deem-data/ArtiFact huggingface dataset:
Cheminée à la Moderne
Object type: print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: lion's head ~ ornament, foliage ~ ornament, open hearth, fire-place
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een open haard gedecoreerd met bladmotieven en een leeuwenkop omgeven door bliksemschichten. Prentnummer 186.
Allegorie op de moed
Object type: drawing
Date: 1567 – 1567
Materials: chalk, paper
Techniques: brush, pen
Location: florence
Subjects: courage, bravery, valiance, manliness; 'ardire magnanimo et generoso', 'gagliardezza', 'valore', 'virtù heroica', 'virtù dell'animo e del corpo' (ripa)

This sketch is a study for a painting commissioned by Prince Francesco de’ Medici, from a series celebrating the family’s prosperous rule of Florence. The iconography is based on the Judgement of Paris, with an additional political subtext alluding to the choices a sovereign has to make. The elegant dancing figures, and complex allegorical content, are typical qualities of Florentine Mannerist art.
Kerkinterieur van de Grote Kerk in Hoorn
Object type: print
Date: 1822 – 1845
Materials: paper
Techniques: lithograph
Location: hoorn
Subjects: interior of church
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Interieur van het schip van de kerk. In het midden houten balken en tongewelven. Op het plafond zijn schilderingen aangebracht. Achter in de kerk staan twee figuren.
Francesco Pesellino (c. 1422-1457). De H. Nicolaas redt drie onschuldig veroordeelde oficieren - Florence, Galleria Buonarroti
Object type: reproduction
Date: 1928 – 1928
Materials: cardboard
Techniques: rotogravure
Location: milan
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: collector's mark: ‘AFE v S’
St. Austle, Cornwall
Object type: drawing
Date: 1780 – 1827
Materials: graphite, ink, watercolor
Techniques: pen
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: human figures,buildings,streets,dogs,horses
Warrior (Musketeer)
Object type: statuette
Date: 1601 – 1700
Materials: bronze
Subjects: firearms,mars,warriors
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, drapery; Exterior, unidentified subject
Château de Develstein (Holl. mérid.1e)
Object type: print
Date: 1820 – 1830
Materials: paper
Techniques: lithograph
Subjects: castle
Charger with the Arms of O'Hara
Object type: ceramic
Date: 1763 – 1763
Materials: enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: jingdezhen
Sjabloon met twee abstracte krulornamenten
Object type: katagami
Date: 1800 – 1909
Materials: paper, silk
Techniques: cutting
Location: japan
Artist: Anonymous
Subjects: ornament ~ round and curved forms
Inscriptions: number: ‘1/14’, stamp: ‘Afgeschreven W...’, stamp: ‘Museum van Kunstnijverheid Haarlem’

Japanse sjabloon (katagami) met een patroon van twee abstracte krulornamenten, waarvan één fijn is uitgesneden.
Design for Clock
Object type: drawing
Date: 1801 – 1900
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: sphinx,clocks
Beschouwt hier, kinderen! de zinlyke eigenschappen, / of zinnen, alle vyf verbeeld naar rang en trappen, / En streelt uw zinnen zelv' door 't aangenaam sieraad, / Dat in dit prent-tafreel zich verder vinden laat
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: the (five) senses
Inscriptions: collector's mark: Lugt 2760

