deem-data/ArtiFact huggingface dataset:
Abklatsch van de krijttekening op pagina 25
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: paper
Techniques: printmaking
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Pagina 24 uit schetsboek XLVII met 52 pagina's.
Design for Canopy Top Phaeton, no. 3079
Object type: drawing
Date: 1874 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Stadsgezichten en landschappen in Frankrijk en Italië
Object type: print
Date: 1673 – 1695
Materials: paper
Techniques: etching
Location: france
Subjects: city-gate
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn. De uitgevers vader en zoon Nicolas Langlois worden allebei vermeld als N. Langlois op hetzelfde adres.
Snaffle Bit
Object type: bit
Date: 601 – 700
Materials: copper, metal alloy
Culture: visigothic
Location: spain

The snaffle bit is the simplest type of horse bit, and has an effect on the bars (part of the horse’s jaw without teeth) and the corners of the lips. The mouthpiece of this bit consists in two articulated links, square in section and with a serrated ridge on each face, welded with copper. The mouthpiece is flanked on one side by a long vertical cheekpiece, and by a simple link with a ring on the other, probably reused from another bit to replace the missing piece. The remaining original cheekpiece, used to hang the bit from the bridle, is composed of a ribbed vertical bar, with a flat pierced square ornament at the bottom, a decoration characteristic of Visigothic bits. Reins were attached to the ribbed D-shaped rings hanging from each side of the bit. The serrated ridges on the mouthpiece make it harsh, preventing the horse from grasping the bit with its jaws (the horse needed to have a relaxed jaw for the bit to be effective). When they were pulled, the cheekpieces would compress the corners of the lips, forcing the horse to stop. They would also help indicate the direction to the horse and keep the rings from pulling through the mouth.
Consulting the Prophet, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution"
Object type: print
Date: 1821 – 1821
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,crocodiles
Vestal Virgin
Object type: drawing
Date: 1501 – 1600
Materials: ink, paper
Techniques: brush, pen, wash
Artist: giovanni guerra
Artist role: artist
Artist nationality: italian
Artist dates: 1544 – 1618
Subjects: women
Visner, Catcher, Brooklyn Bridegrooms, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Portretten van beroemde schilders uit de Lage Landen
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: the hague
Artist: hendrick hondius (i)
Artist role: draughtsman, print maker, publisher
Artist dates: 1573 – 1650
Subjects: antwerp, painter, willem key, historical persons, portrait, self-portrait of painter, tools, implements of painter
Inscriptions: collector's mark: Lugt 11

Prent uit deel één van de serie Pictorum Aliquot Celebrium Praecipuae Germaniae Inferioris Effigies. De serie van 72 kunstenaarsportretten is vervaardigd door Hendrick Hondius I, Simon Frisius, Andries Jacobsz. Stock en Robert de Baudous.
Fan
Object type: folding fan
Date: 1901 – 2000
Materials: metal, paint, paper
Culture: japanese
Titiaan, Design for a Picture
Object type: photograph
Date: 1855 – 1858
Materials: cardboard, paper, photographic support
Techniques: albumen print
Subjects: drawing, sketch

Fotoreproductie van tekening in 'The Reveley Collection of Drawings at Brynygwin', afb. 11.
Textile Fragment
Object type: textile fragment
Date: 1601 – 1800
Materials: metal thread, silk
Location: iran
[Man]
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits,profiles
Gezicht op het Palazzo Riccardi te Florence
Object type: photograph
Date: 1865 – 1900
Materials: cardboard, photographic support
Techniques: albumen print, calligraphy
Location: florence
Subjects: palazzo riccardi
Inscriptions: : ‘Firenze / Palazzo Riccardi’, : ‘3497.’, signature: ‘ALINARI’
Huit différentes Marines
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Location: paris
Subjects: sailing-ship, sailing-boat, beach
Inscriptions: collector's mark: Lugt 2228a

Mensen lopend op het strand en door het ondiepe water. Een zeilschip op het zand getrokken, een aantal boten liggend in het ondiepe water en een aantal varend op het open water. Op een hoger gelegen stuk land een klein dorp. Kopie in spiegelbeeld.
Pitcher
Object type: pitcher
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states
Subjects: grapes
Signora Centa di Graviti..., from the Magic Changing Cards series (N223) issued by Kinney Tobacco Company
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men

