deem-data/ArtiFact huggingface dataset:
The Road to Emmaus
Object type: drawing
Date: 1601 – 1700
Materials: chalk
Location: netherlands
Artist: claes moeyaert
Artist role: artist
Artist nationality: dutch
Artist dates: 1591 – 1655
Subjects: men,jesus
De nocturna illusione et matutina condemnatione
Object type: book illustration
Date: 1590 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ before the sanhedrin with caiaphas as high priest, and possibly annas; maybe a soldier about to strike christ because he keeps silent (matthew 26:57-66; mark 14:53-64; luke 22:54, 22:66-71), mockings of christ, who may be blindfolded
Inscriptions: collector's mark: Lugt 240

Prent uit: Joannes Bourgois, Vitae passionis et mortis Jesu Christi Somini nostri mysteria, Antwerpen Hendrick Aertssens, 1622, afb. 56
Landschap met weiland, kanaal en molens
Object type: print
Date: 1867 – 1914
Materials: paper
Techniques: etching, intaglio
Artist: maurits van der valk
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Subjects: meadow, pasture, canal, windmill in landscape
Inscriptions: collector's mark: Lugt 2233
Langham, South Wales
Object type: drawing and watercolor
Materials: board, graphite, paper
Location: england
Artist: david cox, the elder
Artist role: artist
Artist nationality: english
Artist dates: 1783 – 1859
The Nieuwe Haarlemse Sluis on the Singel, known as ‘Souvenir d’Amsterdam’
Object type: painting
Date: 1871 – 1871
Materials: canvas, oil
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: sluice, weir, city-view in general; 'veduta'
Inscriptions: signature and date: ‘M.M.71.’

When Jacob returned to the Netherlands, Matthijs had to support himself in Paris. His financial worries explain why he reused an already painted canvas for this work. Beneath this city view is a landscape with a ferry; probably an oil sketch Jacob had left behind. Parts of this underlying composition are still visible. The bright green brushstrokes in the brown foreground at the right are from the overgrown bank underneath.
Print
Object type: print
Date: 1786 – 1854
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Subjects: men
De besnijdenis
Object type: drawing
Date: 1550 – 1571
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: giovanni francesco bezzi
Artist role: draughtsman
Artist dates: 1500 – 1571
Subjects: circumcision of the christ-child by the priest in the temple (luke 2:21)
Vase with birds and portrait
Object type: vase
Date: 1876 – 1876
Materials: stoneware
Artist: r. w. martin and brothers
Artist role: maker
Artist nationality: british
Artist dates: 1873 – 1915
Subjects: birds,profiles

Determined that pottery vessels should be regarded as true works of art, avant-garde ceramicists in France in the last decades of the nineteenth century transformed their craft into an intellectual and emotional endeavor. The pioneers of this revival were Jean Carriès, Ernest Chaplet, Théodore Deck, and Auguste Delaherche. These revolutionary artist-potters embraced artisanal traditions while pursuing lost techniques through exhaustive experimentation. Reacting to what they viewed as an excessive and improper use of ornament, they celebrated the simplicity and sincerity of their medium, following the tenets of the Art Nouveau style taking place in Europe. Based on the principles of the British Arts and Crafts movement, Art Nouveau artists sought to reform the decorative arts by emphasizing uniqueness and a return to craftsmanship. Artist-potters found inspiration in Asian ceramics, particularly Japanese stoneware (a hard, dense type of pottery), which was shown in 1878 at the Exposition Universelle in Paris, as well as in the forms, glazes, and techniques of Chinese porcelain and pottery. They also looked to European traditions such as the rustic salt-glazed stoneware of the sixteenth and seventeenth centuries and Gothic sculpture and architecture. In the process they created works of ceramic art that were entirely modern and new. This piece was acquired from the Robert A. Ellison Collection, renowned collector of European art pottery of the highest quality by the greatest artist-potters of the late nineteenth and early twentieth centuries, whose generous gift allows the Museum to tell the narrative of the art pottery movement in Europe.
J. Schwartz Massett of London
Object type: cut paper
Date: 1841 – 1841
Materials: paper
Techniques: cutting
Artist: auguste edouart
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1861
Subjects: men
Uitnodiging voor het eerste eeuwfeest van het Corvershof te Amsterdam
Object type: invitation
Date: 1807 – 1823
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: alms-house (dutch: 'hofje'), commemoration, jubilee
Inscriptions: collector's mark: Lugt 1641b

