deem-data/ArtiFact huggingface dataset:
Cage crinoline
Object type: cage crinoline
Date: 1860 – 1869
Materials: cotton, leather, metal
Culture: american
Portret van Frans I, keizer van Oostenrijk
Object type: print
Date: 1804 – 1835
Materials: paper
Techniques: etching
Location: zwickau
Artist: Anonymous
Subjects: vienna, frans ii (rooms-duits keizer), historical persons, emperor
Two Beautiful Women (Surasundari) Dressing with an Attendant
Object type: architectural fragment
Date: 901 – 1100
Materials: stone
Location: madhya pradesh

This sculpture of semidivine women, likely intended for the exterior of a temple, illustrates how the sacred and the sensuous are intertwined in Hinduism. Such figures of female abundance—with full breasts and wide hips, wearing heavy jewelry—are associated with fertility and prosperity. These women are engaged in adorning themselves: one uses a mirror to apply vermilion to the part atop her head, and another wrings water from her long hair. Their idealized forms infused the temple and surrounding land with vitality, linking external and spiritual beauty as pathways to the divine.
Portret van Carl Ritter
Object type: print
Date: 1819 – 1899
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: berlin, historical persons
Zwijnen
Object type: endleaf
Date: 1902 – 1902
Materials: paper, pencil
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: pig

Achterste schutblad uit een schetsboek met 50 bladen.
Rain god pendant
Object type: pendant
Date: 1325 – 1521
Culture: mixtec
Location: mexico
Artist: mexica artist(s)
Artist role: artist
Portret van Claire Cibiel
Object type: carte de visite
Date: 1860 – 1865
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Subjects: studio requisites ~ photographer, historical persons, styles of hairdress - aa - ~ women, dress, gown, paris
Inscriptions: name: ‘Mad. Claire Cibiel’, name: ‘Mad. Claire Cibiel’, address: ‘8, Boulevart des Italiens, Paris’

Onderdeel van Fotoalbum met 24 cartes-de-visite van Franse personen.
"Afrasiyab on the Iranian Throne", Folio 105r from the Shahnama (Book of Kings) of Shah Tahmasp
Object type: folio from an illustrated manuscript
Date: 1525 – 1530
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: poetry,men,horses

Back in Dahistan the Turanians defeat the Iranians and take Shah Nauzar prisoner. With news of the Turanian rout in Zabul, Afrasiyab pillories Nauzar and beheads him. The Turanians march across Iran, and Afrasiyab sits on the throne. With this victory come the vast riches of the Iranian treasury, which servants parade before him. One year later famine descends on Iran and Turan, and the two enemies are forced to agree to an armistice.
Mand met boek en breiwerk
Object type: drawing
Date: 1789 – 1859
Materials: chalk, paper
Artist: pieter de goeje
Artist role: draughtsman, print maker
Artist dates: 1789 – 1859
Subjects: container made of plant material other than wood: basket, still life of related objects, (other forms of) needlework, e.g.: crocheting, knitting, embroidering
Kiss of Judas
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: pen
Location: italy
Artist: attributed to ludovico carracci
Artist nationality: italian
Artist dates: 1555 – 1619
Portret van Johann Wenzel Graf von Wratislaw und Mitrowitz
Object type: print
Date: 1711 – 1733
Materials: paper
Techniques: engraving
Location: leipzig
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: prague, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
[H.M.S. Shannon off Calcutta]
Object type: photograph
Date: 1858 – 1861
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: boats,ships
Brief aan August Allebé
Object type: letter
Date: 1890 – 1890
Materials: ink, paper
Techniques: pen, writing
Artist: hendrick peter godfried quack
Artist role: econoom, geschiedschrijver, hoogleraar, jurist
Artist dates: 1834 – 1917
Subjects: draughtsman, august allebé
Inscriptions: watermark
Der Schiller-Festzug in Hamburg
Object type: print
Date: 1811 – 1859
Materials: paper
Techniques: tone lithography
Location: hamburg
Subjects: public festivities, banner, standard (as symbol of the state, etc.), book-shop, bookseller
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 4780

