deem-data/ArtiFact huggingface dataset:
Die Pfarr-Kirche in der Vorstadt Au
Object type: print
Date: 1797 – 1862
Materials: paper
Techniques: lithograph
Location: munich
Subjects: city-view in general; 'veduta', church (exterior)
Inscriptions: collector's mark: Lugt 2228
Man wearing a turban facing left, from "Large Oriental Heads"
Object type: print
Date: 1645 – 1650
Techniques: etching
Artist: giovanni benedetto castiglione (il grechetto)
Artist role: artist
Artist nationality: italian
Artist dates: 1609 – 1664
Subjects: men,profiles
Portret van Hans Holbein (II)
Object type: print
Date: 1624 – 1679
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: augsburg, london, painter, draughtsman, hans holbein (ii)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Portret van de schilder Hans Holbein (II) op 45-jarige leeftijd.
Fragmenten van kaartnet van noordelijk halfrond
Object type: map
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: maps, atlases

De prenten en kaarten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
Transverse Flute in C
Object type: transverse flute in c
Date: 1856 – 1856
Materials: metal, wood
Culture: french
Location: france
Artist: louis lot
Artist role: maker
Artist nationality: french
Artist dates: 1807 – 1896
Armorial panel
Object type: armorial panel
Date: 1567 – 1600
Materials: glass
Subjects: leaves
Schotel van zilver
Object type: miniature
Date: 1800 – 1899
Materials: silver
Location: hoorn
Artist: Anonymous
A Bacchanalian Scene at Don Luigi's Ball
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: kitchens,women,drinking
Bronze frog
Object type: statuette of a frog
Date: 575 – 550
Materials: bronze
Culture: etruscan
Subjects: frogs

This solid-cast frog was probably one of three that once ornamented the adjacent iron tripod (03.23.53).
Twee reigers aan de waterkant
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: etching, roulette
Location: paris
Artist: karl bodmer
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1893
Subjects: shore-birds and wading-birds: heron
Inscriptions: collector's mark: Lugt 2228

Zesde prent uit een serie bestaand uit twaalf landschappen met dieren. De prenten vormen waarschijnlijk een uitwerking van de tekeningen die Bodmer maakte tijdens een expeditie door Noord-Amerika (1832-1834), onder leiding van prins Maximilian zu Wied-Neuwied.
Breslau, Fleischbänke
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: rotogravure
Location: berlin
Artist: Anonymous
Subjects: shop, store, street
An African rhinoceros
Object type: photomechanical print
Date: 1876 – 1886
Materials: paper
Techniques: photograph
Location: paris
Subjects: hoofed animals: rhinoceros
Plattegrond van Huis Bylandt, 1631-1632
Object type: map
Date: 1632 – 1649
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: maps of cities

Plattegrond van Huis Bylandt, vroeger bekend als Huis te Halt. Onderdeel van een groep plattegronden van steden, forten en dijken in Brabant veroverd door het Staatse leger onder Frederik Hendrik in de jaren 1631-1632.
Ribbons (20)
Object type: ribbon
Date: 1701 – 1900
Materials: silk
Gezicht op een paleis
Object type: carte de visite
Date: 1854 – 1885
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: palace
Een zeilschip voor de kust
Object type: drawing
Date: 1834 – 1893
Materials: paper, pencil
Artist: willem anthonie van deventer
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1893
Subjects: sailing-ship, sailing-boat
Tobacco Pipe
Object type: tobacco pipe
Date: 1801 – 1900
Materials: bronze, silver, wood
Culture: japanese
Insence burner with a metal cover
Object type: incense burner
Date: 1600 – 1868
Materials: glaze, metal, stoneware
Techniques: firing, turning, vitrification
Location: takatori
Artist: Anonymous

