deem-data/ArtiFact huggingface dataset:
Gesluierde figuur met een hondenkar op een pad
Object type: sketchbook leaf
Date: 1877 – 1877
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: animal traction, animal-drawn vehicle (carriage etc.), street (+ city(-scape) with figures, staffage)
Inscriptions: date: ‘77’

Op het pad staat een man met een hoed. Op de achtergrond de contouren van een kerk. Blad 6 recto uit een schetsboek met 41 bladen.
Abraham en Isaak bij de offerplaats
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: drypoint, etching
Location: london
Artist: thomas worlidge
Artist role: print maker
Artist dates: 1700 – 1766
Subjects: the sacrifice of isaac (genesis 22)
Inscriptions: collector's mark: Lugt 240
Glass bowl decorated with geometric patterns
Object type: bowl
Date: 301 – 400
Materials: glass
Culture: roman

Colorless with a greenish tinge. Vertical ground rim; hemispherical body; small, slightly pushed-in bottom. Six registers of cut decoration on exterior, each within horizontal grooves: (1) below rim, fine herringbone pattern facing to left; (2) lattice pattern of 22 rectangles, flanked to either side by two vertical grooves, and within each, four smaller rectangles, each with a diagonal cross, forming a larger diamond in each larger rectangle; (3) a broad band covering much of side, with three main designs: a latticed lozenge, a rosette with eight petals within two overlapping squares forming an eight-pointed star, and a large rosette (one with 13 petals, the other with 16), each repeated twice, enclosed by two intersecting continuous garlands, and in spandrels above and below the garlands, smaller stars or rosettes; (4) a narrow band of vertical and diagonal lines, each in pairs of grooves; (5) another herringbone pattern facing to left; (6) on bottom, a 12-petaled rosette. Broken and repaired with only one large crack and one hole with weathered edges in rim; a few bubbles; slight dulling, patches of encrustation and iridescent weathering. The cut design is remarkably well executed and intricate. There a very few other examples with such a detailed abstract decorative pattern.
Fish Vendor
Object type: print
Date: 1738 – 1738
Techniques: engraving, etching
Artist: anne claude philippe de tubières, comte de caylus
Artist role: artist
Artist nationality: french
Artist dates: 1692 – 1765
Subjects: women,fish
Varie Vedute
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: etching
Location: rome
Artist: paolo anesi
Artist role: print maker
Artist dates: 1700 – 1761
Subjects: city-view, and landscape with man-made constructions, bridge, rome
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Landschap met de Ponte Salario in Rome. Boven de voorstelling de titel. Genummerd rechtsboven: 4.
Renard Sends the Ram Back to the Lion with a Package Containing the Rabbit's Head from Hendrick van Alcmar's Renard The Fox
Object type: print
Date: 1650 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: buildings,foxes,rams,trees
Huwelijksfoto van Johannes Willem de Roever en Paulina Brigitte Wolbers
Object type: photograph
Date: 1911 – 1911
Materials: cardboard, paper, photographic support
Techniques: daylight paper print
Location: overveen
Artist: b. knopper
Artist role: fotograaf
Artist dates: 1870 – 1932
Subjects: den helder, haarlem, bride and groom in wedding-dress
Inscriptions: inscription: ‘Trouwfoto 1911 JW de Roever en PB Wolbers tussen zijden japons en Tenerife-handwerk’, signature: ‘B. Knopper, Nassaukade 155, Amst.’

