deem-data/ArtiFact huggingface dataset:
Portret van Marguerite Louise de Béthune
Object type: book illustration
Date: 1838 – 1841
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, pillow
Inscriptions: collector's mark: Lugt 2228

Prent uit: Galeries historiques de Versailles. Parijs: Charles Gavard, 1838-1841, p. 149.
Lichter zonder mast
Object type: print
Date: 1609 – 1686
Materials: paper
Techniques: engraving
Artist: dirk eversen lons
Artist role: print maker
Artist dates: 1599 – 1686
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2760, inscription: ‘in 1629.’, collector's mark: Lugt 2228

Een lichter zonder mast, door een opvarende vooruit geboomd. Onder de voorstelling een tweeregelig Nederlands vers.
Gezicht op plafondschilderingen en schilderijen in een gebouw in de regio Lungiarü in zuid-Tirol, Italië
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photoaquatint
Location: vienna
Subjects: picture, painting
Inscriptions: number: ‘1.’, inscription: ‘Déposé.’

Deze prent maakt deel uit van een omslag met twintig prenten, twee tekstbladen en een titelpagina.
Portret van Carl Friedrich Trinks
Object type: print
Date: 1814 – 1855
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228
Glass amphoriskos with horizontal ribs
Object type: miniature transport amphora
Date: 51 – 100
Materials: glass
Culture: roman

Translucent streaky purple, with handles in translucent blue mixed with yellowish green. Rim folded out, over, and in; cylindrical neck; ovoid body, tapering to pointed bottom; two rod handles attached to upper body in pads, drawn up and in, then pressed onto top of neck and underside of rim. One continuous mold seam around body. Body decorated with twenty-two concentric, horizontal ribs. Intact; many bubbles, some large; very slight weathering and iridescence. [with 17.194.235] These bottles are modeled on the large clay storage jars that were used to transport wine and olive oil. The miniature glass examples have been found in many parts of the Roman Empire, as well as in tombs beyond the eastern frontier in Armenia and Georgia.
Gevelsteen
Object type: gable stone
Materials: stone
Location: amsterdam

Een zandstenen gevelsteen met een lopend paard. Afkomstig van het Rembrandtplein.
Chateau d'Overschie a Grimbergen en Brabant
Object type: print
Date: 1967 – 1967
Materials: paper
Techniques: etching
Location: prague
Artist: b. housa
Artist role: print maker
Subjects: castle, landscape with tower or castle
Inscriptions: edition: ‘20/26’

Linksonder de wapens van Baron d'Anethan, aan wie het kasteel in 1967 behoorde.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Drapery and part of a staff; right hand holding unidentified object
Portret van Johann Brunnemann
Object type: print
Date: 1672 – 1749
Materials: paper
Techniques: engraving
Artist: heinrich jakob otto
Artist role: print maker
Subjects: berlin, historical persons
Inscriptions: collector's mark: Lugt 2228
Studieblad, onder andere met landschappen, boerderijen en paarden met hooiwagens
Object type: sketchbook leaf
Date: 1842 – 1868
Materials: paper, pencil
Location: materborn
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: city-view, and landscape with man-made constructions, landscapes, rural housing, e.g. country-house, villa, cottage, hay-wagon
Inscriptions: annotation: ‘mijn kar en paard/ Brakellshof’

Blad 41 verso en 42 recto in een schetsboek met 45 bladen.
Brooklyn Bridge
Object type: painting
Date: 1899 – 1899
Materials: canvas, oil
Location: united states
Artist: henry ward ranger
Artist nationality: american
Artist dates: 1858 – 1916
Subjects: cityscapes, century of progress, world's fairs, chicago world's fairs, architecture, landscapes
Inscriptions: Signed, lower left: "Henry Ranger 99"

