deem-data/ArtiFact huggingface dataset:
Vue de Normandie
Object type: print
Date: 1839 – 1841
Materials: paper
Techniques: aquatint
Location: paris
Subjects: farm or solitary house in landscape
Inscriptions: inscription: ‘Hr. Bossance Quai Voltaire 11’, inscription: ‘Rittner & Goupil Boulevd Montmartre 15’, inscription: ‘N.P. Lerebours Place du Pont Neuf 15’
Linen mark (Type IV)
Object type: linen mark
Date: 1961 – 1917
Materials: linen
Location: egypt
De troepen van Ferdinando I de' Medici bestormen een stadspoort
Object type: print
Date: 1614 – 1620
Materials: paper
Techniques: engraving
Location: florence
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: ferdinando i de' medici, asiatic races and peoples: turks, battle, ships (in general), after the battle, city-gate
Inscriptions: collector's mark: Lugt 240

Op de voorgrond strijden de soldaten van Ferdinando I de' Medici bij een stadspoort tegen Turkse soldaten. Op de achtergrond vertrekken zij door een andere stadspoort met hun oorlogsbuit. Onder de voorstelling een lege marge. Deze prent is onderdeel van een serie van 16 prenten (plus 2 onvoltooide prenten) van het leven van Ferdinando I de' Medici, bedoeld geweest als aanvulling op een reeds bestaande reeks illustraties van de geschiedenis van de Medicis.
Beheading of Anabaptist Martyrs
Object type: drawing
Date: 1640 – 1640
Materials: ink
Techniques: brush, pen, wash
Culture: dutch
Artist: school of rembrandt van rijn
Artist role: artist
Artist dates: 1606 – 1669
Subjects: heads,men,execution
Dominicus Baudius, Historiarum Professor
Object type: print
Date: 1668 – 1733
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: lille, leiden, dominicus baudius, historical persons, professor
Inscriptions: collector's mark: Lugt 2228

Prent met enkele omlijsting gebruikt in: Fundatoris, curatorum et professorum celeberrimorum (...). Leiden: Pieter van der Aa, 1716.
George the IIId. King of Great Britain.
Object type: print
Date: 1735 – 1800
Materials: paper
Techniques: engraving
Location: france
Artist: guillaume philippe benoist
Artist role: print maker
Artist dates: 1725 – 1800
Subjects: london, george iii (koning van het verenigd koninkrijk), ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Armband (Bazuband), One of a Pair
Object type: armband
Date: 1801 – 1900
Materials: enamel, gold
Location: india

Bazubands, worn on the upper bicep, were an important element in a suite of jewelry worn by men. This object and its mate (15.95.41) have been fabricated from gold and a number of gemstones which have been set in kundan style and foiled on the underside of the stone. Using foil covered with a layer of colored lack on the underside of a set gemstone was a common technique which enhanced the color of the jewel, but can deteriorate over time, as in here. The verso of this pair has been beautifully enameled in white, red, green, and gold—a traditional palette from Jaipur. This jewel was formerly in the collection of American artist and designer Lockwood de Forest (1850–1932) who purchased many jeweled objects while traveling in India between 1879–1881. Today, his collection of Indian jewelry in the Met serves as a near-comprehensive assemblage of late nineteenth century bodily adornment.
Woods, Left Field, Philadelphia, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Djokjokarta (Klaring) (r. Djokjokarta) Eight-armed bronze Trailokyavijaya dashing a corpse (Former Klaring collection). Yogyakarta, Yogyakarta district, D.I. Yogyakarta province, 9th-10th century.
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905
Plaque with decoration
Object type: plaque
Date: 770 – 256
Materials: jade
Culture: chinese
Fibula
Object type: fibula
Date: 600 – 301
Materials: bronze
Culture: italic

With long, sheath like foot terminating in a knob.
Pont sur la Drôme, a Livron
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: letterpress printing, engraving
Location: paris
Subjects: landscape with bridge, viaduct or aqueduct

