deem-data/ArtiFact huggingface dataset:
Gipsen afgietsel van een harnas van het grafmonument van Engelbrecht II, graaf van van Nassau, uit de Prinsenkapel van de Onze-Lieve-Vrouwekerk te Breda
Object type: photograph
Date: 1875 – 1900
Materials: paper, photographic support
Location: breda
Artist: Anonymous
Inscriptions: annotation: ‘Armure beelden Grafmonument Englebert / van Nassau Breda’, annotation: ‘M 0.92 hoog’, annotation
Tweetal schilderijen in lijst, een portret van een onbekende vrouw en een portret van een onbekende man
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Location: florence
Artist: Anonymous
Subjects: anonymous historical person portrayed, picture, painting, anonymous historical person portrayed - bb - woman
Inscriptions: number: ‘Pl. 102’
Gezicht op de Ponte Vecchio te Florence
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: florence
Artist: Anonymous
Subjects: river, bridge in city with structures, i.e. shops, houses, e.g. ponte vecchio in florence
Inscriptions: inscription: ‘Florence’
Groep Oosterlingen, soldaten en vrouwen
Object type: drawing
Date: 1737 – 1804
Materials: ink, paper
Techniques: brush, pen
Artist: giovanni domenico tiepolo
Artist role: draughtsman, print maker
Artist dates: 1727 – 1804
Subjects: asiatic races and peoples
Uitnodiging voor de opening van een tentoonstelling van werken van leden van Kunstenaarsvereniging Sint Lucas
Object type: invitation
Date: 1880 – 1920
Materials: paper
Techniques: lithograph, pen
Location: amsterdam
Artist: Anonymous
Subjects: collection, exhibition, show, ornament derived from plant forms

Uitnodiging voor tentoonstellingsopening op 10 mei, 14.00 in het Stedelijk Museum Amsterdam. In de ruimte voor adressering is 'Den heer' doorgestreept en vervangen door 'mejuffr.' gevolgd door de naam 'R. Andriessen'.
Emperor Antoninus Pius
Object type: bust
Date: 1519 – 1524
Materials: bronze, gilt, oil, stone, silver
Techniques: inlay
Artist: antico (pier jacopo alari bonacolsi)
Artist role: artist
Artist nationality: italian
Artist dates: 1460 – 1528
Subjects: men
Portret van William Cavendish-Bentinck, 3rd Duke of Portland
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: stippling
Location: hamburg
Subjects: historical persons
Inscriptions: date

Prent afkomstig uit: Archenholz, Johann Wilhelm von. Annalen der Brittischen Geschichte. 19 dln. Hamburg, Johann Wilhelm von Archenholz en Benjamin Gottlob Hoffmann, 1788-1793, dl. 10 [1794].
Military Musicians Showing Nubian and Egyptian Styles
Object type: facsimile, tjeneny tt 74, nubian soldier
Date: 1400 – 1390
Materials: paper, paint
Location: egypt
Artist: nina de garis davies
Artist role: artist
Artist dates: 1881 – 1965
Subjects: soldiers,men,walk-like-egyptian
Plate 23, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Object type: print
Date: 1620 – 1620
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: architecture,buildings
The Virgin Surrounded by Angels and Representatives of Secular and Ecclesiastical Authorities
Object type: drawing
Date: 1567 – 1666
Materials: ink
Techniques: brush, pen, transfer, wash
Artist: pieter de jode (i)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1570 – 1634
Subjects: musical instruments,angels,virgin mary
Rhenen
Object type: print
Date: 1910 – 1911
Materials: paper
Techniques: woodcut
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: city-view, and landscape with man-made constructions, river, clouds, rhenen, lower rhine
Inscriptions: collector's mark: Lugt 2228

Een gezicht op Rhenen vanuit de Betuwe. Op de voorgrond een vrouw en een man die wandelen langs de Rijn. Op de achtergrond Rhenen met in het midden de Cuneratoren en rechts de Binnenmolen. Boven de stad wolken.
The National Game. Three "Outs" and One "Run" – Abraham Winning the Ball
Object type: print
Date: 1860 – 1860
Techniques: lithograph
Artist: louis maurer
Artist role: artist
Artist nationality: american, born germany
Artist dates: 1832 – 1932
Subjects: satire,abraham lincoln,politics

