deem-data/ArtiFact huggingface dataset:
Gold earring with convex disc
Object type: earring with plain loop and disc
Date: 101 – 300
Materials: gold
Culture: roman

Loop earring of an unsymmetrical type consisting of a twisted wire loop with a concave disc.
Caligula Appointing His Horse Incitatus to the Consulship
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: style of pietro da cortona
Portrait of Reinier de Klerk, Governor-General of the Dutch East India Company
Object type: painting
Date: 1777 – 1777
Materials: bronze, oil, panel
Artist: franciscus josephus fricot
Artist role: painter
Subjects: middelburg, batavia, colonial governor, historical persons, baton of general, dutch east indies, the
Inscriptions: signature and date: ‘Fricot [of Tricot] 1777’

Portret van Reinier de Klerk (1710-80). Gouverneur-generaal (1777-80). Ten halven lijve, staande naar links. De rechterhand rustend op een commandostaf op een tafel. Rechtsboven het familiewapen. Onderdeel van een reeks van portretten van de gouverneurs-generaal van het voormalige Nederlands Oost-Indië.
Landschap met kerk op een heuvel
Object type: print
Date: 1823 – 1883
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes adrianus van der drift
Artist role: print maker
Artist dates: 1808 – 1883
Subjects: landscape with other man-made constructions not mentioned above, e.g.: graveyards, playgrounds, etc.
Inscriptions: collector's mark: Lugt 2228
Apollo
Object type: print
Date: 1588 – 1588
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered within image, upper center: "Dispellite tenebras ... et fulgore corusco"; and lower center: "HG. fe. / Ao. 88."
Covered ale pitcher
Object type: ale pitcher
Date: 1849 – 1852
Materials: earthenware
Culture: american
Location: united states
Artist: lyman, fenton & co.
Artist role: manufacturer
Artist nationality: american
Artist dates: 1849 – 1849
A mute appeal
Object type: photomechanical print
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Location: berlin
Artist: erna spencer
Artist role: fotograaf
Subjects: cat, child
Views of Switzerland and Savoy
Object type: photograph
Date: 1863 – 1865
Materials: cardboard, paper
Techniques: albumen print
Location: bern
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: waterfall
Inscriptions: inscription: ‘Dedicated, by permission, to the Alpine Club’, inscription: ‘Registered’, address: ‘Messrs Marion & Co 22 & 23 Soho Square, London W.’
Portret van een man
Object type: photograph
Date: 1897 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: stockholm
Artist: oscar ellquist
Artist role: fotograaf
Artist dates: 1867 – 1937
Subjects: historical persons
Inscriptions: inscription: ‘Allm. Telef. 131./ priisbelönt på utställningen/ stockholm/ 1897./ Oscar Ellqvist/ Stockholm/ Hamnagatan 18 A/ (SVEA SALEN)/ Plåten förvaras.’
Portret van een man met een snor en een strikje
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: roermond
Artist: adolf lasinsky
Artist role: fotograaf
Artist dates: 1849 – 1891
Subjects: moustache, historical persons, neck-gear ~ clothing, clothing for the upper part of the body
Inscriptions: address: ‘Roermond’, name: ‘Adolf Lasinsky firma A. Diepenbach’

Onderdeel van Fotoalbum van een Nederlandse familie met 168 cartes-de-visite en kabinetfoto's.
Obéis et tais toi!
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: paris
Subjects: adult man ( + one person)
Inscriptions: collector's mark: Lugt 2228
Dalmatic back
Object type: dalmatic fragment
Date: 1867 – 1900
Materials: metal thread, silk

