deem-data/ArtiFact huggingface dataset:
Men vint geen raarder volk / Als te water en te land. / Zo als dit zes-en-dertigtal vertoond in haare stand
Object type: print
Date: 1805 – 1808
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: musician, human types, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., farmers, seaman: sailor
Inscriptions: collector's mark: Lugt 2228

Blad met 36 voorstellingen van verschillende figuren en bezigheden. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: 28.
Deucalion en Pyrrha
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: stones turning into men: stones thrown by deucalion and pyrrha, as directed by the oracle of themis, turn into men (ovid, metamorphoses x 400)
Inscriptions: collector's mark: Lugt 240

Speelkaart met een voorstelling van Deucalion en Pyrrha die met stenen gooien die in mensen veranderen. Op de achtergrond een tempel.
Saucer (one of 12) (part of a service)
Object type: saucer
Date: 1758 – 1769
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: birds,flowers

The gilding on these pieces (see 54.163.7a, b–.34) is of a very high order, with tooled work on a thick application of honey gilding selectively matte and burnished for a lively design of pheasants, peacocks, and swallows in a landscape. The deep bowl was for little cakes.
Two wine coolers and stands
Object type: wine cooler
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht

Manufactuur Oud-Loosdrecht
Loosdrecht, c. 1778–1782
hard-paste porcelain
David Citadel, Jeruzalem
Object type: stereograph
Date: 1905 – 1905
Materials: cardboard, paper
Techniques: albumen print
Location: tower of david
Subjects: palace, tower of david
Inscriptions: number: ‘887.’, inscription: ‘Déposé.’, inscription: ‘Registered.’
E.C. Carter, Runner, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,athletes

Trade cards from "World's Champions," Series 2 (N29), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Herders en herderin met kudde bij rivier
Object type: print
Date: 1763 – 1765
Materials: paper
Techniques: printmaking, etching
Location: amsterdam
Artist: cornelis ploos van amstel
Artist role: draughtsman, print maker
Artist dates: 1726 – 1798
Subjects: cow, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep
Inscriptions: collector's mark: Lugt 2228

Een herder en een herderin staan op de oever van een rivier met hun schapen en koeien.
Red polished ware jar
Object type: jar, red polished ware
Date: 3850 – 2960
Materials: pottery
Location: egypt
Card Number 542, Violet Cameron, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Petticoat
Object type: petticoat
Date: 1870 – 1890
Materials: cotton
Culture: american or european
Fille de Shanghai
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print, glass negative
Artist: raimund von stillfried
Artist role: artist
Artist nationality: austrian
Artist dates: 1839 – 1911
Subjects: portraits,women
Enslaved Women Concealing their Master from a Search Party (from Confederate War Etchings)
Object type: print
Date: 1861 – 1863
Techniques: etching
Artist: adalbert john volck
Artist role: artist
Artist nationality: american
Artist dates: 1828 – 1912
Subjects: american civil war,men,women,slaves
Lamp
Object type: lamp
Date: 801 – 1100
Materials: stonepaste
Techniques: glazing
Location: iran

This lamp contains an open reservoir that would have held burning oil and a wick. Soaked in the oil and lighted, the wick would transport the fuel to the flame. Traces of burning are still visible on the lamp’s lip. Ceramic lamps in this shape were most common in Iran in the early Islamic periods. They are either unglazed or, from the ninth/tenth century onwards, glazed in green. By the twelfth century, the lamps’ shape had changed to include a closed reservoir, often placed on a stem.
Portret van Pieter Christiaansz. Bor
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: leiden
Subjects: utrecht, haarlem, honouring the artist with laurel wreath, historical persons, portrait of a writer

Prent uit: Pars, Adriaan. Index Batavicus, of naamrol van de Batavise en Hollandse schrijvers (...). Leiden: Abraham de Swart, 1701, p. 258.
Enquêteformulier ingevuld door Lambertus Hardenberg (1822-1900)
Object type: questionnaire
Date: 1809 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Subjects: the hague, painter, print maker, draughtsman, lambertus hardenberg (1822-1900)
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Saint Anthony of Padua
Object type: drawing
Date: 1700 – 1750
Materials: chalk, ivory, paper
Artist: pedro  duque cornejo
Artist role: artist
Artist nationality: spanish
Artist dates: 1677 – 1757
Subjects: infants,saint anthony

