deem-data/ArtiFact huggingface dataset:
Portret van oude man, leunend op een balustrade
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: historical persons, old man, balustrade
Dode vogel
Object type: print
Date: 1975 – 1977
Materials: paper
Techniques: etching
Artist: kees stoop
Artist role: draughtsman
Artist dates: 1929 – 2019
Subjects: birds (+ dying animal; death of animal; dead animal)
Inscriptions: inscription: ‘1e STAAT’, signature: ‘KEES STOOP’, date: ‘'79’

Dode, in staat van ontbinding verkerende vogel.
Portret van een onbekende jongen op een stoel
Object type: cabinet photograph
Date: 1900 – 1948
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: hilversum
Artist: johannes gerard middendorp
Artist role: fotograaf
Artist dates: 1870 – 1949
Subjects: studio requisites ~ photographer, boy (child between toddler and youth)
Gezichten op Apeldoorn en omstreken
Object type: photomechanical print
Date: 1890 – 1900
Materials: paper
Techniques: autotype
Subjects: village street, townhall, market

Prent mogelijk uit: Gids voor Apeldoorn en omstreken. Apeldoorn: Vereeniging tot veraangenaming van het verblijf te Apeldoorn, [1891-1897].
Ceramic Fragment
Object type: fragment
Date: 801 – 900
Materials: earthenware, glaze
Techniques: glazing
Location: iran

This ceramic fragment was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Self-portrait in a cloak with a falling collar: bust
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: etching, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: leiden, amsterdam, print maker, draughtsman, rembrandt van rijn
Inscriptions: monogram and date: ‘RHL 1631’, collector's mark: Lugt 2228, collector's mark: Lugt 2297
Raphaelis Amicitia Celeberrima la Fornarina
Object type: print
Date: 1768 – 1833
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: anonymous historical person portrayed
Inscriptions: collector's mark: Lugt 3428, collector's mark: Lugt 2228

Naar een portret door Sebastiano del Piombo, dat vroeger werd toegeschreven aan Rafaël. Het schilderij bevindt zich in de Galleria degli Uffizi te Florence.
Sauce Ladle
Object type: ladle
Date: 1862 – 1862
Materials: silver
Culture: american
Location: united states
Artist: john r. wendt
Artist role: maker
Artist nationality: american
Artist dates: 1826 – 1907

The mid-nineteenth century witnessed an efflorescence of creativity in the American silver industry, fueled by the burgeoning middle class’s increasing demand for refined luxury goods. Silversmiths devoted considerable time and creative energy to generating an endless variety of new designs and patterns. During the 1860s and 1870s silver flatware ornamented with portrait medallions inspired by antique coins and cameos enjoyed widespread popularity, with virtually every American silversmith producing their own proprietary "medallion" pattern. In 1862, the German-born silversmith John R. Wendt received the first patent for a medallion pattern, which is seen here in this elegant ladle. This pattern inspired innumerable variations and inaugurated a veritable mania for medallion flatware. Although this ladle is marked by the Philadelphia retailer J. E. Caldwell, most of the surviving examples of this pattern are marked by Ball, Black & Co. of New York, who held Wendt’s work in such high esteem that they forged a special relationship with him whereby Wendt occupied several floors in their building. Among medallion flatware, Wendt’s pattern truly sets the standard.
Plate with an image of The Parasol Lady
Object type: plate dish
Date: 1736 – 1738
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: netherlands
Artist: Anonymous

Besides pagodas and sages, women were a standard feature of the ‘Asian’ imagery of European designers. In 1734, the Dutch draughtsman and designer Cornelis Pronk (1691-1759) created four designs for the decoration of Chinese porcelain for the Dutch East India Company. Pronk never visited Asia. He based his designs on Chinese examples known to him, possibly in the plate on the right, combined with a touch of fantasy.
XXV Laet legghen dat hachjen
Object type: album leaf
Date: 1614 – 1614
Techniques: engraving, printing
Location: amsterdam

XXV Laet legghen dat hachjen. Tweede schok. Onderdeel van 'Sinnepoppen', R. Visscher, 1614.
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 107 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament

Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. From top to bottom, and left to right: Design composed of 4 horizontal registers. First and third registers are decorated with 5 triangles that are ornamented with a floral motif. Second and fourth registers are decorated with squares that are each ornamented with a flower.
Statue of the Vizier Iuy
Object type: statue, vizier iuy
Date: 1700 – 1700
Materials: wood
Location: egypt
Subjects: men

