deem-data/ArtiFact huggingface dataset:
An Allegory of Statuary or Lament of Sculpture
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: engraving, etching, printing
Location: france
Artist: pierre biard ii
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1661

Pierre Biard the Younger, who had became enamored with Italian art after a visit to Rome, was appointed the court sculptor of Henri IV in 1609. This idiosyncratic etching includes text in both French and Italian, as well as a double self-portrait of the artist (as the two male figures on the right). The allegorical figure of Calumny reappears from the ancient lost painting of the Calumny of Apelles. By explicitly referencing a painting in a print about sculpture, Biard may be staging his own paragone, a debate tradition dating from antiquity in which one art form was compared with another.
Portret van Louis Charreton
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: official; civil servant; functionary (in general), historical persons
Inscriptions: collector's mark: Lugt 2228
Mordecai rides through the Streets in the Apparel the King has sent him.
Object type: drawing
Date: 1501 – 1566
Materials: ink
Techniques: brush, highlighting, pen
Artist: pseudo-aert ortkens
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1510 – 1540
Subjects: streets,kings,men,women,horses
Portret van Petrus Haack
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, petrus haack, study; 'studiolo'; library
Inscriptions: collector's mark: Lugt 240

Portret van Petrus Haack, dichter en predikant te Amsterdam.
Textile Fragment
Object type: textile fragment
Date: 1001 – 1100
Materials: linen, silk
Location: egypt
Snuffbox with miniatures representing the Diversions of Love and dancing figure
Object type: snuffbox, painting
Materials: enamel, gold
Techniques: grisaille
Artist: jacques joseph de gault
Artist role: artist
Artist nationality: french
Artist dates: 1738 – 1812
Subjects: women,dancing,cupid,trees

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer. The scene, in grisaille (shade of pale gray), is presented as if it were a sculpture set against a dark ground. The enamels may date to the last quarter of the eighteenth century.
Heilige Trap in het Lateraans paleis te Rome, Italië
Object type: photograph
Date: 1851 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: place of pilgrimage, sacred place
Inscriptions: collector's mark: ‘VOSMAER’, number: ‘4112.’
Man kijkt in een lege kruik
Object type: print
Date: 1734 – 1785
Materials: paper
Techniques: mezzotint
Location: northern netherlands
Subjects: jar, jug (used as drinking-vessel), head-gear: hat (+ men's clothes)
Inscriptions: collector's mark: Lugt 240
Gezigt van de Weesper Poort / Veüe de la Porte de Weesp
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: four-wheeled vehicle drawn by three animals, bridge in city across river, canal, etc., city-gate

Deze prent lijkt sterk op de uitgave van Pieter Schenk, RP-P-1911-3449.
Nihon no shiro
Object type: book
Date: 1906 – 1944
Materials: paper
Techniques: woodcut, letterpress printing
Location: japan
Inscriptions: date
Pendant
Object type: pendant
Date: 1401 – 1700
Materials: bronze
Culture: european
Belt hook
Object type: belt hook
Date: 300 – 101
Materials: bronze, gold, silver
Techniques: inlay
Culture: chinese
Subjects: mythical creatures
Drie mannen, onder wie mogelijk kunstenaar Jan de Waardt
Object type: sketchbook leaf
Date: 1883 – 1914
Materials: chalk, paper
Location: the hague
Artist: floris arntzenius
Artist role: draughtsman, print maker
Artist dates: 1864 – 1925
Subjects: rotterdam, draughtsman, jan de waardt, adult man (+ three persons), portrait, self-portrait of artist
Inscriptions: signature: ‘Fl. Arntzenius’, name: ‘de Waard’

Pagina 26 uit een schetsboek met 82 pagina's.
Landschap met kasteelruïne
Object type: print
Date: 1870 – 1909
Materials: paper
Techniques: etching, intaglio
Subjects: ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228, annotation: ‘2 epreuves de c'est etat’, annotation: ‘2me etat’

