deem-data/ArtiFact huggingface dataset:
Portret van Bernardus de Bosch
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: deventer, the hague, quill, ink-well, book, paper (writing material)
Inscriptions: collector's mark: Lugt 2228

Portret van Bernardus de Bosch, dichter, predikant en representant in de Nationale Vergadering. Onder het portret een inktpot met schrijfveer, een boek en een vel papier. Rechtsboven: XXII.D.Pl.IX.
Mirabeau
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, honoré-gabriel de riqueti (graaf van mirabeau), historical persons
Inscriptions: collector's mark: Lugt 2228a
Terracotta kyathos (cup-shaped ladle)
Object type: kyathos
Date: 520 – 510
Materials: terracotta
Culture: greek, attic
Subjects: eyes,horses,panthers

Between eyes, horsemen; at the handle, panthers The decoration of the bowl is applied to a light slip, a technique that began to be popular about 530 B.C. The horsemen are riding to left, which is unusual.
Cicada
Object type: sculpture
Materials: jade
Location: china
Whiskey Taster
Object type: whiskey taster
Date: 1840 – 1860
Materials: glass
Techniques: pressed
Microscopische opname van schubben van een vlindervleugel, 350 keer vergroot
Object type: photograph
Date: 1887 – 1888
Materials: paper
Techniques: albumen print
Location: netherlands
Artist: marinus pieter filbri
Artist role: instrument maker
Artist dates: 1852 – 1917
Subjects: insects: butterfly, netherlands
Inscriptions: number: ‘48.’, inscription: ‘No. 48. Benaming Schubjes van de vleugel eener kapel, 350 x vergroot, pose 3 m., Bemerking id.’
Minerva presenteert het boek Telemaque
Object type: titelblad, titelpagina
Date: 1790 – 1790
Materials: paper
Techniques: engraving, letterpress printing
Location: brussels
Subjects: (story of) minerva (pallas, athena), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Minerva staat in volle wapenrusting naast een voetstuk. Ze presenteert een open boek met daarin geschreven: Télémaque. Een putto knielt voor het voetstuk. Hij heeft een open boek vast met daarin geschreven: Numa. Met een Frans onderschrift.
Bekende tijdgenoten
Object type: print
Date: 1891 – 1891
Materials: paper
Techniques: lithograph
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: haarlem, frederik van eeden, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
The Entombment
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: workshop of andrea mantegna
Portret van Nicolas Jean-de-Dieu Soult
Object type: print
Date: 1825 – 1850
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Lomonosovbrug in Sint-Petersburg
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-petersburg
Artist: Anonymous
Subjects: bridge in city across river, canal, etc.
Inscriptions: inscription: ‘No 20 Pont de Troitsk St. Petersbourg’, inscription: ‘Russie’
Terracotta fragment of a closed shape
Object type: undetermined closed shape
Date: 370 – 350
Materials: terracotta
Culture: greek, sicilian
Artist: sicilian
Artist role: artist

Draped figure to right holding a tympanum in the left hand; bearded satyr, wearing shoes, holding a thrysos in his left hand, with his right arm extended behind him; beneath the right arm of the satyr, a male child to right, with his extended left arm seen from beneath his chlamys, and his right arm extended behind him; at the far right, draped woman? to right, wearing an upper garment with dots and a leopard skin, and a skirt patterned with rays, holding a sword in the right hand and a feline in the left; at the bottom left, upright circumscribed palmettes interrupted by a single frond
Amoenissimae aliquot Regiunculae
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., fence, wall, paling, landscape with ruins
Inscriptions: collector's mark: Lugt 240

Gezicht op een ruïne van een huis bij een muur. Op de voorgrond een zittende fluit spelende herder. Zestiende prent uit een serie van achttien.
Detail van de San Marco in Venetië
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: photograph
Location: venice
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘249’, number: ‘M.20.’, number: ‘M.20’

Deze prent maakt deel uit van een omslag met 58 prenten op 50 bladen.
Temple de Venus et de Rome, from Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore
Object type: print
Date: 1761 – 1761
Techniques: etching
Location: italy
Artist: jean barbault
Artist role: artist
Artist nationality: french
Artist dates: 1718 – 1762
Subjects: monuments,temples,ruins,rome
Deventer, brandspuitpenning met no. 4
Object type: medal
Date: 1680 – 1800
Materials: iron
Techniques: casting
Location: deventer
Artist: Anonymous
Subjects: deventer

