deem-data/ArtiFact huggingface dataset:
Female Shinto Deity
Object type: sculpture
Date: 1101 – 1200
Materials: wood
Techniques: polychromy
Location: japan

In Shinto, the indigenous religion of Japan, female deities play an equally important role as their male counterparts. The earliest surviving sculptures of female Shinto deities date to the ninth century, and they often form a set with a depiction of the male deity Hachiman, the god of war. The goddesses’ identities are inexact, and such sculptures show a generic woman of the imperial court in secular dress.

Here the deity’s stiff pose and blocklike shape recall other sculptures of this type, but her softened facial features and placid expression make it apparent that the artist was very skilled.
Kraag van gemengde kant met hartvormige bladeren tussen trossen rozetbloempjes
Object type: collar
Date: 1875 – 1899
Materials: linen
Techniques: lace
Location: brussels
Artist: Anonymous

Kraag van naturelkleurige gemengde kant - kloskant in combinatie met een naaldkantgrond - Brusselse duchesse. V-vormig model met afgeronde wijde hoek en gevormd door een smalle strook die iets breder is in het middengedeelte. Het patroon bestaat uit hartvormige bladeren, in drie- en vijfvoud geplaatst. De velden tussen de bladeren zijn gevuld met trossen rozetbloempjes. De motieven zijn geklost in linnenslag en netslag. De grote motieven zijn geaccentueerd door contourdraden, die bestaan uit grof gehechte draadbundels. Rondom een schulpenrand.
Card Number 116, Edgerton, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Mrs. James Brown Potter, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
During the Reed Harvest
Object type: photograph
Date: 1886 – 1886
Techniques: platinum print
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Brief aan Jan Veth
Object type: letter
Date: 1859 – 1927
Materials: ink
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: painter, print maker, draughtsman, willem roelofs (i), dordrecht, designer, jan veth, wally moes, auguste couder, painting (including book-illumination, miniature-painting), printed matter
Inscriptions: collector's mark: ‘RPK’
Gezicht op het eiland Syros met zeilboten in het water
Object type: print
Date: 1822 – 1825
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: island, landscapes with waters, waterscapes, seascapes (in the temperate zone), traffic on the water
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk verschenen in: Choiseul-Gouffier, Marie-Gabriel-Auguste-Florent. Voyage pittoresque de la Grèce. Parijs: s.n., 1822-1825.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: antiphonic
Artist role: artist

Exterior, head and neck of youth to right
Hurdy Gurdy, from the Musical Instruments series (N82) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: musical instruments,women,musicians

Trade cards from the "Musical Instruments" series (N82), issued in a set of 50 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes.
Schepen voor de Emmahaven van Padang, gezien vanuit het binnenland met rechts een auto
Object type: album leaf
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: padang
Artist: Anonymous
Subjects: harbour (+ view ~ vehicle, ship, etc.), automobile

Panoramafoto bestaande uit twee afdrukken.
April, from The Twelve Months of the Year
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist nationality: dutch
Artist dates: 1593 – 1641
Inscriptions: Lettered upper center: "April" and lower right: "4"
Card 64, from the Girl Cyclists series (N49) for Virginia Brights Cigarettes
Object type: photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,bicycles

Trade cards from the "Girl Cyclists" series (N49), issued in 1887 by Allen & Ginter to promote Virginia Brights Cigarettes.
Four Views from the series Eight Views of Omi (Omi Hakkei)
Object type: print
Date: 1830 – 1830
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Fragment
Object type: textile
Materials: silk
Techniques: compound weave, weave
Location: egypt
Landscape in the Style of Huichong
Object type: folding fan mounted a an album leaf
Date: 1701 – 1800
Materials: ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: landscapes
Journalistiek Kraambezoek
Object type: cartoon
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Artist: petrus van geldorp
Artist role: draughtsman, print maker
Artist dates: 1872 – 1939
Subjects: utrecht, historical persons, visiting the new mother, lying-in visit, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: Neêrland’s Weekblad, nr. 19, 8 mei 1897.
Strafgevangenis te Hoorn, huismunt ter waarde van tien cents
Object type: monetary token
Materials: zinc
Techniques: striking
Location: utrecht
Artist: Anonymous
Subjects: hoorn (north holland)

Zinken betaalpenning. Voorzijde: letter H binnen omschrift. Keerzijde: waardeaanduiding
Hollandse kever en Javaanse rijstsprinkhaan
Object type: drawing
Materials: paper, pencil, watercolor
Techniques: brush
Location: jakarta
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: flowers: carnation, insects, insects: grass-hopper

