deem-data/ArtiFact huggingface dataset:
Chimney Ornament: Tee Total
Object type: ceramic
Date: 1820 – 1820
Materials: earthenware, enamel
Techniques: glazing, polychrome
Culture: staffordshire potteries
Location: staffordshire
Inscriptions: Inscribed "TEE TOTAL"
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 460
Materials: terracotta
Culture: greek, attic
Artist: bordeaux painter
Artist role: artist

Exterior, part of a circumscribed palmette; part of a draped figure
Portret van de schilder Simon de Vos
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, painter, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240
Portret van Jean-François de La Pérouse
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: engraving
Location: germany
Artist: konrad westermayr
Artist role: print maker
Artist dates: 1765 – 1834
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Hans Moritz von Brühl
Object type: print
Date: 1775 – 1834
Materials: paper
Techniques: engraving
Location: germany
Subjects: london, hans moritz von brühl, historical persons
Inscriptions: collector's mark: Lugt 2228
Belichtingsstudie, afgebeeld een portret van een onbekende vrouw met bloemen in haar haren
Object type: page
Date: 1873 – 1878
Materials: paper
Techniques: carbon print
Artist: alphonse-justin liébert
Artist role: fotograaf, marinier
Artist dates: 1827 – 1914
Subjects: garland, wreath, historical persons not known by name - bb - woman
Inscriptions: number: ‘No. 5.’, inscription: ‘Photographies demi-brillantes au charbon, tirées à 2.500 exemplaires, dans les ateliers/ et d'après les clichés de Mr. A. Liébert. (specimens d'éclairage)’

Foto op derde ongenummerde pagina na pagina 80.
Verovering van Grave door Willem III, 1674
Object type: print
Date: 1674 – 1674
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), siege, position war, capture of city (after the siege), grave
Inscriptions: collector's mark: Lugt 195

Beleg en verovering van Grave door Willem III, 25 juli tot 29 oktober 1674. Boven een gezicht op de belegerde stad met aan weerszijden medaillons met portretten van Willem III en Rabenhaupt. Onder verlaten de Fransen de veroverde stad en knielen vertegenwoordigers van de stad voor de prins. Links scènes uit het leven in een legerkamp. Onderaan een cartouche met de legenda a-z. In de voorstelling meerdere opschriften, waarvan sommige onvoltooid of weggepolijst zijn. Aan weerszijden van de prent tekstbladen met tekst over de belegering van de stad.
Portret van Ludwig Hölty
Object type: print
Date: 1840 – 1855
Materials: paper
Techniques: engraving
Location: gotha
Artist: friedrich fleischmann
Artist role: print maker
Artist dates: 1791 – 1834
Subjects: historical persons, writer, poet, author, calligraphy
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit: Conversations-Lexikon für die gebildeten Stände, voor het eerst uitgegeven tussen 1840-1855.
Die Verklärung Christi
Object type: book
Date: 1870 – 1870
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, printing, marbling
Location: leipzig
Untitled Valentine (Woman in Pink Dress)
Object type: print
Date: 1840 – 1840
Materials: ink, paper
Techniques: collage, cutting, embossing, hand coloring, lithograph, pen
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Bospaden bij Rozendaal
Object type: sketchbook leaf
Date: 1843 – 1857
Materials: paper, pencil
Location: rozendaal
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: forest, wood
Inscriptions: kleurnotitie, handgeschreven

Blad 28 verso uit een schetsboek met 44 bladen.
Terracotta vessel fragment with cross-hatched triangles and broad bands
Object type: vase fragment
Date: 2300 – 2100
Materials: terracotta
Culture: minoan

From Gournia, Crete Cross-hatched triangles and broad bands.
Venezia. Ponte dei Sospiri
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: rotogravure
Location: venice
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), gondola
Inscriptions: collector's mark: ‘AFE v S’
Portret van Lodewijk, graaf van Nassau
Object type: print
Date: 1731 – 1779
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: dillenburg, lodewijk graaf van nassau

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Den Grooten Emblemata Sacra, bestaande in meer dan vier hondert bybelsche figuren, zoo des Ouden als des Nieuwen Testaments
Object type: text sheet
Date: 1653 – 1654
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: initial

