deem-data/ArtiFact huggingface dataset:
Plate 35 of 38 from Oeuvres de J. B. Huet
Object type: print
Date: 1796 – 1799
Materials: paper
Techniques: etching
Location: france
Artist: jean baptiste huet
Artist nationality: french
Artist dates: 1745 – 1811
Fotoreproductie van het fresco Het ophangen van Haman door Michelangelo in de Sixtijnse kapel
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: vatican city
Subjects: picture, painting, wall-covering, haman on the gallows
Inscriptions: number: ‘3358.’, collector's mark: ‘VOSMAER’
Meisje met pop en hond
Object type: drawing
Date: 1861 – 1904
Materials: ink, paper
Techniques: pen
Artist: thomas cool
Artist role: draughtsman, painter
Artist dates: 1851 – 1904
Subjects: girl (child between toddler and youth), (playing with) dolls, dog
Lilie Sinclair, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Man bekijkt een vrouw met ontbloot bovenlijf
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: breasts, nightwear: night-cap, oil-lamp
Inscriptions: collector's mark: Lugt 240

Deze prent is ook gebruikt als illustratie bij het verhaal 'D'Almanzi' voor: Baculard d'Arnaud, F.T.M. de. Zedelijke verhaalen, deel 2. Amsterdam: A. Mens Jansz. en A.E. Munnikhuisen, 1777.
Gezicht op Sankt Moritz
Object type: page
Date: 1883 – 1883
Materials: paper
Techniques: woodburytype
Location: paris
Artist: joseph deneck
Artist role: publisher
Artist dates: 1857 – 
Subjects: village, lake, mountains
Inscriptions: inscription: ‘Concours de 1883/ Deuxième prix décerné à M. J. Deneck.’
Dubbelportret van koningin Ranee en prins Dwoolap Singh
Object type: print
Date: 1822 – 1863
Materials: paper
Techniques: engraving
Artist: lazarus gottlieb sichling
Artist role: print maker
Artist dates: 1812 – 1863
Subjects: historical persons, ornaments, jewels, asiatic races and peoples: indians
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: The Pictorial Times. London: s.n., 14-04-1846.
William Earl Cadogan
Object type: print
Date: 1747 – 1781
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons

Prent uit: The Universal Magazine of Knowledge and Pleasure, 1747-1814.
Study of a Young Woman with a Watering Jug
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: heightening
Location: france
Artist: nicolas lancret
Artist role: artist
Artist nationality: french
Artist dates: 1690 – 1743
Sir William Vernon-Harcourt
Object type: page
Date: 1872 – 1877
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: lawyer, attorney at law, historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Scherven van bodems en deksels van porselein uit V.O.C.-schip de 'Witte Leeuw'
Object type: lid
Date: 1613 – 1613
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven van bodems en deksels van porselein uit V.O.C.-schip de 'Witte Leeuw'.
Rotskust in Groot-Brittannië
Object type: photograph
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Location: great britain
Artist: Anonymous
Subjects: coastal cliff or crag, great britain
Lille, vue de la Rue de la Gare
Object type: photomechanical print
Date: 1878 – 1882
Materials: paper
Techniques: woodburytype
Subjects: city-view in general; 'veduta', street, lille
Inscriptions: inscription: ‘Le Nord Contemporain/ Revue Artistique & Archéologique’

Prent op derde ongenummerde pagina na pagina 240.
Ishizara Plate with Design of Human Face
Object type: plate
Date: 1734 – 1833
Materials: stoneware
Culture: japanese
Subjects: faces
Logeergebouw met Schoolgebouw Rechtschool Weltevreden
Object type: photograph
Date: 1918 – 1919
Materials: photographic support
Techniques: gelatin silver print
Location: batavia
Artist: Anonymous
Subjects: further education (+ building ~ education, tuition), batavia
Inscriptions: inscription: ‘Logeergebouw met Schoolgebouw Rechtschool Weltevreden’

