deem-data/ArtiFact huggingface dataset:
Bombardement van Algiers, 1816
Object type: print
Date: 1816 – 1816
Materials: paper
Techniques: aquatint, etching
Location: the hague
Artist: nicolaus heideloff
Artist role: draughtsman, print maker, publisher
Artist dates: 1761 – 1837
Subjects: brussels, bombardment (+ sailing-ships), bombardment ~ siege (+ sailing-ships)
Inscriptions: collector's mark: Lugt 2228

Het bombardement van Algiers in de nacht van 26-27 augustus 1816 door de gecombineerde Engels-Nederlandse vloot, onder commando van Lord Exmouth en jonkheer van Capellen. Links en rechts de brandende schepen van de zeerovers, in het midden de stad gelegen op een heuvel. Op de voorgrond enkele sloepen. Rechts een kustbatterij waarop een vlag.
Dish (one of a pair) (part of a set)
Object type: dish
Date: 1714 – 1715
Materials: gilt silver
Artist: lewis mettayer
Artist role: maker
Artist nationality: british
Artist dates: 1640 – 1740
Subjects: coat of arms

When Sir Paul Methuen embarked on his ambassadorial mission to Spain in 1714, he ordered a set of seventeen fruit dishes, of which these five survive (68.141.288–.292). They were used during the dessert service, when they were piled high with candied fruits, sweetmeats, and pastries and arranged in a perfectly symmetrical pattern on the table.
Evening bell at Mii Temple
Object type: print
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Handkerchief
Object type: handkerchief
Date: 1840 – 1860
Materials: silk
Culture: american
Design for a Large Bookcabinet, with a Door at Left and a Chair at Right
Object type: drawing
Date: 1801 – 1833
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: books,doors,chairs,cabinets
Silhouetted Study of Bacchus in a Niche
Object type: drawing
Date: 1701 – 1800
Materials: chalk, gouache, ink, paper
Techniques: brush, cutting, drawing, highlighting, pen, wash
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: grapes,bacchus,leaves
Ring
Object type: ring
Date: 1101 – 1400
Materials: gold
Culture: coclé, parita
Location: panama
Sestertius (Coin) Portraying Julia Maesa
Object type: coin
Date: 223 – 223
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
De harmonie der sferen
Object type: print
Date: 1976 – 1976
Materials: paper
Techniques: screen printing in color
Artist: harrie a. gerritz
Artist role: draughtsman, painter, print maker
Artist dates: 1940 – 
Subjects: trees, candle, receiver, fence
Inscriptions: dedication: ‘voor Piet’, collector's mark: Lugt 2228, inscription: ‘Shirley’

Op de voorgrond een kaars op een rode tafel, met daarnaast een lucifersdoosje en een tekening van een hek. Op de achtergrond twee hekwerken in rood en blauw, bij nacht en bij dag.
Portret van Edmond Vergnet
Object type: photomechanical print
Date: 1872 – 1879
Materials: paper
Techniques: woodburytype
Subjects: historical persons
Scabbard Chape
Object type: scabbard slide
Date: 200 – 1
Materials: jade
Culture: chinese
Seal with Quadruped
Object type: decorative art
Materials: bronze
Culture: greek
Location: thessaly
Subjects: animals

This precious bronze object is a votive, or devotional gift, made as an offering to the gods. They come in many forms, such as animals, beads and brooches. Many seem once to have been attached to something else. Votives were hung from sacred trees or placed in sanctuaries around Greece. Once a shrine was full, the votives were ceremonially buried to make room for more offerings.
Fille Romaine
Object type: print
Date: 1831 – 1895
Materials: paper
Techniques: lithograph
Subjects: adolescent, young woman, maiden, garden
Inscriptions: collector's mark: Lugt 2228
Kalenderblad voor oktober 1901
Object type: calendar leaf
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: c.a.j. van dishoeck
Artist role: publisher
Artist dates: 1863 – 1931
Subjects: ornaments ~ art, calendar, almanac, spiders, fruits: chestnut

Kalenderblad voor oktober 1901 van de kalender 'Bloem en Blad', met een randdecoratie van spinnen, spinnenweb en kastanjeblad.
La Cathédrale de Westminster / Westminster Abbey / Westminster Abtei
Object type: print
Date: 1814 – 1844
Materials: paper
Techniques: engraving
Location: london
Subjects: church (exterior), westminster abbey
Inscriptions: collector's mark: Lugt 2228
Getal 23
Object type: drawing
Date: 1904 – 1904
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Inscriptions: collector's mark: ‘R:MVS.’

