deem-data/ArtiFact huggingface dataset:
Titelpagina voor: Eduard Meiners, Kort ontwerp van de lere der waarheit of de Oostvriesche catechismus, 1740
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: letterpress printing
Location: emden
Subjects: title-page
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Titelpagina voor: Meiners, Eduard. Kort ontwerp van de lere der waarheit of de Oostvriesche catechismus. Emden: Blanck, Luito, 1740.
Studieblad met twee handen aan een staf
Object type: drawing
Date: 1590 – 1600
Materials: paper, chalk
Location: northern italy
Artist: Anonymous
Subjects: arms, hand
Portret van Sigismund Richter
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching, hand coloring
Artist: höcker
Artist role: painter
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Gerard, baron van Swieten, hofarts en hervormer van de geneeskundige faculteit te Wenen
Object type: history medal
Date: 1756 – 1756
Materials: silver
Techniques: striking
Artist: anton franz widemann
Artist role: medailleur
Artist dates: 1724 – 1792
Subjects: leiden, vienna
Watch
Object type: watch
Date: 1801 – 1900
Materials: gold, silver
Techniques: enamel
Artist: f. pernetti
Artist role: maker
Artist dates: 1800 – 1900
Subjects: flowers,leaves
Fotoreproductie van het schilderij Kruisafname door Rafaël, in de collectie van de Galleria Borghese te Rome
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Subjects: drawing, sketch, picture, painting
Inscriptions: collector's mark: ‘VOSMAER’, number: ‘2017’
Portret van een rooms-katholieke geestelijke, mogelijk een kardinaal
Object type: photograph
Date: 1865 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: liturgical vestments, canonicals, head-gear (solideo), head-gear (bonnet) (+ men's clothes), cardinal, historical persons, the cross ~ symbols of christ, necklace, pope

Onderdeel van Fotoalbum met 123 cartes-de-visite van leden van Europese vorstenhuizen, politici en bekende personen.
Shawl
Object type: shawl
Date: 1876 – 1900
Materials: wool
Artist: anton thum
Artist role: department store
Artist nationality: bohemian
Subjects: flowers
Portret van Christian August Hänel
Object type: print
Date: 1817 – 1850
Materials: paper
Techniques: lithograph
Location: dresden
Artist: carl lutherer
Artist role: draughtsman, print maker
Artist dates: 1807 – 1850
Subjects: politician, e.g. party leader, historical persons not known by name
Inscriptions: collector's mark: Lugt 2228

Portret van een verder onbekende politicus met de naam Christian August Hänel.
Fotoreproductie van The happy days of Charles I
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, water-birds: swan, adult man, rowing-boat, canoe, etc., painting, drawing and the graphic arts
Inscriptions: annotation: ‘Die glückligen Tagen Carl [...] I’, number: ‘275’
Entombment (recto); Virgin and Child with the Infant John the Baptist (verso)
Object type: drawing and watercolor
Materials: chalk, ink, iron, paper
Techniques: brush, pen, wash
Location: italy
Artist: imitator of giovanni francesco barbieri, called guercino
Liggende tijger, naar rechts
Object type: drawing
Date: 1864 – 1936
Materials: chalk, paper
Artist: jan van essen
Artist role: draughtsman, print maker
Artist dates: 1854 – 1936
Subjects: beasts of prey, predatory animals: tiger
Chemisette
Object type: chemise
Date: 1847 – 1847
Materials: cotton
Culture: british
Portret van de schilder en decorateur Jan Eduard de Vries
Object type: drawing
Date: 1832 – 1897
Materials: paper, pencil
Artist: johannes hinderikus egenberger
Artist role: draughtsman, print maker
Artist dates: 1822 – 1897
Subjects: amsterdam, painter, jan eduard de vries, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Okitsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"
Object type: print
Date: 1806 – 1806
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Adoration of the Shepherds
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: france
Artist: after nicolas poussin
Saigyo-zakura, from the series "One Hundred No Dramas (Nogaku hyakuban)"
Object type: print
Date: 1898 – 1903
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Openwork Belt Fitting
Object type: plaque
Date: 601 – 700
Materials: copper alloy, gilt
Culture: frankish
Subjects: horses
Hellespontine Sybil
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: madonna: mary sitting or enthroned, the christ-child in her lap (or in front of her bosom) (mary sometimes represented half-length), sibyls (with name)
Inscriptions: collector's mark: Lugt 240

