deem-data/ArtiFact huggingface dataset:
Grafmonument met obelisk en Vader Tijd
Object type: drawing
Date: 1650 – 1800
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: grave, tomb, needle, obelisk (marking grave), father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228

Een grafmonument in een nis met een obelisk en Vader Tijd. Rechts zit een wenende putto. Aan de bovenzijde van de obelisk een gekroond wapenschild met guirlandes.
Adam en Eva
Object type: print
Date: 1504 – 1504
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: eve takes the fruit from the serpent (or the tree) in the presence of adam (who may be trying to stop her)
Inscriptions: signature and date: ‘ALBERT/ DVRER/ NORICVS/ FACIEBAT/ AD 1504’, collector's mark: Lugt 240

Mogelijk had deze prent oorspronkelijk het inventarisnummer RP-P-1877-A-20 (zie opmerking aldaar). Klinkert, C.
Interieur van een kerk, mogelijk de Sint-Pietersbasiliek
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: interior of church, 'vera icon', 'sudarium', veronica-portrait
Inscriptions: collector's mark: Lugt 2228
Portret van Hendrik van Mecklenburg-Schwerin
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1919
Materials: photographic support
Techniques: photography
Location: amsterdam
Artist: ferdinand robert ebner
Artist role: fotograaf
Artist dates: 1873 – 1919
Subjects: the hague, hendrik (prins der nederlanden (1876-1934))

Portret van Hendrik. In zijn linkerhand zijn handschoenen. Op de achtergrond balustrades.
Hier ziet ge de kleedij, der mannen die voor dezen, bij menig groote strijd de vijand deden vreezen
Object type: popular print
Date: 1827 – 1894
Materials: paper
Techniques: colour, letterpress printing
Location: schaarbeek
Subjects: warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen van militairen te paard. Onder elke afbeelding een vierregelig vers, boven elke afbeelding een titel. Genummerd rechtsboven: No. 109.
Platter (part of a service)
Object type: platter
Date: 1770 – 1785
Materials: hard paste porcelain
Subjects: birds,coat of arms
Twee monniken in een bos
Object type: book illustration
Date: 1928 – 1928
Materials: paper
Techniques: woodcut
Location: england
Artist: john buckland wright
Artist role: print maker
Artist dates: 1897 – 1954
Subjects: face, standing figure, monk(s), friar(s), forest, wood

Prent bedoeld als illustratie voor een uitgave van Iwan Gilkin's "Le Sphinx" (1907). Deze publicatie werd echter niet gerealiseerd. Pas in 1960 verschenen zij als complete set van 14 afbeeldingen.
Turban Ornament (Turra)
Object type: costume and accessory
Date: 1701 – 1900
Materials: diamond, gemstone, enamel, gold
Techniques: polychrome
Location: india
Thistle-shaped cup with cover
Object type: cup with cover
Date: 1714 – 1714
Materials: silver gilt
Theatrical Masks and Ram Vessel for Offering
Object type: mask, theatrical, ram vessel
Materials: faience
Location: fayum
Subjects: masks,rams

