deem-data/ArtiFact huggingface dataset:
Portret van Johan Oxenstierna
Object type: print
Date: 1697 – 1717
Materials: paper
Techniques: engraving
Subjects: historical persons, diplomacy, diplomat

Prent is gebruikt in verschillende series. De huidige staat is gebruikt in de hieronder vermelde serie en uitgaven (6), (7) en (8).

(1)'Icones legatorum (...)', uitgegeven door Daniel Middeler in 1648 in Antwerpen.
(2)‘Legati Celeberrimi’, uitgegeven door Daniel Middeler in 1648 in Antwerpen.
(3)‘Legati Celeberrimi’, waarschijnlijk uitgegeven in 1651, maar opnieuw met de vermelding door Daniel Middeler in 1648 in Antwerpen.
(4)‘Legati Celeberrimi', waarschijnlijk uitgegeven in 1658, maar opnieuw met de vermelding door Daniel Middeler in 1648 in Antwerpen.
(5) 'Pacificatores orbis Christiani, sive icones principum, ducum et legatorum, qui Monasterii atque Osnabrugae (...)', uitgegeven door Pieter van der Slaart in 1696 in Rotterdam.
(6) 'Pacificatores orbis Christiani, sive icones principum, ducum et legatorum, qui Monasterii atque Osnabrugae (...)', uitgegeven door Pieter van der Slaart in 1697 in Rotterdam.
(7) 'Pacificatores orbis Christiani, sive icones principum, ducum et legatorum, qui Monasterii atque Osnabrugae (...)', waarschijnlijk uitgegeven circa 1713, maar opnieuw met vermelding van Pieter van der Slaart in 1697 in Rotterdam. De platen in deze uitgave zijn voor het eerst genummerd.
(8) 'Les hommes illustres qui ont vécu dans le XXIIe siècle (...)', uitgegeven door David Mortier in 1717 in Rotterdam.

Zie documentatie. Mogelijk zijn er nog meerdere uitgaven en staten van deze prent.
Afbeeldinghe van Porto Desire
Object type: print
Date: 1617 – 1619
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: hoorn (north holland), hunting, chase, landscapes in polar regions, exploration, expedition, voyage of discovery

Oorspronkelijke illustraties eerst gebruikt in: Willem Cornelisz Schouten, Iovrnael ofte beschryvinghe van de wonderlijcke reyse, ghedaen door Willem Cornelisz Schouten van Hoorn, inde iaren 1615. 1616. en 1617, Willem Jansz Blaeu, Amsterdam, 1618. Kopieën naar deze platen gebruikt in: J. van Spilbergen, Oost ende West-Indische spiegel der 2 leste navigatiën, ghedaen inden jaeren 1614, 15, 16, 17, ende 18. daer in vertoont woort, in wat gestalt Ioris van Speilbergen door de Magellanes de werelt rontom geseylt heeft ...; met de Australische navigatiën, van Iacob le Maire, ... met veel wonders ... in 26 coperen platen afghebeelt, N. Geelkerck, Leiden 1619. Later opnieuw gebruikt in : I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: No. 22.
Portret van een staande vrouw in een avondjurk
Object type: photograph
Date: 1905 – 1915
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Subjects: dress, gown: ball gown, anonymous historical person portrayed alone - bb - woman
Mary, Queen of Scots
Object type: print
Date: 1824 – 1824
Techniques: lithograph
Location: england
Artist: fabroni
Artist role: artist
Artist nationality: italian (?)
Subjects: queens,portraits,women,mary queen of scots
A Butterfly
Object type: drawing
Date: 1701 – 1766
Materials: graphite, ink, watercolor
Techniques: pen
Artist: nicolaas struyk
Artist role: artist
Artist nationality: dutch
Artist dates: 1686 – 1769
Subjects: butterflies
Lidded roemer with two rows of raspberry prunts
Object type: roemer
Date: 1690 – 1800
Materials: glass
Techniques: glassblowing
Location: germany
Artist: Anonymous

The Netherlands or Germany, c. 1690–1800
glass
Grimthorp in the County of Lincoln, plate 23 from Britannia Illustrata
Object type: print
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: jan kip
Artist nationality: dutch
Artist dates: 1653 – 1722
Allegorie van de poëzie
Object type: ornament print
Date: 1745 – 1745
Materials: paper
Techniques: etching
Location: augsburg
Subjects: angels singing, making music, symbolic representations, allegories and emblems ~ poetry; 'poesia' (ripa), standing figure - aa - female human figure
Inscriptions: collector's mark: Lugt 2228

