deem-data/ArtiFact huggingface dataset:
Strijd tussen de Horatii en de Curatii
Object type: print
Date: 1541 – 1541
Materials: paper
Techniques: engraving
Location: italy
Subjects: two horatii being killed, the surviving brother defeats the three curiatii one by one
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11, number: ‘1’

Duel tussen de Horatii en Curiatii, twee drielingen van respectievelijk Romeinse en Albaanse komaf. Hier doodt Publius Horatius de gewonde Curiatii een voor een. Romeinen moedigen hem aan.
Hergebruikte trouwring met synthetische spinel
Object type: ring
Date: 1940 – 1940
Materials: gold
Techniques: sawing
Location: netherlands
Artist: Anonymous
Inscriptions: import mark: ‘585’

Hergebruikte trouwring met emeraud geslepen paarsgroene synthetische spinel (imitatie alexandriet). De trouwring van goud is opengezaagd, deels gesplitst en daartussen is een spinel geplaatst.
O contemporaneo
Object type: magazine
Date: 1874 – 1879
Materials: paper, photographic support
Techniques: albumen print, printing
Artist: alfred fillon
Artist role: fotograaf
Artist dates: 1825 – 1881
Subjects: historical persons - bb - woman

Op de voorpagina bevindt zich een portret van Angela Nadal.
Le Fontane ne' Palazzi e ne' Giardini di Roma con li Loro Prospetti et Ornamenti
Object type: collection ornament architecture
Techniques: etching
Artist: giovanni battista falda
Artist role: etcher
Artist nationality: italian
Artist dates: 1643 – 1678
Subjects: human figures,fountains,palaces,lions

Third part of the print series on the fountains of Rome and its surroundings published by Giovanni Giacomo de Rossi. 'Le Fontane ne' Palazzi e ne' Giardini', portrayed by Venturini and Falda, contains a title page, an allegorical frontispiece with dedication to Livio Odescalchi Duke of Ceri, and 26 plates of views.
Vrouw met een hoed
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: adult woman, head-gear: hat

Blad 48 verso uit een schetsboek met 50 bladen.
Gezicht op het Korte Voorhout te Den Haag
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: barend cornelis koekkoek
Artist role: draughtsman, painter, print maker
Artist dates: 1803 – 1862
Subjects: street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Gezicht op het Korte Voorhout, bij de Koningsbrug, of Boschburg, met rechts 'Het Wachtje', het wachthuis. In het midden staan en lopen figuren. Rechts een gebouw met zuilen en een timpaan. Ervoor staan soldaten op wacht.
Atreus Farnese, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1574 – 1574
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: male nudes

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 112 in the scrapbook.
Cherubijnen bestrijden Onwetendheid
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: paris
Subjects: ignorance; 'ignoranza', 'ignoranza di tutte le cose', 'ignoranza in un ricco senza lettere' (ripa)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1337

Vier cherubijnen gewapend met bliksemschichten en schilden, verdrijven Onwetendheid in de vorm van drie personen. Op een banderol een Latijnse tekst. De achterkant van de prent is bedrukt met tekst in Latijn.
The Sisters
Object type: print
Date: 1894 – 1895
Materials: ink, parchment, paper
Techniques: lithograph, printing, scraping, lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
"Royal George" Cello
Object type: violoncello
Date: 1782 – 1782
Materials: wood
Culture: british
Location: united kingdom
Artist: william forster
Artist role: maker
Artist nationality: british
Subjects: coat of arms

