deem-data/ArtiFact huggingface dataset:
Portret van een jongen
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: winschoten
Artist: b.j. pottjewijd
Artist role: fotograaf
Artist dates: 1859 – 1941
Subjects: adolescent, young woman, maiden
Inscriptions: inscription: ‘B.J. Pottjewijd/ Winschoten’
Breadth
Object type: breadth
Date: 1701 – 1800
Materials: silk
Bodemmonster uit het wrak van de Oostindiëvaarder Hollandia
Object type: sample
Date: 1700 – 1743
Materials: organic material
Artist: Anonymous

Bodemmonster(?), zak met plantaardig materiaal.
Portrait of Titian
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: engraving
Location: germany
Artist: johann august eduard mandel
Artist nationality: german
Artist dates: 1810 – 1882
Underdress
Object type: underdress
Date: 1701 – 1900
Materials: linen
Model of a Lifting Screw
Object type: demonstration model
Date: 1857 – 1857
Materials: brass, fiber, wood
Location: flushing

Dit model stelt de schroeflichtinstallatie voor van de Prinses Amalia. Dit schip werd als korvet van 19 stukken Borneo, ontworpen door L.K. Turk, lang 51 m, in 1845 in Rotterdam op stapel gezet. Wegens opheffing van de Marinewerf te Rotterdam uit elkaar genomen en in Vlissingen afgebouwd in 1850-1855 door P.A. Bruin, herdoopt Prinses Amalia en voorzien van hulpstoomvermogen. De machines en schroeflichtinstallatie werden door de Koninklijke Fabriek P. van Vlissingen en Dudok van Heel in Amsterdam gemaakt. Afgevoerd in Nederlands Oost-Indië in 1875.
Kaart van Spanje en Portugal, ca. 1703
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: vienna, charles vi (holy roman emperor), maps of separate countries or regions, warfare; military affairs (+ landing, disembarkation of armed forces), spain

Kaart met een deel van de Spaanse oost- en zuidkust. Onderdeel (blad rechtsonder) van een grote kaart van Spanje en Portugal in vier bladen, ca. 1703. Vignet met koning Karel III te paard met zijn gevolg, voor hem een Spanjaard. Links de landing van Geallieerde troepen in Spanje. In de wolken blaast Faam op haar bazuin.
Annunciatie
Object type: print
Date: 1629 – 1729
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: the annunciation: mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)
Inscriptions: collector's mark: Lugt 240

De engel Gabriël kondigt aan Maria aan dat ze zwanger zal worden. Maria zit geknield op een kussen bij een lessenaar, waarop een opengeslagen boek ligt. In de rechterbovenhoek daalt de Heilige Geest als een duif neer. In de lucht putti en cherubijnen.
Purse
Object type: purse
Date: 1601 – 1625
Materials: canvas, metal thread, silk
Subjects: birds,flowers
Meetkunde les
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: bookshelves, scholar in his study, planimetry, geometry
Inscriptions: collector's mark: Lugt 2228

Een oudere man toont een jongere man, wellicht zijn zoon, een bord met geometrische tekeningen en tekst. In een studeerkamer met wetenschappelijke instrumenten, door de openstaande deur zicht op een boekenkast.
Envelop waarin een verslag van Justinus Coljer werd bewaard
Object type: letter
Date: 1668 – 1668
Materials: silk
Artist: Anonymous
Subjects: justinus coljer

