deem-data/ArtiFact huggingface dataset:
Al wat het kermistooneel, ons aanbiedt tot vermaken, / Wordt lieve jeugd, u voorgesteld in onderscheiden zaken
Object type: print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing
Location: den bosch
Artist: Anonymous
Subjects: circus animals
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van circusdieren. Onder elke afbeelding een onderschrift. Genummerd midden boven: No. 81.
The "Typical"
Object type: print
Date: 1894 – 1894
Materials: paper, zinc
Techniques: etching, relief
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Head of King Amenemhat III
Object type: head, amenemhat iii
Date: 1859 – 1813
Location: egypt
Subjects: kings,heads,mk-kings

Although somewhat battered, this is an impressive image of a pharaoh wearing the double crown of Upper and Lower Egypt. The head is rounder than those depicting Senwosret III; the eyes are less bulbous, and the lids less fleshy. We see, in fact, a portrait of Senwosret's successor Amenemhat III. A piece closely related in style was found at Kom el-Hisn in the western Nile Delta. Like that sculpture the Museum's head has a distinctly youthful character, which is apparent in spite of the deep furrows at the sides of the king's nose. Egyptian artists often emphasized youthfulness in the face of an already mature pharaoh in images that commemorated the king's thirty-year jubilee (Heb Sed). The king was, in this image, most probably represented seated.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, drapery and part of arm of figure bending towards right
Schilderij van de slag bij Nieuwpoort, 1600
Object type: historieplaat
Date: 1880 – 1950
Materials: paper
Techniques: printing
Artist: Anonymous
Subjects: maurice (prince of orange), battle (+ land forces), battle of nieuwpoort

Foto van het schilderij in de collectie van het Tiroler Landesmuseum Ferdinandeum, Innsbruck. Niet in Frederik Muller; door het RPK toegevoegd nummer.
Begrafenisstoet van Anna Paulowna (blad 10), 1865
Object type: drawing
Date: 1865 – 1865
Materials: paper, pencil
Location: netherlands
Artist: Anonymous
Subjects: anna paulowna romanowa, cortege, funeral procession, four-wheeled vehicle drawn by more than three animals, delft
Inscriptions: inscription: ‘No. 10’

Een groep ruiters voor het koninklijke rijtuig met leden van de koninklijke familie. Tiende tafereel in een schetsboek met een weergave van de begrafenisstoet van wijlen koningin Anna Paulowna te Delft op 17 maart 1865, omslag met tien losse bladen.
Standing Nude Man (recto); Three Studies of Soldiers (verso)
Object type: drawing
Date: 1550 – 1550
Materials: chalk, gouache
Techniques: highlighting
Artist: taddeo zuccaro
Artist role: artist
Artist nationality: italian
Artist dates: 1529 – 1566
Subjects: male nudes

Along with his brother Federico, Taddeo Zuccaro was one of the leading mid-sixteenth-century painters in Rome, merging an admiration for the masters of the High Renaissance with elements of Mannerist design. In this powerful study of the nude male figure in action, he infused the close observation of naturalistic details with the heroic, sculptural monumentality of Michelangelo, who is said to have greatly admired the young Taddeo's gifts as a draftsman. Dating to about 1550, the study by Zuccaro is related to the figure of a soldier holding the reins of a horse in the foreground of a composition drawing (private collection) intended for a monochrome fresco on a (lost) palace façade in Rome. Though studied from life, the pose of the figure is partly inspired by the famous Roman marble group known as the Horse Tamers (Dioscuri), today on the Quirinal Hill.
Room within the Red Fort at Delhi, India
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: gelatin silver print
Location: delhi
Artist: Anonymous
Subjects: delhi
Inscriptions: inscription: ‘19 Summon Burj, Fort Delhi.’, number: ‘28.’
Frigates "Santee" and "Constitution" off Naval Academy, Annapolis
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: american civil war,ships
Details van gouden beker van de Haagse schutterij
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: the hague, willem iv (prins van oranje-nassau), anna van hannover, cup
Inscriptions: collector's mark: Lugt 2228