This instrument was made for the avid cellist George Frederick, Prince of Wales, who was crowned King George IV in 1820 and is one of several cellos known to have been owned by George IV. The instruments of Jacob Stainer and the Amati family influenced Forster’s work, as can be seen in the outline, arching and delicate scroll of this ‘cello. The belly of the instrument is emblazoned with the royal coat of arms of Great Britain on the upper bout and the Prince of Wales' feathers on the lower bout. The ribs have been painted with the legend "Liberty and Loyalty" in heraldic lettering, repeated on each side. The instrument is with a fitted wooden coffin case, with brass fittings and a plaque engraved with the Prince of Wales' feathers. The case is similar to that of the Stradivari ‘Batta-Piatigorsky’ cello (L.2013.71a-g) and was probably made by Hill. Forster II was the most celebrated member of a family dynasty of violin and cello makers and is often referred to as "Royal Forster" because of his clientele. George IV ordered at least two cellos, and his violin-playing younger brother Prince Ernest, the Duke of Cumberland, was also a customer.
Boegbeeld van een man met een verrekijker
Object type: drawing
Date: 1790 – 1810
Materials: ink, paper
Location: amsterdam
Artist: pieter luypen
Artist role: draughtsman
Artist dates: 1763 – 1833
Subjects: parts of ship's exterior: bow, telescope, parts of ship's exterior: figure-head
Inscriptions: signature: ‘P: Luijpen’

Boegbeeld, man wiens linkervoet op bol staat, in linkerhand een verrekijker houdend en met de rechter naar voren wijzend, met baard en hoedje, sjerp om het middel, met halflange broek aann en met pofmouwen. Daaronder deel van de boeg, versierd, rechts deel van de bespanning en daarboven deel van de spriet.
Pair of panels
Object type: panel
Date: 1701 – 1800
Materials: wood
Techniques: carving
Subjects: musical instruments,firearms,putti
The Nativity
Object type: painting
Date: 1504 – 1507
Materials: oil, paint, panel, wood
Techniques: painting
Location: italy
Artist: bartolommeo (fra)
Artist role: draughtsman
Artist nationality: italian
Artist dates: 1472 – 1517
Subjects: women, virgin and child/madonna and child, virgin mary, saints, angels, nativity scenes, religion, children, religious scenes, christian subjects, biblical, holy family, christianity

The young Baccio della Porta came under the spell of the charismatic Dominican friar Girolamo Savonarola, joining his monastic order as Fra (Friar) Bartolommeo in 1500 and forsaking his painting career for several years. Returning to painting in 1504, he looked to the most lyrical and harmonious recent works of Leonardo da Vinci, Raphael, and Michelangelo to form his own style, which was characterized by a new, quiet spirituality. The palette of saturated blue, red, and green announces the Holy Family, while the muted tones of the angels’ garments establish an otherworldly presence. Here he treated the Nativity in a traditional, though especially intimate, manner. The Virgin kneels humbly as she gazes at the Christ Child, while Joseph assumes a pose of restrained wonderment, as if suddenly aware of the infant’s divine nature. The family shelters in a rustic stall erected within the ruins of an edifice understood to be the palace of David at Bethlehem. This juxtaposition of architecture symbolizes Christ’s establishment of his new church on the Old Testament order of the Jews. Reinforcing this device is a young tree springing from a remnant of ancient stones directly above the infant.
Portret van generaal Antoine-François Andréossy
Object type: print
Date: 1800 – 1813
Materials: paper
Techniques: etching
Location: théâtre des folies-marigny
Subjects: graaf antoine-françois andréossy
Inscriptions: collector's mark: Lugt 2228

Portret van de Franse generaal Antoine-François Andréossy, in ovaal met uniform. Andréossy was tijdelijk Franse ambassadeur in Engeland.
Jérusalem, Sainte-Marie-la-Grande, Cloître
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture,arches,ruins
Winged genius seated on a cloud, sounding a trumpet with his left hand extended upwards
Object type: print
Date: 1628 – 1628
Techniques: engraving
Artist: cherubino alberti (zaccaria mattia)
Artist role: artist
Artist nationality: italian
Artist dates: 1553 – 1615
Subjects: male nudes,trumpets
Kleurnotities
Object type: sketchbook leaf
Date: 1887 – 1920
Materials: chalk, paper, pencil
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Inscriptions: kleurnotitie, handgeschreven

