deem-data/ArtiFact huggingface dataset:
Liggend vrouwelijk naakt met opgetrokken linkerbeen
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure (+ lying)

Blad 4 recto uit schetsboek XII met 19 bladen.
Coffee cup (part of a service)
Object type: coffee cup
Date: 1760 – 1760
Materials: hard paste porcelain
Artist: doccia porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1737 – 1896
Subjects: female nudes,putti,swans
Mace
Object type: mace
Date: 1648 – 1687
Materials: copper alloy, leather, silver, wood
Culture: turkish
Location: turkey

This delicately crafted mace, with its head of silver-gilt pierced with tulip designs, was not a battle weapon; it was probably an insignia of command in the Ottoman army. Similar examples were taken as booty after the unsuccessful Turkish siege of Vienna in 1683.
Column Shaft
Object type: shaft
Date: 1901 – 2000
Materials: cement
Culture: european or american
Plaque with bust of a divine child with earring (Ihy?)
Object type: sculptor's model votive, relief bust of divine royal child
Date: 400 – 30
Materials: limestone
Location: egypt
Subjects: children

Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or unfinished way but are themselves finished constitute a special class of object. Guidelines like those for artists are often prominently exhibited as part of the object, although, in fact, many instances can be noted where the object simply could not serve as a suitable model for a traditional formal Egyptian representation. Personifications of kingship, figures that may represent the now emerging demigods Imhotep and Amenhotep Son of Hapu, and popular gods like Harpokrates or Isis, are heavily represented within the corpus. Taken together, the figures represented and the other features indicate the reliefs and sculptures of this class, sometimes called by Egyptologists "sculptor’s models / votives," were the material of a donation practice, perhaps connected with the prolific temple building of these centuries. Unfortunately there is little to illuminate us about the mechanics of such a donation practice. Child gods with their sidelocks and youthful features appear frequently among the donation reliefs. Sometimes as here the child wears an earring.
Elf ontwerpen voor visitekaartjes
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: sphinx (lion/woman); 'sfinge' (ripa), (story of) minerva (pallas, athena), ornament ~ cartouche, visiting-card, calling-card

Ovale cartouches, een landschap met tempel, waterval en Sfinx, en een portret van Minerva in ovaal. Oningevulde ontwerpen voor visitekaartjes.
Terracotta fragment of a kylix: eye-cup  (drinking cup)
Object type: kylix fragment, eye cup
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of palmette and tendril
Head of a Bishop
Object type: sculpture
Date: 1500 – 1500
Materials: limestone, paint
Techniques: painting, polychromy, carved
Culture: french
Location: france
Subjects: heads, fragment, man, religion, religious, religious attire, religious figures
Fotoreproductie van een schilderij, voorstellende een schrijver aan een tafel in een interieur
Object type: reproduction
Date: 1850 – 1855
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: writing-table, writing-desk, handwriting, writing as activity, interior ~ representation of a building
Detail van het Riemenschneideraltar in de dom van Bamberg
Object type: album leaf
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: bamberg
Artist: Anonymous
Subjects: interior of church
Inscriptions: inscription: ‘Kunsthist. Seminar/ Marburg (Lahn)/ Photogr. Abteilung/ Vervielfältigung/ untersagt.’, inscription: ‘Bamberg/ 166’
Dress
Object type: dress
Date: 1875 – 1875
Materials: cotton
Culture: american
Bruxelles. Eglise St. Marie
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1913
Materials: cardboard
Techniques: photograph
Location: brussels
Artist: Anonymous
Subjects: church (exterior), square, place, circus, etc. (+ city(-scape) with figures, staffage)
Order of St. Anne, Russia, from the World's Decorations series (N30) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: medals

Trade cards from the "World's Decorations" series (N30), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Portret van Theodor Beza
Object type: print
Date: 1595 – 1595
Materials: paper
Techniques: engraving
Location: germany
Subjects: theodorus beza, ornament ~ medallion, historical persons, ornament ~ cartouche, ornament derived from architectural details, the four cardinal virtues
Inscriptions: collector's mark: Lugt 2228

