deem-data/ArtiFact huggingface dataset:
Ovaal met de Olympische goden in de wolken
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the olympian gods together: jupiter, juno, neptune, ceres, apollo, diana, mars, venus, mercury, minerva, vulcan, vesta (or bacchus), more than one musician with instrument

Van links naar rechts: Venus en Amor, Vulcan, Mercurius, Neptunus, Minerva en Hercules. Bovenaan musicerende putti. Blad uit serie bestaande uit een titelblad en 11 bladen met ontwerpen voor horlogedeksels.
Johannes Cassianus als kluizenaar
Object type: print
Date: 1583 – 1588
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: male saints (with name), anchorite, hermit, cave, grotto
Inscriptions: collector's mark: Lugt 2228

De H. Johannes Cassianus in een grot in de woestijn. Hij zit voor een crucifix en leest een bijbel terwijl hij bidt. Een landschap op de achtergrond.
Reisverslag
Object type: sketchbook leaf
Date: 1809 – 1880
Materials: pencil
Location: barentsz sea
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: nova zembla expedities 1880
Inscriptions: annotation: ‘[...]’

Blad 70A recto uit een schetsboek met 110 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Portret van Christian Gottlieb Selle
Object type: print
Date: 1780 – 1814
Materials: paper
Techniques: etching
Artist: eberhard siegfried henne
Artist role: print maker
Artist dates: 1759 – 1828
Subjects: berlin, christian gottlieb selle, historical persons
Inscriptions: collector's mark: Lugt 2228
Vessel
Object type: vessel
Date: 5600 – 5400
Materials: ceramic, paint
Culture: hacilar
Location: southwestern anatolia

In western Asia, people discovered how to make pottery during the period known as the "Pottery Neolithic," beginning about 6900 B.C. For several millennia, pottery was made by hand, since the potter's wheel was invented only in the fourth millennium B.C. The colors, shapes, and decorations of pottery vary from culture to culture and often small pieces of distinctive broken pottery (sherds) help archaeologists identify the dates and cultural affiliations of archaeological sites. The site from which this ceramic vessel comes has not been identified. However, the geometric decorative pattern in red paint on cream slip (a thin coating of special clay) is characteristic of the site of Hacilar in Turkey in the Chalcolithic period. In the previous Neolithic period, the pottery at Hacilar was brown- or red-slipped and then polished with a piece of stone or bone before being placed in the kiln; in the Chalcolithic, lively painted decoration was introduced. The pottery at Hacilar was made within the walled village in workshop areas devoted to the production of ceramics. Excavation did not yield kilns, but they are assumed to have been located outside the village. This jar, although handmade, is thin-walled with a wide, tall neck and carinated body. The red paint creates a wavy line on the neck in reserve (the slip underneath forms the main design), while the body is painted with red, vertical zigzag lines in groups of two and three.
Rederijkers Optogt Rotterdam 1658
Object type: print
Date: 1868 – 1868
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: pageant of a guild, chamber of rhetoric (dutch: 'rederijkerskamer'), rotterdam
Inscriptions: collector's mark: Lugt 2228

Rederijkersoptocht te Rotterdam, 1658. Optocht voorafgegaan door vier trompetters met het stadswapen, gevolgd door de rederijkers met hun banieren. De stoet trekt over een brug en langs huizen, rechts een kade met boten.
Teafield & Josshouse at Peling
Object type: photograph
Date: 1869 – 1869
Techniques: albumen silver print, glass negative
Artist: tung hing
Artist role: artist
Artist nationality: chinese
Subjects: houses,farms,mountains,trees
Nude Man Seated before a Curtain
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: male nudes
Hanger in de vorm van een boek, met daarin 6 stadsgezichten in Amsterdam
Object type: pendant jewelry
Date: 1900 – 1930
Materials: paper, copper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: city-view in general; 'veduta', amsterdam
Portret van Jan Trip Berkenrode
Object type: print
Date: 1715 – 1715
Materials: paper
Techniques: engraving, etching
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, truth; 'verità' (ripa), welfare, prosperity; 'felicità publica', 'prosperità della vita', 'salute' (ripa), allegory of trade; 'commertio della vita humana' (ripa), amsterdam
Inscriptions: collector's mark: Lugt 2228

