deem-data/ArtiFact huggingface dataset:
Dish
Object type: dish
Date: 1576 – 1600
Materials: earthenware
Techniques: luster painting, glazing
Subjects: birds

Tin-glazed earthenware, of which lusterware is one type, was developed in the Middle East in the ninth and tenth centuries to imitate the porcelains produced in China. The opaque white glaze concealed the clay body, which could range from pale buff to brick red, allowing for brilliant effects created by painting the white surface with metal oxides that fired to a range of colors. This technique, as well as the use of metallic luster—an iridescent, coppery painted glaze—spread throughout the Muslim world, arriving among the potters of Valencia in the thirteenth century. The so-called Hispano-Moresque lusterware, with its fusion of Islamic and Gothic styles and motifs, often in shaped imitating those of metal vessels, was treasured by the elite in Spain during the fifteenth century and exported to the courts of Europe. The Valencian industry declined in the late sixteenth century, as colorful Italian Renaissance maiolica gained in popularity among the fashionable and as Spanish centers were founded to produce versions of its pictorial forms. Adding to this decline was the expulsion from Valencia in 1609 of all the remaining Moriscos (Muslims converted to Christianity), though Christian potters reestablished the industry shortly thereafter.
Limestone statue of a beardless male votary with a wreath of leaves
Object type: statue of a youth
Date: 550 – 525
Materials: limestone
Culture: cypriot
Subjects: men,wreaths

Male figure with long hair, frontlet of leaves and a branch with leaves in right hand.
Beeld van het Paard van Marly aan de voet van de Champs-Elysées
Object type: sketchbook leaf
Date: 1877 – 1932
Materials: pencil
Location: paris
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: obelisk, needle, monument, statue, horse
Inscriptions: kleurnotitie, handgeschreven

Het beeld werd gemaakt door Guillaume I Coustou in 1739-45, in opdracht van Louis XIV en was oorspronkelijk (met pendanten) bedoeld voor Château de Marly. In 1749 werd het beeld verplaatst naar de voet van de Champs-Elysées.
Gezicht op Hungerford Bridge, te Londen
Object type: print
Date: 1841 – 1885
Materials: paper
Techniques: etching
Location: london
Subjects: suspension bridge
Portret van een vrouw
Object type: photograph
Date: 1894 – 1895
Materials: cardboard, photographic support
Techniques: collodion silver print
Subjects: adult woman, historical persons
Ko-Kli-Koh
Object type: popular print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Artist: albert quantin
Artist role: printer, publisher
Artist dates: 1850 – 1933
Subjects: chinese, coward, tales and fairy tales, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 7 voorstellingen van de Chinese lafaard Ko-Kli-Ko. Onder elke voorstelling een onderschrift. Genummerd linksboven: Série 7. - No. 7.
Ornamentaal ontwerp met namen van Van Stolk's Commissiehandel
Object type: design
Date: 1874 – 1945
Materials: paper, pencil
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: advertising, names of organizations, companies, trade unions, etc.
Henricus I. Lusitanorum Rex XVII
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: historical persons, king

Portret afkomstig van een grote prent, getiteld 'Series potentissimorum Regum Lusitaniae iconobus illustrata (...)', bestaande uit meerdere bladen die samengevoegd konden worden, uitgegeven door Giovanni Giacomo de' Rossi in 1708.
Case (Inrō) with Design of Crowded Ferry Boat on Waves
Object type: inrō
Date: 1701 – 1733
Materials: gold, lacquer
Techniques: fundame, roiro
Culture: japanese
Subjects: waves,crowd,boats
Numazu: Shinra Saburo (Minamoto no Yoshimitsu), section of sheet no. 3 from the series "Cutouts of the Fifty-three Stations (Gojusan tsugi harimaze)"
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Upper right corner of a marble sarcophagus: head of a Black African and a maenad
Object type: sarcophagus fragment
Date: 201 – 225
Materials: marble
Culture: roman
Subjects: heads,maenads,sarcophagus
Death of Ananias
Object type: reproduction
Date: 1880 – 1885
Materials: paper
Techniques: woodburytype
Artist: charles thurston thompson
Artist role: fotograaf
Artist dates: 1816 – 1868
Subjects: ananias, rebuked by peter, falls down and dies between his gifts

