deem-data/ArtiFact huggingface dataset:
Heilige Franciscus van Assisi
Object type: print
Date: 1591 – 1591
Materials: paper
Techniques: woodcut
Location: italy
Artist: andrea andreani
Artist role: print maker, printer
Artist dates: 1558 – 1629
Subjects: founder of the order of friars minor (franciscans), francis(cus) of assisi; possible attributes: book, crucifix, lily, skull, stigmata
Inscriptions: collector's mark: Lugt 240

De heilige Franciscus van Assisi met kruis. Op zijn handen zijn de stigmata zichtbaar. Rechts op de rotsen ligt een doodskop.
A Bravura Air. Mandane
Object type: print
Techniques: etching
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: women
Bosgezicht
Object type: print
Date: 1856 – 1909
Techniques: printmaking, etching
Location: netherlands
Artist: petrus johannes arendzen
Artist role: draughtsman, print maker
Artist dates: 1846 – 1932
Subjects: forest, wood
Inscriptions: collector's mark: Lugt 2228

Bosgezicht met vijver en eenden. In marge een landschap met molen.
Allegorische vignetten
Object type: print
Date: 1750 – 1816
Materials: paper
Techniques: engraving, etching

Vier vignetten met verschillende allgorische figuren. Onderdeel van het tweede van twee albums met ingeplakte prenten en tekeningen te dienen als tekenvoorbeelden.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, nose, mouth, chin, neck, right shoulder, and part of upper right arm and torso of youth to right
Gezicht op een gebouw aan het Piazza San Marco te Venetië
Object type: photograph
Date: 1865 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: carlo naya
Artist role: fotograaf
Artist dates: 1816 – 1882
Subjects: san marcoplein
Inscriptions: : ‘27’
Watch
Object type: watch
Date: 1501 – 1700
Materials: quartz, silver
Artist: melchior adan (or adam)
Artist role: maker
Artist dates: 1605 – 1615
Ovoid covered jar with four moulded monster heads
Object type: covered jar
Date: 1800 – 1899
Materials: earthenware, glaze
Techniques: firing, forming, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: label: ‘Br. Jeltes no. 22’

Eivormige dekselpot van aardewerk met een korte hals en platte rand, gedeeltelijk bedekt met een geel glazuur. Op de schouder viermaal een gemodelleerde monsterkop. Het onderste deel van de buik en de onderzijde zijn ongeglazuurd. De deksel heeft een platte knop. Deksel is gebroken geweest. Oud label op de wand met 'Br. Jeltes no. 22'.
Secretary and bookcase
Object type: secretary and bookcase
Date: 1795 – 1805
Materials: wood
Culture: american
Location: united states
Panel from a jewelry casket: Krishna slays Putana
Object type: panel
Date: 1534 – 1566
Materials: ivory
Culture: south indian
Stand (part of a service)
Object type: stand
Date: 1761 – 1761
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: flowers
Harpokrates in double crown
Object type: figurine, harpokrates, double crown
Date: 664 – 630
Materials: metal
Location: egypt

The figure represents a child god in a striding/standing position, wearing the double crown, which alludes to his royal status. The child god is distinguished from adult gods by a range of iconographic clues: his nudity, the finger raised to the mouth (a child-like gesture), and the sidelock on the right side of his head. The faint incised outline of a string is visible at his neck, intended for the suspension of an amulet, an attribute common to child gods but not adult gods. Child gods grew in popularity and cult from the Third Intermediate Period onwards, rivaling even the most powerful and ancient gods, especially as temple offerings. Without an inscription, it can be very difficult to securely distinguish and identify particular child gods, but here the double crown identifies the god as Harpokrates (Horus the Child), who was the son of Osiris and Isis. This royal crown symbolizes the union of Lower and Upper Egypt, and highlights Horus’ role as the legitimate ruler of the entire land and his direct association with the king. The red crown on this statuette is incredibly detailed but unusual, as it is completely covered in incised diamond shapes with dots at their centers; the pattern is similar but not identical to the more common blue or red crowns with incised circles.
Valance (For a Bed)
Object type: textile
Date: 1601 – 1800
Materials: cotton, linen, textile, silk
Techniques: embroidery, interlacings, weave, satin weave, stitching
Location: rhodes
Oval Dish
Object type: drawing
Date: 1800 – 1900
Materials: ink
Techniques: pen, wash
Artist: anonymous, italian, 19th century
Artist role: artist
Artist nationality: italian
Artist dates: 1800 – 1900
Subjects: dishes
Apron
Object type: apron
Date: 1715 – 1715
Materials: cotton, linen
Culture: british
Subjects: peacocks
Panther Seizing a Stag
Object type: sculpture
Materials: bronze, copper alloy, metal
Techniques: casting, carved
Location: france
Artist: antoine louis barye
Artist nationality: french
Artist dates: 1795 – 1875
Subjects: animals, violence, hunting
Inscriptions: Signed right: BARYE.; Exposition Universelle, 1889, Paris (base front, right of center); F. Barbedienne, Fondeur. (rear left)
Ring with Blue Glass in Plain Setting
Object type: ring
Materials: glass, gold
Culture: indonesian, javanese
Plate with bouquets and flower sprays
Object type: plate dish
Date: 1839 – 1839
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: paris
Inscriptions: mark: ‘32/ X’

