deem-data/ArtiFact huggingface dataset:
Button
Object type: button
Date: 1780 – 1780
Materials: ivory, metal
Culture: italian
Subjects: portraits,women
Watch
Object type: watch
Date: 1805 – 1805
Materials: enamel, metal
Subjects: houses,boats
Portret van Broer Cornelis
Object type: print
Date: 1607 – 1677
Materials: paper
Techniques: engraving
Artist: christoffel van sichem (i)
Artist role: print maker, publisher
Artist dates: 1546 – 1624
Subjects: dordrecht, bruges, book with clasps, instruments of torture, execution or punishment: scourge
Inscriptions: collector's mark: Lugt 2228

Prent komt voor in: C. van Sichem. Historische beschrĳvinge ende affbeeldinge der voorneemste hooft ketteren. Amsterdam: C. van Sichem, 1608., in: C. van Sichem. Historische Beschreibüng vnnd abbildünge der fürnembste Haubt-Ketzer. Amsterdam: C. Claesz, 1608. en in: C. van Sichem. Het tooneel der hooft-ketteren, bestaande in verscheyde afbeeltsels. Middelburg: W. Goeree, 1677.
Boom
Object type: sketchbook leaf
Date: 1874 – 1875
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: trees

Blad 20 recto uit een schetsboek met 46 bladen.
Netsuke of Bag Containing a Figure of Hotei
Object type: netsuke
Date: 1701 – 1900
Materials: ivory, wood
Culture: japanese
Subjects: men
Ferdinand and Miranda (Shakespeare, The Tempest, Act 3, Scene 1)
Object type: print
Date: 1786 – 1786
Techniques: etching, engraving
Artist: peltro william tomkins
Artist role: engraver
Artist nationality: british
Artist dates: 1759 – 1840
Subjects: shakespeare,men,women
Chief's blanket
Object type: blanket
Date: 1865 – 1870
Materials: wool
Techniques: dyeing
Culture: diné or navajo
Artist: unidentified
Artist role: artist

The six Navajo weavings from the Ernst Collection represent a range of traditional Indigenous designs, adding depth and range to The Met’s holdings of Native North American textiles. Weaving is an ancient form of visual expression, and the Indigenous peoples of the Southwest have been producing complex textiles for centuries. Navajo weavings were widely traded—for their aesthetic quality and use value—among neighboring groups, particularly in the Plains region. By the mid-nineteenth century, non-Natives were seeking out blankets and serapes as works of art and souvenirs. They were called "chief’s blankets" by both Native and Euro-Americans due to their high cost and importance. The term "second phase" is used by cultural historians and collectors to refer to weavings with red rectangles made between 1850 and 1880. "Third-phase" blankets are characterized by artful compositions of diamonds or cross formations, and date to between 1860 and 1880.This dynamic art form—a deeply rooted living tradition integral to Navajo culture—continues to flourish today through the efforts of a new generation of innovative weavers. Serapes (the Spanish term for blanket) are a prominent form of Navajo weaving. Vibrantly colored and vividly patterned, these so-called wearing blankets build on long-established design themes. Varied weaving traditions are reflected in the horizontal lines, diamond shapes, and serrated edges--all characteristic of Southwest Native American patterns.
Koninkrijk Beieren, vereinsthaler, Maximilian II, 1860
Object type: coin
Date: 1860 – 1860
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: borstbeeld van de koning naar rechts. Keerzijde: door twee gekroonde leeuwen gehouden gekroond wapenschild. Waarde-aanduiding: Ein Vereinsthaler in omschrift, jaartal onderaan. Randschrift.
Prijspenning voor veetelt, uitgereikt voor Wilhelm II te Noordwijk
Object type: history medal
Date: 1920 – 1960
Materials: bronze
Techniques: striking
Inscriptions: inscription: ‘3E PRIJS / WILHELM II / 26347 R.v,J,V, / M.H. STOLLENGA / NOORDWIJK.’

Bronzen penning, op de voorzijde een koe in grasland, op de keerzijdeeen vijfregelige inscriptie, verwijderd draagoog
Dame bij een tafel met een kistje en een kandelaar
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: philippus velijn
Artist role: print maker
Artist dates: 1787 – 1836
Subjects: jewel-box (+ variant), candle, picture, painting
Inscriptions: collector's mark: Lugt 2228

Een dame staat bij een tafel waarop een kistje en een kandelaar met drie brandende kaarsen. Zij kijkt naar een mansportret aan de wand achter haar.
Fluted cup and saucer with flower sprays and birds
Object type: kop en schotel, kop en schotel
Date: 1670 – 1700
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: arita
Artist: Anonymous

