deem-data/ArtiFact huggingface dataset:
Saucer with a medallion and gold border
Object type: platter
Date: 1850 – 1899
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: europe
Artist: Anonymous

Schotel van porselein met langs de schotelrand een brede gouden bies en midden op het plat een gouden cirkel. Behoort bij een serie van twaalf kop en schotels waarvan de koppen zijn versierd met een drukdecor in zwart, voorstellende spelende kinderen of volwassenen in een landschap.
Sommeltjesbergje op Texel
Object type: print
Date: 1777 – 1779
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: fabulous animals (sometimes wrongly called 'grotesques'); 'mostri' (ripa)
Inscriptions: collector's mark: Lugt 2228

Gezicht op een dorp op Texel. Langs de weg naar het dorp staat een half afgedragen heuvel, de zogenaamde Sommeltjesberg. Een man is bezig de binnenkant van de heuvel te onderzoeken. Twee gravers staan naast de heuvel te wachten. Het verhaal gaat dat in deze berg de Sommeltjes woonden. Kleine wezens die 's-nachts uit de berg komen en goede daden op het eiland verrichten.
Bladen met knipplaatjes en decoratieve randen
Object type: print
Date: 1750 – 1750
Materials: paper, watercolor
Techniques: etching, hand coloring
Location: paris
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Blad met acht identieke decoratieve randen. Rechtsonder genummerd: 73. Een van 39 bladen met knipplaatjes en decoratieve randen.
Death of Princess Charlotte memorial handkerchief
Object type: handkerchief
Date: 1817 – 1817
Materials: cotton
Subjects: women
Vita, passio et Resvrrectio Iesv Christi
Object type: print
Date: 1598 – 1618
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: last supper (in general) (matthew 26:21-35; mark 14:18-31; luke 22:3, 22:15-23; john 13:21-38)

Prent maakt deel uit van een prentbijbel.
De twaalf maanden
Object type: print
Date: 1596 – 1652
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: september and its 'labours', picking fruit
Inscriptions: collector's mark: Lugt 2228

Herfstlandschap met najaartaferelen. September is de fruitmaand.In het midden de fruitoogst met mannen, vrouwen en kinderen die de appels plukken in een boomgaard. Deel van een serie van de twaalf maanden, waarbij elke maand wordt afgebeeld met de voor haar typerende menselijke activiteiten en haar klimatologische kenmerken.
Dessert Spoon
Object type: spoon
Date: 1800 – 1830
Materials: silver
Culture: american
Location: united states
Artist: martin benedict
Artist role: maker
Artist nationality: american
Artist dates: 1823 – 1847
Le Brabant Espagnol qui comprend les quartiers de Brusselles (...)
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: maps of separate countries or regions, brabant
Inscriptions: collector's mark: Lugt 195

Kaart van de kwartieren van Brussel, Leuven en Antwerpen. Linksboven de titelcartouche. Linksonder een cartouche met legenda en vijf schaalstokken: 10 Milles Pas Geometriques ou Milles d'Italie / 2 Lieues Comunes d'Allemagne, en nog drie andere. De kaart is voorzien van een gradenverdeling langs de randen.
Aeneas vlucht met zijn familie uit Troje
Object type: print
Date: 1515 – 1565
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: 'pius aeneas': aeneas, leading ascanius, escapes from burning troy, carrying his father anchises with the penates; his wife creusa, who sets out with them, is lost on the way
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Aeneas ontvlucht het brandende Troje met zijn vader Anchises op de rug. Rechts loopt Ascanius, de zoon van Aeneas.
Bouquet holder
Object type: bouquet holder
Date: 1801 – 1833
Materials: silver
Culture: french
Subjects: grapes,flowers
Pestle?
Object type: pestle, nespekashuty
Date: 664 – 610
Materials: lead
Location: egypt

