deem-data/ArtiFact huggingface dataset:
Melancholia
Object type: painting
Date: 1615 – 1615
Materials: canvas, oil, paint
Techniques: painting
Location: italy
Artist: domenico fetti
Artist nationality: italian
Artist dates: 1591 – 1623
Subjects: melancholy, animals, interior, italy, temperaments, study, globes, hourglasses, armillary sphere, telescope, skulls, desks, dogs, books, woman

In this elaborate allegory of the universal human emotion of melancholy, the paintbrushes, palette, and small sculpture in the bottom right reference the painter’s profession, and the hourglass, book, and compass speak to other worldly pursuits. Domenico Fetti also included an armillary sphere and telescope in the background on the left to reflect the scientific interests of the Mantuan court of his patron Ferdinando Gonzaga. These interests are further exemplified by the large, bluish sphere in the foreground illustrating the topography of the moon as had been observed only recently by Galileo. Yet the figure of Melancholia contemplates a skull: despite the achievements signified by the objects around her, their earthly value is fleeting, and death is unavoidable.
Seward, Pitcher, Philadelphia Athletics, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Christ and Two Figures (from Sketchbook)
Object type: drawing
Date: 1854 – 1855
Materials: ink, paper
Culture: american
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men,christ
Vrouw en twee mannen in historische kostuums
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: historical costume, europe
Inscriptions: number: ‘No. 43.’
Landschap met koeien in een weiland
Object type: drawing
Date: 1867 – 1918
Materials: paper
Techniques: brush
Artist: maurits van der valk
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, left hand of maenad holding snake
Heuvellandschap met enkele figuren bij boom
Object type: print
Date: 1739 – 1740
Materials: paper
Techniques: etching
Location: venice
Subjects: mountains
Inscriptions: collector's mark: Lugt 2228

Prent uit eerste serie van achttien prenten met Italiaanse landschappen naar ontwerp van Marco Ricci en titelprent (zie RP-P-1952-20) opgedragen aan consul Joseph Smith.
Schuitje voor frivolitéwerk van been, met een blok tussen de twee schijven, bijeengehouden door twee metalen pinnen
Object type: sewing tool
Date: 1700 – 1900
Materials: bone, metal
Techniques: cutting
Location: western europe
Artist: Anonymous

Schuitje voor frivolitéwerk van been, met een blok tussen de twee schijven, bijeengehouden door twee metalen pinnen.
Key Handle
Object type: key handle
Date: 1 – 700
Materials: copper alloy, iron
Culture: roman
Rattle
Object type: metalwork
Materials: ivory
Location: united states
Two Kneeling Male Saints
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: drawing
Location: italy
Artist: Anonymous
Artist nationality: Cremonese
Female Figure Seated on Stool
Object type: female figure
Date: 101 – 500
Materials: ceramic, pigment
Culture: colima
Location: mexico
Subjects: women
Fotoreproductie van (vermoedelijk) een geschilderd portret van een jong meisje met bloemen en een paraplu
Object type: reproduction
Date: 1882 – 1882
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: cut flowers; nosegay, bunch of flowers, child
Inscriptions: date: ‘1882’, name: ‘[...]ina Kohnstamm ?’
The Return from the Continent, or the Family Puzzled
Object type: print
Date: 1835 – 1835
Techniques: etching
Artist: john phillips
Artist role: artist
Artist nationality: british
Artist dates: 1825 – 1831
Subjects: satire,men,women

This print satirizes French fashion by showing a stout middle class Englishman returned from Paris. As a seated lady pours tea, she misses the cup and remarks on the transformed appearance of her husband, "Lord, my dear! the French folks have quite transmogrify'd you. What, is that a French collar? why, it sticks out like two large horns; and they've stuck a sugar-loaf on your head—and what have they been doing with your small cloaths? and where's your wig, my dear? He answers, "O! all a mode! all a mode!" Their daughter says, 'All a mode! all a mode! Why, Papa, you seem to have forgot all your English. You'll have all the customers take you for a French Mounseer." A clipped poodle stands at left and the ladies wear dresses with huge gigot sleeves and bold prints representing English fashion.
Modelbuch aller Art Nehens vn Stickens (Page 5v)
Object type: book print ornament architecture
Date: 1535 – 1535
Techniques: woodcut
Location: germany
Artist: christian egenolff
Artist role: publisher
Artist nationality: german
Artist dates: 1502 – 1555
Subjects: animals,griffins,flowers

Published by Christian Egenolff, German, 1502-1555, Frankfort am Mayn. Illustrated title page, 26 pages of designs including 4 pages of animals and fish at the end.
Portret van Bruno van der Dussen
Object type: print
Date: 1749 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: mayor, bruno van der dussen, historical persons
Inscriptions: collector's mark: Lugt 2228

Latere staat van deze prent is oorspronkelijk bedoeld als aanvulling op Jan Wagenaars ‘Vaderlandsche historie’* en was zo vanaf 1796 verkrijgbaar bij Johannes Allart te Amsterdam.