Allegorie van de poëzie, omgeven door een rocaille omlijsting. In een landschap staat een vrouw met een schrijfveer en een snaarinstrument. In de wolken boven haar zitten drie musicerende engelen. In de ondermarge een vierregelige Duitse en Latijnse tekst. Uitgeversnummer 42.
Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)
Object type: print
Date: 1799 – 1799
Techniques: aquatint, engraving, burnishing, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: women
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 57 (recto)
Object type: album print ornament architecture
Date: 1615 – 1635
Materials: ink
Techniques: pen, wash
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Subjects: birds
Drinkend paard bij ruïnes
Object type: print
Date: 1603 – 1641
Materials: paper
Techniques: etching
Subjects: landscape with ruins, horse
Inscriptions: collector's mark: Lugt 2227
Bowl
Object type: bowl
Date: 1201 – 1300
Materials: glaze, stonepaste
Techniques: luster painting, overglaze
Location: iran
Subjects: zodiac
Nesting pigeon
Object type: figure
Date: 1732 – 1732
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: pigeons

Porcelain birds have their origins in the princely tradition of maintaining collections of living animals and birds in menageries and aviaries, which were viewed as microcosms of the universe, and emblems of royal power and enlightenment. These collections often included exotic birds such as parrots, admired for their rarity, as well as more familiar native species. In 1731 the Meissen manufactory began a new genre in European porcelain, producing several hundred life-size and near-life-size porcelain birds and animals, many destined for the Japanese Palace of Augustus the Strong, Elector of Saxony (1670–1733). To create them, factory modelers found inspiration in nature, looking both to living and stuffed specimens, as well as zoological illustrations and Asian porcelain precedents. The great Meissen modeler Johann Joachim Kändler is known to have copied from life the birds kept at the royal aviary at Schloss Moritzburg. Surviving prints and drawings of the period indicate that porcelain birds, animals, and vases were placed on gilt wood brackets arranged in decorative, symmetrical patterns. An eighteenth-century English visitor to the Japanese Palace, Jonas Hanway, described this manner of display: "The long gallery in the second story had already two marble chimney-pieces, each adorned with near 40 very large pieces of porcelain, of birds, beasts, and vases, ranged to the height of above 20 feet in a most superb taste…." [Elizabeth Sullivan, 2013]
Gezichten op de rivier de Brenta
Object type: print
Date: 1750 – 1760
Materials: paper
Techniques: etching
Location: venice
Artist: giovanni francesco costa
Artist role: draughtsman, painter, print maker
Artist dates:  – 1773
Subjects: river, hôtel, i.e. small palace in city, gondola

Gezicht op Palazzo del N. H. Bon aan de rivier de Brenta. Op het water varen twee gondels. Genummerd midden onder: LXIX en rechtsonder: Tom: I. Deze prent maakt deel uit van een album.
The Artist's Mother at a Table
Object type: print
Date: 1910 – 1910
Materials: ink
Techniques: etching, printing
Artist: umberto boccioni
Artist role: artist
Artist nationality: italian
Artist dates: 1882 – 1916
Subjects: portraits,women
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, right calf and foot, with anklet, of male with a knobby stick; Exterior, buttocks and thighs of male to left with a himation draped over his upper torso; wreathed female playing the aulos; right hand, forearm , and part of the right calf and foot of another figure
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 440 – 420
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, tendrils from handle ornament
Fotoreproductie van een tekening, voorstellende een portret van Alfred Tennyson
Object type: page
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Artist: john payne jennings
Artist role: fotograaf
Artist dates: 1843 – 1926
Subjects: alfred tennyson, portrait of a writer
Hanging Vase
Object type: hanging vase
Date: 1801 – 1900
Materials: clay, glaze
Culture: japanese
Pouch and Mirror
Object type: surimono
Date: 1825 – 1825
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: mirror writing
Inscriptions: collector's mark, passe-partout, bottom left, printed: JABdH with a rooster., collector's mark, verso, stamped: Lugt 2228

