deem-data/ArtiFact huggingface dataset:
Prince Shōtoku at Age Sixteen
Object type: hanging scroll
Date: 1301 – 1400
Materials: gold, ink, silk
Culture: japanese
Artist: toba sōjō
Artist role: artist
Artist nationality: japanese
Artist dates: 1053 – 1140
Subjects: princes,men,censers

Imaginary portraits and legends about the life of Prince Shōtoku (574–622), the foremost proponent of Buddhism in Japan, emerged soon after his death. Based on the prince’s mid-Heian-period biography, this painting portrays him in a form in which he was often revered as a deified historical figure: at the age of sixteen, he prayed for his father, Emperor Yōmei (518–587), to recover from illness. The pose, which belongs to a category of portraiture known as kōyō-zō (images of filial piety), appears in both paintings and sculptures of young Shōtoku, which make up nearly half his extant portraits. Dressed in a monk’s robe, he holds a censer; his hair is arranged in the two loops of a youth and frames boyish, idealized features.
Hartsvanger
Object type: hunting hanger
Date: 1775 – 1799
Materials: ivory, silver
Techniques: engraving, etching, sawing, striking
Location: amsterdam
Artist: harmanus ferhagrijs
Artist role: smid, zwaardveger
Inscriptions: signature: ‘Harmanus // Ferhagrijs // Mr Zwaard // veger tot // Amsterdam’

Hartsvanger of jachtzwaard genaamd. Het assymetrische gevest heeft een groen gemaakte ivoren greep in de vorm van het heft van een mes met drie sierknoppen alsof het klinknagels zijn, en is met zilver beslagen, waaronder een stootplaat, uitgezaagd en gegraveerd om op een bos krullend lofwerk te lijken en een pareerstang die aan beide zijden eindigt in een vogelkop. De gekromde kling is aan weerszijden geëtst met een signatuur omlijst door arabesken en heeft een brede geul, aan de bovenkant geëtst met een fruitslinger tussen bladerranken, en een smallere à la Montmorency.
De ridder-hofstad Zuilestein
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Subjects: castle
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen, sloten ... en andere voornaame stad- en landgebouwen, in en omtrent alle de byzondere Vereenigde Nederlandsche Provinciën : gedurende de laatste jaaren door vermaarden kunsttekenaren na het leven getekent en ... in 't koper gebragt ... dienende tot opheldering der beschryvinge van den Tegenwoordigen Staat der Vereenigde Nederlanden. Deel IX, 1774. Amsterdam: Isaac Tirion, 1745-1774.
Scène voor een huis
Object type: drawing
Date: 1752 – 1819
Materials: graphite, ink, paper
Techniques: brush, pen
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Battle Scene
Object type: drawing and watercolor
Date: 1589 – 1589
Materials: chalk, ink, paper
Techniques: pen, drawing
Location: florence
Artist: giovanni balducci ("il cosci")
Artist role: artist
Artist nationality: italian
Artist dates: 1560 – 1631
Landschappen met figuren
Object type: print
Date: 1630 – 1663
Materials: paper
Techniques: etching
Artist: anthonie waterloo
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1690
Subjects: village, church (exterior), landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Links zitten twee boeren op een heuvel voor een hek. Rechts ligt een dorp tussen de bomen. In de verte is een kerk weergegeven. Linksboven is de letter k te zien.
Man standing in a doorway
Object type: print
Date: 1834 – 1866
Techniques: lithograph
Artist: victor adam
Artist role: artist
Artist nationality: french
Artist dates: 1801 – 1866
Subjects: doorways,men,portraits
Portret van Georg Christoph Wilder
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: etching
Artist: christian rosée
Artist role: print maker
Artist dates: 1804 – 
Subjects: draughtsman, georg christoph wilder, historical persons, portrait, self-portrait of painter, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228
Pair of gold roundels
Object type: roundel, pair
Date: 500 – 301
Materials: gold
Culture: greek
Cup with cover
Object type: cup with cover
Date: 1730 – 1735
Materials: hard paste porcelain
Artist: vienna
Artist role: manufactory
Notities
Object type: sketchbook leaf
Date: 1916 – 1916
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Inscriptions: annotation: ‘[...]’

