deem-data/ArtiFact huggingface dataset:
Cushion Cover
Object type: cushion cover
Date: 1701 – 1800
Materials: metal thread, silk
Culture: chinese
Subjects: dragons
Portret van Anna Paulowna Romanowa
Object type: print
Date: 1840 – 1863
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: anna paulowna romanowa
Inscriptions: collector's mark: Lugt 2165

Portret van Anna Paulowna. In de ondermarge haar naam en titel.
Willem III, prins van Oranje-Nassau
Object type: history medal
Date: 1806 – 1827
Materials: silver
Techniques: striking
Location: dublin
Artist: william stephen mossop
Artist role: medailleur
Artist dates: 1788 – 1827
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland)

Zilveren penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: gekroond wapenschild geflankeerd door gekroonde leeuw en eenhoorn binnen omschrift
Klapmuts bowl with a rock, flowering plants and flower sprays
Object type: bowl
Date: 1600 – 1649
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Klapmutskom gedecoreerd in onderglazuur blauw, met in het plat bloeiende planten en bamboe bij een rots, en een decoratie in vakken met bloeiende planten en geluksymbolen op de wand en rand.
Leporelloalbum met 12 foto's
Object type: accordion book
Date: 1930 – 1930
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Inscriptions: inscription: ‘Dienst Verspreide Rijkskollekties (...)’

Album met 12 portretten op een leporello.
Quite embarrassing not to remember where one has hidden the wolf traps, plate 44 from Pastorales
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Shichirigahama in Sagami Province (Sōshū Shichirigahama), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: mountains,landscapes

The aizuri technique, a printing process in which Prussian blue dominates a print's color scheme, gained great popularity in the first third of the nineteenth century and was used by Hokusai to fashion this print. Bathing the print in a veil of blue tones, this process helps to create a cohesive, unified composition.
Newes Modelbuch in Kupffer  (Page 30r)
Object type: book print ornament architecture
Date: 1604 – 1604
Techniques: etching
Artist: johann sibmacher
Artist role: artist
Artist nationality: german
Artist dates: 1590 – 1611
Subjects: ornament

Designed by Johann Sibmacher, German, active 1590-1611. 2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs.
Le Nouveau Paris
Object type: stereograph
Date: 1850 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: bal bullier
Artist: charles gérard
Artist role: fotograaf
Subjects: night-club, dance-hall, interior ~ representation of a building
Inscriptions: inscription: ‘Bal Bullier Paris’
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1767 – 1833
Materials: gold alloy, gold
Culture: japanese
Location: japan
Subjects: horses
Arbeiderswoningen
Object type: sketchbook leaf
Date: 1874 – 1875
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: cottage

Blad 5 verso uit een schetsboek met 46 bladen.
Plate with an old man and his attendant among perious objects
Object type: plate dish
Date: 1725 – 1749
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Bord van dun porselein, bedekt met een roze glazuur in beschilderd op het glazuur in blauw, rood, roze, groen, geel, zwart en goud. Op het plat een gezeten oude man tussen gelukssymbolen, naast hem een bediende met een bloemenmand; de rand met vier bloemtakken. De achterzijde is bedekt met een roze glazuur. Famille rose met een ruby back.
La Musique / De Zangkunde
Object type: text sheet
Date: 1693 – 1693
Materials: paper
Techniques: letterpress printing
Location: amsterdam

Verklaring van de prent met de voorstelling van de personificatie van Muziek in het Frans en het Nederlands, pagina 14. Tekstblad maakt deel uit van een album.
Miners' bridge on the Llugwy
Object type: page
Date: 1859 – 1859
Materials: paper, photographic support
Techniques: albumen print, printing
Location: wales
Subjects: river, bridge
Inscriptions: number: ‘Stereograph No. 6.’
Egyptische sculptuur
Object type: photograph
Date: 1870 – 1890
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture
Design for Three Bookcabinets Two Adorned with Eagles and Snakes, the other with Masks, Flames and Grotesques
Object type: drawing
Date: 1801 – 1833
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: eagles,books,snakes,cabinets
Foto uit archief Jan Veth
Object type: photograph
Date: 1900 – 1916
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: the hague, louise catharina gorter-cnoop koopmans, dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, interior of the house, picture, painting, pianoforte, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’
Jar
Object type: vessel
Date: 101 – 300
Materials: glass
Techniques: glassblowing
Culture: roman
Location: syria
Portret van Ahmed I, II of IV, sultan van het Ottomaanse Rijk
Object type: book illustration
Date: 1600 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: sceptre, staff (symbol of sovereignty), head-gear: turban

