deem-data/ArtiFact huggingface dataset:
Monju on a Lion
Object type: hanging scroll
Date: 1467 – 1500
Materials: ink, paper
Culture: japanese
Artist: shūsei
Artist role: artist
Artist nationality: japanese
Artist dates: 1467 – 1499
Subjects: lions,bodhisattvas,manjushri

Manjushri, the bodhisattva of wisdom known as Monjū in Japan, sits cross-legged on the back of his lion vehicle. He appears as a youth in flowing robes, his hair worn long and loose; one of his attributes, a scepter, lies casually on the ground before him. Although this work offers a decidedly carefree interpretation, its iconography is consistent with examples by painters affiliated with the Zen monastery Tōfukuji in Kyoto.
Oatsurae Kujiraobi
Object type: book
Date: 1826 – 1826
Techniques: woodblock print
Location: japan
Artist: utagawa kuninao
Artist role: artist
Artist nationality: japanese
Artist dates: 1793 – 1854
Panel
Object type: panel
Date: 1736 – 1795
Materials: silk
Culture: chinese
Subjects: plants
Schaal
Object type: dish
Date: 1650 – 1700
Materials: silver
Location: jakarta
Artist: Anonymous

Dish. Silver. Batavia, 1650 - 1700.
Vase
Object type: vase
Date: 1890 – 1890
Materials: porcelain
Culture: french
Artist: ernest chaplet
Artist role: designer
Artist nationality: french
Artist dates: 1835 – 1909
Still Life with Flowers
Object type: painting
Date: 1789 – 1789
Materials: canvas, oil
Artist: harmanus uppink
Artist role: draughtsman, painter
Artist dates: 1765 – 1791
Subjects: flowers, cut flowers; nosegay, bunch of flowers, still life of related objects, flowers in a vase
Inscriptions: signature and date: ‘Hs. Uppink 1789’

Stilleven met bloemen. Bloemstuk met tulpen, anjers, rozen, papavers, kamperfoelie en irissen, op de achtergrond een landschap met een boog.
Compositie met gevelstenen in de Zandstraat 31b en de Oudezijds Voorburgwal 3
Object type: drawing
Date: 1865 – 1930
Materials: ink, paper
Techniques: brush, pen
Location: amsterdam
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: stone tablet in façade
Inscriptions: signature: ‘Jb. v L’, inscription: ‘Zandstraat./ O.Z. voorburgwal.’, collector's mark: ‘60 145’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Beeldhouwkunst - Gevelstenen.
The Burning of Sodom (formerly "The Destruction of Sodom")
Object type: painting
Materials: canvas, oil
Artist: jean-baptiste-camille corot
Artist role: artist
Artist nationality: french
Artist dates: 1796 – 1875
Subjects: men,women,fire

This biblical scene shows an angel in the sky hurling fire and brimstone down upon Sodom, to destroy the city for its wickedness. At the left, another angel leads Lot and his two daughters to safety. Behind them, Lot's wife, who looked back in regret despite a warning, has become a pillar of salt. Years after Corot exhibited the painting at the Paris Salon of 1844, he cut it down substantially, reducing the sky and the landscape at right. He repainted the foreground in a darker palette and exhibited the revised canvas at the 1857 Salon. By then his stature ensured a better reception from the critics.
Guan Yu
Object type: hanging scroll
Date: 1700 – 1700
Materials: gold, ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men

Guan Yu (d. A.D. 219), a warrior of the late Han dynasty (206 B.C.–A.D. 220) renowned for his valor and faithfulness, was later venerated as a saint in the Daoist pantheon. Elevated to the rank of emperor (di) by the Wanli emperor (r. 1573–1620) of the Ming dynasty, Guandi, as he was thenceforth known, served as a virtual patron saint of the Manchu rulers of the Qing dynasty, who erected numerous shrines in his honor throughout China. In this image, Emperor Guan is shown descending from the heavens accompanied by his two attendants. He is identified by an inscription written in gold in the upper right: “Overseer of the Gate, Sage-Emperor Lord Guan.” The painting, which comes from a set of religious images used in “water and land” (shuilu) rituals, is distinguished by its high level of craftsmanship, intricate detail, and lavish use of mineral pigments. An inscription in the lower right, “Respectfully commissioned by the imperial prince Zhuang,” shows that the painting was the product of the imperial workshop. Judging from its style, it was probably commissioned by the first holder of that title, the powerful Manchu prince Boggodo (1650–1723), whose grandfather Abahai (1592–1643), was the Qing dynasty founder.
Vase with Butterflies
Object type: vase
Date: 1867 – 1900
Materials: porcelain
Techniques: overglaze, underglaze
Culture: japanese
Artist: katō tomotarō
Artist role: artist
Artist nationality: japanese
Artist dates: 1851 – 1916
Subjects: butterflies
Portret van Johann Kaspar Lavater
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: engraving
Artist: jan willem paulus
Artist role: print maker
Subjects: johann caspar lavater, historical persons
Inscriptions: number: ‘424’
Koningin Victoria in haar rijtuig in een park, Frankrijk [?]
Object type: photograph
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: nice
Artist: claudius couton
Artist role: fotograaf
Inscriptions: caption, signature: ‘[...] COUTON//NICE’

