deem-data/ArtiFact huggingface dataset:
Zenkoji Temple and the Ferry at Kawaguchi (Kawaguchi no watashi Zenkoji), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
The Bather
Object type: fountain model
Materials: terracotta
Artist: jean antoine houdon
Artist role: artist
Artist nationality: french
Artist dates: 1741 – 1828
Subjects: women,female nudes,bathing

The original composition of Houdon's fountain at the Parc Monceau is believed to be preserved in this patinated terracotta sketch. It fails, however, to capture the striking impact of the lost group in which the lead figure of the black servant stood in vivid contrast to the white marble of the basin and the seated bather herself.
Section of the Loggia in the Villa of Pope Julius [III.]
Object type: drawing
Date: 1710 – 1727
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: pietro paolo coccetti (cocchetti)
Artist role: artist
Artist nationality: italian
Artist dates: 1710 – 1727
Subjects: architecture
Mensen bij een schip aan de kade te Auray
Object type: page
Date: 1850 – 1859
Materials: photographic support
Techniques: albumen print
Location: auray
Artist: taylor
Artist role: fotograaf
Subjects: sailing-ship, sailing-boat, quay (+ city(-scape) with figures, staffage)
Inscriptions: number: ‘53’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Interior, part of a red glazed line
Gezicht op Dokkum
Object type: print
Date: 1702 – 1725
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Gezicht op de stad Dokkum waarboven een banderol met de naam en het wapen van de stad prijkt. In de marge staan twee regels tekst in het Nederlands, geheel rechtsonder gemerkt: 5. De prent maakt deel uit van een serie prenten met stadsgezichten op diverse steden in Friesland.
Bead
Object type: bead
Date: 1 – 100
Materials: glass
Culture: parthian
Location: iran

This round glass bead was excavated at Shahr-i Qumis in northern Iran, which has been identified as the ancient city of Hecatompylos, established by the Parthians as their capital by about 200 B.C. In Greek Hecatompylos means ‘a hundred gates,’ suggesting that the city was quite large. Indeed, the modern archaeological site includes several mounds, only a few of which have been excavated, and a vast area covered with potsherds. The bead comes from Site XIII, a large building that was later deliberately filled with dirt, perhaps in order to create a funerary structure. The excavations at Shahr-i Qumis by the British Institute of Persian Studies in 1967 were co-sponsored by the Metropolitan Museum of Art. However, this bead was not discovered until 1971, and it was acquired from the British Institute as a result of the Met’s financial contributions to the Institute’s excavations at Tepe Nush-i Jan, another site in Iran. At the time the Iranian government allowed foreign excavators to keep a portion of the finds, and these excavators in turn would divide their share among the institutions that supported the work.
Coffeepot
Object type: coffeepot
Date: 1774 – 1775
Materials: silver
Artist: john swift ii
Artist role: maker
Artist dates: 1696 – 1796
Subjects: flowers,insignia
Sgabello
Object type: sgabello
Date: 1501 – 1600
Materials: wood
Adorning The Face With White Powder And Rouge
Object type: stereograph
Date: 1900 – 1907
Materials: paper, cardboard
Techniques: gelatin silver print
Location: yokohama
Artist: t. enami
Artist role: publisher
Subjects: making up - aa - (for) women, japan
Sparrows on a Balcony
Object type: photograph
Date: 1900 – 1930
Materials: cardboard
Techniques: collodion silver print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Subjects: song-birds: sparrow

People first began to realize around 1900 that nature had to be protected. Amateur photographer Tepe used photography to this end and was one of the champions of the nature conservation movement. Tepe specialized in bird photography and was the founder of this genre in the Netherlands. Sometimes a basket was used to lure the birds, and at other times they ate from someone’s hand.
Empress Komyo (Komyoko), from the series "Three Beautiful Women (San bijin)"
Object type: print
Date: 1820 – 1820
Techniques: woodblock print, surimono
Location: japan
Artist: ryuryukyo shinsai
Artist role: draughtsman, print maker
Artist nationality: japanese
Artist dates: 1764 – 1820
Hoed van zwart stro, versierd met drie tulpvormige bloembladeren van rose zijde
Object type: hat
Date: 1955 – 1955
Materials: silk
Location: paris
Artist: Anonymous

