deem-data/ArtiFact huggingface dataset:
Saint Barbara
Object type: statue
Date: 1434 – 1466
Materials: limestone, paint
Culture: french
Location: france
Subjects: women,saints

This sculpture was probably meant to be seen against a pier or in a niche behind an altar in a French parish church. The massiveness of the figure and the heavy, deep folds of drapery derive from the stylistic innovations of two earlier sculptors working in Burgundy: Claus Sluter (ca. 1345-1405/6) and Claux de Werve (1380-1439).
Pistoolkogels uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: bullet ammunition
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Portret van generaal-majoor Johan Harmen Rudolf Köhler
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: generaal-majoor, johan harmen rudolf köhler
Inscriptions: collector's mark: Lugt 2228

Portret van generaal-majoor Johan Harmen Rudolf Köhler in een geornamenteerd ovaal. In de ondermarge zijn naam, zijn titel en drie kolommen met regels Nederlandse tekst.
Wine bottle
Object type: wine bottle
Date: 1800 – 1800
Materials: enamel, porcelain
Culture: japanese
Subjects: human figures,flowers
Metamorphoseos liber primus (...)
Object type: print
Date: 1659 – 1659
Materials: paper
Techniques: etching
Location: amsterdam
Artist: nicolaes cornelisz. witsen
Artist role: mayor, print maker
Artist dates: 1641 – 1717
Subjects: apollo shoots python, the dragon
Inscriptions: collector's mark: Lugt 2165

Apollo staat bij de python, die hij met een pijl heeft gedood. Onder de voorstelling een vierregelige toelichting in het Latijn.
The Foolish Virgins Conversing
Object type: print
Techniques: engraving, etching
Artist: abraham aubry
Artist role: artist
Artist nationality: french
Artist dates:  – 1682
Subjects: musical instruments,women,playing cards
Manuel Osorio Manrique de Zuñiga (1784–1792)
Object type: painting
Date: 1787 – 1788
Materials: canvas, oil
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: birds,boys,portraits,cats

Outfitted in a splendid red costume, the son of the count and countess of Altamira is shown between a cage of finches and three wide-eyed cats who appear captivated by the boy’s pet magpie. In its beak the magpie holds Goya’s calling card and signature. Goya may have intended this cast of animals as a reminder of the frail boundaries that separate the child’s world from the forces of evil, or as a commentary on the fleeting nature of innocence and youth. Manuel died only a few years after his portrait was painted, at the age of eight.
Fabrieksterrein met gebouwen, een schoorsteen, houten vaten en een werknemer
Object type: photograph
Date: 1900 – 1910
Materials: photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: smoke-stack, wooden container: barrel, cask (+ wood and other phytogenic material), factory-building

Onderdeel van Familiealbum met onder meer foto's van Wijnhandel Kraaij & Co. Bordeaux-Amsterdam.
Cartes-de-visite
Object type: carte de visite
Date: 1854 – 1889
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Subjects: sitting figure, historical persons - bb - woman
Inscriptions: stamp: ‘DISDERI & Cie/ PHOTOGRAPHES de S.M. L'EMPEREUR/ 8, Boulevart des Italiens, PARIS.’, inscription: ‘15’

Cartomanie was a collecting craze. From 1855 hundreds of thousands of these portraits were annually sold worldwide. People had photographs taken of their loved ones, including their pets, and kept them in an album. Portraits of kings, writers, artists, actors, and statesmen were also collected. Photography was no longer the preserve of the wealthy; farmers and maidservants now also stood before the camera.
Panel
Object type: textile
Date: 1700 – 1725
Materials: textile, silk
Techniques: damask, weave
Location: france
Subjects: birds, animals, flowers
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1911 – 1911
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: jan hillebrand wijsmuller
Artist role: painter, print maker
Artist dates: 1855 – 1925
Subjects: painter, draughtsman, philip zilcken, printed matter
Inscriptions: collector's mark: ‘RPK’
Bal in het Huis ten Bosch ter ere van de verjaardag van de prins van Oranje, 1686
Object type: print
Date: 1686 – 1687
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), london, maria ii stuart (koningin van engeland, schotland en ierland), ball, formal dance

