deem-data/ArtiFact huggingface dataset:
Vessels Departing from California, America
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa (gountei) sadahide
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1873
Subjects: men,women,waves,ships
Beaker
Object type: cup
Date: 1660 – 1660
Materials: glass
Techniques: diamond point engraving, façon de venise, glassblowing
Location: northern netherlands
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, fishes

The engraving on this beaker represents ships at sea, with an inscription that translates as: ‘To the Prosperity of the Country’.
Vase with Cranes, Clouds, and Waves
Object type: vase
Date: 1767 – 1800
Materials: amber, glaze, porcelain
Techniques: incising
Culture: chinese
Gezichten op de binnen- en buitenkant van de Votiefkerk te Wenen
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: letterpress printing, engraving
Subjects: church (exterior), interior of church

Gezichten op de binnen- en buitenkant van de Votiefkerk te Wenen. Met Duitse tekst in boekdruk op verso.
Glass mosaic bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent honey brown, blue, opaque white, yellow, and brick red. Vertical, squared rim; slightly convex curving side. Composite mosaic pattern formed from polygonal sections and short lengths of two canes: one cane consists of a brown ground with white rods around a central blue rod outlined in white; the other in red with stripes in blue; a blue network cane wound spirally with a single white thread is attached as a rim. Polished exterior; pitting of surface bubbles on exterior; dulling and creamy weathering on interior, rim, and jagged edges.
Glass plaque with sphinx
Object type: plaque of sphinx
Date: 1 – 100
Materials: glass
Culture: roman
Subjects: sphinx

Translucent cobalt blue, backed with opaque light blue. Rectangular flat plaque, with major axis horizontal; beveled edges, grozed at back; flat underside. Decoration in relief: seated winged sphinx in profile facing right, wearing diadem on head, with long wing extending over back and curling up at tip and long curling tail. On back, undecorated layer of light blue. Broken and repaired, complete except for chip in undreside; dulling, iridescence, and thin whitish weathering. Made in the same mold as 81.10.156 and 17.194.563. These three relief plaques, decorated with the figure of a crouching sphinx, were all made in the same mold. They probably formed part of the inlay decoration to a piece of furniture.
William J. Goudy House, Chicago, Illinois, Perspective
Object type: architectural drawing
Date: 1889 – 1890
Materials: graphite, paper
Techniques: wash
Location: united states
Artist: burnham & root
Artist nationality: american
Artist dates: 1873 – 1891
Subjects: chicago
The Third Princess and a Cat, from the "New Herbs I" (Wakana I)
 chapter The Tale of Genji (Genji monogatari}
Object type: hanging scroll
Date: 1701 – 1800
Materials: ink, paper
Culture: japanese
Artist: matsuno chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1700 – 1733
Subjects: princesses,women,cats
Taferelen uit de vlucht naar Egypte
Object type: print
Date: 1626 – 1671
Materials: paper
Techniques: etching
Subjects: rest on the flight into egypt
Inscriptions: inscription: ‘de vlugt van egipten door bourdon / no 45’, number: ‘1625’, collector's mark: Lugt 240

Maakt deel uit van een serie van zes prenten met taferelen uit de vlucht naar Egypte.
Order of the White Falcon, Saxe Weimar, from the World's Decorations series (N30) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: medals

Trade cards from the "World's Decorations" series (N30), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Alabastron (Container for Scented Oil)
Object type: vessel
Date: 534 – 401
Materials: glass
Techniques: forming
Culture: eastern mediterranean
Location: rhodes
Dish
Object type: dish
Date: 1774 – 1809
Materials: pewter
Culture: american
Location: united states
Artist: gershom jones
Artist role: maker
Artist nationality: american
Artist dates: 1751 – 1809
The Bank
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827