These three pieces are said to have been part of a find of numerous faience objects at Arsinoe, capital of the Fayum region. The masks are too small and brittle to have served as actual theater masks. They refer to the god Dionysus, patron of the theater and god of rebirth; in Egypt he was equated with Osiris. Terracotta theater masks are found in burials and sanctuaries in Greece, in sanctuaries and as garden decorations in Italy. In Egypt, they are known only from burials, as offerings to Osiris/Dionysus. Terracotta masks from Antinoopolis in Middle Egypt probably originate in tombs, and a terracotta theater mask was found in a Roman Period chapel over a burial at Hawara. The charming ram in the second view, with its almost prehensile muzzle, feeds from a lotus-form trough. The traditional Egyptian gods Amun or Khnum were identified with curly-horned rams, but by this time several other divinities were as well. In terracotta statuettes and on coins Harpokrates can be seen riding a ram or sitting upon a lotus flower, the latter symbolic of rebirth. Perhaps this faience composition alludes to Harpokrates, who was an immensely popular god of fecundity and rebirth during the Roman era.
Grafveld aan de Theys
Object type: photograph
Date: 1905 – 1928
Materials: paper
Techniques: gelatin silver print
Location: hungary
Subjects: (human) skeleton, excavation ~ archaeology
Inscriptions: inscription: ‘Hollandsche Archaeologische Expeditie/ Grafveld aan de Theys/ hurkengraf ±2500 v.C. door mij zelf blootgelegd./ Mei 1928/ Leider Dr. A.E. van Giffen’
Mar's Work, Stirling. No. 2
Object type: print
Date: 1907 – 1907
Materials: paper
Techniques: drypoint, etching
Location: scotland
Artist: david young cameron
Artist role: draughtsman, print maker
Artist nationality: scottish
Artist dates: 1865 – 1945
Dutch Ship at Anchor off the Coast of Tsushima
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1826 – 1869
Subjects: ships
Portret van Johann Anton II von Freyberg
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving
Artist: andreas nunzer
Artist role: print maker
Subjects: eichstätt, historical persons, crucifix ~ personal devotion
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Keizersgracht bij de Vijzelstraat
Object type: carte de visite
Date: 1849 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: city-view in general; 'veduta', canal, the usual house or row of houses, street
Inscriptions: stamp: ‘A. Jager / Water, 110 / Amsterdam’, collector's mark: ‘9.63’ Lugt 1641b, inscription: ‘4. Het Museum Fodor. / Keizersgracht / b/d Vijzelstraat’

Onderwerpsrubriek binnen de Atlas Amsterdam: Kadijksplein, Karthuizerkerkhof, Kattegat, Kattenburg, Kapelsteeg O.Z., Enge Kerksteeg, Kerkstraat, Kinkerstraat, Kolk O.Z., Koningsplein, Kromboomsloot [Krom Boomssloot], Kostverlorenkade, Kwakersdwarspad, Kalverstraat, Keizersgracht (v.d. Brouwersgracht – Amstel), Klerensloot (Gedempte), Klimopstraat, Kloveniersburgwal, Kraansluis.
... ob Sie noch lebt ...
Object type: print
Date: 1918 – 1918
Materials: paper
Techniques: linocut
Location: germany
Artist: monogrammist ko
Artist role: print maker
Subjects: after the battle, return of the soldiers to civilian life, returning home

Een man in een gestreept pak met een zak op de rug, onderweg naar huis lopend, hij moet nog 480 km.
Portret van Hendrik de Keyser
Object type: print
Date: 1623 – 1686
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: sculptor, hendrick de keyser (i), portrait, self-portrait of sculptor, portrait, self-portrait of architect
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Portret van Hendrik de Keyser, architect en beeldhouwer te Amsterdam, in een ovale lijst met rolwerk.
Germaans offeraltaar
Object type: print
Date: 1839 – 1904
Materials: paper
Techniques: tone lithography
Location: haarlem
Artist: hendrik dirk kruseman van elten
Artist role: draughtsman, print maker
Artist dates: 1829 – 1904
Subjects: sacrifice ~ germanic and scandinavian religions
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Germaans stenen offeraltaar of offertafel in het bos.
Lotta, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,drums,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Portret van Margaretha II van Henegouwen
Object type: print
Date: 1678 – 1678
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: sceptre, staff (symbol of sovereignty) - bb - female ruler, historical persons - bb - woman, crown (symbol of sovereignty) - bb - female ruler, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 964

