deem-data/ArtiFact huggingface dataset:
Studies of fairies with a pair of hands (possibly representing the Opening of Pandora's Box)
Object type: drawing
Date: 1784 – 1784
Materials: chalk, gouache, graphite, ink
Techniques: brush, pen, wash
Artist: william lock the younger
Artist role: artist
Artist nationality: british
Artist dates: 1767 – 1847
Subjects: hands,women

The son of a prominent art collector, Lock studied with William Gilpin and became a favorite of Henry Fuseli who described the youth's drawings as "unrivaled by any man of this day...for invention, taste and spirit." Despite such encouragement, Lock largely gave up artistic practice while still in his twenties. This sheet of sketches centers on an open casket containing female figures and winged creatures whose classical drapery and idealized bodies recall Fuseli’s depictions of Ariel from Shakespeare's "A Midsummer Night’s Dream," and Gloriana from Spenser's "Faerie Queene." Other forms, such as the thin-winged creature at the far left, anticipate the fanciful fairies created by Victorian artists.
Reinaert de vos
Object type: print
Date: 1665 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: riding a horse, ass, or mule; rider, horseman

Landschap met schapen en op de achtergrond een ruiter te paard.
Prins Bernhard op de veerboot
Object type: photograph
Materials: photographic support
Techniques: photography
Location: zwolle
Artist: louis woudhuysen
Artist role: fotograaf
Artist dates: 1912 – 1985
Subjects: utrecht, bernhard (prins der nederlanden)

Prins Bernhard op de veerboot over de Vecht bij Zwolle in een jeep. Op de voorgrond worden door twee mannen planken verplaatst.
Portret van paus Marcellus I
Object type: book illustration
Date: 1775 – 1775
Materials: paper
Techniques: engraving, etching
Location: venice
Subjects: rome, historical persons, pope

Prent uit: Effigies Romanorum pontificum a S. Petro ad Pium VI. feliciter regnantem (...). 2 dln. Venetië en Bassano del Grappa: Giuseppe Remondini, 1775.
Bouw-konst
Object type: book illustration
Date: 1681 – 1737
Materials: paper
Techniques: etching
Location: leiden
Artist: françois van bleyswijck
Artist role: draughtsman, print maker
Artist dates: 1671 – 1746
Subjects: 'architectura', symbolic representations, allegories and emblems ~ architecture; 'architettura' (ripa)
Inscriptions: collector's mark: Lugt 2228

Embleem met allegorie op bouwkunst verbeeld als vrouw met winkelhaak, passer en bouwtekening staand in nis versierd met ornamenten. Het gekrulde bladwerk gaat over in twee jongens torso's die een beeltenis van de Toren van Babel en het Tabernakel vasthouden. Het gedicht op recto en verso eert de bouwkunst.
Vanitas
Object type: print
Date: 1611 – 1611
Materials: paper
Techniques: engraving
Location: leiden
Subjects: scenes symbolizing 'vanitas', person(s) sitting among objects forming a 'vanitas' still life, exhibition of wealth, money-chest, treasure-chest, money-box, smoking pot as symbol of 'vanitas', (children or putti) blowing bubbles, 'homo bulla' ~ scene symbolizing 'vanitas'
Inscriptions: collector's mark: Lugt 240

Een vrouw in een zijden jurk draagt haarversiering in de vorm van een rijksappel. Ze personifieert vroomheid. In haar rechterhand houdt ze een bellenblaas. Ze zit aan een tafel met kostbaarheden, onder andere munten, een kroon, een scepter en halssieraden. Ook staat er een rokende kelk.Voor de tafel staat een gevulde schatkist. Onder de voorstelling bevindt zich een achtregelige, Latijnse tekst met een afkeurende beschrijving van de voorstelling.
Marble statue of Pan
Object type: statue of pan
Date: 1 – 100
Materials: marble
Culture: roman
Subjects: pan

Villa gardens and peristyles (courtyards) were filled with images of Dionysos and woodland creatures from his entourage. Pan, the goat god, appears here in his usual form as a shaggy-haired, bearded man with the legs, horns, and tail of a goat. His back is bent under the weight of a vessel or wineskin once held on his left shoulder. The statue was probably designed as part of a fountain complex with water gushing from the now-missing container.
Pest huis
Object type: print
Date: 1675 – 1699
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: hospital, leiden
Inscriptions: collector's mark: Lugt 2228

