deem-data/ArtiFact huggingface dataset:
Water dropper in the shape of a fish
Object type: water dropper
Date: 1867 – 1900
Materials: cobalt, porcelain
Techniques: underglaze
Culture: korean
Subjects: fish

Porcelain water droppers, part of the Joseon scholar's writing instruments (Brush holder, 11.142.1), were often shaped in whimsical forms. Besides fish (probably carp), fruits like peach, animals like the frog and turtle, and mountains were popular organic forms for the water dropper. Some are undecorated, but many are painted with cobalt blue either in part or whole, as is the case with this piece. Water from the droppers was used for grinding the ink stone to make ink.
Allegorie op de Vrede van Amiens, 1802
Object type: print
Materials: paper
Techniques: engraving
Location: london
Artist: christiaan josi
Artist role: draughtsman, print maker, publisher
Artist dates: 1765 – 1828
Subjects: 'cornucopia', horn of plenty, symbols, allegories of peace, 'pax'; 'pace' (ripa)
Inscriptions: inscription: ‘De Eenigste Proefdruk zonder Letter CJosi’, collector's mark: Lugt 2228

Allegorie op de Vrede van Amiens, op 27 maart 1802, die een einde maakte aan de oorlog tussen Groot-Brittannië en de Franse republiek, Spanje en de Bataafse Republiek. Centraal zweeft de Vrede door de wolken met een olijftak in de hand. Onderaan twee putti (Koophandel en Overvloed) met een hoorn van overvloed, rechts een stad verwoest door de oorlog.
Willow
Object type: drawing and watercolor
Date: 1885 – 1885
Materials: chalk, graphite, paper
Techniques: heightening
Location: united states
Artist: david johnson
Artist nationality: american
Artist dates: 1827 – 1908
Vessel with Abstract Feline Mask and Bird-Head Spout
Object type: vessel
Date: 650 – 150
Materials: ceramic, paint, terracotta
Techniques: modeling, painting
Culture: paracas
Location: ica valley
Subjects: feline, animals, birds, geometric, abstract motifs
Reproduction of a Scythian plaque in the form of a winged boar
Date: 1801 – 1900

Electrotyping is a chemical process used historically to make high quality reproductions of works of art. During the Victorian era, one of the main producers was Elkington & Co. of Birmingham. They were licensed by the South Kensington Museum of London (now the Victoria & Albert Museum) to produce replicas of objects from royal treasuries and museums across Europe. The electrotypes approved by the Department of Science and Art, a British governmental agency, carry Messrs. Elkington’s mark in the form of an official stamp in metal. This modern electrotype is a copy of a gold plaque in the Hermitage Museum, St Petersburg. The original was found in 1876 in one of the burial mounds known as the Kurgans of the Seven Brothers, in the Taman peninsula. Thousands of plaques were discovered in Scythian burials, where they would originally have been used as appliques to enhance clothing, as well as being a form of portable wealth. In the nineteenth century, many museums collected copies of ancient and historical works of art with the aim of presenting outstanding works to a broader public and to serve as inspiration for artists and manufacturers. The Metropolitan Museum of Art, founded in 1870, began to acquire electrotypes in its first decade. In 1883, Henry Marquand, a collector and early patron of the Museum, funded a large purchase from Elkington & Co. of nearly three hundred pieces. Today, these works are part of many departments in the Museum and along with plaster casts reflect the history of collecting and the role of the museum as a locus for the teaching of art history.
Landscape with a Battle between Two Rams
Object type: painting
Date: 1640 – 1640
Materials: canvas, oil
Artist: jan miel
Artist role: artist
Artist nationality: flemish
Artist dates: 1599 – 1664
Subjects: men,women,horses,rams,landscapes
Brief aan Philip Zilcken
Object type: letter
Date: 1887 – 1887
Materials: ink, paper
Techniques: pen, writing
Location: shepherd's bush
Artist: william ernest henley
Artist role: criticus, dichter, redacteur
Artist dates: 1849 – 1903
Subjects: bodegraven, the hague, painter, françois pieter ter meulen, print maker, johan barthold jongkind, willem maris, anton mauve, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Spear Thrower
Object type: spear thrower
Date: 1101 – 1500
Materials: silver
Techniques: casting, hammering
Culture: chimú
Location: peru
Gilded silver cup with two handles
Object type: cup, one handled
Date: 2300 – 2000
Materials: gold foil, silver
Culture: anatolian

