deem-data/ArtiFact huggingface dataset:
Venus en de roos
Object type: print
Date: 1498 – 1532
Materials: paper
Techniques: engraving
Location: italy
Artist: marco dente
Artist role: print maker
Artist dates: 1486 – 1527
Subjects: venus wounded by the thorns of a rose-bush; the roses change from white to red (possibly combined with the story of adonis)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240

Venus zit op een rots in een landschap. Ze haalt een doorn van een rozenstruik uit haar voet. Op de voorgrond rechts een konijn.
Open-Mouthed Cosmetic Jar of Neferkhawet
Object type: cosmetic jar, open mouthed, neferkhawet
Date: 1504 – 1447
Materials: faience
Location: egypt
Liure de Feuillages et d'Ouvrages d'Orfevrerie
Object type: ornament print
Materials: paper
Techniques: engraving
Location: amsterdam

Onderaan loopt een putto met een boeket bloemen. Kopie naar blad 3 van Friedrich Jacob Morisson uitgegeven in Wenen in 1697. Blad 10 uit serie met bladranken en ontwerpen voor edelsmeden, Nederlandse kopieën van ontwerpen door Thomas Lejuge, Jean Louis Durant en Friedrich Jacob Morisson. Tweede editie, tweede afdruk.
Design for 2 seat Phaeton, no. 3009a
Object type: drawing
Date: 1874 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Plantstudie, Equisetum hiemale
Object type: photograph
Date: 1928 – 1928
Materials: ink, paper
Techniques: rotogravure
Location: berlin
Subjects: plants (in general)
Inscriptions: number: ‘1’

Equisetum hiemale. Winter-Schachtelhalm.Junger Spross in 25-facher Vergrößerung. Afkomstig uit losbladige uitgave.
Zelfportret
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: drypoint
Artist: jean françois raffaëlli
Artist role: print maker
Artist dates: 1850 – 1924
Subjects: paris, print maker, jean françois raffaëlli, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Sheet with overall diamond pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Encyclopédie, ou Dictionnaire raisonné des sciences, des arts et des métiers, par une société de gens de lettres
Date: 1758 – 1771
Location: italy
Artist: denis diderot
Artist role: author
Artist nationality: french
Artist dates: 1713 – 1784
F.F. Ives, Cyclist, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: lithography
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,profiles,athletes

Trade cards from "World's Champions," Second Series (N43), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Bowl
Object type: bowl
Date: 701 – 900
Materials: earthenware, glaze
Techniques: painting
Location: iran

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 12 (recto)
Object type: book print ornament architecture
Date: 1620 – 1620
Techniques: woodcut
Artist: cesare vecellio
Artist role: author
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament

Written by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, published by Alessandro de' Vecchi. From top to bottom, and left to right: Design is in the shape of a triangle with the top left corner left blank. It is decorated with a pattern of diamonds and octagons that are each ornamented with a different floral motif.
A Rake's Progress, Plate 2
Object type: print
Date: 1800 – 1800
Techniques: engraving
Artist: dent
Artist role: engraver
Artist nationality: british
Artist dates: 1800 – 1800
Subjects: musical instruments,men,music
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic
Artist: epeleian
Artist role: artist

Exterior, upper torso, genitals, buttocks, and part of thighs of male; right forearm and hand, and part of lower body of draped figure to left
Gezicht in de Oude Kerk te Amsterdam
Object type: book illustration
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: Anonymous
Subjects: parts of church interior
Inscriptions: collector's mark: ‘31.121’ Lugt 1641b

Prent uit: Vijver, C. van der. Geschiedkundige beschrijving der stad Amsterdam. Amsterdam: Gebroeders Diederichs, 1844.
Straight-sided cup and saucer with petal-shaped panels with flower sprays
Object type: kop en schotel, kop en schotel
Date: 1750 – 1774
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Kop en schotel van porselein met rechte wand, beschilderd in onderglazuur blauw en op het glazuur rood, roze, groen, geel, zwart en goud. Op het plat van de schotel een medaillon met bloemtak; hier omheen twee rijen met bloemtakken in bloembladvormige vakken. De kop met dezelfde decoratie met op de bodem een bloemtak en op de binnenrand een spearhead-border. Een barst in de wand van de kop. Famille rose.
Glove of white waxed leather with silk and gold metal thread embroidery
Object type: glove
Date: 1622 – 1622
Materials: leather, gold thread, silk
Techniques: lace, embroidered, tanning
Location: netherlands
Artist: Anonymous
Subjects: pieter van son, johanna le maire

