deem-data/ArtiFact huggingface dataset:
Portret van August Christian Bartels
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: head-gear, historical persons, old man
Inscriptions: collector's mark: Lugt 2228
Thomas Duncan and His Brother
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men
Vier spelende kinderen voor een winkel
Object type: book illustration
Date: 1883 – 1927
Materials: paper
Techniques: wood engraving, letterpress printing
Location: london
Subjects: shop, store, child (+ four persons), games using special objects (marbles, top, hoop, etc.)

Prent uit: Jane en Ann Taylor. Little Ann and other poems. Londen: George Routledge & Sons, [1883], p. 30. Of een latere uitgave.
Portretten van geleerden
Object type: print
Date: 1650 – 1652
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: engineer, historical persons, compasses, mathematics (+ portrait of scholar, scientist)
Inscriptions: inscription: ‘[...]1615’, inscription: ‘A’, inscription: ‘Feulhaber/ 13283’

Prent waarschijnlijk uit een deel van: Boissard, Jean Jacques. Bibliotheca chalcographica (...). Frankfurt am Main: Johannes Ammon, 1650-1652.
Study for The Oath of the Tennis Court: Bailly Standing on the Desk, Asking for a Vote
Object type: drawing and watercolor
Date: 1804 – 1805
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: france
Artist: jean pierre norblin de la gourdaine
Artist role: print maker
Artist nationality: french
Artist dates: 1745 – 1830
Buddha, from the Suite of Late Wood-Block Prints
Object type: print
Date: 1898 – 1899
Materials: ink, ivory, paper
Techniques: woodblock print
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Inscriptions: Monogrammed upper left, in block: "P G"; inscribed upper left, in block, in black ink: "1"
Portret van Johan Casimir van Palts-Lautern
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, ruler, sovereign
Portret van Arnoul de Loo
Object type: print
Date: 1713 – 1739
Materials: paper
Techniques: engraving
Location: france
Subjects: clergyman, bookshelves, reading, monastic orders, monastic life: benedictines, historical persons, monk(s), friar(s)
Inscriptions: collector's mark: Lugt 2228
Man op een kameel
Object type: cabinet photograph
Date: 1869 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: egypt
Subjects: hoofed animals: camel, anonymous historical person portrayed
Inscriptions: inscription: ‘Au Jardin/ de l'Esbékieh/ H. Délié & E. Béchard/ Caire/ Egypte/ Les Clichés Sont Conservés.’
Portret van Johannes Hus
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Coast of Maine
Object type: painting
Date: 1893 – 1893
Materials: canvas, oil
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: landscapes
Inscriptions: Signed, lower left: "Homer 93"

Winslow Homer observed the shoreline in various weather conditions and seasons after moving to live in near isolation in Prouts Neck, Maine, in 1883. Amid the remote and dramatic landscape, he depicted seascapes void of human life, focusing instead on an emotional response to nature. His marine scenes are larger than his earlier works, the size of the canvases emphasize the vastness and power of the sea. Homer alluded to the violence of water through the sharply diagonal shoreline and vigorous brushwork. The flat areas of color that he employed to represent the rugged rocks simultaneously hint at abstraction.
Fork
Object type: fork
Date: 1701 – 1800
Materials: bone, steel
Portret van Christiana Mariana von Ziegler
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Zuverlässige Nachrichten von dem gegenwärtigen Zustande, Veränderung und Wachsthum der Wissenschaften. dl. 2. Leipzig: Johann Friedrich Gleditsch, 1740.
Busteportret van Filips IV, koning van Spanje
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: filips iv (koning van spanje), crown (symbol of sovereignty), knighthood order of the golden fleece
Inscriptions: collector's mark: Lugt 2228

Busteportret van Filips IV, koning van Spanje. Hij draagt een keten met de Orde van het Gulden Vlies. Op de achtergrond een kroon. In de marge het wapenschild van de geportretteerde en een tweeregelig onderschrift in het Latijn.
Bowl with geese
Object type: bowl
Date: 1644 – 1911
Materials: enamel, porcelain
Techniques: overglaze, painting, underglaze
Culture: chinese
Subjects: birds,flowers
Espagne
Object type: page
Date: 1839 – 1841
Materials: paper
Techniques: aquatint
Location: paris
Subjects: palace, façade of inner court, ornamental fountain
Inscriptions: inscription: ‘Rittner & Goupil Boulevd Montmartre 15’, inscription: ‘Hr. Bossance Quai Voltaire 11’, inscription: ‘N.P. Lerebours Place du Pont Neuf 15’
Clapper Rail, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Game Birds" series (N13), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Merklap van linnen. De merklap maakt deel uit van negen merklappen van verschillende grootten
Object type: merkdoek, merklap
Date: 1750 – 1800
Materials: linen
Techniques: embroidered
Location: south holland