Wierookbrander (koro) van steengoed met een dubbele kalebasvorm, gedeeltelijk bedekt met een aubergine en okerkleurig glazuur. De deksel is aan de bovenzijde opengewerkt. Takatori of Shigaraki.
Ostrakon with Lists of the Days of the Week
Object type: ostrakon
Date: 580 – 640
Materials: ink, limestone
Culture: coptic
Location: egypt
Subjects: documents,greek
Beard for a statue
Object type: statuette, beard
Date: 712 – 30
Materials: copper alloy
Techniques: inlay
Location: egypt
Weg met muur erlangs leidend naar een huis
Object type: drawing
Date: 1773 – 1843
Materials: paper, pencil
Artist: georges michel
Artist role: draughtsman
Artist dates: 1763 – 1843
Subjects: public road in village

Een van 120 tekeningen, afkomstig uit een 19e eeuws album met tekeningen van Georges Michel.
Scaraboid: Cat
Object type: costume and accessory
Materials: glaze, stone
Techniques: glazing
Culture: egyptian
Location: egypt
Subjects: cats, hieroglyphs
Inscriptions: "Amun-Ra is lord of all."
Bookbinding (Jild-i kitab)
Object type: bookbinding
Date: 1767 – 1833
Materials: board
Techniques: lacquer, painting
Location: iran
Subjects: flowers
Titelpagina voor: Derde Uytgaaf van de Gezichten van Cleefsland
Object type: text sheet
Date: 1734 – 1774
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: gerrit tielenburg
Artist role: publisher
Gezicht op de binnenplaats van het Burgerweeshuis
Object type: print
Date: 1664 – 1665
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: public welfare, courtyard, orphanage
Inscriptions: collector's mark

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: I. Stadsinrichtingen: Burgerweeshuis.
Bowl
Object type: bowl
Date: 1301 – 1500
Materials: earthenware
Techniques: glazing
Location: egypt
Terracotta skyphos (deep drinking cup)
Object type: skyphos
Date: 350 – 325
Materials: terracotta
Culture: greek, south italian, apulian, gnathian
Subjects: birds

Bird The bird is enclosed in a metope bordered above by incised lines and painted dots and on the remaining sides by vine leaves. This kind of decoration anticipates the motifs of birds and tendrils on the white panels among the Museum's Roman frescoes from Boscotrecase.
Portret van een vrouw met bril
Object type: photograph
Date: 1880 – 1887
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: eyeglasses, spectacles, historical persons - bb - woman
Inscriptions: inscription: ‘Albert Greiner/ Amsterdam/ Nieuwendijk 89’
Kabuki Actors: Bando Mitsugorō and Iwai Hanshirō
Object type: print
Date: 1800 – 1800
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa toyokuni i
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Subjects: men,women,actors

Toyokuni employed various figure arrangements—a single actor, or two actors shown standing or from the waist up. Here, two actors occupy almost the entire sheet, which is rare in Toyokuni's theatrical prints. The actors, Bandō Mitsugorō in a male role and Iwai Hanshirō in a female role, stand close together under a large umbrella, dominating the small space. The rounded, almost drooping upper-right corners of the characters in the artist's signature suggest a date of about 1800, when the forms and lines of Toyokuni's images, in contrast, started to become a little more rigid.
Satyr Family Walking
Object type: print
Date: 1657 – 1657
Materials: paper
Techniques: etching, printing
Location: italy
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Galleria Giustiniana del Marchese Vincenzo Giustiniani I
Object type: album leaf
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Subjects: piece of sculpture, reproduction of a piece of sculpture, (story of) flora

Beeld van Flora met een bloemenkrans op haar hoofd en in haar hand. In haar andere hand houdt zij een fluit. Op de basis het wapenschild van Vincenzo Giustiniani. Prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Cuneiform cylinder: inscription of Nebuchadnezzar II describing the construction of the outer city wall of Babylon
Object type: cuneiform cylinder
Date: 604 – 562
Materials: clay
Culture: babylonian
Location: mesopotamia

