deem-data/ArtiFact huggingface dataset:
Greek Girls Bathing
Object type: painting
Date: 1872 – 1877
Materials: canvas, oil
Culture: american
Artist: elihu vedder
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1923
Subjects: women,bathing

Although Vedder possessed a feverish imagination, little of it is evident in this painting, which he made for the financier J. Pierpont Morgan. The general effect of the picture is that of an antique sculptured frieze. Behind the graceful young figures, the shallow stage is bounded by a sea of gently rolling waves, and, in front, concentric arcs of foam mark a receding swell. Vedder began his training in Paris with an Academic follower of Jacques-Louis David, and spent most of his long career in Italy, chiefly in Rome. The painters of the Renaissance, especially Michelangelo, were his primary inspiration, but he was influenced too by the mystical art of the Englishman William Blake. Vedder obtained immense popular success with his series of illustrations for the 1884 edition of the "Rubaiyat of Omar Khayyam".
Fuji from Gotenyama on the Tōkaidō at Shinagawa (Tōkaidō Shinagawa Gotenyama no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: houses,men,women,mountains,trees
Architectural elements from a Retiring Room in the North Family Dwelling American, New Lebanon, New York
Object type: bedroom
Date: 1830 – 1840
Materials: wood
Culture: american, shaker
Location: united states
Artist: united society of believers in christ’s second appearing (“shakers”)
Artist role: maker
Artist nationality: american
Artist dates: 1750 – 9999

The Shakers were a socially progressive Protestant sect that believed in racial and sexual equality, pacifism, and common property. By the mid-nineteenth century, the Shakers had established eighteen communes, from Maine to Kentucky, for nearly 6,000 members. This room has been installed with architectural elements from the North Family Dwelling at "Mount Lebanon" in upstate New York as well as Shaker-made furniture and textiles. The North Family Dwelling was a five-story building designated for one of Mount Lebanon’s eight work-and-faith units, or "families," which contained kitchens, dining rooms, a large chapel and meeting room, and retiring rooms. This room served as both a bedroom and, as proscribed by the Shakers’ Millennial Laws, a place to retire to "in silence, for the space of half an hour, and labor for a sense of the gospel, before attending meeting." Originally, the room would have had several beds for the women who shared it. As in many Shaker interiors, a pegboard runs around the room to suspend objects from the floor for more efficient storage and daily cleaning routines. The built-in cupboards, pegboards, austere furnishings, and stained woodwork reveal three of the most typical characteristics of Shaker design: utility, simplicity, and beauty.
Fragment van aardewerk met rossige scherf, aan de voorzijde voorzien van een bladrank in sgrafitto-techniek, deels voorzien van wit glazuur, aan de achterzijde voorzien van wit glazuur
Object type: sherd
Date: 1200 – 1899
Materials: earthenware
Location: italy
Artist: Anonymous
Portret van Aleksander Blendowski
Object type: print
Date: 1832 – 1839
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Straszewicz., Joseph. Les polonais et les polonaises de la révolution du 29 novembre 1830, ou Portraits des personnes qui ont figuré dans la dernière guerre de l'indépendance polonaise, avec les fac-simile de leur signature, lithographiés sur dessins originaux, par les artistes les plus distingués: MM. Grévedon, Maurin, Vigneron, Belliard, Devéria, Bazin, Desmadryl, Lecler, Desmaisons, Rutowski, officier polonais, etc,. etc., accompagnés d'une biographie pour chaque portrait. Parijs: Catherine-Anaïs Pinard, 1832.
Of uit: Straszewicz., Joseph. Les polonais et les polonaises de la révolution du 29 novembre 1830. Biographie des personnes qui ont figuré dans la dernière guerre de l'indépendance polonaise, avec les fac-simile de leur signature, ornée de 30 portraits lithographiés sur dessins originaux, par les artistes les plus distingués: MM. Grévedon, Maurin, Vigneron, Belliard, Devéria, Bazin, Desmadryl, Lecler, etc., etc.. Parijs: s.n., 1839.
Portret van een vrouw
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: zaragoza
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Fotografia Zaragozana/ Coso 55’
Engelen
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: etching, engraving
Location: london
Subjects: angels
Inscriptions: collector's mark: Lugt 2233

