deem-data/ArtiFact huggingface dataset:
Six Panels from a Skirt
Object type: textile
Date: 1856 – 1856
Materials: textile, silk
Techniques: printing, weave
Location: england
Vest
Object type: vest
Date: 1767 – 1800
Materials: linen, silk
Culture: french
Plan van Antwerpen en de Citadel
Object type: map
Date: 1832 – 1833
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: maps of separate countries or regions, antwerp
Inscriptions: collector's mark: Lugt 2228

Muller plaatst de prenten 6529-6538 bij het jaar 1830, ze passen echter beter bij het jaar 1832.
Anatomische studie van het wervelkanaal
Object type: book illustration
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: spine, anatomical model of the nerves
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Bidloo, Godefridus. Anatomia humani corporis centum & quinque tabulis, per art. G. de Lairesse ad vivum delineatis, de monstrata, veterum recentiorumque inventis explicata plurimisque, hactenus non detectis, illustrata. Amsterdam: Weduwe Joannes van Someren, Hendrick Boom en erven Dirk Boom, 1685.
Souvenirs!
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: printmaking, lithograph
Location: paris
Subjects: open hearth, fire-place, old man, drinking, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 964

Schilderij waar prent naar gemaakt is, is tentoongesteld op de Salon van Parijs in 1855.
Textile Fragment with Interlace Pattern
Object type: textile fragment
Date: 201 – 400
Materials: linen, wool
Techniques: weave
Location: egypt

The composition of the purple panel recalls patterns used on contemporary floor mosaics, pointing to the many links between architectural decoration and the textile arts. The main design, executed with delicate white threads on a purple ground, consists of a meander pattern framing four squares filled with interlace.
Snuff bottle with scene of a lotus pond
Object type: snuff bottle
Date: 1767 – 1833
Materials: coral, glass
Culture: chinese
Subjects: lotuses

Snuff bottles were among the first glass items produced at the Qing imperial workshops and remained popular throughout the eighteenth and nineteenth centuries. The technique used to achieve the ruby color of the outer layer of glass on this piece can be traced back to ancient Rome and was transmitted to Chinese artisans working in Guangzhou and Beijing in the early eighteenth century. The same recipe was used to color pink enamels of the period.
Strand met vissers
Object type: print
Date: 1824 – 1849
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: ships (in general), beach, sea and coastal fishery
Inscriptions: collector's mark: Lugt 2228

Op het strand liggen enkele boten op het droge. Daarbij zitten mannen en een vrouw. In de verte staan wat huizen. Op het water varen een aantal schepen met gestreken zeilen. Naar een schilderij van Andreas Schelfhout.
Miniature pilgrim bottle
Object type: pilgrim bottle
Date: 601 – 800
Materials: earthenware, glaze
Culture: chinese
Boerderij of schuur
Object type: sketchbook leaf
Date: 1880 – 1906
Materials: chalk, paper
Location: netherlands
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: barn, farm (building)

Pagina 139 uit een schetsboek met 81 bladen.
Scheepswerf in West Mersea
Object type: print
Date: 1924 – 1926
Materials: paper
Techniques: drypoint
Location: west mersea
Subjects: pier, quay, wharf, village (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2760, annotation: ‘Martin Hardie’, collector's mark: Lugt 2228
Reliquary Chasse
Object type: reliquary chasse
Date: 1207 – 1213
Materials: copper
Techniques: casting, chasing, engraving, gilding
Culture: british
Location: england
Subjects: christ,saint paul,saint peter,virgin mary

