deem-data/ArtiFact huggingface dataset:
Console table
Object type: console table
Date: 1745 – 1750
Materials: marble, wood
Techniques: carving, gilding

The asymmetrical cartouche of this small console, as well as its winged C and inverted C scrolls and use of rocaille decoration reveal quintessential elements of the Rococo style prevalent in Continental Europe from 1730s onward. This console was part of the model collection of woodwork, paneling and seat furniture of Maison Leys, a successful decorating business, located at the Place de la Madeleine in Paris. Since 1885 the business was directed by Georges Hoentschel who installed the collection in 1903 in a museum-like display at Boulevard Flandrin, Paris. Three years later, Hoentschel sold the collection to J. Pierpont Morgan who gave the panels with the rest of the decorator’s seventeenth and eighteenth century objects to the Metropolitan Museum of Art in 1907.
Rivier tussen de rotsen
Object type: print
Date: 1633 – 1670
Materials: paper
Techniques: etching
Location: amsterdam
Artist: herman naiwincx
Artist role: draughtsman, print maker
Artist dates: 1623 – 1670
Subjects: trees, river, rock-formations
Inscriptions: collector's mark: Lugt 240

Een rivier tussen de rotsen. Op de linker en rechteroever verschillende soorten bomen.
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Date: 1903 – 1903
Materials: ink
Techniques: pen, writing
Location: laren
Artist: ferdinand hart nibbrig
Artist role: draughtsman, painter, print maker
Artist dates: 1866 – 1915
Subjects: designer, pier pander, pieter haverkorn van rijsewijk, amsterdam, jacob pieter moltzer, painter, draughtsman, philip zilcken, drawing, the graphic arts, art collecting, historical persons (portraits and scenes from the life)
Portret van Leopold V, aartshertog van Oostenrijk
Object type: book illustration
Date: 1623 – 1623
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: leopold v (aartshertog van oostenrijk), archbishop, bishop, etc. (roman catholic), historical persons

De prent is in ieder geval gebruikt in: Meteren, Emanuel van. Historie der Neder-landscher ende haerder na-buren oorlogen (...). Den Haag: weduwe van Hillebrant Jacobsz. van Wouw, 1623. Omdat de prent op een papier is geplakt en de tekst op het verso hierdoor niet zichtbaar is, is niet na te gaan uit welke publicatie dit exemplaar komt. Vermoedelijk is de prent ook in andere edities en vertalingen van Van Meterens 'Nederlandsche Historien' gebruikt.
Savonarola Chair
Object type: chair
Date: 1401 – 1600
Materials: wood
Culture: italian
Studie van een hand en twee handen met een tak
Object type: drawing
Date: 1649 – 1723
Materials: chalk, paper, pencil
Techniques: pasting
Artist: Anonymous
Subjects: postures and gestures of hand and fingers, trees (+ branch, stick)
Inscriptions: collector's mark: ‘EB’
"Balarama and Krishna Fighting the Enemy", Folio from a Harivamsa (The Legend of Hari (Krishna))
Object type: folio from an illustrated manuscript
Date: 1590 – 1595
Materials: gold, ink, paper, watercolor
Location: pakistan
Subjects: battles,army,soldiers,krishna,vishnu

The Harivamsa recounts the story of Krishna, one of the incarnations of the Hindu god Vishnu. In this battle scene, Krishna, dressed in yellow and holding his discus, stands atop a mountain. Carrying his own attributes of the plow and pestle, Krishna’s older brother Balarama strikes a soldier of the opposing army. This manuscript, commissioned by the Mughal emperor Akbar (r. 1556–1606), is one of many examples of Hindu texts that were translated and illustrated during Akbar’s reign, as the Emperor took a keen interest in the traditions and stories of other religious groups in India, founding a translation center to facilitate the spread of knowledge.
Aalmoezeniersweeshuis te Amsterdam
Object type: tax token
Date: 1799 – 1799
Materials: tin
Techniques: striking
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

eenzijdig, rechthoekig loodje met afgeschuinde hoeken en gat erin. Voorzijde: wapenschild, omgeven door bladertakjes tussen opschrift AAW boven jaartal. Keerzijde: blanco
Huis Brugdijk te Bemmel
Object type: sketchbook leaf
Date: 1731 – 1731
Materials: ink, paper, pencil
Techniques: brush, pen
Location: bemmel
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: castle, farm or solitary house in landscape
Inscriptions: annotation: ‘Brugdijk te Bemmel/ of Brugeijk’, annotation: ‘Brugdijk/ Brugdijk te Bemmel.’

