deem-data/ArtiFact huggingface dataset:
Sketches of an Equestrian Battle and the Head of a Greyhound
Object type: drawing and watercolor
Date: 1813 – 1814
Materials: graphite, paper
Location: france
Artist: jean louis andré théodore géricault
Artist role: artist
Artist nationality: french
Artist dates: 1791 – 1824
Roller Stamp
Object type: stamp
Date: 401 – 600
Materials: ceramic
Culture: atlantic watershed
Location: costa rica
Staande jongen, op de rug gezien
Object type: print
Date: 1906 – 1945
Materials: paper
Techniques: woodcut
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: boy (child between toddler and youth), standing figure (+ back view)
Portret van Charles Drelincourt op 70-jarige leeftijd
Object type: print
Date: 1724 – 1724
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: theologian, historical persons

Prent mogelijk uit: Drelincourt, Charles. Les consolations de l'âme fidèle contre les frayeurs de la mort. Amsterdam: weduwe Jaques Desbordes, 1724, dl. 2.
Portrait of Jaapgen Caerlsdr
Object type: painting
Date: 1635 – 1635
Materials: oil, paint, panel
Subjects: jaapgen caerlsdr
Inscriptions: signature and date: ‘Æ 70 / Rembrandt / f. 1635’

Jaapgen Caerlsdr is 70 years old in this portrait. Hailing from a distinguished lineage, she was the daughter of a Leiden glazier. She probably sat for Rembrandt around 27 March 1635, when she served as a witness at her granddaughter’s baptism in Amsterdam. The diagonal placement of her upper body and the subtle use of shadows, for instance in the fold of the cap, contribute to her lifelike, almost three-dimensional appearance.
Piece
Object type: piece
Date: 1801 – 1900
Materials: wool
Interieur van de troonzaal in het Terempaleis in het Kremlin van Moskou
Object type: page
Date: 1873 – 1883
Materials: paper
Techniques: photograph
Location: kremlin
Artist: Anonymous
Subjects: palace, throne-room, wall-covering
Inscriptions: name: ‘Photographie artistique de Panoff. Maison de la banque de Crédit.’
Ex libris van The Gift of the Society for Propagating the Gospell in Foreign Parts
Object type: bookplate
Date: 1704 – 1704
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: missionary, spreading the gospel; missionary work
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Paris - La Grande Roue
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1907
Materials: paper
Techniques: photograph, lithograph, writing
Location: paris
Subjects: city-view in general; 'veduta', giant wheel, ferris wheel, paris
Inscriptions: number: ‘118’
The Milkmaid
Object type: print
Materials: paper
Techniques: printing, woodcut
Location: italy
Artist: nicolò boldrini
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1566

During the sixteenth century, the woodcut was elevated to an art form in itself and was no longer reserved solely for book illustration. In Venice, the popularity of the woodcut was heightened by numerous reproductions of the works of Titian and his circle, which were often commissioned by Titian himself. Boldrini made several woodcuts after drawings by the Venetian master.
The Impromptu Doctor
Object type: print
Materials: paper
Techniques: engraving, relief
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Lyon
Object type: stereograph
Date: 1860 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Location: lyon
Artist: Anonymous
Subjects: city-view in general; 'veduta', lyon
Inscriptions: inscription: ‘Observatoire Gay à Fourvières Succursale 52, Rue Impériale, 52 Lyon’, number: ‘No. 8.’

RP-F-F06569 is een ander exemplaar van dezelfde foto.
The Czarevitch
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: ruler, sovereign
Inscriptions: inscription: ‘57 & 61, Elbury Street, London.’
Staand mannelijk naakt
Object type: print
Date: 1844 – 1844
Techniques: printmaking, engraving, etching
Location: netherlands
Artist: lubertus teunis van deth
Artist role: draughtsman, print maker
Artist dates: 1814 – 1875
Subjects: human figure of ideal proportions, e.g. academic nude
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Aangeboden aan den Weled. Heer Buchler door Zn E Dienaar L.T van Deth’
Cartouche met allegorie op de schepping
Object type: print
Date: 1736 – 1736
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: tetragram (in roman or hebrew script) ~ symbol of god the father, globe, the six days of creation (genesis 1:3-25)
Inscriptions: collector's mark: Lugt 2228

