deem-data/ArtiFact huggingface dataset:
Belt adornment with an eagle and its prey
Object type: clasp
Date: 1 – 200
Materials: gold
Techniques: inlay
Culture: parthian or kushan
Location: iran
Subjects: eagles

This solid gold ornament is in the form of a roundel with two projecting elements that have slots for the attachment of a strap. The rim of the roundel, consisting of eighteen thumbnail-shaped cells for turquoise inlay in the manner of some Sarmatian roundels, frames the openwork figure of an eagle in high relief. Grasping a small, crouching animal in its talons, the bird perches in three-quarter view, facing right, with its chest extended and the rest of its body receding into the background. Its wings are outspread, the one on the left seen emerging from behind the swelling of the chest and the one on the right receding into the back plane. The body and legs carry ridges and linear patterning to suggest the texture of feathers. The bird's head is in profile, with a cell for the prominent ear, a protrusion at the eye area, a curved beak, and a downcurved line for the mouth. The entire figure is worked in the round, although the back is distorted and not as carefully finished as the front. The eagle's prey has been variously identified as an antelope, a goat, and a hare. Turquoise is inlaid in its large ear and in several places on its body. The tabs on either side of the roundel have cells for inlays at the corners in the form of debased acanthus leaves. A close parallel to this piece in the British Museum (BM 124097) depicts an eagle facing the opposite way. It was thought by Ernst Herzfeld to be part of a treasure found in 1910–11 in a chamber tomb near Nihavend in Iran. Herzfeld speculated that this trove had belonged to an aristocratic Parthian family and had originally included a group of Roman gold coins of the first to second century CE that surfaced independently in modern times. Another related piece of jewelry, found in excavations at Dalverzin Tepe in Uzbekistan, can be dated archaeologically to the first century CE.
Silver Statuette of St. James the Less, from the "Wittenberg Reliquaries"
Object type: print
Date: 1472 – 1553
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: men,saints
De onheilsdagen van het Joodse volk
Object type: titelprent, frontispice
Date: 1569 – 1569
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: haarlem, painter, print maker, draughtsman, maarten van heemskerck, bible, portrait, self-portrait of painter, tools, implements of architect
Inscriptions: signature: ‘MARTINUS HEEMS:/ KERCK. INVENTOR / Philippus Galle / Fecit’, caption: ‘DAMUS TIBI, BENIGNE LECTOR, UNE LIBELLO TANQUAM IN / SPECULO EXHIBITAS, MEMORABIBIORES JUDAEAE GENTIS CLADES, / UT DELICTORUM SEMPER COMITES, ITA CUM PRAESENTI, / TUM POSTERAE AETATI PRO EXEMPLIS FUTURAS.’, signature: ‘MH / Martinus Heemskerck. / Pictor....expressus’

Titelprent van een serie van 21 genummerde prenten met de onheilsdagen in de geschiedenis van het Joodse volk als morele voorbeelden. Het portret van Maarten van Heemskerck is weergegeven op de sokkel van een zuil, omgeven door attributen van de architectuur en schilderkunst. Links zitten twee architecten, rechts enkele liggende antieke beelden. Op de achtergrond ruïnes van antieke gebouwen en twee obelisken.
Portret van de Katwijkse visser Jacob van Duyvenvoorde, bijgenaamd het Stiertje
Object type: print
Date: 1907 – 1907
Materials: paper
Techniques: lithograph
Artist: frederika henriëtte broeksmit
Artist role: draughtsman, print maker
Artist dates: 1875 – 1945
Subjects: historical persons, fisherman
Inscriptions: collector's mark: Lugt 2228, inscription: ‘8/’
Political-Candour;– i.e.–Coalition-Resolutions of June 14th, 1805.–Pro bono Publico–
Object type: print
Techniques: etching
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: satire,men,politics
Box with portrait of a woman, said to be Princesse de Ligne
Object type: box, painting
Date: 1768 – 1775
Materials: gold, ivory, shell
Artist: jean-baptiste gillet
Artist role: maker
Artist dates: 1709 – 1786
Subjects: princesses,portraits
Antique Subject
Object type: drawing
Date: 1601 – 1700
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Subjects: men
The Evening Prayer
Object type: drawing and watercolor
Date: 1790 – 1790
Materials: chalk, paper, watercolor
Location: france
Artist: jean-baptiste mallet
Artist nationality: french
Artist dates: 1759 – 1835
Inscriptions: Signed and dated, lower left, in brush and brown watercolor: "J Mallet 1790"; inscribed verso, lower center, in graphite: "no. 11"

