deem-data/ArtiFact huggingface dataset:
Alpenmeer met botenhuis aan de voet van het Beierse hoogland
Object type: carte de visite
Date: 1876 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: bavaria
Artist: bernhard johannes
Artist role: fotograaf
Artist dates: 1846 – 1899
Subjects: lake, travelling; tourism, boat-house, shed
Inscriptions: address: ‘Partenkirchen’

Onderdeel van Fotoalbum met 36 opnames van Europese landen.
New York Ferry Boat
Object type: print
Date: 1860 – 1865
Techniques: hand coloring, lithograph
Artist: currier & ives
Artist role: lithographer
Artist nationality: american
Artist dates: 1857 – 1907
Subjects: boats

A marine scene. A ferryboat with paddlewheel and smokestack travels to the left. Passengers ride on both front and back decks.
Aanbidding van het Christuskind door man met geschenk
Object type: print
Date: 1821 – 1879
Materials: paper
Techniques: etching
Location: netherlands
Artist: jonkheer isaac lambertus cremer van den berch van heemstede
Artist role: print maker
Artist dates: 1811 – 1879
Subjects: adoration of the christ-child ~ christ's birth
Inscriptions: collector's mark: Lugt 2228

Maria zit met Christuskind op schoot en Jozef achter haar. Een man, mogelijk een koning, of vrouw knielt voor het Kind met een geschenk in de hand. Boven hen verschijnt een duif met een olijftak.
Twee groepsportretten van een groep militairen en van drie mensen met honden in de sneeuw
Object type: photograph
Date: 1910 – 1911
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, snow, dog, anonymous historical persons portrayed in a group, in a group-portrait, netherlands

Deze foto's maken deel uit van een album.
Kluizenaars
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving
Location: venice
Subjects: forest, wood, anchorite, hermit, 'en route', traveller under way, money
Inscriptions: collector's mark: Lugt 240

Op de voorgrond de kluizenaar Ephaestius. Hij gooit een buidel met munten in het water. Achter hem zijn kluizenaarshut. Links een paar reizigers die een brug oversteken. Op de achtergrond een boslandschap.
Portret van Oscar Tourniaire
Object type: photomechanical print
Date: 1937 – 1937
Materials: paper
Techniques: photochemical processes
Subjects: amsterdam, historical persons, portrait of actor, actress
Haarddeksteen met het wapen van Prins Maurits van Oranje Nassau
Object type: haarddeksteen
Date: 1567 – 1625
Materials: earthenware
Techniques: printing, firing
Location: netherlands
Artist: Anonymous
Subjects: the hague, maurice (prince of orange)
Schutsluis
Object type: stereograph
Date: 1900 – 1902
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: sluice, weir
Inscriptions: inscription: ‘Willem I aan den ingang van het Groot Noordhollandsch Kanaal (...) geopend kunnen worden.’, number: ‘9.’, inscription: ‘A.9.’
Louis XV
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: jean-baptiste de grateloup
Artist role: painter, print maker, sculptor
Artist nationality: french
Artist dates: 1735 – 1817
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Twelve black glazed fragments from kylikes
Fragrant Mountains
Object type: folding fan mounted a an album leaf
Date: 1835 – 1902
Materials: ink, paper
Culture: chinese
Artist: wu dacheng
Artist role: artist
Artist nationality: chinese
Artist dates: 1835 – 1902
Subjects: mountains,landscapes

The round, weighty brush strokes borrowed from the study of archaic scripts by late 19th century scholar artists are clearly seen in this fine ink landscape by Wu Dacheng. As a Qing official, Wu Dacheng was a participant in several important events in 19th century history. When the Qing intervened in Annam in 1884 on behalf of the king against the French, Wu was sent to Tientsin to defend the city against the French attack. As governor of Guangdong, he negotiated customs duties on opium that continued to flow into the country through Canton and Macao, and without success recommended against ceding Macao to the Portuguese. As governor of Henan, he raised the standards of production in the lucrative silk and tea industries. When the Sino-Japanese War broke out in 1894, Wu took troops to defend a strategic northern mountain pass. His troops were defeated and he was dismissed from his post, after which he devoted his leisure to cultivating his talents as poet, calligrapher, seal cutter, connoisseur, collector, epigrapher and painter.
Portret van een staand meisje
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: girl (child between toddler and youth)
Zicht op kasteel van Chantilly aan het kanaal
Object type: print
Date: 1765 – 1830
Materials: paper
Techniques: etching
Location: paris
Subjects: castle, canal, chantilly
Inscriptions: watermark, collector's mark: Lugt 2228
The Basket Seller
Object type: drawing and watercolor
Materials: graphite, ink, paint, paper, watercolor
Techniques: brush, pen
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Rebāb
Object type: rebab
Date: 1801 – 1900
Materials: bone, brass, lace, leather, mother of pearl, wood
Culture: algerian
Location: algeria

