deem-data/ArtiFact huggingface dataset:
Flower vase
Object type: flower vase
Date: 1695 – 1705
Techniques: glazing
Artist: the "greek a" factory
Artist role: factory
Subjects: flowers

Although marked with the monogram AK, the mark used from 1687 to 1703 at the Delft "Greek A" factory during the management of Adrianus Kocx, his widow, and their son, Pieter, this flower vase is probably an example of a stock product made well into the eighteenth century, a simplified version of a high-style Baroque-period model of the late seventeenth century. Molds for such shaped ceramic wares were expensive to produce and would have remained in use over an extended period. Here, Chinese blue-on-white decoration has taken the place of the European ornament seen in early examples of this form. Originally, the panels had alternating blue and white grounds, with reserve decoration (white on blue and vice versa) of pictorial scenes such as boys playing in landscapes. The multi-tiered cover also has been reduced from earlier forms to a single concentrated row of flower holders around a larger central one. This example exists in interesting counterpoise to the earlier and much larger vase opposite.
Château de Blois
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: blois
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: salamander (fabulous animal); salamander as spirit of fire, staircase, ornament derived from plant forms
Inscriptions: collector's mark: Lugt 3937, name: ‘Monsters worden door de Representant J. A. G. de Leur den Haag op franco aanvrage verzonden’, number: ‘No. [...]39’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, lower torso, genitals, and thighs of male bending to right with a bag?
Franciscan Nun (one of a pair)
Object type: figure
Date: 1765 – 1765
Materials: hard paste porcelain
Artist: höchst manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1746 – 1796
Subjects: women
Saint Simon
Object type: print
Date: 1523 – 1523
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: swords,saints
Prijspenning van de Nederlandsche Schutterij Kader-Bond, 1892, individueel vuur, eerste prijs
Object type: draagpenning
Date: 1892 – 1892
Materials: silver, textile
Techniques: gilding

Verguld zilveren penning met knop, ring en lint.
Zee komptoir te Amsterdam; 's Lands magazyn aldaar
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: large-scale structure for storage, e.g.: warehouse, depot, silo
Inscriptions: collector's mark: Lugt 2233

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Circe drinking from a cup, an oval composition
Object type: print
Date: 1540 – 1550
Techniques: woodcut
Artist: niccolò vicentino
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1550
Tobacco jar
Object type: tobacco jar
Date: 1765 – 1765
Materials: faience, pewter
Techniques: glazing
Artist: sceaux
Artist role: manufactory
Subjects: flowers,coat of arms

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Piece
Object type: piece
Date: 1675 – 1700
Materials: metal thread, silk
Subjects: birds,flowers,leaves
Brillantová náprsní kytice
Object type: photomechanical print
Date: 1891 – 1893
Materials: paper
Techniques: autotype
Location: prague
Subjects: ornaments, jewels
Fiori di Ricami Nuovamente Posti in Luce
Object type: book print ornament archiecture
Date: 1591 – 1591
Techniques: woodcut
Location: italy
Artist: matteo florimi
Artist role: designer
Artist nationality: italian
Artist dates: 1581 – 1613

Designed by Matteo Florimi, Italian, active Siena, ca. 1581-died 1613, published by Francesco de' Franceschi, Italian, active 16th century, Venice. Title page with foliage-patterned border, dedication on verso of title page with woodcut initial letter, 17 pages of designs. Many designs are the same as those printed in the 1591 Ciotti pattern book.
Portret van Rod Cameron; onderdeel van het kwartet Cowboy-Stars uit een kwartetspel
Object type: playing card
Date: 1960 – 1970
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: portrait of actor, actress
Chasuble
Object type: chasuble
Date: 1801 – 1900
Materials: metal thread, silk
Subjects: flowers,leaves

This tabard-like garment was made for a Roman Catholic priest to wear when leading church services. Although the richly patterned design, combining deep hues of purple, red, green and gold, imitates the effects of an early eighteenth-century European silk of the type called "bizarre", it is actually a mass-made fabric, thick, hardy and originally intended for upholstery. Nonetheless, signs of wear-and-tear, especially around the chest area reveal that it was worn and used, uncomfortable as it must have been.
Ijzeren steun voor de hemel van het Lit à la Polonaise
Object type: furniture
Date: 1775 – 1775
Materials: wood, copper, iron, paint, textile, silk
Techniques: cutting, damask, painted
Location: france
Artist: Anonymous
Subjects: bed