This vase, along with 1989.281.45-.48 are said to have been found together, are best paralleled by pieces found by Heinrich Schliemann at Troy in a stratigraphic level know as Troy II. The wealth of jewelry and objects from the latest phase, Troy IIg, led Schliemann to believe that he had found the city described by Homer. In reality, this material is datable to about a thousand years before the Trojan War.
Portret van François-Hercule de Valois hertog van Anjou
Object type: book illustration
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: paris, françois-hercule de valois (hertog van anjou)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als boekillustratie in: Kok, Jacobus. Vaderlandsch woordenboek : met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796. Deel II.
Necklace
Object type: necklace
Date: 1801 – 1833
Materials: jade
Portret van Johann August Noesselt
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: engraving, etching
Location: halle an der saale
Artist: daniel beyel
Artist role: draughtsman, print maker
Artist dates: 1760 – 1823
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Allgemeine deutsche Bibliothek. dl. 113, eerste stuk. Kiel: Carl Ernst Bohn, 1793.
Et nos in arctis
Object type: book
Date: 1913 – 1913
Materials: paper, cardboard
Techniques: gelatin silver print, letterpress printing
Location: london
Artist: adelaide m gerard
Artist role: schrijver
Inscriptions: inscription: ‘To/ Charles F. de Lanoy Meyer -/ with best wishes from A. M. Gerard./ [...] 1913.’
Cabinet
Object type: cabinet
Date: 1866 – 1866
Materials: wood
Culture: american
Location: united states
Artist: alexander roux
Artist role: maker
Artist nationality: french
Artist dates: 1813 – 1886
Subjects: men,women

Until the mid-1870s, furniture styles in America were largely influenced by European, particularly French, taste. Style was disseminated by European design books and fashion periodicals; the great international exhibitions, beginning with the London Crystal Palace in 1851; and immigrant craftsmen who adapted their skills and artistic traditions to the American market. Alexander Roux, a French-born cabinetmaker active in New York from 1836 to 1881, was an ever tasteful proponent of the latest fashion, working in the 1840s in the Gothic Revival style, in the 1850s in the Elizabethan, Renaissance, and Rococo styles, and in the 1860s, as here, in the Néo-grec style. Néo-grec was an inventive combination of motifs from antiquity, the Renaissance, and the late-eighteenth-century Louis XVI style introduced in France and popularized by Empress Eugénie, wife of Napoleon III, during the Second Empire (1852–1870). The form of this cabinet is derived from the Italian Renaissance credenza, and its ornament, with delicate incising, gilt-metal mounts, rich marquetry panels, and porcelain plaques encircled by ormolu ribbons, is an eclectic combination of Louis XVI and classical motifs. Fragments of a German newspaper, the "New-Yorker Staatszeitung" dated September 22, 1866, were found behind one of the porcelain plaques and together with Roux's label, which gives the addresses for the showrooms he used between 1856 and 1867, provide the basis for dating of this piece.
Melville E. Stone, The Chicago Daily News, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "American Editors" series (N1), issued in 1887 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Zeven werken van barmhartigheid
Object type: print
Date: 1695 – 1740
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: gerrit de broen (i)
Artist role: print maker, publisher
Artist dates: 1659 – 1740
Subjects: feeding the hungry, 'esuriens cibatur' ~ one of the (seven) acts of mercy
Inscriptions: collector's mark: Lugt 2228

Een echtpaar verwelkomt een hongerige reiziger in hun huis en geeft hem te eten. Door de openstaande deur is een boer die op het land werkt te zien. Onder de voorstelling een Nederlands vers over de werken van barmhartigheid.
Het Paleis voor Volksvlijt; Le Palais de l'Industrie; Crystal Palace; Industrie Palast.
Object type: stereograph
Date: 1864 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: edifice, e.g.: public building, department store
Inscriptions: inscription: ‘C W van tante en Oom Meder [?]’
Bellflowers (Asagao), from the series Genji in Fashionable Modern Guise (Fūryū yatsushi Genji: Asagao)
Object type: print
Date: 1789 – 1792
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: chōbunsai eishi 鳥文斎栄之
Artist role: artist
Artist nationality: japanese
Artist dates: 1756 – 1829
Subjects: dresses,women

