deem-data/ArtiFact huggingface dataset:
Elia voorspelt koning Achab dat er droogte zal komen
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: elijah announces to king ahab that god will bring a long drought in the land to avenge the apostasy of israel, elijah fed by the raven(s): while the prophet is living by the brook, ravens bring him food

Elia voorspelt aan koning Achab dat er een aantal jaar geen dauw of regen zal vallen. Links op de achtergrond zit Elia bij de beek Kirit waar raven hem van voedsel voorzien. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in 1 Kon. 17. Deze prent maakt deel uit van een album.
Tafellaken van wit linnendamast met druivenpatroon
Object type: tablecloth
Date: 1800 – 1900
Materials: linen
Techniques: damask
Location: netherlands
Artist: Anonymous
Inscriptions: mark: ‘gekroonde letters "CB" omringd door voluten’, number: ‘915’

Wit linnendamasten tafellaken met druivenpatroon. Merk gekroonde letters "CB" omringd door voluten.
South Brent, Devon, from Picturesque Selections
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: lithograph
Location: england
Artist: james duffield harding
Artist role: draughtsman, painter, print maker
Artist nationality: english
Artist dates: 1798 – 1863
Tien Europese munten
Object type: print
Date: 1629 – 1630
Materials: paper
Techniques: etching
Location: nancy
Subjects: coin
Inscriptions: collector's mark: Lugt 240

Tien Europese munten, in twee kolommen van vijf afgebeeld. Deze prent is onderdeel van een serie van tien prenten met voorstellingen van munten die tussen 1522 en 1629 in omloop gebracht zijn in Europa, voornamelijk in Duitsland en Italië. Van elke munt zijn de voor- en achterzijde naast elkaar weergegeven, verbonden door een cartouche met de letters AR (argentum - zilver) of AV (aureum - goud). De zilveren munten beslaan de eerste negen bladen en een deel van het tiende blad, dat verder voornamelijk gouden munten toont.
Brand in de Kloosterstraat, 1830
Object type: print
Date: 1830 – 1831
Materials: paper
Techniques: lithograph
Location: antwerp
Subjects: bombardment ~ siege, bombardment, antwerp
Inscriptions: collector's mark: Lugt 2228

Onder FMH 6516 beschrijft Muller een serie van acht platen over de gebeurtenissen te Antwerpen van 26-27 oktober 1830, gedrukt bij Ratinckx te Antwerpen. In het Supplement worden onder het nummer 6516A nog eens negen platen vermeld die waarschijnlijk tot dezelfde serie behoren. Daarnaast bezit het RPK nog twee platen die waarschijnlijk tot dezelfde reeks behoren. Hier worden deze negentien platen beschreven als deel uit makend van één en dezelfde serie.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, bent right arm, torso, genitals, buttocks, thighs, and tail of satyr, in profile, to right; Exterior, bit of double ground line
Outer coffin of Senebtisi
Object type: coffin, senebtisi
Date: 1850 – 1775
Materials: wood, gold leaf, obsidian, paint, panel, plaster, stone
Location: egypt
Subjects: eyes,coffins
Portret van Frederik Hendrik, prins van Oranje
Object type: print
Date: 1600 – 1650
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: johannes eillarts
Artist role: print maker, publisher
Artist dates: 1568 – 
Subjects: delft, the hague, frederick henry (prince of orange)
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Verliefd paar
Object type: reproduction
Date: 1926 – 1926
Materials: paper
Techniques: writing
Artist: Anonymous
Subjects: couple of lovers
Inscriptions: number: ‘4717’, number: ‘Serie 1033-6’
Piece
Object type: piece
Date: 1801 – 1900
Materials: cotton, silk
Portret van Gerardus Mercator
Object type: print
Date: 1597 – 1625
Materials: paper
Techniques: engraving
Location: frankfurt am main
Artist: johann theodor de bry
Artist role: print maker
Artist dates: 1561 – 1623
Subjects: instrument maker, gerardus mercator, ornament ~ hybrid animals, scrollwork, strapwork ~ ornament, globe, compass
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Prent afkomstig uit: Bibliotheca chalcographica, hoc est Virtute et eruditione clarorum Virorum Imagines. Frankfurt am Main. Deze uitgave vormde de voortzetting van de serie Icones virorum illustrium doctrina et eruditione praestantium, uitgegeven door Theodor de Bry, 1597-1598.
Cameo Portrait of Frederick Marshall
Object type: brooch
Date: 1855 – 1855
Materials: gold, shell
Culture: american
Location: united states
Subjects: men,portraits,profiles

