deem-data/ArtiFact huggingface dataset:
Brief aan Philip Zilcken
Object type: letter
Date: 1911 – 1911
Materials: ink
Techniques: pen, writing
Location: edam
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: the hague, painter, philip zilcken, drawing
Inscriptions: collector's mark: ‘RPK’
Vingerdoek van linnendamast met een bloempatroon
Object type: vingerdoek
Date: 1875 – 1900
Materials: linen
Techniques: damask
Location: germany
Inscriptions: monogram: ‘AEPD 24’

Vingerdoek van linnendamast met op het veld een bloemenkrans waarbinnen een rozet van bladeren en waaromheen gestrooide bladeren. Langs de rand een bloempatroon. De vingerdoek heeft franje langs de rand en in wit geborduurde letters AEPD24. De vingerdoek hoort bij negen vingerdoeken (BK-1979-269-A t/m BK-1979-269-J).
Landschap met houten toren
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: jan van de kerkhove
Artist role: print maker
Artist dates: 1822 – 1881
Subjects: landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Quinque Sensuum
Object type: ornament print
Date: 1655 – 1655
Materials: paper
Techniques: etching
Location: england

Een vrouw wordt in de vinger gebeten door een vogel. Blad uit serie bestaande uit een titelblad en 5 bladen met personificaties van de zintuigen, derde editie.
Panel with Noah's Ark
Object type: textile panel
Materials: linen, silk
Culture: italian
Subjects: animals,men,noah
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Voetwassing op Witte Donderdag en de aanbidding van het kruis op Goede Vrijdag
Object type: print
Date: 1724 – 1724
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: maundy thursday, good friday
Inscriptions: collector's mark: Lugt 2233

Prent gebruikt in en mogelijk gebruikt in andere edities van: Picart, Bernard. Ceremonies et coutumes religieuses de tous les peuples du monde (...). Tome second. Qui contient la suite des ceremonies religieuses en usage chez les catholiques. Deel 2. Amsterdam: Jean Frederic Bernard, 1723, na p. 20.
Portret van Balthasar Gockel
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: historical persons, portrait of a writer

Prent uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
The parlor of a brothel in the pleasure quarters
Object type: print
Date: 1789 – 1801
Techniques: woodblock print
Location: japan
Artist: utagawa toyokuni i 初代 歌川 豊国
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Portret van Martin Geier
Object type: print
Date: 1680 – 1721
Materials: paper
Techniques: engraving
Subjects: historical persons, writing accessories
Inscriptions: collector's mark: Lugt 2228
Frontlet of gold leaf
Object type: frontlet of gold leaf
Date: 7000 – 330
Materials: gold
Hondenpenning van 's-Hertogenbosch met nummer 176
Object type: hondenbelastingloodje
Date: 1806 – 1806
Materials: brass
Techniques: striking
Location: rotterdam
Artist: Anonymous
Subjects: rotterdam

Eenzijdig messing achthoekig loodje met gat erin. Voorzijde: in ronde stempel: duif met gespreide vleugels en stralenkrans boven jaartal in compartiment; daarboven ingeslagen: cijfer 176. Keerzijde: blanco.
Gold earring with head of a goat
Object type: earring with head of goat
Date: 400 – 201
Materials: gold
Culture: greek
Subjects: goats
Schouw met wapens en harnas
Object type: ornament print
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: protective weapons: shield, armour, open hearth, fire-place, weapons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een geornamenteerde schouw met een harnas, een schild en wapens zoals lansen en zwaarden van rechts gezien. In de ondermarge een vijfregelige Duitse tekst.
Bury them and keep quiet, plate 18 from The Disasters of War
Object type: print
Materials: gilt, paper
Techniques: engraving, burnishing, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: war
The Crucifixion
Object type: print
Materials: paper
Techniques: engraving
Location: germany
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Rol crème zijden satijnlint
Object type: ribbon material
Date: 1925 – 1925
Materials: silk
Techniques: satin binding
Location: france
George E. Bird
Object type: photomechanical print
Date: 1869 – 1869
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Korenmolenaarsgilde van Amsterdam, gildepenning van J. van der Craats
Object type: medal
Date: 1827 – 1827
Materials: copper
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Koperen penning. Voorzijde: korenmolen met vlag in top. Keerzijde: opschrift
A Summerland
Object type: print
Date: 1829 – 1829
Techniques: printmaking, mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: farms,horses,landscapes,clouds

