deem-data/ArtiFact huggingface dataset:
Kerkportaal
Object type: drawing
Date: 1822 – 1880
Materials: paper, watercolor
Techniques: brush
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880
Subjects: parts of church exterior and annexes: porch
Brief aan Philip Zilcken
Object type: letter
Date: 1887 – 1887
Materials: ink, paper
Techniques: pen, writing
Location: shepherd's bush
Artist: william ernest henley
Artist role: criticus, dichter, redacteur
Artist dates: 1849 – 1903
Subjects: bodegraven, the hague, painter, françois pieter ter meulen, arnhem, print maker, draughtsman, anton mauve, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Three Female Figures and Seated Putto
Object type: drawing
Date: 1601 – 1700
Materials: chalk, paper
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: women,putti
Geseling van Christus
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Sichem, Christoffel van (II). 'tSchat der zielen, dat is: Het geheele leven ons Heeren Iesu Christi. Amsterdam: Pieter Jacobsz. Paets, 1648.
Prent uit: Biblia sacra dat is De geheele Heylighe Schrifture bedeylt in 't Out en Nieu Testament. Amsterdam: Pieter Jacobsz. Paets, 1657.
Pair of three-light wall brackets
Object type: wall bracket
Date: 1770 – 1770
Materials: gilt bronze, metal, porcelain
Techniques: painting
Brief aan de Maatschappij Arti et Amicitiae
Object type: letter
Date: 1868 – 1868
Materials: ink, paper
Techniques: writing
Location: amsterdam
Artist: carolina frederica royer-kerst
Artist dates: 1802 – 1883
Subjects: mechelen, amsterdam, draughtsman, sculptor, louis royer, carolina frederica royer-kerst, burial rites
Kapel en klooster Uden
Object type: photograph
Date: 1900 – 1930
Materials: paper
Techniques: gelatin silver print
Location: uden
Artist: a. scheepens
Artist role: fotograaf
Subjects: parts of church exterior and annexes: chapel - qq - small church, chapel, abbey, monastery, convent ~ roman catholic church
Brief aan Philip Zilcken
Object type: letter
Date: 1911 – 1930
Materials: ink
Techniques: pen, writing
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: painter, draughtsman, philip zilcken, workshop, studio of the artist (in general), paris
Inscriptions: collector's mark: ‘RPK’
Groep mensen
Object type: surimono
Date: 1890 – 1900
Materials: paper
Techniques: woodcut
Location: japan
Artist: shito
Artist role: houtsnijder
Subjects: family group, especially parents with their child(ren), japanese, oriental ideographic script (chinese, korean, japanese)

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Reliëf met personificatie van het element Water boven boog aan westzijde van de Burgerzaal in het Stadhuis op de Dam
Object type: book illustration
Date: 1663 – 1668
Materials: chalk, ink, paper
Techniques: engraving, etching, pen
Location: amsterdam
Artist: hubert quellinus
Artist role: print maker
Artist dates: 1619 – 1687
Subjects: merman - aa - mermaid, siren (+ tail), water (one of the four elements), scallop, shell ~ ornament, container of ceramics: jar, jug, pot, vase
Inscriptions: collector's mark: Lugt 2228, inscription: ‘CII N 1’

Huidige staat van prent ook gebruikt in: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Artus Quellinus (I), 1663. En in: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Frederik de Wit, 1668.

Latere staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).
The Last Judgment
Object type: print
Date: 1401 – 1500
Techniques: hand coloring, woodcut
Artist: anonymous, german, 15th century
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 1500
Subjects: men,women,christ,last judgement
Zee-Slagh Tusschen de Hr. Michiel de Ruiter en den Hr. Georg Ascue By Plymuyden op den 26 Augusti 1652
Object type: print
Date: 1685 – 1687
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: bastiaen stopendael
Artist role: print maker
Artist dates: 1636 – 1693
Subjects: flushing, michiel adriaenszoon de ruyter, battle (+ naval force)

Zeeslag bij Plymouth in de Eerste Engelse Oorlog tussen de Staatse vloot onder Michiel Adriaenszoon de Ruyter en de Engelse vloot onder George Ayscue, 26 augustus 1652. Bovenaan gemerkt: Pag. 27. In het onderschrift de legenda 1-24 in het Nederlands.
Fragmenten van tin uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Textile Fragment
Object type: textile fragment
Date: 101 – 300
Materials: linen, wool
Techniques: weave
Location: egypt
Stela of the lector priest of Amun Siamun and his mother the singer Amenhotep
Object type: stela, siamun, singer
Date: 1420 – 1420
Materials: limestone, paint
Location: egypt
Subjects: food,men,women,hieroglyphs

