deem-data/ArtiFact huggingface dataset:
Man die een zwaard opgraaft op een oud slagveld
Object type: album leaf
Date: 1854 – 1887
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: alexander ver huell
Artist role: draughtsman, print maker
Artist dates: 1822 – 1897
Subjects: excavation ~ archaeology (+ variant), hacking and thrusting weapons: sword, pit, hole
Inscriptions: annotation: ‘Het oude/ slagveld.’

Op een zandvlakte staat een man met in een kuil. Hij heeft een schopin zijn handen en kijkt naar een man met baard die naast de kuil staat. Hij bestudeert het zwaard dat de man heeft opgegraven. Achter hem liggen botten en menselijke schedels. Op de achtergrond zijn huizen te zien. Tekening op blad 27 van een album met 35 tekeningen.
Portret van paus Johannes VIII
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: rome, historical persons, pope
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, back of head, neck, left ear, right shoulder, bent right arm, and part of upper back of filleted youth; in field, a fillet; part of an inscription, [HO PA]IS KA[LOS?]; Exterior, lower body of crouching male to right, holding a fillet in his left hand; lower back, buttocks and bent, splayed legs of seated youth holding a fillet in his right hand
Portret van Christina Maria Lucie Langhout
Object type: cabinet photograph
Date: 1907 – 1922
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: laren
Artist: jac. van faassen
Artist role: fotograaf
Artist dates: 1876 – 1943
Subjects: historical persons
Inscriptions: annotation: ‘Lucie Treus Langhout-Temmink’
Mesembryanthemum spinosum
Object type: drawing
Date: 1668 – 1729
Materials: paper, watercolor
Techniques: brush
Artist: laurens vincentsz. van der vinne
Artist role: draughtsman, print maker
Artist dates: 1658 – 1729
Subjects: plants and herbs: mesembryanthemum
Cornices for Beds or Windows, in Chippendale Drawings, Vol. I
Object type: drawing ornament architecture
Date: 1754 – 1754
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate CXXXIX in the 1754 and 1755 editions, but not reprinted in the 1762 edition.
George Silas Haddock, Pitcher, Washington Nationals, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Powder Horn
Object type: powder horn
Materials: horn, wood
Culture: colonial american
Location: united states

This horn is one of the earliest dated American engraved powder horns in existence. It is engraved with the owner's name, Asa Hapgood, of Shrewsbury, Massachusetts.
Wandtapijt met de schermutselingen bij Den Haak, 1572-1573
Object type: photograph
Date: 1863 – 1863
Materials: photographic support
Techniques: albumen print
Location: middelburg
Artist: j. v.d. graft
Artist role: fotograaf
Subjects: battle (+ naval force), tapestry

Foto van de twee wandtapijten geweven door Hendrick de Maecht te Middelburg naar ontwerp van Hendrick Vroom te Haarlem en patroonschilder Huybrecht Leyniers te Dordrecht in de jaren 1600-1603. Het tapijt bevindt zich in de collectie van het Zeeuws Museum te Middelburg. Het onderwerp van deze tapijten betreft niet de verdrijving van de Spaanse vloot die het belegerde Middelburg wil ontzetten, 10 oktober 1575, zoals aangegeven in Muller.
Bombario, o dood! Te schendig in de nood
Object type: cartoon
Date: 1720 – 1720
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: financial panic, death as skeleton

In een paleis wordt de harlekijn Bombario door de Dood weggeleid, andere handelaren worden door duivels meegenomen. Rechts doet Mercurius zijn beklag voor de troon van Rechtvaardigheid. Onderaan Democritus en Heraclitus. Democritus lachende bij een wereldbol waarop de Mississippi-Compagnie. In het onderschrift een vers in twee kolommen. Prent in de gebonden eerste uitgave (304 B 11) van Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Kerkdienst
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: holy mass (divine service, especially of roman catholic church)
Inscriptions: collector's mark: Lugt 2233

Prent verschenen in: Verboeckhoven, Eugène. Album lithographié par Paul Lauters d'après les dessins des principaux peintres du Royaume des Pays-Bas. Brussel: Antoine Dewasme-Pletinckx, 1829.
Twee jongens met een zaag bij een boerderij
Object type: print
Date: 1807 – 1812
Materials: paper
Techniques: etching
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: farm or solitary house in landscape, tools, aids, implements ~ crafts and industries: saw, farm (building)
Inscriptions: date

Deze prent maakt deel uit van een album.
Die Ruine Sonnenberg bei Wiesbaden / Les ruines de Sonnenberg près Wiesbade
Object type: print
Date: 1811 – 1848
Materials: paper
Techniques: hand coloring, engraving
Location: darmstadt
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2228
Thronus Justitiae
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving
Location: leiden
Subjects: granting mercy; free pardon, juridical examples; exemplary judges; 'gerechtigkeitsbilder'
Inscriptions: collector's mark: Lugt 240

