deem-data/ArtiFact huggingface dataset:
Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault
Object type: print, fete, ornament architecture
Date: 1629 – 1629
Techniques: etching
Artist: melchior tavernier
Artist role: artist
Artist nationality: french
Artist dates: 1564 – 1641
Subjects: architecture,arches
Le delicie della Brenta
Object type: print
Date: 1750 – 1760
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni francesco costa
Artist role: draughtsman, painter, print maker
Artist dates:  – 1773
Subjects: river, tow-boat, towing-barge

Gezicht op de Villa di Oriago del N. H. Mora aan de rivier Brenta. Op het water vaart een trekschuit. Genummerd midden onder: XVII en rechtsonder: Tom: I. Deze prent maakt deel uit van een album.
Esterbrook, 1st Base, Indianapolis, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Sheet 3: Trophies of War, from "The Triumph of Julius Caesar"
Object type: print
Date: 1599 – 1599
Techniques: hand coloring, woodcut
Artist: andrea andreani
Artist role: artist
Artist nationality: italian
Artist dates: 1558 – 1629
Subjects: weapons,men,trophies

This print is from a scrapbook (album) containing woodcuts and chiaroscuro prints. It was presumably taken apart when it was acquired by The Met in 1922. On the front page of the volume there appeared a statement that this collection was made by the poet Samuel Rogers (1763-1855) and then bought by Angela Coutts (1816-1906) in memory of him at the sale of the collection at his house (28 April – 20 May, 1856). #1615a Rogers Sale. #146 Burdett Coutts Sale (Sotheby’s, May 1922). The prints from the original album have the range 22.73.3-1–22.73.3-161.
Het Rokin. Amsterdam.
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: diligence, omnibus, horse-tram, canal

Onderdeel van Leporelloalbum met 24 foto's van Amsterdam.
Doop der wederdopers, 1535
Object type: print
Date: 1657 – 1659
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: baptism ~ protestant service, amsterdam

Illustratie voor: L. Hortensius, Het boeck D. Lamberti Hortensii (...). Van den oproer der weder-dooperen, J.J. Schipper, Amsterdam 1659. De prenten in deze uitgave zijn gekopieerd naar de anonieme gravures in de eerste uitgave van 1614. Naar het verloren gegane schilderij van Barend Dircksz. in het oude stadhuis te Amsterdam.
Marienplatz München
Object type: photograph
Date: 1850 – 1900
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: marienplatz
Zelfportret van Philip Windt
Object type: drawing
Date: 1900 – 1900
Materials: chalk, paper
Techniques: brush
Artist: philip windt
Artist role: draughtsman
Artist dates: 1847 – 1921
Subjects: the hague, draughtsman, philip windt, historical persons, portrait, self-portrait of artist
Mathias Flaccius illyricus Theologns.
Object type: print
Date: 1597 – 1599
Materials: paper
Techniques: engraving
Location: france
Artist: robert boissard
Artist role: print maker
Artist dates: 1570 – 1611
Subjects: historical persons, book
Inscriptions: collector's mark: Lugt 2233
Kamer in landhuis De Wildbaan, Driebergen, met bureau, studieboeken en jachttrofeeën
Object type: photograph
Date: 1903 – 1907
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Subjects: driebergen
de Avondpost; dagblad voor stad en land
Object type: newspaper
Date: 1898 – 1898
Materials: paper
Techniques: printing
Location: the hague
Subjects: the hague, print maker, wilhelmina of the netherlands, netherlands

Eén van een serie kranten, nrs. 4056 t/m 4073, van "de Avondpost" met berichten over de inhuldiging van koningin Wilhelmina 1898.
Dress
Object type: dress
Date: 1820 – 1820
Materials: cotton
Culture: american or european
Fountains Abbey.  The Church and Chapter House
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: joseph cundall
Artist role: fotograaf, schrijver
Artist nationality: british
Artist dates: 1818 – 1895
Subjects: architecture,abbeys
Beatrice
Object type: photograph
Date: 1866 – 1866
Techniques: albumen silver print, glass negative
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: portraits,women
Duinlandschap
Object type: print
Date: 1944 – 1990
Materials: paper
Techniques: aquatint, drypoint
Artist: kees stoop
Artist role: draughtsman
Artist dates: 1929 – 2019
Subjects: dunes (sea not visible); in the dunes
Inscriptions: signature and date: ‘KEES STOOP’, inscription: ‘2e STAAT’

Duinlandschap met helmgras, een hoge horizon.
Annotatie
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: ink, paper, pencil
Techniques: writing
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘Donderdag/ Vrijdag/ Maris jarig.’