Responding to the Gilded Age's enthusiasm for Renaissance style, this garment is a pastiche, created out of repurposed crimson velvet furniture upholstery– thinly piled, with previous wear marks and tack holes clearly visible– paired with what was then brand new, late-nineteenth century needlework. These needlework panels, that representing Saint Luke applied to one side of the garment and Saint Mark to the other, were very competently executed by talented professionals, their design and technique emulating sixteenth-century examples, but with thinner, shinier metal-threads and garishly bright sewing silks. Though shaped as an oversized tunic-like dalmatic worn by a Catholic priest, this "vestment" was most likely assembled by a dealer to appeal to the art market rather than for use within an ecclesiastic context.
Master at Arms, United States Navy, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Chalice
Object type: chalice
Date: 1601 – 1633
Materials: silver gilt
Terracotta fragment of a stamnos (jar)
Object type: stamnos fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Above the shoulder, a profiled concave ring, in black glaze; at the shoulder, a band of tongues; below a thick band of reserve; part of two circumscribed palmettes and tendrils
Portret van Janus Secundus
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: leiden
Subjects: the hague, janus secundus, historical persons, portrait of a writer, writer, poet, author

Prent uit: Secundus, Janus en Pieter Schrijver. Iohannis Secundi Opera. Leiden: Franciscus Hegerus, 1631.
Design for the Decoration of a Pistol Grip
Object type: drawing
Date: 1797 – 1805
Materials: ink, paper, pencil
Techniques: wash
Culture: french
Location: france
Artist: nicolas noël boutet
Artist role: designer
Artist nationality: french
Artist dates: 1761 – 1833
Subjects: rams
Wandelaars in een park
Object type: drawing
Date: 1758 – 1801
Materials: paint, paper
Techniques: brush
Artist: arie lamme
Artist role: draughtsman
Artist dates: 1748 – 1801
Subjects: park
Burgemeesterspenning Gemeente Amsterdam
Object type: history medal
Date: 1852 – 1852
Materials: silver
Techniques: striking
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879

Penning van zilver met aan de voorzijde Gekroond Rijkswapen met dragers op loofwerk met banderol. Op de keerzijde met gravure gekroond wapenschild van Amsterdam met dragers op loofwerk.
Bronze spearhead
Object type: spearhead
Date: 1200 – 1100
Materials: bronze
Culture: cypriot

Leaf-shaped blade with a strongly marked midrib; two rivet-holes in socket. A wooden shaft would have been attached to this spearhead. There is an impression of woven fabric near the end of the tubular socket, and of binding near the shoulder.
Writing case
Object type: writing case
Date: 1575 – 1600
Techniques: maiolica, glazing
Subjects: male nudes
Zittend naakt
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving, intaglio
Location: italy
Artist: adamo scultori
Artist role: painter, print maker, sculptor
Artist dates: 1530 – 1585
Subjects: the (nude) human figure; 'corpo humano' (ripa), fruits: acorn
Inscriptions: collector's mark: Lugt 240

Zittende naakte man, naar rechts gedraaid, met een guirlande van eikels. Eén van de 'ignudi' (naakte mannen) van Michelangelo's plafondschildering. Genummerd rechtsonder: 6.
De Engelsche Koetzier / Le Cocher Anglois / The English Coachman
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: inn, coffee-house, public house, etc., unsuccessful love affair; seduction, beer, ale
Inscriptions: collector's mark: Lugt 2228

Een koetsier zit een een tafel in een herberg, met een grote kan bier in zijn hand. Hij probeert de waardin te verleiden, maar zij houdt hem af. In de marge een vierregelig satirisch vers in het Nederlands, Frans en Engels.
Versailles, Grand Trianon, Dragon par Hardy
Object type: photograph
Date: 1901 – 1901
Techniques: albumen print
Location: france
Artist: jean-eugène-auguste atget
Artist nationality: french
Artist dates: 1857 – 1927
Subjects: collected by hugh edwards
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, part of a circumscribed palmette; left half of handle; tendril
Portret van Abraham Pompe van Meerdervoort
Object type: print
Date: 1794 – 1850
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons, politician, e.g. party leader
Eeuwigheyt
Object type: print
Date: 1681 – 1737
Materials: paper
Techniques: engraving, etching
Location: leiden
Artist: françois van bleyswijck
Artist role: draughtsman, print maker
Artist dates: 1671 – 1746
Subjects: eternity, 'aeternitas'; 'eternità','eternità o perpetuità' (ripa)
Inscriptions: collector's mark: Lugt 2228