Deze prent maakt deel uit van omslag met 9 bladen.
Underriver–The Golden Valley
Object type: drawing
Date: 1833 – 1833
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: john linnell (ii)
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1882
Subjects: hills,landscapes,trees

While working as a successful portraitist, Linnell produced evocative landscapes for his own pleasure. Between 1825 and 1835 he was close to "The Ancients," a visionary group led by Samuel Palmer—Linnell’s protégé and later his son-in-law. The two often sketched together, and the present work was likely made during a summer visit to Palmer’s home at Shoreham in Kent. Setting aside his typically careful draftsmanship, Linnell adopted Palmer’s flamboyant cursive pen-and-ink style to evoke the rolling fields and hedgerows of the Weald of Kent. Cottage roofs that peek through trees at the base of the foreground hill belong to the village of Underriver. Striking shifts of scale and expressive penwork convey an almost pantheistic response to the English countryside.
Assignaat van 10 livres, 1792
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: blind stamped
Location: france
Subjects: bank-note
Inscriptions: collector's mark: Lugt 2228

Assignaat van 10 livres. In omloop gebracht door de Domaines nationaux, serie 15641, volgens de wet van 24 oktober 1792.
A Bush of Hydrangea in Flower
Object type: photograph
Date: 1842 – 1842
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: flowers
Scaramouche
Object type: figure
Date: 1752 – 1752
Materials: hard paste porcelain
Artist: höchst manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1746 – 1796
Subjects: men
De provincie Utrecht. 159928 inwoners
Object type: popular print
Date: 1850 – 1881
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: leiden
Subjects: maps, atlases, utrecht
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen over de provincie Utrecht met een kaart en belangrijke gebouwen: de Domtoren in Utrecht, de Onze-Lieve-Vrouwetoren in Amersfoort en Slot Zeist te Zeist. Boven elke voorstelling een titel en onder elke voorstelling een onderschrift. Genummerd rechtsboven: No. 8.
Façade latérale
Object type: photograph
Date: 1874 – 1884
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: railway, train, façade (of house or building)
Kaart van de Franse zuidkust bij Toulon, 1726
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maps of separate countries or regions, france

Kaart van de Franse zuidkust bij Toulon. Plaat nr. 140 in deel VI van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne uit 1726, dit eerste deel met 238 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Opschriften in het Frans.
Mexico, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1886 – 1886
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "Natives in Costume" series (N16), issued in 1886 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Gezicht op een explosie in een oliebron van Minot & Minot, Tulsa
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: tulsa
Artist: Anonymous
Subjects: oil; oil refinery, projectiles, explosives, etc.
Inscriptions: inscription: ‘AFTER THE SHOT / MINOT & MINOT’, stamp: ‘COMPLIMENTS OF / MINOT & MINOT / Oil Producers / TULSA, OKLA.’
Seated Multi-Armed Tara (The Buddhist Savioress)
Object type: figurine
Date: 801 – 900
Materials: bronze
Culture: indian
Subjects: buddhism,deities
Amphoriskos (Container for Oil)
Object type: vessel
Date: 367 – 268
Materials: glass
Techniques: forming
Culture: italian
Location: eastern mediterranean region
De vier tijden van de dag
Object type: print
Date: 1702 – 1726
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: baby-chair, feeding a baby, midday meal, lunch, afternoon
Inscriptions: collector's mark: Lugt 2228

