deem-data/ArtiFact huggingface dataset:
Portret van een man
Object type: cabinet photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Subjects: sitting figure, adult man, historical persons
Inscriptions: number: ‘62817’, inscription: ‘A. & G. Taylor/ Sunderland/ & South Fields’
20 cents uit de Straits Settlements van koningin Victoria, 1895
Object type: coin
Date: 1895 – 1895
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: gekroond hoofd van koningin Victoria naar links. Keerzijde: binnen parelcirkel waarde-aanduiding: 20. In omschrift onderaan waarde-aanduiding: twenty cents met rechts daarvan jaartal. Kartelrand.
Design for Phaeton, no. 329, from Le Guide du Carrossier
Object type: print
Date: 1870 – 1870
Techniques: hand coloring, lithograph
Artist: brice thomas
Artist role: publisher
Artist nationality: french
Artist dates: 1830 – 1890
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Sampler
Object type: sampler
Date: 1815 – 1815
Materials: linen, silk
Subjects: flowers
Study
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: drawing, stumping
Location: england
Artist: john hayter
Vier foto's met gezicht op dorpen of steden, één vanuit de lucht
Object type: photograph
Date: 1895 – 1918
Materials: paper, cardboard
Techniques: gelatin silver print
Subjects: city-view in general; 'veduta', rowing-boat, canoe, etc.
Inscriptions: number: ‘71’, number: ‘70’, number: ‘69’, number: ‘72’

Vermoedelijk albumblad uit album gescheurd.
Cart #3714
Object type: drawing
Date: 1881 – 1881
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1925
Materials: ink, paper
Techniques: pen, writing
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: designer, jan veth, carel vosmaer, amsterdam, painter, draughtsman, publisher, josephus albertus alberdingk thijm, paris, conservator, eugène emmanuel viollet-le-duc, architecture, printed matter
Inscriptions: collector's mark: ‘RPK’
Portret van Lucas Jonker
Object type: carte de visite
Date: 1870 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: haarlem
Subjects: historical persons, haarlem
Inscriptions: workshop stamp: ‘C.F. & LJ. Cordes/ Haarlem, Groote Houtstraat 84/ 's Bosch a/d. Parade’, inscription: ‘Lucas Jonker lzn’
Twee vechtende paarden naar rechts rennend
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: etching
Location: italy
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: horse
Inscriptions: number: ‘25’, collector's mark: Lugt 11, collector's mark: ‘Hinloopen’

Deze prent maakt deel uit van een reeks van 28 prenten van paarden (+ titelprent en opdracht).
Chest of drawers
Object type: chest of drawer
Date: 1675 – 1700
Materials: wood
Culture: american
Location: united states
Artist: the symonds shop
Artist role: maker
Artist nationality: american

By the 1670s, the chest-of-drawers form, first made in Boston, had spread to neighboring Massachusetts port towns. Within the architectural framework of this chest, this is an intricate play of geometric shapes created by applied mitered moldings that oppose and echo one another. Such complexly patterned surface decoration links a group of furniture with histories of ownership in Salem.
Herder en een herderin
Object type: drawing
Date: 1640 – 1673
Materials: chalk, paper, pencil
Techniques: brush
Artist: barent gael
Artist role: draughtsman, painter
Artist dates: 1630 – 1698
oor van een pot uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: stoneware
Location: westerwald
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Stoneware, Rhenish, Westerwald, handle; fragm, flat in section, slightly curved, flat surface.
Vier foto's van mannen aan boord van een zeilboot en een toren in Nederland
Object type: album leaf
Date: 1929 – 1929
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: sailing-ship, sailing-boat, gate, entrance, netherlands

Deze foto's maken deel uit van een album.
Romeinse helden
Object type: print
Date: 1586 – 1596
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: gaius mucius scaevola before porsena: he thrusts his right hand into the flames (the body of the king's secretary who erroneously had been killed instead of porsena may be seen lying on the ground)

Deze prent is onderdeel van een serie van tien prenten, bestaand uit een ongenummerde titelprent, acht genummerde voorstellingen van helden en een ongenummerde afsluitende prent.
De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
Groepsportret te Mariënbad
Object type: album leaf
Date: 1892 – 1892
Materials: paper
Techniques: collodion silver print
Location: marienbad
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: historical persons, marienbad

Foto 1 op albumblad 16 uit album "Amsterdam 1890-1894".
Piece
Object type: piece
Date: 1745 – 1745
Materials: silk
Subjects: flowers,leaves
La Maison du Chasseur
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: etching
Subjects: rural housing, e.g. country-house, villa, cottage, forest path or lane
Inscriptions: collector's mark: Lugt 2228
Incense Burner
Object type: incense burner
Date: 1301 – 1600
Materials: ceramic
Culture: mexica, aztec
Location: mexico
Vaassen
Object type: drawing
Date: 1794 – 1863
Materials: chalk, paper
Techniques: brush
Artist: gerrit hulseboom
Artist role: draughtsman, print maker
Artist dates: 1784 – 1863
Subjects: prospect of village, silhouette of village
Alger (Rue Arabe)
Object type: photograph
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Location: algiers
Artist: Anonymous
Subjects: adult woman, street
Inscriptions: number: ‘2018.’
View of the Arch of Septimius Severus, from Views of Rome
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Cuff for a rochet
Object type: rochet cuff
Date: 1701 – 1800
Techniques: lace
Jug
Object type: jug
Date: 650 – 626
Materials: terracotta
Culture: etruscan