Merklap van linnen. De merklap maakt deel uit van negen merklappen van verschillende grootten (BK-NM-10759-A t/m BK-NM-10759-I).
Stamp seal
Object type: stamp seal
Date: 401 – 600
Materials: marble
Culture: sasanian
Location: iran or mesopotamia
Terracotta jug
Object type: jug
Date: 50 – 1
Materials: terracotta
Culture: roman
Subjects: human figures

Trefoil mouth and grotesque human figures in relief.
The Triumph of Galatea
Object type: length
Date: 1826 – 1850
Materials: cotton
Subjects: women,galatea,putti
Le casino de Scheveningen
Object type: photograph
Date: 1870 – 1884
Materials: cardboard, photographic support
Techniques: albumen print
Location: scheveningen
Artist: Anonymous
Subjects: public baths, façade (of house or building)
The Social Evening, from "The Vicar of Wakefield"
Object type: print
Techniques: aquatint, etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: interiors,children,men,women,dogs,musicians,servants,games

The Vicar of Wakefield was written by Oliver Goldsmith between 1761–62, published in 1766, and later illustrated with twenty-four designs by Thomas Rowlandson in 1817.
Mold for a Sun Disk Flanked by Uraeus Cobras
Object type: mold, amulet, sun disk and uraeus cobra
Date: 1390 – 1352
Materials: pottery
Location: egypt
Sleutel
Object type: key
Date: 1600 – 1699
Materials: iron

Sleutel waarvan de schacht boven de schijf in een lusvormig oog eindigt. De baard is een open vierhoek.
VOC, duit stad Utrecht,1776
Object type: coin
Date: 1776 – 1776
Materials: copper
Techniques: striking
Location: utrecht

Koperen munt. Voorzijde: op balk, waaronder guirlande, geplaatst, door twee leeuwen gehouden gekroond wapenschild van de stad Utrecht. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Untitled (Portrait of a Man Wearing a Hat, Holding a Mining Pan)
Object type: photograph
Date: 1854 – 1854
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, photography, portrait, portraits, portraits: male subject, gold mining, gold rush
Manuscript Leaf with Initial A, from a Gradual
Object type: gradual
Date: 1426 – 1450
Materials: ink, metal leaf, parchment, paint
Culture: german
Location: germany
A Heath
Object type: print
Date: 1831 – 1831
Materials: ink, paper
Techniques: mezzotint
Location: england
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 460
Materials: terracotta
Culture: greek, attic