Cup and saucer, c. 1750 - 1800.
S 19. De moskee van Omar (interieur)
Object type: photograph
Date: 1890 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: jerusalem
Artist: Anonymous
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: inscription: ‘S 19. De moskee van Omar (interieur)./ De kale rots is de plaats waar het offeraltaar zou hebben gestaan./ Jeruzalem.’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Overstroming bij Kampen, 1775
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Location: amsterdam
Artist: noach van der meer (ii)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1822
Subjects: rescue work during a flood, sailing-ship, sailing-boat, flood, the flood of 14-18 november 1775
Inscriptions: collector's mark: Lugt 2228

Overstroming bij Kampen op 15 november 1775. Links bezwijkt een huis waarin een moeder met kind om hulp roept. Op de voorgrond zitten drie mensen op het dak van een huis. Zeilschepen proberen mensen en vee te redden. Aan de horizon de stad Kampen.
Portret van Gerrit Verdooren van Asperen
Object type: print
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: oost-souburg, gerrit verdooren van asperen
Inscriptions: collector's mark: Lugt 2228
Portret van een vrouw
Object type: carte de visite
Date: 1860 – 1875
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman
Miss Greyville, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Stamp seal (scarab) with monsters
Object type: stamp seal
Date: 700 – 801
Materials: stone
Culture: phoenician
Location: cyprus
Subjects: griffins
Portret van een meisje, staand voor een bank in een tuin
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: historical persons - bb - woman, garden, girl (child between toddler and youth)
Fernantzen-Schmidtz, Prins Hendrikkade 146, Amsterdam
Object type: photograph
Date: 1925 – 1925
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: counter ~ shop, amsterdam
Inscriptions: annotation: ‘Fernantzen – Schmidtz/ Prins Hendrikkade 146/ Amsterdam’
Portret van Sigismund Elias Holzschuher von Harrlach
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: christoph wilhelm bock
Artist role: print maker
Artist dates: 1755 – 1836
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Titelpagina voor: A. Pichot, Voyage Historique et Littéraire en Angleterre et en Écosse, tome premier, 1825
Object type: titelblad, titelpagina
Date: 1825 – 1825
Materials: paper
Techniques: engraving
Location: paris
Subjects: castle
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Pichot, A. Voyage Historique et Littéraire en Angleterre et en Écosse, tome premier. Parijs: Gosselin, Charles, 1825.
Card Table
Object type: card table
Date: 1815 – 1820
Materials: wood
Culture: american
Location: united states
Artist: henry connelly
Artist role: maker
Artist nationality: american
Artist dates: 1770 – 1826

The attribution of this card table is based on its similarity to a pair of tables Henry Connelly made for the prominent Philadelphia banker and philanthropist Stephen Girard in 1817. All are distinguished by their elegant proportions, shimmering mahogany surfaces, and fine carving. Dolphins--popular French-inspired motifs in both New York and Philadelphia furniture during the early decades of the nineteenth century--here grace a lyre-shaped central support. Although lyre motifs are common features in furniture designs during this period, it is rare to find one combined with or formed by whimsical creatures. The result is a striking and highly original composition, enlivened by the dolphins’ sinuous scaled bodies and interlaced tails.
Krijgsraad van de Nederlandse vloot voor de Vierdaagse Zeeslag in 1666
Object type: drawing
Date: 1666 – 1671
Materials: paper, pencil
Techniques: brush
Artist: willem van de velde (ii)
Artist role: draughtsman, painter
Artist dates: 1633 – 1707
Subjects: sailing-ship, sailing-boat, council of war, battle (+ sailing-ships), navy (+ sailing-ships), historical events and situations
Tile with a head of a Mesopotamian captive from the palace of Ramesses II
Object type: tile, palace of ramesses ii, bearded face, mesopotamian singer
Date: 1279 – 1213
Materials: faience
Location: egypt
Jewelry Designs in Gold, Diamonds and Other Precious Stones, Plate 7 from "L'Art de la Bijouterie"
Object type: print ornament architecture
Date: 1879 – 1879
Techniques: lithograph
Location: france
Artist: jean francois barousse
Artist role: printer
Artist nationality: french
Subjects: jewelry

