deem-data/ArtiFact huggingface dataset:
Saskia with Pearls in her Hair
Object type: print
Date: 1634 – 1634
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: amsterdam
Inscriptions: collector's mark: Lugt 240, signature and date: ‘Rembrandt f 1634’

This small etching of a young woman from 1634 was only recently identified as a portrait of Rembrandt’s wife, Saskia. Pearls are woven in her hair and hang from her neck and ears. The gown and the lace kerchief around her shoulders are fashionable and contemporary. Rembrandt and Saskia wed in 1634; hence, this may well be a portrait of her in bridal attire.
Strook kloskant met verschillende ovale bloempjes
Object type: strip
Date: 1925 – 1925
Materials: linen
Techniques: lace
Location: bruges
Artist: Anonymous

Strook naturelkleurig kloskant: fijn Brugs bloemwerk. Het patroon dat te zien is op het korte stuk strook bestaat uit verschillende ovale bloempjes die met korte ranken en blaadjes met elkaar verbonden zijn. De motieven zijn gemaakt in linnenslag, met opengewerkte randjes en dunne contourdraden. De motieven zijn met elkaar verbonden door een gepicoteerde vlechtengrond. Tussen de vlechten zijn enkele 'matjes' te zien, een soort vlakjes in linnenslag die lijken op spinnen. In de bloemharten zijn blokjes gemaakt in vormslag of in linnenslag. In een voluutblad is een siergrondje met spinnen toegepast. De bovenzijde van de strook is recht afgewerkt. De schulpenrand is afgewerkt met picots.
La Haye, Cour des Comptes
Object type: photograph
Date: 1870 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: Anonymous
Subjects: national government, façade (of house or building)
Fotomontage van vijf gezichten in Québec
Object type: page
Date: 1889 – 1894
Materials: paper
Techniques: photograph
Location: quebec
Subjects: harbour, city-view in general; 'veduta', street, québec
Inscriptions: inscription: ‘Sillery Cove/ Martello Tower/ St. John Street’
La Pratique de l'Aiguille, page 74 (recto)
Object type: book print ornament architecture
Date: 1605 – 1605
Techniques: woodcut
Artist: matthias mignerak
Artist role: author
Subjects: ornament

Written by Matthias Mignerak, title page engraved by Pierre Firens, French, born Paris 1641, dedicated to Marie de Medici, Florence 1575-1642 Cologne, published by Jean Le Clerc, Paris. From top to bottom, and left to right: Design composed of 2 friezes of lace patterns that are printed upon a solid black background. Both friezes are decorated with patterns characterized by a series of linear and geometric motifs.
Slag bij de Milvische brug
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: etching
Location: rome
Subjects: the battle of the milvian bridge (saxa rubra): st. constantine on horseback confronts maxentius; a cross appears in the sky with in fiery letters 'in hoc signo vinces' (the raised standards of the roman soldiers carry a cross or the chi-rho monogram), warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 240

Gevechtsscène in een landschap: slag bij de Milvische brug. De soldaten van Constantijn in gevecht met de soldaten van Maxentius. Dode lichamen liggen op de grond. Soldaten te paard verdrinken in de rivier.
Handelsetiket van Willem Kops
Object type: handelsetiket
Date: 1681 – 1740
Materials: paper
Techniques: woodcut
Location: haarlem
Artist: isaac vincentsz. van der vinne
Artist role: draughtsman, print maker
Artist dates: 1665 – 1740
Subjects: vignette
Inscriptions: collector's mark: Lugt 240

Met hoofd van een zwarte man in een lauwerkrans.
A River between Rocks, from the series Set of Landscapes
Object type: print
Materials: ivory, paper
Techniques: etching
Location: netherlands
Artist: herman naijwincx
Artist nationality: dutch
Artist dates: 1624 – 1651
Brief aan Philip Zilcken
Object type: letter
Date: 1907 – 1907
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Artist: r. cremers
Subjects: painter, draughtsman, philip zilcken, etching
Inscriptions: collector's mark: ‘RPK’, watermark
Pinhead
Object type: pinhead
Date: 670 – 330
Materials: glass
Culture: roman

