deem-data/ArtiFact huggingface dataset:
Fragment from an Orphrey Band Depicting the Nativity
Object type: textile
Date: 1401 – 1500
Materials: animal substrate, gilt, linen, textile, silk
Techniques: bookbinding, patterning, satin weave, weave
Location: italy
Gezicht vanuit het midden van het Starrenbos
Object type: print
Date: 1706 – 1719
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: walking, hiking (recreation), french or architectonic garden; formal garden
Inscriptions: stamp, collector's mark: Lugt 1641, stamp, stamp

Het midden van het zogeheten Starrenbos met verschillende wandelaars. Rechtsonder genummerd: 7. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning, Oude Nederlandsche Tuinkunst, De 17de en 18de eeuw. Stadtuinen.
Portret van arts, bioloog en dichter Francesco Redi
Object type: print
Date: 1801 – 1839
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons, portrait of a writer, writer, poet, author
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4187

Deze prent maakt deel uit van een reeks portretprenten van onbekende omvang. De reeks is in meerdere staten uitgegeven. De eerste staat met enkel het portret in ovaal. Een tweede staat met naam van de geportretteerde in holle letters onder de voorstelling. Een derde staat met de naam van de geportretteerde in gevulde letters onder de voorstelling. En een vierde staat met een rechthoekig kader rondom het ovale portret.
The Fifth Month, a Set of Three (Gogatsu sambukutsui), from the series "Twelve Months by the Twin Brushes of Toyohiro and Toyokuni (Toyohiro Toyokuni ryoga juni ko)"
Object type: print
Date: 1798 – 1798
Techniques: woodblock print
Location: japan
Artist: utagawa toyokuni i 初代 歌川 豊国
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Broadsheet relating to a story about a woman who has turned into stone, a group of people discovering her in the woods
Object type: print
Date: 1903 – 1903
Materials: metal, paper
Techniques: engraving, letterpress
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,women
Straat met figuren in Biskra
Object type: sketchbook leaf
Date: 1922 – 1922
Materials: paper, pencil
Location: biskra
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: africans, folk costume, regional costume, street (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

Op de voorgrond een Algerijn in een lang gewaad met hoofddoek. Pagina 43 uit een schetsboek met 32 bladen.
Bandontwerp voor: Amsterdamsch Jaarboekje, 1897
Object type: study for binding design
Materials: ink, paper, pencil
Techniques: pen
Artist: hendrik petrus berlage
Artist role: draughtsman
Artist dates: 1856 – 1934
Subjects: parts of church exterior and annexes: portal, coat of arms (as symbol of the state, etc.) (+ city; municipal), ornaments ~ art
Inscriptions: :, monogram:, collector's mark: Lugt 2228

Ontwerp met op het voorplat een ornamentele poort of portaal met daarboven het nummer 163, het wapen van de stad Amsterdam en de titel van het boek. Het geheel is gevat in een ornamenteel kader met bloem- en lijnmotieven. Op het achterplat het stadswapen van Amsterdam met een kroon.
Gezicht op een schaduwrijke laan
Object type: print
Date: 1650 – 1690
Materials: paper
Techniques: etching
Location: paris
Subjects: garden

Rechts een parterre. Uit serie van 6 bladen.
Étui
Object type: étui
Date: 1764 – 1765
Materials: gold
Artist: germain chayé
Artist role: artist
Artist dates: 1724 – 1824

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Voorstellingen van honden
Object type: print
Date: 1830 – 1838
Materials: paper
Techniques: lithograph
Location: london
Artist: james henry lynch
Artist role: print maker
Artist dates:  – 1868
Subjects: aggressive relationships, enmity, animosity, dog
Inscriptions: collector's mark: Lugt 2233

