deem-data/ArtiFact huggingface dataset:
O jeugd! die Hollands grond bewoond, / Zie wat u deze prent vertoond. / En prent, als gij dit ziet en leest, / Daarbij 't gebeurde in uwen geest
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Subjects: formosa, flushing, michiel adriaenszoon de ruyter, jacob baron van wassenaer heer van obdam, delft, the hague, frederick henry (prince of orange), essen, history, grave-building, monumental tomb, london, low countries, amsterdam
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van gebeurtenissen uit de vaderlandse geschiedenis, zoals het einde van de Tachtigjarige Oorlog en de brand in het oude stadhuis van Amsterdam. Onder elke afbeelding een vierregelig vers. Midden boven het zegel van de Maatschappij tot Nut van 't Algemeen. Gemerkt rechtsboven: E.
Ex libris van Hoeufft van Oyen
Object type: bookplate
Date: 1730 – 1790
Materials: paper
Techniques: etching
Location: netherlands
Artist: abraham isack polak
Artist role: print maker
Artist dates: 1720 – 1790
Subjects: griffin (lion/eagle); 'griffo' (ripa), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Hoorn. Hoofdtoren
Object type: photomechanical print
Date: 1905 – 1909
Materials: cardboard
Techniques: lithograph
Location: hoorn
Subjects: city-view, and landscape with man-made constructions, sailing-ship, sailing-boat, towers ~ fortified city, hoorn (north holland)
Piece from a Kosode with Wisteria and Stylized Waves
Object type: piece from a kosode
Date: 1615 – 1868
Materials: metal thread, silk
Techniques: dyeing, embroidery, painting, weave, resist
Culture: japanese
Subjects: leaves
Cane
Object type: cane
Date: 1880 – 1880
Materials: ivory
Culture: american
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Exterior, flute case with glottokomeion; seated, wreathed youth wearing a himation, with both arms raised
Overwinning van keizer Karel V op Frans I van Frankrijk bij Pavia, 1525
Object type: history print
Date: 1614 – 1614
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: frans i van valois-angoulême (koning van frankrijk), ghent, charles v (holy roman emperor and king of spain), battle (+ cavalry, horsemen)
Inscriptions: collector's mark: Lugt 2228a

Overwinning van Karel V op Frans I, koning van Frankrijk in de slag bij Pavia in 1525. De soldaten van Karel V verslaan in gevecht de Franse soldaten. Rechts op de achtergrond een stad aan een kust. Met onderschrift van vier regels in het Latijn. Deze prent is onderdeel van een reeks van acht prenten, elk een triomf van Karel V voorstellende.
Plaque
Object type: plaque
Date: 1876 – 1876
Materials: porcelain
Culture: american
Location: united states
Artist: ott and brewer
Artist role: maker
Artist nationality: american
Artist dates: 1871 – 1893
Subjects: birds,women
Untitled (Portrait of a Standing Woman)
Object type: photograph
Date: 1875 – 1875
Techniques: photography, tintype
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: portraits: african american subject, female, woman, lundberg collection, african american, portraits, portraits: female subject, portrait
Nieuwe Kerk te Den Haag
Object type: print
Date: 1832 – 1880
Materials: paper
Techniques: lithograph
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2228

Mensen op het plein voor de Nieuwe Kerk.
Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Virgin and Child
Object type: painting
Date: 1495 – 1495
Materials: oil, panel, wood
Techniques: painting
Culture: french
Location: france
Subjects: virgin and child/madonna and child, altar, blue (color), christian subjects, christianity, france, jesus, panel, religion, religious, religious figures, virgin mary, century of progress, world's fairs, chicago world's fairs

This panel was once part of the altarpiece decorating the high altar of the Carthusian monastery at Thuison, outside of Abbeville in northern France. Four saints standing in niches were painted on the exterior of the altarpiece’s wings. When the wings were open, the interior of the altarpiece told the story of Christ’s Passion and Resurrection through painted narratives on the inside of the wings and painted and gilded carvings in the central shrine whose central subject was undoubtedly the Crucifixion. The carvings have not survived. The fronts and backs of the wings were sawn apart in the mid 19th century; all the wing panels except one narrative (The Entry into Jerusalem, Hermitage, Saint Petersburg) are in the Art Institute.

