deem-data/ArtiFact huggingface dataset:
Allegorie op de erfstadhouderschap aangeboden aan de prins van Oranje, 1674
Object type: print
Date: 1674 – 1674
Materials: paper
Techniques: etching, letterpress printing
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: johan van oldenbarnevelt, dordrecht, cornelis de witt, politician, johan de witt, the hague, william iii (prince of orange and king of england, scotland, and ireland), prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues, courage, bravery, valiance, manliness; 'ardire magnanimo et generoso', 'gagliardezza', 'valore', 'virtù heroica', 'virtù dell'animo e del corpo' (ripa)

Allegorie op de afschaffing van het Eeuwig Edict uit 1667 met het aanbieden van het erfstadhouderschap aan de prins van Oranje, 2 februari 1674. Vervallen monument waarin Anticurius van Loevestein (de personificatie van de Loevesteinse factie) op zijn doodsbed ligt, omgeven door allegorische figuren, waaronder de Acte van Seclusie. Bovenaan een borstbeeld van Van Oldenbarnevelt bij een opschrift en aan weerszijden de lichamen van de gebroeders De Witt. Rechts een medaillon met het portret van Willem III, vastgehouden door Dapperheid en Voorzichtigheid. Bij de voorstelling een los tekstblad met tekst in 3 kolommen met een verklaring van de cijfers 1-18 in het Nederlands.
Theater des Oorlogs in Lombardye / Theatre de la Guerre en Lombardie
Object type: print
Date: 1701 – 1713
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: paris, vienna, eugenius van savoye, maps of separate countries or regions

Kaart van het strijdtoneel van de Spaanse Successieoorlog in Lombardije, 1701-1713. Genummerd rechtsonder: Tom. I. No. 12. Illustratie in het eerste deel van: Jean du Mont, Oorlogskundige beschryving van de veldslagen en belegeringen, der drie ... wydvermaarde krygsoversten... den Prins Eugenius van Savoye, den ... Hertog van Marlborough, en den Prins van Oranje en Nassau-Vriesland, in de editie van 1729. Dit eerste deel is gewijd aan de daden van Eugenius, prins van Savoye.
Oryx gazella (Gemsbok)
Object type: drawing
Materials: chalk, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Subjects: animals
Inscriptions: annotation: ‘Caapse Gemsbok [onderstreept]. koei en bul grote horens geen larmiers vier spenen. ...’

Volgens Gordon ten onrechte Kaapse gemsbok genoemd; met schaalverdeling in Rijnlandse maat.
Portret van Carlo Spinelli
Object type: print
Date: 1632 – 1750
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons

Prent mogelijk uit een van de delen en/of vertalingen van: Strada, Famiano. De bello Belgico. Uitgegeven tussen 1632-1750.
Minnie Ward, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Roundel
Object type: roundel
Date: 801 – 1000
Materials: earthenware
Location: iran

This roundel was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
The Sportsman near the Large Tree
Object type: print
Date: 1621 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: men,trees
Kachel
Object type: wood block
Date: 1800 – 1899
Materials: wood
Techniques: engraving
Artist: Anonymous
Incense burner with dragon, phoenix, and sea creatures
Object type: incense burner
Date: 1501 – 1700
Materials: copper alloy
Culture: chinese
Subjects: animals,dragons,waves

The surface of this incense burner is decorated with mythical creatures moving in and out of the waves in high relief. Combining the techniques of openwork and relief, its lid features a dragon and phoenix soaring among clouds. In the late Ming dynasty, connoisseurs praised the perfect casting of imperial bronzes made in the Xuande era (1426–35). The artist here added a Xuande mark to its bottom as an attempt to imitate the legendary bronzes.
Vase
Object type: vase
Materials: faience
Techniques: glazing
Subjects: flowers
Virgin Supported by Two Holy Women
Object type: relief
Date: 1301 – 1400
Materials: ivory
Culture: french
Subjects: women
D IIIe Cahier de Bordures à l'usage de la Sculpture &c, avec leurs Profils
Object type: print
Date: 1784 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: ornaments ~ art (+ framing decorations)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een geornamenteerde lijst met bloemmotieven en tulpen.
Belle Evesson, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Plumed Partridge, from the Game Birds series (N40) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Game Birds" series (N40), issued in 1888-90 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N40 reproduces the cards from N13 in a larger size.
Courtyard of the Quarantine General, Skoulani, Bessarabia
Object type: print
Date: 1839 – 1839
Materials: chine, ivory, paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
Vignet voor de aankondiging van tijdschrift 'De Plaat' door uitgever H.J. Poutsma
Object type: photomechanical print
Date: 1898 – 1898
Materials: paper
Techniques: letterpress printing, printing block
Location: amsterdam
Subjects: agricultural implements: spade, bunch of grapes, kneeling on both knees

