deem-data/ArtiFact huggingface dataset:
Cup with cover (pot à jus)
Object type: cup with cover
Date: 1771 – 1771
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: roses
Magasin des Modes Nouvelles Françaises et Anglaises, 20 septembre 1787, 31e cahier, 2e année, Pl. 3
Object type: fashion print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: border, ribbon, braid (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)

Boven: grote hoed '`a la Bastille' afgezet met groen lint en versierd met twee veren. Onder: 'demi-bonnet à la Tarare' van lichtblauwe crêpe en geel band. De prent maakt deel uit van het 31e Cahier, 2e année, uit de serie Magasin des Modes Nouvelles Françaises et Anglaises. De serie bestaat uit 172 modeprenten, uitgegeven door Buisson, Parijs, 20 novembre 1786 - 21 décembre 1789.
Gezicht op Château de Duingt in Frankrijk
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: photograph
Artist: eugène demole
Artist role: conservator, fotograaf, numismaat, scheikundige
Artist dates: 1928 – 1850
Subjects: castle, lake, mountains
Document Box with a Scene from the “Butterflies” Chapter of The Tale of Genji
Object type: document box
Date: 1901 – 2000
Materials: gold, gold foil, gold leaf, silver, wood
Techniques: cutting, hiramakie, lacquer, maki-e
Culture: japanese
Subjects: landscapes,boats

This lavishly decorated document box demonstrates the skill of a Meiji-period maki-e master. It is decorated with flowering cherry trees, a young willow tree, and a pleasure boat carrying a large gagaku drum for water music, as described in chapter 24 of The Tale of Genji. Genji, Lady Murasaki, and several courtiers set out for a spring boat party accompanied by musicians, and later exchange poems in celebration of the season. Part of a set with 1981.243.2(a-m)
Shilling-token, Yarmouth, Engeland, 1811
Object type: monetary token
Date: 1811 – 1811
Materials: silver
Techniques: striking

Zilveren particuliere munt. Voorzijde: tussen gekruiste palm- en lauriertak wapenschild. Daaronder jaartal. Keerzijde: tussen gekruiste eiketakken wapenschild. Daaronder waarde-aanduiding in omschrift. Kabelrand.
Portrait of Charles II
Object type: portrait
Date: 1667 – 1733
Materials: canvas, silk
Artist: john baptist gaspars
Artist role: artist
Artist nationality: flemish
Artist dates: 1615 – 1691
Subjects: kings,men,portraits
Portret van Andrew Wilkinson
Object type: print
Date: 1755 – 1755
Materials: paper
Techniques: mezzotint
Artist: james mcardell
Artist role: print maker, publisher
Artist dates: 1728 – 1765
Subjects: sailing-ship, sailing-boat, seaman (with name of rank), historical persons, tools, aids, implements ~ crafts and industries: rope
Inscriptions: collector's mark: Lugt 240
Gezadelde ezel
Object type: sketchbook leaf
Materials: paper, pencil
Artist: geo poggenbeek
Artist role: draughtsman, painter, print maker
Artist dates: 1853 – 1903
Subjects: ass, donkey, saddle

Blad 64 verso uit een schetsboek met 69 bladen.
Portret van Francisco de Orozco, markies van Mortara, Olias en San Reale
Object type: print
Date: 1668 – 1668
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Cylindrical covered jar with flower-heads in reserve
Object type: covered jar
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Cilindrische dekselpot van porselein, beschilderd in onderglazuur blauw. De pot en deksel zijn bedekt met een 'crackled ice' blauwe grond met pruimenbloesems in reserve; de platte dekselknop met bloem tegen een blauwe grond. Een barst in de wand. Blauw-wit.
Chalice veil
Object type: chalice cover
Date: 1501 – 1600
Materials: metal, silk
Subjects: angels,christ

