deem-data/ArtiFact huggingface dataset:
Buste van een oude man, wijzend naar rechts
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: italy
Subjects: head-gear: beret, beard, index finger forwards, pointing, indicating
Inscriptions: collector's mark: Lugt 2228
Hoofd van een Boeddha-beeld
Object type: boeddha kop, boeddha beeld
Date: 1600 – 1699
Materials: bronze
Location: thailand
Artist: Anonymous
Covered Honey Dish
Object type: honey dish
Date: 1870 – 1890
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: adams and company
Artist role: maker
Artist nationality: american
Artist dates:  – 9999
Design for 4 seat Phaeton, no top, no. 3108a
Object type: drawing
Date: 1875 – 1875
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Elia in de grot
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: elijah comes to mount horeb where he dwells in a cave
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Josephus, Flavius. Alle de Werken, 2 delen. Amsterdam: Pieter Mortier, 1704, dl. 1, p. 208.
St. John the Baptist
Object type: plaquette
Date: 1501 – 1600
Materials: bronze, gilt
Subjects: saint john the baptist,cross
Shebiu Necklace of Amenhotep
Object type: necklace, shebiu, amenhotep, lentoid
Date: 1479 – 1458
Materials: cord, faience, linen
Location: egypt

This necklace of lentil-shaped beads was found on top of the coffin of a twelve-year-old boy named Amenhotep (36.3.153). The necklace and two armlets found in Amenhotep's coffin (36.3.155, 36.3.156) are made of Egyptian faience, a ceramic material made of quartz frit. These pieces of jewelry are sized for an adult, and may have been a gift from the child's father. Gold necklaces of lentoid beads (shebiu-collars) and arm bands (a'a-armlets) were part of the honor jewelry presented by the king to important officials other highly valued individuals. Combinations of gold and blue armlets are depicted in tomb paintings (see the detail of facsimile 30.4 106 above), and it is possible that the faience versions of the gold jewelry were part of the sets, not just imitations.
Frederik Hendrik legt de eed af als stadhouder en neemt zitting in de Staten van Holland, 1625
Object type: print
Date: 1651 – 1699
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: frederick henry (prince of orange), new ruler taking the oath, popular representation ~ government, the hague

Frederik Hendrik legt de eed af als nieuwe stadhouder en neemt zitting in de Staten van Holland, september 1625. Links legt Frederik Hendrik staande de eed af. Rechts de Staten van Holland bijeen in zitting in aanwezigheid van Frederik Hendrik.
Favre. Sébastien. 36 ans, né à St Étienne (Loire). Négociant. Port d'arme prohibée, anarchiste. 20/2/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Manshoofd, geit en uil
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: etching
Location: the hague
Artist: jan evert morel (ii)
Artist role: painter
Artist dates: 1835 – 1905
Subjects: adult man, owls, goat
Inscriptions: collector's mark: Lugt 2228

Een manshoofd en een geitenkop en profil. Onderaan de kop van een uil van voren.
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Materials: stone, gemstone
Techniques: cutting
Culture: chinese
Subjects: horses,flags
Moscow. The Lenin Central Museum / Moskau. Zentrales Lenin-Museum / Moscou. Musée Central Lénine
Object type: ansichtkaart, prentbriefkaart
Date: 1956 – 1956
Materials: cardboard
Techniques: color autotype
Location: moscow
Artist: Anonymous
Subjects: permanent exhibition, museum
Inscriptions: date

De titel op object staat ook in het Russisch.
Kapel in het Hôtel des Invalides, Parijs
Object type: photograph
Date: 1887 – 1900
Materials: paper
Techniques: albumen print
Location: paris
Subjects: interior of church
Inscriptions: inscription: ‘No. 188 Paris Hôtel des Invalides, (la Chapelle). X. Phot.’

