deem-data/ArtiFact huggingface dataset:
Studie
Object type: sketchbook leaf
Date: 1882 – 1884
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 15 uit een schetsboek met 19 bladen.
Reclame voor aquarelpotloden van Eberhard Faber met zes voorbeelden
Object type: photograph
Date: 1915 – 1935
Materials: paper
Techniques: gelatin silver print, hand coloring
Location: springfield
Subjects: pencil
Inscriptions: stamp: ‘Paramount/ Commercial Studios/ 145 Chestnut St./ Springfield - Mass.’, number: ‘887’
Portret van Emile Erckmann
Object type: carte de visite
Date: 1855 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: historical persons, writer, poet, author
Inscriptions: annotation: ‘Emile Erckmann fr. schrijver/ duo Erckmann - Chatrian 1822-1899 [...]’, name: ‘Erckmann’, inscription: ‘Anne mon G. le Gray & Cie/ Photographie Artistique/ Fontaine/ 35, Boulev.d des Capucines/ Paris’
Triumphus Martyrum
Object type: print
Date: 1591 – 1591
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the book of ezekiel
Inscriptions: collector's mark: Lugt 2228, inscription: ‘71.’

Prent ook gebruikt in: Triumphus martyrum. Antwerpen: Aegidius en Johann (I) Sadeler, 1591. Overgenomen uit inventarisboek: RP-P-1966-37 tot en met RP-P-1966-180 alle afkomstig uit een 19e(?) eeuwse plakband. Op de rug het nr. 15, op de voorpagina: John Bridges 1836.
Landschap met een vrijend paartje
Object type: drawing
Date: 1580 – 1613
Materials: ink, paper
Techniques: pen
Artist: paulus willemsz. van vianen
Artist role: draughtsman, jeweler
Artist dates: 1570 – 1614
Subjects: forest, wood, lovers' meeting
Group of vases
Object type: vase
Date: 1784 – 1784
Materials: porcelain
Location: ouderkerk aan de amstel

Two of the vases in this group bear the mark of the Porceleinfabriek aan den Amstel, the successor of the Loosdrecht porcelain factory. Just as the factory at Loosdrecht had earlier bought up the stock and moulds of its predecessor in Weesp, so did the factory in Ouderkerk aan de Amstel take over the inventory of Loosdrecht.
Venus and Cupid Pleading Their Cause in the Presence of Jupiter and Other Gods
Object type: print
Date: 1530 – 1540
Materials: ink, paper
Techniques: engraving
Location: italy
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Art - Goût - Beauté, Feuillets de l' élégance féminine, Mai 1931, No. 129, 11e Année, p. 40
Object type: magazine
Date: 1931 – 1931
Materials: paper
Techniques: photography
Subjects: gloves, mittens (short gloves) (+ women's clothes), fashion plates, dress, gown (+ women's clothes)

Advertenties voor handschoenen en andere producten. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Fragment from the Head of a Queen's Statue
Object type: head, woman, fragment
Date: 1981 – 1802
Location: egypt

The vulture headdress identified the woman who was depicted on this fragment as an Egyptian queen. Above the ear and around the forehead is a band from which rows of small feathers emerge, followed by the bird’s long wing feathers, which cover the top of the head. At the back of the head, one of the vulture’s legs is preserved, its claw clutching a shen-(dominion) hieroglyph. The lady wears the vulture headdress over a wig arranged in horizontal waves, a hairstyle that was common only in the early Old Kingdom. Its appearance here underlines the venerable nature of the queen’s costume.
Gezicht op een stad met een moskee
Object type: sketchbook leaf
Date: 1936 – 1936
Materials: paper, pencil
Location: north africa
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: prospect of village, silhouette of village, temple, shrine ~ islam, mohammedanism
Inscriptions: kleurnotitie, handgeschreven in potlood

Tevens een studie van een man zittend bij een tafel. Blad 52 recto uit een schetsboek met 73 bladen.
Dish with Unidentified Coat of Arms
Object type: dish
Date: 1470 – 1490
Materials: earthenware
Techniques: glazing
Culture: spanish
Location: spain
Subjects: coat of arms