Foto van het bruidspaar Johannes Willem de Roever en Paulina Brigitte Wolbers. Het paar staat voor een achterdoek, voorstellende een hoek van een kamer met betimmering en een raam met een plant midden op de vensterbank, gefotografeerd. De bruid houdt met haar linkerarm de rechterarm van de bruidegom. Zij is gekleed in een lichte bruidsjapon met hoge taille en lange mouwen. Op het hoofd een sluier. De bruidegom draagt een double-breasted jas met brede revers, een vest en broek. Verder een wit overhemd met stijve boord en een geknoopte das. Kort haar met een scheiding links en een puntige snor.
Decoratie van een kerkbank in de St Michael in Cornhill, voorstellend een echte christusdoorn met de tekst: For our iniquities he was bruised
Object type: photograph
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Location: st michael
Artist: Anonymous
Subjects: bench, crown of thorns ~ instruments of the passion
Conversation VII
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: etching, soft ground etching
Location: london
Subjects: giving food, picnic, alfresco, 'déjeuner sur l'herbe', sitting on the ground - aa - female human figure
Inscriptions: collector's mark: Lugt 2228
Lagynos fragment
Object type: lagynos fragment
Date: 323 – 31
Materials: terracotta
Diversae Insectarum Volatilium
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: insects
Inscriptions: collector's mark: Lugt 2228

Verschillende insecten met in het middden een mot.
Brief aan Henriette Wilhelmina van Baak
Object type: letter
Materials: ink
Techniques: pen, writing
Location: copenhagen
Artist: dagmar frandsen
Subjects: henriette wilhelmina van baak
Inscriptions: collector's mark: ‘RPK’, initials: ‘D.F.’

Vormt samen met RP-D-1982-43-FRANDSEN(D.)-12B een doorlopende brief.
Kamerjas van blauwe zijde
Object type: banyan
Date: 1750 – 1750
Materials: silk
Location: netherlands
Artist: Anonymous
Brief aan Pieter Verloren van Themaat
Object type: letter
Date: 1860 – 1860
Materials: ink, paper
Techniques: pen, writing
Location: utrecht
Artist: johannes everhardus rijnboutt
Artist role: print maker
Artist dates: 1839 – 1900
Subjects: pieter verloren van themaat, drawing, money
Mother Bathing
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Onbekende naakte man, en face met een geweer in zijn handen
Object type: page
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: anatomy (non-medical), firearms
Inscriptions: inscription: ‘Schwerlinie. 1/10 der natürlichen Grösse. Projectionen der Gelenkmittelpunkte. Projectionen der Schwerpunkte von Kopf, Händen und Gewehr. Projection des Schwerpunkte des ganzen Körpers mit Gewehr.’, number: ‘Tab. VIII.’
Slapende vrouw
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: ink, paper, pencil
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: sleeping; unconsciousness, dog

De vrouw leunt achterover met haar hoofd tegen een kussen. Tevens een studie van het profiel van een gezicht en een hondenkop. Blad 4 recto uit een schetsboek met 25 bladen.
Cup
Object type: cup
Date: 1800 – 1850
Materials: earthenware
Culture: american
Location: new england
Arhat (Luohan)
Object type: figure
Date: 1867 – 1900
Materials: pigment, wood
Culture: chinese
Subjects: men,buddhism
Maria met het Christuskind
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: mary standing (or half-length), the christ-child on her arm (christ-child to mary's left)
Inscriptions: collector's mark: Lugt 2228

De gesluierde Maria draagt het Christuskind in haar armen. Het Kind houdt een boek onder de arm en maakt een zegenend gebaar.
Portret van Frederik Hendrik van Oranje
Object type: print
Date: 1574 – 1637
Materials: paper
Techniques: engraving
Location: unknown
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: delft, frederick henry (prince of orange)
Inscriptions: collector's mark: Lugt 2228

Portret van Frederik Hendrik, prins van Oranje-Nassau. In de marge een vierregelig lofdicht, in twee kolommen, in het Latijn.
Ruiter en wandelaars op een weg bij Lisse
Object type: print
Date: 1615 – 1616
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: prospect of village, silhouette of village
Inscriptions: collector's mark: Lugt 2228a
De Passie
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: last supper (in general) (matthew 26:21-35; mark 14:18-31; luke 22:3, 22:15-23; john 13:21-38)
Inscriptions: date