"I built a strong wall that cannot be shaken with bitumen and baked bricks... I laid its foundation on the breast of the netherworld, and I built its top as high as a mountain." This cylinder is one of many commemorating the extensive building program carried out by the Babylonian king Nebuchadnezzar II (604–562 B.C.), which transformed the city of Babylon into a grand imperial capital. Following a long-established Mesopotamian practice, clay cylinders were inscribed in cuneiform script baked to ensure their survival into the distant future, and deliberately buried in the foundations of buildings as they were being built or restored. Often they record the restoration of structures that were already ancient, especially the great temples of the city, but in this case the cylinder describes Nebuchadnezzar’s building of a new outer city wall, which "no previous king had done." The wall itself was identified by archaeologists in the early 1900s; it is unknown how densely the outer city was populated, but the area enclosed by the wall suggests that Babylon was at this time the largest city in the world. The inner city of Babylon was guarded by further fortification walls. Cylinders such as this were made to be buried, and their text was intended primarily for the gods. However, it was also hoped that future kings might find them in the course of performing their own restorations, and so perpetuate and honor the builder’s name. In this regard, Nebuchadnezzar took all possible measures: as well as foundation cylinders and some larger inscriptions on stone, the baked bricks of Babylon carry the king’s name and titles, impressed with a stamp before baking. The stamp was pressed into to the top surfaces of the bricks so that, like the cylinders, their inscriptions would not normally be seen by human eyes; nonetheless, they occur literally millions of times at Babylon, hidden in Nebuchadnezzar’s palace and city walls.
Funcking the Corsican
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,napoleon i,men,politics
Brief aan Philip Zilcken
Object type: letter
Date: 1898 – 1898
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: albrecht felix reicher
Artist role: print maker
Artist dates: 1858 – 1938
Subjects: the hague, painter, draughtsman, philip zilcken, the graphic arts, money, venice
Inscriptions: collector's mark: ‘RPK’
Vita B. Philippi Benicii Florent. ord. servor B. Mariae virginis
Object type: print
Date: 1591 – 1591
Materials: paper
Techniques: etching
Location: vatican city
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: clergyman, prior general of the order of the servites, philip benizzi of florence; possible attributes: book, cross, lily, tiara at his feet
Inscriptions: collector's mark: Lugt 240

De heilige Philippus sticht vrede tussen de Guelfen en Ghibellijnen. Op de achtergrond twee vechtende soldaten. Tekst in het Latijn in ondermarge. Genummerd rechtsonder: 11.
Fire, from The Four Elements
Object type: print
Date: 1564 – 1564
Materials: paper
Techniques: engraving
Location: belgium
Artist: philip galle
Artist nationality: flemish
Artist dates: 1537 – 1612
Inscriptions: Lettered below image: "Me vehit ... superba notant."
Vue dans le parc français
Object type: stereograph
Date: 1867 – 1867
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Subjects: park, world fair, world exhibition, paris
Inscriptions: check stamp: ‘CONCESSION/ */ UNIQUE’, number: ‘433’
Study of Medieval Armor and a Crossbow (recto); Studies of a Medieval Helmet (verso)
Object type: drawing
Date: 1825 – 1825
Materials: graphite
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Christ and the Woman of Samaria
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: wells,men,women,trees,christ
Vier scènes uit de geschiedenis van Blaise Gaulard
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature
Inscriptions: collector's mark: Lugt 240

Links vertrekt Blaise Gaulard van huis. Daarnaast een zaal met mannen en vrouwen die applaudisseren voor Blaise Gaulard en Mme. des Noyers. Daarnaast ligt Blaise Gaulard in een steeg nadat hij door een deur naar beneden gevallen is. Rechts Blaise Gaulard omringd door vrouwen in de Jardin du Luxembourg. Genummerd: 1, 12, 3 en 10.
Hamm: den 16. December 1800.
Object type: album leaf
Date: 1873 – 1873
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘Ehre Vater und Mutter,/ auf dass Dir's wohl gehe/ und Du lange lebest auf/ Erden. Epheser 6, o. 2-3.’
Een stuk wit brood heb ik voor u
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: etching
Location: deventer
Subjects: giving food, child, dog
Inscriptions: collector's mark: Lugt 1641, stamp

