deem-data/ArtiFact huggingface dataset:
Kinderen
Object type: print
Date: 1768 – 1846
Materials: paper
Techniques: etching
Location: netherlands
Subjects: taking care of children - aa - by other children, (bowling a) hoop, weeping
Inscriptions: collector's mark: Lugt 2228

Drie voorstellingen van kinderen. Links: een jongen op de rug gezien, staande met een hoepel in de hand. Midden: een groep oudere kinderen, ieder met een jong kind op de arm. Rechts: een moeder met een huilende jongen aan de hand. Daarbij een meisje.
Ceremonial Spearhead (<i>Hoko</i>)
Object type: ceremonial spearhead i hoko i
Date: 1 – 200
Materials: bronze, silk
Culture: japanese
Location: japan
Portret van een jongetje buiten bij hek
Object type: photograph
Date: 1948 – 1955
Materials: photographic support
Techniques: chromogenic print
Location: united states
Artist: Anonymous
Subjects: united states of america
Cup and Saucer
Object type: ceramic
Date: 1725 – 1725
Materials: ceramic, enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: vienna
Artist: du paquier porcelain manufactory
Artist nationality: austrian
Artist dates: 1718 – 1744

The first European factory to make hard-paste porcelain according to traditional Chinese methods was at Meissen in Saxony. Anxious to guard the secret of making porcelain, the Saxon authorities made it difficult for workers to leave Meissen. Still, some of them managed to get to Vienna in 1719, where they were employed at the factory founded by the court official Claudius Innocentius Du Paquier.

The Meissen and Du Paquier factories competed with and influenced one another, but Du Paquier porcelain exhibits distinct qualities of its own: denser and more whimsical decoration, a preference for russet and violet hues, and particularly fine Laub- und Bandel-werk (leaf and scrollwork) decoration—interlaced bands and scrolls alternating with cartouches containing small scenes. The factory was incredibly successful but Du Paquier, facing financial difficulties and the expiration of his imperial patent for making porcelain, sold the factory to the Austrian state in 1744.

The chinoiserie (Chinese-inspired) decoration on this cup and saucer includes fantastic trees on which different colored flowers bloom; whimsical garden pavilions; and odd rock formations rendered as almost abstract forms, with emphasis on their voids and fissures.
Historische optocht bij het tweede eeuwfeest van de Utrechtse Hogeschool, 1836 (plaat 6)
Object type: print
Date: 1837 – 1837
Materials: paper, watercolor
Techniques: hand coloring, lithograph
Location: paris
Subjects: students' pageant, costumes used in pageants, battle of nieuwpoort
Inscriptions: date

Historische gekostumeerde optocht van de studenten van de Hogeschool van Utrecht op 16 juni 1836, bij de viering van het tweede eeuwfeest van de Utrechtse Hogeschool. De optocht verbeeldt de intocht van het Staatse leger in Oostende op 3 juli 1600, daags na de overwinning in de Slag bij Nieuwpoort. Zesde plaat in een serie van tien ongenummerde platen, met de groepen genummerd 20-23.
A Valet Putting Away the Luxurious Clothing of His Master
Object type: print
Techniques: etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: men
Fragment koperen steel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: helve
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, shafts; fragm, cylindrical, straight ends, ribbed, flattened knop in centre, one end with vertical slit, broken off.
Fotoreproductie van een gravure van een gezicht op Schloss Wilhelmshöhe in Kassel, Duitsland
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: castle
Inscriptions: number: ‘2.00’, number: ‘€ 1.-’
Portret van Bartolomé Esteban Murillo
Object type: print
Date: 1852 – 1888
Materials: paper
Techniques: etching
Subjects: painter, bartolomé esteban murillo, historical persons, portrait, self-portrait of painter
Nijmeegse halve stuiver, 1620
Object type: coin
Date: 1620 – 1620
Materials: silver
Techniques: striking
Location: nijmegen

