deem-data/ArtiFact huggingface dataset:
Portret van Karel II van Oostenrijk
Object type: print
Date: 1600 – 1604
Materials: paper
Techniques: engraving
Location: augsburg
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Subjects: vienna, karel ii (aartshertog van binnen-oostenrijk)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: D. Custos en M. Henning. Atrium heroicum Caesarum, regum aliorq. summatum ac procerum qui intra proximum seculum vixere, aut hodie supersunt, imaginib. Deel 1-4. Augsburg: D. Custos, 1600-1604.
Gezicht op het Schepenhuis in Mechelen
Object type: stereograph
Date: 1866 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: mechelen
Artist: jules hippolyte quéval
Artist role: publisher
Artist dates: 1824 – 
Subjects: square, place, circus, etc., urban housing
Inscriptions: number: ‘No 1637’
Ontwerp voor een apothekersetiket voor levertraanemulsie
Object type: drawing
Date: 1884 – 1952
Materials: paper, pencil
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: fishes

Ontwerp met een vis en de woorden 'levertraan' en 'emulsie'.
Offer van Isaak
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Subjects: when abraham has his hand raised to kill isaac, god or the hand of god restrains abraham's hand
Inscriptions: collector's mark: Lugt 2228

Abraham staat op het punt om zijn zoon Isaak te offeren. Een engel houdt hem tegen.
Hanging
Object type: hanging
Date: 1701 – 1800
Materials: cotton
Location: india
Subjects: birds,flowers

A technique called kalamkari was used in the production of this hanging fabric. In this multi-step process, each color is applied with a stylus or by using wax resists before the entire cloth is submerged in a dye bath. Although most of the decoration was printed in a less labor-intensive method, accents were created using this distinctly Indian process. The naturalistic but controlled treatment of the plants and animals seen here was typical of works created for the European market.
Vuursteenpistool
Object type: flintlock pistol
Date: 1720 – 1720
Materials: brass, iron
Techniques: printing, casting, metalworking, cutting, embroidery, engraving, gilding, inlay, relief, striking
Location: maastricht
Artist: mattis beckers
Artist role: geweermaker, pistoolmaker
Inscriptions: mark: ‘T’, signature: ‘BECKERS'A'MASTRICH’

Tentoongesteld in: Stedelijk Museum De Lakenhal, Leiden, juli-sept 1978.
Dood van Jozef
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: joseph's death
Inscriptions: collector's mark: Lugt 240
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: copper, silver alloy
Culture: japanese
Location: japan
Subjects: men
Melkkan van aardewerk, Neale & Palmer Black Basalt
Object type: ewer
Date: 1790 – 1825
Materials: earthenware
Location: hanley

Bekervormige melkkan van aardewerk, Black Basalt. De kan heeft een brede lip en een C-vormig oor. De onderste helft van de kan is geribd. Langs de bovenrand loopt een zilverkleurige bladrank.
Mask
Object type: mask
Date: 1801 – 1900
Materials: wood
Culture: romkun
Location: papua new guinea
Wall hanging fragment
Object type: wall hanging
Date: 1701 – 1725
Materials: leather
Techniques: embossing, gilding, polychrome
Artist: daniel marot the elder
Artist role: artist
Artist nationality: french
Artist dates: 1661 – 1752

See 34.94.2 for another piece of same wall hanging, derived from a popular textile design by Daniel Marot from ca. 1712. Marot, court architect to William III, greatly influenced the decorative arts in the Netherlands at this time; his publication from 1702–1715 of several series of ornamental designs contributed to the popularization of the Louis XIV style in the Netherlands.
Notities over de prentmaker Hans Sebald Beham
Object type: sketchbook leaf
Date: 1822 – 1880
Materials: paper, pencil
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880
Inscriptions: annotation: ‘bij Hans Sebald Beham te vinden/ boeren en boerinnen 1530 40/ 1519 tot 40 ook leger wagens/ costumes van militairen en canonnen.’

