deem-data/ArtiFact huggingface dataset:
Mrs. Charles Deering (Marion Denison Whipple)
Object type: painting
Date: 1888 – 1888
Materials: canvas, oil
Location: united states
Artist: john singer sargent
Artist nationality: american
Artist dates: 1856 – 1925
Subjects: chicago, people, portraits

The sitter was the wife of Charles Deering, Chicago businessman, important benefactor of the Art Institute, and lifelong friend and patron of artist John Singer Sargent. In this half-length portrait, the painter depicted Marion Deering seated with her right arm resting on a chairback, her eyes engaging the viewer. Sargent rendered her face and hand with a high degree of finish, skills he had fine-tuned in the 1870s while a student in Paris. The broader handling of paint in her dress and its lace embellishments signals Sargent’s facility with the tactile and expressive possibilities of paint. Indeed, in the mid-1880s, Sargent not only worked in portraiture, but also experimented with the themes and vocabularies of Impressionism.
Pocket flask
Object type: pocket flask
Date: 1800 – 1860
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Dish with Mythical Bovine (Xiniu) amid Waves Viewing the Moon and Constellations
Object type: vessel
Materials: metal, porcelain
Techniques: molding, underglaze
Location: china
Portret van Johann Heinrich Philipp Höltzel von Sternstein
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: johann wilhelm windter
Artist role: draughtsman, print maker
Artist dates: 1696 – 1765
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Les petits malheurs du bonheur
Object type: cartoon
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: paris
Artist: paul gavarni
Artist role: draughtsman, print maker
Artist dates: 1804 – 1866
Subjects: old woman, ladder, error; 'errore' (ripa), bedroom
Inscriptions: collector's mark: Lugt 2228a

De jongeman wilde met een ladder de slaapkamer van zijn nicht bereiken, maar hij heeft zich vergist in het raam en vindt zijn oude tante in bed.
Brief aan Philip Zilcken
Object type: letter
Date: 1892 – 1892
Materials: ink, paper, pencil
Techniques: pen, writing
Subjects: the hague, painter, draughtsman, philip zilcken
Arreton, from the Down
Object type: photograph
Date: 1859 – 1869
Materials: photographic support
Techniques: albumen print
Location: isle of wight
Artist: william russell sedgfield
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: dale, valley, city-view in general; 'veduta'
Veue et Perspective du gros Pavillon des Tuilleries
Object type: print
Date: 1650 – 1655
Materials: paper
Techniques: engraving, etching
Subjects: bridge in city across river, canal, etc., paris, tuileries palace
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van dertien prenten.
Portret van Franz Egon von Fürstenberg-Heiligenberg
Object type: print
Date: 1650 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: cologne, archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: number: ‘22816’, collector's mark: Lugt 2233

Met zevenregelig onderschrift in twee kolommen in het Latijn.
Ex libris van Frédéric-Désiré Hillemacher
Object type: bookplate
Date: 1871 – 1871
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Subjects: paris, frédéric-désiré hillemacher, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Right View of a Garden with Three Female Figures
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: women,rivers,mountains
Berthe
Object type: print
Date: 1883 – 1883
Techniques: drypoint, etching
Artist: james tissot
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1902
Subjects: portraits,women
Bouwfragment
Object type: transom window
Date: 1650 – 1700
Materials: wood
Techniques: painted
Location: northern netherlands
Artist: Anonymous

Bovenlicht van geel geverfd hout met arabesken en een zandloper.
Waistcoat
Object type: waistcoat
Date: 1701 – 1900
Materials: linen
Culture: french
Portret van Kee Meyer
Object type: photograph
Date: 1850 – 1869
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: hermanus philippus jacobus schuiten
Artist role: fotograaf, lijstenmaker
Artist dates: 1820 – 1869
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: name: ‘Tante Kee Meyer’
Geschiedenis van Jan de Wasscher
Object type: print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: hen-pecked husband, 'betty', 'molly' (man who engages in women's work), monkeys, apes, animals acting as human beings
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen uit het leven van Jan de Wasser, een man die van zijn vrouw Griet, die de broek aan heeft, al het huishoudelijk werk moet doen. Uitgebeeld met apen in plaats van mensen. Onder elke voorstelling een tweeregelig vers. Genummerd linksboven: No. 28.
Nock of a bow
Object type: nock of a bow
Date: 1200 – 200
Materials: bone
Culture: japanese

