deem-data/ArtiFact huggingface dataset:
In the Upper Gallery (Au Paradis)
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: lithograph, relief, transfer
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: men
Rath Haus, Ulm, from Facsimiles of Sketches made in Flanders and Germany
Object type: print
Date: 1833 – 1833
Materials: chine, ivory, paper
Techniques: lithograph
Location: england
Artist: samuel prout
Artist role: artist
Artist nationality: british
Artist dates: 1783 – 1852
Fantasielandschap
Object type: drawing
Date: 1907 – 1907
Materials: ink, paper
Techniques: pen
Artist: karel de nerée tot babberich
Artist role: draughtsman
Artist dates: 1880 – 1909
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228

Op verso een tekening van een naakte vrouw, op de rug gezien.
Landschap met ruïnes
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 11, inscription: ‘B 29 - 39.58’, collector's mark: Lugt 10

Prent naar schilderij van Peter Paul Rubens. Hollstein beschrijft een serie kleine landschappen onder de nrs. 305 t/m 325 maar deze prenten zijn niet als reeks vervaardigd.
Figure of Attendant Deity
Object type: figure
Date: 1368 – 1644
Materials: mud
Techniques: gilding, painting
Culture: chinese
Gold Glass Medallion with Christ as a Miracle Worker
Object type: medallion
Date: 300 – 500
Materials: glass, gold leaf
Culture: byzantine or roman
Subjects: christ

Among the earliest popular depictions of Christ were those recalling Roman images of magicians, with Christ shown using a wand to work miracles, as in the image on this medallion and the adjacent bowl base. This medallion was probably inset into a piece of jewelry and may have been worn as a protective amulet.
Vergine detta di S. Girolamo
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: photographic support
Techniques: photography
Location: rome
Subjects: madonna: mary standing (or half-length), christ-child close to her bosom, the monk and hermit jerome (hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone
Flask
Object type: flask
Date: 1750 – 1800
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Openbaring van Johannes op Patmos
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: an angel with a key and a chain binds the dragon (satan) and casts him into the pit
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een engel met de sleutel van de onderaardse diepte ketent de draak (voor duizend jaren) en stopt hem in een onderaardse put met vuur. In de marge een vierregelig onderschrift in het Latijn. Tweeëntwintigste prent uit een serie van vierentwintig met de openbaring van Johannes op Patmos.
Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 61 (recto)
Object type: book print ornament architecture
Date: 1603 – 1603
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: birds,acorns

Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604. From top to bottom, and left to right: Design is printed upon a grid and is decorated with an oak tree with large leaves and acorns. A bird is also perched on the tree.
Fortitudo
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: monogrammist lf (graveur)
Artist role: houtsnijder
Subjects: fortitude, 'fortitudo' ~ one of the four cardinal virtues

Fortitudo, de Kracht. Onderdeel van het modelboek Enchiridion artis pingendi, fingendi & sculpendi met 108 figuren bedoeld voor beginnende schilders, beeldhouwers en prentmakers.
Mallemolen van de Wereld, 1720
Object type: cartoon
Date: 1720 – 1720
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: merry-go-round, roundabout; chair o'plane, financial panic, indigenous peoples of the caribbean, indigenous peoples of north america, indigenous peoples of south america

De Mallemolen van de Wereld. Een draaimolen waarin de windhandelaren staande in de bakjes pogingen doen om aandelenbriefjes te bemachtigen die door figuren (een boer en bewoners van de Zuidzee, Mississippi en West-Indië) staande op de stijlen van de molen worden gestrooid. Op de voorgrond wachten andere heren op hun rit in de mallemolen, rechts wanhopige actionisten. Op de achtergrond links Vianen, rechts schepen op zee. Met onderschrift in vier kolommen door Philadelphus. Prent in de gebonden eerste uitgave (304 B 11) van Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Portret van Johann Theodor Heinson
Object type: print
Date: 1724 – 1724
Materials: paper
Techniques: engraving
Location: hamburg
Subjects: ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1834 – 1866
Materials: gold alloy, gold, silver
Culture: japanese
Location: japan
Subjects: flowers,leaves
Middelburg. Vergaderzaal. Provinziale Staten van Zeeland
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: middelburg
Subjects: club, meeting place
At the Concert
Object type: print
Materials: chine, ivory
Techniques: lithography
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901