Hoed van fijn zwart stro. Lage, smalle toque, gerekt cylindrisch. Van voren versierd met drie tulpvormige bloembladeren van roze zijde, vloeiend verlopend in mosgroen. Om de gehele cylinder is een kleine zwarte voile gedrapeerd, die nauwelijks onder de hoed uitkomt, vanachter in een stukje vastgelegd, Adres: Création Paris.
Bataafsche Coloniale Infanterie van de Kaap de Goede Hoop
Object type: drawing
Date: 1806 – 1806
Materials: paint, paper, pencil, watercolor
Techniques: brush
Artist: jan anthonie langendijk dzn
Artist role: draughtsman, print maker
Artist dates: 1780 – 1818
Subjects: (military) uniforms, cape of good hope
Gezigten uit Neêrlands Indië
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: low hill country (+ landscape with figures, staffage), landscapes in the non-temperate zone, exotic landscapes
Inscriptions: label: ‘Koloniaal Instituut - Amsterdam; No. 15649A; Doos No. 157A. Onderwerp: Batoe-Medjah. Amboina. Afkomst: Kol. Mus. Haarlem.’, stamp: ‘Koloniaal Museum Haarlem’, inscription: ‘22; 2487-1909’, collector's mark: Lugt 2228
Glass spacer bead
Object type: bead
Date: 1 – 33
Materials: glass
Culture: roman

Translucent cobalt blue and opaque white. Plano-convex oval with thin white layer as backing to blue; beveled edge. Pierced vertically with two small holes. Three ribs in high relief. Complete except for small chip in edge; dulling and slight weathering.
Aanbidding van het Lam op de berg Sion en drie verkondigende engelen
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the three angels proclaiming the day of judgement, adoration of the lamb on mount sion by the 144-thousand ~ apocalypse (+ angel(s) floating in the air)
Inscriptions: inscription: ‘L'agneau e Dieu [...] au asasuite.’, collector's mark: Lugt 2228, inscription: ‘125’

Het Lam op de berg Sion omringd door mensen. God de Vader op zijn troon, omringd door de vier wezens en de oudsten. In het midden drie engelen: de eerste houdt het eeuwige evangelie vast en kondigt de dag des oordeels aan, de tweede de val van Babylon. De derde engel waarschuwt tegen de aanbidding van het beest en het beeld, want als straf zal men de wijn van Gods woede moeten drinken. In de marge een vierregelig onderschrift in het Latijn. Zestiende prent uit een serie van vierentwintig met de openbaring van Johannes op Patmos.
Buste van een man met hoed
Object type: print
Date: 1760 – 1774
Materials: paper
Techniques: engraving, etching
Location: antwerp
Artist: antoon overlaet
Artist role: draughtsman, print maker
Artist dates: 1720 – 1774
Subjects: anonymous historical person portrayed
Inscriptions: collector's mark: Lugt 2228
S.P. Augustinus
Object type: print
Date: 1620 – 1668
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: augustine, bishop of hippo; possible attributes: arrows piercing his breast, book, child with spoon, flaming heart, heart (pierced with arrows), pen
Inscriptions: collector's mark: Lugt 240

De heilige Augustinus van Hippo als augustijnermonnik, een vlammend hart in de hand, opkijkend naar Christus op de wolken. Christus houdt het tetragram, het symbool van God in de hand, daarnaast de duif van de Heilige Geest. Achter Augustinus draagt een jongen de bisschopsmijter en staf. Onderaan op het pedestal een regel tekst in het Latijn. Prent uit een serie van heiligen.
Tafereelen, (...) in de raadkamer van den hove van justitie van Holland, Zeeland, en Westvriesland (...)
Object type: print
Date: 1737 – 1737
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: 'pius aeneas': aeneas, leading ascanius, escapes from burning troy, carrying his father anchises with the penates; his wife creusa, who sets out with them, is lost on the way, closed door
Inscriptions: collector's mark: Lugt 2228

Aeneas ontvlucht het brandende Troje met zijn oude vader Anchises op zijn rug. Naast hem loopt zijn huilende zoontje. Links de vrouw van Aeneas met haar handen voor haar gezicht. Voorstelling boven de deur van de Raadkamer van het Hof van Justitie van Holland, Zeeland en West-Friesland in het Binnenhof te Den Haag.
Titelhoofd met ruiters
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: woodcut
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: riding a horse, ass, or mule; rider, horseman, horn, trumpet, cornet, trombone, tuba - cc - out of doors
Inscriptions: collector's mark: Lugt 2228