Trap met op elke trede een paar dat één van de vijf zintuigen verbeeld. Van links naar rechts: het gevoel, de smaak, de reuk, het gehoor en het gezicht. Op de trap ook drie medaillons met portretten. Onder de afbeelding een vers in twee kolommen. Genummerd rechtsboven: No. 143.
Baalbec, ruins of the Great Temple
Object type: photograph
Date: 1855 – 1865
Materials: paper
Techniques: albumen print
Artist: conway mordaunt shipley
Artist role: draughtsman, painter
Artist dates: 1824 – 1888
Subjects: landscape with ruins
Kluizenaar en vrouwen aan tafel
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: aquatint, engraving
Location: amsterdam
Subjects: sitting figure - aa - female human figure, anchorite, hermit
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een oude kluizenaar zit met drie jonge vrouwen aan een tafel. De vrouwen plagen de oude man. Ze geven hem een krans van herfstbloemen, ze nemen hem de bijbel uit de hand, binden een paraplu aan zijn handen en trekken hem aan zijn baard.
Portret van Pierre Cartellier
Object type: print
Date: 1815 – 1817
Materials: paper
Techniques: etching
Location: france
Artist: jacques noël marie frémy
Artist role: print maker
Artist dates: 1782 – 1867
Subjects: paris, sculptor, pierre cartellier, portrait, self-portrait of sculptor, historical persons
Inscriptions: collector's mark: Lugt 2228

Mogelijk prent uit: Frémy, Jacques Noël Marie. Croquis de portraits des personnages remarquables dans tous les genres, dessinés et gravés. Parijs: Jacques Noël Marie Frémy, 1815-1817.
Titus Manlius Beheading his Son
Object type: print
Date: 1553 – 1553
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Border
Object type: textile
Date: 1675 – 1700
Materials: lace, linen
Techniques: lace
Location: antwerp
Bilbao
Object type: print
Date: 1726 – 1728
Materials: paper
Techniques: etching
Location: leiden
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Singel in Amsterdam
Object type: print
Date: 1831 – 1850
Materials: paper
Techniques: engraving
Artist: robert batty
Artist role: artist
Artist dates: 1789 – 1848
Subjects: canals, waters (in city), lift-lock, canal lock

Prent verschenen in: Meyer, Joseph. Meyer's Universum. Hildburghausen: Bibliographisches Institut, 1835-1863.
Portret van Rudolphus Petri
Object type: print
Date: 1649 – 1665
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, historical persons, book - mm - book open

Onder in de marge Latijns en Nederlands vers.
Moonlight on the Yodo River (Yodogawa), from the series Snow, Moon, and Flowers (Setsugekka)
Object type: woodblock print
Date: 1833 – 1833
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: human figures,rivers,moon,trees,boats
Infanterie
Object type: print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 2 horizontale rijen met voorstellingen van militairen. In de ondermarge een vers in twee kolommen. Genummerd linksboven: No. 60.
The Dog's Repast
Object type: print
Date: 1778 – 1779
Materials: paper
Techniques: printmaking, engraving, hand coloring
Location: france
Artist: gilles antoine demarteau, the younger
Artist nationality: flemish
Artist dates: 1750 – 1806
Stilleven met stenen, eierschalen en een stuk krant
Object type: drawing
Date: 1908 – 1940
Materials: paper, pencil
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: eggs, egg-dishes, still life of miscellaneous objects
Inscriptions: date
Portret van Willem V (prins van Oranje-Nassau)
Object type: print
Date: 1822 – 1826
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: william v (prince of orange)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Stuart, Martinus. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden, van de vestiging van het Erfstadhouderschap in de mannelijke en vrouwelijke linie, tot aan 's Lands verlossing, uit de inlijving in het Fransche Keizerrijk. Amsterdam: Evert Maaskamp, 1822-1826.
Panel
Object type: panel
Date: 1601 – 1633
Materials: silk
Portret van Sixtus V
Object type: print
Date: 1650 – 1660
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: rome, sixtus v, historical persons, pope

Prent mogelijk uit een editie van: Het treur-toonneel der doorluchtige mannen onser eeuwe. Waer op den val der grooten levendigh vertoont wordt. Amsterdam en Rotterdam: Nicolaes van Ravesteyn, Andries van Hoogenhuysen, Jan Jacobsz. Schipper en Abraham Wolfgang, 1650-1660.
Landschap met vijf koeien bij een rivier
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: etching
Location: netherlands
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), bovine cattle
Inscriptions: inscription, collector's mark: Lugt 2228
Lion
Object type: figure
Date: 1201 – 1300
Materials: stone
Culture: indian
Subjects: lions
Stomme Passie
Object type: album leaf
Date: 1520 – 1521
Materials: paper
Techniques: hand coloring
Location: amsterdam
Subjects: book in which illustrations are essential, christ before king herod; sometimes a gorgeous robe is brought (luke 23:8-11), christ brought from one judge to another