Incised on the panels of this chasse is a series of bust-length figures within medallions. Represented on one lid panel is Christ flanked by Saints Peter and Paul, and on the other, the Virgin flanked by Saints Ursula and Cordula. On the front panel are Saints Elphege and Thomas Becket (both with martyrs’ palms), Dunstan, and Anselm, all canonized archbishops of Canterbury. On the back panel are Saints Blaise and Augustine. The end panels depict sainted English kings Edmund and Edward the Confessor. The choice of saints suggests that the chasse was made for Christ Church, Canterbury, a foundation rich in relics and, therefore, a full calendar of feast days. The saints represented here were mentioned in the early thirteenth-century calendar, or their relics were listed in the early fourteenth-century inventory. When the original gilding was intact, the medallions were more legible.
The Landing of Sir John Bull & His Family, at Boulogne sur mer
Object type: print
Materials: paper
Techniques: aquatint, etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Gildepenning van het Smedengilde Sint Eloy te Amsterdam, op naam van Jacob [Pietersz ?].
Object type: medal
Date: 1600 – 1800
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning van het Smidsgilde. Voorzijde: gekroond wapenschild, geflankeerd door twee leeuwen boven cartouche met opschrift. Keerzijde: kruis bestaande uit gekroonde hamer, zwaard en mes; links: sleutel, rechts: emmer
The circumcision in the stable
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: circumcision of the christ-child by mary
Inscriptions: signature and date: ‘Rembrandt f. 1654’, collector's mark: Lugt 2165
St. Ambrose, Archbishop of Milan, Turning Back Emperor Theodosius
Object type: print
Date: 1681 – 1681
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: men,saints
Groepsportret van mensen bij een rots
Object type: photograph
Date: 1879 – 1890
Materials: paper
Techniques: albumen print
Location: china
Artist: Anonymous
Subjects: outdoor gathering, 'délices à la campagne', anonymous historical persons portrayed in a group, in a group-portrait, china
Vaandel van het derde bataljon
Object type: banner
Materials: paint, silk
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Wit met een krans van eiketakken, waarin met schrijfletters: Voor het Vaderland en de Wet. Diagonaalsgewijs linten rood-wit-blauw achter de krans. Links van de krans:DEPT. Wat rechts heeft gestaan is niet meer aanwezig. Aan de bovenzijde banen rood-wit-blauw. In de bovenhals een rechthoek met in zwarte schrijfletters: Batt:No.3.
Byblis in een beek veranderd
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: etching
Location: italy
Subjects: byblis changed into a fountain: after looking for caunus everywhere, byblis at last lies down, bathed in tears, and is changed into a fountain (ovid, metamorphoses ix 663)
Inscriptions: collector's mark: Lugt 240

Byblis was verliefd op haar broer Caunus. Toen hij verdween en zij hem niet kon vinden baadde Byblis in tranen. Ze verandert in een beek. Titel in het Latijn in ondermarge.
Firenze- Gal. Uffizi ritratto di Pico della Mirandola [(...)]
Object type: page
Date: 1878 – 1888
Materials: photographic support
Techniques: albumen print
Subjects: portrait of a writer
Inscriptions: number: ‘Pi 2a no. 13444’
Officers of "Mendota"
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: navy,american civil war,men,ships
Covered Box
Object type: covered box
Date: 1901 – 2000
Materials: wood
Culture: chinese
Fragmentary silver bowl
Object type: bowl with medallion of egyptian figure
Date: 710 – 675
Materials: silver
Culture: cypriot

The tondo depicts and Egyptian ruler slaying a captive enemy; behind the ruler stands a servant with a fan. The narrative in the outer zone has a counterpart on a bowl from Praeneste in Italy. The story concerns a king's hunting expedition outside his city and his rescue by a falcon-winged deity. Considerable discussion has not elucidated whether it is a Near Eastern tale or a Greek saga about a hero such as Herakles presented with Levantine iconography.
Herdruk uit 1935 van eerste nummer van de Deli Courant van 18 maart 1885 bij gelegenheid van het 50-jarig bestaan
Object type: newspaper
Date: 1935 – 1935
Materials: paper
Techniques: printing, stapling
Location: medan
Subjects: deli courant, deli
Inscriptions: : ‘DRUKKERIJ . UITGEVERIJ . BOEKHANDEL . N.V. DE DELI COURANT’

