deem-data/ArtiFact huggingface dataset:
Londen met reiswieg met Prinses Irene
Object type: photograph
Materials: paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Subjects: london
Inscriptions: stamp: ‘copyright ANEFO Achtergracht 17 Amsterdam C’
Little Girl with Flowers (Amelia Palmer)
Object type: painting
Date: 1830 – 1830
Materials: canvas, oil
Culture: american
Artist: charles cromwell ingham
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1786 – 1863
Subjects: girls,portraits,flowers,baskets

When exhibited at the National Academy of Design in 1830, Ingham's "Portrait of a Little Girl with Flowers" attracted critical scorn for its crisp handling, smooth modeling, and bright light on the figure—the very tenets of contemporary neoclassicism. An Irish painter who must have studied in Paris before coming to New York, Ingham espoused the French neoclassical ideal while others clung to the popular, painterly British model. For this avant-garde portrait, Ingham found a willing subject in Amelia Palmer (1819–1843), the daughter of a Stonington, Connecticut, merchant. The idyllic setting and her sprite-like pose suggests that the artist aimed his artistic ambitions higher than straightforward portraiture. The wildflowers—cotton grass, bull thistles, phlox, violets, silkweeds, milkworts, and pinks—redouble the notion of the girl as classical wood nymph, a fair maiden who guards the place she inhabits.
Easter Card
Object type: print
Date: 1908 – 1908
Techniques: lithograph
Artist: otto friedr. carl lendecke
Artist role: artist
Artist nationality: austrian
Artist dates: 1886 – 1918
Subjects: human figures,temples
Exterior of the Rani Rupmati mosque in Ahmedebad, Gujarat, India
Object type: photograph
Date: 1865 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: ahmedabad
Artist: Anonymous
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: title: ‘Ahmedebad. Mirjapur Mosque. 1400-1500’, number: ‘20’
Portret van Hersan
Object type: print
Date: 1830 – 1840
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons
Inscriptions: inscription: ‘Mr de Chev[alier] Hersan/ consul de France [...] Rotterdam de 183[...] - 35./ ver[...] souvenir’
Johannes Jaeger's Illustrerade Katalog
Object type: photomechanical print
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Location: stockholm
Subjects: picture, painting
Inscriptions: number: ‘PL. LXVIII.’
[Entryway of Renaissance Court; Medieval Vestibule; View of the Renaissance Court; Room of Classical Reliefs and Sarcophagi]
Object type: photograph
Date: 1859 – 1859
Techniques: albumen silver print, glass negative
Artist: philip henry delamotte
Artist role: artist
Artist nationality: british
Artist dates: 1821 – 1889
Subjects: sculpture,interiors
Vijf koppen
Object type: drawing
Date: 1869 – 1869
Materials: ink, paper
Techniques: pen
Location: schwerin
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: caricatures (human types)
Inscriptions: collector's mark: Lugt 2228, signature, date and inscription: ‘Tavenraat in Schwerin 12/4 69.’
De Vrije Kunstenaar; religieus en politiek onafhankelijk orgaan voor de Nederlandsche Kunstenaars
Object type: magazine
Date: 1945 – 1945
Materials: paper
Techniques: printing
Location: amsterdam
Subjects: netherlands
Inscriptions: date

Nummer van 'De Vrije Kunstenaar', 4 genummerde pp (4de jaar, nr. 1). Opschrift: 'Herwonnen vrijheid'. Gedateerd: 5 mei 1945.
Kalender 1915 12 lithografien door Th. v. Hoytema
Object type: print
Date: 1914 – 1914
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: predatory birds: falcon, lunar year, october ~ other concepts
Inscriptions: collector's mark: Lugt 2233

De kalender wordt genoemd in een advertentie van Allert de Lange in het Algemeen Handelsblad op 23-11-194, pagina 4.
Goblet
Object type: goblet
Date: 1567 – 1633
Materials: silver gilt
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1900 – 1900
Materials: cardboard, ink
Techniques: pen, writing
Location: weesp
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: the hague, painter, draughtsman, philip zilcken, the graphic arts
Inscriptions: collector's mark: ‘RPK’
Sofa
Object type: sofa
Date: 1810 – 1820
Materials: gilt brass, wood
Culture: american
Location: united states
Artist: duncan phyfe
Artist role: maker
Artist nationality: american, born scotland
Artist dates: 1770 – 1854

