deem-data/ArtiFact huggingface dataset:
Onthulling van het standbeeld van Michiel de Ruyter te Vlissingen 1841
Object type: history medal
Date: 1840 – 1840
Materials: bronze
Techniques: striking
Location: utrecht
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879

Bronzen penning, op de voorzijde het standbeeld van De Ruyter half naar links met omschrift, op de keerzijde vier regels tekst tussen samengestrikte lauwertakken.
Birds and Flowers
Object type: screen
Date: 1867 – 1900
Materials: panel, silk
Techniques: embroidery
Culture: korean
De zeilwagen van Simon Stevin, 1602
Object type: history print
Date: 1603 – 1649
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: the hague, maurice (prince of orange), bruges, simon stevin, sailing-car

De zeilwagen van Simon Stevin, 1602. Prins Maurits maakt samen met een groep vrienden een tocht over het strand van Scheveningen naar Petten in de zeilwagen gebouwd door Simon Stevin, april-mei 1602. Links een kleine zeilwagen, waarschijnlijk een prototype, met enkele personen aan boord. Op het strand verschillende elegante toeschouwers en enkele vissers. Zonder de Duitse teksten onder de plaat.
Vase
Object type: vase
Date: 1875 – 1875
Materials: earthenware
Artist: worcester factory
Artist role: maker
Artist nationality: british
Artist dates: 1751 – 2008

After the end of the Flight, Barr & Barr ownership of the Worcester factory in 1840, the firm went through a succession of owners and mergers before falling under the ownership of Kerr & Binns in 1852. During the partnership, the factory sought to rebuild its former eighteenth-century reputation in porcelain and known for Renaissance-inspired designs. With the establishment of the Royal Worcester Porcelain Company in 1862, the company gradually gained recognition for its Japanese-inspired designs, which formed part of Japonisme, a collective fascination with Japan that took place in Europe and the United States following the opening of Japanese markets to the West by Commodore Perry in 1853.
Bodhisattva Manjushri, Leaf from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
Object type: folio
Date: 1101 – 1200
Materials: ink, leaf
Culture: indian
Subjects: buddhism,bodhisattvas,manjushri

Bodhisattva Manjushri preaching (dharmacakra mudra), with lotus stem supporting a sword, seated on a cushioned throne.
Portret van een onbekende man
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: moritz calisch
Artist role: draughtsman, print maker
Artist dates: 1819 – 1870
Subjects: standing figure, historical persons (+ half-length portrait), cupboard
Inscriptions: collector's mark: Lugt 2228

De man staat en leunt met zijn linkerarm op de bovenkant van een kast met een gedecoreerde bovenrand.
Kolbak van sappeur of tambour-maitre, M. 1823
Object type: busby
Materials: copper, fur, leather, linen, paper
Techniques: forging, stitching, tanning
Location: the hague
Subjects: netherlands

Hoofddeksel van deels gesleten zwart berenhuid (imitatie?). Zwart leren bodem, waarin sleuf voor pompon. Binnenwerk bruin leren zweetband, waaraan zwart linnen voering. Tevens een halve zwarte lakleren kinriem met zwarte gesp. Op bodem blauw etiket met gouden opdruk van rijkswapen en Willem Pauwels en zoon hoedenfabrikanten' s Hage Westeinde (rest onleesbaar).
Panel with Joachim's Offering Rejected
Object type: panel
Date: 1501 – 1533
Materials: wood
Culture: french
Location: france
Subjects: christ,virgin mary

Until 1950 this panel lined the Great Hall of Highcliffe Castle in southern England. Constructed in the 1830s for Lord Stuart de Rothesay, the castle was furnished in part with stonework acquired form the ruined royal abbey at Jumièges in Normandy, where the panels might also have originated. In all likelihood they once decorated the backs of choir stalls ordered in 1501 by the abbot of Jumièges. Carved on The Cloisters' thirty-five oak panels are scenes from the lives of the Virgin and Christ, each set under an elaborate canopy of single or double arches. The exuberant latticework surrounding the arches provides an almost encyclopedic display of pinnacles, crockets, spirals and other fanciful decorations. The panels show here open the narrative sequence, with the childless Joachim and Anne standing inside the Temple, saddened by the refusal of their offering. On the next panel an angel, arching his body, appears to Joachim with the news that he and Anne will have a daughter and that she will be named Mary. As in many late medieval works, the figures are foreshortened within their inhabited surroundings, adding depth and drama to the composition.
Portretten van patriotten
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: abraham jacobsz. hulk
Artist role: print maker
Artist dates: 1751 – 1817
Subjects: harlingen
Inscriptions: collector's mark: Lugt 2228