For the attribution of this drawing to the sculptor Pedro Duque Cornejo, see M. García Luque, 'Dibujos de Duque Cornejo en el Álbum Jaffe (I): la colección del Metropolitan Museum of Art’, Philiostrato. Revista de Historia y Arte, no. 3, 2018, cat.no.15.
Window
Object type: window
Date: 1701 – 1800
Materials: gypsum, glass
Location: egypt or syria

A window such as this with brightly colored panes in blue, orange, green, yellow, and red might have been found in a room of a late Ottoman aristocratic home, like the Damascus reception room also in the Museum's collection (1970.70) Tinted glass was favored because it filtered the light, but it also complemented the multihued furnishings of these rooms.
Afbreken van de onderhandelingen met don Juan, ter ere van Filips II, koning van Spanje
Object type: jeton
Date: 1577 – 1577
Materials: copper
Techniques: striking
Location: arnhem
Artist: Anonymous
Subjects: philip ii of spain, don juan van oostenrijk

Koperen penning. Voorzijde: borststuk man boven opschrift tussen kruis en vuurslag, waar vonk uitschiet binnen omschrift. Keerzijde: Spaanse en Nederlandse soldaten die elkaar rug toekeren binnen omschrift
Twee bladmotieven
Object type: print
Date: 1455 – 1503
Materials: paper
Techniques: engraving
Location: bocholt
Artist: israhel van meckenem
Artist role: print maker
Artist dates: 1440 – 1517
Subjects: plants; vegetation (+ ornamental variants of plants)
Inscriptions: collector's mark: Lugt 240

Twee bladeren, beide spiegelbeeldige kopieën naar prenten van Martin Schongauer. Pendant van een prent met twee andere bladmotieven (TIB/Bartsch 199, Hollstein German 594).
Krugerhuis in Pretoria
Object type: photograph
Date: 1890 – 1905
Materials: paper
Techniques: gelatin silver print
Location: pretoria
Subjects: exterior ~ representation of a building
Inscriptions: inscription: ‘Kruger’
Hoekstuk van een boekbeslag (?)
Object type: binding finishing hardware
Date: 1400 – 1950
Materials: brass

Hoekstuk van een boekbeslag (?) van messing.
Fan
Object type: fan
Date: 1701 – 1800
Materials: ivory
Subjects: performance,men,women
Gezichten op de Abdij te Middelburg
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: middelburg
Artist: Anonymous
Subjects: abbey, monastery, convent ~ roman catholic church, courtyard
Glass Fragments
Object type: fragment
Date: 301 – 700
Materials: glass
Culture: coptic
Location: egypt
Armet for the Tourney
Object type: armet for the tourney
Date: 1515 – 1520
Materials: copper alloy, steel
Culture: german
Location: germany
Artist: kolman helmschmid
Artist role: armorer
Artist nationality: german
Artist dates: 1471 – 1532

The visor is fitted with an unusual reinforce depicting the type of grille defense that might be used on a helmet intended for a tournament with swords or clubs. This suggests it was originally part of a garniture that included exchangeable pieces for battle and tournament use.
Kraag van kloskant gemaakt van grijze wol
Object type: collar
Date: 1925 – 1949
Materials: wool
Techniques: lace
Location: hoorn
Artist: wilhelmina cornelia schutten-putters
Artist role: designer

Kraag van kloskant - Nederlandse kant - waarvoor ongeverfde en handgesponnen wol van een grijs gekleurd schaap is gebruikt. Halfcirkelvormig model. Het zich herhalende patroon bestaat uit straalsgewijs geplaatste banen die afwisselend zijn gemaakt in linnenslag en netslag. Langs de buitenzijde en korte zijden is de kraag afgewerkt met een open picotrand. De kraag is gemaakt door mevrouw Schutten-Putters, directrice van kantklosvereniging Het Molenwiekje. De vereniging had een 'wolkantafdeling' genaamd 't Web, die zich specialiseerde in het kantklossen met wol.
Zeilschepen bij rivieroever
Object type: drawing
Date: 1860 – 1921
Materials: chalk, paper
Techniques: brush
Artist: adolf le comte
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1921
Subjects: sailing-ship, sailing-boat, river
Textile Fragment
Object type: textile fragment
Date: 601 – 800
Materials: linen, wool
Techniques: weave
Location: egypt
Study for The Tower Taken from the New Mint, from Microcosm of London
Object type: drawing and watercolor
Date: 1809 – 1809
Materials: graphite, paper
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
Landschap met berken langs een oever
Object type: print
Date: 1860 – 1910
Materials: paper
Techniques: etching, intaglio
Artist: alfred elsen
Artist role: painter, print maker
Artist dates: 1850 – 1914
Subjects: forest path or lane, trees: birch
Inscriptions: inscription: ‘1e Etat’, collector's mark: Lugt 2228
Earring
Object type: earring
Date: 1 – 100
Materials: bronze
Culture: parthian
Location: iran