This sofa is part of a large suite of seating furniture in the Museum's collection that includes a pair of armchairs, ten side chairs, and two footstools once owned by Thomas Cornell Pearsall, a wealthy New York merchant and shipowner. Other chairs from the set are owned by the Museum of the City of New York. The attribution to Phyfe is based on the set's traditional history of ownership which is recorded in an inscription stamped on the inside of the seat rails on the sofa and several of the chairs. The skillful execution of the details also points to Phyfe. The curule-base design for the suite derives from Greco-Roman seating forms illustrated and described in the 1808 supplement to the London "Chairmakers' and Carvers' Book of Prices."
Terracotta fragment of a lekanis lid (covered dish)
Object type: lekanis fragment
Date: 375 – 351
Materials: terracotta
Culture: greek, attic

On the top of the lid, lower drapery and feet of a woman; on the downturned rim of the lid, an egg pattern; the lid is glazed on the underside
Vier bedstijlen
Object type: page
Date: 1787 – 1787
Materials: paper
Techniques: engraving
Location: holborn
Subjects: tent-camp

Genummerd: Pl. 106. Prent maakt deel uit van een boek.
The Curious Performance
Object type: print
Date: 1803 – 1840
Techniques: lithograph
Artist: charles-louis constans
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1840
Subjects: performance,women
La Noce de Campagne (The Country Wedding) (Furnishing Fabric)
Object type: textile
Date: 1820 – 1820
Materials: cotton
Techniques: engraving, weave, printing
Location: france
Artist: delmes, jean pierre marie jazet, hippolyte lecomte
Artist nationality: french
Artist dates: 1781 – 1871
Beeld van Justitia (Gerechtigheid) op de voorgevel van het Stadhuis op de Dam
Object type: book illustration
Date: 1663 – 1663
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, justitia (justice) as roman personification
Inscriptions: collector's mark: Lugt 195

Prent gebruikt in: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Artus Quellinus (I), 1663.

Zie RP-P-AO-22-2-1 voor bijhorende titelpagina.
Zie RP-P-AO-22-2-2 voor bijhorend register.
Zie RP-P-AO-22-2A, RP-P-AO-22-2B, RP-P-AO-22-2C-1, RP-P-AO-22-2C-2, RP-P-AO-22-2C-3, RP-P-AO-22-2C-4, RP-P-AO-22-2D-1, RP-P-AO-22-2D-2, RP-P-AO-22-2D-3, RP-P-AO-22-2E-1, RP-P-AO-22-2E-2, RP-P-AO-22-2E-3, RP-P-AO-22-2E-4, RP-P-AO-22-2F-1, RP-P-AO-22-2F-2, RP-P-AO-22-2F-3, RP-P-AO-22-2G, RP-P-AO-22-2H, RP-P-AO-22-2I, RP-P-AO-22-2K, RP-P-AO-22-2L, RP-P-AO-22-2M, RP-P-AO-22-2N, RP-P-AO-22-2O-1, RP-P-AO-22-2O-2, RP-P-AO-22-2O-3, RP-P-AO-22-2O-4, RP-P-AO-22-2O-5, RP-P-AO-22-2O-6, RP-P-AO-22-2O-7, RP-P-AO-22-2P-1, RP-P-AO-22-2P-2, RP-P-AO-22-2Q-1, RP-P-AO-22-2Q-2, RP-P-AO-22-2Q-3, RP-P-AO-22-2R-1, RP-P-AO-22-2R-2, RP-P-AO-22-2R-3, RP-P-AO-22-2S, RP-P-AO-22-2T-1, RP-P-AO-22-2T-2, RP-P-AO-22-2T-3, RP-P-AO-22-2T-4, RP-P-AO-22-2V-1, RP-P-AO-22-2V-2, RP-P-AO-22-2W-2, RP-P-AO-22-2X-1, RP-P-AO-22-2X-2 en RP-P-AO-22-2X-3 voor andere prenten uit deze publicatie.

