deem-data/ArtiFact huggingface dataset:
Het Paradys Verloren
Object type: cartoon
Date: 1795 – 1795
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: william v (prince of orange), william i of the netherlands, painter, draughtsman, wilhelmina of prussia (princess of orange), louise (prinses van oranje-nassau), the hague, willem george frederik (prins van oranje-nassau), justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues
Inscriptions: collector's mark: Lugt 2228

Spotprent waarin de stadhouderlijke familie door de Gerechtigheid verjaagd wordt uit een ommuurde hof aangeduid als: Holland. Parallel met Adam en Eva die door de Engels Gods uit het Paradijs worden verjaagd. Naar aanleiding van de vlucht van Willem V naar Engeland op 18 januari 1795. Op het blad onder de plaat een vers van 28 regels.
Fotoreproductie van een schilderij van de graflegging van Christus door Paul Delaroche
Object type: carte de visite
Date: 1861 – 1878
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: preparations for christ's entombment
Inscriptions: inscription: ‘PHOTOGRAPHIE GOUPIL & Cie/ PARIS, 19, Bd Montmartre./ LONDRES-LA HAYE-BERLIN-NEW YORK.’
Pastoral Gifts
Object type: print
Materials: paper
Techniques: etching
Location: germany
Artist: johann lorenz rugendas i
Artist role: print maker
Artist nationality: german
Artist dates: 1730 – 1799

Pastoral literature was in vogue during the 18th century, as it evoked the simplicity of an idyllic rural lifestyle as well as the elegance of antiquity. Artists often drew their inspiration from classics such as Virgil’s lyric Eclogues. Johann Lorenz Rugendas I’s series of four etchings exemplifies these popular scenes, which take the form of dialogues between courting shepherds and shepherdesses. Rugendas belonged to a German family of engravers and painters. He made this etching series after drawings by Charles Eisen, a French engraver, evidently retaining the original French titles while presenting the text in German.
Faam in een landschap met ruïnes
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: landscape with ruins, fama as roman personification
Inscriptions: number: ‘117’, collector's mark: Lugt 2228
Post Meridies, from the Hours of the Day
Object type: print
Date: 1736 – 1745
Artist: jean mondon le fils
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1745
Subjects: boys,girls,men,women,dogs
Miss Harding, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Portret van Giuseppe Ballo
Object type: book illustration
Date: 1635 – 1635
Materials: paper
Techniques: engraving, letterpress printing
Location: padua
Subjects: historical persons
Inscriptions: inscription: ‘Josephus Ballus. Sicul. Panormit. Sacerd. Doctorq[ue] Theologus’

Prent uit: Ballo, Giuseppe. De foecunditate dei circa productiones ad extra (...). Padua: Sebastiano Sardi, 1635.
Ontwerpen voor een monogram en kinderkopje
Object type: drawing
Date: 1874 – 1945
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: letter combinations such as letterword, anagram, letter square, monogram, etc.
Yuny and His Wife Renenutet
Object type: statue, yuny, renenutet, pair, menat, music
Date: 1294 – 1279
Materials: limestone, paint
Location: egypt
Subjects: couples,men,women,hieroglyphs
De la bibliothèque de M. Lavoisier
Object type: bookplate
Date: 1775 – 1785
Materials: paper
Techniques: etching
Location: france
Artist: pierre claude delagardette
Artist role: print maker
Artist dates: 1743 – 1782
Subjects: paris, beasts of prey, predatory animals: lion, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Qur'an Manuscript with Lacquer Binding
Object type: non illustrated manuscript
Date: 1801 – 1833
Materials: gold, ink, paper, board, watercolor
Techniques: bookbinding, lacquer, painting
Location: iran
Subjects: qur'an

Notes in the front of this tiny Qur'an, copied in 'ghubar' script, state that it was originally given to the Qajar emperor Fath 'Ali Shah (reigned 1798–1834) so that he could carry it in his pocket at all times. In 1809 it was presented to Fath 'Ali Shah's grandson, Prince Tahmasp Mirza, on the occasion of his birth. The note states that the Qur'an was copied by the late 'Abd Muhammad 'Ali. The Qur'an is lavishly illuminated and bound into a lacquer binding signed by 'Ali Ashraf, a mid-18th–century lacquer painter, suggesting that the binding and the text block may not have been produced at the same time.
Arabia, from the Dancing Girls of the World series (N185) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,dancing

