deem-data/ArtiFact huggingface dataset:
La Matrone d'Ephese, from "Contes et nouvelles en vers par Jean de La Fontaine.  A Paris, de l'imprimerie de  P. Didot, l'an III de la République, 1795"
Object type: print
Techniques: engraving, etching
Artist: jean-louis delignon
Artist role: artist
Artist nationality: french
Artist dates: 1755 – 1804
Subjects: sadness,men,women
Mlle. Leroux, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Ricordo di Firenze
Object type: photograph
Date: 1861 – 1871
Materials: photographic support
Techniques: albumen print
Location: florence
Artist: giacomo brogi
Artist role: fotograaf
Artist dates: 1822 – 1881
Subjects: bridge in city across river, canal, etc.
Inscriptions: number: ‘Tavola XVII.’
Diverse houten meubels, opgesteld in het archeologisch museum in Luik, België
Object type: photomechanical print
Date: 1879 – 1884
Materials: paper
Techniques: photograph
Location: liège
Artist: Anonymous
Subjects: permanent exhibition, museum, furniture and household effects, liège
Inscriptions: number: ‘No 4’

Deze prent maakt deel uit van een omslag met twintig prenten, een titelblad en een lijst van afbeeldingen.
Plate 21, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Object type: print
Date: 1620 – 1620
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: architecture,buildings
Actor (unidentified) as a Peddler of Dry Goods
Object type: print
Date: 1728 – 1728
Materials: ink, paper
Techniques: urushi, woodblock print
Culture: japanese
Artist: okumura toshinobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1717 – 1750
Subjects: actors
Een heer (Moses?) wordt verleid door een duivel die naar een vrouw vist
Object type: drawing
Date: 1664 – 1664
Materials: paper, watercolor
Techniques: brush
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690
Inscriptions: signature and date: ‘Gesina ter Borch.1664.’

Allegorie op het leven van Moses ter Borch.
Oktober
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: landscape symbolizing october, vineyard, scorpio (zodiacal sign of october), windmill in landscape, vintage, grape harvest, viticulture, wine-growing; vintage
Inscriptions: collector's mark: Lugt 964

Een landschap met een watermolen en links boeren met vaten, voorstellende de maand oktober. Rechts een wijngaard op een heuvel. Links- en rechtsboven de bij deze maand behorende symbolen van het sterrenbeeld schorpioen. Tiende prent uit een serie van twaalf.
Decorated Initial "M" in Pink with Conventional Leaves from a Choir Book
Object type: drawing and watercolor
Date: 1301 – 1400
Materials: gold leaf, paint, parchment
Techniques: cutting
Culture: european
Location: europe
Buste van een jonge vrouw
Object type: print
Date: 1639 – 1706
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: pieter rottermondt
Artist role: draughtsman, print maker
Artist dates:  – 1706
Subjects: head-gear
Inscriptions: collector's mark: Lugt 240
Scène uit de Aeneis
Object type: book illustration
Date: 1746 – 1746
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the story of aeneas' wanderings to italy (virgil, aeneid), mourning customs, the corpse
Inscriptions: collector's mark: Lugt 240

Illustratie en initiaal O bij de Aeneis van Vergilius. Het lichaam van een man wordt op een draagbaar gedragen, terwijl het volk en een koning hem bewenen.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Bit of reserve, band of black glaze, band of reserve; below, black glaze
Passievoorstellingen in lijsten met dieren
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous

Midden boven zit een aapje, rechtsonder vangt een reiger een kikker.
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Head, right shoulder, and part of the upper right arm and frontal torso of a youth looking left, wearing a chlamys
Landau #820
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Piece
Object type: piece
Date: 1801 – 1900
Materials: metal thread
Subjects: flowers,leaves
Vase
Object type: vase
Date: 1368 – 1644
Materials: enamel, copper gilt
Techniques: enamel
Culture: chinese
Muiltje van zwart leer met lage sleehak
Object type: womenswear
Date: 1600 – 1650
Materials: leather
Techniques: perforating, stitching
Location: northern netherlands
Artist: Anonymous

Een paar vrouwmuilen, links en rechts verschillend, ingebouwde lage hak. Smalle hiel, brede voorvoet, ronde neus; laag uitgesneden voorblad met witte stiksels en perforaties.
Zakboekje van de helden van de Willemstad
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: c.l. teutscher von liesfeld, j.h. elsevier, beleg van willemstad
Inscriptions: collector's mark: Lugt 2228

