deem-data/ArtiFact huggingface dataset:
Bottle
Object type: vessel
Date: 1 – 200
Materials: glass
Techniques: glassblowing
Location: mediterranean region

Initially affordable only among the wealthy, glass was used in ancient Rome as containers for oils, perfume, and tablewares. The variety of glass-making techniques reveals the changing tastes and fashions over the centuries. During the 1st century CE, cast glass was a novel form that was a luxury for the Roman household, but by the end of the century, the innovation of blown glass allowed for less labor-intensive and less expensive production, which meant people of lesser means could afford it. Blown glass became so popular it nearly supplanted ceramic and even bronze wares in the home.
Caelaturae
Object type: print
Date: 1646 – 1658
Materials: paper
Techniques: engraving, etching
Subjects: riding a horse, ass, or mule; rider, horseman, cave, grotto, robbery
Inscriptions: collector's mark: Lugt 11

Deze prent maakte ten minste tot 1979 deel uit van een prentalbum met de titel: 't Cabinet der Italiaense schilderije antique statue en borstbeelde van de heer Renst 145 stucks.

Simon Schijnvoet heeft in 1709 aan dit album het Schijnvoet-nummer 22, liber nummer 20 toegekend.

Prent uit serie Caelaturae met vierendertig reprodukties naar Italiaanse en Nederlandse schilders, vervaardigd door de allerbeste graveurs in opdracht van de verzamelaar Gerard Reynst.
Portret van een onbekende vrouw, staande achter een fauteuil
Object type: photograph
Date: 1884 – 1896
Materials: cardboard, paper
Techniques: albumen print
Location: groningen
Artist: friedrich julius von kolkow
Artist role: fotograaf
Artist dates: 1839 – 1914
Subjects: historical persons - bb - woman, chair
Inscriptions: inscription: ‘PHILADELPHIA/ 1876./ 1879./ GOUDEN MEDALJE VOOR KUNST EN WETENSCHAP/ VAN Z.M. den Koning van Württemberg/ te dragen aan het lint der Frederiksorde/ MEDALJE VOOR KUNST EN WETENSCHAP/ van/ Z.K.H. den Groothertog van Oldenburg 1877./ MEDALJE VAN VERDIENSTE WEENEN 1873./ Zilveren Voigtländer Prijsvraag Medalje1875./ EN ACHT ZILVEREN PRIJS MEDALJEN./ FR. JUL. VON KOLKOW/ Hof-PHotograaf/ van Z.M. den Koning/ en wijlen Z.K.H. Prins Hendrik der Nederlanden./ GRONINGEN.’
Seeing Each Other with a View to Marriage
Object type: print
Date: 1770 – 1770
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: isoda koryūsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Subjects: men,women,tea houses
Fragment
Object type: textile
Date: 1740 – 1740
Materials: silk
Techniques: brocade, weave
Culture: provincial
Location: france
Twee boten met vissersnet hangend aan de mast op het strand van Brighton, op de achtergrond huifkarren
Object type: print
Date: 1810 – 1829
Materials: paper
Techniques: etching
Location: london
Subjects: sailing-ship, sailing-boat, fishing net, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, beach (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2165
Kris
Object type: kris
Date: 1300 – 1600
Materials: iron, nickel
Techniques: pamo technique
Location: java
Artist: Anonymous

Rituals can also be performed during non-religious occasions. This small kris was probably used in rites for the magic healing of wounds and disease.
Cabinet
Object type: cabinet
Date: 1873 – 1876
Materials: glass, wood
Culture: american
Location: united states
Artist: daniel pabst
Artist role: maker
Artist nationality: american, born germany
Artist dates: 1826 – 1910