Trade cards from the "Dancing Girls of the World" series (N185), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
Étagère
Object type: étagère
Date: 1834 – 1866
Materials: mother of pearl, paper, wood
Techniques: gilding, lacquer, painting

The étagère, also called a whatnot, became a popular form of furniture in the nineteenth century. The variety of shelves provided extra space for the display of the accumulation of knickknacks that was typical of English middle-class decorating. The undulating silhouette and cabriole legs of this étagère are characteristic of the Rococo Revival style. The black painted and mother-of-pearl decorated surface imitates Japanese lacquer that was mounted into French royal furniture in the eighteenth century. The technique for making papier-mâché was first developed in India and in other parts of Asia. The process for making papier-mâché furniture was achieved either by pasting multiple sheets of paper over shaped cores, or by pressing paper pulp between dies or matrices to form a variety of shapes. Once dried, the resulting material could be carved and polished like wood. Considered a raw material, papier-mâché was intended to be japanned and inlaid or applied with mother-of-pearl, glass, and stones. The earliest reference to the material in England is made by the physicist Robert Boyle in his essay "Of Men's Ignorance of the Uses of Natural Things" (1671), which indicated that papier-mâché was most suitable for picture frames and "divers pieces of embossed work and other curious movables." By the mid-eighteenth century, papier-mâché began to be used with more frequency but by the 1840s, fourteen patents, a surprisingly highnumber, for papier-mâché processes were taken out. Unfortunately, the early success of papier-mâché furniture led to the debasement of its quality and decoration, and eventually to its decline.
Wittevrouwenpoort te Utrecht
Object type: drawing
Date: 1731 – 1731
Materials: ink, paper, pencil
Techniques: brush, pen
Location: utrecht
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: city-gate
Inscriptions: date and inscription: ‘9 julij/ WitteVrouwen poort.’

Wittevrouwenpoort te Utrecht gezien van buiten de stadsmuur met links de ophaalbrug en rechts boven de daken van huizen de toren van de Domkerk. Blad 2 recto uit een schetsboek met 69 bladen.
Wine Glass
Object type: glass
Date: 1795 – 1795
Materials: glass
Techniques: engraving, stippling
Location: england
Dish
Object type: dish
Date: 1451 – 1500
Materials: porcelain
Culture: korean

The dish, produced at the court kilns (Bunwon), demonstrates the neo-Confucian elite’s taste for unadorned white porcelain during the Joseon period.
Brief aan Philip Zilcken
Object type: letter
Date: 1892 – 1892
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: dordrecht, jan veth, printer, joseph bouwens, the hague, philip zilcken, the graphic arts, london, amsterdam
Inscriptions: collector's mark: ‘RPK’
Portret van Johann Joachim Schwabe
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving
Subjects: ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
M. Catel-Béghin
Object type: page
Date: 1878 – 1883
Materials: paper
Techniques: photograph
Location: lille
Subjects: politician, mayor, historical persons
Inscriptions: inscription: ‘[Journal le Nord] Contemporain, No 25, année 1883.’, inscription: ‘Né à Carvin en 1813’, inscription: ‘Le Nord Contemporain/ Revue Historique & Biographique/ Les Maires de Lille.’
Koperplaat met de Rust op de vlucht naar Egypte
Object type: copper plate
Date: 1680 – 1739
Materials: copper
Techniques: engraving
Location: antwerp
Artist: michel bunel
Artist role: print maker, publisher
Artist dates: 1670 – 1739
Subjects: holy family (alone), 'trinitas terrestris', stay of the holy family in egypt
Inscriptions: signature: ‘Galle / Michiel Bunel’

