deem-data/ArtiFact huggingface dataset:
Modern copy of a panel for a decorative frieze with portrait of da Cortona (from an original set of six)
Object type: panel
Materials: wood
Techniques: carving, gilding, painting

One of nine panels forming originally a decorative frieze in the cabinet intérieur of Étienne-François, duc de Choiseul (1719-1785) at his château of Chanteloup. In an anonymous drawing dating to ca. 1771, six of the frieze panels are seen in the duke’s private cabinet, one of the most richly decorated rooms in the castle, placed above large paintings by Giovanni Paolo Panini. Together the paintings and carved frieze panels, each with a medallion of a celebrated Italian artist framed by tied branches of laurel leaves and ribbon-tied garlands of flowers, commemorated Choiseul’s successful ambassadorship to the Vatican in 1753-1757. This particular panel has the portrait of the Italian painter and architect Pietro da Cortona (1596-1669), as is identified with the name “Crotone” below. His rendering was most likely based on a medal. Overall, this and the other panels recall the decorative vignettes with profile medallion of famous artists designed by Jean-Baptiste Marie Pierre and engraved by Claude-Henri Watelet for the latter’s L’Art de peindre, published in 1760. It has been suggested that Choiseul’s architect Louis-Denis Le Camus may have directed the execution of the panels by the sculptor Jean-François Antoine Boulanger, the latter’s brother the joiner Jean-Éienne Boulanger, and possibly the painter-gilder Jean Gilles Ramier, all of whom worked for Choiseul around the time that the room was most likely decorated. After the duke’s death, the paintings were sold at auction in 1786 but the frieze remained in place. It was removed at an unknown date and six of the panels were later part of the model collection of woodwork, paneling, and seat furniture of Maison Leys, a successful decorating business, located at the Place de la Madeleine in Paris. Since 1885, the business was directed by Georges Hoentschel who installed the collection in 1903 in a museum-like display at Boulevard Flandrin, Paris. Three of the panels are visible in Léopold Stevens’ (1866-1935) Interior of the Hoentschel Collection at 58 Boulevard Flandrin, Paris (2019.55). In 1906, Hoentschel sold the collection to J. Pierpont Morgan who gave the panels with the rest of the decorator’s seventeenth and eighteenth century objects to the Metropolitan Museum of Art the following year.
Seal
Object type: seal ring
Date: 1201 – 1400
Materials: jasper
Location: iran
De libro lux
Object type: bookplate
Date: 1902 – 1902
Materials: paper
Techniques: printing block
Location: spain
Subjects: politician, rocaille ornament, woman (showing herself) undressed, quasi-nude
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Terracotta fragment of a kylix: eye-cup  (drinking cup)
Object type: kylix fragment, eye cup
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of a palmette with a red heart; outer edge of eye
Ring with Enamel Bezel
Object type: ring
Materials: enamel, gold
Techniques: painting
Culture: byzantine
Subjects: women
Ewer
Object type: ewer
Date: 1101 – 1300
Materials: stonepaste
Techniques: glazing
Location: iran
Duces Burgundiae
Object type: print
Date: 1644 – 1650
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: maximilian i (holy roman emperor), knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Portret van Maximiliaan I van Habsburg, Rooms-Duits keizer, met een keten met het ordeteken van de Orde van het Gulden Vlies om zijn hals. Het portret is gevat in een ornamentele omlijsting van vruchten en bladranken. Midden boven toont een adelaar zijn wapenschild. Midden onder een cartouche met zijn naam en titel in het Latijn.
Vos in monnikspij (Reinaert) aan voeten van leeuw (Nobel) en leeuwin (Gentel), temidden van andere dieren
Object type: book illustration
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: fable of reynard the fox

Prent gebruikt in: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910.
Earring-hook type with disc
Object type: earring hook type with disc
Date: 7000 – 330
Materials: gold
Scholars in a landscape
Object type: relief
Date: 1701 – 1800
Materials: jade
Culture: chinese
Subjects: mountains,trees
Bakermat van gespleten wilgenteen
Object type: bakermat
Date: 1690 – 1710
Materials: plant material
Location: halle
Artist: Anonymous
Subjects: nursing-chair (dutch: 'bakermat')

