deem-data/ArtiFact huggingface dataset:
Begrafenisstoet met geleerden en edelen
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: funerary ceremonial
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Graminaeus, Theodor. Spiegel vnd abbildung der Vergengligkeit: Darinnen was der Toden Recht vnd Geburnuß begriffen ... Vnd wie der Durchleuchtiger ... Herr Johan Wilhelm Hertzog zu Gülich, Cleue vnd Berg ... da jhr F.G. Herr Vatter Christmilter gedechtnuß, Hertzog Wilhelm ... im Jahr 1592. ... entschlaffen, ... am zehenden Tag Martij in der Collegiat Kirchen zu Düsseldorff ... begraben ... lassen. Keulen: Theodor Graminaeus, 1592.
H. Lucia
Object type: print
Date: 1596 – 1633
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: the virgin martyr lucy (lucia) of syracuse; possible attributes: dagger or sword (in neck), eyes, flames at feet, lamp, ox
Inscriptions: collector's mark: Lugt 2228

De heilige Lucia staande in een ruïnelandschap. Lucia houdt een palmtak in haar hand en leest in een boek.Onder de voorstelling een Latijns vers op Lucia. Waarschijnlijk deel van een serie van vrouwelijke heiligen uitgegeven door Theodoor Galle.
Panels with Scrolling Floral Design
Object type: piece
Date: 1701 – 1800
Materials: metal thread, silk
Techniques: tapestry
Culture: chinese
Subjects: flowers

These floral panels came from a pair of chair covers, probably from the segment that covered the back of the chair. The two panels are not identical: seen side by side, they exhibit the elegant mirror-imaging that is typical of pairs of chair strips.
Wilde olifant tussen bomen gebonden
Object type: drawing
Date: 1712 – 1785
Materials: paper, pencil, watercolor
Techniques: brush
Location: ja-ela
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: trunked animals: elephant, sri lanka

Kleurtekening van een olifant aan zijn poten tussen twee bomen gebonden en een Singalees met piek. Slurf en slagtanden. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 2 (1808), p. 141.
Vlucht van Jacobus na zijn nederlaag bij de Boyne, 1690
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: jacobus ii (koning van engeland en schotland)

Vlucht van koning Jacobus naar Frankrijk op 12 juli 1690 na zijn nederlaag tegen het leger van Willem III in de Slag aan de Boyne. De koning gaat in Waterford aan boord van een schip. Plaat 16 in een serie van 20 platen over de Glorious Revolution in Engeland in de jaren 1688-1691.
Herberg in het Haagse bos
Object type: print
Date: 1818 – 1876
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie van in ieder geval 46 prenten. Zie: RP-P-1908-3436 t/m Zie: RP-P-1908-3443.
Naakte man achtervolgt een Naiade
Object type: print
Date: 1517 – 1562
Materials: paper
Techniques: engraving
Location: italy
Subjects: naiads, river- and spring-nymphs; usually carrying an urn; 'naiadi, ninfe de' fiumi' (ripa)
Inscriptions: collector's mark: Lugt 10, collector's mark: ‘Hinloopen’, collector's mark: Lugt 11, number: ‘5’

Een naakte man met een cape achtervolgt een vluchtende Naiade en een jonge gevleugelde Naiade. Op de achtergrond een boom.
Glass mosaic ribbed bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman, italian

Body fragment. Translucent purple and opaque white. Convex curving side tapering downward. Marbled mosaic pattern formed from sections of a single cane in purple ground with white threads and streaks; on exterior, single pronounced vertical rib with rounded top. Polished interior; pitting of surface bubbles on interior; dulling and patches of creamy iridescent weathering on exterior; some iridescent weathering on jagged edges and chipped surface of exterior.
Portret van Joseph von Sperges
Object type: print
Date: 1749 – 1796
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portrait Vessel of a Captive
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Techniques: modeling, painting
Culture: moche
Location: peruvian north coast
Subjects: people, sacrifice, ritual sacrifices, rituals, portraits
Design for Stage Set
Object type: drawing
Date: 1698 – 1765
Materials: ink, paper
Techniques: brush, pen, wash
Artist: giovanni battista natali iii
Artist role: artist
Artist nationality: italian
Artist dates: 1698 – 1765
Subjects: arches,stairs,stage design
Dish (one of a pair)
Object type: dish
Date: 1720 – 1726
Materials: silver
Artist: jérôme rebillé
Artist role: maker
Artist dates: 1685 – 1740
Subjects: coat of arms
Tentoonstelling van Nijverheid te Brussel
Object type: jeton
Date: 1830 – 1830
Materials: bronze
Techniques: striking
Location: brussels
Artist: joseph pierre braemt
Artist role: print maker
Artist dates: 1796 – 1864
Subjects: paleis voor nijverheid en industrie, nationale nijverheidstentoonstelling