Gezicht op de Grosse Johannisstrasse in Hamburg met een optocht van boekhandelaren. Voorop loopt een man met een vaandel, bestaande uit een hand die vanuit de lucht boeken over de aarde strooit. Rechtsboven genummerd: Bl. 11.
Portret van Gerbrand van Leeuwen
Object type: print
Date: 1695 – 1711
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: theologian, ornament ~ medallion, historical persons, professor
Inscriptions: collector's mark: Lugt 2166

Met vierregelig vers in het Latijn in twee kolommen onder het portret.
De kroning van den czar
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: historical persons, coronation of a ruler, political caricatures and satires, russia
Inscriptions: collector's mark: Lugt 2228

Spotprent op de tegenstelling tussen de aanstaande feestelijke kroning van tsaar Nicolaas II op 26 mei 1896 en de deportatie van politieke dissidenten naar Siberië. Een lange stoet van gevangenen wordt het besneeuwde land van Siberië ingedreven. In de lucht een weerspiegeling van de pracht en praal van de kroningsceremonie. Verschenen in het bijvoegsel van 'De Kroniek' van 8 maart 1896.
Kast
Object type: drawing
Date: 1835 – 1935
Materials: ink, paper, watercolor
Techniques: drawing
Artist: Anonymous
Subjects: ornamental cupboard, decorative furniture
Inscriptions: annotation: ‘1.15 [...] marbre [...]’, number: ‘3244’

De tekening is op een blad geplakt. Op de andere zijde van dit blad is RP-T-2018-2 geplakt.
Gezicht op de voormalige parochiekerk te Kessenich, met op de voorgrond een kar en klinkers
Object type: photograph
Date: 1890 – 1898
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: kessenich
Subjects: church (exterior)
Inscriptions: annotation: ‘Kessenich’, annotation: ‘Belgie Kessenich 1/4 uur van Thorn. Noorzijde der kerk. Kerk in april 1898 afgebroken’
Fotolijst met houtsnijwerk
Object type: frame
Date: 1850 – 1910
Materials: glass, metal, wood
Techniques: cutting
Artist: Anonymous
Pensant-ils à ce mouton? (Are They Thinking of the Sheep)
Object type: print
Date: 1767 – 1800
Techniques: engraving, etching
Artist: madame jourdan
Artist role: artist
Artist nationality: french
Artist dates: 1780 – 1800
Subjects: boys,girls,sheep
Portret van een onbekende oude vrouw
Object type: print
Date: 1880 – 1909
Materials: paper
Techniques: etching
Artist: eugène cosyns
Artist role: print maker
Artist dates: 1862 – 1909
Subjects: historical persons, old woman (+ sideview, profile)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘2e Etat grave et imp par Eugène cosyns’
Signora Lucia - Trastullo, plate 21 from Balli di Sfessania
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving, etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Portret van paus Urbanus VIII op 58-jarige leeftijd
Object type: print
Date: 1626 – 1626
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: rome, clergyman, urbanus viii, historical persons, pope
Zelfportret
Object type: print
Date: 1912 – 1940
Materials: paper
Techniques: linocut
Location: bennekom
Artist: dick ket
Artist role: draughtsman, print maker
Artist dates: 1902 – 1940
Subjects: den helder, print maker, draughtsman, dick ket, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Talleyrand
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: etching
Location: england
Artist: william henry mote
Artist role: print maker
Artist dates: 1803 – 1871
Subjects: politician, charles maurice hertog van talleyrand-périgord, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Funerary Cone of the Royal Tutor Heqarneheh
Object type: cone, heqarneheh, circular impression, nursery, child, royal tutor
Date: 1427 – 1352
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Brandy seller
Object type: figure
Date: 1755 – 1760
Materials: hard paste porcelain
Artist: imperial porcelain manufactory
Artist role: manufactory
Artist nationality: austrian
Artist dates: 1744 – 1864
Subjects: men
Groepsportret van de familie Kessler aan een buitentafel tijdens een kopje koffie
Object type: photograph
Date: 1913 – 1913
Materials: paper, photographic support
Techniques: photography
Location: netherlands
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Subjects: official