The interior of Sir Robert Taylor's rotunda in the Bank of England when it was used as a stock exchange. At right, a man wearing a cocked hat stands above a crowd of excited bidders. On the wall above his head is the notice: "No Clerk to act as broker."
Raised relief fragment with hieroglyphs
Object type: relief, tomb of nespekashuty
Date: 664 – 610
Materials: limestone
Location: egypt
Letters from an Inscription
Object type: mosaic
Date: 1901 – 1933
Materials: plaster
Techniques: casting, painting
Culture: byzantine
Saucer with flower sprays behind a rock and fence
Object type: kop en schotel, kop en schotel
Date: 1750 – 1774
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Schotel van porselein, beschilderd in onderglazuur blauw en op het glazuur rood en goud. Op het plat van de schotel grote, bloeiende planten (pioen, chrysant, aster) achter een rots en een hekje; de rand met servetwerk afgewisseld met een bloemtak in een cartouche. Chinees Imari.
Mei
Object type: print
Date: 1901 – 1901
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: petrus van geldorp
Artist role: draughtsman, print maker
Artist dates: 1872 – 1939
Subjects: landscape symbolizing may, mother and baby or young child
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdamsche Courant, 17 mei 1901.
Fontana e prospetto di Roma antica con l'isola Tiberina dal lato sinistro (...)
Object type: album leaf
Date: 1653 – 1691
Materials: paper
Techniques: etching
Location: rome
Subjects: ornamental fountain, tivoli

Fontein van het Kleine Rome (Fontana della Rometta) met een bootvormige fontein met obelisk die het Tibereiland representeert. Aan de overkant van het water een fontein met een personificatie van Rome met links de antieke sculptuur van een paard en leeuw in gevecht en rechts Romulus en Remus met de wolvin. Daarachter verscheidene Romeinse gebouwen. Genummerd rechtsonder: 15. De prent maakt deel uit van een album.
Raam gedecoreerd met geometrische patronen uit Tunesië tentoongesteld op de Great Exhibition of the Works of Industry of All Nations van 1851 in Londen
Object type: page
Date: 1851 – 1851
Materials: photographic support
Techniques: salted paper print
Location: london
Artist: hugh owen
Artist role: fotograaf
Artist dates: 1808 – 1897
Subjects: window, london
Reizigers met ezels en hoefsmid bij een smederij
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: farrier, shoeing-smith, ass, donkey, 'en route', traveller under way
Inscriptions: collector's mark: Lugt 240
Table Spoon
Object type: spoon
Date: 1800 – 1830
Materials: silver
Culture: american
Location: united states
Artist: william g. forbes
Artist role: maker
Artist nationality: american
Artist dates: 1751 – 1840
Ontwerp voor het interieur van een deksalon met open balustrade
Object type: drawing
Date: 1874 – 1945
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: interior of the house, parts of ship's interior
Terracotta fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 530 – 520
Materials: terracotta
Culture: greek, attic

Exterior, left calf and foot of a male to right; left buttock and bent right leg of a male to left, kneeling on the ground; lower drapery and feet of a male to left
Piccolo Banjo
Object type: piccolo banjo
Date: 1870 – 1880
Materials: metal, parchment, wood
Culture: american
Location: united states
Panel
Object type: panel
Date: 201 – 400
Materials: wool
Location: egypt
Subjects: animals
Jar and Lid Decorated with a Frog
Object type: jar and lid, frog
Date: 1390 – 1352
Materials: limestone, paint
Location: egypt
Subjects: frogs
Titelprent uit J. Fokke's Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd
Object type: titelprent, frontispice
Date: 1780 – 1783
Materials: paper
Techniques: etching
Location: netherlands
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: reading to somebody, netherlands

Titelprent uit J. Fokke's Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd. Proefdruk voor de letter. In een huiskamer vertelt een oudere man aan een jongen over de geschiedenis van Nederland.
Twee Europese mannen en een Algerijnse man in de woestijn van Béni Ounif
Object type: album leaf
Date: 1927 – 1927
Materials: paper, photographic support
Techniques: gelatin silver print
Location: algeria
Artist: a.g.a. van eelde
Artist role: engineer
Artist dates: 1862 – 1950
Subjects: adult man, historical persons, desert
Inscriptions: number: ‘21.’
250 Jaar na den vrede van Munster
Object type: cartoon
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: friendliness, gentleness, affability; 'affabilità, piacevolezza, amabilità', 'animo piacevole, trattabile & amorevole', 'benignità' (ripa), embracing each other, kissing, friendship; 'amicitia' (ripa), peace, political caricatures and satires

De vrede wordt gesloten tussen de Staatsspoorwegen en de Hollandsche IJzeren Spoorweg-Maatschappij. Ook alle binnenlandse politieke tegenstanders omhelzen elkaar en sluiten vrede.
Portret van Inigo Jones
Object type: print
Date: 1627 – 1636
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: london, physicist, paper (writing material)
Inscriptions: collector's mark: Lugt 240