This flat lead element was apparently found with the lead integrated vessel model 26.3.161. Although it has been called a pestle, it is conceivable it belongs to the set of model Opening of the Mouth equipment also.
Gezicht op het Diaconieweeshuis te Amsterdam
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: amsterdam
Artist: cornelis brouwer
Artist role: print maker
Artist dates: 1731 – 1803
Subjects: rowing-boat, canoe, etc., orphanage, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Bovenste helft van plaat, met voorstelling van de Nieuwe en Grote Synagoge te Amsterdam, niet gedrukt. Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: II. Kerkelijke inrichtingen: Diaconie Weeshuis der Ned. Herv. Gem. Zwanenburgerstraat.
Strook passement met gouddraad
Object type: strip
Date: 1800 – 1900
Materials: gold thread
Spoon
Object type: spoon
Date: 1704 – 1705
Materials: silver
Artist: edward sweet
Artist role: maker
Artist dates: 1704 – 1704
Zeven foto's van Domburg, Middelburg en Meerkerk
Object type: album leaf
Date: 1907 – 1925
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: sailing-ship, sailing-boat, river, middelburg
Inscriptions: inscription: ‘Badhotel Domburg Bloemencorso’, inscription: ‘Meerkerk’, inscription: ‘Middelburg/ Abdij.’, inscription: ‘Heeroma Sluis’, inscription: ‘Domburg’

Deze foto's maken deel uit van een album.
Ferry boat
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Ornament met twee dolfijnen
Object type: ornament print
Date: 1527 – 1527
Materials: paper
Techniques: engraving
Location: low countries
Artist: lucas van leyden
Artist role: draughtsman, painter, print maker
Artist dates: 1494 – 1533
Subjects: dolphin ~ ornament
Inscriptions: collector's mark: Lugt 240

Kandelaber met een dierschedel, vruchten en een mascaron tussen twee dolfijnen met voluten van bladranken als staarten, gearceerde achtergrond.
Lamp in Form of Four-Pointed Star
Object type: decorative art
Materials: stone
Culture: egyptian
Location: egypt
Subjects: star, writing, inscription
Une source
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: nymphs (in general); 'ninfe in commune' (ripa), forest, wood, spring, source of river or stream
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent gebruikt in: Ténint, Wilhelm. Album du Salon de 1842. Collection des principaux ouvrages exposés au Louvre (…). Parijs: Augustin Challamel, 1842.
Portret van Alexander I, tsaar van Rusland
Object type: print
Date: 1844 – 1849
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: alexander i (tsaar van rusland), historical persons, emperor
Redding van graaf Johan Maurits na het ongeluk op de brug van Franeker, 1665
Object type: print
Date: 1665 – 1665
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: earl, johan maurits graaf van nassau-siegen, collapsing building, bridge, accident with horse (or kindred animal), saving a person from drowning
Inscriptions: collector's mark: Lugt 240

Redding van graaf Johan Maurits na het ongeluk op de brug van Franeker, 1665, 6 januari 1665. De ophaalbrug waar de graaf met zijn gevolg overheen reed is ingestort. De graaf wordt uit het water gehaald, omstanders komen met ladders aangesneld.
Lappet
Object type: costume and accessory
Materials: lace, linen
Techniques: lace
Location: france
Broad collar of Nefer Amulets
Object type: broad collar, nefer amulet
Date: 1504 – 1450
Materials: glass, gold
Location: egypt

The "nefer" hieroglyph signifies the word meaning "good" or "beautiful," so perhaps this necklace was meant to bring good wishes to the wearer. A collar of this size and craftsmanship belonged to a member of the upper class - in this case, a wife of Thutmose III.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic
Artist: colmar painter
Artist role: artist

Interior, head, neck, part of upper torso, genitals, and thighs of a wreathed youth with chlamys draped over his left shoulder and extended left arm; Exterior, drapery
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of bent right arm and head of filleted youth to left
Apron
Object type: apron
Date: 1801 – 1900
Materials: cotton
Horse trapping
Object type: horse trapping
Date: 1801 – 1900
Materials: cotton, dye, hemp
Culture: japanese

This horse trapping and the other one also exhibited in this case are of a type called yuiage (literally, "tied up"). Yuiage sometimes appear in images of horses pictured on ema, votive tablets offered at shrines. Yuiage like these, with their extremely long end-pieces, may be associated with a centuries-old annual procession of horses, a festival that is still held today in the city of Morioka in Iwate prefecture. Of this generally H-shaped horse trapping, the central portion covered the belly (the hara in haragake) of the horse, while the two long panels at each end were tied on the horse's back, as seen in the accompanying illustration. A family crest (mon) of crossed falcon or hawk feathers seen among fern fronds in the central portion was done in white and two shades of blue in the tsutsugaki technique, characterized by the freehand application of resist paste through a tube. In contrast, the ties are a product of the katagami technique, where resist paste is applied through a stencil.
Aesacus and Hesperie, plate 66 from Liber Studiorum
Object type: print
Materials: paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Piece
Object type: piece
Date: 1701 – 1800
Materials: cotton
Artist: bromley hall printworks
Artist role: manufactory
Artist nationality: english
Artist dates: 1694 – 1823
Subjects: flowers,leaves

