deem-data/ArtiFact huggingface dataset:
Horse and monkey
Object type: figure
Date: 1601 – 1700
Materials: jade
Culture: chinese
Subjects: horses,monkeys
Toegangsweg tot de voorstad Saint-Marceau bij Parijs
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: etching
Subjects: public road, paris
Inscriptions: collector's mark: Lugt 160, collector's mark:, collector's mark: Lugt 690, collector's mark: Lugt 2228

Landschap aan de rand van de voorstad Saint-Marceau bij Parijs. Op de zandweg worden muildieren voortgedreven en mannen snijden korenhalmen op de akker naast de weg. Links zijn vrouwen aan het wassen bij de oever van een rivier en achter hoge muren staan huizen.
XXXIX Knecht hoe sweet ghy
Object type: album leaf
Date: 1614 – 1614
Techniques: engraving, printing
Location: amsterdam

XXXIX Knecht hoe sweet ghy. Tweede schok. Onderdeel van 'Sinnepoppen', R. Visscher, 1614.
Morus capensis (Cape gannet)
Object type: album leaf
Materials: chalk, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795

Vogelstudie: Kaapse Jan-van-Gent (Morus capensis); met schaalverdeling in Rijnlandse maat.
Modes et Manières d'Aujourd'hui, 1922, Pl. 4 : Amazone
Object type: fashion print
Date: 1922 – 1922
Materials: paper
Techniques: pochoir
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, boots (+ women's clothes), trousers, breeches (+ women's clothes), coat (+ women's clothes), baring the head, lifting one's hat, fashion plates, gloves, mittens, etc. (+ women's clothes), balcony, dog, whip, ensembles of pieces of clothing (riding costume) (+ women's clothes)
Inscriptions: title: ‘MODES ET MANIÈRES D'AUJOURD'HUI’, caption: ‘AMAZONE’

Een vrouw, staande bij een balustrade, in een amazonekostuum (rijkostuum). Zij is bezig haar handschoen aan te doen. Zweep onder de arm. Op de binnenplaats staat een ruiter die zijn hoed afneemt. Naast zijn paard een hazewindhond.
De prent maakt deel uit van een serie van 12 houtsneden van Fernand Siméon, met teksten van Paul Valery, voor het zevende deel (10e année 1922) van Modes et Manières d'Aujourd'hui. Elke uitgave had een oplage van slechts 300 stuks en was exclusief gewijd aan één kunstenaar die 12 prenten ontwierp rond een bepaald thema. In deze serie staat het 'leven van de modieuze vrouw in de maatschappij' centraal.
Joseph Christophe de Verdun
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: engraving, etching
Subjects: paris, painter, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2233
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Exterior, part of arm extended behind the back, and part of the right hip of a nude male to right; diskobolos?
Gezicht op een fresco met een afbeelding van Bacchus en Ariadne te Pompeï
Object type: page
Date: 1862 – 1867
Materials: cardboard
Techniques: albumen print
Location: pompeii
Artist: Anonymous
Subjects: (story of) ariadne and bacchus, painting, drawing and the graphic arts, pompeii

Foto op derde ongenummerde pagina na pagina 80.
Cuneiform tablet: record of barley allocations
Object type: cuneiform tablet
Date: 1300 – 1201
Materials: clay
Culture: assyrian
Location: mesopotamia
Fragment
Object type: textile
Date: 1625 – 1675
Materials: textile
Location: italy
Tobit Burying the Dead or Funeral of Phocian
Object type: drawing and watercolor
Date: 1710 – 1750
Materials: chalk, paper
Location: italy
Artist: after antoine watteau
Artist nationality: french
Artist dates: 1684 – 1721
Half Shawl
Object type: textile
Date: 1855 – 1865
Materials: lace, silk
Techniques: lace
Location: france
Vase in shape of winter melon
Object type: vase
Date: 1801 – 1833
Materials: glaze, porcelain
Culture: chinese
Christ before Pilate
Object type: print
Date: 1460 – 1465
Materials: ink, paper, watercolor
Techniques: brush, hand coloring, pen
Location: germany
Artist: Anonymous
Artist nationality: bavarian
Artist dates: 1400 – 1499

Communion bread came in different shapes in Renaissance Europe, and this variety is particularly clear from depictions of the Last Supper, when Christ symbolically offers his body to his disciples. In this metalcut series on the life of Christ, the shape of the bread—the traditional Bretzel, or pretzel—betrays that the prints were made in Bavaria. While the handwritten text on the verso of the adjoining sheet in the booklet (once comprising nineteen metalcuts) does not mention the pretzel, it is handcolored in a warm, doughy yellow. A similar glow suffuses the head-on Sudarium at center, an unusually abstract inclusion for an image of the Passion.