Lusterware is the term used to describe a glazed earthenware ceramic decorated with an iridescent finish. The technique for creating this finish was developed in the ninth century under the rule of the Abbasid Caliphate in present-day Iraq. The medium involves a technique that is difficult to master, but if completed successfully, the surfaces of the ceramic objects display an iridescent sheen which is achieved through multiple firings and the application of a metal-based pigment (including silver, copper, tin, or a combination of these). Lusterware manufacture is still difficult to understand from a technical perspective because for generations, production was kept secret to protect workshop practices from being replicated by competitors. Therefore, pigment formulas and trade techniques were passed down from master to pupil and rarely recorded. Knowledge of the technique for creating lusterware made its way to the Iberian Peninsula by the twelfth century, when most of the region was still under Islamic rule. By the 1400s, the Iberian center of lusterware production was in Manises, near the city of Valencia. Previously a Muslim taifa, or principality, the Kingdom of Valencia was conquered in the thirteenth century by James I for the Crown of Aragon, and it was here that Christians and Muslim potters worked, sometimes together, for a diverse clientele with a voracious appetite for high quality lustered wares.
Group of Women Under a Blossoming Cherry Tree
Object type: woodblock print
Date: 1784 – 1784
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: women,flowers,trees,working
Coin
Object type: coin
Date: 949 – 976
Materials: silver
Location: iran

This coin was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Zinneprent op de Vrede van 1802
Object type: drawing
Date: 1802 – 1802
Materials: chalk, paint, paper
Techniques: brush
Subjects: symbols, allegories of peace, 'pax'; 'pace' (ripa), signing of peace treaty, concluding the peace, historical events and situations

Niet in Frederik Muller; door het RPK toegevoegd nummer.
Royalist trompe l'oeil
Object type: print
Date: 1701 – 1800
Techniques: engraving
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: serpents,vases
Westerhout, de Lustplaetze van den Ed. Achtb. Heer Jan Daniel Bernards (...) / Westerhout Maison de Plaisance apartenant à l'Illustre Jean Daniel Bernards (...)
Object type: print
Date: 1729 – 1732
Materials: paper
Techniques: engraving, etching
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: animal traction, animal-drawn vehicle (carriage etc.), french or architectonic garden; formal garden, country-house
Inscriptions: collector's mark: Lugt 1641, stamp, stamp, stamp

Prent mogelijk uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in 100 heerlyke gezichten. Amsterdam: Jan Roman, s.a. Of uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in veele heerlyke gezichten. Amsterdam: Andries en Hendrik de Leth, s.a [1729-1732]. Of uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in veele heerlyke gezichten. Amsterdam: Jan Roman, s.a.
Youth and Dervish
Object type: illustrated single work
Date: 1626 – 1650
Materials: gold, ink, paper, watercolor
Techniques: drawing, tinting
Location: iran
Subjects: men,trees

While the inscription in the drawing assigns it to the celebrated artist Riza-yi 'Abbasi of the Isfahan school, it is more likely by a pupil following the typical calligraphic style of the master. From about 1610 on, figures in Isfahan drawings and paintings have heavy pear-shaped thighs and wide, round cheeks. The subject of a youth paired with an older man, often a dervish or a poet, illustrated the relationship of the spiritual guide or 'pir' and his disciple, the 'murid'.
James Tissot
Object type: carte de visite
Date: 1861 – 1870
Techniques: albumen silver print
Artist: robert jefferson bingham
Artist role: printer
Artist nationality: british, active france
Artist dates: 1824 – 1870
Subjects: men,portraits,artists
Fles duinwater
Object type: bottle
Date: 1975 – 1975
Materials: cork, glass, liquid
Location: amsterdam
Artist: jan ketting
Artist role: industrieel ontwerper
Artist dates: 1941 – 
Subjects: amsterdam
Inscriptions: label: ‘&lt;&lt; DUIN-WATERLEIDING &gt;&gt; / COMMISSARISSEN en DIRECTEUREN der DUIN- / WATER-MAATSCHAPPIJ berigten bij deze, dat zij, uit / aanmerking der tijdsomstandigheden, besloten hebben / Het Duinwater (groot corps) / tijdelijk verkrijgbaar te stellen, dagelijks, te beginnen / met MAANDAG 12 DECEMBER e.k., van des morgens / acht tot des namiddags vier ure, aan de Fontein bui-/ten de Willemspoort alhier, tegen betaling van / EEN CENT PER EMMER. / Niemand zal meer dan Twee Emmers te gelijk / kunnen bekomen. / Amsterdam, (cursief) 9 December 1853. Commissarissen en Directeuren der Duinwater- / Maatschappij, (cursief)/ ARTHUR R. ADAMS, J. VAN LENNEP, / Commissaris. Voorzitter. (cursief) / J.G. JÄGER / Secretaris. (cursief) / Er wordt geen Geld gewisseld. / &lt;&lt; DUIN-WATERLEIDING &gt;&gt;’, mark: ‘1. F; slecht leesbaar: MOD DEP (??).’

