deem-data/ArtiFact huggingface dataset:
Fragmenten voet van een kandelaar uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: candlestick
Date: 1700 – 1743
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Candlestick, foot; fragm of moulded rims, sim. NG-1980-27H2812.
Huizenrij
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: london
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: urban housing

Pagina 21 en pagina 22 uit schetsboek XXXV met 36 pagina's.
Portret van Adolphe Niel
Object type: print
Date: 1850 – 1878
Materials: paper
Techniques: lithograph
Location: london
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: check stamp: Lugt 1090
Plate 6: Allegory with Hercules chasing off the Harpies as Justice and Plenty aid the poor, from "Barberinae aulae fornix"
Object type: print
Date: 1677 – 1677
Techniques: engraving
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: men,women,hercules

This print is from a series of plates loosely stitched together representing Pietro da Cortona's ceiling frescoes 'Allegory of Divine Providence and Barberini Power' for the salone of Palazzo Barberini, Rome painted 1630-33. The prints are dedicated to Gaspar de Guzman, Count of Olivares and Duke of Sanlucar (1587-1645). The frontispiece bares the name of Giovanni Giacomo de Rossi who published the series.
Soshu, Shichi-ri ga Hama
Object type: print
Date: 1830 – 1830
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: landscapes,waves
Smidsjongen
Object type: print
Date: 1882 – 1882
Materials: paper
Techniques: drypoint, etching
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: smith, blacksmith
Inscriptions: annotation: ‘3me état’, collector's mark: Lugt 2228
Staande vrouw van Brabant
Object type: watercolor
Date: 1775 – 1800
Materials: paper, watercolor
Techniques: brush
Location: netherlands
Artist: Anonymous
Subjects: clothes, costume (+ women's clothes), folk costume, regional costume

Staande vrouw met een mand in de hand, naar links, in klederdracht van Noord-Brabant. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: De Kleeding, Volkskleederdracht.
Enkele zeilschepen, bij de wal
Object type: drawing
Date: 1820 – 1872
Materials: paper, pencil
Techniques: brush
Artist: hendrik abraham klinkhamer
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1872
Subjects: sailing-ship, sailing-boat
Wereld der Kunsten - 10
Object type: book
Date: 1891 – 1891
Materials: paper
Techniques: blind stamped, woodcut
Location: tokyo
Inscriptions: collector's mark: ‘Rijksschool voor kunstnijverheid’ Lugt 3937
The Riva, No. 1 (The Riva)
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: buildings,rivers,boats,venice

The artist etched the Riva degli Schiavone from his room in the Casa Jankowitz in Venice. Traditional visual hierarchy is overturned and the foreground filled with a triangular expanse of open plaza. Paving stones are suggested with a few etched lines and the edges enlivened with pedestrians, moored boats, and gondolas. An arched bridge leads across a canal toward a curved bank lined with buildings, concluding in the tiny exclamation point of the Campanile. Whistler arrived in Venice in September 1879, commissioned by the Fine Art Society to prepare twelve etchings in three months, but returned to London in November 1880 with many more plates. This print was published in Venice, a Series of Twelve Etchings (the "First Venice Set") in December.
The infant Christ asleep on a cross, his head resting on a skull, a crown of thorns and nails in the foreground
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: skulls,sleeping,cross,jesus
Portret van Rijnvis Feith
Object type: print
Date: 1797 – 1804
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: rhijnvis feith
Inscriptions: collector's mark: Lugt 2228

Portret van de dichter en advocaat Rhijnvis Feith.
The Dogs of St. Bernard
Object type: print
Materials: paper, steel
Techniques: engraving
Location: england
Artist: george baxter
Artist role: print maker
Artist nationality: english
Artist dates: 1804 – 1867
Subjects: dogs, animals
Double-Sided Pendant with Christ and Virgin
Object type: costume and accessory
Date: 1701 – 1800
Materials: enamel, gold
Culture: european, western
Location: france
Imagerie Artistique / Série 10
Object type: print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Subjects: 'fahrende leute', vagrants, tales and fairy tales, arrest (of criminal)
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen van zwerver Gerrit die gevangen wordt door veldwachters. Onder elke afbeelding een onderschrift. Genummerd linksboven: Série 10. - No. 16.
Verovering van de Kattenburgerbrug, 1787
Object type: print
Date: 1787 – 1789
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), battle (+ citizen soldiery, civil guard, citizen militia)
Inscriptions: collector's mark: Lugt 2233

De verovering van de Kattenburgerbrug naar het eiland Kattenburg op de opstandige Oranjegezinden door de gewapende Amsterdamse burgers, 30 mei 1787. Links een deel van 's Lands Zeemagazijn.
Fles, beschilderd met bloemen in groen, zwart en rood
Object type: miniature
Date: 1800 – 1849
Materials: glass
Location: bristol
Artist: Anonymous