Een gouden beker door stadhouder Willem IV toegezegd aan de Haagse schutterij en na zijn dood gepresenteerd door prinses Anna op 8 mei 1753. Blad met drie details van de voorstellingen op de beker en de inscriptie aangebracht aan de binnenzijde van de deksel. De beker vervaardigd door Philippe Métayer te Amsterdam.
Tsaar Nicolaas II van Rusland en zijn gevolg te paard te Krasnoye Selo
Object type: page
Date: 1897 – 1897
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, ruler, sovereign
Inscriptions: inscription: ‘Revue de Krasnoié-Sélo-(...) le défilé.’
Cutaway coat
Object type: cutaway coat
Date: 1860 – 1865
Materials: silk, wool
Culture: american
Artist: brooks brothers
Artist role: maker
Artist nationality: american
Artist dates: 1818 – 9999
Portret van Meletius Tapeinos
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: engraving
Location: danzig
Subjects: book with clasps, historical persons, hourglass

Met tweeregelig onderschrift in het Grieks.
Turfblokken, opgestapeld op een stuk papier
Object type: miniature
Date: 1676 – 1676
Materials: paper, peat
Location: amsterdam
Artist: Anonymous

Turfblokken, opgestapeld op een stuk papier (deel van een speelkaart).
Combined Double-Barreled Flintlock Pistol and Folding Knife
Object type: arm
Date: 1701 – 1800
Materials: brass, gold, iron, steel, wood
Culture: european
Location: sweden
Gereedschap voor een naaldkantmotief in de vorm van kleermakerslinnen waarop groen perkament is genaaid met een bijna voltooid motief in reticella-techniek met spandraden
Object type: tool
Date: 1906 – 1910
Materials: linen, parchment
Techniques: sewing, weave
Location: the hague

Gereedschap voor een naaldkantmotief in de vorm van kleermakerslinnen waarop groen perkament is genaaid met een bijna voltooid motief in reticella-techniek met spandraden. Het motief betreft een rechthoek van spandraden, die in twee vierkanten is gedeeld die elk met diagonale lijnen weer in vieren is gedeeld. Vervolgens is een reticella-patroon gemaakt met driehoekjes, een ovaaltje, een wiel en trensjes. Op het perkament staat geschreven met potlood: "1,00".
The Street of the Post Station (Umayachi), from the series “Eighteen Illustrations of the Ladder of Ancient Words (Kogentei juhachiban tsuzuki)”
Object type: print
Date: 1831 – 1831
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Rond medaillon met aan weerszijden een bloementros
Object type: ornament print
Date: 1647 – 1709
Materials: paper
Techniques: engraving
Location: nuremberg
Paard en wagen bij een poort in een stad
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: city-gate, germany
Gezicht op een poort en en pilaar bij het Qutb complex in Delhi
Object type: page
Date: 1860 – 1877
Materials: paper
Techniques: woodburytype
Location: delhi
Artist: Anonymous
Subjects: column, pillar ~ architecture, arch, archivolt ~ architecture
Formatie Goemoek Oost van Oost. (October 1926.)
Object type: photograph
Date: 1910 – 1926
Materials: photographic support
Techniques: gelatin silver print
Location: east java
Artist: Anonymous
Subjects: colonial system, trade-company, (non-fruit) products of plants or trees: sugarcane
Inscriptions: inscription: ‘Uitgegraven goemoek op Oost van Oost. (October 1926.)’

Detail van de wand van de deels uitgegraven versteningen in de aarden heuvel (goemoek) op Oost van Oost, waarschijnlijk gelegen op het fabrieksterrein, oktober 1926. Onderdeel van het fotoalbum met foto's van de opbouw van de suikerfabriek te Goenoengsari op Oost-Java door de Handels Vereniging Amsterdam 1926-1927.
Brief aan Philip Zilcken
Object type: letter
Date: 1884 – 1884
Materials: ink, paper
Techniques: pen, printing, writing
Location: brussels
Artist: octave maus
Artist role: painter
Artist dates: 1856 – 1919
Subjects: print maker, draughtsman, carel nicolaas storm van 's-gravesande, painter, philip zilcken, literature ~ arts, the hague
Inscriptions: collector's mark: ‘RPK’
Man met lauwerkrans presenteert een kroon aan vijf klassiek geklede mannen
Object type: print
Date: 1794 – 1798
Materials: paper
Techniques: engraving, etching
Subjects: crown (symbol of sovereignty), historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Jephson, Robert. Roman Portraits, a poem, in heroick verse; with historical remarks and illustrations. Londen: G. G. and J. Robinson, 1794.
De vijf zintuigen
Object type: print
Date: 1651 – 1719
Materials: paper
Techniques: mezzotint
Artist: jacob toorenvliet
Artist role: draughtsman, painter, print maker
Artist dates: 1640 – 1719
Subjects: jar, jug (used as drinking-vessel), feeling (one of the five senses)
Inscriptions: collector's mark: Lugt 2228

