deem-data/ArtiFact huggingface dataset:
Accessory set
Object type: accessory set
Date: 1850 – 1850
Materials: cotton
Culture: irish
Dolman
Object type: dolman
Date: 1870 – 1870
Materials: silk
Culture: american
Portret van een onbekende staande vrouw aan een tafel
Object type: page
Date: 1876 – 1877
Materials: paper
Techniques: woodburytype
Location: munich
Subjects: adult woman, historical persons not known by name - bb - woman
Inscriptions: inscription: ‘Woodburytypie’
Clock-watch
Object type: clock watch
Date: 1700 – 1700
Materials: enamel, gold, leather, metal
Artist: leonardus quesi
Artist role: maker
Artist nationality: french
Artist dates: 1650 – 1750
Double Jacquard Loom. Barlow
Object type: photograph
Date: 1851 – 1851
Materials: photographic support
Techniques: salted paper print
Location: london
Subjects: weaving-loom, london
Arrestatie van Hans Smit en elf anderen, 1558
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: persecution of heretics
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Hans Smid [...] Ao 1558’, number: ‘71’
Perfeckte Afbeeldinge van de Belegeringe der Stadt Breda onder 't Beleyt des Marquis Spinola mitsgaders het Leger van den Doorluchtighen Prince van Oranjen Mauritius van Nassou etc. tot ontset der voorschreven Stadt Anno 1624
Object type: map
Date: 1624 – 1624
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: the hague, maurice (prince of orange), maps of separate countries or regions, siege, position war
Inscriptions: inscription: ‘Veldslagen 734’

Het beleg van Breda door het Spaanse leger onder Spinola, 27 augustus 1624 tot 5 juni 1625. Grote kaart met een plan van de stad en omliggende land met de omsingeling van de stad door het Spaanse leger. Rechtsboven een vierkante cartouche met de titel (bovenste deel overplakt met een stuk papier), linksboven de legenda a-y. Rechtsonder het kamp van het Staatse leger onder Maurits dat ter ontzet is gekomen. Vastgeplakt onder de prent twee bladen met tekst in het Nederlands.
Portret van Anton Alexander von Auersperg
Object type: print
Date: 1830 – 1880
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, writer, poet, author
Broers van Jozef knielen voor hem in Egypte
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: Anonymous
Subjects: admitted in joseph's presence, the brothers bow down before him
Inscriptions: collector's mark: Lugt 2228

Jozef staat voor de ingang van een paleis. Voor hem knielen zijn tien halfbroers die hem niet herkennen.
Ontwerp voor een ‘bijzettafel’ en een speeltafel
Object type: drawing
Date: 1825 – 1839
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: paris
Artist: Anonymous
Subjects: table (+ wood and other phytogenic material), table, board-games
Inscriptions: inscription: ‘387 Table à piquet a X 20=14<BR />378 Table Servante en acajou<BR />la même noyer vernis’

Een ‘bijzettafel’ met twee wasbakken in het marmeren tafelblad, op gedraaide poten en met twee planken en een speeltafel (table a piquet). Het blad op de achterzijde genummerd: 18, het tegenoverliggende blad met informatie over de afgebeelde meubelen genummerd: 18 bis. Onderdeel van een album met 80 bladen met tekeningen en een prent van gefineerde en gelakte meubelen, alsmede zitmeubelen.
Hand-and-a-Half Sword
Object type: hand and a half sword
Date: 1400 – 1430
Materials: copper alloy, steel
Culture: german
Location: germany
Portret van Bernhard, hertog van Saksen-Weimar
Object type: book illustration
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: paris
Subjects: lodewijk xiii (koning van frankrijk)
Inscriptions: collector's mark: Lugt 2228

Boekillustratie in: Estienne, Henry. Devises des roys, princes et generaux d'armees qui ont assiste ou servy Louis le Juste combattant. In: Les Triomphes de Louis le Juste XIII. Parijs: A. Estienne, 1649.
Dragon-Head Rhyton Cup with Stylized Leaves and Dots
Object type: vessel
Materials: earthenware, glaze
Techniques: molding
Location: china
Sheet with an overall floral pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Plattelandswoning met een schuin dak
Object type: sketchbook leaf
Date: 1876 – 1879
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: farm or solitary house in landscape

Blad 5 recto uit een schetsboek met 33 bladen.
Ulm
Object type: print
Date: 1888 – 1934
Materials: paper
Techniques: lithograph
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: bridge in city across river, canal, etc.