This Modern Gothic cabinet superbly demonstrates the influence of British reform theory on American design in the late nineteenth century. In form and decoration, it is indebted to the British architect Bruce J. Talbert, whose book "Gothic Forms Applied to Furniture, Metal Work, and Decoration for Domestic Purposes" (Birmingham, 1867; Boston, 1873) was influential in this country. A kinship with the work of the Philadelphia architect Frank Furness is also evident in the overall form of the cabinet, the verticality and shingled "roof" of which somewhat resemble Furness's bank buildings of the 1870s. The reverse-painted ribbed-glass panels are of a type Furness began to use on buildings as architectural decoration in 1876. Their stylized floral motif recalls the geometric plant forms of Christopher Dresser, a leading English ornamentist of the period who visited the Centennial Exhibition in Philadelphia in 1876 and whose published designs were well known in this country. Daniel Pabst, a leading manufacturer of artistic furniture in Philadelphia, probably executed the cabinet. A related cabinet, now in the Brooklyn Museum of Art, is documented to Pabst.
De St. Basiliuskathedraal te Moskou
Object type: drawing
Date: 1898 – 1898
Materials: paper
Techniques: brush
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: public road
Inscriptions: signature: ‘M Bauer’
Passement van linnen en gele zijde in zigzagpatroon
Object type: braid
Date: 1700 – 1899
Materials: linen, silk
Techniques: weave
Location: europe
Artist: Anonymous

Passement van linnen en gele zijde in een patroon van evenwijdige lijnen in een zigzagpatroon. Object overeenkomstig met BK-NM-12186-23.
Kinderen en een vrouwenhoofd
Object type: drawing
Date: 1898 – 1898
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: child, head (human) - aa - female human figure
Inscriptions: collector's mark: Lugt 2228, workshop stamp: Lugt 291d
Herenhorloge van zilver
Object type: wrist watch
Date: 1820 – 1820
Materials: silver
Techniques: enameling
Location: france

Herenhorloge van zilver met gladde achterbodem en witgeëmailleerde wijzerplaat met 3 cijferringen.
Patience in a Punt
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,fishing,boats

A youth poles an open boat that holds three men. Two of them fish and one has caught a dog. The other smokes a pipe as a swan floats at right.
Terracotta jug with a pitcher-spout
Object type: jug
Date: 310 – 150
Materials: terracotta
Culture: cypriot

This jug is a variation on a type of Cypriot vessel that has a figurine holding the oinochoe, which serves as its spout. Despite the absence of such a figure, which when present often helps to date jugs of this kind, the overall form of the pitcher identifies it as a product of the Hellenistic period. The wreaths and fillets painted on the white-slip ground are funerary motifs often seen on white ground lekythoi, vases specifically used as grave gifts. Of particular interest are the small clay "rivets" visible at the top of the back handle, which relates this clay jug to a metal prototype.
Allegory of France with the Arms of Richelieu (Allégorie sur la Paix)
Object type: print
Date: 1620 – 1642
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: men,women,female nudes,cornucopia,allegory
Portret van Johann Gottfried Jakob Hermann
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: engraving, roulette
Artist: Anonymous
Subjects: scholar, philosopher, historical persons
Panel
Object type: textile
Materials: cotton, gold leaf, paper, textile, silk
Techniques: embroidery, lacquer, laid work, painting, printing, satin weave, stitching, weave
Location: japan
Slippers
Object type: slipper
Date: 1900 – 1900
Materials: silk
Culture: french
Artist: meier
Artist role: designer
Artist nationality: french
Dunn Sisters, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Gold Disk Brooch
Object type: brooch
Date: 501 – 700
Materials: bronze, iron, silver gilt
Culture: frankish

The impression was taken from a Roman coin of the emperor Domitian (r. 81–96). The relief pattern of these brooches was created by working a thin sheet of metal from the reverse side. Roman coins were the inspiration for such designs.
Dish with Paired Dragons, Cloudscrolls, and Flaiming Pearl
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, painting
Location: china
Man wordt door instortende muur verpletterd
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: collapsing building, fisherman