These four women in antique dress are sibyls: prophetesses who, according to tradition, announced the coming of Christ. The entire De Passe family workshop collaborated on the series, which consisted of twelve prints. This teamwork enabled the shop to produce large quantities of prints at a fast pace. Magdalena was responsible for these three sibyls.
Case (Inrō) with Design of Hibiscus and Autumn Flowers beneath Clouds
Object type: inrō
Date: 1801 – 1900
Materials: gold, metal, silver
Techniques: relief
Culture: japanese
Subjects: flowers,clouds
Wapens en Namen van de Burgemeesteren tot Amsterdam sedert Anno 1578 tot heden toe
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: device (as symbol of the state, etc.) (+ city; municipal), church-window, e.g. rose-window, armorial bearing, heraldry
Inscriptions: collector's mark: ‘31.122’ Lugt 1641b

Glas-in-loodraam in de Noorderzijbeuk met de wapens van Amsterdamse burgemeesters, van 1578 tot 1757. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Oude Kerk van binnen.
Amulet of a Hippopotamus
Object type: costume and accessory
Materials: limestone
Culture: egyptian
Location: egypt
Subjects: hippopotamus

Made around 5000 years ago, this hippopotamus amulet is one of the oldest objects in the Art Institute’s collections. Ancient Egyptians had several terms for small objects like this, which we call “amulets.” Worn by the living and the dead, these charms were meant to bring protection, health, and good luck, ensuring the bearer’s well-being in both life and the afterlife.

This object was made before writing existed in ancient Egypt, so our guesses about its function come from our knowledge about later periods. Ancient Egyptians knew hippopotamuses as aggressive animals and may have worn amulets shaped like them for protection from the dangers they posed. In later periods ancient Egyptians worshipped a goddess, Taweret, whose body took the form of a hippopotamus, as a protector of laboring women and helper during childbirth. Early hippopotamus amulets like this stone example may have had similar ties to the powers that ancient Egyptians later associated with the goddess.
Drie foto's van het vakantiehuis van familie Onnen-Van den Berg in Noordwijk
Object type: album leaf
Date: 1920 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Location: noordwijk
Artist: Anonymous
Subjects: exterior ~ representation of a building, interior ~ representation of a building

Deze foto's maken deel uit van een album.
Portret van een meisje met kap (Karen?)
Object type: drawing
Date: 1874 – 1925
Materials: chalk, paper, pencil
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: historical persons not known by name - bb - woman, head-gear: hat
Portret van Jacob Hochenbaum
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching
Artist: johann franz ermels (der ältere)
Artist role: draughtsman, print maker
Artist dates: 1641 – 1693
Subjects: painter, historical persons, portrait, self-portrait of painter
Inscriptions: date
Portret van Karl Albert von Kamptz
Object type: print
Date: 1822 – 1885
Materials: paper
Techniques: lithograph
Artist: ralf leopold von retberg
Artist role: print maker
Artist dates: 1812 – 1885
Subjects: berlin, historical persons, law and jurisprudence
Inscriptions: collector's mark: Lugt 2228
Trompetvormige bloemen
Object type: ornament print
Date: 1755 – 1775
Materials: paper
Techniques: etching
Location: paris
Subjects: flowers
Inscriptions: collector's mark: Lugt 2228

Twee trompetvormige bloemen, daaronder de serietitel.
Model ax
Object type: model ax
Date: 1981 – 1802
Materials: copper, wood
Location: egypt
Portret van Karl Johann Heinrich Eduard von Gerlach
Object type: print
Date: 1820 – 1850
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: adult man, historical persons, hacking and thrusting weapons: sword, (military) uniforms
Inscriptions: collector's mark: Lugt 2228
Preisausschreiben des Photogr. Klub München/ II. Preis (Landschaftl. Stimmungsbild)
Object type: photomechanical print
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Location: berlin
Artist: j.b. stadter
Artist role: fotograaf
Subjects: trees, civic architecture; edifices; dwellings
Landschap
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper, watercolor
Techniques: brush
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: landscapes