Cameos are small sculptures carved in relief on a hard substance such as stone, coral, glass, or, as here, shell. Commonly, cameos are carved from materials with two or more inherent layers of color, allowing the sculptor to create contrast between the relief figures and background. Hardstone cameos were carved with great skill by lapidaries of the ancient classical world, and the art enjoyed a revival during the nineteenth century, when all things archaeological were in vogue. Though classical scenes and mythological beings were the favorite subject for Victorian cameo consumers and manufacturers, portraits of historic and contemporary persons (e.g. William Shakespeare or Florence Nightingale), as well as commissioned portraits of individuals enjoyed popularity. This portrait cameo brooch was donated to the Metropolitan in 1948 by Frederick Marshall Jr. The cameo is carved out of a queen conch shell and is set in a gold frame in the form of intertwining ivy vines. According to the donor, the portrait depicts his father, Frederick Marshall, and was carved by an unknown Frenchman working in New Orleans.
Study for "Swimming"
Object type: photograph
Techniques: platinum print
Location: united states
Artist: Thomas Eakins
Subjects: photography, photograph
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Head, neck bent arm, and part of the lower draped body of Dionysos, with his right elbow resting on his knee, holding a drinking horn in his hand; in the background, vines
Hulde Engelandvaarders aan Wilhelmina
Object type: history medal
Date: 1948 – 1948
Materials: bronze
Techniques: striking
Location: netherlands
Artist: j.ph. van zegveld
Artist role: medailleur
Subjects: the hague, print maker, wilhelmina of the netherlands, urban housing, london
Inscriptions: circumscription: ‘AAN•DE MOEDER•VAN „ORANJE- HAVEN„ OPGEDRAGEN•DOOR•DE OUD-ENGELANDVAARDERS TER•GELEGENHEID•VAN HAAR•GOUDEN REGERINGSJUBILEUM 1898-1948’, circumscription: ‘GIJ ZIJT DE SCHAKEL TUSSEN HEN DIE THUIS BLEVEN EN MIJ JUNI 1942-NOV.1944’

Bronzen penning. Voorzijde: gezicht op het pand in Londen waar Engelandvaarders elkaar ontmoetten tijdens de Tweede Wereldoorlog (Oranjehaven, Hyde Park Place 23). Keerzijde: tekst met slinger eronder.
Manius Curius Dentatus weigert de geschenken van de Samnieten
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: manius curius dentatus, while cooking a simple meal at his hearth, refuses the gifts of the samnites
Inscriptions: collector's mark: Lugt 2228
't Hoogh-heemraetschap vande Uytwaterende Sluysen in Kennemerlant ende West-Frieslant
Object type: map
Date: 1734 – 1745
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: maps of separate countries or regions

In de collectie van het Rijksprentenkabinet bevinden zich verschillende exemplaren en staten van de vierdelige kaart waar dit blad (deel linksonder op de kaart) onderdeel van is. De kaarten zijn te dateren aan de hand van de namen van de dijkgraaf, hoogheemraden en rentmeester, te vinden op de twee bovenste bladen van de kaart. Omdat de twee onderste bladen door de jaren heen onveranderd zijn gebleven en niet duidelijk is welke losse onderste bladen bij welke bovenste horen, kunnen de onderste bladen niet precies gedateerd worden. Wel kan gesteld worden dat alle losse exemplaren van het blad dat het deel linksonder op de kaart vormt in de collectie óf bij de vierde staat uit 1734-1739, óf bij de vijfde staat uit 1745 horen.
Instituut te Voorburg
Object type: book illustration
Date: 1855 – 1855
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: elementary school; class, form, voorburg
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Onderwijs en Wetenschappen, Opvoeding en Onderwijs, Gebouwen voor het onderwijs bestemd.
Fragment with an Eight-Pointed Star Containing a Warrior
Object type: textile fragment
Date: 301 – 600
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: warriors

