deem-data/ArtiFact huggingface dataset:
Kolfspeler
Object type: drawing
Date: 1758 – 1762
Materials: chalk, paper
Location: amsterdam
Artist: cornelis ploos van amstel
Artist role: draughtsman, print maker
Artist dates: 1726 – 1798
Subjects: 'kolf' (ball game) (+ sportsman, player, etc.)

Over de doordruktekeningen van Ploos van Amstel zie LNP, p. 201.
Portret van Johannes Vollevens (II)
Object type: drawing
Date: 1720 – 1792
Materials: ink, paper
Techniques: brush, pen
Artist: aert schouman
Artist role: draughtsman, painter, print maker
Artist dates: 1710 – 1792
Subjects: johannes vollevens (ii), historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist

Portret van de schilder Johannes Vollevens (II).
Bedelende figuur met twee stokken
Object type: sculpture
Materials: ivory
Artist: simon troger
Artist role: sculptor
Artist dates: 1693 – 1768

Bedelaar met in elke hand een wandelstok. Op de rug draagt hij kruiken en potten.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, black glazed rim fragment with a bit of the upper left corner of the handle patch
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, head and neck of horse to right
Ontmoeting tussch. Willem en Mondragon / XI. zang
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: middelburg

Illustratie voor: J. Nomsz, Willem de eerste, of de grondlegging der Nederlandsche vryheid. : In vier en twintig zangen, Erven van David Klippink, Amsterdam 1779. Staat vóór de letter. Groep van vier proefdrukken in de oorspronkelijke omslag van de uitgevers J. Smit en Zoon en W. Vermandel te Amsterdam, 1781 (de derde uitgave).
Ontwerp voor een buffetkast met een barometer
Object type: sketchbook leaf
Date: 1906 – 1906
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: furniture for storage
Inscriptions: annotation: ‘Buf[...]/ Barometer/ [...]lot’

Blad 3 verso uit een schetsboek met 27 bladen.
Lithografisch album 1834
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: paris
Artist: nicolas toussaint charlet
Artist role: draughtsman, painter, print maker, printer
Artist dates: 1792 – 1845
Subjects: napoleon i (emperor of the french), dale, valley, land forces, homage to a ruler, mountains
Inscriptions: collector's mark: Lugt 2228a

Dorpelingen drommen samen in een vallei om de troepen van Napoleon te zien, en een glimp van de aanvoerder zelf op te vangen.
Portret van Maria Gysberta Verhoesen
Object type: print
Date: 1800 – 1802
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: maria gysberta verhoesen
Inscriptions: collector's mark: Lugt 2228

Portret van Maria Gysberta Verhoesen, echtgenote van Jeronimo de Vries.
Purple Lichees and Bird
Object type: fan mounted a an album leaf
Date: 960 – 1644
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: birds,fruit
Prayer Carpet
Object type: textile
Date: 1850 – 1900
Materials: wool
Techniques: cutting, weave
Location: turkey
Doorgang met gordijnen
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: decorations (interior of the house), door, hangings and drapery
Inscriptions: : ‘Droits de reproduction réservés.’

Grote doorgang met fauteuil en gedrapeerde gordijnen. Prent uit 335e Livraison.
Heuvellandschap met bomen te Roccantica
Object type: drawing
Date: 1788 – 1839
Materials: paper, pencil
Techniques: pasting
Artist: hendrik voogd
Artist role: draughtsman, painter, print maker
Artist dates: 1768 – 1839
Subjects: low hill country, groups of trees, roccantica
Inscriptions: inscription: ‘Rocc'antica’
Beeld van een kop
Object type: photograph
Date: 1880 – 1920
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: head (human), piece of sculpture, reproduction of a piece of sculpture
Madame Elisabeth de France (1764–1794)
Object type: painting, drawing
Date: 1787 – 1787
Materials: canvas, paper, pastel
Artist: adélaïde labille-guiard
Artist role: artist
Artist nationality: french
Artist dates: 1749 – 1803
Subjects: princesses,portraits,women