Object bestaat uit een bifolium, met op verso van het tweede blad de handgeschreven naam van de vermoedelijke geadresseerde - "De Wel Edele Heer J. de Vries" - en een restant van de zegellak. Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: III. Verschillende gestichten en instellingen / Hofjes: Corvershof der N. Hervormde Gemeente.
Four pairs of scissors
Object type: scissors
Date: 1874 – 1875
Materials: silver
Artist: p. b., london
Artist role: maker
Mephistopheles and Faust Fleeing After the Duel, from Faust
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: france
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Dragon tree walk at a palazzo near Orotava
Object type: stereograph
Date: 1881 – 1886
Materials: photographic support
Techniques: albumen print
Location: la orotava
Subjects: trees, road, path
Inscriptions: number: ‘Photo-stereograph 17.’
Whitaker, Pitcher, Baltimore Orioles, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Façade van huis met een tuitgevel
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: gate, entrance, front façade

Tevens twee studies van vrouwen bij portalen. Blad 8 recto uit een schetsboek met 58 bladen.
Klosterruine Paulinzella i. Th.
Object type: photomechanical print
Date: 1905 – 1909
Materials: cardboard
Techniques: photograph, writing
Location: trier
Artist: Anonymous
Subjects: ruin of church, monastery, etc.
Dress border
Object type: border
Date: 1801 – 1833
Materials: metal thread, silk
Subjects: flowers
Titelpagina voor: L.V. Bos, Batavias, of Batavische Aeneas, Amsterdam, 1648
Object type: titelblad, titelpagina
Date: 1648 – 1648
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: jacob lescaille
Artist role: publisher
Artist dates: 1611 – 1679
Subjects: title-page
Inscriptions: collector's mark: Lugt 2228

Titelpagina uit: Lambert van den Bos, Batavias, of Batavische Aeneas, Amsterdam, Jacob Lescaille, 1648
Renard Convinces the Rabbit to Enter His Burrow and Kills Him from Hendrick van Alcmar's Renard The Fox
Object type: print
Date: 1650 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: foxes,rabbits,sheep,landscapes
Grenoble
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: city-view in general; 'veduta'

Deze prent maakt deel uit van een album.
Portret van Frans Ferdinand Philips Lodewijk Maria van Orleans, prins van Joinville
Object type: print
Date: 1841 – 1850
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, frans van orléans (prins van joinville), prince, historical persons
Inscriptions: check stamp: Lugt 5004
Snowball Pushed by Hotei and a Child
Object type: alcove ornament
Date: 1834 – 1866
Materials: porcelain
Culture: japanese
Subjects: boys,men
Portret van Xavier Bichat
Object type: print
Date: 1818 – 1832
Materials: paper
Techniques: engraving, roulette
Location: paris
Subjects: paris, scholar, philosopher, historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228

Mogelijk prent uit: Journal complémentaire du Dictionnaire des sciences médicales. Parijs: Panckoucke, Charles Louis Fleury, 1818-1832.
Cup-Hilted Rapier
Object type: cup hilted rapier
Date: 1650 – 1675
Materials: iron, steel, wood
Culture: hilt
Location: germany
Artist: johann bongen
Artist role: bladesmith
Artist nationality: german
Artist dates: 1550 – 1690

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Woningen van controleurs van de Banka-tinwinning te Soengeiliat
Object type: photograph
Date: 1914 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, mining, detached house in city, villa
Inscriptions: inscription

Albumblad met 2 foto's van woningen van controleurs van de Banka-tinwinning te Soengeiliat. Onderdeel van het fotoalbum aangeboden aan Robert Julius Boers bij zijn vertrek naar Nederland in 1919 door het personeel van de Banka-tinwinning.
Penningdoos van rood leer
Object type: box
Date: 1800 – 1900
Materials: leather, velvet, wood
Artist: Anonymous
Subjects: william ii (prince of orange), the hague, amsterdam

