deem-data/ArtiFact huggingface dataset:
Harp Lute
Object type: harp lute
Date: 1815 – 1815
Materials: wood
Techniques: gilding, lacquer
Culture: british
Location: united kingdom
Artist: edward light
Artist role: maker
Artist nationality: british
Artist dates: 1747 – 1832

The harplike pillar supports diatonically tuned bass strings to extend the range of the fretted strings. The pitch of the bass strings could be raised a semitone by finger-operated ring stops that work very much like pedals on a harp.
Groepsportret van leden van de Union Nationale de Photographie te Lille
Object type: photomechanical print
Date: 1896 – 1896
Materials: paper
Techniques: photograph
Location: paris
Subjects: façade (of house or building), anonymous historical persons portrayed in a group, in a group-portrait
Ex libris van Jan de Vries
Object type: bookplate
Date: 1934 – 1934
Materials: paper
Techniques: engraving
Location: netherlands
Artist: agta meijer
Artist role: painter, print maker
Artist dates: 1908 – 1944
Subjects: ships (in general), shore-birds and wading-birds: gull, parts of ship's exterior: figure-head
Textile Fragment
Object type: textile fragment
Date: 1501 – 1600
Materials: silk
Location: turkey
Subjects: flowers
Elevation d'une porte à placard à deux vanteaux
Object type: print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: door
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Shooting: Verse 3
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: england
Artist: thomas sutherland
Artist nationality: english
Artist dates: 1785 – 1827
Schaffer. Charles. 28 ans, né à Paris Xle. Ébéniste. Association de malfaiteurs. 2/3/94
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 12 (recto)
Object type: book print ornament architecture
Techniques: drawing, etching
Artist: pietro paulo tozzi
Artist role: designer
Artist nationality: italian
Artist dates: 1593 – 1628
Subjects: ornament

Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua. Design is composed of a central rectangle upon which calligraphic text is printed in black. Immediately following the text is a twisting linear motif. Surrounding this middle section is a decorative border comprised of 2 levels of geometric and linear motifs.
Metrage bekledingsstof met borduurwerk
Object type: bekledingsstof
Date: 1850 – 1949
Materials: cotton
Techniques: weave
Artist: Anonymous

Metrage bekledingsstof, geborduurd met kleurige bloemenkransen in kettingsteek.
Embleem: vuur
Object type: book illustration
Date: 1695 – 1705
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: fire (one of the four elements), warming oneself at a fire (or hearth, stove, fire-pan, brazier), open fire (in general), volcano, open fire, fire-place, stove (in kitchen) - cc - in the open air, abstract ideas and concepts
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Weigel, Christoph. Ethica Naturalis seu Documenta Moralia e Variis rerum Naturalium proprietatibus Virtutum Vitiorumq symbolicis imaginibus collecta. Neurenberg: Christoph Weigel: c. 1700.
Cuneiform tablet: account, Ebabbar archive
Object type: cuneiform tablet
Date: 626 – 539
Materials: clay
Culture: babylonian
Location: mesopotamia
Cake plate
Object type: cake plate
Date: 1850 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
De Mortier
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: pestle and mortar
Inscriptions: stamp, collector's mark: Lugt 1641

Prent uit: Luyken, Jan. Het leerzaam huisraad, vertoond in vyftig konstige figuuren, met godlyke spreuken en stichtelyke verzen. Amsterdam: weduwe Pieter Arentsz. II en Cornelis van der Sys, 1711, p. 104.
Prenten-magazijn voor de jeugd
Object type: popular print
Date: 1850 – 1850
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: other birds (with name), birds, song-birds: swallow, ornamental birds: bird of paradise, song-birds: nightingale
Inscriptions: collector's mark: Lugt 2760

Na voltooiing van de acht jaargangen van de reeks 'Prenten-magazijn voor de jeugd' in 1850 heeft Jan Schuitemaker al deze prenten heruitgegeven en omgenummerd als nr. 1 t/m 192. De oorspronkelijke jaargang wordt telkens nog vermeld rechtsonder op de prent. Binnen de jaargangen zijn prenten van hetzelfde thema in clusters van vier achter elkaar gezet.
Ring key
Object type: draaisleutel
Materials: bronze, iron
Artist: Anonymous

Ring met draaisleutel waarvan de baard en steel gedeeltelijk van ijzer zijn.
Innoce[n]tius quartus
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: pope
Inscriptions: inscription: ‘133’