Vier ijzeren s-vormige steunen voor de hemel.
Pennant U.S., United States Jack, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the set, "Flags of All Nations," Series 1 (N9), issued in 1887 in a series of 48 cards to promote Allen & Ginter Brand Cigarettes. The museum's collection contains the 48 cards from the Series 1 set, as well as 10 variations and 5 mis-printed cards.
Card Number 339, Lillian Grubb, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Château de Wommersom
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: wommersom
Subjects: park, castle
Landschap met ruiter en bedelaarster
Object type: print
Date: 1799 – 1874
Materials: paper
Techniques: etching, intaglio
Artist: hendrik jozef franciscus van der poorten
Artist role: draughtsman, print maker
Artist dates: 1789 – 1874
Subjects: riding a horse, ass, or mule; rider, horseman, road, path, beggar
Inscriptions: collector's mark: Lugt 2228
Twee paarden
Object type: print
Date: 1882 – 1882
Materials: paper
Techniques: etching
Artist: léon brunin
Artist role: print maker
Artist dates: 1861 – 1949
Subjects: horse
Inscriptions: annotation: ‘3e Etat’, collector's mark: Lugt 2228
Man en vrouw tijdens een maaltijd, gezeten aan tafel
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring, perforating
Location: paris
Subjects: evening meal, dinner, supper, paris
Inscriptions: number: ‘3457’, inscription: ‘DÉPOSÉE’
Aux écoutes
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
Portret van Adriaan van Vredenburch
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: date

Onder het portret de naam, geboorte- trouw- en sterfdatum en het familiewapen van de geportretteerde. Daaronder de signatuur van de geportretteerde.
The Three Graces, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1515 – 1527
Techniques: engraving
Artist: marco dente
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1527
Subjects: female nudes,trees

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 71 in the scrapbook.
Eenden bij een sloot
Object type: print
Date: 1832 – 1897
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: trees: willow, small canal, ditch, water-birds: duck
Inscriptions: collector's mark: Lugt 2228

Weidelandschap met knotwilgen aan waterkant van een sloot. Aan de rand van het water zitten vier eenden.
Robert Macaire en Bertrand doen een grondwerker een voorstel
Object type: cartoon
Date: 1838 – 1838
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Subjects: caricatures (human types), employer ~ employee
Inscriptions: collector's mark: Lugt 2228a

Prent mogelijk uit: Le Charivari, 19 augustus 1838.
Design for Wallpaper with Alternating Vertical Rows of Pairs of Ornamental Frames of Two Sizes Framed by Interlacing Garlands of Laurel Leaves Tied by a Bow
Object type: drawing ornament architecture
Date: 1870 – 1900
Materials: watercolor
Artist: anonymous, french, 19th century
Artist role: designer
Artist nationality: french
Artist dates: 1800 – 1900
Soldaat die zijn furket onder zijn musket plaatst, ca. 1645
Object type: print
Date: 1645 – 1647
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: handling of weapons ~ military training, weapons
Inscriptions: annotation: ‘Ouvrez le bassinet p. 27’

Een soldaat, ten voeten uit, naar rechts, die een musket (een bepaald type vuurwapen) met de rechterhand schuin omhoog gericht vasthoudt, terwijl hij een furket (musketvork) onder de loop plaatst, ca. 1645. Bedrukt op achterzijde met tekst in het Frans. Vrij naar plaat 11 in de instructies voor het hanteren van het musket in de Wapenhandelinghe van J. de Gheyn. Krijgswezen rond 1600.
Fotoreproductie van een prent van een sculptuur van keizer Maximiliaan I uit de Hofkerk in Innsbruck
Object type: photomechanical print
Date: 1878 – 1888
Materials: paper
Techniques: photoaquatint
Location: philadelphia
Artist: Anonymous
Subjects: maximilian i (holy roman emperor), monument, statue
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment, eye cup, bilingual
Date: 433 – 567
Materials: terracotta
Culture: greek, attic
Artist: oltos
Artist role: artist

Interior, satyr with a drinking horn; Exterior, in between the eyes, part of the tail, belyy, and legs of a cow to right
Scarab Inscribed with the Throne Name of Thutmose I
Object type: scarab, thutmose i, aakheperkare, neferrenput
Date: 1504 – 1492
Materials: faience
Location: egypt
Subjects: hieroglyphs,scarabs
The Carpenter
Object type: print
Date: 1621 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: human figures,houses,trees,working
Galathea op haar zeewagen
Object type: drawing
Date: 1671 – 1722
Materials: chalk, paper
Techniques: brush
Location: france
Artist: antoine coypel
Artist role: draughtsman, print maker
Artist dates: 1661 – 1722
Subjects: triumph of galatea
Bezoekers bij berghut Pierre Pointue op de Mont Blanc
Object type: album leaf
Date: 1880 – 1896
Materials: paper, photographic support
Techniques: albumen print
Location: mont blanc
Artist: Anonymous
Subjects: mountain-range, snow peaks, hut, cabin, lodge

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Frankrijk, Spanje, Italië, Duitsland, Zwitserland en Oostenrijk.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Meander and cross squares; torus foot with glazed outer edge; resting surface is unglazed; the inner wall of the foot is glazed; the underside of the foot has miltos
'Animal Folly' from the 'Disparates' (Follies / Irrationalities)
Object type: print
Date: 1815 – 1815
Materials: paper
Techniques: aquatint, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,elephants