Tussen 1887 en ca. 1900 werkten Neurdein frères onder andere onder de naam 'X phot.'.
The husband wants him to look at his hot-bed, the friend only dreams of seeing his wife, plate 3 from Les Amisa
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Thomas Graaf van Staffort, Onder Koning van Ierland, Binnen Londen Onthalst
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: london, politician, on the scaffold or place of execution
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie uit: Bos, Lambert van den. Treur-toonneel der doorluchtige mannen, of Op- en ondergang der grooten, 3 delen. Amsterdam: Jan Claesz ten Hoorn, 1698, dl. II.
Study of a Kabyle Man, Algeria, December 10, 1861
Object type: drawing
Date: 1861 – 1861
Materials: chalk, paper
Artist: isidore pils
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1875
Subjects: men
Bord van faience
Object type: plate dish
Date: 1750 – 1780
Materials: faience
Location: delft
Artist: Anonymous
Inscriptions: inscription: ‘1,-’, seal: ‘2231/ B’
Behoud van Cremona, ontzet van Mantua en inname van Guastalla, rekenpenning geslagen ter ere van Filips V, koning van Spanje
Object type: jeton
Date: 1702 – 1703
Materials: silver
Techniques: striking
Location: antwerp
Artist: philippe roëttiers (ii)
Artist role: medailleur
Artist dates: 1640 – 1718
Subjects: filips v (koning van spanje)

Zilveren penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: opschrift.
Honorary Medal Awarded to C.J. van Aalst, Chairman of the Netherlands Overseas Trust Company, upon its Discontinuation
Object type: honorary medal
Date: 1919 – 1919
Materials: gold
Techniques: striking
Artist: johannes cornelis wienecke
Artist role: medailleur
Artist dates: 1872 – 1945
Subjects: not

People who have performed a heroic deed or reached the end of a long career are sometimes awarded a medal as a token of esteem and gratitude. Often these are made of gold. Especially in the seventeenth century, gold medals with their chains were literally a reward. They were subsequently melted down and converted into money, which is why so few have survived.
Spotprent op de terugkeer van Rembrandts Nachtwacht naar het Rijksmuseum, 1898
Object type: cartoon
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: george hendrik breitner, maastricht, the hague, print maker, draughtsman, jonkheer victor eugène louis de stuers, isaac israels, pierre joseph hubert cuypers, engineer, jonkheer barthold willem floris van riemsdijk, leiden, amsterdam, painter, rembrandt van rijn, rijksmuseum amsterdam, cortege, funeral procession
Inscriptions: collector's mark: Lugt 2228

Spotprent op de terugkeer van Rembrandts schilderij de Nachtwacht naar het Rijksmuseum na afloop van de Rembrandt tentoonstelling in het Stedelijk Museum te Amsterdam in 1898. Het ingepakte schilderij wordt op een lijkwagen naar het Rijksmuseum gereden als in een begrafenisstoet. Voor de wagen lopen Van Riemsdijk, Pierre Cuypers en Victor de Stuers, rechts naast de wagen Breitner en Israëls. Uitgegeven als bijvoegsel van de Amsterdammer, Weekblad voor Nederland, van 9 oktober 1898.
Limestone inscribed block
Object type: block wall
Date: 3900 – 100
Materials: limestone
Culture: cypriot
Blad met berekeningen
Object type: sketchbook leaf
Date: 1899 – 1899
Materials: chalk, paper
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Inscriptions: annotation: ‘[...]’

Pagina 84 uit een schetsboek met 42 bladen.
Scherven van borden uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven van borden uit V.O.C.-schip de 'Witte Leeuw' van kraakporselein.
The Actor Ichikawa Monnosuke I
Object type: print
Date: 1719 – 1719
Techniques: hand coloring, woodblock print
Location: japan
Artist: attributed to okumura toshinobu
Artist nationality: japanese
Artist dates: 1717 – 1750
Kaart van het graafschap Holland in de vorm van de Nederlandse Leeuw
Object type: print
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: maps of separate countries or regions, holland

Prent ook gebruikt in: Gebruyck der Cooplieden Reizigers en Officieren ofte Memorie Boekje Behelsende twee Steedewyzers (…). Amsterdam, Pieter Schenk (II), 1748.

