deem-data/ArtiFact huggingface dataset:
Album of 29 presentation drawings of various types of carriages
Object type: album drawing
Date: 1870 – 1878
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: artist
Artist nationality: american
Subjects: carriages

This late-nineteenth-century album contains 29 colored presentation drawings of various carriage models from the firm Brewster & Co. They were bound in an album and send to a carriage manufacturer in Boston, Ferdinand F. French Carriage Company, who offered some of the Brewster & Co. carriages through his showroom. The album thus tells an important story about the nation-wide reach of the New York carriage manufacturing firm Brewster & Co. The drawings closely resemble other small presentation drawings by Brewster & Co. which are part of the Brewster & Co. carriage drawings archive, donated by the last owner of the business William Brewster
Männliches Bildniss
Object type: print
Date: 1861 – 1889
Materials: paper
Techniques: etching
Location: vienna
Subjects: historical persons not known by name
Inscriptions: collector's mark: Lugt 2228
Portret van een onbekende vrouw
Object type: photograph
Date: 1840 – 1860
Materials: copper, glass, paper
Techniques: daguerreotype
Artist: j.l. ussing
Artist role: fotograaf
Subjects: adult man, historical persons
Inscriptions: inscription: ‘J. L. Ussing’
Strohoed van beige, met blauwe biezen ingevlochten stroband
Object type: straw hat
Date: 1920 – 1920
Materials: paper
Techniques: braiding
Location: france
Artist: Anonymous

Strohoed van beige, met blauwe biezen ingevlochten stroband, voorzien van blauw lint. Ovaal, plat. Bodempapier in vuil wit, waarop gedrukt staat: 3½.
The Wedding of Stephen Beckingham and Mary Cox
Object type: painting
Date: 1729 – 1729
Materials: canvas, oil
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: interiors,men,women,weddings

This depiction of a wedding is one of the artist’s first attempts in the fashionable genre of the conversation piece, a type of group portrait. Beckingham, a London lawyer, and his bride are flanked by members of their families. The setting is based on St. Martin-in-the-Fields, a church in Trafalgar Square, not the actual venue where the wedding took place. The solemn event depicted here gave Hogarth less opportunity for satirical humor than the “modern moral subjects” that made him famous.
Die Schlacht bei Salamis
Object type: reproduction
Date: 1875 – 1880
Materials: photographic support
Techniques: albumen print
Subjects: battle
Jonge man met tulband
Object type: print
Date: 1918 – 1918
Materials: paper
Techniques: etching
Location: groningen
Artist: marius holleman
Artist role: draughtsman, print maker
Artist dates: 1878 – 1926
Subjects: youth, adolescent, head-gear: turban
Inscriptions: collector's mark: Lugt 2228
20 Conventionskreuzer uit het groothertogdom Hessen-Darmstadt van Ludwig I, 1809
Object type: coin
Date: 1809 – 1809
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: hoofd van de groothertog naar rechts. Keerzijde: tussen jaartal gekroond wapenschild. Waarde-aanduiding in het omschrift. Kartelrand.
Venus and Adonis
Object type: print
Date: 1631 – 1637
Materials: paper
Techniques: etching
Location: italy
Artist: pietro testa
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1650
Bomen in een bos
Object type: drawing
Date: 1854 – 1910
Materials: chalk, paper
Artist: willem maris
Artist role: draughtsman, painter
Artist dates: 1844 – 1910
Subjects: trees, forest, wood
Wiskundige verdeling van een cirkel
Object type: print
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: (scenes from) specific works of literature: colonna, hypnerotomachia poliphili, circle (~ planimetry, geometry)

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, recto fol. 107.
Boots
Object type: boot
Date: 1860 – 1875
Materials: wool
Culture: american
Figuren, mogelijk wandelend
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman, walking, hiking (recreation), adult man

Pagina 28 uit schetsboek XLI met 38 pagina's.
Curb Bit
Object type: bit
Date: 1601 – 1700
Materials: metal alloy, tin
Culture: german
Location: germany
Portrait of P. Boursoufle
Object type: print, album
Date: 1751 – 1800
Techniques: etching
Artist: guillaume thiemet
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1850
Subjects: men,portraits

