deem-data/ArtiFact huggingface dataset:
Portrait of a Gondolier
Object type: drawing and watercolor
Date: 1730 – 1730
Materials: board, chalk, paper, wood
Techniques: drawing, heightening, stumping
Location: italy
Artist: giovanni battista piazzetta
Artist role: artist
Artist nationality: italian
Artist dates: 1682 – 1754
Pair of Sword-Grip Ornaments (Menuki)
Object type: pair of sword grip ornament menuki
Date: 1701 – 1800
Materials: copper, gold alloy, gold
Culture: japanese
Location: japan
Subjects: birds,roosters
Portret van Johan van Oldenbarnevelt
Object type: book illustration
Date: 1612 – 1612
Materials: paper
Techniques: letterpress printing
Location: arnhem
Subjects: the hague, johan van oldenbarnevelt, historical persons

Prent uit: Scriverius, Petrus. Beschrijvinghe van out Batavien, met de antiquiteyten (...). Arnhem: Jan Janssoon, 1612.
Dalmany
Object type: cut paper
Date: 1844 – 1844
Materials: board, chalk, paper
Techniques: cutting
Artist: auguste edouart
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1861
Subjects: women

On February 6, 1844, while in New Orleans, Frenchman Auguste Edouart cut this full-length profile of an enslaved woman, only known as Dalmany—a derivative of her owner’s name, Mr. Dalman. Peter Dalman was a captain of a steamboat ship named Da Soto, known to travel the Mississippi River, carrying, among other things, cotton picked from nearby plantations. Dalmany, as she is called here, wears a long, collared dress, and carries what appears to be a basket or hat, with ribbon ties in her left hand, and a kerchief over her short curls, all of which Edouart has taken care to outline and detail in white. On the back of the silhouette, written in beautiful handwriting, most likely by the artist, are the words, "Dalmany 18 years of age / Slave / born in Kentucky, belonging to Mr. Dalman / New Orealns 6th Febry. 1884." As scholars have noted, the erasure of enslaved people’s birth names and replacement with their new owners’ names was commonplace.
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1885 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Subjects: adult woman, anonymous historical person portrayed, antwerp
Inscriptions: inscription: ‘Brévet d'Invention/ Médaille d'argent à l'Exposition Rubens 1881,/ obtenue pour le procédé instantané./ Médaille de bronze à l'Exposition Universelle d'Anvers 1885./ J. van Crewel Jeune/ Photographe bréveté/ 48. rue du Pélican 48,/ en face de la Gare/ Anvers/ Galerie de pose dans le Jardin./ W. Herrmann & Co., Berlin.’, inscription: ‘J. van Crewel Jne Phot. Anvers.’
Toepassing van de nieuwe brandspuitslangen, 1677
Object type: print
Date: 1675 – 1677
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: print maker, draughtsman, jan van der heyden, nicolaes van der heyden, fire-extinguishing equipment

Blad met een grote voorstelling van de toepassing van de nieuwe slangbrandspuiten uitgevonden door Jan en Nicolaes van der Heyden bij het blussen van een brand in een gebouw in een imaginaire stad. Onderaan vier kleine voorstellingen van branden in huizen en op een schip en een model van de pomp. Hierbij de legenda A-M. Onder de plaat is op hetzelfde blad gedrukt een beschrijving in 2 kolommen met 2 lofdichten op de uitvinding van Jan en Nicolaes van der Heyden. Behoort tot de bijprenten bij het Brandspuitenboek van Jan van der Heyden.
Twee mannen achter een bepakte ezel
Object type: drawing
Date: 1630 – 1683
Materials: chalk, paper
Artist: nicolaes pietersz berchem
Artist role: draughtsman, print maker
Artist dates: 1620 – 1683
Subjects: ass, donkey

Twee mannen achter een bepakte ezel lopend, de een van voren, de ander op de rug te zien. Op de achtergrond een begroeide helling.
Christ Speaking to the Disciples, from "The Story of Christ"
Object type: print
Date: 1534 – 1535
Techniques: engraving
Artist: georg pencz
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: animals,men,christ
Ribbons (4)
Object type: ribbon
Date: 1801 – 1900
Portret van Jan van Gaalen
Object type: print
Date: 1655 – 1704
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: essen, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 240