Trade cards from the "Magic Changing Cards" series (N223), issued in a set of 50 in 1889 by Kinney Tobacco Company. When held up to the light, a hidden image is revealed on each card.
Armstoel gedecoreerd met wapenschilden (vermoedelijk) in het Rijksmuseum te Amsterdam
Object type: photograph
Date: 1875 – 1900
Materials: photographic support
Techniques: matte daylight collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.), chair
Inscriptions: number: ‘XLIX kat. 224 135’, collector's mark: ‘Instituut voor kunst-nijverheidsonderwijs Gabriël Metsustraat No. 16, Amsterdam’, collector's mark: ‘Kunstnijverheidschool Quellinus Amsterdam Frans Halsstraat 14.’
Ostrakon
Object type: ostrakon
Date: 601 – 700
Materials: ink, pottery
Culture: coptic
Location: egypt
Portret van Willem III, koning der Nederlanden
Object type: print
Date: 1811 – 1863
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: willem iii (koning der nederlanden), knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: date

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
View of the Villa d'Este, Tivoli, from Views of Rome
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778

When Giovanni Battista Piranesi came to Rome in 1740, he was fascinated with the coexistence of antiquities and modern developments in the city. Especially fond of Rome’s architecture and ruins, the artist used his etchings to bring the city’s landmarks alive, romantically capturing Rome in its most idealized state. View of the Villa d’Este, Tivoli contrasts the ancient Roman statues on the grounds with the grandiose Mannerist-style villa. Piranesi’s precise detail transforms an already-majestic view into a utopian paradise. Traditionally sold as loose sheets, the Views of Rome series attracted collectors and tourists as a souvenir of their experiences in Rome.
Interieur van de operazaal (Salle Garnier) van het Monte Carlo Casino
Object type: photograph
Date: 1879 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: monaco
Artist: Anonymous
Subjects: concert hall

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië en Frankrijk.
Card Number 75, Sadie Martinot, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
De moord op Willem van Oranje, 1584
Object type: history print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: delft, william i (prince of orange), attempt, political murder

Willem van Oranje vermoord door Balthasar Gerards, 10 juli 1584. Gezicht op interieur Prinsenhof: achter ontvangt de prins Gerards in een kamer, op de voorgrond wordt de prins neergeschoten. Links probeert Gerard te ontsnappen en wordt hij gevangengenomen. Met onderschrift van 4 regels in het Latijn. Genummerd 156 en 173. Onbedrukt op achterzijde.
Landschap met bomen en een molen
Object type: sketchbook leaf
Materials: chalk, paper
Artist: alexander shilling
Artist role: draughtsman, print maker
Artist dates: 1859 – 1937
Subjects: trees, windmill in landscape

Blad 18 recto uit een schetsboek met 91 bladen.
Sculptuur van een herder tussen twee ossen
Object type: album leaf
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: Anonymous
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., piece of sculpture, reproduction of a piece of sculpture, ox
Inscriptions: number: ‘75’, inscription: ‘Ende lib. No. 4 fol. 151.’

Deze prent maakt deel uit van een reeks van ten minste 50 prenten van sculpturen uit de oudheid.
Zittende en knielende figuren en cirkels
Object type: sketchbook leaf
Date: 1889 – 1891
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: sitting figure, kneeling figure

Mogelijk voorstudies voor een wandschildering in het stadhuis te Den Bosch. Blad 31 recto uit een schetsboek met 33 bladen.
Deksel van vaas met het huis De Paauw
Object type: lid
Date: 1896 – 1896
Materials: earthenware
Techniques: painted
Location: the hague
Inscriptions: mark: ‘Rozenburg // ooievaar // Den Haag ; NK (aaneen) x 473 ; LW110 (ingegrift)’, mark: ‘Rozenburg // ooievaar // Den Haag ; NK (aaneen) x 473 ; LW110 (ingegrift)’

