deem-data/ArtiFact huggingface dataset:
Gezicht op een dorp met een Genuese toren op Corsica
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: corsica
Artist: Anonymous
Subjects: prospect of village, silhouette of village, landscape with tower or castle

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Brief aan Philip Zilcken
Object type: letter
Date: 1890 – 1890
Materials: ink, paper
Techniques: pen, printing, writing
Location: nantes
Artist: gustave bourcard
Artist role: verzamelaar
Artist dates: 1846 – 1925
Subjects: paris, print maker, félix hilaire buhot, the hague, painter, draughtsman, philip zilcken
Inscriptions: seal: ‘ST’, collector's mark: ‘RPK’
Bruiloft te Kana
Object type: print
Date: 1710 – 1714
Materials: paper
Techniques: engraving
Location: wolfenbüttel
Subjects: the marriage-feast at cana (john 2:1-11)

Tekst in het Duits en het Latijn in de ondermarge. Prent maakt deel uit van een album.
Vrouwenhoofd
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head (human) - aa - female human figure

Blad 34 recto uit schetsboek LII met 43 bladen.
Gesichte van de vloot van Sijn Doorluchtige hoogheijt den Heere Prince van Orangien
Object type: print
Date: 1688 – 1700
Materials: paper
Techniques: etching
Artist: daniël marot (i)
Artist role: draughtsman, print maker
Artist dates: 1661 – 1752
Subjects: william iii (prince of orange and king of england, scotland, and ireland), firearms: cannon, ships (in general) - cc - more than one ship, pier, quay, wharf, departure ~ travelling, hellevoetsluis
Inscriptions: collector's mark: Lugt 2228

De voot van Willem III liggende te Hellevoetsluis op 28 oktober 1688, voor het vertrek naar Engeland op 11 novenber 1688. De vloot wordt in de haven van Hellevoetsluis in gereedheid gebracht voor de tocht van prins Willem III met zijn leger naar Engeland. Een panormabeeld van de vloot van Stadhouder Willem III, met een uitleg in een kader onderin (waar ook de titel).
Portret van Jacques Charles Dupont de l'Eure
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: politician, historical persons, politician, e.g. party leader

Andere staat van prent waarschijnlijk gebruikt voor: Célébrités contemporaines ou portraits des personnes de notre époque (…). Parijs: veuve Delpech, 1842.
Dead Man with Outstretched Arm
Object type: drawing and watercolor
Date: 1601 – 1700
Materials: chalk, paper
Techniques: heightening
Location: france
Artist: possibly louis boullogne, the younger
Artist nationality: french
Artist dates: 1600 – 1699
Bataafse Republiek, zilveren dukaat op naam van Zeeland, 1795
Object type: zilveren dukaat
Date: 1795 – 1795
Materials: silver
Techniques: striking
Location: middelburg

Zilveren munt. Voorzijde: tussen jaartal gekroond generaliteitswapenschild. Keerzijde: staande ridder met zwaard en het gekroonde wapenchild van Zeeland. Kabelrand.
Terracotta rim fragment of a kylix:band-cup
Object type: kylix fragment
Date: 567 – 535
Materials: terracotta
Culture: greek, attic

Exterior, below the rim, a hand
Venezianisches Galakonzert von F. Guardi
Object type: print
Date: 1864 – 1923
Materials: paper
Techniques: drypoint
Location: leipzig
Subjects: concert hall, venice
Inscriptions: collector's mark: Lugt 2228
Huiselijk leven van vrouwen
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: Anonymous
Subjects: family life at home
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, part of upper body of artisan? to right wearing a garment and a spotted pilos
Lamaist Headdress
Object type: headdress, lamaist
Date: 1801 – 1900
Materials: silk
Culture: chinese
Groep kijkt in de verte vanuit een boot
Object type: boekillustratie ontwerp
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: hans borrebach
Artist role: draughtsman
Artist dates: 1903 – 1991
Subjects: fence, wall, paling, pipe ~ tobacco, ships (in general)
Inscriptions: collector's mark: Lugt 2228a, annotation: ‘9 bz 61/ Ik geloof dat daar iets aankomt, heel in de verte ..’, :, signature: ‘HANS./ BORREBACH’

In een aangemeerde boot staan en zitten vijf mensen, onder wie twee jongens en een man met een pijp. Ze kijken in de verte naar een pad in een landschap met bomen. Over het pad komt een figuur aanlopen.
Textile fragment with boys in floral scrolls
Object type: fragment
Date: 1001 – 1200
Materials: silk
Techniques: damask, weave
Culture: chinese
Subjects: flowers