Linker bruidshandschoen van wit wasleer, rijk geborduurde kappen. Kappen met gelobde rand. Gesloten met drie paar rose veterbandjes, waarop een goudknopje geschoven wordt. Symmetrisch patroon van onder meer twee in elkaar gelegde handjes in bruin contour onder een met pijlen doorboord hart van pareltjes en twee toegewende vogeltjes. Rijk patroon in verschillende kleuren, borduurwerk, parels en pailletten. Rondom goudpassement van kloskant.
Toilet Set
Object type: dressing case
Date: 1795 – 1795
Materials: lacquer, wood
Techniques: lacquer
Location: guangdong
Artist: Anonymous

The most important element of this toilet set is the
Chinese lacquerwork, which was very popular in Europe.
Everarda Catharina Sophia van Braam Houckgeest
received this toilet chest with a mirror as a gift from
her father, who had it made in Canton, China. Her initials
are visible on the accompanying toilet boxes.
Vereinstaler uit het keizerrijk Oostenrijk van Franz Joseph, 1859
Object type: coin
Date: 1859 – 1859
Materials: silver
Techniques: striking
Location: vienna

Zilveren munt. Voorzijde: gelauwerd hoofd van de keizer naar rechts, waaronder letter A [=Wenen]. Keerzijde: gekroonde dubbelkoppige adelaar met op de koppen kleine kronen. Op zijn borst door ridderorde met juweel omhangen samengesteld wapenschild en in zijn poten een zwaard en een rijksappel. Waarde-aanduiding als omschrift, jaartal onderaan. Randschrift.
Overzicht van de herdenking van de bevrijding van Nederland in 1813 in Amsterdamse kerken
Object type: text sheet
Date: 1813 – 1813
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: public festivities
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin. Volksleven. Openbare feesten. Vorstelijke intochten, (Illuminaties, vuurwerken en dergelijke, openbare feesten).
Oiso: Saigyo's Hut at Shigitatsu Marsh (Oiso, Shigitatsusawa Saigyoan), no. 9 from the series "Famous Sight of the Fifty-three Stations (Gojusan tsugi meisho zue)," also known as the Vertical Tokaido
Object type: print
Date: 1855 – 1855
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Brief aan Jean Helbig
Object type: letter
Date: 1942 – 1942
Materials: ink
Techniques: pen, writing
Location: brussels
Artist: a. van der boom
Subjects: jean helbig, haarlem, willem bogtman, amsterdam, painter, iohan quirijn van regteren altena, drawing, applied arts, arts and crafts; industrial design, photography, cinematography, printed matter
Inscriptions: collector's mark: Lugt L.2228a
The War Candidate on a Peace Platform
Object type: print
Date: 1864 – 1864
Techniques: lithograph
Artist: anonymous, american, 19th century
Artist role: artist
Artist nationality: american
Artist dates: 1800 – 1900
Subjects: satire,men,donkeys,politics
Gerard Audran
Object type: print
Date: 1738 – 1738
Materials: paper
Techniques: engraving
Location: france
Subjects: print maker, gérard audran, ornament ~ medallion, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228
Ruïne van San Karin op Visby
Object type: print
Date: 1864 – 1909
Materials: paper
Techniques: lithograph
Artist: cornelia christina johanna van trigt-hoevenaar
Artist role: print maker
Artist dates: 1854 – 1924
Subjects: ruin of church, monastery, etc.
Inscriptions: collector's mark: Lugt 2228

Zicht op het koor en een zijbeuk vanuit het overwoekerde middenschip waarvan het dak ontbreekt.
Ey kinders wild dit gedierte bekijken / Niemand zal van zijn plaats af wijken
Object type: popular print
Date: 1725 – 1780
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: animals, hoofed animals: rhinoceros, horse, dog, beasts of prey, predatory animals: wolf
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Blad met 24 voorstellingen van dieren, zoals een paard, een neushoorn, een beer en een wolf. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: 48.
Fotoreproductie van een schilderij, voorstellende een vrouw met een harp
Object type: photomechanical print
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Subjects: harp, one person playing string instrument (plucked)
Portret van Pierre Louis Dubourq
Object type: print
Date: 1841 – 1842
Materials: paper
Techniques: engraving
Artist: monogrammist m (duitsland)
Artist role: print maker
Subjects: amsterdam, painter, print maker, draughtsman, pierre louis dubourcq, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Alkmaar Schuttery
Object type: costume print
Date: 1789 – 1789
Materials: paper
Location: northern netherlands
Artist: Anonymous
Subjects: (military) uniforms (+ citizen soldiery, civil guard, citizen militia), patriots (1780-1795)

