deem-data/ArtiFact huggingface dataset:
Programma van de begrafenis van Frederik Hendrik, 1647
Object type: programma, programmaboekje
Date: 1647 – 1647
Materials: paper
Techniques: letterpress printing
Location: the hague
Artist: ludolph breeckevelt
Artist role: publisher
Subjects: delft, the hague, frederick henry (prince of orange)

Blad met een gedrukte tekst in twee kolommen met een gedetailleerde beschrijving van de lijkstatie van Frederik Hendrik die op 10 mei 1647 te 's-Gravenhage gehouden zal worden. Exemplaar van de druk met het jaartal.
Hall Chairs, in Chippendale Drawings, Vol. I
Object type: drawing ornament architecture
Date: 1759 – 1759
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: chairs

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XVII in the third edition of 1762, but created as early as 1759 according to the Act of Parliament on the print itself.
Cartouche omringd door putti
Object type: drawing
Date: 1600 – 1604
Materials: graphite, ink, paper
Techniques: brush, pen
Artist: mattheus terwesten
Artist role: draughtsman, painter
Artist dates: 1670 – 1757
Subjects: ornament ~ cartouche, cupids: 'amores', 'amoretti', 'putti'
Toil, II
Object type: print
Materials: paper
Techniques: drypoint, etching
Location: belgium
Artist: félicien rops
Artist role: artist
Artist nationality: belgian
Artist dates: 1833 – 1898
Fotoreproductie van een getekend panorama op Venetië
Object type: cabinet photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, venice
Inscriptions: annotation: ‘Venezia/ Panorama’
Bead in the Form of a Leaf
Object type: bead, leaf
Date: 1390 – 1352
Materials: faience
Location: egypt
Subjects: leaves
Shamisen and Rat
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: imoto rosui

This New Year print comes from the year of the rat, as indicated by the rat climbing the neck of the shamisen, a musical instrument played by the geisha of the entertainment quarters. A bone plectrum, used to play such instruments, lies nearby in the silk wrapping in which it was carried.
The print was designed by the haiku poet and print designer Imoto Rosui, who may have depicted the New Year activities of a particular poetry group, including perhaps a visit by a geisha entertainer.
Simple Bodily Pain (Le Brun Travested, or Caricatures of the Passions)
Object type: print
Materials: ink
Techniques: etching, printing
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men
Bergrede
Object type: print
Date: 1824 – 1899
Materials: paper
Techniques: etching, intaglio
Location: germany
Artist: heinrich vianden
Artist role: painter, print maker
Artist dates: 1814 – 1899
Subjects: christ's sermon on the mount (matthew 5-7)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Vier foto's van vrienden van Loentje Onnen op het strand van Zandvoort
Object type: album leaf
Date: 1908 – 1914
Materials: paper
Techniques: gelatin silver print
Location: zandvoort
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: beach (as place of recreation), sunbathing (on the beach), friends
Inscriptions: inscription: ‘F. Gr. Eep Wolst [?] Milly’, inscription: ‘F. Daan Meertens/ L. Toon de Mol/ Zus./ Theobroma.’, inscription: ‘Augustus 1914’

Deze foto's maken deel uit van een album.
Triomf van Galatea
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: engraving, etching
Subjects: triumph of galatea
Inscriptions: collector's mark: Lugt 240
Seated Male Figure with Large Tablet (recto); Figure Study (verso)
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: follower of luca cambiaso
Menukaart voor de feestmaaltijd ter gelegenheid van de '35e Algemeene Vergadering der Nederlandsche Maatschappij ter Bevordering der Pharmacie'
Object type: photomechanical print
Date: 1886 – 1886
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: city-view in general; 'veduta', maps of cities, dordrecht
Inscriptions: collector's mark: ‘Emile Steijns apotheker Helmond’