The Jōmon period is the earliest period in Japanese history, lasting from roughly 14,000 to 300 BCE. This device, called a nock, would have held the string onto a bow, facilitating the use of the bow and arrow to hunt a wide variety of land animals which were key to the survival of the Jōmon people’s hunter-gatherer society. Archaeological evidence indicates that the Jōmon hunted over 60 species of mammal throughout the Japanese archipelago, including tanuki (Japanese raccoon dogs) and monkeys, both of which would likely be considered unpalatable in contemporary Japanese society.
Langs de vaart opgestelde en vurende gilden van Brussel en Antwerpen en de wijken van Brussel, 1577
Object type: print
Date: 1577 – 1578
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: antoni van leest
Artist role: print maker
Artist dates: 1545 – 1592
Subjects: delft, william i (prince of orange), ruler saluted with gun-fire, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', brussels

Illustratie in: J. B. Houwaert, Declaratie van die triumphante incompst vande doorluchtighen ende hoogheboren Prine van Oraingnien, binnen die princelijcke stadt van Brussele, geschiet in t' iaer ... 1578, den 18 Septembris, Christoffel Plantijn, Antwerpen 1579. Boek in de bibliotheek met signatuur: 325 D 29.
Terracotta rim fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment, eye cup
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of eyebrow and outer edge of eye
Chicago Stock Exchange Building, Facade Panel
Object type: architectural fragment
Date: 1894 – 1894
Location: chicago
Artist: adler & sullivan
Artist nationality: american
Artist dates: 1883 – 1895
Subjects: chicago
De twaalf maanden, met dorpsgezichten
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: landscape symbolizing october, vineyard, castle, october and its 'labours', scorpio (zodiacal sign of october), transport of grapes, viticulture, wine-growing; vintage
Inscriptions: collector's mark: Lugt 964
Parliament House Dublin
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: london
Artist: Anonymous
Subjects: lower house, parliament, chamber
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: The Ladies Magazine or entertaining companion for the fair sex (...). Londen: G.G.J & J. Robinson, 1792.
[Headquarters of Captain E. E. Camp, Assistant Quartermaster at City Point, Virginia]
Object type: photograph
Date: 1863 – 1863
Techniques: albumen silver print, glass negative
Artist: andrew joseph russell
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: buildings,american civil war,men
Dock Scene (recto); Two Sketches of Male Figures (verso)
Object type: drawing and watercolor
Date: 1660 – 1664
Materials: chalk, paper
Location: france
Artist: guillaume courtois
Nécessaire
Object type: nécessaire
Date: 1751 – 1775
Materials: glass, gold, porcelain, steel, wood

This pocket nécessaire contains the following fittings for personal grooming: a patch box with mirror, tweezers, ear spoon, file, and two scent bottles with porcelain stoppers. It is part of a group of étuis and snuffboxes collected by the New York broker Valentine Alexander Blacque, who retired to Paris in the 1880s.
Interieur van de salon van keizerin Elisabeth in Schloss Schönbrunn in Wenen
Object type: photograph
Date: 1950 – 1960
Materials: photographic support
Techniques: gelatin silver print
Location: schönbrunn
Artist: Anonymous
Subjects: drawing-room, 'salon'
Snaffle Bit
Object type: bit
Date: 1100 – 601
Materials: copper alloy
Culture: italic
Location: italy