Allegorie op de schepping: een paradijselijk landschap met allerlei dieren op het land, in de lucht en in het water. De maan en sterren staan aan de hemel. Rechts op de voorgrond een vrouw, gekroond met een passer, wijzend naar een tetragram, dat als symbool van God de Vader aan de hemel staat. De voorstelling is gevat in een cartouche, bekroond met een globe en vier putti op de hoeken.
Stationary horizontal sundial
Object type: stationary horizontal sundial
Date: 1767 – 1800
Materials: brass
Subjects: drums,sundials
Vier mannen kijken door een deuropening een gebouw binnen
Object type: print
Date: 1855 – 1913
Materials: paper
Techniques: etching, intaglio
Artist: xavier mellery
Artist role: print maker
Artist dates: 1845 – 1921
Subjects: open door, adult man (+ four persons), street
Inscriptions: collector's mark: Lugt 2228
Two actresses holding long poles, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Buste van een vrouw in toga
Object type: print
Date: 1646 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Artist: hubert quellinus
Artist role: print maker
Artist dates: 1619 – 1687
Subjects: piece of sculpture, reproduction of a piece of sculpture, female persons from classical history
Inscriptions: number: ‘88’

De prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling van Gerard Reynst.
Groupes allemands
Object type: stereograph
Date: 1855 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: adolphe block
Artist role: publisher
Artist dates: 1829 – 1918
Subjects: sleeping; unconsciousness
Inscriptions: number: ‘45’
Mosaic Tesserae
Object type: glass fragment
Date: 801 – 900
Materials: glass
Location: iraq

Compared to findings at seventh- and eighth- century sites in the region, a relatively small number of glass tesserae were excavated at Samarra, suggesting that the medium had become rare in Mesopotamia but was still valued as a sign of imperial taste. Samarra's mosaics included pieces of mother-of-pearl that would have added to their reflective qualities.
Spring
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: etching
Location: england
Subjects: cut flowers; nosegay, bunch of flowers, spring, 'ver'; 'primavera' (ripa), clothes, costume (+ women's clothes), sleeves: cuffs (+ women's clothes), dress, gown (+ women's clothes), flowers: tulip, sleeves (+ women's clothes), clothing for the upper part of the body (with name) (+ women's clothes)
Inscriptions: collector's mark: Lugt 240

Spring is frequently presented as a comely young maiden holding blossoms, or posing near a vase of flowers. In Hollar’s print the large, almost overblown, costly tulips predominate. The tulips in 17th-century floral still lifes are often already in full bloom. Evidently, enthusiasts at that time were intrigued by the blossoms’ fanciful forms.
Hertogdom Parma, Maria Louisa, 5 lire, 1832
Object type: coin
Date: 1832 – 1832
Materials: copper
Techniques: striking

Zilveren munt. Voorzijde: hoofd van de hertogin met diadeem naar links. Jaartal onderaan. Keerzijde: gekroonde mantel, waarin door keten van ridderorde met juweeel omhangen samengesteld wapenschild. Waarde-aanduiding onderaan. Randschrift.
Ornament met kruisende lijnen
Object type: drawing
Date: 1884 – 1952
Materials: paper, pencil
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: ornament ~ geometric motifs
Ontvangstbewijs
Object type: document
Date: 1943 – 1943
Materials: ink, paper
Techniques: printing, writing
Location: amsterdam
Subjects: netherlands
Inscriptions: date

Een ontvangstbewijs betreffende onderdelen van een Philips-radio die moesten worden ingeleverd. Opschrift; o.: stempel: 'Politie / Amsterdam. Gesigneerd en gedateerd.
Judas ontvangt zilverstukken voor zijn verraad
Object type: print
Date: 1683 – 1733
Materials: paper
Techniques: etching
Subjects: judas goes out to the chief priests, betrays christ and receives the reward (matthew 26:14-16; mark 14:10-11; luke 22:4-6)
Inscriptions: collector's mark: Lugt 240