In een Hollands interieur zit een gezin aan een gedekte tafel waarop een schaal met vissen, brood, borden en glazen. Een dienstmeid schenkt een glas in. De ouders zitten, een kind staat aan tafel. Een peuter zit in een kinderstoel en wordt gevoerd. Een hondje zit op. Met een onderschrift van vier regels in het Nederlands. Tweede prent uit de serie: de vier tijden van de dag.
Titelpagina voor de Europische Mercurius van 1748
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: symbols, allegories of peace, 'pax'; 'pace' (ripa)
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor het Nederlandsch Gedenkboek of Europische Mercurius, over het jaar 1748. Mercurius ziet zittend toe hoe Nederland en Engeland het standbeeld van de Vrede weer op haar sokkel zetten.
Looking out of Bass Cove, No. 238 from the series "In and About the Dells of the Wisconsin River"
Object type: photograph
Date: 1870 – 1908
Techniques: albumen print
Location: wisconsin
Artist: henry hamilton bennett
Artist role: artist
Artist nationality: american, born canada
Artist dates: 1843 – 1908
Vijgen- en olijvenboom te Roccantica
Object type: album leaf
Date: 1788 – 1839
Materials: paper, pencil
Techniques: pasting
Artist: hendrik voogd
Artist role: draughtsman, painter, print maker
Artist dates: 1768 – 1839
Subjects: trees: fig-tree, trees: olive-tree, roccantica
Inscriptions: inscription: ‘Rocc'antica’, inscription: ‘de vygenboom schoon groen en de olijven zwartachtig’
Herder en rund
Object type: print
Date: 1728 – 1761
Materials: paper
Techniques: etching
Location: the hague
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
Clement XI (Pope 1700–21)
Object type: medal
Date: 1701 – 1800
Materials: bronze, patina
Artist: ottone hamerani
Artist role: artist
Artist dates: 1694 – 1768
Subjects: profiles,popes
Onderboezem
Object type: ornament print
Materials: paper
Techniques: etching
Artist: daniël marot (i)
Artist role: draughtsman, print maker
Artist dates: 1661 – 1752

De schoorsteenboezem bestaat uit twee lange consoles met daarboven een spiegel en een etagère met Chinese vazen en kannen. Uit serie van 6 bladen.
Franciscus Guilielmus, (...) primarius etc
Object type: print
Date: 1824 – 1827
Materials: paper
Techniques: tone lithography
Location: munster
Artist: christian espagne
Artist role: print maker, printer
Artist dates: 1794 – 1838
Subjects: priest, adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2233

Prent uit: Bildnisse der beim westfälischen Friedensschluß zu Münster und Osnabrück versammelt gewesenen Gesandten. Münster: Christian Espagne, [1824-1827]. Deze publicatie bevat een onbekend aantal lithografieën, die in afleveringen verschenen als illustratie bij de tekst.
Portret van Jozef Klemens, keurvorst en aartsbisschop van Keulen
Object type: print
Date: 1688 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: priest, archbishop, bishop, etc. (roman catholic), historical persons, ruler, sovereign
Glass bowl
Object type: footed bowl
Date: 201 – 400
Materials: glass
Culture: roman

Translucent blue green. Outsplayed rim with thickened, rounded lip; bell-shaped body with short side tapering slightly downwards, then turned in sharply to integral, thick, tubular splayed pedestal base; small slightly convex bottom with pontil scar. At junction of rim and body, horizontal slender bulge or trail. Intact; many pinprick bubbles; pitting and iridescent weathering on exterior, thick creamy brown weathering on most of interior.
Self-Portrait
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: drypoint, engraving, etching, printing
Location: france
Artist: jean-jacques de boissieu
Artist nationality: french
Artist dates: 1736 – 1810

Though he was born in Lyons, France, de Boissieu always felt an affinity for Flemish and Dutch art. He made paintings and drawings, but he is best known for his vast corpus of etchings, in which his ability with portraiture and scenes of daily life distinguishes his work. In this self-portrait, he holds a profile portrait of his wife, Anne de la Roch, before tools of his trade and a classical bust of one of the sons in the ancient sculpture of the Laöcoon.
Panel
Object type: panel
Date: 1765 – 1765
Materials: silk
Subjects: flowers,leaves
Soldaat die zijn lont op de haan van zijn musket drukt (nr. 8), ca. 1600
Object type: print
Date: 1597 – 1608
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die een musket (een bepaald type vuurwapen) met zijn linkerhand vasthoudt (nr. 8), ca. 1600. Met zijn rechterhand drukt hij een brandende lont op de haan (onderdeel van het ontstekingsmechanisme) van zijn musket. Plaat 8 in de instructies voor het hanteren van het musket: Brief enseignement, sur les pourtraitz figurez, touchant le droit maniement du Mousquet. Onderdeel van de illustraties in een Franse editie van J. de Gheyns Wapenhandelinghe: J. de Gheyn, Maniement d'armes, d'arquebuses, mousquetz et piques : en conformité de l'ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. Krijgswezen rond 1600.
Gezicht op de weg naar het keizerlijk paleis te Peking, China
Object type: stereoscopic photograph
Date: 1864 – 1864
Materials: glass
Techniques: slide
Location: beijing
Subjects: city-view in general; 'veduta', public road
Inscriptions: number: ‘1719’
Aan de vecht
Object type: photomechanical print
Materials: paper
Techniques: rotogravure
Location: leiden
Artist: bernard eilers
Artist role: fotograaf
Artist dates: 1878 – 1951
Subjects: rural housing, e.g. country-house, villa, cottage, canals, waters (in village), rowing-boat, canoe, etc., vecht

