deem-data/ArtiFact huggingface dataset:
Lamb
Object type: crèche figure
Date: 1751 – 1800
Materials: wood
Techniques: polychrome
Subjects: lambs

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Snuffbox with scenes from the life of Achilles
Object type: snuffbox, painting
Date: 1701 – 1800
Materials: enamel, gold
Subjects: men,achilles,putti
Portret van Dirk Smits
Object type: photomechanical print
Date: 1882 – 1970
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: rotterdam, hellevoetsluis, dirk smits, historical persons
Vier portretten van twee criminelen, met en zonder baard
Object type: photomechanical print
Date: 1881 – 1891
Materials: paper
Techniques: photograph
Location: paris
Subjects: criminals
Inscriptions: inscription: ‘Profils du Nommé Z. (...) Portraits de face Nommé Y. avec et sans babre. (...)’

Uit het schutblad zijn twee kaders gesneden om een deel van de onderste portretten te zien.
Herodias met het hoofd van Johannes de Doper
Object type: print
Date: 1608 – 1688
Materials: paper
Techniques: engraving
Location: paris
Subjects: the beheading of john the baptist
Portret van een vrouw
Object type: carte de visite
Date: 1860 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: cleves
Artist: theodorus diepenbach
Artist role: fotograaf
Artist dates: 1829 – 1940
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Th. Diepenbach/ Photograph/ 554 Kurze Marktstrasse 554/ Cleve’, number: ‘60’
Isabel Wachenheimer liggend in een ziekenhuisbed in het sanatorium Etania in Davos, met een onbekende man naast haar bed, 12 augustus 1945
Object type: photograph
Date: 1945 – 1945
Materials: photographic support
Techniques: gelatin silver print
Location: davos
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon
Inscriptions: date: ‘Davos 12.8.1945.’

Isabel Wachenheimer liggend in een ziekenhuisbed in het sanatorium Etania in Davos, met een onbekende man naast haar bed.
Franse invasie en verbreking van de eenheid van de Unie
Object type: propagandaprent
Date: 1674 – 1674
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: lodewijk xiv (koning van frankrijk), netherlands, rampjaar (disaster year)

Franse invasie en verbreking van de eenheid van de Unie in 1672. De provincies Utrecht, Gelderland en Overijssel werpen zich aan de voeten van Lodewijk XIV. Anderen vluchten of worden als gevangenen geboeid. Midden achter zit de Nederlandse Maagd op een plateau op vier zuilen, hierachter de namen van de overgebleven provincies Groningen, Friesland, Zeeland en Holland. Op de achtergrond duivels en een onthoofding. Genummerd rechtsboven: 3.
Salvator Mundi
Object type: print
Date: 1694 – 1756
Materials: paper
Techniques: etching
Subjects: christ-child (with attributes), 'salvator mundi', making a blessing gesture; an orb in his hand or at his feet - dd - christ beardless
Inscriptions: collector's mark: Lugt 240
Toilet van Batseba
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Artist: monogrammist bg
Artist role: print maker
Subjects: nails (toes), the (nude) human figure; 'corpo humano' (ripa) (+ old female (human being)), bathsheba attended by servant(s)
Inscriptions: inscription: ‘B. Graat’, inscription: ‘Barent Gaal’, inscription: ‘not down in Book’, collector's mark: Lugt 2228

Spiegelbeeldige kopie naar een prent van een leerling van Rembrandt.
Portret van Willem III, koning der Nederlanden
Object type: print
Date: 1846 – 1876
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: brussels, willem iii (koning der nederlanden), imperial mantle (symbol of sovereignty), insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral), royal mantle (symbol of sovereignty)
Inscriptions: collector's mark: Lugt 2228

De koning draagt de hermelijnen mantel en staat naast een tafel met regalia.
Cup
Object type: cup
Date: 1 – 200
Materials: pottery
Location: egypt

