deem-data/ArtiFact huggingface dataset:
Glass jug
Object type: jug
Date: 1 – 200
Materials: glass
Culture: roman

Translucent pale blue green, with same color handle. Collared rim, folded out, down, and up, with lip on outer edge of flaring mouth; cylindrical neck with tooled indent around base; straight sides to conical body; flat bottom; handle applied as a long trail down side and lower part of neck, then drawn out in a loop and trailed on to rim and top of neck. Trail on body below handle decorated with ten horizontal crimped notches. Complete except for part of rim with weathered breaks; many pinprick and larger bubbles; deep pitting, brilliant iridescence, and patches of silvery weathering.
Gezichten op het Sint-Geertruidenklooster te Amsterdam
Object type: print
Materials: chalk, paint, paper
Techniques: brush, engraving, etching
Artist: Anonymous
Subjects: abbey, monastery, convent ~ roman catholic church
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 195

Latere staat van prent ook gebruikt in: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (…). 3 delen [folio-uitgave]. Amsterdam: Isaak Tirion en Yntema & Tieboel, 1760-1767, dl. 1 (Isaac Tirion, 1760).

Zie RP-P-AO-24X-38 voor tweede staat.

Dat de prent de situatie rond 1544 weergeeft gaat terug op het feit dat voor het maken van deze en andere prenten van kloosters en kerken van voor de Alteratie (1578) is uitgegaan van de plattegrond van Cornelis Anthonisz. uit 1544 (zie RP-P-OB-70.399 en RP-P-AO-20-15).
Covered Box with Scholars in a Garden Encricled by Birds, Fruits, and Flowers
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, painting, underglaze
Location: china
Mummy with a Painted Mask Depicting a Woman Holding a Goblet
Object type: mummy, woman, mask of plaster and paint, human remains
Materials: linen, paint, plaster
Location: egypt
Subjects: women,mummies

This mummified body still includes the original linen wrappings and belongs to a woman whose name is unknown. The wrapping and cover of her mummy are representative of customs prevalent at the time of the last burials according to the Egyptian tradition. The woman's wreathed head rests upon a gold pillow. Her white tunic has broad black clavi (stripes), and she wears a mantle with greenish black orbiculi (circular ornaments), ornaments popular from the late third century. Numerous burials from the Roman Period were found in the forecourts of the temple of King Mentuhotep II (ca. 2061-2010BCE). The king's temple was no longer in use but the nearby temple of Hatshepsut served as a sanctuary to the Greek god Asklepios and the Egyptian deified sages Imhotep and Amenhotep, son of Hapu. Pilgrims would sleep there to seek magical healing of ailments, and a burial nearby would be considered beneficial to the deceased.
Robe à la française
Object type: robe à la française
Date: 1760 – 1760
Materials: cotton, linen, silk
Culture: british
Mock Turtle; Puff Paste
Object type: print
Date: 1812 – 1812
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women

Two designs on one plate: at top, a couple touches tongues over a bowl, with two doves on a branch above. Below, a woman rolls dough while a man puts his arm around her and touches her chin.
The Altar of Baal
Object type: drawing
Date: 1885 – 1885
Materials: gouache, watercolor
Artist: harry fenn
Artist role: artist
Artist nationality: american, born england
Artist dates: 1845 – 1911

Fenn created this image to illustrate an article titled "A Photographer's First Visit to Petra," published in "Century Magazine," November 1885. Born in Britain, and trained as a wood engraver who worked for the Dalziel Brothers, Fenn visited the United States in 1857 and decided to settle in New York. After studying painting and drawing, he became a prominent New York illustrator known for his landscape imagery. His success with the lavishly illustrated "Picturesque America," published by D. Appleton’s (1870–72) was followed by "Picturesque Europe" (1875–79), and "Picturesque Palestine, Sinai and Egypt" (1881–84). The present image relates to the latter book and also reflects Fenn's prolific work during his latter decades for periodicals such as "Century Magazine," "Harper’s Weekly," "Harper’s Monthly" and "Scribner’s."
Dish with inscription and decorated with chrysanthemums and rows of dots
Object type: dish
Date: 1434 – 1466
Techniques: stamping
Culture: korean