The fifteen metalcuts, or "dotted prints," that form this Passion suite constitute one of the most complete block books in existence. It is possible that the series at one time included as many as nineteen images, each exquisitely hand-colored with the biblical text inscribed on the reverse. The stars, shells, and other repeating patterns were produced by hammering metal punches, such as those used by goldsmiths and armorers, into the soft metal plates.
Pitcher
Object type: pitcher
Date: 1826 – 1826
Materials: silver
Culture: american
Location: united states
Artist: pelletreau, bennett & cooke
Artist role: maker
Artist nationality: american
Artist dates: 1826 – 1828
Design for Blue and Gold Curtains with Gold Fringes and a Gold Pediment
Object type: drawing
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: curtains
Gezichten op de Maas
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: etching
Location: rotterdam
Artist: gerrit groenewegen
Artist role: draughtsman, print maker
Artist dates: 1754 – 1826
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc., ferry
Inscriptions: collector's mark: Lugt 2233

Gezicht op de Maas en het IJsselmondse Veer bij Kralingen, met op de voorgrond een roeiboot en een platbodem. Rechts de Schaardijk. Rechtsonder genummerd: 1. Deze prent maakt deel uit van een serie van zes prenten met Maasgezichten.
Recueil de quatre-vingt-cinq estampes originales
Object type: album leaf
Date: 1636 – 1636
Materials: paper
Techniques: etching
Location: paris
Subjects: leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn
Inscriptions: date
Miss Vernon, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Bishop's Crosier
Object type: print
Date: 1475 – 1480
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491

Martin Schongauer was renowned as a painter, but he is best known today for his engravings. Bishop’s Crosier attests to his superior technique in this exacting medium. The refinement of his line allowed him to capture every detail of the ritual object he rendered, while his family background in goldsmith work informed his depiction of this intricate three-dimensional piece.
Studie, mogelijk van een landschap met paarden
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes, horse

Pagina 23 uit een schetsboek met 35 bladen.
Pair of dishes with peonies and lotuses
Object type: dish
Date: 1367 – 1500
Materials: lacquer
Techniques: carving
Culture: chinese
Subjects: flowers,leaves

Carved-lacquer dishes, such as these decorated using a laborious and expensive technique, were probably never meant for dining. Instead, they were displayed or used to offer guests items such as confections. The deep, dense carving of the lacquer shows an artistic combination of tree peonies and lotuses.
Af Københavns historie / Of the history of Copenhagen
Object type: album
Date: 1944 – 1946
Materials: cardboard, paper
Techniques: blind stamped, letterpress printing, rotogravure, stapling, writing
Location: denmark
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.), city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), copenhagen (city)
Inscriptions: inscription: ‘4-25 aug. 1946’

