deem-data/ArtiFact huggingface dataset:
St. Agathon, Martyr, December 7th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Proportiestudie van een man
Object type: drawing
Date: 1812 – 1861
Materials: ink, paper, pencil
Techniques: pen
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: human figure of ideal proportions, e.g. academic nude
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, right hand holding lyre
De ruïne van het huis te Matenes by Schiedam
Object type: print
Date: 1711 – 1774
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Smids, Ludolf. Schatkamer der Nederlandsse oudheden; of woordenboek, behelsende Nederlands steden en dorpen, kasteelen, sloten en heeren huysen (…). Amsterdam: Pieter de Coup, 1711, tussen p. 224 en 225.

Het is ook mogelijk dat deze prent uit de tweede (1737) of derde (1774) druk komt, of uit een uitgave met alleen de prenten: Nederlandsche oudheden, bestaande in zestig verbeeldingen (...) gelegen in Holland, 't Sticht van Utrecht en Gelderland enz. Amsterdam: Hendrik Bosch, 1721.
Bononiensis de architectura libri quinque quibus cuncta fere architectonicae facultatis mysteria docte, perspicue . . .
Date: 1568 – 1569
Location: venice: apud francifcum de francifcis senenfem
Artist: sebastiano serlio
Artist role: author
Artist nationality: italian
Artist dates: 1475 – 1554
Kodak 1880-1980
Object type: plate dish
Date: 1980 – 1980
Materials: metal
Artist: Anonymous
Subjects: taking photographs - cc - out of doors, garden
Landschap met vijf figuren
Object type: print
Date: 1616 – 1708
Materials: paper
Techniques: etching
Subjects: landscape with ruins, index finger forwards, pointing, indicating
Inscriptions: collector's mark: Lugt 240

In een landschap met ruïnes rusten vijf figuren aan de oever van een rivier.
Armor
Object type: armor
Materials: leather, steel
Culture: german
Location: germany
Courtesans of Yoshiwara and their attendants viewing the peonies on Nakanocho
Object type: print
Date: 1787 – 1787
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Altar Ring
Object type: altar ring
Date: 1601 – 1900
Materials: brass
Culture: edo period
Location: nigeria
Subjects: birds
Dresser (Dressoir aux harpies)
Object type: dresser
Materials: iron, wood
Techniques: carving
Culture: french
Subjects: masks,caryatids,grotesques
Chateaugay Lake
Object type: photomechanical print
Date: 1893 – 1893
Materials: paper
Techniques: photograph
Location: new york
Subjects: lake
Plate 3, from Landscapes with Scenes from the Old and New Testament and Ovid’s Metamorphoses
Object type: print
Date: 1574 – 1574
Materials: ink, paper
Techniques: etching
Location: belgium
Artist: hans bol
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1534 – 1593
Inscriptions: Lettered lower right: "3"
Meisje op de brug van Prinseneiland in Amsterdam
Object type: photograph
Date: 1890 – 1910
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Subjects: prinseneiland

Moderne afdruk van negatief BR 1378 (collectie RKD).
Fragment steel van vork of lepel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: spoon
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Cutlery, fragment: stem of fork or spoon; fragm, sim. NG 1980-27H518.
Festivitates, Aurifabris
Object type: ornament print
Date: 1654 – 1678
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: (human) skull, ornament ~ cartouche

Cartouche met een klein en groot compartiment, in de middelste en onderste rand is een masker verwerkt. Prent uit tweede editie van serie.
Heilige Maria van Egypte
Object type: print
Date: 1588 – 1595
Materials: paper
Techniques: engraving
Location: munich
Subjects: the penitent harlot mary of egypt (maria aegyptiaca); possible attributes: long hair, three loaves
Inscriptions: collector's mark: Lugt 240