Diplomatic stationary, second half 17th century. Special envelopes were used for diplomatic correspondence. The velvet envelope contained a letter (dated 20 September 1686) from the emperor of Morocco to the States General concerning deliveries of weapons from the Republic. The silk envelope contained a letter sent in 1668 by the Dutch representative in Constantinople (Istanbul), Justinus Coljer, to the States General. The painting above shows a Russian diplomatic delegation at the Binnenhof in The Hague bearing a sealed envelope. On loan from Algemeen Rijksarchief, Den Haag
Trade Card for Josh Cross, Seal and Copper Plate Engraver
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Base of Osiris Figure of Hatnefer (see 47.105.2)
Object type: funerary figure, osiride, hatnefer, base
Date: 1479 – 1458
Materials: paint, wood
Location: egypt
Dragon
Object type: illustrated single work
Date: 1501 – 1700
Materials: ink, paper, watercolor
Location: iran
Subjects: dragons
Colorado Springs Public Springs, Colorado, Perspective
Object type: architectural drawing
Date: 1903 – 1903
Materials: paper, pencil, watercolor
Location: united states
Artist: peter joseph weber
Subjects: libraries, architecture
Pin
Object type: pin
Date: 1301 – 1500
Materials: silver
Techniques: hammering
Culture: chimú or inca
Location: peru
Fringe
Object type: fringe
Date: 1701 – 1900
Een orakel in een tempel
Object type: book illustration
Date: 1727 – 1727
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: tripod, sacrifice (+ variant), oracle ~ non-christian religions
Inscriptions: collector's mark: Lugt 240

Gelovigen hebben zich verzameld in een tempel. Een orakel brengt een offer aan het cultusbeeld. Op de voorgrond sluipt een figuur met een brandende olielamp een kelder in. Daar ligt een man die uit een hoorn drinkt.
Deel van de gevel van een kerk (vermoedelijk) in Italië
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: italy
Artist: Anonymous
Subjects: parts of church exterior and annexes: façade, sculpture, sculpture (+ relief ~ sculpture), italy
Inscriptions: number: ‘2004.’
Schaal
Object type: dish
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht
Artist: fidelle duvivier
Artist role: porseleinschilder
Artist dates: 1740 – 1817

Two dishes. Porcelain. Loosdrecht, c. 1778 - 1782. Factory of Joannes de Mol.
De kleine figuren
Object type: print
Date: 1635 – 1669
Materials: paper
Techniques: engraving
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: farmers - aa - female farmer, farmer's wife
Inscriptions: collector's mark: Lugt 2233

Staande vrouw, zijwaarts afgebeeld, draagt een stok en mand. Achter haar knielt een vrouw met een emmer en verschikt iets aan de rok van de eerste vrouw.
Belvedere col palazzo et giardino del Papa in Vaticano
Object type: album leaf
Date: 1623 – 1623
Materials: paper
Techniques: engraving
Location: rome
Artist: giovanni domenico de rossi
Artist role: print maker, publisher
Subjects: garden, palace

Deze prent maakt deel uit van een reeks van acht prenten van paleizen en tuinen in Rome.
Portret van Pierre Jean Van Stabel
Object type: print
Date: 1830 – 1856
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons, officer
Inscriptions: collector's mark: Lugt 2228
Goblet
Object type: goblet
Date: 1701 – 1800
Materials: glass
Coin Purse
Object type: coin purse
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Gold earring with sard setting and pearl pendant
Object type: earring with pendant
Date: 670 – 330
Materials: gold
Culture: roman
Berglandschap met een beek en een kasteel op een rots, vermoedelijk in de Pyreneeën
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: pyrenees
Artist: Anonymous
Subjects: fortress, mountains (+ landscape with figures, staffage), river (+ landscape with figures, staffage)

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Lieven Willemsz. van Coppenol, writing master: the smaller plate
Object type: print
Date: 1658 – 1658
Materials: parchment
Techniques: drypoint, etching, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: amsterdam, draughtsman, lieven willemsz. coppenol
Inscriptions: mark: Lugt 2228
Ottomaanse ruiter en avonturier te paard
Object type: print
Date: 1576 – 1596
Materials: paper
Techniques: engraving
Location: cologne
Subjects: warfare; military affairs (+ cavalry, horsemen), folk costume, regional costume, military clothing and other equipment (uniforms, cap, armour, helmet, etc.)