Bronzen penning. Voorzijde: paleis van Nijverheid en Industrie binnen omschrift; afsnede: opschrift. Keerzijde: opschrift binnen omschrift
Seated Man With Fishing Rod
Object type: surimono
Date: 1820 – 1820
Materials: paper
Techniques: woodcut
Location: japan
Subjects: sitting on the ground, angling
Inscriptions: collector's mark, recto, stamped

Een man met een hengel tegen zijn schouder, kijkt in de verte. Naast hem staat een zwarte lak doos die met een rood koord is dichtgebonden. De man is acteur Ichikawa Danjûrô VII (1791-1859) in de rol van de jonge visser Urashimatarô uit een onbekend toneelstuk. Het Draken-capitool uit de serietitel refereert aan het paleis van de Draken-koning op de zeebodem, waar Urashimatarô mee naartoe wordt genomen door één van de prinsessen. Bij terugkomst blijken er honderden jaren verstreken te zijn. Met twee gedichten.
The Reader
Object type: painting
Date: 1654 – 1703
Materials: canvas, oil
Artist: eglon van der neer
Artist role: artist
Artist nationality: dutch
Artist dates: 1635 – 1703
Subjects: portraits,women,reading
Aantal figuren op een terras voor een rood bakstenen gebouw
Object type: drawing
Date: 1790 – 1810
Materials: paper
Techniques: brush
Location: kashmir
Artist: Anonymous

Op een terras voor een rood bakstenen muur met drie poorten zitten op de achtergrond voor de poorten vier figuren, op een wit betegeld stuk vooraan zitten drie mannen, in schamele kledij en een half ontbloot; de voorstelling is halverwege het blad geplaatst in twee kolommen tekst in Perzisch handschrift. De voorstelling ligt in het midden van het blad en bedekt de breedte van twee kolommen tekst die boven en onder de voorstelling zijn gelegen en ook op de achterkant van het blad.
Navigation
Object type: quill pen
Date: 1590 – 1596
Materials: feather
Techniques: cutting
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

To determine the ship’s position and chart its course, the captain had an entire arsenal of instruments at his disposal. Among the items found on Nova Zembla are an astrolabium catholicum (universal astrolabe), a fragment of a copper sounding line, a cross staff, a sextant and a chart compass.
Plaster Unloaders, plate three from Le Long de la Seine et des Boulevards
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: louis auguste lepère
Artist role: print maker
Artist nationality: french
Artist dates: 1849 – 1918
Prick Spur
Object type: spur
Date: 101 – 400
Materials: copper alloy, iron
Culture: british-roman or gallo-roman
Location: united kingdom

This small bronze spur was secured to the heel of the rider by means of a strap attached to two side buttons (now missing). An extra strap passed through the heel’s hook (shaped as a horse’s head) before going around the ankle, to be sure that it would not move. Evolved from Celtic and Roman types, this kind of spur is found in Roman Gaul in contexts dated between the 1st and the 3rd century A.D. In Britain, related indigenous examples can be dated from the 4th century, the horse’s head usually replaced by a simple hook. In high antiquity, spurs were not used in pairs, but rather as a single accessory attached to only one of the feet, usually on the left. The first pairs are recorded in some Greek regions in the late 2nd century B.C. They were used, as they are today, for directing a horse to move forwards. The prick spur was the first type of spur to be invented, and it consists of a goad or prick, more or less pointed, connected to side arms or a heel plate. The earliest spurs were probably simple thorns attached at the back of the heel or ankle, before they began to be made out of metal. .
Gezicht op het beursgebouw te Parijs
Object type: print
Date: 1828 – 1834
Materials: paper
Techniques: lithograph
Location: france
Subjects: stock exchange, stock-market, representation of real building (either existing or having existed), paris
Inscriptions: collector's mark: Lugt 2228
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: adriaan pit
Artist role: print maker
Artist dates: 1860 – 1944
Subjects: lille, émile bernard, marinus van der maarel, félix hilaire buhot, paris, painter, print maker, lucien pissarro, félix fénéon, draughtsman, philip zilcken, the graphic arts, art collecting, printed matter
Inscriptions: collector's mark: ‘RPK’
Plafond du Milieu de la Grande Gallerie du Palais Royal
Object type: print
Date: 1717 – 1717
Materials: paper
Techniques: engraving, etching
Location: france
Artist: nicolas henri tardieu
Artist role: print maker
Artist dates: 1674 – 1749
Subjects: roman deities, and foreign deities included in the classical pantheon
Inscriptions: collector's mark: Lugt 240