Pagina 99 uit een als schetsboek gebruikte agenda met 80 bladen.
Candlestand
Object type: candle stand
Date: 1700 – 1800
Materials: wood
Culture: american
Location: united states
Jug with a portrait of prince Willem Friso
Object type: jug
Date: 1650 – 1699
Materials: cobalt, glaze, mineral, stoneware, tin
Techniques: firing, forming, relief, turning, vitrification
Location: westerwald
Artist: Anonymous
Subjects: johan willem friso (prins van oranje-nassau), foliage, tendrils, branches ~ ornament
Inscriptions: inscription: ‘WILLEM FRIESO PRINS UND STATHALTER VON FRIESLANTH’

translation of inscription: William Friso, Prince and Stadtholder of Friesland
Makelaarsgilde van Amsterdam
Object type: medal
Date: 1600 – 1800
Materials: brass
Techniques: striking
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing achthoekige penning. Voorzijde: in ronde parelcirkel: gekroond wapenschild, geflankeerd door twee leeuwen. Keerzijde: in ronde parelcirkel: monogram van letters M, A, R en S.`
Altaren, Höfen
Object type: sketchbook leaf
Date: 1857 – 1859
Materials: paper, pencil
Artist: pierre joseph hubert cuypers
Artist role: draughtsman
Artist dates: 1827 – 1921
Subjects: altar
Inscriptions: annotation: ‘Höfen/ S. Laurentius’

Titel gebaseerd op annotatie en inhoudsopgave door Cuypers op blad 77 recto.
Enquêteformulier ingevuld door Louis Philippe de Lannée de Betrancourt
Object type: questionnaire
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: goes
Subjects: louis philippe de lannée de betrancourt
Inscriptions: watermark, inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Headrest
Object type: headrest
Date: 2030 – 1504
Materials: wood
Location: egypt
Cat amulet
Object type: amulet, cat
Date: 664 – 380
Materials: faience
Location: egypt
Subjects: cats
Hood for a cope
Object type: hood
Date: 1501 – 1533
Materials: metal thread, silk
Subjects: christ
Guitar
Object type: guitar
Date: 1787 – 1787
Materials: bone, wood
Culture: spanish
Location: spain
Artist: joseph benedid
Artist role: maker
Artist nationality: spanish
Artist dates: 1760 – 1836

This in an important example of the Spanish guitar in the late 18th century. Made in 1787 by Joseph Benedid in Cadiz, this guitar uses two internal ‘fan’ braces to reinforce the soundboard. Benedid was among the first guitar makers to use this design style which enabled his instruments to be wider while still withstanding the string tension of six double courses. This high-end instrument combines the latest in guitar innovation with elaborate inlay of ebony and mother-of-pearl. (Daniel Wheeldon, 2023)
Figuren in roeiboten en een paard
Object type: sketchbook leaf
Date: 1834 – 1903
Materials: paper, pencil
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: rowing-boat, canoe, etc., horse
Inscriptions: annotation: ‘[...]’, annotation: ‘schetsboekje van/ Weissenbruch’, collector's mark: Lugt 2228a

Voorste vaste schutblad uit een schetsboek met 32 bladen.
Jar with figures in a garden
Object type: jar
Date: 1667 – 1733
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: boys,men
Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing, 7 januari 1913
Object type: invitation
Date: 1901 – 1913
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: criticizing and discussing art, art criticism, circle, club of artists, collecting and exhibiting products of the fine arts, porter, bearer
Inscriptions: collector's mark: Lugt 2228

Drager. Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing op 7 januari 1913 van de portefeuille van de Academie van Beeldende Kunsten en Technische Wetenschappen te Rotterdam.
Collection cup
Object type: collection cup
Date: 1702 – 1704
Materials: silver
Artist: guillaume le roy
Artist role: maker
Artist dates: 1667 – 1729

Shallow silver drinking cups of this kind are known from the late 17th century and continue to be made well into the 18th century. Described in contemporary inventories as “two-handled cups” they have become known as “marriage cups” or, sometimes, “women’s cups.” They seem to have been used at wedding celebrations and are often engraved with one or two names, likely the owners and possibly the names of a bride and groom. All the two-handled cups of this type in The Met’s collection originated in the area around Rennes, Brittany. Examples in other collections come from Dijon and the wine-producing areas of Bordeaux and Burgundy. This cup has a plain bowl engraved with a name and a horizontally reeded foot. The two flat dolphin-shaped handles relate to a similar cup at the Musée du Louvre, Paris, dated to the late 17th century. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, much of it provincial, and includes several rare early pieces.
Portret van Charles de Guise, duc de Mayenne
Object type: print
Date: 1682 – 1730
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: armour
Inscriptions: collector's mark: Lugt 2228

