deem-data/ArtiFact huggingface dataset:
Side Bar Game Cart, #4161
Object type: drawing
Date: 1892 – 1892
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Tourelle dite de Marat
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: drypoint, etching
Location: paris
Subjects: street, marketing, shopping (~ household management), paris
Inscriptions: collector's mark, inscription: ‘Bon à tirer pr trente ép/ C.Meryon/ 20 Juin '61’

Torentje op hoek van winkelpand in de Rue de l'Ecole-de-Médicine in Parijs. In dit huis werd Jean-Paul Marat vermoord door Charlotte Corday. Het is druk in de winkelstraat met mannen en vrouwen die boodschappen doen en een rijtuig dat wordt getrokken door een paard. Op het dak van het gebouw rechts staan twee dakwerkers, zij kijken naar figuren in de lucht, personificaties van de Waarheid, Gerechtigheid en de Onschuld. Frans onderschrift in drie regels: Sainte inviolable vérité ... la stricte justice.
Gezicht op huizen en heuvels, China
Object type: album leaf
Date: 1879 – 1890
Materials: paper
Techniques: albumen print
Location: china
Artist: Anonymous
Subjects: (high) hill, china
Chalcedony scaraboid
Object type: scaraboid with ship
Date: 525 – 500
Materials: stone
Culture: greek
Subjects: ships

Scaraboid gem engraved of a ship with steersman, oarsmen and warriors.
Hemidrachm (Coin) Depicting a Bull
Object type: coin
Materials: metal, silver
Culture: greek
Location: greece
Inscriptions: Reverse: ΓA PI

The front (obverse) of this coin depicts a bull with its head turned back, walking to the left. On the back (reverse) is the head of a Gorgon, facing forward with a tongue protruding.
Brief aan Philip Zilcken
Object type: letter
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: painter, philip zilcken, the graphic arts
Inscriptions: collector's mark: ‘RPK’
Stirrup-shaped Ring with Oval Bezel
Object type: ring
Materials: gold
Culture: indonesian, javanese
Mlle Therasson [?]; Fréret
Object type: photograph
Date: 1864 – 1864
Techniques: albumen silver print, glass negative
Artist: andré-adolphe-eugène disdéri
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1889
Studieblad met vrouwen en kinderen in interieurs
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: chalk, charcoal, paper
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: sitting figure, adult woman, child, interior of the house

Blad 39 verso uit een schetsboek met 53 bladen.
De apostelen
Object type: print
Date: 1523 – 1523
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: the apostle bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff
Inscriptions: collector's mark: Lugt 2228a

De apostel Bartholomeus, ten voeten uit, met een mes en een boek in de handen. Deze prent is onderdeel van een (onvoltooide, want vijfdelige) serie van de twaalf apostelen.
Twee mannen bij het graf van de Duitse geneesheer Hohls in Modderspruit
Object type: photograph
Date: 1899 – 1899
Materials: paper, photographic support
Techniques: gelatin silver print
Location: modderspruit
Subjects: grave, tomb, physician, doctor
Inscriptions: inscription: ‘Tent van A. Idenburg waarnemend apotheker der SA Modderspruit 1 november 1899’, negative number: ‘Bus 545’

Onderdeel van Album met 191 foto's van een reis naar en door Zuid-Afrika.
Kandelaar met op de voet een gegraveerd alliantiewapen, bestaande uit twee ovale schilden waarin een gekroonde tweekoppige adelaar met fleurons en klaverbladeren.
Object type: candlestick
Date: 1709 – 1709
Materials: silver
Techniques: casting, engraving
Location: the hague
Artist: Anonymous

Kandelaar bestaande uit een voet,een stam en een kaarsenhouder. Op de voet is een alliantiewapen gegraveerd, bestaande uit twee ovale schilden, ieder met een tweekoppige adelaar, gekroond met drie fleurons en twee klaverbladeren. Gemerkt en gedateerd.
Staand meisje
Object type: photograph
Date: 1911 – 1911
Materials: photographic support
Techniques: photography
Location: amsterdam
Inscriptions: date: ‘1911’