Prent uit: L'Illustration, vol. 25, nr. 592, 1 juli 1854, p. 12.
Battle of Amazons
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: lodovico carracci
Artist nationality: italian
Artist dates: 1555 – 1619
Manneke-mug
Object type: print
Date: 1731 – 1732
Materials: paper
Techniques: woodcut
Location: haarlem
Subjects: caricatures (human types)

Koddige figuur, in het onderschrift in de overzichtsprent draagt deze figuur de naam: Manneke-mug. Onderdeel van het boekje: XXXVI. aartige figuuren, geinventeert door Izaak van Ostade tot Haarlem [1731-1732].
Slag op de Mookerheide, 1574
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: battle (+ land forces), nijmegen

Slag op de Mookerheide, 14 april 1574. Veldslag tussen het leger van de opstandelingen onder bevel van Lodewijk en Hendrik van Nassau en het Spaanse leger onder de veldheren d'Avila, Mendoza en Mondragon. Linksboven Nijmegen, rechts Mook. Met onderschrift van 4 regels in het Latijn. Genummerd: 52. Bedrukt op achterzijde met tekst in het Latijn.
Scherven van wijnflessen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: wine bottle
Date: 1700 – 1743
Materials: glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Typologically not identifiable, belly, fragment.
Un Chamois surpris par un Photographie
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Subjects: hoofed animals: chamois, snow
Inscriptions: inscription: ‘Instantanés pris dans les Vires d'Argentine sur Solalex, par M. François Moreillon Fils, Guides aux Plans.’, inscription: ‘Extrait de la Patrie Suisse, No 115.’
Deutschland
Object type: stereograph
Date: 1868 – 1888
Materials: cardboard, paper
Techniques: albumen print
Location: nuremberg
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: tower (of house or building)
Inscriptions: number: ‘No. 18.’
Portraits des artistes modernes nés dans le Royaume des Pays-Bas
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: painter, adèle agnès evrard, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie van zestig prenten.
Beaker vase (one of a pair, part of a garniture)
Object type: beaker vase
Date: 1690 – 1690
Materials: earthenware
Techniques: glazing
Artist: lambertus van eenhoorn
Artist role: factory director
Artist nationality: dutch
Artist dates: 1651 – 1721
Subjects: flowers

Garnitures or sets of three, five or seven pieces were made for decorative purposes to be placed on top of cabinets or mantelpieces. In imitation of imported Chinese porcelain that was much admired in the Netherlands, these vases and beakers are painted in blue against a white ground. The scattered clusters of spring flowers, however, are European in nature. This set was created at the Metaale Pot (metal pot) one of the leading pottery factories in Delft which produced its most brilliant work between 1691 and 1724 under the ownership of Lambertus van Eenhoorn (1651-1721) and later his widow, Margaretha Teckmann.
Franse etsen uit 1875
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: spring, 'ver'; 'primavera' (ripa), river
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, watermark, collector's mark: ‘AFE v S’
Martin Folkes
Object type: print
Date: 1742 – 1742
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: men,portraits
Rev. Robert Aitken, Dundee
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Portret van de theoloog Melchior Leydekker
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: utrecht, melchior leydekker, theologian
Inscriptions: inscription: ‘Melchior Leidecker [...] zijn’, collector's mark: Lugt 2228
A Peasant Family
Object type: painting
Date: 1640 – 1648
Materials: copper, oil
Artist: antoine le nain
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1648
Subjects: boys,girls,men,cats,family
Bruno aan de dobbeltafel
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: dice-games
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485

