deem-data/ArtiFact huggingface dataset:
Getuigschriften Eugen Wachenheimer over werkzaamheden in bankwezen
Object type: testimonial
Materials: paper

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Terracotta rim fragments of stemless kylikes (drinking cups)?
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Five black glazed rim fragments from stemless kylikes?; lipped inside and out
Microscopische opname van synapta glabra-diatomeeën, zestig keer vergroot
Object type: photograph
Date: 1887 – 1888
Materials: paper
Techniques: albumen print
Location: netherlands
Artist: marinus pieter filbri
Artist role: instrument maker
Artist dates: 1852 – 1917
Subjects: algae, seaweed, netherlands
Inscriptions: inscription: ‘No. 63. Benaming Diatomeen Synapta Glabra, vergroting 60 x, pose 12 m., Bemerking idem’, number: ‘63’
Oude vrouw aan het toilet met kamenier
Object type: print
Date: 1680 – 1720
Materials: paper
Techniques: mezzotint
Location: england
Artist: Anonymous
Subjects: making up - aa - (for) women, mirror - aa - (for) women, maid ~ house personnel
Inscriptions: collector's mark: Lugt 240
Fotoreproductie van een ontwerp van een biddende man, met achter hem een soldaat
Object type: page
Date: 1862 – 1867
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: private soldier, one person praying
Les Forces de l'Europe, Asie, Afrique et Amerique, ou description des principales villes avec leurs fortifications. Dessignées par les meilleurs ingenieurs, particulierement celles qui sont sous la domination de la France (...) et ornées de plusieurs superbes edifices
Object type: map
Date: 1702 – 1703
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maps of separate countries or regions, spain

Kaart van de zuidkust van Portugal en Spanje van de Algarve tot aan Gibraltar. Gemerkt rechtsonder: Ff. Onderdeel van het tweede van twee delen van het prentwerk: Les costes de France et d'Espagne (oftewel deel 14 van: Les Forces de l'Europe, Asie, Afrique et Amerique), uitgegeven ca. 1702. Het prentwerk bestaat in totaal uit 43 gemerkte platen van de kust van Frankrijk en Spanje, in het kader van de Spaanse Successieoorlog. Deze platen zijn gekopieerd naar anonieme Franse platen oorspronkelijk uitgegeven door Nicolas de Fer te Parijs. Titel en opschriften in de plaat in het Frans.
Journal des Luxus und der Moden 1790, Band V, T.17
Object type: magazine
Date: 1790 – 1790
Materials: paper
Techniques: etching
Location: weimar
Subjects: fashion plates

Prent uit het modetijdschrift Journal des Luxus und der Moden, uitgegeven door Friedrich Justin Bertuch en Georg Melchior Kraus, Weimar, 1786-1826.
Scarab: Wish Formula (?)
Object type: costume and accessory
Materials: stone
Culture: egyptian
Location: egypt
Subjects: hieroglyphs, goddesses, insects
Study: Maud Seated
Object type: print
Date: 1878 – 1878
Materials: ink, paper
Techniques: roulette, scraping
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Inscriptions: Signed with butterfly on stone, center right, in image

