deem-data/ArtiFact huggingface dataset:
Gezicht op Koblenz
Object type: print
Date: 1694 – 1697
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: river, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Admirandorum quadruplex spectaculum / delectum, pictum, et aeri in cisum, per Johannem van Call. Amsterdam: Pieter Schenk (I), ca. 1694-1697.
Kinders hebt ge lust nog wat te zien en wat te lezen, / Laat lieve dan deze prent weer wat nieuws voor u wezen
Object type: popular print
Date: 1827 – 1894
Materials: paper
Techniques: colour, letterpress printing
Location: schaarbeek
Subjects: children's games and plays, games using special objects (marbles, top, hoop, etc.), rocking-horse
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen van kinderspelen, zoals hobbelpaardje rijden, hoepelen en soldaatje spelen. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 107.
Vork met het helmteken Clifford
Object type: fork
Date: 1806 – 1806
Materials: silver
Location: amsterdam
Artist: roelof helweg
Artist role: silversmith
Artist dates: 1758 – 1843
Inscriptions: alloy mark: ‘Hollandse leeuw’, date letter: ‘X (=1806)’, maker's mark: ‘RH in ovaal’, town mark: ‘Amsterdam’

De viertandige vork is aan zowel boven- als onderzijde door middel van enkel lof verbonden met de platte, gebogen steel, die zich verbreedt naar het spatelvormige uiteinde. Boven- en onderzijde van de steel worden omgeven door een dubbele filetrand, die bij het uiteinde ingezwenkt is. Op de onderzijde van de spatel is het helmteken Clifford gegraveerd.
Portret van Norbert van den Berg
Object type: photograph
Date: 1880 – 1910
Materials: photographic support
Techniques: albumen print
Location: london
Artist: franz baum
Artist role: fotograaf
Subjects: rotterdam, amsterdam, norbertus petrus van den berg (1831-1917)
Inscriptions: inscription: ‘LONDON STUDIO, / 12 OLD BOND ST. W.’, name: ‘Franz Baum’, inscription: ‘STUDIO FOR / Equestrian Portraits & c. / WINTON HOUSE, BOWDON.’
Knoop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: button
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knoop. (1) eroded, flat base, beaded rim (1.3d, 0.2t), (stone- ) setting missing, key-shank
New Zealand Parrot, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: parrots

Trade cards from the "Birds of the Tropics" series (N5), issued in 1889 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Photographs from the Estate of Isabel Wachenheimer
Object type: photograph
Date: 1947 – 1956
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: buchenwald

Isabel Wachenheimer still signed with her concentration camp number, ‘K.Z. häftling No 918’ three months after she was liberated. Just see the inscription on the back of a portrait photograph of her taken on 25 September 1945. Isabel was a broken person after the war. She slowly recuperated from a fractured vertebra in Davos (Switzerland). In November 1946 Isabel married Leo Blumensohn, a fellow victim she met in the Westerbork transit camp.
Molière Théatre Choisi
Object type: print
Date: 1878 – 1879
Materials: paper
Techniques: drypoint, etching
Location: tours
Subjects: theatre, theatrical performance, the envious friends; criticizing bystanders ~ love couple

Akte V, scène III uit "L'École des Femmes" van Molière. Arnolphe haalt Agnès weg bij Horace om een einde aan hun liefdesverklaringen te maken.
Portrait of an Old and a Young Woman
Object type: painting, miniature
Date: 1790 – 1810
Materials: glass, metal, parchment
Artist: johns
Artist role: miniatuurschilder
Subjects: historical persons not known by name - bb - woman
Inscriptions: signature: ‘Johns’

Johns (active c. 1790 - 1810). Portrait of an old and a young woman. Vellum, c. 1805. Mr and Mrs J.C.J. Drucker-Fraser bequest, Montreux, 1944.
Portret van Charles Grey
Object type: print
Date: 1788 – 1827
Materials: paper
Techniques: engraving
Location: london
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228

