deem-data/ArtiFact huggingface dataset:
The Savigny Arms
Object type: armorial medallion
Date: 1533 – 1533
Materials: glass
Artist: valentin bousch
Artist role: artist
Artist nationality: french
Artist dates: 1514 – 1541
Subjects: lions,coat of arms

This window comes from a series of seven windows made for the choir of the Benedictine priory church of Saint-Firmin in Flavigny-sur-Moselle in the Lorraine region of France. The windows had been commissioned by the prior, Wary de Lucy (1510–1557) from Valentin Bousch, a glass painter in Metz who had already worked on a number of important projects including Metz cathedral. Bousch was occupied by the Flavigny-sur-Moselle project in the early 1530s. Three of the extant monumental windows from the series each bear a date (1531, 1532 and 1533). Bousch was one of the most significant master glaziers in north-eastern France in the sixteenth century and has long been recognized as an important participant in the stylistic and technical developments of the Northern Renaissance. Together, the windows presented a Biblical narrative reflecting the story of humanity, starting with the Creation and Fall of Man (until recently in a private collection, Langley, British Columbia), then consecutively depicting the Deluge (MMA 17.40.2a–r), Moses presenting the tablets of Law (MMA 17.40.1a–r), the Nativity or Annunciation at the east end (lost), the Crucifixion (Saint Joseph's church, Stockbridge, Mass.), the Resurrection or the Supper at Emmaus (lost) and, finally, the Last Judgement (lost). This medallion, together with the medallions of Isaiah (MMA 17.40.3), Moses (MMA 17.40.4) and the Craincourt arms (MMA 17.40.5), was originally part of the window from the set depicting the Creation and Fall of Man (now in a private collection, Langley, British Columbia), inscribed with the date 1533; a drawing in Nancy, Bibliothèque municipale (Fonds Abel, carton 152), records the complete window intact in the priory church of Saint-Firmin before it was sold. In these windows, Valentin Bousch rejected traditional compartmentalization, instead treating each composition like an enormous painted or carved retable, with trompe l'œil architectural frames. Brilliant hues of colored glass are combined with painted areas of grisaille and silver-stain on clear glass. The windows provide an early example of daring virtuoso glass-cutting to achieve sharp and sinuous contours. As a group, the windows are remarkable because of their nuanced modeling, their vitality of composition, lifelike features and the contrast of exquisite landscape details (like those in the Moses window) with dramatic dynamism (most skilful in the Deluge window).
Design for 4 seat Phaeton, no top, no. 4110
Object type: drawing
Date: 1890 – 1890
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ottomaanse prins te paard op straat in Istanbul
Object type: photograph
Date: 1910 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: istanbul
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, child, military parade, pageant

Onderdeel van Fotoalbum van een reis door Zuid-Europa en het Midden-Oosten.
Gezicht op het Moti Mahal in Lucknow
Object type: page
Date: 1864 – 1874
Materials: photographic support
Techniques: albumen print
Location: lucknow
Artist: darogha ubbas alli
Artist role: fotograaf
Subjects: palace, gate, entrance
Inscriptions: number: ‘16’
Studieblad met figuren en een koe
Object type: sketchbook leaf
Date: 1887 – 1889
Materials: chalk, paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: cow, adult woman, child
Inscriptions: annotation: ‘[...]/ voorzichtig [...] kijken’

Pagina 33 en pagina 34 uit een schetsboek met 27 bladen.
Paardentrams in Amsterdam
Object type: drawing
Date: 1904 – 1923
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: diligence, omnibus, horse-tram, city-view, and landscape with man-made constructions, amsterdam
Inscriptions: kleurnotitie, handgeschreven

Verso de najaarsdienstregeling van de treinen op het traject Haarlem-Zandvoort per 1 september 1904.
Bedstead leg
Object type: bedstead leg
Date: 1701 – 1800
Materials: gilt, wood
Archaic-style vase with ring handles
Object type: vase
Date: 1736 – 1795
Materials: jade
Culture: chinese
Bloempatroon. Merk: WH 2oonl.
Object type: napkin
Date: 1850 – 1899
Materials: linen
Location: netherlands
Artist: Anonymous

