deem-data/ArtiFact huggingface dataset:
Rust tijdens de vlucht naar Egypte
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: etching
Location: friesland
Artist: pieter feddes van harlingen
Artist role: painter, print maker, publisher
Artist dates: 1586 – 1623
Subjects: rest on the flight into egypt
Inscriptions: collector's mark: Lugt 2228

Maria zit met het Christuskind op schoot, tegen een boom met druivenranken. Jozef plukt een vrucht uit een boom.
Old Beggar Woman with a Gourd
Object type: print
Date: 1629 – 1629
Techniques: etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: women
Strikdas van gemengde kant op machinale tule met ronde uiteinden
Object type: womenswear
Date: 1880 – 1880
Materials: lace, fiber
Techniques: lace
Location: brussels
Artist: Anonymous

Strikdas van gemengde kant op machinale tule met ronde uiteinden. De randen zijn geschulpt en gepicoteerd. De decoratie bestaat uit bladmotieven, medaillons en moesjes.
Augustine Heard & Co. Steam Rice Mill, Bangkok
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Portret van koning Childerik I
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Intérieur de la Madeleine, Paris
Object type: stereoscopic photograph
Date: 1856 – 1890
Materials: glass, paper
Techniques: slide
Location: paris
Artist: l.f.
Subjects: parts of church interior: nave
Inscriptions: number: ‘23’, number: ‘L. F. 906’
Dresden - Rathaus-Turm, von der Kreuzkirche gesehen
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: dresden
Subjects: townhall
Portret van Bertrand du Guesclin
Object type: print
Date: 1650 – 1690
Materials: paper
Techniques: engraving, etching
Subjects: standing figure, sailing-ship, sailing-boat, birds, historical persons, battle, hoofed animals: rhinoceros, trees: olive-tree, sunset, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit: Vulson de La Colombière, Marc de. Les portraits des hommes illustres François qui sont peints dans la gallerie du Palais cardinal de Richelieu (...). Parijs: Henry Sara et al., 1650. Of uit latere publicaties (1655, 1662, 1690 en 1690).
Lochranza op Arran in het westen van Schotland
Object type: photograph
Date: 1861 – 1871
Materials: paper
Techniques: albumen print
Location: arran
Artist: william russell sedgfield
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: island, landscapes, lake
Inscriptions: inscription: ‘"On fair (...) the world."’
Madame Léon Clapisson
Object type: painting
Date: 1883 – 1883
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: pierre auguste renoir
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1919
Subjects: portraits: female subject, white (color), red (color), portrait, feathers, fans, dresses, chair, blue (color), blue, women, portraits, century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed upper left: Renoir 83
Allée bordée d'arbres
Object type: photograph
Date: 1850 – 1853
Techniques: paper negative, salted paper print
Artist: charles marville
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1879
Subjects: parks,trees
Sportveld van Moengo
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo
Inscriptions: inscription: ‘Sportveld Moengo’

Sportevenement op het sportveld van Moengo. Met volle tribunes en wapperende Nederlandse vlaggen. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Journal des Dames et des Modes, Costume Parisien, 16 novembre 1805, An 14, (681): Réseau de Chenill (...)
Object type: fashion print
Date: 1805 – 1805
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: ear-rings (+ women's clothes), notation of music, head-gear (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), skirt (+ women's clothes)
Inscriptions: title: ‘Costume Parisien.’, caption: ‘Réseau de Chenille. Douillette de Taffetas.’

Vrouw, staande bij een lessenaar met bladmuziek, met een haarnet van chenille in het haar. Zij draagt een 'douillette' van tafzijde op een rok met bloem- en bladmotief. Oorbel in het rechteroor. platte schoenen met strikken. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Man met knuppel bedreigt een opspringende hond
Object type: drawing
Date: 1750 – 1820
Materials: chalk, paper, pencil
Artist: Anonymous
Subjects: standing figure, weapons for striking a blow: club, dog
Paperweight
Object type: paperweight
Date: 1852 – 1880
Materials: glass
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Piece
Object type: piece
Date: 1825 – 1830
Materials: cotton
Subjects: columns,flowers
Young Woman with a Caged Monkey (Calendar Print for New Year 1776)
Object type: print
Date: 1776 – 1776
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Drinkglas
Object type: miniature
Date: 1725 – 1775
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: glass, rummer