Bord van porselein met een gelobde rand, beschilderd op het glazuur in blauw, rood, roze, groen, geel, paars, zwart en goud. Op het plat boeketten van verschillende bloemen en strooibloemen. Vanuit de gelobde, gouden rand, gemodelleerde bladranken in reliëf, aangezet met goud. Hiertussen boeketten. Drie proenen op de onderzijde. Gemerkt op de onderzijde met 32 en X.
Aankondiging van de geboorte van Christus aan Jozef
Object type: print
Date: 1586 – 1586
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: joseph worrying about mary's pregnancy; annunciation to joseph in a dream (matthew 1:19:25)
Inscriptions: collector's mark: Lugt 240, signature, date and inscription: ‘HG inuent et excud. Colart sculp’

Goltzius heeft deze prent ontworpen en uitgegeven. Het vervaardigen van de plaat is echter uitgevoerd door Adriaen Collaert. Serie van zes, alle exemplaren aanwezig in het RPK. Jacobs, G.
Ceremonial Stand / Disc
Materials: jade
Location: china
Two Genii with a Cat and a Rat
Object type: print ornament architecture
Date: 1594 – 1594
Techniques: engraving
Artist: nicolaes de bruyn
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1656
Subjects: putti,cats,rats

Two putti against a landscape with a plant growing a center and a rat below. At right, a putto holding a grasshopper in his right hand and a cat behind him at far right. From a series of six plates.
Valies-Vale, Near Frome
Object type: print
Materials: paper
Techniques: aquatint
Location: england
Artist: theodore henry adolphus fielding
Artist role: author
Artist nationality: british
Artist dates: 1781 – 1851
Veues des belles Maisons de France
Object type: titelprent, frontispice
Date: 1650 – 1677
Materials: paper
Techniques: etching
Location: paris
Subjects: courtyard, ornamental fountain
Inscriptions: collector's mark: Lugt 2228
Bronze elliptical leaf, perhaps a waist ornament
Object type: cuirass fitting
Date: 500 – 401
Materials: bronze
Culture: etruscan

Leaf-like ornament with a small hole on the tip of each piece.
Side Chair
Object type: side chair
Date: 1805 – 1815
Materials: wood, brass
Culture: american
Location: united states
Thepot with two pearl chasing dragons
Object type: teapot
Date: 1700 – 1799
Materials: bronze, glaze, gold, porcelain
Techniques: firing, gilding, relief, turning
Location: china
Artist: Anonymous
Inscriptions: mark

Two dragons chasing a flaming pearl is a traditional auspicious motif in Chinese culture. In contrast to its European counterpart, where dragons are often associated with malevolence, in China they symbolize positive attributes, such as strength and invincibility. Once the teapot was in Europe, it was fitted with the gilt-bronze chain and decorations on the handle and spout to protect its more delicate parts.
Treffen tussen Fielding en Van Bylandt, 1779
Object type: design
Date: 1780 – 1795
Materials: ink, paper
Techniques: brush, pen
Location: northern netherlands
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: battle (+ naval force)

