deem-data/ArtiFact huggingface dataset:
Dido, Queen of Carthage
Object type: medal
Date: 1538 – 1564
Materials: bronze
Artist: alessandro cesati
Artist role: artist
Artist nationality: italian
Artist dates: 1538 – 1564
Fotoreproductie van La moissonneuse
Object type: carte de visite
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: farmers - aa - female farmer, farmer's wife, reaping, picking, mowing ~ harvest, painting, drawing and the graphic arts
Inscriptions: : ‘1806’, annotation: ‘[...]’
Titel voor de prentenserie over de affaire Marie-Catherine Cadière en Jean-Baptiste Girard
Object type: manuscript
Date: 1735 – 1735
Materials: paper
Techniques: handwriting
Location: france
Artist: Anonymous
Subjects: witch, sorcerer with the devil and/or demons, sexual abuses of monks

Handgeschreven titelpagina voor de reeks van 32, veelal erotisch getinte, prenten gewijd aan het schandaal rond Marie-Catherine Cadière en de Jezuïet Jean-Baptiste Girard in 1730-1731.
Moon flask with fish vase holding orchid spray
Object type: moon flask
Date: 1872 – 1872
Materials: bone china
Artist: minton(s)
Artist role: maker
Artist nationality: british
Artist dates: 1793 – 2001

Minton was the most important ceramics factory during the Victorian period and began exhibiting products at the first Great Exhibition of 1851. Founded in 1793 by Thomas Minton at Stoke-on-Trent, the firm initially specialized in transferware pottery before expanding under the ownership of Thomas’s son Herbert Minton, beginning in 1836. Under the ownership of Colin Minton Campbell, who succeeded his uncle in 1858, the factory became recognized as a specialist producer of Aesthetics movement porcelain, which were inspired by a rich array of exotic and eclectic decorative motifs.
Man met een landbouwwerktuig van de Eureka Mower Co. te Utrica
Object type: page
Date: 1915 – 1915
Materials: paper
Techniques: gelatin silver print
Location: utica
Artist: lewis
Artist role: fotograaf
Subjects: agricultural implements

Foto op tiende ongenummerde pagina na voorplat.
The Wounded Goetz Taken in by the Gypsies
Object type: print
Date: 1836 – 1843
Techniques: lithograph
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: spears,men,horses

Delacroix was fascinated by Goethe’s "Goetz von Berlichingen," the tale of a late medieval knight (translated into French in 1823). In an 1827 sketchbook he listed seven possible subjects based on the story, including "Goetz arrives wounded on his horse among the gypsies." Delacroix worked on the series intermittently from 1836 to 1843, eventually completing seven designs, but never published the lithographs as a suite.
Rosary Terminal Bead with the Virgin and Child, Saint Barbara, and Saint Catherine
Object type: rosary bead
Date: 1401 – 1500
Materials: ivory
Culture: french
Subjects: madonna and child,saint catherine
Heilige Helena met kruis
Object type: print
Date: 1623 – 1660
Materials: paper
Techniques: engraving
Subjects: empress helena, mother of constantine the great; possible attributes: model of church, (royal) crown, crown of thorns, cross, three nails
Inscriptions: collector's mark: Lugt 2228
Verona. Basilica S. Zeno
Object type: ansichtkaart, prentbriefkaart
Date: 1930 – 1950
Materials: photographic support
Techniques: photography
Location: turin
Artist: Anonymous
Subjects: church (exterior), square, place, circus, etc. (+ city(-scape) with figures, staffage)
Verkoper van lijsten
Object type: print
Date: 1749 – 1749
Materials: paper
Techniques: engraving, hand coloring
Location: zurich
Artist: david herrliberger
Artist role: print maker
Artist dates: 1697 – 1777
Subjects: street-trader, frame of painting, etc.
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Fragment van blad 8 uit de serie: Zürcherische Ausruff-Bilder. Zweite Abtheilung. Zürich, David Herrliberger, 1749. David Herrliberger gaf de eerste serie, bestaande uit 52 figuren, uit in 1748. In 1749 en 1751 volgden vervolgseries van elk 52 prenten.
Small Figure
Object type: statuette
Date: 301 – 700
Materials: copper alloy
Culture: coptic
Location: egypt
Kay Khosrow Crosses the Sea of Zareh on His Way to China, a scene from the Shahnama of Firdausi
Object type: painting
Materials: ink, paper, watercolor
Location: iran
Subjects: iran, shahnama, persia, firdausi
Woman and Warrior
Object type: panel
Date: 1601 – 1633
Materials: glass
Subjects: women
La ville de Lion va audevant de la Reine
Object type: album leaf
Date: 1672 – 1757
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: print maker, maria de' medici, paris, hendrik iv (koning van frankrijk en navarra), (story of) juno (hera), personification of a city, town-patron(ess), (story of) jupiter (zeus), lyon