The design of this unusual printed cotton is actually recorded in a series of impressions on paper in a pattern book inscribed Fosters and Co., Bromley Hall, Middlesex, about 1780. The technique and width of this version suggest a date in the 1830s, after discharge printing had been invented.
Hiver
Object type: print
Date: 1867 – 1890
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: road, path, farm (building)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Panel
Object type: panel
Materials: wood
Techniques: carving
Location: egypt

Before becoming sultan in 1296, the Mamluk Husam al-Din Lajin spent a year in hiding at the dilapidated Ibn Tulun Mosque in Cairo. He vowed to renovate the mosque someday, and an enormous minbar was the result. It was dismantled in the late 19th century and dispersed in several museum collections, including the Metropolitan Museum of Art. A copy based on a traveler's drawing now stands in the mosque.
Title Page, from Der VII Planeten
Object type: print
Materials: paper
Techniques: etching
Location: switzerland
Artist: conrad meyer (i)
Artist role: artist
Artist nationality: swiss
Artist dates: 1618 – 1689
Fotoreproductie van een schilderij van een vrouw met menselijke schedel
Object type: reproduction
Date: 1865 – 1900
Materials: glass
Techniques: collodion process
Artist: laurens lodewijk kleijn
Artist role: draughtsman, painter
Artist dates: 1826 – 1909
Subjects: adult woman, (human) skull

Onderdeel van een groep glasnegatieven uit de nalatenschap van de schilder Laurens Lodewijk Kleijn, met stillevens, portretten, zelfportretten en kunstreproducties.
Salt
Object type: salt
Date: 1795 – 1805
Materials: silver
Techniques: gilding
Culture: canadian
Location: canada
Artist: robert cruickshank
Artist role: maker
Artist nationality: american
Artist dates: 1771 – 1809
Subjects: eagles
Fragment (From a Border)
Object type: textile
Date: 1575 – 1625
Materials: linen, silk
Techniques: embroidery, weave, stitching
Location: italy
Inscriptions: Inscription: Joseff a pasto a ti frateri
Prudence
Object type: print
Date: 1516 – 1516
Techniques: engraving
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
Aan de Nederlandsche Maagd bij de Gedenkzuil, 17 November 1869
Object type: text sheet
Date: 1869 – 1869
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: a. van stolk cz.
Artist role: schrijver
Subjects: nationaal monument
Inscriptions: collector's mark: Lugt 2228

Vers van drie coupletten van elk vier regels op de Nederlandse Maagd bij de onthulling op 17 november 1869 van het Nationaal Monument ter ere van koning Willem I en ter nagedachtenis aan 50 jaar onafhankelijkheid en de stichting van het Koninkrijk der Nederlanden in 1813, in het Willemspark (nu Plein 1813) te Den Haag. Behoort bij de prent van monument.
Jar with a dark green glaze
Object type: pot
Date: 400 – 599
Materials: glaze, stoneware
Techniques: firing, turning, vitrification
Location: korea
Artist: Anonymous

Pot van steengoed met een bolvormig lichaam, uitlopende nek en opstaande rand, gedeeltelijk bedekt met een donkergroen glazuur. Op de nek drie ingegrifte banden.
Reuzenrad op de Wereldtentoonstelling van 1904 in Saint Louis
Object type: stereograph
Date: 1904 – 1905
Materials: cardboard, paper
Techniques: albumen print
Location: saint louis
Artist: benjamin west kilburn
Artist role: fotograaf
Artist dates: 1827 – 1909
Subjects: world fair, world exhibition, giant wheel, ferris wheel, artificial light
Inscriptions: number: ‘16443.’, copyright notice: ‘Copyright 1905, by B.W. Kilburn.’
Chocoladekan met houten handvat, beschilderd met riviergezicht met schepen
Object type: chocolate pot
Date: 1784 – 1814
Materials: porcelain
Techniques: painted
Location: amstel