Most of the archaeological finds from the Tomb of Nespekashuty originate from the courtyard and first chamber of the tomb. While the relief finds can be assigned with confidence to the tomb, the other general finds and graffiti testify to a long usage life. This particular pottery beaker dates to the Roman Period, probably first century AD, some seven hundred years after Nespekashuty's burial. The courtyard finds help to sketch the long life and various incarnations of the tomb. Nespekashuty had used for his tomb the courtyard and causeway of an earlier Dynasty 11 tomb of a high official of Mentuhotep II. That tomb's position in the northern cliffs of Deir el Bahri, and above the subsequently built temple of Hatshepsut made it suited for certain reuses. Already in the Third Intermediate Period the tomb was reused for a burial and seemingly for overflow off offerings from the Hathor Shrine in Hatshepsut's Temple. Possibly such a bond with the Hathor Shrine played a role in Nespekashuty's emphasis of Hathor inside his tomb. By the fifth century, the tomb was falling into ruin, but in the Ptolemaic and Roman Period prayerful graffiti testify to a new phase of use as a shrine attached to a Hesy or blessed person. In the Late Antique Period the tomb then became the dwelling of Coptic monks.
Saucer with a port scene
Object type: platter
Date: 1775 – 1799
Materials: glaze, gold, paint, porcelain, soft paste porcelain
Techniques: firing, gilding, turning, vitrification
Location: naples
Artist: Anonymous
Inscriptions: inscription: ‘MOLO DEL GRANATELLO DI PORTIERI’, mark: ‘gekroonde N’

Schotel van soft-paste porselein (pâte tendre), beschilderd op het glazuur in emailkleuren en goud. Op het plat een medaillon met een havengezicht met op de voorgrond een aantal personen. Onder het medaillon het opschrift 'MOLO DEL GRANATELLO DI PORTIERI'. De binnenwand met viermaal een bloemtak en een gouden rand. Gemerkt op de onderzijde met de gekroonde N.
"Westward Ho!/Pioneer" pattern covered butter dish
Object type: glass
Date: 1876 – 1876
Materials: glass
Location: philadelphia
Artist: gillinder and sons
Artist role: maker
Artist nationality: american
Artist dates: 1861 – 1930
Lekain en Voltaire bij het kasteel van Voltaire in Ferney
Object type: print
Date: 1821 – 1823
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, voltaire, castle, writer, poet, author, actor, actress (non-work situations)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Le Miroir des spectacles, des lettres, des mœurs et des arts, 1821-1823.
Portret van kardinaal Carlo Roberti
Object type: album leaf
Date: 1667 – 1679
Materials: paper
Techniques: engraving
Location: rome
Subjects: cardinal

Portret van kardinaal Carlo Roberti. Linksboven het wapen van paus Alexander VII en rechtsboven het wapen van de kardinaal. Onderaan een onderschrift in het Latijn. De prent maakt deel uit van een album.
Illustere mannen verzameld door Martin Friedrich Seidel
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: print maker, andreas kohl, historical persons, armorial bearing, heraldry

De prent is uitgegeven als onderdeel van een serie. Later is de prent mogelijk ook als boekillustratie gebruikt in: Küster, Georg Gottfried. Martin Friedrich Seidels Bilder-Sammlung in welcher hundert, gröstentheils in der Mark Brandenburg (…). Berlijn: Buchladen bey der Real-Schule, 1751. Het is onduidelijk tot welke uitgave de huidige prent behoort.
Figure-top spoon
Object type: spoon
Date: 1551 – 1600
Materials: gilt, silver
Subjects: men
Portret van Robert McCann
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons
Dienblad met reliëf
Object type: page
Date: 1878 – 1883
Materials: paper
Techniques: photograph
Location: brussels
Artist: emile aubry
Artist role: print maker, printer
Artist dates: 1829 – 1900
Subjects: salver, sculpture (+ relief ~ sculpture)
Inscriptions: inscription: ‘Fascicule I/ PL. IX’, inscription: ‘XVIIe siècle/ d. 46,5.’
Vase Fragment
Object type: vase fragment
Date: 100 – 100
Materials: terracotta
Culture: roman
Portret van Marie Repelaer
Object type: photograph
Date: 1888 – 1889
Materials: paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Inscriptions: title: ‘Marie Repelaer / Reproductie’

