deem-data/ArtiFact huggingface dataset:
Kakehashi Kisogawa Nakasendo
Object type: photograph
Date: 1870 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: japan
Artist: Anonymous
Subjects: river, river bank, ferry, travelling; tourism, boulder, stone, japan
Inscriptions: negative number: ‘1152’

Onderdeel van Fotoalbum met 50 foto's van bezienswaardigheden in Japan.
Portret van Hendrik Casimir II
Object type: print
Date: 1664 – 1690
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: hendrik casimir ii graaf van nassau-dietz
Inscriptions: collector's mark: Lugt 2228

Portret van Hendrik Casimir II, graaf van Nassau-Dietz en stadhouder van Friesland, Groningen en Drente.
Portret van François Andrieux
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Ganzenbord
Object type: gameboard
Date: 1831 – 1854
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: goose-game
Inscriptions: collector's mark, collector's mark: Lugt 1641

Ganzenbordspel met 63 vakjes. In het midden spelen een vader, moeder en drie kinderen aan een tafel het ganzenbordspel. Onder het spel de spelregels 1-12. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Spel en Vermaak; gezelschapsspel, ganzenbord en dergelijke.
Fontein van het Paleis van Monplaisir in Peterhof
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: peterhof
Artist: louis gothe
Artist role: fotograaf
Subjects: garden fountain
Inscriptions: number: ‘122.’, inscription: ‘Ansichten von St. Petersburg.’
Gezicht van het Singel op de Westertoren
Object type: drawing
Date: 1744 – 1786
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: dirk verrijk
Artist role: draughtsman
Artist dates: 1734 – 1786
Subjects: tower, clock tower ~ monumental adornment, city-view in general; 'veduta', river, windmill in landscape, bridge in city across river, canal, etc.
Inscriptions: collector's mark: ‘6’ Lugt 1641b, signature: ‘d.Verrijk del ad viv.’, inscription: ‘Gesigt buyte de Zaagmolen poort / te Amsterdam’, inscription: ‘Port. 6’

Onderwerpsrubriek binnen de Atlas Amsterdam: Buitensingel of wel: Gezichten langs en op de Stadsvest van Haarlemmerpoort tot Raampoort.
Vase
Object type: vase
Date: 1550 – 1600
Materials: glass
Techniques: engraving

In 1468 the first Habsburg Holy Roman Emperor, Frederick III, deliberately dropped a glass vase presented to him by the Venetian government, implying that its humble materials were unworthy of him. Mere decades later, Northern royalty courted Venetian glassmakers as they set up workshops in London, Kassel, and the Tyrol. Threatening Venice’s monopoly and divulging professional secrets, the Italian glassmakers faced exile from their homeland. The rich blue hue of this vase, probably made by Venetians supported by Ferdinand II, Archduke of Austria, was achieved by adding cobalt to the mix; the finely engraved surface decoration was originally picked out in gold-infused paint. [Elizabeth Cleland, 2017]
Gerald Wyman
Object type: page
Date: 1889 – 1894
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Ingangen van een hindoeïstische tempel en een moskee te Singapore
Object type: carte de visite
Date: 1867 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: singapore
Subjects: temple, shrine ~ hinduism, buddhism, jainism, temple, shrine ~ islam, mohammedanism, singapore
Inscriptions: inscription: ‘G.R. Lambert & Co./ Photographers/ Singapore’, annotation: ‘Hindoescher Tempel/ Singapore/ Mohamedanischer Tempel’, number: ‘69’
Beleg van Mons, 1709
Object type: map
Date: 1710 – 1710
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: maps of separate countries or regions, siege, position war

Kaart van het beleg en inname van Mons (Bergen) door de Geallieerden, 25 september - 22 oktober 1709. Rechtsonder een cartouche met de titel, versierd met wapens, vaandels en enkele lichamen van verslagen vijandelijke soldaten. Aan de linkerzijde de verklaring 1-58 en A-I in het Frans. Onderdeel van een gebundelde verzameling van plannen van veldslagen en steden vermaard in de Spaanse Successieoorlog.
Kan met een dubbel oor, bestaande uit twee slangen
Object type: ornament print
Date: 1551 – 1580
Materials: paper
Techniques: engraving
Location: france