Trechtervormig drinkglas op een hoge balustervormige stam. De voet is rond en gewelfd. Het drinkglas is gelijk aan vijf andere exemplaren (BK-NM-11177-181-b-IV, BK-NM-11177-181-b-V, BK-NM-11177-181-b-VI, BK-NM-11177-181-b-VII, BK-NM-11177-181-b-VIII). De ddrinkglazen staan met een schenkkan (BK-NM-11177-181-b-II) op een dienblad (BK-NM-11177-181-b-I). Het dienblad staat op een klaptafel (BK-NM-11177-181-a).
Bottle
Object type: vessel
Date: 1 – 100
Materials: glass
Techniques: glassblowing
Culture: roman
Location: syria
Subjects: containers

Initially affordable only among the wealthy, glass was used in ancient Rome as containers for oils, perfume, and tablewares. The variety of glass-making techniques reveals the changing tastes and fashions over the centuries. During the 1st century A.D., cast glass was a novel form that was a luxury for the Roman household, but by the end of the century, the innovation of blown glass allowed for less labor-intensive and less expensive production, which meant people of lesser means could afford it. Blown glass became so popular it nearly supplanted ceramic and even bronze wares in the home.
Clutha Vase
Object type: glass
Date: 1895 – 1895
Materials: glass
Techniques: glassblowing
Location: glasgow
Artist: christopher dresser
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1834 – 1904

In designing his Clutha line, Dresser looked to ancient Roman and Venetian glass that incorporated several colors to great effect. His embrace of naturally occurring bubbles and striations in the glass lends a handcrafted aesthetic, while the vase’s sinuous form references the burgeoning Art Nouveau style. Clutha is the ancient Celtic name for Clyde, the river that flows through Glasgow; the maker of this vase, James Couper and Sons, was located on the banks of the River Clyde. The Clutha line was sold at the fashionable department store Liberty and Co. in London.
Revue für Architektur in Belgien
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: dresden
Subjects: bank, antwerp
Inscriptions: inscription: ‘Architekt: Beyaert.’, number: ‘Pl. 43.’, inscription: ‘Architecte: Beyaert.’, inscription: ‘1re annèe.’, inscription: ‘Architect: Beyaert.’

Deze prent maakt deel uit van een omslag met 110 prenten op 90 bladen en 18 tekstbladen.
Chatelaine
Object type: chatelaine
Date: 1890 – 1890
Materials: enamel
Culture: american
Capri - Panorama dalla strada di Anacapri
Object type: photograph
Date: 1875 – 1907
Materials: photographic support
Techniques: gelatin silver print
Location: anacapri
Artist: Anonymous
Subjects: city-view in general; 'veduta', coastal cliff or crag, capri
Inscriptions: number: ‘8177’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Italië.
Spotprent bij het vertrek van minister Heemskerk, 1888
Object type: cartoon
Date: 1888 – 1888
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: amsterdam, politician

Spotprent bij het vertrek van minister Heemskerk. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 16, 1888.
Christuskind draagt het kruis
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ-child carrying the cross
Inscriptions: collector's mark: Lugt 2228

Het Christuskind draagt het Kruis. Het kind is gekroond met de doornenkroon. In de marge een Bijbelcitaat uit Ps. 87 in het Latijn.
Dish
Object type: dish
Date: 1601 – 1700
Materials: stonepaste
Techniques: painting, underglaze
Location: iran
Subjects: animals,flowers,leaves
A fifer of the Society for the Benefit of the Militia in Amsterdam, 1787
Object type: costume print
Date: 1787 – 1787
Materials: paper
Location: amsterdam
Artist: Anonymous
Subjects: (military) uniforms (+ citizen soldiery, civil guard, citizen militia), military music, amsterdam

Pijper spelend op zijn fluit. Onderdeel van het album met veertien ingeplakte gekleurde tekeningen van de uniformen van schutters van het patriotse Genootschap tot Nut der Schutterij te Amsterdam in het jaar 1787.
A Woman and a Turbaned Man in Despair with a Young Child
Object type: drawing
Date: 1807 – 1869
Materials: graphite
Artist: françois joseph navez
Artist role: artist
Artist nationality: belgian
Artist dates: 1787 – 1869
Subjects: infants,men,women
Muur met watertoevoer
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: etching
Location: rotterdam
Artist: gerard van nijmegen
Artist role: draughtsman, painter, print maker
Artist dates: 1735 – 1808
Subjects: fence, wall, paling, brook, utilitarian, public pump or water fountain
Inscriptions: collector's mark: Lugt 2228