This type of rebāb is one of the most important instruments in traditional Arabic ensembles of Tunisia, Algeria, and Morocco. It made its way into Spain with the Moors and from about 1300 lent its name to the early European fiddle, the rebec, which was originally played with the rounded end on the lap just as the rabāb may be played today. Short-necked, bowed lutes from Algeria are made with decorative pierced brass fingerboards while those from Morocco use wood to cover the hollowed neck.
Kerkdienst met meisjes
Object type: watercolor
Date: 1830 – 1889
Materials: chalk, paper, watercolor
Techniques: brush
Artist: jan fabius czn
Artist role: draughtsman
Artist dates: 1820 – 1889
Subjects: the congregation, preaching (in general)
S. Terrason
Object type: drawing and watercolor
Date: 1849 – 1849
Materials: graphite, paint, paper, watercolor
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
Edelman en een geestelijke met kind in een rariteitenkabinet
Object type: book illustration
Date: 1702 – 1767
Materials: paper
Techniques: etching
Artist: jacob folkema
Artist role: draughtsman, print maker
Artist dates: 1692 – 1767
Subjects: cabinet of curiosities, 'kunst- und wunderkammer'
Inscriptions: collector's mark: Lugt 240

In een vertrek gevuld met talrijke rariteiten bevinden zich een edelman en een geestelijke met een kind in zijn armen. Prent rechtsboven gemerkt: Tom. ii pag. 187.
Sirimba (Zambèze)
Object type: photomechanical print
Date: 1900 – 1920
Materials: cardboard, paper
Techniques: rotogravure
Artist: Anonymous
Subjects: other percussion instruments, card games
Fragment
Object type: textile
Date: 1401 – 1500
Materials: silk, velvet
Techniques: cutting, satin weave, voiding, weave
Location: italy
Gloves
Object type: glove
Date: 1867 – 1867
Materials: leather
Culture: french
Artist: alexandrine
Artist role: designer
Artist nationality: french
Britannia Barracks, Mousehold Heath, Norwich, Engeland
Object type: photograph
Date: 1892 – 1894
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: england
Inscriptions: inscription: ‘Britannia Barracks Norwich officers 18[?]’, caption: ‘Britannia Barracks Mousehold//Norwick [sic] April 26th 1892- to February 23 1894.’

Britannia Barracks is een groot complex, dat dienst deed als legeronderkomen en meer recent als gevangenis. Mousehold Heath is een heide- en boslandschap in het Noord-oosten van Norwich, Engeland. an area of heathland and woodland which lies in north east Norwich, England.
Animal figurine
Object type: sculpture
Date: 201 – 700
Materials: ceramic
Culture: sasanian
Location: mesopotamia
Subjects: animals
Tankard
Object type: glass
Date: 1730 – 1730
Materials: glass, silver
Location: germany
Plate 7: a cartouche with the mask of an ogre at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches)
Object type: print
Date: 1640 – 1645
Techniques: etching
Artist: françois collignon
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1687
Subjects: masks,cartouches
Studies ter vergelijking van meesters uit verschillende schilderscholen
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: sevilla, draughtsman, bartolomé esteban murillo, historical persons, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: Lugt 2228a
Gezelschap rondom een tafel met elkaar proostend
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: adult woman, adult man, drinking
Glass mosaic beaker fragment
Object type: fragment, mosaic beaker
Date: 34 – 33
Materials: glass
Culture: roman

Thin-walled rim fragment. Translucent purple and opaque white. Vertical, rounded rim; straight side, tapering downward. Mosaic pattern formed from lengths of a single cane in a purple ground with white threads and swirls. Polished exterior; some pitting on exterior; dulling and iridescent weathering on interior.
Card Number 522, Miss Landry, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Villa Almerico (Villa Rotunda), from I quattro libri dell'architettura di Andrea Palladio (Book 2, page 19)
Object type: book print ornament architecture
Date: 1570 – 1570
Techniques: printing, woodcut
Location: italy
Artist: andrea palladio
Artist role: author
Artist nationality: italian
Artist dates: 1508 – 1580
Subjects: architecture

