deem-data/ArtiFact huggingface dataset:
Bowl with Cranes and Chrysanthemum Flower Heads
Object type: decorative art
Date: 1365 – 1399
Materials: clay, stoneware
Techniques: celadon glazed, inlay, underglaze
Location: korea
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic
Artist: antiphon painter
Artist role: artist

Interior, top of head of filleted youth; one letter of an inscription, H; Exterior, part of calf and foot of male to left
Mlle. Jager, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Design for the Stage for 'Intermedio 6', from an Album with Plates documenting the Festivities of the 1589 Wedding of Ferdinand I and Christine of Lorraine
Object type: book
Date: 1589 – 1592
Techniques: etching
Artist: epifanio d'alfiano
Artist role: artist
Artist nationality: italian
Artist dates: 1581 – 1607
Subjects: musical instruments,men,women

The wedding celebrations of Francesco I, Grand Duke of Tuscany and Christine of Lorraine were held in Florence in 1589. Officially, they had already been married since 1586, but it was not until Christine travelled to Florence in 1589 that the wedding would be celebrated. The preparations required a full year and mobilized most of the artists and artisans in the city of Florence to create a landmark event in the realms of art, architecture, theatre, music and political ceremony. The festivities themselves, consisting of pageants, balls, games and performances, lasted all throughout the month of May. They started with the official entrance of Christine into the city of Florence on April 30th when a series of triumphal arches were erected along her route into the city. The festivities continued on May 2nd, with the so-called intermedi, a Florentine theatre tradition which combined several shorter performances, both tragedies and comedies in a larger show with acting, song and dance. All in all, there were 6 intermedi, each with their own stage set and costumes. On May 9th, a demonstrative soccer match was hosted in front of the church of Santa Croce, and the same arena was used on May 10th for a joust. From there, the festivities were continued on the other bank of the river Arno, at the Medici stronghold Palazzo Pitti. On May 11th, the inner courtyard was turned into a water basin for the staging of a ‘naumachia’, or sea battle. The final event took place on May 28th: the so-called Chariot procession of Neptune. It was organized by young nobleman from the city of Florence who dressed up as rivergods to accompany the Sea God Neptune as he was driven around the city of Florence in his chariot. The party would stop at the houses of prominent gentlewomen and break out in a song which explained how the waters of the world had come to pay tribute to the new Grand Duchess.
Fotoreproductie van een foto van de Boog van Titus te Rome
Object type: photograph
Date: 1880 – 1905
Materials: paper
Techniques: cyanotype
Location: rome
Artist: Anonymous
Subjects: triumphal arch
Inscriptions: number: ‘3019’, inscription: ‘Arch of Titus [...]’
Nuova Fontana in Piazza Termini
Object type: photograph
Date: 1851 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: square, place, circus, etc., ornamental fountain
Inscriptions: collector's mark: ‘VOSMAER’, number: ‘4321 A.’
Bracelet
Object type: bracelet
Date: 201 – 1200
Materials: wood
Location: egypt
Stemmed cup
Object type: standing bowl
Date: 1200 – 1399
Materials: glaze, stoneware
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: label: ‘Bluett 1528’

Kom van steengoed met uitlopende rand op een hoge, naar beneden zich verbredende voet, bedekt met een vrij licht groen glazuur. Oud label op de onderzijde met 'Bluett 1528'. Celadon (Longquan).
Doorway
Object type: doorway
Materials: limestone
Culture: french
Location: france
Subjects: doorways

Historically, the buildings of Cistercian monks are relatively spare in decoration, but this doorway comes from the chateau added by one of the commendatory abbots, appointed as fiscal and administrative overseers of the abbey in the late Middle Ages, as the population of monks diminished. The abbey was dissolved in 1792, during the French Revolution; the kneeling angels in the tympanum probably were damaged at that time.
Isabelle d'Arragon, femme de Philippe III
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
The Fourth Scene, from the series Scenes of the Pleasure Quarter at Yoshiwara in Edo
Object type: print
Date: 1615 – 1868
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: hishikawa moronobu 菱川師宣
Artist role: artist
Artist nationality: japanese
Artist dates: 1618 – 1694
Subjects: weapons,men,women

