deem-data/ArtiFact huggingface dataset:
Schipbreuk
Object type: sketchbook leaf
Date: 1823 – 1894
Materials: paper, pencil, watercolor
Techniques: brush
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: rocky coast, shipwreck

Pagina 54 verso uit een schetsboek met 61 bladen.
Glaive for the Bodyguard of Markus Sittikus von Hohenems, Prince-Archbishop of Salzburg
Object type: arm
Date: 1589 – 1589
Materials: wood, steel
Culture: austrian
Location: austria

Pole arms (staff weapons) were used not only in warfare and hunting, but also in sporting combat and ceremonies. The term refers to a family of edged weapons attached to wooden staffs. With the exception of the lance, which remained the weapon of the mounted knight, all other staff weapons were wielded by men on foot by 1600. With the development of firearms and their introduction as infantry weapons, pole arms lost their importance on the field, and from the mid-16th century, they were reserved for use in sporting contests and by princely bodyguards for ceremony and parade. The blades lent themselves to embellishment—engraving, etching, or other forms of decoration—and provided a perfect surface for the coats of arms of noble or princely families. The ceremonial use of staff weapons continues to this day with the Swiss Guards at the Vatican and Britain’s Yeomen of the Royal Guard.
Straatgezicht in Rotterdam
Object type: photograph
Date: 1890 – 1910
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Subjects: rotterdam

Moderne afdruk van negatief BR 1323 (collectie RKD).
Plate 27: Robert Macaire, merchant, from 'Caricaturana,' published in Les Robert Macaires
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,boys,men

- Well, Mr. Macaire, you're starting up business again? - Yes, I have my bankruptcy certificate. By heavens, my creditors won't complain, I'm giving up to them: drafts drawn upon the firm Bertrand, Wormspire and Co.... A million; letter of credit drawn on the government of the Sandwich Islands... A million; Spanish bonds... A million; my wife's dowry, in shares in bootlaces, umbrellas, ambulant kitchens and other commercial banks... a million. Total, four million and I only owe three. Nobody can accuse me of losing a sou!... - But it seems very difficult to recover your shares. Do you believe that they'll be able to cash them in? - Ah! That's absolutely nothing to do with me, I assure you. It's my creditors' affair and I don't interfere in other people's affairs.
Egmont op den Hoef 1689
Object type: print
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: castle, ruin of a dwelling, house, castle, etc.

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 1, ill. 40.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Kaart van het hertogdom Brabant
Object type: print
Date: 1666 – 1680
Materials: paper
Techniques: engraving, etching, hand coloring, letterpress printing
Location: amsterdam
Subjects: maps of separate countries or regions, coat of arms (as symbol of the state, etc.) (+ province; provincial), brabant
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Janssonius, Johannes. Atlas Contractus, sive Atlantis Majoris Compendium (…). 2 delen. Amsterdam: erven Johannes Janssonius, 1666, dl. 1. Of in: Janssonius, Johannes. Atlas Major, sive Cosmographia Universalis (…). Amsterdam: erven Johannes Janssonius, 1675, dl. 3. Of in: Novus Atlas, sive Theatrum Orbis Terrarum: Tabulae & Descriptiones Omnium Regionum Totius Universi Accuratissime Exhibentur. 5 delen. Amsterdam: Johannes Janssonius van Waesberge (I), s.d. [na ca. 1680], dl. 2.
Head of a Roman lady
Object type: intaglio
Date: 1767 – 1800
Materials: gemstone
Subjects: heads,profiles,women
Jan van Schaffelaar springt van de toren, 1482
Object type: print
Date: 1776 – 1849
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes christiaan bendorp
Artist role: print maker
Artist dates: 1766 – 1849
Subjects: self-sacrifice, death in the service of a higher purpose

Jan van Schaffelaar springt (voorover) van de toren van Barneveld, 16 juli 1482.
Kunstenaar in zijn atelier
Object type: print
Date: 1825 – 1882
Materials: paper
Techniques: etching
Location: leiden
Artist: jacobus ludovicus cornet
Artist role: draughtsman, print maker
Artist dates: 1815 – 1882
Subjects: artist at work, in his workshop
Inscriptions: collector's mark: Lugt 2228
Abacus
Object type: abacus
Date: 401 – 500
Materials: marble
Culture: byzantine
Pestvogel (Bombycilla garrulus)
Object type: drawing
Date: 1596 – 1610
Materials: paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: song-birds: bohemian waxwing

