deem-data/ArtiFact huggingface dataset:
Kraag van blauw laken
Object type: collar
Date: 1800 – 1825
Materials: textile
Techniques: sewing
Location: netherlands
Artist: Anonymous

Uniformfragmenten bestaande uit: twee kragen, manchetomslagen, paar revers met één en zeven paar lissen, voering en rug- en voorpanden; voor livrei of schutterij (?). Deze uniformfragmenten waren op het moment van invoer nog niet beschikbaar en daar de aantallen e.d. onduidelijk zijn, is bij deze invoer alleen volstaan met de vermelding van de diverse onderdelen. De invoer per onderdeel moet dus nog volgen.
Design for a Fireplace with Frontal and Profile Views
Object type: drawing
Date: 1735 – 1788
Materials: ink
Techniques: brush, pen, wash
Artist: james stuart
Artist role: artist
Artist nationality: british
Artist dates: 1713 – 1788
Subjects: fireplaces
Shawl
Object type: shawl
Date: 1840 – 1849
Materials: wool
Culture: french

This very finely woven shawl is a good example of the refinement and skill of the French weavers in imitating the Indian and Persian shawls being imported at the time. In ways, the beauty of this woven shawl surpasses that of its inspiration and indicates how this style of outerwear was often considered an heirloom and handed down through generations. The shawl held a place as a high fashion accessory for a relatively large period between the end of the 18th century to the 1870s. These accessories were originally adopted by men with exposure to India and Persia through the Trading Companies. The changing fashions near the end of the 18th century brought a renewed interest in Indian and Persian shawls as a form of warmth over the thin muslins of fashionable Empire silhouette dresses. The shawls came in many designs which generally incorporated the boteh form. This form, which is mostly known as the paisley now, is an ancient Persian design based upon the tree of life and inspired by buds, cones and palm fronds. These objects were hand woven and extremely costly which inspired European manufacturers to attempt to produce cheaper copies for the masses. The primary center for machine woven reproduction Indian shawls became Paisley, Scotland. The shawls from this location were so prominent on the market that the style and boteh form of the shawls has been generally referred to as paisleys since. The invention of the Jacquard loom in 1801 increased productivity and reduced costs even further after its first use in Paisley in the 1820s. Other designs of shawls were also produced at this time, albeit they never reached the popularity of the Indian, Persian and Paisley shawls. In the 1870s the shawl lost popularity due to its immense size and the reducing expanse of skirts to help support them. Many of the original Indian and Persian shawls had been retained as heirlooms through generations due to their cost while cheaper reproductions were sometimes altered into a more fashionable bustle silhouette mantle.
Meule et étable à cochons
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: etching, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: pig, stall, stable
Inscriptions: collector's mark: Lugt 2228

Voor de stal lopen drie grazende varkens in de wei.
Van Dalsum en Rie Gilhuys Sasbach in toneelstuk Othello
Object type: photograph
Date: 1920 – 1920
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Subjects: portrait of actor, actress
Inscriptions: inscription: ‘Van Dalsum en Rie Gilhuys Sasbach in Othello’
Groepsportret bij hert huis van Thomas Glover
Object type: photograph
Date: 1862 – 1866
Materials: paper
Techniques: albumen print
Location: japan
Artist: antoon bauduin
Artist role: amateurfotograaf, hoogleraar
Artist dates: 1820 – 1885
Subjects: anonymous historical persons portrayed in a group, in a group-portrait, japan
Inscriptions: number: ‘35’
Ink Tablet Decorated with Five Pines
Object type: ink tablet
Date: 1867 – 1933
Materials: ink
Culture: chinese
Artist: cheng junfang
Artist role: artist
Artist nationality: chinese
Artist dates: 1541 – 1620
Subjects: trees
River with Arched Bridge and Boat
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: netherlands
Artist: attributed to herman van swanevelt
Artist nationality: dutch
Artist dates: 1600 – 1655
The Maple Festival (Momiji no ga) from chapter 7 of The Tale of Genji
Object type: print
Techniques: woodblock print
Location: japan
Artist: kitao shigemasa
Artist role: artist
Artist nationality: japanese
Artist dates: 1739 – 1820
Corte onderrechtinghe op de figuerliicke afbeeldinghe, soo veel aengaet het recht ghebruyck vant Musquet
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving, hand coloring
Location: the hague
Artist: jacques de gheyn (ii)
Artist role: painter, print maker
Artist dates: 1565 – 1629
Subjects: handling of weapons ~ military training, firearms: rifle

