deem-data/ArtiFact huggingface dataset:
Galerie van Apollo
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: etching
Location: paris
Subjects: lodewijk xiv (koning van frankrijk), historical persons, emperor
Inscriptions: collector's mark: Lugt 2228

Allegorie op koning Lodewijk XIV van Frankrijk, weergegeven als een goddelijke figuur uit de klassieke mythologie. Hij rijdt in een praalwagen, die wordt getrokken door twee paarden, over de wolken, omgeven door Fama, Abundantia en twee andere figuren. Minerva houdt een kroon boven zijn hoofd. De voorstelling is gevat in een octogonale ornamentrand. Plafondschildering van Le Brun in de koninklijke zaal in het Louvre.
King's Moorish attendant
Object type: crèche figure
Date: 1751 – 1800
Materials: brass, cotton, gold, metal thread, silk, silver, terracotta, fiber, metal
Techniques: polychrome
Subjects: men

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Penningen met portretten van onder andere François-Hercule de Valois, hertog van Anjou
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: paris, françois-hercule de valois (hertog van anjou)
Ùhúnmwèlaò (head of an ọ́bà)
Object type: head
Date: 1401 – 1566
Materials: brass
Culture: edo period
Location: nigeria
Artist: ìgùn ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
Artist role: artist
Subjects: kings,heads,men
Edith Simmons, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Venus Presiding over the Realm of Love, from Seven Planetary Gods
Object type: print
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan saenredam
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1607
Inscriptions: Lettered lower left: "5" and below image: "Accendo iuvenum curas ... sua tela Cupido."
Fragment of a Storage Bag
Object type: storage bag fragment
Date: 1801 – 1850
Materials: cotton, silk, wool
Techniques: asymmetrically knotted pile
Location: turkmenistan
Brief aan Philip Zilcken
Object type: letter
Date: 1901 – 1901
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Artist: pieter andreas martin boele van hensbroek
Artist role: publisher
Artist dates: 1853 – 1912
Subjects: painter, draughtsman, philip zilcken, rotterdam
Inscriptions: collector's mark: ‘RPK’, address: ‘MARTINUS NIJHOFF 'S-GRAVENHAGE’
Marble portrait bust of a man
Object type: portrait bust of a man
Date: 110 – 120
Materials: marble
Culture: roman
Subjects: men,portraits

This man’s resolute expression and the simple yet studied arrangement of locks at his forehead bring to mind official portraits of the emperor Trajan (r. A.D. 98–117).
Delftsche studenten-almanak voor 1890
Object type: book
Date: 1890 – 1890
Materials: paper, cardboard, linen
Techniques: albumen print, letterpress printing, lithograph
Location: delft
Artist: frederik christiaan filip gräfe
Artist role: fotograaf, lithograaf, steendrukker
Artist dates: 1835 – 1905
Chesterfield Bridge, North Anna, Virginia
Object type: photograph
Techniques: albumen print, photography
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards, gardner's photographic sketch book
Vis-a-Vis Sleigh #712
Object type: drawing
Date: 1880 – 1880
Materials: gold, gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Aigentliche wahrhaffte Delineation unnd Abbildung aller fürstlichen Auffzüg und Rütterspilen
Object type: album leaf
Date: 1618 – 1618
Materials: paper
Techniques: etching
Subjects: performance in the open air (pleasure fair), horses (circus performance)

Genummerd: 64. Tekst in het Duits op de borden. Prent maakt deel uit van een album.
Portret van Nicolas Fouquet
Object type: drawing
Date: 1653 – 1750
Materials: chalk, paper
Location: france
Artist: Anonymous
Subjects: paris, france, politician, nicolas fouquet, historical persons, politician, e.g. party leader
Inscriptions: monogram: ‘D.G.’
Page of Calligraphy from the Bellini Album
Object type: non illustrated album leaf
Date: 1600 – 1600
Materials: gold, ink, paper, watercolor
Location: iran
Artist: sultan muhammad nur
Artist role: calligrapher
Artist nationality: iranian
Artist dates: 1448 – 1561
Subjects: calligraphy
Dansende figuur, naar rechts
Object type: drawing
Date: 1849 – 1917
Materials: chalk, paper
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: ritual music and dancing ~ non-christian religions, dancing
Kalenderblad voor september 1899
Object type: calendar leaf
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
Subjects: flowers, ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228

In 1898 vervaardigden Gerrit Willem Dijsselhof, Carel Adolph Lion Cachet en Theo Nieuwenhuis samen een kalender voor het jaar 1899. Nieuwenhuis nam het ontwerp van de maanden maart, juni, september en december op zich.
The Sea off Satta in Suruga Province (Suruga Satta kaijo), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)"
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Cup
Object type: cup
Date: 1601 – 1633
Materials: silver gilt
Artist: heinrich mack
Artist role: maker
Artist dates: 1581 – 1626
Subjects: snakes
Vaandeldragers en kanunninken, plaat F
Object type: print
Date: 1530 – 1536
Materials: paper
Techniques: etching
Location: mechelen
Artist: nicolaas hogenberg
Artist role: draughtsman, painter, print maker
Artist dates: 1500 – 1539
Subjects: ghent, charles v (holy roman emperor and king of spain), rome, festivities (+ parade, pageant, cavalcade ~ festive activities)

