deem-data/ArtiFact huggingface dataset:
Fotoreproductie van een schilderij, voorstellende koning Latinus bezoekt het orakel van Faunus
Object type: reproduction
Date: 1850 – 1858
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: latinus consults the oracle of faunus
Portret van David Johannes Anthony Samot
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: historical persons, mathematics

Prent uit: De directie van de Algemeene Maatschappij van Levensverzekering en Lijfrente (...) aan hare agenten, 27 september 1890, nr. 441.
Zwemmende mensen in zee
Object type: album leaf
Date: 1895 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: swimming (movement in water), sea, france
Portret van Jan van 's Gravenweert
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, eyeglasses, spectacles, historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Charles Louis "Chief" Zimmer, Catcher, Cleveland, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Three Working Girls Out for Lunch
Object type: print
Date: 1900 – 1900
Materials: ink, paper
Techniques: drypoint, printing, lithography
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Nude Male Figure, Rear View
Object type: drawing
Date: 1701 – 1800
Materials: chalk, paper
Artist: giovanni da san giovanni
Artist role: artist
Artist nationality: italian
Subjects: male nudes
Zeven zwemmende vogels
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: engraving
Location: amsterdam
Man’s under-kimono
Object type: menswear
Date: 1920 – 1940
Materials: paint, silk
Techniques: weave
Location: japan
Artist: Anonymous

An under-kimono was always hidden by the kimono and only rarely visible. The owner’s taste here finds expression in several hand-painted scenes, of which one is erotic, set in fan-shaped cartouches.
View of London from Greenwich
Object type: drawing
Date: 1825 – 1825
Materials: graphite, ink, watercolor
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: cities,rivers,landscapes,london

Turner here offers a panorama of greater London as seen from Greenwich Park, looking down towards the Naval Hospital designed by Sir Christopher Wren, the river Thames, and the distant city. The foreground is littered with maps and globes, with a woman holding up two plans for a naval pensioner with spectacles and crutches to inspect–a reference to England's past. Slightly behind, a man dressed in a fashionably tall top hat and yellow gloves raises his hands to celebrate the burgeoning present. Finally, a third figure further down the hill peers through a telescope at steam boats racing past sailing ships on the river–a hint at the future. The watercolor belongs to a group that the artist made around 1825, devoted to the nation's capital city. The intent was to reproduce the series as prints but the project was never realized.
Huwelijk van Maria en Jozef
Object type: print
Date: 1694 – 1738
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: mary and joseph
Inscriptions: collector's mark: Lugt 2228, watermark
Portret van Carolus Petrus van den Berg
Object type: photograph
Date: 1855 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: rotterdam
Artist: a. böeseken
Artist role: fotograaf, lithograaf
Artist dates: 1834 – 1919
Subjects: carolus petrus van den berg

Staande man ten voeten uit met een brief in de hand leunend op een sokkel.
Twee mannen houden een picknick onder een boom, vermoedelijk in Zuid-Afrika
Object type: photograph
Date: 1885 – 1910
Materials: paper, photographic support
Techniques: daylight paper print
Location: south africa
Artist: Anonymous
Subjects: eating and drinking

Onderdeel van Album met 191 foto's van een reis naar en door Zuid-Afrika.
Pair of candlesticks
Object type: candlestick
Date: 1776 – 1778
Materials: metal
Artist: tudor and leader
Artist role: maker
Frontispiece, plate one from Vasi Invention
Object type: print
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: jean-laurent legeay
Artist nationality: french
Artist dates: 1710 – 1786
Card Number 199, Miss Trowbridge, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
The Virgin in prayer, looking at the sleeping infant Christ, in an oval frame, after Reni
Object type: print
Date: 1765 – 1765
Techniques: engraving, etching
Artist: simon francis ravenet, the elder
Artist role: artist
Artist nationality: french
Artist dates: 1706 – 1774
Subjects: sleeping,virgin mary,jesus