Trefoil lip, a ridge about neck, and three incised lines on shoulder.
Portret van Pierre Louis Manuel
Object type: print
Date: 1792 – 1808
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: lambertus antonius claessens
Artist role: draughtsman, print maker
Artist dates: 1763 – 1834
Subjects: schrijver, revolutionair, pierre louis manuel
Inscriptions: collector's mark: Lugt 2228
Portret van Johannes Meursius
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons, professor
Inscriptions: number: ‘1863’

Prent waarschijnlijk uit: Boissard, Jean Jacques. Bibliotheca chalcographica (...) VI pars. Frankfurt am Main: Johannes Ammon, 1650.
Terracotta amphora (jar)
Object type: amphora
Date: 530 – 520
Materials: terracotta
Culture: greek, attic
Artist: antimenes painter
Artist role: artist
Subjects: apollo,athena,dionysus,horses,chariots

Obverse, Athena mounting her chariot, with Herakles and gods Reverse, Herakles and the Nemean lion The obverse depicts the introduction of Herakles into Mount Olympos. He is accompanied by Athena, his protectress, Apollo, Dionysos, and Leto; the names are inscribed.
Two Costume Designs or Portrait Types
Object type: collection ornament architecture
Date: 1785 – 1790
Materials: gouache, graphite, ink
Techniques: pen
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: hats,portraits,women

Page with two round portraits. The portrait on the left shows a woman in green and blue tones. Her body is turned towards the right and she looks back over her right shoulder. She is wearing a striped fichu over a corseted bodice with ruffle trimmings at the elbows. She has a large bonnet-style hat with feather and bow. The portrait on the right is a frontal view of a woman gazing towards the left. She wears a white fichu with a flower attached, and corseted jacket with a striped bodice underneath. She has a large bonnet-style hat with ribbons and a veil.
A lion, dragon and fox fighting each other, boats on the sea in the background, an oval composition
Object type: print
Date: 1515 – 1600
Techniques: engraving
Artist: anonymous, italian, 16th to early 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1640
Subjects: dragons,foxes,lions

Copy in reverse of a print by Marco Dente (see 51.501.638, 26.50.1(142) and 1986.1180.217).
Fotoreproductie van een schilderij van een herder met schapen bij een bosrand door Anton Mauve
Object type: reproduction
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., fringe, edge of the wood, picture, painting
Inscriptions: inscription: ‘97 A. Mauve./ Troupeau de brebis.’
Standing Female Deity
Object type: fragment of halo
Date: 601 – 700
Materials: bronze, gold
Techniques: inlay
Culture: pakistani
Subjects: swat valley,deities

This figure was part of a large halo.
Glass Fragment
Object type: fragment
Date: 1601 – 1700
Materials: glass
Culture: european
Portret van een jonge man met vlinderstrik
Object type: carte de visite
Date: 1871 – 1893
Materials: cardboard, photographic support
Techniques: albumen print
Location: rotterdam
Artist: ed. radermacher
Artist role: fotograaf
Artist dates: 1839 – 1908
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘ED. RADERMACHER/ KRUISKADE/ ROTTERDAM/ HOEK KERKLAAN/ PHOTOGRAPHE’
The Struggle Between the Devil and St Francis of Assisi for the Soul of Guido da Montefeltro, plate three from Darstellungen aus Dante's Hölle
Object type: print
Date: 1807 – 1808
Materials: paper
Techniques: etching
Location: germany
Artist: joseph anton koch
Artist role: artist
Artist nationality: austrian
Artist dates: 1768 – 1839
Trophies of Marius, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1567 – 1600
Techniques: engraving, etching
Artist: Anonymous
Artist role: artist
Subjects: helmets

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 10 in the scrapbook.
Journal des Dames et des Modes, Costumes Parisiens, 15 décembre 1835, (3328): Habits deublés de soi (...)
Object type: fashion print
Date: 1835 – 1835
Materials: paper
Techniques: engraving, hand coloring
Subjects: clothing for the upper part of the body (vest) (+ men's clothes), neck-gear ~ clothing (cravat) (+ men's clothes), trousers, breeches, etc. (pantalon) (+ men's clothes), coat (+ men's clothes), fashion plates, shoes, sandals (+ men's clothes), interior of the house, gloves, mittens, etc. (+ men's clothes), stockings, socks (+ men's clothes), head-gear: bicorne, bicorn (+ men's clothes)
Inscriptions: title: ‘Costumes Parisiens.’, address: ‘25, Rue du Helder (Chaussée d'Antin)’, caption: ‘Journal des Dames et des Modes. / Habits doublés de soie moirée, Pantalons de drap de soie, Gilet de velours. Toilette de M.r Humann.’