Sterfdatum prentmaker onbekend. Derhalve is voor bepaling van de rechten van dit object de verwervingsdatum aangehouden.
Ritual Censer
Object type: censer
Date: 1401 – 1600
Materials: gold, iron
Techniques: inlay
Culture: tibetan

Tibetan metalsmiths were especially renowned for working in iron, typically with intricate openwork designs heightened with inlaid precious metals. Here gold was applied to the foliate lotus design with intertwined dragons and damascened to create the key and lozenge bands on the rims.
Aäron als hogepriester / Nadab en Abihu bij het altaar gedood / Datan en Abiram met hun gezinnen door de aarde verzwolgen / Vernietiging van de stam van Korach
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the ground opens and swallows the rebels dathan and abiram along with their families and possessions, two sons of aaron, nadab and abihu, offer incense in their censers to god, who punishes them for this by sending a fire that kills them, rebellion of korah (core), dathan and abiram, and their punishment (numbers 16), aaron (not in biblical context); possible attributes: attributes of aaron: censer, dressed as high priest or bishop, ointment jar, rod or flowering wand
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustraties uit: Josephus, Flavius. XX. boeken van de oude geschiedenissen der joden, 4 delen. Amsterdam: Barent Visscher, Willem de Coup, Willem van Lamsveld, Andries van Damme, 1698, dl. I.
Fragment
Object type: textile
Date: 1201 – 1300
Location: italy
Portret van een man
Object type: carte de visite
Date: 1865 – 1865
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: rotterdam
Artist: gerrit hoogwinkel jr.
Artist role: fotograaf
Artist dates: 1837 – 1890
Inscriptions: signature and address: ‘G. Hoogwinkel jr/Photographe/Rotterdam/56, Hoogstraat’

Staande man met bakkebaarden, zijn hand op zijn horlogeketting, ten voeten uit.
Portret van Charles Joseph Mathieu Lambrechts
Object type: book illustration
Date: 1820 – 1821
Materials: paper
Techniques: engraving, roulette
Location: paris
Artist: ambroise tardieu
Artist role: print maker, printer
Artist dates: 1788 – 1841
Subjects: sint-truiden, politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Prent uit: Tardieu, Ambroise. Portraits des députés, écrivains et pairs constitutionnels, défenseurs invariables de la charte et de la loi des élections du 5 février 1817. Parijs: Tardieu, Ambroise, 1820-1821.
The Marriage of Bacchus and Ariadne
Object type: print
Date: 1636 – 1670
Materials: paper
Techniques: engraving
Artist: magdalena van de passe
Artist role: print maker
Artist dates: 1600 – 1638
Subjects: wedding of bacchus and ariadne
Inscriptions: collector's mark: ‘Hinloopen’, annotation: ‘Bachus en Ariadnes houwelijck. lib. 8.’, number: ‘48’

Bacchus, the god of wine, and his wife Ariadne here drink to their marriage. Magdalena de Passe situated the newlyweds in a cave, where vines meander along the walls. The unfinished proof, above, affords insight into the engraver’s working process: she elaborated the background – the view from the cave – and the figures’ hands only in the final stage.
St. Jerome in the Desert
Object type: plaquette
Date: 1501 – 1533
Materials: bronze
Artist: moderno (galeazzo mondella)
Artist role: artist
Artist nationality: italian
Artist dates: 1467 – 1528
Subjects: saint jerome
Teetertotter in Church Building
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: united kingdom
Artist: Anonymous
Artist nationality: possibly british
Artist dates: 1800 – 1899
Oinochoe
Object type: oinochoe
Date: 400 – 301
Materials: terracotta
Culture: etruscan
Artist: phantom group
Artist role: artist
Portret van Émilie Broisat
Object type: page
Date: 1880 – 1884
Materials: paper
Techniques: woodburytype
Location: paris
Subjects: historical persons - bb - woman, portrait of actor, actress
Titelpagina voor: W.D. Hooft, Hedendaagse verloren zoon, 1630.
Object type: titelblad, titelpagina
Date: 1630 – 1630
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: brothel, the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn
Inscriptions: date