The elephant is based on a drawing Goya made in the 1800s, possibly upon the arrival in Madrid of an Indian elephant. Conveying the wonder with which animals from other places were regarded in early nineteenth-century Spain, this print has been interpreted as a reference to the so-called Persian Manifesto (from a note on the customs of "the ancient Persians" in its first article) that led to the annulment of the constitution and the restoration of Ferdinand VII in 1814. Here, men in Eastern robes hold an open book and a harness with bells, attempting to lure an elephant standing in a circular space that recalls a bullring. One of the four additonal plates prepared for the set but not included in the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'.
Pendant
Object type: pendant
Date: 201 – 700
Materials: glass
Culture: sasanian
Location: mesopotamia
Floraal motief
Object type: sketchbook leaf
Date: 1894 – 1894
Materials: paper, pencil
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: floral interlace ~ ornament

Blad 18 verso uit een schetsboek met 35 bladen.
Plaque: Portrait of William Pitt
Object type: ceramic
Date: 1805 – 1805
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 – 
Inscriptions: Mark: "WEDGWOOD" impressed
Wehrmacht trekt door Nederland
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: troop movements, transportation, occupation ~ war, netherlands

De Wehrmacht trekt met pantserwagens een Nederlandse stad of dorp binnen. Voorop een auto met geschut, ernaast ingepakt geschut. Aan de bomen te zien is het voorjaar.
Botervloot op onderschotel
Object type: platter
Date: 1740 – 1765
Materials: faience
Techniques: kiln, painted, polychromy
Location: delft
Artist: Anonymous
Inscriptions: inscription: ‘2’, inscription: ‘2’

Butter dish and stand with the arms of the Josselet family. Faience. Delft, c. 1740 - 1765.
Gevel van de Sint-Jan van Lateranen te Rome
Object type: photograph
Date: 1865 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: church (exterior), façade (of house or building)
Inscriptions: negative number: ‘23’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië (deel I).
Chalice
Object type: metalwork
Date: 1827 – 1828
Materials: garnet, silver gilt
Location: london
Artist: designed by augustus welby northmore pugin
Maffet Ledger: Indian on horseback, man dismounted
Object type: drawing
Date: 1874 – 1881
Materials: crayon, graphite, paper, watercolor
Culture: cheyenne
Location: united states
Subjects: weapons,firearms,men,horses
Portret van dienstmeisje in werkkleding
Object type: photograph
Date: 1875 – 1910
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: wooden container: barrel, cask, bucket, clothing for the upper part of the body: blouse (+ women's clothes), wooden shoes, clogs, head-gear: cap, apron (+ women's clothes), shrubs: broom, house personnel, servants

Onderdeel van Leporelloalbum met 28 foto's van Amsterdam en omstreken.
Portret van keizer Karel V
Object type: print
Date: 1715 – 1715
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: ghent, charles v (holy roman emperor and king of spain), historical persons, king

Prent mogelijk uit: La vie de l'empereur Charles V. Brussel: Josse de Grieck, 1715, dl. 1.
Lid
Object type: lid
Date: 801 – 1000
Materials: earthenware
Techniques: incising
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Christus, hangend aan een doek
Object type: print
Date: 1922 – 1922
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: from christ's deposition to his entombment (matthew 27:58-66; mark 15:46-47; luke 23:53-56; john 19:39-42)
Inscriptions: collector's mark: Lugt 5i, collector's mark: Lugt 2228, collector's mark: Lugt 2760

Naast Christus de ladder die tijdens de kruisafneming is gebruikt.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 460
Materials: terracotta
Culture: greek, attic

Interior, head, and part of upper torso of woman with sakkos and himation
In de Duitsche politieke kinderkamer
Object type: cartoon
Date: 1902 – 1902
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: wilhelm ii (keizer van duitsland), fancy-cakes, fancy-pastries, personifications of countries, nations, states, districts, etc., the good child versus the naughty child, political caricatures and satires

De Duitse keizer Wilhelm II als een vader die zijn twee dochters Elzas en Lotharingen de aanlokkelijke pudding 'Deutschthum' voorhoudt, het stoute zusje Polen heeft hij in de hoek van de kamer gezet.
Floral print
Object type: floral print
Date: 1734 – 1766
Materials: cotton
Subjects: flowers
Gezicht op het schiereiland van Portland en op fort Nothe, gezien vanaf het strand van Weymouth
Object type: photograph
Date: 1891 – 1891
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: great britain
Artist: Anonymous
Inscriptions: annotation: ‘Fort Nothe’, number: ‘27305’, inscription: ‘PORTLAND / Presquile de Portland et fort Nothe vus de la plage de Weymouth’

Foto uit een album met 35 topografische foto's van Britse kustplaatsen, waarop in pen militaire verdedigingswerken zijn aangegeven door een Franse militair.