deem-data/ArtiFact huggingface dataset:
Comb
Object type: comb
Date: 1550 – 1458
Materials: ivory
Location: egypt

This comb and two others (16.1.428, 16.10.430) were found in the remains of an anthropoid (human-shaped) coffin that was excavated by the Museum's Egyptian Expedition in 1916. Although the dimensions vary slightly, all three have shape that is typical of the late-Seventeenth and early-Eighteenth Dynasties. For a similar comb from the same time-period, but made of wood, see 26.7.1448. The combs belonged to the same burial as several other objects in the Museum's collection. These include a small ivory cosmetic box (16.10.425), two pottery vessels (16.10.426–.427, three jars of Egyptian alabaster (16.10.421, .423–.424), and another made of serpentine (16.10.422).
Opstand van de façade van het Palazzo Spinola di Pellicceria te Genua
Object type: album leaf
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: hôtel, i.e. small palace in city, façade (of house or building), exterior ~ architectural design or model

Rechtsonder een tweeregelige toelichting in het Italiaans. Deze prent maakt deel uit van een album.
Melkmeid uit Waterland
Object type: print
Date: 1669 – 1689
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: folk costume, regional costume
Inscriptions: collector's mark: Lugt 2228

Een melkmeisje uit Waterland draagt een juk met twee emmers melk. In haar hand houdt zij een mand met eieren. Prent uit een serie van 10 prenten met dorpelingen die klederdrachten dragen.
William P. Montague
Object type: page
Date: 1869 – 1869
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Fotoreproductie van een schilderij van een liggende vrouw
Object type: glasnegatief, glasplaatnegatief
Date: 1865 – 1900
Materials: glass
Techniques: collodion process
Artist: laurens lodewijk kleijn
Artist role: draughtsman, painter
Artist dates: 1826 – 1909
Subjects: adult woman

Onderdeel van een groep glasnegatieven uit de nalatenschap van de schilder Laurens Lodewijk Kleijn, met stillevens, portretten, zelfportretten en kunstreproducties.
Beleg van Naarden, 1672
Object type: history print
Date: 1835 – 1840
Materials: paper
Techniques: etching
Location: france
Subjects: lodewijk xiv (koning van frankrijk), capture of city (after the siege), rampjaar (disaster year)

Gebruikt als illustratie in: C. Gavard, Galeries historiques de Versailles, collection de gravures réduites d'après les dessins originaux du grand ouvrage, Parijs 1840. Niet in Frederik Muller; door het RPK toegevoegd nummer. Op de prent vermeld: Diagraphe et Pantographe Gavard.
Sacrificial Sword (Rāmdāo)
Object type: sacrificial sword rāmdāo
Date: 1801 – 1900
Materials: brass, steel, wood
Culture: indian or nepalese
Location: nepal
Akhtar uit Mysore  in India van Kanthirava Narasa raja Wodeyar I, 1638-1659
Object type: coin
Date: 1638 – 1659
Materials: copper
Techniques: striking
Location: mysore

Koperen munt. Voorzijde: lopende pauw met uitgezette veren naar rechts. Keerzijde: patroon van loodrechtop elkaar staande rechte lijnen, waarbinnen twee cirkels.
Face from Half of Double Saddle Bag (Khorjin)
Object type: saddle bag
Date: 1801 – 1900
Materials: wool
Techniques: asymmetrically knotted pile, weave
Location: iran
Boomstudien / 1e Bundel
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: lithograph
Location: dordrecht
Artist: adrianus van der koogh
Artist role: draughtsman, print maker
Artist dates: 1796 – 1831
Subjects: trees
Inscriptions: collector's mark: Lugt 2228

Naaldbomen in landschap met links een hek.
Mandala of Hevajra
Object type: painting
Date: 1501 – 1600
Materials: textile, ink
Culture: tibetan
Artist: sakya school
Artist role: artist
Subjects: buddhism,deities
The actor Ichikawa Danjuro IX as Musashibo Benkei in the play "The Subscription List (Kanjincho)"
Object type: print
Date: 1890 – 1890
Techniques: woodblock print
Location: japan
Artist: tsukioka yoshitoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1839 – 1892
Interieur van de Franse Manege te Amsterdam tijdens ruiterspelen
Object type: drawing
Date: 1853 – 1888
Materials: paper, pencil
Location: amsterdam
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, riding-school, manège
Inscriptions: inscription: ‘Geschenk van de Heer C. Schöffer Fransche Manege’, inscription: ‘het blok / niet bij de / warme kachel / Fransche Manege’, inscription: ‘2 prenten fo[...]ne’

