deem-data/ArtiFact huggingface dataset:
De Syro-Phenicische
Object type: print
Date: 1826 – 1886
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: a canaanite woman kneels before christ, asking him to heal her daughter; the metaphor of the dogs and bread (matthew 15:21-28; mark 7:24-30)
Inscriptions: collector's mark: Lugt 2228

Op een plein strekt Christus zijn hand uit naar een geknielde vrouw die hem smeekt haar dochter te genezen. Een man benadert hem vanaf de andere zijde. Om hen heen kijken groepjes mensen toe. Illustratie van Marcus 7:26.
Coffee cup (part of a service)
Object type: coffee cup
Date: 1760 – 1760
Materials: hard paste porcelain
Artist: doccia porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1737 – 1896
Subjects: men,women,horses,trees
Leeuwe bij nacht door de Fransen ingenomen
Object type: history medal
Date: 1699 – 1703
Materials: bronze
Techniques: striking
Location: paris
Artist: jean mauger
Artist role: medailleur
Artist dates: 1648 – 1722
Subjects: lodewijk xiv (koning van frankrijk), brabant, zoutleeuw

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: Overwinning met sluier van de nacht en kroon boven de ingenomen stad binnen omschrift; afsnede: opschrift
The Rich Man on His Deathbed, from "The Parable of the Rich Man and Lazarus"
Object type: print
Date: 1554 – 1554
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: bedrooms,sadness,men,women,mythical creatures,devil,death

The rich man in a bed at center, with his mourning family at right. At far right, a view through the doorway of the street, where a procession carries a coffin. In the left foreground, the devil takes goods from a chest at the foot of the bed. Plate 3 from a series of five prints with scenes from Luke 16:19–31.
Pier Looking Glass
Object type: pier glass
Date: 1795 – 1810
Materials: gesso, gilt, wood
Culture: american
Location: united states
Subjects: flowers
Zeeslag bij Kaap la Hogue, 1692
Object type: history print
Date: 1779 – 1781
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: paris, battle (+ naval force)

Gebruikt als illustratie in: Jacobus Kok, Amsteldamsche jaarboeken, behelzende de merkwaardigste geschiedenissen, welken, zo binnen de stad als daaromtrent, zijn voorgevallen, sedert haare eerste beginselen, tot op den tegenwoordigen tijd ... / Bijeengebragt door Jacobus Kok, 3 dln., J.B. Elwe, Amsterdam 1781. Niet in Frederik Muller; door het RPK toegevoegd nummer.
Arnout Tholinx, inspector
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Zittende vrouw met brief en zittende vrouw met kat
Object type: drawing
Date: 1700 – 1799
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: Anonymous

In twee staande ovalen elk een tekening. In de linkerovaal een zittende lezende vrouw. In de rechterovaal een zittende vrouw met een kat aan haar voeten.
Longcase clock
Object type: clock
Date: 1760 – 1765
Materials: bronze, glass, wood
Techniques: gilding
Location: paris
Artist: balthazar lieutaud
Artist dates:  – 1780
Inscriptions: inscription, mark, signature: ‘B.LIEUTAUD’, stamp

Because of its long pendulum, the movement of a longcase clock can be extremely precise. Longcase clocks were thus used to ‘regulate’ other clocks and timepieces. The French word for a longcase clock is régulateur (regulator). The gilt-bronze figure of a man with a scythe and an hourglass surmounting this clock represents Father Time.
Copy in Reverse Design Orientation: Based on the Group of Reclining Figures at Left in Domenico Beccafumi's Scene of Moses Striking the Rock in the Pavement of Siena Cathedral
Object type: drawing
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: domenico beccafumi
Artist role: artist
Artist nationality: italian
Artist dates: 1484 – 1551
Subjects: male nudes,women,moses