Rechtsonder genummerd: pag. 95. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Staand paard in een stal, naar links
Object type: drawing
Date: 1812 – 1812
Materials: chalk, paper, pencil
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: horse
Portrait of the dissawe Gabriel Jayewardene, Sri Lanka
Object type: page
Date: 1896 – 1896
Materials: paper
Techniques: autotype
Location: polonnaruwa
Subjects: official; civil servant; functionary (in general)
Inscriptions: title: ‘THE DISSAWE.’
Toren met een uurwerk
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: tower, clock tower ~ monumental adornment

Blad 24 recto uit een schetsboek met 42 bladen.
Paneel met drie banen goudleer, verguld geponst fond met beschildering van omramingen van rocailles en S- en C-voluten waarbinnen bloemenvazen, bloem- en vruchtentakken en -slingers
Object type: gilt leather hanging
Date: 1750 – 1775
Materials: gilt leather, leather
Techniques: painted, punching
Location: northern netherlands
Artist: Anonymous

Het vergulde geponste fond is beschilderd met omramingen van rocailles en S- en C-voluten, waarbinnen bloemenvazen. Onderaan zijn nog vruchten en bloemtakken en bovenaan vruchten en bloemslingers met vogels aangebracht. De beschildering is uitgevoerd in verschillende tinten grijs, rood, groen en blauw.
Glass Fragment
Object type: fragment
Date: 1701 – 1800
Materials: glass
Culture: dutch
Huilende Lony zittend op een houten krat
Object type: boekillustratie ontwerp
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: hans borrebach
Artist role: draughtsman
Artist dates: 1903 – 1991
Subjects: sitting figure - aa - female human figure, weeping, ladder
Inscriptions: collector's mark: Lugt 2228a, :, signature: ‘HANS./ BORREBACH’, annotation: ‘17 bz 119. "Weet U nog niet waarheen?" vroeg de Piano[...]ans[...]teur verbaasd.’

Lony zit met een betraand gezicht op een houten krat waartegen schilderijlijsten staan. Een staande man met een hoed en met beide handen in de zakken buigt zich naar Lony toe. Op de achtergrond staat een trap.
Ring
Object type: ring
Date: 1801 – 1900
Materials: metal
Culture: african

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Ketelschakel
Object type: ketelschakel
Date: 1400 – 1950
Materials: iron
Environs de Namur
Object type: print
Date: 1820 – 1862
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: landscape with tower or castle, landscapes in the temperate zone (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Het woord 'autographie' rechtsonder op de prent verwijst, volgens C. J. de Bruyn Kops in het Bulletin van het Rijksmuseum, naar een techniek waarbij op glad papier werd getekend. Deze tekening werd vervolgens op de steen overgebracht. Tot slot werd hiermee gedrukt. Dit had het effect dat de afbeelding niet in spiegelbeeld werd afgedrukt en de tekenaar dus ook niet in spiegelbeeld hoefde te werken.
Jar with Handles
Object type: vessel
Date: 2000 – 2000
Materials: earthenware, terracotta
Location: japan

Some of the oldest pottery in the world has been found in Japan. Although the country’s population was made up of hunters and gatherers during the Jomon period (12,500–300 B.C.), there was a stable pattern of settlements, making pottery production a possibility. The Jomon (literally “cord-mark decoration”) period is characterized by low-fired earthenware pottery with indentation marks, raised patterns, and sometimes flamboyant sculptural elements on the rims; such vessels can be found in regions across the Japanese archipelago. Those works displaying a highly refined artistic sense may have served ceremonial functions.

