deem-data/ArtiFact huggingface dataset:
Poort van het Spinhuis, nu aangebracht in het nieuwe politiebureau in de Spinhuissteeg te Amsterdam
Object type: photograph
Date: 1909 – 1909
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: policeman, constable, gate, entrance
Inscriptions: annotation: ‘Amsterdam Poort v/h voormalig Spinhuis/ aan de Spinhuissteeg, gesloopt en weer/ aangebracht in het nieuwe Politiebureau/ 1909’, name: ‘N. van Ruijven’
Lijst van gevluchte oproermakers, 1787
Object type: text sheet
Date: 1787 – 1787
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: wittenburg, oostenburg, kattenburg

Lijst van gevluchte oproermakers van een opstand in Kattenburg, Wittenburg en Oostenburg. In mei 1787 werd het Amsterdamse stadsbestuur door de patriotten weggestuurd. Inwoners kwamen in de opstand, de ophaalbrug naar Kattenburg werd opgehaald en de huizen en winkels van patriotten op het eiland werden geplunderd. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Krijgswezen, Schutterij, Historieprenten.
Weight in the Shape of a Byzantine Empress
Object type: steelyard weight
Date: 401 – 500
Materials: copper alloy
Culture: byzantine
Subjects: portraits,women

Portraits busts of Byzantine empresses were used for weights, thereby encouraging the public's belief in the state's ability to ensure fair and prosperous trade. The women here, whose elaborate jewels represented the wealth of the state, hold a mappa, an official symbol of imperial authority, or a scroll, reflecting the state's emphasis on learning.
After a Few Days of Seige with the French Army, Francesco I d'Este Takes Prossession of Mortara, The Last of his Great Victories, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"
Object type: print
Date: 1659 – 1659
Techniques: etching
Location: italy
Artist: bartolomeo fenice (fénis)
Artist role: artist
Artist nationality: italian
Subjects: buildings,army,horses

This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.
Winterlandschap met ijsvermaak
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Subjects: winter sports
Inscriptions: collector's mark: Lugt 2228

Winterlandschap. Op een bevroren rivier duwt een boer een slede met een vrouw. Achter hem aan loopt een hond. Links loopt een jongen die takken vergaart heeft. Op de achtergrond een huis met een kar ervoor.
General Étienne-Maurice Gérard (1773–1852)
Object type: painting
Date: 1816 – 1816
Materials: canvas, oil
Artist: jacques louis david
Artist role: artist
Artist nationality: french
Artist dates: 1748 – 1825
Subjects: men,portraits,generals
Scarab
Object type: scarab, private
Date: 1850 – 1640
Materials: stone
Techniques: glazing
Location: egypt
Ornament met een knielende putto en een haan
Object type: ornament print
Date: 1551 – 1551
Materials: paper
Techniques: woodcut
Artist: peter hille
Artist role: print maker
Artist dates:  – 1574
Subjects: fowl (cock, hen, chicken, etc.), cupids: 'amores', 'amoretti', 'putti', ornament derived from plant forms
Inscriptions: collector's mark: Lugt 240
Man huilt uit bij twee vrouwen
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: comforter (weaning), weeping
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie bij het verhaal Sidney en Volsan uit: Baculard d'Arnaud, François Thomas Marie de. Zedelyke verhaalen. Amsterdam: Anthony Mens Jansz. en A.E. Munnikhuisen, 1779.
Landschap met bomen
Object type: drawing
Date: 1881 – 1881
Materials: paper, pencil
Artist: jeanne marie heynsius
Artist role: draughtsman
Artist dates: 1860 – 1920
Subjects: trees
Inscriptions: collector's mark: Lugt 2228, number: ‘no. 79.’
The Quadroon
Object type: painting
Date: 1880 – 1880
Materials: canvas, oil
Culture: american
Artist: george fuller
Artist role: artist
Artist nationality: american
Artist dates: 1822 – 1884
Subjects: portraits,women

This painting retains its original title, The Quadroon, which is a demeaning term for a person of one-quarter Black descent used in the eighteenth and nineteenth centuries. During an 1850 tour of the South, Massachusetts-born artist George Fuller witnessed a mixed-race woman being sold at auction in Augusta, Georgia. The woman left a strong impression upon Fuller, who wrote in a January 26 letter, "Who is this girl with eyes large and black? … She is under thy feet, white man. … Is she not your sister?" Fuller became a critical observer of Southern Black life in the 1850s, before taking a seventeen-year hiatus from art to care for his family after his father’s death. In 1876, he returned to painting full-time and created a series of Southern scenes, including this one. The depiction of the enigmatic woman, with large dark eyes that had captivated Fuller decades earlier, is inspired by French pastoral imagery if particularized in an American context. In the background, three figures toil in a field, evoking the harsh realities of chattel slavery in the pre-Civil War United States.
Portret van een onbekende vrouw
Object type: cabinet photograph
Date: 1885 – 1906
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: amsterdam
Subjects: adult woman, studio requisites ~ photographer
Inscriptions: name: ‘W.G. Kuijer & Zonen Hofphotographen Westermarkt 19, Amsterdam.’
Verschillende schetsen van grazende koeien in de wei en van een stier
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: bull, cow, meadow, pasture
Pijlstaartrog
Object type: sketchbook leaf
Date: 1901 – 1901
Materials: chalk
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: cartilaginous fishes: sting-ray