Rood leren penningdoosje uit de 19e eeuw behorend bij een zilveren penning.
Three-light candelabrum (one of a pair)
Object type: candelabrum
Date: 1785 – 1785
Materials: bronze, gilt bronze, marble
Techniques: enamel
Subjects: female nudes
Tray
Object type: tray
Date: 1720 – 1720
Materials: clay, glaze
Culture: japanese
Artist: ogata kenzan
Artist role: artist
Artist nationality: japanese
Artist dates: 1663 – 1743
Subjects: flowers
Diaconie Weeshuis
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), orphanage, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Eerste staat van prent, genummerd 244, gebruikt in: Hoorn, Nicolaas ten. Wegwyzer door Amsterdam zynde eene beknopte verhandeling van desselfs eerste opkomst, vergrootingen, en teegenwoordigen staat (...). Amsterdam: Nicolaas ten Hoorn, 1713. En in: Hoorn, Nicolaas ten. Wegwyzer door Amsterdam zynde eene beknopte verhandeling van desselfs eerste opkomst, vergrootingen, en teegenwoordigen staat (...). Amsterdam: Nicolaas ten Hoorn, 1726.

Tweede staat van prent, genummerd 259, gebruikt in: Hoorn, Nicolaas ten. Wegwyzer door Amsterdam zynde eene beknopte verhandeling van desselfs eerste opkomst, vergrootingen, en teegenwoordigen staat (...). Amsterdam: Nicolaas ten Hoorn, 1726. En in: Hoorn, Nicolaas ten. Wegwyzer, of korte beschryvinge van de stadt Amsterdam, zynde eene beknopte verhandeling van desselfs eerste opkomst, vergrootingen, en teegenwoordigen staat (...). Amsterdam: erven J. Ratelband & Co, 1737. En in: Hoorn, Nicolaas ten. Wegwyzer of korte beschryvinge der stad Amsterdam, zynde eene beknopte verhandeling van derzelver eerste opkomst, vergrootingen, en tegenwoordigen staat (...). Amsterdam: Pieter Meyer, 1751.
A tournament
Object type: drawing
Materials: ink, paper
Techniques: pen
Location: italy
Artist: Anonymous
Subjects: tournament
Inscriptions: inscription, lower right corner, brown ink: ‘titian’, number, lower centre, red pencil: ‘N 343’, inscription, lower right corner, brown ink: ‘aaB/a^’, watermark: Briquet 224
Panel
Object type: textile
Date: 1601 – 1700
Location: italy
Der Grus / La reverance
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: physicist, head bent forward; bowing
Inscriptions: collector's mark: Lugt 2228

Negende prent uit een serie van twaalf taferelen die 'Natürliche und affectirte Handlungen des Lebens' (eerste serie) illustreren waarin 'natuurlijk' en 'geaffecteerd' gedrag op karikaturale wijze tegenover elkaar worden gezet. Deze taferelen zijn op een plaat geëtst. Deze serie, voorzien van toelichtingen door Georg Christoph Lichtenberg, is ook gebruikt in: Goettinger Taschen Calender vom Jahre 1779. Göttingen: Johann Christian Dieterich.
Design for Octagonal Ceiling in the Pless House, Berlin
Object type: drawing
Date: 1851 – 1900
Materials: gouache, paper
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: human figures,architecture
Portret van Johann Christian Schumann
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: mayor, johann christian schumann, mayor, burgomaster, historical persons
Inscriptions: number: ‘No 556’, collector's mark: Lugt 2166

Met zesregelig onderschrift in het Latijn en tekst in het Latijn rondom het portret.
Mountain Landscape wih Five Bridges, from Vedute
Object type: print
Date: 1735 – 1744
Materials: paper
Techniques: etching
Location: italy
Artist: canaletto
Artist role: artist
Artist nationality: italian
Artist dates: 1697 – 1768
Acht vlietende wereld gezichten van het Genji verhaal.
Object type: print
Date: 1793 – 1797
Materials: paper
Techniques: woodcut
Location: tokyo
Artist: hosoda eishi
Artist role: print maker
Artist dates: 1756 – 1829
Subjects: curtains, string instruments (plucked)

Vrouw met voorwerp uit doosje in handen, knielend bij koto (Japans snaarinstrument); op de achtergrond meisje een bamboe gordijn oprollend. In waaiervormig cartouche rechtsboven landschap met waterval en pijnbomen tussen wolken.
Titelblad: Nouveaux desseins d'Ornemens de Paneaux, Lambris, Carosse &c.
Object type: ornament print
Materials: paper
Techniques: engraving
Location: paris