IJzeren penning met afgebroken draagoog. Voorzijde: gekroonde adelaar met gespreide vleugels. Keerzijde: rijdende brandspuit boven cijfer No. 4.
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1615 – 1868
Materials: gold alloy, gold
Culture: japanese
Location: japan
Fragment from an Orphrey
Object type: religious ritual object
Date: 1360 – 1369
Materials: gilt, linen, metal, textile, silk
Techniques: embroidery, embroidered, laid work, weave, silvered, stitching
Location: florence
Subjects: religious scenes
Coupé # 661
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Elisabeth Johanna Hasebroek
Object type: print
Date: 1847 – 1883
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: historical persons - bb - woman, portrait of a writer
Portret van George Stubbs
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: etching
Subjects: liverpool, london, painter, print maker, george stubbs, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Cour des bons Enfants, Rouen
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: etching
Location: scotland
Artist: david young cameron
Artist role: draughtsman, print maker
Artist nationality: scottish
Artist dates: 1865 – 1945
Werther omhelst Lotte
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: berlin, publisher, friedrich nicolai, draughtsman, johann wolfgang von goethe, (scenes from) specific works of literature: goethe, werther
Inscriptions: collector's mark: Lugt 240

De tweede staat van deze prent is ook gebruikt in: [Nicolai, Friedrich]. Freuden des jungen Werthers. Leiden und Freuden Werthers des Mannes. Voran und zuletzt ein Gespräch. Berlijn: Friedrich Nicolai, 1775. Het betreft hier een parodie op 'Die Leiden des jungen Werthers' door Johann Wolfgang von Goethe.
[Auguste Rodin's The Clenched Hand]
Object type: photograph
Date: 1898 – 1898
Techniques: gelatin silver print
Artist: eugène druet
Artist role: artist
Artist nationality: french
Artist dates: 1867 – 1916
Subjects: hands
Spoon
Object type: spoon
Date: 1685 – 1685
Materials: silver
Textile Design with Alternating Vertical Rows of Undulating Stylized Wheat Ears and Undulating Strips of Pearls with Alternating Offsetting Wheat Ears and Lens Shapes
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating vertical rows of undulating stylized wheat ears of light tan color with offsets of light reddish-brown color and undulating strips of pearls with alternating offsetting wheat ears and lens shapes over stylized palm leaves of light tan color with dark reddish-brown stipples. The pearls and wheat ears are of white color and the lens shapes are of orange and blue color with red outlines.
Ex libris van burggraaf Le Veneur
Object type: bookplate
Date: 1750 – 1849
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Subjects: paris, politician, armorial bearing, heraldry
Laken. Merk: gekroonde letters LH en jaartal 1676.
Object type: beddenlaken, laken object
Date: 1676 – 1676
Materials: linen
Location: netherlands
Artist: Anonymous
Inscriptions: mark: ‘kroon LH 1676’

Beddenlaken van linnen, gemerkt in bindgat: gekroonde LH en 1676.
Militairen van de Gordon Highlanders installeren zichzelf op een heuvel, Zuid-Afrika
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: south africa
Artist: Anonymous
Subjects: the soldier off duty, shelter ~ military service
Inscriptions: inscription, number: ‘286’, copyright notice: ‘Copyright 1900 by Underwood & Underwood.’, inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’
Plate
Object type: plate
Date: 1667 – 1733
Materials: porcelain
Techniques: painting, underglaze
Culture: chinese
Lovers
Object type: print
Date: 1770 – 1770
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: isoda koryūsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Subjects: lovers

The poem in Chinese on this print conceals a light eroticism much as the komusō priest costume with its basket-like hat (seen under the woman's arm) conceals the lovers on their way to the tryst that this print depicts. The study of Chinese classics and poetry was a major part of an elite education in Japan for many centuries. With the new affluence and economic clout of the merchant class at this time, merchant sons (and daughters to a more limited extent) were also taught in academies in Osaka and around the country. Both samurai and merchant scholars wrote poems in Chinese and read old anthologies. Chinese poetry seemed especially suited for encoding political and occasionally, erotic meanings within lyrics innocuous at first glance.
Vier foto's van vissersboten en de Graf Zeppelin boven Amsterdam
Object type: album leaf
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: commercial fishery, 46c35 airship, zeppelin, netherlands, amsterdam
Inscriptions: inscription: ‘Graf Zeppelin boven Keizersgracht’

Deze foto's maken deel uit van een album.
Vinaigrette
Object type: metalwork
Date: 1780 – 1780
Materials: bone, silver gilt
Location: england
The Ladies Ridicule
Object type: cartoon
Date: 1772 – 1772
Materials: paper
Techniques: etching
Location: london
Artist: matthew darly
Artist role: print maker
Artist dates: 1720 – 1780
Subjects: clothing for the upper part of the body (+ women's clothes), human strength ~ traffic and transport on land, excessive hairiness - aa - female, coat (+ men's clothes), head-gear: hat (+ men's clothes), trousers, breeches, etc. (breeches) (+ men's clothes)
Inscriptions: caption: ‘THE LADIES RIDICULE. / Pub accor to Act by MDarly Strand July 17th 1772’

