deem-data/ArtiFact huggingface dataset:
Plate 6: Bertoldo hidden in a furnace, from "Bertoldo, Bertoldino, and Cacasenno"
Object type: print
Date: 1705 – 1715
Techniques: etching
Artist: giuseppe maria crespi
Artist role: artist
Artist nationality: italian
Artist dates: 1665 – 1747
Daken met schoorstenen
Object type: sketchbook leaf
Date: 1822 – 1893
Materials: paper, pencil, watercolor
Techniques: brush
Artist: willem troost (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1893
Subjects: chimney, roof (of house or building)

Tevens een studie van bomen, mogelijk langs een weg. Blad 55 verso uit een schetsboek met 36 bladen.
Fontein met triton
Object type: print
Date: 1772 – 1773
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Subjects: triton(s), piece of sculpture, reproduction of a piece of sculpture (+ clay, sand, etc. ~ arts), ornamental fountain, antwerp

Sculptuur van een fontein met een triton. Beeld gemaakt door Antoine-Jean Ansiau en zijn zoon, in de Wapperstraat. Genummerd rechtsboven in de plaat: 22. Onderdeel van de verzameling van figuren en beelden gemaakt van sneeuw in de straten van Antwerpen in januari 1772.
Portret van Jacques Cujas
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Bullart, Isaac. Académie des sciences et des arts. Amsterdam: Daniel Elzevier, 1682.
Ewer and basin
Object type: ewer and basin
Date: 1737 – 1738
Materials: silver
Artist: pierre miston
Artist role: maker
Artist dates: 1697 – 1757

Ewers and basins of this size were either part of dressing table services or were independent pieces. They were used for the daily grooming in the bedroom rather than for the rinsing of hands at the dining table or for display on the sideboard or tiered buffet. During the later seventeenth century and early eighteenth century, the silver toilet set evolved into one of the most fashionable luxury accessories and was an eloquent symbol of the owner’s social status. A lidded ewer such as this one held warm scented water for washing the hands and face at the beginning of the toilet. Here, the undulating lines of the neck of the ewer, its handle and the profile of the basin reflect the influence of the Rococo style. The decoration of the ewer’s lower section is known as cut-card work: its thin, flat appearance suggests cardboard from which a design has been cut. This form of decoration is primarily associated with the second half of the seventeenth century though it continues to be used until the 1730’s. A remarkable variety of scented waters was available, many emphasizing a single floral note or derived from fruits, while others were more complex. Some had purported benefits such as removing smallpox scars with regular use, improving the memory or lifting the spirits. Catherine D. Wentworth Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865-1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, much of it provincial, and includes a number of rare early pieces.
Foundation Deposit Plaque
Object type: foundation deposit plaque
Date: 1153 – 1147
Materials: faience
Location: egypt
Watch case
Object type: watch case
Date: 1645 – 1650
Materials: enamel, metal
Artist: christophe morliêre
Artist role: enameler
Artist nationality: french
Artist dates: 1600 – 1700
Subjects: flowers,madonna and child,crowd

Many of the flowers depicted on the exterior of this watchcase were copied from models provided in a series of prints by Nicolas Cochin or Noël Cochin for use by goldsmiths, titled Livre nouveau de fleurs tres util pour l’art d’orfevrerie, et autres (Paris, 1645). This new form of painting on a pure white ground was developed by about 1630; its invention is generally ascribed to Jean I Toutin (1578–1644). In Blois, enamelers were under the special protections of Gaston, duc d’Orléans (1608–1660), but Paris, too, was an early and important center of production. An increasing number of sources from which these enamel painters took their designs have been identified, and it seems safe to say that most, if not all, were content to reproduce in miniature the work of other artists.
Storage jar
Object type: jar, cartouch
Date: 1479 – 1425
Materials: stone
Location: egypt
Subjects: hieroglyphs
Spotprenten op Lodewijk XIV en zijn gevolg
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: engraving
Location: paris
Subjects: fleur-de-lis ~ ornament, altarcross, crucifix, political caricatures and satires
Inscriptions: collector's mark: Lugt 240