De H. Maria van Egypte zittend in een grot. Rechts een crucifix, een boek en een doodshoofd.
Nepal, 1/16 mohar, 1780
Object type: coin
Date: 1780 – 1780
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: rondom figuur tekens in Nagari-schrift. Keerzijde: rondom figuur tekens in Nagari-schrift. Jaartal onderaan. Gladde rand.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Part of the foot of a kylix, with a chamfer; the outer edge is reserved; the underside is reserved, with a band of black glaze towards the outer edge
Gezicht op de Oudeschans en de Montelbaanstoren
Object type: photomechanical print
Date: 1875 – 1930
Materials: cardboard
Techniques: photograph
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment, city-view in general; 'veduta', river, tow-boat, towing-barge, bridge in city across river, canal, etc.
Inscriptions: collector's mark: ‘13,9’ Lugt 1641b, inscription: ‘Amsterdam / Oude Schans’

Onderwerpsrubriek binnen de Atlas Amsterdam: Oude Schans, Schoutensteeg, Singel (Korte), Singel.
Fragment Depicting a Tathagata
Object type: sculpture
Date: 1101 – 1200
Materials: wood
Location: western tibet
Twee jongetjes, waarvan een met tros druiven
Object type: print
Date: 1580 – 1641
Materials: paper
Techniques: engraving
Location: italy
Artist: luca ciamberlano
Artist role: painter, print maker, publisher
Artist dates: 1570 – 
Subjects: cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Twee staande jongetjes naast elkaar. Een houdt een tros druiven in zijn handen. Genummerd linksonder: 24.
Impression from a name plate for Edward D. Adams
Object type: print
Date: 1892 – 1892
Techniques: etching
Artist: alphonse legros
Artist role: artist
Artist nationality: french and british
Artist dates: 1837 – 1911
Herald, from the Occupations of Women series (N502) for Frishmuth's Tobacco Company
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: frishmuth's tobacco company
Artist role: publisher
Artist nationality: american
Subjects: women

The "Occupations of Women" series of trading cards (N502) was issued by Frishmuth's Tobacco Company in 1889 to promote the company's tobacco products. This series uses similar images to Goodwin Tobacco's 1887 series "Occupations for Women" (N166).
Perspectivische doorsnede van het Rijksmuseum
Object type: photograph
Materials: paper
Techniques: photograph
Subjects: permanent exhibition, museum
Two Children by a Well Curb
Object type: print
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: wells,children

This is an early example of a surimono in the shikishiban (square) format. Surimono with these proportions did not become popular until the 1810s.
Toelichting bij een geometrisch plan van een bastion
Object type: text sheet
Date: 1777 – 1778
Materials: paper
Techniques: letterpress printing
Location: the hague

Tekstblad met een Nederlandstalige toelichting op een prent met een voorstelling van een geometrisch plan van een bastion, links getekend volgens de leer van het perspectief (regels der doorzichtkunde) en rechts met behulp van een grafometer. Het tekstblad maakt deel uit van het boek: A.G. Eckhardt, Beschryving van een algemeenen graphometer, 1778.
Baliemand van gespleten wilgenteen
Object type: kleermand
Date: 1690 – 1710
Materials: plant material
Location: halle
Artist: Anonymous

Rechthoekige baliemand (kleermand) van gespleten wilgenteen, fijnscheenwerk. Bovenop de vier wanden zitten handgrepen.
Gracht in Dordrecht
Object type: print
Date: 1884 – 1887
Materials: paper
Techniques: drypoint, etching, intaglio
Location: netherlands
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: washing up, canals, waters (in city) (+ city(-scape) with figures, staffage), dordrecht
Inscriptions: collector's mark: Lugt 2228

Gezicht op een gracht waarin schuiten varen. Op de voorgrond staat een vrouw bij het open raam af te wassen. In de rand rondom de voorstelling vier stadsgezichten.
St Pieters Bergh bij Mastricht, soo als hem die onder de Aerde vertoont
Object type: book illustration
Date: 1682 – 1682
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: kinds of non-precious stone: chalk, cave, grotto
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Brown, Edward. Naauwkeurige en gedenkwaardige reysen van Edward Brown (...) door Nederland, Duytsland, Hongaryen, Boek III, p. 112. Amsterdam: Jan Claesz ten Hoorn, 1682.
Terracotta lamp in the form of a satyr's mask
Object type: lamp in the form of a satyr's mask
Date: 7000 – 330
Materials: terracotta
Subjects: satyrs
Incense Burner (Xunlu or Xianglu)
Object type: religious ritual object
Materials: bronze
Location: china
Reproductie van een prent van vogels die hun jong zien uitvliegen, met het gedicht Juin van François Coppée, door Hector Giacomelli
Object type: photomechanical print
Date: 1871 – 1876
Materials: paper
Techniques: chromolithography, photograph
Subjects: birds, animals (+ nest, den, burrow), june ~ other concepts
Kris van Bali met schede
Object type: kris
Date: 1800 – 1899
Materials: steel
Location: bali
Artist: Anonymous
Subjects: lombok