Foto op bruin albumblad 24 van familiealbum van Alphons Diepenbrock.
Dees beesten wreed, doen niemand leed
Object type: print
Date: 1816 – 1836
Materials: paper
Techniques: colour, letterpress printing
Location: zwolle
Artist: Anonymous
Subjects: hoofed animals: deer, unicorn, beasts of prey, predatory animals: lion, trunked animals: elephant
Inscriptions: collector's mark: Lugt 2166

Blad met 4 voorstellingen van dieren: een leeuw, een olifant, een eenhoorn en een hert. Onder elke voorstelling een tweeregelig vers.
Oude brahmaan begint het offerritueel
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: human sacrifice ~ non-christian religions, trees: cypress, literature, priest ~ non-christian religions, temple, shrine ~ non-christian religions
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor Karl Martin Plümicke's 'Lanassa'. Latere staat gebruikt voor: Köningl. Grosbr. Genealogischer Kalender auf das 1783 Jahr. Lauenburg: J. G. Berenberg, 1782.
Bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: plate dish
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A plate with a flattened rim. A four-sided scalloped medallion with rui heads and radial panels and diaper patterns. A central decoration of symbols. Panels decorated with flowers and symbols.
Dantanorama Museum
Object type: print
Date: 1835 – 1835
Techniques: lithograph
Artist: grandville, ramelet and lepeudry
Artist role: artist
Artist nationality: french
Subjects: satire,sculpture,men
The Virgin seated with her head resting on her right hand, holding the sleeping infant Christ on her lap, after Reni
Object type: print
Date: 1623 – 1680
Techniques: engraving
Artist: jean boulanger
Artist role: artist
Artist nationality: french
Artist dates: 1608 – 1685
Subjects: madonna and child

After a painting by Reni. Verso is not visible as print is laid to another sheet of paper.
Descent from the Cross by Torchlight
Object type: print
Date: 1654 – 1654
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: descent from the cross

This etching is part of a series of scenes from the Passion of Christ that Rembrandt created around 1654. Here, he diverged from traditional representations of the Descent from the Cross by focusing on the silent activity of taking down and burying Christ’s body. Only the bottom portion of the cross is visible on the left, and Christ’s head is in partial shadow. The figures that carry him and the hand that reaches up from the darkness to support his head are depicted in bright light.
Mallet-shaped vase
Object type: vase
Date: 1667 – 1733
Materials: copper, glaze, porcelain
Culture: chinese
Opening of Chamber of Commerce, New York
Object type: medal
Date: 1902 – 1902
Materials: bronze
Culture: american
Subjects: human figures,buildings
Asymmetric Pediform Hafted Ax
Object type: hafted ax
Date: 500 – 300
Materials: bronze
Culture: vietnamese
Conversing with a Captive, from "Banditti Variously Employed"
Object type: print
Techniques: etching
Artist: robert blyth
Artist role: artist and publisher
Artist nationality: british
Artist dates: 1750 – 1784
Subjects: spears,swords,men,women
Carnaval te Florence: infanteriegevecht
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: florence
Subjects: cosimo ii de' medici, hand-to-hand fighting (~ battle), carnival, shrovetide (non-liturgical celebration), village square, place
Inscriptions: collector's mark: Lugt 240

Gezicht op de Piazza Santa Croce in Florence, waar soldaten een schijngevecht uitvoeren voor toeschouwers, die op in ovaalvorm geplaatst tribunes zitten. Dit gevecht vond plaats tijdens het carnavalsfeest 'Guerra d'Amore', dat Cosimo II de' Medici in 1616 in Florence gaf. Onder de voorstelling twee regels Italiaanse tekst.
Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 50 (recto)
Object type: book print ornament architecture
Date: 1603 – 1603
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: human figures,heads,dogs,butterflies,rabbits,flowers,vines

Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604. From top to bottom, and left to right: Design is printed upon a grid and is composed of 2 horizontal registers. Top register is decorated in the center with a flower with curving vines, which is flanked on either side by a nude putto holding a standard. Bottom register is decorated in the center with a rabbit standing upon a base, which is flanked on either side by a leaping dog; surrounding these animals are curving vines of leaves and butterflies.
‘Un-Summerly Clear and Cool’
Object type: print
Date: 1712 – 1714
Materials: paper
Techniques: engraving
Location: china
Artist: matteo ripa
Artist role: priest, print maker
Artist dates: 1682 – 1746
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘GW’

Emperor Kangxi took up residence in the Summer Palace between April and October each year. He gave names to all 36 locations in the complex, describing them in poetry and prose, and tasked the court painter Shen Yu with translating them into landscape paintings. Kangxi called this site ‘clear and cool’.
Chessboard
Object type: chessboard
Date: 1801 – 1900
Materials: wood
Subjects: chess,games
Silhouetportret van Joannes Florentius Martinet
Object type: titelblad, titelpagina
Date: 1796 – 1796
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: joannes florentius martinet, historical persons, portrait of a writer

Titelpagina voor: Martinet, Joannes Florentius. Levensberichten van J.F. Martinet. Amsterdam: Johannes Allart, 1796.
Twee geliefden in een interieur
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: breasts, asiatic races and peoples: turks, head-gear: turban, lovers' meeting
Inscriptions: collector's mark: Lugt 2228

Oosters interieur met een vrouw met ontblote borst naast een sultan.
Linnen servet van damastweefsel, met centraal ingeweven monogram BO, waar boven en onder een vogel met opgeheven poot
Object type: miniature
Date: 1690 – 1710
Materials: linen
Location: amsterdam
Artist: Anonymous
Gezicht op de Utrechtsepoort te Amsterdam
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Artist: willem hendrik stam
Artist role: print maker
Artist dates: 1831 – 1874
Subjects: building-site, windmill, city-gate
Inscriptions: collector's mark: Lugt 1641b

Gezicht op de Utrechtsepoort te Amsterdam. Deze poort stond op het terrein waar later het Paleis voor Volksvlijt werd gebouwd. Onderwerpsrubriek binnen de Atlas Amsterdam: Poorten, verzamelbladen, C. Utrechtse Poort.
Portret van Johann Christoph Schwedler
Object type: print
Date: 1713 – 1757
Materials: paper
Techniques: engraving
Location: germany
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: historical persons, book
Inscriptions: collector's mark: Lugt 2228
Gezicht op buitenplaats Schoonoord in Rijswijk
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: lithograph
Location: loenen aan de vecht
Subjects: country-house
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘Gedeponeerd.’

Op het pad en de oprijlaan lopen figuren.
One Hundred Monsters Ancient and Modern (Hyakki shūi) 百鬼拾遺; 今昔百鬼拾遺(こんじゃく ひゃっき しゅうい) ; 百鬼夜行拾遺(ひゃっき やぎょう しゅうい)
Object type: illustrated book
Materials: ink, paper
Techniques: bookbinding, woodblock print
Culture: japanese
Artist: toriyama sekien 鳥山石燕
Artist role: artist
Artist nationality: japanese
Artist dates: 1712 – 1788
Subjects: houses,crabs,snails
[Four Elephants with Western Travellers and Attendants, Jaipur, India]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: men,women,elephants
Seated Carthusian Holding an Open Book
Object type: drawing
Date: 1711 – 1711
Materials: oil, paper, varnish
Artist: jean restout le jeune
Artist role: artist
Artist nationality: french
Artist dates: 1692 – 1768
Subjects: books,reading,monks
Pelike
Object type: pelike
Date: 400 – 301
Materials: terracotta
Culture: greek, attic
Subjects: men,griffins
Spotprent op de Aristocratie (1), 1795
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching, hand coloring
Location: netherlands
Artist: Anonymous
Subjects: aristocracy; 'aristocratia' (ripa), wig
Inscriptions: collector's mark: Lugt 2228