In this Yoshiwara street scene, the three women at the left are the center of attention. The water tank and buckets in the background are at the ready in case of fire in the narrow, crowded streets of the pleasure quarter. Yoshiwara burned down completely in 1676, just a few years before this print was made.
Fotoalbum (leeg)
Object type: slip in album
Date: 1860 – 1900
Materials: cardboard, linen, paper
Techniques: bookbinding
Location: leeuwarden
Subjects: book
Inscriptions: name: ‘W. Eekhoff & Zoon Boek-Muziek-Kantoorhandel Leeuwarden’

Fotoalbum in bruine band met op het voorplat de titel in gouddruk en in reliëf. Het achterplat is versierd met een bladmotief in reliëf. Het album bevat 47 bladen met plaats voor diverse formaten foto's.
Schoppen twee met portret van de gouverneur van Pueblo of Laguna en zijn gezin
Object type: playing card
Date: 1900 – 1900
Materials: paper
Techniques: autotype
Location: los angeles
Artist: adam clark vroman
Artist role: fotograaf
Artist dates: 1856 – 1916
Subjects: united states of america

Speelkaart uit doosje met 53 speelkaarten met afbeeldingen in autotypie van Native Americans. De inhoud bevat een complete set speelkaarten inclusief joker.
Militaire parade in Rusland
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: sint-petersburg
Artist: albert felisch
Artist role: fotograaf
Subjects: military parade, pageant
Groepsportret van oud-leerlingen op fietsen ('l'Association amicale des anciens élèves') tijdens een excursie naar Saint-Germain
Object type: album leaf
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: outing, pleasure trip, bicycle, france

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.
10de dag Stuttgart-Koblenz / 11de dag Koblenz-Utrecht
Object type: photograph
Date: 1908 – 1937
Materials: paper, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: customs, outing, pleasure trip, cologne
Inscriptions: inscription

Albumblad met drie foto's van de reisgroep en een plattegrondje van Stuttgart. Verslag van een elfdaagse groepsreis per autobus naar Zwitserland van 2 tot en met 12 augustus 1937. Onderdeel van het reisalbum van de familie Van den Broek 1935-1937.
Ahmed Efendi op audiëntie bij Frederik II
Object type: book illustration
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: berlin
Subjects: politician, asiatic races and peoples: turks, history, audition; ruler giving audience, berlin
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Gothaischer Hof Kalender, zum Nutzen und Vergnügen auf das Jahr 1792. Gotha: C. W. Ettinger, [1791].
Portret van Pieter Leonard van de Kasteele
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Subjects: the hague, pieter leonard van de kasteele, historical persons, harp, book

Prent mogelijk uit: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der vereenigde Nederlanden (...). Amsterdam: Johannes Allart, 1790, dl. 5.
Study after Caravaggio's 'The Cardsharps' with color notes
Object type: drawing
Date: 1600 – 1700
Materials: ink
Techniques: brush, heightening, pen, wash
Artist: anonymous, italian
Artist role: artist
Artist nationality: italian
Artist dates: 1400 – 2050
Subjects: men,women

This powerfully rendered scene of Cardsharps by a game table is based on a composition by Caravaggio of the same subject (Kimbell Art Museum, Fort Worth), painted about 1595-1600, but is not an exact reprise of the painting. The sheet includes at upper right a separate, summary sketch of the head of the same young man, who sits by the table at right in the more fully developed main scene. The drawings on the sheet are done with an unusually expressive handling of the pen and very bold chiaroscuro, qualities that indicate that this was from a sheepish copyist of Caravaggio. The sheet is inscribed at bottom right in pen and the similar color ink as the drawing, "calzoni rossi con striscie gialle" (red pantaloons with yellow stripes). The figures are annotated with letters (clockwise from left), "n," "b," "n," "v," "b," "g." ["r" ?]. These are color notes (nero, bianco, nero, verde, bianco, grigio, rosso). The fact of the annotations further confirms that this is after a painting. Alfred Moir and Frederick Den Broeder have suggested this drawing is possibly by a Northern artist of ca. 1600, but to the present compiler the draftsman is more likely Italian (also because of the idiomatic color notes). The influence of Agostino Carracci seems notable. (CCB, 2009)
Algemene huwelijkspenning
Object type: family medal
Date: 1640 – 1640
Materials: gold
Techniques: striking
Location: netherlands
Artist: Anonymous
Inscriptions: circumscription: ‘De klokhen mint haar kiekens seer, doch ick mijn liefste noch veel meer’, circumscription: ‘REYNE.HERTEN.ENDE.HANDEN.ZYN.ONVERBREKELYCKE.BANDEN’