Prent 48 en 49 uit een serie van 77, mogelijke serietitel Diversarum gentium armatura Equestris. Latere editie van serie Equitum Descripcio, Quomodo Equestres (...).
De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
Altarpiece with the Beautiful Virgin of Regensburg and Saints Christopher, Mary Magdalen, Florian and Catherine Standing in Niches, with God the Father Above
Object type: print
Date: 1519 – 1538
Materials: paper
Techniques: woodcut
Location: germany
Artist: albrecht altdorfer
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1538
Portret van Johann Paul Reinmann
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: christoph wilhelm bock
Artist role: print maker
Artist dates: 1755 – 1836
Subjects: historical persons, (military) uniforms, ear-rings
Inscriptions: collector's mark: Lugt 2228
Twee raamkozijnen
Object type: ornament print
Date: 1708 – 1711
Materials: paper
Techniques: engraving
Location: augsburg

Raamkozijnen met opstand, plan, profiel en details. Rechtsboven staat: Figura 101. Uit deel II van de serie Perspectivae Pictorum atque Architectorum.
Shabti of Neferibresaneith, son of Shepenbastet
Object type: shabti, neferibresaneith, shepenbastet
Date: 570 – 526
Materials: faience
Location: memphite region
Jar with a frieze of stylized animals
Object type: jar
Date: 2500 – 1900
Materials: ceramic, paint
Location: western iran
Subjects: animals
Osiris
Object type: statuette, osiris
Date: 664 – 630
Materials: metal
Location: egypt

Osiris, foremost of the Egyptian funerary gods and ruler of the underworld, stands upright and wears one of the most elaborate versions of his atef crown, complete with a uraeus on either side of the feathers and ram horns. Further uraei (two pairs) hang beneath the horns on each side. The beard is attached with a chin strap. The god is dressed in a close-fitting enveloping garment that conforms to his arms and shoulders. He holds the royal crook and flail with his hands poised symmetrically with the fists touching. The area around the hands is roughly carved, but the details of the crown, beard, broad collar and streamer, attributes, and bracelets are well defined. Osiris statuettes such as this one were some of the most abundant temple offerings in Egypt by the first millennium B.C., reflecting both the god’s importance and changing cult practices that spurred the wide-scale dedication of deity statuettes. Many statues of Osiris were offered in temples and shrines belonging to him, but they have also been found in other contexts, for example near temples and shrines honoring other prominent deities or in animal necropoleis.
Gezicht op een plein, vermoedelijk in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: square, place, circus, etc., paris
Inscriptions: inscription: ‘Place Grammont’, number: ‘169 49 35 cs [...] 49’
Portret van Thomas Gill
Object type: print
Date: 1662 – 1742
Materials: paper
Techniques: mezzotint
Subjects: historical persons, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 240
Portret van een man
Object type: album leaf
Date: 1862 – 1869
Materials: cardboard, photographic support
Techniques: albumen print
Artist: charles binger
Artist role: print maker, printer
Artist dates: 1830 – 1916
Subjects: adult man, historical persons
Inscriptions: inscription: ‘CH. Binger & Co/ Photographische Inrigting/ Zijlstraat/ Haarlem’
Envelop voor foto's van Johan Geijtenbeek te Leiden
Object type: envelope
Date: 1914 – 1950
Materials: paper
Techniques: letterpress printing
Location: leiden
Subjects: letter, envelope
Man with Staff
Object type: glass
Date: 1750 – 1799
Materials: glass, metal
Techniques: lampwork
Location: france
Portret van Rudolf I van Habsburg
Object type: book illustration
Date: 1546 – 1546
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: historical persons, king
Inscriptions: collector's mark: Lugt 2228

Prent uit: Ritratti et elogii di capitani Illustri. Che ne'secoli moderni hanno gloriosamente guerreggiato. Rome: Filippo de'Rossi en Vitale Mascardi, 1646, p. 24. Eerdere staten van prent ook gebruikt in: Ritratti et elogii di capitani Illustri. Rome: Pompilio Totti en Andrea Fei, 1635. En in: Ritratti di cento capitani illustri con li lor Fatti in guerra […], Rome: Domenico Gigliotti, 1596.
La Frayeur
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
Indiase acrobaten te Patoda
Object type: book illustration
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: acrobat ~ circus
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Thevenot, Jean de. Voyages Tant en Europe qu'en Asie et en Afrique, 4 delen. Parijs: Charles Angot, 1689, dl. IV.
Gezicht op Piazza del Popolo in Rome
Object type: photograph
Date: 1870 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: square, place, circus, etc., prospect of city, town panorama, silhouette of city
Inscriptions: inscription: ‘433 PIAZZA DEL POPOLO’
Models of Paper Folding (Origata tehon)
Object type: illustrated book
Date: 1697 – 1697
Materials: ink, paper
Culture: japanese