Onderdeel van overdracht foto's en albums van familie Kessler-de Lange
Watch
Object type: watch
Date: 1820 – 1835
Materials: enamel, gold
Subjects: butterflies,roses,leaves
Medallion
Object type: medallion
Date: 1776 – 1883
Materials: bronze
Location: france
Artist: augustin dupré
Artist role: artist
Artist nationality: french
Artist dates: 1748 – 1833
Subjects: benjamin franklin,men,profiles
Cover for "L'Estampe originale, Album I, publiée par les Journal des Artistes"
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph, printing
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: men,women,reading

Print albums were a popular means for dealers and publishers to promote the work of artists. These portfolios ranged widely in quality and price and offered collectors a preassembled and expertly chosen selection of contemporary art. Published from 1893 to 1895, L’Estampe Originale was among the most popular examples of the genre, in spite of its short lifespan. Toulouse-Lautrec’s cover for the inaugural edition shows the expert printer Père Cotelle presenting cabaret performer Jane Avril with a newly printed artwork. In this depiction of his two close friends, Toulouse-Lautrec intended to suggest the modernity and stylishness of lithography during the 1890s.
Panel (Furnishing Fabric)
Object type: textile
Materials: cotton
Techniques: weave, printing
Location: england
Urk, visser op zondag
Object type: drawing
Date: 1896 – 1898
Materials: paper, watercolor
Techniques: brush, hand coloring
Location: netherlands
Artist: johan martinus anthon rieke
Artist dates: 1851 – 1899
Subjects: sea and coastal fishery (+ men (labourers)), clothes, costume (+ men's clothes), folk costume, regional costume
Inscriptions: collector's mark: Lugt 1641, collector's mark

Visser van Urk, in zondagse dracht. Tekening vervaardigd voor de tentoonstelling over Nederlandse klederdrachten gehouden in het Stedelijk Museum te Amsterdam in september 1898. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: De Kleeding, Volkskleederdracht, Noord-Holland.
Très Parisien 1923 No 1: Tissus de Diederichs - Soieries
Object type: fashion print
Date: 1923 – 1923
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: diadem, tiara (+ women's clothes), dress, gown: evening dress (+ women's clothes), embroidery (ornamentation) (+ women's clothes), fashion plates, belt, girdle, waistband (+ women's clothes)
Inscriptions: caption: ‘Tissus de DIÉDERICHS-SOIERIES / ALMÉES. - Robe du soir en crêpe Colette quadrillé, une ceinture de même tissu resserre aux hanches, les maintenant bien, et un long pan tombe au bas de la robe, Crêpe Colette, broderie indienne; un gros motif de perles orne le devant de cette autre robe du soir.’, title: ‘Très Parisien / No 1. - 1923’

Twee avondjaponnen van crêpe Colette. Prent uit het modetijdschrift Très Parisien (1920-1936).
Vrouw  huilt in de schoot van een man die buiten bewustzijn is
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: prison, jail, fainting, swooning, weeping
Inscriptions: collector's mark: Lugt 240

In een cel huilt een vrouw in de schoot van een man die buiten bewustzijn is. Een man en een vrouw kijken toe.
Tablecloth
Object type: textile
Date: 1860 – 1860
Materials: cotton, linen, thread
Techniques: cutting, drawing, embroidery, embroidered, weave, stitching
Location: ukraine
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, part of round shield of warrior; bent arm of male protruding from chlamys; spear, round shield, and bit of thigh of warrior to left
Roundel with Angel Supporting a Heraldic Shield
Object type: roundel
Date: 1490 – 1500
Materials: glass, paint, pigment
Culture: south netherlandish
Subjects: angels,coat of arms
Christus en de tien melaatsen
Object type: print
Date: 1703 – 1762
Materials: paper
Techniques: etching, letterpress printing
Location: haarlem
Subjects: christ sends ten lepers to the priest (luke 17:11-19)
Inscriptions: collector's mark: Lugt 2228