Bakermat bestaande uit een ovale vloermat met een opstaande rand, die aan het voeteneinde en aan één zijde wat lager blijft. De mat is gevlochten van gespleten wilgenteen en versierd met enkele ribbels.
Knife
Object type: knife
Date: 1701 – 1900
Materials: bone, steel
Culture: philippine, sulu
Location: philippines
Botervloot
Object type: butter dish
Date: 1740 – 1765
Materials: faience
Techniques: kiln, painted, polychromy
Location: delft
Artist: Anonymous
Inscriptions: collector's mark: ‘koninklijk oudheidkundig genootschap no. 20’, inscription: ‘4’, mark: ‘VA’, inscription: ‘80’

Botervloot met opstaande oortjes veelkleurig beschilderd met een oosters landschap met gebouwen binnen cartouches.
Aangemeerde zeilboten, vermoedelijk bij een haven
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: sailing-ship, sailing-boat

Blad 15 recto uit een schetsboek met 42 bladen.
Borststuk, restant
Object type: borstlap, maagstuk, borststuk, devant de gorge, plastron
Date: 1800 – 1850
Materials: textile
Techniques: weave
Artist: Anonymous

Borststuk, restant bestaande uit stuk blauw laken met vijf knoopsgaten (delen van stiksel). Aan een zijde restanten van geel stiksel. In pakket met etiket: Rijksmuseum, Amsterdam. Nederlandse leger, mariniers. Diverse stukjes uniformstof en/of uitmonsteringslaken. Kleine motbeschadigingen.
Gezicht op Zoeterwoude, 1652
Object type: print
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: prospect of village, silhouette of village, village street, church (exterior)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 96.
Vrouw begeleidt een blinde man
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: blind, blindness
Inscriptions: collector's mark: Lugt 2228

Een jonge vrouw begeleidt een blinde oude man met stok.
Wederdopersoproer in Amsterdam en Friesland
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Subjects: battle, woman (showing herself) undressed, quasi-nude, attack ~ siege, man (showing himself) undressed, quasi-nude, amsterdam
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van de wederdopersoproer in Amsterdam en Friesland. Onder elke afbeelding een onderschrift. Gemerkt midden: E.E.
Portret van een proefpersoon tijdens elektrostimulatie: 'une femme âgée de cinquante-deux'
Object type: page
Date: 1860 – 1862
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: guillaume benjamin amand duchenne
Artist role: fotograaf, medicus
Artist dates: 1806 – 1875
Subjects: face, adult woman, physiology and anatomy ~ nervous system, neurology, physiology and anatomy, morphology of facial expression, physiognomy, experiment, test ~ science and technology, france

Ongenummerde pagina met foto 27 uit Mécanisme de la physionomie humaine ou analyse électro-physiologique de l'expression des passions (Atlas).
Commode (Secrétaire à abattant)
Object type: commode
Date: 1783 – 1783
Materials: wood, gilt bronze, lacquer, marble, velvet
Techniques: veneering
Artist: jean henri riesener
Artist role: maker
Artist nationality: french
Artist dates: 1734 – 1806