Kris van Bali, het staal bij het gevest sierlijk uitgesmeed, in meer dan helft geel geverfde schede. Buitgemaakt op de expeditie van Lombok in 1894.
Lamprey Eel, from the series Fishers and Fish (N74) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: knapp & company
Artist role: lithographer
Artist nationality: american
Subjects: fish

Trade cards from the "Fishers and Fish" series (N74), issued in a set of 50 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes.
Groepsportret van David, Greet, Gerard, Gerrit en Johan Vermeulen met een vrouw
Object type: album leaf
Date: 1910 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: the hague
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: adult woman, adult man, child, family life
Blade and Mounting for a Dagger (Tantō)
Object type: blade and mounting for a dagger tantō
Materials: silver alloy, gold, iron, lacquer, leather, steel, wood
Culture: japanese
Location: japan
Drie fotoreproducties van tekeningen, vermoedelijk van wanddecoraties
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Subjects: drawing, sketch, caryatids ~ architecture, cupids: 'amores', 'amoretti', 'putti', europe
Inscriptions: name: ‘C. Pini Firenze’, number: ‘[...]’, number: ‘98’, collector's mark: Lugt 3937, number: ‘97’, number: ‘96.’

Boven (96) een tekening van een schildering in een geornamenteerde lijst door Giorgio Vasari, midden (97) een tekening van putti met muziekinstrumenten en dieren door Pordenone, onder (98) een tekening van een fries met formaten ernaast door L. Cigoli.
Balance Weight with Two Emperors Hunting a Snake
Object type: weight
Date: 301 – 500
Materials: copper alloy
Culture: byzantine
Subjects: hunting,snakes

Depictions of emperors were a popular motif on square weights of this era. The Greek letters identify this piece as a three-ounce weight. In Byzantium, precise measurement of goods was achieved by a set of standard balance weights.
Convivio delle Belle Donne, page 9 (verso)
Object type: book print ornament architecture
Techniques: woodcut
Location: italy
Artist: nicolò zoppino
Artist role: publisher
Artist nationality: italian
Artist dates: 1478 – 1544
Subjects: ornament
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, hind quarters and tail of a bull to left; tail of a second quadruped; Exterior, back of head, neck, left shoulder, and part of upper arm of woman wearing a sakkos and chiton; part of an inscription, KA[LOS]
Reliquary Finial
Object type: reliquary finial
Date: 801 – 1000
Materials: enamel, gold
Techniques: enamel
Culture: byzantine
Plaque (one of a pair)
Object type: ceramic
Date: 1750 – 1760
Materials: earthenware
Techniques: polychrome, glazing
Location: delft
Frieze with Sea Monsters
Object type: print ornament architecture
Date: 1580 – 1600
Techniques: engraving
Artist: johann theodor de bry
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1561 – 1623
Subjects: mythical creatures,putti

Frieze with five sea monsters ridden by putti. The three creatures at left have horse-like front legs, serpentine tails, and (from left to right) the head of a horse, lion, and goat. At right, two fanged fish. From a series of five plates after Giovanni Andrea Maglioli (SKB 4350).
Apostel Mattias
Object type: print
Date: 1591 – 1629
Materials: paper
Techniques: engraving
Location: prague
Subjects: the apostle and martyr matthias; possible attributes: axe, book, cross, halberd, scroll, sword
Inscriptions: collector's mark: Lugt 2228