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Bruxelles. Grand'Place
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1913
Materials: cardboard
Techniques: photograph
Location: brussels
Artist: Anonymous
Subjects: square, place, circus, etc., city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Muse Seen from the Back
Object type: drawing and watercolor
Date: 1701 – 1800
Materials: chalk, paper
Techniques: drawing, stumping, wash
Location: italy
Artist: after raffaello sanzio, called raphael
Quarter Day from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
Object type: print
Materials: paper, steel
Techniques: printmaking, etching
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Sheet with floral and geometric borders
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Portret van een onbekende vrouw
Object type: photograph
Date: 1900 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘C. J. L./ VERMEULEN/ ATELIER/ VOOR/ MODERNE FOTOGRAFIE/ DEN HAAG/ TOUSSAINTKADE 11/ TELEFOON 1673./ UTRECHT/ NIEUWEGRACHT 50/ TELEFOON 750.’
Brief aan Philip Zilcken
Object type: letter
Date: 1914 – 1914
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: utrecht
Artist: n.j. singels
Artist role: leraar, schrijver
Artist dates: 1857 – 1931
Subjects: amsterdam, utrecht, print maker, elisabeth adriani-hovy, the hague, painter, philip zilcken, drawing, exhibition ~ art, printed matter
Inscriptions: collector's mark: ‘RPK’
Crowd Leaving a Theater (?)
Object type: drawing
Date: 1801 – 1900
Materials: chalk, graphite
Techniques: heightening
Artist: pierre-numa bassaget, called numa
Artist role: artist
Artist nationality: french
Artist dates: 1830 – 1854
Subjects: theatre,men,women,crowd
Portret van Charles de Marguetel de Saint-Denis
Object type: print
Date: 1652 – 1707
Materials: paper
Techniques: engraving
Location: france
Artist: gerard edelinck
Artist role: print maker
Artist dates: 1640 – 1707
Subjects: england
Inscriptions: collector's mark: Lugt 240, inscription: ‘No 390. ...-...-uit De la Coierts(?) Verk. te Leyden in Apr. (?) 1767’

Portret van Charles de Marguetel de Saint-Denis (1610-1703), heer van Saint-Évremond, afgebeeld in ovale omlijsting met Franse tekst en cartouche met bloem. Onder de lijst een Franse tekst van vier regels.
Untitled
Object type: photograph
Date: 1875 – 1899
Techniques: albumen print
Location: france
Plaque in the shape of a dragon
Object type: plaque
Date: 901 – 1100
Materials: jade
Culture: chinese
Subjects: dragons
Portret van Paulus Rode
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons

Prent maakt deel uit van een grotere prent die later is verknipt. Prent waarschijnlijk uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Square bottle with birds, flowering plants and pavilions
Object type: bottle
Date: 1700 – 1724
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, vitrification
Location: arita
Artist: Anonymous

Vierkante fles van porselein met een verguld, beschilderd op het glazuur in rood, groen, geel, paars, zwart en goud. Op de wanden tweemaal paviljoens op een eiland met rotsen en bloeiende planten (bamboe), een vogel op een tak, en tweemaal een vliegende vogel bij een prunustak en bamboe. Op de schouder een band met prunustakken en een bladmotief; rond de hals ranken. Op de hals een meanderpatroon. De rand is afgeslepen. Arita, in Europa gedecoreerd[?] in de Japanse Kakiemon-stijl.
Maskerade van de Leidse studenten, 1875 (plaat 7)
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Subjects: students' pageant, costumes used in pageants, leiden

Historische gekostumeerde optocht van de studenten van de Leidse Hogeschool gehouden op 15 juni 1875 ter gelegenheid van het 300-jarig bestaan van de Hogeschool. De optocht verbeeldt de beroemdste mannen verbonden aan de Hogeschool. Zevende plaat met de groepen genummerd 112-117. Onderdeel van de serie van 21 aaneen geplakte bladen.
Portret van David Pareus II
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: leiden
Subjects: adult man, historical persons

Prent uit: Gottfried, Johann Ludwig. Historische kronyck (...). Leiden: Pieter van der Aa, 1698. De prent maakt onderdeel uit van een grotere plaat met twaalf portretten.
Een profane in den tempel
Object type: cartoon
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: maastricht, print maker, jonkheer victor eugène louis de stuers, amsterdam, political caricatures and satires
Inscriptions: date

Spotprent op de onenigheid tussen Abraham Bredius en Victor de Stuers inzake de benoeming van Waller in het Mauritshuis. Het lichaam van de dode Bredius beweend door de pers, links F.G. Waller met de hoed in de hand, rechts kijken De Stuers en minister van Houten toe.
Ace of Spades, from the Transparent Playing Cards series (N220) issued by Kinney Bros.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: playing cards

