deem-data/ArtiFact huggingface dataset:
Rocaille motieven met stokknop
Object type: ornament print
Date: 1727 – 1775
Materials: paper
Techniques: etching
Location: augsburg
Subjects: rocaille ornament, chandelier, candelabrum
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Rocaille ornamenten, twee driearmige rocaille wandkandelaars en een geornamenteerde stokknop. Uitgeversnummer 96.
Dress
Object type: dress
Date: 1895 – 1899
Materials: cotton, linen
Culture: american or european
Landschap met boerderijen en schapen
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: drypoint, etching, intaglio, retroussage
Location: new york city
Subjects: landscapes, sheep, farm or solitary house in landscape, farm (building)
Inscriptions: inscription: ‘Geschenk van den Heer. K.H. de Haas / te Rotterdam’, collector's mark: Lugt 2228
Paardenploeg
Object type: drawing
Date: 1823 – 1894
Materials: chalk, paper
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Flandria Gallica continens castellanias Insulensum (...)
Object type: map
Date: 1633 – 1633
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of separate countries or regions, coat of arms (as symbol of the state, etc.) (+ province; provincial), lille

Kaart van Frans-Vlaanderen. Linksonder de titelcartouche, met bovenin een figuur met het wapen van Lille, en om de cartouche heen figuren met de wapens van kasselrijen in Frans-Vlaanderen. Onderin de cartouche twee schaalstokken: Milliarie Germau: commune / Milliare Gallicum commune. De kaart is voorzien van een coördinaten-net en een gradenverdeling langs de randen.
Seleucus kroont Antiochus
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: etching
Location: netherlands
Subjects: theatre, theatrical performance, antiochus i (soter) and stratonice: by taking antiochus' pulse when stratonice enters the room, the physician discovers that the love for his stepmother is the cause of his illness (king seleucus subsequently hands his kingdom and his wife over to his son), title-page, throne-room
Inscriptions: collector's mark: Lugt 2228

Seleucus kroont zijn zoon Antiochus in de troonzaal tot koning, nadat Antiochus verliefd is geworden op zijn stiefmoeder Stratonica. Stratonica staat naast hem. Verschillende hovelingen kijken toe. Boven theatergordijnen en een cartouche met de titel.
Figuurstudies
Object type: sketchbook leaf
Date: 1840 – 1860
Materials: paper, pencil, watercolor
Techniques: brush
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: head (human), reading

Onder andere studies van een zittende lezende man en een vrouw met een omslagdoek. Blad 22 recto uit een schetsboek met 38 bladen.
Pantaloon
Object type: figure
Date: 1743 – 1744
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men
Wall painting from Room F of the Villa of P. Fannius Synistor at Boscoreale
Object type: wall painting
Date: 50 – 40
Techniques: fresco
Culture: roman
Subjects: columns
Knob
Object type: knob
Date: 900 – 801
Materials: ceramic, glaze
Culture: iranian
Location: iran
Water Jar with Lin Hejing (Lin Bu) and His Pet Crane
Object type: water jar
Date: 1834 – 1866
Materials: porcelain
Techniques: underglaze
Culture: japanese
Subjects: houses,bridges,landscapes,trees
Fragment with Archbishop (from the Heroes Tapestries)
Object type: tapestry
Date: 1400 – 1410
Materials: wool
Culture: south netherlandish
Subjects: men
Canapé
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
La Loi/ Le foible trouve sa force dans la Loi qui le protège
Object type: print
Date: 1789 – 1799
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: justitia (justice) as roman personification, justice; 'forza alla giustitia sottoposta', 'giustitia', 'giustitia retta', 'giustitia rigorosa', 'impietà e violenza soggetta alla giustitia' (ripa), innocence; 'innocenza', 'innocenza o purità' (ripa)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Sash or Scarf Fragment (?)
Object type: costume and accessory
Date: 1601 – 1700
Techniques: embroidery
Location: turkey
Decanter with stopper (one of a pair)
Object type: decanter with stopper
Date: 1767 – 1800
Materials: glass
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, part of a draped male wearing a himation, holding a stick in his right hand; extended arm of a second figure holding a stick?
Handkerchief
Object type: handkerchief
Date: 1876 – 1900
Materials: silk
Culture: philippine
Subjects: flowers
Beam
Object type: beam
Date: 1401 – 1700
Materials: wood
Techniques: carving
Culture: european
The Courtesan Emu of the Matsuya Brothel as a Cormorant Fisherwoman (Ukai Matsuya Emu), from the series “A Costume Parade in the Shimanouchi District” (Shimanouchi nerimono)
Object type: woodblock print nishiki e
Date: 1836 – 1836
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: shunbaisai hokuei 春梅斎北英
Artist role: artist
Artist nationality: japanese
Artist dates: 1829 – 1837

