deem-data/ArtiFact huggingface dataset:
Tile with Pious Inscription
Object type: architectural fragment
Materials: ceramic, glaze
Techniques: molding, painting
Culture: islamic
Location: iran

Bands of inscription adorn monuments throughout the Islamic world. This tile was previously part of longer architectural panel containing pious inscriptions, undoubtedly attached to a religious monument. The script used here, thuluth, is known for its elongated horizontal extensions at the ends of letters. The thuluth script first emerged in the 11th century and has remained one of the most popular forms of calligraphy.
Plattegrond van Cambrai, 1710
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: etching
Location: brussels
Subjects: maps of cities

Plattegrond van Cambrai, 1710. Rechtsonder de legenda A-P. Onderdeel van een gebundelde verzameling van plannen van veldslagen en steden vermaard in de Spaanse Successieoorlog.
Side chair
Object type: side chair
Date: 1870 – 1870
Materials: gilt, wood
Techniques: carving
Artist: christopher dresser
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1834 – 1904

This ebonized chair with gilt, incised decoration reflects the changes in furniture ornamentation and construction that occurred in the second half of the nineteenth century. Design reformers called for a reduction of heavily carved furniture. Exuberantly rendered naturalistic or architecturally derived decoration that was typical of mid-century furniture was deemed immoral, fallacious, and gaudy–it was also difficult to clean since it trapped dust and dirt. Shallow, incised ornamentation was considered more appropriate. Most commercial furniture decorated with glued, machine-carved elements was objectionable to design reformers. In his effort to reform "bad taste" in furniture design and interior decoration, Charles Locke Eastlake condemned excessive decoration and unnecessary affectation, advocating ornamentation suitable to the object it adorns and insisting that the least amount of embellishment be employed. While this chair exhibits many of the qualities required by Eastlake, it also fulfills the conditions demanded by its designer, Christopher Dresser. Although Dresser had called Eastlake "the apostle of ugliness," occasionally he agreed with him and considered Eastlake's popular book, Hints on Household Taste (1868), worth reading. Dresser also admonished heavy carving and declared in his Principles of Decorative Design (1873) that details and decorative enrichment must be subordinate to the work as a whole. Dresser illustrated this chair in his 1873 publication (fig. 27) as "in the manner of an Egyptian chair." He stressed the importance of construction, commenting that a chair soundly designed allows the user to sit confidently–unlike many contemporary examples, including Eastlake's. Although Dresser accepted the position that some aspects of the chair illustrated here were not perfectly correct, he did approve of it from a stylistic and historical perspective. The stylized palmettes and foliage reflect his interest in Egyptian motifs as well as botanical forms.
Schotel
Object type: platter
Date: 1750 – 1780
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: delft
Artist: Anonymous
Inscriptions: seal: ‘2191/ U.D.’, mark: ‘onbekend merk met een V, waaronder een streep’, collector's mark: ‘koninklijk oudheidkundig genootschap no. 43’

Ronde schotel van veelkleurig beschilderde faience, met op het plat een cirkel waarbinnen een veelkleurige vogel en bloemen. Om de cirkel is een ruitmotief met stippen geschilderd, waarin vijf ovale vakken met bloemen in de kleuren geel en mangaan. De achterzijde is gemerkt met het getal 5.
Handle Spout Vessel in the Form of a Mace with Fineline Mace and Shield Motifs
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Culture: moche
Location: peruvian north coast
Two Busts of Children
Object type: figure
Date: 1750 – 1760
Materials: porcelain
Techniques: painted
Location: meissen
Artist: johann joachim kändler
Artist role: designer, sculptor
Artist dates: 1706 – 1775
Subjects: flowers, head-gear: cap (+ children's clothes), child