The snaffle bit is the simplest type of horse bit, and has an effect on the bars (part of the horses’ jaw without teeth) and the corners of the lips. The mouthpiece of this example is composed of two links jointed in the middle, with two articulated buttons for the reins. This bit was originally possibly completed by larger metal rings or cheekpieces made of perishable material, like wood or bone. The cheekpieces help indicate the direction to the horse and keep the rings from pulling through the horse's mouth. The headstall would have probably been connected to these missing rings or cheekpieces as well. Horse bits like this one were buried in male graves with other pieces of horse tack and weapons. This type of bit is found in late Bronze age and early Iron age contexts from the Caucasus to the Italian peninsula. This example is said to have been excavated in Andria, Italy, but many similar bits have also been found in the Koban necropolis, Caucasus, in today's Russia, and in Romania.
Quiet Residence in an Autumn Valley
Object type: hanging scroll
Date: 1821 – 1821
Materials: ink, silk
Culture: japanese
Artist: tani bunchō
Artist role: artist
Artist nationality: japanese
Artist dates: 1763 – 1840
Neccessaire
Object type: metalwork
Date: 1734 – 1766
Materials: crystal, glass, wood
Location: england
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of head of filleted youth; filleted youth with himation
Schets van drie slapende honden
Object type: drawing
Date: 1849 – 1926
Materials: paper, pencil
Artist: otto eerelman
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1926
Subjects: dog
Portret van Julius Fröbel
Object type: print
Date: 1835 – 1846
Materials: paper
Techniques: lithograph
Location: braunschweig
Artist: Anonymous
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Chinese Mandarin, from the Rulers, Flags, and Coats of Arms series (N126-2) issued by W. Duke, Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,dragons,coat of arms,flags

Trade cards from the "Rulers, Flags, and Coats of Arms" series (N126-2), issued in 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type, pictured here, is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Study for Whitehall Chapel, from Microcosm of London
Object type: drawing and watercolor
Date: 1809 – 1809
Materials: graphite, paper
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
Polyhymnia
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: polyhymnia (one of the muses); 'polinnia' (ripa)
Inscriptions: collector's mark: Lugt 240

Een serie van negen muzen. Eerste staat, voor onderschriften.
The Flight into Egypt
Object type: print
Date: 1642 – 1648
Materials: paper
Techniques: etching
Location: netherlands
Artist: willem basse
Inscriptions: Inscribed Verso, in pen and ink: "Do. Pevzow" (?)
Ex libris van onbekend
Object type: photomechanical print
Date: 1900 – 1999
Materials: paper
Techniques: autotype
Location: poland
Artist: Anonymous
Subjects: abstract ideas and concepts
Inscriptions: inscription: ‘Kazimiera/ Zawistowitiska [?]/ Polonia’
Glass flask decorated with intersecting circles
Object type: flask
Date: 101 – 300
Materials: glass
Culture: roman

Translucent colorless with pale yellow green tinge. Plain rounded rim; upper half of neck funnel-shaped, then more cylindrical but still tapering downwards, with tooling indents around base; horizontal but slightly pushed-in shoulder, above vertical collar; spherical body; low base with rounded edge and concave bottom; no pontil mark. Body blown into a four-part mold of three vertical sections, joined to a shallow, disk-shaped base section. On body, sunken relief design of nine interlocking circles with a dot at the center of each circle, bordered above and below by a double row of smaller dots; on bottom, two faint raised circles around a small central knob. Intact; deep pitting, weathering, and brilliant iridescence.
Smith, Pitcher, Baltimore Orioles, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Side Chair
Object type: side chair
Date: 1790 – 1800
Materials: wood
Culture: american
Location: united states
Patriarchen van het Oude Testament met hun vrouwen en kinderen
Object type: print
Date: 1530 – 1530
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: male persons from the old testament (kenan) (kenan)
Inscriptions: collector's mark: Lugt 240

Onderdeel van een serie van tien houtsnedes met de patriarchen.
Tobacco box
Object type: tobacco box
Date: 1601 – 1800
Materials: brass, copper
Subjects: men,jesus,crucifixion

An oval box. The scenes, inscriptions, and decorations are identical to those on Number II, I. The engraving on this tobacco box is, however, somewhat more refined. Borders and sides are decorated with leaf scrolls.
Groepsportret van tsaar Nicolaas II van Rusland en zijn gezin
Object type: photograph
Date: 1899 – 1899
Materials: cardboard, paper, photographic support
Techniques: collodion silver print, coloring
Location: amsterdam
Artist: Anonymous
Subjects: family group, especially parents with their child(ren), historical persons, ruler, sovereign
Inscriptions: address: ‘H. Hollenkamp & Co. Amsterdam’

Onderdeel van Fotoalbum met 123 cartes-de-visite van leden van Europese vorstenhuizen, politici en bekende personen.
Portret van een man
Object type: photograph
Date: 1850 – 1899
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: rotterdam
Artist: Anonymous
Inscriptions: annotation: ‘Jules Nobuchow...’