The warrior at the center of the eight-pointed star holds a shield in one hand and raises a double-headed axe behind his head with the other. Like the interlace, the gesture of upraised hands was believed to deflect a harmful gaze. The central image is framed by eight vases connected by intertwined vines springing from the vessels. A cable pattern forms the outline of the star; each link is filled with a delicate rosette.
Towel
Object type: textile
Date: 1850 – 1900
Materials: cotton, metal thread, silk
Techniques: embroidery, weave
Location: turkey
Insects, Butterflies, and a Grasshopper
Object type: drawing
Date: 1664 – 1664
Materials: chalk, gouache, parchment, watercolor
Artist: jan van kessel
Artist role: artist
Artist nationality: flemish
Artist dates: 1626 – 1679
Subjects: insects,butterflies

This drawing and one other in the Met collection (2004.129) are likely preparatory for two copper paintings on panel, which recreate the drawings exactly [1]. A native of Antwerp and a student of Jan Breughel the Younger, van Kessel often worked in elaborate multi-part compositions consisting of many small paintings on copper supports. Such panels may have been intended for the doors of cabinets that contained specimens of the creatures depicted on them, but many finished panels were framed and hung together as monumental artworks. The copper panels derived from the compositions in The Met collection, may have been intended to hang on the wall as a pair. Ambitious in scale, and complex in both materiality and composition, the multi-work format became a signature of Van Kessel's practice through which the artist made lofty claims for the inventiveness of his compositions and his talent to capture natural forms [2]. Despite their preparatory status, the execution of these sheets is refined, if not quite to the level of one of van Kessel’s finished copper panels. Painted on prepared vellum, executed in multiple stages including underdrawing, and signed and dated at the bottom right, the artist has ensured that the drawings could serve as an autonomous artwork, worthy of being collected themselves. In this pair of drawings moths native to Africa crawl next to European insects and American butterflies. Many of these species frequented collections amassed by early modern European collectors through global networks of trade and colonialism. Van Kessel depicted some of the insects we see on these sheets in other artworks, reusing the motifs to create novel compositions [3]. The compositions in the Met collection shuffle insects from van Kessel's roster of motifs, bringing together diverse species creating juxtapositions that would never be observed in nature. In generating these imagined combinations, van Kessel plays with the notion of the artist’s generative power and control over nature. Olivia Dill, 8/20/24 [1] Nadia Baadj, Jan van Kessel I (1626-1679): Crafting a Natural History of Art in Early Modern Antwerp, Harvey Miller Studies in Baroque Art (London: Harvey Miller Publishers, 2016), 91-92. [2] Baadj, Jan van Kessel I (1629–1679). [3] Some of the same insects recur in panels at the Oak Spring Garden Foundation. Jan van Kessel I, Studies of snakes, lizards, flowers, caterpillars, beetles, butterflies, and other insects: a set of seventeen, 1658, oil on copper, sixteen measuring 14 x 19 cm, one measuring 39 x 56 cm, Oak Spring Garden Foundation, Upperville.
Open plek voor een herberg
Object type: print
Date: 1630 – 1663
Materials: paper
Techniques: etching
Artist: anthonie waterloo
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1690
Subjects: towers ~ fortified city, inn, coffee-house, public house, etc., city-walls
Inscriptions: collector's mark: Lugt 240

Links is een herberg als onderdeel van een stadsmuur te zien. Voor de herberg is een plein met enkele figuren weergegeven. Rechts loopt een pad parallel aan de stadsmuur.
Plate
Object type: ceramic
Date: 1760 – 1775
Materials: earthenware
Techniques: glazing
Location: staffordshire
Stadhuis te Leyden
Object type: print
Date: 1840 – 1905
Materials: paper
Techniques: lithograph
Location: northern netherlands
Artist: pieter willem marinus trap
Artist role: print maker, printer
Artist dates: 1821 – 1905
Subjects: townhall
Inscriptions: collector's mark, collector's mark: Lugt 1641

Gezicht op het Stadhuis in de Breestraat te Leiden. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Stadhuizen (H-M).
De Maatschappij ter Bevordering van Toonkunst, haar Muziekfeest en de stad Rotterdam. herinnering aan het jaar 1854
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: sailing (sport), rotterdam
Inscriptions: collector's mark: Lugt 2228

Zeilwedstrijd van de Koninklijke Nederlandsche Yachtclub op de Maas te Rotterdam, 12 juli 1854. Onderdeel van een serie van twaalf portretten naar daguerrotypieën en twaalf stadsgezichten. Ter gelegenheid van het Muziekfeest ter viering van het 25-jarige bestaan van de Maatschappij ter Bevordering van Toonkunst in Rotterdam, 12-15 juli 1854.
One of a Pair of Manuscript Covers from the Glorification of the Great Goddess (Devimahatmya)
Object type: painting
Date: 1701 – 1800
Materials: paint, pigment, wood
Location: nepal