Een koning zit op zijn troon en spreekt recht. Hij wijst met zijn staf naar de aangeklaagde ten teken dat hij de man vergeving verleent. Op de achtergrond een galgenveld en een gebouw in aanbouw. Onder de voorstelling twee vierregelige verzen in het Latijn over de onschendbaarheid van het recht. Een koning moet zich ook aan de wet houden, maar de koning heeft de autoriteit om te vergeven.
Square
Object type: square
Date: 1801 – 1900
Materials: cotton, metal thread, silk
Techniques: embroidery, weave
Location: turkey
Subjects: flowers
Famous Products of the Kinryuzan Temple at Asakusa (Asakausa Kinryuzan meibutsu), section of a sheet from the series "Cutouts of Famous Places in Edo (Harimaze Koto meisho)"
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Pair of vases
Object type: vase
Materials: gilt bronze, hard paste porcelain

The blue-green celadon vases have the Chinese character shou meaning “long life” in low relief on their body. Originally even taller, these vases have been cut down and were mounted in Paris with scrolled and pierced handles, lip, and base. These mounts have been compared to work by Jean-Claude Duplessis père (ca. 1695-1774) a talented goldsmith, gilt-bronze worker, and porcelain designer. Duplessis’s name occurs regularly in the Livre-Journal or account book of the dealer Lazare Duvaux’s for the ten-year period of 1748-1758. In September of 1750, for instance, he sold the Marquis de Voyer d’Argenson a pair of large celadon porcelain vases mounted by Duplessis in gilt bronze for 3000 livres. This exceptionally high price indicates that the vases must have been of great importance, just like the Museum’s pair.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Artist: painter z
Artist role: artist

Exterior, draped youth, wax tablets in field
Portret van een onbekende man met een baard
Object type: cabinet photograph
Date: 1803 – 1881
Materials: cardboard, photographic support
Techniques: albumen print
Location: arnhem
Artist: richard kameke
Artist role: fotograaf
Artist dates: 1847 – 1898
Subjects: adult man, beard
Inscriptions: name: ‘Kameke Peintre et artite photographe Arnheim près de la poste.’
Portret van Anna Ivanovna, tsarina van Rusland
Object type: print
Date: 1730 – 1740
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons - bb - woman, emperor - bb - female ruler

Oorspronkelijk rechtsboven genummerd, hier weggesneden.
Gezicht op het Kasteel Nijenrode bij Breukelen
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: bridge, country-house
Inscriptions: stamp, collector's mark: Lugt 1641

Rechtsonder genummerd: 25. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in Engeren zin, De woning, Kastelen en buitenplaatsen.
Figuren voor straf aan een paal gespietst in Egypte
Object type: print
Date: 1681 – 1681
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: instruments of torture, execution or punishment
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in deel I van: Thevenot, Jean de. Gedenkwaardige en zeer naauwkeurige reizen van den heere de Thevenot. Amsterdam: Jan Bouman, 1681-1682.
Glass beaker
Object type: beaker
Date: 301 – 400
Materials: glass
Culture: roman

Translucent deep cobalt blue. Outsplayed and thickened rim, with beveled upper edge; tall cylindrical body with slight S-shaped profile; pushed-in bottom with off-center kick. Broken and repaired with several holes in side; bubbles, a few inclusions, and blowing striations; dulling, some pitting, and faint weathering.
Portret van een onbekende bebaarde man
Object type: print
Date: 1882 – 1882
Materials: paper
Techniques: etching, intaglio
Artist: léon brunin
Artist role: print maker
Artist dates: 1861 – 1949
Subjects: anonymous historical person portrayed alone
Inscriptions: collector's mark: Lugt 2228, annotation: ‘3e Etat’
The Actor Ichikawa Danjuro V as Watanabe Kiou Takiguchi in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770
Object type: print
Date: 1770 – 1770
Techniques: woodblock print
Location: japan
Artist: attributed to katsukawa shunsho 勝川 春章
Artist nationality: japanese
Artist dates: 1726 – 1792
Hek van de Tweede Muiderpoort te Amsterdam
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: gate, entrance, series of designs, models, etc. of one architectural project, city-gate
Inscriptions: check stamp: ‘Archief Ministerie van Oorlog Afdeeling Genie’