Since ancient times in Japan, decorative wrapping paper was a part of formal gift-exchange rituals, and knowledge of the art of paper folding (origata) was an essential skill of aristocrats and highranking warriors. The origins of origata can be traced to the Heian period (794–1185), when several styles of wrapping were developed, including that for poetry, money, and fans. With time several schools of paper wrapping were formed, including, most prominently, the Ogasawara School. Techniques were taught exclusively through oral transmission. By the Edo period, origata became prominent even among commoners. Origami, the art of paper folding so popular today, evolved from origata. This scrapbook album is accompanied by several loose samples for calligraphy items. According to the inscriptions, this set of models served as the initiation into the art of origata for Kikuchi Fujiwara no Takehide by an Ogasawara master, and is dated the third month of 1697. The album and examples predate the woodblock-printed wrapping manuals by several decades, and serve as important physical evidence of the tradition of paper folding.
Side Chair
Object type: side chair
Date: 1860 – 1860
Materials: wood
Culture: american
Location: united states
Artist: léon marcotte
Artist role: maker
Artist nationality: french
Artist dates: 1824 – 1887

This side chair is part of a suite of Louis XVI–style furniture that John Taylor Johnston (1820–1893) purchased from the firm of Ringuet-Leprince and L. Marcotte in about 1856. This international firm had showrooms in both Paris and New York, and it is believed that at least some of the pieces of the suite were made in Paris for the New York commission. Johnston, a railroad executive and the first president of The Metropolitan Museum of Art, used the furniture in the music room of his residence at 8 Fifth Avenue. The suite (68.69.1–68.69.11, 68.165.1–68.165.6) includes two sofas, two armchairs, a table, two matching cabinets, a third large cabinet, six matching side chairs, a pair of lyre-back side chairs, and a firescreen. After Ringuet-Leprince retired in 1860, the firm became known as L. Marcotte and Company. Léon Marcotte was New York's most noted cabinetmaker and interior decorator during the 1860s.
Bonnet
Object type: bonnet
Date: 1890 – 1890
Materials: feather, silk
Culture: american

In the nineteenth century sentiment and exhibitionism propelled women of fashion to adopt hats and bonnets with elaborate plumage. Regarded as coquettish when placed jauntily on the side of the head, headdresses boasted sprays, wings, and even entire carcasses. Doves, swallows, and birds of paradise were particularly fashionable. In London a woman was observed in a hat with finch heads, while another proudly displayed the plumage of the robin. Since the mid-nineteenth century the cavalier manner in which birds were sacrificed on the altar of vanity led to the formation of such bird protection organizations as the Audubon Society in America and the Royal Society for the Protection of Birds in England. Still active today, these antiplumage movements continue to focus upon the propriety of wearing feathers by questioning our ideas about nature and the environment.
Portret van Willem Karel Hendrik Friso van Oranje-Nassau
Object type: print
Date: 1731 – 1748
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: the hague, willem iv (prins van oranje-nassau)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Portret ten halven lijve van Willem Karel Hendrik Friso (Willem IV) van Oranje-Nassau. De prins is afgebeeld met de hand in de zij en een commandostaf in de andere hand. De omlijsting wordt onderbroken door het familiewapen met aan weerszijden drie regels tekst in het Nederlands.
Brandmeester
Object type: book illustration
Date: 1573 – 1573
Materials: paper
Techniques: woodcut
Location: frankfurt am main
Subjects: riding a horse, ass, or mule; rider, horseman, warfare; military affairs, the soldier; the soldier's life