Voor het boek ‘Kunst en samenleving’ (een bewerking door Jan Veth van Walter Crane’s boek ‘The Claims of Decorative Art’, 1892) ontwierp Gerrit Willem Dijsselhof een aantal kopvignetten. Zowel qua onderwerp, voorstelling als uitvoering vertonen ze overeenkomsten met enkele hier getoonde prenten van Escher. Hoewel deze ruiters elkaar overlappen, doet dit werk sterk aan diens ‘Horseman’ denken.
The Actor Azuma Tōzō I as a Woman Carrying Two Bird Cages
Object type: print
Date: 1768 – 1768
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyomitsu
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1785
Subjects: women,actors
Figuren in een deels overdekte steeg
Object type: sketchbook leaf
Date: 1827 – 1891
Materials: paper, pencil
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: street (+ city(-scape) with figures, staffage)

Blad 12 verso uit een schetsboek met 41 pagina's.
Cabinet (cellaret)
Object type: cabinet
Date: 1760 – 1760
Materials: wood
Melkkan van veelkleurig beschilderde faïence met decor van een landschap
Object type: milk jug
Date: 1760 – 1790
Materials: faience
Techniques: kiln, painted, polychromy
Location: delft
Artist: Anonymous

Melkkan van veelkleurig beschilderde faïence met een decor van een landschap binnen een krans.
Portret van Johannes Antonius Tucher
Object type: print
Date: 1675 – 1675
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, johannes antonius tucher, helmet, armour
Inscriptions: date

Portret van Johannes Antonius Tucher, op 56-jarige leeftijd, in harnas, zijn hand rustend op een helm. Onder het portret zijn familiewapen.
Shoe buckles
Object type: shoe buckle
Date: 1790 – 1790
Materials: metal
Culture: irish
Portret van Marie-Adelaide Hoigne
Object type: photograph
Materials: paper
Techniques: albumen print
Location: brussels
Artist: Anonymous
Subjects: adult woman, historical persons, rotterdam
Inscriptions: inscription: ‘A LA MÉMOIRE/ DE MADAME (...)’
Liggende koe, van voren
Object type: drawing
Date: 1821 – 1821
Materials: chalk, paper, pencil
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: cow
Portret van Albrecht, aartshertog van Oostenrijk
Object type: print
Date: 1710 – 1764
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: brussels, albrecht aartshertog van oostenrijk, neck-gear ~ clothing (with name) (+ men's clothes), coat (+ men's clothes), head-gear: hat (+ men's clothes), knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), the (nude) human figure; 'corpo humano' (ripa) (+ kneeling), insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 240

Kopie in spiegelbeeld naar het linker deel van het triptiek van het Heilige lldefonsus-altaar door Peter Paul Rubens, thans in het Kunsthistorisches Museum te Wenen, inv.nr. GG678.
Portret van Gaston de Foix, hertog van Nemours
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Tooneel der beroemder hertogen princen graven ende krygs-helden van christenrijck binnen deze drij laetste eeuwen. Delft: Nicolaes de Clerck, 1617. Mogelijk ook gebruikt in andere publicaties, bijvoorbeeld Van Meterens 'Nederlantsche Historien'.
Saucer with flowering plants in shaped panels
Object type: kop en schotel, kop en schotel
Date: 1760 – 1780
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Schotel van porselein, bedekt met een turquoise glazuur en berschilderd in blauw, rood, roze, groen, zwart en goud. De schotel is aan de voorzijde bedekt met een turquoise glazuur met hierin uitgespaard in het centrum een geschulpt medaillon met plant, daaromheen drie uitgespaarde cartouches met bloeiende planten en een vogel op een tak. Een barst en een chip in de schotel. Famille rose.
Design after the monument of Leonardo Loredano
Object type: print
Date: 1625 – 1700
Materials: chalk
Techniques: etching, drawing
Artist: antonio francesco luccini
Artist role: artist
Artist nationality: italian
Artist dates: 1605 – 1605
Plate
Object type: plate
Date: 1831 – 1835
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: job & john jackson
Artist role: maker
Artist dates: 1831 – 1835
Subjects: buildings,flowers
Flowers in a Marble Vase
Object type: drawing and watercolor
Materials: graphite, paint, watercolor, paper
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Dambordschijf met het portret van Katharina von Bora
Object type: print
Date: 1728 – 1734
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: historical persons - bb - woman