Een soldaat, ten voeten uit, naar rechts, die met beide handen een musket (een bepaald type vuurwapen) schudt, om eventueel buiten de pan (het kruitreservoir) gevallen kruit ervan af te krijgen. In zijn linkerhand behalve de loop van het musket ook een furket (musketvork) en een brandende lont. Deze prent is onderdeel van de reeks van 43 met de hand genummerde prenten van musketiers in de Wapenhandelinghe.
De Waale Kerk van binnen, te sien na het Orgel
Object type: print
Date: 1730 – 1759
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: church organ, interior of church, grave digger
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Waalse Gemeente.
The Holy Family with Angels
Object type: drawing
Date: 1603 – 1605
Materials: chalk, paper
Techniques: highlighting
Artist: pomarancio (cristoforo roncalli)
Artist role: artist
Artist nationality: italian
Artist dates: 1553 – 1626
Subjects: angels,christ,holy family,virgin mary

This powerful drawing with the Virgin Mary, St Joseph and the Christ Child accompanied by angels was first published in 1952 by Philip Pouncey, who recognized it as a study for Roncalli's painting of ‘The Holy Family’ now in the Galleria Borghese, Rome (Inv. 330). The painting and the related drawing are datable to ca. 1603-1605. Drawn in black chalk, this sheet represents a bold example of Roncalli’s draftsmanship at the dawn of the seventeenth century, inspired by the monumentality of Michelangelo and Giuseppe Cesari, Cavaliere d’Arpino. The indented lines on the recto of the sheet and the extensive rubbing with black chalk dust on the verso of the paper are both signs of the ‘calco’ technique – a practice adopted to copy or transfer the design onto a secondary support to produce model drawings of identical scale. In 1964 Jacob Bean found a second study in Florence (GDSU, inv. 15428 F; 38.7 x 27.3 cm) for the same painting. In contrast to the Museum’s drawing, the Florentine composition is worked out in black, red, and white chalk on blue paper ( repr. in ‘Disegni dei toscani a Roma, 1580-1620', Florence, 1979, no. 27). The composition of the two preparatory drawings also differs in a number of details, and both, in turn, differ slightly from the painting in Rome. (F.R.)
Traité de la composition de l'ornement des jardins, avec 96 planches representant des plans de jardins
Object type: book
Date: 1825 – 1825
Techniques: engraving
Location: france
Artist: pierre boitard
Artist role: author
Artist nationality: french
Artist dates: 1789 – 1859
Subjects: architecture,gardens
Bos met pad bij Arachon
Object type: photograph
Date: 1803 – 1897
Materials: paper, photographic support
Techniques: gelatin silver print
Location: arcachon
Artist: delizy
Artist role: manufacturer
Subjects: road, path, forest, wood

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Memorie vande Ordre die gehouden soude worden op de Begraeffenis van Sijn Hoogheydt Hooghl. Memor.
Object type: programma, programmaboekje
Date: 1647 – 1647
Materials: paper
Techniques: letterpress printing
Location: the hague
Artist: ludolph breeckevelt
Artist role: publisher
Subjects: frederick henry (prince of orange)

Blad met een gedrukte tekst in twee kolommen met een gedetailleerde beschrijving van de lijkstatie van Frederik Hendrik die op 10 mei 1647 te 's-Gravenhage gehouden zal worden. Exemplaar van de druk zonder het jaartal.
Portret van Edouard Pick
Object type: print
Date: 1820 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: adult man, historical persons
Palais de Karnak, Entrée Méridionale de la Salle Hypostyle; Thèbes, plate 33 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie
Juniperus Oxycedrus. A Menton (Alpes-Maritimes)
Object type: photograph
Date: 1866 – 1871
Materials: paper
Techniques: albumen print
Location: menton
Artist: jean walburg de bray
Artist role: fotograaf
Artist dates: 1839 – 1901
Subjects: trees: cypress
Inscriptions: inscription: ‘Page 138.’, inscription: ‘Je mettrai au désert le Cèdre l'Acacia, le Myrte et l'Olivier; je planterai sur les landes le GENÉVRIER,/ le Térébinthe et le Buis ensemble./ ESAÏE, XII, 19.’, number: ‘No 21.’
Order of the Crown of Oak, Luxembourg, from the World's Decorations series (N30) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: medals

