deem-data/ArtiFact huggingface dataset:
Avarice (Avaritia), from "The Seven Deadly Sins"
Object type: print
Date: 1558 – 1558
Techniques: engraving
Artist: pieter van der heyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1525 – 1569
Subjects: men,women,frogs,coins

Representing the vice of greed, this image belongs to a series of prints of the Seven Deadly Sins, engraved by Pieter van der Heyden after drawings by Pieter Bruegel the Elder. The personification of greed, a fashionably dressed woman, sits in the central foreground blithely gathering coins in her lap, while a poisonous toad lurks directly in front of her. The various examples of greedy behavior and its unfortunate consequences, in evidence in the surrounding landscape, effectively demonstrate the message of the inscription below: "Scraping Avarice sees neither honor nor courtesy, shame nor divine admonition." Each of the seven prints follows a similar compositional scheme, with the personification of the vice accompanied by a symbolic animal in the foreground. Bruegel also adopted a common setting and "look" for the series by depicting each scene in the style of Hieronymus Bosch, to whom Bruegel was often compared. Greed features an assortment of fantastic creatures and a disjointed arrangement of hybrid architectural structures reminiscent of Bosch's work. This reminiscent style, employed consciously by Bruegel, contrasts sharply with the way he depicted the Seven Virtues, a series of prints executed in the following years—all of them set in an accurate version of Bruegel's contemporary world.
Kind voor een staande vrouw
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: child, adult woman (+ standing)

Blad 22 verso uit schetsboek XXX met 32 bladen.
Terracotta oil lamp
Object type: lamp
Date: 50 – 100
Materials: terracotta
Culture: roman, cypriot
Subjects: shields,men,gladiators

Loeschcke Type 4. Mold-made. On discus, in high relief, a gladiator (hoplomachus), wearing a crested helmet, holding a round shield and short sword, advancing right; before him, a slender (training) post; ground line below; a single groove around edge of discus; plain, sloping, narrow shoulder. Volutes flanking slightly pointed nozzle. Incised base ring, and broad base. Broken, with most of base and underside missing, but discus and nozzle complete.
Appel au peuple
Object type: text sheet
Date: 1831 – 1831
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: koningskeuze in belgië
Inscriptions: collector's mark: Lugt 2228

Strooibiljet met tekst in het Frans aangaande de diplomatieke onderhandelingen over de keuze van een Belgische koning, februari 1831. De inhoud is ten gunste van het Huis van Oranje.
Zuidoost-Aziatische danseres van achteren gezien
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: asiatic races and peoples, woman dancing alone, female dancer
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt als illustratie: Haafner, Jacob Godfried. Reizen in eenen Palaquin of Lotgevallen en merkwaardige aanteekeningen op eene reize langs de kusten Orixa en Choromandel. Deel I. Amsterdam: Johannes Allart, 1808.
Lion Amulet, Perforated Lengthwise, Inscribed with the Name of Senwosret I and the Epithet "Beloved by the Souls [Ancient Rulers or Gods] of Heliopolis"
Object type: amulet, lion
Date: 1961 – 1917
Materials: gemstone
Location: egypt
Subjects: lions
Landschap met een figuur bij een dier
Object type: sketchbook leaf
Date: 1876 – 1879
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: landscapes (+ landscape with figures, staffage)

Blad 3 recto uit een schetsboek met 33 bladen.
Portret van Jacob Wilhelm Feuerlein
Object type: print
Date: 1737 – 1757
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Reclamebiljet voor: Karl Dönitz, Die Fahrten der 'Breslau' im Schwarzen Meer, 1917
Object type: print
Date: 1917 – 1917
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: steamship, motorship