Stadsmaagd van Lyon in triomfwagen getrokken door twee leeuwen. In de hemel Jupiter en Juno. Allegorie op de ontmoeting van Marie de' Medici met Hendrik IV in Lyon in 1608. Losse prent achterin het album. Deze prent maakt deel uit van een album.
Pitcher
Object type: pitcher
Date: 1879 – 1879
Materials: hard paste porcelain
Artist: albert-louis dammouse
Artist role: designer
Artist nationality: french
Artist dates: 1848 – 1926
S 8 No 86. Een dessa in 't Gebergte
Object type: photograph
Date: 1900 – 1935
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: malang
Artist: neville keasberry
Artist role: fotograaf
Artist dates: 1866 – 1944
Inscriptions: signature: ‘Neville Keasberry, Malang (Java)’, inscription: ‘Stereoscopische Fotografie’
Dordrecht, zes etsen van W.O.J. Nieuwenkamp en J.M. Graadt van Roggen
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: etching, intaglio
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: canals, waters (in city)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Brief aan anoniem
Object type: letter
Date: 1884 – 1884
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: johan eliza de vrij
Artist role: scheikundige
Artist dates: 1813 – 1898
Subjects: dordrecht, print maker, ary johannes lamme, art trade, art shop, the graphic arts
Inscriptions: collector's mark: Lugt 2228
Denarius (Coin) Portraying Diadumenian
Object type: coin
Date: 217 – 217
Materials: metal, silver
Techniques: striking
Culture: roman
Location: rome
Inscriptions: Obverse: M OPEL ANT DIADVMENIAN CAES
"Marcus Opellius Antonius Diadumenian Caesar"
Reverse: SPES PVBLICA
"Hope of the people"

The front of this coin portrays the Emperor Diadumemian facing right.

On the back the figure of Hope marches to the left, holding a flower in her raised right hand while the left draws back her robe.
Courteousness (Rei), from the series "Five Cardinal Virtues"
Object type: print
Date: 1767 – 1767
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Portret van de Franse generaal Pierre Marie Barthélemy Ferino
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: stippled etching
Location: amsterdam
Artist: ludwig gottlieb portman
Artist role: print maker
Artist dates: 1772 – 1828
Subjects: craveggia, generaal, pierre marie barthélemy ferino
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als illustratie in: Tafereelen van de staatsomwenteling in Frankrijk, deel 22, p. 218. Amsterdam: Johannes Allart, 1806.
Strafgevangenis te Hoorn, huismunt ter waarde van een cent
Object type: monetary token
Materials: zinc
Techniques: striking
Location: utrecht
Artist: Anonymous
Subjects: hoorn (north holland)

