deem-data/ArtiFact huggingface dataset:
Bowl
Object type: bowl
Date: 801 – 900
Materials: earthenware
Techniques: glazing, polychrome
Location: iran

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Expugnatio Fortissimae Arcis Gennapae. Ao Domini MDCXXXXI
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: woodcut
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: the hague, frederick henry (prince of orange)

Titel (eerste strook) voor het grote ensemble van het beleg en de verovering van het Huis te Gennep door het Staatse leger onder Frederik Hendrik, 6 juni - 27 juli 1641. Onderdeel van een ensemble bestaande uit een titel in 4 stroken, de 4 platen uit het atelier van Visscher, de 4 bladen van het vertrek van het garnizoen door Nolpe en ongeveer 7 tekstbladen.
Saint John Nepomuk Praying
Object type: drawing
Date: 1720 – 1759
Materials: ink
Techniques: heightening, pen, wash
Artist: georg anton urlaub
Artist role: artist
Artist nationality: german
Artist dates: 1713 – 1759
Subjects: angels,christ,saint john the baptist,crucifixion
Portret van Elisabeth Amalie Eugenie in Beieren, keizerin van Oostenrijk
Object type: print
Date: 1849 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Still Life with Vegetables before a Draped, Overturned Plinth by an Ornamental Fountain
Object type: painting
Date: 1680 – 1690
Materials: copper, oil
Artist: peeter gijsels
Artist role: draughtsman, painter
Artist dates: 1621 – 1690
Subjects: monkeys, apes, carpet, rug, garden fountain, still life of plants, flowers and fruit, rodents: rabbit
Inscriptions: signature, bottom right: ‘[…]ER / […]SELS’

Stilleven van bloemen, vruchten en vaatwerk bij een fontein met een putto op een dolfijn, tussen zuilen. Linksonder twee hazen, een bloemkool en een kalebas, druiven, maïs, abrikozen, appels en aalbessen. Rechts een gouden lampetstel en een aapje (meerkat). Tussen de vruchten zitten allerlei vogeltjes, vlinders en andere insecten.
Untitled (Portrait of a Woman)
Object type: photograph
Date: 1850 – 1850
Techniques: daguerreotype, photography
Location: united states
Artist: albert sands southworth
Artist nationality: american
Artist dates: 1811 – 1894
Subjects: lundberg collection, portraits, portraits: female subject
Beaker with Repeated Circular Motif
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: nazca valley
Engelsche officieële waarheidsliefde
Object type: cartoon
Date: 1901 – 1901
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: politician, historical persons, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 19 mei 1901.
Menukaart voor Hotel des Pays-Bas
Object type: menu, menukaart
Date: 1850 – 1900
Materials: paper
Techniques: pen
Artist: Anonymous
Subjects: 43b311(+12)

Bij gebrek aan gegevens over de vervaardiger is voor de bepaling van de rechten van dit object gebruik gemaakt van de (geschatte) vervaardigingsdatum.
Huwelijksaankondiging aan Philip Zilcken
Object type: wedding announcement
Date: 1917 – 1917
Materials: paper
Techniques: printing
Artist: Anonymous
Subjects: willy martens, the hague, painter, draughtsman, philip zilcken
Panel
Object type: panel
Date: 1201 – 1300
Materials: ivory, wood
Techniques: carving, inlay
Location: egypt
Textile Fragment
Object type: textile fragment
Date: 1501 – 1700
Materials: silk
Techniques: brocade
Location: turkey
Subjects: flowers,leaves
Headdress
Object type: headdress
Date: 1701 – 1900
Materials: silk
Hot milk jug with cover
Object type: milk jug with cover
Date: 1765 – 1765
Materials: stoneware
Techniques: salt glaze
Subjects: human figures,animals

These objects were probably made for export to Europe. Their lustrous glaze, unusual for Staffordshire white stoneware, suggests that the potters were consciously competing with imported ivory-white Chinese porcelains made in Tê-Hua, Fukien Provence.
Door panel from the "Cabinet Turc" of Comte d'Artois at Versailles
Object type: panel
Date: 1781 – 1781
Materials: wood, oil
Artist: jean -siméon rousseau de la rottière
Artist role: artist
Artist dates: 1747 – 1820

