deem-data/ArtiFact huggingface dataset:
Portret van Antoine Masson
Object type: print
Date: 1659 – 1740
Materials: paper
Techniques: engraving
Location: paris
Artist: jan van der bruggen
Artist role: draughtsman, print maker
Artist dates: 1649 – 1709
Subjects: paris, antoine masson, wig
Inscriptions: collector's mark: Lugt 2228

Portret van de Franse graveur Antoine Masson met een lange krulpruik.
Schets van twee mannen
Object type: drawing
Date: 1824 – 1894
Materials: paper, pencil
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: standing figure, male sex; man
Jérusalem, Vallée de Hinnom, Tombeau antique à fronton triangulaire et à crossettes
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: tombs
Terracotta fragment of a kylix: eye-cup (drinking cup)?
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of the outer edge of an eye?
Head with tripartite wig, probably from a shabti
Object type: shabti, head
Date: 1450 – 1400
Materials: stone
Location: egypt

Expertly carved and highly polished, this fragment represents an important but relatively rare type of funerary figure from the mid-18th Dynasty. The style of the face, with tilted eyes, broad cosmetic lines, a delicate nose, and a full, slightly-smiling mouth, helps to place the piece in this period (ca. 1400 B.C.), relatively early in the history of the shabti. At this time such figures, meant to carry out labor for the deceased in the afterlife, display a great deal of variety and individuality. What remains of the wig suggests that it was of a type known as "tripartite," which would have fallen in three sections (two in front and one in back) to about the top of the chest. The beard, of which only the top is preserved, would likely have been the divine type: long and cylindrical, and turned up at the tip.
Portret van Anna Paulowna Romanowa
Object type: print
Date: 1816 – 1819
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, anna paulowna romanowa

Portret van Anna Paulowna in een ovaal. In de ondermarge zes regels Nederlandse tekst. Rechtsonder 'Proefdruk.'.
A full size écorché study of a hound
Object type: drawing
Date: 1821 – 1821
Materials: chalk
Artist: charles landseer
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1879
Subjects: dogs

Charles Landseer belonged to a celebrated family of artists. His father was the engraver and antiquary John George Landseer (1753–1862) and his brothers the engraver Thomas Landseer (1793–1880), and celebrated animal painter Edwin Henry Landseer (1802–1873). In 1815 Charles and Thomas began training under Benjamin Robert Haydon (1786–1846) who exposed them to a rigorous method of anatomical drawing that involved sketching from cadavers and making dissections, as well as more traditional practices such as copying prints and drawings. Around 1817 Edwin took up the same course of study, and the three brothers continued until 1822, using black, red and white chalks on buff or gray wove wrapping papers. Since the three often worked side by side, used identical materials and rarely signed their drawings, questions of authorship often arise. Close comparative study has, however, led this life-size study of a hound to be given to Charles.
“Spring” Waka
Object type: hanging scroll
Date: 1334 – 1366
Materials: ink, paper
Culture: japanese
Artist: nijō tametada
Artist role: artist
Artist nationality: japanese
Artist dates: 1309 – 1373
Tile
Object type: tile
Date: 1640 – 1660
Materials: earthenware
Techniques: glazing
Subjects: birds,men,women,bees
Groepsfoto, portret en overlijdensbericht
Object type: album leaf
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: utrecht, adolescent, young woman, maiden, studio requisites ~ photographer, adult man

Albumblad met een foto van kinderen verkleed als Sneeuwwitje en de zeven dwergen, een portret van (vermoedelijk) Martinus W. Petri en zijn overlijdensbericht. Onderdeel van Fotoalbum van de familie Petri.
River View with Ferry
Object type: painting
Date: 1655 – 1655
Materials: oil, panel
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: river, ferry
Inscriptions: label, on the reverse: ‘No. 7 H Saftleven / Rivière’, signature and date, with ligated monogram, lower left: ‘HS 1655’, label, on the reverse: ‘Herman Saftleven / a Utrecht / fecit Anno 1655’, inscription and date, on the reverse: ‘[…] 1655’