View of a rural landscape with a horse drawn plow in the center.
Gamelanorkest
Object type: sketchbook leaf
Date: 1931 – 1931
Materials: chalk, pencil
Location: bali
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: small group of musicians, chamber orchestra, jazz band

Pagina 58 uit een schetsboek met 74 bladen.
Gedeelte van een schede met staand paar
Object type: ornament print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: scrollwork, strapwork ~ ornament, scabbard, sheath
Inscriptions: number: ‘127’, collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, knee and part calf of male
Gezicht op de Leidsepoort te Amsterdam
Object type: print
Date: 1755 – 1779
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), rowing-boat, canoe, etc., gate, entrance, windmill
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: B. Poorten, verzamelbladen, F. Leidsepoort.
La pronea del Cesarotti delineata ed incisa dal Matteini
Object type: album leaf
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: italy
Subjects: napoleon i (emperor of the french), temple, shrine ~ roman religion, the soldier; the soldier's life, ruler, sovereign, attempt, political murder, interior ~ representation of a building

Onder de voorstelling een versregel in het Italiaans. Prent maakt deel uit van een album.
Slavenhandelaar
Object type: watercolor
Date: 1877 – 1919
Materials: ink, paper, watercolor
Techniques: brush
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: slave-trade, standing figure - aa - female human figure
Inscriptions: signature: ‘M Bauer’
Shelling Beans, Argentelle
Object type: photograph
Date: 1851 – 1851
Techniques: paper negative, salted paper print
Artist: louis-adolphe humbert de molard
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1874
Subjects: boys,men,women,working,ladders

Humbert de Molard, freed from financial concerns by the wealth of his landholdings in Normandy and perhaps missing the activity of Paris as he settled in the provincial town of Lagny, took up photography in 1843, just four years after its invention. A clever chemist and skilled craftsman, he quickly mastered the new medium of daguerreotypy and experimented with paper photography by the late 1840s. Clearly attempting to create in photography the type of genre scene he admired in seventeenth-century Dutch painting and its early nineteenth-century French revival, the wealthy baron and gentleman farmer Humbert de Molard posed his caretaker Louis Dodier (standing in elegant contrapposto, wearing wooden clogs) and other workers in a tableau of rural activity at his château at Argentelle, in Normandy.
Raised relief fragment
Object type: relief, tomb of nespekashuty
Date: 664 – 610
Materials: limestone
Location: egypt
Sheet with red abstract pattern
Object type: print
Date: 1701 – 1800
Techniques: relief print
Artist: Anonymous
Artist role: artist
Baskenland
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: hand coloring
Location: paris
Subjects: folk costume, regional costume
Inscriptions: collector's mark: Briquet 2228a
Personificatie van de lente
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: woodcut
Location: paris
Artist: georges d espagnat
Artist role: print maker
Artist dates: 1870 – 1950
Subjects: spring, 'ver'; 'primavera' (ripa)
Inscriptions: annotation: ‘Alm. de l'Imagier, 1897/ Georges d'Espagnat/ bois original’, collector's mark: Lugt 2228

Prent uit: Gourmont, Remy de. Almanach de l'Ymagier 1897. Parijs: L'Ymagier, 1897.
Fragments
Object type: fragment
Date: 1801 – 1900
Cent van de British North Borneo Company, 1887
Object type: coin
Date: 1887 – 1887
Materials: bronze
Techniques: striking
Location: birmingham

Bronzen munt. Voorzijde: door twee inboorlingen als schildhouders gehouden versierd samengesteld wapenschild met wapenspreuk. Daaronder letter H [=Heaton], waaronder jaartal. Keerzijde: tussen twee samengebonden takken waarde-aanduiding in het Chinees in twee regels en in het Engels in een regel. Onderaan waarde-aanduiding in het Maleis in Arabisch schrift. Gladde rand.
The Confirmation
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: france
Artist: pierre charles trémolières
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1739
Graftombe van Frederik van Renesse in de Grote Kerk te Breda
Object type: page
Date: 1881 – 1889
Materials: paper
Techniques: photograph, photolithography
Location: breda
Subjects: utrecht, grave, tomb
Inscriptions: inscription: ‘TOMBEAU adossé à (...)’, monogram: ‘JJvY’, inscription: ‘TOMBEAUX. PL. 1.’
[Photo Collage: Musician Playing Triangle]
Object type: carte de visite
Date: 1875 – 1875
Techniques: albumen silver print, lithograph
Artist: juan pedro chabalgoity
Artist role: artist
Artist nationality: uruguayan
Artist dates: 1848 – 1909
Subjects: musical instruments,men,musicians

