deem-data/ArtiFact huggingface dataset:
Italiaanse militaire staf van de Medische dienst in Cortina d'Ampezzo
Object type: photograph
Date: 1916 – 1916
Materials: photographic support
Techniques: gelatin silver print
Location: cortina d'ampezzo
Artist: henri de rothschild
Artist dates: 1872 – 1947
Subjects: war (+ land forces)

Onderdeel van Fotoalbum Medische missie H. de Rothschild naar het Italiaanse front 1916.
De Wanhoopende Pater Peters
Object type: print
Date: 1689 – 1690
Materials: paper
Techniques: mezzotint
Location: northern netherlands
Artist: Anonymous
Subjects: ahitophel hangs himself, devil(s) and demons, despair; 'disperatione' (ripa), luck, fortune, lot; 'fato', 'fortuna', 'fortuna aurea', 'fortuna buona', 'fortuna pacifica overo clemente', 'sorte' (ripa)

Spotprent op pater Peters (Edward Petre), 1689. De jezuïet zit wanhopend op een ashoop, links zit een duivel met een gebroken blaasbalg, daarboven vliegt een andere duivel die Peters een strop aanbiedt en wijst op een afbeelding van Achitofel die zich heeft opgehangen. In de lucht Fortuna. In het onderschrift 2 verzen van 4 regels en de spreuk: Een laat berouw is selden opregt.
Barns, Resting Herd and Dog in Centre Foreground, from Landscapes (Verscheyden aerdige Lanthuysen...)
Object type: print
Date: 1620 – 1620
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: claes jansz. visscher
Artist nationality: netherlandish
Artist dates: 1550 – 1612
Inscriptions: Lettered lower right: "12"
Ontwerp voor een ex libris van het Karma en Reïncarnatie-Legioen te Den Haag
Object type: drawing
Date: 1887 – 1924
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: ornaments ~ art
Inscriptions: number: ‘130 H’
Portret van Louis Vincent Raoul
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Subjects: brussels, historical persons, professor (+ portrait of teacher, professor)
Inscriptions: collector's mark: Lugt 2228

Prent verschenen in: Hess, Marcel. Iconographie des professeurs des universites des Pays-Bas. Brussel: Van Someren, 1827.
Het concert
Object type: print
Date: 1635 – 1679
Materials: paper
Techniques: engraving
Location: the hague
Subjects: instrumental and vocal music together, more than one musician with instrument
Inscriptions: collector's mark: Lugt 2228

Prent naar schilderij van navolger van Titiaan in de collectie van de National Gallery te Londen.
Fukurokuju
Object type: hanging scroll
Date: 1798 – 1798
Materials: ink, paper
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: men

Another auspicious symbol for the New Year, Fukurokuju embodied both wisdom and long life in his truncated body and elongated head, carrying a sutra scroll from his walking stick. The Seven Gods of Good Fortune were very popular objects of worship among merchants in Edo and Osaka society. This immortal was also considered the personification of the south pole star in Chinese astrology. Katsukawa Shunshō was a major ukiyo-e painter and print designer active in the latter half of the eighteenth century; a painting of Fukurokuju seems a departure from his usual subjects of beauties and actors. Most likely done late in his life, this hanging scroll painted in an eccentric, bravura ink style must have had personal meaning and may have been created in the company of friends. The inscription on the top, which postdates the painting, is by the kyōka poet Tegara no Okamochi (1734–1812), who is best known for a poem on old age titled Year's End: Toshi nami no yo suru hitai no shiwami yori kururu wa itaku oshimare ni keri. Mistaking the many years breaking across one's forehead in wrinkles for waves against the shore we suddenly feel deeply our own regrets at their passing.
Decorated Walrus Tusk
Object type: walrus tusk
Date: 1825 – 1850
Materials: ivory
Subjects: women
Studieblad
Object type: endleaf
Date: 1886 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘Klassiek Letterkundig Panthéon/ Gest. van Bellamy 2/deel./ Roelants, 1860/ 30 per deel/ [...]/’