Titelpagina voor: Les Heros de la Ligue: ou la procession monacale, conduitte par Louis XIV, pour la conversion des Protestants de son royaume. Chez. Pere Peters en Louis le Grand: Parijs, 1691. (De uitgevers zijn fictief.)
St Catherine (The Little Jewish Bride)
Object type: print
Date: 1638 – 1638
Materials: ink, paper
Techniques: drypoint, etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Case (Inrō) with Chinese-Style Landscape
Object type: inrō
Date: 1801 – 1900
Materials: gold foil, lacquer
Techniques: fundame, inlay, roiro
Culture: japanese
Subjects: bridges,landscapes
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic
Artist: douris
Artist role: artist

Interior, part of meander; Exterior, palmette
Cassetta frame
Object type: frame
Date: 1767 – 1800
Materials: wood
Culture: italian
Spotprent op de Rotterdamse bezwaren tegen de onteigeningswet, 1861
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: railway, train, tight-ropewalker, steam locomotive
Inscriptions: collector's mark: Lugt 1641, stamp

Bovenaan genummerd: No. 41. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Vervoermiddelen te land en te water, vervoermiddelen te land, Spoorwegen.
Study for the Erection of the Cross
Object type: photomechanical print
Date: 1949 – 1950
Materials: cardboard
Techniques: photograph
Location: cambridge
Subjects: adult man, arms raised, with fingers closed
Summer, from "Full-Length Seasons"
Object type: print
Date: 1643 – 1644
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: women
Soldaat met een roer die zijn kruithoorn pakt (nr. 21), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, op de rug gezien, die met zijn linkerhand bij zijn linkerdijbeen een roer (een bepaald type vuurwapen) vasthoudt, de loop schuin omhoog wijzend (nr. 21), ca. 1600. Met zijn rechterhand pakt hij bij zijn zij een kruithoorn vast. Plaat 21 in de instructies voor het hanteren van de roer. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, Amsterdam, 1608. Krijgswezen rond 1600.
Acorn Clock
Object type: clock
Date: 1847 – 1850
Materials: wood
Culture: american
Location: united states
Artist: forestville manufacturing company
Artist role: maker
Artist nationality: american
Artist dates: 1835 – 1853
Subjects: landscapes,boats
Dragons Playing with the Sacred Pearl
Object type: painting
Date: 1501 – 1600
Materials: ink, paper
Techniques: painting
Culture: korean
Artist: unidentified artist
Artist role: artist
Subjects: dragons
60. Porte Kennesrîne, à Alep
Object type: lithograph
Date: 1843 – 1843
Techniques: lithograph
Artist: joseph-philibert girault de prangey
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1892

Joseph-Philibert Girault de Prangey was an artist, architectural historian, archaeologist, and pioneer photographer. He first came to prominence in the 1830s for several studies of medieval Islamic architecture in Spain and Italy, which were illustrated with prints made after his drawings and watercolors. He subsequently learned the daguerreotype process and, in 1842, pursued his research on a three-year photographic excursion around the eastern Mediterranean. He returned to France in early 1845 with one thousand daguerreotypes, including the earliest surviving photographs of Greece, Egypt, Turkey, Syria, and Jerusalem, and among the first daguerreotypes depicting Italy. The twenty-two lithographs included in this set of Monuments arabes form part of a larger, unrealized project to publish and disseminate many more of his daguerreotype views, which he carefully stored and archived as an essential part of his archaeological fieldwork.
Foot and leg? neck and chest?
Object type: foot and leg neck and chest
Date: 1353 – 1336
Materials: limestone
Location: egypt
Portret van Wilhelm I, keizer van Duitsland
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: engraving
Location: london
Artist: giovanni vendramini
Artist role: print maker, publisher
Artist dates: 1769 – 1839
Subjects: wilhelm i (keizer van duitsland), historical persons, emperor, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
Femina, Mars 1928: 10: twee staande vrouwen in jurken van Jane Régny en Goupy en twee details van jurken van Lucien Lelong
Object type: fashion print
Date: 1928 – 1928
Materials: paper
Techniques: letterpress printing, photography
Location: paris
Artist: pierre laffitte
Subjects: fashion plates, standing figure - aa - female human figure, dress, gown
Inscriptions: date
Salor Main Carpet
Object type: carpet
Date: 1767 – 1833
Materials: silk, wool
Techniques: asymmetrically knotted pile
Location: turkmenistan

