deem-data/ArtiFact huggingface dataset:
Dish with Grasses
Object type: dish
Date: 1567 – 1633
Materials: clay, iron, stoneware
Techniques: incising
Culture: japanese
Subjects: plants

Sprays of autumn grasses are depicted on the square surface of this dish. The outer rim, decorated with bands of abstract patterns—short vertical bars around the corners and horizontal dashes at the sides—is like a frame for a painting. The piece was initially formed not by using a wheel, but by pressing a clay slab over a kind of mold. The sides of the dish were curved gently upward and its corners rounded and shaped with indentations. Four looped feet were attached to the base. The marks left by several spurs, used to stack vessels in the kiln, are visible on the bottom. Decoration on the dish is in white against a gray background, a particular color combination in Shino ware known as Gray (nezumi, literally "mouse") Shino. To produce it, an iron-rich red clay slip was first applied onto the white clay body. The designs were scratched through the slip, and the entire piece was then covered with a thick, uneven feldspathic white overglaze. In the kiln, the glaze turned bubbly and porous, and, wherever there was slip beneath it, gray; in design areas where the slip had been scratched away, the overglaze remained white. Where the glaze was thin or accidentally not applied (mainly on the rim and the base), iron-oxide red accents emerged, an effect that is admired.
De fascist
Object type: print
Date: 1896 – 1947
Materials: paper
Techniques: lithograph
Artist: hein von essen
Artist role: print maker
Artist dates: 1886 – 1947
Subjects: caricatures (human types)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Karikatuur van een man, waarschijnlijk Benito Mussolini.
Cup with handles
Object type: cup
Date: 1801 – 1833
Materials: glass
[The Cathedral, Calcutta]
Object type: photograph
Date: 1858 – 1861
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: architecture,churches
Cap
Object type: cap
Date: 1501 – 1600
Materials: wool
Culture: british

These felted knit caps are typical of sixteenth-century headwear in England. Cap knitting was an important domestic industry, restricted to professional guilds and protected by law. One such law, the Statute of Apparel, passed in 1571, specifically stated that all English citizens above the age of six, except nobility, "had on Sabbath and Holydays to wear caps of wool manufactured in England."
Beaker
Object type: beaker
Date: 1701 – 1750
Materials: glass

This form follows a Chinese porcelain form that became popular as a silver shape in France in the later 17th century and remained into the 18th century, when it was also seen in other European countries.
Glass Fragment
Object type: fragment
Date: 1301 – 1500
Materials: glass, metal
Culture: french
Spiegel der natuur en school der teekenkunde (...)
Object type: album leaf
Date: 1600 – 1699
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: landscapes in the temperate zone, landscape with tower or castle

Landschap met een kasteel aan het water. De prent maakt deel uit van een album.
Fragment
Object type: fragment
Date: 1701 – 1733
Techniques: lace
Subjects: human figures
Toto meisho Ryogoku no yusuzumi
Object type: print
Date: 1847 – 1848
Materials: paper
Techniques: woodcut
Location: japan
Subjects: evening, river bank

Vrouw in zwart wit geruite zomer kimono, lopend op de oever van een druk bevaren rivier, onder wilgentakken, in de wind.
Interieur van de Sint-Michielskerk te Leuven
Object type: page
Date: 1876 – 1881
Materials: paper
Techniques: photograph, photolithography
Location: leuven
Subjects: interior of church
Inscriptions: inscription: ‘TRAVÉES intérieures de (...)’, monogram: ‘JJvY’, inscription: ‘LITT. T. - PL. 28.’
25 portretten van Sarah Bernhardt en La Belle Otero
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: paris, sculptor, sarah bernhardt, historical persons - bb - woman, portrait of actor, actress
Inscriptions: inscription: ‘Sarah-Bernhardt/ robe de ville dans la/ Samaritaine dans Hamlet/ La Belle Otéro/ La Belle Otéro’, number: ‘No 225’
Portret van twee onbekende vrouwen en een kind in een park
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1920
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: park, mother and child(ren), woman and child(ren) (family group)
Inscriptions: inscription: ‘Tonia mevr. v Dam & dochter’
Water Container (Pan)
Object type: vessel
Materials: bronze
Location: china
Ladle (Puisoir)
Object type: ladle
Date: 1801 – 1900
Materials: gilt, silver

