deem-data/ArtiFact huggingface dataset:
Portret van mevrouw Cuypers
Object type: photograph
Date: 1850 – 1899
Materials: cardboard
Techniques: photography
Location: utrecht
Subjects: draughtsman, pierre joseph hubert cuypers

Foto op karton, van een vrouw (mevr. Cuypers).
Plate
Object type: ceramic
Date: 1764 – 1764
Materials: ceramic, earthenware
Techniques: glazing
Location: delft
Inscriptions: "IAN:VAN:TOL/EN/ GRIETTIE: MAAGDENBERG"
Gezicht op het Viaduc de Garabit bij Ruynes-en-Margeride
Object type: photograph
Date: 1808 – 1899
Materials: paper, photographic support
Techniques: gelatin silver print
Location: ruynes-en-margeride
Artist: delizy
Artist role: manufacturer
Subjects: landscape with bridge, viaduct or aqueduct

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Marcus Furius Camillus arriveert in Rome
Object type: print
Date: 1717 – 1721
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: riding a horse, ass, or mule; rider, horseman, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228

Marcus Furius Camillus komt aan in Rome om met de Galliërs te onderhandelen. Hij zit op een paard en reikt naar een zwaard, dat hem door een soldaat wordt aangereikt. Rechts staat een groep gewapende soldaten achter een tafel, van wie één waardevolle spullen weegt. Onder de voorstelling een tweeregelige, Latijnse tekst.
Pair of Rowel Spurs
Object type: spur
Date: 1301 – 1350
Materials: metal alloy, leather
Culture: french or german
Location: france

These spurs are among the first types of rowel spur developed. The first rowel spurs, featuring a revolving disc or star at the end of the neck, appeared in Western Europe around the mid-13th century. They cohabitated with the earlier form, the prick spur, for about a century, before replacing it almost completely in Europe by the mid-14th century. The advantage of the rowel spur over the prick was it allowed the rider to reach the flanks of its horse with one of the points whatever the angle of its foot, which was very convenient regarding the riding position of the time, with long stirrups-leathers and extended legs. The fact that the rowel rolled against the horse instead of hitting it directly reduced also the probability of injuring it too seriously.
Ensemble
Object type: ensemble
Date: 1810 – 1810
Materials: cotton
Culture: french
Kinpaengafu
Object type: book
Date: 1820 – 1820
Techniques: printing
Location: japan
Artist: kawamura bumpo
Artist nationality: japanese
Artist dates: 1779 – 1821
Kerkportaal
Object type: print
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: parts of church exterior and annexes: porch
Inscriptions: collector's mark: Lugt 2228

Kerkportaal met open deuren. Boven het portaal de tekst Deus Omnis Magnus. Het portaal is gevat in een ornamentele omlijsting met notenbalk aan de onderzijde.
Ball gown
Object type: ball gown
Date: 1900 – 1900
Materials: silk
Culture: french
Artist: house of worth
Artist role: design house
Artist nationality: french
Artist dates: 1858 – 1956

Jean-Philippe Worth began as an assistant to his father, Charles Frederick Worth, in 1875. Gradually he was allowed to create his own designs and when his father died in 1895, he became the lead designer for the house. He was praised for making elaborate artistic gowns with intricate trimmings on unique textiles, much like his father had before him. Although the House of Worth was still favored by royalty and celebrities through the turn of the century, their styles were no longer the forefront of French fashion after 1900. Around 1910 Jean-Philippe limited his design work to important orders and hired his nephew, Jean-Charles Worth, as the new lead designer before leaving the company entirely after World War I.
Napoleons levenstrap, 1814
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: etching, hand coloring
Location: germany
Artist: Anonymous
Subjects: napoleon i (emperor of the french), the ages of man represented by a staircase
Inscriptions: collector's mark: Lugt 2228

