deem-data/ArtiFact huggingface dataset:
"Burzuya's Mission" Folio 5v, 6r from a Kalila Wa Dimna of Bidpai
Object type: folio from an illustrated manuscript
Date: 1526 – 1550
Materials: ink, paper, watercolor
Location: india
Subjects: soldiers,horses

This manuscript contains seventy-eight paintings and many text folios telling the famous tales of the jackals Kalila and Dimna. Based on the book of ancient Indian animal fables, the Panchatantra written by Vidyapati (Bidpai), the stories spread all over the Middle East where they became wildly popular. This manuscript has a strong flavor of Mamluk Egypt in the figure styles and bold drawings, with hints of Ottoman tulips and Safavid turbans. However, the burnt orange palette and darkly-inked lines have led to an attribution to Sultanate Gujarat where it is suggested this manuscript was copied from an Egyptian original. Its life in India is also attested by a Devanagari inscription at the end, although the rest of the Arabic text is written in a strong, left-leaning naskh-like script.
Laatste ogenblikken van Lamoraal van Egmond in zijn cel
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: brussels, earl, spiritual support (during last hours before execution)
Inscriptions: collector's mark: Lugt 2228

De laatste ogenblikken van de graaf van Egmond vóór zijn terechtstelling op 5 juni 1568. Egmond staand bij een venster, achter hem zit een priester bij een tafel met kruisbeeld. Premieplaat bij Kunstkronijk 1851.
Ontwerp voor het beslag van een boekband, met het monogram IS
Object type: design drawing
Date: 1700 – 1700
Materials: chalk, paper
Location: paris
Artist: Anonymous
Inscriptions: watermark, number: ‘No. 95’

Het linker bovenste kwart van de band is in rood krijt getekend, het rechter kwart is verkregen door daar een contre-épreuve van te nemen, en de onderste helft is vervolgens verkregen als contre-épreuve van de bovenste.
Tetradrachm (Coin) Portraying Alexander the Great
Object type: coin
Materials: metal, silver
Culture: greek or roman
Location: roman empire

Following the premature death of Alexander the Great in 323 BCE, his generals, friends, and heirs engaged in forty years of wars over his empire. Lysimachus (reigned 323–281 BCE), one of Alexander’s companions and bodyguards, used the king’s image on his own coins in order to cast himself in the role of successor and legitimize his claim to the kingdom of Thrace. Alexander, responsible for establishing the conventions of royal portraiture, is depicted in his preferred manner: youthful and clean-shaven, with long locks of hair rising above his forehead and eyes cast upward. Additionally, he is shown with horns curling around his ears. These “horns of Ammon” symbolize Alexander’s claim that he was the son of the Egyptian god Ammon—a claim reportedly confirmed by the oracle at the sanctuary of Zeus-Ammon at Siwa, Egypt.

On the reverse of the coin, Lysimachus exerts his own royal autonomy by naming himself “king.” The goddesses Athena and Nike (Greek for “victory”) crown his name with laurels, which symbolized victory or honor. The lion on the shield at Athena’s side references Lysimachus’s famous exploit of killing a lion with his bare hands and reinforces his association with Alexander, who used the skin of the Nemean lion as a symbol of power and courage.
Onderkomen en pantservoertuig
Object type: album leaf
Date: 1948 – 1949
Materials: paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: modern forms of military vehicles, street, dutch east indies, the

Albumblad met vijf foto's met diverse onderwerpen: voorbijgangers op straat, een pantservoertuig en gebouwen. Onderdeel van het fotoalbum 'Ter herinnering aan mijn diensttijd overzee' 1948-1949.
Money box
Object type: money box
Date: 1701 – 1800
Materials: earthenware
Techniques: glazing
Subjects: dogs
Fotoreproductie van een schilderij, voorstellende een samenkomst van de Griekse goden
Object type: page
Date: 1850 – 1858
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: assembly of the gods ~ aeneas' return to the battle of latium
After accepting a glass of sweet water, the illustrious orator descends from the platform, from "Scenes from the Private and Public Life of Animals"
Object type: print
Date: 1837 – 1847
Techniques: engraving
Artist: j. j. grandville
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1847
Watch
Object type: metalwork
Materials: brass, enamel
Location: amsterdam
Artist: jean baptiste daniel dupuis
Ornamentontwerpen op blokken
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: ornaments ~ art
Bracelet (bangle)
Object type: bracelet bangle
Date: 332 – 330
Materials: gold
Location: egypt
Inauguration de la statue equestre de Louis XV
Object type: print
Date: 1766 – 1766
Techniques: etching
Artist: gabriel de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1724 – 1780
Subjects: men,women,horses
Lint van crèmekleurig gaas van 9 meter
Object type: ribbon material
Date: 1900 – 1915
Materials: textile, silk
Location: nijmegen
El Capitan in Clouds. Yosemite Valley. Cal.
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: isaiah west taber
Artist role: fotograaf
Artist dates: 1830 – 1912
Subjects: rock-formations
Inscriptions: negative number: ‘3964’
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, ten kylix fragments with part of line border of tondo
Flounce
Object type: flounce
Date: 1601 – 1700
Techniques: lace
Artist: bartolomeo danieli
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1643