This stela depicts the Lector-priest Siamun and his mother, the singer Amenhotep, receiving offerings from "his sister" (probably his wife), the chantress Iretnofret.
Portret van François de la Mothe le Vayer
Object type: print
Date: 1661 – 1661
Materials: paper
Techniques: engraving
Location: france
Artist: robert nanteuil
Artist role: print maker
Artist dates: 1623 – 1678
Subjects: paris
Inscriptions: collector's mark: Lugt 240

Portret van de staatsman François de la Mothe le Vayer driekwart naar links, in een ovaal staand op een piëdestal. Daarop een cartouche met tekst.
The Man of Sorrows
Object type: print
Date: 1475 – 1475
Materials: paper
Techniques: hand coloring, printing, woodcut
Location: italy
Artist: Anonymous

Devotional woodcuts were heavily used in 15th-century Europe, variously folded and carried as talismans, pasted on bedroom walls, and kept in family Bibles. While hundreds were printed at the time, only a handful of impressions have survived to today. The only remaining extant copy of the image, this impression was pasted into the frontispiece of a book from a German Augustine nunnery, where viewers would have imagined Christ’s pain through repeated study and imitation. The woodcut offers an intensely personal focal point of meditation on Christ’s suffering. Like the nearby Thirteen Buddhas (1925.1697), he appears as a floating vision. Nearly naked after his Crucifixion, blood streams from his nail wounds and crown of thorns.
Afdeling Chinees porselein van Minton & Co op de Wereldtentoonstelling van 1862
Object type: stereograph
Date: 1862 – 1862
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: london
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: world fair, world exhibition, container of ceramics: jar, jug, pot, vase, london
Inscriptions: inscription: ‘1’, inscription: ‘[...]/ A:2’, number: ‘No. 117.’
Arabella
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: engraving
Location: united states
Artist: ernest haskell
Artist role: draughtsman, print maker
Artist dates: 1876 – 1925
Subjects: sitting figure, adult woman, historical persons not known by name - bb - woman
Inscriptions: signature: ‘Ernest Haskell’, collector's mark: Lugt 2228

Zittende jonge vrouw 'Arabella' met vogeltje op de hand.
Joseph and Potiphar's Wife, from The Story of Joseph
Object type: print
Date: 1546 – 1546
Techniques: engraving
Artist: georg pencz
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: bedrooms,men,women
Length of velvet
Object type: length
Date: 1467 – 1500
Materials: metal thread, silk
Subjects: flowers

Sumptuous velvets, such as this example, were among the most highly prized luxury fabrics of the Renaissance. Utilizing variations on a relatively small number of decorative motifs, most notably the pomegranate, palmette, artichoke, and garland, these silken-pile textiles developed from earlier fifteenth-century subtle voided patterns, formed by the appearance of the ground fabric where there was no pile on the surface, into visually and technically more complex designs. Here, the symmetrical pattern of elaborate artichoke forms within lobed compartments surrounded by ogivally arranged intertwined leaves and flowers is woven with metal thread, and some details are executed with metal loops (bouclé) for additional texture. The jewel-tone silk velvet primarily forms the background, which, in areas, has a subtle "sculpted" leaf pattern achieved by juxtaposing two different heights of the velvet pile. Woven in Italy—particularly Florence, Venice, and Genoa—and in Spain, velvets were coveted throughout Europe and also in Turkey, where production demonstrated reciprocal influences, especially with Venetian weavings. This particular example exhibits Eastern influence in the crenate collar or clip motif that secures the garlands. Contemporary paintings, inventories, and extant examples clearly indicate the international appeal of velvets and their varied uses: from ecclesiastical vestments to caftans and European-style garments for the very wealthy, to opulent furnishings, cloths of honor, and diplomatic gifts.
Pictorial print
Object type: furnishing textile
Date: 1815 – 1825
Materials: cotton
Subjects: couples,men,women,dogs,boats
Doorway
Object type: doorway
Date: 1401 – 1500
Materials: limestone
Culture: french
Subjects: doors,doorways
Prayer Rug with Triple Arch Design
Object type: carpet
Date: 1701 – 1800
Materials: wool
Techniques: pile
Location: turkey
Kris with Sheath
Object type: kris with sheath
Date: 1501 – 1900
Materials: gold, steel, wood
Culture: balinese
Location: indonesia
Sherds
Object type: sherd
Date: 201 – 700
Materials: ceramic
Culture: sasanian
Location: iran
Bowl with Stepped Motifs
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: nazca valley
Teatro delle Nobili et Virtuose Donne..., title page (recto)
Object type: book print ornament architecture
Date: 1616 – 1616
Techniques: engraving, woodcut
Artist: isabella catanea parasole
Artist role: author
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: portraits,putti,coat of arms