Bal in de Oranjezaal van het paleis Huis ten Bosch gegeven door Maria prinses van Oranje ter ere van de verjaardag van Willem III, de prins van Oranje, december 1686. Centraal op de vloer de prins en prinses, hier omheen een grote groep zittende en staande edelen. Bovenaan een portret van de prinses met putti, onderaan een cartouche met de opdracht aan de prinses met twee vrouwenfiguren met viool en tamboerijn. Met titels en legenda's 1-12 in het Nederlands en Frans. Gedrukt van twee platen.
Scarab: Falcon Deity
Object type: costume and accessory
Materials: stone
Culture: egyptian
Location: egypt
Subjects: gods (deities), deities, falcons, hieroglyphs, insects, serpents, snakes, suns
Mlle. Nata, from the Actors and Actresses series (N171) for Gypsy Queen Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
The Ballad Singer's Summons to her Lover
Object type: print
Date: 1737 – 1740
Materials: paper
Techniques: engraving, etching
Artist: george bickham (ii)
Artist role: print maker, publisher
Artist dates: 1706 – 1771
Subjects: street-trader, popular music, street music - cc - out of doors
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Bladmuziek voor een liefdeslied voor zangstem, basso continuo en fluit. Er boven als illustratie een straatscène met in het midden een jongen en een meisje, waarschijnlijk met vellen bladmuziek in de hand. In dezelfde straat twee andere paren, op de achtergond een vrouw met bezem in de deuropening.
Architraaf van devotie-altaar met Maria en Christuskind tussen twee engelen
Object type: altar
Date: 1700 – 1750
Materials: wood
Techniques: gilding
Location: mechelen
Artist: Anonymous

Huisaltaar met Maria en Christuskind tussen twee engelen. Het Christuskind staat op een hoge sokkel. Boven Maria en het Kind zit God geflankeerd door twee engelen die een baldakijn boven Hem ophouden. Op verschillende plaatsen is het hout verguld.
Teapot
Object type: teapot
Date: 1735 – 1735
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: human figures,boats
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, extended arms of male?
[Adelaide Claxton]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: portraits,profiles,women
Boom en voorstelling van een fruitplukker tussen bomen
Object type: album leaf
Date: 1490 – 1538
Materials: paper
Techniques: letterpress printing
Artist: hans schäufelein
Artist role: print maker
Artist dates: 1480 – 1540
Subjects: trees
Michael J. Cody, Catcher, Des Moines Prohibitionists, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Earring, chain type
Object type: earring, chain type
Date: 7000 – 330
Materials: gold
Christ in Limbo (recto); Saint with Rosary (verso)
Object type: drawing
Date: 1601 – 1700
Materials: chalk, gouache, ink, paper
Techniques: brush, highlighting, pen, wash
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: christ,saints
Expon 1900. Palais des Forêts
Object type: stereograph
Date: 1900 – 1900
Materials: paper, cardboard
Techniques: gelatin silver print
Location: paris
Artist: Anonymous
Subjects: river, world fair, world exhibition, exterior ~ representation of a building, paris
Inscriptions: number: ‘27.’
Hat
Object type: hat
Date: 1860 – 1862
Materials: silk, fiber, wood
Culture: american or european
Portret van Pierre Beaumarchais
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: christian friedrich fritzsch
Artist role: print maker
Artist dates: 1719 – 1774
Subjects: paris, publisher
Inscriptions: collector's mark: Lugt 2228

Medaillonportret van de Franse schrijver en uitgever Pierre Beaumarchais. Het medaillon is versierd met olijftakken en een lint. Onder het portret staat op een met bloemen omgeven cartouche de naam van de geportretteerde.
Crucifix
Object type: crucifix
Date: 1125 – 1150
Materials: copper alloy
Techniques: gilding
Culture: german
Location: germany
Subjects: christ,cross