Wandelende figuren op een brug over een rivier in het Duitse Ulm. Op beide oevers bebouwing.
Visitekaartje van J.H. Mahler
Object type: visiting card
Date: 1900 – 1930
Materials: cardboard
Techniques: printing
Artist: h. tilly
Artist role: print maker
Subjects: print, e.g.: engraving, etching, lithograph, art collecting
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Een man in achttiende-eeuwse kleding naast een portfolio, een blad in zijn hand.
Will-o'-the-wisp, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Copy of Le Gentilhomme au Manteau Bordé de Fourrures Tenant ses Mains Derrière le Dos (The Gentleman with a Fur-Lined Mantle Holding His Hands Behind his Back), from "La Noblesse" (The Nobility)
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: men
Gipsen afgietsels van een buste en twee engelen, vermoedelijk van een reliekschrijn
Object type: album leaf
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation, annotation: ‘2 Engelen / Reliquaire / Gips / Kleine Buste’, annotation
Blad met gestileerde bloemen en bladeren
Object type: brocade paper
Date: 1750 – 1800
Materials: gold leaf, paint, paper
Techniques: relief print
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760

Blad met gestileerde bloemen en bladeren.
Edelmoedigheid van Scipio
Object type: print
Date: 1737 – 1737
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter tanjé
Artist role: draughtsman, print maker
Artist dates: 1706 – 1761
Subjects: the continence of scipio: he restores a captive woman to her bridegroom allucius, who kneels before him; the ransom offered by the bride's parents is given to allucius as a wedding-gift, door
Inscriptions: collector's mark: Lugt 2228

Scipio geeft de schone maagd, die hem als beloning voor het veroveren van Nieuw Carthago was aangeboden, terug aan haar aanstaande bruidegom en haar moeder. Het losgeld, aangeboden door de ouders van de bruid, geeft Scipio terug als huwelijksgeschenk. Voorstelling boven een van de deuren van de Raadkamer van het Hof van Justitie van Holland, Zeeland en West-Friesland in het Binnenhof te Den Haag.
Boerderij van Ives [?] tijdens de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, paper
Techniques: gelatin silver print
Artist: jan schüller
Artist role: draughtsman, painter, print maker
Artist dates: 1871 – 1915
Subjects: saint louis
Inscriptions: annotation: ‘Boerderij van Ives [?]’

Boerderij van Ives [?] tijdens de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904.
The Fox, the Flies, and the Hedgehog, from La Fontaine's "Fables", XII, 13
Object type: drawing
Date: 1733 – 1733
Materials: ink
Techniques: brush, heightening, wash
Location: france
Artist: jean-baptiste oudry
Artist role: artist
Artist nationality: french
Artist dates: 1686 – 1755
Subjects: animals,buildings,foxes,trees
Frieze ornament
Object type: frieze ornament
Date: 1701 – 1800
Materials: gilt bronze
Maestricht / Traiectum | ad Mosam
Object type: area plan
Date: 1607 – 1609
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: Anonymous
Subjects: maps of cities, maastricht
Inscriptions: number: ‘40’

Plattegrond van de stad Maastricht. Midden boven de titel, linksboven het wapen van de prinsbisdom Luik, rechtsboven het stadswapen en de wapen van de koning van Spanje. Rechtsonder een cartouche met de Latijnse titel. Linksonder een man en een vrouw. Onderdeel van de verzameling kaarten genomen uit een latere editie van: Descrittione di tutti i Paesi Bassi van Lodovico Guicciardini.
Errant dogs
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: lithograph
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Subjects: dogs, animals
Finial
Object type: finial
Date: 1001 – 1200
Materials: bronze
Techniques: casting, chasing
Location: iran
Subjects: birds
Tumbler
Object type: tumbler
Date: 901 – 1000
Materials: glass
Techniques: cutting
Location: iran

This glass tumbler was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Gloisiphonia capillaris
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Subjects: plants
Cornelis de Witt geeft verschoning aan een verkrachter
Object type: book illustration
Date: 1672 – 1672
Materials: paper
Techniques: etching, letterpress printing
Location: southern netherlands
Artist: Anonymous
Subjects: cornelis de witt, politician, johan de witt

Cornelis de Witt verschoning geeft aan een verkrachter. Scène uit het leven van Johan en Cornelis de Witt; onderdeel van een groep illustraties, genummerd: I. Vertooningh en vergezeld van een vers van 8 regels. Bedrukt op achterzijde met tekst in het Nederlands.
Simson doodt de leeuw
Object type: print
Date: 1596 – 1633
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: samson kills the lion with his bare hands, samson and his parents on their journey to timnath, in the vineyards of timnath samson meets a roaring lion
Inscriptions: collector's mark: Lugt 2228

Simson doodt bij de wijngaarden van Timna met zijn blote handen een leeuw, door de kaken van het dier uiteen te trekken. Links lopen de ouders van Simson met wie hij onderweg is naar Timna.
Flounce
Object type: flounce
Date: 1601 – 1633
Materials: lace
Techniques: lace
Zaal in het Trippenhuis met schilderijen
Object type: drawing
Date: 1883 – 1883
Materials: paper, pencil
Artist: henri de braekeleer
Artist role: draughtsman, print maker
Artist dates: 1840 – 1888
Subjects: permanent exhibition, museum, 'gemalte galerie', amsterdam

