deem-data/ArtiFact huggingface dataset:
Design for 2 seat Side Bar Phaeton or Wagon (?), no top, no. 3978
Object type: drawing
Date: 1886 – 1886
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
From the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Plates 12 and 13, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Object type: print
Date: 1620 – 1620
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: architecture,buildings
Standard Bearer, French Army, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men,flags

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Zes verschillende gebouwen te Amsterdam
Object type: print
Date: 1723 – 1723
Materials: paper
Techniques: engraving, etching
Artist: anna folkema
Artist role: draughtsman, print maker
Artist dates: 1695 – 1768
Subjects: civic architecture; edifices; dwellings, plague, amsterdam, dolhuis
Inscriptions: collector's mark: Lugt 1641b

Zes genummerde gebouwen te Amsterdam: Nieuwezijds Huiszittenhuis, Oudezijds Huiszittenhuis, Karthuizer Weduwenhof, Leprozenhuis, Dolhuis, Buitengasthuis. De gebouwen zijn op het bijbehorende tekstblad voorzien van toelichting. Bovenaan genummerd: 13. Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: I. Stadsinrichtingen: Verzamelbladen.
Large jar decorated with peonies
Object type: jar
Date: 1467 – 1500
Techniques: incising
Culture: korean
Subjects: peonies

The boldly rendered peony flowers and leaves on this jar capture the essence of the exuberant plant, which symbolizes wealth and prestige. The technique of incising the design’s outlines and carving away part of the background through the white slip is characteristic of buncheong vessels produced in Jeolla Province, in the southwestern region of the Korean peninsula.
Blinde Tobias bij een deur
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: etching
Location: london
Subjects: tobit's blindness (tobit 2 - 3:6)
Inscriptions: collector's mark: Lugt 2228
Portret van Hendrik V, koning van Engeland
Object type: print
Date: 1700 – 1800
Materials: paper
Techniques: engraving, etching
Artist: inigo lightbody
Artist role: print maker
Subjects: historical persons, king
Inscriptions: collector's mark: Lugt 2228
Figuurstudies
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ standing), adult man (+ standing)

Blad 4 verso uit schetsboek XXV met 23 bladen.
Lion
Object type: figure
Date: 1740 – 1750
Materials: stoneware
Techniques: salt glaze
Subjects: lions
Barrel-Shaped Jug with a Fox and a Rooster
Object type: jug
Date: 1267 – 1300
Materials: earthenware
Techniques: glazing
Culture: french
Location: france
Subjects: roosters,foxes

This thin-walled barrel-shaped jug is decorated with a jaunty cockerel on one side and a goose-stepping fox on the other. A looped and upright tail bring further whimsy to the fox. The Saintonge region of southwestern France enjoyed a long history of pottery making. Large numbers of these jugs were exported to London in association with the wine trade.
Amulet
Object type: necklace, bead
Date: 1802 – 1450
Materials: faience
Location: egypt
Coin Weight
Object type: coin weight
Date: 1001 – 1100
Materials: glass
Location: egypt
Artist: muhammad al 'audi
Artist role: maker
Engel met gevouwen handen
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: etching
Location: antwerp
Subjects: angels

David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.
Portret van Gabriel Bernhard von Widder
Object type: print
Date: 1825 – 1870
Materials: paper
Techniques: lithograph
Location: germany
Subjects: historical persons, politician, e.g. party leader, medals and other marks of military honour
Inscriptions: collector's mark: Lugt 2228
Herrinneringskruis voor de Amsterdamse Politie bij het vijfentwintigjarig regeringsjubileum van Koningin Wilhelmina 1923
Object type: history medal
Date: 1923 – 1923
Materials: bronze
Techniques: striking
Artist: johannes cornelis wienecke
Artist role: medailleur
Artist dates: 1872 – 1945

Bronzen kruis met ring en draagoog, op de voorzijde het portret van Wilhelmina naar links binnen samengestrikte lauwertakken, op de benen tekst.
Onbekend meisje in bad, november 1960, Verenigde Staten / Portret van Ursel, Basel 1946
Object type: photograph
Materials: paper, photographic support
Techniques: gelatin silver print
Location: united states
Artist: isabel wachenheimer-elon
Artist dates: 1928 – 2010
Subjects: historical persons - bb - woman, bathing baby, united states of america
Inscriptions: inscription: ‘Mit viel viel Liebe ... Ursel / Basel 29 Sept. 1946’, date: ‘Nov 1960’