Later opnieuw gebruikt in: Gebruyck der Cooplieden Reizigers en Officieren ofte Memorie Boekje Behelsende twee Steedewyzers (…). Amsterdam, Covens, Mortier en Zoon, 1840.
Geboorte en doop van Karel, erfprins van Engeland, Schotland, Ierland en Frankrijk
Object type: jeton
Date: 1630 – 1630
Materials: silver
Techniques: striking
Location: london
Artist: nicolas briot
Artist dates: 1579 – 1646
Subjects: london, karel ii (koning van engeland)

Zilveren penning. Voorzijde: vier in kruis geplaatste, gekroonde wapenschilden in cartouche, bevestigd aan cirkel, waaruit zonnestralen te voorschijn komen binnen omschrift. Keerzijde: opschrift
Kermisprent van de Amsterdamse nachtwacht voor het jaar 1859
Object type: fair print
Date: 1859 – 1859
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: friedrich robert prinz
Artist role: print maker
Artist dates: 1820 – 
Subjects: night patrol, pleasure fair and circus, amsterdam
Inscriptions: collector's mark: Lugt 2228

Kermisprent van de Amsterdamse nachtwacht (ratelwacht), 12 september 1859. Bovenaan de kermis op de Botermarkt (Rembrandtplein), onder links en rechts leden van de nachtwacht. Centraal een gedicht.
Huwelijk van Koningin Wilhelmina met Hendrik van Mecklenburg-Schwerin 1901
Object type: history medal
Date: 1901 – 1901
Materials: bronze
Techniques: striking
Location: zeist

Bronzen penning, op de voorzijde de geconjugeerde borstbeelden van Hendrik en Wilhelmina naar links met omschrift, op de keerzijde de gehelmde Nederlandse Maagd, een leeuw aan haar voeten, hangt een slinger van lauwertakken om de wapenschilden van Mecklenburg en Nederland onder één kroon, met rechts twee regels tekst.
Gezicht op de oase Sakieh in Nubië, met waterput
Object type: sketchbook leaf
Date: 1858 – 1859
Materials: pencil
Location: egypt
Artist: willem de famars testas
Artist role: draughtsman, painter, print maker
Artist dates: 1834 – 1896
Inscriptions: inscription: ‘Sakieh en Nubie’, inscription: ‘29’
Merganser
Object type: drawing and watercolor
Materials: graphite, paint, paper, watercolor
Location: england
Artist: john ruskin
Artist role: artist
Artist nationality: british
Artist dates: 1819 – 1900
Visverkoopster en klant
Object type: book illustration
Date: 1803 – 1803
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: street-trader - bb - women engaged in trade and commerce, fishes, folk costume, regional costume, clothes, costume, amsterdam

Gebruikt als illustratie in: Evert Maaskamp, Afbeeldingen van de kleedingen, zeden en gewoonten in de noordelijke provincien van het Koningrijk der Nederlanden, met den aanvang der negentiende eeuw = Tableaux des habillemens, mœurs et coutumes dans les provinces septentrionales du Royaume des Pays-Bas, au commencement du dix-neuvième siècle. Amsterdam: Evert Maaskamp, 1829 [heruitgave van de oorspronkelijke platen eerst verschenen in 1803-1807].
On the River Wye, from Old English Masters
Object type: print
Materials: chine, paper
Techniques: engraving
Location: united states
Artist: timothy cole
Artist role: print maker
Artist nationality: american
Artist dates: 1852 – 1931
Bierpul van gedeeltelijk verguld zilver, cilindervormig op brede, valkke voet. Oor eindigt in ramskop. Om het midden gegoten fries met zondeval en verdrijving uit het Paradijs. Knop op deksel in vorm van Christus met wereldbol
Object type: stave tankard
Date: 1569 – 1616
Materials: silver
Techniques: gilding
Location: riga

