deem-data/ArtiFact huggingface dataset:
Birds and Animals Used in Military Insignia
Object type: hanging scroll
Date: 1867 – 1900
Materials: ink, silk
Culture: chinese
Artist: zhuwu jushi
Artist role: artist
Artist nationality: chinese
Subjects: animals,birds,landscapes
Poppenstoof met negen gaten
Object type: miniature
Date: 1400 – 1950
Materials: wood
Artist: Anonymous
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Object type: drawing
Date: 1590 – 1593
Materials: chalk, ink
Techniques: pen, drawing
Artist: agostino carracci
Artist role: artist
Artist nationality: italian
Artist dates: 1557 – 1602
Subjects: male nudes
Kaarte van den eylande Oud en Nieuw Roosenburg, Blankenburg, Ruyge en Lange Plaat. Gelegen in de rivier de Maase. Naar de groote kaart, verklynt en verbeeterd door Reinier Ottens
Object type: drawing
Date: 1727 – 1772
Materials: ink, paper, pencil
Techniques: brush, pen
Subjects: maps of separate countries or regions, polder, reclaimed land
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Kaart van het eiland Rozenburg, gelegen in de Maas. In verkleinde en verbeterde vorm getekend naar de achtdelige kaart 'Kaarte ende meetinge … van den eijlande Oudt en Nieuw Roosenburg…' (RP-P-AO-13-8). Linksonder een schaalstok: 400 Brielle of Voornsche roeden. Rechtsboven de titelcartouche. Met rooster.
Het handelsbureau aan de Kali Mas
Object type: photograph
Date: 1876 – 1884
Materials: photographic support
Techniques: albumen print
Location: batavia
Artist: herman salzwedel
Artist role: fotograaf
Subjects: the hague, colonial system, locations for trading, surabaya, java

Het handelsbureau aan de Kali Mas in Soerabaja met op de brede galerij een zestal Europeanen. Voor het gebouw een paard en wagen en op de voorgrond een prauw aan de kade. Op het bordje naast de linkeringang Burt Myrtle & Co. Onderdeel van het fotoalbum door de Soerabayasche Vereeniging van Suikerfabrikanten aangeboden aan Frederik Beyerinck, resident van Soerabaja.
Petit Courrier des Dames, 1827, No. 445 : Habit couleur de bronz (...)
Object type: fashion print
Date: 1827 – 1827
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (vest) (+ men's clothes), trousers, breeches (+ men's clothes), cape (+ men's clothes), coat (+ men's clothes), head-gear: hat (+ men's clothes), fashion plates, shoes, sandals (+ men's clothes), neck-gear: collar (+ men's clothes), (military) uniforms
Inscriptions: title: ‘Petit Courrier des Dames.’, caption: ‘Habit couleur de bronze, Col en batiste imprimée qui dispence, de Col de Chemise Jilet piqué, Pentalon de Calcuta, Menteau Ecossais, Chapeau Elastique.’, title: ‘Modes de Paris.’, address: ‘Boulevard des Italiens No.2 près le passage de l'Opèra.’

Bronskleurige 'habit'. Kraag van bedrukte batist, los van de kraag van het hemd. Vest van piqué. Spanbroek of 'pentalon de calcuta'. Schots geruite mantel. Accessoires: hoed of 'chapeau Elastique', handschoenen, platte schoenen met strikken en puntige neuzen. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Brug in Delft
Object type: print
Date: 1888 – 1931
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: bridge in city across river, canal, etc., delft
Heraldic panel
Object type: heraldic panel
Date: 1501 – 1600
Materials: glass
Small bottle-vase
Object type: vase
Date: 1801 – 1900
Materials: glaze, paste, porcelain
Culture: chinese
Zischägge (Helmet)
Object type: armor
Date: 1620 – 1640
Materials: brass, steel, textile
Techniques: gilding
Culture: german
Location: germany
Portrait of a Woman
Object type: painting
Date: 1551 – 1588
Materials: canvas, oil
Artist: rolán de moys
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1515 – 1592
Subjects: portraits,women,dogs
Djed Pillar Amulet
Object type: amulet, djed pillar
Date: 664 – 630
Materials: faience
Location: egypt