Jan Trip Berkenrode, burgemeester van Amsterdam. Boven het portret de personificaties Rechtvaardigheid en Waarheid. Onder het portret een gezicht op Amsterdam tussen de personificaties van Handel en Welvaart.
Ruit met een vogel op tak
Object type: light window
Date: 1650 – 1675
Materials: glass, lead, pigment
Techniques: enamel painting
Artist: Anonymous
Subjects: birds

Ruit met emailschildering van een vogel op een tak in grisaille, oranje-rood en zilvergeel.
Terracotta toy lekythos (oil flask) with a swan
Object type: lekythos
Date: 400 – 301
Materials: terracotta
Culture: greek or south italian or campanian
Subjects: swans
[Unknown Subject]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: men,portraits,women
Textile Fragment
Object type: textile fragment
Date: 1301 – 1500
Materials: cotton
Techniques: dyeing, weave, printing
Location: egypt

This block-printed, cotton textile fragment features a repeated stylized tendril pattern on a radiant brown-red background. The textile’s block-printed technique is revealed which can be seen from the vertical lines which divide the fragment into three sections. Dated to the fourteenth to fifteenth century, this fragment’s vibrancy of dye alludes to the demand and way in which Gujarati textiles were recognized as popular commodities traded across the Indian Ocean. Found in Fustat, Egypt (Old Cairo), this textile sheds light on the maritime trade of textiles between North Africa and Western India during this period.
Votive Plaque with Amitāyus
Object type: votive plaque
Date: 701 – 800
Materials: clay
Culture: tibetan
Subjects: buddhism,buddha
Inlay, feather pattern
Object type: inlay, feather pattern
Date: 200 – 100
Materials: glass
Location: egypt

A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards.
Edging
Object type: edging
Date: 1767 – 1833
Materials: hair, linen
Techniques: lace

The Metropolitan Museum's great lace collection was started when the Museum became the first among American museums to organize a permanent collection of lace with the acceptance of the McCallum Collection in 1879 and the bequests of Mrs. John Jacob Astor, Mrs. Robert L. Stuart, Mrs. Augustus Cleveland, and Mrs. A. W. Winters shortly thereafter. In 1893 a loan collection of antique laces shown at the World's Columbian Exposition in Chicago was assembled by a committee of New York women headed by Catharine Augusta Newbold. About 1900 Miss Newbold arranged and labeled an exhibition of laces and linenworks lent to the Metropolitan Museum by Mrs. James Boorman Johnstone and the Misses Johnstone. "Her scholarly knowledge of lace technique enabled the Museum for the first time to offer a comprehensive display of lace illustrating its historical development," wrote Miss Frances Morris, then curator of the textile department. Miss Newbold's name occurs again in connection with a group of
Gedenkpenning op den derden Vyf en Twintig Jarigen Vreugdendag van de Broederschap der Konst-Schilders in 's Gravenhage
Object type: text sheet
Date: 1737 – 1738
Materials: paper
Techniques: letterpress printing
Location: the hague
Artist: Anonymous
Subjects: memorial medal, honouring the artist, the hague

Onder de beschrijving staat dat de penning gemaakt is door en te verkrijgen is bij Nicolaas van Swinderen.
Optogt des Nederlandschen Legers naar Ostende, den 3 July 1600, daags na de overwinning by Nieuwpoort; volgens de gecostumeerde voorstelling, gegeven door H H Studenten, by gelegenheid van het Tweede Eeuwfeest der Utrechtsche Hoogeschool. den 16 Juny 1836
Object type: print
Date: 1837 – 1837
Materials: paper, watercolor
Techniques: hand coloring, lithograph
Location: paris
Subjects: students' pageant, costumes used in pageants, battle of nieuwpoort
Inscriptions: date

Historische gekostumeerde optocht van de studenten van de Hogeschool van Utrecht op 16 juni 1836, bij de viering van het tweede eeuwfeest van de Utrechtse Hogeschool. De optocht verbeeldt de intocht van het Staatse leger in Oostende op 3 juli 1600, daags na de overwinning in de Slag bij Nieuwpoort. Vierde plaat in een serie van tien ongenummerde platen, met de groepen genummerd 11-15
Het Raadhuys tot Goes
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: engraving, etching
Location: middelburg
Subjects: city-view, and landscape with man-made constructions, townhall