Kop van een man met een snor, naar rechts, zonder achtergrond.
Paris. L'Opéra. Le Grand Escalier
Object type: photomechanical print
Date: 1904 – 1906
Materials: cardboard
Techniques: photograph, lithograph
Location: paris
Subjects: staircase, interior ~ representation of a building, opera house
Portret van Jan I, graaf van Holland
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: earl, jan i (graaf van holland), historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 240

Prent uit: Wachtendorp, Caspar. Oude Hollandsche geschiedenissen ofte, korte Hollandtsche rym-kronyck. 14 dln. Amsterdam: Johannes Pauli, 1645. Prent ook gebruikt in latere publicatie (1648).
Terracotta fragment of a kyathos (cup-shaped ladle)
Object type: kyathos fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Horse legs to right; below a dot net band
Bruxelles. Hôtel de Ville, vieux Bruxelles, vue de la Rue des Pierres
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: paris
Artist: Anonymous
Subjects: river, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), brussels
Snuffbox
Object type: snuffbox
Materials: enamel
Techniques: enamel
Artist: Anonymous
Subjects: flowers: rose, garden vase

Snuifdoos, ovaal, van Battersea émail, met op de gewelfde deksel een versiering van een vaasmotief tussen twee rozenknoppen.
Admiraal Ferwerdabrug
Object type: photograph
Date: 1940 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: surabaya
Subjects: colonial system, bascule bridge, java, surabaya

Ophaalbrug, de Admiraal Ferwerdabrug, over de Kali Mas in Soerabaja. Onderdeel van de multomap met foto's van bruggen gebouwd door de N.V. Machinefabriek Braat te Soerabaja en bestemd voor verschillende plaatsen in Nederlands-Indië, uit de periode 1931-1940.
Wall clock
Object type: wall clock
Date: 1760 – 1760
Materials: wood
Artist: john jones
Artist role: maker
Artist dates: 1700 – 1800
Fontaine de Brouckère a Bruxelles
Object type: cabinet photograph
Date: 1870 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: brussels
Artist: alexandre bernheim (jeune)
Artist role: fotograaf, galeriehouder, kunsthandelaar, opticien
Artist dates: 1839 – 1915
Subjects: ornamental fountain, brussels
Inscriptions: inscription: ‘Bernheim Jeune/ 84, Montaigne de la Cour, 84/ Bruxelles/ Tableaux Modernes - Cabinet d'Antiquités’, number: ‘3090’
Buckle
Object type: buckle
Date: 1401 – 1500
Materials: bronze, patina
Culture: spanish
Location: spain
Notities
Object type: sketchbook leaf
Date: 1837 – 1881
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes huybertus van hove bzn
Artist role: print maker
Artist dates: 1827 – 1881
Inscriptions: annotation: ‘Bosch/ plompe toren/ Utrecht/ [...]’

Blad 26 recto uit een schetsboek met 33 bladen en 10 losse tekeningen.
Portrait of Comte Lepic
Object type: print
Date: 1876 – 1876
Techniques: drypoint
Artist: marcellin desboutin
Artist role: artist
Artist nationality: french
Artist dates: 1823 – 1902
Subjects: men,portraits,dogs,artists

Desboutin and Ludovic Lepic met as mutual friends of Edgar Degas, who painted a double portrait of the two printmakers in 1876 (Musée d'Orsay). In this frank portrait from the same year, Lepic sits casually beside an easel. On the wall behind him is a drawing of Crouton, a water spaniel he gifted to Desboutin. In preparing this work, Desboutin developed it through seven states, creating many permutations of the composition in a manner similar to Lepic’s concept of "mobile etching," in which, by varying elements on the matrix, every impression was unique.
Rosary
Object type: rosary
Date: 1601 – 1900
Materials: gold
Culture: filipino
Fragment van grijsbakkend aardewerk, voorzien van een geometrisch patroon in wit, blauw, groen en oranje
Object type: sherd
Date: 1200 – 1899
Materials: earthenware
Location: italy
Artist: Anonymous
Festa della Sensa (vierde gedeelte)
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: woodcut
Location: nuremberg
Subjects: city-view in general; 'veduta', lion (possibly with book) ~ symbol of st. mark, church (exterior), clock, procession ~ christian religion, gondola, venice
Inscriptions: number: ‘4’, collector's mark: Lugt 240

