deem-data/ArtiFact huggingface dataset:
Spring
Object type: print
Date: 1829 – 1829
Techniques: mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: windmills,horses,landscapes,spring,farmers

In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Portret van een zittende man
Object type: album leaf
Date: 1855 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: utrecht
Artist: johannes peter metzger
Artist role: fotograaf
Artist dates: 1830 – 1867
Subjects: historical persons
Inscriptions: inscription: ‘J.P. Metzger/ Photographe/ Utrecht’
Earring, boat-shaped
Object type: earring, boat shaped
Date: 7000 – 330
Materials: gold
Caricature of Georges-Auguste Couthon (called Aristide, 1756-1794), President of the Convention in 1793, on the way to the guillotine on July 28, 1794 (10 Thermidor, An II)
Object type: drawing
Date: 1794 – 1794
Materials: chalk, ink
Techniques: pen
Location: france
Artist: baron dominique vivant denon
Artist role: artist
Artist nationality: french
Artist dates: 1747 – 1825
Subjects: men,portraits
Vase Fragment
Object type: vase fragment
Date: 100 – 100
Materials: terracotta
Culture: roman
Subjects: horses

Battle scene. Signed by Rasinius as owner of the pottery.
Panorama van de Wereldtentoonstelling van 1905 in Luik
Object type: photomechanical print
Date: 1905 – 1905
Materials: paper
Techniques: photograph
Location: liège
Subjects: world fair, world exhibition, prospect of city, town panorama, silhouette of city, liège
Inscriptions: inscription: ‘Procédé breveté’

Deze prent maakt deel uit van een omslag met 16 prenten.
Rien n'est si joli que la fable, si triste que la vérité!, plate 30 from the suite Les Lorettes, published in "Le Charivari"
Object type: print
Techniques: lithograph
Artist: paul gavarni
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1866
Subjects: women
Provincie Zeeland. Schouwen en Duiveland / XXVII
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: hand coloring
Location: netherlands
Subjects: folk costume, regional costume

Klederdracht van de eilanden Schouwen en Duiveland in Zeeland. Vrouwen op de markt. Illustratie in een boek uit 1857 met 56 platen van Nederlandse klederdrachten.
Damschijf met voorstelling
Object type: sculpture
Date: 1675 – 1700
Materials: wood
Location: germany

Opschrift 'SIC.COECVS.OBERRAT. ', afbeelding van een buste op een sokkel met twee hoofden. Op het één hoofd een vlam en het andere hoofd is de neus dichtgenepen door een knijper. Op d achterkant 'PROVIDE.ET.PRUDENTER'., afbeeldinge van een geblinddoekte putti.
Kosode Fragment
Object type: piece from a kosode
Date: 1615 – 1868
Materials: textile
Techniques: damask
Culture: japanese
Extract uijt 't Groot Memoriaal ter Secretarij berustende, Aangaande de aanstelling van de Compagnien der Soldaten dezer Steede
Object type: document
Date: 1701 – 1800
Materials: ink, paper
Techniques: pen
Location: northern netherlands
Artist: Anonymous
Subjects: military service, the hague
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Landmacht: Gebouwen / Herinneringen aan officieren, stadssoldaten / Nationale militie / (diverse korpsen) / Padvinders / Parade.
Ex libris van Kristen Rasmussen
Object type: bookplate
Date: 1877 – 1919
Materials: paper
Techniques: etching
Location: switzerland
Artist: fritz mock
Artist role: painter, print maker
Artist dates: 1867 – 1919
Subjects: woman (showing herself) undressed, quasi-nude, penis, phallus
Inscriptions: inscription: ‘Ex.dr. Klüber / Fritz Mock (Schweiz)’
Portret van Pierre-François Hebbelynck op bidprent
Object type: prayer card
Date: 1871 – 1871
Materials: cardboard, paper
Techniques: albumen print, letterpress printing
Location: ghent
Subjects: mayor, burgomaster, historical persons, old man
Inscriptions: inscription: ‘Beernaert Frères, phot.’, inscription: ‘Le juste qui marche dans le sentier droit (...) R.I.P.’
Funerary Cone of Djehutymose
Object type: cone, rectangular 2 impression, djehutimose, wab priest
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs

This funerary cone has the impression of two seals inscribed for a man named Djehutimose who was a chief wab priest of Amun. For two cones with the same impression, see 15.2.41 and 13.180.71.
Ewer with Dragon
Object type: wine pot
Date: 1867 – 1900
Materials: porcelain
Techniques: underglaze
Culture: japanese
Artist: makuzu kōzan i (miyagawa toranosuke)
Artist role: artist
Artist nationality: japanese
Artist dates: 1842 – 1916
Subjects: dragons
Silver ring
Object type: ring
Date: 434 – 401
Materials: silver
Culture: greek
Subjects: hermes
Octagonal, 'gu'-shaped beakervase with flowering plants and figures in a fenced garden in panels
Object type: vase
Date: 1800 – 1899
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

When the fashion for lavishly decorating interiors with porcelain arose around 1700, so-called garnitures were designed in sets of five or sometimes seven lidded jars and trumpet vases. They were used as display pieces on mantels or cabinets, but this later, large set served as decoration in a fireplace when it was not in use during the summer.
Piece
Object type: piece
Date: 1695 – 1705
Materials: cotton, linen, silk
Gezicht op het Kwakersdwarspad met molen Koning Salomon
Object type: drawing
Date: 1837 – 1900
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: albert martin
Artist role: draughtsman
Artist dates: 1827 – 1900
Subjects: city-view in general; 'veduta', road, path, windmill in landscape, small canal, ditch
Inscriptions: inscription: ‘Kwakers / Dwarspad Molen Koning Salomon / Atlas D.C. Meijer Jr 711’, inscription: ‘Port. 9-215’, signature: ‘AMartin f’, collector's mark: ‘9’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kadijksplein, Karthuizerkerkhof, Kattegat, Kattenburg, Kapelsteeg O.Z., Enge Kerksteeg, Kerkstraat, Kinkerstraat, Kolk O.Z., Koningsplein, Kromboomsloot [Krom Boomssloot], Kostverlorenkade, Kwakersdwarspad, Kalverstraat, Keizersgracht (v.d. Brouwersgracht – Amstel), Klerensloot (Gedempte), Klimopstraat, Kloveniersburgwal, Kraansluis.
Mediterranean landscape (recto); Mountains (verso)
Object type: drawing
Date: 1830 – 1864
Materials: graphite
Artist: alexandre calame
Artist role: artist
Artist nationality: swiss
Artist dates: 1810 – 1864
Subjects: mountains,landscapes
At the Café (unpublished plate)
Object type: print
Date: 1874 – 1874
Materials: paper, ivory
Location: france
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Snuffers tray
Object type: snuffer tray
Date: 1777 – 1778
Materials: silver
Artist: charles aldrich
Artist role: maker
Artist dates: 1775 – 1775
Blinjoe. Mijn 25. Spoelend grondverzet. Door middel van een snellen waterstroom geleid door een houten damwand wordt het grondverzet per man tot 20 a 35 m3 per dag ingevoerd (Kot nai pic)
Object type: photograph
Date: 1907 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, opencast mine; strip mining, minerals and metals: tin
Inscriptions: label: ‘Blinjoe. Mijn 25. Spoelend grondverzet. Door middel van een snellen waterstroom geleid door een houten damwand wordt het grondverzet per man tot 20 a 35 m3 per dag ingevoerd (Kot nai pic)’

Afspoelen van tinertshoudend grond in een open mijn van de Banka-tinwinning te Belinyu (Blinjoe). Onderdeel van het fotoalbum over de Banka-tinwinning, ca. 1907-1919.
Gezicht op de Weesperpoort in Amsterdam
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: windmill in landscape, city-gate

Prent uit: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam, Pieter Schenk (I), [1710-1711]. Of: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam, Barent Greve, [1757-1766], prent nummer 39.
In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
Relief with the torso of the queen
Object type: talatat, queen's torso
Date: 1353 – 1336
Materials: limestone, paint
Earring, End Projections and Gem
Object type: earring
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Studie
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: paris
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 2 recto uit schetsboek L met 42 bladen.
Norbertus Petrus van den Berg president van de Nederlandsche Bank 1889
Object type: history medal
Date: 1889 – 1889
Materials: bronze
Techniques: striking

Bronzen penning, op de voorzijde het portret van Van den Berg naar rechts met omschrift, op de keerzijde negen regels tekst tussen samengestrikte lauwertakken.
T.C. Burns, 3rd Base, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Piece
Object type: piece
Date: 1734 – 1766
Materials: silk
Subjects: flowers,leaves
Utrecht
Object type: medal
Date: 1815 – 1830
Materials: bronze
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: eemland

