deem-data/ArtiFact huggingface dataset:
Liber Statuarum
Object type: print
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: (story of) proserpina (persephone, core), libera, (story of) juno (hera), (story of) jupiter (zeus), (story of) pluto (hades), dis pater, orcus, piece of sculpture, reproduction of a piece of sculpture

Vier beelden op voetstukken, met de namen op de sokkels vermeld. Kopie naar blad uit serie Liure de Statues uitgegeven door Daniel Marot.
Reclame voor een juwelier met aankondiging van een bezoek van een vertegenwoordiger
Object type: ansichtkaart, prentbriefkaart
Materials: photographic support
Techniques: autotype
Location: united states
Artist: Anonymous
Subjects: united states of america
Inscriptions: stamp: ‘1904’, inscription: ‘Mr. J. Kashman, / Hartford, / Conn.’, inscription: ‘I will drop in to see you about [gestempeld: JUN 21 1904] Wait until you see what I have in my cases / Yours truly, / JESSE S. HARTOGENSIS, with / PHOENIX JEWELRY CO., N. Y.’
Bookbinding
Object type: bookbinding
Date: 1301 – 1400
Materials: leather
Location: north africa
Gloves
Object type: glove
Date: 1880 – 1880
Materials: cotton
Culture: american
Geschilderd raam in de Oudshoornse Kerk te Oudshoorn
Object type: photograph
Date: 1899 – 1899
Materials: cardboard, photographic support
Techniques: albumen print
Location: oudshoorn
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church-window, e.g. rose-window
Inscriptions: annotation: ‘Geschilderd glas 17 in de N.H. Kerk/ Juli 1899/ Oudshoorn’, annotation: ‘Geschilderd glas in de kerk te Oudshoorn (Z.H.)/ Juli 1899’
Newly Published Dutch Perspective View: The Tomb of King Mausolus in Asia
Object type: print
Date: 1824 – 1825
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa kuninaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1727 – 1829
Portret van Artus Gouffier de Boisy
Object type: print
Date: 1600 – 1649
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: politician, artus gouffier, historical persons
York, from Twelve Characters from Shakespeare
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: john hamilton mortimer
Artist role: artist and publisher
Artist nationality: british
Artist dates: 1740 – 1779
Subjects: henry iv, part ii, literature, prints and drawings
Pont suspendu en fil de fer, A Fribourg (Suisse)
Object type: print
Date: 1821 – 1895
Materials: paper
Techniques: lithograph
Location: fribourg
Artist: albert briquet
Artist role: printer
Subjects: bridge, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘J[F]. Binkh[rn I]’, collector's mark: Lugt 2228
Design for a Chimneypiece in the Eating-room, Danson Park, Kent
Object type: drawing
Date: 1773 – 1773
Materials: ink
Techniques: brush, pen, wash
Artist: sir william chambers
Artist role: artist
Artist nationality: british, born sweden
Artist dates: 1723 – 1796
Plateau
Object type: plateau
Materials: faience
Techniques: glazing
Artist: claude borne
Artist role: artist
Artist nationality: french
Subjects: animals,men,female nudes,trees

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Studie, mogelijk een figuurstudie
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure

Pagina 18 uit schetsboek XXIX met 44 pagina's.
Mannen en schoenmaker voor een herberg
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: engraving, hand coloring, lithography
Location: london
Subjects: riding a horse, ass, or mule; rider, horseman, hunter, hotel, hostelry, inn, shoe-maker, cobbler
Inscriptions: date
Optocht in Mekka
Object type: page
Date: 1883 – 1888
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: public festivities, temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘V.’
The Beheading of Saint John the Baptist
Object type: painting
Date: 1455 – 1455
Materials: panel, paint, wood
Techniques: painting
Location: italy
Artist: giovanni di paolo (giovanni di paolo di grazia)
Artist role: artist
Artist nationality: italian
Artist dates: 1398 – 1482
Subjects: saint john the baptist, biblical, devotion, italy, religious, religious figures, religious scenes, saints, religion, century of progress, world's fairs, chicago world's fairs, architecture, castles, weapons, swords, blood, death, executions, beheadings, violence, christianity, christian subjects