Pagina 1, voorste schutblad, uit een schetsboek met 15 bladen.
Furnes. Le parc, l'eglise Ste Walburge et le beffroi
Object type: ansichtkaart, prentbriefkaart
Date: 1913 – 1918
Materials: cardboard
Techniques: photograph
Location: brussels
Subjects: roman catholic church, public gardens, park
Pangkalpinang Woning van den Resident
Object type: photograph
Date: 1914 – 1919
Materials: photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, colonial governor, mining, villa
Inscriptions: inscription: ‘Pangkalpinang Woning van den Resident’

Woning van de resident in Pangkalpinang. Onderdeel van het fotoalbum aangeboden aan Robert Julius Boers bij zijn vertrek naar Nederland in 1919 door het personeel van de Banka-tinwinning.
Tripoli, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1886 – 1886
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "Natives in Costume" series (N16), issued in 1886 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Helsinki Kappeli No 16 Stahlberg, H'fors
Object type: photograph
Date: 1893 – 1893
Materials: paper, photographic support
Techniques: albumen print
Location: helsinki
Half Elevation and Half Ground Plan for a Catafalque for an Electress Palatine
Object type: drawing
Date: 1696 – 1756
Materials: ink
Techniques: pen, wash
Artist: giuseppe galli bibiena
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1756
Subjects: architecture
planten
Object type: sketchbook leaf
Date: 1828 – 1894
Materials: paper, pencil
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: plants; vegetation, artist (in general) making preliminary designs, sketching

Pagina 27 verso uit een schetsboek met 54 bladen.
Portret van een man met snor
Object type: carte de visite
Date: 1860 – 1890
Materials: cardboard, paper
Techniques: albumen print
Artist: max cosman
Artist role: fotograaf
Artist dates: 1852 – 1894
Subjects: moustache, adult man, historical persons
Inscriptions: inscription: ‘(...)/ Max Cosman/ Amsterdam/ Galerij/ Paleis voor Volksvlijt/ Cleve, Kirchstrasse/ (...)’
Treinspoor op de Rigi, Zwitserland
Object type: photograph
Date: 1871 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: rigi
Artist: Anonymous
Subjects: railway, train
Portretbuste van Emanuel Filibert van Savoye
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: emanuel filibert (hertog van savoye), armour, historical persons
Dish with cover (part of a service)
Object type: dish with cover
Date: 1800 – 1805
Materials: hard paste porcelain
Subjects: coat of arms
The Abduction of Dejanira
Object type: plaquette
Date: 1501 – 1600
Materials: bronze
Artist: annibale fontana
Artist role: artist
Artist nationality: italian
Artist dates: 1540 – 1587
Subjects: bow and arrow,men,women,centaurs
Schotel, beschilderd met groenten en vruchten omgeven door strooibloemen
Object type: platter
Date: 1777 – 1790
Materials: porcelain
Techniques: painted
Location: the hague

