deem-data/ArtiFact huggingface dataset:
Christ Bearing the Cross, page 81, from the Treasury (Schatzbehalter)
Object type: print
Date: 1491 – 1491
Materials: paper
Techniques: woodcut
Location: germany
Artist: michael wolgemut and workshop
Artist nationality: german
Artist dates: 1434 – 1519
Kalender 1918 12 lithografien door Th. v. Hoytema
Object type: calendar leaf
Date: 1917 – 1917
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: birds, lunar year, october ~ other concepts
Inscriptions: collector's mark: Lugt 2228

In de hoeken de standen van de maan op vier dagen. Bovenaan het blad een scheurlijn.
Portret van Willem III, prins van Oranje
Object type: print
Date: 1670 – 1690
Materials: paper
Techniques: mezzotint
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland)
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Oorlogsschip met drie masten
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: aquatint, etching, intaglio
Artist: henri françois schaefels
Artist role: print maker
Artist dates: 1827 – 1904
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Ankle and foot of a figure to right
Twee Nieuwe Fregatten, gerust ten Oorloogh, tegen t' Parlement van Engelandt,
Object type: print
Date: 1652 – 1654
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: reinier nooms
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1664
Subjects: ships (in general)
Inscriptions: collector's mark: Lugt 12

Twee fregatten met bolle zijlen, één van de achterkant gezien en één van de zijkant.
Salt Dish
Object type: glass
Date: 1790 – 1830
Materials: glass
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1899
Bisschop omgeven door zeven engelen
Object type: print
Date: 1609 – 1660
Materials: paper
Techniques: etching
Location: parma
Artist: giovanni battista vanni
Artist role: print maker
Artist dates: 1599 – 1660
Subjects: archbishop, bishop, etc. (roman catholic), angels
Inscriptions: collector's mark: Lugt 10, number: ‘1’, collector's mark: Lugt 11

Prent uit een reeks van 4 prenten naar de koepeldecoraties door Correggio in de S. Giovanni Evangelista in Parma.
Enquêteformulier ingevuld door Henri Rochussen
Object type: questionnaire
Date: 1840 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Subjects: rotterdam, draughtsman, henri rochussen
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Spoon
Object type: spoon
Date: 1839 – 1839
Materials: niello, silver gilt
Artist: mikhail chulkov
Artist role: maker
Artist nationality: russian
Artist dates: 1801 – 1864
Subjects: buildings,boats
Stapelia hirsuta (L.) (Starfish flower)
Object type: drawing
Materials: chalk, paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Subjects: plants; vegetation
Inscriptions: annotation: ‘Stapelia.’

De tekening is gemaakt voor of tijdens een van Gordon's vier expedities door de Kaapprovincie, van oktober 1777 tot maart 1786.
Sommige (soort)namen kunnen zijn gewijzigd, gezien reorganisatie in plantentaxonomie gedurende de afgelopen jaren.
Portret van Juliette Simon-Girard
Object type: photomechanical print
Date: 1880 – 1886
Materials: paper
Techniques: woodburytype
Subjects: historical persons - bb - woman, opera-singer (female)
Meer van Longemer, nabij Gérardmer
Object type: photograph
Date: 1881 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: vosges
Artist: Anonymous
Subjects: lake
Inscriptions: inscription: ‘Ad. Braun & Cie./ photographes/ a/ Dornach (Alsace)/ &/ Paris/ 3, Boulevard des Capucines, 3/ 43, Avenue de l'Opéra, 43.’
Loosdrecht. Kasteel - Museum Sijpesteijn. Lage Zaal
Object type: photograph
Date: 1929 – 1941
Materials: paper
Techniques: gelatin silver print, writing
Location: arnhem
Subjects: castle, interior of the house
Inscriptions: postage stamp
Portret van een jongen, staand bij een stoel
Object type: carte de visite
Date: 1893 – 1893
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: boy (child between toddler and youth), historical persons, chair
Inscriptions: date: ‘22. 10. 93.’
Head
Object type: head
Date: 1801 – 1900
Materials: terracotta
Culture: edo period
Location: nigeria
Subjects: heads
Twilight
Object type: sculpture
Materials: marble
Culture: american
Artist: olin levi warner
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1896
Subjects: women

Twilight was an unusual theme because it was not derived from Greek mythology, the source generally favored by sculptors for personifications. Yet the work offered Warner the opportunity to reveal his talent on two levels: to display both his expertise in modeling a semidraped figure and his ability to interpret an abstract concept in three-dimensional form. The juxtapositions of light and dark, smooth skin and rippling drapery, and action and repose call to mind the mysterious, fleeting moments between day and night.
Ensemble
Object type: ensemble
Date: 1855 – 1855
Materials: textile, silk
Culture: american
Watersnood bij Elburg, 1776
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: flood, storm
Inscriptions: collector's mark: Lugt 2228