Koper-zilveren munt. Voorzijde: tussen waarde-aanduiding 1/2 S gekroond wapenschild van Nijmegen. Rondom kroon jaartal. Keerzijde: lang versierd kruis, in hart stadswapenschildje, in hoeken letters H,S,V en N.
Some Leading Actresses: a Group
Object type: page
Date: 1885 – 1890
Materials: paper
Techniques: carbon print
Location: london
Subjects: portrait of actor, actress, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: address: ‘57 & 61, Ebury Street, London.’
Galvanoplastische reproductie van een kan met optochten van zeegoden
Object type: ewer
Materials: copper, silver
Techniques: gilding
Location: london

Galvanoplastische reproductie van een kan, gedreven, het handvat bestaande uit een zeenimf en een dolfijn; rond de hals, de buik en de voet voorstellingen van triomfen en optochten van zeegoden. Verguld.
Study for the hands in the Portrait of Edward D. Adams
Object type: drawing
Date: 1892 – 1892
Artist: alphonse legros
Artist role: artist
Artist nationality: french and british
Artist dates: 1837 – 1911
Subjects: hands
Kneeling Youth in Armour
Object type: drawing
Date: 1611 – 1689
Materials: chalk, paper
Artist: baldassarre franceschini (il volterrano)
Artist role: artist
Artist nationality: italian
Artist dates: 1611 – 1690
Subjects: armor,men
Christus loopt op het water
Object type: design
Date: 1660 – 1712
Materials: ink, paper
Techniques: brush, pen
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: peter steps out of the boat and tries to walk on the water towards christ
Straatgezicht met een verkoper en schoenenpoetser
Object type: sketchbook leaf
Date: 1837 – 1881
Materials: paper, pencil
Artist: johannes huybertus van hove bzn
Artist role: print maker
Artist dates: 1827 – 1881
Subjects: head (human), persons engaged in trade and commerce, street (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘[...]’

Tevens een studie van een man met een snor. Blad 28 recto uit een schetsboek met 33 bladen en 10 losse tekeningen.
Monsieur Arthur: “- Oh Pamela! I am burning with love for you!” The husband herbalist: “- A mallow... of the family of Malvaceae... a sedative... I don't believe my friend Arthur has this specimen in the herbarium he asked me to build for him,” plate 2 from Croquades
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Seal impression
Object type: seal impression, rampant sphinx, tutankhamun
Date: 1336 – 1327
Materials: clay
Location: egypt

The Egyptians did not have locks and keys. Instead, they would secure a chest or other container with a piece of knotted cord. A lump of clay was put over the knot and a seal was pressed into the clay. The cord would have to be cut, or the seal broken in order to open the container and remove the contents. This clay sealing preserves a seal impression about the size of a ring that may have served as an official seal. The impression has the trone name of Tutankhamun, Nebkheperure, in the cartouche at the left. The king is represented as a sphinx trampelling an enemy.
Two Designs for a Flower Pedestal
Object type: drawing
Date: 1550 – 1570
Materials: ink
Techniques: brush, pen, wash
Artist: guglielmo della porta
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1577
Subjects: caryatids,flowers
Christus in de hof van Getsemane
Object type: book illustration
Date: 1648 – 1648
Materials: paper
Techniques: woodcut
Location: amsterdam
Subjects: agony of christ; three (or eleven) apostles sleeping
Inscriptions: collector's mark: Lugt 240

Prent uit: Sichem, Christoffel van (II). 'tSchat der zielen, dat is: Het geheele leven ons Heeren Iesu Christi. Amsterdam: Pieter Jacobsz. Paets, 1648.
Prent uit: Biblia sacra dat is De geheele Heylighe Schrifture bedeylt in 't Out en Nieu Testament. Amsterdam: Pieter Jacobsz. Paets, 1657.
Paperweight
Object type: glass
Date: 1850 – 1900
Materials: glass
Location: sandwich
Portret van Adolf, graaf van Nieuwenaar en Meurs
Object type: print
Date: 1658 – 1658
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: arnhem, commander-in-chief, general, marshal, historical persons

