deem-data/ArtiFact huggingface dataset:
Portret van een onbekend meisje op een stoel
Object type: photograph
Date: 1875 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: adelaide
Subjects: girl (child between toddler and youth), chair
Ronde bloemenkrans
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: printing, engraving, hand coloring, lithography
Location: netherlands
Subjects: garland, wreath

Deze prent maakt deel uit van een album.
Spotprent op de vrede tussen Nederland en de keizer, 1785
Object type: print
Date: 1785 – 1786
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: toll gate
Inscriptions: collector's mark: Lugt 2228

Spotprent op het verdrag van Fontainebleau waarmee een eind kwam aan de Keteloorlog, de twisten tussen Nederland en de Oostenrijkse keizer Jozef II, 8 november 1785. Nederland betaalde 8,5 miljoen gulden en accepteerde andere vernederende voorwaarden. Links een Oostenrijkse tolboom waarbij een open koets, door een Frans officier gemend, waarin een Pruisissch officier zit; de officier wordt om betaling van barrièregeld aangehouden door de Oostenrijkse beambte, maar de twee Nederlandse lakeien (leden van de Hollandse Staten), die achter op het rijtuig staan, zeggen: 'Wij betalen mijn Heer!' waarop de Pruis zijn tocht kan vervolgen. In het onderschrift een verklaring in het Frans en Duits.
Pamflet over de begrafenis van de Constitutie, 1797
Object type: pamphlet
Date: 1797 – 1797
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: mourning card, death notice, obituary
Inscriptions: collector's mark, collector's mark: Lugt 1641

Satirisch pamflet over de begrafenis van de Constitutie op zaterdag 23 september 1797 te Den Haag. Bestaande uit zestien genummerde bladzijden. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Des Menschen Begin, Midden en Einde. Begrafenissen, lijkzangen, grafschriften, pamfletten.
Goudestein, het huys van den Hr. van Maersseveen, siende naar (1) Hartevelt, (2) Leeuwenvegt en (3) Soetendael
Object type: print
Date: 1718 – 1757
Materials: paper
Techniques: etching
Subjects: rural housing, e.g. country-house, villa, cottage, maarssen, vecht
Inscriptions: collector's mark: Lugt 2228

Behoort tot een reeks van elf stuks met verschillende buitenplaatsen.
Naar prent in: Stopendaal, Daniel. De zegepraalende Vecht, vertoonende verscheidenen gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende. Amsterdam: Weduwe Nicolaas Visscher, 1719.
Wall Sconce
Object type: wall sconce
Date: 1853 – 1853
Materials: gilt bronze, glass
Subjects: putti

This wall sconce and its mate (64.36.5) come from the parlor of the Tweedy House, built in 1853 in North Attleboro, Massachusetts.
Abklatsch van de krijttekening op blad 23 verso
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper
Techniques: printmaking
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 24 recto uit schetsboek VII met 26 bladen.
Gezicht op het Diaconiehuis op Achterom 3 te Hoorn
Object type: photograph
Date: 1893 – 1893
Materials: cardboard, photographic support
Techniques: albumen print
Location: achterom
Subjects: façade (of house or building), civic architecture; edifices; dwellings, hoorn (north holland)
Inscriptions: annotation: ‘Hoorn (N.H.)/ Diaconiehuis/ Nov. 1893’, annotation: ‘Diaconiehuis/ Nov. 1893/ Hoorn’
Noorden
Object type: zinkplaat
Date: 1890 – 1890
Materials: zinc
Techniques: etching
Artist: floris verster
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1927
Design for Landaulet, no. 3304
Object type: drawing
Date: 1877 – 1877
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Sculptuur van een zittende Agrippina de oudere in de Capitolijnse Musea te Rome, Italië
Object type: photograph
Date: 1863 – 1887
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: michèle mang
Artist role: fotograaf
Artist dates: 1840 – 1909
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘112.’
Sculptuur van Bacchus
Object type: album leaf
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: Anonymous
Subjects: (story of) bacchus (dionysus), liber, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘71’, inscription: ‘Ende lib. No. 21. fol. 339. Ende lib. No. 23. fol. 79.’, inscription: ‘Ende lib. No. 4 [...] fol. 66 [...] fol. 72...’