This is one of six paintings illustrating scenes from the life of Saint John the Baptist, a prophet considered a forerunner of Jesus. They were originally part of a group of 12 that possibly formed the doors of a reliquary shrine to the saint. The first painting depicts John twice, leaving civilization—marked by ornate buildings and manicured agricultural fields—and entering the wilderness to become a hermit. In the next scene, John wears a hair shirt, symbolizing his ascetic life in the wilderness, as he announces that Jesus, at his right, is the savior prophesied as the agnus dei, the Lamb of God.

The following three panels depict John the Baptist’s imprisonment and execution at the hands of Herod, ruler of Galilee. According to one version of the story, Herod—seen in blue at the head of the table in the fourth panel from the left—was so taken by his stepdaughter Salome’s dancing that he reluctantly obliged when she requested John’s beheading (visualized gruesomely in the fifth panel). Giovanni di Paolo related the Baptist’s complex biography with expressive figures represented multiple times to indicate their movement through highly imaginative and stylized settings.
Le Feu
Object type: print
Date: 1651 – 1662
Materials: paper
Techniques: etching
Location: netherlands
Subjects: fire (one of the four elements), battle (+ sailing-ships)
Inscriptions: collector's mark: Lugt 12

Zeeslag, een oorlogsschip vuurt kanonnen af, een ander schip ontploft en staat in brand.
Design for a Book Illustration
Object type: drawing
Date: 1601 – 1700
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: william faithorne the elder
Artist role: artist
Artist nationality: british
Artist dates: 1615 – 1691
Subjects: men,flags
Interieur van de eetkamer van Knole House
Object type: photomechanical print
Date: 1866 – 1876
Materials: paper
Techniques: woodburytype
Location: knole house
Subjects: interior of the house, dining-room
Galloon
Object type: galloon
Date: 1701 – 1900
Subjects: houses,insignia
Vier cartes-de-visite met beelden en medaillons
Object type: carte de visite
Date: 1866 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous

Twee beelden van Odysseus en Mercurius op sokkels en twee medaillons met de Kunst en de Wetenschap. Onderaan de cartes-de-visite staat met potlood geschreven wat er afgebeeld is; onder de foto linksboven staat de naam Hartleij, onder de foto's onderaan de naam Kramer.
Glass mosaic dish
Object type: mosaic dish
Date: 34 – 33
Materials: glass
Culture: roman

Translucent purple, colorless, opaque white, opaque red, and opaque yellow; base ring in uncertain color. Horizontal rim with rounded edge; carinated, shallow side, with two convex curves; flat bottom; low applied base ring, formed from a single round trail. Composite mosaic pattern formed from polygonal sections of two similar canes: one in a purple ground outlined in white, each with a red circle surrounded a cluster of yellow rods, the other in a purple ground outlined in white, each with a red circle surrounded a cluster of white rods. On interior, central relief knob and small raised circle. Intact; half of interior covered with dulling and iridescent weathering; all of exterior covered with briiliant iridescence; limy encrustation around rim.
Poem on a Riverside Pavilion
Object type: hanging scroll
Materials: ink, paper
Culture: chinese
Artist: wang duo
Artist role: artist
Artist nationality: chinese
Artist dates: 1592 – 1652