Prent mogelijk uit: Strada, Famiana. De bello Belgico decas secunda (...). Rome: Francesco Corbelletti, 1658.
Achtergevels van de Grotekerksbuurt 10, 8 en 6 te Dordrecht
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: aquatint, etching
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: harbour, city-view in general; 'veduta', canals, waters (in city), dordrecht
Inscriptions: collector's mark: Lugt 2228, annotation: ‘épr. d'essai’
Roeiboten op het water en publiek langs de kade, Parijs
Object type: tissue stereograph
Date: 1864 – 1879
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring
Location: paris
Subjects: public festivities - aa - festivities on the water, rowing, canoeing, etc. (sport), paris
Inscriptions: monogram: ‘E.L.’, monogram: ‘J.M.’
Barrel for a mechanical organ
Object type: barrel
Date: 1815 – 1825
Materials: metal, wood
Artist: harmanus dolman
Artist role: musical instrument maker
Artist dates: 1787 – 1852

Cilinder voor een mechanisch orgel. 12 segmenten, 3 schroeven in messing plaat. Op de rol een etiket met handgeschreven tekst: Duo de Robert n. Bertram le Chevalier, Ballade de Raimbo, Duo de Raimbo, c'est aujourd'huit, Couplettes d'Alice, quant je quite, Sicilienne, l'or est une chimere, Grande Trio d'Alice, Lisant le testament.
Kerkgebouw in Neurenberg
Object type: photograph
Date: 1880 – 1880
Materials: paper
Techniques: albumen print
Location: nuremberg
Artist: anselm schmitz
Artist role: publisher
Artist dates: 1831 – 1903
Subjects: church (exterior)
Inscriptions: inscription: ‘Anselm Schmitz K. Hof-Photograph in Cöln1880.’, number: ‘15’, inscription: ‘Nürnberg’
Beaker and Cover
Object type: beaker with cover
Date: 1801 – 1900
Materials: gilt, silver
Culture: german
Artist: friedrich hillebrand
Artist role: artist
Artist nationality: german
Artist dates: 1580 – 1608
Portret van een vrouw, aangeduid als Mme. Piédelen
Object type: photograph
Date: 1886 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: nantes
Artist: jean-marie pipaud
Artist role: fotograaf
Artist dates: 1847 – 1924
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: address: ‘11, Rue Crebillon, 11/ Mon Gimilini a Nantes [?]’
Steenwyk door den Graef van Rennenberg vergeefs belegert in den Jaaren MDLXXX en MDLXXXI
Object type: print
Date: 1679 – 1684
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: groningen (province), capture of city (after the siege)
Inscriptions: collector's mark: Lugt 2228

Illustratie gebruikt in: Bor Christiaansz, Pieter. Oorsprongk, begin, en vervolgh der Nederlandsche oorlogen, 4 delen, dl. II, p. 239. Amsterdam: weduwe Joannes van Someren, Abraham Wolfgang, Hendrick en Dirk Boom, 1679-1684.
Design for Wagon, no. 1097
Object type: drawing
Date: 1850 – 1870
Materials: gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Pretorio in de Villa Adriana te Tivoli
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: villa - aa - civic architecture: inside, landscape with ruins, tivoli
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Studieblad met kanaries
Object type: drawing
Date: 1887 – 1924
Materials: paper, pencil
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: song-birds: canary
Terracotta fragment of an open vase?
Object type: undetermined open shape
Date: 567 – 535
Materials: terracotta
Culture: greek, corinthian
Verklaring van de zilveren troffel
Object type: verklaring
Date: 1814 – 1814
Materials: ink, parchment
Location: amsterdam
Subjects: peter i de grote (tsaar van rusland), alexander i (tsaar van rusland)