Deze prent maakt deel uit van een reeks van ten minste 50 prenten van sculpturen uit de oudheid.
Soepbord, beschilderd met het Flügelmuster-decor
Object type: soup plate
Date: 1901 – 1901
Materials: porcelain
Techniques: painted
Location: meissen
Artist: konrad hentschel
Inscriptions: factory mark

Bord van beschilderd porselein. Het bord is beschilderd in groen en blauw met het Flügelmuster. Het bord hoort bij een servies (BK-1976-65-1 t/m BK-1976-65-34) en is gemerkt.
Head of a Funerary Figure of Akhenaten
Object type: funerary figure, shabti, akhenaten, head
Date: 1353 – 1336
Materials: stone
Location: middle egypt
Subjects: heads

More than two hundred fragmentary funerary figures of Akhenaten are known. Judging from the different styles and attributes, these were probably prepared throughout the king's reign. For other examples of Akhenaten's shabtis, see 47.57.2; 66.99.35, .37, .106; 1972.118.28; 1982.50.
Manuel
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Location: paris
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228
Ewer
Object type: ewer
Date: 1769 – 1780
Materials: creamware, glaze
Artist: wedgwood and bentley
Artist role: factory
Artist nationality: british
Artist dates: 1769 – 1780
The Actors Onoe Kikugoro III (right) as Shirokiya Okoma and Matsumoto Koshiro V (left) as her lover Saiza
Object type: print
Date: 1816 – 1816
Techniques: woodblock print
Location: japan
Artist: utagawa toyokuni i 初代 歌川 豊国
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Fragment of a silver bowl
Object type: fragment of a bowl
Date: 700 – 601
Materials: silver
Culture: cypriot
Subjects: lions

The exceptionally fine decoration shows a winged figure of Assyrian type with a lion at his feet and another in his outstretched hand.
Gezicht der overstroominge, op de Hooge Swaluwe, den 22sten novemb. 1776
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: rescue work during a flood, sailing-ship, sailing-boat, flood
Inscriptions: collector's mark: Lugt 2228

Overstroming bij Hooge Zwaluwe op 22 november 1776. Op de voorgrond worden mensen en dieren op het droge gebracht. Zeilboten varen met mensen en vee aan boord. Op de achtergrond een kerk.
Kinderverzorgster met kinderwagen en twee kindjes
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Een Surinaamse kinderverzorgster met kinderwagen en twee kindjes. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Satire against the Terror
Object type: print
Date: 1794 – 1815
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: french revolution,louis xvi,men,women
Italienne (Gaëta)
Object type: drawing and watercolor
Date: 1856 – 1857
Materials: fiber, graphite, paper
Techniques: stumping
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Inscriptions: Inscribed recto, upper right, in graphite: "Mola di Gaëta"; center, right of figure, in graphite: "Roma"; lower right, in graphite: "ph 2349";verso, upper left, in graphite: "ph 2349/2"; lower right, in graphite: "41 x 56"

The young woman who posed for this study probably came from Mola di Gaëta, now known as Formia, a small town in southern Italy. Her heavy dress, with its wide, embroidered sleeves, was typical of the locals. Degas traveled considerably in the vicinity of Rome and Naples in about 1856–59 while, under the sponsorship of the French state, he was a resident at the Villa Medici. Artists slightly senior to Degas had made their name with this kind of imagery, as rural Italian subjects were popular with buyers back in Paris. Although Degas claimed that he was “not mad about this wellknown Italian picturesque,” this drawing shows he was still keen to try the genre.
Portretten van jonge vrouwen en een jonge man
Object type: photograph
Date: 1855 – 1940
Materials: cardboard, iron
Techniques: ferrotyping
Artist: Anonymous
Subjects: adolescent, young woman, maiden, historical persons - bb - woman, historical persons, youth, adolescent, head-gear: hat
Inscriptions: monogram: ‘E.J.B.’, monogram: ‘P A M’, monogram: ‘B C’, monogram: ‘H.R.’

