deem-data/ArtiFact huggingface dataset:
Design for Stanhope Phaeton, no. 1018
Object type: drawing
Date: 1850 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Botervloot in de vorm van een witte druiventros
Object type: butter dish
Date: 1756 – 1764
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: amsterdam
Artist: arie blankers
Artist role: plateelbakker
Inscriptions: mark: ‘A B’, mark: ‘A B’

Botervloot van veelkleurig beschilderde faience. De botervloot heeft de vorm van een witte druiventros, liggend op een bed van bloemen en bladeren op een schaal. De botervloot heeft een deksel en een binnenbak. De deksel en de bak zijn gemerkt.
Musicerend gezelschap
Object type: print
Date: 1658 – 1733
Materials: paper
Techniques: mezzotint
Location: northern netherlands
Artist: gerard hoet (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1648 – 1733
Subjects: tambourine, flute, aulos, tibia, dog
Inscriptions: collector's mark: Lugt 2228

Een man en twee vrouwen maken muziek in een park. De man bespeelt een fluit terwijl een van de vrouwen op een tamboerijn slaat en zingt. Op de achtergrond een sculptuur.
Een Fransch minister en een Nederlandsch gezant
Object type: cartoon
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: politician, maps of separate countries or regions, cat, candle, personifications of countries, nations, states, districts, etc. (+ nation; national), political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 3 april 1898.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Exterior, top of head, right eye, and part of nose of male to right
Model voor een ornament met een leeuwekop
Object type: book illustration
Date: 1565 – 1565
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: lion's head ~ ornament, model-books ~ implements of painter
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit: Beham, Hans Sebald. Sebalden Behems Kunst und Ler Büchlin (...). Frankfurt am Main: erven Christian Egenolff, 1565.
Vaas met deksel en twee ramskoppen
Object type: ornament print
Date: 1764 – 1764
Materials: paper
Techniques: etching
Location: parma
Subjects: ram's head ~ ornament, vase ~ ornament

Vaas met deksel waarop druivenranken. De oren van de vaas worden gevormd door twee ramskoppen. De buik is gedecoreerd met druivenranken. De vaas staat op een muur. No. 3 uit serie van 31. Prent maakt deel uit van een album. Gedrukt recto rechtsboven: 3.
Plan and Elevation of the Capuchin Tabernacle of Luneville
Object type: drawing
Date: 1787 – 1787
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: adrian la touvenot
Artist role: artist
Artist nationality: french
Artist dates: 1787 – 1787
Subjects: architecture
Gezicht op het centrale plein van Fiesole
Object type: page
Date: 1858 – 1863
Materials: paper
Techniques: albumen print
Location: fiesole
Artist: giacomo brogi
Artist role: fotograaf
Artist dates: 1822 – 1881
Subjects: village square, place

Foto op ongenummerde pagina tegenover pagina 130.
Bruxelles. La Bourse / Brussels. The Exchange
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1913
Materials: cardboard
Techniques: photograph, writing
Location: brussels
Artist: Anonymous
Subjects: exchange, bourse, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Inscriptions: postage stamp
Portret van Ch. Vankerckhoven
Object type: photograph
Date: 1868 – 1868
Materials: cardboard, paper
Techniques: albumen print
Location: leuven
Artist: théodore gedoelst
Subjects: adult woman, historical persons, louvain
Inscriptions: inscription: ‘À mon cousin Jh./ Vankerckhoven/ Louvain le 15 fev. 1868/ Ch.Vankerckhoven’, inscription: ‘Thre Gedoelst, Phot.’, inscription: ‘Atlier de Photographie./ Thre Gedoelst,/ Rue de Namur, 99./ Louvain’
Wine Glass
Object type: wine glass
Date: 1780 – 1825
Materials: glass
Techniques: glassblowing, molding
Culture: american or british
Location: england
Zittende hond
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: printmaking, etching
Location: amsterdam
Subjects: dog
Inscriptions: inscription: ‘Fr v.Mieris del. 1663. CPloos v. Amstel J.C. F 1777’, collector's mark: Lugt 2725

De prent ligt los in een album, zie blad 28.
Pair of Carved Doors
Object type: door
Materials: wood
Techniques: carving
Location: iran