Deze prent maakt deel uit van een album.
Numismata virorum illustrium ex Barbadica gente
Object type: album leaf
Date: 1673 – 1743
Materials: paper
Techniques: engraving
Location: rome
Subjects: cosimo iii de' medici, coat of arms (as symbol of the state, etc.), crown (symbol of sovereignty), insignia of bishop, e.g. mitre, crozier, medal (considered as a piece of sculpture, regardless of its specific function)
Inscriptions: collector's mark: Lugt 2228

Voetstuk in de vorm van een cartouche. Daarop een medaillon met op de voorkant het portret van Gregorio Barbarigo. Hij draagt een mijter op zijn hoofd. Op de achterkant wordt Gregorio geïnstalleerd als grootmeester in de heilige en militaire orde van Sint-Stefanus door Cosimo III de' Medici. Het voetstuk wordt geflankeerd door een man in toga met het wapen van de' Medici en een geharnaste man met het wapen van de orde van Sint-Stefanus. De vrouw in het midden draagt een hermelijnen mantel en een kroon. Ze heeft een helm en scepter in haar handen en houdt een kroon met Franse lelie naast het hoofd van de' Medici. De prent maakt deel uit van een album.
Plate 5: Neptune standing in a niche holding a trident, with a hippocampus (sea-horse) behind him, from "Mythological Gods and Goddesses"
Object type: print
Date: 1526 – 1526
Techniques: engraving
Artist: giovanni jacopo caraglio
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1565
Subjects: neptune,seahorses,hippocamps
Majolica Italienne, un plat
Object type: page
Date: 1859 – 1864
Materials: paper
Techniques: chromolithography
Location: paris
Subjects: (story of) appius claudius caecus
Inscriptions: name: ‘Phot. col. A. Noël,./ Levié lith’
[Duchesse d'Albe, Unknown Sitter, Duchesse de Morny, and Duc de Morny]
Object type: carte de visite
Date: 1865 – 1865
Materials: glass
Techniques: albumen silver print
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: children,men,portraits,women
Gezicht op het fort van Mont-Valérien in Suresnes
Object type: page
Date: 1871 – 1872
Materials: photographic support
Techniques: albumen print
Location: suresnes
Artist: alphonse-justin liébert
Artist role: fotograaf, marinier
Artist dates: 1827 – 1914
Subjects: fortress
Inscriptions: address: ‘31, Rue St. Lazare’, number: ‘(No. 72)’
Zittend mannelijk naakt, op de rug gezien (1e prijs 1785)
Object type: drawing
Date: 1785 – 1785
Materials: chalk, charcoal, paper
Artist: jan bulthuis
Artist role: draughtsman, print maker
Artist dates: 1750 – 1801
Subjects: sitting figure (+ nude human being)
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic
Subjects: lions

Exterior, lion to left, looking back; part of a vine
Planten
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: aquatint, drypoint, engraving, etching
Location: france
Artist: eugène bléry
Artist role: print maker
Artist dates: 1805 – 1887
Subjects: plants (in general)
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760
Donald McKay
Object type: photograph
Date: 1850 – 1855
Techniques: daguerreotype
Artist: southworth and hawes
Artist role: photography studio
Artist nationality: american
Artist dates: 1843 – 1863
Subjects: men,portraits

