deem-data/ArtiFact huggingface dataset:
Gezicht op de Nieuwezijds Kapel te Amsterdam
Object type: print
Date: 1770 – 1783
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior) - qq - small church, chapel, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Vanaf 1760 gaf Pierre Fouquet stadsgezichten van Amsterdam naar tekeningen van verschillende kunstenaars uit. Deze prenten werden aanvankelijk los verkocht. Later werden ze samengebonden verkocht in verschillende volgordes en aantallen in:

(1). Afbeeldingen van de wyd-vermaarde koopstad Amsterdam benevens des zelvs voornaamste gebouwen en gezigten alle naar het leeven getekend / Receuil des edifices les plus considerables et des plus belles vues, de la fameuse ville d'Amsterdam, dessinées d'après nature. Amsterdam: Pierre Fouquet, 1778-1783.
(2). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam, met derzelver beknopte beschryvingen. 2 dln. Amsterdam: Daniël Jean Changuion en Petrus den Hengst [in opdracht van Pierre Fouquet], 1783.
(3). Stijl, Simon. Amsterdam, in zyne geschiedenissen, voorregten, koophandel, gebouwen, kerkenstaat, schoolen, schutterye, gilden en regeeringe, beschreeven. Om te dienen ten vervolge op het werk van Jan Wagenaar (…). 10 dln. Amsterdam en Harlingen: Petrus Conradi en Folkert van der Plaats, 1788-1801.
(4). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam. Met derzelver beknopte beschryvingen. Amsterdam: Evert Maaskamp, 1805.

De prent in deze staat is gebruikt in (1) of (2).
Schepen op zee bij stormachtig weer
Object type: drawing
Date: 1849 – 1849
Materials: ink, paper
Techniques: brush, pen
Artist: louis meijer
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1866
Subjects: sea (seascape), storm at sea
Inscriptions: date and inscription: ‘door Louis Meyer 1849/ DB’
Portret van Amalia van Solms
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: the hague, amalia of solms-braunfels
Inscriptions: date

Portret van Amalia in een ovaal met randschrift. In de ondermarge haar naam.
Brief aan anoniem
Object type: letter
Date: 1823 – 1823
Materials: ink, paper
Techniques: pen, writing
Artist: johannes hermannus molkenboer
Artist role: kunstverzamelaar
Artist dates: 1773 – 1824
Subjects: amsterdam, print maker, draughtsman, gerbrand van den eeckhout, art trade, art shop, painting (including book-illumination, miniature-painting), money
Inscriptions: collector's mark: Lugt 2233, watermark
Gezicht op Hoei en de Maas
Object type: page
Date: 1885 – 1890
Materials: photographic support
Techniques: cyanotype
Location: hoei
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, city-view in general; 'veduta', river
Pair of Sword-Grip Ornaments (Menuki)
Object type: pair of sword grip ornament menuki
Date: 1801 – 1900
Materials: copper, gold alloy, gold, silver
Culture: japanese
Location: japan
Subjects: animals
't Dorp Maarssen
Object type: print
Date: 1795 – 1805
Materials: paper
Techniques: etching
Subjects: maarssen
Inscriptions: collector's mark: Lugt 2228

Prent komt voor in Gezichten voorname hollandse dorpen. Amsterdam, E. Maaskamp, c. 1800.
On the "Sow," Near Walton's House at Shallowford
Object type: photograph
Date: 1880 – 1889
Techniques: photogravure
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Mount Yoshino, Yamato Province (Yamato Yoshinoyama) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”
Object type: print
Date: 1859 – 1859
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige ii (shigenobu)
Rechthoekige en gebogen schoengesp van verguld koper, versierd met een meander, in reliëf geciseleerd op een zwart fond
Object type: clothing
Date: 1800 – 1800
Materials: copper, metal
Techniques: metalworking, gilding
Location: geneva
Artist: Anonymous