Pagina 1 uit een schetsboek met 12 bladen.
Portret van Gregorius Mees
Object type: print
Date: 1676 – 1685
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: gregorius mees, ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘n. 1630, 29 december/ 1661 te Groningen. 12 Jan 1676 Pred. te Rotterdam (...)’
Saltmarket from London Street
Object type: photograph
Date: 1885 – 1885
Techniques: photogravure
Location: scotland
Artist: thomas annan
Artist role: fotograaf
Artist nationality: scottish
Artist dates: 1829 – 1887
Gezicht op de achterzijde van een Kodak camera
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: camera ~ photography

Prent in katern advertenties achterin boek. Prent is onderdeel van een reclameboodschap van C.P.Goerz Optical Works.
Portret van Petrus Vagt
Object type: print
Date: 1741 – 1741
Materials: paper
Techniques: engraving
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent waarschijnlijk uit: Zuverlagiße Nachrichten von gegenwärtigen Zustande, Veränderung und Wachstum der Wissenschaften. Leipzig: Johann Friedrich Gleditsch, 1741, dl. 18.
A group of elegantly dressed people drinking
Object type: print
Date: 1740 – 1768
Techniques: engraving
Artist: bartolomeo crivellari
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Landscape with a Low Horizon
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: etching
Location: london
Subjects: trees
Inscriptions: collector's mark: Lugt 2233, inscription: ‘MM after Peppercorn’
Christus aan het kruis, met Maria en Johannes
Object type: print
Date: 1500 – 1520
Materials: paper
Techniques: hand coloring
Location: germany
Artist: monogrammist ds (graveur)
Artist role: print maker
Subjects: crucified christ with mary and john on either side of the cross; holy rood
Inscriptions: collector's mark: Lugt 2228

Christus aan het kruis, aan zijn rechterhand Maria, aan zijn linker Johannes. Met penseel zijn wolken en een omlijsting getekend.
Kalenderblad voor lente 1904 van de Verzekering-Maatschappij Holda in Amsterdam
Object type: calendar leaf
Materials: paper
Techniques: lithograph
Artist: ferdinand hart nibbrig
Artist role: draughtsman, painter, print maker
Artist dates: 1866 – 1915
Subjects: picking flowers, spring ~ human activities (the four seasons of the year), orchard, goat
Inscriptions: inscription: ‘eerste volledige afdruk in vier kleuren’

Een rechthoekig kader opgevuld met de dagen van de maanden maart, april en mei en daarboven twee knielende jongens die een geit voeren in een boomgaard. Op de achtergrond twee meisjes op klompen die bloemen plukken.
Reproductie van schilderij "Vorstellung der Braut" van Otto Erdmann (1834-1905)
Object type: photograph
Date: 1878 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: munich
Inscriptions: caption: ‘Photographie nach dem Originale.//GALLERIE MODERNER MEISTER//O.ERDMANN. VORSTELLUNG DER BRAUT 631//1878//Verlag von Fr. Hanfstaengl in München//New York, Geo. Kirchner & Co.//Registered//Déposé’

Genretafereel met vijf mensen in een interieur.
Fragmenten of onderdelen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1743 – 1743
Materials: iron
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, bar(-shaped) fragments; fragm, heavily eroded, broken.
Gezicht op Venetië, gezien vanaf de klokkentoren van de Basilica di San Giorgio Maggiore
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: chiesa di san giorgio maggiore
Artist: Anonymous
Subjects: city-view in general; 'veduta', sea, venice
Inscriptions: inscription: ‘Panorama de Venise’, name: ‘Stereocopbilder in reicher Auswahl in der Kunsthandlung bon Joh. Heinrigs in Cöln. Hochstrasse No. 152.’
Schaatsenslijpen in Hindelopen
Object type: print
Date: 1874 – 1888
Materials: paper
Techniques: engraving
Location: paris
Artist: christoffel bisschop
Artist role: draughtsman, print maker
Artist dates: 1828 – 1904
Subjects: sharpening, grinding (industrial processes), skates (winter sports)
Inscriptions: collector's mark: Lugt 2228

