deem-data/ArtiFact huggingface dataset:
Ex libris van Estela de Rangel G. Pereira
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: portugal
Subjects: foliage ~ ornament - aa - stylized
Inscriptions: workshop stamp: ‘8 / ipse fecit’
Hemelnimf
Object type: fragment
Date: 1600 – 1699
Materials: marble
Location: india
Artist: Anonymous

Hemelnimf die een blaasinstrument bespeelt.
Arizona, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the "Flags of the States and Territories" series (N11), issued in 1888 in a set of 47 cards to promote Allen & Ginter brand cigarettes. There are also approximately 100 scroll color variations. The museum's collection contains the full set of 47 cards, as well as 54 scroll color variations and one cutout card.
Branch with Cherry Flowers, Writing Box and Sheet of Paper for Poem Writing (Tanzaku)
Object type: woodblock print
Date: 1768 – 1868
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: unidentified artist
Artist role: artist
Subjects: flowers,writing implements
Cymbalier, French Guard, 1786, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: musical instruments,military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Portret van Michael Ophovius
Object type: print
Date: 1792 – 1849
Materials: paper
Techniques: etching
Location: the hague
Artist: johannes hari (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1772 – 1849
Subjects: den bosch, michael ophovius
Inscriptions: collector's mark: Lugt 2228

Buste van Michael Ophovius, bisschop van Den Bosch.
Strait of Carquennes, from South Vallejo
Object type: photograph
Date: 1868 – 1869
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: buildings,landscapes

When Watkins exhibited his mammoth prints in 1869, a critic remarked, "They justly deserve the encomiums passed upon them. For clearness, strength, and softness of tone, these picturesque views are unexcelled; and while they present truthful representations of the scene chosen, they are an earnest of the artistic skill of the photographer." The site of this photograph (known today as the Carquinez Strait) is a narrow, tidal body of water twenty miles inland from the mouth of San Francisco Bay. Part of a busy, deep-water shipping channel to Sacramento, the strait (and the surrounding shoreland) is still beloved for its extraordinary beauty and diversity of wildlife and flora. The Star Flour Mills (center) is featured by Robert Louis Stevenson in The Silverado Squatters (1883), his prescient travelogue about the California wine country of Napa Valley. Stevenson's account of his 1880 honeymoon discusses his journey from San Francisco to Calistoga and Mount Saint Helena, where he and his new wife and stepson lived for two months as "squatters" in the bunkhouse of an abandoned mining camp.
Het VOC schip de Oude Zijpe gestrand bij Zandvoort, 1742
Object type: print
Date: 1742 – 1780
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: wreck ashore
Inscriptions: inscription: ‘O.I. Comp. Retourschip de Oude Zijpe, gestrand benoorden Zantvoort, d. 22 Sept. 1742 / Proefdruk’, collector's mark: Lugt 2228

Het VOC retourschip de Oude Zijpe gestrand ten noorden van Zandvoort, 22 september 1742. Op het strand een menigte toeschouwers. Mogelijk een voorstelling van een stranding in 1780.
Fotoreproductie van een prent naar een schilderij door Josiah Boydell, voorstellend een scene uit Hendrik IV door William Shakespeare
Object type: page
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: specific works of literature
Inscriptions: number: ‘Ph. LI. 203’

Te zien is akte IV, scene 4 met koning Hendrik IV zittend in bed met prins Harry ervoor.
Shawl
Object type: costume and accessory
Date: 1855 – 1855
Techniques: embroidery
Location: india
Terracotta fragment of a mastoid (drinking cup with narrow base)
Object type: mastoid fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Hand of a figure holding a vine; youth to right with his right arm bent and his hand at his waist, with his left arm extended, and his chlamys draped over his left arm, holding a vine in his left hand; part of another male?
Portret van Filips van Marnix van Sint-Aldegonde
Object type: print
Date: 1760 – 1785
Materials: paper
Techniques: engraving
Location: the hague
Subjects: brussels, leiden, politician, filips van marnix van sint-aldegonde, ornament ~ medallion, historical persons, portrait of a writer
Inscriptions: inscription: ‘Pecker’