Deksel van vaas van aardewerk, behorend bij een stel van drie, polychroom beschilderd met zonnebloemen en topografische voorstellingen. Op de deksel zijn vier zonnebloemen geschilderd.
Reproductie van een schilderij van een gezicht op de Sint-Bavokerk te Haarlem door J. Wouwerman
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1920
Materials: paper
Techniques: photograph
Subjects: church (exterior)
Inscriptions: inscription: ‘J. Wouwerman - Vue de l'Église de St-Bavon du côté de l'Ouest / 50 LL. / Stedelijk Museum Haarlem’, annotation: ‘top/ Haarlem’, annotation: ‘topogr.’
Bank van notenhout met binnenwerk van populierenhout
Object type: chest
Date: 1500 – 1500
Materials: wood
Techniques: intarsia
Location: florence
Artist: Anonymous

Bank van notenhout met binnenwerk van populierenhout en versierd met intarsia. In het voetstuk een fries met meanderrand in intarsia. De voorzijde is licht bolvormig gebogen en vertoont op de hoeken en in het midden een licht vooruitspringend veld, waartussen twee gladde panelen; dit alles binnen profiellijsten en door intarsia-randen omgeven. Het middendeel vormt de kistdeksel. De zijwanden hebben gladde panelen. Zie tevens BK-16632 en BK-NM-12354.
Petersburgs Orangerie, Fontein en (1) Rusische Badstoof / L'Orangerie, la Fontaine et (1) le Bain Russien de Petersbourg
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: garden fountain, rural housing, e.g. country-house, villa, cottage, french or architectonic garden; formal garden, greenhouse, orangery

Prent uit: De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende. Amsterdam: Wed. Nicolaes Visscher, 1719.
Ostrakon from the Brethren (?) to John
Object type: ostrakon
Date: 580 – 640
Materials: ink, pottery
Culture: coptic
Location: egypt

Ostraca Ostraca are texts written on broken pottery, which were employed when parchment was unavailable or too expensive. At Epiphanius a large number of ostraca were discovered in the monastery, including in its rubbish heaps; they record biblical verses, legal documents, sermons, financial accounts, school texts, and letters requesting assistance and prayers. Some reveal that, even at the southernmost border of the Empire, people were still aware of events in the capital, Constantinople. Ostracon from the Brethren (?) to John Be so kind: thou knowest we have besought thy brothership for the solidus (worth) of linen; hitherto thou hast delayed. Be so kind, give all the money unto John, that the man may come and find it ready, lest the brother be troubled. Give it unto our brother John; from the brethren.
Duitse soldaten voor café "de Blauwbrug"
Object type: photograph
Date: 1941 – 1943
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: recreation ~ the soldier off duty, occupation ~ war, amsterdam

Vijf Duitse soldaten van de Wehrmacht staan voor een café: "De Blauwbrug", in het centrum van Amsterdam bij de Amstel. Het café verkoopt Amstelbieren en prima jenever per glas. Achterop staat: Bei einem Ausflug in Amsterdam.
Vue de Genéve et du Rhône. Suisse. (2)
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: geneva
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: city-view in general; 'veduta', river
Inscriptions: number: ‘17.’, inscription: ‘Views of Switzerland, photographed by W. England. (Registered) Under the Special Patronage of the Alpine Club.’
Cosmetic jar
Object type: cosmetic jar
Date: 1874 – 1875
Materials: glass, silver
Artist: barnard brothers
Artist role: maker
Subjects: flowers,insignia