Het logeergebouw en het schoolgebouw bij de Rechtschool te Weltevreden. Onderdeel van het fotoalbum van de Eerste Waterstaatsafdeling op West-Java 22 maart 1915 - 30 juli 1919.
Bronzen schenkkan in de vorm van een leeuw
Object type: drawing
Date: 1837 – 1895
Materials: ink, paper, pencil
Techniques: pen
Artist: david van der kellen (1827-1895)
Artist role: draughtsman, print maker
Artist dates: 1827 – 1895
Subjects: beasts of prey, predatory animals: lion, container of metal: bucket, can, canister, drum, tin
Portret van een onbekende artiest
Object type: print
Date: 1863 – 1907
Materials: paper
Techniques: lithograph
Location: hamburg
Subjects: the show; fair and circus performers
Inscriptions: stamp: ‘Van het Koniklijk Oudheidkundig Genootschap te Amsterdam’, collector's mark: Lugt 1641, stamp, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin. Volksleven. Volksfeesten. Circusmenschen, dierentemmers, acrobaten, goochelaars, en dergelijken.
Bacchante with Infant Faun
Object type: sculpture
Materials: bronze, copper alloy, metal
Location: paris
Artist: frederick w. macmonnies
Artist nationality: american
Artist dates: 1863 – 1937
Subjects: dining, drinking, people, portraits
Inscriptions: Signed on base: "F. MacMonnies, 1894"

Foundry (stamped): "Jaboeuf & Rouard / FONDEURS/A/PARIS/10 & 12/R DE L'ASILE POPINCOURT"

As one of the nation’s most important sculptors of the Gilded Age, Frederick William MacMonnies garnered many public and private commissions at the turn of the 20th century. Bacchante with Infant Faun, however, was not created on commission. Instead, MacMonnies gave the life-size version of the bronze to his friend the architect Charles McKim. The sculpture was soon at the center of a public scandal when McKim attempted to give it to the new Boston Public Library. Some among Boston’s elite chafed at the mythical figure’s nudity and her drunken dance. MacMonnies’s naturalistic modeling—bones, muscles, and even teeth convincingly rendered—challenged Victorian sensibilities. McKim eventually gave the statue to the Metropolitan Museum of Art. Bronze reductions, such as this one, nevertheless remained popular with the public.
Girl Playing the Violin: Charley Toorop
Object type: wrapper
Date: 1904 – 1904
Materials: paper
Techniques: lithograph
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: violin, fiddle, girl (child between toddler and youth), one person playing an instrument
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Toorop designed the cover of the catalogue of a survey exhibition of his work at the art gallery Frans Buffa & Zonen in Amsterdam. Taking centre stage on the cover is his daughter Charley playing the violin. She studied at the conservatory in Paris for some time. Charley later also became a famous painter.
Stirrup
Object type: stirrup
Date: 901 – 1100
Materials: iron, silver
Culture: germanic
Location: poland

This type of stirrup, with its wide rectangular suspension eye and its flaring sides at the bottom, is characteristic of the Germanic (Viking) populations living around the Baltic and Northern Seas. It evolved from types used by the Avars in Eastern Europe in the 7th and 8th centuries and was brought to Central Europe through the migration of Eastern populations. If the Vikings are mostly known for being talented sailors, one may forget they were also horse riders, and as in all the Germanic cultures, horses had great importance in their society, in both its social and religious aspects. Equestrian equipment, like stirrups, spurs and bits, are regularly found in Viking burials, among the goods warriors wanted to bring with them to the afterlife. The elite would sometimes even be accompanied by sacrificed horses, a meaningful practice at that time, considering the high economic value of horses.
The Visitation, from "The Life of the Virgin"
Object type: print
Date: 1503 – 1504
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: virgin mary
Gezelschap met baby
Object type: boekillustratie ontwerp
Materials: ink, paper, pencil
Techniques: pen
Artist: willem pothast
Artist role: draughtsman, print maker
Artist dates: 1877 – 1916
Subjects: interior of the house, tea-pot; samovar, infant, baby
Inscriptions: collector's mark: Lugt 2228, signature: ‘W.P.’, :, annotation: ‘pag 120/ Neen we hebben maar twee zusjes een ben ik zelf/ en dan dat.’