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg.
Mitre
Object type: mitre
Date: 1501 – 1600
Materials: metal thread, silk
Woman with Baby Fleeing Across Moors
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: brush, wash
Location: england
Artist: possibly john constable
Artist nationality: english
Artist dates: 1776 – 1837
Percussie legerpistool model M 1815
Object type: percussion pistol
Date: 1815 – 1816
Materials: brass, iron, wood
Location: netherlands
Artist: Anonymous
Inscriptions: signature: ‘K met kroon’, signature: ‘IS met kroon’, signature: ‘L met kroon’
Portret van Hans von Fersen
Object type: print
Date: 1713 – 1757
Materials: paper
Techniques: engraving
Location: germany
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: armour, historical persons
Inscriptions: collector's mark: Lugt 2228
Pilgrims on the Via Dolorosa - the route to Calvary - Jerusalem.
Object type: stereograph
Date: 1900 – 1905
Materials: paper, cardboard
Techniques: gelatin silver print
Location: new york city
Artist: Anonymous
Subjects: pilgrim(s) - qq - large group
Inscriptions: inscription, number: ‘(23)-3102-’, number: ‘23’, inscription: ‘Works and Studios ~/ Arlington, N.J. Westwood, N.J.’, copyright notice: ‘Copyright Underwood & Underwood.’
Gezicht op het Palais du Trocadéro tijdens de Wereldtentoonstelling van 1900 in Parijs, op de voorgrond de schaduw van de Eiffeltoren
Object type: album leaf
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: paris
Artist: paul lucena
Subjects: shadow of an object, palace, paris

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.
Double Cordiform Pendant
Object type: ornament
Materials: carnelian, silver, metal
Techniques: chasing, gilding
Location: central asia
Vuë des Salines et du Port de Trapani
Object type: print
Date: 1785 – 1785
Materials: ink, paper
Techniques: etching, pen
Location: france
Subjects: harbour, salt
Inscriptions: collector's mark: Lugt 2228

Betreft mogelijk een illustratie uit: Abbé de Saint-Non, Jean-Claude Richard. Voyage Pittoresque ou Description des Royaumes de Naples et de Sicile. Parijs: Clousier imprimeur, 1781-1786.
De prent bevindt zich op een opzetvel met op het verso een gegraveerde plattegrond van een 'Jagdhause', uitgegeven door I. Wolff.
Woman's Ceremonial Skirt (tapis)
Object type: costume and accessory
Date: 1801 – 1900
Materials: cotton, gold leaf, panel, paper, textile, silk
Techniques: brocade, embroidery, dyeing, lacquer, weave, resist, stitching
Culture: paminggir
Location: indonesia
Woman Spinning
Object type: print
Techniques: drypoint, etching
Artist: thomas wijck
Artist role: artist
Artist nationality: dutch
Artist dates: 1616 – 1677
Subjects: men,women,working
Coif
Object type: textile
Date: 1501 – 1600
Materials: fiber, linen, metal, silk
Techniques: embroidery, weave, silvered, stitching
Location: england
Subjects: fashion
Tray
Object type: tray
Date: 1740 – 1750
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: insects,insignia
Collegium Medicum te Amsterdam, toegangspenning voor de hortus medicus van Daniel Dylius
Object type: toegangspenning
Date: 1790 – 1790
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: willem de wijs
Artist role: medailleur
Artist dates: 1700 – 1795
Subjects: amsterdam, utrecht
Inscriptions: inscription: ‘D.l Dylius 1790’

Messing penning. Voorzijde: Aesculapius met rechterhand leunend op slangestaf en linkerhand onder zijn mantel, staande tussen twee vazen met planten op voetstuk; op achtergrond wand van gebouw binnen omschrift. Keerzijde: gekroond wapenschild tussen twee gevulde hoorns van overvloed boven zalfspatel, waarom slang zich kronkelt, liggend op voetstuk met opschrift binnen omschrift
Ring Fragment with Ankh
Object type: ring fragment, ankh
Date: 1390 – 1352
Materials: faience
Location: egypt
Decoratiën voor het huis van de raadsheer Van der Mieden bij de doop van prins Willem V, 1748
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: etching, letterpress printing
Location: the hague
Subjects: the hague, william v (prince of orange), willem iv (prins van oranje-nassau)
Inscriptions: collector's mark: Lugt 2228

