deem-data/ArtiFact huggingface dataset:
Mantle
Object type: mantle
Date: 1840 – 1870
Materials: cotton, leather, wool

The Hungarian szür is derived from mantles over 2500 years old, and continued to be worn into the early 20th century. The garment was worn by shepherds mostly, providing protection from the harsh elements. Their thick wool felt was protective against cold and wet, and the long collars were adorned with roundels at the lower corners that could be connected to form a hood. Generally knee to mid-calf length, they were heavily adorned with embroidery and appliqués specific to their locality. The szür was usually worn draped over the shoulders, with the sleeves hanging loose. It was a much-coveted object, and so costly that many men resorted to thievery to afford one. The motifs of this szür were inspired by ancient Islamic motifs. The intricacy and density of the embroidery is stunning and virtuosic. This object was collected by Stewart Culin (1858-1929) during a collection expedition in 1922. Culin was the Brooklyn Museum's first Curator of Ethnology, serving from 1903 to 1929. Possessing an insatiable curiosity and appetite for collecting objects of all kinds, Culin conducted over twenty worldwide collecting expeditions between 1901 and 1928. The trips covered American Indian territories, New England, Asia, India, Great Britain, and all of Eastern and Western Europe. The seven expeditions between 1917 and 1928 were specifically focused on collecting regional textiles and costumes from Eastern and Western Europe and, to a lesser extent, New England. Culin's goals for these trips were not just to expand the Museum's holdings, but also to preserve their cultural contexts. He did so through amassing photographs, notebooks, and ephemera which documented the social, commercial, and cultural circumstances surrounding their acquisition. His collecting philosophy embraced both rare and high-quality pieces as well as those which represented daily life or were of particular social or historical interest.
Portret van een vrouw
Object type: carte de visite
Date: 1875 – 1899
Materials: cardboard, celluloid, photographic support
Techniques: albumen print
Location: antwerp
Artist: egide linnig-quveliers
Artist role: fotograaf
Artist dates: 1844 – 1908
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘E. Linnig-Quveliers/ ARTISTE PHOTOGRAPHE/ 20, Rue de la Commune/ Anvers/ Les Clichés sont conservés’
Ensemble
Object type: ensemble
Date: 1900 – 1900
Materials: silk
Culture: french
The Palisades
Object type: watercolor
Date: 1870 – 1870
Materials: gouache, watercolor, paper
Culture: american
Artist: john william hill
Artist role: artist
Artist nationality: american, born england
Artist dates: 1812 – 1879
Subjects: landscapes

By the 1860s Hill had adopted the hatching and stippling technique used by the British and Ameri¬can Pre-Raphaelites. Dictated by John Ruskin’s prescription for “truth to nature,” Hill also began to work outdoors in broad daylight, which produced a tonal equivalence between foreground and background in his watercolors. For this reason—and because the Pre-Raphaelite artists suppressed evidence of brushstrokes—his work often appears photographic. As a Pre-Raphaelite, Hill favored a high, nearly unbroken, horizon that emphasized topographical features at the expense of sky and atmosphere. The viewpoint of this watercolor is said to be the former estate of Christian H. Lilienthal of Yonkers, looking north to the house and property of William S. Cochran at right, with the Palisades across the Hudson River at left.
Portret van Lodewijk II, koning van Beieren
Object type: print
Date: 1864 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Amice
Object type: textile
Date: 1601 – 1700
Materials: cord, cotton, gilt, linen, metal, textile, silk, velvet
Techniques: embroidery, cutting, treatment, glazing, laid work, painting, patterning, weave, stitching
Location: spain
De vervroegde terugkomst van Keizer Wilhelm
Object type: cartoon
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: wilhelm ii (keizer van duitsland), personifications of countries, nations, states, districts, etc., challenging the enemy, political caricatures and satires

De Duitse keizer Wilhelm II haast zich om aanwezig te zijn bij een gewapend treffen tussen Marianne (Frankrijk) en John Bull (Engeland).
Tekening uit archief Philip Zilcken
Object type: drawing
Date: 1923 – 1923
Materials: ink, paper, pencil
Techniques: pen
Artist: alphonse stengelin
Artist role: painter, print maker
Artist dates: 1852 – 1938
Subjects: draughtsman, philip zilcken, farm or solitary house in landscape
Inscriptions: annotation: ‘Stengelin van KW’, collector's mark: ‘RPK’, signature: ‘Stengelin’