Chocoladekan cilindrisch van vorm met een houten handvat De versiering bestaat uit een veelkleurig riviergezicht met schepen. Strooibloemen en gouden bladranken. Gemerkt: Amstel in blauw onder het glazuur en ingegrift L1 met ster.
Koffietrommel in de vorm van een secretaire
Object type: miniature
Date: 1784 – 1798
Materials: silver
Location: schoonhoven
Artist: adrianus kuylenburg
Artist dates: 1760 – 1831
Subjects: writing-table, writing-desk

Koffietrommel van zilver in de vorm van een secretaire.
Nightgown
Object type: nightgown
Date: 1850 – 1850
Materials: linen
Culture: american or european
Kinderen! leert in 't vroeg begin, leert by poppengoed, / Wat u in een beter stand, nuttig wezen moet, / Deugd, kunt gy uit 't kinderspel, leeren met vermaak, / Ook het allerkleinst begin, leert een vrouwen zaak
Object type: popular print
Date: 1842 – 1866
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: children's games and plays, (playing with) dolls, games using special objects (marbles, top, hoop, etc.)
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van kinderspelen, waaronder hoepelen en met poppen spelen. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 16.
Batavorum cum Romanis Bellum, à Corn. Tacito / De Batavische Oft Oude Hollandtsche Oorloghe teghen de Romeynen
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: italy
Subjects: battle, fighting in general, extinct, 'historical' peoples (with name), netherlands

Het lukt de Bataven om een vastgelopen schuit geladen met koren naar de oever te slepen. Prent nummer 12 in de serie prenten over de Bataafse Opstand: Batavorum cum Romanis bellum / à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, auctore Othone Vaenio Lugdunobatava = De Batavische oft oude Hollandtsche oorloghe teghen de Romeynen. Otto Vaenius, Antwerpen 1612. Onderaan twee verzen van vier regels in het Nederlands en in het Latijn. Zonder tekst op achterzijde.
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Date: 1912 – 1912
Materials: ink, paper
Techniques: pen, printing, typewriting, writing
Location: rotterdam
Artist: alfred rudolph zimmerman
Artist role: mayor
Artist dates: 1869 – 1939
Subjects: the hague, london, painter, print maker, draughtsman, matthijs maris, pieter haverkorn van rijsewijk, rotterdam, amsterdam, frederik schmidt-degener, artist, willem jan gerrit van meurs

Brief is bewaard bij correspondentie aan Pieter Haverkorn van Rijsewijk betreffende Matthijs Maris.
Gezicht op het Rokin te Amsterdam, ter hoogte van het Spui
Object type: drawing
Date: 1898 – 1898
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: diligence, omnibus, horse-tram, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: workshop stamp: Lugt 291d, collector's mark: Lugt 2228

Met de brug richting de Langebrugsteeg. Gezien vanuit kunstenaarsvereniging Arti et Amicitiae (Rokin 112).
L'Estrapade (Strappado), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 10
Object type: print
Date: 1633 – 1633
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Three Putti at Play
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen, wash
Location: england
Artist: attributed to thomas stothard
Artist nationality: english
Artist dates: 1755 – 1834
The Return from Egypt
Object type: print
Date: 1595 – 1659
Techniques: engraving
Artist: schelte adams à bolswert
Artist role: artist
Artist nationality: dutch
Artist dates: 1581 – 1659
Gezicht op een houten huis, met vijf personen en een hond (?) ervoor
Object type: photograph
Date: 1870 – 1900
Materials: metal
Techniques: ferrotyping
Location: united states
Artist: Anonymous
Dr. Felix Mendelssohn-Bartholdy
Object type: print
Date: 1833 – 1847
Materials: paper
Techniques: lithograph
Location: stuttgart
Artist: Anonymous
Subjects: historical persons
Leporelloalbum met vijf fotomechanische afdrukken van stadsgezichten van Leeuwarden
Object type: accordion book
Date: 1920 – 1940
Materials: cardboard, paper
Techniques: rotogravure
Location: leeuwarden
Artist: Anonymous
Subjects: street
Four Oiran of the House Called Kadokana-ya Playing the Game of Ko-awase (Incense Game)
Object type: woodblock print nishiki e
Date: 1776 – 1776
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: women,playing
Kimono Rack (Ikō) with Scrolling Foliage and Tokugawa Family Crest
Object type: robe stand
Date: 1701 – 1800
Materials: gilt bronze, gold, wood
Techniques: hiramakie, lacquer
Culture: japanese

