deem-data/ArtiFact huggingface dataset:
Pedante vrouwen
Object type: cartoon
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: looking in the mirror; (possibly: contemplation of own beauty - aa - (for) women), caricatures (human types), dressing oneself, getting dressed - aa - female human figure
Inscriptions: collector's mark: Lugt 2228a

De vrouw vindt dat haar figuur niet optimaal uitkomt in de spiegel. Ze relativeert dit echter met de uitspraak dat het genie helemaal geen sekse heeft.
Gezicht by de oude jagthaven naar 't Blaauwhoofd te zien
Object type: print
Date: 1753 – 1799
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Location: amsterdam
Subjects: harbour, sailing-ship, sailing-boat, rowing-boat, canoe, etc., windmill, canals, waters (in city) (+ city(-scape) with figures, staffage), amsterdam
Inscriptions: collector's mark: Lugt 2233
Bottle
Object type: bottle
Date: 1701 – 1800
Materials: glass, metal
Subjects: flowers
Bestek No. 10 / 2 platen / Verbouwing van het voormalig Muntgebouw
Object type: area plan
Date: 1886 – 1886
Materials: paper
Techniques: letterpress printing, lithograph
Location: amsterdam
Subjects: floor plan ~ architectural design or model, plan ~ architecture
Inscriptions: signature: ‘AP (?)’, collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Reguliers- of Munttoren.
Fragment van een hoes voor stoelzitting, van bedrukte zijde
Object type: covering
Date: 1770 – 1780
Materials: linen, paint, silk
Techniques: printing, weave
Location: france
Artist: Anonymous

Drie hoezen voor stoelzittingen. De hoezen zijn gemaakt van bedrukte zijde. Op een rode grond zijn veelkleurige bloemtakken gedrukt. De hoezen hebben een linnen voering.
Basin
Object type: basin
Date: 1770 – 1800
Materials: pewter
Culture: american
Location: united states
Artist: gershom jones
Artist role: maker
Artist nationality: american
Artist dates: 1751 – 1809
Vase (vase à panneaux or à perles)
Object type: vase
Date: 1779 – 1779
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: putti
Chasuble
Object type: chasuble
Date: 1801 – 1900
Materials: metal thread, silk
Subjects: flowers,leaves

This chasuble– the tabard-like garment worn by a Roman Catholic priest in church– is part of a larger set of matching vestments in The Met's collection, comprising towel-like Maniple (43.22.4b), rectangular Bourse (43.22.4c) and Stole (43.22.4d). Made out of bright, mustard yellow machine-woven moiré silk, the whole is rendered even more brilliant by central embroidered motifs executed in shiny, gold-colored thread. The overall effect quirkily combines a centuries-old tradition of ecclesiastic garments with colorful, machine-made nineteenth-century technology.
Oase in Biskra
Object type: sketchbook leaf
Date: 1922 – 1922
Materials: chalk, paper, watercolor
Techniques: brush
Location: biskra
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: plants (in general), oasis, trees: palm-tree
Inscriptions: kleurnotitie, handgeschreven in potlood

Pagina 38 uit een schetsboek met 31 bladen.
Mortar
Object type: mortar
Date: 1801 – 1900
Materials: bronze
Subjects: deer

This electrotype is after a sixteenth-century original in the Louvre, Paris, at the time of reproduction.
Etudes Progressives de Figures Pittoresques à l'usage des Paysagistes, par Férogio
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: country dwellers, mountains (+ landscape with figures, staffage), mother and child(ren), woman and child(ren) (family group) (with number of children)
Inscriptions: collector's mark: Lugt 2228a
Vues de Paris
Object type: cabinet photograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: saint-cloud
Artist: jr
Artist role: fotograaf
Subjects: ruin of a building ~ architecture
Inscriptions: annotation: ‘Commune de St Cloud/ entièrement dévastée/ l'église seule est restée debout/ tout la reste est détruit’
Christ supported by an angel standing on a cloud
Object type: print
Date: 1601 – 1700
Techniques: engraving
Artist: cherubino alberti (zaccaria mattia)
Artist role: artist
Artist nationality: italian
Artist dates: 1553 – 1615
Subjects: angels,christ
Erepenning van de Dordrechtse vrijwilligers
Object type: honorary medal
Materials: silver
Artist: Anonymous