Herdruk van eerste nummer van de Deli Courant van 18 maart 1885 bij gelegenheid van het 50-jarig bestaan in 1935. Krant met vier dubbelgevouwen aan elkaar geniete bladen, genummerd. 16 Pagina's, twee kolommendruk soms met foto's, voorpagina 4 kolommen.
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1890 – 1915
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: the hague
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘CV/ C. J. L. Vermeulen/ DEN HAAG/ Toussaintkade 11./ Intercommunal Telephoon: 774./ AMSTERDAM/ Heiligenweg hoek Singel./ Telephoon No 2340./ UTRECHT/ Nieuwe gracht 50./ Telephoon No 750./ BLOCK & Co. BERLIN S.W.’
Allegorische titelplaat met het aanbieden van de sleutels, 1751
Object type: titelblad, titelpagina
Date: 1753 – 1753
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, willem iv (prins van oranje-nassau), surrender of keys, flushing
Inscriptions: date

Allegorische titelplaat met het aanbieden van de sleutels van de stad aan de stadhouder. Op de voorgrond de stadsmaagd van Vlissingen met Mars, rechts de Geschiedenis, in de lucht de Faam. Illustratie in het boek over de inhuldiging van Willem IV als erfheer van Vlissingen op 5 juni 1751.
Portret van Bartolomeo Platina
Object type: print
Date: 1577 – 1577
Materials: paper
Techniques: letterpress printing
Location: basel
Subjects: historical persons, portrait of a writer

Prent uit: Giovio, Paolo. Elogia virorum literis illustrium, quotquot (...). Bazel: Peter Perna, 1577, p. 34. Prent ook gebruikt in latere publicaties.
Zittende man
Object type: sketchbook leaf
Date: 1925 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult man (+ sitting)

Blad 28 recto uit schetsboek XXVI met 35 bladen.
Fan
Object type: fan
Date: 1701 – 1800
Materials: glass, ivory, paper
Subjects: soldiers,men,women
Plate 23, from "World in Miniature"
Object type: print
Date: 1816 – 1816
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,dogs,horses,carts

One of forty prints from Rowlandson's "World in Miniature; Consisting of Groups of Figures, for the Illustration of Landscape Scenery." Scene outside of a mill factory, with two men loading sacks onto a cart at left. A man and two women conversing below, a woman with a donkey at left, and a woman carrying a pail next to a man with a fishing pole at right.
Box for seal paste
Object type: box
Date: 1713 – 1722
Materials: glaze, porcelain
Culture: chinese
Portrait of Magdalena de Passe
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: engraving
Location: utrecht
Artist: simon van de passe
Artist role: print maker
Artist dates: 1595 – 1647
Subjects: cologne, utrecht, print maker, magdalena van de passe, 'sculptura', symbolic representations, allegories and emblems ~ sculpture; 'scoltura' (ripa), specific aspects, allegorical aspects of minerva; minerva as patroness
Inscriptions: collector's mark: Lugt 240

Magdalena was about thirty when her brother Simon proudly portrayed her. The border inscription praises her as a renowned female engraver. Magdalena’s likeness is flanked by the goddess Minerva, patron of the arts, and by the personification of the art of engraving holding the main attributes of the craft: a copper plate and burins, the sharp instruments used to incise the representations into the copper.
Drie liggende schapen
Object type: print
Date: 1822 – 1899
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: simon van den berg
Artist role: draughtsman, print maker
Artist dates: 1812 – 1891
Subjects: sheep
Inscriptions: collector's mark: Lugt 2228
De bode van God verschijnt aan Jozua
Object type: drawing
Date: 1640 – 1645
Materials: ink, paper
Techniques: brush, pen
Artist: ferdinand bol
Artist role: draughtsman, painter, print maker
Artist dates: 1616 – 1680
Subjects: joshua encounters an angel holding a sword (at first not recognizing the angel, joshua may be shown drawing his sword)
Milk Bowl
Object type: milk bowl
Date: 1801 – 1900
Techniques: glassblowing
Culture: american
Location: united states
Rotterodamum Hollandiae urbs celeberrima et situ portibusque mercaturae opportunissima. Ao. 1665 (Maaskaart)
Object type: print
Date: 1666 – 1698
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: sailing-ship, sailing-boat, city-gate, city-view in general; 'veduta' (+ city(-scape) with figures, staffage), prospect of city, town panorama, silhouette of city, armorial bearing, heraldry, rotterdam
Inscriptions: collector's mark: Lugt 2228

Vijfde deel van een gezicht op Rotterdam.
Akker met tabak en gierst
Object type: photomechanical print
Date: 1882 – 1892
Materials: paper
Techniques: autotype
Subjects: plants ~ agriculture
Inscriptions: number: ‘Fig. 12. Fig. 13.’
Drie armstoelen
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: collodion silver print, gelatin silver print
Location: europe
Artist: Anonymous
Subjects: armchair, seat, europe
Inscriptions: inscription: ‘Stijl Lodewijk XVI.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, inscription: ‘C.W.N.’

