deem-data/ArtiFact huggingface dataset:
Document behorend bij een horloge
Object type: document
Date: 1750 – 1800
Materials: paper
Location: rotterdam
Inscriptions: mark: ‘PP boven ster in hart’, retailer's mark: ‘H.C. Fehr horlogemaker. Hoofdsteeg 11-136. Op de hoek van de houttuin, vroeger Steiger, Rotterdam in horlogien, pendules, muziekwerken, klokken.’

Groen papier, dat ingeplakt was in de kast: H.C. Fehr horlogemaker. Hoofdsteeg 11-136. Op de hoek van de houttuin, vroeger Steiger, Rotterdam in horlogien, pendules, muziekwerken, klokken.
Inro
Object type: inrō
Date: 1700 – 1800
Materials: lacquer, wood
Location: japan
Artist: Anonymous
Subjects: waxing moon, i.e. facing this way: )

Decoratie met suzuki-gras in goud tegen een zwarte achtergrond. Tevens een maansikkel in zilverlak en een gedicht. Vijf doosjes met touw verbonden.
Brabantia, Gulick et Cleve
Object type: map
Date: 1611 – 1612
Materials: paper
Techniques: engraving, letterpress printing
Location: duisburg
Subjects: maps of separate countries or regions, brabant
Inscriptions: collector's mark: Lugt 2228

Kaart van het hertogdom Brabant, Gulik en Kleef. Zonder titel in kaartbeeld. De kaart is voorzien van een gradenverdeling langs de randen. Met Latijnse tekst op verso.
Ornamenti di fabriche antichi et moderni dell' alma citta di Roma
Object type: print
Date: 1576 – 1618
Materials: paper
Techniques: etching
Location: rome
Subjects: obelisk, needle, church (exterior), rome
Inscriptions: number: ‘46’

De Colonna della Pace (obelisk) op het Piazza di Santa Maria Maggiore voor de Santa Maria Maggiore te Rome. Italiaanse tekst in ondermarge. Prent maakt deel uit van een album.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, head, part of upper torso, and extended arm of filleted woman with himation
Doggersbanklint
Object type: hatband
Materials: silk
Techniques: etching, hand coloring
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, personifications of countries, nations, states, districts, etc., battle (+ naval force), grave, tomb and other grave-forms and grave-markers, netherlands
Inscriptions: inscription: ‘Doggers-Bank / Om Bentink dat ik Treur’

Een Nederlands fregat met een vlag waarop staat 'Batavier' en een erezuil voor Baron Bentinck waarnaast de treurende Nederlandse Maagd staat. Verwijzing naar de overwinning in de zeeslag bij Doggersbank op 5 augustus 1781 tussen de Nederlandse en de Engelse vloot en het overlijden van Wolter Jan Gerrit baron Bentinck op 23/24 augustus 1781. Voorstelling op een zijden lint dat als versiering aan de hoed werd gedragen.
Apostel Petrus met sleutels
Object type: print
Date: 1591 – 1629
Materials: paper
Techniques: engraving
Subjects: the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara
Inscriptions: collector's mark: Lugt 240

Apostel Petrus met sleutels en visnet. Op de achtergrond de stad Rome met de Engelenburcht. Onder de voorstelling staat een Latijnse regel uit de apostolische geloofsbelijdenis.
Johannes de Doper als kind
Object type: print
Date: 1624 – 1650
Materials: paper
Techniques: engraving
Subjects: john the baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff - early life of male saint

Johannes de Doper als kleine jongen, zittend onder een boom, kruisstaf in de rechterhand, zijn linkerarm geslagen om het lam dat naast hem ligt. Heuvellandschap in verschiet. Met onderschrift in Latijn. Deze prent maakt deel uit van een album.
Fonts baptismaux, XIIIe Siècle
Object type: photomechanical print
Date: 1881 – 1889
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: interior of church, baptismal font
Inscriptions: inscription: ‘FONTS BAPTISMAUX en pierres (...)’, monogram: ‘JJvY’, inscription: ‘FONTS BAPTISMAUX. PL. 2.’
Choir screen panel (one of six)
Object type: choir screen panel
Date: 1508 – 1510
Materials: wood
Techniques: carving
Artist: nicolas castille
Artist role: maker
Artist dates: 1503 – 1521
Subjects: human figures,birds,horses