Koningin Victoria in haar rijtuig in een park, met personeel en twee gardes.
Portret van François Joseph Navez
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: painter, print maker, draughtsman, françois joseph navez, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie van zestig prenten.
Zes taler, noodmunt geslagen door de verbonden prinsen van Silezië
Object type: siege coin
Date: 1621 – 1621
Materials: silver
Techniques: striking
Location: głogów
Artist: Anonymous
Subjects: silezië, dertigjarige oorlog

eenzijdige, ruitvormige noodmunt met afgeronde hoeken. Voorzijde: drie stempels: onder en boven: twee hismerken; midden: adelaar met gespreide vleugels en voor zich een met kruis bekroonde halve maan tussen jaartal binnen omschrift. Keerzijde: blanco
Miniature Votive Spearhead,  Arrowhead, or Central Axis of a Vajra
Object type: miniature votive spearhead
Date: 1601 – 1800
Materials: gold, iron, silver
Culture: tibetan
Location: tibet
Brief aan Philip Zilcken
Object type: letter
Date: 1901 – 1901
Materials: ink, paper
Techniques: pen, writing
Location: oostende
Artist: james ensor
Artist role: print maker
Artist dates: 1860 – 1949
Subjects: the hague, painter, draughtsman, philip zilcken, the graphic arts, money
Inscriptions: collector's mark: ‘RPK’, watermark
Ruiters op de Quai de la Conférence, Parijs
Object type: carte de visite
Date: 1865 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, paris
Inscriptions: inscription: ‘Quai de la Confèrence/ Paris’
Gezicht op de Witte Poort te Leiden
Object type: cabinet photograph
Date: 1860 – 1864
Materials: cardboard, photographic support
Techniques: albumen print
Location: leiden
Artist: jan goedeljee
Artist role: fotograaf
Artist dates: 1824 – 1905
Subjects: city-gate
Inscriptions: inscription: ‘J. Goedeljee (...) Leiden/ Hoogewoerd 160/ naby de Plantage’, annotation: ‘Leiden/ koepoort, afgebroken’, inscription: ‘J. Goedeljee/ Leiden/ 66’
Arles, Porte des Châtaignes
Object type: photograph
Date: 1852 – 1852
Techniques: paper negative, salted paper print
Artist: charles nègre
Artist role: artist
Artist nationality: french
Artist dates: 1820 – 1880
Subjects: architecture,towns
Sampler
Object type: sampler
Date: 1749 – 1749
Materials: linen, silk, wool
Subjects: men
Bottle with Bamboo and Plum Motifs
Object type: vessel
Materials: porcelain
Techniques: underglaze
Location: korea
Vrouw met kanten kraag en strik in het haar
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: etching
Location: london
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: anonymous historical person portrayed alone - bb - woman, neck-gear: collar (+ women's clothes), bow (ornamental part of clothing)
Inscriptions: collector's mark: Lugt 654, inscription