Prent met tekst in boekdruk op verso gebruikt in: Seckendorf, Veit-Ludwig von. Uitvoerige en onpartydige historie der reformatie door dr. Martin Luther (...). Delft: Reinier Boitet, 1728, dl. 3. En in de druk uit 1730, en mogelijk ook al in 1726. En in: Juncker, Christian. De goude en zilvere eergedagtenis van Dr. M. Luther (...). Den Haag: s.n., 1734.
Great Ribston, plate 61 from Britannia Illustrata
Object type: print
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: jan kip
Artist nationality: dutch
Artist dates: 1653 – 1722
Vase
Object type: ceramic
Date: 1875 – 1880
Materials: enamel, porcelain
Techniques: polychrome
Location: england
Bifolium with the Decretals of Gratian
Object type: bifolium
Date: 1290 – 1290
Materials: gold, ink, leather, parchment, paint
Techniques: bookbinding
Culture: french
Location: france
Artist: master honore
Artist role: artist
Artist nationality: french
Subjects: men,bishops

This illuminated bifolium, or double page, ranks with the finest painting produced in thirteenth-century Paris. The bifolium, which formed part of a manual of medieval canon law, the Decretals of Gratian, was compiled by a monk who taught at Bologna in the mid-twelfth century. On the sheet shown here, a gloss, or commentary, written by Bartolomeo of Brescia, frames the central, two-column text block representing the work of Gratian, which is preceded by an illustration of the chapter, or causa. The bifolium incorporates parts of causae 16-19. The miniature signals the beginning of causa 19: "Two clerics wished to transfer to a monastery; both sought permission from their bishop. One left his church against the will of his bishop, the other after having renounced his regular canonicate." The bishop's prerogative is manifest in the miniature: Mitered and enthroned, he holds a crosier and a document with a seal, as he gestures toward two kneeling clerics, who appear to petition him with raised hands. Their facial features and their hair are rendered with a few fine pen strokes. The elegance of line, combined with an almost cartoonlike presentation of the composition, creates an easily legible narrative that is typical of Parisian Gothic manuscript illumination. The leaf is one of two known to have been extracted before 1910 from a manuscript now in the state archives of the Czech Republic at Olomouc (ms. no. C.D. 39). Both sheets have been associated with Maître Honoré, a native of Amiens, whose name has become synonymous with the best illuminations produced in thirteenth-century Paris. There is, however, only one documented manuscript by Honoré and his workshop--a copy of Gratian's Decretals at Tours (Bibl. Mun. ma. 558), dated 1288. It is conceivable that the Metropolitan's bifolium and the Olomouc manuscript also are the work of an illuminator in Honoré's atelier; the illumination for causa 19 of the Tours Decretals has compositional and iconographic elements in common with the Metropolitan's bifolium. Since Honoré himself was only one of a number of prominent Parisian illuminators active at the time, working in close proximity to and in collaboration with one another, the generic similarities to the Tours Decretals help to confirm a date for the Museum's illumination of about 1290 but not its authorship.
Textile Fragment
Object type: textile fragment
Date: 975 – 996
Materials: linen, metal thread, silk
Techniques: tapestry, weave
Location: egypt
Subjects: arabic
Haven van Honfleur
Object type: copper plate
Date: 1864 – 1864
Materials: copper
Techniques: etching
Artist: johan barthold jongkind
Artist role: draughtsman, painter, print maker
Artist dates: 1819 – 1891

Op de achterzijde van de plaat bevindt zich een voorstelling met onder andere een ruiter, een lopende figuur en een hond (niet door Jongkind).
Demosthenes.
Object type: photograph
Date: 1895 – 1895
Materials: cardboard, paper, ink
Techniques: photograph
Location: munich
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture, (story of) demosthenes, europe
Inscriptions: collector's mark: Lugt 3937, number: ‘No. 10.’, inscription:
Doorway
Object type: doorway
Date: 1101 – 1200
Materials: limestone
Culture: french
Location: france
Handschoen van wit katoen
Object type: glove
Date: 1950 – 1970
Materials: cotton
Location: netherlands
Artist: perlfil

Rechterhandschoen van wit katoen. Ongedragen paar met merklabel eraan bevestigd en prijskaartje van de Bijenkorf aanwezig.
Model of a French Pilot Cutter
Object type: ship model
Date: 1810 – 1870
Materials: wood
Location: france
Artist: Anonymous
Subjects: france

Model van een Franse loodskotter, met een verzwaarde kiel.
Diana en haar nimfen na de jacht
Object type: drawing
Materials: chalk, paper
Location: southern netherlands
Artist: Anonymous
Ontwerp voor een kandelaar (No. 9)
Object type: drawing
Date: 1767 – 1823
Materials: paper, pencil
Techniques: brush
Artist: abraham meertens
Artist role: draughtsman
Artist dates: 1757 – 1823
Subjects: sconce, wall lamp
Denarius Serratus (Coin) Depicting the God Vulcan
Object type: coin
Date: 105 – 105
Materials: metal, silver
Culture: roman
Location: italy
Subjects: gods (deities), eagles
Inscriptions: Reverse: L COT

The front of this coin depicts the head of Vulcan, god of fire, facing right.