Het getal is gebruikt voor: Veth, Jan. Jozef Israëls en zijn kunst. Arnhem en Nijmegen: Gebroeders E&M Cohen, 1904.
Red-footed Falcon
Object type: drawing
Date: 1596 – 1610
Materials: paint, paper, pencil, watercolor
Techniques: brush
Subjects: predatory birds: red-footed falcon

Roodpootvalk. Genummerd rechtsboven: 20. Onderdeel van het eerste album met tekeningen van vogels. Derde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Petticoat
Object type: petticoat
Date: 1895 – 1898
Materials: silk
Culture: french
Landschap met visser
Object type: print
Date: 1809 – 1837
Materials: paper
Techniques: lithograph
Location: haarlem
Artist: pieter bartholomeusz. barbiers
Artist role: draughtsman, print maker
Artist dates: 1772 – 1837
Subjects: landscapes, fisherman
Inscriptions: collector's mark: Lugt 228

De visser staat onder een boom. In de verte een dorp.
St. Peter's, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving, etching
Artist: Anonymous
Artist role: artist
Subjects: human figures,buildings,fountains,obelisks,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 19 in the scrapbook.
La Femme chic, Supplément, 1911, No. 20, Pl. 197 : Quelques idées de blouses (...)
Object type: fashion print
Date: 1911 – 1911
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: pendant, trinket, 'breloque' (+ women's clothes), clothing for the upper part of the body: blouse (+ women's clothes), neck-gear ~ clothing (tie) (+ women's clothes), fashion plates, flowers: rose
Inscriptions: title: ‘La Femme "Chic" / Supplément / No 20 Pl. 197’, caption: ‘Quelques idées de blouses’

Vijf verschillende blouses, met kleine lijntekening van de achterzijde. Verdere accessoires: collier met hanger, bloemcorsage, haarband, stola en das. Prent uit het modetijdschrift La Femme chic (1911-1971)
De Italiaansche Waarzegger. Esopus, Antonio Magino, en Dirk Rembrantz van Nierop
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: lodewijk xiv (koning van frankrijk), telescope, fall of phaethon; he is struck by a thunderbolt of jupiter, astronomy (and cosmography)

Titelblad voor het pamflet: De Italiaansche Waarzegger. Esopus, Antonio Magino, en Dirk Rembrantz van Nierop, 1702. Wetenschappers kijken met telescopen naar de hemel waarin Phaëthon (Lodewijk XIV) uit de zonnewagen valt. Op de voorgrond een bedelaar met een bochel (Esopus). Op de achtergrond een tableau met vogels die de vechtende vorsten symboliseren.
George W. Sheffield
Object type: page
Date: 1876 – 1881
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult man
La Galerie du Palais Royal
Object type: print
Date: 1786 – 1808
Materials: paper
Techniques: engraving, etching, hand coloring
Location: france
Subjects: st. jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast; a skull (and other 'vanitas' symbols), sometimes a scorpion and a snake beside him
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Loevestein
Object type: book illustration
Date: 1749 – 1749
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: castle, bridge, loevestein castle