Definitieve geletterde staat van deze prent opgenomen in: Impostures innocentes, ou recueil d'estampes d'apres divers peintres (...) par Bernard Picart (...) avec son elogue historique et le catalogue de ses ouvrages. Amsterdam: weduwe Bernard Picart, 1734.
Women Watching Children Flying Kites
Object type: print
Date: 1801 – 1833
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Fotoreproductie van een gravure van Johan van Oldenbarnevelt die zijn vonnis voorgelezen krijgt op 12 mei 1619
Object type: reproduction
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: johan van oldenbarnevelt, judicial verdict, netherlands
Inscriptions: inscription: ‘43./ Oldenbarneveld wordt (...) te geven."’
Bertha Welby, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Grapevine and Squirrels
Object type: hanging scroll
Date: 1801 – 1833
Materials: ink, paper
Culture: korean
Artist: unidentified artist
Artist role: artist
Subjects: grapes,squirrels,vines
Portret van Eugene de Vicq
Object type: print
Date: 1673 – 1676
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Deken van de Sint-Donaaskathedraal in Brugge. Onder het portret zijn familiewapen en zijn motto.
Portret van een man
Object type: album leaf
Date: 1875 – 1896
Materials: cardboard, photographic support
Techniques: carbon print
Artist: paul joseph nicolas nestor schaffers
Artist role: fotograaf
Artist dates: 1826 – 1896
Subjects: moustache, adult man, historical persons
Inscriptions: inscription: ‘Impression inalterable charbon’, inscription: ‘Procedé Inaltérable/ Photographie au Charbon/ Nestor Schaffers/ Photographe/ Rue Guinard 9/ Gand’
Kop van Javaan van Van Heutsz monument Batavia
Object type: figure
Date: 1932 – 1932
Materials: stone
Techniques: hewing
Location: batavia
Subjects: dutch east indies, the, batavia

The Van Heutsz monument in Batavia was twelve metres high, twenty metres deep and sixteen metres across.
Blaasbalg en architectonische plattegrond
Object type: design drawing
Date: 1830 – 1850
Materials: graphite, paper
Location: paris
Joseph sold to the Midianites
Object type: page
Date: 1868 – 1873
Materials: photographic support
Techniques: albumen print
Location: oberammergau
Artist: joseph albert
Artist role: printer, publisher
Artist dates: 1825 – 1886
Subjects: group of actors, troupe; actors on the stage, joseph sold into slavery and taken to egypt (genesis 37:12-35)
Inscriptions: number: ‘Royal Photograph 19.’
Vervolgen en straffen van homoseksuelen
Object type: print
Date: 1730 – 1731
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: sodomy, sexual contact between men, law and jurisprudence (+ public punishment), law and jurisprudence (+ imprisonment), violent death by hanging, drowning (violent death ~ water), man as sinner
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Schouw-tooneel soo der geëxecuteerde als ingedaagde over de verfoeilyke misdaad van sodomie (...). S.l.s.n., 1730. Of uit: Alle de copyen van indagingen, als mede alle de gedichten op de tegenwoordige tyd toepasselyk. S.l.s.n., [1731].
Shaka (Shakyamuni), the Historical Buddha, with Two Attendant Bodhisattvas and Sixteen Arhats
Object type: hanging scroll
Date: 1301 – 1400
Materials: gold, ink, silk
Culture: japanese
Subjects: geese,men,dragons,owls,peacocks,elephants,lions,monkeys,tigers,buddhism,bodhisattvas,buddha

This scroll depicts the Buddha on a bank of swirling clouds at upper center, preaching to a varied group of figures at Vulture Peak. He is flanked by attendant bodhisattvas: Fugen, at right riding a white elephant, and Monju, at left on a blue lion. Below this heavenly triad are sixteen arhats (rakan), enlightened ascetic followers of the Buddha, who engage in a diversity of activities in a landscape of jagged rocks, caverns, and rushing waterfalls. Joining them are two historical figures, both crucial to the development of Japanese Buddhism: at left in a red robe is Shōtoku Taishi (574–622), an imperial prince and early patron of Buddhism, and at right the monk Kūkai (774–835), founder of the Shingon sect of Esoteric Buddhism.
Toelichting bij de prent waarop Oliver Cromwell het parlement ontbindt
Object type: text sheet
Date: 1785 – 1811
Materials: paper
Techniques: etching, letterpress printing
Location: london
Subjects: london, publisher, jacobus ii (koning van engeland en schotland), edward hyde (1e graaf van clarendon), politician, karel ii (koning van engeland), oliver cromwell, historical persons
Inscriptions: collector's mark: Lugt 12