Schoengesp: Model: Rechthoekig met afgeronde hoeken en gebogen. Versiering: Tussen afgeschuinde gladde lijsten loopt een meander, en reliëf geciseleerd op een zwarte (?) fond. Ondergespen: Beide zijn gelijk en van staal met aan de spil twee boogvormige ogen, waarvan het ene twee scherpe punten heeft en het andere een kruisvormige steun voor de losse, scharnierende tong(?), die ook twee punten heeft. De spijl is in apart aangebrachte zijwangen van de bovengesp geklonken. Toestand: Het bovenblad is nagedonkerd, zodat niet in uit e maken of de grond als zwart bedoeld is of niet. De ondergesp geheel geroest. Eén der spillen zit los.
Ax of the Palstave Type
Object type: ax of the palstave type
Date: 1500 – 1200
Materials: bronze
Culture: irish
Location: ireland
Schets van een vrouw die planten watert
Object type: drawing
Date: 1876 – 1901
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: gardening
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1872 – 1872
Materials: ink, paper
Techniques: pen, writing
Location: utrecht
Artist: dirk van lokhorst
Artist role: draughtsman, painter, print maker
Artist dates: 1818 – 1893
Subjects: amsterdam, willem jan roijaards van den ham, publisher, criticizing and discussing art, art criticism, art trade, art shop, drawing, painting (including book-illumination, miniature-painting), utrecht
Inscriptions: collector's mark: Lugt 2233
Polia knielend bij een altaar
Object type: print
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: altar ~ non-christian religions, priest ~ greek religion - ee - priestess, (scenes from) specific works of literature: colonna, hypnerotomachia poliphili, kneeling on both knees - aa - female human figure

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, verso fol. 78.
Fall
Object type: statuette
Date: 1800 – 1810
Materials: wood
Culture: american
Location: united states
Subjects: women

Personifications of the four seasons were common subjects for engravers and printmakers in the eighteenth century, but carved wood statuettes such as these are exceedingly rare. In this set of figurines (1971.180.83-.86), the seasons are identified by their attributes: Spring by flowers, Summer by wheat, Autumn by a basket of fruit, and Winter by a muff. Other than for ships’ figureheads, there was little demand in the United States for sculptural carving during this time period. The surviving examples of non-maritime wood sculpture originated almost exclusively in Boston or Salem, Massachusetts.
Portret van een vrouw, staand bij een plant
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons - bb - woman, standing figure - aa - female human figure
Portret van Grinling Gibbons
Object type: print
Date: 1662 – 1742
Materials: paper
Techniques: mezzotint
Subjects: rotterdam, london, sculptor, grinling gibbons, portrait, self-portrait of sculptor, historical persons, compasses
Inscriptions: collector's mark: Lugt 240
Cuckoo, Pine Brach, and Full Moon
Object type: print
Date: 1843 – 1847
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Illustrated "Anthology of Tang-Dynasty Poems" in Five-Syllable Lines (Tōshisen ehon gogon ritsu hairitsu) 画本唐詩選五言律排律
Object type: illustrated book
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai 葛飾北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: men
Hocus Pocus, or Searching for the Philsopher's Stone
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: fireplaces,couples,men,women
Horse Accomplishments, Sketch 10: A Minuet Dancer !!
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,horses,caricature

One of a set of twelve prints that make fun of different sorts of mounts. Here, a man sits on a prancing horse and doffs his hat. Text above reads: "Here's Grace and elegance–these are the pleasing effects of teaching a Horse to Dance!
Vier voorstellingen
Object type: print
Date: 1765 – 1806
Materials: paper
Techniques: etching
Subjects: man and environment
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Allgemeine deutsche Bibliothek. Berlijn en Stettin: Friedrich Nicolai, 1765-1806.
Sint-Willibrordusbasiliek te Hulst
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: letterpress printing, engraving
Artist: john walter
Artist role: publisher
Artist dates:  – 1803
Subjects: city-view, and landscape with man-made constructions
Interieur met geestelijke, dame en jongeman
Object type: drawing
Date: 1734 – 1801
Materials: ink, paper
Techniques: brush, pen
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801

Interieur met geestelijke naast een dame zittend; voor hen staat een jongeman.
Jose knielt neer voor Florinde
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: henricus wilhelmus couwenberg
Artist role: draughtsman, print maker
Artist dates: 1814 – 1845
Subjects: hidden love
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Nicolaas Beets, Jose. Een verhaal. Amsterdam: J. Immerzeel jr., 1838.
Terracotta fragment of a stemless kylix (drinking cup)?
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Black glazed fragment from a stemless kylix?; lipped inside and out
Glass perfume bottle
Object type: perfume bottle
Date: 101 – 300
Materials: glass
Culture: roman