This pro-Lincoln satire was published shortly before the 1860 presidential election and casts the political contest as a baseball game. Lincoln stands on home base and has defeated John Bell, Stephen A. Douglas, and John C. Breckinridge, from left to right. Holding a wooden rail for a bat labeled "Equal Rights and Free Territory, he says "Gentlemen, if any of you should ever take a hand in another match at this game, remember that you must have a good bat and strike a fair ball to make a clean score and a home run." His belt is inscribed "Wide Awake Club." A skunk near the other candidates causes Breckinridge, a Southern Democrat, to hold his nose and says "I guess I'd better leave for Kentucky, for I smell something strong around here, and begin to think, that we are completely skunk'd." His bat is labeled "Slavery Extension" and his belt "Disunion Club." At far left John Bell of the Constitutional Union party observes, "It appears to me very singular that we three should strike foul and be put out while old Abe made such a good lick." Bell's belt says "Union Club," and his bat "Fusion." Regular Democratic nominee Douglas replies, "That's because he had that confounded rail, to strike with, I thought our fusion would be a short stop to his career." He grasps a bat labeled "Non Intervention."
Handeled Jar with Painted Relief Depicting Figure with Animals
Object type: vessel
Date: 1000 – 1476
Materials: ceramic, pigment
Location: peru
Subjects: super/natural

The subtly raised design on this ceramic jar depicts a warrior wearing a crescent headdress and holding a staff. This figure is surrounded by fish, a hawk-human hybrid, and a serpent, which create a dynamic scene that emphasizes the cultural importance of animals and their imagery.
George Washington
Object type: painting
Date: 1846 – 1846
Materials: canvas, oil
Culture: american
Artist: rembrandt peale
Artist role: artist
Artist nationality: american
Artist dates: 1778 – 1860
Subjects: george washington,men,portraits

When he was eighteen, Rembrandt Peale painted a portrait of Washington from life in the presence of his father, Charles Willson Peale. During the remainder of his career, Rembrandt demonstrated a near obsession with Washington and replicated this famous portrait seventy-nine times. The stone oval derives from the seventeenth-century European fashion for tromp l'oeil stone casements, a format Peale may have observed during periods of study in Europe.
Fotoreproductie van een schilderij, voorstellende Aeneas ontvangt nieuwe wapens van Venus
Object type: page
Date: 1850 – 1858
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: venus hands over the armour to aeneas
Agate Amygdaloid
Object type: seal, amygdaloid
Date: 1650 – 1500
Materials: stone
Culture: minoan
Jack of Diamonds (red), from the Playing Cards series (N84) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: playing cards

Trade cards from the "Playing Cards" series (N84), issued in a set of 53 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes. The versos display a matching abstract floral pattern. The Joker and the Ace of Spades display an ad for Duke brand cigarettes. Besides Duke's Cigarettes, the same set of playing cards was also released to promote Turkish Cross Cut Cigarettes.
Portret van een onbekende man, mogelijk Putzer
Object type: print
Date: 1820 – 1870
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Jean-Charles Pichegru
Object type: print
Date: 1804 – 1807
Materials: paper
Techniques: engraving
Location: london
Subjects: paris, politician, jean-charles pichegru, commander-in-chief, general, marshal, historical persons
Inscriptions: inscription: ‘496’
Vier figuren in een koets
Object type: book illustration
Date: 1711 – 1711
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: four-wheeled vehicle drawn by two animals
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Luyken, Jan. De Bykorf des Gemoeds. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1711, p. 82.
Aanbidding der herders
Object type: print
Date: 1719 – 1740
Materials: paper
Techniques: etching
Artist: johann evangelist holzer
Artist role: print maker
Artist dates: 1709 – 1740
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
The Actor Ichikawa Danjuro V in the Role of a Woman
Object type: woodblock print nishiki e
Date: 1772 – 1772
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: women,actors
Portret van Gaston Jean-Baptiste Orléans
Object type: print
Date: 1654 – 1660
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: gaston jean-baptiste hertog van orléans, historical persons
Inscriptions: collector's mark: Lugt 2228
"Landnationalisators en stoffels worden geweerd"
Object type: cartoon
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Subjects: club, meeting place, personifications of countries, nations, states, districts, etc., political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: Neêrland’s Weekblad, nr. 50, 11 december 1897.
Piece
Object type: piece
Date: 1625 – 1650
Materials: metal thread, silk
Virgin and Child Surrounded by Cherubs' Heads
Object type: print
Date: 1660 – 1660
Techniques: engraving
Artist: grégoire huret
Artist role: artist
Artist nationality: french
Artist dates: 1606 – 1670
Subjects: madonna and child,virgin mary,jesus
Annunciation Triptych (Merode Altarpiece)
Object type: altarpiece
Date: 1427 – 1432
Materials: wood, oil
Culture: dutch
Location: south netherlands
Artist: robert campin
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1375 – 1444
Subjects: interiors,men,women,reading,saint joseph,virgin mary,archangel gabriel,annunciation
Overmantel Looking Glass
Object type: looking glass
Date: 1868 – 1870
Materials: mother of pearl, wood
Culture: american
Location: united states
Artist: john jelliff
Artist role: maker
Artist nationality: american
Artist dates: 1813 – 1893