Titelpagina met de scene van de verloren zoon, gekleed in 17e eeuws kostuum, die zijn geld verbrast met lichtekooien. Hij zit in een interieur met musicerende en drinkende vrouwen, terwijl een koppelaarster hem zijn beurs afhandig maakt.
Mr. Johan Pieter Recxstoot
Object type: print
Date: 1745 – 1765
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: johan pieter recxstoot
Inscriptions: collector's mark: Lugt 240

Buste naar links van Johan Pieter Recxstoot in een ovaal, met onderaan zijn familiewapen. het portret rust op een richel waarop zijn naam en titel in twee regels in het Nederlands.
Brabant, Maria van Bourgondië, vuurijzer, 1479
Object type: vuurijzer
Date: 1479 – 1479
Materials: silver
Techniques: striking
Location: antwerp

Zilveren munt. Voorzijde: zittende leeuw naar links met voor zich wapenschild. Daarboven vuurijzer. Toren aan het eind van het omschrift. Keerzijde: kort gebloemd kruis. Jaartal in omschrift.
Elmer Ellsworth "Sy" Sutcliffe, Catcher, Cleveland, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Boekbanden
Object type: album leaf
Date: 1920 – 1940
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: book-cover, binding
Inscriptions: number: ‘51 - 53 - 57/ 54 - 56 - 55’

Drie foto's van een boekband en drie foto's van de ruggen en banden van respectievelijk zeven, twintig en vijf boeken. Deze foto's maken deel uit van een album.
Copper Leaf Ornament
Object type: ornament
Date: 1101 – 1500
Materials: copper, gilt
Techniques: hammering
Culture: chimú
Location: peru
Sutra Cover
Object type: sutra cover
Date: 1601 – 1700
Materials: metal thread, silk
Culture: chinese
Fotoreproductie van (vermoedelijk) een prent van Maria II Stuart, echtgenote van prins Willem III
Object type: carte de visite
Date: 1860 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: london, maria ii stuart (koningin van engeland, schotland en ierland), historical persons, ruler, sovereign - bb - female ruler, styles of hairdress - aa - ~ women, dress, gown, necklace

Onderdeel van Fotoalbum met 29 foto's van Nederlandse vorsten.
Twee Afrikaanse jongetjes
Object type: drawing
Date: 1654 – 1654
Materials: ink, paper, watercolor
Techniques: brush
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690
Inscriptions: signature and date: ‘Geesken ter Borch 1654. den 11.september’, annotation: ‘nae 't leven’
Waringin, (Banyan)
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: trees
Bag
Object type: bag
Date: 1701 – 1800
Materials: linen, metal thread, silk
Techniques: embroidery
Location: iran
Kinders komt nu aangeloopen / Om 't osje boe te koopen / 't is een gild-os exelent / Gy kunt het koopen voor klein geld
Object type: print
Date: 1781 – 1831
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: floral interlace ~ ornament, prize-ox, ox, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2760