Portet van de Engelse architect Inigo Jones. In zijn hand een vel papier.
Susan Walker Morse (The Muse)
Object type: painting
Date: 1836 – 1837
Materials: canvas, oil
Culture: american
Artist: samuel f. b. morse
Artist role: artist
Artist nationality: american
Artist dates: 1791 – 1872
Subjects: drawing,contemplation,portraits,women

This full-length portrait of Susan Walker Morse (1819–1885), the eldest daughter of the artist, was painted in the years when he was developing the electric telegraph. Depicted around the age of seventeen, she sits in an imagined grand setting with a sketchbook in her lap and pencil in hand, her eyes raised in contemplation. Her Muse-like air prompted the canvas’s informal title. Here, Morse revealed the full extent of his European training, inspired by the art of Peter Paul Rubens and Paolo Veronese, in a lofty image that would become a farewell to his career as a portraitist. Impeded by a lack of commercial success, he ultimately abandoned art for science.
Oprichting van de VOC, 1602
Object type: history print
Date: 1865 – 1870
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: the hague, johan van oldenbarnevelt

De oprichting van de Verenigde Oostindische Compagnie, januari 1602, in bijzijn van Johan van Oldenbarnevelt. Onderdeel van de groep staalgravures naar de schilderijen van de Historische Galerij der Maatschappij Arti et Amicitiae.
Portret van een staande jongeman in uniform
Object type: photograph
Date: 1867 – 1868
Materials: cardboard, photographic support
Techniques: albumen print
Artist: josé maria blanco aguilar
Artist role: fotograaf
Artist dates: 1823 – 
Subjects: historical persons, youth, adolescent, (military) uniforms
Inscriptions: inscription: ‘Jose Ma Blanco/ Fotografo/ Calle estuario 20, Cádiz’, inscription: ‘A.L. B.te S.C.D.G.’
Gezicht in bos/park, Engeland [?]
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Teapot
Object type: teapot
Date: 1723 – 1724
Materials: silver, wood
Artist: david king
Artist role: maker
Artist dates: 1688 – 1738
Subjects: coat of arms
Voorzijde van de geboortekaart van Anton Eduard, geboren 6 maart 1940 op het Gouv. Hars-en Terpentijnbedrijf te Takengon, als zoon van J.E. Dinger en E. Dinger-Krol
Object type: photograph
Materials: paper
Techniques: autotype
Location: sumatra
Artist: Anonymous
Subjects: further education (+ pupil), further education, rural housing, e.g. country-house, villa, cottage, confinement, birth

Onderdeel van Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel II (1930-1949).
Ace of Diamonds, from the Transparent Playing Cards series (N220) issued by Kinney Bros.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: playing cards

Playing cards issued as trade cards from the series "Transparent Playing Cards" (N233), issued in 1888 to promote Kinney Bros. Cigarettes for Kinney Tobacco Company. Some card versos state that there are 52 cards included in the deck whereas other versos confirm the number at 53. Each card verso reads, "Hold to the light/ Read your fortune."
Design for a Piano
Object type: drawing
Date: 1801 – 1900
Materials: graphite, watercolor
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: pianos
Sculptuur van de heilige Elisabeth van Thüringen
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: the wife and widow of the landgrave of thuringia, and franciscan tertiary, elisabeth of hungary; possible attributes: beggar, cripple, fish, loaves, leper, model of church, pitcher, roses in lap, scald-head, three crowns, sculpture
Landscape with view of the Monastery of Zevenburren near Louvain (one of three)
Object type: panel
Date: 1601 – 1633
Materials: glass
Artist: collaert
Artist role: artist
Artist nationality: flemish
Artist dates: 1566 – 1626
Subjects: landscapes,trees
Gezicht op Ouderkerk aan de Amstel
Object type: print
Date: 1762 – 1822
Materials: paper
Techniques: etching
Artist: hermanus petrus schouten
Artist role: draughtsman, painter, print maker
Artist dates: 1747 – 1822
Subjects: ouderkerk aan de amstel
Inscriptions: collector's mark: Lugt 2228

Landelijk tafereel bij een sloot met knotwilgen met zicht op de kerk in Ouderkerk aan de Amstel. Rechtsboven genummerd "5".
Bottle
Object type: bottle
Date: 1001 – 1200
Materials: glaze, ivory, porcelain
Culture: chinese