Prent in het album waarin zijn ingeplakt de 40 platen die achterelkaar samen het fries vormen van de optocht van Karel V met de paus Clemens VII te Bologna na zijn kroning tot keizer, 24 februari 1530.
Netsuke of Seated Tiger, Tail Resting on his Back;
Object type: netsuke
Date: 1615 – 1868
Materials: ivory
Culture: japanese
Subjects: tigers
Portret van Johann Grambs
Object type: print
Date: 1729 – 1729
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann benjamin brühl
Artist role: print maker
Artist dates: 1691 – 1763
Subjects: historical persons, book - mm - book open, crucifix ~ personal devotion
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Fortgesetzte Sammlung Von Alten und Neuen Theologischen Sachen (...) Fünffter Beytrag Auf das Jahr 1729. Leipzig: erven Johann Friedrich Braun.
Money Box
Object type: box
Date: 801 – 1000
Materials: earthenware
Location: iran

This ceramic money box was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Portret van Friedrich August Schulze
Object type: print
Date: 1807 – 1847
Materials: paper
Techniques: engraving
Artist: wenzel pobuda
Artist role: print maker
Artist dates: 1797 – 1847
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, name
Portret van jonge vrouw
Object type: photograph
Date: 1877 – 1884
Materials: photographic support
Techniques: photography, snipping
Location: amsterdam

Foto op bruin albumblad 16 van familiealbum van Alphons Diepenbrock.
Woning Districts-Commissaris te Nickerie
Object type: photograph
Date: 1891 – 1891
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: gomez burke
Artist role: fotograaf
Subjects: suriname
Inscriptions: inscription: ‘G.B. / Woning Districts-Commissaris te Nickerie.’

Gezicht op de woning van de districtscommissaris te Nickerie, voor het huis een tuin met hek en palmbomen. Onderdeel van het fotoalbum Souvenir de Voyage (deel 4), over het leven van de familie Dooyer in en rond de plantage Ma Retraite in Suriname in de jaren 1906-1913.
"Alhambra" vase with lid
Object type: lidded jar
Date: 1877 – 1890
Materials: bone china, enamel
Techniques: gilding
Artist: crown derby
Artist role: maker
Artist nationality: british
Artist dates: 1750 – 9999

The history of the Derby porcelain manufactory can generally be divided into two periods. The old Derby porcelain was produced from 1750 to 1848, and was foremost distinguished by the ownership of William Duesbury I and II. When the original factory closed in 1848, a number of former workers established a separate smaller factory at King Street, Derby, using Crown Derby’s original molds and patterns and oftentimes incorporating the factory marks on its wares. Around 1876, a separate company established a factory at Osmaston Road under the name Derby Crown Porcelain Company (and eventually bought the King Street factory in 1935), although the firm did not being producing commercial pieces until two years later. In 1890, the factory was granted the privilege of using the title "Royal Crown Derby Porcelain Company." Although the new Crown Derby continued to produce the firm’s old eighteenth-century Japan patterns, it became known for making vessels lavishly decorated with raised and chased gold work and Persian-style decoration.
Trompe-l'oeil plafond met mythologische voorstelling
Object type: ornament print
Materials: paper
Techniques: etching
Location: netherlands

Het plafond wordt gesteund door zuilen, pilasters en een kroonlijst van de Korintische orde. In de hoeken zijn medaillons aanwezig, van onderaf gezien. Tegenzijdige kopie naar prent uit serie met plafonds ontworpen en uitgegeven door Daniel Marot.
Studioportret met jongen met kippen in Nederlands-Indië
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Inscriptions: number: ‘21’

Jongen met kippen voor een geschilderd decor, Nederlands-Indië
Der Oberste Friedensstifter
Object type: drawing
Date: 1920 – 1935
Materials: chalk, ink, paint, paper
Techniques: brush, pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: personifications of death; 'morte' (ripa), political caricatures and satires, germany
Inscriptions: inscription: ‘5 Der Oberste Friedensstifter’

De Dood in uniform als een Duitse vredesstichter. Ontwerp voor een politieke spotprent.
Sugar bowl with cover
Object type: sugar bowl with cover
Date: 1720 – 1720
Materials: silver
Artist: william bellassyse
Artist role: maker
Artist dates: 1716 – 1723
Subjects: coat of arms
Hof met het tabernakel, brandofferaltaar en wasvat
Object type: book illustration
Date: 1523 – 1526
Materials: paper
Techniques: hand coloring
Artist: lucas cranach (i)
Artist role: draughtsman, print maker
Artist dates: 1472 – 1553
Subjects: tent of meeting, ''ohel mo'ed', tent of the testimony, 'mishkan ha-'edut' (tabernacle ~ jewish religion), the court of the tabernacle ~ jewish religion
Inscriptions: collector's mark: Lugt 2233

