deem-data/ArtiFact huggingface dataset:
T'Rasphuys
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: prison, jail, (prisoners) in the prison yard, justitia (justice) as roman personification, workhouse, penal camp, penitentiary, chain gang
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2233

Prent uit: Fockens, Melchior. Beschrijvinge Der wijdt-vermaarde Koop-stadt Amstelredam, Van hare eerste beginselen, oude Voor-rechten, en verscheyde Vergrootingen (…). 1e druk. Amsterdam: Marcus Willemsz. Doornick, 1662. Prent in huidige staat ook gebruikt in de tweede druk (1662). Tweede staat van prent gebruikt in de derde druk van 1664. Derde staat met Franse titel gebruikt in publicatie uit 1665. Vierde staat (genummerd: 34) gebruikt in verschillende zeventiende- en achttiende-eeuwse publicaties.
Silver spiral, 2 coils
Object type: spiral, 2 coil
Date: 3900 – 100
Materials: silver
Culture: cypriot
Gezicht op Lewiston, Maine
Object type: photomechanical print
Date: 1875 – 1880
Materials: paper
Techniques: photograph
Location: lewiston
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions
Portrait of the painter Eduardo Zamacois seated at a table
Object type: print
Date: 1869 – 1869
Techniques: etching
Artist: mariano fortuny, 1838–1874
Artist role: artist
Artist nationality: spanish
Artist dates: 1838 – 1874
Subjects: men,artists,pitchers
Vrouw bij een pomp op straat
Object type: print
Date: 1850 – 1879
Materials: paper
Techniques: etching
Artist: henri de braekeleer
Artist role: draughtsman, print maker
Artist dates: 1840 – 1888
Subjects: street, utilitarian, public pump or water fountain
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228
Pair of Chinese dogs of Foo
Object type: figure
Date: 1755 – 1755
Materials: earthenware
Techniques: glazing
Artist: whieldon type
Artist role: artist
Subjects: dogs
Het eerste en laatste oogenblik van den parlementairen winterveldtocht in 1875
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: politician, rotterdam

Spotprent op de discussie over de aansluiting van de Rhijnspoorweg te Rotterdam, 1875. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 52, 1875.
Spring
Object type: panel
Date: 1775 – 1775
Materials: gilt, wood
Techniques: carving
Artist: françois joseph belanger
Artist role: maker
Artist nationality: french
Artist dates: 1744 – 1818
Subjects: faces,flowers,plants
Bowl
Object type: bowl
Date: 801 – 900
Materials: earthenware, glaze, pigment
Techniques: incising
Location: iran
Gezicht op molen De Duif
Object type: drawing
Date: 1896 – 1950
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: goedkoop
Artist role: draughtsman
Subjects: city-view in general; 'veduta', windmill in landscape
Inscriptions: inscription: ‘oude lompen molen. / aanhet tolpad.’, signature: ‘A. Goedkoop’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 26.
Pantheon, perspective elevation, partial plans, Corinthian pilaster capital and alcove details (recto) Pantheon, perspective sections, alcove elevations, partial plans (verso)
Object type: collection ornament architecture
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: capitals
Man toont een blad met de symbolen van de tekenen van de dierenriem aan een andere figuur
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: scholar in his study, caricatures (human types), astrological signs and symbols
Inscriptions: collector's mark: Lugt 2228

In een interieur toont een man zittend aan een tafel een blad met de symbolen van de tekenen van de dierenriem aan een andere figuur, die naast hem staat met zijn hoed in de hand.
Textile Fragment
Object type: textile fragment
Date: 1667 – 1700
Materials: metal thread, silk
Location: iran
Micha
Object type: print
Date: 1613 – 1613
Materials: paper
Techniques: engraving
Location: antwerp

De profeet Micha, lezend, met een stuk papier in de hand, in ovaal met randschrift.
Tympanum
Object type: tympanum
Date: 500 – 300
Materials: bronze
Culture: indonesian
Portret van een man in uniform
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: melbourne
Subjects: historical persons
Inscriptions: inscription: ‘Johnstone o'Shannessy & Co./ Artist Photographers/ 3, Bourke St. East, Next the post office/ Melbourne’
Zittende boer met een kruik
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: etching
Subjects: ploughed field, jar, jug (used as drinking-vessel), farmers
Inscriptions: date: ‘1646’, monogram: ‘HSL’, caption: ‘Terra...abit’, collector's mark: Lugt 240