Prent uit: Horst, J.J. van der. Vader Bruno, de kluizenaar van Overveen. Amsterdam: C.L. van Langenhuysen, 1857.
Portret van Frederik I, groothertog van Baden, in militair uniform
Object type: photograph
Date: 1900 – 1907
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons, other sovereign (with title)
Inscriptions: signature: ‘Friedrich Grossherzog v. Baden’
Le Nouveau Paris
Object type: stereograph
Date: 1850 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: place vendôme
Artist: charles gérard
Artist role: fotograaf
Subjects: triumphal column with helical friezes
Inscriptions: inscription: ‘Colonne vendome Paris’
Cupid on Horseback
Object type: sculpture
Materials: copper alloy, lacquer, patina
Artist: francesco fanelli
Artist role: artist
Artist nationality: italian
Artist dates: 1608 – 1665
Subjects: cupid,horses
Pont y Pair over the River Conway above Llanrwst in the County of Denbigh, plate twelve from Twelve Views in North Wales
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: aquatint, etching
Location: england
Artist: paul sandby
Artist role: draughtsman, print maker, publisher
Artist nationality: british
Artist dates: 1731 – 1809
The Dying Chestnut Tree—My Teacher
Object type: photograph
Date: 1927 – 1927
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Inscriptions: Unmarked recto; inscribed verso, on second mount, lower left, diagonally, in graphite: 27A

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Weversgilde van Middelburg, gildepenning met no. 1
Object type: medal
Date: 1621 – 1621
Materials: copper
Techniques: casting, engraving
Location: middelburg
Artist: Anonymous
Subjects: middelburg

Koperen penning. Voorzijde: gekroonde, opstaande weversspoel tussen twee bloeiende vlasplanten boven jaartal onder een op twee gekroonde pilaren rustende boog. Keerzijde: wapenschild boven tableau met opschrift in cartouche; naast wapenschild: cijfer 1
Box
Object type: box
Date: 1667 – 1700
Materials: wood
Subjects: flowers,leaves,insignia
Sampler
Object type: sampler
Date: 1701 – 1800
Materials: linen, wool
Fragment pot uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pot
Date: 1700 – 1743
Materials: bone
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pot; fragm of circular body, upper rim internally threaded, relieved exterior decoration of 2 linear bands and 1 convex plain band.
Leopold Friedrich Franz, Herzog zu Anhalt-Dessau
Object type: print
Date: 1820 – 1856
Materials: paper
Techniques: lithograph
Artist: ludwig buchhorn
Artist role: painter, print maker
Artist dates: 1770 – 1856
Subjects: leopold iii frederik frans van anhalt-dessau, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Leeghwater
Object type: photomechanical print
Date: 1913 – 1930
Materials: cardboard
Techniques: photograph
Location: haarlem
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, draining for land reclamation, lake
Het verhaal van Tobias
Object type: print
Date: 1621 – 1621
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: moyses van wtenbrouck
Artist role: painter, print maker
Artist dates: 1590 – 1647
Subjects: the healing of tobit: tobias puts the gall of the fish on his father's eyes
Inscriptions: collector's mark: Lugt 2228

Met de gal van een vis geneest Tobias zijn vaders blindheid. Naast hem de engel Rafaël en Anna, de moeder van Tobias.
Patriottenlint
Object type: ribbon material
Date: 1775 – 1800
Materials: silk
Techniques: printing, weave
Location: netherlands
Artist: Anonymous

Lint met links een drietal zgn. Franse lelies en rechts een tweetal goudkleurige imitaties van penningen. Op de 'penningen' is een zittende vrouw (vrijheidsmaagd) weergegeven. Aan de bovenkant is een strik afgebeeld en aan de onderkant een groenstrook.
Jasper intaglio in a gold mount set with pearls and glass
Object type: intaglio with pearl and glass
Date: 101 – 300
Materials: glass, gold, jasper, pearl
Culture: roman
Subjects: men,hunting,boars,dogs,horses

The intaglio, depicting a horseman spearing a boar, is of superlative quality. The two hooks on the reverse suggest that this object served as a clasp, possibly for a necklace or for a diadem worn around the head.
Portret van Valentin Röder
Object type: print
Date: 1665 – 1721
Materials: paper
Techniques: engraving
Artist: christian romstet
Artist role: print maker
Artist dates: 1640 – 1721
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Dog (Tomb Figurine)
Object type: sculpture
Materials: earthenware
Location: china
Beauty and a Cat
Object type: print
Date: 1736 – 1795
Materials: ink, paper
Techniques: hand coloring, woodblock print
Culture: chinese
Subjects: women,cats
Terracotta fragments of mastoids  (drinking cups with narrow base) or kyathoi (cup-shaped ladles)
Object type: mastoid or kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic
De diefachtige ekster
Object type: popular print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Subjects: theft, tales and fairy tales, song-birds: magpie
Inscriptions: collector's mark: Lugt 2760