Fles van opaak wit glas, cilindrisch, met vlakke, iets naar binnen gestoken bodem, smalle hals met blauwe glasdraad rond de mond. De buik beschilderd met bloemen in groen, zwart en rood.
Portret van Nel Knoop, actrice, met een door Jeanne van Gelder-Scheffer geknoopt vest
Object type: photograph
Date: 1935 – 1940
Materials: paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: kurt kahle
Artist role: fotograaf
Artist dates: 1897 – 1953
Subjects: portrait of actor, actress
Inscriptions: stamp: ‘Kahle / ZUIDER AMSTELLAAN 8 / AMSTERDAM / TEL. 91675’
Portret van een onbekende man, mogelijk W.T.J. Spinola
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
[Red Bridge]
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: bridges
Jasper intaglio: Lion-headed god
Object type: intaglio, magical
Date: 101 – 300
Materials: jasper
Culture: roman
Subjects: lions,gods
Trouwen dienst bij de landmacht
Object type: insignia
Materials: bronze
Techniques: striking
Location: utrecht
Artist: johannis petrus schouberg
Artist role: die cutter, draughtsman, print maker
Artist dates: 1798 – 1864
Mannenkop van hout
Object type: sculpture
Date: 1600 – 1699
Materials: wood

Mannenkop van hout, gebeeldhouwd met lachende gezichtsuitdrukking.
The Whitesmiths, Impasse des Carmélites
Object type: print
Date: 1894 – 1894
Materials: ink, parchment
Techniques: stumping, lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Gezicht op de tuin bij buitenplaats Rustenhoven
Object type: photograph
Date: 1880 – 1920
Materials: photographic support
Techniques: collodion silver print
Location: maartensdijk
Artist: cornelia hendrika jonker
Artist dates: 1874 – 1924
Subjects: trees, garden
Inscriptions: annotation: ‘Rustenhoven’
Diploma
Object type: page
Date: 1891 – 1893
Materials: paper
Techniques: autotype
Location: prague
Subjects: single printed leaf: broadsheet, leaflet
Dessins faits d'après nature au siège de la Citadelle d'Anvers par Raffet
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: paris
Artist: denis auguste marie raffet
Artist role: draughtsman, print maker
Artist dates: 1804 – 1860
Subjects: (military) camp with tents, siege, position war, firearms: rifle, the soldier; the soldier's life

Rustende Nederlandse soldaten bij een vuurtje; rechts op de achtergrond ruïne van een toren. Onderdeel van de serie van 24 prenten over het beleg van de Citadel van Antwerpen, 30 november - 23 december 1832.
Bosgezicht met wandelaars
Object type: print
Date: 1866 – 1870
Materials: paper
Techniques: lithograph
Location: vichy
Subjects: forest, wood, walking
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Programme de Vichy, een dagblad dat in Vichy werd uitgegeven tussen 1866 en 1870.
Portret van Sir Henry Guildford
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: etching
Location: antwerp
Subjects: hofdignitaris, henry guildford (sir)
Inscriptions: collector's mark: Lugt 240

Portret van Sir Henry Guildford, hofdignitaris van koning Hendrik VIII van Engeland.
Gezicht op een plein in Napels, Italië
Object type: photograph
Date: 1857 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: square, place, circus, etc., trees: palm-tree, naples
Inscriptions: number: ‘[...]’, inscription: ‘Napels’
Rhode, de dienstmaagd van Maria, herkent Petrus die 's nachts aan de deur klopt
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: rhoda, the maidservant, recognizes peter

Prent ook gebruikt in: Biblia ectypa : Bildnussen auss Heiliger Schrifft. Regensburg: Chr. Wiegel, 1697.
Roof Seat Break #3898
Object type: drawing
Date: 1884 – 1884
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Acht ontwerpen voor visitekaartjes
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: sphinx (lion/woman); 'sfinge' (ripa), landscapes in the temperate zone, vase ~ ornament, ornament ~ cartouche, beasts of prey, predatory animals: lion

Acht ontwerpen voor visitekaartjes: vier landschappen met een lege banderol voor de naam, en vier taferelen met verwijzingen naar de oudheid met lege cartouches voor de naam.
President Guzman Blanco of Venezuela, from the Rulers, Flags, and Coats of Arms series (N126-2) issued by W. Duke, Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: coat of arms