Like many of his large scrolls of boisterous calligraphy, Wang Duo wrote this one while drinking with friends. Though the calligraphy is rough and bold, the poem describes a scene of sparse tranquility. The opening quatrain reads: At dusk, in a remote pavilion, I bring a ewer of wine to accompany the new year. River and the sky meet in the vast distance, A temple in the mist disappears into the void.
Rijtuig onder Waterloo Bridge, Londen
Object type: copper plate
Date: 1890 – 1906
Materials: copper
Techniques: etching
Location: london
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: waterloo bridge
Ex libris van onbekend
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: castle
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, bent arm and part of lower torso of draped male leaning on a stick; in field, aryballos; nose, mouth, chin, and right shoulder of male to right; rim fragment with himation draped over left shoulder and lower body of male bending to right, with right hand on his hip; rim fragment with complete handle and part of handle patch
Terracotta fragment of a small, closed shape
Date: 450 – 401
Materials: terracotta
Culture: greek, attic

Part of the draped torso of a woman to right, with her arm protruding from her garment, holding a phiale in her hand?
Portret van Evert Christiaan Staring
Object type: print
Date: 1781 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: lantern (+ variant), crowning with laurel, parts of ship's exterior: anchor, compass, hacking and thrusting weapons: rapier, (military) flags and standards
Inscriptions: collector's mark: Lugt 2228

Portret van Evert Christiaan Staring, kapitein van het schip Argo in de slag bij Doggersbank. Onder het portret een degen, een lauwerkrans, een kompas, een anker en een vaandel.
Portret van kardinaal Bonaventura Bodoaro de Peraga
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: engraving
Subjects: rome, cardinal, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent met tekst op verso verschenen in: Curtius, Cornelius. Virorum illustrium ex ordine eremitarum D. Augustini elogia (...). Antwerpen: Johannes Cnobbaert, 1636.
Plate
Object type: plate
Date: 1801 – 1900
Materials: iron, lacquer
Culture: japanese
Pendant
Object type: pendant, lily
Date: 1390 – 1352
Materials: faience
Location: egypt
Portret van mevr. Kean
Object type: album leaf
Date: 1865 – 1867
Materials: cardboard, photographic support, watercolor
Techniques: albumen print, aquarelle
Location: england
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: annotation: ‘mrs Kean’

Portret van mevr. Kean. Foto op albumblad in album met 68 foto's merendeels met geaquarelleerde randversieringen. Het zijn voornamelijk portretten op carte-de-visite formaat.
Verzameling moderne snelle tekeningen - Herfst
Object type: book
Date: 1904 – 1917
Materials: paper
Techniques: woodcut
Location: tokyo
Inscriptions: date
Scenes from the Story of the Argonauts
Object type: painting
Date: 1465 – 1465
Materials: gilt, paint, wood
Artist: jacopo di arcangelo (called jacopo del sellaio)
Artist role: artist
Artist nationality: italian
Artist dates: 1441 – 1493
Subjects: soldiers,argonauts,hercules,centaurs,dogs,horses,boats
Vrouwen op straat in Tlemcen, Algerije
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Artist: jules gervais-courtellemont
Artist role: fotograaf
Artist dates: 1863 – 1931
Subjects: adult woman, street
Les étoiles de jois
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,profiles,women
Portret van Jacques Callot
Object type: print
Date: 1697 – 1756
Materials: paper
Techniques: engraving
Subjects: draughtsman, jacques callot, auricular ornament, lobe style ~ ornament, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Limestone hand holding a sword (?)
Object type: hand, left
Date: 3900 – 100
Materials: limestone
Culture: cypriot
Subjects: swords,hands

The under-lifesize hand holds an object, possibly a sword, the end of which is rounded, with two circular elements under a part that is square in section.
Voortschrijdende vrouw
Object type: sculpture
Date: 1400 – 1425
Materials: bone
Location: venice
Artist: baldassare degli embriachi