Blad 25 verso uit een schetsboek met 45 bladen.
Shooting
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: hunting dogs, bird hunting, cottage
Inscriptions: date

Naar een schilderij van George Stubbs in The Yale Center for British Art.
Dish with Saint Roche
Object type: dish
Date: 1535 – 1550
Techniques: maiolica, glazing
Subjects: saints
Design for Vase
Object type: drawing
Date: 1760 – 1775
Materials: chalk
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Visser met laarzen en een visnet
Object type: drawing
Date: 1649 – 1649
Materials: chalk, ink, paper
Techniques: brush
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Inscriptions: annotation: ‘Harma[n] ter Borch. inventor de[n]. 15.Meij 1649’

Visser met lange laarzen en een visnet aan een stok over zijn schouder.
Gezicht op de Jedoutenstraße te Braunschweig
Object type: page
Date: 1893 – 1893
Materials: paper
Techniques: photograph
Location: braunschweig
Subjects: façade (of house or building), street
Inscriptions: number: ‘No. 62.’
Small saucer
Object type: dish saucer
Date: 3100 – 2650
Materials: pottery
Location: egypt
Portrait of Princes Maurits (1567-1625) and Frederik Hendrik (1584-1647)
Object type: drawing
Date: 1615 – 1625
Materials: glass, oil, paper, wood
Artist: adriaen pietersz van de venne
Artist role: draughtsman, painter, print maker
Artist dates: 1589 – 1662
Subjects: frederick henry (prince of orange), maurice (prince of orange), historical persons

Portretten van de prinsen Maurits (1567-1625) en Frederik Hendrik (1584-1647), ten halven lijve, onvoltooid werk.
Oscar R. Houghton
Object type: photomechanical print
Date: 1869 – 1869
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Masker met hoorns
Object type: ornament print
Date: 1626 – 1676
Materials: paper
Techniques: etching
Location: paris
Subjects: mask, mascaron ~ ornament

Mannelijk masker met hoorns met guirlande en baard.
Bookcase (one of a pair)
Object type: bookcase
Date: 1715 – 1715
Materials: iron, linen, metal, wood, silk
Artist: niccolo michetti
Artist role: designer
Artist nationality: italian
Artist dates: 1759 – 1759
El valiente costeño (The Brave Man from the Coast)
Object type: print
Materials: paper
Techniques: relief print
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Man steekt vuurwerk af
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Subjects: handicrafts, craftsman at work, bonfire, fire-works
Inscriptions: stamp, collector's mark: Lugt 1641a, collector's mark: Lugt 1641

Prent uit: Smidt, Gilles de. Den wegh der devghden, voor de beghinnende, voort-gaende, ende volmaeckte ghemaeckt. Antwerpen: Michiel Cnobbaert, 1667, p. 109.
Uniform van Engelse huzaar
Object type: drawing
Date: 1795 – 1796
Materials: paper
Techniques: writing
Location: amsterdam
Artist: s.g. casten
Artist role: draughtsman
Subjects: (military) uniforms (+ cavalry, horsemen), patriots (1780-1795)

Het uniform van een Engelse huzaar, ca. 1788-1795. Onderdeel van het derde hoofdstuk over de nieuwe uniformen in de periode na het herstel van de prins van Oranje en de komst van de Pruisische troepen in Holland in 1787. In het schetsboek met gekleurde tekeningen van de uniformen van militairen en leden van de schutterij uit de periode 1770 tot 1795-1796.
Façade van het Ca' d'Oro te Venetië, Italië
Object type: photograph
Date: 1852 – 1893
Materials: cardboard, paper
Techniques: albumen print
Location: venice
Artist: carlo ponti
Artist role: fotograaf
Artist dates: 1820 – 1893
Subjects: canal, palace, venice
Inscriptions: collector's mark: ‘RIJKS SCHOOL VOOR KUNSTNIJVERHEID/ GROEP’, inscription: ‘Venetie’, inscription: ‘Ponti (t)’, inscription: ‘Stijlk pl 8’, inscription: ‘Casa d'oro’, number: ‘I’
Cow
Object type: crèche figure
Date: 1701 – 1800
Materials: terracotta
Techniques: polychrome
Subjects: cows
Portret van Cornelis Kruseman
Object type: print
Date: 1829 – 1853
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: adrianus johannes ehnle
Artist role: draughtsman, print maker
Artist dates: 1819 – 1863
Subjects: amsterdam, painter, print maker, cornelis kruseman, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een ordeteken op de revers van zijn jas en om zijn hals. Onder het portret zijn signatuur.
Spa, vue générale
Object type: stereograph
Date: 1866 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: spa
Artist: jules hippolyte quéval
Artist role: publisher
Artist dates: 1824 – 
Subjects: village
Inscriptions: number: ‘No 1776’
Fotoreproductie van een tekening van twee vechtende mannen, vermoedelijk Frithjof en Angantuur
Object type: page
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Subjects: fighting