Blad 12 recto uit een schetsboek met 69 bladen.
Medewerker naast een borduurmachine
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: embroidering ~ textile industry, machines; parts of machines; tools and appliances
Anna van de H. Bartholomeus
Object type: print
Date: 1611 – 1647
Materials: paper
Techniques: engraving
Artist: michel van lochom
Artist role: print maker, publisher
Artist dates: 1601 – 1647
Subjects: altarcross, crucifix, monastic orders, monastic life ~ roman catholic church
Inscriptions: collector's mark: Lugt 2228

De karmelietes Anna van de heilige Bartholomeus met een crucifix in haar handen.
Het Oude-Mannen-en-Vrouwen-Gasthuis naar de Noordzyde te zien
Object type: book illustration
Date: 1760 – 1767
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: hospital

Prent uit: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen, enz. 3 dln. Amsterdam: Isaak Tirion, 1760-1767.
Fort Willem
Object type: print
Date: 1830 – 1899
Materials: paper
Techniques: etching
Artist: alexander schaepkens
Artist role: draughtsman, print maker
Artist dates: 1815 – 1899
Subjects: fortress, maastricht
Inscriptions: collector's mark: Lugt 2228

Fort Koning Willem I te Maastricht, gebouwd in 1815-1818.
Driemonds Gesigt over de Kom, van het Huis naer agteren / Driemonds, Veüe dessus le Bassin, de la Maison vers derriere
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: french or architectonic garden; formal garden, garden pond

Prent voor het eerst gebruikt in: Leth, Andries de. De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende (...). Amsterdam: Weduwe Nicolaus Visscher, 1719. Prent mogelijk uit: Brouërius van Nidek, Matthaeus. De Vechtstroom, van Utrecht tot Muiden (...). Amsterdam: H. Gartman, W. Vermandel en J.W. Smit, 1790.
Copy of Leaf Ornament with Lilies of the Valley
Object type: print ornament architecture
Date: 1500 – 1538
Techniques: engraving
Artist: albrecht altdorfer
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1538
Subjects: leaves
Flagellation of Christ
Object type: drawing and watercolor
Materials: chalk, gouache, ink, paper, paint, watercolor
Techniques: brush, heightening, pen, wash
Location: italy
Artist: follower of giuseppe cesari, called il cavalier d'arpino
Belgiae Pacificatorum Vera Delineatio
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: engraving
Location: the hague
Subjects: the hague, johan van oldenbarnevelt, historical persons
Inscriptions: collector's mark: Lugt 2228
Talbot's Tower, Falaise Castle
Object type: photograph
Date: 1856 – 1856
Techniques: albumen silver print, paper negative
Artist: alfred capel cure
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1896
Subjects: architecture,castles,towers
Footstool
Object type: footstool
Date: 1800 – 1800
Culture: american
Location: united states
öre uit Zweden van Karel XII, 1698
Object type: coin
Date: 1698 – 1698
Materials: silver
Techniques: striking
Location: slot rörstrand

Zilveren munt. Voorzijde: tussen twee samengebonden takken letters C,waarin XII. Daarboven kroon. Keerzijde: tussen jaartal drie kronen, waaronder waarde-aanduiding. Gladde rand.
Verzameling van hoofden, gedachten, trofeeën en diverse etsen
Object type: album leaf
Date: 1761 – 1761
Materials: paper
Techniques: etching
Location: parma
Artist: benigno bossi
Artist role: print maker
Artist dates: 1727 – 1792
Subjects: the (nude) human figure; 'corpo humano' (ripa), youth, adolescent
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, head of filleted woman holding a lekythos in her hand
Napoleon Bonaparte (1769–1821)
Object type: painting
Date: 1830 – 1869
Materials: oil, wood
Artist: french painter
Artist role: artist
Artist nationality: french
Subjects: napoleon i,men,portraits
Venus tumbling with putti in the clouds, from "The Loves of the Gods"
Object type: print
Date: 1531 – 1576
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: putti,venus
Pozzouli, Tempio di Serapide
Object type: album leaf
Date: 1874 – 1879
Materials: photographic support
Techniques: albumen print
Location: pozzuoli
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: column, pillar ~ architecture, ruin of a building ~ architecture, market-hall, pozzuoli
Inscriptions: number: ‘6197’, workshop stamp: ‘Giorgio Sommer/ Largo Vittoria/ Napoli’
Justinianus omringd door vier werelddelen
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: etching
Location: utrecht
Subjects: macedonië, justinianus i (keizer van het byzantijnse rijk)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Keizer Justinianus staand op een voetstuk, met weegschaal en lans in handen en hond aan de voeten. Hij wordt omringd door personificaties van de werelddelen Europa, Afrika, Azië en Amerika. Onderaan ligt een naakte geketende man met een gevleugelde kroon op en een dier op z'n been.
String of 115 discoid ridged beads
Object type: bead, string
Materials: glass
Location: egypt
Shiba rokudaikô mitamaya omotemon
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: tokyo
Artist: Anonymous
Subjects: temple, shrine ~ hinduism, buddhism, jainism, mausoleum, travelling; tourism, front steps

