deem-data/ArtiFact huggingface dataset:
Schaatsers op een bevroren vaart langs boerenwoningen
Object type: sketchbook leaf
Date: 1825 – 1829
Materials: paper, pencil, watercolor
Techniques: brush
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: frost, freezing weather, skates (winter sports), farm (building)
Inscriptions: number: ‘44/ 40051’, annotation: ‘[...]tmallen’

Blad 58 recto uit een schetsboek met 95 bladen.
Portret van René Descartes
Object type: print
Date: 1826 – 1827
Materials: paper
Techniques: lithograph
Location: paris
Artist: charles paulin françois matet
Artist role: print maker
Artist dates: 1791 – 1870
Subjects: rené descartes, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van koopman Hans Felbier
Object type: print
Date: 1582 – 1667
Materials: paper
Techniques: engraving
Subjects: hamburg, hans felbier
Inscriptions: collector's mark: Lugt 240
Card Number 1, cut-out from banner advertising the Opera Gloves series (G29) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: gloves,women

Series G29 presents cut-outs from a tobacco advertising banner issued by Allen & Ginter between 1885 and 1890. Citing Burdick's "The American Card Catalog": "Banners are paper hangers with a metal binding at top and bottom edges. The popular size was about 30 inches long but a few measured over five feet in length...The tobacco firms were prolific advertisers using a constant procession of banners, especially to publicize their current insert card sets...The usual design illustrates the card pictures [from the series inserted into tobacco packaging] with a large appropriate center picture." Many consumers would cut up banners in order to "collect" the whole series of cards at once. Although series G29 is not listed in Burdick's "The American Card Catalog," he included notes in his own edition of the book, now included in the collection at the Metropolitan Museum, labeling the series as G29. They are included not as the original banner, but as cut-outs affixed to an album. Each card in the series is numbered and depicts a leather opera glove holding a portrait of a woman. The original banner advertised Richmond Straight Cut Number 1 Cigarettes issued by Allen & Ginter as a branch of the American Tobacco Company. In 1890, the American Tobacco Company purchased Allen & Ginter, as well as many of the large American cigarette manufacturers.
Silhouetportret van Johannes Martinet Kuijpers
Object type: print
Date: 1808 – 1844
Materials: paper
Techniques: etching
Location: unknown
Subjects: predikant, johannes martinet kuijpers
Inscriptions: collector's mark: Lugt 2228

Silhouetportret van Johannes Martinet Kuijpers, buste naar links.
Inkomst van koning Karel VII in Parijs
Object type: print
Date: 1729 – 1733
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: paris, king
Inscriptions: number: ‘1436’, collector's mark: Lugt 2228

Prent uit: Montfaucon, Bernard de. Les monumens de la monarchie françoise, qui comprennent l'histoire de France avec les figures de chaque règne que l'injure des tems a épargnées (...). Parijs: Julien-Michel Gandouin en Pierre-François Giffart, 1729-1733, dl. 3, afb. voor p. 221.
Mme Peschard
Object type: photomechanical print
Materials: paper
Techniques: woodburytype
Location: france
Subjects: portrait of opera-singer
Inscriptions: inscription: ‘Du 13 au 19 Août 1874’, number: ‘No 65’
Kameyama: Weather Clearing after Snow (Kameyama, yukibare), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido
Object type: print
Date: 1833 – 1834
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Gerard Reve, uitreiking P.C. Hooftprijs, Muiderslot
Object type: photograph
Date: 1969 – 1969
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: joost evers
Artist role: fotograaf
Subjects: amsterdam, portrait of a writer
Penning ter nagedachtenis van Daniël Parvé (1644-1679)
Object type: overlijdenspenning
Date: 1679 – 1679
Materials: gold
Techniques: engraving
Location: surat
Artist: Anonymous
Subjects: rotterdam
Inscriptions: inscription: ‘Daniel Parve commis.s au direct.r in Soura.out ongev.e 32 obiit 6e gb.e 1679’

Gedreven rood gouden penning. Voorzijde: Hugenotenkruis met daaronder 2 gekroonde zeepaardjes. (wapen familie Parvé). Hierboven een helm met daarboven 2 gekroonde zeepaardjes. Keerzijde: binnen rand met engelen (hoofd en vleugels) het opschrift. M.o. schedel met gekruiste beenderen.
Dagger (Katar)
Object type: dagger katar
Date: 1701 – 1900
Materials: gold, steel
Culture: indian, mughal
Location: india
Terracotta fragment of a kylix: Band cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Lion to right, with his tongue sticking out; stool; start of handle root
Portret van Claudius I, keizer van het Romeinse Rijk
Object type: print
Date: 1730 – 1775
Materials: paper
Techniques: engraving, etching
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: historical persons

