deem-data/ArtiFact huggingface dataset:
Two Boys Watching Schooners
Object type: drawing and watercolor
Date: 1880 – 1880
Materials: graphite, ink, paint, paper, watercolor
Techniques: aquarelle
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: century of progress, children, people, boats, world's fairs, chicago world's fairs
Inscriptions: Signed recto, lower left, in graphite: "Homer/1880"; on prow of boat, in watercolor: "HOMER"

Inscribed verso, center, in graphite: "M.K.W.C. 1025//Marblehead"

Created in 1880 during Homer's second visit to Gloucester, Massachusetts, Two Boys Watching Schooners shows two boys perched on an enormous rock, a vantage point from which they could keep an eye on the comings and goings of the fishing fleet. In this work, the artist juxtaposed the figures and shore (rendered in warm tones) with the cool blue tones of the harbor, sky and schooner. In this way, he emphasized the psychological isolation of those who waited on shore, hoping and watching for the safe return of those who made their living from the sea.
Ste. Rufine e Ste. Seconde, soeurs (St. Rufina and St. Seconda, Sisters), July 10th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: women,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Tijd onthult de Waarheid
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: 'natura' (allegorical figure or scene; or as diana of ephesus, with many breasts); 'natura' (ripa), time revealing truth; time carrying truth aloft, father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228

Tijd, een oude man met vleugels en een zeis, verjaagt de wolken voor een beeld van de natuur, voorgesteld als Diana van Efeze met in haar linkerhand een wereldbol.
Cupid
Object type: statuette
Date: 1501 – 1600
Materials: bronze
Subjects: cupid
Terracotta lekythos (oil flask) with centaur battling a warrior
Object type: lekythos
Date: 575 – 550
Materials: terracotta
Culture: greek, attic
Artist: painter of london b 31
Artist role: artist
Subjects: centaurs,warriors

The rare shape of this vase, the so-called Deianeira type, is characterized by its short concave mouth, ovoid body, and echinus foot. It is one of the earliest types of Attic lekythoi.
Fotoreproductie van twee anatomische tekeningen van een normaal oog
Object type: page
Date: 1871 – 1891
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: anatomy (non-medical), eyes
Inscriptions: inscription: ‘Fig. 5. Fond d'oeil normal Fig. 6. Fond d'oeil normal’
Dagger with Sheath
Object type: dagger with sheath
Date: 1801 – 1900
Materials: coral, gold, silver, steel, metal
Culture: bhutanese or sikkimese
Location: bhutan
Alexander Massaria Vicent. s Philosophiae Professor.
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: engraving
Location: padua
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228

Prent uit: Tomasini, Jacopo Filippo. Jacobi Philippi Tomasini Patavini Illustrium Virorum Elogia Iconibus Exornata (...). Padua: Donato Pasquardi, 1630, p. 165.
The Widows of Courrières
Object type: print
Date: 1909 – 1909
Materials: paper, ivory
Techniques: lithograph
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Namen en wapens in het vorstendom Gelre en het graafschap Zutphen, blad rechtsonder
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Location: low countries
Artist: wilhelmus ten haegh
Artist role: print maker
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Sculptuur van Heilige Joris
Object type: photograph
Date: 1880 – 1895
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: florence
Subjects: piece of sculpture, reproduction of a piece of sculpture, monument, statue
Inscriptions: number: ‘75.’

Sculptuur van de Heilige Joris te Florence, gemaakt door Donatello.
Gideon Elon, de derde echtgenoot van Isabel Wachenheimer, in een Nederlandse stad naast drie vrouwen in Nederlandse klederdracht en een onbekende man
Object type: photograph
Date: 1956 – 1970
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: gideon elon

Gideon Elon (eerste van links), de derde echtgenoot van Isabel Wachenheimer, in een Nederlandse stad naast drie vrouwen in Nederlandse klederdracht en een onbekende man.
Sanctuaire de Saint Anthelme a Chignin (Savoie)
Object type: page
Date: 1867 – 1877
Materials: photographic support
Techniques: albumen print
Location: chignin
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment
Adam and Eve before the Tree of Knowledge, from History of the First Parents of Man
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan saenredam
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1607
Inscriptions: Lettered lower center: "A. Bloemaert inve. / J. Saenredam sculp. 2"; and below image: "Iusserat auricomo nemus ... devia prona voluntas / Schreve."
Landschap met vissend paar aan een meer
Object type: print
Date: 1755 – 1755
Materials: paper
Techniques: etching
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), fishing (sports)
Inscriptions: collector's mark: Lugt 240
Ichneumon on a base with small cats, inscribed beneath base with the name of Padineith son of Isekhebi
Object type: amulet, ichneumon
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: animals

