deem-data/ArtiFact huggingface dataset:
Mary Cadwalader Rawle
Object type: painting
Date: 1868 – 1868
Materials: canvas, oil
Culture: american
Artist: william oliver stone
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1875
Subjects: portraits,women
Torquato Tasso en prinses Eleonora d'Este
Object type: print
Date: 1807 – 1862
Materials: paper
Techniques: etching
Location: paris
Subjects: rome, torquato tasso, sofronia, olindo, (scenes from) specific works of literature: tasso, gerusalemme liberata
Inscriptions: collector's mark: Lugt 2228
Sketches of Figures, Landscape
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: italy
Artist: possibly after marco antonio franceschini
Laundresses (Blanchisseuses) (How Quickly Youth Fades! / Jeunesse passe vite vertu!), from "L'Estampe Originale"
Object type: print
Date: 1893 – 1893
Techniques: aquatint, printing, etching
Artist: auguste-louis lepère
Artist role: artist
Artist nationality: french
Artist dates: 1849 – 1918
Subjects: women
Design for Omnibus or Wagonette, no. 4052
Object type: drawing
Date: 1889 – 1889
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
The Virgin with Saints Jerome and Francis
Object type: print
Date: 1660 – 1680
Techniques: etching
Artist: girolamo rossi, the elder
Artist role: artist
Artist nationality: italian
Artist dates: 1630 – 1700
A Pinhole Landscape
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Subjects: landscapes
Kneeling Figure of a Nun
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, pen, drawing, wash
Artist: anonymous, spanish, school of seville, 17th century
Artist role: artist
Artist nationality: spanish
Artist dates: 1600 – 1700
Subjects: women,cross
Meleager Hunting the Boar
Object type: plaquette
Materials: copper alloy, patina
Culture: italian
Artist: pseudo-melioli
Artist role: artist
Subjects: men,hunting,boars,horses

The plaquette depicts Meleager on horseback hunting the Calydonian Boar. Other versions are in the Bode Museum, Berlin, the Louvre, Paris, and the National Gallery of Art, Washington, D.C.; the figure of Meleager has been derived from an antique sarcophagus relief. This work is an aftercast, possibly from the seventeenth century.
Ogura Imitation of the One Hundred Poems
Object type: print
Date: 1847 – 1848
Materials: paper
Techniques: woodcut
Location: japan
Subjects: hacking and thrusting weapons: dagger, attack ~ siege, lantern

Yuranosuke met de dolk waar zijn meester zelfmoord mee pleegde. Zijn zoon Rikiya schijnt hem bij met een lantaarn. Op de achtergrond bestormen 47 samoerai in opdracht van Yuranosuke het kasteel van zijn vijand. Scene uit een kabukitoneelstuk. Gedicht door Dainagon Kintô.
Gezicht op kasteel Doorwerth
Object type: sketchbook leaf
Date: 1731 – 1731
Materials: ink, paper, pencil
Techniques: brush, pen
Location: doorwerth
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: landscape with tower or castle
Inscriptions: date and inscription: ‘Doreweerd 1731.cp.’

Blad 42 recto uit een schetsboek met 78 bladen.
In the Spheres (The breath which leads living creatures is also in the SPHERES), plate 5 of 6 from To Edgar Poe
Object type: print
Date: 1882 – 1882
Materials: paper, ink, ivory
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
acht reaal
Object type: coin
Date: 1735 – 1735
Materials: silver
Techniques: striking
Location: mexico city
Artist: Anonymous

Spaans-Amerika, acht reaal uit VOC-wrak Hollandia 1742.
Portret van Christian August Hausen
Object type: print
Date: 1737 – 1737
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Deutsche Acta Eruditorum (...). dl. 215. Leipzig: Johann Gottlieb Gleditsch, 1737.
Ornamenten met cherubijnen en trossen fruit
Object type: ornament print
Date: 1601 – 1650
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: ornaments ~ art, fruits
Inscriptions: inscription: ‘32’

Twee trossen fruit. Rechtsonder genummerd: 20. De prent maakt deel uit van een album.
Verovering van Olinda in Brazilië door generaal Hendrick C. Loncq, 1630
Object type: print
Date: 1651 – 1652
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: capture of city (after the siege)

