deem-data/ArtiFact huggingface dataset:
Winged passionflower (Passiflora alata)
Object type: drawing
Date: 1799 – 1799
Materials: paint, parchment
Artist: sydenham teak edwards
Artist role: artist
Artist nationality: british, born wales
Artist dates: 1768 – 1819
Subjects: flowers,leaves

Born in Wales, Edwards moved to London in 1788 to design illustrations for Edward Curtis’s recently launched Botanical Magazine; or, Flower Garden Displayed. In this later work, he applied gouache to vellum to describe a South American passionflower, a combination favored by botanical artists since the Middle Ages as it allows for fine detail. The decision to place the subject against a developed landscape was probably influenced by Dr. Robert Thornton’s Temple of Flora (1799–1807). Edwards designed images for that groundbreaking series of colored aquatints, which use a similar format and were intended to illustrate Carl Linnaeus’s teachings about floral reproduction. A similar emphasis is placed on the subject’s stamens and pistils here.
L'Auvergne
Object type: ansichtkaart, prentbriefkaart
Date: 1921 – 1930
Materials: cardboard
Techniques: photograph
Location: olliergues
Subjects: city-view, and landscape with man-made constructions, church (exterior)

Prentbriefkaart maakt deel uit van een album.
Studie van een hand
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: printmaking
Location: amsterdam
Subjects: hand
Inscriptions: inscription: ‘Geoffreerd aan myne waerde Vriend den Heere Metayer, zoon van dHeer Philipus Metayer/ nu noemende de zyne Ed. Ootm. dienaer de vriend CPloos v Amstel/ dit is de eerste die naar mijn vinding geslaagt is, en de heer Ph. Metayer overtuigt heeft, dit niet door Ponsoenyser te doen was’, inscription: ‘P. druk de plaat uytgesleepen/ G vande Myn del./ de Eerste mijner nieuwe vinding door mij Ploos van Amstel F. 1758.’, collector's mark: Lugt 2760
Pillars with relief, Amaravati, Andhra Pradesh, India
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Location: amaravati
Artist: william h. griggs
Artist role: printer
Artist dates: 1832 – 1911
Subjects: hinduism, buddhism, jainism, column, pillar ~ architecture
Inscriptions: inscription: ‘ELEVATION OF THE EXTERNAL FACES OF TWO PILLARS OF OUTER ENCLOSURE./ SCALE 1 INCH TO 1 FOOT.’, inscription: ‘AMRAVATI. PLATE LII.’
Loading a galley, from "Views of the port of Livorno" (Vues du port de Livourne)
Object type: print
Date: 1654 – 1655
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,women,working,ships
Mystieke huwelijk van de heilige Catharina
Object type: print
Date: 1550 – 1560
Materials: paper
Techniques: woodcut
Location: italy
Artist: schiavone
Artist role: draughtsman, painter, print maker
Artist dates: 1500 – 1563
Subjects: the mystic marriage of st. catherine of alexandria with the infant christ: the christ-child puts a ring on her finger
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Maria houdt het Christuskind vast terwijl deze een ring om de vinger schuift van de heilige Catharina die voor hem knielt. Links een engel en rechts twee staande heiligen.
Zes bedelaars bij een fontein
Object type: print
Date: 1647 – 1674
Materials: paper
Techniques: etching
Location: unknown
Artist: jan van ossenbeeck
Artist role: print maker
Artist dates: 1623 – 1674
Subjects: beggar
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2161
Jar
Object type: jar
Date: 201 – 400
Materials: glaze, stoneware
Culture: chinese
Johan Casimir, paltsgraaf aan de Rijn, in zijn doodskist
Object type: print
Date: 1592 – 1594
Materials: paper
Techniques: etching
Location: germany
Artist: philipp uffenbach
Artist role: painter, print maker
Artist dates: 1566 – 1636
Subjects: coffin, the corpse
Inscriptions: collector's mark: Lugt 2228
Evariste Boulay-Paty
Object type: print
Date: 1861 – 1861
Techniques: etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: men,profiles
Bord
Object type: plate dish
Date: 1710 – 1740
Materials: faience
Location: delft
Artist: Anonymous

Bord van faience. Veelkleurig beschilderd naar Japans Kakiemon voorbeeld.
Piece
Object type: piece
Date: 1767 – 1800
Materials: silk
Subjects: flowers,leaves
Gezicht door een boog op een Italiaanse binnenplaats
Object type: drawing
Date: 1626 – 1677
Materials: graphite, paper
Techniques: brush
Artist: thomas wijck
Artist role: draughtsman, painter, print maker
Artist dates: 1616 – 1677
Subjects: courtyard, italy
Illustraties voor fabelvertellingen van Phaedrus
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: fables
Inscriptions: collector's mark: Lugt 2228

