deem-data/ArtiFact huggingface dataset:
In deze prent, ô jonge lien / Kunt gij veel fraaije zaken zien, / En dat dezelve u gewijd, / Verstrekken mag tot leerzaamheid
Object type: print
Date: 1828 – 1853
Materials: paper
Techniques: colour, letterpress printing
Location: breda
Artist: Anonymous
Subjects: bible, drum (musical instrument), bee-hive, glass of beer
Inscriptions: collector's mark: Lugt 2760

Blad met 36 voorstellingen voorwerpen, waaronder een Bijbel, een bijenkorf, een luchtballon, een lampet en een trommel. Onder elke voorstelling een onderschrift. Genummerd rechtsboven: No. 6.
Ontwerp voor de Oostkerk in Middelburg
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: drypoint, etching, hand coloring
Location: middelburg
Subjects: parts of church interior, parts of church exterior and annexes
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor de Oostkerk in Middelburg, waarbij zowel het interieur als het exterieur getoond wordt.
Mnimata Dominicae Passionis Historiam Necisque Nostrae Mortem Complexa
Object type: album leaf
Date: 1572 – 1572
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: pilate showing christ to the people, 'ostentatio christi', 'ecce homo' (john 19:4-6)

Tijdens de restauratie in 1988 bleek dat op de achterzijde van de prenten van de Passie-serie van Wierix Latijnse teksten in boekdruk staan. Deze vormen, wanneer op de juiste wijze in boekvorm gebonden (wat nu in het Heemskerck-album niet het geval is), een toelichting op de passievoorstellingen. Om de teksten zichtbaar te laten zijn de prenten bij de restauratie niet meer met de achterzijde op elkaar geplakt.
Studioportret van een vrouw met een kind op haar heup in Nederlands-Indië
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: indonesia
Inscriptions: number: ‘33’

Portret van een vrouw met een kind op haar heup, gemaakt in een studio (?), Nederlands-Indië
Brug en een boerderij met hooimijt
Object type: sketchbook leaf
Date: 1780 – 1800
Materials: paper, pencil, watercolor
Techniques: brush
Subjects: hay-stack, bridge, farm (building)

De boerderij ligt aan de rand van een dorp. Op de achtergrond is de toren van een kerk te zien. Blad 5 recto uit een schetsboek met 25 bladen.
Bottle vase with floral scrolls
Object type: bottle
Date: 1667 – 1733
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, head of filleted youth to right
Fot. Henri de Louw hoffotograaf (...)/ April feesten 1887
Object type: photograph
Date: 1804 – 1887
Materials: paper
Techniques: albumen print
Location: amsterdam
Artist: henri de louw
Artist role: fotograaf
Artist dates: 1851 – 1944
Subjects: street, festivities, amsterdam
Inscriptions: title: ‘Fot. Henri de Louw hoffotograaf .../ April feesten 1887’
Man met waterpijp
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: etching, intaglio
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: adult man (+ lying), water-pipe, hookah, narghile (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)
Inscriptions: collector's mark: Lugt 2228
Fragment of Sash
Object type: textile fragment
Date: 1701 – 1800
Materials: silk
Techniques: weave
Location: morocco
Psalter en brevier (gedeeltes) in het Latijn
Object type: drawing
Date: 1500 – 1600
Materials: paint, paper, parchment
Techniques: pen in colors, brush in colors
Artist: Anonymous
Four armed Ganesha exhibited in the garden of the assistent-resident of Wonosobo (provenance Dieng plateau). Wonosobo, Wonosobo district, Central Java province, 10th century.
Object type: photograph
Date: 1808 – 1864
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905

Een vier armige Ganesha, tentoongesteld in de tuin van de assistent resident in Wonosobo.
Fragment van kandelaber-ornament met triton en twee satyr kinderen
Object type: print
Date: 1500 – 1505
Materials: paper
Techniques: engraving
Location: italy
Artist: zoan andrea
Artist role: draughtsman, print maker
Subjects: triton(s), satyr(s) (in general)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Sketches of Religious Scenes
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: possibly domenico piola
Artist nationality: italian
Artist dates: 1627 – 1703
Fotoreproductie van een portret van Honoré de Balzac
Object type: page
Date: 1881 – 1891
Materials: paper
Techniques: photoaquatint
Subjects: paris, honoré de balzac, portrait of a writer
One Hundred Million
Object type: print
Materials: paper, stone
Techniques: lithograph, scraping
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Hippopotamus
Object type: figurine, hippopotamus
Date: 1800 – 1600
Materials: faience
Location: egypt
Subjects: hippos
Manchetknoop met foto van jonge vrouw met lachend gezicht
Object type: photograph
Date: 1900 – 1920
Materials: brass, photographic support
Techniques: photography
Artist: Anonymous
Shawl
Object type: costume and accessory
Date: 1801 – 1900
Location: paisley
Card Number 25, cut-out from banner advertising the Opera Gloves series (G29) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: gloves,women