Zaal in het Trippenhuis met onder andere De Staalmeesters van Rembrandt.
Spits met bladwerk
Object type: print
Date: 1597 – 1656
Materials: paper
Techniques: engraving
Artist: michiel le blon
Artist role: print maker
Artist dates: 1587 – 1656
Subjects: ornaments ~ art, foliage ~ ornament
Inscriptions: collector's mark: Lugt 2760, monogram: ‘MB (M boven B)’, collector's mark: Lugt 2228

Ontwerp voor decoratie voor zilveren beker.
De Boeter Bergh
Object type: print
Date: 1663 – 1670
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: landscapes, ornamental fountain
Inscriptions: collector's mark: Lugt 2228

Landschap met op de voorgrond een vijver met fontein. Op de paden rondom de vijver en tussen de bomen
zijn wandelaars afgebeeld en een man te paard. Het pad in het verlengde van de fontein leidt via drie gebouwen naar de top van een berg, waarschijnlijk de Butterberg bij Kleef.
Design for Stucco Decorations with a Cartouche at Left
Object type: drawing ornament architecture
Date: 1725 – 1740
Materials: chalk, graphite
Techniques: drawing, wash
Artist: gilles-marie oppenord
Artist role: artist
Artist nationality: french
Artist dates: 1672 – 1742
Subjects: birds,cartouches,ornament,putti,monkeys
Faam bij portretten en bustes van Franse koningen
Object type: print
Date: 1654 – 1692
Materials: paper
Techniques: engraving
Subjects: lodewijk xiv (koning van frankrijk), hendrik iv (koning van frankrijk en navarra), lodewijk xiii (koning van frankrijk), historical persons, fame; 'fama', 'fama buona', 'fama chiara' (ripa), king

Met waarschijnlijk Lodewijk XIV, Lodewijk XIII en Hendrik IV, koningen van Frankrijk.
Gall - dell'Uffizi - Venere dei Medici
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: gelatin silver print
Location: florence
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture, (story of) venus (aphrodite)
Inscriptions: number: ‘5215.’, inscription: ‘Edizione inalterabile.’, collector's mark: ‘RIJKS SCHOOL VOOR KUNSTNIJVERHEID/ GROEP’

Deze foto maakt deel uit van een omslag.
Young Girl Holding a Basket
Object type: drawing and watercolor
Date: 1891 – 1891
Materials: paper, panel, pastel
Location: france
Artist: berthe morisot
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1895

This large-scale drawing is a study for the painting The Cherry Tree (1891, Musée Marmottan Monet, Paris). The model is Berthe Morisot’s niece, Jeanne Gobillard, who lifts a basket to gather fruit. The light passages of yellow pastel suggest patches of sunlight reflecting off her hat, hair, and dress. The pink paper Morisot used adds additional luminosity to this outdoor scene.
Slag bij Malplaquet, 1709
Object type: print
Date: 1714 – 1716
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: johan willem friso (prins van oranje-nassau), maps of separate countries or regions, battle (+ land forces)

Gebruikt als illustratie in: F. Halma en I. Lamige, Het leven van Zyne Hoogheit Johan Willem Friso... nevens de historie van den jongstleden oorlog : met de grondttekeningen der voornaamste steden en vestingen, Johannes van Oosterwyk, Amsterdam 1716. Dit nummer is een door het RPK toegevoegd nummer en staat niet in Frederik Muller, het werk waar de prent voor is gemaakt of uit afkomstig is, staat wel vermeld in Frederik Muller.
Study of Heads for Study for "Castor and Pollux Freeing Helen"
Object type: drawing
Date: 1817 – 1817
Materials: chalk, crayon, paper
Techniques: stumping
Artist: joseph-ferdinand lancrenon
Artist role: artist
Artist nationality: french
Artist dates: 1794 – 1874
Subjects: heads

Lancrenon was a student of Anne Louis Girodet-Trioson, whose elegant Neoclassical style he closely emulated. He competed for the Prix de Rome in 1817, when the subject assigned was Castor and Pollux freeing Helen. In Greek and Roman mythology, Helen of Troy was carried off to Athens by Theseus as a young girl and rescued by her twin brothers, Castor and Pollux. This drawing is one of eight preliminary studies in the museum's collection, together showing the distinct steps the artist used to plan his canvas, executing a series of gradually more precise compositional studies, followed by studies of facial expression as well as figure and drapery studies. Lancrenon used black chalk, stumping, and white chalk on a variety of different papers to emphasize the sinuous contours and to delicately model the forms.
Wavy-handled jar
Object type: jar, wavy handled
Date: 3500 – 3300
Materials: pottery
Location: egypt
Standing Female Figure
Object type: sculpture
Date: 100 – 300
Materials: ceramic, pigment
Techniques: modeling, painting
Location: mexico
Subjects: people, costume, elite, female
Teabowl (part of a service)
Object type: teabowl
Date: 1723 – 1726
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: human figures,fireworks
Basin with Stylized Flowers and Sickle-leaf Scrolls
Object type: decorative art
Materials: stoneware
Techniques: glazing, molding, underglaze
Location: china
Rapier
Object type: rapier
Materials: steel
Culture: blade
Location: spain