Jean-Baptiste Mallet was a painter and printmaker who specialized in small, elegant gouaches (opaque
watercolors) of enigmatic subjects, such as this. Arranged like an implausible stage set, a monk-like character and an old man wearing a Phrygian cap appear to reprimand a largely female family who must have fallen on tough times, given that their handsome carpet and ornamental birdcage decorate a rusticated farm building.
Kelkglas met zeslobbige kelk met lattimo draden
Object type: goblet
Date: 1550 – 1600
Materials: glass
Techniques: façon de venise, filigree glass, glassblowing
Subjects: mask, mascaron ~ ornament

Platte voet met omgeslagen rand. Holle, balustervormige stam, in de vorm geblazen met twee vogelachtige wezens onder een knorrenrand. Zeslobbige kelk, aan de onderzijde versierd met een band lattimo draden.
Beschryvinge vande begraefnisse van (...) Walraven, Heere tot Brederoede, Vry-Heere van Vianen (...) Gedaen binnen der stede van vianen den XXIX Januari. Ano. 1615
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: cortege, funeral procession, grave, tomb

Het graf in de kerk van Vianen en de kop van de begrafenisstoet (plaat 2). Gezicht in de kerk met de ruimte om het graf afgedekt met opgehangen doeken en versierd met vaandels. Hiernaast het begin van de begrafenisstoet. Onderdeel van de serie prenten van de begrafenisoptocht van Walraven van Brederode, heer van Vianen, op 29 januari 1615 te Vianen.
Generosity versus Greed; a woman and three men conducting a transaction inside a shop; folio 76 (recto) from the Madrid Album "B"
Object type: drawing
Date: 1796 – 1796
Techniques: brush, wash
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,women,shops
Figuur bij een huis in de duinen
Object type: sketchbook leaf
Date: 1873 – 1873
Materials: chalk, paper, pencil
Techniques: brush
Location: scheveningen
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: rural housing, e.g. country-house, villa, cottage, dune coast (+ landscape with figures, staffage)

Op de achtergrond zijn vlaggen van scheepsmasten en de zee te zien. Blad 3 recto uit een schetsboek met 39 bladen.
Molded plaque: female head
Object type: relief
Date: 2100 – 1750
Materials: ceramic
Location: southern mesopotamia
Subjects: heads,women
Christus en de Apostelen
Object type: print
Date: 1517 – 1527
Materials: paper
Techniques: engraving
Location: italy
Artist: marco dente
Artist role: print maker
Artist dates: 1486 – 1527
Subjects: the apostle and martyr matthias; possible attributes: axe, book, cross, halberd, scroll, sword
Inscriptions: collector's mark: Lugt 240

Kopie naar pernt van Marcantonio Raimondi. Raimondi op zijn beurt baseerde zich op een ontwerp van Raphael. Op deze druk ontbreekt linksonder het monogram van Marco Dente dat bij Bartsch beschreven wordt.
Fireback
Object type: fireback
Date: 1701 – 1800
Materials: iron
Subjects: human figures,horns,leaves
Ontwerpen voor een sieraad
Object type: drawing
Date: 1874 – 1932
Materials: pencil
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: ornaments, jewels
Ex libris van H.P. & Marg. van den Aardweg-Blinxma
Object type: bookplate
Date: 1937 – 1943
Materials: paper
Techniques: printing block
Location: netherlands
Artist: margaretha geertruida van den aardweg-blinxma
Artist role: print maker
Artist dates: 1896 – 1943
Subjects: hans p. van den aardweg, amsterdam, margaretha geertruida van den aardweg-blinxma, hand
Hoop op vrede
Object type: jeton
Date: 1639 – 1639
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: lille

Koperen penning. Voorzijde: opschrift binnen lauwerkrans. Keerzijde: wapenschild, omgeven door vier wapenschilden binnen omschrift.
Cardinal de Richelieu
Object type: print
Date: 1605 – 1650
Techniques: etching
Artist: jean morin
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1650
Subjects: men,portraits
Terracotta fragment of a krater (bowl for mixing wine and water)?
Object type: krater fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of the leg of a male to right and end of helmet crest
Mosaic Fragment with Grazing Camel
Object type: architectural fragment
Date: 401 – 500
Materials: mortar, stone
Culture: byzantine
Location: byzantine empire
Subjects: animals