De prent komt een eerste keer voor als boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel II. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Groepsportret van een onbekende familie
Object type: photograph
Date: 1930 – 1950
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: family group, especially parents with their child(ren), anonymous historical persons portrayed in a group, in a group-portrait
Berson. Samuel. 28 ans, né le 3/?/65 à Dinabourg (Russie). Tailleur d'habits. Anarchiste. 2/7/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Gezicht op Well, aan de Maas
Object type: drawing
Date: 1701 – 1759
Materials: ink, paper, pencil
Techniques: pen
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: village
Tori-oi-bune, from the series "One Hundred No Dramas (Nogaku hyakuban)"
Object type: print
Date: 1898 – 1903
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Georg Christi Knapp
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: stippling
Location: berlin
Subjects: knighthood order, historical persons, book - mm - book open
Inscriptions: collector's mark: Lugt 2228
Mendicant Pilgrim
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Drop 'Em
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: lithograph
Location: united states
Artist: thomas nast
Artist role: artist
Artist nationality: american, born germany
Artist dates: 1840 – 1902
Death of Agneta Deutz
Object type: family medal
Date: 1692 – 1692
Materials: silver
Techniques: engraving, screwed, soldering
Location: netherlands
Subjects: vrouwe van hofdijk deutz

In the past, important events were graced with a medal, especially in well-to-do families. The occasion for this was usually a birth, wedding, or death. These medals not only remained in the family as a memento, but were also given to the guests at the baptism, wedding party, or funeral. Sometimes they were purely private in character, such as the gold medal a grandfather gave to his grandson.
Ekadandi Vina
Object type: ekadandi vina
Date: 1801 – 1900
Materials: bone, metal, wood
Culture: indian
Location: india

The South Indian veena, sometimes called Saraswati veena after the Hindu goddess of learning and music, Saraswati, is one of the most widely used stringed instruments in the Carnatic classical music tradition. It is thought to have evolved into its current form approximately 400 years ago. This veena was played by Y.G. Srimati, who toured the U.S. in the 1960s. She was a true polymath; her paintings are also held in the Met Museum’s Asian Art Department.
Desk and Bookcase
Object type: desk and bookcase
Date: 1805 – 1810
Materials: wood
Techniques: veneering
Culture: american
Location: united states
Artist: john davey
Artist role: maker
Artist nationality: american
Artist dates: 1794 – 1822

John Davey inscribed his name seven times on the drawers of this desk and bookcase; the signature of his son John Davey Jr., who at the time was undoubtedly still serving his apprenticeship, appears twice. Another pencil inscription reads “C. J. Ewing / Media,” for Charles J. Ewing, who owned the piece in the mid-nineteenth century.
Cartouche met de kruisiging van Christus
Object type: book illustration
Date: 1736 – 1736
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38), passion of christ
Inscriptions: collector's mark: Lugt 2228

Prent uit: Kramer, Adriaan de. Alle de werken. Amsterdam: Sligtenhorst, Hendrik, 1736.
Prent afkomstig uit een plakalbum met titelprenten, ornamenten etc. op blauw papier in 1983 uit elkaar gehaald. Volgens een notitie op verso zat de prent op p. 81 van dit album.
Box with Medallion Top
Object type: box
Date: 1760 – 1883
Materials: ivory, porcelain
Location: france
Subjects: benjamin franklin,men
Mars, Venus, and Cupid
Object type: print
Date: 1508 – 1508
Materials: paper
Techniques: engraving, printing
Location: italy
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: mythology
Detail uit De Staalmeesters van Rembrandt van Rijn
Object type: print
Date: 1835 – 1886
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: henri j. zimmerman
Artist role: print maker
Artist dates: 1825 – 1886
Subjects: hoorn (north holland), officers trusted with control of quality
Inscriptions: collector's mark: Lugt 2228