Jean-Henri Riesener created this splendid secretary and commode for Marie-Antoinette in 1783. They were commissioned for the queen’s Grand Cabinet Intérieur at Versailles, where she kept the collection of Japanese lacquer boxes she had inherited from her mother, Empress Maria Theresa (1717 – 1780) of Austria. So that their surface decoration would harmonize with that of the boxes, choice fragments of seventeenth-century Japanese lacquer were reused as veneer for these pieces of royal furniture. The shiny black and gold lacquer and lustrous ebony form a striking background for the exceptionally beautiful gilt-bronze mounts (see detail page 102). Consisting of swags and interlaced garlands of naturalistic flowers, these jewel-like mounts incorporate the queen’s initials in the frieze as well as handles shaped like rippling ribbons. Enclosed behind the fall front of the secretary, several secret drawers are hidden beneath the hinged floor of the central compartment. These small drawers, as well as a strongbox that could be locked separately, offered places to store valuables and protect personal correspondence from prying eyes. The queen undoubtedly used them, for she never believed any papers were safe at the court, according to the Austrian diplomat Florimond-Claude, comte de Mercy-Argenteau (1727 – 1794). He had reported to her mother many years earlier that the dauphine was fearful of duplicate keys and apprehensive that things would be taken from her pockets at night.[1] The history of these famous pieces of furniture is remarkably well documented. Marie-Antoinette frequently changed the decor of her private rooms, and in 1787 she had the commode and secretary sent from Versailles to her new summer palace at Saint-Cloud. Both pieces left the royal collections when they were given in lieu of payment for his services during the Revolution to Abraham Alcan, a contractor of supplies for the army of the Rhine and Moselle. During the nineteenth century, the queen's secretary and commode were part of several notable British collections. George Watson Taylor (1770 - 1841) kept them at his country house, Erlestoke Park, in Wiltshire, and later they belonged to the dukes of Hamilton. At the famous Hamilton Palace sale of 1882 the royal pieces were acquired for Mrs. William Kissam Vanderbilt (1853 - 1933 ), one of the reigning society hostesses of New York City, for her mansion on Fifth Avenue. Her daughter Consuelo Vanderbilt Balsan (1877 - 1964) remembered Marie-Antoinette's lacquer secretaire and commode standing in the white drawing room, which was hung with a set of Boucher tapestries. [2] Footnotes 1. Mercy-Argenteau 1770 . 80 .1874, vol. 1, p. 75. 2. Balsan 1952, p. 11.
WPA Relief Checks Given Out To Unemployed Miners, Scott's Run, West Virginia
Object type: photograph
Date: 1936 – 1936
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: lewis wickes hine
Artist role: fotograaf
Artist nationality: american
Artist dates: 1874 – 1940
Subjects: collected by hugh edwards, documentary
Essequibo & Demarary, koning William IV, ½ guilder, 1832
Object type: coin
Date: 1832 – 1832
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: hoofd van de koning naar rechts. Keerzijde: tussen twee samengebonden takken waarde-aanduiding: ½, waarboven kroon. Jaartal onderaan in omschrift. Gladde rand.
Philipp Quarll en Beaufidell
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: woodgathering, woodgatherer, monkeys, apes
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een kluizenaar met lang haar en baard is hout aan het verzamelen. Achter hem aan loopt een aap die eveneens een takkenbos draagt. Op de achtergrond is tussen de palmbomen een dorp met drie hutten te zien. Op het dorpsplein lopen geiten met lange rechte horens.
Studieblad, onder andere met een pijp rokende man
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: head (human), adult man, pipe ~ tobacco

Tevens een mannenkop en een studie. Pagina 110 uit een schetsboek met 58 bladen.
Caster
Object type: caster
Date: 1750 – 1770
Materials: silver
Culture: american
Location: united states
Artist: mark nelson
Artist role: maker
Artist nationality: american
Artist dates: 1733 – 1787
Amphoriskos (Container for Oil)
Object type: vessel
Date: 600 – 401
Materials: glass
Location: mediterranean region

Initially affordable only among the wealthy, glass was used in ancient Rome to create tableware and containers for oils and perfume. The word amphoriskos, Greek for “small amphora,” refers to this object’s shape, a miniature version of the two-handled vessels that contained oil or wine. In the ancient Mediterranean world, scented oils, usually olive oil based, were used rather than alcohol-based perfumes.
Portret van Jean-Baptiste Brizard in de rol van koning Lear
Object type: print
Date: 1775 – 1799
Materials: paper
Techniques: engraving
Subjects: historical persons, portrait of actor, actress, king lear
Slag bij Steenkerke, 1692
Object type: print
Date: 1692 – 1692
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: maps of separate countries or regions, battle (+ land forces)

Slag bij Steenkerke in Henegouwen waarbij het Franse leger onder de duc de Luxembourg de geallieerden onder koning Willem III versloeg, 3 augustus 1692.
Dolly en onze trouwe Hector
Object type: photograph
Date: 1895 – 1896
Materials: photographic support
Techniques: collodion silver print
Location: suriname
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: nijmegen, historical persons - bb - woman, dog
Inscriptions: inscription: ‘Dolly en onze trouwe Hector’