Kleurtekening van een Hollandse kever en de anjer waarin hij door de tekenaar is gevonden. Door een microscoop getekend. Verder een Javaanse rijstsprinkhaan op ware grootte. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 1 (1808), p. 217.
Gezicht op houten loodsen aan de Muidergracht achter het St. Jacobstehuis
Object type: drawing
Date: 1812 – 1880
Materials: ink, paper, watercolor
Techniques: brush, pen
Subjects: city-view in general; 'veduta', shed
Inscriptions: inscription: ‘Port. 12-284’, signature, date and inscription: ‘Van de Muidergracht (...) Wilm Steelink / Dec 80’, collector's mark: ‘12’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Rokin, Rotterdammersloot, Rozengang, Rozengracht, Rozenstraat, Rusland, Rustenburgerstraat, Ruysdaelkade, Ruysdaelstraat, Ruyterkade (de), Ruyterweg (Admiraal de).
Vita, passio et resurrectio Jesu Christi
Object type: print
Date: 1582 – 1671
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich ulrich
Artist role: draughtsman, painter, print maker
Artist dates: 1572 – 1671
Subjects: christ's entombment (possibly by angels)
Inscriptions: number: ‘38. - 64.’, collector's mark: Lugt 240
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Fragment from the neck of an amphora, with part of a palmette lotus festoon
Wasgelegenheid in heuvelachtig landschap te Oudaghir, Le Figuig
Object type: album leaf
Date: 1927 – 1927
Materials: paper, photographic support
Techniques: gelatin silver print
Location: morocco
Artist: a.g.a. van eelde
Artist role: engineer
Artist dates: 1862 – 1950
Subjects: trees: palm-tree
Inscriptions: number: ‘26.’
Finial in the Shape of a Tiger's Head
Object type: finial
Date: 300 – 201
Materials: bronze
Culture: chinese
Subjects: tigers
Knife Handle (Kozuka)
Object type: knife handle kozuka
Materials: gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: men,flowers
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 425 – 401
Materials: terracotta
Culture: greek, attic

Head and part of upper torso of a balding, bearded satyr to right; part of a second figure?
A Short History: General Irvin McDowell, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: soldiers,men,portraits,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Die Waisenkinder
Object type: print
Date: 1850 – 1859
Materials: paper
Techniques: lithograph, engraving
Location: munich
Subjects: lodewijk i (koning van beieren), orphans
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit de serie 'Album Seiner Majestät des Königs Ludwig I. von Bayern', verschenen in verschillende afleveringen. De prenten gaan terug op het album dat Lodewijk I van Beieren op 9 oktober 1850 kreeg overhandigd van verschillende kunstenaars.
Brief aan Christiaan Kramm
Object type: letter
Date: 1858 – 1858
Materials: ink, paper
Techniques: pen, writing
Location: utrecht
Artist: jan lodewijk jonxis
Artist role: draughtsman, painter, print maker
Artist dates: 1789 – 1867
Subjects: brussels, painter, utrecht, print maker, draughtsman, christiaan kramm, family life
Inscriptions: collector's mark: Lugt 2233
Titelpagina voor Hollands Lustpark van Carel Allard
Object type: print
Date: 1673 – 1709
Materials: paper
Techniques: etching
Location: amsterdam
Artist: carel allard
Artist role: print maker, publisher
Artist dates: 1648 – 1709
Subjects: title-page
Inscriptions: collector's mark: Lugt 2228

Titel van het werk in het Nederlands en het Frans
Uitnodiging voor een diner van Les Amis de l'Art Japonais, 10 januari 1911
Object type: print
Date: 1901 – 1911
Materials: paper
Techniques: woodcut
Location: france
Artist: Anonymous
Subjects: plants and herbs: wheat, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228

Tarwehalm met blad en een rond beeldje (netsuke?) uit de collectie van Henri Verver. Uitnodiging voor een diner van Les Amis de l'Art Japonais, 10 januari 1911.
Angel Scourging a Harpy (recto); Athletic Scene (verso)
Object type: drawing
Date: 1890 – 1890
Materials: paint, gouache
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: angels,punishment
Portret van arts Paul Antoine Dubois
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Louis Marchand
Object type: book illustration
Date: 1738 – 1738
Materials: paper
Techniques: engraving
Location: paris
Subjects: lyon, ornament ~ medallion, portrait of composer

Mogelijk prent uit: Dreux du Radier, Jean-François. L'Europe illustré, contenant l'histoire abregée des souverains, des princes, des prélats, des ministres, (...) en Europe: dans le XVe. siècle compris, jusqu'à présent. Parijs: Michel Odieuvre en Jean-Luc Nyon, 1755, dl. 5.
Fotoreproductie van een prent naar een schilderij door Richard Westall, voorstellend een scene uit Hendrik VIII door William Shakespeare
Object type: page
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: specific works of literature
Inscriptions: number: ‘Ph. LXVII. 267’

