deem-data/ArtiFact huggingface dataset:
Sudden Shower over Shin-Ōhashi Bridge and Atake (Ōhashi Atake no yūdachi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)
Object type: print
Date: 1857 – 1857
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: bridges,rain,umbrellas

The heavens open. The sudden shower, a favorite subject of Edo haiku poets and ukiyo-e artists, is often depicted with a crisscrossing pattern of fine lines of rain—a difficult woodblock technique. Here, the netlike pattern is superimposed over an intensely focused image of Ōhashi (the Great Bridge), which crosses the Sumida River. Utagawa Hiroshige, one of Japan's foremost landscapists, designed two extremely popular series: Fifty-three Stations of the Tōkaidō and One Hundred Famous Views of Edo.
Vrouw in een duinlandschap
Object type: print
Date: 1831 – 1888
Materials: paper
Techniques: drypoint, etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: dunes (sea not visible); in the dunes
Inscriptions: collector's mark: Lugt 2228
Lillian Russell, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Heilige Familie
Object type: print
Date: 1579 – 1615
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: holy family, and derived representations
Inscriptions: collector's mark: Lugt 2228

Maria zit op een stoel, het Kind knielt in haar schoot en speelt met haar halsketting. Jozef zit schuin achter Maria en leest in een boek. Voorstelling in ovaal met Latijns randschrift.
Maria met het Kind aan de borst
Object type: print
Date: 1648 – 1664
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: 'madonna dell'umiltà' (usually mary suckling the christ-child while sitting on the ground)
Inscriptions: collector's mark: Lugt 2228

Maria met het Christuskind aan de borst. In ondermarge Latijns vers van A. Syen.
De Brittenburg bij Katwijk
Object type: history print
Date: 1797 – 1799
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: engelbertus matthias engelberts
Artist role: draughtsman, print maker
Artist dates: 1731 – 1807
Subjects: fortress

Ontwerptekening voor illustratie in: E.M. Engelberts, De aloude staat en geschiedenissen der Vereenigde Nederlanden, Johannes Allart, Amsterdam 1784-1799, dl. IV, p. 298. Niet in Frederik Muller; door het RPK toegevoegd nummer.
Portret van George Hendrik de Wilde
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: luitenant-kolonel, george hendrik de wilde
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd Ie-XXVste deel. Amsterdam: Johannes Allart, 1783-1795. Deel XX.
The Sorrow of Telemachus
Object type: painting
Date: 1783 – 1783
Materials: canvas, oil
Artist: angelica kauffmann
Artist role: artist
Artist nationality: swiss
Artist dates: 1741 – 1807
Subjects: mythology,sadness,women,calypso,nymphs
Patch
Object type: textile
Location: peru
Gezicht op de Nieuwe Kerk te Amsterdam
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: church (exterior)
Inscriptions: workshop stamp: Lugt 291d

Pagina 3 en pagina 4 uit een schetsboek met 24 bladen.
Pifferaris d'après Léopold Robert
Object type: print
Date: 1885 – 1885
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: arch, archivolt ~ architecture, bagpipe, musette - cc - out of doors, staircase, flute, aulos, tibia - cc - out of doors
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als illustratie in: L'album T. douze eaux-fortes d'après des dessins originaux et inédits de Jean Alaux, Léon Cogniet, Coutan, Henriquel Dupont, Ingres, Léopold Robert et Etna Michalon avec texte explicatif et biographique enrichi de lettres inédites. Amsterdam en Den Haag: 1885.
Moeder met vier kinderen
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: leiden
Subjects: mother and baby or young child, brothers or sisters (second degree family relationships)
Inscriptions: collector's mark: Lugt 2228

Een moeder met vier kinderen. De jongste houdt ze bij de hand.
Wit gilet
Object type: waistcoat
Date: 1850 – 1920
Materials: textile
Location: london
Inscriptions: label: ‘HenryPOOLE&Compy / Nos 37,38,39, SAVILLE ROW, LONDON / No.’
Studies
Object type: endleaf
Date: 1822 – 1880
Materials: paper, pencil
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880