Spotprent op de Aristocratie, 1795. Een Franse soldaat ontneemt drie mannen (predikanten?) hun pruiken en loopt ermee naar een deur. Een keeshond sleept een pruik over de grond weg. De mannen klagen dat nu hun achtbaarheid hen is ontnomen. Door de deuropening zicht op het dansen om de vrijheidsboom. Zie ook pendant.
Souvenir de Moulins-Warnaut
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: etching, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: low hill country (+ landscape with figures, staffage), road, path
Inscriptions: number: ‘299’, collector's mark: Lugt 2228

Landweg in heuvellandschap met bomen. In het midden loopt een figuur met een mand.
Clothing the Naked
Object type: print
Date: 1737 – 1742
Techniques: etching
Artist: françois hutin
Artist role: artist
Artist nationality: french
Artist dates: 1686 – 1758

This print is from a series depicting The Seven Mercies made by François Hutin presumably during his stay in Rome, from 1737 to 1742. His facility with the etching needle is evident in the expressive forms of the figures and the mastery of light effects. After his death, his son would claim them as his own work, altering the first initial in the signature from "F" to "C" when he published a collection of his etchings in Dresden in 1763.
Boyle, Pitcher, Indianapolis, from the Gold Coin series (N284) for Gold Coin Chewing Tobacco
Object type: baseball card
Date: 1887 – 1887
Techniques: color lithograph, drawing
Artist: d. buchner & co., new york
Artist role: publisher
Artist nationality: american
Artist dates: 1850 – 1900
Subjects: men,baseball,athletes

(Henry) Boyle, Pitcher, Indianapolis, trade card from the "Gold Coin" series (N284), issued by D. Buchner in 1887 to promote Gold Coin Chewing Tobacco. In the American Card Catalog, Burdick refers to the series as "Leading Baseball Players, Police Inspectors and Captains, Jockeys, and Actors." The images in this series do not always represent the specific athletes named.
Tetradrachm (Coin) Depicting the Goddess Athena
Object type: coin
Date: 490 – 322
Materials: silver
Culture: greek
Location: greece
Subjects: goddesses, gods (deities)
Inscriptions: Reverse: Α Θ Ε

The use of coins as a form of money was invented in western Asia Minor in the early 7th century BCE. Made of gold, silver, bronze, and electrum (a gold-silver alloy), coins were literally worth their weight, but their value varied according to the percentage of their precious metal content. Occasionally a city needed more money than it had in reserves. By reducing the amount of precious metal and substituting a base metal, a coin could be produced of the same weight but no longer of the same value. Some currency was only honored within its own city walls, but trustworthy money encouraged trade. Athens had the biggest economy, and its coin became the standard in the Greek world. The population was largely illiterate, but it could identify the place of origin of a coin by its imagery. Many of these images referred to myths that were associated with the history of the community and thus were well known to the populace from religious ceremonies and theatrical entertainment. The story of a city’s founding, a local hero, the city’s guardian deity, and even the reason for the city’s wealth were subjects for a coin’s insignia.

The emblems chosen to represent an ancient city often related to its patron god or goddess. For instance, the deity might be associated with a new community’s origins or involved in a notable story connected to the city.

