deem-data/ArtiFact huggingface dataset:
Kelkglas op vierkante basis op het 25-jarig huwelijk van Barend Glasius en Grietje de Groot
Object type: goblet
Date: 1791 – 1791
Materials: glass
Techniques: diamond point engraving, glassblowing
Location: northern netherlands
Subjects: amsterdam

Kelkglas op gewelfde voet op vierkante basis. Korte, gefacetteerde stam. Gebogen kelk met gefacetteerde bodem. Op de kelk de gegraveerde tekst: TER VIERING VAN DE 25 JAARIGE trouwdag,van // DWEDLe Heer BAREND GLASIUS en Vrouwe GRIETJE de GROOT. // op den 9 maij 1791.
Die Besatzung des "Alles Gute" der 4.L.-Flotille
Object type: album leaf
Date: 1943 – 1944
Materials: paper, pencil
Techniques: writing
Location: germany
Artist: werner neufang
Artist role: militair
Subjects: werner neufang
Inscriptions: inscription: ‘Die Besatzung des "Alles Gute" der 4.L.-Flotille’

Blad met een handgeschreven tekst. Tussenblad tussen bladzijde 26 en 27. Onderdeel van een fotoalbum over de Duitse Werner Neufang van de Kriegsmarine en de Nederlandse Thea Driesen.
Snuff Bottle
Object type: snuff bottle
Date: 1821 – 1850
Materials: porcelain
Techniques: molding
Culture: chinese
Subjects: dragons
Dish
Object type: ceramic
Materials: enamel, hard paste porcelain, porcelain
Techniques: polychrome
Location: china
Victoria Square
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: montreal
Artist: Anonymous
Subjects: square, place, circus, etc., monument, statue
De heilige Franciscus in de woestijn
Object type: print
Date: 1633 – 1692
Materials: paper
Techniques: engraving
Location: rome
Artist: cornelis bloemaert (ii)
Artist role: draughtsman, print maker
Artist dates: 1603 – 1692
Subjects: founder of the order of friars minor (franciscans), francis(cus) of assisi; possible attributes: book, crucifix, lily, skull, stigmata
Inscriptions: collector's mark: Lugt 240

Franciscus van Assisi is hier knielend afgebeeld met een aantal van zijn attributen: de stigmata op handen en voeten, een crucifix, een schedel en een boek.
Winkels in een straat te Tanger
Object type: photomechanical print
Date: 1887 – 1897
Materials: paper
Techniques: photoaquatint
Location: tanger
Subjects: shop, store, street
Inscriptions: title: ‘Shops in Tangier.’
Arrowhead
Object type: arrowhead
Date: 612 – 612
Materials: iron
Culture: assyrian
Location: mesopotamia
Portret van Elsa Diepenbrock op albumblad
Object type: photograph
Date: 1888 – 1890
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: wouterus gijsbertus hondius van den broek
Artist role: amateurfotograaf
Artist dates: 1867 – 1913
Subjects: elsa diepenbrock
Apparel for a vestment woven with figurative design of the Resurrected Christ
Object type: clothing
Date: 1401 – 1600
Materials: linen, silk
Subjects: men,angels,christ
Alle werknemers van de Ford Motor Company staand voor de fabriek
Object type: ansichtkaart, prentbriefkaart
Materials: paper
Techniques: lithograph
Location: united states
Artist: Anonymous
Subjects: ford motor company, detroit
Inscriptions: inscription: ‘12,000 Employees of the Ford Moter Company, Detroit, Mich. The largest / number of employees ever grouped before the camera’
Design for 4 seat Phaeton, no top, no. 3398
Object type: drawing
Date: 1878 – 1878
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Coll. A
Object type: photograph
Date: 1869 – 1891
Materials: cardboard, paper
Techniques: albumen print
Location: vienna
Artist: hermann heid
Artist role: fotograaf
Artist dates: 1834 – 1891
Subjects: exterior ~ representation of a building, opera house
Inscriptions: number: ‘Nr. 83’
Tile
Object type: tile
Materials: earthenware
Techniques: glazing
Subjects: men,women,ships
Duyfkens en Willemijnkens leven // Word u kinders hier beschreven
Object type: popular print
Date: 1782 – 1793
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: pilgrimage, pilgrim(s) under way

Blad met 30 voorstellingen uit de bedevaart van Duyfken en Willemijn. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: 87.
Piece
Object type: piece
Date: 1760 – 1760
Materials: linen
Techniques: dyeing, printing, resist
Culture: british
Location: england
Subjects: flowers
Slag op het Slaak
Object type: history medal
Date: 1631 – 1631
Materials: silver
Techniques: striking
Location: the hague
Artist: anthonis pietersz. van der willigen
Artist role: draughtsman, print maker
Artist dates: 1591 – 1640
Subjects: frederick henry (prince of orange)

