deem-data/ArtiFact huggingface dataset:
Coupé #593
Object type: drawing
Date: 1850 – 1870
Materials: ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Johann Hellwig
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: engraving
Subjects: johann hellwig, historical persons, pendant, trinket, 'breloque', armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Vrouw op een berg en een bospad
Object type: page
Date: 1886 – 1896
Materials: paper
Techniques: photograph, printing
Artist: Anonymous
Subjects: adult woman, forest path or lane, mountains
St. Simon
Object type: print
Date: 1510 – 1510
Techniques: engraving
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: swords,men,saints
Louis VIII
Object type: book illustration
Date: 1755 – 1765
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: paris, historical persons, king
Inscriptions: collector's mark: Lugt 2228

Prent uit: Dreux du Radier, Jean-François. L'Europe illustré, contenant l'histoire abregée des souverains, des princes, des prélats, des ministres, (...) en Europe: dans le XVe. siècle compris, jusqu'à présent. Parijs: Michel Odieuvre en André-François Le Breton, 1755-1765.
Zeitschrift für Anorganische Chemie
Object type: offprint
Date: 1905 – 1910
Materials: paper
Techniques: letterpress printing, printing block, engraving
Location: leipzig
Subjects: printed matter

Overdruk uit het 'Zeitschrift für Anorganische Chemie'.
Shrimps!
Object type: plate
Date: 1782 – 1782
Materials: copper, steel
Techniques: engraving, stippling
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Veld van zestien tegels met bloempotten
Object type: tegelveld
Date: 1625 – 1670
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van zestien tegels (4 x 4) met een veelkleurige (blauw, groen en oranje) bloempot met in de hoeken, een ossenkop.
Notitieboek
Object type: miniature
Date: 1788 – 1788
Materials: mother of pearl, silver
Location: amsterdam
Artist: Anonymous
Subjects: notebook
Portret van de schilder Victor Lagye, ten voeten uit
Object type: photograph
Date: 1861 – 1861
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Artist: joseph dupont
Artist role: fotograaf
Artist dates: 1818 – 1901
Subjects: ghent, antwerp, victor lagye, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: inscription: ‘ETABLISSEMENT PHOTOGRAPHIQUE/ de/ J. DUPONT/ Place de Meir 32/ ANVERS/ Maison fondée en 1853’
Frises ou Montans a la moderne seruans pour l'Utilité des Lambris
Object type: ornament print
Date: 1657 – 1657
Materials: paper
Techniques: etching
Location: france

Rechterhelft van blad 4. Uit eerste editie van serie friezen of verticale ornamentele panelen geïnspireerd op kandelabers.
Brief aan Philip Zilcken
Object type: letter
Date: 1887 – 1887
Materials: ink, paper
Techniques: pen, writing
Location: brussels
Artist: catharina alberdingk thijm
Artist role: schrijver
Artist dates: 1848 – 1908
Subjects: the hague, painter, draughtsman, philip zilcken, printed matter, brussels
Inscriptions: collector's mark: ‘RPK’
Papyri Fragments of a Letter from Tagape
Object type: fragment
Date: 601 – 700
Materials: ink, papyrus
Culture: coptic
Location: egypt
Nocturnal
Object type: nocturnal
Date: 1801 – 1900
Materials: iron, silver
Subjects: griffins,lions,zodiac
Gezicht op een dam in de Ganges
Object type: photograph
Date: 1862 – 1867
Materials: photographic support
Techniques: albumen print
Location: india
Artist: thomas george glover
Artist role: fotograaf, luitenant-kolonel
Artist dates: 1825 – 1881
Subjects: dam (in canal), civic architecture; edifices; dwellings
Inscriptions: inscription: ‘main canal. mile 22.’, inscription: ‘Plate XVIII’
Decorative Depiction with Plants and Animals
Object type: painting
Date: 1760 – 1799
Materials: canvas, oil
Location: france
Artist: Anonymous
Subjects: birds, walker and runner birds: pheasant, beasts of prey, predatory animals: badger

French school, c. 1775. Four decorative paintings with plants and animals.
Terracotta fragment of an olpe (jug)
Object type: olpe fragment
Date: 530 – 500
Materials: terracotta
Culture: greek, attic