Twee mannen bij een open haard, van wie één op een stoel zit en de ander tegen de schouw leunt. Volgens het onderschrift dragen zij 'habits' gevoerd met moirézijde. Spanbroeken van 'drap de soie' (laken). Vest van fluweel. 'Toilette' van Mr Humann. Accessoires: dasspeld, steek, handschoenen, platte schoenen met strikken en vierkante neuzen. Prent uit het modetijdschrift Journal des Dames et des Modes (1797-1839).
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, three fronds of a ribbed palmette
William Byrd Page, High Jumper, from the Goodwin Champion series for Old Judge and Gypsy Queen Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,athletes

The Goodwin Champions series of trading cards (N162), was issued by Goodwin & Company in 1888 to promote Old Judge and Gypsy Queen Cigarettes. The series of 50 cards depicts athletes in various disciplines. The Metropolitan Museum of Art owns all 50 cards from the series.
Portrait of Toulouse-Lautrec (Portrait de Toulouse-Lautrec), from "L'Estampe Originale"
Object type: print
Date: 1893 – 1893
Materials: ink
Techniques: aquatint, printing
Artist: charles maurin
Artist role: artist
Artist nationality: french
Artist dates: 1856 – 1914
Subjects: men,profiles
Vogel, mogelijk een reiger
Object type: sketchbook leaf
Date: 1883 – 1914
Materials: chalk, paper, watercolor
Location: the hague
Artist: floris arntzenius
Artist role: draughtsman, print maker
Artist dates: 1864 – 1925
Subjects: shore-birds and wading-birds: stork, shore-birds and wading-birds: heron, water-birds: duck

Ook mogelijk een kop van een eend. Pagina 77 uit een schetsboek met 82 pagina's.
Interieuronderdeel
Object type: panel surface component
Date: 1500 – 1500
Materials: wood
Location: low countries
Artist: Anonymous

Zes panelen van eikenhout met opengewerkte traceringen versierd. De panelen zijn vierkant en aan drie zijden door staafwerk omgeven. Het patroon wisselt. Onder een later opgebrachte bruine verflaag sporen van verguldsel. De panelen zijn voorzien van een moderne omraming.
Mélanges Photographiques
Object type: photograph
Date: 1851 – 1853
Materials: cardboard, photographic support
Techniques: salted paper print
Location: paris
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘planch 3+ p 231/ repro 320/ Intrede Jannus) [?]/ des 1851/2/ atte à Marville/ IID’, number: ‘37.’, inscription: ‘Bas Relief de l'Arc de triomphe de l'Etoile./ Par M. Rude.’
Visioen van Ezechiël over het dal van beenderen, linkerhelft
Object type: print
Date: 1530 – 1582
Materials: paper
Techniques: engraving
Location: italy
Subjects: ezekiel's vision of the valley of the dry bones (ezekiel 37:1-10)

De profeet Ezechiël heeft een visioen van het dal vol dorre beenderen die met vlees worden bekleed en tot leven komen. Verschillende sarcofagen en grafzerken verspreid door de voorstelling. Boven zweven vijf putti die samen een baderon vasthouden met de tekst: Dabo super vos ner vos et succrescere facia sup vos carne.
Portret van Gaspard de Coligny II
Object type: drawing
Date: 1734 – 1801
Materials: ink, paper
Techniques: brush, pen
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: paris, politician, gaspard de coligny (ii), historical persons

Portret van Gaspard de Coligny, admiraal van Frankrijk. Ontwerp voor een prent.
Vase
Object type: glass
Date: 1900 – 1920
Materials: glass
Location: united states
Artist: louis comfort tiffany
Artist nationality: american
Artist dates: 1902 – 32
Tea-bowl stand with pommel scrolls
Object type: tea bowl stand
Date: 1401 – 1500
Materials: lacquer
Techniques: carving
Culture: chinese
Plafond van de schouwburg aan het Leidseplein te Amsterdam, 1775
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theatre (building), amsterdam
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Witte, Jacob Eduard de. Afbeeldingen van den schouwburg te Amsterdam. Amsterdam: Johannes Smit, 1774.
Yoke (For Child's Dress)
Object type: textile
Date: 1890 – 1890
Materials: linen, textile
Techniques: embroidery, weave, stitching
Location: maryland
Schuttersfeest van de universiteit van Leiden
Object type: marksman medal
Date: 1741 – 1741
Materials: silver
Techniques: striking
Location: leiden
Artist: Anonymous
Subjects: leiden
Jael
Object type: drawing
Date: 1560 – 1560
Materials: chalk, ink
Techniques: pen, transfer
Artist: maarten van heemskerck
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1498 – 1574
Subjects: men,women,death,hammers

Jael, who killed Sisera, commander of the Canaanite forces, by driving a stake through his temple (Judges 4:17-21), is one of the Eight Exemplary Women from the Old and New Testament who are represented in a series of engravings (printed around 1560) after designs by van Heemskerck, of which this drawing is one. The engravings attained instant renown, for by 1568 they were mentioned in the second edition of Vasari’s Vite. Marten van Heemskerck was one of the first Netherlandish artists to make designs expressly for reproduction by professional printmakers. The almost seven hundred engravings and etchings after his designs had a lasting impact on subsequent generations of Dutch painters.