Het ijzeren hek van de Tweede Muiderpoort te Amsterdam, voor bij de toegangsbrug. Boven de titel in het Nederlands en Frans. Onder een schaalstok: Schaal van 10. Amsterdamse Voeten / Echelle de 10. Pieds d'Amsterdam. Rechtsboven genummerd: VI. Onderdeel van een serie van zes prenten van de Tweede Muiderpoort, gemaakt naar de ontwerptekeningen van stadsbouwmeester Cornelis Rauws. Deze stadspoort werd in 1770 gebouwd nadat de Eerste Muiderpoort in 1769 verzakte.
Knife with Sheath
Object type: knife with sheath
Date: 1501 – 1900
Materials: metal
Culture: javanese
Location: indonesia
Interior with Four Armchairs, a Round Mirror, Demilune Table and Framed Prints or Drawings
Object type: drawing
Date: 1767 – 1800
Materials: ink
Techniques: pen
Artist: anonymous, british, late 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1750 – 1800
Subjects: interiors,chairs,tables,mirrors
Musicienne
Object type: print
Date: 1773 – 1773
Materials: ink
Techniques: printmaking, etching, printing
Artist: gilles demarteau
Artist role: artist
Artist nationality: french
Artist dates: 1722 – 1776
Subjects: musical instruments,women,musicians
Ingestorte spoorbrug in de Anaikloof
Object type: photograph
Date: 1892 – 1892
Materials: paper
Techniques: albumen print
Artist: christiaan benjamin nieuwenhuis
Artist role: publisher
Artist dates: 1863 – 1922
Subjects: funicular railway, landscape with bridge, viaduct or aqueduct
Inscriptions: inscription: ‘Verwoesting in de Anei Kloof 5 Dec '92’
Rumeshalle Barmen
Object type: ansichtkaart, prentbriefkaart
Date: 1881 – 1910
Materials: cardboard
Techniques: autotype
Location: barmen
Subjects: favourable reputation; artistic fame, edifice, e.g.: public building, department store
Portret van een staande vrouw in een tuin
Object type: album leaf
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: adult woman, historical persons, france

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
Wondertooneel der Nature
Object type: book
Materials: parchment
Artist: levinus vincent
Artist role: author
Artist nationality: dutch

Early modern Europe saw a rise in the creation by wealthy individuals of collections of items from nature (naturalia) and manmade objects (artificialia). This book’s detailed depiction and inventory of one of seventeenth-century Holland’s most significant collections is an important resource for understanding the form, content, and purpose of such collections around the turn of the eighteenth century. Textile merchant, Levinus Vincent and his wife Joanna van Breda amassed a significant collection of naturalia and art in the late seventeenth century. Vincent received the collection in 1698 from Joanna’s brother, and over several years expanded it. The collection was publicly accessible in Amsterdam from 1698 to 1706, before being moved outside the city[1]. Vincent coordinated the publication of two books, bound together in the Met’s copy, to document and further increase the visibility of his collection. The first foldout, which opens the second volume depicts a grand hall that is likely imagined. The objects shown within the space are likely real, giving us a sense of the breadth of Vincent’s collection. As in many early modern collections, naturalia — fossils, corals, shells, insects, birds, minerals — reside next to manmade artefacts — printed books, albums of drawings, and what appears to be featherworks, baskets, and other creations from the Americas. Many of the items were exotic, brought to the Netherlands through systems of global trade and colonialism that expanded over the seventeenth century. Vincent took pride not only in the contents of his collection but also in their ordering and artful arrangement. The text of the volume details the dimensions and arrangement of the boxes and the cabinets that housed the collection and the sumptuously etched foldouts, with which the volume concludes, depict these containers and the placement of naturalia within them. Shells, insects, and other objects were often laid in drawers in elaborately orchestrated patterns. On plate 6 we see the most elaborate of these arrangements: butterflies arranged in intricate patterns and sewn into their boxes by Joanna van Breda. Olivia Dill 8/20/24 [1] Jorink, Eric. Reading the Book of Nature in the Dutch Golden Age, 1575-1715. Brill’s Studies in Intellectual History; v. 191. Leiden; Boston: Brill, 2010, 337–341.
Ex libris van Rie Tiggers
Object type: bookplate
Date: 1946 – 1946
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: rie tiggers, flowers: sunflower, garland, wreath
Inscriptions: inscription: ‘R. Tiggers cl. '46’
Zittende vrouw in natuur slaat de ogen op naar boven
Object type: print
Date: 1830 – 1881
Materials: paper
Techniques: lithograph
Artist: adolphe mouilleron
Artist role: draughtsman, print maker
Artist dates: 1820 – 1881
Subjects: adult woman (+ sitting)
Inscriptions: collector's mark: Lugt 964
Beeld van de Capitolijnse Venus in de Capitolijnse Musea te Rome
Object type: photograph
Date: 1872 – 1882
Materials: photographic support
Techniques: albumen print
Location: capitolijnse musea
Artist: Anonymous
Subjects: (story of) venus (aphrodite), sculpture
Portret van Bernardus Somer
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: flushing
Inscriptions: collector's mark: Lugt 2228