De prent maakt deel uit van een 13-delige serie met vrouwenbusten in medaillons.
Head of a Dominican Nun: Study for the Ecstasy of Saint Dominic
Object type: drawing and watercolor
Date: 1673 – 1675
Materials: chalk, paper
Location: italy
Artist: domenico maria canuti
Artist role: artist
Artist nationality: italian
Artist dates: 1625 – 1684
Portrait of a Woman, Called Maria Taylor Byrd
Object type: painting
Date: 1700 – 1725
Materials: canvas, oil
Culture: american
Artist: sir godfrey kneller
Artist role: artist
Artist nationality: german
Artist dates: 1646 – 1723
Subjects: portraits,women
Two Female Figures in Interlaced Cartouche Design for Door Knocker
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Techniques: brush, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: cartouches,women
Abraham Bloemaert
Object type: print
Date: 1610 – 1610
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: jacob matham
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1631
Inscriptions: Lettered around oval frame: "Abrahamus Bloemaert pictor ... 1610"; and lower center: "Cum privil. Sa. Cae. M. P. Morelsen pinxit ad vivum I. Matham sculp. et excud."
Miss Darly, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Het nieuw Nederlandsch ganzen-spel
Object type: game of goose
Date: 1874 – 1874
Materials: paper
Techniques: letterpress printing, lithograph
Location: arnhem
Subjects: goose-game, children's games and plays, board-games of chance, board-games
Inscriptions: collector's mark: Lugt 2760

Ganzenbordspel met vakjes in een spiraal, genummerd van 1 tot en met 63. Op het middenveld een voorstelling van een groep kinderen staand rond een tafel die een spelletje ganzenbord speelt. In de hoeken kinderen, harlekijn en ganzen. In de ondermarge de spelregels in drie kolommen. Boven de titel.
De val en verlossing van de mensheid
Object type: print
Date: 1506 – 1538
Materials: paper
Techniques: woodcut
Location: germany
Artist: albrecht altdorfer
Artist role: draughtsman, print maker
Artist dates: 1480 – 1538
Subjects: crucified christ with mary, john, and mary magdalene
Inscriptions: number: ‘58’

Christus aan het kruis. Maria, aan de voet van het kruis, is bezweken. Zij wordt ondersteund door Johannes en Maria Magdalena. Dertigste prent uit een serie van veertig.
Portret van Wilhelm Leyser
Object type: print
Date: 1699 – 1699
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann christoph boecklin
Artist role: print maker
Artist dates: 1657 – 1709
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Leyser, Wilhelm. Systema thetico-exegeticum (...) [uitgegeven door] Johann Georg Neumann. Wittenberg: Johann Wilhelm Meyer en Gottfried Zimmermann, 1699.
Pelargonium pulchellum Sims (Nonesuch pelargonium)
Object type: drawing
Materials: chalk, paper, pencil, watercolor
Techniques: brush
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Subjects: plants; vegetation
Inscriptions: annotation: ‘geranium’

De tekening is gemaakt voor of tijdens een van Gordon's vier expedities door de Kaapprovincie, van oktober 1777 tot maart 1786.
Sommige (soort)namen kunnen zijn gewijzigd, gezien reorganisatie in plantentaxonomie gedurende de afgelopen jaren.
The Stoning of Stephen
Object type: copper plate
Date: 1635 – 1635
Materials: copper
Techniques: etching
Location: amsterdam
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669

The image on Rembrandt’s copper plate is in reverse with respect to the prints, the unavoidable outcome of the printing process. Rembrandt did not seem to take this into account beforehand, although he did inscribe his name in reverse on the plate. This copper plate offers a pure picture of how he initially conceived the composition. Here Stephen appears even more prominently as the centre of the composition than in the etching.
Gezicht op de Westminster Bridge
Object type: book illustration
Date: 1831 – 1837
Materials: paper
Techniques: etching
Location: london
Subjects: rowing-boat, canoe, etc., bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 2228

Prent uit: Fearnside, W.G. Eighty Picturesque Views of the Thames and Medway (...). Londen: Black & Armstrong, [ca. 1831-1837].
Soldaat richt en vuurt de roer (nr. 11), ca. 1600
Object type: print
Date: 1597 – 1608
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die een roer (een bepaald type vuurwapen) met beide handen horizontaal houdt, richt en vuurt (nr. 11), ca. 1600. Plaat 11 in de instructies voor het hanteren van de roer: Brief enseignement, sur la representation des figures, du droit maniement de l'Harquebuse. Onderdeel van de illustraties in een Franse editie van J. de Gheyns Wapenhandelinghe: J. de Gheyn, Maniement d'armes, d'arquebuses, mousquetz et piques : en conformité de l'ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. Krijgswezen rond 1600.
[House and Picket Fence]
Object type: photograph
Date: 1850 – 1859
Techniques: paper negative, salted paper print
Artist: Anonymous
Artist role: artist
Subjects: houses