Emu, a courtesan of the Matsuya brothel, is shown cross-dressed as a cormorant fisherman for a costume parade held in the Shimanouchi district of Osaka. Standing above a pair of cormorants, she holds the type of a torch that would have been used at night to attract fish, which would then be temporarily caught by the birds. The long necks of the cormorants were tied so that could not fully swallow the fish they caught, allowing the fishermen to retrieve the catch. The headgear, costume, and straw apron (koshi mino) are based on a theatrical adaptation of an actual fisherman’s outfit, as used for the Noh play Cormorant Fisherman (Ukai), which is still performed to this day.
Rooster voor de organisatie van de Amsterdamse schutterij, ca. 1790
Object type: text sheet
Date: 1786 – 1793
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: dirk schuurman
Artist role: printer, publisher
Subjects: insignia; division of armed forces; ranks (+ citizen soldiery, civil guard, citizen militia), amsterdam, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Rooster voor de organisatie van de Amsterdamse schutterij, ca. 1790. Tekstblad met kolommen voor de compagnieën, wijken, aantallen manschappen, commanderende officieren, data in de maanden september en oktober en vertegenwoordigers.
Portret van Prinses Beatrix voorlezend achter microfoon
Object type: photograph
Date: 1956 – 1956
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Subjects: beatrix (koningin der nederlanden)
Inscriptions: annotation: ‘H.K&gt;H. Prinses Beatrix heeft via de radio een dankwoord gesproken tot het Nederlandse volk voor de blijken van medeleven ondervonden op haar 18-de verjaardag. FOTO-ANEFO 1-2-1956. Donderdag 2 februari vrij voor publicatie’
Netsuke of Rabbit
Object type: netsuke
Date: 1901 – 2000
Materials: crystal, wax
Culture: japanese
Subjects: rabbits
Handle Spout Vessel in the Form of a Anthropomorphic Owl with Arms Crossed over Chest
Object type: vessel
Date: 100 – 500
Materials: ceramic, paint, pigment
Culture: moche
Location: peruvian north coast
Fotoreproductie van een tekening van een man die een vrouw in de keuken verrast en haar nek kust
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: kitchen, (lovers) kissing each other
Aanvaarding van het Hoog Bewind door het Driemanschap in naam van de prins van Oranje, 21 november 1813
Object type: print
Date: 1863 – 1865
Materials: paper
Techniques: lithograph, hand coloring
Location: haarlem
Subjects: the hague, berlin, william i of the netherlands, rotterdam, gijsbert karel graaf van hogendorp, lille
Inscriptions: collector's mark: Lugt 2228