Deze foto's maken deel uit van een album.
Portrait of Mrs. C. W.
Object type: print
Date: 1890 – 1890
Materials: ivory, paper
Techniques: drypoint
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926
Portret van Jean-Jacques Uhrich met een allegorische voorstelling op het beleg van Straatsburg
Object type: print
Date: 1870 – 1882
Materials: paper
Techniques: letterpress printing, engraving
Subjects: torch, garland, wreath, commander-in-chief, general, marshal, historical persons, hacking and thrusting weapons: sword, tools, aids, implements ~ crafts and industries: hammer, medals and other marks of military honour, armorial bearing, heraldry, parts of church exterior and annexes: tower

Prent uit een onbekende publicatie, mogelijk Le Monde Illustré.
Study for "The Riot"
Object type: drawing
Date: 1910 – 1910
Materials: graphite, paper
Artist: umberto boccioni
Artist role: artist
Artist nationality: italian
Artist dates: 1882 – 1916
Study for Allegorical Figure of Prudence
Object type: drawing
Date: 1501 – 1547
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: perino del vaga (pietro buonaccorsi)
Artist role: artist
Artist nationality: italian
Artist dates: 1501 – 1547
Subjects: women,snakes
Fotoreproductie van de eerste pagina van de Catholicon
Object type: page
Date: 1867 – 1872
Materials: photographic support
Techniques: albumen print
Location: mainz
Subjects: book
Inscriptions: number: ‘10’
Algerian Tirailleurs, France, from the Military Uniforms series (T182) issued by Abdul Cigarettes
Object type: print
Date: 1881 – 1881
Techniques: color lithograph
Artist: abdul cigarettes
Artist role: publisher
Artist nationality: american
Artist dates: 1881 – 1881
Subjects: men
Enno III, graaf van Oost-Friesland
Object type: copy
Date: 1603 – 1603
Materials: metal
Techniques: casting, gilding
Artist: Anonymous
Subjects: enno iii (graaf van oost-friesland)

ovale penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: Christus met aureool houdt rijksappel in linkerhand en steekt twee vingers van rechterhand omhoog; voor hem gekroond wapenschild binnen omschrift
[William Etty]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: men,portraits
Alcune vedute et prospettive di luoghi dishabitati di Roma
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: etching
Location: italy
Subjects: landscape with ruins, rome
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van 52 prenten.
Penning ter ere van Gerardus Oorthuys, kapitein van het fregat Den Briel
Object type: print
Date: 1781 – 1782
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: rotterdam, gerardus oorthuys, battle (+ naval force), medal (considered as a piece of sculpture, regardless of its specific function)
Inscriptions: collector's mark: Lugt 2228

Penning geslagen ter ere van Gerardus Oorthuys, kapitein van het fregat Den Briel, die zijn Engelse tegenstander, het fregat Crescent, overwon tijdens de zeeslag bij Cadiz op 30 mei 1781. Voor- en keerzijde van de penning binnen een ornamentale omlijsting. Onderaan een vierregelig vers en een verwijzing naar blz. 173.
De moord op Willem van Oranje, 1584
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: delft, william i (prince of orange), attempt, political murder

Willem van Oranje vermoord door Balthasar Gerards, 10 juli 1584. Gezicht op interieur Prinsenhof: achter ontvangt de prins Gerards in een kamer, op de voorgrond wordt de prins neergeschoten. Links probeert Gerard te ontsnappen en wordt hij gevangengenomen. Met onderschrift van 4 regels in het Latijn. Genummerd 156. Bedrukt op achterzijde met tekst in het Latijn.
Ad Benedicti de Spinoza opera quae supersunt omnia supplementum
Object type: book
Date: 1862 – 1862
Materials: cardboard, paper, textile
Techniques: albumen print, letterpress printing, lithograph
Location: amsterdam
Inscriptions: inscription: ‘45,-/ I/62/ x) front. photograph/ x) bookplate Grisebach/ Di-t parallel text/ x) C in Astedm./ x) Fred. Müller publication!’, bookplate: ‘Ex Libris/ Eduard Grisebach’, retailer's mark: ‘Dr. H. Lüneburg & Co./ Sortiment-Antiquariat/ München/ Maximilianspl. 3’
Handtekeningen van Belgen, 1830
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: handwriting, written text