In 1783 Labille-Guiard became one of only four women painters admitted to the French Royal Academy. A leading portraitist, she showed oils and pastels regularly at the Salon. She was also an important teacher for the next generation of women artists, as captured in her self-portrait with two pupils, a landmark painting also in The Met collection. This pastel is a study for a more formal portrait of Madame Elisabeth, the younger sister of Louis XVI. The king’s immediate family, notably his aunts, were key protectors and patrons of Labille-Guiard.
Portret van Johann Jacob Tetzel
Object type: print
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: ornament ~ medallion, historical persons, pendant, trinket, 'breloque', ornament ~ cartouche, specific aspects, allegorical aspects of minerva; minerva as patroness, specific aspects, allegorical aspects of mars; mars as patron, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van een prent van Samson die een leeuw doormidden scheurt
Object type: reproduction
Date: 1852 – 1857
Materials: photographic support
Techniques: salted paper print
Subjects: samson kills the lion with his bare hands
Inscriptions: inscription: ‘Duch No 18. col. [V. Se]stich’
Portret van Cajetanus van Thiene
Object type: book illustration
Date: 1644 – 1644
Materials: paper
Techniques: engraving, letterpress printing
Location: padua
Subjects: naples, ethics; 'etica' (ripa), historical persons

Prent uit: Tomasini, Giacomo Filippo. Elogia virorum literis et sapientia illustrium ad vivum expressis imaginibus exornata. Padua: Sebastiano Sardi, 1644, p. 33.
Jug
Object type: decorative art
Date: 1800 – 1830
Materials: earthenware
Location: new england
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Landscape with a Thunderstorm Brewing
Object type: painting
Date: 1850 – 1850
Materials: canvas, oil
Artist: willem roelofs (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1897
Subjects: riding a horse, ass, or mule; rider, horseman, landscapes in the temperate zone, thunderstorm, dog
Inscriptions: signature and date: ‘W. Roelofs f. 1850’

This landscape is full of drama and contrasts. Such impressive views were very popular in the first half of the 19th century. Whether they presented a realistic scene was irrelevant; they were made to convey the grandeur and power of nature and to strike an emotional chord.
The Fall of Phaeton
Object type: plaquette
Date: 1467 – 1533
Materials: lead
Artist: moderno (galeazzo mondella)
Artist role: artist
Artist nationality: italian
Artist dates: 1467 – 1528
Subjects: horses,trees
Gezicht op een onbekende jonge vrouw in een roeiboot
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Subjects: adolescent, young woman, maiden, rowing-boat, canoe, etc.
Röntgenfoto van de ruggengraat van Isabel Wachenheimer
Object type: photograph
Date: 1935 – 1935
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon

Röntgenfoto van de ruggengraat van Isabel Wachenheimer
Colt Model 1851 Navy Revolver with Thuer Conversion for Self-Contained Cartridges, Serial no. 27060
Object type: revolver
Materials: brass, ivory, silver, steel
Culture: american
Location: united states
Artist: samuel colt
Artist role: manufacturer
Artist nationality: american
Artist dates: 1814 – 1862

In 1835 and 1836, the American inventor and industrialist Samuel Colt (1814–1862) patented a revolutionary type of multishot pistol that is still used today. Colt's revolvers had a rotating cylinder that could be loaded with several rounds and fired quickly by cocking and releasing the hammer or, in later models, by simply pulling the trigger. Early Colt firearms used percussion ignition and had to be loaded with powder, bullets, and ignition caps in separate operations. After 1870, Colt models were produced for self-contained cartridges that are much like modern pistol ammunition. First manufactured by Colt's factory in Paterson, New Jersey (1836–42), from 1847, the revolvers were made at a much larger plant in Hartford, Connecticut. A special workshop at the Hartford factory employed highly skilled decorators and artisans, many of German origin. Their ornamental motifs, still popular in American gunmaking, centered on fine scrollwork. Animal and human figures and allegorical images were added to floral scrolls, sometimes enhanced with gold and silver inlay, particularly on deluxe firearms made for exhibition and display or as personal gifts from Colt to prominent individuals, including several heads of state.
Plate 18, from "World in Miniature"
Object type: print
Date: 1816 – 1816
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,dogs,horses,games

