deem-data/ArtiFact huggingface dataset:
Molen de Bonte Hen
Object type: print
Date: 1902 – 1931
Materials: paper
Techniques: etching
Artist: willem jansen (graveur)
Artist role: print maker
Artist dates: 1892 – 1969
Subjects: windmill in landscape
Inscriptions: collector's mark: Lugt 2228

De molen staat aan de waterkant. Op de achtergrond een dorp met een kerktoren.
Terracotta oil lamp
Object type: lamp
Date: 301 – 500
Materials: terracotta
Culture: roman

Vessberg Type 18. Unpierced handle. Mold-made. Discus: uncertain; around edge, herringbone wreath (?). Single filing hole at top center. Shoulder: uncertain. Undefined, slightly concave base, with circle of raised Greek letters. Hole in discus, part of front top of nozzle missing, and damage to surface on left side of body. Pink clay with yellowish buff wash.
Fragment Keuls bandweefsel (orfroi) met patroon van een gestileerde boom met kegelvormige bloemen
Object type: band
Date: 1499 – 1700
Materials: textile
Techniques: weave
Location: germany
Artist: Anonymous

Fragment Keuls bandweefsel (orfroi) met een patroon van een gestileerde boom met kegelvormige bloemen. De boom staat op een bloeiend veld.
Towel
Object type: towel
Date: 1701 – 1800
Materials: cotton, metal thread, silk
Techniques: embroidery
Location: turkey
Querquedula, Cercelle (The Teal), from "Livre d'Oyseaux" (Book of Birds)
Object type: print
Date: 1655 – 1660
Techniques: etching
Location: france
Artist: albert flamen
Artist role: artist
Artist nationality: flemish
Artist dates: 1615 – 1688
Subjects: birds
Flintlock Blunderbuss with Spring-Bayonet
Object type: arm
Date: 1820 – 1820
Materials: brass, wood, steel
Culture: english
Location: england
Portret van Regina Catharina van der Hoop-Balde
Object type: physionotrace
Date: 1758 – 1830
Materials: paper
Techniques: aquatint, etching
Location: paris
Artist: edme quenedey
Artist role: print maker
Artist dates: 1756 – 1830
Subjects: silhouette-apparatus, 'physionotrace', historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent heeft het nummer L.79 in het fonds van Quenedey.
Revue de l'architecture en Belgique
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: dresden
Subjects: station; shelter (railway, tramway)
Inscriptions: number: ‘Pl. 30.’, inscription: ‘2me année.’, inscription: ‘Architekt: H. Beyaert.’, inscription: ‘Architecte: H. Beyaert.’, inscription: ‘Architect: H. Beyaert.’

Deze prent maakt deel uit van een omslag met 110 prenten op 90 bladen en 18 tekstbladen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of a circumscribed palmette; bit of drapery?; part of an inscription, HO [PAIS KALOS]
Fotoreproductie van een stempel naar een grafsteen van Guillaume IV d’Auvillars in de Abdij van Bec
Object type: photograph
Date: 1851 – 1861
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: abbot, gravestone, tombstone
Accessory set
Object type: accessory set
Date: 1825 – 1830
Materials: leather
Culture: american

By the 1820s, ankle boots were becoming the favored daytime footwear for ladies in both the United States and Europe, especially for outdoor wear. Like the shoes of the time, however, fashionable boots were often constructed of thin and flimsy materials, which made walking on cobbled or unpaved roads torturous. As a minor concession to utility, this pair of thin-soled boots is paired with a matching set of pattens which provide a heavier sole for walking. Pattens were basically utilitarian, hence it is somewhat unusual for them to survive in good condition, and even rarer to find a pair matching the boots with which they were worn.
Zittend mannelijk naakt met linkerhand onder de kin, naar links
Object type: drawing
Date: 1788 – 1788
Materials: chalk, paper
Artist: dirk versteegh
Artist role: draughtsman
Artist dates: 1751 – 1822
Subjects: sitting on the ground
Inscriptions: date
Volgelingen van Christus
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ (+ angel(s)), the cross ~ symbols of christ, the believer
Inscriptions: number: ‘38. - 60’, collector's mark: Lugt 240