Pestvogel. Genummerd linksboven: 20. Rechtsboven de naam in vier talen. Onderaan op het blad een annotatie over een in 1802 te Oostende geschoten exemplaar. Onderdeel van het eerste album met tekeningen van vogels. Derde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Needle sheath
Object type: needle sheath
Date: 1601 – 1800
Materials: horn, metal
Ondermouw van wit katoen, wijd model, met manchet waarop borduurwerk
Object type: undersleeve
Date: 1900 – 1910
Materials: cotton
Techniques: cockled
Location: western europe
Artist: Anonymous

Ondermouw van katoen, wijd model, voor een damesjapon. De ondermouw is gerimpeld bevestigd aan de manchet die is versierd met Engels borduurwerk. Aan de manchet één knoop. Aan de bovenzijde kan de ondermouw worden dichtgesnoerd door middel van een koord.
Landschap bij Florence
Object type: drawing
Date: 1928 – 1928
Materials: chalk, charcoal, paper
Artist: joseph henry gosschalk
Artist role: draughtsman, print maker
Artist dates: 1875 – 1952
Subjects: low hill country
Gevel van een woonhuis in Amsterdam
Object type: print
Date: 1674 – 1674
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: exterior ~ architectural design or model
Inscriptions: collector's mark: Lugt 2228

Prent uit: Vingboons, Philips. Tweede deel van de afbeeldsels der voornaemste gebovwen, uyt alle die Philips Vingboons geordineert heeft. Amsterdam: Philips Vingboons en Joan Blaeu, 1674.
Obelisk op Place Dauphine tijdens de Blijde Intocht van koning Lodewijk XIV van Frankrijk en zijn vrouw Maria Theresia in Parijs
Object type: album leaf
Date: 1660 – 1662
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Subjects: obelisk, needle, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'

Prent uit: L'entrée triomphante de Leurs Majestez Louis XIV, roy de France et de Navarre et Marie-Thérèse d'Austriche, son espouse, dans la ville de Paris ... au retour de la signature de la paix généralle et de leur heureux mariage. Parijs: Pierre le Petit, 1662.
Postament, Basis, Capitael und Gebälk der Korinthischen Ordnung
Object type: photomechanical print
Date: 1855 – 1930
Materials: paper
Techniques: photolithography
Subjects: drawing, sketch, column, pillar ~ architecture
Inscriptions: collector's mark: ‘[...]SCHOOL voor TEEKEN[...] [...]ERDAM’, annotation: ‘K. R.’
Lord John Russell
Object type: photograph
Date: 1861 – 1861
Techniques: albumen print
Location: united states
Artist: john jabez edwin mayall
Artist role: fotograaf
Artist nationality: american
Artist dates: 1813 – 1901
Urbanus en Isabel / Zie hier het leven van Urbaan (...)
Object type: print
Date: 1842 – 1866
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: divorce, beggar, man and wife quarrelling, 'marriage à la mode'

Blad met 24 voorstellingen uit het leven van Urbanus en Isabel. Ze trouwen, maken ruzie, gaan scheiden, en Urbanus wordt een bedelaar. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 4.
Hengsel met scharnier
Object type: hengsel
Date: 1400 – 1950
Materials: iron
Techniques: forging
String of Beads
Object type: bead, string
Date: 3850 – 2960
Materials: stone
Location: egypt
Visiting a temple dedicated to Fudo
Object type: print
Date: 1780 – 1801
Techniques: woodblock print
Location: japan
Artist: katsukawa shuncho
Artist role: artist
Artist nationality: japanese
Artist dates: 1781 – 1795
Brick with the Names of Tawosret
Object type: brick, foundation deposit, tawosret
Date: 1188 – 1186
Materials: limestone
Location: upper egypt, thebes
Subjects: cartouches,hieroglyphs
The Leavetaking of Captain Hendrik de Sandra (1619-1707), sent off by his Wife and Children
Object type: painting
Date: 1661 – 1661
Materials: canvas, oil
Artist: pieter van anraedt
Artist role: painter
Subjects: painter, pieter van anraedt, leiden, amsterdam, maarssen, riding a horse, ass, or mule; rider, horseman, family group, especially parents with their child(ren), historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, waving farewell ~ departure on a journey, taking leave