In een interieur zit een vrouw met een baby op schoot bij een venster. Om haar heen zitten een vrouw en meisje en staat een peuter, die haar hand naar de baby uitsteekt. Aan de wand hangen schilderijen, waaronder een portret en landschappen. Op tafel staat een theeservies.
Gulden van de Verenigde Belgische Staten, 1790
Object type: coin
Date: 1790 – 1790
Materials: silver
Techniques: striking
Location: brussels

Zilveren munt. Voorzijde: staande leeuw naar rechts. Jaartal, waartussen engelenkop, in afsnede. Keerzijde: twee uit wolken komende ineengeslagen handen, waarin pijlenbundel. In afsnede waarde-aanduiding. Omschrift: IN VNIONE SALVS. Kabelrand.
Portret van Martin Luther
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: priest, martin luther, historical persons
Inscriptions: date
Portret van Jonathan Schuderoff
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Design Drawing
Object type: drawing
Date: 1893 – 1893
Materials: board, graphite, watercolor
Culture: american
Location: united states
Artist: tiffany & co.
Artist role: artist
Artist dates: 1837 – 9999
Subjects: flowers
Schlesinger and Mayer Company Store, Chicago, Illinois, Baluster
Object type: architectural fragment
Date: 1898 – 1899
Materials: copper, iron
Location: united states
Artist: louis h. sullivan
Artist nationality: american
Artist dates: 1856 – 1924
View Near Sandy Hill (No. 7 of The Hudson River Portfolio)
Object type: print
Date: 1822 – 1823
Techniques: aquatint, hand coloring, printing
Artist: john hill
Artist role: etcher
Artist nationality: american, born england
Artist dates: 1770 – 1850
Subjects: rivers,hills,landscapes

Sandy Hill (now Hudson Falls), sits on the river's east bank three miles below Glens Falls [see 54.90.1274(6)]. The accompanying text emphasizes the vista's placidity when compared to "the rude and solitary grandeur of the Highlands" to the south, and "the scarcely less bold character of the mountainous regions of Luzerne" [upriver]...The fall of the water, in this place, is very diminutive, although sufficient to keep the mills in operation which speculative industry has erected upon it [and]...the country around affords a number of romantic situations and interesting promenades." The print comes from the Hudson River Portfolio, a monument of American printmaking produced through the collaboration of artists, a writer, and publishers. In the summer of 1820, the Irish-born Wall toured and sketched along the Hudson, then painted a series of large watercolors. Prints of equal scale were proposed—to be issued to subscribers in sets of four—and John Rubens Smith hired to work the plates. Almost immediately, Smith was replaced by the skilled London-trained aquatint engraver John Hill, who finished the first four plates, and produced sixteen more by 1825. Over the next decade, the popularity of the Portfolio stimulated new appreciation for American landscape, and prepared the way for the Hudson River School.
Modèles d'Orfèvrerie
Object type: ornament print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: paris
Subjects: egg-cup, fowl (cock, hen, chicken, etc.)
Inscriptions: : ‘Déposé à la Bibliothèque Impériale’, number: ‘6.e Cah.er’

Ontwerpen voor zes eierdoppen met decoratie van kippen en hanen. Prent maakt deel uit van een album.
Grote landschappen
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Location: utrecht
Subjects: landscapes
Inscriptions: collector's mark: Lugt 240

Tussen boomstronken zit een jager met geweer. Links een vrouw, op de rug gezien, ze wijst met haar linkerhand naar een vogel in de lucht.
Paris - Le Nouveau Louvre
Object type: photograph
Date: 1887 – 1900
Materials: paper
Techniques: albumen print
Location: paris
Subjects: square, place, circus, etc., palace, permanent exhibition, museum
Inscriptions: inscription: ‘1140 Paris. - Le Nouveau Louvre X. Phot.’

Tussen 1887 en ca. 1900 werkten Neurdein frères onder andere onder de naam 'X phot.'.
Peonies
Object type: votive plaque
Date: 1801 – 1900
Materials: ink, shell, wood
Culture: japanese
Subjects: peonies
Ribbon
Object type: ribbon
Date: 1860 – 1860
Materials: silk
8 Holland. Straßenleben in Volendam.
Object type: stereograph
Date: 1900 – 1940
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: unknown
Artist: ngp
Artist role: fotograaf
Subjects: volendam
Portret van keizer Leopold I
Object type: print
Date: 1658 – 1678
Materials: paper
Techniques: engraving
Subjects: vienna, leopold i (keizer van duitsland)
Inscriptions: collector's mark: Lugt 2228

Portret van keizer Leopold I met lauwerkrans en ketting van het Gulden Vlies. Portret in ovaal met een sierlijst van engelen die de keizerskroon vasthouden en twee gekroonde adelaars.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Bent elbow, seen from beneath drapery, and part of the lower body and foot of a draped male holding a vine; part of the panel border which is comprised of ivy
Plan De la situation ou la Bataille de Ramillis, c'est donné entre l Armee des Alliees (...) 23 May 1706
Object type: map
Date: 1706 – 1706
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van vianen
Artist role: print maker
Artist dates: 1660 – 1726
Subjects: john churchill (1e hertog van marlborough), the hague, maps of separate countries or regions, battle (+ land forces)