Exterior, ears, head, and part of neck of horse; in front of horse's face, spear from rider?
Drie molens in een waterlandschap
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: drypoint, etching
Artist: henri wouters
Artist role: draughtsman, print maker
Artist dates: 1866 – 1935
Subjects: swamps and polders, windmill in landscape
Inscriptions: collector's mark: Lugt 2166
Fotoreproductie van een schilderij van Napoleon Bonaparte in Fontainebleau, 31 maart 1814 door Paul Delaroche
Object type: photograph
Date: 1861 – 1878
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: napoleon i (emperor of the french), standing figure, historical persons
Inscriptions: inscription: ‘PHOTOGRAPHIE GOUPIL & Cie/ PARIS, 19, Bd Montmartre./ LONDRES-LA HAYE-BERLIN-NEW YORK’
Portret van Hugues de Lionne
Object type: print
Date: 1649 – 1670
Materials: paper
Techniques: engraving
Artist: moritz lang
Artist role: draughtsman, print maker
Subjects: paris, historical persons, lawyer, attorney at law, diplomacy, diplomat
Inscriptions: collector's mark: Lugt 2228, annotation: ‘9j’
Microscopische opname van zwavelzuurmangaan, zestig keer vergroot
Object type: photograph
Date: 1887 – 1888
Materials: paper
Techniques: albumen print
Location: netherlands
Artist: marinus pieter filbri
Artist role: instrument maker
Artist dates: 1852 – 1917
Subjects: chemical substances, netherlands
Inscriptions: number: ‘56’, inscription: ‘No. 56. Benaming Zwavelzure mangaan, vergroting 60x, pose 6 min, bemerking Lomb.’
Berlin. Dom, Blick auf die Burgstrasse
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: berlin
Subjects: church (exterior), canals, waters (in city), bridge in city across river, canal, etc., street
Inscriptions: stamp: ‘5’, monogram: ‘P.F.B.’
Fotoreproductie van een plattegrond van Frankfurt Hauptbahnhof
Object type: page
Date: 1874 – 1884
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: maps, atlases, railway, train, station; shelter (railway, tramway)
Hexagonal dish
Object type: dish
Date: 1696 – 1696
Materials: silver
Techniques: gilding
Meeting her Lover (parody of the Yugao chapter of "Tale of Genji")
Object type: print
Date: 1766 – 1766
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Bacchanaal met satyrs en bacchanten bij wijnpers
Object type: print
Date: 1473 – 1477
Materials: paper
Techniques: engraving
Location: italy
Artist: andrea mantegna
Artist role: print maker
Artist dates: 1431 – 1506
Subjects: thiasos, i.e. bacchus' revel-rout, bacchanal without bacchus, wine-press
Inscriptions: collector's mark: Lugt 240
Christ kneels and writes on the pavement at center, while the woman taken in adultery stands between three soldiers at right
Object type: print
Date: 1653 – 1653
Techniques: etching
Artist: luca giordano
Artist role: artist
Artist nationality: italian
Artist dates: 1634 – 1705
Tripod
Object type: tripod
Date: 1050 – 950
Materials: terracotta
Culture: cypriot
halve taler; twee eenheden, noodmunt uit Frankenthal, geslagen tijdens het beleg door Verdugo
Object type: coin
Date: 1623 – 1623
Materials: silver
Techniques: striking
Location: frankenthal
Artist: Anonymous
Subjects: bad kreuznach, generaal, wilhelm von verdugo (graaf), frankenthal, beleg van frankenthal (1623)
Voorne Caart-boeck / Caartboeck van Voorne
Object type: print
Date: 1701 – 1729
Materials: ink, linen, paper
Techniques: brush, engraving, etching, pen
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions, river-gods, fisherman

Deze kaart is onderdeel van het zogenaamde 'Voorne Caart-boeck' / 'Caartboeck van Voorne', dat bestaat uit een titelpagina (zie RP-P-1942-347), drie algemene kaarten (van Oost-, West- en Zuid-Voorne)* en dertig detailkaarten. Het kaartboek werd vervaardigd in opdracht van de Staten van Voorne en werd in 1701 uitgegeven. Een deel van de koperplaten is bewaard gebleven en in de negentiende en twintigste eeuw gebruikt voor herdrukken.

*Over de naam Voorne kan verwarring ontstaan omdat de betekenis door de eeuwen heen is veranderd. Vroeger stonden de (voormalige) eilanden Voorne, Goeree en Overflakkee – allen historisch gezien onderdeel van het Land van Voorne – bekend als respectievelijk Oost-, West- en Zuid-Voorne.

Afdrukken van de drie algemene kaarten, waaronder deze kaart, zijn ook gebruikt in: Alkemade, Cornelis van en Pieter van der Schelling. Beschryving van de Stad Brielle, en den lande van Voorn (…). Rotterdam: Philippus Losel, 1729.
Marrij panvis
Object type: print
Date: 1630 – 1665
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: wooden container: barrel, cask, bucket, farmers, textile fabric, cloth
Inscriptions: collector's mark: Lugt 240

De prent maakt deel uit van een twaalfdelige serie prenten met voorstellingen van boeren.
Rivierlandschap in Campania met stad op rotsen
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: etching
Location: rome
Artist: paul bril
Artist role: draughtsman, print maker
Artist dates: 1554 – 1626
Subjects: rocky coast, campania
Inscriptions: collector's mark: Lugt 2228a, caption: ‘Romae’
Watch
Object type: watch
Date: 1701 – 1800
Materials: enamel, gold, silver, shell
Artist: j. samson
Artist role: maker
Artist dates: 1760 – 1796
Subjects: buildings,ships
Falaise Castle
Object type: photograph
Date: 1856 – 1856
Techniques: albumen silver print, paper negative
Artist: alfred capel cure
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1896
Subjects: architecture,castles
Musical Chime
Object type: religious ritual object
Materials: gilt, jade
Location: china
Pia desideria
Object type: book illustration
Date: 1590 – 1624
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: flight, running away; pursuing
Inscriptions: inscription: ‘Fuge dilecte mi, et assimilare capreæ hinnuloq; ceruorum super montes aromatum.’, collector's mark: Lugt 240