Verso is not visible as print is laid to another sheet of paper.
Part of the southern altar of the Abhayagiri vihāra monastic complex at Anuradhapura, Sri Lanka
Object type: page
Date: 1896 – 1896
Materials: paper
Techniques: autotype
Location: anuradhapura
Artist: henry william cave
Artist role: fotograaf
Artist dates: 1854 – 1913
Subjects: altar ~ non-christian religions, sculpture (+ relief ~ sculpture)
Inscriptions: title: ‘WEST END OF SOUTHERN ALTAR OF ABHAYAGIRIYA DAGABA.’, signature: ‘Woodbury P [?]’
Quakers' Meeting
Object type: drawing and watercolor
Date: 1808 – 1810
Materials: ink, paper, watercolor
Techniques: pen
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Gezicht op de hoofdstraat van Arcachon
Object type: photograph
Date: 1870 – 1880
Materials: paper, photographic support
Techniques: albumen print
Location: arcachon
Artist: Anonymous
Subjects: street (+ city(-scape) with figures, staffage)

Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Portret van een onbekende jonge vrouw
Object type: photograph
Date: 1864 – 1883
Materials: cardboard, paper
Techniques: albumen print, retouching
Location: den bosch
Artist: leonard stollenwerk
Artist role: fotograaf
Artist dates: 1829 – 1910
Subjects: adolescent, young woman, maiden, anonymous historical person portrayed, den bosch
Inscriptions: inscription: ‘Photographisch/ Atelier/ L. Stollenwerk/ 's Bosch’
Sugar caster
Object type: sugar caster
Date: 1720 – 1730
Materials: faience
Techniques: glazing
Subjects: flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Four drawings showing the manufacture of floor cloth
Object type: drawing
Date: 1801 – 1900
Materials: chalk, graphite, ink, paper
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: men,working
De ridderhostad Sterkenburg
Object type: print
Date: 1825 – 1882
Materials: paper
Techniques: etching
Location: leiden
Artist: jacobus ludovicus cornet
Artist role: draughtsman, print maker
Artist dates: 1815 – 1882
Subjects: kasteel sterkenburg
Inscriptions: collector's mark: Lugt 2166

Gezicht op het kasteel Sterkenburg, met links de brug naar het kasteel.
Page from Ein new kunstlich Modelbuch...(Page 35r)
Object type: book print ornament architecture
Date: 1544 – 1544
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: ornament

Published by Peter Guentel, Cologne. Illustrated title page, architectural border on reverse of title page, 99 pages of designs, arms of Cologne on last page (Merlos 1063.477, Van Worms).
Jongen en meisje verzamelen takken en bladeren
Object type: drawing
Date: 1895 – 1950
Materials: cardboard, ink, pencil
Techniques: pen
Artist: nelly spoor
Artist role: draughtsman
Artist dates: 1885 – 1950
Subjects: boy (child between toddler and youth), trees (+ stem, trunk), container made of plant material other than wood: basket, girl (child between toddler and youth)
Inscriptions: collector's mark: Lugt 2228, :, signature: ‘NELLY SPOOR ''’

Een jongen en meisje staan bij twee boomstammen, mogelijk aan een bosrand, en rapen takken en bladeren. Naast hen staat een mand vol met bladeren. Verso een studie in zwarte pen.
Parody of The Book of Joruri
Object type: print
Date: 1789 – 1801
Techniques: woodblock print
Location: japan
Artist: chobunsai eishi
Artist role: artist
Artist nationality: japanese
Artist dates: 1756 – 1829
Roma
Object type: photograph
Date: 1851 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: grave, tomb
Inscriptions: collector's mark: ‘VOSMAER’, number: ‘4042’
Bijbelsche kinderprenten
Object type: popular print
Date: 1869 – 1908
Materials: paper
Techniques: letterpress printing, photoaquatint
Location: amsterdam
Subjects: the good samaritan (luke 10:30-37), the widow's mite: christ draws the disciples' attention to a woman who puts a few coins in the temple's money chest (mark 12:41-44; luke 21:1-4) (+ angel(s)), the transfiguration: moses and elijah appear on either side of christ on mount tabor (matthew 17:1-13; mark 9:2-13; luke 9:28-36), new testament, the samaritan and the wounded traveller arrive at the inn; the traveller is cared for
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van verhalen uit het Nieuwe Testament. De verheerlijking op de berg, de barmhartige Samaritaan vervoert de gewonde reiziger op zijn paard, de barmhartige Samaritaan arriveert met de gewonde reiziger bij een herberg en een arme weduwe die geld geeft (het penningske van de weduwe). Onder elke afbeelding een Bijbeltekst. Genummerd rechtsboven: No. 17.
Hyperpyron (Coin) of Andronicus II Palaeologus and Michael IX
Object type: coin
Date: 1282 – 1328
Materials: gold, metal
Culture: byzantine
Location: byzantine empire
Inscriptions: Obverse: IC | XC

The front of this coin portrays Andronicus II (on the left) and Michael IX (on the right). They are kneeling as Christ stands behind and crowns them.

