deem-data/ArtiFact huggingface dataset:
Pueblo Vase
Object type: metalwork
Date: 1893 – 1893
Materials: enamel, gemstone, silver
Techniques: inlay
Location: new york city
Artist: george paulding farnham
Artist nationality: american
Artist dates: 1859 – 1927
Inscriptions: Marked on bottom: TIFFANY & CO. / 11181T3169 / STERLING
Engraved on body: Souvenir of America from Nellie
Vrouw wijst naar een bed terwijl een man haar boezem betast
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: etching, letterpress printing
Artist: cornelis huyberts
Artist role: print maker
Artist dates: 1669 – 1709
Subjects: brothel, whore, prostitute, prostitution
Inscriptions: stamp, collector's mark: Lugt 1641

Prent uit: Graauwhart, Hendrik. Voorbeeldelyke zeede-lessen, genoomen uyt den eersten toestand des werelds (...). Amsterdam: Johannes Ratelband, 1725. Prent ook gebruikt voor eerdere en (1709) latere uitgave (1756, 1761 en 1764).
Liedverkoper
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: engraving
Subjects: street-trader, ballad singer, ballad seller - cc - out of doors
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Een man met een hoed en een lange jas met in zijn linkerhand een lange stok waaraan gedrukte liederen bevestigd zijn. Met zijn rechterhand houdt hij het uiteinde van het papier vast.
Welgesteld gezelschap in een vertrek
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: visiting; receiving guests; elegant company, interior of the house, house personnel, servants
Inscriptions: collector's mark: Lugt 2228

Een welgesteld gezelschap bevindt zich in een gemeubileerd vertrek. Op de voorgrond voegt een heer zich bij twee dames die met elkaar in gesprek zijn. Links zitten enkele figuren aan een tafel, hierachter staat een aantal bedienden opgesteld.
Verheffing van Willem IV, prins van Oranje-Nassau tot stadhouder
Object type: insignia
Date: 1747 – 1747
Materials: metal
Techniques: casting, engraving, gilding
Location: netherlands
Artist: Anonymous
Subjects: the hague, willem iv (prins van oranje-nassau)

draagteken binnen sierrand onder kroon aan draagoog. Voorzijde: wapenschild binnen gegespte riem met opschrift. Keerzijde: opschrift
Vinaigrette in the Form of a Hunting Horn
Object type: metalwork
Date: 1870 – 1871
Materials: silver, silver gilt
Location: london
Daniël in de leeuwenkuil
Object type: album leaf
Date: 1645 – 1646
Materials: paper
Techniques: woodcut, pasting
Location: amsterdam
Artist: pieter jacobsz. paets
Artist role: publisher
Artist dates: 1587 – 1667
Subjects: the prophet habakkuk, carried by his hair by an angel, brings food to daniel who sits unharmed between the lions, daniel's punishment and liberation: daniel in the lion's den ~ king darius

De prent werd gemaakt voor de uitgaven van P.J. Paets uit Amsterdam. Ze komt in ieder geval voor in: Bibels Tresoor ofte der zielen lusthof. Amsterdam, P.J. Paets, 1646. Mogelijk ook in: Historien ende Prophetien. [Amsterdam], P.J. Paets, 1645.
Somige Eenvoldige Vruchten en Spitsen
Object type: titelblad, titelpagina
Date: 1611 – 1611
Materials: paper
Techniques: etching
Location: amsterdam
Artist: michiel le blon
Artist role: print maker
Artist dates: 1587 – 1656
Inscriptions: date

Titelblad uit serie van 14 bladen met voorbeelden voor gegraveerde decoratieranden van bekers in de vorm van driehoeken bestaande uit ranken, Schweifwerk, guirlandes met putti, dieren, vogels en maskers.
Support of a Tangent Sight
Object type: demonstration model
Date: 1860 – 1870
Materials: brass, iron
Location: netherlands
Artist: Anonymous
Inscriptions: inscription, near the screw, stamped: ‘G / vL 2’, inscription, centre, stamped: ‘2 KUST’

Opzetsteun die tegen de achterkant van de slotverhevenheid gemonteerd wordt, met een haak in een vierkante inkeping in de slotsteun grijpend en van achter met een schroef aangedraaid. De opzetstang wordt in een nok acherop de steun geplaatst, naar voren hellend, en kan op en neer bewegen. Het opschrift verwijst naar geschut voor een kustbatterij. De twee opzetstangen, beschreven onder nr. NG-MC-1889-29, passen in deze steun. Demonstratiemodel of proefmodel.
Marton
Object type: print
Date: 1776 – 1776
Techniques: engraving
Artist: pierre antoine baudouin
Artist role: artist
Artist nationality: french
Artist dates: 1723 – 1769
Utrechtse drie gulden, 1793
Object type: coin
Date: 1793 – 1793
Materials: silver
Techniques: striking
Location: utrecht