Plate with designs for jewelry in gold, diamonds and pearls, combined with other precious stones. The plate contains ten designs presented on a sand-colored background. At top are two designs for dangling earrings and a comb with pearls and diamonds. Below are seven designs for brooches in various sizes, decorated with pearls, diamonds and precious stones in a green and deep blue tone. This plate is part of a portfolio with designs for jewelry other small items in precious metals produced by the printer Barousse. According to the frontispiece, 24 plates with designs are issued annually. Within the portfolio the color lithographs are combined with a translucent sheet of paper on which the silhouettes of the objects have been printed. These would make it easier for artists to transfer the design for execution.
Zondvloed
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: the flood and destruction of mankind ~ story of noah (genesis 7:10 - 8:17)
Inscriptions: number: ‘2’, collector's mark: Lugt 2228
Vessel in form of female (?) figure
Object type: vessel
Date: 700 – 501
Materials: ceramic
Culture: iranian
Location: iran, luristan
Subjects: women

This vessel in the form of a human figure survives only in a handful of pieces, comprising parts of the head, face, neck, chest and both shoulders and elbows. It was restored based on another vessel found with it, which, although fragmentary, preserves the entire height of the figure. It is made of a red clay; most of the vessel is handmade, while the figure’s hat appears to have been made on a wheel. In its restored form the vessel is roughly cylindrical with a flat base and a slightly flaring rim at the top that also serves as the figure’s pillbox hat. The figure has a globular head and a thick neck with a pointed chin or beard at the front. The mouth is indicated by a horizontal slit, and the eyes are incised circles carved into large depressions. The figure has a prominent nose and flat ears. It holds its slender arms at its sides with elbows bent and hands clasped at its stomach. Two nipples are represented by large raised dots. The figure wears a necklace with a pyramidal pendant, possibly meant to be a stamp seal. The remains of this vessel were excavated in 1935 at Chekka Sabz (also spelled Chigha Sabz, meaning ‘green mound’) in the Pish-i Kuh (‘before the mountain’) region of Luristan in western Iran. These remains were found in a buried cache of objects which included two Neo-Elamite cylinder seals, at least four bull-shaped jugs, and the other vessel in the form of a human figure. The seals date to the 8th-6th centuries B.C., and the pottery found with them, including this vessel, likely date to the same period. Although probably a small village in the Bronze Age, by the Iron Age Chekka Sabz had been reduced to a campsite, perhaps used by pastoralists as they transitioned between summer and winter pastures. The cache seems to have been buried in haste, and it is clear that whoever buried the objects did not, or could not, return to recover them. The gender of the figure is unclear. The large nipples and clean shaven chin suggest a female. However, the figure found with this one at Chekka Sabz has been interpreted as male, on the grounds that the chin is in fact a pointed beard. There are no other features that compel one identification or the other. The figure’s posture, with the hands clasped at the stomach, is echoed in Elamite art, where it appears to be the proper gesture to make in the presence of a god. The people at Chekka Sabz were clearly familiar with Elamite material culture, and it stands to reason that the gesture indicates that this figure represents an attentive worshipper. As such, the vessel may have been intended to serve as an offering to a god. The bull-shaped vessels found with it may well have served a similar purpose.
Netsuke
Object type: netsuke
Date: 1801 – 1900
Materials: ivory, wood
Techniques: inlay
Culture: japanese
Subjects: children
Eight Spring Victoria #920
Object type: drawing
Date: 1850 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Wilhelmina, koningin der Nederlanden, Juliana, koningin der Nederlanden, Beatrix, koningin der Nederlanden, en Irene, prinses der Nederlanden
Object type: photograph
Date: 1941 – 1943
Materials: photographic support
Techniques: photography
Location: netherlands
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, beatrix (koningin der nederlanden), juliana of the netherlands

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Foto naar een rotogravure naar een foto.
Catafalco Eretto Nella Basilica Vaticana ...per Alessandro VIII
Object type: print, fete, ornament architecture
Date: 1691 – 1691
Techniques: engraving, etching
Artist: alessandro specchi
Artist role: artist
Artist nationality: italian
Artist dates: 1668 – 1729
Subjects: skeletons,candles

Catafalque for the exequies for Pope Alexander VIII (1610–1691).
Gezicht op de steenkolenmijn van Le Placard te Carnières
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: mine
Inscriptions: inscription: ‘Société des Charbonnages de Mariemont’
President leaving for Capitol, Inauguration of McKinley, 1901
Object type: stereograph
Date: 1901 – 1901
Materials: paper, cardboard
Techniques: gelatin silver print
Location: new york city
Artist: Anonymous
Subjects: ceremonial procession, parade, pageant ~ installation of a ruler
Inscriptions: number: ‘3041’, copyright notice: ‘Copyright 1901 by H. C. White Co.’, inscription: ‘The " PERFEC" STEREOGRAPH. (Trade Mark.)/ Patented April 14, 1903. Other Patents Pending.’
Boogvulling van ijzer, half cirkelvormig en gevat in eikenhouten raam.
Object type: spandrel
Date: 1575 – 1600
Materials: iron, wood
Techniques: forging