This print is bound in an album made up of sixteen early impressions and one later impression of La Live de Jully's "Recueil de caricatures", etched ca. 1754 after drawings by Jacques François Joseph Saly, eight caricatures etched after Thiemet, and two anonymous prints of a standing man and standing woman.
Twee reliëfs uit het Palais des Tuileries te Parijs
Object type: page
Date: 1865 – 1870
Materials: paper
Techniques: photoaquatint
Location: france
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: ornaments ~ art, sculpture (+ relief ~ sculpture)
Inscriptions: number: ‘Int. 48.’
Marsh Leaves
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: photoaquatint
Location: great britain
Subjects: river, great britain
Inscriptions: inscription: ‘PLATE IV/ A WATERSIDE INN/ To face page 34’
Bethléhem & Béthanie
Object type: page
Materials: paper
Techniques: photograph
Location: bethlehem
Artist: michel berthaud
Artist role: publisher
Artist dates: 1845 – 1912
Subjects: street, prospect of city, town panorama, silhouette of city
Inscriptions: inscription: ‘1 Bethanië, Route de Jéricho./ (M. d'Allemagne, phot.)./ 2 Panorama de Bethléhem./ (M. d'Allemagne, phot.)./ 3 Place publique à Bethléhem./ (M. d'Allemagne, phot.)./ 4 En revenant de Béthanie./ (M. l'Abbé Stoffaes, phot.)./ 5 Tombeau de Lazare à Bethanie./ (Mme de Tavernier, phot.)./ 6 Turcs et touristes dans les rues de Bethléhem./ (M. Goldsmith, phot.)./ 7 Rue à Bethléhem.’, number: ‘XXVI.’
Moonlight on Mount Lafayette, New Hampshire
Object type: watercolor
Date: 1873 – 1873
Materials: gouache, graphite, watercolor, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: moon,landscapes,trees

This watercolor is one of scores that Richards painted for the Reverend Elias Magoon, a collector and writer on American scenery. In 1880, Magoon donated many of them to the Metropolitan Museum to create a Richards Gallery on the model of the Turner Gallery in London. Richards, a native of Philadelphia and a disciple of the American Pre-Raphaelite movement in the 1860s, painted the watercolor equivalents of Hudson River School oil landscapes of scenery ranging from the English and Irish coasts to the Atlantic shoreline from Massachusetts to New Jersey, and from the hills of southern Pennsylvania to the White Mountains of New Hampshire, Magoon's home state. The artist, the cleric, and their wives vacationed together in the White Mountains in the summer before this watercolor was painted.
Bulletin van Het Vaderland
Object type: newspaper
Date: 1878 – 1878
Materials: paper
Techniques: printing
Location: the hague
Artist: bernard ter haar
Artist role: predikant
Artist dates: 1806 – 1880
Subjects: hendrik (prins der nederlanden), netherlands

Krantebijvoegsel aan beide zijden bedrukt (1 blad) voorzijde gedicht, 10 strofen van elk 4 regels in versierd kader, achterzijde verslag van de intocht van prins Hendrik en zijn vrouw.
Amir Khusrau Dedicates His Poem to Sultan Ala al-Din Khalji, page from  the Quintet (Khamsa) of Amir Khusraw Dehlavi
Object type: painting
Materials: ink, paper, watercolor
Location: india
Terracotta head of an old woman
Object type: head of an old woman, grotesque
Date: 300 – 101
Materials: terracotta
Culture: greek
Subjects: heads,women

Head of a grotesque older woman.
Boekband voor: P. Otten, Schaduwen, 1926
Object type: binding
Date: 1926 – 1926
Materials: cardboard, linen
Techniques: printing
Location: rotterdam
Subjects: amsterdam, book-cover, binding
Inscriptions: date

Boekband voor: Otten, P. Schaduwen. Rotterdam: W.L. & J. Brusse, 1926.
Design for Landaulet, no. 3355
Object type: drawing
Date: 1877 – 1877
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Lamont, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Boeren
Object type: print
Date: 1626 – 1740
Materials: paper
Techniques: etching
Location: low countries
Artist: Anonymous
Subjects: pipe ~ tobacco, open hearth, fire-place
Inscriptions: collector's mark: Lugt 2228

Een staande en een zittende boer roken allebei pijp bij de haard. Links een kruik.
Allegorie op de tegenspoed, 1806
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: adversity, misfortune, bad luck; 'fortuna infelice', 'infortunio' (ripa)
Inscriptions: collector's mark: Lugt 2228

Allegorische voorstelling met een scheepje waarin een naakte vrouw zit tijdens een zware storm, de Dood heeft zijn arm om haar heen geslagen. Uit de hemel schieten bliksemschichten, in de golven drenkelingen. Op de kust een slang en een brandende stad. Allegorie op de mens en maatschappij, 1806. In het onderschrift twee vierregelige verzen in het Nederlands en Frans, aan weerszijden van het vignet 'Kunst zy ons Doel'. Zie ook de pendant met de Voorspoed.
Heilige Familie met putti
Object type: print
Date: 1648 – 1711
Materials: paper
Techniques: engraving
Location: france
Subjects: holy family, and derived representations
Inscriptions: collector's mark: Lugt 240
Sibylla Delphica
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: etching
Location: italy
Artist: raffaello schiaminossi
Artist role: painter, print maker
Artist dates: 1572 – 1622
Subjects: writing tablets, sibyls
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een serie bestaande uit een titelprent en tien prenten met voorstellingen van Sibillen. De serie is drie keer uitgegeven: eenmaal in 1606 en tweemaal in 1609 door verschillende uitgevers. Om deze reden worden de prenten uit deze serie hier 1606-1609 gedateerd, behalve indien de individuele prent zelf gedateerd is.
Gezicht op het Damrak
Object type: cabinet photograph
Date: 1880 – 1920
Materials: paper, cardboard
Techniques: collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', street
Inscriptions: collector's mark: ‘7’ Lugt 1641b, inscription: ‘No 9 Damrak’