Blad 24 verso uit een schetsboek met 72 bladen.
Fotoalbum met 56 foto's, Nederlands
Object type: slip in album
Date: 1860 – 1920
Materials: cardboard, metal, paper, photographic support, textile
Techniques: albumen print
Subjects: adolescent, young woman, maiden, historical persons - bb - woman, boy (child between toddler and youth), child, historical persons, youth, adolescent, girl (child between toddler and youth), head-gear: cap
Inscriptions: collector's mark: ‘Dienst Verspreide Rijkskollekties (...) A706’

Fotoalbum met 56 foto's op 28 pagina's met insteekpasse-partouts. Het album bevat naast een foto van een standbeeld van een geestelijke alleen maar portretten. De foto's zijn van diverse vervaardigers, onder andere Albert Greiner, Bernardus Bruining en Herman van der Worp, enkele foto's zijn anoniem.
Basket of Cupids
Object type: drawing and watercolor
Materials: ink, paper
Techniques: printmaking, pen
Location: belgium
Artist: attributed to jan boeckhorst
Artist nationality: flemish, born germany
Artist dates: 1604 – 1668
Bacchanale, with Satyr Playing Reeds
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: circle of bartolomeo biscaino
Artist nationality: italian
Artist dates: 1632 – 1657
Dice
Object type: dice
Date: 801 – 1000
Materials: bone, paint
Techniques: incising, inlay
Location: iran
Subjects: dice

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Square bottle with flowering plants, birds, flower vases and insects
Object type: bottle
Date: 1700 – 1724
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, vitrification
Location: arita
Artist: Anonymous
Inscriptions: label: ‘Collectie Westendorp/ 141’

Pair of square flasks. Japan, c. 1700 - 1720, decorated, c. 1710 - 1725.
Gezicht op de Scheiberstrasze te Goslar
Object type: drawing
Date: 1867 – 1867
Materials: paper, pencil
Artist: jan striening
Artist role: draughtsman
Artist dates: 1827 – 1903
Subjects: street, germany
Portret van Johann Magdalena Richter
Object type: print
Date: 1726 – 1733
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons - bb - woman, book, the bible as a book
Inscriptions: collector's mark: Lugt 2228
The three graces, from 'Game of Mythology' (Jeu de la Mythologie)
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: women
Kussen in de vorm van een halve maan van wit glanzend katoen
Object type: cushion
Date: 1880 – 1930
Materials: cotton
Location: europe
Artist: Anonymous
Kaart van het graafschap Namen
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: engraving, hand coloring, letterpress printing
Location: amsterdam
Subjects: maps of separate countries or regions, coat of arms (as symbol of the state, etc.) (+ province; provincial)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Mercator, Gerard en Jodocus Hondius. Atlas ou representation du monde universel, et des parties d’icelui (…). 2 delen. Amsterdam: Henricus Hondius, 1633, dl. 1. Of in: Mercator, Gerard en Jodocus Hondius. L'appendice de l'atlas de Gerard Mercator et Iudocus Hondius: contenant diverses nouvelles tables et descriptions (…). Amsterdam: Henricus Hondius, 1633.
Jérusalem. Porte de Damas ou des colonnes (Bab-el-Ahmoud)
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: louis de clercq
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1901
Subjects: architecture,arches,gates
Boy Stepping to the Right over Banderoles
Object type: print
Date: 1634 – 1666
Techniques: engraving
Artist: barthel beham
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1540
Subjects: boys,flags
L'Orage
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
Schetsboek met 48 bladen
Object type: sketchbook
Date: 1894 – 1894
Materials: cardboard, chalk, linen, paper
Location: cairo
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: desert, temple, shrine ~ islam, mohammedanism, grave-building, monumental tomb, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Schetsboek bestaande uit 48 bladen met schetsen gemaakt tijdens een reis naar Egypte met stadsgezichten en moskeeën in Caïro, woestijnlandschappen, figuurstudies van Egyptenaren en de Graven van de Kaliefen.
Titelpagina voor: Johannes Hazen Corneliszoon, Mijn laatste werk op aarde,  1835
Object type: titelblad, titelpagina
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: haarlem
Subjects: haarlem, johannes hazeu cornelisz.
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor Hazeu, Johannes Cornelisz. Mijn laatste werk op aarde. Haarlem: De Wed. A. Loosjes, P.Z. 1835
Portret van Bernard Germain de Lacépède
Object type: book illustration
Date: 1820 – 1820
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: inscription: ‘Lith. p Jobard’