Rondom vier medaillons met deugden. Tekst in het Latijn in de omlijsting van het medaillon en in de marge eronder, met ook enkele woorden in het Grieks.
Verdoemde zielen in gevecht
Object type: print
Date: 1580 – 1580
Materials: paper
Techniques: engraving
Location: vatican city
Subjects: the damned souls, and their punishment
Inscriptions: date

Prent uit een reeks van vijf prenten met figuren uit het 'Laatste Oordeel' van Michelangelo in de Sixtijnse Kapel (Bartsch 67-71).
Kinderspelen naar schilderijen van William Hamilton
Object type: print
Date: 1754 – 1842
Materials: paper
Techniques: engraving, etching
Subjects: children's games and plays, cat and mouse
Inscriptions: collector's mark: Lugt 2228

Links houdt een van de kinderen een kat vast. Rechts opent een ander kind een kleine klooi met daarin een muis.
Fotoreproductie van een schilderij voorstellende het Zoölogisch Station te Napels
Object type: reproduction
Date: 1874 – 1900
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: aquarium, exterior ~ representation of a building
Inscriptions: inscription: ‘Zoologisch Station te Napoli’, collector's mark: ‘VOSMAER’
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, gold alloy, gold
Culture: japanese
Location: japan
Subjects: insects
Poet
Object type: toy
Date: 1765 – 1768
Materials: soft paste porcelain
Artist: derby porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 1785
Subjects: men,writing
Schilderij op een ezel
Object type: sketchbook leaf
Date: 1885 – 1898
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: the soldier; the soldier's life (+ cavalry, horsemen)

Het schilderij is zeer waarschijnlijk Breitners 'Cavalerie op de heide' uit de collectie van het Stedelijk Museum, Amsterdam.
Dish
Object type: dish
Date: 1501 – 1533
Materials: brass
Culture: german
Subjects: women
Sinterklaasfeest van de Jeugdstorm
Object type: photograph
Date: 1935 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: utrecht
Subjects: military celebrations, utrecht, saint nicholas day

Sinterklaasfeest voor leden van de Jeugdstorm. Sinterklaas en Zwarte Piet staan in het midden omringd door leden, de meesten in uniform. Het feest wordt gehouden in de Werfkelder van het "Kringhuis" van de Jeugdstorm in Utrecht.
Vase
Object type: ceramic
Date: 1900 – 1900
Materials: brass, earthenware
Techniques: glazing
Location: france
Bokaal met twee ineengeslagen handen en het opschrift: DE GOEDE VRIND SCHAP
Object type: goblet
Date: 1725 – 1750
Materials: glass
Techniques: glassblowing, grinding
Location: germany
Artist: Anonymous

Bokaal, geslepen balusterstam. De geslepen kelk vertoont in een cirkelrand twee handen. Om dit medaillon een bloemkrans en de woorden: DE GOEDE VRIND SCHAP.
Le Sculpteur
Object type: print
Date: 1701 – 1800
Materials: ink
Techniques: printmaking, etching, printing
Artist: gilles demarteau
Artist role: artist
Artist nationality: french
Artist dates: 1722 – 1776
Bombario Actionist en de Geest van Esopus
Object type: print
Date: 1718 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: plymouth, little people