Een bloemkelk met een paus. Hij draagt een tiara en heeft een opengeslagen boek en een staf met dubbel kruis in zijn handen. De voorstelling is onderdeel van de opeenvolging pausen in de Liber Chronicarum. De tekst identificeert de man als Innocentius IV. De prent maakt deel uit van een album.
Portret van Gertrude Françoise Vandergoes
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: engraving, etching
Artist: augustin de saint-aubin
Artist role: draughtsman, print maker, publisher
Artist dates: 1736 – 1807
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Alexander I, tsaar van Rusland
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Artist: achille girardot
Artist role: draughtsman, painter
Artist dates: 1814 – 
Subjects: alexander i (tsaar van rusland), historical persons, emperor
Inscriptions: collector's mark: Lugt 2228
Portret van Peter Ykens
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: etching, letterpress printing
Location: paris
Subjects: antwerp, peter ykens, historical persons, portrait, self-portrait of painter, picture, painting
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent uit: Descamps, Jean-Baptiste. La vie des peintres Flamands, Allemands et Hollandois (...). Parijs: Desaint & Saillant et al., 1760, dl. 3.
Alger. Vue dans le Jardin d'Essai
Object type: photomechanical print
Date: 1903 – 1920
Materials: cardboard
Techniques: photograph, lithograph
Location: paris
Subjects: botanic garden, 'hortus botanicus', public gardens, park, botanical garden hamma
Saint John the Baptist
Object type: relief
Date: 1580 – 1592
Materials: wood
Techniques: gilding, polychrome
Artist: juan de ancheta
Artist role: artist
Artist nationality: spanish
Artist dates: 1540 – 1592
Subjects: lambs,saint john the baptist

Although incorporating classical, heroic elements of Michelangelo's figural style, this work displays the continuing Spanish taste for polychromy. Particularly lovely is the use of estofado in the landscape background. Dressed in animal skin like the Baptist by Martínez Montañés (63.40), here John points directly to the lamb of God, a symbol of Christ, resting on a volume of the gospel.
Gezicht op de Muidergracht
Object type: photograph
Date: 1865 – 1940
Materials: paper, cardboard
Techniques: collodion silver print
Artist: Anonymous
Subjects: city-view in general; 'veduta', the synagogue (as building and place of worship ~ jewish religion), canal, boat propelled by man or animal
Inscriptions: collector's mark: ‘10,15’ Lugt 1641b, collector's mark: Lugt 1641, inscription: ‘Muidergracht nu Jonas Daniel Meyerplein’

Onderwerpsrubriek binnen de Atlas Amsterdam: Maagdelievenstraat, Markenplein, Marnixstraat, Martelaarsgracht, Meeuwenlaan, Mennonietenpad, Meijerplein (Jonas Daniël), Mozes en Aäronstraat, Muidergracht, Muntplein.
Portret van André du Laurens op 39-jarige leeftijd
Object type: titelblad, titelpagina
Date: 1599 – 1599
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: death as skeleton (+ death with scythe), historical persons, physiology and anatomy, physician, doctor (+ portrait of scholar, scientist), ornament derived from architectural details
Inscriptions: collector's mark: Lugt 2233

Met architecturale omlijsting. Aan weerszijden van het portret anatomie van twee mannelijke figuren. Bovenin de Dood als skelet met zeis, zandloper, kruisboog en schep.
Trade Card for a Textile Merchant
Object type: print
Date: 1752 – 1752
Techniques: etching
Artist: gabriel de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1724 – 1780
Subjects: trumpets

Long before Saint-Aubin designed his famous trade card for Périer, he produced advertisements for other artisans and businesses. In this example, drapery falling from a Rococo structure fills the foreground while various allegorical figures cavort about. Only in the background can we see hints of what is being advertised: on the left, a woman works at a large loom, and on the right, ships cross the sea, suggesting a merchant in the textile industry.
Portret van een man met paard en twee jongens
Object type: photograph
Date: 1850 – 1860
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: horse
Card 774, from the Actors and Actresses series (N45, Type 7) for Dixie Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 7), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, bent leg with greave; legs of one or two horses?
Angel: Saint Michael
Object type: crèche figure
Date: 1701 – 1900
Materials: terracotta
Techniques: polychrome
Artist: francesco celebrano
Artist role: maker
Artist nationality: italian
Artist dates: 1729 – 1814
Subjects: angels,saint michael

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Beads, string
Object type: bead
Date: 1701 – 1800
Materials: glass
Culture: african or european
Christus over het huwelijksverbond / Christus te gast bij Simon de Farizeeër
Object type: print
Date: 1550 – 1650
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: a woman washes christ's feet with her tears, and wipes them with her hair, entry into jerusalem: people spreading their clothes before christ on the ass, and waving palm branches (matthew 21:1-11, 21:14-16; mark 11:1-11; luke 19:28-40; john 12:12-19)