The largest carpets created by Turkmen nomadic weavers, known as "main" carpets, were used on the floors of Turkmen tent dwellings. They usually employed a series of small repeating medallions, known as gul, that varied in form according to the tribe of the weaver. Rare and of unusual beauty, and often incorporating a small amount of magenta silk pile in their designs, Salor main carpets such as this appear to be the archetypes from which other Turkmen tribes derived their own characteristic main carpets.
Piece
Object type: piece
Date: 1401 – 1500
Materials: hemp, silk
Gondels onder een brug in Venetië
Object type: sketchbook leaf
Date: 1914 – 1914
Materials: paper, pencil
Location: venice
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: bridge in city across river, canal, etc., gondola, venice
Inscriptions: watermark

Voorstudie voor de ets 'Onder de brug, Venetië', ca. 1914-1919.
Belt plaque
Object type: belt plaque
Date: 1401 – 1600
Materials: jade
Culture: chinese
Bracelet
Object type: bracelet
Date: 301 – 700
Materials: iron
Culture: coptic
Location: egypt
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of neck guard of helmet, upper back, left shoulder and extended left arm of warrior
Melting Snow
Object type: drawing and watercolor
Date: 1887 – 1887
Materials: canvas, paper, pastel
Location: norway
Artist: frits thaulow
Artist nationality: norwegian
Artist dates: 1847 – 1906
Portrait of Raphael
Object type: print
Materials: paper
Techniques: engraving
Location: belgium
Artist: paul pontius
Artist nationality: flemish
Artist dates: 1603 – 1658
Vignet met een schild met drie Franse lelies geflankeerd door twee engelen
Object type: vignette
Date: 1650 – 1750
Materials: paper
Techniques: etching, letterpress printing
Location: france
Artist: Anonymous
Subjects: angels singing, making music, illustration ~ printed matter, book, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 2228
Shard:  Flower
Object type: shard
Date: 301 – 500
Materials: terracotta
Techniques: painting
Culture: pakistani
Subjects: gandhara,flowers
Fragment of the Left Half of the Front of a Brigandine
Object type: brigandine, fragment of front left half
Date: 1460 – 1460
Materials: iron, textile
Culture: italian
Location: greece
A Farm
Object type: print
Date: 1864 – 1864
Techniques: etching
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Gemeenteraadsverkiezing te Amsterdam / Het einde van den strijd
Object type: cartoon
Date: 1889 – 1889
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: voting, election, bullfight, municipal government, political caricatures and satires, amsterdam

De Gemeenteraadsverkiezingen van Amsterdam van 16 juli 1889 voorgesteld als stierengevecht met de matador als de winnaar van de verkiezingen die de stier, zijn tegenstander, de doodssteek toebrengt.
Ruïne op een eiland
Object type: sketchbook leaf
Date: 1840 – 1840
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: ruin of a dwelling, house, castle, etc.
Inscriptions: date and inscription: ‘Inselburg 1840.’

Vermoedelijk een ruïne van een kasteel. Blad 4 recto uit een schetsboek met 63 bladen.
Prayer Rug
Object type: carpet
Date: 1567 – 1600
Materials: silk, thread, wool
Location: egypt
Subjects: flowers

The Ottoman workshops produced a great variety of carpet designs that usually employed a group of familiar elements, consisting of naturalistic flowers, lotuses, and palmettes, often combined with feathery lanceolate leaves, medallions, arabesques, and cloud bands—all of which are seen here. This rug is attributed to the court manufactory in Istanbul because of the distinct, well-drawn patterns in the field and the border, as well as the all-silk foundation. The small size and overall design of an arch shape in the central field suggest that this carpet was used as a prayer rug.
Bowl with Stylized Leaf-strokes
Object type: vessel
Materials: iron, stoneware
Techniques: glazing, painting
Location: china
Salt with hinged cover
Object type: salt with cover
Date: 1894 – 1894
Materials: silver gilt
Mabel Runnels in Colors of Riverside Yacht Club, from the Yacht Colors of the World series (N140) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,flags