Geslagen gouden penning . Voorzijde: kloek met 5 kuikens onder stralende zon met gezicht,en links een struik, binnen omschrift; keerzijde: twee uit wolken komende handen die in elkaar grijpen, waaronder twee door linten met elkaar verbonden brandende harten, binnen omschrift en hogere rand.
Design for 2 seat Phaeton, no. 3033a
Object type: drawing
Date: 1874 – 1874
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Hôtel Bellevue in Bad Liebenstein (Thüringen)
Object type: carte de visite
Date: 1887 – 1887
Materials: cardboard, paper
Techniques: albumen print
Location: bad liebenstein
Artist: georg jagemann
Artist role: publisher
Artist dates: 1817 – 1894
Subjects: exterior ~ representation of a building, hotel, hostelry, inn
Inscriptions: number: ‘Nr. 81.’, inscription: ‘G. Jagemann, Hofphot. Eisenach.’
Staande spinster
Object type: print
Date: 1638 – 1658
Materials: paper
Techniques: engraving, etching
Subjects: landscapes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., cattle, spinning (manufacture of yarn), milking
Inscriptions: collector's mark: Lugt 2228

In een glooiend landschap bij een ruïne zit een herder te rusten tussen zijn vee. Naast hem staat een vrouw wol te spinnen, en op de achtergrond melkt een tweede vrouw een koe.
Offering Table of Tjaenhesret, priest of Thoth, son of Iaa
Object type: offering table, tjaenhesret
Date: 332 – 330
Materials: limestone
Location: middle egypt
Subjects: men,hieroglyphs

Tjaenhesret is shown pouring a libation over a group of food offerings clustered around three libation jars interspersed with cool lotus plants. The label before his face and above him reads "Libation for the Osiris Tjayenhesret, son of Iaa who held the same titles." Just below his feet an empty space is visible where a place left for the name of his son was never filled in. A tabular offering list appears above and on the right side of the scene, and the whole is surrounded by rows and columns that give an invocation offering to Osiris-Wennefer for Tjaenhesret, who is Overseer of the secrets of the domain of Thoth, and then list his many titles. The latter include particularly titles related to cults of Thoth and other gods resident in Hermopolis, Harendotes, Shepsi, Amon, and Amenemope. The last two are testimony to the wide spread of the cults of Amon throughout the country in the first millennium BC. The offering table must have originated in one of the cemeteries of Hermopolis.
[Five Japanese Women in Traditional Dress with Parasols]
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: portraits,women,parasols
Broadside
Object type: print
Date: 1833 – 1833
Techniques: hand coloring, lithograph
Artist: joseph meeks & sons
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1835
Subjects: furniture,beds,desks,chairs,cabinets,dressers
Vlakdecoraties met bladranken en kinderen
Object type: print
Date: 1500 – 1600
Materials: paper
Techniques: engraving
Location: germany
Inscriptions: collector's mark: Lugt 240

Ovaal met twee kinderen die een schaal boven hun hoofden houden. Uit de schaal ontspruiten bladranken die het blad verder vullen. Gearceerde achtergrond. Eén van 4 bladen.
Reproductie naar een schilderij van Willem Witsen van twee vrouwen en een kind met takken op de rug
Object type: photograph
Date: 1860 – 1915
Materials: cardboard, paper, photographic support
Location: netherlands
Artist: Anonymous
Louisiana to General Zachary Taylor
Object type: medal
Date: 1800 – 1854
Materials: bronze
Culture: american
Artist: charles cushing wright
Artist role: artist
Artist nationality: american
Artist dates: 1796 – 1854
Subjects: men,horses,trees,flags
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: links "Condorcet" door Pierre Loison en rechts "Papin" door Jean-François Soitoux
Object type: photograph
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘[...]’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 1.
Plan van het beleg van Bergen (Mons), 1709
Object type: area plan
Date: 1709 – 1732
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: johan willem friso (prins van oranje-nassau), siege, position war, maps of cities
Inscriptions: collector's mark: Lugt 195