One of the best-known and often copied villas of the Renaissance, the Villa Americo (1566–69), originally built for Monsignor Paolo Americo and completed by Vincenzo Scamozzi, still overlooks the vineyards and farmlands outside Vicenza. Following the precepts described by Alberti in De re aedificatoria (first edition, 1485) and in turn based on classical Vitruvian theories, the villa is beautifully perched on a hilltop, its appearance reminiscent of a Greek temple rather than a private country residence. Also known as the Villa Rotonda, the building is four-square and bilaterally symmetrical, centering upon a round, domed hall, its facades accentuated with a hexastyle, projecting temple-front portico on all four sides. As the domestic retreat of a gentleman, it ignores many of the properties of Palladio's designs for working villas such as the granary on the second floor. Villa Rotonda demonstrates Palladio's mastery in crystallizing classical ideals of geometric form, absolute symmetry, and harmonic proportion in plain, dignified designs.
Willem van den Berg met een vrouw en een jongen bij een rivier in Makuleke, Zuid-Afrika
Object type: album leaf
Date: 1911 – 1968
Materials: paper, cardboard
Techniques: chromogenic print
Location: makuleke
Artist: willem jacob van den berg
Artist role: boer
Artist dates: 1902 – 1983
Subjects: willem jacob van den berg, river, forest, wood

Deze foto's zijn onderdeel van een album.
Silenus, the Tutor of Dionysos
Object type: plaque
Date: 301 – 700
Materials: bone
Culture: byzantine
Location: egypt
Subjects: silenus

The bearded, balding man is Silenus, the aged tutor and companion of Dionysos. The unarticulated arms, sagging skin, and rounded belly of an older mortal contrast with the god’s pose, traditionally used for youthful figures.
Fragment
Object type: fragment
Date: 1701 – 1800
Materials: cotton
Speculum Romanae Magnificentiae
Object type: print
Date: 1560 – 1560
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: theatre (building) - aa - open-air performances, representation of real building (either existing or having existed)
Inscriptions: date

Deze prent behoort tot het prentcorpus dat bekend staat als de ‘Speculum Romanae Magnificentiae’ (‘Spiegel van Romeinse pracht’). Dit corpus, bestaande uit prenten met voorstellingen van kunstwerken en gebouwen uit het antieke en het moderne Rome, vond zijn oorsprong bij uitgevers Antonio Salamanca en Antonio Lafreri. Deze twee buitenlandse uitgevers bundelden hun krachten te Rome in de periode 1553-1563. Hun prenten werden al snel razend populair bij toeristen en verzamelaars, die de prenten individueel of in grote groepen aanschaften. Grote groepen Speculum-prenten werden vaak op aanvraag samengebonden in albums. Er zijn verschillende Speculum-albums overgeleverd die allemaal verschillen van inhoud. Tussen 1573 en 1577 gaf Antonio Lafreri een speciale titelpagina uit (met de titel ‘Speculum Romanae Magnificentiae’) die mensen voor hun verzamelingen konden voegen. Het overlijden van Lafreri in 1577 betekende niet het einde van het corpus. Een groot deel van de koperplaten ging over op Claudio en Stefano Duchetti. De rest raakte verspreid over verschillende andere uitgevers. De populariteit van de Speculum-prenten wist nog geruime periode uitgevers te inspireren tot het laten maken van kopieën en het toevoegen van nieuwe prenten aan het corpus.
The Flute Lesson
Object type: group
Date: 1752 – 1752
Materials: soft paste porcelain
Artist: vincennes manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 1756
Subjects: animals,men,women,flutes

Works of art by the French artist François Boucher (1703–1770), who held the prestigious title of first painter to the king, served as a highly popular source of inspiration for artists working in a variety of media in the middle decades of the eighteenth century. Prints made after paintings by Boucher were widely circulated and provided artists with compositions that could be faithfully reproduced in smaller scale or adapted to three-dimensional porcelain sculpture. Works by Boucher served as the source not only for the painted scenes on vases and snuffboxes, but also for the porcelain figures which were listed as "Enfants Boucher" (Boucher Children) in the factory’s sales ledgers.
Het tekenboek van Peter Paul Rubens
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Artist: paulus pontius
Artist role: draughtsman, print maker
Artist dates: 1603 – 1658
Subjects: centaurs, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘16’, collector's mark: Lugt 240

Antiek beeld van een centaur die zich omdraait naar een putto die hem berijdt.
Dromedary, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: camels

Trade cards from the "Wild Animals of the World" series (N25), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Aanlegplaats van de Weesper trekschuit aan de Weesperzijde bij de IJsbreker
Object type: drawing
Date: 1805 – 1805
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: amsterdam, print maker, draughtsman, christiaan andriessen, tow-boat, towing-barge
Inscriptions: signature: ‘J Andriessen’, inscription: ‘30 aug. Ecoutez dites a votre Pere & Mere de n'etre plus faché’