Legenda met toelichting over de personen in de prent en de tekst in het Engels en het Frans van de vermeende speech die Oliver Cromwell gaf op het moment van zijn overname, waarbij hij leden van het zittende parlement wegstuurde. Genummerd: No. 21.
His ducibus princeps celebraberis ore viroru illa homines beat haec sideribusq locat
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: etching
Location: italy
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: horse
Inscriptions: number: ‘12’

Deze prent maakt deel uit van een reeks van 28 prenten van paarden (+ titelprent en opdracht).
Dasje van naaldkant met gouden regen
Object type: neckcloth
Date: 1870 – 1890
Materials: linen
Techniques: needle lace
Location: brussels
Artist: Anonymous

Een zeer smalle gerekte schakelband van parellijst en klokjes verloopt in ingesnoerde, verbrede, knopvormige uiteinden, met een rand van verdubbelde rozetjes. In de knop ontspringt een lange rozetak en een hangende goudenregentros. Aan de toppen een krans van wingerdbladeren. Point de gaze de Bruxelles.
Logie van Suratte
Object type: print
Date: 1632 – 1634
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: adriaen matham
Artist role: draughtsman, print maker
Artist dates: 1599 – 1660
Subjects: antwerp, pieter van den broecke, landscapes in tropical and sub-tropical regions, exploration, expedition, voyage of discovery

Gebruikt als illustratie eerst in: P. van den Broecke, Korte historiael ende journaelsche aenteyckeninghe, van al 'tgheen merck-waerdich voorgevallen is, in de langhduerighe reysen, soo nae Cabo Verde, Angola, &c. als insonderheydt van Oost-Indien, Hans Passchiers van Wesbusch, Haarlem, 1634. In deze staat gebruikt in : I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: No. 9.
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Three black glaze lines; band of upright lotus buds; two black glazed lines; band of dots; rays
Twee vensters met gordijnen
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery

Twee vensters met gedrapeerde gordijnen. Prent uit 290e Livraison.
Halve maan door de 300 bootsgezellen van admiraal de Boisot gedragen
Object type: beggar's medal
Date: 1574 – 1574
Materials: silver
Techniques: engraving, striking
Location: netherlands
Artist: Anonymous
Subjects: brussels, leiden
Inscriptions: circumscription: ‘ENDESPIT DELAMES’

When in 1566 several hundred Dutch noblemen petitioned the Spanish authorities for greater tolerance in matters of religion, they were ridiculed as 'gueux': beggars. In response, they took the French name 'gueux' (vulgarised to 'geuzen') as a symbol of honour and wore a beggar's badge on their clothes. These were tokens that town authorities gave to beggars to show that they were legally allowed to beg. The crescent shape of the medals and the text around the edge 'Better Turkish than Papish' had several connotations. Turks had a reputation for cruelty; but they were also known for their tolerance to other religions. Moreover, the Islamic Turkish Empire was at war with Catholic Spain. Apart from badges, the Geuzen also carried small wooden begging bowls and flasks, reminiscent of the pilgrims who lived by begging.
The Actors Nakamura Nakazo I as Hata Rokurozaemon Disguised as the Samurai's Manservant (Yakko) Igaguri Hanehei (left), and Nakamura Noshio I as the Lady-in-Waiting Koto no Naishi (right), in the Dance Sequence "Sodegasa Momiji no Tekuda" (Umbrella Sleeves: Coquettish Tricks at Maple Time), from the Fourth Act of the Play Hikitsurete Yagoe Taiheiki (The War Tale Taiheiki: With Din and Clamor of Battle), Performed at the Morita Theater in the Eleventh Month, 1776
Object type: print
Date: 1776 – 1776
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Cup-Hilted Rapier
Object type: cup hilted rapier
Date: 1675 – 1675
Materials: copper, steel, metal
Culture: german or spanish
Location: germany