Blad 29 recto uit een schetsboek met 41 bladen.
Pro patria
Object type: bookplate
Date: 1900 – 1900
Materials: paper
Techniques: engraving
Artist: charles william sherborn
Artist role: print maker
Artist dates: 1831 – 1912
Subjects: knight, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Portret van Jacobus Gerardus Verhoeff
Object type: print
Date: 1850 – 1870
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: utrecht, bodegraven, theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of single reserve line framing the tondo
Logis domestiques / Petit Habitations
Object type: album leaf
Date: 1540 – 1545
Materials: paper
Techniques: etching
Subjects: plan ~ architecture

Deze prent maakt deel uit van een album.
View of Sintra, the area near the clock-tower
Object type: print
Date: 1840 – 1840
Techniques: printmaking, lithograph
Artist: clementine de brelaz
Artist role: artist
Artist nationality: portuguese
Artist dates: 1811 – 1892

Sintra (Cintra) is a summer resort near Lisbon on the 'Portuguese Riviera' that historically has been frequented by the royal family and the nobility. Much of the architecture is in the neo-Renaissance style built in the nineteenth century. This is from a collection of picturesque views of Sintra by the lithographer and sometime painter Clementine de Brelaz. She was born in Lisbon in 1811, and migrated to Switzerland, as a Protestant convert. According to Carl Brun (Schweizerisches Künstler Lexikon), Brelaz was taught in Geneva by the Swiss landscape painter Alexandre Calame (1810–64), presumably during the 1830s. The series of plates are from a set of 18 with a title ‘Coquis de Cintra: Dessines d’apres et lithographies par CNE B.’, Lisbon, Litografia de Manuel Luis, 1840.
Terracotta rim fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 530 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of the eyebrow and upper corner of an eye
Crucifix
Object type: crucifix
Date: 1601 – 1800
Materials: brass
Culture: kongo
Location: angola
Subjects: christ,cross,crucifixion
Ducatus Limburgum
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: maps of separate countries or regions, coat of arms (as symbol of the state, etc.) (+ province; provincial)
Inscriptions: collector's mark: Lugt 2228

Kaart van het hertogdom Limburg. Linksboven de titelcartouche met bovenin het wapen van het hertogdom Limburg. Rechtsonder een cartouche met twee schaalstokken: 2 Milliaria Gallica / 2 Milliaria Germanica. De kaart is voorzien van een gradenverdeling langs de randen. Met Nederlandse tekst op verso.
Woman on Veranda, Spinning; another Pounding Cloth on Rock in Foreground
Object type: woodblock print nishiki e
Date: 1726 – 1792
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: women,trees,working
Portret van Hans Holbein II, Peter Vischer, Albrecht Dürer, Lucas Cranach I en Veit Stoss
Object type: print
Date: 1867 – 1867
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: augsburg, painter, draughtsman, hans holbein (ii), print maker, lucas cranach (i), sculptor, peter vischer, albrecht dürer, portrait, self-portrait of sculptor, historical persons, portrait, self-portrait of painter

Vijf portretten in ovalen met het portret van Dürer in het midden.
Interieur met dienstmeiden
Object type: drawing
Date: 1836 – 1896
Materials: paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: baby-chair
Ceiling Fragment Depicting Pigeons in Flight
Object type: ceiling painting, pigeon, malqata
Date: 1390 – 1352
Materials: mud, paint, plaster
Location: egypt
Subjects: pigeons
Cathedral and Village on a Lake
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: france
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Prophet
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: austria
Artist: paul troger
Artist role: artist
Artist nationality: austrian
Artist dates: 1698 – 1762
Chapelle de Wihou. près d' Argenteau. / Peinture.
Object type: print
Date: 1866 – 1900
Materials: paper
Techniques: lithograph
Location: liège

In het midden is een pijlvormig motief afgebeeld met een vogel die naar beneden gericht is. Linksboven staat vermeld: Motifs de Decoration, rechtsboven: Peinture, rechtsonder: N°14, G. 76.
Corfou. Une licoursiote
Object type: album leaf
Date: 1895 – 1905
Materials: paper, photographic support
Techniques: gelatin silver print
Location: corfu
Subjects: folk costume, regional costume (+ women's clothes), studio requisites ~ photographer

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Griekenland en Egypte.
Vissersboot TX 58 op zee
Object type: photograph
Date: 1934 – 1934
Materials: photographic support
Techniques: gelatin silver print
Location: den helder
Artist: h. willemse
Artist role: fotograaf
Subjects: boat propelled by man or animal
Dress
Object type: dress
Date: 1880 – 1880
Materials: cotton, silk
Culture: french
Allegorische voorstelling met jezuïeten en koning
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: regular clerics, e.g. jesuits, redemptorists, king
Inscriptions: collector's mark: Lugt 240