Blad 73 recto uit een schetsboek met 79 bladen.
Capitol of Connecticut in Hartford, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: buildings

Trade cards from the "General Government and State Capitol Buildings" series (N14), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Storm below Mount Fuji (Sanka no haku u), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: volcanoes

Mount Fuji projects majestically above the clouds. A lightning bolt shown against the shape of Fuji opens up a dialogue of oppositions: the enduring, static Mount Fuji is pitted against the transitory and fleeting nature of lightning. The solemn, towering mountain remains undisturbed by dangerous thunderstorms.
Terracotta jug
Object type: jug
Date: 750 – 600
Materials: terracotta
Culture: cypriot
Subjects: horses

A horse without any harness moves to the right. On his back stands a small figure wearing a garment around his lower body. Representations of horses, horsemen, carts, and chariots are quite common in Cypriot Archaic art, indicating that these were familiar subjects observed firsthand. Unusual as it may seem, the figure on the animal's back recalls genies, winged and wingless, who are ultimately of eastern origin and appear in various contexts in the Greek world. This individual may have counterparts in an Attic representation of the stables of Poseidon by the Amasis Painter (Judy and Michael H. Steinhardt Gallery, 1989.281.62).
Sheet 1: Roman soldiers carrying banners depicting the triumphant victories of Julius Caesar, from "The Triumph of Julius Caesar"
Object type: print
Date: 1599 – 1599
Techniques: woodcut, printing
Artist: andrea andreani
Artist role: artist
Artist nationality: italian
Artist dates: 1558 – 1629
Subjects: soldiers,flags
Leggings
Object type: costume and accessory
Date: 1880 – 1890
Materials: glass, paint, pigment, skin
Location: plains
Artist: Anonymous
Artist nationality: Blackfoot
Enthroned Virgin and Child
Object type: sculpture
Date: 1150 – 1200
Materials: gesso, linen, paint, tin, wood
Culture: french
Location: france
Subjects: madonna and child

The stark and rhythmic lines of this sculpture are almost modern in their effect. In fact, this seemingly straightforward image of the infant Jesus seated rigidly on the Virgin’s lap represents a complex, medieval theological notion known as a Sedes Sapientiae (Throne of Wisdom), in which Mary serves as a throne for Christ, who in turn embodies divine wisdom. Placed on an altar, this imposing group was an object of veneration that could also be carried in procession or incorporated into a theatrical performance within a church. A circular cavity in the Virgin’s left shoulder suggests that the sculpture contained a relic. Recent conservation treatment has revealed remains of the original painted and applied metal decoration. A Virgin and Child (16.32.194) probably by the same artist is on view in the Main Building of The Metropolitan Museum of Art.
Jar from the tomb of Sennedjem
Object type: jar, wine
Date: 1279 – 1213
Materials: pottery
Techniques: painting
Location: egypt
Pear-shaped vase with incised flowering plants
Object type: vase
Date: 1700 – 1799
Materials: glaze, porcelain
Techniques: engraving, firing, turning, vitrification
Location: china
Artist: Anonymous

Peervormige vaas van porselein, bedekt met een doorschijnend wit, gecraqueleerd glazuur. De wand is versierd met ingegrifte bloeiende planten. Wit porselein, monochromen.
Panel
Object type: panel
Date: 1701 – 1750
Materials: metal thread, silk

Panels such as this—with its extraordinary patterns in long repeats—were called "bizarre" by the Danish scholar Slomann, who believed they were made in India. Most scholars consider them an exotic phase in the history of European silk weaving.
Fotoreproductie van een schilderij van een Shire paard door Lou Burke
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: photograph
Subjects: horse
Maria Magdalena, Archduchess of Austria, Grand Duchess of Tuscany
Object type: medal
Date: 1613 – 1613
Materials: lead
Artist: guillaume dupré
Artist role: artist
Artist nationality: french
Artist dates: 1579 – 1640
Subjects: profiles,women
Temple, Egypt
Object type: photograph
Date: 1870 – 1879
Techniques: albumen print
Location: italy
Artist: antonio beato
Artist role: fotograaf
Artist nationality: british, born greece
Artist dates: 1835 – 1906
Interieur met vrouw bij wieg
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: hand coloring, roulette
Location: amsterdam
Subjects: interior of the house, cradle, crib, human figure at (open) window, seen from inside
Inscriptions: collector's mark: Lugt 240, inscription: ‘2de proef na de etsdruk / Geoffreerd aan mijn Heer en neef de WEd geb Heer den heer JLvDussen 30 juny 1767. PvA / A v Ostade del: Ploos v Amstel F 1767’