Een stoet mannen, elk met een kruis op de rug, loopt in de richting van het kruis dat op een heuvel staat. Boven het kruis in de hemel troont Christus. In zijn ene hand houdt hij een kruis, in zijn andere een kroon. Hij wordt geflankeerd door engelen met kruizen. In het cartouche onder de voorstelling een opdracht in het Latijn.
Frejus and Pennard Castle, from Picturesque Selections
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: lithograph
Location: england
Artist: james duffield harding
Artist role: draughtsman, painter, print maker
Artist nationality: english
Artist dates: 1798 – 1863
Portret van een onbekende man, mogelijk P. Hoffmann
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: etching
Location: antwerp
Artist: arthur sterck
Artist role: print maker
Artist dates: 1868 – 1897
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Maria Francisca Hans op bidprent
Object type: prayer card
Date: 1864 – 1864
Materials: paper
Techniques: albumen print, letterpress printing
Location: ootmarsum
Artist: Anonymous
Subjects: nun(s), historical persons
Inscriptions: inscription: ‘Bid voor de ziel/ van zaliger/ Maria Francisca Hans,/ (Zuster Maria Brigitta.) (...) Heer, geef haar de eeuwige rust!’, inscription: ‘Zij ontvlugtte (...)Joan. XVI. Isaias XXXVIII.’
Harlequin with jug
Object type: figure
Date: 1740 – 1740
Materials: enamel, gold, hard paste porcelain
Techniques: polychrome
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men
Portret van Alexandre Hesse
Object type: page
Date: 1877 – 1882
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: alexandre jean baptiste hesse, historical persons, portrait, self-portrait of painter
Ruïnes van de grote zaal van de Thermen van Caracalla, Rome
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2228

Naar een tekening in Parijs, Fondation Custodia (coll. F. Lugt), Parijs, inv.nr. 6481, fol. 33, met het opschrift 'Therme Antonini' (de Thermen van Caracalla worden in het Latijn 'Thermae Antoninianae' genoemd).
Bruxelles-Laeken. Monument de Léopold 1er
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: brussels
Artist: Anonymous
Subjects: monument, statue, public gardens, park, laeken
Watch
Object type: watch
Date: 1720 – 1730
Materials: enamel, gold
Artist: william webster
Artist role: maker
Artist nationality: british
Artist dates: 1635 – 1735
Stockings
Object type: stocking
Date: 1851 – 1875
Materials: silk
Culture: american
Openwork fruit basket
Object type: basket
Date: 1770 – 1772
Materials: soft paste porcelain
Techniques: underglaze
Culture: american
Location: united states
Artist: american china manufactory
Artist role: manufacturer
Artist nationality: american
Artist dates: 1770 – 1772

This porcelain basket is one of the most ambitious forms produced by the early porcelain-making firm of Bonnin and Morris, in Philadelphia, the second earliest porcelain manufacturer in America. It reveals the extraordinary competency and ambition of the enterprise, from which only 19 whole examples are known to have survived. Fruit baskets like this one, and shell pickle stands, were luxury items, and would have graced the sideboards and dining tables of some of America’s wealthiest colonists. These elaborate objects were challenging for a fledgling factory, and as such are testament to the extraordinary ambition of the colonial enterprise. The porcelain medium was highly demanding requiring specialized clays and necessitating a high temperature for firing. The openwork baskets exhibit highly skilled execution in the scoring and cutting away the voids leaving the interlocking circles and horizontal struts. The painted decoration required the hand of a skilled painter; this basket highlights some of the pottery’s challenges in controlling the underglaze cobalt blue, which ran and blurred in the glazing and firing. The impetus for this enterprise came likely from Philadelphians Benjamin Rush and Benjamin Franklin, the latter who was known for his encouragement of American industry and his ambition to reduce dependence upon British-made products in favor of domestic manufacture. In its design of interlocking circles and underglaze blue painted decoration it expresses the rococo style then in vogue during the mid-eighteenth century. It copies related baskets made in England, specifically by the Worcester factory. Its underglaze hand-painted decoration of a spray of flowers and moth is similar to many English examples, and is thus testament of the factory’s desire to compete successfully against luxury English imports. Two entrepreneurs, Gousse Bonnin and George Anthony Morris, aided by skilled English workmen, began their experiments with the challenging medium, and drew their first kiln in late 1770. The aspiring young partnership, however, lasted just under two years, and they advertised in November 1772 the sale of all the buildings, kilns, etc. of the factory to the highest bidder. Nonetheless, it serves to illustrate the early ambitions in the face of a multitude of challenges to produce a native product—in this case, luxury porcelain—in colonial America.
Rivierlandschap met een molen
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: sailing-ship, sailing-boat, river, rural housing, e.g. country-house, villa, cottage, windmill in landscape

