deem-data/ArtiFact huggingface dataset:
De acht wereldwonderen
Object type: album leaf
Date: 1572 – 1572
Materials: paper
Techniques: engraving
Location: alkmaar
Subjects: semiramis on the lion-hunt, sometimes with her husband ninus, hanging gardens of semiramis at babylon (wonder of the world)
Inscriptions: number: ‘316’

De muren van Babylon, in cirkels gebouwd. Linksachter een groot gebouw met toren. Op de voorgrond koningin Semiramis als een amazone te paard. Gewapend met pijl en boog is zij is in gevecht met een leeuw. In de achtergrond de hangende tuinen van Babylon: een botanisch en architectonisch kunstwerk. Onder de voorstelling een vers in het Latijn. Deze prent maakt deel uit van een album.
Gezicht op de Buurkerk te Utrecht
Object type: print
Date: 1744 – 1758
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2233

Prent ook gebruikt in: Tegenwoordige staat der Vereenigde Nederlanden, elfde deel, behelzende eene beschryving van de provincie van Utrecht. Met landkaarten, plans der steden en printverbeeldingen versierd / Hedendaagsche historie, of tegenwoordige staat van alle volkeren; XXI. deel (…). Amsterdam: Isaak Tirion, 1758, tussen p. 374 en p. 375.
Tray
Object type: tray
Date: 1770 – 1770
Materials: hard paste porcelain
Subjects: men,trees
Hengselmand
Object type: miniature
Date: 1725 – 1750
Materials: silver
Techniques: filigree
Location: netherlands
Artist: Anonymous
Subjects: container made of plant material other than wood: basket

Ovale hengselmand van gevlochten zilverdraad. De mand heeft een vast hengsel. De mand loopt naar boven toe wijd uit en is niet gemerkt.
Teapot
Object type: teapot
Date: 1763 – 1767
Materials: hard paste porcelain
Artist: nymphenburg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Subjects: birds,trees
Blad uit een verlucht handschrift
Object type: drawing
Date: 1300 – 1399
Materials: paint, gold leaf, ink, parchment
Techniques: brush, pen
Location: france
Artist: Anonymous
From the Girls and Children series (N65) promoting Richmond Straight Cut Cigarettes for Allen & Ginter brand tobacco products
Object type: print
Date: 1886 – 1886
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: girls,drums

Trade cards from the "Girls and Children" series (N65), issued ca. 1886 to promote Virginia Brights, Richmond Gem, Richmond Straight Cut No. 1, and Opera Puffs Cigarettes, all distributed by Allen & Ginter Tobacco Manufacturers.
Evening dress
Object type: evening dress
Date: 1820 – 1820
Materials: cotton
Culture: american

The puffing is a rare intricate feature executed completely by hand and shows the typical decoration locations of this period, with shoulder and hem details. The one surviving long sleeve indicates the dress could be worn with or without sleeves to suit the occasion and the weather. The Empire silhouette is readily identified with its origins in the chiton of ancient Greco-Romans, which was a tubular garment draped from the shoulders and sometimes belted beneath the bust. Several re-interpretations have occurred throughout costume history but none have been as notable as the period bridging the rectangular panierred skirts of the 18th century and the conical hoop skirts of the 19th century. The neoclassic style was adopted in all forms of decoration after the French Revolution and was upheld during the Napoleonic Wars partly due to Napoleon Bonaparte's (1769-1821) alliance with Greco-Roman principles. In fashion, the style began as children's wear made from fine white cotton, but was adopted by women in the form of a tubular dress with skirts that were gathered under the bust with some fullness over a pad at the back. As the style progressed the skirts began to flatten at the front and solely gather from the bodice at the center back. The style persisted until the 1820s when the waist slowly lowered and the skirts became more bell shaped.
Statue of Cupid
Object type: drawing and watercolor
Materials: chalk, paper
Location: unknown place
Artist: Anonymous
Stelvio-pas en berg "Madatscherferner", Italië
Object type: photograph
Date: 1890 – 1910
Materials: paper
Techniques: photograph
Location: switzerland
Subjects: italy
Inscriptions: inscription: ‘F.’, inscription: ‘4176. Stilfer-Joch g.d. Madatscherferner.’, inscription: ‘Edit. Photoglob.’

