deem-data/ArtiFact huggingface dataset:
Plate 9: a cow ascending a bank, a peasant woman leading two cows across a bridge in background, from "Diversi Capricci"
Object type: print
Date: 1644 – 1647
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: bridges,women,cows
Lid fragment
Object type: lid
Date: 900 – 701
Materials: ivory
Culture: assyrian
Location: mesopotamia

This broken piece of carved ivory was probably a lid for a small round box, called a pyxis by scholars. Approximately a quarter of the lid was restored after the object was excavated, and can be distinguished from the ancient object by its uniform color and surface texture. The top surface of the lid is decorated with a central rosette with two concentric rows of petals. The lid was probably fixed to its box by pegs placed through the holes drilled through the two symmetrical tangs projecting from the edge, allowing the lid to swivel open when one peg was removed and the other remained in place. Four other drill holes in the top of the lid do not pierce the lid completely. These were probably used as sockets for separate decorative elements added to the top that do not survive, such as small ivory figures of animals. The edges of the lid are carved in relief with a frieze of running ostriches separated by palm trees, bordered above and below by a beaded frame. Boxes of this type could have held precious goods including luxurious commodities such as spices, incense, cosmetics, perfumes or ointments. The black and gray color of the lid suggests that is was damaged by fire during the sack of the Assyrian palace buildings at Nimrud at the time of Assyria’s final defeat in 614 and 612 B.C. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
Ornament met houtsnijwerk op een raampost
Object type: photograph
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Location: france
Artist: Anonymous
Inscriptions: annotation: ‘507 - Versailles Le Musee - Chambre de la Reine (L.P. Phot) Bordure de la glace bois sculpté et doré.’

Onderdeel van een serie met betrekking tot het interieur van het paleis van Versailles met kroonluchters, deuren, portalen en meubelstukken.
Woman’s Belt Hangings
Object type: belt hanging
Date: 1601 – 1900
Materials: coral, gemstone, silver gilt, lapis lazuli, shell
Culture: newari or tibetan

Personal grooming tools were integrated into the elaborate ensemble of jewelry worn by women on important occasions. Dangling below this pair of belt hangings are nail clippers, an ear pick, a nail cleaner, a pin, and tweezers.
Wheellock Pistol
Object type: wheellock pistol
Date: 1600 – 1610
Materials: brass, gold, mother of pearl, steel, wood
Culture: french
Location: france

French wheellock pistols of the early seventeenth century are distinguished by their extreme length, small-caliber barrels, and delicate decoration of engraved mother-of-pearl, staghorn, and brass. Innovations in the wheellock mechanism, such as the placement of the mainspring within a recess in the grip rather than on the interior of the lockplate (as was usual on German wheellocks), allowed the stocks of the French pistols to be lighter, more slender, and more gracefully proportioned.
Knoop, plat en rond, van gedeeltelijk met goudverf beschilderd metaal met krulmotief, gelijkend yin en yang, opengewerkt en gegraveerd
Object type: button
Date: 1880 – 1940
Materials: paint, metal
Techniques: embroidery, engraving, painting
Location: europe
Artist: Anonymous

Knoop, plat en rond, van gedeeltelijk met goudverf beschilderd metaal met krulmotief, gelijkend yin en yang, opengewerkt en gegraveerd.
Twee figuren en takken op een ezelkar
Object type: sketchbook leaf
Date: 1800 – 1899
Materials: chalk, paper
Artist: Anonymous
Subjects: animal traction, animal-drawn vehicle (carriage etc.), mule

Blad 7 recto uit een schetsboek met 13 bladen.
Terracotta statuette of an actor
Object type: statuette of an actor
Date: 434 – 368
Materials: terracotta
Culture: greek
Subjects: men,actors