Album bestaande uit 61 pagina's met vijfentwintig voorstellingen van attracties in Kopenhagen, historische toelichtingen in het Deens en Engels, openingstijden en tramlijnen.
Evangelist Mattheüs
Object type: print
Date: 1527 – 1527
Materials: paper
Techniques: woodcut
Subjects: the apostle and evangelist matthew (mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent gebruikt in: Biblia sacra utriusque testamenti. Keulen: Peter Quentel, 1527.
Oilette
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: color autotype
Location: england
Subjects: castle
A3: Massachusetts Dining Room, 1720
Object type: miniature room
Date: 1940 – 1940
Location: united states
Artist: narcissa niblack thorne
Cylinder seal
Object type: cylinder seal
Date: 3100 – 2650
Materials: stone
Location: egypt
Ferdinandus II. Rom. Imp. S.A. Ger. Hung. Boh. Rex, &c. Arch. A.
Object type: print
Date: 1603 – 1650
Materials: paper
Techniques: engraving, etching
Artist: matthäus merian (i)
Artist role: print maker
Artist dates: 1593 – 1650
Subjects: vienna, ferdinand ii (duits keizer), garland, wreath, historical persons
Portret van een vrouw, aangeduid als Gee Pentermann
Object type: carte de visite
Date: 1893 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: groningen
Artist: elkan sanders
Artist role: fotograaf
Artist dates: 1848 – 1923
Subjects: historical persons - bb - woman
Inscriptions: name: ‘Gee Petermann’, inscription: ‘Elkan Sanders Jr./ Groningen Oosterstraat 204, Hoek Donkersgang’
Spiegel der vergenchlichkeit
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: funerary ceremonial
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Graminaeus, Theodor. Spiegel vnd abbildung der Vergengligkeit: Darinnen was der Toden Recht vnd Geburnuß begriffen ... Vnd wie der Durchleuchtiger ... Herr Johan Wilhelm Hertzog zu Gülich, Cleue vnd Berg ... da jhr F.G. Herr Vatter Christmilter gedechtnuß, Hertzog Wilhelm ... im Jahr 1592. ... entschlaffen, ... am zehenden Tag Martij in der Collegiat Kirchen zu Düsseldorff ... begraben ... lassen. Keulen: Theodor Graminaeus, 1592.
Portret van Giovanni Battista Belzoni
Object type: print
Date: 1824 – 1828
Materials: paper
Techniques: etching
Location: london
Artist: Anonymous
Subjects: giovanni battista belzoni, historical persons, head-gear: turban
Reliquary in the Shape of a Sarcophagus
Object type: reliquary casket
Date: 400 – 600
Materials: marble
Culture: byzantine
Subjects: sarcophagus

The inscription on this reliquary suggests that it was given to a church or shrine in memory of a miracle, likely a cure, or in anticipation of a request made to the saint whose remains were kept in the box. The gabled stone sarcophagi used for Christian burial were the model for miniature copies, like those seen here, that were manufactured throughout the Byzantine Empire as containers for relics, the remains of a holy person, or objects made holy by physical contact with them. Beginning in the fourth century, the bodies of martyrs and saints were exhumed, divided, and moved to local churches, where they were placed in reliquaries that were enclosed within altars or buried under them or displayed in chapels dedicated to the saint.
Deksel van vaas, veelkleurig beschilderd
Object type: lid
Date: 1690 – 1720
Materials: faience
Location: delft
Artist: Anonymous

Deksel van faïence. Veelkleurig beschilderd.
Égypte Moyenne, Le Sphinx
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: pyramids,sphinx
Koe
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: cow

Pagina 42 uit een schetsboek met 25 bladen.
Design for Landau, No. 3121
Object type: drawing
Date: 1875 – 1875
Materials: gouache, gum arabic, ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Francesco Zabarella
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: clergyman, cardinal, historical persons

Prent waarschijnlijk uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688, dl. 1.
Portret van Filippo Neri
Object type: print
Date: 1800 – 1900
Materials: paper
Techniques: engraving, etching
Artist: g. revel
Artist role: print maker
Subjects: clergyman, priest (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 480
Materials: terracotta
Culture: greek, attic

Exterior, head of helmeted warrior with part of round shield and spear; part of spear from a second warrior
Gazette du Bon Ton, 1920 - No. 3, Croquis Pl. 17: Paul Poiret / Lanvin
Object type: fashion print
Date: 1920 – 1920
Materials: paper
Techniques: lithograph
Location: paris
Subjects: coat (+ women's clothes), head-gear (+ women's clothes), fashion plates, dress, gown (+ women's clothes)
Inscriptions: date

Twee japonnen met borduursels van Paul Poiret en een geborduurde japon met een kleine mantel van Lanvin. Croquis Pl. 17 uit Gazette du Bon Ton 1920, No. 3. Uitleg over de kleding op pagina "Explication des Planches".
Unevenly made jar of desert clay
Object type: jar
Date: 3850 – 2960
Materials: pottery
Location: egypt
Portret van Wybrand Hendriks
Object type: print
Date: 1820 – 1861
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: amsterdam, painter, print maker, draughtsman, wybrand hendriks, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 12
Teapot
Object type: teapot
Date: 1720 – 1730
Materials: soft paste porcelain
Artist: saint-cloud factory
Artist role: manufactory
Artist nationality: french
Artist dates: 1693 – 1766
Subjects: birds