Blad 1 verso, voorste vrije schutblad, uit een schetsboek met 45 bladen.
Collapsible Chair
Object type: chair
Materials: gilt, metal, silk, velvet, wood
Techniques: cutting, embroidery
Culture: american
Shuttle
Object type: textile
Date: 1601 – 1800
Materials: wood
Techniques: weave
Location: europe
Blanket Chest
Object type: blanket chest
Date: 1835 – 1875
Materials: wood
Culture: american, shaker
Artist: united society of believers in christ’s second appearing (“shakers”)
Artist role: maker
Artist nationality: american
Artist dates: 1750 – 9999

This "heavenly blue" Shaker blanket chest has one deep drawer. The blanket chest was a familiar furniture form in colonial New England that the Shakers borrowed and adapted to their own taste. Close examination of the finish reveals a number of coats of paint, varying slightly in tint, providing rare evidence of original painted Shaker furniture. Very early Shaker furniture may have been given a heavy coat of paint to act as a wood preservative. Later furniture was embellished with thinned paint, in order for the natural grain of the wood to remain visible.
Portret van hond Pacha
Object type: print
Date: 1894 – 1895
Materials: paper
Techniques: etching, intaglio
Artist: marie danse
Artist role: print maker
Artist dates: 1867 – 1942
Subjects: historical persons, dog
Inscriptions: collector's mark: Lugt 2228, inscription
Syzygy or the Conjunction of the Macrocosmic Unity with the Microcosmic Triunity from Heinrich Khunrath, Amphiteatrum sapientiae aeternae
Object type: print
Techniques: engraving
Artist: peter van der doort
Artist role: artist
Artist dates: 1590 – 1605
Terracotta fragment from an open shape
Date: 500 – 301
Materials: terracotta
Culture: greek, attic
Mannen in een loofgang (berceau)
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: garden
Twee figuren op een kade uitkijkend over een stad aan een rivier
Object type: sketchbook leaf
Date: 1845 – 1891
Materials: paper, pencil
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage), prospect of city, town panorama, silhouette of city

Aan de overzijde van de rivier een gebouw met koepeldak. Op de rivier varen zeilschepen. Blad 39 verso uit een schetsboek met 46 bladen.
Boekslot met de verrijzenis van Maria
Object type: boekslot
Date: 1810 – 1812
Materials: silver
Location: hoorn
Artist: Anonymous

Boekslot van zilver, met de verrijzenis van Maria. In de hoeken twee evangelisten.
Terracotta rim fragment of a kyathos (cup-shaped ladle)
Object type: kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of the neck and wing of a sphinx to right
Fabrieksmeisjes in een regenbui
Object type: album leaf
Date: 1854 – 1887
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: alexander ver huell
Artist role: draughtsman, print maker
Artist dates: 1822 – 1897
Subjects: downpour, rain shower, working class, labourers - aa - women
Inscriptions: annotation: ‘Fabrieksmeisjes/ in een bui.-’, signature: ‘Avh’

Drie van de meisjes tillen hun rok op en houden deze boven het hoofd om niet nat te worden. Tekening 2 op blad 3 van een album met 35 tekeningen.
Messine
Object type: page
Materials: paper
Techniques: photograph
Location: messina
Subjects: church (exterior), coast
Inscriptions: number: ‘XXXIV.’, inscription: ‘1 Messine, vue de la rade (M. Lagache, phot.). 2 Cathédrale (M. Salleron, phot.). 3 Barques dans le port (M. Lagache, phot.)./ 4 Aspect du quai et des montagnes qui entourent/ la ville, après le coucher du soleil./ (M. Jules Calas, phot.)./ 5 Tombeaux le long du mur et dans le mur/ même, au grand cimetière de Messine./ (M. Jules Calas, phot.)./ 6 Palais des bustes dans le cimetière de Messine (M. Jules Calas, phot.). 7 Aile gauche du Campo-santo (M. Lagache, phot.).’
Portret van Famiano Strada op 78-jarige leeftijd
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: rome, history and archaeology (+ portrait of scholar, scientist), historical persons, portrait of a writer

Met tekst in het Latijn rondom het portret.
Figuren op een straat met een poort en een stadsmuur
Object type: sketchbook leaf
Date: 1909 – 1909
Materials: pencil
Location: tunisia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: gate, entrance, walls ~ fortified city, street (+ city(-scape) with figures, staffage)