Een jezuïet met leeuwenpoten draagt een globe, een masker en een papier met Secreta Regim onder zijn arm. Naast hem zit een koning op zijn knieën, bij hem zit een duivelsfiguur met een blaasbalg. Links staat een jezuïet bij een monstrans en kruisbeeld. Rechts leest een jezuïetenpaar in een boek waarin Sanchez geschreven staat. Boven hen hangt een banier met de letters IHS.
Overgave van Hasselt op 8 augustus 1831
Object type: print
Materials: paper
Techniques: hand coloring, lithograph
Location: breda
Subjects: the hague, william ii of the netherlands, berlin, frederik (prins der nederlanden), battle (+ land forces), surrender ~ war
Inscriptions: collector's mark: Lugt 2228

De overgave van de stad Hasselt aan de Nederlandse troepen onder bevel van de prins van Oranje, 8 augustus 1831. Gezicht op het slagveld met centraal op een heuvel de prins omringd door zijn staf, allen te paard. Rechts van hen een afvaardiging van de stad Hasselt onder leiding van de burgemeester om over de overgave van de stad te onderhandelen. Rechts prins Frederik tussen enkele officieren. Op de voorgrond wordt een gewonde militair verzorgd. Aan de linkerkant leden van de Leidsche Vrijwillige Jagers en de Jagers van Rookmaker.
Vessel Depicting a Costumed Ritual Performer Holding a Staff and a Trophy Head
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: peruvian south coast
Kookkan van opaak geel glas (waarschijnlijk imitatie geel aardewerk); op drie pootjes met schenklip en oor.
Object type: kookkan
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous
Torc
Object type: torc
Date: 301 – 800
Materials: gold
Culture: celtic
Ex libris van onbekend
Object type: bookplate
Date: 1750 – 1899
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: armorial bearing, heraldry
Ontwerp voor twee damcommodes
Object type: watercolor
Date: 1795 – 1800
Materials: ink, paper, watercolor
Techniques: brush
Location: london
Artist: charles heathcote tatham
Artist role: architect
Artist dates: 1772 – 1842
Inscriptions: : Ontwerp voor twee damcommodes, met onder beide een doorsnede van de linkerhelft. Inscripties in zwarte inkt: glass, Glass, (No. 1.) en (No. 2). Midden onder schaalverdeling met '1 foot'. Latere inscriptie in blauwe inkt: 17/17. Verso: inscripties in potlood: T. Hans [?] S n R{?}/ M27. Watermerk: 1794 / J WHATMAN.
The Descent of the Holy Spirit
Object type: panel
Date: 1547 – 1547
Materials: wood
Artist: francesco orlandini
Artist role: maker
Artist dates: 1500 – 1600
Subjects: buildings

Commissioned by Claude d'Urfé, Ambassador of the King of France to the Council of Trent. Executed by Fra Damiano da Bergamo and his assistants in the Convent of San Domenico at Bologna, and set up in the Chapel of the Château de la Bastie d'Urfé, near Lyons. The altarpiece, representing the Last Supper, is signed by Fra Damiano and dated 1548. It was designed by Jacopo Barozzi da Vignola. The inlaid panels show architectural views, still lifes, landscapes, sacred subjects and ornamental patterns. The carved cartouches display the cipher of Claude d'Urfé and his wife, Jeanne de Balzac, the Eucharistic sacrificial lamb, adopted as an emblem by Claude d'Urfé, and various Trinitarian symbols. The design of these cartouches was also probably due to Vignola. The inscription running around the wainscoting is based upon the words of the Eucharistic hymn of Saint Thomas Aquinas. It indicates that the Chapel was dedicated to the Holy Sacrament as well as to the Trinity.
Briefkaart aan Willem Bogtman
Object type: postcard
Date: 1922 – 1922
Materials: cardboard, ink
Techniques: pen, writing
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: haarlem, willem bogtman, amsterdam, herman ambrosius jan baanders, drawing, applied arts, arts and crafts; industrial design
Drumstick holder from a drummers belt plate
Object type: percussion instrument
Date: 1823 – 1823
Materials: copper
Location: netherlands
Artist: Anonymous