This electrotype is after a seventeenth-century original a treasure of the Kremlin, Moscow, at the time of reproduction.
Suecia Antiqua et Hodierna
Object type: album leaf
Date: 1702 – 1702
Materials: paper
Techniques: etching
Location: stockholm
Subjects: housing
Inscriptions: date

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
Afscheid van David en Jonathan
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous
Subjects: david and jonathan embracing; david's leave-taking from jonathan
Inscriptions: collector's mark: Lugt 240

Kopie van illustratie voor: Luyken, Jan. Bybel printen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1712, p. 11.
Brief aan E.H. Schüller-Audretsch
Object type: letter
Date: 1915 – 1915
Materials: ink, paper
Techniques: pen, writing
Location: het meer
Artist: jan mankes
Artist role: draughtsman, painter, print maker
Artist dates: 1889 – 1920
Subjects: painter, print maker, draughtsman, jan schüller, family life, the hague
Inscriptions: watermark
Vest
Object type: vest
Date: 1795 – 1800
Materials: silk
Culture: american or european
Subjects: insects,flowers
Legt by al de veele prenten, die gy, kinders! reeds ontvingt, / Ook weêr deeze, die, voorzeker, naar den eersten voorrang dingt
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Subjects: cow, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., ships (in general), horse, goat
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van verschillende aard, waaronder voorstellingen van dieren, een herder en schepen. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 274.
Randtegel
Object type: randtegel
Date: 1650 – 1700
Materials: earthenware, glaze
Location: spain
Artist: Anonymous

Randtegel, beschilderd in blauw, groen, geel, oranje, turkoois en mangaan. Bloem tussen gehalveerde schelpen. Aan boven- en onderzijde blauwe banden.
Mars en Venus
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: engraving, etching
Location: france
Artist: Anonymous
Subjects: mars and venus as lovers
Inscriptions: collector's mark: Lugt 2228
Kaart van Nederland in de Romeinse tijd
Object type: map
Date: 1636 – 1636
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: maps of separate countries or regions, cupids: 'amores', 'amoretti', 'putti', netherlands
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Historische kaart van Nederland in de Romeinse tijd, met de Latijnse plaatsnamen. Rechtsboven de titelcartouche met aan weerszijden een Germaanse strijder. Linksonder een cartouche met schaalstok: 15 Milliaria Germanica. De kaart is voorzien van een gradenverdeling langs de randen.
Stamp seal
Object type: stamp seal
Date: 201 – 700
Materials: stone
Culture: sasanian
Location: iran or mesopotamia
Subjects: animals
Aankondiging van de prentenreeks en van acht zangen van de Utrechtse maskerade van 1851
Object type: uitgeversbrochure
Date: 1851 – 1851
Materials: paper
Techniques: letterpress printing
Location: utrecht
Subjects: students' pageant, costumes used in pageants

Aankondiging van het verschijnen van de acht prenten en acht zangen van de maskerade van de Utrechtse studenten, 25 juni 1851.
Sketches of Grotesques
Object type: drawing
Date: 1533 – 1609
Materials: ink
Techniques: pen
Artist: giovanni antonio dosio
Artist role: artist
Artist nationality: italian
Artist dates: 1533 – 1609
Subjects: grotesques,ornament
The Annunciation, from "The Small Passion"
Object type: print
Date: 1510 – 1510
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: annunciation
Bowl
Object type: bowl
Materials: glaze, stonepaste
Techniques: gilding, overglaze, painting, polychrome
Location: iran
Subjects: birds,men,sphinx,horses

