deem-data/ArtiFact huggingface dataset:
Perseus (from Sketchbook)
Object type: drawing
Date: 1860 – 1860
Materials: graphite, paper
Culture: american
Artist: john quincy adams ward
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1910
Subjects: heads,perseus

Ward became known as the "Dean of American Sculpture" for his role in promoting the medium as a teacher and through professional organizations. He was an advocate for studying the great art of the past and once told an interviewer, "I want to see every statue that has ever been made." He collected copies of sculpture masterpieces and played an important role in developing collections of these plaster casts for students at The Met, where he was a founding Trustee, and at the National Academy of Design in New York. Ward made this study after a copy of Cellini’s Perseus when he was a young apprentice.
Palisades (No. 19 of The Hudson River Portfolio)
Object type: print
Date: 1823 – 1824
Materials: watercolor
Techniques: aquatint
Artist: john hill
Artist role: etcher
Artist nationality: american, born england
Artist dates: 1770 – 1850
Subjects: rivers,boats,ships

The related text tells us that, "The Pallisadoes consist of a line of rugged and perpendicular bluffs, which at a few miles distance from the city of New-York, margin for a considerable distance and overlook the bed of the Hudson river...Rising in savage grandeur, and stretching their tree-crowned summits far as the vision can compass, these rocks are too prominent a feature in the scenery of the Hudson to be overlooked. The shore...is abrupt, and the water sufficiently deep to allow vessels, even of considerable burthen, to approach within a short distance...The height of these bluffs....rising from 400 to 800 feet, exhibiting...steep and solid masses of stupendous stone, and presenting here and there deep cavities, where the eagle builds his nest among the cliffs." The print comes from the Hudson River Portfolio, a monument of American printmaking produced through the collaboration of artists, a writer, and publishers. In the summer of 1820, the Irish-born Wall toured and sketched along the Hudson, then painted a series of large watercolors. Prints of equal scale were proposed–to be issued to subscribers in sets of four–and John Rubens Smith hired to work the plates. Almost immediately, Smith was replaced by the skilled London-trained aquatint engraver John Hill, who finished the first four plates, and produced sixteen more by 1825. Over the next decade, the Portfolio sold thousands of copies, stimulated new appreciation for American landscape, and prepared the way for the Hudson River School.
Gathering the Seven Herbs of Spring
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: trees, boy (child between toddler and youth), gathering herbs

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Leger-Pied Heroiq et la Contente en tout jeux / Lichtvoetius Kuisheids Spion en Lucretia watje wild / Der Dreschmässig u: flegel begrabte Hansküh wedel Bauren knecht als Hochzeit graaft
Object type: caricature
Date: 1718 – 1720
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: caricatures (human types), little people, dancing at wedding feast, one pair dancing; man and woman dancing as a couple

Dansend paar kleine mensen. In het onderschrift verzen (met seksuele toespelingen) in het Duits, Frans en Nederlands. Afdruk zonder een decoratieve omlijsting. Genummerd rechts midden: 5. Onderdeel van deel IV (een serie van zes platen van dansende paren op een bruiloftsfeest) in de tweede Nederlandse gebonden uitgave uit 1720 (en deels gerelateerd aan de Windhandel in dat jaar) van een serie karikaturen van kleine mensen, bekend als Het Dwergentooneel.
Fragment
Object type: fragment
Date: 1801 – 1833
Materials: silk
Subjects: flowers,leaves
Fotoreproductie van een schilderij met een drinkend gezelschap
Object type: reproduction
Date: 1855 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: drinking
Architectura von den funf Seuvlen (...)
Object type: ornament print
Date: 1610 – 1610
Materials: paper
Techniques: etching
Location: germany

Onderaan zijn te zien: een kapiteel, twee plannen voor kapitelen en een doorsnede van een pilasterkapiteel. Blad 10 uit serie van titelblad en 28 bladen.
Amor in de vorm van een engel met fakkel.
Object type: sculpture
Date: 1700 – 1800
Materials: ivory
Techniques: cutting
Artist: Anonymous