Reclamebiljet ter promotie van: Dönitz, Karl. Die Fahrten der 'Breslau' im Schwarzen Meer. Berlijn: Ullstein, 1917. Deel 28 uit de serie 'Ullstein-Kriegsbücher'.
Fragment (Band)
Object type: textile
Techniques: slit, tapestry
Culture: nazca or wari
Location: peru
Saltcellar (one of a pair)
Object type: saltcellar
Date: 1785 – 1785
Materials: glass, metal
IIIe Station. Jésus tombe pour la première fois. Une colonne brisée et entendue a terre indique la place de cette station au lieu où la voie douloureuse tourne brusquement a gauche
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: louis de clercq
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1901
Subjects: architecture,buildings
Teapot
Object type: ceramic
Date: 1760 – 1770
Materials: earthenware
Techniques: glazing
Location: staffordshire
Youth Kissing an Outstretched Hand
Object type: drawing
Date: 1684 – 1764
Materials: chalk, paper
Techniques: highlighting
Artist: marco benefial
Artist role: artist
Artist nationality: italian
Artist dates: 1684 – 1764
Subjects: human figures,hands
L'Architecture la Décoration l'Ameublement
Object type: photograph
Date: 1873 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: liège
Subjects: bed, wall-covering
Inscriptions: number: ‘52’, stamp: ‘TEEKENSCHOOL/ VOOR/ KUNST-NIJVERHEID/ HAARLEM’, stamp: ‘AFGESCHREVEN/ [...]’, inscription: ‘Déposé’, inscription: ‘Eug. Prignot. inv.’

Deze foto maakt deel uit van een omslag met 61 foto's op 61 bladen.
Free Performance (Loge closest to the stage)
Object type: print
Date: 1830 – 1840
Techniques: lithograph
Artist: hippolyte bellangé
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1866
Subjects: performance,men,women,spectators
Design for Knife Handles with Terra and Aqua
Object type: print ornament architecture
Date: 1580 – 1600
Techniques: embroidery, engraving
Artist: johann theodor de bry
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1561 – 1623
Subjects: knives

Design for two knife handles with Terra personified as a female figure at left, holding a cornucopia at her left. At right, the personification of Aqua, pouring water from a jug at her left. Both figures are shown framed in arches, with blackwork candelabrum below.
Portret van Ignatius van Loyola
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: rome, clergyman, historical persons, the founder of the jesuit order, ignatius of loyola; possible attributes: book (with 'ad majorem dei gloriam'), demon, dragon under feet, flames, flaming heart, globe, ihs monogram, skull (with crown), tears in eyes, torch
Colinet's Journey: Milestone Marked 'LXII Miles to London', from Thornton's "Pastorals of Virgil"
Object type: print
Date: 1821 – 1821
Techniques: engraving
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: roads,men
Lambrekijn of strook van applicatie borduurwerk; satijn en koordzijde op fluweel
Object type: lambrequin
Date: 1550 – 1600
Materials: textile, silk, velvet
Techniques: embroidered
Location: italy

Lambrekijn of strook van applicatie-borduurwerk; satijn en koordzijde op fluweel. Op een wijnrood fond heeft het patroon gele, liggende S-ranken binnen een omlijsting van geel. Zijden damast is gebruikt voor de knooppunten, voor het hart van een palmetbloem, voor acanthusbladeren en voor de voluut beeindiging. De contouren en enkele hechtranken zijn van koordzijde in geel en groen. Bij de strook of lambrekijn hoort een tweede strook of lambrekijn.
Wine Cup
Object type: wine cup
Date: 1701 – 1800
Materials: jade
Culture: indian
Lago di Garda
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: salò
Artist: Anonymous
Subjects: rowing-boat, canoe, etc. (+ four persons or more ~ traffic and transport), lake, mountains
Portret van Ferdinand Maximiliaan van Baden-Baden
Object type: print
Date: 1638 – 1693
Materials: paper
Techniques: engraving, etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 1644, collector's mark: Lugt 2228
Portret van Anna-Gratia Asser
Object type: photograph
Date: 1854 – 1854
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: historical persons - bb - woman, netherlands
Kop van een oude man met baard
Object type: print
Date: 1872 – 1909
Materials: paper
Techniques: etching
Artist: eugène cosyns
Artist role: print maker
Artist dates: 1862 – 1909
Subjects: old man
Inscriptions: collector's mark: Lugt 2228
Jacht op stieren in een arena
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: etching
Location: vatican city
Subjects: bull, hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), hunt ~ mammals
Inscriptions: collector's mark: Lugt 2165