Portret van Dolly, de vrouw van de fotograaf, staande achter het huis aan de Gravenstraat te Paramaribo, met de hond Hector. Fotoafdruk in een fotoalbum van Théodore van Lelyveld over Suriname uit 1895-1898.
Morgen
Object type: print
Date: 1575 – 1607
Materials: paper
Techniques: engraving
Subjects: teacher and pupil, family life at home, taking care of children, morning ~ other concepts, tools, aids, implements ~ crafts and industries: scissors, personification of the morning, 'aurora'; 'aurora' (ripa), home sewing; repair of clothes
Inscriptions: collector's mark: Lugt 963, collector's mark: Lugt 1641, stamp:, inscription: ‘P. mariette 1674’

In een vertrek zit een moeder met een schaar in haar hand op een stoel. Een naaimand staat naast haar op de grond. Ze geeft een van de twee kinderen die aan haar schoot staan een boterham. Het meisje houdt de handen gevouwen in gebed. Het tweede kind heeft een boterham in de hand. Bij beiden hangt de schoollei aan de arm. Een hondje zit in vragende houding op de grond. Achter hen staat de vader met de oudste zoon aan een tafel, waarop verschillende boeken en een inktpot. Door het venster is de opkomende zon en Aurora, de zuster van de zonnegod, te zien. Onderaan een tweeregelig vers in het Latijn. Rechtsonder genummerd: 1. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in engeren zin. Volksleven. Zinnebeeldige voorstellingen uit het volkleven op serieprenten. Maanden en diversen (allegorieën).
Val van Lucifer (Satan) en de schepping van Eva
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: letterpress printing
Location: haarlem
Subjects: the fall of satan, fall of lucifer, creation of eve
Inscriptions: collector's mark: Lugt 2760

Links de val van Lucifer (Satan) en rechts de schepping van Eva uit een rib van Adam. In een kader twee regels Latijnse tekst. Eronder twee kolommen met Nederlandse tekst.
Portret van Frederik V van de Palts
Object type: print
Date: 1613 – 1637
Materials: paper
Techniques: engraving
Subjects: amberg, frederik v (keurvorst van de palts, koning van bohemen), historical persons, ruler, sovereign
Inscriptions: number: ‘64’

Met vierregelig vers in het Latijn onder het portret.
Saint Luke, from "The Four Evangelists"
Object type: print
Date: 1539 – 1539
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: animals,books,men,saints
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic
Artist: colmar painter
Artist role: artist
Strook kloskant met spiraal en gespiegelde voluten
Object type: strip
Date: 1625 – 1649
Materials: linen
Techniques: lace
Location: tonderen
Artist: Anonymous

Strook naturelkleurige kloskant: oudvlaamse kloskant. Het zich herhalende en grotendeels symmetrische patroon bestaat uit een dubbele voluut, die over de breedte-as gespiegeld is en daaronder een halfronde schulp, die gevormd wordt door een spiraal. De motieven zijn gevormd door gekloste linten, gemaakt in linnenslag met opengewerkte randjes. De spiraal wordt door een regelmatig slingerend smaller lintje omringd. Tussen de gespiegelde voluten zijn kruisjes gemaakt met vormslagen. De motieven zijn door vlechtjes met elkaar verbonden. De bovenrand is afgewerkt met een apart geklost bandje.
Gezicht op een ruïne
Object type: print
Date: 1739 – 1810
Materials: paper
Techniques: etching
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2228
Quarters of Men in Fort Sedgwick
Object type: photograph
Techniques: albumen print, photography
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards, gardner's photographic sketch book
Arcadisch landschap met musicerende en dansende herders
Object type: mural painting
Date: 1771 – 1771
Materials: canvas, oil
Location: amsterdam
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Subjects: pastorals, arcadian scenes

Wandschildering links van de schoorsteenmantel. Uit een serie van tien wandschilderingen met arcadische landschappen in de kamer aan de tuinkant op de hoofdverdieping van het huis Herengracht 524 te Amsterdam.
Le Charpentier
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: carpenter, compasses, tools, aids, implements ~ crafts and industries: drill
Inscriptions: collector's mark: Lugt 240