Watersnood en overstroming van het dorp Dijkerhuizen bij Elburg en de redding van 15 personen met een schuit, 21-22 november 1776.
Fragment of a terracotta relief with two horses
Object type: relief of two horse
Date: 600 – 501
Materials: terracotta
Culture: greek or south italian
Subjects: horses

The fragment shows the left side of a team of four horses drawing a chariot. The chariot and the horses are shown in a full frontal view. The arm of the charioteer can be seen reining in the outermost rearing horse.
Cupid with a Dog
Object type: bracelet
Date: 1860 – 1870
Materials: gold, shell
Artist: luigi saulini
Artist role: maker
Artist nationality: italian
Artist dates: 1819 – 1883
Subjects: cupid,dogs

Luigi Saulini was a hardstone carver of great dexterity. He more frequently produced cameos of shell, for which he charged a tenth the price. Much of his output was based on statuary by his contemporaries. The model here was an as yet unidentified marble group in the round (indicated by the plinth at the bottom). The bracelet, together with another displaying a micromosaic circlet of Italian peasant girls, was bequeathed by a colorful Irishwoman, Maria Morgan, whose knowledge of horses led King Victor Emmanuel of Italy to entrust her with his stables. According to her, the bracelets were the king’s parting gift before she left for the United States, where she became a newspaper reporter on equine matters, eventually retiring to Staten Island.
The Little Mast
Object type: print
Date: 1879 – 1880
Materials: ink, ivory
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: buildings,streets,venice
Lente
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: flowers, spring, 'ver'; 'primavera' (ripa)
Inscriptions: date

Prent uit het bijvoegsel van: De Kroniek 3 (1897), 10 oktober 1897.
Petrus protesteert als Christus zijn voeten wast
Object type: print
Date: 1535 – 1537
Materials: paper
Techniques: engraving
Location: germany
Artist: georg pencz
Artist role: draughtsman, painter, print maker
Artist dates: 1500 – 1550
Subjects: christ washes peter's feet
Inscriptions: collector's mark: Lugt 240

Volgens David Landau werd deze prent iets later (ca. 1535) aan de serie Leven van Christus toegevoegd. De prent is niet genummerd en is iets groter van formaat.
Songs: "What's this dull town to me..."
Object type: print
Date: 1822 – 1822
Techniques: etching
Artist: henry alken
Artist role: artist
Artist nationality: british
Artist dates: 1785 – 1851
Subjects: shields,swords,men,women

One sheet of a series of satires, designed as a song book. Composed of vignette scenes, each scene illustrating in a humourous fashion a single line from a popular song of the day. The imagery derives from hunting, shooting and horses, scenes from domestic life, fashion, town and country life, military and naval life.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, at the left, part of draped figure?; at the right, part of a draped figure with a stick
Daniel Cross-Examining the Elders, from "The Story of Susanna"
Object type: print
Date: 1555 – 1555
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: soldiers,men

Daniel, seated on a throne at right, addresses the pair of Elders at left. One faces Daniel, while the other's hands are bound by a figure at far left. Based on Daniel 13:52-59. Plate 3 from a series of four engravings.
A Mirror on a Stand Suggesting the Autumnal Moon (Kyodai no shugetsu), from the series "Eight Scenes of the Parlor (Zashiki hakkei)"
Object type: print
Date: 1777 – 1777
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Portrait of Mr. George Bailey
Object type: drawing
Materials: watercolor
Artist: richard dadd
Artist role: artist
Artist nationality: british
Artist dates: 1817 – 1886
Subjects: men,portraits