Tekst in het Nederlands in de ondermarge.
St. Matthew
Object type: print
Date: 1536 – 1538
Techniques: etching
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: men,cross,saints

In Mariette Album, folio 86, bottom second
Villa Borghese, Rome
Object type: photograph
Date: 1851 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: ornamental fountain, public gardens, park
Inscriptions: collector's mark: ‘VOSMAER’
The Arch of Septimius Severus Seen from the East
Object type: drawing
Date: 1594 – 1594
Materials: ink
Techniques: pen
Location: netherlands
Artist: jan brueghel the elder
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1568 – 1625
Subjects: architecture,arches
Design for a Screen
Object type: drawing
Date: 1841 – 1884
Materials: graphite, ink
Techniques: pen
Artist: charles hindley and sons
Artist role: artist
Artist nationality: british
Artist dates: 1841 – 1917
Subjects: screens
Jozef II van Oosterijk
Object type: plaque
Date: 1775 – 1800
Materials: copper, lacquer
Techniques: lacquer
Location: japan
Artist: Anonymous
Subjects: jozef ii (duits keizer)
Inscriptions: inscription: ‘Rvdolphos. Carolos. Fernandos. Max...ilioanos / Cernis. In. Hoo. Vno. Terra. Beata. Viro’, inscription: ‘IOSEPHUS II. CAESAR AVG.’

Portraits of European monarchs and scholars. Japan, last quarter 18th century. The VOC exported lacquer products commissioned specifically for the European market. Working from European prints, Japanese craftsmen made series of portraits for the VOC.
Baine's Kloof
Object type: page
Date: 1877 – 1882
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: mountains
Portret van Margaretha van Valois te paard
Object type: print
Date: 1539 – 1559
Materials: paper
Techniques: hand coloring
Location: antwerp
Subjects: equestrian state-portrait
Inscriptions: number: ‘201’

Margaretha van Valois in dameszit te paard. Linksboven ruitvormige Franse wapen met kroon, twee regels tekst in het Frans en twee in het Nederlands.
Water Bowl
Object type: lid
Date: 1679 – 1679
Materials: silver
Techniques: metalworking
Location: batavia
Inscriptions: town mark, mark: ‘M’, mark: ‘G’

This bowl was used for serving chilled water. It bears the silver hallmark of the Amsterdam silversmith Jacob de Grebber. In the 1670s, he travelled to Batavia (Jakarta), the centre of Dutch trade in Asia, where this bowl and dish were made. They were undoubtedly intended for Western customers; featuring large, sculptural flowers, the decoration adheres to the Dutch fashion of the time.
Earring with head of bull
Object type: earring with head of bull
Date: 900 – 100
Materials: gold
Culture: etruscan
Subjects: bulls

Ring form of twisted wire ending in a bull's head.
Vaatwerk zoals kannen, peper- en zoutvaten en een drinkschaal
Object type: ornament print
Date: 1563 – 1563
Materials: paper
Techniques: etching
Location: netherlands
Inscriptions: inscription: ‘h cock excud.’, inscription: ‘Vas cuius pars inferior sali/superior uero piperi inferuiet’

Het driehoekige zoutvat wordt gedragen door sfinxen. Het daarop staande gedeelte voor peper heeft de vorm van een vaas. Horizontaal gearceerde achtergrond. Uit serie van 12 bladen.
Prinses Irene en Prins Carlos, aankomst op paleis Soestdijk zaterdagavond
Object type: photograph
Date: 1959 – 1964
Materials: paper, photographic support
Techniques: gelatin silver print
Location: soestdijk
Subjects: bernhard (prins der nederlanden), beatrix (koningin der nederlanden), juliana of the netherlands
Inscriptions: inscription: ‘De hele koninklijk familie op het bordes. v.l.n.r. Koningin Juliana - Prinses Irene - Prins Carlos - Prins Bernhard - Prinses Christina - Prinses Beatrix en een zuster van Prins CArlos, Prinses Cecile’

Prinses Irene met prins Carlos, om hen heen staan koningin Juliana, prins Bernhard, en de prinsessen Beatrix en Marijke.
Witte hond
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: antwerp
Subjects: dog
Inscriptions: collector's mark: Lugt 2228
Tarquinius and Lucretia, from The Story of Lucretia
Object type: print
Date: 1578 – 1579
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered, lower center: "Phillippus Galle excu. / Henricus Goltzius inventor et sculptor."; and below image: "Interea iuvenis ... puella metu."
Voorbereiding tot het raadplegen van het orakel van Delphi
Object type: print
Date: 1687 – 1687
Materials: paper
Techniques: etching
Location: netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: delphic oracle