The most famous of all civic badges was the profile of Athena, the tutelary goddess of Athens, stamped on the city’s coinage. While other cities modernized the looks of their coins, Athens retained this design, first used in about 520 BCE, to emphasize the dependability of its currency. With silver extracted from local mines, the city had a constant source of revenue for financing civic projects such as building a navy or rebuilding after the city was destroyed by the Persians in 480 BCE. The purity and stability of Athens’s coinage made it the standard throughout the Mediterranean for centuries.
International Exhibition Philadelphia 1876
Object type: photograph
Date: 1876 – 1876
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: philadelphia
Subjects: trade exhibition, industries fair, collection, exhibition, show
Inscriptions: collector's mark: Lugt 2166

Opbouw van de Nederlandse afdeling in de tentoonstellingszaal van de International Exhibition te Philadelphia in de Verenigde Staten, 1876.
Ono, Distant View of Mount Daisen in Hoki Province (Hoki, Ono, Daisen enbo), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)"
Object type: print
Date: 1853 – 1853
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Goddess Tripurasundari
Object type: painting
Date: 1901 – 1933
Materials: textile, gold
Culture: nepali

Parvati, the consort of the Hindu deity Shiva, can assume many forms. Her most prolific manifestation is as the supreme goddess Durga, who was empowered by the male gods to defeat the demonic forces at large in the world. Here we see Parvati appearing in a five-faced and ten-armed form as the goddess Tripurasundari, also referred to as Purnacandi in Nepal. This form embodies the power of the goddess as the conqueror of evil. She is flanked in the framing registers by depictions of the Mother Goddesses (matrikas), who may also be understood in Nepal as aspects of Durga, the navadurgas
La Place Royale, equestrian statue of Louis XIII in profile facing the left in center, various horsemen and figures in background, plate 3 from "Various Figures" (Agréable diversité de figures)
Object type: print
Date: 1642 – 1642
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: buildings,monuments,horses,paris
Man from the Bulgarian Coast
Object type: painting
Date: 1700 – 1737
Materials: canvas, oil
Location: istanbul
Artist: jean baptiste vanmour
Artist role: painter
Artist dates: 1671 – 1737
Subjects: standing figure, folk costume, regional costume
Inscriptions: inscription: ‘Boulgar / Een man van de kust Bolgardo’, number: ‘16’

Een Bulgaar van de kust. Staande, ten voeten uit, voor een ruïne, de staf over de linkerschouder.
Pair of Flintlock Pistols
Object type: pair of flintlock pistol
Date: 1815 – 1815
Materials: gold, silver, steel, wood
Culture: french
Location: france
Cowroid Stamp Seal with a Nefer Hieroglyph Inscribed on the Base
Object type: cowroid, nefer
Date: 1390 – 1352
Materials: faience
Location: egypt
Subjects: hieroglyphs
Portret van C.J. Scheidler
Object type: print
Materials: paper
Techniques: lithograph
Location: utrecht
Artist: pieter wilhelmus van de weijer
Artist role: print maker, printer, publisher
Artist dates: 1816 – 1880
Inscriptions: collector's mark: Lugt 2228

Op de prent staat vermeld dat deze werd uitgegeven in de derde jaargang van Het Nederlandsch Lancet.
Portret van Francesco (II) Gonzaga, markgraaf van Mantua
Object type: print
Date: 1600 – 1700
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons
Spoon tray
Object type: spoon tray
Date: 1701 – 1800
Materials: hard paste porcelain
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
The infant Jones found in the bed of Mr. Allworthy, from "The History of Tom Jones, a Foundling"
Object type: print
Date: 1792 – 1792
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: bedrooms,infants,men,women,beds
Two Women Sewing by Lamplight
Object type: print
Date: 1853 – 1853
Materials: zinc
Techniques: etching
Artist: jean-françois millet
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1875
Subjects: women,working,sewing
Skirt panel
Object type: textile
Date: 1701 – 1800
Materials: silk
Techniques: embroidery, embroidered
Location: france
Gevecht met schilden en lansen
Object type: print
Date: 1515 – 1565
Materials: paper
Techniques: engraving
Location: italy
Subjects: battle
Inscriptions: collector's mark: Lugt 240

Soldaten te paard en te voet in gevecht met lansen en schilden. Mogelijk de strijd tussen Romeinen en Barbaren.