deem-data/ArtiFact huggingface dataset:
Pair of vases
Object type: vase
Date: 1810 – 1820
Materials: hard paste porcelain
Subjects: chinoiserie,children,playing
Houthakker
Object type: print
Date: 1848 – 1888
Materials: paper
Techniques: etching
Location: netherlands
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: woodcutting, woodcutter ~ forestry, fence, wall, paling
Inscriptions: inscription: ‘A. Mauve. Nederlandsch Etsclub 1867’, collector's mark: Lugt 2228

Twee achter elkaar staande bomen. Bij de tweede boom een voorover gebogen houthakker. Op de achtergrond kreupelhout en rechts een hek.
Koningin Juliana, Prinses Beatrix, Prinses Irene en Prins Bernhard op het balkon
Object type: photograph
Date: 1962 – 1962
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: joop van bilsen
Artist role: fotograaf
Artist dates: 1905 – 1977
Subjects: utrecht, bernhard (prins der nederlanden), beatrix (koningin der nederlanden), juliana of the netherlands, the hague
Inscriptions: annotation: ‘Na de opening van de Staten Generaal vertrok het Kon. Gezin naar het Paleis op het Lange Voorhout. Op het balcon werd een enthousiaste groet gebracht aan het toegestroomde publiek. Foto ANEFO 16-9-1958 foto Jo van Bilsen’
Baluster
Object type: baluster
Date: 1790 – 1790
Materials: brass, iron
Krijgsman aan tafel
Object type: drawing
Date: 1819 – 1819
Materials: paper, pencil
Artist: johann nepomuk strixner
Artist role: draughtsman, print maker
Artist dates: 1782 – 1855
Subjects: inn, coffee-house, public house, etc., recreation ~ the soldier off duty
Slangenbezweerder te Tanger
Object type: photomechanical print
Date: 1887 – 1897
Materials: paper
Techniques: photoaquatint
Location: tanger
Subjects: snakes, adult man, flute, aulos, tibia
Inscriptions: title: ‘A Snake Charmer.’
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1886 – 1886
Materials: ink, paper
Techniques: pen, writing
Location: laren
Artist: wally moes
Artist role: draughtsman, print maker
Artist dates: 1856 – 1918
Subjects: publisher, utrecht, print maker, etha fles, art trade, art shop, drawing, painting (including book-illumination, miniature-painting), money
Inscriptions: collector's mark: Lugt 2233
Al is hier de oude Jan, op 't nieuwerwetsch gekleed, / Hem wachten, in den echt, dezelfde vreugd en leed
Object type: popular print
Date: 1828 – 1853
Materials: paper
Techniques: colour, letterpress printing
Location: breda
Artist: Anonymous
Subjects: hen-pecked husband, 'betty', 'molly' (man who engages in women's work)

Blad met 24 voorstellingen uit het leven van Jan de Wasser, een man die van zijn vrouw Griet, die de broek aan heeft, al het huishoudelijk werk moet doen. Onder elke voorstelling een tweeregelig vers. Genummerd rechtsboven: No. 1.
Mrs. Ethan Stone (Abigail Maria Storrs)
Object type: painting, miniature
Date: 1795 – 1795
Materials: ivory, watercolor
Culture: american
Artist: william verstille
Artist role: artist
Artist nationality: american
Artist dates: 1757 – 1803
Subjects: portraits,women

Abigail and her sister Clarissa were daughters of the Rev. Eleazar Storrs of Yale College. Abigail married Ethan Stone in 1795.
Portret van John May op 80-jarige leeftijd
Object type: print
Date: 1773 – 1813
Materials: paper
Techniques: etching
Subjects: historical persons, shipbuilding industry
Inscriptions: collector's mark: Lugt 2228
Terracotta fragments of stemless kylikes (drinking cups)
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Two black glazed fragments from stemless kylikes; lipped outside
Lentoid Bottle ("New Year's Bottle") inscribed for the God's Father Amenhotep, son of the God's Father Iufaa
Object type: bottle, new year's bottle, amenhotep, iufaa
Date: 664 – 525
Materials: faience
Location: egypt
Subjects: hieroglyphs
Bouw van de tabernakel
Object type: print
Date: 1725 – 1731
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: tabernacle, 'mishkan' ~ jewish religion, the making of the tabernacle and its accessories ~ exodus
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor voor: Calmet, Augustin. Het algemeen groot historisch, oordeelkundig, chronologisch, geografisch en letterlyk naam- en woord-boek van den gantschen H. Bybel. Amsterdam: R. en J. Wetstein en W. Smith, Leiden: S. Luchtmans, 1725-1731.
Studioportret van een man met snor en bakkebaarden
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: istanbul
Inscriptions: name: ‘Hubson’, name: ‘Abdullah freres’