Prent waarschijnlijk uit: Scriverius, Petrus. Hollandsche, Zeelandsche ende Vriesche Chronyk (...). Den Haag: Johannes Tongerloo en Levijn van Dijck I, 1678, p. 300. Eerdere staat gebruikt in publicaties uit 1645 en 1648.
Waistcoat
Object type: waistcoat
Date: 1750 – 1755
Materials: silk
Culture: french
Plaque
Object type: plaque
Date: 501 – 700
Materials: bone
Techniques: carving
Location: egypt
Subjects: leaves
Colchester Castle
Object type: handelsetiket
Date: 1681 – 1740
Materials: paper
Techniques: woodcut
Location: haarlem
Artist: isaac vincentsz. van der vinne
Artist role: draughtsman, print maker
Artist dates: 1665 – 1740
Subjects: vignette, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 240
Gehoor
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: etching
Location: paris
Artist: jean jacques avril (i)
Artist role: print maker
Artist dates: 1744 – 1831
Subjects: hearing, listening (one of the five senses)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Personificatie van het zintuig het gehoor. Rechts zit een figuur op de rug gezien en speelt op een stellage met bellen, drie kinderen en twee figuren links kijken toe. Eén van de twee figuren links heeft een blaasinstrument vast. Op de voorgrond in het landschap ligt een snaarinstrument.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander and cross squares; Exterior, bit of the frontal right foot and part of the left calf and foot of a youth to right; unidentified object
Portret van Hans Ulrich Zehnder
Object type: print
Date: 1826 – 1864
Materials: paper
Techniques: lithograph
Location: zurich
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Piece
Object type: piece
Date: 1601 – 1633
Materials: silk
Subjects: leaves
Toegangspenning tot de Hortus Medicus te Amsterdam 1696
Object type: medal
Date: 1696 – 1696
Materials: brass
Techniques: casting
Inscriptions: circumscription: ‘MAXIMUS AEGRIS AUXILIATOR ADEST’, circumscription: ‘HORTI MED AMSTEL LIBER INGRESSUS’, inscription: ‘Gerret / Sevenhuysen / 1733’

Gegoten messing penning met op de voorzijde Aesculapius en op de keerzijde een altaar waarop het gekroonde stadswapen, een caduceus en cornucopiae waaruit kruidentakken, op naam van Gerret Sevenhuysen 1733
M. De Lally-Tolendal
Object type: print
Date: 1788 – 1802
Materials: paper
Techniques: etching, lithography
Location: paris
Subjects: paris, politician, gérard de lally-tollendal, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2233
Dish in Two Sections with Three Figures
Object type: dish
Date: 1 – 100
Materials: stone
Culture: gandhara
Subjects: human figures,gandhara
Fonteinen van Frascati
Object type: album leaf
Date: 1653 – 1691
Materials: paper
Techniques: etching
Location: italy
Subjects: ornamental fountain
Bulla
Object type: bulla
Date: 567 – 301
Materials: clay
Culture: achaemenid
Location: iran

This bulla (a lump of clay used in an administrative context) bears the impression of a stamp seal. It is difficult to make out the image on the seal, but it seems to show a human figure emerging from a winged disk. This bulla was excavated at Pasargadae in southwestern Iran, about 90 km northeast of Shiraz. Pasargadae was the first capital of the Achaemenid Persian Empire, founded by Cyrus the Great c. 546 B.C. The bulla was found in a room near the eastern corner of the Tall-i Takht, a massive artificial platform presumably built as the site of a royal palace but converted into a fortified compound after Darius established a new capital at Persepolis around 520. Presumably it was once attached to a document of some kind – a clay tablet or papyrus or parchment document. Alternatively, it may have been used as a token, indicating the bearer was authorized by a superior to do some particular action. Without more bullae, or indeed any documents, it is impossible to do more than speculate. Nevertheless, the presence of bullae at Pasargadae suggest the existence of a bureaucracy there. Indeed, the Takht may have served as a storehouse or treasury during the 5th and 4th centuries B.C.; Elamite tablets from Persepolis refer to a treasury there during the reign of Darius, and according to the Greek historian Arrian (3.18.10), Alexander the Great captured a treasury at Pasargadae. This bulla thus may be a remnant of the management of that treasury. The identity of the figure in the winged disk remains a major topic of scholarly discussion. The two most frequent suggestions are that it is Ahuramazda, the god who figures prominently in many Achaemenid royal inscriptions, or that it represents a divine aura or spirit of the Persian king. The latter possibility is based on extrapolations from later Avestan texts, whereas the depiction of a god as a figure in a winged disk has precedents in Assyrian art, from which the Persians drew inspiration. Thus the identification of the figure as Ahuramazda is the more plausible of the two interpretations.
Exterieur van de Tempel van Poseidon te Paestum
Object type: ansichtkaart, prentbriefkaart
Date: 1875 – 1907
Materials: paper
Techniques: photograph
Location: paestum
Artist: Anonymous
Subjects: façade (of house or building), temple, shrine ~ greek religion

