deem-data/ArtiFact huggingface dataset:
Portret van Daniel Urrabieta Vierge
Object type: page
Date: 1867 – 1880
Materials: paper
Techniques: woodburytype
Subjects: painter, print maker, draughtsman, daniel urrabieta vierge, adult man, historical persons
Inscriptions: inscription: ‘Galerie Contemporaine/ Ludovic Baschet, éditeur./ Né a Madrid, le 5 mars 1851.’
Length of woven silk
Object type: length
Date: 1830 – 1848
Materials: silk
Subjects: birds,flowers
Portret van Louis Phélypeaux de Saint-Florentin
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: louis phélypeaux de saint-florentin, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Selim II
Object type: print
Date: 1692 – 1745
Materials: paper
Techniques: engraving, etching
Location: france
Artist: claude dubosc
Artist role: print maker
Artist dates: 1682 – 1745
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 240
Portret van W.E. Bush
Object type: page
Date: 1880 – 1885
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons
Tweehonderdjarig bestaan van de Portugeesch-Israëlietische Synagoge te Amsterdam 1875
Object type: history medal
Date: 1875 – 1875
Materials: bronze
Techniques: striking
Location: amsterdam
Artist: jan postmus
Artist role: silversmith
Inscriptions: inscription: ‘TER HERINNERING / AAN HET 200 JARIG BESTAAN / 11 MENACHEN 5635 / 12 AUGUSTUS 1875 / DE FEESTCOMMISSIE’, circumscription: ‘PORTUGEESCH-ISRAËLITISCHE / SYNAGOGE TE AMSTERDAM’

Bronzen penning, op de voorzijde een wapenschild, waarop een pelikaan met jongen, tussen samengebonden lauwertakken, met omschrift, op de keerzijde vijf regels tekst.
Lege miniatuurlijst
Object type: frame
Date: 1890 – 1920
Materials: glass, metal
Artist: Anonymous
Reproduction of a Scythian sword sheath
Date: 1801 – 1900

Electrotyping is a chemical process used historically to make high quality reproductions of works of art. During the Victorian era, one of the main producers was Elkington & Co. of Birmingham. They were licensed by the South Kensington Museum of London (now the Victoria & Albert Museum) to produce replicas of objects from royal treasuries and museums across Europe. The electrotypes approved by the Department of Science and Art, a British governmental agency, carry Messrs. Elkington’s mark in the form of an official stamp in metal. This modern electrotype is a copy of a gold sheath in the Hermitage Museum, St Petersburg. The original, known as the Melgunov scabbard, was found with its iron sword in the first kurgan excavated in the Dniepr region in 1763 by General Alexey Melgunov (1722-1788). The rich burial, dated to the late seventh to early sixth century B.C., notably yielded objects showing influence from Urartu, such as the decoration of fantastic creatures on the sheath. At the time of the excavations the Scythians were unknown to scholars and therefore the significance of the discoveries was not recognized. In the nineteenth century, many museums collected copies of ancient and historical works of art with the aim of presenting outstanding works to a broader public and to serve as inspiration for artists and manufacturers. The Metropolitan Museum of Art, founded in 1870, began to acquire electrotypes in its first decade. In 1883, Henry Marquand, a collector and early patron of the Museum, funded a large purchase from Elkington & Co. of nearly three hundred pieces. Today, these works are part of many departments in the Museum and along with plaster casts reflect the history of collecting and the role of the museum as a locus for the teaching of art history.
Model of a Pilot Vessel
Object type: ship model
Date: 1836 – 1837
Materials: brass, fiber, textile, wood
Location: willemsoord
Artist: cornelis over de linden
Artist role: model maker, ship modeller
Inscriptions: inscription, on the flag: ‘Nº 1’, inscription, on various parts, in pencil: ‘Cornelis Over de Linden, Willemsoord, 1836-1837’

Getuigd uitgehold blokmodel van een tweemast platbodem. Delen van het dek kunnen afgenomen worden om de beschieting benedendeks te laten zien. Ronde boeg en achterschip, sterk vallende achtersteven; breed roer met zogklampen, versierde roerkop en houten helmstok. De zeeg loopt op naar beide uiteinden, een barkhout, twee zwaarden. Het model is voorzien van twee ankers, een braadspil, vier watervaten, een schoorsteen voor de kombuis, twee roeiriemen, twee pompen, twee opgangen en een grootluik. Het tuig is een anderhalvemast gaffeltuig zonder zeilen, met boegspriet en papegaaistok. Schaal 1:20 (volgens Obreen).
Bomen
Object type: sketchbook leaf
Date: 1884 – 1927
Materials: chalk, paper
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: trees
Inscriptions: kleurnotitie, handgeschreven