De Stelviopas [Italiaans: Passo dello Stelvio; Duits: Stilfserjoch) is een bergpas in de Italiaanse Alpen.
Gezicht op een vijver in het bos
Object type: album leaf
Date: 1880 – 1920
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: forest, wood, pond, pool
Heidens offer van koning Achaz
Object type: album leaf
Date: 1538 – 1538
Materials: paper
Techniques: woodcut
Location: switzerland
Artist: veit rudolf specklin
Artist role: print maker
Artist dates:  – 1550
Subjects: ahaz' apostasy

Boekillustratie voor het eerst gebruikt in: Biblia Utriusque Testamenti iuxta Vulgatam Translationem, Lyon, M. en G. Trechsel (voor Hugo à Porta) 1538. Later in verschillende uitgaven opnieuw gebruikt. Deze prent vermoedelijk gebruikt in één van de uitgaven uitgegeven en/of gedrukt door Jean Frellon, Lyon.
Piece
Object type: piece
Date: 1501 – 1600
Materials: silk
Subjects: lions
Bowl
Object type: bowl
Date: 701 – 1200
Materials: earthenware, glaze
Techniques: incising, polychrome
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Gezichten in Frankrijk
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: church (exterior)
Inscriptions: check stamp: Lugt 1397c
Denver, Col.
Object type: photograph
Date: 1898 – 1898
Materials: paper
Techniques: collodion silver print
Location: denver
Artist: Anonymous
Subjects: street

Deze foto's zijn onderdeel van een album.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic

Interior, part of meander; Exterior, part of draped figure
Alexander de Grote bezoekt de tempel van Jupiter
Object type: drawing
Date: 1655 – 1665
Materials: ink, paper
Techniques: brush, pen
Artist: leonaert bramer
Artist role: draughtsman, painter, print maker
Artist dates: 1596 – 1674
Subjects: (story of) alexander the great

Rechts staat Alexander de Grote, gevolgd door zijn page en soldaten. Hij wordt begroet door de hoge priester links, die met enkele andere priesters voor de tempel staat. Rechtsboven genummerd: 25. Tekening maakt deel uit van een album.
Vrouw staand in een knotwilg, twee honden naast de boomstam
Object type: photograph
Date: 1890 – 1920
Materials: paper
Techniques: cyanotype
Location: united states
Artist: Anonymous
Subjects: adult woman, trees: willow, dog
Inscriptions: inscription: ‘0363’
Portrait of George Washington
Object type: textile
Date: 1860 – 1860
Location: england
Artist: john crossley & sons, ltd.
Serie prenten naar schilderijen
Object type: print
Date: 1860 – 1900
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: christ alone (also called 'ecce homo')
Inscriptions: collector's mark: Lugt 2228
Portret van Lodewijk de Stamelaar, koning van Frankrijk
Object type: book illustration
Date: 1660 – 1669
Materials: paper
Techniques: engraving
Location: paris
Artist: pieter van schuppen
Artist role: print maker
Artist dates: 1627 – 1702
Subjects: koning, lodewijk ii (de stamelaar)
Inscriptions: collector's mark: Lugt 2228

Portret van Lodewijk de Stamelaar met diens spreuk en ingekleurd wapenschild. Onder het portret een korte levensbeschrijving. Bovenaan genummerd 'XIII. 13'.
Butter dish
Object type: butter dish
Date: 1651 – 1700
Materials: earthenware
Techniques: glazing
Farmhouse among Trees
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: drypoint, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: mark: Lugt 2165

With the needle Rembrandt scratched powerful incisions directly on the copper plate; these bold lines underscore the tall tree at the left. He used less force for the trees surrounding the cottage and the vista at the right. This sketchiness recalls the style he used when drawing in nature. Rembrandt would translate such a sketch done out of doors into a print.
Ornamento delle belle & virtuose donne, page 20 (verso)
Object type: book print ornament architecture
Date: 1554 – 1554
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: birds

Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821. From top to bottom, and left to right: Design composed of 4 vertical columns. First column is very narrow and is decorated with a black-and-white checkerboard pattern. Second column is decorated with a pattern of diamonds, each containing an 8-petaled flower. Third column is decorated with an interlace pattern forming a series of diamonds. Fourth column is decorated with a central flower, flanked by 2 birds in profile followed by a castle.
Tussenzetsel van kloskant met voluutmotief aan overblijfselen van linnen beddengoed met werk met uitgetrokken draden
Object type: entre deux, tussenzetsel
Date: 1640 – 1660
Materials: linen
Techniques: lace
Location: southern netherlands
Artist: Anonymous

