deem-data/ArtiFact huggingface dataset:
Elmer Ellsworth "Mike" Smith, Pitcher, Cincinnati, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Flora, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1534 – 1566
Techniques: engraving
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: female nudes,flowers

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 57 in the scrapbook.
Poniatowski
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Portret van Louise Marie Thérèse d'Artois
Object type: print
Date: 1820 – 1830
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: paris, louise d' artois, historical persons - bb - woman
Watch
Object type: watch
Date: 1600 – 1600
Materials: metal
Artist: jehan bénard
Artist role: maker
Artist nationality: french
Artist dates: 1611 – 1611
Woman Holding a Round Fan
Object type: print
Date: 1797 – 1797
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Die
Object type: die
Materials: stone
Location: egypt
Subjects: dice

Cubic dice have been in use in the Near East since the third millennium B.C., with different systems used at different times for distributing the points. In Egypt, examples dating to the New Kingdom are reported as isolated finds at el-Amarna, Lisht and Deir el-Bahri. The numbering of the opposite sides (1-6, 2-5, 3-4), each adding up to seven, comes into more general use only later, as reflected by this die. During the Greco-Roman period, cubic dice became more common and gradually replaced throwing sticks and knuckle bones for use with board games.
Witte gebreide babymouw
Object type: sleeve
Date: 1800 – 1899
Materials: textile
Techniques: knitting
Location: netherlands
Artist: Anonymous

Door de bovenzijde is een wit lint geregen. Het uiteinde is voorzien van geschulpt ajourwerk.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 434 – 368
Materials: terracotta
Culture: greek, attic

Interior, part of border of meander; Exterior, legs of a male to right, wearing a chitoniskos and a quiver
Ceramic Fragment
Object type: fragment
Date: 1001 – 1100
Materials: earthenware, tin
Techniques: enamel, luster painting
Location: syria
Fragment rood zijdeweefsel met borduurwerk in geel en lichtgroen
Object type: zijdedamast
Date: 1750 – 1750
Materials: linen, silk
Techniques: damask, embroidered, weave
Location: netherlands

Fragment rood zijdeweefsel, damast, met borduurwerk. Het damast heeft een symmetrisch patroon van grote bloemen en bladeren. Langs een lange zijde is een ketting geborduurd en langs de andere lange zijde een guirlande waaruit druivenranken ontspringen. Een korte zijde is rond ingeknipt en heeft langs de ronding een korenaren met een wijnrank lopen. Het fragment bestaat uit twee aaneengenaaide fragmenten.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, woman with sakkos, chiton and himation, with right arm extended forward, holding an object; above, an unidentified object
Stilleven
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: three-color autotype
Subjects: laid table as still life
Inscriptions: collector's mark: ‘Worcester Public Library/ Victoria Institute’
Banknote motif: two bands of ornamental lathe work resembling florets and hexagons
Object type: print
Date: 1824 – 1842
Techniques: engraving
Artist: cyrus durand
Artist role: artist
Artist nationality: american
Artist dates: 1787 – 1868
Subjects: money
Paarden bij een aanlegplaats aan een waterkant
Object type: sketchbook leaf
Date: 1886 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), dikes, levee, horse

De paarden staan bij een dijk. Op de achtergrond bebouwing. Recto-zijde van een los blad tussen pagina 27 en het achterste schutblad uit een schetsboek met 27 bladen.
Ex libris van onbekend
Object type: bookplate
Date: 1850 – 1924
Materials: paper
Techniques: hand coloring, printing block
Artist: Anonymous
Subjects: beasts of prey, predatory animals: lion, armorial bearing, heraldry
Governor General of India, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,flags,generals

Trade cards from the "World's Sovereigns" series (N34), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Woman’s Robe with Lotus Flowers
Object type: woman's robe
Date: 1701 – 1800
Materials: textile, silk
Techniques: embroidery
Culture: chinese
Subjects: lotuses