Fourteen of these figures are said to have been found together in a burial in Attica. They are among the earliest known statuettes of actors and are superbly executed and preserved. Originally they were brightly painted. They document the beginning of standardized characters and masks, indicating the popularity not of a specific figure but of types—the old man, the slave, the courtesan, etc.—that appeared repeatedly in different plays. By the mid-fourth century B.C., Attic examples or local copies were known throughout the Greek world, from Southern Russia to Spain.
Alabastron (Container for Scented Oil)
Object type: vessel
Materials: granite
Culture: egyptian
Location: egypt
Ensemble
Object type: ensemble
Date: 1876 – 1900
Materials: cotton, metal, silk, wool
Location: albania
Portret van twee onbekende kinderen, familie van G.N.P. van Eijk
Object type: carte de visite
Date: 1900 – 1901
Materials: paper, cardboard
Techniques: collodion silver print
Location: utrecht
Artist: anton cornelis thomann
Artist role: fotograaf
Artist dates: 1873 – 1946
Subjects: child between toddler and youth (of undetermined sex), historical persons not known by name
Inscriptions: inscription: ‘Anton C. Thomann/ Utrecht (...) beslist artistique belichting.’
Landschappen (kopieën)
Object type: print
Date: 1615 – 1652
Materials: paper
Techniques: engraving, etching
Subjects: farm or solitary house in landscape, haarlem
Inscriptions: collector's mark: Lugt 240

Kopie in spiegelbeeld naar een prent van Esaias van de Velde
Grot van Rozendael op zyde, achter by de Vischvyver
Object type: print
Date: 1675 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: cave, grotto, ornamental fountain
Inscriptions: collector's mark: Lugt 2228
Goblet
Object type: goblet
Date: 1500 – 1525
Materials: gilt, glass
Techniques: glassblowing, enamel, molding
Culture: italian
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Techniques: compound weave
Culture: japanese
Subjects: dragons
Vuurwerk op de Grote Markt te Haarlem ter ere van de kroning van Willem III en Maria II Stuart, 1689
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: william iii (prince of orange and king of england, scotland, and ireland), london, maria ii stuart (koningin van engeland, schotland en ierland), public festivities at other royal events, not meant or mentioned above (+ illumination, fire-works ~ festive activities), bonfire, fire-works, haarlem
Inscriptions: collector's mark: Lugt 1641, stamp

Vuurwerk ter ere van de kroning van Willem III en Maria II tot koning en koningin van Groot-Brittannië, 21 april 1689. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin. Volksleven. Openbare feesten. Vorstelijke intochten, (Illuminaties, vuurwerken en dergelijke, openbare feesten).
Court. Jean-Claude. 58 ans, né à Cherissey-le-M. (Haute-Savoie). Marchand de pains d'épices. Anarchiste. 17/3/94
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Metamorfosen van Ovidius
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: io changed into a cow: to avoid detection by juno, jupiter changes io into a cow (ovid, metamorphoses i 611)
Inscriptions: collector's mark: ‘Hinloopen’, collector's mark: Lugt 11

Jupiter probeert Io te verleiden. Links op de achtergrond is Io in een koe veranderd door Jupiter. Zijn echtgenote Juno nadert het stel in haar wagen die door pauwen wordt getrokken en ondervraagt haar man over het dier. In de ondermarge een vierregelige toelichting, in twee kolommen, in het Latijn.
Vase fragment
Object type: vase fragment
Date: 670 – 330
Materials: terracotta
Culture: roman

Fragment of a green enamel vase with vine around shoulder.
General Marston
Object type: photomechanical print
Date: 1883 – 1893
Materials: paper
Techniques: autotype
Location: paris
Artist: Anonymous
Subjects: commander-in-chief, general, marshal
Kerstmisprocessie bij de Geboortekerk, Bethlehem
Object type: news photograph
Date: 1960 – 1970
Materials: paper
Techniques: gelatin silver print
Location: bethlehem
Artist: Anonymous
Subjects: procession ~ christian religion
Inscriptions: stamp: ‘Copyright/ ANEFO B.V./ Kerkstraat 310/ Amsterdam-C. (...)’, inscription: ‘De traditionele Kerstmis processie te Bethlehem (...) in deze periode volgeboekt.’
David standing, sword in lowered right hand, sack in the left, the head of Goliath on the ground beneath him
Object type: print
Date: 1506 – 1506
Materials: ink
Techniques: cutting, engraving, pen
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: swords,hands,heads,david
Vignet met het embleem van het exercitiegenootschap Tot Nut der Schuttery, 1786
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: amsterdam
Inscriptions: collector's mark: Lugt 2228

