deem-data/ArtiFact huggingface dataset:
Portret van Johanna (Hans) de Jong
Object type: photograph
Date: 1900 – 1900
Materials: paper, cardboard
Techniques: matte daylight collodion silver print
Artist: Anonymous
Subjects: leiden, johanna petronella lambertina stokhuyzen-de jong (hans), historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: inscription: ‘H’, date: ‘ca. 1900.’
Seated Man, Precariously Balanced, Playing Bagpipes
Object type: binding
Date: 1501 – 1600
Materials: ink
Techniques: pen
Artist: anonymous, netherlandish, 16th century
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1500 – 1600
Subjects: men,bagpipes
Scrapbook with Textile Designs on Colored Papers
Object type: album print ornament architecture
Date: 1801 – 1900
Materials: paper, pastel
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900

Album with pasted in sheets of prepared colored paper onto which large botanical patterns have been applied in colored chalks. The colors of the paper vary from black, green, and blue to a deep purple and an orangey-red. The paper is prepared on one side only. Some of the designs are excuted in white chalk alone, while others make use of a bright color palette. Various patterns are drawn free-hand, but in certain cases a stencil may have been used to transfer (part of) a design. Most of the patterns are for allover schemes and are meant to be repeated. They range from straightforward natural representations of flowers to fantastical interpretations, some of which seem inspired by Chinoiserie patterns. A number of the sheets have been ripped out of the album. Two sheets of nature prints pasted on dyed blue paper, and another nature print on white paper are added at the back of the album. They are dated 1838 and 1839.
Vereniging C.I.N. te Amsterdam
Object type: insignia
Date: 1825 – 1875
Materials: silver
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

eenzijdig, opengewerkt insigne, bestaande uit letters CI en N binnen lauwerkrans, waarin zich aan bovenzijde gekroond wapenschild bevindt, waaraan langwerpig draagoog is bevestigd
Mme. la ctesse. Diodata de Saluces-Roero
Object type: print
Date: 1827 – 1852
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons, writer, poet, author
Inscriptions: check stamp: ‘JC’, collector's mark: Lugt 2228

Prent waarschijnlijk ook gebruikt in: Chabert, Jean Claude. Galerie des contemporaines, ou collection de portraits des femmes qui se sont rendues célèbres depuis la fin du dix-huitième siècle, en France et dans les pays étrangers. Avec des notices historiques / Galerie des contemporaines ou collection de portraits et biographies des femmes, qui se sont rendues célébres, depuis la fin du dix-huitième siècle, soit en France, soit dans les pays étrangers. Parijs: Jean Claude Chabert en Hennet fils, s.a. [1824-1827].

De samenstelling van tegenwoordig bekende en al dan niet gebonden exemplaren van deze uitgaven verschillen. Dit omdat de prenten en bijhorende stukken tekst op inschrijving en waarschijnlijk ook los verkrijgbaar waren.
Standing Female Figure in Armor Drawing Her Sword (Minerva or Bellona)
Object type: drawing
Date: 1535 – 1538
Materials: chalk, ink
Techniques: pen
Artist: parmigianino (girolamo francesco maria mazzola)
Artist role: artist
Artist nationality: italian
Artist dates: 1503 – 1540
Subjects: armor,swords,women