At the top of the panel, a key pattern to left; in the panel below, top of the head of a figure to right
Portret van een man met snor in uniform
Object type: photograph
Date: 1871 – 1871
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Artist: albert delabarre
Artist role: musician
Artist dates: 1809 – 1885
Subjects: moustache, historical persons, (military) uniforms
Inscriptions: inscription: ‘Photographie Parisienne/ 36, Rue Fossé aux Loups, 36/ (Place de la Monnaie)/ Bruxelles’, number: ‘Souvenir affectueux et [...] à mon major Bruxelles le 1 janv. 1871 [...]’, date: ‘1871’
Design for the Decoration of the Semi-Dome of a Church Apse
Object type: drawing
Date: 1545 – 1555
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: battista franco
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1561
Subjects: architecture,domes

This drawing is thought to have been intended for the decoration of the apse of the Cathedral of Urbino (destroyed in the 1789 earthquake), a project that was either lost with the collapse of the building or not executed. Probably born in Venice, Battista Franco was commissioned to paint the Assumption of the Virgin on the dome of the Cathedral in 1545-46, and it is also known that in 1551 he was working in the Chapel of the Sacraments, but documents suggest the artist and the duke of Urbino disagreed on the projects. The design was to be executed in fresco and stucco. Depicted here are the vault, with narrative compositions on the life of Christ within each caisson, and a frieze with garlands and putti, framed by relief decoration in the Antique style; on the walls of the drum two large scenes of miracles are each flanked by paired columns. Hovering angels are seen at the very top of the apse, and a pointing Archangel Gabriel of the Annunciation floats at upper left; he is drawn with greatly deliberated modeling and outlines.
Stencil
Object type: stencil
Date: 1801 – 1833
Materials: paper
Culture: japanese
Subjects: birds
Sandels boot Besitan, Tandjong Poera, Sumatra (P. Sandel's Schiffe Besitan, Tandjong Poera)
Object type: photograph
Date: 1898 – 1900
Materials: photographic support
Techniques: albumen print
Location: tandjong poera
Subjects: tandjong poera
Inscriptions: inscription: ‘"Besitan" Vaters Schiffe’

Paul Sandels stoombootje genaamd Besitan (of Bessitan) liggend aan de kade van Tandjong Poera op Sumatra. Onderdeel van het Sumatra fotoalbum van Paul en Lucie Sandel uit 1900.
Gezicht in Amsterdam met boten
Object type: sketchbook leaf
Date: 1893 – 1898
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: ships (in general), canals, waters (in city) (+ city(-scape) with figures, staffage), amsterdam

Pagina 53 uit een schetsboek met 38 bladen.
Ear ornaments
Object type: ear ornament
Date: 500 – 900
Materials: jade
Culture: indigenous american, pre-columbian

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Hoofd en schouders van een oude vrouw, naar links
Object type: drawing
Date: 1660 – 1660
Materials: chalk, ink, paper
Techniques: brush
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Inscriptions: date: ‘1660’, inscription: ‘11’
Medal
Object type: medal
Date: 1789 – 1800
Materials: metal
Subjects: george washington,profiles
Strijdende soldaten
Object type: sketchbook leaf
Date: 1809 – 1872
Materials: paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: division of armed forces (+ during the battle), division of armed forces (+ infantry)
Inscriptions: workshop stamp: Lugt 291d

Blad 40 uit een schetsboek met 32 bladen.
Paul Sérusier
Object type: print
Date: 1903 – 1903
Materials: paper, ink
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Piece
Object type: piece
Date: 1760 – 1770
Materials: silk
Subjects: roses,leaves
Zonsondergang, met kleurnotities
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: clouds, sunset, firmament, sky
Blaker
Object type: miniature
Date: 1675 – 1725
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: candlestick

Blaker met zeslobbige, opstaande rand en een plat, aan het uiteinde opengewerkt handvat. Bij de blaker wordt een kaarsensnuiter bewaard. De blaker is gemerkt, maar de merken zijn onleesbaar.
Christ. Fried. Günther
Object type: print
Date: 1813 – 1875
Materials: paper
Techniques: lithograph
Location: hamburg
Artist: karl julius milde
Artist role: conservator, designer, draughtsman, painter, print maker
Artist dates: 1803 – 1875
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
The Life Line
Object type: print
Materials: paper
Techniques: etching
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Jérusalem, Sainte-Marie-la-Grande, Portail
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture,arches,ruins
Vue générale d'Esné (No. 3, pointe Nord)
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: landscapes