De aanvaarding van het Hoog Bewind door het Driemanschap in naam van de prins van Oranje door A.F. van der Duyn, G.K. van Hogendorp en L. van Limburg Stirum namens de prins van Oranje, Den Haag, 21 november 1813. Samenkomst ten huize van Van Hogendorp waarbij de eed op een Oranjevlag wordt afgelegd, hierbij zijn ook aanwezig: Kemper, Fannius Scholten en F.D. Changuion.
Tweehonderdenvijftigjarig bestaan van de universiteit van Utrecht
Object type: history medal
Date: 1886 – 1886
Materials: bronze
Techniques: striking
Location: utrecht
Subjects: brussels, willem iii (koning der nederlanden), utrecht
Inscriptions: circumscription: ‘L ÆTA . SÆCVLA . SVRGANT . FAVSTA . SVB . LVCE.’, inscription: ‘CELEBRANDIS QVINTIS SEMISÆ CVLARIB . VNIV . RHENO - TRAIECT . AVSPICIIS R. AVG . GVILIELMI III P.P.F. Ao MDCCCLXXXVI’, signature: ‘W. SCHAMMER . F.’, inscription: ‘SOL IVSTITIÆ ILLVSTRA NOS’

Bronzen penning. Voorzijde: staande tussen twee gekroonde wapenschilden, elk binnen lauwerkrans onder opschrift heft gehelmde Minerva met speer en palmtak in linkerhand, haar rechterhand op naar stralende zon binnen omschrift. Keerzijde: opschrift binnen eikekrans.
Octagonal plate with floral pattern
Object type: plate
Date: 1701 – 1800
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: lotuses
Mansportret, naar links
Object type: drawing
Date: 1705 – 1754
Materials: chalk, paper, pencil
Techniques: brush
Artist: jacob de wit
Artist role: draughtsman, painter, print maker
Artist dates: 1695 – 1754
Subjects: head (human), anonymous historical person portrayed alone
Francesco Mazzoli Parmigiano
Object type: book illustration
Date: 1768 – 1775
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: philipp kilian
Artist role: print maker
Artist dates: 1628 – 1693
Subjects: painter, print maker, draughtsman, parmigianino, historical persons, portrait, self-portrait of painter

Prent uit: Sandrart, Joachim von. Teutsche Academie der Bau- Bildhauer- und Maler-Kunst: worinn die Regeln und Lehrsätze dieser Künste gegeben. 14 dln. Neurenberg: erven Johann Andreas Endter, [1774], dl. 7, p. P.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 322.
Jozef Klemens, prins-bisschop van Luik draagt in de Jezuietenkerk te Rijssel zijn eerste mis op
Object type: jeton
Date: 1707 – 1707
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: priest, lille

Koperen penning. Voorzijde: kelk met hostie boven twee ineen geslagen handen uit wolken binnen omschrift. Keerzijde: opschrift binnen bladerkrans
Band voor een album voor Prof. Hugo de Vries
Object type: binding
Date: 1918 – 1918
Materials: cardboard, leather
Techniques: gold embossing
Artist: Anonymous
Subjects: hugo de vries, flowers ~ ornament
Inscriptions: annotation: ‘band van album./ Prof Hugo De Vries’

Proefband van een album voor professor Hugo de Vries met portretten van binnen- en buitenlandse vakgenoten.
Koningin Wilhelmina, prinses Juliana en prins Bernhard in een rijtuig voor het paleis op de Dam in Amsterdam
Object type: photograph
Date: 1936 – 1938
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: sem presser
Artist role: fotograaf
Artist dates: 1917 – 1986
Subjects: the hague, print maker, wilhelmina of the netherlands, utrecht, bernhard (prins der nederlanden), juliana of the netherlands, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, ruler, sovereign - bb - female ruler
Inscriptions: stamp: ‘copyright algemeen nederlands fotopersbureau Paleisstraat 17 Amsterdam-c’
De exercitie met de targe en rapier: de soldaat houdt de targe iets naar voren om de rapier te kunnen trekken (nr. 4), 1618
Object type: print
Date: 1616 – 1618
Materials: paper
Techniques: engraving, hand coloring
Location: northern netherlands
Artist: Anonymous
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Illustratie in: Adam van Breen, Nassauische Waffenhandelung / Kurtzer Bericht unnd Ahnzeigungh auff die Ab-bildungh der Figuren / den rechten brauch alles des jenigen betreffend / so einem Soldaten von nöten / in der handlung der Targa, met dem Degen [incompleet exemplaar], 1618?, plaat 4. Dit is een Duitse editie van Adam van Breens De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe : beyde figuerlick afgebeelt, ende gestelt na de nieu ordening [van] ... Maurits van Nassau, 's-Gravenhage, [Aert Meuris] 1618. In het exemplaar in de collectie van de Rijksmuseum Research Library (326 F 23).
Maria I Stuart wordt geblinddoekt om onthoofd te worden
Object type: print
Date: 1768 – 1823
Materials: paper
Techniques: etching
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: historical persons, violent death by beheading
Inscriptions: collector's mark: Lugt 2228