Te zien is akte IV, scene 2 met een gezelschap voor de abdij van Leicester.
Flag book depicting flags of the world, circa 1669-1670
Object type: drawing
Date: 1667 – 1670
Materials: ink, paper, watercolor
Techniques: brush, pen
Location: france
Artist: Anonymous

Verzameling van tekeningen van 126 vlaggen, meest ingekleurd, enkele met titel (land of stad waarop de vlag betrekking heeft), elk op een eigen blad (in totaal 140 bladen, waaronder enkele blanco). In een latere doos met als titel 'Flags of the world 1669-1670'.
Studies of Goats
Object type: drawing
Date: 1809 – 1812
Materials: graphite, paper, watercolor
Techniques: brush
Location: italy
Artist: josephus augustus knip
Artist role: draughtsman, painter, print maker
Artist dates: 1777 – 1847
Subjects: goat, italy

Knip must have drawn these kinds of small studies of animals in large numbers. They proved useful as staffage in his painted landscapes populated with ‘beeldjes en beestjes’ (figures and beasts), as they were described in the 19th century.
Steltlopers
Object type: print
Date: 1547 – 1590
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: shore-birds and wading-birds: bittern, shore-birds and wading-birds: spoonbill
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Negen steltlopers, waaronder een lepelaar en een roerdomp. De prent maakt deel uit van een prentserie over vogels en vlinders.
Hodogaya, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"
Object type: print
Date: 1806 – 1806
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
David met het hoofd van Goliat
Object type: print
Date: 1539 – 1539
Materials: paper
Techniques: engraving
Location: antwerp
Artist: cornelis massijs
Artist role: painter, print maker
Artist dates: 1510 – 1557
Subjects: david with goliath's head
Inscriptions: collector's mark: Lugt 2228

David houdt het afgehouwen hoofd van Goliat in zijn ene hand en het zwaard in de andere hand. Op de grond ligt het lichaam van Goliat.
Stater (Coin) Depicting Pegasus
Object type: coin
Date: 350 – 338
Materials: metal, silver
Techniques: striking
Culture: greek
Location: corinth
Subjects: mythological figures

The front of this coin depicts the winged horse Pegasus flying left.

On the back the goddess Athena Chalinitis "The Bridler" is shown facing left with a diminutive dove behind her, surrounded by a wreath.
Two Ladies Looking at an Insect Cage
Object type: print
Date: 1855 – 1855
Techniques: woodblock print
Location: japan
Artist: shoji
Artist nationality: japanese
Artist dates: 1800 – 1899
Gesprek tussen keizers Marcus Aurelius en Julianus de Afvallige
Object type: book illustration
Date: 1702 – 1737
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous
Subjects: conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2228

Prent uit het tijdschrift: S.n. Maandelyksche berichten uit de andere waerelt; of de spreekende dooden. Amsterdam: Ratelband, erven Johannes, februari 1737.
Prent afkomstig uit een plakalbum met titelprenten, ornamenten etc. op blauw papier in 1983 uit elkaar gehaald. Volgens een notitie op verso zat de prent op p. 111 van dit album.
Theatrum Orbis Terrarum
Object type: album leaf
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: (story of) neptune (poseidon)

Neptunus en zijn vrouw Amphritite. Aan de drietand van Neptunus zijn twee vissen gespietst. Het ornament is een fragment van een kaart van Italië. De prent maakt deel uit van een album.
Basin with several boats on a river filled with lotus plants
Object type: platter
Date: 1700 – 1724
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Tang Emperor Xuanzong (r. 712-756) and his preferred concubine Lady Yang (719-756) here are enjoying a boat trip on the lake. For the favourites, life in the often harsh world of the imperial harem was like balancing on a tightrope. While they enjoyed certain liberties and exerted some influence, the envy of the official wife, the other concubines and powerful men posed a constant threat.
Portret van Richard Collin
Object type: print
Date: 1660 – 1699
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: brussels, print maker, richard collin, historical persons, portrait, self-portrait of graphic artist
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic
Artist: castelgiorgio painter
Artist role: artist

Exterior, head, neck, and part of upper torso of bearded, filleted male, with a himation draped over his left shoulder, and his left arm bent at the elbow; above his head, part of an architrave
Portret van Gotthilf Heinrich von Schubert
Object type: print
Date: 1821 – 1853
Materials: paper
Techniques: lithograph
Subjects: gotthilf heinrich von schubert, historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228
Man aan een waterkant in Overveen
Object type: drawing
Date: 1835 – 1910
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: hugo swaen
Artist role: draughtsman
Artist dates: 1825 – 1910
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), rowing-boat, canoe, etc.
Inscriptions: name: ‘Hugo Swaen’, inscription: ‘no. 125./ Naar eene studie/ achter 't Kolkje/ te Overveen.’
Palestrina and Her Daughters
Object type: print
Date: 1853 – 1853
Techniques: lithograph
Artist: henri-charles-antoine baron
Artist role: artist
Artist nationality: french
Artist dates: 1816 – 1885
Subjects: musical instruments,men,mothers,women
Triomf van Scipio
Object type: print
Materials: paper
Techniques: engraving, intaglio
Location: italy
Artist: Anonymous
Subjects: triumph of scipio, triumphal arch
Inscriptions: collector's mark: Lugt 240