Illustratie uit: Duĳkerius, Johannes. Voorbeeldzels der oude wyzen. Waar in (...) de menschelijke hartstogten (...) behandeld worden. Amsterdam: Aart Wolsgrein, 1693, p. 31.
Zittend vrouw met voet op voetstoof
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: etching
Location: nijmegen
Artist: anthonie willem hendrik nolthenius de man
Artist role: draughtsman, print maker
Artist dates: 1793 – 1842
Subjects: sitting figure - aa - female human figure, foot-stove
Inscriptions: caption: ‘Deze plaat mislukt zijnde is na vier/ drukken daarop gemaakt te hebben uitgeslepen 4e druk’, collector's mark: Lugt 2228
Terracotta statuette of a seated woman
Object type: seated woman
Date: 534 – 468
Materials: terracotta
Culture: greek, boeotian
Subjects: women

Small figurines were made to be presented as votive gifts to a deity. It is not always clear whether they represent a god, a priest or priestess, or a person offering a gift. These rigid figures seated on thrones and wearing elaborate headdresses are probably goddesses. Hundreds of such statues were buried in trenches on the Akropolis after the Persians looted and burned Athens in 480 B.C., and it has been suggested that they represent an early cult statue of Athena.
Cloisonne furniture plaques with the child Horus and vultures
Object type: furniture element
Date: 800 – 601
Materials: ivory
Culture: assyrian
Location: mesopotamia
Subjects: birds,horus

This ivory panel was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. It depicts a seated child, probably the young god Horus, between two vultures. All three figures hold a ceremonial flail, a tool used to thresh grain, which was an attribute of the god Osiris and of the Egyptian king. The vultures wear atef crowns, a type of headdress worn by Osiris, while the young god is crowned by a sun disk, now fragmentary, and wears a heavy necklace called a broad collar. He wears his hair shaved with a single lock at the side, a style worn by Egyptian children. Carved ivory pieces such as this were widely used in the production of elite furniture during the early first millennium B.C. They were often inlaid into a wooden frame using joinery techniques and glue, and could be overlaid with gold foil or inlaid to create a dazzling effect of gleaming surfaces and bright colors. This piece is one of many elaborately carved ivories with motifs adapted from Egyptian art that have been attributed to Phoenician workshops, as Phoenician art shows strong Egyptian influence. The carved spaces in the eyes, the child’s hair, the vultures’ wing feathers, and elsewhere were originally inlaid in brightly colored glass or stone, in a style called "cloisonné" after the enameling technique of the same name. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
Joh. Wolfg. Textor
Object type: print
Date: 1820 – 1860
Materials: paper
Techniques: lithograph
Subjects: adult man, historical persons, wig
Inscriptions: collector's mark: Lugt 2228
Zarskoi-Selo. Caprice
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: berlin
Artist: louis gothe
Artist role: fotograaf
Subjects: tower, clock tower ~ monumental adornment, arch, archivolt ~ architecture, public gardens, park
Inscriptions: inscription: ‘Ansichten von St. Petersburg.’, number: ‘109.’
Fragment
Object type: fragment
Date: 1801 – 1900
Materials: metal thread, silk
Lantern
Object type: lantern
Date: 1701 – 1800
Techniques: gilding, painting
Personificatie van de provincie Marca Trevigiana
Object type: print
Date: 1673 – 1743
Materials: paper
Techniques: engraving
Location: rome
Subjects: personifications of countries, nations, states, districts, etc., lion (possibly with book) ~ symbol of st. mark, janus' head, two-faced head, venice
Inscriptions: collector's mark: Lugt 2228

Een vrouw met drie gezichten met op haar hoofd een muurkroon en op haar kleding versiering van wijnranken. Ze zit op de rug van een gevleugelde leeuw (de leeuw van Sint Marcus) en heeft met haar rechterhand een eikenboom vast. Aan de eikenboom hangt rechts een scheepsromp. In haar linkerhand heeft de vrouw een boek en een olijftak. De prent maakt deel uit van een album.
Album of Drawings in Color for Waistcoats
Object type: drawing ornament architecture
Date: 1780 – 1825
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: jean françois bony
Artist role: designer
Artist nationality: french
Artist dates: 1760 – 1825