Boerenjongen met mutsje op en een kruik in de handen, zittend op de grond. Op de achtergrond een boer die het land ploegt.
Pair of urns
Object type: urn
Date: 1775 – 1785
Materials: hard paste porcelain
Earring, crescent-shaped, Byzantine style
Object type: earring, crescent shaped, byzantine style
Date: 7000 – 330
Materials: gold
Verschillende vogels
Object type: print
Date: 1708 – 1749
Materials: paper
Techniques: etching
Location: london
Artist: peter casteels (iii)
Artist role: draughtsman, print maker
Artist dates: 1684 – 1749
Subjects: garden, ornamental birds: peacock, animals (+ fighting animals; aggressive relations), fowl (cock, hen, chicken, etc.)
Inscriptions: collector's mark: Lugt 2228
Lijkstatie van prinses Maria Louise, 1765
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: etching
Location: leeuwarden
Subjects: cortege, funeral procession
Inscriptions: date

Notabelen. Gemerkt rechtsonder: Pl. XVII. Op het blad onder de plaat de namen van personen in de stoet. Onderdeel van de serie platen van de begrafenis van prinses Maria Louise te Leeuwarden op 13 juni 1765.
Spotprent op de Aristocratie (2), 1795
Object type: cartoon
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: religious and magic concepts, occupations, fashions, realities, general ideas ~ judaism and jewry, aristocracy; 'aristocratia' (ripa), wig, auction sale, public sale
Inscriptions: collector's mark: Lugt 2228

Spotprent op de Aristocratie, 1795. Openbare verkoping of veiling door Franse soldaten van pruiken. Een verkoper houdt twee pruiken te koop omhoog. Links biedt een staande jood op de pruiken. Zie ook pendant.
Hertenjacht
Object type: print
Date: 1686 – 1725
Materials: paper
Techniques: mezzotint
Location: london
Subjects: stag-hunting
Inscriptions: collector's mark: Lugt 240
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, lower body and feet of draped figure to left; Exterior, feet of figure to left; at the right, end of leg of folding stool
Priest and Boy
Object type: drawing and watercolor
Materials: graphite, paint, paper, watercolor
Location: united states
Artist: lawrence carmichael earle
Artist nationality: american
Artist dates: 1845 – 1921
Rowel Spur (Right)
Object type: spur
Date: 1601 – 1633
Materials: gold, metal alloy, silver
Culture: british or german
Location: germany

The particularly rich decoration of this spur features delicate gold damascened scrolls and rectangular medallions inlaid with silver roses. The insides of the branches are even decorated with silver damascened vegetal scrolls, standing out against a blackened background. This type of decoration is often found on German and British rapier hilts made in the early 17th century. In the first half of the 17th century, the fashion trend for gentlemen was to wear boots and spurs even in non-riding circumstances, including for dancing or walking around at court. Spurs became then more than equestrian tools, but pieces of male jewelry often enriched by the same goldsmiths also working on armor and weapons. Their decoration was sometimes intended to match the sword hilt and the general outfit and horse tack of their owner. These trendy accessories were also a significant mark of status for gentlemen, sometimes nonetheless copied by the bourgeoisie. This fashion progressively disappeared after the mid 17th century. The left spur of this pair is now preserved in the Musée des Beaux-arts of Lyon, France (inv. no. D307).
Portret van een meisje
Object type: photograph
Date: 1920 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: historical persons, girl (child between toddler and youth)
Portret van drie onbekende jonge meisjes
Object type: photograph
Date: 1861 – 1866
Materials: photographic support
Techniques: albumen print
Subjects: historical persons not known by name - bb - woman, girl (child between toddler and youth), toddler (female)

Foto tegenover pagina 161, achter semi-transparante omslag.
Conical bowl with an incised foliate scrolls
Object type: bowl
Date: 1127 – 1279
Materials: glaze, stoneware
Techniques: engraving, firing, turning, vitrification
Location: china
Artist: Anonymous