Named after a prefecture in Hebei Province in north China, Ding wares were made from the eighth to the thirteenth or fourteenth century, and were popular at the Northern Song (960–1127) court. The shape of this base, which most likely derives from a silver piece, is extraordinarily difficult to make because the neck is so long and slender.
Zeven landschappen
Object type: print
Date: 1550 – 1580
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: Anonymous
Subjects: river, village
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 2760

Landschap met een brede rivier in heuvelachtig landschap. Boten in het water. Op de voorgrond een dorp met kerk en rechts een toren. Twee lopende vrouwen op het pad op de voorgrond.
De Vaderlandsche Geschiedenis. van de vroegste tijden tot op het einde der 17e eeuw, in acht taferelen, in costuum voorgesteld door H.H. Dtudenten der Utrechtsche Hoogeschool, den 25 Juny 1851
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: hand coloring
Location: utrecht
Subjects: students' pageant, chamber of rhetoric (dutch: 'rederijkerskamer'), haarlem
Inscriptions: workshop stamp: ‘Dannenfelser & Doorman Uitgevers Utrecht’, collector's mark: Lugt 2228

Episode uit de tijd van de rederijkers, ca. 1500. Optocht van de leden van de Haarlemse rederijkerskamer De Wijngaertrancken (de Wijngaardranken) in Haarlem. Onderdeel van de serie van acht prenten van de maskerade van de studenten van de Utrechtse Hogeschool voorstellende episodes uit de vaderlandse geschiedenis, 25 juni 1851.
Ex libris van P.F.Th. van Veen
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: netherlands
Subjects: panpipes, book, foliage, tendrils, branches ~ ornament
Portret van Dr. James Simon
Object type: photomechanical print
Date: 1895 – 1910
Materials: cardboard, paper
Techniques: photoaquatint
Location: berlin
Subjects: berlin, adult man, historical persons
Inscriptions: inscription: ‘PHOT. DÜRKOPP’, signature: ‘H. James Simon’
Ophaalbrug
Object type: sketchbook leaf
Date: 1900 – 1931
Materials: chalk
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: drawbridge ~ fortified city

Blad 42 recto uit een schetsboek met 55 bladen.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 520 – 480
Materials: terracotta
Culture: greek, attic

Six miscellaneous fragments from DvB 11.13
Tankard (one of a pair)
Object type: tankard
Date: 1699 – 1700
Materials: silver gilt
Artist: john le chartier
Artist role: maker
Artist dates: 1698 – 1731
Subjects: coat of arms

The arms, supporters, coronet, and motto are those of John Holles, Duke of Newcastle.
Window Opening Toward the Sea
Object type: print
Date: 1725 – 1770
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: windows,girls,women,dolls
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: animals,men
The Charger
Object type: print
Date: 1894 – 1894
Techniques: lithograph
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Subjects: horses
Blinde met begeleider en bedelaar
Object type: print
Date: 1768 – 1796
Materials: paper
Techniques: etching
Location: leiden
Artist: pieter de mare
Artist role: print maker
Artist dates: 1758 – 1796
Subjects: blind, blindness, beggar
Inscriptions: collector's mark: Lugt 240

Twee voorstellingen; boven een een blinde met een begeleider en onder een bedelaar in lompen.
Portret van een onbekende jongeman met jabot
Object type: print
Date: 1860 – 1913
Materials: paper
Techniques: etching
Artist: adrien de witte
Artist role: print maker
Artist dates: 1850 – 1935
Subjects: neck-gear: jabot, historical persons, youth, adolescent
Inscriptions: collector's mark: Lugt 2228
Head of a Girl
Object type: drawing
Date: 1837 – 1911
Materials: graphite, paper
Location: france
Artist: alphonse legros
Artist role: artist
Artist nationality: french and british
Artist dates: 1837 – 1911
Subjects: faces,heads,girls,portraits
Design for a Sofa Seat Cover (?) with an Ornamental Frame Containing a Vase with a Large Bundle of Flowers and Leaves and Decorated with Acanthus Leaves and Two Fleurs de Lys
Object type: drawing ornament architecture
Date: 1870 – 1900
Materials: watercolor
Artist: anonymous, french, 19th century
Artist role: designer
Artist nationality: french
Artist dates: 1800 – 1900

