deem-data/ArtiFact huggingface dataset:
Teeder Afscheid Neemen van Zijne Majesteit, van Haare Koninglijke Hoog.d en Vorstelijke Spruijten op het Loo den 13e Julij 1788
Object type: print
Date: 1788 – 1789
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: berlin, frederik willem ii (koning van pruisen), painter, draughtsman, wilhelmina of prussia (princess of orange), taking leave
Inscriptions: collector's mark: Lugt 2228

Koning Frederik Willem II van Pruisen neemt op Paleis Het Loo afscheid van zijn zuster en haar kinderen, 13 juli 1788.
Altar Table with Mandala of Amitayus, the Buddha of Infinite Life
Object type: painting
Date: 1701 – 1900
Materials: gold, watercolor, wood
Culture: tibetan
Location: tibet
Maior eques plagis has quorsum obducere (...)
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: etching
Location: france
Subjects: martyrdom, suffering, misfortune, death of st. sebastian
Inscriptions: collector's mark: Lugt 240
Portret van J.W. Chickering
Object type: page
Date: 1854 – 1859
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: clergyman, john white chickering, portrait of a writer
Inscriptions: inscription: ‘Philip Henry Brown’
Gezichten met een grimas
Object type: cartoon
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Location: paris
Subjects: caricatures (human types), morphology of facial expression
Inscriptions: number: ‘15’, collector's mark: Lugt 2228a, stamp: ‘F. Buffa en Zoonen, Amsterdam, Kalverstraat no. 221’
Gezicht op het Piazza del Popolo te Rome
Object type: print
Date: 1745 – 1775
Materials: paper, watercolor
Techniques: brush, etching
Location: france
Subjects: obelisk, needle (+ city(-scape) with figures, staffage), church (exterior), square, place, circus, etc. (+ city(-scape) with figures, staffage), ornamental fountain (+ city(-scape) with figures, staffage)
Inscriptions: watermark, collector's mark: Lugt 2228

Gezicht op het plein Piazza del Popolo met in het midden de Egyptische obelisk en daarachter de vrijwel identieke kerken, de Santa Maria dei Miracoli en de Santa Maria in Montesanto
Miniatuurportret van Elisabeth Marie van Oostenrijk, aartshertogin van Oostenrijk
Object type: photograph
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: vienna, nobility and patriciate; chivalry, knighthood
Ribbed Plate
Object type: plate
Materials: silver
Culture: byzantine

During the early Byzantine period, the state controlled the silver industry. From the late fifth century through the reign of Constans II (641–68), imperial portraits or monograms were stamped on silver, usually on the back, to guarantee its purity.
Portret van Johan Ernst I, graaf van Nassau-Siegen
Object type: print
Date: 1600 – 1637
Materials: paper
Techniques: engraving, etching
Location: utrecht
Subjects: johan ernst i graaf van nassau-siegen
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Portret van een man
Object type: photograph
Date: 1897 – 1897
Materials: cardboard, photographic support
Techniques: platinum process
Artist: Anonymous
Subjects: sitting figure, adult man, historical persons, beard
Inscriptions: annotation: ‘J.H. 24/4/97’
Ensemble
Object type: ensemble
Date: 1798 – 1798
Materials: cotton, silk
Culture: european
Subjects: flowers

It is the combination of elements within this costume that makes it so interesting. Embroidered, open-fronted robes with matching underskirts are more usually associated with the 1760s to 1780s, but the train and the tiny bodice, only two and one-half inches from neckline to waist, preclude any date earlier than about 1798. The matching fichu is extremely rare. Each piece is embroidered with variations on the floral designs rather than mere duplications, suggesting artisanal primacy, not pattern book repetitions. This dress is believed to have belonged to Catherine Beekman (1762-1839), wife of Elisha Boudinot of Princeton, New Jersey.
Cap
Object type: cap
Date: 1840 – 1860
Materials: silk
Culture: american
Civil official
Object type: figure
Materials: earthenware, glaze, pigment
Culture: chinese
Subjects: dresses,hats,men

Despite the fact that they undoubtedly depict foreigners of Western origin, these officials are dressed in the typical Tang-dynasty Chinese court dress of a long, wide-sleeved tunic over a long gown. Their hats illustrate two varieties of the standard headgear of Tang-dynasty Chinese court officials.
Fotoreproductie van een aquarel van de kermis op de Nieuwmarkt
Object type: photograph
Date: 1875 – 1925
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: pleasure fair and circus, horses (circus performance)
Inscriptions: collector's mark: Lugt 1641, collector's mark