Trade cards from the "World's Decorations" series (N30), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Plate 24, from "World in Miniature"
Object type: print
Date: 1816 – 1816
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: towns,men,women,horses,carriages

One of forty prints from Rowlandson's "World in Miniature; Consisting of Groups of Figures, for the Illustration of Landscape Scenery." The marketplace in Glastonbury. A water spout and trough at right with women with pails standing to the left. A four-horse carriage driving along the street at left. At center, a woman is bucked off a horse.
Wineglass with William V of Orange
Object type: wineglass
Date: 1784 – 1784
Materials: glass
Artist: david wolff
Artist role: engraver
Artist nationality: dutch
Artist dates: 1732 – 1798
Subjects: princes,portraits
Geboorte van Salmon
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Artist: j. hattu
Artist role: print maker
Subjects: horse, 'en route', traveller under way, mountains
Inscriptions: collector's mark: Lugt 2228

Vrouw te paard, vermoedelijk de moeder van Salmon, de zoon van Nahesson. Man met vaandel en vele anderen in berglandschap. Mogelijk een voorstelling van de veertigjarige tocht door de wildernis.
Verklaring bij de kaart van de Slag bij Waterloo, 1815
Object type: text sheet
Date: 1809 – 1816
Materials: paper
Techniques: letterpress printing
Location: brussels
Subjects: waterloo
Inscriptions: collector's mark: Lugt 2228

Tekstblad met een gedrukte verklaring van de kaart en beschrijving van de Slag bij Waterloo op 18 juni 1815. Tekst in het Frans in drie kolommen.
Aap als betrapte minnaar, ca. 1720
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: matthijs pool
Artist role: print maker
Artist dates: 1676 – 1740
Subjects: monkeys, apes, animals acting as human beings, mistress
Inscriptions: collector's mark: Lugt 2228, number: ‘N. 50’, collector's mark: Lugt 2760

Een aap vlucht als betrapte minnaar uit een raam wanneer de echtgenoot thuiskomt. In het onderschrift versjes in het Frans en Nederlands. Prent nr. 13 in een serie van 16 prenten van ca. 1720 waarin apen als mensen figureren in allerlei huishoudelijke taferelen.
Saigyo-zakura, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Abklatsch van een krijttekening
Object type: sketchbook leaf
Date: 1888 – 1897
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 27 uit een schetsboek met 25 bladen.
Portret van René Descartes
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: rené descartes, scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228
Drie infanteristen
Object type: print
Date: 1813 – 1863
Materials: paper
Techniques: etching
Location: netherlands
Artist: gerardus emaus de micault
Artist role: draughtsman, print maker
Artist dates: 1798 – 1863
Subjects: the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228
Portret van Louis Blériot op zijn vliegtuig
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: france
Artist: fr. rose
Artist role: fotograaf
Subjects: louis blériot, aircraft, aeroplane, pilot
Inscriptions: inscription: ‘7-5-10 (...) Delft (Hollande)’, number: ‘35’
Das ander Buech gemacht auff die zway Colonnen, Corinthia und Composita
Object type: ornament print
Date: 1565 – 1565
Materials: paper
Techniques: etching
Location: antwerp
Subjects: composite order ~ architecture, pedestal of a piece of sculpture (perhaps in the form of a herm), corinthian order ~ architecture
Inscriptions: date

Twee piëdestals. Links een piëdestal waarvan de voorzijde gedecoreerd is met een ovale cartouche met een man of sater, in een omlijsting van rol- en beslagwerk. Rechts een piëdestal met een rechthoekige cartouche in een omlijsting van beslagwerk op voor- en zijkant, gedecoreerd met vogels en fruittrofeeën. Op de prent is vier maal een schaalverdeling aangegeven. De prent maakt deel uit van een album.
Border
Object type: border
Date: 1501 – 1600
Techniques: embroidery
Subjects: birds
An Alcove in the Art Students' League
Object type: painting
Date: 1888 – 1888
Materials: canvas, oil
Location: new york city
Artist: charles courtney curran
Artist nationality: american
Artist dates: 1861 – 1942
Inscriptions: signed, lower left: "CHAS. C. CURRAN 88"