In this “modernization” of Chapter 20, “Bellflowers,” Genji’s unsuccessful pursuit of Princess Asagao is given an Edo-period setting. The palace interior teems with stylish women, and Genji and Asagao are shown exchanging poems; in the tale, they do so only through intermediaries. The figures, tall and slender with refined features, are characteristic of Chōbunsai Eishi’s prints and paintings. As in other prints from this series of triptychs, the colors are limited, in this case to gray-blue, yellow, and a touch of green. In this respect they conform to the technique of beni-girai, or “avoiding red,” fashionable in the late 1700s.
Vijf shilling, noodmunt van Karel I, koning van Engeland te Ormond geslagen van het door de ingezetenen opgebrachte zilver
Object type: siege coin
Date: 1643 – 1643
Materials: silver
Techniques: striking
Artist: Anonymous
Subjects: london, karel i (koning van engeland)

Bijna ronde zilveren noodmunt. Voorzijde: kroon boven letters C en R binnen parelrand. Keerzijde: waardeaanduiding (vijf shilling): Romeins cijfer V onder letter S binnen parelrand. Crown.
Zittende vrouw met een touw in haar handen
Object type: sketchbook leaf
Date: 1890 – 1890
Materials: chalk, paper, watercolor
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: sitting figure - aa - female human figure

Mogelijk een springtouw. Blad 37 verso uit een schetsboek met 38 bladen.
Cylinder seal
Object type: cylinder seal
Date: 1500 – 1301
Materials: faience
Gezicht op Brush Dam in North Bloomfield, Californië
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: north bloomfield
Artist: Anonymous
Subjects: mine
Inscriptions: inscription: ‘For impounding tailings. Dam is in the washed-out ground. It is sixty-five feet high, and is raised as the tailings accumulate. The impounded tailings may/ be seen in the artotype.’
Embleem met Vader Tijd als symbool voor het voorbijgaan van de tijd
Object type: print
Date: 1620 – 1649
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: allegorical representations of the effects of time, father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228

Prent uit: Antoine Sucquet, Den wech des eeuwich levens, beschreven int latijn : met beelden verlicht door Boëtius a Bolsvert, Antwerpen, Hendrick Aertssens, 1620, afb. 5
Bosgezicht met links een waterpartij voor een alleenstaande boom
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: etching
Location: cleves
Artist: joseph hubert blees
Artist role: print maker
Artist dates: 1826 – 
Subjects: forest, wood
Inscriptions: collector's mark: Lugt 2228
Rivierlandschap met vissers
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: commercial fishery, low hill country (+ landscape with figures, staffage), river (+ landscape with figures, staffage)
Inscriptions: check stamp: Lugt 1090, number: ‘2082’
Paris. La Nef de l'Église Notre-Dame
Object type: photomechanical print
Date: 1904 – 1906
Materials: cardboard
Techniques: photograph
Location: paris
Artist: Anonymous
Subjects: parts of church interior: nave
Prins Henry en Falstaff in de buurt van Gadshill
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: william shakespeare, fat (human type), literature, prince, falstaff
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor William Shakespeares 'Henry IV'. Prent gebruikt voor: Goettinger Taschen Calender vom Jahr 1786. Göttingen: Johann Christoph Dietrich, 1785.
Gezicht op Saint Matthew's Church te Otterbourne
Object type: photograph
Date: 1861 – 1866
Materials: paper
Techniques: albumen print
Location: otterbourne
Artist: william savage
Artist role: fotograaf
Artist dates: 1817 – 1887
Subjects: church (exterior)
Inscriptions: number: ‘No. 22.’
Fles met bolvormig lichaam
Object type: bottle
Date: 1725 – 1750
Materials: glass
Techniques: glassblowing
Location: northwest europe
Artist: Anonymous

Fles, cilindervormig, van donkergroen glas met diepe ziel, wordt naar boven toe smaller naar ronde schouder waarboven hals met ring langs de rand
Meubels
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving
Location: holborn
Subjects: writing-table, writing-desk

Genummerd: Pl. 33. Tafel gemerkt: F. Schaalverdeling in de ondermarge. Prent maakt deel uit van een boek.
Titel en 15 bladen van de reeks: Varii generis partitionum
Object type: print
Date: 1556 – 1556
Materials: paper
Techniques: woodcut
Location: antwerp
Inscriptions: number: ‘109’