Rectangular sheet of paper with a design for a sofa seat cover (?) from the second half of the nineteenth century, inspired on the style of Louis XVI, forming part of the Neo-Classical Revival that took place in France and Britain from the 1850s on. The style was part of the Classical and Renaissance Revival that took place from about 1850, where the interest on the art and architecture from Ancient Rome and the 15th and 16th centuries was propelled by archaeological discoveries in Greece, Italy and Egypt. Through this style, Classical and Renaissance pieces of art and design were reinterpreted in a variety of forms and motifs, and classical figures, scrolling decorations, strapwork, and grotesques and moresques, became central element in design. This Revival was characterized by the use of design motifs that alluded to Classical Antiquity, including vases and trophies with pastoral attributes, classical figures and cameos, a mixture of real and fantastic figures, and swags and festoons. These swags and festoons comprised garlands of fabric and ribbon, as well as thin bundles and garlands of flowers and husks colored with pastels. The scale of this design is clearly not true to life and it is not unlikely that this drawing was made for a sample book of an upholsterer, to be shown to the customer as one of many different styles to choose from. The design is made up of an ornamental frame rendered with shades of cream and ocre to simulate a gold finish, decorated with leaves of anthemium of pastel shades of pink and carmine, bordered by aquamarine and grey. The bottom side of the frame is decorated by a thin interlacing garland of flowers, and has a golden vase with a shell-like motif in the center, which holds a large bundle of flowers and branches with leaves that occupies most of the inside of the frame. Above the bundle, the frame scrolls interlace to form a stylized fleur-de-lys motif with three hanging branches with leaves and holding a thin garland of blue and purple flowers and leaves of shades of green that interlaces around the upper part of the frame. The two upper corners of the frame are squared, each containing a small interlacing motif flanked by a fleur-de-lys. The bottom corners of the frame scroll to form stylized wheat ears of golden color and hhold garlands of flowers and leaves that float down from the central bundle. The flowers in the bundle and the lower garland are colored with pastel shades of pink, purple, orange, yellow and carmine; the leaves are colored with various shades of green. The design seems to have been paired with a strikingly similar style for a sofa backrest, also labeled "Pon. 97" with accession number 49.50.186.
Dubbele verklaring van de echtheid van twee ringen
Object type: verklaring
Date: 1835 – 1835
Materials: ink, paper, red lacquer
Techniques: printing, pen
Location: netherlands
Subjects: amsterdam, antwerp, jan van speyk, netherlands
Inscriptions: signature: ‘L. I. van Toulon van der Koog’, signature: ‘Jhr. de Boer’, date: ‘den 1. Januarij 1835’, inscription: ‘... b. vervaardigde ring van yzer van / de boot van Van Speyk 5 febr. 1831 / op de Schelde van Antwerpen...’

On 5 October 1833 the amount raised by the lottery was announced. After costs the lottery made ? 6484,98. A total of 5723 tickets had been sold and 911 prizes awarded.
Gezicht op een kaap bij Rukua op Beqa
Object type: photomechanical print
Date: 1885 – 1899
Materials: paper
Techniques: photograph
Location: new york city
Subjects: coastal cliff or crag
Inscriptions: number: ‘Plate 47.’, name: ‘Artotype, E. Bierstadt N. Y.’, name: ‘Woodworth, Photo.’
Cylinder seal
Object type: cylinder seal
Date: 1820 – 1730
Materials: mineral
Location: syria
Subjects: lions
Ring with Raised Quatrefoil Design
Object type: ring
Materials: gold
Culture: indonesian, javanese
Entry to Rousseau's Studio and the Millet Home
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: louis auguste lepère
Artist role: print maker
Artist nationality: french
Artist dates: 1849 – 1918
Cooking pot
Object type: pot
Date: 201 – 700
Materials: ceramic
Culture: sasanian
Location: iran
Guitar
Object type: guitar
Date: 1688 – 1688
Materials: ivory, wood
Culture: tyrolean
Location: austria
Artist: "father john" of aspam
Artist role: maker
Artist nationality: tyrolean
Installatie
Object type: photograph
Date: 1931 – 1937
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: tegal
Artist: Anonymous
Subjects: factory-interior, machine shop, machines; parts of machines; tools and appliances, java

Albumblad met een foto van een installatie ingericht door Braat Tegal. Onderdeel van een fotoalbum met foto's van machines en constructies van de N.V. Machinefabriek Braat te Soerabaja, Soekaboemi en Tegal uit de periode 1931-1937.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of head of youth to left