Een man en een vrouw slijpen de schaats van een andere vrouw die, met nog één schaats aan, in een stoel zit te wachten. Links komt een man met schaatsen aan binnen lopen.
Giraffe piano
Object type: pianoforte
Date: 1830 – 1840
Materials: copper, textile, wood
Location: amsterdam
Triomf van de lijdzaamheid (Patientia)
Object type: print
Date: 1559 – 1559
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues, triumphs (allegorical and symbolic), heart, luck, fortune, lot; 'fato', 'fortuna', 'fortuna aurea', 'fortuna buona', 'fortuna pacifica overo clemente', 'sorte' (ripa), storm at sea, desire; 'desiderio' (ripa), patience; 'patienza' (ripa) (+ allegorical scene, i.e. two or more personifications involved in an action)
Inscriptions: inscription: ‘H.C.G.V.S. Const. 12 Gger’

Op de voorgrond de triomfwagen van Lijdzaamheid (Patientia), getrokken door Hoop (Spes) en Verlangen (Desiderium). Patientia zit op een vierkanten steen op de wagen. In haar linkerhand een brandend hart op een aambeeld dat door drie hamers gebeukt wordt. In haar rechterhand een vaandel met een roos tussen doornen. Naast haar zit het lam als teken van lijdzaamheid. Achter de triomfwagen wordt de geketende Fortuna meegevoerd. Ze draagt als attributen het scheermes (scherpte) en het gebroken rad (haar krachten zijn gebroken). In de achtergrond een schip in een storm. De prent heeft op een afzonderlijk stuk papier een Latijnse tekst van zes regels en maakt deel uit van een achtdelige serie over de triomf van de Lijdzaamheid.
Textile Design with Vertical Strips of Clouds and Circles
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made of vertical strips of overlapping clouds rendered with dark reddish-brown stipples over a light tan base and with a strip of white circles with black borders running along the center of the clouds, which are framed by vertical strips of circles of black color over a dark reddish-brown ground.
Linnenpers van zilver
Object type: linen press
Date: 1675 – 1725
Materials: silver
Location: amsterdam
Artist: Anonymous
Inscriptions: maker's mark: ‘kop of vuist in rond (Voet 1912, nr. 373; Citroen 1975, nr. 970?)’

Linnepers van zilver, versierd met graveerwerk (trembleerrand), opengewerkte volutenversiering tussen de poten, bovenstel met draaibaar plateau, zonder planken.
Spoon
Object type: spoon
Date: 1 – 400
Materials: bronze
Culture: roman
Mantel clock
Object type: mantel clock
Date: 1780 – 1790
Materials: brass, gilt brass, steel, wood
Techniques: carving, gilding
Subjects: children,women,dogs
Annunciatie
Object type: book illustration
Date: 1703 – 1762
Materials: paper
Techniques: etching
Location: haarlem
Subjects: the annunciation: mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

De prent komt een eerste keer voor als boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel II. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Putto Holding Sudarium
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: netherlands
Artist: possibly after cornelis bloemaert, ii
Portret van keizer Vitellius
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: ornament ~ medallion, historical persons, emperor

Prent waarschijnlijk uit: Bos, Lambert van den. Het konincklyk treur-toonneel, ofte op- en ondergangh der keyseren (...). Dordrecht: Jacobus Savry, 1656, p. 37.
[Photo Collage: Woman on Ladder, Holding Spyglass with Man Holding Ladder, and Dog Standing on Hind Legs]
Object type: carte de visite
Date: 1875 – 1875
Techniques: albumen silver print, lithograph
Artist: juan pedro chabalgoity
Artist role: artist
Artist nationality: uruguayan
Artist dates: 1848 – 1909

The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 1850s and throughout the latter half of the century, these economical keepsakes depicting portraits of loved ones, celebrities, monarchs, and foreign types circulated en masse and spurred a veritable "cartomania." Collected in albums, traded among friends, and admired in drawing rooms, cartes put photography in the hands of virtually everyone, and thus offered a means of reflecting upon one’s own social standing in an ever-expanding world.
November 1909
Object type: magazine
Date: 1909 – 1909
Materials: paper
Techniques: woodcut, letterpress printing
Location: japan
Inscriptions: date