Zilveren munt. Voorzijde: tussen waarde-aanduiding gekroond generaliteitswapenschild. Keerzijde: Nederlandse maagd met vrijheidshoed en speer, leunend op een bijbel op een altaar. In afsnede jaartal. Kabelrand.
Fotoreproductie van de gravure Les scieurs de long
Object type: reproduction
Date: 1855 – 1860
Materials: paper
Techniques: albumen print
Artist: edmond fierlants
Artist role: fotograaf
Artist dates: 1819 – 1869
Subjects: angels, sawing (industrial process)
Jupiter and Juno on Mount Ida
Object type: print
Techniques: etching, printing, engraving
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Lady Elizabeth Montagu
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: mezzotint
Location: london
Subjects: historical persons - bb - woman
Inscriptions: collector's mark: Lugt 240
Indo-Persian carpet with repeat pattern of vine scrolls and palmettes
Object type: carpet
Date: 1651 – 1700
Materials: cotton, wool
Culture: indo-persian
Brief aan August Allebé
Object type: letter
Date: 1905 – 1905
Materials: ink
Techniques: pen, writing
Location: paris
Artist: annie ermeling
Artist role: draughtsman, print maker, sculptor
Artist dates: 1865 – 1932
Subjects: august allebé, maastricht, the hague, print maker, draughtsman, jonkheer victor eugène louis de stuers, artist's model, sitter, sculpture, painting (including book-illumination, miniature-painting), workshop, studio of the artist (in general), historical persons (portraits and scenes from the life), money
Rattle
Object type: rattle
Date: 1873 – 1873
Materials: bone, cord
Culture: native american
Location: costa rica
Fragment of relief plaque with a child god, inscribed on reverse
Object type: sculptor's model votive, fragment, child, god, inscribed
Date: 500 – 200
Materials: limestone
Location: egypt
Subjects: hands

Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or unfinished way but are themselves finished objects constitute a special class of object. Guidelines like those for artists are often prominently exhibited as part of the object, although, in fact, many instances can be noted where the object simply could not serve as a suitable model for a traditional formal Egyptian representation. Personifications of kingship, figures that may represent the now emerging demigods Imhotep and Amenhotep Son of Hapu, and popular gods like Harpokrates or Isis, are heavily represented within the corpus. Taken together, the figures represented and the other features indicate the reliefs and sculptures of this class, sometimes called by Egyptologists "sculptor’s models / votives," were the material of a donation practice, perhaps connected with the prolific temple building of these centuries. Unfortunately there is little to illuminate us about the mechanics of such a donation practice. On one side of this plaque was a child god, recognizable by the thumb raised to the area of the mouth. On the rear is the beginning of a divine recitation making this a rare example of an inscribed sculptor's model / votive.
Citenne Pisane
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Christus te midden van de leraren: wijsheid
Object type: print
Date: 1585 – 1588
Materials: paper
Techniques: engraving
Location: munich
Subjects: christ's dispute with the doctors in the temple; he counts his arguments on his fingers, wisdom, 'sapientia' ~ one of the seven gifts of the soul
Inscriptions: number: ‘58’, collector's mark: Lugt 2228

De twaalfjarige Christus tussen de schriftgeleerden in de tempel. De derde prent van een achtdelige serie met scènes uit het leven van Christus die zijn belangrijkste deugden verbeelden.
Napoli
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: napoli
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: courtyard
Inscriptions: number: ‘K 25.’, number: ‘No 202’

Het atrium van het karthuizerklooster San Martino in Napels.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, lower legs of male to left; in between the legs, one letter of an inscription, pi; Exterior, feet of figure to left
Meiping vase with flowers
Object type: vase
Date: 1101 – 1300
Materials: stoneware
Techniques: painting
Culture: chinese
Hendrik Zijlstra benoemd tot stadsmetselaar te Leeuwarden 1732
Object type: history medal
Date: 1732 – 1732
Materials: brass
Techniques: engraving
Inscriptions: circumscription: ‘Hend'k Zijlstra is den 21 April 1732 Stadts Metselaar Geworden.’