Mogelijk de stad Kairouan. Pagina 123 uit een schetsboek met 67 bladen.
Snaarinstrument
Object type: design drawing
Materials: graphite, ink, paper
Techniques: pen in black ink
Location: brussels
Artist: pierre félix van doren
Artist dates: 1797 – 1856
Subjects: trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, string instruments (plucked)

Een van 103 ontwerpen voor marqueterie van aan linten opgehangen muziekinstrumenten in ronde medaillons, bestemd voor de set stoelen gemaakt door Van Doren voor de grote zaal van het Paleis van de Prins van Oranje in Brussel in 1828.
Buffetkast
Object type: print
Date: 1866 – 1900
Materials: paper
Techniques: tone lithography
Location: liège

De deuren en zijkanten van de buffetkast zijn gedecoreerd met maskers in een stervorm. Linksboven staat vermeld: Motifs de décoration, rechtsboven: Sculpture et menuiserie, rechtsonder: N° 17.
Ringkraag
Object type: gorget
Materials: iron
Techniques: forging, striking
Location: europe
Artist: Anonymous
Inscriptions: : ‘S’

Ringkraag van ijzer, blank, uit vier delen gemaakt. De voorzijde is rondvormig maar loopt breed uit naar de zijkanten, een dubbele rij blanke klinknagels met een gebolde rand bevinden zich over de gehele breedte van de vo0rkant, de onderrand is gekabeld. De achterzijde is rechthoekiger maar loopt rond uit naar de zijkanten, de onderand is geflenst. De hoofdopening is rond met een gekabelde omgeflenste rand. De binnenzijde is zwart geverfd.
Gipsmodel van de maankrater Copernicus, van bovenaf gezien
Object type: photomechanical print
Date: 1863 – 1873
Materials: paper
Techniques: photograph
Location: hamburg
Artist: james nasmyth
Artist dates: 1808 – 1890
Subjects: surface of the moon, moon
Inscriptions: number: ‘Tafel VII.’
Vase with boy riding an ox
Object type: bottle
Date: 1701 – 1800
Materials: cobalt, soft paste porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: bats,children,ox
Guadelupe, Mexico
Object type: photograph
Date: 1870 – 1880
Materials: photographic support
Techniques: albumen print
Location: mexico city
Artist: Anonymous
Subjects: city-view in general; 'veduta', church (exterior)
Inscriptions: inscription: ‘(Taken from a balloon)’
Ring with Plain Oval Bezel and "Java Kuno" Inscription
Object type: ring
Materials: gold
Culture: indonesian, javanese
H. Dionysius van Alexandrië, kerkvader
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: riding a horse, ass, or mule; rider, horseman, male saints (dionysius of alexandria)
Inscriptions: collector's mark: Lugt 2228

De heilige kerkvader Dionysius van Alexandrië krijgt door een engel de bisschopsmijter aangeboden. Dionysius staat op een sokkel. Op de voorzijde de scène waarin hij door vier ouderlingen op een ezel wordt gezet om hem naar de Libische woestijn te brengen.
de Berg van Parnas
Object type: print
Date: 1738 – 1740
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theatre, theatrical performance, stage design
Inscriptions: collector's mark: Lugt 2228

Toneelvoorstelling in de Amsterdamse Schouwburg op de Keizersgracht met het coulissendecor De Berg van Parnas met scène uit: Het Eeuwgetijde van den Amsteldamschen Schouwburg. Het decor gedrukt van een aparte plaat binnen een nieuw passe-partout met de zaal, orkestbak en de façade van het toneel met zuilen en kroonluchters. De titel en een vierregelig vers ook gedrukt van een aparte plaat. Onderdeel van een latere uitgave van de serie van 12 toneeldecors.
Ogura Imitation of the One Hundred Poems
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: woodcut
Location: japan
Subjects: trees: peach-tree, person with big beard, helved weapons, polearms (for striking, hacking, thrusting): halberd

De Chinese Kan U, herkenbaar aan zijn enorme baard, zijn kostuum met goudkleurige draken en zijn hellebaard, zit onder een bloeiende perzikboom. Scene uit een kabukitoneelstuk. Gedicht door Fujiwara no Yoshitaka.
Tetradrachm (Coin) Depicting a Charioteer
Object type: coin
Date: 500 – 401
Materials: metal, silver
Culture: greek
Location: reggio di calabria
Subjects: chariots
Inscriptions: Reverse: RΕCΙΝΟΝ

The front (obverse) of this coin depicts a seated charioteer, bearded, riding behind two mules walking right; in the field below is an olive leaf. The back (reverse) of the coin depicts a hare leaping to the right.