Rivierlandschap met veerpont met passagiers en vee. Links werken boeren op de akkers langs een weg. Aan de overzijde ligt een kasteel op een heuveltop.
Grafmonument met twee verdiepingen
Object type: print
Date: 1629 – 1716
Materials: paper
Techniques: engraving
Location: paris

Op de bovenste verdieping staan twee kisten bekroond met een brandende urn. Uit eerste editie.
Negen gezichten op kerken in West Dorset
Object type: photomontage
Date: 1868 – 1873
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: inscription: ‘Creech (...) Cur[...]’
Straight-sided bowl with figure, flower sprays and auspicious symbols
Object type: bowl
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: engraving, firing, forming, turning, vitrification
Location: china
Artist: Anonymous

Wijde kom met een vrijwel rechte wand, op een standring en met een geprononceerde bolling in het plat. Aan de buitenzijde beschilderd met vier verschillende bloeiende planten, aan de binnenzijde met vier maal de taoistische onsterfelijke Lan Tsai Ho en rond de bolling acht geluksymbolen.
Maharana Amar Singh II Riding a Jodhpur Horse
Object type: painting
Date: 1700 – 1710
Materials: ink, paper, watercolor
Culture: western indian, rajasthan, udaipur
Artist: stipple master
Artist role: artist
Artist nationality: indian
Artist dates: 1680 – 1725

Amar Singh II, accompanied by four retainers, rides to the hunt on a prized blue-gray stallion, the chromatic and compositional focus of the painting. An inscription on the reverse tells us that the horse is from Jodhpur, a city famed for its steeds. Dramatically rendered portraits of prized horses and elephants were a well-developed genre of Mughal painting, and here the artist has combined this celebration of a horse and rider into another favored Mughal idiom, the royal hunt. The so-called Stipple Master’s elegant equestrian group contrasts with the understated landscape, in which lightly modulated forms echo the Persian-Mughal technique of nam qalam (half-tone painting), believed to have been inspired in part by European grisaille. Several of the finest artists in Amar Singh II’s atelier created colored drawings in this style, perhaps in reaction to the more traditional, brightly colored Rajput paintings.
Presentation of Children
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: italy
Artist: Anonymous
Artist nationality: possibly italian
Artist dates: 1800 – 1899
Wetenschap en Goddelijke Wijsheid
Object type: book illustration
Date: 1699 – 1699
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: symbolic representations, allegories and emblems ~ science, 'scientia'; 'scienza', 'studio' (ripa), eternity, 'aeternitas'; 'eternità','eternità o perpetuità' (ripa), serpent ouroboros, education, 'sapientia', wisdom; 'sapienza divina' (ripa) ~ one of the seven gifts of the holy ghost
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond de personificatie Wetenschap, met een armillarium op haar hoofd. Ze geeft les aan enkele jongeren, terwijl twee ouders een andere jongen bij haar brengen. In de lucht openbaart zich Goddelijke Wijsheid, een gevleugelde vrouw met de tien geboden en de worm ouroboros in haar handen.
Zeven verschillende markthallen te Amsterdam
Object type: book illustration
Date: 1723 – 1730
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: anna folkema
Artist role: draughtsman, print maker
Artist dates: 1695 – 1768
Subjects: city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), market-hall
Inscriptions: collector's mark: Lugt 1641b

Individuele voorstellingen van de Grote Vismarkt, Nieuwe Vismarkt, Grote Vleeshal, Kleine Vleeshal, Westerhal, Vleeshal op de Herenmarkt en Joodse Vleeshal, genummerd van N° 1 tot en met N° 6. Bovenaan gemerkt: II. Deel. 3. Boek. / Pag: 128*. Onderwerpsrubriek binnen de Atlas Amsterdam: Handel en Zeevaart: Verzamelbladen.
Delfische Sibille
Object type: print
Date: 1530 – 1582
Materials: paper
Techniques: engraving
Location: italy
Artist: giorgio ghisi
Artist role: print maker
Artist dates: 1520 – 1582
Subjects: sibyls
Inscriptions: collector's mark: Lugt 240