Conische kom van steengoed, bedekt met een transparant glazuur met een lichtblauwe tint. De binnenzijde met een ingegrifte decoratie van twee jongens tussen lotusranken[?]. Qingbai.
Head of a Monk
Object type: head
Date: 601 – 700
Materials: limestone
Culture: chinese
Bone pin
Object type: stylus
Date: 34 – 300
Materials: bone, ivory
Culture: roman

The length of this pin suggests that it may have been used in a woman's elaborate coiffure.
Hanging
Object type: hanging
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: birds,women
Untitled (Ashton Station, Michigan)
Object type: photograph
Date: 1877 – 1877
Techniques: tintype
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, people, train station, trains
Italiaanse vrouwen en een kind bij een bron
Object type: print
Date: 1837 – 1855
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: well, embracing each other, kissing
Inscriptions: collector's mark: Lugt 2228

Een van de vrouwen zit op de grond en wordt omhelst door de jongen. De andere vrouw leunt op de rand van de put. Het water komt uit de rotswand.
Twee mannen met stokken in een landschap
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: landscapes in the temperate zone (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
The Little Wheelwright's
Object type: print
Date: 1886 – 1886
Materials: ink, paper
Techniques: etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Inscriptions: Signed with butterfly in plate, upper left; inscribed "Whistler printed by Mortimer Menpes" (in Menpes' hand)
Model of a 90-Gun Ship of the Line
Object type: fully rigged model
Date: 1801 – 1801
Materials: brass, fiber, wood
Location: netherlands
Artist: Anonymous
Subjects: chattam (schip)
Inscriptions: inscription, on the stern: ‘ANº CHATTAM 1801’

Het linieschip van 90 stukken Chattam, lang 195 voet, werd in 1799-1800 door P. Glavimans Jz. te Rotterdam gebouwd. In 1809 werd het omgebouwd tot drijvende batterij en gebruikt bij de verdediging van Zeeland tegen de Engelse inval. In 1814 werd het als magazijnschip te Vlissingen door soldaten geplunderd; in 1823 voor de sloop verkocht.
May and June from "The Peasants' Feast" or "The Twelve Months"
Object type: print
Date: 1546 – 1547
Techniques: engraving
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: swords,men,women

Two couples dancing left. The female of the couple at right is seen from behind.
Mourning dress
Object type: mourning dress
Date: 1867 – 1867
Materials: cotton, silk
Culture: american

"Have been all this week in a sad task making up my mourning for my dear Papa & today for the first time put it on. The sight of this black dress brings the cause why I wear it more fully to my mind, if possible brings him more vividly before me." Thus Catherine Ann Edmondston (1823–1875) of North Carolina wrote in her diary about the role her mourning dress played in facing the death of her father in 1861. It was both tangible evidence of the reality of his passing and a means of keeping his memory at the forefront of her mind. For some, mourning attire was not simply a symbol of loss. Rather, the making and wearing of mourning played a role in accepting death, preserving memory, and working through one’s grief. Although the original wearer of this informal mourning dress is unknown, its simple construction techniques suggest it may have been a homemade fabrication.
Design for a ceiling with a putto
Object type: drawing
Date: 1851 – 1900
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: birds,architecture,putti
Gevelsteen van De Gecroonde Raep
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Artist: h. ehrhardt
Artist role: draughtsman, print maker, publisher
Subjects: ornament ~ cartouche, (non-fruit) products of plants or trees: turnip
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Uithangteekens, gevelstenen.
Glass one-handled bottle
Object type: bottle, two handled
Date: 1 – 200
Materials: glass
Culture: roman