Twee engelen die omhoog kijken. In ondermarge titel en vers in het Engels in twee kolommen.
Johann Albrecht Braunsy, muntmeester te Zellerfeld
Object type: adrespenning
Date: 1731 – 1731
Materials: copper
Techniques: striking
Location: clausthal-zellerfeld
Artist: Anonymous
Subjects: johann albrecht braunsy, clausthal-zellerfeld

Koperen penning. Voorzijde: gehelmd wapenschild boven jaartal binnen omschrift. Keerzijde: boom, waarin vogel zit, terwijl tweede vogel wegvliegt binnen omschrift
Virgin Mary (Rosa Lang)
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: oberammergau
Subjects: the virgin mary, portrait of actor, actress
Inscriptions: inscription: ‘Gemeinde Oberammergau Passionsspiel 1890’
Rijksmuseum Amsterdam
Object type: photograph
Date: 1941 – 1942
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: rijksmuseum amsterdam, permanent exhibition, museum, occupation ~ war

Het Rijksmuseum: de onderdoorgang gezien vanaf het Museumplein. Achterop staat: Amsterdam Museumsportal.
Portret van Friedrich von Schiller
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Artist: wilhelmus cornelis chimaer van oudendorp
Artist role: print maker
Artist dates: 1822 – 1873
Subjects: friedrich von schiller, scholar, philosopher, historical persons, portrait of a writer

Deze prent maakt mogelijk deel uit van een serie uitgegeven door Soetens et Fils omstreeks 1838, opgedragen aan de Prins van Oranje. In de 'Prospectus en Inteekenlijst' stond vermeld dat de serie bestond uit een onbepaald aantal portretten, waarvan er drie of vier per maand verschenen.
Willem III, koning der Nederlanden
Object type: twee en een halve cent
Date: 1881 – 1881
Materials: bronze, metal
Techniques: soldering, striking
Location: utrecht
Artist: Anonymous
Subjects: brussels, willem iii (koning der nederlanden), netherlands
Inscriptions: inscription: ‘KONINGRIJK DER NEDERLANDEN 1881’

Bronzen insigne, vervaardigd uit ajour bewerkte munt van twee-en een halve cent, waarvan alleen beeldenaar en rand zijn overgelaten; hieraan is aan achterzijde veiligheidsspeld gesoldeerd. Voorzijde: gekroonde leeuw met zwaard en pijlenbundel binnen parelrand en omschrift. Keerzijde: gedeelte van voorstelling op oorspronkelijke munt zichtbaar.
Cistern
Object type: cistern
Date: 1545 – 1545
Techniques: maiolica, glazing
Artist: orazio fontana
Artist role: maker
Artist nationality: italian
Artist dates: 1505 – 1576
Subjects: male nudes,female nudes,horses,landscapes
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the stem of the kylix with a hole from an ancient repair
Historische portrettengalerij
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: letterpress printing, engraving
Location: paris
Subjects: peter i de grote (tsaar van rusland), adult man, historical persons

Prent uit: Fliniaux, A. Galerie historique, collection de 200 portraits des personnages les plus célèbres de l'histoire moderne. Parijs: Bénard, 1839.
Peasant with his hands behind his back
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: adult man
Inscriptions: monogram and date: ‘RHL 1631’, collector's mark: Lugt 240

De prent is gedateerd 1631, maar mogelijk niet door Rembrandt.
Vier bomen voor huis
Object type: print
Date: 1827 – 1828
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: Anonymous
Subjects: trees
Inscriptions: collector's mark: Lugt 2228

Een landschap met vier bomen voor een huis, rechtsvoor een plas.
Head of a Bearded Male Figure
Object type: head
Date: 201 – 300
Materials: stone
Culture: gandhara
Subjects: gandhara,heads,men
Disegno del monte situato presso la citta metropolitana di Cassel (...)
Object type: album leaf
Date: 1705 – 1705
Materials: paper
Techniques: etching
Location: rome
Subjects: garden fountain, artificial grotto in garden, plan ~ architecture
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: copper, gold, iron, silver
Culture: japanese
Location: japan
Subjects: birds,men
Bellona
Object type: plaquette
Date: 1567 – 1600
Materials: silver
Subjects: armor,men
De stads-schouwburg op het Leidsche Plein
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: theatre, theatrical performance
Inscriptions: collector's mark: Lugt 1641, stamp