Eenzijdige bronzen penning. Voorzijde: wapenschild binnen bladerkrans en omschrift. Keerzijde: blanco
Pipa (琵琶 )
Object type: pipa
Date: 1567 – 1633
Materials: bone, ivory, silk, wood
Culture: chinese
Location: china
Subjects: animals,birds,men,flowers

The pear-shaped lute slowly migrated from Central Asia into China during the Han and Sui dynasties (1st-7th century). It eventually became the pipa; the term describes the original playing motion of the plectrum held in the performer's right hand: p'i, "to play forward" (toward the left), and p'a, "to play backward" (toward the right). Until the mid-tenth century, the pipa was held horizontally (guitar style), and its twisted silk strings were plucked with a large triangular plectrum. Toward the end of the Tang dynasty, musicians began using their fingernails to execute the exuberant and programmatic repertory that was gaining popularity and that became the national style. To facilitate the use of the fingers, the instrument began to be held in a more upright position. In addition to its use in the opera and in storytelling ensembles, the pipa has a solo repertory of highly programmatic, virtuosic music. The spectacular back and sides of this unique Ming-dynasty instrument feature more than 110 hexagonal ivory plaques, with thinner bone plaques on the neck. Each plaque is carved with Taoist, Confucian, or Buddhist figures and symbols signifying prosperity, happiness, and good luck. These include images of various gods and immortals, such as Shou Lao, the Daoist god of longevity, who is shown with a prominent forehead on the single plaque at the very top. When the instrument is played, this expert workmanship remains unseen by the listener, as the back faces the player. The front is relatively plain but shows signs of use. The ivory string holder bears a scene featuring four figures and a bridge; an archaic cursive inscription; and, at the lip, a bat motif with leafy tendrils. Above the lower frets, two small insets depict a spider and a bird, and just before the rounded upper frets, a trapezoidal plaque portrays two men, one with a fish. The finial repeats the bat (good luck) motif.
The Actor Maximilian Korn in a Landscape
Object type: painting
Date: 1828 – 1828
Materials: oil, paint, panel, wood
Techniques: painting
Location: austria
Artist: ferdinand georg waldmüller
Artist nationality: austrian
Artist dates: 1793 – 1865
Subjects: portraits: male subject, water, trees, sun, sky, rocks, portraits, portrait, mountains, mountain, man, light, landscapes, landscape, clouds, bushes, book, actors (performing artists)
Inscriptions: Inscribed lower right: Waldmüller 1828

This portrait’s sitter, a famous Viennese actor named Maximilian Korn, poses elegantly in fine garments with his finger holding his place in a book, as if he has just been interrupted while reading. Artist Ferdinand Georg Waldmüller, no stranger to the theater himself, honed his skill as a painter by copying well-known works in Dresden, Rome, and Vienna while on tour with his wife, Katharina Weidner, a successful opera singer. Here, Waldmüller updated the traditional Renaissance portrait with a landscape background by integrating the sitter into his organic surroundings: Korn leans on a mossy rock and basks in the same sunlight that illuminates the distant mountains.
Gezicht op het oude paleis van justitie
Object type: book illustration
Date: 1825 – 1825
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: square, place, circus, etc., court building, brussels
Inscriptions: collector's mark: Lugt 2233

Prent gebruikt in: Cloet, J.J. de. Voyage pittoresque dans le royaume des Pays Bas (...). Brussel: Jean Baptist Ambroise Marcellin Jobard, 1825. Afleveringen voor deze publicatie verschijnen vanaf 1822. In 1825 zijn er onder deze titel twee banden vervaardigd. Wegens succes krijgt de publicatie een vervolg onder de titel 'Châteaux et monumens des Pays-Bas faisant suite au voyage pittoresque'.
Kaart met de verdedigingswerken aan de IJssel en de Waal
Object type: map
Date: 1882 – 1882
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: maps of separate countries or regions, river, dikes, levee, gelderland
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘Koninklijke Militaire Akademie’
True Verses about Lino Zamora
Object type: print
Date: 1911 – 1911
Materials: paper
Techniques: engraving, etching, relief
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Marmeren beeld van een gesluierde vrouw in een hooggesloten jurk met een staf in haar rechterhand.
Object type: photograph
Date: 1878 – 1881
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: louis-emile durandelle
Artist role: fotograaf
Artist dates: 1839 – 1917
Inscriptions: number: ‘27’, number: ‘20’

bij boek in Bibliotheek RMA, Zie Frizot, pp. 217-223, vgl G. Vicaire, Manuel de l'amateur de livres du XIXe siècle, vol. 3, column 870.
Panorama van de Slag bij Waterloo, 1815
Object type: print
Date: 1815 – 1816
Materials: paper
Techniques: etching, letterpress printing
Location: netherlands
Subjects: amsterdam, painter, print maker, draughtsman, publisher, evert maaskamp, panorama, cyclorama, picture, painting, battle (+ land forces), waterloo