Series G29 presents cut-outs from a tobacco advertising banner issued by Allen & Ginter between 1885 and 1890. Citing Burdick's "The American Card Catalog": "Banners are paper hangers with a metal binding at top and bottom edges. The popular size was about 30 inches long but a few measured over five feet in length...The tobacco firms were prolific advertisers using a constant procession of banners, especially to publicize their current insert card sets...The usual design illustrates the card pictures [from the series inserted into tobacco packaging] with a large appropriate center picture." Many consumers would cut up banners in order to "collect" the whole series of cards at once. Although series G29 is not listed in Burdick's "The American Card Catalog," he included notes in his own edition of the book, now included in the collection at the Metropolitan Museum, labeling the series as G29. They are included not as the original banner, but as cut-outs affixed to an album. Each card in the series is numbered and depicts a leather opera glove holding a portrait of a woman. The original banner advertised Richmond Straight Cut Number 1 Cigarettes issued by Allen & Ginter as a branch of the American Tobacco Company. In 1890, the American Tobacco Company purchased Allen & Ginter, as well as many of the large American cigarette manufacturers.
“- Adelaide, Adelaide.. I think I can see the comet coming!!... - Oh my God... this is the end of the world.... how annoying. They promised it wouldn't come until June 13!,” plate 31 from Croquis Parisiens
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879

After the Comet of Charles V failed to reappear in the 1840s, as astronomers predicted, a Belgian almanac writer announced that it would arrive on June 13, 1857, when it would collide with the earth and end all life. The prediction spread across Europe, but its effect was particularly pronounced in Paris, where terrified families began to prepare for the end. The situation was ripe for mockery, and it also enabled Daumier to compose a variety of night scenes, which he particularly enjoyed drawing. In this print, he devotes particular care to depicting how the candle illuminates his panicked Parisians.
Road Scene in Catskill Clove, N.Y. (Palingsville)
Object type: drawing
Date: 1873 – 1873
Materials: ink, paper
Techniques: wash
Culture: american
Artist: william rickarby miller
Artist role: artist
Artist nationality: american, born england
Artist dates: 1818 – 1893
Subjects: landscapes
Head of a Monastic
Object type: drawing and watercolor
Materials: chalk, paper, lead, pigment
Techniques: heightening
Location: florence
Artist: unknown florentine
Artist nationality: florentine
The Resurrection
Object type: drawing
Date: 1600 – 1600
Materials: chalk, ink
Techniques: brush, highlighting, pen, wash
Artist: cavaliere d'arpino (giuseppe cesari)
Artist role: artist
Artist nationality: italian
Artist dates: 1568 – 1640
Subjects: men,christ,resurrection
Portret van Ernst Haeckel
Object type: print
Date: 1909 – 1909
Materials: paper
Techniques: drypoint
Artist: emil orlik
Artist role: painter, print maker
Artist dates: 1870 – 1932
Subjects: historical persons, indonesia
Inscriptions: name: ‘Emil Orlik 1909’, collector's mark: Lugt 2228, collector's mark: Lugt 1914a
Plate 16: mythological figure holding a mirror
Object type: print
Date: 1756 – 1756
Techniques: engraving, etching
Artist: bartolomeo crivellari
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Nanamachi of the Yotsumeya with Attendants Sumano and Akashi
Object type: print
Date: 1787 – 1787
Techniques: woodblock print
Location: japan
Artist: chobunsai eishi
Boom in landschap
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: lithograph
Location: rotterdam
Subjects: trees, rotterdam

Een boom in een landschap met links een huis langs het water en in de achtergrond een stompe kerktoren (mogelijk van Rotterdam).
Portretstudie van Jan Fabius
Object type: drawing
Date: 1657 – 1657
Materials: chalk, paper
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Inscriptions: annotation: ‘dit heeft Mosus ter Borch geteijckent nae Jan/ Fabus den 3.Decembr 1657’