Foto van een aquarel van het paardenspel van Blanus op de kermis op de Nieuwmarkt, in 1866 of 1867. Aquarel in de collectie van het Stadsarchief te Amsterdam. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Volksfeesten; Kermis.
Gezicht op Genève
Object type: print
Date: 1817 – 1882
Materials: paper
Techniques: engraving
Location: geneva
Subjects: lake, city-view in general; 'veduta' (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: ‘JR’, collector's mark: Lugt 2228
De Keijserlijke Bibliotheek en Rariteijt Kamer
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: study; 'studiolo'; library, cabinet of curiosities, 'kunst- und wunderkammer'
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Brown, Edward. Naauwkeurige en gedenkwaardige reysen van Edward Brown (...) door Nederland, Duytsland, Hongaryen, Boek III, p. 24. Amsterdam: Jan Claesz ten Hoorn, 1682.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: gold alloy, silver alloy, gold
Culture: japanese
Location: japan
Subjects: dogs
Greek Wedding
Object type: painting
Date: 1720 – 1737
Materials: canvas, oil
Artist: jean baptiste vanmour
Artist role: painter
Artist dates: 1671 – 1737
Subjects: saluting, bride (in wedding-dress)

A Greek bride sits on a low platform, surrounded by family and friends. Her mother and mother-in-law welcome visitors. The bride receives gifts of gold jewellery and sumptuous cloth from her guests. In keeping with sumptuary laws (dress codes), the women do not wear veils inside the house. It is impossible to distinguish between the Greek and Turkish women based on their indoor attire.
Mijn eerste etsproeven in een reeks van 28 bladen
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: etching
Subjects: trees, landscape with ruins, landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De originele prentserie bevat 40 prenten op 28 bladen. Het RMA heeft 33 prenten op 22 bladen in de collectie.
Decorated Vase
Object type: vase, decorated
Date: 1 – 100
Materials: faience
Location: fayum

Many artworks of the Roman Period in Egypt represent the taste of wealthy urban merchant and rich farming classes of Roman Egypt. Wide trade of luxury works is evident, and Greco-Roman style dominates. Since Egyptian pharaohs had first authorized Greek trading colonies and employed Greek mercenaries in the seventh century BC., there was a considerable Greek presence in Egypt. With Alexander's conquest, Macedonian Greek Ptolemies ruled as successors to the pharaohs, and Ptolemaic Greek and eastern Mediterranean soldiery was heavily settled in parts of Egypt. Although the Ptolemaic kings maintained traditional Egyptian religious and political forms, elite society, of mixed Greek and Egyptian descent, aspired to Greek culture in many respects. With the replacement of a Ptolemaic pharaoh in Memphis and Alexandria by a Roman emperor in Rome, the status of Greek culture and art, if anything, increased. However, multiple cultural influences were t play, and their reconciliation differed, depending on the identity of the patron and on whether personal, public, religious, or funerary purposes were in question. Stately bicolor faience vessels with fine leafy ornament have been found fairly frequently in Alexandria, the Fayum towns, and Middle Egypt. In the course of the first century a.d., the bodies of such vessels were covered with more and more decoration.
Marba Titzenthaler, dochter van de fotograaf, in zandbak op het dakterras van het woonhuis in de Friedrichstrasse, Berlijn
Object type: photograph
Date: 1915 – 1915
Materials: paper
Techniques: gelatin silver print
Location: berlin
Artist: waldemar titzenthaler
Artist role: fotograaf
Artist dates: 1869 – 1937
Subjects: (building) sand-castle, girl (child between toddler and youth), berlin
Inscriptions: date: ‘5.6.15’
Portret van Johannes Jaenicke
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: etching
Location: london
Artist: george henry adcock
Artist role: print maker
Artist dates: 1803 – 1851
Subjects: historical persons, functionaries and dignitaries ~ protestant churches
Large Dish with Peony Bouquet and Cherry Blossom Rafts
Object type: plate
Date: 1667 – 1733
Materials: enamel, gold, porcelain
Techniques: overglaze, polychrome, underglaze
Culture: japanese
Subjects: peonies
Communicatie en interpretatie
Object type: cartoon
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: relation between master and servant, caricatures (human types), misunderstanding, bottle of wine
Inscriptions: collector's mark: Lugt 2228a, number: ‘64’

De meester aan tafel met de wijnfles vraagt wie zijn oude wijn gedronken heeft. De staande knecht, François, biecht op dat hij dat heeft gedaan. Hij heeft een opmerking verkeerd begrepen.
Pumps
Object type: pump
Materials: leather
Culture: american
Per Hasselberg
Object type: print
Date: 1891 – 1891
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Landscape Painting of Figure in Woodland Setting
Object type: album leaf
Date: 1644 – 1911
Materials: silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men,landscapes
Vissen
Object type: print
Date: 1627 – 1636
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: bony fishes: herring, bony fishes: angelfish, sea (seascape), bony fishes: sturgeon, bony fishes: goby
Inscriptions: collector's mark: Lugt 2228