Written by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Mauritio Bona, Rome. Engraved illustrated title page. Title printed in black onto a cartouche in the center, which is framed by an unidentified coat of arms above and a portrait of Princess Elisabeth of Austria and Spain at the bottom. The title is further surrounded by robed and nude putti that sit and lean against various architectural elements. At the top left and right corners are 2 sculpted diabolical faces that hold bunches of fruit with their mouths.
Geometric Bridge Vessel Depicting Ritual Performer Wearing Abstract Bird Costume
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: peru
Surinaams meisje
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Surinaams meisje. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Harlequin and Columbine in a group
Object type: toy
Date: 1750 – 1755
Materials: soft paste porcelain
Artist: saint james's factory
Artist role: maker
Artist nationality: british
Artist dates: 1749 – 1759
Subjects: birds,men,women,flowers,clowns
Profils et ornemens de vases (...)
Object type: ornament print
Date: 1723 – 1774
Materials: paper
Techniques: etching
Artist: marie michelle blondel
Artist role: print maker
Subjects: musical instruments; group of musical instruments, mask, mascaron ~ ornament, ornament ~ festoon, garland, garden vase
Inscriptions: collector's mark: Lugt 2228

Een geornamenteerde siervaas met muziekinstrumenten, een guirlande en twee maskers. Met tweeregelige Franse beschrijving.
Waterput bij den ingang van der Borse-straet
Object type: page
Materials: paper
Techniques: photograph
Location: antwerp
Subjects: well, world fair, world exhibition, antwerp

Prent op los blad tussen pagina 26 en 27.
Card Number 384, Mlle. Duverney, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Koning Jacobus II vertrekt uit Parijs naar Ierland, 1689
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: jacobus ii (koning van engeland en schotland), paris, departure ~ travelling

Koning Jacobus II vertrekt uit Parijs naar Ierland, 1689. De koning neemt afscheid van zijn vrouw Maria van Modena, links staat pater Peters klaar om naar Constantinopel te vertrekken. Plaat nr. 1 in een serie over de strijd gevoerd door de afgezette katholieke koning Jacobus II van Engeland tegen het Engelse leger in Ierland in 1689.
Ornamentele paneelvulling in de Burgerzaal, Paleis op de Dam, Amsterdam
Object type: fotomechanisch procedé
Date: 1899 – 1899
Materials: cardboard
Techniques: photograph
Artist: Anonymous
Subjects: palace, piece of sculpture, reproduction of a piece of sculpture, interior of the house, royal palace of amsterdam, amsterdam

Groote of Burgerzaal. Paneelvullingen in de doorgangen naar de Galerij.
Perzische koningen
Object type: print
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: battle, murder, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Links koning Artaxerxes II van Perzië staande met een pijl in zijn hand. Op de achtergrond is te zien hoe Artaxerxes zijn jongere broer Cyrus verslaat, die tegen hem in opstand was gekomen. Rechts koning Artaxerxes III van Perzië staande met een zwaard in zijn hand. Op de achtergrond is vermoedelijk te zien hoe zijn oudere broer wordt geëxecuteerd. Onder de voorstelling verklarende teksten in het Latijn. Deze prent maakt deel uit van een album.
Portretstudie van drie mannen
Object type: print
Date: 1748 – 1795
Materials: paper
Techniques: drypoint, etching
Location: northern netherlands
Artist: jan chalon
Artist role: print maker
Artist dates: 1738 – 1795
Subjects: morphology of human expression (+ old male (human being)), morphology of human expression (+ adult male (human being))

Portretstudie van drie mannen. De linker is jong met buste naar links. De middenste is oud met buste naar links. De rechter is jong met buste naar rechts.
Erithropus Major. / Chevalier.
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Subjects: shore-birds and wading-birds: redshank

Tureluur. Genummerd rechtsboven: 23. Linksboven de naam in vier talen. Onderdeel van het derde album met tekeningen van vogels. Vijfde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
L'homme fut solitaire dans un paysage de nuit
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: lithograph
Location: paris
Subjects: adult man (+ standing), night
Inscriptions: collector's mark: Lugt 2228