The djed-pillar is a stylized representation of an early fetish that probably consisted of plant material. From the beginning of ancient Egyptian history, it was used as a symbol signifying permanence. Later it was associated with the god Osiris and identified as his backbone. The djed-pillar here was probably used as a funerary amulet to ensure permanence and to closely connect the deceased to Osiris, who was revived after death.
Pair of wall brackets
Object type: wall bracket
Date: 1735 – 1740
Materials: wood
Techniques: carving, gilding
Beaker (Passglas)
Object type: beaker
Date: 1601 – 1700
Materials: glass
Blad met acht eenden (Anas), zaagbekken (Mergus) en andere watervogels
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Subjects: water-birds: goose, water-birds: oystercatcher, water-birds: merganser, water-birds: duck

Blad met acht verschillende soorten eenden, zaagbekken, een gans en een scholekster. Genummerd rechtsboven: 5. Met de Latijnse namen. Onderdeel van het derde album met tekeningen van vogels. Vijfde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Hosannah!, from "Dalziels' Bible Gallery"
Object type: print
Date: 1863 – 1881
Materials: paper
Techniques: engraving
Artist: simeon solomon
Artist role: artist
Artist nationality: british
Artist dates: 1840 – 1905
Subjects: musical instruments,profiles,women

In 1862 the Dalziel Brothers, prominent Victorian wood engravers, approached a group of British artists with plans for a lavishly illustrated Bible. Work began immediately, but the sixty-seven prints of Old Testament themes were not published until 1881. Solomon came from a prominent Jewish family and intended his six designs to celebrate his heritage. Hosannah! shows a temple musician during the Feast of Tabernacles and was inspired by a line in Psalm 149, "Praise for God’s goodness to Israel." Solomon admired Dante Gabriel Rossetti and Edward Burne-Jones, and this early work places him in Pre-Raphaelitism’s second wave.
Part of Buckle
Object type: part of buckle
Date: 1401 – 1700
Materials: brass, gilt, gold
Culture: european
La Mode Illustrée, 1883, No. 41 : Toilettes de Mme Delaunay (...)
Object type: fashion print
Date: 1883 – 1883
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: cut flowers; nosegay, bunch of flowers, walking-stick, staff, cane (+ women's clothes), veil (+ women's clothes), landscapes in the temperate zone, fashion plates, head-gear: hat (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), parasol, sunshade (+ women's clothes)
Inscriptions: title: ‘La Mode Illustrée’, caption: ‘Toilettes de M.me Delaunay, rue Godot de Mauroy, 49.’, address: ‘Bureaux du journal, 56, rue Jacob. Paris’

Twee vrouwen op een heuvel, in japonnen van Delaunay met wandelstok, die ook als parasol kan worden gebruikt. Prent uit het modetijdschrift La Mode Illustrée (1860-1937).
Constantinople. La Corne d'Or au crépuscule
Object type: photomechanical print
Date: 1906 – 1920
Materials: cardboard, photographic process
Artist: Anonymous
Subjects: dusk, evening twilight, ships (in general), prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage)
Nicolaaskerk in Amsterdam gezien vanaf de Oudezijds Voorburgwal
Object type: photograph
Date: 1910 – 1930
Materials: paper, photographic support
Techniques: gelatin silver print
Location: oudezijds voorburgwal
Artist: Anonymous
Subjects: canal, church (exterior)

Onderdeel van Album met foto's van Amsterdam en omgeving.
Plateau
Object type: plateau
Date: 1831 – 1832
Materials: silver gilt
Artist: richard sibley i
Artist role: maker
Artist nationality: british
Artist dates: 1793 – 1836
Subjects: soldiers,men,horses

This distinctive plateau is a smaller version of a renowned plateau made for presentation to Sir Arthur Wellesley, duke of Wellington (1769–1852), the victor of the war against the Napoleonic armies that invaded Portugal and Spain (the Peninsular War, 1808–14). The piece was made on the order of the regent of Portugal John VI. The original Portuguese work is in Apsley House, the duke's London mansion. The pictorial composition shows the duke with some of his generals in high relief, against a background of flags and cannon smoke. The plateau is an early example of commemorative works referring to specific people or events that would become a conspicuous theme in nineteenth-century silver production.
Magonza / Mainz / Mayence
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228
Urnersee mit Urirotstock un Bristenstock
Object type: photomechanical print
Date: 1903 – 1904
Materials: cardboard
Techniques: photograph, writing
Location: urnersee
Artist: Anonymous
Subjects: ships (in general), lake, mountain-range, snow peaks
Filips de Schone, hertog van Bourgondie
Object type: jeton
Date: 1496 – 1508
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: bruges, filips de schone (hertog van bourgondië)

