deem-data/ArtiFact huggingface dataset:
Liber Chronicarum
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: rome, pope
Inscriptions: inscription: ‘5’

Een bloemkelk met een paus. Hij draagt een tiara en heeft een bijbel en staf met een dubbel kruis in zijn handen. De nimbus om zijn hoofd vertelt dat deze paus heilig is verklaard. De voorstelling is onderdeel van de opeenvolging pausen in de Liber Chronicarum. De tekst identificeert de man als paus Marcus. De prent maakt deel uit van een album.
Fotoreproductie van La chambre mortuaire door Auguste Danse
Object type: reproduction
Date: 1879 – 1884
Materials: paper
Techniques: photoaquatint
Subjects: burial rites
Cutlery canteen
Object type: cutlery box
Date: 1772 – 1772
Materials: cordage, wood, silk, silver, velvet
Location: amsterdam
Artist: johannes schiotling
Artist role: silversmith
Artist dates: 1730 – 1799
Subjects: rocaille ornament, ornament ~ cartouche, ornament derived from plant forms
Inscriptions: date letter: ‘N’, maker's mark, town mark

Keeping silver knives, spoons and forks in wooden cases or canteens came into fashion during the second half of the 18th century. This particular one was designed as a miniature piece of Rococo furniture, with rich mounts like those on an expensive commode.
Isabel Wachenheimer tijdens een etentje met onbekende collega's van Isabel tijdens haar periode bij KLM, 1955, Israël
Object type: album leaf
Date: 1955 – 1955
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: israel
Subjects: leiden, isabel wachenheimer-elon, historical persons - bb - woman, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: date

Blad bevat drie foto's van Isabel Wachenheimer en onbekende collega's, tijdens etentje op 1 februari 1955. Uit album half formaat, kunstlederen omslag met koordbinding.
Sojo Henjo, from the series "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)"
Object type: print
Date: 1814 – 1817
Techniques: woodblock print
Location: japan
Artist: kikukawa eizan
Artist nationality: japanese
Artist dates: 1787 – 1867
Set of four wall tiles
Object type: wall tile
Date: 1601 – 1800
Materials: earthenware
Techniques: glazing
Subjects: birds
Portret van Marco Antonio Ottelio
Object type: print
Date: 1595 – 1628
Materials: paper
Techniques: engraving
Location: germany
Artist: hans troschel
Artist role: draughtsman, print maker
Artist dates: 1585 – 1628
Subjects: gloves, mittens, etc., historical persons
Inscriptions: collector's mark: Lugt 2228
William Pitt, the Younger
Object type: medallion
Date: 1787 – 1787
Materials: stone
Artist: wedgwood and co.
Artist role: factory
Subjects: men,portraits

Cameo medallions with portrait reliefs were made by Josiah Wedgwood between 1765 and 1795, with Thomas Bentley as his partner from 1769 to 1780. Black basalt and jasper are both types of fine stoneware hard enough for the delicate modeling which distinguishes Wedgwood's portrait cameos of "Illustious Ancents and Moderns."
The Descent of the Holy Ghost
Object type: drawing
Date: 1567 – 1633
Materials: graphite, ink
Techniques: pen, wash
Artist: hans rottenhammer i
Artist role: artist
Artist nationality: german
Artist dates: 1564 – 1625
Subjects: human figures,birds
Wandelaars bij een boerenerf
Object type: print
Date: 1635 – 1668
Materials: paper
Techniques: etching
Subjects: hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 240

Drie wandelaars rusten uit langs de weg bij een boerenerf. Een vierde man loopt naar het huis toe.
Studies van karpers
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: bony fishes: carp
Inscriptions: number: ‘1043’

Rechtsboven genummerd: 5. Met een schets op verso.
The Patriotick Barber of New York, or the Captain in Suds
Object type: print
Techniques: mezzotint
Artist: philip dawe
Artist role: artist
Artist nationality: british
Artist dates: 1745 – 1809
Subjects: men,wigs,barbers

In this print, issued in London the year before the outbreak of the American Revolution, Captain John Crozer, commander of a British ship, has been recognized in the barbershop of Jacob Vredenburgh, a New York Son of Liberty who refuses to finish shaving him. The subject demonstrates how New Yorkers refused to cooperate with British troops garrisoned in the city from the autumn of 1774. When the story reached England it inspired this print. The following verse is printed below the image: "Then Patriot grand, maintain thy Stand,/ And whilst thou sav'st Americ's Land,/ Preserve the Golden Rule;--/ Forbid the Captains there to roam,/ Half shave them first; then send 'em home,/ Objects of ridicule."
Vogel en een eend
Object type: sketchbook leaf
Date: 1801 – 1844
Materials: paper, pencil
Location: cleves
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: birds, water-birds: duck
Inscriptions: date and inscription: ‘cleve/ 3. Jan y. 44./[...] 12. Jan ij’