The visit of the second Turkish delegation to Paris in 1742 stimulated the French elite's taste for exotic interior decoration known as turquerie. The comte d'Artois, for instance, was clearly fond of such fantasy décors, for he had two rooms in his apartment in the south wing of Versailles furnished in the "Turkish" manner. The second of these rooms, an intimate cabinet that doubled as a library, was created between April and November of 1781. It had pilasters painted with arabesques and was elaborately draped with costly fabrics. The eminent chair maker Georges Jacob (1739–1814) provided matching seat furniture in the Turkish style. Jean-Siméon Rousseau de la Rottière (1747–1820) and his brother Jules-Hugues Rousseau (1743–1806), who worked in a number of French royal palaces, most likely painted the lighthearted arabesques, fanciful turbaned figures, naiads with entwined fish tails, floral garlands, and strings of pearls on the room's four doors. Two panels that came to the Museum as part of the 1906 Pierpont Morgan gift (see also 07.225.458a) have only recently been identified as pieces of those particular doors, though they had long been thought to have come from Versailles. A cameolike medallion is painted in monochrome against a blue marbleized fond and framed by simulated gilt molding on the larger of the two panels, which originally formed the upper half of one of the doors in the comte d'Artois's Turkish Cabinet. In the medallion a sultan or pasha sits on a throne surmounted by a crescent moon while two odalisques offer him a long-stemmed pipe.
Beggars Receiving Alms at the Door of a House
Object type: print
Date: 1648 – 1648
Techniques: engraving, drypoint, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: infants,men,women
Wafelijzer
Object type: miniature
Date: 1769 – 1769
Materials: silver
Location: amsterdam
Artist: arnoldus van geffen
Artist role: silversmith
Artist dates: 1700 – 1769
Subjects: kitchen-utensils

Wafelijzer met ronde ijzers en knoppen aan het uiteinde van de stelen. De ijzers zijn beide aan de buitenzijde met een bloem versierd. De binnenzijden van de ijzers zijn geruit. Het wafelijzer is gemerkt: stk.= Amsterdam, jrl.= K (1769), mt.= Arnoldus van Geffen en twee bijltjes.
Portret van Karl Wilhelm Ramler
Object type: print
Date: 1721 – 1771
Materials: paper
Techniques: engraving, etching
Artist: johann friedrich schleuen
Artist role: print maker
Artist dates: 1739 – 1784
Subjects: berlin, lyre, cithara, psaltery, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Frans I, keizer van Oostenrijk
Object type: print
Date: 1804 – 1819
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: frans ii (rooms-duits keizer), historical persons, emperor
Inscriptions: collector's mark: Lugt 2233

Met zesregelig lofdicht in het Nederlands onder het portret.
Concert van de engelen
Object type: print
Date: 1563 – 1615
Materials: paper
Techniques: engraving
Location: rome
Subjects: angels singing, making music
Inscriptions: collector's mark: Lugt 240

Twee zingende engelen. De ene engel kijkt naar de andere engel. Op hun schoot een boek met bladmuziek. In de ondermarge de naam van de ontwerper in sierletters.
Hot water kettle with stand
Object type: hot water kettle with stand
Date: 1734 – 1735
Materials: silver, wood
Artist: thomas farrer
Artist role: maker
Artist dates: 1720 – 1720
Subjects: coat of arms
Weging van de pasgeborene
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, scales, the new-born child, lying-in room
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Hermes, Johann Timotheus. Zween litterarische Märtyrer und deren Frauen vom Verfasser von Sophiens Reise. 2 dln. Leipzig: Johann Friedrich Junius, 1789.
Moorish Guard
Object type: painting
Date: 1878 – 1878
Materials: canvas, oil
Artist: edwin lord weeks
Artist role: artist
Artist nationality: american
Artist dates: 1849 – 1903
Subjects: soldiers,men,orientalist
Armchair
Object type: armchair
Date: 1800 – 1800
Materials: wood
Culture: american
Location: united states
Proportiestudie van het lichaam van een man
Object type: print
Date: 1747 – 1747
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: standing figure (canon, proportions) (+ three-quarter view)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Wit, Jacob de. Teekenboek der proportien van 't menschelyke lighaam. = Proportions du corps humain. Amsterdam: Isaak Tirion, 1747.
If On a Close Dark Night a Good Christian, Out of Charity, Behind Some Old Ruin, Buries Your Arched Body, plate 4 of 9
Object type: print
Date: 1890 – 1890
Materials: ink, paper
Techniques: drawing, photogravure
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Netsuke of Ashinaga and Octopus
Object type: netsuke
Date: 1801 – 1900
Materials: ivory, wood
Techniques: inlay
Culture: japanese
Subjects: men,fish
Landscape with a cow drinking
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: etching
Artist: claude henri watelet
Artist role: print maker
Artist dates: 1718 – 1786
Subjects: cow
Inscriptions: collector's mark: Lugt 240