Buste van Coert Lambertus van Beyma naar links in een medaillon met randschrift in het Nederlands.
Initial letter V with putti
Object type: print
Date: 1538 – 1538
Techniques: woodcut
Artist: heinrich vogtherr the elder
Artist role: artist
Artist nationality: german
Artist dates: 1538 – 1540
Het kwartet van muziekliefhebbers
Object type: popular print
Date: 1843 – 1920
Materials: paper
Techniques: letterpress printing, engraving
Location: germany
Subjects: small group of musicians, chamber orchestra, jazz band, fighting
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen over een strijkkwartet dat ruzie krijgt tijdens het spelen. Onder elke afbeelding een vers. Genummerd midden onder: Nro. 139. Genummerd rechtsboven: 139.
Mlle Simon; Me Simon, mère
Object type: photograph
Date: 1862 – 1862
Techniques: albumen silver print, glass negative
Artist: andré-adolphe-eugène disdéri
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1889
Portret van Ernst August van Brunswijk-Lüneburg
Object type: print
Date: 1750 – 1800
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons
Portret van een man met baard
Object type: album leaf
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, beard
Metal Ornament for Church
Object type: drawing
Date: 1851 – 1900
Materials: gouache
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Portret van Christiaan Bernhard Tilanus
Object type: print
Date: 1829 – 1863
Materials: paper
Techniques: lithograph
Artist: adrianus johannes ehnle
Artist role: draughtsman, print maker
Artist dates: 1819 – 1863
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een ordeteken op de revers van zijn jas.
Bandontwerp voor: Margit Ravn, Alles komt terecht (min søster og din søster), 1937
Object type: study for binding design
Materials: paint, paper, watercolor
Techniques: brush
Artist: hans borrebach
Artist role: draughtsman
Artist dates: 1903 – 1991
Subjects: dress, gown: evening dress (+ women's clothes), dancing, smiling
Inscriptions: :, signature: ‘HANS/ BORREBACH’, collector's mark: Lugt 2228a

Een lachende jonge man en vrouw in avondkleding dansen dezelfde pas. De vrouw staat schuin voor de man op de gestreepte dansvloer.
Vrouw naast bed met ziek kind
Object type: print
Date: 1840 – 1895
Materials: paper
Techniques: etching
Location: netherlands
Artist: fridolin becker
Artist role: print maker
Artist dates: 1830 – 1895
Subjects: sick-bed, mother and baby or young child
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Studieblad met onder andere putti, een fakkel, anker en hoofd
Object type: print
Date: 1860 – 1913
Materials: paper
Techniques: etching, intaglio
Artist: adrien de witte
Artist role: print maker
Artist dates: 1850 – 1935
Subjects: torch, parts of ship's exterior: anchor, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228
Fob
Object type: fob
Date: 1801 – 1833
Materials: silver
Culture: european
Gezicht op de markt op de Nieuwmarkt
Object type: photograph
Date: 1880 – 1950
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: square, place, circus, etc., city-view in general; 'veduta', stall, booth (~ market), market, weigh-house
Inscriptions: collector's mark: ‘10,83 A/B’ Lugt 1641b, inscription: ‘Nieuwmarkt met Waag’