Asymetrische bruinglazen fles met enigszins getailleerde buik, slanke uit het midden staande hals en ronde mond. De fles heeft links en rechts een naad en een kleine ziel. De fles, gevuld met water, is afgesloten met een kurk. Middenvoor: rechthoekig etiket met bruine rand en ingesnoerde hoeken. Het etiket is in bruin bedrukt met een tekst uit een krantenadvertentie van 9 december 1853, waarin de verkoop van duinwater onder de aandacht wordt gebracht.
Diana, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Portret van Johann Saubert
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: engraving
Subjects: johann saubert (i), historical persons, book
Inscriptions: collector's mark: Lugt 2228
Umbrella
Object type: umbrella
Date: 1801 – 1833
Materials: cotton, metal, wood
Culture: european
De Kleine Passie
Object type: print
Date: 1521 – 1521
Materials: paper
Techniques: woodcut
Location: low countries
Artist: jacob cornelisz van oostsanen
Artist role: draughtsman, painter, print maker
Artist dates: 1475 – 1533
Subjects: purification of the temple ('first' and 'second'): christ driving the money-changers from the temple with a whip (matthew 21:12-13; mark 11:15-17; luke 19:45-46; john 12:12-19)
Inscriptions: collector's mark: Lugt 240

Uit serie van 66 prenten. Proefdruk, geen tekst op verso.
Terracotta fragments of open shapes
Object type: undetermined open shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Four black glazed fragments from open shapes
Stadsgezicht met Admiraliteitswerf te Amsterdam
Object type: print
Date: 1770 – 1790
Materials: paper
Techniques: etching
Subjects: large-scale structure for storage, e.g.: warehouse, depot, silo, canals, waters (in city), civic architecture; edifices; dwellings, ammunition store, arsenal
Inscriptions: collector's mark: ‘25.56’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Krijgswezen I: De Admiraliteit van Amsterdam, A. Admiraliteitsgebouwen.
Stone Oil Lamp
Object type: lamp
Date: 801 – 1000
Materials: stone
Techniques: carving
Location: iran
Bangle with Wide raised Flange
Object type: bangle
Materials: bronze
Culture: thai
Doop van een koning
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Subjects: solemn baptism (by bishop or priest) - qq - baptism in the open air
Landschap met hut bij waterval
Object type: print
Date: 1631 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: waterfall (+ landscape with figures, staffage)

Rotsachtig landschap met bomen, struikgewas en een kleine waterval. Op de rots naast de houten hut staan twee personen.
Design for a  Monument
Object type: drawing
Date: 1701 – 1800
Materials: chalk, ink
Techniques: brush, heightening, pen, wash
Artist: gabriel de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1724 – 1780
Subjects: monuments
Baan zijdedamast met een dessin van geschakeld rasterwerk en banen ornament van lampionnen
Object type: silk textile
Date: 1900 – 1920
Materials: silk
Techniques: damask
Location: japan