Prent uit: Smallegange, M. Nieuwe Cronyk van Zeeland. Middelburg: Johannes Meertens, Amsterdam: Abraham van Someren, 1696.
Binnenplaats van het Fraumünster klooster te Zurich
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: munich
Subjects: cloisters ~ monastery, courtyard
Terracotta fragment of a Nolan neck-amphora (jar)
Object type: neck amphora fragment
Date: 475 – 460
Materials: terracotta
Culture: greek, attic
Sugar bowl
Object type: sugar bowl
Date: 1780 – 1785
Materials: metal
Zeven walnoten en een lege dop
Object type: nut plant material
Date: 1675 – 1899
Materials: nut
Location: netherlands
Artist: niet van toepassing

Zeven walnoten en een lege dop, behorend tot de voorraad van het poppenhuis Dunois.
The Coronation of Saint Catherine by the Child
Object type: print
Date: 1600 – 1634
Techniques: engraving
Artist: pieter de jode (i)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1570 – 1634
Subjects: angels,madonna and child,saint catherine
Kerktoren tussen een rij huizen
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: parts of church exterior and annexes: tower

Blad 45 recto uit een schetsboek met 59 bladen.
Book cover with overall floral and dot pattern
Object type: print
Date: 1701 – 1800
Techniques: relief print
Artist: Anonymous
Artist role: artist
Cake Vendor
Object type: leaf
Date: 1901 – 1933
Materials: paper
Culture: chinese
Bowl
Object type: bowl
Date: 1801 – 1900
Materials: glaze, porcelain
Culture: chinese
Grafmonument van Egbert Meeusz Kortenaer in de Grote of Sint-Laurenskerk te Rotterdam
Object type: photograph
Date: 1911 – 1911
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: grote of sint-laurenskerk
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: interior of church, grave-building, monumental tomb
Inscriptions: annotation: ‘R.K. St. Laurentiuskerk/ Grafmonument van de Kortenaer/ Aug. 1911/ Rotterdam’, annotation: ‘J.C. Ludeman/ 1685-1757’, collector's mark: ‘R.MUS.’
Standbeeld van Andreas Miaulis
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: engraving, etching
Subjects: politician, monument, statue, commander-in-chief, admiral
Inscriptions: collector's mark: Lugt 2228
Kunstwerken uit de collectie van Vincenzo Giustiniani
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: engraving, intaglio
Location: rome
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: vincenzo giustiniani (1564-1637), piece of sculpture, reproduction of a piece of sculpture, (story of) venus (aphrodite)
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie bestaande uit 322 prenten van kunstwerken uit de collectie van Vincenzo Giustiniani die in twee volumes werd uitgegeven door Joachim von Sandrart in 1636 en 1637 (zie British Museum, inv.nr. 1851,1213.565). De serie bestaat uit prenten door verschillende kunstenaars zoals Cornelis Bloemaert, Theodore Matham, Pieter de Bailliu en Michel Natalis. Claude Mellan was verantwoordelijk voor 22 prenten van standbeelden en het 1631 gedateerde portret van Giustiniani.
Terracotta statuette base
Object type: statue base
Date: 300 – 201
Materials: terracotta
Culture: greek, south italian, tarentine
Hof ter Mick te Brasschaat
Object type: print
Date: 1873 – 1909
Materials: paper
Techniques: etching
Artist: florent brant
Artist role: print maker
Artist dates: 1863 – 
Subjects: castle
Inscriptions: collector's mark: Lugt 2228, inscription: ‘4e Epreuve’
Kinderen van de familie Naumann, vermoedelijk na juli 1932, vermoedelijk in Albeck (Oostenrijk)
Object type: photograph
Date: 1907 – 1932
Materials: paper, photographic support
Techniques: gelatin silver print
Subjects: austria