Playing cards issued as trade cards from the series "Transparent Playing Cards" (N233), issued in 1888 to promote Kinney Bros. Cigarettes for Kinney Tobacco Company. Some card versos state that there are 52 cards included in the deck whereas other versos confirm the number at 53. Each card verso reads, "Hold to the light/ Read your fortune."
Kamp langs Lawaspoorlijn
Object type: photograph
Date: 1905 – 1910
Materials: photographic support
Techniques: photography
Location: suriname
Artist: augusta curiel
Artist role: fotograaf
Artist dates: 1873 – 1937
Subjects: jacob evert wesenhagen, railway, tramway; rack railway, suriname

Gezicht op de kamp langs Lawaspoorlijn. Foto in het fotoalbum over de aanleg van de Lawaspoorweg in Suriname in de jaren 1903-1912. Onderdeel van een groep objecten afkomstig van de familie Wesenhagen in Suriname.
An Academy of Painters
Object type: print
Date: 1600 – 1638
Techniques: etching
Artist: pierfrancesco alberti
Artist role: artist
Artist nationality: italian
Artist dates: 1584 – 1638
Subjects: painting,sculpture,skeletons,men,women

Prints representing academy scenes became more common after the first official art academy was established in Florence in 1563. At the Rome venue depicted here, masters (with beards and hats) instruct young artists. The masters teach the principles of disegno, which entails both the ability to render a drawing and the intellectual capacity to conceive its design. One master displays a sheet of sketches to two students at left, while another gives a lesson on geometry in the center. In the background on the right, a group examines a cadaver to learn about anatomy. The paintings and pieces of sculpture that adorn the back wall served as additional aids for the students.
Jeanne Granier (Rôle de Giroflé-Girofla)
Object type: photomechanical print
Materials: paper
Techniques: woodburytype
Location: france
Subjects: portrait of opera-singer
Inscriptions: inscription: ‘Journal hebdomadaire paraissant le jeudi Du 7 au 13 Janvier 1875’, number: ‘No 86’
Gezicht in Amsterdam, mogelijk de Dam met het Koninklijk Paleis
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: square, place, circus, etc. (+ city(-scape) with figures, staffage), royal palace of amsterdam
Inscriptions: annotation: ‘kerk’

Vooraan figuren en een paard. Op de achtergrond mogelijk het Koninklijk Paleis. Pagina 123 en pagina 124 uit een als schetsboek gebruikte agenda met 80 bladen.
Sampler
Object type: sampler
Date: 1790 – 1790
Materials: linen, silk
Culture: mexican
Location: spain
Scherven van roodbakkend aardewerk uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: earthenware
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven van roodbakkend aardewerk uit V.O.C.-schip de 'Witte Leeuw'
Portret van Johann Moritz Hoffmann
Object type: print
Date: 1697 – 1765
Materials: paper
Techniques: engraving
Artist: johann adam delsenbach
Artist role: print maker
Artist dates: 1687 – 1765
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk gebruikt in: Fränckische Acta erudita et curiosa (...). Neurenberg: erven Wolfgang Moritz Endter en Julius Arnold Engelbrecht, 1726, dl. 3.
Nightgown with Lace Yoke
Object type: nightgown
Date: 1925 – 1930
Materials: cotton, silk
Techniques: lace, embroidered, pleated
Location: brussels
Artist: madame watrigant
Artist role: lingère
Inscriptions: monogram: ‘AU in krans’

