deem-data/ArtiFact huggingface dataset:
Bronze floral element
Object type: fragment, floral
Date: 550 – 500
Materials: bronze
Culture: etruscan

Originally, this object probably formed the top of an elaborate incense burner.
Très Parisien. La Mode, Le Chic, L’Elégance
Object type: fashion print
Date: 1925 – 1925
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: dress, gown (afternoon dress) (+ women's clothes), fashion plates
Inscriptions: caption: ‘UN SOIR...Un foureau de crêpe de Chine broché, formant tunique, est d'une grande et jolie simplicité, comme cet autre, en crêpe de Chine rayé, ornée de rubans de satin. Tissus de chez MICHAL-LADICHÈRE, Lyon.’

Très Parisien promoted itself as chic and elegant. Between 1920 and 1936 it presented creations by such couturiers as Chéruit, Premet, Philip et Gaston, and Lanvin. The young, svelte models are all ultra-modern, shown talking on the phone, smoking and playing tennis. The illustrations also show that over the course of the 1920s, skirt lengths had risen to just below the knee, before dropping back down to calf length in the 1930s. The small plates were printed on transparent paper using a stencilling technique known as en pochoir and then hand coloured; many of them are unsigned. The signature ‘Joujou’ belonged to Germaine Paule Joumard, who was the director of Très Parisien, as well as one of the magazine’s illustrators.
Portret van Alexander von Humboldt
Object type: print
Date: 1836 – 1905
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: berlin, traveler, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van een vrouw
Object type: carte de visite
Date: 1890 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: annotation: ‘[Shary Dejeanne]’
Cup and Saucer
Object type: ceramic
Date: 1763 – 1774
Materials: ceramic, enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: meissen
Artist: meissen porcelain manufactory
Artist nationality: german
Artist dates: 1710 –
Kneeling statue of Amenemopetemhat holding the Hathor emblem
Object type: statue, kneeling man, amenemopetemhat
Date: 664 – 610
Location: memphite region
Subjects: men

Amenemope-em-hat was director of the Singers of the North and Overseer of the Singers of Amenemope. The second title was inherited from his father, whose equally fine statue has recently been discovered at Tanis, where there was a cult of Amenemope, a form of the god Amun. The first title implies wider authority. Amenemope-em-hat holds before him the cult object of the cow-eared goddess Hathor. The proportions of this figure, its muscularity, and such details as the slanted ridges of the collarbone and the shallow depression down the center of the torso represent a conscious attempt in the Late Period to emulate the classic works of the Old and Middle Kingdoms.
Fotoalbum met opnames van steden in Noord- en Zuid-Holland en Utrecht
Object type: photograph album
Date: 1860 – 1900
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: prospect of city, town panorama, silhouette of city, netherlands, the hague, delft, haarlem, dordrecht, rotterdam, utrecht, amsterdam

Leporelloalbum in rode linnen band met op de voorzijde in gouddruk de titel. Het voorplat is versierd met geometrische en plantmotieven in zwart. Het achterplat heeft eenzelfde versiering, maar dan alleen in blinddruk. Het album bevat 24 aan elkaar vastzittende, uitklapbare kartonnen bladen met daarop in totaal 48 foto's. Elk blad heeft 2 foto's die voorzien zijn van gedrukte onderschriften. Het zijn opnames van stadsgezichten in Amsterdam, Den Haag, Rotterdam, Delft, Utrecht, Haarlem en Dordrecht, alsmede enkele strandgezichten in Scheveningen.
Glass mosaic dish fragment
Object type: fragment, mosaic dish
Date: 200 – 35
Materials: glass
Culture: greek, eastern mediterranean

Rim fragemnt. Translucent turquoise blue, opaque white and yellow. Outsplayed rim and broad concave curving neck. Composite mosaic pattern formed from polygonal sections of two canes: one in a blue ground with a white spiral; the second in a blue ground with a yellow spiral; a blue network cane wound with a white thread is attached as a rim. Part of rim chipped and missing; interior deeply ground and polished, with pitting of surface bubbles and thread on rim completely removed; dulling, pitting, and iridescent weathering on exterior and jagged edges.
Gezicht op berg Monte d'Oro en het Grand Hotel in Vizzavona, Corsica
Object type: ansichtkaart, prentbriefkaart
Materials: paper, cardboard
Techniques: photograph
Location: corsica
Subjects: forest of coniferous trees, mountain-range, snow peaks, hotel, hostelry, inn
Inscriptions: inscription: ‘De besneeuwde Monte d'Oro’, inscription: ‘Grand Hotel/ Vizzavona’

