deem-data/ArtiFact huggingface dataset:
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 440 – 430
Materials: terracotta
Culture: greek, attic

Part of the head of a woman to left wearing an apicate fillet
Repeating Watch
Object type: pocket watch
Date: 1725 – 1725
Materials: gold
Techniques: repoussé
Location: amsterdam
Artist: thauvet beslay
Artist role: jeweler
Inscriptions: maker's mark: ‘TB aaneen’, alloy mark: ‘leeuw’, mark: ‘onduidelijk teken’

The scene of a company making music may have been the work of an Amsterdam chaser of French origin. Amsterdam craftsmen were specialized in small-scale depictions chased in gold. The maker of the watchcase, Thauvet Beslay, mounted the scene in a gold ajouré, or openwork, outer case. According to the text engraved on the open book, the scene is from Ovid’s guide to the art of love, the Ars Amatoria.
Tunic
Object type: tunic
Date: 1867 – 1900
Materials: cotton, silk
Techniques: embroidery
Location: pakistan
Epidauro a Romanis Aesculapius ad urbis Iuem discutiendam sollicitatur
Object type: print
Date: 1606 – 1638
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: (story of) aesculapius (asclepius)
Inscriptions: collector's mark: ‘Hinloopen’

Deze prent maakt deel uit van een reeks van 150 prenten (+ titelprent) met voorstellingen van de Metamorfosen van Ovidius.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Three parts of kylix handles, right half
Gezin in gebed
Object type: print
Date: 1822 – 1845
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: armchair, seat, interior of church, private worship and religious study
Inscriptions: collector's mark: Lugt 2228

De vier volwassenen en twee kinderen zitten en staan in een kerkinterieur. Zij kijken allemaal naar rechts en zijn in gebed. Achter hen sculpturen van heiligen en een lege stoel. Naar een schilderij van Herman Frederik Carel ten Kate.
Armchair
Object type: armchair
Date: 1805 – 1815
Materials: wood
Culture: american
Location: united states

This is one of four known identical square-back armchairs, probably made as a set. The overall design is derived from engravings by the English furniture designers Thomas Sheraton and George Hepplewhite, but the carved and turned legs are typical of Philadelphia craftsmanship. When acquired, this chair retained its original red morocco leather upholstery, which has since been removed but is still preserved in the collection.
Figure 16: Expression of severity
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: guillaume-benjamin-amand duchenne de boulogne
Artist role: artist
Artist nationality: french
Artist dates: 1806 – 1875
Subjects: science,men,portraits
My deceased husband gave me tickets…, from ‘L’Imagination’ published in Le Charivari
January 14, 1833
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,women,musicians

My deceased husband gave me tickets, I had four winning numbers, I received a morning serenade, I am rolling in gold!
Hercules, Bacchus, Pan, and Saturn(?), from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738–39) at Fontainebleau
Object type: print
Date: 1560 – 1569
Techniques: engraving
Artist: giorgio ghisi
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1582
Subjects: hercules,bacchus,saturn
Wat zijn zij ongelukkig die blind zijn
Object type: book illustration
Date: 1836 – 1836
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: blind, blindness, contrast between rich and poor
Inscriptions: collector's mark: Lugt 2228

Prent uit: S.n. De vriend der jeugd, een geschenk voor betoonde vlijt. Amsterdam: Koster, Cornelis Johannes, 1836.
Huwelijksfeest van Amor en Psyche (midden deel)
Object type: print
Date: 1575 – 1575
Materials: paper
Techniques: engraving, etching
Location: mantua
Subjects: marriage of cupid and psyche
Inscriptions: collector's mark: Lugt 240

Verschillende mythologische figuren rond een tafel, zoals Mercurius en een sater. Daarboven vier muzikanten. Links een met luxe serviesgoed gedekte tafel die staat onder een baldakijn begroeid met druivenranken.
Trade Card for W. Dearden, Printer, Bookseller, Stationer, and Bookbinder
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Landschap met twee ruiters in galop
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: etching
Artist: johann christian klengel
Artist role: print maker
Artist dates: 1751 – 1824
Subjects: signpost, low hill country
Inscriptions: collector's mark: Lugt 240
Drinking Festival of the Eight Immortals of the Wine Cup
Object type: hanging scroll
Date: 1767 – 1800
Materials: ink, paper
Culture: japanese
Artist: nagasawa rosetsu
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1799
Subjects: crowd,drinking

