deem-data/ArtiFact huggingface dataset:
Arcus Carolini suprema tabula. Belgica Caroli iam caelitis opem implorat
Object type: print
Date: 1635 – 1636
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: philip ii of spain, filips iv (koning van spanje), infante van spanje isabella clara eugenia, charles v (holy roman emperor and king of spain), filips iii (koning van spanje), landvoogd der zuidelijke nederlanden ferdinand van oostenrijk, personifications of countries, nations, states, districts, etc., triumphal arch, ghent

De smeekbede van Belgica. De maagd van de Zuidelijke Nederlanden knielend met de landskroon vraag Karel V om Ferdinand het land te laten besturen. Scène in de hemel, Karel V zit met de vorsten Filips II, Filips III en Isabella Clara Eugenia. Filips IV overhandigt Ferdinand een commandostaf. Voorstelling bovenop de voorzijde van de triomfpoort Arcus Caroli op de Vrijdagmarkt. Blad nr. 26 in een geheel van 42 platen die de uitgave van de beschrijving van de intocht van de Kardinaal Infant Ferdinand van Oostenrijk te Gent op 28 januari 1635 als de nieuwe landvoogd voor de Spaanse Nederlanden illustreren.
Ladle
Object type: ladle
Date: 1810 – 1825
Materials: silver
Culture: american
Artist: s. yates
Artist role: maker
Artist nationality: american
Artist dates: 1807 – 1825
Twee knielende kinderen naast een man
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: kneeling figure (+ two persons), container made of plant material other than wood: basket
Inscriptions: annotation: ‘[...]renlassen.de portefeuille’

Blad 6 recto uit een schetsboek met 30 bladen.
Collection Bardini
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Location: florence
Artist: Anonymous
Subjects: ornamental cupboard (+ wood and other phytogenic material)
Inscriptions: number: ‘Pl. 63’
Plate Five, from Book of Ornament
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: engraving
Location: france
Artist: simon gribelin ii
Artist role: artist
Artist nationality: french
Artist dates: 1661 – 1733

Simon Gribelin II’s charming set of 12 engravings makes up a book of ornament patterns that could be copied by artists and perused by enthusiasts. The detailed images in the New Book of Ornament Useful to All Artists alternate between sinuous frames with historical and mythological cartouches and more schematic images in the shape of medallions, decorative bands, and jewelry.
Bergachtig landschap met drie koeien in het water
Object type: print
Date: 1847 – 1863
Materials: paper
Techniques: tone lithography
Artist: josefus gerardus hans
Artist role: painter
Artist dates: 1826 – 1891
Subjects: cow, mountains (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Rechts verscholen achter bomen enkele huizen en een kerk.
Bird seller (one of a pair)
Object type: figure
Date: 1742 – 1742
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds,men,women
Hoornblazende ruiter
Object type: print
Date: 1580 – 1580
Materials: paper
Techniques: woodcut
Subjects: riding a horse, ass, or mule; rider, horseman, horn, trumpet, cornet, trombone, tuba

Prent ook gebruikt in: Amman, Jost. Kunstbüchlein. Frankfurt am Main: Feyerabend, 1580.
Miniature Covered Box with Knob
Object type: vessel
Date: 1467 – 1533
Materials: cobalt, glaze, stoneware
Techniques: glazing, underglaze
Location: vietnam
Subjects: blue (color)
Bowl
Object type: bowl
Date: 801 – 1000
Materials: earthenware, glaze
Techniques: painting, polychrome
Location: iran
Nederlandse 10 cent,1896
Object type: coin
Date: 1896 – 1896
Materials: silver
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: jeugdig borstbeeld naar links. Keerzijde: binnen twee samengebonden eiketakken waarde-aanduiding 10 cents en jaartal. Kartelrand.
La Geronstere
Object type: photomechanical print
Materials: paper
Techniques: photolithography
Location: spa
Artist: c.f.
Artist role: fotograaf
Subjects: spring (fluids extracted from the earth)
Inscriptions: collector's mark: ‘EA’, inscription: ‘PHOTOLITH. SIMONAU & TOOVEY, d'après le procédé de Mr. ASSER.’, inscription: ‘SE VEND CHEZ F. ENGEL A SPA.’
Yoohoo! here it is again!, from 'News of the day,' published in "Le Charivari"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,reading
Pa sin
Object type: cloth
Date: 1900 – 1949
Materials: cotton, silk
Techniques: weave
Location: laos
Artist: Anonymous
Fotoreproductie van een deel van de fresco's op de muur van de Sixtijnse Kapel door Michelangelo te Vaticaanstad , voorstellende het Laatste Oordeel en het werpen van de verdoemden in de hel
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: vatican
Artist: Anonymous
Subjects: last judgement, devil(s) and demons, the fall of the damned ~ last judgement, charon, the ferryman
Inscriptions: collector's mark: Lugt 3937, number: ‘14549.’
Coffee Pot on Stand (part of a service)
Object type: coffee pot on stand part of a service
Date: 1805 – 1805
Materials: ivory, silver
Artist: digby scott
Artist role: maker
Artist nationality: british
Artist dates: 1780 – 1880
Landschap met kale boom en herder
Object type: print
Date: 1820 – 1886
Materials: paper
Techniques: etching
Subjects: trees, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., water course
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 698