Koperen penning. Voorzijde: wapenschild onder gekroonde helm binnen omschrift. Keerzijde: bekroonde letter P tussen twee sterretjes, monogram van letters Q en V, gescheiden door sterretje en vuurslag, waar vonken uit schieten binnen omschrift
Study for Saint Francis of Assisi Giving His Cloak to an Impoverished Knight
Object type: drawing and watercolor
Date: 1591 – 1595
Materials: graphite, ink, paper, paint, watercolor
Techniques: brush, pen, wash
Location: italy
Artist: giovanni battista della rovere, called il fiamminghino
Waterval bij Morgenbach nabij Lorch
Object type: print
Date: 1852 – 1906
Materials: paper
Techniques: etching, intaglio, retroussage
Artist: emilie rolin-jacquemijns
Artist role: print maker
Artist dates: 1842 – 1906
Subjects: waterfall
Inscriptions: collector's mark: Lugt 2228
Ware afbeelding der h. ambassadeurs ende gecomitteerde tot het bestant
Object type: print
Date: 1614 – 1616
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: jacob van malderé, the hague, johan van oldenbarnevelt, willem lodewijk graaf van nassau-dillenburg, cornelis van gent, paris, peace negotiations, historical persons
Twee paren bij hek in bos
Object type: stereograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Subjects: gate, entrance, couple of lovers
The artist's mother seated, in an oriental headdress: half length
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: neeltje willemsdr. zuytbrouck
Inscriptions: monogram and date: ‘RHL 1631’, collector's mark: Lugt 2228, collector's mark: Lugt 2610
Heart Scarab
Object type: heart scarab
Date: 1295 – 1070
Materials: limestone
Location: egypt
Subjects: hieroglyphs,scarabs
Sheet with striped and abstract pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Cuneiform tablet: purchase of a field
Object type: cuneiform tablet
Date: 596 – 596
Materials: clay
Culture: babylonian
Location: mesopotamia
Gezin uit Rome
Object type: album leaf
Date: 1818 – 1818
Materials: paper
Techniques: etching
Location: rome
Artist: bartolomeo pinelli
Artist role: draughtsman, print maker, sculptor
Artist dates: 1781 – 1835
Subjects: landscape with ruins, feeding a baby, folk costume, regional costume, rome
Inscriptions: date

Een zittende jongeman kijkt naar een jonge vrouw die een kind de borst geeft. Op de achtergrond een landschap met ruïnes. De prent maakt deel uit van een album.
Plantage met gewas
Object type: stereograph
Date: 1913 – 1930
Materials: glass
Techniques: photography
Location: suriname
Artist: theodoor brouwers
Artist role: amateurfotograaf
Artist dates: 1874 – 1932
Subjects: amsterdam, theodoor brouwers, suriname

In de periode 1911-1932 woonde op plantage Accaribo in Suriname de familie Brouwers van wie de foto's afkomstig zijn. Rond 1910 vond Theodoor Brouwers werk op plantage Accaribo. In 1929 werd hij eigenaar van de plantage. Op Accaribo werden in zijn tijd bananen geproduceerd en wat koffie.
Eglise Notre Dame
Object type: stereograph
Date: 1860 – 1860
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: notre-dame
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Interior, head, neck, and part of upper torso of satyr with hand on forehead; one letter of an inscription, pi; Exterior, toes; feet of a figure to right; end of a stick
Studioportret van een onbekende vrouw
Object type: photograph
Date: 1907 – 1920
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: studio ~ photographer, adult woman
Gezicht op de Amstel bij herberg de Beerebijt
Object type: print
Date: 1708 – 1740
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: matthijs pool
Artist role: print maker
Artist dates: 1676 – 1740
Subjects: river, hotel, hostelry, inn, boat propelled by man or animal
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2233

Prent gebruikt in: Pool, Matthijs. Verscheyde gesigten van de vermaarde rievier de buyten Amstel van de stadt Amsterdam, tot het dorp Ouwerkerk (…) / Plusieurs veuës et perspectives de la fameuse riviére de Buyten-Amstel depuis Amsterdam jusqu'au village d'Ouwerkerk (…). Amsterdam: Matthijs Pool, z.j. [1708-1740].
Zittende figuur in een interieur
Object type: sketchbook leaf
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: sitting figure, interior of the house