This image of a grazing camel probably came from a larger composition with other animals that decorated the floor of a semipublic space within a private home, such as a reception or dining room. This animal is represented against a white ground decorated with florets. A bell hangs from the camel’s neck as it reaches toward an object, perhaps a vessel filled with water, at the lower right. The knobby contours of the camel’s body are accentuated by areas of shading in subtly modulated colors, including black, brown, brick red, and olive green.
Landschappen met figuren
Object type: print
Date: 1670 – 1729
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: pieter rijsbraeck
Artist role: print maker
Artist dates: 1655 – 1729
Subjects: actaeon changed into a stag: as punishment for seeing her bathe, diana changes actaeon, the hunter, into a stag (ovid, metamorphoses iii 193)
Inscriptions: collector's mark: Lugt 240

Gezicht op een heuvelachtig landschap waar Diana en haar nimfen een bad nemen in een rivier. Bij de rivier staat de jonge jager Actaeon met zijn honden. De nimfen probeerden Diana zo goed mogelijk tegen de blikken van Actaeon te beschermen. Omdat Actaeon Diana toch naakt zag, veranderde zij hem als straf onmiddellijk in een hert.
Section of a Marble Mosaic Bathhouse Floor
Object type: mosaic fragment
Date: 537 – 538
Materials: marble
Culture: byzantine
Subjects: flowers

This elegantly simple floral carpet belonged to a floor identified by a Greek inscription as part of the restoration in 537/38 of a public bath, probably occasioned by the great earthquake of 526. Antioch was a major administrative, commercial, and military center for the Empire, as well as a leading administrative center for the Christian church.
Paleis van de graven op de Wartburg
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: london
Artist: hermann selle
Artist role: fotograaf
Subjects: palace
Inscriptions: inscription: ‘Landgrafenhaus’
Portret van Jan Snellinck
Object type: print
Date: 1630 – 1641
Materials: paper
Techniques: etching
Location: low countries
Artist: anthony van dyck
Artist role: draughtsman, painter, print maker
Artist dates: 1599 – 1641
Subjects: jan snellinck (i), portrait, self-portrait of painter
Inscriptions: inscription: ‘Joannes Schellinx pictor’, collector's mark: Lugt 240
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, hanging on the wall, a sponge and aryballos; part of a draped male
Disk Brooch
Object type: brooch
Date: 501 – 600
Materials: copper alloy, gilt, iron
Culture: frankish
Breadth
Object type: breadth
Date: 1790 – 1790
Materials: cotton
Subjects: men,women,trees,carriages
The Infant Academy
Object type: cameo medallion
Date: 1785 – 1795
Artist: josiah wedgwood
Artist role: maker
Artist nationality: british
Artist dates: 1730 – 1795
Subjects: infants
Boy Blowing Soap Bubbles
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Whistle
Object type: whistle
Date: 1200 – 500
Materials: ceramic
Culture: cupisnique
Location: peru
Artist: cupisnique artist(s)
Artist role: artist
Head of a woman from a spoon
Object type: head, woman, from a spoon
Date: 1353 – 1295
Materials: wood
Location: egypt
Subjects: heads,women
La capuche
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: girls,portraits
Head of a cherub
Object type: head
Date: 1734 – 1766
Materials: wood
Techniques: polychrome
Subjects: heads,angels
Portret van Jacob van Lennep
Object type: album leaf
Date: 1855 – 1868
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: amsterdam, jacob van lennep, historical persons, portrait of a writer
Vrouw, mogelijk een wasvrouw, bij een mand of ton
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: chalk, paper
Location: south holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, laundering

Vrouw, mogelijk een wasvrouw, staat bij een mand of ton. Pagina 106 uit een schetsboek met 70 bladen.
Card Number 167, Modjeska, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Petticoat
Object type: petticoat
Date: 1887 – 1887
Materials: cotton
Culture: american
Monument met opdracht aan Balthazar Scott
Object type: print
Date: 1723 – 1723
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: temperance, 'temperantia'; 'temperanza' (ripa) ~ one of the four cardinal virtues, prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues, water-birds: swan, hoofed animals: stag, monument, statue, dog
Inscriptions: collector's mark: Lugt 2228