Blad met 11 voorstellingen van een ekster die een lepel van het meisje Lina steelt. Voor straf wordt de ekster opgesloten in een kooi. Onder elke voorstelling een onderschrift. Genummerd linksboven: Série 4. - No. 15.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Top of the mouth of a column krater with a band of pendant, linked lotus buds; on the side of the rim, ivy
Study of a Standing Cleric, Holding a Book
Object type: drawing
Date: 1637 – 1697
Materials: chalk, paper
Location: haarlem
Artist: jan de bray
Artist role: draughtsman, print maker
Artist dates: 1627 – 1697
October
Object type: print
Date: 1684 – 1729
Materials: paper
Techniques: etching
Location: germany
Subjects: landscape symbolizing october, vineyard, castle, october and its 'labours', scorpio (zodiacal sign of october), vintage, grape harvest, viticulture, wine-growing; vintage
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 384, collector's mark: Lugt 2760, collector's mark: Lugt 3790

Landschap met een kasteel op een berg aan een meer met rechts boeren met vaten bij wijnranken; een gezicht op Palermo op Sicilië, voorstellende de maand oktober. Bovenaan het bij deze maand behorende sterrenbeeld: schorpioen. Tiende prent uit een serie van twaalf.
Chest
Object type: chest
Date: 1650 – 1680
Materials: wood
Culture: american
Location: united states

Chests used for household storage were common in seventeenth-century homes. This lift-top chest is embellished with carved motifs that are characteristic of the decorative vocabulary of the earliest New Haven joiners, including the carved arches in the panels, the lunettes on the upper rail, the paired leaves on the lower rail, and the rosettes on the stiles.
Fragments (6)
Object type: fragment
Date: 1801 – 1900
Materials: silk
Incerte cuiucdam ruin prospectus
Object type: book illustration
Date: 1561 – 1561
Materials: paper
Techniques: etching
Location: vicenza
Artist: giovanni battista pittoni (i)
Artist role: print maker
Artist dates: 1520 – 1583
Subjects: ruin of a building ~ architecture, landscape with ruins, landscape with ruins (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks illustraties voor het traktaat van Vincenzo Scamozzi 'Discorsi sopra le antichità di Roma', Venetië 1582. De prenten zijn vrije kopieën naar een serie prenten van Hieronymus Cocks die voor het eerst werd uitgegeven in 1551 (Hollstein 22-47).
Virgin and Child Under an Arch
Object type: print
Date: 1508 – 1531
Techniques: woodcut
Artist: hans burgkmair
Artist role: artist
Artist nationality: german
Artist dates: 1473 – 1531
Subjects: madonna and child
Boender bestaande uit een takkebos, samengebonden door wilgenteen.
Object type: miniature
Date: 1700 – 1710
Materials: plant material
Location: amsterdam
Artist: Anonymous

Boender bestaande uit een takkebos, samengebonden door wilgenteen.
Roger Connor, New York Giants/Gothams, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Broadsheet with a song in honour of the Holy Virgin of Solitude (Stma. Virgen de la Soledad)
Object type: print
Date: 1903 – 1903
Materials: paper
Techniques: letterpress
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men
Handschoen van glacéleer, kort model, sluiting met drie knopen van parelmoer
Object type: womenswear
Date: 1900 – 1925
Materials: mother of pearl
Location: netherlands
Artist: m. laimböck
Artist role: modehuis, modewarenhuis, modewinkel
Inscriptions: stamp: ‘tekst’