Verovering van de stad Olinda te Pernambuco in Brazilië door een vloot van de WIC onder admiraal Hendrick C. Loncq, februari of maart 1630. Twee voorstellingen. Boven een gezicht op Olinda vanaf het water met enkele brandende gebouwen. Onder de Hollandse vloot gelegen voor Olinda aan de Braziliaanse kust. Gemerkt linksboven: fig. 10, fol. 100.
Cabinet, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1753 – 1753
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: cabinets

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XCI in the 1754 and 1755 editions, renumbered as plate CXX in the 1762 edition.
Woman's Shoe
Object type: woman's shoe
Date: 1801 – 2000
Materials: leather, metal thread, textile, silk
Culture: chinese
Subjects: butterflies,flowers
Little Evelyn
Object type: print
Date: 1896 – 1896
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Netsuke of a Chicken
Object type: netsuke
Date: 1867 – 1900
Materials: ivory
Culture: japanese
Subjects: roosters
Besnijdenis van Christus
Object type: print
Date: 1500 – 1537
Materials: paper
Techniques: woodcut
Artist: wolfgang huber
Artist role: draughtsman, print maker
Artist dates: 1490 – 1553
Subjects: circumcision of the christ-child by the priest in the temple (luke 2:21)
Inscriptions: collector's mark: Lugt 2228

Een man houdt het Christuskind vast terwijl de priester met een mes de besnijdenis verricht. Een man knielt met een schaal bij hen. Rechts op de achtergrond staan Jozef en Maria. De gebeurtenis vindt plaats in het interieur van een kerk.
Twee zeilboten op een vaart
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Location: berlin
Artist: th. u. o. hofmeister
Artist role: fotograaf
Subjects: sailing-ship, sailing-boat, canal
Sunset
Object type: drawing and watercolor
Materials: graphite, paint, paper, watercolor
Techniques: drawing
Location: france
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Concorso di secondo grado : Paolo Ces-Bianchi di Milano
Object type: page
Date: 1886 – 1889
Materials: paper
Techniques: photograph
Location: milan
Subjects: drawing, sketch, parts of church exterior and annexes: façade
Inscriptions: number: ‘Tavola No. 72.’
Pilgrim Bottle
Object type: glass
Date: 1700 – 1710
Materials: glass, gemstone, silver gilt
Location: potsdam
Terracotta hydria: kalpis (water jar)
Object type: hydria, kalpis
Date: 460 – 450
Materials: terracotta
Culture: greek, attic
Artist: niobid painter
Artist role: artist
Subjects: chariots,persephone,demeter

Triptolemos between Demeter and Persephone The Niobid Painter ranks with the Villa Giulia Painter as one of the preeminent artists of the second quarter of the fifth century B.C. The Niobid Painter is remembered particularly for mythological representations on large pots. Here, on a smaller scale, he depicts Triptolemos being dispatched by the goddess Demeter, the patroness of fertility and agriculture, and her daughter, Persephone, to teach the cultivation of grain to humanity. The great attraction of this legend—to the artist and the viewer—lies in the winged car that transports Triptolemos. The model here comes "loaded" with snakes.
Christ before Pilate; The Resurrection
Object type: painting
Date: 1479 – 1494
Materials: oil
Artist: ludwig schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1435 – 1494
Subjects: soldiers,men,women,christ,pilate
Recueil de quatre-vingt-cinq estampes originales
Object type: album leaf
Date: 1655 – 1807
Materials: paper
Techniques: drypoint, engraving, etching
Location: paris
Subjects: abraham francen
St. Petersbourg.
Object type: cabinet photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-petersburg
Artist: joseph daziaro
Artist role: publisher
Artist dates: 1831 – 1892
Subjects: palace, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘Palais Marie’

Onderdeel van Fotoalbum met opnames van Sint-Petersburg.
Portret van Willem III, prins van Oranje
Object type: ansichtkaart, prentbriefkaart
Date: 1850 – 1949
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: william iii (prince of orange and king of england, scotland, and ireland)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Set of four three-light sconces (bras de lumière)
Object type: sconce
Date: 1787 – 1788
Materials: gilt bronze
Subjects: grapes,satyrs