Midden onder een facsimile van zijn handtekening.
Cylinder seal with hunting scene
Object type: cylinder seal
Date: 900 – 701
Materials: stone
Culture: assyrian
Location: mesopotamia
Subjects: animals
Design for a Bookstand
Object type: drawing
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Diptych with Scenes from the Passion of Jesus
Object type: diptych
Date: 1350 – 1375
Materials: ivory, metal
Culture: french
Location: france
Subjects: animals,men,women,christ,judas,crucifixion,last supper,agony in the garden
Waterval op de hoogvlakte bij Bandung
Object type: photograph
Date: 1857 – 1908
Materials: cardboard, paper
Techniques: albumen print
Location: bandung
Subjects: river, waterfall, landscapes in tropical and sub-tropical regions
Inscriptions: inscription: ‘FOTO’, inscription: ‘Tjoeroeg Tjikapoedoeng/ Bandoeng’, inscription: ‘PHOTOGRAFIEEN VAN NED: INDIE BATAVIA’

Deze foto zat oorspronkelijk in prentenkabinet RP-F-AA3192.
Alexander VII (Pope, 1655–67)
Object type: medal
Date: 1666 – 1666
Materials: bronze
Artist: gasparo morone
Artist role: artist
Artist nationality: italian
Artist dates: 1569 – 1669
Subjects: buildings,profiles,popes
Embroidered map sampler
Object type: sampler
Date: 1767 – 1900
Materials: canvas, silk, wool
Subjects: maps
Glass mosaic inlay fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Translucent blue, turquoise blue, and opaque white. Slightly convex curving body. Pattern of two bands in turquoise on blue ground with white line between. Pinprick bubbles; exterior polished with pitting of surface bubbles; dulling and iridescent weathering on interior and jagged edges.
Avanzi d'un portico coperto, o criptoportico in una villa di Domiziano cinque miglia lontan da Roma su la via di Franscati
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: city-view, and landscape with man-made constructions, ruin of a building ~ architecture, landscape with ruins, gate, entrance, rome
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Back Plate from a Belt Buckle
Object type: belt plate
Date: 675 – 725
Materials: copper alloy
Culture: frankish
Prince Rudolph Joseph of Colloredo-Mansfeld
Object type: drawing
Date: 1835 – 1835
Materials: gouache, graphite, watercolor
Artist: ferdinand georg waldmüller
Artist role: artist
Artist nationality: austrian
Artist dates: 1793 – 1865
Subjects: men,portraits
Small Dinner Tables
Object type: print
Date: 1816 – 1816
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: tables
"Khusrau Catches Sight of Shirin Bathing", Folio 50 from a Khamsa (Quintet) of Nizami of Ganja
Object type: folio from an illustrated manuscript
Materials: gold, ink, paper, watercolor
Location: afghanistan
Artist: nizami
Artist role: author
Artist dates: 1141 – 1209
Subjects: kings,princesses,horses,bathing

One of the five stories related in Nizami's Khamsa (Five Tales) concerns the love affair between the Iranian king Khusrau and the Armenian princess Shirin. This beautifully-detailed painting captures the moment when Khusrau first catches sight of Shirin, bathing in a stream. While the pond has now tarnished to near black, it was originally painting in shining silver, complementing the golden sky above.
Kindermoord te Betlehem, midden onder
Object type: print
Date: 1668 – 1693
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the massacre of the innocents
Inscriptions: collector's mark: Lugt 240

Fragment van de kindermoord te Betlehem. Nabij Herodes' paleis vindt een grote slachtpartij plaats. Wanhopige moeders proberen hun kinderen te beschermen tegen de soldaten van Herodes. In de marge een twaalfregelig onderschrift, in twee kolommen, in het Duits.
Beak spout
Object type: spout
Date: 700 – 601
Materials: ceramic
Culture: iranian
Location: iran