Plafondschildering in de Grand Galerie van het Palais-Royal.
Poem by Sangi no Takamura (Ono no Takamura), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Object type: woodblock print
Date: 1835 – 1835
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: men,women,swimming,waves,boats

The poem by Sanmi Takamura (802–852) reads: O'er the wide, wide sea, towards its many distant isles, rowing I set forth. This, to all the world proclaim, O ye boats of fisher folk!
Rotterdamse haven
Object type: photograph
Date: 1940 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: rotterdam
Artist: Anonymous
Subjects: harbour, rotterdam, rotterdam blitz

De Rotterdamse haven, in de verte een aantal kranen, op de dag van het bombardement. Achterzijde foto: Rotterdam hafen, 14-5-40.
Groninga dominium
Object type: map
Date: 1640 – 1662
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions, (story of) minerva (pallas, athena), farmers, justitia (justice) as roman personification, groningen (province)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Prent of gebruikt in: Blaeu, Willem Janszoon en Johannes Willemszoon. Theatrum Orbis Terrarum, sive Atlas Novus, in quo tabulae et descriptiones omnium regionum. 3 delen. Amsterdam: Johannes Willemszoon en Cornelis Blaeu, 1640-1643, dl. 1 (1640). Of in: Blaeu, Willem Janszoon en Johannes Willemszoon. Theatrum Orbis Terrarum, sive Atlas Novus, in quo tabulae et descriptiones omnium regionum. 4 delen. Amsterdam: Johannes Willemszoon en Cornelis Blaeu, 1644-1645, dl. 1 (1644). Of in: Prent gebruikt in: Blaeu, Johannes Willemszoon. Atlas Maior, sive Cosmographia Blaviana, qua solum, salum, coelum, accuratissime describuntur. Amsterdam: Johannes Willemszoon Blaeu, 1662, dl. 4.
Beeldenbinnenplaats in de Casa Sassi te Rome
Object type: print
Date: 1553 – 1553
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: dirck volckertsz. coornhert
Artist role: draughtsman, print maker
Artist dates: 1522 – 1590
Subjects: gallery of sculptures
Inscriptions: collector's mark: Lugt 11

De binnenplaats van de Casa Sassi te Rome, een toentijdse bekende privé-verzameling van antieke beelden. In verschillende niches antieke beeldhouwkunst.
Terracotta fragment of a pelike (jar)
Object type: pelike fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Bent legs of a seated figure on a block seat to left and an unidentified object
De gecouleurde Teekeningen van de 12 Maanden (...)
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: etching
Location: leiden
Artist: johannes janson
Artist role: draughtsman, painter, print maker
Artist dates: 1729 – 1784
Subjects: harvest, landscape symbolizing august
Inscriptions: collector's mark: Lugt 2228

Landschap met boerin die koren bijeen bindt en een boer die koren oogst. Rechts op de voorgrond twee mannen, zittend en liggend onder een boom. Vóór de lucht en vóór de man links op de achtergrond. Negende prent uit een serie van dertien met maanden.
Besneeuwd berglandschap met wolken op de achtergrond
Object type: photograph
Date: 1908 – 1935
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: trübsee
Inscriptions: date: ‘Aug. 1935 28’

Besneeuwd berglandschap met wolken op de achtergrond.
Juli en Augustus
Object type: print
Date: 1546 – 1546
Materials: paper
Techniques: engraving
Location: frankfurt am main
Artist: hans sebald beham
Artist role: designer, draughtsman, print maker
Artist dates: 1500 – 1550
Subjects: one pair dancing; man and woman dancing as a couple, farmers
Inscriptions: collector's mark: ‘Hinloopen’ Lugt 11

De twaalf dansende boerenparen van deze serie prenten vertegenwoordigen de twaalf maanden. Volgens de opschriften Iacob Hewmon[at] en Lavrencivs Avgstmon[at] gaat het hier om de maanden Juli en Augustus
Anatomische studie van de ruggenwervel en zenuwen
Object type: drawing
Date: 1630 – 1649
Materials: ink, paper
Techniques: pen
Location: low countries
Artist: Anonymous
Subjects: spine, anatomical model of the nerves
Inscriptions: collector's mark: Lugt 2228