Drie mannen voeren voor een huis een gesprek. Deze illustratie is vervaardigd bij de Aesopische fabels van de Latijnse dichter Phaedrus.
Koorddanser
Object type: print
Date: 1719 – 1759
Materials: paper
Techniques: etching, letterpress printing
Artist: Anonymous
Subjects: ropery, rope-walk
Inscriptions: collector's mark: Lugt 1641, stamp

Prent met andere letterzetting gebruikt in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Janssoons van Waesberge, 1719, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman de Jonge, 1741, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman, 1759, dl. 2. Huidige prent uit een andere editie. Naar een prent van: Jan Luyken.
Fotoreproductie van een portret van Henri Chevreau
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: historical persons, politician, e.g. party leader
Inscriptions: inscription: ‘Figaro-Album/ Chevreau/ Liébert Phot.’
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, right hand holding a staff?; upper body of a draped male to left; Exterior, part of foot; the inside wall of the foot is glazed; the underside of the floor is decorated with concentric circles; the outermost edge is black glaze, followed by a band of reserve, a black glaze circle, and a wide band of reserve, which is bordered by a black glazed chamfered edge
A Short History: General William J. Hardee, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: firearms,men,portraits,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Shawl
Object type: shawl
Date: 1801 – 1825
Materials: wool
Culture: french
Subjects: flowers

The flowers displayed on this shawl have a painterly quality that is particular to 19th century French weaving. The configuration of the design, however, is reminiscent of Russian embroidery. These characteristics make it likely that this shawl was probably woven in France for the Russian market.
Follis (Coin) Portraying Emperor Diocletian
Object type: coin
Date: 298 – 299
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Palazzo dei Conservatori, portico, plan; façade cornice, elevation; minor order, cornice; column, elevation; pedestal, elevation (recto); Palazzo dei Conservatori, portal, elevation; section (verso)
Object type: drawing
Materials: chalk, ink
Techniques: incising, pen
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture,columns
Embroidered picture
Object type: embroidered picture
Date: 1801 – 1900
Materials: wool
Subjects: birds,ducks,houses,men,women,dogs,horses
Portret van Wilhelmina van Pruisen (1751-1820)
Object type: print
Date: 1783 – 1851
Materials: paper
Techniques: etching
Subjects: berlin, painter, draughtsman, wilhelmina of prussia (princess of orange)
Inscriptions: collector's mark: Lugt 2228
Man uit Granada
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: cape (+ men's clothes), head-gear: cap (+ men's clothes)

Man uit Granada, in korte schoudermantel. Pet met grote klep op het hoofd. In ornamentrand.
Enquêteformulier ingevuld door Abraham Johannes Zeeman
Object type: manuscript
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Subjects: antwerp, painter, draughtsman, abraham johannes zeeman
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Wine Cup
Object type: wine cup
Date: 1834 – 1866
Materials: gold, lacquer
Culture: japanese
Subjects: mountains
Vrouw met strik in het haar
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: adult woman
Inscriptions: collector's mark: Lugt 240
Night Hawk, from "The Comic Natural History of the Human Race"
Object type: print
Date: 1851 – 1851
Materials: watercolor
Techniques: lithograph
Artist: henry louis stephens
Artist role: artist
Artist nationality: american
Artist dates: 1824 – 1882
Subjects: satire
Miss Woodford, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: sleeping,women

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Man en vrouw met drie kinderen, dansend in een kring
Object type: drawing
Date: 1770 – 1825
Materials: ink, paper, pencil
Techniques: pen
Artist: simon andreas krausz
Artist role: draughtsman, print maker
Artist dates: 1760 – 1825
Opdrachtblad voor een album voor Prof. Mr. L. den Hartog
Object type: print
Date: 1902 – 1902
Materials: paint, paper
Techniques: brush, lithograph
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: ornament derived from animal forms, scales
Inscriptions: annotation: ‘Indien dit gebruikt wordt zal ik het/ nog even bij werken. RWP’, annotation: ‘opdracht blad van album/ Prof Dr L den Hartog’, collector's mark: ‘R:MVS.’