Een grondel, een braam, een steur en een haring liggen samen met wat schelpen aangespoeld op het strand. Op de achtergrond de zee met enkele schepen. De prent maakt deel uit van een serie met vissen als onderwerp.
Chest with Coats of Arms
Object type: chest
Date: 1501 – 1533
Materials: iron, wood
Culture: french
Location: france
Subjects: coat of arms

Beneath late Gothic ogee arches, the French royal coat of arms of Charles VIII (1483–98) and Francis I (1515–47) is combined with the family crests of their queens, Anne of Brittany and Claude de France, and the crest of Louise of Savoy, the mother of Francis I.
Bottle
Object type: bottle
Date: 901 – 1100
Materials: glass
Techniques: glassblowing
Location: iran

This glass bottle was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Pocket
Object type: pocket
Date: 1750 – 1750
Materials: linen, wool
Culture: american
Koning Agrippa ziet een uil boven zijn troon
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: throne, owls
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Josephus, Flavius. Alle de Werken, 2 delen. Amsterdam: Pieter Mortier, 1704, dl. 1, p. 468.
Portret van keizer Leopold I
Object type: print
Date: 1665 – 1720
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: leopold i (keizer van duitsland), armour, historical persons, emperor
Marcus Atilius Regulus in a barrel while two men are hammering in the nails, various figures throughout
Object type: print
Date: 1555 – 1577
Techniques: engraving
Artist: diana scultori
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1588
Subjects: men,hammers,barrels
Round Plate
Object type: plate
Materials: plant material, pewter
Culture: chinese
Gezicht op de Oudezijds Achterburgwal
Object type: photomechanical print
Date: 1890 – 1960
Materials: paper
Techniques: lithograph
Subjects: city-view in general; 'veduta', parts of church interior: dome, canal, the usual house or row of houses, bridge in city across river, canal, etc.
Inscriptions: inscription: ‘Geschenk van dr. W.F. Bax (?) / Dec. 1935’, collector's mark: ‘3’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Achterburgwal, Nieuwezijds en - Oudezijds; Nieuwe Achtergracht, Achterweg, Akoleienstraat.
Medallion with the portrait of William I, king of the Netherlands
Object type: locket
Date: 1825 – 1849
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, vitrification
Location: doornik
Subjects: the hague, berlin, william i of the netherlands
Inscriptions: signature: ‘BRICHAUT F’

Medaillon van porselein, beschilderd op het glazuur in goud. Het medaillon toont in biscuit en profil het portret van Willem I, koning der Nederlanden in reliëf. Het portret is gesigneerd met BRICHAUT F. Om het medaillon een ronde lijst versierd met goud. Aan de binnenzijde is in het goud een band met rozetten en bladmotieven gegrift.
Mother Nursing Child
Object type: print
Date: 1806 – 1831
Techniques: woodblock print, hashira
Location: japan
Artist: kitagawa utamaro ii
Subjects: mothers, babies, children, nursing (breast feeding)
Vestibule and Wainscoting
Object type: vestibule and wainscoting
Date: 1401 – 1500
Materials: wood
Culture: french
Lock
Object type: lock
Date: 1734 – 1766
Materials: iron
Franz Defregger
Object type: page
Date: 1879 – 1885
Materials: photographic support
Techniques: albumen print
Location: munich
Subjects: adolescent, young woman, maiden, picture, painting, closed window
Gezicht op de Montelbaanstoren te Amsterdam
Object type: calendar
Date: 1888 – 1888
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: protective weapons: shield, trees, tower, clock tower ~ monumental adornment
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Montelbaanstoren.
Portret van een man
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, historical persons
Bloeiende rozenstruik
Object type: photograph
Date: 1950 – 1975
Techniques: slide
Artist: Anonymous
Entrée du Prince de Pfalzbourg (Entrance of the Prince of Pflazbourg), from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien Phillipe
Object type: print
Date: 1627 – 1627
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Fotoreproductie van het schilderij De Groene Bruiloft van Anton Heinrich Dieffenbach
Object type: reproduction
Date: 1866 – 1871
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: (civil) marriage ceremonies
Inscriptions: inscription: ‘Heerlijk op de blonde lokken (...) J.J.L. ten Kate’
Vrouwelijke gevangene klampt zich vast aan cipier
Object type: print
Date: 1800 – 1900
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: gripping someone by the legs, imprisonment, prison personnel: jailers, warders, guards
Inscriptions: collector's mark: Lugt 2228

Prent is vermoedelijk een proefdruk voor een boekillustratie.
Betaalpenning van 1 cent van de Kolonies Ommerschans en Veenhuizen van de Maatschappij van Weldadigheid
Object type: history medal
Date: 1859 – 1900
Materials: zinc
Techniques: striking
Location: netherlands
Artist: Anonymous