Blad 37 recto uit een schetsboek met 38 bladen.
His Grace Robert Duke of Roxburghe
Object type: print
Date: 1755 – 1765
Materials: paper
Techniques: mezzotint
Location: london
Subjects: historical persons
Inscriptions: collector's mark: Lugt 240
Terracotta fragment of a kylix (cup)?
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, part of a reserve line
Charles Carroll of Carrollton
Object type: painting
Date: 1830 – 1830
Materials: oil, wood
Culture: american
Artist: william james hubard
Artist role: artist
Artist dates: 1809 – 1862
Subjects: men,portraits
Gezicht op een terras in de Giardino del Pincio in Rome
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: pincio
Artist: Anonymous
Subjects: prospect of city, town panorama, silhouette of city
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Head, neck, right shoulder, bent right arm, and hand of a male to left, wearing an apicate fillet
½ macuta uit Angola van de Portugese koning Joao VI, 1814
Object type: coin
Date: 1814 – 1814
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: op omwikkelde wereldbol gekroond wapenschild van Portugal. Keerzijde: binnen parelcirikel in drie regels waarde-aanduiding: macuta ½.. Omschrift: Africa Portugueza met jaartal bovenaan. Gladde rand.
Maritge Claesdr Voogt (1577-1644), Wife of Pieter Jacobsz Olycan, Burgomaster of Haarlem
Object type: painting
Date: 1639 – 1639
Materials: canvas, oil
Artist: frans hals
Artist role: draughtsman
Artist dates: 1582 – 1666
Subjects: historical persons - bb - woman
Inscriptions: coat of arms, upper left (covered with reversible paint): quartered, 1 and 4, three silver ducks with red beaks and feet on a black field; 2 and 3, three black herons with red beaks and feet on a red field, inscription and date, upper left: ‘ÆTAT: SVA. 62 / ANº 1639’

Maritge Vooght grew up in a Haarlem family business of brewers. She married Pieter Olycan at the age of 18. Their union allowed him to hold high positions and he became co-heir to the brewery. In addition, they established a brewery of their own, which as was usual then, was registered under Pieter’s name. Their daughter Geertruyt successfully carried on the family business. That they were prosperous is evidenced by Vooght’s expensive clothing and precious church book.
Mussen bij een bakje met voer (vogels)
Object type: photograph
Date: 1900 – 1930
Materials: paper, photographic support
Techniques: albumen print, salted paper print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Toneel met hertog Frederik I, 1594
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: vienna, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', brussels

Toneel met de hertog Frederik I in 1314. Feestelijke intocht van aartshertog Ernst als gouverneur der Nederlanden gehouden te Brussel op 30 januari 1594. Onderdeel van de beschrijving van deze intocht Descriptio et explicatio pegmatum, arcuum spectaculorum quae Bruxellae Brabant. pridie Cal. Febr. Ao. 1594 exhibita fuere, sub ingressum ... Ernesti ... Archiducis Austriae ... pro Philippo II. Belgicae ditionis gubernatore, J. Mommaert, Brussel 1594. Genummerd: 3.
Place, plate one from A Glove
Object type: print
Date: 1881 – 1881
Materials: ivory, paper
Techniques: printmaking
Location: germany
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
D'Orsay #3770
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Karavaan
Object type: print
Materials: paper
Techniques: woodcut
Artist: joh. fonken
Artist role: print maker
Subjects: hoofed animals: camel, river, egyptian pyramids (wonder of the world)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een palmboom en een karavaan met drie kamelen langs een rivier waar een zeilboot op vaart. Rechts op de achtergrond twee piramiden.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

At the bottom, above the ground line, lotus bud with tendrils; part of a draped woman to right, wearing a chiton and himation
Funerary Cone of Djehutynefer
Object type: cone, circular impression, djehutynefer
Date: 1550 – 1352
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Scherven uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven kraakporselein uit V.O.C.-schip de 'Witte Leeuw'. Zak met scherven van wijnpotten. Eén bestaande uit vier aan elkaar gelijmde fragmenten.
Batavia - Privaathuis op het Koningsplein (mr. Pryce)
Object type: photograph
Date: 1863 – 1866
Materials: photographic support
Techniques: albumen print
Location: batavia
Subjects: detached house in city, batavia
Inscriptions: inscription: ‘Batavia - Privaathuis op het Koningsplein (mr. Pryce)’, inscription: ‘Huis met vele bedienden! Zie boven! Per maand had Mr. Price 3000.- gulden nodig voor zijn huishouden (In die tijd!)’