Vierde gedeelte van een grote voorstelling van de Festa della Sensa. De voorstelling is gedrukt van veertien blokken, de titel van vijf blokken en het onderschrift bestaat uit vijf delen van elk drie kolommen Duits tekst. In de collectie Rijksmuseum bevinden zich twee complete exemplaren inclusief titel en onderschrift. De veertien blokken die samen de voorstelling vormen zijn in de titels met de klok mee vanaf linksboven genummerd.
Ein new kunstlich Modelbuch...
Object type: book print ornament architecture
Date: 1544 – 1544
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: women

Published by Peter Guentel, Cologne. Illustrated title page, architectural border on reverse of title page, 99 pages of designs, arms of Cologne on last page (Merlos 1063.477, Van Worms). The woodcut on title is the lower part of the title of the 1532 edition of L6b in the MMA. The woodcut on verso of title was used first as the title on Lotz 3a Guentel's first book and again in 1529 (Lotz 3e, in MMA). According to Lotz loc.cit. there were three editions of this book, of which this is the second. The first appeared in 1541 (Lotz 216). Comparision with the unique copy of the 1541 in the V. & A. shows same blocks and patterns in different order. The arms of Cologne are by Anton Woensam von Worms (see Merlo loc.cit.). Damascene Morgand Cat.X.48.42079 describes a copy of this book with imprint: Gedruckt tzo Collen up dem Doenhoff dorch Peter Quentell, im jahr 1536, 52 ff. A, a-l - same title cut etc. Transcription of title in Morgand differs in spellings. See Bocher 29. 51 leaves (should have 52). Sigs: 4 prelim. unsigned leaves, A 4, a-b 4, c 3 (c i missing), d - l 4. See photostat hinged in book cover taken from c i recto and verso of Schoensperger 1524 with same patterns as those missing here. See additional notes in book on back flyleaf. Bound in dark brown leather, title stamped and gilded on spine.
Scalloped dish with chrysanthemum and butterfly
Object type: plate dish
Date: 1670 – 1690
Materials: glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: japan
Artist: Anonymous

Bord van porselein met een hoekig van het plat gescheiden, geschulpte rand. Beschilderd op het glazuur in blauw, rood, groen, geel en zwart met een chrsyantenbloesemtak en een vlinder. Vijf proenen in de voetring. Twee chips in de rand. Kakiemon.
Woning op palen met bloembakken aan de buitenzijde van het raam
Object type: stereograph
Date: 1920 – 1945
Materials: paper, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Shoe Buckle
Object type: buckle
Date: 1770 – 1800
Materials: silver, steel
Culture: american
Location: united states
Artist: joseph richardson jr.
Artist role: maker
Artist nationality: american
Artist dates: 1752 – 1831
Muurschildering van de boom van Jesse uit de Buurkerk te Utrecht
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: tree of jesse: genealogical tree showing christ's ancestors, sprouting from jesse's loins
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Muur- en gewelfschilderingen.
Titelpagina voor: Le Miroir des plus belles courtisannes de ce temps / Spiegel der alderschoonste cortisanen deses tyts / Spieghel der allerschónsten Courtisannen diser Zeit / The mirour of the most faire, famous and moderne curtizanes of theese tymes, 1630
Object type: titelblad, titelpagina
Date: 1635 – 1635
Materials: paper
Techniques: letterpress printing
Location: utrecht
Subjects: title-page
Inscriptions: collector's mark: ‘RIJKS / MUSM’

Deze titelpagina maakt deel uit van een album.
De minnemoer van het moederland
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: dutch east indies, the

De Nederlandse Leeuw gezoogd door een olifant. Spotprent op de Indische baten, 1875. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 40, 1875.