Baan zijdedamast met een dessin van geschakeld rasterwerk in goudgeel op goudgeel fond "waaroverheen" banen met een ornament van lampionnen in groen, bruin, oranje en paars met zilverwit en rood accent. Oosters textiel.
Gezicht op de Tempel van Horus in Edfu
Object type: photomechanical print
Date: 1891 – 1901
Materials: paper
Techniques: autotype
Location: edfu
Artist: Anonymous
Subjects: temple, shrine ~ non-christian religions
Interior of a Theatre
Object type: drawing
Date: 1796 – 1864
Materials: ink
Techniques: pen
Artist: david roberts
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1796 – 1864
Subjects: theatre,interiors
Dress
Object type: dress
Date: 1842 – 1842
Materials: silk
Culture: french

As the torso seemed to drop low in the 1840s, its attentuation was often exacerbated by pleats radiating from the pointed waist.
Koppen
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: caricatures (human types)
Inscriptions: collector's mark: Lugt 2228

Koppen. Getekend op een fragment van een envelop.
La femme au perroquet
Object type: page
Date: 1878 – 1878
Materials: paper
Techniques: woodburytype
Subjects: print maker, draughtsman, henri joseph harpignies, ornamental birds: parrot, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure, lying figure - aa - female human figure
Inscriptions: inscription: ‘Galerie Contemporaine, Littéraire, Artistique/ 126, boulevard Magenta, Paris.’
Twee voorstellingen uit de verhalen van Wilhelm Gottlieb Becker
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: shaking hands, 'dextrarum junctio', staircase, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Becker, Wilhelm Gottlieb. Almanach und Taschenbuch zum geselligen Vergnügen von W. G. Becker für 1799. Leipzig: Voss und Comp., 1798.
Portret van Ludwig August Ritter Frankl von Hochwart
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: mezzotint
Subjects: publisher, historical persons
Inscriptions: collector's mark: Lugt 2228
Cittern
Object type: cittern
Date: 1772 – 1772
Materials: brass, wood, ivory, mother of pearl
Culture: french
Location: france
Artist: gerard j. deleplanque
Artist role: maker
Artist nationality: french
Artist dates: 1754 – 1790

In 1772 when this instrument was made, the cistre was enjoying great popularity. In France and Britain this style of instrument was used to sing popular songs in informal and domestic settings. Being relatively easy to learn and much more affordable than a harpsichord, it enjoyed the same popularity the modern guitar does today. Deleplanque was one of the principal manufacturers of this instrument in Lille (Fr), and this like many of his instruments exhibits beautiful boarders of ebony and ivory. Technical description: Eleven-string (seven course) pear-shaped cittern; two-piece pine top with bone and ebony (ebonized hardwood?) binding in isometric pattern with b/w/b/w laminate between, soundhole diameter 71.8 mm with a carved, floral patterned wood rosette (originally gilded), bridge missing, ivory tailpiece originally with eleven pins (six present); two-piece maple back; ribs, neck and head also of maple; ebony veneer (maple core?) fingerboard with 14 brass frets; Preston style tuning mechanism. (Daniel Wheeldon, 2016)
Portret van Adam van Vianen
Object type: print
Date: 1630 – 1660
Materials: paper
Techniques: engraving, etching
Subjects: utrecht, print maker, draughtsman, silversmith, adam van vianen (i), portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 240

Portret ten halven lijve naar rechts van de edelsmid Adam van Vianen, in zijn linkerhand een hamer houdende. Door het venster, waar Vianen voor zit, is een binnenplaats te zien.
Pair of silver strigils (scrapers) on a carrying ring
Object type: strigils on a silver ring, 2
Date: 67 – 35
Materials: silver
Culture: roman

Strigils are normally associated with men, who used them in the gymnasium and the baths. Most surviving examples are made of bronze and it is unusual to have a set preserved with their carrying ring.
Portret van Lodewijk de XIV
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: paris
Subjects: lodewijk xiv (koning van frankrijk)
Inscriptions: collector's mark: Lugt 240