Dagboekblad uit het getekende dagboek dat Christiaan Andriessen bijhield van 1805 tot en met 1808.
Portmadoc Harbour from Borth
Object type: photograph
Date: 1860 – 1894
Techniques: albumen print
Location: england
Artist: francis bedford
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1894
Groot grotesk hoofd
Object type: print
Date: 1620 – 1624
Materials: paper
Techniques: engraving, etching
Location: naples
Artist: jusepe de ribera
Artist role: draughtsman, painter
Artist dates: 1591 – 1652
Subjects: disabilities, deformations, diseases affecting parts of the body
Inscriptions: collector's mark: Lugt 240

Hoofd van een oude man met een frygische muts op, en profil. In zijn hals een groot gezwel.
Portret van Aafke Postma in Friese klederdracht met haar jongste zoontje
Object type: cabinet photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: chicago
Artist: the leader
Artist role: fotograaf
Subjects: studio requisites ~ photographer, head-gear: cap, folk costume, regional costume
Inscriptions: name: ‘Aafke Postma en jongste zoontje.’
Disk Brooch
Object type: brooch
Date: 600 – 650
Materials: copper alloy, glass, paste, silver, metal
Culture: frankish or northern french
Snuffbox
Object type: snuffbox
Date: 1745 – 1746
Materials: gilt, silver
Artist: antoine daroux
Artist role: maker
Artist nationality: french
Artist dates: 1689 – 1789

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Tobias and the Angel
Object type: print
Date: 1644 – 1652
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: boys,dogs,fish,landscapes,angels

The Small Tobias; Tobias holding a fish and a stout walking stick, accompanied by the Archangel Raphael holding his arm, crossing a river on stepping stones from right to left; a copy in reverse after Goudt who engraved after Elsheimer.
Portret van een man
Object type: photograph
Date: 1894 – 1907
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Subjects: historical persons
Inscriptions: annotation: ‘Souvenir van/ [.].J. Mang[a]ms/ Febr. 1898.’, inscription: ‘Koene & Büttinghausen/ Amsterdam/ Heerengracht 150./ Telephoonnummer 1402./ Batavia.’
Pot
Object type: jar
Date: 1635 – 1458
Materials: paint, pottery
Location: egypt
Gallery of Fashion, Fig. 180
Object type: fashion print
Date: 1798 – 1798
Materials: paper, ink, watercolor
Techniques: aquatint, etching, hand coloring
Location: london
Subjects: fashion plates
Inscriptions: collector's mark: Lugt 2228

Staande vrouw in geruite japon met waaier.
Zephyr
Object type: print
Date: 1864 – 1864
Techniques: engraving, etching
Artist: pierre paul prud'hon
Artist role: artist
Artist nationality: french
Artist dates: 1758 – 1823
Subjects: male nudes
Bospad aan een kanaal bij de Plantage
Object type: sketchbook leaf
Date: 1810 – 1871
Materials: ink, paper, pencil
Techniques: brush
Location: rotterdam
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: canal, forest path or lane, landscapes (+ landscape with figures, staffage), rotterdam
Inscriptions: date and inscription: ‘plantage/ alleen 14/10 71’

Blad 94 recto uit een schetsboek met 98 bladen.
Fragment; (mogelijk) behorend tot het retabel van Soest
Object type: sculpture
Date: 1475 – 1499
Materials: wood
Snuffbox
Object type: snuffbox
Date: 1738 – 1744
Materials: silver, soft paste porcelain
Artist: saint-cloud factory
Artist role: factory
Artist nationality: french
Artist dates: 1693 – 1766
Subjects: flowers

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
The Ex-Minister and the Meteor
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: charles williams
Artist nationality: english
Artist dates: 1797 – 1830
Gezicht op de Place de la Commune in Antwerpen
Object type: print
Date: 1862 – 1901
Materials: paper, pencil
Techniques: etching, intaglio
Artist: jules guiette
Artist role: print maker
Artist dates: 1852 – 1901
Subjects: square, place, circus, etc., monument, statue
Inscriptions: annotation: ‘2me Etat’, collector's mark: Lugt 2228
Plate 6: The Israelites Defeated by the Canaanites for Having Disobeyed Moses, from 'The Battles of the Old Testament'
Object type: print
Date: 1590 – 1610
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: battles,soldiers,weapons,horses
Vase with dragons amid flowers
Object type: vase
Date: 1567 – 1633
Materials: cobalt, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: dragons,flowers
Medaillon met dubbelportret van Karel IV, koning van Spanje, en gemalin
Object type: print
Date: 1788 – 1789
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: karel iv (koning van spanje), charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228

Een basement met daarop een madaillon met een dubbelportret van Karel IV, koning van Spanje, en zijn gemalin. Rond het medaillon de personificaties van rechtvaardigheid (Justitia), geloof (Fides) en liefde (Caritas).