deem-data/ArtiFact huggingface dataset:
Barouche #3760
Object type: drawing
Date: 1882 – 1882
Materials: gum arabic, ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Vestingplattegrond van Fort de Voorn, ook wel Fort Nassau
Object type: print
Date: 1653 – 1672
Materials: paper
Techniques: engraving, etching
Location: arnhem
Subjects: ships (in general), fortified city, maps of cities
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Van Slichtenhorst, Arend. XIV boeken van de Geldersse geschiedenissen. Arnhem: Jacob van Biesen, 1653-1654. En in: Cartes géographiques du Duché de Gueldre et Comté de Zutphen. Arnhem: Jacob van Biesen, 1672.

Plattegrond oorspronkelijk van één plaat gedrukt met twee andere plattegronden, waaronder RP-P-AO-16-22-2.
Hercules
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: brush, pen, wash
Location: belgium
Artist: richard van orley (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1663 – 1732
The Flagellation, from The Passion
Object type: print
Date: 1472 – 1553
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: men,christ,punishment
Portret van een onbekende man, mogelijk een graaf van Wartenburg
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: armorial bearing, heraldry, historical persons not known by name
Inscriptions: collector's mark: Lugt 2228
Dieren die inschepen in de ark van Noach
Object type: drawing
Date: 1891 – 1941
Materials: ink, paper, pencil
Techniques: pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: the animals enter the ark
Inscriptions: collector's mark: Lugt 2228
In rook groeit een plant in het altaar
Object type: page
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: altar ~ non-christian religions, priest ~ greek religion - ee - priestess, (scenes from) specific works of literature: colonna, hypnerotomachia poliphili, prostration, 'proskynesis'

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, verso fol. 81.
Portret van Johanna Geertruida Jonker
Object type: carte de visite
Date: 1905 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: amsterdam
Subjects: historical persons, amsterdam
Inscriptions: workshop stamp: ‘Koene&Büttinghausen/ Amsterdam Heerengracht 150, Telephoonnummer 1402/ Batavia’
Onderdeel van houten profiellijst met beeldhouwwerk.
Object type: sculpture
Date: 1515 – 1520
Materials: wood
Location: antwerp
Inscriptions: annotation: ‘[...]’, annotation: ‘99’, label: ‘RBK 1966-6’

Onderdeel van een houten schilderijlijst met figurale voorstellingen. Op het onderdeel speelt zich een eetscène af te midden van rotsen en bomen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Interior, part of the reserve line of the tondo border; Exterior, tendril and part of frond of a circumscribed palmette
Perzië, sjah Nadir, 1148-1160 AH [=1735-1747], 6 shani,1150
Object type: coin
Date: 1739 – 1739
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: binnen cirkel in drie regels opschrift: aanduiding van de sjah als sultan. Rondom cirkel brede, gladde rand. Keerzijde: in Arabische lettertekens in twee regels rijmdicht. In linker gedeelte van tweede regel muntplaats-aanduiding: Tiflis, waaronder jaartal. Gladde rand.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 490
Materials: terracotta
Culture: greek, attic

Interior, top of kithara?, strings, crossbar
Geulem. Koepelgrot
Object type: photomechanical print
Date: 1908 – 1908
Materials: cardboard
Techniques: lithograph
Location: leipzig
Artist: Anonymous
Subjects: cave, grotto
Inscriptions: date
Life of Senator Leland Stanford, from the Histories of Poor Boys and Famous People series of booklets (N79) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits

Miniature booklets from the "Histories of Poor Boys and Other Famous People" series (N79), issued in a set of 50 booklets in 1888 to promote W. Duke Sons & Co. brand cigarettes. Each booklet consists of 16 pages with covers and includes the rags to riches biography of a famous figure.
Gezicht op de piramides van Gizeh
Object type: photograph
Date: 1895 – 1905
Materials: paper, photographic support
Techniques: gelatin silver print
Location: gizeh
Artist: andreas daniel reiser
Artist role: fotograaf
Artist dates: 1840 – 1898
Subjects: pyramid (historical grave form)

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Griekenland en Egypte.
Man en en een meisje zittend op een hek voor een landhuis, vermoedelijk in Whatley
Object type: photograph
Date: 1860 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: whatley
Artist: Anonymous
Subjects: adolescent, young woman, maiden, fence, wall, paling, adult man, villa