The reverse of this cross reveals its original gilt decoration.
Strip
Object type: strip
Date: 1767 – 1800
Techniques: lace
Pianoforte
Object type: furniture
Date: 1818 – 1818
Materials: brass, wood, ivory
Techniques: veneering
Location: baltimore
Artist: james stewart
Subjects: furniture
Inscriptions: Labeled: "J. Stewart/Baltimore/Hanover Street"

Stamped inside at right: "JA## Stewart **1818##"
Portret van Lodewijk Napoleon Bonaparte, koning van Holland
Object type: print
Date: 1794 – 1828
Materials: paper
Techniques: stippled etching
Location: amsterdam
Subjects: louis napoleon (king of holland), knighthood order
Inscriptions: collector's mark: Lugt 2228

Hij draagt een ster van de Orde van de Unie.
Insertion for Cover
Object type: textile
Date: 1575 – 1600
Materials: linen, textile
Techniques: cutting, embroidery, lace, weave, stitching
Location: italy
Bandontwerp voor: P.J. Andriessen, Eva, 1893
Object type: study for binding design
Materials: paper
Techniques: printing block, snipping
Artist: Anonymous
Subjects: flowers ~ ornament
Vier personen voor de etalage van prenthandel Carrington Bowles te Londen
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: engraving, etching, hand coloring
Location: london
Subjects: print, e.g.: engraving, etching, lithograph, art dealer (+ graphic arts), fan, fashion, political caricatures and satires, dog, shop-window, show-window, london
Inscriptions: collector's mark: Lugt 4780

Links een man en een vrouw in modieuze kleding; tussen hen in een hondje. De vrouw wijst met een gesloten waaier naar de prenten in de etalage. Rechts staat een man met een stok. Een man met een arrestatiebevel legt zijn hand op zijn schouder. Rechtsonder genummerd: 80.
Graniet-kiezelmarmer in zwart, groen, roze en bruin
Object type: marbled paper
Date: 1700 – 1850
Materials: paint, paper
Techniques: marbling
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2760
Den wech des eeuwich levens
Object type: book illustration
Date: 1620 – 1623
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: giving alms or other charity, e.g.: handing out food, crutches, person with a physical disability, the life of man
Inscriptions: collector's mark: Lugt 2228

Een man met bijbel en rozenkrans in de hand volgt een engel die wijst naar een verschijning van God in de hemel. De man geeft een bedelaar geld. Naast hem liggen zijn krukken. Een korte Latijnse tekst verwijst naar het boek Tobit, vers 12 waarin Tobias God dankt en looft.
Spotprent op de suikerindustrie, 1865
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: sugar
Inscriptions: collector's mark: Lugt 2228

Spotprent op de suikerindustrie. Een suikerbrood en een stengel rietsuiker ontmoeten een groep suikerbieten. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 19, 13 mei 1865.
Bowl with Admiral Edward Vernon (1684–1757) and the capture of Porto Bello
Object type: bowl
Date: 1739 – 1739
Materials: stoneware
Techniques: salt glaze
Subjects: ships
Square plaque seal with stalk handle
Object type: stamp seal
Date: 2000 – 1668
Materials: mineral
Culture: assyrian
Location: anatolia
Subjects: goats