Twee voorstellingen op een albumblad met toelichting. Links een voorstelling van Christus bij de Jordaan, in gesprek met enkele Farizeeën over het huwelijksverbond (Mat. 19:3). Rechts zit Christus aan tafel bij Simon de Farizeeër, terwijl Maria Magdalena zijn voeten zalft en met haar haar droogt (Joh. 12:1). Op de achtergrond de intocht in Jeruzalem (Mat. 21:1). De begeleidende tekst begint met een kleine gedecoreerde initiaal N. Het blad maakt deel uit van een album.
Interieur met tientallen mannen en een biljarttafel
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: engraving
Location: the hague
Artist: jan gerard smits
Artist role: draughtsman, print maker
Artist dates: 1823 – 1910
Subjects: billiards
Inscriptions: collector's mark: Lugt 2228
Portret van Iwan Fjodorowitsch Paskewitsch
Object type: print
Date: 1828 – 1871
Materials: paper
Techniques: engraving
Artist: christian hoffmeister
Artist role: print maker
Artist dates: 1818 – 1871
Subjects: politician, knighthood order, commander-in-chief, general, marshal, historical persons, medals and other marks of military honour, baton of general
Inscriptions: collector's mark: Lugt 2228
Portret van Johannes Esgers
Object type: print
Date: 1741 – 1741
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: predikant, hoogleraar, johannes esgers
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Joannes Esgers, Amstelaedamensis ... hem quam den Tabberd geeven. P: de la Ruë.’

Portret van Johannes Esgers. Hij was achtereenvolgens predikant te Ooster- en Westerblokker, Naarden, Middelburg en Amsterdam en tot slot hoogleraar te Leiden.
Fragment
Object type: fragment
Date: 1501 – 1600
Materials: cotton
Subjects: flowers,leaves
Rosia
Object type: photograph
Date: 1860 – 1870
Materials: photographic support
Techniques: albumen print
Location: gibraltar
Artist: j.h. mann
Artist role: fotograaf
Subjects: gulf, bay, housing
Chemise
Object type: chemise
Date: 1830 – 1830
Materials: linen
Culture: american
Reisnecessaire in foedraal
Object type: reisnecessaire
Date: 1819 – 1838
Materials: bone, glass, leather, wood, silver
Artist: Anonymous
Inscriptions: maker's mark: ‘J.C.’, assayer's mark

In de deksel zit een spiegel. Daarvoor een lederen schrijfmap. De voering van de kist is van rood leer. Het slot heeft een sleutel. Om de kist zit een leren foedraal. Inhoud: twee rechthoekige flacons met zilveren schroefdoppen en stoppen, twee ronde flacons met zilveren deksels, een kleine flacon met zilveren deksel met lederen houder, een glas, een kledingborstel, een haarborstel, twee langwerpige flacons, een nagelborsteltje gemerkt Racine Rue du Bac 42, kam, (tandenborstel en nagelborstel), gemerkt Aucoc Aine. tableau: zakmesje, scheermesje, priem, twee nagelgarnituren (alle met benen heften), schaar gemerkt Aucoc, zilveren vingerhoed, zilveren stopnaald, servethaak, schoenenhaak.
Titelpagina voor: Claude Perrault, Mémoires pour servir à l'histoire naturelle des animaux, 1671
Object type: album leaf
Date: 1671 – 1671
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: lodewijk xiv (koning van frankrijk), paris, jean-baptiste colbert, group of scholars or philosophers, historical persons, botanic garden, 'hortus botanicus', king

Titelpagina voor: Perrault, Claude. Mémoires pour servir à l'histoire naturelle des animaux. Parijs: Imprimerie Royale, 1671.
Twee engelen bij een slapende of gestorven man
Object type: print
Date: 1630 – 1730
Materials: paper
Techniques: engraving, etching
Location: france
Artist: Anonymous
Subjects: angel guiding a soul to heaven, 'psychopompos', sleeping; unconsciousness, angels, death of human being
Inscriptions: collector's mark: Lugt 240
Photo Frames
Object type: frame
Date: 1888 – 1901
Materials: paper, cardboard, wood, glass, metal
Techniques: collodion silver print
Location: haarlem
Subjects: head-gear: cap, anonymous historical person portrayed - bb - woman
Inscriptions: inscription: ‘C.F. & L.J. Cordes/ HAARLEM/ Groote Houtstraat 84,/ 's BOSCH a/d. Parade./ Op verschillende tentoonstellingen bekroond voor Vergrootingen/ in kooldruk en andere photographien./ Met de hoogste onderscheiding op de Tentoonstelling van/ Kunstnijverheid te 's HAGE./ De clichés blijven ter nabestelling bewaard./ Specialiteit in Kooldruk Vergrootingen.’
Portret van Joachim von Watt
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: letterpress printing
Location: straatsburg
Artist: bernhard jobin
Artist role: printer, publisher
Artist dates: 1545 – 1593
Subjects: mayor, historical persons, physician, doctor

