deem-data/ArtiFact huggingface dataset:
Just Dessert
Object type: painting
Date: 1891 – 1891
Materials: canvas, oil
Location: united states
Artist: william michael harnett
Artist role: artist
Artist nationality: american
Artist dates: 1848 – 1892
Subjects: still life, dining, drinking
Inscriptions: Signed, lower right: "Harnett / 1891"

One of only three works William Michael Harnett painted in the year before his death, Just Dessert offers the viewer a display of foodstuffs sumptuously arranged on a marble surface. The traditional tabletop composition is one that Harnett often employed in his still lifes. In Just Dessert, the exotic clashes with the quotidian—Maraschino liqueur, half a coconut, and Smyrna figs rest alongside a copper
pitcher, pewter tankard, and ginger jar. Small crumbs of cork are visible on the grapes and fig seeds are smashed on the side of the wooden box, indicating that the dessert has been eaten, as well as highlighting Harnett’s skillful renderings in trompe l’oeil (fool-the-eye) painting.
Dasslip van naaldkant met ruitvormige ranken
Object type: dasslip
Date: 1700 – 1724
Materials: linen
Techniques: flat venetian

Dasslip van naturelkleurige naaldkant: platte Venetiaanse kant of point de France. Op een grove zeshoekige maasgrond staat een ten opzichte van twee elkaar kruisende assen symmetrisch decor. In het hart staat een grote ruitvorm, die aan de linker en rechter buitenzijde gehalveerd terugkomt. Zij zijn verbonden door een kleinere ruit waarin een gelijkarmig kruis. De grote ruiten vertonen vier van C-voluten gevormde, onleesbare monogrammen(?). Het tussenliggende veld is gevuld met spiraalranken met kleine bloempjes en knopjes. Aan drie zijden een rechte lijn met puntjes, om en om groot en klein.
Cup and saucer
Object type: cup and saucer
Date: 1790 – 1790
Materials: hard paste porcelain
Subjects: columns,temples
Kelmscott Manor: From the Orchard
Object type: photograph
Date: 1896 – 1896
Materials: glass
Location: england
Artist: frederick h. evans
Artist role: fotograaf
Artist nationality: english
Artist dates: 1853 – 1943
Newes Modelbuch in Kupffer  (Page 16r)
Object type: book print ornament architecture
Date: 1604 – 1604
Techniques: etching
Artist: johann sibmacher
Artist role: artist
Artist nationality: german
Artist dates: 1590 – 1611
Subjects: fruit

Designed by Johann Sibmacher, German, active 1590-1611. 2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs.
Portret van de Franse kardinaal Guillaume Briçonnet
Object type: print
Date: 1636 – 1679
Materials: paper
Techniques: engraving
Location: antwerp
Artist: frans van den wijngaerde
Artist role: print maker, publisher
Artist dates: 1614 – 1679
Subjects: cardinal
Inscriptions: collector's mark: Lugt 2228
De helden Jozua, David en Judas de Makkabeeër
Object type: print
Date: 1518 – 1522
Materials: paper
Techniques: woodcut
Location: low countries
Artist: lucas van leyden
Artist role: draughtsman, painter, print maker
Artist dates: 1494 – 1533
Subjects: judas maccabaeus (one of the nine worthies), david (one of the nine worthies), joshua (one of the nine worthies)
Inscriptions: collector's mark: Lugt 240

Eén van drie houtsneden, onderdeel van fries met negen helden. Drie Joodse helden: koning Jozua, koning David en Judas de Makkabeeër te paard. Boven alle drie een kader met naam en toenaam.
Two Nude Models
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: etching
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Sepia par Daguerre_ (Londres 1826)
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: photoaquatint
Artist: paul naudot
Artist role: fotograaf
Subjects: gate, entrance, london
Inscriptions: inscription: ‘Bulletin du Photo-Club de Paris’
Portret van Anton Mauve
Object type: print
Date: 1887 – 1888
Materials: paper
Techniques: etching, intaglio
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: arnhem, anton mauve, historical persons
Souvenir
Object type: souvenir
Date: 1780 – 1790
Materials: gold, ivory, porcelain, steel
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: human figures