Although best known for his bucolic views of the countryside near his Connecticut home, New York City was Henry Ward Ranger’s primary place of residence, and the artist found inspiration in the urban environment. In Brooklyn Bridge he recorded one of the greatest icons of modernity. Completed in 1883, this impressive structure was still the longest suspension bridge in the world when Ranger painted it sixteen years later. Yet instead of emphasizing its massive scale or modern construction the artist produced a fairly traditional view, integrating the bridge into the landscape. The painting displays a rich luminosity through Ranger’s method of layering applications of paint and using transparent glazes.
Ex libris van Otto Verhagen
Object type: bookplate
Date: 1929 – 1929
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: the hague, draughtsman, otto verhagen (i), insects: bee, plants and herbs: thistle
Mount Hokke in Harima Province, No. 26 on the Saikoku Pilgrimage Route (Saikoku junrei nijurokuban Harima Hokkezan), from the series "The Miracles of Kannon (Kannon reigenki)"
Object type: print
Date: 1859 – 1859
Techniques: woodblock print
Location: japan
Artist: utagawa kunisada i (toyokuni iii)
Inhaling van de prins van Oranje, 1787
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching, hand coloring
Artist: mathias de sallieth
Artist role: print maker
Artist dates: 1749 – 1791
Subjects: the hague, william v (prince of orange), public festivities at other royal events, not meant or mentioned above, human being(s) drawing or pushing a vehicle not usually propelled by manpower
Inscriptions: collector's mark: Lugt 2228

Inhaling van de prins van Oranje door de burgerij te Den Haag, 20 september 1787. De koets met stadhouder Willem V wordt door mannen en vrouwen over de weg langs het Paleis van Nassau-Weilburg getrokken.
Casserole with cover
Object type: casserole with cover
Date: 1778 – 1779
Materials: wood, silver gilt
Artist: pierre-françois goguelye (or gogly)
Artist role: maker
Artist dates: 1738 – 1823
Cut One and Thigh Protect New Guard
Object type: print
Date: 1798 – 1798
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: swords,men,horses
Star-Shaped Tile
Object type: tile
Date: 1201 – 1400
Materials: glaze, stonepaste
Techniques: luster painting, painting
Location: iran
Subjects: plants

Eight-pointed star-shaped tiles often bear Arabic and Persian inscriptions that contain poetry or Qur’anic verses. This particular tile is inscribed with a segment of the Throne Verse, also known as the Ayat-al-Kursi (2:255). The verse, which is thought to have protective properties, is perhaps the most common to be found on objects in many media and time periods (08.169.4; 1978.348.2; 2003.241).This tile would have originally been part of a panel of star- and cross-shaped tiles on an Ilkhanid building, similar to the way it is arranged now. The decoration of such tiles in luster was a complicated technique in which opaque white, blue and turquoise glazes were applied to the ceramic body for the first firing and a copper luster was applied for a second firing. During this period in Iran, lusterware was primarily produced in the city of Kashan.
Teapot
Object type: teapot
Date: 1865 – 1865
Materials: ivory, silver
Culture: american
Location: united states
Artist: gorham manufacturing company
Artist role: maker
Artist nationality: american
Artist dates: 1831 – 9999

The mid-nineteenth century witnessed an efflorescence of creativity in the American silver industry, fueled by the burgeoning middle class’s increasing demand for refined luxury goods. Silversmiths devoted considerable time and creative energy to generating an endless variety of new designs and patterns. During the 1860s and 1870s silver flatware ornamented with portrait medallions inspired by antique coins and cameos enjoyed widespread popularity, with virtually every American silversmith producing their own proprietary "medallion" pattern. Gorham Manufacturing Company’s designer George Wilkinson patented a medallion flatware pattern in 1864, and the quantity and variety of surviving silver in this pattern attest to its success. Medallions from this flatware pattern ornament the tea set as well as a toast rack (.4) and goblet (.5) in the American Wing’s collection. Although the three pieces match, they are an assembled set; the teapot is engraved "Linda," and the creamer and sugar bowl are engraved "T. S. B." These objects would have been proudly displayed and used on the table as a testament to their owner’s taste and sophistication.
Coin
Object type: coin
Date: 701 – 800
Materials: copper
Location: iran

