deem-data/ArtiFact huggingface dataset:
Leeg blad
Object type: drawing
Date: 1809 – 1814
Materials: paper, watercolor
Techniques: brush, pen
Location: southern netherlands
Artist: Anonymous

Leeg blad, opgeplakt binnen omlijsting. Rechtsboven genummerd: 121. Onderdeel van het tweede album met tekeningen van bloemen en planten. Negende van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Schaerbeck. L'Église Sainte-Marie
Object type: photomechanical print
Date: 1906 – 1918
Materials: cardboard
Techniques: photograph
Location: schaarbeek
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, church (exterior)
Dish (part of a service)
Object type: dish
Date: 1765 – 1775
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008

Eighteenth- and nineteenth-century porcelain tea sets usually comprised a teapot and stand, milk jug, sugar bowl, tea caddy, spoon tray, slop basin, six or twelve tea bowls with or without handles, and six or twelve saucers, a coffee pot and six or twelve coffee cups and a dish for cake. The Worcester factory made tea bowls with a handle if the decoration was European and without a handle for Oriental designs.
Kop van een jongen, naar rechts
Object type: drawing
Date: 1775 – 1833
Materials: chalk, paper
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Enquêteformulier ingevuld door Petrus De Vigne
Object type: questionnaire
Date: 1841 – 1841
Materials: ink, paper, pencil
Techniques: pen, printing, writing
Location: ghent
Subjects: draughtsman, petrus de vigne
Inscriptions: watermark, inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Ruitergevecht bij fort Königstein
Object type: print
Date: 1813 – 1863
Materials: paper
Techniques: etching
Location: netherlands
Artist: gerardus emaus de micault
Artist role: draughtsman, print maker
Artist dates: 1798 – 1863
Subjects: warfare; military affairs (+ cavalry, horsemen)
Inscriptions: collector's mark: Lugt 2228

Op een vlakte met boompartij vindt een veldslag met cavaleristen plaats. Op een heuvel op de achtergrond het fort Königstein.
Een babysprei van witte, gestikte satijn met enkele bloempjes
Object type: bedspread
Date: 1700 – 1799
Materials: textile
Location: europe
Artist: Anonymous

Een babysprei van witte, gestikte satijn met enkele bloempjes.
Jas liggend op een dubbele leunstoel
Object type: drawing
Date: 1722 – 1799
Materials: chalk, paper
Artist: jan anton garemyn
Artist role: draughtsman
Artist dates: 1712 – 1799
Subjects: armchair, seat, coat (+ men's clothes), drapery, draped garment, 'gewandgebung'
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, part of draped figure
Portret van Lodewijk XVI van Frankrijk
Object type: print
Date: 1784 – 1799
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: paris, lodewijk xvi (koning van frankrijk), historical persons, wig, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), king
Romeinse soldaat knielt voor een vrouw
Object type: print
Date: 1703 – 1767
Materials: paper
Techniques: brush, etching
Artist: jacob folkema
Artist role: draughtsman, print maker
Artist dates: 1692 – 1767
Subjects: man kneeling before his beloved (proposing)
Inscriptions: collector's mark: Lugt 240

Een Romeinse soldaat knielt met een geschenk in zijn hand voor een vrouw. De vrouw die hiernaast staat, slaat dit tafereel gade en houdt hierbij haar hand op haar borst. Op de achtergrond kijken eveneens figuren toe.
Book of Silk Braids
Object type: book
Date: 1601 – 1650
Materials: ink, paper, silk
Techniques: braiding, writing
Location: england
Subjects: fashion
Female head, perhaps from a standing tambourine player
Object type: head of a votary, female
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: heads,women
Group of Youths
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: after raffaello sanzio, called raphael
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1767 – 1833
Materials: copper, gold alloy, gold
Culture: japanese
Location: japan
Subjects: horses
Gebruik van de halve cirkel geïllustreerd
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: etching, letterpress printing
Location: france
Subjects: planimetry, geometry

Prent uit: Leclerc, Sébastien. Traité de géométrie (...). Parijs: Jean Jombert, 1690.
Vase with handles
Object type: vase
Date: 1767 – 1900
Materials: glaze, porcelain
Culture: chinese
Leven van Christus
Object type: album leaf
Date: 1600 – 1652
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: adoration of the christ-child ~ christ's birth
Inscriptions: collector's mark: Lugt 2760, inscription: ‘2’, collector's mark: Lugt 2228

Maria met het Kind, Jozef, de os en de ezel, in een schuur. Boven hen drie engeltjes. Links een groepje mannen en vrouwen in aanbidding. Op de voorgrond ligt een kip. De prent maakt deel uit van een album.
Foreign Quarter. Hankow
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Wood and Leather Craftsmen, Tomb of Hapu
Object type: facsimile, hapu tt 66, craftsman, wood, leather
Date: 1400 – 1390
Materials: paper, paint
Location: egypt
Artist: nina de garis davies
Artist role: artist
Artist dates: 1881 – 1965
Subjects: men,working