Boekillustratie uit: Herman Hugo, Pia desideria emblematis, elegiis & affectibus S. S. Patrum illustrata, Antwerpen 1624, afb. 45
Mannen met fezzen zittend op een trap
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: chalk, paper
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: sitting figure, flight of steps, head-gear, street (+ city(-scape) with figures, staffage)

Pagina 108 uit een schetsboek met 67 bladen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander and cross square; Exterior, tendrils
Food serving vessel (Pu)
Object type: food vessel
Date: 834 – 768
Materials: bronze
Culture: chinese
Recueil de la diversité des habits (A Collection of the Various Styles of Clothing)
Object type: print
Date: 1562 – 1562
Materials: paper
Techniques: woodcut
Location: paris
Subjects: wild man, wodewose, woodehouse

This is the very first costume book, with more than a hundred images of clothing from around the world. Below each figure are four lines of verse describing the country’s outfits or related customs. This was an age of unprecedented overseas exploration. Europeans were especially fascinated to see and read about inhabitants of the so-called New World, such as the Brazilian woman with her child 1.
Chimneypiece: Architrave decorated with a Greek key motif and a circular fireback with figures of the zodiac (Ch. décorée d'une grecque), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)
Object type: print ornament architecture
Date: 1769 – 1769
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: fireplaces,zodiac

Although Giovanni Battista Piranesi is best known for his capricious, often ruinous landscape compositions, architecture and interior design formed an important part of his theoretic and artistic life’s work. In 1769 he published his print series ‘Diverse Maniere (…)’ in which he presented designs for chimneypieces and other parts of the interior executed in Egyptian, Etruscan, Greek and Tuscan Style. The 67 etched plates in this series are preceded by an apologia by the artist in which he describes his views on contemporary design. The prints of chimneypieces play a crucial role in his argument. Because they did not exist in this form in Antiquity, to Piranesi they perfectly illustrated how the Antique could be adapted to fit the needs of modern society. The imaginative compositions in Piranesi’s print series did not just represent capricious ideas however, but in some cases show works which were executed in Roman palaces and public buildings during the 1760s.
Portret van een onbekende man
Object type: print
Date: 1831 – 1890
Materials: paper
Techniques: etching
Artist: jean baptiste pierre michiels
Artist role: print maker
Artist dates: 1821 – 1890
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1em Staat’
Landscape with an Artist Sketching
Object type: drawing
Materials: graphite
Techniques: wash
Artist: mari ten kate
Artist role: artist
Artist nationality: dutch
Artist dates: 1831 – 1910
Subjects: painting,men,women,landscapes,trees
Gezicht op het Koninklijk Paleis te Bangkok
Object type: photograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: bangkok
Artist: Anonymous
Subjects: palace
Inscriptions: number: ‘75’, annotation: ‘1 Siameschis haus/ Bangkok’
Femme au tombeau
Object type: print
Date: 1922 – 1922
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: kneeling figure - aa - female human figure, grave, tomb
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 5i

Een gesluierde vrouw, knielend bij een tombe. Op de achtergrond de zon boven bergen.
Fan
Object type: fan
Date: 1895 – 1895
Materials: feather, paper
Culture: american
Wapens van Willem I, prins van Oranje, Anna van Saksen en Louise de Coligny
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: engraving
Location: low countries
Artist: Anonymous
Subjects: louise de coligny, delft, william i (prince of orange)

Wapens van Willem I, Anna en Louise. In een cartouche zes regels Nederlandse tekst.
The Entombment
Object type: plaquette
Date: 1501 – 1600
Materials: bronze
Subjects: sadness,christ,entombment
Poperinghe / Viroviacum, vulgo Wervike, Wervi (...) / Liedekercke / Mullem
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: prospect of village, silhouette of village, coat of arms (as symbol of the state, etc.) (+ city; municipal), castle, maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 195

