deem-data/ArtiFact huggingface dataset:
Marble head of Demosthenes
Object type: head of demosthenes
Date: 101 – 200
Materials: marble
Culture: roman
Subjects: heads,men

Copy of a Greek bronze statue by Polyeuktos of ca. 280 B.C. Demosthenes (ca. 384–322 b.c.) of Athens is widely considered the greatest orator of ancient Greece. Early on in his career, he recognized that the rise in power of Philip II of Macedonia was a threat to Greek independence, and he initiated a lifelong aggressive anti-Macedonian policy, which he pleaded publicly to the Athenians and the citizens of other Greek city-states. More than fifty Roman portraits of Demosthenes are known, an eloquent testimony to his continued popularity in Roman times. All the existing portraits appear to reflect a single Greek original, most likely the posthumous portrait statue by the sculptor Polyeuktos erected in the agora (marketplace) of Athens in 280 B.C. The fine head captures the orator in a characteristically harsh, unhappy yet determined expression—the countenance of a noble fanatic, great mind, and passionate patriot.
The Last Jig or Adieu to Old England
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,dancing,musicians

Proof before letters with pencil additions and title and imprint in pen and brown ink. A young woman dances a jig with a man wearing an apron in a tavern cellar. At left, a sailor plays the violin. Three amorous couples embrace in the background.
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Date: 1912 – 1912
Materials: ink, paper
Techniques: pen, printing, writing
Location: london
Artist: george r. reid
Subjects: glasgow, william burrell, the hague, london, painter, print maker, draughtsman, matthijs maris, pieter haverkorn van rijsewijk, elbert jan van wisselingh, isabella murray mowat angus, art trade, art shop, drawing, photography, cinematography, painting (including book-illumination, miniature-painting), historical persons (portraits and scenes from the life)
Inscriptions: watermark
The Disciples on the Way to Emmaus
Object type: print
Date: 1601 – 1601
Materials: paper
Techniques: engraving
Location: belgium
Artist: nicolaes de bruyn
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1656
Inscriptions: Lettered below image: "Egidius Coninxlogensis Inventor. / Dum duo Discipuli Domini de morte loquuntur ... pectora nostra fide. / Nicolaus de Bruyn Sculp."
Portret van Frances Mary Gascoyne
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: etching
Location: london
Subjects: historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228

Prent uit: Watts, Alaric. The Literary Souvenir, or, Cabinet of Poetry and Romance. Londen: Longman, Rees, Orme, Brown & Green, 1832, p. 71.
Schotel
Object type: platter
Date: 1740 – 1775
Materials: faience
Location: delft
Artist: Anonymous
Inscriptions: mark: ‘iets slingerende lijn’

Schoteltje van faience. Veelkleurig beschilderd met een mand en bloemdecoraties.
Naamplaat behorend bij de 'Schuttersmaaltijd' van Bartholomeus van der Helst
Object type: nameplate
Date: 1648 – 1648
Materials: wood

De naamplaat is een rechthoekig bord van zwart geschilderd hout, met kwabmotiefomlijsting die het bord in drie compartimenten opsplitst. Op de naamplaat zijn de namen van de geportretteerden op de Schuttersmaaltijd van Bartholomeus van der Helst aangebracht (onder meer de naam van kapitein Cornelis Jan Wits en vaandrich Jacob Banning).
Virgin Kneeling in Prayer
Object type: drawing
Date: 1601 – 1700
Materials: chalk, paper
Techniques: highlighting
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: virgin mary
Altijd baas boven baas
Object type: cartoon
Date: 1870 – 1878
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: city council, amsterdam
Inscriptions: collector's mark: ‘19,26’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan regeringsleden en hunne huisgezinnen [na 1800].
Hair Ornament [or Plait Ornament]
Object type: ornament
Date: 1801 – 1900
Materials: coral, glass, gold, silk, silver
Location: uzbekistan