Zilveren draagpenning met oog en ring, klein model.
Portret van Maria Tesselschade Roemers Visscher
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: printmaking, etching, roulette
Location: amsterdam
Subjects: amsterdam, maria tesselschade roemers visscher, adult woman, book
Inscriptions: collector's mark: Lugt 2228

Naar een tekening van Hendrick Goltzius in het Amsterdam Museum. Vanaf de achttiende eeuw werd de geportretteerde, onder andere door Cornelis Ploos van Amstel, regelmatig aangeduid als zijnde Maria Tesselschade Roemer Visscher, maar dat is onjuist gebleken.
Portret van Johann Fetzer
Object type: print
Date: 1692 – 1732
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, lawyer, attorney at law, counsellor
Inscriptions: number: ‘22’, collector's mark: Lugt 2228
Rest on the Flight into Egypt
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: mezzotint
Location: london
Subjects: breasts giving milk, rest on the flight into egypt
Inscriptions: collector's mark: Lugt 1618, collector's mark: Lugt 2228, collector's mark: Lugt 1647
Campagne de Rome
Object type: print
Date: 1801 – 1900
Techniques: etching
Artist: françois-nicolas chifflart
Artist role: artist
Artist nationality: french
Artist dates: 1825 – 1901
La Mode Illustrée ,1869, No. 46: Costumes d'Enfants
Object type: fashion print
Date: 1869 – 1869
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: ass, donkey, trousers, breeches (+ boys' clothes), head-gear (+ girls' clothes), neck-gear ~ clothing (+ girls' clothes), clothing for the upper part of the body (+ boys' clothes), boots (+ girls' clothes), parasol, sunshade (+ girls' clothes), head-gear (+ boys' clothes), fashion plates, (family) meal - cc - out of doors, fruits, dress, gown (+ girls' clothes)
Inscriptions: address: ‘Bureaux du Journal, 56, Rue Jacob. Paris’, caption: ‘Costumes d'Enfants’, title: ‘La Mode Illustrée’

Vijf meisjes en drie jongens zijn aan het picknicken. Prent uit het modetijdschrift La Mode Illustrée (1860-1937).
Decoration for a Spandrel in a Cove
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: pen
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: ornament
Gustavus III, King of Sweden (b. 1746, r. 1771–92) and Louise Ulrika, his mother (1720–1782), as founders of the Swedish Academy
Object type: medal
Date: 1786 – 1786
Materials: silver
Artist: carl gustaf fehrman
Artist role: artist
Artist dates: 1746 – 1798
Subjects: kings,profiles,women
Gezicht op de Dom in Utrecht
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching
Location: utrecht
Subjects: parts of church exterior and annexes: dome
Inscriptions: collector's mark: Lugt 195
Saltcellar
Object type: saltcellar
Date: 1736 – 1795
Materials: porcelain
Location: china
Subjects: flowers

Chinese export porcelain was one of the luxuries deemed essential to a well-appointed eighteenth-century house. Until 1784, when direct trade began between China and America, Chinese porcelain came to the colonies by way of Europe. This saltcellar was part of a large service that descended in the Verplanck family of New York.
Degen met zilveren gevest
Object type: sword
Date: 1775 – 1775
Materials: iron, silver
Techniques: printing, embroidery, etching, faceting, gilding
Location: amsterdam
Artist: abraham du cellieé
Artist role: zwaardveger
Subjects: amsterdam
Inscriptions: inscription: ‘L'HONEUR ME FAIT SERVIR’, mark: ‘ASV’, inscription: ‘Abm(superscript m) Du Celliee // Md(superscript d) fourbisseur // Franc (superscript c) ais // Dans Le // Calverstraat // a' Amsterdam (voorkant); Abraham // Du Celliee mr (superscript r) // Zwaardveger // In De // Kalverstraat // a' Amsterdam (achterkant)’
Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae
Object type: print
Date: 1576 – 1580
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: beheading of james, the apostle james the great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword - martyrdom, suffering, misfortune, death of male saint