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Vlucht naar Egypte
Object type: print
Date: 1780 – 1810
Materials: paper
Techniques: aquatint, etching, lithography
Subjects: the flight into egypt: mary, joseph, the child (and sometimes others) on their way; mary usually riding on an ass
Inscriptions: collector's mark: Lugt 2228
I Trophées d'Amour et de Bacchus
Object type: ornament print
Date: 1784 – 1806
Materials: paper
Techniques: aquatint, etching
Location: augsburg
Subjects: trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, other birds: dove, bagpipe, musette
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een trofee met een doedelzak, duiven, een krans, twee staven, een schep en een sikkel. Links en rechts twee slingers met bloemen en fruit.
The Cross of the Sailors–Dieppe
Object type: print
Date: 1821 – 1821
Techniques: lithograph
Artist: horace vernet
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1863
Papyrus
Object type: papyrus
Date: 2030 – 1640
Materials: ink, papyrus
Location: egypt
Portrait of a Woman with a Black Fichu
Object type: painting
Date: 1878 – 1878
Materials: canvas, oil, paint
Techniques: painting
Location: paris
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: portraits: female subject, white (color), portrait, green (color), fashion, black (color), woman, portraits

Using just a few brushstrokes, Manet gave a full sense of this unidentified sitter’s jovial personality. Her amused half-smile may speak to a pleasant exchange between artist and model. This painting offers valuable insight into Manet’s working process. He initially blocked out the figure with dark, painted lines and then moved on to short, precise strokes in the costume and face. Finally, he applied a thinned green wash that was likely the first step toward patterned background, left unfinished.

The woman’s coiffure, a pile of blue-black hair with curly bangs, helps date this work to the late 1870s.
The Actor Ichikawa Danjuro I 1660–1704
Object type: print
Date: 1760 – 1849
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: men,actors
Curtain
Object type: curtain
Date: 1883 – 1885
Materials: cotton
Techniques: printing
Culture: american
Location: united states
Artist: ida f. clark
Artist role: designer
Artist dates: 1858 – 1958

This fabric featuring scallop shells interlaced with seaweed is among the few patterns produced by textile designer Candace Wheeler’s firm, Associated Artists, that can be attributed to a specific artist. Ida F. Clark began her career as an embroiderer for Wheeler’s earlier partnership with Louis C. Tiffany but soon became one of the chief designers at Associated Artists. According to the press, she created "the more conventional designing done by the house." Clark reused the motif seen here, which was printed on both cotton velveteen and ribbed cotton, from the border of her 1881 prizewinning wallpaper design.
Pair of earflares
Object type: earflares
Date: 1201 – 1500
Materials: shell, silver, stone
Culture: chincha or ica
Location: peru

These two ear ornaments are drum-shaped with slightly incurved sides and contain clappers for creating sound. The frontals are inlaid with turquoise and shell forming a mosaic image of an animal figure in profile in the center with a serrated tail and crescent headdress. The animal is surrounded by alternating shell and turquoise step motifs. The reverse side shows the same zoomorphic creature with bared teeth in a roundel incised into the sheet silver on a finely stippled background.
Aankomst Oberbefehlshaber der Wehrmacht F. Christiansen
Object type: photograph
Date: 1940 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: the hague
Subjects: friedrich christiansen, military parade, pageant, the hague

General der Flieger en Oberbefehlshaber der Wehrmacht Friedrich Christiansen (derde van links) arriveert in Den Haag op de Lange Poten in gezelschap van een aantal hoge Duitse officieren. Op de achtergrond toeschouwers en fotografen. Hij bleef gedurende de oorlog de bevelhebber van de Wehrmacht in Nederland. Hij was ook degene die in 1944 opdracht gaf tot de razzia in Putten.
Dish with Design of Beans, Squash, and Eggplant
Object type: dish
Materials: enamel, porcelain
Techniques: overglaze, underglaze
Culture: japanese
Subjects: vegetables,eggplants
Drunken Goblins (Shôjô)
Date: 1701 – 1800
Materials: ink, paper
Techniques: woodblock print
Location: japan
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764