Zelfde staat van prent ook gebruikt in: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Frederik de Wit, 1668.
Latere staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).
Gezicht op Smyrna
Object type: sketchbook leaf
Date: 1899 – 1899
Materials: chalk, paper
Location: turkey
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: city-view, and landscape with man-made constructions
Inscriptions: annotation: ‘stad/ Smyrna’

Pagina 33 uit een schetsboek met 42 bladen.
The meeting of Ulysses & Penelope
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Subjects: penelope and ulysses embrace

Prent maakt onderdeel uit van een serie met 34 prenten over de Odyssee, geschreven door Homerus.
Amulet of the Goddess Isis Nursing the God Horus
Object type: costume and accessory
Materials: mineral
Culture: egyptian
Location: egypt
Subjects: nursing (breast feeding), goddesses, gods (deities)
Setting Moon on Waves
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: moon,seascapes,waves
Gezicht op het Oosterdok in Amsterdam, met links de Nicolaaskerk en rechts het Centraal Station
Object type: photomechanical print
Date: 1889 – 1930
Materials: paper
Techniques: photograph
Location: amsterdam
Artist: Anonymous
Subjects: harbour, church (exterior), station; shelter (railway, tramway)
Inscriptions: number: ‘4002.A’
Hobnail finger bowl
Object type: finger bowl
Date: 1890 – 1890
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: hobbs, brockunier and company
Artist role: maker
Artist nationality: american
Artist dates: 1863 – 1891
Arsène Houssaye
Object type: photograph
Date: 1876 – 1876
Materials: paper
Techniques: photography, woodburytype
Location: france
Artist: étienne carjat
Artist role: artist
Artist nationality: french
Artist dates: 1828 – 1906
Subjects: collected by hugh edwards, contemporaine littéraire
Vredesonderhandelingen met Frankrijk
Object type: history medal
Date: 1709 – 1709
Materials: silver
Techniques: striking
Location: gotha
Artist: christian wermuth
Artist role: medailleur
Artist dates: 1661 – 1739
Subjects: netherlands, the hague, france

Zilveren penning. Voorzijde: regenboog boven rotsen en korenvelden; in verte ondergaande zon binnen omschrift, boven opschrift. Keerzijde: twee ineen geslagen handen uit wolken binnen omschrift
Horse
Object type: figure
Date: 601 – 900
Materials: earthenware
Culture: chinese
Subjects: horses
Rhynchosia minima
Object type: book illustration
Date: 1738 – 1738
Materials: paper
Techniques: etching, letterpress printing
Location: warmond
Subjects: flowers, plants and herbs

Prent gebruikt als illustratie in: Linnaeus, Carolus. Hortus Cliffortianus plantas exhibens quas in hortis tam vivis quam siccis, Hartecampi in Hollandia, coluit (...) Georgius Clifford. Amsterdam: sine nomen, 1738.
Prentbriefkaart aan Philip Zilcken
Object type: ansichtkaart, prentbriefkaart
Date: 1921 – 1921
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: paris
Artist: ferdinand-sigismund bac
Artist role: draughtsman
Artist dates: 1859 – 1952
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Three black glazed rim fragments from kylikes, with pitted surfaces
Portret Josephus de Bergaigne
Object type: print
Date: 1625 – 1675
Materials: paper
Techniques: engraving
Subjects: bisschop, aartsbisschop, joseph de bergaigne

Josephus de Bergaigne, bisschop van 's-Hertogenbosch, aartsbisschop van Kamerik, Spaans ambassadeur in 1647. Buste naar rechts, hoed met brede rand op het hoofd, in ovale lijst met randschrift en wapen middenboven. Onderaan cartouche met informatie over de Bergaigne in het Latijn.
Terracotta rim fragment of an open shape
Object type: undetermined open shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed rim fragment of an open shape
Dress
Object type: dress
Date: 1843 – 1843
Materials: silk, wool
Culture: american

This is a stunning example of the beauty of printed and dyed fabrics that were used in the 1840s. The combination of design complexity with complicated printing and ombré dying methods create this visually satisfying textile which is shown to full effect on the full skirts of the period. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple layers of petticoats which, due to weight and discomfort, were supplanted by underskirts comprised of graduated hoops made from materials such as baleen, cane and metal. The fashions during this time allowed the textiles to stand out because of the vast surface areas of the skirt and a relatively minimal amount of excess trim.
Franz Xaver Reichardt
Object type: book illustration
Date: 1857 – 1857
Materials: paper
Techniques: engraving
Location: vienna
Artist: carl kotterba
Artist role: print maker
Artist dates: 1800 – 1859
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Ehrenstein, Friedrich. Oesterreichischer Gendarmerie-Almanach für 1857. Wenen: Kaiserlich-Königlich Hof und Staatsdruckerei, 1857, p. 7.
Cup (part of a service)
Object type: cup
Date: 1790 – 1790
Materials: hard paste porcelain
Artist: royal porcelain manufactory, berlin
Artist role: manufactory
Artist nationality: german
Artist dates: 1763 – 9999
Antoninianus (Coin) Portraying Emperor Aurelian
Object type: coin
Date: 270 – 275
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP AVRELIANVS AVG
Reverse: [I]OV[I] CONSER

