deem-data/ArtiFact huggingface dataset:
Plate
Object type: plate
Date: 1480 – 1480
Materials: brass
Culture: german or south netherlandish
Location: germany
Subjects: women,flowers

According to some scholars, Dinant was the only French-speaking town of the Lowlands to join the German Hansa as a selling agent and a guarantor of the delivery of copper ( the major component of both bronze and brass) imported from northern Germany via Cologne and Aachen. Already the center of a flourishing metalworking trade, Dinant became the principal center for the production of plates such as this one. Its distinct position is evident in the generic name “dinanderie,” which came to be associated with metalwork of this sort. Dinant’s primacy in the trade continued until the city was sacked by the Duke of Burgundy in 1466. Although dinanderie plates were in enormous demand in the second half of the fifteenth century, the traditional, painstaking method of brass beating was not to be replaced by the easier process of casting until the sixteenth century. The need for mass production led to a decline in quality. Certain motifs, like the seated woman holding a coronet of flowers on this plate, were repeated almost without variation. The encircling motifs did, however, become more complex. In this example, the petallike shapes alternate with addorsed flowers flanking tiny bears seated on poles, each grasping one of its hind paws. Although dinanderie plates were undoubtedly proudly displayed on sideboards (and sometimes used in the liturgy), the worn and battered condition of many of them indicates that they might also have served as charges on which the food was brought to the table.
Portret van een man en een zittende vrouw met hoed
Object type: carte de visite
Date: 1876 – 1879
Materials: cardboard, photographic support
Techniques: albumen print
Location: breda
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, historical persons
Inscriptions: inscription: ‘Kannemans en Zoon/ Artiste Photographen/ van/ Z.M. den Koning en H.M. de koningin/ Breda/ Groote Markt/ D. 15/ tegen over het stadhuis’
Graftombe van admiraal Maarten Harpertsz. Tromp in Oude Kerk te Delft
Object type: print
Date: 1656 – 1664
Materials: chalk, ink, paper
Techniques: engraving, pen
Location: amsterdam
Artist: cornelis van dalen (ii)
Artist role: draughtsman, print maker
Artist dates: 1638 – 1664
Subjects: grave-building, monumental tomb, battle of scheveningen
Inscriptions: collector's mark: Lugt 2228

Graftombe van admiraal Maarten Harpertsz. Tromp in Oude Kerk te Delft. Beeld van de gesneuvelde admiraal in harnas liggend op tombe met zeeslag bij Terheide op fries. Tegen de wand marmeren reliëf met putti met wapenschilden en wapenrusting geflankeerd door zuilen en militaria. Bovenop lijst bekroond met wapendschild vastgehouden door griffioenen en geflankeerd door tritons of meermannen.
Plate (one of six)
Object type: plate
Date: 1867 – 1900
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men,women
Gedenkteken ter herinnering aan de gevechten bij het Manpad in 1304
Object type: print
Date: 1835 – 1838
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, monument, statue

Gedenkteken opgericht in 1817 ter herinnering aan de gevechten bij het Manpad te Heemstede: de overwinning op en de verdrijving van de Vlamingen op 26 april 1304 en een episode uit het Beleg van Haarlem op 8 juli 1573. Monument waaromheen een hek staat, een man en een jongen ernaast.
Saucer-dish with the arms of the Udemans family
Object type: dish
Date: 1750 – 1774
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Schaal van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, zwart en goud. Op het plat het wapen van de familie Udemans. Het wapen is verdeeld in twee delen: 1. op een rode achtergrond twee vissen of dolfijnen in goud, zwemmend in water, 2. op een blauwe achtergrond de letters ‘W’ en ‘U’ in zwart en in het midden een gouden ster. Het helmteken is een duif en het dekkleed bestaat uit bladranken in goud. Op de rand een spearhead-border. Een barst en enkele chips in de rand. Wapenporselein met emailkleuren.
Octagonal soupplate with a seated woman with two servants and on the side the arms of the Powell family
Object type: plate dish
Date: 1750 – 1774
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: china
Artist: Anonymous