The Tang dynasty poet Du Fu celebrated eight famous drinkers of his age in his poem Eight Immortals of the Wine Cup (Inchū hassenka). In Nagasawa Rosetsu’s playful rendering of this theme, popular with Japanese painters from the late sixteenth century on, the artist has filled his composition with images of the eight drinkers, creating an almost bazaar-like atmosphere. The brushwork in the signature dances a bit compared with his typical style of signing; this could reflect Rosetsu’s harmonizing of his signature with the giddy mood of the painting. Rosetsu was Maruyama Ōkyo’s student and pursued the carefree life of the literati. Hence he was attracted to the unrestrained lives of the individuals shown in this painting.
Venezia. Riva delle Zattere
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1906
Materials: photographic support
Techniques: photography
Location: milan
Subjects: sailing-ship, sailing-boat, quay (+ city(-scape) with figures, staffage), venice
Menigte vrouwen voor een herberg met drinkers
Object type: book illustration
Date: 1861 – 1861
Materials: paper
Techniques: etching
Artist: adolphe alexandre dillens
Artist role: draughtsman, painter, print maker
Artist dates: 1821 – 1877
Subjects: crowd, mob, hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485

Prent uit: Coster, Charles de. Légendes flamandes. S.l.: Parent et Fils, 1861.
Gezicht op de Rijn bij Straatsburg
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Location: cologne
Subjects: city-view, and landscape with man-made constructions
Amsterdam, St. Agnieten Kapel, O.Z. Voorburgwal
Object type: stereograph
Date: 1856 – 1861
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: pieter oosterhuis
Artist role: draughtsman, print maker
Artist dates: 1816 – 1885
Subjects: gate, entrance, street
Inscriptions: inscription: ‘Piet/’, inscription: ‘Photographie van P. Oosterhuis, N.Z. Voorburgwal, bij het Spui.’
Driekoningenbriefjes
Object type: print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: twelfth night, usually falling on the eve of january 6, royal household; courtiers, retinue, train, epiphany
Inscriptions: collector's mark: Lugt 2760

Blad met 32 voorstellingen (driekoningenbriefjes) van verschillende functies binnen het hof, waaronder de koning, de zot, de vuurstoker en de zanger. Rechts naast elke afbeelding een vierregelig vers. Genummerd rechtsonder: N. 26.
Gezicht op het paviljoen van Frans Indochina tijdens de Wereldtentoonstelling van 1900 in Parijs
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: daylight paper print
Location: paris
Artist: paul lucena
Subjects: world fair, world exhibition, palace, paris

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.
The Cravat
Object type: figure group
Date: 1750 – 1755
Materials: soft paste porcelain
Artist: capodimonte porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1740 – 1759
Subjects: men,women

The subject of this group is uncertain. When recorded in 1935, it was entitled Rosaura and the Doctor, thereby identifying it as a scene from an Italian Comedy play in which one of the heroines, or Innamorate, attends her father, the Doctor. (The Innamorate were assigned different names in different scenarios: Rosaura is mentioned by the Venetian writer Carlo Gozzi in his memoirs, published in 1797.) One of the four original masks, or central characters, of the commedia dell’arte, the Doctor is traditionally costumed in a short black cloak, a wide white neck ruff, and a flat-brimmed black hat, thus calling into question the identification here. What Is certain, however, is the quiet drama of the composition, in which the younger woman gently assists the older man in his dressing. The group is otherwise unrecorded; this example is conspicuous among Capodimonte models for the discreet richness of the painting and gilding.
Gold Back Plate of Belt
Object type: belt plate
Date: 600 – 600
Materials: gold, silver
Culture: langobardic