The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 1850s and throughout the latter half of the century, these economical keepsakes depicting portraits of loved ones, celebrities, monarchs, and foreign types circulated en masse and spurred a veritable "cartomania." Collected in albums, traded among friends, and admired in drawing rooms, cartes put photography in the hands of virtually everyone, and thus offered a means of reflecting upon one’s own social standing in an ever-expanding world.
Bamboo stalk with insects
Object type: carving
Date: 1701 – 1800
Materials: ivory
Culture: chinese
Subjects: insects,bamboo
Arch Cittern
Object type: arch cittern
Date: 1767 – 1800
Materials: wood
Culture: french
Location: france
Bowl
Object type: bowl
Date: 1201 – 1300
Materials: glaze, stonepaste
Techniques: painting
Location: syria
Nederlandstalig gedicht op de Nimfen van de Amstel, pagina 11
Object type: album leaf
Date: 1640 – 1640
Materials: paper
Techniques: letterpress printing
Location: amsterdam

Nederlandstalig gedicht op de Nimfen van de Amstel op elf pagina's. Dit is de laatste pagina met de initialen K (Crispijn) P (in het Griekse alfabet; Passe), A (Amsterdam). Het blad maakt deel uit van een album.
Adam en Eva aan het werk na de zondeval
Object type: album leaf
Date: 1524 – 1526
Materials: paper
Techniques: woodcut
Location: switzerland
Subjects: death as skeleton, adam engaged in agricultural activities, eve suckling the children

Adam werkt op het land met een ploeg in zijn hand, naast hem staat de Dood in de gedaante van een skelet. Eva geeft haar kind de borst en zij houdt een spinrok vast. Prent maakt deel uit van een album.
Pijpenkoppen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark: crowned 47; 2hsm3, 2hsm1,3.
Bottle with Figures Riding Buffaloes or Antilopes, and Monkeys
Object type: bottle
Date: 1401 – 1500
Materials: stonepaste
Techniques: glazing, molding
Location: iran
Subjects: human figures,buffalos
Portret van Henry Howard
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: london, historical persons

Prent waarschijnlijk uit: The Universal Magazine of Knowledge and Pleasure (...) Londen: John Hinton, 1778, dl 63, p. 56.
Design for 4 seat Phaeton, no top, no. 3329
Object type: drawing
Date: 1877 – 1877
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Parelhoen (numididae) in een landschap met bovenaan op een blad de organen en veren van het dier
Object type: album leaf
Date: 1676 – 1676
Materials: ink, paper
Techniques: engraving, etching, pen
Location: paris
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: dissection, walker and runner birds, animals (+ anatomy of animals)
Inscriptions: inscription: ‘La Pintade.’

Prent uit: Perrault, Claude. Mémoires pour servir à l'histoire naturelle des animaux. Dressez par M. Perrault de l'Académie Royale des Sciences (...). Parijs: Imprimerie Royale, 1676.
Muziekinstrumenten uit de collectie Daniël François Scheurleer, tentoongesteld in Pulchri Studio in 1893
Object type: photomechanical print
Date: 1893 – 1893
Materials: cardboard, paper
Techniques: woodburytype
Location: pulchri studio
Artist: adrianus van der grient
Artist role: fotograaf
Artist dates: 1858 – 1941
Subjects: the hague, daniël françois lunsingh scheurleer, musical instruments; group of musical instruments, exhibition ~ art
Inscriptions: inscription: ‘A. v. d. GRIENT, PHOT. - DEN HAAG.’
Miss A. Boyd, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
1758 Vaphio gold cup. N.M. Athens
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: photograph
Location: unknown
Artist: Anonymous
Inscriptions: number: ‘64.’
Vue d'Ehrenbreitstein et le pont des bâteaux, Coblenz
Object type: stereograph
Date: 1867 – 1868
Materials: cardboard, paper
Techniques: albumen print
Location: koblenz
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: river, landscape with tower or castle, pontoon bridge
Inscriptions: inscription: ‘(Registered)’, number: ‘19’
Portret van dr. Jacob Christiaan Muller
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: etching, intaglio, roulette
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: historical persons
Bowl with floral design
Object type: bowl
Date: 1701 – 1800
Materials: jade
Culture: turkish
Panel with Standing Figure under Architectural Detail
Object type: panel
Date: 1301 – 1400
Materials: glass
Culture: french
Subjects: men
Cornwall, An Overlooker
Object type: print
Date: 1812 – 1812
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: houses,men,women
Scarab of Ramesses II
Object type: scarab, ramesses ii
Date: 1295 – 1070
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs
Terracotta pithoid jar
Object type: pithoid jar
Date: 1300 – 1190
Materials: terracotta
Culture: mycenaean