This figure sketch shows the goddess Minerva in plumed helmet and skirted Classical armor standing in three-quarter view facing left about to draw her sword from the scubbard. The drawings is thought to have been preparatory for the statuette of a Classical warrior depicted as a detail at right in Parmigianino’s Portrait of Pier Maria Rossi, Count of San Secondo dated to 1535–38 (Museo del Prado, Madrid), for which another related study is in the Museo di Capodimonte, Naples. In comparison to the painted detail, however, the present sketch shows the figure as quite evidently female and with broader bodily proportions. As is typical of Parmigianino's late drawings, the present sketch is executed with bold, curved parallel hatching done with a fine pen. It is exactly comparable in this to the small-scale pen sketches of 1534-40, of which several related to Parmigianino's late masterpieces were shown in the Museum's 2000-2001 exhibition, "Correggio and Parmigianino Master Draughtsmen of the Renaissance." Closely similar examples of this technique of pen drawing are found in the studies for St. Jerome (Ashmolean Museum, Oxford), the sketches of a Classical statue on the verso of a sheet with ideas for the Madonna of the Long Neck (Pierpont Morgan Library, New York), and two small sheets in Windsor, one portraying Classical heads and the other a composition of Saturn and Philyra (RL inv. 0526 and 0563).
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: canvas, silk, wool
Subjects: flowers,trees
Turfdragersgilde van Amsterdam, gildepenning met no. 85
Object type: medal
Date: 1600 – 1800
Materials: lead
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Loden penning. Voorzijde: opschrift. Keerzijde: cijfer 85
Piece
Object type: piece
Date: 1601 – 1700
Materials: silk
Techniques: compound weave
Culture: japanese
Subjects: birds,flowers
Plate 5: Tiberius Claudius in profile to the right, from "The Twelve Caesars"
Object type: print
Date: 1610 – 1640
Techniques: engraving, etching
Artist: Anonymous
Artist role: artist
Subjects: helmets,emperors,men
Elk kind dat zoet ter schoole gaat. / Die leert wat goeds en doet geen kwaad
Object type: print
Date: 1850 – 1870
Materials: paper
Techniques: colour, letterpress printing
Subjects: child and school (~ games and plays), going to school, games at school
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van schoolgaande kinderen. Onder elke voorstelling een onderschrift. Genummerd rechtsboven: No. 84.
Jupiter, Neptune and Pluto dividing the universe, from "Division of the Universe"
Object type: print
Date: 1531 – 1576
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: jupiter,neptune,dogs,pluto
Landschap met ruïnes en koeherders
Object type: print
Date: 1627 – 1655
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: landscape with ruins (+ city(-scape) with figures, staffage), herd, flock, rome
Inscriptions: collector's mark: Lugt 240

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Studie van een vrouwenhoofd
Object type: drawing
Date: 1816 – 1816
Materials: chalk, paper
Artist: daniël batavus voorman
Artist role: draughtsman, print maker
Artist dates: 1795 – 1850
Subjects: head (human)
Portret van Joannes Busaeus
Object type: print
Date: 1700 – 1724
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: theologian, historical persons

Prent mogelijk uit: Busaeus, Joannes. Méditations pour l'avent, le carême, les quatre-tems, les dimanches, les fetes, et les principales feries de toute l'année (...). Brussel: François Foppens, 1707. Prent mogelijk ook gebruikt in andere edities of publicaties.
Portret van schilder Raphael
Object type: print
Date: 1510 – 1575
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: painter, rafaël, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 240

Kopie in spiegelbeeld naar prent van Marcantonio Raimondi.
Gevel van een gebouw met maaswerkvensters
Object type: sketchbook leaf
Date: 1783 – 1797
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johannes huibert prins
Artist role: draughtsman, painter, print maker
Artist dates: 1757 – 1806
Subjects: ornament ~ tracery, façade (of house or building)

Pagina 143 en 144 uit een schetsboek met 175 pagina's.
Camaldoli di Napoli. Il Passeggio degli Eremiti nell'Eremo
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1910
Materials: cardboard
Techniques: photograph
Location: terni
Artist: Anonymous
Subjects: garden, monk(s), friar(s), abbey garden, camaldoli
Galloon
Object type: galloon
Date: 1701 – 1900
Portret van Jacobus Radink
Object type: print
Date: 1865 – 1886
Materials: paper
Techniques: etching
Artist: dirk jurriaan sluyter
Artist role: draughtsman, print maker
Artist dates: 1811 – 1886
Subjects: jacobus radink, book, book-shop, bookseller
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

De boekhandelaar en uitgever Jacobus Radink zit voor een boekenkast. In zijn hand heeft hij een blad uit een Biblia pauperum.
Earring (one of a pair) (part of parure)
Object type: earring
Date: 1840 – 1840
Materials: gold
Subjects: lutes,cupid

Part of a parure, 67.139.1–.4, consisting of bracelet, brooch and earrings. The earrings have been converted into brooches.
Gezicht op het noordelijke deel van de stadsmuur en een buitenwijk te Augsburg
Object type: print
Date: 1700 – 1799
Materials: paper, watercolor
Techniques: brush, etching
Location: france
Subjects: canal, outskirts of city, city-gate, city-walls (+ city(-scape) with figures, staffage), augsburg
Inscriptions: watermark