This lithotint, or wash lithograph, depicts Maud Franklin in an informal, even seductive, pose that suggests the ease and intimacy between Whistler and his model. The line drawing of the figure and chair is heightened by bold brushstrokes and set against a subtle wash, effects created by the artist’s manipulation of tusche (diluted lithographic crayon).
Coconut cup
Object type: cup
Date: 1500 – 1580
Materials: silver gilt
Subjects: faces
Deel (scherf) van kopje van melkglas met blauwe emailverf beschildering, imitatie Chinees porselein met doorlopende versiering van ranken; gladde mondrand.
Object type: cup
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous
[J. Richards ?]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: painting,men,profiles
Statuette of a Male Figure
Object type: sculpture
Date: 500 – 401
Materials: bronze
Culture: italian
Location: umbria
Subjects: men
Covered teapot or winepot (pair with 1975.1.1702)
Object type: covered winepot or teapot
Date: 1662 – 1722
Materials: gilt, glaze, porcelain
Techniques: overglaze, painting
Culture: chinese
Artist: chinese
Artist role: artist
Subjects: birds,flowers
The Actor Sawamura Sojuro II (formerly Utagawa Shirogoro) as Matsuomaru and Azumo Tozo I as Sakuramaru in the play "Sugawara Denju Tenarai Kagami," performed at the Morita Theater, 1750
Object type: print
Date: 1750 – 1750
Techniques: printmaking, woodblock print
Location: japan
Artist: ishikawa toyonobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1711 – 1785
Half Model of a 32-Gun Sloop of War
Object type: half model
Date: 1830 – 1830
Materials: wood
Techniques: polychromy
Location: netherlands
Artist: Anonymous
Inscriptions: inscription, top centre, on a rectangular black label: ‘Corvet / 32 Stukken’, label, bottom right: ‘330’ former inventory label

Gepolychromeerd mallenmodel (stuurboord) van een driemaster. Twintig geschutpoorten aangegeven op twee dekken. Gewrongen spiegel, hol wulf, geen details van het hek, geen zijgalerij; roer met ronde roerkoning (Soetermeers versie), roerblad afgerond bij de waterlijn. Zeeg voor en achter iets oplopend, één barkhout en één reehout. Gepiekt rondspant.
Portret van Charles Garnier
Object type: photomechanical print
Materials: paper
Techniques: woodburytype
Location: paris
Artist: étienne carjat
Artist role: draughtsman
Artist dates: 1828 – 1906
Subjects: portrait, self-portrait of architect
Inscriptions: inscription: ‘Journal hebdomadaire paraissant le jeudi Du 14 au 20 Janvier 1875’, number: ‘No 87’
Terracotta rim fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, left calf, foot, ankle, and part of tail of satyr's tail?, resting against a tree stump?; to the left of the foot, two letters of an inscription?; Exterior, hind quarters, tail, and left hind leg of lion; club; part of an inscription, [KA]LOS; rim fragment with part of bow and quiver hanging by the strap, on the branches of a tree; part of an inscription, below quiver, H[ERAKLES]?; a third fragment with part of head of filleted male, and part of lion (Herakles and the lion?), a fourth fragment with tree branches with leaves and part of handle patch
Zes foto's van de schepen Sardegna en Rumania
Object type: photograph
Date: 1909 – 1926
Materials: paper
Techniques: gelatin silver print
Location: mediterranean sea
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: monkeys, apes, canal, crew and passengers ~ ship, steamship, motorship
Inscriptions: inscription: ‘a/b Rumania/ met Magied/ Signor Tamo Polo/ Mr. Abdul/ Ghanam’, inscription: ‘Sardegna’, inscription: ‘Allen’

Deze foto's maken deel uit van een album.
Dish
Object type: dish
Date: 1501 – 1700
Materials: stonepaste
Techniques: glazing, painting
Location: turkey
Subjects: flowers,leaves
Spotprent over de marinebegroting, 1887
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: personifications of countries, nations, states, districts, etc.

Spotprent over de behandeling van de marinebegroting in de Tweede Kamer. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 51, 1887.
Spirit Creek; Near Augusta, Georgia, plate two of the second number of Picturesque Views of American Scenery
Object type: print
Date: 1819 – 1821
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: united states
Artist: john hill
Artist role: etcher
Artist nationality: american, born england
Artist dates: 1770 – 1850
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, bent arm and part of torso of male to right
Spotprent op de opvoering van Klaasje Zevenster, 1867
Object type: cartoon
Date: 1867 – 1867
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: amsterdam, jacob van lennep, theatre, theatrical performance, theatre (building)