These panels constitute an early example of the French use of the ancient candelabra motif, favored in Italy, in which abstract ornament, fantastic beings, fruits, and foliage are combined in a vertical arrangement. The roundels at the bottom feature pairs of figures or scenes, such as Saint George slaying the dragon and a musician performing with his dancing dog next to a woman holding a monkey, as well as a profile portrait of the patron, Cardinal Georges d’Amboise (1460–1510). The panels were originally part of a screen separating the choir from the rest of the chapel at the cardinal’s celebrated château de Gaillon in Normandy. The Rouen woodworker Colin Castille supervised the carving of the panels, one of which is based on a design by Giovanni Pietro da Birago (act. 1490-1513).
Wagonette Break (no number)
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ceramic Fragment
Object type: ceramic fragment
Date: 1301 – 1400
Materials: glaze, stonepaste
Techniques: painting, polychrome, underglaze
Location: syria
Male and Female Attendants
Object type: talatat, attendant
Date: 1353 – 1336
Materials: limestone, paint
Subjects: men,women
Two Tahitian Women in a Landscape
Object type: drawing and watercolor
Date: 1892 – 1892
Materials: gouache, graphite, ink, paper, paint, watercolor
Techniques: brush
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Subjects: century of progress, world's fairs, chicago world's fairs
Portret van Lambert Tinholt
Object type: page
Date: 1855 – 1867
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons
Sculptuur van de badende Venus
Object type: page
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Location: dornach
Artist: Anonymous
Subjects: sculpture
Inscriptions: inscription: ‘Bulletin de l'Association Belge de Photographie/ Médaillé au concours de 1878.’
Uithuwelijking van de meisjes op Chios aan de beste zwemmer
Object type: print
Date: 1681 – 1681
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: swimming (movement in water), ideal husband
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in deel I van: Thevenot, Jean de. Gedenkwaardige en zeer naauwkeurige reizen van den heere de Thevenot. Amsterdam: Jan Bouman, 1681-1682.
Staande figuur op een pad
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: road, path, landscapes (+ landscape with figures, staffage)

Op de achtergrond een bos. Blad 24 verso uit een schetsboek met 33 bladen.
Ehon fudetsu bana (0010-0012)
Object type: book
Date: 1747 – 1747
Techniques: woodblock print
Location: japan
Artist: nishikawa sukenobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1671 – 1750
Hair accessory
Object type: hair accessory
Date: 1800 – 1850
Materials: metal
Culture: american or european
Wandarm van zilver
Object type: sconce
Date: 1727 – 1742
Materials: silver
Location: amsterdam
Artist: willem van strant
Artist role: silversmith
Artist dates: 1682 – 1742
Inscriptions: maker's mark: ‘VS (Citroen, nr. 899)’, town mark: ‘kleine stadskeur Amsterdam’

Wandarm van zilver, schildvormige wandplaat met centraal ovaal, met in en uitzwenkende omtrek met getrembleerde rand. S-vormige arm met gladde ronde kaarshouder en vetvanger. Hierbij hoort een tweede exemplaar (A).
Sheet with overall diamond pattern
Object type: print
Date: 1767 – 1866
Techniques: relief print
Artist: Anonymous
Artist role: artist
Madonna and Child
Object type: sculpture
Date: 1490 – 1500
Materials: gold, paint, plaster
Techniques: gilding, modeling, painting, relief, carved
Location: italy
Artist: workshop of neroccio de' landi
Artist nationality: italian
Artist dates: 1447 – 1500
Subjects: virgin and child/madonna and child, virgin mary, jesus, mother, mother and child, children, babies, boys, religion, religious, religious figures, nudes, landscape, devotion, christian subjects, christianity
Portret van Balthasar van Bijma
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: balthasar van bijma
Inscriptions: collector's mark: Lugt 240

Prent gebruikt in: Johan Picardt, Korte beschryvinge van eenige vergetene en verborgene antiquiteten der provintien en landen gelegen tusschen de Noord-zee, de Yssel, Emse en Lippe. Amsterdam, 1660.
Un soir en Bretagne
Object type: print
Date: 1928 – 1928
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: sailing-ship, sailing-boat, rocky coast
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 5i

Vier zeilschepen langs de kust van Bretagne. Op de voorgrond rotsen.
Fibula, serpentine type
Object type: fibula, serpentine type
Date: 700 – 501
Materials: bronze
Culture: italic

Only part of the bow is preserved; it has two loops and four pairs of bosses.
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: butterflies
Kitchen Interior
Object type: print
Date: 1600 – 1624
Techniques: engraving
Artist: david vinckboons
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1576 – 1629
Subjects: food,kitchens,girls,men,women,peacocks,dogs
Paperweight
Object type: glass
Date: 1801 – 1900
Materials: glass
Location: saint-louis-lès-bitche
Artist: saint-louis glassworks (cristalleries de saint-louis)

Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying and classifying the natural world. Amateur botanists were eager to collect and preserve floral specimens, which they intently researched and catalogued. In response to this broad appeal, French glassmakers made paperweights that portrayed the very botanical subjects that were so enthusiastically sought. Many weights represented specimens with horticultural correctness, but others were entirely fanciful creations. Paperweights like this example speak to the period’s fascination with taxonomic systems.

