deem-data/ArtiFact huggingface dataset:
An Animal Hospital (plate 20)
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Portret van Joh. Rodolphus Fesch
Object type: print
Date: 1747 – 1747
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: mayor
Inscriptions: collector's mark: Lugt 240

Kniestuk van Joh. Rodolphus Fesch, zijn rechterhand rustend op een hoed. Achter hem een zuil en een gordijn en in de achtergrond een zeeslag. Onder het portret zijn wapen en zijn naam en gegevens in vier regels in het Latijn.
The Holy Family
Object type: painting
Date: 1527 – 1533
Materials: wood, oil, panel
Culture: dutch
Artist: joos van cleve
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1485 – 1541
Subjects: christ,holy family,virgin mary
Border
Object type: textile
Materials: linen, silk
Culture: coptic
Location: egypt
Visser op rog
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: aquatint, etching, intaglio
Artist: egidius linnig
Artist role: draughtsman, print maker
Artist dates: 1821 – 1860
Subjects: cartilaginous fishes: ray, fisherman
Inscriptions: collector's mark: Lugt 2228
Candlestick
Object type: candlestick
Date: 1301 – 1350
Materials: brass, silver
Techniques: inlay
Location: egypt or syria

Penned in bold thuluth, the inscription on this candlestick praises an unnamed amir, or prince: "His Excellency, the generous, the exalted, the just; the great prince, the conqueror, the fighter of the faith." The strong vertical shafts of the letters create a sense of presence, demonstrating the suitability of this elegant script for inlaid metal objects.
St. John the Baptist
Object type: plaquette
Date: 1567 – 1600
Materials: bronze
Subjects: animals,portraits,saint john the baptist
Teapot stand with a crowned, illegible monogram surrounded by two flower sprays
Object type: pattipan
Date: 1750 – 1774
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Pattipan van porselein met zesmaal gelobde wand, beschilderd op het glazuur in blauw, rood, roze, groen, geel, zwart en goud. Op het plat een gekroond, onleesbaar monogram omringd door twee bloemtakken; de wand met bloemranken met daarin uitgespaard vier cartouches met een landschap en vier medaillons met planten. Europese voorstelling in emailkleuren.
David Love, aged 74
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: engraving, etching
Artist: monogrammist ws (graveur
Subjects: bookseller, street-trader, ballad singer, ballad seller - cc - out of doors
Inscriptions: collector's mark: Lugt 2228

Portret van David Love, liedzanger en rondreizende lied- en boekverkoper in de omgeving van Nottingham. In zijn handen houdt hij waarschijnlijk een bundel liederen. In de achtergrond een gezicht op het marktplein van Nottingham met de Nottingham Exchange. Met vierregelig onderschrift in het Engels.
House with Thatched Roof
Object type: drawing and watercolor
Date: 1877 – 1877
Materials: graphite, paper
Location: netherlands
Artist: hendrik pieter koekkoek
Artist nationality: dutch
Artist dates: 1843 – 1890
Apostel Jakobus Major
Object type: print
Date: 1602 – 1616
Materials: paper
Techniques: etching
Location: france
Artist: jacques bellange
Artist role: draughtsman, print maker
Artist dates: 1575 – 1616
Subjects: the apostle james the great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De apostel Jakobus Major op de rug gezien, met een pelgrimshoed op en een staf in zijn hand.
Freemason
Object type: figure
Date: 1744 – 1744
Materials: enamel, gold, hard paste porcelain
Techniques: polychrome
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men
St. Francis (?)
Object type: print
Techniques: engraving
Artist: pierre landry
Artist role: artist
Artist nationality: french
Artist dates: 1630 – 1701
Subjects: men,saints
Adonis sterft in de armen van Venus
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Subjects: venus mourning adonis
Inscriptions: collector's mark: Lugt 11, collector's mark: Lugt 10

Adonis sterft in de armen van Venus. Venus en Amor treuren om zijn dood. Tijdens de jacht raakte Adonis zwaar gewond in een gevecht met een wild zwijn. Op de achtergrond de wagen van Venus en het wilde zwijn.
Boerderij in het bos
Object type: print
Date: 1809 – 1857
Materials: paper
Techniques: lithograph
Artist: gerrit jan michaëlis
Artist role: draughtsman, painter, print maker
Artist dates: 1775 – 1857
Subjects: forest, wood, farm or solitary house in landscape
Inscriptions: inscription: ‘Michaelis / Eigenhandig’, collector's mark: Lugt 2228
Cup-Hilted Rapier
Object type: cup hilted rapier
Date: 1650 – 1650
Materials: steel, wood
Culture: italian or spanish
Location: italy