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Straatgezicht te Algiers
Object type: album leaf
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: flight of steps, historical persons
Inscriptions: number: ‘2047’
Auditus / Hearing
Object type: print
Date: 1650 – 1665
Materials: paper
Techniques: etching
Location: london
Subjects: hearing, listening (one of the five senses), neck-gear ~ clothing (cape collar) (+ women's clothes), organ, clothes, costume (+ women's clothes), sleeves: cuffs (+ women's clothes), dress, gown (+ women's clothes), clothes, costume (+ men's clothes), lute, and special forms of lute, e.g.: theorbo, one person playing an instrument, trousers, breeches, etc. (breeches) (+ men's clothes), boots (+ men's clothes)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Deze prent maakt deel uit van een serie van vijf prenten, compleet in het bezit van het Rijksmuseum.
Dansende nimfen door saters bespied
Object type: book illustration
Date: 1701 – 1701
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: nymphs (in general); 'ninfe in commune' (ripa), satyr(s) spying upon, satyr(s) (in general)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als boekillustratie in: Phaedrus [bewerkt door D. Van Hoogstraten]. Fabularum Æsopiarum libri V. Amsterdam: François Halma, 1701.
Landschap met galant gezelschap
Object type: print
Date: 1726 – 1770
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: garden of love, court of love, 'fête galante'
Inscriptions: collector's mark: Lugt 2228
Babylonis Mvri
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: semiramis on the lion-hunt, sometimes with her husband ninus, hanging gardens of semiramis at babylon (wonder of the world)
Inscriptions: collector's mark: Lugt 2228

De muren van Babylon, in cirkels gebouwd. Linksachter een groot gebouw met toren. Op de voorgrond koningin Semiramis als een amazone te paard. Gewapend met pijl en boog is zij is in gevecht met een leeuw. In de achtergrond de hangende tuinen van Babylon: een botanisch en architectonisch kunstwerk. De prent heeft een Latijns onderschrift en maakt deel uit van een serie over de acht wereldwonderen.
Kous van effen witte katoenen tricot, met boord van ajour pauwenverenmotief en geschulpte rand
Object type: stocking
Date: 1830 – 1840
Materials: cotton
Techniques: embroidery, knitting
Location: netherlands
Artist: Anonymous
Inscriptions: initials: ‘'A M'’

Kous van effen witte katoenen tricot, met boord van ajour pauwenverenmotief in verticale banen en geschulpte rand. Naad middenachter. Gemerkt met initialen in ajour: 'A M'.
Foreign groom in a tributary procession
Object type: relief
Date: 721 – 705
Materials: alabaster, gypsum
Culture: assyrian
Location: mesopotamia
Subjects: men,horses

Soon after taking the throne, the Assyrian king Sargon II (r. 721–705 B.C.) founded a new capital city, Dur-Sharrukin (literally "fortress of Sargon"), at a site known today as Khorsabad. Sargon took the throne in a coup against his brother, Shalmaneser V (r. 726–722 B.C.), and it is possible that by moving to a new capital he hoped to consolidate his regime. Sargon, meaning "true king," was a throne name, and referred to a very ancient king, Sargon of Akkad, who by the Neo-Assyrian period was remembered as a legendary hero. Building work at Dur-Sharrukin continued throughout Sargon’s reign, with not only a main palace but also a constellation of other palaces and temples, as well as the infrastructure of the city itself. However, the immense project was abandoned in 705 B.C. with the king’s death. His son Sennacherib would move the capital once again, to Nineveh, and there embark on a new monumental building program. This relief fragment comes from the main palace at Khorsabad, and shows a groom leading two horses. The horses’ elaborate harness appears to be Assyrian, with the common motif of rosettes on the cheek-pieces, tassels, and large crests rising from the headpieces. The non-Assyrian hairstyle and clothing of the groom, however, make it clear that he is a foreigner, and this fragment originally formed part of a much larger scene showing a foreign delegation bringing tribute to Assyria. In this case the horses themselves are the tribute. The main sources of horses for the Assyrians were regions to the east and north of Assyria, and it is likely that the groom comes from one of these areas. Horses were extremely valuable to Assyria, not least as part of the empire’s formidable military, in which cavalry and fast, light two-wheeled chariots played a significant role. Depictions of horses occur frequently on reliefs showing Assyrian military campaigns, and sometimes in other media: wall paintings show that they were originally colored either a chestnut brown or a pale electric blue. The reliefs have lost almost all of their original pigment but it is likely that a similar palette was used. Some traces of color do survive, including small quantities of red ochre visible on parts of the horse harness at the lower right of this relief fragment. Reliefs from Khorsabad are notable for their sometimes extremely large scale and their frequent use of high relief. Here the relief projects further from the background surface and takes on a more rounded, modeled form than is typical in the reliefs of Sargon’s predecessors or successors.
Study of a Male Nude
Object type: drawing and watercolor
Date: 1858 – 1858
Materials: fiber, graphite, paper
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Inscriptions: Inscribed recto, lower left, in graphite: "Rome. 1857"; verso, center, in graphite: "no. 3 / Ph2259 / 4"