Tekening is verstuurd als bijlage bij brief RP-D-1982-43-STENGELIN-46.
Arrival in the Field
Object type: print
Date: 1864 – 1864
Techniques: etching
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Fragment
Object type: fragment
Date: 1701 – 1733
Materials: metal thread, silk
Subjects: peacocks,flowers
Sets met potloden van Eberhard Faber
Object type: album leaf
Date: 1915 – 1935
Materials: paper
Techniques: gelatin silver print, hand coloring
Location: springfield
Subjects: pencil
Inscriptions: stamp: ‘Paramount/ Commercial Studios/ 145 Chestnut St./ Springfield - Mass.’, number: ‘833’
Miniature Cauldron
Object type: cauldron
Date: 500 – 300
Materials: bronze
Culture: indonesian, javanese
De negen helden
Object type: print
Date: 1621 – 1636
Materials: paper
Techniques: engraving
Location: london
Artist: willem van de passe
Artist role: print maker
Artist dates: 1597 – 1637
Subjects: david (one of the nine worthies)
Inscriptions: collector's mark: Lugt 2228

De Joodse held David, spelend op zijn harp. Buste gevat in een ovale omlijsting met een randschrift in het Latijn. In de marge zijn naam en een tweeregelig lofdicht in het Engels.
Saint Bartholomew facing right,  book under his right arm, knife in his left hand, from "Christ and the Apostles"
Object type: print
Date: 1548 – 1550
Techniques: etching
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: books,knives,apostles,saints
L'Automne
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: engraving
Location: paris
Subjects: year divided into four seasons, autumn, fall, 'autumnus'; 'autunno' (ripa)
Inscriptions: : ‘Déposé à la Direction.’, collector's mark: Lugt 2228

Maakt deel uit van een serie van vier prenten voorstellende de vier seizoenen in de vorm van vier vrouwen in seizoensgebonden kostuums.
Pricket Candlestick with a Naked Youth Fighting a Dragon
Object type: candlestick
Date: 1140 – 1160
Materials: alloy, gilt copper
Culture: south netherlandish
Location: netherlands
Subjects: weapons,male nudes,dragons

The dragon speared by a naked youth is a fanciful subject typical of the imaginative creatures found in the work of medieval goldsmiths and in manuscript illumination.
Epe. Oosterenk
Object type: photomechanical print
Date: 1908 – 1930
Materials: cardboard
Techniques: photograph, hand coloring, writing
Location: epe
Subjects: road, path
Coffeepot
Object type: coffeepot
Date: 1732 – 1733
Materials: silver, wood
Artist: george jones
Artist role: maker
Artist dates: 1724 – 1744
Fireworks on the Schiessplatz, Nuremberg, June 22, 1665
Object type: print, fete, ornament architecture
Date: 1665 – 1665
Techniques: etching
Artist: georg carl hornung
Artist role: designer
Artist dates: 1600 – 1700
Subjects: fireworks

Nuremberg was the fireworks capital of the German states, and this before-and-after print may have had a didactic purpose, demonstrating the effects of different devices and artillery. Besides rockets, Roman candles, and Catherine wheels, there is a sort of billboard at the left, illustrating the story of the rich man and poor Lazarus, while at the right an open hell mouth reveals one of the damned and a devil inside.
Portret van George Clausen
Object type: print
Date: 1921 – 1921
Materials: paper
Techniques: etching, intaglio
Artist: ernest stephen lumsden
Artist role: print maker
Artist dates: 1883 – 1948
Subjects: draughtsman, george clausen, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Terracotta fragments of a bowl
Object type: fragment of a bowl
Date: 600 – 301
Materials: terracotta
Culture: unknown fabric

Large fragment of a bowl that is nearly intact, with a small disk foot; the outer edge of the foot and the resting surface are glazed; the inner wall of the foot is reserved; the underside of the bowl has a black circle; a smaller fragment is from the rim of the bowl
Les Métiers
Object type: print
Date: 1632 – 1633
Materials: paper
Techniques: etching
Subjects: bed with tester, mirror, putting on (tying) or taking off (untying) sandals or shoes - aa - female human figure, head-gear: hat (+ men's clothes), clothes, costume (+ women's clothes), shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), clothes, costume (+ men's clothes), picture, painting, tapestry, neck-gear: collar (+ men's clothes), sleeves (+ women's clothes), bedroom, shoe-maker, cobbler
Inscriptions: collector's mark: Lugt 240