The deep dish is ornamented with repeating stylized chrysanthemum flowers, alongside other designs. The object is typical of buncheong ware— characterized by white-slip decoration and produced on the peninsula from the late fourteenth through the midsixteenth century—with stamp-impressed designs. Inscriptions indicate the court offices that commissioned the vessels. The dish was made in Gyeongju to be sent to the office of Jangheunggo, which supplied items like paper and mats to the court.
Spawaterfles met afgeplat, bolvormig lichaam
Object type: spawaterfles
Date: 1600 – 1800
Materials: glass
Techniques: glassblowing
Location: southern netherlands
Artist: Anonymous

Licht ingestoken ziel, zijdelings afgeplat rond lichaam, overgaand in een hoge hals.
Brok concretie met insluitsels van natuursteen en porselein uit het wrak van de Oostindiëvaarder Hollandia
Object type: concretionary stone
Date: 1700 – 1743
Materials: stone, porcelain
Artist: Anonymous

Brok concretie met insluitsels van natuursteen en porselein.
Bouwhuis op Nederlandsch Mettray gesticht door Dr. J.A. Luyken te Gendringen
Object type: print
Date: 1855 – 1870
Materials: paper
Techniques: iris print
Subjects: cattle, civic architecture; edifices; dwellings
Inscriptions: collector's mark: Lugt 2228
Penny uit Ierland van George III, 1805
Object type: coin
Date: 1805 – 1805
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: gelauwerd hoofd van de vorst naar rechts. Keerzijde: gekroonde harp. Jaartal onderaan. Kabelrand.
Finger Ring
Object type: ring
Date: 1 – 400
Materials: gemstone, silver
Culture: frankish
Location: northern france
Large Farm with Draw Well from Praediorum villarum et rusticarum casularum icones elenoantissimae ad vivum in apre deformatae
Object type: print
Date: 1559 – 1561
Techniques: etching
Artist: johannes van doetecum i
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1528 – 1605
Subjects: houses,farms,trees
Kolonie Suriname Afbeeldingen betreffende Cultuurgewassen, Plantages, Goudvelden, Volkstypen enz.
Object type: photomechanical print
Date: 1896 – 1896
Materials: paper
Techniques: photograph
Location: haarlem
Subjects: soil cultivation, cultivated land, suriname
Shovel
Object type: shovel
Date: 1795 – 1815
Materials: brass, iron
Location: united states

Most often consisting of a shovel, brush, and pair of tongs, fire sets also sometimes included pokers and a stand for holding the tools. This shovel matches tongs, 10.125.589b.
Cranes, Pine Tree, and Lichen
Object type: hanging scroll
Materials: ink, paper
Culture: chinese
Artist: ren yi (ren bonian)
Artist role: artist
Artist nationality: chinese
Artist dates: 1840 – 1896
Subjects: cranes

Ren Yi, the son of a rice merchant, was trained in a portrait shop. Ren developed a popular richly colored style for figures and for flower-and-bird and landscape paintings, becoming a leading artist in Shanghai by the 1870s, with a large circle of eminent friends and students, such as the literatus Wu Changshi (1844–1927). Cranes, fungus, and pine are emblems of long life, but the artistic ambition of this imposing picture, all angles and fitted parts, goes beyond that of the traditional auspicious birthday picture. The complex pictorial structure, formed by interlocking triangles, seems to draw on the relationship of figure and ground at the heart of seal carving, an art greatly appreciated in the nineteenth century. Ren also may have been inspired by the strong overlapping silhouettes on a shallow ground seen in Japanese art, particularly screens.
Gezicht op de Sint-Laurentiusabdij in Luik
Object type: print
Date: 1738 – 1744
Materials: paper
Techniques: engraving, etching
Location: liège
Subjects: church (exterior), liège

Prent uit: Johanne de Saumery, Alexandre de et al. Les délices du païs de Liège, ou description géographique, topographique et chorographique des monumes sacrés et profanes (...). 5 dln. Luik: Everard Kints, 1738-1744, dl. 1, p. 297.
The Story of Philomela (one of two)
Object type: valance
Date: 1600 – 1600
Materials: canvas, silk, wool
Subjects: birds,houses,men,women,trees
Portret van Jeanne Ernie-Guétin
Object type: photograph
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: paris
Artist: louis larger
Artist role: fotograaf
Artist dates: 1849 – 
Subjects: historical persons - bb - woman
Inscriptions: name: ‘Jeanne Ernie-Guétin +1949’, inscription: ‘Grand-Prix/ Plusieurs Fois Membre du Jury/ Hors Concours/ PHOTOTYPIE-HÉLIOTYPIE/ Impression Rapide aux Encres Grasses/ Ancne. Mon. JAMIN/ L. LARGER Sr./ 13, Rue Chapon, 13/ PARIS’
Steun in de vorm van een meermin en een meerman en een dolfijn op golven, behorend bij meiwijnvat van steengoed
Object type: steun
Date: 1675 – 1750
Materials: earthenware, glaze
Location: westerwald
Artist: Anonymous