This coin was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Toren op de Notre-Dame van Amiens
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Subjects: parts of church exterior and annexes: tower, notre-dame d'amiens
Inscriptions: inscription: ‘Cathédrale d'Amiens/ Flèche oue de la tour de Nord’
Scarab Inscribed Hatshepsut United with Amun
Object type: scarab
Date: 1479 – 1458
Location: egypt
Subjects: hieroglyphs,scarabs

During the 1926-1927 excavation season, the Museum's Egyptian Expedition uncovered three foundation deposits along the eastern enclosure wall of Hatshepsut's funerary temple at Deir el-Bahri in Western Thebes. Among the contents were 299 scarabs and stamp-seals. Sixty-five of these are now in the Egyptian Museum, Cairo, and the rest were acquired by the Museum in the division of finds. Among the inscriptions on the bases of these scarabs and seals are examples of every title Hatshepsut held, from the time she was "king's daughter" during the reign of her father, Thutmose I; through the time she was queen of her half-brother, Thutmose II; and during her co-reign with her nephew/step-son, Thutmose III. Thirteen of the scarabs (27.3.199 to 27.3.212) are inscribed with various writings of the extended form of Hatshepsuts personal name, Hatshepsut-united-with-Amun, which sometimes appears, enclosed in a cartouche, as the last element of her titulary as king. By adopting this name, Hatshepsut links herself to the powerful god Amun of Thebes, whom she claimed as her father.
Encounter of Two Generals Before Cleves, from "Der Weisskunig"
Object type: print
Techniques: woodcut
Artist: hans burgkmair
Artist role: artist
Artist nationality: german
Artist dates: 1473 – 1531
Subjects: soldiers,cannons,men,horses
Reproductie van (vermoedelijk) een tekening van een kruis met zes uitgebeelde bijbelteksten, omgeven door Engelse en Latijnse tekst
Object type: reproduction
Date: 1871 – 1871
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: altarcross, crucifix

Onderdeel van Herdenkingsalbum van rooms-katholieke geestelijken gevallen tijdens de Commune van Parijs.
Captain Kidd, Burying Treasure, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "Pirates of the Spanish Main" series (N19), issued ca. 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Gezicht op het Weesperplein met een brandweerwagen
Object type: print
Materials: paper
Techniques: etching
Location: amsterdam
Artist: johan conrad greive
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1891
Subjects: fire-engine, amsterdam
Inscriptions: collector's mark: Lugt 2228

Het Weesperplein met de brandweerkazerne. Op de voorgrond de door paarden getrokken brandweerwagen.
Head-shaped flask
Object type: flask
Date: 1 – 333
Materials: glass
Culture: roman
Location: levant or syria
Subjects: heads
Mytton Hall
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: etching
Location: england
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Dorpsdokter
Object type: print
Date: 1859 – 1916
Materials: paper
Techniques: etching
Location: vienna
Subjects: print, e.g.: engraving, etching, lithograph, physician, doctor, owls, string instruments (plucked)
Inscriptions: collector's mark: Lugt 2228
Scherven van wijnflessen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Onion-shaped bottle or bottle with vertical side, base, fragm, tcs-kick-up. Continental production.
Studieblad met koeien, een hand en een figuur
Object type: sketchbook leaf
Date: 1930 – 1930
Materials: ink, paper
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: cow

Blad 16 verso uit een schetsboek met 20 bladen.
Sugar Bowl
Object type: sugar bowl
Date: 1750 – 1770
Materials: silver
Culture: american
Location: united states
Artist: john brevoort
Artist role: maker
Artist nationality: american
Artist dates: 1715 – 1775
De nieuwe Halvemaansbrug en Schravenland veer
Object type: cabinet photograph
Date: 1863 – 1865
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: pieter oosterhuis
Artist role: draughtsman, print maker
Artist dates: 1816 – 1885
Subjects: bridge in city across river, canal, etc.
Inscriptions: inscription: ‘no. 121./ Halvemaansbrug.’, inscription: ‘Phot. P. Oosterhuis, Amsterdam.’
Bij de advocaat
Object type: print
Date: 1837 – 1882
Materials: paper
Techniques: drypoint, etching
Artist: david van der kellen (1827-1895)
Artist role: draughtsman, print maker
Artist dates: 1827 – 1895
Subjects: lawyer, attorney at law, sausage, ham
Inscriptions: collector's mark: Lugt 2228, inscription: ‘de neus het (...) Molkenb’