Achthoekig soepbord van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, geel, zwart en goud. Op het plat een zittende vrouw met twee bedienden. Op de wand een band met schakelpatroon onderbroken door het wapen van de familie Powell, een leeuw tegen een gouden en witte achtergrond met als hartschild het wapen van de familie Cleland, een haas tegen een blauwe achtergrond. Het wapen is omgeven door bladranken; het helmteken op de rand aan de overzijde. Op de rand twee cartouches met een landschap in encre de Chine. Enkele chips in de rand. Wapenporselein met emailkleuren.
Portret van Anton Ignaz von Fugger-Glött
Object type: print
Date: 1769 – 1788
Materials: paper
Techniques: etching
Location: germany
Artist: johann esaias nilson
Artist role: draughtsman, print maker, publisher
Artist dates: 1721 – 1788
Subjects: archbishop, bishop, etc. (roman catholic), unicorn, ornament ~ medallion, historical persons, armorial bearing, heraldry
Spherical Jar Inscribed with Hatshepsut's Titles as Queen
Object type: jar, spherical, hatshepsut
Date: 1492 – 1473
Materials: stone
Location: egypt
Subjects: hieroglyphs

This small spherical ointment jar is inscribed: "King's Daughter, King's Sister, God's Wife, King's Great Wife (principal queen), Hatshepsut, may she live and endure like Re forever." The titles are those of a queen, but the last phrase is more commonly applied to kings, so the jar may date from Hatshepsut's time as regent for her nephew, Thutmose III. The jar may originally have been intended to furnish Hatshepsut's queen's cliff tomb in western Thebes. After she became king, Hatshepsut seems to have donated goods inscribed with her queen's titles as provisions for the burials of individuals she deemed important (see linen and vessels from the tomb of Hatnefer and Ramose, 36.6.1–36.6.70). Two stone jars, this one and 26.8.8, seem to have been donated to the burial of three foreign wives of Thutmose III.
Ostrakon
Object type: ostrakon
Date: 600 – 600
Materials: ink, wood
Culture: coptic
Location: egypt
Subjects: coptic,documents
Preening Celestial Deity
Object type: figure
Date: 1001 – 1200
Materials: stone
Culture: indian
Gezicht op het interieur van de Nieuwe Kerk in Amsterdam
Object type: stereograph
Date: 1860 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: parts of church interior: nave
Inscriptions: inscription: ‘DE NIEUWE KERK TE AMSTERDAM./ (...) Uitgave van A. JAGER, Water 110, te Amsterdam.’
Rotsblokken en bomen bij een beek
Object type: drawing
Date: 1686 – 1688
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: abraham genoels (ii)
Subjects: landscapes in the temperate zone
Nail file
Object type: nail file
Date: 1874 – 1875
Materials: silver
Frederick de Vries
Object type: print
Date: 1597 – 1597
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: birds,boys,dogs,trees
Oppius wordt door zijn zoon uit Rome gedragen
Object type: book illustration
Date: 1781 – 1781
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: carrying a person on one's back, rome
Inscriptions: collector's mark: Lugt 240

Prent gebruikt als boekillustratie in: Martinet, Joannes Florentius. Historie der waereld. Amsterdam: Johannes Allart, 1780-1788. 25 delen. deel II, pl. IV.
Het Vaderland
Object type: newspaper
Date: 1879 – 1879
Materials: paper
Techniques: printing
Location: the hague
Subjects: hendrik (prins der nederlanden), netherlands

Krant nr. 149 van de 11e jaargang van "Het Vaderland", 1 blad, 2 pp voorzijde met gemengde berichten zwart omkaderd, achterzijde grotendeels gevuld met een verslag van de "Plechtige begrafenis van wijlen Zijne Koninklijke Hoogheid Willem Nicolaas Alexander Frederik Karel Hendrik, Prins van Oranje.
Journal des Demoiselles, 1 Octobre 1895, No. 5062
Object type: fashion print
Date: 1895 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: border, ribbon, braid (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), head-gear: hat (+ feathers used for clothes)
Inscriptions: title: ‘Journal des Demoiselles’

Vijf vrouwenhoofden, waarvan twee in kaders, met verschillende hoeden versierd met linten en veren. Prent uit het modetijdschrift Journal des Demoiselles (1833 -1922).
Lijkstatie van prinses Anna, 1759, plaat 8
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: anna van hannover, cortege, funeral procession, delft
Inscriptions: collector's mark: Lugt 2228