This textile was meticulously woven with boys tucked among floral scrolls and lotus pods—a rebus for, or visual allusion to, progeny. In addition to the Buddhist belief in rebirth from the lotus, multiseeded lotus pods were also thought to be a symbol for plentiful offspring.
C. Mario, col tuono della sua voce fa cadere il ferro dalle mani al Soldato che doveva ucciderlo
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: etching
Location: rome
Artist: bartolomeo pinelli
Artist role: draughtsman, print maker, sculptor
Artist dates: 1781 – 1835
Subjects: (story of) gaius marius
Inscriptions: collector's mark: Lugt 2228, inscription: ‘C. Mario, col tuono della sua voce fa cadere il ferro dalle mani al Soldato che doveva ucciderlo’

De soldaat die op het punt staat Gaius Marius te vermoorden laat zijn zwaard vallen wanneer Gaius Marius tegen hem begint te praten.
Octagonale Landschappen
Object type: print
Date: 1582 – 1626
Materials: paper
Techniques: etching
Location: rome
Subjects: rocky coast
Inscriptions: collector's mark: Lugt 2228a
Gezicht op Westminster Abbey, te Londen
Object type: print
Date: 1841 – 1885
Materials: paper
Techniques: etching
Location: london
Subjects: church (exterior), westminster abbey
Jupiter en Aigle avec la Nimphe Asterié
Object type: print
Date: 1707 – 1707
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: jupiter, in the form of an eagle, wrestles with asteria (as yet not metamorphosed)
Inscriptions: collector's mark: Lugt 2228, number: ‘487’

Prent is mogelijk opgenomen in een editie van: Fénelon, François de Pons de Salignac de la Mothe. Les aventures de Télémaque.
Fragment
Object type: textile
Date: 1601 – 1635
Materials: textile, silk, velvet
Techniques: cutting, satin weave, voiding, weave
Location: italy
Vase
Object type: vase
Date: 1884 – 1888
Materials: glass
Techniques: glassblowing
Culture: american
Location: united states
Artist: new england glass company
Artist role: maker
Artist nationality: american
Artist dates: 1818 – 1888
Portrait Medallion of a Man
Object type: locket
Date: 1690 – 1710
Materials: ivory

Hij is in profiel naar rechts afgebeeld. Zijn krullende haar valt tot op de schouders. Het openstaande hemd wordt grotendeels bedekt door een draperie.
Gezicht op de eerste wedstrijd van de Koninklijke Roei- en Zeilvereniging in 1848
Object type: drawing
Date: 1848 – 1848
Materials: ink, paper, pencil
Techniques: brush
Location: amsterdam
Artist: johannes hilverdink
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1902
Subjects: sport-tournament, sailing-ship, sailing-boat, city-view in general; 'veduta', rowing, canoeing, etc. (sport), amsterdam
Inscriptions: collector's mark: Lugt 800a, inscription: ‘Yachtclub / door Joh. Hilverdink’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 2.
Karikatuur van Horace Sébastiani
Object type: cartoon
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: paris, politician, caricatures (human types), historical persons, political caricatures and satires
Inscriptions: collector's mark: Lugt 4731, number: ‘461’, collector's mark: Lugt 2228a

Prent gepubliceerd in: La Caricature, 13 juni 1833, nr. 136, pl. 281.
Wapentuig
Object type: ornament print
Date: 1683 – 1733
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, 'tropaion', i.e. decorative ornament ~ weapons
Inscriptions: collector's mark: Lugt 2228

Prent oorspronkelijk bedoeld voor: Figures de la Bible. Amsterdam, Bernard Picart, 1720. Prent ook gebruikt in: Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament (...) door de vermaarde kunstenaars Hoet, Houbraken, en Picart getekent (...) en met beschrijvingen uitgebreid. Den Haag: Pieter de Hondt, 1728.
Prent kan mogelijk ook zijn gebruikt in andere bijbels.
Een van de dioscuren
Object type: drawing
Date: 1677 – 1677
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: augustinus terwesten (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1649 – 1711
Subjects: piece of sculpture, reproduction of a piece of sculpture, (story of) the dioscuri: castor (the horse-tamer) and pollux (the boxer)
Inscriptions: date: ‘1677’
The Actor Ichikawa Somegoro, from "A Picture Book of Stage Fans (Ehon butai ogi)"
Object type: print
Date: 1770 – 1770
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Pont Royal bij het Pavillon de Flore
Object type: page
Date: 1839 – 1840
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: palace, bridge in city across river, canal, etc.
Inscriptions: inscription: ‘PARIS DAGUERRÉOTYPÉ No. 3.’
Saucer (part of a service)
Object type: saucer
Date: 1743 – 1759
Materials: soft paste porcelain
Artist: capodimonte porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1740 – 1759
Subjects: men,horses