One of forty prints from Rowlandson's "World in Miniature; Consisting of Groups of Figures, for the Illustration of Landscape Scenery." Two scenes: at top, an old man, officer, woman, and young girl inspect an elaborate urn on a pedestal at left, and a couple sits on a bench at right. Below, a man and two women sit on the grass at left, drinking and smoking, and a man bowls skittles at right while a young girl and two men watch.
Upper part of a male draped torso
Object type: torso of a man, upper part
Materials: marble
Culture: roman

Upper part of torso with drapery on left shoulder and arm.
Andiron
Object type: andiron
Date: 1795 – 1810
Materials: brass, iron
Culture: american
Location: united states
Standing Vishnu as Keshava
Object type: figure
Date: 1101 – 1125
Materials: stone
Culture: indian
Artist: dasoja of balligrama
Artist role: artist
Subjects: vishnu

A Hindu text favored by the Hoysalas cites twenty-four names for Vishnu, beginning with Keshava. Each name is associated with a form, and all of the forms have four arms and hold the same attributes: a shankha (conch battle trumpet), a gada (mace), a chakra (war discus), and a padma (lotus). It is the order in which the attributes are held in the god's four hands that varies and that signifies the various names of the god. Here, Keshava is flanked by two of his consorts, Shridevi and Bhudevi. Surrounding his head are Vishnu's ten avatars (earthly appearances), five in the form of animals (seen at the left) and five of humans (right). Hoysala sculptures are unusual in that many are signed by the carvers who created them. The inscription on the base of this image records it as the work of Dasoja of Balligrama, an artist known to us from inscribed images at Belur, where he and his son Chavana worked.
Vrouwen gekleed volgens de Engelse mode, ca. 1640
Object type: costume print
Date: 1640 – 1640
Materials: paper
Techniques: etching
Location: london
Subjects: brooch, agraffe, clasp (+ women's clothes), neck-gear ~ clothing (neckerchief) (+ women's clothes), europeans: englishmen (+ women), styles of hairdress - aa - ~ women, fashion, clothing (+ lace used for clothes), neck-gear: collar (+ women's clothes), fashion plates, clothes, costume (+ women's clothes), pomander, musk ball - aa - (for) women, piece of clothing covering the breast or décolleté (+ women's clothes), dress, gown (+ women's clothes), pearl; pearl necklace (+ women's clothes)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Engelse dame met glad naar achteren gekamd haar, dat naar binnen gekruld tot over de oren valt. Rechts op het achterhoofd is een veer in het haar gestoken. Gekleed in een japon, dat rondom de schouders is afgezet met geschulpt kant, daaroverheen een transparante halsdoek, die bij de hals wordt gesloten met een sieraad. In de taille een gestrikte ceintuur waar een reukbal aan is bevestigd.
Fork
Object type: fork
Date: 1839 – 1840
Materials: silver gilt
Subjects: men
Gezicht op de Nieuwe kerk te Den Haag
Object type: print
Date: 1752 – 1781
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: church (exterior)
Inscriptions: collector's mark, collector's mark: Lugt 1641

Gezicht op de Nieuwe kerk aan het Spui te Den Haag. Op de voorgrond wandelaars en een koets. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Kerk en kerkwezen & Armwezen en liefdadige instellingen; Kerkgebouwen elders. F-L.
Deel van landschap op pagina 25(R)
Object type: sketchbook leaf
Date: 1828 – 1894
Materials: paper, pencil
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: landscapes, artist (in general) making preliminary designs, sketching