Kaart van het beleg van Bergen (Mons) in Henegouwen door de Geallieerden onder de prins van Oranje vanaf 25 september 1709. Rechtsonder de titelcartouche met onderin een schaalstok: Echelle de 200 Toises.
Model Saddle Bag for a Donkey
Object type: model, saddle bag, donkey
Date: 2051 – 2000
Location: egypt
Plate
Object type: plate
Date: 1785 – 1785
Materials: faience
Techniques: glazing
Subjects: men,women,plants

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Jérusalem, Vallée de Josaphat, Tombeau d'Absalon
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: tombs,landscapes
Portret van Pieter van Slingeland
Object type: drawing
Date: 1650 – 1741
Materials: chalk, paper
Artist: Anonymous
Subjects: leiden, painter, print maker, draughtsman, pieter cornelisz. van slingelandt, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Huizen aan de voet van de Alpen
Object type: sketchbook leaf
Date: 1860 – 1861
Materials: paper, pencil
Location: switzerland
Artist: isaac gosschalk
Artist role: draughtsman
Artist dates: 1838 – 1907
Subjects: mountain-range, snow peaks, switzerland
Inscriptions: annotation: ‘Alp bei [...]egelbr’

Blad 15 recto uit een schetsboek met 29 bladen.
Ensign with flag
Object type: panel
Date: 1560 – 1560
Materials: glass
Subjects: animals,soldiers,swords,flags
Terracotta fragments of oinochoai (jugs)
Object type: oinochoe fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Two fragments with unidentified subjects
Cup and saucer
Object type: cup and saucer
Date: 1770 – 1770
Materials: hard paste porcelain
Artist: cozzi manufactory
Artist role: factory
Artist nationality: italian
Artist dates: 1764 – 1812
Subjects: birds,women,coat of arms
De dichter Yamabe no Akahito kijkend naar de berg Fuji
Object type: print
Date: 1761 – 1765
Materials: paper
Techniques: woodcut
Location: japan
Subjects: writer, poet, author, trees: pine, mountains
Inscriptions: inscription

Man in Heian hofkleding (Yamabe no Akahito) staand met jonge dienaar op strand, onder pijnboom, opkijkend naar de berg Fuji.
Letter on the Elements of Etching
Object type: print
Date: 1864 – 1864
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: adolphe martial potémont
Artist role: artist
Artist nationality: french
Artist dates: 1828 – 1883
Molen te Ravenstein
Object type: sketchbook leaf
Materials: chalk, paper
Location: ravenstein
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: village, windmill
Inscriptions: date and inscription: ‘Ravenstein/ 29 Sep.’

Blad 38 verso en 39 recto uit een schetsboek met 42 bladen.
Muziekfestival van de vereniging Echo der Leie te Sint Denijs-Westrem, penning uitgereikt aan de Zangmaatschappij Societe Lyrique uit Syngem
Object type: medal
Date: 1846 – 1846
Materials: metal
Techniques: engraving, gilding
Location: belgium
Artist: Anonymous
Subjects: société lyrique, zangmaatschappij, echo der leie, sint-denijs-westrem, syngem

Vergulden penning. Voorzijde: muziekinstrumenten boven opschrift binnen omschrift. Keerzijde: opschrift.
Music Box
Object type: music box
Date: 1820 – 1820
Culture: swiss
Location: switzerland
Subjects: men

Oblong gold and enamel music box. The borders enamelled blue and yellow, the cover bearing an enamelled classical miniature bordered by half pearls.
Vrouw wijst op de vanitassymbolen op de tafel voor haar
Object type: book illustration
Date: 1710 – 1710
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: 'vanitas' symbols, skull as symbol of 'vanitas', hourglass
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. De onwaardige wereld, vertoond in vyftig zinnebeelden, met godlyke spreuken en stichtelyke verzen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1710, p. 58.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, head, left shoulder, and bent left arm of youth with hand holding a bag?; to the right, part of a second figure
Fotoreproductie van (vermoedelijk) een schilderij van de Heilige Familie en drie figuren waaronder een engel
Object type: reproduction
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: holy family, and derived representations

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
Nürnberg
Object type: stereograph
Date: 1868 – 1888
Materials: cardboard, paper
Techniques: albumen print
Location: london
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: parts of church exterior and annexes: chapel - qq - small church, chapel, tower (of house or building)
Inscriptions: number: ‘No. 20.’