A rich border region north of Paris, Picardy was a possession of the Burgundian Netherlands in the mid-15th century, becoming part of France in 1477. Its painters were strongly influenced by artists from the neighboring provinces of the Low Countries, among them Rogier van der Weyden and Simon Marmion.
Bladzijde uit Biblia Latina cum Postillis Nicolai de Lyra, 1493
Object type: text sheet
Date: 1493 – 1493
Materials: paper
Techniques: hand coloring, letterpress printing
Location: nuremberg
Subjects: the bible as a book

Bladzijde uit: Lyra, Nicolaas van. Biblia Latina cum Postillis Nicolai de Lyra. Neurenberg: Anton Koberger, 1493, dl. 3.
Glass monochrome dish fragment
Object type: fragment, monochrome dish
Date: 1 – 50
Materials: glass
Culture: roman

Opaque jade green. Vertical, rounded rim; convex side, bulging outward slightly, then curving in sharply, and finally turned downward. On exterior, below rim, molding comprising two horizontal grooves, the upper narrow, the lower broad, with a raised horizontal ridge below; on undercurve of side, a faint groove above a raised band. Polished exterior; pitting of surface bubbles with some weathering in grooves and chips on exterior; dulling and creamy iridescent weathering on interior, rim, and side edges; bottom edge unweathered. This rim fragment belongs to a large shallow dish made in a rather unusual opaque blue-green (jade) color.
Piece
Object type: piece
Date: 1750 – 1800
Materials: metal thread, silk
Subjects: human figures,animals,birds,trees
Verkondiging aan de herders en de aanbidding  door de herders
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: dordrecht
Subjects: adoration of the christ-child by the shepherds; mary and joseph present, annunciation of christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air
Inscriptions: collector's mark, collector's mark: Lugt 2233

Illustratie uit: Hamelsveld, Ysbrand van. De gewigtigste geschiedenissen des Bybels, afgebeeld in twee honderd twee en vijftig printverbeeldingen (...) met eene zaaklijke uitbreiding opgehelderd. Amsterdam / Dordrecht: Jan de Groot / Abraham en Pieter Blussé.
Portret van Frans Snijders
Object type: print
Date: 1718 – 1718
Materials: paper
Techniques: engraving
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: antwerp, painter, frans snijders, historical persons, portrait, self-portrait of artist
Inscriptions: inscription: ‘Fr. Snyers of Snijders’

Prent waarschijnlijk uit: Houbraken, Arnold. De groote schouburgh der Nederlantsche konstschilders en schilderessen. Amsterdam: s.n., 1718.
Albategnius - Hipparque - Hyginus
Object type: photomechanical print
Materials: paper
Techniques: autotype
Artist: loewy et puiseux
Artist role: fotograaf
Subjects: surface of the moon
Inscriptions: inscription: ‘Société Belge d'Astronomie Atlas Lunaire Pl IV/<BR />1894, Mars 14. 7h, 6m. (T. M. de Paris)’

Transparante pagina voor prent als kaart met daarop de namen van de verschillende kraters.
Portret van Johanna Constantia Cleve
Object type: print
Date: 1813 – 1813
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: leiden
Inscriptions: collector's mark: Lugt 2228

Portret van de jeugdige Nederlandse dichteres Johanna Constantia Cleve.
Weergave van verschillende verbanden A-T
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: dressing, bandage
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Verduc, Laurent. Het Parische verband-huis, waarin getoont werd, de wyse om alle fracturen en luxatien (...) te genesen. Amsterdam: Jan Claesz ten Hoorn, 1691.
Observateur des Modes, 1818, No. 2 : Capote de gaz (...)
Object type: fashion print
Date: 1818 – 1818
Materials: paper
Techniques: engraving, hand coloring
Artist: Anonymous
Subjects: head-gear (capote) (+ women's clothes), ornamental parts of clothing (+ women's clothes), clothing for the upper part of the body (mantelet) (+ women's clothes), fashion plates, gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), flowers: rose, belt, girdle, waistband (+ women's clothes)
Inscriptions: title: ‘Modes Parisiennes’, title: ‘Observateur des Modes, No. 2’, address: ‘Bureau rue S"t Martin, No. 228.’, caption: ‘Capote de gaze garnie de Tulle et roses. Robe à pelerine, Garnitures en crevés à bouillons arrondis. Ceinture écossaise.’