Prent uit een reeks van 6 prenten naar de schilderingen in de lunetten boven de ramen in de Sixtijnse Kapel door Michelangelo.
Strook naaldkant met halve ovalen bekroond met een narcis
Object type: strip
Date: 1750 – 1770
Materials: linen
Techniques: lace
Location: france
Artist: Anonymous

Strook naturelkleurige naaldkant: Alençon-kant. Patroon met een repetitief motief van verschillende ranken met veelsoortige bloemen op een fijne zeshoekige maasgrond. Tussen de ranken opengewerkte figuren, waaronder halve ovalen. De halve ovalen zijn gevuld met een siergrond met zespuntige bloemen, ze beslaan de hele breedte van de strook en worden bekroond door een narcis. De geschulpte onderrand vormt zich deels vanuit het rankenpatroon en verder vanuit smalle liggende bladranken met enkele bloemen. De bovenzijde is afgezet met een rand kloskant.
Student, from World's Smokers series (N33) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,smoking

Trade cards from the "World's Smokers" series (N33), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Printer's samples included in set, as well. The printer's sample cards are on thinner card stock and do not have any printed text.
Triomf van Religie
Object type: print
Date: 1550 – 1650
Materials: paper
Techniques: engraving
Location: antwerp
Artist: wierix
Subjects: the three theological virtues, death as skeleton, allegorical representations ~ religion; 'religione', 'religione de ss. mauritio e lazaro', 'religione vera christiana' (ripa)

De gevleugelde Religie staat naast het kruis en vertrapt de Dood. De voorstelling is gevat in een ovale omlijsting bekroond met het tetragram in een cartouche. Rond de omlijsting de vrouwelijke personificaties van Geloof (met kruis), Hoop (met anker) en Liefde (met kleine kinderen).
Meiringen, Vue Generale
Object type: album leaf
Date: 1892 – 1895
Materials: paper
Techniques: photograph
Location: meiringen
Artist: Anonymous
Subjects: dale, valley, city-view in general; 'veduta'
Inscriptions: number: ‘1696.’

In 1891 brandde de dorpskern van Meiringen af. Deze afbeelding toont het nieuwe stratenplan. De Aarebrücke rechts werd in 1896 vervangen door een ijzeren brug.
Portret van Abraham van der Meer op 42-jarige leeftijd met portret miniatuur van zijn vrouw Maria van den Corput op 23-jarige leeftijd
Object type: print
Date: 1626 – 1626
Materials: paper
Techniques: engraving
Location: delft
Subjects: 'vanitas' symbols, tetragram (in roman or hebrew script) ~ symbol of god the father, neck-gear: collar (+ men's clothes)
Inscriptions: collector's mark: Lugt 240, inscription: ‘RQ’

Portret van raadsheer Abraham van der Meer op 42-jarige leeftijd, hij draagt een medaillon met portret miniatuur van zijn vrouw Maria van den Corput op 23-jarige leeftijd aan een ketting. Borststuk gekleed in plooikraag en toga in ovale cartouche geflankeerd door een brandende en een gedoofde kaars. Onder het portret een cartouche met Latijns vers in zes regels. Boven het portret is met een aparte smalle plaat de Hebreeuwse naam van God in stralend licht gedrukt. De stralen lopen door in de bovenrand van de plaat met het portret.
Beaker
Object type: glass
Date: 1801 – 1900
Materials: glass
Techniques: glassblowing
Location: austria
Artist: j. & l. lobmeyr
Artist nationality: austrian
Artist dates: 1822 –
The Fall of Icarus
Object type: print
Date: 1650 – 1700
Techniques: etching
Artist: giuseppe diamantini
Artist role: artist
Artist nationality: italian
Artist dates: 1621 – 1705
Speculum paenitentice
Object type: print
Date: 1647 – 1714
Materials: paper
Techniques: etching
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Tureen with cover
Object type: tureen with cover
Date: 1785 – 1800
Materials: hard paste porcelain
Subjects: men,elephants
Treurwilg
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: aquatint, soft ground etching
Location: london
Artist: john robert cozens
Artist role: draughtsman, print maker
Artist dates: 1752 – 1797
Subjects: trees: weeping willow, brook, angling
Inscriptions: collector's mark: Lugt 2760, title: ‘Weeping Willow.’, collector's mark: Lugt 2228
Torcello
Object type: photograph
Date: 1885 – 1885
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: torcello
Sutra Cover with Chinese Characters
Object type: sutra cover
Date: 1501 – 1600
Materials: silk
Techniques: patterning, weave
Culture: chinese