Portretstudie van Jan Fabius (geboren in 1651, gestorven voor 1664) op 6- of 7-jarige leeftijd.
Gezicht op de Rijnsburgerpoort te Leiden
Object type: book illustration
Date: 1734 – 1734
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: andries van buysen (sr.)
Artist role: print maker
Subjects: bridge, city-gate
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: De vermakelyke Leidsche buiten-cingels, aangenaame dorpen en landstreken, rondom die stad gelegen (…) versiert met alle de stadts-poorten. Leiden: Quirinum Visscher, Amsterdam: Arent van Huyssteen, 1734.
Reproductie van: Port of Amsterdam
Object type: reproduction
Date: 1912 – 1930
Materials: cardboard
Techniques: autotype
Subjects: harbour, sailing-ship, sailing-boat, port of amsterdam
The Disappointment Suffered by Don Chepito
Object type: print
Materials: paper, zinc
Techniques: engraving, relief
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: text
Whale Oil Lamp
Object type: whale oil lamp
Date: 1815 – 1830
Materials: gemstone, glass
Techniques: glassblowing
Culture: american
Location: united states
The Fountain
Object type: print
Date: 1830 – 1870
Techniques: lithograph
Artist: célestin nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1873
Subjects: musical instruments,men,women,dogs
Card Number 539, Miss Blake, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-7), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the seventh subset, N145-7. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Frankrijk, ook voor Frans West-Indië, koning Lodewijk XV, 2 sols, 1742
Object type: coin
Date: 1742 – 1742
Materials: silver
Techniques: striking
Location: paris

Zilveren munt. Voorzijde: tussen drie lelies gekroond monogram van de koning. Keerzijde: gekroond versierd monogram van de koning, waaronder letter A [=Parijs]. Bovenaan jaartal. Gladde rand.
Mars
Object type: print
Date: 1581 – 1581
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: (story of) mars (ares)
Inscriptions: collector's mark: Lugt 2228

Mars met zwaard en schild in zijn handen. Achter hem ligt een paard. In de ondermarge een tweeregelige Latijnse tekst.
Meubels
Object type: page
Date: 1787 – 1787
Materials: paper
Techniques: engraving
Location: holborn
Subjects: bidet, furniture and household effects

Genummerd: Pl. 83. Schaalverdeling in de ondermarge. Prent maakt deel uit van een boek.
Piece
Object type: piece
Date: 1700 – 1715
Materials: metal thread, silk
Subjects: human figures,animals,flowers
Huid van neushoorn Clara
Object type: sketchbook leaf
Date: 1751 – 1751
Materials: chalk, paper
Artist: lorenzo baldissera tiepolo
Artist role: draughtsman, print maker
Artist dates: 1736 – 1776
Subjects: hoofed animals: rhinoceros

Studie naar de neushoorn Clara, die vanaf 1746 een rondreis door Europa maakte (zie documentatie).
Zittende man met boek
Object type: sketchbook leaf
Date: 1881 – 1885
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: sitting figure, adult man, book

De man is zittend en van opzij getekend met een boek, mogelijk een schetsboek, in de hand. Pagina 14 uit een schetsboek met 26 bladen.
Maryland, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the "Flags of the States and Territories" series (N11), issued in 1888 in a set of 47 cards to promote Allen & Ginter brand cigarettes. There are also approximately 100 scroll color variations. The museum's collection contains the full set of 47 cards, as well as 54 scroll color variations and one cutout card.
Boog
Object type: sketchbook leaf
Date: 1903 – 1903
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: arch, archivolt ~ architecture
Inscriptions: annotation: ‘boog hal’, annotation

Boog. Pagina 67 uit een schetsboek met 46 bladen.
Kepeng uit Malakka voor Perak, 1251 [=1835]
Object type: coin
Date: 1835 – 1836
Materials: copper
Techniques: striking

Koperen particuliere munt. Voorzijde: in een regel waarde-aaanduiding sat kepeng in Arabische lettertekens, waarboven 1/1. Onderaan jaartal: 1251. Keerzijde: in twee regels lands-aanduiding Negri Perak in Arabische letttertekens. Gladde rand.
Mlle. Naya, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Timmerliedengilde van Amsterdam, gildepenning S. Jan van der Boom, overman
Object type: medal
Date: 1763 – 1785
Materials: silver
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Guilds were urban organisations of people in specific occupations. The guild represented the interests of the profession. Each member had a token as proof of membership. The person’s name was engraved on one side of the token, often together with the arms of the guild or of the city in which it was based. The other side carried a motif signifying the occupation represented by the guild.
Miss Merrie, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Child (one of a pair)
Object type: figure
Date: 1781 – 1781
Materials: hard paste porcelain
Artist: fulda pottery and porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1764 – 1789
Subjects: boys
Portret van Joannes Houbakker
Object type: print
Date: 1715 – 1780
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: joannes houbakker
Inscriptions: collector's mark: Lugt 240