Amorfiguur van ivoor in de vorm van een engel met fakkel.
Neander
Object type: print
Date: 1820 – 1840
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: berlin, theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Baron Isidore Justin Séverin Taylor (Belgian playwright and travel writer, 1789-1878)
Object type: photograph
Date: 1872 – 1875
Materials: paper
Techniques: photography, woodburytype
Location: france
Artist: nadar (gaspard félix tournachon)
Subjects: collected by hugh edwards, contemporaine littéraire
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 100
Materials: glass
Culture: roman

Colorless with blue-green tinge. Rim folded out, over, and in with beveled upper edge; cylindrical neck, expanding downward and tooled in around base; tall bulbous body; concave bottom. On body, three bands of two fine abraded horizontal lines. Intact; many bubbles and blowing striations; dulling, patches of deep pitting and iridescent weathering.
Boots
Object type: boot
Date: 1801 – 1833
Materials: leather
Culture: british
VOC, duit Westfriesland, 1754
Object type: coin
Date: 1754 – 1754
Materials: copper
Techniques: striking
Location: hoorn

Koperen munt. Voorzijde: gekroond wapenschild van Westfriesland. Keerzijde: monogram van de VOC, waarboven muntmeesterteken en waaronder jaartal. Gladde rand.
Terracotta hydria: kalpis (water jar)
Object type: hydria, kalpis
Date: 420 – 410
Materials: terracotta
Culture: greek, attic
Artist: chrysis painter
Artist role: artist
Subjects: women

Women outdoors The setting is indicated by the uneven terrain and the wisps of plant life growing around the figures. Otherwise, the iconography would be that of women in a domestic interior. The ladies are finely dressed and embellished with jewelry. They are shown with their caskets, wool baskets, and a mirror.
Een schoone dag op zee.
Object type: sketchbook leaf
Date: 1882 – 1882
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: george washington schwartze
Artist role: draughtsman
Artist dates: 1857 – 1909
Subjects: sea (seascape)
Inscriptions: signature and date: ‘Geo. Washington Schwartze. 82.’, title: ‘Een schoone dag op zee.’

Tekening in een kader. Blad 38 recto uit een schetsboek met 54 bladen.
Huilend meisje leunend tegen een stoel
Object type: drawing
Date: 1890 – 1930
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: weeping, chair
Inscriptions: number: ‘19.’, :, collector's mark: Lugt 2228a
Processional Cross
Object type: cross
Date: 501 – 600
Materials: silver, wood
Culture: syrian
Location: antioch or kaper koraon (?)

One of the largest early crosses to survive, this severely simple work is part of the Antioch Treasure displayed in the case to the left. Crosses were carried in church processions. In Syria, monumental crosses were also prominently mounted in churches, before the altar. Inscribed on the face of the cross is the Trisagion, or thrice-holy hymn, sung at the beginning of the Divine Liturgy: “God is Holy, the All-Powerful is Holy, the Immortal is Holy.” Some believe that the refrain was developed in Antioch; its first recorded chanting was by the bishops of Antioch at the Council of Chalcedon in 451. On the back of the cross is the proud statement of its donation “in fulfillment of a vow of Herodotos and Komitas, [sons] of Pantaleon.”
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Part of upper torso and extended arm of a woman to left, wearing a peplos
Vrouw die een koe melkt, met rundvee en schapen.
Object type: print
Date: 1778 – 1830
Materials: paper
Techniques: etching
Location: switzerland
Artist: johan jakob biedermann
Artist role: painter, print maker
Artist dates: 1763 – 1830
Subjects: cow, milking
Inscriptions: watermark: ‘Thurneisen’, collector's mark: Lugt 2228

