deem-data/ArtiFact huggingface dataset:
Furniture element made from a hippopotamus incisor
Object type: furniture element
Date: 900 – 701
Materials: ivory
Culture: assyrian
Location: mesopotamia

In addition to elephant tusks, hippopotamus teeth were also carved into small decorative objects and furniture inlays. This incisor, which was probably used as a furniture element, was found in a large storeroom at Fort Shalmaneser, a royal building at Nimrud that was probably used to store tribute and booty collected by the Assyrians while on military campaign. Hippopotamus ivory is whiter and more finely grained than elephant ivory. It is also harder and denser, making it more difficult to carve. Its smaller size means that there is a greater constraint on the objects into which it can be carved. The hippopotamus growth rings seen at the break in the upper tip of this incisor, called lamellae, are wavy and discontinuous and can be distinguished from the smooth growth rings of elephant tusks, making it easy to differentiate between the two types of ivory. Several elements of this incisor suggest that it was secured to a piece of wooden furniture using both mortise and tenon joinery and an adhesive. A rectangular mortise at the upper tip was cut to receive a peg, while the tapered tip was carved into a rectangular tenon, immediately behind which is a hole drilled to receive a dowel. The tapered end has been roughened with scratches, probably to help glue join the surface of the ivory to the piece of furniture into which it was originally inlaid. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
Portret van George Canning
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: paris
Subjects: london, historical persons
Inscriptions: check stamp: Lugt 619
Portret van een vrouw, een meisje en een pop
Object type: photograph
Date: 1860 – 1875
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman, (playing with) dolls, mother and daughter(s) (family group)
Portret van een onbekende vrouw
Object type: cabinet photograph
Date: 1883 – 1896
Materials: cardboard, paper
Techniques: albumen print
Location: paterson
Artist: daniel h. howd
Artist role: fotograaf
Subjects: anonymous historical person portrayed - bb - woman
Inscriptions: address: ‘91 BROADWAY,/ PATERSON, N.J.’
Gezicht op de entree van Vieux-Liège op de Wereldtentoonstelling van 1905 in Luik
Object type: photomechanical print
Date: 1905 – 1905
Materials: paper
Techniques: photograph
Location: florenville
Subjects: world fair, world exhibition, gate, entrance, liège
Inscriptions: inscription: ‘Procédé breveté’

Deze prent maakt deel uit van een omslag met 16 prenten.
Twee variaties van twee foto's, één van een onbekende vrouw in de duinen en één van onbekende mannen op een vissersboot
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: berlin
Artist: Anonymous
Subjects: dunes (sea not visible); in the dunes, rowing-boat, canoe, etc.
Inscriptions: inscription: ‘Nach Kopien auf gewöhnliche Diapositivplatten. Nach Kopien auf Isolarchlorsilber-Diapositivplatten der Aktiengesellschaft/ für Anilinfabrikation in Berlin.’
Toren aan het water
Object type: print
Date: 1837 – 1900
Materials: paper
Techniques: etching
Location: the hague
Artist: lambertus hardenberg (1822-1900)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1900
Subjects: tower, clock tower ~ monumental adornment
Inscriptions: number: ‘No. 42’, collector's mark: Lugt 2228
Dagger (Bade-bade) with Sheath
Object type: dagger bade bade with sheath
Date: 1501 – 1900
Materials: bone, steel, wood
Culture: sumatran or acheen
Location: indonesia
Fotoreproductie van een getekend wapenbord in de Oude Sint-Victorkerk in Batenburg
Object type: page
Date: 1902 – 1907
Materials: paper
Techniques: collodion silver print
Location: batenburg
Artist: benjamin charlé
Artist dates: 1845 – 1925
Subjects: armorial bearing, heraldry

Foto op negentigste ongenummerde pagina.
Rivierlandschap met molen
Object type: drawing
Date: 1872 – 1939
Materials: chalk, paper
Artist: egbert rubertus derk schaap
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1939
Subjects: windmill in landscape, windmill
Merry Christmas! (Frohe Weihnachten!)
Object type: print
Date: 1907 – 1907
Techniques: lithograph
Artist: moriz jung
Artist role: artist
Artist nationality: austrian
Artist dates: 1885 – 1915
Subjects: men,reading,trees,christmas
Openwork furniture plaque with lion
Object type: relief
Date: 900 – 701
Materials: ivory
Culture: assyrian
Location: mesopotamia
Subjects: lions