Charles Courtney Curran documented the atmosphere and activity of the Art Students’ League in New York, where he studied and later taught. Here male and female students practice rendering the idealized human form. Students worked from casts of Greek and Roman sculptures, as well as from reproductions of classically inspired Renaissance objects, such as Michelangelo’s allegorical sculpture Night from the tomb of Giuliano de’Medici, which occupies the lower left corner of this painting. In the 19th century Night would not only have served as an effective demonstration of the art of antiquity but would also have represented one of the more difficult poses to illustrate. Once students mastered drawing antique and antique-inspired sculptures, they would have advanced to a class with live models.
Ostracon with a grid giving days of the months in hieratic against names and locations in hieroglyphs
Object type: ostracon, hieratic
Date: 664 – 610
Materials: ink, limestone
Location: egypt
Subjects: hieratic
Act I (Shodan), from the series Perspective Pictures of the Storehouse of Loyal Retainers, a Primer (Uki-e Kanadahon Chushingura)
Object type: print
Materials: ink, paper
Techniques: nishiki e, woodblock print
Location: japan
Artist: kitao masayoshi (kuwagata keisai)
Varie soffiti
Object type: print
Materials: paper
Techniques: etching
Location: antwerp
Artist: cornelis galle (ii)
Artist role: print maker
Artist dates: 1615 – 1678
Subjects: 'cornucopia', horn of plenty, ornaments ~ art, triton(s), (decorated) ceiling

Onderaan is een cartouche met een triton te zien, met een variant voor de rechterhelft. Prent maakt deel uit van een album.
The Upper Pleasure Grounds
Object type: page
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Location: rickmansworth
Artist: henri victor leménager
Artist role: docent, fotograaf
Artist dates: 1822 – 1912
Subjects: park, garden pond
Inscriptions: inscription: ‘Vide p. 96.’
Tetradrachm (Coin) Depicting the Goddess Athena
Object type: coin
Date: 190 – 136
Materials: metal, silver
Culture: greek
Location: antalya ili
Subjects: mythological figures, goddesses
Inscriptions: Reverse: ΚΛΕΥΧ

The front of this coin depicts the head of the goddess Athena, facing right.

On the back the goddess Nike faces left, her wings outfurled behind her and a pomegranate in front.
Monument of Richard Jervoice, 1563
Object type: drawing
Date: 1801 – 1900
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: arches,monuments
Ronde hanger van zilver
Object type: pendant jewelry
Date: 1970 – 1980
Materials: silver
Techniques: casting
Location: netherlands
Artist: Anonymous
Inscriptions: alloy mark: ‘zwaard 835’, maker's mark: ‘N10’

Ronde hanger van zilver voorzien van een plaatoog. De hanger is in de vorm van een ajour bloem met een bol in het midden.
Wintergezicht
Object type: drawing
Date: 1791 – 1850
Materials: chalk, paper
Techniques: brush
Artist: daniël van oosterhoudt
Artist role: draughtsman
Artist dates: 1781 – 1850
Subjects: playing with snow and ice - cc - adult(s) ~ snow and ice, ice ~ freezing weather
Overlijden van Willem IV
Object type: history medal
Date: 1751 – 1751
Materials: silver
Techniques: striking
Location: amsterdam
Artist: johann lorenz natter
Artist role: medailleur
Artist dates: 1705 – 1763
Subjects: the hague, willem iv (prins van oranje-nassau)
Moirémarmer in bruin en lichtbruin
Object type: marbled paper
Date: 1900 – 2000
Materials: lacquer, paint, paper
Techniques: marbling
Artist: Anonymous
Het dagelijks werk der dienst-meisjes
Object type: print
Date: 1767 – 1793
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: maid ~ house personnel
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met 40 voorstellingen over de levens van dienstmeisjes, onder wie Geesje, Lyntje, Keetje en Annaatje. Onder elke afbeelding een onderschrift. Genummerd linksboven: No. 154.
Romeinse oudheden te Lambaesis
Object type: page
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Location: lambaesis
Subjects: inscription, statues, paintings, etc. ~ objects of worship in roman religion, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘Phototypie Berthaud - Paris/ Extrait d'une Collection de 150 clichés pelliculaires (procédé Balagny)/ exécutes en Algérie et Tunisie par M, Edmond Bayard’
Gezicht op Bad Ems, Duitsland
Object type: stereograph
Date: 1867 – 1868
Materials: cardboard, paper
Techniques: albumen print
Location: bad ems
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: river, prospect of city, town panorama, silhouette of city
Inscriptions: inscription: ‘(Registered)’, number: ‘66’
Servet van wit linnendamast
Object type: napkin
Date: 1859 – 1859
Materials: linen
Techniques: damask
Location: borne