Allegorisch vignet met twee putti met het embleem van het Amsterdamse exercitiegenootschap Tot Nut der Schuttery, 1786.
Embroidered darning sampler
Object type: sampler
Date: 1742 – 1742
Materials: linen, silk
Menukaart voor een diner op 15 juni 1898
Object type: drawing
Date: 1898 – 1898
Materials: paper
Techniques: hand coloring, pen
Artist: Anonymous
Subjects: party clothes, festive attire
Inscriptions: annotation: ‘Sche - M. van [...] - Mevr. Esche’

Bij gebrek aan gegevens over de vervaardiger is voor de bepaling van de rechten van dit object gebruik gemaakt van de vervaardigingsdatum.
Portret van een staand kind met pop in de hand
Object type: carte de visite
Date: 1880 – 1917
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: johannes georg jacobus van arum
Artist role: fotograaf
Artist dates: 1843 – 1917
Subjects: historical persons, (playing with) dolls, tot, toddler ~ the ages of man
Inscriptions: inscription: ‘Photographische Inrichting ,,DAGUERRE"/ van/ J.G.J. van ARUM/ WETERINGSCHANS III/ AMSTERDAM’
Drilling a Stone Vase, Tomb of Rekhmire
Object type: facsimile, rekhmire tt 100, drilling stone
Date: 1504 – 1425
Materials: ink, paint, paper
Location: egypt
Artist: nina de garis davies
Artist role: artist
Artist dates: 1881 – 1965
Subjects: men,working,vases,rekhmire-exhibition
Madame Édouard Bernier (Marie-Octavie-Stéphanie Laurens, 1838–1920)
Object type: painting
Date: 1871 – 1871
Materials: canvas, oil
Artist: pierre auguste renoir
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1919
Subjects: portraits,women

Marie-Octavie Bernier was the wife of the commander of Renoir's regiment during the Franco-Prussian War (1870–71). In the spring of 1871, Renoir stayed with the couple, who were living with her father in the town of Tarbes in southwestern France. Enjoying their hospitality and a level of comfort that is reflected in this portrait, Renoir fondly recalled that he spent "two months in a château," where he was "treated like a prince," rode horses every day, and taught his hosts' daughter to paint.
Portret van William King
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: mezzotint
Location: london
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 240
Plafonds à la moderne
Object type: ornament print
Date: 1634 – 1716
Materials: paper
Techniques: etching
Location: france

In het midden een leeg medaillon, daarnaast drie vlakken, het onderste met een portetmedaillon. Uit tweede editie.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, shoulder, part of frontal torso, and extended left arm with drapery
Interieurs
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: london
Subjects: roman catholic church, interior of church
Inscriptions: collector's mark: Lugt 2228

Rechtsboven genummerd; pl. 7. Onderdeel van een serie.
Brief aan Philip Zilcken
Object type: letter
Date: 1893 – 1893
Materials: ink
Techniques: pen, writing
Location: amsterdam
Artist: thérèse schwartze
Artist role: draughtsman, painter, print maker
Artist dates: 1851 – 1918
Subjects: amsterdam, print maker, marius bauer, antonie cornelis loffelt, the hague, painter, draughtsman, philip zilcken, drawing
Inscriptions: collector's mark: ‘RPK’
Goden van de landbouw
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: (story of) aristaeus
Inscriptions: collector's mark: Lugt 1379, collector's mark: Lugt 2228, collector's mark: Lugt 2542