Onderdeel van Leporelloalbum met 30 foto's van bezienswaardigheden in Japan.
Koudekerke
Object type: album leaf
Materials: paper
Techniques: rotogravure
Location: koudekerke
Artist: Anonymous
Subjects: prospect of village, silhouette of village, canals, waters (in city)

Deze prent maakt deel uit van een album.
Dish
Object type: dish
Date: 1367 – 1433
Materials: ceramic glaze, glaze, porcelain
Techniques: incising
Culture: chinese
Earring, One of a Pair
Object type: earring
Date: 1001 – 1200
Materials: gold
Techniques: filigree
Location: iran
Subjects: birds

This crescent-shaped earring is one of a pair (see 2006.273a). It is constructed of gold wire and filigree. The decorative details are achieved through the openwork filigree and fine granulation. In a 12th century manuscript, the Treatises of Fixed Stars, female figures (representing constellations) are depicted wearing crescent-shaped jewelry, both earrings and head ornaments.
Scarf or Cover
Object type: costume and accessory
Date: 1701 – 1725
Techniques: embroidery
Location: turkey
Portret van Karaiskaki Girgir
Object type: print
Date: 1800 – 1900
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Naam van geportretteerde in het Grieks in de ondermarge.
Van de vier Monarchen
Object type: text sheet
Date: 1646 – 1646
Materials: paper
Techniques: hand coloring, letterpress printing
Location: alkmaar

Tekstblad bij een serie prenten over de opkomst van vier wereldrijken en vier heersers uit het visioen van Daniël. Linksboven initiaal M. Dit blad maakt deel uit van een album.
Letter S met kind spelend op trommel en kind blazend op fluit
Object type: print
Date: 1522 – 1524
Materials: paper
Techniques: woodcut
Subjects: letters, alphabet, script, child, children playing musical instruments
Gezicht op de haven van Port-au-Prince op Haïti
Object type: photograph
Date: 1870 – 1900
Materials: photographic support
Techniques: collodion silver print
Location: port-au-prince
Artist: Anonymous
Subjects: harbour (+ view ~ vehicle, ship, etc.)

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Europa, Trinidad, Haïti, Martinique en Suriname.
Fotoreproductie van een gravure naar De ongelovigheid van de Heilige Thomas door Guercino in het Vaticaan
Object type: page
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: the incredulity of thomas
L'Attention
Object type: print
Date: 1770 – 1825
Materials: paper
Techniques: etching
Location: paris
Subjects: attention, concentration
Inscriptions: collector's mark: Lugt 2228, : ‘Déposé à la Bibliothèque Impériale’

Knielend naakt kind als personificatie van aandacht en concentratie.
Textile Design with Alternating Vertical Rows of Ovals Bordered with Pearls and Vertical Garlands of Honeycomb Structures Flanked with Offsetting Branches and Decorated with Pearls over a Stippled Background
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating vertical rows of ovals bordered with pearls and vertical garlands of honeycomb structures flanked with offsetting branches and decorated with pearls over a light tan base with of dark reddish-brown stipples. The ovals are of red color and the pearls are of white color, some of them adorned with a black dot in the center.
Evening dress
Object type: evening dress
Date: 1881 – 1881
Materials: cotton, silk
Culture: american
Artist: frederick loeser & company
Artist role: department store
Artist nationality: american
Artist dates: 1860 – 9999