Echtgenote van Maarten Pauw van Wieldrecht, de broer van de fotograaf.
Chef de la tribu des Moros
Object type: page
Date: 1865 – 1875
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons
Munten en gesneden stenen
Object type: print
Date: 1839 – 1863
Materials: paper
Techniques: relief engraving
Location: netherlands
Artist: jan dam steuerwald
Artist role: print maker, printer
Artist dates: 1805 – 1869
Subjects: piece of sculpture, reproduction of a piece of sculpture, coin
Inscriptions: inscription: ‘J.D. Steuerwald. Fec.’, collector's mark: Lugt 2228

De voor- en achterzijde van vijf munten. Daarnaast een steen met een vliegende naakte jongeling, een rechthoekige steen en een steen met het portret van een Romeinse keizer.
Cephalus en Procris
Object type: print
Date: 1558 – 1558
Materials: paper
Techniques: etching
Location: antwerp
Artist: hieronymus cock
Artist role: print maker, publisher
Artist dates: 1518 – 1570
Subjects: cephalus inadvertently kills procris
Inscriptions: collector's mark: Lugt 2228

Glooiend landschap met een rivierloop. Per ongeluk doodt Cephalus zijn geliefde Procris bij de jacht. Procris rent naar zijn geliefde toe en probeert haar nog te helpen. Prent uit een serie van 13 landschappen met bijbelse en mythologische scènes.
Fibula
Object type: fibula
Date: 7000 – 330
Materials: bronze
Glass cup in the shape of a Black African's head
Object type: cup in the form of a head
Date: 51 – 100
Materials: glass
Culture: roman
Subjects: heads

Translucent pale blue green. Uneven knocked-off, slightly inverted rim; flaring neck; plastic body; flaring base with circular, flat bottom. Mold seams visible to either side of face, slightly misaligned on proper right side, extending to the top of the body. Body in the shape of a Black African head with hair arranged in vertical plaits; there are eleven short plaits over the forehead, two longer plaits in front of his ears, and four tiers of fifteen long plaits on the back of his head; he wears a wreath, tied at the back of his head and extending above his ears to his forehead, consists of leaves and berries; his brow are knit, his long eyebrows are arched, his ears are large and well defined, his eyes have small round pupils, his cheeks are plump, his nose is broad, his mouth is open (as if in a grimace), showing his teeth, and his chin is dimpled; he wears small spherical earrings that hang down from the bottom of his ear lobes. On the bottom, three raised, unevenly spaced, concentric circles. Intact; some bubbles; pitting, creamy weathering, and brilliant iridescence on exterior; thick whitish weathering and iridescence on interior A small number of other cups probably from the same mold are known.
Card 2, George Fulljames, from the Prizefighters series (N269) issued by P. Lorillard Company to promote Mechanics Delight Long Cut Tobacco
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: p. lorillard company
Artist role: publisher
Artist nationality: american
Artist dates: 1760 – 2014
Subjects: men,portraits,boxing,athletes

Trade cards from the "Prizefighters" series (N269), issued in 1887 by P. Lorillard Company to promote the brand's Mechanics Delight Long Cut Tobacco.
Façade van Langestraat 56B te Alkmaar
Object type: photograph
Date: 1898 – 1898
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: langestraat
Subjects: urban housing, façade (of house or building)
Inscriptions: annotation: ‘Langestraat 56B, Feb. 1898/ Alkmaar’, annotation: ‘Alkmaar/ Huis No. 56B Langestraat/ feb 1898’
Double Portrait: Two Women
Object type: painting
Date: 1845 – 1848
Materials: canvas, oil, paint
Techniques: painting
Location: united kingdom
Artist: Anonymous
Artist nationality: british
Artist dates: 1800 – 1899
Subjects: portraits: female subject, sketch, dresser, woman, women, portrait
The Rejection of Joachim's Offering, from The Life of the Virgin
Object type: print
Date: 1504 – 1504
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,sheep,saints
Terracotta rim fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two black glazed rim fragments from a kylix
Portret van Louis Gallait
Object type: print
Date: 1820 – 1887
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: painter, print maker, draughtsman, louis gallait, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760
Model of the Vlakkenhoek lighthouse on Sumatra
Object type: presentation model
Date: 1879 – 1879
Materials: brass, wood
Location: the hague
Subjects: lighthouse, lightship, sumatra
Inscriptions: inscription, on the back: ‘L.I. Enthoven & Co / ’s GRAVENHAGE / 1879’, inscription, above the door: ‘ONDER DE REGERING VAN / Z.M. WILLEM III/ KONING DER NEDERLANDEN / ENZ: ENZ: ENZ: / OPGERIGT VOOR DRAAILICHT / EERSTE GROOTE / 1879 P. LEEMANS’