De buik van de kan is gedecoreerd met twee engelen ter weerszijden van een herme met een doek over het hoofd. Horizontaal gearceerde achtergrond. Blad uit serie van 12 bladen.
Waterloo, 18 juin 1815
Object type: carte de visite
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: poster
Limestone head of a boy with a wreath of leaves
Object type: head of a male votary
Date: 400 – 301
Materials: limestone
Culture: cypriot
Subjects: heads,boys,leaves,wreaths

Figure beardless wearing wreath.
Gezicht op het Gesellschaftshaus (feestzaal) met fontein ervoor in de Palmentuin van Frankfurt
Object type: photograph
Date: 1871 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: palmengarten frankfurt
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: garden fountain, botanic garden, 'hortus botanicus', façade (of house or building), public gardens, park

Onderdeel van Palmentuin in Frankfurt am Main.
Card Number 125, Marion Minnola, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Professors Court looking East
Object type: photomechanical print
Date: 1886 – 1891
Materials: paper
Techniques: photoaquatint
Location: glasgow
Artist: Anonymous
Subjects: university (+ building ~ education, tuition), courtyard, glasgow
Inscriptions: inscription: ‘No.11/ No.10’

Prent op dertiende ongenummerde pagina na pagina iv.
Gevangenneming van koning Sedekia
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: zedekiah is captured by the babylonians
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Theatrum biblicum : hoc est historiae sacrae veteris et novi testamenti tabulis aeneis expressae. Opus praesentatissimorum huius ac superioris seculi pictorum atque sculptorum, summo studio conquisitum et in lucem editum. Amsterdam: Claes Jansz. Visscher, 1643.
Christ disputing with the doctors: a sketch
Object type: print
Date: 1757 – 1825
Materials: paper
Techniques: etching
Subjects: christ explaining his doctrine
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Lord Raglan, in leven bevelhebber van het Britsche leger in de Krim.
Object type: print
Date: 1846 – 1876
Materials: paper
Techniques: lithograph
Location: dordrecht
Artist: frederik böger
Artist role: printer
Artist dates: 1820 – 1880
Subjects: equestrian state-portrait, head-gear: bicorne, bicorn, historical persons (+ full length portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde zit op een dravend paard. Zijn rechterarm werd afgezet. Met zijn linkerhand houdt hij de teugels vast. Onder zijn linkerarm draagt hij zijn bicorn.
The Compleat Work of Etchings by John Chalon / Oeuvre Complette des Eaux Fortes par Jean Chalon
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: drypoint, etching
Location: london
Subjects: reading, pamphlet ~ printed matter, living-room, parlour, sitting-room
Inscriptions: collector's mark: ‘B’, collector's mark: ‘RIJKS / MUSM’

Interieur van een huis. Een man zit op een stoel onder een wandklok en leest. Twee vrouwen praten met elkaar door een open raam. Een hond op de voorgrond. De prent maakt deel uit van een album.
Design for Coupé, no. 3350
Object type: drawing
Date: 1877 – 1877
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Fauteuil en stoel
Object type: print
Date: 1839 – 1885
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture
Inscriptions: stamp: ‘H.F. Jansen en Zn’

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Signet Ring
Object type: ring
Date: 1864 – 1864
Materials: gold
Culture: american
Location: united states
Artist: ball, black & co.
Artist role: maker
Artist nationality: american
Artist dates: 1851 – 1874
Mortar
Object type: mortar
Date: 1501 – 1600
Materials: copper alloy
Culture: french
Wensbrief met bloemen en dansende mensen
Object type: popular print
Date: 1824 – 1824
Materials: ink, paper
Techniques: calligraphy, colour, etching, pen
Location: netherlands
Artist: Anonymous
Subjects: flowers, group dancing
Inscriptions: collector's mark: Lugt 2760, inscription: ‘Kermis prijs / Aan myn geàgte / Oom en peet / Wat de kermis ook mag wezen ...’