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwmarkt, Noordermarkt.
Fotoreproductie van een schilderij van een moeder en kind
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: mother and baby or young child, painting, drawing and the graphic arts
Inscriptions: annotation: ‘Papa, Papa’, number: ‘1951’
Deep Vessel with Handles
Object type: vessel
Date: 3500 – 2500
Materials: cord, earthenware
Culture: japanese
A Young Woman Seated in a Room and Looking at a Kakemono of Fukurokujin
Object type: print
Date: 1768 – 1768
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: isoda koryūsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Subjects: birds,women
Ponte Vecchio in Florence
Object type: print
Date: 1873 – 1931
Materials: paper
Techniques: etching
Artist: etienne bosch
Artist role: print maker
Artist dates: 1863 – 1933
Subjects: bridge in city with structures, i.e. shops, houses, e.g. ponte vecchio in florence
Inscriptions: number: ‘no. 3’, collector's mark: Lugt 2228

Zicht op de Ponte Vecchio over de rivier de Arno in Florence.
Portret van Hendrik Gravé op 78-jarige leeftijd
Object type: print
Date: 1749 – 1780
Materials: paper
Techniques: engraving, etching
Subjects: amsterdam, historical persons, book, warfare; military affairs (+ naval force), armorial bearing, heraldry
Cardinal Albrecht of Brandenburg (The Great Cardinal)
Object type: print
Date: 1523 – 1523
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Chasse de l'antilope au léopard
Object type: print
Date: 1836 – 1837
Materials: paper
Techniques: lithography
Location: paris
Subjects: beasts of prey, predatory animals: leopard, hunt ~ hoofed animals, hoofed animals: antelope
Inscriptions: check stamp: Lugt 1828c

Deze prent maakt deel uit van een omslag met twaalf prenten. Rondom de hoofdvoorstelling worden diverse jachttechnieken uitgelegd in woord en beeld.
The Sisters: Mrs. Sheridan and Mrs. Tickell, from Old English Masters
Object type: print
Materials: chine, paper
Techniques: engraving
Location: united states
Artist: timothy cole
Artist role: print maker
Artist nationality: american
Artist dates: 1852 – 1931
Fragment zijdeweefsel
Object type: fragment
Date: 1200 – 1299
Materials: silk
Techniques: weave
Location: italy

Fragment, samengesteld uit 7 opgeplakte delen, van grijsblauwe zijde met patroon van palmetvormen en paarsgewijs naar elkaar toegewende wolven. Patroon is bijgetekend.
Side table (one of a pair)
Object type: side table
Date: 1790 – 1790
Materials: wood
Corona delle Nobile et Virtuose Donne, Libro Terzo, page 11 (recto)
Object type: book print ornament architecture
Date: 1620 – 1620
Techniques: woodcut
Artist: cesare vecellio
Artist role: designer
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: birds,ornament,mythical creatures

Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de' Vecchi, Italian, active 17th century, Venice. From top to bottom, and left to right: Design composed of 2 horizontal registers. Top register is decorated with 3 triangles: left triangle is ornamented with a composite man and plant creature that holds 3 fish upon a platter, middle triangle is ornamented with a figure resembling a queen that is flanked on both sides by a small animals, right triangle is ornamented with a tall flower that is flanked on either side by a standing lion. Bottom register is decorated in the center with a fountain that is surrounded on both sides by 2 grotesque figures characterized by a man's upper body, bird's wing, and a dragon's lower half that has a tail that transforms into a coiling vine, upon which a bird is perched.
Théàtre Italien.
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: etching
Location: paris
Subjects: city-view in general; 'veduta', theatre (building), paris
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie met 60 platen van monumenten, kathedralen en paleizen in Parijs.
Rusland na den moord op Minister Plehwe
Object type: cartoon
Date: 1904 – 1904
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: peter i de grote (tsaar van rusland), political caricatures and satires

Tsaar Peter de Grote adviseert Nicolaas II waakzaamheid, naar aanleiding van de moord op de Russische politicus Vjatsjeslav von Plehve op 28 juli.
De Haarlemmermeer
Object type: copper plate
Date: 1722 – 1784
Materials: copper
Techniques: etching
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Bekrooning van Nederland te Parijs
Object type: cartoon
Date: 1878 – 1878
Materials: paper
Techniques: lithograph
Location: the hague