Steun in de vorm van een meermin en een meerman en een dolfijn op golven, behorend bij meiwijnvat van steengoed met tinnen tap.
Twaalf maanden
Object type: drawing
Date: 1590 – 1610
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: joos de momper (ii)
Artist role: draughtsman, painter
Artist dates: 1564 – 1635
Subjects: harvest, july and its 'labours', agricultural implements: sickle

De maand juli. Man met sikkel, rechts het oogsten van vlas. Ontwerp voor een prent.
Pieces (2)
Object type: piece
Date: 1812 – 1820
Materials: linen, metal thread, silk
Subjects: flowers,leaves
Opleiding 1937
Object type: photograph
Date: 1937 – 1937
Materials: paper, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: werner neufang, military training, germany
Inscriptions: inscription: ‘I.R. 39 Wesel / U fa. Lehrgang 1937 ...’

Albumblad een foto van Werner tijdens zijn militaire opleiding in 1937. De overige vier foto's die oorspronkelijk op dit blad zaten ingestoken ontbreken. Onderdeel van een fotoalbum over de Duitse Werner Neufang van de Kriegsmarine en de Nederlandse Thea Driesen.
Envelop voor Kodak vergrotingspapier
Object type: envelope
Date: 1940 – 1960
Materials: paper
Location: france
Inscriptions: inscription: ‘9 x 12/ Agfa Brovira/ chamois/ 2x’

Envelop voor Agfa Brovira vergrotingspapieren in de kleur chamois.
Bladzijde uit het fotoalbum van de familie Diepenbrock met 2 foto's van Alphons Diepenbrock en zijn omgeving
Object type: album leaf
Date: 1901 – 1906
Materials: cardboard, photographic support
Techniques: photography
Location: netherlands
Subjects: utrecht, amsterdam, alphons diepenbrock, vienna, gustav mahler
Inscriptions: inscription

Bruin albumblad 14 van familiealbum van Alphons Diepenbrock.
Woven strap with a pendant
Object type: strap
Date: 500 – 301
Materials: amber, gold
Location: iberian peninsula
Kalender uit 1990 van Eastman Kodak met 52 kustgezichten
Object type: calendar
Date: 1989 – 1989
Materials: metal, paper
Techniques: inkjet print
Location: united states
Artist: mary-helen maginn
Subjects: calendar, almanac, united states of america
Inscriptions: inscription: ‘A 53-week display of fascinating images for all who appreciate the special appeal of nature/ photography (...)/ KODAK Publication AC-118S/ CAT 199 8673 ISBN 0-87985-620-3/ $9.95 USA’, copyright notice: ‘© Eastman Kodak Company, 1989’
Landscape with three gabled cottages beside a road
Object type: print
Date: 1760 – 1781
Materials: paper
Techniques: etching
Subjects: city-view, and landscape with man-made constructions, hut, cabin, lodge
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Watch
Object type: watch
Date: 1700 – 1710
Materials: enamel, gold
Techniques: painting
Artist: pieter klock
Artist role: maker
Artist nationality: dutch
Artist dates: 1665 – 1754
Subjects: men,women

Jean-Pierre and Amy Huaud went into partnership in Geneva in 1682 and worked in Berlin from 1686 until 1700. In 1700, they returned to Geneva, where they made watchcases for export. This example features an image, popular at the time, of Roman Charity. The case was supplied to one of the best Amsterdam watchmakers, who added the movement, bezel, and glass, probably for a Dutch client with a preference for painted enamels and pretty women.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

At the bottom left, part of a draped male holding a sponge and aryballos; at the right, buttocks and part of the upper right thigh of a draped male to right
A literary argument on the second tier, from 'Theater sketches,' published in Le Charivari, February 27, 1864
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,crowd
Portret van Conrad Busken Huet
Object type: print
Date: 1886 – 1899
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Artist: arnoldus cornelius verhees
Artist role: print maker
Artist dates: 1859 – 1929
Subjects: historical persons, portrait of a writer

Met rondom het portret de titels van een aantal van zijn werken en portretten, met prijs.
Inlay depicting enthroned god Shepsi
Object type: inlay, god shepsi, throne
Date: 400 – 301
Materials: faience
Location: middle egypt