Prent naar ontwerp van Joos van Winghe. Prent maakt deel uit van serie met dertien prenten en titelprent van Christus en twaalf apostelen.
Wheellock Pistol
Object type: wheellock pistol
Date: 1575 – 1575
Materials: gold, steel
Culture: german
Location: germany
The Pentecost, with the Apostles and the Virgin sitting in a circle, the Holy Spirit appearing above them, and a donor kneeling at left
Object type: print
Date: 1729 – 1740
Techniques: engraving, etching
Artist: frédéric horthemels
Artist role: artist
Artist nationality: french
Artist dates: 1680 – 1738
Terracotta oil lamp
Object type: lamp
Date: 1 – 50
Materials: terracotta
Culture: roman
Subjects: victory

Loeschcke Type 1A. Mold-made. Discus: in high relief, winged Nike (Victory) standing, facing left, holding inscribed shield over altar; a single filing hole at center right behind Nike, with a band of lines and grooves towards edge. Volutes flanking angular nozzle. Within raised base ring, outlined by two incised circles, a flat base, with incised letters across center: FAVSII. On the shield in Latin is a New Year's wish for good fortune and happiness for the owner: ANNV / NOVM FAV/STVM FEL/ICEM MI/HI. Intact. On discus, winged Victory with inscribed shield. On the base is incised the name of the lampmaker: FAVSTI; he had workshops in Italy, Egypt, and Petra, as well as in Cyprus.
Design for a Garden Fête with a Semi-circular Wall and Statues in Niches.
Object type: drawing
Date: 1615 – 1679
Materials: gouache, graphite, ink
Techniques: brush, pen, wash
Artist: francesco allegrini
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1679
Subjects: architecture
Plate 49 from "The Disasters of War" (Los Desastres de la Guerra): 'A woman's charity' (Caridad de una muger)
Object type: print
Date: 1811 – 1811
Techniques: engraving, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,women
Jar
Object type: jar
Date: 1101 – 1300
Materials: earthenware
Techniques: glazing, molding
Location: syria
Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad)
Object type: print
Date: 1810 – 1810
Techniques: engraving, drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: wars,swords,suffering,men,women
Portret van mogelijk een architect, tekenend met potlood in zijn hand
Object type: photograph
Date: 1855 – 1860
Materials: cardboard, paper
Techniques: salted paper print
Location: germany
Artist: franz seraph hanfstaengl
Artist role: painter, print maker, printer
Artist dates: 1804 – 1877
Portret van Jan van Galen
Object type: book illustration
Date: 1858 – 1862
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: essen, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Jonge, J.C. de. Geschiedenis van het Nederlandsche zeewezen. Haarlem: Jonge, J.K.J. de, 1858-62.
A Water-Mill Near Saint-Denis
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: engraving, etching, roulette
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Mustard pot
Object type: mustard pot
Date: 1759 – 1759
Materials: silver
Artist: joseph opinel
Artist role: maker
Artist dates: 1715 – 1794

During the eighteenth century, mustard was served at the table either as a dry powder or mixed with vinegar to form a paste or sauce. The dry powder was contained in a caster left un-pierced or fitted with a removable sleeve that blocked the holes. Most of the mustard pots in the Museum’s collection were made to serve the condiment mixed into a sauce; they take the form of a small jug barely distinguishable from a lidded milk jug with a spout. Some lidded pots have an opening to accommodate a small spoon. The silversmith Joseph Opinel (1715–1794) based the shape of this mustard pot on a design by Pierre Germain plate 58 from his book entitled Elements d’Orfeverie Divisés en deux Parties de Cinquante Feuilles which was published in Paris in 1748 (see 18.62.1). Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture, and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, much of it provincial, and includes several rare early pieces.
Bonn door Schenck voor Truchsess gewonnen, 1587
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: nijmegen, capture of city (after the siege)

Bonn door Schenck voor Truchsess gewonnen, 23 december 1587. Episode uit de Keulse Oorlog. Met onderschrift van 4 regels in het Latijn. Genummerd 194. Onbedrukt op achterzijde.
Handkerchief
Object type: handkerchief
Date: 1601 – 1800
Techniques: lace
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Exterior, extended arms of a figure to left?
[Japanese High Priest in Full Canonicals]
Object type: carte de visite
Date: 1869 – 1869
Techniques: albumen silver print
Artist: felice beato
Artist role: fotograaf
Artist nationality: british, born italy
Artist dates: 1825 – 1909
Subjects: men,portraits