Een man met een kruik en in zijn muts een pijpje. De prent maakt deel uit van een serie van vijf prenten met de vijf zintuigen.
Physiologie du Flaneur
Object type: book
Date: 1841 – 1841
Artist: louis huart
Artist role: author
Artist nationality: french
Artist dates: 1813 – 1865
Subjects: men
Vesta Victoria, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,cats,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Haakbus
Object type: harquebus
Date: 1500 – 1700
Materials: iron, wood
Artist: Anonymous
Subjects: haarlemmermeer

Haakbus met losse kamer. Voghelaar(?). Geplaatst op een affuit.
Vissersboten
Object type: print
Date: 1800 – 1900
Materials: paper
Techniques: engraving
Subjects: sea (seascape), ships (in general) - cc - more than one ship
Inscriptions: collector's mark: Lugt 2233
Piece
Object type: piece
Date: 1890 – 1890
Materials: cotton
Subjects: flowers
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, bit of hair; part of an inscription, [HI]PPOD[AMAS KALOS]
Portret van Frans Floris
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: the hague
Subjects: antwerp, print maker, draughtsman, frans floris (i), historical persons, expulsion of adam and eve from paradise (genesis 3:22-24), portrait, self-portrait of painter, palette
Inscriptions: collector's mark: Lugt 964, inscription: ‘April: 89’

Prent uit deel 1 van de serie Pictorum Aliquot Celebrium Praecipuae Germaniae Inferioris Effigies (1610). Serie van 72 kunstenaarsportretten vervaardigd door Hendrick Hondius I, Simon Frisius, Andries Jacobsz. Stock en Robert de Baudous. Prent ook gebruikt in tweede druk uit 1618.
Terracotta duck-askos (flask with spout and handle)
Object type: askos in the form of a duck
Date: 350 – 325
Materials: terracotta
Culture: etruscan
Artist: clusium group
Artist role: artist
Subjects: ducks,female nudes
Verdoemden naar de hel geleid
Object type: book illustration
Date: 1625 – 1625
Materials: paper
Techniques: etching
Location: haarlem
Subjects: last judgement
Inscriptions: collector's mark: Lugt 2228

Illustratie in: Peil, Johann. Tabula processum seu ordinem ultimi divini et criminalis judicii exhibens. Kleef: Gerhardus Verstegen, 1625, p. 66.
Tazza
Object type: tazza
Date: 1501 – 1550
Materials: glass
Subjects: coat of arms
Joseph Sold to the Merchants, from The Story of Joseph
Object type: print
Date: 1546 – 1546
Techniques: engraving
Artist: georg pencz
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: boys,men,camels
Portrait de Mieris
Object type: print
Date: 1780 – 1840
Materials: paper
Techniques: engraving, etching
Subjects: frans van mieris, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Vrouw bekijkt verwonderd het gras onder haar voeten
Object type: book illustration
Date: 1687 – 1687
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: meadow, pasture
Inscriptions: collector's mark: Lugt 2228, number: ‘34’