This large overmantel mirror originally furnished the sitting room, or rear parlor, of the mansion built for Jedediah Wilcox at 816 Broad Street in Meriden, Connecticut. Completed in 1870, the house was heralded as one of the state’s grandest residences. The room’s en suite rosewood furnishings, which included upholstered seating furniture (68.133.1-.5) and window cornices (68.134.8-.10), were embellished with mother-of-pearl medallions featuring a lady’s head in profile and incised and gilded decoration. The suite has been attributed to John Jelliff and Co. of Newark, New Jersey, based on a nearly identical armchair in the collection of the Newark Museum of Art and its accompanying bill of sale from the Jelliff firm. Although Jelliff and Co. operated a showroom in Newark, they also retailed their furniture across the country through a variety of regional wholesalers. Wilcox, or perhaps the building’s architect and superintendent Augustus Truesdell, likely purchased the furniture through a Connecticut- or New York-based retailer who sourced their inventory from various cabinetmakers. Shortly after the mansion was completed, Wilcox experienced financial ruin, and the house and its furnishings were sold at auction to another Meriden industrialist, Charles Parker, the city’s first mayor who also owned a successful brass foundry. The Parker family continued to reside in the mansion until 1934, at which time they sold the property and it became a retirement community known as Beechwood Lodge. The facility closed and the building was ultimately demolished in 1968.
Apollo en de muzen
Object type: print
Date: 1555 – 1555
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: apollo and the muses, apollo musagetes
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De staande Apollo bespeelt rechts de lier. Zeven muzen zitten bij elkaar en musiceren. Sommigen zingen uit een boek. Anderen houden een muziekinstrument vast of bespelen het.
Begrafenis van koningin Wilhelmina van Pruisen te Delft, 1837
Object type: print
Date: 1837 – 1839
Materials: paper
Techniques: lithograph
Location: paris
Subjects: berlin, the hague, wilhelmina frederica louisa (koningin der nederlanden), coat of arms (symbol of sovereignty), the place of worship and its equipment ~ christian churches, historical persons - bb - woman, cortege, funeral procession, grave-building, monumental tomb, delft
Inscriptions: collector's mark: Lugt 1641, stamp, : ‘Déposé’, stamp, check stamp: ‘Desterbecq a Leide’

Begrafenisstoet op de markt voor de Nieuwe Kerk van Delft van koningin Wilhelmina van Pruisen. Rondom een versierde lijst met het portret van de koningin, familiewapens, medaillons, een adelaar, een leeuw en het grafmonument in de Nieuwe Kerk. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Vorstelijke lijkstaties.
[Man in Chainmail Tunic Posing as a Dying Soldier]
Object type: photograph
Date: 1863 – 1863
Techniques: albumen silver print, glass negative
Artist: adrien constant de rebecque
Artist role: artist
Artist nationality: swiss
Artist dates: 1806 – 1876
Subjects: armor,men

