deem-data/ArtiFact huggingface dataset:
Ex libris van E.O. de Mol van Otterloo
Object type: bookplate
Date: 1917 – 1917
Materials: paper
Techniques: hand coloring
Location: netherlands
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: other mammals: mole
Inscriptions: collector's mark: Lugt 2228
Bottle Vase
Object type: vessel
Materials: glaze, porcelain
Location: china

This porcelain vase features an even coating of a vibrant mottled turquoise glaze with speckles of deep red outlines. The extraordinary visual effect of this glaze, known as “robin’s egg” in English, is achieved by firing the turquoise glaze stippled with copper-red pigment at a lower temperature than that of the porcelain itself. Due to the low firing temperature, this glazing technique is referred to in Chinese as Lujun, or “furnace Jun.”

The development of this technique during the mid-Qing period stemmed from the numerous efforts of imperial potters to replicate the glaze found on Jun wares from previous dynasties. While the Lujun glaze echoes the striking color contrast and freeforming patterns of Jun ware, it also maintains its own distinctive visual appeal, testifying to the craftsmanship and innovative spirits of Qing potters. Bearing a Qianlong reign mark, this vase was likely crafted upon the order of the Qianlong Emperor.
De Leidse Poort te Woerden
Object type: drawing
Date: 1750 – 1776
Materials: paper
Techniques: brush
Artist: theodorus cornelis schutter
Artist role: draughtsman
Subjects: city-gate
Inscriptions: inscription: ‘De Leydsche Poort tot Woerden / T.C Schutter f’
Portret van Giuseppe Marc'Antonio Baretti
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: mezzotint
Location: london
Subjects: london, giuseppe marc'antonio baretti, reading, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 240

Na zijn jeugd in Italië ging Baretti naar Engeland waar hij van 1751 tot 1760 verbleef en werd toegelaten tot de Royal Academy.
Two Plans and Elevations for Fountains
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture,fountains
Geschiedenis van Germanicus
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: father-love, (story of) germanicus, kneeling on both knees
Inscriptions: date

Volgens Muller werden de prenten uit deze serie door verschillende prentmakers in 1783 gemaakt naar de kleine schilderijen van Grandjean te Rome, en in 1788 uitgegeven. De prent wordt ook ingebonden gevonden in: Winter, Lucretia Wilhelmina van. Germanicus in Zestien Boeken. Amsterdam: Pieter Meijer, 1779.
Offering table
Object type: offering table
Date: 1900 – 1850
Materials: limestone
Location: egypt
Nederlandse10 cent,1919
Object type: coin
Date: 1919 – 1919
Materials: silver
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: gedrapeerd borstbeeld naar links. Keerzijde: binnen twee samengebonden eiketakken waarde-aanduiding 10 cents en jaartal. Kartelrand.
von Knobelsdorff
Object type: print
Date: 1820 – 1860
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: commander-in-chief, general, marshal, historical persons not known by name
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 4519

Portret van een verder onbekende militair met de naam Von Knobelsdorff.
Key
Object type: key
Date: 1701 – 1800
Materials: brass
Portret van Johann Heinrich Hottinger
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Berger, Hieronymus. Parnassus Heidelbergensis (...). Frankfurt am Main: Hieronymus Berger, 1660.
The Last Judgment, from Speculum passionis domini nostri Ihesu Christi
Object type: print
Date: 1507 – 1507
Techniques: woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: suffering,christ,last judgement
Vase
Object type: vase
Date: 1736 – 1795
Materials: gemstone, jade
Culture: chinese
Subjects: birds,trees
Odessa. Le Boulevard Nicolas
Object type: photograph
Date: 1900 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: odessa
Artist: Anonymous
Subjects: avenue, boulevard, promenade, esplanade (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘Photographicum’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Odessa.
Groep onbekende kinderen aan de keukentafel
Object type: photomechanical print
Date: 1886 – 1891
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: kitchen, potatoes, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: monogram: ‘AC’, inscription: ‘Aufnahme bei Magnesiumblitzlicht von Baltin in Potsdam mittels Dr. Hesekiels Blitzlampe/ Beilage zu Eder's Jahbruch für Photographie 1891’