This teapot, one of the most popular models produced at Saint-Cloud, is an important example of Saint-Cloud porcelain decorated in the Japanese Kakiemon taste, and its early date is indicated by the evident technical challenges, which include slight warping of the soft-paste body and the fusion of some of the enamel colors with the clear lead glaze. Another Saint-Cloud teapot of the same model in the Museum's collection (2004.354a, b) bears decoration that was left unfinished due to a firing problem that affected the join of the spout to the body. The preliminary stages of decoration executed in blue, green, yellow, and manganese on this example indicate that the completed decoration would have been extremely close to that found on the present example. The teapot donated in 2004 serves as an effective teaching tool to demonstrate the stages of decoration involved for soft-paste porcelain; this teapot allows us to illustrate the intended finished product. The addition of both red and black enamel that would have occurred in the final firing of the incomplete teapot makes the compositions legible.
Passio et Resurrectio D.N. Iesu Christi
Object type: print
Date: 1590 – 1638
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ's prayer in the garden of gethsemane during the night
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De biddende Christus en de slapende apostelen in de tuin van Getsemane. In de rechterbovenhoek een visioen met een lichtgevende kelk. Op de achtergrond komt Judas met de soldaten Getsemane binnen. De prent heeft een Latijns onderschrift met een tekst uit de Bijbel en is de tweede prent van een veertiendelige serie over de passie van Christus.
Geseling van Christus
Object type: print
Date: 1619 – 1619
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)
Inscriptions: collector's mark: Lugt 2228

Prent uit serie van twaalf prenten met scènes uit de Passie. Reeks geïnspireerd door de prenten van Hendrick Goltzius en Lucas van Leyden.
Portrait Medallion of Goethe, title page from Faust
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: france
Artist: achille devéria
Artist role: draughtsman, painter, print maker
Artist nationality: french
Artist dates: 1800 – 1857
Bathing suit
Object type: bathing suit
Date: 1900 – 1900
Materials: cotton, silk, wool
Culture: american
Artist: wanamaker's
Artist role: department store
Artist nationality: american
Fortune flying above the globe, partly naked, emptying a purse in her raised right hand and holding a staff in her left, a winged putto pulling her forelock, after Reni
Object type: print
Date: 1660 – 1680
Techniques: etching
Artist: girolamo scarsello
Artist role: artist
Artist nationality: italian
Artist dates: 1624 – 1678

After a painting by Reni. Verso not visible as print is laid to another sheet of paper.
Knaap met twee vechtende hanen
Object type: sculpture
Date: 1850 – 1950
Materials: bronze
Artist: paul romain chevré
Artist role: sculptor
Artist dates: 1867 – 1914
Haku Rakuten, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Portret van kardinaal Francesco Maria Brancaccio
Object type: album leaf
Date: 1658 – 1658
Materials: paper
Techniques: engraving
Location: rome
Subjects: naples, cardinal

Portret van kardinaal Francesco Maria Brancaccio. Linksboven het wapen van paus Urbanus VIII en rechtsboven het wapen van kardinaal Brancaccio. Onderaan een onderschrift in het Latijn. De prent maakt deel uit van een album.
Toneelscène uit Paul Scarron's Roman Comique
Object type: print
Date: 1732 – 1732
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: (scarron) specific works of literature (with author, title), passenger carriage
Inscriptions: collector's mark: Lugt 2233
Theebus, rechthoekig, met parelranden
Object type: tea caddy
Date: 1782 – 1782
Materials: silver
Location: amsterdam
Artist: reynier brandt
Artist role: silversmith
Artist dates: 1707 – 1788
Inscriptions: alloy mark, redemption mark: ‘N’, maker's mark, town mark, duty mark: ‘V’, date letter: ‘X’

De rechthoekige theebus heeft een vlak, scharnierend deksel. Langs alle randen zijn parellijsten aangebracht. De bus is voorzien van een slot, waarvan de sleutel ontbreekt.
Landau #642
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Salt Box
Object type: salt box
Date: 1850 – 1850
Materials: wood
Culture: american
Location: united states