Soldaten leiden Christus weg van koning Herodes. Prent maakt deel uit van een boek.
Indiase straatscène
Object type: sketchbook leaf
Date: 1924 – 1925
Materials: paper, pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: street (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

Pagina 36 uit een schetsboek met 48 bladen.
Bordes op de hoek van het Haarlemmerplein en de Kleine Houtstraat te Amsterdam
Object type: sketchbook leaf
Date: 1886 – 1908
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, street
Inscriptions: annotation: ‘Whistler./ The Building of new Westminster/ Bridge/ A.A. Pope [...]’, annotation: ‘hoek Haarl. plein en kl. Houtstr stoep’

Pagina 89 uit een schetsboek met 46 bladen vervaardigd te Amsterdam, Haarlem en Antwerpen.
Portret van Aline Vallandri als 'Reine Fiammette'
Object type: photograph
Date: 1938 – 1938
Materials: photographic support
Techniques: photochemical processes
Location: unknown
Artist: Anonymous
Subjects: aline vallandri
Inscriptions: inscription: ‘a Mr Nice Menter souvenir bien sympathique Aline Vallandre 1938’
Portret van Michael Adolf von Althann
Object type: print
Date: 1591 – 1662
Materials: paper
Techniques: engraving, etching
Artist: wolfgang kilian
Artist role: print maker
Artist dates: 1581 – 1662
Subjects: vienna, earl, historical persons, officer, ambassador
Inscriptions: collector's mark: Lugt 2228
Scene around a Table (from Sketchbook)
Object type: drawing
Materials: graphite, paper
Culture: american
Artist: francis william edmonds
Artist role: artist
Artist nationality: american
Artist dates: 1806 – 1863
Subjects: human figures,dogs

The execution of sketches and studies was a crucial part of Edmonds’s creative process. Many of his drawings exist as independent works--apparently never taken further--but many others represent an initial step in his conception for paintings. This sketchbook, which he began about 1838, includes both types of drawings of a variety of subjects.
Gezicht op het kasteel van Chantilly
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: etching
Artist: israël silvestre
Artist role: draughtsman, print maker, publisher
Artist dates: 1621 – 1691
Subjects: landscape with tower or castle, chantilly
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van acht prenten.
Bugaku Imperial Court Dance
Object type: handscroll
Date: 1601 – 1700
Materials: gold, ink, paper
Culture: japanese
Subjects: dancing,dancers
Portret van predikant Jacobus Covijn
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: engraving, etching
Artist: barent de bakker
Artist role: print maker
Subjects: functionaries and dignitaries (with name) ~ episcopal protestant churches
Inscriptions: collector's mark: Lugt 2228

Portret van predikant Jacobus Covijn met op achtergrond de toren van de Westerkerk te Amsterdam.
Ananas op tak
Object type: drawing
Date: 1700 – 1749
Materials: gouache, parchment, pencil
Techniques: brush
Location: netherlands
Artist: Anonymous
Inscriptions: inscription: ‘39’, annotation: ‘Bromelia Ananas Linn’
Silhouetportret van Jacobus Pelgrom
Object type: drawing
Date: 1819 – 1845
Materials: ink, paint, paper
Techniques: brush, snipping
Artist: elisabeth alida haanen
Artist role: draughtsman, print maker
Artist dates: 1809 – 1845
Subjects: amsterdam, draughtsman, jacobus pelgrom, historical persons, portrait, self-portrait of painter
Inscriptions: inscription: ‘Schilder’, number: ‘77’, inscription: ‘J: Pelgrom’, number: ‘13980’, collector's mark: ‘Ex-libris van Beresteyn’, inscription: ‘Neg. D. 1791’