Rivierlandschap. Rechts op de oever een gebouw en links een molen. In de verte zeilschepen. Blad 22 recto uit een schetsboek met 27 bladen.
Panden Lindengracht 22-24 te Dordrecht
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: lindengracht
Subjects: urban housing, façade (of house or building), street
Inscriptions: annotation: ‘Lindengracht 22-24’, annotation: ‘Dordrecht/ Lindengracht N: 22-24’
Samos, 1904 (from Sketchbook)
Object type: drawing
Date: 1904 – 1904
Materials: graphite, paper
Culture: american
Artist: mary newbold sargent
Artist role: artist
Artist nationality: american
Artist dates: 1826 – 1906
Subjects: mountains
Portret van Adrien Baillet
Object type: print
Date: 1709 – 1726
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: dirk jongman
Artist role: print maker
Artist dates: 1684 – 1726
Subjects: paris
Inscriptions: collector's mark: Lugt 240

Busteportret van de Franse geleerde Adrien Baillet. Het portret is gevat in een ovale omlijsting met een randschrift in het Frans. In een cartouche een vierregelig gedicht in het Frans.
Brief aan Jan Veth
Object type: letter
Date: 1921 – 1921
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: painter, draughtsman, designer, jan veth, travelling; tourism, exhibition ~ art, dutch east indies, the, paris, switzerland
Inscriptions: collector's mark: ‘RPK’
Praelium in Belgio / Veldslag in de Nederlanden
Object type: print
Date: 1701 – 1703
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: battle (+ land forces)

Gezicht op een woest ruitergevecht in de Nederlanden, ten tijde van de Spaanse Successieoorlog, ca. 1702. In het onderschriften verzen in het Latijn en Nederlands.
Soldaat die met zijn laadstok kruit en kogel in de loop van zijn musket duwt
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving, hand coloring
Location: the hague
Artist: jacques de gheyn (ii)
Artist role: painter, print maker
Artist dates: 1565 – 1629
Subjects: handling of weapons ~ military training, firearms: rifle

Een soldaat, ten voeten uit, naar rechts, die met zijn linkerhand bij zijn linkerdijbeen een musket (een bepaald type vuurwapen) vasthoudt en met zijn rechterhand zijn laadstok in de loop brengt, om kruit en kogel aan te duwen. In zijn linkerhand behalve het musket ook een furket (musketvork) en een lont. Deze prent is onderdeel van de reeks van 43 met de hand genummerde prenten van musketiers in de Wapenhandelinghe.
Bracelet
Object type: bracelet
Date: 206 – 220
Materials: jade
Culture: chinese
Vaas met deksel op een voet met leeuwenpoten
Object type: ornament print
Materials: paper
Techniques: engraving
Location: paris
Subjects: vase ~ ornament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Etudes à l'eau-forte
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: drypoint, etching
Location: london
Artist: francis seymour-haden (sir)
Artist role: print maker
Artist dates: 1818 – 1910
Subjects: hands folded
Inscriptions: collector's mark: Lugt 2760, signature: ‘Seymour Haden’, collector's mark: Lugt 2228

De gevouwen handen van de kunstenaar, rustend op een niet nader gedefinieerde ondergrond. Met opschrift 'Hic terminus haeret': 'Hier is het eindpunt bereikt'. Dit blad heeft dienst gedaan als de laatste prent in de 'Etudes a l'eau-forte', een visuele grap van de kunstenaar.
Terracotta oil lamp
Object type: lamp
Date: 101 – 200
Materials: terracotta
Culture: roman
Subjects: pan