Zinken betaalpenning. Voorzijde: letter H binnen omschrift. Keerzijde: waardeaanduiding
Gelders vergezicht bij Dieren (?)
Object type: drawing
Date: 1625 – 1669
Materials: chalk, paper
Techniques: brush
Artist: joris van der haagen
Artist role: draughtsman, painter, print maker
Artist dates: 1615 – 1669
Subjects: landscapes in the temperate zone, gelderland
Netsuke
Object type: netsuke
Date: 1801 – 1900
Materials: ivory, metal
Culture: japanese
Subjects: birds
Enquêteformulier ingevuld door Pierre Jacques Goetghebuer
Object type: manuscript
Date: 1840 – 1840
Materials: ink, paper
Techniques: pen, printing, writing
Location: antwerp
Subjects: ghent, print maker, pierre jacques goetghebuer
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Allegorische voorstelling over overvloedigheid
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: abundantia (abundance) as roman personification
Inscriptions: collector's mark: Lugt 240
Design for "Les Heures d'Après Midi" by Emile Verhaeren
Object type: drawing
Date: 1896 – 1896
Materials: gold, graphite, ink
Techniques: brush, pen, drawing, wash
Artist: julia eyckholt
Artist role: artist
Artist nationality: belgian
Artist dates: 1902 – 1914
Sleutel bij de prent van het leggen van de eersten steen door de koning aan de spoorwegbrug te Zutphen, 1861
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: brussels, willem iii (koning der nederlanden), ceremonial laying of the foundations, laying the first stone
Inscriptions: collector's mark: Lugt 2228

De sleutel behorende bij de prent van de ceremonie van het leggen van de eerste steen voor de spoorbrug te Zutphen, verricht door koning Willem III op 22 oktober 1861. Met de namen genummerd 1-25.
Meiping vase
Object type: vase
Date: 1801 – 1900
Materials: glaze, porcelain
Culture: chinese
Landscapes
Object type: album leaf mounted a a handscroll
Date: 1470 – 1524
Materials: ink, silk
Culture: chinese
Artist: tang yin
Artist role: artist
Artist nationality: chinese
Artist dates: 1470 – 1524
Subjects: human figures,landscapes,boats

A brilliant scholar whose official career was cut short by his inadvertent involvement in an examination scandal in 1499, Tang Yin spent his life pursuing the diversions of an eccentric scholarly playboy; his adventures eventually entered popular legend. While most of his paintings reflect a pleasure-loving existence, this melancholy album explores the themes of struggle, sadness, and the refuge of solitude. While most of his fellow painters in the Suzhou area adopted the calligraphic styles of the Yuan scholar-artists, Tang was able to use the more descriptive ink-wash idiom of the Southern Song masters, particularly that of Li Tang (ca. 1070s–ca. 1150s), to portray realistic scenery. This series of leaves shows extraordinary subtlety in portraying the changing effects of weather and season as well as poetic and psychological moods.
Fragment van een mantel van ciseléfluweel met kloskant, volgens overlevering afkomstig van Hugo de Groot
Object type: mantle
Date: 1600 – 1699
Materials: silk, velvet
Location: netherlands
Artist: Anonymous
Subjects: delft, hugo de groot

Fragment van een mantel van zwarte ciseléfluweel waarop zwarte kloskant is genaaid. Het fragment is volgens overlevering afkomstig van een mantel van Hugo de Groot.
De Vrede in Europa
Object type: cartoon
Date: 1902 – 1902
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: vienna, wilhelm ii (keizer van duitsland), new ruler raised on the shield - bb - female ruler, personifications of countries, nations, states, districts, etc., symbols, allegories of peace, 'pax'; 'pace' (ripa), political caricatures and satires

De Vrede zittend op een schild wankel balancerend op de bajonetten van vijf Europese landen. Vooraan de Duitse keizer Wilhelm II, de Italiaanse koning Victor Emanuel III van Italië en keizer Frans Jozef I van Oostenrijk. Op de rug gezien: Rusland en Frankrijk (?).
Eerste eeuwfeest van de Confrerie Pictura, de tekenacademie te 's-Gravenhage
Object type: history medal
Date: 1756 – 1756
Materials: silver
Techniques: striking
Location: the hague
Artist: nicolaas van swinderen
Artist role: jeweler
Artist dates: 1705 – 1760
Subjects: the hague
Kinderen spelend voor ingang Breitners atelier op Prinseneiland in Amsterdam
Object type: photograph
Date: 1890 – 1910
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Subjects: prinseneiland

Moderne afdruk van negatief BR 1370 (collectie RKD).
Portret van Georg Reichbrodt
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: engraving
Subjects: treasurer, historical persons, pendant, trinket, 'breloque'
Inscriptions: collector's mark: Lugt 240