Unbound album consisting of 35 folios with over 130 designs for embroidery, largely meant to be applied to waistcoats in the styles of Louis XV and XVI. In most cases, multiple designs have been pasted onto a single page. The designs are executed in gouache and watercolor, partially over a graphite underdrawing. The embroidery patterns are mostly floral in nature. Occasionally, birds and insects are added to the design as well. Influences from Asian textiles can be detected in the fantastical flowers and fruits, which are sometimes accompanied by other elements generally associated with the taste for so-called Chinoiseries. The first few pages of the album contain designs on a white (paper) ground. Inscriptions in pen and ink have been preserved on some of these designs. The latter part of the album is filled with designs made on varnished paper. These lack inscriptions. Here and there pages are left empty. Several of these empty pages show white chalk silhouettes (ghost impressions) of yet other patterns that are not preserved in the album. Two executed embroideries, one on velvet and one on silk, were also part of this album when it entered the museum collection. They are now kept separately (see: 27.73.36 and 27.73.37).
A large gathering of people in the street as a goddess races across the sky in a chariot led by four horses; set design from 'Il Fuoco Eterno'
Object type: print, fete, ornament architecture
Date: 1674 – 1674
Techniques: etching
Artist: mathäus küsel
Artist role: artist
Artist nationality: german
Artist dates: 1621 – 1682
Subjects: opera,horses,goddess,crowd,chariots

One of twelve plates depicting the stage sets designed by Lodovico Burnacini for 'Il Fuoco Eterno Custodito Dalle Vestali', an opera celebrating the birth of Maria Anna Antonia, Archduchess of Austria in 1672. The Archduchess was the daughter of Emperor Leopold I and his second wife Claudia Felicitas, heiress of Tirol. Composed by Antonio Draghi with a libretto by Nicoló Minato, the opera was performed in the Hoftheater in Vienna on October 30, 1674.
Heilige Franciscus van Assisi
Object type: drawing
Date: 1586 – 1622
Materials: chalk, paper
Artist: lionello spada
Artist role: draughtsman, painter
Artist dates: 1576 – 1622
Subjects: founder of the order of friars minor (franciscans), francis(cus) of assisi; possible attributes: book, crucifix, lily, skull, stigmata

Heilige Franciscus van Assisi, biddend vóór een crucifix; links ligt een doodshoofd.
Gezicht te Amsterdam, mogelijk het Damrak
Object type: sketchbook leaf
Date: 1909 – 1909
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: ships (in general), civic architecture; edifices; dwellings

Gezicht te Amsterdam, mogelijk het Damrak. Links een aangemeerde boot. Pagina 56 uit een schetsboek met 45 bladen vervaardigd in Amsterdam en Pittsburgh.
Jean van den Hecke, magistraat van de schatkist van Brussel
Object type: jeton
Date: 1601 – 1657
Materials: copper
Techniques: striking
Location: brussels
Artist: Anonymous
Subjects: brussels

Koperen penning. Voorzijde: gehelmd wapenschild binnen omschrift. Keerzijde: opschrift binnen lauwerkrans
Luxemburgse groot met de twee schilden van Wenceslaus II, 1383-1388
Object type: coin
Date: 1383 – 1388
Materials: silver
Techniques: striking
Location: luxembourg city

Zilveren munt. Voorzijde: kort versierd kruis, in het hart vier kruisjes . Keerzijde: onder een kroon twee naast elkaar geplaatste, naar elkaar toegewende wapenschilden, van Bohemen [omgekeerd] en van Luxemburg.
Koeien voor boerderij 'Ken u zelven' aan de Amstelveenseweg 537
Object type: photograph
Date: 1910 – 1930
Materials: paper, photographic support
Techniques: gelatin silver print
Location: north holland
Artist: Anonymous
Subjects: cow, farm or solitary house in landscape, farm (building)

Onderdeel van Album met foto's van Amsterdam en omgeving.
T' Hoogheymraedschap van Rhynland
Object type: print
Date: 1687 – 1687
Materials: paper
Techniques: engraving, etching
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 195

Deze prent behoort tot de tweede druk (1687) van 'T' Hoogheymraedschap van Rhynland', een wandkaart van het Hoogheemraadschap van Rijnland bestaande uit een kaart van het gebied en een sierrand.