Op de gracht rondom de stadsmuur vaart een vlot met twee figuren. Op de achtergrond staat een stadspoort.
Schetsblad met studies van een paard
Object type: drawing
Date: 1855 – 1912
Materials: chalk, paper
Artist: jan kuyper
Artist role: draughtsman
Artist dates: 1845 – 1912
Subjects: horse, male sex; man
Making Clothes for the Boys in the Army (from Confederate War Etchings)
Object type: print
Date: 1861 – 1863
Techniques: etching
Artist: adalbert john volck
Artist role: artist
Artist nationality: american
Artist dates: 1828 – 1912
Subjects: american civil war,women,working,sewing,looms,spinning wheel
Violon avec Clavier
Object type: violon avec clavier
Date: 1890 – 1890
Materials: wood
Culture: french
Location: france
Artist: joseph poussot
Artist role: maker
Artist nationality: french
Artist dates: 1800 – 1900
Olifant
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: trunked animals: elephant

Pagina 13 uit een schetsboek met 84 bladen.
Moederschap
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: the hague
Artist: hendrik johannes haverman
Artist role: draughtsman, print maker
Artist dates: 1857 – 1928
Subjects: mother and baby or young child
Inscriptions: date

Prent uit het bijvoegsel van: De Kroniek 3 (1897), 16 mei 1897.
Suikerpot van steengoed, versierd met paarse applieken
Object type: pot
Date: 1790 – 1810
Materials: stoneware
Location: england

Suikerpot van steengoed, versierd met paarse applieken. De suikerpot heeft twee opstaande oren. De oren zijn plat en naar buiten gebogen. De bovenrand van de pot is versierd met een ornamentrand met rozetten. De suikerpot is gemerkt. De suikerpot hoort bij een melkkan met invnr. BK-NM-13190-A.
The Magic Crystal
Object type: photomechanical print
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Location: berlin
Artist: mathilde weil
Artist role: fotograaf
Artist dates: 1872 – 1918
Subjects: historical persons not known by name - bb - woman
Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless
Object type: beatus
Date: 1180 – 1180
Materials: gold, ink, parchment, paint
Culture: spanish
Subjects: angels

Illustrated Beatus manuscripts bring to life an extraordinary vision of the end of the world, as recorded by Saint John in the Apocalypse (Book of Revelation) and filtered through the lens of Beatus of Liébana, an eighth-century Asturian monk. These manuscripts are unique to medieval Spain and a testament to the pervasive artistry and intellectual milieu of monastic culture there. The leaf shown here comes from a manuscript disassembled in the 1870s. The catastrophic events heralded by the fifth angel's trumpet are depicted in this illustration as terrifying and otherworldly: the smoke from the pit darkens the sun, menacing striped locusts sting their victims with scorpion-like tails, and the figures of the undead plead for mercy with closed eyes.
Twelve Poems from the New Collection of Poems Ancient and Modern
Object type: handscroll
Date: 1620 – 1620
Materials: gold, ink, silk
Culture: japanese
Artist: hon'ami kōetsu
Artist role: artist
Artist nationality: japanese
Artist dates: 1558 – 1637
Subjects: poetry

This elegant silk handscroll includes twelve poems from the Shin kokin wakashū, or New Collection of Poems Ancient and Modern (ca. 1206), one of the great imperially commissioned anthologies of waka (court poetry) of ancient times. During an age when there was a revival in classical Japanese court literature, this anthology was a frequent source for the revolutionary calligrapher Hon’ami Kōetsu, who studied Heian calligraphy styles but ultimately created his own distinctive mode of writing. The poems here are drawn from the autumn section of the anthology (poems 515–526). The scroll is decorated with plant motifs imprinted by stamping, a departure from the traditional method of block-printing or hand-painting. Two hues of gold dust can be discerned, the more luminous perhaps a later addition.
Returning Sails at Yabase (Yabase kihan), from the series "Eight Views of Omi (Omi hakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Chasuble front
Object type: chasuble fragment
Date: 1501 – 1533
Materials: metal thread, silk

This is a fragment surviving from a Roman Catholic priest's vestment– the tabard-like Chasuble worn over an alb and other clothing while conducting church services. The two velvets of which it is composed are very fine: the glossy red velvet of the ground is decorated with the inferriata or ferronerie style, imitating the curlicues of ironwork; the central partial "orphrey" is a rich cloth of gold, incorporating multiple heights of bouclé loops, and lancé detailing. Although both velvets have been much patched and carefully repaired over the centuries, attesting to this vestment's prized status, the overall effect of this piece is still very beautiful.
Landschappen
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Location: italy
Subjects: landscapes, the (nude) human figure; 'corpo humano' (ripa), (story of) ulysses
Inscriptions: collector's mark: Lugt 2228