Schotel, veelkleurig beschilderd met een decor van groenten en vruchten omgeven door strooibloempjes. Gemerkt met een ooievaar in blauw onder de glazuur. N.B. Duits porselein beschilderd in Den Haag.
Mannen bij de poort van een tempel in Shiba, Tokyo, Japan
Object type: photograph
Date: 1890 – 1903
Materials: paper, photographic support
Techniques: albumen print
Location: tokyo
Artist: kusakabe kimbei
Artist role: fotograaf
Artist dates: 1841 – 1934
Subjects: temple, shrine ~ shinto, adult man (+ six persons), gate, entrance
Inscriptions: inscription: ‘612. Temple Shiba Tokio’
Les Échappemens à repos comparés aux echappemens à recul; et Examen des dernières observations de Monsieur de La Lande
Object type: book
Date: 1755 – 1755
Materials: leather, paper
Artist: jean jodin
Artist role: artist
Artist nationality: swiss
Artist dates: 1715 – 1761
Subjects: coat of arms
The Alchemist's Laboratory from Heinrich Khunrath, Amphiteatrum sapientiae aeternae
Object type: print
Techniques: engraving
Artist: peter van der doort
Artist role: artist
Artist dates: 1590 – 1605
Subjects: musical instruments,interiors,men,alchemy
Vrouwenhoofd
Object type: drawing
Date: 1848 – 1927
Materials: paper, pencil
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: anonymous historical person portrayed alone
Brougham #4014
Object type: drawing
Date: 1888 – 1888
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Filosofen naar Spaanse voorbeelden
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: bernard vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1632 – 1698
Subjects: scholar, philosopher, compasses, book
Inscriptions: collector's mark: Lugt 240
Musique en Famille
Object type: print
Date: 1905 – 1905
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Een schaap roept haar lam
Object type: cognizance
Date: 1625 – 1629
Materials: paper
Techniques: etching
Location: paris
Subjects: sheep, herd, flock
Inscriptions: collector's mark: Lugt 240

Voorstelling van een blatend schaap, dat van haar kudde gescheiden is door bomen en struikgewas. Dit blad is onderdeel van de embleemserie 'Leven van Maria in emblemen'. De eerste staat van deze serie behelst naast een titelpagina en 26 emblemen ook drie bladen met lofzangen op Maria in boekdruk zonder afbeelding.
Het nieuwe vermaakelyke ganse-spel
Object type: gameboard
Date: 1783 – 1783
Materials: paper
Techniques: letterpress printing
Location: nijmegen
Artist: jan frederik thieme
Artist role: publisher
Artist dates: 1799 – 1861
Subjects: goose-game, board-games of chance, board-games
Inscriptions: collector's mark: Lugt 2760

Bordspel met spiraal met 63 genummerde vakjes. In verschillende vakjes een voorstelling van een gans. Op het middenveld de spelregels in boekdruk. In de bovenmarge de titel.
Edison, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
The Mother
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: etching, printing
Location: netherlands
Artist: jozef israëls
Artist role: artist
Artist nationality: dutch
Artist dates: 1824 – 1911
Titelpagina voor: Govard Bidloo, Mengel poëzy, 1719
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: etching
Location: leiden
Subjects: leiden, govard bidloo, historical persons, writer, poet, author, cupids: 'amores', 'amoretti', 'putti'

Titelpagina voor: Bidloo, Govard. Mengel poëzy. Leiden: Johan Arnold Langerak, 1719.
Brief aan Jan Veth
Object type: letter
Date: 1906 – 1906
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: jacob nicolaas van hall
Artist role: politician
Artist dates: 1840 – 1918
Subjects: designer, jan veth, leiden, painter, draughtsman, rembrandt van rijn, money
Inscriptions: watermark, collector's mark: ‘RPK’
Stela of Ameny and his Wife Inet-Hapy
Object type: stela, ameny, inethapy, inet hapy
Date: 1504 – 1400
Materials: limestone, paint
Location: egypt
Subjects: men,women,hieroglyphs

The wab priest Ameny is shown with upraised arms, a pose of adoration. He is followed by his wife, Inet-Hapy, who holds a lotus flower. The text invokes the gods Re-Harakhty, Thoth, Atum, and Khepri.
Gebouw met een toren
Object type: sketchbook leaf
Date: 1820 – 1896
Materials: paper, pencil, watercolor
Techniques: brush
Artist: kasparus karsen
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1896
Subjects: architecture, tower (of house or building)

Blad 16 recto uit een schetsboek met 68 bladen.
Tea bowl with decoration of six-petaled flowers
Object type: bowl
Date: 1101 – 1300
Materials: glaze, paper, stoneware
Techniques: cutting
Culture: chinese