Prent waarschijnlijk uit: Annales générales des sciences physiques, vol. 6, 1820.
Portret van Peter Tornovius
Object type: print
Date: 1665 – 1721
Materials: paper
Techniques: engraving
Artist: christian romstet
Artist role: print maker
Artist dates: 1640 – 1721
Subjects: mayor, historical persons
Inscriptions: collector's mark: Lugt 2228
Abraham's sacrifice
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: the sacrifice of isaac (genesis 22)
Inscriptions: signature and date: ‘Rembrandt f 1655’, mark: Lugt 2228
Man Making a Net, Tomb of Ipuy
Object type: facsimile, ipuy tt 217, net making
Date: 1295 – 1213
Materials: paper, paint
Location: egypt
Artist: norman de garis davies
Artist role: artist
Artist dates: 1865 – 1941
Subjects: men,fish,working
Jonge vrouw bezig met het maken van kant, in profiel
Object type: drawing
Date: 1652 – 1652
Materials: chalk, ink, paper
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Inscriptions: annotation: ‘Har[man]. t.Borch. nat leve[n] den.7.februarij 1652’

Jonge vrouw op een stoel, bezig met het maken van kant, in profiel.
Maria met Kind en Jozef in aanbidding omringd door engelen tijdens vlucht naar Egypte
Object type: print
Date: 1750 – 1753
Materials: paper
Techniques: etching
Artist: giovanni domenico tiepolo
Artist role: draughtsman, print maker
Artist dates: 1727 – 1804
Subjects: flight into egypt and miracles during the journey
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent uit serie van zevenentwintig prenten met de Vlucht naar Egypte.
Sample
Object type: sample
Date: 1801 – 1833
Materials: metal thread, silk
Mynah on a Branch 花鸟竹柄团扇
Object type: costume and accessory
Materials: bamboo, ink, ivory, silk
Location: china
Artist: pan hong
Woman Milking an Ewe
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: cornelis van noorde
Artist role: draughtsman, print maker
Artist nationality: dutch
Artist dates: 1731 – 1795
Portret van Kaspar Schmid von Haslbach
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: engraving
Location: munich
Artist: karl gustav amling
Artist role: print maker
Artist dates: 1651 – 1702
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
In the Mountains of Tōtomi Province (Tōtomi sanchū), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: human figures,mountains,working
Programma voor de cabaretvoorstelling 'Lieve Neef - Lieve Nicht' verzorgd door leden van het COC afdeling Den Haag
Object type: programma, programmaboekje
Date: 1971 – 1972
Materials: cardboard, paper
Techniques: printed materials
Location: the hague
Subjects: the hague

Albumblad waarop zijn geplakt het programma voor de cabaretvoorstelling 'Lieve Neef - Lieve Nicht', verzorgd door leden van het COC afdeling Den Haag, en een overzichtje van de speeldata en plaatsen. Onderdeel van het fotoalbum van cabaretvoorstellingen COC 1968-1974, afdeling Den Haag.
Twee Germanen knielen voor Germanicus
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: father-love, kneeling on both knees
Inscriptions: collector's mark: Lugt 2228