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Italië.
Landschap met boerderijen
Object type: print
Date: 1688 – 1727
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, landscape with bridge, viaduct or aqueduct, farm (building), angling (+ net)
Inscriptions: collector's mark: Lugt 2228

In een landschap liggen enkele boerderijen. Bij het huis links staat een koets stil, waarvan de paarden drinken. Links trekt een man vanuit een boot een visnet uit het water. Rechts zit een man op de dijk. Prent uit een serie landschappen.
Denarius (Coin) Depicting the God Apollo
Object type: coin
Materials: silver
Culture: roman
Location: roman empire
Inscriptions: Reverse: P CLODIVS ; on left, M F

The front (obverse) of this coin depicts the laureate head of the God Apollo, facing to the right; behind him is a lyre. The back (reverse) depicts the Goddes Diana standing, with a bow and quiver over her shoulder, holding a lighted torch in each hand.
Dress
Object type: dress
Date: 1873 – 1876
Materials: wool
Culture: american
Gezicht op de Korte Prinsengracht
Object type: cabinet photograph
Date: 1865 – 1940
Materials: paper, cardboard
Techniques: collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, the usual house or row of houses, bridge in city across river, canal, etc., street
Inscriptions: collector's mark: ‘11.1’ Lugt 1641b, inscription: ‘no 48 Korte Prinsengr’

Onderwerpsrubriek binnen de Atlas Amsterdam: Paleisstraat, Palmgracht, Papenbrugsteeg, Passeerdersgracht, Peperstraat, Pieterspoort (St.), Pieterssteeg (St.), Plantage, Prinseneiland.
Terracotta pyxis (cosmetic box)
Object type: pyxis with lid
Date: 600 – 501
Materials: terracotta
Culture: greek, boeotian

The pattern on the box of the pyxis is reminiscent of an organic material such as rush, grass, possibly even wood. Small lidded containers were certainly made of perishable materials that have now entirely disappeared.
Sampler
Object type: sampler
Date: 1841 – 1841
Materials: canvas, wool
[Duc de Morny Album]
Object type: album
Date: 1865 – 1865
Materials: glass
Techniques: albumen silver print
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 200
Materials: glass
Culture: roman

Small perfume bottle Colorless with pale blue green tinge. Thickened, rounded, uneven rim; flaring mouth; cylindrical neck, tooled in around base; squat bulbous body; small, flattened bottom. Intact, but with crack in body and across bottom; dulling, pitting, and weathering covering most of surfaces, with patches of brilliant iridescence.
Drie ovalen met landschappen
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: germany
Inscriptions: collector's mark: Lugt 240

In het middelste landschap bevindt zich een ruïne. Uit serie van 12 bladen.
Geboeide man knielt voor een vrouw
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: indigenous peoples of north america, monk(s), friar(s), kneeling figure
Inscriptions: collector's mark: Lugt 240

Omringd door oorspronkelijke Amerikanen en een monnik knielt een geboeide man, mogelijk John Smith, voor een vrouw, mogelijk Pocahontas.
The Censer
Object type: print
Date: 1470 – 1474
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Subjects: religion, rituals