Noted for its imaginative designs and innovative techniques, Jizhou ware was produced at kilns in Jiangxi Province in southern China. Here, paper-cut plum blossoms were placed on an initial layer of black glaze and covered with brown glaze. The paper cuts were destroyed during the firing, leaving the design of plum blossoms on the inside of the bowl. Noted for its imaginative designs and innovative techniques, Jizhou ware was produced at kilns in Jiangxi Province in southern China. Here, paper-cut plum blossoms were placed on an initial layer of black glaze and covered with brown glaze. The paper cuts were destroyed during the firing, leaving the design of plum blossoms on the inside of the bowl.
Plantage Wampoe, Langkat, Sumatra, dollar
Object type: monetary token
Date: 1888 – 1892
Materials: nickel
Techniques: striking
Subjects: langkat, plantage wampoe

Nikkelen partuculiere munt. Plantage-geld. Voorzijde: waarde-aanduiding.In omschrift waarde-aanduiding in het Nederlands en Chinese tekens. Keerzijde: tweeregelig opschrift, waaromheen naam van de plantage. Gladde rand.
Isabella Gardener
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Wine taster
Object type: wine taster
Date: 1768 – 1770
Materials: silver
Artist: pierre ix hanappier
Artist role: maker
Artist dates: 1700 – 1805

Also known as a tasse à vin, a tâte-vin, or a tastevin, a wine taster was used by a wine merchant to assess the quality, clarity, and color of wine. The reflective properties, resistance to corrosion, and the fact that it would not taint the wine in any way, made silver the ideal material for a winetaster. Shallow in form, these bowls frequently have a convex bottom and are provided with a single ring handle and or thumbpiece. The polished surface, either left smooth or embellished with gadrooning and other decorations, would catch the light and reflect it throughout the wine so that it could be checked for impurities. Holding just a small amount of wine, silver wine tasters are often personalized with initials, names, and dates or coats-of-arms. The bowl’s interior is engraved with a scene of the bishop St. Julien blessing a kneeling figure, presumably a reference to the likely owner of the wine taster whose name, JULLIEN GOAU DE ST. JULIEN LAVALE, is inscribed on the on the outside rim. A fishing scene together with the phrase which can be translated as “Come pass over the water with your bait: you will catch your fish” are engraved on the underside of the bowl. The stylized serpent shaped handle refers to Dionysus the god of wine. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, much of it provincial, including this wine taster created in Orléans.
Terracotta fragments of a kylix: band-cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

a: on the interior, part of reserved circle from the center of the tondo; exterior, parts of two confronting animals; b: interior, part of the reserved circle from the center of the tondo; exterior, hind leg of an animal to left; hind legs of a deer? to right; c: exterior, start of the handle root; hind leg of an animal to right; d: exterior, legs of confronting animals; e: part of the back of an animal? f: exterior, part of the reserved band (fragment f is the larger of the two fragments with part of the reserved band on the exterior) g: exterior, part of the reserved band (fragment g is the smaller of the two fragments with part of the reserved band on the exterior)
Groep apen in een verblijf
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: etching, intaglio
Artist: armand heins
Artist role: print maker
Artist dates: 1856 – 1938
Subjects: monkeys, apes
Inscriptions: collector's mark: Lugt 2228
Huy-pittoresque : guide de l'excursionniste / par Jean Gougnard; avec une préface de Edmond Picard
Object type: book
Date: 1890 – 1890
Materials: cardboard, linen, paper
Techniques: photograph, printing, engraving
Inscriptions: annotation: ‘MAY/ 2005’
Dress
Object type: dress
Date: 1867 – 1871
Materials: silk
Culture: french
Artist: depret
Artist role: designer
Artist nationality: french
Frédéric Kuhlmann Père
Object type: photomechanical print
Date: 1878 – 1882
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: lille, historical persons
Inscriptions: inscription: ‘Né à Colmar (Alsace), le 22 Mai 1803, Mort à Lille, le 27 Janvier 1881’, inscription: ‘Journal le Nord Contemporain, No 4, année 1882’, inscription: ‘Le Nord Contemporain/ Revue Historique & Biographique’
Indische waarzegger
Object type: copper plate
Date: 1924 – 1932
Materials: copper
Techniques: etching
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares
Object type: painting
Materials: canvas, oil
Artist: juan bautista martínez del mazo
Artist role: artist
Artist nationality: spanish
Artist dates: 1612 – 1667
Subjects: men,portraits,horses
Het kappen van tuig en masten van het O.I. Comp. Schip Woestduyn, op den 24 July des avonds om 8 uren 1779
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: engraving, etching
Location: middelburg
Subjects: shipwreck, exploration, expedition, voyage of discovery, parts of ship's exterior: mast, flushing
Inscriptions: collector's mark: Lugt 2166