Leden van de hofhouding van de prinses. Onderdeel van een serie van 16 platen plus een gedrukte beschrijving van de lijkstatie van de op 23 februari 1759 te Delft begraven prinses Anna van Hannover. Genummerd rechtsonder: 8.
De erotische weg naar de hoofdstad
Object type: print
Date: 1835 – 1845
Materials: paper
Techniques: woodcut
Location: japan
Artist: utagawa kunisada (i)
Artist role: print maker
Artist dates: 1786 – 1865
Subjects: coitus, cohabiting, sexual intercourse
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Man en vrouw de liefde bedrijvend op veranda; pijnbomen op de achtergrond.
jonge herder
Object type: medal
Date: 1889 – 1889
Materials: silver
Techniques: casting
Location: paris
Artist: louis eugène mouchon
Artist role: medailleur
Artist dates: 1843 – 1914
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Towel
Object type: towel
Date: 1701 – 1800
Materials: cotton, linen
Vrouwenhoofd
Object type: drawing
Date: 1887 – 1891
Materials: chalk, paper, pencil
Subjects: head (human) - aa - female human figure (+ sideview, profile)
Inscriptions: collector's mark: Lugt 2228, workshop stamp: Lugt 291d
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, bent arm and part of torso of male to right?; part of thigh of a second male
Voorstellingen uit de Romeinse geschiedenis
Object type: print
Date: 1573 – 1573
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: (story of) the sabine women
Inscriptions: inscription, collector's mark: Lugt 240

De Sabijnse vrouwen zijn neergeknield bij Romeinse en Sabijnse soldaten te paard en smeken hen de strijd te staken. In de marge onder de voorstelling staat een tekst in het Latijn, rechtsonder genummerd: 2. De prent maakt deel uit van een serie prenten die gebeurtenissen uit de Romeinse geschiedenis verbeelden.
Dish
Object type: dish
Date: 1701 – 1733
Materials: earthenware
Techniques: glazing
Titelprent met gedrapeerd doek met tekst en wapenschild
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: france
Subjects: coat of arms (as symbol of the state, etc.), hangings and drapery
Inscriptions: collector's mark: Lugt 240
Jacobus Scheltema (1767-1835), Historian
Object type: painting
Date: 1798 – 1819
Materials: canvas, oil
Artist: wilhelmina geertruida van idsinga
Artist dates: 1788 – 1819
Subjects: jacobus scheltema, historical persons, historical disciplines; philology (+ portrait of scholar, scientist)
Inscriptions: signature: ‘W.G. van Idsinga Pinxit’

Portret van Jacobus Scheltema, geschiedschrijver. Buste, en face. Kopie door Idsinga naar het origineel door Van der Kooi.
Titelprent voor: Richard Wagner, sa vie et ses œuvres
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: lithography
Location: paris
Subjects: 'musica', symbolic representations, allegories and emblems ~ music; 'musica'(ripa), monumental artist, monument, statue
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: A. Jullien, Richard Wagner: sa vie et ses œuvres, Parijs 1886.
Design for a Wall-mounted Epitaph
Object type: drawing ornament architecture
Date: 1700 – 1730
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800

Design for a wall-mounted epitaph or memorial tablet with a rectangular central compartment for an inscription (here left blank). The frame of the epitaph is built up out of architectural elements in high relied, executed in the late Baroque style typical of Northern Italy at the end of the seventeenth and early eighteenth century. It is further decorated with slim garlands of leaves that runs along the top and bottom of the frame. Their yellow tone may indicate it was to be gilded.The epitaph is presented here against a brick wall.
Uitzicht op Miyanoshita, Hakone
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Inscriptions: annotation: ‘17. Miyanoshita’
Rivierlandschap met man met pak op zijn rug
Object type: print
Date: 1624 – 1661
Materials: paper
Techniques: etching
Location: netherlands
Artist: jan van aken
Artist role: draughtsman, print maker
Artist dates: 1614 – 1661
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 2228
Fragment of a limestone funerary stele with a disk and a crescent
Object type: grave stele with crescent and disk
Date: 550 – 501
Materials: limestone
Culture: cypriot

Crescent and disk in high relief and painted red sash.
1579 / Unie van Utrecht
Object type: history print
Date: 1782 – 1799
Materials: paper
Techniques: tone lithography
Location: netherlands
Subjects: signing of peace treaty, concluding the peace, union of utrecht

Illustratie voor: J.H. Eichman & H. Altmann, Vaderlandsche historieplaten voor scholen en huisgezinnen, Leiden, 1855. Dit nummer is een door het RPK toegevoegd nummer en staat niet in Frederik Muller, het werk waar de prent voor is gemaakt of uit afkomstig is, staat wel vermeld in Frederik Muller.
Portret van Erdmann Neumeister
Object type: print
Date: 1736 – 1736
Materials: paper
Techniques: engraving
Location: hamburg
Subjects: erdmann neumeister, bookshelves, writing tools, historical persons
Inscriptions: collector's mark: Lugt 2228
Kanaal bij de poort van Nimy
Object type: print
Date: 1875 – 1878
Materials: paper
Techniques: drypoint, etching
Artist: léon dolez
Artist role: print maker
Artist dates: 1837 – 1902
Subjects: canal, city-gate
Inscriptions: collector's mark: Lugt 2228
Portret van een staande vrouw bij een stoel
Object type: photograph
Date: 1868 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: hermanus jodocus weesing
Artist role: fotograaf
Artist dates: 1844 – 1910
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Photographisch Atelier/ H.J. Weesing/ Binnen Brouwerstraat T.T. 220/ Amsterdam’
Portret van Reyer Anslo
Object type: print
Date: 1702 – 1767
Materials: paper
Techniques: engraving, etching
Subjects: reyer anslo
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve naar links van de letterkundige Reyer Anslo, blootshoofds. In zijn hand houdt Anslo een rol papier.
Shabti Box of Yuya
Object type: shabti box
Date: 1390 – 1352
Materials: paint, wood
Location: egypt