Twee Germaanse vaders knielen voor Germanicus en zijn entourage. Ze smeken de veldheer medelijden te hebben met hun zonen, die Germanicus gevangen heeft tijdens zijn laatste veldslag. De prent is een deel van de geschiedenis van generaal Germanicus.
Hanging Case
Object type: hanging case
Date: 1801 – 1900
Materials: glass, silk
Culture: chinese
Portret van Hannah More op 77-jarige leeftijd
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Triptych (one of a pair)
Object type: triptych
Date: 1801 – 1900
Materials: copper, enamel, gilt, silver gilt
Techniques: painting
Subjects: men
Portret van Ludwig von Beausobre
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: engraving, etching
Location: berlin
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Krünitz, Johann Georg. Oeconomische Encyclopädie. dl. 17. Berlijn: Joachim Pauli, 1779.
Londen
Object type: opticaprent
Date: 1751 – 1751
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Location: london
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc., hospital, canals, waters (in city) (+ city(-scape) with figures, staffage), thames
Inscriptions: collector's mark: Lugt 2233

Mogelijk rechtsboven genummerd geweest: 9.
De serie “Londen” bevat 52 prenten met de nummers 1-52, waarvan dit nummer 36 is.
Border
Object type: textile
Date: 1850 – 1859
Materials: cotton, lace, linen
Techniques: lace
Location: mechelen
Coin Nomisma Isaac II
Object type: coin
Date: 1101 – 1200
Culture: byzantine
Location: byzantium
Subjects: coins
Palais de l'Industrie.
Object type: photograph
Date: 1883 – 1910
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: diligence, omnibus, horse-tram, palace, bridge in city across river, canal, etc., dome ~ architecture

Onderdeel van Leporelloalbum met 28 foto's van Amsterdam en omstreken.
Velum van geel zijdesatijn met borduurwerk
Object type: chalice veil
Date: 1750 – 1750
Materials: gold thread, silk, thread
Location: china
Artist: Anonymous
Subjects: st. franciscus xaveriusparochie ''t zand'

Velum van geel zijdesatijn met borduurwerk in zijde en in hoogreliëf met goud- en zilverdraad met voorstelling van Grieks kruis. Velum maakt onderdeel uit van een stel (BK-2008-176-A t/m E).
Koeien in de wei
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: photoaquatint
Location: berlin
Artist: désiré declercq
Artist role: fotograaf
Artist dates: 1842 – 1923
Subjects: cow, landscapes, meadow, pasture

Prent op derde ongenummerde pagina na pagina 61.
Vase
Object type: vase
Date: 1770 – 1770
Materials: hard paste porcelain
Artist: cozzi manufactory
Artist role: factory
Artist nationality: italian
Artist dates: 1764 – 1812
Subjects: birds,coat of arms
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic
Artist: clinic painter
Artist role: artist

Exterior, buttocks and right hand of an athlete holding a strigil; head, shoulder, and bent arm of a filleted youth with his himation draped over his head and around his bent arm and torso
Nederlandsche Staatscourant. Ao. 1815 No. 79. Maandag, den 3 April
Object type: newspaper
Date: 1815 – 1815
Materials: paper
Techniques: letterpress printing
Location: the hague
Subjects: berlin, william i of the netherlands, napoleon i (emperor of the french)
Inscriptions: collector's mark: Lugt 2228

Aflevering van de Nederlandsche Staatscourant van 3 april 1815, met het nieuws van de intrede op 30 maart te Brussel door koning Willem I en van de strijd tegen Napoleon. Dubbelgevouwen blad bedrukt op alle vier zijden.
Knife, Feline
Object type: knife
Date: 101 – 700
Materials: copper, shell
Techniques: casting
Culture: moche
Location: peru
Subjects: cats
Portret van de H. Vincent de Paul
Object type: print
Date: 1608 – 1663
Materials: paper
Techniques: engraving
Location: paris
Subjects: nimbus, halo ~ radiance emanating from persons or things
Inscriptions: collector's mark: Lugt 2228
Deity Vessel
Object type: vessel
Date: 901 – 1300
Materials: marble, onyx
Culture: mixtec
Location: mexico
Subjects: human figures
Trouw aan Filips II van Spanje en Anna van Oosterijk
Object type: history medal
Date: 1572 – 1572
Materials: silver
Techniques: casting
Artist: Anonymous
Subjects: philip ii of spain