Onderwerpsrubriek binnen de Atlas Amsterdam: Damrak, Damstraat, Doelensluis, Doelenstraat (Nieuwe), Driehoekstraat, Droogbak, Duvelshoek, Dijkstraat en Korte -.
Scheepjes bij een dijk
Object type: drawing
Date: 1778 – 1778
Materials: ink, paper
Techniques: brush, pen
Artist: tako hajo jelgersma
Artist role: draughtsman, painter
Artist dates: 1702 – 1795
Presentatie in de tempel
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Artist: bernhard rode
Artist role: artist, print maker
Artist dates: 1725 – 1797
Subjects: presentation of the christ-child in the temple, usually simeon (and anna) present (luke 2:22-39)
Inscriptions: collector's mark: Lugt 240
Ready Money's Fountain in Regent's Park in Londen
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: regent's park
Artist: frederick york
Artist role: fotograaf
Artist dates: 1823 – 1903
Subjects: ornamental fountain (in village)
Inscriptions: number: ‘332.’
Admirandorum quadruplex spectaculum
Object type: print
Date: 1695 – 1705
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: training of hunting dog, man and animal (+ stable, shed, kennel), hunting-seat, hunting lodge, 'rendez-vous de chasse', 'jagdschloss'
Inscriptions: collector's mark: Lugt 2228

Gezicht op het jachthuis van Het Loo, met op de voorgrond hondenhokken en rennende windhonden. Prent uit een serie van 71 prenten met Rijnlandschappen, gezichten op vorstelijke paleizen en stadsgezichten uit Den Haag en Amsterdam.
Naakte jongen op een terras
Object type: page
Date: 1889 – 1894
Materials: paper
Techniques: autotype
Artist: wilhelm von gloeden
Artist role: fotograaf
Artist dates: 1856 – 1931
Subjects: the (nude) human figure; 'corpo humano' (ripa), terrace
Beyrouth. Vu du collège américain
Object type: photograph
Date: 1870 – 1870
Techniques: albumen silver print
Artist: félix bonfils
Artist role: fotograaf
Artist nationality: french
Artist dates: 1831 – 1885
Subjects: towns,mountains,boats
De Mogendheden en de (voor 't oogenblik vergeten) Armenische quaestie
Object type: cartoon
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: wilhelm ii (keizer van duitsland), liverpool, politician, personifications of countries, nations, states, districts, etc., soldiers and civilians

Premier Gladstone wijst John Bull (Engeland), Paul Kruger en de Europese landen op de moord op de Armeense bevolking door Ottomaanse soldaten.
Pietro Piantanida of Milan
Object type: medal
Date: 1501 – 1600
Materials: bronze
Subjects: men,profiles
Plate 5:  two horsemen in a stream to right, riding towards the left, following four dogs chasing a stag, another dog running into the water from the left, from "Various Landscapes" (Divers Paysages)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: human figures,dogs,horses,landscapes,trees
Ontwerp voor de Eerste Bossche Wand: De Paus
Object type: design
Date: 1869 – 1925
Materials: chalk, paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: coat of arms (as symbol of the state, etc.), pope

De tekening betreft een ontwerp voor een wandschildering.
Terracotta kylix (drinking cup)
Object type: kylix
Date: 570 – 560
Materials: terracotta
Culture: greek, laconian
Artist: boreads painter
Artist role: artist
Subjects: athena,boars

Interior, the apotheosis of Herakles The scene on the interior shows Athena leading Herakles to the enthroned Zeus. A boar occupies the exergue below.
Valentine
Object type: valentine
Date: 1850 – 1860
Materials: lace, paper
Techniques: chromolithography, embossing, gilding
Artist: Anonymous
Artist role: artist
Tribune aux harangues et Temple de la Victoire
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Location: timgad
Artist: Anonymous
Subjects: landscape with ruins
Inscriptions: number: ‘Fig. XXX’
Vignet met Minerva en Mercurius
Object type: print
Date: 1700 – 1800
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: (story of) minerva (pallas, athena), (story of) mercury (hermes)
Inscriptions: collector's mark: Lugt 2228