Uitnodiging en menukaart voor een feestmaaltijd in cafe-restaurant équipage-remise W.J. Ponsen te Dordrecht, op 9 juni 1886. Op de voorzijde een gezicht op het restaurant in een decoratief kader met bovenin tevens een gevleugeld wiel (verwijzing naar de locatie van het restaurant vlakbij station Dordrecht). Binnenin het menu en de wijnlijst, en op de achterzijde een plattegrond van Dordrecht met de locatie van het restaurant.
Ruïnes in Rome
Object type: print
Date: 1613 – 1661
Materials: paper
Techniques: etching
Location: netherlands
Artist: jan gerritsz. van bronckhorst
Artist role: draughtsman, painter, print maker
Artist dates: 1603 – 1661
Subjects: ruin of a building ~ architecture, landscape with ruins
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Herkomst Collectie Spencer Churchill. Prent naar ontwerp van Cornelis van Poelenburch. Prent uit serie van negen prenten met Romeinse ruïnes.
Ode: "Bards of passion and of mirth"
Object type: painting
Date: 1887 – 1887
Materials: canvas, oil
Location: united states
Artist: will hicock low
Artist nationality: american
Artist dates: 1853 – 1932
Tenor Oboe
Object type: tenor oboe
Date: 1730 – 1730
Materials: brass
Techniques: stain
Culture: german
Location: germany
Artist: johann wolfgang köningsperger
Artist role: maker
Artist nationality: german
Artist dates: 1725 – 1752

This tenor oboe, or taille de hautbois, was made by the master woodwind maker Johann Wolfgang Köningsperger, perhaps the most important member of a family of woodwind makers in Roding Oberpfalz, Bavaria. This beautiful instrument is built of stained pearwood in three sections: the upper and lower body joints and the bulbous bell. There are six finger holes and three brass keys. Like oboes of the time, a player could make the choice about which hand to use for the top or bottom holes. The instrument, which measures approximately 818 mm in length, is pitched a fifth lower than Köningsperger’s soprano oboe, which measure about 570 mm. Although the taille de hautbous was composed for by both Lully and J. S. Bach, its greatest use would have been in outdoor bands paired with other oboes. The instrument would later be replaced by the English horn.
Landschap met weg tussen velden en bos
Object type: drawing
Date: 1600 – 1680
Materials: ink, paper
Techniques: brush, pen
Artist: esaias van de velde
Artist role: draughtsman, painter, print maker
Artist dates: 1587 – 1630
Subjects: landscapes in the temperate zone
Zeven sacramenten
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: etching
Location: bologna
Subjects: marriage in church ~ the sixth of the seven sacraments
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Twee schetsen van twee vrouwen met een kind en een liggende man met een hond
Object type: drawing
Date: 1770 – 1825
Materials: paper, pencil
Artist: simon andreas krausz
Artist role: draughtsman, print maker
Artist dates: 1760 – 1825
Subjects: dog
Ichikawa Danjuro IV in the Role of Okazaki Akushiro
Object type: print
Date: 1755 – 1755
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyomitsu
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1785
Subjects: theatre,men,actors
Blown-up Detail of Design in Elevation for Colonnade in the Doric or Tuscan Order (recto); Blown-up Detail of Column on Podium in Elevation
Object type: drawing
Date: 1701 – 1800
Materials: ink, drawing material
Techniques: pen
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Copper Scale Balance
Object type: scale balance
Date: 1101 – 1500
Materials: copper
Techniques: hammering
Culture: chimú
Location: peru
Fields and a Road, plate 8 from "Regiunculae et Villae Aliquot Ducatus Brabantiae"
Object type: print
Date: 1610 – 1610
Techniques: etching
Artist: claes jansz. visscher (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1586 – 1652
Subjects: human figures,houses,windmills,roads,villages
Zaandam, uit de Zaan na den dam te zien
Object type: print
Date: 1753 – 1800
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view, and landscape with man-made constructions, ships (in general)
Inscriptions: collector's mark: Lugt 2228
Checking His Love Trance, a Cup He Took Full Brimm'd
Object type: drawing and watercolor
Date: 1885 – 1885
Materials: board, gouache, paint, watercolor, wood
Location: united states
Artist: will hicock low
Artist nationality: american
Artist dates: 1853 – 1932
Gallery in the Hutheesing temple in Ahmedabad, Gujarat, India
Object type: photograph
Date: 1872 – 1873
Materials: cardboard, paper
Techniques: albumen print
Location: ahmedabad
Artist: colin murray
Artist role: fotograaf
Artist dates: 1840 – 1884
Subjects: temple, shrine ~ hinduism, buddhism, jainism, gallery (spacious corridor)
Inscriptions: inscription: ‘Ahmedabad. Huthi Singhs Tomb.’, number: ‘2236/ 2236’, title: ‘Huthi Singh's Tomb. Ahmedabad.’
Portret van Friedrich Samuel Pelkmann
Object type: print
Date: 1820 – 1850
Materials: paper
Techniques: lithograph
Artist: a. diller
Artist role: print maker
Subjects: clergyman, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Samuel Hood
Object type: photomechanical print
Date: 1890 – 1930
Materials: paper
Techniques: rotogravure
Subjects: historical persons, commander-in-chief, admiral
Schotel van blauw beschilderde majolica
Object type: platter
Date: 1725 – 1775
Materials: earthenware, glaze
Techniques: maiolica, painted
Location: delft
Artist: Anonymous