Albumblad bevat met twee foto's van onbekend meisje in bad en een pasfoto van een vriendin Ursel in Basel, met briefje 29 september 1946. Onderdeel van het fotoalbum met diverse foto's van de jeugd van Isabel Wachenheimer voor en tijdens de oorlog en diverse momenten van haar volwassen leven na de Tweede Wereldoorlog.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Interior, part of a foot of a figure to right
G.P. Huygens
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: portrait, self-portrait of sculptor, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie van zestig prenten.
Bloementuin
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: woodcut
Location: utrecht
Subjects: device (trade-mark of printer or publisher)
Inscriptions: collector's mark: ‘Koninklijk Oudheidkundig Genootschap - Bibliotheek’

Titelprent voor 'Aestas horti floridi', het tweede deel van: Passe, Crispijn van de (II). Hortus floridus in quo rariorum & minus vulgarium florum icones ad vivam veramque formam. Arnhem: Johannes Janssonius, 1617.
Vase with floral scrolls
Object type: vase
Date: 1767 – 1800
Materials: enamel, porcelain
Techniques: painting
Culture: chinese
Lodewijk van der Kethulle verslaat de Spaanse ruiter, 1591
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: etching
Location: netherlands
Subjects: duelling, deventer
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als boekillustratie in: P.G. Witsen Geysbeek en G. Engelberts Gerrits. Schoonheden en merkwaardige tafereelen uit de Nederlandsche geschiedenis. 8 delen. Amsterdam: G. Portielje, 1825-1829. Vierde deel, 1827.
Cup and saucer
Object type: cup and saucer
Date: 1760 – 1760
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men,women,trees
Twee liggende schapen
Object type: print
Date: 1809 – 1820
Materials: paper
Techniques: etching
Artist: frans lebret
Artist role: draughtsman, painter, print maker
Artist dates: 1820 – 1909
Subjects: sheep
Inscriptions: collector's mark: Lugt 2228

Twee liggende schapen, schuin van voren en opzij gezien.
Precincts of Kameido Tenjin Shrine (Kameido Tenjin keidai), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1856 – 1856
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Recueil d'arabesques, contenant les loges du Vatican
Object type: ornament print
Date: 1802 – 1802
Materials: paper
Techniques: etching
Location: paris
Subjects: fabulous beings with wings - aa - female human figure, ornament ~ arabesque, mask, mascaron ~ ornament

Doordat dit album bestaat uit meerdere, deels eerder uitgegeven prentreeksen, is de datering niet consequent. Het geheel is op de titelpagina gedateerd op 1802. Deze reeks is niet los gedateerd.
De serietitel voor het gehele werk is "Recueil d'arabesques, contenant les loges du Vatican". De andere serietitel is de titel van de specifieke reeks binnen het geheel.
Opwekking van de zoon van de weduwe van Naïn
Object type: book illustration
Date: 1681 – 1728
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: christ touches the bier of the son of the widow of nain: the young man sits up
Inscriptions: collector's mark: Lugt 2228, inscription: ‘utrechts fundatie huijs’

Christus nadert stad Naïn met apostelen en menigte mensen en vlak bij stadspoort komt hij mannen tegen met dode lichaam van jongeman op een lijkbaar. Deze enige zoon van een weduwe wekt hij tot leven tot grote verbazing van de omstanders. Onder de voorstelling wordt in zes talen de bijbeltekst geciteerd uit Lucas 7:14
Carnelian ring stone
Object type: intaglio
Date: 400 – 301
Materials: gemstone
Culture: greek
Subjects: hunting,deer,lions

Lion on the back of a deer biting it in the neck.
Paperweight
Object type: glass
Date: 1834 – 1866
Materials: glass
Location: clichy
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1916 – 1916
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: schoorl
Artist: herman robbers
Artist role: redacteur, schrijver
Artist dates: 1868 – 1937
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Twee mannen
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Artist: johannes van cuylenburgh
Artist role: print maker
Artist dates: 1793 – 1841
Subjects: wig (+ sideview, profile), eyeglasses, spectacles, anonymous historical person portrayed (+ profile portrait), anonymous historical person portrayed (+ head (and shoulders) (portrait)), head-gear: hat
Inscriptions: date

Een man draagt een bril en pruik. Hij kijkt naar rechts en is en profil afgebeeld. De jongere man draagt een hoed.
Portret van Frans II van Frankrijk
Object type: print
Date: 1576 – 1614
Materials: paper
Techniques: engraving
Location: france
Artist: thomas de leu
Artist role: print maker, publisher
Subjects: paris, historical persons, king
Inscriptions: collector's mark: Lugt 2228

