deem-data/ArtiFact huggingface dataset:
Head of Ptah
Date: 1550 – 1070
Materials: gold leaf
Location: egypt

The sculpture is a partially preserved head of the god Ptah, made from Egyptian blue with traces of gold leaf on the face. Ptah can be recognized thanks to his close fitting skull cap and (the negative of) his false beard, whose straps can be seen along the jaws. God of the city of Memphis, Ptah was primarily associated with arts and crafts. It is assumed that he acquired his designation as creator god through this close connection with crafstmen, builders, and artists. The gold leaf applied on the face refers to the substance of the divine body, composed of precious materials, gold being the flesh of divine beings. The combination of Egyptian blue and gold is reserved for special pieces and makes this little head a luxury version of the faience and bronze votive offerings deposited within temples.
Side Drums (39 x)
Object type: percussion instrument
Date: 1847 – 1847
Materials: brass, fiber, skin, wood
Location: netherlands
Artist: Anonymous
Inscriptions: inscription: ‘1847-16’

Music has always been a crucial element of public celebrations, such as military parades, coronations, royal weddings, and funerals, adding grandeur to the solemnity of the occasion. Musical ensembles entrusted with performing music at these events have existed in Europe since the Middle Ages. This display highlights various marching bands and their musical instruments dating from the 16th to the 19th century.
Rachab laat de spionnen door het raam ontsnappen
Object type: print
Date: 1567 – 1570
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: rahab, questioned by the king's men about the israelite spies, sends them on a false track, rahab, whose house was built in the city wall, lets the spies down from the window by means of a red rope
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk gebruikt in: Piscator, Nicolaus Johannes. Theatrum biblicum hoc est Historiæ sacræ Veteris et Novi Testamenti tabulis æneis expressæ. Amsterdam: Claes Jansz. Visscher, 1639 en 1643, Amsterdam: Nicolaes Visscher, 1674. Of in: Schabaelje, Jan Philipsz. Den grooten figver-bibel. Dat is een afbeeldingh en levendighe vertooningh, van alle de voornaemste historien (...) der gantscher Heyliger Schrift, in schoone copere figueren (...) verrijckt met leersame verclaeringhen over de selve figueren. Alkmaar: Simon Cornelisz Brekegeest, Amsterdam: Jan Philipsz. Schabaelje, 1646.
Towel or Napkin
Object type: textile
Date: 1701 – 1800
Techniques: embroidery
Location: turkey
Roof van Proserpina
Object type: print
Date: 1594 – 1632
Materials: paper
Techniques: engraving
Location: munich
Subjects: the rape of proserpina (by pluto in his chariot); possibly with diana and minerva trying to rescue her
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De zegewagen van Pluto, getrokken door vier paarden, rijdt door een rivier. Pluto heeft Proserpina in zijn armen, die zich verzet tegen haar ontvoering. Een tweede nimf houdt de wagen vast.
Marcus Aurelius, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: cornelis bos
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1510 – 1556
Subjects: men,horses

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 106 in the scrapbook.
Papieren van Jan Brandes van zijn beroeping als predikant bij de lutherse kerk te Batavia e.a.
Object type: document
Date: 1777 – 1785
Materials: paper
Location: jakarta
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: bodegraven, draughtsman, jan brandes, batavia

Beroepingsbrief, notariële stukken, verweerschriften 1777-1786.
Purse
Object type: purse
Date: 1767 – 1800
Materials: silk
Culture: french
Veil
Object type: veil
Date: 1840 – 1860
Materials: silk
Culture: french
Head of a Female Deity
Object type: sculpture
Date: 801 – 1300
Materials: stone
Location: borneo
Zebulun, from "The Twelve Patriarchs"
Object type: print
Date: 1550 – 1550
Techniques: etching
Artist: maarten van heemskerck
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1498 – 1574
Subjects: men,male nudes,fish
Sheet of studies of men's heads: old bearded man nearly in profile to right: mouth half open
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: etching, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: collector's mark: Lugt 240

Another five small depictions of men’s heads, but this time it is certain that they did not originate as independent prints. Originally, they were all on the same copperplate. After Rembrandt cut up the plate, he completed each print individually. This working method was unusual and characterizes Rembrandt as an artist who often strayed off the beaten path.
Gezicht op een landhuis
Object type: print
Date: 1733 – 1786
Materials: paper
Techniques: etching
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 2228
Ogura Imitation of the One Hundred Poems
Object type: print
Date: 1847 – 1850
Materials: paper
Techniques: woodcut
Location: japan
Subjects: group of actors, troupe; actors on the stage, human figure at (open) window, seen from outside - aa - feigned window, taking leave