Deze fotomechanische afdruk en foto maken deel uit van een album.
Spanish Dancer, from the Dancing Women series (N186) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,dancers

Trade cards from the "Dancing Women" series (N186), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
Woman after a Bath
Object type: print
Date: 1795 – 1795
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: women
Portret van Jacoba de Lange-Wiggers van Kerchem met twee van haar kinderen, mogelijk Margo en Jacob
Object type: carte de visite
Date: 1860 – 1862
Materials: cardboard, paper
Techniques: albumen print
Location: batavia
Artist: Anonymous
Subjects: margaretha jacoba johanna kessler-de lange (margo), historical persons - bb - woman, mother and child(ren), woman and child(ren) (family group)
Steiger bij een kademuur
Object type: sketchbook leaf
Date: 1820 – 1896
Materials: paper, pencil
Artist: kasparus karsen
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1896
Subjects: quay

Op de achtergrond een stad. Blad 20 recto uit een schetsboek met 68 bladen.
Card Number 179, Annie Summerville, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-5), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fifth subset, N145-5. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Sutra Box (Kyōbako) with Sun and Clouds
Object type: sutra box
Date: 1367 – 1433
Materials: gilt bronze, gold, wood
Techniques: hiramakie, lacquer
Culture: japanese
Italianate River Landscape with a Bridge
Object type: drawing
Date: 1674 – 1736
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: caspar van wittel
Artist role: draughtsman, painter, print maker
Artist dates: 1652 – 1736
Subjects: river, landscape with bridge, viaduct or aqueduct
Vernietiging van het Egyptische leger in de Rode Zee
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: pharaoh and his army engulfed in the red sea (israelites not or barely visible)

Nadat de Israëlieten de overzijde van de Rode Zee hebben bereikt, stroomt het water van de Rode Zee terug, waardoor farao en zijn leger verdrinken. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Ex. 14. Deze prent maakt deel uit van een album.
[Woman, Tangier, Morocco]
Object type: carte de visite
Techniques: albumen silver print
Artist: a. chauffy
Artist role: artist

The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 1850s and throughout the latter half of the century, these economical keepsakes depicting portraits of loved ones, celebrities, monarchs, and foreign types circulated en masse and spurred a veritable "cartomania." Collected in albums, traded among friends, and admired in drawing rooms, cartes put photography in the hands of virtually everyone, and thus offered a means of reflecting upon one’s own social standing in an ever-expanding world.
Molded Ceramic Fragments
Object type: fragment
Date: 801 – 900
Materials: earthenware
Techniques: incising, molding
Location: iraq
Sword Guard (<i>Tsuba</i>) Depicting Hanshan and Shide (寒山拾得図鐔)
Object type: sword guard tsuba
Date: 1734 – 1766
Materials: brass, gold alloy, gold, silver
Culture: japanese
Location: japan
Artist: yoshiteru
Artist role: fittings maker
Artist nationality: japanese
Artist dates: 1681 – 1781
Subjects: human figures,scrolls,trees
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, on the left, part of a draped figure to right, on the right, draped figure in vehicle to right?
Design for a Fanciful Organ
Object type: drawing
Date: 1767 – 1833
Materials: ink, watercolor
Techniques: pen
Artist: joseph ignaz gurk
Artist role: artist
Artist nationality: austrian
Artist dates: 1795 – 1826
Subjects: musical instruments
Boeren
Object type: print
Date: 1626 – 1740
Materials: paper
Techniques: etching
Location: low countries
Subjects: pipe ~ tobacco, open hearth, fire-place
Inscriptions: collector's mark: Lugt 2228