Decoratiën opgesteld voor het huis van de raadsheer Van der Mieden in Den Haag ter gelegenheid van de doop van prins Willem V op 11 april 1748. Vier grote panelen (chassinetten) en twee kleinere panelen met geschilderde allegorische voorstellingen over het erfelijk bestuur van de prinsen Willem IV en Wilem V over de Verenigde Nederlanden. Op een klein paneel bestemd voor boven de deur staat het wapen van Van der Mieden.
Beatrice of the field of the alder-trees
Object type: page
Date: 1875 – 1885
Materials: photographic support
Techniques: platinum process
Artist: frederick hollyer
Artist role: fotograaf
Artist dates: 1838 – 1933
Subjects: portrait of a writer
The Crucifixion (Round) (copy)
Object type: print
Techniques: engraving
Artist: jan (johannes) wierix
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1549 – 1615
Subjects: christ,cross,crucifixion,saints
Veranlassung zu Einsamkeit und Nachdäncken
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel berger
Artist role: print maker
Artist dates: 1744 – 1824
Subjects: prison, jail
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit: Genealogischer Calender auf das Jahr 1774. Mit Genehmigung der Königlichen Academie der Wissenschaften zu Berlin herausgegeben. Achtste scène uit de serie 'Das Leben eines Lüderlichen', bestaand uit twaalf scènes, gedrukt van een koperplaat.
Paradigmata graphices variorum artificum
Object type: print
Date: 1668 – 1671
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: the archangel michael (often in armour with sword or lance), (story of) icarus, son of daedalus, angels
Inscriptions: collector's mark: Lugt 2228

afkomstig uit: Paradigmata graphices variorum artificum : voor-beelden der teken-konst van verscheyde meesters, Hagae-Comitis, 1671.
Bottle (Refredador)
Object type: bottle
Date: 1501 – 1550
Materials: earthenware
Techniques: luster painting, glazing
Subjects: coat of arms

Tin-glazed earthenware, of which lusterware is one type, was developed in the Middle East in the ninth and tenth centuries to imitate the porcelains produced in China. The opaque white glaze concealed the clay body, which could range from pale buff to brick red, allowing for brilliant effects created by painting the white surface with metal oxides that fired to a range of colors. This technique, as well as the use of metallic luster—an iridescent, coppery painted glaze—spread throughout the Muslim world, arriving among the potters of Valencia in the thirteenth century. The so-called Hispano-Moresque lusterware, with its fusion of Islamic and Gothic styles and motifs, often in shaped imitating those of metal vessels, was treasured by the elite in Spain during the fifteenth century and exported to the courts of Europe. The Valencian industry declined in the late sixteenth century, as colorful Italian Renaissance maiolica gained in popularity among the fashionable and as Spanish centers were founded to produce versions of its pictorial forms. Adding to this decline was the expulsion from Valencia in 1609 of all the remaining Moriscos (Muslims converted to Christianity), though Christian potters reestablished the industry shortly thereafter. This bottle, possibly a version of the hanging leather pilgrim flask used during journeys, would have been used to cool wine in a larger container of water and, although few have survived, was presumably quite a commonly seen form at one time. The arms within a shield on the side are those of Enrique of Aragon-Segorbe, lord of Paterna, or of his son Alfonso, who succeeded him as lord of Paterna in 1516.
De familie Matthes, tijdens een familie uitje bij Villa Eperheem
Object type: album leaf
Date: 1919 – 1919
Materials: paper
Techniques: gelatin silver print
Location: epe
Artist: charlotte alida boelen-matthes (lot)
Artist role: amateurfotograaf
Artist dates: 1889 – 
Subjects: amsterdam, thailand, eva charlotte pennink-boelen, charlotte alida boelen-matthes (lot), joan gerard boelen, family life, villa

