deem-data/ArtiFact huggingface dataset:
Horizontal Panel with Two Medallions Containing Cupid
Object type: print ornament architecture
Date: 1596 – 1596
Techniques: engraving
Artist: floris balthasarsz van berckenrode
Artist role: artist
Artist dates: 1562 – 1616
Subjects: portraits,women,cupid
Ballastlood uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: ingot
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Ingot; (1) sim. NG 1979-268H, elongated (104.5l, 12.4w, 5.5h), corroded, marks visible [173, others illegible].
Molen voor suikerfabriek
Object type: photograph
Date: 1929 – 1929
Materials: photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: colonial system, factory-interior, machine shop, machines; parts of machines; tools and appliances, (non-fruit) products of plants or trees: sugarcane, java
Inscriptions: date

Een molen voor een machine vervaardigd 1929 en bestemd voor de suikerfabriek Ngandjoek. Onderdeel van de multomap met foto's van machines van de N.V. Machinefabriek Braat te Soerabaja bestemd voor de Nederlandse suikerindustrie op Java, uit de periode 1917-1938.
Scarab Inscribed with Hieroglyphs
Object type: scarabm hieroglyph, wedjat, nefer, red crown
Date: 1740 – 1640
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs
Twee studies van Rutger Jan Schimmelpenninck en een schets van zijn vrouw
Object type: drawing
Date: 1798 – 1801
Materials: chalk, paper
Artist: pierre prudhon
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1758 – 1823
Subjects: deventer, amsterdam, rutger jan schimmelpenninck (1761-1825)

Studies voor de figuur van Rutger Jan Schimmelpenninck (1761-1825) op het portret van hem en zijn gezin in het Rijksmuseum (SK-A-3097); tevens een zeer lichte schets voor de staande figuur van zijn vrouw.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of a circumscribed palmette
Two Figures of Evangelists Writing
Object type: drawing
Date: 1700 – 1750
Materials: chalk, ink, ivory, paper
Techniques: brush, pen, drawing, wash
Artist: pedro  duque cornejo
Artist role: artist
Artist nationality: spanish
Artist dates: 1677 – 1757
Subjects: men,writing

For the attribution of this drawing to the sculptor Pedro Duque Cornejo, see M. García Luque, 'Dibujos de Duque Cornejo en el Álbum Jaffe (I): la colección del Metropolitan Museum of Art’, Philiostrato. Revista de Historia y Arte, no. 3, 2018, cat.no. 17.
Portret van Frère Gabriel Chataigneret
Object type: photograph
Date: 1871 – 1871
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Artist: antoine rené trinquart
Artist role: fotograaf
Subjects: monk(s), friar(s)
Inscriptions: address: ‘10, Rue de Port-Mahon’

Onderdeel van Herdenkingsalbum van rooms-katholieke geestelijken gevallen tijdens de Commune van Parijs.
Varaha Triumphant
Object type: painting
Date: 1767 – 1800
Materials: ink, paper
Techniques: wash
Culture: indian, rajasthani, sawar
Subjects: demons,krishna,hinduism

Here, Varaha (an avatar of Vishnu) sits triumphantly on a rocky mountaintop while being venerated by the major Hindu gods. The form above his tusks is the world (bhu) together with the sun and moon, which he rescued from the cosmic waters after defeating the evil demon Hiranyaksha; the demon's body lies in the foreground. This rendering of the subject is unusal as artists typically chose to represent the moment when Varaha raised the earth above the cosmic waters.
Spotprent op de gelijkheid en broederschap, 1795
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: hermanus fock
Artist role: conservator, draughtsman, painter, print maker
Artist dates: 1766 – 1822
Subjects: brotherly love, alliance with france (1795)
Inscriptions: collector's mark: Lugt 2228