Deze prent maakt deel uit van een reeks van 45 jachtscènes (+ titelprent en opdracht).
Ornament with Owl Mocked by Day Birds
Object type: print
Date: 1474 – 1474
Materials: paper
Techniques: engraving
Location: germany
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Twee vrouwen en een hond in een landschap
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: paris
Subjects: adult woman (+ one person), training of dogs
Inscriptions: check stamp: Lugt 819, collector's mark: Lugt 2228, inscription: ‘K X Roussel / no 9’, collector's mark: Lugt 2760
Post-mortemportret van een onbekende bisschop gekleed in zijn staatsiegewaad
Object type: carte de visite
Date: 1856 – 1876
Materials: cardboard, paper
Techniques: albumen print
Location: leuven
Subjects: archbishop, bishop, etc. (roman catholic), louvain
Inscriptions: address: ‘rue de Bruxelles, 20/ LOUVAIN.’
Glass pendant shaped like a jar
Object type: pendant
Date: 201 – 400
Materials: glass
Culture: roman

Uncertain color, appearing opaque black; loop and base in same color; trail in opaque pale yellow. Squat globular body; flat pad base; thick circular suspension loop applied at top. Zigzag trail wound once round body. Intact, but chipped on pad base; dulling, pitting, and faint weathering. Brown opaque pendant with handle and yellow zigzag on side.
Jacques-Joseph Ebelman on his Deathbed
Object type: waxed paper negative
Techniques: paper negative
Artist: louis-rémy robert
Artist role: artist
Artist nationality: french
Artist dates: 1810 – 1882
Subjects: men,portraits

This paper negative, from the collection of Robert's descendants, shows Jacques-Joseph Ebelmen, director of the Sèvres porcelain factory, on his deathbed March 31, 1852. From its inception, photography was enlisted to record the faces of the deceased-it was, in effect, a new type of death mask. As the antipode to proper representation of the living world, the negative is particularly appropriate for a depiction of death. In it, Ebelmen's head-with pallid skin and white hair-rests on black pillows, and the slight solarization of the negative suggests a spiritual aura.
Portret van een man in uniform
Object type: photograph
Date: 1890 – 1898
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amersfoort
Artist: j.w. wentzel
Artist role: fotograaf
Artist dates: 1855 – 1930
Subjects: historical persons, (military) uniforms
Inscriptions: inscription: ‘J.W. Wentzel/ Amersfoort/ Langestraat F.12’
St. Lucasgilde van Amsterdam, gildepenning van Poulus Agaatse, schilder
Object type: medal
Date: 1714 – 1714
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: gevleugelde os houdt Lucasschild in zijn poten. Keerzijde: cartouche met opschrift onder doodshoofd en beenderen, en cartouche met jaartal, boven cartouche met letter S
Sauceboat with cover (part of a service)
Object type: sauceboat with cover
Date: 1770 – 1785
Materials: hard paste porcelain
Subjects: flowers
Brief aan Philip Zilcken
Object type: letter
Date: 1901 – 1901
Materials: ink, paper
Techniques: pen, printing, writing
Location: ghent
Artist: albert baertsoen
Artist role: draughtsman, print maker
Artist dates: 1866 – 1922
Subjects: painter, draughtsman, philip zilcken, sending and receiving postal matter, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: ‘RPK’
Plate Three, from Five Wise and Five Foolish Virgins
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan saenredam
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1607
Speelpenning met president Lodewijk Napoleon Bonaparte en koningin Victoria ca 1850
Object type: gaming counter
Date: 1848 – 1852
Materials: brass
Techniques: striking
Location: nuremberg
Artist: johann jakob lauer
Artist role: die cutter
Artist dates: 1788 – 1863

Verguld messing penning,op de voorzijde het portret van president Bonaparte naar links met omschrift, op de keerzijde het portret van koningin Victoria naar links met omschrift.
Plate 10 depicting the trades of Rome, here including vendors of medicine of an upset stomach, artichokes, tripe etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Object type: print
Date: 1770 – 1800
Techniques: engraving, hand coloring
Artist: remondini
Artist role: publisher
Artist nationality: italian
Artist dates: 1650 – 1860
Fragment
Object type: fragment
Date: 1401 – 1500
Materials: glass, paint, silver
Techniques: stain
Culture: french
Head of a Young Boy
Object type: painting
Date: 1763 – 1763
Materials: canvas, oil
Artist: jean-baptiste greuze
Artist role: artist
Artist nationality: french
Artist dates: 1725 – 1805
Subjects: boys,portraits