Prent maakt waarschijnlijk deel uit van een serie met diervoorstellingen. Over deze serie is verder niets bekend. Het betreft voornamelijk voorstellingen van honden.
Central Plate of the Tombstone of Gijsbert Willemsz Raet, with an Angel
Object type: plate
Date: 1511 – 1511
Materials: brass
Techniques: casting, cutting, engraving, gilding
Location: low countries
Artist: Anonymous
Inscriptions: inscription, along the border, incised: ‘In tenebris stra vi lectulum meum Et rursum post tenebras spe ro lucem’

Together with the four corner plates in the display case, this one decorated the hardstone tombstone of Vicar Gijsbert Willemsz Raet (?-1511), in the Jerusalem Chapel at Gouda, which he founded. The skilfully engraved representations were initially partially coloured in. Although the engraving technique used here differs from that used on plates for prints, the affinity is clear.
Zeven plagen
Object type: print
Date: 1565 – 1612
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: Anonymous
Subjects: the seven angels with the seven vials, bringing disasters and destruction upon the earth and mankind
Inscriptions: number: ‘347’, number: ‘183’

Engelen gieten schalen leeg die plagen veroorzaken. Op de voorgrond de zesde plaag: een draak die kikkers braakt.
Smallsword with Portraits of Monarchs from the Bourbon Dynasty
Object type: arm
Date: 1770 – 1780
Materials: iron, metal alloy, metal, silver, steel, wood
Culture: french
Location: france
The Return from Egypt
Object type: print
Date: 1595 – 1623
Techniques: engraving
Artist: francesco brizio
Artist role: artist
Artist nationality: italian
Artist dates: 1569 – 1623
Design for Wall Panel
Object type: drawing
Date: 1734 – 1766
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800
Subjects: ornament
Peasant Family Singing
Object type: painting
Date: 1640 – 1677
Materials: oil, panel
Artist: pieter jacobsz. duyfhuysen
Artist role: painter
Artist dates: 1608 – 1677
Subjects: instrumental and vocal music together, family group, especially parents with their child(ren), kitchen-interior, farm (building) - aa - civic architecture: inside
Inscriptions: signature, on a cupboard in the centre (false): ‘PVSlingerland Fecit<br>’, signature and date, bottom left (P, J and D ligated): ‘<em><span lang="EN-GB" style="font-size:12pt;font-family:'Times New Roman', serif;">PJD […] […]4</span></em>’

Zingende boerenfamilie. Interieur van een boerenwoning met vijf personen. In het midden een man met een viool, daarachter een zingende man met een kan bier, rechts een werkende vrouw, rechtsvoor een zingende jongen met een blad papier en links een jongen met een kruik. Rechts en boven de haard allerlei huisraad, een hond en een kat en een bord met vis. Links een wijnvat.
Woman of Basel
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
"Ha": Guards at the "Love Passage," from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)"
Object type: print
Date: 1772 – 1773
Techniques: woodblock print, koban
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
King Lear Casting Out His Daughter Cordelia (Shakespeare, King Lear, Act 1, Scene 1)
Object type: print
Techniques: engraving
Artist: richard earlom
Artist role: engraver
Artist nationality: british
Artist dates: 1743 – 1822
Subjects: kings,shakespeare,men,fathers,women,dogs,king lear