'Capote' van tule, versierd met tule en rozen. Japon met pelerine, 'garneringen en crevés à bouillons arrondis'. Schots geruite ceintuur. Prent uit het modetijdschrift Observateur des Modes (août 1818 - 30 novembre 1823).
Titelprent met rocaille op bordestrap
Object type: titelprent, frontispice
Date: 1736 – 1736
Materials: paper
Techniques: etching
Location: france
Subjects: rocaille ornament, terrace
Inscriptions: date

Deze serie is linksboven genummerd met een letter C. Prent maakt deel uit van een album.
Strook kloskant met parelsnoer in samengestelde rank
Object type: strip
Date: 1740 – 1760
Materials: linen
Techniques: lace
Location: brussels
Artist: Anonymous

Strook naturelkleurige Brusselse kloskant. Het patroon bestaat uit een golvende rank, die samengesteld is uit allerlei soorten blaadjes, een hartvormige bloem, een tros met ovale bloemen, een parelsnoer en aan het uiteinde een anjer waaruit klavertjes vier ontspringen. De rank oversnijdt deels het patroon langs de onderzijde van de strook, dat bestaat uit onder andere een tak vergeet-mij-nietjes, een ovaalvormig cartouche en aaneengeschakelde blaadjes en rozetjebloempjes. De motieven zijn met elkaar verbonden door een fijne maasgrond, een drochelgrond. Het volwerk is grotendeels gemaakt in linnenslag met opengewerkte randjes en enkele uitsparingen. Enkele bloemharten en bloemblaadjes en dergelijke zijn gemaakt in netslag. De meeste motieven zijn voorzien van gekloste reliëfcontouren. Als siergrond is in het centrum van de ovale cartouche een sneeuwvlokkengrond toegepast en tussen de trosbloemen gepicoteerde vlechten. De bovenzijde is afgewerkt met een apart geklost bandje, waaraan fragmentjes vastzitten van een zeshoekige maasgrond. De onregelmatig geschulpte onderzijde komt voort uit het randpatroon en is afgewerkt met picots.
Trisala bedroefd
Object type: indian miniature
Date: 1510 – 1539
Materials: paper
Techniques: brush
Location: gujarat
Artist: Anonymous
Inscriptions: inscription
Stuyvesant, from The World's Racers series (N32) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,horses,jockeys

Trade cards from the "The World's Racers" series (N32), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Vereeniging van het 2de Nederl. letterkundig congres in de zaal der maatschappij Felix Meritis
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: lithograph
Subjects: meeting, assembly, linguistics, discussion, dialogue, dispute ~ scholar, philosopher
Inscriptions: collector's mark: Lugt 2166

Bijeenkomst van het Tweede Nederlandsch Letterkundig Congres, in de Concertzaal van Felix Meritis te Amsterdam, van 16 tot en met 18 september 1850.
Fragment of a terracotta stemmed dish
Object type: fragment of a dish
Date: 634 – 568
Materials: terracotta
Culture: greek, east, wild goat style
Subjects: deer
Part of a coverlet border
Object type: coverlet border
Date: 1701 – 1800
Materials: cotton
Subjects: birds,flowers,plants
Mirror Handle with a Preening Woman
Object type: mirror handle
Date: 501 – 800
Materials: stone
Culture: kashmiri
Subjects: kashmir,women
Zwartornamenten
Object type: ornament print
Date: 1619 – 1619
Materials: paper
Techniques: engraving
Location: châteaudun
Artist: jean toutin
Artist role: print maker
Artist dates: 1578 – 1644
Subjects: protective weapons: shield, ornaments ~ art, castle, king
Inscriptions: inscription: ‘63’

Zwartornament in de vorm van een schild, vastgehouden door een geharnaste koning met zwaard. Rechts een kasteel, gelegen aan de zee. Linksonder genummerd 2. De prent maakt deel uit van een album.
Set of mukozuke
Object type: case
Date: 1670 – 1690
Materials: earthenware, glaze, wood
Location: delft
Artist: Anonymous

The VOC ordered a great deal of porcelain in Japan, but occasionally Japanese patrons commissioned pottery made in Delft. These were small plates or dishes, mukozuke, which were used for the light meal preceding the tea ceremony. The Japanese tea master could cut a dash for his guests with these exclusive goods from the faraway Low Countries.
Aureus (Coin) Portraying Emperor Tiberius
Object type: coin
Date: 14 – 37
Materials: gold, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse:  TI  CAESAR DIVI AVG F AVGVSTVS
Reverse: PONTIF MAXIM