Servet van wit linnen met een bloempatroon. Merk: WH 2oonl.
View of Morrisville, General Moreau's Country House in Pennsylvania, Possibly The Woodlands, Pennsylvania
Object type: watercolor
Date: 1811 – 1813
Materials: paper, watercolor
Culture: american
Artist: pavel petrovich svinin
Artist role: artist
Artist nationality: russian
Artist dates: 1787 – 1839
Subjects: houses,bridges,trees
Joden dreigen Christus te stenigen
Object type: album leaf
Date: 1530 – 1530
Materials: paper
Techniques: hand coloring
Location: amsterdam
Subjects: book in which illustrations are essential, attempts to stone christ (john 8:59, 10:31-33)

Christus verlaat de tempel. Zijn leerlingen staan achter hem. De joden rapen stenen op om Christus te stenigen wegens godslastering. Prent maakt deel uit van een boek.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, unidentified subject; Exterior, part of right calf and foot of figure to left
Terracotta fragment of a lekanis (covered dish)
Object type: lekanis fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Below the rim, a dot net pattern
Bybelsche figuuren, des Ouden Testaments
Object type: print
Date: 1739 – 1786
Materials: paper
Techniques: colour, letterpress printing
Location: haarlem
Subjects: death of rachel (genesis 35:16-21), story of jacob, old testament
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen uit het Oude Testament, waaronder Jakobs droom en de begrafenis van Rachel. Onder elke afbeelding een onderschrift en boven elke afbeelding een titel en Bijbelverwijzing. Genummerd rechtsboven: 4.
Length of Very Sheer Linen Cloth
Object type: sheet, weaver mark, sheer, very fine spin, very fine weave
Date: 1492 – 1473
Materials: linen
Location: egypt

The earliest Egyptian funerary texts list linen cloth among the principal offerings for the deceased, and price lists indicate that the finest quality fabric was highly prized. The tomb of Hatnefer and Ramose contained a variety of linen sheets that came from the storehouses of Queen Hatshepsut, a funerary gift for the parents of Senenmut, one of her favorite courtiers. This sheet was woven of superfine thread that must have been spun from flax harvested when the plants were very young. The length of cloth would have taken months of constant industry to weave. The upper left corner has a series of inlaid weaver's marks, and the right corner, a single cross. One end of the sheet has a warp selvage; the other is finished with a plied fringe; and one weft selvage is decorated with an inlaid fringe. This cloth must be that described by the Egyptians as "royal linen," the highest quality. The sheerness of the featherweight fabric and its silken softness lend credence to New Kingdom representations of elaborately pleated garments that allow the contours of the body and even the color of the skin to show through. The cloth was repaired and laundered in ancient times.
Portret van Eduard Isaac Asser gezeten aan een tafel
Object type: photograph
Date: 1845 – 1850
Materials: paper, photographic support
Techniques: salted paper print
Location: netherlands
Subjects: muntplein (amsterdam), singel, reguliersbreestraat
Peacock and peonies
Object type: print
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
McVickers Theater, Chicago, Illinois, Sketch
Object type: architectural drawing
Date: 1883 – 1891
Materials: graphite, paper
Location: madison street
Artist: louis h. sullivan
Artist nationality: american
Artist dates: 1856 – 1924
Subjects: chicago
Gezicht op een bedding van de rivier San Esteban in Venezuela
Object type: page
Date: 1877 – 1887
Materials: paper
Techniques: photograph
Location: venezuela
Subjects: forest, wood, dry river, river bed
Inscriptions: number: ‘Tab. XVII.’
Maraboe
Object type: drawing
Date: 1864 – 1936
Materials: chalk, paper
Artist: jan van essen
Artist role: draughtsman, print maker
Artist dates: 1854 – 1936
Subjects: shore-birds and wading-birds: marabou
Gesigten en Perspectiven
Object type: print
Date: 1707 – 1707
Materials: paper
Techniques: etching
Location: netherlands
Artist: sieuwert van der meulen
Artist role: draughtsman, print maker
Artist dates: 1683 – 1730
Subjects: garden fountain
Inscriptions: collector's mark: Lugt 2228