Pagina 24 verso uit een schetsboek met 50 bladen.
Oriental Street Scene
Object type: drawing
Date: 1850 – 1850
Materials: chalk, ink, paper
Techniques: brush, wash
Artist: eduard hildebrandt
Artist role: artist
Artist nationality: german
Artist dates: 1818 – 1869
Subjects: human figures,buildings,streets,trees,street scene
Equivalent
Object type: photograph
Date: 1927 – 1927
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Carnelian scarab
Object type: scarab
Date: 450 – 450
Materials: gemstone
Culture: etruscan
Subjects: centaurs
Gezicht op de Westerkerk te Amsterdam
Object type: print
Date: 1680 – 1720
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: church (exterior), canals, waters (in city)

De huidige staat van deze prent komt waarschijnlijk uit: Le guide, ou nouvelle description d' Amsterdam; Enseignant aux voyageurs et aux negoçians (...). Amsterdam: Covens & Mortier, 1753. Een eerdere staat, ongenummerd, komt mogelijk uit een eerdere editie van deze publicatie. De eerst bekende staat van deze prent, met signatuur (Daniël Stopendaal) en enkel Nederlands onderschrift (De Wester Kerck) komt mogelijk uit een vooralsnog onbekende publicatie.
Saint John the Baptist
Object type: bust
Date: 1467 – 1500
Materials: terracotta
Techniques: polychrome
Subjects: saint john the baptist
Card Number 159, Lydia Thompson, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Tile from marsh scene
Object type: tile fragment, marsh scene, bird
Date: 1353 – 1336
Materials: faience
Techniques: polychrome
Location: egypt
Halberd
Object type: arm
Date: 1575 – 1575
Materials: steel, wood
Culture: german
Location: germany
Collar
Object type: collar
Date: 1834 – 1866
Culture: belgian
Goedang/Atelier. (Aug. 1926.)
Object type: photograph
Date: 1908 – 1926
Materials: photographic support
Techniques: gelatin silver print
Location: east java
Artist: Anonymous
Subjects: colonial system, trade-company, making the overground structures (~ building activities), (non-fruit) products of plants or trees: sugarcane, exterior of industrial structures, factories, representation of real building (either existing or having existed)
Inscriptions: inscription: ‘Goedang/Atelier. (Aug. 1926.)’

Bouw van de loods en atelier bij de fabriek, augustus 1926. Onderdeel van het fotoalbum met foto's van de opbouw van de suikerfabriek te Goenoengsari op Oost-Java door de Handels Vereniging Amsterdam 1926-1927.
Portret van Hans Friedrich Heinrich von Borstell
Object type: print
Date: 1762 – 1804
Materials: paper
Techniques: etching
Artist: meno haas
Artist role: print maker
Artist dates: 1752 – 1833
Subjects: knighthood order, historical persons
Utrecht. Interieur Domkerk
Object type: photograph
Date: 1925 – 1950
Materials: photographic support
Techniques: photography
Location: utrecht
Subjects: interior of church
There Once Was a Person Named Esau..., from the Magic Changing Cards series (N223) issued by Kinney Tobacco Company
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,drinking

Trade cards from the "Magic Changing Cards" series (N223), issued in a set of 50 in 1889 by Kinney Tobacco Company. When held up to the light, a hidden image is revealed on each card.
Hertenjacht bij een kapel
Object type: print
Date: 1602 – 1602
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: hoofed animals: deer, stag-hunting, sports, games ~ animals (+ hunting with dogs)
Inscriptions: collector's mark: ‘RYKSMUSM’ Lugt 2228