Scene uit de Frithiof's Saga door Esaias Tegnér.
Bottle vase with floral scrolls
Object type: bottle vase
Date: 1701 – 1733
Materials: cobalt, soft paste porcelain
Techniques: painting, underglaze
Culture: chinese
Portret van een vrouw
Object type: photograph
Date: 1860 – 1865
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: deventer
Artist: j. korsten
Artist role: fotograaf
Artist dates: 1841 – 1878
Inscriptions: address: ‘J. Korsten/Kunstschilder/en/photographe/Middelburg’

Jonge vrouw in een japon versierd met driehoeken, staand achter een stoel, steunend op de rugleuning
Blad 101 uit Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel I (1921-1929)
Object type: photograph
Materials: paper, photographic support
Techniques: photography, printing, writing
Location: the hague
Artist: Anonymous
Subjects: further education (+ pupil), further education, the hague

Twee pagina's met gegevens van de deelnemers aan de 24e driemaandelijkse cursus van 15 april tot en met 12 juli 1929, stamboeknummers 479 tot en met 483. Onderdeel van Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel I (1921-1929).
6 Prentbriefkaarten. Watertochtjes met de Carsjens-Booten naar de Hollandsche Meren / 6 Pictorial Postcards of the Dutch Lake District
Object type: album
Date: 1906 – 1915
Materials: cardboard, paper
Techniques: photograph, letterpress printing, stapling
Location: amsterdam
Artist: Anonymous
Subjects: recreation, lake, traffic on the water, netherlands

Album met zes prentbriefkaarten met voorstellingen op of bij Nederlandse meren. De kaarten dienen als reclame voor Carsjens, een stoombootmaatschappij waarmee men boottochtjes maakte. Op het achterblad staat een routekaart. De prentbriefkaarten kunnen eruit gescheurd worden.
Evening overdress
Object type: evening overdress
Date: 1797 – 1799
Materials: linen, silk
Culture: british

This lovely overdress indicates the fine craftsmanship and textiles used at the end of the 18th century to coordinate with the exaggerated fashions of the high waist, large headdresses and skimpy silhouettes. The Empire silhouette is readily identified with its origins in the chiton of ancient Greco-Romans, which was a tubular garment draped from the shoulders and sometimes belted beneath the bust. Several re-interpretations have occurred throughout costume history but none have been as notable as the period bridging the rectangular panierred skirts of the 18th century and the conical hoop skirts of the 19th century. The neoclassic style was adopted in all forms of decoration after the French Revolution and was upheld during the Napoleonic Wars partly due to Napoleon Bonaparte's (1769-1821) alliance with Greco-Roman principles. In fashion, the style began as children's wear made from fine white cotton, but was adopted by women in the form of a tubular dress with skirts that were gathered under the bust with some fullness over a pad at the back. As the style progressed the skirts began to flatten at the front and solely gather from the bodice at the center back. The style persisted until the 1820s when the waist slowly lowered and the skirts became more bell shaped.
Gezicht op de boog van Constantijn
Object type: print
Date: 1650 – 1695
Materials: paper
Techniques: etching
Location: paris
Subjects: triumphal arch, arch of constantine
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn. De uitgevers vader en zoon Nicolas Langlois worden allebei vermeld als N. Langlois op hetzelfde adres.
Jar, Fat Figure
Object type: bottle
Date: 201 – 600
Materials: ceramic, pigment
Culture: moche
Location: peru
Subjects: human figures
Entombment of Christ
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: brush, wash
Location: italy
Artist: Anonymous
Artist nationality: Lombard
Band
Object type: band
Date: 1801 – 1833
Materials: linen, silk
Techniques: embroidery
Location: india
Subjects: birds,men,women
Tronsberg
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: etching
Location: london
Subjects: animal traction, animal-drawn vehicle (carriage etc.), landscape with tower or castle, mountains
Inscriptions: collector's mark: Lugt 2228

Andere staat gebruikt in: Ritchie, Leitch. Heath's Picturesque Annual. Travelling Sketches in the North of Italy, the Tyrol, and on the Rhine. Londen: Longman, Rees, Orme, Brown & Green, 1832.
Briefkaart aan August Allebé
Object type: postcard
Date: 1890 – 1890
Materials: cardboard, ink
Techniques: pen, writing
Location: brussels
Artist: johannes hubertus leonardus de haas
Artist role: draughtsman, painter
Artist dates: 1832 – 1908
Subjects: amsterdam, print maker, draughtsman, august allebé
Substitutes for Bread
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Madame de Grignan
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: engraving
Location: france
Subjects: paris, marseille, historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
Watch
Object type: watch
Date: 1643 – 1643
Materials: gilt, metal, quartz, silver
Artist: johan georg reinhold
Artist role: maker
Artist nationality: german
Artist dates: 1610 – 1673
Subjects: castles,men
Twee afbeeldingen van kapitelen van de San Marco in Venetië
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: photograph
Location: venice
Subjects: capital (~ column, pillar) (+ styles in art ~ ancient historical period), church (exterior)
Inscriptions: number: ‘L.5’, number: ‘232’, number: ‘L 5’, number: ‘L.6’, number: ‘L.6.’