Een staande en een zittende boer roken allebei pijp bij de haard. Links een kruik.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, bit of shield and unidentified subject
Vijf kinderen in een kerkbank
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: the place of worship and its equipment ~ christian churches, child, italy
Inscriptions: collector's mark: Lugt 2760, watermark, collector's mark: Lugt 2228, collector's mark: ‘AFE v S’
Vandaag
Object type: print
Date: 1825 – 1830
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: holy mass (divine service, especially of roman catholic church), dissimulation, hypocrisy; 'hippocresia', 'simulatione' (ripa)
Inscriptions: collector's mark: Lugt 2228

Koning Karel X van Frankrijk leidt als priester de mis. Spotprent op zijn hypcriete gedrag. Zie ook de pendant. Ca. 1830.
Pendant with scene of the Annunciation
Object type: pendant
Date: 1851 – 1875
Materials: enamel, glass, gold, pearl
Artist: salomon weininger
Artist role: maker
Artist nationality: austrian
Artist dates: 1822 – 1879
Subjects: virgin mary,annunciation
Christus met het kruis
Object type: album leaf
Date: 1616 – 1626
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: christ

Christus met het kruis. In de ondermarge de Bijbeltekst van Mattëus 10:16 in het Latijn en het Nederlands. De prent maakt deel uit van een album.
Eutychianus I PP Etruscus
Object type: book illustration
Date: 1587 – 1587
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: historical persons, pope, armorial bearing, heraldry

Prent uit: Ciccarelli, Antonio. Le vite de Pontefici di Antonio Ciccarelli (...). Rome: Domenico Basa, 1587. Prent voor het eerst verschenen in: Cavalieri, Giovanni Battista de'. Pontificum romanorum effigies (...). Rome: Domenico Basa en Francesco Zanetti, 1580. Prent ook gebruikt in latere publicaties.
Miss Universum 1932 (Türkei)
Object type: photograph
Date: 1932 – 1932
Materials: paper
Techniques: gelatin silver print
Location: dresden
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Die schönsten/ Frauen der Welt/ dargestellt durch die Schön-/ heitsköniginnen aller Länder,/ finden Sie in 190 echten/ Bromsilber-Fotos, die nur den/ CLUB-und-LIGA-Packun-/ gen beiliegen. Eind prächtiges/ Sammel-Album erhalten Sie/ für 75 Pfennig vom Händler/ oder bei Einsendung von/ 75 Pfennig in Briefmarken/ von der Bilderstelle Lohse,/ Dresden A24, Nossener Str. 1./ Ges. gesch. Nachdruck verboten!’
Het Huis te Heemskerk 1630
Object type: print
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: castle

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 1, ill. 35.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Pendant
Object type: pendant
Date: 1867 – 1933
Materials: enamel, gilt, silver
Culture: japanese
Catharina Elisabeth Metayer (1744-1800)
Object type: drawing
Date: 1765 – 1775
Materials: parchment
Artist: jean baptiste perroneau
Artist role: draughtsman, painter, print maker
Artist dates: 1715 – 1783
Subjects: catharina elisabeth metayer

Jean-Baptiste Perronneau (1715 - 1783). Catharine Elisabeth Metayer (b 1744). J. Bernard van IJsseldijk bequest, Amsterdam, 1904.
Cup with a squirrel on grapevines
Object type: cup
Date: 1740 – 1750
Materials: glaze, paint, porcelain, soft paste porcelain
Techniques: firing, forming, turning, vitrification
Location: mennecy
Inscriptions: mark: ‘D.V.’

Cup, soft paste porcelain Mennecy, c. 1740 - 1750
Box
Object type: box
Date: 1667 – 1733
Materials: wood
Techniques: carving
Portret van een zittende oude vrouw met muts
Object type: photograph
Date: 1858 – 1867
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: henri pronk
Artist role: fotograaf
Artist dates: 1813 – 1893
Subjects: historical persons - bb - woman, head-gear: cap
Inscriptions: number: ‘75’
Portret van Johann Michael Weinreich
Object type: print
Date: 1727 – 1755
Materials: paper
Techniques: engraving, etching
Location: römhild
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Vase (pot à fleurs)
Object type: vase
Date: 1749 – 1749
Materials: soft paste porcelain
Artist: vincennes manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 1756
Subjects: flowers