The building of railroads during the first half of the nineteenth century led to a tremendous increase in travel, which stimulated the demand for the sumptuous dressing cases retailed by Frederick Jenner and Fabian James Knewstub and other London firms. This luxury case (61.78.1–.50), with its pivoting compartments, secret storage areas, and myriad fittings "which quite exhaust the requisites for the road or the boudoir," certainly made travel as comfortable as it was cumbersome.
Scholar Reading in a Hut
Object type: print
Date: 1820 – 1829
Materials: pigment
Techniques: woodblock print, surimono
Location: japan
Artist: keisai eisen
Artist role: artist
Artist nationality: japanese
Artist dates: 1790 – 1848
Molens op de wal aan weerszijden van de Morspoort te Leiden
Object type: drawing
Date: 1668 – 1697
Materials: ink, paper
Techniques: brush, pen
Subjects: city-walls, windmill, city-gate, canals, waters (in city) (+ city(-scape) with figures, staffage)
Zaal in een blindeninrichting
Object type: drawing
Date: 1868 – 1892
Materials: charcoal, paper
Artist: anthon gerhard alexander van rappard
Artist role: draughtsman, print maker
Artist dates: 1858 – 1892
Subjects: blind, blindness, interior of the house
Country Inn
Object type: print
Date: 1787 – 1787
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: inns,men,women,dogs,horses,carts
Overstroming bij het Molenwater en de haven te Veere, 1808
Object type: print
Date: 1808 – 1810
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: flood
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Sander van Hoek, Natuur- en geschiedkundige beschrijving van den verschrikkelijken watervloed tusschen den XIVden en XVden van louwmaand des jaars MDCCCVIII. 3 dln. Haarlem: Adriaan Loosjes Pz., 1808-1810.
Porte Garibaldi, Catane
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, paper
Techniques: albumen print
Location: catania
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: triumphal arch
Inscriptions: title: ‘1409 porte Garibaldi Catane’
Portret van Martín de Azpilcueta
Object type: print
Date: 1566 – 1566
Materials: paper
Techniques: engraving, etching
Artist: antonio lafreri
Artist role: publisher
Artist dates: 1512 – 1577
Subjects: spain, rome, priest, historical persons

Prent mogelijk uit: Benavides, Marco Mantova. Illustrium jureconsultorum imagines quae inveniri potuerunt ad vivam effigiem expressae (...). Rome: Antonio Lafreri, 1566. Prentserie waarschijnlijk opnieuw uitgegeven door Petri de' Nobili rond 1584-1585.
Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)
Object type: print
Date: 1810 – 1810
Techniques: engraving, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men
Neues Romanisches Laubwerck Büchlein
Object type: print
Date: 1668 – 1708
Materials: paper
Techniques: etching
Location: nuremberg

Links staat een naakte man op een acanthusrank met boven zijn hoofd een urn in een schelpvorm. Rechts een halve cartouche op een voetstuk, op de hoek van het voetstuk zit een gebaarde man met een stok. Blad 3 uit serie van 6 bladen.
Bottle, Skeletal Couple with Child
Object type: bottle
Date: 201 – 700
Materials: ceramic, pigment
Culture: moche
Location: peru
Subjects: skeletons,children,couples
Martelaarschap van Christus en de apostelen
Object type: print
Date: 1576 – 1580
Materials: paper
Techniques: engraving
Location: alkmaar
Subjects: peter crucified upside down, the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara - martyrdom, suffering, misfortune, death of male saint
Inscriptions: number: ‘187’

Petrus wordt ondersteboven gekruisigd. Rechts naast het tafereel van zijn marteldood staat hij nogmaals afgebeeld met sleutels in de hand. Onder de voorstelling een verklarende tekst in het Latijn. Deze prent maakt deel uit van een album.
Ereboog op de Grote Markt bij de intrede van Willem IV te Breda, 1737
Object type: print
Date: 1737 – 1737
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: willem iv (prins van oranje-nassau), anna van hannover, triumphal arch

Ereboog opgericht op de Grote Markt bij de intrede van Willem IV en zijn gemalin Anna van Hannover te Breda op 13 september 1737. De boog versierd met standbeelden, wapentrofeeën en wapens. Gemerkt linksboven: Pag 13.
Mountain Sketch (from Sketchbook X)
Object type: drawing
Date: 1885 – 1885
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: mountains

This sketchbook contains fifty-one drawings in graphite and ink, primarily of Pacific Northwest landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.1) of New England and Pennsylvania landscape and marine subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Button
Object type: button
Date: 1820 – 1820
Materials: metal, paste
Culture: european
Subjects: human figures,cameos,horses
Deugd overwint de oorlog
Object type: print
Date: 1580 – 1596
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: figure representing a virtue vs. a vice, vehemence, violence, fierceness; 'sforza con inganno', 'violenza' (ripa)

De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.