Wensbrief met beschreven cartouche binnen een decoratief kader met voorstellingen van bloemen en dansende mensen. Handgeschreven bericht in kalligrafie (kermisprijs) door Cornelis Visser aan zijn oom en peet. Genummerd rechtsonder: No. 70.
Platter
Object type: platter
Date: 1757 – 1757
Materials: hard paste porcelain
Artist: frankenthal porcelain manufactory
Artist role: manufactory
Artist nationality: german
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Buddha
Object type: statuette
Materials: bronze
Culture: korean
Subjects: buddhism,buddha
Cassetta frame
Object type: frame
Date: 1601 – 1633
Materials: gilt
Culture: lombard
Landaulet #763
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Profiel van Amsterdam
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: tone lithography
Location: amsterdam
Subjects: prospect of city, town panorama, silhouette of city, amsterdam
Inscriptions: collector's mark: Lugt 2228

De stad is vanaf het IJ gezien. In het bovenste profiel zijn het Oosterdok, de Mozes en Aronkerk, Zeemanshoop en de Montalbaanstoren afgebeeld. Het tweede profiel daaronder gaat door met de Krommewaal, het Kamperhoofd, de Zuiderkerk, de Gelderse kade, de Schrijerstoren, de Oude Teertuinen, de Oude Kerk en het Zeeregt. Beiden profielen zijn rechtsboven genummerd.
Tomb of Iltutmish in the Qutb complex, Delhi, India
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: gelatin silver print
Location: delhi
Artist: Anonymous
Subjects: delhi
Inscriptions: annotation: ‘44. Graf i/d Rai Tithauca tempel.’, inscription: ‘76 Tomb of Shams-ud-din Altamash, Delhi’
Paperweight
Object type: glass
Date: 1845 – 1855
Materials: glass
Location: saint-louis-lès-bitche
Artist: saint-louis glassworks (cristalleries de saint-louis)

The colorful geometric clusters embedded in this paperweight reflect the nineteenth-century European fascination with optical effects. Sir David Brewster invented the kaleidoscope in 1815, and its colorful and changing patterns brought great visual entertainment. Paperweights such as this example reformed this childlike pastime for a sophisticated adult audience. Depicted in glass were tiny glittering flowers, small black and blue cameos of figures, and even miniature bottlecaps. These were delicately arranged within the orb for the observant eye to discover.

From the late 1840s to early 1860s, French manufacturers of fine glass and crystal—such as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)—catered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.
Two Couches, in Chippendale Drawings, Vol. I
Object type: drawing ornament architecture
Date: 1761 – 1761
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: couches

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XXXII in the third edition of 1762, but created as early as 1761 according to the Act of Parliament on the print itself.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, chin, neck, and part of upper body of woman wearing a chiton, with a himation draped over her right shoulder
Keeshondje
Object type: plaque
Date: 1784 – 1787
Materials: silver
Techniques: embroidery
Location: netherlands
Artist: Anonymous
Subjects: dog

Badge with spitz dog.
Fichu or Scarf
Object type: costume and accessory
Date: 1750 – 1800
Materials: cotton
Techniques: brocade, cutting, weave
Culture: indian
Location: india
Subjects: floral motifs, flowers, foliage
Thush
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: architecture,cathedrals,carriages
Square tiered box with cover with medallions
Object type: stapeldoos
Date: 1775 – 1824
Materials: cobalt, glaze, paint, porcelain
Techniques: embroidery, firing, forming, vitrification
Location: japan
Artist: Anonymous

Onderste doos van vierkante stapeldoos (jubako) met deksel van porselein bestaande uit vier lagen met opengewerkte wanden in verschillende vormen, beschilderd in onderglazuur blauw. Op de wanden medaillons gevormd uit verschillende bloemranken (prunus, chrysant, pioen, orchidee, lelie, etc.). Op de rand van de deksel een meanderpatroon. Blauw-wit.
Christus en zes apostelen
Object type: drawing
Date: 1400 – 1500
Materials: ink, parchment
Techniques: pen
Artist: Anonymous
Subjects: other groups of apostles
Zwolse duit, 1596
Object type: coin
Date: 1596 – 1596
Materials: copper
Techniques: striking
Location: zwolle