Prent uit serie van twaalf prenten met scènes uit de Passie. Reeks geïnspireerd door de prenten van Hendrick Goltzius en Lucas van Leyden. Bij het adres van Gerard Valck staat het nummer 57.
Hat
Object type: hat
Materials: fiber
Culture: american
Nieuwe Hollandsche kinderprenten
Object type: print
Date: 1861 – 1929
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: leiden
Subjects: wagon racing with two-wheeled vehicle, e.g.: chariot, sulky, human types, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, characters (human types)
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van verschillende aard, zoals voorstellingen van wagenrennen, van een koets, van studerende kinderen en van mannen met schuiftrompetten. Onder elke voorstelling een tweeregelig vers. Genummerd linksboven: No. 19.
Gulden, noodmunt uit Haarlem, geslagen tijdens het beleg
Object type: coin
Date: 1573 – 1573
Materials: silver
Techniques: striking
Location: haarlem
Artist: Anonymous
Subjects: haarlem
Insence burner with incised geometric pattern and three ruyi-shaped feet
Object type: incense burner
Date: 1625 – 1675
Materials: glaze, porcelain
Techniques: firing, forming, turning, vitrification
Location: china
Artist: Anonymous

Rond wierookbakje van porselein. 'Blanc de Chine'. Versierd met drie horizontale banden waarvan de middelste versierd is met ingegrift meander-motief. De drie platte pootjes hebben de vorm van de kop van de 'Ju-I-scepter'.
Portret van Willem Jacob van den Berg met een hond in Shewasaulu, Zuid-Afrika
Object type: album leaf
Date: 1967 – 1967
Materials: paper, cardboard
Techniques: chromogenic print
Location: shewasaulu
Artist: willem jacob van den berg
Artist role: boer
Artist dates: 1902 – 1983
Subjects: amsterdam, willem jacob van den berg, historical persons
Pond before Wooden Bridge and a House, from Twelve landscapes with Figures
Object type: print
Date: 1624 – 1624
Materials: paper
Techniques: etching
Location: netherlands
Artist: after gillis van scheyndel
Inscriptions: Numbered lower right: 8
Neckcloth
Object type: neckcloth
Date: 1864 – 1867
Materials: cotton
Culture: american
Hubert Golzius
Object type: print
Date: 1813 – 1813
Materials: paper
Techniques: letterpress printing, lithograph
Location: munich
Artist: maximilian franck
Artist role: print maker
Artist dates: 1780 – 1830
Subjects: bruges, print maker, hubert goltzius, historical persons, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228

Prent uit: Lindauer, Joseph. Deutsche Künstler-Gallerie. München: Maximilian Franck, 1813.
Fingered Gauntlet for the Left Hand
Object type: armor
Date: 1575 – 1600
Materials: leather, steel
Location: nuremberg
Dining room from Lansdowne House
Object type: period room
Date: 1766 – 1769
Materials: plaster, stone, wood
Artist: robert adam
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1728 – 1792

Lansdowne House, designed by Robert Adam and situated at the southwest corner of Berkeley Square, London, was begun for Prime Minister John Stuart, third earl of Bute, who sold it, unfinished, about 1765 to William Petty-Fitzmaurice (1737–1805), earl of Shelburne, later first marquess of Lansdowne and a leading Whig statesman of the period. The house was completed from Adam's designs for Lord Shelburne in 1768 and was a meeting place for Whig social and political circles in the eighteenth and nineteenth centuries. The central block of the house still stands at the corner of Fitzmaurice Place and Lansdowne Row, and was converted into a club in 1930, when the two wings were demolished. The dining room, or "Eating-room," as Adam labeled it in the engraving for his Works (1773), was in the south wing (to the left of the photograph) and was bought by the Museum in 1931. Owing to exigencies of space, the long walls of the room had to be reversed when it was installed at the Museum. In August 1766, Adam submitted his bill for the design of the ceiling, which was carried out in plaster by Joseph Rose. The carving for the wooden doors and door frames, shutters and window frames, columns, baseboard, and chair rail, executed by John Gilbert, was finished in December 1768. The marble chimneypiece was probably carved by Thomas Carter. The oak floor of the room is original. The niches originally held nine ancient marble statues acquired by Lord Shelburne in Italy from the artist Gavin Hamilton, which were dispersed at the Lansdowne sale of 1930. The statue of Tyche, in the niche nearest the windows on the chimneypiece wall, the only sculpture original to the room, dates from the second century A.D. The other niches have been filled with plaster casts. The original furniture, designed by Robert Adam and executed by John Linnell, no longer survives.
Utrechtse duit van Frederik van Baden, 1496-1516
Object type: coin
Date: 1496 – 1517
Materials: copper
Techniques: striking
Location: wijk bij duurstede