Van deze kaart zijn voor zover na te gaan drie verschillende drukken bekend, uit respectievelijk 1647, 1687 en 1746.

Het kaartdeel is gedrukt van twaalf platen die voor elke druk zijn aangepast. Het vijfde blad van het kaartdeel (RP-P-AO-10-8H) is in of na 1766 nog een keer bijgewerkt en los uitgegeven. Hierdoor zijn van het vijfde blad vier staten bekend en van de overige bladen drie. Zie documentatie voor meer informatie.

Bij de eerste en tweede druk hoort een sierrand met daarop de titel, wapenschilden en octrooiverleningen. Delen van de zijkant van de rand van de eerste druk zijn voor de tweede druk herbruikt, terwijl andere delen van de zijkanten en de hele bovenkant nieuw zijn gemaakt door Romeyn de Hooghe. De derde druk heeft slechts een nieuw gemaakte titelstrook langs de bovenkant.
A Happy New Year, from the New Years 1890 series (N227) issued by Kinney Bros.
Object type: print
Date: 1889 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: food,men,women,drinking

Trade cards from the "New Years 1890 Cards" series (N227), a set of 50 cards issued in 1889-90 to promote Kinney Tobacco Company.
De vier seizoenen
Object type: print
Date: 1601 – 1601
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: fruit-tree culture; fruit harvest, boar (male pig), he-goat, billy-goat, vintage, grape harvest, autumn, fall, 'autumnus'; 'autunno' (ripa)
Inscriptions: collector's mark: Lugt 2228

Een jongen en een meisje oogsten fruit in het bijzijn van een bok en een zwijn. De jongen plukt druiven, het meisje draagt een mand met peren.
Delfshavensche Kerk 1570
Object type: print
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: riding a horse, ass, or mule; rider, horseman, church (exterior), delfshaven

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 1, ill. 147.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Rollenpers
Object type: photograph
Date: 1934 – 1934
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: parts of machines, java
Inscriptions: date

Albumblad met een foto van rollenpers in serieproductie, vervaardigd in 1934. Onderdeel van een fotoalbum met foto's van machines en constructies van de N.V. Machinefabriek Braat te Soerabaja, Soekaboemi en Tegal uit de periode 1931-1937.
Sword (Arivāl)
Object type: sword arivāl
Date: 1501 – 1600
Materials: steel
Culture: south indian
Location: india
Stained Glass Panel with the Entombment
Object type: panel
Date: 1401 – 1500
Materials: glass, metal, paint, pigment
Culture: german
Subjects: men,women,entombment
Mlle. Del Ira, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: girls,portraits,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Shell Amulet
Object type: amulet, shell
Date: 2649 – 2100
Materials: gemstone
Location: egypt
Fig. 16 'De Acvta Spina' in De Boodts herbarium van 1640
Object type: text sheet
Date: 1640 – 1640
Materials: ink, paper
Techniques: letterpress printing
Location: bruges
Artist: anselmus boëtius de boodt
Artist role: draughtsman
Artist dates: 1550 – 1632

Beschrijving bij Fig. 16 op p. 33 in: Anselmi Boëtii de Boot I.C. Brugensis & Rodolphi II. Imp. Roman. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Onderdeel van het album met bladen en platen uit De Boodts herbarium van 1640. Het twaalfde van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Left halves of two handles from kylikes
Fotoreproductie van een schilderij, voorstellende de aanbidding der herders
Object type: page
Date: 1865 – 1870
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Portrait
Object type: portrait
Date: 1780 – 1790
Materials: glass
Subjects: portraits,women