In een bomenrijk moeras in de nabijheid van een dorp en een kapel jagen een aantal mannen met hun honden op een hert. Pendant van 'Hertenjacht in een moeras'.
Portret van Duitse militair M. Roth
Object type: cabinet photograph
Date: 1899 – 1899
Materials: paper, cardboard, paint
Location: jüterbog
Artist: g. meyer (fotograaf)
Artist role: fotograaf
Subjects: historical persons, the soldier; the soldier's life, (military) uniforms
Inscriptions: inscription: ‘Meinem lieben Braut/ zum Andenken an meinem/ 22. Geburtstag./ Jüterbog, den 30. Januar 1899./ M. Roth.’, inscription: ‘Neue Kaserne./ G. MEYER/ Neues Lager.’, date: ‘1899’

Met randvoorstellingen van scènes uit het militaire leven.
Lamp
Object type: lamp
Date: 801 – 1000
Materials: earthenware, glaze
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Graesbroeck
Object type: print
Date: 1830 – 1899
Materials: paper
Techniques: etching
Artist: alexander schaepkens
Artist role: draughtsman, print maker
Artist dates: 1815 – 1899
Subjects: castle
Inscriptions: collector's mark: Lugt 2228
Tafel en kruk met inlegwerk
Object type: photograph
Date: 1878 – 1885
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: table, stool
Inscriptions: number: ‘1./ 2.’, inscription: ‘Alta, 76. Larga, 88. Fonda, 50./ Alto 40. Largo 37.’, inscription: ‘No 1. Ies. 180/ " 2 " 45.’
Statuette of Buddha Sitting on Engraved Throne
Object type: statuette
Date: 901 – 1000
Materials: gilt bronze
Culture: korean
Subjects: buddhism,buddha

Legend has it that Buddhism was first introduced to Japan in 552 by a Korean king who sent "an image of [Shakyamuni] in gold and copper, several flags and umbrellas, and a number of volumes of sutras" along with a memorial lauding Buddhism as "amongst all doctrines the most excellent...Every prayer is fulfilled and naught is wanting" (Nihon Shoki, trans. W.G. Ashton, vol. 29, sects. 33–35). This legend may or may not be based on an actual historical event; nevertheless, the early Yamato and Nara states of Japan did have a flourishing trade with Korea and the Asian continent, which continued until the end of the Chinese Tang dynasty in the ninth century. Artisans, monks and diplomatic missions brought a rich array of fascinating objects both religious and secular, to Japan. In the early years of Japanese Buddhism, the faith was largely patronized by the ruling clan, which set up a centralized government modeled on the Tang. Their capital, the city of Nara, consciously emulated the Chinese capital of Chang'an. Temples and images were a symbol of the power and splendor of the court, a tangible display of the mandate to rule. Guilds of artisans, called be, many of whom were Korean, provided the technical and artistic means for the massive projects commissioned by the Nara emperors and empresses, rendered in gold, bronze, brocades, lacquer and wood. The thin drapery and body-revealing lines of this two Buddha statue hint at the sinuous and elegant aesthetic of Tang China, standard-bearer of the East Asian cultural sphere at the time. Small images like these were common in both Korea and Japan where they were often placed, along with relics of the Buddha (shari, or saria in Sanskrit), in stone pagodas within temple precincts. The cult of Amitabha was also a prevalent image in Japan, the Pure Land zeal only took hold in the Japanese court later, in the eleventh century.
Ostracon Depicting a Man's Head
Object type: ostracon, figured, senenmut
Date: 1479 – 1458
Materials: ink, limestone
Location: egypt
Subjects: heads,men
Coin
Object type: coin
Date: 1101 – 1200
Materials: copper
Location: iraq
Auvergne - Chateau de Lavort près Dorat
Object type: stereograph
Date: 1860 – 1890
Materials: glass
Techniques: slide
Location: dorat
Artist: Anonymous
Subjects: castle
Standbeeld van Peter de Grote I voor de Izaäkkathedraal in Sint-Petersburg
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-petersburg
Artist: Anonymous
Subjects: church (exterior), equestrian statue
Inscriptions: inscription: ‘St. Pétersbourg Statue de Pierre le grand’