Acht toelichtingen bij voorstellingen over het leven van David, genummerd 33 tot en met 40. De tekst vangt aan met een kleine gedecoreerde initiaal H. Het blad maakt deel uit van een album.
Leonello d'Este, Marquis of Ferrara (1407–1450)
Object type: medal
Date: 1441 – 1444
Materials: bronze
Artist: pisanello (antonio pisano)
Artist role: artist
Artist nationality: italian
Artist dates: 1395 – 1455
Subjects: men,profiles

Leonello d'Este was a natural son of Nicholas III (1384–1441) and brother of Borso d'Este (1413–1471). Leonello, as marquis of Ferrara, succeeded his father and was a wise ruler and a patron of literature and art.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic
Artist: antiphon painter
Artist role: artist

Interior, part of meander; Exterior, lower drapery of male
Traveller's Palm or Fan Palm, Singapore
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: men,women,palms
The Statues of Memnon, Plain of Thebes
Object type: photograph
Date: 1857 – 1857
Techniques: albumen print
Location: england
Artist: francis frith
Artist role: publisher
Artist nationality: english
Artist dates: 1822 – 1898
Subjects: collected by hugh edwards, egypt and palestine
Binnen-Amstel, gezien richting Munttoren, Amsterdam
Object type: photograph
Date: 1880 – 1895
Materials: cardboard, paper
Techniques: photograph
Location: amsterdam
Subjects: binnen-amstel
Inscriptions: inscription: ‘DE BINNEN-AMSTEL. AMSTERDAM. UITGAVE VAN A. JAGER, AMSTERDAM,’
Kaart van de regio ten oosten en zuiden van Brussel en het graafschap Namen (blad linksboven)
Object type: map
Date: 1689 – 1712
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228

In de linkerbovenhoek een vaandel met de titel. Links daarvan een man met trompet en een man met trommel. Een putto kroont een andere putto met de helm van Mars. Rechts Venus en Mars tezamen als allegorie van Schoonheid en Heldenmoed, of van de overwinning van Liefde op Twist. Onder en rechts de kaart van de regio ten oosten en zuiden van Brussel en het graafschap Namen. Mars wijst op het graafschap Namen, wellicht ter herinnering aan de Nederlandse bezetting van Namen van 1695.
Fragment of a terracotta volute-krater (bowl for mixing wine and water)
Object type: volute krater fragment
Date: 367 – 335
Materials: terracotta
Culture: greek, south italian, apulian
Artist: painter of the dublin situlae
Artist role: artist
Subjects: spears,swords,men

The fragment is augmented by 19.192.81.2.
Portret van Philipp Cluver
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: engraving
Artist: de passe
Subjects: danzig, professor, philipp clüver

Prent ook gebruikt als boekillustratie in: Meursius, Joannes. Athenæ Batavæ. Sive, De vrbe Leidensi, & academiâ, virisque claris. Leiden: Andries Clouck, Bonaventura en Abraham Elzevier, 1625.
Toilet box (one of a pair)
Object type: toilet box
Date: 1743 – 1745
Materials: silver gilt
Artist: johann conrad lotter
Artist role: maker
Artist nationality: german
Artist dates: 1738 – 1779
Lady Holding a Sparkler
Object type: painting
Date: 1800 – 1800
Materials: gold, ink, paper, silver, watercolor
Culture: indian, kangra, punjab hills
Subjects: ducks,women,fireworks

This page is distinguished by its unusual lighting effects, the incandescence of the sparkler as opposed to the faint light of the new moon. The prominent use of shadows is also unusual. Although some passages are beautifully observed—for example, the fleeing ducks and the sway of the principal figure's pink sari—others, such as the rolled shades at the top of the picture and the architecture, are stock motifs.
Wisseloord te Muiderberg
Object type: print
Materials: paper
Techniques: etching
Subjects: rural housing, e.g. country-house, villa, cottage
Crucifixion Group
Object type: relief
Date: 1490 – 1510
Culture: german
Location: germany
Artist: hans wydytz i
Artist role: artist
Artist nationality: german
Artist dates: 1470 – 1521
Subjects: spears,men,women,horses,crucifixion