This design was displayed in the window of the 19th century Brooklyn department store Loeser's for its 50th anniversary, thereby placing it as an example of what the store considered fine design and construction output for the time. This particular example was worn by the donor's mother on her 25th anniversary, showing its appeal for ceremonial occasions probably due to the historicism represented in the scalloped hemline and Medici style collar. The bustle silhouette, although primarily associated with the second half of the 19th century, originated in earlier fashions as a simple bump at the back of the dress, such as with late 17th-early 18th century mantuas and late 18th- early 19th century Empire dresses. The full-blown bustle silhouette had its first Victorian appearance in the late 1860s, which started as fullness in skirts moving to the back of the dress. This fullness was drawn up in ties for walking that created a fashionable puff. This trendsetting puff expanded and was then built up with supports from a variety of different things such as horsehair, metal hoops and down. Styles of this period were often taken from historical inspiration and covered in various types of trim and lace. Accessories were petite and allowed for the focus on the large elaborate gowns. Around 1874, the style altered and the skirts began to hug the thighs in the front while the bustle at the back was reduced to a natural flow from the waist to the train. This period was marked by darker colors, asymmetrical drapery, oversize accessories and elongated forms created by full-length coats. Near the beginning of the 1880s the trends altered once again to include the bustle, this time it would reach its maximum potential with some skirts having the appearance of a full shelf at the back. The dense textiles preferred were covered in trimming, beadwork, puffs and bows to visually elevate them further. The feminine silhouette continued like this through 1889 before the skirts began to reduce and make way for the S-curve silhouette.
Ruhmeshalle in München met standbeeld van Bavaria
Object type: photograph
Date: 1880 – 1900
Materials: paper
Techniques: albumen print
Location: munich
Artist: Anonymous
Subjects: monument, statue
Inscriptions: inscription: ‘München/ Ruhmeshalle mit Bavaria’
La Vera Perfettione del Disegno di varie sorti di recami, page 2 (recto)
Object type: book print ornament architecture
Date: 1567 – 1567
Techniques: woodcut
Artist: giovanni ostaus
Artist role: publisher
Artist nationality: italian
Artist dates: 1507 – 1607

Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice. Dedication page printed in black with an illustrated woodcut initial "I".
Straatjongen met aap
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Location: paris
Subjects: earning money with monkey
Inscriptions: annotation: ‘Mr le Baron athalin’, collector's mark: Lugt 2228a
Soupe à trois sous
Object type: print
Date: 1859 – 1859
Materials: ink
Techniques: etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men,drinking,bottles,tables

The title of this print translates as soup for three pennies and indicates that the men shown sit in a cheap café or bar (notes left by Whistler suggest it is the Café des Pieds-Humides ('Café of the Wet Feet') in Paris). Soon after making this etching, Whistler moved to London, took lodgings south of Tower Bridge, then recorded a similar scene in an etching titled "Longshore Men"). Black bottles on the tables here, near men who slouch or sleep, evoke the addictive properties of alcohol and the signature, etched at upper center on an otherwise unadorned wall, reads like a fragment of graphiti.
Laminas de las Reflexiones...
Object type: book
Date: 1789 – 1789
Techniques: engraving
Artist: don domingo maria de servidori
Artist role: author
Artist nationality: spanish
Piece
Object type: piece
Date: 1880 – 1889
Materials: silk
Geschiedenis van de kat en de musschen
Object type: print
Date: 1869 – 1888
Materials: paper
Techniques: colour, letterpress printing, lithograph
Location: utrecht
Subjects: cat, animals acting as human beings, song-birds: sparrow
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen uit het verhaal van de kat en de mussen. De kat jaagt op de mussen, maar voordat hij ze te pakken krijgt wordt hij neergeschoten door een jager. Onder elke afbeelding een onderschrift.
Lezende vrouw aan een tafel
Object type: print
Date: 1748 – 1767
Materials: paper
Techniques: mezzotint
Location: london
Subjects: reading, lace
Inscriptions: collector's mark: Lugt 2228
Zes fab'len, lieve jeugd, word' u hier voorgesteld, / Terwijl elk versje daar den inhoud van vermeld; / Tracht eerst de zedeles van 't voorstel wel te vatten, / Dan zult gij deze prent naar waarde leeren schatten
Object type: popular print
Date: 1827 – 1894
Materials: paper
Techniques: colour, letterpress printing
Location: schaarbeek
Subjects: animals acting as human beings, characters (human types), fables
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van verschillende aard, waaronder voorstellingen van fabels. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No 133.
She Lov'd Me for the Dangers, plate three from Othello
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: engraving, etching, roulette
Location: france
Artist: théodore chassériau
Artist nationality: french
Artist dates: 1819 – 1856
Portret van een vrouw, aangeduid als Lil Mohr
Object type: photograph
Date: 1910 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons
Blad met negen voorstellingen van gebeurtenissen in het jaar 1713 van de Spaanse Successieoorlog
Object type: print
Date: 1713 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: spaanse successieoorlog