Portret van de Engelse kleine mens John Skinner, geboren te Plymouth in 1663. In het onderschrift verzen in het Duits, Frans en Nederlands. Genummerd: C. 1 Deel. Afdruk binnen een decoratieve omlijsting gedrukt van een aparte plaat met ranken en harlekijnen. Onderdeel van de tweede Nederlandse gebonden uitgave uit 1720 (en gerelateerd aan de Windhandel in dat jaar) van een serie karikaturen van kleine mensen, bekend als Het Dwergentooneel, deels gekopieerd naar een ouder Duits voorbeeld.
Portret van Karel IV van Maine
Object type: book illustration
Date: 1755 – 1765
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Mogelijk prent uit: Dreux du Radier, Jean-François. L'Europe illustré, contenant l'histoire abregée des souverains, des princes, des prélats, des ministres, (...) en Europe: dans le XVe. siècle compris, jusqu'à présent. Parijs: Michel Odieuvre en André-François Le Breton, 1755-1765, dl. 2.
Pitcher
Object type: pitcher
Date: 1850 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states
A Nude Woman Kneeling at the side of a Reclining Man (Study for Mary Magdalen Lamenting Christ)
Object type: drawing
Date: 1857 – 1857
Materials: chalk, graphite
Techniques: brush, heightening, wash
Location: germany
Artist: julius hübner
Artist role: artist
Artist nationality: german
Artist dates: 1806 – 1882
Subjects: sleeping,men,female nudes
Luohan, after a set attributed to Guanxiu
Object type: rubbing
Materials: ink, paper
Culture: chinese
Artist: unidentified
Artist role: artist
Subjects: men

Of the many luohan painters throughout Chinese history, none was more influential than the Buddhist monk Guanxiu (832–912), whose wild caricatures inspired generations of artists to depict luohans as exotic, superhuman beings. Guanxiu’s paintings were already considered rare in 1757, when the Qianlong emperor encountered what he believed to be an authentic set in a monastery in Hangzhou. To preserve their appearance, the emperor commissioned copies and had them carved in stone so that rubbings like this one could be made. The original painting is now lost, making these copies some of the most important surviving evidence of Guanxiu’s style.
Daoist Sage and Hawk
Object type: screen
Date: 1634 – 1666
Materials: ink, panel, paper
Techniques: painting
Culture: japanese
Artist: soga nichokuan
Artist role: artist
Artist nationality: japanese
Artist dates: 1600 – 1700
Subjects: hawks,men,trees

On the right panel of this screen an elderly man sits in the shade of a grove of trees, a walking stick in one hand. His bald head, scrawny limbs, and bare feet are delineated with smooth brush lines in light ink, while dark spots mark his eyes and the corners of his downturned mouth. The painting was cut down from a larger work, which may have held clues to the identity of the seated figure. The companion piece, on the left panel, depicts a hawk perched on the branch of an oak tree. Soga Nichokuan, well known as a painter of hawks, most likely worked in the vicinity of the port city of Sakai, south of Osaka.
Houten krukken
Object type: sketchbook leaf
Date: 1849 – 1917
Materials: paper, pencil
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: stool

Blad 4 verso uit een schetsboek met 35 bladen.
Gargantua op zijn paard voltigerend
Object type: print
Date: 1741 – 1741
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (scenes from) specific works of literature (with author, title), riding-school, manège (+ unusual way of sitting on riding-animal)
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 2228

De reus Gargantua voltigeert op zijn paard. De toekijkende soldaten en ridders zijn onder de indruk van zijn kunst.
Juin
Object type: print
Date: 1613 – 1655
Materials: paper
Techniques: engraving, etching
Subjects: landscape symbolizing june
Inscriptions: collector's mark: Lugt 240
Aubade aan Burg. en Weth. van Amsterdam
Object type: cartoon
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: small group of musicians, chamber orchestra, jazz band, municipal government, political caricatures and satires

Een orkest in zeventiende-eeuwse dracht brengt een muzikale aubade aan de burgemeester en wethouders van Amsterdam. Als dank voor gemeentelijke subsidie aan het Concertgebouw.
Statuette of an athlete
Object type: statuette of an athlete
Date: 500 – 401
Materials: bronze
Culture: etruscan or greek
Subjects: male nudes,athletes
Thesaurus sacrarum historiaru[m] veteris testame[n]ti, elega[n]tissimis imaginibus expressu[m] excelle[n]tissimoru[m] in hac arte viroru[m] opera: nu[n]c primu[m] in luce[m] editus
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: those who lap water by putting their hand to their mouth are separated from those who kneel down to drink the water ~ selection of gideon's men