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Geleerde aan een lessenaar
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: etching
Artist: georg friedrich schmidt
Artist role: draughtsman, print maker
Artist dates: 1712 – 1775
Subjects: scholar in his study
Inscriptions: collector's mark: Lugt 240
Bildnisse der berühmtesten Menschen aller Völker und Zeiten
Object type: print
Date: 1818 – 1832
Materials: paper
Techniques: stippling
Location: zwickau
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit: 'Bildnisse der berühmtesten Menschen aller Völker und Zeiten' van de gebroeders Schumann, uitgegeven in 1818-1832 te Zwickau.
Portret van Johannes Voorhout
Object type: print
Date: 1683 – 1732
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, draughtsman, johannes voorhout (i), tools, implements of painter, portrait, self-portrait of artist, wig
Inscriptions: collector's mark: Lugt 2228

De tekenaar en schilder Johannes Voorhout gevat in een met schildersattributen gedecoreerde omlijsting. Hij draagt een lange pruik.
Coverlet
Object type: textile
Date: 1846 – 1846
Materials: textile, cotton, wool
Techniques: cutting, jacquard, weave
Location: ohio
Subjects: washington, d.c., buildings, patriotism, medallions, laurel wreaths, foliage, government building, government buildings, coverlet
Inscriptions: Inscription: Capitol in Washington 1846
Fotoreproductie van een portret van Edmond Got
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: historical persons, portrait of actor, actress
Inscriptions: inscription: ‘Figaro-Album/ Got/ d'après Franck Phot.’
De schilder met zijn model in zijn atelier
Object type: print
Date: 1615 – 1638
Materials: paper
Techniques: etching
Location: zurich
Artist: rudolph meyer
Artist role: print maker
Artist dates: 1605 – 1638
Subjects: artist (in general) working from nude model
Inscriptions: collector's mark: Lugt 2228
Portret van Felice Ciatti
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: engraving, letterpress printing
Location: venice
Subjects: historical persons

Prent uit: Le glorie degli Incogniti o vero gli huomini illustri dell'accademia de signori Incogniti di Venetia. Venetië: Francesco Valvasense, 1647, p. 128.
Dansende man met mes
Object type: print
Date: 1630 – 1665
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: salomon savery
Artist role: print maker, publisher
Artist dates: 1594 – 1683
Subjects: hacking and thrusting weapons: dagger, man dancing alone
Inscriptions: collector's mark: Lugt 240

De prent maakt deel uit van een twaalfdelige serie prenten met voorstellingen van boeren.
Plattegrond van de begane grond van het Palazzo Doria te Genua
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: hôtel, i.e. small palace in city - aa - civic architecture: inside, plan ~ architecture

Deze prent maakt deel uit van een album.
Portret van Hieronymus de Bock
Object type: print
Date: 1744 – 1767
Materials: paper
Techniques: engraving, etching
Subjects: archbishop, bishop, etc. (roman catholic), historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
Soldaat met een wapen
Object type: sketchbook leaf
Date: 1803 – 1843
Materials: paper, pencil
Artist: hendrik abraham klinkhamer
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1872
Subjects: weapons, the soldier; the soldier's life
Inscriptions: date: ‘31 Maart’

Mogelijk draagt de man een geweer of zwaard. Blad 6 recto uit een schetsboek met 40 bladen.
Fragments
Object type: fragment
Date: 1701 – 1800
Techniques: lace
Subjects: flowers,leaves
Entrée de l'Algérie-Tunisie
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: antwerp
Subjects: world fair, world exhibition, façade (of house or building)
Nevada Fall, 700 Feet
Object type: photograph
Date: 1861 – 1861
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: rivers,waterfalls,landscapes
Armlet
Object type: armlet
Date: 1801 – 1900
Materials: gold, stone
Location: india

This bracelet or bazuband is made from woven gold, and is studded with rubies and a rose-cut diamond. Similar examples are known to have been worn by brides in Maharashtra as part of a suite of bridal jewels adorning the whole body. This jewel was formerly in the collection of American artist and designer Lockwood de Forest (1850–1932) who purchased many jeweled objects while traveling in India between 1879–1881. Today, his collection of Indian jewelry in the Met serves as a near-comprehensive assemblage of late nineteenth century bodily adornment.
Landscape with Dancers and Musicians
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: pen
Location: italy
Artist: attributed to ercole bazzicaluva
Piece
Object type: piece
Date: 1760 – 1770
Materials: silk
Subjects: leaves
Portret van een vrouw, leunend op een stoel
Object type: photograph
Date: 1862 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: historical persons - bb - woman, chair
Inscriptions: inscription: ‘PHOTOGr ATELIER/ WEGENER & MOTTU,/ KALVERSTRAAT/ Over den Heyligenweg D. 26/ AMSTERDAM’
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: links "Champaigne" door Jean Louis Adolphe Eude en rechts "Puget" door Antoine Etex
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘19 en 25’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 2.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Exterior, three fragments with parts of palmette fronds and palmette hearts
Limestone statue of an enthroned youth
Object type: statue of an enthroned youth
Date: 300 – 201
Materials: limestone
Culture: cypriot
Subjects: animals,men,writing