Stokplaat van messing voor tamboer-majoor
Masked Figure Pendant
Object type: pendant
Date: 301 – 800
Materials: jade
Culture: atlantic watershed
Location: costa rica

Excavations in Costa Rica have revealed that jade objects worn in life were consistently placed as offerings in burials; in some instances, they were found on the neck of the deceased. This standing masked figure with bent knees has arms raised to chest level, holding something between his hands or simply resting them on his plump abdomen. The figure is unclothed except for the mask, with its large upturned snout or beak and a tripartite crested headdress. Carved from a light green jade, shallow incisions and deep grooves interrupt the highly polished surface to delineate anatomy and ornament. A drill hole through the neck allows for suspension.
Portret van Lodewijk VII, koning van Frankrijk
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: paris, historical persons, king
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Eudes de Mézeray, François. Chronyk van Vrankryk. 6 dln. Amsterdam: Jan Bouman en Timotheum ten Hoorn, 1685, dl. 2.
Sacred Heirloom Textile (mawa or ma'a)
Object type: textile
Date: 1301 – 1500
Materials: cotton
Techniques: dyeing, weave, printing, resist
Location: india
Germaanse veldheer Arminius kust voor de heilige eik een verwonde schildknaap
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: helmet, protective weapons: shield, germanic and scandinavian religions, religious functionaries ~ germanic and scandiavian religions, trees: oak, (military) flags and standards, victory ~ armed conflict
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Klein, Anton. Leben und Bildnisse der Grossen Deutschen, von verschiedenen Verfassern und Künstlern (...). 3 dln. Mannheim: s.n., 1785, dl. 1.
Messina. Corso Cavour. Immacolata
Object type: ansichtkaart, prentbriefkaart
Date: 1908 – 1908
Materials: cardboard
Techniques: photograph
Location: messina
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, consequences of an earthquake, monument, statue
Studie, mogelijk van een wolkenlucht
Object type: sketchbook leaf
Date: 1903 – 1903
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: clouds
Inscriptions: kleurnotitie, handgeschreven

Pagina 75 uit een schetsboek met 32 bladen.
Terracotta fragment of a squat lekythos (oil flask)?
Object type: lekythos fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

At the shoulder, a band of tongues; below, a draped, winged woman to right, wearing a chiton and a sakkos, with her arms extended
Standing cup
Object type: standing cup
Date: 1730 – 1750
Materials: glass
Subjects: cupid,flowers
Servet van linnendamast met een kantpatroon
Object type: napkin
Date: 1650 – 1700
Materials: linen
Techniques: damask, weave
Location: flanders
Artist: Anonymous

Servet van linnendamast met een kantpatroon. Bij het servet hoort een servet (BK-1977-295-A) en een tafellaken (BK-1977-294).
Scheepskameel van voren en achteren gezien
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ship's camel (device used to raise a ship over a bar), sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228

Latere staat van deze prent opgenomen in: Yk, Cornelis van. De Nederlandsche scheepsbouw-konst open gestelt. Amsterdam: Jan Claesz ten Hoorn, 1697.
Ruiterstandbeeld van de keurvorst Maximiliaan I in München
Object type: photograph
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: munich
Subjects: maximiliaan i (keurvorst van beieren), equestrian statue
Inscriptions: stamp: ‘G. Böttger/ photograph. Kunstverlag & Atelier/ MÜNCHEN/ Kaufingerstrasse Nr. 9.’
Naaischroef, gedecoreerd met een eikel en een vis
Object type: naaischroef
Date: 1700 – 1800
Materials: brass
Techniques: casting, metalworking, engraving, punching

Het voorwerp is gegoten en geciseleerd en vervolgens gedeeltelijk geponst bewerkt en gegraveerd. Het bestaat uit vier delen: de schroef met het handvat en de knop, de tafelklem, het balustertje, de vis. Het handvat en de knop van de schroef zijn versierd. De tafelklem bestaat uit twee eikels, die met een S-vorm en vier bladeren met elkaar in verbinding staan. Op het bovenste blad is het balustertje gesoldeerd, dat één geheel vormt met het bekdeel van de vis. In dit dier is een veer aangebracht zodat de bek dicht valt. In de bovenste eikel van de tafelklem is een gat, met aan de binnenkant een schroefdraad.