De sater Aristaeus is bezig bijenkorven op te ruimen. Hij was een imker. Op de achtergrond een hele rij met bijenkorven en bijen die af en aan vliegen.
Hat
Object type: hat
Date: 1890 – 1890
Materials: feather, fiber
Culture: american or european
Landscape Painting of Figure in Woodland Setting
Object type: album leaf
Date: 1644 – 1911
Materials: silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: birds,men,women,forests
Netsuke
Object type: netsuke
Date: 1801 – 1900
Materials: coral, ivory, mother of pearl
Techniques: inlay
Culture: japanese
Subjects: men
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: chinese
Subjects: dragons,clouds
Fragments
Object type: fragment
Date: 1801 – 1900
Materials: metal thread, silk
Galeries Historiques de Versailles
Object type: print
Date: 1831 – 1841
Materials: paper
Techniques: etching
Location: france
Subjects: (military) camp with tents, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Galeries historiques de Versailles. Parijs: Charles Gavard, 1838-1841.
Schiller von Joh. Heinrich von Dannecker (1805)
Object type: cabinet photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: weimar
Artist: rudolph tamme
Artist role: fotograaf
Artist dates: 1835 – 
Subjects: friedrich von schiller, sculpture
Inscriptions: : ‘Photographie von F. & O. Brockmann's Nachfolger, R. Tamme, Dresden’, : ‘Schiller’, : ‘Original in der Grossherzoglichen Bibliothek in Weimar’

Portretbuste door beeldhouwer Joh. Heinrich von Dannecker
Scherven van steengoed en porselein uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: ceramic, stone, shell, stoneware, glaze
Artist: Anonymous

Scherven van steengoed (wandscherf) en porselein (wandscherf met deel standring) met aankoeksels van de zeebodem uit V.O.C.-schip de 'Witte Leeuw'.
Portret van Willem III, koning der Nederlanden
Object type: print
Date: 1887 – 1889
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: brussels, willem iii (koning der nederlanden)

Portret van Willem III in een ovaal. In de ondermarge twee regels Nederlandse tekst in boekdruk. Vervaardigd ter gelegenheid van de viering van de zeventigste verjaardag van Willem III op 19 februari 1887.
Twee ruiters te paard en rechts een slapende samoerai
Object type: drawing
Date: 1800 – 1900
Materials: paper
Techniques: brush
Artist: Anonymous
Subjects: sleeping; unconsciousness
Hurdy-Gurdy Player
Object type: drawing and watercolor
Date: 1695 – 1695
Materials: chalk, crayon, ink, paper
Techniques: pen
Location: netherlands
Artist: cornelis dusart
Artist role: artist
Artist nationality: dutch
Artist dates: 1660 – 1704
Inscriptions: Inscribed recto, lower right, in ink (or possibly in graphite): "Corn: dúsart, fe,/1695." (rn in Corn with line over them)
Two Seated Women
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink
Techniques: pen, wash
Artist: constantin guys
Artist role: artist
Artist nationality: french
Artist dates: 1802 – 1892
Subjects: women
David Garrick Esqr.
Object type: print
Date: 1703 – 1779
Materials: paper
Techniques: mezzotint
Location: london
Subjects: london, david garrick, historical persons, portrait of actor, actress
Inscriptions: collector's mark: Lugt 12
Entretiens Amoureux / Amantium Colloquia
Object type: print
Date: 1731 – 1731
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: garden, loggia, verandah, porch
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie van 271 platen naar schilderijen door Watteau, gecoördineerd door Jean de Jullienne en uitgegeven in Parijs tussen ca. 1726 en 1735. Sommige platen werden reeds tijdens Watteau's leven gemaakt. In 1735 werden honderd exemplaren van de voltooide serie uitgegeven.
Dit betreft plaat 123 uit de serie.
Gordijn van bedstede, van bedrukte katoen.
Object type: miniature
Date: 1690 – 1710
Materials: copper, cotton, linen
Location: india
Artist: Anonymous