Among the many beautiful adornments worn by Uzbek women were jewels to adorn their hair. This ornament would have attached to a woman’s plait, or braid and embellished her long tresses. A variety of materials make up this object including silk, gilt-silver pendants, coral, turquoise, and pieces of green glass. These individual components were not all locally sourced and illustrate the strategic location of Uzbekistan along the silk road. The regions of Bukhara, Khiva, Samarkand, and Kokand were important centers for the trade of jewels, textiles, and other luxury goods.
Marie Witsen-Schorr
Object type: photograph
Date: 1860 – 1915
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Subjects: augusta maria agnes witsen-schorr
Fast immer auf diese Weise
Object type: print
Date: 1812 – 1812
Materials: paper
Techniques: etching
Location: prague
Artist: joseph bergler (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1753 – 1829
Subjects: scenes symbolizing 'vanitas', fugacity of time, hourglass, hunting butterflies, insects: butterfly, father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De gevleugelde personificatie van de Tijd rent achter vlinders aan en probeert deze te vangen. Een vlinder draagt het jaartal 1812 op haar vleugel. Boven de Tijd in een boom zit een putto met een sikkel en een zandloper.
The Tapestry at Michelfeld
Object type: print
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,women
Panel fragment
Object type: relief
Date: 800 – 601
Materials: ivory
Culture: iranian
Location: iran
Subjects: lions
Ex libris van de Bibliotheek Leiden
Object type: bookplate
Date: 1900 – 1949
Materials: paper
Techniques: printing block
Location: leiden
Artist: Anonymous
Subjects: armorial bearing, heraldry
Henri IV
Object type: carte de visite
Date: 1855 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: paris, hendrik iv (koning van frankrijk en navarra), historical persons, clothing for the upper part of the body, ruler, sovereign, decorations, honours (as symbols of the state, etc.), beard, neck-gear: collar

Onderdeel van Fotoalbum met 123 cartes-de-visite van leden van Europese vorstenhuizen, politici en bekende personen.
Fragment van een bord, beschilderd in blauw onder het glazuur met een cartouche, waarin de tekst: i // KOMT V EEN // VRIENT OVER
Object type: plate dish
Date: 1600 – 1650
Materials: earthenware, glaze
Location: northern netherlands
Artist: Anonymous

Fragment van een bord van aardewerk, beschilderd in blauw onder het glazuur met een cartouche, waarin de tekst: i // KOMT V EEN // VRIENT OVER.
Tapestry Fragment
Object type: fragment
Date: 901 – 1500
Materials: animal fiber, cotton
Culture: peruvian
Location: peru
Japanse gespen met verschillende motieven
Object type: print
Date: 1856 – 1897
Materials: paper
Techniques: aquatint, etching
Artist: henri charles guérard
Artist role: print maker
Artist dates: 1846 – 1897
Subjects: tailless amphibians: frog, buckle
Inscriptions: collector's mark: Lugt 2228, annotation: ‘3ieme Etat tiré à 3. No. 2. Guérard’, stamp: Lugt 1157
Portret van maarschalk Guillaume-Marie-Anne Brune
Object type: print
Date: 1824 – 1852
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Luiwagen met geprofileerde steel, waaraan restanten roze band
Object type: broom
Date: 1675 – 1699
Materials: wood, silk
Location: amsterdam
Artist: Anonymous