Triomfoptocht van Scipio Africanus in Rome na zijn overwinning op het Carthaagse leger. Achter de overwinnaars te paard lopen de geketende overwonnenen. Links een triomfboog.
Incense burner (brûle-parfum)
Object type: incense burner
Date: 1775 – 1775
Materials: wood, copper, gilt bronze, tin
Techniques: gilding

The word cassolette was current in the eighteenth century for a phrase, coined in the latter half of the nineteenth century, that is more frequently used today: brûle-parfum. Both expressions apply to a piece of furniture or smaller object fitted with a receptacle, a utilitarian yet often beautiful item that produced pleasing fragrances (and in fact served as a kind of room deodorizer). Brûle-parfum is the more descriptive of the two terms, for the aromas were generated by miniature stoves or spirit lamps, called réchauds, set into the receptacles over which pastilles or sweet-smelling essences (eaux de senteur) were heated. Workers belonging to the Paris guild of parfumeurs produced the ingredients that released these delicious odors. The operation of the Museum's incense burner depended upon a small réchaud, now missing, that fitted into the bottom of the inverted-pear-shaped basin, which can be lifted out of the stand by means of three gilt-bronze, wreath-shaped handles, possibly to facilitate the emptying of ashes. Made of heavy copper plated on the inside with tin, this receptacle would have withstood the heat emitted from a spirit lamp. Fumes from the fuel, as well as aromatic exhalations, escaped through the ornamental perforations of the lid, which is mounted, like the basin, with a beautiful gilt-bronze leaf cup and knob. The finely carved rams' heads and feet on the three supports, the pinecone motif, the scale-pattern moldings, and the square-fretted scrolls are drawn from a standard repertory of Neoclassical ornament and are consistent with a dating of about 1775. A form of tripod stand used for ritualistic purposes was developed in antiquity, and versions of it reappear in Italian Renaissance paintings and sculpture. Small domestic articles of furniture based upon the classical tripod stand seem to have originated just after the middle of the eighteenth century in England and France, where they were called athéniennes if used for multiple purposes.
Fragment of an Open Vessel with Blue Palmette on White
Object type: fragment
Date: 801 – 900
Materials: earthenware, glaze
Techniques: painting
Location: iraq

This fragment was excavated at Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city was known in Arabic as al-Mada’in, or “the cities”, for its extended area. Arab historians indulge in describing al-Mada’in/Ctesiphon’s grand monuments, which obsessed Muslim rulers and may have acquired a symbolic meaning related to its imperial past. This was the case of the Taq-i Kisra, an impressively-sized ivan (a vaulted hall with one side open) partially dismantled to reuse its bricks in caliphal buildings in the new capital Baghdad. Finds like this fragment, which was excavated at a site named Selman Pak V, attest to the continued occupation of Ctesiphon’s urban area in the early Islamic period. Similar ceramics count amongst the advances achieved by Iraqi potters in the 9th century. Beside technical innovations, such as the development of a range of opacifying techniques for glazes and the use of cobalt blue, the potters’ works attest of their artistic creativity. The combination of in-glaze-painted blue on a white background is an example of the new aesthetic (“blue and white”). Such advanced pottery productions profited of broad commercial networks both for the retrieval of raw materials and the diffusion of the finished product. The cobalt employed for the blue, nearly absent in Iraq, was imported from the Caucasus or Iran. Iraqi “blue and white” vessels have been found as far East as China and may or may not have inspired the later blue and white Chinese porcelains.
Ferme près d'Abconde
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: drypoint, etching, intaglio
Location: netherlands
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: hay-stack, farm or solitary house in landscape (+ city(-scape) with figures, staffage), abcoude
Inscriptions: number: ‘N. 6’, collector's mark: Lugt 2228

Gezicht op een boerderij met een hooiberg. Rechts staat een vrouw de was te doen.
Het drilveld voor de vrije verkiezingen
Object type: cartoon
Date: 1864 – 1864
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: drill ~ military training
Inscriptions: collector's mark: Lugt 2228

Spotprent op de verschillende politieke programma's bij de aanstaande verkiezingen. Politici worden door een korporaal gewapend met een pen gedrild. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 22, 28 april 1864.
Maurice Daly, Billiard Player, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,billiards

Trade cards from "World's Champions," Series 1 (N28), issued in 1887 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Handle Spout Vessel with Healer or Midwife Touching a Reclining Figure
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Culture: moche
Location: peruvian north coast