Hisamatsu kijkt vanuit het raam naar zijn geliefde Osome, zittend op de veranda met hun afscheidsbrief in haar hand. Scene uit een kabukitoneelstuk. Gedicht door prinses Shokushi.
Blad met strooipatroon van ranken met bloemen en vruchten
Object type: printed paper
Date: 1800 – 1900
Materials: paint, paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760

Blad met strooipatroon van ranken met bloemen en vruchten, en stippellijnen.
Miniature tureen in the form of a duck (one of a pair)
Object type: tureen
Date: 1752 – 1752
Materials: soft paste porcelain
Artist: bow porcelain factory
Artist role: factory
Artist nationality: british
Artist dates: 1747 – 1776
Subjects: ducks
Panel
Object type: textile
Date: 1401 – 1500
Location: spain
Ruïne van een klooster in Engeland, vermoedelijk Fountains Abbey
Object type: photograph
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: yorkshire
Artist: Anonymous
Subjects: parts of church interior: nave, ruin of a dwelling, house, castle, etc., england

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
The Lamentation
Object type: drawing
Date: 1840 – 1845
Materials: graphite, ink
Techniques: heightening, pen
Artist: johann friedrich overbeck
Artist role: artist
Artist nationality: german
Artist dates: 1789 – 1869
Subjects: lamentation
Trees on the Bank of the Charles River June 22 '86 (from Sketchbook VII)
Object type: drawing
Date: 1886 – 1886
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: animals,rivers,landscapes,trees

This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Zelfportret van Frederik Hendrik Weissenbruch
Object type: print
Date: 1843 – 1887
Materials: paper
Techniques: etching
Location: the hague
Artist: frederik hendrik weissenbruch
Artist role: draughtsman, print maker
Artist dates: 1828 – 1887
Subjects: the hague, print maker, draughtsman, frederik hendrik weissenbruch, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Familieportret met onbekende personen in een tuin
Object type: photograph
Date: 1855 – 1870
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: family group, especially parents with their child(ren)
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, part of head and extended arm of youth to left
Twenty-four-light chandelier (lustre) (one of a pair)
Object type: chandelier
Date: 1790 – 1790
Materials: gilt bronze, quartz

Numerous entries in the account book for the period 1748–58 of the marchand-mercier Lazare Duvaux show that he not only sold, shipped, and installed chandeliers but also took them apart for cleaning or repairs and reassembled them afterward. At times Duvaux would also provide crystal drops, finials, and globes to replace missing ones or mend those that were broken. This may explain why the late eighteenth-century frames of this magnificent pair of chandeliers incorporate earlier crystal pendants in their design. Arranged in three tiers, ropetwisted candle arms alternate with inward-scrolling branches decorated with acanthus leaves, stylized seedpods, and crystal finials. The elaborate model further includes gilt-bronze chains with crystal beads as well as a profusion of crystal drops and balls raining down from the umbrella-shaped row of arms near the top and from the multiple branches below. The splendid impression such fixtures created when lit did not escape the baronne d'Oberkirch. Describing a concert held in May 1782, during the visit of Grand Duke Paul of Russia and his duchess, Maria Feodorovna, to Versailles, she noted particularly that "the palace was all brilliantly illuminated, as on days of high ceremonial. A thousand chandeliers were suspended from the ceilings, and candelabra holding forty candles each were placed on top of the console tables. . . . Nothing can express this splendor and opulence."
The cabinet portrait gallery containg portraits of celebrities reproduced from original photographs by W. and D. Downey
Object type: book
Date: 1894 – 1894
Materials: linen, paper
Techniques: woodburytype
Location: london
Inscriptions: inscription: ‘St. Sampson's Wesleyan P.S.A. Prize Miss [...]’
Terracotta fragment of a column-krater? (bowl for mixing wine and water)
Object type: column krater fragment
Date: 440 – 420
Materials: terracotta
Culture: greek, attic
Portret van Philipp Jacob Tetzel
Object type: print
Date: 1669 – 1700
Materials: paper
Techniques: engraving
Artist: jakob von sandrart
Artist role: print maker, publisher
Artist dates: 1630 – 1708
Subjects: historical persons, armorial bearing, heraldry
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Materials: porcelain
Culture: chinese
Subjects: men
Paperweight
Object type: glass
Date: 1867 – 1900
Materials: glass
Location: united states
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, nose, mouth, right shoulder, and extended arm of figure wearing a chiton, holding a lyre in the right hand
Vertrouwen op God en moederliefde
Object type: print
Date: 1823 – 1874
Materials: paper
Techniques: tone lithography
Location: netherlands
Subjects: mother-love, the worship of god, trust
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een moeder met haar drie kinderen staat bij een tafel waarop een brandende kaars staat.
Gezicht op landschap met botenhuis bij Park Place, gezicht op Henley-on-Thames met brug, gezicht op rivierlandschap bij Wargrave en schutsluis bij Henley-on-Thames
Object type: photograph
Date: 1868 – 1873
Materials: paper
Techniques: albumen print, letterpress printing, line block
Location: england
Artist: Anonymous
Subjects: landscapes in the temperate zone, river bank, landscape with bridge, viaduct or aqueduct, boat-house, shed