Gezicht op het eiland van de Feniciërs. Op de voorgrond Odysseus die naakt tussen de struiken staat. Links twee vrouwen bij een ruituig. Rechts een groep vrouwen bij een waterval. De vrouwen kijken geschrokken om naar Odysseus. Tussen de wolken zit een groep goden.
Bayona (Pontevedra). Puerto
Object type: ansichtkaart, prentbriefkaart
Date: 1939 – 1950
Materials: photographic support
Techniques: photography
Location: zaragoza
Artist: luis garcía garrabella
Artist role: publisher
Artist dates:  – 1977
Subjects: harbour, prospect of village, silhouette of village
Platter
Object type: platter
Date: 1701 – 1800
Materials: pewter
Artist: thomas fasson
Artist role: maker
Artist nationality: british
Artist dates: 1744 – 1844
The Bouquet of Violets
Object type: drawing
Date: 1877 – 1878
Materials: pastel, paper
Artist: eva gonzalès
Artist role: artist
Artist nationality: french
Artist dates: 1847 – 1883
Subjects: women,violets
Kamer van J.W des Tombe aan de Plompetorengracht 1-3 in Utrecht
Object type: photograph
Date: 1888 – 1888
Materials: paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912

Een kamer met behang en vele foto's en afbeeldingen aan de wand. Op de grond een boekenkast met daarop fotolijstjes. Links op het albumblad geschreven: Kamer v. des Tombe. Plompetoren Utrecht.
Flushing from the Sea
Object type: drawing
Date: 1634 – 1733
Materials: graphite, paper
Artist: willem van de velde (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1633 – 1707
Subjects: cities
Panel
Object type: relief
Date: 501 – 700
Materials: plaster
Culture: sasanian
Location: iran
Subjects: bow and arrow,men,horses

This fragmentary Sasanian stucco panel was very heavily restored before its acquisition by the museum. The original relief did indeed show an armed rider but much of the surface visible today is modern.
Small bird and ivy
Object type: print
Date: 1843 – 1847
Techniques: woodblock print, koban
Location: japan
Artist: utagawa hiroshige ii (shigenobu)
Frame fragment
Object type: frame fragment
Date: 1701 – 1800
Materials: wood
Techniques: carving, gilding
Subjects: human figures,musical instruments,flowers
Stirrup-Spout Bottle
Object type: bottle
Date: 1200 – 401
Materials: ceramic
Culture: cupisnique
Location: peru

Stirrup-spout bottles (the name refers to the spout shape, which resembles a riding saddle stirrup) were made for ritual use beginning in the early second millennium B.C. Large numbers of them have been found in elite burials on Peru's northern coast and display unequalled technical and artistic skill. Many are elaborated into three-dimensional sculptures, including humans, plants, animals, and supernatural beings; others show a wide range of surface texturing. The majority of the bottles are a monochrome gray-to-brown black color resulting from firing in a reducing atmosphere. The uneven exposure to fire and air left the surface on this vessel with an irregular dark hue. The profile face of a creature, perhaps a feline, is incised into the well-burnished surface of the globular chamber. An excessively long streamer or tongue projects from the mouth to the bottom of the vessel, and a wide-open eye stares menacingly from under a prominent, sweeping brow. Large felines, particularly jaguars, were important Cupisnique symbols and were frequently depicted on ritual ceramics and temple walls. As the largest and most feared predator in the American tropics, the jaguar was a natural symbol of power and aggression.
Design for an Urn
Object type: drawing
Date: 1770 – 1790
Materials: graphite, ink
Techniques: pen
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: heads,women,urns
Self-Portrait
Object type: drawing and watercolor
Materials: graphite, paint, watercolor, paper
Location: england
Artist: attributed to joseph mallord william turner
Artist nationality: english
Artist dates: 1775 – 1851
Utrecht. De Dom-toren
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: engraving
Location: darmstadt
Subjects: city-view, and landscape with man-made constructions, church (exterior), utrecht
Inscriptions: collector's mark: Lugt 2233