Pagina 31 uit een schetsboek met 54 bladen.
Herd of Pigs
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: etching
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Uittocht van het Pruisische leger
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: frederik willem ii (koning van pruisen), riding a horse, ass, or mule; rider, horseman, warfare; military affairs, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
Portret van Albrecht, aartshertog van Oostenrijk
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: albrecht aartshertog van oostenrijk
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, draped woman running to right, wearing a sakkos, chiton, and himation; Obverse, right forearm and hand and legs of male to right; draped woman to left, wearing a chiton and himation, holding a lyre in her left hand; left hand of a third figure; Reverse, left knee, calf, and foot of a male to right; circumscribed palmette with a lotus bud
Copy of Les Bohémiens en Marche: L'Arrière-Garde, pièce aussi appelée Le Départ (The Gypsies Travelling: The Rear Guard, also called The Departure), from "Le Bohémiens..."
Object type: print
Date: 1601 – 1700
Techniques: engraving, etching
Artist: Anonymous
Artist role: artist
Portret van Galenus Abrahamsz. de Haan
Object type: print
Date: 1660 – 1678
Materials: paper
Techniques: mezzotint
Artist: anna maria van schurman
Artist role: draughtsman, print maker
Artist dates: 1607 – 1678
Subjects: galenus abrahamsz. de haan, theologian, historical persons, medicine, medical science (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228
Portret van een onbekende vrouw
Object type: cabinet photograph
Date: 1880 – 1905
Materials: cardboard, photographic support
Techniques: daylight paper print
Location: amsterdam
Subjects: adult woman

Geportretteerde is ook afgebeeld op RP-F-F19081.
Portret van Anna Maria Vaiani
Object type: print
Date: 1624 – 1636
Materials: paper
Techniques: engraving
Location: rome
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: painter, print maker, draughtsman, historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
Turkish Officer, from World's Smokers series (N33) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,profiles,smoking

Trade cards from the "World's Smokers" series (N33), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Printer's samples included in set, as well. The printer's sample cards are on thinner card stock and do not have any printed text.
Brief aan Willem Vogelsang
Object type: letter
Date: 1904 – 1904
Materials: ink, paper, pencil
Techniques: pen, writing
Location: amsterdam
Subjects: print maker, matthijs maris, maastricht, engineer, jonkheer barthold willem floris van riemsdijk, leiden, utrecht, draughtsman, willem vogelsang, painting (including book-illumination, miniature-painting), historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: Lugt 2228
Appareil pour pointer les repères
Object type: page
Date: 1922 – 1932
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: photographic apparatus
Inscriptions: name: ‘Cl. l'Appareillage photomécanique.’
Small Shoulder Drum (Kotsuzumi) with Hydrangeas for Noh Performance
Object type: drum
Date: 1701 – 1800
Materials: gold, silver, wood
Techniques: hiramakie, lacquer
Culture: japanese
Twee molens aan een waterplas
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: etching, intaglio
Artist: albert dillens
Artist role: print maker
Artist dates: 1844 – 1915
Subjects: windmill in landscape
Inscriptions: collector's mark: Lugt 2228

Prent verschenen in: Album du journal des Beaux-Arts, dix eaux-fortes inédites. Brussel: Decq et al., 1874.
Portret van William Pitt
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: etching
Location: london
Subjects: london, politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Rug
Object type: rug
Date: 1801 – 1900
Materials: cotton, silk
Culture: chinese
Zeegevecht tussen Hollanders en Fransen op de Noordzee (plaat 13), 1694
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: etching
Location: amsterdam
Artist: adriaen schoonebeek
Artist role: print maker, publisher
Artist dates: 1661 – 1705
Subjects: battle (+ naval force)