Greuze exhibited this character study of a young boy at the Salon of 1763, at which time it belonged to the celebrated drawings collector Pierre Jean Mariette. Relatively rough brushwork is used throughout—the individual strokes are not disguised. This is deliberate and typical of studies that Greuze made from models rather than his commissioned portraits.
Slag bij Oosterweel, 1567
Object type: print
Date: 1637 – 1637
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: brussels, battle (+ land forces), antwerp

De slag bij Austruweel (Oosterweel, ten noorden van Antwerpen) was het eerste treffen tussen de Spanjaarden onder Beauvoir en het Calvinistische leger (de geuzen) onder Jan van Marnix. De Spanjaarden behaalden de zege en Jan van Marnix sneuvelde in de slag. Kopie naar de prent van Baur (zie FMH 454A/1) in: F. Strada, De Bello Belgico Decas Prima Ab Excessu Caroli V Imp, Francisci Corbelletti, Rome 1632, p. 180.
Fotoreproductie van het schilderij Saint George door Rafaël
Object type: page
Date: 1861 – 1866
Materials: paper
Techniques: albumen print
Subjects: picture, painting, the warrior martyr george (georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword
Inscriptions: number: ‘532’
Croyant l'apercevoir, from 'Croquis Parisiens', published in "Le Charivari"
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women,beds
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, head of male of to left, with himation; Exterior, toes
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 21 (recto)
Object type: book print ornament architecture
Techniques: drawing, etching
Artist: pietro paulo tozzi
Artist role: designer
Artist nationality: italian
Artist dates: 1593 – 1628
Subjects: ornament

Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua. Design is composed of a central rectangle upon which calligraphic text is printed in black. Before the calligrapher's signature (last line of text) there is a twisting linear motif. Surrounding this middle section is a decorative border comprised of 2 levels of geometric and linear motifs.
La Fornarina
Object type: print
Date: 1814 – 1814
Techniques: engraving
Artist: raphael morghen
Artist role: artist
Artist nationality: italian
Artist dates: 1758 – 1833
Subjects: women
l'orage
Object type: page
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Subjects: landscapes (+ landscape with figures, staffage), storm on land
Inscriptions: inscription: ‘Galerie Contemporaine, Littéraire et Artistique.’
Bell-shaped covered cup with flowering plants in shaped panels
Object type: kop en schotel, kop en schotel
Date: 1760 – 1780
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Klokvormige kop van porselein, bedekt met een turquoise glazuur en berschilderd in blauw, rood, roze, groen, zwart en goud. Bedekt met een turquoise glazuur met hierin uitgespaard in het centrum een geschulpt medaillon met plant, daaromheen drie uitgespaarde cartouches met bloeiende planten en een vogel op een tak afgebeeld. Famille rose.
Boats at Anchor
Object type: drawing and watercolor
Materials: board, graphite, paper
Techniques: brush, wash
Location: netherlands
Artist: attributed to willem van de velde, ii
Artist nationality: dutch
Artist dates: 1633 – 1707
Cane handle
Object type: cane handle
Date: 1735 – 1745
Materials: soft paste porcelain
Artist: saint-cloud factory
Artist role: factory
Artist nationality: french
Artist dates: 1693 – 1766
Subjects: fish
Pluto riding a chariot descending into Hell, from "Division of the Universe"
Object type: print
Date: 1531 – 1576
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: mythology,horses,hell,chariots,pluto
Grizzly Bear, from Quadrupeds series (N41) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: bears

Large trade cards from the "Quadrupeds" series (N41), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N41 reproduces the cards from N21 in a larger size.
Kruispunt in Parijs
Object type: sketchbook leaf
Date: 1810 – 1891
Materials: chalk, paper
Location: paris
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: street lighting, street (+ city(-scape) with figures, staffage), paris