Prent uit: Terwen, J.L. Het koningrijk der Nederlanden voorgesteld in eene reeks van 136 naar de natuur geteekende schilderachtige gezigten. Darmstadt: G.G. Lange, 1863.
Kwitantie voor P. Burk
Object type: ontvangstbewijs, kwitantie
Date: 1881 – 1881
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: p. burk
Subjects: the hague, painter, print maker, draughtsman, jozef israëls, drawing, money, amsterdam
Inscriptions: collector's mark: Lugt 2233
Demi Shaffron
Object type: armor
Date: 1570 – 1580
Materials: leather, pewter, steel
Culture: german
Location: germany
Cassandra Raving (Shakespeare, Troilus and Cressida, Act 2, Scene 2)
Object type: print
Techniques: engraving, etching
Artist: francis legat
Artist role: engraver
Artist nationality: british
Artist dates: 1755 – 1809
Subjects: shakespeare,women,axes

Holding an axe, Cassandra laments the fall of Troy, which burns behind her. Lines from the play, engraved below, read: "Cry, Trojans, cry; lend me ten thousand eyes, And I will fill them with prophetic tears." Romney's related painting was conceived for John Boydell's Shakespeare Gallery, launched in 1786 as a publishing-cum-exhibition scheme that included a new illustrated edition of the plays, sets of large and small engravings, and a gallery on London's Pall Mall. The latter opened in 1789 with thirty-four paintings and contained about one hundred and seventy works the time Boydell went bankrupt and auctioned the contents in 1805–his print sales had plummeted when Napoleon blocaded European ports. This impression comes from an 1852 American reissue spearheaded by Shearjashub Spooner, a New York dental surgeon, writer and art scholar who acquired Boydell's heavily worn plates and had them reworked. His New York edition was printed on thick cream paper with small numbers added in the lower left margin, this being number 88.
Portret van Camalia, dochter van Suleyman I de Grote
Object type: print
Date: 1540 – 1570
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: veil
Inscriptions: collector's mark: Lugt 2228

Buste naar links van Camalia, dochter van Suleyman I de Grote in een ovaal met haar naam en titel in het Latijn.
Collar
Object type: collar
Date: 1801 – 1900
Techniques: lace
Soldaat die zijn musket met zijn linkerhand schuin omhoog gericht vasthoudt, terwijl hij zijn furket onder de loop vandaan trekt (nr. 13), ca. 1600
Object type: print
Date: 1597 – 1608
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die een musket (een bepaald type vuurwapen) met zijn linkerhand vasthoudt, nadat hij gevuurd heeft, de loop schuin omhoog gericht om te voorkomen dat hij ongewild een gezel verwondt (nr. 13), ca. 1600. In zijn linkerhand behalve het roer ook een brandende lont. Met zijn rechterhand trekt hij het furket (de musketvork) onder de loop vandaan. Plaat 13 in de instructies voor het hanteren van het musket: Brief enseignement, sur les pourtraitz figurez, touchant le droit maniement du Mousquet. Onderdeel van de illustraties in een Franse editie van J. de Gheyns Wapenhandelinghe: J. de Gheyn, Maniement d'armes, d'arquebuses, mousquetz et piques : en conformité de l'ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. Krijgswezen rond 1600.
Hungarian Woman
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Wall Painting with Female Figure
Object type: wall painting fragment
Date: 801 – 1000
Materials: plaster
Techniques: painting
Location: iran
Subjects: women

Along with several other intriguing fragments, this piece of wall painting was discovered in the drain in one of the houses of the Sabz Pushan neighborhood. All of the discarded fragments bore images of people or demon-like figures, but in their broken state, it was difficult to determine what kind of scene they originally composed. Wall paintings are fragile and rarely survive, but evidence from sites throughout Iran and Central Asia demonstrate their popularity in the medieval period. The varied examples of wall painting found at Nishapur—such as a hunting scene with male and female heads from the bathhouse at Qanat Tepe, the dados with scrolls terminating in human hands from Tepe Madrasa, and a mounted hunter a standing figure to his left found at the Vineyard Tepe—are therefore extremely important to the study of this medium.
Assignat van vijftig sols, serie 1237 uitgegeven 23 mei 1793
Object type: assignat
Date: 1793 – 1793
Materials: paper
Techniques: printing
Location: france
Artist: nicolas marie gatteaux
Artist role: medailleur
Artist dates: 1751 – 1832
Subjects: france
Inscriptions: date

Franse assignaat à 50 sols, uit serie 1237, getekend door Faussay, éénzijdig bedrukt. Gesigneerd en gedateerd. Gemerkt: twee reliëfstempels.
Plein in Bergschenhoek
Object type: drawing
Date: 1720 – 1740
Materials: ink, paper, pencil
Techniques: pen
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: church (exterior), street
Inscriptions: inscription: ‘bergsenhoek. / (schieland)’