Voor de advertentie waarin Allart de 60 portretten en 7 platen, allen gegraveerd door Houbraken, ter aanvulling op Wagenaars ‘Vaderlandsche historie’ aanbiedt, zie RP-P-OB-77.766.

*Van dit werk zijn in de achttiende eeuw meerdere uitgaves verschenen, zoals:

Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden (…). 21 delen. Amsterdam: Isaak Tirion, 1749-1759.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: weduwe Isaak Tirion, 1770.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam, Leiden, Dordrecht en Harlingen: P. Schouten e.a., 1782.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: Johannes Allart, 1790-1796.
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Five black glazed rim fragments from kylikes
Man die niet kan zien met wandelstok
Object type: print
Date: 1772 – 1791
Materials: paper
Techniques: printmaking, etching
Artist: mathias de sallieth
Artist role: print maker
Artist dates: 1749 – 1791
Subjects: folk costume, regional costume

De prent verscheen vanaf 1818 tevens als onderdeel van een 33-delige reeks prenten door Mathias de Sallieth, samengebonden in: Perkois, Jacobus, Prins, Johannes Huibert. Verzameling van verschillende gekleede mans- en vrouwenstanden, ter oefening van jonge schilders en liefhebbers. Rotterdam: Johannes Immerzeel, 1818. Alle verso-bladen uit dit prentalbum zijn blanco.
Vis-à-vis #3049
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Cylinder seal with hunting scene
Object type: cylinder seal
Date: 834 – 668
Materials: faience
Culture: assyrian
Location: iran
Subjects: animals
776 Bronze deer of Kasuga Shinto Temple Nara
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Location: nara
Artist: Anonymous
Subjects: nara
Inscriptions: number: ‘14.’
Parasol
Object type: parasol
Date: 1880 – 1880
Materials: ivory, metal, silk
Culture: american
Subjects: flowers

The most prevalent type of parasol in the Brooklyn Museum Costume Collection is light colored taffeta overlaid with black lace. The parasol seen here is set apart from the rest by the charming configuration of the handle. Very unique, the ivory horse's hoof is complete with studs at the bottom.
Gezicht op Lac Noir te Orbey
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: photograph
Location: straatsburg
Artist: charles bernhoeft
Artist role: publisher
Artist dates: 1859 – 1933
Subjects: lake

Deze prent maakt deel uit van een omslag met 100 prenten.
Boerderij met erf en watertoren
Object type: photograph
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: cyanotype
Artist: Anonymous
Subjects: water tower, farm (building)
Gezicht op de Basiliek van de Heilige Nicolaas te Amsterdam
Object type: ansichtkaart, prentbriefkaart
Date: 1887 – 1908
Materials: cardboard, paper
Techniques: photograph, letterpress printing
Location: amsterdam
Subjects: harbour, city-view in general; 'veduta', roman catholic church, parts of church exterior and annexes
Inscriptions: collector's mark: ‘35-44’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: R.K. Gemeenten: Sint Nicolaaskerk t/m Willibrordus (Rustenburgerstraat).
Il Cavallo di Campidoglio
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Location: italy
Artist: vincent belly
Artist role: print maker, publisher
Subjects: rome, equestrian statue
Inscriptions: collector's mark: Lugt 2228

Het ruiterstandbeeld van Marcus Aurelius op Piazza del Campidoglio in Rome.
Makelaarsstokje van F.A. Gluysteen, makelaar te Amsterdam
Object type: makelaarsstok
Date: 1837 – 1837
Materials: wood, silver
Location: amsterdam
Subjects: amsterdam
Inscriptions: hallmark, maker's mark

Het balustervormige, meervoudig geprofileerde ebbenhouten stokje heeft een breed en een smal uiteinde, beide gevat in een gegoten zilveren dop. De doppen hebben een rechte, gladde wand en een licht gebold, iets uitstekende bovenzijde, waarvan de rand is gemarkeerd met een fijne kabel. De grote dop is in reliëf versierd met het gekroonde, door leeuwen gehouden stadswapen van Amsterdam, de kleine met de letters MKLRSG in monogram binnen een parelrand voor het Amsterdamse Makelaarsgilde. Op de wand van de kleine dop is het jaartal 1837 gegraveerd, boven een rondlopende filetrand; op de wand van de grote dop de naam Frederik Anthony Gluysteen, boven een rondlopende filetrand.
“Gold-decorated Leather with Figure of a Chinese Boy” and “Patterned Leather,” from the series Famous Leathers, Inrō, and Netsuke Meibutsu kawa, inrō, netsuke)
From the Spring Rain Collection (Harusame shū), vol. 2
Object type: print
Date: 1810 – 1819
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: animals,boys

Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month. Themes of surimono are often erudite, frequently alluding to Japanese literary classics in both texts and images. This album forms part of a set of three containing more than four hundred surimono. The prints are arranged on facing leaves according to themes or in a way that creates an attractive arrangement of designs, complementary in both color and shape. The printing techniques, pigments, and paper used for surimono were often the highest quality, and represent the epitome of late Edo-period woodblock printing.
Piece
Object type: piece
Date: 1701 – 1900
Materials: linen, metal thread, silk
Subjects: birds,peacocks,squirrels,flowers
Duinlandschap met een zwaaiende man, leunend op een schop
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: gillis van scheyndel (i)
Artist role: draughtsman, print maker
Artist dates: 1595 – 1660
Subjects: dune coast, agricultural implements: spade, waving farewell ~ departure on a journey
Inscriptions: collector's mark: Lugt 2228
Woestijnlandschap met figuren op een kameel en ezel
Object type: sketchbook leaf
Date: 1919 – 1919
Materials: chalk, paper
Location: egypt
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: riding a horse, ass, or mule; rider, horseman, hoofed animals: camel, desert, landscapes (+ landscape with figures, staffage)

Pagina 38 uit een schetsboek met 23 bladen.
Galleria Giustiniana del Marchese Vincenzo Giustiniani
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: engraving
Artist: françois du quesnoy
Artist role: draughtsman, sculptor
Artist dates: 1597 – 1643
Subjects: rome, vincenzo giustiniani (1564-1637), (story of) mercury (hermes), attributes of mercury: petasus, attributes of mercury: winged sandals, piece of sculpture, reproduction of a piece of sculpture, caduceus (staff with two snakes, attribute of mercury)
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie bestaande uit 322 prenten van kunstwerken uit de collectie van Vincenzo Giustiniani die in twee volumes werd uitgegeven door Joachim von Sandrart in 1636 en 1637 (zie British Museum, inv.nr. 1851,1213.565). De serie bestaat uit prenten door verschillende kunstenaars zoals Cornelis Bloemaert, Theodore Matham, Pieter de Bailliu en Michel Natalis. Claude Mellan was verantwoordelijk voor 22 prenten van standbeelden en het 1631 gedateerde portret van Giustiniani.
Portret van Georg, Freiherr von Derfflinger
Object type: print
Date: 1674 – 1749
Materials: paper
Techniques: aquatint, etching
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons
Beaker and saucer
Object type: beaker and saucer
Date: 1701 – 1800
Materials: enamel, glass
Techniques: gilding
Artist: miotti family workshop
Artist role: manufactory
Artist nationality: italian

The island of Murano supplied Venice’s wealthy households and visitors on the Grand Tour with elegant glass objects for domestic use. Since the mid-fifteenth century, Murano manufacturers had specialized in making cristallo—a clear, colorless glass that resembles rock crystal—using a secret recipe that was coveted by courts throughout Europe. By the eighteenth century, competing glass centers in England and Bohemia, as well as changing consumer tastes, encouraged the development of new techniques in Venice. Glassmakers imitated fashionable materials such as lace, precious stones, and porcelain.
Pompeius laat de brieven van Marcus Peperna verbranden
Object type: print
Date: 1737 – 1737
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (story of) sextus pompeius
Inscriptions: collector's mark: Lugt 2228

Sextus Pompeius, met bevelhebberstaf in de hand, laat de brieven van Marcus Peperna verbranden. Naar het schilderij in de Raadkamer van het Hof van Justitie van Holland, Zeeland en West-Friesland op het Binnenhof te Den Haag.
Decorative grill from the Palace of Westminster
Object type: grill
Date: 1845 – 1859
Materials: brass
Artist: augustus welby northmore pugin
Artist role: designer
Artist nationality: british
Artist dates: 1812 – 1852