As numerous extant examples demonstrate, in the Momoyama (1573–1615) and early Edo periods artisans from various painting schools depicted on folding screens an array of sumptuously patterned garments, including Noh robes casually draped over kimono racks. These compositions of garments on lacquer clothing stands appeared in paintings as “advertisements” for kimono makers as well as in paintings of both brothel scenes and the interiors of military residences. In fact, a twelfth-century document mentions the interior furnishings appropriate for a room in an aristocrat’s house, including a clothing stand draped with garments. By the thirteenth, fourteenth, and fifteenth centuries, lacquer clothing stands had become a conventional item included in the bridal trousseau of wealthy women. The kimono rack on view could have been part of the trousseau of a Tokugawa princess.
Interieur met een vrouw die de bijbel leest
Object type: print
Date: 1736 – 1775
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: reading the bible or other religious books, ciborium
Inscriptions: collector's mark: Lugt 2228

Interieur met een vrouw die, zittend aan een tafel, de bijbel leest. Ze bekijkt een rijk gedecoreerde ciborie. Op de achtergrond tegen de wand panelen met christelijke voorstellingen.
Tien vrouwen, gekleed volgens de Italiaanse mode van ca. 1580
Object type: album leaf
Materials: paper
Techniques: engraving
Artist: abraham de bruyn
Artist role: print maker, publisher
Artist dates: 1540 – 1587
Subjects: europeans (italians) (+ women), fan, europeans (with name) (+ costume), veil
Inscriptions: number: ‘33’

In twee rijen boven elkaar. Prent uit het boek 'Omnium pene Europae, Asiae, Aphricae atque Americae gentium habitus...', 1581. De prent maakt deel uit van een album.
Amphora-shaped perfume bottle
Object type: bottle, amphora
Date: 1390 – 1336
Materials: glass
Location: egypt

The tall ovoid vessel has a long neck, a pedestal foot, and four vertical pommel handles. The dark blue body color is attributable to cobalt, which provides a deeper blue than the alternative copper based colorant. Canes of white, yellow and turquoise were applied, dragged, and marvered (smoothed) to create three zones of decoration, gradually relaxing from top to bottom: tight chevrons on the neck, broader chevrons between the shoulder and waist, and shallow festoons around the hip. Twisted white and blue canes have been applied to create striped top and bottom rims, and twisted yellow and blue canes where the body joins the foot. The manufacture of glass vessels was a new art form in Eighteenth Dynasty Egypt. Egyptian craftsmen quickly perfected the art of winding molten glass around a core to form perfume bottles, cosmetic vessels, and drinking cups. Extensive remnants of the manufacture of glass vessels have been found at both the palace city Malqata of King Amenhotep III and the new capital at Amarna built by his son Akhenaten that point to the cultivation of this luxury craft at these courts. Although the origin of this vessel is unknown, the form and decoration belong to this period. Features continue from the first reign to the second, but it has been suggested that the striped edgings, the dark blue color, and the pommel handles are more frequent at the earlier site of Malqata.
Personificatie van hoop zittend met kruis
Object type: print
Date: 1824 – 1875
Materials: paper
Techniques: engraving
Location: netherlands
Artist: lubertus teunis van deth
Artist role: draughtsman, print maker
Artist dates: 1814 – 1875
Subjects: hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues
Inscriptions: collector's mark: Lugt 2228
Vrolijk gezelschap
Object type: drawing
Date: 1763 – 1826
Materials: ink, paper
Techniques: brush
Artist: abraham van strij (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1753 – 1826
Panel from a Mantle or Apron
Object type: panel
Date: 1601 – 1633
Materials: cotton, silk
Techniques: embroidery, weave
Location: india
Subjects: animals,men,horses

A distinctive group of Bengal embroideries made between the mid-sixteenth and mid-seventeenth century are embroidered with the yellowish white silk known as tasar, one of several types of the wild (i.e., uncultivated) silk that was abundant in eastern India. They incorporate highly imaginative imagery including sea creatures, mermaids, scenes from the Bible, European figures, animals, and hunters drawn from a mixture of European engravings and local traditions. Several examples include Portuguese coats of arms and must have been made for the Portuguese traders who had settled on the western coast of India, but these embroideries were also prized in England.
Stock
Object type: stock
Date: 1830 – 1830
Materials: leather, metal, silk
Culture: american
Portret van Jurianus Hensbergen van Hoogstraten
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: historical persons (+ half-length portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een bril. Onder het portret zijn signatuur.