Treffen tussen een Engels eskader onder bevelhebber Charles Fielding en een Nederlands eskader onder Lodewijk van Bylandt dat een konvooi begeleidde, bij Isle of Wight op 31 december 1779. Ontwerp voor een prent.
Limestone head of a bearded male wearing a conical helmet
Object type: head of a warrior
Materials: limestone
Culture: cypriot
Subjects: helmets,heads,men

The rounded beard is smooth, with the central part jutting forward. The face is thin, the features delicate; the expression is smiling. There is a small mustache above the upper lip. The eyes, with slightly protruding eyeballs, turn inward; the relatively short, thick eyebrows are high-set. On the forehead, a smooth band indicates the locks that show underneath the helmet, the cheekpieces of which are clearly outlined.
Portret van een vrouw
Object type: painting, miniature
Date: 1710 – 1710
Materials: oil, silver, wood
Artist: arnold boonen
Artist role: draughtsman
Artist dates: 1669 – 1729
Subjects: historical persons not known by name - bb - woman

Attributed to Arnold Boonen (1669 - 1729). Portrait of a woman. Oilpaint on silver, c. 1710. Miss M.E. van den Brink bequest, Velp, 1905.
Star-Shaped Tile
Object type: tile
Date: 1201 – 1300
Materials: cobalt, glaze, stonepaste
Techniques: luster painting
Location: iran
Girl Arranging Flowers
Object type: hanging scroll
Date: 1774 – 1829
Materials: ink, silk
Culture: chinese
Artist: gai qi
Artist role: artist
Artist nationality: chinese
Artist dates: 1773 – 1828
Subjects: girls
Le Ministère des Finances Incendié. Vue Extérieure
Object type: page
Date: 1871 – 1872
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: alphonse-justin liébert
Artist role: fotograaf, marinier
Artist dates: 1827 – 1914
Subjects: ruin of a building ~ architecture, organization of trade and finance, national government, paris
Inscriptions: address: ‘31, Rue St. Lazare’, number: ‘(No. 15)’
Drawing for a Door Frame
Object type: drawing
Date: 1701 – 1800
Techniques: pen, wash
Artist: lorenzo sarti
Artist role: artist
Artist nationality: italian
Artist dates: 18 – 18
Subjects: architecture
Regenspurg mit der Ch. Baijr. Stadt am Hof
Object type: print
Date: 1650 – 1700
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities
Inscriptions: collector's mark: Lugt 2228
Titelpagina voor: Code Louis XIV, 1667
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: engraving
Location: france
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: lodewijk xiv (koning van frankrijk), historical persons, throne, king
Inscriptions: collector's mark: Lugt 240

Titelpagina voor een onbekend boek, getiteld 'Code Louis XIV', uit 1667.
Holland, Phliips de Goede, kwart groot
Object type: kwart groot
Date: 1434 – 1440
Materials: silver
Techniques: striking
Location: dordrecht
Artist: philip iii the good
Artist dates: 1396 – 1467

Zilveren munt. Voorzijde: wapenschild van Philips de Goede (één lelie) in veld. Keerzijde: kort gevoet kruis, in hoeken afwisselend lelies en leeuwtjes, in het hart roos.
Studioportret van een jongen in drie delig pak naast een tafel
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Inscriptions: name: ‘Albert Greiner, Amsterdam’
Lobed bowl with patrinia, mistflower and butterflies
Object type: bowl
Date: 1670 – 1690
Materials: glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: arita
Artist: Anonymous
Inscriptions: label: ‘Collectie Westendorp/ 128’

Bowl c. 1680 - 1700
Window stool
Object type: window stool
Date: 1805 – 1815
Materials: wood
Culture: american
Location: united states
Artist: duncan phyfe
Artist role: maker
Artist nationality: american, born scotland
Artist dates: 1770 – 1854
Portret van Pius VII
Object type: print
Date: 1820 – 1850
Materials: paper
Techniques: etching, roulette
Subjects: rome, clergyman, pius vii, historical persons, pope
Inscriptions: collector's mark: Lugt 2228
Die Godt vertrout, Heeft wel gebout
Object type: book illustration
Date: 1687 – 1687
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: sowing
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. Voncken der liefde Jesu, van het godtbegerende zielenvier. Amsterdam: Pieter Arentsz (II), 1687, p. 42.
Cuirass
Object type: cuirass
Date: 1560 – 1560
Materials: steel
Culture: italian
Location: italy
Outer Robe (Uchikake) with Mount Penglai
Object type: outer robe
Date: 1834 – 1866
Materials: gold thread, paste, silk
Techniques: dyeing, embroidery, resist
Culture: japanese
Subjects: cranes,turtles,bamboo