Livia, the wife of Emperor Augustus (Octavian) and the mother of Tiberius, was not portrayed or named on any coins minted by her husband or by her son, though she is thought to appear here in the role of Pax ("Peace"). Soon, however, the women of the imperial families would become as prominent on coinage as they were in the imperial court.
Oilette
Object type: photomechanical print
Date: 1905 – 1909
Materials: cardboard
Techniques: writing
Location: london
Subjects: canals, waters (in city), bridge in city across river, canal, etc., city-gate
Twee figuren, mogelijk vrouwen
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: chalk, paper, pencil
Location: south holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman (+ number of persons)
Inscriptions: address: ‘rue de l'Ecuyer 43/ N 13’, name: ‘Adrien/ Neybergh’, address: ‘Edmond Winandy/ rue de la croise/ 37[?] Yxelles’

Twee figuren, mogelijk vrouwen. Pagina 121 uit een schetsboek met 70 bladen.
Plate 22: Venus standing at right ordering Psyche to sort a pile of grain, at left the same pair hold a loaf of bread, from "The Story of Cupid and Psyche as told by Apuleius"
Object type: print
Date: 1530 – 1560
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: buildings,cupid,psyche,venus

This book contains 32 plates bound together, 3 of which are by Agostino Veneziano.
Portretten van vier leden van het Lagerhuis van de staat New York
Object type: photomechanical print
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Location: united states
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life) (+ head (and shoulders) (portrait))
Inscriptions: annotation, number: ‘493’

Linksboven Samuel Hamilton Nichols, rechtsboven John C. Niglutsch, linksonder George Northup, rechtsonder William Leslie Noyes.
Groete uit Leidschendam
Object type: ansichtkaart, prentbriefkaart
Date: 1892 – 1905
Materials: cardboard
Techniques: photograph, writing
Location: leidschendam
Artist: Anonymous
Subjects: church (exterior), street
Subdued by your Superior Charms (valentine)
Object type: print
Date: 1842 – 1842
Materials: ink, paper
Techniques: hand coloring, lithograph
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
View of the Galle Face, Colombo, Sri Lanka
Object type: photograph
Date: 1880 – 1883
Materials: photographic support
Techniques: albumen print
Location: colombo
Artist: Anonymous
Subjects: public gardens, park
Inscriptions: title: ‘Columbo. (Ceylan) _ Galle Face _’

Onderdeel van Reisalbum met opnames van bezienswaardigheden in Egypte, Nederlands-Indië, Singapore en Ceylon.
Loterijbriefje, 1737
Object type: loterijbrief
Date: 1736 – 1737
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: raffle, lottery
Inscriptions: collector's mark: Lugt 2228

Loterijbriefje van de Eerste Classe van de Culenborger 3de Loterye van f. 134000 gulden, 19 januari 1737. Het lotnummer met de pen ingevuld en getekend. Geauthoriseerd door de raad en secretaris van de stad Pieter Walbeek.
Drie mannen stappen met een verkiezingsleuze door de straten
Object type: photomechanical print
Date: 1907 – 1907
Materials: paper
Techniques: letterpress printing, line block
Location: netherlands
Subjects: the hague, politician, netherlands, charles boissevain, middelburg, pieter lodewijk tak, voting propaganda, politician, e.g. party leader, political caricatures and satires
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Verkiezingen Tweede Kamer.
Spanish Peasants Dancing the Bolero
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: coloring, lithograph
Location: england
Artist: john frederick lewis
Artist role: artist
Artist nationality: british
Artist dates: 1804 – 1876
Hercules carrying his club
Object type: statuette
Materials: bronze, stone
Artist: niccolò roccatagliata
Artist role: artist
Artist nationality: italian
Artist dates: 1593 – 1636
Subjects: hercules

