deem-data/ArtiFact huggingface dataset:
Leeuwarden 1897
Object type: photograph
Date: 1897 – 1897
Materials: paper, cardboard
Techniques: gelatin silver print
Location: leeuwarden
Artist: Anonymous
Subjects: harbour

Westerkade met aangemeerde schepen in Leeuwarden, gezien in de richting van de Oldehove. De foto is onderdeel van een albumblad met daarop foto's van Leeuwarden.
Snuffbox
Object type: snuffbox
Date: 1701 – 1800
Materials: silver, shell
Subjects: birds

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Twee staande mannen
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: chalk, paper, pencil
Subjects: standing figure, adult man, (military) uniforms
Inscriptions: workshop stamp: Lugt 291d

Eén van hen draagt een uniform. Pagina F, los aangetroffen tussen blad 33 en het achterste schutblad in een schetsboek met 16 bladen.
The desert, Arizona
Object type: ansichtkaart, prentbriefkaart
Date: 1928 – 1928
Materials: paper
Techniques: chromolithography
Subjects: desert
Inscriptions: inscription: ‘(after painting by E. M. Dressler) Copr. Fred Harvey’, number: ‘H-2394’
Gezicht op de Haringpakkerstoren
Object type: drawing
Date: 1800 – 1899
Materials: chalk, paper
Location: amsterdam
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment, city-view in general; 'veduta', canal

Onderwerpsrubriek binnen de Atlas Amsterdam: Haringpakkerstoren.
Sampler
Object type: sampler
Date: 1752 – 1752
Materials: linen, silk
Door panel
Object type: door panel
Date: 1701 – 1800
Materials: wood
Design for Dog Cart or 2 Wheeler, no. 4087
Object type: drawing
Date: 1890 – 1890
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Jan Asselijn
Object type: album leaf
Date: 1791 – 1800
Materials: paper
Techniques: etching
Artist: j.l.l.c. zentner
Artist role: print maker
Subjects: draughtsman, jan asselijn, historical persons, portrait, self-portrait of painter

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 1, p. 18.
Iliad
Object type: album leaf
Date: 1805 – 1805
Materials: paper
Techniques: etching
Subjects: the judgement of paris (mercury present)

Prent maakt onderdeel uit van een serie met 39 prenten over de Ilias, geschreven door Homerus.
The Tower of Mont-Perrou, Seen from the Banks of the Allier (Auvergne)
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: france
Artist: paul huet
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1869
Madame Charles Gounod
Object type: drawing and watercolor
Date: 1859 – 1859
Materials: graphite, paper
Location: france
Artist: jean–auguste–dominique ingres
Artist nationality: french
Artist dates: 1780 – 1867
Ondermouw van batist met bloemranken in point de Marseille
Object type: womenswear
Date: 1750 – 1750
Materials: textile, linen
Techniques: quilted embroidery
Location: netherlands
Artist: Anonymous

Ondermouw van batist, versierd met bloemranken in point de Marseille.
Alabama River
Object type: stereograph
Date: 1860 – 1869
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: men,rivers,landscapes
Brief aan Jan Veth
Object type: letter
Date: 1924 – 1924
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, leiden, herman theodoor colenbrander
Inscriptions: watermark, collector's mark: ‘RPK’, name: ‘Mr. F.E. POSTHUMUS MEYJES.’

Brief bevat een aantekening van Jan Veth.
Twee zittende vrouwen
Object type: drawing
Date: 1530 – 1530
Materials: chalk, ink, paper
Techniques: brush, pen
Location: northern italy
Artist: Anonymous
Bowl
Object type: bowl
Date: 1897 – 1900
Materials: earthenware
Culture: american
Location: united states
Artist: george e. ohr
Artist role: maker
Artist nationality: american
Artist dates: 1857 – 1918