This facsimile painting copies a scene in the tomb of Hapu (TT 66) in western Thebes.
Chattanooga, Tennessee. Government Stable
Object type: photograph
Date: 1864 – 1864
Techniques: albumen silver print, glass negative
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: buildings,american civil war
Zittende vrouw met de voet op een stoof, een brief lezend
Object type: drawing
Date: 1809 – 1869
Materials: chalk, paper
Artist: alexander cranendoncq
Artist role: draughtsman, print maker
Artist dates: 1799 – 1869
Subjects: reading
Diamantvormige sjaal  in effen zwarte zijde
Object type: clothing
Date: 1920 – 1940
Materials: silk
Techniques: weave
Location: netherlands
Artist: Anonymous

Diamantvormige sjaal in effen zwarte zijde.
Parabel van de werkers in de wijngaarde
Object type: print
Date: 1536 – 1536
Materials: paper
Techniques: woodcut
Subjects: the labourers in the vineyard ~ parable of christ (matthew 20:1-16)

Prent afkomstig uit: Evangelia und Epistel. Neurenberg: Hans Guldenmund, 1536.
Portret van Cornelis de Graeff
Object type: print
Date: 1749 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: mayor, cornelis de graeff, historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent is oorspronkelijk bedoeld als aanvulling op Jan Wagenaars ‘Vaderlandsche historie’* en was zo vanaf 1796 verkrijgbaar bij Johannes Allart te Amsterdam.

Voor de advertentie waarin Allart de 60 portretten en 7 platen, allen gegraveerd door Houbraken, ter aanvulling op Wagenaars ‘Vaderlandsche historie’ aanbiedt, zie RP-P-OB-77.766.

*Van dit werk zijn in de achttiende eeuw meerdere uitgaves verschenen, zoals:

Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden (…). 21 delen. Amsterdam: Isaak Tirion, 1749-1759.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: weduwe Isaak Tirion, 1770.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam, Leiden, Dordrecht en Harlingen: P. Schouten e.a., 1782.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: Johannes Allart, 1790-1796.
Sofa
Object type: sofa
Date: 1760 – 1790
Materials: wood
Culture: american
Location: united states

The camel-back sofa, so-called for the crest that forms a central hump, was the most common type of sofa made in America, most often Philadelphia, in the second half of the eighteenth century. There are numerous surviving examples with this style of legs and arms which were preferred and frequently seen in Philadelphia.
Gravy boat (part of a service)
Object type: gravy boat
Date: 1800 – 1805
Materials: hard paste porcelain
Vessel fragments
Object type: vessel fragment, tell basta treasure
Date: 1070 – 712
Materials: silver
Location: egypt

These small fragments are part of the "Tell Basta Treasure," found in 1906 at the site of Tell Basta. They belong to vessels from a wine service.
Silhouetportret van Carel de Vos van Steenwijk
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: official; civil servant; functionary (in general), historical persons

Prent waarschijnlijk uit: Rogge, Cornelis. Geschiedenis der staatsregeling, voor het Bataafsche volk. Amsterdam: Johannes Allart, 1799.
Vase with Coiling Dragon
Object type: vase
Date: 1678 – 1688
Materials: glaze, porcelain
Culture: chinese
Subjects: dragons

The awe which Chinese ceramics inspired in the West is reflected in the use of an elaborate mount to restore the original shape of this vase.
Landschap met hut, koeien en herders in de Balkan
Object type: print
Date: 1829 – 1875
Materials: paper
Techniques: tone lithography
Artist: fortuné férogio
Artist role: print maker
Artist dates: 1805 – 1888
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., mountains (+ landscape with figures, staffage), hut, cabin, lodge
Head of Sword or Dagger
Object type: sword or dagger
Date: 101 – 300
Materials: copper alloy
Culture: roman
Portret van een man
Object type: carte de visite
Date: 1870 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Subjects: adult man
Inscriptions: inscription: ‘Wegner & Mottu./ Amsterdam-Utrecht.’, inscription: ‘Photogr. Atelier/ van/ Wegner & Mottu/ Kalverstraat D 26/ Amsterdam./ Leidschestraatweg buiten Cathrijnen/ Utrecht.’
Vier meisjes met speelgoed aan het strand
Object type: print
Date: 1877 – 1909
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: louise danse
Artist role: painter, print maker
Artist dates: 1867 – 1948
Subjects: in or beside the water (on the beach)
Inscriptions: annotation: ‘pointe-sèche originale; 2ème état; 2 exemplaires L.D.’, collector's mark: Lugt 2228
Omslagontwerp voor: Het jaar 1905
Object type: drawing
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: canals, waters (in city), flowers ~ ornament
Inscriptions: collector's mark: Lugt 2228, monogram:, :