Facsimiles van de handtekeningen van achttien Belgische betrokkenen. Illustratie in een bundel van twee cahiers met facsimiles van de handtekeningen van hoofdrolspelers in de Belgische Revolutie in 1830.
Tile
Object type: tile
Date: 1640 – 1660
Materials: earthenware
Techniques: glazing
Subjects: bears,men,women,swans
Pantheon
Object type: print
Date: 1837 – 1843
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: pipe ~ tobacco, human figure at (open) window, seen from outside
Inscriptions: : ‘Deposé’, collector's mark: Lugt 2228

Deze prent maakte mogelijk deel uit van: Pantheon of de tempel der onsterfelijkheid van Nederlandse kunstschilders. Uitgegeven door Gebroeders Van Lier in Amsterdam tussen 1837 en (in ieder geval) 1843.
Ingo und Irmgard
Object type: photomechanical print
Date: 1877 – 1877
Materials: paper
Techniques: woodburytype
Location: berlin
Subjects: adult woman, adult man, specific works of literature
Inscriptions: inscription: ‘VERVIELFÄLTIGUNG VORBEHALTEN.’
Fotoreproductie van beeldhouwwerken met vier kunstenaars uit de zestiende en zeventiende eeuw door Ernst Pfeifer
Object type: reproduction
Date: 1880 – 1887
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: the arts; artists, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘16de & 17de eeuw/ 122/ 133’, inscription: ‘E. Pfeiffer’, collector's mark: Lugt 2228
Zeegevecht
Object type: hearthstone
Date: 1500 – 1600
Materials: earthenware
Techniques: printing, firing
Location: southern netherlands
Artist: Anonymous
Moeder voedt haar baby
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: etching, intaglio
Location: antwerp
Subjects: feeding a baby, one lover waiting for the other
Inscriptions: collector's mark: Lugt 2228
Nieuwezijds Voorburgwal met het Koninklijk Postkantoor, Amsterdam
Object type: stereograph
Date: 1868 – 1884
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: post-office, canals, waters (in city)
Skirt
Object type: skirt
Date: 1700 – 1750
Techniques: embroidery
Culture: american
Location: united states
De Graven en Gravinnen van Holland
Object type: print
Date: 1518 – 1518
Materials: paper
Techniques: woodcut
Location: low countries
Artist: jacob cornelisz van oostsanen
Artist role: draughtsman, painter, print maker
Artist dates: 1475 – 1533
Subjects: earl, equestrian state-portrait
Inscriptions: collector's mark: Lugt 240

Twee uitgaven van de serie zijn bekend: één met Franse teksten en een titelblad met de naam van de uitgever Doen Pietersz. in Amsterdam en de dagtekening 1.4.1518, en één met Latijnse teksten, waarvan het titelblad ontbreekt, op het laatste blad opgedragen aan Karel V. Fragmenten van de later versneden blokken werden opgenomen in de "Cronicke van Brabant", Antwerpen 1530, door Jan van Doesborch.
Ziet kinders op deez' prent verscheidenheid van visch, Die ons de zee verschaft, meest smaaklyk op den disch
Object type: print
Date: 1781 – 1828
Materials: paper
Techniques: letterpress printing
Location: rotterdam
Subjects: fishes, crustaceans: crab, cartilaginous fishes: ray, swimming mammals: whale

Blad met 12 voorstellingen van dieren uit de zee, zoals een walvis, een krab en een rog. Onder elke afbeelding een twee- of vierregelig vers. Genummerd linksboven: No. 72.
Bebost eiland
Object type: print
Date: 1630 – 1663
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: island, church (exterior), forest, wood
Inscriptions: collector's mark: Lugt 2228