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Wiegengordijn van wit zijdedamast met floraal patroon
Object type: zijdedamast
Date: 1730 – 1730
Materials: silk
Techniques: damask
Artist: Anonymous

Wiegengordijn van wit zijdedamast met floraal patroon en franjes langs de hele gelobte rand. Geplooid en gevoerd. Voorzien van metalen bevestigingshaken.
Set of Two Cups and Saucers
Object type: service set
Date: 1900 – 1900
Materials: earthenware
Techniques: vitrification
Location: bourg-la-reine
Artist: pierre adrien dalpayrat
Artist dates: 1844 – 1910
Inscriptions: mark: ‘DALPAYRAT’

Kop van aardewerk met een gevlamde roodbruine en gele glazuur.
Christ disputing with the Doctors: a sketch
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: etching
Subjects: christ's dispute with the doctors in the temple; he counts his arguments on his fingers
Inscriptions: collector's mark: Lugt 2228

De twaalfjarige Christus bevindt zich tussen geleerden in de tempel en stelt hen vragen.
Drie gedecoreerde stoelen van eikenhout
Object type: page
Date: 1882 – 1887
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: chair (+ wood and other phytogenic material)
Inscriptions: monogram: ‘JJvY’, inscription: ‘SIÈGES en bois (...)’, inscription: ‘MEUBLES. - PL. 3.’
Christ in the Storm
Object type: painting
Date: 1650 – 1650
Materials: oil, paint, panel, wood
Techniques: painting
Location: denmark
Artist: heinrich jansen
Artist nationality: danish
Artist dates: 1625 – 1667
Subjects: christian subjects, rain, waves, boatman, ships, men, weather/seasons, storms, biblical, religious figures, religious, religious scenes, religion, christianity, jesus
Antiquarum statuarum urbis Romae quae in publicis locis visuntur icones
Object type: album leaf
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: rome
Subjects: the sons of niobe, who were mounting their horses, die by the darts of apollo, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘40’

Deze prent maakt deel uit van een set van 79 prenten (+ titelprent) met voorstellingen van antieke sculpturen in Rome.
Jar
Object type: jar
Date: 2000 – 1600
Materials: ceramic
Culture: iranian
Location: iran, luristan

This jar has a flat base, bulging body, carinated shoulder and everted rim. It is made of a buff clay, with dark brown horizontal lines on the shoulder. It was found at Kamterlan II, a mound in Luristan in the Zagros Mountains of western Iran. Although it had been a settlement in the late third millennium B.C., by the second millennium the site had become a cemetery. The shape of the jar parallels that of bronze vessels, called ‘inkwells’ by archaeologists, which have been found in burials elsewhere in Luristan, as well as in Elam; in fact, the carinated shoulder is a feature of metalwork but not of pottery. Although their purpose is unclear, bronze inkwells attest to interaction and exchange between the elites of Elam and Luristan during the Bronze Age. This ceramic version suggests that its owner aspired to elite status. It is often thought that the inhabitants of Luristan in this period were pastoral nomads, who moved with their herds from the high valleys of the Zagros during the summer to lowland pastures in the winter. This theory arises from the dearth of evidence for settlements, and the occurrence of isolated cemetery sites. At the same time, the infrastructure necessary for bronze working, an important industry in Luristan, suggests that some sedentary settlements must have existed. In all likelihood these settlements were not located on mounds, but at lower elevations near water sources where agriculture could be practiced. This is probably the case with Kamterlan II, where an earlier settlement was replaced around 2000 B.C. by another, lower one, and the site at the top of the mound subsequently became a cemetery.
Portret van een onbekende vrouw in Friese klederdracht
Object type: carte de visite
Date: 1872 – 1879
Materials: cardboard, paper
Techniques: albumen print
Location: leeuwarden
Artist: hendrik anthonie karel ringler
Artist role: draughtsman
Artist dates: 1846 – 1879
Subjects: adult woman, anonymous historical person portrayed, folk costume, regional costume
Inscriptions: inscription: ‘Photographisch/ Atelier/ van/ H.A.K. Ringler/ Leeuwarden/ Nieuwe Weststraat No/ tegenover het station/ Bolsward/ Dijkstraat No 206./ De plaaat blijft tot nabestelling bewaard.’