By his mid-twenties Dadd was recognized as the promising leader of a group of young British artists, but an arduous journey to the Middle East in 1842 led to his mental breakdown. Shortly after returning to England in 1843, the artist succumbed to paranoid schizophrenia and murdered his father, then spent the rest of his life confined to institutions. Over the next four decades, he painted masterly, hyper-realistic fairy pieces, mysterious representations of the passions, and portraits of staff members at Bethlem and Broadmoor hospitals. The bright lights and strong shadows in this watercolor indicate that Dadd painted it outdoors in August 1855, in the gardens at London's Bethlem Hospital, located south of the Thames in Southwark. By that date, the artist had begun to produce some of his most famous works, even while working within the unsettled environment of a lunatic criminal ward. His creativity was supported by a enlightened, reforming superintendent, Dr. William Charles Hood (1824-1870), who had arrived at Bethlem in 1852. Little was known about the present sitter George Bailey until a recent article by Geoffrey Munn revealed key details of his life and career. Bailey joined the hospital staff in 1848 as a twenty-seven-year-old unskilled attendant but, by the time Dadd painted him seven years later, he had matured into a skilled caregiver–his face and demeanor communicate calm competence but also hint at weariness. Both artist and sitter benefited from Hood's improvements at Bethlem, although it took five years for the superintendent to obtain permission to move incurable patients with educated backgrounds, such as Dadd, into more humane living quarters. In 1857, Dadd and fifty-nine others were rehoused in a new ward furnished with a library and well-lit common rooms decorated with art and greenery, and enhanced with bird song. Bailey was one of a select group chosen to attend these patients, staff members deemed "respectable...humane and intelligent," who also received significant pay raises. Munn describes Bailey as "a literate, Christian, family man...and, if Bethlem became a much happier place, he undoubtedly helped to make it so." In 1864, he would be promoted, to Principal Attendant and transferred to the new asylum at Broadmoor in Berkshire, remaining there until his retirement in 1884. Five months after Bailey left London, Dadd also moved to Broadmoor and would continue to paint until his death there in 1886. This record of a summer sitting in 1855 offers insights into the lives of two men, caretaker and artist-patient, who interacted across thirty-six years.
Ontwerp voor een kalender
Object type: sketchbook leaf
Date: 1901 – 1901
Materials: chalk
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: calendar, almanac
Inscriptions: annotation: ‘1901/ JANUARIE/ [...]’

Blad 6 recto uit een schetsboek met 79 bladen.
Mirror: Female Harlequin
Object type: ceramic
Date: 1740 – 1760
Materials: earthenware, glass
Techniques: glazing
Location: italy
Subjects: furniture
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Below the rim, head, neck, shoulders, and part of the upper torso of a filleted youth to left; at the right, part of a draped figure?
Portret van Norbert van den Berg
Object type: carte de visite
Date: 1855 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: heinrich löwenstam
Artist role: painter, print maker
Artist dates: 1815 – 1887
Subjects: rotterdam, amsterdam, norbertus petrus van den berg (1831-1917)
Inscriptions: name: ‘H. LOWENSTAM & Co / Singel 454 / AMSTERDAM’

Portret van Norbert van den Berg zittend op een stoel met een arm leunend op een tafel.
Slot Stolzenfels
Object type: sketchbook leaf
Date: 1860 – 1865
Materials: paper, pencil
Location: koblenz
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: landscape with tower or castle, mountains
Inscriptions: annotation: ‘Stolzenfels’

Blad 10 recto uit een schetsboek met 55 bladen.
Drie mannen in een rijtuig
Object type: print
Date: 1815 – 1878
Materials: paper
Techniques: hand coloring, lithograph
Location: italy
Subjects: monk(s), friar(s), two-wheeled vehicle drawn by two animals, naples
Inscriptions: collector's mark: Lugt 2228

Drie mannen, waaronder een monnik, in een rijtuig dat wordt voortgetrokken door twee paarden, te Napels. Naast het rijtuig rent een hond.
Accessory set
Object type: accessory set
Date: 1870 – 1879
Materials: silk
Culture: british
Brochette van witgoud bezet met parels en diamanten
Object type: brooch
Date: 1910 – 1910
Materials: diamond, pearl, gold alloy
Techniques: faceting, grinding
Location: amsterdam
Artist: m. katan
Artist role: jeweler
Inscriptions: maker's mark: ‘M1K’, duty mark: ‘I’

Brochette van witgoud bezet met drie parels en twee diamanten oud slijpsel en vele kleine gefacetteerde diamanten.
Poort tot begraafplaats bij de Westerkerk
Object type: ornament print
Date: 1631 – 1631
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: churchyard, cemetery, plan ~ architecture, exterior ~ architectural design or model

Prent uit: Keyser, Hendrick de. Architectura moderna ofte bouwinge van onsen tyt (...) alle gedaen by (...) Amsterdam: Danckerts, Cornelis, 1631.
Rue de L'Epicerie in Rouen
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: drypoint
Artist: camille jacob pissarro
Artist role: draughtsman, print maker
Artist dates: 1830 – 1903
Subjects: church (exterior), street
Inscriptions: stamp: Lugt 613d, inscription: ‘No 15’

Deze prent is in 1907 uitgegeven als onderdeel van een serie van tien prenten van Camille Pissarro. Zie Delteil 1999, p. xvii.
K.Botke
Platte-grondt van de oude en nieuwe royinge der stede Amsterdam aengewesen met alle hare publike Gebouwen waer van de oude roying in 't bruyn en de nieuwe in 't bleeck wort uytgebeelt; de nieuwe begint daer de oude wal met gestipte linien is getekent / Veteris novaeque urbis Amstelodamensis ichnographia (…)
Object type: area plan
Date: 1601 – 1663
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, armorial bearing, heraldry, amsterdam
Inscriptions: collector's mark: Lugt 195