Illustratie uit: Luyken, Jan. Voncken der liefde Jesu, van het godtbegerende zielenvier. Amsterdam: Pieter Arentsz (II), 1687, p. 142.
Nicolas Brulart.
Object type: print
Date: 1624 – 1641
Materials: paper
Techniques: engraving
Location: paris
Subjects: ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Two Fragments
Object type: textile
Materials: cotton
Techniques: painting, weave
Culture: japanese
Location: india
Ex libris van Antonio Janeira
Object type: bookplate
Date: 1929 – 1929
Materials: paper
Techniques: printing block
Location: portugal
Artist: Anonymous
Subjects: flat-building, apartment house, pencil, tools, implements of architect
Kan beschilderd met een voorstelling van hofmakerij
Object type: album leaf
Date: 1880 – 1940
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: courting, container of ceramics: jar, jug, pot, vase
Charity in the Village, from "Le Magasin Pittoresque"
Object type: print
Date: 1862 – 1862
Techniques: relief print
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Subjects: girls
De boer en zijn varken
Object type: print
Date: 1843 – 1920
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: munich
Subjects: pig, farmers
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van een varken die de boel op zijn kop zet bij een boerenfamilie. Onder elke afbeelding een tweeregelig vers. Genummerd midden onder: Nro. 119. Genummerd rechtsboven: 119.
Kassel, Neue luther. Kirche.
Object type: photomechanical print
Date: 1901 – 1901
Materials: cardboard
Techniques: photograph, lithograph, writing
Location: darmstadt
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: postage stamp
Ex libris van Gianni Mantero
Object type: bookplate
Date: 1946 – 1946
Materials: paper
Techniques: printing block
Location: italy
Subjects: engineer, gianni mantero, death as skeleton, woman (showing herself) undressed, quasi-nude, clock, lying figure - aa - female human figure
Inscriptions: date
Wrapper
Object type: wrapper
Date: 1849 – 1849
Materials: cotton
Culture: american
Gezicht op Saint-Michel-de-Maurienne
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: saint-michel-de-maurienne
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: prospect of city, town panorama, silhouette of city, mountains
Inscriptions: number: ‘421’, inscription: ‘Vues de la Suisse Savoie et Italie’
Gezicht op de Sint-Pietersbasiliek in Rome met op de voorgrond een schilder aan het werk naast een palm
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: church (exterior), trees: palm-tree, painter at work, in his studio - cc - out of doors
Inscriptions: number: ‘161’

Onderdeel van Reisalbum met opnames van kunstwerken en bezienswaardigheden in Italië, Griekenland en Frankrijk.
Zeilschip in de branding
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Location: hamburg
Subjects: sailing-ship, sailing-boat, beach
Bust of a Roman
Object type: bust
Date: 1601 – 1700
Materials: bronze, gilt, oil
Subjects: men,portraits

This mysterious bust, with furrowed brow, receding hairline, and smoothly, even uncannily polished curls and facial hair, was once in the collection of Mme d’Yvon, along with Antico’s bust of Antoninus Pius (cat. 12). In the 1892 auction catalogue, the bust is described as portraying an old man, with gilding on the figure’s mantle,[1] and identified as sixteenth-century Italian. The nearly identical language used to describe Antico’s bust, as well as their consecutive placement in the sale listing, suggest the two busts were displayed together.[2] Though the Antoninus Pius has since been elevated to a celebrated work by Antico, the author and dating of the present bust remain unclear. In the 1939 sale of the Berwind collection, it is described, implausibly, as by Pietro Tacca. Its origins were placed in northern Italy when it sold with the Heim Gallery in 1967 to Judge Untermyer, before entering The Met. Around the same time, Francesco Cessi put forth the medalist and sculptor Giovanni da Cavino as the author, and identified the subject as one of Cavino’s patrons, the law professor Marco Mantova Benavides. Cavino’s work as a sculptor remains unknown, and Cessi’s proposal is ultimately unconvincing. James David Draper suggested it belonged to the generation of northern artists after Antico’s death in 1528 and pointed to parallels between this bust and those by the sculptor Ludovico Lombardi, particularly a bust of an emperor in the Liechtenstein collection. The range of potential authors and the lack of identifiable models lead to the conclusion that our bust is not a product of the mid-sixteenth century. Instead, it is likely a seventeenth-century pastiche meant to evoke ancient Roman portrait busts, with which it bears certain affinities, particularly of the third century A.D. Could it have been intended to be placed in dialogue with such ancient busts—or a work akin to the Antoninus Pius—in a Baroque palazzo? Our Roman was originally gilded and thus would have made a particularly resplendent pairing with Antico’s man. -JF Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. Currently obscured by later coatings that may have darkened over time. R. Stone/TR, 2011. 2. A photo of the gallery containing the bust is reproduced in the sale catalogue between pp. 68 and 69. The bust is shown in the corner, next to a reduction of Bernini’s Apollo and Daphne. Only this one corner of the gallery is shown and it is unclear how the Antoninus Pius was installed.
Mermin. Camille. 33 ans, né à La Havane (Cn Espagnoles). Rep. de cou. (?). Anarchiste. 9/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Dochter van Farao vindt Mozes in het biezenmandje
Object type: drawing
Date: 1659 – 1694
Materials: chalk, paper
Artist: paul van somer (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1639 – 1704
Subjects: miriam induces pharaoh's daughter to entrust moses to a hebrew nurse
Kleine gezichten van Parijs
Object type: print
Date: 1820 – 1821
Materials: paper
Techniques: lithograph
Location: paris
Subjects: church (exterior), procession ~ christian religion, paris