The legendary isle of the immortals, located in the eastern seas according to ancient Chinese legend, is called Mount Penglai. In Japan, where it is called Hōrai, it was frequently represented as a gathering of cranes and tortoises in a bright landscape dominated by pine, plum, and bamboo. An auspicious theme, it was often used, as here, for bridal garments. This lined silk robe, or uchikake, with a wadded hem was meant to be worn as an outer garment, without a sash. It displays a wealth of motifs symbolizing good fortune, steadfastness, and longevity, including the Three Friends of Winter—plum blossoms, pine, and bamboo—cranes and long-tailed tortoises, and chrysanthemums of different colors.
Designs for Two Ewers, Two Bottle-shaped Vases and a Covered Tureen
Object type: drawing
Date: 1845 – 1855
Materials: ink, watercolor
Techniques: pen
Artist: alfred henry forrester [alfred crowquill]
Artist role: artist
Artist nationality: british
Artist dates: 1804 – 1872
Subjects: ewers,vases
De Heerenpoort te Leiden (?)
Object type: watercolor
Date: 1734 – 1781
Materials: chalk, ink, paper, watercolor
Techniques: brush, pen
Subjects: city-gate, leiden
Fan
Object type: fan
Date: 1870 – 1879
Materials: ivory
Culture: american or european
Subjects: butterflies
Dagger-Axe
Object type: dagger
Date: 1100 – 901
Materials: bronze
Culture: chinese
Pair of Rowel Spurs
Object type: armor
Date: 1601 – 1633
Materials: iron, silver
Culture: north european
Location: northern europe
De dieren, kind'ren! die deez' print u vertoonen, En water, aarde of lucht bewoonen, Tweeslachtig des genoemd, verdienen in der daad, Dat gij hunn' naam en aart opmerkzaam gadeslaat
Object type: print
Date: 1811 – 1829
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: mammals, amphibians, reptiles, fishes
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van amfibieën, reptielen, zoogdieren en een vis. In het midden het zegel van de Maatschappij tot Nut van 't Algemeen. Onder elke afbeelding een vierregelig vers met de naam van het dier. Genummerd rechtsboven: L.L.
Bernaix. Louis. 29 ans, né à Clichy. Couvreur. Anarchiste. Fiché le 27/2/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Portret van Johannes Torrentius
Object type: print
Date: 1768 – 1775
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: georg andreas wolfgang
Artist role: goldsmith, print maker
Artist dates: 1631 – 1716
Subjects: amsterdam, johannes torrentius, historical persons, portrait, self-portrait of painter

Prent uit: Sandrart, Joachim von. Teutsche Academie der Bau- Bildhauer- und Maler-Kunst: worinn die Regeln und Lehrsätze dieser Künste gegeben. 14 dln. Neurenberg: erven Johann Andreas Endter, [1774], dl. 7, p. HH.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 4, p. 565.
Portret van Hans Willem Bentinck, graaf van Portland
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving, etching, pen
Location: amsterdam
Subjects: earl
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1702’

Prent ook gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
Portret van Erich Christoph von Plotho, met gezicht op Regensburg
Object type: print
Date: 1759 – 1788
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: germany, 'confessio augustana', 'augsburger konfession', historical persons, letter, envelope, caduceus (staff with two snakes, attribute of mercury), baton of general, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 2228
Assemblée nationale 1874
Object type: book
Date: 1875 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, marbled paper, printing
Artist: françois marie louis franck
Artist role: fotograaf
Artist dates: 1816 – 1906
Flower vase
Object type: flower vase
Date: 1736 – 1795
Materials: jade
Culture: chinese
Les Chiens de l'Hospice du Grand St. Bernard. Suisse.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: wallis
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: adult man, dog
Inscriptions: inscription: ‘Views of Switzerland, photographed by W. England. (Registered) Under the Special Patronage of the Alpine Club.’, number: ‘245’
Brief aan Philip Zilcken
Object type: letter
Date: 1867 – 1925
Materials: ink, paper
Techniques: pen, writing
Artist: richard austin rice
Artist role: professor
Artist dates: 1846 – 1925
Subjects: draughtsman, philip zilcken, money
Inscriptions: watermark
Shaffron
Object type: armor
Date: 1520 – 1520
Materials: steel
Location: southern germany
Voor- en achterzijde van een penning over Maarten Hapertszoon Tromp
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: pendant, trinket, 'breloque'