Twee silhouetportretten uit een boekje over de soldaten die Willemstad hebben verdedigd in 1793. De linker is van kolonel C.L. Teutscher von Liesfeld met buste naar links. De rechter is van kapitein J.H. Elsevier met buste naar rechts. De prent heeft een onderschrift met de namen van de geportretteerde militairen.
Tiger Lying at the Entrance of its Lair
Object type: print
Date: 1828 – 1830
Techniques: drypoint, etching, roulette
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: tigers
Portret van paus Pius II
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: paris
Subjects: rome, archbishop, bishop, etc. (roman catholic), historical persons, book

Prent uit: Thevet, André. Les vrais pourtraits et vies des hommes illustres grecz, latins et payens (...). Parijs: weduwe Jacques Kerver en Guillaume Chaudière, 1584, dl. 2, f. 510.
Tekstblad bij een portret van Jan van der Does, heer van Noordwijk en Kattendijke
Object type: text sheet
Date: 1774 – 1774
Materials: paper
Techniques: letterpress printing
Location: leiden
Subjects: bevelhebber, dichter, filoloog, bibliothecaris, bestuurder, jan van der does (heer van noordwijk en kattendijke)

Tekstblad uit: Francq van Berkhey, Johannes le. Het verheerlijkt Leyden, bij het tweede eeuwgetijde van deszelfs heuchlijk ontzet (...). Leiden: Hendrik Coster, Cornelis Heyligert en Hendrik Hoogenstraten, 1774.
Landschap met jagers aan de bosrand
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: aquatint
Location: munich
Artist: wilhelm alexander wolfgang von kobell
Artist role: print maker
Artist dates: 1766 – 1855
Subjects: hunting dogs, hunters resting during the hunt, forest path or lane, coast
Inscriptions: collector's mark: Lugt 1020, collector's mark: Lugt 2228

Een losse strook met tekst in het Frans is onder prent op het opzetvel geplakt. Hierop staat dat de prent gemaakt is naar een schilderij door Johannes Lingelbach uit de collectie van Johann Friedrich Frauenholz (1758-1822) kunstverkoper in Neurenberg.
Salamanca, Catedral, Puerta de San Clemente
Object type: album leaf
Date: 1863 – 1883
Materials: paper
Techniques: albumen print
Location: salamanca
Artist: juan laurent
Artist role: publisher
Artist dates: 1816 – 1896
Subjects: church (exterior)
Inscriptions: inscription: ‘Es propiedad./ Déposé.’, number: ‘1843’
Titelpagina voor: L'Art pour tous (...), 1871
Object type: titelblad, titelpagina
Date: 1871 – 1871
Materials: paper
Techniques: letterpress printing, line block
Location: paris
Subjects: historical persons - bb - woman, fan, pearl; pearl necklace
Inscriptions: collector's mark: Lugt 3937

Titelpagina voor: L'Art pour tous: encyclopedie de l'art industriel et décoratif 10 (1871), nr. 266, 15 juli 1871.
Appointment of Georg Ludwig (Geroge I) as general of the imperial troops on the Rhine
Object type: medal
Date: 1707 – 1707
Materials: silver
Artist: philipp heinrich müller
Artist role: artist
Artist nationality: german
Artist dates: 1654 – 1719
Verzets-speld Binnenlandse Strijdkrachten 1944-1945
Object type: pin
Date: 1945 – 1946
Materials: metal
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, tonny van renterghem, netherlands

Verzets-speld Binnenlandse Strijdkrachten 1944-1945. B met kroon. Ovaal, koperkleurig.
Portret van Lodewijk, graaf van Nassau
Object type: print
Date: 1602 – 1622
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: low countries
Subjects: dillenburg, mookerheide, lodewijk graaf van nassau

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Le génie des lumières
Object type: cartoon
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: paris
Subjects: journalist, reporter, devil(s) and demons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Le Réveil, journal des sciences, de la littérature, des moeurs, théâtres et beaux-arts (1822), nr. 89, 28 oktober 1822.
Berglandschappen met een herder en vee in Marienbad
Object type: sketchbook leaf
Date: 1806 – 1858
Materials: ink, paper
Techniques: brush, pen
Location: marienbad
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., cattle, mountains, marienbad
Inscriptions: date and inscription: ‘M/B 21/6 58./ 21/6 58/ M/B’