The lightweight gauze foundation cloth and the pattern of lotus flowers with butterflies indicate that this robe was meant to be worn in summer.
Views in the Holy Land
Object type: stereograph
Date: 1859 – 1861
Materials: cardboard, paper
Techniques: albumen print
Location: ramla
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: ruin of a building ~ architecture, temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘403’, inscription: ‘Ramleh is the ancient Arimathea, the birthplace of Joseph and Nicodemus, the faithful disciples who/ buried the Saviour. (...)’, inscription: ‘Entered at Stationers' Hall.]’, inscription: ‘[Deposé.’, inscription: ‘Ruine d'une Mosqueé à Ramlehe (eâte'de l'Est)’
Tumbler
Object type: tumbler
Date: 1800 – 1830
Materials: glass, lead
Techniques: glassblowing, molding
Culture: american
Location: united states
Wiegenkleed en lambrekijn van mandwieg
Object type: bassinet
Date: 1685 – 1700
Materials: silk
Techniques: damask
Location: northern netherlands
Artist: Anonymous

Het blauw damasten wiegenkleed bestaat uit twee delen, beide bevestigd aan een voorgezette lambrekijn.
Meisje in een venster voert een papegaai
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: engraving, etching
Subjects: giving food, adolescent, young woman, maiden, ornamental birds: parrot, human figure at (open) window, seen from outside - aa - feigned window
Inscriptions: collector's mark: Lugt 2228

Het schilderij door Netscher werd in 1664 geschilderd en bevindt zich in het Columbus Museum of Art, te Ohio, inv.nr. 1978.018. Op het schilderij is naast de jonge vrouw nog een man met een aap weergegeven.
Wineglass
Object type: wineglass
Date: 1667 – 1733
Materials: glass
Antieke vaas met tritons
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: aquatint, etching
Location: london
Artist: patrick begbie
Artist role: print maker
Artist dates:  – 1820
Subjects: triton(s), vase ~ ornament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een antieke geornamenteerde vaas met twee tritonen en de serietitel.
Wine-bottle cooler (seau à bouteille) (part of a service)
Object type: cooler
Date: 1771 – 1772
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: birds,trees

The table services produced at Sèvres in the eighteenth century were highly prized and extremely expensive. They were not only purchased by the Crown and members of the aristocracy but also given by the king as diplomatic gifts to foreign courts and visiting dignitaries, and the esteem in which they were held did much to enhance the factory’s prestige and fortunes. Because the number of pieces composing a service was very large, the cost was enormous, but this did not deter many courtiers from ordering a dinner or dessert service, or both. One of the most celebrated services produced at Sèvres was delivered to Louis-René-Édouard, prince de Rohan-Guémenée (1734–1803), on September 7, 1772. All of the pieces were decorated with the rich turquoise ground color known as bleu céleste and with birds encircled by an elaborate gilt wreath of oak leaves and acorns. Many of the components of the service bear the initials LPR (for Louis, prince de Rohan), executed in two tones of gilding. The service cost the substantial sum of 20,772 livres, which was roughly equivalent to twice the annual income of a successful doctor at the time. This wine-bottle cooler is one of twenty-three pieces from the Rohan service now in the Museum’s collection. Originally composed of 368 pieces, the service was small in size compared to other Sèvres services, but the rich use of gilding, the expensive ground color, and the initials in two tones of gold account for its high cost.
Scarab: Long-Necked Creature
Object type: costume and accessory
Materials: glaze, stone
Techniques: glazing
Culture: egyptian
Location: egypt
Subjects: hieroglyphs, animals, insects
Pochette
Object type: pochette
Date: 1601 – 1700
Materials: silver, shell, wood
Culture: german
Location: germany

Dancing was an expected aristocratic accomplishment. Instruction was given at home by a visiting dance master, who played a small fiddle to provide music for the lessons. The compact, slender shape of these instruments made them easy to transport and gave them the name pochette, which suggests that they were carried in one's coat pocket. Elaborately decorated pochettes made of precious materials were often seen and collected as art objects in their own right.
Jar
Object type: jar
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: syria
Cum Nactus Essem Duodecim Fragmenta Structurae veteris (...)
Object type: album leaf
Date: 1550 – 1575
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: ruin of a building ~ architecture

Overblijfselen van een meerbeukig gebouw. Op de eerste verdieping leunen twee mannen over de balustrade. Deze prent maakt deel uit van een album.
Weislingen Held Prisoner by Goetz
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: lithograph
Location: france
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Portret van Lech I
Object type: album leaf
Date: 1574 – 1594
Materials: paper
Techniques: woodcut
Location: cologne
Subjects: historical persons, ruler, sovereign