Deze prenten maken deel uit van een omslag met 79 prenten op 53 bladen en 2 tekstbladen.
Drie kinderen bij een voordeur
Object type: book illustration
Date: 1883 – 1927
Materials: paper
Techniques: wood engraving, letterpress printing
Location: london
Subjects: housing, child (+ three persons), closed door

Prent uit: Jane en Ann Taylor. Little Ann and other poems. Londen: George Routledge & Sons, [1883], p. 58. Of een latere uitgave.
Zoeterwoude. H. R. R. K. Kerk
Object type: photograph
Date: 1900 – 1930
Materials: photographic support
Techniques: photography, writing
Location: leiderdorp
Artist: Anonymous
Subjects: city-view in general; 'veduta', church (exterior) - qq - small church, chapel
Inscriptions: postage stamp
Twee jongens ontmoeten elkaar
Object type: book illustration
Date: 1807 – 1855
Materials: paper
Techniques: etching
Location: amsterdam
Artist: johannes alexander rudolf best
Artist role: print maker
Artist dates: 1797 – 1855
Subjects: youth, adolescent
Inscriptions: collector's mark: Lugt 2228, inscription: ‘bl. 52.’

Prent gebruikt als boekillustratie in onbekende uitgave, illustratie bij tekst op p. 52.
HB Sketches
Object type: cartoon
Date: 1844 – 1844
Materials: paper
Techniques: tone lithography
Location: london
Subjects: king cyrus visits the lion's den and finds daniel alive, political caricatures and satires
Inscriptions: stamp: ‘HB Subscribers Copy’

Spotprent uit 1844 met Daniel O'Connell in de leeuwenkuil. Uitgegeven als nr. 820 in de serie HB Sketches.
Landschap met een weg langs een sloot
Object type: drawing
Date: 1864 – 1936
Materials: chalk, paper
Techniques: brush
Artist: jan van essen
Artist role: draughtsman, print maker
Artist dates: 1854 – 1936
Gedicht 'Bedenckinghe Op de daet van Scipio'
Object type: print
Date: 1600 – 1650
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: calligraphy
Inscriptions: collector's mark: Lugt 2228

Gekalligrafeerde tekst: Bedenckinghe Op de daet van Scipio (...). In vier stanza's.
De pennelikkers
Object type: drawing
Date: 1885 – 1885
Materials: ink, paper
Techniques: pen
Artist: pieter de josselin de jong
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1906
Subjects: handwriting, writing as activity, official; civil servant; functionary (in general)
Seal
Object type: seal
Date: 1867 – 1933
Materials: gemstone
Culture: chinese
Portret van Jean Reboul
Object type: print
Date: 1829 – 1839
Materials: paper
Techniques: lithograph
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van onbekende militair
Object type: print
Date: 1822 – 1874
Materials: paper
Techniques: lithograph
Location: dordrecht
Artist: christian heinrich gottlieb steuerwald
Artist role: draughtsman, print maker
Artist dates: 1802 – 1874
Subjects: anonymous historical person portrayed
Inscriptions: collector's mark: Lugt 2228, inscription: ‘4a / 10-9-'75’
Jar with floral decorations and musicians
Object type: jar
Date: 567 – 600
Materials: ceramic glaze, glaze, stoneware
Culture: chinese

The use of applied decoration reflects an awareness of Central Asian traditions, which were particularly important in China from the sixth to the eight century.
Love's Strategem (Valentine)
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: embossing, hand coloring, lithograph
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Spuller
Object type: photomechanical print
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Artist: étienne carjat
Artist role: draughtsman
Artist dates: 1828 – 1906
Subjects: politician, adult man, historical persons
Inscriptions: inscription: ‘Galerie Contemporaine, 126, boulevard Magenta. - Paris./ Né le 8 décembre 1835 à Leurre (Côte-d'Or).’
Kom, wit, beschilderd in blauw
Object type: miniature
Date: 1675 – 1699
Materials: glass
Location: haarlem
Artist: Anonymous