Mina'i wares were called haft rang, or seven colors, because several colors were employed in their decoration. Not all the pigments were applied using the same technique, and gilding, as seen on this piece, was applied to enrich the object. The required steps made the production of objects like this bowl a long and risky process. This probably also explains the short life of the technique, known to have been employed only in the period from the last quarter of the 12th century to the first decades of the 13th century. The central scene shows a rider at hunt, holding a falcon on one hand and chasing a running hare. The central scene is surrounded by a band of sphinxes. Both are typical of courtly images found on mina’i and on coeval luster wares.
Saint Paul
Object type: drawing and watercolor
Date: 1590 – 1610
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: circle of giovanni battista trotti
Rivierlandschap met molen en zeilboot
Object type: sketchbook leaf
Date: 1803 – 1818
Materials: paper, pencil
Artist: arnoldus johannes eymer
Artist role: draughtsman, print maker
Artist dates: 1803 – 1863
Subjects: sailing-ship, sailing-boat, windmill in landscape

Bladzijde 46 uit een schetsboek met 74 bladzijden.
Scarab
Object type: scarab, amun re
Date: 1550 – 1458
Materials: faience
Location: egypt
Subjects: hieroglyphs,scarabs

This scarab is inscribed with the name of the god Amun. It was found with a faience bowl (26.7.905) inside a coffin belonging to a woman named Teti (12.181.302a, b).
Waistcoat front panels
Object type: waistcoat
Date: 1760 – 1769
Materials: metal thread, silk
Techniques: embroidery
Subjects: flowers
Terracotta fragment of a pelike (jar)
Object type: pelike fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Part of the upper band of the panel ornament, which is comprised of palmettes and tendrils; below, head, neck, and part of upper torso of a woman, looking to left, with her hair tied up in a fillet, wearing a chiton and himation
Katoenveld bij Caïro
Object type: photograph
Date: 1898 – 1898
Materials: paper
Techniques: collodion silver print
Location: cairo
Artist: johannes lodewijk heldring
Artist role: fotograaf, predikant, schrijver
Artist dates: 1852 – 1923
Subjects: field filled with a crop, cotton (material ~ textile industry)
Major General Pleasanton and General Custer
Object type: photograph
Date: 1863 – 1863
Techniques: albumen silver print, glass negative
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: american civil war,men,portraits,generals
Pitcher
Object type: pitcher
Date: 1845 – 1845
Materials: silver
Culture: american
Location: united states
Artist: robert and william wilson
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1846
Subjects: grapes,leaves

This pitcher and the matching goblets are decorated with a grapevine motif chased in repoussé and with ruffled leaves that recall eighteenth-century Rococo ornament. The set originally belonged to the donor’s grandmother Grizelda Gilchrist Polk, who married Russell Houston, chief attorney for the Louisville-Nashville Railroad. Her monogram, “GGH,” is engraved on the front of the pitcher. The goblets are inscribed to two other members of the Polk-Houston family.
Slapende vrouw aan een eettafel
Object type: photomechanical print
Date: 1900 – 1905
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: adult woman, table, sleeping; unconsciousness
Inscriptions: number: ‘Fig. 145.’, inscription: ‘Erste Porträt- (...) Gebrüdern Lumière (1893).’
Portret van Jan Weissenbruch
Object type: print
Date: 1840 – 1907
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: the hague, painter, print maker, jan weissenbruch, portrait, self-portrait of artist
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of left forearm and hand, holding pelta, seen from the inside; one letter of an inscription, K
taler, noodmunt uit Hermannstadt, geslagen tijdens het beleg, door Gabriel Bathory, koning van Transsylvanië
Object type: siege coin
Date: 1611 – 1611
Materials: silver
Techniques: striking
Location: hermannstadt
Artist: Anonymous
Subjects: koning, gabriel bathory (koning van transsylvanië), hermannstadt, oorlog van turken tegen heilige roomse rijk, beleg van hermannstadt (1611)

Voorzijde: gekroond wapenschild boven jaartal en letters CIBIN binnen slangerond en omschrift. Keerzijde: opschrift
Kerk en een kasteel bij de berg Kazbek
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: photolithography
Location: georgia
Artist: Anonymous
Subjects: georgië
Inscriptions: annotation: ‘36. Caucasus met Kazbek (M. 5043.)’