Zilveren penning. Voorzijde: borststuk man tussen opschrift. Keerzijde: borststuk vrouw tussen opschrift.
Christus en de overspelige vrouw, in een cartouche en een groteskendecor
Object type: tapestry
Date: 1610 – 1625
Materials: silk, wool
Techniques: tapestry
Subjects: ornament ~ grotesque, christ points to or writes on the ground, pharisees bring a woman accused of adultery before christ (john 8:2-11), ornamental birds: peacock, ornament ~ festoon, garland
Inscriptions: inscription: ‘DIE SO[ND]ER’

Tapestry with Christ and the woman taken in adultery. Delft (?), workshop of Frans Spierings or Aert Spierings (?), c. 1600, design attributed to Adam van Noort.
Venus hurkt bij een faun
Object type: print
Date: 1812 – 1885
Materials: paper
Techniques: etching
Artist: arthur sterck
Artist role: print maker
Artist dates: 1868 – 1897
Subjects: 'sine cerere et baccho friget venus'
Inscriptions: collector's mark: Lugt 2228, annotation: ‘1er epreuve d'état’
The Miracle of the Five Loaves
Object type: print
Date: 1595 – 1595
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacques de gheyn (ii)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1629

Jacob de Gheyn II’s oval engraving of Christ’s miracle of the loaves and fishes elegantly references this event in which the masses, who had come to hear Christ’s sermon, were fed by his multiplying the few crusts of bread and pieces of fish the disciples had procured. Once again, the miracle of replication appears at the heart of the Christian tradition, making print an optimal medium for depicting its holy stories and cult objects. That the engraving plate is an oval platter offers an additional reference to the miracle it depicts; it is as if the resulting loaves might be piled on it for distribution.
Portret van vier jongens in maritieme kleding
Object type: album leaf
Date: 1880 – 1915
Materials: cardboard, photographic support
Techniques: collodion silver print, four-color autotype
Subjects: harbour, flowers, historical persons, youth, adolescent, ships (in general)
Inscriptions: name: ‘G. Austin/ 70, Seaside/ Eastbourne’

De foto is omlijst door bloemen en een gezicht op een haven met schepen. Dit blad maakt deel uit van een album.
Crescent-shaped earrings with bulls' heads
Object type: earring
Date: 1000 – 668
Materials: gold
Culture: iranian
Location: northwestern iran
Subjects: bulls
Finger Ring Depicting Aphrodite
Object type: costume and accessory
Date: 334 – 301
Materials: gold
Culture: greek
Location: greece
Subjects: goddesses, gods (deities)
Paardenbenen
Object type: sketchbook leaf
Date: 1887 – 1887
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: horse

Pagina 14 uit een schetsboek met 12 bladen.
Tapijtontwerp voor raam in het Noordertransept van de Dom te Utrecht
Object type: drawing
Date: 1868 – 1938
Materials: cardboard, paper
Techniques: brush
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Sketches of Seated Figures and Chickens (recto), Nude Female Torso (related to the painting Te a no areois [The Seed of the Areoi]) (verso), from the Carnet de Tahiti (Tahitian sketchbook)
Object type: drawing and watercolor
Date: 1891 – 1893
Materials: graphite, paper, watercolor
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Album der Antwerpsche Etsers 1882-1883
Object type: titelprent, frontispice
Date: 1882 – 1883
Materials: paper
Techniques: etching, intaglio
Artist: willem geets
Artist role: print maker
Artist dates: 1838 – 1919
Subjects: coat of arms (as symbol of the state, etc.), child, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2228

Waarschijnlijk titelprent voor: Album der Antwerpsche Etsers. S.l.: Vereeniging der Antwerpsche Etsers, 1882-1883.