Embleem met allegorie op eeuwigheid verbeeld als Vadertje Tijd met slang in een ring (staart in bek) en vuurvogel in zijn hand. In een landschap maakt de Dood jacht op een koning met bediende te paard. Onder de voorstelling en op verso staat een gedicht.
Portret van Marie Studholme, met nieuwjaarswens
Object type: photograph
Date: 1904 – 1904
Materials: paper
Techniques: gelatin silver print
Location: london
Subjects: historical persons - bb - woman, portrait of actor, actress, london
Inscriptions: inscription: ‘A happy new year/ from/ M. Roberts’, inscription: ‘Mr. G. Wells/ Goldington Lodge/ Bedford’, inscription: ‘The Panellette/ Book Post/ Card.’, inscription: ‘Miss Marie Studholme./ 5549 D Rotary Photo E.C. Johnston & Hoffmann’
Antieke ruïnes en wandelaars op een pad
Object type: print
Date: 1795 – 1845
Materials: paper
Techniques: etching
Location: italy
Subjects: landscape with ruins, 'en route', traveller under way, corinthian order ~ architecture
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ruïne van een antieke poort met Korinthische zuilen. Op het pad dat onder de poort doorloopt twee wandelaars met twee honden. Op de achtergrond een bergachtig landschap. Het geheel wordt ingekaderd door een tweede poort op de voorgrond.
Two Rococo Frames, with Christ as Man of Sorrows in Upper Design
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: ornament,christ
Earrings
Object type: earring
Date: 1801 – 1900
Culture: american or european
Piece
Object type: piece
Date: 1001 – 1100
Materials: cotton, metal thread
Culture: central asian
Dagger (Katar) with Sheath
Object type: dagger with sheath
Date: 1701 – 1900
Materials: gold, steel, velvet, wood
Culture: indian
Location: north india
Beggar Leaning on a Stick, Facing Left
Object type: print
Date: 1630 – 1630
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Deel van fries op schouw in Vroedschapskamer van het Stadhuis op de Dam
Object type: print
Date: 1663 – 1668
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: hubert quellinus
Artist role: print maker
Artist dates: 1619 – 1687
Subjects: beasts of prey, predatory animals: bear, townhall, owls, allegory, personification of good government, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: ‘16,84’ Lugt 1641b

Prent gebruikt in: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Artus Quellinus (I), 1663.

Zie RP-P-AO-22-2-1 voor bijhorende titelpagina.
Zie RP-P-AO-22-2-2 voor bijhorend register.
Zie RP-P-AO-22-2A, RP-P-AO-22-2B, RP-P-AO-22-2C-1, RP-P-AO-22-2C-2, RP-P-AO-22-2C-3, RP-P-AO-22-2C-4, RP-P-AO-22-2D-1, RP-P-AO-22-2D-2, RP-P-AO-22-2D-3, RP-P-AO-22-2E-1, RP-P-AO-22-2E-2, RP-P-AO-22-2E-3, RP-P-AO-22-2E-4, RP-P-AO-22-2F-1, RP-P-AO-22-2F-2, RP-P-AO-22-2F-3, RP-P-AO-22-2G, RP-P-AO-22-2H, RP-P-AO-22-2I, RP-P-AO-22-2K, RP-P-AO-22-2L, RP-P-AO-22-2M, RP-P-AO-22-2N, RP-P-AO-22-2O-1, RP-P-AO-22-2O-2, RP-P-AO-22-2O-3, RP-P-AO-22-2O-4, RP-P-AO-22-2O-5, RP-P-AO-22-2O-6, RP-P-AO-22-2O-7, RP-P-AO-22-2P-1, RP-P-AO-22-2P-2, RP-P-AO-22-2Q-1, RP-P-AO-22-2Q-3, RP-P-AO-22-2R-1, RP-P-AO-22-2R-2, RP-P-AO-22-2R-3, RP-P-AO-22-2S, RP-P-AO-22-2T-1, RP-P-AO-22-2T-2, RP-P-AO-22-2T-3, RP-P-AO-22-2T-4, RP-P-AO-22-2V-1, RP-P-AO-22-2V-2, RP-P-AO-22-2W-1, RP-P-AO-22-2W-2, RP-P-AO-22-2X-1, RP-P-AO-22-2X-2 en RP-P-AO-22-2X-3 voor andere prenten uit deze publicatie.