Vessberg Type 14. Mold-made, with ring handle. Discus: head of Pan, facing right, with vertical horns; a single filling hole at upper right; narrow band around edge. Plain, horizontal shoulder. Undefined, pushed-in base. Intact, but one small chip in back edge of handle.
Studies van kreeften
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: crustaceans: lobster
Inscriptions: number: ‘70’, number: ‘938’
Vignet met keeshond, 1795
Object type: print
Date: 1795 – 1795
Materials: paint, paper
Techniques: brush, engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: fortitude, 'fortitudo' ~ one of the four cardinal virtues, hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues, dog, freedom, liberty; 'libertà' (ripa) (+ abstract concept represented by female figure)
Inscriptions: collector's mark: Lugt 2228

Rond vignet met aan weerszijden de staande Hoop / Kracht en Vrijheid, 1795. In het medaillon is een keeshond in een landschap getekend.
Doornenkroning
Object type: print
Date: 1580 – 1590
Materials: gold, paper, silver
Techniques: engraving
Location: antwerp
Subjects: the crowning with thorns: soldiers with sticks place a thorny crown on christ's head and give him a reed (matthew 27:27-31; mark 15:16-20; john 19:2-3)

Doornenkroning. Onderdeel van de prentserie over de passie van Christus: Passio et resurrectio D.N. Iesu Christi. Edita et excusa ab Ad. Collaert. In prentalbum met twee reeksen van respectievelijk 34 en 24 gravures met scènes uit het leven en het lijdensverhaal van Christus.
Portret van de onderwijzer Bernardus Franciscus Suerman
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: haarlem, utrecht
Inscriptions: collector's mark: Lugt 2228
Temple of Minerva on the Forum of Nerva
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: (story of) minerva (pallas, athena)

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Rome.
Stem bowl with lotus pattern
Object type: stem bowl
Date: 1334 – 1366
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: flowers,leaves

Inspired by Islamic aesthetics, blue-and-white porcelain expanded the color range of Chinese ceramics. According to some textual records, such porcelain was disdained as a vulgar product among art connoisseurs during the late fourteenth century, when monochromatic wares were most favored.
Deventer. Politie Bureau
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: deventer
Subjects: façade (of house or building), police, deventer
Vier schapen in de duinen aan zee
Object type: photomechanical print
Date: 1898 – 1903
Materials: paper
Techniques: photoaquatint
Subjects: dune coast, sheep, sea
Inscriptions: inscription: ‘Photographische Mitteilungen XL’
Studies
Object type: drawing and watercolor
Date: 1813 – 1814
Materials: graphite, paper
Location: france
Artist: jean louis andré théodore géricault
Artist role: artist
Artist nationality: french
Artist dates: 1791 – 1824
Straat in een Duitse stad
Object type: drawing
Date: 1823 – 1839
Materials: paper
Techniques: brush
Artist: wijnand nuijen
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1839
Subjects: street, germany
Landschap met een ruïne
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: landscapes in the temperate zone, landscape with ruins
Inscriptions: number: ‘5’

Landschap met een ruïne aan het water. Links op het water een zeilboot. De prent maakt deel uit van een album.
Portret van een meisje
Object type: watercolor
Date: 1834 – 1911
Materials: paper, pencil, watercolor
Techniques: brush
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: anonymous historical person portrayed alone
Aminadab
Object type: print
Techniques: etching
Location: london
Artist: matthias darly
Artist role: publisher
Artist nationality: british
Artist dates: 1720 – 1780
Subjects: women

This image comes from a set of twenty-four caricatures that Matthew and Mary Darly published in 1771. A husband-and-wife team, the Darlys developed a new British print genre--small etched caricatures of single figures against plain backgrounds, their identities indicated through dress, pose and a few props. Many of these works mocked the fashionable manners of contemporary London dandies called "macaronis," and the Darly's wares soon became known as macaroni prints no matter what their subjects. The implied Italian connection was in fact appropriate, since the basic form was inspired by Ghezzi's caricature drawings brought back from Rome by Grand Tourists. The form and subjects adapted by the Darlys tickled British tastes and broadened the scope of Ghezzi's works to include a range of social classes, known figures, and types. his man's dress suggests that he is a dissenting preacher.
Ceres Instructing in the Art of Husbandry
Object type: plaque
Date: 1801 – 1900
Materials: porcelain
Artist: doccia porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1737 – 1896
Subjects: men,women,dragons,putti,cows,chariots
S. Antonivs
Object type: print
Date: 1633 – 1638
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: jan lievens
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1674
Subjects: the hermit antony abbot (antonius abbas) of egypt, also called the great; possible attributes: bell, book, t-shaped staff, flames, pig
Inscriptions: collector's mark: Lugt 240