This is a bronze loop earring with a pendant, now heavily corroded, suspended from it. It was excavated at Shahr-i Qumis in northern Iran, which has been identified as the ancient city of Hecatompylos, established by the Parthians as their capital by about 200 B.C. In Greek Hecatompylos means ‘a hundred gates,’ suggesting that the city was quite large. Indeed, the modern archaeological site includes several mounds, only a few of which have been excavated, and a vast area covered with potsherds. It comes from Site XIII, a large building that was later deliberately filled with dirt, perhaps in order to create a funerary structure. The excavations at Shahr-i Qumis by the British Institute of Persian Studies in 1967 were co-sponsored by the Metropolitan Museum of Art. However, this earring was not discovered until 1971, and it was acquired from the British Institute as a result of the Met’s financial contributions to the Institute’s excavations at Tepe Nush-i Jan, another site in Iran. At the time the Iranian government allowed foreign excavators to keep a portion of the finds, and these excavators in turn would divide their share among the institutions that supported the work.
Paradezadel, gebruikt door de keurvosten van Beieren bij de kroning van een keizer
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, paper, ink
Techniques: photograph
Location: europe
Artist: Anonymous
Subjects: saddle, europe
Inscriptions: inscription:, collector's mark: Lugt 3937
Kaart van Overijssel (deel linksonder)
Object type: map
Date: 1743 – 1743
Materials: paper
Techniques: engraving, hand coloring
Location: deventer
Subjects: maps of separate countries or regions, fisherman
Inscriptions: collector's mark: Lugt 19

Prent ook gebruikt in: Nieuwe atlas inhoudende de vier gedeeltens der waereld (...). 5 delen. Amsterdam: Covens & Mortier, s.a. [1721-1759].
Measure
Object type: measure
Date: 1854 – 1893
Materials: pewter
Artist: carl adolph ferdinand heidorn
Artist role: maker
Artist nationality: german
Artist dates: 1823 – 1893
Allegorie met putti
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: etching
Location: italy
Subjects: cupids: 'amores', 'amoretti', 'putti', fabulous animals ~ birds: phoenix
Inscriptions: collector's mark: Lugt 240

Allegorische voorstelling met putti. Links Amor die een schilderij maakt met een allegorie op vriendschap en sensuele liefde. Naast hem putti met verschillende attributen, waaronder een gitaar, een schrijfveer, een zandloper en een schedel. In de lucht zweeft een fenix op brandende wolken. Tekst in het Latijn op een banderol rechtsonder.
Portret van twee mannen, waarvan één met dwerggroei
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: pieter siewers
Artist role: fotograaf
Artist dates: 1819 – 1898
Subjects: little people, historical persons
Inscriptions: annotation: ‘man en zoon/ (P. Siewers & Zoon, Edam, Purmerend)’, inscription: ‘Photographisch Atelier/ P. Siewers & Zoon/ Edam en Purmerend (...)’

Portret van twee mannen, waarvan één met dwerggroei. Deze foto maakt deel uit van een album.
Joost van den Vondel 1867
Object type: history medal
Date: 1867 – 1867
Materials: bronze
Techniques: striking
Artist: moses cohen de vries junior
Artist role: diamantslijper, graveur, medailleur
Artist dates: 1807 – 1883

Bronzen penning, op de voorzijde het borstbeeld van Vondel naar rechts met omschrift, op de keerzijde de Dichtkunst naast een altaar met boekrol, die Vondels standbeeld lauwert, met rechts een zwaan, met omschrift en afsnedetekst.
Teabowl and saucer
Object type: teabowl and saucer
Date: 1740 – 1740
Materials: hard paste porcelain
Subjects: men,portraits
Berglandschap met gletsjer en dode boom
Object type: photograph
Date: 1855 – 1880
Materials: paper
Techniques: albumen print
Location: germany
Artist: Anonymous
Subjects: glacier, mountains, germany
Portret van Georg Friedrich Schmidt
Object type: print
Date: 1813 – 1813
Materials: paper
Techniques: letterpress printing, lithograph
Location: munich
Artist: maximilian franck
Artist role: print maker
Artist dates: 1780 – 1830
Subjects: berlin, print maker, draughtsman, georg friedrich schmidt, historical persons, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228