These decorative grill panels exemplify the designs of Augustus Welby Northmore Pugin (1812–1852), who was the leading exponent of the Gothic Revival style in England. Pugin’s work is central to the transformation in British design that began in the mid-nineteenth century. He admired what he saw as the honesty and purity of medieval art, and deplored the meaningless repetition of historical motifs. Pugin coined the phrase "Brumagen Gothic," referring to "those inexhaustible mines of bad taste, Birmingham." The medieval Palace of Westminster, much altered by later additions, was almost entirely destroyed by a devastating fire which broke out on October 16, 1834. When the last flames were finally contained five days later, only Westminster Hall and parts of the chapel were standing. The following Spring, a competition was held for the design of a modern building that could accommodate the state apartments, the House of Lords with the ceremonial spaces it required, and the House of Commons. A. W. N. Pugin collaborated with architect Charles Barry (1795–1860) in designing an exuberant tribute to Britishness. Built in the Perpendicular style, with elaborately detailed interior finishes, the decoration celebrated Britain's Arthurian and Christian heroes and the virtues of its Parliamentary system. The brass grills are one component of Pugin's complex interior program. Executed in several different patterns inspired by medieval tracery, they were typically mounted into the midsection of double-wide doors that separated private rooms from the public corridor. While a much smaller scale, the grill panels are designed with similar motifs and character to Pugin’s great pierced doors that lead from the Peers’ Lobby to the Chamber in the House of Lords. Pugin also designed an array of other brass fittings for the interior, including large doors, candelabra and other light fixtures, hardware, and gallery railings. These grills were manufactured by John Hardman.
Kesa
Object type: textile
Date: 1751 – 1800
Materials: gilt, paper, silk
Techniques: embroidery, weave
Location: japan

This garment is exceptional in two ways. It is unusually well-presrved, with its ivory ring and all straps and cords in place, thus allowing its presentation on a form, over a robe, in a way that correctly simulates the way it was worn. Also, it was made from an uwagi, a formal over-robe worn only by woman of the highest social standing during the Edo period. Its decoration of rows of lozenges based on floral forms is entirely embroidered in silk and gilt-paper-wrapped thread.
Valentine - Mechanical organ grinder
Object type: valentine
Date: 1875 – 1875
Techniques: chromolithography, cutting, gilding
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: flowers
Gezicht op de stad Soissons
Object type: album leaf
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: city-view in general; 'veduta', river

Prent origineel vervaardigd als boekillustratie voor: Zeiller, Martin. Topographia Galliae, oder Beschreibung und Contrafaitung der vornehmbsten und bekantisten Oerter in dem mächtigen und grossen Königreich Frankreich, 13 delen. Frankfurt am Main: Caspar Merian, 1655-1661. De prent werd voor het eerst gepubliceerd in deel 1: Topographia Galliae, 1655.

De prent is langs de bovenrand van de voorstelling afgescheurd. De titel is hoger opgeplakt. De voorstelling is aan de bovenzijde aangevuld met een geschilderde lucht.
Portret van een vrouw
Object type: photograph
Date: 1868 – 1889
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: alphonse bernoud
Artist role: fotograaf
Artist dates: 1820 – 1889
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Alphonse Bernoud/ Photographe/ Florence Via dell'Orivolo, 51/ Livourne/ Via Vitt. Emman le 71/ Naples Strada Toledo 256/ Palazzo Berio/ Lyon/ 2, Rue des Archers, 2/ Angle de la Rue St. Dominique’
Portret van de jezuïet João de Almeida
Object type: print
Date: 1660 – 1680
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: batavia, missionary, regular clerics, e.g. jesuits, redemptorists
Inscriptions: collector's mark: Lugt 2228

João de Almeida, staande, de rechterhand op zijn borst en in de andere hand een gesel en een crucifix. Aan weerszijden twee kariatiden: links Anglica, zijn geboorteland, rechts Brasilia het land waar hij in de missie werkte.
Mannenkoppen en een vrouwenkop
Object type: sketchbook leaf
Date: 1811 – 1862
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: head (human), adult man, head-gear: hat (+ men's clothes)

Blad 36 recto uit een schetsboek met 65 bladen.
Cup and saucer
Object type: cup and saucer
Date: 1775 – 1780
Materials: hard paste porcelain
Culture: german
Subjects: dogs
Nova Alphati Effictio
Object type: album leaf
Date: 1595 – 1595
Materials: paper
Techniques: engraving, letterpress printing
Location: frankfurt am main
Subjects: luke the evangelist; possible attributes: book, (winged) ox, portrait of the virgin, surgical instruments, painter's utensils, scroll, fruits and vegetables ~ ornament, letters, alphabet, script
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ornamentele letter L met daarop de evangelist Lukas met schrijfveer in de ene hand en pennenkoker en inktpot in de andere hand. Naast hem de os. De letter wordt bekroond door een gevleugelde putto. Links een vaas met bloemen. Rechtsonder een open en gesloten boek. De letter is verder versierd met een vogel en trossen vruchten. Op verso verzen in het Latijn en het Duits. Prent maakt deel uit van een album.
Vnitrek továrny na výrobu cellulosy bratri Poráku v Lucovicich
Object type: photomechanical print
Date: 1891 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: factory-interior, machine shop
Portret van Pieter Hendriksz.
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Artist: Anonymous
Subjects: voorburg, historical persons (+ (full) bust portrait)
Inscriptions: monogram: ‘P.S.’, collector's mark: Lugt 2228