Onderdeel van Engels familiealbum met foto's van personen, reizen, cricket en kunstwerken.
Bouley Bay
Object type: photomechanical print
Date: 1870 – 1930
Materials: paper
Techniques: photograph
Location: jersey
Artist: Anonymous
Subjects: gulf, bay
Inscriptions: number: ‘10’
Kohl Tube in the form of a Palm Column
Object type: kohl tube
Date: 1550 – 1295
Materials: glass
Location: egypt
Portret van Daniel Krehbiel
Object type: print
Date: 1904 – 1904
Materials: paper
Techniques: lithograph
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: inscription: ‘Definitieve staat / Jan Veth’, collector's mark: Lugt 2228
Vase with mythical creature qilin
Object type: vase
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: mythical creatures
Landschap met vee en herders
Object type: print
Date: 1762 – 1829
Materials: paper
Techniques: etching
Artist: jean louis demarne
Artist role: draughtsman, painter, print maker
Artist dates: 1752 – 1829
Subjects: cow, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscapes with waters, waterscapes, seascapes (in the temperate zone), landscape with ruins
Inscriptions: collector's mark: Lugt 2228
La Mode Illustrée, 1871, No. 41: Toilettes de Mme Breant-Castel (...)
Object type: fashion print
Date: 1871 – 1871
Materials: paper
Techniques: hand coloring, engraving
Location: paris
Subjects: ear-rings (+ women's clothes), skirt (+ girls' clothes), diadem, tiara (+ women's clothes), boots (+ girls' clothes), coat (+ women's clothes), head-gear (+ women's clothes), fashion plates, skirt (+ women's clothes), dress, gown (+ girls' clothes)
Inscriptions: address: ‘Bureaux du Journal, 56,r. Jacob. Paris’, title: ‘La Mode Illustrée’, caption: ‘Toilettes de Mme Bréant-Castel, 28. r. Nve des Pts Champs.’

Twee vrouwen en een meisje buiten, gekleed in japonnen van Bréant-Castel. Prent uit het modetijdschrift La Mode Illustrée (1860-1937).
Vessel fragment with painted decoration
Object type: vessel
Materials: ceramic, paint
Culture: indus
Location: indus region
Portret van Albrecht Haller
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: engraving
Artist: johann heinrich lips
Artist role: draughtsman, painter, print maker
Artist dates: 1758 – 1817
Subjects: physicist, historical persons
Inscriptions: collector's mark: Lugt 2228
Brief aan Marisa Quanjer
Object type: letter
Date: 1937 – 1937
Materials: ink, paper
Techniques: pen, writing
Location: zundert
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: ferrand waley hudig, publisher, sculpture, money, printed matter
Inscriptions: collector's mark: ‘RPK’
Stadhuis, Bolsward
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: bolsward
Subjects: townhall
Wehrmacht militairen, telegrafisten
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: beers
Artist: Anonymous
Subjects: radio, wireless, radio broadcasting, occupation ~ war

Twee Wehrmacht militairen, telegrafisten, liggen op de grond tussen wat bosjes. Een heeft een koptelefoon op.
Floral studies
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Artist: henry thomas malby
Artist role: fotograaf
Subjects: flowers in a vase

Prent op tweede ongenummerde pagina na pagina 96.
Scènes uit het Nieuwe Testament
Object type: print
Date: 1685 – 1700
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: a canaanite woman kneels before christ, asking him to heal her daughter; the metaphor of the dogs and bread (matthew 15:21-28; mark 7:24-30)
Inscriptions: collector's mark: Lugt 240