Blad met een grote voorstelling van een gilde-os (ook kermisos of prijsos genoemd), versierd met bloemenkransen. De voorstelling is gevat in een sierlijst met ranken, sfinxen, wapenschilden, putti en bloemen.
Untitled (Clement L. Vallandigham, Congressman from Ohio)
Object type: photograph
Date: 1855 – 1855
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits, portraits: male subject
Ontmoeting van Jakob en Jozef
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Artist: caspar luyken
Artist role: draughtsman, print maker
Artist dates: 1672 – 1708
Subjects: the meeting of jacob and joseph in goshen
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie uit: Josephus, Flavius. XX. boeken van de oude geschiedenissen der joden, 4 delen. Amsterdam: Barent Visscher, Willem de Coup, Willem van Lamsveld, Andries van Damme, 1698, dl. I.
The Holy Family Passing by a Pyramid, plate twenty from The Flight into Egypt
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Keizer kroont een dichter met een lauwerkrans
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: tone lithography
Location: vienna
Subjects: crowning with laurel, king
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie met historische taferelen. Over deze serie is verder niets bekend. Het betreft mogelijk scènes uit het leven van een koning/heilige.
Jongen in een deuropening
Object type: boekillustratie ontwerp
Date: 1870 – 1937
Materials: cardboard, paint, pencil, watercolor
Techniques: brush
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: open door, boy (child between toddler and youth)
Inscriptions: :, collector's mark: Lugt 2228, annotation: ‘Joh v. Woude, Waar is Mama?’, monogram: ‘.W.’

Een jongen met een hoed staat in een deuropening. Hij heeft een voorwerp met een touw in zijn linkerhand.
Jongen met hond, geweer en Amerikaanse vlag
Object type: photograph
Date: 1930 – 1950
Materials: paper
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Drie mannen met tulband en fez op de Wereldtentoonstelling van 1900
Object type: photograph
Date: 1900 – 1900
Materials: paper
Techniques: gelatin silver print
Location: paris
Artist: Anonymous
Subjects: world fair, world exhibition, paris

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
Rapier
Object type: rapier
Date: 1560 – 1560
Materials: gold, iron, steel
Culture: italian
Location: italy

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Flask
Object type: glass
Date: 1730 – 1730
Materials: glass
Location: bohemia
Deventer, adelaarsgulden, 1523
Object type: adelaarsgulden
Date: 1523 – 1523
Materials: gold
Techniques: striking
Location: deventer

Gouden munt. Voorzijde: eenkoppige adelaar met onder zijn poten schuingeplaatst wapenschild van Oversticht. Jaartal in omschrift. Keerzijde: binnen dubbellijnige versierde driepas rijksappel.
Droom van Skanderbegs moeder
Object type: print
Date: 1533 – 1533
Materials: paper
Techniques: woodcut
Subjects: dragon, prophetic dream

Prent afkomstig uit: Barletius, Marinus. Scanderbeg. Augsburg: Heinrich Steiner, 1533.
Veues de Versailles
Object type: print
Date: 1686 – 1686
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Subjects: garden fountain, french or architectonic garden; formal garden

De prent maakt deel uit van een serie bestaande uit 87 genummerde prenten (volgens Hollstein). De serie is opgedeeld in de delen A t/m F.
Verdediging van de citadel van Antwerpen, ter ere van Chasse
Object type: history medal
Date: 1832 – 1832
Materials: silver
Techniques: striking
Location: antwerp
Artist: Anonymous
Subjects: david hendrik baron chassé, antwerp
Hôtel-de-Ville et Caserne Napoléon (1)
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: animal traction, animal-drawn vehicle (carriage etc.), townhall
Inscriptions: number: ‘No. 2’
Portret van Ferdinand hertog van Brunswijk-Lüneburg
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: commander-in-chief, general, marshal, warfare; military affairs (+ commander-in-chief)
Inscriptions: collector's mark: Lugt 240

Kniestuk van Ferdinand hertog van Brunswijk-Lüneburg in militair uniform, in een interieur. Zijn rechterhand leunt op een tafel naast hem, waarop diverse insignes en een helm. Onder het portret zijn naam en gegevens in drie regels in het Frans.
Statua Regum Europaeorum P.C.N. Nomina Continens
Object type: print
Date: 1727 – 1782
Materials: paper
Techniques: etching, hand coloring
Subjects: chronology, history, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Parabel van de rijke man en de arme Lazarus
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: masquerade, masked ball, the rich man (dives) is feasting, while poor lazarus is starving at the gate (dogs licking lazarus' sores) (luke 16:19-31), ornamental fountain, (dinner-)service displayed on sideboard, laid table: table-ware, table-decoration, etc.
Inscriptions: collector's mark: Lugt 240