Luiwagen van palissanderhout en varkenshaar; geprofileerde lange steel waaraan resten van roze, zijden band.
Morning on the Mountain
Object type: painting
Date: 1856 – 1856
Materials: canvas, oil
Culture: american
Artist: richard william hubbard
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1888
Subjects: landscapes,trees,morning
Dr. S. de Ranitz en Het Emma-Kinder-Ziekenhuis te Amsterdam
Object type: photomechanical print
Date: 1905 – 1908
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: nurse ~ hospital, historical persons, physician, doctor, hospital
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: V. Ziekenhuizen: Kinderziekenhuis Sarphatistraat - Luth. Diaconessen Inrichting.
Studioportret van Carolina Frederika Holle staand
Object type: carte de visite
Date: 1855 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: java
Subjects: amsterdam, carolina frederika van den berg-holle
Inscriptions: name: ‘WOODBURY & PAGE , / PHOTOGRAPHERS / JAVA.’, name: ‘W. & P. Phot. JAVA’, name: ‘C.F. vandenBerg / Holle’
Testoon of Henry VIII (third coinage)
Object type: testoon
Date: 1509 – 1547
Materials: silver
Subjects: henry viii,profiles,coins,insignia
Fotoreproductie van een portret van William Parr, markies van Northampton, door Hans Holbein
Object type: photograph
Date: 1872 – 1877
Materials: paper
Techniques: carbon print
Artist: Anonymous
Subjects: london, earl, drawing, sketch, historical persons
Pair of candlesticks
Object type: candlestick
Date: 1763 – 1764
Materials: silver
Artist: jean-françois balzac
Artist role: maker
Artist dates: 1711 – 1766
Wehrmacht op de Moerdijkbrug
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: moerdijk
Artist: Anonymous
Subjects: troop movements, transportation, occupation ~ war

De Wehrmacht rijdt met motoren en (vracht)auto's over de Moerdijkbrug. Achterop staat: Brücke bei Dordrecht.
Abklatsch van de krijttekening op pagina 42
Object type: sketchbook leaf
Materials: paper
Techniques: printmaking
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932

Pagina 41 uit een schetsboek met 51 bladen.
Stela of the Gatekeeper Maati
Object type: stela, maati
Date: 2051 – 2030
Materials: limestone
Subjects: food,men,hieroglyphs
Fan
Object type: fan
Date: 1701 – 1800
Materials: gold, ivory, silver
Culture: french
Subjects: landscapes
De hemelvaart en Christus voor God de Vader
Object type: print
Date: 1520 – 1520
Materials: paper
Techniques: woodcut
Location: amsterdam
Subjects: the ascension (christ surrounded by radiant light or in a mandorla), 'ascendit ad coelos, sedet ad dexteram patris omnipotentis' ~ articles of faith
Inscriptions: collector's mark: Lugt 240

Gedrukt van twee blokken. Ornamentele omlijsting rond voorstelling met Maria, Johannes en apostelen omhoog kijkend naar Christus waarvan alleen voeten en mantel zichtbaar. Op een wolk Christus met gespreide handen voor God de Vader, kruis tussen hen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Black glazed fragment from a kylix
Standing Four-Armed Vishnu
Object type: figure
Date: 651 – 700
Materials: stone
Culture: vietnamese
Subjects: vishnu,hinduism

This distinguished example of the pre-Angkor style comes from the Zhenla kingdom in the Mekong Delta of South Vietnam. It preserves the flavor of Indian sculpture, particularly in the full, round forms of the face. Vishnu's headdress is the orthodox high miter. He holds a conch (shankha) in his raised left hand and a war discus (chakra) in his right. His lowered left hand rests on the remains of a mace (gada). Originally, there were structural supports between the sides of the miter and the upper emblems. A portion of one is still visible on the right side of the miter.
Raccolta di varii cappricii
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: etching
Location: france
Subjects: helmet, lion's head ~ ornament, ornament ~ cartouche, angels
Inscriptions: collector's mark: Lugt 240

Prent uit een reeks van achttien prenten.
Judith with the Head of Holofernes
Object type: print
Date: 1600 – 1610
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: christoffel van sichem (i)
Artist role: print maker, publisher
Artist nationality: dutch
Artist dates: 1546 – 1624
Inscriptions: Lettered lower left: "CVSichem scal."; and lower right: "HG."
Vis-à-vis/Brett #3093
Object type: drawing
Date: 1875 – 1875
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Blad 82 uit Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel I (1921-1929)
Object type: album leaf
Materials: paper
Techniques: printing, writing
Location: the hague
Artist: Anonymous
Subjects: further education (+ pupil), further education, the hague