The figural group in this drawing was originally designed by Domenico Beccafumi for the pavement in intarsia in the Siena Cathedral which represents Moses Striking the Rock. The drawing is in reverse design orientation with respect to the original and includes only a small portion at left from Beccafumi's monumental oblong scene. This drawing is inscribed with the date "1596 otobre 15" (October 15, 1596) at center in the foreground, in tiny script probably either by the artist of the drawing or a more or less contemporary collector. The numeral "9" in the inscribed date has also been interpreted less convincingly as a numeral "4." Hence, Andrea De Marchi dated this drawing to around 1546, hence the same period as the pavement designs by Beccafumi for the Siena Cathedral, which is not unreasonable but is not persuasive. At an early point, an unnamed scholar noted on the mount of the Metropolitan Museum drawing that it may be a copy, in the same orientation, after the mpression of a chiaroscuro woodcut in the Albertina, Vienna (inv. It. H.I. fol. 94). See also Andrea De Marchi in Siena 1990, p. 493, under no. 162. Moreover, a reversed version of Beccafumi's design and in the direction of this drawing and the Albertina is preserved in an etching with two tone blocks (Morceaux Choisis, Collection Frits Lugt, Paris, 1994, cat. no. 67. The reproductive chiaroscuro woodcuts have been attributed to Andrea Andreani. None of this, however, settles the authorship of the present drawing in the Metropolitan Museum of Art, since the extant reproductive prints after Beccafumi's very popular designs for the pavement of the Siena Cathedral exist in both the same direction and in the mirror-image direction of the original compositions. (C. C. Bambach; August 2014)
Piece
Object type: piece
Date: 1801 – 1833
Materials: cotton
Subjects: flowers,leaves
Mary Anderson, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Paleis van Versailles, vanuit de tuinkant gezien, Frankrijk
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: kasteel van versailles
Inscriptions: caption: ‘Palais de Versailles.-Côté du Parc X. Phot.’
Sauceboat
Object type: sauceboat
Date: 1750 – 1755
Materials: silver
Culture: american
Location: united states
Artist: joseph richardson sr.
Artist role: maker
Artist nationality: american
Artist dates: 1711 – 1784
Subjects: coat of arms

Introduced to America during the first half of the eighteenth century, silver sauceboats followed the design of contemporary English vessels, with scrolled handles and broad pouring lips, often supported on three cast feet. This sauceboat and its mate (24.109.26) bear the mark of Joseph Richardson Sr., one of Philadelphia’s most prominent eighteenth-century silversmiths and member of an important craft dynasty. They are engraved with the arms of Logan, set within a rococo cartouche. Although the provenance is undocumented, the armorial engraving, combined with the sequence of initials inscribed underneath, supports a descent in the Logan family of Philadelphia.
Portret van een echtpaar, vermoedelijk een kopie naar een zeventiende-eeuws schilderij
Object type: sketchbook leaf
Date: 1827 – 1891
Materials: chalk, paper, pencil
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: sitting figure (+ female (human being) (not to be used where -aa- is prescribed)), sitting figure (+ male human being (not to be used where -a- is prescribed)), historical costume

Blad 17 verso uit een schetsboek met 41 pagina's.
Courtesan Watching her Attendant Detain Hooded Man
Object type: print
Date: 1772 – 1772
Techniques: woodblock print
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Portret van Desiderius Erasmus
Object type: print
Date: 1840 – 1843
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: rotterdam, desiderius erasmus, historical persons, book, scholar, philosopher (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228

Prent komt mogelijk uit een editie van de 'Kunstkronijk'.
Facciata del Palazzo del Sigr. Augustino Palavicino / Ultimo di strada nova
Object type: album leaf
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: hôtel, i.e. small palace in city, façade (of house or building), exterior ~ architectural design or model

Deze prent maakt deel uit van een album.
Casino di Villa Medici
Object type: cabinet photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: villa medici
Artist: Anonymous
Subjects: villa
Inscriptions: annotation: ‘Roma’, inscription: ‘Cabinet Album’
Nieuwe kinderprenten
Object type: print
Date: 1872 – 1883
Materials: paper
Techniques: lithograph, letterpress printing
Location: haarlem
Subjects: animals, parts of machines: mill-stone, tales and fairy tales, horse, trade, commerce and finance
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen over het jongetje Hans dat goud verdiende, dit ruilde voor een paard en zo doorging tot hij eindigde met een molensteen en die in een waterput gooide. Onder elke voorstelling een onderschrift in twee kolommen. Genummerd rechtsboven: No. 4.
Gezicht op Huis ten Bosch in Den Haag
Object type: photograph
Date: 1880 – 1920
Materials: paper
Techniques: photograph
Location: netherlands
Artist: Anonymous
Subjects: palace
Portret van Georg Jakob Glaetzl
Object type: print
Date: 1736 – 1751
Materials: paper
Techniques: engraving
Subjects: ornament ~ medallion, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Le Cathédrale d'Amiens, vue générale extérieure
Object type: page
Date: 1878 – 1883
Materials: paper
Techniques: photograph
Location: amiens
Subjects: church (exterior), notre-dame d'amiens
Inscriptions: inscription: ‘[Journa]l le Nord Contemporain, No 25, année 1883.’, inscription: ‘Le Nord Contemporain/ Revue Artistique & Archéologique’