Gezicht op een boulevard met verkeer. Pagina 35 uit een schetsboek met 35 bladen.
Kroning van Maria met engelenscharen
Object type: print
Date: 1593 – 1600
Materials: paper
Techniques: engraving
Subjects: coronation of mary in heaven (usually the holy trinity present) (+ angel(s))
Inscriptions: collector's mark: Lugt 240

De kroning van Maria in de wolken. God de Vader en Christus houden de kroon boven haar hoofd. In het midden de Heilige Geest als duif. Rondom de Heilige drieënheid vliegende engelen.
Aristide Bruant, from Le Café-Concert
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Pickle Dish
Object type: pickle dish
Date: 1850 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: bakewell, pears and company
Artist role: maker
Artist nationality: american
Artist dates: 1836 – 1882
Christus aan het kruis
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: crucified christ, with particular persons under the cross

Prent uit: Sichem, Christoffel van (II). 'tSchat der zielen, dat is: Het geheele leven ons Heeren Iesu Christi. Amsterdam: Pieter Jacobsz. Paets, 1648.
Prent uit: Biblia sacra dat is De geheele Heylighe Schrifture bedeylt in 't Out en Nieu Testament. Amsterdam: Pieter Jacobsz. Paets, 1657.
King George III of England, 1800
Object type: penny
Date: 1800 – 1800
Materials: silver
Subjects: men,profiles
Sari
Object type: sari
Date: 1701 – 1900
Materials: silk
Location: india
Meditating Buddha Attended by Two Bodhisattvas
Object type: stele
Date: 601 – 800
Materials: marble
Culture: pakistani, swat valley
Subjects: swat valley,buddhism,bodhisattvas,buddha

The Buddha sits in a posture of meditation (dhyana mudra) with his head framed by a flaming halo. Both of the flanking bodhisattvas hold their right hands in the boon-giving varada mudra. The Buddha sits on a throne supported by two fragmentary lions similar to those found in metal images made for the Patola Shahi rulers of the kingdom of Gilgit. Two figures in the lower corners are likely the donors of this relief. Devotional images, such as this one, are most widely preserved as rock-cut reliefs on boulders along the highways of the Swat Valley in northern Pakistan.
Kalenderblad voor maart 1896
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
Subjects: snakes, ornaments ~ art, birds
Inscriptions: collector's mark: Lugt 2228

Een rechthoekig kader met de dagen van de maand maart en daaromheen een vogel en twee slangen.
Diane (Salon de 1882)
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Inscriptions: : ‘G’, stamp

Sculptuur door Falguière van de godin Diana met boog.
Acht taferelen met kunstenmakers
Object type: popular print
Date: 1689 – 1720
Materials: paper
Techniques: colour, engraving
Location: netherlands
Subjects: musician, violin, fiddle, acrobat ~ circus, ropery, rope-walk
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Blad met 8 voorstellingen van kunstenmakers, waaronder acrobaten en muzikanten. Onder elke afbeelding een tweeregelig vers.
Fragment of stamped velvet
Object type: fragment
Date: 1667 – 1800
Materials: silk
Subjects: flowers
Box
Object type: decorative art
Date: 1650 – 1700
Materials: wood
Location: massachusetts
Artist: Anonymous
Artist nationality: american
Artist dates: 17 – 18
Subjects: furniture
Inscriptions: Initials "MP" carved in center front

The most common object in a colonial home, a small, lidded rectangular storage box would have held personal articles, such as household items, writing implements, or a Bible. They were decorated simply, usually only on the front, with stylized plants or vegetation and geometric lines. The Art Institute's box is segmented by an upper band of intersecting lunettes with intervening foliate leaves and a lower border with repeating floral S-scrolls. The initials "M P," carved in the center of the box, are presumably those of the original owner (although his or her identity is unknown).
The Evening Bell of the Clock (Tokei no bansho), from the series "Eight Views of the Parlor (Zashiki hakkei)"
Object type: print
Date: 1766 – 1766
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Deventer, plak, 1509
Object type: coin
Date: 1509 – 1509
Materials: silver
Techniques: striking
Location: deventer

Zilveren munt. Voorzijde: eenkoppige adelaar, waaronder schuin geplaatst wapenschild van Oversticht. Keerzijde: lang gevoet kruis. Jaartal in omschrift.