Black, opaque spherical bead, with slight knob on bottom and colored spots on top.
Gazette du Bon Ton, 1922 - No. 9 : Loutre et velours imprimé / Tissu de Bianchini
Object type: fashion print
Date: 1922 – 1922
Materials: paper
Techniques: printing, letterpress printing, photochemical processes
Location: new york city
Subjects: ring (+ women's clothes), coat (evening coat) (+ women's clothes), fashion plates
Inscriptions: date

Fluwelen avondmantel met bont van Bianchini. Croquis No II uit Gazette du Bon Ton 1922, No. 9. Uitleg over de kleding op pagina "Recto des pages de croquis. Contenues dans ce fascicule (Modèles de la gazette)."
Sorrento
Object type: photograph
Date: 1888 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: sorrento

Stadspanorama langs de kust van het het aan de Amalfische kust gelegen stadje Sorrento met op de achtregrond een berglandschap.
Fragment balustervormige steel van een fluitglas uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: flute glass
Date: 1700 – 1743
Materials: glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Glass, stem glass, steel, baluster-shaped; fragment of pear-shaped knop, eroded.
Actress holding hand to head, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Stomacher
Object type: stomacher
Materials: horn, linen, metal, silk
Culture: british
Card Number 26, Sadie Martinot, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Vue prise aux Ardennes
Object type: print
Date: 1823 – 1841
Materials: paper
Techniques: lithograph
Subjects: mountains
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘Sigillum Civitatis Venlonessis’
Lillian Russell, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses
Profielen van steden over heel de wereld
Object type: print
Date: 1675 – 1711
Materials: paper
Techniques: brush, engraving, etching, hand coloring
Location: amsterdam
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228
Schnapps glass (one of twelve)
Object type: schnapps glass
Date: 1750 – 1775
Materials: enamel, glass
Subjects: men,women,swans

The form of this piece is unprecedented in the seventeenth century either in silver (the usual prototype for new glass forms) or in glass. It is close to the idea of cruet frames with central handle which were common in the eighteenth century. The signs of the zodiac are contained in swiftly sketched rococo cartouches, and there is a mixture of periods of costume worn by the various figures, including one in the garb of the sixteenth century and others from the seventeenth century. For all these reasons, it seems probable that the glass was decorated in the third quarter of the eighteenth century.
Muts van tule doorstop
Object type: womenswear
Date: 1900 – 1900
Materials: fiber
Techniques: stopwork
Location: netherlands
Artist: Anonymous

Muts van tule doorstop. Het patroon heeft op de mutsenbol gestrooide "sneeuwkristallen", op de rand een dubbele zigzag. De muts kan worden dichtgeregen door middel van een rijgkoord. Bij de muts hoort een vest met invnr. BK-1967-108-B.
Portret van een zittende vrouw
Object type: drawing
Date: 1649 – 1723
Materials: chalk, paper
Techniques: pasting
Subjects: landscapes, historical persons not known by name - bb - woman
Twee torso's van mannen in ornamentele omlijsting
Object type: ornament print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: adult man
Inscriptions: collector's mark: Lugt 963