Prent gebruikt in: Mylius, Arnold. Principum et Regum Polonorum Imagines ad Vivum Expressae (...). Keulen: Gottfried von Kempen, 1594.
Huizen getroffen door Engelse bommen
Object type: photograph
Date: 1940 – 1940
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: devastated, ruined place or city (~ warfare), netherlands

Huizen in een dichtbevolkte woonwijk zijn getroffen door Engelse bommenwerpers 'ergens in Nederland', aldus het bijschrift. Tekststrookje aan foto geplakt.
Fichu
Object type: fichu
Date: 1843 – 1843
Materials: cotton
Culture: american
Glass flask
Object type: bottle with engraved line
Date: 301 – 400
Materials: glass
Culture: roman

Colorless with pale green tinge. Plain, vertical rim, ground flat; funnel-shaped neck; globular body; small, flattened bottom. On neck, two horizontal bands of wheel-cut grooves comprising a single line below rim and a double line two-thirds of way down neck; on body, two concentric grooves around shoulder, a band of three horizontal grooves around body at point of greatest diameter, and two more concentric grooves near base of side; between the uppermost and lowest bands, a further eight bands of double lines form oblique circles around the body, creating a pattern of triangles and other geometric shapes. Complete, but many internal cracks in neck and body; some pinprick bubbles and a few glassy inclusions; dulling, slight pitting, creamy brown weathering, and iridescence. Flasks decorated like this one with complex linear and geometric designs were made in the western provinces at places such as Cologne (see 17.194.317, also on view in this gallery). However, they were clearly part of an Empire-wide style, and similar vessels have been found in the Roman East. The flaring rim of this flask is typical of the eastern examples.
Portret van Ulrich von Hutten
Object type: print
Date: 1795 – 1878
Materials: paper
Techniques: stippling
Subjects: switzerland, politician, armour, historical persons
Inscriptions: collector's mark: Lugt 2228
Willem Frederik, prins van Oranje-Nassau, souverein vorst
Object type: insignia
Date: 1813 – 1813
Materials: silver
Techniques: embroidery, striking
Location: netherlands
Artist: Anonymous
Subjects: the hague, berlin, william i of the netherlands

Eenzijdig zilveren opengewerkt draagteken, met parelrand aan draagoog. Voorzijde: borststuk man. Keerzijde: blanco
Johan van Galen verdedigt zich tegen 20 rovers, 1649
Object type: historieplaat
Date: 1783 – 1799
Materials: ink, paper
Techniques: brush, pen
Location: northern netherlands
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: essen, battle (+ naval force), traveller(s) attacked by robber(s)

Johan van Galen alleen varend door de Middellandse Zee naar Port Maria, verdedigt zich tegen 20 rovers die hem overvallen, 1649. Ontwerp voor een prent.
Sjoelen aan dek
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo, madeira

Sjoelen aan dek, tijdens bezoek aan Madeira. Foto op een bladzijde van een los albumblad. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Kettingkogels uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: chain shot
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
David en Goliat
Object type: print
Date: 1700 – 1899
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: david fighting goliath, weapons, fighting
Inscriptions: collector's mark: Lugt 2760

Het gevecht tussen David en Goliat. De figuren en hun wapens bestaan grotendeels uit krullen (kalligrafie).
The winged archangel Saint Michael holding a sword and standing on the head of the devil, who descends into hell, an oval composition
Object type: print
Date: 1600 – 1640
Techniques: etching
Artist: anonymous, 17th century
Artist role: artist
Artist dates: 1600 – 1700
Subjects: swords,saint michael,devil
Saint-Germain-en-Laye. Le Château
Object type: photomechanical print
Date: 1903 – 1918
Materials: cardboard
Techniques: photograph
Location: paris
Artist: Anonymous
Subjects: public gardens, park (+ city(-scape) with figures, staffage), castle
Winter
Object type: statue
Date: 1787 – 1787
Materials: bronze
Artist: jean antoine houdon
Artist role: artist
Artist nationality: french
Artist dates: 1741 – 1828
Subjects: female nudes