The yoke of this nightgown consists of strips of bobbin lace, while the rest is made of pleated silk (crêpe de Chine). Pleating is a technique whereby fabric is pressed into semi-permanent folds. Mrs Brusse sent everything in need of re-pleating to Brussels; according to her, this could not be done well in the Netherlands.
Three gardeners at work in Chennai, Tamil Nadu, India
Object type: page
Date: 1865 – 1875
Materials: photographic support
Techniques: albumen print
Location: chennai
Artist: Anonymous
Subjects: gardening, picking fruit, human races; peoples; nationalities
Inscriptions: number: ‘449.’, inscription: ‘MALLEES./ HINDOOS./ MADRAS.’
Tumbler
Object type: tumbler
Date: 1800 – 1900
Materials: glass, textile
Techniques: glassblowing
Length
Object type: length
Date: 1880 – 1889
Materials: silk
Subjects: flowers
Devoted Love (valentine)
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: hand coloring, lithograph
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Gezicht op de Cathédrale de Saint-Louis-des-Invalides
Object type: photograph
Date: 1890 – 1898
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: edouard hautecoer
Artist role: publisher
Artist dates: 1847 – 1904
Subjects: church (exterior)
Inscriptions: inscription: ‘433/ Paris. Ed. H./ Eglise des Invalides’, retailer's mark: ‘E. Hautecoeur/ Estampes Photographies/ 35 Avenue de l'Opéra, 35/ Paris’
Die heilige Familie
Object type: print
Date: 1871 – 1934
Materials: paper
Techniques: engraving, etching
Location: vienna
Subjects: holy family, and derived representations, stay of the holy family in egypt
Inscriptions: collector's mark: Lugt 2228
Milk Pot
Object type: cream pot
Date: 1850 – 1850
Materials: silver
Culture: american
Location: united states
Artist: john c. moore
Artist role: maker
Artist nationality: american
Artist dates: 1799 – 1874
Subjects: grapes,flowers

In 1850, Marshall Lefferts, president of the New York and New England and the New York State telegraph companies, was presented with "a splendid service of plate" to honor his construction of telegraph lines from New York to Boston and Buffalo. It was designed by John C. Moore in the "modern French" style, with floral chasing and rusticated castings. Surmounting the kettle is a figure of Zeus holding lightning bolts—an allegory of electricity.
Kiritsubo, from the series "Fifty-four Chapters of the Tale of Genji (Genji monogatari gojuyonjo)"
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Half Model of a Lugger
Object type: half model
Date: 1780 – 1810
Materials: wood
Location: netherlands
Artist: Anonymous
Inscriptions: label, bottom right: ‘386’ former inventory label, inscription, top centre, on a rectangular black label: ‘LOGGER: / LANG. 66 7/12 Vt.’
Dish
Object type: dish
Date: 1534 – 1566
Materials: glaze, stonepaste
Techniques: painting
Location: turkey
Yori dai ni Ryojun shôgeki Hayatori asagiri yûsen zu
Object type: print
Date: 1904 – 1904
Materials: paper
Techniques: woodcut
Location: japan
Subjects: sinking (movement in water), battle (+ naval force), firearms: cannon
Inscriptions: collector's mark: Lugt 2228, number: ‘1797 N: 1 i’

De twee Japanse oorlogsschepen brengen Russische schepen tot zinken. Dit was de tweede aanval van Japan op de Russische vloot in de Gele Zee en vond plaats op 11 februari 1904, tijdens de Russisch-Japanse Oorlog (1904-1905).
Presse-papier met een portret van een onbekend meisje leunend tegen een stoel
Object type: paperweight
Date: 1870 – 1900
Materials: glass
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman, girl (child between toddler and youth)
Inscriptions: inscription: ‘albumine (repro?)’

Rechthoekige glazen presse-papier met een portret van een onbekend meisje leunend tegen een stoel.
Coeffure en Chapeau blanc
Object type: fashion print
Date: 1781 – 1781
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: corsage (+ women's clothes), ear-rings (+ women's clothes), border, ribbon, braid (+ women's clothes), head-gear (straw hat) (+ women's clothes), styles of hairdress - aa - ~ women, fashion plates, pearl; pearl necklace (+ women's clothes)
Inscriptions: caption: ‘Coeffure en Chapeau blanc de paille bordé d'un ruban de couleur ceint d'un ruban large avec une rosette par devant il est orné de fleurs et recouvert de cheveux lisses sur une toque basse du devant et fort en arrierre deux boucles et un favori Chignon lâche et deux boucles pendantes par derriere.’, title: ‘38e Cahier des Costumes Français.9e Suite des Coëffures à la mode en 1781’, address: ‘A Paris chez Esnauts et Rapilly rue St. Jacques a la Ville de Coutances. Avec privil. du Roi.’

While this print is actually all about the lady’s coiffure, her jewellery is just as interesting. Her plain gold earrings differ greatly from the large gemstone-set variations popular earlier in the 18th century. Hanging from the strand of pearls is a portrait medallion with either a likeness of a loved one or possibly a cameo from classical antiquity.
Portret van Christian Wolff
Object type: print
Date: 1755 – 1755
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: bookshelves, historical persons, book, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228