Links staat een vrouw, rechts een man. Blad hoort bij 15 bladen met titelblad afkomstig uit een serie van 24 bladen met cartouches met citaten van klassieke schrijvers in een omlijsting van rolwerk met grotesken, figuren, dieren, guirlandes en mascarons. Houtsneden.
Kaftan
Object type: kaftan
Date: 1801 – 1900
Materials: silk
Location: egypt or syria
Half Ground Plan and Half Elevation for a Catafalque for Duke Francesco of Parma (1694–1727)
Object type: drawing
Date: 1727 – 1727
Materials: ink
Techniques: pen, wash
Artist: giuseppe galli bibiena
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1756
Subjects: architecture
Sestertius (Coin) Portraying Emperor Severus Alexander
Object type: coin
Date: 231 – 235
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP ALEXANDER PIVS AVG 
Reverse: MARS VLTOR SC

The front (obverse) of this coin portrays the emperor Severus Alexander, facing right and wearing a crown of laurels.
On the back (reverse), the god Mars charges to right with a spear and a shield.
Beaker
Object type: beaker
Date: 1752 – 1755
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784

The Chelsea factory often used illustrations drawn from Aesop’s Fables to decorate porcelain in the early 1750s. Much of the best painting of Fable scenes was executed by Jefferyes Hammet O’Neale, to whom the decoration of these pieces is attributed.
Pathologische anatomie
Object type: photograph
Date: 1929 – 1929
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: kabanjahe
Subjects: colonial system, patient, sick person, anatomical specimen, sumatra

Medische foto van door ziekte aangetaste long, milt en nier van een man genaamd Roee Ginting van ca. 35 jaar, na sectie op de afdeling Pathologische anatomie. Datum foto: 15 september 1929. Foto geplakt op voorgedrukt kartonnen blad ingebonden in het fotoalbum over het Hospitaal Batak Instituut te Kabanjaheh op Sumatra in de jaren 1926-1929.
Couverture de sacramentaire de la cathédrale de Monza
Object type: photomechanical print
Date: 1859 – 1864
Materials: paper
Techniques: photolithography
Location: paris
Subjects: ornament ~ geometric motifs, sculpture (+ relief ~ sculpture)
Saucer (part of a service)
Object type: saucer
Date: 1780 – 1790
Materials: soft paste porcelain
Artist: caughley factory
Artist role: factory
Artist nationality: british
Artist dates: 1772 – 1799
Brief aan Philip Zilcken
Object type: letter
Date: 1911 – 1911
Materials: ink, paper
Techniques: pen, printing, writing
Location: interlaken
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: publisher, painter, philip zilcken, drawing, travelling; tourism
Inscriptions: collector's mark: ‘RPK’
L'École d'Anvers. Portraits biographies cartes de visite. Collection Dupont
Object type: photograph
Date: 1861 – 1861
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Artist: joseph dupont
Artist role: fotograaf
Artist dates: 1818 – 1901
Subjects: antwerp, painter, henri bource, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: inscription: ‘ETABLISSEMENT PHOTOGRAPHIQUE/ de/ J. DUPONT/ Place de Meir 32/ ANVERS/ Maison fondée en 1853’
Aanvoerders te paard
Object type: print
Date: 1674 – 1733
Materials: paper
Techniques: engraving, etching
Location: unknown
Artist: jan van huchtenburg
Artist role: draughtsman, painter, print maker
Artist dates: 1647 – 1733
Subjects: landscapes (+ landscape with figures, staffage), war and peace (+ cavalry, horsemen)
Inscriptions: inscription: ‘V. Meulen’, collector's mark: Lugt 2228

Een overleg tussen drie mannen te paard en één op de grond staande man op de voorgrond in een landschap. Links houdt een man een paard bij de teugels.
Liggende en staande koe
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: etching
Location: netherlands
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
Ringvormig fragment uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, rings or ring-shaped fragments; eroded, id. 80H946.
Jar with Painted Decoration of  "Frog" Pattern
Object type: jar
Date: 2300 – 2000
Materials: earthenware
Techniques: painting
Culture: chinese
Circus
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: circus animals, hoofed animals: boar, beasts of prey, predatory animals: bear, circus, dragon, ox, beasts of prey, predatory animals: lion, trunked animals: elephant

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Seated Peasant
Object type: painting
Date: 1892 – 1896
Materials: canvas, oil
Artist: paul cézanne
Artist role: artist
Artist nationality: french
Artist dates: 1839 – 1906
Subjects: men,portraits

The mood and palette of this pensive figure study relate it to Cézanne's celebrated series of paintings showing men playing cards. This particular individual does not appear in any of those pictures, but there can be no doubt that he, like the models for the card players, was one of the workers at Jas de Bouffan, the Cézanne family estate in Aix-en-Provence.
Almanach de douze Sports
Object type: calendar leaf
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: paris
Subjects: july ~ other concepts
Inscriptions: : ‘Juillet/ Dimanche - 3 10 17 24 31/ Lundi - 4 11 18 (...)’