Tussenzetsel van naturelkleurige Hollandse kloskant. Het zich herhalende en symmetrische patroon bestaat uit een voluutmotief dat afwisselend omgekeerd is geplaatst. De motieven zijn gemaakt in linnenslag met opengewerkte randjes en zijn met elkaar verbonden door een traliegrond. Boven- en onderzijde van de strook zijn recht afgewerkt en elk bevestigd aan een smalle strook linnen - zomen - met daaraan een smalle rand werk met uitgetrokken draden. Aan één lange kant is een deel van het werk met uitgetrokken draden verdwenen en het middengedeelte is een aparte zoom waar geen sporen van werk met uitgetrokken draden aan te zien zijn. Elke korte zijde is tot een puntje aan elkaar genaaid. Het betreft de overblijfselen van beddengoed, waarschijnlijk een kussensloop. Mogelijk is het kant vervaardigd in Vlaanderen en is het beddengoed gemaakt in de Noordelijke Nederlanden.
Portret van een jonge vrouw, staand bij een stoel
Object type: photograph
Date: 1867 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Location: alkmaar
Artist: pieter vlaanderen
Artist role: fotograaf
Artist dates: 1840 – 1878
Subjects: adolescent, young woman, maiden, historical persons - bb - woman, chair
Inscriptions: inscription: ‘P.V./ ATELIER DE REMBRANDT/ van/ P. VLAANDEREN/ Verdronken Oord/ Wyk D. No. 34./ ALKMAAR.’
Battle Field of Atlanta, Georgia, July 22nd 1864 No. 2
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: american civil war,landscapes
Studie, mogelijk van een gebouw in een landschap
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: drenthe
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes, adult man, civic architecture; edifices; dwellings

In het gebouw mogelijk een figuur. Pagina 130 uit een schetsboek met 67 bladen vervaardigd in Drenthe.
Zuil van Trajanus
Object type: print
Date: 1637 – 1691
Materials: paper
Techniques: etching
Location: france
Subjects: triumphal column with helical friezes, piece of sculpture, reproduction of a piece of sculpture, the soldier; the soldier's life

Detail van het spiraalvormige gebeeldhouwde fries op de Zuil van Trajanus. Het fries toont de oorlogen tussen de Romeinen en de Daciërs. Verklarende nummers in de ondermarge. Prent maakt deel uit van een album.
Maria zoogt het Christuskind
Object type: print
Date: 1566 – 1566
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: birds, christ-child suckling, or beginning to suckle, e.g. mary uncovering her breast ~ madonna-representations
Inscriptions: collector's mark: Lugt 240

Maria zit op het gras en zoogt het Christuskind. Op het hek op de achtergrond zit een vogel. Aan haar voeten ligt een steen met het monogram van Albrecht Dürer.
[Union Army Officer]
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: army,soldiers,american civil war,portraits
Reproduction of a Scythian plaque with animal combat
Date: 1801 – 1900

Electrotyping is a chemical process used historically to make high quality reproductions of works of art. During the Victorian era, one of the main producers was Elkington & Co. of Birmingham. They were licensed by the South Kensington Museum of London (now the Victoria & Albert Museum) to produce replicas of objects from royal treasuries and museums across Europe. The electrotypes approved by the Department of Science and Art, a British governmental agency, carry Messrs. Elkington’s mark in the form of an official stamp in metal. This modern electrotype is a copy of a gold plaque in the Hermitage Museum, St Petersburg. The original was found in 1876 in one of the burial mounds known as the Kurgans of the Seven Brothers (no. 3), in the Taman peninsula. The plaque, originally applied to a wooden support, possibly a vase, is decorated with an animal combat scene - a winged panther attacking a goat - denoting the influence of Iranian art, whereas the egg-and-dart border, the palmette, and the lotus are considered Greek motifs. In the nineteenth century, many museums collected copies of ancient and historical works of art with the aim of presenting outstanding works to a broader public and to serve as inspiration for artists and manufacturers. The Metropolitan Museum of Art, founded in 1870, began to acquire electrotypes in its first decade. In 1883, Henry Marquand, a collector and early patron of the Museum, funded a large purchase from Elkington & Co. of nearly three hundred pieces. Today, these works are part of many departments in the Museum and along with plaster casts reflect the history of collecting and the role of the museum as a locus for the teaching of art history.
Saint Michael
Object type: print
Date: 1514 – 1516
Techniques: engraving
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
Subjects: men,saint michael
Straatgezicht met het stadhuis van Zierikzee
Object type: photograph
Date: 1893 – 1893
Materials: cardboard, photographic support
Techniques: albumen print
Location: zierikzee
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: townhall, street (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘Zierikzee’, annotation: ‘Zierikzee (Z)/ Raadhuis in de Meelstraat/ Maart 1893’
[Tolly's Nullah, Calcutta]
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: captain r. b. hill
Artist role: artist
Artist nationality: british
Subjects: architecture,landscapes
Tulp (Tulipa)
Object type: drawing
Date: 1790 – 1814
Materials: paint, paper, pencil, watercolor
Techniques: brush
Location: southern netherlands
Artist: Anonymous
Subjects: flowers: tulip

Rood-witte tulp. Genummerd rechtsboven: 47. Linksboven gemerkt met een rood sterretje. Onderdeel van het eerste album met tekeningen van bloemen en planten. Achtste van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Royal vessel of the reign of Pepi II
Object type: ointment jar, pepi ii
Date: 2289 – 2255
Materials: stone
Location: egypt