Langwerpig reliëf met voortschrijdende vrouw in lang gewaad, in beide handen een mand met vruchten dragend.
Opening van het Noordhollandsch Kanaal, ter ere van Willem I Frederik, koning der Nederlanden
Object type: history medal
Date: 1824 – 1824
Materials: bronze
Techniques: striking
Location: utrecht
Artist: johannis petrus schouberg
Artist role: die cutter, draughtsman, print maker
Artist dates: 1798 – 1864
Subjects: the hague, berlin, william i of the netherlands
First Step
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: drypoint, hand coloring, heightening
Location: belgium
Artist: félicien rops
Artist role: artist
Artist nationality: belgian
Artist dates: 1833 – 1898
Portret van Johan Ernst, hertog van Saksen-Coburg
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: paul wolfgang schwarz
Artist role: print maker
Artist dates:  – 1815
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Dish with three women near a pavilion
Object type: platter
Date: 1700 – 1724
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous
Reclame voor Dow schoenen met portret van een onbekende man
Object type: photograph
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Location: manchester
Artist: s. piper
Artist role: fotograaf
Subjects: advertising, historical persons not known by name
Inscriptions: inscription: ‘From the/ Studio/ of/ S. Piper/ No. 905 Elm St./ Manchester, N.H.’
Riki
Object type: print
Date: 1890 – 1913
Materials: paper
Techniques: drypoint, intaglio
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: adolescent, young woman, maiden, historical persons
Inscriptions: collector's mark: Lugt 2233
Celeberrimi ad pacificandum Christiani nominis orbem legati Monasterium et Osnabrugas (...)
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: staatsman, diplomaat, johan van mathenesse
Inscriptions: collector's mark: Lugt 2228

Portret van Johann van Mathenesse, in ovaal met randschrift. Van Mathenesse was afgezant van Holland en Westfriesland tijdens de onderhandelingen voor de Vrede van Münster, boven het portret het wapen van Holland en onder zijn familiewapen.
William Frederick "Pop" Schriver, Catcher, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Drie heilige vrouwen
Object type: print
Date: 1603 – 1650
Materials: paper
Techniques: etching
Location: straatsburg
Subjects: the holy women (the three maries) on their way to or at the tomb, to anoint christ's body
Inscriptions: collector's mark: Lugt 240

Maria Magdalena, Maria Jacobi en Maria Salomé op weg naar het graf van Christus. Onder de voorstelling een tweeregelige tekst in het Latijn.
Het Stadhuis, de Waag enz.
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: netherlands
Subjects: city-view in general; 'veduta'

Prent mogelijk naar tekening van Hendrik Keun.
Tile
Object type: tile
Date: 1701 – 1800
Materials: earthenware
Techniques: glazing
Subjects: boys,men,women
Boys at Peepshow in Street
Object type: drawing and watercolor
Materials: board, graphite, paper
Techniques: brush, wash
Location: england
Artist: clarkson stanfield
Artist role: artist
Artist nationality: british
Artist dates: 1793 – 1867
The rue Mosnier with Gas Lamp
Object type: drawing and watercolor
Date: 1878 – 1878
Materials: graphite, ink, paper
Techniques: brush, transfer
Location: france
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Inscriptions: Signed lower right, in brush and black ink: "E.M."; inscribed lower right, in graphite (partially erased): "Inv [illegible] 3"
La Danse Flamande
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: group dancing
Inscriptions: collector's mark: Lugt 240, inscription: ‘f336,-’
Ewer or great jug with cover
Object type: ewer or jug with cover
Date: 1801 – 1900
Materials: metal, silver
Artist: elkington & co.
Artist role: manufacturer
Artist nationality: british
Artist dates: 1829 – 1963

This electrotype is after a ca. 1695 original in the Treasury of the Kremlin, Moscow, at the time of reproduction.
Portret van Anna Marie Louise van Orléans
Object type: print
Date: 1645 – 1679
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: anne marie louise d' orléans (hertogin van montpensier), historical persons - bb - woman, pearl; pearl necklace, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Terracotta rim fragments of kylikes(drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Three rim fragments with thin band of black glaze above handle patch
Portret van een onbekende man met een snor
Object type: cabinet photograph
Date: 1861 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: moustache, adult man
Inscriptions: name: ‘A. Greiner Photograaf van H.H. M.M. den Koning en de Koningin der Nederlanden Nieuwendijk L 89 Amsterdam.’
Oranjelint
Object type: ribbon material
Date: 1725 – 1750
Materials: paper, silk
Techniques: printing, weave
Location: netherlands
Subjects: the hague, william v (prince of orange), berlin, painter, draughtsman, wilhelmina of prussia (princess of orange)