Kalendermaand bij de illustratie op het tegenoverliggende blad. Prent maakt deel uit van een boek.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, fingers holding bag?; part of bent arm and torso of figure
A Stone Tomb in a Forest; verso: Study of a Flower
Object type: drawing
Date: 1830 – 1830
Materials: graphite, ink, watercolor
Techniques: brush, pen
Artist: christen købke
Artist role: artist
Artist nationality: danish
Artist dates: 1810 – 1848
Subjects: tombs,trees
Terracotta pyxis (box with lid)
Object type: pyxis with lid
Date: 750 – 750
Materials: terracotta
Culture: greek, attic

This type of pyxis, a toilette box for personal objects and cosmetics, appeared in Athens around 850 BCE, based on influences from Mycenaean and Protogeometric pyxides and wooden boxes. It features a strongly curving body and a lid smaller in diameter than the box itself. A pyxis has its rim and lid pierced with two pairs of holes, probably to close it with a string. In this example (and on the pyxis 48.11.5a, b), lid and rim holes do not line up vertically, indicating that the lids and their boxes were not originally paired. Pyxides formed part of a burial kit that was typically included in the graves of young women. A similar but much smaller pyxis with traces of a white substance inside, perhaps a cosmetic, was discovered in a wealthy woman’s grave at Eleusis in Attica.
Sacrificial Scene
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: netherlands
Artist: jan luyken
Artist role: artist
Artist nationality: dutch
Artist dates: 1649 – 1712
Revue de la Mode, Gazette de la Famille, dimanche 29 Avril 1883, 12e annee, No. 591: Toilettes de M.me Delannoy (...)
Object type: fashion print
Date: 1883 – 1883
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: dress, gown: walking dress (+ women's clothes), dress, gown (visiting dress) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)
Inscriptions: address: ‘13 & 15, Quai Voltaire Paris’, title: ‘REVUE DE LA MODE / Gazette de la Famille’, caption: ‘Toilettes de M.me Delannoy, r. du Helder, 13. Jupons & Corsets de la Mo.n de Plument, r. Vivienne, 33.’

Twee vrouwen, in japonnen van Delannoy, wandelend in een park. Links: japon voor wandelingen en 'visite' van beige bedrukte foulard. Rechts: japon voor wandelingen en 'visite' van geruite changeant tafzijde en effen rood velours. Onderschrift met een regel reclametekst voor verschillende producten. Prent uit het modetijdschrift Revue de la Mode (1872-1913). Uitgebreide beschrijving van de kleding op pagina 131 "PLANCHE COLORIÉE".
Basin with birds in a lotus pond
Object type: basin
Date: 1301 – 1400
Materials: copper alloy
Culture: chinese
Kop, achthoekig, wit
Object type: cup
Date: 1900 – 2000
Materials: porcelain
Location: the hague
Inscriptions: mark: ‘kroon // Rozenburg // ooievaar // den Haag’

Kop van porselein, achthoekig van vorm, met twee oren. Niet beschilderd. Hierbij hoort een schotel (B).
Portret van Paul van Halmale
Object type: print
Date: 1630 – 1641
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: paul van halmale

Portret van Paul van Halmale, senator te Antwerpen. Deze prent maakt deel uit van een album.
Ontwerpen voor altaren, tabernakels, epitafen, schouwen, sledes etc.
Object type: ornament print
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: Anonymous
Subjects: auricular ornament, lobe style ~ ornament

Deze prent maakt deel uit van een album.
De Heere Poort te Leyden, 1762
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: engraving, etching
Location: leiden
Artist: abraham delfos
Artist role: draughtsman, painter, print maker
Artist dates: 1731 – 1820
Subjects: bridge, city-gate

Prent ook gebruikt in: Mieris, Frans van (II). Beschryving der stad Leyden, haare gelegenheid, oorsprong, vergrootinge, oude en hedendaagsche gedaante (…). 3 delen. Leiden: weduwe Abraham Honkoop, Cornelis van Hoogeveen junior e.a., 1762-1784, dl. 1 (1762), tussen p. 20 en 21.