Ronde schotel van blauw beschilderde majolica. Op het plat is een landschap geschilderd waarin een naar links lopende man, blazend op een hoorn. Voor de man loopt een dier. Op de rand zijn acht segmentbogen geschilderd en gestileerde bladeren.
Jar with handles
Object type: jar
Date: 1550 – 1295
Materials: pottery
Location: egypt
's-Hertogenbosch. Pensmarkt
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1907
Materials: cardboard
Techniques: photograph
Location: den bosch
Artist: Anonymous
Subjects: townhall, street
Inscriptions: date
Fan
Object type: fan
Date: 1801 – 1833
Materials: glass, gold, ivory, paint, paper, parchment, silver, steel
Subjects: men,women,cupid,dogs
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of a basket; at the bottom of the basket, toes
Fotoreproductie van een prent naar een schilderij door James Barry, voorstellend een scene uit Koning Lear door William Shakespeare
Object type: page
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: king lear
Inscriptions: number: ‘Ph. LXXXVI. 343’

Te zien is akte V, scene 3 met koning Lear met het dode lichaam van Cordelia in zijn handen.
Allegorical Group of Victory Supported by Valor
Object type: sculpture
Date: 1700 – 1710
Materials: bronze, copper alloy, metal
Techniques: casting, carved
Location: italy
Artist: francesco bertos
Artist nationality: italian
Artist dates: 1693 – 1733
Subjects: victory, woman, weapons, unicorns, sculpture, nudes, mirror, men, laurel wreaths, head, crowns, children, animals

Francesco Bertos specialized in creating allegorical groups of great complexity in marble and bronze. Pyramidal in shape, these works consist of multiple figures generally embodying the triumph of virtue over vice. Here the subject is a winged personification of victory standing on a unicorn, the symbol of purity, and supported by the mythical Greek hero Hercules (wearing the hide of the lion he killed in the first of his 12 labors), representing valor. Below are figures who personify riches, prudence, agriculture and abundance, and honor overcoming deceit.
Copper Lime Spoon with Bird Top
Object type: lime spoon
Date: 1401 – 1600
Materials: copper
Culture: inca
Location: peru
Subjects: birds
Portret van Baron Isidore Justin Séverin Taylor
Object type: page
Date: 1872 – 1877
Materials: paper
Techniques: woodburytype
Subjects: brussels, paris, politician, isidore justin séverin baron taylor, adult man, historical persons
Inscriptions: inscription: ‘Galerie Contemporaine, 126, boulevard de Magenta.’
Versailles. Le Parc. Le Bassin du Char d'Apollon / The Park. Fountain of Apollon
Object type: photomechanical print
Date: 1919 – 1930
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: french or architectonic garden; formal garden, water-works in garden
Auf Carisö
Object type: photograph
Date: 1807 – 1889
Materials: cardboard, paper
Techniques: albumen print
Subjects: wilhelm ii (keizer van duitsland), norway
Inscriptions: number: ‘31’
L'École d'Anvers. Portraits biographies cartes de visite. Collection Dupont
Object type: photograph
Date: 1861 – 1861
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Artist: joseph dupont
Artist role: fotograaf
Artist dates: 1818 – 1901
Subjects: painter, godfried guffens, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: inscription: ‘ETABLISSEMENT PHOTOGRAPHIQUE/ de/ J. DUPONT/ Place de Meir 32/ ANVERS/ Maison fondée en 1853’
Forest at Clisson
Object type: drawing
Date: 1890 – 1890
Materials: ink
Techniques: brush, heightening, pen, wash
Artist: françois-louis français
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1897
Subjects: forests
Three Loves with Musical Instruments
Object type: print
Date: 1727 – 1760
Techniques: engraving, etching
Location: france
Artist: pierre alexandre aveline
Artist role: artist
Artist nationality: french
Artist dates: 1702 – 1760
Subjects: children,flutes
Onze bescheiden Kapitalisten
Object type: cartoon
Date: 1893 – 1893
Materials: paper
Techniques: letterpress printing, lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: amsterdam, politician, nicolaas gerard pierson, mayor, gijsbert van tienhoven, tax collection, financial administration ~ taxes, politician, e.g. party leader, government, the state; 'politica', 'auttorità o potestà' (ripa), municipal government, political caricatures and satires
Inscriptions: collector's mark: Lugt 1641b