A large measure of the quickly established success of the Vincennes factory was due to the high quality of its porcelain paste, which was extremely white and relatively free of impurities. This bright white ceramic body, often simply decorated with sprays of flowers, was noticeably superior to the production of competing French soft-paste porcelain factories. The early years of the Vincennes factory were characterized by constant innovation and experimentation, both technical and artistic. New forms were introduced on a yearly basis, and new enamel colors were being developed constantly. The technique of applying gold decoration to the soft-paste body was perfected by the end of 1748, which allows a dating for this vase of about 1749. Louis XV's support was critical to the factory's success; he not only supplied funds but also granted it a monopoly on decorating porcelain with gold—thus providing Vincennes a critical advantage over its French competition.
Portret van Anna Maria van Schurman
Object type: print
Date: 1640 – 1799
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: print maker, draughtsman, anna maria van schurman, historical persons - bb - woman, portrait, self-portrait of artist, writer, poet, author
Inscriptions: initials: ‘J.o.’
Aanhouding van een oproerkraaier in de Ommelanden, 1787
Object type: history print
Date: 1797 – 1797
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: arrest (of criminal), patriots (1780-1795)

Gebruikt als illustratie in: P.A. Loosjes. Vaderlandsche historie, vervattende de geschiedenissen, der Vereenigde Nederlanden (...). Ten onmiddelyken vervolge van Wagenaar's Vaderlandsche historie. Amsterdam: Johannes Allart.
Haarlem Atlary
Object type: drawing
Date: 1789 – 1789
Materials: paper
Location: northern netherlands
Artist: Anonymous
Subjects: (military) uniforms (+ citizen soldiery, civil guard, citizen militia), haarlem, patriots (1780-1795)

Montering of uniform van de Haarlemse artillerie, ca. 1785. Onderdeel van een schetsboek met 41 gekleurde tekeningen van de monteringen van de gewapende schutterijen en burgercorpsen in Nederland in de periode ca. 1783-1789.
Portret van keizer Matthias
Object type: print
Date: 1616 – 1679
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: vienna, matthias van oostenrijk (rooms-duits keizer), crown (symbol of sovereignty), orb (symbol of sovereignty; sphere with cross on top), sceptre, staff (symbol of sovereignty), emperor

Matthias van Oostenrijk, keizer van het Heilig Roomse Rijk. Hij houdt in zijn linkerhand de rijksappel vast. In zijn rechterhand de keizerlijke scepter. Op een tafel naast hem de keizerlijke kroon.
Huwelijk van Karel Christiaan van Nassau-Weilburg en Carolina, prinses van Oranje-Nassau
Object type: history medal
Date: 1760 – 1760
Materials: silver
Techniques: striking
Location: amsterdam
Artist: nicolaas van swinderen
Artist role: jeweler
Artist dates: 1705 – 1760
Subjects: carolina (prinses van oranje-nassau), karel christiaan vorst van nassau-weilburg, the hague
Large Cup with Ring Handle
Object type: cup
Date: 701 – 800
Materials: silver
Techniques: gilding
Culture: chinese

The flat bowl, attached ring handle, and raised entwined palmettes on this cup are typical of works produced under Tibetan rule in the seventh and eighth centuries. Chinese historical annals record the extensive and extravagant use of gold and silver in Tibet during this period. However, this production has only recently been identified, largely on the basis of similar pieces excavated at sites in northwestern China.
Horloge van goud
Object type: wrist watch
Date: 1762 – 1763
Materials: gold
Location: london
Artist: grand
Artist role: horlogemaker

Gouden horloge met geëmailleerde wijzerplaat. In de buitenkast is een voorstelling gedreven van een man die een orakel raadpleegt (Aeneas).
Evening dress
Object type: evening dress
Date: 1885 – 1889
Materials: cotton, glass, silk
Culture: american
Artist: dora floerckey
Artist role: designer
Artist nationality: american
Artist dates: 1858 – 1904
Rest on the Flight into Egypt
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: christ,holy family,saint joseph,virgin mary
Pendant with an Armed Centaur
Object type: costume and accessory
Date: 1801 – 1900
Materials: enamel, gold, pearl
Culture: european
Location: europe
Terracotta straight-sided cup
Object type: cup, one handled
Date: 1950 – 1900
Materials: terracotta
Culture: minoan