Lautrec also produced a number of striking images of identifiable audience members putting themselves on display in their loges, or theater boxes. This seemingly incomplete impression comes from one plate of a multicolor zincograph. It shows the unlikely pairing of the courtesan Emilienne d’Alençon with Lautrec’s cousin, the doctor Gabriel Tapié de Céleyran at the Cabaret des Décadents. The zinc plates are all now at the Art Institute of Chicago, where this impression was printed.
Stockings
Object type: stocking
Date: 1876 – 1900
Materials: linen
Culture: american
Circular Food Box with Dragons and the Character Shou (Longevity)
Object type: box
Date: 1701 – 1900
Materials: gold, lacquer, oil
Techniques: painting
Culture: chinese
Subjects: dragons
Fragment
Object type: fragment
Date: 1701 – 1800
Techniques: embroidery
Subjects: leaves
Rowel Spur (Right)
Object type: spur
Date: 1767 – 1833
Materials: copper alloy, iron
Culture: french or german
Location: germany
Bracteate
Object type: bracteate
Materials: bronze, gold, iron
Techniques: silvered
Culture: unknown
Subjects: human figures
Portret van Jan Nolet de Brauwere van Steeland
Object type: print
Date: 1849 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: rotterdam, historical persons
Inscriptions: collector's mark: Lugt 2228
St.-Pétersbourg. Square Catherine
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1930
Materials: cardboard
Techniques: photograph
Location: sint-petersburg
Subjects: catharina de grote, garden, monument, statue, emperor - bb - female ruler

Voor de Franse titel staat de titel in het Russisch.
Youth Gazing Upwards in Profile
Object type: drawing
Date: 1607 – 1661
Materials: chalk
Artist: francesco montelatici ("cecco bravo")
Artist role: artist
Artist nationality: italian
Artist dates: 1601 – 1661
Subjects: men,profiles
John Bull als heerscher in Azië en Afrika
Object type: cartoon
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personifications of countries, nations, states, districts, etc., hand-to-hand fighting (~ battle), political caricatures and satires

John Bull (Engeland) verwikkeld in een strijd met drie vijanden, een Afrikaan, een Boer en een Chinees. Rechts kijkt Abbas II, kedive of onderkoning van Egypte toe.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Foreleg of a deer?; lower drapery and foot of a figure to right
Gezicht op het Koninklijk Paleis te Lissabon
Object type: opticaprent
Date: 1742 – 1801
Materials: paper, watercolor
Techniques: brush, etching
Location: germany
Subjects: sailing-ship, sailing-boat, palace, rowing-boat, canoe, etc., sea (seascape) (+ landscape with figures, staffage), square, place, circus, etc. (+ city(-scape) with figures, staffage), ornamental fountain (+ city(-scape) with figures, staffage), canals, waters (in city) (+ city(-scape) with figures, staffage)

Op de voorgrond de rivier de Taag. Op de achtergrond links de zee. Rechtsboven genummerd: 278. Linksonder genummerd: 69.
A View of the Places des Victories at Paris
Object type: cartoon
Date: 1772 – 1772
Materials: paper
Techniques: etching
Location: london
Subjects: accessories ~ shoes, e.g. insole, shoehorn, shoe-polish, caricatures (human types), europeans: french (+ caricatured), street-trader, dog
Inscriptions: collector's mark: Lugt 2228

Bedrijvigheid op het Place des Victoires in Parijs met koetsen, schoenpoetsers en bedelaars.
The Home of a Hunter
Object type: painting
Date: 1826 – 1826
Materials: oil, panel
Artist: henri voordecker
Artist role: painter, print maker
Artist dates: 1779 – 1861
Subjects: hunter, family life at home
Inscriptions: signature and date: ‘H. Voordecker fecit 1826’