Onderwerpsrubriek binnen de Atlas Amsterdam: Manegegebouwen.
Connecticut, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: coat of arms,flags

Trade cards from the "Flags of the States and Territories" series (N11), issued in 1888 in a set of 47 cards to promote Allen & Ginter brand cigarettes. There are also approximately 100 scroll color variations. The museum's collection contains the full set of 47 cards, as well as 54 scroll color variations and one cutout card.
Table snuffbox
Object type: table snuffbox
Date: 1750 – 1750
Materials: gilt copper, hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men,women,party,smoking

A snuffbox of this size was placed on a table for use by a party of smokers, as illustrated on the inside of the lid. Painted in monochromatic purple, or en camaieu, this scene is based on an engraving of 1733 by Bernard Lépicié (1698–1755) after a composition by Jean-Baptiste Pater (1695–1736).
Gezicht op een oude stadspoort van Rome
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: city-gate, rome
Thea en Werner
Object type: photograph
Date: 1941 – 1944
Materials: paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: werner neufang, lovers; courting, flirting

Thea en Werner. Onderdeel van de groep losse foto's behorend bij het fotoalbum over de Duitse Werner Neufang van de Kriegsmarine en de Nederlandse Thea Driesen.
Crouching Boar (Il Porcellino)
Object type: sculpture
Materials: bronze, patina, varnish
Artist: pietro tacca
Artist role: artist
Artist nationality: italian
Artist dates: 1577 – 1640
Subjects: boars
Wederdopers te Munster
Object type: history medal
Date: 1534 – 1534
Materials: silver
Techniques: gilding, striking
Location: munster
Artist: Anonymous
Subjects: münster, wederdopersoproer in münster

Zilveren penning met afgebroken draagoog. Voorzijde: opschrift binnen omschrift. Keerzijde: schild met opschrift onder jaartal binnen tweeregelig omschrift
Holland Dykes
Object type: print
Date: 1885 – 1888
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: john henry twachtman
Artist nationality: american
Artist dates: 1853 – 1902
Jar with Three Inscribed Bands in Cursive Script
Object type: jar
Date: 1101 – 1200
Materials: glaze, stonepaste
Techniques: luster painting, underglaze
Location: syria

This heavily restored jar illustrates the practice of bringing together an assortment of fragments—easily found at Raqqa’s archaeological site—to reconstruct a single, more valuable object. Most of the fragments here originally belonged to the same vessel, but others did not; the latter were filed and glued to fill the gaps. Extensive overpainting, now cleaned away, covered the seams.
Twee Japanse vrouwen in gekleurde kimono's, zittend op een bank voor een bloemenveld
Object type: photomechanical print
Date: 1900 – 1920
Materials: paper
Techniques: photograph, hand coloring
Artist: Anonymous
Subjects: flower culture, historical persons (+ all kinds of 'portrait historié': mythological portrait, allegorical portrait, 'rollenporträt', etc.)

Deze prent maakt deel uit van een album.
Chinese Poetry, from the series "Three Classical Arts for the Sugawara Circle (Sugawara sanseki)"
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the center of a kylix; at the juncture of the bowl of the kylix and the top of the stem, a red glazed ring; the underside is reserved, with a small thickly glazed circle in the center, which has a smaller circle in the middle which has a dot in the center; the inside of the stem is glazed
Fotoreproductie van schilderij De kwakzalver door Gerard Dou
Object type: photograph
Date: 1887 – 1887
Materials: cardboard, paper
Techniques: carbon print
Location: munich
Subjects: quack, charlatan, mountebank, 'saltimbanco'
Inscriptions: collector's mark, collector's mark: Lugt 1641