Met onder het portret de handtekening van de geportretteerde.
Textile with Brocade
Object type: textile
Date: 1301 – 1400
Materials: gold thread, silk
Culture: italo-arabic
Fotoreproductie van De triomf van Christus door Antoine Wiertz
Object type: photograph
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: edmond fierlants
Artist role: fotograaf
Artist dates: 1819 – 1869
Subjects: christ triumphing over devil(s)
Inscriptions: check stamp: ‘SOCIÉTÉ ROYALE BELGE DE PHOTOGRAPHIE/ 69, RUE KEYENVELD/ BRUXELLES’
Water jar
Object type: water jar
Date: 1801 – 1900
Materials: enamel, lacquer, porcelain
Techniques: polychrome
Culture: japanese
Subjects: animals,flowers,leaves
Plate 1: various fragments of ancient monuments, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Object type: print
Date: 1643 – 1648
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: ruins
Terracotta figurine of a seated goddess
Object type: figurine of a seated goddess
Date: 300 – 201
Materials: terracotta
Culture: cypriot
Subjects: goddess

The figurine, a seated goddess of the Kition type, is mold-made, hollow, and heavily retouched. The back is handmade, flattened, and pared.
Book cover with zigzag and floral pattern
Object type: print
Date: 1701 – 1800
Techniques: relief print
Artist: Anonymous
Artist role: artist
Doos met deksel
Object type: box
Date: 1700 – 1850
Materials: lacquer
Location: japan
Artist: Anonymous

Langwerpig doosje met overhangende deksel. Lakwerk, versierd in makie met op de bovenkant van de deksel bloeiende chrysanten.
Kunstwerken van eigentijdse Belgische kunstenaars
Object type: print
Date: 1836 – 1840
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: nesting-box, child, spinning-wheel, family life at home
Inscriptions: collector's mark: Lugt 2228, : ‘Déposé’
Zwartornamenten in de vorm van een hanger en een driehoek
Object type: ornament print
Date: 1619 – 1619
Materials: paper
Techniques: engraving
Location: châteaudun
Artist: jean toutin
Artist role: print maker
Artist dates: 1578 – 1644
Subjects: ornaments ~ art, fighting contest (sport), rodents: squirrel
Inscriptions: inscription: ‘66’

Twee zwartornamenten in de vorm van een hanger en een driehoek. Daarbij twee mannen bij een schaafbank (?), twee zwaardvechters, twee insecten en twee eekhoorns. Midden onder genummerd 7. De prent maakt deel uit van een album.
Portret van F. Mispelblom Beyer
Object type: drawing
Date: 1842 – 1842
Materials: paper, pencil
Techniques: brush
Artist: henricus wilhelmus couwenberg
Artist role: draughtsman, print maker
Artist dates: 1814 – 1845
Subjects: historical persons
Sheet with wavy lines and abstract pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Gezicht op Montfoort
Object type: print
Date: 1692 – 1714
Materials: paper
Techniques: engraving, etching
Artist: thomas doesburgh
Artist role: print maker
Subjects: prospect of city, town panorama, silhouette of city
Gezicht op een terras met links en rechts een paviljoen
Object type: drawing
Date: 1755 – 1819
Materials: chalk, paper, watercolor
Techniques: brush
Artist: pierre adrien pâris
Artist role: draughtsman, print maker
Artist dates: 1745 – 1819
Subjects: garden, garden buildings
Inscriptions: annotation, on a fragment of the old backing paper, pencil: ‘Collection R. Mouilleron’
Sarah Ursula Rose
Object type: painting
Date: 1756 – 1756
Materials: canvas, oil
Culture: american
Artist: benjamin west
Artist role: artist
Artist nationality: american
Artist dates: 1738 – 1820
Subjects: portraits,women