Een verweerde muur met in het midden een gat waaruit water stroomt in een beekje. Aan weerskanten van de muur staan struiken. Linksonder: c.
Eenzame visservrouw
Object type: print
Date: 1826 – 1886
Materials: paper
Techniques: etching
Location: amsterdam
Artist: dirk jurriaan sluyter
Artist role: draughtsman, print maker
Artist dates: 1811 – 1886
Subjects: fisherman (+ variant)
Inscriptions: collector's mark: Lugt 2228

Een vissersvrouw op blote voeten staat op het strand en staart naar zee.
Portret van John Joseph Mechi
Object type: photograph
Date: 1859 – 1864
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: silversmith, smith, blacksmith
Inscriptions: inscription: ‘Photographed by Cundall, Downes & Co, 168, New Bond Strt. London’, inscription: ‘JJ Mechi’
Militairen te paard
Object type: print
Date: 1806 – 1814
Materials: paper
Techniques: colour, letterpress printing
Location: europe
Subjects: warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 3 horizontale rijen met voorstellingen van militairen te paard. Onder elke afbeelding een onderschrift in het Frans. Genummerd rechtsboven: No. 9.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 433 – 567
Materials: terracotta
Culture: greek, attic

Exterior, part of leg and drapery?
Portret van Willem I Frederik, koning der Nederlanden
Object type: print
Date: 1790 – 1849
Materials: paper
Techniques: etching
Location: low countries
Artist: Anonymous
Subjects: the hague, berlin, william i of the netherlands, knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Drinking glass
Object type: drinking glass
Date: 1714 – 1760
Materials: glass
Subjects: coat of arms
Child god in <em>nemes</em> and <em>hemhem</em> crown
Object type: statuette, child god
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: children,crowns

The figure represents a child god in a seated/reclining position, wearing the hemhem crown with the nemes. The hemhem crown was cast separately from the child god, and was inserted and secured at the top of the head. The child god is usually distinguished from adult gods by a range of iconographic clues: his nudity, the finger raised to the mouth (a child-like gesture), and the thick sidelock attached on the right side of his nemes. Child gods are commonly linked with royalty and this god’s hemhem is an elaborate royal crown with solar associations, here emphasized not just by the sun disks at the top of the crown, but also by incised sun disks at the base of each hem element. Meanwhile, the child god’s plump, well-fed belly showcases his ability to bring about prosperity and abundance. Child gods grew in popularity and cult from the Third Intermediate Period onwards, rivaling even the most powerful and ancient gods, especially as temple offerings. The best known is Horus the Child (Harpokrates), who was the son of Isis and Osiris, but many others existed, including Khonsu the Child, Ihy, and Harsiese, among others. Thus it is difficult to assign a precise identity to this statuette without an associated inscription.
Portret van Stefano Egidio Petronj
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: printmaking, etching
Subjects: historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Martius
Object type: print
Date: 1554 – 1641
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: slaughtered ox or pig, march and its 'labours' (+ with zodiacal signs)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Werkzaamheden van de maand maart. Vooraan worden de (paas)ossen geslacht. Rechtsachter een jachtpartij. Rechtsboven in de lucht het dierenriemteken Ram.
Portret van Henri van den Burg
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: drypoint, intaglio
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: amsterdam, deventer, historical persons
Inscriptions: collector's mark: Lugt 2228
At the Door of a Wealthy Home
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: aquatint, etching
Location: france
Artist: louis philibert debucourt
Artist role: artist
Artist nationality: french
Artist dates: 1755 – 1832
Portret van Jan Stobbaerts
Object type: print
Date: 1846 – 1913
Materials: paper
Techniques: etching, intaglio
Artist: isidore meyers
Artist role: print maker
Artist dates: 1836 – 1917
Subjects: antwerp, print maker, draughtsman, jan stobbaerts, adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228
Portret van een vrouw
Object type: photograph
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: adult woman, historical persons, france

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
B. Joannes Capistranvs è sodal. B. Franc
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving, etching
Location: munich
Subjects: st. john of capestrano preaching against the vanities of this world; wordly goods are burned in public, st. john of capestrano fighting the turks in the battle of belgrado, militant proselytizing: religious war, crusade, etc., preaching (in general), siege
Inscriptions: collector's mark: Lugt 240