Halffiguur van de zittende Antonius de Grote (Antonius Abt) als oude man met een baard gekleed in een monnikspij.
Bust of a Man Looking Left
Object type: drawing
Date: 1601 – 1700
Materials: chalk
Artist: anonymous, 17th century
Artist role: artist
Artist dates: 1600 – 1700
Subjects: men,profiles
Geloof overwint de zinnelijke liefde
Object type: print
Date: 1532 – 1590
Materials: paper
Techniques: etching
Location: haarlem
Subjects: faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, 'trionfo della castità', 'triumphus pudicitiae'; 'carro della castità' (ripa), (story of) cupid, amor (eros)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

In de wolken de personificatie van het Geloof. Ze draagt een boek in haar rechterhand en een kaars in haar linkerhand. Onder haar op de grond ligt het lijk van Cupido, zijn liefdespijl is gebroken. Het geloof is sterker dan de liefde. De prent maakt deel uit van een zesdelige serie over de triomfen van Petrarca.
Pair of bala players
Object type: one of a pair of figure
Date: 1701 – 1833
Materials: metal, wood
Culture: dogon
Location: mali
Artist: dogon blacksmith
Artist role: artist
Subjects: human figures,musical instruments

These two figures are depicted playing the balafon, a type of xylophone composed of a series of wooden slats attached to gourd resonators. Balafons are uncommon in Dogon communities, and it is believed that this sculpture may have come from Mételli, one of the few Dogon villages known to incorporate the instrument in ceremonial life. It has been suggested that this specific work depicts musicians playing at the funerary rituals of a hogon, the spiritual and political leader of the community, and that the work itself was likely exhibited at such times. On these unique occasions, the instruments played are special balafons known as gingiru. The work may also refer to a series of events related in the epic narratives surrounding the formation of the Mali empire (ca. 1230), many of whose inhabitants migrated to villages such as Mételli in subsequent centuries. According to these oral histories, a balafon player had a central role in the defeat of the Soso kingdom and its invincible ruler Soumaworo. In a ruse, Mali's ruler Sundiata Keita sent his sister Sologon and the court musician Bala Fasséké Kouyaté to Soso as spies to discover the source of Soumaworo's power. Through Sologon's beauty and Kouyaté's masterful balafon playing, they learned Soumaworo's secret and Keita defeated him on the battlefield. Keita rewarded Kouyaté with the captured royal balafon of Soso. Given that balafons are typically played by one individual, the association of two figures with this instrument may be a reference to Sologon and Bala Fasséké Kouyaté, and their important contribution to the region's history.
Studioportret van Generaal-Majoor G.B.T. Wiggers van Kerchem met onder andere zijn Militaire Willemsorde, met kepi
Object type: photograph
Date: 1870 – 1890
Materials: paper, photographic support
Techniques: photography
Location: java
Figuren in een bos
Object type: sketchbook leaf
Date: 1883 – 1884
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: forest, wood (+ landscape with figures, staffage)

Pagina 38 uit een schetsboek met 23 bladen.
2 cent van Nederlands Indië,1834
Object type: coin
Date: 1834 – 1834
Materials: copper
Techniques: striking
Location: surabaya
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Koperen munt. Voorzijde: tussen waarde-aanduiding 2 CT. gekroond rijkswapenschild. Keerzijde: tweeregelig opschrift, waarboven muntteken en waaronder jaartal. Daaronder letter V [=muntmeester De Vogel]. Gladde rand.
Am Genfer See
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: photograph
Location: lake geneva
Subjects: ships (in general), rowing-boat, canoe, etc., lake
Inscriptions: inscription: ‘Beilage zu Eders Jahrbuch 1899’
Vrouw wast linnengoed in een wastobbe
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: laundering, linen (material ~ textile industry)
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie voor: Luyken, Jan. Het leerzaam huisraad, vertoond in vyftig konstige figuuren, met godlyke spreuken en stichtelyke verzen: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1711, p. 84.