The front (obverse) of this coin portrays the head of Emperor Aurelian, facing to the right. The back (reverse) depicts the emperor receiving a globe from the god Jupiter (Greek Zeus).
Fragment of a terracotta kylix
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, part of head and and hands of an aulos player
Dharmapala Standing on a Lion
Object type: stele
Date: 1501 – 1600
Materials: gold paint, stone
Techniques: inlay
Culture: tibetan
Subjects: swords,men,lions,buddhism

Dharmapalas, defenders of the dharma, the Buddha’s teachings, represent a category of wrathful guardians essential to the Tibetan system of Buddhism. They are understood to be enlightened beings. This fearsome protector stands astride an equally expressive lion, warding off spiritual dangers.
J. Wittichius
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: lithograph
Location: leiden
Artist: leendert springer (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1789 – 1871
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Springer, Leendert. Galerij van hoogleeraren aan de Hoogeschool te Leijden, naar de oorspronkelijke afbeeldsels op de Senaat-zaal aldaar berustende. Leiden: Springer, Leendert., s.a. [circa 1850].
Inauguratie na brood van Clio op zaterdag 25 november 1905 in Parkzicht
Object type: photograph
Date: 1905 – 1905
Materials: photographic support
Techniques: collodion silver print
Location: unknown
Artist: Anonymous
Saucer
Object type: glass
Date: 1900 – 1900
Materials: enamel, glass
Techniques: gilding
Location: france
Artist: emile gallé
Artist role: maker
Artist nationality: french
Artist dates: 1846 – 1904
Jurk en onderarm van een zittende vrouw
Object type: sketchbook leaf
Date: 1874 – 1925
Materials: chalk, paper
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: lower arm, dress, gown (+ women's clothes)

Blad 2 verso uit een schetsboek met 42 bladen.
Portret van Amelia Marguerite Badel, ook wel bekend als Rigolboche
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: paris
Subjects: amelia marguerite badel, portrait of dancer
Bertrand Russell op persconferentie New York, 1950
Object type: photograph
Date: 1950 – 1950
Materials: photographic support
Techniques: gelatin silver print
Subjects: wetenschapper, bertrand russell
Inscriptions: annotation: ‘Nobel prize winner speaks...’
Joan Derk van der Capellen tot den Pol
Object type: history medal
Date: 1782 – 1782
Materials: lead
Techniques: striking
Artist: Anonymous
Subjects: politician, joan derk van der capellen tot den pol

Eenzijdige loden penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: blanco
Engelse reclamepenning voor Basil Burchell te Long Acre
Object type: history medal
Date: 1870 – 1900
Materials: tin
Techniques: striking

Tinnen penning, op de voorzijde zeven regels tekst met omschrift, op de keerzijde zeven regels tekst met omschrift.
Heilige Simeon Stylites de Oudere als kluizenaar
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: anchorite, hermit, the hermit simeon stylites
Inscriptions: collector's mark: Lugt 2228

Prent uit: Rosweyde, Heribert. 'tBosch der eremyten ende eremitinnen, van Aegypten ende Palestinen. Amsterdam: Pieter Jacobsz. Paets, 1644.
Paneled Ceiling Design
Object type: drawing
Date: 1851 – 1900
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: architecture,ceilings
Allegorisch portret van prins Maurits, 1600
Object type: propagandaprent
Date: 1600 – 1600
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues, agreement, unity; 'concordia', 'concordia insuperabile', 'concordia militare', 'concordia di pace', 'unione civile' (ripa) (+ abstract concept represented by female figure), battle of nieuwpoort