De H. Johannes van Capestrano leidt met een kruisvaan in de hand de Hongaarse troepen naar de overwinning bij het beleg van Belgrado. Op de achtergrond preekt hij de kruistocht tegen de Ottomanen. De prent heeft een Latijns onderschrift en is de 60ste prent van een 60-delige serie met als onderwerp de heiligen van Beieren.
Omlaag kijkende naakte vrouw
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: lithograph
Location: paris
Subjects: nymphs (in general); 'ninfe in commune' (ripa), looking downwards
Inscriptions: collector's mark: Lugt 2228
Drie vrouwen aan een tafel in een tuin
Object type: album leaf
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: adult woman, garden, afternoon tea, france

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
Stéphane Mallarmé
Object type: print
Date: 1892 – 1892
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Partie de la ville de Mascon
Object type: album leaf
Date: 1631 – 1691
Materials: paper
Techniques: etching, hand coloring
Location: paris
Subjects: city-view in general; 'veduta'

Deze prent maakt deel uit van een album.
François Blanchart
Object type: print
Date: 1673 – 1673
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits,cross
Spieren in het onderbeen
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: lower leg, muscles

Blad 6 recto uit een schetsboek met 42 bladen.
Roeiboot, paardenkoets en een huifkar
Object type: sketchbook leaf
Date: 1841 – 1853
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: animal traction, animal-drawn vehicle (carriage etc.), rowing-boat, canoe, etc., covered wagon, hooded wagon, horse

Tevens studies van een mannenkop, man met schoffel en paarden. Blad 1 verso uit een schetsboek met 87 bladen.
Chandelier
Object type: chandelier
Date: 1690 – 1690
Materials: gesso, gilt, lead, metal, wood
Ceramic Fragment
Object type: ceramic fragment
Date: 1101 – 1300
Materials: earthenware
Techniques: glazing, painting
Location: egypt or syria
Document Sealing
Object type: sealing, djed, cobra, sun
Date: 1390 – 1352
Materials: mud
Location: egypt
Artikel over de Pilgrim Fathers in de Engelse Kerk te Amsterdam
Object type: photomechanical print
Date: 1909 – 1909
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: beguines, church (exterior), commemoration, jubilee
Inscriptions: signature: ‘de B.V.’, collector's mark: Lugt 1641b

Object bestaat uit anderhalf blad, met fotomechanische afdrukken op pagina 459-461. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Engels Hervormde Gemeente.
Card Number 624, Laura Burt, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, legs and genitals of male to right
Ink well with circles
Object type: inkstand
Date: 1750 – 1799
Materials: cobalt, glaze, gypsum, stoneware
Techniques: printing, firing, turning, vitrification
Location: westerwald
Artist: Anonymous

Inktpot van steengoed met een cilindrisch lichaam, uitlopende rand om in de houder te plaatsen en lage, opstaande nek. De rand is versierd met gestempelde cirkels in kobaltblauw. Het gipsen deksel is verlijmd en van later datum. Westerwald.
Overmantel: Landscape with Wayside Crosses
Object type: overmantel
Date: 1761 – 1761
Materials: wood
Techniques: painting
Culture: american
Location: united states
Subjects: landscapes
Plate
Object type: plate
Date: 1734 – 1766
Materials: faience
Techniques: glazing
Subjects: putti,dolphins

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Portret van Georg Neumark
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: engraving
Location: germany
Subjects: georg neumark, crowning with laurel (+ variant), ornament ~ medallion, historical persons, ornament ~ cartouche, ornament ~ festoon, garland, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Rocaille met oorlogstrofee
Object type: print
Date: 1736 – 1736
Materials: paper
Techniques: etching
Subjects: rocaille ornament, trophy ~ battle, war

Deze serie is linksboven genummerd met een letter E. Prent maakt deel uit van een album.
Portret van graaf Leopoldo Cicognara
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: lithography
Location: paris
Artist: dominique vivant denon (baron)
Artist role: draughtsman, print maker
Artist dates: 1747 – 1825
Subjects: venice, leopoldo cicognara, historical persons
Inscriptions: collector's mark: Lugt 2228a
Illustratie voor 'Den Arbeid van Mars' van Allain Manesson Mallet
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: landscape with other man-made constructions not mentioned above, e.g.: graveyards, playgrounds, etc., sea (seascape), fortifications, military engineering, coast, mathematics
Inscriptions: collector's mark: Lugt 2228

Twee mannen die onder leiding van een derde in een kustlandschap bezig zijn met het uitzetten van de omtrekken van een vesting, fort of versterking (vijfhoek). In de hoek rechtsboven het cijfer 62 (= het nummer van de pagina in het boek waartegenover de illustratie geplaatst is).