Jagerswoning. Een familie voor de deur van de woning. Moeder met kind zittend in de deuropening, achter haar een jonge man in jagerskleding. Op de trappen voor het huis lopen kippen en duiven, links van de deur nog meer duiven bij een duiventil. Links staat een meid bij een put, rechts een hond aan een ketting.
Oude en hedendaagse kunstenaars
Object type: print
Date: 1851 – 1862
Materials: paper
Techniques: lithograph
Location: paris
Subjects: child, art collecting
Inscriptions: collector's mark: Lugt 2233, check stamp: Lugt 36a, inscription: ‘Aug Allebé’

De kleine kunstliefhebbers. Twee naakte kinderen bespreken een map met tekeningen. Links een palet met penselen, tegen de muur een groot schilderij.
Universiteit van Amsterdam, gedenkraam klein auditorium
Object type: photomechanical print
Date: 1907 – 1930
Materials: cardboard
Techniques: photograph
Location: amsterdam
Artist: Anonymous
Subjects: university building, college
Bow Brooch
Object type: brooch
Date: 550 – 600
Materials: copper alloy
Culture: visigothic
Seated Tahitian Woman (recto); Standing Tahitian Woman (verso)
Object type: drawing and watercolor
Date: 1891 – 1893
Materials: graphite, ink, paper
Techniques: pen
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Gezicht op Nova Zembla
Object type: sketchbook leaf
Date: 1880 – 1880
Materials: paper, pencil
Location: novaya zemlya
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: coast (in polar regions), ships (in general)
Inscriptions: annotation: ‘Nova Zembla’

Voor de kust een schip, mogelijk de Willem Barents. Blad 9 verso uit een schetsboek met 35 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Flintlock Longrifle
Object type: flintlock longrifle
Date: 1810 – 1820
Materials: bone, brass, horn, iron, silver, steel, wood
Culture: american
Location: united states
Artist: jacob kuntz
Artist role: gunsmith
Artist nationality: american
Artist dates: 1780 – 1876

Jacob Kuntz ranks among the most artistically accomplished and longest living American longrifle makers. Recognized as one of his finest rifles, this example is characterized by its gracefully architected stock adorned with beautifully designed and engraved metal mounts and carvings. The curved upper and lower profile of the buttstock is typical of the Lehigh Valley area of eastern Pennsylvania, where Kuntz lived and worked before he moved to Philadelphia in 1810. The carving is a testament to his comfort and skill with popular rococo ornament, as is the lively and imaginative design of the engraved brass patch box cover.
Arrowhead (<i>Yanone</i>)
Object type: arrowhead i yanone i
Date: 1501 – 1600
Materials: steel
Culture: japanese
Location: japan
Subjects: dragons

Although today Japanese warriors are renowned most for their swordsmanship, archery, especially from horseback, has been an essential part of samurai warfare and culture for centuries. Arrows were fitted with heads of varying shape according to their intended use in war, the hunt, or target practice. Arrowheads made for use on the battlefield incorporated different designs intended for specialized purposes such as the piercing of armor or to cause maximum damage to horses and unarmored personnel. Large arrowheads, pierced and elaborately chiseled with landscapes, birds, flowers, dragons, and Buddhist divinities, were created to be admired for the beauty of their metalwork and design rather than for use in archery. Such highly elaborate examples may have been made for presentation or as a votive offerings to a shrine.
Vue du grand Sphinx et de la grande pyramide de Menkazeh (Mycerinus)
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: pyramids,sphinx

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Mars en Venus
Object type: print
Date: 1575 – 1575
Materials: paper
Techniques: engraving
Location: italy
Subjects: mars and venus as lovers
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Mars wordt door verschillende putti ontdaan van zijn kleding. Twee putti spelen met de helm en het schild van de oorlogsgod. Rechts de naakte Venus op de rug gezien.
Round, flat bodied bottle (one of a pair)
Object type: bottle
Date: 1870 – 1880
Materials: bone china
Artist: christopher dresser
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1834 – 1904

These flask vases are examples of Christopher Dresser’s Asian-inspired Minton "cloisonné" ware.
Portrait of Jan Nieuwenhuyzen
Object type: painting
Date: 1780 – 1806
Materials: canvas, oil
Artist: adriaan de lelie
Artist role: draughtsman, painter
Artist dates: 1755 – 1820
Subjects: haarlem, jan nieuwenhuyzen, historical persons
Inscriptions: signature: ‘A. de Lelie ft.’