Gezicht op een deel van de buitenkant van het Pesthuis te Leiden. Rechtsboven genummerd: pag. 154.
Jupiter verbant Cupido uit de hemel
Object type: drawing
Date: 1575 – 1580
Materials: ink, paint, paper
Techniques: brush, pen
Artist: jan snellinck (i)
Artist role: draughtsman, painter
Artist dates: 1544 – 1638
Subjects: suffering, misfortune of cupid, (story of) jupiter (zeus)
Obv: Legend within a Wreath
Object type: coin
Materials: bronze, copper alloy, metal
Culture: roman
Location: israel
Inscriptions: Obv: NEPWNOC (of Nero)
Reverse: L[EKA]ICAPOC (year 5 of Caesar)

The front (obverse) of this coin depicts a palm branch, while the back (reverse) depicts an olive wreath and bears an as yet untranslated inscription.
Portret van paus Sergius II
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: venice
Subjects: rome, historical persons, pope

Prent uit: Effigies Romanorum pontificum a S. Petro ad Pium VI. feliciter regnantem (...). 2 dln. Venetië en Bassano del Grappa: Giuseppe Remondini, 1775.
Gezicht op het College Zeemanshoop aan de Prins Hendrikkade te Amsterdam
Object type: print
Date: 1828 – 1863
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: alphonse pierre giraud
Artist role: print maker
Artist dates: 1786 – 1863
Subjects: civic architecture; edifices; dwellings
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: III. Verschillende gestichten en instellingen / Hofjes: Zeemanshoop.
Cruet stand with cruets
Object type: cruet stand
Date: 1705 – 1720
Materials: faience, glass
Techniques: glazing

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Glasgow Cathedral.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: glasgow cathedral
Artist: archibald burns
Artist role: fotograaf
Artist dates: 1831 – 1880
Subjects: interior of church, pulpit, ambo, chancel
Inscriptions: inscription: ‘Views of Edinburgh and its Neighbourhood, &c.’
The Thorn-Picker (Lo Spinario)
Object type: drawing and watercolor
Date: 1772 – 1772
Materials: charcoal, ink, paper
Techniques: brush, pen, wash
Location: england
Artist: john downman
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1749 – 1824
Boom en een heuvellandschap met water
Object type: sketchbook leaf
Date: 1874 – 1875
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: low hill country, trees, landscapes with waters, waterscapes, seascapes (in the temperate zone)

Blad 21 verso en 22 recto uit een schetsboek met 46 bladen.
Verklaring van de penning door Martinus Holtzhey geslagen op de inhuldiging van Willem IV, prins van Oranje-Nassau, als erfelijk stadhouder van de Nederlanden
Object type: pamphlet
Date: 1747 – 1747
Materials: paper
Techniques: printing
Location: amsterdam
Artist: Anonymous
Subjects: willem iv (prins van oranje-nassau)

Eenzijdig, rechthoekig papier met opschrift, gedrukt in zwarte inkt. Keerzijde: cijfer 16 in zwarte inkt geschreven.
Maffet Ledger: Indian and three white men
Object type: drawing
Date: 1874 – 1881
Materials: crayon, graphite, paper, watercolor
Culture: cheyenne
Location: united states
Subjects: firearms,men
Towel End
Object type: towel end
Date: 1801 – 1900
Materials: linen, metal thread
Techniques: embroidery, weave
Location: turkey
Merchant
Object type: figure
Date: 1765 – 1765
Materials: hard paste porcelain
Artist: frankenthal porcelain manufactory
Artist role: manufactory
Artist nationality: german
Subjects: men,writing,desks
Fragment van kruik
Object type: jug
Date: 1700 – 1800
Materials: earthenware
Artist: Anonymous

Fragment van een kruik, resten van glazuur op binnen- en buitenkant. Oor en bovenrand afgebroken.
Gezicht op een begraafplaats in Damascus (Syrie/Groupes de Tombeaux - Damas)
Object type: photograph
Date: 1872 – 1872
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: syria
Inscriptions: stamp: ‘Rijksschool voor Kunstnijverheid’, signature: ‘Bonfils phot’, number: ‘Bonfils 231’, number: ‘231’, number: ‘Pl. 26’, title