Wit linnen damasten servet met "convolvulos", merk kroon H.
Twee vrouwen luisteren naar het pianospel van een jonge vrouw
Object type: print
Date: 1869 – 1872
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: grand piano, interior of the house, tea-ceremony, afternoon tea
Inscriptions: collector's mark: Lugt 2228

In een interieur luisteren twee oudere dames , bij een tafel met een theeservies, naar het pianospel van een derde, jongere vrouw.
Bowl
Object type: bowl
Date: 1820 – 1840
Materials: glass, lead
Techniques: glassblowing, molding
Jug with cover (part of a service)
Object type: jug with cover
Date: 1750 – 1760
Materials: hard paste porcelain
Subjects: flowers,coat of arms
Heilige Lucia
Object type: print
Date: 1581 – 1581
Materials: paper
Techniques: engraving
Location: italy
Artist: agostino carracci
Artist role: draughtsman, painter, print maker
Artist dates: 1557 – 1602
Subjects: the virgin martyr lucy (lucia) of syracuse; possible attributes: dagger or sword (in neck), eyes, flames at feet, lamp, ox
Inscriptions: collector's mark: Lugt 240

De martelares Lucia uit Syracuse. In haar handen houdt Lucia een palmtak en een schaal met twee ogen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Interior, part of a reserved tondo; Exterior, part of a reserve line
Gebroken ringvormig fragment uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, rings or ring-shaped fragments; fragm, id. 80H625.
Photographie lunaire - corne nord 29 mars 1890
Object type: photomechanical print
Date: 1890 – 1890
Materials: paper
Techniques: photograph
Location: france
Subjects: surface of the moon
Inscriptions: inscription: ‘age de la lune, 216 heures agrandissement direct 15 fois’
Venetia
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, gondola, prospect of city, town panorama, silhouette of city, venice
Inscriptions: collector's mark: Lugt 2228

Linkerdeel van een gezicht op Venetië. Rechtsonder genummerd: 2.
Strandpaviljoen "Ulysses" Onrust & Maasen Bergen aan Zee
Object type: ansichtkaart, prentbriefkaart
Date: 1929 – 1951
Materials: photographic support
Techniques: photography, writing
Location: bergen
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, dunes (sea not visible); in the dunes
Inscriptions: postage stamp, stamp: ‘CS’
The Baptism of Christ
Object type: light window
Date: 1540 – 1540
Materials: glass, lead, pigment
Techniques: leading
Location: southern netherlands
Artist: Anonymous
Subjects: baptism of christ in the river jordan: john the baptist pouring out water on christ's head: the holy ghost descends, god the father represented as human being, usually with crown or tiara or sceptre and/or globe

Ronde gebrandschilderde ruit met voorstelling van de Doop van Christus. Christus, die een lendendoek draagt, staat tot halverwege zijn knieën in het water van de Jordaan. Johannes knielt op de oever, ten teken van zijn nederigheid ten opzichte van Christus, en giet uit de palm van zijn hand water over het hoofd van Christus. Boven zijn hoofd zweeft een duif in een stralenkrans, de Heilige Geest. Daarboven zien we God de Vader, die vanuit een wolkenpartij toekijkt en een zegenend gebaar maakt. Rechts ontkleden zich gelovigen om zich in het water te laten dopen.
Violante
Object type: print
Date: 1817 – 1854
Techniques: engraving
Artist: antonio viviani
Artist role: artist
Artist nationality: italian
Artist dates: 1797 – 1854
Subjects: portraits,women