De eerste drie staten zijn proefdrukken zonder onderschrift. Op de eerste staat, staat rechtsonder 'V. Meegen'. Op de tweede staat is dit signatuur verwijderd. Op de derde staat is de streep rechtsonder (ongeveer in het midden van het veld voor het onderschrift) verwijderd. Bij deze vierde staat zijn het onderschrift en namen van de kunstenaars toegevoegd.
Schaapherder bij zijn kudde
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: landscapes in the temperate zone, cattle driving, cattle driver, sheep

Verder studies van schapen. Pagina 71 uit een schetsboek met 45 bladen vervaardigd rond de Ewijkshoeve.
Stier
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: etching
Location: england
Artist: hendrik willem schweickhardt
Artist role: draughtsman, painter, print maker
Artist dates: 1746 – 1797
Subjects: bull
Inscriptions: collector's mark: Lugt 2228

Behoort tot een serie van acht prenten met verschillende dieren.
Portret van Sigismund von Birken
Object type: print
Date: 1669 – 1679
Materials: paper
Techniques: engraving
Subjects: sigismund von birken, historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228

Onder het portret de naam van een gezelschap waar Sigismund von Birken toe behoorde: 'Der Erwachsene'.
Fotoreproductie van een schilderij van de dood van Jean-Étienne Duranti door Paul Delaroche
Object type: photograph
Date: 1853 – 1858
Materials: paper
Techniques: albumen print, engraving
Location: paris
Subjects: politician, violent death, being killed; being mishandled and maltreated; seeking death, attempt, political murder
Inscriptions: check stamp: ‘GC’
Portret van August Varenius
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: curtains, bookshelves, theologian, historical persons, book - mm - book open

Prent waarschijnlijk uit: Varenius, August. Augusti Varenii, SS. Theologiae Doctoris (...) Commentarius in Prophetam Isaiam. Rostock en Leipzig: Johannes Heinrich Russworm, 1708.
Locomotief voor een goederentrein
Object type: page
Date: 1880 – 1885
Materials: photographic support
Techniques: albumen print
Subjects: locomotive
Inscriptions: inscription: ‘Société de St. Léonard (Outils) Liége (Belgique)’
Letter
Object type: hanging scroll
Date: 1601 – 1633
Materials: ink, paper
Culture: japanese
Artist: shōkadō shōjō
Artist role: artist
Artist nationality: japanese
Artist dates: 1584 – 1639

Even without deciphering the contents of this informal missive, we can engage with the abstract rhythm of the calligraphy. It is a brilliant example of chirashi-gaki, or “scattered writing,” in which columns of text are arranged out of normal sequence. Letters like this by noted cultural figures could be repurposed for display in the tokonoma alcove for a tea gathering. Shōkadō Shōjō, a Buddhist monk, was lauded as one of the great calligraphers of his day.
Tripod Bowl Depicting Head of Bird on its Interior Surface
Object type: vessel
Date: 1200 – 1521
Materials: ceramic, pigment
Techniques: modeling, painting
Culture: cholula
Location: cholula
Kandelaber
Object type: candelabrum
Date: 1789 – 1791
Materials: silver
Location: rotterdam
Artist: cornelis knuysting
Artist role: silversmith
Artist dates: 1730 – 1812

Two candlesticks and two candelabra. Silver. Rotterdam, 1789 and 1791, by Cornelis Knuysting. On loan from the Remonstrant Reformed Church, Amsterdam.
Plate (Assiette à palmes) (1 of 102) (part of a service)
Object type: plate
Date: 1780 – 1780
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: garlands,fruit,flowers
Ontwerpen voor tafelstukken, kandelabers en jardinières
Object type: design drawing
Date: 1864 – 1894
Materials: paper, pencil
Location: paris
Artist: henri cameré
Artist role: designer
Subjects: centre-piece, epergne, 'surtout', 'milieu-de-table', chandelier, candelabrum, potted plants
Man betaalt een vrouw in een herberg
Object type: album leaf
Date: 1648 – 1653
Materials: paper
Techniques: etching
Location: haarlem
Artist: adriaen van ostade
Artist role: draughtsman, painter, print maker
Artist dates: 1610 – 1685
Subjects: paying (~ commerce) (here also repayment of debt, etc.), inn, coffee-house, public house, etc.