Translucent very pale green; handle in same color. Collared rim, folded out, down, round up, and out, forming horizontal lip; cylindrical neck with horizontal tooling indent around base; broad, slightly sloping shoulder; cylindrical body with slightly convex side; concave bottom; broad, reeded strap handle, applied to edge of shoulder, drawn up vertically, turned in and down, and trailed onto neck below fold in rim. Faint wheel-abraded horizontal bands on body. Intact; few bubbles, but many bubbles and black impurities in handle; dulling, brown limy encrustation, and faint iridescence on exterior, patches of iridescent weathering on interior. Greenish cylindrical jug with one handle; wheel-cut decoration on body.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Above the ground line, a basket; below, meander with checkerboard squares
Indian Elephant, from the Animals of the World series (T180), issued by Abdul Cigarettes
Object type: print
Date: 1881 – 1881
Techniques: color lithograph
Artist: abdul cigarettes
Artist role: publisher
Artist nationality: american
Artist dates: 1881 – 1881
Subjects: elephants
Bleaching-Fields Near the Haarlemmer Hout, from Views in the Surroundings of Haarlem (Plaisante Plaetsen)
Object type: print
Date: 1610 – 1620
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: claes jansz. visscher
Artist nationality: netherlandish
Artist dates: 1550 – 1612
Inscriptions: Lettered lower right: "8"
Portret van een onbekende vrouw, aangeduid als mevrouw Heenstra
Object type: carte de visite
Date: 1880 – 1889
Materials: cardboard, paper
Techniques: albumen print
Location: groningen
Artist: benjamin sanders
Artist role: fotograaf
Artist dates: 1841 – 1889
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Heemstra/ get. met Huizinga/ Uithuizen’, inscription: ‘ETABLISSEMENT DE PHOTOGRAPHIE/ BENJAMIN SANDERS/ GRONINGEN/ Heerestraat F. 306,/ INGANG TOT HET ATELIER IN DE/ NIEUWE MANUFACTUURWINKEL./ De plaat blijft voor nabestelling bewaard./ SPECIALE INRICHTING VOOR VERGROOTINGEN NAAR/ ALLE PHOTOGRAFIEN.’
Gezicht op het Caledonish Kanaal bij Fort Augustus
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Location: fort augustus
Artist: Anonymous
Subjects: sluice, weir, city-view in general; 'veduta', canals, waters (in city)
Annie Mayer, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Manchetknoop met letters TCRB
Object type: cuff link
Date: 1900 – 1925
Materials: metal
Artist: Anonymous
Subjects: eugen wachenheimer, else wachenheimer-moos

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Kast
Object type: print
Date: 1800 – 1900
Materials: paper
Techniques: hand coloring, lithograph
Location: france
Artist: Anonymous
Subjects: furniture for storage

Een lage geornamenteerde kast. In potlood genummerd 3347.
Collar
Object type: collar
Date: 1825 – 1825
Materials: silk
Culture: belgian
"Alexander at a Banquet", Folio 321b from a Khamsa (Quintet) of Nizami of Ganja
Object type: folio from an illustrated manuscript
Materials: gold, ink, paper, silver, watercolor
Location: afghanistan
Artist: nizami
Artist role: author
Artist dates: 1141 – 1209
Subjects: musical instruments,alexander the great,men

The Khamsa of Nizami, written between 1298 and 1302, is a canonical work of Persian literature. One of the five poems within it tells the story of Alexander the Great, who is identified as the half-brother of the Persian king Darab in various histories. By presenting Alexander in this manner, the audience was able to identify with its ancestors’ conqueror. Although the story took place in the fourth century BC, the objects that appear in this feast (bazm) scene provide an insight into the types of luxury objects and musical instruments that were in use at the time that the manuscript was produced. The figures wear their turbans in the style typical of Safavid Iran, with twelve folds wrapped around a baton to symbolize the twelve Shi’i imams.
The Nativity, in Coffer
Object type: print
Date: 1490 – 1490
Materials: hair, iron, paper, leather, linen, watercolor, wood
Techniques: brush, hand coloring, woodcut
Location: france
Artist: workshop of the master of the very small hours of anne of brittany
Artist nationality: french
Artist dates: 1480 – 1510