Twee pagina's met gegevens van de deelnemers aan de 21e driemaandelijkse cursus van 16 april tot en met 14 juli 1928, stamboeknummers 384 tot en met 388. Onderdeel van Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel I (1921-1929).
Nederlandsche artelery
Object type: print
Date: 1814 – 1825
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: artillery range, firing range, shooting range ~ military training, the soldier; the soldier's life, (military) equipment and supply
Inscriptions: collector's mark: Lugt 2760

Blad met 4 horizontale rijen met voorstellingen van de Nederlandse artillerie. Genummerd rechtsboven: No. 95.
Nederland, 2½  cent,1915
Object type: twee en een halve cent
Date: 1915 – 1915
Materials: bronze
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Bronzen munt. Voorzijde: in een veld rijkswapen. Jaartal onderaan in omschrift.Keerzijde: binnen twee samengebonden oranjetakken waarde-aanduiding 2½ cent. Kartelrand.
Nijmegen vooruit. Vereeniging tot Bevordering van het Vreemdelingenverkeer
Object type: poster
Date: 1900 – 1910
Materials: paper
Techniques: lithograph
Location: the hague
Artist: henri lankhout
Artist role: draughtsman, printer
Artist dates: 1874 – 1938
Subjects: city-view in general; 'veduta', tourism, river, nijmegen
Inscriptions: collector's mark: Lugt 2166

Met vrouwen die uitkijken over de Waal met boten.
Portret van Sir Isaac Newton
Object type: print
Date: 1705 – 1753
Materials: paper
Techniques: engraving
Artist: jodocus egidius krauss
Artist role: print maker
Subjects: london, astronomy (and cosmography) (+ portrait of scholar, scientist), scholar, philosopher, physics and mechanics (+ portrait of scholar, scientist), historical persons, mathematics (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van een vers van het gedicht The celestial country met afbeeldingen
Object type: page
Date: 1884 – 1885
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: birds, handwriting, written text
Portret van Lambert ten Kate
Object type: print
Date: 1731 – 1780
Materials: paper
Techniques: engraving
Subjects: print maker, lambert ten kate, scholar, philosopher, historical persons
Galloon
Object type: galloon
Date: 1701 – 1800
Materials: metal thread, silk
De deep-level
Object type: photomechanical print
Date: 1901 – 1901
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: politician, horrors of war, political caricatures and satires

Prent uit: De Boeren-Kampen / (Les camps de reconcentration), 1901. Dit is de geautoriseerde Nederlandse uitgave van: L'Assiette au Beurre 1 (1901), nr. 26 (Les camps de reconcentration au Transvaal), 28 september 1901.
Ruiters te paard in Grandview Trail
Object type: stereograph
Date: 1898 – 1930
Materials: cardboard, photographic support
Techniques: autotype
Location: grand canyon
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman
Inscriptions: number: ‘1985’
Fork
Object type: fork
Date: 1700 – 1730
Materials: silver
Artist: girolamo maltraversi
Artist role: maker
Artist nationality: italian
Artist dates: 1698 – 1730
Jar
Object type: jar
Date: 1690 – 1700
Materials: hard paste porcelain
Subjects: flowers,crucifixion

The unusual way in which the leaves and flowers have been drawn suggests the original design was an embroidery. Such combinations of a religious subject with highly decorative ornament are often seen on English embroidered book covers of the mid-seventeenth century.
Portret van Ernst Casimir
Object type: print
Date: 1747 – 1759
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: ernst casimir graaf van nassau-dietz
Inscriptions: collector's mark: Lugt 2228

Proefdruk van prent gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
Portretten van bekende personen uit de zestiende eeuw
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving
Location: augsburg
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Subjects: archer's weapons: bow and arrow, historical persons, ornament ~ cartouche