Prent op vierendertigste ongenummerde pagina na pagina 627.
Terracotta rim fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic
Artist: poseidon painter
Artist role: artist

Exterior, head, part of upper torso and right arm and hand of youth to left; suspended on wall, sponge?
Man
Object type: crèche figure
Date: 1701 – 1900
Materials: terracotta, fiber, metal
Techniques: polychrome
Subjects: men
Relikwieënkast met Christus aan het kruis
Object type: photograph
Date: 1857 – 1862
Materials: photographic support
Techniques: albumen print
Artist: jakob höflinger
Artist role: fotograaf
Artist dates: 1819 – 1892
Subjects: relics (and reliquaries), the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)
Abklatsch van de krijttekening op pagina 62
Object type: sketchbook leaf
Date: 1884 – 1891
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 63 uit een schetsboek met 49 bladen.
Opdracht met wapenschilden
Object type: book illustration
Date: 1669 – 1669
Materials: paper
Techniques: etching, letterpress printing
Location: france
Subjects: armorial bearing, heraldry

Prent uit: Pratique de la géometrie, sur le papier et sur le terrain. Avec un nouvel ordre et une méthode particulière. Parijs: Thomas Jolly, 1669.
Wineglass with cover
Object type: wineglass with cover
Date: 1701 – 1750
Materials: glass
Les Champs Élysées
Object type: print
Date: 1898 – 1898
Materials: ivory, paper
Techniques: lithograph
Location: france
Artist: henri edmond cross
Artist nationality: french
Artist dates: 1856 – 1910
Groepsportret op plantage Accaribo
Object type: photograph
Date: 1926 – 1926
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: amsterdam, theodoor brouwers, suriname
Inscriptions: inscription: ‘"26 Accaribo’

Groepsportret op plantage Accaribo te Suriname. Bijna helemaal rechts op de foto staat Theodoor Brouwers. De jongen links van hem (tussen het echtpaar Brouwers in) is Gerard Brouwers (1912-1996), de zoon van Theodoor Brouwers.
Electric light stations, Manchester
Object type: photomechanical print
Date: 1889 – 1899
Materials: paper
Techniques: autotype
Location: manchester
Artist: Anonymous
Subjects: power station, exterior ~ representation of a building
Birth of St. John the Baptist
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink
Techniques: brush, pen, wash
Location: france
Artist: valentin lefebvre
Artist role: artist
Artist nationality: flemish
Artist dates: 1642 – 1682
Subjects: men,women,angels,saint john the baptist,birth
bord
Object type: plate dish
Date: 1740 – 1780
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: delft
Artist: Anonymous
Inscriptions: collector's mark: ‘collection/ Joseph M. Morpurgo/ antiquair/ Nieuwe Hoogstraat 7/ Amsterdam/ Garanti Ancien’, seal: ‘N 2780/ 2 stuks/ VOX’

Rond bord van veelkleurig beschilderde faience, met in het midden een cirkel met daarin bloemen in de kleuren groen, blauw en rood. Rond de cirkel zijn zes vakken met daarin bloemen in de kleuren groen, blauw en rood. Bij het bord hoort een identiek bord met het invnr. BK-KOG-2433-a.
Portret van Carlo Gozzi
Object type: print
Date: 1764 – 1824
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Neue Bibliothek der schönen Wissenschaften und der freyen Künste. Leipzig: Dyckischen Buchhandlung, 1783, dl. 28.
De vijf zintuigen
Object type: print
Date: 1610 – 1678
Materials: paper
Techniques: engraving
Location: antwerp
Artist: frans van den wijngaerde
Artist role: print maker, publisher
Artist dates: 1614 – 1679
Subjects: the (five) senses, the (five) senses - aa - female human figure
Inscriptions: collector's mark: Lugt 2228

Allegorische voorstelling van de vijf zintuigen. Een man speelt op een luit en een vrouw luistert (gehoor), een aapje eet een vrucht (smaak), een dwaas kijkt door zijn vingers (zicht), een jongen probeert een meisje te zoenen (tast), hij snuift haar geur op (reuk).
Los desastres de la guerra
Object type: album leaf
Date: 1810 – 1820
Materials: paper
Techniques: drypoint, engraving, etching
Location: madrid
Subjects: commander-in-chief, general, marshal, battle, spain

Deze prent maakt deel uit van een album.
Portret van Hieronymus Lederer
Object type: print
Date: 1615 – 1699
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: print maker, hieronymus lederer, historical persons, portrait, self-portrait of graphic artist

Met tekst in het Latijn rondom het portret.
Falcon amulet
Object type: amulet, falcon
Date: 664 – 380
Materials: gold
Subjects: falcons
Panel (Tapestry Weave)
Object type: textile
Materials: wool
Techniques: weave
Location: peru
Venster met gordijnen
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery
Inscriptions: : ‘Droits de reproduction réservés.’