Allegorisch portret van prins Maurits. Grote ovale propagandaprent over de overwinningen van prins Maurits in de jaren 1593-1600, culminerend in de slag bij Nieuwpoort, 2 juli 1600. In het midden een portret van de prins omringd met een keten gevormd door de wapens van de veroverde plaatsen. Eendracht en Voorzichtigheid houden een lauwerkrans boven zijn hoofd. In vijf kleine scènes de veroveringen te Geertruidenberg (1593), Groningen (1594), Turnhout (1597), Sint-Andries (1600) en Nieuwpoort (1600). Verder rolwerk, wapentrofeeën en de buitgemaakte Spaanse vaandels. In de 4 hoeken versjes van 4 regels in het Latijn. Onderaan links en rechts de Hollandse leeuw met (links) de pijlenbundel en (rechts) zwaard, lans met vrijheidshoed. Verder ook de wapens van de prins en van de Staten-Generaal.
Chasuble (part of a set)
Object type: chasuble
Date: 1734 – 1766
Materials: metal thread, silk
Subjects: flowers,leaves
Glass dish
Object type: dish
Date: 67 – 233
Materials: glass
Culture: roman

Colorless with yellowish green tinge; trails in same color. Everted, flaring, tubular rim, folded round and down, with broad, sloping inner shoulder; short, almost vertical side to body, then curving sharply in to integral, oval tubular base ring; large kick in thick bottom with pontil scar; two long trails applied to outer edge of rim as handles, decorated with vertical crimping. Intact, but one internal crack in side; some bubbles; areas of dulling, pitting, limy weathering, and brilliant iridescence.
Marble-top table
Object type: table
Date: 1855 – 1865
Materials: brass, wood, gilt bronze, marble, stone
Techniques: painting
Artist: theophil hansen
Artist role: designer
Artist nationality: danish
Artist dates: 1813 – 1891
Subjects: musical instruments,flowers
Handkerchief
Object type: textile
Date: 1850 – 1900
Materials: lace, textile, silk
Techniques: treatment, embroidery, interlocking, weave, stitching
Location: colombia
Artist: hermione rosales
Artist nationality: colombian
Artist dates: 1800 – 1899
Quilt Cover (Futon)
Object type: cover, quilt futon
Date: 1801 – 1833
Materials: cotton
Culture: japanese
Programme pour Pelléas et Mélisande, de Maurice Maeterlinck
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: paris
Artist: maurice denis
Artist role: print maker
Artist dates: 1870 – 1943
Subjects: adolescent, young woman, maiden, tragedy, poster
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt als affiche voor Pelléas et Mélisande, een toneelstuk van de Belgische toneelschrijver Maurice Maeterlinck, opgevoerd in het Théâtre des Bouffes-Parisiens op 17 mei 1893.
Serpent
Object type: serpent
Date: 1810 – 1810
Materials: leather, metal
Culture: french
Location: france
Tafellaken met een jachttafereel
Object type: tablecloth
Date: 1650 – 1650
Materials: linen
Techniques: damask
Inscriptions: mark: ‘AA 2’
Zittende vrouw met kind en oude man
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving, intaglio
Location: vatican city
Artist: adamo scultori
Artist role: painter, print maker, sculptor
Artist dates: 1530 – 1585
Subjects: mother and child(ren), woman and child(ren) (family group)

Deze prent maakt deel uit van een serie bestaande uit een titelprent en 72 prenten naar schilderingen door Michelangelo in de Sixtijnse Kapel in het Vaticaan.
Fotoreproductie van Het vertrouwen door Antoine Wiertz
Object type: photograph
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: edmond fierlants
Artist role: fotograaf
Artist dates: 1819 – 1869
Subjects: trust
Inscriptions: check stamp: ‘SOCIÉTÉ ROYALE BELGE DE PHOTOGRAPHIE/ 69, RUE KEYENVELD/ BRUXELLES’
Portret van Johann Wilhelm von Wiebel
Object type: print
Date: 1827 – 1840
Materials: paper
Techniques: lithograph
Location: berlin
Artist: Anonymous
Subjects: berlin, historical persons, physician, doctor, medals and other marks of military honour
Inscriptions: collector's mark: Lugt 2228
Woman at a Window (from Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: pen, wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: women

Sully used his sketchbook as a site of inspiration and study, a place where he might jot down a few figures or work out a composition. The book contains drawings after works by David, possibly Michelangelo, Reynolds, Rembrandt, Van Dyck, and other European masters, for the most part taken from prints. Sully was not slavish in using his sources; he took incentive from other artists and obviously felt free to rearrange compositional elements. For example, this drawing of a woman standing at a window is a variation on Rembrandt's 1647 etching of Jan Six. Rembrandt's setting is preserved almost completely, but the Dutch statesman absorbed in reading a journal has been replaced with the neoclassical figure of a woman who, instead of reading the journal in her hands, stares pensively out the window.