This ivory plaque was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. It depicts a snarling lion with hindquarters raised, head turned back over his shoulder, framed on three sides with a simple border decorated by two parallel vertical lines. The lion is carved in the openwork technique, in which the background is cut away and remaining elements are carved in the round. The eye was drilled for the insertion of an inlay, now missing. The piece is heavily damaged and parts of the frame and the lion’s lower legs have been restored in wax. A tenon projects from the top edge of the frame and would have been inserted into a slot in a separate frame, probably as part of a piece of furniture. Two drill holes in the tenon indicate that once inserted, the plaque was locked in place by driving pegs through the holes to fix it to the frame. Carved ivory pieces such as this were widely used in the production of elite furniture and luxury objects during the early first millennium B.C., and could be overlaid with gold foil or inlaid to create a dazzling effect of gleaming surfaces and bright colors. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
Three Luchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague
Object type: print
Date: 1630 – 1631
Techniques: etching
Artist: pietro testa
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1650
Cylinder seal
Object type: cylinder seal
Date: 2350 – 2150
Materials: mineral
Culture: akkadian
Location: mesopotamia
Subjects: animals
Nicolas De Cusa.
Object type: print
Date: 1881 – 1881
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: École liégeoise. Les Graveurs. Leurs portraits, reproduits au burin, d'après les originaux, par Adolphe Varin, 1366-1850. Avec notes historiques (...). Parijs: Fr. Gobbaerts, ca. 1684.
Seal with Quadruped
Object type: sculpture
Materials: bronze
Culture: greek
Location: thessaly
Subjects: animals

These precious bronzes objects are votives, or devotional gifts, made for gods. They come in many forms. Some are miniature sculptures of animals, mostly depicting horses, deer, and birds. Others are items of personal adornment, including beads and brooches. Quite a few seem once to have been attached to something else. This assemblage is characteristic of the thousands of votives that were hung from sacred trees or placed in sanctuaries around Greece. Once a shrine was full, the votives were gathered together and ceremonially buried to make room for more offerings. This comes from Thessaly in north-eastern Greece.
Miniatuurportret van een onbekende man in uniform
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: adult man, anonymous historical person portrayed, (military) uniforms
IJs en sneeuw - lief en leed
Object type: cartoon
Date: 1888 – 1888
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: ice ~ freezing weather, skates (winter sports), throwing snowballs, playing with snow and ice, small sleigh (winter sports)

Sneeuw- en ijspret in het land. Sneeuwballen gooien naar de politie, schaatsen en met de slede rijden op het ijs.
Huldrichus Zasius
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Mantel from Elias Hasket Derby House, Salem, Massachusetts
Object type: mantel
Date: 1798 – 1798
Materials: wood
Culture: american
Location: united states
Artist: samuel mcintire
Artist role: maker
Artist nationality: american
Artist dates: 1757 – 1811
Subjects: garlands,men,women
Ehren - Preis in Wettbewerb für ein Plakat
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Location: berlin
Artist: george einbeck
Artist role: painter
Subjects: sun as celestial body, postures of the human figure
Inscriptions: monogram: ‘MR&C’
Portret van Édouard Lhomme
Object type: page
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons
Disk Brooch
Object type: brooch
Date: 501 – 600
Materials: garnet, glass, silver
Culture: frankish
Rough ware bowl
Object type: bowl, rough ware
Date: 3850 – 2960
Materials: pottery
Location: egypt
Slippers
Object type: slipper
Date: 1810 – 1819
Culture: american
Une visite aux bains, from Croquis d'Été, published in Le Charivari, June 30, 1858
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: crowd,bathing
Nicolas Boileau bij zijn bureau met zijn muze
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: paris, nicolas boileau, ornaments ~ art, (story of the) muses; 'muse' (ripa), book
Inscriptions: collector's mark: Lugt 2165, number: ‘9.’

Prent mogelijk gebruikt in: Boileau-Despréaux, Nicolas. Oeuvres. Amsterdam: François Changuion, Den Haag, Pieter de Hondt, 1729. Nummer 9 in: Explication des Vignettes de la Seconde Edition des Oeuvres de Boileau. Amsterdam: Bernard Picart, 1729.
Fotoreproductie van (vermoedelijk) een tekening voorstellend een karikatuur van een wandeling door Edo van vier mannen, aangeduid als 'Beato, Polsbroek, Metman, Hegt'
Object type: reproduction
Date: 1863 – 1880
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: guardian, street (+ city(-scape) with figures, staffage)

Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Weaver's comb
Object type: weaving tool beater
Date: 1295 – 1070
Materials: wood
Location: egypt
Embossed disk
Object type: ornament
Date: 1201 – 1600
Materials: gold
Culture: colombian
Location: colombia
Galvanoplastische reproductie van een bokaal versierd met bandwerk, maskerons en email
Object type: goblet
Materials: copper, silver
Techniques: gilding
Location: london

Galvanoplastische reproductie van een bokaal versierd met bandwerk, maskerons en bladwerk omgeven door drie banden met email; drie panelen op de wand en drie panelen op het deksel bevatten bijbelse scènes in laagreliëf. Verguld. Met deksel (BK-NM-5317-2).
Four Hearts (red), from the Playing Cards series (N84) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: playing cards