Deze foto's zijn onderdeel van een album.
Gezicht op La Madeleine te Parijs
Object type: print
Date: 1839 – 1841
Materials: paper
Techniques: aquatint
Location: paris
Subjects: church (exterior), façade (of house or building)
Inscriptions: inscription: ‘N.P. Lerebours Place du Pont Neuf 15’, inscription: ‘Rittner & Goupil Boulevd Montmartre 15’, inscription: ‘Hr. Bossance Quai Voltaire 11’
Decoratief beslag uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: beslag
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Tile from a Frieze
Object type: tile
Date: 1201 – 1300
Materials: stonepaste
Techniques: glazing
Location: syria
Monument with Palm Tree and Mementos
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: brush, wash
Location: england
Artist: robert smirke, the elder
Artist nationality: english
Artist dates: 1752 – 1845
Ontwerp voor een monument voor C. Brunings: een borstbeeld met putti
Object type: drawing
Date: 1806 – 1806
Materials: paper, watercolor
Techniques: brush
Artist: bartholomeus ziesenis
Artist role: draughtsman, sculptor
Artist dates: 1768 – 1820
Subjects: christiaan l. brunings (i), historical persons, piece of sculpture, reproduction of a piece of sculpture, other memorial structures
Inscriptions: inscription: ‘No.3 / Ziesenis. / architect / 12 junij 1806 / inv: et del. / [potlood:] f 12000.-’

De heer M. Zisenis (E: dr.zisenis@zifec.de) gaf aan dat het hier om de vervaardiger Bartholomeus Ziesenis gaat. Na goedkeuring van Robert-Jan te Rijdt record aangepast. (2012-02-13)
Borstbeeld van Apollo
Object type: sculpture
Date: 1806 – 1806
Materials: marble
Artist: johann heinrich von dannecker
Artist role: draughtsman, sculptor
Artist dates: 1758 – 1841

Johann Heinrich Dannecker (1758 - 1841). Apollo. Marble. Stuttgart, 1806. On loan from H.R.H. Princess Juliana of the Netherlands.
Belt Fittings
Object type: belt fitting
Date: 701 – 1000
Materials: silver
Techniques: casting, gilding
Location: iran

This belt fitting was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Ensemble
Object type: ensemble
Date: 1880 – 1889
Materials: cotton, leather, silk, wool
Culture: american
Ontwerptekening voor een kamerwand met schouw
Object type: album leaf
Date: 1760 – 1819
Materials: paint, paper, pencil
Techniques: brush, pen
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Subjects: ass, donkey, landscapes in the temperate zone, interior ~ architectural design or model, chimney-piece, mantelpiece, wall-covering, mountains

Met links een waterlandschap met op de voorgrond een ezeldrijver en op de achtergrond een gebouw en rechts een landschap met twee mensen en een monument. Tekening maakt deel uit van een album.
Programma van de viering van het 40-jarig regeringsjubileum van Willem III, koning der Nederlanden, te Hilversum op 13 mei 1889
Object type: text sheet
Date: 1889 – 1891
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: brussels, willem iii (koning der nederlanden)
Christ Taken Captive
Object type: print
Date: 1480 – 1480
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: master i.a.m. of zwolle
The School
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: elementary school; class, form
Inscriptions: collector's mark: Lugt 2228
Portable Sundial
Object type: metalwork
Date: 1700 – 1725
Materials: brass, copper alloy, metal
Location: france
Artist: michael butterfield
Artist role: maker
Artist nationality: english, active in paris
Artist dates: 1635 – 1724
Bloemengeurtje
Object type: print
Date: 1889 – 1906
Materials: paper
Techniques: hand coloring, letterpress printing, lithograph
Location: wissembourg
Subjects: tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen uit het sprookje van Bloemengeurtje. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 96.
Passio Christi Ab Alberto Durer Nurenburgensi Effigiata
Object type: print
Date: 1610 – 1620
Materials: paper
Techniques: engraving
Location: the hague
Subjects: christ almost vanished: only feet visible ~ ascension