Bierpul. Gedeeltelijk verguld zilver. Riga, ca. 1580-1600, door Lambert Goldenstätt.
Flag
Object type: flag
Date: 1750 – 1830
Materials: cotton, linen
Location: indonesian archipelago
Artist: Anonymous
Subjects: flag, colours (as symbol of the state, etc.), dutch east indies, the

Rode vlag met een blauwe horizontale baan langs boven- en onderzijde, en een blauwe broek.
Isabel Wachenheimer bekijkt fotoalbum zit op schoot bij haar moeder Else Wachenheimer-Moos, juni 1931, München
Object type: album leaf
Date: 1906 – 1931
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: munich
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: else wachenheimer-moos, leiden, isabel wachenheimer-elon, family life at home
Inscriptions: inscription: ‘bei der Mutti Isabel stelst Photografien an’

Blad bevat tien foto's. Alle foto's van Isabel Wachenheimer (als klein meisje) en Else Wachenheimer-Moos. Uit het album, half formaat, crèmekleurig stofomslag met koordbinding met banenmotief.
Titelpagina voor: Theodorus Beza, 't Leven ende doodt van den seer eerweerdigen M. Jan Calvyn, 1650
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: historical persons
Inscriptions: date

Titelpagina voor: Beza, Theodorus. 't Leven ende doodt van den seer eerweerdigen M. Jan Calvyn. Amsterdam: Gillis Dirksz Booner, 1650.
Prospetto del Lastricato e de' margini dell'antica via Appi (...)
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: ruin of a building ~ architecture
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie van 33 prenten (inclusief titelprent, opdracht, vignet en ornamentele letter) met de titel 'Antichità d'Albano e di Castel Gandolfo'.
Acorn King: A Man Astride a Cow
Object type: drawing
Materials: ink
Techniques: pen
Artist: johannes brandenberg
Artist role: artist
Artist nationality: swiss
Artist dates: 1661 – 1729
Subjects: men,cows
Gezicht op een markt te Caïro
Object type: album leaf
Date: 1904 – 1905
Materials: photographic support
Techniques: gelatin silver print
Location: cairo
Artist: Anonymous
Subjects: market
Inscriptions: inscription: ‘No. 1./ Markt de Kairo’
Meiping vase
Object type: vase
Date: 1201 – 1300
Materials: ceramic glaze, glaze, stoneware
Culture: chinese
Fotoreproductie van een schilderij, voorstellende de ouders van Hermann op een bank naast een plein
Object type: page
Date: 1876 – 1881
Materials: paper
Techniques: photograph
Subjects: bench, marriage, married couple, 'matrimonium'
Vase
Object type: vase
Date: 1644 – 1911
Materials: stoneware
Techniques: glazing
Culture: chinese
Batavorum cum Romanis Bellum, à Corn. Tacito / De Batavische Oft Oude Hollandtsche Oorloghe teghen de Romeynen
Object type: history print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: italy
Subjects: battle, fighting in general, extinct, 'historical' peoples (with name), netherlands

Civilis komt tussenbeide en voorkomt dat de Nederlandse en de Duitse soldaten met elkaar slaags raken. Prent nummer 22 in de serie prenten over de Bataafse Opstand: Batavorum cum Romanis bellum / à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, auctore Othone Vaenio Lugdunobatava = De Batavische oft oude Hollandtsche oorloghe teghen de Romeynen. Otto Vaenius, Antwerpen 1612. Onderaan twee verzen van vier regels in het Nederlands en in het Latijn. Op de achterzijde tekst in het Latijn.
Christ on the Cross
Object type: print
Date: 1508 – 1508
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,women,christ,cross,crucifixion
A Book of Ornaments
Object type: ornament print
Date: 1704 – 1704
Materials: paper
Techniques: engraving
Artist: simon gribelin
Artist role: print maker
Artist dates: 1661 – 1733
Subjects: ornaments ~ art, cupids: 'amores', 'amoretti', 'putti', ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De eerste versie van deze prentserie is uitgegeven in 1682 met de titel 'A Book of Severall Ornaments'.
Gevel van een huis, zeer waarschijnlijk Markt-Oostzijde 2 te Oudewater
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: enkhuizen
Artist: Anonymous
Subjects: urban housing, façade (of house or building), enkhuizen
Inscriptions: annotation: ‘Enkhuizen?’
Felicity of France
Object type: print
Date: 1810 – 1814
Materials: paper
Techniques: engraving, etching
Location: france
Artist: Anonymous