Christus staat met zijn volgelingen aan het begin van een zuilengalerij.
Een Kanaänitische vrouw knielt achter hem en verzoekt hem haar te helpen. Haar dochtertje is bezeten van demonen. Een van Christus volgelingen wil haar wegsturen, maar Christus praat met haar. Naast Christus een hond die van de grond eet, een verwijzing naar de gelijkenis die Christus aan de vrouw verteld. Onder de afbeelding een Latijns vers uit Mat. 15.
Straatgezicht met uithangborden te China
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: street (+ city(-scape) with figures, staffage)
Atlas der Anatomie des Menschen zum Gebrauch für Künstler : Reproduktion und Illustration, anatomischer Präparate, Musterbilder und Kunstwerke
Object type: photograph
Date: 1908 – 1908
Materials: cardboard, paper, photographic support
Techniques: photograph
Location: florence
Artist: giulio chiarugi
Artist role: anatoom, embryoloog, fotograaf, schrijver
Artist dates: 1859 – 1944
Inscriptions: stamp: ‘Rijksschool voor Kunstnijverheid’
Westerwyk, de Lustplaetze van den Heere Pieter Pels, bij 't inkomen van de groote Laen / Vuë de la grande avenuë de la Maison de Westerwyk lieu de Plaisance apartenant a Mr. Pierre Pels
Object type: print
Date: 1729 – 1732
Materials: paper
Techniques: engraving, etching
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: french or architectonic garden; formal garden, garden pond
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Het voorplein en de toegangspoort van het huis Westerwijk tussen Heemskerk en Velsen. Op het plein met koets met vier paarden en wandelaars. Rechtsonder genummerd: 28. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning, Oude Nederlandsche Tuinkunst. De 18de eeuw. Tuinen in Kennemerland, le Nôtre stijl.
25 portretten van Berny, Flahaut, Labady en Tabarin
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: number: ‘No 247’
Portret van een onbekend meisje uit Tahiti
Object type: photomechanical print
Date: 1880 – 1880
Materials: paper
Techniques: photograph
Location: tahiti
Artist: henry stuart-wortley
Artist role: fotograaf, kolonel
Artist dates: 1832 – 1890
Subjects: child (at home) - aa - girl
Inscriptions: number: ‘No. 5.’
Maarsen, Lange gracht.
Object type: photomechanical print
Date: 1906 – 1906
Materials: cardboard
Techniques: photograph, writing
Location: leipzig
Artist: Anonymous
Subjects: canal, maarssen
Inscriptions: postage stamp
Seki, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"
Object type: print
Date: 1806 – 1806
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Strooibiljet van fotoverkoper Victor Hubert uit Nice
Object type: folder
Date: 1890 – 1900
Materials: paper
Techniques: printing
Location: nice
Subjects: printed matter
Inscriptions: inscription: ‘Roulette de Monaco / [...] / IMP. GANDINI, NICE’, inscription: ‘[...] / VICTOR HUBERT / LIBRAIRE / 4, Place du Jardin-Public & 1, Place Masséna / NICE / Succursale à Cannes, 27, Rue d'Antibes, 27 / PHOTOGRAPHIES / VUES DE NICE & DU LITTORAL / en tous formats / MONTÉES ET NON MONTÉES / GRAND CHOIX / DE VUES EN COULEURS / COLLECTION COMPLÈTE / des / Musées de Paris et de Versailles / Grand Choix d'Albums / Contenant les plus belles Vues / du Littoral / [...] / La Librairie Victor Hubert ne tient exclusivement que les / Photographies N. D. [= Neurdein Frères] Médaille d'Or à l'Exposition de Paris 1889. / English Spoken’

Strooibiljet van de fotoverkoper Victor Hubert uit Nice, met op de achterzijde reclame voor de "Roulette de Monaco".
Ecce Homo
Object type: print
Date: 1488 – 1492
Materials: paper
Techniques: drypoint
Location: germany
Artist: meester van het amsterdamse kabinet
Subjects: christ on the whipping-post (after the flagellation), christ alone (also called 'ecce homo')
Inscriptions: collector's mark: Lugt 2228a

Christus staand aan de geselpaal met roede en gesel in zijn handen.
Bowl
Object type: bowl
Date: 1295 – 1185
Materials: faience
Location: egypt
Plattegrond van Brest, ca. 1693-1695
Object type: map
Date: 1693 – 1695
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: fortress, maps of cities

Plattegrond van de versterkingen om de Franse stad Brest. Onderdeel van het derde deel (1695) van het prentwerk waarin gebundeld zijn de acht delen van Les forces de l'Europe uitgegeven tussen 1693-1697. Het prentwerk bestaat uit 175 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog. Titel en opschriften in het Frans.
C.W. Williamson, Shortstop, Chicago, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Schildering door Cenni di Francesco in de Cappella della Croce di Giorno te Volterra, voorstellend de legende van het Heilige kruis
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: chiesa di san francesco
Subjects: painting (including book-illumination, miniature-painting) (+ plaster ~ arts), 11d4114	the wood is taken from the pool of bethesda to serve as christ's cross ~ legend of the true cross
Inscriptions: collector's mark: Lugt 3937, number: ‘N.o 8883.’
Intocht militairen
Object type: photograph
Date: 1947 – 1949
Materials: photographic support
Techniques: photography
Location: java
Subjects: troop movements, transportation, java, dutch east indies, the

Nederlandse militairen rijden in een legerauto een stad binnen. Langs de weg begroet de bevolking hen.
Fragment of a Plate
Object type: decorative art
Date: 1101 – 1400
Materials: ceramic
Culture: byzantine
Location: byzantine empire
Elevation of the Façade of the Hôtel de Montholon, Paris
Object type: drawing
Date: 1785 – 1786
Materials: ink
Techniques: brush, pen, wash
Artist: jean jacques lequeu
Artist role: artist
Artist nationality: french
Artist dates: 1757 – 1825
Subjects: architecture,buildings