Lint met gekartelde uiteinden en centraal twee medaillons met portretten van Wilhelmina (links) en Willem V. Tussen hen in een oranjeboom in een ronde bak. Links en rechts iseen oranjezon weergegeven. Aan de uiteinden van het lint een drietal gekroonde wapenschildjes (Oranje-Nassau, Pruisische adelaar, Nederlandse leeuw), door een lint met strik aan elkaar verbonden. Opschrift: Nu. Sgijnt. Hy. Klaar. GODT VERGROOT ORANJES STAM EN GESACH DAT ONS VREYHEYD EEWYG DUYREN MAG VIVAT ORANJE. Nu. Sgijnt. Hy. Klaar.
Grote weg naar het nageslacht
Object type: book illustration
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Artist: benjamin
Artist role: print maker
Artist dates: 1811 – 1847
Subjects: victor hugo, caricatures (human types), historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Roubaud, B. Grand chemin de la postérité: Les gens de lettres. Parijs: Aubert & Cie., 1840.
Portret van Frans Burman (I)
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: Anonymous
Subjects: utrecht, scholar, philosopher, historical persons

Prent waarschijnlijk afkomstig uit één van de series van Friedrich Rothscholtz, uitgegeven in Neurenberg rond 1725.
A Party of Merrymakers in a House in the Yoshiwara on a Moonlight Night
Object type: print
Date: 1789 – 1789
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: houses,men,women,party,trees
Ring gedecoreerd met Mozes en de wetstafelen
Object type: ring
Date: 1570 – 1570
Materials: silver
Techniques: gilding
Location: netherlands
Artist: Anonymous
Subjects: moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, tables of the law, the ten commandments represented together on stone tablets

Ring. Moses and the tables of the Law. Silver-gilt, rock crystal and foil. Netherlands, ca 1570.
Isabel bij een bankje
Object type: photograph
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: lenzerheide
Subjects: leiden, isabel wachenheimer-elon, the family travelling, on holiday, snow
Inscriptions: date

Albumblad met een foto van Isabel Wachenheimer in de sneeuw bij een zitbank. Onderdeel van het fotoalbum met vakantiefoto's Lenzerheide, 1934.
Gezelschap op het strand van Scheveningen
Object type: photograph
Date: 1932 – 1932
Materials: paper
Techniques: gelatin silver print
Location: scheveningen
Artist: Anonymous
Subjects: sunbathing (on the beach)
Inscriptions: inscription: ‘Frits Vervloed/ Imre Korompay’
H. Hieronymus staand met een staf en een open boek naast een leeuw
Object type: print
Date: 1550 – 1649
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: the monk and hermit jerome (hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone
Prins van Oranje vertrekt naar Duitsland, 1567
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: delft, william i (prince of orange), antwerp

De prins van Oranje vertrekt uit Antwerpen naar Duitsland, 21 april 1567. Stoet met de prins trekt door het land vanuit Antwerpen richting Breda. Bedrukt op achterzijde met tekst in het Nederlands.
Nabootsing van een duit van de VOC uit West-Friesland, 1787
Object type: coin
Date: 1787 – 1830
Materials: copper
Techniques: striking
Location: banjarmasin

Koperen munt. Nabootsing van duit van de VOC uit West-Friesland. Voorzijde: gekroond wapenschild van West-Friesland. Keerzijde: monogram van de VOC, waaronder fictief jaartal. Geslagen op muntplaatje van 1/2 paisa uit Bombay.