De serie waar deze prent deel van uit maakt, bestaat waarschijnlijk uit dertig prenten.
Bloemen
Object type: print
Date: 1820 – 1840
Materials: paper
Techniques: hand coloring, lithograph
Location: london
Subjects: flowers, flowers: tulip
Inscriptions: collector's mark: Lugt 2228
Maria Louise van den Berg-Halbertsma bij zoon Norbert als pasgeboren baby in een wieg
Object type: photograph
Date: 1941 – 1941
Materials: paper, cardboard
Techniques: gelatin silver print
Location: netherlands
Artist: norbert peter van den berg (1941-)
Artist dates: 1941 – 
Subjects: norbert peter van den berg (1941-), rotterdam, maria louise van den berg-halbertsma, adult woman, cradle, crib, infant, baby
Kussend stel
Object type: drawing
Date: 1891 – 1941
Materials: chalk, paper, pencil
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: (lovers) kissing each other, embracing each other, kissing
Inscriptions: collector's mark: Lugt 2228
Wachten
Object type: text sheet
Date: 1878 – 1878
Materials: paper
Techniques: letterpress printing
Artist: johannes verhulst
Artist role: componist
Artist dates: 1816 – 1891
Subjects: marriage, married couple, 'matrimonium'
Inscriptions: collector's mark: Lugt 2228

Eenzijdig bedrukt tekstblad met een liedtekst.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Four fragments with meanders on the interior, and parts of palmettes, volutes, and tendrils on the exterior, from DvB 9.2
Faust
Object type: print
Date: 1652 – 1652
Techniques: drypoint, engraving, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: windows,men
Portret van Lady William Henry Cavendish Bentinck
Object type: drawing
Date: 1815 – 1815
Materials: paper, pencil
Artist: jean auguste dominique ingres
Artist role: draughtsman, print maker
Artist dates: 1780 – 1867
Subjects: historical persons - bb - woman

Lord William Bentinck trouwde in 1803 met Mary Acheson, dochter van de Eral of Gosford. Na de val van napoleon verbleef het echtpaar enige tijd in Rome. Daar maakte Ingres twee tekeningen van haar alleen en één samen met haar man. Opdrachten voor portrettekeningen van Engelsen waren voor Ingres in Rome een noodzakelijke bron van inkomsten. Deze worden thans tot zijn meesterwerken gerekend.
Duit van de VOC uit Zeeland, 1731
Object type: coin
Date: 1731 – 1731
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: gekroond wapenschild van Zeeland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Inhuldiging van Karel II van Spanje als graaf van Vlaanderen
Object type: strooipenning
Date: 1666 – 1666
Materials: silver
Techniques: striking
Location: antwerp
Artist: Anonymous
Subjects: karel ii (koning van spanje)

Zilveren penning. Voorzijde: borststuk jongen binnen omschrift. Keerzijde: jonge phoenix oprijzend uit de vlammen binnen rand van olijftakken en omschrift
Ruines du Château de Pierrefonds (Ruins of the Château de Pierrefonds)
Object type: print
Date: 1858 – 1858
Techniques: drypoint, etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: castles,ruins,women,trees