Panorama van de Slag bij Waterloo van 18 juni 1815. Panorama opgericht door Evert Maaskamp op het Leidseplein te Amsterdam. Ronde voorstelling van de slag, met genummerde details, daarbinnen in acht compartimenten de legenda 1-94. Boven een beschrijving van de veldslag, onder een beschrijving van het panorama en van het bezoek van de prins van Oranje aan het schilderij.
Lappets (one of a pair)
Object type: lappet
Date: 1701 – 1800
Techniques: lace
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, unidentified subject; Exterior, on the left, plektron?; lower body of draped male to left; tendrils from circumscribed handle palmette
Marskramer
Object type: print
Date: 1733 – 1792
Materials: paper
Techniques: etching
Location: paris
Subjects: monkeys, apes, animals acting as human beings, merchant, salesman
Inscriptions: collector's mark: Lugt 2228, number: ‘9.’

Maakt waarschijnlijk deel uit van een twaalfdelige serie getiteld 'Singeries ou differentes Actions de la Vie humaine', met apenspelen. De serie bestaat uit twee delen met elk twaalf platen en een opdracht. Deze serie is opgedragen aan het publiek (Au Public). Het andere deel werd opgedragen aan Monsieur de l'Orme van de Ménagerie de Versailles.
De serie werd initieel uitgegeven door Guélard en de weduwe van Chéreau. Dit betreft waarschijnlijk een door het IFF onbeschreven latere staat, uitgegeven door Étienne Charpentier.
Deez' bybelprent toond u 't aardsvaderlyk geslagt / En hoe Gods oude volk Egijpt' werd uitgebragt
Object type: print
Date: 1795 – 1819
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: moses is pulled out of the water by the servants, old testament, the dream of jacob: while sleeping on the ground with a stone for pillow jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with god at the top of the ladder, passage through the red sea
Inscriptions: collector's mark: Lugt 2228

Blad met 16 voorstellingen van verhalen uit het Oude Testament, waaronder Jakobs droom, Mozes die wordt gevonden en de doortocht door de Rode zee. Onder elke voorstelling een tweeregelig vers en een verwijzing naar de bijbehorende Bijbeltekst. Genummerd rechtsboven: No. 20.
The Propagation of a Lie
Object type: cartoon
Date: 1787 – 1787
Materials: paper
Techniques: etching, engraving
Location: london
Inscriptions: collector's mark: Lugt 2228

Een fries met een opeenvolging van achttien figuren, allemaal mannen. Hun gebaren en uitdrukkingen duiden op plezier, verbazing of afschuw. Boven het hoofd van elke persoon zijn de woorden gegraveerd die hij uitspreekt.
Manuscript Version of “The Chronicle of Great Peace”
Object type: book
Date: 1701 – 1800
Materials: ink, paper
Culture: japanese
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, left shoulder and forearm of figure holding a sheep or goat?
Scarab from a Ring
Object type: scarab with remains of ring wire
Date: 1850 – 1775
Materials: lapis lazuli
Location: egypt
Subjects: scarabs

This scarab is part of a group of objects found in tomb V21 at Abydos. The group includes 04.18.1–04.18.49.
Saucer
Object type: saucer
Date: 1785 – 1790
Materials: porcelain
Culture: chinese
Location: china
Subjects: coat of arms
Heilige Rochus
Object type: print
Date: 1560 – 1586
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the confessor and pilgrim roch(us) (rocco, rock) of montpellier; possible attributes: angel (with ointment box or spoon), dog (sometimes with loaf), (pointing at) plague-spot on thigh, pilgrim's shell, staff, hat and wallet
Inscriptions: collector's mark: Lugt 240