De afgebeelde man is vermoedelijk de heer Lenz.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, part of meander; Exterior, lower drapery and feet of male to left; part of handle palmette
Gezicht op Westminster Abbey, de westelijke kant
Object type: photograph
Date: 1864 – 1869
Materials: photographic support
Techniques: albumen print
Artist: john harrington
Artist role: fotograaf
Subjects: front façade, westminster abbey
Vase with cover (Vase en ivoire) (one of a pair)
Object type: vase with cover
Date: 1786 – 1786
Materials: gilt bronze, ivory

Ivory-turning had been a fashionable pastime at European courts during the sixteenth and early seventeenth centuries, and it was revived in France and elsewhere during the second half of the eighteenth century. Louis XV worked the lathe himself, and his daughters received instruction in this art form. His grandson the dauphin, the future Louis XVI, also took lessons, as did his brothers. A group of ivory vases was recorded at the Château de Versailles on the eve of the Revolution, possibly created by members of the royal family. It is more likely, however, that Michel Voisin (1729–1786), turning master to Louis XVI, or his son François was responsible for these precious, lacelike objects. A series of engraved designs by the younger Voisin, entitled Nouveau Cahier de vases, composés par Voisin Fils, includes a vase that is similar to but more elaborate than the Museum’s pair. The chief difference is that the body and shoulder of the Museum’s covered vases are decorated with vertical openwork channels instead of spiraling ones. As suggested in the engraving, the Museum’s vessels are richly embellished with gilt-bronze mounts. Especially noteworthy are the beautifully modeled female busts and the scrolling handles shaped like interlaced branches of berried ivy. Since the eighteenth-century provenance of the Museum’s pair remains a mystery, one can only wonder if they were part of the ivory collection at Versailles. Nine such vases were also documented in the Cabinet Intérieur of the king’s aunt Madame Victoire at the Château de Bellevue in 1786, displayed in individual glass cases. The presence of such protective cases suggests that these exotic openwork vessels were purely decorative and considered too delicate for use as potpourri holders.
Scarab of an Official
Object type: scarab, official, private name and title, senaaib
Date: 1850 – 1640
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs
Wall Pocket (one of a pair)
Object type: ceramic
Date: 1756 – 1758
Materials: ceramic, porcelain, soft paste porcelain
Techniques: underglaze
Location: worcester
Pictorial print
Object type: furnishing textile
Date: 1801 – 1833
Materials: cotton
Subjects: girls,men,women,flowers,leaves
Helmet
Object type: helmet
Materials: copper alloy, gold, steel
Culture: turkish
Location: turkey

This example is inscribed with the name Vizier Hasan Pāshā and the date A.H. 977 (A.D. 1588–89). A number of helmets and other elements of armor are engraved with the names of high-ranking Ottoman officials. These are not necessarily owners' names but presumably served as inventory markings, indicating the vizier who was responsible for the armories at the time or designating helmets that belonged to men under the vizier's command. Hasan Pāshā was governor of Egypt from 1580 to 1583.
Key-Handle
Object type: key handle
Date: 1 – 700
Materials: copper alloy, iron
Culture: roman
Card Number 241, Primrose, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Side Chair
Object type: side chair
Date: 1835 – 1850
Materials: wood
Culture: american
Location: united states
Two Moon, North American Chief, from the Savage and Semi-Barbarous Chiefs and Rulers series (N189) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: men,portraits

Trade cards from the "Savage and Semi-Barbarous Chiefs and Rulers" series (N189), issued in an unnumbered set of 50 cards in 1888 by Wm. S. Kimball & Co.
Design for Brougham, no. 3424a
Object type: drawing
Date: 1878 – 1878
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Old Oaks, from The Park and the Forest
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: printmaking, lithograph
Location: england
Artist: james duffield harding
Artist role: draughtsman, painter, print maker
Artist nationality: english
Artist dates: 1798 – 1863
Bosrand
Object type: sketchbook leaf
Date: 1834 – 1906
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: forest, wood

Blad 32 recto uit een schetsboek met 39 bladen.
Les Forces de l'Europe, Asie, Afrique et Amerique, ou description des principales villes avec leurs fortifications. Dessignées par les meilleurs ingenieurs, particulierement celles qui sont sous la domination de la France (...) et ornées de plusieurs superbes edifices
Object type: map
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: maps of separate countries or regions