Plan en gezicht van de slag bij Ramillies tussen de Geallieerden onder de hertog van Marlborough en Hendrik van Nassau, heer van Ouwerkerk en de Fransen en de Beiersen, 23 mei 1706. Rechts een cartouche versierd met allegorische figuren en de portretten van Marlborough en Ouwerkerk. Genummerd rechtsonder: Tom. II. No. 24.
Practice Sword
Object type: practice sword
Date: 1575 – 1575
Materials: brass, leather, steel, wood
Culture: german
Location: germany
Artist: ulrich diefstetter
Artist role: bladesmith
Artist nationality: german
Artist dates: 1536 – 1589

Purposely made with dull edges and blunt tips, this practice sword and another similar example in The Met's collection (acc. no. 14.25.1110) are descendants of knightly war swords, which were made to be wielded with either one hand or two. Known simply as the long sword, this type was a specialty of the German school, which continued to practice its use long after it had been abandoned elsewhere.
De Zieltogende Anjouse Monarchy Of De Spaanse Melk Eselin voedende de Doodstuipige Tege[n]weer en Aftogt na Parys / La Monarchie Anjou Agonisant (...)
Object type: cartoon
Date: 1711 – 1711
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham allard
Artist role: print maker, publisher
Artist dates: 1676 – 1725
Subjects: filips v (koning van spanje), political caricatures and satires

De zieltogende Anjouse Monarchie (plaat a), 1711. Eerste plaat in een groep van 4 allegorieën op het falen van de hertog van Anjou als koning Filips V van Spanje. De ezel (Spanje) wordt gemolken. Met opschriften en verzen in het Nederlands en Frans. Onderdeel van de Platen over 1711, een groep van 5 ongenummerde spotprenten op de Fransen in het jaar 1711 van de Spaanse Successieoorlog. Onderdeel van het prentwerk uitgegeven onder de verzameltitel 't Lust-Hof van Momus met de gebundelde series van spotprenten tijdens de jaren 1701-1713 van de Spaanse Successieoorlog.
Vrouw en twee saters bij een fontein onder een pergola
Object type: print
Date: 1556 – 1556
Materials: paper
Techniques: etching
Location: netherlands
Subjects: ornament ~ grotesque, ornament derived from architectural details

Vrouw en saters bij fontein. Daarboven ligt onder een baldakijn een man opgebaard. Blad L uit serie van 12 bladen, genummerd A-M met vlakdecoraties van grotesken met rolwerk, saters, guirlandes, trofeeën, dieren en fantasiewezens.
Portret van Salomon Glass
Object type: print
Date: 1673 – 1673
Materials: paper
Techniques: engraving
Location: augsburg
Artist: melchior hafner (ii)
Artist role: print maker
Subjects: cherubs, i.e. children's heads with wings, acanthus ~ ornament, theologian, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Spizel, Gottlieb. Templum Honoris reseratum (...). Augsburg: Gottlieb Göbel, 1673.
Mold for Cornflower Pendant
Object type: mold, cornflower pendant
Date: 1353 – 1336
Materials: pottery
Location: egypt

This mold from Amarna was used to produce cornflower pendants (see 31.114.2a). The mold would hae been created by using an existing pendant to impress a shape into a pad of clay, which was then fired. The mold was then used to produce cornflower pendants in faience paste. Once molded, the pendant was not fired in the mold, but tipped out of it to dry before later firing, so that the mold itself could be used many times in quick succession. Eventually the mold, because it was porous, soaked up some of the paste materials - the whitish cloud seen over the surface within this mold is the result. After considerable use, the mold would have blurred and been discarded.
Portret van Willem III, prins van Oranje
Object type: photomechanical print
Date: 1850 – 1949
Materials: paper
Techniques: photograph
Location: netherlands
Artist: Anonymous
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Haardsteen, waarop Maria die de blijde boodschap ontvangt
Object type: hearthstone
Date: 1500 – 1600
Materials: earthenware
Location: southern netherlands
Artist: Anonymous

Haardsteen, waarop Maria die de blijde boodschap ontvangt. Van fijne gebakken aarde.
Nieuwjaarswens voor 1949 van Mária, Phons en Clara Schellart
Object type: new year card
Date: 1948 – 1948
Materials: paper
Techniques: letterpress printing, engraving
Location: france
Subjects: phons schellart, sailing-ship, sailing-boat, city-view in general; 'veduta', lake, windmill in landscape, the usual house or row of houses, bridge in city across river, canal, etc.