Montering of uniform van de schutterij van Alkmaar, ca. 1785. Onderdeel van een schetsboek met 41 gekleurde tekeningen van de monteringen van de gewapende schutterijen en burgercorpsen in Nederland in de periode ca. 1783-1789.
Zicht op een plein in Mazzarò
Object type: print
Date: 1753 – 1819
Materials: paper
Techniques: etching
Location: france
Subjects: riding a horse, ass, or mule; rider, horseman, village square, place
Inscriptions: collector's mark: Lugt 2228

Linksonder genummerd №74. Op het opzetblad is op de verso een ets van Weigelij aangebracht.
Aldenarda vulgo Audenaerde
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial), prospect of city, town panorama, silhouette of city, armorial bearing, heraldry

Boven een gezicht op Oudenaarde. Onder een plattegrond van Oudenaarde met gebouwen in vogelvluchtperspectief. Linksboven het wapen van Oudenaarde, met twee gespiegelde leeuwen, rechts daarvan het wapen van de koning van Spanje. Rechtsboven het wapen van Oudenaarde met links daarvan het wapen van Vlaanderen. Linksonder een cartouche met legenda a-r. Rechtsonder het vervolg van de legenda s-y en A-F.
Kosode Fragment
Object type: piece from a kosode
Date: 1651 – 1700
Materials: textile
Culture: japanese

This textile fragment exhibits characteristics of kosode of the Kanbun period (1661–73), such as the drama of the pattern's sweeping curve and the large amount of empty space. A somewhat similar design, with the character for flower (hana) inside floral rosettes alongside a net pattern, appears in a kosode order book of 1664.
Bronze portrait head of the emperor Gaius (Caligula)
Object type: portrait head of the emperor caligula gaius
Date: 37 – 41
Materials: bronze
Culture: roman
Subjects: heads,men,portraits

Gaius, more commonly known by his ancient nickname Caligula (Little Boots), was the first emperor to be assassinated. His uncle and successor, Claudius, had his statues and portraits removed from public view. Many were reworked as portraits of Augustus or of Claudius. It also seems that smaller, personal images of Caligula were deliberately thrown away after his murder; several have been recovered from the River Tiber in Rome.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Interior, a gorgoneion; Exterior, at the juncture of the bowl and the top of the foot, a red glazed ring; the outer edge of the foot is unglazed; the resting surface is unglazed; the inner wall of the foot is glazed; the underside of the tondo is unglazed
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: jan zürcher
Artist role: painter
Artist dates: 1851 – 1905
Subjects: draughtsman, philip zilcken, family life, diseases, the hague, rotterdam, amsterdam
Inscriptions: collector's mark: ‘RPK’
Jan Lutma, Goldsmith
Object type: print
Date: 1656 – 1656
Materials: ink, paper
Techniques: drypoint, etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Oude herder
Object type: print
Date: 1500 – 1536
Materials: paper
Techniques: engraving
Location: italy
Artist: agostino veneziano
Artist role: draughtsman, painter, print maker
Artist dates: 1490 – 1536
Subjects: city-view, and landscape with man-made constructions, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep, goat, flute, aulos, tibia - cc - out of doors, pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 12

In een landschap ligt op de voorgrond een oude herder, spelend op een fluit. Links staan een schaap en een geit. Achter hen een grote groep gebouwen.
Koperen huwelijk van Gijsbert Christiaan Six van Wimmenum en Anne Maurice Adrienne Repelaer 1934
Object type: history medal
Date: 1934 – 1934
Materials: bronze
Techniques: casting

Bronzen gegoten penning, op de voorzijde twee wapenschilden onder één helm op een gekroonde mantel, op de keerzijde elf regels tekst.
Rivierlandschap
Object type: print
Date: 1500 – 1599
Materials: paper
Techniques: etching
Subjects: fortress, landscapes, river
Inscriptions: collector's mark: Lugt 240

Heuvellandschap waar een rivier doorheen kronkelt. Op de voorgrond rechts een boom. Op de achtergrond links een fort op een heuvel en rechts de kust.
Dagger (Jambiya) with Sheath and Belt
Object type: dagger jambiya with sheath
Date: 1701 – 1900
Materials: brass, enamel, leather, silver, steel, textile, wood
Culture: arabian
Location: tanzania
Helbardier
Object type: print
Date: 1740 – 1760
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: land forces
Inscriptions: collector's mark: Lugt 2228