Colorless with green tinge. Tubular rim folded out, over, and in; cylindrical neck, expanding downward, with slight tooling around base; sides of body expanding outward and downward; slightly concave bottom with trace of central pontil mark. Intact, excpet for small hole in lower part of body; pinprick bubbles; patches of deep pitting and iridescent weathering.
Portret van Jacob II, baron van Wassenaer, heer van Obdam
Object type: print
Date: 1700 – 1711
Materials: paper
Techniques: engraving
Location: berlin
Subjects: the hague, armour, historical persons, battle, baton of general

Met een vierregelig onderschrift in het Latijn.
Two unknown women in traditional dresses from the Kanet community of Shimla, Himachal Pradesh, India
Object type: page
Date: 1859 – 1869
Materials: photographic support
Techniques: albumen print
Location: shimla
Artist: Anonymous
Subjects: folk costume, regional costume, human races; peoples; nationalities
Inscriptions: number: ‘(213)’, inscription: ‘KUNYT WOMEN./ HINDOO AND BUDDHIST./ SIMLA.’

De Kanet-gemeenschap is ook bekend als Kunait.
Professor Samuel F. B. Morse, LL.D.
Object type: photograph
Date: 1850 – 1859
Techniques: glass negative, salted paper print
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1879 – 1885
Materials: cardboard, celluloid, paper
Techniques: albumen print
Location: leiden
Artist: johann georg hameter
Artist role: fotograaf
Artist dates: 1838 – 1885
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘F. G. Hameter/ HOF-PHOTOGRAPHE/ van/ H.M. de Koningin der Nederlanden/ LEIDEN & DORDRECHT./ BEKROOND OP DE TENTOONSTELLING/ te Utrecht 1877,/ te Amsterdam 1878, te Arnhem 1879,/ te Leenwarden 1881 met de Zilveren Med./ Men gelieve bij nabestelling bovenstaande nummer optegeven.’, address: ‘J. G. HAMETER, Apothekersdijk No. 7.’, number: ‘540’
Ex libris van B. Lutstorf V.D.M.
Object type: bookplate
Date: 1750 – 1849
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: scroll - ll - scroll unfolded, column, pillar ~ architecture, armorial bearing, heraldry
The Death of Ophelia
Object type: print
Date: 1843 – 1843
Techniques: lithograph
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: shakespeare,women,rivers,death,hamlet

In 1834 Delacroix began a series of lithographs devoted to Hamlet, creating moody images that mirror the troubled psyche of the prince. Choosing key scenes and poetic passages, the artist's highly personal and dramatic images were unusual in France, where interest in Shakespeare developed only in the nineteenth century. Here, Ophelia, whose mind has become unhinged by the murder of her father Polonius, and rejection by Hamlet, has fallen into a stream while picking flowers, and her water-logged gown will soon drag her down to "muddy death." This sad event takes place offstage and is poetically described in act 4, scene 7 by Queen Gertrude. Gihaut frères published the artist's thirteen-print set in 1843, with a second expanded edition of sixteen issued by Bertauts in 1864. Cooly received at first, the prints eventually were recognized as one of the artist's most significant achievements.
Marcellin Berthelot
Object type: print
Date: 1906 – 1906
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Terechtstelling van de wederdopers op het schavot op de Dam, 1535
Object type: history print
Date: 1650 – 1699
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: on the scaffold or place of execution

Illustratie voor een onbekend werk. Deze prenten zijn gebaseerd op de anonieme gravures in de eerste uitgave Hortensius' Van den oproer der weder-dooperen uit 1614. Kopieën naar FMH 386, Niet in Frederik Muller; door het RPK toegevoegd nummer. Naar het verloren gegane schilderij van Barend Dircksz. in het oude stadhuis te Amsterdam.
Netsuke of Two Cats
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: cats
Nakamura Noshio II in the Role of Imayō uta Bikuni
Object type: print
Date: 1796 – 1796
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shunkaku
Artist role: artist
Artist nationality: japanese
Subjects: hats,men,actors
Buste van een man
Object type: print
Date: 1850 – 1910
Materials: paper
Techniques: etching, retroussage
Location: belgium
Artist: Anonymous
Subjects: adult man (+ three-quarter view)
Inscriptions: collector's mark: Lugt 2228, annotation: ‘A.A.’
Descending Geese for Bunshichi (Bunshichi no rakugan), from the series "Eight Views of Elegant Gallants (Furyu otokodate hakkei)"
Object type: print
Date: 1781 – 1789
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Pair of Sword-Grip Ornaments (Menuki)
Object type: pair of sword grip ornament menuki
Date: 1701 – 1800
Materials: gold alloy, gold
Culture: japanese
Location: japan
Subjects: flowers
Narsĩngā
Object type: narsĩngā narsĩngā
Date: 1801 – 1900
Materials: copper
Culture: nepalese
Location: nepal