Prent op derde ongenummerde pagina na pagina 16.
Actrice, mogelijk in de rol van Medusa
Object type: titelblad, titelpagina
Date: 1770 – 1770
Materials: paper
Techniques: aquatint, etching
Location: lausanne
Subjects: actor (on the stage), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Coqueley de Chaussepierre, Charles-Georges. Le Roué vertueux, poëme en prose, en quatre chants, propre à faire, en cas de besoin, un drame à jouer deux fois par semaine, Lausanne: s.n., 1770.
Snuifdoos van C.H. Ver Huell
Object type: snuffbox
Date: 1794 – 1797
Materials: silver
Techniques: gilding
Location: paris
Artist: antoine moranges
Subjects: paris, armorial bearing, heraldry

Vierkante snuifdoos van zilver van binnen verguld. Op het deksel is het gekroonde wapen met mantel van admiraal C.H. Ver Huell gegraveerd.
Wall hanging with scene from an opera
Object type: hanging
Date: 1801 – 1900
Materials: fiber, metal thread, silk, wool
Techniques: embroidery, weave
Culture: chinese
Subjects: battles,men

This wall hanging depicts a battle scene from an opera. A tangle of arms, legs, weapons, and costumes fills the visual space, bringing the drama of the battle to life, and the figures, enlarged to heroic scale, tower over the viewer. The textile makers used animal hair for the middle figure’s beard to add texture and three-dimensionality to the work. This banner might have hung on a stage to provide a background setting for an opera production, or perhaps it decorated another part of a theater.
Landscape
Object type: painting
Date: 1897 – 1898
Materials: canvas, oil
Culture: american
Artist: albert pinkham ryder
Artist role: artist
Artist nationality: american
Artist dates: 1847 – 1917
Subjects: men,cows,landscapes

This landscape is surprisingly modern in its simplified details, flattened forms, and patterned composition. A shepherd and animals of the sort that had appeared in Ryder’s earlier, Barbizon influenced paintings are here overwhelmed by the setting’s stylized elements: a stream rushing along a rigid diagonal, sinuous hills filling the middle ground, and clouds rising in contrasting bands and culminating in undulating deep-blue shapes outlined in light. Works such as this one prompted the avant-garde painter Marsden Hartley, born thirty years after Ryder, to call him a “master of the arabesque.”
Kwitantie voor onbekend
Object type: ontvangstbewijs, kwitantie
Date: 1863 – 1863
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: Anonymous
Subjects: money
Inscriptions: collector's mark: Lugt 2233
Façade van de kathedraal van Lichfield
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: lichfield
Artist: Anonymous
Subjects: parts of church exterior and annexes: façade
Inscriptions: number: ‘No. 249, 251, 252, 253.’
De twaalf maanden (deel 1)
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: etching
Location: italy
Subjects: the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months', libra (zodiacal sign of september), vintage, grape harvest, transport of grapes
Inscriptions: collector's mark: Lugt 240

Verbeelding van menselijke activiteit in de maand september. Landschap met boeren die wijn oogsten. Midden boven het symbool voor het sterrenbeeld weegschaal. Italiaans vers en titel in ondermarge.
Portret van Karl Gutzkow
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: dresden
Artist: johann georg weinhold
Artist role: print maker
Artist dates: 1813 – 1880
Subjects: adult man, historical persons, beard
Inscriptions: check stamp: ‘B[M]’, collector's mark: Lugt 2228
Egyptian Obelisk, from "Speculum Romanae Magnificentiae"
Object type: print
Techniques: engraving
Artist: etienne dupérac
Artist role: artist
Artist nationality: french
Artist dates: 1535 – 1604
Subjects: obelisks,hieroglyphs,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 118 in the scrapbook.
The One-Eyed Woman, plate fifteen from The Beggars
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Boerderij
Object type: sketchbook leaf
Date: 1896 – 1897
Materials: chalk, paper
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: farm (building)