These teak doors consist of several decorative and epigraphic panels joined together and inset into a frame. The pair of square panels with geometric designs reflect carved Iranian woodwork of the fifteenth century. A cenotaph, dated 1473, now in the Museum of Art, Rhode Island School of Design, displays very similar designs and inscriptions. The scrolling vines framing the panels and on the vertical bar share qualities with wave motifs seen in Timurid ceramics (40.170.635), suggesting the possible circulation of designs across media. The rectangular inset panels contain inscriptions in naskhi script that provide important contextual details including the name of the patron, Davud ibn Ali Davud, and the artist, Ustad Muhammad, and that the doors were intended for a shrine.
View of Lucerne
Object type: drawing and watercolor
Date: 1840 – 1841
Materials: paint, paper, watercolor
Techniques: scraping
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: rotterdam
Artist: j. de mink
Subjects: the hague, painter, draughtsman, philip zilcken, rotterdam, arnhem
Schilderijen te Dresden
Object type: print
Date: 1753 – 1757
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Prent afkomstig uit de 'Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde', verschenen in twee delen in 1753 en 1757, met in totaal 100 prenten naar schilderijen in de koninklijke kunstcollecties te Dresden.
Buffeljacht
Object type: drawing
Date: 1874 – 1876
Materials: paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: hoofed animals: buffalo, riding a horse, ass, or mule; rider, horseman, hunting, chase, indigenous peoples of north america, galloping horse
Inscriptions: collector's mark: Lugt 2228, workshop stamp: Lugt 291d, signature: ‘G.H. Breitner’

Deze tekening heeft oorspronkelijk als blad 19 deel uitgemaakt van een schetsboek. Zie voor dit schetsboek het gerelateerd object.
Brief aan August Allebé
Object type: letter
Date: 1887 – 1887
Materials: ink, paper
Techniques: pen, writing
Location: le vésinet
Artist: daniël franken dzn.
Artist role: bankier, kunsthistoricus
Artist dates: 1838 – 1898
Subjects: adolphe mouilleron, amsterdam, print maker, draughtsman, august allebé, brussels, paris, alfred stevens, the hague, painter, willy martens, charles comte, haarlem, jac van looij, eduard niermans, drawing, the graphic arts, painting (including book-illumination, miniature-painting)
Inscriptions: watermark
Bottle
Object type: bottle
Date: 1701 – 1800
Materials: glass
Subjects: animals
Pieterskerk in Leiden
Object type: print
Date: 1882 – 1926
Materials: paper
Techniques: etching, intaglio
Artist: gerrit haverkamp
Artist role: print maker
Artist dates: 1872 – 1926
Subjects: trees, church (exterior)
Inscriptions: watermark, collector's mark: Lugt 2228
Mensen krabben zichzelf tijdens een processie door de stad
Object type: print
Date: 1867 – 1867
Materials: paper
Techniques: etching, intaglio
Location: brussels
Subjects: square, place, circus, etc., scratching one's head, procession ~ christian religion
Inscriptions: collector's mark: Lugt 2228

Prent uit: Coster, Charles de. La légende et les aventures héroiques, joyeuses et glorieuses d'Ulenspiegel et de Lamme Goedzak au pays de Flandres et ailleurs. Parijs: Librairie Internationale, 1869.
Broodloodje van het Bakkers- en Brouwersgilde te Arnhem, 19e eeuw
Object type: history medal
Date: 1800 – 1900
Materials: lead
Techniques: casting
Inscriptions: inscription: ‘B B / G’

Gegoten loden penning, op de voorzijde een broodschoof en een stapel broden, op de keerzijde de letters BBG
Design for Cabriolet or Victoria, no. 4188
Object type: drawing
Date: 1892 – 1892
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Cup with handle with flower bouquets and a coat of arms
Object type: cup
Date: 1750 – 1774
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Oorkop van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, zwart en goud. Op de wand een boeket met bloemen en drie bloemtakken (en camaïeu) en een ongeïdentificeerd familiewapen. Op het wapen een ram op een rots tegen een goud gespikkelde achtergrond. Het helmteken is een kroon met twee horens. Het dekkleed bestaat uit bladranken. Op de binnenrand een decoratieve band. Wapenporselein met emailkleuren.
Star-Shaped Tile
Object type: tile
Date: 1301 – 1400
Materials: stonepaste
Techniques: painting, underglaze
Location: iran
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, buttocks, right hip, and part of genitals of male, in profile, to right
Conical whorl
Object type: whorl
Date: 1450 – 1050
Materials: bone
Culture: cypriot
Finished Design for a Stage Set with Ruling and Notes
Object type: drawing
Date: 1854 – 1854
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, portuguese, 19th century
Artist role: artist
Artist nationality: portuguese
Artist dates: 1800 – 1900
Subjects: theatre,interiors,stage design
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of head, neck, and frontal torso of satyr
Kurk van wijnfles uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: cork stopper
Date: 1700 – 1735
Materials: cork
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