Spotprent op de mislukte opvoering van het toneelstuk Klaasje Zevenster van Jacob van Lennep in Den Haag terwijl het in Rotterdan een succes was, 1867. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 2, 12 januari 1867.
Berchtesgaden
Object type: photograph
Date: 1860 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: berchtesgaden
Artist: Anonymous
Subjects: prospect of village, silhouette of village

Onderdeel van Reisalbum met foto's van Zwitserland, Oostenrijk, Italië en Duitsland.
Fotoreproductie van het fresco Venus en Cupido naar Rafaël in de Villa Farnesina te Rome, Italië
Object type: reproduction
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: wall-covering, venus and cupid (cupid not being mere attribute)
Historia Septem Infantium de Lara/ Historia de los Siete Infantes de Lara
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: antwerp
Subjects: (story of) pallas, tales and fairy tales, infant, baby
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 40 prenten (+ titelprent) met voorstellingen uit het volksverhaal over de zeven infanten van Lara.
Plate
Object type: plate
Date: 1850 – 1875
Materials: earthenware
Culture: american
Location: united states
Narcis
Object type: photograph
Techniques: slide
Artist: Anonymous
Gezicht op Bocchignano
Object type: album leaf
Date: 1788 – 1839
Materials: paper, pencil
Techniques: pasting
Artist: hendrik voogd
Artist role: draughtsman, painter, print maker
Artist dates: 1768 – 1839
Subjects: city-view in general; 'veduta', castle, bocchignano
Inscriptions: inscription: ‘Bocchignano’
Terracotta alabastron (perfume vase)
Object type: alabastron
Date: 630 – 615
Materials: terracotta
Culture: greek, corinthian
Subjects: men
De lijfwacht van den Minister van Oorlog
Object type: cartoon
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: politician, the hague, political caricatures and satires

Minister van Marine Jansen met als lijfwachten aangeklede en bewapende wetsontwerpen bij minister van Oorlog Seyffardt.
Gezicht op de Hervormde Kerk te Wadenoijen
Object type: photograph
Date: 1893 – 1893
Materials: cardboard, photographic support
Techniques: albumen print
Location: wadenoijen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Wadenoijen ij Tiel/ Kerk v/d Ned. Herv. gemeente/ Maart 1893’, annotation: ‘Wadenoijen’
The Displeasure of a Sculpture Placed in the Middle of an Exhibition of Paintings, plate 5 from Salon De 1857
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879

In this lithograph, Daumier lampooned the popularity of paintings in the annual Salon by placing an overwrought sculpture atop a round settee in the center of a painting gallery. The total number of works of art exhibited at the Salon was already over 5,000 by this date, and paintings were hung nearly from floor to ceiling. As a result, the sculpture in the middle of the room becomes effectively invisible, as viewers seated below only look outward. With so much color on the surrounding walls, the sculpture becomes a monochrome, washed-out specter despite its imposing scale and animated antics.
Haven met het standbeeld van Neptunus
Object type: print
Date: 1650 – 1695
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: harbour, (story of) neptune (poseidon), monument, statue, draughtsman at work - cc - out of doors
Inscriptions: collector's mark: Lugt 240

De haven van Genua met enkele mensen rond een standbeeld van Neptunus. Rechts een tekenende kunstenaar.
1 Mei, verhuisdag
Object type: cartoon
Date: 1862 – 1862
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: heating stove
Inscriptions: collector's mark: Lugt 2228

Spotprent op het mislukte verwarmingstoestel van het Ministerie van Koloniën dat naar het Invalidenhuis Bronbeek is overgebracht. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 19, 10 mei 1862.
Schaatsers bij knotwilgen
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: etching
Location: the hague
Subjects: skates (winter sports), trees: willow, windmill in landscape (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Winterlandschap met twee schaatsers op het ijs, rijdend langs twee knotwilgen. Op de achtergrond een molen.
De Notenkraker, 30 maart 1907 / Bij het congres der S.D.A.P.
Object type: print
Date: 1907 – 1907
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: albert hahn (i)
Artist role: draughtsman
Artist dates: 1877 – 1918
Subjects: the rich, phrygian bonnet, freedom, liberty; 'libertà' (ripa), political parties, political caricatures and satires, netherlands