De titel staat op een trapeziumvormig paneel in het midden met daarboven twee putti. Titelblad uit tweede editie, derde afdruk.
Terracotta mask
Object type: mask of a bearded male head
Materials: terracotta
Culture: cypriot
Subjects: masks

The mask is mold-made. The right ear is missing. It has a small ovoid face. The beard is exaggeratedly long and is neatly separated from the face. It is divided by vertical grooves into bands filled with parallel chevrons that terminate in large curls.
Limestone statuette of Herakles brandishing a club
Object type: statuette of herakles
Date: 500 – 451
Materials: limestone
Culture: cypriot
Subjects: men,herakles
Maria het Christuskind voedend op een wolk
Object type: print
Date: 1735 – 1800
Materials: paper
Techniques: engraving
Location: italy
Artist: giovanni cattini
Artist role: print maker
Artist dates: 1725 – 1800
Subjects: madonna: i.e. mary with the christ-child, 'madonna dell'umiltà' (usually mary suckling the christ-child while sitting on the ground)
Inscriptions: collector's mark: Lugt 240
Prospectus voor het tiende jaargang van Meyer's Universum
Object type: prospectus
Date: 1803 – 1843
Materials: paper
Techniques: bookbinding, letterpress printing, engraving
Location: hildburghausen
Subjects: landscapes

Prospectus voor: Meyer, Joseph. Meyer's Universum oder die schönsten Ansichten der Erde. Hildburghausen: Bibliographischen Institut, 1834, dl. 10.
Cage with Two Rabbits
Object type: cage with rabbit
Date: 206 – 220
Materials: bronze
Culture: chinese
Communion host container or pyx
Object type: pyx
Date: 1495 – 1495
Materials: silver
Location: the hague
Artist: Anonymous
Subjects: beasts of prey, predatory animals: lion
Inscriptions: inscription: ‘Hic est servatum corpus de virgine natum. Anno MCCCCXCV’

The Latin inscription on this pyx from The Hague reads as follows: ‘De virgine natum anno MCDXCV’ (Born of the Virgin, from the year 1495). This is a reference to the host, the symbolic body of Christ, who was born of the Virgin Mary.
Guildsman's or tradesman's badge
Object type: guildsman's or tradesman's badge
Date: 1667 – 1700
Materials: pewter
Subjects: knives,axes
Staande figuren, mogelijk acteurs
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: stage costume, adult woman (+ standing), adult man (+ standing), actor (on the stage)

Deels verkleed. Blad 2 recto uit schetsboek XXV met 23 bladen.
Nero’s Aqueduct in Rome
Object type: drawing
Date: 1809 – 1812
Materials: graphite, paper, watercolor
Techniques: brush
Location: italy
Artist: josephus augustus knip
Artist role: draughtsman, painter, print maker
Artist dates: 1777 – 1847
Subjects: ruin of a building ~ architecture, landscape with ruins, aqueduct (~ water supply), rome
Inscriptions: inscription: ‘Aqueduc de Néron. / à Rome’

Knip seems here to have drawn a section of the aqueduct that even now is still known as the Aquadotto Neroniano, the ancient Aqua Neronis. It is located not far from the basilica of Santa Maria Maggiore, whose two domes and tall bell tower Knip included in the right background of his drawing.
The Tribute Elephants (Zō no mitsugi) 象のみつぎ
Object type: illustrated book
Date: 1729 – 1729
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: nakamura heigo  中村平五
Artist role: artist
Artist nationality: japanese
Artist dates: 1671 – 1741
Subjects: human figures,elephants
Gevangene wordt voor een hooggeplaatste man gebracht
Object type: print
Date: 1810 – 1842
Materials: paper
Techniques: engraving, etching
Subjects: prisoner with hands bound
Inscriptions: annotation: ‘[...] Dilthey voor Cromwell uit Aurora 1842’, collector's mark: Lugt 2228

Prent is gebruikt in: Aurora. Jaarboekje voor 1842. Den Haag: J.I.D. Nepveu, 1842.
Portret van Johann Jacob Brombach von Dieffenau
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, etching, intaglio
Location: germany
Artist: matthias van sommer
Artist role: draughtsman, print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2233