Links een armstoel met een open rug met spijlen, midden een armstoel gedecoreerd met bloemen en voluten aan de armleggers, rechts een armstoel zonder bekleding, gedecoreerd met bloemen en voluten aan de armleggers.
Conversation I
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: etching, soft ground etching
Location: london
Subjects: horses and kindred animals, mother and baby or young child, 'en route', traveller under way
Inscriptions: collector's mark: Lugt 2228
Ornamenteel krulpatroon
Object type: sketchbook leaf
Date: 1894 – 1894
Materials: paper, pencil
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: ribbon, scroll, banderole ~ ornament

Blad 30 recto uit een schetsboek met 35 bladen.
Trophy Head Vessel
Object type: vessel
Date: 1 – 400
Materials: ceramic, pigment
Culture: nasca
Location: peru
Subjects: heads,men
Ringvormig fragment uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: ring
Date: 1700 – 1743
Materials: iron
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, rings and ring-shaped fragments; id. 80H1671, eroded.
Opstanding van de doden
Object type: book illustration
Date: 1687 – 1687
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: resurrection of the dead ~ last judgement, 'carnis resurrectionem' ~ articles of faith
Inscriptions: collector's mark: Lugt 2228

Op aarde staan de doden op uit hun graven om verdeeld te worden tussen engelen en duivels die hen verder leiden.
Embroidered sampler
Object type: sampler
Date: 1674 – 1674
Materials: linen, silk

Samplers from Friesland, in the northwest of the Netherlands, are characterized chiefly by many alphabets and a tree of life motif. This sampler also features a central octagonal motif typical of those worked on pillows. The work also includes checkerboards, crowned and pierced hearts, and bride and groom flanking a tree of life motifs typical of samplers from the Netherlands. The letters RHD and the year 1674 are stitched onto the linen, most likely the initials of the maker and the year in which she completed her work.
Bassoon
Object type: bassoon
Date: 1855 – 1855
Materials: wood
Location: berlin
Artist: august friedrich andreas knochenhauer
Artist role: musical instrument maker
Artist dates: 1796 – 1866
Inscriptions: stamp: ‘Knochenhauer/ Berlin […]’
Fragment van koper en aardewerk uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: scheepswrakvondst
Date: 1700 – 1743
Materials: copper, earthenware
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Interior Column from the Winston Block, Chicago, Illinois
Object type: architectural fragment
Date: 1872 – 1872
Materials: iron
Techniques: painting
Location: chicago
Artist: frederick h. baumann
Artist nationality: american
Artist dates: 1826 – 1921
Subjects: chicago
Waterput te Almelo
Object type: sketchbook leaf
Date: 1805 – 1860
Materials: paper, pencil
Location: almelo
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: raking, well
Inscriptions: date and inscription: ‘Almelo 18 Mei 1860’, signature: ‘HValkenburg’

Bij de put liggen emmers en schalen. Op de achtergrond twee figuren die met harken de grond bewerken. Blad 24 recto uit een schetsboek met 77 bladen.
Porte de Bois-le-duc
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: tone lithography
Location: brussels
Subjects: city-gate, maastricht
Inscriptions: collector's mark: Lugt 2228