This allegorical image of Felicity, or Happiness, celebrates Napoleon’s second marriage, to the Austrian archduchess Marie-Louise. The newlyweds appear in portrait miniatures held aloft by Felicity, perhaps a clever comment on the fact that they were introduced and engaged to each other via the intermediary of painted portraits. Indeed, on first seeing her bridegroom in the flesh, Marie-Louise is said to have remarked, “You are much better looking than your portrait.”
Muts van lichtblauwe zijde in satijnbinding
Object type: doll's clothing
Date: 1650 – 1700
Materials: silk
Artist: Anonymous

Muts vervaardigd van lichtblauwe zijde in satijnbinding. Deze meisjesmuts heeft twee zijstukken en een van de nek naar het voorhoofd doorlopende middenbaan. De randen zijn afgezet met lichtblauw zijden band met ingeweven zigzagmotief en lusjes; aan de linkerzijde loopt dit bandje door in een sluitband. Zie tevens: BK-NM-5448-7-b. Met betrekking tot de bandjes vergelijk met de dekens van het poppenhuis van P. Dunois en BK-NM-5448, BK-14656-246 en BK-14656-242-a/b.
Banjo
Object type: banjo
Date: 1884 – 1884
Materials: metal, parchment
Culture: american
Artist: hercules mccord
Artist role: maker
Artist nationality: american
Artist dates: 1855 – 1890

Hercules McCord, a banjo maker from St. Louis, MO, produced this banjo in 1884. The neck design is conventional. However, the rim assembly, which incorporates three of McCord’s four patent innovations, ingeniously addresses several technical challenges related to rim design and head tightening assemblies. The 1880s saw major innovations in banjo design and technology. 75 patents related to banjos were registered with the U. S. Patent Office during that decade. Many of these patents focused on either the mechanisms used to tighten the skin head or the design of the banjo rim itself. One challenge was to minimize the work it took to tighten the head. The second addressed the design and location of the tightening mechanisms to minimize the likelihood of causing discomfort to the player. This often was accomplished by either enclosing the mechanisms in a specially designed rim or designing the mechanisms as an integral part of the rim. McCord’s all-metal rim design deals with these technical challenges. The back of the bowl-shaped rim consists of 24 spokes radiating from the center. Cables are enclosed in each of the spokes and are attached to the metal band that tightens the skin head over the rim. The tension of each of the 24 cables is regulated simultaneously by a single screw mechanism at the center of the back of the rim. McCord’s design dispenses entirely with multiple head tightening mechanisms that have to be tightened individually and are often protruding from the exterior of the rim, which can be uncomfortable for the player. In spite of the elegant ingenuity of the design, this banjo is the only known example incorporating McCord’s spoked cable head-tightening system. (Peter Szego, 2020)
Schepen van de Kriegsmarine
Object type: album leaf
Date: 1940 – 1943
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: harbour, navy (+ motor ships), occupation ~ war, netherlands

Albumblad met een foto van een aantal kleine schepen van de Kriegsmarine die een haven uitvaren. Onderdeel van een klein album van de Kriegsmarine in Nederland.
Textile with Birds
Object type: textile
Date: 1301 – 1400
Materials: metal thread, silk
Culture: spanish
Subjects: birds
Eagle on rock
Object type: figure
Date: 1830 – 1830
Materials: porcelain
Culture: japanese
Subjects: eagles