De tekening en de letters die de verschillende onderdelen aanduiden komen overeen met een prent uit: Spiegel, Adriaan van den, en Daniel Bucretius. De humani corporis fabrica libri decem. Venetië: s.n., 1627. Tekening zit in een omslag met meerdere anatomische tekeningen, genummerd RP-T-1989-256 en RP-T-1989-258 t/m RP-T-1989-289.
Incense Box in the Shape of a Book
Object type: incense box
Date: 1801 – 1833
Materials: gold, ivory, lacquer, metal, shell
Techniques: inlay
Culture: japanese
Subjects: birds,men,trees

The old couple beneath the pine depicted on the book-shaped cover refer to the legent of the spirit of the gods of Sumiyoshi and Takasago. On the ivory inner tray is a still-life arrangement of Noh mask, mask box, hand drum and props for the auspicious dance of the old man in the play Okina. Around the sides of the box is a scattering of plum blossoms, pine cones and bamboo leaves, a delightful reference to the auspicious "Three Friends of Winter", the pine, bamboo and plum, which gladden the winter with their evergreen foliage and early blossom and are thus emblematic of long life and fortitude.
Fragment
Object type: fragment
Date: 1801 – 1900
Materials: cotton, silk
General Ulysses S. Grant, from Leaders series (N222) issued by Kinney Bros.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,generals

Trade cards from the "Leaders" series (N222), a set of 25 cards issued in 1888 to promote Kinney Tobacco Company.
Nobile padovana moderna
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Gündriss unter der Erden / Plan souterrain
Object type: print
Date: 1729 – 1730
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: prison, jail, barracks, plan ~ architecture

Boven, in het midden, en rechtsboven genummerd: 8.
Terracotta neck-amphora (jar)
Object type: neck amphora
Date: 550 – 540
Materials: terracotta
Culture: greek, attic
Subjects: dionysus,maenads,satyrs

Obverse, Dionysos, satyr and maenad Reverse, man courting youth The decoration of this little amphora complements the Dionysiac themes on cups in this case. The graffito beneath one handle refers to a woman called Anthyle, perhaps the same one praised on two later hydriai (water jars). The gist may be rendered loosely as "Anthyle, up yours."
Left Half of a Breastplate
Object type: left half of a breastplate
Date: 1400 – 1450
Materials: copper alloy, steel, textile
Culture: italian
Location: italy

This is part of a large find of medieval armor discovered in 1840 in the ruins of the fortress of Chalcis, on the Greek island of Euboea (then a Venetian colony called Negroponte). The fortress had been captured and destroyed by the Turks in 1470. Now divided largely between the Ethnological Museum, Athens, and The Metropolitan Museum of Art, the Chalcis hoard contains many rare and unusual elements of fourteenth- and fifteenth-century armor. Of particular importance are the variety of headpieces and the many fragments of brigandines (armor for the torso constructed of small plates riveted to layers of fabric), some of which retain portions of their original velvet covering. The Chalcis armor provides a unique picture of the armament used in the Aegean, one of the easternmost military outposts of the Venetian empire.
Transisalania provincia; vulgo Over-yssel (...)
Object type: print
Date: 1640 – 1652
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions, fisherman

Linksonder de titelcartouche, daarnaast een visser en het wapen van Overijssel. Rechtsboven drie schaalstokken: Miliare Germanicum commune / 2 Duytse mijlen van 15 in een graet inhoudende ijder 2000 Rijnlantse roeden, 2 uren gaens inhoudende 1500 Rijnlantse roeden, 2000 Rijnlantse roeden. Rechtsonder een legenda. Gradenverdeling langs de randen.
Gedecoreerde friezen
Object type: photomechanical print
Date: 1876 – 1881
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: sculpture
Inscriptions: monogram: ‘JJvY’, inscription: ‘SCULPTURES en bois de chêne (...)’, inscription: ‘LITT. S. - PL. 16.’
Scherf van roodbakkend aardewerk, voorzien van wit glazuur, met aan de voorzijde strepen en stippen in blauw
Object type: sherd
Date: 1600 – 1650
Materials: earthenware, glaze
Techniques: maiolica
Location: northern netherlands
Artist: Anonymous
De Heilige Christoffel draagt het Christuskind
Object type: print
Date: 1470 – 1491
Materials: paper
Techniques: engraving
Location: germany
Artist: martin schongauer
Artist role: print maker
Artist dates: 1430 – 1491
Subjects: st. christopher, with the infant christ on his shoulders, wading through the water and carrying his staff (palm-tree); sometimes a hermit stands on the further bank beside a chapel, a lantern in his hand
Inscriptions: collector's mark: Lugt 240