Shepsi, an ancient solar god associated with Hermopolis, is depicted here. The god is wrapped in a garment so that only his hands emerged. He originally held probably a flail, whose upper part is now broken away.
Gezicht op fort Rammekens
Object type: print
Date: 1781 – 1785
Materials: paper
Techniques: etching
Location: rotterdam
Subjects: fortress, coat of arms (as symbol of the state, etc.) (+ city; municipal), sailing-ship, sailing-boat

Gezicht op Fort Rammekens te Zeeland. Op de rede van het fort liggen verschillende schepen. In de marge het wapen van Zeeland. Prent rechtsboven genummerd: 23.
24 Vierpastegels in tegelveld
Object type: vierpastegel
Date: 1580 – 1620
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

24 vierpastegels geplaatst in tegelveld van 6 x 4. Vier tegels vormen samen een vierpas met rozet omgeven door granaatappels en goudsbloemen. In de hoeken, ornament in vultechniek.
Why Molly Spilled the Milk, from the Magic Changing Cards series (N223) issued by Kinney Tobacco Company
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women

Trade cards from the "Magic Changing Cards" series (N223), issued in a set of 50 in 1889 by Kinney Tobacco Company. When held up to the light, a hidden image is revealed on each card.
Boats near Hillside
Object type: painting
Materials: ink, paper
Location: japan
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Dead Mole
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: animals

Dead mole stretched out with its head to the right.
Hana sakura no tori
Object type: print
Date: 1900 – 1930
Materials: paper
Techniques: woodcut
Location: japan
Artist: ohara koson
Artist role: print maker
Artist dates: 1877 – 1945
Subjects: song-birds: crow
Inscriptions: collector's mark: Lugt 2228

Kraai, naar rechts, op tak met witte kersenbloesem.; tegen grijze achtergrond.
Portret van Ds. M.P. Meelboom
Object type: drawing
Date: 1780 – 1829
Materials: ink, paper
Techniques: brush, pen
Subjects: historical persons

Portret van Ds. M.P. Meelboom, predikant te Haarlem.
Bretonse kust
Object type: print
Date: 1885 – 1930
Materials: paper, ink
Techniques: woodcut
Artist: willem van den arend
Artist role: painter, print maker
Artist dates: 1875 – 1954
Subjects: rocky coast
Inscriptions: collector's mark: Lugt 2228, monogram: ‘AW’, signature: ‘W.vandenArend’

Kustgezicht met op de voorgrond drie bomen.
Portrait of a Rabbit
Object type: print
Date: 1867 – 1867
Techniques: woodblock print, surimono
Location: japan
Artist: yabu chosui
Artist nationality: japanese
Artist dates: 1814 – 1870

A large rabbit fills the entire surface of this print, indicating that it was created in the year of the rabbit. The curious, sacklike quality of the rabbit’s body is also a reference to the large white bag of Hotei, one of the gods of good fortune, who often appears on New Year visual art. The rabbit’s body is also rounded out to suggest a lopsided moon (the home of the rice-pounding rabbit), which is emphasized by its silvery outline. Finally, there is an allusion to the most common New Year symbol, the rising sun. Although the rising sun is usually represented as a luminous, round body against an orange sky, Yabu Chosui showed it as a rising lopsided rabbit against a flaming pink background.
Metallic Double Cobweb Valentine
Object type: valentine
Date: 1845 – 1845
Materials: paper, watercolor
Techniques: embossing, lithograph
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: girls,fairies
Saint Helen finding the true cross
Object type: print
Date: 1625 – 1647
Techniques: engraving
Artist: jerôme david
Artist role: artist
Artist nationality: french?
Artist dates: 1605 – 1670
Werken van Charles le Brun
Object type: album leaf
Date: 1641 – 1641
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: upright figures of mary without the christ-child, 'salvator mundi', making a blessing gesture; an orb in his hand or at his feet
Inscriptions: date

Titelpagina uit: Suffren, Jean. L'année Chrestienne, ou le sainct et profitable employ du temps pour gaigner l'éternité. 2e druk. Parijs: Claude Sonnius, 1641.
Dorpsgezicht met vrouw bij pomp
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: aquatint, etching
Location: bologna
Artist: daniël dupré
Artist role: draughtsman, print maker
Artist dates: 1751 – 1817
Subjects: village street, pump
Inscriptions: collector's mark: Lugt 2228