Gezicht op Slot Loevestein met slotgracht, vestingwal, toegangsbrug en -poort. Op de voorgrond wandelende figuren.
Before the Ballet Class
Object type: print
Date: 1889 – 1890
Materials: paper
Techniques: lithograph
Location: france
Artist: georges-william thornley
Artist role: print maker
Artist nationality: french
Artist dates: 1857 – 1935
Spring, from The Four Seasons
Object type: print
Date: 1589 – 1600
Materials: paper
Techniques: engraving
Location: germany
Artist: matthäus greuter
Artist role: print maker
Artist nationality: german
Artist dates: 1564 – 1638
Inscriptions: Lettered within image, upper center: "Ver"; lower center: "HGoltzius invent. M Greuter sc. et exc."; and below image: "Vere reslorescens ... tingit humum."
Strook applicatiekant met margrietentakken
Object type: strip
Date: 1890 – 1899
Materials: linen
Techniques: lace
Location: brussels
Artist: Anonymous

Strook naturelkleurige applicatiekant, kloskant geappliceerd op machinale tule. Op een met takjes versierd fond staan, langs de geschulpte kant, afwisselend een grote tak met margrieten en een kleine tak met klokjesbloemen. De gestrekte schulpen vertonen onder andere gebroken c-voluten en met rasterwerk gevulde rocailles.
The Great Exhibition "Wot is to Be", Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done
Object type: print
Date: 1850 – 1850
Techniques: engraving
Artist: george augustus sala
Artist role: author
Artist nationality: british
Artist dates: 1828 – 1895
Subjects: satire,men,clocks
Flora
Object type: print
Date: 1598 – 1602
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: (story of) flora
Inscriptions: collector's mark: Lugt 240

Flora, zittend met ontblote borsten, met een mand met bloemen onder haar arm. Naast haar staat een vaas met bloemen. Randschrift in het Latijn.
Wy syn seven
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: pen
Location: haarlem
Artist: cornelis dusart
Artist role: draughtsman, painter, print maker
Artist dates: 1660 – 1704
Subjects: pig, ass, donkey, fool, simpleton, numskull, attributes of minerva: owl
Inscriptions: inscription: ‘Wy zyn zeven / Corn: dusart fec [...] inv. / 1695’, collector's mark: Lugt 240

Drie mensen en drie dieren in een groteske opstelling. Een ezel draagt een uil op zijn nek en twee ruiters op zijn rug. De eerste ruiter is een grijnzende man met een narrekap op het hoofd en ouderwetse puntschoenen aan zijn voeten, een pijp in zijn hand. Op zijn schouders zit een kleine man met een schoen als hoed op zijn hoofd en een rommelpot onder zijn arm. Zijn mond is met een slot verzegeld. Naast de ezel staat een dikke dom-lachende man met een lantaarn op zijn hoofd. Om zijn buik hangen worsten en eieren en onder zijn arm draagt hij een varkentje.
Zeilschepen in een zeestorm
Object type: print
Date: 1651 – 1652
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: sailing-ship, sailing-boat, storm at sea
Inscriptions: collector's mark: Lugt 12

Drie zeilschepen op een zeer ruige zee tijdens een storm, vlak bij een rotsachtige kust.
The Adoration of the Shepherds
Object type: painting
Date: 1760 – 1769
Materials: canvas, oil
Artist: christian wilhelm ernst dietrich
Artist role: artist
Artist nationality: german
Artist dates: 1712 – 1774
Subjects: men,women,dogs,donkeys,madonna and child
Ontwerp voor het titelblad van het treurspel Arzases
Object type: drawing
Date: 1732 – 1732
Materials: chalk, paint, ink, paper, pencil
Techniques: brush, pen
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: (scenes from) specific works of literature (with author, title), group of actors, troupe; actors on the stage
Telescopen van Buron op de Great Exhibition of the Works of Industry of All Nations van 1851 in Londen
Object type: page
Date: 1851 – 1851
Materials: photographic support
Techniques: salted paper print
Location: london
Subjects: telescope, london
Pedestal Bowl
Object type: bowl
Date: 1201 – 1600
Materials: ceramic
Culture: carchi
Location: colombia