In een slaapvertrek met links een hemelbed en gobelins en schilderijen aan de wand zit een dame, gekleed volgens de Franse mode rond 1630. Voor haar zit een schoenmaker op zijn knieën. Hij heeft zijn mantel en hoed op een stoel gelegd en past een schoen met rozet aan de voet van de vrouw. Naast haar op de kist staat de tweede schoen. De schoenen zijn karakteristiek voor de periode rond 1630. De hak werd beschermd door een 'patin', die men eroverheen droeg als men naar buiten ging en die men binnenshuis verwijderde. De schoen had grotendeels open zijkanten die bovenop de wreef bijeengehouden werden door twee lange riempjes waarvan de aanhechting werd gemaskeerd door een grote bloem van stof (rozet).
Portret van Fadrique Álvarez de Toledo, hertog van Alva
Object type: book illustration
Date: 1679 – 1679
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons

Prent uit: Bor, Pieter Christiaansz. Oorspronck, begin, en vervolgh der Nederlandsche oorlogen, (...). Amsterdam: Joannes van Someren, Abraham Wolgang en Hendrick en Dirk Boom, 1679, dl. 1.
Design for a Cartouche with a Variant
Object type: drawing
Date: 1601 – 1700
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Mittheilungen des Kaiserlich Deutschen Archaeologischen Instituts. Athenische Abtheilung
Object type: book
Date: 1886 – 1886
Materials: cardboard, paper, textile
Techniques: photograph, printing, marbling
Medaillonportret van Hendrik IV van Frankrijk (1553-1610)
Object type: sculpture
Date: 1700 – 1800
Materials: bronze
Location: france
Artist: Anonymous
Subjects: paris, hendrik iv (koning van frankrijk en navarra), historical persons

Hendrik IV van Frankrijk, in profiel naar links, gekleed in Romeins kostuum met gevederde helm.
Boekband Metamorfoze
Object type: text sheet
Date: 1868 – 1928
Materials: paper
Techniques: letterpress printing
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Faceted jar decorated with plum blossoms and bamboo
Object type: jar
Materials: cobalt, porcelain
Culture: korean
Subjects: bamboo

Exemplary of late Joseon blue-and-white porcelain produced at the court kilns (Bunwon), this faceted jar features delicately painted plum blossoms on one side and bamboo on the other—motifs associated with winter and summer respectively that also (with the chrysanthemum and orchid) symbolize the virtuous Confucian scholar.
Ornament
Object type: ornament
Date: 1701 – 1750
Materials: gilt bronze
Study of a Seated Youth for the Age of Gold
Object type: drawing
Date: 1637 – 1637
Materials: chalk
Artist: pietro da cortona (pietro berrettini)
Artist role: artist
Artist nationality: italian
Artist dates: 1596 – 1669
Subjects: men

In June 1637, Pietro da Cortona, the leading Italian Baroque painter of his time, arrived in Florence and immediately began a fresco cycle commissioned by the Grand Duke of Tuscany, Ferdinando II (1610-1670) and his wife Vittoria della Rovere (1622-1694), for the Camera della Stufa in the Pitti Palace. The subject was the "Four Ages of the World" as recounted at the beginning of Ovid's Metamorphoses, a classical literary source. Together with another sheet in the Museum's collection (inv. 1972.118.250), this drawing is a study for a youth seated at the left in the "Age of Gold". In this fresco a young woman crowns the seated youth with a laurel of victory, an allusion to the name Vittoria, while putti, laden with branches of oak (rovere), advance without disturbing a docile lion, these are references to the Medici - Della Rovere marriage symbolized by the youthful couple. Comparing the two drawings, here the position of the youth's right arm is closer in to the solution adopted in the fresco, but in both figure studies his left arm (here only lightly indicated) is raised, while in the fresco it rests across his chest. A further study for the same seated figure is in Rome (Istituto Centrale per la Grafica, Corsini Collection inv. 124324).
Groningen. Station
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1904
Materials: cardboard
Techniques: lithograph
Location: leipzig
Artist: Anonymous
Subjects: station; shelter (railway, tramway)
Inscriptions: date
Famile Vonk uit Nederlands-Indië gerepatrieerd terug in Nederland
Object type: photograph
Date: 1909 – 1946
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bergen op zoom
Artist: Anonymous
Subjects: jet vonk, r.h. vonk, family group, especially parents with their child(ren), bergen op zoom
Inscriptions: inscription

Albumblad met vier foto's van het gezin Vonk, na terugkeer in Nederland, herenigd met familie in Bergen op Zoom, in september 1946. Onderdeel van het familiealbum van Jet Vonk uit Celebes.
The Hunter and the Milkmaid, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1847
Hoed van naturel kleurig gevlochten stro
Object type: zomerhoed
Date: 1920 – 1920
Materials: ribbon, straw
Techniques: braiding
Location: france
Artist: Anonymous