Links is een bebost eiland te zien en rechts in de verte is een kerk weergegeven.
Teabowl
Object type: teabowl
Date: 1770 – 1770
Materials: hard paste porcelain
Artist: zurich pottery and porcelain factory
Artist role: factory
Artist nationality: swiss
Artist dates: 1763 – 9999
Subjects: men,trees
Designs for Two Lidded Vases, Plate 1 from: 'Schöne und auf die neueste Facon inventierte Gefäße und Krüge'
Object type: album print ornament architecture
Techniques: etching
Artist: jeremias wachsmuth
Artist role: artist and engraver
Artist nationality: german
Artist dates: 1712 – 1771
Subjects: vases

Ornament print with two designs for lidded vases decorated with rocaille ornaments in high relief. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.
Earring for a Deity Showing Vishnu Riding Garuda
Object type: ornament
Date: 1601 – 1900
Materials: coral, silver gilt, lapis lazuli, pearl, gemstone, shell
Culture: nepali
Subjects: vishnu
Les francois repoussé de van Huls et Kyckuyt - le 10. Septembre 1702 / Keysersweert ce rendit le 16. juin 1702
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: daniël marot (i)
Artist role: draughtsman, print maker
Artist dates: 1661 – 1752
Subjects: capture of city (after the siege)

Paneel met twee voorstellingen van de overwinningen te Hulst en Kijkuit op 10 september en te Keizersweerd op 17 juni 1702. Onderdeel van de decoraties op de stellage met de Tempel van Mars tijdens het vuurwerk op de Hofvijver op 13 december 1702 te Den Haag. De Tempel van Mars was versierd met acht panelen met voorstellingen van overwinningen van de geallieerden op Frankrijk en Spanje in het jaar 1702.
Triptych with the Crucifixion
Object type: triptych
Date: 1460 – 1460
Materials: oil, panel
Location: utrecht
Artist: Anonymous
Subjects: the annunciation: mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation), st. christopher, with the infant christ on his shoulders, wading through the water and carrying his staff (palm-tree); sometimes a hermit stands on the further bank beside a chapel, a lantern in his hand, the mass of st. gregory the great: christ appears above the altar with the instruments of the passion; maybe blood spouts from christ's side, crucified christ with mary and john on either side of the cross; holy rood

The Crucifixion at centre is set against the background of the city of Utrecht. Thus the biblical scene acquired a certain reality for the medieval viewer. At left is Pope Gregory the Great, who experienced a vision of Christ while celebrating Mass. At right is Saint Christopher who bears the Christ Child and the burden of mankind on his shoulders.
Record of the Commemorative Tablet by Imperial Manufacture of the Great Buddha Temple of Longxing at Zhengding
Object type: book
Date: 1644 – 1911
Materials: jade, wood
Culture: chinese
Artist: dong gao
Artist role: artist
Artist nationality: chinese
Artist dates: 1740 – 1818
Kerk te Hensbroek. 1726
Object type: print
Date: 1752 – 1792
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: church (exterior)

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 4 (1752), ill. 352. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 4, ill. 352.

Uit welke druk het huidige exemplaar precies komt is niet na te gaan.
Tetradrachm (Coin) Depicting the God Dionysos
Object type: coin
Date: 167 – 135
Materials: metal, silver
Techniques: striking
Culture: greek
Location: greece
Subjects: mythology, goddesses, gods (deities)
Inscriptions: Reverse: ΔΙΟΝΥΣΟΥ ΣΩΤΗΡΟΣ
(In exergue: ΜΑΡΩΝΙΤΩΝ)

The front (obverse) of this coin depicts the god Dionysos crowned with ivy leaves, one of the attributes (along with the grapes he holds on the coin's back) which identifies him as the god of wine. He is believed to have come from Thrace, where this coin was minted.

Many cities claimed to be the birthplace of Dionysos. One was Maroneia, on the coast of Thrace, which was said to be named after Dionysos’s son Maron. Dionysos was the city’s protective deity and appeared on its coinage crowned with ivy leaves. On the back (reverse) of the coin, the god is seen holding a bunch of grapes.
Vajracharya Priest’s Crown
Object type: ritual crown
Materials: copper alloy, gilt, stone
Techniques: inlay
Culture: nepali
Reine De Joie
Object type: poster
Date: 1892 – 1892
Materials: paper
Techniques: lithograph, printing
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: men,women