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Circusacrobaten
Object type: drawing
Date: 1875 – 1934
Materials: chalk, paper
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: acrobat ~ circus
Michel Le Tellier, conseiller du roi
Object type: print
Date: 1620 – 1650
Techniques: etching
Artist: jean morin
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1650
Subjects: men,portraits
Zeeuwsche kleederdrachten
Object type: album leaf
Materials: paper
Techniques: rotogravure
Location: zeeland
Artist: Anonymous
Subjects: adult woman, girl (child between toddler and youth), folk costume, regional costume, civic architecture; edifices; dwellings, zeeland

Deze prent maakt deel uit van een album.
Doctor Syntax met een vrouw in een bibliotheek
Object type: cartoon
Date: 1811 – 1820
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: london
Subjects: writing-table, writing-desk, study; 'studiolo'; library, reading to somebody, globe
Inscriptions: collector's mark: Lugt 2228

In een bibliotheek zit een vrouw op een sofa naast een schrijftafel. Op een stoel naast haar zit Doctor Syntax; waarschijnlijk leest hij voor uit een boek. Op de voorgrond liggen boeken en andere objecten en rechts staat een globe.
Suzanne Lagier
Object type: page
Date: 1857 – 1862
Materials: photographic support
Techniques: albumen print
Artist: andré-adolphe-eugène disdéri
Artist role: fotograaf
Artist dates: 1819 – 1889
Subjects: adult woman, historical persons
Inscriptions: inscription: ‘Galerie des Contemporains’
Portret van vicepresident Henri Boulay de La Meurthe
Object type: print
Date: 1849 – 1852
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Voleur et Le Cabinet de Lecture réunis. Journal littéraire, 1842-1856.
The Monkeys of Mars
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jean moyreau
Artist role: print maker, publisher
Artist nationality: french
Artist dates: 1690 – 1762
Cylinder seal and modern impression: deity, goat, and worshiper; terminal; sphinxes, guilloche, bull and leaper (?)
Object type: cylinder seal
Date: 1820 – 1730
Materials: mineral
Location: syria
Subjects: sphinx,bulls,goats

Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography. The modern impression of the seal is shown so that the entire design can be seen. This seal shows a pair of seated confronted sphinxes above a horizontal guilloche. Below the guilloche is a bull and nude belted figure. To the right is a deity wearing a horned headdress and fringed garment grasping a rearing stag. On the other side a figure stands, wearing a high domed headdress and fringed garment, with his left arm bent at the elbow and hand before his face.
Fishing Boats on the Beach in Winter
Object type: drawing
Materials: paint, chalk, watercolor
Artist: anton mauve
Artist role: artist
Artist nationality: dutch
Artist dates: 1838 – 1888
Subjects: horses,beaches,winter,boats
Terracotta stirrup jar
Object type: false necked jar
Date: 1300 – 1190
Materials: terracotta
Culture: mycenaean

Broad and narrow bands and degenerate floral treatment.
Oval bowl
Object type: bowl
Date: 501 – 700
Materials: bronze
Culture: sasanian
Location: iran
La Promenade en Famille- A Sketch from Life
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Danse de satyres
Object type: print
Techniques: etching
Artist: jean honoré fragonard
Artist role: artist
Artist nationality: french
Artist dates: 1732 – 1806
Subjects: dancing,satyrs
Drinking vessel in the form of a ram's head
Object type: vessel
Date: 700 – 601
Materials: ceramic
Culture: assyrian
Location: mesopotamia
Subjects: rams
Zur Physik
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: germany
Subjects: astrology

Prent ook gebruikt in: Basedow, Johann Bernhard. Das Basedowische Elementarwerk. Ein Vorrath der besten Erkenntnisse zum Lernen, Lehren, Wiederholen und Nachdenken. Leipzig: Siegfried Lebrecht Crucius, 1774.
Portretten van onbekende personen
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: adult woman, parents with their children, adult man, child, marriage, married couple, 'matrimonium', pier, quay, wharf
Inscriptions: number: ‘131, 312, 894, 893’, address: ‘Lange Jansstr. 6’

Albumblad met portretten van volwassenen en kinderen, waaronder een huwelijksportret. Ook een foto van kinderen spelend aan het strand bij een pier. Onderdeel van Fotoalbum van de familie Petri.
Prentbriefkaart van de tentoonstelling voor nijverheid en kunst te Groningen in 1903
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1903
Materials: paper
Techniques: photolithography
Location: groningen
Subjects: light, open fire (in general), (farm) wagon, freight wagon, cart
Inscriptions: date

Drie priesters en twee vrouwen die verlichting, verwarming en vervoer verbeelden.
Riemgesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: belt buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