Fuseli's image evokes a scene at the start of King Lear where the elderly king divests himself of power and orders his daughters-Goneril, Regan, and Cordelia-to declare their devotion in return for a portion of the kingdom. The latter's refusal to flatter a father she truly loves results in her banishment. Earlom's choice of stipple allows the varying expressions of numerous participants to be distinguished. The work was conceived for John Boydell's Shakespeare Gallery, launched in 1786 as a publishing-cum-exhibition scheme that included a new illustrated edition of the plays, sets of large and small engravings, and a gallery on London's Pall Mall. The latter opened in 1789 with thirty-four paintings and contained about one hundred and seventy works the time Boydell went bankrupt and auctioned the contents in 1805–his print sales plummeted when Napoleon blocaded European ports. This impression belongs to an American reissue of 1852 spearheaded by Shearjashub Spooner, a New York dental surgeon and art scholar who acquired Boydell's heavily worn plates and had them reworked. Printed on thick cream colored paper, the New York edition added small numbers in the lower left margin, this being number 49.
Leaf from Aedes Walpolinae mounted with a hand-written sheet, two prints and a printed sheet with drawn additions: (a): Sermon on Painting, continued; (b): St. Peter's Church at Walpole; (c): Chateau de Picton; (d): Monument of Eudo de Arsie; (e) Printed text describing Monument of Eudo de Arsie
Object type: manuscript
Date: 1742 – 1742
Materials: ink
Techniques: engraving, etching, hand coloring, pen, printing
Artist: horace walpole, 4th earl of orford
Artist role: author
Artist nationality: british
Artist dates: 1717 – 1797
Subjects: churches
Design for a Title Page Sheet Music
Object type: drawing
Date: 1801 – 1900
Materials: chalk, ink, paper, watercolor
Techniques: brush, pen, wash
Artist: anonymous, german, 19th century
Artist role: artist
Artist nationality: german
Artist dates: 1800 – 1899
Subjects: musical instruments,birds
Letter from Henry Knox (1750–1806), Secretary of War, to Colonel Marinus Willett (1740–1830)
Object type: letter
Materials: ink, paper
Culture: american
Location: united states
Artist: general henry knox
Artist role: author
Artist nationality: american
Artist dates: 1750 – 1806

The tradition of Congressional presentation swords started during the American Revolution and continued through the War of 1812, the Mexican-American War, and the Civil War. In this formal, but heartfelt letter, Henry Knox, Secretary of War, presents Marinus Willett with a sword awarded to him by Congress in 1777 as an "illustrious testimony of your distinguished merit." After years of active military service, Willett held various political positions, including state assemblyman, sheriff, and mayor of New York from 1807 to 1808.
Oude treinstation van Helsinki
Object type: photograph
Date: 1893 – 1893
Materials: paper, photographic support
Techniques: albumen print
Location: netherlands

Het oude treinstation in Helsinki, ontworpen door Carl Albert Edelfelt en gebouwd in 1890. Op het staionsplein voor het station staan een aantal paarden met rijtuigen te wachten op passagiers.
Ommuurde hof in Perzië met een vijver, torens en op de voorgrond kinderen
Object type: photograph
Date: 1880 – 1895
Materials: paper, photographic support
Techniques: albumen print
Location: iran
Artist: antoine sevruguin
Artist role: fotograaf
Artist dates: 1840 – 1933
Subjects: courtyard, persia
Inscriptions: negative number: ‘111’

Onderdeel van Reisalbum van H. Dunlop met foto's van bezienswaardigheden in Perzië, Schotland, Duitsland, Rusland, China en Canada.
Projections of Columns
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800
Subjects: architecture
Medallion
Object type: medallion
Date: 1736 – 1795
Materials: jade
Culture: chinese
Subjects: insects
Paulus in Efese
Object type: print
Date: 1619 – 1674
Materials: paper
Techniques: etching
Subjects: the third missionary journey of paul: the stay in ephesus (acts 19)
Inscriptions: collector's mark: Lugt 240
Maffet Ledger: Drawing
Object type: drawing
Date: 1874 – 1881
Materials: crayon, graphite, paper, watercolor
Culture: cheyenne
Location: united states
Subjects: soldiers,firearms,horses
Rank badge with ox-horn dragon (douniu)
Object type: rank badge
Date: 1567 – 1633
Materials: textile, gold thread, silk
Techniques: embroidery
Culture: chinese
Fragment from an Orphrey
Object type: textile
Date: 1401 – 1500
Materials: gilt, gold, linen, silk
Techniques: compound weave, satin weave, weave
Location: italy
Portret van Emilia Maria Theresia van Kerckhoff
Object type: photograph
Date: 1855 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: rotterdam
Artist: a. böeseken
Artist role: fotograaf, lithograaf
Artist dates: 1834 – 1919
Subjects: rotterdam
Inscriptions: address: ‘Photographisch Atelier / A. BÖESKEN / Hoogstraat over de Vlasmarkt / ROTTERDAM.’
The ringball player ('Het klosbaantje')
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: golf
Inscriptions: stamp, collector's mark: Lugt 2228, collector's mark: Lugt 2760
Ruiterportret van Willem Lodewijk
Object type: print
Date: 1611 – 1623
Materials: paper
Techniques: etching
Location: friesland
Artist: pieter feddes van harlingen
Artist role: painter, print maker, publisher
Artist dates: 1586 – 1623
Subjects: willem lodewijk graaf van nassau-dillenburg
Inscriptions: collector's mark: Lugt 240