Volgens Hollstein werd de prent gebruikt voor de publicatie: Sommer, Matthias van. Hasce Omnium Electorum. Regensburg: s.n., 1667. Alhoewel op de titelpagina van de publicatie het jaar 1667 wordt vermeld, zijn meerdere prenten later gedateerd. Waarschijnlijk werd de publicatie pas in 1671 daadwerkelijk uitgegeven.
Groet uit Maastricht. Gezicht op de Maasbrug
Object type: ansichtkaart, prentbriefkaart
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: wyck
Subjects: diligence, omnibus, horse-tram, city-view, and landscape with man-made constructions, customs, church (exterior), bridge in village across river, canal, etc.
Untitled
Object type: photograph
Date: 1839 – 1899
Techniques: ambrotype
Location: unknown place
Artist: Anonymous
Artist dates: 1800 – 1899
Subjects: portraits, portraits: male subject, photography, portraits: female subject, portraits: multiple subjects
Batzen of 10 rappen uit de Helvetische Republiek, 1799
Object type: coin
Date: 1799 – 1799
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: tussen twee takken in twee regels lands-aanduiding, waaronder waarde-aanduiding: 10. Keerzijde: binnen krans in twee regels waarde-aanduiding: 1 batzen, waaronder jaartal. Gladde rand.
Portrait of an Old Man, Seated Half Length
Object type: drawing
Date: 1654 – 1658
Materials: chalk, parchment
Artist: cornelis visscher (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1628 – 1658
Subjects: old man
Orphrey
Object type: orphrey
Date: 1401 – 1500
Materials: gold thread, silk
Culture: french
Subjects: madonna and child
Chair seat cover
Object type: cover
Date: 1701 – 1800
Materials: silk, wool
Subjects: birds,grapes,women,flowers
Twee meisjes in de keuken
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Location: london
Artist: lewis j. jessop
Artist role: clichémaker
Subjects: kitchen, girl (child between toddler and youth)

Prent op vijfde ongenummerde pagina na pagina 28.
Drie goddelijke deugden
Object type: print
Date: 1601 – 1601
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues
Inscriptions: collector's mark: Lugt 240

De vrouwelijke personificatie van de Liefde, een van de drie goddelijke deugden, zoogt een kind en omarmt twee kinderen die naast haar staan. Boven haar hoofd vliegen putti met een lauwerkrans en bloemen.
Spout-and-bridge bottle with owl head
Object type: bottle
Date: 150 – 500
Materials: ceramic
Culture: virú
Location: peru
Artist: virú artist(s)
Artist role: artist
Portret van Willem V, prins van Oranje-Nassau
Object type: print
Date: 1775 – 1849
Materials: paper
Techniques: etching
Location: low countries
Artist: Anonymous
Subjects: the hague, william v (prince of orange)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Portret van een onbekende man
Object type: print
Date: 1861 – 1939
Materials: paper
Techniques: etching, intaglio
Artist: louis le nain
Artist role: print maker
Artist dates: 1851 – 1939
Subjects: historical persons, old man
Two Pilaster with White Putti on Tan Ground
Object type: drawing
Date: 1575 – 1640
Materials: chalk, ink, paper
Techniques: brush, highlighting, pen, wash
Artist: giovanni mauro della rovere
Artist role: artist
Artist nationality: italian
Artist dates: 1575 – 1640
Subjects: putti,dogs
Le Roy et la Reine des Nabots arrivés nouvellement à Londre. Grands amateurs de la coeffure nouvelle
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: kings,queens,men,women,caricature
Ruines d'Arménie. Ani Capitale des Bagratides
Object type: stereograph
Date: 1875 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: vienna
Artist: onnes kurkdjian
Artist role: fotograaf
Artist dates: 1851 – 1903
Subjects: ruin of a building ~ architecture, rock-formations
Inscriptions: number: ‘2’, inscription: ‘Collection Oeuvre de O. Kurkdjian Eriwan’, inscription: ‘Tous droits résérvés.’
Jongen naast een sater met een zak
Object type: drawing
Date: 1666 – 1700
Materials: chalk, paper
Artist: Anonymous
Subjects: wine ~ alcoholic drinks, satyr(s) (in general)

Gaande sater met zak op de rechterschouder, naast hem loopt een jongen.
Gezichten in Scandinavië
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: tone lithography
Location: copenhagen
Subjects: river (+ landscape with figures, staffage), rocks (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228a
Portrait of the court dwarf El Primo, after Velázquez
Object type: print
Date: 1778 – 1778
Techniques: etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,portraits,reading