D-shaped with pointed side, fragm of ring and tongue, id. NG 1980-27H384, belt buckle.
The Actor Otani Tomoemon I as Kasahari Hokkyo in the Play Kazoe Uta Ta Ue Soga, Performed at the Nakamura Theater in the First Month, 1776
Object type: print
Date: 1776 – 1776
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Dish
Object type: dish
Date: 1271 – 1368
Materials: stoneware
Techniques: painting
Culture: chinese
Subjects: flowers
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: writing
Location: scheveningen
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the hague, painter, print maker, draughtsman, jozef israëls, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Fig. 8 'De Rosa Mvscata' in De Boodts herbarium van 1640
Object type: text sheet
Date: 1640 – 1640
Materials: ink, paper
Techniques: letterpress printing
Location: bruges
Artist: anselmus boëtius de boodt
Artist role: draughtsman
Artist dates: 1550 – 1632

Beschrijving bij Fig. 8 op p. 15 in: Anselmi Boëtii de Boot I.C. Brugensis & Rodolphi II. Imp. Roman. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Onderdeel van het album met bladen en platen uit De Boodts herbarium van 1640. Het twaalfde van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II.
Begrafenisstoet
Object type: drawing
Date: 1651 – 1651
Materials: chalk, paper
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Inscriptions: annotation: ‘Harman ter Borch. inventor den 18. Julij Anno 1651’

Begrafenisstoet bestaande uit rouwenden die een lijkbaar volgen; vooraan een nauwelijks te onderscheiden rij ruiters.
Portret van Karel I, koning van Engeland in ovaal
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving
Location: delft
Subjects: london, karel i (koning van engeland), ruler, sovereign, neck-gear: collar (+ men's clothes)
Inscriptions: collector's mark: Lugt 2228

Portret van Karel I, koning van Engeland, borststuk in ovaal met plooikraag en medaillon met heilige Georgius de Grote. Motto op ovale omlijsting, Latijns opschrift in ondermarge.
Portret van Johann Michael Dilherr
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: johann michael dilherr, theologian, historical persons, armorial bearing, heraldry
Inscriptions: inscription: ‘20’

Prent mogelijk uit: Rothscholtz, Friedrich. Icones virorum omnium ordinum eruditione: omnique item genere et varietate artium de republica litteraria et speciatim de Academiis et Gymnasiis (...). Neurenberg: erven Johann Daniel Tauber, 1725, dl. 1.
Portret van Bernardus Knipperdolling
Object type: print
Date: 1590 – 1699
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: historical persons
Koorddansers en acrobaten
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: hurdy-gurdy, violin, fiddle, improvised musical instruments: rumbling pot
Inscriptions: collector's mark: Lugt 2228
Pagina 54 en 55 van fotoboek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.)
Object type: photograph
Date: 1924 – 1925
Materials: paper, photographic support
Techniques: printing
Location: sumatra
Artist: j.w. meyster
Artist role: fotograaf
Artist dates: 1887 – 1945
Subjects: (non-fruit) products of plants or trees: rubber, factory in landscape, sumatra

Twee boekpagina's met links een foto van het exterieur van een rubberfabriek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.) te Namoe Rambei en rechts informatie over de rubberbereiding. Onderdeel van een fotoboek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.).
Jérusalem, Saint Sépulcre, abside
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture,churches

Despite the blinding desert light, Salzmann sensitively renders the undulating forms of the church’s structure, accumulated over centuries, in this view of the apse and dome. Unable to record the interior with his camera, he photographed every angle he could of the exterior. In the late 1860s, as part of an international effort to repair the church led by France’s Empress Eugénie, Salzmann was commissioned to decorate its interior as a painter. He fell out of favor with the lead architect, however, and may not have completed the project.
Drie kinderen kijken door een raam naar een jongen die over een schoolbank hangt
Object type: print
Date: 1868 – 1910
Materials: paper
Techniques: etching, intaglio
Artist: edgard farasyn
Artist role: print maker
Artist dates: 1858 – 1938
Subjects: writing-table, writing-desk, child (+ four persons), closed window, elementary school; class, form
Inscriptions: inscription: ‘5me Etat’, collector's mark: Lugt 2228
Portret van Johann Jacob Kohlhaas
Object type: print
Date: 1780 – 1809
Materials: paper
Techniques: etching
Location: regensburg
Artist: johann mayr
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Koog aan de Zaan, brandspuitpenning van spuit 1 met no. 27
Object type: medal
Date: 1680 – 1800
Materials: brass
Techniques: casting
Location: koog aan de zaan
Artist: Anonymous
Subjects: koog aan de zaan

Messing penning. Voorzijde: opschrift boven cijfer no. 1. Keerzijde: cijfer no. 27
Oorijzer bestaande uit een platte band van zilver met gouden knoppen
Object type: jewellery
Date: 1600 – 1699
Materials: gold, silver
Location: dordrecht
Artist: Anonymous

Oorijzer bestaande uit een platte band van zilver met gouden knoppen.
Portret van Georg Philipp Ris
Object type: print
Date: 1659 – 1659
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: georg philipp ris, historical persons, the cross ~ symbols of christ, book
Inscriptions: collector's mark: Lugt 2228