This portrait was painted in 1756 when the subject was twelve years old. The roses in the sitter’s hand and hair are traditional symbols of feminine virtue as well as a play on her family name.
Piece
Object type: piece
Date: 1601 – 1800
Materials: metal thread, silk
Culture: chinese
Subjects: clouds
Spotprenten uit 'De Amsterdammer' van het jaar 1899
Object type: cartoon
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: political caricatures and satires

Bundel van 55 spotprenten van Braakensiek gepubliceerd als bijvoegsel bij 'De Amsterdammer' in het jaar 1899. Bundel geplakt in slappe omslag van grijsgroen karton met handgeschreven etiket '1899'.
Cour du palais
Object type: page
Date: 1869 – 1885
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: palace, courtyard
Funerary Cone of the Fourth Prophet of Amun Mentuemhat
Object type: cone, davy 449, montuemhat, tt 34, seal bearer, amun, mentuemhat
Date: 690 – 645
Materials: pottery
Location: egypt

This cone has the impression of a stamp seal inscribed for the fourth priest (prophet) of Amun, Mentuemhat, owner of Theban tomb 34, who was also seal-bearer of the king of Lower Egypt and mayor of the city. For a drawing of this impression see http://www.funerarycones.com/, number 449. See 15.10.45 for another type of cone belonging to this man.
Portable equatorial sundial
Object type: portable equatorial sundial
Date: 1725 – 1725
Materials: brass, silver
Techniques: gilding, silvered
Artist: ludewig
Artist role: maker
Artist dates: 1675 – 1775
Subjects: sundials
Martelaarschap van Eustachius van Rome
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: martyrdom, suffering, misfortune, death of st. eustace
Inscriptions: collector's mark: Lugt 2228
Portret van de arts en botanicus Frederick Ruysch
Object type: print
Date: 1723 – 1759
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: the hague, amsterdam, frederik ruysch
Inscriptions: collector's mark: Lugt 240

In het kader onder zijn portret een vierregelig lofdicht in het Latijn.
Popta-Slot. Marssum. Westzijde
Object type: photomechanical print
Date: 1905 – 1927
Materials: cardboard
Techniques: photograph
Location: leeuwarden
Subjects: castle, permanent exhibition, museum
Calavera: Historica-Religiosa (Calavera: Historic-Religious)
Object type: print
Materials: paper
Techniques: relief print
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Terracotta stand
Object type: stand
Date: 520 – 520
Materials: terracotta
Culture: greek, attic
Subjects: sphinx

A significant amount of Attic pottery was produced for the export to Etruria. Indigenous Etruscan shapes were reinterpreted in Athenian workshops; the Hellenized variants then sold to Etruscan patrons in the west and often buried in their tombs. The Etruscan prototypes generally exist in the sturdy black ware called bucchero. This pair of stands represents the phenomenon of adaptation with a shape unique in Attic vase-painting. They probably held floral or vegetal offerings.
White Chapel Cart # 3340
Object type: drawing
Date: 1877 – 1877
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gezicht op een huis in Elburg
Object type: sketchbook leaf
Date: 1863 – 1863
Materials: paper, pencil
Location: elburg
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: urban housing
Inscriptions: annotation: ‘Elburg’, date: ‘22 july 63’

Gezicht op een huis met muurankers in Elburg. Voor het huis staat een vrouw bij een bank. Blad 3 uit een schetsboek met 55 bladen vervaardigd op de Veluwe en in Noord-Duitsland.
Button
Object type: button
Date: 1873 – 1873
Materials: silver
Techniques: filigree
Artist: jacob ulrich holfeldt tostrup
Artist role: maker
Artist nationality: norwegian
Artist dates: 1806 – 1890
Dansende vrouwen in landschap; een jongen zit langs de kant van de weg
Object type: drawing
Date: 1895 – 1900
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: c. lapine
Artist role: draughtsman
Subjects: landscapes in the temperate zone, group of women (folk dancing)