Illustratie voor: Anthoni van Dale, Verhandeling van de oude orakelen der heydenen. De oraculis ethnicorum dissertationes duæ, Amsterdam 1687.
Boy Saint John
Object type: bust
Date: 1401 – 1600
Materials: terracotta
Techniques: enamel, painting
Artist: giovanni della robbia
Artist role: artist
Artist nationality: italian
Artist dates: 1469 – 1530
Subjects: boys,saints
Dinant. Rocher Bayard
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph, writing
Location: dinant
Subjects: rock-formations, river (+ landscape with figures, staffage)
Inscriptions: poststempel, verso, gestempeld
Face Mask Ornament
Object type: ornament
Date: 501 – 700
Materials: gilt copper
Culture: moche
Location: peru
Subjects: faces
Boaz koopt het land van Ruth en Naomi
Object type: album leaf
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: elimelech's kinsman cannot redeem it; he takes off his shoe, boaz redeems elimelech's inheritance (ruth 4:1-12)

Boaz ontvangt bij de stadspoort de sandaal van een man die net als Boaz het recht heeft om het land van Ruth en Naomi te kopen. De man toont hiermee dat hij zijn recht niet laat gelden. Een groep stadsoudsten is getuige van de koop en van Boaz' belofte om met Ruth te trouwen. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Ruth 4:4. Deze prent maakt deel uit van een album.
Lord Goring
Object type: photomechanical print
Date: 1875 – 1885
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: private soldier
Ex libris van I. Gambini
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: woodcut
Location: japan
Artist: Anonymous
Subjects: print maker, iörg gambini, cat
Le Magasin de Meubles
Object type: print
Date: 1878 – 1904
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage

Een renaissance kast. Prent uit 67e Livraison.
Heuvellandschap met jagers
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: etching
Location: utrecht
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: low hill country, hunter, forest, wood
Inscriptions: collector's mark: Lugt 240

In een heuvelachtig landschap lopen twee jagers tussen het geboomte van de bosrand.
The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura')
Object type: drawing
Date: 1633 – 1633
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: pietro da cortona (pietro berrettini)
Artist role: artist
Artist nationality: italian
Artist dates: 1596 – 1669
Subjects: children,men,women,trees,allegory

This drawing by the Baroque master Pietro da Cortona is a design for one of the illustrations in a treatise on gardening written by the Jesuit professor, Giovanni Battista Ferrari (1584-1655). The book, titled 'De Florum Cultura' (Rome, 1633), published this design engraved in reverse by Johann Friedrich Greuter (1590-1662). The artist illustrated an allegorical passage in Ferrari's text that tells of a contest between Nature and Art. Art, kneeling at the right with grafting knife in hand, has produced a rosebush with flowers of three colors, but Flora is about to crown Nature, who stands pointing at the miracle of her own doing. As if by magic a Chinese rose tree has sprung from the ground. Vertumnus dances, holding a sistrum aloft, and three boys -- Lucifer, Meriggio, and Hesper -- circle the tree while its flowers change from white, to pink, to scarlet, as they are said to do in the course of a day. The boys are identified respectively by a lily branch, a rose, and a bleeding heart, and which allude to Dawn, Noon, and Evening. The wonders of Nature are seen to be more marvelous than those of Art. Drawings by Pietro da Cortona for other illustrations in Ferrari's book are in the Peter and Nellie de Boer Collection, Amsterdam (Cybele before the Council of the Gods), and in the Museo del Prado, Madrid (An Allegorical Scene with the heraldic Barberini Bees; repr. Blunt and Cooke, 1960, p. 76 fig. 57).
Coronation Procession of Charles II Through London (from John Ogilby's "The Entertainment of...Charles II," London, 1662)
Object type: print
Date: 1662 – 1662
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: soldiers,men,horses
Landschap, tak met bladeren en een boom aan een waterkant
Object type: sketchbook leaf
Date: 1811 – 1811
Materials: chalk, paper
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: trees (+ branch, stick), landscapes