Narsĩngā A shallow bowl-shaped mouthpiece is consistent among the conical natural trumpets called narsĩngā in Nepal. However, the degree of curvature and length changes from region to region. In West Nepal, they are shorter and have less of a curve, are used with the karnāl, and occasionally with massed damāhā. In eastern Nepal, the Gorkha musicans have a very sophisticated playing technique that employs circular breathing and a type of flutter tonguing. Collected in Kalikot, Karnāl District, Nepal.
Decilitre Measure
Object type: metalwork
Date: 1875 – 1895
Materials: pewter
Culture: le seigneur
Location: caen
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Drapery and foot of a woman to right; below, a double ground line
Kop, veelkleurig beschilderd met een landschap met figuren.
Object type: eating drinking utensil
Date: 1777 – 1777
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: mold mark: ‘18’, factory mark

Lage kop met oor, van beschilderd porselein. De kop is beschilderd met landschappen waarin figuren en langs de rand een brede strook groen vlechtwerk. De kop is gemerkt.
Bedankkaart aan Philip Zilcken
Object type: bedankkaart
Date: 1905 – 1906
Materials: cardboard
Techniques: printing
Location: the hague
Artist: Anonymous
Subjects: middelburg, print maker, herman johannes van der weele, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Low footed bowl with central medallion of the winged lion of St. Mark in colored enamels
Object type: bowl
Date: 1501 – 1550
Materials: gilt, glass
Techniques: enamel
Subjects: lions
Fan
Object type: fan
Date: 1801 – 1833
Materials: gilt, gold, metal, mother of pearl, paint, paper, parchment, silver
Subjects: men,women
Cheddar, Somersetshire
Object type: stereograph
Date: 1854 – 1859
Materials: cardboard, paper
Techniques: albumen print
Location: cheddar
Artist: Anonymous
Subjects: street
Inscriptions: inscription: ‘No 10/ +/ 1.75’, inscription: ‘No 8/ 1’
Bellflower
Object type: painting
Date: 1801 – 1900
Materials: ink, paper
Techniques: painting
Culture: japanese
Artist: hokusai school
Artist role: artist
Subjects: leaves
Swept frame
Object type: frame
Date: 1760 – 1760
Materials: feather, wood
Culture: french
Innocent XII (Pope, 1691–1700)
Object type: medal
Date: 1601 – 1700
Materials: bronze, patina
Artist: giovanni martino hamerani
Artist role: artist
Artist nationality: italian
Artist dates: 1646 – 1705
Subjects: men,profiles,popes
Oudezijds Achterburgwal te Amsterdam
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: canals, waters (in city), civic architecture; edifices; dwellings
Inscriptions: annotation: ‘2 uur/ 's middags’, : ‘lichte lucht’

Oudezijds Achterburgwal met rechts het Kuipersgrachtje. Pagina 25 en pagina 26 uit een schetsboek met 42 bladen.
Landschappen
Object type: print
Date: 1603 – 1641
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: wooden container: barrel, cask, bucket, river, wine production, wine-press, traffic and transport (+ arrival, coming to anchor, at anchor)
Inscriptions: number: ‘2’

Wijnmakerij in een landschap. Op de achtergrond een rivier en heuvels. Tweede prent van een serie van vier.
Afbeelding van den Nieuwen Paus
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: engraving
Location: low countries
Artist: Anonymous
Subjects: clemens x, reformation (roman catholic church vs. protestantism), pope
Inscriptions: date