Zilveren penning. Voorzijde: portret man te paard met commandostaf, door Overwinning gekroond met lauwerkrans; op achtergrond gezicht op stad boven opschrift. Keerzijde: zeeslag boven opschrift
William F. "Bill" Greenwood, 2nd Base, Cleveland, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Whistle
Object type: whistle
Date: 1801 – 1900
Materials: bamboo
Culture: native american or brazilian
Location: brazil
Schildpad in een landschap met bovenaan op een blad de organen van het dier
Object type: book illustration
Date: 1676 – 1676
Materials: ink, paper
Techniques: engraving, etching, pen
Location: paris
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: dissection, tortoises, turtles, animals (+ anatomy of animals)
Inscriptions: inscription: ‘La Tortuë.’

Prent uit: Perrault, Claude. Mémoires pour servir à l'histoire naturelle des animaux. Dressez par M. Perrault de l'Académie Royale des Sciences (...). Parijs: Imprimerie Royale, 1676.
Twaalf monniken en kluizenaars uit verschillende orden
Object type: costume print
Materials: paper
Techniques: engraving
Artist: abraham de bruyn
Artist role: print maker, publisher
Artist dates: 1540 – 1587
Inscriptions: number: ‘16’

In twee rijen boven elkaar. Prent uit het boek 'Omnium pene Europae, Asiae, Aphricae atque Americae gentium habitus...', 1581. De prent maakt deel uit van een album.
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 550 – 540
Materials: terracotta
Culture: greek, attic
Portret van Johann Jacob Engel
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Allgemeine Deutsche Bibliothek, vol. 39, dl. 1, 1779.
Korintisch hoofdgestel, kapiteel en basement
Object type: ornament print
Date: 1636 – 1636
Materials: paper
Techniques: engraving
Location: italy

Met details van de kroonlijst. Onderaan staat uitleg.
Playing Battledore and Shuttlecock
Object type: print
Date: 1765 – 1770
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Portret van Adriaan Goekoop
Object type: photograph
Date: 1900 – 1914
Materials: paper
Techniques: gelatin silver print
Location: the hague
Artist: Anonymous
Subjects: the hague, art (+ relief ~ sculpture), writer, poet, author
Inscriptions: inscription: ‘AEH Goekoop/ D Hage/ + 1914’
Hair Ornament
Object type: hair ornament
Date: 618 – 907
Materials: silver gilt
Culture: chinese
Bracelet
Object type: bracelet
Date: 1834 – 1866
Culture: american
Cushion
Object type: textile
Materials: silk
Techniques: bookbinding, patterning, satin weave, weave
Location: china
Flounce (Furnishing)
Object type: textile
Date: 1750 – 1775
Materials: lace, linen
Techniques: lace
Location: belgium
Human-headed cat
Object type: amulet, human headed cat
Date: 945 – 525
Materials: faience
Location: egypt

This figure is part of a repertoire of figures created in a distinctive spotted faience from dynasty 22 into dynasty 26. The center of production was the eastern Delta, in particular Bubastis and Tanis; this was an area where Near Eastern peoples had long been interwoven in the population; at this time it was also a center for the settlement of Libyan tribal peoples. Possibly these conditions influenced this particular production. Through their appearance, the figures all allude to the goddess Bastet. In particular, many details evoke the myth termed "The Return of the Faraway Goddess." The feline / leonine Bastet was angry with the god Re and left Egypt for Nubia. Re wanted her back again, so he sent the god Thoth, who, taking the form of a monkey, lured her back with fables. Bes, musicians and dancers accompanied the train of the returning goddess, whose arrival brought the return of good fortune to Egypt. Figures of Bes (2015.11; 04.2.103), the cats (04.2.119, 04.2.120, 21.6.61), the monkeys (44.4.17), the nude females with ‘Nubian’ hairstyles (66.99.71), and the musicians (89.2.217, 17. 194.2441, 17.194.2459, 41.6.7) all relate to this tale; the figure with a conical ‘foreign’ cap carrying a vessel of beer (86.1.55) and the bound oryx behind the feathers of the Bes-image (2015.11) both allude to controlling the goddess’s dangerous nature. Bes-rattles must have been used in a ritual performances, and Bes’s known role as a protector of women and childbirth suggests the rituals addressed such concerns. Bastet, too, had a role as the nurse of a divine child king, and the allusions to her stories may have invoked her power for similar ends.
Coin Portraying an Emperor
Object type: coin
Date: 234 – 266
Materials: bronze
Culture: roman
Location: roman empire
Inscriptions: Obverse: ...IVS AVG