Prent waarschijnlijk uit: Custos, Dominicus. Atrium heroicum caesarum (...). Augsburg: Dominicus Custos, 1600, dl. 1. De serie werd in vier delen uitgegeven tussen 1600 en 1604.
Twee mannen in tropenkleding en een vrouw, zittend op schommelstoelen
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: rocking-chair (+ wood and other phytogenic material), dutch east indies, the

Onderdeel van familiealbum Nederlands-Indië.
Mirror Case
Object type: mirror case
Date: 1701 – 1900
Materials: metal, silk
Culture: chinese
Geomungo
Object type: geomungo
Date: 1867 – 1900
Materials: bone, leather, plastic, silk, wood
Culture: korean
Location: korea

This zither, typically plucked with a short bamboo stick, is traditionally a scholar’s instrument. Geomungo is also called hyeonhakgeum (현학금), which means "black crane zither," and tradition holds that it was invented around the fourth century by a government official whose playing enticed the bird to dance. This nineteenth-century example is smaller than its modern counterpart, and its thinner silk strings produce a more refined and softer sound.
Design for the right half of a chimneypiece
Object type: drawing
Date: 1601 – 1700
Materials: ink, drawing material
Techniques: brush, pen, wash
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: fireplaces

By the seventeenth century, chimneypieces had become an important object of design within the interior. Examples in late Renaissance and early Baroque styles were often highly sculptural, heavily ornate and very colorful feats of design bravura. The love for the theatrical, which characterized the Baroque period, meant that a certain level of monumentality was pursued. In that respect, these two drawings show designs of a relatively modest nature, although colored marbled and gilding could transform their final look dramatically.
Takken van een spar en brem
Object type: sketchbook leaf
Date: 1810 – 1843
Materials: ink, paper
Techniques: pen
Location: cleves
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: shrubs, trees: fir
Inscriptions: annotation: ‘[...]’

Blad 35 recto uit een schetsboek met 38 bladen.
Portret van Nicolas-Claude Fabri de Peiresc
Object type: print
Date: 1829 – 1898
Materials: paper
Techniques: engraving
Location: france
Artist: auguste thomas marie blanchard
Artist role: print maker
Artist dates: 1819 – 1898
Subjects: nicolas-claude fabri de peiresc, historical persons
Inscriptions: collector's mark: Lugt 2228
Koningin Wilhelmina en prins Hendrik op het balkon van het Paleis op de Dam in Amsterdam
Object type: photograph
Date: 1901 – 1915
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, hendrik (prins der nederlanden (1876-1934)), amsterdam

foto is vermoedelijk genomen ter gelegenheid van het huwelijk van koning Wilhelmina en Prins Hendrik
Gemeente Amsterdam. Ontwerp voor het gedeeltelijk verbouwen van het Stadhuis langs de O.Z. Achterburgwal
Object type: area plan
Date: 1875 – 1875
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: a. kroon (steendrukker)
Artist role: steendrukker
Subjects: maps, atlases, townhall, architectural design or model
Inscriptions: collector's mark: Lugt 2228

Plattegrond van de begane grond en de fundering van het Stadhuis te Amsterdam.
Verbeelding op wat voor een wyze de Loterye tot Amsterdam werd getrokken Ao. 1696 in Mey
Object type: print
Date: 1696 – 1698
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: raffle, lottery
Inscriptions: collector's mark: Lugt 2228

Op een open gallerij staan twee grote vaten. Rechts de Nieten en Watten, links de Nommers. Een jongetje trekt uit elk een lot en geeft deze naar achteren door. Hier worden de winnaars opgeschreven en uitgeroepen. Onder de voorstelling een vers in twee kolommen van elk drie regels op de wereld als lotterij door Sweerts.
Savoye, bianchetto, Amedeo VIII, 1391-1439
Object type: coin
Date: 1391 – 1439
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: binnen een vierpas het wapenschild van Savoye. Keerzijde: kort kruis met in de hoeken stippen.
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Materials: stone, jade
Culture: chinese
Roundel Dagger
Object type: roundel dagger
Date: 1301 – 1400
Materials: steel
Culture: british
Location: england