Jakobus de Meerdere wordt onthoofd met een zwaard; rechts naast het tafereel van zijn marteldood staat hij nogmaals afgebeeld, met een pelgrimsstaf in de hand waaraan een kalebasfles bungelt. Onder de voorstelling een verklarende tekst in het Latijn. Deze prent maakt deel uit van een album.
Portret van Adrianus Blokdijk op bidprent
Object type: photograph
Date: 1931 – 1931
Materials: paper, cardboard
Techniques: gelatin silver print, letterpress printing, lithograph
Location: hoorn
Artist: Anonymous
Subjects: adult man, historical persons, hoorn (north holland)
Inscriptions: inscription: ‘Heer, geef de zielen/ der afgestorvenen het/ eeuwige licht!/ Dat zij rusten in vrede!/ Amen./ C.M.Z. [?] 316.’, inscription: ‘Bid voor de Ziel van Zaliger (...) helpt mij door uwe gebeden bij God./ Wed. W.H. Castricum - Hoorn’
Het doorbreeken van de St. Anthonis Dyk buiten Amsterdam op den 5e. maart 1651
Object type: album leaf
Date: 1728 – 1728
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: dike-break, confusion, bewilderment, panic; 'perturbatione' (ripa)

Prent gebruikt in: Le Clerc, Jean. Geschiedenissen der Vereenigde Nederlanden, sedert den aanvang van die Republyk tot op den Vrede van Utrecht in 't jaar 1713 en het Tractaat van Barriere in 't jaar 1715 gesloten. Amsterdam: Zacharias Chatelain, 1730, dl. 2, p. 556.
Paskaart van Denemarken met het Skagerrak en het Kattegat
Object type: print
Date: 1681 – 1799
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (story of) neptune (poseidon), goat, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Paskaart van Denemarken met het Skagerrak en het Kattegat, met een kompasroos, het Noorden ligt boven. Rechtsboven een cartouche met de titel, geflankeerd door twee putti die een ingelijste afbeelding van Neptunus op zijn wagen omhoog houden. Onder de putti de schaal in Duitse, Spaanse en Engelse of Franse mijlen. Middenonder het uitgeversadres op een steen, waarop een bok ligt.
Ruiterportret van Willem III, prins van Oranje
Object type: print
Date: 1688 – 1708
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: jakob von sandrart
Artist role: print maker, publisher
Artist dates: 1630 – 1708
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland)
Inscriptions: collector's mark: Lugt 2228

Ruiterportret van Willem III. In zijn rechterhand een commandostaf. Een putto houdt een lauwerkrans boven zijn hoofd. Op de achtergrond een strand met ruiters en schepen. In de ondermarge vijf regels Duitse tekst.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic
Artist: telephos painter
Artist role: artist

Exterior, youth with himation draped over head; right arm and hand of a draped figure holding a lyre; above, waxed tablets
Portret van een zittende vrouw met boek in de hand
Object type: photograph
Date: 1864 – 1864
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, book
Inscriptions: annotation: ‘AK/ [...]’, inscription: ‘M. L. Winter/ Photograph/ PRAG & CARLSBAD.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, lower drapery of figure; one letter of an inscription, L
Le Pan de Muraille
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: henri mauperché
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1686
Subjects: ruins,men,working
Rococo Tomb in Ruins
Object type: drawing and watercolor
Date: 1701 – 1800
Materials: ink, paper
Techniques: brush, pen, wash
Location: germany
Artist: Anonymous
Artist nationality: german
Artist dates: 1700 – 1799
Herder en herderin met kudde bij een rivier
Object type: print
Date: 1763 – 1765
Materials: paper
Techniques: transfer, print drawing
Location: amsterdam
Artist: cornelis ploos van amstel
Artist role: draughtsman, print maker
Artist dates: 1726 – 1798
Subjects: cow, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep
Inscriptions: collector's mark: ‘RIJKS / MUSM’

Een herder en een herderin staan op de oever van een rivier met hun schapen en koeien. De prent ligt los in een album, zie blad 4.
Terracotta fragments of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Both fragments have part of the neck of the column-krater, and, at the juncture of the neck and shoulder, a band of tongues, alternating with black and red
Luik. Standbeeld van Karel der Groote.
Object type: photograph
Date: 1872 – 1872
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: liège
Subjects: equestrian statue, liège
Inscriptions: number: ‘586[...]’, address: ‘Dornach Ht. Rhin’

Onderdeel van Fotoalbum met bezienswaardigheden in Nederlandse, Belgische en Duitse steden.
Hooioppers in een weiland
Object type: sketchbook leaf
Materials: paper, pencil
Artist: alexander shilling
Artist role: draughtsman, print maker
Artist dates: 1859 – 1937
Subjects: hay-cock