Rechter handschoen van glacéleer. Bij de pols een split met drie parelmoeren knoopjes. Op de hand drie gestikte lijnen.
Statue of Sir James Outram, Calcutta
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: autotype
Location: paris
Artist: Anonymous
Subjects: equestrian statue
Prenten-magazijn voor de jeugd
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: other healings by christ, multiplication of loaves and fishes for a multitude of four or five thousand people (matthew 14:13-21, 15:32-39; mark 6:32-44, 8:1-10; luke 9:10-17; john 6:1-14), new testament, series of scenes from the life of christ
Inscriptions: collector's mark: Lugt 2760

Na voltooiing van de acht jaargangen van de reeks 'Prenten-magazijn voor de jeugd' in 1850 heeft Jan Schuitemaker al deze prenten heruitgegeven en omgenummerd als nr. 1 t/m 192. De oorspronkelijke jaargang wordt telkens nog vermeld rechtsonder op de prent. Binnen de jaargangen zijn prenten van hetzelfde thema in clusters van vier achter elkaar gezet.
Horseshoe Falls en Terrapin Tower
Object type: stereograph
Date: 1859 – 1859
Materials: cardboard, paper
Techniques: albumen print
Location: horseshoe falls
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: waterfall
Inscriptions: : ‘"The sight (...) vent." Byron’
Dean of Chester
Object type: photomechanical print
Date: 1877 – 1882
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: priest, priest (roman catholic), historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Zo ge aartigheden wilt beminnen, / Zet op deez' prentjes dan uw zinnen, / Tot uw vermaak geschikt, ô jeugd! / Envoeg uw leeslust by uw vreugd
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: colour, letterpress printing
Location: heerenveen
Subjects: human types, farmers, street-trader, (playing with) dolls, fishing (sports)
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van verschillende figuren en bezigheden. Onder elke afbeelding een zesregelig vers. Genummerd rechtsboven: No. 146.
Vase
Object type: vase
Date: 1885 – 1889
Materials: stoneware
Culture: american
Location: united states
Artist: chelsea keramic art works
Artist role: manufacturer
Artist nationality: american
Artist dates: 1872 – 1889

Steeped in ceramics from birth, Hugh C. Robertson pursued his craft with fierce devotion and a passion for experimentation. From a family of trained English ceramists, he honed his skills in New Jersey before settling in Massachusetts as one of the founders of Chelsea Keramic Art Works and later, Dedham Pottery. Robertson’s lifelong explorations in glazes, particularly their color and texture, make him one of the key figures of American art pottery at the turn of the twentieth century. During the 1880s Robertson increasingly turned his attention to developing new glaze formulas and clay bodies. In the middle of the decade he became obsessed with the highly coveted yet elusive sang-de-boeuf, or oxblood, glaze, a quest that became the hallmark of his later career. In April 1885 Robertson became the first American to successfully replicate the oxblood glaze, showcasing his new oxblood glazes on the same Chinese-inspired shapes that he used for his monochrome glazes. In 1887 Robertson observed that in his "struggle to master the Blood," he "met a number of variations that are very pleasing in effect and intirely [sic] new as far as I know." The extraordinary holdings of Chelsea sang-de-boeuf vessels in the Ellison Collection at the Metropolitan Museum of Art include many modulations of color, varying from crimson to fiery orange reds, tones of bright raspberry, and dark, sonorous reds with a purplish cast. Robertson preferred some of his copper-red glazes over others. In an 1889 letter to Allan Marquand, a distinguished Princeton professor who had a special interest in ceramics, Robertson singled out his "Orange peel Blood as far superior to the smooth," commenting that it was "not so common" and "gives a richer and more varied effect." The richness that Robertson observed is seen on this vase with a subtly pitted texture that indeed resembles the skin of an orange, a characteristic of some Chinese glazes. This vase is from the Robert A. Ellison Jr. Collection of American art pottery donated to the Metropolitan Museum in 2017 and 2018. The works in the collection date from the mid-1870s through the 1950s. Together they comprise one of the most comprehensive and important assemblages of this material known.
Instantaneous Views of London
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Artist: Anonymous
Subjects: two-wheeled, animal-drawn vehicle, market-hall
Inscriptions: inscription, number: ‘No. 182.’