Portret naar links van Joannes Houbakker in een ornamenteel ovaal versierd met acanthusmotieven en met een randschrift in het Nederlands. Onder het portret een piëdestal met daarop een zesregelig vers in het Nederlands.
Design for Thatched Cottages for Mrs. Kingsley
Object type: drawing
Date: 1910 – 1910
Materials: graphite, ink, watercolor
Techniques: pen
Artist: charles edward mallows
Artist role: artist
Artist nationality: british
Artist dates: 1864 – 1915
Subjects: buildings
Design for Gallery Ceiling, Hôtel Cottier
Object type: drawing
Date: 1879 – 1879
Materials: oil
Techniques: brush
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ceilings
Phaeton, no top (unnumbered)
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Red paste paper book cover
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Road to Miyanoshita
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: kanagawa
Artist: Anonymous
Subjects: kanagawa
Inscriptions: number: ‘16.’
Child's Tunic with Hood
Object type: tunic
Date: 600 – 900
Materials: wool
Techniques: weave
Location: egypt

Heavy woolen garments such as the example seen here were generally worn as a top layer over a lighter tunic, and hoods offered added protection against heat, cold, or dust. This green wool garment is one of a number of hooded children's tunics that have been preserved. It is ornamented with plain, undyed bands, while its clavi and double sleeve bands are made of purple-colored and undyed wool. The clavi and bands are decorated with a repeating pattern of abstracted, elongated figures intertwined in a vine scroll; they are framed by festoons and dangling leaves. The hemline of the tunic is edged with green fringe. A separately woven hood, also decorated with undyed bands and two roundels, is finished with green fringe along the top and red fringe along the sides.
Seedee Syeed's Mosque.- Window of perforated Marble
Object type: photograph
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Location: ahmedabad
Artist: thomas biggs
Artist role: fotograaf, kapitein
Artist dates: 1822 – 1905
Subjects: window, temple, shrine ~ islam, mohammedanism, ornament derived from plant forms
Inscriptions: number: ‘37.’, inscription: ‘L’
Splendore delle virtuose giovani, page 9 (recto)
Object type: book print ornament architecture
Date: 1564 – 1564
Techniques: woodcut
Location: italy
Artist: iseppo foresto
Artist role: designer
Artist nationality: italian
Artist dates: 1520 – 1580
Subjects: flowers

Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice. From top to bottom, and left to right: Design composed of 3 vertical columns; only left column is printed upon a grid. Left column is decorated with a vase in the center that is flanked by 2 reclining female composite figures with leaves for legs that turn into coiling vines with leaves. Middle column is decorated with a wavy vine with an alternating pattern of flowers and white dotted leaves. Right column is decorated with a grotesque head in the center to which 2 coiling vines with leaves and grapes are attached.
Winterlandschap langs de Aelbertsbergweg in Bloemendaal
Object type: photograph
Materials: photographic support
Techniques: salted paper print
Location: bloemendaal
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Subjects: landscapes, snow
Inscriptions: number: ‘II’
Landschap met een schuur en man met zeis
Object type: print
Date: 1748 – 1806
Materials: paper
Techniques: etching
Artist: edward edwards
Artist role: painter
Artist dates: 1738 – 1806
Subjects: agricultural implements: scythe, landscapes (+ landscape with figures, staffage), farm (building)

Prent maakt deel uit van een serie van 51 prenten, bestaande uit twee delen met landschappen (36 prenten) en figuren en portretten (15 prenten), voor het eerst uitgegeven in Londen in 1790.
Gezicht op het Altes Museum in Berlijn
Object type: album leaf
Date: 1889 – 1893
Materials: paper
Techniques: gelatin silver print
Location: berlin
Artist: willem frederik piek jr.
Artist role: fotograaf
Artist dates: 1874 – 1954
Subjects: permanent exhibition, museum
Voorzijde- en achterzijde van een penning met daarop het wapen van Maximiliaan, graaf van Hennin-Lietard en het wapen van Charlotte de Werchin
Object type: book illustration
Date: 1723 – 1723
Materials: paper
Techniques: etching, letterpress printing
Location: the hague
Subjects: antwerp, coat of arms (symbol of sovereignty), historical persons - bb - woman, historical persons, coin

Prent uit: Loon, Gerard van. Beschryving der Nederlandsche Historipenningen: (...). Den Haag: Christiaan van Lom et al., 1723, dl. 1, p. 149.