Spotprent op de gelijkheid en broederschap, 1795. Drie borstbeelden naast elkaar. Links een boos kijkende Oranjegezinde man met een bijl, waarschijnlijk een scheepstimmerman (of een boer). In het midden een blij kijkende republiekeinse soldaat, boven zijn hoofd een eikenkrans. Rechts een somber kijkende burgemeester of predikant met pruik.
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Materials: jade, wood
Culture: chinese
Kleedje van kantborduurwerk met opkomende zonnen langs ruitvorm
Object type: mat
Date: 1900 – 1949
Materials: cotton
Techniques: lace embroidery
Location: unknown
Artist: Anonymous

Vierkant kleedje van naturelkleurig kantborduurwerk, gesneden werk. Patroon met een vierkant die is opgebouwd uit vier kleine vierkanten. Elk klein vierkant is door een diagonale lijn verdeeld, met aan de buitenzijde een 'opkomende zon' en aan de binnenzijde een driehoek. Tezamen zorgt dit in het grote vierkant voor een ruitvorm met een vierpuntige ster in het midden. Om het grote vierkant aan alle zijden een rand met rechthoeken, gevuld met bundeltjes draden of met een dicht rasterwerk met opengewerkte ruitjes. Aan alle zijden een afgewerkte rand in linnenslag.
Landscape at Saint-Ouen
Object type: painting
Materials: oil, wood
Artist: georges seurat
Artist role: artist
Artist nationality: french
Artist dates: 1859 – 1891
Subjects: landscapes
Temple block Salt Lake City, Utah
Object type: photomechanical print
Date: 1900 – 1930
Materials: paper
Techniques: autotype
Location: united states
Artist: Anonymous
Subjects: movements derived from protestant churches (with name)
Inscriptions: inscription: ‘Bureau of Information/ Should you wish (...) presented by’, inscription: ‘J.S. Peery’, inscription: ‘Articles of Faith/ Of the Church of Jesus Christ of Latter-day Saints (...) we seek after these things.’
Each Moment Has Its Sickle
Object type: drawing and watercolor
Materials: paint, paper, watercolor
Location: england
Artist: charles reuben ryley
Artist role: artist
Artist nationality: british
Artist dates: 1747 – 1798
Nimf met twee saters in een landschap
Object type: print
Date: 1618 – 1655
Materials: paper
Techniques: engraving, etching
Artist: cornelis schut (i)
Artist role: draughtsman, print maker
Artist dates: 1597 – 1655
Subjects: satyr(s) pursuing nymph(s)
Inscriptions: collector's mark: Lugt 2228a
Binnenplaats van Palazzo Farnese te Rome
Object type: album leaf
Date: 1638 – 1638
Materials: paper
Techniques: etching
Location: rome
Subjects: palace, façade (of house or building), inner court of palace or 'hôtel'
Inscriptions: number: ‘20’

Prent maakt deel uit van een reeks prenten (+ titelprent) van beroemde gebouwen in Rome en elders.
Kraag van gehaakte kant met ronde spiraalschulpen
Object type: collar
Date: 1930 – 1935
Materials: cotton
Techniques: crocheted lace, irish crochet lace
Location: amsterdam
Artist: Anonymous

Kraag van naturelkleurige Ierse gehaakte kant. Strookvormig rond model, 2/3 van een cirkel. Twee rijen moesjes, licht gebogen rechthoekjes in een ruitvormig netwerk met picots. Aan drie zijden afgewerkt met een schulpenrand van aaneengeschakelde ronde spiraalschulpen, die worden gevormd door een rondgelegde en omgehaakte draadbundel. De binnenrand is recht afgewerkt.
Chamber candlestick (one of a pair)
Object type: chamber candlestick
Date: 1834 – 1866
Materials: silver
Artist: robert garrard ii
Artist role: maker
Artist dates: 1818 – 1847
Portret schilderij van Leonidas, koning van Sparta
Object type: photograph
Date: 1855 – 1855
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: male persons from classical history

Foto-reproductie van een prent naar een fragment van het schilderij Léonidas aux Thermopyles van Jacques-Louis David
Greyware Bowl with Incised Designs
Object type: bowl
Date: 300 – 201
Materials: ceramic
Culture: paracas
Location: peru
Agate Amulet
Object type: necklace, bead
Date: 1734 – 1766
Materials: stone
Techniques: inlay
Location: iran
Subjects: amulets,flowers