Ritmeester Hendrik de Sandra neemt voor zijn woning afscheid van zijn vrouw Margareta Tortarolis en de kinderen Anna Maria de Sandra, Margareta Barbara de Sandra en Henricus Johannes De Sandra. Rechts een groep ruiters. Tussen het personeel ook een zelfportret van de schilder Pieter van Anraedt.
Figure 49: Painful weeping and forward looking.
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: guillaume-benjamin-amand duchenne de boulogne
Artist role: artist
Artist nationality: french
Artist dates: 1806 – 1875
Subjects: science,men,portraits
Torso of Victory Parthenon No 21
Object type: photograph
Date: 1857 – 1859
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Subjects: piece of sculpture, reproduction of a piece of sculpture

Sculptuur van de torso van Nike, afkomstig van het Parthenon
Ewer, from basin and ewer set
Object type: ewer
Date: 2465 – 2323
Materials: copper
Location: egypt
Nine Months with Signs of the Zodiac: June with the Sign of Cancer
Object type: painting
Date: 1791 – 1791
Materials: oil, panel
Inscriptions: inscription, bottom centre: ‘Junius’ Junius

Zoals het opschrift onderaan vermeldt is het onderwerp van deze schildering de maand juni. Het teken van het sterrenbeeld Kreeft is afgebeeld op een reliëf met een zwart fond. Mercurius, beschermgod van juni, is te herkennen aan de Pegasus, cadaceus en beurs. De haan staat symbool voor zijn wakkerheid, de ram verwijst naar zijn rol als beschermer van herders en kudden en de racket met shuttle naar zijn beschermheerschap van de sport.
De haan is overgenomen van de door Claude III Audran (1658-1734) omstreeks 1709 ontworpen tapijtenserie Le Douze Mois Grotesques, die door Jean Audran (1667-1756) in prent is gebracht. Op de prent met de maanden mei en juni zijn bij mei behalve een haan tevens een ram, handelswaar en rackets te zien, waarvan Maderna een eigen interpretatie heeft geschilderd. Een tweede inspiratiebron was Le antichità di Ercolano esposte (Napels 1757-1792). De vrouw met de tamboerijn is hieruit in detail gekopieerd (dl. 1 (1757), p. 109).
Dit is de enige schildering uit de serie die verwijst naar Josephus Augustus Brentano (1753-1821), de opdrachtgever. De letters B.C. op een van de zakken staan voor het koopmanshuis Brentano & Comp. Ook de poedel, bereden door een putto, heeft een persoonlijke betekenis. Dat Brentano op zijn poedel was gesteld blijkt uit Maderna’s levensgrote portret van hem en zijn huisdier, het schouwstuk in de grote zaal, waar de hier besproken pilasterpanelen de wanden sierden (Stichting Brentano’s Steun des Ouderdoms, Amstelveen).
Deze schildering maakt deel uit van een serie pilasterpanelen (SK-A-4142 t/m SK-A-4150), gemaakt in opdracht van Josephus Augustus Brentano (1753-1821) voor zijn huis Herengracht 544.
Afscheid van Kupers
Object type: photograph
Date: 1949 – 1949
Materials: paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Subjects: shaking hands, 'dextrarum junctio', modern professional organization, trade union, reception, cocktail party, amsterdam
Inscriptions: company name: ‘Fotodienst Het Vrije Volk / Hekelveld 15, Amsterdam’

Blad met twee foto's waarin een onbekende man handen schudt (boven) en Kupers handen schudt (onder). Onderdeel van het fotoalbum ter gelegenheid van het afscheid van Evert Kupers als voorzitter van de NVV op 14 juli 1949 in Amsterdam.
Franklin Bartlett
Object type: page
Date: 1889 – 1894
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: politician, politician, e.g. party leader
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of upper torso with drapery?
Ellemaat uit Borculo
Object type: ellemaat
Date: 1800 – 1800
Materials: wood
Location: borculo
Artist: Anonymous
Subjects: borculo
Inscriptions: inscription: ‘B.’, label: ‘Borculo’