Bomen. Blad 27 recto uit een schetsboek met 33 bladen.
Vue de Granville
Object type: photomechanical print
Date: 1883 – 1888
Materials: paper
Techniques: autotype
Location: paris
Artist: a. taupin
Artist role: fotograaf
Subjects: harbour, city-view in general; 'veduta'
Inscriptions: inscription: ‘(Supplément au numéro de juin 1888.)’, signature: ‘SGAP SC’
Ontwerpen voor een doopvont
Object type: sketchbook leaf
Date: 1905 – 1906
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: baptismal font

Blad 3 verso uit een schetsboek met 30 bladen.
Urn
Object type: urn
Date: 1831 – 1835
Materials: enamel, gold, porcelain
Techniques: overglaze, painting
Culture: french
Location: france
Subjects: birds,interiors

One of a pair of vases that feature two views of New York City copied from a portfolio of prints entitled "Views in New York and Its Environs" (1831–34). In an unusual departure, this vase depicts a building interior, that of the Merchant's Exchange on Wall Street, the center of commerce in what was quickly becoming the country's major commercial center. The other, entitled "Broadway from the Park," (38.165.35) shows some of lower Broadway's notable buildings, including St. Paul's Chapel and P. T. Barnum's American Museum.
Female personification of Hope looking up with hands held together and left shoulder exposed, in an oval frame, after Reni
Object type: print
Date: 1835 – 1881
Techniques: engraving
Artist: giovanni buonafede
Artist role: artist
Artist nationality: italian
Artist dates: 1816 – 1916
Subjects: portraits,women

After a painting by Reni. Verso is not visible as print is laid to another sheet of paper.
Glass perfume bottle
Object type: perfume bottle
Date: 67 – 300
Materials: glass
Culture: roman

Translucent blue-green. Everted rim, folded over and in; cylindrical neck with horizontal tooled indent around base; tall, slender conical body; slightly concave bottom. Broken around top of neck with only a quarter of rim remaining; many bubbles and blowing striations; deep pitting and iridescence on exterior, some thick creamy brown weathering and brilliant iridescence on interior.
Landschappen in Norfolk
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: etching, intaglio
Location: norwich
Subjects: trees, pool, puddle
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent staat samen met RP-P-1973-182 en RP-P-1973-183 op een onversneden blad.
Salomé Dancing Before the Head of St. John the Baptist
Object type: drawing
Materials: gouache, graphite, watercolor, paper
Artist: gustave moreau
Artist role: artist
Artist nationality: french
Artist dates: 1826 – 1898
Subjects: heads,women,dancing,saint john the baptist,salome

Moreau has often been associated with nineteenth-century French depictions of the martyrdom of Saint John the Baptist, especially after he produced his famous Symbolist painting Salome Dancing before Herod (UCLA Hammer Museum, Los Angeles). This lovely watercolor, capturing the graceful, almost fairylike dance of Salome—who is enraptured by the music even in the presence of the gruesome decapitated head behind her—has often been associated with Moreau because of its subject matter. However, this vision of Salome as a young, almost childish girl in a simple, flouncy dress and floral headdress lacks the regal attitude of Moreau’s visions of her and casts doubt on a secure attribution to the artist.
Boerenkar met een overhangende boom achter de Wouter Klaassenlaan in Oosterbeek
Object type: sketchbook leaf
Materials: paper, pencil
Location: oosterbeek
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: (farm) wagon, freight wagon, cart
Inscriptions: date and inscription: ‘27 Julij 9 uur/ achter wouter klaassen’

Blad 7 recto uit een schetsboek met 44 bladen.
Mme de Ségur
Object type: page
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Artist: caret
Artist role: fotograaf
Subjects: paris, adult woman, historical persons
Inscriptions: inscription: ‘Galerie Contemporaine/ 126, boulevard Magenta. - Paris./ Né à Saint-Pétersbourg, en 1799, décédée à Paris, le 9 février 1874.’
Little Oval with a Pine Tree
Object type: print
Date: 1846 – 1846
Techniques: etching
Artist: eugène bléry
Artist role: artist
Artist nationality: french
Artist dates: 1805 – 1887
Subjects: bridges,landscapes,trees
Oorspronkelijke bewoners van Durbanville
Object type: book illustration
Date: 1791 – 1798
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: africans
Inscriptions: watermark, collector's mark: Lugt 2228

Prent gebruikt voor: Le Vaillant, François. Reize in de binnenlanden van Afrika, langs de Kaap de Goede Hoop in de jaaren MDCCLXXX tot MDCCLXXXV gedaan door den Heer Le Vaillant. Leiden: Jan Honkoop en Abraham (II) Honkoop; Amsterdam: Johannes Allart, 1791-1798, dl. 1, p. 174 (verso).
Terracotta rim fragment of a skyphos (deep drinking cup)?
Object type: skyphos fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