From the late 1840s to early 1860s, French manufacturers of fine glass and crystal—such as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)—catered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.
Portret van een man met snor in een uniform
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: moustache, adult man, historical persons, (military) uniforms
Dish with flowers
Object type: dish
Date: 1667 – 1733
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: flowers,leaves
Vase with Immortals Offering the Peaches of Longevity
Object type: vase
Date: 1662 – 1722
Materials: enamel, porcelain
Techniques: overglaze
Culture: chinese
Subjects: birds,infants,men,women

A group of men and their attendants burn incense in an open pavilion. Their activities have attracted the attention of the supernatural: a peacock-like phoenix of enormous size has landed, while in the clouds, Xiwangmu (the queen mother of the west) and her entourage have arrived. An attendant proffers a bowl containing peaches of immortality picked from Xiwangmu's orchard. Immortal beings, including Shoulao (the god of longevity), are depicted on the neck of the vase. Works such as this, with scenes of immortals and themes of immortality, were especially appropriate for display at birthday receptions.
Sultan and Moor
Object type: group
Date: 1773 – 1774
Materials: hard paste porcelain
Artist: fürstenberg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Subjects: kings,men
Chair panel
Object type: upholstery panel
Date: 1701 – 1733
Materials: silk
Artist: daniel marot the elder
Artist role: maker
Artist nationality: french
Artist dates: 1661 – 1752
Subjects: women,bulls
Lamentation over the body of Christ
Object type: print
Date: 1615 – 1615
Techniques: etching
Artist: orazio borgianni
Artist role: artist
Artist nationality: italian
Artist dates: 1578 – 1616
Subjects: christ,lamentation
Intellectu et innocentia
Object type: bookplate
Date: 1780 – 1854
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: armorial bearing, heraldry
Abklatsch van de krijttekening op pagina 64
Object type: sketchbook leaf
Date: 1884 – 1891
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 65 uit een schetsboek met 49 bladen.
The Adoration of the Magi
Object type: print
Date: 1540 – 1550
Techniques: woodcut
Artist: niccolò vicentino
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1550

This print is from a scrapbook (album) containing woodcuts and chiaroscuro prints. It was presumably taken apart when it was acquired by The Met in 1922. On the front page of the volume there appeared a statement that this collection was made by the poet Samuel Rogers (1763-1855) and then bought by Angela Coutts (1816-1906) in memory of him at the sale of the collection at his house (28 April – 20 May, 1856). #1615a Rogers Sale. #146 Burdett Coutts Sale (Sotheby’s, May 1922). The prints from the original album have the range 22.73.3-1–22.73.3-161.
Portrait of a Lady
Object type: painting, miniature
Date: 1835 – 1835
Materials: ivory, watercolor
Culture: american
Artist: hugh bridport
Artist role: artist
Artist nationality: american, born england
Artist dates: 1794 – 1875
Subjects: portraits,women
Portret van Jan Hofker
Object type: print
Date: 1905 – 1905
Materials: paper
Techniques: soft ground etching
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: portrait of a writer
Inscriptions: inscription: ‘III donkere partijen in 't gezicht lichter geveegd’, watermark
Portret van een jongen met hoepel in de hand, staand bij een balustrade
Object type: carte de visite
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: f. chirot
Artist role: fotograaf
Subjects: boy (child between toddler and youth), historical persons, balustrade, (bowling a) hoop
Inscriptions: inscription: ‘Fne. Chirot/ 160 R.St Martin 160/ Paris’, annotation: ‘Chirot’
Thronus Justitiae
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving, hand coloring
Location: leiden
Subjects: christ collapsing ~ carrying of the cross, juridical examples; exemplary judges; 'gerechtigkeitsbilder', carrying of the cross: christ bearing the cross, alone or with the help of others (e.g. simon the cyrenian)
Inscriptions: collector's mark: Lugt 2228