Lengtemaat van 1 el met handvat uit Borculo. Opschrift met inkt (onleesbaar) en v.z.v. etiket.
Monument ter nagedachtenis van Servaas Havart, 1785
Object type: print
Date: 1785 – 1786
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Artist: franciscus sansom
Artist role: print maker
Artist dates:  – 1788
Subjects: grave-building, monumental tomb, freedom, liberty; 'libertà' (ripa) (+ abstract concept represented by female figure), rotterdam, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760

Allegorisch monument ter nagedachtenis van Servaas Havart, een ijverig Rotterdamse patriot, overleden 17 december 1785. De maagd van de Nederlandse Vrijheid bij het graf met urn en grafschrift.
Stuiver van Groningen, 1690
Object type: coin
Date: 1690 – 1690
Materials: silver
Techniques: striking
Location: groningen

Zilveren munt. Voorzijde: tussen waarde-aanduiding I S gekrooond wapenschild. Jaartal boven kroon. Keerzijde: drie-regelig opschrift: CIV/GRONIN/GA.
Lives of the warriors of the Thirty Years' War : warriors of the seventeenth century
Object type: book
Date: 1865 – 1865
Materials: linen, paper, photographic support
Techniques: albumen print, printing
Inscriptions: date: ‘Apr 1999’, annotation: ‘Signed by the author/ £50/ April 8/65/ [...]’, company name: ‘Bound by Westleys & co. London’
Terracotta fragment of a stemless kylix (drinking cup)?
Object type: kylix fragment
Date: 434 – 368
Materials: terracotta
Culture: etruscan

Interior, part of a draped figure; Exterior, reserve with part of a small black glazed circle in the center
Heuvellandschap met jagers en honden
Object type: sketchbook leaf
Date: 1873 – 1876
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: low hill country, hunter, firearms, dog

Blad 3 verso uit een schetsboek met 46 bladen.
Fan for the Gavarni Ball
Object type: print
Date: 1903 – 1903
Materials: paper
Techniques: lithograph
Location: france
Artist: jean louis forain
Artist nationality: french
Artist dates: 1852 – 1931
Hand guard
Object type: tsuba, zwaardstootplaat
Date: 1600 – 1800
Materials: gold, iron, silver
Location: hirado
Artist: Anonymous
Overgrootmoeder de Jong van Beek en Donk
Object type: photograph
Date: 1869 – 1869
Materials: photographic support
Techniques: photography
Location: netherlands
Inscriptions: inscription: ‘Overgrootmoeder de Jong van Beek / en Donk / 1869.’

Foto op bruin albumblad 20 van familiealbum van Alphons Diepenbrock.
Study for "The Siege of Gibraltar": Officer in Four Poses
Object type: drawing
Date: 1785 – 1786
Materials: chalk, paper
Culture: american
Artist: john singleton copley
Artist role: artist
Artist nationality: american
Artist dates: 1738 – 1815
Subjects: swords,men
Schlossmuseum Berlin. Gottfried Schadow (1764-1850). Kronprinzessin Luise. 1795 (Ausschnitt)
Object type: photograph
Date: 1918 – 1930
Materials: photographic support
Techniques: photography
Location: berlin
Subjects: castle, statues, paintings, etc. ~ objects of worship in roman religion, permanent exhibition, museum
Ensemble de Port-Said et le Phare
Object type: photomechanical print
Date: 1907 – 1930
Materials: cardboard
Techniques: lithograph
Artist: Anonymous
Subjects: lighthouse, lightship, street
Inscriptions: monogram: ‘AG’, inscription: ‘I. B. - N.’
Dish
Object type: dish
Date: 1760 – 1760
Materials: earthenware
Techniques: glazing
Artist: whieldon type
Artist role: maker
Toneeldecor: Het Gothisch Paleis
Object type: print
Date: 1785 – 1788
Materials: paper
Techniques: etching
Artist: pieter hendrik jonxis
Artist role: print maker
Artist dates: 1757 – 1843
Subjects: theatre, theatrical performance, stage design
Inscriptions: collector's mark: Lugt 1641, stamp