Linksboven genummerd: Deel XII. Bladz. 511.
Inverary Castle and Town, Scotland (Liber Studiorum, part XIII)
Object type: print
Date: 1816 – 1816
Techniques: etching
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: boats,ships

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Here we see his preliminary work on a plate that Charles Turner later completed in mezzotint. The image moves from fishing boats by a foreground shore marked by two tall, thin trees, back towards the Scottish town of Inverary, distinguished by its prominent castle. In the print's final state added tone evokes contrasting weather effects to bring the scene to life.
Flintlock Gun
Object type: flintlock pistol
Materials: diamond, enamel, gemstone, gold, iron, pearl, silver, wood
Culture: gun
Location: france
Karnak
Object type: photograph
Date: 1936 – 1936
Materials: paper, photographic support
Techniques: gelatin silver print
Location: egypt
Artist: Anonymous
Subjects: tourism
Inscriptions: inscription

Albumblad met drie foto's van de Tempel van Amon in Karnak en de Tempel van Ramses III. Onderdeel van een album over een vakantiereis over de Nijl in 1936.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, head and part of torso of wreathed youth to right; part of an inscription, an alpha
Fragment of Chasuble
Object type: textile fragment
Date: 1401 – 1500
Materials: silk
Techniques: lampas
Location: spain
Subjects: lions
Bekendmaking van het overlijden van Hendrik Danielsz. Hooft, 1794
Object type: text sheet
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: mayor, hendrik danielsz. hooft
Inscriptions: collector's mark: Lugt 2228

Bekendmaking van het overlijden van Hendrik Danielsz. Hooft, oud-burgemeester van Amsterdam, op 31 augustus 1794 op de buitenplaats Valkenheining te Loenersloot. Tekst met een zesregelig vers binnen een versierde rand.
Sur lui-même
Object type: reproduction
Date: 1859 – 1864
Materials: paper
Techniques: albumen print
Subjects: gods ~ classical mythology
Tempel van Hercules Invictus in Rome
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: rome
Artist: Anonymous
Subjects: temple, shrine ~ roman religion, prospect of city, town panorama, silhouette of city, rome
Inscriptions: number: ‘358’

Onderdeel van Fotoalbum met opnames van kerken, beelden en antieke gebouwen in Rome.
Kaart van het IJ, 1674 (linkerdeel)
Object type: print
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: maps of separate countries or regions, river, amsterdam
Inscriptions: collector's mark: Lugt 195
Athènes. L'Académie
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph, hand coloring
Location: athens
Artist: Anonymous
Subjects: column, pillar ~ architecture, university building, college

Voor de Franse titel staat de titel in het Grieks.
The Wicked Pony
Object type: sculpture
Materials: bronze
Culture: american
Artist: frederic remington
Artist role: artist
Artist nationality: american
Artist dates: 1861 – 1909
Subjects: men,horses

In his third sculpture, "The Wicked Pony," Remington reversed the dominance of the cowboy over horse depicted in his highly successful “Broncho Buster” (1986.81.2). Here the cowboy has been thrown to the ground and struggles to maintain a hold on the ear of his bucking horse. The Metropolitan’s bronze is almost certainly a posthumous, unauthorized cast done by Roman Bronze Works.
Strandgezicht
Object type: drawing
Date: 1634 – 1634
Materials: chalk, paper
Location: haarlem
Artist: gerard ter borch (ii)
Artist role: draughtsman, painter
Artist dates: 1617 – 1681
Inscriptions: date and inscription: ‘P.D.Molyn 1634’

Deel van een groep tekeningen (GJr 43-51) gemaakt in het atelier van Molijn. Aanvankelijk toegeschreven aan Pieter Molijn, vanwege de annotatie, maar waarschijnlijk door Gerard (II) gemaakt onder leiding van zijn leermeester Molijn in diens atelier.
Wall Sconce
Object type: wall sconce
Date: 1700 – 1730
Materials: tin
Paten cover
Object type: paten cover
Date: 1501 – 1600
Materials: cotton, metal, silk
Subjects: women