The thick walls of stone vessels helped to keep cool the valuable cosmetic oils and ointments they frequently held, and their exquisite workmanship and high quality underlined the precious nature of the contents. This toilet vessel bears the cartouches of Pepi II.
Gezicht op het Sint-Pietersplein te Vaticaanstad
Object type: print
Date: 1578 – 1678
Materials: paper
Techniques: engraving
Location: vatican city
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 240

Gezicht op het het Sint-Pietersplein te Vaticaanstad met de Sint-Pietersbasiliek en het Apostolisch Paleis. Opdracht, tekst en wapenschild van kardinaal Sigismondo Chigi in ondermarge.
Landscape with Cattle
Object type: print
Materials: paper
Location: netherlands
Artist: cornelis ploos van amstel
Artist role: artist
Artist nationality: dutch
Artist dates: 1726 – 1798
Post office at Yokohama
Object type: photograph
Date: 1887 – 1897
Materials: photographic support
Techniques: albumen print, hand coloring
Location: japan
Artist: Anonymous
Subjects: post-office, street
Sugar Bowl
Object type: sugar bowl
Date: 1760 – 1760
Materials: silver
Culture: american
Location: united states
Artist: daniel christian fueter
Artist role: maker
Artist nationality: american
Artist dates: 1720 – 1785
Mortar and Pestle
Object type: mortar
Date: 1637 – 1637
Materials: bronze
Techniques: casting
Inscriptions: inscription: ‘SOLI.DEO.GLORIA.OVWERROGGE.FECIT.1637’

This mortar is adorned with two friezes. The top one consists of stylized flowers, while the bottom one features flowers, foliage motifs, and birds with spread wings. Inscribed in Latin along the top edge is: ‘By the grace of God, Ouderogge made this in 1637.’ The mortar was cast by either Cornelis or his brother Dirk. They also made bells and cannons.
Twaalf sibillen
Object type: book illustration
Date: 1688 – 1688
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: erythraean sibyl

Illustratie voor: Servatius Gallaeus, Dissertationes de Sibyllis, earumque oraculis, Amsterdam, Dirk en Hendrik Boom, 1688, p. 112.
The Stake, plate thirteen from The Large Miseries of War
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: gerrit lucasz van schagen
Artist role: print maker, publisher
Artist nationality: dutch
Artist dates: 1642 – 1690
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Four sheared handle fragments from DvB 9.2
Seated Lion
Object type: sculpture
Materials: iron
Location: china
Marine Dabblers, plate 29 from Liber Studiorum
Object type: print
Materials: paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Ontwerptekening voor ex libris van Constant Ottevanger
Object type: design drawing
Date: 1933 – 1933
Materials: paper, pencil
Techniques: drawing
Location: netherlands
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: trees, sitting figure, reading, boy (child between toddler and youth), head-gear: hat, book
Qutb Minar and Alai Darwaza at the Qutb complex in Delhi, India
Object type: photograph
Date: 1865 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: delhi
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment, temple, shrine ~ islam, mohammedanism
Inscriptions: title: ‘Kutub near Delhi -/ Minar Kuttub.’, number: ‘1195-1235’, number: ‘33’
Handtekening van Franciscus Fabricius
Object type: document
Date: 1736 – 1736
Materials: ink, parchment
Techniques: pen
Location: northern netherlands
Artist: franciscus fabricius
Artist role: minister, professor, theoloog
Artist dates: 1663 – 1738
Subjects: amsterdam, leiden, franciscus fabricius, historical persons
Tankard
Object type: tankard
Date: 1728 – 1728
Materials: glass, pewter
Subjects: men,women
Goddess Benten
Object type: figure
Date: 1867 – 1900
Materials: enamel, faience
Culture: japanese
Subjects: goddess
Portret van Henry Carey
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: engraving
Location: london
Subjects: translator, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent uit: Bocalini, Trajano. I Ragguagli di Parnasso; or, Advertisements from Parnassus in two centuries. [Vertaald uit het Italiaans door] Henry Carey. Londen: Humphrey Moseley en Thomas Heath, 1656.
Rood-kapje kan tot leering zijn / Aan kind'ren zoo wel groot als klein: / Altoos heeft de ongehoorzaamheid / Zich zelf de zwaarste straf bereid
Object type: popular print
Date: 1850 – 1870
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: monogrammist gcb
Artist role: print maker
Subjects: tales and fairy tales: little red riding-hood
Inscriptions: collector's mark: Lugt 2760

Blad met 15 voorstellingen uit het sprookje van Roodkapje. Onder elke afbeelding een vierregelig vers. Rechtsboven genummerd: No. 3.