On the back and eagle is shown standing on a fulmen.
Self-portrait in a cloak with a falling collar: bust
Object type: print
Date: 1633 – 1656
Materials: paper
Techniques: drypoint, etching
Subjects: leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Furniture element in the form of a column with lotus bud capital
Object type: furniture part
Date: 1981 – 1550
Materials: wood
Location: egypt
Subjects: furniture
Mont St-Michel
Object type: cabinet photograph
Date: 1887 – 1887
Materials: cardboard, paper
Techniques: albumen print
Location: le mont-saint-michel
Artist: Anonymous
Subjects: anonymous historical person portrayed, fisherman
Danser in traditioneel Indonesisch kostuum met masker
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil, watercolor
Techniques: brush
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: mask, folk costume, regional costume, one person dancing alone
Inscriptions: kleurnotitie, handgeschreven

Pagina 118 uit een schetsboek met 74 bladen.
Sabel met schede, cavalerie model nr. 7, dragonders
Object type: sabre
Date: 1844 – 1844
Materials: iron, leather
Location: delft
Artist: Anonymous
Subjects: netherlands

Sabel cavalerie model nr. 7 dragonders met schede. Voor karabijn. Met gewoon gevest. Delft.
Hendrik I ontvangt de broer van de overleden koning Koenraad I in zijn tuin
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: empty bird cage, history, shrubs, garden, bird hunting, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Deutsche Monatsschrift (...). 3 dln. Leipzig: Sommersche Buchhandlung, 1795.
Galathea
Object type: ornament print
Date: 1537 – 1537
Materials: paper
Techniques: engraving
Subjects: (story of) galatea; 'galatea' (ripa)
Inscriptions: collector's mark: Lugt 2233

Galathea staand op een dolfijn met twee opbollende zeilen op haar rug.
Een "Onder Onsje"
Object type: manuscript
Materials: ink, paper
Techniques: handwriting, pen
Location: lochem
Artist: Anonymous
Subjects: amsterdam, the hague, willem drees

Handgeschreven titel voor de foto op het volgende blad. Onderdeel van het fotoalbum over de opening van het bejaardenhuis De Berkelhof in Lochem door premier Willem Drees op 8 augustus 1953.
Altar Shrine with Four Saints
Object type: shrine
Date: 1450 – 1475
Materials: gold leaf, oil, panel, wood
Culture: italian
Location: italy
Artist: italian (venetian) painter
Artist role: artist
Artist nationality: italian
Subjects: madonna and child,saint jerome,saints,saint sebastian
Gezigt aan de Heerenweg by de Hofstede Bosch en Vaart / Aan de Heerenweg by de Hofstede Bosch en Hoven / Aan de Heerenweg by Oud-Berkenrode na de Dorstige Kuil
Object type: album leaf
Date: 1762 – 1762
Materials: paper
Techniques: etching
Location: haarlem
Subjects: rural housing, e.g. country-house, villa, cottage, lane, alley, haarlem

Drie voorstellingen. Boven: De Herenweg te Haarlem bij de hofstede Bosch en Vaart. Midden: De Herenweg te Haarlem bij de hofstede Bosch en Hoven. Onder: De Herenweg (in het huidige Heemstede) bij de hofstede Oud Berkenrode. Deze prent maakt deel uit van een album.
The Card Players
Object type: drawing
Date: 1780 – 1820
Materials: gouache, ink
Techniques: brush, heightening, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: human figures,playing cards

This circular images of men and women playing cards by candlelight may be a design for a book illustration.
Fotoreproductie van een portret van John Crewe als kind door Joshua Reynolds
Object type: page
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Subjects: boy (child between toddler and youth), picture, painting
Terracotta fragment of a bell-krater (bowl for mixing wine and water)
Object type: bell krater fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Beneath the rim, an egg pattern; below, head, neck, and shoulder of a filleted youth to right, with his himation draped over his left shoulder; top of head of a youth to left