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg.
Ontwerp voor een vloer
Object type: book illustration
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: predatory birds: eagle, (scenes from) specific works of literature: colonna, hypnerotomachia poliphili, pavement, floor ~ architecture

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, verso fol. 115.
Sketchbook
Object type: drawing and watercolor
Date: 1809 – 1810
Materials: chalk, crayon, graphite, ink, paper
Techniques: drawing, pen
Location: france
Artist: jacques-louis david
Artist role: draughtsman, painter
Artist nationality: french
Artist dates: 1748 – 1825
Miss Lang, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Vaas van faience
Object type: vase
Date: 1690 – 1710
Materials: faience
Location: delft
Inscriptions: mark: ‘[..]AW(ineen)/ j’
Miss Kemp as Ophelia
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: portraits,women
Mlle. Froche, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Side table (one of a pair)
Object type: side table
Date: 1740 – 1740
Materials: wood, marble

This table and its mate (55.141.1a, b) were formerly at Conington Castle, Huntingdonshire.
Bloempot, veelkleurig beschilderd met bloemen
Object type: miniature
Date: 1750 – 1750
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: factory mark

Bloempot van beschilderd porselein. De pot is bekervormig en staat op vier bolvormige poten. De pot is versierd met twee maskers in reliëf en is beschilderd met veelkleurige bloemen. De bloempot is gemerkt.
Gezicht op de Zaan
Object type: photomechanical print
Date: 1905 – 1906
Materials: paper
Techniques: photograph
Location: zaan
Artist: Anonymous
Subjects: water course, windmill
Inscriptions: inscription: ‘No. 5./ Zaangezicht.’

Deze prent maakt deel uit van een album.
Hat
Object type: hat
Date: 1790 – 1790
Materials: fur, silk
Culture: british
Artist: r. townsend & sons
Artist role: maker
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 102 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament,putti,satyrs
Een keizerlijk minnezanger
Object type: cartoon
Date: 1894 – 1894
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: wilhelm ii (keizer van duitsland), augusta victoria (keizerin van duitsland), family group, especially parents with their child(ren), the envious friends; criticizing bystanders ~ love couple, political caricatures and satires, serenade to the beloved

De Duitse keizer Wilhelm II brengt een serenade aan de Italiaanse koningin Margaretha van Savoye. Tot ongenoegen van zijn echtgenote keizerin Augusta Victoria en het hele gezin.
Portret van prinses Christian
Object type: photograph
Date: 1870 – 1880
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman, princess
Inscriptions: inscription: ‘H.R.H. the Princess Christian’
Anthropomorphic tube
Object type: tube
Date: 800 – 601
Materials: bronze
Culture: iranian
Location: iran, probably from luristan
Phaeton or "Duc a Rotonde Plate 384"
Object type: drawing
Date: 1860 – 1860
Materials: graphite
Techniques: printing
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Bienville
Object type: print
Materials: paper
Techniques: photolithograph
Location: united states
Artist: john chester buttre
Artist nationality: american
Artist dates: 1821 – 1893
Mars and Venus
Object type: print
Date: 1588 – 1588
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: mars,venus

In this imposing, erotically charged engraving, Goltzius presents the adulterous liaison between Venus and Mars. They are embracing on a canopied bed, aided and attended by Cupid and three winged putti. Visible through the window at the left is Apollo, the all-seeing sun god, racing in his chariot to warn Venus’s husband Vulcan of her infidelity. According to the inscription in the lower center, the print is based on a design, now lost, by Bartholomeus Spranger, court artist to Rudolf II of Prague. Goltzius was first introduced to Spranger’s works in 1583, and by 1588, the date of this engraving, had fully absorbed his style, not only in the extravagant poses and exaggerated musculature, but in his very handling of the print medium. Goltzius uses the diamond-shaped head of the burin (the engraver’s tool) to create lines that swell and taper, curving around and defining the figures. In some places, they seem to take on a life of their own, as in the patterning on Cupid’s thighs and buttocks. Goltzius sets the pale bodies of the lovers against the dark, tented background of their bed so they shine out at us. The overall effect is of a glittering display of light and shade that flickers across the surface of the print.
Journal des Dames et des Modes, Costumes Parisiens, 1914, No. 136 : Pardessus de vigogn (...)
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: engraving
Subjects: trousers, breeches, etc. (pantalon) (+ men's clothes), coat: overcoat (+ men's clothes), fashion plates
Inscriptions: caption: ‘Pardessus de vigogne bleu de France’, title: ‘Costumes Parisiens’