When Anaxilas, son of Cretines, seized power at Rhegium (modern Reggio Calabria in southern Italy) in 494 BCE, along with parts of Sicily soon after, he adopted the image of a leaping hare on his coinage as early as 480 BCE. Aristotle (quoted by Pollux, Onomasticon 5.75) reported that Anaxilas introduced hares to Sicily for the sport of hunting and also that he was victorious in the Olympic games. The image of his mule-chariot (biga) on the front of the coin commemorates this victory. The olive leaf in the field below the chariot symbolizes the olive crown awarded to victors at the Olympic Games. The hare may also symbolize the speed of Anaxilas' chariot.
Halve daalder, noodmunt uit Groningen, geslagen tijdens het beleg (voorzien van het portret van Karl Rabenhaupt)
Object type: halve daalder
Date: 1672 – 1672
Materials: silver
Techniques: engraving, striking
Location: groningen
Artist: Anonymous
Subjects: bohemen, coevorden, gouverneur, karl rabenhaupt (baron von sucha), groningen, beleg van groningen (1672)
The Instruments of Human Sustenance (Humani Victus Instrumenta): Cooking
Object type: print
Date: 1569 – 1569
Techniques: engraving
Artist: giuseppe arcimboldo
Artist role: artist
Artist nationality: italian
Artist dates: 1527 – 1593
Subjects: cooking,caricature,tools
Portret van Wilhelmus Peiffers
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons
Inscriptions: collector's mark: Lugt 240

Portret ten halven lijve van Wilhelmus Peiffers in een architectonisch venster. Onder de vensterbank zijn naam en gegevens in twee regels in het Latijn, daaronder links twee regels in het Hebreeuws en rechts twee regels in het Latijn. Daaronder een zesregelig vers in het Nederlands.
Hab.t de l'Espagne, from the playing cards (for quartets) "Costumes des Peuples Étrangers"
Object type: print
Date: 1700 – 1799
Techniques: etching
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: men,women,playing cards
Trade Card for William and James Swinford, Lithographers and Printers
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Bowl
Object type: bowl
Date: 801 – 900
Materials: earthenware, glaze
Techniques: incising
Location: iran
King of Nooses, from The Cloisters Playing Cards
Object type: playing card
Date: 1475 – 1480
Materials: glaze, gold, ink, paint, paper, silver
Techniques: pen
Culture: south netherlandish
Subjects: kings,playing cards,games

The Cloisters set of fifty-two cards constitutes the only known complete deck of illuminated ordinary playing cards (as opposed to tarot cards) from the fifteenth century. There are four suits, each consisting of a king, queen, knave, and ten pip cards. The suit symbols, based on equipment associated with the hunt, are hunting horns, dog collars, hound tethers, and game nooses. The value of the pip cards is indicated by appropriate repetitions of the suit symbol. The figures, which appear to be based on Franco-Flemish models, were drawn in a bold, free, and engaging, if somewhat unrefined, hand. Their exaggerated and sometimes anachronistic costumes suggest a lampoon of extravagant Burgundian court fashions. Although some period card games are named, it is not known how they were played. Almost all card games did, however, involve some form of gambling. The condition of the set indicates that the cards were hardly used, if at all. It is possible that they were conceived as a collector’s curiosity rather than a deck for play.
Christ Carrying the Cross
Object type: drawing
Date: 1684 – 1684
Materials: chalk
Artist: pierre mignard
Artist role: artist
Artist nationality: french
Artist dates: 1612 – 1695
Subjects: infants,men,women,christ,cross