Blad 67 recto uit een schetsboek met 91 bladen.
Apostle spoon
Object type: apostle spoon
Date: 1601 – 1650
Materials: gilt, silver
Artist: hans schleich
Artist role: maker
Artist dates: 1516 – 1616
Subjects: apostles
Brief aan Philip Zilcken
Object type: letter
Date: 1891 – 1891
Materials: ink
Techniques: pen, printing, writing
Location: paris
Artist: adriaan pit
Artist role: print maker
Artist dates: 1860 – 1944
Subjects: françois courboin, paris, félix hilaire buhot, brussels, politician, jules destrée, lev tolstoj, painter, draughtsman, philip zilcken, the graphic arts, art collecting, printed matter, the hague
Inscriptions: collector's mark: ‘RPK’
Greece, from the Natives in Costume series (N16), Teofani Issue, for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1886 – 1886
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "Natives in Costume" series (N16), issued in 1886 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Secondary set from original Allen & Ginter plates printed by Teofani and distributed in Iceland. This set is printed on thinner card stock and does not have printed text on recto or verso.
Buddhist Maxim on the Saving Power of Amida
Object type: hanging scroll
Date: 1401 – 1450
Materials: ink, paper
Culture: japanese
Artist: gukyoku reisai
Artist role: artist
Artist nationality: japanese
Artist dates: 1369 – 1452
Subjects: buddhism,calligraphy

Like adherents of the Pure Land sects of Buddhism, Gukyoku Reisai, a prominent Zen monk, believed in the saving power of Amida Buddha. This couplet, written in Chinese cursive script, reads, from right column to left: For an utterly evil person, there is no other expedient means. Simply recite the name of [A]mida to achieve birth in Paradise. —Translated by John T. Carpenter
Theepot met deksel van hardgebakken aardewerk; Staffordshire.
Object type: teapot
Date: 1750 – 1750
Materials: earthenware, glaze
Techniques: gilding, marbling
Location: england
Artist: Anonymous

Theepot met deksel van hardgebakken aardewerk. De theepot is bedekt met een bruin gemarmerde loodglazuur en versierd in reliëf met deels vergulde wijnranken met bladeren en druiventrossen. Het deksel heeft een vogel als knop. De theepot hoort bij een melkkan (BK-1977-245-B) en een spoelkom (BK-1977-245-C).
Triomf van Neptunus
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: triumph of neptune
Inscriptions: collector's mark: Lugt 2228

Grisaille, met de voorstelling van Neptunus met zijn drietand in de hand staande tussen zeepaarden, in de hoek van het plafond van de Chambre des Bains in het Hôtel Lambert. De voorstelling van Neptunus wordt geflankeerd door twee Nereïden, ieder met een waterkan. Midden onder een putto met een gewei van koraal op het hoofd. Prent maakt deel uit van een serie prenten naar de schilderijen in het Hôtel Lambert te Parijs.
Beaker with inverse face
Object type: beaker
Date: 900 – 1100
Materials: gold
Culture: lambayeque, sicán
Location: peru
Artist: lambayeque (sicán) artist(s)
Artist role: artist
Subjects: faces
Reconstructie van het Forum Romanum
Object type: drawing
Date: 1861 – 1904
Materials: ink, paper
Techniques: pen
Artist: thomas cool
Artist role: draughtsman, painter
Artist dates: 1851 – 1904
Subjects: landscape with ruins, rome
Knopstoel van hardhout met gladde, gedraaide stijlen en dwaarsregels; voorpoten en achterstijlen eindigend in fijn gedraaide knoppen
Object type: chair
Date: 1690 – 1710
Materials: wood, fiber
Location: amsterdam
Artist: Anonymous

Deze stoel heeft een hogere zitting dan de oevrige drie van een viertal waarvan het deel uitmaakt. Bij elke stoel hoort een kussen.
Portret van Johann Weinlob
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: politician, historical persons, pendant, trinket, 'breloque', politician, e.g. party leader, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, number: ‘1020’

Latere staat van de prent gebruikt in: Küster, Georg Gottfried. Martin Friedrich Seidels Bilder-Sammlung (...). Berlijn: Buchladen bey der Real Schule, 1751.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, youth with himation, holding a marble bag In his right hand, and leaning on a stick with his left elbow; in field, sponge and strigil
Gezicht op de Ortaköy-moskee in Istanboel
Object type: photograph
Date: 1854 – 1867
Materials: cardboard, paper
Techniques: albumen print
Location: istanbul
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: inscription: ‘[onleesbaar]’, number: ‘7’
Portret van Wenceleus I
Object type: print
Date: 1629 – 1673
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons

Portret zonder omlijsting ook gebruikt in: Althann, Michael Franz Ferdinand von. Elogia ducum regum intereggu qui boemis Praefverunt. Praag: Pauli Sessi, 1629. Portret met andere omlijsting gebruikt in: Althann, Michael Franz Ferdinand von. Tibi Ferdinande III Reie optime boemorum (...). Praag: s.n., 1673.
Engelsche oorlogsmanieren
Object type: cartoon
Date: 1901 – 1901
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: petrus van geldorp
Artist role: draughtsman, print maker
Artist dates: 1872 – 1939
Subjects: horatio herbert kitchener, cinema, movie-house, historical persons, war, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdamsche Courant, 24 mei 1901.
Plattegrond van Beaune
Object type: area plan
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: city-view in general; 'veduta'

Prent uit: Tassin, Christophe. Les plans et profils de toutes les principales villes et lieux considérables de France (...). Parijs: Michel van Lochom, 1638, prent nummer 8 in het deel 'Bourgongne'.
Venus and Eros
Object type: print
Date: 1516 – 1516
Techniques: engraving
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
Cruet
Object type: cruet
Date: 1601 – 1700
Materials: glass
Card 30, Pyrameis Atalanta, from the Butterflies series (N183) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,butterflies

Trade cards from the "Butterflies" series (N183), issued in a numbered set of 50 cards in 1888 by W.S. Kimball & Co.
Bottle
Object type: ceramic
Date: 1750 – 1750
Materials: earthenware
Techniques: glazing
Location: liverpool
Ex libris van H.Ph. Boddaert
Object type: bookplate
Date: 1934 – 1934
Materials: paper
Techniques: engraving
Location: france
Artist: valentin le campion
Artist role: print maker
Artist dates: 1861 – 1952
Subjects: additional stages: distillation (destillatio), tools, implements of graphic artist (burin), woman (showing herself) undressed, quasi-nude, book
Inscriptions: inscription: ‘287d’, workshop stamp: ‘Valentin le Campion’
Faith personified by a woman standing in a niche, pointing to rays in the upper left, from "The Virtues"
Object type: print
Date: 1515 – 1525
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: women
Fragment of a shell with a sculpted female head
Object type: sculpture
Date: 700 – 601
Materials: shell
Location: levant or mesopotamia
Subjects: heads

The shell of a species of large clam (Tridacna squamosa), native to the Indian Ocean, the Red Sea, and the Persian Gulf, was used to carve a distinctive type of cosmetic container during a short period from the late seventh to the early sixth century B.C. More than a hundred containers of this type survive, and have been found throughout the Near East and Mediterranean, as far east as Iran and as far west as Italy. Unworked shells have been found in Palestine and Transjordan, suggesting that the workshops where these containers were manufactured were located in these regions. This fragment of a cosmetic container preserves the thick hinge of the shell, which was carved as the three-dimensional head of the figure whose body was incised on the shell’s outer surface. The figure’s very large eyes are outlined with double incised lines, and the pupils are highlighted with drilled holes. The other features are simplified, such as the small mouth represented by two incised lines. A ridge at the forehead suggests a headband, which wraps around the back of the head, holding back the hair which is represented as individual feather-like hatched locks. Traces of a decorative border can be seen at the lower edge of the hair, which would have continued on the figure’s garment when the container was complete.
Groep Nederlanders en Duitse militairen
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: occupier and civilians, occupation ~ war, netherlands

Een groep Nederlanders zitten in het gras voor een villa, achter hen aan een tafel zitten Duitse militairen
Chessmen (32) and board
Object type: chessman and board
Date: 1840 – 1850
Materials: silver, silver gilt
Subjects: kings,queens,chess,horses

The costume of the principal figures appears to be a romantic version of medieval dress; certain features, however, of the dress of the queen are unmistakably of the decade 1840 to 1850, thus dating the entire set. A board of white and black mother-of-pearl squares set in silver-plated metal frame is en suite.
Flower-Shaped Fitting
Object type: fitting
Date: 634 – 900
Materials: gold
Culture: northwest chinese or eastern central asian