This painted shabti box was found in the tomb of Yuya and Tjuyu in the Valley of the Kings. Although not of royal lineage, as in-laws of the king, Yuya and his wife Tjuyu were given a sumptuous burial in the royal cemetery. Three exquisitely carved shabtis (30.8.56–.58) in the collection and a second shabti box (30.8.60) are also from this tomb.
Scene from the Last Judgment, Study for the Fresco Decoration of One of the Segments of the Cupola of the Cathedral of Santa Maria del Fiore in Florence
Object type: drawing
Date: 1576 – 1579
Materials: chalk, ink, paper
Techniques: brush, cutting, pen, wash
Artist: federico zuccaro (zuccari)
Artist role: artist
Artist nationality: italian
Artist dates: 1540 – 1609
Subjects: men,male nudes,cupid

Carefully executed by Federico Zuccaro in preparation of his frescoes for the monumental dome of the Florence Cathedral (1574-79), this drawing corresponds, with certain variations, to the third segment of the octagonal cupola to the right of the principal segment - where the Judging Christ is represented. Raffaello Borghini in his account ‘Il Riposo’ (Florence, 1584) extensively discussed the program for the frescoes on the dome, and praised Zuccaro for his "invenzione" (creativity and invention) of the scheme. The present drawing is strictly related to a very coherent group of sheets realized by Zuccaro in preparation of the dome’s decoration now held in Amsterdam, Paris, Vienna, Chicago, Florence and Darmstadt. Like the present sheet, several of these drawings have been cut down to the shape of the segment of the cupola. Zuccaro may have cut the drawings together to make a small tridimensional model of his project.
Double Spout and Bridge Bottle in Feline Shape
Object type: bottle
Date: 500 – 201
Materials: ceramic, pigment
Culture: paracas
Location: peru
Early Morning, Richmond Park
Object type: print
Date: 1859 – 1859
Materials: ivory, paper
Techniques: drypoint, etching
Location: england
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Openwork bead
Object type: bead, openwork
Date: 664 – 630
Materials: faience
Location: egypt
Watertank waaruit Arabische vrouwen water halen te Bushire, Perzië
Object type: photograph
Date: 1925 – 1925
Materials: cardboard, paper
Techniques: gelatin silver print
Location: unknown
Artist: a.g.a. van eelde
Artist role: engineer
Artist dates: 1862 – 1950
Subjects: iran
Inscriptions: number: ‘11.’

Titel op object afkomstig uit inventaris (Verklaring der Photo's) behorend bij het album.
Portret van Friedrich Ernst Daniel Schleiermacher
Object type: print
Date: 1800 – 1830
Materials: paper
Techniques: etching
Subjects: theologian, historical persons
Portrait of an unknown man
Object type: print
Date: 1867 – 1900
Techniques: drypoint
Artist: marcellin desboutin
Artist role: artist
Artist nationality: french
Artist dates: 1823 – 1902
Subjects: men,portraits,profiles
Tazza
Object type: metalwork
Date: 1697 – 1698
Materials: metal, silver
Location: london
Artist: thomas ash
Groot rechthoekig wandbord, van ebbenhout, met geprofileerde omlijsting, en voorzien van oorspronkelijk veertien spijkertjes van koper, regelmatig verdeeld over het wandvlak.
Object type: plate dish
Date: 1690 – 1710
Materials: brass, wood
Location: amsterdam
Artist: Anonymous

Groot rechthoekig wandbord, vervaardigd van een plaat ebbenhout, met geprofileerde omlijsting, en voorzien van oorspronkelijk veertien spijkertjes van koper, regelmatig verdeeld over het wand vlak (nog zeven aanwezig). Het ebbenhout is geplakt op een dunne messing plaat, hij hangt aan twee koperen draadoogjes.
Gezicht op het Pavillon Molien van het Louvre
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: façade (of house or building)
Dragon Boat Regatta on Jinming Lake
Object type: handscroll
Date: 1301 – 1400
Materials: ink, silk
Culture: chinese
Artist: wang zhenpeng
Artist role: artist
Artist nationality: chinese
Artist dates: 1265 – 1340
Subjects: lakes,boats