De platen (RP-D-2014-9-1 t/m 35) zijn vrijwel allemaal vervaardigd door anonieme graveurs werkend voor de Antwerpse uitgevers Cornelis Galle, Frans Huberti (Huybrechts), Theodor van Merlen II en Michel Bunel. Vermoedelijk zijn ze uiteindelijk beland in één fonds, wellicht dat van Michel Bunel (1670-1739) en warden sindsdien bij elkaar bewaard. Afwijkend is de grote prent van Henry Verbruggen met een weergave van de Preekstoel uit de St. Gudule-kerk te Brussel. Twee prenten zijn verpakt in een oude afdruk van de prent, zoals te doen gebruikelijk in uitgeverijen (vergl. oude platen in Museum Plantijn Moretus, Antwerpen). Van 8 platen heeft de vorige eigenaar afdrukken laten maken op modern papier.
Praalgraf van Michiel Adriaenszoon de Ruyter in de Nieuwe Kerk te Amsterdam
Object type: print
Date: 1687 – 1687
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: flushing, michiel adriaenszoon de ruyter, interior of church, grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 2228

Prent voor het eerst gebruikt in: Brandt, Geeraert. Het leven en bedryf van den heere Michiel de Ruiter, Hertog, Ridder &c. L. Admiraal Generaal van Hollandt en Westvrieslandt. Amsterdam: Abraham Wolfgang et al., 1687, p. 101.
Ook gebruikt in heruitgaven van dit werk en 1691 en 1701.

Ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, desselfs eerste oorspronk uyt den Huyse (…). Amsterdam: Abraham Wolfgang et al., 1693. En in heruitgaven van dit werk in 1694 en 1726.
Staff Officer, Spain, 1853, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: soldiers,men,profiles

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Figure
Object type: figure
Date: 1830 – 1830
Materials: clay, enamel, glaze, gold
Culture: japanese
Subjects: men
Illustraties voor fabels van Jean de la Fontaine
Object type: design
Date: 1732 – 1732
Materials: paper
Techniques: brush
Artist: jean-baptiste oudry
Artist role: draughtsman, print maker
Artist dates: 1686 – 1755
Subjects: beasts of prey, predatory animals: wolf
Inscriptions: signature and date, recto, lower left: ‘J.B. Oudry // 1732’, collector's mark, verso, lower centre: Lugt 2228, annotation, verso, on the old mount, upper centre, pen and brown ink: ‘45. t. 2e’

Een wolf bij een jager die onder een wild zwijn ligt. Aan een boom hangen twee gedode herten. Ontwerp voor een prent.
Nieuwe uitvindingen en ontdekkingen
Object type: print
Date: 1594 – 1598
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: shop, store, riding a horse, ass, or mule; rider, horseman, saddle and bridle (saddlery), stirrup, invention, discovery ~ science and technology
Inscriptions: collector's mark: Lugt 2228

Een straat waar paardentuig wordt gemaakt en verkocht. Op de voorgrond bestijgt een edelman zijn paard met behulp van de nieuwe stijgbeugels die hij in een winkel heeft gekocht. De prent maakt deel uit van een negentiendelige serie over nieuwe uitvindingen en ontdekkingen
Truimph of David Over Goliath
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: andrea passanini
Artist nationality: possibly italian
Artist dates: 1500 – 1599
Twee karpers
Object type: print
Date: 1900 – 1910
Materials: paper
Techniques: woodcut
Location: japan
Artist: ohara koson
Artist role: print maker
Artist dates: 1877 – 1945
Subjects: bony fishes: carp
Inscriptions: collector's mark: Lugt 2228

Twee grijsblauwe karpers zwemmend in helder blauw water.
Portret van een man, aangeduid als Jules la Combe
Object type: photograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: sideburns, historical persons
Inscriptions: name: ‘Jules la Combe’
Spectrum of the variable Star, µ Cephei
Object type: photograph
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: stars and constellations
Inscriptions: name: ‘W. Huggins [...]’
Portret van Johann Christian Cuno
Object type: print
Date: 1746 – 1746
Materials: paper
Techniques: engraving, etching
Subjects: berlin
Inscriptions: collector's mark: Lugt 2228

Portret van de schrijver en koopman Johann Christian Cuno.
Gezicht op het Oosters- of Hanzehuis in Antwerpen
Object type: book illustration
Date: 1868 – 1868
Materials: paper
Techniques: etching, intaglio
Location: antwerp
Subjects: sailing-ship, sailing-boat, civic architecture; edifices; dwellings, antwerp
Inscriptions: collector's mark: Lugt 2228