The front (obverse) of this coin portays and unidentified emperor, facing right and wearing a radiate crown.
On the back (reverse), a soldier strides to the right while holding a spear. A type of banner called a vexillum is shown over his shoulder.
Portret van Woodbine Parish
Object type: print
Date: 1825 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: adult man, historical persons
[Still-life of Game with Rake and Onion Jar]
Object type: daguerreotype
Techniques: daguerreotype
Artist: t. r. williams
Artist role: artist
Artist nationality: british
Artist dates: 1825 – 9999
Subjects: animals,birds,still life,tools
Fille de Lantcheou
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print, glass negative
Artist: raimund von stillfried
Artist role: artist
Artist nationality: austrian
Artist dates: 1839 – 1911
Subjects: portraits,women
Ecce Homo
Object type: ornament print
Date: 1560 – 1600
Materials: paper
Techniques: engraving
Location: unknown
Subjects: ornaments ~ art, pilate showing christ to the people, 'ostentatio christi', 'ecce homo' (john 19:4-6)
Inscriptions: collector's mark: Lugt 2228

Pontius Pilatus toont de gegeselde Christus aan het Joodse volk, die hem uitjouwt. In staand ovaal met ornament. De zevende prent van een dertiendelige serie ornamentprenten over de passie van Christus.
Piece
Object type: piece
Date: 1501 – 1700
Materials: cotton, linen
Subjects: birds
[Five Union Civil War Soldiers in Studio]
Object type: tintype
Date: 1861 – 1865
Techniques: tintype
Artist: Anonymous
Artist role: artist
Subjects: soldiers,american civil war,men,portraits
Gezicht op een troep ganzen
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: berlin
Artist: wichern
Artist role: fotograaf
Subjects: groups of birds, geese (domestic waterbirds)
Bef van naaldkant met arabeskenbladeren
Object type: band
Date: 1875 – 1909
Materials: linen
Techniques: embroidery
Location: burano
Artist: Anonymous

Bef van naturelkleurige naaldkant: Venetiaanse reliëfkant. Op een open spijlengrond staan zeer grote spiraalranken, onder andere hier en daar met een ring gesloten. Vlezige arabeskenbladeren en diverse bloemen vertonen een matig reliëf. Aan drie zijden loopt een (nieuw) boogjesrandje.
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Exterior, bit of lower back and left buttock of male to left, with a himation; genitals and part of thighs of a male to right, with a himation; may belong to 2011.604.1.6982a, b
Side Chair
Object type: side chair
Date: 1735 – 1760
Materials: linen, wood, wool
Techniques: painting
Culture: american
Location: united states
Subjects: squirrels,flowers,trees
Carolus regnis & imperio se exuit
Object type: print
Date: 1635 – 1636
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: philip ii of spain, antoine perrenot de granvelle, charles v (holy roman emperor and king of spain), brussels, maria van hongarije (landvoogdes der nederlanden), clergyman, landvoogd der zuidelijke nederlanden ferdinand van oostenrijk, triumphal arch, voluntary abdication (of a ruler), ghent

Troonsafstand van keizer Karel V op 25 oktober 1555, waarin hij de regering van de Nederlanden overdraagt aan zijn zoon Filips. De keizer staande voor de troon, naast hem zit zijn zuster Maria van Hongarije. Verder aanwezig: Viglius van Aytta en kardinaal Granvelle. Filips II kust de hand van zijn vader. Voorstelling op een zijwand van de doorgang van de triomfpoort Arcus Caroli op de Vrijdagmarkt. Blad nr. 25 in een geheel van 42 platen die de uitgave van de beschrijving van de intocht van de Kardinaal Infant Ferdinand van Oostenrijk te Gent op 28 januari 1635 als de nieuwe landvoogd voor de Spaanse Nederlanden illustreren.
Monkeys within vase
Object type: toy
Date: 1755 – 1755
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: monkeys,flowers
Kinderen trekken aan arm van een jongen
Object type: boekillustratie ontwerp
Date: 1880 – 1930
Materials: cardboard, ink, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: fence, wall, paling, gardening-tools
Inscriptions: signature: ‘SS’, collector's mark: Lugt 2228a, :

Een jongen en meisje trekken aan de arm van een oudere jongen die een schop en hark draagt. In de achtergrond een tuinhek.
Terracotta rim fragment of a mastoid (drinking cup with narrow base)
Object type: mastoid fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Black glazed rim fragment from a mastoid
Portret van een man met hond in de omgeving van de Grebbe
Object type: photograph
Date: 1880 – 1940
Materials: paper, cardboard
Techniques: collodion silver print
Location: veenendaal
Artist: a.j. van loon
Artist role: fotograaf
Subjects: garden approach, garden drive
Inscriptions: inscription: ‘Gezicht nabij "De Grebbe"’
Textile Design with Abstract Bundles of Stylized Leaves and Pearls Over Dotted Background
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of abstract bundles of stylized leaves rendered with dark reddish-brown stipples over a light tan base with dark reddish-brown dots, with pearls and sylized three-leaf clovers of white color and with black outlines splattered over the background.
Leadenhall Street in Londen
Object type: book illustration
Date: 1808 – 1837
Materials: paper
Techniques: etching
Location: london
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, street (+ city(-scape) with figures, staffage), london
Inscriptions: collector's mark: Lugt 2228