Kom van melkglas met blauwe emailverf beschilderd. Imitatie chinees blauw porselein.
Greek Waltz, from National Dances (N225, Type 1) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,dancing,dancers

Trade cards from the series "National Dances" (N225), issued in 1889 to promote Kinney Brothers Cigarettes for Kinney Tobacco Company. There were two card variations issued within the series. Type 1 cards display a white border around the edges whereas Type 2 have no border.
Gezicht op de Koraku-en tuinen in Okayama, Japan
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: okayama
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: garden, pond
Inscriptions: inscription: ‘Plate XXXV.’
Portret van Jean Sifrein Maury
Object type: print
Date: 1800 – 1850
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: ornament ~ medallion, cardinal, historical persons
Inscriptions: signature: ‘Smingert[?]’
Mountain Landscape
Object type: screen
Materials: ink, panel, paper
Culture: japanese
Artist: tenshō shūbun
Artist role: artist
Artist nationality: japanese
Artist dates: 1414 – 1463
Subjects: mountains,landscapes,trees

In late medieval Kyoto, cultural elites in the circle of the Ashikaga shoguns were especially interested in Chinese ink paintings. They voraciously collected works by Chinese masters and commissioned Japanese painters to create works in the style of their Chinese forebears. The compositions that make up this pair of screens are inspired by the Southern Song Chinese court painter Xia Gui (active ca. 1195–1230), whose works were highly prized in medieval Japan. Rock forms described with thick contour lines, textured by “axe-cut” brushstrokes and accented with “moss dots,” as well as paired foreground trees were immediately recognizable to the Japanese audience as elements of Xia Gui–style painting. Although later inscriptions by the painter Kano Yasunobu (1614–1685) name the original artist as the Kyoto painter Tenshō Shūbun, the paintings were not actually created as a pair. Rather, they are a later combination of two separate works, both by artists active shortly after Shūbun.
Van den Coninck Josias
Object type: print
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: all the pagan shrines over the entire kingdom are desecrated and destroyed ~ story of josiah
Inscriptions: number: ‘220’

Koning Josia laat de tempels ter ere van de heidense goden Astarte, Kemos en Milkom verwoesten en alle beelden van de afgoden in stukken slaan. Twee mannen zijn bezig om een groot standbeeld van zijn sokkel te trekken. Andere mannen slaan met hamers de tempel aan stukken. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in 2 Kon. 23:14. Deze prent maakt deel uit van een album.
Sophie Vermeulen bij een put op de Löwenburg
Object type: album leaf
Date: 1895 – 1905
Materials: paper
Techniques: collodion silver print
Location: löwenburg
Artist: david vermeulen
Artist role: fotograaf
Subjects: well, girl (child between toddler and youth)
Design for a Covered Vase
Object type: drawing
Date: 1701 – 1800
Materials: chalk
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: vases
Man met een paard en twee honden bij een park
Object type: drawing
Date: 1637 – 1690
Materials: ink, paper
Techniques: brush, pen
Artist: hendrik verschuring
Artist role: draughtsman, print maker
Artist dates: 1627 – 1690
Subjects: leading a horse by the reins; rider beside his horse, dog
Ewer
Object type: ewer
Date: 1701 – 1733
Materials: hard paste porcelain, silver
Subjects: flowers
Mr. Prudhomme vouant son fils au... nouveau dieu..., from "Actualitès"
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: boys,men
Tripod incense burner
Object type: incense burner
Date: 701 – 800
Materials: earthenware, glaze
Culture: chinese
Intaglio with head of Serapis (?)
Object type: intaglio, serapis
Date: 332 – 330
Materials: gemstone
Location: egypt
Subjects: men
Vrouw bij spinnewiel
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: autotype
Artist: john william anckorn
Artist role: fotograaf
Subjects: spinning-wheel
Toegang naar de Salon de la Paix in het Palais des Tuileries te Parijs
Object type: stereograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: tuileries palace
Artist: Anonymous
Subjects: drawing-room, 'salon', interior ~ representation of a building, tuileries palace
Inscriptions: number: ‘4’
Portret van Gerard Seghers
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, painter, print maker, gerard seghers, historical persons, portrait, self-portrait of artist

Prent mogelijk uit: Images de divers hommes d'esprit sublime. Antwerpen: Joannes Meyssens, 1649. Prent met tekst in boekdruk later ook gebruikt in: Bie, Cornelis de. Het gulden Cabinet vande edel vry schilder const (...). Antwerpen: Joannes Meyssens, 1661.