This first photographic process invented by Louis Daguerre (1787-1851) spread rapidly around the world after its presentation to the public in Paris in 1839. Exposed in a camera obscura and developed in mercury vapors, each highly polished silvered copper plate is a unique photograph that, viewed in proper light, exhibits extraordinary detail and three-dimensionality. The Boston partnership of Southworth and Hawes produced the finest portrait daguerreotypes in America for leading political, intellectual, and artistic figures. They also catered to a wealthy local clientele including the shipbuilder Donald McKay (1810-1880). A native of Nova Scotia, McKay learned the business in New York before settling in Boston and establishing his own shipyard. An imposing and slightly intimidating subject, McKay wears the elegant expensive attire of a gentleman with a thriving business. In addition to making this portrait, Southworth and Hawes made views of McKay's shipyard and several of the vessels constructed there, including the famed Champion of the Seas. At the time of its launch in 1854, it was the largest sailing vessel in the world and, for a time, it is said to have been the home of this striking portrait.
Portret van Childerik II, koning van Austrasië
Object type: print
Date: 1588 – 1588
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: crown (symbol of sovereignty), sceptre, staff (symbol of sovereignty), historical persons, king

Prent voor het eerst gebruikt in: Cronica Breve de i fatti illustri de're di Francia, con le loro effigie dal naturale cominciando da Faramondo (...). Venetië: Bernardo Giunti, 1588. Prent in ieder geval ook gebruikt in de editie van 1590 en mogelijk ook in een Franse uitgave van 1597.
Wolken
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: clouds

Blad 25 verso uit een schetsboek met 27 bladen.
Bodyguard, from the Occupations for Women series (N166) for Old Judge and Dogs Head Cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: women

The "Occupations for Women" series of trading cards (N166) was issued by Goodwin & Company in 1887 to promote Old Judge and Dogs Head Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series, as well as three duplicate cards.
The Draped Figure, Seated
Object type: print
Date: 1893 – 1893
Materials: ink, paper
Techniques: printing, stumping, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: women
Patience, from "Virtues and Vices"
Object type: print
Date: 1549 – 1549
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: women,lambs
Gezicht op de Grote Markt van 's-Hertogenbosch
Object type: print
Date: 1830 – 1880
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: townhall, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Ingang stadsgracht, 19e eeuw (Hasselt)
Object type: photomechanical print
Date: 1958 – 2021
Materials: cardboard
Techniques: autotype
Location: hasselt
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, canal, bridge
Battle of Sedan, Germany, from the Holidays series (N80) for Duke brand cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920

Trade cards from the "Holidays" series (N88), issued in a set of 50 cards in 1890 to promote W. Duke Sons & Co. brand cigarettes. The series depicts citizens from various countries in traditional dress celebrating local holidays. Each card verso contains the title of the series, a description of the particular holiday and its history, as well as an ad for W. Duke, Sons & Co. Tobacco producers Goodwin & Co. also published this series with brand advertising for Old Judge and Dog's Head Cigarettes.
Shoe Reliquary
Object type: reliquary
Date: 1350 – 1400
Materials: iron, leather
Culture: french or swiss
Subjects: shoes,women,dragons,saints

Scenes of the life of Saint Margaret decorate this case, which was probably intended to hold a foot-shaped reliquary of precious material. Near the lock plate, the saint bursts free from the body of a dragon that had swallowed her. Because she overcame the ordeal unharmed, women suffering the pains of childbirth turned to Saint Margaret in prayer; it has been suggested that the loop at the back of this case would have allowed the reliquary to be suspended over an expectant woman’s bed.
Sanjo-bridge, at Kioto
Object type: photomechanical print
Date: 1895 – 1905
Materials: paper
Techniques: photograph
Location: kyoto
Artist: kōzaburō tamamura
Artist role: fotograaf
Artist dates: 1856 – 1923
Subjects: hand-cart, bridge in city across river, canal, etc.
Else en Willy Moos
Object type: photograph
Date: 1913 – 1913
Materials: paper, photographic support
Techniques: gelatin silver print
Location: germany
Subjects: else wachenheimer-moos, willy moos, historical persons - bb - woman, historical persons, germany
Inscriptions: inscription: ‘In unserer Kinderzeit auf dem Sofa-...’

Albumblad met een foto van Else en Willy Moos, uit hun kindertijd, voor zijn vertrekt naar China. Onderdeel van het fotoalbum van Else Wachenheimer-Moos en haar broers Arthur en Willy Moos en anderen in de periode 1913-1918.