Portret ten halven lijve van Lodewijk de XIV. De koning is gekleed in harnas met mantel en heeft in zijn rechter hand een commandostaf. Langs het geopende gordijn een gezicht op een landschap met een belegerde stad. Onder de voorstelling een Latijns opschrift van twee regels.
Fan
Object type: fan
Date: 1834 – 1866
Materials: gilt, mother of pearl, paper
Subjects: landscapes
Close Helmet
Object type: close helmet
Date: 1505 – 1510
Materials: leather, steel
Culture: austrian
Location: austria
Artist: hans maystetter
Artist role: armorer
Artist nationality: austrian
Artist dates: 1508 – 1533

This is an early close helmet, which became the standard form of cavalry helmet throughout the sixteenth century. Characteristic are the visor and separate chin defense that pivot at the same points.
De avonturen van Tametomo
Object type: book
Date: 1883 – 1883
Materials: paper
Techniques: blind stamped, lithograph
Location: japan
Artist: tsukioka yoshitoshi
Artist role: print maker
Artist dates: 1839 – 1892

Boek uit een tiendelige serie over de avonturen van de legendarische strijder Tametomo, geïllustreerd met 26 prenten gesigneerd door Tsukioka Yoshitoshi. De prenten zijn uitgevoerd in een combinatie van houtsnede en lithografie en gedrukt in zwart met een grijs toonblok. In originele banden met blinddruk.
De vier elementen
Object type: sculpture
Date: 1730 – 1730
Materials: wood
Techniques: cutting, painted
Artist: michiel emanuel shee
Artist role: sculptor
Artist dates:  – 1740
Chagford-View at Holy Street.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: chagford
Artist: francis bedford
Artist role: print maker
Artist dates: 1815 – 1894
Subjects: hand-cart, public road
Inscriptions: number: ‘1835.’, inscription: ‘Devonshire Illustrated. by Francis Bedford.’
Willard W. Grant
Object type: page
Date: 1869 – 1869
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Vue générale du Palais de Versailles
Object type: print
Materials: paper
Techniques: etching
Artist: jacques joseph huguenet
Artist role: print maker
Artist dates: 1815 – 1870
Subjects: city-view in general; 'veduta', palace, water-works in garden
Inscriptions: collector's mark: Lugt 2228
Seal amulet in the form of a reclining cow
Object type: stamp seal amulet
Date: 3300 – 2900
Materials: alabaster
Location: southern mesopotamia
Subjects: cows
Japanese enamels, with illustrations from the examples in the Bowes collection
Date: 1884 – 1884
Location: england
Artist: james lord bowes
Artist role: author
Artist nationality: british
Artist dates: 1834 – 1899
Ornament with Double Lotus Motif
Object type: ornament
Materials: gold
Culture: indonesian, javanese
Fragment van een wandbespanning van beschilderde en bedrukte rode zijde
Object type: upholstered wall
Date: 1770 – 1780
Materials: silk
Techniques: printing, weave
Location: netherlands
Artist: Anonymous

Fragment van rode zijde beschilderd met bloemen en bladeren in geel, blauw, wit en groen.
A distant view of the Old tiger's tail fort and the Jentse earworks from the Hwangkin hill forts, Port Arthur
Object type: page
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: manchuria
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: straits, narrows, fortress
Inscriptions: inscription: ‘The place where the flag-staff stands is Jentse (...) to the left of which is a torpedo-station.’, inscription: ‘The fall of Port Arthur.’
Double Spout Vessel Depicting Masked Figure with Serpent Attributes
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: nazca valley
Trimming
Object type: trimming
Date: 1800 – 1900
Materials: cotton, silk
Culture: american
Chaucer's Tower Near Benham
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: lithograph, printing
Location: france
Artist: antoine philippe d'orléans
Artist nationality: french
Artist dates: 1775 – 1807
Landschap met herders en in de verte een tempel
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: aquatint
Location: karlsruhe
Subjects: landscapes in the temperate zone - hh - ideal landscapes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Prent uit: Haldenwang, Christian. 6 Landschaftliche Entwürfe nach Wehle in Aqua tinta geätzt vom C. Haldenwang. Karlsruhe: Franz Nöldeke, [1804].
Plate
Object type: plate
Date: 1718 – 1718
Materials: hard paste porcelain
Subjects: birds,goats,coat of arms