Syrie/Groupes de Tombeaux - Damas Pl. 26.
Medallion with Family Portrait
Object type: medallion
Date: 1701 – 1800
Culture: italian
Subjects: medallions
Bekende tijdgenooten, naar het leven geschetst
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: ferdinand hart nibbrig
Artist role: draughtsman, painter, print maker
Artist dates: 1866 – 1915
Subjects: amsterdam, jacob pieter moltzer, reading, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent is verschenen als bijvoegsel van: De Amsterdammer. Weekblad voor Nederland (1895), nr. 939, 23 juni 1895.
Abklatsch van de krijttekening op pagina 31
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper
Techniques: printmaking
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Pagina 32 uit schetsboek XLIV met 43 pagina's.
Ruïne van een poort
Object type: print
Date: 1830 – 1899
Materials: paper
Techniques: etching
Artist: alexander schaepkens
Artist role: draughtsman, print maker
Artist dates: 1815 – 1899
Subjects: ruin of a building ~ architecture, city-gate
Inscriptions: collector's mark: Lugt 2228
[Government House, Calcutta]
Object type: photograph
Date: 1858 – 1861
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: architecture,buildings
Round Shield with the Surrender of the Elector of Saxony at Mühlberg
Object type: shield
Date: 1560 – 1570
Materials: gold, silver, steel
Culture: italian
Location: italy
Subjects: men,horses

This is an unusual example of armor that is embossed with a contemporary scene rather than one from ancient history, mythology, or the Bible. The shield depicts the surrender of Prince-Electory Johann Friedrich of Saxony (1503–1554) to Emperor Charles V (reigned 1519–56) after the battle of Mühlberg on April 24, 1547. This battle marked the defeat of Protestant German princes at the hands of the Catholic League, led by the emperor. The scene derives from an engraving by Maerten van Heemskerck (1498–1574) that is part of a series depicting the triumphs of Charles V, published in Antwerp in 1556.
Termen in verschillende architectonische orden
Object type: album leaf
Date: 1572 – 1572
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: herms (garden ornaments), pedestal of a piece of sculpture (perhaps in the form of a herm), satyr(s) (in general), herm: pillar with the head of mercury, patron of travellers

Rond de sater nog drie kleine saters. Rechtsboven genummerd: 67. Rechtsonder genummerd: I 2. Volgens de toelichting op pagina 68 gaat het hier om een combinatie van de Dorische, Ionische, Korintische en Composiete orde. Prent maakt deel uit van een album.
Songs of Experience: Holy Thursday
Object type: print
Materials: gold, ink, shell, watercolor
Techniques: etching, hand coloring, printing, relief
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: poetry,children,women

Blake’s Songs of Experience contains twenty-seven pages. The artist etched the printing plates in 1794, expanding the scope of his earlier Songs of Innocence. He then printed and hand-colored copies of the combined sets over succeeding decades as patrons ordered them, each one visually distinct. Verse and image work together to celebrate poetic inspiration and reveal aspects of the divine as expressed through nature, but the tone of the later Songs of Experience is dark, even despairing. Children experience inexplicable cruelty at the hands of adults and the poet offers neither rescue nor resolution. These works were shaped by the later stages of the French Revolution, which was marked by regicide, the Terror, and repression of radical thinkers in Britain. The artist Edward Calvert met Blake around 1825 and commissioned this copy of Songs of Innocence and of Experience soon thereafter. These richly decorated pages, with their deeply saturated hues and distinctive ornamental borders, reveal Blake’s late vision, and the order is established by small red numbers at upper right. This copy of Songs was later the first work to be purchased by the Museum’s new Department of Prints in 1917, recommended by its distinguished curator William M. Ivins, Jr.
Groep cipressen
Object type: drawing
Date: 1788 – 1839
Materials: charcoal, paper
Techniques: stumping
Location: rome
Artist: hendrik voogd
Artist role: draughtsman, painter, print maker
Artist dates: 1768 – 1839
Subjects: trees: cypress
Kruisiging van Christus
Object type: print
Date: 1582 – 1586
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: comprehensive representations of the events on golgotha during christ's hanging on the cross, no particular event emphasized, single instruments of the passion, tetragram (in roman or hebrew script) ~ symbol of god the father
Inscriptions: collector's mark: Lugt 2228