The carving of this animated Crucifixion scene closely relates to that on known works by the Upper Rhenish sculptor Hans Wydytz. This scene was probably the central tableau of a small private altarpiece or devotional shrine. A stylistically related work representing the Mount of Olives, now in Berlin, originally may have served as a wing or side panel. Wydytz, who worked in Freiburg im Breisgau, was particularly accomplished in small-scale wood sculpture. The densely populated composition, the dramatic integration of the groups of figures, and the variety of facial type and expression contribute to the compelling theatricality of the scene.
Summer Evening
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: mezzotint
Location: england
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: landscapes
Palais des Tuileries Incendié. Vue Générale
Object type: page
Date: 1871 – 1872
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: alphonse-justin liébert
Artist role: fotograaf, marinier
Artist dates: 1827 – 1914
Subjects: ruin of a building ~ architecture, palace
Inscriptions: address: ‘31, Rue St. Lazare’, number: ‘(No. 6)’
Portret van Jean-Balthazar Keller aan een kanon, wijzend naar een ruiterstandbeeld van Lodewijk XIV van Frankrijk
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: engraving
Location: france
Subjects: paris, lodewijk xiv (koning van frankrijk), portrait, self-portrait of sculptor, firearms: cannon, equestrian statue, ruler, sovereign, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
Cover of ewer with the 'three friends of winter'
Object type: lid
Date: 1700 – 1724
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: europe
Artist: Anonymous

Jug with lid. Blanc de Chine, c. 1700 - 1750.
Stand with Autumn Grasses and Flowers
Object type: table
Date: 1601 – 1650
Materials: gold, wood
Techniques: hiramakie, lacquer
Culture: japanese
Subjects: flowers

This stand may have been converted for use in a tea ceremony from a table that would have been placed in front of Buddhist paintings to hold incense burners. It is embellished with autumn flowers and dew-dappled grasses, including chrysanthemums, pampas grass, and Chinese bellflowers. By the late sixteenth century, Kyoto, with its numerous workshops, had become the most important center of Japanese lacquer art. It was at this moment that Toyotomi Hideyoshi changed the way maki-e decoration was applied. The military leader ordered the maki-e decoration of large furniture items, household objects, and interior elements—objects that would not normally have been worthy of such luxurious treatment. By utilizing several relatively simple techniques, craftsmen were able to create innovative, bold designs without complicated underdrawings and could cover large surfaces in a comparatively short timeframe. This flamboyant style was named Kōdaiji after the temple in Kyoto that was dedicated to Hideyoshi and his wife, Nene.
Apostel Jakobus de Meerdere
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: beheading of james, the apostle james the great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword
Inscriptions: collector's mark: Lugt 2228, number: ‘4’

De apostel Jakobus de Meerdere, steunend op een wandelstaf en in de hand een rol papier. Jakobus staat op een sokkel waar op de voorzijde zijn onthoofding in beeld is gebracht. Prent middenboven gemerkt: Fol: 279.
Portret van George Washington
Object type: print
Date: 1708 – 1796
Materials: paper
Techniques: engraving
Location: london
Subjects: president ~ head of republic, historical persons, battle
Inscriptions: collector's mark: Lugt 2228
Kind-studie
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: the hague
Artist: hendrik johannes haverman
Artist role: draughtsman, print maker
Artist dates: 1857 – 1928
Subjects: face, child (at home)
Inscriptions: date

Prent uit het bijvoegsel van: De Kroniek 3 (1897), 12 december 1897.
Varkensstal
Object type: stereograph
Date: 1900 – 1922
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: robert julius boers
Artist dates: 1867 – 1932
Subjects: robert julius boers
Inscriptions: inscription: ‘Hok met Bankasche varkentjes’

Varkensstal op Banka. Onderdeel van een groep stereofoto's van Robert Julius Boers, chef van het staatsbedrijf de Banka-tinwinning op Banka, uit de periode ca. 1900-1922.
Clock
Object type: clock
Materials: gilt bronze, iron
Subjects: animals,female nudes,lions,saint george
Franstalige uitleg bij de voorstellingen, pagina 2
Object type: text sheet
Date: 1585 – 1590
Materials: paper
Techniques: letterpress printing
Location: antwerp
Artist: philips galle
Artist role: print maker, publisher
Artist dates: 1537 – 1612