Meissener Porzellan Manufaktur, model attributed to Johann Joachim Kändler (1706–1775), Meissen, c. 1750–1760, hard-paste porcelain
Vers over de strenge vorst in Amsterdam van maart 1667
Object type: text sheet
Date: 1667 – 1667
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Tekstblad met twee verzen en een aantekening over de strenge vorst van maart 1667 te Amsterdam. Bovenaan een vignet met het wapen van Amsterdam.
Scarab: Animal Motifs (Bird, Antelope, Hippopotamus)
Object type: costume and accessory
Materials: stone
Culture: egyptian
Location: egypt
Subjects: scarab beetle, animals, antelope, bird, hippopotamus
Portret van een jonge vrouw met hoedje met voile
Object type: watercolor
Date: 1838 – 1899
Materials: paper, watercolor
Techniques: brush
Artist: joseph de groot
Artist role: draughtsman
Artist dates: 1828 – 1899
Subjects: anonymous historical person portrayed alone
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, lower back, buttocks, and fingers of right hand of male bending to left
Fragment of a Sleeve
Object type: textile fragment
Date: 401 – 600
Materials: linen, wool
Techniques: weave
Location: egypt
Votive tablet
Object type: votive tablet
Date: 501 – 600
Materials: earthenware
Culture: chinese
Woonhuis met onbekende mensen
Object type: photograph
Date: 1852 – 1852
Materials: copper, glass, leather, velvet
Techniques: daguerreotype, hand coloring
Artist: Anonymous
Subjects: historical persons, civic architecture; edifices; dwellings
Gibraltar. The Dockyard and Workshops
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph, writing
Location: gibraltar
Subjects: workshop, shipyard, shipdock
Overlijden van Nicolas Boileau Despreau 1711
Object type: history medal
Date: 1711 – 1711
Materials: copper
Techniques: galvanoplasty
Artist: jean dassier
Artist role: medailleur
Artist dates: 1676 – 1763

Galvanoplastische afdruk in koper van de voorzijde een penning, borstbeeld naar links met omschrift.
Bei Goethes Mutter
Object type: photomechanical print
Date: 1873 – 1883
Materials: paper
Techniques: photograph
Location: berlin
Subjects: crown princess, princess, courtyard
Fan Palm, Singapore
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: men,palms
Border
Object type: border
Date: 1701 – 1800
Techniques: lace
Subjects: flowers,boats
Leer kind'ren door dez' prent in uwe grille jeugd, / Dat niets uw pryslyk maakt als 't onderhoud der deugd / Apprenez mes chers enfants par cette image, / Qu'il n'y a rien que la vertu qui vous rendra sage
Object type: popular print
Date: 1866 – 1902
Materials: paper
Techniques: colour, letterpress printing
Location: europe
Subjects: types in 'commedia dell'arte': pierrot
Inscriptions: collector's mark: ‘Edw. Ipers / Oever 27, / Antwerpen.’, collector's mark: Lugt 2760

Blad met 8 voorstellingen over de avonturen van Pierrot. Onder elke afbeelding een tweeregelig vers in het Nederlands en in het Frans. Genummerd midden boven: N. 40b.
Sampler with the Lord's Prayer, the Ten Commandments and other text
Object type: sampler
Date: 1701 – 1725
Materials: linen, silk
Artist: sarah borham
Artist role: maker
Stamp seal
Object type: stamp seal
Date: 401 – 600
Materials: stone
Culture: sasanian
Location: iran or mesopotamia
Blad 160 uit Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel II (1930-1949)
Object type: album leaf
Materials: paper, photographic support
Techniques: photography, printing, writing
Location: the hague
Artist: Anonymous
Subjects: further education (+ pupil), further education, the hague

Twee pagina's met gegevens van een deelnemer aan een cursus, stamboeknummer 1257. Doordat de datumaanduiding in de eerste kolom ontbreekt is niet duidelijk om welke cursus het gaat. Gelet op de doorlopende stamboeknummers betreft het naar alle waarschijnlijkheid een cursist van het laatste schooljaar 1949. De Koloniale School sloot op 29 december 1949, na de soevereiniteitsoverdracht aan Indonesië, voorgoed haar poorten. Onderdeel van Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel II (1930-1949).
Bronze statuette of a ram
Object type: statuette of a ram
Date: 1 – 200
Materials: bronze
Culture: roman
Subjects: rams