Deel van de aankondigingstekst op het verso.
Heuvellandschap
Object type: print
Date: 1815 – 1867
Materials: paper
Techniques: etching
Location: netherlands
Artist: willem matthias jan van dielen
Artist role: print maker
Artist dates: 1805 – 1867
Subjects: low hill country
Inscriptions: collector's mark: Lugt 2228
Fragment van een lotus- en palmetbloemenkleed
Object type: oriental rug
Date: 1600 – 1600
Materials: wool
Location: herat
Artist: Anonymous
Vrouw en een man in uniform houden elkaars hand vast, een tweede vrouw kijkt vanaf een stoel toe
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: europe
Inscriptions: number: ‘121 k’

Voor de personen ligt een tas met wandelstok op de grond.
The War in East Tennessee
Object type: print
Materials: paper, wood
Techniques: engraving
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Jacket
Object type: jacket
Date: 1840 – 1880
Materials: cotton, metal, silk

The dushegreya in Russian costume is also commonly known as a "body warmer". The style is seen both with and without sleeves. The cut is similar to the sarafan or the short epanechka bodice with the addition of padding and tubular pleats at the back. Sleeveless styles are cut straight across the body and hang from narrow straps. Dushegreya were worn over the sarafan for additional warmth when outdoors. Together with 2009.300.1668, this object was collected by Stewart Culin (1858-1929) during a collection expedition in 1923. Culin was the Brooklyn Museum's first Curator of Ethnology, serving from 1903 to 1929. Possessing an insatiable curiosity and appetite for collecting objects of all kinds, Culin conducted over twenty worldwide collecting expeditions between 1901 and 1928. The trips covered American Indian territories, New England, Asia, India, Great Britain, and all of Eastern and Western Europe. The seven expeditions between 1917 and 1928 were specifically focused on collecting regional textiles and costumes from Eastern and Western Europe and, to a lesser extent, New England. Culin's goals for these trips were not just to expand the Museum's holdings, but also to preserve their cultural contexts. He did so through amassing photographs, notebooks, and ephemera which documented the social, commercial, and cultural circumstances surrounding their acquisition. His collecting philosophy embraced both rare and high-quality pieces as well as those which represented daily life or were of particular social or historical interest.
Red and White Poppies
Object type: hanging scroll
Date: 1601 – 1700
Materials: ink, paper
Culture: japanese
Artist: tawaraya sōtatsu
Artist role: artist
Artist nationality: japanese
Artist dates: 1570 – 1640
Subjects: poppies

Unlike many themes in the repertoire of Rinpa artists, poppies do not figure prominently in classic literature. In fact, this beloved flower, often depicted in Edo period painting, seems to have been introduced to Japan only in the 1630s as an exotic medicinal herb, the result of a growing interest in natural sciences. Here, boldly arranged in two clumps within the narrow vertical format and rendered in the heavy mineral pigments that characterize the works of Sōtatsu and his followers, this decorative rendition of the poppies nevertheless reveals a careful attention to naturalistic detail. These characteristics are notable in the work of Sōsetsu, who by 1639 had taken over Sōtatsu's atelier, as well as the use of his Inen seal, a version of which is impressed on this work.
Wandbord met in kussens gezeten odalisque
Object type: wandbord
Date: 1867 – 1867
Materials: earthenware, wood
Location: paris
Subjects: odalisque
Inscriptions: signature, monogram: ‘FE’, inscription: ‘No. 125 de l'Exposition Universelle de 1867 (Peinture d'Ehrmann)’

Wall plate. Earthenware in frame of deal stained black. Paris, c. 1867, by Théodore Deck, decorated by François Emile Ehrmann.
Tekstblad met verklaring van de prent over Mechanica, p. 39
Object type: album leaf
Date: 1695 – 1695
Materials: paper
Techniques: letterpress printing
Location: paris

Verklaring van de prent met voorstelling van Mechanica in het Frans. Pagina 39. Tekstblad maakt deel uit van een album.
Joseph Brook "Joe" Gunson, Catcher, Kansas City Cowboys, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Funerary Cone of  the First King's Herald Amunedjeh
Object type: cone, amunedjeh, circular impression, herald, law court, overseer
Date: 1479 – 1400
Materials: pottery
Location: egypt
Subjects: hieroglyphs
A Mill, from English Landscape
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: mezzotint
Location: england
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881

A talented mezzotint engraver, David Lucas devoted his career to reproducing the landscape paintings of John Constable. In the mezzotint process, the entire plate is roughened to create a dark field and then burnished to bring out highlights. Done in monochrome, Lucas’s prints masterfully emphasize the motion and play of light in Constable’s visions of the English landscape.
Distel met drie bloemen en vijf bladeren.
Object type: decoratief object
Date: 1400 – 1950
Materials: iron