The early Swiss photographer Constant Delessert was likely introduced to the medium by his wife’s Parisian cousins Édouard and Benjamin Delessert. Although Constant was known through exhibition records, his membership in the Société Française de Photographie, and his writings on photographic processes, his work was unfamiliar until recently, when a series of his albums appeared at auction, filled primarily with standard portraits of family members and others, city and landscape views, and a few genre scenes. This unusual photograph, however, stands apart from his more typical work. Undoubtedly made as a study for a painting, it shows a man dressed in a chainmail tunic, striking the classic pose of a dying warrior. By the early 1860s photography had become a common aid for painters and sculptors, but this work vividly reveals the differences between the mediums: the heroic figure, full of pathos, dying on the battlefield in some grand history painting may have had its origin in a model posed in the studio on a carpet, his head supported by a cut- velvet pillow on the seat of a finely carved chair.
Hoofdletter T met beeltenis van een herder
Object type: print
Date: 1702 – 1767
Materials: paper
Techniques: etching
Artist: jacob folkema
Artist role: draughtsman, print maker
Artist dates: 1692 – 1767
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., initial
Inscriptions: collector's mark: Lugt 240

Hoofdletter T met de beeltenis van een fluit spelende herder, omringd door enkele dieren.
Military Fork
Object type: military fork
Date: 1550 – 1550
Materials: steel, wood
Culture: italian
Location: italy
Piece
Object type: piece
Date: 1567 – 1600
Materials: silk
Subjects: birds,lions
Dish
Object type: dish
Date: 1701 – 1800
Materials: stone, gemstone
Culture: chinese
Terrine met twee oren en deksel,behorend bij een servies met geslingerd lintmotief met bladertakken, bloemboeketten en gestrooide bloemtakken
Object type: tureen
Date: 1780 – 1820
Materials: porcelain
Location: loosdrecht

Terrine met twee oren en deksel, behorend bij een servies van porselein, versierd met een geslingerd lintmotief in paars en goud met groene bladertakken, bloemboeketten en gestrooide bloemtakken. Randen lichtgegolfd met decoratie in goud met paars bladmotief waartussen groen gekruist bladmotief. Gemerkt: M.O.L. en Amstel. Opmerking: stukje in voet terrine gelijmd.
The Towpath
Object type: print
Date: 1864 – 1864
Materials: paper
Techniques: etching
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Landschap met bomen en een weg
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: landscapes, road, path

Blad 38 verso en 39 recto uit een schetsboek met 42 bladen.
Mademoiselle Pois Vert
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Portret van een onbekende man als prehistorische mens
Object type: drawing
Date: 1899 – 1899
Materials: paper, ink
Techniques: brush, gelatin silver print, pen
Subjects: prehistoric man, anonymous historical person portrayed
Inscriptions: inscription: ‘Staff/ collage/ memorandia’
Portret van Johann Jacob Holzapfel von Herxheim
Object type: print
Date: 1731 – 1772
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: coat of arms (as symbol of the state, etc.), official; civil servant; functionary (in general), historical persons
Inscriptions: collector's mark: Lugt 2228
Een groep cavaleriepaarden bij een herberg
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: etching
Location: netherlands
Subjects: warfare; military affairs (+ cavalry, horsemen)
Inscriptions: date

Een groep soldaten te paard met een aantal extra cavaleriepaarden bij een herberg. Op de achtergrond een herder met schapen.
Hinged Cuff Bracelet
Object type: bracelet, cuff
Date: 1479 – 1425
Materials: gemstone, glass, gold
Location: egypt
Subjects: hieroglyphs

Three pairs of hinged bracelets (26.8.125–.130) are associated with the tomb of three foreign wives of Thutmose III. They are all made of burnished gold inlaid with carnelian and glass that was originally turquoise and dark blue, but has faded. Each is inscribed on the inner surface with the cartouches and epithets of Thutmose III suggesting that they were a gift of the king.
Deep thoughts of a grocer: One really mustn't speak badly of the sheep of Panurge... these here are getting sheared too, from 'News of the day,' published in "Le Charivari"
Object type: print
Materials: ink, paper
Techniques: lithograph, pen
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men
Portret van Samuel Friedrich Nathanael Morus
Object type: print
Date: 1752 – 1792
Materials: paper
Techniques: engraving
Subjects: ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Jeune fille avec des vaches
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: cow, birds, monk(s), friar(s), girl (child between toddler and youth)
Inscriptions: collector's mark: Lugt 2233