Een Engelse vrouw met een torenhoog kapsel wordt in een draagkoets vervoerd. Vanwege het hoge kapsel is het dak van de koets opengeklapt. Linksboven V. 3; rechtsboven nummer 22. Engelse caricaturen uit de serie 'Macaronies' uitgegeven door D. Marly in 1771 en 1772.
Waistcoat Cuirass
Object type: armor
Date: 1580 – 1580
Materials: steel
Culture: german or austrian
Location: germany

During the last quarter of the sixteenth century, infantry and naval officers began to wear artfully designed cuirasses (breast and backplates) that hinged open with a front seam that mimicked the doublet or waistcoat. This German example retains a black varnish finish with a deep peasecod (peapod-like) belly, which was in style in the 1580s. On the proper left side of the belly is a dent from a bullet shot by the armorer to show that it was indeed “bulletproof” and battle ready. Despite its fashionable appeal, the front seam did weaken the cuirass, and soon after 1600 the fashion vanished.
Sugar caster
Object type: sugar caster
Date: 1700 – 1700
Materials: earthenware
Techniques: glazing
Subjects: birds,flowers
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: gold alloy, gold
Culture: japanese
Location: japan
Subjects: lobsters
Drie kinderen van de familie van den Berg op de heide in Huis ter Heide
Object type: photograph
Materials: paper, cardboard
Techniques: gelatin silver print
Location: huis ter heide
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: family life
St Justa, three-quarter length, turned to right, holding two pots and a palm
Object type: print
Date: 1843 – 1843
Techniques: engraving
Artist: auguste blanchard père
Artist role: artist
Artist nationality: french
Artist dates: 1766 – 1841
Subjects: portraits,women,saints
H. Carolus Borromeus draagt een crucifix langs slachtoffers van de pest
Object type: print
Date: 1744 – 1744
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: altarcross, crucifix, charles borromeo, cardinal of milan; possible attributes: cardinal's hat, crucifix, rope round his neck, skull, procession ~ christian religion
Inscriptions: collector's mark: Lugt 240
Kasteel de Voorn, ontwerp voor de beschildering van een deel van het porseleinen dessertservies, wellicht een ijsvaas (glacière)
Object type: design drawing
Date: 1819 – 1821
Materials: paper, watercolor
Techniques: aquarelle
Location: netherlands
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Inscriptions: inscription: ‘No. 31 / Château de Voorn Province d’Utrecht’
Long Shawl
Object type: costume and accessory
Date: 1833 – 1866
Materials: cotton, wool
Techniques: bookbinding, jacquard, patterning, weave
Location: europe
Subjects: paisley
Steven de Witt uit Utrecht verslaat de troepen van Brederode onder leiding van Jan van Renesse bij de schans van Vreeswijk
Object type: jeton
Materials: bronze
Techniques: casting
Location: belgium
Artist: claude frémy
Artist role: medailleur
Artist dates: 1620 – 
Subjects: utrecht

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift binnen bladerkrans.
The Musicians (copy)
Object type: print
Date: 1501 – 1533
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: men,women,lutes,violins,musicians
Vis
Object type: sketchbook leaf
Date: 1930 – 1930
Materials: ink, paper
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: fishes

Blad 12 recto uit een schetsboek met 20 bladen.
Plate 1: Pensive man resting his head on his hand, from "Icones ad vivum expressae"
Object type: print
Date: 1743 – 1743
Techniques: etching
Artist: giovanni cattini
Artist role: artist
Artist nationality: italian
Artist dates: 1715 – 1800
Subjects: men,portraits

Cattini engraved a set of 15 plates (frontispiece plus 14 numbered plates) after Piazzetta, entitling them: Icones ad vivum expressae. Most copies of the set are dated 1754 on the title page. A fine early set in the Mariette album of Piazzetta engravings in the Biblioteque Nationale is dated 1743. Moschini and Palluchini refer to a title page of 1763. Teodoro Viero reissued a reduced set of 8 plates plus title page in 1767. Several prints in the set were also copied by Johann Lorenz Haid of Augsburg (1702 - 1750), 1743-1750 and by Franz Xavier Jungwirth of Munich (1720-1790) in 1753 (see: George Knox, Piazzetta, exh. cata., National Gallery, 1983, no. 25; Maria Wiel, L'eredità di Piazzetta, 1996, no.70, p.42).
Deksel van doos
Object type: lid
Date: 1925 – 1925
Materials: glass
Techniques: etching, gilding, glassblowing
Location: karlovy vary
Inscriptions: number: ‘14’, signature: ‘Moser Karlsbad’