On the back a bust of the Virgin lagrely lost, shown surrounded by city walls with four groups of towers.
Basket of food
Object type: crèche accessory
Date: 1701 – 1800
Materials: wax
Subjects: grapes,vegetables

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Disegni varii
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: etching
Location: venice

De sater rechtsonder draagt een vrouwelijke sater op zijn schouders, linksboven hangt een sater aan een bladrank. Blad uit serie van 10 bladen met verticale panelen vol bladranken, figuren en dieren.
Portret van Sophie van Württemberg
Object type: print
Date: 1849 – 1871
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: the hague, sophia frederika mathilda van württemberg
Inscriptions: collector's mark: Lugt 963

Portret van Sophie. Midden onder twee wapens met een kroon, een leeuw en een hert. In de ondermarge haar naam en titels.
Covered vase with immortals
Object type: covered vase
Date: 1701 – 1900
Materials: jade
Culture: chinese
Subjects: men
Beeld van Manneken Pis in Brussel
Object type: page
Date: 1875 – 1880
Materials: photographic support
Techniques: albumen print
Location: brussels
Artist: Anonymous
Subjects: monument, statue
Twee paarden
Object type: drawing
Date: 1886 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: hoofed animals (+ animals eating and drinking), horse
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Willempie Beek 15 jaar[?]’
Mirror with Decoration of Japanese Landscape: Pines on Shore and Crescent Moon over Mountains
Object type: mirror
Date: 1392 – 1573
Materials: bronze
Culture: japanese
Subjects: birds,mountains
Série 12
Object type: photomechanical print
Date: 1913 – 1930
Materials: cardboard
Techniques: photograph
Location: brussels
Subjects: urban housing, canal, church (exterior), bruges
Figuren uit de Romeinse oudheid
Object type: titelblad, titelpagina
Date: 1712 – 1712
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: (story of) romulus and remus, temple, shrine ~ roman religion, cupids: 'amores', 'amoretti', 'putti', (military) equipment and supply, roman religion (including etruscan religion)
Inscriptions: collector's mark: Lugt 2228

In het midden een sokkel met de titel van het boekwerk. Rondom de sokkel allerlei figuren uit de Romeinse oudheid. Links religieuze objecten zoals een offerblok en offerdieren met op de achtergrond een tempel. Rechts militaire objecen, met op de achtergrond een triomfboog. Twee putti houden een medaillon omhoog met daarop het portret van Romelus.
Petticoat
Object type: petticoat
Date: 1902 – 1902
Materials: cotton, silk
Culture: french
Artist: bon marché
Artist role: department store
Artist nationality: french
Artist dates: 1852 – 9999
Gezicht op Warschau
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: engraving, etching, hand coloring, lacquer
Location: northern netherlands
Artist: Anonymous
Subjects: maps of cities

Gezicht op de Poolse stad Warschau. In de wolken een engel met een bord waarop een wapen met een leeuw. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Hinde-Rijwielen Fabriek Amsterdam
Object type: poster
Date: 1896 – 1898
Materials: paper
Techniques: lithograph
Artist: johann georg van caspel
Artist role: draughtsman, print maker
Artist dates: 1870 – 1928
Subjects: bicycle

Rechts staat een vrouw met een fiets, links staan twee kinderen. Op de achtergrond een landschap.
Politie Kazerne
Object type: photograph
Date: 1925 – 1931
Materials: cardboard, photographic support
Techniques: collodion silver print, gelatin silver print
Location: batavia
Artist: Anonymous
Subjects: dutch east indies, the, batavia

Albumblad met één foto: een politiekazerne te Batavia. Onderdeel van het fotoalbum aangeboden aan S. Koster door de Vereeniging van Hoogere Politie Ambtenaren in Nederlandsch-Indië in 1931.
Bronze handles of a hydria (water jar)
Object type: handle of a hydria
Date: 500 – 468
Materials: bronze
Culture: greek

This handle is iconographically similar to 1993.133 and has counterparts in other collections. The type was, therefore, established and may have been the specialty of one workshop. The small differences in detail are worth noting.
Honoré de Balzac
Object type: bust
Date: 1891 – 1891
Materials: terracotta
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: men,portraits,authors