Linksboven een gezicht in vogelvluchtperspectief op Poperinge. Met linksboven het wapen van Vlaanderen en rechtsboven het wapen van Poperinge. Rechtsboven een plattegrond in vogelvluchtperspectief van Wervik. Met linksboven het wapen van Ferdinando van Liedekerke en rechtsboven het wapen van Wervik. Rechtsonder een gezicht in vogelvluchtperspectief op het Kasteel van Liedekerke. Rechtsboven het wapen van Liedekerke. Linksonder een gezicht in vogelvluchtperspectief op Mullem. Linksboven waarschijnlijk het wapen van Johannes le Poyvre. Met Nederlandse tekst op verso.
Amante inconstante
Object type: print
Date: 1792 – 1817
Materials: paper
Techniques: brush, etching, engraving
Location: unknown
Artist: lambertus antonius claessens
Artist role: draughtsman, print maker
Artist dates: 1763 – 1834
Subjects: parting, leave-taking (of lovers)
Inscriptions: collector's mark: Lugt 2228

Een heer met hoed en mantel neemt aan de deur afscheid van een jonge vrouw. De vrouw staat met een brandende kaars in haar hand en sluit met haar andere hand de onderdeur van het huis terwijl ze haar geliefde in de ogen kijkt. Deze prent vormt een pendant met een voorstelling van de wachtende vrouw bij de deur.
Zeegezicht
Object type: drawing
Date: 1847 – 1899
Materials: charcoal, paper
Subjects: sea (seascape)
Inscriptions: watermark
De student Huët te Oostham gedood / Gevecht bij het Hazegras; tijdens de Tiendaagse Veldtocht, 1831
Object type: history print
Date: 1831 – 1835
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: small groups in single combat in place of battle, battle (+ naval force)
Inscriptions: collector's mark: Lugt 2228

Blad met twee gebeurtenissen uit de Tiendaagse Veldtocht. Boven: de student Huët wordt bij schermutselingen te Oostham gedood. Onder: Gevecht bij het Hazegras (5 augustus). Onderdeel van een groep van 24 illustraties uit het boek van Olivier over de Tiendaagse Veldtocht, 2-12 augustus 1831.
Gezicht op Pézenas
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: city-view in general; 'veduta'

Prent uit: Tassin, Christophe. Les plans et profils de toutes les principales villes et lieux considérables de France (...). Parijs: Michel van Lochom, 1638, prent nummer 38 in het deel 'Languedoc'.
Portret van Johann Konrad Pfenninger
Object type: print
Date: 1768 – 1817
Materials: paper
Techniques: engraving, etching
Artist: johann heinrich lips
Artist role: draughtsman, painter, print maker
Artist dates: 1758 – 1817
Subjects: adult man, historical persons
Koe aan trog
Object type: titelprent, frontispice
Date: 1818 – 1818
Materials: paper
Techniques: lithograph
Location: rotterdam
Subjects: trough, cow
Inscriptions: collector's mark: Lugt 2228

In een wei een liggende koe en een staande koe aan een trog, waarop de titel staat. In de achtergrond huizen en een kerktoren van Rotterdam.
Brief aan Philip Zilcken
Object type: letter
Date: 1909 – 1909
Materials: cardboard, ink, pencil
Techniques: pen, printing, writing
Location: paris
Artist: vittorio pica
Artist role: criticus
Artist dates: 1864 – 1930
Subjects: the hague, painter, draughtsman, philip zilcken, brussels
Inscriptions: collector's mark: ‘RPK’

Brief bevat aantekening van Philip Zilcken.
The Annunciation
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: pen
Location: netherlands
Artist: dirck pietersz. crabeth
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1501 – 1501
Subjects: bedrooms,angels,virgin mary,archangel gabriel,annunciation
Portret van Ludwig Conrad Lehrbach
Object type: print
Date: 1799 – 1805
Materials: paper
Techniques: engraving
Location: basel
Subjects: historical persons, wig

Met zesregelig onderschrift in het Frans.
Teapot with Landscape
Object type: teapot
Date: 1701 – 1733
Materials: cobalt, glaze, porcelain
Techniques: painting
Culture: japanese
Artist: olfert dapper
Artist role: artist
Artist nationality: dutch
Artist dates: 1639 – 1689

This teapot was painted in Europe after it had been imported there. The design is attributed to the Dutch artist Olfert Dapper (1635–1689).