De levenstrap van Napoleon. Beginnend links onderaan als Corsicaanse knaap werkt hij zich op tot generaal, consul en tenslotte bovenaan op zijn hoogtepunt tot keizer. Daarna gaat het trapafwaarts met nederlagen in Spanje, Moskou en Duitsland (Leipzig) in 1813. Onderaan is door een boog Napoleon te zien verbannen op het eiland Elba, 1814.
Allegorie met Minerva en putti
Object type: print
Date: 1764 – 1811
Materials: paper
Techniques: etching
Location: dresden
Subjects: minerva as patroness, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Tekst in het Duits in de ondermarge, mogelijk de titelprent voor een serie van antieke koppen en hoofden. Prent maakt deel uit van een album.
Schip van stuurman Ewoud Drouwert voor de monding van de Maas met in de verte een fata morgana van strijdende schepen, 1651
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: mirage, 'fata morgana', sailing-ship, sailing-boat, battle (+ naval force)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Gottfried, Johann Ludwig. Historische kronyck; vervattende een (...) beschrijvingh der aldergedenckwaerdigste geschiedenissen des weerelds, van den aenvangh der scheppingh tot (...) 1576 (2 delen). Leiden: Pieter van der Aa, 1698, dl. II, p. 513.
Het tekenen van de voorlopige vredesvoorwaarden tussen Engeland en Frankrijk
Object type: history medal
Date: 1801 – 1801
Materials: silver
Techniques: striking
Location: england
Artist: Anonymous
Subjects: france, england
Zakhorloge met gedreven klassieke voorstelling
Object type: jewellery
Date: 1750 – 1750
Materials: copper, shell
Techniques: gilding
Location: london
Artist: john drills
Artist role: clockmaker
Inscriptions: signature: ‘John Drills, London 5360’, retailer's mark: ‘Rudolf Bossert, Hoorn’, retailer's mark: ‘Van den Hartog’

Verguld koperen horloge in gedreven kast, en een tweede kast van schildpad. De wit geëmailleerde wijzerplaat heeft Romeinse uurcijfers en Arabische minuutcijfers. De platine met opengewerkte kloof met rankenornament is gesigneerd: John Drills, London 5360. Op de losse koperen kast een gedreven klassieke voorstelling. In de schildpadkast twee losse kastbodempapieren van Rudolf Bossert te Hoorn en Van den Hartog te Purmerend.
Figure of a Seated Evangelist
Object type: sculpture
Date: 1150 – 1160
Materials: alloy, gilt copper
Techniques: gilding
Culture: mosan
Portret van Antoine Perrenot kardinaal van Granvelle
Object type: print
Date: 1556 – 1556
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: lambertus suavius
Artist role: print maker
Artist dates: 1514 – 1564
Subjects: antoine perrenot de granvelle, book
Inscriptions: collector's mark: Lugt 151, collector's mark: Lugt 2004, collector's mark: Lugt 2760, collector's mark: Lugt 2166

Perrenot de Granvelle (1517-1586) was staatsman in dienst van de Habsburgs en werd op 21-jarige leeftijd bisschop van Atrecht. Op latere leeftijd werd hij een van de invloedrijkste raadgevers van de landvoogdes Margaretha van Parma. Granvelle had grote belangstelling voor kunsten en wetenschappen. Het boek in zijn hand verwijst naar deze interesse. Granvelle heeft mogelijk zelf de wens te kennen gegeven om als een geleerde in plaats van als staatsman en kerkelijk prelaat te worden geportretteerd.
Medieval Granary in the Roman Campagna
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: brush, wash
Location: italy
Artist: Anonymous
Artist nationality: italian
Artist dates: 1700 – 1799
Staande figuren
Object type: sketchbook leaf
Date: 1910 – 1910
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: standing figure, adult woman, adult man

Figuurstudies. Pagina 70 uit een schetsboek met 45 bladen.
Copper Pin
Object type: pin
Date: 1401 – 1600
Materials: copper, gilt
Culture: inca
Location: peru
Medallion with a Portrait of Gennadios
Object type: medallion
Date: 250 – 300
Materials: glass, gold leaf
Techniques: polychromy
Culture: roman
Location: egypt
Subjects: men,portraits
Brief aan Philip Zilcken
Object type: letter
Date: 1920 – 1920
Materials: ink, paper
Techniques: pen, writing
Location: venice
Subjects: the hague, painter, draughtsman, philip zilcken, exhibition ~ art, rotterdam, venice
Inscriptions: collector's mark: ‘RPK’