Zeegevecht tussen Hollanders en Fransen op de Noordzee. Plaat nr. 13 in een serie van 14 genummerde platen van een zeegevecht voorgevallen tussen een Hollands eskader onder Hidde Sjoerds de Vries en Franse schepen onder Jan Bart op de Noordzee, 29 juni 1694.
Fotoreproductie van een schilderij van Maria met Kind door Hans Holbein
Object type: page
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Artist: hanns hanfstaengl
Artist role: print maker
Artist dates: 1820 – 1885
Subjects: madonna: i.e. mary with the christ-child, picture, painting
Deep dish with cover (part of a service)
Object type: dish with cover
Date: 1790 – 1800
Materials: hard paste porcelain
Subjects: coat of arms
Gezicht op de Kraansluis in Amsterdam
Object type: print
Date: 1911 – 1911
Materials: paper
Techniques: etching, intaglio
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: canals, waters (in city), the usual house or row of houses, bridge
Toevlugt voor Behoeftigen
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: public welfare, communal rooms, bed, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b, stamp: ‘T.v.B.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: III. Verschillende gestichten en instellingen / Hofjes: Toevlucht voor Behoeftigen.
The Happy Cottagers
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: engraving
Location: london
Subjects: cottage, family life at home, (other forms of) needlework, e.g.: crocheting, knitting, embroidering, fringe, edge of the wood (+ landscape with figures, staffage)
Wreedheden in een dorp aan het water, 1672
Object type: print
Date: 1673 – 1675
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: rape, violation, violent death, being killed; being mishandled and maltreated; seeking death, massacre ~ war, bodegraven

Prent ook gebruikt in: Bosch, Lambert van den. Toneel des oorlogs, opgerecht in de Vereenigde Nederlanden; door de wapenen van de koningen van Vrankrijk en Engeland, Keulsche en Munstersche […]. 4 delen. Amsterdam: Jacob van Meurs en Johannes van Someren, 1675, dl. 3, p. 128.

In tegenstelling tot de andere prenten in deze reeks is deze voorstelling niet opgenomen in: Valckenier, Peter en Andreas Muller. Das verwirrte Europa […]. 3 delen. Amsterdam: Hendrik en Dirk Boom, Joannes van Someren en Jacob van Meurs, 1677-1683, dl. 1 (1677).

Deze prent is gekopieerd naar een prent van Romeyn de Hooghe (RP-P-OB-77.198). Die prent is gebruikt in: Wicquefort, Abraham van. Avis fidelle aux veritables hollandois. Touchant ce qui s’est passé dans les villages de Bodegrave & Swammerdam, & les cruautés inoüies, que les françois y ont exercées […]. S.l. [Den Haag]: s.n.[Daniel en Johannes Steucker], 1673.
Engeland en Transvaal
Object type: cartoon
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personifications of countries, nations, states, districts, etc., lions and tigers (circus performance), beasts of prey, predatory animals: lion, political caricatures and satires

Lord Salisbury waarschuwt Joseph Chamberlain die de gekooide Transvaalse leeuw, Paul Kruger, met zijn paraplu prikt, niet teveel te tergen. In de aanloop naar de Tweede Boerenoorlog.
Gate of the Metwáleys - Cairo
Object type: print
Date: 1846 – 1855
Materials: paper
Techniques: engraving, etching
Subjects: market, city-gate
Inscriptions: collector's mark: Lugt 2228

Prent gebaseerd op het schilderij door David Roberts gemaakt tussen 1839 en 1840 in de collectie van de Royal Collection Trust onder inventaris nummer: 403602.
Deze prent is gebruikt in: C. H. Hall's Royal Gallery of Art. Londen: P & D. Colnaghi & Co, Manchester: T Agnew & Sons, 1855. De uitgave is gebonden in Londen door Riviere (zie inventaris nummer: 1112443, tevens in de Royal Collection Trust).
Gevleugeld zeepaard met aan het einde van zijn staart een open blad waaruit twee stampers steken
Object type: print
Date: 1526 – 1606
Materials: paper
Techniques: engraving
Location: germany

Tegenzijdige kopie naar prent met objectnummer RP-P-1984-436.
Park in Antwerpen in de sneeuw
Object type: page
Date: 1880 – 1885
Materials: cardboard, paper
Techniques: photograph
Location: munich
Subjects: park, snow, public gardens, park, antwerp
Inscriptions: inscription: ‘Diplome de Médaille d'or./ Concours de négatifs 1885’
The Annunciation (Angel Approaching from Left)
Object type: drawing
Date: 1700 – 1750
Materials: chalk, ink, paper
Techniques: pen
Artist: pedro  duque cornejo
Artist role: artist
Artist nationality: spanish
Artist dates: 1677 – 1757
Subjects: angels,annunciation

For the attribution of this drawing to the sculptor Pedro Duque Cornejo, see M. García Luque, 'Dibujos de Duque Cornejo en el Álbum Jaffe (I): la colección del Metropolitan Museum of Art’, Philiostrato. Revista de Historia y Arte, no. 3, 2018, cat.no. 7