Interieur met een vrouw bij een wieg. De vrouw praat met een man, die buiten aan het open raam staat. Bij de haard speelt een kind.
Vase
Object type: vase
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states
Subjects: roses
Portret van Michel Ney
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
March, from "Album of Rustic Subjects"
Object type: print
Date: 1859 – 1859
Techniques: engraving
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Duit van de stad Utrecht, 1757. Afslag in zilver
Object type: coin
Date: 1757 – 1757
Materials: silver
Techniques: striking
Location: utrecht

Zilveren munt. Voorzijde: gekroond stedelijk wapenschild, gehouden door twee leeuwen met in afsnede dunne lijn, waaronder een versierde accolade met een grote schelp. Keerzijde: opschrift in twee regels, waaronder jaartal. Jaartal met Romeinse I. Afslag in zilver. Kabelrand.
Zilveren ropij van Nederlands Indië uit Java, 1801
Object type: coin
Date: 1801 – 1801
Materials: silver
Techniques: striking
Location: batavia

Zilveren munt. Voorzijde: tweeregelig opschrift in Arabische letters. Daarboven muntteken en daaronder jaartal, waaronder muntmeesterteken Z [=muntmeester Zwekkert]. Keerzijde: drieregelig opschrift in Arabische letters. Kabelrand.
Velsen, brandspuitpenning
Object type: fire engine medal
Date: 1762 – 1762
Materials: brass
Techniques: casting
Location: velsen
Artist: Anonymous
Subjects: velsen

Messing penning. Voorzijde: lam met vaandel over schouder onder jaartal. Keerzijde: brandspuit onder leeg cartouche binnen slangerond
Villa Carlotta aan het Comomeer, Tremezzo, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: tremezzo
Subjects: lake, rowing facing backward, pulling, villa
George IV Phaeton (unnumbered)
Object type: drawing
Date: 1870 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Vogels in een volière
Object type: drawing
Date: 1848 – 1927
Materials: paper, pencil
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: birds in a large cage, aviary
Shawl
Object type: shawl
Date: 1840 – 1849
Materials: silk
Culture: american

This is a characteristic shawl textile of the 1840s with a good combination of weaving techniques, including monochrome patterning in the ground paired with stripes that look like ribbons applied to the borders. The polychrome fringe picks up the colors used in the textile, showing fine attention to detail.
Veld van vier tegels met dieren
Object type: tegelveld
Date: 1580 – 1625
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van vier tegels (2 x 2) elk met een veelkleurig (blauw, oranje, geel, groen en paars) dier op een grond binnen een kwadraat. In de hoeken, ornament in vultechniek.
La Princesse Rosette
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: king, handcuffs, kneeling on both knees
Inscriptions: collector's mark: Lugt 240

Illustratie uit het sprookje La princesse Rosette van Mme d'Aulnoy. Twee figuren knielen voor een tronende koning wiens kroon getooid is met veren. De koning wordt geflankeerd door twee bebaarde mannen en houdt een scepter vast. Rechts voor hem staat een gehandboeide vrouw met zakdoek. Prent rechtsboven gemerkt: No. 7. Pag. 270.
Classical Landscape with a Building and a River
Object type: drawing
Date: 1601 – 1733
Materials: ink
Techniques: pen
Artist: abraham genoels ii
Artist role: artist
Artist nationality: flemish
Artist dates: 1640 – 1723
Subjects: buildings,trees
Kylix (Drinking Cup)
Object type: vessel
Date: 520 – 500
Materials: terracotta
Culture: greek
Location: athens
Willnang/ Myne moeder!
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: kissing the hand (lovers) (+ variant), weeping
Inscriptions: collector's mark: Lugt 2233

In een interieur bij een deuropening knielt een man bij een geëmotioneerde vrouw en geeft haar een handkus. In de kamer staan nog drie vrouwen en een man. Scèene uit het toneelstuk: De zelfbeheersching van August Wilhelm Iffland. Rechtsonder gemerkt: Ve. Bedr. XVIe Toon.
Pin Fragment
Object type: pin
Date: 301 – 400
Materials: copper alloy
Culture: roman
Subjects: pins
Portret van een jongen en een meisje
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: jos-pé print
Location: amsterdam
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Subjects: anonymous historical persons portrayed in a double portrait
Spoon
Object type: metalwork
Date: 1727 – 1736
Materials: silver
Location: rhode island
Artist: jonathan clarke
Artist nationality: american
Artist dates: 1705 – 1770
Inscriptions: maker's mark "J. Clarke" in rectangle near bowl, reverse of handle
Ontvangstceremonie bij de Chinezen
Object type: print
Date: 1682 – 1733
Materials: paper
Techniques: etching
Location: leiden
Subjects: chinese, visiting; receiving guests; elegant company, (carrying a person in a) sedan-chair, celebration meal, feast, banquet, china

