealogique de Lauenbourg pour l'année 1780.
Landschap met boerderij
Object type: print
Date: 1729 – 1774
Materials: paper
Techniques: etching
Artist: christian friedrich fritzsch
Artist role: print maker
Artist dates: 1719 – 1774
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Gezicht op een boerderij waarvan rechts een boer met drie schapen en een koe loopt.
Gezicht op Place Kléber in Straatsburg
Object type: stereograph
Date: 1889 – 1889
Materials: cardboard, photographic support
Techniques: albumen print
Location: straatsburg
Artist: john fillis jarvis
Artist role: publisher
Artist dates: 1849 – 1931
Subjects: square, place, circus, etc.
Inscriptions: number: ‘54’
Beaumarchais
Object type: print
Date: 1825 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, publisher, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk gebruikt voor: Iconographie des contemporains ou Portraits des personnes dont les noms se rattachent plus particulièrement, soit par leurs actions, soit par leurs écrits, aux divers événements qui ont eu lieu en France, depuis 1789, jusqu'en 1829 (…). Parijs: veuve Delpech, 1832-1833.

Mogelijk komt de prent ook voor in eerdere en/of latere publicaties uitgegeven door veuve Delpech of haar opvolger Rosselin.
Annotaties
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: chalk, paper
Location: south holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘Mr [...]’

Annotaties. Pagina 86 uit een schetsboek met 43 bladen.
Cecil Rhodes en de enquête-commissie
Object type: cartoon
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personifications of countries, nations, states, districts, etc., political caricatures and satires

Cecil Rhodes verblind door het felle licht van de stralende Brittannica. Met Chamberlain en een lachende Paul Kruger.
Annotaties
Object type: sketchbook leaf
Materials: paper, pencil
Location: dutch east indies
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Inscriptions: annotation: ‘[...]’

Blad 66 uit een schetsboek met 75 bladen vervaardigd te Nederlands-Indië.
Peter LaBagh
Object type: drawing
Date: 1793 – 1811
Materials: chalk, pastel, paper
Culture: american
Artist: james sharples
Artist role: artist
Artist nationality: british
Artist dates: 1751 – 1811
Subjects: men,profiles
Teapot
Object type: teapot
Date: 1787 – 1787
Materials: metal, wood
Artist: nathaniel smith and company
Artist role: maker
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, two fragments with meander and cross squares
Portret van Marquard von Rotenhan na zijn dood
Object type: print
Date: 1733 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons, candle
Ex libris van Alexandre de Médicis
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: portugal
Subjects: woman (showing herself) undressed, quasi-nude, death's head, skull (symbol of death)
Mace head
Object type: mace
Culture: kassite
Location: mesopotamia
Brief aan Jan Veth
Object type: letter
Date: 1924 – 1924
Materials: ink, paper
Techniques: pen, writing
Location: leiden
Artist: johan huizinga
Artist dates: 1872 – 1945
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, jan kalf, andré jolles, mozes isaac duparc, the hague, ghent
Inscriptions: watermark, collector's mark: ‘RPK’
Japan 1884
Object type: photograph
Date: 1884 – 1884
Materials: cardboard, paper
Techniques: albumen print
Location: japan
Artist: Anonymous
Subjects: river, youth, adolescent, japan
Inscriptions: inscription: ‘[onleesbaar]’
Plate 30: The Social Day, from "World in Miniature"
Object type: print
Date: 1816 – 1816
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,dancing,rivers,drinking

One of forty prints from Rowlandson's "World in Miniature; Consisting of Groups of Figures, for the Illustration of Landscape Scenery." Activities along the river: at right, a long table of men and women picnic and raise their glasses for a toast. At left, three musicians play and three figures dance.
Daphne
Object type: bust
Materials: marble
Culture: american
Artist: harriet goodhue hosmer
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1908
Subjects: women,female nudes

In Greek mythology, Apollo’s first love was Daphne, a nymph who shunned marriage and vowed perpetual virginity. Fleeing the god, Daphne prayed for help and was transformed into a laurel tree just as he was about to overtake her. Rather than depicting the dramatic moment of escape, Hosmer modeled a serene image and symbolized Daphne’s metamorphosis by terminating the bust in laurel branches. The work is true to Hosmer’s Neoclassical training in Rome, where she was one of a number of active American women sculptors.
Kastanje van de Anne Frankboom
Object type: commemorative
Date: 2010 – 2010
Materials: wood, paper, plastic
Techniques: casting, printing
Location: netherlands
Subjects: anne frank, fruits: chestnut, amsterdam

Kastanje, gegoten in een staand plexiglazen zuiltje. Op het plexiglas het opschrift: "Kastanje van de Anne Frank Boom" en het logo van het Joods Nationaal Fonds. Hierbij een platte rechthoekinge plaat van plexiglas met daarin een gedrukte afbeelding van de Anne Frankboom, een citaat uit het dagboek en de naam van Anne Frank. Hierbij een echtheidsverklaring. Het geheel in een grijs bedrukt kartonnen doosje.
Gezicht op de Grote of Sint-Laurenskerk
Object type: print
Date: 1715 – 1730
Materials: paper
Techniques: etching
Artist: jacobus harrewijn
Artist role: print maker
Artist dates: 1660 – 1740
Subjects: church (exterior), square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Prent vermoedelijk eerst met dertien andere stadsgezichten uitgegeven als onderdeel van de sierrand van – in ieder geval de derde staat en mogelijk ook de tweede van – de plattegrond 'Tabula Roterodami Novissima' (zie RP-P-AO-13-11).