This group of objects was found in the grave of a Langobardic horseman, who was buried in his warrior dress, with weapons, shield, helmet, and the fittings for his horse. What remains are the many gold pieces that would have ornamented his clothing and equipment, and they attest to the great wealth of the Langobardic aristocracy within a generation of settling in Italy.
Exterieur van een woonhuis
Object type: photograph
Date: 1890 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: housing, façade (of house or building)
Inscriptions: inscription: ‘[...]inge[...]’
Deels verbrand schip op de VOC-scheepswerf op Oostenburg, 1690
Object type: print
Date: 1690 – 1702
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, painter, draughtsman, jan van der heyden, building a ship, ship under construction, pump (fire-extinguishing equipment), fire-hose, shipyard, shipdock, fire-extinguishing equipment
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Latere staat van prent ook gebruikt in sommige exemplaren van: Heyden, Jan van der. Beschryving der nieuwlyks uitgevonden en geoctrojeerde slang-brand-spuiten en haare wyze van brand-blussen, tegenwoordig binnen Amsterdam in gebruik zijnde (…). 2e druk. Amsterdam: erfgenamen Jan van der Heyden, 1735.

Verkleinde kopie naar de prent toegeschreven aan Jan van der Heyden (RP-P-OB-82.100, FMH 2301/19a).
De Kist
Object type: print
Date: 1958 – 1958
Materials: paper
Techniques: etching, intaglio, retroussage
Artist: karel wetselaar
Artist role: print maker
Artist dates: 1935 – 2017
Subjects: coffin, insects
Inscriptions: signature and date: ‘K. Wetselaar 1958’
Christuskind met rijksappel
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: england
Subjects: snakes, christ-child (with attributes)
Inscriptions: collector's mark: Lugt 240

Het Christuskind, leunend op een rijksappel. Hij vertrapt de slang met zijn rechtervoet. In de marge een vierregelig onderschrift in het Latijn.
Off to War (Henderson Ledger Artist B)
Object type: drawing
Date: 1882 – 1882
Materials: ink, paper, pencil
Culture: arapaho
Location: united states
Artist: frank henderson
Artist role: artist
Artist nationality: native american
Artist dates: 1862 – 1885
Subjects: women,horses
Stamp-cylinder seal (with loop handle) with monsters
Object type: stamp cylinder seal
Date: 800 – 601
Culture: urartian
Location: urartu
Ontwerp voor een ex libris van A.C. Suyver
Object type: design
Date: 1884 – 1952
Materials: paper
Techniques: printing block
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: notation of music, container of glass: bottle, jar, vase, container of ceramics: jar, jug, pot, vase
Inscriptions: collector's mark: ‘R:MVS.’, annotation: ‘f 15,30 - 8,50’

Ontwerp met het monogram ACS, een apothekerspot, muzieknotatie en glazen kolf met vloeistof.
Shoes
Object type: shoe
Date: 1690 – 1710
Materials: leather, silk
Culture: european

Shoes dating from before the mid 18th century are scarce, especially in American museums, where they were usually purchased for the collection or given by collectors, rather than surviving in the ancestral wardrobes of museum donors. Despite its poor condition, this pair of embroidered latchet tie shoes is a worthy item for the Brooklyn collection, providing an excellent example of the domed sole and exaggerated toe which typified high style ladies' shoes of the era. The embroidered floral design, pleasingly rendered in complementary versions on the vamp and the heel, is typical of Stuart period embroidery. The white leather rand (strip along the front of the sole), lining, and heel stitching demonstrate the quality construction and add an appealing element of contrast.
Bord, beschilderd met twee Chinezen in een gebouw met zuil.
Object type: plate dish
Date: 1650 – 1670
Materials: earthenware, glaze
Techniques: painted
Location: delft
Artist: Anonymous

Rond bord van blauw beschilderde faience. Op het plat zijn twee figuren (Chinezen) bij een zuil in een gebouw geschilderd, de rand is rijk versierd oa. met een bloemenrank. Het bord is een bodemvondst.
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 200
Materials: glass
Culture: roman
Malagassische man bespeelt een viool
Object type: card game
Date: 1900 – 1920
Materials: cardboard, paper
Techniques: rotogravure
Artist: Anonymous
Subjects: card games, other string instruments played with bow
Drie portretten van een man met verschillende bewegingen van zijn bovenarm
Object type: photograph
Date: 1881 – 1886
Materials: paper
Techniques: albumen print
Artist: nicola tonger
Artist role: fotograaf
Artist dates: 1846 – 1917
Subjects: gesture-language, postures and gestures of arms and hands in general
Inscriptions: number: ‘37 - 39’, number: ‘TAFEL X.’