Met vierregelig vers in het Frans onder het portret.
Portret van een vrouw, staand bij een raam
Object type: album leaf
Date: 1859 – 1869
Materials: cardboard, photographic support
Techniques: albumen print
Artist: camille leon louis silvy
Artist role: fotograaf
Artist dates: 1834 – 1910
Subjects: window, historical persons, standing figure - aa - female human figure
Inscriptions: inscription: ‘Photographed by/ C. Silvy/ 38 Porchester Terrace/ Bayswater. W.’
Sampler
Object type: textile
Date: 1851 – 1851
Materials: linen, silk
Techniques: embroidery, weave
Location: germany
Fragment van een tegel
Object type: tile
Date: 1580 – 1625
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Fragment van een tegel met een veelkleurig (blauw, paars, groen, geel en oranje) geschilderde vaandeldrager op een grondje omlijst door een ovaal. In de hoeken, een blauwe rozet met geel hart in vultechniek.
The Scotch Ostrich Seeking Cover
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827

Melville, in Highland dress puts his head and shoulders through a hole in a brick wall. He says: "Ah! Ah! - Nae one sees - me now." The wall is inscribed "Parliamentary Recess." At left, two Irish men, one with a blunderbuss, watch him. One of them says to his friend: "Be azy - Brother pat - I see him as plain as ever I have plenty of ammunition left but I shant fire just at present."
Geschiedenis van David en Absalom
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: absalom, put to flight on a mule, remains hanging by his hair in an oak-tree, joab stabs absalom with three spears
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent gebruikt in: Thesaurus sacrarum historiaru[m] veteris (et novi) testame[n]ti, elega[n]tissimis imaginibus expressu[m] excelle[n]tissimoru[m] in hac arte viroru[m] opera : nu[n]c primu[m] in luce[m] editus. Antwerpen: Gerard de Jode, 1585.
Bark aan een kade
Object type: sketchbook leaf
Date: 1804 – 1843
Materials: paper, pencil
Artist: hendrik abraham klinkhamer
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1872
Subjects: sailing-ship, sailing-boat
Inscriptions: date and inscription: ‘Bark 15 April’

Op de voorgrond twee roeiboten met figuren en transportwaren. Blad 9 recto uit een schetsboek met 40 bladen.
Miniature pitcher (part of a service)
Object type: pitcher
Date: 1760 – 1762
Materials: soft paste porcelain
Techniques: underglaze
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Subjects: flowers
Design for Jewelry
Object type: drawing
Date: 1801 – 1900
Materials: gouache, graphite
Techniques: brush, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: jewelry
Portret van Johannes Clauberg
Object type: print
Date: 1775 – 1849
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: solingen, historical persons
½ cent uit de Verenigde Staten van Amerika, 1794
Object type: coin
Date: 1794 – 1794
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: liberty naar rechts met links van haar hoofd vrijheidshoed (cap). Onderaan jaartal. Keerzijde: tussen twee met grote strik samengebonden takken waarde-aanduiding: half cent in twee regels. Onderaan tussen linten waarde-aanduiding: 1/200. Randschrift.
The Courtesan Kotozuru of the Tsuruya Brothel as an Asazuma Boat Prostitute (Tsuruya Kotozuru-dayū Asazuma-bune), from the series Costume Parade of the Shinmachi Quarter in Osaka (Ōsaka Shinmachi nerimono)
Object type: woodblock print nishiki e
Date: 1822 – 1822
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: yanagawa shigenobu 柳川重信
Artist role: artist
Artist nationality: japanese
Artist dates: 1787 – 1832

The courtesan Kotozuru from the Tsuruya Brothel in Osaka is costumed in a male courtier’s cap and capacious robes associated with the cross-dressed female entertainers who took clients out in boats at Asazuma on the eastern shore of Lake Biwa. This print is from a series inspired by the summertime costume parades that were held annually in the Shinmachi brothel district of Osaka, created by the Edo-based artist Shigenobu. Both Shinmachi, Osaka’s government-sanctioned brothel district, and Shimanouchi, a large unlicensed district to the southwest, hosted costume parades featuring teahouse waitresses, geiko (geisha), and courtesans performing skits or pantomimes of well-known figures (both female and male) from Japanese legend, literature, popular theater, and contemporary society.
Basrelief op het voetstuk eener pendopo (?) (westzijde). Panataran (r. Kediri)
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905

Candi Panataran (Temple Complex), Pendopo Terrace, unidentified reliefs 57-61 (inscrition above no 60 reads niraksara), west side. Panataran, Blitar district, East Java province, 1375 AD
Portret van Hendrik Niclaes
Object type: print
Date: 1677 – 1677
Materials: paper
Techniques: engraving
Location: middelburg
Subjects: hendrik niclaes
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Florimundus Remundus lib. 3, cap. 15 fol. ito v’