This beak spout was originally part of a ceramic pitcher made of red clay. Both the end of the beak and the neck that attached to the vessel are broken off. A curl sits on top of the beak at the back. This object was excavated at Tepe Nush-i Jan, an Iron Age hilltop site about 60 km sound of Hamadan in western Iran. Nush-i Jan was occupied in the 7th and 6th centuries B.C., and its occupants are generally thought to be the Medes, an Iranian people known from Assyrian, Achaemenid and Biblical sources. Though the textual sources portray them as a powerful empire, archaeological evidence for the Medes has yet to sustain this impression. Rather, they seem to have lived in scattered fortified sites in western and central Iran, without any clear capital. Nush-i Jan, one of the best known of these sites, features two temples, a columned hall, and a fort. This spout was discovered in the ‘East Court,’ an open area next to the fort. Spouted pitchers are a well-known feature of the Iron Age, especially in northwestern Iran. They are found in domestic contexts as well as in tombs, and presumably they were used to pour liquids containing dregs, such as wine. They do not, however, appear to be associated with any specific cultural group; rather they are part of a shared material culture tradition. This spout suggests that the Medes, who are thought to have migrated into western Iran sometime in the early first millennium B.C., adopted many aspects of existing material culture traditions, which is partly why Median art remains so difficult to identify.
Monument op tweede eeuwfeest van de Dordtse synode
Object type: print
Date: 1820 – 1820
Materials: paper
Techniques: aquatint, engraving, etching
Location: amsterdam
Subjects: william i (prince of orange), organizations, assemblies, etc. in protestant churches, hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues, christ ascends into heaven; apostles (and mary) beneath, the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38), dordrecht
Inscriptions: date

Allegorisch monument ter ere van het tweede eeuwfeest in 1818-1819 van de nationale synode van de gereformeerde kerk gehouden te Dordrecht van 13 november 1618 tot 29 mei 1619. Centraal in een ronde tempel zit de Godsdienst op een voetstuk waarop een afbeelding van de synode. Haar linkerhand rust op een ovaal portret van Willem van Oranje. Links de Liefde, rechts de Hoop. In de wolken dragen engelen een portret van Johannes Calvijn. Op de achtergrond scènes van de hemelvaart en de kruisiging van Christus.
Portret van Emilia Sczaniecka
Object type: print
Date: 1832 – 1839
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Straszewicz., Joseph. Les polonais et les polonaises de la révolution du 29 novembre 1830, ou Portraits des personnes qui ont figuré dans la dernière guerre de l'indépendance polonaise, avec les fac-simile de leur signature, lithographiés sur dessins originaux, par les artistes les plus distingués: MM. Grévedon, Maurin, Vigneron, Belliard, Devéria, Bazin, Desmadryl, Lecler, Desmaisons, Rutowski, officier polonais, etc,. etc., accompagnés d'une biographie pour chaque portrait. Parijs: Catherine-Anaïs Pinard, 1832.
Of uit: Straszewicz., Joseph. Les polonais et les polonaises de la révolution du 29 novembre 1830. Biographie des personnes qui ont figuré dans la dernière guerre de l'indépendance polonaise, avec les fac-simile de leur signature, ornée de 30 portraits lithographiés sur dessins originaux, par les artistes les plus distingués: MM. Grévedon, Maurin, Vigneron, Belliard, Devéria, Bazin, Desmadryl, Lecler, etc., etc.. Parijs: s.n., 1839.
Wester Kerk
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), church (exterior)

Prent uit: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). Amsterdam: Andries van Damme et al., 1726.

Eerdere staat gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, desselfs eerste oorspronk uyt den Huyse (…). Amsterdam: Abraham Wolfgang et al., 1693.
En in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). Amsterdam: weduwe Aart Dircksz Oossaan, 1694.
The Fashion Behind but not Behind the Fashion: 1829–T'is Thus to Follow the Mode
Object type: print
Techniques: etching
Artist: william heath ('paul pry')
Artist role: artist
Artist nationality: british
Artist dates: 1794 – 1840
Subjects: satire,hats,women,fashion

Heath served in the army and began by drawing military satires but, by 1827, had returned to London and focused on satirizing exaggerated dress styles. He also started to sign his prints with a small top-hatted dandy holding an umbrella–Paul Pry, a nosy character in a play. This work centers on a comely young woman, seen from behind, who wears a full skirted green dress with a hem shortened to reveal flat slipper held on by ribbons. Huge puffed sleeves emphasize her tiny waist and an earring dangling below a huge beribboned hat echoes the shape of her ensemble. The woman's backward glance suggests that she is fully aware of her allure.
Saucer (part of a service)
Object type: saucer
Date: 1800 – 1830
Materials: soft paste porcelain
Artist: j. spode
Artist role: factory
Subjects: birds
Sculpture of a Winged Ox
Object type: sculpture
Date: 1301 – 1500
Materials: stone
Culture: french
Subjects: ox
Ariovistus in confrontatie met Caesar, 58 v.C.
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: lithograph
Location: germany
Artist: johann michael mettenleiter
Artist role: print maker
Artist dates: 1765 – 1853
Subjects: rome, extinct, 'historical' peoples (with name)
Inscriptions: date