Spotprent. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 43, 1878.
Berlin
Object type: album leaf
Date: 1873 – 1875
Materials: paper
Techniques: albumen print
Location: berlin
Artist: Anonymous
Subjects: choir, concert hall, berlin
Inscriptions: inscription: ‘Für ein jegliches Werk/ dankte er dem Heili-/ gen, dem Höchsten mit/ einem schönen Liebe./ Sirach 47,9.’
Hoekpand met een trap voor de ingang
Object type: sketchbook leaf
Date: 1849 – 1895
Materials: paper, pencil
Artist: willem koekkoek
Artist role: draughtsman
Artist dates: 1839 – 1895
Subjects: flight of steps, façade (of house or building)

Blad 7 verso en 8 recto uit een schetsboek met 57 bladen.
Plan of a Room
Object type: drawing
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: architecture,interiors
Standbeeld van staande vrouw
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving
Subjects: rome, vincenzo giustiniani (1564-1637), piece of sculpture, reproduction of a piece of sculpture, monument, statue, female persons from classical history (+ full length)
Inscriptions: collector's mark: Lugt 2228

Standbeeld van een staande vrouw, gekleed in een klassiek gewaad tot op de knie, bij een boomstam. In haar rechterhand houdt zij een stok. Op de boomstam het wapenschild van Vincenzo Giustiniani. Prent uit een serie naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Fragment
Object type: fragment
Date: 1775 – 1780
Materials: cotton
Subjects: flowers
City of the Future (Greenfield, MA)
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1910
Materials: cardboard
Techniques: collage
Location: austria
Artist: Anonymous
Subjects: greenfield
Inscriptions: inscription: ‘Made in Austria. / POST CARD / MESSAGE / ADDRESS / Place / Stamp here / DOMESTIC / 1 c / FOREIGN / 2 c’, inscription: ‘The Square, Greenfield, Mass., / in the Future.’
The Pope, plate ten from The Ranks and Conditions of Men
Object type: print
Date: 1465 – 1465
Materials: paper
Techniques: engraving
Culture: master of the e-series tarocchi
Location: italy

The deck of fifty so-called Tarocchi are not tarots in the modern, fortune-telling sense, nor were they intended as playing cards. No cut-out impressions mounted for play are known, and they lack the suits and numbers of a regular deck. Instead, these delicately engraved didactic allegories are grouped in five numbered ranks describing the workings of the spheres of man, the muses, the liberal arts, the cosmos, and the heavens in order of increasing significance, and offer a didactic sequence to educate courtly youths or possibly university students, who could have used them as flashcards or a pamphlet.
Chasseur, Spain, 1853, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Portret van Sophie van Württemberg
Object type: print
Date: 1846 – 1876
Materials: paper
Techniques: lithograph
Subjects: the hague, sophia frederika mathilda van württemberg, fan, historical persons - bb - woman (+ full length portrait)

De geportretteerde staat voor een tafel, een draperie en een vaas met bloemen. Op haar hoofd draagt zij een kroon en een sluier. In haar handen heeft zij een ingeklapte waaier.
Brief aan Philip Zilcken
Object type: letter
Date: 1921 – 1921
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: rené-jean, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Card Number 40, Miss Hall, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-6), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the sixth subset, N145-6. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Gezicht over de Amstel met de Amstelsluizen, Amsterdam
Object type: photograph
Date: 1900 – 1900
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: motorized barge, canals, waters (in city), amsterdam
Portrait of a Woman
Object type: painting, miniature
Date: 1703 – 1767
Materials: enamel
Artist: christian friedrich zincke
Artist role: artist
Artist nationality: german
Artist dates: 1683 – 1767
Subjects: portraits,women
Split en Athene
Object type: photograph
Date: 1936 – 1936
Materials: paper, photographic support
Techniques: gelatin silver print
Location: split
Artist: Anonymous
Subjects: tourism, passengers ~ ship
Inscriptions: inscription

Albumblad met vier foto's, één genomen aan boord van het schip, drie van uitstapjes onderweg te Split en Athene. Alle foto's met onderschriften. Onderdeel van een album over een vakantiereis over de Nijl in 1936.
Apis
Object type: figurine, apis
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: animals