Een kwakzalver onder een parasol op een podium prijst zijn waar aan. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Onderwijs en Wetenschappen: Geneeskunde.
Gezicht op het dorp Pecq en het Château de Saint-Germain-en-Laye
Object type: opticaprent
Date: 1700 – 1761
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Location: england
Subjects: village (+ city(-scape) with figures, staffage), civic architecture; edifices; dwellings
Inscriptions: inscription: ‘Fo 25 B4’
Saint Bernard standing holding an open book, a chained dragon at the lower right, from "Piccoli Santi" (Small Saints)
Object type: print
Date: 1500 – 1527
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: books,infants,women,dragons,saints
Side Chair
Object type: side chair
Date: 1869 – 1869
Materials: wood
Culture: american
Location: united states
Artist: george jakob hunzinger
Artist role: maker
Artist nationality: american
Artist dates: 1835 – 1898
Piëta
Object type: print
Date: 1628 – 1686
Materials: paper
Techniques: engraving
Location: straatsburg
Subjects: 'pietà ', 'vesperbild', 'marienklage' (no others present): christ, either with or without crown of thorns, mourned by mary, the dead christ in mary's lap
Inscriptions: collector's mark: Lugt 2228

Maria met de gestorven Christus in de armen, hem bewenend, zittend op een steen.
Plattegrond van Antwerpen
Object type: print
Date: 1596 – 1704
Materials: paper
Techniques: etching
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), fortified city, maps of cities, prospect of city, town panorama, silhouette of city, antwerp

Prent verschenen in: Beschreibung und Contrafactur de vornembster Stät der Welt. 6 dln. S.l.: Braun en Hogenberg, 1574-1618.
Stack of Wheat (Snow Effect, Overcast Day)
Object type: painting
Date: 1890 – 1891
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: claude monet
Artist role: painter
Artist nationality: french
Artist dates: 1840 – 1926
Subjects: seasons, wheat, nature, landscape, field, snow, hills, building, buildings, blue, blue (color), weather/seasons, landscapes, century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed lower right: Claude Monet 91

The monumental stacks that Claude Monet depicted in his series Stacks of Wheat rose fifteen to twenty feet and stood just outside the artist’s farmhouse at Giverny. Through 1890 and 1891, he worked on this series both in the field, painting simultaneously at several easels, and in the studio, refining pictorial harmonies. In May 1891, Monet hung fifteen of these canvases next to each other in one small room in the Galerie Durand-Ruel in Paris. An unprecedented critical and financial success, the exhibition marked a breakthrough in Monet’s career, as well as in the history of French art. In this view, and in nearly all of the autumn views in the series, the conical tops of the stacks break the horizon and push into the sky. But in most of the winter views, which constitute the core of the series, the stacks seem wrapped by bands of hill and field, as if bedded down for the season. For Monet, the stack was a resonant symbol of sustenance and survival. He followed this group with further series depicting poplars, the facade of Rouen Cathedral, and, later, his own garden at Giverny. The Art Institute has the largest group of Monet’s Stacks of Wheat in the world.
Portret van een onbekende man met bakkebaarden
Object type: carte de visite
Date: 1890 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: sideburns, historical persons not known by name, netherlands
The Fencing Lesson
Object type: group
Date: 1755 – 1755
Materials: hard paste porcelain
Artist: höchst manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1746 – 1796
Subjects: boys,men
Corn Husking
Object type: painting
Date: 1863 – 1864
Materials: canvas, oil
Culture: american
Artist: david gilmour blythe
Artist role: artist
Artist nationality: american
Artist dates: 1815 – 1865
Subjects: farms,men,night,corn

Blythe, who lived in Pittsburgh, Pennsylvania, painted satires, mainly of urban ills, but in "Corn Husking," he portrayed their rural counterpart. The work depicts a sudden outbreak of violence on an eerie, moonlit night among a group of boys engaged in the taxing and tedious task of husking recently harvested corn. The farm is dilapidated and the farming implements are carelessly strewn around the property, conveying the harsh realities of the setting. Blythe pointedly made poverty and discord the crux of a theme that is usually associated with abundance and harmony.
Kaart van het oostelijk deel van Java
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: maps of separate countries or regions, java, madura