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt. Prent voor het eerst gebruikt in: Watelet, Claude Henri. Rymbranesques ou Essais de gravures. Parijs: s.n., 1783.
Glass monochrome inlay fragment
Object type: fragment, monochrome inlay
Date: 34 – 33
Materials: glass
Culture: roman

Opaque yellow. Flat inlay, with two long straight sides tapering to rounded end; on underside, some irregular shallow depressions. Polished upper side; pitting of surface bubbles on upper side; dulling and iridescent weathering on underside and three edges; one long edge unweathered. An unusal opaque yellow color.
Man on Horseback with Standing Figure; Female in a Landscape (from Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: men,women,horses
Napoleon Bonaparte, premier consul van Frankrijk en de Venus de' Medici
Object type: history medal
Date: 1805 – 1815
Materials: bronze
Techniques: striking
Location: paris
Subjects: napoleon i (emperor of the french)

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: Venus de' Medici binnen omschrift
The artist's mother: head only, full face
Object type: print
Date: 1628 – 1628
Materials: chalk, paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: neeltje willemsdr. zuytbrouck
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 2165

This old woman already featured in the first etchings Rembrandt made. She is virtually certainly his mother, Neeltgen Willemsdr
van Zuytbroeck. In the two versions of 1628, she is 60 years old. They are accurate studies of her furrowed face, drawn in such detail that you can just imagine the young Rembrandt toiling away on his copperplate directly in front of her.
Key
Object type: key
Date: 1501 – 1600
Materials: iron
Culture: catalan
Location: spain

The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or coffrets and other types of storage chests was a result of the increasing urbanization of life and the new emphasis on material wealth and private ownership which developed in the late Middle Ages.
Rank Badge with Silver Pheasant
Object type: rank badge
Date: 1701 – 1800
Materials: silk
Culture: chinese
Subjects: pheasants
Nativity in an Initial H
Object type: drawing and watercolor
Date: 1430 – 1440
Materials: gold leaf, gold paint, gouache, gum arabic, ink, metal, paint, parchment, watercolor
Techniques: brush, heightening
Location: veneto
Artist: zanino di pietro (giovanni di francia)
Subjects: nativity scenes, christian subjects, mythology, prints and drawings
Howell, St. Louis, American League, from the White Border series (T206) for the American Tobacco Company
Object type: baseball card
Date: 1909 – 1911
Techniques: lithography
Artist: american tobacco company
Artist role: publisher
Subjects: men,portraits,baseball,athletes

Trade cards from "White Border" series (T206), issued 1909-11 to promote sixteen brands of cigarettes and loose tobacco distributed by the American Tobacco Company.
Pallas Evanders sohn vom Turnus getötet / Pallas fils d'Evandre tué par Turnus
Object type: print
Date: 1776 – 1835
Materials: paper
Techniques: stippling
Location: vienna
Subjects: pallas is killed by turnus
Ontwerpen voor een monument met bank en het wapen van Haarlem
Object type: drawing
Date: 1874 – 1945
Materials: ink, paper, pencil
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: bench, coat of arms (as symbol of the state, etc.) (+ city; municipal), work of monumental art, haarlem
Bestorming van Rome, 1527
Object type: print
Date: 1555 – 1556
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: haarlem
Subjects: ghent, charles v (holy roman emperor and king of spain), rome
Inscriptions: collector's mark: Lugt 2228

De belegering van Rome (1527). Generaal Karel van Bourbon valt van een ladder nadat hij dodelijk wordt verwond door een pijl. Op de achtergrond de Tiber en de Engelenburcht. De prent heeft een Latijns onderschrift en maakt deel uit van een twaalfdelige serie over de overwinningen van Karel V.
Churchyard
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: england
Artist: henry stacy marks
Artist role: artist
Artist nationality: english
Artist dates: 1829 – 1898
Teapot with prunus sprays, birds and a butterfly
Object type: teapot
Date: 1700 – 1799
Materials: stoneware
Techniques: firing, forming, relief, turning
Location: china
Artist: Anonymous