Brief bevat verso een brief van Vittorio Pica.
Ninsei-style Incense Burner with Flowers of the Four Seasons
Object type: incense burner
Date: 1601 – 1700
Materials: enamel, gilt bronze, gold, stoneware
Techniques: overglaze, polychrome
Culture: japanese
Artist: nonomura ninsei
Artist role: artist
Artist nationality: japanese
Artist dates: 1646 – 1694
Subjects: flowers
Graaf van Sayn voor de inquisitie
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: history, inquisition, shaving, being shaved
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Deutsche Monatsschrift (...). 3 dln. Leipzig: Sommersche Buchhandlung, 1798.
Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde
Object type: print
Date: 1753 – 1757
Materials: paper
Techniques: engraving, etching
Location: dresden
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Prent naar het schilderij in de Gemäldegalerie Alte Meister in Dresden (Gal.-Nr. 958). Prent afkomstig uit de 'Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde', verschenen in twee delen in 1753 en 1757, met in totaal 100 prenten naar schilderijen in de koninklijke kunstcollecties te Dresden.
Medallion
Object type: medallion
Date: 1801 – 1850
Materials: glass
Subjects: armor,swords,horses,flags,knights
Coat
Object type: coat
Date: 1810 – 1820
Materials: silk
Culture: american or european
Drie portretten van vrouwen
Object type: album leaf
Date: 1900 – 1930
Materials: cardboard, ink, photographic support
Techniques: gelatin silver print, hand coloring, pen
Subjects: historical persons - bb - woman, portrait of actor, actress

Deze foto's en prent maken deel uit van een album.
Landschap met twee vissers
Object type: print
Date: 1648 – 1683
Materials: paper
Techniques: etching
Location: paris
Artist: albert flamen
Artist role: draughtsman, print maker
Artist dates: 1620 – 1691
Subjects: fisherman
Inscriptions: collector's mark: Lugt 2228

Cirkelvormig gezicht op een huis aan de waterkant. Op de voorgrond twee vissers op de oever van de rivier.
Console table
Object type: console table
Date: 1760 – 1760
Materials: marble, wood
Techniques: carving, silvered
Vrouw in lange mantel aan de voet van een kruisbeeld
Object type: photograph
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: altarcross, crucifix
Bezigheden in de vrije tijd
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: etching
Location: dresden
Artist: philipp veith
Artist role: draughtsman, print maker
Artist dates: 1768 – 1837
Subjects: city-view, and landscape with man-made constructions, ass, donkey, landscape with ruins, 'en route', traveller under way, rome
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: Lugt 3976
Fragment of a Band with Birds, Cross, and Head
Object type: textile fragment
Date: 401 – 700
Materials: linen, wool
Techniques: weave
Location: egypt

This finely worked and richly colored band includes a cross among its varied pattern. While Egyptian textiles with religiously significant motifs are relatively rare, crosses may have been meant to associate the owners with their Christian faith. Large squares rimmed by smaller ones possibly represent jewels surrounded by pearls. Between them are a golden chalice (?), a large green bird, a predominantly red cross with arms of equal length, and a human head.
Aantekening uit archief Jan Veth
Object type: aantekening
Date: 1874 – 1925
Materials: ink
Techniques: pen, writing
Artist: Anonymous
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth
Inscriptions: collector's mark: ‘RPK’
Paperweight
Object type: glass
Date: 1845 – 1860
Materials: glass
Location: clichy

The colorful geometric clusters embedded in this paperweight reflect the nineteenth-century European fascination with optical effects. Sir David Brewster invented the kaleidoscope in 1815, and its colorful and changing patterns brought great visual entertainment. Paperweights such as this example reformed this childlike pastime for a sophisticated adult audience. Depicted in glass were tiny glittering flowers, small black and blue cameos of figures, and even miniature bottlecaps. These were delicately arranged within the orb for the observant eye to discover.

From the late 1840s to early 1860s, French manufacturers of fine glass and crystal—such as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)—catered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.
Wounded Leopard
Object type: ceramic
Date: 1745 – 1745
Materials: ceramic, enamel, hard paste porcelain, porcelain
Techniques: polychrome
Location: meissen
Artist: meissen porcelain manufactory
Artist nationality: german
Artist dates: 1710 –
Dogū (Clay Figurine)
Object type: figurine
Date: 1000 – 300
Materials: cord, earthenware
Techniques: incising
Culture: japanese
Subjects: human figures

Like most figurines found at Jōmon sites, this one is broken at the waist, perhaps deliberately. Archaeologists conjecture that such figurines were used in ancient practices to ensure fertility.
Pentheus à Bacchis discerpitur
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: letterpress printing
Location: frankfurt am main
Subjects: scrollwork, strapwork ~ ornament, death of pentheus: during a bacchic orgy he is torn to pieces by his mother agave and other women