The ichneumon is a rodent, similar to a mongoose, that was associated with the gods Horus of Letopolis and Atum, and during the Late Period became associated with the goddess Wadjet through her cult at Buto being linked mythologically with that of Horus of Letopolis. Sometimes confused with the shrew mouse, which was also dedicated as a statuette, the ichneumon has a shorter snout, thick body, and smaller oval ears; its legs are straight and its tail droops down to touch the base below. On this example, small incised marks indicate the ichneumon’s fur. Two cats sit on either side of the ichneumon on a thin, long base, which is inscribed on its underside: "Wadjet gives life to Pedineith, son of Isemkebi." Similar ichneumons frequently adorn boxes that would have held small animal mummies, and could be dedicated to either Horus or Atum, but are also frequently found together with other animal statuettes related more broadly to solar cult, such as lizards, falcons, and shrew mice. The reason for the small cats on this example is not obvious; it may refer to an association of Wadjet and Bastet.
Gezicht op de collonade in het midden van de tempel van Luxor, Egypte (Egypte/Temple de Louksor, Vue générale des colonnades du milieu (Thèbes)
Object type: photograph
Date: 1872 – 1872
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: baalbek
Subjects: luxor
Inscriptions: signature: ‘Bonfils Phot.’, number: ‘182’, stamp: ‘Rijksschool voor Kunstnijverheid groep’, number: ‘Pl. 32’

Syrie/Porte du Temple de Jupiter (Pierre qui tombe)- (Balbek) Pl. 32.
Gezicht op Wernigerode met Kasteel Wernigerode
Object type: album leaf
Date: 1885 – 1891
Materials: photographic support, plant material
Techniques: albumen print
Artist: Anonymous
Subjects: city-view in general; 'veduta', castle, mountains
Inscriptions: annotation: ‘Schlosz Weringrode’, annotation: ‘den ganschen Harz. Jet/ heeft visioenen van een [...]/ (...)’
Laden van een hooiwagen
Object type: drawing
Date: 1800 – 1899
Materials: paper, pencil
Artist: Anonymous
Subjects: hay-wagon

Paard staat aangespannen aan een hooiwagen. Een boer staat bij een hooiberg, klaar om de wagen in te laden. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Landbouw.
Galleria Giustiniana del Marchese Vincenzo Giustiniani I
Object type: print
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Subjects: mask, piece of sculpture, reproduction of a piece of sculpture

Standbeeld van een man met masker in de hand, mogelijk de blijspeldichter Publius Terentius Afer. Op de basis het wapenschild van Vincenzo Giustiniani. Prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Het huis Weerdestein
Object type: book illustration
Date: 1773 – 1792
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: castle, bridge

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 7, 8 of 9 (weduwe Isaak Tirion, 1773-1774), ill. 120. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 7, 8 of 9, ill. 120.

Uit welke druk het huidige exemplaar precies komt is niet na te gaan.
Mirakuleuze medaille, devotiepenning gewijd aan de Onbevlekte Ontvangenis van de Maagd Maria en de devotie tot de Heilige Harten van Christus en Maria, vervaardigd naar aanleiding van de verschijning
Object type: devotional medal
Date: 1830 – 1830
Materials: brass
Techniques: striking
Artist: Anonymous
Subjects: paris
Fox Head
Object type: ornament
Date: 501 – 700
Materials: gilt copper
Culture: moche
Location: peru
Subjects: foxes
True Picture of the French (Shosha Furansujin)
Object type: print
Date: 1861 – 1861
Techniques: woodblock print
Location: japan
Artist: utagawa yoshikazu
Artist role: artist
Artist nationality: japanese
Artist dates: 1845 – 1870
Clock
Object type: clock
Date: 1775 – 1780
Materials: brass, bronze, enamel, gilt bronze, marble, steel
Artist: jean-baptiste lepaute
Artist role: maker
Artist nationality: french
Artist dates: 1727 – 1802
Subjects: cupid,serpents