The façade depicted in this drawing is of the so-called Hôtel de Montholon, a commission given to François Soufflot le Romain and executed by Jean Jacques Lequeu for the wealthy magistrate and later president of the Parlement of Normandy, Nicolas de Montholon. The hôtel is situated on 23, boulevard Poissonnière in Paris (previously the Boulevard Montmartre). A print after this drawing, also by Lequeu exists in the Bibliothèque Nationale in Paris and might suggest that Lequeu intended to publish all the designs for the Hôtel, most of which are part of an album donated by Lequeu to the Bibliothèque Nationale before his death.
Armchair (fauteuil à la reine) (part of a set)
Object type: armchair
Date: 1754 – 1756
Materials: wood, silk, wool
Techniques: carving, gilding, tapestry
Artist: nicolas-quinibert foliot
Artist role: artist
Artist dates: 1706 – 1776

Baron Johann Ernst Bernstorff (1712–1772) served as Danish ambassador to the court of Versailles between 1744 and 1751. According to Charles-Philippe d’Albert, duc de Luynes (1695–1758), the diplomat was youthful and witty, possessed both finesse and taste, and spoke the French language better than many native speakers.[1] During his stay in France, Bernstorff formed many friendships and developed a marked taste for the French way of life. It was, therefore, with reluctance that he left Paris and returned to Denmark in 1751 to assume the post of minister of foreign affairs. For the tapestry room of his newly built residence in Copenhagen, he acquired a series of four wall hangings, Les Amours des Dieux (The Loves of the Gods), from the Beauvais Manufactory. Covers for a set of twelve armchairs and two settees (all of which are in the Museum’s collection) were woven at the same time to complement the tapestries. They display lighthearted compositions of animals, birds, and flowers based on designs by Jean-Baptiste Oudry (1686–1755). The frames of the seat furniture were made by the Parisian menuisier Nicolas-Quinibert Foliot, who, like his father, Nicolas Foliot, was furniture maker to the king’s household. Eight of the twelve chairs and one of the settees are stamped with his name. Enriched with symmetrically placed Rococo ornament, floral garlands, palm branches, and a large shell motif centered on the crest rail, the undulating outline of the chairs and settees is echoed in the tapestry covers. Arranged along the walls, these pieces formed an integral aspect of the interior decoration of the room, which was furnished by Bernstorff according to the latest French fashion with console tables, mirrors, and gilt bronzes, all acquired in Paris. The tapestry room remained intact until the early twentieth century, when George I of the Hellenes (1845–1913), second son of King Christian IX of Denmark, was the owner of Bernstorff Palace. The crowned-G mark branded in the wooden frames of the chairs and settees identify the pieces as his property. He sold the tapestries and the seat furniture separately, and by 1902 the American financier and collector J. Pierpont Morgan had acquired the chairs and settees for use in his London town house. There, during a visit in 1908 and much to their surprise, Queen Alexandra of England (1844–1925) and her sister Dowager Empress Maria Feodorovna of Russia (1847 –1928), both Danish princesses, recognized the pieces as having belonged to their brother George. One of them exclaimed, “Why, there are the chairs...our brother had those chairs but they disappeared and we never knew what had become of them; they must have been sold.”[2] [Daniëlle Kisluk-Grosheide, 2010] Footnotes: [1] Luynes 1735–58/1860 – 65, vol. 6, p. 452. [2] Taylor 1957, p. 24.
Breadth
Object type: breadth
Date: 1701 – 1800
Materials: cotton
Subjects: men,women,horses
Effigies et quaedam miracula beati Ioannis de Capistrano ordinis minorum de observantia sancti Francisci
Object type: print
Date: 1623 – 1623
Materials: paper
Techniques: etching
Location: italy
Subjects: saints, battle, monk(s), friar(s)
Inscriptions: collector's mark: Lugt 240

Centraal de franciscaner monnik Johannes Capistranus met boek en banier met IHS monogram. Op de achtergrond strijden christenen tegen de Turken. Rondom een rand met veertien voorstellingen uit het leven van H. Johannes Capistranus met telkens een onderschrift in het Italiaans. Onder een cartouche met opdracht in het Latijn. Boven het wapen van kardinaal Carlo de'Medici.
Portret van Jacob Henri Meister
Object type: print
Date: 1801 – 1833
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of torso, genitals, left leg and part of right thigh of male; wine skin
Cattawissa, Looking Down the Susquehanna
Object type: drawing
Date: 1852 – 1852
Materials: graphite, paper
Culture: american
Artist: thomas addison richards
Artist role: artist
Artist nationality: american
Artist dates: 1820 – 1900
Subjects: hills,plants
Reproductie van een schilderij van een collie
Object type: reproduction
Date: 1883 – 1888
Materials: paper
Techniques: photograph
Location: new york city
Subjects: dog (with name of kind)

Prent tegenover pagina 61, achter semi-transparante omslag.
Eerste suite
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: etching
Location: amsterdam
Artist: cornelis steffelaar
Artist role: draughtsman, painter, print maker
Artist dates: 1797 – 1861
Subjects: cow
Inscriptions: collector's mark: Lugt 2228