Later nog een keer als onderdeel van een prentserie uitgegeven: Les principaux edifices et vues de la ville de Rotterdam. Le tout fidèlement dessiné sur les lieux. Leiden: Pieter van der Aa, s.a. [adres 'dans l'Academie', dus 1715-1730].

De platen zijn voor zover na te gaan ongewijzigd gebleven.
En plein soleil
Object type: print
Date: 1858 – 1858
Materials: chine, ink, paper
Techniques: printmaking, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: women,parasols

Whistler probably captured this image of a grisette, or working girl holding a parasol, in the countryside near Paris (the title translates to "In Full Sun"). Realist and naturalist ideas circulating among artists in France influenced the unidealized approach. One of Whistler's early etchings, it was made in the summer of 1858 before he set out in mid-August to tour the Rhineland. In November, it was included in "Douze eau-fortes d'apres Nature" ("Twelve Etchings from Nature"), known as the "French Set."
Portret van Malatesta Baglioni
Object type: print
Date: 1549 – 1575
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons

Prent gebruikt in: Giovio, Paolo. Elogia Virorum bellica virtute illustrium (...). Bazel: Peter Perna, 1575.
Gezicht op Boulevard de Strasbourg in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: animal traction, animal-drawn vehicle (carriage etc.), street, shop-window, show-window
Inscriptions: inscription: ‘Boulevart de Strasbourg’
Papyrus Fragment of a Letter from John to Elisaius
Object type: fragment
Date: 601 – 700
Materials: ink, papyrus
Culture: coptic
Location: egypt
Portrait of Gijsbert van der Hoeven
Object type: drawing
Date: 1657 – 1657
Materials: graphite, ink, parchment
Techniques: brush
Location: amsterdam
Artist: jan thopas
Artist role: draughtsman
Artist dates: 1630 – 1700
Subjects: anonymous historical person portrayed alone

Portret van Gijsbert van der Hoeven; links een wapenschild, rechts een lauwerkrans.
7b Sumatra-Kampong
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: indonesia
Inscriptions: annotation: ‘7b Sumatra-Kampong’

Huizen op palen in een kampong, Sumatra, Nederlands-Indië
A Performer on a Stage with a Monkey
Date: 1755 – 1771
Techniques: etching
Artist: philippe jacques de loutherbourg
Artist role: artist
Artist nationality: french
Artist dates: 1740 – 1812
Subjects: performance,men,monkeys

Loutherbourg, an Alsatian painter who studied etching in Johann Georg Wille’s academy, clearly admired the prints of the seventeenth-century Neapolitan painter Salvator Rosa, as did many other French printmakers of the time. In the set to which this print belongs (2018.53.1-6), entitled "Second Suite of Figures,"Loutherbourg took up a format associated with Rosa in order to showcase his own inventiveness and fluency.
Portret van ridder Matthias Thalmann
Object type: print
Date: 1600 – 1615
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: ridder, prefect, matthias thalmann
Inscriptions: collector's mark: Lugt 2228

Niet afkomstig uit: Illustratie uit: D. Custos en M. Henning. Atrium heroicum Caesarum, regum aliorq. summatum ac procerum qui intra proximum seculum vixere, aut hodie supersunt, imaginib. Deel 1-4. Augsburg: D. Custos, 1600-1604. Hier ander portret van Thalmann.
Mars... Je vous ai fait bien peur..., from "Actualités"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,shields,spears,men
int Seuniger bos
Object type: print
Date: 1637 – 1677
Materials: paper
Techniques: drypoint, etching
Location: amsterdam
Subjects: forest, wood
Inscriptions: collector's mark: Lugt 240

Gezicht op een open plek in het Seuniger bos, mogelijk het Zoniënwoud bij Brussel. Genummerd onderaan in de marge: 8.
Firenze. Galleria Pitti. S. Casimiro; Carlo Dolci
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: photographic support
Techniques: photography
Location: florence
Subjects: clergyman, historical persons
Inscriptions: collector's mark: ‘AFE v S’
Vier vrouwen die aardappels rapen op een akker
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: ink, paper, pencil
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: reaping, picking, mowing ~ harvest (+ women (labourers)), container made of plant material other than wood: basket

De vrouwen dragen rieten manden. Op de achtergrond een man met een stuk landbouwgereedschap. Blad 14 verso uit een schetsboek met 25 bladen.
Nederlands Indië, ½ gulden, 1834
Object type: coin
Date: 1834 – 1834
Materials: silver
Techniques: striking
Location: utrecht
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Zilveren munt. Voorzijde: borstbeeld naar rechts. Keerzijde: tussen twee samengebonden palmtakken waarde-aanduiding. Jaartal onderaan. Kartelrand