Pierson, minister van Financiën, als ondertekenaar. Links minister van Buitenlandse Zaken Gijsbert van Tienhoven die een map omhooghoudt. Onderwerpsrubriek binnen de Atlas Amsterdam: Belastingen.
Volksgeschenk voor Willem III, koning der Nederlanden, aangeboden op 23 maart 1862
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: lithograph
Location: rotterdam
Subjects: brussels, willem iii (koning der nederlanden)
Inscriptions: octrooivermelding, gedrukt

Volksgeschenk voor Willem III als herinnering aan en als dank voor de deelname van de koning bij de watersnood in 1861, aangeboden op 23 maart 1862. In het midden de prachtbijbel en de lessenaar met zijn wapen en het jaartal '1861'. In de ondermarge twee kolommen met elk twee regels Nederlandse tekst. Geheel in een geornamenteerde rechthoek met acht voorstellingen, elk in een ovaal met randschrift.
Landschap bij Civitella
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: etching
Location: rome
Subjects: city-view, and landscape with man-made constructions, landscapes, nursing, suckling, ass, donkey, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., dog
Inscriptions: collector's mark: Lugt 1606, collector's mark: Lugt 2482, collector's mark: Lugt 2228
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 33 (recto)
Object type: album print ornament architecture
Date: 1615 – 1635
Materials: ink
Techniques: pen, wash
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Subjects: birds
Afbeelding van 't Collegio de Propaganda Fide, of voortplantinge des geloofs
Object type: print
Date: 1700 – 1705
Materials: paper
Techniques: etching
Location: amsterdam
Artist: hendrik elandt
Artist role: print maker
Artist dates:  – 1705
Subjects: palace, church (exterior), organization, functionaries and dignitaries in roman catholic church; clergy in general
Inscriptions: collector's mark: Lugt 2228

Het Collegio di Propaganda Fide (Heilige Congregatie voor de Voortplanting van het Geloof) in Rome, afgebeeld onder een wolkenlucht en met voetgangers, ruiters en honden op de straat.
Studioportret van een jongeman met halflang haar
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Inscriptions: name: ‘Albert Greiner, Amsterdam’
De Annuntiatione B. Virginis
Object type: book illustration
Date: 1590 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the annunciation: mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)
Inscriptions: collector's mark: Lugt 240

Prent uit: Joannes Bourgois, Vitae passionis et mortis Jesu Christi Somini nostri mysteria, Antwerpen Hendrick Aertssens, 1622, afb. 1
Portret van een onbekende man en vrouw
Object type: carte de visite
Date: 1883 – 1887
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: anonymous historical person portrayed, couple of lovers, amsterdam
Inscriptions: inscription: ‘Albert Greiner/ Kon-Ned-Hof-Photograaf/ Amsterdam/ Nieuwendijk 89./ Specialiteit in Vergrootingen.’
Portretten van Johann Knauth, Sibylle Knauth, Christoph Schütz en Maria Elisabeth Schütze
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: cologne, historical persons - bb - woman, historical persons, bible (+ angel(s) floating in the air), flowers: rose, sermon ~ holy mass
Inscriptions: date

De portretten worden aan elkaar verbonden door een rozenstruik. Te midden van de portretten is Johann Knauth afgebeeld die een mis opvoert.
Plaque with Hathor, Mistress of Iwnw on one side, text on opposite side
Object type: amulet, plaque, oval
Date: 1295 – 1070
Materials: stone
Location: egypt
Treinspoor, onderin de schaduw van de fotograaf
Object type: photograph
Date: 1905 – 1915
Materials: paper
Techniques: cyanotype
Location: united states
Artist: Anonymous
Subjects: taking photographs - cc - out of doors, united states of america
Name Stone of Senenmut
Object type: name stone, tally, senenmut
Date: 1479 – 1458
Materials: limestone
Location: egypt
Subjects: hieroglyphs

A group of large, rough limestone chips in the collection have been inscribed witht the name and some of the titles of Hatshepsut's official Senenmut. These name stones (also called tally stones) were originally built into the terrace retaining walls and facade revetments of Senenmut's tomb chapel (TT 71). The stones were not intended to be seen in the finished structure, rather, they may have been included to symbolize Senenmut's ownership of the monument. Over time, the terrace and revetments collapsed, and the stones were scattered over the hillside below the tomb chapel where they were uncovered by the Museum's Egyptian Expedition during the 1935-1936 field season. Those in New York were received by the Museum in the division of finds. This stone is inscribed "Senenmut, Justified."
Portret van Johann Geiler von Kaisersberg
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: letterpress printing
Location: straatsburg
Artist: bernhard jobin
Artist role: printer, publisher
Artist dates: 1545 – 1593
Subjects: priest (roman catholic), historical persons, book