Stamp seals first appeared in northern Mesopotamia during the 6th millennium and were exclusively used throughout the ancient Near East until the innovation of the cylinder seal in the second half of the 4th millennium BC. Cylinder seals were the preferred administrative tool in Mesopotamia during the 3rd and 2nd millennia B.C. and in the 1st millennium B.C., stamp seals were once again adopted by the administrative classes. In Anatolia, stamp seals predominated and it was only during the Old Assyrian Period (ca. 2000-1700 BCE) that Anatolians used cylinder seals in their administrative practices. Like cylinder seals, stamp seals could be made from a variety of local and exotic stones as well as metal and even clay. They were impressed directly upon tablets, vessels, and other clay objects, and used on clay bullae that were used to seal storage containers and doors. Stamp seals exhibit either perforated backs or handles, sometimes with perforation, for ease in wearing and handling the objects. The shapes of the seals themselves as well as the motifs carved into their faces demonstrate a wide range of diachronic and regional glyptic innovation. Stamps seals could be simple in shape, but there are numerous examples of more complex shapes and some stamp seals were rendered as animals or human figures. The images carved into the seal face itself ranged from simple geometric patterns to elaborate scenes of human and divine images. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography. The modern impression of the seal is shown so that the entire design can be seen. This square seal, carved from black hematite, has a horizontally ribbed handle topped by a perforated loop. The carved image is of a seated goat with one foreleg raised and its head turned backward toward a fish. The striated pattern of the goat’s body is common in other depictions of animals, as is the ribbed treatment of the handle. Like most of the stamp seals discovered at Kültepe, it was probably used during the latter part of the Old Assyrian period in Anatolia (1830-1700 B.C.)
Flirtation, plate six from Woman
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: aquatint, drypoint, etching
Location: france
Artist: albert besnard
Artist role: draughtsman, print maker
Artist nationality: french
Artist dates: 1849 – 1934
Piggyback Copper Frogs
Object type: figure
Date: 901 – 1500
Materials: copper, gilt
Techniques: casting
Culture: peruvian
Location: peru
Subjects: frogs
Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 23 (recto)
Object type: book print ornament architecture
Date: 1603 – 1603
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: ornament

Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604. From top to bottom, and left to right: Design is printed upon a grid and is decorated in the center with a square framing a flower in the shape of a diamond. Surrounding the square is a vine of flowers and leaves that connect to 2 reclining winged figures at the top and a winged cherub head on the bottom.
Studio portrait of an unknown woman, Sri Lanka
Object type: photograph
Date: 1870 – 1900
Materials: paper
Techniques: albumen print
Location: sri lanka
Artist: Anonymous
Subjects: adolescent, young woman, maiden, historical persons not known by name - bb - woman
Inscriptions: inscription: ‘Meisje/ van/ Ceylon’
Studio delle virtuose Dame, page 15 (recto)
Object type: book print ornament architecture
Date: 1597 – 1597
Techniques: woodcut
Artist: isabella catanea parasole
Artist role: designer
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: flowers,acorns,leaves

Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Antonio Fachetti, Rome. From top to bottom, and left to right: Design composed of 2 horizontal registers. Top register is decorated an alternating pattern of flowers and acorns. Bottom register is decorated with 2 diagonal branches with leaves and acorns attached to them.
Ornamentele rand met bladeren en adelaar
Object type: boekillustratie ontwerp
Date: 1910 – 1910
Materials: paper
Techniques: relief print
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: predatory birds: eagle, fable of reynard the fox, foliage, tendrils, branches ~ ornament
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910. Deze prent is vermoedelijk een plaatsnede, ook al wordt in de literatuur veelal gesproken over een houtsnede. Voor zover Wierink zijn prenten in hoogdruk zelf nader heeft omschreven, heeft hij altijd de term 'plaatsnede' gebruikt.
Journal des Luxus und der Moden 1786, Band I, T. 24
Object type: fashion print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: weimar
Subjects: clothing for the upper part of the body (vest) (+ men's clothes), head-gear, coat (frac) (+ men's clothes), head-gear: hat (+ men's clothes), fashion plates, clothes, costume (+ men's clothes), trousers, breeches, etc. (breeches) (+ men's clothes), boots (+ men's clothes), walking-stick, staff, cane (+ men's clothes), ensembles of pieces of clothing (riding costume) (+ men's clothes)