Jan Nieuwenhuyzen was a bookseller, printer and Mennonite preacher. Together with a few kindred spirits, in 1784 he founded the Maatschappij tot Nut van ’t Algemeen (Society for Public Advancement). The society strove to raise the spiritual and moral level of society, mainly by contributing to the improvement of general education.
Verandering van mode
Object type: popular print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: monogrammist g.j.
Artist role: print maker
Subjects: fashion, clothing, on fire, ablaze, wig
Inscriptions: collector's mark: Lugt 2760

Blad met 7 voorstellingen over de hoge pruik van de markiezin van Rijkhoven die in brand vliegt. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 317.
Portret van Henri Etienne van Swinden
Object type: print
Date: 1821 – 1836
Materials: paper
Techniques: lithograph
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Boots
Object type: boot
Date: 1880 – 1880
Materials: silk
Culture: french
Peacock feather brooch
Object type: brooch
Date: 1876 – 1900
Materials: diamond, gemstone, gold, silver
Subjects: feathers

Naturalistic motifs became increasingly popular for jewelry designs in the second half of the nineteenth century, and brooches were frequently designed with a vertical axis in contrast to the horizontal format often used earlier in the century. This brooch in the form of a peacock feather employs an emerald to serve as the eye of the feather, with a circle of rubies forming the outer edge of the eye motif. Diamonds cut in two different patterns complete the feather design.
Knife or lancet
Object type: knife or lancet
Date: 900 – 100
Materials: bronze
Culture: etruscan
Subjects: knives

With molded handle and a movable, two edged blade attached by means of a joint. The blade is now rusted in a half-open position.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 450 – 440
Materials: terracotta
Culture: greek, attic

Below the rim, an egg pattern with dots in the interstices; circumscribed palmette with an elongated central frond; male bending to right, with a himation, holding the foreleg of an animal (sheep?) in his right hand; head and part of upper torso of a draped male to left; above the head of the draped male to right, part of an inscription, KALO; in between the two youths, S; above the head of the youth to left, three letters of an inscription
Sneek. Waterpoort
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: lithograph
Location: arnhem
Subjects: watergate
Yankee-Engelsman-Bolsjewiek dansen naar de pijpen van de Jodenkliek
Object type: photomechanical print
Date: 1940 – 1945
Materials: paper
Techniques: autotype
Location: netherlands
Subjects: london, new york (city), anti-semitism, transverse flute, political caricatures and satires
Inscriptions: collector's mark: Lugt 1641, collector's mark
Genezing van de vrouw die aan bloedvloeiingen leed en Christus wekt de dochter van Jaïrus op
Object type: book illustration
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: dordrecht
Subjects: raising of the daughter of jairus, who is lying in bed (matthew 9:18-19, 9:23-26; mark 5:21-24, 5:35-43; luke 8:40-42, 8:49-56), healing of a woman with an issue of blood: she kneels before christ after having touched his robe (matthew 9:20-22; mark 5:25-34; luke 8:43-48)
Inscriptions: collector's mark: Lugt 2233, collector's mark

Twee Bijbelse voorstellingen uit Luc. 8. Een vrouw geneest van haar bloedvloeiingen door het kleed van Christus aan te raken, en Christus geneest de dochter van Jaïrus. Twee voorstellingen van één plaat, elk voorzien van een titel in het Nederlands en Frans. Geheel rechtsonder genummerd: 14.
A Monumental Portrait of a Monkey
Object type: painting
Date: 1705 – 1710
Materials: gold, paper, watercolor
Techniques: painting
Location: india
Artist: india
Artist nationality: rajasthan, mewar, udaipur
Artist dates: 1692 – 1715
Subjects: monkeys, animals