Prent uit: Vijver, Cornelis van der. Geschiedkundige Beschrijving der Stad Amsterdam (...). Amsterdam: Gebroeders Diederichs, 1845.
Tuin
Object type: photograph
Date: 1930 – 1931
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: frank willem van den berg (1912-1998)
Artist dates: 1912 – 1998
Subjects: the four seasons of the year ~ landscapes, garden
Inscriptions: inscription: ‘zomer’, inscription: ‘herfst’, inscription: ‘voorjaar’, inscription: ‘winter’

Deze foto's maken deel uit van een album.
Huis met een tuin, bewoond door mr. Margadant, Palembang
Object type: cabinet photograph
Date: 1890 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: palembang
Artist: Anonymous
Subjects: garden, loggia, verandah, porch, palembang (city)
Inscriptions: inscription: ‘Cabinet-Portret’, inscription: ‘In en dergelijk huis woonden Lucie en ik van/ Nov. 1879-Mei 1882’
Dettaglio scavi Solunto
Object type: photograph
Date: 1856 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: palermo
Artist: giuseppe incorpora
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: landscape with ruins
Inscriptions: number: ‘N. 239’
Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing, 27 december 1910
Object type: print
Date: 1910 – 1912
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: draughtsman, jordanus hoorn, criticizing and discussing art, art criticism, circle, club of artists, collecting and exhibiting products of the fine arts, church (exterior)
Inscriptions: collector's mark: Lugt 2228

Man staande voor de Onze Lieve Vrouwetoren te Amersfoort. Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing op 27 december 1910 van tekeningen van Jordanus Hoorn in de collectie van Mr. J.G. Brouwer Nijhoff.
Rappen uit het kanton Bazel, 1810
Object type: coin
Date: 1810 – 1810
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: binnen twee takken versierd wapenschild. Keerzijde: binnen barok-versiering in twee regels waarde-aanduiding, waaronder jaartal. Gladde rand.
Brief aan Philip Zilcken
Object type: letter
Date: 1901 – 1901
Materials: ink
Techniques: pen, printing, writing
Location: the hague
Artist: hendrik willem mesdag
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1915
Subjects: the hague, painter, philip zilcken, the graphic arts, exhibition ~ art, paris
Hoops
Object type: hoop
Materials: cotton, metal
Culture: american

The bustle, by extending the body, became a point of demarcation for the back of the waist. By enlarging the derriere visually, the bustle became a foil for the constricted waist in profile. Bustles were silk-floss, cotton, or feather down-filled. Small ones could be found sewn into Empire gowns; more prominent ones were used in the 1870s and 1880s and had an ingenious range of configurations and materials, including wire coil, rattan, and horsehair.
Mercurius en Argus
Object type: print
Date: 1791 – 1801
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: mercury lulls argus into sleep by making music, io as a cow watched by argus
Inscriptions: collector's mark: Lugt 240

Mercurius zit rechts en speelt op een fluit. Hij probeert Argus in slaap te sussen met zijn muziek, om hem vervolgens te kunnen vermoorden. Argus zit links en past op Io in de gedaante van een koe. Naast Argus ligt een hond te slapen.
Boslandschap met tekenaar
Object type: print
Date: 1867 – 1867
Materials: paper
Techniques: aquatint, drypoint, engraving, etching
Location: france
Artist: eugène bléry
Artist role: print maker
Artist dates: 1805 – 1887
Subjects: draughtsman at work, forest, wood
Inscriptions: collector's mark: Lugt 2228
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 15 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: flowers,vines

Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. From top to bottom, and left to right: Design composed of 2 horizontal registers. Top register is decorated with 2 rounded triangular motifs: left motif is decorated with a floral and foliage pattern and right motif is decorated with a spotted bird surrounded by flowers on vines. Bottom register is decorated with a series of curving vines of flowers and leaves.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 575 – 525
Materials: terracotta
Culture: greek, attic