The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 1850s and throughout the latter half of the century, these economical keepsakes depicting portraits of loved ones, celebrities, monarchs, and foreign types circulated en masse and spurred a veritable "cartomania." Collected in albums, traded among friends, and admired in drawing rooms, cartes put photography in the hands of virtually everyone, and thus offered a means of reflecting upon one’s own social standing in an ever-expanding world.
Plaque in the Shape of a Coiled, Two-Headed Animal
Object type: plaque
Date: 500 – 301
Materials: gilt bronze
Culture: north chinese
Subjects: animals
Landscape with Smokestacks
Object type: drawing and watercolor
Date: 1890 – 1890
Materials: board, paper, pastel
Techniques: printing
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Inscriptions: Stamped with estate stamp, lower left, in red ink

Degas is best known for his images of the ballet and other scenes from modern urban life. However, periodically he explored the landscape genre, with a trip in 1869 to the Normandy Coast, for example, that resulted in a number of pastel landscapes. During the peak years of Impressionism-the 1870s and 1880s, when landscape reigned supreme among France's avant-garde-Degas was notoriously averse to the practice of open-air landscape painting. Yet in the 1890s, he produced several groups of landscapes, combining observation and invention in various ways. The artist's renewed interest was prompted by a trip he took he took through Burgundy in 1890 that inspired him to treat its landscape using the technique of monotype. A monotype is made by painting or drawing an image in greasy printer 's ink on a metal plate and then printing the plate onto a sheet of paper. Only one strong impression can usually be pulled from the plate; on occasion, a second, paler impression known as a monotype cognate can be pulled as well. Degas sometimes completed pastels over monotypes or monotype, cognates, as in Landscape with Smokestacks. He pioneered this technique in the 1870s. He began some of his monotypes on the spot, while others-possibly Landscape with Smokestacks-were recollections. Certainly, Degas's aim in such compositions was quite different from his colleague Claude Monet's preoccupation with changing atmospheric effects. While rooted in experience, Degas's landscapes of memory are brooding and mysterious.
Tail-Peice - The History of the Book
Object type: drawing and watercolor
Date: 1888 – 1888
Materials: board, charcoal, gouache, ink, paint, watercolor, wood
Techniques: heightening
Location: united states
Artist: will hicock low
Artist nationality: american
Artist dates: 1853 – 1932
Coolies constructing a road
Object type: photograph
Date: 1890 – 1900
Materials: photographic support
Techniques: collodion silver print
Location: medan
Subjects: sumatra
Inscriptions: number: ‘Sumatra 32.’, signature: ‘Stafhell & Kleingrothe Medan-Deli’

Chinese arbeiders bij bosontginning voor de aanleg van een weg op de Oostkust van Sumatra. Onderdeel van het Sumatra fotoalbum van Paul en Lucie Sandel uit 1900.
Un roy, un foy, un loy
Object type: bookplate
Date: 1750 – 1849
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: armorial bearing, heraldry
Amulet in the form of a couchant lion
Object type: necklace, bead
Date: 2900 – 2700
Materials: shell
Location: southern mesopotamia
Subjects: lions

This small object carved from a piece of shell depicts a reclining lion with head resting on his front paws. The elements of the animal’s body are very simply modeled: haunches, body, shoulders and front paws, and head can be identified. The back is straight and the belly hangs down slightly. Small drilled holes mark the mane, and larger holes indicate the eye and ear. Traces of pigment in these holes suggest that they were originally inlaid with a material in a contrasting color. Lions were one of the most frequently represented animals in the art of Mesopotamia from a very early period on, and were often shown in combat with an adversary, either human or supernatural. This object may have been used as an amulet, harnessing the enormous power of this fearsome animal.
Fan
Object type: fan
Date: 1867 – 1900
Materials: feather, shell