For many centuries prior to the Spanish conquest in the 1530s, the people living in the highlands between Colombia and Ecuador produced ceramics that have been found in tombs and shafts as deep as 130 feet. A common vessel type, of almost standardized size and shape, were bowls with annular ring bases. Decorated inside with a wide range of geometric motifs and stylized human and animal forms, these bowls exhibit an infinite variety of formal arrangement. Surfaces are banded, or cut into halves, thirds, or quarters, divisions that are always precisely calculated. Tuza/Cuasmal wares were painted in red or red-brown on cream-colored slip, as on the bowl illustrated here. The surface is divided into two halves by a wide band with stepped and scroll motifs. A further division creates quarters featuring crosshatching and profile parrots perched on bars.
Groningen en de Ommelanden, duit, 1770
Object type: coin
Date: 1770 – 1770
Materials: copper
Techniques: striking
Location: harderwijk

Koperen munt. Voorzijde: binnen versiering gekroond wapenschild. Keerzijde: drie-regelig opschrift, waarboven muntmeesterteken boompje van de muntmeester te Harderwijk en waaronder jaartal.
Two New Slides for the State Magic Lantern
Object type: print
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: animals,satire,men,women,caricature
Portret van Marcello Malpighi
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: engraving, etching
Artist: johannes kip
Artist role: print maker
Artist dates: 1652 – 1722
Subjects: rome
Inscriptions: collector's mark: Lugt 2228

Portretbuste van Marcello Malpighi, arts en anatoom in Bologna en grondlegger van de microscopische anatomie, in ovaal.
Which is the Largest Hand?, No. 833 from the series "Metropolitan Series"
Object type: photograph
Date: 1875 – 1899
Techniques: albumen print
Location: united states
Artist: Anonymous
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, drapery and unidentified object
Young Woman at a Loom
Object type: print
Date: 1765 – 1765
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Portret van Nicolaas Cornelis de Fremery
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: willem jan paling jz.
Artist role: print maker
Artist dates: 1776 – 1848
Subjects: overschie, utrecht, historical persons
Inscriptions: collector's mark: Lugt 2228, check stamp
Knife Handle (Kozuka) with Blade
Object type: knife handle kozuka
Date: 1701 – 1800
Materials: copper, silver alloy, gold, iron
Culture: japanese
Location: japan
Miss Kate Rorke
Object type: photomechanical print
Date: 1882 – 1892
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: portrait of actor, actress
Inscriptions: inscription: ‘57 & 61, Elbury Street, London.’
Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: aquatint, drypoint, roulette, etching
Location: netherlands
Artist: christian josi
Artist nationality: dutch
Artist dates:  – 1828
Inscriptions: Verso: inscribed in graphite: "6th Proof of the 2nd plate only"
Portret van keizer Karel VI
Object type: print
Date: 1711 – 1733
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: vienna, charles vi (holy roman emperor), armour, historical persons, baton of general, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Rooms-Katholieke Kerk te Bunde
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, photographic support
Techniques: albumen print
Location: bunde
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Bunde/ Bunde bij Maastricht/ R.K. Kerk oct 1904’, annotation: ‘Bunde’
Portret van Wilhelmina van Pruisen, te paard
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: berlin, draughtsman, wilhelmina of prussia (princess of orange), horse
Inscriptions: collector's mark: Lugt 2228

Portret van Wilhelmina van Pruisen, te paard in een landschap. Achter haar haar gevolg. Onderaan het wapen
Vasant Ragini, Page from a Ragamala Series (Garland of Musical Modes)
Object type: page
Date: 1601 – 1633
Materials: gold, ink, paper, watercolor
Culture: indian or rajasthan or amber
Subjects: musical instruments,men,women,dancing

Vasant (spring) is evoked here by the dancing nobleman playing the role of Krishna in celebration of the coming of spring, witnessed by the flowering plants in the foreground, the flowers in the nobleman’s headdress, and the golden vessel with flowers balanced on his raised hand. The allusion to Krishna is secured by the nobleman’s skirt of peacock feathers, which are closely associated with the playful god, and the circular grouping created by the female musicians accompanying him; together, they consciously recall Krishna’s rāslīlā dance with the gopis.
Soliman Kahn I, from Portraits of the Emperors of Turkey
Object type: print
Date: 1815 – 1815
Materials: paper, watercolor
Techniques: brush, hand coloring, mezzotint
Location: england
Artist: john young
Artist role: engraver
Artist nationality: british
Artist dates: 1755 – 1825