De donkergrijs/zwarte kurk maakte vermoedelijk ooit onderdeel uit van een wijnfles. Cork.
Kleine landschappen
Object type: print
Date: 1652 – 1659
Materials: paper
Techniques: etching
Location: netherlands
Artist: karel du jardin
Artist role: draughtsman, painter, print maker
Artist dates: 1626 – 1678
Subjects: river bank, goat

Maakt deel uit van blad met acht kleine etsen
Twee grafschriften voor de vorst van Malburg, overleden 1722
Object type: poem
Date: 1722 – 1722
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: mourning card, death notice, obituary, epitaph
Inscriptions: collector's mark, collector's mark: Lugt 1641

Twee grafschriften in het Latijn en Nederlands voor de 'vorst van Malburg', overleden 1722. Mogelijk gaat het om Frederik Willem Adolf graaf van Nassau-Siegen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Des Menschen Begin, Midden en Einde. Begrafenissen, lijkzangen, grafschriften, pamfletten.
De maanden van het Jaar
Object type: print
Date: 1635 – 1670
Materials: paper
Techniques: engraving
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: april and its 'labours', herd, flock
Inscriptions: collector's mark: Lugt 240

Wellicht proefdruk voor de letter, of latere uitgave waarbij de opschriften zijn weggepolijst.
Tea cup (part of a miniature service)
Object type: teacup
Date: 1790 – 1800
Materials: hard paste porcelain
Berkemeyer
Object type: berkenmeier
Date: 1625 – 1675
Materials: glass
Techniques: glassblowing

A Berkemeyer is a wine glass with a wide, low stem and a flaring conical bowl. Its form is thought to derive from wooden beakers carved from birch. The prunts on the stem (blobs of molten glass applied to the surface) afforded a better grip. At a time when forks were not in common use and people often had greasy
fingers, this was not a superfluous luxury.
Teapot
Object type: teapot
Date: 1671 – 1708
Materials: earthenware, silver
Artist: arij de milde
Artist role: maker
Artist nationality: dutch
Artist dates: 1634 – 1708
Subjects: flowers

The teapot was made by the Delft factory of Arij de Milde, known for its red wares made in imitation of Chinese Yixing wares. In the Netherlands, the practice of tea drinking became popular among the nobility and wealthy merchant class beginning in the late 1660s and 1670s, creating demand for imported Chinese redware teapots. The factory of Arij de Milde was one of three Dutch pottery works established to create domestically-made redwares.
Vase
Object type: vase
Date: 1750 – 1750
Materials: stoneware
Techniques: salt glaze
Subjects: women,flowers
Model of a Coffin with Figures
Object type: sculpture
Materials: ceramic
Techniques: molding
Location: china
The Apse of Notre-Dame, Paris
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: drypoint, engraving, etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: bridges,cathedrals,boats,paris
Javaanse vrouwen in het immigrantendepot
Object type: photograph
Date: 1895 – 1898
Materials: photographic support
Techniques: collodion silver print
Location: suriname
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: migrants
Inscriptions: inscription: ‘Javaansche vrouwen i/h dépôt’

Javaanse vrouwen opgesteld in een rij in het immigrantendepot of zgn. ‘koeliedepot’, het centrale meldpunt voor immigranten in te Paramaribo. Fotoafdruk in een fotoalbum van Théodore van Lelyveld over Suriname uit 1895-1898.
De roovers van het bosch
Object type: print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: Anonymous
Subjects: hotel, hostelry, inn (+ rest ~ travelling), attack
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen over Joris en John die aangevallen worden in een herberg. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 373.
Young Woman on a Veranda
Object type: hanging scroll
Date: 1651 – 1700
Materials: ink, silk
Culture: japanese
Artist: furuyama moroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1650 – 1699
Subjects: women
Herten bij een boom
Object type: sketchbook leaf
Date: 1862 – 1864
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: trees, hoofed animals: deer
Inscriptions: annotation: ‘40. stoel/ 38. tafeltje/ 87. klo[...]/ 27. schilderij’

Blad 65 recto uit een schetsboek met 65 bladen.
Toneeldecors van de nieuwe Amsterdamse Schouwburg, 1787-1794
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theatre, theatrical performance, stage design
Inscriptions: stamp, collector's mark: Lugt 1641