At the rim, an egg pattern; below, tendrils
Stephen Arnold Douglas "Steve" Behel, New York Metropolitans, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Wensbrief met een herberg, drinkende boeren en acrobaten
Object type: print
Date: 1826 – 1826
Materials: ink, paper
Techniques: calligraphy, colour, etching, pen
Location: netherlands
Artist: Anonymous
Subjects: farmers, acrobat ~ circus, the show; fair and circus performers, alcoholic drinks, drinking, hotel, hostelry, inn
Inscriptions: inscription: ‘Kermis prijs / Aan mijn geàgte / Oom en peet / Wat is de vreugde groot ...’, collector's mark: Lugt 2760

Wensbrief met beschreven cartouche binnen een decoratief kader met voorstellingen van een herberg, drinkende boeren en acrobaten. Handgeschreven bericht in kalligrafie (kermisprijs) door Grietje Visscher aan haar oom en peet. Genummerd rechtsboven: No. 43.
Ladies Drinking Tea
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: ryuryukyo shinsai
Artist role: draughtsman, print maker
Artist nationality: japanese
Artist dates: 1764 – 1820
Portret van een onbekende vrouw
Object type: photograph
Date: 1892 – 1906
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: machiel hendricus laddé
Artist role: fotograaf
Artist dates: 1866 – 1932
Subjects: adult woman
Inscriptions: name: ‘Photographie Artistique M.H. Laddé Boven de firma Merkelbach & Co. Amsterdam 57-59 Nieuwendijk Het Cliche wordt voor verdere bestellingen bewaard’, name: ‘M.H. Laddé Amsterdam 57-59. Nieuwendijk’, name: ‘B.P. Grimaud. Paris’
Walking dress
Object type: walking dress
Date: 1832 – 1832
Materials: silk
Culture: american

The waistline's descent in the 1830s to some two or more inches below the bust came in tandem with the greatest grandiloquence of the gigot sleeves and billowing bell-shaped skirt. The elegant dilations favored the illusion of the waist as minuscule in the midst of swelling forms. The belted waist became the sole measure in a massing of bulges and balloons.
Entrance to Botanical Gardens, Calcutta
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: captain r. b. hill
Artist role: artist
Artist nationality: british
Subjects: architecture,gardens
Studieblad met arbeiders, koppen, dieren en een bosgezicht
Object type: sketchbook leaf
Date: 1839 – 1894
Materials: paper, pencil
Artist: lambertus lingeman
Artist role: draughtsman, painter, print maker
Artist dates: 1829 – 1894
Subjects: head (human), trees (+ branch, stick), working class, labourers, forest, wood

Blad 11 recto uit een schetsboek met 51 bladen.
Grenadier of the Guard, Germany, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: soldiers,firearms,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
25 portretten van Coquelin, Numès en Brasseur
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons
Inscriptions: inscription: ‘Coquelin cadet/ dans Tartuffe/ Numès dans Louis XVIII/ Brasseur/ dans le &lt; &lt; Vieux Marcheur &gt; &gt;’, number: ‘No 219’
Dit ras van vog'len, dat gij hier, / o jeugd! geprint ziet op 't papier, / Word, als een proef van onze vlijt / Aan uwe leerlust toegeweid
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: birds
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van vogels, zoals een arend, een zwaan en een pelikaan. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 5.
Design for Canopy Top Phaeton, no. 3472
Object type: drawing
Date: 1878 – 1878
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Seated Buddha Enthroned
Object type: plaque
Date: 1801 – 1900
Materials: clay
Culture: thai
Subjects: buddhism,buddha
Portret van een meisje met sluier
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: pichois
Artist role: fotograaf
Subjects: historical persons, girl (child between toddler and youth)
Inscriptions: inscription: ‘Phototgraphie/ Duphot/ Pichois/ 9 Rue Duphot/ Paris (...)’
Herder in gesprek met een zittende vrouw
Object type: print
Date: 1643 – 1701
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: cow, landscapes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 240

Bij een halfhoog hek voert een herder een gesprek met een zittende vrouw. Op de achtergrond staan koeien en geiten en zijn heuvels te zien.
Portret van een jonge vrouw met oorbellen
Object type: album leaf
Date: 1875 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: vienna
Subjects: adolescent, young woman, maiden, historical persons - bb - woman, ear-rings
Inscriptions: inscription: ‘ADÈLE/ k.k. Hof-Fotografin/ GRABEN 19/ Hôtel Müller/ und/ Praterstrasse 18,/ Hôtel de l'Europe./ Vervielfältigung vorbehalten./ Bei Nachbestellungen belieben die No... anzugeben.’
Bridge Street Row, Chester
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: hand coloring, lithograph
Location: chester
Subjects: animal traction, animal-drawn vehicle (carriage etc.), shop-window, show-window, book-shop, bookseller
Inscriptions: collector's mark: Lugt 4780, collector's mark: Lugt 2228