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Noordzijde van de Hervormde Kerk te Cadzand
Object type: photograph
Date: 1893 – 1893
Materials: cardboard, photographic support
Techniques: albumen print
Location: cadzand
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Kadzand/ Cadzand (Z)/ Noordaanzicht der N.H. Kerk/ Jan 93’, annotation: ‘Noordaanzicht der N.H. Kerk/ Jan. 1893/ Cadzand’
Two pilgrims with hats rest to the left, seen from behind, a horseman rides towards the background to the right, plate 5 from "Various Figures" (Agréable diversité de figures)
Object type: print
Date: 1642 – 1642
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: hats,men,horses,trees
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: brass, copper, iron
Culture: japanese
Location: japan
Subjects: plants
Ex libris van Hans Deutgen
Object type: bookplate
Date: 1927 – 1989
Materials: paper
Techniques: printing block
Location: france
Artist: Anonymous
Subjects: armorial bearing, heraldry
Christus en twaalf apostelen
Object type: print
Date: 1591 – 1629
Materials: paper
Techniques: engraving
Location: prague
Subjects: the apostle andrew; possible attributes: book, x-shaped cross, fish, fishing-net, rope, scroll
Inscriptions: collector's mark: Lugt 2228

Prent naar ontwerp van Joos van Winghe. Prent maakt deel uit van serie met dertien prenten en titelprent van Christus en twaalf apostelen.
Architectural Drawings
Object type: drawing
Date: 1800 – 1900
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 19th century
Artist role: artist
Artist nationality: italian
Artist dates: 1800 – 1900
Ontwerp voor een titelhoofd van: Arcadia, letterkundig maandblad voor dames
Object type: design
Date: 1900 – 1900
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: flowers ~ ornament
Inscriptions: collector's mark: ‘R:MVS.’
Nederhorst
Object type: drawing
Date: 1745 – 1745
Materials: ink, paper
Techniques: brush, pen
Artist: jan de beijer
Artist role: draughtsman, print maker
Artist dates: 1703 – 1780
Subjects: castle, nederhorst den berg
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, lower part of handle and part of handle palmette and tendril
Vrouw en man met elkaar in gesprek
Object type: print
Date: 1668 – 1678
Materials: paper
Techniques: etching, galvanization
Location: haarlem
Subjects: speaking
Inscriptions: collector's mark: ‘B’, collector's mark: ‘RIJKS / MUSM’

De prent maakt deel uit van een portefeuille en is met een andere prent op één albumblad gedrukt.
Mannen en kinderen te paard in Zuid-Afrika
Object type: photograph
Date: 1920 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Location: south africa
Artist: karel frederik van den berg
Artist dates: 1873 – 1948
Subjects: horse

Deze foto's zijn onderdeel van een album.
Portret van Jean du Joncquoy op 57-jarige leeftijd
Object type: print
Materials: paper
Techniques: engraving
Location: douai
Artist: martin baes
Artist role: print maker
Artist dates: 1604 – 1637
Inscriptions: inscription: ‘Joannes de Loncquoy abbas Marchianensis’, collector's mark: Lugt 2228

Portret van Jean du Joncquoy op 57-jarige leeftijd. Onder het portret een vers in het Latijn van vier regels.
Christus verschijnt aan Maria Magdalena (Noli me tangere)
Object type: print
Date: 1602 – 1602
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: mary magdalene kneeling before christ, who is usually represented as a gardener with a hoe and/or a spade; 'noli me tangere'
Inscriptions: caption: ‘Odit amor latebras...’, collector's mark: Lugt 240

Maria Magdalena knielt voor Christus die is voorgesteld als een tuinman.
Snuff bottle with stopper
Object type: snuff bottle with stopper
Date: 1701 – 1900
Materials: stone, gemstone
Culture: chinese
Subjects: human figures
Boeren bij het kegelen
Object type: print
Date: 1635 – 1668
Materials: paper
Techniques: etching
Location: southern netherlands
Subjects: ninepins, skittles
Inscriptions: collector's mark: Lugt 240

Een groepje van vier boeren is voor een huis aan het kegelen.
La Gazette des Salons, 1836, No. 104: Robe de Chambr (...)
Object type: fashion print
Date: 1836 – 1836
Materials: paper
Techniques: engraving, hand coloring
Artist: Anonymous
Subjects: clothes, costume (+ girls' clothes), neck-gear ~ clothing (+ men's clothes), nightwear (+ men's clothes), head-gear: turban (+ men's clothes), trousers, breeches (+ men's clothes), housecoat (+ men's clothes), fashion plates, shoes, sandals (+ men's clothes), newspaper, news-sheet
Inscriptions: title: ‘La Gazette des Salons.’, address: ‘On s'abonne Rue de la Jussienne, No. 11. / et à Londres au B.au du Panorama de Londres, 25, Welbeck Street, Cavendish Square.’, caption: ‘Robe de Chambre doublée de velours et Pantalons de M.r Bourguesse, rue Montesquieu, 7. Turban en Perse de M.r Legendre, M.d Chapelier, rue du Bac, 11. Costumes de Petites filles de M.elle Annette François, Couturière, rue S.t Dominique, S. G.n 74. Pantoufles à la poulaine de Sakoski, G.rie d'Orléans. Palais-Royal.’