In Iran agate has been regarded as a stone with magical and healing properties. This notched oval-shaped pendant features a selection from the Asma’ al-Husna (the 99 beautiful names of God) at the center, surrounded by the entire sura Ya Sin (sura 36) from the Qur’an. Considered the heart of the Qur’an, this sura has talismanic associations including shielding its owner/wearer from calamity and providing them with strength and courage.
Pendant (one of a pair)
Object type: pendant
Date: 1451 – 1500
Materials: silver gilt, niello, silver
Subjects: men,women

There is no firm evidence about the original purpose of this type of niello pendant, but theories range from betrothal gifts (those with double portraits) to portable reliquaries (those with religious motifs).
Mijnwerkers komen terug uit de mijn
Object type: print
Date: 1874 – 1894
Materials: paper
Techniques: etching, intaglio
Subjects: miner, shafts and galleries (of a mine), lantern
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Il a été tire de cette [plouche] 2 épreuves seulement; No 1’
Kinderportretten
Object type: photomechanical print
Date: 1880 – 1920
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: child, (playing with) dolls, dog

Vier portretten van kinderen, waaronder een met het opschrift Jellema's Winkels. Deze pagina maakt deel uit van een album.
Study of a Nude Man
Object type: drawing and watercolor
Date: 1645 – 1651
Materials: chalk, paper
Location: netherlands
Artist: abraham bloemaert
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1566 – 1651

Abraham Bloemaert here used black chalk to carefully render a nude figure with notched ribs. The apparent strain in the figure’s sinewy muscles and the schematic rendering of support underneath his body suggest that the artist drew this figure from a live model. The rigid outline of the man’s body in addition to the short, hatched lines used for shading imply that Bloemaert could have conceived of this drawing for a pedagogical purpose. Bloemaert supervised dozens of pupils and is known to have organized life-drawing sessions with his contemporary Paulus Moreelse (1571–1638). Abraham’s son Frederick later published a book of prints based on his father’s drawings with the intention of providing additional sources for artistic training.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

The outer edge of the foot is unglazed; the resting surface is unglazed; the underside is glazed
Veduta della Dogana di Venezia
Object type: print
Date: 1631 – 1691
Materials: paper
Techniques: etching
Location: france
Subjects: harbour, city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een ongenummerde serie van twaalf prenten.
Vlaggetjes van stijve stukken plastic
Object type: print
Date: 1983 – 1983
Materials: paper
Techniques: drypoint
Artist: ronald noorman
Artist role: draughtsman, print maker
Artist dates: 1951 – 2018

Vlaggetjes gemaakt van stijve stukken plastic (kunstmestzakken), die voor de boeren als indicatiepunten dienen om op het juiste moment de machines af te wenden.
Pendant
Object type: pendant
Date: 801 – 1900
Materials: glass
Location: egypt
Landschap met de vlucht naar Egypte
Object type: print
Date: 1770 – 1820
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: the flight into egypt: mary, joseph, the child (and sometimes others) on their way; mary usually riding on an ass, landscapes - hh - ideal landscapes
Inscriptions: collector's mark: Lugt 2165, collector's mark: Lugt 12
Serpentine triangular prism with circles
Object type: seal
Date: 2200 – 2000
Materials: stone
Culture: minoan
Woman Bathing her Feet at a Brook
Object type: print
Date: 1658 – 1658
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: female nudes,bathing
Portret van William Laud
Object type: print
Date: 1747 – 1781
Materials: paper
Techniques: etching
Location: england
Subjects: london, clergyman, archbishop, bishop, etc. (roman catholic), ornament ~ medallion, historical persons