Kaart van Oost Java. Bovenaan een gezicht op Batavia vanaf het water. Er zijn vijf windrozen en op de kaart zijn topografische bijzonderheden aangebracht: rijstvelden, bergen, wilde dieren etc. Met het eiland Madura. Voor de schaal zie de linkerhelft. Rechterhelft van een kaart van het gehele eiland Java.
Betoverde kasteel
Object type: print
Date: 1887 – 1888
Materials: paper
Techniques: etching
Location: london
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: trees, landscape with ruins
Numismata virorum illustrium ex Barbadica gente
Object type: album leaf
Date: 1673 – 1743
Materials: paper
Techniques: engraving
Location: rome
Subjects: venice, (liturgical) equipment of church, medal (considered as a piece of sculpture, regardless of its specific function), weapons, personifications of countries, nations, states, districts, etc. (with name)
Inscriptions: collector's mark: Lugt 2228

Voetstuk in de vorm van een cartouche. Daarop een medaillon met op de voorkant het portret van bisschop Angelo Barbarigo, in kerkelijk gewaad en met biretta op zijn hoofd. Op de achterkant de bisschop op zijn paard onder een draagbaar baldakijn. Op het voetstuk mogelijk de vrouwelijke personificatie van Italië, met kroon en scepter. Op haar banier staat het wapen van Italië. Verder allerlei wapentuig: speer, fasces, pijlen, trommel, pronkhelm. Links het Colosseum. De prent maakt deel uit van een album.
Act Two: The Quarters of Momonoi Wakasanosuke from the play Chushingura (Treasury of the Forty-seven Loyal Retainers)
Object type: print
Date: 1795 – 1795
Techniques: woodblock print, koban
Location: japan
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Hindustan, from the Natives in Costume series (N16), Teofani Issue, for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1886 – 1886
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,fashion

Trade cards from the "Natives in Costume" series (N16), issued in 1886 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Secondary set from original Allen & Ginter plates printed by Teofani and distributed in Iceland. This set is printed on thinner card stock and does not have printed text on recto or verso.
Monsieur de Bellefourière
Object type: painting
Date: 1521 – 1521
Materials: oil, wood
Artist: french painter
Artist role: artist
Artist nationality: french
Subjects: men,portraits
Landschap met boerderij en ruïne
Object type: print
Date: 1705 – 1729
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan smees
Artist role: draughtsman, print maker
Artist dates: 1670 – 1729
Subjects: landscape with ruins - ii - ideal landscapes
Inscriptions: collector's mark: Lugt 240

Heuvellandschap met een boerderij aan het water. Op een heuvel ligt de ruïne van een kasteel. Op de voorgrond twee mensen, van wie er één een takkenbos op de rug draagt.
Portrait of a Woman
Object type: illustrated album leaf or single work
Date: 1701 – 1800
Location: india
Subjects: profiles,women
Staande man achter een hek; fragment
Object type: indian miniature
Date: 1565 – 1575
Materials: cotton, paint
Techniques: brush
Artist: Anonymous
Kelkvelum van zijde geborduurd met stralenkrans in gouddraad waarbinnen in goudkleurige paillettes IHS
Object type: chalice veil
Date: 1800 – 1899
Materials: gold thread, linen, silk
Techniques: embroidered, weave
Artist: Anonymous

Kelkvelum van cremekleurige zijde met borduurwerk. In het midden een stralenkrans van gouddraad waarbinnen, met goudkleurige paillettes, de letters IHS. Langs de randen veelkleurig zijden borduursel: elkaar oversnijdende bloemtakken met schuin in de hoeken een bloemboeket (ook gouddraad). Omboord met kloskant: goudkant. Voering van linnen.
Ontwerp voor een vloer en een fontein met pauwen
Object type: page
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: (scenes from) specific works of literature: colonna, hypnerotomachia poliphili, ornamental birds: peacock, ornamental fountain, pavement, floor ~ architecture

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, verso fol. 114.
Head of a Man in Profile
Object type: drawing and watercolor
Materials: ink, paper
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
The Coming Thunderstorm, from the illustrated book Flowers of the Four Seasons
Object type: woodblock print
Date: 1801 – 1801
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: girls,men,women,rain