French artists in Rome often gathered at the Villa Medici for after-dinner drawing sessions. On one such occasion, in the company of Gustave Moreau, the young Degas made this study. The two artists depicted the same nude, but from different vantage points. Degas dated his study “1857 ”speculatively, many years later, but Moreau recorded “1858” at the time. The model’s dramatic pose—raised arm, eyes turned heavenward—was in keeping with the large-scale paintings favored by the French state in the 1850s. These tended to show heroic subject matter; the figure here could have been a potential prototype for a multifigure composition.
Landschap met berken en een figuur aan het water
Object type: print
Date: 1850 – 1913
Materials: paper
Techniques: etching, intaglio
Artist: h. van meerbeeck
Artist role: print maker
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), trees: birch, forest, wood (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Geschiedenis van Simson
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: samson's hairlocks are cut off by delilah

Simson ligt te slapen op Delila's schoot en zij knipt zijn haren af. Gewapende Filstijnen komen tevoorschijn achter de boom om Simson gevangen te nemen. Rechts in het landschap een brug over een rivier. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Ri. 16:19. Deze prent maakt deel uit van een album.
Terracotta fragment of a neck-amphora (jar)?
Object type: neck amphora fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of the extended arm and upper torso of a male?
Vulcanus
Object type: album leaf
Date: 1665 – 1673
Materials: paper
Techniques: etching
Location: paris
Subjects: (story of) vulcan (hephaestus), model-books ~ implements of painter

Maakt deel uit van een 32-delige serie met tekenvoorbeelden van goden en helden uit de klassieke oudheid. Een eerste editie werd in 1673 uitgegeven en een tweede in 1684 door Nicolas Langlois.
Reproductie van een getekend portret van Stijn Streuvels
Object type: reproduction
Date: 1911 – 1913
Materials: paper
Techniques: photograph
Subjects: stijn streuvels, portrait of a writer
Inscriptions: clichéaanwijzing, verso, handgeschreven
Portret van Johan Diedrich Deiman
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: predikant, johan diederich deiman
Inscriptions: collector's mark: Lugt 2228

Portret van Johan Diedrich Deiman, Lutherse predikant te Amsterdam, zittende op een stoel met voor hem een opengeslagen bijbel.
Grachtje te Edam
Object type: print
Materials: paper
Techniques: woodcut
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: trees, canals, waters (in city)
Inscriptions: collector's mark: Lugt 2233

Op de voorgrond een vlierboom naast twee pakhuizen. Op de achtergrond enkele huizen en de toren van de Onze Lieve Vrouwekerk, ook bekend als de Speeltoren.
Vrouw met kind op een brug bij een gesloten hek
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: bridge with structure, i.e. cover or buildings
Inscriptions: collector's mark: Lugt 2228
Habiti d'Huomeni e Donne Venetiane Con la Processione della Ser.ma Signoria Et altri particolari cioè Trionfi feste et cerimonie publiche della nobilissima città di Venetia
Object type: album leaf
Date: 1610 – 1610
Materials: paper
Techniques: engraving, intaglio
Location: italy
Subjects: other sovereign: doge, venice

Optocht over het San Marcoplein naar de San Marco met de doge en de Serenissima Signoria, het bestuur van Venetië. Tweeregelige Italiaanse tekst in ondermarge. De prent maakt deel uit van een album.
Opgerolde koperdraad uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: wire
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, wire; circularly looped, circular in section, one end pointed, with fragm of cloth.