Links een herder met koeien, rechts een kale boom aan het water.
Studie van een vrouwelijk naaktmodel, zittend op podium naast schildersezel en van voren gezien, in het atelier van Jacques de Lalaing, voorstudie voor grafmonument Fernand Scribe op kerkhof van Gent
Object type: photograph
Date: 1895 – 1898
Materials: photographic support
Techniques: albumen print
Location: brussels
Artist: jacques lalaing
Artist role: painter, sculptor
Artist dates: 1858 – 1917
Subjects: adult woman, the (nude) human figure; 'corpo humano' (ripa) (+ front view), artist (in general) working from nude model
Air and Fire
Object type: andiron
Date: 1770 – 1770
Materials: gilt bronze
Subjects: birds,men,women
Quattrino coin, Gianfrancesco II di Gonzaga (d. 1519) (?)
Object type: quattrino coin
Date: 1501 – 1600
Materials: bronze
Designs for the Ornament of Swords and Firearms
Object type: album of thirty five original drawing of sword, firearm, and related item
Date: 1850 – 1860
Materials: ink, leather, paper, pencil
Techniques: wash
Culture: french
Location: france
Artist: louis-françois devisme
Artist role: designer
Artist nationality: french
Artist dates: 1833 – 1886
Subjects: firearms,swords,ornament

These designs are part of an album from the workshop of the Parisian gunmaker Louis-François Devisme (active 1833–1886). The album includes thirty-five original drawings, in addition to tracings and inked impressions ("pulls"), showing swords, parts of swords, firearms, and firearms ornament. Together they represent an eclectic mix of Renaissance revival, neoclassical, and Second Empire styles, all of which were popular in French decorative arts during the mid-nineteenth century.
Zeilschepen en een raderstoomschip op zee
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: etching, intaglio
Artist: egidius linnig
Artist role: draughtsman, print maker
Artist dates: 1821 – 1860
Subjects: sailing-ship, sailing-boat, paddle-wheel boat
Inscriptions: collector's mark: Lugt 2228
De vlugt der zeven remonstrantsche predikanten uit Loevestein
Object type: print
Date: 1780 – 1795
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: law and jurisprudence (+ escape from prison), loevestein castle

Gebruikt als illustratie in: J. Fokke, Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd, Johannes Allart, Amsterdam 1783-1795, 25 delen, dl. VIII, pl. I. Niet in Frederik Muller; door het RPK toegevoegd nummer.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of helmet; two letters of an inscription, ES
Alkmene bevalt van Hercules
Object type: print
Date: 1678 – 1678
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: birth of hercules and his twin brother iphicles; juno delays the birth by sitting outside alcmene's door with crossed knees and fingers
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van negentien prenten.
Mummy Cloth Fragment of Djedptahefankh
Object type: mummy cloth fragment, djedptahefankh
Date: 1070 – 945
Materials: linen
Location: upper egypt, thebes
Terracotta fragment of a stemmed plate?
Object type: stemmed plate fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from a stemmed plate?
Pair of candlesticks
Object type: candlestick
Date: 1775 – 1780
Materials: metal
Herdenkingsprent ter nagedachtenis aan Christoph Georg Siegmund Begemann
Object type: print
Date: 1816 – 1818
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: amsterdam, historical persons, grave, tomb, book, mourning customs, parts of ship's exterior: anchor
Sculptures extérieures du Sanctuaire de granit du Palais de Karnac (Ammon assurant la couronne sur la tête de Philippe-Aridée)
Object type: photograph
Date: 1849 – 1850
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: sculpture,hieroglyphs,amun