Tweezijdig gegraveerde ronde plaat messing, op de voorzijde een gekroonde schutspatroon met staf en schietlood, in een landschap met bouwwerken, op de keerzijde een landschap waarboven de bouwtekening van een ronde boog, met omschrift.
Paleis met binnenplaats en colonnade rondom binnenplaats
Object type: print
Date: 1562 – 1562
Materials: paper
Techniques: etching
Location: southern netherlands
Subjects: colonnade, palace
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee prenten op een blad. Boven: Een paleis met een binnenplaats en een voorplein met een fontein in semi-vogelvlucht. Rechts op de voorgrond staat een man met een paard. Onder: Een colonnade rond een open binnenplaats. Onder de galerij lopen drie mensen, een vierde staat links achter de hoekzuil.
De Passie
Object type: print
Date: 1619 – 1619
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)
Inscriptions: collector's mark: Lugt 2228

Prent uit serie van twaalf prenten met scènes uit de Passie. Reeks geïnspireerd door de prenten van Hendrick Goltzius en Lucas van Leyden.
Plans Raisonnés de Toutes les Espèces de Jardins
Object type: book
Date: 1820 – 1820
Techniques: hand coloring, lithograph
Artist: gabriel thouin
Artist role: designer
Artist nationality: french
Artist dates: 1747 – 1829
Subjects: gardens
Plate (assiette à palmes) (1 of 102) (part of a service)
Object type: plate
Date: 1787 – 1787
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: roses
Paedagogi habitus, qui Christianam prolem in disceplinam acceperit; Proles Christiana Turcorum Imperatori tributa; Assamoglani habitus, qui ad militiam se instituit; Asmoglam vestituis qui ad agriculturam exercetur
Object type: book print ornament architecture
Date: 1580 – 1580
Techniques: engraving
Location: mechelen (malines)
Artist: abraham de bruyn
Artist role: artist
Artist nationality: flemish
Artist dates: 1540 – 1587
Subjects: musical instruments,men

Engraving, part of 'Omnium pene Europae, Asiae, Aphricae atque Americae Gentium Habitus' (Costumes of the various nations of Europe, Asia, Africa and America), a series of prints representing figures from various parts of the world, engraved by Abraham de Bruyn and published by Joos de Bosscher in 1580. This engraving represents a pedagogue, a Turkish Christian's son, a soldier and an agricultor from Assam. On the left, the pedagogue wears a brocaded robe with arabesques under an overcoat with three-quarter sleeves and lined with thin, diagonal stripes, and a hat with a pattern of lozenges and pearls on the band, and a scrolling panel on the back. He holds a scroll of paper in his hands, and carries a sword (?) inside his overcoat. The points of his shoes peek at the bottom of the robe. The son of a Turkish Christian wears an asymmetrical jacket with long sleeves and fabric belt over long, tight trousers and flat shoes. He wears an elongated hat with a scarf around the head, with a bundle of flowers on the right side. He carries a sword on his left hip and plays a guitar. The soldier from Assam wears a long-sleeved robe and a striped belt with fringed edges, which holds a knife at his waist, and low-heeled, pointed-toe boots. He has a brimless, pointed hat on his head and mustache with scrolling tips. On his left shoulder he carries a halberd. The agricultor from Assam wears a fur-lined, short-sleeved jacket over a long-sleeved shirt with a fabric belt around the waist, tight, long trousers, and low-heeled, pointed-toe shoes. He carries a knife in his belt, and wears an elongated hat without brim.
Edo Geisha, from the series "A Guide to Women's Contemporary Styles (Tosei onna fuzoku tsu)"
Object type: print
Date: 1801 – 1802
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
The Battle of Arcul
Object type: print
Date: 1767 – 1774
Techniques: engraving, etching
Artist: benoit louis prevost
Artist role: artist
Artist nationality: french
Artist dates: 1747 – 1804
Subjects: battles,soldiers,horses

This print shows the Battle of Arcul. The Khoja, after having lost the battle of Qoš-qulaq, fled to Arcul and were once again defeated by Chinese troops, mostly cavalry, who are shown here routing the enemy. Part of a set of sixteen, "The Battle of Arcul" was commissioned by the Qianlong Emperor in 1765 to commemorate Manchu victories (1755-59) over the Eleuths, the Dzungars, and other Central Asian peoples in the present-day region of Xinjiang. Made under the direction of Charles-Nicolas Cochin (1715-1790), the prints, which follow reduced-scale copies of paintings by Jesuit artists working in Beijing, were etched and engraved in France from 1767 to 1774 by the finest printmakers at the court of Louis XV. The Chinese merchants of Canton (present-day Guangzhou) paid for the copper plates and two hundred sets of prints to be delivered to China, with only a few sets retained in Paris. The prints exemplify the fusion of Eastern and Western representational styles fostered within the Qing imperial painting academy. The European technique of chiaroscuro-the modeling of forms through the use of light and shading-has been visibly tempered, as has the use of one-point perspective. Instead, the scenes present panoramic views and strongly up-tilt ground planes. At the same time, howevery, they reflect European preferences for anatomical accuracy, a single light source, and the mathematically correct reduction of scale to create the illusion of recession.
Splendore delle virtuose giovani, page 12 (verso)
Object type: book print ornament architecture
Date: 1564 – 1564
Techniques: woodcut
Location: italy
Artist: iseppo foresto
Artist role: designer
Artist nationality: italian
Artist dates: 1520 – 1580

Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice. From top to bottom, and left to right: Design composed of 3 vertical columns printed upon a grid. Left column is decorated with 2 curving vines that attach to an urn in the center. Middle column is decorated with a central element resembling 2 overlapping 'X's that is flanked on both sides by foliage. Right column is decorated with curving vines and leaves that surround a central diamond element.
The Entombment of Christ
Object type: tazza
Date: 1536 – 1536
Techniques: maiolica, glazing
Artist: fra xanto avelli da rovigo
Artist role: artist
Artist dates: 1486 – 1582
Subjects: sadness,men,women,christ,entombment
Ornament, flower-shaped mount for stone base
Object type: ornament, flower shaped mount for stone base
Date: 7000 – 330
Materials: gold
Subjects: flowers
Belt Buckle
Object type: belt buckle
Date: 601 – 700
Materials: iron, silver
Techniques: inlay
Culture: frankish
Semarang. Nieuwe Semarang met Kampongaanleg
Object type: photograph
Date: 1900 – 1900
Materials: paper
Techniques: photography
Location: semarang
Artist: otto hisgen
Artist role: fotograaf
Artist dates: 1874 – 1944
Subjects: dutch east indies, the

Eén van zes briefkaarten, foto's in bruin, stadsgezichten van Nieuw-Semarang; achterzijde onbeschreven. Semarang ligt op midden-Java. Opmerking: zie NG-1011-A t/m F.
Designs for Two Vases
Object type: drawing
Date: 1701 – 1800
Materials: chalk
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: animals,male nudes,vases
Sugar bowl with cover
Object type: sugar bowl with cover
Date: 1740 – 1745
Materials: soft paste porcelain
Techniques: glazing
Artist: chantilly
Artist role: factory
Artist nationality: french
Subjects: flowers
Portret van Johannes Carloni
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: satyrs, fauns, sileni, historical persons, shrubs: rose-bush

Prent mogelijk uit: Füssli, Johann Caspar. Geschichte der besten Künstler in der Schweitz. Zürich: Orell, Füssli & Co., 1774, dl. 4.
Gezicht op het Ca' d'Oro te Venetië
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: carlo naya
Artist role: fotograaf
Artist dates: 1816 – 1882
Subjects: ca' d'oro
Salt spoon
Object type: salt spoon
Date: 1801 – 1900
Materials: gilt, silver
Paar handschoenen behorend tot de uitrusting van een sappeur van de 1e Afdeling Noord-Hollandse Schutterij
Object type: glove
Date: 1800 – 1830
Materials: leather
Location: netherlands
Artist: Anonymous
Subjects: noord-hollandse schutterij

Een paar handschoenen van wit leer. Afkomstig van de uitrusting van een sappeur van de 1e Afdeling Noord-Hollandse Schutterij.
Waterput met een afdak
Object type: sketchbook leaf
Date: 1860 – 1865
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: well

Blad 20 recto uit een schetsboek met 55 bladen.
Spotprent op het aftreden van Zadok van den Bergh als wethouder van Amsterdam
Object type: cartoon
Date: 1910 – 1910
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: oss, politician, e.g. party leader, political caricatures and satires, amsterdam
Inscriptions: collector's mark: ‘19,129’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan regeringsleden en hunne huisgezinnen [na 1800].
Seven Sages of the Bamboo Grove
Object type: handscroll
Date: 1844 – 1844
Materials: ink, paper
Culture: chinese
Artist: liu yanchong
Artist role: artist
Artist nationality: chinese
Artist dates: 1808 – 1847
Model of Standing Offical
Object type: figure
Date: 1271 – 1368
Materials: stoneware
Culture: chinese
Subjects: animals,birds,houses,men
Panel from a Tent Lining (Qanat)
Object type: panel
Date: 1601 – 1700
Materials: cotton
Techniques: dyeing, painting, weave, resist
Location: india
Subjects: flowers,plants,leaves

The size, shape, and design of this panel tell us that it was probably once joined to a series of similar panels that would have enclosed an outdoor space. These textiles, known as qanats, were used in gardens within the palace compound and for camping during overland journeys. The central motif of a flowering plant is a fantastic hybrid of blossoms including irises and Chinese lanterns.
Flower Brooche
Object type: brooch
Date: 1945 – 1953
Materials: stone, diamond, gold, pearl, gemstone
Techniques: faceting, grinding
Location: the hague
Inscriptions: alloy mark: ‘(oud) eikenblad’, maker's mark: ‘V.Z.K.’