Onder het portret een vierregelig vers in het Duits en Latijn.
Spontoon
Object type: spontoon
Date: 1700 – 1700
Materials: steel, wood
Culture: german
Location: germany
The Huis ten Bosch at The Hague and Its Formal Garden (View from the East)
Object type: painting
Date: 1668 – 1670
Materials: oil, wood
Artist: jan van der heyden
Artist role: artist
Artist nationality: dutch
Artist dates: 1637 – 1712
Subjects: houses,gardens

Both an artist and an inventor (among other urban improve­ments, he conceived the fire pump), Van der Heyden specialized in precise and luminous cityscapes and views of country houses. These two jewel-like paintings depict Huis ten Bosch (House in the Woods), the country home of the widowed Princess of Orange and still a residence of the Dutch royal family today. Van der Heyden shows the house amid its formal garden of hedgerows, pavilions, and obelisks, peopled by laboring gardeners and strolling aristocrats. French-style gardens like this one expressed an ideal of nature brought entirely under human control, ordered and harmonious. This painting was seized by the Nazis from Baron Karl Neuman (Charles Neuman de Végvár) in Paris and restituted to him by 1947.
Haven met twee grote zeilschepen
Object type: print
Date: 1656 – 1714
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: harbour, gulf, bay, sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228

Kopie in spiegelbeeld. Havenscène met twee grote Nederlandse zeilschepen bij een ondergaande zon.
Ruiters, mogelijk cavaleristen
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Location: north brabant
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: riding a horse, ass, or mule; rider, horseman, adult woman, the soldier; the soldier's life (+ cavalry, horsemen)

Achter het paard een vrouw. Pagina 32 uit een schetsboek met 42 bladen.
Twee honden rusten bij de jachtbuit
Object type: print
Date: 1700 – 1800
Materials: paper
Techniques: etching
Artist: jan cassiers
Artist role: print maker
Subjects: hunting dogs beside the spoils
Inscriptions: collector's mark: Lugt 2228

Twee honden liggen al slapend onder een boom. Naast hen de jachtbuit: een konijn en een patrijs.
Visitatie
Object type: print
Date: 1539 – 1592
Materials: paper
Techniques: etching
Location: italy
Subjects: visitation (possibly joseph and/or zacharias present) (luke 1:39-56)
Inscriptions: collector's mark: Lugt 240

Prent spiegelbeeldig naar een fresco door Francesco Salviati in de Chiesa di San Giovanni Decollato te Rome. Het spiegelbeeldige opschrift doet vermoeden dat het gaat om een tegendruk, al wordt dit door o.a. het British Museum tegengesproken.
Allegorische voorstelling over vanitas en reflectie
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: scenes symbolizing 'vanitas', reflection (in a mirror)
Inscriptions: collector's mark: Lugt 240
Views in the Holy Land
Object type: stereograph
Date: 1858 – 1859
Materials: cardboard, paper
Techniques: albumen print
Location: nazareth
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘438’, inscription: ‘No town in Palestine can possess equal interest to nazareth, from its having been the residence of the Saviour, (...)’, inscription: ‘[Deposé.’, inscription: ‘Entered at Stationers' Hall.]’, number: ‘444’
Rotsachtig landschap met een waterval, links twee rouwende figuren voor een grafmonument
Object type: print
Date: 1791 – 1819
Materials: paper
Techniques: aquatint, etching
Location: mannheim
Subjects: waterfall, grave, tomb and other grave-forms and grave-markers
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Afkomstig uit een serie van twaalf landschappen naar ontwerp van Ferdinand, Franz en Wilhelm Kobell, in prent gebracht door verschillende prentmakers, uitgegeven door Domenico Artaria in Mannheim.
Necklace
Object type: necklace
Materials: jade, metal
Culture: indigenous american, olmec peoples

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Royal Barge at its Mooring
Object type: talatat, royal barge
Date: 1353 – 1336
Materials: limestone, paint
Subjects: men,boats

A scene at the riverbank is depicted. On the bank at the upper right can be seen a garden, with small squares devoted to different plants. A trellis with wine jars alongside can be seen indicating that grapes were also grown here. A waterbird flies by. A royal barge with a large central cabin is shown below moored to the bank by ropes attached to two stakes at the bottom right. A stepped gangplank leads down to the shore. One sailor stands on the boat, while the second on the land above seems to be dragging the mast with sails to the royal boat. On the boat itself there is a large two-tiered cabin with a uraeus cornice. An open structure is attached to the front. And at the forecastle of the boat is a separate kiosk typical of of royal boats. The small kiosk is decorated with a representation of Akhenaten smiting an enemy, with the Aten overhead and with Nefertiti and a princess standing behind.