Foto op negentiende ongenummerde pagina na pagina 6.
Ivoren deksel met oosters landschap
Object type: lid
Date: 1750 – 1800
Materials: ivory
Techniques: cutting
Location: china
Artist: Anonymous
Subjects: enkhuizen, dragon (large fabulous serpent, sometimes with wings and legs), china
Inscriptions: inscription: ‘M.A.’

Ivoren langwerpig deksel met midden-boven een monogram M.A. en twee vogels in een liggend ovaal. Hieromheen een groter, staand ovaal met opengewerkte rankenrand en een smalle noppen-band. Daarbinnen, aan de bovenzijde twee draken, en aan de onderzijde een landschap. De rest van het deksel is gesneden in diep reliëf met een landschap met bomen, gebouwen, figuren en onderaan een liggende koe.
Schetsblad met gevouwen lotusbladeren
Object type: drawing
Date: 1808 – 1861
Materials: paper
Techniques: brush
Artist: utagawa kuniyoshi
Artist role: draughtsman, print maker
Artist dates: 1798 – 1861
Stirrup Spout Bottle with Birds
Object type: bottle
Date: 501 – 700
Materials: ceramic, pigment
Culture: moche
Location: peru
Illumination in the Form of a Vase
Object type: illustrated album leaf
Date: 1601 – 1633
Materials: gold, ink, paper, watercolor
Location: india

This decorative fantasy of a flowering vase may have formed the opening or end of a Bijapuri album of paintings and calligraphy. The shape of the vase is principally outlined by serrated-edged saz leaves, which are a hallmark of sixteenth and seventeenth-century Ottoman art, a tradition that must have been known to the anonymous illuminator. The surface has been enriched with color and gold that has been pricked and worked, creating an overall effect of opulence. The fantastical form is typical of Deccani paintings, which often do not depict a known object or narrative, but instead delight in a whimsical and inventive combination of color and form.
Visite d'un ami de Lille
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: louis-pierre-théophile dubois de nehaut
Artist role: artist
Artist nationality: french
Artist dates: 1799 – 1872
Subjects: buildings,men,horses,carriages
Lijkstoet van prinses Anna van Hannover te Delft
Object type: print
Date: 1759 – 1761
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, anna van hannover, cortege, funeral procession, delft
Inscriptions: collector's mark: Lugt 2228

Hofdienaren te voet in de lijkstoet van Anna van Hannover, prinses van Oranje-Nassau, te Delft. De figuren in de stoet zijn genummerd en onder de voorstelling nader omschreven.
Tristan Bernard
Object type: print
Materials: paper, zinc
Techniques: drypoint
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Hat
Object type: hat
Date: 1863 – 1865
Materials: silk, wool
Culture: french
Ex libris van M.A. van Rees
Object type: bookplate
Date: 1921 – 1921
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: skyscraper, church organ, parts of church exterior and annexes: tower, netherlands
Inscriptions: collector's mark: Lugt 5i, collector's mark: Lugt 2760, collector's mark: Lugt 2228

In het midden een kerkorgel en een opengeslagen boek. Links de toren van een kerk achter huizen met trapgevels, rechts het Flatiron Building in New York.
Francesco Pesellino (c. 1422-1457). De H. Nicolaas schenkt het leven terug aan drie vermoorde knapen - Florence, Galleria Buonarroti
Object type: ansichtkaart, prentbriefkaart
Date: 1928 – 1928
Materials: cardboard
Techniques: rotogravure
Location: milan
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: collector's mark: ‘AFE v S’
Soldaat die met zijn rechterhand de punt van zijn spies naar voren steekt en met zijn linkerhand de schacht vastpakt (nr. 22), ca. 1600
Object type: print
Date: 1597 – 1608
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die met zijn rechterhand de punt van zijn spies (lans) naar voren steekt en met zijn linkerhand de schacht vastpakt (nr. 22), ca. 1600. Plaat 22 in de instructies voor het hanteren van de spies: Enseignement brief; et succint sur les portraitz figurez, touchant l'usage, de tout ce qu'un Soldat doibt faire au maniement de la Pique. Onderdeel van de illustraties in een Franse editie van J. de Gheyns Wapenhandelinghe: J. de Gheyn, Maniement d'armes, d'arquebuses, mousquetz et piques : en conformité de l'ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. Krijgswezen rond 1600.
Ajaccio
Object type: photograph
Date: 1886 – 1896
Materials: cardboard, photographic support
Techniques: albumen print
Location: corsica
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Subjects: ajaccio
Ioannes Tomasoni de Concordia
Object type: print
Date: 1749 – 1799
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: prague, vienna, historical persons
Inscriptions: collector's mark: Lugt 2228
Alabaster alabastron (perfume vase)
Object type: alabastron
Date: 600 – 401
Culture: cypriot