Trade cards from the "Yacht Colors of the World" series (N140), issued in an unnumbered set of 50 cards in 1890 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The same set was released by Duke in a smaller size, as well (N91).
Scarab: Floral Motif
Object type: costume and accessory
Materials: stone
Techniques: glazing
Culture: egyptian
Location: egypt
Subjects: scarab beetle, insects, plant-derived motif
Sebastian Bourdon
Object type: print
Date: 1733 – 1733
Materials: paper
Techniques: etching
Location: france
Artist: laurent cars
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1771
Design for Dos-a-dos Phaeton, no. 4094
Object type: drawing
Date: 1890 – 1890
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gekruisigde Christus
Object type: figure
Date: 1490 – 1490
Materials: wood, paint
Techniques: cutting
Subjects: christ on the cross on golgotha (alone, without bystanders)

Het uitgeteerde lichaam met ingesnoerde middel heeft een geprononceerde ribbenkast met zijdewond en een licht gewelfde buik. De dunne lendendoek is min of meer symmetrisch in fijne plooien tussen Christus' benen getrokken en waaiert aan beide zijden uit. De lange slanke benen zijn tanig en tonen gespannen pezen en spieren. Het hoofd van Christus hangt neer en heeft een geopende mond en gesloten ogen: Christus is gestorven weergegeven.
Self-Portrait
Object type: drawing
Date: 1910 – 1910
Materials: graphite, ink, paper
Techniques: pen, wash
Artist: umberto boccioni
Artist role: artist
Artist nationality: italian
Artist dates: 1882 – 1916
Subjects: men,self-portraits
Gaming Piece or Stone Object
Object type: gaming piece or stone object
Date: 701 – 1300
Materials: stone
Techniques: carving
Location: iran
Subjects: games

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Gezicht op Plymouth vanaf Mount Edgcumbe
Object type: photograph
Date: 1891 – 1891
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: great britain
Artist: Anonymous
Subjects: plymouth
Inscriptions: inscription: ‘22426. Plymouth; Drake's Island &c, from Mt Edgcumbe.’, inscription: ‘PLYMOUTH / Ile Drake et citadelle vus du mont Edgecumbe. -’, inscription: ‘Citadelle // Drake Island // Plymouth / (Drake's Island)’

Foto uit een album met 35 topografische foto's van Britse kustplaatsen, waarop in pen militaire verdedigingswerken zijn aangegeven door een Franse militair.
Panels (Furnishing Fabric)
Object type: textile
Date: 1830 – 1830
Location: france
Portrait Bust of a Young Man
Object type: drawing and watercolor
Date: 1829 – 1829
Materials: fiber, graphite, ink, paper
Techniques: brush, wash
Location: italy
Artist: after alessandro filipepi, called sandro botticelli
Inscriptions: Inscribed recto, lower right, in graphite: "10 marz [4] 6 [?]"
Funeral Shield of the Cobblers’ Guild in Amsterdam
Object type: begrafenisschild
Date: 1643 – 1643
Materials: silver
Location: amsterdam
Artist: johannes grill
Artist role: silversmith
Artist dates: 1614 – 1670
Subjects: cherubs, i.e. children's heads with wings, auricular ornament, lobe style ~ ornament, shoe-maker, cobbler, amsterdam
Inscriptions: town mark, maker's mark, date letter: ‘M’

Two funeral shields from the cobblers guild of Amsterdam. Silver. Amsterdam, 1643, by Johannes Grill. On loan from the city of Amsterdam.
Dutch Ship, from the set of eight Pictures of Foreign Ships
Object type: print
Date: 1840 – 1859
Techniques: woodblock print
Location: japan
Artist: Anonymous