Zelfde staat van prent ook gebruikt in: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Frederik de Wit, 1668.
Latere staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).
Hoofd
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: head (human)

Pagina 30 uit een schetsboek met 27 bladen.
Sf. Goedo Middenfabriek
Object type: photograph
Date: 1925 – 1930
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: jombang
Subjects: plantation, factory-interior, machine shop, plants and herbs: sugarcane, sugar, dutch east indies, the

Onderdeel van Fotoalbum met opnames van vier suikerfabrieken op Java.
Fotoreproductie van een tekening naar een schilderij door Guercino, voorstellend de begrafenis van Petronella van Rome
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: the virgin and martyr petronilla
Vrouw met kind op schoot
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: leiden
Subjects: mother and baby or young child, (playing with) toys, drinking, mother and child(ren), woman and child(ren) (family group) (with number of children)
Inscriptions: collector's mark: Lugt 2233

Moeder met kind op de schoot. Ze probeert het kind uit een beker te laten drinken. Op de grond wat speelgoed. Profiel naar rechts.
Snare Drum
Object type: snare drum
Materials: fiber, skin, wood
Culture: american
Location: united states

Side drums were the most important instrument in the infantry of European armies and were commonly in use in the colonies of British North America beginning in the middle of the seventeenth century. Such drums were part of the "field music" along with fifes and used to provide cadences for marching armies as well as to signal all aspects of an infantry soldier's day from sounding a wake up alarm, to signaling meals, calling soldiers for drill practice, announcing mail call, and telling soliders when to go to bed. This drum was worn on a sling to the player’s side, hence its name. Snares, or cords, strung across the bottom head rattled when the drum was played and gave it a characteristic buzzing sound. Technical description: Birchwood shell with reddish brown varnish. Brass tack design reinforcing glued shell overlap, consisting of two parallel, vertical lines of four tacks each. In between the two vertical lines is a circle consisting of six tacks around the vent hole that has bone bushing. Nails are also used to reinforce the shell. Rope tension. Originally nine leather tugs (three now missing). Wooden counter hoops painted red (faded to pink). Nails secure the rim overlaps. Nine drilled holes in each rim through which the rope passes. Brass snare adjuster mounted on snare head rim. A brass screw (now missing) mounted horizontally, perpendicular to the rim, pushed against the rim, forcing the mechanism clamping the snares away from the drum, to tighten the snares. Calfskin heads. Five gut snares held opposite the strainer by a leather strap. A single leather strap passes through a hole in the batter head rim that may have held the sticks when they were not in use. (Jayson Kerr Dobney 2003)
Octagonal food box with Chinese immortals and floral design
Object type: box
Date: 1701 – 1800
Materials: gold leaf, metal, mother of pearl, wood
Techniques: gilding, inlay, lacquer
Culture: japanese