The full-scale, 60-metre-high version of this lighthouse was erected at Vlakkenhoek, on the southwest point of Sumatra. The tower was built in The Hague by Enthoven & Co., then shipped to Sumatra. The strength of the cast-iron structure was proven during the 1883 volcano eruption of Krakatoa; only the lighthouse withstood the tsunami that devastated everything else.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, frontal torso and splayed legs of a woman holding a dildo in each hand
Steniging van Christus
Object type: print
Date: 1582 – 1582
Materials: paper
Techniques: engraving
Location: cologne
Subjects: attempts to stone christ (john 8:59, 10:31-33)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Christus verlaat de tempel van Jeruzalem omdat de Joden hem willen stenigen. Op de voorgrond worden stenen opgeraapt door enkele mannen. De prent heeft een Latijns onderschrift met een Bijbeltekst (Joh. 10) en is de laatste prent van een serie van vier.
Gouden fanam uit Mysore in India van Kanthirava Narasa raja Wodeyar I, 1638-1659
Object type: coin
Date: 1638 – 1659
Materials: gold
Techniques: striking
Location: mysore

Gouden munt. Voorzijde: figuur, waaromheen stippen. Keerzijde: ondetermineerbare tekens.
Figure of Servant carrying jars
Object type: statuette, servant carrying jar
Date: 1850 – 1700
Materials: faience
Location: egypt
Subjects: human figures,servants
Dagger-Handle Inlaid with Silver
Object type: dagger handle
Date: 1801 – 1900
Materials: jade
Culture: indian
Figure with a Cow or Horse in a Landscape
Object type: drawing
Date: 1660 – 1665
Materials: chalk, paper
Artist: jacob isaacksz van ruisdael
Artist role: draughtsman, painter, print maker
Artist dates: 1628 – 1682
Subjects: prospect of village, silhouette of village, village street
Scherf van witbakkend aardewerk, met standring, voorzien van wit glazuur, met in het midden een afbeelding van een amor met speer en schild, en op de rand krullen, in oranje, blauw en geel
Object type: sherd
Date: 1600 – 1650
Materials: earthenware, glaze
Techniques: maiolica
Location: northern netherlands
Artist: Anonymous
Portret van een jongeman met een boek in de hand
Object type: carte de visite
Date: 1866 – 1870
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: j. wijnman
Artist role: fotograaf
Artist dates: 1844 – 
Subjects: studio requisites ~ photographer, historical persons not known by name, amsterdam
Inscriptions: address: ‘Halsteeg No. 248 Amsterdam’
Staande vrouw
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: drenthe
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, standing figure - aa - female human figure (+ sideview, profile)

Pagina 56 uit een schetsboek met 67 bladen vervaardigd in Drenthe.
Design for a Mausoleum
Object type: drawing
Date: 1740 – 1800
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: sir william chambers
Artist role: artist
Artist nationality: british, born sweden
Artist dates: 1723 – 1796
Subjects: human figures,buildings
Textile
Object type: textile
Date: 1401 – 1500
Materials: linen, metal thread, silk
Culture: german
Location: germany
Subjects: plants
Duinen en zee
Object type: drawing
Date: 1831 – 1915
Materials: paper, pencil
Artist: hendrik willem mesdag
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1915
Subjects: dune coast, sea (seascape)
Fauteuil fantaisie
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Twee fauteuils. Prent uit 306e nummer (livraison).
Romeinse ruiter te paard
Object type: print
Date: 1881 – 1931
Materials: paper
Techniques: woodcut
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: warfare; military affairs (+ cavalry, horsemen), martin(us), bishop of tours; possible attributes: beggar, goose
Inscriptions: collector's mark: Lugt 2228