Zomerhoed van naturelkleurig gevlochten stro, met zwart lint in platte strik. Ovaal, plat. Adres: MARQUE DEPOSE en wapen, I.3. II. F T Ree.
Box
Object type: box
Date: 1820 – 1820
Materials: glass, ivory, paper, shell
Subjects: landscapes,boats
Portret van kardinaal Nicolò Acciaioli
Object type: album leaf
Date: 1669 – 1691
Materials: paper
Techniques: engraving
Location: rome
Subjects: rome, cardinal

Portret van kardinaal Nicolò Acciaioli. Linksboven het wapen van paus Clemens IX en rechtsboven het wapen van de kardinaal. Onderaan een onderschrift in het Latijn. De prent maakt deel uit van een album.
Portret van Willem III, prins van Oranje
Object type: print
Date: 1652 – 1662
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Artist: anthonie heeres siverdtsma
Artist role: print maker
Artist dates: 1625 – 
Subjects: william iii (prince of orange and king of england, scotland, and ireland)
Inscriptions: collector's mark: Lugt 963

Portret van Willem III als kind spelend met een hondje en staande bij een tafel waarop een kroon ligt. Rechts in een venster een pot met de oranjeboom waarop het goddelijk licht schijnt. In de marge een eenregelig Latijns onderschrift. Onder de prent een 'Eer-dicht: Op de Af-beeldingh van zijn Doorluchtige Hoogheyt, Wilhem Hendrick, door Godts genade, Prince van Orangien, Grave van Nassauw, &c.'.
Figurine, Two Fragments of the Garment
Object type: sculpture
Date: 1425 – 1550
Materials: clay
Location: utrecht
Artist: Anonymous
Bust
Object type: bust
Date: 1865 – 1883
Materials: porcelain
Culture: japanese
Location: japan
Artist: miyagawa kozan
Artist role: artist
Artist dates: 1842 – 1916
Subjects: men,portraits
Muurgraven
Object type: ornament print
Date: 1779 – 1781
Materials: paper
Techniques: engraving, etching
Location: ravensburg
Subjects: niche-tomb, wall-tomb
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Ontwerp en zijaanzicht van een muurgraf met geornamenteerde panelen en deurklopper in vorm van een kop. Bovenop gedecoreerd met vaten, de hoorn des overvloeds en Mercuriusstaf en -helm. Uitgeversnummer XXVIII.
Carrier Pigeon, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: pigeons

Trade cards from the "Birds of America" series (N4), issued in 1888 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Vier jongetjes, een sater en een geit
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: etching
Location: antwerp
Subjects: boy (child between toddler and youth), satyr(s) (in general), goat
Inscriptions: collector's mark: Lugt 240
Schetsen van een mannenhoofd
Object type: drawing
Date: 1867 – 1923
Materials: chalk, paper, pencil
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic

Interior, archer holding tip of bow? in his left hand, wearing a leather boot; behind him, animal?
Portret van Gustaaf Willem Baron van Imhoff
Object type: print
Date: 1708 – 1780
Materials: paper
Techniques: engraving, etching
Subjects: gouverneur-generaal, gustaaf willem baron van imhoff (1705-1750)
Portret van Frederik Adriaensz. Westphalen op 72-jarige leeftijd
Object type: print
Date: 1657 – 1707
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: enkhuizen, traveler, globe
Inscriptions: collector's mark: Lugt 2228

Portret van Frederik Adriaensz. Westphalen op 72-jarige leeftijd, naast hem een globe. In de linker bovenhoek zijn wapen. Onder het portret een vers van vier regels in het Nederlands door G. Brandt getekend: Sursum Corda.
[Group Portrait: (L to R)Lady Canning, Major Jones and Lady Campbell, Barnes Court, Simla]
Object type: photograph
Date: 1860 – 1860
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: men,women,horses
Cayatanita, Navajos, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Trade cards from the "American Indian Chiefs" series (N2), issued in 1888 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Gate Leg Table
Object type: furniture
Date: 1710 – 1730
Materials: wood
Location: boston
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1799
Subjects: furniture
End of a cover
Object type: cover
Date: 1801 – 1900
Materials: linen, silk
Voor- en achterzijdes van vier penningen met portretten van Maarten Hapertszoon Tromp
Object type: book illustration
Date: 1726 – 1726
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: brielle, maarten harpertszoon tromp, historical persons, pendant, trinket, 'breloque', commander-in-chief, admiral