In many ways George Edgar Ohr was the quintessential Arts and Crafts potter, combining artistic vision with extraordinary skill with his hands. Working in the seaside resort town of Biloxi, Mississippi, he dug the clay, processed and prepared it, threw the shape on the wheel, altered the piece according to his vision, mixed and applied his own glazes, fired the kiln, created his own style of advertising, and took his wares on the road. Ohr’s personal mantra was "no two alike," and he was as eccentric as his work was individualistic, with its manipulated forms on ultra-thin thrown vessels, crimping, ruffling, off-centering, and twisting, to create unprecedented forms for the 1890s. To these forms, he applied his own completely new and unusual glazes, applied by sponging, splashing, and spattering, resulting in works that in many ways anticipated the abstract art movements that would find form decades later. Unlike many of Ohr’s works, the form of this bowl is nearly symmetrical, created by folding and pinching the extremely thin walls together along the vessel’s rim. When viewed from above, the bowl looks like an abstract sculpture. Attention was paid to all details of this work, including the elaborately glazed interior. The speckled brown on the inside is a marked contrast to the high gloss green and yellow glazes on the exterior. This vase is from the Robert A. Ellison Jr. Collection of American art pottery donated to the Metropolitan Museum in 2017 and 2018. The works in the collection date from the mid-1870s through the 1950s. Together they comprise one of the most comprehensive and important assemblages of this material known. The unparalleled work of George E. Ohr is well represented in the collection. Ellison was an early admirer, collector, and scholar of Ohr’s work and has written extensively on the artist.
Jozef maakt zich bekend aan zijn broers
Object type: book illustration
Date: 1703 – 1762
Materials: paper
Techniques: etching, letterpress printing
Location: haarlem
Subjects: joseph reveals his identity and in tears forgives his brothers' past misdeed
Inscriptions: collector's mark: Lugt 2228

De prent komt een eerste keer voor als boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel I. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Briefkaart aan Frans Buffa en Zonen
Object type: postcard
Date: 1873 – 1873
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: print maker, philip gilbert hamerton, publisher, the graphic arts, money
Inscriptions: collector's mark: Lugt 2233
Knight, Death and the Devil
Object type: print
Date: 1513 – 1513
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: devil,knights
Portret van Jan Antonides van der Goes
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: jan antonides van der goes, sailing-ship, sailing-boat, portrait of a writer, wig
Inscriptions: collector's mark: Lugt 2228

Jan Antonides van der Goes, Amsterdamse dichter, toneelvertaler en toneelschrijver. Hij draagt een pruik. Op de achtergrond een schip.
Isotta degli Atti (1432/3–1474)
Object type: medal
Date: 1449 – 1449
Materials: bronze
Artist: matteo de' pasti
Artist role: artist
Artist nationality: italian
Artist dates: 1420 – 1467
Field Stove and Canteen
Object type: armor
Date: 1650 – 1700
Materials: iron, tin
Culture: german
Location: europe
Life of Edward Miall formerly member of Parliament for Rochdale and Bradford
Object type: book
Date: 1884 – 1884
Materials: cardboard, linen, paper
Techniques: printing, woodburytype
Location: london
Artist: arthur miall
Artist role: publisher
Inscriptions: inscription: ‘The Working Men's College Library presented by the Author, 1885 (...) such loss or damage.’, inscription: ‘Working Men's College Library 45, Great Ormond St.W.C.’, inscription: ‘From the Author’
Achtkantige geribde pot van veelkleurig beschilderde faïence
Object type: kaststel
Date: 1695 – 1725
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: delft
Artist: lambertus van eenhoorn
Artist role: plateelbakker
Artist dates: 1651 – 1721
Inscriptions: mark: ‘LVE (ineen)/ IVK (ineen) / 3 / 0’

Cabinet set. Faience. Delft, 'De Dobbelde Schenckan', under Louwijs Fictoor, c. 1700. Presented by the heirs of John F. Loudon, 1916.
Dagger with Sheath (Dah Hmyaung or Dha)
Object type: dagger with sheath dah hmyaung or dha
Date: 1701 – 1800
Materials: copper, gold, ivory, silver, steel, wood
Culture: burmese
Location: myanmar
Penning uit het bisdom Osnabrück van Konrad II von Rietberg, 1270-1297
Object type: coin
Date: 1270 – 1297
Materials: silver
Techniques: striking
Location: osnabrück

Zilveren munt. Voorzijde: portret van bisschop van voren met in rechterhand staf. Keerzijde: kerkgebouw met poort, waarin rad, wapen van Osnabrück.
Conceptbrief aan de Commissie van Toezicht op de Rijksakademie van Beeldende Kunsten te Amsterdam
Object type: letter
Date: 1890 – 1890
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Subjects: ferdinand leenhoff, rome, designer, sculptor, pier pander, education, tuition of the artist (in general), diseases

Brief bevat een aantekening van een onbekende persoon.
Sono sugata Hikaru no utsushi-e
Object type: print
Date: 1851 – 1853
Materials: paper
Techniques: woodcut, nishiki e
Location: japan
Subjects: trees, open-air recreation, river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Mensenmassa tijdens de bekendmaking van de verkiezingsuitslag
Object type: photomechanical print
Date: 1905 – 1905
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: voting, election
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Verkiezingen Tweede Kamer.
Les Chiens
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: men,portraits,women,dogs
Presentation Smallsword with Scabbard of Admiral Marriot Arbuthnot (1711–1794)
Object type: smallsword with scabbard
Materials: gold, skin, steel, wood
Culture: british
Location: england