In het midden een monument met een Nederlands opschrift met een opdracht aan Balthazar Scott, oud-schepen van Amsterdam. De beelden van de personificaties Matigheid en Voorzienigheid versieren het front van het monument. Bovenop het monument twee honden die een wapenschild vasthouden met daarop een hert: het blazoen van Balthazar Scott. Aan weerszijden van het monument twee ornamentele kruiken met de blazoenen van Amsterdam. Onderaan een vijver met drie zwanen.
Kate Forsyth, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products
Object type: photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses
Gezicht op een kerkportaal
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: drypoint, engraving, etching
Location: amsterdam
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: parts of church exterior and annexes: portal
Inscriptions: collector's mark: Lugt 2228

Een vrouw stapt uit het portaal van een kerk. Links zitten drie vrouwen bijeen, rechts loopt een man.
Gezicht op een rivier met zwemmers in Nederlands-Indië
Object type: photograph
Date: 1917 – 1917
Materials: photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: river (+ landscape with figures, staffage), dutch east indies, the

Onderdeel van Familiealbum met foto's van een familie in de voormalige kolonie Nederlands-Indië en van een suikerfabriek in Purworejo.
Brief aan Johan Philip van der Kellen
Object type: letter
Date: 1902 – 1902
Materials: ink
Techniques: pen, writing
Location: amsterdam
Artist: willem steelink (i)
Artist role: draughtsman, print maker
Artist dates: 1826 – 1913
Subjects: utrecht, johan philip van der kellen, arnhem, painter, print maker, draughtsman, anton mauve, the graphic arts, money
Inscriptions: watermark
Frieze with Tritons and Dolphins, plate 13 from "Decorative friezes and foliage" (Ornamenti di fregi e fogliami)
Object type: print
Date: 1648 – 1648
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: triton,dolphins
The Standard Bearer, Turned to Left
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: war

Part of a long and honorable tradition (which dates back to the engravings of Albrecht Dürer) of depicting illustrious standard-bearers in full armor or fancy dress, this image by Hendrik Goltzius is notable for its elegance, virtuosity, and bravura. The inscription at the bottom of the engraving declares that when the standard-bearer advances, the troops advance; when he flees, they flee.
Piede de Judith
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: shoes,feet
Prins Eugenius van Savoye bij de kunsthandelaar J.P. Zomer
Object type: drawing
Date: 1701 – 1723
Materials: ink, paper
Techniques: brush, pen
Artist: pieter van den berge
Artist role: draughtsman, print maker, printer, publisher
Artist dates: 1659 – 1737
Subjects: jan pietersz. zomer, amsterdam, print maker, draughtsman, printer, publisher, pieter van den berge, paris, vienna, eugenius van savoye, art collector, art dealer, picture, painting

Het bezoek van Prins Eugenius van Savoie, begeleid door de Gedeputeerde te velde Vleertman en andere heren aan de kunstkoper Jan Pietersz. Zomer te Amsterdam (April 1701?). De prins bekijkt knielend een schilderij dat voor hem op een stoel staat en door Pieter van den Berghe vastgehouden wordt.
Portret van de abolitioniste Elizabeth Blackwell
Object type: page
Date: 1861 – 1866
Materials: paper
Techniques: albumen print
Artist: ernest edwards
Artist role: fotograaf
Artist dates: 1837 – 1903
Subjects: historical persons - bb - woman
Cup in the shape of a magnolia blossom
Object type: cup
Date: 1701 – 1800
Materials: horn
Culture: chinese
Subjects: flowers

The rhinoceros was once widespread in China, but by the first century A.D. it had become an exotic species whose skin was sought after to make armor and whose horns were carved into drinking cups. During the Tang dynasty (618–907), rhinoceros horns were imported into China along with other foreign goods, such as pearls, sandalwood, and camphor. Elaborate rhinoceros-horn cups for drinking wine and other libations were produced widely from the sixteenth century onward.
Pair of Salt Spoons
Object type: metalwork
Date: 1805 – 1815
Materials: silver
Location: bethlehem
Artist: john samuel krause
Artist nationality: american
Artist dates: 1782 – 1815
Subjects: spoon
Inscriptions: 1970.7: Monogram front, bottom-middle, on handle, engraved: "F.B.". Marked back, middle, stamped: " [...] KRAUS[E] [in rectangle]"; mark back, top-middle, on handle, stamped: "T"; monogram back, bottom-middle, on handle, engraved: "M.M."