Christus stijgt op naar de hemel in het bijzijn van zijn discipelen en zijn moeder. Prent maakt deel uit van een album.
Drie staande figuren op een rij
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: standing figure (+ three persons)

Blad 4 recto uit schetsboek V met 33 bladen.
Amulet: Figure of Taweret
Object type: amulet, taweret
Date: 664 – 332
Materials: faience
Location: egypt
Mary Magdalene
Object type: drawing and watercolor
Materials: chalk, paper
Location: france
Artist: claude mellan, after
Batavorum cum Romanis Bellum
Object type: print
Date: 1611 – 1612
Materials: paper
Techniques: etching
Location: italy
Subjects: commander-in-chief, general, marshal, the soldier; the soldier's life, negotiations between combatants
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van 36 prenten (+ titelpagina) over de oorlogen tussen de Romeinen en de Bataven.
Dagger (Dirk) Blade
Object type: dagger dirk blade
Date: 1500 – 1200
Materials: bronze
Culture: irish
Location: ireland

In its complete state the blade would have been completed by a grip, and secured to it by bronze rivets.
Fotoreproductie van een tekening van een paard, genaamd Potrimpos, door H. Schnaebeli
Object type: page
Date: 1894 – 1915
Materials: photographic support
Techniques: albumen print
Artist: h. schnaebeli
Artist role: fotograaf
Subjects: horse
The Old Drinker
Object type: painting
Date: 1661 – 1663
Materials: oil, panel
Artist: gabriël metsu
Artist role: draughtsman, painter
Artist dates: 1629 – 1667
Subjects: pipe ~ tobacco, old man, drinking

This old man holding a beer tankard looks out at us somewhat drowsily. The tally of the drinks he has consumed is chalked up on the slate behind him. The beer barrel at the left bears the mark of Het Rode Hert (The Red Hart), an Amsterdam brewery on the Prinsengracht. Metsu was living next door to it around 1650.
Semin. provinciale episcoporum
Object type: book illustration
Date: 1605 – 1680
Materials: paper
Techniques: etching
Artist: filippo ferrari
Artist role: print maker
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een reeks gezichten op steden/gebouwen met bijbehorend voorblad met tekst en legenda. De legendanummers zijn naast de afbeeldingen bijgeschreven. De afbeeldingen zijn per zes op één blad bevestigd.
Janitsaren in gevecht
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: jacob gole
Artist role: print maker
Artist dates: 1660 – 1724
Subjects: asiatic races and peoples: turks, battle

De Janitsaren zijn verwikkeld in een ruitergevecht met een andere partij. Janitsaren waren de elitetroepen van het Ottomaanse hof.
Ornament met twee tritonen en twee doodshoofden
Object type: ornament print
Date: 1500 – 1599
Materials: paper
Techniques: engraving
Location: low countries
Artist: meester van de paardenhoofden
Artist role: print maker
Subjects: triton(s), (human) skull, plants; vegetation (+ ornamental variants of plants)
Inscriptions: collector's mark: Lugt 2228a

Ornament met paardekop en een manlijk en vrouwelijk zeewezen. Plantornamentatie en geheel rechts en links een doodshoofd. Latere staat met linksonder "5" toegevoegd. Niet in literatuur vermeld.
Nagakubo
Object type: print
Date: 1797 – 1858
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: houses,bridges,horses,mountains,trees
Historische kaart van Nederland aan het begin van de jaartelling
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham van krevelt
Artist role: print maker
Artist dates: 1732 – 1791
Subjects: maps of separate countries or regions, netherlands
Inscriptions: date

Historische kaart van Nederland aan het begin van de jaartelling. Afkomstig uit E.M. Engelberts, De aloude staat en geschiedenissen der Vereenigde Nederlanden, bij Johannes Allart, Amsterdam 1784-1799.