Rechthoekig kader met daarin de opdracht aan Prof. Mr. L. den Hartog. Bovenaan het kader twee gevleugelde dieren aan weerszijden van een weegschaal.
Haven van Capri
Object type: photograph
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: albumen print
Location: capri
Artist: Anonymous
Subjects: harbour (+ view ~ vehicle, ship, etc.), boulder, stone, capri, isola di
Inscriptions: negative number: ‘4666’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Napels en omgeving.
Portret van Thomas Hopffer
Object type: print
Date: 1668 – 1696
Materials: paper
Techniques: engraving
Subjects: augsburg, altarcross, crucifix, theologian, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, unexplained subject with legs of figure to left
Elementarische Landkarte von Asien
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: germany
Subjects: (map of) asia

Prent ook gebruikt in: Basedow, Johann Bernhard. Das Basedowische Elementarwerk. Ein Vorrath der besten Erkenntnisse zum Lernen, Lehren, Wiederholen und Nachdenken. Leipzig: Siegfried Lebrecht Crucius, 1774.
Shaping Plane
Object type: metalwork
Date: 1643 – 1643
Materials: iron, wood
Location: germany
Vase with Horse and Kirin on Geometric Sayagata (key fret) Pattern (one of a pair)
Object type: flower vase
Date: 1867 – 1900
Materials: porcelain
Techniques: incising, underglaze
Culture: japanese
Artist: makuzu kōzan i (miyagawa toranosuke)
Artist role: artist
Artist nationality: japanese
Artist dates: 1842 – 1916
Subjects: horses
Machine in de steenkolenmijn van Sante-Henriette te Morlanwelz
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: machines; parts of machines; tools and appliances, mine
Inscriptions: inscription: ‘Société des Charbonnages de Mariemont’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, torso, in three-quarter view, of seated, draped male (symposiast?)
Beleg van Alkmaar, 1573
Object type: history print
Date: 1701 – 1703
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: coenraet decker
Artist role: print maker
Artist dates: 1650 – 1685
Subjects: siege, position war, siege arms, e.g.: battering ram
Inscriptions: collector's mark: Lugt 195

Illustratie voor P.C. Hoofts Nederlandsche historien, seedert de ooverdraght der heerschappye van kaizar Karel den Vyfden op koning Philips zynen zoon, tot het einde der landtvooghdye des graven van Leicester, 1703, dl. I, p. 332/333. Deze staat vóór de staat beschreven in Muller.
The Israelites fleeing Egypt with Moses at right extending his right hand and with a woman carrying an urn prostrate before him
Object type: print
Date: 1576 – 1576
Techniques: engraving
Artist: cherubino alberti (zaccaria mattia)
Artist role: artist
Artist nationality: italian
Artist dates: 1553 – 1615
Subjects: men,women,moses
Album of Sketches by Katsushika Hokusai and His Disciples
Object type: album leaf
Date: 1801 – 1900
Materials: ink, paper
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: chickens
Fabriek of opslagplaats in aanbouw, Rotterdam
Object type: photograph
Date: 1912 – 1912
Materials: paper, cardboard
Techniques: gelatin silver print
Location: rotterdam
Artist: willem sr. bleuzé
Artist role: fotograaf
Artist dates: 1873 – 1948
Subjects: warehouse (~ harbour), factory-building, building-site, rotterdam
Inscriptions: address: ‘W. BLEUZÉ/ ROTTERDAM/ JONKER FRANSSTRAAT 66’, inscription: ‘25 juli 1912’
Study for Queen's Palace, St. James Park
Object type: drawing and watercolor
Date: 1809 – 1809
Materials: graphite, paper
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
Kalibermaat voor vuurmonden
Object type: kalibermaat
Date: 1700 – 1800
Materials: brass
Techniques: rolling, snipping
Location: netherlands
Artist: Anonymous
Subjects: netherlands
Inscriptions: number: ‘KARONADES / 6, 8, 12, 18, 24, 30, 36, 42, 48, 64. KANON / ½, 1, 2, 3, 4, 5, 6, 8, 12, 18, 24, 30, 36’

Zogenaamde 'voelmaat', waarmee je opgetreden speling kunt opmeten bestaande uit 23 in grootte variërende platte staafjes. De staven liggen op elkaar en zijn afzonderlijk van elkaar draaibaar om een as. De staven hebben aan boven en onderzijde het opschrift: KARONADES / 6, 8, 12, 18, 24, 30, 36, 42, 48, 64. KANON / ½, 1, 2, 3, 4, 5, 6, 8, 12, 18, 24, 30, 36.
Elberfeld. Jubiläumsbrunnen
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: lithograph
Location: elberfeld
Subjects: ornamental fountain
Gezicht op Westminster Abbey
Object type: page
Date: 1864 – 1869
Materials: photographic support
Techniques: albumen print
Artist: john harrington
Artist role: fotograaf
Subjects: abbey, monastery, convent ~ roman catholic church, church (exterior), westminster abbey
Coin
Object type: coin
Materials: copper
Location: iran