Gordijn voor een bedstede, vervaardigd van bedrukte katoen met verspringend motief van bloem op steeltje, zwart rood op witte achtergrond. De gordijn hangt met bandjes die door koperen ringen zijn gehaald, aan een koperen roede met oog aan één zijde. Door ringen beurtelings gedraaid aan roede te schuiven ontstaan de plooien in de gordijnen.
Romeinse ruïnes en kustlandschappen (serie 1)
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: landscape with ruins, rome
Inscriptions: collector's mark: Lugt 2228

De ruïne van het nymphaeum, ook bekend als de tempel van Minerva Medica, in Rome. Rechts een weg met enkele reizigers. Prent maakt deel uit van een serie Romeinse ruïnes en kustlandschappen naar een prentserie van Willem van Nieulandt.
The loaf of sugar frightened at the idea that it will be necessary not only to sweeten the water of the orators but probably also their speeches, from "News of the Day"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: musical instruments,satire
Joseph's coat brought to Jacob
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: genesis: the story of joseph
Inscriptions: signature: ‘Rembrant. van. Ryn. fe’, collector's mark: Lugt 240

Joseph’s envious brothers wanted to be rid of him and sold him to merchants on their way to Egypt. They smeared his coat with goat’s blood and showed it to their father, Jacob. He recognized the coat and so believed that Joseph had been devoured by a wild animal. Rembrandt portrays Jacob’s anguish, while the sons point to the place where they found the garment.
Paus spreekt banvloek uit over keizer
Object type: print
Date: 1521 – 1522
Materials: paper
Techniques: woodcut
Location: wittenberg
Artist: lucas cranach (i)
Artist role: draughtsman, print maker
Artist dates: 1472 – 1553
Subjects: archbishop, bishop, etc. (roman catholic), representants of the church (christians in general, laymen, monks, etc.) in strife with each other or with opponents, pope

De tegenhanger van deze prent is in deze uitgave de voorstelling Wonderbare visvangst op het meer van Galilee, zie RP-P-OB-4454(R). Blad uit: Passional Christi und Antichristi, Wittenberg 1521-1522, Johann Grünenberg. In 1521-1522 verschenen veel verschillende uitgaven van dit populaire werk van Maarten Luther. In de collectie van het RMA bevindt zich de complete serie van zesentwintig afbeeldingen uit een van deze uitgaven. De pagina's zijn op een kleiner formaat gesneden, onder iedere voorstelling stond oorspronkelijk een aantal regels Duitse tekst. De bladen hebben allemaal op dezelfde plaats twee kleine gaatjes van vraat door ongedierte wat er op wijst dat ze behoren tot hetzelfde exemplaar.
Design for Three Chairs with Green Upholstery
Object type: drawing
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: chairs
L.G. Tanneri
Object type: bookplate
Date: 1700 – 1800
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: trees, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Mitaine van applicatiekant met rozen en margrieten en strikken
Object type: mitt
Date: 1900 – 1900
Materials: linen
Techniques: lace
Location: brussels
Artist: Anonymous

Mitaine van naturelkleurige Brusselse applicatiekant: kloskant met naaldkantsiersteken geappliceerd op machinale tule. Het model is als rond geknipte mouwen, hol van binnen en bol van buiten. Het patroon is aan beide zijden gelijk en heeft margrieten en andere bloemen met een strik bijeengebonden. In het midden heeft het een los boeket bloemen en gestrooide rozeknoppen, omlijst door een ijle slinger met rozen. De motieven zijn gemaakt in netslag en linnenslag met opengewerkte randjes en op verschillende plekken geaccentueerd door reliëfcontourlijnen. In bloemharten en linten zijn naaldkantsiersteken toegepast.
München. Kleinhesseloher See
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: munich
Subjects: park, lake
Inscriptions: inscription: ‘W.H.D.’
Britse soldaten en gevangengenomen Afrikanen poseren nabij een legerkamp in de buurt van Slingersfontein
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Artist: Anonymous
Subjects: imperialism, soldiers and civilians
Inscriptions: inscription, number: ‘238’, copyright notice: ‘Copyright 1900 by Underwood & Underwood.’, inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’