Portret van Ahmed I, II of IV in een cirkelvormige omlijsting. Hij draagt een tulband en een scepter. In een kader zijn naam en titel. Linksboven: 18.
Gezicht op het Sinaïgebergte
Object type: photograph
Date: 1870 – 1875
Materials: photographic support
Techniques: albumen print
Location: sinai
Subjects: mountain-range, snow peaks
Inscriptions: annotation: ‘Range of Mount Sinaï’
Horse bit cheekpiece in form of addorsed bird heads
Object type: horse bit cheekpiece
Date: 800 – 601
Materials: bronze
Culture: iranian
Location: western iran
Subjects: birds
Portret van Frederik Willem IV van Pruisen
Object type: print
Date: 1840 – 1899
Materials: paper
Techniques: relief engraving
Artist: Anonymous
Subjects: berlin, frederik willem iv (koning van pruisen), ornament ~ medallion, historical persons, king
Portret van Johann Ulrich Hildebrand
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: augsburg, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 9
Gezicht op het Kasteel van Chillon aan het meer van Genève bij Montreux
Object type: glasdia
Date: 1907 – 1935
Materials: glass, ink, paper
Techniques: gelatin silver transparency
Location: lake geneva
Artist: Anonymous
Subjects: castle, lake
Beelden van Osiris en andere Egyptische goden in het Boulaq Museum in Caïro, Egypte
Object type: page
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Location: cairo
Subjects: statues, paintings, etc. ~ objects of worship (egyptian religion), osiris, god of the underworld, permanent exhibition, museum
Plattegrond van een zaal
Object type: print
Date: 1753 – 1804
Materials: paper
Techniques: etching
Location: france
Subjects: plan ~ architecture
Inscriptions: collector's mark: Lugt 2228
Ring with box setting
Object type: ring with box setting
Date: 7000 – 330
Materials: gold
Gezicht op de resten van een boerderij in La Courneuve na de verwoesting door de Commune van Parijs
Object type: photograph
Date: 1871 – 1872
Materials: photographic support
Techniques: albumen print
Location: la courneuve
Artist: alphonse-justin liébert
Artist role: fotograaf, marinier
Artist dates: 1827 – 1914
Subjects: ruin of a building ~ architecture, farm (building)
Inscriptions: number: ‘(No. 98)’, address: ‘31, Rue St. Lazare’
Koe in een landschap
Object type: sketchbook leaf
Date: 1881 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: cow

Blad 3 verso uit een schetsboek met 29 bladen.
Vase fragment
Object type: vase fragment
Date: 700 – 601
Materials: terracotta
Culture: east greek

Fragment of a kantharos with part of the handle root.
Twee personen in een interieur, mogelijk Maria de Medici en kardinaal de Richelieu
Object type: drawing
Date: 1833 – 1890
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: johan coenraad leich
Artist role: draughtsman, print maker
Artist dates: 1823 – 1890
Subjects: cologne, print maker, maria de' medici, armand-jean du plessis hertog van richelieu, interior of the house
Inscriptions: collector's mark: Lugt 2228

De man, mogelijk kardinaal de Richelieu, zit in een stoel. Naast hem staat een vrouw, mogelijk Maria de Medici. In de achtergrond spiekt een man van achter een gordijn naar de twee personen.
Portret van prinses Adélaïde d'Orléans
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Uitnodiging voor een diner van Les Amis de l'Art Japonais, 28 april 1906
Object type: invitation
Date: 1904 – 1906
Materials: paper
Techniques: woodcut
Location: france
Artist: prosper-alphonse isaac
Artist role: draughtsman, print maker
Artist dates: 1858 – 1924
Subjects: kitchen-utensils, containers
Inscriptions: collector's mark: Lugt 2228

Soepketel en handdoek. Uitnodiging voor een diner van Les Amis de l'Art Japonais, 28 april 1906.
Snuffbox
Object type: snuffbox
Date: 1762 – 1762
Materials: enamel, gold
Artist: jean marie tiron (called tiron de nanteuil)
Artist role: maker
Artist nationality: french
Artist dates: 1748 – 1793
Subjects: animals,children,women

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Gezicht op de kade van Menton
Object type: photograph
Date: 1852 – 1862
Materials: photographic support
Techniques: albumen print
Location: menton
Artist: louis-alphonse davanne
Artist role: fotograaf, scheikundige
Artist dates: 1824 – 1912
Subjects: façade (of house or building), quay
Het brullen van een woedende, wanhoopige en vernederde Patriot (...) November Ao. 1787 / Weerklank op de nevenstaande Godvergeete Lasterende Dichtregelen (...)
Object type: text sheet
Date: 1787 – 1787
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: herstel van stadhouder willem v (1787)
Inscriptions: collector's mark: Lugt 2228