Perkamenten briefje, beschreven met zwarte inkt aan één zijde. Opschrift: Zilveren Troffel uit het Cabinet van Z. M. Willem den I gekomen en welke Den 3. Julij 1814. in handen van Keizer Alexander gediend heeft om een Steen boven den Schoorsteenmantel te plaatsen in het Zogenaamde Huisje van Pieter den Groot. Opmerking: Zie inv. nrs. NG-NM-1121-a en c.
Nox, from The Deities
Object type: print
Date: 1588 – 1590
Materials: ink, paper
Techniques: woodcut
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered lower center: "HG. f."
Terracotta  neck-amphora (jar)
Object type: neck amphora
Date: 510 – 510
Materials: terracotta
Culture: greek, attic
Subjects: centaurs,herakles

Obverse, Herakles, Deianeira, and Nessos Reverse, centaurs beat the lapith Kaineus into the ground Inscription: obverse, Herakles; reverse, Dase, Simias Centaurs are represented on both sides of this vase. The scene on the obverse was popular beginning in the seventh century B.C. According to myth, the centaur Nessos attacked Deianeira and Herakles rescued her, shooting the beast with an arrow poisoned with the Hydra's blood. But on this particular vase and on most illustrated depictions of this myth, Herakles attacks Nessos with his sword.
Wien, I. Neuer Markt
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1930
Materials: paper
Techniques: gelatin silver print
Location: vienna
Subjects: market, street
Inscriptions: inscription: ‘K.L. Wien’
Ipswich Museum Portraits
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Location: london
Subjects: physicist, adult man, rock types of animal or plant origin, historical persons, scallop, shell ~ ornament
Inscriptions: check stamp: ‘Ipswich Museum’, collector's mark: Lugt 2228

Prent behoort tot de serie 'Ipswich Museum Portraits', ook bekend onder de titel 'Portraits of Honorary Members of the Ipswich Museum'. Deze serie is in 1852 door George Ransome uitgegeven en gedrukt door M&N Hanhart tussen 1848 en 1852. De serie bestaat uit ca. 60 portretten.
God verschijnt in een visioen aan Johann Kaspar Lavater
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: engraving, letterpress printing
Artist: christian friedrich fritzsch
Artist role: print maker
Artist dates: 1719 – 1774
Subjects: johann caspar lavater, landscapes, god the father, historical persons, vision, author, poet writing
Inscriptions: collector's mark: Lugt 2228

Prent uit: Lavater, Johann Kaspar. Aussichten in die Ewigkeit, in Briefen an Joh. Georg Zimmermann. Hamburg: s.n., 1773.
Reproductie van een kaart van Namur
Object type: page
Date: 1868 – 1873
Materials: paper
Techniques: photolithography
Subjects: maps of cities
Inscriptions: number: ‘Pl. 1.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Complete foot type C; outer face is profiled
Edellieden uit Lotharingen
Object type: costume print
Date: 1620 – 1623
Materials: paper
Techniques: etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: skirt (underskirt) (+ women's clothes), head-gear: cap (+ women's clothes), neck-gear: collar (+ women's clothes), clothes, costume (+ women's clothes), skirt (+ women's clothes), dress, gown (+ women's clothes), sleeves (+ women's clothes), muff (+ women's clothes), nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 240

Mutsje. Open waaierkraag met kant. 8x onderbonden mouwen. Mof.
Portret van een man in pak
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Textile
Object type: textile
Date: 1701 – 1800
Culture: china or japan
Subjects: fish,waves
La Mode Illustrée, 1871, No. 21: Toilettes de Mme Breant Castel (...)
Object type: fashion print
Date: 1871 – 1871
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: ear-rings (+ women's clothes), neck-gear ~ clothing (+ girls' clothes), pendant, trinket, 'breloque' (+ girls' clothes), coat (+ women's clothes), head-gear (+ women's clothes), fashion plates, gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), dress, gown (+ girls' clothes)
Inscriptions: address: ‘Bureaux du Journal, 56, r. Jacob. Paris’, title: ‘La Mode Illustrée’, caption: ‘Toilettes de Mme Breant Castel, 28,r. Nva des Pts Champs’