Kruisvenster met gedrapeerde gordijnen. Prent uit 281e Livraison.
Prince Henry, Hotspur and Falstaff (Shakespeare, King Henry IV, Part 1, Act 5, Scene 4)
Object type: print
Techniques: engraving
Artist: thomas ryder i
Artist role: engraver
Artist nationality: british
Artist dates: 1746 – 1810
Subjects: princes,shakespeare,men

Ryder's battlefield image from King Henry IV, part 1 was conceived for John Boydell's Shakespeare Gallery, launched in 1786 as a publishing-cum-exhibition scheme that included a new illustrated edition of the plays, sets of large and small engravings, and a gallery on London's Pall Mall. The latter opened in 1789 with thirty-four paintings and contained about one hundred and seventy works the time Boydell went bankrupt and auctioned the contents in 1805–his print sales plummeted when Napoleon blocaded European ports. This impression comes from an American reissue of 1852 spearheaded by Shearjashub Spooner, a New York dental surgeon, writer and art scholar who acquired Boydell's heavily worn plates and had them reworked. His New York edition was printed on thick cream paper with small numbers added in the lower left margin, this being number 61.
Human-headed winged bull (lamassu)
Object type: relief
Date: 883 – 859
Materials: alabaster, gypsum
Culture: assyrian
Location: mesopotamia
Subjects: bulls

From the ninth to the seventh century B.C., the kings of Assyria ruled over a vast empire centered in northern Iraq. The great Assyrian king Ashurnasirpal II (r. 883–859 B.C.), undertook a vast building program at Nimrud, ancient Kalhu. Until it became the capital city under Ashurnasirpal, Nimrud had been no more than a provincial town. The new capital occupied an area of about nine hundred acres, around which Ashurnasirpal constructed a mudbrick wall that was 120 feet thick, 42 feet high, and five miles long. In the southwest corner of this enclosure was the acropolis, where the temples, palaces, and administrative offices of the empire were located. In 879 B.C. Ashurnasirpal held a festival for 69,574 people to celebrate the construction of the new capital, and the event was documented by an inscription that read: "the happy people of all the lands together with the people of Kalhu—for ten days I feasted, wined, bathed, and honored them and sent them back to their home in peace and joy." The so-called Standard Inscription that ran across the surface of most of the reliefs described Ashurnasirpal's palace: "I built thereon [a palace with] halls of cedar, cypress, juniper, boxwood, teak, terebinth, and tamarisk [?] as my royal dwelling and for the enduring leisure life of my lordship." The inscription continues: "Beasts of the mountains and the seas, which I had fashioned out of white limestone and alabaster, I had set up in its gates. I made it [the palace] fittingly imposing." Among such stone beasts is the human-headed, winged bull pictured here. The horned cap attests to its divinity, and the belt signifies its power. The sculptor gave these guardian figures five legs so that they appear to be standing firmly when viewed from the front but striding forward when seen from the side. Lamassu protected and supported important doorways in Assyrian palaces.
Adam in het paradijs
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: caspar luyken
Artist role: draughtsman, print maker
Artist dates: 1672 – 1708
Subjects: adam in the garden of eden
Inscriptions: number: ‘2’, collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. I.
Aquarell-Serie München
Object type: reproduction
Date: 1905 – 1930
Materials: cardboard
Techniques: color autotype
Location: munich
Subjects: city-view, and landscape with man-made constructions, church (exterior), canals, waters (in city)
Die grosse und merkwürdige Regirungs-Revolution der Bataver Republick veranstaltet von dem General Lieutenant von Daendels zu Haag am 12 Juni 1798
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: herman willem daendels, revolution, revolt, the hague
Inscriptions: collector's mark: Lugt 2228