The Hindu goddess Durga. slayer of the buffalo demon Mahesha (Mahishasuramardini), appears in rhythmic succession 12 times in this pair of manuscript covers from Nepal. In this myth the gods, unable to defeat a powerful shape-changing demon in the form of a water buffalo, decide to create a goddess who—with their combined weapons, energy, and strength—will be able to vanquish it. Whirling her arms and brandishing her weapons, the goddess stabs the demon with her lance in one lower hand and lifts him up by the tail with another. Her right foot stands upon her trademark vehicle, shown as a snow lion in Nepal, while her left foot crushes the demon’s back. As she does so, a human form emerges from the animal’s neck. In an expressive detail, the buffalo’s severed head droops below the picture frame. In Nepal Durga is often called “Bhagwati,” and she is worshipped annually in an autumn festival in both India and Nepal.
ROMA - S. Michele Arcangelo di Guido Reni - Chiesa d. Capuccini
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: the archangel michael fighting the dragon (devil, satan)
Inscriptions: inscription: ‘Edizione inalterabile’, number: ‘941’

Onderdeel van Fotoalbum van een reis door Zuid-Europa en het Midden-Oosten.
Portret van Cosimo de' Medici
Object type: album leaf
Date: 1549 – 1575
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: historical persons, politician, e.g. party leader

Prent gebruikt in: Giovio, Paolo. Elogia Virorum bellica virtute illustrium (...). Bazel: Peter Perna, 1575.
Portret van een jonge man
Object type: album leaf
Date: 1881 – 1887
Materials: cardboard, photographic support
Techniques: albumen print
Location: nijmegen
Artist: wilhelm ivens
Artist role: fotograaf
Artist dates: 1849 – 1904
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘Wilh. Ivens/ PHOTOGRAAF/ NYMEGEN/ 50, Houtstraat 50/ over de Bloemerstraat./ De plaat blijft voor nabestelling bewaard.’, annotation: ‘Reinder M[ag?]/geb. Garijp/ [.as] Arnhem’
The Fifth Day (Dies V): The Creation of the Kingdom of Animals, from "The Creation of the World"
Object type: print
Date: 1589 – 1589
Techniques: engraving
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Subjects: human figures,birds,fish,insects

In 1589 Jan Muller, son of the Amsterdam book printer, engraver, and publisher, was a member of or working in Hendrick Goltzius’s workshop in Haarlem. During that time, he engraved a series of prints depicting the creation of the world after designs by Goltzius, the premier draftsman and printmaker in the northern Netherlands. Although some preliminary sketches for the series still exist, the finished designs are now lost. The series itself is extraordinary. Rather than following the centuries old traditional representations of the seven days of creation, based on the Book of Genesis, Goltzius looked instead to classical mythology for his imagery. It is often suggested that he was inspired by Ovid, the first century Latin poet, who describes the creation at the beginning of The Metamorphoses, his long poem about the gods and humankind. In the foreground is a sea goddess, lounging in the waves, buoyed up by various sea creatures. The print is crowded with animals, filling nearly the whole circular space. As in the Bible, they are designated as creatures of the air, earth and water, though here mingling closely together.
View of Nagasaki bay
Object type: painting
Date: 1833 – 1836
Materials: silk
Techniques: brush
Artist: kawahara keiga
Artist role: painter
Artist dates: 1786 – 1860
Subjects: prospect of city, town panorama, silhouette of city

Gezicht in vogelvluchtperspectief van de baai van Nagasaki, met talloze Japanse schepen, twee Nederlandse schepen en drie Chinese schepen. Links in het midden de Chinese handelsvestiging, met daarnaast de Nederlandse handelsvestiging op het waaiervormige eiland Deshima.
Portret van Farruk Siyar te paard
Object type: indian miniature
Date: 1750 – 1799
Materials: paint, gouache, paper
Techniques: brush
Location: deccan
Artist: Anonymous

Portret van Farruk Siyar (1712-1719) te paard.
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 16 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament

Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. From top to bottom, and left to right: Design composed of 2 horizontal registers. Top register is decorated with 3 upside-down triangles, each decorated with a central floral motif (left and right triangle have the same motif). Bottom register is decorated with 3 upside-down rounded triangular motifs, each decorated with a central floral motif (left and right shapes have the same motif).
Gezicht op de Teufelsbrücke over de Schöllenenkloof nabij de Gotthardpas, Zwitserland
Object type: photomechanical print
Date: 1880 – 1985
Materials: cardboard, paper
Techniques: photograph
Location: schöllenenkloof
Artist: Anonymous
Subjects: ravine, chasm, abyss, canyon, brook, bridge
Inscriptions: number: ‘132’
Reflection in Blazier Creek, No. 9 from the series "In and About the Dells of the Wisconsin River"
Object type: photograph
Date: 1870 – 1908
Techniques: albumen print
Location: wisconsin
Artist: henry hamilton bennett
Artist role: artist
Artist nationality: american, born canada
Artist dates: 1843 – 1908
Terracotta rattle in the form of a pig
Object type: rattle in the form of a pig
Date: 300 – 101
Materials: terracotta
Culture: cypriot
Subjects: pigs
Uitmeten van een bomenrij voor de ingang van een kasteel
Object type: print
Date: 1669 – 1669
Materials: paper
Techniques: etching
Location: paris
Subjects: castle, french or architectonic garden; formal garden, planimetry, geometry

Prent toegevoegd aan: Pratique de la géometrie, sur le papier et sur le terrain. Avec un nouvel ordre et une méthode particulière. Parijs: Thomas Jolly, 1669.
SS Apostolorum Iconen
Object type: print
Date: 1639 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: 'regina coeli', 'regina angelorum', 'maestà' ~ madonna
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De prent toont de maagd Maria als koningin des wereld (Regina Coeli). In haar rechterhand een scepter. De serie bestaat uit prenten gebaseerd op schilderijen van Peter Paul Rubens.
Dansoptreden in Japan
Object type: stereograph
Date: 1900 – 1907
Materials: paper, cardboard
Techniques: hand coloring
Location: japan
Artist: t. enami
Artist role: publisher
Subjects: theatre, theatrical performance, japan
Portret van Georg Christian Woytt op 44-jarige leeftijd
Object type: print
Date: 1727 – 1783
Materials: paper
Techniques: mezzotint
Location: augsburg
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
William "Buck" Ewing, Captain and Catcher, New York, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Terracotta fragment of a kalpis (water jar)
Object type: kalpis fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the shoulder of a kalpis
Te Deum chanté dans l'église de Notre-Dame, en actions de grâces de la prise de Sébastopol
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: engraving
Location: france
Artist: jules gaildrau
Artist role: painter, print maker
Artist dates: 1816 – 1898
Subjects: paris, napoleon iii (keizer der fransen), holy mass (divine service, especially of roman catholic church)
Inscriptions: collector's mark: Lugt 2228

Dankdienst in de Notre-Dame te Parijs in aanwezigheid van keizer Napoleon III, ter gelegenheid van de inname van Sebastopol, september 1855.
Portret van Jacob Merkelbach en echtgenote omringd door bloemen
Object type: photograph
Date: 1905 – 1913
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Subjects: marriage, married couple, 'matrimonium', historical persons (portraits and scenes from the life)

Portret van Jacob Merkelbach en echtgenote omringd door bloemen bij opening atelier boven Hirsch op het Leidseplein, mei 1913
Portret van Justus von Gebhard
Object type: print
Date: 1637 – 1637
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: vienna, historical persons, lawyer, attorney at law
Inscriptions: collector's mark: Lugt 2228
Concordia
Object type: print
Date: 1585 – 1590
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: agreement, unity; 'concordia', 'concordia insuperabile', 'concordia militare', 'concordia di pace', 'unione civile' (ripa), caduceus (staff with two snakes, attribute of mercury), doves, pigeons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Staande vrouw met aan haar voeten twee elkaar aankijkende duiven. In haar linkerhand houdt zij een caduceus vast, op haar rechterarm draagt zij een schoof koren. Onder de voorstelling twee prenten in het Latijn. De prent maakt deel uit van een album.
Ball
Object type: ball
Date: 1701 – 1900
Materials: copper, glass
Subjects: sports
Smallsword
Object type: smallsword
Materials: silver, steel, wood
Culture: british
Location: england

The silver hilt is decorated with an imaginative array of Rococo masks and shells. It is a fine example of the application of contemporary decorative styles to the design of sword hilts.