Blad 24 recto uit een schetsboek met 44 bladen.
Les Obseques
Object type: print
Date: 1683 – 1722
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: satyr(s) (in general), funerary ceremonial
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een vierdelige serie met scènes uit het leven van saters.
Sutra Cover
Object type: textile
Materials: cardboard, gold leaf, ink, paper, textile, silk
Techniques: backing, brocade, damask, lacquer, painting, patterning, weave, printing
Location: china
Women in Landscape
Object type: drawing and watercolor
Materials: board, gouache, oil
Techniques: brush
Location: france
Artist: attributed to eugène carriére
Artist nationality: french
Artist dates: 1849 – 1906
Inscriptions: Inscribed verso, upper left, in graphite: "le dessin est de Eugene Carriere 1846–1906"; upper left, in graphite: "90"
Verzaameling van de afbeeldingen van veele voornaame mannen en leraaren
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: adult man, historical persons, the bible as a book
Inscriptions: date

Prent waarschijnlijk uit: Verzaameling van de afbeeldingen van veele voornaame mannen en leeraaren. Amsterdam: Kornelis de Wit, 1743. Prent zonder omlijsting gebruikt in: Schijn, Hermannus. Geschiedenis dier christenen, welke in de Vereenigde Nederlanden onder de protestanten mennoniten genaamd worden. Amsterdam: Kornelis de Wit, 1744, dl. 2.
Phaeton (unnumbered)
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
A Land Storm, or Jack Tars Out of Their Element
Object type: print
Date: 1790 – 1815
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,horses,carriages
Ziet dees beesten mee haar vier / Gemaakt tot ons pleyzier
Object type: print
Date: 1725 – 1780
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: animals, birds, he-goat, billy-goat, horse
Inscriptions: collector's mark: Lugt 2228

Blad met 4 voorstellingen van twee verschillende vogels, een bok en een paard. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: 81
Fragment
Object type: textile
Date: 1725 – 1775
Materials: gilt, metal, silk
Techniques: brocade, patterning, weave, silvered
Location: france
Canapé Louis XVI, bois laqué
Object type: print
Date: 1832 – 1877
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Een canapé in de Lodewijk XVI-stijl. Prent uit 20e Livraison.
Portret van Johann Caspar Haefeli
Object type: print
Date: 1811 – 1833
Materials: paper
Techniques: engraving
Artist: johann heinrich lips
Artist role: draughtsman, painter, print maker
Artist dates: 1758 – 1817
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Finger ring
Object type: ring, finger
Date: 1796 – 1875
Materials: gemstone, jade
Culture: chinese
Plein in Saint-Pé-de-Bigorre
Object type: photograph
Date: 1906 – 1906
Materials: paper, cardboard
Techniques: gelatin silver print
Location: saint-pé-de-bigorre
Artist: françois buys
Artist role: advocaat, amateurfotograaf
Artist dates: 1871 – 1934
Subjects: square, place, circus, etc.
Inscriptions: number: ‘11’

Deze foto maakt deel uit van een groep van 49 foto's.
A Snowy Morning
Object type: print
Date: 1864 – 1864
Materials: paper
Techniques: hand coloring, lithograph
Location: united states
Artist: fanny f. palmer
Artist nationality: american
Artist dates: 1812 – 1876
Bowl
Object type: bowl
Date: 1750 – 1800
Materials: pigment, shell, wood
Culture: tlingit or native american
Location: united states

During potlatch feasts across the Northwest Coast, food is served in a variety of carved wooden bowls. Guests receive bowls sized according to their position in the community—the higher the rank, the larger the bowl. Artists imbue serving dishes with energy through graphic elements, including abstract humans, animals, and supernatural beings. The master carver of this deep container inlaid the incurving rim with four sets of nine white opercula—the removable coverings that secure a marine mollusk’s shell—which contrast with the dark wood. This bowl is a rare example of an early contact-period style of ornamentation, not yet influenced by trade with European expeditionary forces.
Portret van Maarten Harpertszoon Tromp
Object type: print
Date: 1648 – 1664
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: brielle, maarten harpertszoon tromp, historical persons, commander-in-chief, admiral
Inscriptions: collector's mark: Lugt 2228

Prent naar schilderij van Jan Lievens. Hollstein vermeld deze prent niet, het betreft een kopie in de eerste staat.
Evening slippers
Object type: evening slipper
Date: 1860 – 1869
Materials: metal, silk
Culture: french
Artist: esté
Artist role: maker
Artist nationality: french
Artist dates: 1821 – 1839
Knotwilgen aan de waterkant
Object type: print
Date: 1839 – 1904
Materials: paper
Techniques: etching
Location: netherlands
Artist: augustinus jacobus bernardus wouters
Artist role: print maker
Artist dates: 1829 – 1904
Subjects: rowing-boat, canoe, etc., trees: willow, windmill
Inscriptions: collector's mark: Lugt 2228