Het coulissendecor Het Gothisch Paleis, met scène uit Jacob Simonszoon de Ryk. Aparte afdruk van alleen het decor, zonder de passe-partout met het toneel en de zaal. Behorend bij de serie van veertien toneeldecors van de nieuwe Amsterdamse Schouwburg, 1787-1794. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Tooneel, Decors voor de Schouwburg.
Alfabet
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous

Uit serie van 24 gotische letters met vlechtwerk: A-I, K-T en V-Z.
Un moulin à eau
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: engraving
Subjects: watermill, watermill in landscape
Inscriptions: collector's mark: Lugt 2228
Tumbler
Object type: tumbler
Date: 1883 – 1883
Materials: glass
Techniques: glassblowing
Culture: american
Location: united states
Textile Design with Alternating Rows of Ellipses Containing a Stylized S-Shape Framed by Horizontal Undulating Garlands of Branches with Pearls and Rosettes
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating rows of ellipses ontaining stylized S-shapes separated by horizontal undulating garlands of branches of light tan color with offsetting thorns rendered with stipples of dark reddish-brown color decorated with pearls and rosettes with five petals over a light tan ground with stipples of dark reddish brown color. The S-shapes are colored alternatingly with orange and purple; the ellipses are colored with red. The pearls and rosettes are colored with white.
Design for Pony Phaeton, no. 3230
Object type: drawing
Date: 1876 – 1876
Materials: gouache, gum arabic, ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Bokaal met deksel van zilver
Object type: goblet
Date: 1863 – 1863
Materials: silver
Techniques: gilding
Location: delft
Artist: c.e. jedeloo
Artist role: silversmith
Inscriptions: mark

Beker met deksel van zilver, van binnen verguld. Versierd met druivenranken om de voet en op het deksel.
Portrait of a Lady
Object type: painting, miniature
Date: 1805 – 1805
Materials: oil, tin
Culture: american
Artist: adolph ulrich wertmuller
Artist role: artist
Artist dates: 1751 – 1811
Subjects: portraits,women
Trophées D'Armes à la Romaine
Object type: ornament print
Date: 1657 – 1670
Materials: paper
Techniques: etching
Location: paris

Rond schild met strijdende cavalerie in het midden van de trofee.
Coin de pacage à Forest
Object type: page
Date: 1883 – 1888
Materials: cardboard, paper
Techniques: photograph
Location: brussels
Subjects: cow, milking
Pair of Earplugs Ornamented with Figures and Inlaid Stones
Object type: earplug
Date: 801 – 1400
Materials: gold
Culture: indonesian, javanese
What's The News
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,portraits
Perseus Delivering Andromeda
Object type: print
Date: 1600 – 1688
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: andromeda,perseus,pegasus
Aryballos in the form of a foot
Object type: aryballos in the form of a foot
Date: 400 – 400
Materials: terracotta
Culture: greek, attic
Subjects: feet
Snuff rasp
Object type: snuff rasp
Date: 1801 – 1900
Materials: brass, iron, wood
Opening van de Thamestunnel te Londen 1843
Object type: history medal
Date: 1843 – 1843
Materials: tin
Techniques: striking

Tinnen penning, op de voorzijde het trappenhuis naar de Thamestunnel, met afsnedetekst, op de keerzijde het trappenhuis aan de andere zijde, met afsnedetekst.
Krater van de vulkaan Bromo, Java, Nederlands-Indië
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: java
Artist: onnes kurkdjian
Artist role: fotograaf
Artist dates: 1851 – 1903
Inscriptions: number: ‘93’, name: ‘Photo Kurkdjian Soerabaia / Serie Bromo No. 26’

Krater van de vulkaan Bromo, Java, Nederlands-Indië
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, youth with himation draped over head, in field, torch holder?
Marwaree Brokers
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print, glass negative
Artist: francis frith
Artist role: publisher
Artist nationality: english
Artist dates: 1822 – 1898
Subjects: men,portraits