Tekst in het Latijn in de omlijsting, de wolk bovenaan en in de cartouche.
Bomen begrensd door een hek op landgoed Hoog Oorsprong
Object type: sketchbook leaf
Date: 1864 – 1865
Materials: paper, pencil, watercolor
Techniques: brush
Location: oosterbeek
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: trees, fence, wall, paling
Inscriptions: annotation: ‘Oorsprong’

Blad 5 recto uit een schetsboek met 44 bladen.
Glass cameo fragment
Object type: cameo, fragment
Date: 67 – 100
Materials: glass
Culture: roman
Subjects: leaves

Translucent cobalt blue with overlay in opaque white. Fragment of cylindrical body with concave curving side. On exterior, in deep relief in white a large vine leaf, carved in fine detail, showing veins and texture of the leaf surface. Broken on all sides with weathered edges; dulling, pitting of surface bubbles, some brilliant iridescence, and thick creamy brown weathering on white overlay. Rotary grinding marks on interior.
The taking of Porto Bello by Admiral Vernon
Object type: medal
Date: 1739 – 1739
Materials: copper
Subjects: men,admirals
The Tragic Actor (Rouvière in the role of Hamlet)
Object type: print
Date: 1865 – 1866
Materials: paper
Techniques: etching
Location: france
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883

Édouard Manet’s etching depicts Philibert Rouvière in one of his most celebrated roles. The actor stands alone in theatrical lighting, with the diagonals of the rapier and shadows on the floor suggesting his violent state of mind. Rouvière is thought to have based his intense and physically exaggerated portrayal of Hamlet on Delacroix’s series of lithographs, two of which are on display nearby. Manet painted a nearly identical portrait of Rouvière as Hamlet in 1865, now in the National Gallery of Art in Washington, D.C. He completed the painting and made this print after the actor’s death, possibly as a tribute.
Ruiters met zwaarden
Object type: sketchbook leaf
Date: 1894 – 1894
Materials: chalk
Location: egypt
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: riding a horse, ass, or mule; rider, horseman, africans, hacking and thrusting weapons: sword
Inscriptions: kleurnotitie, handgeschreven

Pagina 14 uit een schetsboek met 48 bladen.
Vrouwenkop met muts, in profiel
Object type: drawing
Date: 1770 – 1825
Materials: paper, pencil
Artist: simon andreas krausz
Artist role: draughtsman, print maker
Artist dates: 1760 – 1825
Subjects: head-gear: cap (+ women's clothes)
Portret van Karl Asmund Rudolphi
Object type: print
Date: 1820 – 1820
Materials: paper
Techniques: stippling
Location: berlin
Artist: johann friedrich bolt
Artist role: print maker
Artist dates: 1769 – 1836
Subjects: berlin, historical persons
Inscriptions: collector's mark: Lugt 2228
St. Jerome in the Wilderness
Object type: print
Date: 1509 – 1509
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: houses,lions,trees,saint jerome
Studieblad met een roos en een ranonkel (?)
Object type: drawing
Date: 1683 – 1733
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: flowers: rose, flowers: turban buttercup
Casts from antique gems (9)
Object type: cast
Date: 1767 – 1800
Materials: glass, paste, wood
Artist: james tassie
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1735 – 1799
Subjects: heads,men,profiles,women

Among the heads is that, at top, of the famous ancient figure of Laocoön.
Ensemble
Object type: ensemble
Date: 1867 – 1900
Materials: cotton, wood, wool
Zelfportret
Object type: print
Date: 1920 – 1920
Materials: paper
Techniques: lithograph
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Subjects: amsterdam, print maker, draughtsman, samuel jessurun de mesquita, head-gear: hat, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Cries of London, No. 2: Buy my Goose, my fat Goose
Object type: print
Techniques: aquatint, etching
Artist: henri merke
Artist role: artist
Artist nationality: swiss
Artist dates: 1760 – 1820
Subjects: birds,men,women
Allegorical scene
Object type: plaquette
Date: 1501 – 1533
Materials: bronze, gilt
Artist: master io. f.f.
Artist role: artist
Artist nationality: italian
Artist dates: 1400 – 1550
Subjects: male nudes,women
Dutch Lady Carrying Parasol with Little Boy 阿蘭陀婦人と子供 (Orando fujin to kodo mo)
Object type: print
Date: 1830 – 1859
Techniques: woodblock print
Location: japan
Artist: Anonymous
Irene Verona, from the Actors and Actresses series (N171) for Gypsy Queen Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses
Heldendaad van Pieter van den Broecke, 1620
Object type: print
Date: 1823 – 1829
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: antwerp, pieter van den broecke