Wooden statues were common in ancient Egypt but preserved less often than their counterparts in stone. This figure is a spectacular example of a statue of a wealthy official, whose robust frame and long, elaborate garment (note the fringe carved at the top of the dress across his back) identify his successful career. The name of the owner is not preserved, but the statue was found close to a tomb that contained coffin fragments inscribed for the mayor and vizier Yuy. A small limestone figure wearing the same kind of kilt (23.3.38) was found together with this piece, as were two "Tell el-Jahudiyeh" vessels (23.3.39 and 23.3.40).
Cylinder seal
Object type: cylinder seal
Date: 1900 – 1601
Materials: stone
Culture: syrian
Location: syria
Valentine
Object type: valentine
Date: 1859 – 1869
Materials: lace, paper
Techniques: chromolithography, embossing, open work
Artist: Anonymous
Artist role: artist
Gezicht op Woudrichem
Object type: print
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: church (exterior), city-gate, prospect of city, town panorama, silhouette of city, fisherman, woudrichem

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 2, ill. 162.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Portret van John Rushworth
Object type: book illustration
Date: 1692 – 1692
Materials: paper
Techniques: engraving
Location: london
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Prent uit: Rushworth, John. Historical Collections of Private Passages of State (...) The Third Part. Londen: Richard Chiswell en Thomas Cockerill, 1692.
[The Great Wave, Sète]
Object type: photograph
Date: 1857 – 1857
Techniques: albumen silver print, glass negative
Artist: gustave le gray
Artist role: artist
Artist nationality: french
Artist dates: 1820 – 1884
Subjects: seascapes,waves

The dramatic effects of sunlight, clouds, and water in Le Gray's seascapes stunned his contemporaries and immediately brought him international recognition. At a time when photographic emulsions were not equally sensitive to all colors of the spectrum, most photographers found it impossible to achieve proper exposure of both landscape and sky in a single picture. Le Gray solved this problem by printing two negatives on a single sheet of paper: one exposed for the sea, the other for the sky, and sometimes made on separate occasions or in different locations. Le Gray's marine pictures caused a sensation not only because their simultaneous depiction of sea and heavens represented a technical tour de force, but also because the resulting poetic effect was without precedent in photography.
Landschap met schuur en schutting
Object type: drawing
Date: 1638 – 1682
Materials: ink, paper
Techniques: brush, pen
Subjects: coast, farm (building)
Livre Second Essais de Gravure (...)
Object type: ornament print
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: paris
Artist: pierre bourdon
Artist role: print maker
Artist dates: 1656 – 
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1403b
Dame drinkt in een atelier uit een glas
Object type: print
Date: 1870 – 1909
Materials: paper
Techniques: drypoint, etching
Artist: florimond buyck
Artist role: print maker
Subjects: bottle of wine, drinking
Inscriptions: collector's mark: Lugt 2228

Sterfdatum prentmaker onbekend. Derhalve is voor bepaling van de rechten van dit object de verwervingsdatum aangehouden.
Sultan Suleyman the Magnificent Wearing the Jewel-Studded Helmet
Object type: print
Date: 1540 – 1550
Techniques: woodcut
Artist: anonymous, italian, venetian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: helmets,men

The magnificent four-tiered helmet that Suleyman wears was the centerpiece of a group of jeweled regalia produced by Venetian goldsmiths in conjunction with German entrepreneurs to sell to the Ottoman ruler. Modeled on the three-tiered tiara of the pope, this seemingly imperial headgear was meant to signal Suleyman’s right to universal sovereignty. Suleyman’s Grand Vizier, Ibrahim Pasha, may have collaborated on its design. He also orchestrated Roman-style triumphal entries that included staggering displays of the sultan’s wealth as a challenge to Habsburg rule. The diamond- and pearl-encrusted helmet was put on public display in the Doge’s Palace in Venice in 1532; this must have been the occasion that prompted the artist to draw a careful study of the helmet for this woodcut.
Claude Thiénon op bezoek bij de familie Andriessen
Object type: drawing
Date: 1807 – 1807
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: amsterdam, print maker, draughtsman, christiaan andriessen, painter, jurriaan andriessen, paris, claude thiénon, artist at work, in his workshop
Inscriptions: signature: ‘J Andriessen’, inscription:, collector's mark: Lugt 1641, collector's mark: Lugt 1641a

Claude Thiénon op bezoek bij de familie Andriessen. Jurriaan Andriessen toont hem een portefeuille met tekeningen.
[Encampment with shacks and laundry]
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: american civil war,men
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, and shoulders of wreathed youth with a himation around his shoulders
Les Rives de la Seine
Object type: print
Date: 1829 – 1831
Materials: paper
Techniques: lithograph
Location: paris
Subjects: pier, quay, wharf
Inscriptions: check stamp: Lugt 1828b, collector's mark: Lugt 2228a