Kamerjas gevoerd met fluweel en lange broeken van Mr Bourguesse. 'Turban en Perse' van Mr Legendre. Kostuums van de kleine meisjes van Annette-François, Couturière. Pantoffels met puntige neuzen van Sakoski. Prent uit het modetijdschrift
La Gazette des Salons (1835-1837).
Vessel
Object type: vessel, flower motif
Date: 1981 – 1425
Materials: faience
Location: egypt
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Exterior, torch holder; surface of fragment pitted
Lezende vrouw
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: etching
Artist: johann andreas benjamin nothnagel
Artist role: print maker
Artist dates: 1729 – 1804
Subjects: adult woman, reading
Inscriptions: collector's mark: Lugt 240
Legende van het Sint-Janskerkhof bij Laren
Object type: wood block
Date: 1899 – 1899
Materials: wood
Techniques: woodcut
Artist: pieter hendrik van moerkerken
Artist role: print maker
Artist dates: 1877 – 1951
Subjects: churchyard, cemetery

Afdruk waarschijnlijk gepubliceerd in: Moerkerken, Pieter Hendrik van. Dit is de legende van het kerkhof van Sint Ian by Laren. Amsterdam: S.L. van Looy, 1899.
Saint Peter, Saint Augustine and a Female Saint in Adoration of the Eucharist
Object type: drawing and watercolor
Materials: chalk, gouache, ink, paper, paint, watercolor
Techniques: brush, heightening, pen, wash
Location: italy
Artist: Anonymous
Artist nationality: italian
Artist dates: 1600 – 1699
Round Covered Box with Flowers and Leaves
Object type: vessel
Materials: stone
Techniques: carving
Location: china
Twee schapen
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: sheep

Pagina 19 uit een schetsboek met 45 bladen vervaardigd rond de Ewijkshoeve.
Portret van de schilder Petrus Paulus Rubens
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, painter, print maker, draughtsman, peter paul rubens, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Image de divers hommes d'esprit sublime, qui par leur art et science devraient vivre éternellement et desquels la louange et renommée faict estonner le monde. Antwerpen: J. Meyssens, 1649.
Hoofd van een boerin
Object type: drawing
Date: 1834 – 1911
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Glass mosaic carinated bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Body fragment. Translucent deep purple, pale turquoise blue partially mixed with opaque yellow and appearing green, opaque white and yellow. Part of deep, slightly convex curving side, turned out sharply and curving upward above. Composite mosaic pattern formed from polygonal sections of four canes: one in a purple ground with a scatter of white dots; a second in a purple ground with a yellow circle containing a blue ground and a central white rod; a third in a purple ground with a white circle containing a blue ground and a central yellow rod, and the fourth in a blue ground with a yellow spiral around a central white (?) rod. Polished exterior; pitting of surface bubbles on exterior; dulling, pitting, and iridescent weathering on interior and edges.
Thetis Seated with a Triton
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: anonymous, italian?, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: triton,goddess
Folio from a Qur'an Manuscript
Object type: folio from a non illustrated manuscript
Materials: gold, ink, paper, watercolor
Location: afghanistan
Subjects: arabic,qur'an,calligraphy

This page and no. 37.111.1 almost certainly come from a dispersed Qur'an dated A.H. 485/A.D. 1092 in "new style" script. This script was used mainly in the eastern Islamic lands after paper replaced parchment as writing material in the tenth century. The shafts of the letters are elongated, extending well above each line; for this reason, the usual page format for this type of script is vertical. The vowels and diacritical marks, rendered in blue, red, gold, and silver, add a touch of color. The page on the right is also notable for the presence of an elaborate vertical cartouche referring to the number of verses, which, in both pages, are from Sura 30 ("of the Romans").
Beaker
Object type: glass
Date: 1850 – 1850
Materials: glass
Techniques: glassblowing, enamel, gilding
Location: bohemia
Nijmegen - Ruïne Valkhof
Object type: photomechanical print
Date: 1918 – 1927
Materials: cardboard
Techniques: rotogravure
Location: nijmegen
Artist: Anonymous
Subjects: park, ruin of church, monastery, etc. - qq - small church, chapel, church (exterior) - qq - small church, chapel
Studioportret van Poppy Dunlop
Object type: carte de visite
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: batavia
Subjects: amsterdam
Inscriptions: name: ‘CHARLS & VAN ES & Co / BATAVIA’, name: ‘tante Poppy’
Man Smoking and Drinking at a Window
Object type: print
Techniques: etching, mezzotint
Artist: william baillie
Artist role: artist
Artist nationality: irish
Artist dates: 1723 – 1810
Subjects: windows,men,smoking,drinking
October - Mars and Venus in Opposition from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853
Object type: print
Materials: paper, steel
Techniques: printmaking, etching
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Terracotta oil lamp
Object type: lamp
Date: 1 – 50
Materials: terracotta
Culture: roman
Subjects: horses,chariots