Interieur van een herberg met een man die zijn gemaakte kosten afrekent met een vrouw. Bij de haard zit een groep mannen. Deze prent maakt deel uit van een album.
Stamp seal (with horse-head handle) with geometric design
Object type: stamp seal
Date: 800 – 601
Materials: iron
Culture: iranian
Location: iran
Pauline Train, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Judith and the Head of Holofernes
Object type: print
Date: 1575 – 1607
Techniques: engraving
Artist: jan saenredam
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1607
Subjects: swords,heads,holofernes,judith
Fotoreproductie van mozaïek uit de vijfde eeuw in de Santa Sabina te Rome
Object type: album leaf
Date: 1857 – 1875
Materials: paper
Techniques: albumen print
Location: santa sabina
Artist: james anderson
Artist role: fotograaf
Artist dates: 1813 – 1877
Subjects: art and the public; styles and ornaments
Inscriptions: inscription: ‘4000 - ROMA - Musaico del V secolo - Chiesa di S. Sabina’
Ontwerp voor een stoel
Object type: design
Date: 1874 – 1945
Materials: paper
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: chair
Rol met paars lint met één gerafelde zijde en drie witte horizontale strepen
Object type: braid
Date: 1935 – 1935
Materials: cardboard, paper, textile
Location: nijmegen

Rol met paars lint met één gerafelde zijde en drie witte horizontale strepen.
Relief plaque depicting a royal figure
Object type: relief, plaque, sculptor's model, donation, royal, head
Date: 300 – 201
Materials: limestone
Location: egypt

Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or unfinished way but are themselves complete objects constitute a special class of objects. These objects, sometimes called "sculptor's models/votives" by Egyptologists, were the material of a donation practice, perhaps connected with these centuries' prolific temple building. Unfortunately, there is little to illuminate us about the mechanics of such a donation practice. This example depicts a royal head.
Mantle
Object type: mantle
Date: 1848 – 1853
Materials: silk
Culture: american

Nuts, berries, and leaves on a russet field are complemented by the drape of fringe, its fall also a reference to the season. All that one needs to hibernate for the winter is present on this shawl and even three-dimensionally. Not only is there sculptural relief inherent in the luxuriant velvet, but the front closures also resemble berries. A mantle for a human being is remarkably like fall's organic mantle.
Portret van Carl Georg Heinrich von Hoym
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons
Melkende boerin
Object type: print
Date: 1728 – 1789
Materials: paper
Techniques: etching
Location: dordrecht
Artist: jacob hoolaart
Artist role: print maker
Artist dates: 1713 – 1789
Subjects: milking
Hair, from the Magic Changing Cards series (N223) issued by Kinney Tobacco Company
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men

Trade cards from the "Magic Changing Cards" series (N223), issued in a set of 50 in 1889 by Kinney Tobacco Company. When held up to the light, a hidden image is revealed on each card.
Landschappen met Bijbelse voorstellingen
Object type: print
Date: 1630 – 1663
Materials: paper
Techniques: etching
Artist: anthonie waterloo
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1690
Subjects: tobias and the angel raphael travelling, accompanied by tobias' dog
Inscriptions: collector's mark: Lugt 240

Tobias en zijn hond lopen met de aartsengel Rafaël over een bospad in de richting van een hoge rotswand. Voor de rotswand stroomt een rivier met een waterval. Rafaël wijst ernaar. In de verte ligt een stad aan de voet van een berg.
Struikgewas en geboomte
Object type: drawing
Date: 1939 – 2009
Materials: charcoal, paper
Artist: kees stoop
Artist role: draughtsman
Artist dates: 1929 – 2019
Subjects: trees
Inscriptions: inscription
Hek, trapleuning en twee ornamenten
Object type: print
Date: 1726 – 1750
Materials: paper
Techniques: etching
Location: amsterdam
Tegel met wapen familie Ordelaffi met klimmende leeuw in een ovaal
Object type: tile
Date: 1480 – 1490
Materials: earthenware, glaze
Techniques: maiolica
Location: faenza
Artist: Anonymous

Tile with the arms of the Ordelaffi family, rulers of Forli. Faenza, c. 1480 - 1490.
Steatite cylindrical seal
Object type: seal
Date: 2400 – 2200
Materials: stone
Culture: minoan