Een man in de nacht, van voren gezien, staand naast een boom. Prent uit een serie van zes, gemaakt voor een album.
Fontein van sultan Ahmed III in Istanboel
Object type: photograph
Date: 1888 – 1900
Materials: paper
Techniques: albumen print
Location: istanbul
Subjects: utilitarian, public pump or water fountain
Inscriptions: number: ‘163.’
Raam met eikenhouten luiken en bank
Object type: page
Date: 1875 – 1880
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: window-seat, window shutters on the inside
Inscriptions: monogram: ‘JJvY’, inscription: ‘FENÊTRE face intérieure (...)’, inscription: ‘LITT. F. - PL. 2’
Panel
Object type: covering and hanging
Date: 1820 – 1840
Materials: paper
Techniques: printing block, printing
Location: france
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1801 – 1833
Materials: copper, silver alloy, gold
Culture: japanese
Location: japan
Subjects: dragons,tigers
L'après-midi d'un faune
Object type: book
Date: 1876 – 1876
Materials: paper, wood
Techniques: engraving, wash
Location: france
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Inscriptions: Inscribed on ex libris, recto, lower right, in red ink: "94"
Fragment of the Upper Right Corner of One Side of Siptah's Canopic Box
Object type: canopic chest fragment, siptah
Date: 1194 – 1188
Materials: stone
Location: egypt
Erasmus of Rotterdam
Object type: painting
Date: 1532 – 1532
Materials: wood, oil, panel
Artist: hans holbein the younger
Artist role: artist
Artist nationality: german
Artist dates: 1497 – 1543
Subjects: men,portraits

Hans Holbein the Younger was one of the most celebrated portraitists of the sixteenth century. At an early age he won commissions to paint portraits of prominent merchants in Basel, and in later years he attracted powerful patrons in England, including Sir Thomas More. Holbein made several portraits of the great humanist and scholar Erasmus of Rotterdam (1466/1469 - 1536). Shown in half-length three-quarter profile, his hands just visible between the fur cuffs of his coat, Erasmus is depicted as he appeared around 1530, when he was about sixty. Tufts of the sitter's gray hair poke out from beneath his black cap, deep lines mark the area around his mouth, and the skin shows signs of loosening below his stubbly chin, but the sensitivity and intensity of Erasmus's scholarly mind are still richly apparent in his piercing dark eyes. Holbein's close association with the humanist and scholar is reflected not only in these and other admiring portraits but also in the letters of introduction written on Holbein's behalf by Erasmus to his friends in England when the artist traveled there in 1526. It was through Erasmus that Holbein was commissioned to paint portraits of Sir Thomas More and his family. The white label painted at the upper left of this panel is a later addition, made some fifty years after Holbein's death when the painting was in the collection of John, Lord Lumley of Surrey and London.
Billaut-Adam. Menuisier de Nevers
Object type: print
Date: 1825 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk gebruikt voor: Iconographie française ou recueil des portraits des personnages les plus illustres qui ont paru en France depuis François premier jusqu'à la fin du règne de Louis XVI (…). Parijs: veuve Delpech, 1828. En/of voor: Iconographie française ou choix de deux cents portraits d'hommes et de femmes qui se sont acquis en France, depuis le règne de Charles VII jusqu'à la fin de celui de Louis XVI (…). Parijs: veuve Delpech, 1840.

Mogelijk komt de prent ook voor in eerdere en/of latere publicaties uitgegeven door veuve Delpech of haar opvolger Rosselin.
The Prison
Object type: print
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: prisons,prisoners,heads,men
Fontein op het Piazza Barberini in Rome
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: ornamental fountain, village square, place
Verscheide gedagten in het koper gebragt naar de origenelen teekeningen en schetschen van Rembrandt
Object type: print
Date: 1696 – 1727
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: saul disguised as a soldier goes to the witch of endor
Inscriptions: collector's mark: Lugt 240, number: ‘378,3.’

Koning Saul en zijn knechten zitten rond een tafel. De heks van Endor roept op verzoek van Saul de geest op van de profeet Samuel, diens voormalige adviseur. De profeet voorspelt dat Saul de oorlog zal verliezen en dat zijn zonen zullen sneuvelen omdat hij zich van God had afgekeerd.
Meisjes miyamairi kimono met anjelieren en water
Object type: kimono
Date: 1920 – 1940
Materials: silk
Techniques: embroidered, painting, weave
Location: japan
Artist: Anonymous

Formele kimono voor een meisje voor het eerste bezoek aan een Shinto schrijn (miyamairi kimono), met een versiering van wilde anjers in rood, groen, blauw, wit en oranje, waartussen gestileerde golven lopen, op een paarse achtergrond. Paarse gaasgeweven crepe zijde (ro chirimen) met een geschilderde yuzen decoratie en geborduurde detaillering. Voering van witte gaasgeweven crepe zijde (ro chirimen). Vijf familiewapens (mon) van bamboe.