Prent uit: Lindauer, Joseph. Deutsche Künstler-Gallerie. München: Maximilian Franck, 1813.
Reproductie naar schilderij van Willem Witsen van een portret van mevrouw A. Schultzberg
Object type: photograph
Date: 1860 – 1915
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Figuurstudies (eerste blad), 1833
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: hand coloring, lithograph
Location: amsterdam
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: street-trader, folk costume, regional costume
Inscriptions: collector's mark:, collector's mark: Lugt 2228

Blad met figuren: links een man slapend op een houten bank en een man met een draaiorgel. Onderdeel van een serie van zes bladen met figuurstudies van Nederlandse klederdrachten, straatfiguren en gebuiken, 1833.
Plattegrond van Jülich, 1693
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: etching
Location: paris
Subjects: fortress, maps of cities
Inscriptions: date

Plattegrond van de versterkingen om de Duitse stad Jülich (Gulik). Onderdeel van het tweede deel (1693) van het prentwerk waarin gebundeld zijn de acht delen van Les forces de l'Europe uitgegeven tussen 1693-1697. Het prentwerk bestaat uit 175 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog. Titel en opschriften in het Frans.
Cylinder seal (with caps preserved) with cultic scene
Object type: cylinder seal
Date: 734 – 601
Materials: bronze, stone, copper, dye
Culture: assyrian
Location: mesopotamia
Brief aan Philip Zilcken
Object type: letter
Date: 1897 – 1897
Materials: ink, paper
Techniques: pen, writing
Artist: françois thiébault-sisson
Artist role: kunstcriticus
Artist dates: 1856 – 1944
Subjects: the hague, print maker, draughtsman, jacob maris, leiden, rembrandt van rijn, paris, paul verlaine, philip zilcken, painting (including book-illumination, miniature-painting), holland
Inscriptions: collector's mark: ‘RPK’
Telemachus Battles the Lion, from The Adventures of Telemachus, Book 2
Object type: drawing and watercolor
Date: 1808 – 1808
Materials: board, chalk, ink, paper, paint, watercolor
Techniques: brush, pen, wash
Location: italy
Artist: bartolomeo pinelli
Artist role: artist
Artist nationality: italian
Artist dates: 1781 – 1835

These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.
Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the hero’s search for his father. Fénelon invented further adventures for Telemachus, in which he undergoes many trials while accompanied by his tutor, Mentor, who is actually the goddess Minerva (the embodiment of wisdom) in human disguise. A scathing critique of autocratic government and a diatribe against war, the book denounces luxury and decadence and calls for the simplicity and equality Fénelon believed ancient Greece best exemplified.
Pinelli illustrated scenes from books 1–8 and one scene from book 18, and probably planned to illustrate more from the 24 books of the text. Throughout, he celebrates the heroic nude, displaying a deep knowledge of ancient Roman sculpture. His style, influenced by Jacques-Louis David and John Flaxman, is characterized by bold, almost cartoonish contours, monochromatic washes, and frieze-like arrangements of figures.
During his captivity in Egypt, Telemachus ensures his fame by wrestling and killing a lion that had attacked his and his fellow shepherds’ flocks. This, and word of the golden age he restored to the desert, ultimately secure him his freedom from servitude.
Gedeelte van de rooms-katholieke kerk te Hoeven
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, photographic support
Techniques: albumen print
Location: hoeven
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Kerk Hoeven (N.B.)/ oct 1904’, annotation: ‘N.Br. Hoeven’
Journal des Dames et des modes
Object type: fashion print
Date: 1803 – 1804
Materials: paper, ink, watercolor
Techniques: etching, hand coloring
Location: france
Artist: Anonymous
Subjects: fashion plates
Inscriptions: collector's mark: Lugt 2228
Design for Piccolo Pianoforte, Louis Quatorze Style
Object type: drawing
Date: 1835 – 1900
Materials: graphite, ink, watercolor
Techniques: pen
Artist: robert william hume
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1904
Subjects: pianos
Purple red paste paper
Object type: print
Date: 1701 – 1800
Materials: paper, paste
Artist: Anonymous
Artist role: artist
Apologie ofte verantwoording des Doerluchtigen ende Hooghgheborenen Vorsts en Heeren, Heeren Wilhelms (...) Prince van Orangien
Object type: book
Date: 1581 – 1581
Materials: cardboard, paper, textile
Techniques: bookbinding, printing
Location: leiden
Subjects: philip ii of spain, delft, william i (prince of orange)
Inscriptions: date