Gideon heeft zijn mannen naar het water gebracht en laat hen drinken. Degenen die het water met hun tong oplikken neemt hij mee in de strijd. De mannen die knielen om het water te drinken worden naar huis gestuurd. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Ri. 7. Deze prent maakt deel uit van een album.
Paar schrikt van een bliksemschicht
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: candle, bed, lightning, flash of lightning, thunderbolt
Inscriptions: collector's mark: Lugt 2228

In een slaapkamer schrikt een paar van een bliksemschicht, bij nacht.
Militair Tehuis Koningin Wilhelmina
Object type: photograph
Date: 1900 – 1940
Materials: photographic support
Techniques: collodion silver print, gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: sumatra, dutch east indies, the

Soldaten en personeel poserend buiten voor het Militair Tehuis Koningin Wilhelmina. Onderdeel van een groep van 14 losse foto's genomen op Midden- en Zuid-Sumatra in de periode ca. 1900-1940.
La Pratique de l'Aiguille, page 42 (recto)
Object type: book print ornament architecture
Date: 1605 – 1605
Techniques: woodcut
Artist: matthias mignerak
Artist role: author
Subjects: ornament,acorns

Written by Matthias Mignerak, title page engraved by Pierre Firens, French, born Paris 1641, dedicated to Marie de Medici, Florence 1575-1642 Cologne, published by Jean Le Clerc, Paris. From top to bottom, and left to right: Design is printed upon a grid and is decorated with a large central square framing a 4-petaled flower that has curving stems of leaves, fruit, acorns, and other flowers. The central element is surrounded by a border ornamented with a checkerboard pattern.
Etiket van à la Tête Noir, leverancier van schrijfbenodigdheden te Rouen
Object type: label
Date: 1775 – 1825
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Mogelijk is er een verband tussen dit etiket en een prent met het gezicht van een zwarte vrouw in een omlijsting (RP-P-2015-26-500).
Design for Dog Cart or 2 Wheeler, no. 3018
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Twee voetstukken met guirlandes
Object type: print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: lion's head ~ ornament, ornament ~ medallion, pedestal of a piece of sculpture (perhaps in the form of a herm), ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Twee voetstukken gedecoreerd met guirlandes en bladmotieven, onder met medaillon en leeuwenkop. Prentnummer 225.
Terracotta fragment of a pelike (jar)
Object type: pelike fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Part of the panel ornament of a pelike, which consists of a chain of dots
De dwerg Mr. Curtius van Pleithuisen als een advocaat, 1716
Object type: caricature
Date: 1716 – 1716
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: caricatures (human types), little people, lawyer, attorney at law

De kleine mens Mr. Curtius van Pleithuisen als een advocaat die een document bestudeert. In het onderschrift verzen in het Duits, Frans en Nederlands. Afdruk binnen een decoratieve omlijsting gedrukt van een aparte plaat met saters, engelen en een adelaar. Genummerd rechts midden: 8. Onderdeel van de Nederlandse gebonden uitgave uit 1716 van een serie karikaturen van kleine mensen, bekend als Het Dwergentooneel, gekopieerd naar een ouder Duits voorbeeld.
Apeldoorn - Paleis Het oude Loo
Object type: photomechanical print
Date: 1895 – 1930
Materials: cardboard, paper
Techniques: rotogravure
Location: apeldoorn
Artist: Anonymous
Subjects: castle
Egg Cup
Object type: egg cup
Date: 1880 – 1890
Materials: glass
Techniques: pressed
Location: england
Chest fragment with traces of Aten cartouches
Object type: chest fragment, aten cartouch
Date: 1353 – 1336
Materials: limestone
Location: egypt
Plate
Object type: plate
Date: 1733 – 1734
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds,horses,coat of arms
Hotel des Indes aan de Molenvliet in Batavia
Object type: photograph
Date: 1857 – 1863
Materials: cardboard, paper
Techniques: albumen print
Location: java
Subjects: canals, waters (in city), hotel, hostelry, inn
Partisan
Object type: partisan
Date: 1476 – 1500
Materials: steel, wood
Culture: italian
Location: italy
Witte katoenen kindermuts met Engels borduurwerk
Object type: childrenswear
Date: 1850 – 1870
Materials: cotton, textile
Techniques: embroidered
Location: netherlands
Artist: Anonymous