Prent uit: Reusner, Nikolaus. Icones sive imagines virorum literis illustrium (...). Straatsburg: Bernhard Jobin, 1590, p. 162. Prent voor het eerst verschenen in de eerste editie van 1587. Prent ook gebruikt in latere publicaties.
"Mercury," Folio from the Bellini Album
Object type: illustrated album leaf
Date: 1600 – 1600
Materials: gold, ink, paper, watercolor
Location: netherlands
Subjects: birds,mercury,chariots
Purse
Object type: costume and accessory
Date: 1601 – 1700
Materials: linen, ribbon, silk, wool
Techniques: embroidery, lining, weave, satin weave, stitching
Location: italy
Subjects: fashion
Templum Iudaeorum Germanicorum / De Hoogduydtsche Ioode Kerk
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: the synagogue (as building and place of worship ~ jewish religion), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Pieter Schenk (I), s.a. [1710-1711]. Of uit: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Barent Greve, s.a. [1757-1766]. In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
Collegie Zeemanshoop te Amsterdam, penning uitgereikt aan gezagvoerder J.G. Wiebenga als derde (extra) bekroning in de wedstrijd voor kompasjournalen
Object type: medal
Date: 1877 – 1895
Materials: bronze
Techniques: engraving, striking
Location: utrecht
Artist: johan philip mathias menger
Artist role: medailleur
Artist dates: 1845 – 1905
Subjects: amsterdam

Bronzen penning. Voorzijde: Hoop, afgebeeld als vrouw met vogeltje in uitgestrekte linkerhand, leunt op anker; op achtergrond schip op zee binnen omschrift. Keerzijde: opschrift binnen lauwerkrans
Shawl
Object type: shawl
Date: 1860 – 1870
Materials: silk
Culture: french

Shawls of this type were de riguer for wearing with the large hoop skirts of the 1860s. Rigid architectural forms contrasting with organic plant forms was a favored design scheme. This is a fine example of what could be done on the Lever machines.
South Sea Islanders
Object type: cut paper
Date: 1826 – 1861
Materials: paper
Techniques: cutting, wash
Artist: auguste edouart
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1861
Subjects: human figures,weapons,trees

This unusual picture shows the complex compositions that Edouart’s silhouette cutting could achieve. The work features various natives, wearing animal skins and headdresses and holding arrows, spears, and flutes, as well as a mother and child, in a vast, tropical landscape replete with huts in the background. The central violent scene shows two men engaged in a brutal battle with weapons. While it is unknown whether Edouart ever visited such an island, records verify that much of his life was spent traveling the Anglo-European world.
Verstoppertje spelen
Object type: print
Date: 1866 – 1897
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: hide-and-seek, sewing
Inscriptions: collector's mark: Lugt 2228

Twee kinderen spelen verstoppertje. Hun moeder zit op een stoel tussen hen en is bezig met handwerken.
Fan
Object type: fan
Date: 1776 – 1800
Materials: ivory, silk
Subjects: flowers
Ceramic Fragment
Object type: fragment
Date: 1301 – 1500
Materials: earthenware, glaze
Techniques: coloring, incising
Location: egypt
Subjects: arabic
Portrait of Mary, Countess of Wilton
Object type: print
Date: 1839 – 1839
Materials: gouache, graphite, paper
Techniques: printmaking
Location: england
Artist: frederick christian lewis
Artist role: print maker
Artist nationality: english
Artist dates: 1779 – 1856
Portret van Anna Maria van Schurman
Object type: book illustration
Date: 1637 – 1637
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: dordrecht
Subjects: cologne, anna maria van schurman, historical persons - bb - woman, portrait, self-portrait of artist, writer, poet, author
Inscriptions: collector's mark: Lugt 2228

Prent uit: Cats, Jacob. 's Werelts begin, midden, eynde, besloten in den trov-ringh (...). Dordrecht: Hendrick van Esch, 1637.
Border
Object type: border
Date: 1751 – 1800
Techniques: lace
Subjects: flowers