Except for depictions of the monkey-god Hanuman, monkeys are rarely the subject of portraits in India. In this monumental portrait, therefore, we are looking not only at an unusual subject matter but also at a study of an extraordinary simian: one with human features complete with a beard, pale eyes, and long, slender hands. The inscription on the back of this work, written in Devanagari, states that the monkey is named Husaini and “comes from” Nawab Davad (or Daud) Khan. This name most likely refers to Daud Khan Panni, a powerful nobleman and a faujdar (a military commander and territorial administrator) who served the Mughal emperors from Aurangzeb (r. 1658–1707) through Farrukhsiyar (r. 1713–19), in various parts of India. The painting has been dated to 1705/10 and is attributed to the anonymous artist now called the Stipple Master. Working in tandem with his patron Maharana Amar Singh II of Mewar (r. 1698–1710), this artist was the initiator of a new painting style in Mewar in the late seventeenth and early eighteenth centuries. A group of about forty-six paintings, including the present work, has now been attributed to this artist-patron duo.
Vier platen van de verdediging van de Citadel 10-18 december 1832
Object type: print
Date: 1832 – 1833
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Artist: johannes steyn
Artist role: print maker
Artist dates: 1805 – 1840
Subjects: fortress, counter-attack from a fortification ~ siege
Inscriptions: collector's mark: Lugt 2228, : ‘Gedeponeerd’

Uitval van een detachement van de 10e Afdeling van het Nederlandse leger onder bevel van kapitein Morre op 10 december 1832. Onderdeel van een serie van vier platen van de Nederlandse verdediging tijdens het beleg van de Citadel van Antwerpen door het Franse leger, december 1832.
Chous (Toy Pitcher)
Object type: vessel
Date: 440 – 420
Materials: terracotta
Culture: greek
Location: athens
Subjects: children

Toward the end of the 5th century BCE, Athenian potters and painters created a large number of miniature oinochoai (sing. oinochoe), or pitchers, decorated with children at play or imitating adults. It is thought that they were given to the youngest members of the family during the Anthesteria, a three-day celebration of the new vintage of wine and the arrival of spring. These little vessels are called choes (sing. chous), which means libations, after the name of the second day of the festival. Children took part in the festival but did not imbibe wine. On this example, a half-grown youth grabs the branch of a leafless tree with his left hand and extends his free hand to welcome a younger boy pulling a small cart.
Emperor's Coat
Object type: coat, emperor's
Date: 1867 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: dragons
Nederlandse dorpen
Object type: print
Date: 1786 – 1805
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan evert grave
Artist role: draughtsman, print maker
Artist dates: 1759 – 1805
Subjects: castle

Het landgoed Zuylestein. Op de voorgrond een paar. De prent maakt deel uit van een serie met Nederlandse dorpen.
Vlag van Malta
Object type: drawing
Date: 1667 – 1670
Materials: ink, paper, watercolor
Techniques: brush, pen
Location: france
Artist: Anonymous
Subjects: flag, colours (as symbol of the state, etc.)
Inscriptions: number: ‘247 / CCXXXV / 235’

Vlag van Malta. Rode vlag met een witte Sint-Joriskruis. Vlag op vlaggensteng en mastvoet. Afgebeeld op folio 118r. Onderdeel van een vlaggenboek met vlaggen uit Europa, Noord-Afrika, Nabije en Verre Oosten.
Chinese Palampore
Object type: coverlet
Date: 1750 – 1800
Materials: silk
Techniques: embroidery
Culture: chinese
Subjects: flowers

This Chinese embroidered palampore represents the closing of the trade circle of the central tree design, which originated in China, was adapted in England in the mid-seventeenth century, then introduced by English East India Company merchants to textile painters in India. This silk version was made in the late eighteenth century in China, where Cantonese craftspeople embroidered it in imitation of an Indian painted cotton palampore. When it was donated to the Museum in 1947, it was placed in the American Wing, indicating the donor believed it had a history of American ownership. It could have traveled to the newly formed United States on an American ship after 1784, when direct trade with China was established. cat. no. 120