Gevouwen blad met op de voorzijde, in een kader: '1 Janvier 1949'. Op de binnenzijde rechts een prent: een gezicht op Amsterdamse grachtenpanden en een gezicht op een meer met zeilboten en een windmolen op de achtergrond. De twee gezichten worden gescheiden door een tekstrol met daarop de namen van de afzenders. Binnenin links een Franstalig gedicht van acht regels door Jean Froissart.
Fragment of Border
Object type: textile fragment
Date: 1801 – 1900
Materials: linen, silk
Techniques: embroidery, weave
Location: morocco
Ryan, Right Field, Chicago, from the Gold Coin series (N284) for Gold Coin Chewing Tobacco
Object type: baseball card
Date: 1887 – 1887
Techniques: color lithograph, drawing
Artist: d. buchner & co., new york
Artist role: publisher
Artist nationality: american
Artist dates: 1850 – 1900
Subjects: men,portraits,baseball,athletes

(Jimmy) Ryan, Right Field, Chicago, trade card from the "Gold Coin" series (N284), issued by D. Buchner in 1887 to promote Gold Coin Chewing Tobacco. In the American Card Catalog, Burdick refers to the series as "Leading Baseball Players, Police Inspectors and Captains, Jockeys, and Actors." The images in this series do not always represent the specific athletes named.
Kloosterleven in emblemen
Object type: cognizance
Date: 1621 – 1635
Materials: paper
Techniques: etching, letterpress printing
Location: nancy
Subjects: sheep, watch-dog, dog watching, eyes, herd, flock
Inscriptions: collector's mark: Lugt 240

Voorstelling van een omheining waarbinnen schapen grazen; ernaast ligt een waakhond en staat een oog op een stok. Boven en onder deze prent Latijnse en Franse teksten in boekdruk. Dit blad is onderdeel van de embleemserie 'Kloosterleven in emblemen'. De tweede staat van deze serie behelst naast een geïllustreerde titelpagina en 26 emblemen nog een titelpagina en een blad met opdracht, beide in boekdruk zonder afbeelding.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, lower torso and upper legs of male with himation wrapped around waist; fingertips of left hand on hip
Herberginterieur met drinkende en rokende heren
Object type: print
Date: 1609 – 1639
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: inn, coffee-house, public house, etc., pipe ~ tobacco, drinking
Inscriptions: collector's mark: Lugt 240
Cushion Cover
Object type: textile
Date: 1801 – 1900
Materials: velvet
Techniques: cutting, voiding
Location: turkey
Terracotta amphora (jar)
Object type: amphora, type b
Date: 520 – 520
Materials: terracotta
Culture: greek, attic
Artist: group of toronto 305
Artist role: artist
Subjects: shields,athena,hermes,dogs,horses,chariots,herakles

Obverse, Athena mounting chariot, with Herakles and gods Reverse, warriors' departure The scene on the reverse is interesting for the way in which the painter suggests depth by showing one figure behind and almost covering the other. The rider is leading an unmounted horse to his left. Similarly, at the right, the hoplite stands in front of an archer, recognizable by his bow.
Portret van een onbekende Indische familie en twee onbekende Westerse kinderen
Object type: cabinet photograph
Date: 1905 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: makassar
Artist: wah seng
Artist role: fotograaf
Subjects: child, anonymous historical persons portrayed in a group, in a group-portrait

Illustratie van een vrouw met een kaart in de hand en een landschap op verso.
Fauteuil voor een dame
Object type: chair
Date: 1910 – 1927
Materials: wood
Location: netherlands
Artist: ernst schubad
Artist role: interieurontwerper, meubelontwerper
Shimada: The Suruga Bank of the Oi River (Shimada, Oigawa Sungan), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido
Object type: print
Date: 1833 – 1834
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Boordeknoopje uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: collar button
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Boordeknoop. Stud; (1) flat, circular top (1.1d), plain.