Koper-zilveren munt. Voorzijde: wapenschild. Keerzijde: lang gevoet kruis met in het hart wapenschildje.
Incense Box with Autumn Grasses and Insect Cage
Object type: incense box
Date: 1834 – 1866
Materials: gold, gold foil, silver
Techniques: cutting, hiramakie, maki-e
Culture: japanese
Subjects: flowers
The Blue Egyptian Water Lily, from "The Temple of Flora, or Garden of Nature"
Object type: print
Techniques: aquatint, hand coloring, printing, engraving
Artist: joseph constantine stadler
Artist role: engraver
Artist nationality: german
Artist dates: 1780 – 1822
Subjects: buildings,leaves,trees,water lilies

This delicately colored aquatint depicts blue Egyptian water lily (Nymphaea coerulea) rising from the waters of the Nile at Aboukir Bay, with palm trees and a mosque in the middle distance.The site would have reminded viewers of Nelson's 1798 victory over the French fleet at the Battle of the Nile. Dr. John Thornton devoted his personal fortune to the project which celebrated recent discoveries relating to floral reproduction by the Swedish naturalist Carl Linnaeus. Flowers from all corners of the globe are shown in native habitats (although costs allowed only thirty-two of a planned seventy prints to be published). Thirteen engravers worked from paintings and drawings supplied by botanical artists, the plates were etched using a combination of aquatint, stipple and mezzotint, printed in color "à la poupée" then enhanced with watercolor additions. Size, composition and sensitive coloring together suggest that these works hoped to raise botanical art to a level that rivaled more exalted genres.
Vier vrouwen en een kind achter een kerkraam
Object type: photomechanical print
Materials: cardboard, paper
Techniques: photoaquatint
Artist: adelaide hanscom leeson
Artist role: painter
Artist dates: 1875 – 1931
Subjects: church-window, e.g. rose-window, picture, painting
Inscriptions: copyright notice: ‘C’

Prent op ongenummerde pagina. Adelaide Hanscom Leeson manipuleerde haar glasnegatieven om een schilderachtig efffect te bewerkstelligen.
Fingal's Cave
Object type: drawing and watercolor
Date: 1772 – 1772
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: england
Artist: john clevely, ii
Artist nationality: english
Artist dates: 1747 – 1786
Disk Brooch
Object type: brooch
Date: 501 – 600
Materials: garnet, silver
Culture: frankish
Norbert van den Berg met een gezelschap bij een graf in Westerveld en op Schiphol
Object type: album leaf
Date: 1907 – 1967
Materials: paper, cardboard
Techniques: chromogenic print
Location: netherlands
Artist: willem jacob van den berg
Artist role: boer
Artist dates: 1902 – 1983
Subjects: norbert van den berg (1901-1972), airfield, airport, funeral prayers

Deze foto's zijn onderdeel van een album.
Kruipende dieren
Object type: print
Date: 1865 – 1875
Materials: paper
Techniques: letterpress printing, lithograph
Location: amsterdam
Subjects: tailless amphibians: frog, snakes, crocodiles: crocodile, reptiles
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen van reptielen en amfibieën, onder andere schildpadden, slangen en een kikker. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 44.
Earrings
Object type: earring
Date: 7000 – 30
Materials: gold
Culture: greek
Portret van Gian Giacomo Trivulzio
Object type: book illustration
Date: 1617 – 1617
Materials: paper
Techniques: engraving, letterpress printing
Location: delft
Subjects: politician, historical persons
Inscriptions: inscription: ‘1448 in Milano[...]’