Broche van roodgoud met drie bloemen van blauwe chalcedoon. De bovenste bloem heeft als hart een rondgefacetteerde robijn, de bloemen daaronder hebben elk één parel. Aan het ondereind van de stelen zitten direct boven elkaar diamanten. De broche is voorzien van een kanonsluiting.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, bit of satyr with pelt?
Legging van de eerste steen van de Jezuietenkerk te Brussel door Albrecht en Isabella van Oostenrijk, penning gelegd onder fundamenten van nieuwbouw
Object type: copy
Date: 1600 – 1600
Materials: bronze
Techniques: casting
Artist: Anonymous
Subjects: infante van spanje isabella clara eugenia, brussels, albrecht aartshertog van oostenrijk

Bronzen penning. Voorzijde: kapel tussen opschriften. Keerzijde: opschrift.
Portret van Lorenz Oken
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons
[Hatti Kana-The Elephant Camp]
Object type: photograph
Date: 1858 – 1861
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: tents,elephants,camps
The Hurdy-Gurdy Player
Object type: print
Date: 1649 – 1658
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: cornelis visscher
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1658

A professional engraver and drafstman, Cornelis Visscher made almost two hundred engravings in his short life, both from his own design and after other artists, as in this example.
Collar
Object type: collar
Date: 1801 – 1833
Materials: linen
Culture: croatian
Dalmatic with the Sudarium
Object type: vestment
Date: 1570 – 1570
Materials: linen, silk, wool
Subjects: christ
Miniature saucer (one of five) (part of a set)
Object type: miniature saucer
Date: 1800 – 1800
Materials: soft paste porcelain
Studies van karpers
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: bony fishes: carp
Inscriptions: number: ‘1052’
Brief aan Ernst Willem Jan Bagelaar
Object type: letter
Date: 1820 – 1820
Materials: ink, paper
Techniques: pen, writing
Artist: jan willem pieneman
Artist role: draughtsman, painter, print maker
Artist dates: 1779 – 1853
Subjects: ernst willem jan bagelaar, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘KONINKLIJKE BIBLIOTHEEK’, watermark, collector's mark: Lugt 2233
Netsuke: Mask of Unhappy Old Man
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: masks,sadness,men
Covered box with a portrait of Charles III of Spain
Object type: box
Date: 1875 – 1899
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Subjects: karel iii (koning van spanje (1716-1788)
Inscriptions: inscription: ‘CAROLUS III DEI GRATA 1802’, inscription: ‘HISPAN ET IND REX A 8 REHO’

Doos met geribde zijden en een gewelfd deksel op een voetring. Gedecoreerd in emailkleuren. Op de bovenkant een portret van Karel III van Spanje, op de onderkant het wapen van Karel III. Rondom het portret de inscriptie CAROLUS III DEI GRATA 1802. Rondom het wapen de inscriptie HISPA ET IND REX A 8 REHO. Aan de binnenkant van de deksel en de doos een bloem in een gele emailkleur.

Het voorbeeld van de afbeeldingen voor deze doos was een zilveren Spaanse reaal. Vanaf de late Middeleeuwen was de reaal een veelgebruikt betaalmiddel.

De kleuren en de manier waarop deze zijn aangebracht roepen vragen op: het zou een 19de-eeuwse kopie kunnen zijn, vervaardigd in de fabriek Samson te Parijs. Deze fabriek was gespecialiseerd in het namaken van oosters porselein.
Gevelsteen met afbeelding van een gezenkt trapezium waarop tedkst: DOOR GOODES SEEGEN HEB IK HET AL VERKREEGEN A 1773.
Object type: gable stone
Date: 1773 – 1773
Materials: stone
Location: netherlands
Inscriptions: date

Trapezium met ingezwenkte zijkanten, waarop de tekst DOOR GOODES SEEGEN HEB IK HET AL VERKREEGEN A 1773.
Plate 2: A cannon to the left, a town in the background, from "Various Military Caprices" (Varii capricci militari)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: military,cannons