Prent uit: Mertens, F.H. Album historique de la ville d'Anvers [...]. Antwerpen: J.E. Buschmann, 1868.
Are you sure at least that I will be comfortable?, from 'News of the day,' published in Le Charivari, August 14, 1866
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,women
Embroidered sampler
Object type: sampler
Date: 1742 – 1742
Materials: linen, silk
Techniques: embroidery
Artist: isabel newby
Artist role: maker
Artist dates: 1729 – 
Subjects: birds,flowers
Asch-Karmans Kermis Wensch (...) 1822
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: public road - ii - ideal city, garbage collection, amsterdam
Inscriptions: collector's mark: Lugt 2228

Kermisprent namens de askarrenmannen (karrenman of vuilnisman) te Amsterdam voor het jaar 1822. Gezicht in een straat te Amsterdam met de askar, een jongen met een ratel en een man die aan huis geld ophaalt. Op de achtergrond wordt de kar op de asbelt leeggestort. Onderaan een gedicht in twee kolommen en een lied in drie verzen. Namens Jan Klyn, de askarreman van wijk no. 1.
Portret van Theodor Schmalz
Object type: print
Date: 1803 – 1825
Materials: paper
Techniques: stippling
Location: berlin
Subjects: berlin, historical persons
Inscriptions: collector's mark: Lugt 2228
Turban Helmet
Object type: turban helmet
Date: 1467 – 1500
Materials: gold, silver, steel
Culture: iranian
Location: iran
Subjects: arabic

Helmets of this type are usually called turban helmets becuase of their large bulbous shape and the flutings that imitate the folds of a turban. Because certain dervish groups wore turbans wound with a prescribed number of folds to represent an important mystical number, it is likely that turban helmets were regarded not merely as armor but also as a kind of religious insignia, their very shape marking the wearer as a fighter in a Holy War. Turban helmets, together with mail-and-plate armor of matching decoration, were intended for the heavy cavalry and are recorded as early as the fourteenth century. The examples exhibited here appear to have belonged to the dynasty of Aq Quyunlu (White Sheep Turkoman), which ruled northwestern Iran and Anatolia in the fifteenth century. The inscriptions, damascened with gold and silver, glorify temporal rulers, wish the owner well, or give advice on how to attain virtue.
Amsterdamsche Kottervereniging
Object type: medal
Date: 1850 – 1850
Materials: bronze
Techniques: striking
Location: amsterdam
Artist: samuel cohen elion
Artist dates: 1815 – 1880
Subjects: amsterdam
Landschap met gezicht op Straatsburg
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: etching
Location: london
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: city-view, and landscape with man-made constructions, river
Inscriptions: collector's mark: Lugt 240
Watch
Object type: watch
Date: 1770 – 1795
Materials: enamel, gold
Artist: pierre le roy
Artist role: maker
Artist nationality: french
Artist dates: 1717 – 1785
Subjects: garlands
Robe
Object type: robe
Date: 1801 – 1900
Materials: cotton, silk
Techniques: weave
Location: uzbekistan
Den wech des eeuwich levens
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: symbols of christ ~ animals, anchorite, hermit
Inscriptions: collector's mark: Lugt 2228

Landschap met een kluizenaar die zich in afzondering verdiept in de bijbel. Kleine scènes illustreren waarin een goede christen moet geloven. In een interieur van een kapel knielen gelovigen en ontvangen een hostie, het heilige sacrament van een priester. Een gelovige mediteert bij een kruis met lijdenswerktuigen van Christus. Nauwelijks zichtbaar tussen het gebladerte van de bomen is de hemelvaart van Christus weergegeven. Het opschrift verwijst naar de bijbeltekst Ik ben als een pelikaan in de woestijn (Psalmen 102) en deze is geillustreerd met het symbool voor de lijdende Christus, de pelikaan die haar jongen voedt met haar eigen bloed. Bij de scènes staan letters die verband houden met het meditatievoorschrift in de uitgave.
Dwaasheid van de bouwdrang
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: architectural folly, building-site
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor Sancta Clara's 'Centifolium Stultorum'. Latere staat gebruikt voor: Goettinger Taschen Calender vom Jahr 1783. bey Joh. Chr. Dietrich. Göttingen: Georg Christoph Lichtenberg, 1782.
Coronatio divæ virginis
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: coronation of mary by god the father and christ
Inscriptions: collector's mark: Lugt 240