The use of the potter's wheel became widespread in the Middle Minoan IB period for the first time.
Jezus legt de hand op een kromgebogen vrouw
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous
Subjects: healing of a woman 'bent over' (luke 13:10-17)
Inscriptions: collector's mark: Lugt 2228

Kopie van illustratie voor: Luyken, Jan. Bybel printen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1712, p. 25.
Vessel with Lid
Object type: vessel with lid
Date: 1401 – 1500
Materials: earthenware
Culture: thai
Port a Jerusalem
Object type: photograph
Date: 1851 – 1910
Materials: paper
Techniques: albumen print
Location: jerusalem
Artist: Anonymous
Subjects: gate, entrance
Schaften op "de Zoom", boerengezin tijdens de schaft op het land
Object type: photograph
Date: 1897 – 1897
Materials: paper
Techniques: collodion silver print
Location: nunspeet
Artist: gerard aalbersberg (us)
Artist role: amateurfotograaf, arts, chirurg, gynaecoloog
Artist dates: 1870 – 1934
Subjects: nunspeet
Inscriptions: : ‘Schaften op "de Zoom" Nunspeet’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, left corner of handle patch with start of handle root
Portret van een onbekende vrouw, achterstevoren zittend op een stoel
Object type: photograph
Date: 1881 – 1905
Materials: cardboard, paper
Techniques: albumen print
Location: västervik
Artist: alfred röhlander
Artist role: fotograaf
Artist dates: 1838 – 1905
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman
Inscriptions: inscription: ‘WIMMERBY/ 1873./ ALF RÖHLANDER/ Atelier i/ WESTERVIK/ Plåten förvaras för efterbeställning.’, monogram: ‘AR’
Proceedings of the Philosophical Society of Glasgow
Object type: book
Date: 1886 – 1886
Materials: linen, paper, photographic support
Techniques: photograph, lithograph, printing
Location: glasgow
Inscriptions: date: ‘FEB 1998’
Dupuytren
Object type: print
Date: 1825 – 1850
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Male Nude, Study for Samson and Delilah
Object type: drawing
Date: 1730 – 1769
Materials: chalk, paper
Artist: jacques francois amand
Artist role: artist
Artist nationality: french
Artist dates: 1730 – 1769
Subjects: male nudes
Portrait of an Admiral, possibly Adriaen Banckert, Vice-Admiral of Zeeland
Object type: painting
Date: 1670 – 1670
Materials: canvas, oil
Location: northern netherlands
Artist: Anonymous
Subjects: middelburg, historical persons, commander-in-chief, admiral

Portret van een admiraal, vermoedelijk Adriaen Banckert (ca. 1615-84), vice-admiraal van Zeeland. Kniestuk, staande in wapenrusting met een pistool in de rechterhand, de linkerhand in de zij. Op de achtergrond een zeegezicht met een schip. Om de borst een lint met een portretmedaillon.
H. Erpho
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: antwerp
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: male saints (with name), crowning with laurel
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2214

De heilige Erpho door een engel gelauwerd.
Twee mannen waarvan één wijzend staande achter twee vrouwen gezeten op de grond
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: etching, retroussage
Subjects: the accused, adult man (+ two persons), adolescent, young woman, maiden, old woman, index finger forwards, pointing, indicating
Inscriptions: collector's mark: Lugt 2228

Deze prent is verschenen in: Album du journal des Beaux-Arts, dix eaux-fortes inédites. Brussel, Parijs en Leipzig: S.n., 1876. Op voorblad van de publicatie getiteld: Justice de Baudouin à la Hache.
De scène is een detail uit een schilderij van Juliaan de Vriendt waarop Boudewijn VII van Vlaanderen een edelman veroordeelt.
Crevasse am Eigergletscher
Object type: photograph
Date: 1897 – 1920
Materials: paper, cardboard
Techniques: collodion silver print
Location: eiger
Artist: Anonymous
Subjects: mountain climbing, mountaineering, ravine, chasm, abyss, canyon, glacier
Inscriptions: inscription: ‘Gebr. Wehrli, Kilchberg, Zürich. 3665. Crevasse am Eigergletscher’

Deze foto maakt deel uit van een omslag.