After first training with the mannerist painter Jean Boucher de Bourges at the age of twelve, Pierre Mignard entered Vouet’s studio in Paris in 1630, where he would stay until 1634, before leaving for Rome the year after. In a sojourn that lasted over twenty years, Mignard studied the works of the masters of the High Renaissance and the Carracci school and developed his natural facility for portraiture. In the second half of the 17th century, he would become one of the most significant protagonists of classicism in France, his elegantly crafted history paintings reflecting the influence of his extended stay in Italy. After engaging for decades in a fierce rivalry with Charles Le Brun, the death in 1683 of Jean-Baptiste Colbert, Le Brun’s backer, cleared the way for Mignard to receive royal commissions. Mignard was finally granted the positions of Premier Peintre and director of the Académie royale following Le Brun’s death in 1690. This highly detailed compositional study is for Mignard’s Christ Carrying the Cross (Musée du Louvre, Paris). Completed in 1684, the canvas was widely acclaimed by contemporary writers and entered the collection of Louis XIV as a gift of Colbert’s son, the Marquis de Seigneley. Mignard must have been pleased with the orchestration of the complex composition in this large red chalk study, for he squared the sheet for transfer, although certain details would ultimately be changed. In the painting, a mother and child replace the seated male onlooker pointing towards Christ in the foreground, the figure of Veronica kneeling before Christ is omitted, and the young man leading the procession has disappeared while three running children have been added. Despite the large number of figures, the complex composition is rendered with clarity. The way to Calvary is portrayed with all the vigor characteristic of Mignard’s works. The tragic dimension of the scene is conveyed by the attitudes and facial expressions of the figures, progressing from fear and terror to pain. In the background, Golgotha, the site of Christ’s crucifixion, dominates the rolling landscape. This ambitious sheet with its beautiful figure groupings recalling Italian prototypes, represents an advanced stage of planning for one of Mignard’s greatest works.
Queen, from a group of Donor Figures including a King, Queen, and Prince
Object type: statuette
Date: 1350 – 1350
Materials: marble, paint
Techniques: gilding
Culture: french
Subjects: queens,women,praying

These royal donors in prayer may have belonged to an altar or a tomb. Based on comparisons with contemporary portraits, the statuettes may portray Philip VI Valois (d. 1350); his second wife, Blanche of Navarre (d. 1398); and one of their sons, John the Good or Philip of France.
Kaart van Montferland
Object type: map
Date: 1926 – 1926
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: maps of separate countries or regions, gelderland
Inscriptions: collector's mark: Lugt 2228
Coin Portraying Emperor Constantius II
Object type: coin
Date: 337 – 361
Materials: bronze, copper alloy, metal
Culture: roman
Location: mediterranean
Inscriptions: Obverse: CONSTANTIVS AVG
Reverse: GLORIA EXERCITVS

The front (obverse) of this coin portrays a diademed head of Emperor Constantius II, facing to the right. The back (reverse) depicts two soldiers with a standard between them.
Nachtelijke inval in het huis van Coligny
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: gaspard de coligny (ii), surprise attack (stratagem), bedroom
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Historisch-genealogischer Kalender auf das Jahr 1799 und 1800. Die Geschichte der Bartholomäusnacht oder die Bluthochzeit zu Paris. Berlijn: Johann Friedrich Unger, [1799].
Vrouw wijst dame op een voorbijtrekkende begrafenisstoet
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: cortege, funeral procession
Inscriptions: collector's mark: Lugt 2228, number: ‘1’

Proefdruk van illustratie uit: Luyken, Jan. De zedelyke en stichtelyke gezangen. Amsterdam: Wed. Pieter Arentsz (II) en Cornelis van der Sys, 1704, p. 1.
Kain Sarong (Skirt)
Object type: textile
Date: 1893 – 1893
Techniques: dyeing
Location: java
Joseph Cheetham poserend naast zijn fiets in Rusland
Object type: photograph
Date: 1903 – 1904
Materials: photographic support
Techniques: gelatin silver print
Location: russia
Artist: joseph cheetham
Artist role: engineer
Subjects: adult man, bicycle, russia

Onderdeel van Fotoalbum van de Engelse familie Cheetham met opnames van hun verblijf in Rusland.
St. Matthias, from "Christ, the Apostles and St. Paul with the Creed"
Object type: print
Date: 1589 – 1589
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: swords,apostles,saints
Wastafel
Object type: sketchbook leaf
Date: 1877 – 1932
Materials: chalk, paper
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: sink, basin

Pagina 21 uit een schetsboek met 32 bladen.
Portrait of a Gentleman
Object type: painting
Date: 1775 – 1775
Materials: canvas, oil
Culture: american
Artist: charles willson peale
Artist role: artist
Artist nationality: american
Artist dates: 1741 – 1827
Subjects: men,portraits