Jar with pear-shaped body, three handles, and geometric designs in panels.
Poor old fellow. You are like me... it annoys you that you cannot speak up as you would like to, from 'News of the day,' published in "Le Charivari"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,cannons,men
Page from a Panchatantra manuscript
Object type: indian miniature
Date: 1720 – 1720
Materials: paper
Techniques: brush
Location: india
Artist: Anonymous

Mewar
Purchased from Maggs Bros., London, 1974
Published in: Oriental Miniatures & Illumination, Bulletin 22, March 1974, no.74
Published in: Dahmen
Dallapiccola, A.L. Indische Miniaturen. Malerei der Rajput
Staaten, Holle Verlag, Baden
Baden, 1976, pl. 34
Exhibited Heidelberg, Indian Painting exhibition at the J. u. E. von Portheim-Stiftung, 1976
Figurine
Object type: figurine
Date: 201 – 1200
Materials: glass
Location: egypt
Subjects: fish
Scarab
Object type: scarab
Date: 1295 – 1070
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs
Zeilboot
Object type: sketchbook leaf
Date: 1797 – 1838
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johannes christiaan schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1838
Subjects: sailing-ship, sailing-boat

Blad 41 recto uit een schetsboek met 44 bladen.
The Toy Seller, illustration for The Fresh-Water Clam (Shijimigai), from the series "A Matching Game with Genroku-period Poem Shells (Genroku kasen kai awase)"
Object type: print
Date: 1821 – 1821
Materials: pigment
Techniques: woodblock print, surimono
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Oudejaar zit aan een tafel en het nieuwe jaar wijst naar de klok
Object type: drawing
Date: 1804 – 1804
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: new year's eve (december 31), interior of the house
Inscriptions: inscription: ‘Oudejaarsavond (...)’, inscription: ‘J Andriessen’

Dagboekblad uit het getekende dagboek dat Christiaan Andriessen bijhield van 1805 tot en met 1808.
Frivolitétas in een plat, rechthoekig model, geheel gebreid met veelkleurige kralen, in het midden een boeket bloemen op crèmekleurig fond langs de randen omgeven door ornamentale rand
Object type: bag
Date: 1725 – 1750
Materials: glass, silk
Techniques: knitting, weave

Tasje, geborduurd (?) met fijne kleurige kraaltjes, met groenblauw ripslint. Rokoko. Plat, breed zakmodel; met groenblauwe zijden voering. Bovenaan met sleuven waarin linten, die gestrikt beginnen en eindigen. Beide helften van de tas zijn gelijk. Midden: Een asymmetrisch kelkvormige bloemenmand, naar links overbuigend en staande op een s-vormige stee. Hieruit komen naar alle kanten slingerende stengels met blauwpaarse klokjesbloem, een paarsrode sterbloem, een pioen en een witte kelkbloem, afgewisseld door bloemtrosjes. Op een wit fond staat een symmetrische rokokorand in geel en bruin. Bovenaan ornamentlijnen uit een schelp en een rastermedaillon komend, terzijde ook ornamentlijnen, nu omspeeld met een hoorn van overvloed, s-voluut wn klein blauw bloemtakje. In de benedenhoek een c-voluut-rastermedaillon. Onderaan c-voluten en s-bladeren op een rasterschelp vorm.
Michael "Silent Mike" Joseph Tiernan, Right Field, New York, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Baders in zee en een strandkoets
Object type: watercolor
Date: 1834 – 1911
Materials: paper, pencil, watercolor
Techniques: brush
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: in or beside the water (on the beach)