Represented lying down, with head raised and fore feet bent inward.
Beads, 9
Object type: bead, 9
Date: 670 – 330
Materials: glass
Culture: roman

Nine beads, most with multi-colored spots.
Preparing and Cooking Cakes, Tomb of Rekhmire
Object type: facsimile, rekhmire tt 100, baker
Date: 1504 – 1425
Materials: ink, paint, paper
Location: egypt
Artist: nina de garis davies
Artist role: artist
Artist dates: 1881 – 1965
Subjects: food,men,cooking
Kindertekening met notities
Object type: drawing
Date: 1855 – 1860
Materials: ink, paper
Techniques: pen
Location: netherlands
Artist: joannes carolus alberdingk thijm (jan)
Artist role: pater, schrijver
Artist dates: 1847 – 1926
Subjects: head-gear
Vastenavond vreugdekrans en toneelstuk, 1720
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: most important deeds: marsyas and the flute, little people, shrove thursday, 'jeudi gras'

Vastenavond vreugdekrans en toneelstuk. Centrale voorstelling waarin Cupido Pan (of Marsyas) de fluit leert bespelen, op de achtergrond een naakte nimf. Hier dient de voorstelling geïnterpreteerd te worden als John Law die zijn masker heeft afgedaan en als de god van de windhandel door de goede geest wordt aangeraden van de windhandel af te zien. De nimf moet dan mevrouw Law voorstellen. In een apart gedrukte omlijsting met kleine mensen, muziekinstrumenten en etenswaren die verwijzen naar Vastenavond. Met verschillende versjes. Prent (uitgeknipt en ingeplakt) in de gebonden eerste uitgave (304 B 11) van Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Strand van Domburg
Object type: print
Date: 1912 – 1912
Materials: paper
Techniques: drypoint
Location: paris
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: beach
Inscriptions: collector's mark: Lugt 5i, collector's mark: Lugt 2760, collector's mark: Lugt 2228
Model of a Dredger
Object type: ship model
Date: 1800 – 1800
Materials: wood, brass, fiber
Location: netherlands
Artist: Anonymous

Dutch rivers and harbours constantly silt up as a result of sand carried in the water building up on the riverbed or harbour floor. Regular dredging is required to prevent waterways from becoming too shallow. Around 1800 much of this dredging was done by horse-driven mills. These ‘horse mills’ drove a chain with dippers that scooped up the mud and silt. On the front deck of this model are the stalls for the horses.
Cup
Object type: cup
Date: 801 – 1000
Materials: earthenware
Location: iran

This ceramic cup was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Koning Uzziah geteisterd door melaatsheid
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: engraving
Location: london
Subjects: story of uzziah (azariah), son of amaziah, king of judah (2 kings 15:1-7; 2 chronicles 26), chief rabbi, leprosy
Inscriptions: collector's mark: Lugt 240
Timmerliedengilde van Amsterdam, gildepenning van Tomas Cloppenburg
Object type: medal
Date: 1749 – 1808
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam
Gong
Object type: gong
Date: 1867 – 1900
Materials: metal, skin, wood
Culture: burmese
Location: myanmar
Subjects: human figures
Piece
Object type: piece
Date: 1501 – 1600
Materials: hemp, silk
Subjects: leaves
Ex libris van J.G. de Groot Jamin
Object type: bookplate
Date: 1852 – 1894
Materials: paper
Techniques: printing block
Location: netherlands
Subjects: amsterdam, joannes gerardus de groot jamin jr., armorial bearing, heraldry, plants and herbs: ivy
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Night Rain in the Grove at Gion Shrine (Gion bayashi yau), from the series "Selected Eight Views (Mitate hakkei)"
Object type: print
Date: 1847 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Gezicht op de Gornergletsjer met de Breithorn
Object type: album leaf
Date: 1897 – 1897
Materials: paper
Techniques: photograph
Location: zurich
Artist: Anonymous
Subjects: glacier
Inscriptions: inscription: ‘Edit Schroeder & Cie. Zürich/ 1942. Glacier du Gorner et Breithorn.’, annotation: ‘1897’