Vrouw die een koe zit te melken. Een liggend rund en drie schapen ernaast. Rechtsboven genummerd: 39.
Exterieur van de Dom van Keulen
Object type: photomechanical print
Date: 1889 – 1899
Materials: paper
Techniques: photoaquatint
Location: cologne
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: title: ‘Cathedral of Cologne.’
Bagues du XVe et du XVIe siècle
Object type: photomechanical print
Date: 1859 – 1864
Materials: paper
Techniques: photolithography
Location: paris
Subjects: ring
Ipswich Town, or Harbor Scene
Object type: print
Date: 1893 – 1895
Materials: paper
Techniques: woodcut, stain
Artist: arthur wesley dow
Artist role: artist
Artist nationality: american
Artist dates: 1857 – 1922
Subjects: towns,rivers

Part of a series titled "Along Ipswich River," this upright composition echoes Japanese pillar prints and reflects the artist's study of Hokusai and Hiroshige. Dow was one of the first Americans to master Japanese woodblock printing techniques, wedding an admiration for Oriental aesthetics with an English Arts and Crafts sensibility. He called his woodcuts "color themes," and they demonstrate his devotion to Eastern concepts of line, color, and notan–the balance of light and dark. He executed the entire printmaking process by hand, carving and inking the blocks and then printing them sequentially on damp mulberry paper. In this case he did not use a linear key block to pull elements together but evokes landscape forms by juxtaposing color shapes.
Twee ramen met bloempotten
Object type: sketchbook leaf
Date: 1870 – 1923
Materials: paper, pencil
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: urban housing, window, potted plants

Mogelijk de achterkant van de huizen aan de Zeedijk in Amsterdam, gezien vanaf de Oudezijds Achterburgwal.
Binnenplaats met waterput van het Hôtel de Cluny in Parijs
Object type: photograph
Date: 1880 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: paris
Artist: paul robert
Artist role: fotograaf
Artist dates: 1865 – 1905
Subjects: well, courtyard, façade (of house or building), paris
Inscriptions: check stamp: ‘Paul Robert Paris’, negative number: ‘4’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Frankrijk, Griekenland en Turkije.
Lapeirousia silenoides (Jacq.) Ker Gawl.
Object type: album leaf
Materials: chalk, paint, paper, pencil, watercolor
Techniques: brush
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Subjects: plants; vegetation
Inscriptions: annotation: ‘gladiolús’

De tekening is gemaakt voor of tijdens een van Gordon's vier expedities door de Kaapprovincie, van oktober 1777 tot maart 1786.
Sommige (soort)namen kunnen zijn gewijzigd, gezien reorganisatie in plantentaxonomie gedurende de afgelopen jaren.
Fan
Object type: fan
Date: 1855 – 1865
Materials: metal, mother of pearl, paper
Culture: european
Subjects: men,women
Tempel te Semna
Object type: page
Date: 1857 – 1862
Materials: photographic support
Techniques: albumen print
Location: semna
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: temple, shrine ~ egyptian religion
Inscriptions: number: ‘LXXXVII’, name: ‘Frith’, inscription: ‘Near View’
Vittorio Emanuele II
Object type: carte de visite
Date: 1867 – 1867
Techniques: albumen silver print, glass negative
Artist: cesare bernieri
Artist role: artist
Artist nationality: italian
Artist dates: 1861 – 1870
Subjects: men,portraits

An avowed patriot, Bernieri fought alongside Garibaldi in the Expedition of the Thousand. After establishing his Turin photography studio in 1861, he became known for his portraits of Risorgimento heroes and as court photographer to the Italian royal family. This carte de visite depicts Vittorio Emanuele II (1820–1878), king of Sardinia and Piedmont, who became the first king of a united Italy in 1861. The sitter dedicated this print to the Countess of Castiglione following the tragic death of her husband, writing, “The unhappy sovereign kisses the hands of the dearest Nicchia.”
Verderf-traps beeld-schrift ofte heiligh letteren dat is. Hieroglifica
Object type: print
Date: 1520 – 1560
Materials: paper
Techniques: woodcut
Location: low countries
Artist: Anonymous
Subjects: proverbs, sayings, etc.
Inscriptions: collector's mark: Lugt 2228a