Gezicht op een ophaalbrug over een kanaal. In de achtergrond zijn rijtjeshuizen met verschillende gevels te zien. Onder de voorstelling de vermelding van Uitgeversmaatschappij L.J. Veen en de spreuk 'Labor Integer Vincit' in drie spreukbanden. Aan weerszijden hiervan de wortels en stammen van een rozenstruik die langs de voorstelling omhoog groeien en daarboven een motief vormen van rozen en bladeren die de tekst 'Het jaar 1905' omsluiten.
Bowl
Object type: ceramic
Materials: ceramic
Techniques: painting, underglaze
Culture: islamic
Location: soltanabad

Sultanabad wares were known for their distinct style of decoration, namely the loose unconnected foliage used as a background for a central figure rather than a landscape. While this vessel is typical of Sultanabad wares, it also hints at Chinese influences introduced under the Mongols. The lotus flower, a popular symbol in China associated with purity, appears here just above the back of the central animal figure. The lotus was frequently represented in Islamic contexts, though most likely without the rich associations held by Chinese cultures.
Weight
Object type: weight
Date: 201 – 700
Materials: stone
Culture: sasanian
Location: iran
Puvis de Chavannes - Homme couronné, tentant une lyre
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1930
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: drawing, sketch, permanent exhibition, museum
Inscriptions: collector's mark: ‘AFE v S’
Tray for a Tea Service
Object type: ceramic
Date: 1768 – 1768
Materials: ceramic, enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Location: sèvres
Artist: sèvres porcelain manufactory
Artist nationality: french
Artist dates: 1740 –
Bruges. Quai du Rosaire
Object type: ansichtkaart, prentbriefkaart
Date: 1913 – 1930
Materials: cardboard
Techniques: photograph
Location: brussels
Subjects: canal, rowing-boat, canoe, etc., city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), bruges
Portret van J. Ortega
Object type: print
Date: 1838 – 1857
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Length of furnishing velvet
Object type: piece
Date: 1711 – 1711
Materials: silk
Waitress Oritsu hiding a letter behind her back
Object type: print
Date: 1805 – 1812
Materials: paper
Techniques: woodcut
Location: japan
Artist: utagawa toyokuni (i)
Artist role: print maker
Artist dates: 1769 – 1825
Subjects: group of actors, troupe; actors on the stage, balcony, letter, envelope

Kabuki acteur Iwai Hanshirô V in de rol van de serveerster Oritsu. Scene uit een toneelstuk waarbij Oritsu vanaf een balkon naar beneden kijkt terwijl ze een brief achter haar rug verbergt. Bovenste deel van een verticaal diptiek, waarbij op het onderste deel de kapper Gorôhachi staat afgebeeld.
Precincts of the Shiba Shinmei Shrine (Shiba Shinmei keidai), from the series "Famous Places in the Eastern Capital (Toto meisho)"
Object type: print
Date: 1832 – 1838
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Fragment van een grotere tekening van een Romeinse soldaat
Object type: drawing
Date: 1874 – 1925
Materials: chalk, paper
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Famile Vonk uit Nederlands-Indië gerepatrieerd terug in Nederland
Object type: album leaf
Date: 1909 – 1946
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bergen op zoom
Artist: Anonymous
Subjects: jet vonk, r.h. vonk, family group, especially parents with their child(ren), bergen op zoom
Inscriptions: date

Albumblad met drie foto's van het gezin Vonk, na terugkeer in Nederland, herenigd met familie in Bergen op Zoom, in september 1946. Onderdeel van het familiealbum van Jet Vonk uit Celebes.
Death Giving Audience, from Capricci
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Untitled (27)
Object type: photograph
Date: 1890 – 1890
Techniques: photogravure
Location: italy
Artist: ferdinando ongania
Caerte van Waterland vertonende de gelegentheyt der meer: en onlangs bedyckt als Buyckslooter Broecker en Belmer meer met de naest gelegen steden
Object type: map
Date: 1631 – 1631
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: maps of separate countries or regions, polder, reclaimed land
Inscriptions: collector's mark: Lugt 195

Deze kaart is afgesneden van een prent met daarop vijf polderkaarten (de Zijpe, de Beemster, de Purmer, de Wormer en Waterland). Voor de eerste staat van de volledige prent zie RP-P-OB-80.778, RP-P-2016-353 en RP-P-AO-7bis-28-2.