IJzeren penning, op de voorzijde O & V, op de keerzijde R. Gest' / 1 CT
Drie ontwerpen voor verticale ornamenten
Object type: ornament print
Date: 1725 – 1750
Materials: paper
Techniques: etching
Location: paris
Subjects: griffin (lion/eagle); 'griffo' (ripa), ornaments ~ art, (story of) atlas, dragon, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228a

Links een fontein met putti, gedragen door een meermin. In het midden Atlas met wereldbol, olifantenkop en een griffioen. Rechts een draak, een vrouw en wapens. Deze prent maakt deel uit van een album.
Hersteld Lutherse Gemeente
Object type: communion token
Date: 1790 – 1850
Materials: lead
Techniques: casting
Artist: Anonymous

Eenzijdige loden penning. Voorzijde: letter H boven letters LG. Keerzijde: blanco.
Alt-Köln. Stadtpanorama um die Mitte des vorigen Jahrhunderts
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1920
Materials: cardboard
Techniques: photograph, writing
Location: cologne
Subjects: church (exterior), canals, waters (in city), prospect of city, town panorama, silhouette of city, cologne
Badgastein - K.K. Badeschloss
Object type: photomechanical print
Date: 1904 – 1909
Materials: cardboard
Techniques: photograph, writing
Location: bad gastein
Subjects: watering-place, spa, hotel, hostelry, inn
Whip Handle in the Form of a Horse
Object type: whip handle, horse
Date: 525 – 380
Materials: faience
Location: egypt
Subjects: horses
Aanbidding van het Christuskind
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: christ-child (with attributes), string instruments (plucked)

De prent is afkomstig uit een van de uitgaven van P.J. Paets uit Amsterdam. De prent wordt voor het eerst gebruikt in: Der Zielen Lust-hof. Leuven, I.Jacbosz voor P.J. Paets [= Amsterdam, P.J. Paets], 1629.
Sampler
Object type: sampler
Date: 1789 – 1789
Materials: canvas, silk, wool
Bekende tijdgenooten
Object type: print
Date: 1891 – 1891
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: rotterdam, print maker, george hendrik breitner, historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent werd uitgegeven als bijvoegsel van De Amsterdammer op 116 augustus 1891.
Beaker
Object type: beaker
Materials: glass
Techniques: glassblowing
Culture: french

The truncated shape of this beaker—broader than it is tall—is unusual, but the finesse of the patterning and the delicacy of the vessel is even rarer, if not unprecedented, in medieval glass. The maker impressed an overall pattern of raised circles into the glass wall.
Goederenstation aan een haven
Object type: photograph
Date: 1900 – 1930
Materials: paper
Techniques: collodion silver print
Location: unknown
Artist: Anonymous
Subjects: harbour
Galloon
Object type: galloon
Date: 1601 – 1700
Materials: metal thread, silk
Drieling Stans, Paul en Peronne Arntzenius
Object type: photograph
Date: 1860 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: péronne arntzenius
Fish Slice
Object type: fish slice
Date: 1800 – 1900
Materials: silver
Culture: american
Location: united states
Huwelijksknipsel voor Pieter Fichet
Object type: cut paper
Date: 1750 – 1849
Materials: ink, paper
Techniques: cutting, pen, snipping
Artist: Anonymous
Subjects: flowers, marriage, married couple, 'matrimonium'
Inscriptions: stamp, collector's mark: Lugt 1641

Plaatsaanduiding voor huwelijksmaaltijd voor Pieter Fichet. Om zijn naam ranken met bloemen en een druiventros. Linksboven twee in elkaar grijpende handen. Rechtsboven twee duifjes aan weerszijden van een hart. Linksonder twee brandende harten. Rechtsonder een Amor met een hoorn des overvloeds. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Knipkunst.
[Karel Ooms]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
S. Lorenzo fuor delle mura
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: etching
Location: vatican city
Subjects: church (exterior), roman catholic church
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van negen prenten van de negen hoofdkerken van Rome.
Bijin Urashima and the Seven Fortune Beings (Shichi-fuku-jin)
Object type: print
Date: 1780 – 1850
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Subjects: women,fish,turtles
Terracotta rim fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment, eye cup
Date: 433 – 567
Materials: terracotta
Culture: greek, attic

Exterior, head and part of upper chest of bearded male to right, satyr?; end of eyebrow from eye cup
Gezicht op Ellen's Isle in Loch Katrine
Object type: page
Date: 1880 – 1890
Materials: photographic support
Techniques: albumen print
Location: loch katrine
Artist: Anonymous
Subjects: island, lake - hh - ideal landscapes
Inscriptions: inscription: ‘Poulton's series.’
Interior view of the ancient Temple of Bacchus, now the church of S. Urbano, two miles from Rome, from Views of Rome
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778