Prent maakt deel uit van een omslag met veertien prenten.
Steen met een medaillon van de Romeinse consul Lucius Junius Brutus
Object type: book illustration
Date: 1797 – 1798
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: (story of) l. junius brutus
Inscriptions: collector's mark: Lugt 240

Gebruikt als boekillustratie in: L. Junius Brutus. Haarlem: A. Loosjes, 1797 en Adriaan Pietersz. Loosjes, Romeinsche antieken van vrijheids en vaderlands-liefde. Haarlem: A. Loosjes, 1798.
Ink stand
Object type: ink stand
Date: 1701 – 1800
Culture: chinese
Subjects: men
Fan
Object type: fan
Date: 1880 – 1889
Materials: ivory, metal, mother of pearl, silk
Culture: american
Subjects: flowers,roses
Belt Buckle Attachment Plate
Object type: belt plate
Date: 301 – 700
Materials: iron, silver
Techniques: inlay
Culture: frankish
The Jeweled Chaplet
Object type: print
Date: 1845 – 1846
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Subjects: women,octopus,boats
Bacchus and Ariadne
Object type: drawing
Date: 1601 – 1700
Materials: chalk, paper
Techniques: heightening
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: ariadne,bacchus
Coat
Object type: coat
Date: 1850 – 1859
Materials: silk
Culture: american
Caart van de stad Rotterdam (...)
Object type: album leaf
Materials: paper
Techniques: colour, etching
Artist: Anonymous
Subjects: delfshaven, coat of arms (as symbol of the state, etc.), rotterdam

Negen voorstellingen op een albumblad. Het betreft negen wapen van raden in de vroedschap van Rotterdam. De prenten zijn onderdeel van de kaart van Rotterdam door Johannes de Vouw en maken deel uit van een album.
Engel vliegend boven een knielende man
Object type: sketchbook leaf
Date: 1650 – 1799
Materials: ink, paper, pencil
Techniques: brush, pen
Location: italy
Artist: Anonymous
Subjects: angels, kneeling on both knees

Bladzijde 29 uit een schetsboek met 72 bladzijden.
Study for a Book Vignette
Object type: book
Date: 1701 – 1800
Materials: ink
Techniques: brush, pen, wash
Artist: pierre edmé babel
Artist role: artist
Artist nationality: french
Artist dates: 1720 – 1775
Subjects: gates,garlands,putti
History of the empire of Japan
Object type: book
Date: 1893 – 1893
Materials: cardboard, paper
Techniques: photograph, printing
Location: tokyo
Earrings
Object type: earring
Date: 1867 – 1933
Materials: metal
Culture: spanish
Plate
Object type: plate
Date: 1667 – 1733
Materials: porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: flowers,leaves
Zittende vrouw met haar handen voor haar borst
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper
Techniques: brush
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ sitting), (other forms of) needlework, e.g.: crocheting, knitting, embroidering

Mogelijk handwerkend. Blad 25 recto uit schetsboek LII met 43 bladen.
Loch Ranza
Object type: page
Date: 1861 – 1871
Materials: photographic support
Techniques: albumen print
Location: arran
Artist: william russell sedgfield
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: lake
Inscriptions: inscription: ‘"On fair (...) the world."’
Brug over een kanaal
Object type: sketchbook leaf
Date: 1880 – 1900
Materials: paper, pencil
Artist: Anonymous
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), bridge

Blad 7 verso uit een schetsboek met 29 bladen.
Bladrank met oude vrouw op dolfijn links
Object type: ornament print
Materials: paper
Techniques: engraving
Location: amsterdam

Blad 7 uit serie met Nederlandse tegenzijdige verkleinde kopieën van de serie Disegnii Varii Di Polifilo Zancarli.
Sestertius (Coin) Portraying Emperor Antoninus Pius
Object type: coin
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: M AVREL ANTONINVS AVG TR P XXXII 

Reverse: FELICITAS AVG IMP VIIII COSIII PP

The front (obverse) of this coin portrays the emperor Antoninus Pius, facing right and wearing a crown of laurels.