Veldzijde van de poort. Over de brug loopt een stoet soldaten. Onderdeel van een omslag met een serie van tien lithografieën van monumenten te Maastricht.
Pietà
Object type: drawing and watercolor
Materials: board, gouache, ink, paper, paint, watercolor
Techniques: brush, heightening, pen, wash
Location: italy
Artist: carlo dolci
Artist role: draughtsman, painter
Artist nationality: italian
Artist dates: 1616 – 1686
Russians raising sheep for wool (Roshiajin rashamen kau no zu), from the series "Foreigners Drawn from Life (Ikiutsushi ikoku jinbutsu)"
Object type: print
Date: 1860 – 1860
Techniques: woodblock print
Location: japan
Artist: utagawa (gountei) sadahide
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1873
Suerte de pica
Object type: page
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Location: madrid
Subjects: bullfight, bull-fighter, toreador, theatre (building) - aa - open-air performances
Inscriptions: number: ‘4’, number: ‘C. 2717’
Exterieur van een gebouw, waarschijnlijk aan het Kerkplein in Pretoria
Object type: photograph
Date: 1898 – 1898
Materials: paper
Techniques: gelatin silver print
Location: pretoria
Artist: Anonymous
Subjects: exterior ~ representation of a building
Galerie des bustes des papes, a Mr. L. Lambert de Rothschild
Object type: page
Date: 1888 – 1888
Materials: photographic support
Techniques: albumen print
Location: brussels
Artist: Anonymous
Subjects: permanent exhibition, museum, pope, brussels
Portrait of Berthe Serruys
Object type: drawing and watercolor
Date: 1894 – 1894
Materials: crayon, paper
Location: belgium
Artist: georges lemmen
Artist role: artist
Artist nationality: belgian
Artist dates: 1865 – 1916
Glass mosaic inlay fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Translucent purple and opaque white. Flat revetment plaque. Marbled mosaic pattern in purple with white circles and streaks. Polished upper side; pitting of surface bubbles; dulling, deep pitting, weathering, and slight iridescence on underside and jagged edges.
Portret van een onbekende jonge vrouw
Object type: print
Date: 1880 – 1905
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: fritz hanno
Artist role: print maker
Subjects: anonymous historical person portrayed alone - bb - woman, wandering communities: romani or roma
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een kopie in spiegelbeeld van het schilderij van Frans Hals dat ook bekend staat als Het zigeunermeisje.
Sterfdatum prentmaker onbekend. Derhalve is voor bepaling van de rechten van dit object de verwervingsdatum aangehouden.
Medallion with portrait of Goetz von Berlichlingen and arms of Berlichlingen
Object type: medallion
Date: 1601 – 1700
Materials: ivory, silver
Subjects: men,portraits,coat of arms
Pio Fabri, piatto ispano-arabo acquistato dal marchese Maffei
Object type: photograph
Date: 1880 – 1885
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: table-ware
Inscriptions: inscription: ‘La section Italienne a l'exposition universelle d'Anvers/ premies fascicule’
Portret van Robert Gray
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: engraving
Location: london
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228

Een facsimile signatuur in de ondermarge.
Batz of 10 rappe uit het kanton Vaud, 1814
Object type: coin
Date: 1814 – 1814
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: tussen twee samengebonden takken wapenschild. In afsnede jaartal. Keerzijde: binnen twee samengebonden takken waarde-aanduidingen in drie regels. Gladde rand.
Souvenir
Object type: souvenir, painting
Date: 1780 – 1781
Materials: diamond, enamel, gold
Artist: barthélemy pillieux
Artist role: maker
Artist dates: 1764 – 1774
Subjects: birds,women

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Portret van James Wolfe
Object type: book illustration
Date: 1759 – 1759
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: québec, commander-in-chief, general, marshal, historical persons
Inscriptions: number: ‘109’

Prent waarschijnlijk uit: The Universal Magazine. Londen: J. Hinton, 1759, dl. 25.
Boom met op de achtergrond een Frans dorp
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: daylight paper print
Location: france
Artist: Anonymous
Subjects: prospect of village, silhouette of village, trees, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Hoe de vogels aan een koning kwamen
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: hand coloring, lithograph
Location: the hague
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: song-birds: wren, pit, hole

Zowel tekst als afbeelding zijn gelithografeerd.
Skirt
Object type: skirt
Date: 1767 – 1800
Materials: linen
Culture: french
Subjects: flowers
Panel
Object type: panel
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: flowers