Utamaro portrays a moment in which life in a townsman's home is enlivened and refreshed by a sudden change in the weather. The father rushes to close the outer doors against the rain, while family members dive under a raised mosquito net, which was believed to offer protection from the thunder spirits. Utamaro, a prolific ukiyo-e artist, was fascinated by themes of daily life as well as by beautiful women.
Old Junks
Object type: photograph
Date: 1868 – 1868
Techniques: photograph
Location: scotland
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Tekst uit collectie August Allebé
Object type: tekst
Date: 1884 – 1884
Materials: ink
Techniques: pen, writing
Artist: Anonymous
Subjects: painter, print maker, draughtsman, rudolf stang, education, tuition of the artist (in general)
Coffeepot
Object type: coffeepot
Date: 1715 – 1740
Materials: hard paste porcelain, silver
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: women,flowers
Closed Eyes
Object type: print
Date: 1890 – 1890
Materials: ink, paper
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Hitoyogiri (一節切)
Object type: hitoyogiri 一節切
Date: 1567 – 1633
Materials: bamboo, gilt
Culture: japanese
Location: japan
Artist: attributed to ōmori sōkun 大森宗勲
Artist role: artist
Artist nationality: japanese
Artist dates: 1570 – 1625

The shakuhachi, the Japanese bamboo end-blown flute descends from the hitoyogiri. Both instruments have four finger holes and a thumb hole, are held vertically, and have a blowing edge formed by an outward cut at the rim. The hitoyogiri was popular during the Edo period (1603-1868) but ceased to be used by the 19th century as the shakuhachi developed into its final form.
Figure from a model boat
Object type: model boatman
Date: 1981 – 1640
Materials: paint, wood
Location: egypt
Subjects: women
Bronzen standbeelden in de Hofkerk in Innsbruck, Oostenrijk
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photoaquatint
Location: vienna
Subjects: interior of church, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘Déposé.’, number: ‘7.’

Deze prent maakt deel uit van een omslag met twintig prenten, twee tekstbladen en een titelpagina.
Dish with powder blue and panels in reserve with river landscapes
Object type: platter
Date: 1700 – 1720
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark
The Fountain, No. 1: The Wounded Indian Slaking His Death Thirst
Object type: drawing
Date: 1843 – 1843
Materials: gouache, graphite, paper
Culture: american
Artist: thomas cole
Artist role: artist
Artist nationality: american
Artist dates: 1801 – 1848
Subjects: men,forests

Cole, the founder of the Hudson River School of landscape painting, drew this study for a series (never realized) of paintings based on William Cullen Bryant’s poem “The Fountain” (1839). The poem evokes several eras of American civilization through incidents that occur at a forest stream. In this scene, a wounded brave (modeled after the Hellenistic sculpture known as the "Dying Gaul," which Cole had seen in Rome) symbolizes the plight of many American Indians in an era of forced relocation. Bryant’s verse reads in part: "I behold/The Indian warrior, whom a hand unseen/Has smitten with his death-wound in the woods, /Creep slowly to thy well-known rivulet,/And slake his death-thirst."
Holiday dish
Object type: dish
Date: 1890 – 1890
Materials: earthenware
Techniques: glazing
Subjects: flowers
Gauntlet for the Left Hand
Object type: gauntlet for the left hand
Date: 1450 – 1460
Materials: steel
Culture: italian
Location: italy

This is part of a large find of medieval armor discovered in 1840 in the ruins of the fortress of Chalcis, on the Greek island of Euboea (then a Venetian colony called Negroponte). The fortress had been captured and destroyed by the Turks in 1470. Now divided largely between the Ethnological Museum, Athens, and The Metropolitan Museum of Art, the Chalcis hoard contains many rare and unusual elements of fourteenth- and fifteenth-century armor. Of particular importance are the variety of headpieces and the many fragments of brigandines (armor for the torso constructed of small plates riveted to layers of fabric), some of which retain portions of their original velvet covering. The Chalcis armor provides a unique picture of the armament used in the Aegean, one of the easternmost military outposts of the Venetian empire.
Brother Angel
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: lithograph
Location: france
Artist: gustave doré
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Antibes. Le Golfe
Object type: reproduction
Date: 1892 – 1904
Materials: cardboard
Techniques: writing
Location: paris
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), church (exterior) - qq - small church, chapel, landscapes (+ landscape with figures, staffage)
Valentine - Mechanical - pulls open to reveal elaborate scene
Object type: valentine
Date: 1875 – 1875
Materials: paper, silk
Techniques: chromolithography, cutting, embossing, gilding
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: flowers