Koperen munt. Voorzijde: wapenschild van Zwolle. Keerzijde: binnen krans tweeregelig opschrift, waaronder jaartal 96 tussen wapenschildje.
Ruhmeshalle met het standbeeld van Bavaria in München
Object type: photograph
Date: 1880 – 1899
Materials: paper, photographic support
Techniques: albumen print
Location: munich
Artist: Anonymous
Subjects: colonnade, monument, statue

Onderdeel van Reisalbum met bezienswaardigheden in Duitsland, Oostenrijk, Zwitserland, Luxemburg en België.
Gezicht op het Oude Stadhuis in Amsterdam
Object type: print
Date: 1825 – 1900
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, amsterdam
Inscriptions: monogram: ‘G.K.T.F.’
Kleerbak van without
Object type: kleerbak
Date: 1676 – 1676
Materials: without
Techniques: without
Location: amsterdam
Artist: Anonymous

Kleerbak van without met vier schuinopstaande wanden, waarin een hartvormige handgreep is uitgezaagd. In elkaar gespijkerd.
Kintai Bridge in Suō Province (Suō no kuni Kintaibashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran)
Object type: woodblock print
Date: 1830 – 1830
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: bridges,rivers,mountains
Plate with a topographical image of the province of Zeeland
Object type: plate dish
Date: 1822 – 1822
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: low countries
Subjects: zeeland
Inscriptions: monogram and date: ‘R. D. 1822’

These plates reflect the period when the Netherlands and Belgium together formed the United Kingdom of the Netherlands (1815-1830). The kingdom consisted of 17 provinces plus the grand duchy of Luxembourg. The gold decoration is in the Neoclassical style. On the upper edge are the arms of the kingdom, on the lower border those of each province. Today the Netherlands consists of 12 provinces.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, calf and part of foot of male to left
Plate (tagliere)
Object type: plate
Date: 1534 – 1534
Techniques: maiolica, glazing
Culture: italian
Subjects: putti
Japonstrook van kloskant met de schildvormige medaillons
Object type: strip
Date: 1850 – 1850
Materials: silk
Techniques: lace
Location: bayeux
Artist: Anonymous

Japonstrook van zwarte kloskant: Chantilly-kant. Op een open mazenfond staan gesloten motieven los van elkaar gegroepeerd. Op de knooppunten der schulpen rijzen drie symmetrische schildvormige medaillons op, die gevat zijn in twee paar c-voluten. Boven de schulpen komt een grote, boven de medaillons een kleine bloemtoef voor, met geknakte bloembladeren als bekroning. De binnenrand is versierd met een keten van hartvormige blaadjes.
Bord, op het plat in blauw beschilderd met een vaas met bloemen. Rand: drie bloemtakken
Object type: plate dish
Date: 1655 – 1670
Materials: earthenware, glaze
Techniques: painted
Location: delft
Artist: Anonymous

Bord van blauw beschilderde faience. Op het plat is een vaas met bloemen geschilderd en op de rand bloemtakken. Het bord is een bodemvondst.
Circe and the Companions of Ulysses
Object type: print
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576

In Mariette Album, folio 79, bottom
Bowl
Object type: bowl
Date: 960 – 1279
Materials: pottery
Culture: chinese
Portret van Giovanni Battista Casti
Object type: print
Date: 1797 – 1845
Materials: paper
Techniques: etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Towboats along the Yotsugidori Canal (Yotsugidori yosui hikifune), No.33 from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portretten van priesters en theologen
Object type: print
Date: 1612 – 1658
Materials: paper
Techniques: engraving, etching
Artist: dietrich meyer
Artist role: painter, print maker, publisher
Artist dates: 1572 – 1658
Subjects: pfäffikon, theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Cloture, XVIe Siècle
Object type: page
Date: 1881 – 1889
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: interior of church
Inscriptions: inscription: ‘COTURES. PL. 5.’, monogram: ‘JJvY’, inscription: ‘CLOTURE entourant le (...)’