In een vertrek zit een rijkelijk geklede advocaat voor de schouw bij een lessenaar, waarvoor een gebarende man met hoed staat. Bij de man staat een jongetje dat een ham en worst bij zich heeft. De man vraagt mogelijk raad aan de advocaat, die de man met een handgebaar duidelijk maakt dat raad geld kost. Op de achtergrond staat een boekenkast met daarop twee bustes en achter een hekje is het silhouet van een figuur bij een lessenaar zichtbaar. De neus, het rechteroog en de mouw van het jongetje zijn geheel uitgeslepen, zodat er slechts een klein gedeelte van de beschaduwde wang en van het voorhoofd zichtbaar is.
Zeilschip op het water
Object type: sketchbook leaf
Date: 1797 – 1838
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johannes christiaan schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1838
Subjects: sailing-ship, sailing-boat

Blad 6 verso en 7 recto uit een schetsboek met 65 bladen.
Fotoreproductie van een tekening naar Venus en cupido met een sater
Object type: photograph
Date: 1850 – 1900
Materials: cardboard
Techniques: albumen print
Artist: Anonymous
Subjects: satyr(s) (in general), (story of) cupid, amor (eros), venus asleep
Inscriptions: collector's mark: ‘Rijks normaalschool voor teekenonderwijzers Amsterdam’
Portret van George Augustus Elliot, baron Heathfield
Object type: print
Date: 1818 – 1826
Materials: paper
Techniques: engraving, etching
Location: zwickau
Subjects: historical persons, commander-in-chief, admiral
Inscriptions: collector's mark: Lugt 2228, number: ‘187’, collector's mark: Lugt 2760

Prent gebruikt door de serie 'Bildnisse der berühmtesten Menschen aller Völker und Zeiten', uitgegeven door de gebroeders Schumann in 1818-1832 te Zwickau.
Vier evangelisten
Object type: print
Date: 1600 – 1630
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: ox (possibly with book) ~ symbol of st. luke
Inscriptions: collector's mark: Lugt 240
Brandweerwagen en een stoomspuit aan de Hobbemakade in Amsterdam
Object type: stereograph
Date: 1873 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: urban housing, fire-department, fire-brigade, street
Inscriptions: retailer's mark: ‘*GEBR. DOUWES*/ ATELIERS/ Warmoesstraat 73./ AMSTERDAM.’, inscription: ‘146’
Zeegezicht met rond bolwerk
Object type: print
Date: 1624 – 1652
Materials: paper
Techniques: etching
Location: antwerp
Subjects: bastion, bulwark
Inscriptions: collector's mark: Lugt 2228
Vaas met bloemen
Object type: ornament print
Date: 1770 – 1780
Materials: paper
Techniques: etching
Location: paris
Subjects: vase ~ ornament, flowers ~ ornament
Inscriptions: collector's mark: Lugt 2228

Een geornamenteerde vaas met bloemen. Daaronder een waterkan en broedende vogels.
Scarab Inscribed for the Perfect God Maatkare (Hatshepsut), Flanked by Two Red Crowns
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: cartouches,hieroglyphs,scarabs