Prent is ook gebruikt in: Memorial catalogue of the French and Dutch. Edinburgh: David Douglas, 1888.
Prenten-magazijn voor de jeugd / Zangkunst
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: deathbed, old man, printed edition of musical score

Blad met muziekstuk 'De ouderdom' en 5 voorstellingen: Klaas en Marie hebben een afgezonderd rustig leven gekozen, Klaas peinst over zijn vervlogen leven, Klaas doorwandelt voor het laatst zijn landelijk verblijf, het sterfbed van Klaas en de begrafenis van Klaas. Onder de voorstellingen diverse coupletten van het muziekstuk. Genummerd rechtsboven: No. 180, linksonder: (8.).
Titelpagina voor: Jan Hermansz Krul, Christelycke offerande, bestaende in gheestelĳcke rĳmen ende zangen, 1640
Object type: titelblad, titelpagina
Date: 1640 – 1640
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter nolpe
Artist role: draughtsman, print maker
Artist dates: 1613 – 1653
Subjects: giving alms or other charity, e.g.: handing out food, the poor
Inscriptions: collector's mark: Lugt 2228

Achter een toonbank staan twee mannen, die kleding, eten, drinken en geld uitdelen aan de armen. Twee putti tonen een banderol met de titel. Titelpagina voor het zangboek Christelycke offerande uit 1640. In de voorrede van het boek wordt de christelijke lezer opgeroepen zijn rijkdommen uit te delen aan de armen.
Tagasode (“Whose Sleeves?”)
Object type: screen
Date: 1601 – 1650
Materials: gold, gold leaf, ink, panel, paper, silver
Culture: japanese
Subjects: robes

In classical love poetry the phrase Tagasode (“Whose Sleeves?”) refers to an absent woman whose beautiful robes evoke memories of their owner. A number of screens bearing this sobriquet depict sumptuously patterned kimonos draped over lacquered clothing stands. This example displays fashionable textile patterns of the late sixteenth through early seventeenth century. Some of the robes have delicate tie-dyed patterns (“fawn spots,” or kanoko shibori), representing the refinement of Kyoto taste. Beginning in the medieval period, Kyoto was known for its textile industry, centered in what is now the Nishijin district. Empress Consort Tōfukumon’in (1607–1678), wife of Emperor Go-Mizunoo (1596–1680), frequently ordered richly ornamented garments from Kariganeya, a textile shop catering to the old aristocracy, and her purchases initiated official imperial patronage of Kyoto textiles. These screens were recently rebuilt and restored in the Department of Asian Art’s conservation studio with funding from Patricia Saigo and others.
Tile
Object type: tile
Date: 1301 – 1333
Materials: stonepaste
Techniques: glazing, luster painting
Location: iran
Subjects: flowers

Tilework, with its colorful appearance, was an architectural ornament of great importance in Ilkhanid Iran. It was widely employed to decorate the surfaces of the walls, and also to keep the environment cool and clean.
Royal Guard, Mounted Hussard and Horse, No. 6
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: hand coloring, heightening, lithograph
Location: france
Artist: carle vernet
Artist role: artist
Artist nationality: french
Artist dates: 1758 – 1836
Gezicht op het kasteel van Vincennes, achter een rij bomen
Object type: drawing
Date: 1600 – 1650
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: abraham de verwer
Artist role: draughtsman, painter
Artist dates: 1585 – 1650
Subjects: castle, farm or solitary house in landscape
Fotoreproductie van een schilderij door Karl Emanuel Jansson, voorstellende een oude man die hout van sparren hakt
Object type: page
Date: 1871 – 1880
Materials: photographic support
Techniques: albumen print
Subjects: woodcutting, woodcutter ~ forestry, old man, picture, painting
Inscriptions: inscription: ‘Åland 1871’, number: ‘II’
Hakone, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"
Object type: print
Date: 1806 – 1806
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Case (Inrō) with Design of Tools of Various Trades (Carpenter, Farmer, Merchant)
Object type: inrō
Date: 1801 – 1833
Materials: gold, lacquer, silver
Techniques: fundame, hiramakie
Culture: japanese
Subjects: tools