1970.8: Monogram front, bottom-middle, on handle, engraved: "F.C.". Marked back, middle, stamped: " [KR]AUSE [in rectangle]"; mark back, top-middle, on handle, stamped: "T"; monogram back, bottom-middle, on handle, engraved: "E.M."
Bowl in the Shape of a Paulownia Leaf
Object type: bowl
Date: 1851 – 1900
Materials: glaze, stoneware
Techniques: polychrome
Culture: japanese
Artist: nin'ami dōhachi (takahashi dōhachi ii)
Artist role: artist
Artist nationality: japanese
Artist dates: 1783 – 1855
Subjects: leaves
Album of Japanese and Chinese Poems to Sing
Object type: album
Date: 1601 – 1633
Materials: gold, paper, silver
Culture: japanese
Artist: konoe nobutada
Artist role: artist
Artist nationality: japanese
Artist dates: 1565 – 1614

Konoe Nobutada, a courtier-calligrapher famed for his bold, expressive, and idiosyncratic handwriting, inscribed the decorated poetry sheets (shikishi) for an album comprising selections from Japanese and Chinese Poems to Sing, compiled about 1013 by the courtier-poet Fujiwara no Kintō (966–1041). This was surely one of the most widely studied and cited poetry anthologies available around the time Murasaki Shikibu was crafting her complex tale, which is interwoven with 795 waka (thirty-one-syllable verses) and countless allusions to Chinese poems. Japanese and Chinese Poems to Sing is composed of 588 Chinese couplets and 216 accompanying waka, interspersed with each other as if to draw out resonances in poetic imagery and style.
Floral Swags Framing an Empty Oval
Object type: drawing
Materials: ink
Techniques: brush, pen, wash
Artist: jean pillement
Artist role: artist
Artist nationality: french
Artist dates: 1728 – 1808
Subjects: garlands,roses
Leola Belle, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Terracotta neck-amphora (jar)
Object type: neck amphora
Date: 510 – 510
Materials: terracotta
Culture: greek, attic
Subjects: dionysus,maenads,satyrs,horses

Obverse, two mounted hunters Reverse, Dionysos between satyr and maenad The obverse shows a rare representation of a rider dismounting from his horse.
Study for Mirror of Venus: Head
Object type: drawing and watercolor
Date: 1873 – 1877
Materials: graphite, paper
Location: england
Artist: sir edward burne-jones
Artist role: artist
Artist nationality: british
Artist dates: 1833 – 1898
Twee vrouwen in een donkere steeg met een lantaarn in de regen
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: aquatint, drypoint, etching, roulette
Artist: félix hilaire buhot
Artist role: draughtsman, print maker
Artist dates: 1847 – 1898
Subjects: adult woman, rain, lantern, village lane, alley, night
Inscriptions: : ‘No. 67 "Le Réveillon"’, stamp: Lugt 977, collector's mark: Lugt 2228, signature
Kaart van de Franse kust tussen Dieppe en Honfleur, ca. 1702
Object type: print
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of separate countries or regions, france

Kaart van de Franse kust tussen Dieppe en Honfleur. Gemerkt rechtsonder: C. Onderdeel van het eerste van twee delen van het prentwerk: Les costes de France et d'Espagne (oftewel deel 13 van: Les Forces de l'Europe, Asie, Afrique et Amerique), uitgegeven ca. 1702. Het prentwerk bestaat in totaal uit 43 gemerkte platen van de kust van Frankrijk en Spanje, in het kader van de Spaanse Successieoorlog. Deze platen zijn gekopieerd naar anonieme Franse platen oorspronkelijk uitgegeven door Nicolas de Fer te Parijs. Titel en opschriften in de plaat in het Frans.
Border Fragment
Object type: border fragment
Date: 901 – 1500
Materials: animal fiber, cotton
Culture: peruvian, central coast
Location: peru
Boer doet zijn beklag bij de graaf
Object type: drawing
Date: 1619 – 1619
Materials: chalk, ink, paper
Techniques: pen
Artist: willem pietersz buytewech
Artist role: draughtsman, print maker
Artist dates: 1592 – 1624