Blad 34 recto uit een schetsboek met 75 bladen.
Pelike
Object type: pelike
Date: 350 – 325
Materials: terracotta
Culture: greek, south italian, apulian
Artist: group of zurich 2661
Artist role: artist
Subjects: profiles,women
Winterlandschap met boerderij bij een trap
Object type: print
Date: 1872 – 1913
Materials: paper
Techniques: etching, intaglio, retroussage
Artist: henri rul
Artist role: print maker
Artist dates: 1862 – 1942
Subjects: flight of steps, winter landscape; landscape symbolizing winter (the four seasons of the year), farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Vrouw in een landschap bij Delden
Object type: drawing
Date: 1886 – 1886
Materials: paper, pencil
Artist: johannes gijsbert vogel
Artist role: draughtsman, painter, print maker
Artist dates: 1828 – 1915
Subjects: landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 1181b, date and inscription: ‘Delden, 86.’
White Swan, Lower Yanktonas Sioux, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Trade cards from the "American Indian Chiefs" series (N2), issued in 1888 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Pisa
Object type: photograph
Date: 1852 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: pisa
Artist: andrea di cione named orcagna
Artist role: painter, sculptor
Artist dates: 1320 – 1368
Subjects: wall-covering
Inscriptions: collector's mark: ‘VOSMAER’, number: ‘No. 11402’
Afbraak van het Rembrandtplein te Amsterdam
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: demolition of building (+ men (labourers)), civic architecture; edifices; dwellings, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘Afbraak Rembrandtsplein’

Arbeiders aan het werk. Pagina 25 en pagina 26 uit een schetsboek met 46 bladen vervaardigd in de omgeving van Amsterdam, Rotterdam en Haarlem.
Self-Portrait Leaning on a Stone Sill
Object type: print
Date: 1639 – 1639
Techniques: engraving, drypoint, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: men,self-portraits
Harbor Scene with Figures, Temple
Object type: drawing and watercolor
Materials: chalk, graphite, ink, paper
Techniques: brush, pen, drawing, wash
Location: netherlands
Artist: george smith
Cat Seen from Behind
Object type: album leaf
Date: 1887 – 1892
Materials: ink, silk
Culture: japanese
Artist: kawabata gyokushō
Artist role: artist
Artist nationality: japanese
Artist dates: 1842 – 1913
Subjects: cats
Embleem met de mens die zijn kruis draagt en zich bewust is van tegenslagen op zijn weg
Object type: book illustration
Date: 1620 – 1620
Materials: paper
Techniques: engraving
Location: low countries
Subjects: the life of man
Inscriptions: collector's mark: Lugt 2228

Prent uit: Antoine Sucquet, Den wech des eeuwich levens, beschreven int latijn : met beelden verlicht door Boëtius a Bolsvert, Antwerpen, Hendrick Aertssens, 1620, afb. tegenover p. 640
Portret van Carl Philipp von Schwarzenberg
Object type: print
Date: 1812 – 1899
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: vienna, commander-in-chief, general, marshal, historical persons, medals and other marks of military honour

Met tweeregelig onderschrift in het Duits.
Portret van Balthasar Blecchius
Object type: print
Date: 1687 – 1743
Materials: paper
Techniques: engraving
Artist: johann georg mentzel
Artist role: print maker
Artist dates: 1677 – 1743
Subjects: theologian, historical persons, book, wig
Inscriptions: collector's mark: Lugt 2228
Les Deux Pantalons se Tournant le Dos (Two Men in Pantsuits Turned Away from Each Other), from Les Caprices Series A, The Florence Set
Object type: print
Date: 1617 – 1617
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Pair of Crupper Pendants
Object type: pair of crupper pendant
Date: 1301 – 1500
Materials: copper alloy, gold, iron, leather, wood
Culture: tibetan
Location: tibet

Made of delicately chiseled and pierced iron covered in a thin layer of gold, the quality, detail and fine execution of these crupper pendants rank them among the best examples of decorated Tibetan ironwork. Crupper pendants would hang from the straps behind the saddle on either side of a horse, resting on the horse's hindquarters between the hip and flank. Pendants as elaborate and complete as these are extremely rare and would have been part of only the most expensive and important sets of horse equipment.
Brief aan anoniem
Object type: letter
Date: 1867 – 1930
Materials: ink, paper
Techniques: pen, writing
Artist: h. henner
Inscriptions: collector's mark: ‘RPK’, watermark