Staatsgreep door militairen onder bevel van generaal Herman Willem Daendels, 12 juni 1798. Daendels valt met een groep militairen een zaal binnen waar drie leden van het Uitvoerend Bewind aan een tafel zitten. Op de achtergrond staat een rij soldaten van de garde.
Gevecht tussen Maina en Chanda
Object type: indian miniature
Date: 1640 – 1660
Materials: paper
Techniques: brush
Location: malwa
Artist: Anonymous
Inscriptions: inscription
Portret van Frederik Hendrik van Oranje
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: lithograph
Location: the hague
Artist: f. van goor
Artist role: print maker
Subjects: delft, the hague, frederick henry (prince of orange), historical persons (+ half-length portrait), baton of general
Inscriptions: : ‘Gedrukt en uitgegeven door der Nederlandsche Maatschappij / van Schoone Kunsten / S Gravenhage, 1 september 1841 / JJvRijckevorsel’

Deze prent was onderdeel van: Valhalla : galerij van vermaarde Nederlandsche mannen: geschiedkundige portretten door de voornaamste Nederlandsche kunstenaars geteekend: met beschrijving. Den Haag: Nederlandsche Maatschappij voor Schoone Kunsten, 1841.
Twee heren zitten aan tafel in een vertrek, één steekt zijn pijp aan
Object type: print
Date: 1891 – 1891
Materials: paper
Techniques: etching, intaglio
Artist: léon brunin
Artist role: print maker
Artist dates: 1861 – 1949
Subjects: pipe ~ tobacco
Inscriptions: mark: ‘Antwerpsche Etsers 1880’, annotation: ‘Retour de la chasse’, collector's mark: Lugt 2228
Onderboezem tussen twee Toscaanse pilasters
Object type: print
Date: 1675 – 1686
Materials: paper
Techniques: etching
Location: netherlands
Subjects: chimney-piece, mantelpiece

In het midden hangt een ovaal schilderij met een offerscène, onderaan staat een haardplaat in de vorm van een cartouche bekroond met een masker.
Portret van Grégoire Tarrisse
Object type: print
Date: 1648 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Stilleven van bloemen, vruchten en wild
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: etching
Artist: paul emile nicolié
Artist role: print maker
Artist dates: 1828 – 1894
Subjects: rodents: hare, still life of plants, flowers and fruit, foodstuffs; still life of foodstuffs
Inscriptions: collector's mark: Lugt 2228
Spring Garden in Bloom
Object type: folding fan mounted a an album leaf
Date: 1537 – 1587
Materials: gold, ink, paper
Culture: chinese
Artist: mo shilong
Artist role: artist
Artist nationality: chinese
Artist dates: 1537 – 1587
Terracotta head of a woman
Object type: head of a woman
Date: 400 – 301
Materials: terracotta
Culture: greek, south italian, tarentine
Subjects: heads,women

The woman's hair is gathered in a piece of fabric, and a wide band circles her forehead.
Ontvangst van de eerste Nederlandse gezant in de Amerikaanse senaat, 1783
Object type: history print
Date: 1788 – 1790
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: rotterdam, mayor, united states of america

Gebruikt als illustratie in: P.A. Loosjes. Vaderlandsche historie, vervattende de geschiedenissen, der Vereenigde Nederlanden (...). Ten onmiddelyken vervolge van Wagenaar's Vaderlandsche historie. Amsterdam: Johannes Allart, dl. 5, 1790.
M'lle Ncalda, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Teacup and saucer
Object type: teacup and saucer
Date: 1876 – 1876
Materials: porcelain
Culture: american
Location: united states
Artist: karl l. h. müller
Artist role: designer
Artist nationality: american
Artist dates: 1820 – 1887
Subjects: flowers