Maria I Stuart, koningin van Schotland, wordt door twee hofdames geblinddoekt. Ze wordt onthoofd op bevel van koningin Elisabeth I van Engeland. Een priester spreekt haar toe. De beul staat klaar op het schavot. Een jongen geeft hem de bijl aan.
A Party of Geisha in a Suzumi-bune, i.e. "cooling-off boat."  (Second Scene of a Boating Party)
Object type: print
Date: 1796 – 1796
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: eishōsai chōki
Artist role: artist
Subjects: musical instruments,women,boats
Weymouth, Shetland, and Orkney
Object type: book
Date: 1874 – 1874
Location: england
Artist: charles george lewis
Artist nationality: english
Artist dates: 1808 – 1880
Niederwalddenkmal nabij Rüdesheim
Object type: page
Date: 1889 – 1899
Materials: paper
Techniques: photoaquatint
Location: hessen
Artist: Anonymous
Subjects: landscape with monument
Inscriptions: title: ‘The "Germania" National Monument, Niederwald.’
Mat (from a set of table linens)
Object type: mat
Date: 1867 – 1900
Materials: linen
Techniques: lace
Subjects: men,women,flowers
Fragmentary marble head of a girl
Object type: portrait head of a woman
Date: 138 – 161
Materials: marble
Culture: roman
Subjects: heads,portraits,women

Fragment of a portrait head of a woman. The forms of the face are delicate and nuanced. The mouth, with its full lips, appears slightly open, and the nose is highly individualized.
Bead
Object type: bead
Date: 301 – 700
Materials: copper alloy, enamel
Techniques: enamel
Culture: coptic
Location: egypt
De Dood met een vrouw over zijn schouder
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Artist: stefano della bella
Artist role: draughtsman, print maker
Artist dates: 1610 – 1664
Subjects: meeting between the (three) living and the (three) dead, death as skeleton
Inscriptions: collector's mark: Lugt 240

De Dood als een skelet met een vrouw over zijn schouder. Op de achtergrond een tweede skelet met een vrouw in zijn armen.
Enthroned Virgin and Child
Object type: statuette
Date: 1430 – 1430
Materials: wood
Techniques: gilding, polychromy
Culture: german
Location: germany

Combining qualities of sweetness and fragility, the popular theme of the “beautiful Madonna” was an appealing creation in central European art about 1400. This devotional statuette, carved in the later “soft style” of about 1420–40, may have adorned a domestic altar.
Brief aan Jan Veth
Object type: letter
Date: 1875 – 1925
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: designer, jan veth, alphons diepenbrock, painting (including book-illumination, miniature-painting), exhibition ~ art, paris
Inscriptions: collector's mark: ‘RPK’
Oude man spreekt twee geestelijken aan
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: old man, postures and gestures of the index finger
Inscriptions: collector's mark: Lugt 240

Een oude bebaarde man met wandelstok wenkt met zijn vinger twee geestelijken. De linker geestelijke haalt met licht geheven armen zijn schouders naar de oude man op.
Gezicht op de vestingwal van Gorinchem
Object type: book illustration
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: rowing-boat, canoe, etc., city-walls, walls ~ fortified city