Gezicht op een overdekte galerij met in de voorgrond de etalage van boekhandelaar John Seacome. Op straat rijdt een paardenkoets.
After the Antique: Sarcophagus Lid with the Labors of Hercules
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Culture: italian
Location: italy
Inscriptions: Inscribed recto, in pen and brown ink, on the horses: "Podargus / Lampon / Xanthus / Deinus"; on the tablet below: "Vide in Hygn. fab. / cap.30"; along bottom margin: "Diomedes Thracia rex"; across top: "Hesperides malus arbor Eurypheus myceneum rex acui mala (...) Hercules Hyppolita Amazonum regina diademata gladius (...)"; below tree: "Dracus custos ceu (...) / perisi"; below Eurypheus: "mons Atlas"; on lower portion of Eurypheus' drapery: "stola / graeca"; on Hippolyta's crescent shield: "pelta"
Beauties of the Pleasure Quarters (Seiro bijin awase): Kisegawa of the Matsubaya with Attendants Onami and Menami
Object type: print
Date: 1797 – 1797
Techniques: woodblock print
Location: japan
Artist: chobunsai eishi
Standing actress wrapped in shawl, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Begonia, Duchess of Brabant, at Chatsworth-Derbyshire
Object type: stereograph
Date: 1855 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: manchester
Subjects: plants; vegetation
Inscriptions: label: ‘84, Market Street, Manchester’, number: ‘381’
Arlie Latham, 3rd Base, St. Louis Browns, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1886 – 1886
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Lapin
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: rodents: hare
Inscriptions: signature: ‘Tavenraat’, collector's mark: Lugt 2228
Madonna and Child
Object type: painting
Date: 1508 – 1508
Materials: paint, wood
Artist: bramantino (bartolomeo suardi)
Artist role: artist
Artist nationality: italian
Artist dates: 1460 – 1530
Subjects: apples,madonna and child

The apple, associated with the Fall of Man, here alludes to Jesus: "As the apple tree among the trees of the wood, so is my beloved among the sons…" (Song of Solomon 2:3). The carnation, too, is associated with love and suggests the Virgin as the emblematic bride of Christ. Bramantino was the most progressive painter in Milan in the early sixteenth century and a follower of the great painter-architect Bramante—the architect of Saint Peter’s in Rome. Typical of his work are the simplified figures and haunting architectural perspective. The surface is unfortunately rather damaged.
Essais d'eau forte
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: etching
Artist: pierre-louis de la rive
Artist role: draughtsman, print maker
Artist dates: 1753 – 1817
Subjects: goat, bovine cattle, landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een album met acht prenten.
Man en een vrouw in klederdracht bij een hek
Object type: page
Date: 1877 – 1882
Materials: photographic support
Techniques: albumen print
Location: salzburg
Artist: max balde
Artist role: fotograaf
Artist dates: 1844 – 1900
Subjects: adult woman, fence, wall, paling, adult man, folk costume, regional costume
Aankondiging van een prent ter nagedachtenis aan prins Willem V, 1806
Object type: text sheet
Date: 1806 – 1806
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: the hague, william v (prince of orange)
Inscriptions: collector's mark: Lugt 2228

Gedrukte aankondiging van de uitgave van een prent ter nagedachtenis aan prins Willem V, overleden op 9 april 1806.
Portret van Louis de Boisot
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: brussels
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59. Prent volgens Ver Huell ook gebruikt in: Portraiten van eenige der vermaardste staatsmannen en zeehelden, als toevoeging op: Willem Tiberius Hattinga, Atlas van Zeeland. Amsterdam: Isaak Tirion, 1760.
Sculptuur personficatie van Amsterdam in de Burgerzaal, Paleis op de Dam, Amsterdam
Object type: photograph
Date: 1899 – 1899
Materials: cardboard
Techniques: photograph
Artist: Anonymous
Subjects: palace, piece of sculpture, reproduction of a piece of sculpture, interior of the house, royal palace of amsterdam, amsterdam

Groote of Burgerzaal. Amsterdam. Marmeren groep boven een der hoofdingangen.
Geschiedenis van Abraham
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: abraham starts out for the land of canaan with sarah, lot and his belongings

Abraham vertrekt met zijn familie, tot slaaf gemaakte mannen en vrouwen en vee naar Kanaän. Op de voorgrond in het landschap lopen Abraham, zijn vrouw Sara en zijn neef Lot. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Gen. 12. Deze prent maakt deel uit van een album.
Oinochoe, miniature
Object type: oinochoe, miniature
Date: 850 – 750
Materials: terracotta
Culture: cypriot
Brief aan Jan Veth
Object type: letter
Date: 1903 – 1903
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: pieter lodewijk tak
Artist role: politician
Artist dates: 1848 – 1907
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, andré jolles, printed matter
Inscriptions: collector's mark: ‘RPK’, watermark