Prent uit: Wood. History of London (...). Londen: William S. Orr & Co., 1837.
Armes de Henri IV sculptées dans le Palais du Louvre
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: paris, hendrik iv (koning van frankrijk en navarra), garland, wreath
Plate XIX (19): Diana, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Object type: print
Date: 1734 – 1734
Techniques: engraving, etching
Location: florence
Artist: genaro gutiérrez
Artist role: artist
Artist nationality: spanish
Artist dates: 1788 – 1798
Subjects: women,diana,dogs
Landschap met twee bomen
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: etching
Location: vaassen
Artist: reinierus albertus ludovicus baron van isendoorn à blois
Artist role: print maker
Artist dates: 1786 – 1856
Subjects: trees
Inscriptions: collector's mark: Lugt 2228
De planeet Mars en zijn kinderen
Object type: print
Date: 1566 – 1570
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: rape, violation, (personifications of the) planets with their 'children', so-called 'planetenkinder', accompanied by the corresponding zodiacal signs, horrors of war, fighting
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk gebruikt in: Speculum diversarum imaginum speculativarum a variis doctis adinventarum, atque ab insignibus pictoribus ac sculptoribus delineatarum. Antwerpen: Johannes Galle, 1638. Of in: Schabaelje, Jan Philipsz. Den grooten figver-bibel. Dat is een afbeeldingh en levendighe vertooningh, van alle de voornaemste historien (...) der gantscher Heyliger Schrift, in schoone copere figueren (...) verrijckt met leersame verclaeringhen over de selve figueren. Alkmaar: Simon Cornelisz Brekegeest, Amsterdam: Jan Philipsz. Schabaelje, 1646.
The Black-Banded Underwing, from "The Butterflies and Moths of America", Part 2
Object type: print
Date: 1862 – 1862
Techniques: lithograph
Artist: louis prang & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1800 – 1950
Subjects: insects,flowers
Rapid photographs
Object type: snapshot
Materials: photographic support
Techniques: gelatin silver print
Location: groningen

Between 1912 and 1930, anyone could have their portrait taken at the many so-called rapid photography studios in the shopping streets of mainly (medium) large-size European cities. As if on an assembly line, the youngest clerk shot the photographs with a special camera and in artificial light and developed them. Later in the day, the customer collected a sheet with 12 portrait photos for 25 cents. This form of photographic mass production gave rise to a fascinating tableau of boys, girls, men and women not previously seen in photographs; candid and informal. There were at least 150 quick-photo studios, from Alkmaar to Zutphen. Many called themselves ‘American,’ mistakenly as it turns out because hardly any examples from that country have been found.
Vier gezichten op Terschelling met de vuurtoren Brandaris
Object type: album leaf
Date: 1905 – 1931
Materials: cardboard, paper, photographic support, plastic
Techniques: gelatin silver print
Location: terschelling
Subjects: lighthouse, lightship, city-view in general; 'veduta'

Foto's gemaakt tijdens de huwelijksreis van Berti Hoppe en Herman Besselaar. Deze pagina maakt deel uit van een album.
Klok in de stijl van Lodewijk XVI, uit de collectie van Christopher Beckett Denison
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: clock
Inscriptions: number: ‘814’

Prent op zevende ongenummerde pagina na pagina 80.
Christus en de Samaritaanse vrouw bij de put
Object type: print
Date: 1525 – 1565
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: christ and the woman of samaria: sitting at jacob's well he asks her for a drink from her jug
Inscriptions: collector's mark: Lugt 240

Christus zit op de rand van een put. Links van de put staat de Samaritaanse vrouw. Achter de put staat een boom. Op de achtergrond links een stad.
Mosterdpot, spitsovaal, met opengewerkte wand met parellijsten
Object type: mustard pot
Date: 1805 – 1805
Materials: silver
Location: amsterdam
Artist: nathanael teuter
Artist role: silversmith
Artist dates: 1767 – 1831
Inscriptions: town mark, duty mark, maker's mark, date letter: ‘W’, alloy mark

De vier spits ovale, gewelfde vaten (A, B,C en D), die aan de zijkanten iets verhoogde wanden hebben, rusten elk op een ovale, zich naar boven sterk verjongende voet op een rechtwandige basis. Op het met afwisselend knerren en rozetten opengewerkte lichaam past een scharnierend, gewelfd deksel dat wordt bekroond door een geribde pijnappelvormige knop. Rond de voet, rond de bovenrand van het lichaam, over de hoog oplopende, gebogen oren en rond het deksel lopen parellijsten.