In het midden van het deksel een medaillon, op de rand een band met palmetten en ranken.
Phedra en Hippolites
Object type: print
Date: 1628 – 1682
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: (story of) alcyone and ceyx
Inscriptions: collector's mark: Lugt 2228

Lijkt deel uit te maken van een serie prenten met mythologische onderwerpen, naar prenten door Jean Lepautre en voorzien van Nederlandse titels. Mogelijk werd de serie uitgegeven door Cornelis (I) of Cornelis (II) Danckerts, zoals vermeld op RP-P-1964-4431 en RP-P-1964-4443.
Goat's Head
Object type: sculpture
Date: 1760 – 1780
Materials: terracotta
Subjects: goats

This is a fragment of a model for a decorative object, such as a large vase.
Maaiers rusten tijdens de oogst
Object type: print
Date: 1840 – 1850
Materials: paper
Techniques: lithograph
Location: london
Subjects: two-wheeled vehicle drawn by two animals, rest during harvest (eating, dancing, making love, etc.), reaping, picking, mowing ~ harvest
Zestal landschap studien door A. van 't Zant
Object type: album leaf
Date: 1822 – 1845
Materials: paper
Techniques: tone lithography
Location: dordrecht
Subjects: cross as symbol of christ, landscapes in the temperate zone, public road in village
Inscriptions: collector's mark: Lugt 2233

Links van de weg staat een kruis, rechts enkele huizen. In de verte een kerk. Deze prent maakt deel uit van een omslag met zeven prenten.
De apen
Object type: popular print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: Anonymous
Subjects: monkeys, apes
Inscriptions: collector's mark: Lugt 2760

Blad met een grote voorstelling van apen in boomtakken. In de ondermarge een onderschrift. Genummerd rechtsboven: No 235.
Squirrel on Bamboo
Object type: album leaf
Date: 1650 – 1650
Materials: ink, silk
Culture: japanese
Artist: kano tan'yū
Artist role: artist
Artist nationality: japanese
Artist dates: 1602 – 1674
Subjects: squirrels,bamboo
Polin, from Treize Lithographies
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Verjaringfeest van de altyd gedenkwaardige overwinning en slag van Waterloo / voorgevallen op den 16, 17 en 18 juny 1815
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: berlin, william i of the netherlands, arthur wellesley of wellington, napoleon i (emperor of the french), reunion, memorial gathering (~ veteran soldiers), group dancing
Inscriptions: collector's mark: Lugt 2760

Blad met een grote voorstelling van een herdenkingsbijeenkomt om de Slag bij Waterloo te herdenken. In het midden danst een groep kinderen rond een zuil met een beeld erop. Daar omheen staat een groep mensen toe te kijken. Boven hangen banderollen en medaillons aan linten met teksten en namen erop. Onder de afbeelding een vers in drie kolommen. Genummerd rechtsboven: No. 121.
Roemer
Object type: roemer
Date: 1621 – 1621
Materials: glass
Techniques: diamond point engraving, glassblowing
Subjects: flowers, insects: dragon-fly

Anna Roemers Visscher derived the decorative motifs on this glass – such as the flowers and the dragonfly – from old prints. In the cryptic Italian inscription, the flowers address a certain Dora or Dorothea, whom they thank for bestowing fame on them.
Set of Two Cups and Saucers
Object type: cup
Date: 1900 – 1900
Materials: earthenware
Techniques: vitrification
Location: bourg-la-reine
Artist: pierre adrien dalpayrat
Artist dates: 1844 – 1910
Inscriptions: mark

Kop van aardewerk met een gevlamde roodbruine en gele glazuur.
Briefkaart aan Jan Veth
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: dordrecht
Artist: martinus cornelis lebret
Artist role: verzamelaar
Artist dates: 1833 – 1894
Subjects: dordrecht, print maker, draughtsman, designer, jan veth, jacob maris, isaac israels, the hague, painter
Inscriptions: collector's mark: ‘RPK’
Portret van een onbekende man in een geschilderd landschap
Object type: photograph
Date: 1910 – 1950
Materials: metal, paint, paper, wood
Techniques: albumen print, brush
Artist: Anonymous
Subjects: adult man, anonymous historical person portrayed, landscapes - hh - ideal landscapes
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Bit of the top of the mouth, with a band of pendant, linked lotus buds with dots in the interstices; on the neck, stems from a band of pendant, linked lotus buds
Bediende met een mand bloemen
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: aquatint, etching
Artist: jean baptist leprince
Artist role: draughtsman, print maker
Artist dates: 1734 – 1781
Subjects: container made of plant material other than wood: basket, house personnel, servants
Inscriptions: date
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, seated, draped youth to right; in field, wax tablets