Trade cards from the "Playing Cards" series (N84), issued in a set of 53 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes. The versos display a matching abstract floral pattern. The Joker and the Ace of Spades display an ad for Duke brand cigarettes. Besides Duke's Cigarettes, the same set of playing cards was also released to promote Turkish Cross Cut Cigarettes.
You Share Thy Joys to Soothe Thy Care (valentine)
Object type: drawing and watercolor
Date: 1840 – 1840
Materials: ink, paper, watercolor
Techniques: embossing, pen
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Design for Ceiling, Château de Cangé
Object type: drawing
Date: 1851 – 1900
Materials: gouache, watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: flowers,ceilings
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: human figures
Reproductie van een gravure naar een schilderij van een scène uit King Henry the Fifth
Object type: page
Date: 1874 – 1874
Materials: paper
Techniques: woodburytype
Location: london
Subjects: theatre, theatrical performance
Maskerade door studenten van de Leidse Hogeschool, 1840 (plaat 12)
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: jan van beieren, students' pageant, costumes used in pageants

Historische gekostumeerde optocht van de studenten van de Hogeschool van Leiden op 8 februari 1840. De optocht verbeeldt de intocht van hertog Jan van Beieren te Leiden op 18 augustus 1420. Twaalfde plaat in een serie van negentien ongenummerde platen, met de groepen genummerd 78-82.
Gezicht op 's Gravelandsche poort te Weesp
Object type: stereoscopic photograph
Date: 1856 – 1856
Materials: glass
Techniques: slide
Location: weesp
Artist: pieter oosterhuis
Artist role: draughtsman, print maker
Artist dates: 1816 – 1885
Subjects: bridge
Inscriptions: address: ‘N.Z. Voorburgwal, bij het Spui.’
Verklaring der zinnebeeldige kunstplaat, getiteld: Opvoeding
Object type: text sheet
Date: 1809 – 1809
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: johannes van der hey
Artist role: publisher
Subjects: symbolic representations, allegories and emblems ~ education; 'ammaestramento', dottrina', 'educatione', 'istitutione' (ripa)
Inscriptions: collector's mark: Lugt 2228

Tekstblad met een verklaring van de voorstelling van de prent met de allegorie op het onderwijs, uitgegeven bij het 25-jarig bestaan van het Maatschappij tot Nut van 't Algemeen, op 16 november 1809. Met prijslijst.
Neckerchief
Object type: neckerchief
Date: 1701 – 1800
Materials: cotton
Culture: american
Souvenir spoon with finial in form of William Shakespeare's house in Stratford-on-Avon
Object type: souvenir spoon
Date: 1867 – 1900
Materials: gilt, silver
Artist: saunders & shepherd
Artist role: maker
Artist nationality: british
Artist dates: 1869 – 9999
Subjects: houses
Portret van Marie Antoinette
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: london
Subjects: lodewijk xvi (koning van frankrijk), vienna, paris, marie antoinette, historical persons - bb - woman, queen, death penalty, execution
Inscriptions: collector's mark: Lugt 2228

Marie Antoinette zit aan een tafel met een miniatuurportret van Lodewijk XVI in de linkerhand. Het ovale portret is omgeven door een ketting, met boven een kroon waar een sabel en een bijl doorheen gestoken is. Met onder het portret tekst in het Engels waarin haar executie wordt veroordeeld. Daaronder het verhoor van Marie Antoinette uitgeschreven in het Engels.
Figuur in een straat, mogelijk te Oudewater
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: paper, pencil
Location: oudewater
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, street (+ city(-scape) with figures, staffage)

Pagina 4 uit een schetsboek met 46 bladen vervaardigd in de omgeving van Amsterdam, Rotterdam en Haarlem.
Kousenband van groene zijde doorweven met zilverdraad; met de tekst: 'IEUDG EN DEUGDE DEUGD EN VREUGDE VREUGD EN IEUGDE TOT EEN KRANS T SAAM GESTRENGELD SCHOON VER MENGELD DAT VER ENGELT D ECHT BY KANS W V MAURIK'
Object type: clothing
Date: 1877 – 1877
Materials: silk, thread
Techniques: weave
Location: netherlands
Artist: Anonymous
Inscriptions: inscription: ‘IEUDG EN DEUGDE DEUGD EN VREUGDE VREUGD EN IEUGDE TOT EEN KRANS T SAAM GESTRENGELD SCHOON VER MENGELD DAT VER ENGELT D ECHT BY KANS W V MAURIK’