Een ruiter met zwaard en Romeinse helm op een paard. Naast hem een staande en een zittende man, beiden halfnaakt.
Cup
Object type: cup
Date: 1735 – 1740
Materials: soft paste porcelain
Techniques: glazing
Artist: chantilly
Artist role: factory
Artist nationality: french
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Terracotta rim fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, breasts, and bent right leg of nude woman, with a sakkos, putting her boot on her right leg; filleted youth, seen from the back, with a himation, leaning on a knobby stick, with his right arm bent, and his left arm extended, holding a boot towards the woman on the left; a second smaller rim fragment shows the back, right breast, stomach, bent right leg and right arm of a woman bending to right, putting on her boot; above her back, a branch
Harinaigamesin Brings the Embryo to Queen Trisala: Folio from a Kalpasutra Manuscript
Object type: folio
Date: 1401 – 1500
Materials: gold, ink, paper, watercolor
Culture: indian
Subjects: queens

The jina Mahavira was conceived by a Brahmani woman, and Indra determined that the embryo should be transferred to the royal woman Queen Trisala. He appointed the deerheaded divinity Harinaigamesin, Indra's ambassador and chief of infantry, to perform this delicate task. Embryos were exchanged between the two women, and Mahavira was brought full term and born to King Siddharta and Queen Trisala.
Brief aan onbekend
Object type: letter
Date: 1833 – 1833
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: joseph moerenhout
Artist role: draughtsman, painter, print maker
Artist dates: 1801 – 1874
Subjects: art trade, art shop, painting (including book-illumination, miniature-painting), money, paris
Inscriptions: collector's mark: Lugt 2233
Terracotta fragment of a pelike (jar)?
Object type: pelike fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of the neck and start of the handle root from a pelike?
Pair of single-light sconces
Object type: sconce
Date: 1690 – 1690
Materials: wood
Techniques: carving, gilding
Gezicht op het Kasteel van Chantilly
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Location: chantilly
Artist: delizy
Artist role: manufacturer
Subjects: castle, chantilly

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Month cup of the fourth month with a peony and a poem
Object type: cup
Date: 1700 – 1724
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark: ‘大 清 康 熙 年 製’

Klokvormige kop van porselein, beschilderd in onderglazuur blauw en op het glazuur blauw, rood, groen, geel, aubergine en zwart. Maandkopje van de vierde maand met op de buitenwand een pioenplant en een tweeregelig gedicht afgesloten door het zegelmerk 'shang', waardering. Gemerkt op de onderzijde met het zes-karaktermerk van keizer Kangxi in een dubbele cirkel. Porselein met emailkleuren.
Box with long-tailed birds and peonies
Object type: box
Date: 1551 – 1600
Materials: lacquer
Techniques: carving
Culture: chinese
Subjects: peonies,leaves

On the side of the cover are abstract, rocklike forms. They provide a groundline, often seen in sixteenth-century lacquer works, for the auspicious peonies and long-tailed birds on the cover.
't Dorp Homersum 1746
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: etching
Location: netherlands
Subjects: village, church (exterior)
Inscriptions: collector's mark, collector's mark: Lugt 1641

Gezicht op de kerk in het Duitse dorp Hommersum. Onderste helft van een versneden blad waar oorspronkelijk twee voorstellingen op waren gedrukt. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Kerk en kerkwezen & Armwezen en liefdadige instellingen; Kerkgebouwen elders. F-L.
Boer aan het werk op het land met twee paarden voor een werktuig
Object type: photomechanical print
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Location: berlin
Artist: paul eckert
Artist role: fotograaf
Subjects: farmers, soil cultivation, horse