Oorspronkelijk gemaakt voor: 'Historische beschrijvinge ende affbeeldinge der voorneemste hooft ketteren', Amsterdam, C. van Sichem, 1608. Deze prent komt in deze staat voor in: C. van Sichem, 'Het tooneel der hooft-ketteren, bestaande in verscheyde afbeeltsels...', Middelburg, Wilhelmus Goeree, 1677.
Clytie
Object type: sculpture
Date: 1868 – 1868
Materials: plaster
Techniques: modeling, carved
Location: england
Artist: george frederick watts
Artist role: painter
Artist nationality: english
Artist dates: 1817 – 1904
Subjects: greek mythology, sunflowers, mythology, mythological figures, head, busts, woman

Clytie, a Greek water nymph, was turned into a sunflower by the gods. The Victorian sculptor George Frederick Watts used this subject as a meditation on transformation, blending male and female elements in this bust, much as Michelangelo had done in his sculptures. Watts’s composite approach gives the work a powerful and experimental quality, which is enhanced by the presence of mold marks. Plaster casts were made from piece molds that left mold lines after casting. Normally these would have been smoothed away, but Watts chose to leave them here. The presence of these lines in the cast invites comparison with bronzes by Watts’s younger contemporary Auguste Rodin, in which mold lines are also preserved.
Covered Milk Jug
Object type: ceramic
Date: 1760 – 1769
Materials: earthenware
Techniques: glazing
Location: staffordshire
Mary, Queen of Scots
Object type: print
Date: 1701 – 1800
Techniques: engraving
Artist: mary, queen of scots
Artist role: sitter
Artist nationality: scottish
Artist dates: 1542 – 1587
Subjects: queens,portraits,women,mary queen of scots
Pitcher
Object type: ceramic
Date: 1810 – 1820
Materials: earthenware
Techniques: glazing
Location: staffordshire
Subjects: dogs, animals
Vernietiging der Aristocratie, decoratie op de Westermarkt, 1795
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: (2) the hydra of lerna is killed by hercules, festivities on events of national importance (+ festive decoration ~ festive activities), amsterdam, alliance with france (1795)
Inscriptions: collector's mark: Lugt 2228

De Vernietiging der Aristocratie, allegorische decoratie opgericht op de Westermarkt te Amsterdam bij het Alliantiefeest op 19 juni 1795. Hercules (het Nederlandse volk) verslaat de zevenkoppige hydra (aristocratie en familieregering). Onderdeel van een serie van tien platen.
Danseres met opgeheven been
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: etching
Location: france
Artist: louis legrand
Artist role: painter, print maker
Artist dates: 1863 – 1951
Subjects: female dancer
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Legrand, Louis. Cours de danse fin de siècle. Parijs: Edouard Dentu, 1892.
Medallion
Object type: medallion
Date: 1785 – 1785
Materials: biscuit, paste
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: men,profiles
Architectura
Object type: book illustration
Date: 1593 – 1595
Materials: paper
Techniques: etching
Location: straatsburg
Subjects: rustication ~ surface decorations (architecture), tuscan order ~ architecture, 'laub- und bandelwerk' ~ ornament
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent gebruikt in: Dietterlin, Wendel (I). Wendel Dietterlin, Architectura de Polstium seu Portalium ornatu uario Liber II. Straatsburg: Bernhard Jobin, 1594.
Broadside with 48 scenes depicting the life of Genevieve of Brabant
Object type: print
Date: 1860 – 1870
Techniques: engraving
Artist: antonio bosch
Artist role: publisher
Artist nationality: spanish
Artist dates: 1860 – 1880
Subjects: men,women
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic
Artist: apollodoros
Artist role: artist

Interior, right knee and greaved calf of warrior to right; part of an inscription, ...S KALOS
Flower vase
Object type: flower vase
Date: 1780 – 1790
Materials: earthenware
Techniques: glazing
Artist: ralph wood the elder
Artist role: maker
Artist nationality: british
Artist dates: 1715 – 1772
Subjects: deer,squirrels
Verschillende landschappen
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: etching
Location: the hague
Subjects: windmill in landscape (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, number: ‘5’

Heuvellandschap met een windmolen. Op de voorgrond een man met twee bepakte ezels.
De aankomst van de graaf van Leicester te 's-Gravenhage, 1586
Object type: history print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: robert dudley (1st earl of leicester), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', the hague

Aankomst van Robert Dudley, graaf van Leicester, te 's-Gravenhage op 6 januari 1586. Feestelijke ontvangst van de rijtuig met de graaf bij een triomfpoort.