Made as a prototype for a porcelain service exhibited at the 1876 Philadelphia Centennial Exhibition, this tea set depicts troubling imagery on the finials of the teapot and sugar bowl in the form of heads of an Asian and a Black man. While designer Karl Muller’s intent was undoubtedly to present well-known iconography for tea and sugar—a goat is also depicted on the handle of the creamer—the representations reveal the pervasiveness of racist thought in 19th-century America. The Black head also underscores how the commodity of sugar was inextricably linked to the exploitation of enslaved labor, especially in the Atlantic World.
Portret van Heinrich August Ottokar Reichard
Object type: print
Date: 1772 – 1825
Materials: paper
Techniques: engraving, etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Landschap met stenen brug bij een huis
Object type: watercolor
Date: 1813 – 1862
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: barend cornelis koekkoek
Artist role: draughtsman, painter, print maker
Artist dates: 1803 – 1862
Subjects: farm or solitary house in landscape
Amerigo Vespucci, Italian Navy, from the Naval Vessels of the World series (N226) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: navy,ships

Trade cards from the "Naval Vessels of the World" series (N226), issued in 1889 to promote Kinney Tobacco Company.
Stove
Object type: stove
Date: 1684 – 1685
Materials: faience
Techniques: glazing
Artist: david ii pfau
Artist role: maker
Artist dates: 1644 – 1702
Subjects: fruit,samson,abraham,david,goliath
Portret van Franz Oberthür
Object type: print
Date: 1829 – 1859
Materials: paper
Techniques: engraving
Location: würzburg
Subjects: knighthood order, historical persons
Inscriptions: collector's mark: Lugt 2228
Zhou Dunyi admiring lotus flowers
Object type: framed fan
Date: 1867 – 1900
Materials: ink, paper
Culture: chinese
Artist: ren xun
Artist role: artist
Artist nationality: chinese
Artist dates: 1835 – 1893
Portret van Joan N. de Martini
Object type: print
Date: 1749 – 1796
Materials: paper
Techniques: engraving, etching
Artist: johann ernst mansfeld
Artist role: print maker
Artist dates: 1739 – 1796
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Scènes uit het leven van H. Benedictus van Nursia
Object type: album leaf
Date: 1658 – 1659
Materials: paper
Techniques: etching
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: benedict of nurcia, abbot of monte cassino and founder of the benedictine order; possible attributes: aspergillum, book, cup (sometimes broken), raven with loaf, sieve (or tray)

Maakt deel uit van een serie bestaande uit 33 prenten met voorstellingen uit het leven van de Heilige Benedictus van Nursia in ornamentele cartouches, uitgegeven in 1658-1659. De prenten zijn gedrukt van drie afzonderlijke platen bestaande uit de voorstelling, de cartouche en de tekst.
Cravat End
Object type: costume and accessory
Date: 1700 – 1750
Materials: lace, linen
Techniques: lace
Location: belgium
Subjects: figures (representations), fashion, animals, birds, flowers, floral motifs, plant-derived motif, suns, cannons, soldiers, fabric, sun, woman, roosters, armor, drums
Inscriptions: [Lower center]: Monogram LL

When the heavily Baroque fashions originating at the court of Louis XIV (r. 1643–1715) were simplified during the late 1660s, accessories underwent similar changes. Once belonging to a set of two, this splendid piece of Brussels lace may have been made for the Sun King himself shortly before his death. This type of bobbin part-lace, initially produced in Brussels during the eighteenth century, consists of individual motifs made separately but joined together so skillfully that the seams are almost imperceptible. Worn with its mate, slightly gathered at the neck, this rectangular piece of fabric is replete with symbols signifying the elevated status of its wearer. At center are a rooster and trophies, beneath which is the king’s monogram of double Ls. Surmounting this image and supported by two trumpeting angels is a baldachin, a canopy carried over important personages during processions. Armed female warriors appear to the right and left, and gracing the upper corners are the Maltese cross and the sun, the latter the emblem of Louis.
S. Havercamp
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: lithograph
Location: leiden
Artist: leendert springer (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1789 – 1871
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Springer, Leendert. Galerij van hoogleeraren aan de Hoogeschool te Leijden, naar de oorspronkelijke afbeeldsels op de Senaat-zaal aldaar berustende. Leiden: Springer, Leendert., s.a. [circa 1850].
Portret van Anne Hilarion de Tourville
Object type: print
Date: 1656 – 1706
Materials: paper
Techniques: engraving
Location: france
Subjects: paris, unicorn, ornament ~ medallion, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Handle Spout Jug with Quadruped Motifs
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Culture: moche
Location: peruvian north coast
Perspective study of an Arched Colonnade
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: arches