Foto's op vierde ongenummerde pagina na pagina 20.
Scarab
Object type: scarab
Date: 1479 – 1458
Materials: faience
Location: egypt
Subjects: hieroglyphs,scarabs
Lvcia Percye, comes (...) in Salcïa, etc.a.
Object type: print
Date: 1623 – 1660
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: lucy percy (gravin van carlisle)
Inscriptions: collector's mark: Lugt 240

Prent naar schilderij van Anthony van Dyck in de collectie van Petworth House, Sussex.
Een Hindoetempel bij Jogyakarta
Object type: photograph
Date: 1876 – 1884
Materials: photographic support
Techniques: albumen print
Location: surabaya
Artist: herman salzwedel
Artist role: fotograaf
Subjects: utrecht, the hague, colonial system, places and objects of worship ~ hinduism, buddhism, jainism

Een Hindoetempel bij Jogyakarta, misschien Panataran, in matige conditie met links twee Hindoebeelden. Onderdeel van het fotoalbum door de Soerabayasche Vereeniging van Suikerfabrikanten aangeboden aan Frederik Beyerinck, resident van Soerabaja.
Amphora
Object type: amphora
Date: 1050 – 900
Materials: terracotta
Culture: cypriot

Bands and three zones of concentric circles.
Album van tien gelithographieerde schetsen, voorstellende Tooneelen van de Verwoesting, Aangerigt door den storm van 28 mei 1860 in het 's Gravenhaagsche Bosch, te Scheveningen, enz.
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: storm at sea, storm on land

Volk op de been in de duinen bij Scheveningen, tijdens de storm. Onderdeel van het album met tien losse steendrukken in een papieren omslag met voorstellingen van de schade aangericht door de 'Pinksterstorm' van 28 mei 1860 in het Haagse Bos en omgeving.
Carpet
Object type: textile
Date: 1875 – 1900
Materials: wool
Techniques: cutting, weave
Culture: shirvan
Location: caucasus
The Drowning of Britomartis from Scenes from the Story of Diana
Object type: tapestry
Date: 1547 – 1559
Materials: silk, wool
Artist: jean cousin the elder
Artist role: designer
Artist nationality: french
Artist dates: 1485 – 1565
Subjects: men,diana,coat of arms,boats

This tapestry is from a set depicting scenes from the story of Diana probably made for the château of Anet, about forty miles west of Paris, which was the chief residence of Henry II's mistress, Diane de Poitiers. She herself, born in 1499, was named after the goddess, a sign that the Renaissance, with its emulation of classical antiquity, had come to France. The inscription in French verse on the upper border of the tapestry tells the story depicted: Britomartis, pursued by Minos, who wished to take her by force in the woods, greatly preferred to end her life in the sea rather than submit to his outrageous will. Accordingly, wishing to give her fame for her death, Phoebe [Diana] invested fishnets and snares, with which the body was brought to a holy place, and since then the Greeks have called her Dictynna ["fishnet"]. O holy death, that gave such a valuable thing to the world by means of such a misfortune! Diana stands in the center of the tapestry, a crescent on a support above her forehead. To the right, the drowning Britomartis raises one hand above the water. In the middle distance, Minos, king of Crete, stands looking into the water with his arms raised in astonishment, while Britomartis' body is being fished out of the water to the right. In the left background we see Minos pursuing Britomartis, and farther back, to the right, Diana hands a net to two men. The version of the story shown here is not precisely that found in the writings of any classical author, and the invention of the net by Diana does not seem to be a classical idea at all. It is here in order to glorify Diane de Poitiers, who is portrayed in the guise of the goddess. The borders of the tapestry are marked by the Greek character delta and other symbols of Diane.
Kleuterjurk van batisten randstof
Object type: childrenswear
Date: 1907 – 1909
Materials: textile
Techniques: lace
Location: amsterdam
Artist: Anonymous