Music was one of Marie-Antoinette’s lifelong diversions. She was taught to perform and sing when young in Vienna, where the opera composer Christoph Willibald Gluck (1714–1787) was her tutor. She amused herself with music several hours a day at the French court and was a devotee of the opera. The queen’s enjoyment of music is reflected in the design of these wall lights, which were ordered probably in 1787 or the following year for her use at the Château de Saint-Cloud. Although no precise date or authorship have been established for them, they can easily be recognized among the furnishings listed as in the queen’s Cabinet Intérieur in the detailed inventory description of the summer castle drawn up in 1789. Suspended from a gilt-bronze ribbon tied in a bowknot, the back plate of the sconces is shaped like a lyre with a pendant trophy of musical instruments. In addition to music, the decoration also alludes to Bacchus, the Roman deity of wine and drunken revelry who was also patron of viticulture, and who is frequently shown in the company of satyrs dancing to music. Two of the arms are shaped as cornucopias with scrolls and garlands of vine leaves and grapes, their candle dishes piled up with fruit. A satyr mask and thyrsus, the staff topped by a pinecone, an attribute of Bacchus, join the trophy of musical instruments.
The Visitation
Object type: drawing
Date: 1601 – 1700
Materials: chalk
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: women,virgin mary
Kaart van Griekenland en Klein-Azië
Object type: print
Date: 1853 – 1854
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: Anonymous
Subjects: maps of separate countries or regions, war
Inscriptions: collector's mark: Lugt 2228

Kaart van Griekenland en Klein-Azië tijdens de Krimoorlog.
Nederland, 5 cent, 1914
Object type: vijf cent
Date: 1914 – 1914
Materials: nickel
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962
Subjects: netherlands

Vierkante nikkelen munt. Voorzijde: in hoeken versiering, daarbinnen twee cirkels, waarin landsaanduiding. Daarbinnen vruchtdragende tak van een oranje-appel. Keerzijde: in de vier hoeken schelpen-versiering, verbonden door parels. Daarbinnen waarde-aanduiding 5 C in parelrand. Jaartal in de twee schelpen links en rechts. Gladde rand.
Twee trofeeën van groente, fruit, vlees, vis en keukengerei
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: tone lithography
Location: liège
Artist: michel liénard
Artist role: print maker
Inscriptions: annotation: ‘Vervolg der voorgaande.’

Linksboven: 1re partie, rechtsboven: A. N° 15.C., rechtsonder: 115.
Saint James the Greater
Object type: statue
Date: 1450 – 1475
Materials: limestone, paint
Culture: french
Location: france
Subjects: men,saints

Saint James the Greater is shown in his traditional medieval guise of a pilgrim, wearing a soft brim hat emblazoned with a cockleshell emblem and holding a book and a staff (now lost). His shrine at Santiago de Compostela in Spain was the third most popular pilgrimage site after Jerusalem and Rome. The statue was discovered together with the statue of Saint John the Baptist (exhibited nearby) in a garden-wall niche outside the church of Mouthier-le-Vieillard in Poligny (southeast of Dijon). These sculptures bear the marked influence of an earlier generation of sculptors, principally, Claus Sluter (active 1379–d.1406) and Claux de Werve (active 1396–d.1439), both of whom worked for Duke Philip the Bold.
Coffeepot
Object type: coffeepot
Date: 1755 – 1755
Materials: earthenware
Techniques: glazing
Artist: whieldon type
Artist role: maker
Subjects: flowers
La Paysanne Vue de Face, Tenant un Panier sur sa Tête (The Peasant Woman Viewed from the Front with a Basket on her Head), plate 12 from "Varie Figure" (Various Figures)
Object type: print
Date: 1620 – 1620
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: women,baskets
Weegschaal met de schrijvers Walter Scott en Thomas Moore
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: hand coloring, lithograph
Location: london
Subjects: thomas moore, walter scott, scales, book, writer, poet, author
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Een ongebalanceerde weegschaal met in de bovenste schaal Walter Scott met zijn negendelige werk over het leven van Napoleon Bonaparte en in de onderste schaal Thomas Moore die zijn boek 'The Epicurean' omhoog houdt.
Portret van Aleksandr Soevorov
Object type: print
Date: 1762 – 1850
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons
Omslag voor de verschillende staten van de prent 'Portret van een onbekende man met kap' door Cornelis van der Grient
Object type: wrapper
Date: 1858 – 1918
Materials: paper, pencil
Location: netherlands
Artist: cornelis van der griendt
Artist role: draughtsman, painter, print maker
Artist dates: 1827 – 1918
Inscriptions: inscription: ‘[...] 105, 8 st’
Noord-Hollandse vrouw met kind en vrouw met manden
Object type: watercolor
Date: 1648 – 1648
Materials: ink, paper, watercolor
Techniques: brush
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690