Although best known now for his engravings, Martin Schongauer was initially a goldsmith as well as a painter. The extraordinary detail of his early Censer suggests either a design for a planned commission, or a close replica of an existing one. Censers were ornate sculptured objects used in Catholic churches to distribute clouds of incense during Mass by swinging them back and forth on long chains. This one is covered with a heavenly host and boasts numerous openwork areas to allow the clouds of smoke to emerge.
Covered Vegetable Dish
Object type: vegetable dish
Date: 1830 – 1840
Materials: glass
Culture: american
Location: united states
Portret van Ernst Rüdiger van Starhemberg
Object type: print
Date: 1659 – 1702
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: ernst rüdiger van starhemberg, adult man, historical persons, armorial bearing, heraldry, (military) flags and standards
Inscriptions: collector's mark: Lugt 2161, collector's mark: Lugt 2228
Schelp en ornamenten met bladmotief
Object type: book illustration
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: foliage ~ ornament, scallop, shell ~ ornament

Deze prent is gebruikt als ornament in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Jug
Object type: jug
Date: 1801 – 1900
Subjects: dogs
Vrouw, ten halven lijve
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman

Blad 1 recto uit schetsboek XVII met 31 bladen.
Mayence. Gustave, David. 33 ans, né le 29/5/60 à Paris XVllle. Tapissier. Anarchiste. 17/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Design for the Garden Façade of a Palace
Object type: drawing ornament architecture
Date: 1695 – 1766
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: giovanni niccolò servandoni
Artist role: artist
Artist nationality: italian
Artist dates: 1695 – 1766
Subjects: architecture,palaces
Zes prenten bedoeld voor een gebedenboek
Object type: album leaf
Date: 1710 – 1710
Materials: paper
Techniques: engraving, etching
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: breviary, book of hours

Deze zes prenten waren bedoeld voor een Spaans gebedenboek.
Bombario Actionist en de Geest van Esopus
Object type: print
Date: 1718 – 1720
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: caricatures (human types), little people

De kleine mens Puer Orcanius als woeste officier met opgeheven zwaard. In het onderschrift verzen in het Duits, Frans en Nederlands. Genummerd rechts midden: 33. Onderdeel van deel II in de tweede Nederlandse gebonden uitgave uit 1720 (en gerelateerd aan de Windhandel in dat jaar) van een serie karikaturen van kleine mensen, bekend als Het Dwergentooneel.
Christus geneest een zieke
Object type: book illustration
Date: 1649 – 1649
Materials: paper
Techniques: letterpress printing
Location: antwerp
Subjects: miracles of christ ~ healing the sick
Inscriptions: collector's mark: Lugt 2228

Prent uit: Andries, Judocus. Perpetua crux sive passio Jesu Christi. Antwerpen: Cornelis Woons, 1649.
Kaart van de westkust van Galicië, 1726
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maps of separate countries or regions

Kaart van de westkust van Galicië. Plaat nr. 131 in deel VI van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne uit 1726, dit eerste deel met 238 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Opschriften in het Frans.
Dress
Object type: dress
Date: 1819 – 1821
Materials: silk
Culture: british
Retour du Moulin (Mont-Dore)
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photoaquatint
Location: paris
Subjects: riding a horse, ass, or mule; rider, horseman, (high) hill
Frontispiece, with Statue of Minerva, from "Vedute di Roma"
Object type: print
Date: 1748 – 1748
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: ruins,minerva
Gefragmenteerde steel van vork of lepel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fork
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Cutlery, fragment: stem of fork or spoon; fragm, id. NG 1980-27H49a.
Tobacco box with cover
Object type: tobacco box with cover
Date: 1730 – 1730
Materials: hard paste porcelain, silver gilt
Artist: vienna
Artist role: manufactory
Subjects: birds,flowers
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, extended arm of figure?