Kaart van de Franse stad Straatsburg en omgeving. Plaat nr. 133 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in de plaat in het Frans.
Landscape with Horses
Object type: print
Date: 1848 – 1848
Techniques: drypoint
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Subjects: cows,horses
Drie vrouwen en een kind aan de kust
Object type: page
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Subjects: adult woman, coast
Borstbeeld van Louis II de Bourbon, prins van Conde, maarschalk van Frankrijk, bijgenaamd Le Grand Conde (1621-1686)
Object type: sculpture
Date: 1695 – 1695
Materials: bronze
Artist: jérôme derbais
Artist role: sculptor
Artist dates: 1668 – 1715
Subjects: france
The Cook and His Wife
Object type: print
Date: 1496 – 1496
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: birds,men,portraits,women
Allegorische figuren rond een sfinx
Object type: titelblad, titelpagina
Date: 1721 – 1721
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jan wandelaar
Artist role: draughtsman, print maker
Artist dates: 1690 – 1759
Subjects: sphinx (lion/woman); 'sfinge' (ripa), (story of) minerva (pallas, athena), truth; 'verità' (ripa), 'historia'; 'historia' (ripa), fame; 'fama', 'fama buona', 'fama chiara' (ripa), father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228

Menigte allegorische figuren rond een sfinx op een sokkel. Links Geschiedenis en een schrijvende vrouwelijke personificatie gekroond met een toren. Vader Tijd ontrolt een papier, in de lucht de Faam. Rechts de Waarheid: een naakte vrouw met een boek en de zon op haar hoofd. Achter haar Minerva, die met haar lans een duivelse figuur de aarde in duwt.
Canopic Jar Representing the Deity Duamutef
Object type: canopic jar, baboon, duamutef
Date: 664 – 525
Materials: limestone, paint
Location: northern upper egypt

Canopic jars were made to hold the internal organs that were removed during mummification. This canopic jar, with its jackal-headed lid, probably held the stomach and was under the protection of the god Duamutef, one of the Four Sons of Horus. The other three jars of the set are 12.183.1a–c.
Shock Dog (nickname for a dog of the Maltese breed)
Object type: figure
Date: 1782 – 1782
Materials: marble
Artist: anne seymour damer
Artist role: artist
Artist nationality: british
Artist dates: 1748 – 1828
Subjects: dogs

Portrayed life-size, the small dog attentively looks up and awaits a word or a touch from its master. In eighteenth-century Britain, small breeds like the Maltese -- known as a shock dog for its rough coat -- were beloved companions. The emotional bond between owners and their pets often were commemorated in endearing portraits like this one. Anne Damer was celebrated as Britain’s first woman sculptor who portrayed both animals and people with memorable personal style. Noble-born and highly educated, Damer inscribed the Shock Dog with her name in Greek to recall her art’s classical origins. The engaging naturalism of this canine portrait testifies to her artistic mastery and to her empathy. At her death, Damer asked to be buried with her sculptor’s tools and the bones of her favorite dog: two life-long joys that had sustained her.
Portret van Maarten Harpertszoon Tromp
Object type: print
Date: 1650 – 1655
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: brielle, maarten harpertszoon tromp, navy
Inscriptions: collector's mark: Lugt 2228

Portret van admiraal Maarten Harpertszoon Tromp, zijn hand rustend op een kanon, de andere hand in zijn zijde. Het portret is gevat in ornamentele lijst met vlaggen, zwaarden, kanonnen, harnasdelen en wordt bekroond door twee putti, die een lauwerkrans ophouden. Onderaan in de marge een zeegezicht met zeilschepen. In het midden wellicht Tromps schip, de Brederode.
Torenspits van de Sint Lievensmonsterkerk te Zierikzee, boven
Object type: print
Date: 1619 – 1619
Materials: paper
Techniques: engraving
Location: zierikzee
Subjects: parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor het bovenste gedeelte van de Sint Lievensmonstertoren.
Rechthoekige woningen met uitstekende rieten delen
Object type: photograph
Date: 1890 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: egypt
Artist: Anonymous
Subjects: dove-cote, exterior ~ representation of a building
Inscriptions: title: ‘E 72. Arabische huizen met duiventillen. Opper-Egypte.’, stamp: ‘GEMEENTELIJKE BIBLIOTHEEK/ ROTTERDAM’, check stamp: ‘Bristol/ L.M.’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Allegory of Love, Time, and Death
Object type: print
Date: 1580 – 1580
Materials: ink, paper
Techniques: engraving
Location: belgium
Artist: hieronymus wierix
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1553 – 1619
Inscriptions: Lettered lower left: "Jero. W. fecit. / Gode van haecht ex." and below image: "Luxuries praedulce malum, cui tempus et error Accelerant fatum, multos inexuit hamis, Membraque Circaeis effeminat acrius herbis."
Jeremia wordt uit de put gehaald
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: jeremiah is released from the dungeon
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Theatrum biblicum : hoc est historiae sacrae veteris et novi testamenti tabulis aeneis expressae. Opus praesentatissimorum huius ac superioris seculi pictorum atque sculptorum, summo studio conquisitum et in lucem editum. Amsterdam: Claes Jansz. Visscher, 1643.
Vlag van Beverwijk
Object type: drawing
Date: 1667 – 1670
Materials: ink, paper, watercolor
Techniques: brush, pen
Location: france
Artist: Anonymous
Subjects: flag, colours (as symbol of the state, etc.)
Inscriptions: number: ‘145 / CLVII / 157’