Prent uit: Clerck, Nicolaes de. Tooneel der beroemder hertogen, princen, graven ende krygs-helden (...). Delft: Nicolaes de Clerck, 1617.
Gezicht op het Forum Romanum
Object type: print
Date: 1551 – 1551
Materials: paper
Techniques: etching
Location: antwerp
Artist: hieronymus cock
Artist role: print maker, publisher
Artist dates: 1518 – 1570
Subjects: ruin of a building ~ architecture
Inscriptions: collector's mark: Lugt 2228

Gezicht op het Forum Romanum in Rome met ruïnes van historische gebouwen. Prent uit een serie van 25 prenten met Romeinse ruïnes.
Maloja
Object type: page
Date: 1879 – 1889
Materials: photographic support
Techniques: albumen print
Location: graubunden
Artist: Anonymous
Subjects: lake, hotel, hostelry, inn, mountains
Doosje bij penning en munt 400 jaar handelsbetrekkingen Nederland-Japan
Object type: medal box
Date: 2009 – 2009
Materials: leather, paper
Location: utrecht
Subjects: netherlands, japan
Inscriptions: inscription: ‘400 years of Trade Relations Japan - the Netherlands Ridderzaal, The Hague, 25th of August 2009’

Met zwart leer bekleed doosje met los deksel voor penning en munt ter gelegenheid van 400 jaar handelsbetrekkingen tussen Japan en Nederland. Hierin een gedrukt vouwblad met informatie over penning, munt en de aanleiding. Opschrift op de deksel van de doos: "400 years of Trade Relations Japan - the Netherlands" Ridderzaal, The Hague, 25th of August 2009.
Fender
Object type: fender
Date: 1790 – 1815
Materials: brass
Location: united states
Oude man met lange jas
Object type: print
Date: 1635 – 1669
Materials: paper
Techniques: engraving
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: old man
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een oude man, zijwaarts afgebeeld, met ruim vallende kleding aan.
Battle of the Pyramids, July 21, 1798
Object type: drawing
Date: 1800 – 1800
Materials: graphite, ink, paper
Techniques: brush, heightening, pen, drawing, wash
Artist: françois andré vincent
Artist role: artist
Artist nationality: french
Artist dates: 1746 – 1816
Subjects: battles,soldiers,horses

This large study is one of several Vincent executed depicting the Battle of the Pyramids, which took place on July 21, 1798 as part of Napoleon's invasion of Egypt. The project was part of a larger commission, issued in 1800 by Lucien Bonaparte, minister of the interior, for six large canvases, each by a different artist, depicting a series of battles. Although the painting was never completed, one can see Vincent's conception of the scene in this energetic study where a roiling, chaotic mass of horses and Mamluk soldiers on the banks of the Nile provide a powerful visual contrast to the orderly rows of French soldiers beyond.
L'oeuvre de Rembrandt reproduit par la photographie / décrit et commenté par Charles Blanc
Object type: book
Date: 1853 – 1853
Materials: cardboard, leather, linen, paper, photographic support
Techniques: printing, salted paper print, marbled paper
Location: paris
Artist: charles blanc
Artist role: graveur, kunsthistoricus, schrijver
Artist dates: 1813 – 1882
Inscriptions: annotation: ‘foatt/ s/g 87/ folio f 90.-’, date: ‘JUNE/ 1997’
Zu Delft in Hollant 10 Julij 1584
Object type: print
Date: 1584 – 1586
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: delft, william i (prince of orange), attempt, political murder