Illustratie bij de Metamorfosen van Ovidius, afkomstig uit de publicatie: Posthius, Johannes. Tetrasticha in Ovidii metam. Frankfurt am Main: Georg Rab en Sigmund Feyerabend en erven Weigand Han, 1569. De voorstellingen en ornamentranden van deze boekillustraties zijn van twee aparte blokken gedrukt. Beide werden afzonderlijk van elkaar ook gebruikt voor andere publicaties, en de ornamentranden werden eveneens binnen deze publicatie meerdere keren gebruikt.
Overwinningen van koning Willem III in Ierland (bovenste helft), 1690
Object type: print
Date: 1690 – 1691
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: daniel de lafeuille
Artist role: print maker
Artist dates: 1640 – 1709
Subjects: jacobus ii (koning van engeland en schotland), the hague, william iii (prince of orange and king of england, scotland, and ireland), fame; 'fama', 'fama buona', 'fama chiara' (ripa), battle (+ land forces)

Grote prent op twee bladen waarin de overwinningen van koning Willem III in Ierland en de overwinningen van de geallieerden op Frankrijk in het jaar 1690 gevierd worden. Bovenste helft met centraal de slag aan de Boyne op 11 juli 1690. Met Faam in de lucht en vooraan de Engelse eenhoorn en de Hollandse leeuw. Aan weerszijden zes kleinere scènes van de strijd tussen Willem III en Jacobus II.
Terracotta fragment of a volute-krater (deep bowl)?
Object type: volute krater fragment
Date: 400 – 301
Materials: terracotta
Culture: greek or south italian

Leg of figure wearing a boot?; two feline paws?; below, unidentified subject
Cum volucris, tutum que putat se piscis in unda, tunc perit, aut capitur; latet abdita Visque, dolusque
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Location: italy
Subjects: landscapes, fishing net, fisherman
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240

Landschap met op de voorgrond links een brug over een stroom en een visser met een net. Rechts tussen de bomen jagers die op watervogels jagen. Titel in het Latijn in ondermarge. Genummerd rechtsonder: 20.
The Actor Onoe Tamizo I as Oiso no Tora or Kewaizaka no Shosho, Disguised as a Female Komusu (?), in the Play Yui Kanoko Date-zome Soga (?), Performed at the Ichimura Theater (?) in the First Month, 1774 (?)
Object type: print
Date: 1774 – 1774
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Portret van Laurens Reael
Object type: print
Date: 1861 – 1863
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jan frederik christiaan reckleben
Artist role: print maker
Artist dates: 1819 – 1879
Subjects: laurens reael
Inscriptions: collector's mark: Lugt 2228

Portret van Laurens Reael, gouverneur-generaal van Nederlands Oost-Indië (1616-19), en sedert 1625 bewindhebber van de Verenigde Oostindische Compagnie te Amsterdam. In de marge zijn naam en familiewapen.
Christus wijst de discipelen op de hemellichamen die de val van Jerusalem voorspellen
Object type: book illustration
Date: 1536 – 1536
Materials: paper
Techniques: woodcut
Subjects: signs in nature and in the sky prophesying the destruction of jerusalem (luke 21:25)

Prent afkomstig uit: Evangelia und Epistel. Neurenberg: Hans Guldenmund, 1536.
Portret van een man
Object type: cabinet photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: braunschweig
Artist: emil tiedemann
Artist role: fotograaf
Artist dates: 1858 – 1892
Subjects: historical persons
Inscriptions: inscription: ‘Emil Tiedemann/ Braunschweig/ 66 Bohlweg 66./ Nachbestellungen beliebe man/ nur in Braunschweig aufzugeben.’
New Jersey Beach
Object type: painting
Date: 1901 – 1901
Materials: canvas, oil
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: beaches,seascapes,waves

This painting represents the last stage of Richards’s prolific career. It reveals his definite, though reluctant, concession to the broader rendering of forms and looser brush work that had become popular by the turn of the twentieth century and is evident in Winslow Homer’s seascapes. However, Richards’s longstanding preference for detail is still apparent in the crisp definition of the cresting waves.
Kerk te Warmond
Object type: drawing
Date: 1600 – 1699
Materials: chalk, paper
Techniques: brush
Artist: jan abrahamsz. beerstraten
Artist role: draughtsman, painter
Artist dates: 1622 – 1666
Subjects: church (exterior), warmond