The worship of the Apis bull is attested as early as Dynasty I. Arguably the Apis, unlike many sacred animals in Egypt, was not just favored by a certain deity, but was considered a deity in his own right. A single living representative was stabled near the Ptah temple in Memphis. The bull selected for this important role had certain colorful markings, such as a white triangle on the forehead, and black patches resembling winged birds or scarabs on the body. The bull shown here preserves many of these designs and other features in wonderful detail: an elaborate collar on its neck, a winged scarab, a decorated cloth across its back, a winged bird, articulation of the hooves, and strands of hair in the tail. The Apis bull participated in ceremonies of fertility and regeneration. When it died, it was embalmed and buried with all honors; at that time, a new bull bearing the requisite markings was selected. Beginning with the reign of Amenhotep III (1390–1352 B.C.) in Dynasty 18, the place of Apis burials gradually became a huge and growing underground system of chambers called the Serapeum in the Memphite necropolis, Saqqara. The bull was so revered that even the mothers of Apis bulls had their own cult and burial place.
Three Wine Cups Made with Booty from the Silver Fleet
Object type: wijnkroes
Date: 1629 – 1629
Materials: silver
Techniques: engraving, forging, gilding, striking
Location: utrecht
Artist: roelant gerobulus
Artist role: goldsmith, silversmith
Artist dates:  – 1632
Subjects: duinkerke, luitenant-admiraal, piet hein

This set of matching, nesting wine cups was made to honour Piet Heinâ€™s victory over the Spanish Treasure (or Silver) Fleet in 1628. This remarkable event is commemorated in the engraved text, which describes how the drinking vessels were fashioned from confiscated precious
metal. The coat-of-arms of the commissioner, probably a member of the Sweers family, is engraved on the bottoms and lids.
Portret van Hedley Vicars
Object type: print
Date: 1850 – 1870
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons

Prent mogelijk uit een editie van: Marsh, Catherine. Memorials of Captain Hedley Vicars, Ninety-seventh Regiment. Londen: James Nisbet, 1856.
Gezicht op het Prinsenhof te Amsterdam
Object type: book illustration
Date: 1693 – 1694
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: canals, waters (in city), bird's eye view ~ representation of building, courtyard
Inscriptions: collector's mark: ‘25A.16’ Lugt 1641b

Huidige staat van prent ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, desselfs eerste oorspronk uyt den Huyse (…). 2 dln. Amsterdam: Abraham Wolfgang, Gillis Janssonius van Waesberge, Johannes Janssonius van Waesberge II, weduwe Dirk Boom I, Hendrick Boom en Rembertus Goethals, 1693. En in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 dln. Amsterdam: weduwe Aart Dircksz Oossaan, 1694.

Latere staat ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 dln. 2de druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe A. van Aaltwyk en Hermanus Uytwerf, 1726.
Morocco, from Flags of All Nations, Series 1 (N9) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the set, "Flags of All Nations," Series 1 (N9), issued in 1887 in a series of 48 cards to promote Allen & Ginter Brand Cigarettes. The museum's collection contains the 48 cards from the Series 1 set, as well as 10 variations and 5 mis-printed cards.
Brief aan Philip Zilcken
Object type: letter
Date: 1872 – 1930
Materials: ink, paper
Techniques: pen, writing
Artist: willem de zwart
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1931
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Cosmetic jar
Object type: cosmetic jar
Date: 1874 – 1875
Materials: glass, silver
Artist: f. p., london
Artist role: maker
Artist dates: 1875 – 1875
Ex libris van onbekend, mogelijk De Servais
Object type: bookplate
Date: 1755 – 1807
Materials: paper
Techniques: engraving
Location: mechelen
Artist: antoine opdebeeck
Artist role: print maker
Artist dates: 1709 – 1759
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233

Ex libris van Gaspar-Joseph de Servais (1735-1807).
Christophe de Thou, premier president au Parlement
Object type: print
Date: 1605 – 1650
Techniques: etching
Artist: jean morin
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1650
Subjects: men,portraits
Scarf
Object type: costume and accessory
Materials: cotton, silk, thread
Techniques: embroidery, stitching, weave
Location: morocco
Subjects: morocco