Christus draagt het kruis en Simon van Cyrene helpt hem daarbij. Soldaten geselen en bespotten Christus. Hij wordt gevolgd door Maria. Links een van de andere misdadigers, die geboeid naar Golgota wordt geleid. Op de achtergrond in het landschap de drie kruisen. Onder de voorstelling een verwijzing naar de Bijbeltekst in Jes. 53 in het Latijn.
Storage jar (albarello) with a profile portrait
Object type: storage jar
Date: 1480 – 1500
Techniques: maiolica, glazing
Subjects: men,profiles

The distinctive profile of the man depicted on this storage jar might suggest that it is the portrait of a specific individual. It has been proposed that it represents King Charles VIII of France (1470–1498), who invaded Italy in 1494–95 and attempted, without success, to seize the throne of Naples.
Alva kondigt 's konings bevelschrift te Antwerpen af
Object type: print
Date: 1849 – 1851
Materials: paper
Techniques: engraving
Location: netherlands
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: fernando álvarez de toledo (3rd duke of alba), granting mercy; free pardon, antwerp

Als illustratie gebruikt in: J.P. Arend, Algemeene geschiedenis des vaderlands, Amsterdam, 5 delen, 1840-1882, dl. 2.5 (1851), p. 148-149.
Study for "The Knatchbull Family": Sir Edward Knatchbull
Object type: drawing
Date: 1800 – 1802
Materials: chalk, graphite, paper
Techniques: heightening
Culture: american
Artist: john singleton copley
Artist role: artist
Artist nationality: american
Artist dates: 1738 – 1815
Subjects: firearms,men
Gezicht op de Cour de la Fontaine van het paleis van Fontainebleau
Object type: print
Date: 1726 – 1743
Materials: paper
Techniques: etching
Artist: jan lamsvelt
Artist role: print maker
Artist dates: 1674 – 1743
Subjects: palace, courtyard
Inscriptions: collector's mark: Lugt 2228

Deze prent is tevens opgenomen in deel III van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne (1726). Dit is het eerste deel met 238 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog.
La Petite Thérèse
Object type: print
Date: 1760 – 1836
Materials: paper
Techniques: engraving, lithography
Location: augsburg
Subjects: breasts, adolescent, young woman, maiden, catch (~ running game), courting
Inscriptions: collector's mark: Lugt 2228
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: canvas, silk
Subjects: birds
The Steep Fort
Object type: print
Date: 1750 – 1800
Techniques: engraving
Artist: joseph vernet
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1789
Karikaturen
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: riding a horse, ass, or mule; rider, horseman, caricatures (human types), hunchback
Inscriptions: collector's mark: Lugt 2228

Onder meer een dikke man op een paard, drie converserende bochelige mannen en een ruiter.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: canvas, wool
Lean Wolf, Gros Ventres, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,profiles

Trade cards from the "American Indian Chiefs" series (N2), issued in 1888 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Berglandschap met dennen en keien
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: boulder, stone, trees: pine, mountains

Blad 7 recto uit een schetsboek met 18 bladen.
Ex libris van Wandy Kuhl
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: letterpress printing, printing block
Location: poland
Artist: Anonymous
Subjects: sailing-ship, sailing-boat
Inscriptions: inscription: ‘Koperski [?]’
1. witte dobbel boter bloemkens 2. idem andere soorte. 3. roode Boter Bloeme. / 1, ranunculus niveus polyganthos 2. ranunculus alter niveus. 3. ranunculus Sanguineus. / 1. Bassinet blanc a fleur double 2. autre Espèce de Bassinet. 3. Bassinet Couleur rouge.
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: ranunculus, insects: ladybird, insects: beetle

Witte en rode ranonkels. Met een zwarte kever en een lieveheersbeestje. Genummerd rechtsboven: 77. Met de Latijnse en Nederlandse namen. Onderdeel van het eerste album met tekeningen van bloemen en planten. Achtste van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Eight Miscellaneous Designs for the de la Rochejaquelein Family
Object type: drawing
Date: 1851 – 1900
Materials: graphite, ink
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: shields,cartouches,female nudes,dogs
Vervolging van Protestanten in Frankrijk, 1672
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: etching, letterpress printing
Location: leiden
Subjects: persecution of believers, france
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Gottfried, Johann Ludwig. Historische kronyck; vervattende een (...) beschrijvingh der aldergedenckwaerdigste geschiedenissen des weerelds, van den aenvangh der scheppingh tot (...) 1576 (2 delen). Leiden: Pieter van der Aa, 1698, dl. II, p. 1099.
Design for a Triumphal Arch in Perspectival Rendering
Object type: drawing ornament architecture
Date: 1600 – 1630
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, british, 17th century
Artist role: artist
Artist nationality: british
Artist dates: 1600 – 1700
Subjects: architecture,arches