Gezicht van staalmeester Volckert Jansz.
Group portrait of three Balti men in Srinagar, Jammu & Kashmir, India
Object type: photograph
Date: 1869 – 1875
Materials: paper
Techniques: albumen print
Location: jammu and kashmir
Artist: frank mason good
Artist role: publisher
Artist dates: 1839 – 1928
Subjects: adult man, anonymous historical person portrayed
Inscriptions: title: ‘Group from Ladock’, number: ‘1/ 3214’
Three Dogs in an Alley
Object type: drawing and watercolor
Date: 1825 – 1877
Materials: gouache, graphite, paper, paint, varnish, watercolor
Techniques: heightening
Location: england
Artist: charles b. newhouse
Artist nationality: english
Artist dates: 1805 – 1877
Subjects: dogs, animals
Gezicht in het verwoeste Tuilerieënpaleis in Parijs na de semaine sanglante
Object type: photograph
Date: 1871 – 1871
Materials: paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: ruin of a building ~ architecture, tuileries palace
Doorbraak van de Wijnbergse Kade te Vlissingen, 1808
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: netherlands
Subjects: dike-break, flood, flushing

Prent uit: Hoek, S. van. Natuur- en geschiedkundige beschrijving van den verschrikkelijken watervloed tusschen den XIVden en XVden van Louwmaand des jaars 1808. Haarlem: Adriaan Pietersz. Loosjes, 1808, tussen p. 164 en 165.
De naakten kleden
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: colour, engraving, etching
Location: bassano del grappa
Artist: giovanni volpato
Artist role: ceramicist, print maker, printer
Artist dates: 1735 – 1803
Subjects: ornaments ~ art, clothing the naked, 'nudus vestitur' ~ one of the (seven) acts of mercy
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Uitbeelding van één van de werken van barmhartigheid: het kleeden van de naakten. Twee jongemannen, van wie een een verband om zijn hoofd heeft, worden aangekleed door een jonge vrouw en een oude man. Titel onder de voorstelling. De scène is gevat in een ornamentrand.
[View of Rooftops]
Object type: photograph
Date: 1917 – 1917
Techniques: gelatin silver print
Artist: morton schamberg
Artist role: artist
Artist nationality: american
Artist dates: 1881 – 1918
Subjects: buildings,roofs

Had he not died of influenza in 1918, Schamberg likely would have remained one of the best avant-garde painters and photographers of his generation in America. He absorbed the lessons of Cubism through his contacts with the Stieglitz and Arensberg circles, and in photographs such as this one he demonstrated his deft application of the new artistic idioms. After reaching a point of almost pure abstraction in his painting in the wake of the Armory show of 1913, Schamberg turned in 1915 toward more objective machine forms in his pastels and paintings, and toward urban images in his photographs. Like Stieglitz's photographs of the city made from the windows of his galleries, Schamberg's New York is seen from an elevated perspective, but unlike the elder photographer's images, Schamberg's photograph is cool, altogether lacking in human or natural references, and celebrates an almost wholly geometric order underscored by his calculated framing and point of view. For many years this print, the only one Schamberg made from this negative, belonged to his closest friend, Charles Sheeler.
Plaque with horned animal
Object type: relief
Date: 800 – 601
Materials: bronze
Culture: iranian
Location: iran, luristan
Subjects: animals

This bronze plaque has an image of a horned recumbent animal, possibly an ibex. The image is surrounded by a border of raised dots. The plaque was hammered from a single sheet of bronze. It has no attachment holes, making it unclear what purpose it served. Possibly it was made as a votive. This plaque was excavated at Surkh Dum, a settlement site in Luristan in the Zagros Mountains of western Iran. It was found in a structure interpreted as a sanctuary and was thus probably an offering to a god. The ibex is a distinctly Iranian motif, as they are native to the Zagros Mountains of western Iran, but did not live, for example, on the plains of Mesopotamia. Thus they are a marker of the unique, mountain identity of the people living in western Iran during the Iron Age.
Portret van een zittende vrouw
Object type: album leaf
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: leeuwarden
Artist: gerarda henriëtte matthijssen
Artist role: draughtsman, painter
Artist dates: 1830 – 1907
Subjects: historical persons - bb - woman
Inscriptions: number: ‘12’, inscription: ‘Gerharda H. Matthijssen/ Photographe/ Leeuwarden/ Naauw H.46 en St. Jacobstraat H.50’