Prent komt uit een editie van The Universal Magazine.
Stone slab fragment with inscription from annals of Ashurbanipal
Object type: slab
Date: 668 – 627
Materials: limestone
Culture: assyrian
Location: mesopotamia
Leur (G). "Huis te Leur"
Object type: photomechanical print
Date: 1913 – 1950
Materials: cardboard
Techniques: photograph
Location: wijchen
Subjects: villa
Landschap met ruiter die een aalmoes geeft aan een man met familie op een pad langs de kust
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: aquatint
Location: mannheim
Artist: wilhelm alexander wolfgang von kobell
Artist role: print maker
Artist dates: 1766 – 1855
Subjects: giving alms or other charity, e.g.: handing out food, rocky coast, 'fahrende leute', vagrants
Inscriptions: collector's mark: Lugt 2228

De strook tekst op het verso van de prent suggereert dat deze gemaakt is naar een schilderij door Nicolaes Pietersz. Berchem uit de collectie van de La Galerie Electorale te München.
Figure of an Archer
Object type: figure
Date: 206 – 220
Materials: pottery
Culture: chinese
Brief aan Jan Veth
Object type: letter
Date: 1906 – 1906
Materials: ink, paper
Techniques: pen, printing, writing
Location: charlottenburg
Artist: wilhelm von bode
Artist role: conservator, kunsthistoricus, museumdirecteur
Artist dates: 1845 – 1929
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, abraham bredius
Inscriptions: collector's mark: ‘RPK’
Plate six, from A Harlot's Progress
Object type: print
Date: 1732 – 1732
Materials: paper
Techniques: engraving
Location: england
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764

Having expired at a young age from venereal disease, Hogarth’s harlot does not appear in the final plate of the series. She is represented by her coffin, which serves mainly as a bar. The drunkenly distraught figure at the lower right may be Moll’s former madam, but otherwise the company at the wake appears mostly unaffected by the death. One woman tries on a bonnet, likely Moll’s, before a mirror, while a parson gropes a prostitute and spills his drink.
Ely Cathedral: North Aisle to East
Object type: photograph
Date: 1891 – 1891
Materials: glass
Location: england
Artist: frederick h. evans
Artist role: fotograaf
Artist nationality: english
Artist dates: 1853 – 1943
Roof tile fragment
Object type: roof tile fragment
Date: 1501 – 1700
Materials: earthenware, glaze
Culture: chinese
Relief fragment, Meketre
Object type: relief fragment, meketre
Date: 1981 – 1975
Materials: limestone, paint
Location: egypt
Algemeen Handelsblad, 31 augustus 1898
Object type: newspaper
Date: 1898 – 1898
Materials: paper
Techniques: printing
Subjects: the hague, print maker, wilhelmina of the netherlands, newspaper, news-sheet

Exemplaar van de Nieuwe Amsterdamsche Courant / Algemeen Handelsblad van 31 augustus 1898. Dubbelbladig, op alle zijden bedrukt. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Officieele Nieuwsbladen.
Groteske verbeelding: man met keppeltje in rijk gedecoreerde omgeving
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: etching
Subjects: head-gear: cap
Inscriptions: collector's mark: Lugt 2228

Man met brede mond en een keppel op het hoofd. Hij draagt een gestreepte mantel.
Ring
Object type: ring
Date: 1801 – 1900
Culture: chinese

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: cotton
Techniques: crochet
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of circumscribed palmette with elongated central frond; hole from ancient repair; below, part of the tendril of a second circumscribed palmette
Kloostergang van de Munster van Bazel
Object type: album leaf
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Location: basel
Artist: Anonymous
Subjects: cloisters ~ monastery
Portret van Gerrit Willem van Zuylen van Nievelt
Object type: print
Date: 1786 – 1809
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: arnhem, pamphlet ~ printed matter - mm - book open
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Wagenaar, Jan. Vaderlandsche historie, (...) ten vervolge van Wagenaars Vaderlandsche historie. Dl. 1-43. Amsterdam: Johannes Allart, 1786-1809.
Memorietafel van Heer Raas van Haemstede
Object type: photomechanical print
Date: 1900 – 1916
Materials: paper
Techniques: photograph
Location: northern netherlands
Artist: Anonymous
Subjects: 'salvator mundi', making a blessing gesture; an orb in his hand or at his feet, historical persons - bb - woman, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Ter weerszijden van Christus knielen Raas van Haamstede, zijn echtgenote, kinderen en schoonzoon.
Liber Chronicarum
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: pope
Inscriptions: inscription: ‘144’