Kousenband van groene zijde doorweven met zilverdraad. In de lengte is het opschrift 'IEUDG EN DEUGDE DEUGD EN VREUGDE VREUGD EN IEUGDE TOT EEN KRANS T SAAM GESTRENGELD SCHOON VER MENGELD DAT VER ENGELT D ECHT BY KANS W V MAURIK' te lezen.
Wapenschild met twee griffioenen en een gevleugelde helm
Object type: print
Date: 1700 – 1776
Materials: paper
Techniques: engraving
Artist: louis demeuse
Artist role: print maker
Artist dates:  – 1776
Subjects: griffin (lion/eagle); 'griffo' (ripa), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Veld van zestien tegels (4x4), elk met een blauw geschilderde krijger, omlijst door een geschulpte rand en meanders in de hoeken
Object type: tegelveld
Date: 1620 – 1640
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van zestien tegels (4 x 4) elk met een blauw geschilderde krijger omlijst door een geschulpte rand met in de hoeken een meander.
Herd of Sheep Near the Water, from Verscheyden Landtschapjes (Various Little Landscapes), Plate 8
Object type: print
Date: 1616 – 1616
Techniques: etching
Artist: willem pietersz buytewech
Artist role: artist
Artist nationality: dutch
Artist dates: 1591 – 1624
Subjects: landscapes,trees
Card 40, from the Girl Cyclists series (N49) for Virginia Brights Cigarettes
Object type: photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: girls,portraits,bicycles

Trade cards from the "Girl Cyclists" series (N49), issued in 1887 by Allen & Ginter to promote Virginia Brights Cigarettes.
Young Woman Holding a Plate
Object type: print
Date: 1501 – 1600
Techniques: etching
Artist: master f. p.
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: women

In Mariette Album, folio 44, top right
Fragment montuur van een verpakking uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: verpakking
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Suikerpot, de ribben afwisselend blauw en wit, gescheiden door gouden biezen
Object type: sugar box
Date: 1775 – 1800
Materials: earthenware
Techniques: vitrification
Location: worcester

Suikerpot met deksel. Geribd, de randen gekarteld. De ribben door verticale gouden biezen gescheiden. De holtes donkerblauw (Blue du Roi), de ribben wit, waarop een versiering van bladwerk en vlechtband. De randen verguld, verguldsel naar binnen gekarteld. Gemerkt in onderglazuurblauw.
Water Sprayer (Pichkari)
Object type: decorative art
Date: 1701 – 1900
Materials: silver
Location: india
The little people
Object type: page
Date: 1860 – 1865
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: mother and child(ren), woman and child(ren) (family group)
Deel van een kaart van het Hoogheemraadschap van Rijnland, met Abcoude en Vinkeveen
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving, etching, hand coloring
Subjects: maps of separate countries or regions, abcoude
Inscriptions: collector's mark: Lugt 195

Deel van een kaart van Rijnland, bestaande uit 27 delen.
Lined Curtain Panel
Object type: covering and hanging
Date: 1867 – 1900
Materials: cotton, wool
Techniques: lining, weave
Location: england
Artist: design attributed to bruce james talbert
Artist nationality: english
Artist dates: 1838 – 1881
Subjects: foliage, floral motifs, flowers, fruit
The Angel Advises Tobie (L'Ange conseillant Tobie)
Object type: print
Date: 1630 – 1680
Techniques: etching
Artist: henri mauperché
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1686
Subjects: men,landscapes,angels
Assemblée de Brocanteurs
Object type: print
Date: 1750 – 1765
Materials: paper
Techniques: etching
Location: paris
Subjects: ass, donkey, art dealer, parody on art
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 3373

Een satire op het kunstbedrijf waarin kunstkenners en handelaren die schilderijen beoordelen zijn voorgesteld als ezels. Naar de tekening van Trémolières in het Hessisches Landes Museum in Darmstadt.
Vermenigvuldiging der broden door Christus
Object type: drawing
Date: 1555 – 1592
Materials: ink, paper
Techniques: brush, pen
Artist: christoph schwarz
Artist role: draughtsman
Artist dates: 1545 – 1592
Subjects: christ and apostles distribute bread and fish among the multitude
Vase
Object type: vase
Date: 1730 – 1730
Materials: clay, enamel, glaze, gold
Culture: japanese
Subjects: leaves
Orphrey
Object type: orphrey
Date: 1401 – 1500
Materials: linen, metal thread, silk
Culture: german
Location: germany
Subjects: christ,virgin mary,crucifixion,saints
The Curtain
Object type: print
Date: 1904 – 1904
Techniques: drypoint
Artist: fernand khnopff
Artist role: artist
Artist nationality: belgian
Artist dates: 1858 – 1921
Subjects: women
Afternoon dress
Object type: afternoon dress
Date: 1840 – 1840
Materials: silk, wool
Culture: british
Right hon. Robert Lowe
Object type: photomechanical print
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait), politician, e.g. party leader