In 1891, the Société des Gens de Lettres commissioned Rodin to create a monument to Balzac, who had died in 1850, for the Palais-Royal in Paris. Rodin made numerous preparatory studies. As the head evolved from a lifelike portrait to the huge, craggy, masklike face of the final version, Rodin made several trips to Tours, where Balzac had lived - Rodin had refused to execute a superficially accurate likeness based on photographs of the deceased writer. There, he hoped to find men with facial characteristics similar to those of Balzac to serve as models for the author's portrait. This original terracotta represents one of the models, a man named Estager, whom Rodin identified as the "Conductor of Tours." Etrager’s hefty features, furrowed brow, and penetrating expression echo Balzac’s. The sculptor made several sketches for the face before transforming it into an abstracted mask. The final version of the monument, finished in 1898, depicts Balzac wrapped in the monk's robe he liked to wear when he was writing. More of a symbol than a portrait, the statue shocked the Société and they rejected it. The first cast in bronze was erected in Paris in 1939, eighteen years after Rodin's death, at the crossing of the boulevards Montparnasse and Raspail.
Colinet's Journey: Milestone Marked LXII Miles to London, from The Pastorals of Virgil
Object type: print
Date: 1821 – 1821
Materials: ink, paper
Techniques: printing, engraving
Location: england
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Hier heb je 't leven en bedryf, van Jan de Wasser en zyn wyf
Object type: print
Date: 1761 – 1804
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: hen-pecked husband, 'betty', 'molly' (man who engages in women's work)
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen uit het leven van Jan de Wasser, een man die van zijn vrouw Griet, die de broek aan heeft, al het huishoudelijk werk moet doen. Onder elke afbeelding een tweeregelig vers. Genummerd linksboven: No. 1.
Verschillende voorstellingen
Object type: popular print
Date: 1828 – 1913
Materials: paper
Techniques: colour, letterpress printing, line block, engraving
Location: netherlands
Artist: Anonymous
Subjects: letters, alphabet, script, fishes, eyes, ears
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van verschillende aard, waaronder een oor, een antieke kan, vissen, een violist en de Nederlandse vlag. Onder elke afbeelding een onderschrift. Onder de eerste afbeelding het onderschrift: Mijn lieve kind gij zijn nog jong... Genummerd rechtsboven: No. 17.
Card Number 203, Miss Dempsey, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Gezicht op Interlaken, met op de achtergrond de Jungfrau
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: bern
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: city-view in general; 'veduta', mountains
Inscriptions: number: ‘79.’, inscription: ‘Views of Switzerland, photographed by W. England. (Registered) Under the Special Patronage of the Alpine Club.’
Pair of gloves with embroidered seams
Object type: clothing
Date: 1927 – 1930
Materials: leather, silk
Location: amsterdam
Artist: m. laimböck
Artist role: modehuis, modewarenhuis, modewinkel

Handschoen, van een paar (A en B), van wit, zwart gebiesd glacé-leer (pasgeborengeitenleer). Model: halflang, pasnaadjes geborduurd met witte en zwarte zijde. De uiteinden zijn geperforeerd en zwart gebiesd. Adres: op linker ex.: paars stempel van gekroonde adelaar met banderol waarop M.LAIMBOCK/UIT TIROL/AMSTERDAM/K.HOFLEVERANCIER. Verder: Charaux garanti. Op rechterhandschoen: INGOWA. Oostenrijk, Tirol, voor fa. Laimböck te Amsterdam, ca. 1927-1930.
Soldaat stelt burgers gerust tijdens de Eerste Wereldoorlog
Object type: print
Date: 1916 – 1916
Materials: paper
Techniques: lithograph
Artist: théophile alexandre steinlen
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1859 – 1923
Subjects: the soldier off duty
Inscriptions: collector's mark: Lugt 2228, signature: ‘Steinlen’
Fotoreproductie van een prent naar het schilderij De geldtellers door Quinten Massijs
Object type: photomechanical print
Date: 1861 – 1871
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: miser
The Seaweed-gathering Ritual in Nagato Province (Nagato mekari no shinji), from the series "Famous Places in the Provinces (Shokoku meisho)"
Object type: print
Date: 1834 – 1835
Techniques: woodblock print
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850