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning, Huisraad, Zilverwerk.
Macbeth
Object type: page
Date: 1874 – 1884
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: witch, sorceress, macbeth
Spoon and fork combination
Object type: spoon and fork combination
Date: 1601 – 1633
Materials: gilt, silver
Subjects: female nudes
Apparel
Object type: clothing
Date: 1501 – 1600
Materials: metal thread, silk, velvet
Ruïne aan een trekvaart
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: haarlem
Artist: jacob elias van varelen
Artist role: draughtsman, print maker
Artist dates: 1757 – 1840
Subjects: river, landscape with ruins, towing path
Inscriptions: collector's mark: Lugt 2228
Portret van een moeder met kind
Object type: album leaf
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: workum
Artist: k. kuipers
Artist role: fotograaf
Subjects: mother and child(ren), woman and child(ren) (family group)
Inscriptions: inscription: ‘Photographie/ K. Kuipers/ te/ Workum’
Islamic Plate
Object type: drawing and watercolor
Materials: chalk, gouache, paper, paint, watercolor
Location: belgium
Artist: giuseppe grisoni
Artist nationality: italian, born flanders
Artist dates: 1699 – 1769
Relief from the South Wall of a Chapel of Ramesses I
Object type: relief, ramesses i chapel, south wall
Date: 1295 – 1294
Materials: limestone
Location: egypt
Subjects: food,men,women,hieroglyphs

Displayed in Gallery 129 are reliefs from three walls of the chapel of Ramesses I at Abydos. This monarch was a military officer from the eastern Delta. He served as a general and vizier under Haremhab, last king of Dynasty 18, and was designated by Haremhab as his successor. Ramesses was probably quite old when he became king and most of his monuments were finished by his son, Seti I. The south wall of his temple at Abydos depicts Ramesses I and his family presenting offerings to Osiris. The upper register (now lost) showed Ramesses leading four young bulls to "Osiris Onnophris." In the lower register, Ramesses is shown "making incense and libation" over offerings piled before the shrine of "Osiris, lord of continuity, great god at home in Abydos." Behind the statue of Osiris stand the goddesses Isis and Hathor. Ramesses is accompanied by his queen, Sitre, who shakes two sistra. Behind her was a procession of men and women holding bouquets. Ramesses I was the first king of Dynasty 19. He ascended the throne as an old man and was soon succeeded by his son, Seti I. Most of the monuments dedicated to Ramesses I, including this one, were built or completed by his son.
Portret van Charles, hertog van Mantoue en Nevers
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: engraving
Artist: jan de leeuw
Artist role: print maker
Artist dates: 1660 – 
Subjects: charles (hertog van mantoue en nevers)
Inscriptions: collector's mark: Lugt 2228

Portretbuste in ovaal naar rechts van Charles, hertog van Mantoue en Nevers, blootshoofds en gehuld in een harnas. Onder het portret staat op een plaquette de naam van de geportretteerde.
Name the Happy Day (valentine)
Object type: drawing and watercolor
Date: 1864 – 1864
Materials: paper
Techniques: collage, cutting, embossing
Location: england
Artist: thomas wood
Artist nationality: english
Artist dates: 1800 – 1899
Rider Reining in Horse
Object type: drawing and watercolor
Materials: crayon, paper
Location: england
Artist: hablot knight browne
Artist role: print maker
Artist nationality: english
Artist dates: 1815 – 1882
Design for Pony Phaeton, no. 4185
Object type: drawing
Date: 1892 – 1892
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gezicht op de eetzaal van het huis van Delmay in Brussel, België
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: photograph
Location: brussels
Artist: gustave choppinet
Artist role: fotograaf
Subjects: dining-room, brussels
Inscriptions: number: ‘PLANCHE 83’, name: ‘Ghysels, Arch. - Van Tuyn, Exec.’, inscription: ‘Rue de Buisson/ Villa de M. DELMAY/ Salle à manger/ (côté droit)’

Deze prent maakt deel uit van een omslag met 89 prenten en 5 tekstbladen.
The Illustrated American Biography; containing correct Portraits and Brief Notices of the Principal Actors in American History, embracing distinguished women, naval and military heroes, statesmen, civilians, jurists, divines authors and artists...
Object type: book
Date: 1855 – 1855
Techniques: engraving
Artist: abner dumont jones
Artist role: author
Artist nationality: american
Artist dates: 1807 – 1872
Subjects: buildings,carriages
Ritual Statuette of Thutmose III
Object type: statuette, kneeling king, thutmose iii
Date: 1479 – 1425
Materials: bronze, gold
Techniques: inlay
Location: egypt
Subjects: kings,men