Eén van acht moraliserende spreuken verbeeld: Rijke jongeman wijst jonge vrouw op Christus, zittend in de hemel op regenboog met zwaard en lelie. Andere man volgt een nar. Tekst onder prent.
Portret van Jacob Cats
Object type: print
Date: 1698 – 1776
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: johannes de groot (ii)
Artist role: painter, print maker
Artist dates: 1688 – 1796
Subjects: the hague, jacob cats (1577-1660), historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228

De pensionaris van Dordrecht en dichter Jacob Cats op 57-jarige leeftijd. Hij draagt een plooikraag en een toga. In de marge twee Nederlandse verzen, mogelijk van Jacob Cats.
Hunebed te Meudon
Object type: stereograph
Date: 1906 – 1906
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: meudon
Subjects: megalithic chambered tomb, dolmen
Inscriptions: number: ‘349’, inscription: ‘Neue Photographische Gesellschaft A.-G. Steglitz-Berlin 1906.’
Ontwerp voor decoratie met man en hond
Object type: drawing
Date: 1874 – 1945
Materials: chalk, ink, paper, pencil
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: dog

Ontwerp voor decoratie van de kinderkamer van de mailboot: man met hond `De hond die men een ...'.
Twee mannen met een driekantige steek
Object type: drawing
Date: 1805 – 1805
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: standing figure, head-gear: tricorn, canal
Inscriptions: signature: ‘J Andriessen’, inscription: ‘21 Sept. wat of dat toch voor een paar sinjeurs zijn (...)’

Dagboekblad uit het getekende dagboek dat Christiaan Andriessen bijhield van 1805 tot en met 1808.
Iris bulbosa latif. Clusii
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: arnhem
Subjects: flowers

Prent uit: Passe, Crispijn van de (II). Hortus floridus in quo rariorum & minus vulgarium florum icones ad vivam veramque formam. Arnhem: Johannes Janssonius, 1617.
Antony and Cleopatra, Act III, Scene 9: Alexandria
Object type: reproduction
Date: 1874 – 1874
Materials: paper
Techniques: woodburytype
Location: london
Subjects: theatre, theatrical performance
Portret van dhr. K.J. Kautsky
Object type: drawing
Date: 1874 – 1925
Materials: paper, pencil
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: historical persons, portrait of a writer
Poem by Nakatsukasa, from an untitled series of Thirty-Six Immortal Poets
Object type: print
Date: 1767 – 1768
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Mr. Cornelis Felix van Maanen
Object type: print
Date: 1809 – 1853
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Heirloom Textile
Object type: textile
Date: 1601 – 1733
Materials: cotton
Techniques: dyeing, weave, resist
Location: india
Omhelzing bij thuiskomst
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: being welcomed ~ travelling, cottage
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Becker, Wilhelm Gottlieb. Darstellungen von W. G. Becker. 2 dln. Leipzig: Voss und Comp., 1798, dl. 2.
Jonge vrouw en oude man
Object type: print
Date: 1670 – 1700
Materials: paper
Techniques: mezzotint
Location: netherlands
Artist: jan broedelet
Artist role: print maker
Subjects: garden, married couple of unequal age
Inscriptions: collector's mark: Lugt 2228

In een tuin zitten een oude man en een jonge vrouw. Zij heeft een medaillon in de hand en hij heeft zijn hand op haar schouder gelegd.
Face et Profil de la Menuiserie du Confident
Object type: ornament print
Date: 1784 – 1785
Materials: paper
Techniques: etching
Location: paris
Subjects: bench, timber framing
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Vooraanzicht en profiel van een houten frame van een bank bestaand uit drie compartimenten.
De Purmer bedyckt inde jaare M.D.C.XVIII
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: engraving, etching
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 195

Blad met twee stroken voor een wapenrand die hoort bij een kaart van de Purmer. Op de linkerstrook de wapens van twee hoofdingelanden en een gecommitteerde van de ingelanden. Op de rechterstrook de wapens van twee hoofdingelanden en de secretaris.
Jan Claasz of de gewaande dienstmaagd: de liefdesverklaring van Reinier Adriaansz
Object type: print
Date: 1706 – 1750
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: being refused, the proposal rejected, candle (+ kindling a light; lit, burning light, lamp, candle), comedy, night
Inscriptions: collector's mark: Lugt 2488