This coin was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Trap naar de Rode Veranda van het Granovitaya Palata te Moskou
Object type: sketchbook leaf
Materials: chalk, paper
Location: moscow
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: flight of steps, arch, archivolt ~ architecture, palace

De trap en veranda maakten deel uit van de route van de processie voor tsaar Nicolaas II. Op de achtergrond torens van het Kremlin. Pagina 28 uit een schetsboek met 54 bladen.
William Powell Frith
Object type: photomechanical print
Date: 1875 – 1880
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: painter, portrait, self-portrait of painter, historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Strook kloskant met naar elkaar toegewende ronde bloemen met strik
Object type: strip
Date: 1750 – 1799
Materials: linen
Techniques: lace
Location: southern netherlands
Artist: Anonymous

Strook naturelkleurige kloskant, pottekant. Het zich herhalende patroon bestaat afwisselend uit twee naar elkaar toegewende ronde bloemen met een s-vormige stelen, die onderaan met een strik zijn samengebonden en een grote ovaalvormige bloem op een steel met een hartvormig motief. De motieven zijn met elkaar verbonden door een maasgrond, de vierkante Valenciennes-grond. De motieven zijn gemaakt in linnenslag met dikkere en glimmende contourdraden. In de bloemen, de strik en het hart zijn verschillende sneeuwvlokkengronden toegepast. De bovenzijde is recht afgewerkt. Langs de onderzijde loopt een smal strookje onafgewerkt linnen. De korte zijden zijn afgewerkt met een zoompje.
Bylhouders-toren tot Utrecht 1660
Object type: print
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: bijlhouwerstoren

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 2, ill. 222.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Coca chewer on bench
Object type: male figure
Date: 800 – 1500
Materials: ceramic
Culture: capulí
Location: ecuador
Artist: capulí artist(s)
Artist role: artist

Hand modeled and hollow, Capulí style figures are found on both sides of the Colombia/Ecuador border. A common depiction is a male seated on a bench. A wad of coca leaves makes a conspicuous budge in his cheek. The figure's upper torso and hair are resist decorated in black on light brown, and black designs embellish the face and bench. The surface is well polished. Coca-chewing figures on stools are generally interpreted as shamans. The significance of coca-chewing in ancient Andean cultures is difficult to assess today. Archaeological depictions in artworks, however, and early Spanish accounts indicate that coca was widely used in the highlands of South America for thousands of years. In late pre-conquest Inka times coca use is said to have been reserved for the male nobility, religious ceremonies, and divination.
Kanonskogel met nauwelijks zichtbare gietnaad
Object type: bullet ammunition
Date: 1590 – 1596
Materials: iron
Techniques: casting
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

3-pound iron cannonballs
Schouw voor een wand
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous

Links is een halve deur zichtbaar met een bovendeurspaneel. Tussen de schoorsteenboezem en de gebogen kroonlijst hangt een spiegel, daarboven staat een vaas met bloemen. Helemaal bovenaan is het bekroonde monogram WR (William Rex) zichtbaar. Kopie naar prent uit de serie Nouvelles Cheminée faittes en plusieur en droits de la Hollande et autres Prouinces.
Huis aan een water met een brug, aan de horizon twee torens
Object type: photograph
Date: 1905 – 1907
Materials: photographic support
Techniques: collodion silver print
Location: heemstede
Artist: folkert idzes de jong
Artist role: architect
Artist dates: 1877 – 1929
Subjects: rural housing, e.g. country-house, villa, cottage, bridge, small canal, ditch, parts of church exterior and annexes: tower

Onderdeel van Topografisch album van Nederlandse dorpen en steden 1905.
The Actor Yamashita Kyonosuke I in a Female Role
Object type: print
Date: 1769 – 1769
Techniques: woodblock print
Location: japan
Artist: ippitsusai buncho
Artist nationality: japanese
Artist dates: 1755 – 1790
Tekstblad over de Beeldhouwkunst
Object type: text sheet
Date: 1693 – 1693
Materials: paper
Techniques: letterpress printing
Location: amsterdam

Verklaring van de prent met de voorstelling van de personificatie van Beeldhouwkunst in het Frans en het Nederlands, pagina 23. Tekstblad maakt deel uit van een album.
Schouwen
Object type: print
Date: 1694 – 1742
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: ornament ~ medallion, open hearth, fire-place
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een geornamenteerde schouw met rocaille ornamenten en aan de bovenzijde guirlandes, een vaas en draken. Links- en rechts boven ronde medaillons met een figuur met een boek en een vrouw.
Arrowpoint
Object type: arrow point
Date: 700 – 700
Materials: iron
Culture: japanese
Location: japan