Albumblad bevat drie foto's (één los) van kinderen van de familie Naumann. Uit album half formaat, blauw kunstlederen omslag met koordbinding.
In the Zoological Garden
Object type: print
Date: 1873 – 1873
Techniques: aquatint, drypoint, etching
Artist: félix bracquemond
Artist role: artist
Artist nationality: french
Artist dates: 1833 – 1914
Subjects: birds,gardens,women,trees
Die Männer des deutschen Volks, besonders nach Biows Lichtbildern auf Stein gezeichnet von Schertle und Hickmann, oder Deutsche National-Gallerie
Object type: print
Date: 1848 – 1849
Materials: paper
Techniques: lithograph
Location: frankfurt am main
Subjects: adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228
Hot water platter
Object type: hot water platter
Date: 1801 – 1833
Materials: hard paste porcelain
Subjects: eagles,coat of arms
Design for Wall with Wooden Trim
Object type: drawing
Date: 1841 – 1884
Materials: ink, watercolor
Techniques: pen
Artist: charles hindley and sons
Artist role: artist
Artist nationality: british
Artist dates: 1841 – 1917
Subjects: architecture
Hanazono of Nakaori-ya
Object type: print
Date: 1825 – 1825
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yanagawa shigenobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1787 – 1832
Subjects: human figures
Dish with Clouds, Bats, Gourds, Flowers, and Jui Mushroom
Object type: vessel
Materials: porcelain
Techniques: celadon glazed, molding, underglaze
Location: china
Boekenlegger met borduurwerk
Object type: bookmark
Date: 1880 – 1980
Materials: cardboard, paper, silk
Techniques: embroidered
Artist: Anonymous
Subjects: book-marker, (other forms of) needlework, e.g.: crocheting, knitting, embroidering

Boekenlegger met borduurwerk 'Souvenir' op karton met gestanste gaatjes, met poesieplaatje van rozen geplakt op strook blauwe zijde.
Canada, 10 Cent Piece, from the series Coins of All Nations (N72, variation 2) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: coins

Trade cards from the "Coins of All Nations" (N72), issued in a set of 50 cards in 1889 to promote W. Duke Sons & Co. brand cigarettes. There are two variations within the series. Version one (variation 1) maintains a white background on the cards and the second version (variation 2) displays a shaded background.
Gezicht in Volendam
Object type: photomechanical print
Date: 1890 – 1895
Materials: cardboard, paper
Techniques: photograph
Location: buiksloot
Subjects: harbour, hanging the wash to dry, quay
Inscriptions: number: ‘No. 6.’
Winterlandschap
Object type: photomechanical print
Date: 1910 – 1910
Materials: paper
Techniques: photoaquatint
Location: germany
Subjects: forest, wood, snow, germany
Inscriptions: title: ‘Winter’
"Leopard Bearing Lion's Order to Fellow Judges", Folio 51 recto from a Kalila wa Dimna
Object type: folio from an illustrated manuscript
Date: 1526 – 1550
Materials: ink, paper, watercolor
Location: india
Subjects: animals,leopards,flowers

This manuscript contains seventy-eight paintings and many text folios telling the famous tales of the jackals Kalila and Dimna. Based on the book of ancient Indian animal fables, the Panchatantra written by Vidyapati (Bidpai), the stories spread all over the Middle East where they became wildly popular. This manuscript has a strong flavor of Mamluk Egypt in the figure styles and bold drawings, with hints of Ottoman tulips and Safavid turbans. However, the burnt orange palette and darkly-inked lines have led to an attribution to Sultanate Gujarat where it is suggested this manuscript was copied from an Egyptian original. Its life in India is also attested by a Devanagari inscription at the end, although the rest of the Arabic text is written in a strong, left-leaning naskh-like script.
John Chisholm, Glen Cannuch, Ross-shire, Clan Chisholm. Colin Stewart Cameron, Newtonmore, Badenoch. John Cameron Muccomer, Lochaber. Iverness-shire. Clan Cameron
Object type: page
Date: 1860 – 1870
Materials: photographic support
Techniques: albumen print, hand coloring
Subjects: adult man, hacking and thrusting weapons: sword, folk costume, regional costume
Fraktur
Object type: fraktur
Date: 1770 – 1800
Materials: graphite, ink, iron, paper, watercolor
Techniques: pen
Culture: american
Location: united states
Artist: johann heinrich otto
Artist role: maker
Artist nationality: american
Artist dates: 1730 – 1800
Subjects: parrots,peacocks,flowers