Aflevering van het satirische tijdschrift De Notenkraker van 30 maart 1907, eerste jaargang, nummer 13. Omslag met illustratie van een grijnzende rijke man van de bourgeoisie, de Notenkraker en een huilend kind met een vrijheidsmuts (SDAP). Onderdeel van een volledige eerste jaargang (1907). Elk nummer bevat 8 bladzijden, deels nog niet losgesneden, met op de voorzijde steeds een spotprent van Albert Hahn, op de overige pagina's prenten van Hahn steeds tussen de tekst. In de letter 'D' van de titel is een kop van een zgn. notenkraker afgebeeld.
Nederlands Indië, cent,1860
Object type: coin
Date: 1860 – 1860
Materials: copper
Techniques: striking
Location: utrecht
Artist: willem iii (koning der nederlanden)
Artist role: koning
Artist dates: 1817 – 1890

Koperen munt. Voorzijde: tussen jaartal gekroond rijkswapenschild. Boven kroon landsaanduiding en onder wapenschild waarde-aanduiding. Keerzijde: tweeregelig Maleis opschrift in Arabische tekens, waaromheen omschrift in het Javaans. Gladde rand.
Brush washer
Object type: brush washer
Date: 1662 – 1722
Materials: glaze, porcelain
Culture: chinese
Romeinse ruïnes en kustlandschappen (serie 2)
Object type: print
Date: 1594 – 1685
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscape with ruins (+ city(-scape) with figures, staffage), rome
Inscriptions: inscription: ‘39’, collector's mark: Lugt 2760, collector's mark: Lugt 2228

De begroeide ruïnes van de thermen van Caracalla in Rome. Op de voorgrond twee herders met een kudde geiten. Op de achtergrond de stad Rome. Prent maakt deel uit van een serie Romeinse ruïnes en kustlandschappen naar prenten van Willem van Nieulandt. Deze serie is een kopie van de serie, die Claes Jansz Visscher naar Van Nieulandt maakte.
A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais
Object type: print
Date: 1784 – 1784
Techniques: engraving, etching
Artist: jacques philippe joseph de saint quentin
Artist role: artist
Artist nationality: french
Artist dates: 1738 – 
Subjects: doorways,men,women
Standing Man Carrying Fasces and Arms
Object type: drawing
Date: 1700 – 1770
Materials: chalk, ink
Techniques: pen, wash
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Subjects: men
A By-Road in Tipperary
Object type: print
Date: 1860 – 1860
Materials: ivory, paper
Techniques: drypoint, etching
Location: england
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Bezichtiging van de grote kroonluchter, geschenk aan de Russische tsaar, 1659
Object type: history print
Date: 1779 – 1781
Materials: paper
Techniques: etching
Location: netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: chandelier, candelabrum

Gebruikt als illustratie in: Jacobus Kok, Amsteldamsche jaarboeken, behelzende de merkwaardigste geschiedenissen, welken, zo binnen de stad als daaromtrent, zijn voorgevallen, sedert haare eerste beginselen, tot op den tegenwoordigen tijd ... / Bijeengebragt door Jacobus Kok, 3 dln., J.B. Elwe, Amsterdam 1781.
Cup and saucer
Object type: cup and saucer
Date: 1755 – 1760
Materials: hard paste porcelain
Artist: frankenthal porcelain manufactory
Artist role: manufactory
Artist nationality: german
Subjects: roses
Scheeps-studien
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1827 – 1884
Materials: paper
Techniques: lithograph
Subjects: ships (in general)

Prentalbum met een serie van vier lithografieën van schepen van Johannes Cornelis van Pappelendam. Schrift met grijze omslag waarin lithografieën gebonden.
Plate
Object type: plate
Date: 1890 – 1890
Materials: porcelain
Artist: ernest chaplet
Artist role: designer
Artist nationality: french
Artist dates: 1835 – 1909
Notities
Object type: sketchbook leaf
Date: 1901 – 1901
Materials: chalk
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Inscriptions: annotation: ‘[...]/ door eene vereeniging v vrouw[...] jonkrvrouw/ van goede huize alle[...] ingezetenen [...]’