Een hellebardier in een tuniek met een geborduurd embleem op de borst en een hellebaard in zijn rechter hand, ca. 1750.
Inrō with Seven Horses by a River
Object type: inrō
Date: 1767 – 1833
Materials: bamboo, foil, gold, ivory, silver, wood
Techniques: carving, hiramakie, lacquer
Culture: japanese
Subjects: horses
Kustgezicht met manden, vaten en wapenschild
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.), wooden container: barrel, cask, bucket, sailing-ship, sailing-boat, container made of plant material other than wood: basket

Op de voorgrond koopwaar, pakketten en een urn, met daarachter manden en vaten. Tegen de vaten leunt een wapenschild met daarop een hand die zaden voor een haan uitstrooit. Op de achtergrond zeilschepen.
Sofa
Object type: sofa
Date: 1903 – 1905
Materials: wood
Culture: american
Location: united states
Artist: john scott bradstreet and company
Artist role: maker
Artist nationality: american
Artist dates: 1901 – 1914
Cap
Object type: cap
Date: 1854 – 1854
Materials: cotton, linen
Culture: american
Arcadisch landschap
Object type: drawing
Date: 1677 – 1744
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: isaac de moucheron
Artist role: draughtsman, painter, print maker
Artist dates: 1667 – 1744
Finger ring
Object type: ring
Date: 201 – 700
Materials: bronze
Culture: sasanian
Location: iran
Lyon, Viaduc du Rhône
Object type: photograph
Date: 1861 – 1861
Techniques: albumen silver print, glass negative
Artist: édouard denis baldus
Artist role: fotograaf
Artist nationality: french, born prussia
Artist dates: 1813 – 1889
Subjects: bridges,rivers
Head of a Bishop
Object type: painting
Date: 1770 – 1770
Materials: canvas, oil
Artist: gaetano gandolfi
Artist role: artist
Artist nationality: italian
Artist dates: 1734 – 1802
Subjects: men,bishops

In addition to altarpieces, ceiling decorations, and canvases with mythological subjects, Gandolfi painted bust-length images of men and women from various walks of life. Unlike formal portraits for paying clients, these character studies allowed the artist to explore diverse emotions, expressions, and facial types. This example’s exceptionally pristine condition preserves Gandolfi’s lively brushwork, which is particularly evident in the bishop’s beard and collar.
Shoes
Object type: shoe
Date: 1890 – 1900
Culture: american
Lvdovicvs Ariostvs
Object type: print
Date: 1587 – 1612
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: reggio, ferrara (stad), schrijver, ludovico aristo
Inscriptions: collector's mark: Lugt 2228, number: ‘17’

Portret van Ludovico Aristo, dichter aan het hof van Ferrara. In profiel naar links. De prent heeft een Latijns onderschrift.
Paris
Object type: photograph
Date: 1864 – 1895
Materials: cardboard, paper
Techniques: albumen print
Subjects: crowd, mob, triumphal arch, avenue, boulevard, promenade, esplanade
Inscriptions: number: ‘228.’
Jongen met paraplu in een bed
Object type: boekillustratie ontwerp
Date: 1868 – 1931
Materials: ink, paper, pencil
Techniques: pen
Artist: johan georg gerstenhauer zimmerman
Artist role: draughtsman
Artist dates: 1858 – 1931
Subjects: boy (child between toddler and youth), bed, umbrella
Inscriptions: collector's mark: Lugt 2228a, signature: ‘J.G.G.’, :

Een jongen ligt op bed onder de dekens. Hij houdt een uitgeklapte paraplu boven zijn hoofd. Rond het bed hangen gordijnen.
Putti bestuderen een vel papier
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: etching
Artist: jacob folkema
Artist role: draughtsman, print maker
Artist dates: 1692 – 1767
Subjects: cupids together with attributes of the arts, sciences, etc., angel(s) represented as child(ren)
Inscriptions: collector's mark: Lugt 240

Twee putti bestuderen een vel papier met de tekst: L'Art de Peindre. De linker putto houdt een schilderspalet vast, de rechter is gelauwerd en staat op een bazuin die op de grond ligt. Op een wolk hierboven kijkt een engeltje met een vlam boven het het hoofd, symbool van goddelijke inspiratie, mee.
Artilleristen
Object type: print
Date: 1828 – 1853
Materials: paper
Techniques: letterpress printing
Location: breda
Artist: Anonymous
Subjects: weapons, the soldier; the soldier's life

Blad met 16 voorstellingen van militairen met kanonnen, kruid en zwaarden. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 27