Derde deel van een plattegrond van Amsterdam met ontwerp en uitvoering van de Vierde Uitleg, bestaande uit zes delen. Rechtsonder genummerd: 3.
Fanciful depiction of a cicada
Object type: drawing
Date: 1862 – 1862
Materials: graphite, ink, paper, watercolor
Techniques: pen
Artist: anonymous, german, 19th century
Artist role: artist
Artist nationality: german
Artist dates: 1800 – 1899
Subjects: insects
Vliegende meeuw boven een zee
Object type: photograph
Date: 1935 – 1950
Materials: paper
Techniques: gelatin silver print
Artist: norbert van den berg (1901-1972)
Artist role: amateurfotograaf
Artist dates: 1901 – 1972
Subjects: shore-birds and wading-birds: gull, sea
Time, Apollo and the Seasons
Object type: print
Date: 1662 – 1662
Techniques: etching
Artist: claude lorrain (claude gellée)
Artist role: artist
Artist nationality: french
Artist dates: 1604 – 1682
Subjects: apollo
Rocky Mountain Sheep, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: sheep

Trade cards from the "Wild Animals of the World" series (N25), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Faust and Mephistopheles
Object type: drawing and watercolor
Date: 1880 – 1880
Materials: charcoal, paper
Techniques: drawing, stumping
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Inscriptions: Signed recto, lower right along right edge, in black chalk: "od REDON"; and (diagonally) lower right, in white pencil: "O • REDON"; inscribed verso, lower center, in graphite: "77; 49 x 58"
Vrouwen en een kip
Object type: sketchbook leaf
Date: 1935 – 1940
Materials: ink, paper
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: adult woman, fowl (cock, hen, chicken, etc.)

Blad 1 verso uit een schetsboek met 25 bladen.
Haven
Object type: photograph
Date: 1940 – 1943
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: harbour, occupation ~ war, netherlands
Inscriptions: name: ‘-Drogerie / A 333 / ... mm’

Albumblad met een foto van een haven met afgemeerde binnenvaartschepen. Onderdeel van een klein album van de Kriegsmarine in Nederland.
Porringer
Object type: porringer
Date: 1601 – 1700
Materials: pewter
Profile of a Woman
Object type: drawing and watercolor
Date: 1894 – 1894
Materials: graphite, paper
Location: england
Artist: philipp william may
Artist nationality: english
Artist dates: 1864 – 1903
Ontwerp voor een chenet met een zittend jongetje
Object type: drawing
Date: 1760 – 1770
Materials: ink
Techniques: brush
Location: paris
Artist: jean louis prieur (ii)
Artist dates: 1732 – 1795
Jar
Object type: jar
Date: 2700 – 2400
Materials: ceramic
Culture: yortan
Location: northwestern anatolia
Fragment
Object type: textile
Materials: linen, wool
Techniques: weave
Culture: coptic, egyptian
Location: egypt
Sleigh (unnumbered)
Object type: drawing
Date: 1877 – 1877
Materials: graphite
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Acht voorstellingen met verschillende volkeren
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: hand coloring, lithograph
Location: germany
Artist: Anonymous
Subjects: archer's weapons: bow and arrow, asiatic races and peoples: turks, europeans (with name), asiatic races and peoples (tatars), gondola, asiatic races and peoples: persians
Wall painting fragment
Object type: wall painting fragment
Date: 1 – 100
Techniques: fresco
Culture: roman
Subjects: birds,flowers

On black ground; two birds in flowering acanthus plant; flowers in vine.
Pitcher
Object type: pitcher
Date: 1801 – 1900
Subjects: men,women,flutes
Portrait of a Lady
Object type: painting, miniature
Date: 1813 – 1891
Materials: ivory, watercolor
Culture: american
Artist: john carlin
Artist role: artist
Artist nationality: american
Artist dates: 1813 – 1891
Subjects: portraits,women
Blusboten Jan van der Heyde en Jason aan de De Ruijterkade te Amsterdam, op de achtergrond het meelpakhuis van Bulsing en Heslenfeld
Object type: photograph
Date: 1904 – 1910
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: harbour, warehouse (~ harbour), fire-department, fire-brigade, amsterdam

Onderdeel van Familiealbum met onder meer foto's van Wijnhandel Kraaij & Co. Bordeaux-Amsterdam.
St. Peter's, cornice and architrave, profile; key, elevation; triglyph and guttae, elevation and section (recto) blank (verso)
Object type: drawing
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture
Hoog rotsblok met een boom
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: trees
Inscriptions: : ‘Geschenk van J.H. Coster’

Mogelijk een titelprent voor een serie, gedrukt voor de letter.