Blad met een spotvers op de val van de patriotten na het herstel van de prins van Oranje in 1787. Links de klacht van de vernederde patriot, rechts het oranjegezinde antwoord in de vorm van een weerklank.
Brougham #3173
Object type: drawing
Date: 1875 – 1875
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Christiania
Object type: carte de visite
Date: 1879 – 1906
Materials: cardboard, paper
Techniques: albumen print
Location: oslo
Artist: olaf martin peder væring
Artist role: fotograaf
Artist dates: 1837 – 1906
Subjects: lower house, parliament, chamber
King of Clubs, from Harlequin Cards, 2nd Series (N220) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: kings,playing cards

Playing cards issued as trade cards from the "Harlequin Cards, 2nd Series" (N220), issued in 1889 to promote Kinney Tobacco Company.
Reproductions from Works by Famous Japanese Artists of Chinese School
Object type: illustrated book
Date: 1818 – 1818
Materials: ink, paper
Culture: japanese
Artist: sesshū tōyō 雪舟等楊
Artist role: artist
Artist nationality: japanese
Artist dates: 1420 – 1506
Subjects: houses,mountains,trees
Gezicht op een brug over een water, mogelijk in een park
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: public gardens, park, amsterdam
Inscriptions: address: ‘Water 110 Amsterdam’
Visitekaartje van drukker Pierre Vande Steene te Gent
Object type: visiting card
Date: 1841 – 1854
Materials: porcelainized cardboard
Techniques: lithograph
Location: ghent
Artist: pierre vande steene
Artist role: print maker, printer
Subjects: coat of arms (as symbol of the state, etc.), railway, train, cupids: 'amores', 'amoretti', 'putti', prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Gezicht op de stad Gent met in de voorgrond een stoomtrein, in decoratieve omlijsting met zes putti waarvan de onderste twee het wapen van België vasthouden.
Tempel voor Nederland, 1794
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan gerritsz. visser
Artist role: print maker, publisher
Artist dates: 1745 – 1821
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues, allegorical representations ~ religion; 'religione', 'religione de ss. mauritio e lazaro', 'religione vera christiana' (ripa), bee-hive, extinct, 'historical' peoples, freedom, liberty; 'libertà' (ripa) (+ abstract concept represented by female figure), moses on mount sinai with the tables of the law (exodus 24:9-18, 31:18)
Inscriptions: collector's mark: Lugt 2228

Allegorisch monument in de vorm van een tempel met centraal de tronende Bataafse Vrijheid tussen Godsdienst, Rechtvaardigeid, Mozes met de wetstafelen en een Batavier. Het voorportaal van de tempel is behangen met portretten van historische helden en patriotten. Voor de troon de Hoop en de Dankbaarheid met vier kinderen (Koophandel, Kunst, Landbouw en Visserij) met een bijenkorf. Links en rechts van de tempel staan twee Batavieren als wachters. Ter weerszijden zuilen waaraan medaillons hangen met voorstellingen van belangrijke gebeurtenisen uit de vaderlandse geschiedenis. Bij de prent behoort een verklaring.
Design for 2 seat Phaeton, no. 3036
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Untitled
Object type: photograph
Date: 1853 – 1853
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, male, portraits, portraits: male subject, portraits: multiple subjects
Landschap met boomstammen
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Subjects: forest, wood
Inscriptions: monogram: ‘BX’
Leucoderma
Object type: page
Date: 1870 – 1881
Materials: paper
Techniques: photograph, hand coloring
Location: new york city
Subjects: adult woman, skin and venereal diseases
Vase (vase hollandois nouveau ovale) (one of a pair) (part of a set)
Object type: vase
Date: 1763 – 1763
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: putti,flags

This model of vase is made in two parts. The flared upper section would have contained earth for growing plants; the lower section held water. Small holes in the base of the upper section allowed the water to be absorbed. These two vases formed a garniture with the slightly earlier vase, "vase Boileau" (50.211.158a, b), and were owned by Prince Henry of Prussia.
Model Ax from the Foundation Deposit for Hatshepsut's Tomb
Object type: model ax
Date: 1479 – 1458
Materials: bronze, copper alloy, wood
Location: egypt
Gezicht op Velsen, 1630
Object type: print
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior), dog
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 50.
Plate 14: Erichthonius Released from his Basket (Erichtonius cistella laxata cernitur), from Ovid's 'Metamorphoses'
Object type: print
Date: 1606 – 1606
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: infants,women,serpents,baskets
Openbare voorlezing van enige Psalmen in de nieuwe berijming, 1773
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: mauritshuis

Openbare voorlezing van enige Psalmen in de nieuwe berijming door de Commissie ter Verbetering van de Rijmpsalmen, in de vergaderzaal in het Mauritshuis op 1 oktober 1773.
Decoratieve weefpatronen
Object type: sketchbook leaf
Date: 1916 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: weaving

Blad 13 recto uit een schetsboek met 60 bladen.
Trade Card for J. Hasler, Writing & Historical Engraver
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.