Right-angled lines radiate from center.
Two Figures Walking
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: kate greenaway
Artist role: artist
Artist nationality: british
Artist dates: 1846 – 1901
Half-length Sketch of Bearded Man (Jupiter?)
Object type: drawing and watercolor
Date: 1540 – 1560
Materials: ink, paper
Techniques: pen
Location: italy
Artist: after battista franco, called il semolei
Inscriptions: Inscribed recto, lower center on ivory wove paper attached to mount, in pen and brown ink: "Baldassarre Peruzzi"
Woman's Ceremonial Skirt (Tapis)
Object type: skirt
Date: 1701 – 1800
Materials: cotton, silk
Culture: lampung
Location: indonesia
Ex libris van Agnes R. Wharton
Object type: bookplate
Date: 1841 – 1912
Materials: paper
Techniques: engraving
Subjects: flowers, foliage ~ ornament, oil-lamp
Inscriptions: collector's mark: Lugt 2228
Portrait of a Girl, perhaps of the van Riebeeck Family
Object type: painting
Date: 1663 – 1663
Materials: canvas, oil
Artist: willem jansz. ploy
Artist role: painter
Subjects: historical persons - bb - woman, girl (child between toddler and youth), rodents: squirrel
Inscriptions: inscription and date: ‘Aetatis ... Aº 1663’

W.J. Ploy (attributed), 1663. Elisabeth van Oosten (1660 - 1714), half-sister of Johannes van Rees, as a child. Oil on canvas. This portrait is traditionally assumed to show a member of the Van Riebeeck family. Jan van Riebeeck (1619 - 1677) arrived at Cape of Good Hope in 1652 and established a supply base for VOC ships sailing to Batavia (Jakarta). The actual identity of the subject is not certain.
Fragment rechte steel van glas uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: helve
Date: 1700 – 1743
Materials: glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Glass, stem glass, stems, plain; fragm, circular, hollow core, eroded
Gezicht op een mogelijk beursgebouw
Object type: print
Date: 1884 – 1898
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: design, plan (~ production), stock exchange, stock-market, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Handel en Zeevaart, D. Beurs-Ontwerpen.
The Skiapods: "The head as low as possible, that is the secret of happiness!", plate 6 of 6
Object type: print
Date: 1889 – 1889
Materials: paper, ink, ivory
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Rekenpenning uit Utrecht op het herstel van de rust in Utrecht 1613
Object type: history medal
Date: 1613 – 1613
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde een pijlenbundel met omschrift, op de keerzijde vier regels tekst.
Sagat
Object type: sagat zils
Date: 1867 – 1900
Materials: metal
Culture: egyptian
Location: egypt
Pendant of Horus wearing the double crown
Object type: pendant, falcon
Date: 1850 – 1700
Materials: plaster
Location: egypt
Subjects: falcons

This piece of jewelry was found in the plundered chamber reached by a shaft in the portico of a rock-cut tomb in the Asasif section of the Theban necropolis. Among the finds were parts of a rectangular wooden coffin with green hieroglyphs on a yellow background as well as a few remains of one or more model wooden boat(s), three scarabs (13.180.8- .10), two anhydrite toilet vessels (13.180.19a- .c, .20) and the group of jewelry items (13.180.1- .18a- .l) striking for the extensive use of silver. Dates that can be ascertained by stylistic comparisons to some of the objects range from the late Middle Kingdom (ca. 1850-1700 B. C.) to the late Second Intermediate Period (ca. 1580-1550 B. C.). A number of clay pots (28.3.239- .241 now in the Oriental Institute Museum, Chicago) from the area of the tomb but not with certainty identified as found inside the shaft and chamber from which the jewelry was obtained date to the late Second Intermediate Period.
Salt
Object type: salt
Date: 1829 – 1835
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: new england glass company
Artist role: maker
Artist nationality: american
Artist dates: 1818 – 1888
Het Lyk van Gillis van Ledenberg
Object type: history print
Date: 1619 – 1699
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: utrecht, violent death by hanging, seeking death, suicide, the hague