Het woonhuis van John Pryce aan het Koningsplein te Batavia. Pryce poseert samen met zijn compagnon Willem van der Hucht voor zijn huis met voltallig personeel. Onderdeel van het rode fotoalbum met foto's van Java, uit het bezit van apotheker Specht-Grijp, die in 1865 vanuit Batavia naar Nederland terugkeerde.
The Fall of Dagon – Or Rare News for Leadenhall Street
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,politics
Titelprent met antieke fontein bij een ruïne
Object type: titelprent, frontispice
Date: 1768 – 1768
Materials: paper
Techniques: etching
Subjects: landscape with ruins, folk costume, regional costume, utilitarian, public pump or water fountain
Inscriptions: collector's mark: Lugt 2228, inscription: ‘f3,50’, collector's mark: Lugt 2760

Titelprent voor een 25-delige serie met figuren in Italiaanse kostuums, naar ontwerpen van Jean Baptiste Greuze.
Gezicht op een kade en de Pont du Carrousel in Parijs
Object type: stereograph
Date: 1860 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: bridge in city across river, canal, etc., quay
Inscriptions: inscription: ‘Port du St Peres Pont du Carousel A.l.’
Plate
Object type: plate
Date: 1520 – 1520
Techniques: maiolica, glazing
Artist: the vulcan painter
Artist role: decorator
Artist dates: 1475 – 1575
Subjects: birds,armor
Bootees
Object type: bootee
Date: 1860 – 1860
Materials: wool
Culture: american
Oudere vrouw (gekleed in een witte blouse en een donkere rok) zittend in een stoel op een grasveld
Object type: photograph
Date: 1907 – 1930
Materials: glass
Techniques: autochrome process, slide
Location: netherlands
Artist: adolphe burdet
Artist role: fotograaf
Artist dates: 1860 – 1940
Carpet
Object type: textile
Date: 1875 – 1900
Materials: cotton, wool
Techniques: cutting, weave
Culture: shirvan
Location: caucasus
De St. Janskerk te 's Hertogenbosch
Object type: book illustration
Date: 1859 – 1859
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan frederik christiaan reckleben
Artist role: print maker
Artist dates: 1819 – 1879
Subjects: sint-janskathedraal

Gebruikt als illustratie in: N. Beets, Geschiedenis der Christelijke kerk in tafereelen; 5 dln, dl. 5: Zesde tijdvak: [Van den Munsterschen vrede tot op onze dagen], Portielje, Amsterdam 1859, p. 300.
Gezicht op de Église Saint-Germain-l'Auxerrois in Parijs
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: achille quinet
Artist dates: 1831 – 1900
Subjects: church (exterior)
Inscriptions: inscription: ‘Eglise St. Germain l'Auxerrois’
Key
Object type: key
Date: 7000 – 330
Materials: bronze
Seated Woman Holding a Book and Singing
Object type: print
Techniques: etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: women,singing
Willem met de Hoorn, graaf van Orange, bestrijdt de Moren
Object type: print
Date: 1827 – 1861
Materials: paper, watercolor
Techniques: brush, lithograph
Subjects: battle, freeing a prisoner; ransoming

Willem met de Hoorn, eerste graaf van Orange, verlost zijn vier geroofde kinderen uit de handen van de Moren, in het jaar 806.
Congo, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "Types of All Nations" series (N24), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Selinde en Huldreich
Object type: ornament print
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: lovers' meeting, the envious friends; criticizing bystanders ~ love couple, specific works of literature
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Selinde ontvangt Huldreich in een door kaarsen verlichte kamer. Hij rijkt haar zijn hand. Rechts door een deur kijkt een oude vrouw naar de twee. Rondom de voorstelling een omraming met rocaille ornamenten en bladmotieven. In de ondermarge een vierregelige Duitse tekst.
Straatverkopers, kinderen en bedelaars
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: lithograph
Location: paris
Subjects: children's games and plays, (playing at) marbles
Inscriptions: collector's mark: Lugt 2228a
Ducato di Modena regio et Carpi col dominio della carsagnana
Object type: print
Date: 1640 – 1672
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228
Petticoat
Object type: petticoat
Date: 1750 – 1799
Materials: silk
Culture: american or european
Subjects: flowers
Hare and Dandelion?
Object type: print
Date: 1820 – 1820
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: rabbits
Goochelaar treedt op voor publiek op kermis
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: netherlands
Subjects: illusionist, conjurer, juggler, 'legerdemain', performance in the open air (pleasure fair)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent uit: Vaderlandsche Kermisvreugd vertoond in acht kunstplaaten geteekend en gegraveerd door K.F. Bendorp, met toepasselijke Vaersjes door R. Arends, H. de Haas en Compagnie (uitgever) Dordrecht 1782
Drie staande vrouwen
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ standing)