Deze prent maakt deel uit van een album.
Sketches of Mythological Subjects
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: giovanni battista cipriani
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1785
Comitatus Hollandiae
Object type: print
Date: 1629 – 1635
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maps of separate countries or regions, holland
Inscriptions: collector's mark: Lugt 2228

Topografische kaart van de provincie Holland met bovenaan de Noordzee en het wapen van Holland. Linksboven een cartouche met het wapen van Amsterdam en een dedicatie (aan de regenten van Amsterdam). Linksonder een cartouche met de titel, en rechtsboven een met vissen versierde cartouche met daarin de Waddeneilanden. Rechtsonder de schaalverdeling.
Dress
Object type: dress
Date: 1797 – 1798
Materials: cotton
Culture: french
Plant met bloem
Object type: print
Date: 1892 – 1951
Materials: paper
Techniques: linocut
Artist: janus de winter
Artist role: print maker
Artist dates: 1882 – 1951
Subjects: flowers, plants and herbs: cactus
Inscriptions: inscription: ‘No 12’, collector's mark: Lugt 2228
Study of Three Fritillaries
Object type: drawing
Date: 1683 – 1683
Materials: watercolor
Artist: herman saftleven
Artist role: artist
Artist nationality: dutch
Artist dates: 1609 – 1685
Subjects: flowers

This delicate rendering of three fritillaries is one of twenty-seven known drawings of flowers and plants that Saftleven created towards the end of his life. Agneta Block (1629-1704), a niece by marriage of the Dutch poet Joost van den Vondel, commissioned Saftleven as well as a number of other artists to make drawings of the enormous collection of plants and flowers in her countryhouse on the river Vecht called Vijverhof. They were stored in several albums and the known drawings make up only a fraction of the original group. She inscribed the plant's Latin name on the verso of each drawing and on this sheet the inscription "Fritillaria rara specii variae" can be seen through the backing. The Met has four drawings by Saftleven including another drawing of flowers (2008.46) which dates to three years earlier and does not display the shadows that these do.
Basketry Inrō
Object type: inrō
Date: 1601 – 1700
Materials: bamboo, lacquer, rattan, wood
Techniques: urushi
Culture: japanese
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, hair, chin, neck, and upper torso, with right hand on hip, of youth with himation
Pier glass
Object type: pier glass
Date: 1701 – 1800
Materials: wood
Techniques: painting
Kachelplaat met de wapenschilden van Joost, graaf van Bronckhorst, heer van Borculo en Maria, gravin van Hoya
Object type: stove plate
Materials: iron
Techniques: casting
Location: germany
Artist: Anonymous

Kachelplaat van gietijzer, verdeeld in twee zones. In de bovenste zone zijn twee wapenschilden. Links die van Joost, graaf van Bronckhorst, heer van Borculo (1503-1553). Rechts het familiewapen van Maria van Hoya, gravin van Bronckhorst, vrouwe van Borculo (1508-1579). In de onderste zone drie vrouwelijke heiligen op een console. Links Catharina, in het midden Maria met kind en rechts Barbara. Daarboven een symmetrisch ornament van bladeren. Het geheel is omlijst met een dubbel geprofileerde rand.
Model of Cable Stopper
Object type: demonstration model
Date: 1830 – 1870
Materials: brass, iron, fiber, wood
Location: netherlands
Artist: Anonymous