Zowel de voorstelling als de ornamentrand werd gebruikt voor verschillende edities van Leonhardt Fronspergers Kriegsbuch.
Portret van Anselm Casimir
Object type: print
Date: 1591 – 1662
Materials: paper
Techniques: engraving
Subjects: historical persons, regent, substitute ruler; viceroy
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de ondermarge.
Panel
Object type: textile
Date: 1601 – 1700
Materials: linen
Location: netherlands
Lossen van een lading uit een schip bij een kade
Object type: sketchbook leaf
Date: 1797 – 1838
Materials: paper, pencil
Artist: johannes christiaan schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1838
Subjects: sailing-ship, sailing-boat, freight vessel, pier, quay, wharf

Blad 42 recto uit een schetsboek met 44 bladen.
Vier ornamenten in kwabstijl
Object type: album leaf
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: auricular ornament, lobe style ~ ornament, ornament ~ cartouche, mask, mascaron ~ ornament

Twee voorstellingen op een tweedelig albumblad. Beide voorstellingen zijn horizontaal in tweeën gedeeld. In elk deel een ornament in kwabstijl. In twee ornamenten is een masker verwerkt. Het onderste ornament van de rechter voorstelling met cartouche. De prent maakt deel uit van een album.
Portraits of Meer Allum Khan, Nowrung Khan and Mahomed Gool Khan, three chiefs from the Gandapur tribe of Kohat, Khyber Pakhtunkhwa, Pakistan
Object type: photograph
Date: 1862 – 1872
Materials: photographic support
Techniques: albumen print
Location: kohat
Artist: Anonymous
Subjects: hacking and thrusting weapons (with name), head-gear: turban, ruler, sovereign, human races; peoples; nationalities
Inscriptions: number: ‘(259),/ (260), (261)’, inscription: ‘MEER ALLUM KHAN./ NOWRUNG KHAN. MAHOMED GOOL KHAN./ GUNDAPOORS./ PATHAN FRONTIER TRIBE./ SOONNEE MAHOMEDANS./ KOHAT.’
Portret van Filips van Marnix van Sint-Aldegonde op 59-jarige leeftijd
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: jacques de gheyn (ii)
Artist role: painter, print maker
Artist dates: 1565 – 1629
Subjects: politician, filips van marnix van sint-aldegonde, ornament ~ medallion, historical persons, portrait of a writer, politician, e.g. party leader, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 963, collector's mark: Lugt 2228

Filips van Marnix van Sint-Aldegonde overleed in 1598 en was toen waarschijnlijk 58 jaar oud, en niet 59 zoals op de prent vermeld.
Dress
Object type: dress
Date: 1790 – 1799
Materials: silk
Culture: american

The fullest merger of old and new is represented in this dress. The form of the surrounding robe is open, and even the neckline could seem to be decades earlier. But the textile design has been subdued, and the lighter taffeta robe is paired with a white petticoat for an effect that resembles neoclassicism emerging from the chrysalis of the ancien régime.
Portret van Christian Lange
Object type: book illustration
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Location: germany
Artist: johann franck
Artist role: print maker
Subjects: theologian, historical persons

Prent waarschijnlijk uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Stal in de Binckhorst in Den Haag
Object type: print
Date: 1914 – 1914
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: horse, stall, stable, small canal, ditch
Inscriptions: collector's mark: Lugt 2228

Een stal en bomen aan een sloot. Voor de stal een paard.
Open Wide Bracelet with Striations
Object type: bracelet
Materials: bronze
Culture: thai
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Two parts of feet type C; top surface of both feet are partly sheared
Vase
Object type: vase
Date: 1739 – 1775
Materials: earthenware
Culture: dutch
Location: netherlands
Artist: justus brouwer
Artist role: designer
Artist nationality: dutch
Artist dates: 1739 – 1775
Subjects: flowers
Fraser (?) River, Warnock (from Sketchbook)
Object type: drawing
Date: 1890 – 1890
Materials: graphite, paper
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: rivers,landscapes