Gezicht over een water waaraan vier knotwilgen staan. Op de voorgrond twee figuren in een sloep en op de achtergrond een molen.
Brothers of the Whip
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men
The Actor Ichikawa Danjuro V as Kudo Kanaishi in the Play Izu-goyomi Shibai no Ganjitsu, Performed at the Morita Theater in the Eleventh Month, 1772
Object type: print
Date: 1772 – 1772
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Collar
Object type: collar
Date: 1601 – 1633
Techniques: lace
De gecouleurde Teekeningen van de 12 Maanden (...)
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: etching
Location: leiden
Artist: johannes janson
Artist role: draughtsman, painter, print maker
Artist dates: 1729 – 1784
Subjects: landscape symbolizing november, hay-stack
Inscriptions: collector's mark: Lugt 240

Landschap met rechts een boerderij en een hooischuur. Voor de boerderij een groep van twee vrouwen en twee mannen, van wie één een varken open snijdt. Bomen bij boerderij en hooischuur zijn aangepast ten opzichte van vorige staten. Links op een pad een wandelende man. Op de achtergrond een hooischuur en kerktoren. Vóór de lucht. Twaalfde prent uit een serie van dertien met maanden.
Group of Artists in Jean-Baptiste Isabey's Studio
Object type: drawing
Date: 1798 – 1798
Materials: chalk, crayon
Techniques: heightening, stumping
Artist: louis léopold boilly
Artist role: artist
Artist nationality: french
Artist dates: 1761 – 1845
Subjects: men,women,artists

This sheet is a study for one of Boilly’s most famous paintings depicting a gathering of artists in the studio of Jean-Baptiste Isabey (French, 1767–1855). The finished canvas, exhibited at the Salon of 1798, is a group portrait of thirty-one prominent artistic figures, each one a closely observed portrait that was studied in an individual oil sketch. This quickly worked study, constructed of velvety shadows and sparkling highlights, focuses on the group of figures around a table that appears on the right side of the composition. Through the variety of their poses and activities, Boilly stressed the creative conviviality of the artist’s studio.
Clasp
Object type: clasp
Date: 1801 – 1900
Materials: gold
Culture: japanese
Het nieuwe vermakelijke Luilekkerland
Object type: print
Date: 1822 – 1848
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: land of cockaigne
Inscriptions: collector's mark: Lugt 2760

Uitgave van nr. 38 uit de fondslijst van Jan de Lange (II) of Jan Hendrik de Lange met het adres van de wederverkoper Mindermann & Co.
Servet met het familiewapen Van der Dussen
Object type: napkin
Date: 1870 – 1870
Materials: linen
Techniques: damask
Location: boxtel
Inscriptions: mark: ‘bladrank 19’

Servet van linnendamast met het familiewapen Van der Dussen. Middenveld: wapenschild temidden van gestrooide bloemknoppen. Randen: drie drievoudige banden, de middelste met een bladrank, de andere glad en omslingerd met een spiraaltak.
Zon
Object type: page
Date: 1870 – 1870
Materials: paper
Techniques: photolithography
Artist: Anonymous
Subjects: sun as celestial body
Inscriptions: inscription: ‘Helle’, number: ‘Fig. 11.’, inscription: ‘The Sun, photographed on September 22, 1870.’
Alabaster alabastron (perfume vase)
Object type: vase
Date: 600 – 301
Materials: gypsum
Culture: cypriot

With a broad flat rim, pointed bottom and one small handle
Sint Nicolaas in aanbidding voor het Christuskind
Object type: print
Date: 1827 – 1894
Materials: paper
Techniques: etching
Artist: henri hendrickx
Artist role: print maker
Artist dates: 1817 – 1894
Subjects: madonna: i.e. mary with the christ-child, the bishop nicholas of myra (or bari); possible attributes: anchor, boat, three golden balls (on a book), three purses, three children in a tub, three maidens, angels

Sint Nicolaas aanbid Maria en kind. Linksonder zijn drie kinderen in een ton afgebeeld, verwijzend naar een van de wonderen van Sint Nicolaas. Op de achtergrond klassieke architectuur.