Placed on a pedestal, the case of this marble clock is urn-shaped and fitted with bronze double snake-shaped handles. A bronze cherub carrying an arrow-filled quiver points with his right hand to the hour indicated in Arabic numerals on two enameled rotary dials. The square marble pedestal is adorned with gilt-bronze plaques in low relief showing classical subjects: Time or Chronos with scythe on the front seemingly defeated by the cherub symbolizing Love who indicates the time above. The plaques on the other sides of the pedestal show famous pairs of lovers: Anthony and Cleopatra, Hercules and Omphale, and Mars and Venus, further emphasizing the theme of Love. The clock was made in the workshop of Jean-Baptiste Lepaute (1727–1802) a member of one of the most prominent firms of Parisian clockmakers which was active from the mid-eighteenth century until late in the nineteenth. Jean-Baptiste had joined his brother Jean-André Lepaute in Paris in the 1740s and continued the business after the latter retired in 1775. The revolving horizontal dials for which the Lepaute workshop was noted are also found on other timepieces in the Museum’s collection (17.190.2126; 37.160.10; 41.41). This clock once belonged to Sir Richard Wallace (1818–1890) whose art collections are on display in his London residence, Hertford House in Manchester Square, better known as the Wallace Collection. Part of the collections Wallace kept at the château de Bagatelle, Paris, the clock is listed in the inventory of Bagatelle drawn up on August 13-14, 1890. Lady Wallace left the Paris collections of her late husband to John Murray Scott, her principal adviser, who had served as secretary to Richard Wallace. Following Murray Scott’s death, his family sold his works of art, including this clock, at Christie's, London, on June 24-27, 1913, lot 31.
The Chowk
Object type: photograph
Date: 1856 – 1857
Techniques: paper negative, salted paper print
Artist: john murray
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1809 – 1898
Subjects: cities,streets

Murray's view of the principal street in Agra manages to convey the heat of the day and the local activity through the deep shadow and the blurred pedestrians, whose passage reads like dust accumulated during the long exposure. With ground-floor shops shaded from the sun and second-story loggias open to the air, the buildings-each different in size, scale, and decoration-shoulder each other and jostle for space like so many individuals in the stream of people shimmering below.
Weapon rack Cornelis Tromp
Object type: arm rack
Date: 1650 – 1679
Materials: paint, red lacquer, wood
Techniques: gilding, lacquer
Location: north vietnam
Artist: Anonymous
Subjects: rotterdam, amsterdam, cornelis tromp, indonesia

With this rack of oriental weapons, Admiral Cornelis Tromp demonstrated his hero status at home. He was given the rack in 1680, together with a large number of exotic weapons, by an old friend from Batavia (now Jakarta). Some of the weapons, such as the lances, come from the Japanese island of Tanegashima. Most have a red-lacquered wooden case. Tromp also hung three pairs of fine Dutch pistols on the rack.
Pochette
Object type: pochette
Date: 1800 – 1900
Materials: wood, metal
Culture: european or american

Dancing was an expected aristocratic accomplishment. Instruction was given at home by a visiting dance master, who played a small fiddle to provide music for the lessons. The compact, slender shape of these instruments made them easy to transport and gave them the name pochette, which suggests that they were carried in one's coat pocket. Description: A narrow, oblong body with waved outline, the soundboard with a pierced metal rose. Ebony fingerboard and tailpiece. Open pegbox, with four ebony pegs, surmounted by a carving representing an American Indian's head (probably a later addition).
Design for 4 seat Phaeton, no top, no. 3111a
Object type: drawing
Date: 1875 – 1875
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Johann Conrad Löhe
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Carel en Frank van den Berg in Artis
Object type: photograph
Date: 1918 – 1918
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: amsterdam, carel frederik van den berg (cay), frank willem van den berg (1912-1998), zoo (as place of recreation)

Deze foto's zijn onderdeel van een album.
Sacra Eremus Ascetriarum
Object type: print
Date: 1590 – 1662
Materials: paper
Techniques: engraving
Subjects: anchorite, hermit, the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: collector's mark: Lugt 2228

Kopie in spiegelbeeld naar prent van Boëtius Adamsz. Bolswert.
Bouwwerk voor vuurwerk bij het huwelijk van Karel II van Spanje met Maria Anna van Beieren, 1690
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: etching
Location: southern netherlands
Subjects: karel ii (koning van spanje), public festivities at marriage of royal persons (+ illumination, fire-works ~ festive activities), other decorative structures (~ triumphal entry, etc.), brussels

Bouwwerk in de vorm van een tempietto voor het afsteken van vuurwerk opgesteld te Brussel bij het huwelijk van koning Karel II van Spanje met Maria Anna, prinses van Neuburg-Palts op 14 mei 1690. Versierd met allegorische en mythologische voorstellingen.
Burning couch-grass
Object type: print
Date: 1917 – 1917
Materials: paper
Techniques: lithograph
Location: england
Artist: william rothenstein
Artist role: print maker
Artist dates: 1872 – 1945
Subjects: farmers - aa - female farmer, farmer's wife, soil cultivation, potatoes, agriculture
Inscriptions: watermark, watermark

Deze prent behoort tot de reeks 'Work on the Land' binnen de serie 'The Great War: Britain’s Efforts and Ideals'.
Pistool-tondeldoos met vuursteenslot
Object type: firesteel
Date: 1750 – 1850
Materials: iron, wood
Location: gorinchem
Artist: Anonymous
Subjects: gorinchem