Het VOC-schip 'Woestduin' van de Kamer Amsterdam is vlak voor terugkeer van zijn vijfde thuisreis uit Batavia op de Noorderassen bij Vlissingen vastgelopen. Op het schip kappen mannen met bijlen de masten. Als teken dat het schip in nood verkeert, is de vlag gedeeltelijk opgerold.
Floral print
Object type: floral print
Date: 1788 – 1788
Materials: linen
Subjects: flowers
Patch box
Object type: patch box
Date: 1784 – 1789
Materials: enamel, gold, hair
Balthasar Mentzer
Object type: print
Date: 1729 – 1774
Materials: paper
Techniques: engraving, etching
Artist: christian friedrich fritzsch
Artist role: print maker
Artist dates: 1719 – 1774
Subjects: balthasar mentzer, historical persons
Portret van een Algerijnse zoeaaf, staand met boek in de hand
Object type: carte de visite
Date: 1870 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: algiers
Subjects: head-gear: cap, warfare; military affairs, (military) uniforms, division of armed forces
Inscriptions: address: ‘5, Boulevard de la République, 5, Alger’

Onderdeel van Album met cartes-de-visite en kabinetfoto's van militairen in uniform.
Monkey Bridge
Object type: print
Date: 1830 – 1844
Techniques: woodblock print
Location: japan
Artist: katsushika taito ii
Artist nationality: japanese
Artist dates: 1810 – 1853
Fotoreproductie van Le cachet van Florent Willems
Object type: photograph
Date: 1858 – 1863
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: writing-table, writing-desk, adult woman, picture, painting
Gezicht op de Franse kruiser Pothuau
Object type: photomechanical print
Date: 1897 – 1897
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: steamship, motorship
Inscriptions: inscription: ‘L'escadre française.- Le Pothuau’
Panel
Object type: panel
Materials: wood
Techniques: carving, inlay
Location: egypt

Before becoming sultan in 1296, the Mamluk Husam al-Din Lajin spent a year in hiding at the dilapidated Ibn Tulun Mosque in Cairo. He vowed to renovate the mosque someday, and an enormous minbar was the result. It was dismantled in the late 19th century and dispersed in several museum collections, including the Metropolitan Museum of Art. A copy based on a traveler's drawing now stands in the mosque.
Noon
Object type: print
Date: 1770 – 1770
Techniques: engraving
Artist: joseph vernet
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1789
Juglet
Object type: juglet
Date: 2500 – 1900
Materials: terracotta
Culture: cypriot

Globular with handle, concentric circles and lozenges.
Laken. Merk: W18.
Object type: beddenlaken, laken object
Date: 1855 – 1870
Materials: linen
Location: northern netherlands
Artist: Anonymous
La Paysanne Viewed de Dos, Tenant un Panier a son Bras Gauche (The Peasant Woman Viewed from Behind, Holding a Basket in his Left Arm), plate 1 from "Varie Figure" (Various Figures)
Object type: print
Date: 1620 – 1620
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: women,baskets