Model van een onbekend apparaat, waarin een staalkabel tussen een rij van drie en een rij van twee schijven wordt geklemd. De rijen van schijven worden door middel van een kruk tegen elkaar gedrukt. De kabel heeft een hart van hennep en aan een kant een klein handvat om aan te trekken.
Bottle
Object type: glass
Date: 1867 – 1875
Materials: glass
Location: glassboro
Artist: whitney brothers glass works
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: the hague, philip zilcken, painting (including book-illumination, miniature-painting), printed matter
Inscriptions: collector's mark: ‘RPK’
Portret van een onbekende peuter met hoed en strandbal
Object type: photograph
Date: 1900 – 1930
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: toddler, historical persons
Silhouetportretten van Adolph Werner van Pallandt tot Zuthem en Hendrik Danielsz. Hooft
Object type: print
Date: 1750 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: amsterdam, mayor, hendrik danielsz. hooft, mayor, burgomaster, historical persons
Inscriptions: collector's mark: Lugt 2233
Portret van Samuel, Freiherr von Cocceji
Object type: print
Date: 1752 – 1793
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: berlin, historical persons, book, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, number: ‘706’
Jakobus de Mindere
Object type: print
Date: 1545 – 1545
Materials: paper
Techniques: engraving
Location: frankfurt am main
Artist: hans sebald beham
Artist role: designer, draughtsman, print maker
Artist dates: 1500 – 1550
Subjects: the apostle james the less, first bishop of jerusalem; possible attributes: book, fuller's club, scroll
Inscriptions: collector's mark: ‘Hinloopen’ Lugt 11
Bandmaster, from the Occupations of Women series (N502) for Frishmuth's Tobacco Company
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: frishmuth's tobacco company
Artist role: publisher
Artist nationality: american
Subjects: women,musicians,furniture

The "Occupations of Women" series of trading cards (N502) was issued by Frishmuth's Tobacco Company in 1889 to promote the company's tobacco products. This series uses similar images to Goodwin Tobacco's 1887 series "Occupations for Women" (N166).
Table
Object type: table
Date: 1860 – 1860
Materials: marble, wood
Culture: american
Location: united states

Although the maker of this table is unknown, it was probably produced in New York after a design by the British architect Augustus Welby Northmore Pugin, published in his book Gothic Furniture (London, 1835). Just as the Gothic Revival library was enlivened by the contrasting colors of various types of wood, this table features an extraordinary specimen marble top composed of brightly colored pieces of marble and other minerals. The tabletop is supported by architecturally inspired flying buttresses extending from the central post, an excellent example of how Gothic Revival furniture employed features reserved for use in buildings during the Gothic period (12th–15th century).
Portret van Johann Friedrich Röhr
Object type: print
Date: 1811 – 1863
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: knighthood order, historical persons
Inscriptions: collector's mark: Lugt 2228
Stoof van notenhout, versierd met zwarte stippen
Object type: miniature
Date: 1676 – 1676
Materials: wood
Location: amsterdam
Artist: Anonymous

Stoof van notenhout, vierkant, versierd met zwarte stippen. In de voetenplank zijn vijf gaten aangebracht.
Schotel
Object type: platter
Date: 1777 – 1790
Materials: porcelain
Techniques: painted
Location: the hague

Schotel, onderdeel van theeservies. Op de rand een blauwe band met rocaille ornament. Het hoofdmotief bestaat uit een bloemboeket omgeven door strooibloemen. Gemerkt met een ooievaar in bovenglazuurblauw. N.B. Doorniks zacht porselein beschilderd te Den Haag.
Aanslag van Jean de Jauregui op prins Willem I, 18 maart 1582
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: engraving, etching, roulette
Location: amsterdam
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: charlotte of bourbon, william i (prince of orange), the hague, maurice (prince of orange), recovery, convalescence of sick person, antwerp
Inscriptions: inscription: ‘onafgewerkte proef van [...] 12 Aug 1833 / JW Kaiser’, collector's mark: Lugt 2228

Aanslag van Jean de Jauregui op prins Willem I, 18 maart 1582 te Antwerpen. Interieur met de prins die gewond in een stoel zit, met familie en anderen om zich heen. Links op de vloer ligt het lichaam van de gedode Jean de Jauregui. Maurits vraagt de soldaten hem te onderzoeken.
Staande vrouwen, een zadel en mannenhoofden
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: chalk, paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: head (human), adult woman, adult man, standing figure - aa - female human figure, saddle

Pagina 12 uit een schetsboek met 29 bladen.