Part of the stem and foot of a kylix; the resting surface and the inside of the stem is unglazed
Ontwerp voor een titelpagina
Object type: titelblad, titelpagina
Date: 1601 – 1657
Materials: ink, paper
Techniques: engraving, etching, pen
Location: amsterdam
Artist: pieter serwouters
Artist role: draughtsman, print maker
Artist dates: 1586 – 1657
Subjects: specific aspects, allegorical aspects of minerva; minerva as patroness, specific aspects, allegorical aspects of mars; mars as patron

Ontwerp voor een titelpagina. Bovenaan een medaillion met de kop van Alexander de Grote, versierd met een guirlande van bladeren en vruchten. In pren is zijn naam ingevuld. Daaronder is een vlak open gelaten voor de titel van het boek. Links daarvan staat Minerva, rechts Mars.
Standing Youth with Hands Behind His Back, and a Seated Youth Reading (recto); Two Studies of Hands (verso)
Object type: drawing
Materials: gouache, paper
Techniques: highlighting
Artist: filippino lippi
Artist role: artist
Artist nationality: italian
Artist dates: 1457 – 1504
Subjects: men,reading

This sheet of figure studies illustrates Filippino Lippi’s virtuosity as a draftsman. His handling of the challenging technique of metalpoint is precise and descriptive. The lean, muscular male nude at left was conceived as preparatory study for either a Saint Sebastian or for Christ in a Flagellation scene. The study at right of a seated young man reading a book is probably of a workshop assistant posing as a model. The two faded studies of hands on the verso are of weaker execution than the figures on the recto. Extremely rare in Filippino's oeuvre for their large scale, they are in a style that dates no later than his Lucchese period, 1482–83, as exemplified by his Magrini altarpiece in Lucca. (Carmen C. Bambach, 1997, revised 2014)
Detail van het Fürstenportal in de dom van Bamberg
Object type: album leaf
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: bamberg
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: number: ‘102’
Koninklijk Paleis en een boog of oxaal in Turijn
Object type: photograph
Date: 1895 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: turin
Artist: Anonymous
Subjects: tourism, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘Turin Palais Royal’

Albumblad met twee foto's van Turijn. Onderdeel van een fotoalbum van een reis door Italië, ca. 1900.
Patroontas uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: cartridge pouch
Date: 1700 – 1743
Materials: leather, wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Cartridge case; fragm of flat curved box, rounded side, other side broken off, rounded base, flat open top, inside 10 vertical circular drilled tubes, fragm of leather cover.
Chasuble
Object type: chasuble
Materials: silk
Subjects: flowers

This Chasuble- the tabard-like garment worn by a Roman Catholic priest over his clothes when conducting church services- is distinguished by its panels of very beautiful and well-preserved "bizarre" silk. This short-lived style of figurative silk, woven in France, Italy and England, inventively juxtaposed floral and nautical motifs in varying scales, emulating the decorative fabrics imported to Europe from Iran and India. Though the front of the chasuble has been awkwardly cut, patched and reshaped in the nineteenth century to meet modern fashions, the back of the garment preserves the original shape. In the central panel on the Chasuble's back, the same silk is shown in reverse, thereby flipping the palette from white elements on a coral ground to coral on a white ground.
Landschap met bomen en een huis
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: charcoal, paper
Artist: hermannus adrianus van oosterzee
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1933
Subjects: farm or solitary house in landscape

Blad 12 verso uit een schetsboek met 23 bladen.
Beugeltas met afgeronde beugel van ivoorkleurige celluloid waarop in reliëf een Boeddha tussen twee olifanten, en een buidel van blauw, groen, zwart en beige gebloemde en gestreepte satijn, schakelketting van ivoorkleurig celluloid
Object type: beugeltas
Date: 1920 – 1930
Materials: celluloid, silk
Techniques: casting, weave
Location: western europe
Artist: Anonymous

Beugeltas in een afgeronde vorm, van blauw, groen, zwart en beige satijn met aan beide kanten grote ingeweven bloemen en horizontale strepen. Tussen de voor- en achterkant van de tas een smalle baan van dezelfde stof, met langs de naden een gele boord. De ivoorkleurige boogvormige beugel is van celluloid, waarop aan beide kanten in reliëf een boeddha temidden van twee olifanten die door hun voorpoten knielen. Bovenop de beugel een knipsluiting en twee ogen, waaraan als hengsel een schakelketting van hetzelfde materiaal als de beugel. Voering van gele changeant zijde.
Three Poems from the Later Collection of Japanese Poems (Gosen wakashū)
Object type: hanging scroll
Date: 1167 – 1200
Materials: ink, paper
Culture: japanese
Artist: monk saigyō
Artist role: artist
Artist nationality: japanese
Artist dates: 1118 – 1190
Subjects: poetry,scrolls