Een ijzeren bloem, distel met drie bloemen en vijf bladeren.
Two Standing Female Allegorical Figures: Anger and Sloth
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: circle of pirro ligorio
Die natürliche Brücke über die Ardèche bei Vallon
Object type: print
Date: 1850 – 1890
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: rock-formations

Vallon-Pont-d'Arc is een rotsformatie die een natuurlijke brug over de rivier de Ardèche vormt.
Mitts
Object type: mitt
Date: 1870 – 1879
Culture: american
Sakanoshita: Kannon in the Cave (Sakanoshita, Gankutsu no Kannon), no. 49 from the series "Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue)," also known as the Vertical Tokaido
Object type: print
Date: 1855 – 1855
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Vase fragment
Object type: vase fragment
Date: 120 – 300
Materials: terracotta
Culture: roman, gaul
Subjects: male nudes
Man met muts met veren en ketting om
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: etching, intaglio
Artist: johann andreas benjamin nothnagel
Artist role: print maker
Artist dates: 1729 – 1804
Subjects: sitting figure, head-gear: cap (+ men's clothes), medals and other marks of military honour
Inscriptions: collector's mark: Lugt 240
Portret van Heinrich Gottfried Wilhelm Daniels
Object type: print
Date: 1801 – 1850
Materials: paper
Techniques: etching, roulette
Location: germany
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Textile Fragment
Object type: textile fragment
Date: 1667 – 1700
Materials: metal thread, silk
Techniques: brocade
Location: iran
Subjects: flowers
Shawl
Object type: shawl
Culture: american
Subjects: flowers
Studioportret van een man met grote bakkebaarden
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Treinrailscomplex
Object type: photograph
Date: 1940 – 1945
Materials: photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: netherlands, germany

Treinrailscomplex en treinen met bergen op de achtergrond. Opschrift: Auf Fahrt nach Serbien, Steiermark ( Emstal). Foto behorend bij album 'Kriegserinnerungen'.
Huizen, een molen en een kerk
Object type: sketchbook leaf
Date: 1780 – 1800
Materials: ink, paper, pencil
Techniques: brush

Blad 2 verso uit een schetsboek met 17 bladen.
Iconographie
Object type: print
Date: 1630 – 1641
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: helmet, armour, knighthood order of the golden fleece, baton of general

Portret van Ambrogio Spinola, markies de los Balbases, opperbevelhebber van de Spaanse troepen in de Zuidelijke Nederlanden. Zijn rechterhand rustend op helm, commandostaf in linkerhand. Om zijn hals een ketting met het teken van de Orde van het Gulden Vlies. Deze prent maakt deel uit van een album.
Burg Lauenstein (thüringisch-fränkische Grenzwarte). Portal zum Thüna-Flügel
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: ludwigsstadt
Artist: Anonymous
Subjects: castle, gate, entrance
Zelfportret van Wallerant Vaillant met een kapje
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1677
Subjects: amsterdam, painter, print maker, wallerant vaillant, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 760
Funcking the Corsican
Object type: cartoon
Date: 1813 – 1815
Materials: paper
Techniques: etching, hand coloring
Location: england
Artist: Anonymous
Subjects: napoleon i (emperor of the french), smoke, personifications of countries, nations, states, districts, etc., pipe ~ tobacco
Inscriptions: collector's mark: Lugt 2228

Spotprent op Napoleon na zijn verlies in de slag bij Leipzig, 1813. Een kleine figuur van Napoleon staat boos te stampvoeten bovenop een grote houten vat met Hollandse jenever waardoor de deksel los raakt. Vertegenwoordigers van verschillende Europese landen roken allen pijp en blazen tabaksrook naar de keizer. Vooraan een dikke Hollander gezeten op een tonnetje haring en een kaas, Rechts de Engelse John Bull, een Pruisische huzaar en anderen. Links de koning van Württemberg, een Oostenrijker en een Spanjaard.
Fotoreproductie van (vermoedelijk) een prent naar een schilderij van Rudolf Jordan
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: proposal, declaration of love
Inscriptions: inscription: ‘Le proposition in Helgolande’

Onderdeel van Fotoalbum met 36 opnames van Europese landen.
Frame
Object type: frame
Date: 1801 – 1900
Materials: brass, gilt
Merklap van veelkleurige zijde op linnen.
Object type: merkdoek, merklap
Date: 1765 – 1765
Materials: linen, silk
Techniques: embroidered
Location: groningen
Artist: Anonymous
Inscriptions: date