Maria wordt gelauwerd door de Drieëenheid, respectievelijk Christus, de duif en God de Vader. Ze worden vergezeld door engelen.
Studie
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation

Pagina 9 uit een schetsboek met 6 bladen.
Bybelsche Figuuren, des Ouden Testaments
Object type: print
Date: 1739 – 1786
Materials: paper
Techniques: colour, letterpress printing
Location: haarlem
Subjects: genesis: the story of joseph

Blad met 9 voorstellingen van het verhaal van Jozef in het Oude Testament. Boven elk plaatje een titel en de bijbelverwijzing, eronder het bewuste vers. Genummerd: 3 (of 5).
Landing van Karel I bij Tazones in Spanje, rekenpenning van de raad van Financiën
Object type: jeton
Date: 1518 – 1518
Materials: silver
Techniques: striking
Artist: Anonymous
Subjects: ghent, charles v (holy roman emperor and king of spain)

Zilveren penning. Voorzijde: zeilende driemaster; op boord: opschrift. Keerzijde: vuurslag, steen en vonken tussen zuilen van Herkules onder kroon binnen omschrift
Exterieur van het huis en de tuin van de heer Heinecken in Medan
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: medan
Artist: Anonymous
Subjects: garden, rural housing, e.g. country-house, villa, cottage

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Zeemonsters
Object type: album leaf
Date: 1571 – 1635
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: monsters of the sea

Een zeenimf met een vissenstaart, en een faun en een jongen, in het water.
Vrouwen met hoofddeksels met bloemen
Object type: sketchbook leaf
Date: 1916 – 1916
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: flowers, head (human), head-gear: hat
Inscriptions: annotation: ‘Een geele vlinder zit op de klamboe/ [...]’

Blad 13 recto uit een schetsboek met 72 bladen.
The Abbess, from "The Dance of Death"
Object type: print
Techniques: woodcut
Artist: hans holbein the younger
Artist role: artist
Artist nationality: german
Artist dates: 1497 – 1543
Subjects: skeletons,women
Piece
Object type: piece
Date: 1775 – 1800
Materials: silk
Subjects: leaves
Hudibras First Adventure (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 2)
Object type: print
Date: 1721 – 1726
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: animals,men,horses
Robe à la française
Object type: robe à la française
Date: 1765 – 1770
Materials: silk
Culture: french

The striped textile here is indicative of the change in aesthetics around 1765 to a more neoclassical taste, less florid than the silks of the decades prior to them. Women with coquettish airs were imposing in robes à la française and robes à l'anglaise throughout the period between 1720 and 1780. The robe à la française was derived from the loose negligee sacque dress of the earlier part of the century, which was pleated from the shoulders at the front at the back. The silhouette, composed of a funnel-shaped bust feeding into wide rectangular skirts, was inspired by Spanish designs of the previous century and allowed for expansive amounts of textiles with delicate Rococo curvilinear decoration. The wide skirts, which were often open at the front to expose a highly decorated underskirt, were supported by panniers created from padding and hoops of different materials such as cane, baleen or metal. The robes à la française are renowned for the beauty of their textiles, the cut of the back employing box pleats and skirt decorations, known as robings, which showed endless imagination and variety.
Optochten en ruiterspelen
Object type: album leaf
Date: 1618 – 1618
Materials: paper
Techniques: etching
Subjects: private soldier (+ cavalry, horsemen), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', performance in the open air (pleasure fair), herald

Genummerd: 24. Deze prent maakt deel uit van een album.
Krause, Philadelphia, American League, from the White Border series (T206) for the American Tobacco Company
Object type: baseball card
Date: 1909 – 1911
Techniques: color lithograph
Artist: american tobacco company
Artist role: publisher
Subjects: men,portraits

Trade cards from "White Border" series (T206), issued 1909-11 to promote sixteen brands of cigarettes and loose tobacco distributed by the American Tobacco Company.