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
PARIS. Église de la Madeleine, la Nef.
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Subjects: parts of church interior: nave
Inscriptions: negative number: ‘46’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in België en Frankrijk.
Landschap met huizen en een beek
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: etching, intaglio
Location: brussels
Subjects: brook, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Deze prent won de tweede prijs bij een wedstrijd in Brussel georganiseerd door de 'Journal des Beaux-Arts et de la Littérature' in 1875. De juryleden waren: Eugène de Block, Kindermans en David Joseph Desvachez.
Prophecy Explained
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,napoleon i,men,politics
Binnenplaats van het Palazzo Vecchio te Florence
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: florence
Subjects: palazzo vecchio
Inscriptions: : ‘FRATELLI ALINARI / FIRENZE’, : ‘10880.’, stamp: ‘RYKS.SCHOOL.VOOR.KUNSTNYVERHEID / GROEP’
Luitenant-kolonel
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: siege, position war, helved weapons, polearms (for striking, hacking, thrusting), officer
Inscriptions: collector's mark: Lugt 2228a

Een man in militaire uitdossing (een luitenant-kolonel), ten voeten uit, een zwaard aan zijn gordel, een stokwapen (partizaan) in zijn rechterhand. Op de achtergrond een heuvelachtig landschap waarin een stad belegerd wordt. Onder de voorstelling twee regels tekst in Latijn. Deze prent is onderdeel van een serie van 12 genummerde prenten van militairen, ten voeten uit weergegeven tegen een landschappelijke achtergrond waarin krijgshandelingen verricht worden, en met een tweeregelig Latijns onderschrift.
Studie
Object type: sketchbook leaf
Date: 1883 – 1885
Materials: chalk, paper
Location: drenthe
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923

Pagina 85 uit een schetsboek met 48 bladen.
Ruins of the Opera After the Fire of 1781
Object type: drawing and watercolor
Date: 1781 – 1781
Materials: chalk, paper
Location: france
Artist: hubert robert
Artist role: artist
Artist nationality: french
Artist dates: 1733 – 1808
Subjects: cityscapes
Le Phénix se Brulant (The Phoenix is Burning), plate 7 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Object type: print
Date: 1621 – 1635
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: phoenix
Three mirrors (part of a set)
Object type: mirror
Date: 1848 – 1849
Materials: glass, silver, wood
Artist: johan fredrik falck
Artist role: maker
Artist dates: 1838 – 1845

The firm of Nicholls & Plincke was founded by members of the relatively large community of English silversmiths and craftsmen working in Saint Petersburg. After 1840 it was one of the most important retailers of luxury items before Carl Fabergé overshadowed all competitors. Several contemporary Saint Petersburg newspapers praised the high-quality products of the magasin anglais Nicholls & Plincke. According to the donor's family tradition, this rare set with more than fifty items bearing the monogram CMI was "originally made for and used by Colin Macrae Ingersoll [1819–1903], when he accompanied his father, Ralph Isaacs Ingersoll [1788–1872], to the Court of Czar Alexander II of Russia, where the latter served President [James Knox] Polk [1795–1849] as Minister Plenipotentiary from 1846 to 1848. . . . The family story has always been that [the set and case were] made for stagecoach travel in Russia." Plain silver objects—like the ewer and the cup of this set—with simple outlines and restrained forms inspired silversmiths of the modern era. Only the elaborate cartouche framing the monogram indicates that the set was made in the early Victorian period.
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two rim fragments from kylikes, each with a bit of the handle patch
Optrekken van de wacht op het Binnenhof met een schandelijk vaandel, 1787
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: drill ~ military training, patriots (1780-1795)
Inscriptions: date

Huidige staat van prent ook gebruikt in: Loosjes, P.A. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden (…) Ten vervolge van Wagenaars Vaderlandsche historie. 48 delen. Amsterdam: Johannes Allart, 1786-1811, dl. 16 (1796), tussen p. 94 en 95.
Length
Object type: length
Date: 1867 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: dragons
Terracotta fragment of an olpe (jug)
Object type: olpe fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

At the left, the panel border is comprised of vertical bands of dots; inside the panel, buttocks and thighs of a youth with chlamys
Mirror with Images of Purity and Immortality and “Lion and Grapevine” Design
Object type: decorative art
Materials: bronze
Location: china
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