Kleuterjurkje van batisten randstof, versierd met valenciennetjes. Belle Époque. Model: Lijfje van voren glad met taillepasje, maar vanachter in te rimpelen. Driehoekig inzetstukje van kant en batist met oprijgjes. Brede hals. Sluiting alleen met bordjes in hals en taille. Wijde pofmouwtjes die met een binnen bandje in vorm gehouden wordt. Onderaan een glad biesje. Ruim aangerimpelde eenbaanserokje van randstof. Versiering: Tussenzetsels en strookjes van Valenciennetjes, in en langs het driehoekige voorstukje, langs de hals en de mouwtjes. Randstof. Grof en opengewerkt, machinaal borduursel, dat een tussen ...en een schulpjesrand heeft. Daartussenin een glad stukje me losse rozetjes. Toestand: Gewassen 1979.
Portret van Maximilian von Trauttmansdorff
Object type: print
Date: 1648 – 1686
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: vienna, historical persons, knighthood order of the golden fleece, diplomacy, diplomat
H. Augustinus van Hippo
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: augustine, bishop of hippo; possible attributes: arrows piercing his breast, book, child with spoon, flaming heart, heart (pierced with arrows), pen
Inscriptions: collector's mark: Lugt 240

De heilige Augustinus van Hippo, in bisschopsgewaad, een met een pijl doorboord hart in de hand. Hij is vergezeld door drie engeltjes, van wie één de mijter en de bisschopsstaf draagt. Onder de octagonale voorstelling een opschrift in het Latijn.
Fragment
Object type: textile
Date: 1 – 1532
Techniques: slit, tapestry
Location: peru
Botanicus
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: printing
Location: amsterdam
Subjects: enjoying nature ~ plants, herbs and flowers, botany
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, inscription: ‘20 feb: 1779 deeze bijna voltooide Proef, vereerd aan mijn Liefste Vriend! den WEd Heer Hemsterhuis in 'S Hage / G v den Eekhout del Ploos v Amstel JC F: 1779’

Enkele mannen bestuderen planten aan een tafel. De oude zittende man schrijft in een boek. Rechts draagt een man een mand met planten. Door de ramen zicht op een tuin en een landhuis.
Dame de la cour Francaise XVI Siècle, sous Francois I
Object type: costume print
Date: 1840 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: the hague
Artist: elias spanier
Artist role: print maker, printer
Artist dates: 1821 – 1863
Subjects: historical costume

Vrouw in historisch kostuum van een hofdame aan het hof van Frans I, 16e eeuw. Voorstelling toegevoegd aan het plaatwerk over het gekostumeerd bal gehouden op het paleis van de prins van Oranje (de latere koning Willem III) in Den Haag op 26 februari 1845.
Adam and Eve
Object type: print
Date: 1504 – 1504
Materials: ink, paper
Techniques: engraving, printing
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Inscriptions: The 'cartellino' in the tree on the left is inscribed with Dürer's monogram, the date 1504, and the words "Albertus Durer Noricus Faciebat."

Albrecht Dürer’s engraving Adam and Eve exhibits the extraordinary detail and tonal range of which he was capable. The print’s meticulously described landscape and its symbolism are derived from late medieval art, while Dürer’s fascination with the canons of classical proportion and anatomy (Adam is posed like the Apollo Belvedere, while Eve recalls classical statues of Venus) comes from his study of Italian Renaissance art.
Vierhonderdjarige herdenking van de geboorte van Willem van Oranje in 1933
Object type: history medal
Date: 1933 – 1933
Materials: bronze
Techniques: striking
Location: utrecht
Artist: oswald wenckebach
Artist role: draughtsman, print maker
Artist dates: 1895 – 1962
Subjects: delft, william i (prince of orange)
Inscriptions: factory mark: ‘mercuriusstaf’

Bronzen penning, op de voorzijde Willem knielend naar rechts met omschrift, op de keerzijde een vogel op een nest in de golven, met omschrift.
Parke of the Artillary (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...,"  London, 1724, vol. II, pl. 26B)
Object type: print
Date: 1723 – 1724
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: portraits,profiles,horses,maps

Hogarth made this print early in his career to illustrate a travel book by the French author Aubry de La Mottraye. It represents a plan of battle between the Russians and the Turks which Charles XII of Sweden brought about. The medals show the opponents, Peter the Great and Mehemet Baltagy (Baltadji or Baltaci), the Ottoman grand vizier, with two sides of a coin at lower center. The vizier had been appointed while Charles spent an extended period of exile in Turkey.
Textile Sample from Sample Book
Object type: sample
Date: 1801 – 1900
Materials: silk
Techniques: tapestry
Culture: japanese
Brief aan Pieter Gerbrand van Tienhoven
Object type: letter
Date: 1952 – 1952
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: h.m. de bruyn
Subjects: anna eva vennekool-kluver, print maker, draughtsman, august allebé, pieter gerbrand van tienhoven, drawing, diseases
Inscriptions: watermark