Blad met negen voorstellingen van gebeurtenissen uit het jaar 1713 tijdens de Spaanse Successieoorlog. Verschillende kaarten, plattegronden en oorlogstaferelen. Elke voorstelling met een onderschrift in het Nederlands en Latijn. Plaat XIV in een reeks van platen uitgegeven onder de titel: Schouwburg van den oorlog / Theatrum Bellicum.
Spieghel der schrijfkonste
Object type: print
Date: 1605 – 1605
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: calligraphy

Schrijfvoorbeeld met de aanhef: Sig. fr[at]ello mio colend. il sig. Giovanni Waesbergio ... Daaronder zes regels tekst in het Latijn, voornamelijk bestaande uit afkortingen: Amo ... Links een vaas of ciborie in krulwerk. De prent maakt deel uit van een album.
Stained Glass Panel
Object type: panel
Date: 1401 – 1500
Materials: glass
Culture: south netherlandish
Omslag voor drie tekstbladen met opdracht aan Rutger Jan Schimmelpenninck en toelichting bij vier prenten
Object type: wrapper
Date: 1805 – 1805
Materials: paper
Techniques: letterpress printing
Location: haarlem
Inscriptions: number: ‘196’

Op het verso van de omslag een bericht aan het publiek van de uitgevers en dank aan de tekenaars, prentmakers en de plaatdrukker A. Koning te Amsterdam.
San Lorenzo, New Sacristy, window, plan; elevation (recto) San Lorenzo, New Sacristy, window, plan; elevation (verso)
Object type: drawing
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture,windows
Plate 8: A the bow of a galley at left and another galley at right, seen from behind, two rowboats in center, a hill with a fortress in the background, from "Various Landscapes" (Divers Paysages)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: ships
Twee herbergscènes: De lege kruik en De twee rokers en de drinkende boer
Object type: print
Date: 1651 – 1745
Materials: paper
Techniques: etching
Location: netherlands
Subjects: inn, coffee-house, public house, etc., pipe ~ tobacco, drinking
Inscriptions: collector's mark: Lugt 2228a

Twee herbergscènes: man kijkt in lege kruik, twee mannen kijken toe en twee rokers en drinker in herberg. Twee kopieën naar prenten van Adriaen van Ostade zijn samengevoegd op een etsplaat
Zeilboot en een man met een baard en hoed
Object type: sketchbook leaf
Date: 1837 – 1881
Materials: paper, pencil
Techniques: stumping
Artist: johannes huybertus van hove bzn
Artist role: print maker
Artist dates: 1827 – 1881
Subjects: head (human), sailing-ship, sailing-boat, head-gear: hat (+ men's clothes), beard

Blad 13 recto uit een schetsboek met 33 bladen en 10 losse tekeningen.
Jug
Object type: jug
Date: 600 – 480
Materials: terracotta
Culture: cypriot

One-handled globular jug, unpainted body, lip painted red, bands on neck.
Une cascade à Aywaille (Liège)
Object type: page
Date: 1875 – 1880
Materials: cardboard, paper
Techniques: woodburytype
Location: aywaille
Subjects: waterfall
Spirit keg in the shape of a Dutchman sitting astride a barrel
Object type: cap
Date: 1750 – 1750
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, forming, vitrification
Location: japan
Artist: Anonymous

Dop in de vorm van een hoofd voor jeneverkruik van porselein, beschilderd in onderglazuur blauw. Op het hoofd een geveerde hoed. Blauw-wit.
Dabularzi, King Cetewayo's Brother, Africa, from the Savage and Semi-Barbarous Chiefs and Rulers series (N189) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: men,portraits

Trade cards from the "Savage and Semi-Barbarous Chiefs and Rulers" series (N189), issued in an unnumbered set of 50 cards in 1888 by Wm. S. Kimball & Co.