De H. Rochus als pelgrim. Een engel links van hem toont de zweer op H. Rochus zijn rechterbeen. Rechts een hond.
Fotoreproductie van mozaïek met duiven in de Capitolijnse Musea te Rome
Object type: album leaf
Date: 1857 – 1875
Materials: paper
Techniques: albumen print
Location: capitolijnse musea
Artist: james anderson
Artist role: fotograaf
Artist dates: 1813 – 1877
Subjects: doves, pigeons
Inscriptions: inscription: ‘1746. Musaico dei Piccioni M. Cap. Anderson’
Portret van Isaac Scott op zijn overlijdenskaart
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: scotland
Artist: Anonymous
Subjects: mourning card, death notice, obituary, historical persons
Inscriptions: inscription: ‘In Affectionate Remembrance of/ Mr Isaac Scott,/ who died at Catherine Bank, Morningside,/ JANUARY 10th 1869./ AgGED 78 YEARS./ IN MUCH SORROW YET IN BLESSED HOPE./ Wm. Weddell, 48 South Bridge, Edinburgh.’
Kerktorens, een schoorsteen en landarbeidsters
Object type: sketchbook leaf
Date: 1892 – 1893
Materials: paper, pencil
Artist: alfred william rich
Artist role: draughtsman
Artist dates: 1856 – 1921
Subjects: chimney, working class, labourers, parts of church exterior and annexes: tower
Inscriptions: annotation: ‘Rosenthal/ chimney’

Blad 73 recto uit een schetsboek met 86 bladen.
Fibula or pin
Object type: fibula or pin
Date: 7000 – 330
Materials: bronze
Torino. Castello Medioevale
Object type: ansichtkaart, prentbriefkaart
Date: 1908 – 1930
Materials: photographic support
Techniques: photography
Location: turin
Subjects: castle
The Lycian Saloon, British Museum
Object type: stereograph
Date: 1850 – 1859
Techniques: albumen silver print, glass negative
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: sculpture,museums
Buste van een zwarte man
Object type: drawing
Date: 1854 – 1886
Materials: ink, paper
Techniques: pen
Artist: roberto fontana
Artist role: draughtsman, print maker
Artist dates: 1844 – 1907
Subjects: africans, male sex; man
Tea caddy (part of a set)
Object type: tea caddy
Date: 1765 – 1770
Materials: copper, enamel
Techniques: painting, polychrome
Subjects: animals,landscapes,shepherds
Ducking a Scold
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,cats

A woman is lowered into a body of water, seated in a chair, while a group of people watch in amusement from above.
Telling His Story
Object type: stereograph
Date: 1900 – 1907
Materials: paper, cardboard
Techniques: hand coloring
Location: yokohama
Artist: t. enami
Artist role: publisher
Subjects: speaking, flowers: lily, japan
Fotoreproductie van fresco Venus en Psyche door Rafaël in het Farnesina te Rome
Object type: reproduction
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Location: villa farnesina
Artist: domenico anderson
Artist role: fotograaf
Artist dates: 1854 – 1939
Subjects: picture, painting
Inscriptions: inscription: ‘1172 VENERE MOSTRA PSICHE A MERCURIO DI RAFFAELE’
Looking Glass
Object type: looking glass
Date: 1795 – 1800
Materials: wood
Techniques: veneering
Culture: american
Location: united states
Artist: james stokes
Artist role: retailer
Artist nationality: american
Artist dates: 1752 – 1831

The backboard of this looking glass retains a label from the shop of James Stokes. Stokes was a merchant who sold looking glasses made by local Philadelphia cabinetmakers at the dry goods store he established at the corner of Front and High Street in 1791.
1384 / Willem Beukelszoon van Biervliet vindt het haringkaken uit
Object type: drawing
Date: 1893 – 1895
Materials: ink, paper, pencil
Techniques: pen
Location: netherlands
Artist: johan huizinga
Artist dates: 1872 – 1945
Subjects: herring fishery, burgundian netherlands
Inscriptions: collector's mark: Lugt 2228

Willem Beukelszoon van Biervliet vindt het haringkaken uit, 1384. Onderdeel van de map met 18 tekeningen gereproduceerd in Johan Huizinga's 'Keur van gedenkwaardige tafereelen uit de vaderlandsche historiën' uit 1950.
Bust of a gentleman
Object type: bust
Date: 1830 – 1840
Materials: marble
Artist: john gibson
Artist role: artist
Artist nationality: british, born wales
Artist dates: 1790 – 1866
Subjects: men,portraits
Midnatsol ved Hammerfest
Object type: photograph
Date: 1897 – 1897
Materials: cardboard, paper
Techniques: albumen print
Location: hammerfest
Artist: anthon kalland
Artist role: painter
Artist dates: 1856 – 1933
Subjects: dawn
Inscriptions: inscription: ‘Eneret’, number: ‘Nr. 207.’
Servet van linnendamast met een voluutpatroon
Object type: napkin
Date: 1723 – 1730
Materials: linen
Location: northern netherlands

Wit linnendamasten servet met patroon van voluten, merk: kroon WG 26.