Buste naar rechts van Charles de Guise, hertog van Mayenne in een ovaal met daarin zijn naam en titel. Onder het portret een drieregelige tekst in het Latijn.
Vase
Object type: vase
Date: 1885 – 1890
Materials: porcelain
Culture: american
Location: united states
Artist: ott and brewer
Artist role: maker
Artist nationality: american
Artist dates: 1871 – 1893
Subjects: flowers
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 13 (recto)
Object type: book print ornament architecture
Techniques: drawing, etching
Artist: pietro paulo tozzi
Artist role: designer
Artist nationality: italian
Artist dates: 1593 – 1628
Subjects: ornament

Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua. Design is composed of a central rectangle upon which calligraphic text is printed in black. Immediately following the text is a twisting linear motif. Surrounding this middle section is a decorative border comprised of 2 levels of geometric and linear motifs.
Ontwerpen voor cartouches
Object type: album leaf
Date: 1682 – 1729
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: armour, ornament ~ cartouche, cupids: 'amores', 'amoretti', 'putti'

Prent maakt deel uit van een serie van zes prenten.
Autre Veue du Jardin de Vaux
Object type: print
Date: 1631 – 1691
Materials: paper
Techniques: engraving, etching
Subjects: french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 240
Kleed van oosterse textiel met veelkleurig borduurwerk
Object type: kleed
Date: 1800 – 1899
Materials: cotton, silk
Techniques: embroidered, weave
Location: east indies

Kleed van veelkleurig getamboereerde katoen, versierd met bloemranken en ornament, gevoerd met katoen.
Table Spoon
Object type: spoon
Date: 1775 – 1800
Materials: silver
Culture: american
Location: united states
Artist: daniel van voorhis
Artist role: maker
Artist nationality: american
Artist dates: 1751 – 1824
Gezicht op een bordes in de Leidsekruisstraat te Amsterdam, ter hoogte van de Korte Leidsedwarsstraat
Object type: sketchbook leaf
Date: 1907 – 1907
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, street
Inscriptions: annotation: ‘Leidskruisstraat [sic] b/d Korte Leidsedw. str’

Gezicht op een stoep met een bordes in de Leidsekruisstraat te Amsterdam, ter hoogte van de Korte Leidsedwarsstraat. Pagina 64 uit een schetsboek met 46 bladen vervaardigd in Amsterdam, Rotterdam en Haarlem.
Silver table centrepiece with Chinese scenes
Object type: table piece
Date: 1880 – 1883
Materials: silver
Location: china
Artist: Anonymous
Subjects: amsterdam, sumatra, china
Inscriptions: mark, inscription: ‘Aan den Heer J.T. Cremer van de Deli-Langkat en Serdang planters 1883’

Rijk versierde zilveren tafelstuk in 1883 aangeboden aan de heer J.Th. Cremer. Stervormig voetstuk met 8 punten waarop een 8-hoekig deel met 4 uitkomende olifanten en opschrift. Tussen vaas en voetstuk 4 dragende vissen. Op de vaas voorstellingen uit het Chinese leven. Twee handvatten in de vorm van draken. Bovenop los deksel bekroond met een Chinese mandarijn.
Vrijend paar
Object type: book illustration
Date: 1948 – 1948
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Subjects: (showing oneself) undressed, quasi-nude, couple of lovers

Prent uit: Lucianus van Samosata. Dialogues des Courtisanes. [Vertaald uit het Grieks door] Charles Astruc. Parijs: s.n., 1948, boven colofon.
Brougham #3910
Object type: drawing
Date: 1884 – 1884
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Leven van Hans van Polen
Object type: print
Date: 1850 – 1870
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: contrast between rich and poor, church organ, warfare; military affairs, tales and fairy tales, milkmaid
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Blad met 12 voorstellingen uit het leven van Hans van Polen. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 96. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Le Cathédrale, Cologne
Object type: tissue stereograph
Date: 1865 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring, perforating
Location: cologne
Artist: Anonymous
Subjects: church (exterior)
Snuffbox
Object type: snuffbox
Date: 1834 – 1866
Materials: silver
The King, from "The Dance of Death"
Object type: print
Techniques: woodcut
Artist: hans holbein the younger
Artist role: artist
Artist nationality: german
Artist dates: 1497 – 1543
Subjects: food,kings,skeletons,men,death,hourglass
Close-Helmet
Object type: close helmet
Date: 1560 – 1560
Materials: steel
Techniques: polychromy
Culture: british or flemish
Location: england