De berg Kazbek met op de voorgrond een kerk en het kasteel van de prinsen van Kazbek. Linksonder staat de titel in het Russisch en in het Frans.
Pand op de Gedempte Oude Gracht 48 te Haarlem
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: gedempte oude gracht
Subjects: shop, store, façade (of house or building)
Inscriptions: annotation: ‘Haarlem (woonhuis gedempte oude gracht 48 - (N.H.)’, annotation: ‘Gedempte Oude Gracht 48/ Haarlem’
Architectural Fragments
Object type: drawing and watercolor
Materials: charcoal, graphite, paper
Location: netherlands
Artist: Anonymous
The Bridge
Object type: painting
Date: 1880 – 1880
Materials: gilt, leather, oil
Culture: american
Artist: albert pinkham ryder
Artist role: artist
Artist nationality: american
Artist dates: 1847 – 1917
Subjects: bridges,landscapes

"The Bridge," done on gilded leather, shares the horizontal format and the thin paint application of "The Smuggler's Cove" (09.58.2). This panoramic landscape has been said to combine fragments of New York scenery that Ryder would have known: a bit of the skyline as seen from Central Park, and High Bridge, which spans the Harlem River. Despite these possible references to specific sites, "The Bridge" is still imaginative rather than literal. Its detachment from the appearance of nature looks forward to a modernist approach to picture making.
Beëdiging van de Vrede van Munster, 1648
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: signing of peace treaty, concluding the peace

Het beëdigen van de Vrede van Munster op 15 mei 1648, in de grote zaal of Friedenssaal van het stadhuis te Munster. De afgevaardigden staan rond een tafel en leggen met opgestoken hand de eed af.
Portret van Johann Georg Wille
Object type: print
Date: 1757 – 1830
Materials: paper
Techniques: engraving
Subjects: paris, print maker, draughtsman, johann georg wille, historical persons
The Butterflies, from Mélodies de Désiré Dihau
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
William Murray, 1st Earl of Mansfield
Object type: drawing
Date: 1779 – 1802
Materials: chalk, varnish
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Subjects: men,portraits
Coffee Pot, part of Tea and Coffee Service
Object type: metalwork
Date: 1878 – 1878
Materials: ivory, silver
Location: connecticut
Artist: rogers, smith, and company
Artist nationality: american
Artist dates: 1862 – 1900
Inscriptions: Engraved side of each piece "E.B", impressed shield on bottom each piece "Rogers Smith & Co." and number "1670" below
Reisdocument van Jan Weissenbruch
Object type: travel document
Date: 1809 – 1845
Materials: ink, paper
Techniques: pen, printing, writing
Location: antwerp
Subjects: the hague, painter, print maker, jan weissenbruch, belgium
Inscriptions: collector's mark: Lugt 2233
Helen Standish in Colors of Bunker Hill Yacht Club, from the Yacht Colors of the World series (N140) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women

Trade cards from the "Yacht Colors of the World" series (N140), issued in an unnumbered set of 50 cards in 1890 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The same set was released by Duke in a smaller size, as well (N91).
.... daarna ging men te voet naar het Rijksmuseum
Object type: photograph
Materials: paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Subjects: utrecht, mohammad hatta, amsterdam

Het gezelschap onderweg van het Stedelijk Museum naar het Rijksmuseum. Links Mohammed Hatta met de directeur van het Rijksmuseum David Röell. Foto in het fotoalbum met 37 foto's van de rondetafelconferentie gehouden tussen 23 augustus en 2 november in Den Haag in 1949 tussen vertegenwoordigers van Nederland, de Republiek Indonesië en de Bijeenkomst Federaal Overleg. Het exemplaar aangeboden aan premier Willem Drees.
Dress
Object type: dress
Materials: cotton
Culture: american
Recreatiezaal
Object type: photograph
Date: 1902 – 1902
Materials: photographic support
Techniques: albumen print
Location: weltevreden
Artist: tan tjie lan
Artist role: fotograaf
Subjects: colonial system, vocational education, e.g.: junior technical school (+ building ~ education, tuition)