Blad 8 recto uit een schetsboek met 44 bladen.
Gezicht op Kasteel Keppel
Object type: drawing
Date: 1800 – 1850
Materials: paper, pencil
Artist: Anonymous
Subjects: castle
Inscriptions: collector's mark: Lugt 2228
Head of a Woman Wearing Wreath
Object type: sculpture
Date: 300 – 1
Materials: terracotta
Culture: greek
Location: greece
Transfiguratie
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: haarlem
Subjects: the transfiguration: moses and elijah appear on either side of christ on mount tabor (matthew 17:1-13; mark 9:2-13; luke 9:28-36)
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel II. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Celestial Scene with Angels
Object type: drawing and watercolor
Materials: chalk, graphite, ink, paper
Techniques: brush, pen, wash
Location: germany
Artist: Anonymous
Artist nationality: european
Artist dates: 1700 – 1799
Christ of Caprarola
Object type: print
Date: 1597 – 1597
Materials: paper
Techniques: drypoint, engraving, etching
Location: italy
Artist: annibale carracci
Artist role: artist
Artist nationality: italian
Artist dates: 1560 – 1609

Although not found in the canonical gospels, the Lamentation over the dead body of Christ was a popular subject in Catholic Italy during the 16th century. Annibale Carracci himself painted it no less than six times. This print, which marks his return to printmaking after a brief hiatus, signals a mature use of the medium of etching to give immediacy to a familiar theme. By employing an unusually fine etching tool as well as the drypoint technique, the artist produced shimmering lines that emphasize the mood of agitated mourning. The title refers to the small city of Caprarola, 50 miles from Rome, where Carracci executed and signed the print.
Lijst met predikbeurten te Amsterdam in de week van 24 april 1796
Object type: list
Date: 1704 – 1796
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: preaching (in general)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Predikbeurtenlijsten 1814, 1867.
Artists and Amateurs
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: brush, wash
Location: scotland
Artist: john partridge
Artist nationality: english, born scotland
Artist dates: 1790 – 1872
Cup and saucer
Object type: cup and saucer
Date: 1740 – 1745
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: flowers
Man, die over zijn schouder een mand aan een stok draagt
Object type: drawing
Date: 1800 – 1900
Materials: paper, pencil
Artist: Anonymous
Subjects: container made of plant material other than wood: basket, male sex; man
Zomerstemming
Object type: print
Date: 1849 – 1895
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: river, farm or solitary house in landscape, vecht
Inscriptions: collector's mark: Lugt 2228

Landschap met een boerderij aan de rivier de Vecht bij Vreeland.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of chariot to left and part of figure with animal skin?; knee of a second figure?
Untitled (Portrait of a Standing Woman)
Object type: photograph
Date: 1880 – 1880
Techniques: photography, tintype
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: portraits: african american subject, woman, portrait, women, portraits: female subject, lundberg collection, african american, portraits
Apple
Object type: toy
Date: 1755 – 1755
Materials: soft paste porcelain
Artist: saint james's factory
Artist role: maker
Artist nationality: british
Artist dates: 1749 – 1759
Subjects: birds,apples
Vrouw buiten in een jurk
Object type: print
Date: 1722 – 1775
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: dress, gown: day dress
Inscriptions: collector's mark: Lugt 2760, collector's mark: ‘M.’, collector's mark: Lugt 2228
The Staircase with Trophies, from "Carceri d'invenzione" (Imaginary Prisons)
Object type: print
Date: 1749 – 1750
Techniques: engraving, etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: prisons,stairs
Glass lentoid flask
Object type: flask, lentoid
Date: 301 – 500
Materials: glass
Culture: roman

Translucent pale green, with same color handles, base, and trails. Rounded, thickened rim; funnel-shaped mouth joining imperceptibly with tall, cylindrical neck, expanding slightly downward to globular lentoid body; applied small circular pad base made by coiling, with pontil scar on bottom; two rod handles applied at sides of lentoid body, drawn upward and curved inward, and attached at mid-point of neck over trail. Single fine trail wound in a spiral around neck, ending on underside of mouth. Intact, but lower part of trail missing; some pinprick bubbles in body, many elongated bubbles and some black impurities in handles; some dulling and small areas of pitting, iridescence and creamy brown weathering.
Portret van Paul Martin Alberti
Object type: print
Date: 1713 – 1757
Materials: paper
Techniques: engraving, etching
Location: halle an der saale
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, number: ‘163’