Prent uit: Reusner, Nikolaus. Icones sive imagines virorum literis illustrium (...). Straatsburg: Bernhard Jobin, 1590, p. 25. Prent voor het eerst verschenen in de eerste editie van 1587. Prent ook gebruikt in latere publicaties.
The Apse of Notre-Dame, Paris
Object type: drawing
Date: 1852 – 1854
Materials: graphite
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: cathedrals,paris

Meryon was the first nineteenth-century French etcher to make the Parisian cityscape his primary focus. This is the final preparatory drawing that he made for an etching of the same title (29.107.103; 57.531.5; 67.630.25; 17.3.414), as part of his suite of twenty-two prints entitled "Eaux-fortes sur Paris" (Etching on Paris). With a precise graphite line, Meryon details all the compositional elements of his design and he remained faithful to it in translating the drawing to the etching plate. Executed approximately midway through a twenty-year restoration of Notre Dame, the work gives little indication of the renovation underway. It shows the cathedral as it looked prior to the completion of the spire in 1859.
Wedding slippers
Object type: wedding slipper
Date: 1810 – 1819
Materials: leather, silk
Culture: american
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Exterior, unidentified subject and two letters of an inscription, HO, retr..?
Livre Premier: Essais de gravure par Pierre Bourdon
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: engraving
Location: paris
Artist: pierre bourdon
Artist role: print maker
Artist dates: 1656 – 
Subjects: ornaments ~ art, watch
Inscriptions: number: ‘3’, collector's mark: Lugt 2228, collector's mark: Lugt 2760, signature: ‘P. bourdon in et fecit’, privilege: ‘C.P.R.’

Blad uit serie van zeven van ontwerpen voor horlogemakers, goudsmeden, beeldhouwers en graveurs.
Portrait of Gerrit van der Pot, Lord of Groeneveld, Art Collector in Rotterdam
Object type: painting
Date: 1800 – 1807
Materials: canvas, oil
Artist: johan bernard scheffer
Artist role: draughtsman, painter, print maker
Artist dates: 1765 – 1809
Subjects: rotterdam
Inscriptions: signature: ‘J.B. Scheffer’

Portret van Gerrit van der Pot (1732-1807), heer van Groeneveld, kunstverzamelaar te Rotterdam. Ten halven lijve, zittend aan een tafel met in zijn handen het journaal waarin hij zijn aanwinsten noteerde. Op tafel ligt een posthuum miniatuurportretje (1800) van zijn derde vrouw Maria Catharina Pelerin (gest. 1799) door Gijsbertus Johannes van den Berg. Rechts op de achtergrond het schilderij De Avondschool door Gerrit Dou (SK-A-87).
Portret van Mieszko III
Object type: book illustration
Date: 1574 – 1594
Materials: paper
Techniques: woodcut
Location: cologne
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 240

Prent gebruikt in: Mylius, Arnold. Principum et Regum Polonorum Imagines ad Vivum Expressae (...). Keulen: Gottfried von Kempen, 1594.
Grondtekening der stad Schoonhoven
Object type: print
Date: 1743 – 1744
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities

Prent ook gebruikt in: Wagenaar, Jan. Tegenwoordige staat der Vereenigde Nederlanden, vyfde deel. Behelzende het vervolg der beschrijvinge van Holland. Met naauwkeurige plans der steden en printverbeeldingen versierd / Hedendaagsche historie, of tegenwoordige staat van alle volkeren; XVde deel (…). Amsterdam: Isaak Tirion, 1744, tussen p. 306 en 307.

Latere staat van prent ook gebruikt in: Beknopte atlas, van omtrent honderd platte gronden der voornaamste vestingen, kasteelen en steden van Europa, en byzonder van de Nederlanden en eenige kolonien (…). Amsterdam: Compagnie van Boekverkopers, s.a. [na 1780].
Dawn over Mout Fuji and Susaki, from the series "Five Views of Mount Fuji (Fuji goban no uchi)"
Object type: print
Date: 1827 – 1829
Techniques: woodblock print, surimono
Location: japan
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861