Recreatiezaal in de School tot Opleiding van Inlandse Artsen (STOVIA) te Weltevreden. Zaal met tafels en stoelen. Ingeplakte foto in het album van ca. 1902 getiteld: School tot Opleiding van Inlandsche Geneeskundigen / Ter Herinnering aan de Inhuldiging van Koningin Wilhelmina en tot Heil der Bevolking van Nederlandsch Oost-Indie.
String of 6 Beads
Object type: bead, string
Materials: glass
Location: egypt
Bowl
Object type: bowl
Materials: earthenware, glaze
Techniques: polychrome
Location: iran

This bowl was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Mount Satta in Suruga Province (Suruga Sattayama), from the series "Famous Places in the Provinces (Shokoku meisho)"
Object type: print
Date: 1830 – 1834
Techniques: woodblock print
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Portret van een onbekende man
Object type: drawing
Date: 1591 – 1601
Materials: paper
Artist: jacques de gheyn (ii)
Artist role: painter, print maker
Artist dates: 1565 – 1629
Subjects: historical persons not known by name
Gezicht op de binnenplaats van het Rasphuis te Amsterdam
Object type: print
Date: 1770 – 1783
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: prison, jail, (prisoners) in the prison yard, workhouse, penal camp, penitentiary, chain gang

Vanaf 1760 gaf Pierre Fouquet stadsgezichten van Amsterdam naar tekeningen van verschillende kunstenaars uit. Deze prenten werden aanvankelijk los verkocht. Later werden ze samengebonden verkocht in verschillende volgordes en aantallen in:

(1). Afbeeldingen van de wyd-vermaarde koopstad Amsterdam benevens des zelvs voornaamste gebouwen en gezigten alle naar het leeven getekend / Receuil des edifices les plus considerables et des plus belles vues, de la fameuse ville d'Amsterdam, dessinées d'après nature. Amsterdam: Pierre Fouquet, 1778-1783. Deze 'uitgave' bestond waarschijnlijk alleen uit een titelblad en inhoudsopgave van de tot dusver 100 uitgegeven prenten, die de koper zelf aan zijn of haar reeds verzamelde prenten kon toevoegen. De hoeveelheid en volgorde van prenten verzameld onder deze titel verschilt dus sterk.
(2). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam, met derzelver beknopte beschryvingen. 2 dln. Amsterdam: Daniël Jean Changuion en Petrus den Hengst [in opdracht van Pierre Fouquet], 1783.

Ook werden er door verschillende uitgevers tussen 1788 (Amsterdam: Petrus Conradi) en 1805 (Amsterdam: Evert Maaskamp) heruitgaven gepubliceerd.
Minature standing figure
Object type: figure
Date: 701 – 800
Materials: earthenware, glaze
Techniques: polychrome
Culture: chinese
Subjects: men
The Landing Place Phila Nile
Object type: album leaf
Date: 1860 – 1880
Materials: paper
Techniques: albumen print
Location: philae
Artist: Anonymous
Subjects: island, temple, shrine ~ roman religion
Inscriptions: number: ‘1819’
Vrouwenfiguur in groen en rood gewaad en blauw onderkleed
Object type: vrouwenfiguur
Date: 1800 – 1900
Materials: stone
Location: japan
Artist: Anonymous

Vrouwenfiguur in groen en rood gewaad en blauw onderkleed. Op gips voetstuk.
Wapenbord van Filips de Goede, hertog van Bourgondië
Object type: book illustration
Date: 1730 – 1736
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: bruges, philip iii the good, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Wapenbord van Filips de Goede, hertog van Bourgondië, in de Grote- of Sint-Jacobskerk te Den Haag.
Landscape
Object type: drawing
Date: 1609 – 1667
Materials: chalk
Techniques: brush, wash
Artist: cornelis van poelenburch
Artist role: artist
Artist nationality: dutch
Artist dates: 1594 – 1667
Subjects: hills,landscapes,trees
Amulet
Object type: necklace, bead
Date: 1950 – 1850
Materials: gold
Location: egypt