Loeschcke Type 1A. Mold-made. Discus: charioteer driving quadriga to left, with left hand holding reins and right raised with whip; a single filling hole to left below horses' legs; band of lines and grooves around edge. Volutes flanking angular nozzle, with large wick hole. Raised base ring, and flat base. Complete, except for left side of nozzle, which is broken and missing.
Bull's Head Tavern
Object type: painting
Date: 1870 – 1879
Materials: oil, paper
Culture: american
Artist: william p. chappel
Artist role: artist
Artist nationality: american
Artist dates: 1801 – 1878
Subjects: buildings,men,bulls,horses

By the early 1800s, Henry Astor’s Bull’s Head Tavern on Bowery stood at the epicenter of the city’s booming livestock district. There, slaughterhouses, stockyards, butcher shops, and tanyards processed cattle from across the tri-state region. The choicest stock would be paraded through the streets (sometimes with music) by butchers who took orders from residents. In the mid-1820s, hoping to rid Bowery Village of its noise and filth, a group of wealthy New Yorkers bought out Astor, who then led the relocation of the meat-processing trade by opening a new Bull’s Head in a more rural location at Twenty-Fourth Street and Third Avenue.
Reglement uit archief Philip Zilcken
Object type: document
Date: 1904 – 1904
Materials: paper
Techniques: printing
Location: paris
Artist: rené compère
Artist role: schrijver
Subjects: print maker, jean françois raffaëlli, draughtsman, designer, gustave geffroy, paris, publisher, georges petit, the hague, philip zilcken, the graphic arts, exhibition ~ art
Inscriptions: collector's mark: ‘RPK’
Design for Park Phaeton, no. 4007
Object type: drawing
Date: 1887 – 1887
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Scarab set in a ring bezel
Object type: scarab, amenhotep, ring, swivel
Date: 1479 – 1458
Materials: gemstone, gold
Location: egypt
Subjects: scarabs

This carnelian scarab is set in a gold mount that was intended to swivel on a wire ring like one found in the tomb of Hatnefer (36.3.3). On the base, it is inscribed with a simple X. The scarab was found tied with linen cord to the left hand of the mummy of a twelve-year old boy named Amenhotep whose tomb was located on the hillside below the tomb of Hatshespsut's best-known courtier, Senenmut (36.3.252). Amenhotep had been provided with food offerings of bread, raisins, dates, pomegranate, sycamore figs, and dom palm nuts. There were also jars that may have held beer (36.3.161, 36.3.162, 36.3.164).
Schepen in een haven
Object type: print
Date: 1594 – 1635
Materials: paper
Techniques: brush, etching
Artist: guilliam van nieulandt (ii)
Artist role: draughtsman, print maker
Artist dates: 1584 – 1635
Subjects: harbour, sailing-ship, sailing-boat, landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228, inscription: ‘41’, collector's mark: Lugt 2760

In een haven liggen verschillende zeilschepen en één groot zeilschip, dat een vlag voert met drie Franse lelies. Prent uit een serie Italiaanse landschappen.
Kolonie Veenhuizen, huismunt geslagen op last van de Maatschappij van Weldadigheid ter waarde van 1 cent
Object type: cent
Date: 1818 – 1859
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: maatschappij van weldadigheid, veenhuizen
Gezicht op de Anspachlaan en de beurs te Brussel
Object type: page
Date: 1875 – 1880
Materials: photographic support
Techniques: albumen print
Location: boulevard anspach
Artist: Anonymous
Subjects: avenue, boulevard, promenade, esplanade (+ city(-scape) with figures, staffage), exchange, bourse
Portret van Otto Heinrich von Schwarzenberg
Object type: print
Date: 1580 – 1580
Materials: paper
Techniques: engraving, etching
Location: cologne
Artist: johann sadeler (i)
Artist role: print maker
Artist dates: 1550 – 1600
Subjects: earl, politician, otto heinrich von schwarzenberg, historical persons, patience; 'patienza' (ripa), politician, e.g. party leader, virtuousness; 'amor di virtù', 'attione virtuosa', 'guida sicura de' veri honori', 'virtù', 'virtù insuperabile' (ripa), labour
Inscriptions: collector's mark: Lugt 2228

Met tweeregelig onderschrift in het Latijn en tekst in het Latijn rondom het portret.