During the 1926-1927 excavation season, the Museum's Egyptian Expedition uncovered three foundation deposits along the eastern enclosure wall of Hatshepsut's funerary temple at Deir el-Bahri in Western Thebes. Among the contents were 299 scarabs and stamp-seals. Sixty-five of these are now in the Egyptian Museum, Cairo, and the rest were acquired by the Museum in the division of finds. Among the inscriptions on the bases of these scarabs and seals are examples of every title Hatshepsut held, from the time she was "king's daughter" during the reign of her father, Thutmose I; through the time she was queen of her half-brother, Thutmose II; and during her regency and co-reign with her nephew/step-son, Thutmose III. After the death of her husband, Hatshepsut became regent for her nephew who was a small child. The length of this regency period is uncertain, with estimates ranging from two to seven years. At some time, probably toward the end of the regency, Hatshepsut adopted the name Maatkare which was usually enclosed in a cartouche and became her throne name as king. The name may be roughly translated as Maat (the goddess of truth) is the life force of Re (the sun god). On this scarab, Hatshepsut's throne name, Maatkare, is enclosed in a cartouche surmounted by an atef-crown and flanked by hieroglyphs representing the red crown of Lower Egypt (the Delta region). On either side of the cartouche are the hieroglyphs nefer netcher, The Good God (or The Perfect God), one of the epithets of the Pharaoh.
Doornenkroning van Christus
Object type: print
Date: 1626 – 1680
Materials: paper
Techniques: etching
Location: rome
Subjects: the crowning with thorns: soldiers with sticks place a thorny crown on christ's head and give him a reed (matthew 27:27-31; mark 15:16-20; john 19:2-3)
Inscriptions: collector's mark: Lugt 240

Prent naar een schilderij gemaakt door Titiaan voor de Santa Maria delle Grazie te Milaan dat zich nu bevindt in het Musée du Louvre te Parijs.
Portret van Carlo Maratta
Object type: print
Date: 1704 – 1713
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: rome, painter, print maker, draughtsman, carlo maratta, ornament ~ medallion, historical persons, portrait, self-portrait of painter
Wilde zwijnenjacht met drie jagers
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, intaglio
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: hunting dogs, boar-hunting
Inscriptions: number: ‘32’, collector's mark: Lugt 2228
Ladle
Object type: ladle
Date: 1796 – 1797
Materials: silver
Artist: richard crossley
Artist role: maker
Artist dates: 1715 – 1815
Pestle
Object type: pestle
Date: 7333 – 7001
Materials: limestone
Location: syria
Wilhelmina 25 jaar koningin der Nederlanden
Object type: history medal
Date: 1923 – 1923
Materials: copper
Location: the hague
Artist: Anonymous
Subjects: print maker, wilhelmina of the netherlands, netherlands, the hague
Inscriptions: circumscription: ‘WILHELMINA KONINGIN DER NEDERLANDEN’, circumscription: ‘MDCCCXCVIII / MDCCCCXXIII’
Tile
Object type: tile
Date: 1620 – 1640
Materials: earthenware
Techniques: glazing
Subjects: animals
The Queen's Mosque.- Central Arch
Object type: page
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Location: ahmedabad
Artist: thomas biggs
Artist role: fotograaf, kapitein
Artist dates: 1822 – 1905
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘85.’, inscription: ‘Z’
Ondermouw van tule met kanten boord
Object type: undersleeve
Date: 1935 – 1935
Materials: lace, fiber
Techniques: lace
Location: western europe
Artist: Anonymous

Ondermouw van tule en kant. Glad model mouw waaraan aangezet een afhangende machinale geschulpte strook kant, versierd met bloemen.
Scène uit Attila met figuren bij een legertent
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: engraving, etching
Location: geneva
Subjects: theatre, theatrical performance
Inscriptions: collector's mark: Lugt 2228

Prent uit: Corneille, Pierre. Théâtre (...). Genève: Cramer, 1764. Dit betreft een illustratie op p. 1 uit deel 9, getiteld 'Attila'.
'De bruûr van 't lijk', man met hoge hoed in Nunspeet
Object type: photograph
Date: 1809 – 1897
Materials: paper
Techniques: gelatin silver print
Location: nunspeet
Artist: gerard aalbersberg (us)
Artist role: amateurfotograaf, arts, chirurg, gynaecoloog
Artist dates: 1870 – 1934
Subjects: nunspeet
Inscriptions: title: ‘De bruûr van 't lijk Nunspeet’