Merklap van zijde op linnen. Het borduurwerk heeft het jaartal ANNO 1765, de initialen GS, TB, KR, AI, SE, HG en SG. Het borduurwerk heeft bovendien letter- en cijferoefeningen en diverse stoppen, waaronder vogels, een wieg, een bed, een man met een hond en een molen.
Gilles Sadeler
Object type: print
Date: 1673 – 1707
Materials: paper
Techniques: engraving
Location: france
Subjects: antwerp, prague, draughtsman, aegidius sadeler (ii)
Inscriptions: collector's mark: Lugt 240

Portret van de prentkunstenaar Aegidius (Gilles) Sadeler (1570-1629), ten halven lijve afgebeeld met burijn in rechter en loodplaat in rechter hand.
Portret van Johannes Jacobus Beator Gaal
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: lithograph
Location: the hague
Artist: Anonymous
Subjects: delft, historical persons (+ half-length portrait)
Inscriptions: collector's mark: Lugt 2228

Volgens Van Someren is deze prent gemaakt naar een schilderij van B. Gaal, de vader van de geportretteerde. Volgens het BP is de vader echter Jacobus Cornelis Gaal.
Gezicht op de Wagenbrug in Den Haag
Object type: stereograph
Date: 1884 – 1928
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: the hague
Artist: wilhelm frederick antonius delboy
Artist role: fotograaf
Artist dates: 1853 – 1928
Subjects: urban housing, bridge in city across river, canal, etc.
Inscriptions: inscription: ‘DELBOIJ/ Fotograaf/ Passage 22/ DEN HAAG’, number: ‘459’
Gold Strap End
Object type: strap end
Date: 600 – 600
Materials: gold, silver
Culture: langobardic

This group of objects was found in the grave of a Langobardic horseman, who was buried in his warrior dress, with weapons, shield, helmet, and the fittings for his horse. What remains are the many gold pieces that would have ornamented his clothing and equipment, and they attest to the great wealth of the Langobardic aristocracy within a generation of settling in Italy.
Studie van een vrouw in een stoel, in profiel naar links
Object type: drawing
Date: 1876 – 1951
Materials: paper, pencil
Techniques: brush
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
Subjects: anonymous historical person portrayed alone
Le Conseiller des Grâces, 1829, No. 144: Capote de satin broché (...)
Object type: fashion print
Date: 1829 – 1829
Materials: paper
Techniques: hand coloring, lithograph
Artist: Anonymous
Subjects: head-gear (capote) (+ women's clothes), clothing for the upper part of the body (pelerine) (+ women's clothes), dress, gown: redingote (+ women's clothes), boots (+ women's clothes), trousers, breeches (+ women's clothes), fashion plates
Inscriptions: caption: ‘Capote de satin broché. Redingote de gros de la Chine à reflet. Pélérine de velours plain. Pantalon de jaconat. Brodequins de satin turc.’, title: ‘Le Conseiller des Grâces’

Capote van gebrocheerd satijn. Redingote van ´gros de la Chine à reflet´. Pelerine van 'velours plain'. Lange broek van jaconat. Laarzen van 'satin turc'.
Portret van de arts en hoogleraar Hidde Justusz. Halbertsma
Object type: print
Date: 1840 – 1886
Materials: paper
Techniques: etching, engraving
Location: amsterdam
Artist: dirk jurriaan sluyter
Artist role: draughtsman, print maker
Artist dates: 1811 – 1886
Subjects: bolsward, koblenz, arts, hidde justusz. halbertsma
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van een gravure van de executie van Johan van Oldenbarnevelt op 13 mei 1619
Object type: carte de visite
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: the hague, johan van oldenbarnevelt, on the scaffold or place of execution
Inscriptions: inscription: ‘Executie van (...) genadig. Amen."’, number: ‘45’, number: ‘45’
Kinderen op wip en musicerende kinderen
Object type: ornament print
Date: 1759 – 1759
Materials: paper
Techniques: etching
Location: london
Subjects: children's games and plays, more than one musician with instrument, seesaw
Inscriptions: collector's mark: Lugt 2228

Boven: Twee Chinese kinderen zitten op een wip. Naast de wip staat een derde kind. Onder: Drie Chinese kinderen spelen al lopend op een snaarinstrument, een blaasinstrument en een trommel. Rondom beide voorstellingen een omlijsting met bladeren en bloemen.
Schotel of bord met dansende beer
Object type: plate dish
Date: 1774 – 1784
Materials: porcelain
Location: loosdrecht

Two plates. Porcelain. Loosdrecht, c. 1778 - 1782. Factory of Joannes de Mol.
Thailand, tical, Nang KlaoTsjao,1824-1851
Object type: coin
Date: 1824 – 1851
Materials: silver
Techniques: casting

Zilveren, korrelvormige munt. voorzien van twee instempelingen (kra): rozet en boomblad [?].