Een bloemkelk met een paus. Hij draagt een tiara en heeft een staf met dubbel kruis in zijn handen. De voorstelling is onderdeel van de opeenvolging pausen in de Liber Chronicarum. De tekst identificeert de man als Clemens V. De prent maakt deel uit van een album.
Fragment of Tombstone
Object type: tombstone fragment
Date: 801 – 1000
Materials: limestone
Techniques: carving
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Octave Pirmez zit buiten op een stoel te lezen voor een gebouw
Object type: photograph
Date: 1868 – 1873
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: octave pirmez, garden, adult man, civic architecture; edifices; dwellings
Koninkrijk Korea, 10 mun
Object type: coin
Date: 1888 – 1888
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: twee naar elkaar toegewende draken. In omschrift boven jaartal in Koreaanse telling: 497 [=1888] en onderaan waarde-aanduiding. Keerzijde: binnen twee samengeboden takken op twee regels waarde-aanduiding: + [= 10] en het Chinese teken voor mun. Gladde rand.
Peach-shaped dish with trees and peaches
Object type: dish
Date: 1601 – 1650
Materials: cobalt, enamel, porcelain
Techniques: overglaze, painting, polychrome, underglaze
Culture: chinese
Subjects: fruit,butterflies
Portrait of a Man
Object type: painting, miniature
Date: 1825 – 1825
Materials: ivory
Artist: samuel john stump
Artist role: artist
Artist nationality: american
Artist dates: 1778 – 1863
Subjects: men,portraits

Stump, who began his studies at the Royal Academy, London, in 1796, is believed to have been born in the United States.
Dagger (Pesh-kabz) with Sheath
Object type: dagger pesh kabz with sheath
Date: 1701 – 1900
Materials: gold, quartz, silver, steel, velvet, wood
Culture: indian
Location: india
Afbeeldinge van zeker concept tot bedykinge, van de Haarlemer, Leydse en andere byleggende meeren …
Object type: print
Date: 1641 – 1665
Materials: ink, paper
Techniques: engraving, etching, hand coloring, pen
Location: amsterdam
Subjects: maps of separate countries or regions, polder, reclaimed land, maps of cities
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760, inscription: ‘26’

Voor soortgelijke kaarten zie RP-P-AO-9-41, RP-P-AO-9-42 en RP-P-OB-81.622.
Miniature porringer
Object type: porringer
Date: 1684 – 1685
Materials: silver
Artist: george manjoy
Artist role: maker
Artist nationality: british
Artist dates: 1685 – 1685
Gezicht op Chartres met de Porte Guillaume
Object type: photograph
Date: 1880 – 1910
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, city-gate
Inscriptions: annotation: ‘Chartres Porte Guillaume’
Basle, plate 5 from Liber Studiorum
Object type: print
Materials: paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Ferar unus et idem
Object type: bookplate
Date: 1792 – 1837
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: armorial bearing, heraldry
Two fortune tellers (?) wearing top hats viewed from behind, from a group of drawings depicting  Peruvian dress
Object type: drawing
Date: 1848 – 1848
Materials: watercolor
Artist: francisco (pancho) fierro
Artist role: artist
Artist nationality: african peruvian
Artist dates: 1807 – 1879
Subjects: men,women

For comment on the group of drawings to which this belongs, see 38.145.451.
Valance with Chigi coat of arms
Object type: valance
Date: 1634 – 1666
Materials: cotton, gilt, linen, silk, velvet
Techniques: cutting, weave
Culture: italian
Portret van een zittende man
Object type: photograph
Date: 1855 – 1870
Materials: glass, metal, wood
Techniques: ambrotype, hand coloring
Artist: Anonymous
Subjects: sitting figure, adult man, historical persons
Inscriptions: annotation: ‘[...] Death us do part/ [...]’