Een gesmeed ijzeren boogvulling, zeer rijk bewerkt en gevat in een eikenhouten, halfcirkelvormig raam.
Ceramic Fragment
Object type: fragment
Date: 501 – 600
Materials: earthenware
Location: egypt
Silver kyathos (cup-shaped ladle)
Object type: ladle
Date: 334 – 301
Materials: silver
Culture: greek or south italian

In 1895 the tomb of a Gallic warrior was excavated in a necropolis at Montefortino, about thirty miles west of Ancona in central Italy. The cemetery is that of Gauls who in the fourth century B.C. began to invade central Italy and to stage raids as far south as Apulia. The tomb contained iron weapons, bronze and terracotta vessels, and also a gold ring and five silver vessels that must have been brought as loot from another part of Italy. The hoard includes a silver jug (08.258.51), a silver bowl with swinging handles (08.258.50), a pair of stemless silver cups decorated on the inside with a complex floral pattern (08.258.52–.53), and a silver kyathos (cup-shaped ladle) with a handle that terminates in a duck's head (08.258.54).
Truffier and Moreno, in Les Femmes Savantes
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Zelfportret van Adriaan van der Burg
Object type: print
Date: 1730 – 1792
Materials: paper
Techniques: mezzotint
Location: dordrecht
Artist: aert schouman
Artist role: draughtsman, painter, print maker
Artist dates: 1710 – 1792
Subjects: dordrecht, painter, adriaan van der burg, portrait, self-portrait of painter, tools, implements of painter, palette
Inscriptions: collector's mark: Lugt 2228

De kunstschilder Adriaan van der Burg. De omlijsting is versierd met een palet en een penseel.
Hut in Daman-i-koh, from the Habitations of Man series (N113) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: the giles company
Artist role: artist
Artist nationality: american
Artist dates: 1800 – 1900
Subjects: houses,boys

Trade cards from the "Habitations of Man" series (N113), issued in a set of 25 cards in 1890 by W. Duke, Sons & Co., a branch of The American Tobacco Company, to promote Honest Long Cut Smoking and Chewing Tobacco.
[Stables and Ivy Covered Tower]
Object type: photograph
Date: 1850 – 1859
Techniques: paper negative, salted paper print
Artist: Anonymous
Artist role: artist
Subjects: architecture
Portrait of Jean Honoré Fragonard
Object type: print
Date: 1880 – 1880
Techniques: etching
Artist: jacques antoine marie lemoine
Artist role: artist
Artist nationality: french
Artist dates: 1751 – 1824
Subjects: men,portraits,artists

This etching is based on a portrait drawing by Jacques Antoine Marie Lemoine (1751–1824) depicting Fragonard holding a porte-crayon. The drawing dates to 1797 and was owned by Hippolyte Walferdin, the great 19th-century collector of Fragonard's drawings. The print was likely made in 1880, at the time of Walferdin's estate sale, when his collection would have been on public view. In the drawing, Lemoine has placed fragonard against a flat backdrop. In the etching, Tiburce de Mare has added a stormy mountainous coastline.
In den Lofoten, Errichtung des Steinmanns auf dem Gipfel von Diggermulen und Heimkehr
Object type: photograph
Date: 1807 – 1889
Materials: cardboard, paper
Techniques: gelatin silver print
Subjects: wilhelm ii (keizer van duitsland), norway
Inscriptions: number: ‘33’

De afdruk van de foto is rond, het papier vierkant. foto gemaakt met Nr. 1 Kodak Camera
Handkerchief
Object type: textile
Date: 1801 – 1900
Materials: linen
Techniques: embroidery, weave
Location: spain
Plate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen)
Object type: print
Date: 1810 – 1810
Techniques: engraving, drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: swords,men,horses
Gezicht op Rotterdam, 1726
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: rotterdam

Gezicht op Rotterdam, op de voorgrond enkele vurende schepen. Plaat nr. 311 in deel XIII van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne uit 1726, dit tweede deel met 271 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel in het Frans.
Vouwstoel van iepenhout, met leren rug en zitting
Object type: seating furniture
Date: 1500 – 1600
Materials: bone, wood, leather, mother of pearl
Techniques: marquetry
Location: northern italy
Artist: Anonymous

Folding chair. Elm, inlaid with bone, mother-of-pearl and various woods, the leather upholstery renewed. Italy, 16th century.
2 royalins of fanam uit Pondicherry in India van de Franse Compagnie perpétuelle des Indes,1720-1837
Object type: coin
Date: 1720 – 1837
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: kroon, voorzien van stippen, parels. Keerzijde: in drie rijen vijf lelies. Gladde rand.