Admiral Marriot Arbuthnot (1711–1794) was presented with this sword by the residents of the English island of Jersey (Channel Islands) for having saved them from attack by the French fleet in 1779. A band wound around the grip bears a Latin inscription that reads in translation: "The Island of Jersey, delivered, presents this in gratitude, 1780." The urn-shaped pommel is an early example of what later became a characteristic feature of English Neoclassical hilts.
Groepsportret van drie mannen en vier vrouwen in klederdracht
Object type: cabinet photograph
Date: 1889 – 1925
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: purmerend
Artist: josephus hendrikus petrus coppens
Artist role: fotograaf
Artist dates: 1864 – 1941
Subjects: adult man (+ three persons), adult woman (+ four persons), folk costume, regional costume, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘J.H.P. Coppens - Purmerend.’
Gezicht op het Binnenhof
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: etching
Location: the hague
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Subjects: city-view, and landscape with man-made constructions, gate, entrance, horse, passenger carriage, civic architecture; edifices; dwellings

Op het Binnenhof te Den Haag staan enkele figuren bij twee koetsen met paarden. In de verte ligt de Mauritspoort gezien door de Middenpoort met rechts een gedeelte van de Ridderzaal.
John H. "Jack" Lynch, New York Metropolitans, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Pluto gaat de onderwereld in
Object type: print
Date: 1645 – 1658
Materials: paper
Techniques: etching
Location: mantua
Subjects: (story of) pluto (hades), dis pater, orcus, furies, dirae (erinyes), eumenides; 'furie' (ripa), cerberus, the three- or many-headed dog; 'cerbero' (ripa)
Inscriptions: inscription: ‘Synde eenen huldeblijke aan den Scheepen Direk van den Lisse. / Tot zijne werken ende streven verrigt als scheepen der stadt Schraevenhaage. / Op heeden den 16 July 1658 / voor den Gilde sittende ende uitvoerende....(kunnen vercopen?). / C. Poelenburgh.’, collector's mark: Lugt 2228

Pluto rijdt de onderwerld in op zijn strijdwagen die wordt getrokken door vier paarden. De ingang wordt bewaakt door de driekoppige hond Cerberus en de drie Furiën.
Portret van Johann Heinrich Linck
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann friedrich rosbach
Artist role: print maker
Subjects: historical persons, wig
Inscriptions: collector's mark: Lugt 2228
Portret van vader Christian Bernhard Rode op zijn sterfbed
Object type: print
Date: 1755 – 1755
Materials: paper
Techniques: etching
Artist: bernhard rode
Artist role: artist, print maker
Artist dates: 1725 – 1797
Subjects: goldsmith, deathbed, historical persons
Inscriptions: collector's mark: Lugt 3998, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Verwerkt in schilderij 'Laatste Oordeel', ook als ets (RP-P-2004-426).
View of the Appian Way
Object type: drawing
Date: 1866 – 1866
Materials: graphite
Location: germany
Artist: august leopold venus
Artist role: artist
Artist nationality: german
Artist dates: 1843 – 1886
Subjects: landscapes
Etsen van de Scheepvaart, Binnenvaartschepen, Vissersboten en andere Schepen
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: etching
Location: london
Subjects: rowing-boat, canoe, etc., harbour (+ number of persons ~ traffic and transport), thames
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Shortstop, from the Girl Baseball Players series (N48, Type 2) for Virginia Brights Cigarettes
Object type: baseball card, photograph
Date: 1886 – 1886
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,baseball,athletes

Trade cards from the "Girl Baseball Players" series (N48), issued in 1886 by Allen & Ginter to promote Virginia Brights and Dixie Cigarettes. There are two types of card in the series. Type 1 shows a female baseball player in a uniform with a polka dotted bib, and most often the cards are numbered. Type 2 depicts a female baseball player in a standard uniform with her player position noted on the image.
Portret van Steven Blanckaert
Object type: book illustration
Date: 1678 – 1678
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, historical persons, armorial bearing, heraldry

Prent uit: Blanckaert, Steven. De nieuw hervormde anatomia, ofte ontleding des menschen lighaams. Amsterdam: Jan Claesz ten Hoorn, 1678.
Design for a Chair Seat Cover with an Ornamental Frame with Two Restling Putti with Hanging Garlands of Leaves and Flowers Inside a Larger Ornamental Frame Featuring a Heart-Shape Motif
Object type: drawing ornament architecture
Date: 1870 – 1900
Materials: gouache, watercolor
Artist: anonymous, french, 19th century
Artist role: designer
Artist nationality: french
Artist dates: 1800 – 1900