Trade cards from the "Rulers, Flags, and Coats of Arms" series (N126-2), issued in 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type, pictured here, is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Oscar Wilde and Whistler
Object type: drawing and watercolor
Date: 1894 – 1894
Materials: board, crayon, ink, ivory
Techniques: pen
Location: england
Artist: philip william may
Artist nationality: english
Artist dates: 1864 – 1903
Inscriptions: Signed recto, upper right, in black ink: "Phil May / 94;" inscribed recto, at bottom, in black ink and graphite: " 'That was an awfully [witty remark] good joke you made last/ night. I wish I [had made it.] could say it was mine.' / 'You will [underlined] my boy. You will [underlined].';" inscribed and erased, lower right, in graphite: "Same size underlined]"

Phil May, a friend of Roussel and a member of the Chelsea Arts Club, contributed caricatures of actors, artists, and writers to London periodicals. The bold style and sharp wit of his drawings attracted a wide following, and his illustrations were also published in book form. This caricature of Wilde and Whistler was reproduced in Phil May’s Sketch-book, which was first issued in 1895. The caption refers to Whistler’s repeated assertions that Wilde plagiarized his ideas, accusations that ended their guardedly amicable relationship in 1890.
Portret van Zulma Demeijer
Object type: photograph
Date: 1920 – 1930
Materials: paper
Techniques: gelatin silver print
Location: bergen op zoom
Artist: anthonie marinus van melle
Artist role: fotograaf
Artist dates: 1870 – 1965
Subjects: historical persons - bb - woman
Inscriptions: signature: ‘V. Melle/ B.o. Zoom’, inscription: ‘Zulma Merks’
Portret van een onbekende man, mogelijk Pobitzer
Object type: print
Date: 1853 – 1863
Materials: paper
Techniques: lithograph
Location: zurich
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228, label, label
Lady with boy
Object type: toy
Date: 1765 – 1765
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: boys,women,flowers
Verwoeste kerk Elten
Object type: documentary photograph
Date: 1949 – 1949
Materials: photographic support
Techniques: photography
Location: elten
Subjects: elten, tweede wereldoorlog

De tijdens Tweede Wereldoorlog verwoeste kerk van Elten. Het dak van het schip en delen van de toren zijn volledig verwoest. Deze foto werd gepubliceerd in het artikel over de grenscorrecties om tevens een beeld te geven van het oorlogsleed van de Duitsers.
Potpourri vase with candleholders (pot-pourri à bobêche) (one of a pair)
Object type: potpourri vase with candleholders
Date: 1759 – 1760
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: men,women

These potpourri vases with candleholders reflect the quest for innovation that characterizes so much of the Sèvres factory’s production of the 1760s. The vases could have been used as potpourris (the scent of petals inside could waft through the panels of pierced trelliswork at the top), and the two flanking candle sockets allowed them also to serve as candelabra, yet it seems probable that they were primarily intended for decoration. Both the unusual and complex form and the dual ground colors of pink and green made them completely unlike anything being produced elsewhere on the Continent or in Britain at this time. As mentioned earlier, the English businessman Thomas Bentley disliked some of the models he saw at the Sèvres factory when he visited there in 1776, and he enlarged on the topic in his journal: “They have an immense number of ornamental vases, highly enriched with enamel and burnished gold; and amongst several hundreds there may be about half a dozen very elegant forms. All the rest are neither antique nor gothic, but barbarous beyond conception.” The design of the potpourri vases must have appealed to Louis XV, however, as he purchased four with pink and green grounds in December 1760. Given the rarity of this model—approximately fifteen surviving examples with a variety of ground colors are known—it is probable that this pair was part of that purchase. The factory sales records indicate that the four potpourri vases acquired by the king were to join another model of vase to form a garniture.
Alto valve trombone in E-flat
Object type: bass valve trombone in e flat
Date: 1834 – 1866
Materials: brass, nickel, silver
Culture: american
Location: united states
Artist: august pollmann
Artist role: maker
Artist nationality: american
Tile
Object type: tile
Date: 1701 – 1800
Materials: earthenware
Techniques: glazing
Subjects: human figures,fruit,flowers,boats
Les défenseurs de la Turquie
Object type: print
Date: 1853 – 1856
Materials: paper
Techniques: lithograph
Location: saint-gaudens
Subjects: victoria (koningin van het verenigd koninkrijk en keizerin van india), london, napoleon iii (keizer der fransen), naval officer, politician, paris, historical persons - bb - woman, commander-in-chief, general, marshal, historical persons, battle, ruler, sovereign, commander-in-chief, admiral
Inscriptions: collector's mark, : ‘Déposé’