The tenth Ottoman sultan, Süleyman “the Magnificent” expanded his empire through Hungary, ruling exceptionally long, from 1520 to 1566. He besieged Vienna in 1529, setting all of Europe on edge, but did not in the end breach the city’s gates. He was a patron of the arts, both Eastern and Western, and his court accommodated several visiting artists, such as Melchior Lorck and Pieter Coecke van Aelst, who brought some of the first true representations of Turkish life back to Europe.
Moedwil gepleegd aan de Huizinge eens Wynkoopers te Rotterdam op den 17 Aug. 1751, na dat hy den Eed had afgelegt
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: etching, hand coloring
Location: northern netherlands
Subjects: plundering ~ riot, rotterdam
Inscriptions: collector's mark: Lugt 2228

Plundering van het huis van de wijnkoper Gerrit Hagedooren (Hagedoorn) in de Bierstraat te Rotterdam in de avond van 17 augustus 1751 nadat hij de eed had afgelegd. Rellen in een straat met rechts het huis van de wijnkoper met ingegooide ramenen en met plunderaars die zich te goed doen aan opengebroken wijnvaten. Verderop in de straat de aankomst van een detachement schutters.
Plan van Groningen
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching, hand coloring
Location: augsburg
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.), maps of cities
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Archief Ministerie van Oorlog Afdeeling Genie’

Plattegrond in vogelvluchtperspectief. Linksonder cartouche met legenda, het wapen van de stad Groningen een jongen met de vrijheidshoed en de Nederlandse Leeuw met pijlenbundel. Onderaan in het midden een schaalstok: Roeden. Rechtsonder nog een legenda.
Textile Design for Stencil
Object type: textile design
Date: 1601 – 1700
Materials: paint, paper
Culture: japanese
Ex libris van Sr. Wm. Beauchamp Proctor
Object type: bookplate
Date: 1791 – 1861
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Tobacco Box
Object type: tobacco box
Date: 1747 – 1747
Materials: brass, tin
Culture: american
Location: united states
Dish (one of a pair)
Object type: dish
Date: 1664 – 1665
Materials: silver gilt
Artist: anthony ficketts
Artist role: maker
Artist nationality: british
Artist dates: 1635 – 1685
Subjects: coat of arms

The somber simplicity of these dishes, which were intended for display on a sideboard, is complemented by the restrained engraving of the armorials at the center. The shield contains the arms of Sir John Brownlow (1594–1679) impaling—that is, shown side-by-side with—the arms of his wife, Alice Pulteney. The crest above, depicting a greyhound, is engraved in a different style and was added by the family at a later date.
Halberd Head with Two Nagas Supporting Blades
Object type: halberd head
Date: 1251 – 1300
Materials: copper alloy
Culture: indonesian, javanese
Portret van Johann Matthias Korabinszky
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons

Prent mogelijk uit: Bertuch, Friedrich Justin. Allgemeine geographische Ephemeriden. Wiemar: Verlage des Landes-Industrie-Comptoirs, 1806, dl. 21.
Groepsportret van twee onbekende vrouwen, een meisje en een pop
Object type: stereoscopic photograph
Date: 1907 – 1935
Materials: glass
Techniques: autochrome process
Location: netherlands
Artist: adolphe burdet
Artist role: fotograaf
Artist dates: 1860 – 1940
Subjects: historical persons not known by name - bb - woman, (playing with) dolls, netherlands
De Spaansche Gezanten, buiten den Haage, ontvangen, door Prinse Maurits, in 't jaar 1608
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maurice (prince of orange), peace negotiations, meeting
Inscriptions: collector's mark: Lugt 2228

Aankomst en begroeting te Rijswijk van de Spaanse gezanten voor de vredesonderhandelingen, februari 1608. Maurits en Spinola geven elkaar de hand. Het rijtuig is gestopt voor een herberg waar veel toeschouwers staan.
The Kitchen
Object type: print
Date: 1858 – 1858
Materials: paper, ink
Techniques: printmaking, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903