De Germaanse leider Ariovistus in overleg met Julius Caesar, waarschijnlijk voorafgaand aan de veldslag bij Besançon in 58 v.C.
Belt hook
Object type: belt hook
Date: 400 – 101
Materials: bronze, gold, silver
Techniques: inlay
Culture: chinese
Buddha
Object type: headless figure
Materials: marble
Culture: chinese
Subjects: buddha
Maskerade van de Leidse studenten, 1865 (plaat 9)
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: students' pageant, costumes used in pageants, leiden

Historische gekostumeerde optocht van de studenten van de Leidse Hogeschool gehouden op 6 juni 1865 ter gelegenheid van het 290-jarig bestaan van de Hogeschool. De optocht verbeeldt de intocht van de Hollanders binnen Zierikzee op 12 augustus 1304. Negende plaat met de groepen genummerd 107-114. Onderdeel van de serie van 16 aaneen geplakte bladen.
Allegorical Scene in Artist's Studio
Object type: drawing and watercolor
Materials: graphite, ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: italy
Artist: after carlo maratti
Diverses veuës dedans et dehors de Rome
Object type: print
Date: 1652 – 1653
Materials: paper
Techniques: etching
Location: paris
Artist: herman van swanevelt
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1603 – 1655
Subjects: landscapes, rural housing, e.g. country-house, villa, cottage, spring (fluids extracted from the earth), tower (of house or building), rome

Gezicht op de bron Acqua Acestosa te Rome met op de voorgrond een bemande vrachtboot en in de verte een versterkt gebouw met een toren op een heuvel.
Landscape with Bridge and Ruins
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: germany
Artist: franz kobell
Artist nationality: german
Artist dates: 1749 – 1822
Dish
Object type: dish
Date: 1501 – 1533
Materials: brass
Culture: german
Subjects: dragons,horses,saints
Fotomontage van de directieleden van de firma van Gustav Boehm: grondlegger wijlen Gustav Boehm sr., Gustav Boehm jr., Theodor Boehm en George Beck
Object type: photomontage
Date: 1899 – 1901
Materials: paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: painter, manufacturer, gustav boehm (junior), director, boss (in modern industry)

Onderdeel van Foto's van de wereldreis van Gustav Boehm 1899-1901, serie 2.
The Good Samaritan (The Parables of Our Lord and Saviour Jesus Christ)
Object type: print
Date: 1864 – 1864
Techniques: engraving
Artist: sir john everett millais
Artist role: artist
Artist nationality: british
Artist dates: 1829 – 1896
Subjects: suffering,men,donkeys,landscapes

It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, "I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light—each Parable I illustrate perhaps a dozen times before I fix [the image]." After completing a design, Millais transferred it to a woodblock coated with "Chinese" white for skilled engravers to carve. Finally, he reviewed proofs, and final adjustments were made before the final printing. The Parable of the Good Samaritan appears in Luke 10:25-37, and tells how a Samaritan stops on the road to aid a man wounded by robbers, after a priest and a pharisee have passed him by. Pre-Raphaelite ideals shaped the combination of detailed naturalism and down-to-earth imagery to produce a work distinctly different than most religious art of the period.
Architectur der Niederlande
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Location: leipzig
Artist: Anonymous
Subjects: city-gate
Inscriptions: number: ‘33.’
Composite Figure of Mut and Isis Amulet
Object type: necklace, bead
Date: 664 – 630
Materials: faience
Location: egypt
Terracotta fragment of a kylix (drinking cup) or a skyphos (deep drinking cup)?
Object type: kylix or skyphos fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Part of the handle of a kylix or a skyphos; below, black glaze
Studies van een kat
Object type: drawing
Date: 1821 – 1891
Materials: chalk, paper, pencil
Artist: guillaume anne van der brugghen
Artist role: draughtsman, print maker
Artist dates: 1812 – 1891
Subjects: cat
Schets van een opziende man
Object type: drawing
Date: 1773 – 1773
Materials: chalk, paper
Artist: jordanus hoorn
Artist role: draughtsman
Artist dates: 1753 – 1833
Subjects: piece of sculpture, reproduction of a piece of sculpture, anonymous historical person portrayed alone (+ head (and shoulders) (portrait))