Prent uit: Loon, Gerard van. Beschryving der Nederlandsche Historipenningen: (...). Den Haag: Christiaan van Lom et al., 1726, dl. 2, p. 376.
Shelf for Cosmetic Boxes (Kurodana) with Wild Grapevine and Family Crest
Object type: shelf
Date: 1601 – 1650
Materials: gold, silver, wood
Techniques: hiramakie, lacquer
Culture: japanese
Subjects: leaves

This four-tiered shelf was likely part of a high-ranking bride’s trousseau. The kurodana was used for the display and storage of cosmetic boxes and toiletries, including the utensils necessary for tooth blackening (haguro), the sign of a married woman. This example’s black-lacquer surface features a pattern of wild grapevines and the nine-circle or star crest (kuyō mon), which might be associated with the Hosokawa family. The couturière Gabrielle “Coco” Chanel (1883–1971) owned numerous Chinese Coromandel and Japanese gold lacquer folding screens. The contrast of their lustrous black coating, gold and silver, and inlaid decoration influenced some of her compositions.
Kaïn door God aangesproken na de moord op Abel
Object type: ornament print
Date: 1683 – 1733
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: ornament ~ festoon, garland, foliage, tendrils, branches ~ ornament, the lord calls on cain to account for his deed
Inscriptions: collector's mark: Lugt 2233

Prent oorspronkelijk bedoeld voor: Figures de la Bible. Amsterdam, Bernard Picart, 1720. Prent ook gebruikt in: Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament (...) door de vermaarde kunstenaars Hoet, Houbraken, en Picart getekent (...) en met beschrijvingen uitgebreid. Den Haag: Pieter de Hondt, 1728.
Prent kan mogelijk ook zijn gebruikt in andere bijbels.
Joannes Bugenhagius Pomeramus Theo. Witte
Object type: print
Date: 1597 – 1599
Materials: paper
Techniques: engraving
Location: france
Artist: robert boissard
Artist role: print maker
Artist dates: 1570 – 1611
Subjects: ink-well, historical persons, book - mm - book open
Panel
Object type: textile
Date: 1706 – 1709
Materials: silk
Techniques: damask, weave
Location: england
Portret van koning Karel Gustaaf van Zweden
Object type: print
Date: 1654 – 1660
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, (story of) minerva (pallas, athena), globe, freedom, liberty; 'libertà' (ripa) (+ symbolical representation of concept)
Inscriptions: collector's mark: Lugt 2228

Portret van Karel Gustaaf, koning van Zweden. Bovenaan op de wolken Karel Gustaaf gezeten in een koets met een scepter in zijn hand. De koets wordt bestuurd door Minerva en getrokken door twee adelaars. Links van het portret koning Gustaaf I van Zweden, die een hemelglobe tilt en een vrijheidslans in de hand houdt. Rechts van het portret staat Gustaaf II Adolf, koning van Zweden, gekleed als Hercules en met de globe op zijn schouders, terwijl hij slangen vertrapt. Boven op het lijstwerk zit links Geloof. Rechts zit een allegorische figuur met een caduceus en een roer.
Gezicht van de Jooden Groenmarkt langs het Oudezyds Huyszittenhuijs naar den Binnen Amstel
Object type: print
Materials: ink, paper
Techniques: etching, pen
Location: amsterdam
Artist: adolf van der laan
Artist role: draughtsman, print maker
Artist dates: 1689 – 1742
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), public welfare, poorhouse, canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195, inscription: ‘Gezicht van de Jooden Groenmarkt langs het Oudezyds Huyszittenhuijs naar den Binnen Amstel’, collector's mark: Lugt 2228

Afgesneden van een proefdruk van één van de twee platen van de prent 'Platte gronden van het Oude Zyds Huiszitten Huis en Huiszitten Weduwen Hof, beneven deszelfs opstallen'. Deze prent bestaat uit plattegronden van het Oudezijds Huiszittenhuis en het Huiszitten Weduwenhof (Kartuizerhof), met daaromheen allegorische voorstellingen, wapenschilden en gezichten op verschillende delen van beide gebouwen.

Huidige object is afgesneden van een poefdruk van de linkerplaat.

Zie ook RP-P-AO-26-9-1, RP-P-AO-26-10, RP-P-AO-26-11-1, RP-P-AO-26-11-2, RP-P-AO-26-17 en RP-P-AO-26-18.