By 1770, Otto, a German émigré, had begun to make various forms of fraktur, a style of decorative calligraphy named after a sixteenth-century German typeface. Otto’s skill is evident in the pleasing checks and balances of color and form he achieved in the composition of repetitive motifs. For example, the parrots perched at either side of the sheet and the two peacocks that cross necks above the tulip are nearly identical in form but vary in the patterning on their wings. Touches of blue enhance the harmony among the reds, greens, and yellows that dominate in Pennsylvania German fraktur designs.
Bottle
Object type: bottle
Date: 67 – 300
Materials: glass
Techniques: glassblowing, tooling
Culture: roman
Bando Matataro as Umewomaru in the Drama "Sugewara denju tenarai Kagami"
Object type: woodblock print nishiki e
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: theatre,men,actors
Tomb of King Mindon in the palace of Mandalay, Myanmar
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: mandalay
Artist: Anonymous
Inscriptions: inscription: ‘14. Graf v/een Koning en Witte Olifant/ (Mandalay)’
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Below the rim, palmette fronds and a tendril; start of handle root
Hollandse kostuums
Object type: costume print
Date: 1710 – 1755
Materials: paper
Techniques: etching
Artist: adolf van der laan
Artist role: draughtsman, print maker
Artist dates: 1689 – 1742
Subjects: europeans (with name) (+ costume), dress, gown (+ women's clothes), fan
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1967

Vrouw in een landschap, gekleed volgens de Hollandse mode van 1710-1720. Ten voeten uit, naar rechts gekeerd. Mutsje op het hoofd en een gesloten waaier in de hand. De prent maakt deel uit van een zestiendelige serie prenten met voorstellingen van Hollandse kostuums.
Two Courtesans and a Geisha
Object type: print
Date: 1783 – 1783
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: women
Portret van een vrouw
Object type: photograph
Date: 1872 – 1889
Materials: cardboard, paper
Techniques: carbon print
Location: ghent
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Beernaert Freres/ Gand/ Rue de la Vigne/ Hareng pec.’
Portret van Wolter Jan Gerit Baron Bentinck
Object type: print
Date: 1755 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam
Inscriptions: collector's mark: Lugt 2228, inscription

Portret van Wolter Jan Gerit Baron Bentinck, schout bij nacht van Holland en West-Friesland.
Museum Plantin-Moretus : Anvers : album contenant 60 reproductions photocollographiques des intérieurs et documents de la célèbre imprimerie = Antwerp : album containing 60 collotype prints of the interior and old documents of the celebrated printing house
Object type: book
Date: 1897 – 1897
Materials: paper
Techniques: photograph, printing
Location: antwerp
Artist: gustave hermans
Artist role: publisher
Artist dates: 1856 – 1934
Inscriptions: inscription: ‘JULY/ 1992’
Interior of a Mausoleum
Object type: design
Date: 1728 – 1778
Materials: ink, paper
Techniques: brush, pen
Artist: charles michel-ange challe
Artist role: draughtsman, print maker
Artist dates: 1718 – 1778
Subjects: mausoleum
Inscriptions: collector's mark, verso, lower centre: Lugt 2228

A specialist in architectural drawing and perspective, Challe was also a prolific inventor of theatre and festive decors and imaginary architecture. He based this drawing on the Pantheon in Rome, giving it an exuberant Baroque twist with numerous decorations. He achieved the dramatic chiaroscuro in the foreground by using undiluted brown ink.
Gedichte an Ihre Majestät Marie Sophie, Königin beider Sicilien geb. Herzogin in Bayern
Object type: book
Date: 1861 – 1861
Materials: cardboard, paper, photographic support
Techniques: albumen print, printing
Inscriptions: bookplate: ‘Friedrich Treyherr Gross von Trockau’
Biebrich a/Rh. Dampfschiff-Landebrücke.-Blick n. Mainz
Object type: photomechanical print
Date: 1900 – 1905
Materials: cardboard
Techniques: lithograph
Location: munich
Subjects: river, steamship, motorship
Macaroni veilingmeester
Object type: print
Date: 1703 – 1772
Materials: paper
Techniques: etching
Location: london
Subjects: london, auctioneer, caricatures (human types), art sale, auction
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 4780, collector's mark: Lugt 2228

Afkomstig uit de tweede serie van zes, getiteld: Macaronies, Characters, Caricatures &cd, uitgegeven door Matthew Darly in Londen tussen 1771 en 1773. De term 'macaronie' werd gebruikt in Engeland in de tweede helft van de 18de eeuw voor personen die op een overdreven wijze de laatste mode volgden. In zekere zin vormden zij de voorlopers van de dandy's. Deze Macaroni stelt waarschijnlijk de toneelschrijver en veilinghouder Abraham Langford (1711-1774) voor.