De huidige kaart is afkomstig van de derde staat van deze prent (zie RP-P-AO-7bis-28-1), die ook gebruikt is in: The English Atlas. 4 delen. Oxford en Amsterdam: Moses Pitt, Johannes Janssonius van Waesbergen (I), Johannes Janssonius van Waesbergen (II) en Steven Swart, 1680-1683, dl. 4 (Moses Pitt, Johannes Janssonius van Waesbergen (I), en Steven Swart, 1682).
Scissors (Anniversary Tin)
Object type: decorative art
Date: 1850 – 1900
Materials: tin
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Design for 6 seat Rockaway, no. 3191
Object type: drawing
Date: 1876 – 1876
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Brief aan Philip Zilcken
Object type: letter
Date: 1872 – 1904
Materials: paper, pencil
Techniques: writing
Artist: willem de zwart
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1931
Subjects: painter, draughtsman, philip zilcken, painting (including book-illumination, miniature-painting), art collecting
Inscriptions: collector's mark: ‘RPK’
Dish
Object type: dish
Date: 1101 – 1300
Materials: glaze, stoneware
Culture: chinese
Innocentius X opent de Heilige Deur
Object type: album leaf
Date: 1650 – 1650
Materials: paper
Techniques: engraving, intaglio
Location: rome
Subjects: rome, innocentius x, adult christ together with others (non-narrative representations), church (exterior), opening the door, pope
Inscriptions: number: ‘127’, number: ‘1’, number: ‘83’, inscription: ‘[...] lib. vol. 23. fol. 16 [...] lib. vol. 21. fol. 13.’

Paus Innocentius X opent de Heilige Deur in de Sint-Pietersbasiliek ter gelegenheid van de opening van het Heilig Jaar 1650. Prent maakt deel uit van een album.
Linnen servet van damastweefsel met pellenpatroon (motief II), aan vier zijden omzoomd
Object type: napkin
Date: 1690 – 1710
Materials: linen
Location: amsterdam
Artist: Anonymous

Linnen servet, damastweefsel met pellenpatroon (motief II), aan vier zijden omzoomd.
Paard en wagen en twee mannen
Object type: photograph
Date: 1870 – 1890
Materials: metal
Techniques: ferrotyping
Location: united states
Artist: Anonymous
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, united states of america
Jinbaori (Surcoat)
Object type: textile
Materials: cord, foil, silver gilt, gold leaf, metal, paper, textile, silk, wool
Techniques: backing, bookbinding, brocade, embroidery, treatment, interlacings, interlacing, lacquer, laid work, painting, patterning, weave, silvered
Location: japan
Silk Kashan Carpet
Object type: carpet
Date: 1501 – 1600
Materials: silk
Techniques: asymmetrically knotted pile
Location: iran

This carpet was possibly woven in Kashan, an important center for silk trade and carpet manufacture during the Safavid period. Decorative elements on this and other related carpets from Kashan and Tabriz indicate that weavers may have used pattern books containing popular motifs to guide them in production. These designs, including the medallions at the center and four corners of this carpet, are also present in other media, particularly in bookbinding and manuscript illumination. The cloud bands and peonies that appear throughout the work originated in Chinese art but had been fully assimilated into Safavid artistic production by this period.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic
Kop van een man met een spitse neus
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: head (human)

De man heeft het haar achterover gekamd. Blad 10 recto uit een schetsboek met 53 bladen.
Belt buckle
Object type: belt buckle
Date: 1501 – 1600
Materials: pearl, gemstone, silver
Techniques: gilding
Cruet
Object type: cruet
Date: 1700 – 1710
Materials: gilt copper, hard paste porcelain
Tile from a Frieze
Object type: tile
Date: 1201 – 1300
Materials: glaze, stonepaste
Techniques: luster painting, painting
Location: iran
Subjects: arabic,calligraphy

This tile bearing verses from the Qur’an may have once formed part of a calligraphic frieze within a tomb or religious structure. Written in thuluth script, the raised text from Sura 62 (Al-Jumu‘ah), Verse 9 demands that believers join in Friday prayer. The narrow bands of naskh script above and below also contain Qur’anic verses, here painted in luster over an opaque white glaze. Perhaps set at eye-level above a dado of geometric tiles, the full group would have once formed a continuous band of text. A total of twenty tiles from this frieze are known to exist, including eight in the Museum’s collection.
Amulet of a Djed Column
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt

Amulets could be strung on cords to be worn by the living or the dead. This group of ancient amulets features a pillar with cross bars, (the djed column) that represented the backbone of the god Osiris and conveyed stability.
Tomate et rose
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: flowers: rose, plants and herbs
Inscriptions: collector's mark: Lugt 2228, annotation: ‘F. Albers’, collector's mark: Lugt 2760

De serie Guide industriel dessiné d'après nature et lithographié par Bléry is uitgegeven in verschillende livraisons tussen 1853 en 1858.
Plate Four from La Siège de la Rochelle
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635