Blanco, oningevulde vlag, bestemd voor de vlag van de stad Beverwijk. Vlag op vlaggensteng en mastvoet. Afgebeeld op folio 79r. Onderdeel van een vlaggenboek met vlaggen uit Europa, Noord-Afrika, Nabije en Verre Oosten.
Le Combat (The Combat), from "Le Combat a la Barrière in the Palace at Nancy"
Object type: print
Date: 1627 – 1627
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Encyclopedische voorstellingen voor de jeugd
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: engraving, etching
Subjects: samuel admonishes saul to slay the amalekites
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie encyclopedische prenten door verschillende kunstenaars naar ontwerp van Daniel Nikolaus Chodowiecki bij Johann Sigmund Stoy's 'Bilder-Akademie für die Jugend', uitgegeven te Neurenberg in 1784.
De prenten waren bedoeld voor kinderen om uit te knippen, op kaarten te plakken en vervolgens op logische wijze te rangschikken (zie Heesen, Anke te. The World in a Box: The Story of an Eighteenth-Century Picture Encyclopedia. Chicago: University of Chicago Press, 2002).
De botsing van twee treinen aan den ingang van den tunnel Saint-Innocent
Object type: book illustration
Date: 1876 – 1877
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Artist: van mierlo
Artist role: print maker
Subjects: railway-accident, underground road, tunnel, france
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Voor de ingang van de tunnel Saint-Innocent te Frankrijk liggen de wrakstukken van twee gebotste treinen en worden lichamen van gewonde personen in veiligheid gebracht.
Portret van Anna Van Ghell
Object type: page
Materials: paper
Techniques: woodburytype
Location: paris
Subjects: portrait of opera-singer
Inscriptions: inscription: ‘Journal hebdomadaire paraissant le jeudi Du 24 au 31 Décembre 1874’, number: ‘No 84’
Prentjesdruk van Épinal
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: colour, letterpress printing, lithograph
Location: epinal
Artist: Anonymous
Subjects: horses and kindred animals, tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen over het jongetje Hans, dat geboren wordt met een ezelskop. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 6.
Small oval table
Object type: table
Date: 1775 – 1775
Materials: wood
Artist: claude-charles saunier
Artist role: maker
Artist nationality: french
Artist dates: 1735 – 1807
Landschap met bomen
Object type: sketchbook leaf
Date: 1886 – 1890
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: landscapes

Blad 10 recto uit een schetsboek met 17 bladen.
Book cover with red floral and abstract pattern
Object type: print
Date: 1701 – 1800
Techniques: relief print
Artist: Anonymous
Artist role: artist
Inname van Narwa door Rusland op Zweden 1704
Object type: history medal
Date: 1704 – 1704
Materials: tin
Techniques: striking

Tinnen penning, op de voorzijde het borstbeeld van Tsaar Peter de Grote naar rechts met omschrift, op de keerzijde het bombardement van Narva met dubbel omschrift en afsnedetekst.
Fragment (From a shawl)
Object type: textile
Date: 1850 – 1899
Materials: wool
Culture: persian
Location: iran
De Vat
Object type: book illustration
Date: 1711 – 1711
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: wine-cellar, wooden container: barrel, cask, bucket
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en verkeer, Beroep en bedrijf, Mannelijk, Bewerkers van het hout.
Portret van Melchior Klesel
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: vienna, historical persons

Prent waarschijnlijk uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.