Pagina 4 uit schetsboek XLVIII met 62 pagina's.
Huiselijke werkzaamheden
Object type: print
Date: 1648 – 1650
Materials: paper
Techniques: engraving
Location: netherlands
Artist: geertruydt roghman
Artist role: print maker
Artist dates: 1625 – 1657
Subjects: skull as symbol of 'vanitas', clock, home sewing; repair of clothes, death's head, skull (symbol of death)
Inscriptions: collector's mark, collector's mark: Lugt 1641

Een jonge vrouw zit in een vertrek aan een tafel waarop enkele boeken, en is bezig met het vouwen van een kraag of een muts. Ze is gekleed volgens de burgerlijke mode van ca. 1640 en draagt een mutsje op het hoofd. Aan de wand hangt een klok. Op de grond, achter haar stoel, ligt een doodshoofd op een rol papier. Rechtsonder genummerd: 2. De prent maakt deel uit van een serie van vijf prenten met huiselijke werkzaamheden. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Beroep en bedrijf. Vrouwelijk beroep en bedrijf. Kleding.
Teuerium. / Teuerium. / Teucrium
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: germander speedwell

Gewone ereprijs. Rechtsboven genummerd: 193. Rechts de Latijnse naam. Onderdeel van het tweede album met tekeningen van bloemen en planten. Negende van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Downfall, plate twelve from A Life
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: drypoint, etching
Location: germany
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Hussard
Object type: print
Date: 1801 – 1900
Techniques: aquatint
Artist: john-lewis brown
Artist role: artist
Artist nationality: french
Artist dates: 1829 – 1890
Portret van Carl Czerny
Object type: print
Date: 1808 – 1868
Materials: paper
Techniques: engraving
Location: itzehoe
Artist: carl mayer
Artist role: print maker
Artist dates: 1798 – 1868
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Voorstellingen uit het Nieuwe Testament
Object type: print
Date: 1635 – 1694
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: dirck de bray
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1694
Subjects: the announcement of christ's birth (luke 1:26-38)
Inscriptions: collector's mark: Lugt 240
Ightham Mote, Kent
Object type: drawing and watercolor
Materials: paper, watercolor
Location: france
Artist: hercules brabazon brabazon
Artist role: artist
Artist nationality: british
Artist dates: 1821 – 1906
Subjects: century of progress, world's fairs, chicago world's fairs
Inscriptions: Signed lower left in graphite: "HBB"
Orpheline d'Amsterdam
Object type: print
Date: 1840 – 1853
Materials: paper, watercolor
Techniques: lithograph
Location: leiden
Artist: w. van hove
Artist role: draughtsman
Subjects: public welfare, folk costume, regional costume, orphans
Inscriptions: collector's mark: Lugt 1641, collector's mark

Meisje van het Amsterdamse Burgerweeshuis. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Armwezen en Liefdadigheid.
Portion of a Horse Trapping
Object type: horse trapping
Date: 1701 – 1800
Materials: gilt bronze
Culture: tibetan
Subjects: mythical creatures
Aureus (Coin) Portraying Emperor Aurelian
Object type: coin
Materials: gold, metal
Culture: roman
Location: rome
Subjects: portraits, animals
Inscriptions: Obverse: AURELIANVS AVG
"Aurelianus Augustus"
Reverse: P M TR P COS P P

On the front (obverse) of this coin is a portrait of Roman Emperor Aurelian facing to the right. He is laureate, cuirassed, and has an aegis over his left shoulder. On the back (reverse) is a rearing lion rears facing left, radiate, and carrying a thunderbolt in his mouth.

Portraits of important people appear on local currency all around the world. The same was true in ancient Rome, which began producing its first coinage in the late 4th century BC. Early coins depicted the heads of gods and goddesses on the front side, often in profile, while the back depicted animals, natural resources, symbols, and references to historical events. It was not until 44 BCE that the portrait of a living person—Julius Caesar— appeared on coins. Thereafter, profile portraits of rulers or other members of the imperial family became the standard subject on coins throughout the Roman Empire.

Inscriptions on coins help identify the ruler. While the front side depicted the sovereign’s portrait, the back was often used to communicate the ruler’s accomplishments or aspirations. Until Late Antiquity, portraits usually appeared in profile. The tiny images were carved by engravers into bronze dies, with one for the front and another for the back. The coins were then struck, one by one, in a process similar to how coins are created today.
The Martyrdom of Saint Lucy (Her Last Communion before Being Dragged by Oxen)
Object type: drawing
Date: 1556 – 1630
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: giovanni battista maganza il giovane
Artist role: artist
Artist nationality: italian
Artist dates: 1509 – 1586
Subjects: animals,men,women,saints