Ontwerp titelplaat: Hashiguchi Goyô. Overige illustraties: Shimomura Izan (1), Miyazaki Yohei (50, Okamoto Gesson (5), Yamaguchi Shûbô (2), Watabe Koson (1) en Ishii Hakutei (3). Ontwerp achterkant illustratie: Shimomura Izan.
Maria Gonggrijp met een grote hoed
Object type: photograph
Date: 1911 – 1911
Materials: photographic support
Techniques: photography
Location: suriname
Artist: andries augustus boom
Artist role: amateurfotograaf, handelaar
Artist dates: 1878 – 
Subjects: suriname
Inscriptions: date

Maria Gonggrijp poserend lachend met een grote hoed op het hoofd, 1911. Onderdeel van het fotoalbum van de familie Boom-Gonggrijp in Suriname en Curaçao.
Plaque with The Betrayal of Christ
Object type: plaque
Date: 1401 – 1500
Materials: copper, enamel
Techniques: painting
Culture: french
Location: france
Artist: monvaerni
Artist role: artist
Subjects: men,christ
Kaartspelers rond een vat
Object type: print
Date: 1665 – 1693
Materials: paper
Techniques: mezzotint
Location: amsterdam
Subjects: playing-cards
Inscriptions: collector's mark: Lugt 2233

Twee mannen spelen kaart rond een vat. Een derde man kijkt vanachter zijn mantel toe.
Side table
Object type: side table
Date: 1701 – 1800
Materials: marble, wood
Techniques: carving, gilding, painting
Neckpiece
Object type: neckpiece
Date: 1870 – 1870
Materials: linen
Culture: belgian

This neckpiece, in its original form, was made to be worn under a jacket. Brussels point de gaze lace was much favored in the Victorian period. This is a good example of the typical motifs and variety of fillings used in its design.
Titelpagina voor de Europische Mercurius, vijftiende stuk, eerste deel, 1704
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: specific aspects, allegorical aspects of mercury; mercury as patron

Titelpagina voor de Europische Mercurius, vijftiende stuk, eerste deel, behelzende de eerste zes maanden van het jaar 1704. Mercurius staande op een voetstuk, reikt bladen papier met de namen van Beieren en Brabant aan een allegorische vrouwenfiguur (Vrijheid?), het blad met Vlaanderen nog in de lucht.
Moi, jè sors de sentiers battus..., from "Les Plaisirs de la Villégiature"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women
Fragment of a Bowl
Object type: ceramic fragment
Date: 1201 – 1400
Materials: stonepaste
Techniques: painting, underglaze
Location: iran
Exterieur van de Fatima Masumehschrijn (Hazrat-e Masumeh) in Qom
Object type: photograph
Date: 1880 – 1895
Materials: paper, photographic support
Techniques: gelatin silver print
Location: qom
Artist: antoine sevruguin
Artist role: fotograaf
Artist dates: 1840 – 1933
Subjects: temple, shrine ~ islam, mohammedanism

Onderdeel van Reisalbum van H. Dunlop met foto's van bezienswaardigheden in Perzië, Schotland, Duitsland, Rusland, China en Canada.
Portret van een meisje
Object type: photograph
Date: 1850 – 1920
Materials: photographic support
Techniques: salted paper print
Location: unknown
Artist: Anonymous
Ocelot Devouring a Heron
Object type: statuette
Date: 1801 – 1900
Materials: bronze, patina
Artist: antoine-louis barye
Artist role: artist
Artist nationality: french
Artist dates: 1795 – 1875
Subjects: birds,cats
Mezeray, Opera Comique, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Portret van Eduard Böcking
Object type: print
Date: 1830 – 1850
Materials: paper
Techniques: lithograph
Location: bonn
Subjects: scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228