Twee tekeningen naast elkaar op een blad geplakt. Links een Noord-Hollandse vrouw met een kind, rechts een vrouw met een grote mand op haar hoofd en een kleine aan haar arm.
Cylinder seal and modern impression: "pigtailed" ladies in front of loom (?); containers with loop handle
Object type: cylinder seal
Date: 3300 – 2900
Materials: mineral
Location: iran or mesopotamia
Side Chair
Object type: side chair
Date: 1765 – 1775
Materials: wood
Culture: american
Location: united states

Typical New York features, such as the carved tassel-and-ruffle design in the splat, the gadrooned seat rail, and the square claw-and-ball feet, are dis­played in this chair. It is thought to have descended in the great landholding Van Rensselaer family of Albany, New York.
Three designs for decorative motifs in strapwork, rinceaux, and egg-and-dart patterns
Object type: drawing
Date: 1830 – 1897
Materials: graphite, ink, watercolor, paper
Techniques: pen, wash
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ornament
Design for Vis-à-vis, no. 202
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van George II Augustus, koning van Engeland
Object type: design
Date: 1741 – 1761
Materials: ink, paper
Techniques: pen
Artist: pieter tanjé
Artist role: draughtsman, print maker
Artist dates: 1706 – 1761
Subjects: london, george ii augustus (koning van groot-brittannië), historical persons, king
Inscriptions: inscription: ‘Mijn Heer / zende Ued: hier neevens (volgens afspraa/ Eenige Prenten van mijn werk, beneffen/ een Notitie met de Prysen, Ued: kan z/ naa genoegen uyt neemen, het geene U/ mankeert of belieft, de Prysen heb ik/ van sommige wat by de gis gemaakt/ doch de meeste op Boekverkoopers Prys/ indien het ued: te hoog gesteld mocht/ zyn / Udw Pieter Tanje’

Portret van George II Augustus (1683-1765), koning van Engeland. Verso: (concept van) een brief van Tanjé. Ontwerp voor een prent.
Boy in Boat, Gloucester
Object type: drawing and watercolor
Date: 1880 – 1881
Materials: gouache, graphite, paint, paper, watercolor
Techniques: aquarelle, scraping
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: seascapes, children, people, boats, century of progress, world's fairs, chicago world's fairs
Inscriptions: Signed recto, lower right, in graphite: "W.H. sketch"
Inscribed verso, lower center, in graphite: "M.K.W.C. 1023-//Man in Boat, Coast of Maine"; upper center, in graphite: "24"; top, in black crayon crossed out in graphite: "No 18 vol-A"

Homer began Boy in Boat, Gloucester while staying at the lighthouse on Ten Pound Island in the harbor of the fishing town Gloucester, Massachusetts. During his time in Gloucester, the artist frequently depicted local boys playing on boats, fishing, and waiting for their fathers to return from the sea. In this watercolor he began experimenting with scraping, revealing the white of the paper to create highlights in the large rock at right. Furthermore, he was developing his skill in transparent watercolor, which he used to great effect for the reflective surface of the water.
Strafgevangenis te Gouda, huismunt ter waarde van vijf cent
Object type: monetary token
Materials: zinc
Techniques: striking
Location: utrecht
Subjects: gouda

Zinken betaalpenning. Voorzijde: letter G binnen omschrift. Keerzijde: waardeaanduiding.
Gelijkenis van de zaaier
Object type: print
Date: 1568 – 1568
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the sower ~ parable of christ (matthew 13:3-9; mark 4:3-9; luke 8:5-8), christ preaching from a boat

Christus zit met vier leerlingen in een boot en vertelt de gelijkenis van de zaaier aan de menigte op de oever. Rechts op de achtergrond de zaaier, die zaad in de akker zaait. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Mat. 13:1. Deze prent maakt deel uit van een album.
Spoon
Object type: spoon
Date: 1701 – 1800
Materials: silver
In an old garden
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: printing block
Artist: t. kent
Artist role: fotograaf, illustrator
Subjects: adult woman, garden
Inscriptions: collector's mark: ‘Worcester Public Library/ Victoria Institute’
S. Ursula.
Object type: print
Date: 1632 – 1657
Materials: paper
Techniques: engraving
Location: paris
Subjects: the virgin martyr ursula of cologne; possible attributes: arrow, banner with red cross, cloak of ermine, crown, ship
Inscriptions: collector's mark: Lugt 240, inscription: ‘2-2’