This seated figure holding a roll of manuscript across his knees and a stylus in his right hand could represent a priest of high rank who transcribed oracles or other declarations of the god he served. The remains of a bird perched on his left hand and the elaborate throne with animals at the side suggest, however, that this statuette represents a deity—probably Apollo, the god of poetry and art, famous for his oracles. The bird may well have been a raven, the bird that often accompanies Apollo.
Figure of a seated womand with tea
Object type: figure
Date: 1755 – 1762
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, vitrification
Location: frankenthal
Artist: johann friedrich lück (der jüngere)
Artist dates: 1727 – 1797
Inscriptions: mark: ‘leeuw’

A Chinese woman. Porcelain. Frankenthal, c. 1755 - 1762, model by Johann Friedrich Lück. Given by the Committee for Photographic Sales.
View on the Creek, Nagasaki, Japan
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Billie Barlow, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Title Page, from "Varii Generis Opera Aurifabris Necessaria"
Object type: print
Date: 1600 – 1600
Techniques: embroidery, engraving
Artist: paul birckenhultz
Artist role: artist
Artist nationality: german
Artist dates: 1561 – 1639

Title page with title in rectangular frame at center, with large rounded areas of ornamental blackwork above and below the central plaque, and smaller areas of blackwork design at left and right. From a series of six plates of ornamental designs.
Provincie Drenthe / XLVII
Object type: costume print
Date: 1857 – 1857
Materials: paper
Techniques: hand coloring
Location: netherlands
Subjects: folk costume, regional costume

Klederdracht in de provincie Drenthe. Man bij een groep vrouwen met een kind. Illustratie in een boek uit 1857 met 56 platen van Nederlandse klederdrachten.
Gezicht op de linkeroever van de Ems in Bad Ems, Duitsland
Object type: stereograph
Date: 1855 – 1872
Materials: cardboard, paper
Techniques: albumen print
Location: bad ems
Artist: theodor creifelds
Artist role: publisher
Artist dates: 1815 – 1875
Subjects: dale, valley, river bank, village
Inscriptions: date: ‘Do. 14 Aug s 1872’, number: ‘Nro. 521.’
Miniature Teapot
Object type: ceramic
Date: 1760 – 1769
Materials: enamel, stoneware
Techniques: polychrome, salt glaze
Location: staffordshire
Sard oval
Object type: intaglio of artemis
Date: 300 – 201
Culture: greek
Subjects: artemis,cornucopia

Artemis holding a cornucopia and phiale
Rekenpenning uit Antwerpen op Koning Karel II van Spanje 1666
Object type: history medal
Date: 1666 – 1666
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde de zuilen van Hercules met een opkomende zon, met bovenaan dubbel omschrift, op de keerzijde het gekroonde Spaanse wapenschild omhangen met de keten van het gulden vlies, met omschrift.
Design for Vis-à-vis Phaeton (unnumbered)
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Mangle-board
Object type: mangle board
Date: 1776 – 1776
Materials: wood
Venus Whipping Cupid with Roses
Object type: print
Date: 1601 – 1633
Techniques: engraving
Artist: giovanni luigi valesio
Artist role: artist
Artist nationality: italian
Artist dates: 1583 – 1633
Subjects: cupid,venus,satyrs

In this print Venus's halfhearted efforts at disciplining her unruly son are undermined by a smiling satyr, the embodiment of lust. As the inscription states, love is not so easily chastised. Valesio, a poet as well as a prolific engraver who specialized in creating allegorical title pages, designed this work as one of a pair of love allegories.
Zittende man met hond
Object type: drawing
Date: 1763 – 1826
Materials: paper
Artist: abraham van strij (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1753 – 1826
Subjects: dog
Portret van Heinrich Wurtzer
Object type: print
Date: 1687 – 1743
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann georg mentzel
Artist role: print maker
Artist dates: 1677 – 1743
Subjects: theologian, historical persons, wig
Inscriptions: collector's mark: Lugt 2228