Sutras printed in the accordion-fold format were often encased by covers wrapped in decorative silks. Covers both protected the sacred words and presented the sutras in beautiful envelopes that signaled the importance of the contents within. These examples from the sixteenth century indicate the variety of sutra cover motifs, including some seemingly irrelevant to Buddhist philosophy, such as dragons, phoenixes, or the character shou, meaning longevity
Rocaille omraming met oude man
Object type: print
Date: 1731 – 1775
Materials: paper
Techniques: etching
Location: augsburg
Subjects: rocaille ornament, old man
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Rocaille omraming met oude man met cape en boek in landschap. Uitgeversnummer 109.
Hert in de bergen
Object type: print
Date: 1845 – 1902
Materials: paper
Techniques: etching, hand coloring, iris print, roulette
Location: leipzig
Artist: albert henry payne
Artist role: print maker, publisher
Artist dates: 1812 – 1902
Subjects: hoofed animals: deer, mountains
Inscriptions: collector's mark: Lugt 2228
Droit de visite
Object type: cartoon
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: paris
Artist: paul gavarni
Artist role: draughtsman, print maker
Artist dates: 1804 – 1866
Subjects: writing-table, writing-desk, adult woman, reading, letter, envelope
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 10 januari 1843.
Standing Farmer holding a Pitchfork
Object type: figure
Date: 3200 – 1700
Materials: earthenware, glaze
Culture: chinese
Subjects: farmers
Groepsfoto in de Gravenstraat
Object type: photograph
Date: 1908 – 1910
Materials: photographic support
Techniques: photography
Subjects: amsterdam, andries augustus boom

Groepsfoto van Andries Boom, Dr. van Hall en Dhr. van de Werk, in het huis van Van Hall in de Gravenstraat in Paramaribo, oktober 1908. Op de achtergrond bananenbomen. Onderdeel van het fotoalbum van de familie Boom-Gonggrijp in Suriname en Curaçao.
Nieuwe platte grond der stad Amsteldam, nu uitmaakende de XIV districten van het Ye en Een gedeelte van het district Ye-en Meer verdeeld in districten ieder bevattende 15000 zielen
Object type: area plan
Date: 1795 – 1796
Materials: ink, paper
Techniques: brush, engraving, etching, pen
Location: amsterdam
Artist: cornelis van baarsel
Artist role: print maker
Artist dates: 1761 – 1826
Subjects: maps of cities, amsterdam
Inscriptions: collector's mark: Lugt 2228

Plattegrond van Amsterdam tijdens de Bataafse Republiek met indeling in veertien districten. Linksboven de legenda van de gebouwen en het eerste deel van de legenda van de zaagmolens. Rechtsboven de legenda van de straten en stegen en het vervolg van de legenda van de zaagmolens. Onder in het midden de titelcartouche. Links daarvan de schaalstok: Schaal van 2000 Amsterdamsche Voeten. Met zoekrooster. Oriëntatie: zuidzuidwest boven.
De Russische troonopvolger bezoekt Zaandam en het Tsaar Peter-huis 1839
Object type: history medal
Date: 1839 – 1839
Materials: bronze
Techniques: striking
Location: utrecht
Artist: johannis petrus schouberg
Artist role: die cutter, draughtsman, print maker
Artist dates: 1798 – 1864