Beautifully poised, this small bronze king offers wine or milk to a god. The fluid, athletic modeling of his body and details of his costume indicate a date in mid–Dynasty 18. In fact, the statuette represents the great king Tuthmosis III, as is revealed by traces of his prenomen (or throne name), Menkheperre, on the belt buckle. This figure is the earliest known New Kingdom royal bronze statuette and, with a few Late Middle Kingdom copper and copper-alloy precursors, it initiates the tradition of bronze statuary in Egypt. It is a "black" bronze, darkened to heighten the luster of its precious metal inlays. The left eye rim and the nipples retain their original gold inlay. The body of the statuette was solid cast, with separately cast arms (one is missing) fitted onto dowels. Kneeling bronze kings dating to the New Kingdom are rare. They are found in greater numbers in the Third Intermediate and Late Periods. Such figurines are frequently represented on the great processional barks of the gods, expressing the respectful yet dignified role of the king—himself a god—in ensuring the continuing worship of the gods.
Prentbriefkaart aan Andries Bonger
Object type: ansichtkaart, prentbriefkaart
Materials: cardboard, ink
Techniques: photograph, pen, writing
Location: paris
Subjects: andries bonger, robert schumann, amsterdam, artist, willem jan gerrit van meurs, photography, cinematography
Portret van Federico Barocci
Object type: print
Date: 1645 – 1715
Materials: paper
Techniques: engraving, etching
Artist: pierre simon (i)
Artist role: print maker
Artist dates: 1640 – 1710
Subjects: painter, print maker, draughtsman, federico barocci, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, right half of the handle patch preserved to rim; start of handle root; back, part of upper torso, and right buttock of male bending to right
Sidney Douglas Farrar, 1st Base, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Rapier
Object type: rapier
Date: 1540 – 1540
Materials: silver, steel, wood
Culture: italian
Location: italy

From the early sixteenth century onward, the practice of wearing a sword or rapier with civilian dress made duels between unarmored opponents more common. Lacking the armor or shield worn in battle, combatants had to block or parry an attack by other means. Methods of defense included the use of a dagger or a buckler held in the left hand and an increased reliance on parries made with the rapier itself. During the sixteenth and seventeenth centuries, distinct schools of fencing developed rapidly in Italy, France, Germany, and Spain. Instruction in the art and science of fencing became an indispensable part of a nobleman’s education. Consequently, accomplished fencing masters were hired to teach at the principal courts and universities of Europe. From about 1525 to about 1625, the rapier was regularly worn in tandem with a parrying dagger. They were sometimes made and decorated as a set. By the mid-seventeenth century, however, parrying with the rapier blade alone had become the preferred style as a result of the development of refined fencing techniques and lighter, smaller rapiers. Most forms of left-hand parries were abandoned, except in southern Italy and Spain, where parrying daggers remained popular well into the eighteenth century.
Lace border
Object type: border
Date: 1701 – 1800
Techniques: lace
Compositiestudie en twee tafels
Object type: sketchbook leaf
Date: 1912 – 1912
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: table

Pagina 33 uit een schetsboek met 16 bladen.
Tuintjes of velden tussen huizen, met kleurnotities
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: garden
Lunet Zeelandia in de vesting van Bergen op Zoom, 1747
Object type: print
Date: 1747 – 1747
Materials: paper
Techniques: etching
Location: bergen op zoom
Subjects: fortress, bergen op zoom
Inscriptions: collector's mark: Lugt 2228

Schematische vooorstelling van de lunet Zeelandia in de vesting van Bergen op Zoom, met de bijbehorende bastion, ravelijnen, bedekte weg, glacis, kazemat en gracht, ten tijde van het beleg door de Fransen juli-september 1747. Links de legenda A-D.
Een gelukkig moment
Object type: print
Date: 1975 – 1975
Materials: paper
Techniques: etching, hand coloring, intaglio
Artist: harrie a. gerritz
Artist role: draughtsman, painter, print maker
Artist dates: 1940 – 
Subjects: cut flowers; nosegay, bunch of flowers
Inscriptions: collector's mark: Lugt 2228, inscription: ‘PC’