Ontvangstceremonie bij de Chinezen. Een Chinese gast is in een jonk of zeilschip naar de plek van bestemming gebracht en wordt in een draagstoel verder vervoerd. Muziekspelers verzorgen het onthaal. Linksboven een feestmaal en een toneelvoorstelling. Met een legenda in het Nederlands en het Frans. De prent maakt deel uit van een album.
Plattegrond van de begane grond van het Trippenhuis te Amsterdam
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: plan ~ architecture
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Vingboons, J. Het huys van de heeren Louys en Hendrick Trip. Amsterdam: Justus en Joan Vingboons, verkocht bij Joan Blaeu, 1664.
Mors en Pluto
Object type: print
Date: 1731 – 1775
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: specific aspects, allegorical aspects of pluto; pluto as patron, thanatos (mors), death (+ specific aspects, allegorical aspects), ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2228

Twee cartouches met busten van goden. Links Mors als skelet met uitgeblazen kaars, zandloper, boek, schep en zeis. Rechts Pluto met kroon en scepter. Onder de cartouche een voorstelling van de overtocht van de veerman Charon over de rivier de Styx. Uitgeversnummer 56.
The Actor Nakamura Nakazo I as Watanabe no Tsuna in the Play Shitenno Tonoi no Kisewata, Performed at the Nakamura Theater in the Eleventh Month, 1781
Object type: print
Date: 1781 – 1781
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Jacht op struisvogels
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: walker and runner birds: ostrich, bird hunting (+ hunting with horses)
Inscriptions: collector's mark: Lugt 2228

Ruiters jagen met speren en honden op struisvogels. De prent heeft een Latijns onderschrift en maakt deel uit van een 43-delige serie over de jacht.
Gipsen afgietsels van paneeltjes van een koorgestoelte, vermoedelijk van de Grote Kerk te Dordrecht
Object type: album leaf
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: dordrecht
Artist: Anonymous
Inscriptions: annotation: ‘M 0.66 breed - M 0.37 hoog’, annotation: ‘Paneeltjes koorgestoelte Dordrecht’, annotation
Boadicea, Westminster, London
Object type: ansichtkaart, prentbriefkaart
Date: 1902 – 1930
Materials: cardboard
Techniques: photograph
Location: dundee
Subjects: ancient forms of military vehicles: chariot, battle wagon, etc., monument, statue
E. W. Cartwright, 1st Base, Washington, from Mayo's Cut Plug Baseball series (N300)
Object type: print, baseball card
Date: 1895 – 1895
Techniques: lithography
Artist: p.h. mayo & brother, richmond, virginia
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,baseball,athletes

Series of baseball cards from "Mayo's Cut Plug" series (N300), issued in 1895 by P.H. Mayo and Brother. Blank black back. Player is E. W. (Ed) Cartwright with street clothes.
Portret van een onbekende vrouw in een venster
Object type: photograph
Date: 1878 – 1878
Materials: paper
Techniques: cyanotype
Artist: Anonymous
Subjects: historical persons - bb - woman, open window, france
Erkentenis van de stad Hamburg na de brand van 1842 (1843)
Object type: history medal
Date: 1843 – 1843
Materials: bronze
Techniques: casting

Bijzonder grote bronzen penning, op de voorzijde een staande stadsgodin met lauwerkrans, met omschrift en afsnedetekst, op de keerzijde een medaillon met het Hamburger stadswapen, met bovenaan omschrift.
Rammen
Object type: print
Date: 1636 – 1705
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: solomon expels abiathar from the priesthood and banishes him to anathoth, landscapes, ram, rural housing, e.g. country-house, villa, cottage, herd, flock
Inscriptions: collector's mark: Lugt 240

Achter vijf rammen zijn een herder en herderin met een kudde schapen te zien. In de verte ligt een gebouw.
Design for a Ceiling Painting
Object type: drawing
Date: 1701 – 1800
Materials: chalk
Techniques: drawing
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: women,putti
Loentje Furnée met vrienden en kinderen op het strand van Noordwijk
Object type: album leaf
Date: 1930 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Location: noordwijk
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: carolina frederika onnen (lien/loen), beach (as place of recreation)

Deze foto's zijn onderdeel van een album.