Dragon boat races are traditionally held on the fifth day of the fifth lunar month to commemorate the death of the virtuous minister Qu Yuan (343–277 B.C.), who drowned himself to refute slander. Depicted here is a race sponsored by Emperor Huizong (r. 1101–25) on the third day of the third month, on Jinming ("Golden Bright") Lake, which was located in an imperial park at the Northern Song capital of Kaifeng. The picture is a remarkable example of jiehua, or "ruled-line," painting, the intricate style of depicting architecture perfected by Wang Zhenpeng. According to the inscription, Wang executed this painting in 1323 for the Grand Elder Princess Sennge (ca. 1283–1331), the older sister of Emperor Renzong (r. 1312–20), after a similar composition he had painted for Renzong in 1310. A powerful figure in the Mongol court, Princess Sennge was one of the foremost art collectors of the age, and her seals appear on many early paintings and calligraphies. Two of her seals are impressed on the Metropolitan scroll: one in the upper-right corner of the painting, the other following Wang's inscription. The weak carving of the legends and the harsh color of the seal paste, however, suggest that both seals are forgeries. The stiffness of Wang's clerical-script inscription also marks it as a copy. The subject was immensely popular—at least five other versions of this composition exist. The Metropolitan's painting appears to be a later fourteenth-century copy of Wang's famous composition.
Rim fragment of a large terracotta vessel
Object type: handle fragment
Date: 300 – 201
Materials: terracotta
Culture: etruscan
Subjects: human figures,sleeping

Like so much of black-glaze pottery, this piece imitates a metal prototype. Metal vessels with handles modeled in the form of sleeping youths were sometimes used as cinerary urns. See, for example, the bronze handle 28.57.13 in this case.
Gezicht op de berg Ebal te Palestina
Object type: page
Date: 1890 – 1900
Materials: paper
Techniques: photoaquatint
Location: palestine
Artist: Anonymous
Subjects: mountains
Inscriptions: title: ‘Mount Ebal.’
Model of Turtle
Object type: figure
Date: 1271 – 1368
Materials: stoneware
Culture: chinese
Subjects: turtles
Portrait of Maerten Harpertsz Tromp (1598-1653)
Object type: painting
Date: 1640 – 1640
Materials: canvas, oil
Artist: michiel jansz van mierevelt
Artist role: draughtsman, painter
Artist dates: 1567 – 1641
Subjects: brielle, maarten harpertszoon tromp, historical persons, commander-in-chief, admiral

Maarten Harpertsz Tromp. Studio of M.J. van Miereveld, after an original of 1640. Admiral Maarten Harpertsz Tromp (1598-1653) was born into a seafaring family. In 1607, at the age of nine, he was on board his father's ship at the Battle of Gibraltar, fighting the Spanish fleet. He was to rise to the highest rank in the navy. In 1639 he inflicted a crucial defeat on Spain at the Battle of the Downs off the southeast coast of England. In 1652 Tromp was given command of the Dutch navy. That year, four years after peace had been signed with Spain, tension with England eventually led to war. Tromp was killed in 1653 in the Battle of Ter Heijde off the coast of South Holland which was won by the English.
Folding Fan with Blank Leaf, and Carved Ivory Sticks
Object type: fan
Date: 1801 – 1900
Materials: ivory, paper
Fan
Object type: fan
Date: 1867 – 1900
Materials: brass, feather, metal, mother of pearl, silk
Artist: tiffany & co.
Artist role: manufacturer
Artist dates: 1837 – 9999
Subjects: men,women
Luipaarden
Object type: print
Date: 1657 – 1677
Materials: paper
Techniques: etching
Location: the hague
Artist: marcus de bye
Artist role: print maker
Artist dates: 1639 – 1688
Subjects: beasts of prey, predatory animals
Inscriptions: collector's mark: Lugt 240
Lensmeter voor het fotograferen van criminelen
Object type: page
Date: 1893 – 1903
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: tools, aids, implements ~ crafts and industries, photography, criminals
Inscriptions: number: ‘Fig. 61.’
Koperen draagteken
Object type: insignia
Date: 1832 – 1832
Materials: copper, silk, metal
Techniques: stitching, striking, weave
Location: netherlands
Artist: Anonymous

Zeer dun, geslagen koperen decoratie in de vorm van een gekroond wapenschild omgeven door een krans, bevestigd aan een rood-zwart lintje. Gemerkt.