De kist met de overblijfselen van Gilles van Ledenberg hangend aan de galg in de duinen buiten Den Haag, 15 mei 1619.
Portret van Johann Christian Weitsch
Object type: print
Date: 1818 – 1886
Materials: paper
Techniques: etching
Artist: hermann kraemer
Artist role: print maker
Artist dates: 1808 – 1886
Subjects: historical persons, physician, doctor (+ portrait of scholar, scientist)

Een facsimile signatuur in de ondermarge.
Portret van Richard Sherlock
Object type: print
Date: 1670 – 1725
Materials: paper
Techniques: engraving
Location: antwerp
Artist: michiel van der gucht
Artist role: print maker
Artist dates: 1660 – 1725
Subjects: rector, richard sherlock
Inscriptions: collector's mark: Lugt 2228

Portret van Richard Sherlock, met bef en kalot. Het portret is gevat in een ovale omlijsting. In de marge de naam en functie van de geportretteerde.
Allegorie op de ijdelheid (jongedame met spiegel en putto)
Object type: print
Date: 1595 – 1596
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: scenes symbolizing 'vanitas', 'vanitas' symbols, backgammon, tric-trac
Inscriptions: collector's mark: Lugt 2228

Vanitasvoorstelling in de vorm van een vrouw, gehuld in kostbare kleding, zichzelf bewonderend in een handspiegel, op haar schoot een hondje, aan haar voeten een aapje. Op de tafel naast haar sieraden en een bordspel. Door het raam achter de dame klimt een putto naar binnen met een banderol waarop staat 'VANITAS VANITATUM, EST OMNIA VANITAS'. Onder de voorstelling twee regels tekst in Latijn.
Hinge
Object type: hinge
Date: 401 – 800
Materials: bronze
Location: palestine
Scherven steengoed en aardewerk uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: earthenware, glaze, stoneware
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Scherven steengoed en roodbakked aardewerk met glazuur.
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two black glazed rim fragments of a kylix
Awl
Object type: awl
Date: 3900 – 100
Materials: bone
Culture: cypriot
Nicolo ring stone set in a gold ring
Object type: intaglio in ring
Date: 1 – 200
Materials: gold
Culture: roman
Subjects: leda,swans
View of gun firing at Biland Khel, Khyber Pakhtunkhwa, Pakistan
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Location: biland khel
Subjects: firearms: cannon
Inscriptions: caption, q: ‘PESHAWAR MOUNTAIN BATTERY IN ACTION. BILANDKHEL’
Mandolino
Object type: mandolin
Date: 1710 – 1710
Materials: wood, ivory, mother of pearl
Culture: italian
Location: italy

This typical Roman mandolin, with six double courses of gut strings, thirteen alternating ribs of ebony and ivory with floral engravings, and a sickle-shaped peg box, is shown with its carrying box. It is the type of mandolin for which Antonio Vivaldi wrote his numerous mandolin concerti. The double eagle in the rose is most likely refers to the German Tieffenbruckers in Venice and Padua. Magno Tieffenbrucker (1500–1560) used this type of eagle to mark his lutes in Venice, where he owned a house called “L’aquila nera.” The instrument was probably not made by a member of the famed Tieffenbrucker family, but by a maker following the tradition of their lute production, removed from their centers of Venice and Padua. Indicating a long playing life, the fingerboard was widened in the eighteenth century in order to accomodate its current six courses from its original construction with five courses. The instrument is similar to mandolins by Giovanni Francesco Smorsone found in Berlin and Rome. Technical description: Teardrop shaped body with two-part spruce top and rose with a double eagle; ebony neck inlaid lengthwise with two rectangular ivory plaques bordered with mother-of-pearl dots, plaques once engraved; curvilinear pegbox terminating with sickle-shaped finial with mother-of-pearl inlay bordered by ivory, the back of the pegbox of rosewood veneer with mother-of-pearl inlaid dots and hearts; oval boxwood pegs; six courses (five double courses and one single course in the treble); ivory and rosewood bridge; bowl made of thirteen alternating ribs of rosewood and engraved ivory with ebony borders; alternating pattern continues in veneer on underside of neck and peg box; original, form fitted leather covered wood case (only leather on lid remains)l lid with embossed and gilded cartouches filled with lattice-like cross-hatching.