De Heilige Christoffel waadt door een rivier met een stok in zijn rechterhand en het Christuskind op zijn schouders. Aan de oever staat een kluizenaar met een lamp.
Fragment bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A dish without a flattened rim. A scalloped medallion with rui heads alternating with radial panels within a star-shaped medallion, filled with various diaper patterns. A central decoration of a grasshopper above a flower on a rock. The medallions decorated with alternately a flower or peach and a symbol.
Horseshoe Falls en Terrapin Tower, gezien vanaf Goat Island
Object type: stereograph
Date: 1859 – 1859
Materials: cardboard, paper
Techniques: albumen print
Location: london
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: waterfall
Inscriptions: : ‘"The Horse Shoe (...) Earl of Carlisle.’
Rechterhandschoen van grijs zeemleer
Object type: clothing
Date: 1900 – 1925
Materials: leather, wool
Techniques: knitting
Location: netherlands
Artist: m. laimböck
Artist role: modehuis, modewarenhuis, modewinkel

Rechterhandschoen van grijs zeemleer, op de rug drie uitstralende koorden. Gevoerd met beige gebreide wol. Om de pols een bandje met drukknoop om de handschoen dicht te maken.
Garland (part of a set)
Object type: garland
Date: 1701 – 1800
Materials: gilt, wood
Subjects: garlands
Kieвъ.- Пaмятникъ Св. Влaдимiру
Object type: page
Date: 1886 – 1896
Materials: paper
Techniques: photograph
Location: kyiv
Artist: Anonymous
Subjects: monument, statue, sculpture
Skyphos
Object type: skyphos
Date: 7000 – 30
Materials: terracotta
Culture: greek, south italian, apulian
Amulet in the form of a Bird
Object type: amulet, ba bird
Date: 1850 – 1775
Materials: lapis lazuli
Location: egypt

The piece is part of a group of objects found in tomb V21 at Abydos with two bodies. It was strung with other pieces in the Museum. The group includes 04.18.1–04.18.49.
Plate
Object type: plate
Date: 1420 – 1430
Materials: earthenware
Techniques: glazing
Culture: spanish
Location: spain
Subjects: animals

Lusterware is the term used to describe a glazed earthenware ceramic decorated with an iridescent finish. The technique for creating this finish was developed in the ninth century under the rule of the Abbasid Caliphate in present-day Iraq. The medium involves a technique that is difficult to master, but if completed successfully, the surfaces of the ceramic objects display an iridescent sheen which is achieved through multiple firings and the application of a metal-based pigment (including silver, copper, tin, or a combination of these). Lusterware manufacture is still difficult to understand from a technical perspective because for generations, production was kept secret to protect workshop practices from being replicated by competitors. Therefore, pigment formulas and trade techniques were passed down from master to pupil and rarely recorded. Knowledge of the technique for creating lusterware made its way to the Iberian Peninsula by the twelfth century, when most of the region was still under Islamic rule. By the 1400s, the Iberian center of lusterware production was in Manises, near the city of Valencia. Previously a Muslim taifa, or principality, the Kingdom of Valencia was conquered in the thirteenth century by James I for the Crown of Aragon, and it was here that Christians and Muslim potters worked, sometimes together, for a diverse clientele with a voracious appetite for high quality lustered wares.
Glass perfume bottle
Object type: perfume bottle
Date: 67 – 166
Materials: glass
Culture: roman

Colorless with pale blue green tinge. Thick, tubular rim, folded out, over, and in; cylindrical neck, expanding downward and tooled in around base; bulbous body with convex sides; concave bottom. Intact; many bubbles; some pitting and dulling; patches of creamy and iridescent weathering.
Cowroid Seal Amulet with the Name of the Hyksos King Apophis
Object type: cowroid, auserre apophis
Date: 1581 – 1541
Materials: glaze, stone
Location: egypt
Subjects: hieroglyphs
Standing Figure of Saint Stephen and the Head of Another Figure Within the Framing Outlines of a Rectangle, Crude Sketch of the Head of Another Figure, Undecipherable Sketch of a Polygonal or Circular Object with Small Projections
Object type: drawing
Date: 1492 – 1494
Materials: chalk, ink, drawing material
Techniques: pen
Artist: domenico ghirlandaio (domenico bigordi)
Artist role: artist
Artist nationality: italian
Artist dates: 1448 – 1494
Subjects: saints
Groep jonge vrouwen in nachtkleding staat met opgetrokken rokken op tafels en stoelen
Object type: stereograph
Date: 1902 – 1902
Materials: cardboard, photographic support
Techniques: gelatin silver print
Subjects: kitchen-utensils: pan, bottle of wine, nightwear: night-gown, living-room, parlour, sitting-room
Inscriptions: number: ‘5429’, : ‘North Bennington, Vt., U.S.A.’