De kruisdood van Christus op de berg Golgota. Onder het kruis bevinden zich Maria Magdalena, Maria en de Heilige Johannes. De voorstelling is gevat in een ornamentele omlijsting die is gedecoreerd met de passiewerktuigen en bovenaan het tetragram omringd door cherubijnen.
Glass Fragment
Object type: fragment
Date: 1301 – 1500
Materials: glass
Culture: european
Subjects: mythical creatures
Side table
Object type: side table
Date: 1735 – 1735
Materials: brass, wood
Techniques: veneering
Waistcoat
Object type: waistcoat
Date: 1770 – 1790
Materials: cotton
Culture: french
Rafaël Bijbel
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: vatican city
Subjects: by drawing lots, joshua, eleazar and the leaders of the tribes of israel assign cities to the levites (joshua 21)
Inscriptions: collector's mark: Lugt 2228

Prent uit de Sacrae Historiae Acta a Raphael Urbin in Vaticanis xystis ad picturae miraculum expressa, ook bekend als de Rafaël Bijbel. De serie bestaat uit 54 platen, waarvan twee titelprenten, de eerste met een opdracht aan Rafaël, de tweede met een opdracht aan Renard. De overige 52 platen betreffen composities naar schilderingen in de Loggia van Rafaël in het Vaticaan. De serie werd in 1649 uitgegeven door Pierre Mariette te Parijs.
Finished Academy Study of a Seated Male Figure
Object type: drawing
Date: 1701 – 1800
Materials: chalk, paper
Techniques: highlighting, tinting
Artist: giacomo zoboli
Artist role: artist
Artist nationality: italian
Artist dates: 1681 – 1767
Subjects: male nudes
Foto van Moffat ovens
Object type: photograph
Date: 1935 – 1940
Materials: paper, photographic support, textile
Techniques: gelatin silver print
Location: canada
Artist: Anonymous
Inscriptions: inscription: ‘WARMING OVEN FOR E 29-M’, label: ‘FROM PUBLIC UTILITIES COMMISSION E28M. Electric Light Department NAPANEE, ONTARIO To RANGE. H.Shelf. WARM Closet. Std - $7400 C - $7850 - $875 $17.25 Spec - 8050. $9.00 $ 17.50 Via Date’, inscription: ‘E 29-M’
Watersnood van 1855
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: etching, intaglio, roulette
Location: netherlands
Subjects: flood, drift ice
The Lion Announces a Durable Peace to the Animals who Surround Him from Hendrick van Alcmar's Renard The Fox
Object type: print
Date: 1650 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: bears,birds,chickens,cheetahs,lions,monkeys
Robe for Tibetan aristocrat (chuba)
Object type: robe
Date: 1701 – 1800
Materials: feather, gold, silk
Culture: tibetan
Subjects: cranes,dragons

In addition to bolts of cloth, court robes were often sent from China to Tibet in the eighteenth and nineteenth centuries where they were refitted into a style of dress worn by lay aristocrats. Close examination of the dragons on the upper part of this robe reveals that parts of their bodies do not match precisely, which suggests that this garment was either made from a larger one or pieced together from different robes. Such reworking illustrates the value awarded to Chinese textiles in Tibet at the time.
Oeuvres de A. Calame
Object type: print
Date: 1852 – 1855
Materials: paper
Techniques: lithograph
Location: paris
Subjects: ravine, chasm, abyss, canyon, sunlight
Inscriptions: collector's mark: Lugt 2228a
Verloren zoon verkwist zijn geld
Object type: print
Date: 1547 – 1591
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn, the prodigal son returns home, where his father awaits him, the prodigal son tends the swine and eats from their trough
Inscriptions: number: ‘74’, collector's mark: Lugt 2228