Italiaans dorpsgezicht met ronde toren en woonhuizen. Een vrouw staat bij een pomp water te tappen. Op de voorgrond loopt een man via een trap de stadswal op.
Fragment van een fries met de Zeven Wijzen
Object type: print
Date: 1532 – 1532
Materials: paper
Techniques: hand coloring
Subjects: the seven wise men of greece: bias, chilon, cleobulus, periander (alternatively myson), pittacus, solon, thales
Inscriptions: collector's mark: Lugt 240

Fragment van een geheel waar alle Zeven Wijzen op staan. Waarschijnlijk gemaakt ter illustratie van een gedicht van Hans Sachs uit 1532: Die siben alten haidenischen weysen.
Dominus Noster Anastasius, 490 A.D., from the Ancient Coins series (N180) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: men,coins

Trade cards from the "Ancient Coins" series (N180), issued in 1888 by W.S. Kimball & Co.
Portret van Onophrius Korn op 33-jarige leeftijd
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons
La game d'Amour - Amoris Diagramma Musicum
Object type: print
Date: 1717 – 1729
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: making music; musician with instrument - cc - out of doors, garden of love, court of love, 'fête galante', courting
Inscriptions: collector's mark: Lugt 240
Case (Inrō) with scene of Yoshitsune and Benkei on the Gojō Bridge
Object type: inrō
Date: 1801 – 1900
Materials: gold, ivory, lacquer, silver
Techniques: fundame, hiramakie, inlay
Culture: japanese
Subjects: weapons,men
Gezicht op een straat in Pompeï, Italië
Object type: photograph
Date: 1854 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: pompeii
Artist: Anonymous
Subjects: city-view in general; 'veduta', pompeii
Inscriptions: number: ‘195.’
Novembre
Object type: print
Date: 1613 – 1655
Materials: paper
Techniques: engraving, etching
Subjects: landscape symbolizing november
Inscriptions: collector's mark: Lugt 240
The Sheep of Boisdeffre
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Gezicht op een vijver in de tuin van Huis ter Meer te Maarssen
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: etching
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: garden fountain, french or architectonic garden; formal garden, country-house
Inscriptions: collector's mark: Lugt 2228

Gezicht op een symmetrisch aangelegde vijver in de Franse tuin van Huis ter Meer. Op de voorgrond wordt een koets door paarden voortgetrokken, rechts een converserende man en vrouw. De prent maakt deel uit van een serie met 26 gezichten op Huis ter Meer en het bijbehorende landgoed te Maarssen.
Amintas Freeing Sylvia
Object type: group
Date: 1770 – 1770
Materials: hard paste porcelain
Artist: höchst manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1746 – 1796
Subjects: women,female nudes
Mr. Edwin
Object type: print
Date: 1709 – 1788
Materials: paper
Techniques: etching
Location: london
Subjects: historical persons, portrait of actor, actress
Inscriptions: collector's mark: Lugt 2233
Low Tide
Object type: print
Date: 1833 – 1833
Techniques: printmaking, lithograph
Artist: eugène isabey
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1886
Subjects: boats,ships

One of six plates made for the series 'Six Marines' by Eugène Isabey in 1833.
Boerenpaar, van achteren
Object type: calligraphy
Date: 1612 – 1653
Materials: ink, paper, watercolor
Techniques: brush, calligraphy
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690

Boerenpaar in gesprek op een heuvel onder een gedicht met lofbetuigingen aan een vrouw, zonder aangegeven melodie.
Driekoningen
Object type: print
Date: 1603 – 1641
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: twelfth night, usually falling on the eve of january 6, lantern, night
Inscriptions: collector's mark: Lugt 964

Drie figuren met een lantaarn bij een deur, bij nacht. Daarachter een dorpsstraat met een optocht van mensen, van wie een met een driekoningenster over de schouder.
Exterieur van de Hagia Sophia te Istanbul
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: istanbul
Subjects: tower, clock tower ~ monumental adornment, parts of church exterior and annexes: dome, church (exterior), temple, shrine ~ islam, mohammedanism
Inscriptions: inscription: ‘CWN.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL <BR />QUELLINUS <BR />AMSTERDAM <BR />FRANS HALSSTRAAT 14.’, inscription: ‘Byzantijnsche Kunst. <BR />De Sofiakerk te Konstantinopel, gebouwd in het midden der 6e Eeuw , later tot Moskee ingericht.’, collector's mark: ‘INSTITUUT VOOR KUNST- <BR />NIJVERHEIDSONDERWIJS <BR />GABRIËL METSUSTRAAT No. 16. <BR />AMSTERDAM’