Blad 51 recto uit een schetsboek met 79 bladen.
Dish
Object type: dish
Date: 1601 – 1633
Materials: pewter
Subjects: fish
Muts van katoen met ingeweven ruiten en versierd met Rijsselse kant
Object type: streekdracht, streekkleding
Date: 1800 – 1815
Materials: cotton
Techniques: lace
Location: friesland
Artist: Anonymous

Muts van katoen met ingeweven ruiten en versierd met een strook Rijsselse kant. Mogelijk streekdracht.
Sake Ewer (Hisage) with Chrysanthemums and Paulownia Crests in Alternating Fields
Object type: wine ewer
Date: 1601 – 1633
Materials: gold, wood
Techniques: hiramakie, lacquer
Culture: japanese
Subjects: flowers

The Kōdaiji style was the most prominent development in the history of Momoyama-period lacquer art, and is characterized by bold, large-scale patterns, autumn grass motifs, and crests executed in gold hiramaki-e (“flat sprinkled picture”) on a black ground. Patronage and construction of the temple for which the style is named are associated with Toyotomi Hideyoshi and his wife Nene (Kōdai-in, 1548–1624), and with shogun Tokugawa Ieyasu (1543–1616), who generously supported the creation of the temple precinct and mausoleum in 1605 in honor of his opponent Hideyoshi. The application of the flat maki-e and large repetitive patterns made it possible to decorate everyday household objects with gold designs. Hideyoshi used this style to represent his political power and authority.
Gold earring with head of a lion
Object type: earring
Date: 400 – 201
Materials: gold
Culture: greek
Subjects: lions
Terracotta female figure
Object type: statuette of a woman
Date: 1300 – 1200
Materials: terracotta
Culture: aegean, helladic or mycenaean
Portret van Emily FitzGerald
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: mezzotint
Location: london
Artist: james mcardell
Artist role: print maker, publisher
Artist dates: 1728 – 1765
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Reynolds Emily Countess of Kildare Ardelle fecit’, collector's mark: Lugt 240
Design for a Clasp or Buckle
Object type: drawing
Date: 1601 – 1800
Materials: chalk, graphite
Artist: anonymous, italian, 17th or 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1799
Subjects: buckles,ornament
Sleigh #3739a
Object type: drawing
Date: 1882 – 1882
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta rim fragment of a kylix: Band cup (drinking cup)
Object type: kylix fragment
Date: 550 – 501
Materials: terracotta
Culture: greek, attic
Zes mannen en vrouwen in kleding uit 1800, 1810 en 1825
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: lithograph
Location: haarlem
Artist: Anonymous
Subjects: the soldier; the soldier's life, clothes, costume, head-gear: top hat

Prent waarschijnlijk uit: Hofdijk, Willem Jacob. Schets van de geschiedenis der Nederlanden. Amsterdam: Gebroeders Binger, 1857.
Gedecoreerde kapiteel als bij Palazzo Pazzi te Florence
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: capital (~ column, pillar)
Inscriptions: collector's mark: ‘rijks school voor kunstnijverheid/ groep’, number: ‘8043’, inscription: ‘(Edizioni Brogi) (Palazzo Quaratesi, attribuito a Brunelleschi)’
Portret van Jean-Jacques Rousseau
Object type: print
Date: 1778 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons

Onder het portret de graftombe van Rousseau. Onder de tombe een vierregelig vers.