Franstalige uitleg bij de voorstellingen in drie pagina's: pagina 2. Het blad maakt deel uit van een album.
The Abduction of Dejanira
Object type: print
Date: 1501 – 1600
Techniques: engraving, etching
Artist: battista franco
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1561
Subjects: bow and arrow,male nudes,female nudes,centaurs,trees
Metamorphoseon sive transformationum
Object type: print
Date: 1606 – 1638
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: meleager gives the head of the boar to atalanta
Inscriptions: collector's mark: ‘Hinloopen’

Meleager biedt Atalanta de kop van het everzwijn aan, dat ze zojuist samen gedood hebben. Titel in het Latijn in ondermarge.
Bow Brooch
Object type: brooch
Date: 500 – 550
Materials: gemstone, glass, niello, silver gilt
Culture: frankish
Philip William of Orange
Object type: print
Date: 1563 – 1615
Techniques: engraving
Artist: jan (johannes) wierix
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1549 – 1615
Subjects: helmets,men,portraits
Vlaggestokshuisje te Galle
Object type: drawing
Materials: paper, pencil, watercolor
Techniques: brush
Location: galle
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: farm or solitary house in landscape

Kleurtekening van een deel van het vlaggestokshuisje. Zie deel 1, p. 10 en deel 2, pp. 149-150. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 1 (1808), p. 112.
Untitled (Portrait of a Seated Man with a Camera)
Object type: photograph
Date: 1853 – 1853
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits: male subject, portraits, portrait, men, male, photography
Leeuwarden. Hof- en Goeverneursplein
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1904
Materials: cardboard
Techniques: lithograph
Location: leipzig
Artist: Anonymous
Subjects: square, place, circus, etc., parts of church exterior and annexes: tower
Inscriptions: date
Paperweight
Object type: glass
Date: 1845 – 1860
Materials: glass
Location: france

Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying and classifying the natural world. Amateur botanists were eager to collect and preserve floral specimens, which they intently researched and catalogued. In response to this broad appeal, French glassmakers made paperweights that portrayed the very botanical subjects that were so enthusiastically sought. Many weights represented specimens with horticultural correctness, but others were entirely fanciful creations. Paperweights like this example speak to the period’s fascination with taxonomic systems.

From the late 1840s to early 1860s, French manufacturers of fine glass and crystal—such as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)—catered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.
Musicerend gezelschap in een tuin
Object type: drawing
Date: 1617 – 1665
Materials: ink, paper
Techniques: pen
Artist: gerard pietersz. van zijl
Artist role: draughtsman
Artist dates: 1607 – 1665
Subjects: more than one musician with instrument - cc - 'concert champêtre'
Busteportret van onderwijzer Hendrik Wester
Object type: print
Date: 1787 – 1844
Materials: paper
Techniques: etching
Location: groningen
Subjects: garmerwolde, oude pekela, schrijver, hendrik wester
Inscriptions: collector's mark: Lugt 2228

Op de piëdestal een zesregelig lofdicht in het Nederlands.
Serie 3: Franse Godsdienstoorlogen
Object type: print
Date: 1567 – 1567
Materials: paper
Techniques: etching
Subjects: militant proselytizing: religious war, crusade, etc., battle (+ land forces), the roman catholic church vs. protestantism; (reformation and counter reformation)

Prent gebruikt in: Aitsinger, Michael. De Leone Belgico (...). Keulen: s.n., 1588.
Amara / Callao de Lima / Tutecorin /  Le Fort Davphin / Malta / De Stadt Cananoor
Object type: map
Date: 1670 – 1672
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of cities, prospect of city, town panorama, silhouette of city
Inscriptions: number: ‘N.G.20.o / N.G.20j / N.G.20.k / N.G.20 / N.G.20N’