The alabastron has a pear-shaped profile, two salient lugs, a flaring neck, and an out-turned lip.
Suez kanaal
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: egypt
Artist: Anonymous
Inscriptions: caption: ‘Suez kanaal’
Portretten van een man in drie poses met zijdelings gestrekte armen
Object type: album leaf
Date: 1881 – 1886
Materials: cardboard, photographic support
Techniques: albumen print
Artist: nicola tonger
Artist role: fotograaf
Artist dates: 1846 – 1917
Subjects: gesture-language, arm stretched sidewards
Inscriptions: inscription: ‘,,Komm in (...) Natur!''’, number: ‘Tafel XIV.’, number: ‘51 (...) 53’
Doorkijk door de Omvalspoort in Haarlem
Object type: photograph
Date: 1890 – 1910
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Subjects: haarlem

Moderne afdruk van negatief BR 956 (collectie RKD).
Narcissus in Winter, from the series "Choicest Odes upon Flowers of the Four Seasons (Shuku awase, shiki no hana)"
Object type: print
Date: 1792 – 1792
Techniques: woodblock print
Location: japan
Artist: katsukawa shuncho
Artist role: artist
Artist nationality: japanese
Artist dates: 1781 – 1795
Le Mariko Drift (Transvaal)
Object type: photograph
Date: 1879 – 1884
Materials: paper
Techniques: albumen print
Location: transvaal
Artist: Anonymous
Subjects: river, marico river
Boarding Grapnel
Object type: dredger
Date: 1800 – 1850
Materials: iron
Location: netherlands
Artist: Anonymous

Vierarmige dreg met een ring aan de top van de schacht en een ketting; de armen hebben geen handen maar weerhaken.
Portret van Johan Bernhard Wittkamp
Object type: print
Date: 1850 – 1887
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: riesenbeck, antwerp, print maker, johan bernhard wittkamp, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Leven en passie van Christus
Object type: print
Date: 1705 – 1732
Materials: paper
Techniques: etching
Location: paris
Subjects: christ orders (six) jars to be filled with water ~ marriage-feast at cana
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie met zestig prenten met als thema het leven van Christus.
Der Thumb oder Haupt-Kirche zu Saltzburg (...) / Le Dome, ou la Cathedrale de Salsbourg (...)
Object type: print
Date: 1730 – 1740
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: parts of church exterior and annexes
Inscriptions: collector's mark: Lugt 2228

Zuidzijde van de dom van Salzburg en de Kapitelplatz.
Rura
Object type: rura
Date: 1867 – 1900
Materials: bamboo
Culture: melanesian, aoba island or vanuatuan
Location: vanuatu
Boer en boerin bij hoeve
Object type: print
Date: 1814 – 1879
Materials: paper
Techniques: etching
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: pipe ~ tobacco, farmers - aa - female farmer, farmer's wife, dog
Inscriptions: inscription: ‘voor het ..slijpen vd hondenkop 1de staat’, collector's mark: Lugt 2228

Voor een huis staan een pijprokende man met een wandelstok en hoed en een boerin met een kind aan haar hand. De boerin draagt een mand. Naast hen een hondje en op het dak van het huis zitten twee tortelduiven.
Liqueur glass
Object type: liqueur glass
Date: 1683 – 1683
Materials: glass