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 2, ill. 159.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Covered Bowl
Object type: bowl
Date: 1801 – 1900
Techniques: glassblowing
Culture: american
Location: united states
Man aan een tafel in een interieur, mogelijk Nehemia de Lieme
Object type: sketchbook leaf
Date: 1925 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: writing-table, writing-desk, historical persons, interior of the house

Achter hem ramen. Blad 23 verso en blad 24 recto uit schetsboek XXVI met 35 bladen.
Sculptuur van jagende Diana met hond
Object type: photograph
Date: 1880 – 1904
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: rome
Recueil de portraits (...)
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving
Location: paris
Artist: étienne desrochers
Artist role: print maker, publisher
Artist dates: 1668 – 1741
Subjects: priest, historical persons, physician, doctor
Inscriptions: number: ‘128’, inscription, collector's mark: Lugt 2228

Behoort waarschijnlijk tot een serie portretten, grotendeels door Etienne Desrochers, getiteld: 'Recueil de portraits de personnes qui se sont distinguées tant dans les Armes que dans Belles-Lettres et les Arts, comme aussi la famille royale de France et autres cours étrangères'. De serie werd initieel uitgegeven door Desrochers en aangekondigd in 'Mercure' in mei 1726, p. 985. Echter was Desrochers reeds enkele jaren eerder begonnen met het uitgeven van de serie. Na de dood van Desrochers werd de serie voortgezet door Gilles Edme Petit. Een latere staat werd uitgegeven door Jean François Daumont in Parijs.
Portrait of a Gentleman
Object type: painting, miniature
Date: 1807 – 1807
Materials: ivory, watercolor
Culture: british
Artist: horace hone
Artist role: artist
Artist nationality: british
Artist dates: 1749 – 1825
Subjects: men,portraits
Nun’s Badge with the Virgin of the Immaculate Conception
Object type: painting
Date: 1710 – 1710
Materials: copper, gold, oil, silver, shell
Culture: mexican
Artist: nicolás rodríguez juárez
Artist role: artist
Artist nationality: mexican
Artist dates: 1667 – 1734

Pictorial medallions like this one were worn by Conceptionist and Jeronymite nuns in Mexico at the time of their profession and on the occasion of important religious feasts. Worn over the heart, the badge was the visible symbol of the nun’s pact with the Virgin Mary, an act that referenced the Song of Solomon (8:6): "put me as a seal upon thy heart." The wearing of such badges by Mexican nuns was a practice that emerged in response to dress restrictions imposed by ecclesiastical authorities. Instructed to wear images of the Virgin of the Immaculate Conception on their habits instead of precious adornments that were condemned as contrary to their vows, some nuns responded by wearing large painted badges, often commissioned from leading artists like Nicolás Rodríguez Juárez.
Medal
Object type: medal
Date: 1853 – 1853
Materials: metal
Artist: anthony paquet
Artist role: maker
Artist nationality: american
Artist dates: 1814 – 1882
Subjects: eagles,george washington,men,profiles
Design for Vis-à-vis, no. 476
Object type: drawing
Date: 1870 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Alchemists
Object type: group
Date: 1770 – 1770
Materials: hard paste porcelain
Subjects: men
Sample of Telegraph Cable for Mines
Object type: sample
Date: 1865 – 1875
Materials: copper, plastic
Location: unknown
Artist: Anonymous

Oorspronkelijk hoorden er vijf monsters te zijn. Dit soort kabel werd gebruikt om de mijn elektrisch tot ontsteking te brengen.
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 425 – 401
Materials: terracotta
Culture: greek, attic

Part of the head of a balding, bearded satyr to right
Gezicht op de Lekpoort te Vianen
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Location: vianen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: gate, entrance
Inscriptions: annotation: ‘Vianen/ Lekpoort (binnen)’, annotation: ‘de Lekpoort (binnenzijde)/ Vianen’
Portret van Elisabeth Christine van Brunswijk-Bevern
Object type: print
Date: 1786 – 1833
Materials: paper
Techniques: engraving
Subjects: historical persons - bb - woman, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228