The prow-like lower visor of this helmet is the most recognizable characteristic of a distinctive style that was made about the middle of the sixteenth century in either England or Flanders. This particular helmet is interesting because it was later adapted and reused as a funerary achievement, meaning that it was hung in a church above the tomb of a gentleman. Indicators of this are the painted decoration and the relatively crude spike, designed to hold a crest, piercing the comb at the top. Funerary helmets are rare, particularly outside the context of English churches.
Cup
Object type: item used in making cloisonné enamel
Date: 1867 – 1933
Culture: japanese
Double-Handled Jar
Object type: vessel
Materials: brick, earthenware
Location: china
Sint Nicolaaskathedraal te Newcastle
Object type: print
Date: 1785 – 1838
Materials: paper
Techniques: engraving
Subjects: church (exterior), four-wheeled vehicle drawn by two animals, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Empress of Russia
Object type: photograph
Date: 1860 – 1869
Techniques: albumen print
Location: france
Artist: émile desmaisons
Artist role: artist
Artist nationality: french
Artist dates: 1812 – 1880
Subjects: paris
Brief aan Anne Marie Louise van der Linden
Object type: letter
Date: 1913 – 1913
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: camille redon-falte
Artist dates: 1853 – 1923
Subjects: passions, emotions, affections, family life
Inscriptions: watermark

Brief behoort tot een album samengesteld door weduwe Françoise W.M. Barones van der Borch van Verwolde met afschriften van brieven met betrekking tot (de familie van) Odilon Redon. De brief werd bewaard op pagina 101.
Silver bracelet fragments
Object type: bracelet fragment
Date: 3900 – 100
Materials: silver
Culture: cypriot
Arnolphus, nothus Carolomanni Bavariae regis (...)
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: utrecht
Subjects: historical persons, emperor

Prent uit: Bogaert, Abraham. De Roomsche monarchy, vertoont in de muntbeelden der westersche en oostersche keizeren (...). Utrecht: François Halma en Willem van de Water, 1697, p. 353. Eerste staat verschenen in een grotere prent met twaalf portretten, gedateerd 1695.
Sterling uit Brabant van  Jan I, 1268-1294
Object type: coin
Date: 1282 – 1294
Materials: silver
Techniques: striking
Location: maastricht

Voorzijde: in een punt uitlopend Limburgs wapenschild, waaromheen omschrift. Keerzijde: lang dubbellijnig kruis, in de hoeken letters T,R,I en T. Daaromheen omschrift.
Christus voor Annas en in de hof van Getsemane
Object type: book illustration
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: agony of christ; three (or eleven) apostles sleeping, christ before annas (hanna); maybe a soldier about to strike christ (john 18:13, 18:19-24)
Inscriptions: collector's mark: Lugt 240

Christus wordt door gewapende soldaten voor de hogepriester Annas geleid. Eén van de soldaten staat op het punt Christus in het gezicht te slaan. Op de achtergrond bidt Christus in de hof van Getsemane en vraagt aan God of deze beker aan hem voorbij mag gaan. Petrus, Johannes en Jacobus slapen.
Gezicht op Zermatt in Zwitserland
Object type: photograph
Date: 1879 – 1889
Materials: photographic support
Techniques: albumen print
Location: wallis
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, river
Lezende vrouw aan een tafel
Object type: print
Date: 1867 – 1904
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: leo van aken
Artist role: print maker
Artist dates: 1857 – 1904
Subjects: adult woman, reading
Inscriptions: collector's mark: Lugt 2228
Imagerie Artistique / Série 13
Object type: print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Subjects: pipe ~ tobacco, seaman, tales and fairy tales, seaman: sailor
Inscriptions: : ‘marque de fabrique / deposée’, collector's mark: Lugt 2760

Blad met 9 voorstellingen van matroos Klimmast en zijn pijp. Onder elke afbeelding een onderschrift. Genummerd linksboven: Série 13. - No. 7.
William "Jack" Frank Horner, Pitcher, New Haven, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Wijding van bisschoppen en aartsbisschoppen
Object type: print
Date: 1722 – 1722
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: archbishop, bishop, etc. (roman catholic), inauguration, consecration of person(s) ~ church, insignia of bishop, e.g. mitre, crozier
Inscriptions: collector's mark: Lugt 2233

Blad met zes voorstellingen van het wijden van bisschoppen in de rooms-katholieke kerk. Linksboven: De pas gewijde bisschop ontvangt de bisschopsring. Rechtsboven: Het Evangelieboek wordt de nieuwe bisschop aangeboden. Links midden: De nieuwe bisschop pntvangt brandende kaarsen. Rechts midden: De nieuwe bisschop ontvangt de bisschopsmijter. Linksonder: De nieuwe bisschop ontvangt de bisschopsstaf. Rechtsonder: Een nieuwe aartsbisschop ontvangt het pallium. Rechtsboven genummerd: No. 55.