Houtblokken gebruikt voor: Das Alte Testament deutsch, deel I, Wittenberg 1523 (eerste druk) maar ook later (tot 1526) verschenen drukken waarin de houtblokken werden gebruikt. De serie van elf boekillustraties in de collectie van het RMA heeft blanco verso zijden, dit is kenmerkend voor deze uitgaven van Luthers bijbel, zie Koepplin 1974, p. 341.
Helmet (Bascinet) with Detachable Visor
Object type: helmet bascinet with detachable visor
Materials: leather, steel
Culture: german
Location: germany
Shinkei sanjurokkaisen
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: flying on or with the aid of object(s), old woman
Inscriptions: collector's mark: Lugt 2228

Demon Ibaraki in de verschijning van een oude vrouw, rooft zijn arm, die in een nachtelijk gevecht door de krijger Watanabe no Tsuna was afgehakt, terug.
Harten zes met drie kinderen uit Moki, Arizona
Object type: playing card
Date: 1900 – 1900
Materials: paper
Techniques: autotype
Location: los angeles
Artist: adam clark vroman
Artist role: fotograaf
Artist dates: 1856 – 1916
Subjects: arizona

Speelkaart uit doosje met 53 speelkaarten met afbeeldingen in autotypie van Native Americans. De inhoud bevat een complete set speelkaarten inclusief joker.
Cartouche en emblemata met kronen
Object type: print
Date: 1697 – 1718
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: crown (symbol of sovereignty), ornament ~ cartouche, abstract ideas and concepts (+ emblematical representation of concept)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een cartouche en vier emblemata met Nederlandse tekst en Latijns motto op een blad. Boven: Cartouche met serietitel omgeven door wapens, vlaggen en schilden. Aan de bovenzijde een gekroond wapenschild. Geflankeerd door twee figuren in harnas. Onder: Emblemata met een kroon boven een doornenkroon, een ooievaar op een schild omgeven door wapens en twee zittende figuren, een kroon op een kussen en een kroon boven een berg.
The Spies Escape, from "Dalziels' Bible Gallery"
Object type: print
Date: 1865 – 1881
Materials: paper
Techniques: engraving
Artist: frederic, lord leighton
Artist role: artist
Artist nationality: british
Artist dates: 1830 – 1896
Subjects: men
Vessel with Killer Whales
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Techniques: modeling, painting
Culture: nazca
Location: peruvian south coast
Subjects: whale, animals, sacrifice, anthropomorphic figure, fish
Articles of China
Object type: photographically illustrated book
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: cups,vases
Jan Asselijn, painter
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: drypoint, etching
Subjects: jan asselijn, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 272, signature and date: ‘Rembr / f 16’, collector's mark: Lugt 2228
Moskee van de Sjah (Masjed-e Shah) in Isfahan, Perzië
Object type: photograph
Materials: cardboard, paper
Techniques: gelatin silver print
Location: unknown
Artist: a.g.a. van eelde
Artist role: engineer
Artist dates: 1862 – 1950
Subjects: isfahan
Inscriptions: number: ‘47.’
Vase with design of "Hundred Antiques"
Object type: vase
Date: 1667 – 1733
Materials: enamel
Techniques: overglaze, painting, polychrome
Culture: chinese
Hol
Object type: hol drum
Date: 1867 – 1900
Materials: cord, skin, wood
Culture: indian
Location: india
Portret van een onbekende vrouw, vermoedelijk gerelateerd aan de familie Marmelstein
Object type: photograph
Date: 1900 – 1940
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: j. kuipers
Artist role: fotograaf
Artist dates: 1845 – 1925
Subjects: adult woman, child, historical persons
Inscriptions: signature: ‘J. Kuipers’
Portret van Heinrich Camerarius
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: historical persons, book
Inscriptions: collector's mark: Lugt 2228

Een andere staat van deze prent is gebruikt in: Westphalen, Ernst Joachim von. Monumenta Inedita Rerum Germanicarum Praecipue Cimbricarum Et Megapolensium (...). 4 dln. Leipzig: Johann Christian Martini, 1739-1745, dl. 3 (1743), p. 1366.
Portret van Thomas Ernsthuys
Object type: print
Date: 1684 – 1690
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: guinea
Inscriptions: collector's mark: Lugt 2228

Portret van Thomas Ernsthuys, directeur-generaal van de West-Indische Compagnie, ter gelegenheid van zijn overlijden. Hij heeft in de rechterhand een staf. In de marge zijn naam, titels en een gedicht.
Gezelschap wandelend over (vermoedelijk) de pier van Scheveningen
Object type: photograph
Date: 1904 – 1924
Materials: photographic support
Techniques: gelatin silver print
Location: scheveningen
Artist: Anonymous
Subjects: adult woman, strolling, adult man
Inscriptions: number: ‘468H’

Onderdeel van fotoalbum van een onbekende Nederlandse familie met opnames van Suriname, Europa en Nederlands-Indië.
Twee zittende kerkvaders in zwikken
Object type: drawing
Date: 1580 – 1600
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: giulio morina
Artist role: draughtsman