Toneelvoorstelling in de nieuwe Amsterdamse Schouwburg met het coulissendecor De Tuin, met scène uit Blaise en Babet. Het decor gedrukt van een aparte plaat binnen een vernieuwde passe-partout met de zaal, zijloges, pilaren met standbeelden en de façade van het toneel. In het onderschrift een zesregelig vers. Onderdeel van de serie van veertien toneeldecors van de nieuwe Amsterdamse Schouwburg, 1787-1794. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Tooneel, Decors voor de Schouwburg.
Pastoral staff
Object type: pastoral staff
Date: 1801 – 1900
Materials: metal, silver
Subjects: cross,croziers

This electrotype is after a seventeenth-century original a treasure of the Patriarch, Moscow, at the time of reproduction.
Portret van een man met snor
Object type: semi enamel
Date: 1880 – 1900
Materials: cardboard, celluloid, photographic support
Techniques: albumen print
Location: paris
Artist: angelina trouillet
Subjects: moustache, historical persons
Inscriptions: inscription: ‘Mme. Angelina Trouillet/ PHOTOGRAPHE DE LA SOCIÉTÉ NATIONALE/ D'ENCOURAGEMENT AU BIEN/ 16, Rue d'Arcet/ Ancienne Rue du Boulevard/ PARIS-BATIGNOLLES/ Spécialité pour les Reproductions/ et les Portraits d'Enfants’
Plate
Object type: plate
Date: 1838 – 1838
Culture: american
Location: united states
Artist: conrad ranninger
Artist role: maker
Artist nationality: american
Artist dates: 1809 – 1869
Subjects: leaves
Johanna (Hans) de Jong met Elisabeth de Jong, Johanna (Nan) Vreede en een onbekende vrouw op een balkon
Object type: photograph
Date: 1905 – 1910
Materials: paper, cardboard
Techniques: collodion silver print
Artist: willem de jong (fotograaf)
Artist role: arts, fotograaf
Artist dates: 1864 – 1918
Subjects: haarlem, elisabeth de jong-van tonderen, leiden, johanna petronella lambertina stokhuyzen-de jong (hans), surabaya, johanna elisabeth borgerhoff mulder-vreede (nan), historical persons - bb - woman, historical persons not known by name - bb - woman, balcony
Inscriptions: number: ‘30.’
Anna, Maria en het Christuskind in een landschap
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: lithograph
Location: stuttgart
Subjects: landscapes in the temperate zone, anna, mother of mary; possible attributes: book, christ-child, lily, virgin mary
Inscriptions: collector's mark: Lugt 2228

Linksonder op de prent staat dat het gemaakt is naar een schilderij van Matthias Grünewald, maar dit is foutief. Het gaat om een werk van Lucas Cranach.
Deze prent behoort waarschijnlijk tot de serie 'Galerie des Frères Boisserée'.
Indrajit Makes Offerings: Folio from the Siege of Lanka series
Object type: drawing
Date: 1725 – 1725
Materials: ink, paper
Culture: indian, punjab hills, guler
Artist: manaku
Artist role: artist
Artist nationality: indian
Artist dates: 1715 – 1770
Subjects: altars,men,demons
Legal Advice
Object type: print
Date: 1915 – 1915
Materials: ivory, paper
Techniques: lithograph
Location: france
Artist: jean louis forain
Artist nationality: french
Artist dates: 1852 – 1931
Portret van Anton Lipowsky
Object type: print
Date: 1755 – 1797
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van een man
Object type: album leaf
Date: 1864 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: rotterdam
Artist: ed. radermacher
Artist role: fotograaf
Artist dates: 1839 – 1908
Subjects: historical persons
Inscriptions: inscription: ‘ED. RADERMACHER/ PHOTOGRAPH/ FIRMA/ (JANSSENS & RADERMACHER)/ KRUISKADE, HOEK KERKLAAN/ ROTTERDAM.’
Schilderij op een ezel voor een stoel
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: easel, picture, painting, chair

Portret van een onbekende man. Op de achtergrond nog een schilderij. Blad 3 recto uit schetsboek LXI met 20 bladen.
Portret van de schilder Nicolaes de Vree
Object type: drawing
Date: 1670 – 1670
Materials: chalk, paper
Artist: johannes voorhout (i)
Artist role: draughtsman, painter
Artist dates: 1647 – 1723
Subjects: historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Brug over de rivier Duddon bij Ulpha in het Lake District
Object type: page
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Location: lake district
Subjects: river, bridge