De rijke man uit de parabel uit Luc. 16:19-31, in het midden zittend aan een rijk gedekte tafel, houdt een feestmaal terwijl de arme Lazarus honger lijdt en zijn wonden gelikt worden door de honden rechts in de achtergrond. Vele elegant geklede figuren feesten mee met de rijke man, waaronder gemaskerde figuren en minnekozende paren. Een dienaar vult glazen en kruiken. Rechts op de achtergrond een paleis
Portret van David Beckeler
Object type: print
Date: 1627 – 1627
Materials: paper
Techniques: engraving, letterpress printing
Location: augsburg
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2233

Tekst in het Latijn in boekdruk op het blad binnen een omkadering van fleurons.
Tupu (pin)
Object type: pin
Date: 1601 – 1700
Materials: copper, gold
Culture: tiwanaku
Location: peru
H. Simon Zelotes
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the apostle simon zelotes (or simon the canaanite); possible attributes: book, saw, scroll
Inscriptions: collector's mark: Lugt 2228, number: ‘38. - 84.’

Landschap met de apostel Simon Zelotes. In zijn ene hand houdt hij een zaag, met zijn andere hand maakt hij een gebaar.
Afternoon dress
Object type: afternoon dress
Date: 1862 – 1862
Materials: cotton, silk, wool
Culture: american

The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple layers of petticoats which, due to weight and discomfort, were supplanted by underskirts comprised of graduated hoops made from materials such as baleen, cane and metal. The fashions during this time allowed the textiles to stand out because of the vast surface areas of the skirt and a relatively minimal amount of excess trim.
Reproductie van een tekening met Androclus die de doorn uit de poot van de leeuw haalt
Object type: album leaf
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: (story of) androclus
Inscriptions: inscription: ‘No. 2./ Androcles ontmoet een gewonde leeuw en trekt hem een doorn uit den poot.’

Deze prent maakt deel uit van een album.
Frederica Louise Wilhelmina, Princess of Orange-Nassau (Daughter of William V)
Object type: drawing
Date: 1785 – 1795
Materials: parchment, pastel
Artist: johann friedrich august tischbein
Artist role: painter
Artist dates: 1750 – 1812
Subjects: karel van brunswijk-wolfenbüttel, the hague, louise (prinses van oranje-nassau), historical persons - bb - woman

Under pressure from fierce opposition to his rule, Stadtholder William V and his family fled The Hague in 1785. They returned two years later and the stadtholder’s authority was restored. This provided the occasion to commission a series of portraits of the members of his family from the portraitist Tischbein. The artist produced a fashionable group of oval portraits in pastel. The giltwood frames were made by the Hague framemaker Hendrik Ebbens.
Plattegrond van de door de Stephenson Locomotive Society in Nederland afgelegde reisroute met reisdatums
Object type: album leaf
Materials: cardboard, ink
Techniques: writing
Location: great britain
Artist: Anonymous
Subjects: locomotive, maps, atlases, railway, train

Onderdeel van Fotografische reisverslag van het bezoek van de Stephenson Locomotive Society aan Nederland.
Studies van twee vrouwenhoofden, met gevlochten haren
Object type: print
Date: 1683 – 1733
Materials: paper
Techniques: engraving, etching
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: adult woman, styles of hairdress - aa - ~ women, postures of the head
Inscriptions: collector's mark: Lugt 2165
Gezicht op het Parco dell'Acquasola te Genua
Object type: photograph
Date: 1858 – 1893
Materials: cardboard, paper
Techniques: albumen print
Location: genoa
Artist: alfredo noack
Artist role: fotograaf
Artist dates: 1833 – 1895
Subjects: square, place, circus, etc., prospect of city, town panorama, silhouette of city
Inscriptions: number: ‘3009.’, collector's mark: ‘VOSMAER’