Rectangular sheet of paper with a design for a chair back cover from the second half of the nineteenth century, inspired on the style of Louis XVI, forming part of the Neo-Classical Revival that took place in France and Britain from the 1850s on. The style was part of the Classical and Renaissance Revival that took place from about 1850, where the interest on the art and architecture from Ancient Rome and the 15th and 16th centuries was propelled by archaeological discoveries in Greece, Italy and Egypt. Through this style, Classical and Renaissance pieces of art and design were reinterpreted in a variety of forms and motifs, and classical figures, scrolling decorations, strapwork, and grotesques and moresques, became central element in design. This Revival was characterized by the use of design motifs that alluded to Classical Antiquity, including vases and trophies with pastoral attributes, classical figures and cameos, a mixture of real and fantastic figures, and swags and festoons. These swags and festoons comprised garlands of fabric and ribbon, as well as thin bundles and garlands of flowers and husks colored with pastels. The scale of this design is clearly not true to life and it is not unlikely that this drawing was made for a sample book of an upholsterer, to be shown to the customer as one of many different styles to choose from. This design is made up of an ornamental frame rendered with shades of yellow to simulate a golden finish with a blue background and two wrestling putti colored with a lighter shade of blue. The frame rests upon an acantus leaf-inspired ornament that flanks the inside of a larger, thinner ornamental frame with the shape of the chair seat, and is adorned by hanging garlands of green leaves and flowers colored with yellow, carmine, and shades of pink. The outer frame is also rendered to simulate a golden finish and is decorated with scrolls of shades of purple and blue, as well as stylized leaves of light greenish-blue color. The scrolls at the top center of the frame form a heart-shape motif, from which two large scrolls with acanthus leaf motifs and stylized exotic flowers, colored with green and lilac, emerge. An undulating ribbon of pastel purple color interlaces with these scrolls and the heart shape. A thin garland of green leaves and flowers colored with yellow, carmine, and shades of pink hangs from the bottom of the outer frame. The background is colored with cream on the inside of the this frame, and with light gray on the outside. The design is placed on the same paper as a similar chair seat cover (49.50.184(a)), possibly meant to be part of the same chair as this.
Titelpagina voor: Daniel Heinsius, Aristotelis Ethicorum Nicomachiorum paraphrasis, 1607
Object type: print
Date: 1607 – 1607
Materials: paper
Techniques: engraving
Location: leiden
Artist: willem isaacsz. van swanenburg
Artist role: print maker
Artist dates: 1580 – 1612
Subjects: temperance, 'temperantia'; 'temperanza' (ripa) ~ one of the four cardinal virtues, temperance, moderation; 'misura' (ripa), rage, anger
Inscriptions: collector's mark: Lugt 2228

Op een voetstuk staat links de Deugd met een paardentoom voor matigheid in de ene hand en een kruikje in de andere hand. Rechts staat Kwaadaardigheid, een sater met slangen als haar. Midden onder een cartouche met Minerva. Links en rechts boven twee trompet blazende putti.
Sampler
Object type: sampler
Date: 1770 – 1770
Materials: linen, silk
Subjects: owls,horses,lions
Tim Keefe, Pitcher, New York, from the Goodwin Champion series for Old Judge and Gypsy Queen Cigarettes
Object type: baseball card
Date: 1888 – 1888
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The Goodwin Champions series of trading cards (N162), was issued by Goodwin & Company in 1888 to promote Old Judge and Gypsy Queen Cigarettes. The series of 50 cards depicts athletes in various disciplines. The Metropolitan Museum of Art owns all 50 cards from the series.
Loeiende os
Object type: print
Date: 1848 – 1855
Materials: paper
Techniques: etching
Location: the hague
Artist: jacobus cornelis gaal
Artist role: print maker
Artist dates: 1796 – 1866
Subjects: bull
Inscriptions: collector's mark: Lugt 2228
Second Book of Vases
Object type: book
Techniques: etching
Location: france
Artist: edme bouchardon
Artist role: artist
Artist nationality: french
Artist dates: 1698 – 1762
Subjects: vases
On the Fo' castle of the Battleship Wisconsin
Object type: photograph
Date: 1901 – 1901
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: philadelphia
Subjects: warfare; military affairs (+ motor ships)
Inscriptions: date
Detail of Ornament
Object type: ornament detail
Date: 1801 – 1900
Materials: bronze
Culture: chinese