Willem Lodewijk, graaf van Nassau, stadhouder van Friesland, zit met commandostaf in de linker hand op een steigerend paard. Rechtsboven zijn wapen. Op de achtergrond de stad Leeuwarden met links de Oldehove en rechts de Nieuwe Toren. Onder de voorstelling een Nederlands vers, van een tweede plaat gedrukt.
Fotoreproductie van tien schilderijen
Object type: photomechanical print
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Location: stockholm
Subjects: picture, painting
Inscriptions: number: ‘PL. LIX.’
Gezicht op een meer in een berglandschap (Noorwegen?)
Object type: photograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Inscriptions: annotation: ‘No 1856. / 1900.’
Janus's Arch, plate twenty from the Ruins of Rome
Object type: print
Materials: paper
Techniques: aquatint, hand coloring
Location: england
Artist: m. dubourg
Artist nationality: english
Artist dates: 1786 – 1838
Shepherd
Object type: crèche figure
Date: 1751 – 1800
Materials: cotton, leather, terracotta, fiber, metal
Techniques: polychrome

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Portret van Johann Beck
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: christoph melchior roth
Artist role: print maker
Artist dates: 1720 – 1798
Subjects: theologian, historical persons

Prent uit: Würfel, Andreas. Diptycha ecclesiae Sebaldianae (...). Neurenberg: Christoph Melchior Roth, 1756.
Drie amors zich warmend bij vuur
Object type: print
Date: 1741 – 1765
Materials: paper
Techniques: etching
Location: france
Subjects: cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240
Twee schetsen van een begrafenisstoet en twee schetsen van een man
Object type: drawing
Date: 1836 – 1896
Materials: chalk, paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: cortege, funeral procession

Twee schetsen van een begrafenisstoet bij een boerenwoning; twee schetsen van een man met breedgerande hoed. Verso: begrafenisstoet verlaat een woning.
Royal Lovers in a Landscape Setting
Object type: album leaf
Date: 1800 – 1800
Materials: gold, ink, paper
Culture: indian
Subjects: birds,men,women
Otto van Veen (1558-1629). De H. Nicolaas laat bij hongersnood graan uitdeelen - Antwerpen, Museum
Object type: reproduction
Date: 1928 – 1928
Materials: cardboard
Techniques: rotogravure
Location: milan
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: collector's mark: ‘AFE v S’
Landschap met hutten naast een beek bij Leuben-Schleinitz
Object type: print
Date: 1773 – 1788
Materials: paper
Techniques: etching
Location: london
Subjects: river, cottage, resting - bb - out of doors
The Reading of Lottery Winners
Object type: print
Date: 1746 – 1746
Techniques: engraving, etching
Artist: anne claude philippe de tubières, comte de caylus
Artist role: artist
Artist nationality: french
Artist dates: 1692 – 1765
Subjects: men
Jonge vrouw komt met een beschreven papier een vertrek binnen
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: interruption, questions (~ meeting), handwriting, written text, candle
Inscriptions: collector's mark: Lugt 240