Blad samengesteld uit zes losse aan elkaar geplakte plattegronden van of gezichten op diverse steden: Amara (India of Irak), Callao, Tuticorin, Fort Dauphin bij Tôlanaro op Madagaskar, Malta en Cananor. Randfiguren bedoeld om als omlijsting om een kaart van een werelddeel te plakken.
Portret van Filips II
Object type: print
Date: 1570 – 1580
Materials: paper
Techniques: engraving, etching
Artist: jean rabel
Artist role: print maker, publisher
Artist dates: 1548 – 1603
Subjects: philip ii of spain, historical persons, king
Inscriptions: collector's mark: Lugt 2228
Zie hier, o lieve jeugd, acht en veertig platen, / Veel ouds, veel nieuws, veel fraais, kortom van alles wat. / Bevalt u deze prent gij kunt er meer verwachten, / Veel fraaijer, schooner dan gij ooit nog hebt gehad
Object type: print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing
Location: den bosch
Artist: Anonymous
Subjects: animals, human types, characters (human types)
Inscriptions: collector's mark: Lugt 2760

Blad met 48 voorstellingen van verschillende voorwerpen, dieren en figuren. Onder elke afbeelding een onderschrift. Genummerd midden boven: no. 18.
How to Vault in the Saddle or a New Invented Patent Crane for the Accomodation or Rheumatic Rump'd Rectors
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,horses

A rector is hoisted from his horse by a pulley-system tied around his waist, pulled by two girls at left.
Diverse dieren
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: tone lithography
Location: amsterdam
Subjects: pack-animal, ass, donkey
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie van dertien prenten.
Vita, passio et resurrectio Jesu Christi
Object type: print
Date: 1582 – 1671
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich ulrich
Artist role: draughtsman, painter, print maker
Artist dates: 1572 – 1671
Subjects: 'arma christi'
Inscriptions: number: ‘38. - 64.’, collector's mark: Lugt 240
Vase with flowering branch motif (one of a pair)
Object type: vase
Date: 1872 – 1872
Materials: bone china
Artist: minton(s)
Artist role: maker
Artist nationality: british
Artist dates: 1793 – 2001

Minton was the most important ceramics factory during the Victorian period and began exhibiting products at the first Great Exhibition of 1851. Founded in 1793 by Thomas Minton at Stoke-on-Trent, the firm initially specialized in transferware pottery before expanding under the ownership of Thomas’s son Herbert Minton, beginning in 1836. Under the ownership of Colin Minton Campbell, who succeeded his uncle in 1858, the factory became recognized as a specialist producer of Aesthetics movement porcelain, which were inspired by a rich array of exotic and eclectic decorative motifs.
Croquis Couture, No. S 50309 en S 50310
Object type: fashion print
Date: 1947 – 1947
Materials: paper
Techniques: hand coloring, lithograph
Artist: Anonymous
Subjects: coat (+ women's clothes), head-gear (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), belt, girdle, waistband (+ women's clothes)
Inscriptions: title: ‘Supplément à Croquis Couture’

Links: grijze mantel over bruine rok; rechts een witte japon met smalle ceintuur.
Volcano at center with blacksmiths working at left and armor on the ground around them
Object type: print, fete, ornament architecture
Date: 1501 – 1600
Techniques: etching
Artist: anonymous, german, 16th century
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1600
Subjects: armor,volcanoes,working,blacksmiths
Scherven van kommen en deksels van porselein uit V.O.C.-schip de 'Witte Leeuw'
Object type: lid
Date: 1613 – 1613
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven van kommen en deksels van porselein uit V.O.C.-schip de 'Witte Leeuw'.
Twee mannen in een treincoupé
Object type: sketchbook leaf
Date: 1873 – 1873
Materials: paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult man (+ two persons), passenger train, division of armed forces

Blad 2 verso uit een schetsboek met 25 bladen.
Mantelpiece
Object type: mantelpiece
Date: 1770 – 1780
Materials: metal, wood
Portret van een jongen en een meisje
Object type: album leaf
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: hamburg
Artist: hermann tietz
Artist role: fotograaf
Subjects: boy (child between toddler and youth), girl (child between toddler and youth)
Inscriptions: inscription: ‘Hermann Tietz/ Hamburg/ Gr. Burstah 12-14’
Allegorie op geometrie en bouwkunde
Object type: print
Date: 1729 – 1729
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: planimetry, geometry
Inscriptions: collector's mark: Lugt 2228

Putti bestuderen een landkaart bij een kanon. Een andere putto tekent met een passer diverse geometrische figuren. Op de achtergrond een gezicht op de Italiaanse havenstad Genua.