Gebruikt als illustratie in: P.G. Witsen Geysbeek en G. Engelberts Gerrits, Schoonheden en merkwaardige tafereelen uit de Nederlandsche geschiedenis. G. Portielje, Amsterdam 1825-1829, 8 delen. Dit nummer is een door het RPK toegevoegd nummer en staat niet in Frederik Muller, het werk waar de prent voor is gemaakt of uit afkomstig is, staat wel vermeld in Frederik Muller.
The Oude Haarlemmersluis (Old Haarlem Lock) on the Martelaarsgracht, Amsterdam
Object type: drawing
Date: 1638 – 1655
Materials: chalk, ink, paper
Techniques: brush
Location: amsterdam
Artist: jacob isaacksz van ruisdael
Artist role: draughtsman, painter, print maker
Artist dates: 1628 – 1682
Subjects: sluice, weir, canals, waters (in city), amsterdam
Naaktstudie
Object type: photograph
Date: 1931 – 1932
Materials: photographic support
Techniques: gelatin silver print
Location: madrid
Artist: josep maria sert
Artist role: fotograaf
Artist dates: 1874 – 1945

Naaktstudie L'Hommage á la maison d'Albe, Palacio de Liria, Madrid, van voren gezien. Voorstudie met quadratuur en punaisegaten in de hoeken.
The Assumption of the Virgin
Object type: print
Date: 1535 – 1573
Techniques: etching
Artist: geoffroy dumoûtier
Artist role: artist
Artist nationality: french
Artist dates: 1530 – 1578
Subjects: virgin mary,assumption of the virgin
Sneeuwarend op een boomtak
Object type: print
Date: 1910 – 1930
Materials: paper
Techniques: woodcut
Location: japan
Artist: ohara koson
Artist role: print maker
Artist dates: 1877 – 1945
Subjects: predatory birds: eagle
Inscriptions: collector's mark: Lugt 2228

Witte roofvogel, naar links, met één poot ingetrokken op boomtak, bij nacht.
Johannes de Doper als kind
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: italy
Subjects: john the baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff
Inscriptions: collector's mark: Lugt 240

De jonge Johannes de Doper met in zijn linker hand zijn kruisstaf. Naast hem staat zijn lam.
Dog Cart/Shifting Seat Phaeton #3641
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Tantalus
Object type: print
Date: 1557 – 1570
Techniques: engraving
Artist: giulio sanuto
Artist role: artist
Artist nationality: italian
Artist dates: 1540 – 1588
Begin van de Gajoweg bij Bireuen
Object type: photograph
Date: 1903 – 1913
Materials: photographic support
Techniques: photography
Location: north sumatra
Artist: Anonymous
Subjects: arnhem, albertus dominicus laman trip, building activities, traffic by road or path with motor-vehicle, landscapes in tropical and sub-tropical regions, road, path

Na de expedities naar de Gajo- en Alaslanden o.l.v. Van Daalen (eerste tocht in 1901), werd hij in 1903 belast met voorbereiding van permanente vestiging van Nederlands gezag. Aanleg van een weg van de Noordkust naar het binnenland was hierbij van groot belang. Deze zgn. Gajoweg werd aangelegd tussen 1903 en 1914, van Bireuen aan de kust naar Takinguen aan het bergmeer Danau Lauttawar, totale lente 104 km.
Balcony, Amsterdam
Object type: print
Date: 1889 – 1889
Materials: ink, ivory, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903