Deze prent is de pendant van "Le Chirurgien" (Hollstein nr. 269a) van dezelfde prentmaker.
Frederick Behaim von Schwarzbach 1491-1533, Nürnberg Councilman
Object type: checker
Date: 1530 – 1530
Materials: wood, marble
Artist: Anonymous
Artist role: artist
Gezicht op Ellen's Isle in Loch Katrine
Object type: photograph
Date: 1858 – 1863
Materials: paper
Techniques: albumen print
Location: loch katrine
Artist: thomas ogle
Artist role: fotograaf
Subjects: island
Inscriptions: inscription: ‘p. 15.’
Returning from the Races
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,dogs,horses,carriages
Portret van Jean-Frédéric Phélypeaux
Object type: print
Date: 1736 – 1736
Materials: paper
Techniques: engraving, etching
Subjects: jean-frédéric phélypeaux, official; civil servant; functionary (in general), historical persons, ranks in the navy
Inscriptions: collector's mark: Lugt 2228
Seated Hercules
Object type: statuette
Date: 1501 – 1525
Materials: bronze
Subjects: male nudes,hercules

In this adaptation of the Belvedere Torso, one of the ancient, fragmentary sculptures unearthed in fifteenth-century Rome, the artist has completed the figure and asserted a particularly German style through his vision of Hercules’s body proportions.
Russia, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1886 – 1886
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "Natives in Costume" series (N16), issued in 1886 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
[Contact sheet of four group portraits in a doorway]
Object type: photograph, contact sheet
Date: 1850 – 1850
Techniques: paper negative, salted paper print
Artist: calvert richard jones
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1802 – 1877
Subjects: girls,men,portraits,women,reading
Portlight
Object type: portlight
Date: 1832 – 1832
Materials: cardboard, copper, glass, iron, putty, wood
Location: netherlands
Artist: Anonymous
Inscriptions: label, top: ‘237’ former inventory label, inscription, on the side: ‘P’, inscription, below the glass: ‘N3’

Deze modellen MC-236 t/m 238 vormen samen waarschijnlijk de serie modellen die besteld werden op grond van het voorstel van P. Schuijt, P. Glavimans Jz. en C. Soetermeer van 1832 voor glazen patrijspoorten in een bovenhoek van de geschutpoorten van linieschepen. Hun voorstel was geïnspireerd op het voorbeeld van de Waterloo (zie NG-MC-235) en volgde op hun beoordeling van de twee lichtglazen van P. Schuijt jr. (NG-MC-238-1 en NG-MC-238-2). Het glas van NG-MC-237-1 is waarschijnlijk identiek aan dat door P. Schuijt jr. voorgesteld (NG-MC-238-2).
Reproductie van een ets van een zelfportret van Carel van Savoyen
Object type: photomechanical print
Date: 1872 – 1877
Materials: cardboard, paper
Techniques: photograph
Location: antwerp
Artist: joseph maes
Artist role: fotograaf
Artist dates: 1838 – 1908
Subjects: antwerp, amsterdam, carel van savoyen, historical persons
Inscriptions: inscription: ‘1619. - 1670?’

Deze prent maakt deel uit van een omslag met 150 prenten en een katern met een lijst van afbeeldingen.
Terracotta oil lamp
Object type: lamp
Date: 401 – 500
Materials: terracotta
Culture: roman, cypriot

Vessberg Type 18. Unpierced handle. Mold-made. Discus: cross, decorated with circles, with similar circles between the arms. Two filling holes. Shoulder: herring-bone wreath surrounded by a row of hollow circles. Concave base. One filling hole filled with concretion.
[Uncut sheet of reproductions of paintings of children]
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: boys,girls,women
Design for an Oil Lamp
Object type: drawing
Date: 1801 – 1900
Materials: gouache, graphite
Techniques: brush, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: lamps
Portret van Samuel Werenfels
Object type: print
Date: 1759 – 1815
Materials: paper
Techniques: etching
Artist: heinrich pfenninger
Artist role: print maker
Artist dates: 1749 – 1815
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portrait of a Baby
Object type: painting, miniature
Date: 1840 – 1850
Materials: ivory, watercolor
Culture: american
Subjects: infants,portraits
Card Number 38, Olga Brandon, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.