Willem van Oranje vermoord door Balthasar Gerards, 10 juli 1584. Gezicht op interieur Prinsenhof: achter ontvangt de prins Gerards in een kamer, op de voorgrond wordt de prins neergeschoten. Links probeert Gerard te ontsnappen en wordt hij gevangengenomen. Met onderschrift van 12 regels in het Duits. Genummerd: 72.
Quadrangular vase in the form of a Neolithic ritual jade object (cong)
Object type: holder for magic straw
Date: 1801 – 1900
Materials: glaze, stoneware
Culture: chinese
Miniature Trident with Naga
Object type: figure
Date: 1001 – 1200
Materials: bronze
Culture: indonesian, javanese
Subjects: snakes
Kisen Hoshi, from the series "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)"
Object type: print
Date: 1814 – 1817
Techniques: woodblock print
Location: japan
Artist: kikukawa eizan
Artist nationality: japanese
Artist dates: 1787 – 1867
Convent of the Benedictines, Rouen
Object type: photograph
Date: 1855 – 1865
Materials: photographic support
Techniques: albumen print
Location: rouen
Artist: joseph cundall
Artist role: fotograaf, schrijver
Artist dates: 1818 – 1895
Subjects: abbey, monastery, convent ~ roman catholic church, façade (of house or building)
Fotoreproductie van een portret van François Joseph Regnier
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: historical persons, portrait of actor, actress
Inscriptions: inscription: ‘Figaro-Album/ Regnier/ d'après Carjat Phot.’
De Kamer van Koophandel en Fabrieken te Amsterdam
Object type: photomechanical print
Date: 1911 – 1911
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: zeist, politician, chamber of commerce, historical persons
Inscriptions: collector's mark: Lugt 1641b

Artikel over de Kamer van Koophandel en Fabrieken te Amsterdam, met een portret van Antoine de Celles, het interieur van de Kamer van Koophandel in de Beurs van Berlage en een portret van Sam van Eeghen. Onderwerpsrubriek binnen de Atlas Amsterdam: Markten, handel: Nederlandsche Handelmaatschappij.
Viaduct. Deventer
Object type: photomechanical print
Date: 1892 – 1905
Materials: cardboard
Techniques: photograph
Location: deventer
Subjects: viaduct, deventer
Passio verbigenae quae redeptio Christ (...)
Object type: ornament print
Date: 1560 – 1600
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: christ meets veronica, who has a cloth to wipe christ's face

Christus draagt het kruis en ontmoet Veronica. Uit serie van 14 ovalen met grotesken waarin scènes uit de passie zijn afgebeeld. Gearceerde achtergrond.
Kruk met gedraaide poten gedecoreerd met bladmotieven en een liggende figuur
Object type: photograph
Date: 1875 – 1900
Materials: photographic support
Techniques: matte daylight collodion silver print
Artist: Anonymous
Subjects: stool
Inscriptions: number: ‘LI Kat 252 145’, collector's mark: ‘Kunstnijverheidschool Quellinus Amsterdam Frans Halsstraat 14.’, collector's mark: ‘Instituut voor kunst-nijverheidsonderwijs Gabriël Metsustraat No. 16, Amsterdam’
Doorsnedes en plattegronden van de Nieuwe Beurs in Amsterdam
Object type: photomechanical print
Date: 1898 – 1898
Materials: paper
Techniques: line block
Artist: hendrik petrus berlage
Artist role: draughtsman
Artist dates: 1856 – 1934
Subjects: stock exchange, stock-market, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Handel en Zeevaart, D. Beurs-Ontwerpen.
Plaque
Object type: plaque
Date: 1760 – 1760
Materials: earthenware
Techniques: glazing
Artist: whieldon type
Artist role: maker
Subjects: birds,flowers
Sampler
Object type: sampler
Date: 1787 – 1787
Materials: linen, silk