De verloren zoon zit temidden van prostituees en muzikanten een aan tafel in de buitenlucht. Een vrouw met ontblote borsten vult zijn drinkschaal bij. Op tafel liggen etenswaren en dobbelstenen. Linksachter eet hij met de varkens uit een trog en rechtsachter knielt hij voor zijn vader bij thuiskomst. In de marge een éénregelig onderschrift uit Luc. 15 in het Latijn.
Spaanse man en Vlaamse vrouw in modieuze kleding ca. 1600
Object type: costume print
Date: 1615 – 1625
Materials: paper
Techniques: engraving
Location: low countries
Artist: Anonymous
Subjects: bow (ornamental part of clothing) (+ women's clothes), neck-gear ~ clothing (with name) (+ men's clothes), europeans: spaniards (+ costume), sleeves, head-gear: hat (+ men's clothes), clothes, costume (+ women's clothes), neck-gear ~ clothing (with name) (+ women's clothes), shoes, sandals (+ men's clothes), clothes, costume (+ men's clothes), trousers, breeches, etc. (breeches) (+ men's clothes), clothing for the upper part of the body (doublet) (+ men's clothes), clothing for the upper part of the body (with name) (+ women's clothes), europeans (with name) (+ costume), low countries
Inscriptions: caption: ‘Hunc cupit Hispanus, talem sibi Belgica, cultum’

Staande man en vrouw in modieuze kleding van de zuidelijke Nederlanden, ca. 1600. De heer biedt een rijk geklede dame de arm. Beiden dragen de stijf geplooide Spaanse kraag. Met onderschrift Hunc cupit Hispanus, talem sibi Belgica, cultum, waarvan de vertaling luidt: "deze opsmuk begeert zowel de Spaanse man als de Zuidnederlandse vrouw voor zichzelve."
Young Lovers Embracing
Object type: illustrated single work
Date: 1501 – 1600
Materials: gold, ink, paper, silver, watercolor
Location: iran
Subjects: men,lovers,women

This album page consists of cut‑out panels of calligraphy in nasta'liq script alternating with panels of illumination, all surrounding a drawing of an amorous couple. The delicacy with which the lovers are rendered makes for an unusually sensual image. The drawing is surrounded by lyrical and mystical verses, integrating the page into a cohesive whole.
In Port, Volendam
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: etching, intaglio
Artist: frank short
Artist role: print maker
Artist dates: 1857 – 1945
Subjects: harbour, sailing-ship, sailing-boat, cottage
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, signature: ‘Frank Short’
Portret van Johann Rudolf Werdmüller
Object type: print
Date: 1749 – 1749
Materials: paper
Techniques: engraving
Location: zurich
Artist: david herrliberger
Artist role: print maker
Artist dates: 1697 – 1777
Subjects: armour, historical persons, medals and other marks of military honour
Inscriptions: collector's mark: Lugt 2228
Melon Bead Necklace
Object type: necklace, bead, melon
Date: 1550 – 1425
Materials: faience
Location: egypt
Portret van de heer Bourgeois als Hagen in Götterdämmerung
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: photograph
Location: brussels
Subjects: opera-singer (male)
Inscriptions: inscription: ‘du Théâtre (...) des Dieux)’
Crow on pine branch.
Object type: print
Date: 1868 – 1889
Materials: ink, paper
Location: japan
Artist: kawanabe kyōsai 河鍋暁斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1831 – 1889
L'Estè
Object type: print
Date: 1632 – 1657
Materials: paper
Techniques: engraving
Location: france
Subjects: year divided into four seasons, summer, 'aestas'; 'estate' (ripa), cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet), agricultural implements: sickle
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Maakt deel uit van een vierdelige serie met personificaties van de vier seizoenen. De lente en de zomer zijn vervaardigd door Couvay. De herfst en de winter zijn vervaardigd door Rousselet.
Portret van een onbekende vrouw met kind op schoot
Object type: frame
Date: 1855 – 1870
Materials: glass, metal, wood
Techniques: ambrotype
Location: london
Subjects: historical persons - bb - woman, toddler (female), mother and baby or young child
Inscriptions: inscription: ‘Covell's , no 86. Whitechapel Road London etc.’
Vrouw met aangelijnde hond
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: adult woman, walking the dog
Inscriptions: collector's mark: Lugt 2228

Daniel Chodowiecki maakte deze prent naar aanleiding van de Berlijnse politieverordening dat honden aangelijnd moesten zijn bij het uitlaten.
Plaisante Lantschappen ofte vermakelijcke Gesichten
Object type: titelprent, frontispice
Date: 1637 – 1652
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een landschap met een ruïne waarop een doek met de serietitel.