This open-work decorated jar is of the Ubayama (Kasori E) type found in the Neolithic shell mounds of Ichikawa in Chiba; this vessel type is characterized by integration of ornamentation and form, and an increasingly complex manner of patterning clay. Here double-lined “waves” made from coils of clay surge toward one of the perforated handles. The lower walls were impressed with a twisted cord.
Card 256, Ida Mulle, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Reproductie van een plattegrond van een deel van de Spaarndammerbuurt te Amsterdam
Object type: area plan
Date: 1915 – 1915
Materials: paper
Techniques: offset printed, photolithography
Artist: Anonymous
Subjects: maps of cities
Inscriptions: date

Rechtsboven: Behoort bij de voordracht van burgemeester en wethouders, dd. 28 September 1915 (...) tot herziening van het uitbreidingsplan voor de Spaarndammerbuurt.
Crowned Buddha
Object type: statue
Date: 1201 – 1333
Materials: gilt, lacquer, wood
Culture: burmese
Subjects: buddhism,buddha,crowns
Uitgestrekt landschap met landweg
Object type: drawing
Date: 1751 – 1799
Materials: chalk, paper
Techniques: brush
Artist: jacob cats (1741-1799)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1799
Zeepbak van zilver
Object type: miniature
Date: 1735 – 1735
Materials: silver
Location: haarlem
Artist: abraham van der hoeff
Artist role: silversmith
Artist dates: 1686 – 1735
Inscriptions: date letter: ‘A (=1735)’, maker's mark: ‘Hert (Voet 88, Citroen, 118)’, town mark: ‘Haarlem’

Zeepbak van zilver, rond met draagoog, versierd met twee groeflijnen.
Hôtel de la Légion d'Honneur
Object type: print
Date: 1812 – 1884
Materials: paper
Techniques: lithograph
Artist: ernest jaime
Artist role: print maker
Artist dates: 1802 – 1884
Subjects: palace, paris
Inscriptions: collector's mark: Lugt 2228
Mount Calvary
Object type: picture
Date: 1520 – 1520
Materials: copper
Subjects: soldiers,women,jesus,crucifixion
Livery
Object type: livery
Date: 1801 – 1833
Materials: cotton, wool
Culture: italian
Subjects: birds
Card Number 145, Billie Barlow, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Fragment of a ship bell
Object type: percussion instrument
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Acoustic, bell (ship's); fragment, sim. NG 1980-27H2954.
Alle heiligen en de Christelijke feestdagen van het jaar
Object type: print
Date: 1632 – 1636
Materials: paper
Techniques: etching
Location: paris
Subjects: mary kleophas, sister of the virgin mary, mother of james the less ('maria jacobi'); possible attributes: jar of ointment, ezekiel (not in biblical context); possible attributes: book or scroll, double wheel, pope leo the great meets attila outside the walls of rome, and points out to him the two apostles st. peter and st. paul, appearing in the sky as protectors of rome, male saints (with name)
Inscriptions: collector's mark: Lugt 240

Blad met vier ovale voorstellingen, elk met opschrift en datum in het Latijn: linksboven de Heilige Perpetuus van Tours wijzend op de bouw van een kerk, rechtsboven de Heilige Maria van Klopas op Golgota, linksonder de Heilige Ezechiël die gebonden wordt weggevoerd, rechtsonder de Heilige paus Leo de Grote tegenover een legerleider en zijn soldaten. Deze prent is onderdeel van een serie prenten met voorstellingen van de heiligen en de christelijke feestdagen van het jaar. Er zijn steeds vier scènes van één plaat op één blad gedrukt. Inclusief bijbehorend titelblad en frontispice gaat het in totaal om 124 platen (490 voorstellingen). De drie platen met de laatste 12 scènes (de veranderlijke christelijke feestdagen) zijn in de derde staat versneden tot 12 kleine plaatjes, en met een apart titelblad uitgegeven.
Jongens kimono met stippen
Object type: kimono
Date: 1900 – 1910
Materials: cotton
Techniques: painting, weave
Location: japan
Artist: Anonymous

Kimono voor een jongen met een versiering over het hele vlak van witte stippen. Indigo katoen met ikat decoratie. Voering van indigo katoen.