Twee vrouwen en een meisje buiten, gekleed in japonnen van Breant Castel. Prent uit het modetijdschrift La Mode Illustrée (1860-1937).
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, on exergue, feet of a draped, seated male to right, with his left foot resting against a rock, leaning on a staff; calves and feet of a male with drapery; Exterior, part of a circumscribed palmette with tendrils; legs and feet of a draped male to right, leaning on a stick; feet of a male, with right foot in profile, and left foot frontal; unidentified object; pair of spears or javelins and calves and feet of a male, with the right leg frontal, and the left in profile; tendrils; profiled ring foot with a unglazed resting surface; the inner wall of the foot is glazed; the underside of the floor had a band of black glaze on the outer edge, followed by a wide band of reserve; and a band of black glaze
Gezicht op de voorpoort van kasteel Montfoort en het Oudemannenhuis
Object type: print
Date: 1745 – 1774
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: castle, river, bridge in village across river, canal, etc.

Prent gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten (...). Amsterdam: Isaac Tirion,1745-1774.
A Seated Slave
Object type: drawing
Date: 1734 – 1833
Materials: chalk, ink
Techniques: pen, wash
Artist: pietro antonio novelli
Artist role: artist
Artist nationality: italian
Artist dates: 1729 – 1804
Subjects: men,slaves

A contemporary of Domenico Tiepolo, Novelli was a decorative painter and prolific draftsman. This drawing is a copy after one of the four bronze sculptures of slaves on the base of the monument to the Grand Duke Ferdinand I de’ Medici of Tuscany (Piazza Giuseppe Micheli, Livorno, Italy). These highly dynamic figures of bronze enchained captives, positioned at the four corners of the pedestal in crouching postures, were designed by the sculptor Pietro Tacca and installed in 1626. The marble statue of Ferdinand I surmounting the pedestal was sculpted by Giovanni Bandini, whose work is exhibited nearby.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, left buttock, left leg and right calf of male with drapery and knobby stick
Nieuwe kinderprenten
Object type: popular print
Date: 1872 – 1883
Materials: paper
Techniques: lithograph, letterpress printing
Location: haarlem
Subjects: tales and fairy tales, sausage, dog
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen over een hond die een worst bemachtigt. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 25.
Franck-Duvernoy
Object type: page
Materials: paper
Techniques: woodburytype
Location: paris
Subjects: zangeres, adèle franck-duvernoy
Inscriptions: number: ‘No 150’, inscription: ‘Du 30 mars au 5 Avril 1876.’
Lady Macbeth, Macbeth and the Murder of Duncan (Shakespeare, Macbeth, Act II, Scene II)
Object type: print
Date: 1825 – 1840
Techniques: engraving, etching
Artist: charles rolls
Artist role: engraver
Artist nationality: british
Artist dates: 1799 – 1885
Subjects: shakespeare,men,women,macbeth
Lago di Lugano. Albogasio
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1920
Materials: cardboard, photographic process
Location: albogasio-oria
Artist: Anonymous
Subjects: church (exterior), lake
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, extended arm of draped figure holding a skyphos
Minerva armed with a shield and lance attacking three nearly prone figures
Object type: print
Date: 1601 – 1700
Techniques: engraving
Artist: grégoire huret
Artist role: artist
Artist nationality: french
Artist dates: 1606 – 1670
Subjects: shields,women,minerva
Plate XXXVIII (38): Mercury, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Object type: print
Date: 1734 – 1734
Techniques: engraving, etching
Location: florence
Artist: carlo gregori
Artist role: artist
Artist nationality: italian
Artist dates: 1719 – 1759
Subjects: male nudes,mercury
Flagon
Object type: flagon
Date: 1679 – 1679
Materials: silver
Subjects: men,coat of arms