Brief is bewaard bij correspondentie aan Philip Zilcken.
Chair
Object type: furniture
Date: 1876 – 1876
Materials: iron, wood
Location: new york city
Artist: cevedra b. sheldon
Subjects: chicago, furniture

Patent furniture reached the height of its popularity in the last quarter of the 19th century. This folding chair was patented in 1876 and touted in advertisements as “the king of all chairs.”
It could be adjusted into numerous positions by utilizing the lever on the seat rail and was used variously as a lounge chair, an invalid chair, a smoking chair, or a bed. Most likely exhibited at the 1893 Chicago World’s Columbian Exposition, this chair was prized for its durable materials and comfort in addition to its versatility.
U-shaped vase with handle (one of a pair)
Object type: vase
Date: 1869 – 1869
Materials: bone china
Artist: minton(s)
Artist role: maker
Artist nationality: british
Artist dates: 1793 – 2001

Minton was the most important ceramics factory during the Victorian period and began exhibiting products at the first Great Exhibition of 1851. Founded in 1793 by Thomas Minton at Stoke-on-Trent, the firm initially specialized in transferware pottery before expanding under the ownership of Thomas’s son Herbert Minton, beginning in 1836. Under the ownership of Colin Minton Campbell, who succeeded his uncle in 1858, the factory became recognized as a specialist producer of Aesthetics movement porcelain, which were inspired by a rich array of exotic and eclectic decorative motifs.
Study for Opera House, from Microcosm of London
Object type: drawing and watercolor
Date: 1809 – 1809
Materials: graphite, paper
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
Reliëfs in de Loggia van Rafaël
Object type: print
Date: 1645 – 1700
Materials: paper
Techniques: engraving, etching
Location: vatican city
Subjects: angels
Inscriptions: number: ‘43’

Prent uit een reeks naar de gipsen reliëfs door Rafaël en uitgevoerd door zijn assistenten in de Vaticaanse Loggia.
Christ on the cross between the two thieves
Object type: print
Date: 1631 – 1631
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: horses,christ,crucifixion
Terracotta appliqué
Object type: relief of a panther
Date: 300 – 201
Materials: terracotta
Culture: greek, south italian, tarentine
Subjects: animals
The Expulsion of Hagar
Object type: print
Date: 1646 – 1670
Techniques: etching
Artist: charles massé
Artist role: artist
Artist nationality: french
Artist dates: 1631 – 1675
Subjects: men,women,dogs,angels
Exterieur van een gerechtshof en omliggend terrein in Medan
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: medan
Artist: Anonymous
Subjects: court building

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Intogt van Frederik Hendrik in 's Hertogenbosch in 1629 : gecostumeerde voorstelling door de H.H. studenten der Leydsche Hoogeschool den XI Junij van het jaar 1850
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: delft, frederick henry (prince of orange), students' pageant, costumes used in pageants, leiden, den bosch

Historische gekostumeerde optocht van de studenten van de Leidse Hogeschool op 11 juni 1850. De optocht verbeeldt de intocht van Frederik Hendrik te Den Bosch in 1629. Elfde plaat met de groepen genummerd 99-108. Onderdeel van de serie van dertien aanelkaar geplakte bladen.
Interieur van de woning van Gerrit Lamberts op de Prinsengracht
Object type: drawing
Date: 1786 – 1850
Materials: ink, paper, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: gerrit lamberts
Artist role: bookseller, draughtsman, print maker
Artist dates: 1776 – 1850
Subjects: city-view in general; 'veduta', open door, windmill in landscape, vestibule, hall
Inscriptions: inscription: ‘XXXI / Gezicht uit Lamberts woning’

Onderwerpsrubriek binnen de Atlas Amsterdam: Binnenhuizen.
You seem to enjoy doing my work. In exchange I could offer doing your job: I will go for a ride in your coach!, from "Parisians in the countryside"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,working
Silk-goods Lane, Odenma-cho (Odenma-cho gofukudana), No.74 from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1858 – 1858
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Hut met een rieten dak
Object type: sketchbook leaf
Materials: paper, pencil
Location: oosterbeek
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: hut, cabin, lodge
Inscriptions: date and inscription: ‘26 July/ 6 uur/ Hutje van Siep’

Blad 9 recto uit een schetsboek met 44 bladen.