Bernardus Somer, predikant te Amsterdam en in andere steden.
Landschap
Object type: postcard
Date: 1844 – 1909
Materials: paper, watercolor
Techniques: aquarelle, brush
Artist: sientje mesdag-van houten
Artist role: draughtsman, painter
Artist dates: 1834 – 1909
Chair seat cover
Object type: cover
Date: 1701 – 1800
Materials: silk, wool
Subjects: men,lions,serpents,flowers,leaves
Ontwerp voor een stralenmonstrans met het monogram IHS
Object type: design drawing
Date: 1760 – 1770
Materials: ink, paper
Techniques: brush, pen
Location: rome
Artist: luigi valadier
Artist role: draughtsman
Artist dates: 1726 – 1785
Subjects: ostensorium, monstrance
E.Quetelet
Object type: print
Date: 1831 – 1900
Materials: paper
Techniques: etching
Artist: jean-baptiste meunier
Artist role: print maker
Artist dates: 1821 – 1900
Subjects: moustache, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Victor Hugo
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,portraits,poets

The literary and political lives of Victor Hugo, one of themost frequently portrayed figures of his day, were favorite subjects for caricaturists until his death in 1885. Besides being a well-known author, Hugo was also a politician. He began as a conservative, but his increasingly liberal republican views eventually forced him into a period of exile. This print, from a series of 109 images of legislators by Daumier called "Les Représentans Représentés" (The Representatives Represented), was made just after Hugo was elected to the Legislative Assembly. Already famous for his writing at that point, he stands on a large stack of books. The inscription translates as "He has just been posed a grave question, he gives himself over to somber reflections -Somber reflection can only illuminate the grave question! - And so isn't he the most somber of all great grave men!" Created in a period of strict censorship laws, imposed in 1835, the portraits and accompanying inscriptions in "Les Représentans Représentés" are much more genial than those in the artist's earlier renderings of political figures. Les Célébrités de "La Caricature". Daumier drew the later series in a style of caricature that was becoming popular around this time, in which the subject's large head sits on a small body.
Octagonale Landschappen
Object type: print
Date: 1582 – 1626
Materials: paper
Techniques: etching
Location: rome
Artist: paul bril
Artist role: draughtsman, print maker
Artist dates: 1554 – 1626
Subjects: (high) hill
Inscriptions: collector's mark: Lugt 2228a
Alabastron (Container for Scented Oil)
Object type: vessel
Date: 500 – 480
Materials: terracotta
Location: athens
Artist: the diosphos painter
Artist nationality: ancient greek
Subjects: mythology, beauty, rituals

Vessels of this shape were made over the course of hundreds of years and from a variety of materials. The shape may have originated in Egypt and taken its name from the word alabaster, but it was readily replicated in other materials, including terracotta and glass. The broad rim functioned as an applicator for spreading its contents, usually precious oils or perfumes.
Project of Altar Decoration (Stage Setting ?)
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: pen, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: altars
Design for T-Cart, no. 3379
Object type: drawing
Date: 1877 – 1877
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
(Untitled)
Object type: print
Date: 1797 – 1858
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: swords,skeletons,skulls,men
Bonk van 1 stuiver van Nederlands Indië,1818
Object type: coin
Date: 1818 – 1818
Materials: copper
Techniques: striking
Location: surabaya
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Koperen rechthoekige munt. Voorzijde: binnen een rechthoekige lijst waarde-aanduiding 1 St. Keerzijde: binnen een rechthoekige lijst jaartal.
Brief aan Jan Veth
Object type: letter
Date: 1889 – 1889
Materials: ink
Techniques: pen, writing
Location: amsterdam
Subjects: dordrecht, amsterdam, designer, jan veth, the graphic arts
Inscriptions: collector's mark: ‘RPK’
Roma
Object type: photograph
Date: 1857 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Subjects: ornamental fountain, public gardens, park
Inscriptions: number: ‘Po. Io. No. 6716.’
Stoel met zwanen
Object type: furniture
Date: 1830 – 1830
Materials: wood, textile
Location: netherlands
Artist: Anonymous

Stoel uit een set van tien stoelen en vier armstoelen van deels massief en deels belijmd mahoniehout op iepenhouten kern. Losse beklede zittingen. De vierkante achterpoten wijken achterwaarts. Negen stoelen en een armstoel hebben vierkante, aan de voorzijde iets afgeronde, voorpoten; de rest heeft ronde gelede voorpoten. De gestrekt S-vormige ruggen hebben een gebeeldhouwde tussenregel met een palmet geflankeerd door twee toegewende, met de halzen terugbuigende zwanen. De platte voluutvormige armleggers lopen hoog in de rug over.