Kindermutsje van vol geborduurde katoen, met hoefijzervormige bol en dwars voorpand(meisje), met een decor van druiventrossn en -bladeren, waartussen rozetbloempjes. Second Empire? Patroon: De druiventrossen zijn van gecordonneerde gaatjes en de blaadjes en bloempjes van festo- en satijnsteek.
Organized square piano (square piano and pipe organ)
Object type: organized square piano square piano and pipe organ
Date: 1786 – 1786
Materials: wood, iron, ivory
Culture: british
Location: united kingdom
Artist: longman & broderip
Artist role: maker
Zweedse schans aan de Weichsel bij Danzig, 1626
Object type: print
Date: 1626 – 1628
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: fortifications, military engineering
Inscriptions: inscription: ‘422’

Zweedse schans gebouwd aan de Weichsel bij Danzig, 1626. Onderaan een cartouche in de vorm van een rol papier opgehouden door twee soldaten met een kaart van de monding van de Weichsel met titel en bijschriften in het Nederlands. Links Legenda van de hoofdvoorstelling 1-11. Rechtsonder met pen genummerd: 422. De prent maakt deel uit van een album.
Brief aan baron Huibert Gerard Nahuys van Burgst
Object type: letter
Date: 1847 – 1847
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: johan heinrich neuman
Artist role: draughtsman, painter, print maker
Artist dates: 1819 – 1898
Subjects: painting (including book-illumination, miniature-painting), historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: Lugt 2233
De verovering van het Spaanse galjoen St. Jacob door de Zeeuwse schepen van De Roy en Bikker 1601
Object type: history medal
Date: 1602 – 1602
Materials: tin
Techniques: casting

Tinnen penning, op de voorzijde een paard dat naar de andere zijde van de wereld springt, gevolgd door de Zeeuwse leeuw, met een omschrift op twee linten waartussen een burchtje, op de keerzijde drie schepen op volle zee, met omschrift.
Gezicht op Château La Tour Carnet in Saint-Laurent, Frankrijk
Object type: photograph
Date: 1862 – 1867
Materials: paper
Techniques: albumen print
Location: saint-laurent
Artist: alfred danflou
Artist role: fotograaf, schrijver
Subjects: castle
Inscriptions: inscription: ‘propriétaire: M. de LUETKENS.’
A Group of Roman Bandits with Their Families and Companions after a Robbery
Object type: drawing
Date: 1824 – 1824
Materials: graphite, ink
Techniques: pen
Artist: dietrich wilhelm lindau
Artist role: artist
Artist nationality: german
Artist dates: 1799 – 1862
Subjects: firearms,infants,men,women,family
Study for an illustration in Tacitus "Tibère, ou Les Six Premiers Livres des Annales", Book V, Vol. 3, 2nd Study
Object type: drawing and watercolor
Date: 1768 – 1768
Materials: graphite, ink, paper
Techniques: incising, pen, transfer
Location: france
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Perzische klederdracht
Object type: book illustration
Date: 1672 – 1672
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: human types; peoples and nationalities, merchant, salesman, persia
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent uit: Dapper, Olfert. Beschrijving des koningrycks van Persie, behelsende de landschappen Fars, Schirwan, Erak, Adirbeitzan, Karabach (...). Amsterdam: Jacob van Meurs, 1672, p. 31.