Although this rare, early surviving manuscript section of a Heian-period poetry anthology was certainly not written by the esteemed monk-poet Saigyō, based on comparison with accepted examples of his handwriting, in the course of its transmission through the centuries it became associated with him. We can assume that connoisseurs made the connection because the calligraphic style, with its bolder, brusquer forms of kana, a system of syllabic writing, was, in fact, most probably brushed about the time Saigyō was active as a poet of waka, thirty-one-syllable court poems of the type recorded here.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of meander; Exterior, part of round shield; bit of lower back, buttocks, and thighs of male to right
The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome
Object type: book
Date: 1793 – 1793
Techniques: engraving
Location: italy
Artist: john flaxman
Artist role: artist
Artist nationality: british
Artist dates: 1755 – 1826
Subjects: eagles,men
Vodka or liqueur glass
Object type: vodka or liqueur glass
Date: 1800 – 1800
Materials: glass
Limestone model of chariot drawn by two horses
Object type: model of a chariot
Materials: limestone
Culture: cypriot
Subjects: men,horses,chariots

The chariot box of this model is divided into two sections–one for the charioteer, the other for the man being conducted in a procession. The harness of the horses is carefully indicated. They even wear bells hanging from straps around their necks.
Fight Between the U.S. Frigate President and H.B.M. Endymion, January 15, 1814
Object type: painting frigate presiden frigate president and h. b. m. endymion
Date: 1814 – 1830
Materials: canvas, oil
Culture: american
Subjects: ships
Titelpagina voor: M. Stuart, De mensch, zoo als hij voorkomt op den bekenden aardbol, 1803
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: hand coloring
Location: amsterdam
Subjects: kneeling figure - aa - female human figure (+ three-quarter view), drawing, measuring, calculating
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Stuart, Martinus. De mensch, zoo als hij voorkomt op den bekenden aardbol, deel II. Amsterdam: Johannes Allart, 1803.
Landschap
Object type: sketchbook leaf
Date: 1839 – 1872
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: landscapes
Inscriptions: kleurnotitie, handgeschreven

Blad 66 verso uit een schetsboek met 73 bladen.
Portret van Maria Cosway
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: etching, engraving
Location: london
Subjects: painter, print maker, draughtsman, maria hadfield, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2165
Daruma
Object type: hanging scroll
Date: 1750 – 1837
Materials: ink, paper
Techniques: calligraphy
Artist: sengai gibon
Artist role: painter
Artist dates: 1750 – 1837

According to tradition, the monk Daruma transmitted Zen teaching to China. He is said to have meditated for nine years, his face turned towards the wall. Such portraits served as objects of devotion, reminding the Zen pupil of Buddhist doctrines. Sengai imbues Daruma with a sense of humanity and gentle humour, and an inquisitive sternness is reflected in his wise gaze.
Chisel or Awl From Foundation Deposit 2 of Hatshepsut's Valley Temple
Object type: chisel or awl
Date: 1479 – 1458
Materials: bronze, copper alloy
Location: egypt
After-dinner
Object type: print
Date: 1694 – 1760
Techniques: engraving, etching
Artist: gilles edme petit
Artist role: artist
Artist nationality: french
Artist dates: 1694 – 1760
Subjects: birds,portraits,women
Portret van William Wollaston
Object type: print
Date: 1694 – 1756
Materials: paper
Techniques: engraving
Artist: george vertue
Artist role: print maker, publisher
Artist dates: 1684 – 1756
Subjects: london, historical persons, scholar, philosopher (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228
Solidus (Coin) of Constans II and Constantine IV
Object type: coin
Date: 659 – 668
Materials: gold, metal
Culture: byzantine
Location: byzantine empire
Inscriptions: Reverse: VICTORIAA / CONOB

The front (obverse) of this coin portrays the emperors Constans II & Constantine IV, facing forward and crowned with a cross.
On the back (reverse), a cross is depicted on top of two steps.