On top of the shoulder, pendant lotus buds; below, head, round shield, and spear of a warrior to left
Titelpagina voor: Thomas Salmon, Hedendaagsche historie of Het vervolg van de Algemeene historie, 1772
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: personifications of countries, nations, states, districts, etc., 'historia'; 'historia' (ripa), france
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Salmon, Thomas. Hedendaagsche historie of Het vervolg van de Algemeene historie (...) IVde Deel. Amsterdam: Groot en Zoon, Gerrit de en Schouten, Petrus, Leiden: Eyk, Pieter van der en Vijgh, Daniel, 1772.
Prent afkomstig uit een plakalbum met titelprenten, ornamenten etc. op blauw papier in 1983 uit elkaar gehaald. Volgens een notitie op verso zat de prent op p. 201 van dit album.
Portret van Theodorus Craanen
Object type: print
Date: 1651 – 1719
Materials: paper
Techniques: engraving
Subjects: physician, doctor, book, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

De Leidse hoogleraar medicijnen en wijsbegeerte Theodorus Craanen. Craanen werd in 1687 lijfarts van de Duitse keurvorst Friedrich Wilhelm van Brandenburg. Hij heeft een boek onder zijn hand.
Hammered Silver Bead
Object type: bead
Date: 701 – 1566
Materials: gilt, silver
Techniques: hammering
Culture: peruvian
Location: peru
Fles met twee oren, veelkleurig beschilderd met een Kakiemon-decor
Object type: bottle
Date: 1735 – 1735
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: factory mark

Two miniature vases. Meissen, c. 1730 - 1740.
Evening
Object type: print
Date: 1741 – 1741
Techniques: engraving, etching
Artist: nicolas de larmessin iii
Artist role: engraver
Artist nationality: french
Artist dates: 1685 – 1755
Cachet van Louis Boisot
Object type: zegelstempel, lakstempel
Date: 1500 – 1600
Materials: silver
Techniques: casting, forging, striking
Location: netherlands
Subjects: netherlands

Kleine ovale zegelstempel, het handvat bestaande uit twee verstrengelde monstervissen, aan hun staart een draagring. Gehelmd wapen, op de helm een boom. De bovenste helft van het schild bestaat uit zeven verticale banen, op de onderste helft drie ringen rond een vijfpuntige ster. Gemerkt: Op de voet.
Vase with arhat
Object type: vase
Date: 1801 – 1900
Materials: cobalt, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: men
Zittend en liggend of staand vrouwelijk naakt
Object type: sketchbook leaf
Date: 1890 – 1920
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure (+ sitting), the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure (+ standing), the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure (+ lying)

Blad 39 verso uit schetsboek X met 43 bladen.
Ontzet van Steenwijk, 1581
Object type: print
Date: 1581 – 1583
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: kalkar, siege, position war

Steenwijk belegerd door de Malcontenten onder Rennenberg en ontzet door het Staatse leger onder Sonoy en Norrits, 22 februari 1581. Met onderschrift van 12 regels in het Duits en 5 regels in het Frans. Genummerd: 40.
Terracotta fragment of a Nolan neck-amphora (jar)
Object type: neck amphora fragment
Date: 475 – 460
Materials: terracotta
Culture: greek, attic

Above the meander and saltire square pattern, two horse hooves
Plan de la ville de Remiremont
Object type: print
Date: 1700 – 1702
Materials: paper
Techniques: engraving, hand coloring
Location: the hague
Subjects: maps of cities

Deze plattegrond is in meerdere atlassen gebruikt. Onder andere in: Les forces de l'Europe. 10 dln. Amsterdam: Pieter Mortier, ca. 1700. En in: Les forces de l'Europe. 12 dln. Amsterdam: Pieter Mortier, 1702.
Door het ontbreken van de marges van deze prent is onduidelijk om welke staat het gaat. Derhalve is niet te bepalen uit welke van deze publicaties dit exemplaar komt.
Later is deze zelfde prent door Pieter van der Aa gebruikt in twee publicaties. Gezien het eind van de werkzame periode van de inkleurder van de prenten in dit album is het niet mogelijk dat deze prent uit een van die publicaties komt.
Portret van Elburga van Boetzelaer (?)
Object type: drawing
Date: 1561 – 1568
Materials: chalk, paper
Artist: wouter pietersz i crabeth
Artist role: designer, draughtsman
Artist dates: 1520 – 1589
Subjects: historical persons - bb - woman
The Company of Saints in Glory
Object type: drawing
Date: 1772 – 1772
Materials: chalk
Techniques: drawing
Artist: charles nicolas cochin ii
Artist role: artist
Artist nationality: french
Artist dates: 1715 – 1790
Subjects: human figures,saints
Coin
Object type: coin
Date: 998 – 1030
Materials: copper, silver
Location: iran
Coach #3797
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016