This richly decorated black-lacquered octagonal food box features recessed panels on each of its sides, inset with gilded metal mesh and surrounded by intricately inlaid mother-of-pearl designs of scrolling peony leaves and flowers. The rims of both the upper and lower sections also contain smaller recessed panels ornamented with inlaid mother-of-pearl dragons. The flat top of the box’s cover is inlaid with a design of Shoulao, the Chinese God of Longevity, riding a crane among clouds above a group of eight Daoist Immortals. The raised, faceted base is also ornamented with inlaid mother-of-pearl peony scrolls, and the interior of the vessel is lacquered in red. An inscription, now obliterated, on the underside of the vessel’s foot, may have indicated the origins of the piece, which was almost certainly made by a studio producing wares for the Ryukyu court. The lacquer techniques and style seen in this piece reflect the influence of Chinese and Korean decorative arts, especially lacquers with mother-of-pearl inlay.
Dog Cart # 919
Object type: drawing
Date: 1870 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
The Triumph of Death
Object type: print
Date: 1580 – 1600
Materials: paper
Techniques: engraving
Location: germany
Artist: johann theodor de bry
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1561 – 1623

Bry’s miniscule engraved frieze copies and reverses a much larger woodcut by Erhard Schön of 1532. It shows the sizable baggage trains that would have followed Landsknecht companies on their campaigns. The artist preserved every detailed element, incorporating the soldiers’ flamboyant outfits, their downtrodden wives and other camp followers, and exotic prisoners and their camel. Death brings up the rear on a pale, haggard horse, marking the end to all things.
Terracotta fragment of a kylix: Band cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Bit of hair, neck, and shoulder of a draped male to left; draped woman to left holding her himation around her head (anakalypsis?)
Umegonomi neya no utsuriga (Lingering plum scent in the sleeping chamber)(0017-0019)
Object type: book
Techniques: woodblock print
Location: japan
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Oorhanger
Object type: ear ornament
Date: 400 – 500
Materials: gemstone, gold, pearl
Location: syria
Artist: Anonymous

Earring. Gold, amethyst, cornelian, pearl. Syria, 5th century.
Portret van Dirk Huizinga, hoogleraar geneeskunde in Groningen en rector magnificus van 1879 tot 1880
Object type: photograph
Date: 1875 – 1880
Materials: photographic support
Techniques: albumen print
Artist: friedrich julius von kolkow
Artist role: fotograaf
Artist dates: 1839 – 1914
Subjects: historical persons, professor
Inscriptions: name: ‘D Huizinga’

Foto op derde ongenummerde pagina voor titelpagina.
Baroque Pearl Mounted as a Cat Holding a Mouse
Object type: costume and accessory
Date: 1601 – 1700
Materials: enamel, gold, pearl
Culture: german or spanish
Location: spain
Subjects: cats, animals
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1701 – 1800
Materials: copper, gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: birds
Padangsche Bovenlanden
Object type: photograph
Date: 1891 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: sumatera barat
Artist: christiaan benjamin nieuwenhuis
Artist role: publisher
Artist dates: 1863 – 1922
Subjects: village, temple, shrine ~ islam, mohammedanism, sumatera barat (province)
Inscriptions: inscription: ‘Foto’

Deze foto zat oorspronkelijk in prentenkabinet RP-F-AA3192.
Staande stier en liggende koe met schaap
Object type: print
Date: 1647 – 1697
Materials: paper
Techniques: etching
Artist: abraham jansz begeyn
Artist role: draughtsman, print maker
Artist dates: 1637 – 1697
Subjects: bull, cow, sheep
Inscriptions: collector's mark: Lugt 240
Ain-et-Tin. The supposed site of Capernaum
Object type: page
Date: 1860 – 1865
Materials: photographic support
Techniques: albumen print
Location: palestine
Artist: francis bedford
Artist role: print maker
Artist dates: 1815 – 1894
Subjects: landscape with ruins
Iohannes Visscherus
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam
Inscriptions: collector's mark: Lugt 2228

Borstbeeld van de Amsterdamse predikant Johannes Visscher. Onder het portret een vers over Visscher in het Nederlands.