Een jonge vrouw komt een vertrek binnen met een stapel beschreven papier in de hand. De drie figuren in het vertrek kijken naar haar, een dame heeft haar vuisten gebald.
Landschap met een figuur
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: landscapes (+ landscape with figures, staffage)

Blad 41 verso uit een schetsboek met 53 bladen.
Hot Water Pot
Object type: decorative art
Date: 1401 – 1500
Materials: lacquer, wood
Location: japan

Likely used during Zen temple meals, this pot has a fixed black handle and small black feet. The top of the rectangular lid handle was carved in the shape of a chrysanthemum blossom. As a result of prolonged use, the red outer lacquer surface of Negoro wares such as this pot gradually and irregularly wore away, exposing the black lacquer underneath; this effect of natural aging became prized among vessels of this kind.
Secrétaire à abattant
Object type: furniture
Date: 1820 – 1825
Materials: brass, wood, marble, mercury
Techniques: gilding, veneering
Location: boston
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: furniture

This architecturally inspired secretary was originally owned by David Sears (1787–1871), a prominent merchant and landowner, whose house, designed by Alexander Parris (1780–1852), still stands at 42 Beacon Street, Boston, as the Somerset Club. An 1822 perspective drawing of the home shows a double-columned portico with composite capitals similar to those of the secrétaire, epitomizing the American interpretation of the late French Empire style. The simple form of the exterior highlights the luxuriousness of its materials and also belies a complicated interior of intricate drawers and shelves of various sizes.
Watch
Object type: watch
Date: 1845 – 1851
Materials: enamel, gold, steel
Artist: patek & co.
Artist role: maker
Subjects: girls
Kate Lyon Cornell
Object type: painting
Date: 1856 – 1856
Materials: canvas, oil
Culture: american
Artist: theodore e. pine
Artist role: artist
Artist nationality: american
Artist dates: 1827 – 1905
Subjects: girls,portraits
Allegorische voorstelling op het graf van Willem V, prins van Oranje-Nassau
Object type: print
Date: 1806 – 1808
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: william v (prince of orange), truth; 'verità' (ripa) (+ abstract concept represented by female figure), monument, statue, 'historia'; 'historia' (ripa), father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228

Vader Tijd onthult een monument met de buste van Willem V, prins van Oranje-Nassau. De buste wordt gedragen door een allegorische vrouwenfiguur met een vrijheidshoed op stok en een vrouwenfiguur met een bijbel. Op de voorgrond wijst de vrouwelijke personificatie van de waarheid, de Geschiedschrijving met lauwerkrans en boek, op het beeld van Willem V.
Terracotta lekythos (oil flask)
Object type: lekythos
Date: 460 – 450
Materials: terracotta
Culture: greek, attic
Artist: oionokles painter
Artist role: artist
Subjects: male nudes

Youth advancing with drawn sword This bold youth has wrapped his cloak entirely around his outstretched left arm as he advances, ready to thrust with his sword, in the pose made famous by the statue of Aristogeiton, one of the slayers of the tyrant Hipparchos.
Prenten naar tekeningen van Claude Lorrain
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: london
Subjects: coast - hh - ideal landscapes, the cumaean sibyl is granted long life: apollo grants the cumaean sibyl as many years as she has grains of sand in her hand, in return for her love (ovid, metamorphoses xiv 136), landscape with ruins - ii - ideal landscapes, landscapes with waters, waterscapes, seascapes (in the temperate zone) - hh - ideal landscapes
Inscriptions: date

Vanaf 1774 publiceerde John Boydell tweehonderd prenten naar het tekeningenboek Liber Veritatis van Claude Lorrain, in het bezit van de hertogen van Cavendish. Deze prenten werden vanaf 1777 in twee volumes gebundeld uitgegeven.
Gezicht op de kathedraal van Antwerpen
Object type: print
Date: 1929 – 1929
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: jules de bruycker
Artist role: print maker
Artist dates: 1870 – 1945
Subjects: church (exterior)
Inscriptions: annotation: ‘1e état’