The body of this teapot imitates the trunk of a plum tree. In Chinese culture, the plum blossom is one of the ‘three friends of winter,’ symbolizing the noble spirit. The highly accomplished potters also transformed the teapot’s knop, handle, and spout into prunus branches.
[Cemetry of MESHED]
Object type: photograph
Techniques: albumen silver print
Artist: luigi pesce
Artist role: artist
Artist nationality: italian
Artist dates: 1818 – 1891
Subjects: cemeteries
"Nu": Crossing Tatsuta, from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)"
Object type: print
Date: 1772 – 1773
Techniques: woodblock print, koban
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Schip in de ruïne van Melrose Abbey
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: melrose abbey
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: ruin of church, monastery, etc.
Inscriptions: number: ‘No. 100.’, name: ‘Registered G. W. Wilson, Photographer, Aberdeen’
Personen uit het Oude Testament
Object type: print
Date: 1575 – 1575
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: adam and eve (not in biblical context)
Inscriptions: collector's mark: Lugt 240

Adam en Eva onder de boom van de kennis van goed en kwaad. Adam op de voorgrond met een vrucht in de rechterhand. Eva krijgt van de slang een vrucht aangeboden. De eerste prent van een 39-delige reeks met als onderwerp personen uit het Oude Testament.
Portret van Johan van Galen
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: livorno, vlootvoogd, jan van galen
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
Star-Shaped Tile
Object type: tile
Date: 1264 – 1265
Materials: cobalt, glaze, stonepaste
Techniques: luster painting
Location: iran
Zittende vrouw, naar haar voeten reikend
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: sitting figure - aa - female human figure, leaning forward - aa - female human figure

Met ontbloot bovenlijf. Blad 8 recto uit schetsboek LXIX met 25 bladen.
Portret van Jacobus Arminius
Object type: book illustration
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: oudewater, predikant, professor in de theologie, jacobus arminius
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als boekillustratie in: Kok, Jacobus. Vaderlandsch woordenboek : met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796. Deel IV.
Old Women of Arles, from the "Volpini Suite: Dessins lithographiques"
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: lithography
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Subjects: women

On the fairgrounds of the Paris World's Fair of 1889, at Volpini's Café des Arts, Gauguin exhibited a brand new suite of ten zincographs printed on bright yellow paper. Known as the "Volpini Suite," the prints served as a pictorial souvenir of Gauguin's recent travels in Brittany, Martinique, and Arles. This print depicts four elderly women walking on a wintry garden path. The bare landscape is punctuated by a large round shrub, a graceful willow, and two tall wrapped trees. The pair in the foreground, one of whom resembles Mme Ginoux, the owner of a famous café in Arles, shield themselves against the cold winds of the mistral with their cloaks. Gauguin found great satisfaction in the appearance of the women he encountered while in the south of France, and rhapsodized about them in a letter: "The women here, with their elegant coiffure, their Grecian beauty, their shawls falling in folds like the primitives, are, I say, like Greek processions." The brightly colored paper Gauguin used in the Volpini Suite is reminiscent of Van Gogh's Yellow House in Arles, where Gauguin had a disastrous stay as Van Gogh's guest in 1888.
Landscape with Two Houses Along a Road
Object type: drawing
Date: 1671 – 1672
Materials: paper
Techniques: brush
Location: bergen op zoom
Artist: josua de grave
Artist role: draughtsman
Artist dates: 1645 – 1712
Subjects: public road in village
Mannen met een olifant
Object type: print
Date: 1749 – 1779
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob van der schley
Artist role: draughtsman, print maker
Artist dates: 1715 – 1779
Subjects: trunked animals: elephant
Inscriptions: collector's mark: Lugt 240

Een groep mannen met oorringen, snorren en speren en een olifant in een tropisch landschap. Een van de mannen zit op het dier.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, part of a flute case; part of an inscription, to the right of the flute case, KA; to the left of the flute case, KALO[S]
Impressies van het huwelijk
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: paris
Artist: paul gavarni
Artist role: draughtsman, print maker
Artist dates: 1804 – 1866
Subjects: walking, hiking (recreation), satire on marriage, arm in arm (lovers)
Inscriptions: collector's mark: Lugt 2228a

De man en vrouw vormen weliswaar een eenheid; ze kijken allebei een andere kant op.
No V
Object type: drawing
Date: 1971 – 1971
Materials: paper, pencil
Artist: rein dool
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1933 – 
Inscriptions: signature and date: ‘Rein Dool 71’

Robotachtige man met klepje bij zijn hoofd, geopende mond en cilindervormige armen.