Many of the most beautiful, charming, and engaging photographs of the nineteenth century survive today divorced from their original historical context. Calotypes especially, because they were so often made for private purposes, usually lack the printed mounts that commonly identify the subject and maker of photographic views produced for commercial distribution. This inviting scene of quiet domestic life survives in a single, exceptionally well-preserved example acquired by the Metropolitan Museum in 1946 as part of a large group of unidentified calotypes found at Malmsbury House, an estate near Talbot's home, Lacock Abbey.
Dichter aan het werk
Object type: titelblad, titelpagina
Date: 1694 – 1715
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: bard, lyric poet (+ artist at work)
Inscriptions: collector's mark: Lugt 2228

Een dichter is bezig met het schrijven van de zede- en harpgezangen. Voor hem op tafel liggen twee open boeken, in zijn hand houdt hij een schrijfveer. Tegen de boekenkast leunt een harp.
Gold disk earring with a female head and cone pendants
Object type: disk earring with female head and cone pendant
Date: 350 – 300
Materials: gold
Culture: greek
Subjects: heads,women
Micro-opname van de vezel van phragmites
Object type: photomechanical print
Date: 1890 – 1900
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: plants and herbs: reed
Inscriptions: number: ‘XVI’
Portret van een jongen met een speelgoed paard
Object type: album leaf
Date: 1892 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: machiel hendricus laddé
Artist role: fotograaf
Artist dates: 1866 – 1932
Subjects: (playing with) toy animals, historical persons, toddler (male)
Inscriptions: inscription: ‘Fotografie/ Artistique/ M. H. Laddé/ AMSTERDAM/ Nieuwendijk 57-59/ boven de Firma MERKELBACH&Co/ Het Cliché wordt voor verdere bestellingen bewaard.’
Cup and Saucer
Object type: cup and saucer
Date: 1785 – 1790
Materials: porcelain
Culture: chinese
Location: china
Subjects: birds,coat of arms

This object belongs to a large dinner service (10.149.1–.248) bearing the Townley family coat-of-arms. The service, probably ordered by Justice Samuel Chase (1741–1811) of Annapolis, Maryland, displays the enamel-painted arms of Margaret Townley, Chase's aunt.
Bronze phallic amulet
Object type: amulet, grotesque ornament
Date: 1 – 100
Materials: bronze
Culture: roman

The form of this phallic amulet is unique. Commonly, the phallus and arm project from a central pubis or scrotum. On this unusual pendant, the two extensions meet at a central cylinder, creating the appearance of arms extending from a torso.
Young peasant woman
Object type: crèche figure
Date: 1790 – 1820
Materials: glass, linen, silk, terracotta, fiber, metal
Techniques: polychrome
Subjects: women
Mirror with Sconces, in Chippendale Drawings, Vol. I
Object type: drawing ornament architecture
Date: 1753 – 1762
Materials: graphite, ink
Techniques: wash
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: ornament,mirrors
Piece
Object type: piece
Date: 1720 – 1730
Materials: silk
Subjects: leaves
Proportiestudie van een vrouw
Object type: drawing
Date: 1812 – 1861
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: standing figure (canon, proportions) - aa - female human figure, anatomy (non-medical) - aa - female human figure
Pendant
Object type: pendant
Date: 501 – 700
Materials: gold
Culture: langobardic
Skirt
Object type: skirt
Date: 1701 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: dragons
Tile
Object type: tile
Date: 1701 – 1900
Techniques: glazing
Subjects: men,drums,flags
Évocation de Kundry
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: lithography
Location: paris
Subjects: opera
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228a

Scène uit de opera Parsifal van Richard Wagner.
Assemblage of pendants
Object type: plaque
Date: 701 – 733
Materials: bronze, jade
Culture: chinese

This reconstruction of a composite jade pendant represents a type originally suspended from a woman’s belt, as confirmed by depictions in Tang murals and stone engravings.
Gezicht op een rietgedekte hoeve
Object type: print
Date: 1838 – 1888
Materials: paper
Techniques: etching, intaglio
Artist: jean pierre françois lamorinière
Artist role: print maker
Artist dates: 1828 – 1911
Subjects: farm or solitary house in landscape, farm (building)
Inscriptions: collector's mark: Lugt 2228
Vues d'Italie
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: paris
Subjects: landscapes, anchorite, hermit, mount vesuvius
Inscriptions: collector's mark: Lugt 2228
Portret van Joës Andreas Offerman
Object type: print
Date: 1789 – 1822
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan willem caspari
Artist role: print maker
Artist dates: 1779 – 1822
Subjects: priest
Inscriptions: collector's mark: Lugt 2228