A frileuse is a woman subject to cold. A marble version (Musée Fabre, Montpellier), dated 1783, was originally intended as an allegory of Winter. For the Museum's bronze, cast by Houdon himself and coming from the collection of the duc d'Orléans, Houdon stripped the spiraling columnar composition to its bare essentials. The girl's tremulous flesh is offset by her tightly drawn shawl, elegant but hardly adequate.
Abhisarika Nayika (Heroine Running to Meet her Lover)
Object type: painting
Date: 1734 – 1766
Materials: gold, paper, watercolor
Location: kota
Cherry Stone from a Tomb
Object type: cherry stone
Date: 500 – 600
Materials: stone
Culture: frankish
Location: niederbreisig
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Part of the bottom of the bowl of a skyphos; part of the foot, which is profiled and unglazed; the resting surface is unglazed; the inner wall of the foot is glazed; the underside is unglazed
S. Pierre et S. Paul, apôtres (St. Peter and St. Paul, Apostles), June 29th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saint paul,saint peter

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Constantinopel
Object type: stereograph
Date: 1873 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: Anonymous
Subjects: harbour
Inscriptions: number: ‘20’
Russian, from World's Dudes series (N31) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "World's Dudes" series (N31), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Dish
Object type: dish
Date: 1301 – 1400
Materials: stonepaste
Techniques: painting, underglaze
Location: iran
Verenigde Staten van Amerika, cent, 1858
Object type: coin
Date: 1858 – 1858
Materials: nickel
Techniques: striking

Koper-nikkelen munt. Voorzijde: vliegende adelaar naar links, waaronder twee gekruiste pijlen. Jaartal onderaan. Keerzijde: tussen twee samengebonden takken waarde-aanduiding: one cent in twee regels. Gladde rand.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1601 – 1700
Materials: copper, silver alloy, gold, iron, silver
Culture: japanese
Location: japan
Subjects: birds,men,boats
The Execution of Maximilian
Object type: print
Techniques: printmaking, lithograph
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: soldiers,firearms,swords,men,execution

Napoléon III installed the Hapsburg emperor Maximilian to power in Mexico in 1864, an endeavor that quickly failed, ending with the execution of Maximilian by firing squad. News of the execution quickly reached Paris, and Manet, an ardent Republican, set to work on a series of works depicting the event. Inspired by photographs and newspaper reports, Manet’s composition, with its contrasting areas of light and dark, enhances the scene’s dramatic impact. Ivins noted that Manet "saw everything broadly and simply as befitted a temperament that habitually found ease in splotches of tone, and as often as possible evaded the discomfort and concentration required to focus attention upon a line." Meant for wide distribution, the lithograph was suppressed by the state.
Abklatsch van de krijttekening op blad 14 recto
Object type: sketchbook leaf
Date: 1886 – 1934
Materials: paper
Techniques: printmaking
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 13 verso uit schetsboek LXIII met 23 bladen.
Ornament
Object type: ornament
Date: 7000 – 330
Materials: glass
Mannen dansen hand in hand rond de Amsterdamse stedenmaagd
Object type: cartoon
Date: 1893 – 1893
Materials: paper
Techniques: letterpress printing, lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personification of a city, town-patron(ess), group dancing around someone or something (folk dancing), political caricatures and satires, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Gepubliceerd als bijvoegsel van 'Geïllustreerd Politie-Nieuws', 31 augustus 1893.
Voor- en achterzijde van een penning met het portret van Gerard van Loon
Object type: print
Date: 1731 – 1750
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: designer, gerard van loon, historical persons, medal (considered as a piece of sculpture, regardless of its specific function)
Nieuwjaarswens van de as- en vuilnislieden van Den Haag voor het jaar 1854
Object type: new year card
Date: 1854 – 1856
Materials: paper
Techniques: letterpress printing, engraving
Location: the hague
Subjects: garbage collection
Inscriptions: collector's mark: Lugt 2760

Midden boven de as- en vuilnislieden aan het werk op het Buitenhof te Den Haag. Daaronder twaalf kolommen met elk zes regels Nederlandse tekst. Namens H. Jasper en J. Termeulen.
Right Half of Mirror Frame Design
Object type: drawing
Date: 1601 – 1700
Materials: graphite, ink
Techniques: pen, drawing
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700