Grotesk portret van de nieuwe paus. Hoofd van de paus op de manier van Arcimboldo opgebouwd uit allerlei objecten die gerelateerd zijn aan de katholieke kerk. Vervaardigd naar aanleiding van de verkiezing van de nieuwe paus Clemens X in 1670. In het rolwerk om het portret een wolf met een schaap in de bek, een varken met een wierookvat, een lezende ezel met bril en een gans met en rozenkrans. Met onderschrift van 8 regels in het Nederlands.
Le Pompe: Opera Nova, page 12 (verso)
Object type: book print ornament architecture
Date: 1557 – 1557
Techniques: woodcut
Artist: giovanni battista & marchio sessa
Artist role: publisher
Artist nationality: italian
Subjects: ornament

Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design is for bobbin lace and is composed of 2 vertical columns. Left column is decorated with a base ornamented with various diamond motifs with 3 triangular motifs at top that are separated by 2 smaller floral motifs. Right column is decorated with a base ornamented with a pattern of 'S's and diamonds with 3 triangular motifs at top.
Lobed Jar in Form of Balambing (Philippine Island Star Fruit)
Object type: vessel
Materials: iron, porcelain
Techniques: glazing
Location: china
Landschap met figuren in een roeiboot bij een brug
Object type: sketchbook leaf
Date: 1825 – 1829
Materials: paper, pencil
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: bridge, landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)
Inscriptions: number: ‘16/ 97571’, annotation: ‘Rijfsnijder’

Op de achtergrond een molen. Blad 30 recto uit een schetsboek met 95 bladen.
Optocht van de Nationale Jeugdstorm
Object type: photograph
Date: 1938 – 1938
Materials: photographic support
Techniques: photography
Location: baarn
Subjects: the hague, juliana of the netherlands

Een oefen-optocht van kinderen op de rug gezien, door de straten van Baarn. De kinderen zijn lid van de Jeugdstorm, de jeugdafdeling van de NSB.
Twee pijprokende mannen
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: johann georg wille
Artist role: draughtsman, print maker
Artist dates: 1715 – 1808
Subjects: pipe ~ tobacco, interior of the house
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een serie van onbekende omvang naar Nederlandse en Duitse schilderijen. Op sommige prenten staat linksboven aangegeven welk nummer in de serie het betreft.
Teabowl (part of a service)
Object type: teabowl
Date: 1723 – 1726
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: human figures

The pieces of this service (1974.356.424–.430) come from one of the most richly decorated Meissen tea and coffee services. The gold background was added after the enamel was fired, either at the factory or in Augsburg, where the gilt-silver mounts were applied. This model was the most commonly produced at Meissen in the 1720s and 1730s. The design of the low octagonal sugar box dates to the earliest years of the factory; this example can be assigned to 1726–27 based on stylistic grounds as well as the factory mark KPM on the base.
Gezicht op Siara, ca. 1636-1644
Object type: print
Date: 1645 – 1647
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: earl, johan maurits graaf van nassau-siegen, fortress
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Caspar Barlaeus, Rerum per octennium in Brasilia et alibi nuper gestarum sub praefectura J. Mauritii, Nassoviae, c. comitis... historia, Amsterdam, uitgever Joannes Blaeu, 1647, na p. 66, pl. 24
Creamer
Object type: cream pot
Date: 1850 – 1900
Materials: glass
Techniques: pressed
Location: england
Gourd-Shaped Vase
Object type: vessel
Materials: glaze, porcelain
Location: china
Fotoreproductie van een prent van twee kinderen die met een hond spelen
Object type: reproduction
Date: 1852 – 1857
Materials: photographic support
Techniques: salted paper print
Subjects: child, dog
Inscriptions: inscription: ‘Duch. No 294. Col. V. Sestich’
Stereoscoop, type Stereospect
Object type: stereoscope
Date: 1920 – 1925
Materials: glass, metal, wood
Location: dresden
Subjects: dresden
Zie hier, kindren weêr iets nieuws, zo 't u kan vernoegen / Zult ge 'er nog een ander nieuws spoedig by zien voegen
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: brothel, human types, drunkenness, puppet and marionette show, shearing (sheep)
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van verschillende figuren en bezigheden. Onder elke afbeelding een achtregelig vers. Genummerd rechtsboven: No. 114.
Klein binnenlandsvaardersgilde van Amsterdam, gildepenning van Claas Adriaans van Amsterdam
Object type: medal
Date: 1771 – 1771
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: naar links varend schip; op achterplecht:vlag met wapenschild. Keerzijde: opschrift