On the back (reverse), the personification of Felicity is depicted standing, holding a caduceus and a sceptre.
Ribbon
Object type: textile
Date: 1801 – 1900
Materials: silk, velvet
Techniques: cutting, patterning, weave
Location: france
Twee mannen werken in een kruidentuin
Object type: book illustration
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: herb garden, gathering herbs, plants and herbs, abstract ideas and concepts
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Weigel, Christoph. Ethica Naturalis seu Documenta Moralia e Variis rerum Naturalium proprietatibus Virtutum Vitiorumq symbolicis imaginibus collecta. Neurenberg: Christoph Weigel: c. 1700.
[Temple of Jupiter Tonans, Rome]
Object type: photograph
Date: 1850 – 1859
Techniques: paper negative, salted paper print
Artist: Anonymous
Artist role: artist
Subjects: columns,ruins
Kleermaker
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: tailor, dressmaker
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een kleermaker (Oom Baernt) zit op een tafel kleding te naaien. Achter hem hangen lappen stof. De prent maakt deel uit van een serie van 32 prenten met genretaferelen.
Drinking Cup
Object type: cup, geometric decoration
Date: 1900 – 1550
Techniques: polish
Location: nubia
Le Follet, 1854, No. 1904 : Toilettes d'enfants (...)
Object type: fashion print
Date: 1854 – 1854
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothes, costume (+ children's clothes), head-gear: cap (+ children's clothes), dress, gown (+ children's clothes), fashion plates, jumping-rope games
Inscriptions: caption: ‘Toilettes d'enfants au Zéphyr, b.t des Capucines. 9 - Parfumeries, Société Hygiénique, r. ed Rivoli, 65’, title: ‘Le Follet’, address: ‘Boulevart S.t Martin, 69 / 8, Argyll Place, Regent Street, Londres.’

Vier meisjes en een jongen in een park, spelend met een springtouw. Onder de voorstelling enkele regels reclametekst voor verschillende producten. Prent uit het modetijdschrift Le Follet Courrier des Salons (novembre 1829- octobre 1882).
Fotoreproductie van een foto door Hugo Henneberg, voorstellend een gezicht op Villa Falconieri in Frascati
Object type: photomechanical print
Date: 1880 – 1907
Materials: paper
Techniques: autotype
Subjects: villa
Inscriptions: inscription: ‘n.e. Gummidruck.’
Visserstraat met toren. Breda
Object type: photomechanical print
Date: 1913 – 1945
Materials: cardboard
Techniques: photograph, lithograph
Location: breda
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, church (exterior)
Twee portretten van Knut Johnsen Nutti
Object type: page
Date: 1870 – 1880
Materials: paper, photographic support
Techniques: albumen print
Subjects: adult man (+ front view), adult man (+ sideview, profile), fashion, clothing (+ fur used for clothes)
Inscriptions: number: ‘Tavola III.’

Links een vooraanzicht, rechts een zijaanzicht.
Rag Shop, Milman's Row, Chelsea
Object type: print
Date: 1887 – 1887
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Portret van Bernardus van Schendel
Object type: drawing
Date: 1712 – 1795
Materials: paper
Techniques: brush
Artist: tako hajo jelgersma
Artist role: draughtsman, painter
Artist dates: 1702 – 1795
Subjects: bernardus van schijndel, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Met hout en vaartuig beladen handkarren in een straat tijdens de overstroming van Parijs
Object type: photograph
Date: 1901 – 1910
Materials: photographic support
Techniques: matte daylight collodion silver print
Location: paris
Artist: g. dangereux
Artist role: fotograaf
Subjects: hand-cart, flood (+ landscape with figures, staffage), paris

Onderdeel van fotoalbum overstroming Parijs en voorsteden 1910.
Order aan Pieter van Drecht om zich aan de Oranje-Nassau Kazerne te Amsterdam te melden
Object type: text sheet
Date: 1826 – 1826
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: the hague, politician, communication (military)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Landmacht: Gebouwen / Herinneringen aan officieren, stadssoldaten / Nationale militie / (diverse korpsen) / Padvinders / Parade.
Shell Inscribed with the Cartouche of Senwosret I
Object type: shell, senwosret i
Date: 1981 – 1550
Materials: shell
Location: southern upper egypt
Subjects: cartouches
Five Brooches Made of Cufflinks
Object type: brooch
Date: 1930 – 1960
Materials: gold
Location: netherlands
Artist: Anonymous

Broche van goud van twee vierkante manchetknopen met een vlechtpatroon. De broche is voorzien van een haaksluiting en een veiligheidsspeldje.
Mt. of the Holy Cross
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: rocky mountains
Artist: william henry jackson
Artist role: fotograaf
Artist dates: 1843 – 1942
Subjects: mountain-range, snow peaks
Inscriptions: negative number: ‘3201’

Onderdeel van Fotoalbum van een reis door de Verenigde Staten, Honolulu, Nederlands-Indië, Aden, Zanzibar en Zuidelijk Afrika.
Portret van Lodewijk van Orléans
Object type: print
Date: 1723 – 1726
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: lodewijk van orléans, ornament ~ medallion, armour, historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Manuscript Illumination with Initial H, from a Bible
Object type: bible
Date: 1175 – 1195
Materials: gold, parchment, paint
Culture: french
Location: france
Subjects: bible