De kerk te Warmond, gedeeltelijk in ruïne; rechts is een gedeelte van het nieuwe kerkgebouw zichtbaar. In de verte links een hoge boom en een huis.
Bièvre. / Beaver. / Biber. / Castore. / Bever
Object type: popular print
Date: 1829 – 1880
Materials: paper
Techniques: colour, letterpress printing, lithograph
Location: mainz
Artist: Anonymous
Subjects: rodents: beaver
Inscriptions: collector's mark: Lugt 2760

Twee bevers aan de waterkant. Genummerd rechtsonder: 30a.
Takanawa Ni-ju-roku Ya
Object type: print
Date: 1840 – 1840
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: crowd,street scene,boats
Vrede
Object type: print
Date: 1533 – 1567
Materials: paper
Techniques: engraving
Location: italy
Artist: francesco salviati
Artist role: draughtsman, painter, print maker
Artist dates: 1510 – 1563
Subjects: symbols, allegories of peace, 'pax'; 'pace' (ripa)
Inscriptions: collector's mark: Lugt 240

Vrede (Pax) als vrouw zittend op een triomfwagen die getrokken wordt door twee honden. In haar hand houdt zij een olijftak. Op de grond liggen wapens waar de wagen overheen rijdt. Bovenaan een regel Latijnse tekst.
Kerst- en Nieuwjaarskaart voor 2001 van Deloitte & Touche
Object type: new year card
Date: 2000 – 2000
Materials: paper
Techniques: offset printed
Location: netherlands
Artist: frits j. rotgans
Artist role: fotograaf
Artist dates: 1912 – 1978
Subjects: christmas card, winter landscape; landscape symbolizing winter (the four seasons of the year), windmill in landscape, january 1 (~ festivities)
Inscriptions: collector's mark: Lugt 2228

Kerst- en Nieuwjaarskaart voor 2001 van Deloitte & Touche. Wintermaanden, binnenin een foto van een winterlandschap.
Goddess, Possibly Nana, Seated on a Lion
Object type: icon
Date: 401 – 600
Materials: plaster
Culture: afghan
Subjects: gandharan,lions

The Central Asian goddess Nana (Ardokhsho) seated on her lion mount is likely the source for this small icon from Buddhist Afghanistan. Nana in turn has close ties with a number of West Asian goddesses, notably the Near Eastern Anahita and the Mediterranean Tyche and Demeter. Here, the goddess is represented as benign, holding a cornucopia-like palmette. The imagery of Nana with a lion appears to have been transmitted principally via West Asian coinage.
Returning Sails of the Towel Rack (Tenugui-kake no kihan), from the series "Eight Views of the Parlor (Zashiki hakkei)"
Object type: print
Date: 1766 – 1766
Techniques: woodblock print, surimono
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Queen of Norway and Sweden, from the Rulers, Flags, and Coats of Arms series (N126-1) issued by W. Duke, Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: queens,portraits,coat of arms,flags

Trade cards from the "Rulers, Flags, and Coats of Arms" series (N126-1), issued in 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type, pictured here, is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Sketches of White Cattle from the Maremma
Object type: drawing and watercolor
Materials: chalk, gouache, graphite, paint, paper, watercolor
Techniques: heightening
Location: italy
Artist: Anonymous
Artist nationality: italian
Artist dates: 1800 – 1899
Bowl
Object type: bowl
Date: 5500 – 5500
Materials: ceramic, paint
Culture: iranian
Location: iran

These sherds are the remains of a large ceramic bowl. It is made of buff clay and decorated with a cream slip, on which brown lines have been painted. It was excavated at Yarim Tepe in northeastern Iran, six miles south of the modern town of Gonbad-e Kavus. Yarim Tepe was a small settlement, inhabited from the Neolithic to the Parthian period, with many interruptions. The bowl was found in a earliest levels of the site, which date to the Neolithic.
Tiles
Object type: tile
Date: 1651 – 1700
Materials: earthenware
Techniques: glazing
Oor van een kardoeskoker uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: cartridge canister
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Cartridge canister, lug; corroded, id. NG 1980-27H2394.
The Republic calls us! Let us be victorious or die, from 'News of the day,' published in Le Charivari, September 20, 1870
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,children,men,women