Met onder de portretten drie scènes uit de Krimoorlog: de Slag aan de Alma, het Beleg van Silistra en de Slag om Bomarsund.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, head and right shoulder of wreathed youth to right; above youth's shoulder, one letter of an inscription, A or L?
Gezicht op de Jordaan te Palestina
Object type: photomechanical print
Date: 1890 – 1900
Materials: paper
Techniques: photoaquatint
Location: palestine
Artist: Anonymous
Subjects: river
Inscriptions: title: ‘River Jordan.’
Yoshiwara: The Famous Sight of Mount Fuji on the Left (Yoshiwara, meisho hidari Fuji)—No. 15, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido
Object type: print
Date: 1847 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Panel
Object type: textile
Date: 1840 – 1840
Location: england
Verovering van de Franse kanonneerboot Ste. Lucie, 1793
Object type: print
Date: 1793 – 1795
Materials: paper
Techniques: aquatint, etching
Location: middelburg
Subjects: battle (+ naval force)
Inscriptions: collector's mark: Lugt 2228

De verovering van de Franse kanonneerboot Ste. Lucie en het gaffeljacht met zeven sloepen met in totaal 140 man, op de Schelde, in nacht van 20 op 21 maart 1793. Expeditie op orders van commandant Jan Schreuder Haringman en uitgevoerd door luitenant Willem Otto Bloys van Treslong.
Portret van Herné
Object type: print
Date: 1775 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: private soldier, historical persons
Glazuurkamer van de porseleinfabriek Rozenburg
Object type: photograph
Date: 1890 – 1890
Materials: cardboard, paper
Techniques: collodion silver print
Location: the hague
Subjects: workshop-interior, the hague
Inscriptions: stamp: ‘Ritscher & Landsman photografen Amsterdam’
Seated female figure
Object type: cameo
Date: 1701 – 1800
Materials: gold, gemstone
Artist: giovanni pichler
Artist role: artist
Artist nationality: italian
Artist dates: 1734 – 1791
Subjects: women

Son of Johann Anton Pichler (1697–1779), a Tyrolean who settled in Naples then Rome, Giovanni was the most prolific and illustrious member of a dynasty of glyptic artists. Contemporaries admired the strength and purity of his pieces, mostly quite small.
Ovale onderschotel van zilver voor sauskom
Object type: platter
Date: 1764 – 1764
Materials: silver
Techniques: casting, hammering
Location: amsterdam
Artist: valentijn caspar bömcke
Artist role: silversmith
Artist dates: 1726 – 1782
Inscriptions: town mark, duty mark, date letter: ‘E’, alloy mark, maker's mark

Ovale onderschotel voor sauskom. De schotel heeft een verdiept blad. De rand is versierd met een profiel, dat op vier plaatsen wordt onderbroken door een schelpmotief. De schotel is gemerkt.
Jade Ornament with Pendant
Object type: ornament
Date: 1 – 1500
Materials: gold, jade, metal
Culture: mexican
Location: mexico
Vrijwillige Jagers van Noord-Holland, 1830
Object type: costume print
Date: 1830 – 1831
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Subjects: (military) uniforms, clothes, costume
Inscriptions: collector's mark: Lugt 2228

Makers op de prent vermeld als 'Reckers en Ritsema'. Waarschijnlijk zijn dit Johannes Reekers (Sr.) en Jacob Ritsema. Muller geeft 'Reekers' ipv 'Reckers'.
Verscheide gedagten in het koper gebragt naar de origenelen teekeningen en schetschen van Rembrandt
Object type: print
Date: 1696 – 1727
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: david (not in biblical context); possible attributes: crown, harp, head-gear: turban
Inscriptions: collector's mark: Lugt 240

Koning David zit op zijn troon. Hij draagt zijn koningsmantel en is getooid met een tulband.
Programma voor een concert in Felix Meritis op 2 februari 1883
Object type: programma, programmaboekje
Date: 1883 – 1883
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: the hague, johannes verhulst, listening to music, large group of musicians, orchestra
Inscriptions: collector's mark: Lugt 1641, collector's mark

Gedrukt programma voor het Vierde Concert door het orkest onder leiding van Johannes Verhulst, in Felix Meritis te Amsterdam op 2 februari 1883. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Muziek en muziekinstrumenten: Varia.
Noh Robe (Happi) with Pattern of Flowers and Auspicious Symbols
Object type: robe
Date: 1801 – 1900
Materials: metal thread, silk
Techniques: patterning
Culture: japanese

The happi is a costume unique to the Noh stage that is often worn as an outer jacket for a warrior's role. When it is slipped off the right arm or when both sleeves are hiked up, it is used to give the impression of armor. Many lined happi, like this one, have bold designs of Chinese inspiration. Another kind of happi, probably more familiar, is a short coat worn by townsmen during the Edo period and later.
Portret van Filips Willem, prins van Oranje
Object type: photograph
Date: 1850 – 1930
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: filips willem (prins van oranje), knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)

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