Schets naar een pleisterbuste van een opziende man.
Dagger (Choora) with Sheath
Object type: dagger choora with sheath
Date: 1801 – 1900
Materials: brass, horn, leather, steel, wood
Culture: indian
Location: india
Portret van François Barbé-Marbois
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: paris, politician, historical persons
Pair-case watch
Object type: pair case
Date: 1824 – 1825
Materials: gold
Artist: s. i. tobias
Artist role: maker
Artist dates: 1808 – 1825
Rokende man met pet
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: animal traction, animal-drawn vehicle (carriage etc.), tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)

Blad 18 recto uit schetsboek VII met 26 bladen.
Kapitalist en arbeider
Object type: drawing
Date: 1881 – 1899
Materials: chalk, ink, paper
Location: netherlands
Artist: jan de waardt
Artist role: draughtsman
Artist dates: 1871 – 1909
Subjects: director, boss (in modern industry), working class, labourers, netherlands

Twee mannen: stereotypen van kapitalist en arbeider. Links een dikke heer, glimlachend, de handen in de broekzakken. Rechts een slanker figuur, mond open, met pet. Hij legt zijn rechterhand op de linkerschouder van de ander, de linkerarm is geheven en verdwijnt rechts uit beeld.
Reisnecessaire
Object type: reisnecessaire
Date: 1789 – 1789
Materials: leather, wood, porcelain, silver
Location: paris
Artist: roch-louis dany
Artist role: silversmith
Inscriptions: mark: ‘kreeft 800’, maker's mark: ‘RLD’, import mark: ‘zwaan’, mark: ‘P 89’

De kist heeft een groen leren bekleding met vergulde gestanste randen. De deksel heeft een monogram FLC in schild omgeven met ranken. In de deksel ontbreekt het dienblad. De hoeken van de kist zijn van koper, aan beide zijden zijn twee hengsels. De kist heeft een sleutel. Inhoud: een taps toelopend cilindervormige chocolade kan met schroevende ebbenhouten handvat, een schenkkan met deksel met bloemvormige knop met schroevende ebbenhouten handvat met glazen binnenbak in groen leer, twee kandelaars met losse bobeches en een gecanneleerde schacht, een komfoor met schroevend handvat, een trechter, een zandstrooier, een theezeefje, een doosje met kaarshouder, alle verguld zilver met monogram FLC, vier ronde kristallen flacons met verguld zilveren schroevende doppen, een kristallen theeflacon met verguld zilveren schuif sluiting, een ivoren naaldenkoker, een ivoren koker met daarin een spoel, een porseleinen theepot, een suikerbak, een schenkkan, twee kopjes en schoteltjes, drie ronde porseleinen potjes met deksel, de meeste met een grijs geschilderd decor met engeltjes, kinderen, schaap en hond. De meeste zijn gesigneerd met Manufacture de Monseigneur Le Duc d’Angoulème à Paris.
Two lidded pots and a saucer depicting women and boys
Object type: platter
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark

Schotel van porselein. De schotel heeft op de rand een versiering van vier medaillons met bladmotieven gescheiden door ruitvormen, waarin een vierbladig rozet. Op het plat een vrouw zittend in een tuin onder een dunne boomtak, links voor haar staat een kind. Op de buitenrand vier van de waardevolle voorwerpen: een paar boeken, een tekening, een juweel en een artemisiablad. De schotel is gemerkt.
Long-necked vessel
Object type: vessel
Date: 1101 – 1600
Materials: terracotta
Culture: middle niger civilization
Location: mali
Artist: middle niger artist(s)
Artist role: artist

Since the first millennium ce, skilled female potters in what is today central Mali have produced a diverse repertoire of fired ceramics, including household items, burial urns, and representational devotional works. This vessel represents one example of the various elegant, hand-modeled Middle Niger ceramics. Beyond their utilitarian form, they feature careful decorative finishes. The artists created impressed designs that imitate woven basketry by repeatedly stamping braided fibers around the vessel's exterior.
Petticoat
Object type: petticoat
Date: 1840 – 1850
Materials: cotton, silk
Culture: american
Poem by Kanke (Sugawara Michizane), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Object type: woodblock print
Date: 1839 – 1839
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: poetry,men,bulls,carts