De kleding van de Franse en de Duitse ruiter worden met elkaar vergeleken. De Duitse ruiter (links) is elegant en kan zich na het paardrijden in goed gezelschap vertonen. Op het hoofd een Chapeau à l'Androsman (in de tekst niet als zodanig benoemd) Hij is gekleed in een rode Berlijnse frak die op de borst over elkaar valt en met een paar knopen is gesloten. Daaronder een wit gilet en een "Hongaarse' rijbroek van wit gemsleer. Handschoenen van wit gemsleer. Chatelaine met één horloge. Zwarte rijlaarzen met zilveren Engelse sporen. Rijzweep in de hand.
De Franse ruiter is 'verkeerd gekleed'. Als fouten worden genoemd: een te lange ruitersjas, zonder enige elegantie. Vest dat ....... Chatelaines met twee horloges (één is genoeg) Spits gesneden omslagen van rijlaarzen. .............................................................(lees pp. 287 e.v.)Prent uit het modetijdschrift Journal des Luxus und der Moden, uitgegeven door Friedrich Justin Bertuch en Georg Melchior Kraus, Weimar, 1786-1826.
Portret van Willem Cornelis Mees
Object type: photomechanical print
Date: 1922 – 1922
Materials: cardboard, paper
Techniques: photoaquatint
Location: amsterdam
Subjects: rotterdam, historical persons
Inscriptions: number: ‘No. 387’, inscription: ‘International/ Bridge of Trade/ Den Haag’
Schetsboek XLVI met 32 pagina's
Object type: sketchbook
Date: 1875 – 1934
Materials: chalk, linen, paper
Subjects: the (nude) human figure; 'corpo humano' (ripa), street (+ city(-scape) with figures, staffage), london, paris
Inscriptions: retailer's mark: ‘[...] / Léon Besnard / 60, Rue de la Rochefoucauld / [...] / Lefranc & Cie’, collector's mark: Lugt 2228

Schetsboek nr. XLVI bestaande uit 32 pagina's met figuurstudies en straatgezichten, mogelijk te Londen of Parijs.
Box with miniature portrait of a woman
Object type: box, painting
Date: 1790 – 1790
Materials: glass, gold, ivory, shell
Artist: french painter
Artist role: artist
Artist nationality: french
Subjects: portraits,women

This very fine miniature is set in the lid of a box made of gold and blue glass.
Panel (Apparel?)
Object type: clothing
Date: 1601 – 1700
Materials: metal, silk
Culture: italian or spanish
Ringold, GA
Object type: photograph
Date: 1866 – 1866
Techniques: albumen print, photography
Location: united states
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: collected by hugh edwards, sherman's campaign 1866
Inscriptions: Printed recto, on album page, lower center, below image, in black ink: "Photo. from nature By. G. N. Barnard. / RINGOLD GA"; unmarked verso
Bronze furniture attachment
Object type: furniture attachment, head of a mule
Date: 1 – 100
Materials: bronze
Culture: roman
Subjects: animals

This bronze mule's head was originally part of a fulcrum (headrest) on a Roman couch. The mule is associated with Dionysus, the god of wine and feasting, indicated here by the panther (another Dionysiac attribute) skin around his neck.
Sardonyx cameo of Aurora driving her chariot
Object type: cameo
Date: 100 – 100
Materials: gemstone
Culture: greek or roman
Subjects: women,horses,chariots

Cameo with a winged woman driving a two-horse chariot. Aurora, Victory, or Psyche.
Portret van Antoinette du Ligier de la Garde Deshoulières
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: paris, historical persons, portrait of a writer, sheep

Met onder het portret twee liggende schapen en een staf.
Kalenderblad april met koekoek
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: lithograph
Location: hilversum
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: other birds: cuckoo, flowers: daisy, april ~ other concepts
Inscriptions: collector's mark: Lugt 2228

De vogel zit op een tak. In de ornamentrand madeliefjes. Bovenaan het blad een scheurlijn.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 450 – 450
Materials: terracotta
Culture: greek, attic
Artist: painter of london e 777
Artist role: artist

Exterior, tendrils; draped youth; draped, winged figure, grasping part of her lower garment in her right hand
Souvenir
Object type: souvenir
Date: 1765 – 1766
Materials: diamond, enamel, gold
Artist: jean-baptiste bertin
Artist role: maker
Artist dates: 1671 – 1771
Subjects: musical instruments,men,women,peacocks,trees

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.