Gezicht in een formele tuin met een vijver met fontein. Links een gebouw. Op de voorgrond ruiters.
Portret van een meisje
Object type: semi enamel
Date: 1870 – 1890
Materials: cardboard, celluloid, photographic support
Techniques: albumen print
Artist: charles binger
Artist role: print maker, printer
Artist dates: 1830 – 1916
Subjects: historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: number: ‘20’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, one letter of an inscription, S
Aanlegplaats aan een kade
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: city-view, and landscape with man-made constructions, quay

Op de achtergrond een stadsgezicht. Blad 22 recto uit een schetsboek met 56 bladen.
A Nereid Riding a Sea Centaur Accompanied by Other Sea Creatures
Object type: print
Date: 1540 – 1560
Techniques: drypoint, etching
Artist: angiolo falconetto
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1567
Tomb Surmounted by the Madonna and Child in an Oval Wreath
Object type: print
Date: 1555 – 1567
Techniques: etching
Artist: angiolo falconetto
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1567
Subjects: tombs,wreaths,angels,madonna and child

In Mariette Album, folio 93, top Original plate, retouched. With, insc. Donetti Roscicotti f...
Portret van Peter Ernst I van Mansfeld
Object type: book illustration
Date: 1652 – 1652
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: ornament ~ medallion, armour, historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), governor, etc. of province

De prent is met dezelfde tekst op verso, maar in een andere druk, gebruikt in: Meteren, Emanuel van. Historien der Nederlanden, en haar naburen oorlogen (...). Amsterdam: Jan Jacobsz Schipper, 1652.
Remagen
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: rotogravure
Location: siegburg
Subjects: river, church (exterior), mountains
Inscriptions: monogram: ‘K.T.F.’
Study for an illustration in Tacitus "Tibère, ou Les Six Premiers Livres des Annales", Book IV, Vol. 2, 1st Study
Object type: drawing and watercolor
Date: 1768 – 1768
Materials: graphite, ink, paper
Techniques: incising, pen, transfer
Location: france
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Schetsboek Blaricum
Object type: sketchbook
Date: 1931 – 1931
Materials: chalk, charcoal, gouache, ink, paper, pencil, watercolor
Techniques: brush, drawing, pen
Location: blaricum
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: woman (showing herself) undressed, quasi-nude, horse
Inscriptions: inscription: ‘Bl 31’, workshop stamp: Lugt 1078a, inscription: ‘schetsboek 1931/ 50 teekeningen’

Schetsboek met tekeningen van paarden, naakten en koppen; zonder voorkant kaft.
Drie yogini
Object type: indian miniature
Date: 1680 – 1680
Materials: paper
Techniques: brush
Location: deccan
Artist: Anonymous
Inscriptions: inscription: ‘.’
The Holy Friar
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: food,men,pigs,drinking
Rivierlandschap
Object type: print
Date: 1800 – 1875
Materials: paper
Techniques: etching
Location: netherlands
Subjects: river, rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Door een boomrijk landschap stroomt een brede rivier. In het midden een roeiboot met twee figuren.
Netsuke of Demon with a Mask
Object type: netsuke
Date: 1701 – 1800
Materials: wood
Culture: japanese
Subjects: masks,demons
Liévin Amand Marie de Bast
Object type: print
Date: 1827 – 1851
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: ghent, print maker, liévin amand marie de bast, historical persons, youth, adolescent
Inscriptions: collector's mark: Lugt 2228
Susanna and the Elders
Object type: drawing
Date: 1654 – 1658
Materials: paint, paper
Techniques: brush
Location: amsterdam
Subjects: the elders making advances towards susanna
Inscriptions: : Lugt 240
Kyoto: The Great Bridge at Sanjo (Keishi, Sanjo ohashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido
Object type: print
Date: 1833 – 1834
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Beker op voet van melkglas met blauwe emailverf beschildering, imitatie Chinees porselein; kelkvormige cuppa op korte stam, versierd met ringen, bloemmotieven op de kelk.
Object type: miniature
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous

Beker op voet van melkglas met blauwe emailverf beschildering, imitatie Chinees blauw porselein; kelkvormige cuppa op korte stam en iets oplopende voet, versierd met ringen, bloemmotieven op de kelk.
Design for Landau, No. 3181
Object type: drawing
Date: 1876 – 1876
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
The Adoration of the Shepherds (recto); Sketches (verso)
Object type: drawing
Date: 1532 – 1537
Materials: chalk, gouache, ink
Techniques: brush, heightening, pen, wash
Artist: maarten van heemskerck
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1498 – 1574
Subjects: adoration of the shepherds
Bere[n]gari[us] q[ua]rtus
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: emperor, king
Inscriptions: inscription: ‘51’

Voorstelling in twee delen. Een bloemkelk met een koning, naar links gekeerd. In zijn handen heeft hij een rijksappel en een scepter. De voorstelling is onderdeel van de opeenvolging keizers in de Liber Chronicarum. De tekst identificeert de man als Berengarius II (hier Berengarius IV genoemd). De prent maakt deel uit van een album.
Studie van een hand
Object type: drawing
Date: 1770 – 1825
Materials: chalk, paper
Artist: simon andreas krausz
Artist role: draughtsman, print maker
Artist dates: 1760 – 1825
Subjects: hand
Carbine with Flintlock alla Fiorentina
Object type: carbine
Date: 1660 – 1670
Materials: steel, wood
Culture: italian
Location: italy
Artist: carlo bottarelli
Artist role: steel-chiseler
Artist nationality: italian
Artist dates: 1635 – 1715

Bottarelli's firearms are notable for the sculptural quality of their chiseled parts.
Timmerliedengilde van Amsterdam, gildepenning van Lambertus Vlugge
Object type: medal
Date: 1784 – 1784
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: gekroond wapenschild, geflankeerd door twee leeuwen; afsnede: opschrift. Keerzijde: Maria, zittend met kind op ezeltje, dat door Jozef geleid wordt binnen omschrift
Drie onderdelen van een zuil van marmer
Object type: column
Date: 1500 – 1500
Materials: marble
Location: italy

De drie onderdelen maken deel uit van een zuil met composiet-kapiteel staande op een vierhoekige postament met plint. De zuil bestaat uit in totaal vijf stukken.
Jar
Object type: jar
Date: 7000 – 330
Materials: terracotta

Gray wide-mouthed jar with five furrowed lines on shoulder.
't Huys te Voorburg
Object type: drawing
Date: 1600 – 1699
Materials: paper, pencil
Techniques: brush
Artist: jan abrahamsz. beerstraten
Artist role: draughtsman, painter
Artist dates: 1622 – 1666
Subjects: ruin of a dwelling, house, castle, etc., country-house, voorburg
Loutrel. François. 37 ans, né à Paris XVlle. Journalier. Anarchiste. 1/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Loods met betonijzer
Object type: photograph
Date: 1921 – 1922
Materials: photographic support
Techniques: gelatin silver print
Location: belawan
Artist: Anonymous
Subjects: warehouse (~ harbour), building-site

Gezicht in een loods waar betonijzer is opgeslagen. Onderdeel van de groep van losse foto's over de aanleg van de haven Belawan aan de kust voor Medan, Sumatra 1921-1922.
Bible
Object type: bible
Date: 1250 – 1275
Materials: gold, leather, parchment, paint
Techniques: bookbinding
Culture: french
Location: france

In the thirteenth century, Paris, with its renowned university, became Europe's premier center for the creation of illuminated manuscripts. Typical of the work of the city's busy ateliers are the "University Bibles," which were created for a wide range of clients, including clerics, laity, and students, and are characterized by painstaking scribal work and tiny but detailed illustrations. This Bible is one of the finest examples of the type, which survives in relatively large numbers. More richly illustrated (with eighty-one historiated initials) and significantly larger than most such Bibles, it is particularly interesting for its opening of the Book of Genesis, which presents the seven days of Creation in superimposed octofoils and the silhouette of a Dominican kneeling beneath an image of the Crucifixion.
Rigi-Staffel (1604 m).
Object type: photomechanical print
Date: 1890 – 1910
Materials: cardboard, paper
Techniques: photograph
Location: rigi kulm
Artist: Anonymous
Subjects: railway, train, mountains
Inscriptions: inscription: ‘83. Rigi-Staffel (1604 m).’

Deze fotomechanische afdruk maakt deel uit van een omslag.