Prent uit: Loon, Gerard van. Beschryving der Nederlandsche Historipenningen: (...). Den Haag: Christiaan van Lom et al., 1726, dl. 2, p. 248.
Apostle Spoon: St. James the Less
Object type: metalwork
Date: 1640 – 1641
Materials: metal, silver
Techniques: gilding
Location: london
Tekst: Et Domnus...
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Zelfportret
Object type: print
Date: 1675 – 1711
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: print maker, pieter schenk (i), historical persons, portrait, self-portrait of painter
Schoorsteen met vrouwelijke hermfiguren
Object type: drawing
Date: 1810 – 1830
Materials: ink
Techniques: brush
Artist: genua
Artist role: draughtsman
Inscriptions: size: ‘Palmi di Genova’
Vier portretten van een man met gezichtsuitdrukkingen van ironisch lachen, minachting, afgunst en walging
Object type: photograph
Date: 1881 – 1886
Materials: cardboard, photographic support
Techniques: albumen print
Artist: nicola tonger
Artist role: fotograaf
Artist dates: 1846 – 1917
Subjects: aversion, morphology of facial expression, physiognomy
Inscriptions: number: ‘33 (...) 36’, inscription: ‘Ironisches Lächeln (...) Abscheu.’, number: ‘Tafel IX.’
Design for a Chimney Piece
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800
Subjects: architecture
Hercules and Atlas, from "The Labors of Hercules"
Object type: print
Date: 1550 – 1550
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: male nudes,hercules,globes
Relief fragment with soldiers running with a rope
Object type: relief, amenemhat i
Date: 1981 – 1952
Materials: limestone
Location: egypt
Subjects: men
Bedelaar
Object type: drawing
Date: 1854 – 1887
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: alexander ver huell
Artist role: draughtsman, print maker
Artist dates: 1822 – 1897
Subjects: beggar
Inscriptions: signature: ‘Avh’

Tekening 1 op blad 4 van een album met 35 tekeningen.
Bamboescheut
Object type: print
Date: 1856 – 1897
Materials: paper
Techniques: aquatint, etching
Artist: henri charles guérard
Artist role: print maker
Artist dates: 1846 – 1897
Subjects: plants (in general)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Amboise
Object type: album leaf
Date: 1657 – 1657
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: city-view in general; 'veduta'

Prent uit: Tassin, Christophe. Les plans et profils de toutes les principales villes et lieux considérables de France (...). Parijs: Michel van Lochom, 1638, prent nummer 16 in het deel 'Loire'.
Portret van Friedrich Wilhelm Marpurg
Object type: print
Date: 1787 – 1825
Materials: paper
Techniques: stippling
Location: berlin
Artist: friedrich wilhelm bollinger
Artist role: print maker
Artist dates: 1777 – 1825
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de naam van de kunstenaar en mogelijk ook een datering ('2') in spiegelbeeld.
Allegorie op het bestuur van de stad Neurenberg
Object type: print
Date: 1521 – 1521
Materials: paper
Techniques: hand coloring
Location: nuremberg
Subjects: double-headed eagle, purse, money-bag, justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, heart symbolism, abundance; 'abondanza', 'abondanza maritima' (ripa), angels
Inscriptions: date

Verso van titelblad boek 'Reformacion der Stat Nüremberg / Cum Gratia et Privilegio'. Twee engelen houden drie schilden op, twee met de stadswapens van Neurenberg en één met het keizerlijke wapen. Daarboven op wolken de personificaties van Justitia en Liberalitas of Abundantia, die een buidel leegschudt.