This woodcut and coffer demonstrate the very unusual survival of a print in its original context. Incredibly, ten other impressions of this stencil-colored, mass-produced Nativity survive, all also in boxes, and approximately one hundred other French coffers ornamented with similar prints exist. Their original purpose, however, remains uncertain. Despite their metal reinforcements and standardized lock, they were not sturdy enough to be strapped to pack animals. They may instead have been worn as backpacks, with the cushion on the bottom allowing the container to sit on the traveler’s knees for use as a movable shrine. A shallow secret compartment in the lid of this example is equally mysterious. It may have held contact relics, such as fabric or hair, or even consecrated Communion wafers, an unseen presence that would have reinforced the devotional value of the entire object.
Gallica in Vestitu Varietas, from Fashions of Different Nations
Object type: print
Techniques: engraving
Artist: pieter de jode (i)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1570 – 1634
Subjects: men,women,fashion
Gezicht op Bad Ems en de Lahn
Object type: print
Date: 1835 – 1883
Materials: paper
Techniques: engraving, etching
Location: darmstadt
Subjects: low hill country, river, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Tekst in het Frans, het Duits en het Engels in de ondermarge.
Genius and Beauty
Object type: print
Materials: ink
Techniques: etching, printing, engraving
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Gezicht op de zijgevel van het Stadhuis op de Dam van Amsterdam
Object type: print
Date: 1675 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: townhall
Inscriptions: collector's mark: Lugt 2233
Side chair
Object type: side chair
Date: 1710 – 1710
Materials: gesso, gilt, wood
Quadrangular vase in the shape of a Neolithic cong
Object type: cong form vase
Date: 1201 – 1300
Materials: ceramic glaze, glaze, stoneware
Culture: chinese
Vuursteenpistool
Object type: pistol
Date: 1700 – 1800
Materials: brass, bronze, copper, iron, wood
Techniques: engraving
Location: western europe
Artist: Anonymous
Subjects: netherlands
Inscriptions: : ‘A. Croissant’

Vuursteenpistool met ijzeren gladde ronde loop die door een messing profielband wordt onderbroken, aan het uiteinde van de loop een lage rondvormige messing vizierkorrel, over de lengte van de loop een beslag van messing, op de kulas geribbelde messing motieven. Messing slotplaat met ijzeren haan, ijzeren vuurstaal en ijzeren staalveer, de pan is van messing. Op de slotplaat diverse ingegraveerde motieven, aan de onderkant van de slotplaat de naam "A. CROISSANT". Lade is van notenhout en heeft aan de onderzijde bladmotief. De kolf is eveneens van notenhout met een kolfkap van messing in de vorm van diverse bladmotieven. Op de kolfhals een messing voluut waarin het hoofd van een man te zien is, in het hout boven de voluut een bladmotief. Aan de andere zijde van de lade een beslag van messing welke zo is gemaakt dat er gaten in lijken te zitten. Trekkerbeugel van messing welke aan het uiteinde een bladfmotief heeft, ijzeren trekker. Onder de lade een laadstok die door twee kokers van messing wordt gedragen.
Four chairs
Object type: seating furniture
Date: 1780 – 1790
Materials: wood, textile
Location: netherlands
Artist: Anonymous

The shape of these chairs was common in the Neoclassical period in the Netherlands. At that time, it was usual for the decoration to be carved on the chair. In the case of these four chairs, however, the decoration is carried out in marquetry. This suggests that they were not made by a chairmaker, but rather by a cabinetmaker, who usually made cabinets, commodes and other such furniture.
Portret van Jean-Mathieu-Philibert Sérurier
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: etching, roulette
Location: paris
Subjects: paris, politician, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Mogelijk prent uit: Tardieu, Ambroise. Portraits des généraux français, faisant suite aux "Victoires et conquêtes des Français". Parijs: Panckoucke, Charles Louis Fleury, ca. 1818.
Plate with bouquets and flower sprays
Object type: service set
Date: 1839 – 1839
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: paris
Inscriptions: mark: ‘DENUELLE/ Boulevard St. Denis 18/ à Paris’

Bord (dessertbord) van porselein met een gelobde rand, beschilderd op het glazuur in blauw, rood, roze, groen, geel, paars, zwart en goud. Op het plat boeketten van verschillende bloemen en strooibloemen. Vanuit de gelobde, gouden rand, gemodelleerde bladranken in reliëf, aangezet met goud. Hiertussen boeketten. Drie proenen op de onderzijde. Gemerkt op de onderzijde met 'DENUELLE/ Boulevard St. Denis 18/ à Paris'.