Cartouche met Minerva en Mercurius bij de buste van een man, die door Faam met een laurierkrans wordt gekroond. Geheel boven het devies: Vita sine litteris mors est (Een leven zonder leren is dood).
Portret van sultan Al-Ashraf Qansuh al-Ghawri
Object type: book illustration
Date: 1549 – 1575
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: historical persons, ruler, sovereign

Prent gebruikt in: Giovio, Paolo. Elogia Virorum bellica virtute illustrium (...). Bazel: Peter Perna, 1575.
Portret van Heinrich Friedrich von Delius
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: christoph wilhelm bock
Artist role: print maker
Artist dates: 1755 – 1836
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Glass mosaic ribbed bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Translucent purple and opaque white. Thick, almost horizontal rim with rounded edge; straight side tapering slightly downward. Spiraling mosaic pattern formed from lengths of one or more canes in a purple ground with white spirals and fine threads in parallel lines; on exterior, traces of one vertical shallow rib. Polished interior; pitting of surface bubbles; dulling, creamy weathering, and some iridescence on exterior and jagged edges.
Belt Plaque with Fighting Stallions
Object type: belt plaque
Date: 200 – 101
Materials: bronze
Culture: siberian
Subjects: horses
Trijn van Leemput trekt met een groepje vrouwen op naar kasteel Vredenburg, 1577
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: utrecht

Trijn van Leemput trekt met een groepje vrouwen gewapend met hamers en pikhouwelen op naar het kasteel Vredenburg, 2 mei 1577. Voorop loopt een vrouw met een vlag, daarachter een vrouw die op een trom slaat en een vrouw met een ragebol.
Journal des Dames et des Modes, Costume Parisien, 30 juin 1823, (2162): Chapeau de sparteri (...)
Object type: fashion print
Date: 1823 – 1823
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (shawl) (+ women's clothes), lace (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: caption: ‘Chapeau de sparterie, garni en gaze. Robe de mousseline imprimée, à corsage de velours simulé. Pointe de dentelle.’, title: ‘Costume Parisien.’

Vrouw met op het hoofd een hoed van 'sparterie' (gevlochten plantenvezels) versierd met tule. Zij draagt een japon van bedrukte mousseline met een lijfje van 'velours simulé'. Verdere accessoires: driehoekige doek van kant, handschoenen, schoen met vierkante neus. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Card Number 126, Lillian Grubb, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Vera Antiqui Capitolii Descriptio
Object type: album leaf
Date: 1595 – 1622
Materials: paper
Techniques: engraving
Location: italy
Subjects: city-view, and landscape with man-made constructions, sleeping cupid; possibly signifying a slackening of love's influence
Inscriptions: number: ‘82’

Deze prent kan samen met twee andere prenten in het album tot een drieluik worden samengeplakt.

Deze prent behoort tot het prentcorpus dat bekend staat als de ‘Speculum Romanae Magnificentiae’ (‘Spiegel van Romeinse pracht’). Dit corpus, bestaande uit prenten met voorstellingen van kunstwerken en gebouwen uit het antieke en het moderne Rome, vond zijn oorsprong bij uitgevers Antonio Salamanca en Antonio Lafreri. Deze twee buitenlandse uitgevers bundelden hun krachten te Rome in de periode 1553-1563. Hun prenten werden al snel razend populair bij toeristen en verzamelaars, die de prenten individueel of in grote groepen aanschaften. Grote groepen Speculum-prenten werden vaak op aanvraag samengebonden in albums. Er zijn verschillende Speculum-albums overgeleverd die allemaal verschillen van inhoud. Tussen 1573 en 1577 gaf Antonio Lafreri een speciale titelpagina uit (met de titel ‘Speculum Romanae Magnificentiae’) die mensen voor hun verzamelingen konden voegen. Het overlijden van Lafreri in 1577 betekende niet het einde van het corpus. Een groot deel van de koperplaten ging over op Claudio en Stefano Duchetti. De rest raakte verspreid over verschillende andere uitgevers. De populariteit van de Speculum-prenten wist nog geruime periode uitgevers te inspireren tot het laten maken van kopieën en het toevoegen van nieuwe prenten aan het corpus.
Vrouw liggend op een bank in een tuin
Object type: print
Date: 1861 – 1911
Materials: paper
Techniques: etching
Artist: louis le nain
Artist role: print maker
Artist dates: 1851 – 1939
Subjects: garden, lying figure - aa - female human figure, statues, sculptures in garden
Inscriptions: inscription: ‘1er état LLeNain’, collector's mark: Lugt 2228

Links staat een tuinbeeld van Cupido met zijn vinger voor zijn mond. Dit beeld en het briefje op de grond naast de vrouw, verwijzen naar een mogelijke (geheime) liefde van de vrouw.
Sergeant, 3rd Gatling Battery, National Guard of the State of New York, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: soldiers,swords,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.