These bronze statuettes of Hercules carrying a club under his left arm are variants of a prototype that, according to Leo Planiscig, was designed and cast by Nicolò Roccatagliata in Venice in the early seventeenth century. The Blumenthal cast (A) is smaller than the Mills (B). They also differ considerably in the degree of finish (the Blumenthal is much rougher), in the anatomy (the Mills body is much more robust), and even in the balance of the contrapposto (more pronounced in the Mills). This model of Hercules, in which the club’s weight is counterbalanced by the elegant movement of the muscular body, is known in many versions, among which the cast in the Kunsthistorisches Museum is unanimously considered the best.[1] Attesting to its fame, the model is included in Jacob de Wilde’s Signa antiqua of 1700 (fig. 68a). Such representations of Hercules seem to have been reproduced in Venice over several decades, perhaps centuries, and pinpointing the date of a single cast is near impossible. Both Met examples seem to be later serial casts, possibly made in Venice, but it is unlikely they issued from the workshops of Roccatagliata or his followers. Among the two, however, the Mills Hercules, which is the partner of our Ceres (cat. 69), is possibly closer to the original prototype, as becomes clear when comparing it with the version in Vienna, and also with the one at Yale.[2] They were most probably intended to crown firedogs. Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. On the Vienna cast (KK 5724), see Planiscig 1921, p. 623, fig. 697; Planiscig 1924, p. 124, fig. 123; Leithe-Jasper 1986, pp. 182–84, cat. 46. For a discussion of the several other known versions, see Pressouyre 1966, pp. 257–59, and C. Avery 1998b, pp. 180–81, no. 109. 2. Yale University Art Gallery, New Haven, 1958.73.
Z výstavny plodin ze sklizne r. 1891
Object type: page
Date: 1891 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: harvest
Kom uit V.O.C.-schip de 'Witte Leeuw'
Object type: wine cup
Date: 1613 – 1613
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A winecup. In the centre an indistinguishable mark is drawn. Around the flat and lip-rim there is a single band. On the outside four dancing figures ('zotjes'?) are sketched with in between two blotches. NB the bottom is unglazed.
Robe
Object type: robe
Date: 1801 – 1833
Materials: cotton, metal, silk
Techniques: treatment, weave
Location: italy
Broeking
Object type: fastening
Date: 1850 – 1900
Materials: iron
Location: unknown
Artist: Anonymous
Inscriptions: inscription: ‘100V’

IJzeren, gladde broeking voorzien van vier ogen waarmee deze om een mast of pomp kan worden bevestigd om het binnendringen van lekwater te voorkomen.
Overwinning van Rusland op Zweden bij Pultawa (Poltava) 1709
Object type: history medal
Date: 1709 – 1709
Materials: tin
Techniques: striking

Tinnen penning, op de voorzijde Tsaar Peter te paard naar links rijdend over een gevallen vijand, op de achtergrond vechtende soldaten, met omschrift en afsnedetekst, op de keerzijde Hercules met knots lopend te midden van militaire attributen, op de achtergrond de plattegrond van Pultawa, met omschrift en afsnedetekst.
Christ at Emmaus
Object type: drawing
Date: 1690 – 1690
Materials: gouache, ink, paper
Techniques: heightening, pen, wash
Artist: hans georg asam
Artist role: artist
Artist nationality: german
Artist dates: 1649 – 1711
Subjects: men,christ
Derde pagina van een dagboek van een reis door Noorwegen
Object type: diary
Date: 1895 – 1895
Materials: ink, paper
Techniques: pen
Location: norway
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: batavia, amsterdam, hendrik herman van den berg, handwriting, written text, 'en route', traveller under way, norway

Derde pagina van een dagboek met het verslag van een reis door Noorwegen gemaakt door Hendrik Herman van den Berg en zijn neef Guillaume Louis Jacques Holle tussen 5 en 20 juli 1895.
Portret van John Fernhout in een riksja
Object type: photograph
Date: 1938 – 1938
Materials: paper
Techniques: gelatin silver print
Location: china
Artist: robert capa
Artist role: fotograaf
Artist dates: 1913 – 1954
Subjects: john fernhout, rickshaw, historical persons, china

John Fernhout zittend in een riksja, op de achtertond twee Chinezen, tevens gezeten in een riksja.
The Big Orgy, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Officers of the Guard
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink
Techniques: pen, wash
Location: france
Artist: constantin guys
Artist role: artist
Artist nationality: french
Artist dates: 1802 – 1892
Subjects: men
Casket with Scenes of David and Solomon
Object type: decorative art
Date: 1550 – 1550
Materials: bronze, copper, enamel
Techniques: gilding, painting
Location: limoges
Artist: attributed to the workshop of pierre reymond
Johanna (Hans) de Jong en Elisabeth de Jong zittend bij een rivier in Kandersteg, Zwitserland
Object type: photograph
Date: 1914 – 1914
Materials: paper
Techniques: gelatin silver print
Location: switzerland
Artist: willem de jong (fotograaf)
Artist role: arts, fotograaf
Artist dates: 1864 – 1918
Subjects: elisabeth de jong-van tonderen, johanna petronella lambertina stokhuyzen-de jong (hans), river, sitting on the ground, mountains
Inscriptions: inscription: ‘Kandersteg’
Passement van linnen en gele zijde in ruitpatroon
Object type: braid
Date: 1700 – 1899
Materials: linen, silk
Techniques: weave
Location: europe
Artist: Anonymous

Passement van linnen en gele zijde in een patroon van ruiten in ruiten. BK-NM-12186-20-A, BK-NM-12186-20-B en BK-NM-12186-21 hebben eenzelfde patroon.