Steeds kleiner wordende rechthoeken met daarboven een blauwe vaas met bloemen waar een blanco kaartje aan hangt.
Très Parisien, 1926, No.  1, Pl. 11: Création ANNA, Création PHILIPPE ET GASTON
Object type: fashion print
Date: 1926 – 1926
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: dress, gown: day dress (+ women's clothes), fashion plates
Inscriptions: caption: ‘ELLE OU MOI:une jolie robe de reps en soie bleu marine, sertie de liberty blanc. ICONE.- Robe de Georgette fuchsia, richement brodée d'or, de vert et de mauve.’

Japonnen van Anna en Philippe et Gaston: ELLE OU MOI: marineblauwe japon, afgezet met wit; ICONE: japon van georgette in de kleur fuchsia, geborduurd in goud, groen en mauve. PPrent uit het modetijdschrift Très Parisien...La Mode, Le Chic, L'Élégance (1920-1936)
P.J.H. Cuypers, penning aangeboden bij de opening van het Rijksmuseum te Amsterdam
Object type: honorary medal
Date: 1885 – 1885
Materials: bronze
Techniques: striking
Location: utrecht
Artist: ludwig jünger
Artist role: medailleur
Artist dates: 1857 – 1908
Subjects: draughtsman, pierre joseph hubert cuypers, rijksmuseum amsterdam, amsterdam
Inscriptions: inscription: ‘J.P.M.F.’, circumscription: ‘PETRUS . JOSEPHUS . HUBERTUS . CUYPERS . GEBOREN . TE . ROERMOND . 16 . MEI . 1827’, signature: ‘L. JÜNGER . D .’, inscription: ‘DEN / ONTWERPER EN / BOUWMEESTER VAN / HET RYKS MUSEUM / TE AMSTERDAM / BY DE VOLTOOIING / EN OPENING / VAN DAT GEBOUW / AANGEBODEN’

Bronzen penning. Voorzijde: naar links gekeerd profiel van Cuypers in reliëf binnen omschrift. Keerzijde: opschrift binnen lauwerkrans.
Stilleven V
Object type: print
Date: 1976 – 1976
Materials: paper
Techniques: etching
Artist: lau heidendael
Artist role: print maker
Artist dates: 1946 – 
Inscriptions: title: ‘stilleven V’, signature and date: ‘L Heidendael 76’, edition: ‘26/50 e.a.’

Schedel en orchideeën op kast in het halfduister.
Schrijvende vrouw aan een tafel
Object type: page
Date: 1886 – 1896
Materials: paper
Techniques: autotype
Location: france
Subjects: handwriting, writing as activity, adult woman, table
Inscriptions: inscription: ‘CB’
Frans vaandel veroverd in de slag bij Spierbach, 1703
Object type: drawing
Date: 1713 – 1720
Materials: paper
Techniques: drawing, writing
Location: northern netherlands
Artist: Anonymous
Subjects: (military) flags and standards

Frans vaandel veroverd in de slag bij Spierbach, 1703. In het boek met tekeningen van Franse vaandels, standaarden en pauken, veroverd tijdens de Spaanse Successieoorlog (1701-1713).
Juglet
Object type: juglet
Date: 600 – 480
Materials: terracotta
Culture: cypriot

Miniature vase with handle crossing mouth, of unpainted clay.
Sprinkhaan
Object type: print
Date: 1716 – 1789
Materials: paper
Techniques: etching
Artist: pieter lyonet
Artist role: draughtsman, print maker
Artist dates: 1706 – 1789
Subjects: insects: grass-hopper
Inscriptions: collector's mark: Lugt 2228