Portret in ovale lijst van Joës Andreas Offerman, een priester uit Amsterdam. Buste naar rechts. Offerman draagt een soutane met een witte priesterboord.
Beaker
Object type: beaker
Date: 1840 – 1850
Materials: gilt, glass
Techniques: cutting, engraving, polish
Artist: friedrich egermann
Artist role: maker
Artist nationality: czech
Artist dates: 1777 – 1864

Engraved with the girl's name Mina.
Sleutel
Object type: key
Date: 1700 – 1700
Materials: iron
Location: france

Sleutel met waaiervormige greep bestaande uit bladvoluten. De schacht verdikt zich bij de baard en eindigt in een profilering.
Mr. Garrick in "Richard the Third"
Object type: print
Materials: paper
Techniques: mezzotint
Location: england
Artist: john dixon
Artist role: artist
Artist nationality: irish
Artist dates: 1740 – 1811
The Attarouthi Treasure - Chalice
Object type: chalice
Date: 500 – 650
Materials: gilt silver, silver
Culture: byzantine
Location: syria
Subjects: bishops,saints

With Saint John the Forerunner, a deacon saint (probably Saint Stephen), a bishop saint, and crosses Inscribed in Greek: Of Saint John of the village of Atarothis The figure carrying a Gospel book and swinging a censer to cense and honor the text is probably Saint Stephen. One of the first seven deacons of the Christian church and its first martyr (Acts of the Apostles 6 and 7), he was a popular saint throughout the Christian world in this period.
Militairen waaronder mogelijk een buitenlandse waarnemer bij een auto in Frankrijk
Object type: album leaf
Date: 1902 – 1902
Materials: paper, photographic support
Techniques: daylight paper print
Location: france
Artist: Anonymous
Subjects: manoeuvre ~ military training, land forces, automobile, france

Onderdeel van Fotoalbum van een legeroefening in Zuidwest-Frankrijk in 1902.
Design for the Corner of a Painted Ceiling seen in  Perspective
Object type: drawing
Date: 1700 – 1780
Materials: graphite, ink, drawing material
Techniques: brush, pen, wash
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Toegangspoort van de kloosterkerk Certosa di Pavia te Pavia, Italië
Object type: photograph
Date: 1856 – 1881
Materials: cardboard, paper
Techniques: albumen print
Location: pavia
Subjects: gate, entrance
Inscriptions: inscription: ‘Brogi (t)’, number: ‘4613.’, number: ‘13’
Portrait of Sultan Ahmet I (r. 1603–17)
Object type: illustrated album leaf
Date: 1601 – 1633
Materials: gold, ink, paper, watercolor
Location: turkey
Subjects: men,portraits

The Ottoman interest in royal portraiture expressed itself in the production of illustrated manuscripts and albums containing images of the succession of sultans. This painting, from an album containing a series of similar sultan portraits, has been identified as a depiction of the early seventeenth-century Ottoman sultan Ahmet I.
Fotoreproductie van een tekening van een landschap met grove dennen
Object type: reproduction
Date: 1866 – 1879
Materials: photographic support
Techniques: albumen print
Location: munich
Artist: johann fischbach
Artist role: painter
Artist dates: 1797 – 1871
Subjects: trees: pine
Berne
Object type: photograph
Date: 1850 – 1883
Materials: cardboard, paper
Techniques: albumen print
Location: bern
Artist: florentin charnaux
Artist role: publisher
Artist dates: 1819 – 1883
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘Maison des Trois Rois/ F. Charnaux/ Genève’, inscription: ‘No. 123 Berne.’, number: ‘No 161’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, left calf and foot with fillet and greave
Nude Warrior with Helmet, Spear and Sword
Object type: statuette
Date: 1567 – 1600
Materials: bronze
Subjects: helmets,spears,swords,male nudes,warriors
Daisy Murdoch, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: bow and arrow,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, torso, genitals, and legs of a dancing komast to right, with a himation draped around his back and over his forearm, balancing a kylix in his left hand; Exterior, youth wearing a himation with his left arm bent and his right hand holding a branch; part of lower torso, arm, genitals, and legs of a collapsing youth; right foot of a figure to left; head and raised bound forearm of boxer to left