Tondeldoos met ijzeren rechthoekige lade die zijwaarts geopend kan worden en houten gladde kolf die in een punt eindigt, voorts is deze in diverse vlakken gesneden. De haan is van ijzer en heeft op de kop een ronde pin die aangedraaid kan worden om de vuursteen goed te kunnen klemmen, het vuurstaal is van ijzer en hangt boven een ronde opening waar de tondel in werd geplaatst. Het voetstuk van de tondeldoos is van ijzer en heeft twee gekrulde poten waar de tondeldoos op kan rusten. De trekker is van ijzer en heeft een kleine buiging zodat de vinger beter grip heeft, voorts is deze uitwendig geplaatst naast de rechthoekige ijzeren lade.
Twee hoofdfiguren uit de opera Doktor und Apotheker van Karl Ditter von Dittersdorf
Object type: drawing
Date: 1806 – 1806
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: theatre, theatrical performance
Inscriptions: inscription: ‘12 nov. de apotheker vijzel en de docter kruidman’, signature: ‘J Andriessen’

De twee hoofdfiguren uit de opera Doktor und Apotheker van Karl Ditter von Dittersdorf, die in 1786 in Wenen in première ging.
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1925
Materials: ink, paper
Techniques: pen, writing
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: dordrecht, amsterdam, designer, jan veth, drawing, illustration ~ printed matter, book, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: ‘RPK’

Brief gedateerd 22 Dec: 92 in latere hand.
Eerste eeuwfeest van de Hollandsche Maatschappij der Wetenschappen te Haarlem
Object type: history medal
Date: 1852 – 1852
Materials: bronze
Techniques: striking
Location: amsterdam
Artist: johan george holtzhey
Artist role: mintmaster
Artist dates: 1726 – 1808
Subjects: haarlem

Bronzen penning. Voorzijde: twee vrouwen zittend bij altaar, voorstellend Godsdienst met vlam op hoofd en leunend op bijbel en Nederland met wapenschild en vrijheidshoed op speer binnen omschrift. Keerzijde: opschrift binnen eikekrans, waaraan lint met opschrift hangt, en omschrift
Kleine figuren
Object type: print
Date: 1656 – 1657
Materials: paper
Techniques: drypoint, etching, intaglio
Location: italy
Artist: salvator rosa
Artist role: draughtsman, painter, print maker
Artist dates: 1615 – 1673
Subjects: protective weapons: shield, head-gear: turban, the soldier; the soldier's life, index finger forwards, pointing, indicating
Inscriptions: collector's mark: Lugt 240

Prent spiegelbeeldig naar een tekening die zich eens bevond in de collectie van Ladislao Odescalchi te Rome. De tekening werd in 1974 geveild te Berlijn. Deze prent maakt deel uit van de serie 'Figurine', bestaande uit een titelprent en 80 prenten van klein formaat met voorstellingen van mannelijke en vrouwelijke figuren. Rosa produceerde de serie waarschijnlijk gedurende de jaren 1656 en 1657.
Portret van Georg Paul Jenisch
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: engraving
Subjects: augsburg, georg paul jenisch, theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Glass gold-band mosaic bowl fragment
Object type: fragment, gold band mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Body fragment. Translucent blue, turquoise blue and yellow appearing green, opaque white, and colorless enclosing gold leaf. Convex curving side. Gold-band mosaic pattern formed from sections of layered canes in bands of blue, colorless glass with gold leaf, blue, white, and turquoise blue and yellow. Pinprick bubbles; polished exterior; slight pitting of surface bubbles on exterior; dulling and creamy weathering on interior and edges.
De Molen door ware beweegd
Object type: book illustration
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: watermill, 'en route', traveller under way
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Luyken, Jan. De Bykorf des Gemoeds. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1711, p. 18.
Liggende geit
Object type: print
Materials: paper
Techniques: etching
Subjects: goat
Inscriptions: annotation: ‘Copy/ Etched at Amsterdam by B. P. Gibbon/ July 5th 1830’, collector's mark: Lugt 2228
Portret van Konrad Arnold Schmid
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Standing Official
Object type: figure
Materials: earthenware, pigment
Culture: chinese
Subjects: men
Flip or toddy glass
Object type: flip or toddy glass
Date: 1701 – 1800
Materials: glass
Subjects: flowers
Vrouw met een shawl om haar hoofd en schouders, van voren gezien
Object type: sketchbook leaf
Date: 1892 – 1913
Materials: chalk, paper
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: adult woman, head-gear (with name)

Blad 9 verso uit een schetsboek met 31 bladen.