Man gekleed in een pardessus van blauwe vigogne-wol op een gestreepte lange broek. Hoge hoed in de hand. Proefdruk van een prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914).
Portretten van prominente figuren
Object type: print
Date: 1642 – 1678
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een grootschalige serie met portretten van prominente figuren. Binnen de serie bevindt zich een sectie getiteld 'Les Augustes Représentations De tous les Roys De France depuis Pharamond Iusqu'à Louys XIIII'.
De serie werd respectievelijk uitgegeven door Pierre Bertrand, door zijn weduwe en door De Larmessin zelf.
Vendor of Sieves, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 12
Object type: print
Date: 1660 – 1660
Techniques: etching
Artist: giuseppe maria mitelli
Artist role: artist
Artist nationality: italian
Artist dates: 1634 – 1718

This print is from a series of 41 plates depicting Bolognese professions. This print is from the unnumbered first state published by Giovanni Giacomo De Rossi (Bertarelli).
Sjabloon van rood koper, rechthoekig, met uitgestanste initialen 'LA', zeer fijn
Object type: template
Date: 1900 – 1925
Materials: copper
Techniques: manufacturing
Location: netherlands
Artist: Anonymous
Inscriptions: inscription: ‘'LA' en '24'’, initials: ‘'LA'’

Sjabloon van rood koper, voor initiaal L.A. Rechthoekig, met vouwrandjes en de calligrafische letters uitgelegd onderaan. Zeer fijn. Mogelijk voor borduurwerk.
Spoon
Object type: metalwork
Date: 1903 – 1904
Materials: stone, metal, silver
Techniques: dyeing
Location: chipping campden
Artist: charles robert ashbee
Terracotta fragment of an undetermined shape
Object type: undetermined shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Burnt black glazed fragment from an undetermined shape; part of a handle?
Morning dress
Object type: morning dress
Date: 1903 – 1903
Materials: cotton, silk
Culture: american or european
Ear spoon and tweezer
Object type: spoon
Date: 1874 – 1875
Materials: silver
De Landtman of Boer
Object type: print
Date: 1719 – 1759
Materials: paper
Techniques: etching, letterpress printing
Artist: Anonymous
Subjects: cattle, farmers
Inscriptions: collector's mark: Lugt 1641, stamp

Prent met andere letterzetting gebruikt in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Janssoons van Waesberge, 1719, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman de Jonge, 1741, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman, 1759, dl. 2. Huidige prent uit een andere editie. Naar een prent van: Jan Luyken.
Plate
Object type: plate
Date: 1700 – 1800
Materials: earthenware
Culture: german
Location: germany
Subjects: flowers
Portret van een onbekende vrouw
Object type: photograph
Date: 1881 – 1887
Materials: paper, cardboard
Techniques: collodion silver print
Location: haarlem
Artist: jacques chits
Artist role: fotograaf
Artist dates: 1835 – 1917
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: address: ‘Haarlem/ Waaigat/ No. 14./ Amsterdam/ Plantage/ Kerklaan No. 15/ over de Koningskroon.’, inscription: ‘De plaat blijft ter nabestelling bewaard.’
Annfield
Object type: page
Date: 1868 – 1878
Materials: paper
Techniques: carbon print
Location: glasgow
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: rural housing, e.g. country-house, villa, cottage, façade (of house or building)
Het Nieuw Vermakelyk Lui-Lekker-land
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: colour, letterpress printing
Location: rotterdam
Subjects: land of cockaigne
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van het Luilekkerland. Onder elke voorstelling een tweeregelig vers. Genummerd linksboven: No. 6.
Pendant
Object type: pendant
Date: 801 – 1000
Materials: stone
Techniques: carving, incising
Location: iran

Excavated at the site of Sabz Pushan, a thriving residential neighborhood during the 9th and 12th centuries, this rectangular pendant is made from a green stone. It has a triangular projection at the top. One side is pierced with a rectangular hole and two circular holes at either side. The reverse side of the pendant features three circles with small dots in their interior. The pendant may have been worn as an element of jewelry, possibly as an amulet. It is one of many objects excavated at Nishapur, Iran in 1937 and was acquired by the Museum through a division of finds with the Iranian government.