Pamflet waarin Willem van Oranje zich verdedigde tegen de banvloek die Filips II een jaar eerder over hem had uitgesproken.
Virgin and Child, from an Adoration Group
Object type: virgin and child
Date: 1515 – 1520
Techniques: polychromy
Culture: german
Location: germany
Artist: hans thoman
Artist role: artist
Artist nationality: german
Artist dates: 1514 – 1525
Subjects: madonna and child,virgin mary,jesus,adoration of the magi

The Metropolitan Museum of Art has possessed the sculptures of the Three Magi (see. acc. no. 51.28a, b) offering their gifts of gold, frankincense, and myrrh in its collection since 1951. In 2013 the Museum had the exceptional opportunity to acquire the Virgin and Child and reunite these sculptures, originally part of a large altarpiece that was dismantled in the early nineteenth century. Altarpieces depicting the Adoration of the Magi were widespread in Germany during the late Middle Ages, particularly following the city of Cologne’s acquisition of the Magi’s relics in 1164.
Broadsheet relating to the American Mosquito with verse critical of U.S. imperialism
Object type: print
Date: 1908 – 1908
Materials: metal, paper
Techniques: engraving, letterpress
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,women,insects
Joannes Neyen
Object type: print
Date: 1608 – 1608
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Inscriptions: Lettered below image: "Vera effigies R.mi P. Joannis Neyen ... M. a Mierevelt pinxit. J. Muller sculpsit."
Cylinder seal
Object type: cylinder seal
Date: 1720 – 1650
Materials: mineral
Location: syria
Subjects: animals
Still Life:  Vases, a Cassolette on a Pedestal, and an Overturned Basket of Fruit
Object type: drawing
Materials: graphite, ink
Techniques: brush, pen, wash
Location: france
Artist: jean jacques lagrenée
Artist role: artist
Artist nationality: french
Artist dates: 1739 – 1821
Subjects: fruit,still life,vases
Portrait of Bartholome Lother
Object type: sculpture
Date: 1584 – 1584
Materials: glass, wax
Techniques: modeling, carved
Culture: german
Location: germany
Subjects: portraits: male subject, busts, profile, man, portraits: german subject, portraits, portrait
Watch cock
Object type: watch cock
Date: 1601 – 1800
Materials: gilt brass
Genootschap tot Bevordering der heelkunde
Object type: medal
Date: 1790 – 1790
Materials: lead
Techniques: striking
Location: the hague
Artist: johann heinrich schepp
Artist role: sculptor
Artist dates: 1736 – 1811
Subjects: amsterdam
Toegangslaan van de Torre Abbey
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: devon
Artist: francis bedford
Artist role: print maker
Artist dates: 1815 – 1894
Subjects: lane, alley
Inscriptions: inscription: ‘F.T.’, inscription: ‘Devonshire Illustrated. by Francis Bedford.’, number: ‘1512.’
Roerdomp in het riet
Object type: boekillustratie ontwerp
Date: 1892 – 1940
Materials: ink, paper, pencil
Techniques: pen
Artist: henri verstijnen
Artist role: draughtsman, print maker
Artist dates: 1882 – 1940
Subjects: birds
Inscriptions: :, annotation: ‘Roerdomp’, collector's mark: Lugt 2228, annotation: ‘roerdomp 17 vh Izaks[...]ijd’
Johan Frederik de Grootmoedige, keurvorst van Saksen en Filips de Grootmoedige, landgraaf van Hessen
Object type: history medal
Date: 1543 – 1543
Materials: silver
Techniques: gilding, striking
Location: germany
Artist: Anonymous
Subjects: philip i (landgrave of hesse)

Zilveren penning. Voorzijde: borststuk man met zwaard op schouder en wapenschild in hand binnen tweeregelig omschrift. Keerzijde: borststuk man wapenschild in zijn rechterhand en met andere hand op zwaard binnen tweeregelig omschrift
Gesp 'Vleermuis'
Object type: buckle
Date: 1920 – 1920
Materials: paste, wood
Techniques: cutting
Location: amsterdam
Artist: Anonymous

Houten gesp 'Vleermuis', met twee ogen van rode paste. De gesp is niet gesigneerd.