Bronzen penning, op de voorzijde het Tsaar Peterhuis met omschrift en afsnedetekst, op de keerzijde zeven regels tekst, onder een klein wapenschild gedragen door een gekroonde leeuw met zwaard, tussen een samengestrikte wilgen- en vergeetmijnietjestak.
Markt, serie B
Object type: print
Date: 1603 – 1633
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: pilgrim(s), neck-gear ~ clothing (with name), cape (huik) (+ women's clothes), market, neck-gear: collar
Inscriptions: collector's mark: Lugt 240

Een groepje elegant geklede burgers, voor wie twee pelgrims, op een markt. Een van hen vraagt een aalmoes. Links een vrouw met huik, bij een mand met fruit. Daarnaast wordt een kar uitgeladen. Derde prent van een fries bestaande uit vier prenten, voorstellende een markt.
San Lorenzo, New Sacristy, portal, plan; elevation (recto) San Lorenzo, New Sacristy, portal, details (verso)
Object type: drawing
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture
Portret van Franz Ferdinand von Schiller
Object type: print
Date: 1831 – 1855
Materials: paper
Techniques: lithograph
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Three tile panels with Autumn, Summer and Spring
Object type: tile
Date: 1760 – 1780
Materials: earthenware, glaze
Techniques: maiolica
Location: rotterdam
Artist: johannes aelmis (i)
Artist role: tegelschilder
Artist dates: 1674 – 1755
Subjects: summer ~ human activities (the four seasons of the year)

Couples with individual attributes represent three of the four seasons. An elegant, Rococo border frames the scenes. The panels probably come from a room once decorated with tiles.
Gezichte van de Luithersche Nieuwe Kerk: op de Singel
Object type: print
Date: 1713 – 1737
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: protestant churches and denominations

Prent verschenen in: Ratelband, Johannes. Wegwyzer of Korte beschryvinge van de stadt Amsterdam (...). Amsterdam: Erven van J. Ratelband en Co., 1737.
Brush holder with tribute scene
Object type: brush holder
Date: 1701 – 1800
Materials: jade
Culture: chinese
Subjects: human figures,elephants,mountains

The lively figures carved on this brush pot represent a scene of tribute bearers, possibly from a country in Southeast Asia, traveling to China. The figure holding a scepter is leading the procession, which includes a peculiar two-wheeled cart laden with treasures, a lion, and an elephant with a precious plant.
Terracotta fragment of a stamnos (jar)
Object type: stamnos fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Part of the rim of a stamnos; the exterior is black glaze; the interior, has the stern of a ship on waves; at the shoulder, a band of tongues, alternating with black and red; below a thin band of reserve
Fragment
Object type: textile
Date: 1650 – 1675
Materials: lace, linen, silk
Techniques: lace
Location: england
Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1550 – 1577
Techniques: engraving
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: weapons,faces,male nudes,female nudes

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Subjects L. to R. top row: B.132, 128,130; middle row: B.114, 108, 101; bottom row: B.115 w 111, 104
Verlengde Gonggrijpstraat
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘22. / Verlengde Gonggrijpstraat.’

Smalle weg lopend tussen gras en bomen, in het onderschrift aangeduid als de verlengde Gonggrijpstraat. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Foto en collageboek 'De Verborgen Camera'
Object type: album leaf
Date: 1905 – 1940
Materials: paper, plastic
Techniques: photography
Location: rotterdam
Artist: Anonymous
Subjects: amsterdam, tonny van renterghem, berlin, fritz kahlenberg, devastated, ruined place or city (~ warfare), rotterdam, rotterdam blitz

Zes foto's van het gebombardeerde Rotterdam, illegaal verspreid omdat de Duitse bezetter trachtte te verhinderen dat dit soort beelden naar buiten kwamen.
Brief aan Max Dittmar Henkel
Object type: letter
Date: 1924 – 1924
Materials: ink, paper
Techniques: pen, printing, typewriting, writing
Location: the hague
Artist: cornelis hofstede de groot
Artist role: kunsthistoricus
Artist dates: 1863 – 1940
Subjects: deventer, print maker, draughtsman, bartholomeus breenbergh, utrecht, jacob de jonckheer, lambert doomer, max dittmar henkel, drawing, painting (including book-illumination, miniature-painting)