Nachtgezicht. Reinier Adriaansz verklaart Saartje Jansz de liefde. Zij staat met een kaars in de deuropening. Met zesregelige tekst in de marge. Scène uit de komedie 'Jan Claasz of de gewaande dienstmaagd' van Thomas Asselijn.
Design for Stanhope Phaeton, no. 3646
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Monument voor Lodewijk XV, koning van Frankrijk, in Rennes
Object type: print
Date: 1754 – 1771
Materials: paper
Techniques: engraving, etching
Subjects: lodewijk xiv (koning van frankrijk), historical persons, monument, statue
Inscriptions: collector's mark: Lugt 2165
Patchwork of woven textiles
Object type: patchwork of woven textile
Date: 1601 – 1800
Materials: silk
Culture: chinese
Giovanni Battista Rota, Member of the Rota Family of Venice
Object type: painting
Date: 1567 – 1600
Materials: canvas, oil
Culture: italian
Location: italy
Subjects: armor,men,portraits
Ruit met een vliegende vogel met in zijn snavel een rups
Object type: light window
Date: 1650 – 1675
Materials: glass, lead
Techniques: enamel painting
Artist: Anonymous
Subjects: birds

Een ruit met emailschildering van een wegvliegende vogel met in zijn snavel een rups.
Long-neck vase with tubular handles
Object type: vase
Date: 1801 – 1900
Materials: glaze, porcelain
Culture: chinese
De triomfen van Petrarca
Object type: tapestry
Date: 1510 – 1525
Materials: silk, wool
Techniques: tapestry
Location: brussels
Artist: Anonymous
Subjects: personifications of death; 'morte' (ripa) - ff - death as female, atropos, usually with shears, 'trionfo della fama', 'triumphus famae'; 'carro della fama' (ripa)

Tapestry. The Triumph of Fame over Death. Wool, silk. Brussels, c. 1515 - 1525. This tapestry is one of a set of six made after a poem of 1354 by Petrarch, entitled I Trionfi, which describes six allegorical triumphs. On the left of the tapestry Death is conquered by Fame. Death stands on a triumphal car, but is pushed off it by Fame, who comes flying in from the right. Death is symbolized by Atropos, the goddess who cuts the thread of life. On the right Fame stands victorious on a triumphal car with Atropos at her feet. Round the triumphal car appears a procession of famous men: statesmen, artists, scholars. All of them have conquered death and risen from their graves to join the triumph of Fame.
Fotoreproductie van een geschilderd portret van Anna Codde
Object type: reproduction
Date: 1885 – 1910
Materials: paper, cardboard
Techniques: collodion silver print
Artist: Anonymous
Subjects: historical persons - bb - woman, picture, painting
Inscriptions: inscription: ‘Anna Codde’, collector's mark: Lugt 2228
Plattegrond van Amsterdam
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maps of cities, amsterdam
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (…). 3 delen [folio-uitgave]. Amsterdam: Isaak Tirion en Yntema & Tieboel, 1760-1767, dl. 1 (Isaac Tirion, 1760). En in: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (…). 13 delen [octavo-uitgave]. Amsterdam: Isaak Tirion en Yntema & Tieboel, 1760-1768, dl. 1 (Isaac Tirion, 1760).
Artikel over de Oude Kerk te Amsterdam
Object type: article
Date: 1899 – 1899
Materials: paper
Techniques: letterpress printing, line block, engraving
Location: haarlem
Subjects: architectural detail, interior of church, parts of church exterior and annexes, epitaph
Inscriptions: collector's mark: ‘31.94’ Lugt 1641b

Artikel uit Woord en Beeld; Geïllustreerd maandschrift (1899), bestaande uit tien pagina's met zeventien illustraties. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Oude Kerk van buiten.