This needle lace flounce is in the style of Bartolomeo Danieli, whose lace pattern books were published during the first half of the seventeenth century. The lace displays an extremely high level of technical expertise. Typical of the period is the repeating pattern of vases with symmetrical, stylized floral forms and scrolling stems. The design was emphasized by the use of a thicker thread to create a slightly raised outline around the vases and stems. This piece was most likely the production of a professional or a convent workshop, as evidenced by the high quality of craftsmanship, in addition to the presence of a coat of arms, which indicates a commissioned work. The arms are those of the Pallavicini family.
Gezicht op de Sint-Lievensmonstertoren te Zierikzee
Object type: print
Date: 1927 – 1927
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: eugène lücker
Artist role: print maker
Artist dates: 1876 – 1943
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Premie der Vereeniging tot Bevordering van den aankoop van kunstwerken vervaardigd door leden van de vereeniging "Sint Lucas" 1927’
Rapier
Object type: rapier
Date: 1701 – 1800
Materials: silver, steel, wood
Culture: spanish
Location: germany
Artist: arnolt windhvfel
Artist role: bladesmith
Artist nationality: german

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Macédoine
Object type: cartoon
Date: 1840 – 1840
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Artist: henri daniel plattel
Artist role: print maker
Artist dates: 1803 – 1859
Subjects: adult woman, adult man, crying, shouting
Inscriptions: collector's mark: Lugt 2228

Onderschrift: Je vous dis que ma porte en est abimée! (...).
Elsie Dean as Violetta in Cinderella, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products
Object type: photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actresses and Celebrities" series (N60), issued in 1887 to promote Little Beauties Cigarettes distributed by Allen & Ginter. There are two types of cards in the set. Type 1 cards have the brand name printed on front and Type 2 cards do not.
Drie vrouwen, gekleed volgens de mode in Neurenberg van ca. 1580
Object type: costume print
Materials: paper
Techniques: engraving
Artist: bartolomeo grassi
Artist role: publisher
Subjects: coat (+ fur used for clothes), coat (+ women's clothes), cape (+ women's clothes), styles of hairdress (with name) - aa - ~ women, clothing for the upper part of the body (cape) (+ women's clothes), europeans: germans (+ costume), germany
Inscriptions: number: ‘37’

De middelste vrouw, met lange vlechten, op de rug gezien. Prent uit album 'Dei veri ritratti degl'habiti di tvtte le parti del mondo intagliati in rame per opra di Bartolomeo Grassi', 1585.
Portret van Antoine de Paule
Object type: print
Date: 1643 – 1659
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, military orders, e.g.: knights templars, knights of malta, teutonic knights ~ roman catholic church

Prent mogelijk uit: Baudoin, Jean. Histoire des chevaliers de l'ordre de s. Jean de Hierusalem (...). Parijs: Jacques Dallin, 1643. Of uit: Baudoin, Jean. Histoire des chevaliers de l'ordre de s. Jean de Hierusalem (...). Parijs: Thomas Jolly, 1659.
Churui gafu
Object type: book
Date: 1892 – 1892
Materials: paper
Techniques: woodcut
Location: tokyo
Subjects: flowers
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2166
The Bells of Saint Stephens
Object type: drawing and watercolor
Materials: graphite, ink, paint, paper, watercolor
Techniques: pen
Location: england
Artist: john leech
Artist role: artist
Artist nationality: british
Artist dates: 1817 – 1864
The Inner Facade of the Gateway of the East Gopuram
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: linnaeus tripe
Artist role: artist
Artist nationality: british
Artist dates: 1822 – 1902
Subjects: architecture,buildings
Key
Object type: key
Date: 1710 – 1750
Materials: iron
Earring with pyramid of balls
Object type: earring with pyramid of ball
Date: 7000 – 330
Materials: gold
Covered box with figures in a garden
Object type: box
Date: 1426 – 1435
Materials: lacquer
Techniques: carving
Culture: chinese

This circular box is a classic example of carved red lacquer from the early Ming imperial workshop. Intricate diaper patterns differentiate the sky, water, and terrace, and the meticulous carving and elegant design are hallmarks of the finest quality carved lacquers from this period. A garden scene framed by a foreground rockery is seen on the cover, where a scholar seated by an elegant hall looks out over a pond of blossoming lotus while his youthful attendant prepares tea. The scene recalls the famous Song-dynasty scholar and legendary lotus-lover Zhou Dunyi (1017–1073).
Seated Boy
Object type: drawing
Date: 1535 – 1592
Materials: chalk, ink, paper
Techniques: highlighting, pen, wash
Artist: girolamo macchietti
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1592
Subjects: boys
Button
Object type: button
Date: 1780 – 1890
Materials: metal
Culture: european
Subjects: cows,ships
Drapery Study for "Castor and Pollux Freeing Helen"
Object type: drawing
Date: 1817 – 1817
Materials: chalk, crayon, paper
Techniques: stumping
Artist: joseph-ferdinand lancrenon
Artist role: artist
Artist nationality: french
Artist dates: 1794 – 1874
Subjects: male nudes,helen

This sheet is a study for Castor and Pollux Freeing Helen, the assigned subject for the 1817 Prix de Rome competition, in which Lancrenon placed third. While the final painting’s location is unknown, this preparatory drawing focuses on the drapery of Helen. The nude male figure escorting her is outlined to her right. Lancrenon’s study echoes a practice promulgated in Jacques Louis David’s (French, 1748–1825) studio that encouraged studies of figures, nude and clothed, followed by sketches of heads. Here, the adept draftsman delineates Helen’s svelte form through long strokes of black chalk and subtle modeling with white—a style indebted to that of his teacher, Anne Louis Girodet-Trioson (French, 1767–1824).
Knielende Venus met Cupido
Object type: print
Date: 1506 – 1538
Materials: paper
Techniques: engraving
Location: germany
Artist: albrecht altdorfer
Artist role: draughtsman, print maker
Artist dates: 1480 – 1538
Subjects: venus and cupid (cupid not being mere attribute)
Inscriptions: number: ‘17’

Venus, van de zijkant gezien, geknield en leunend tegen een piëdestal waarop Cupido staat.
Boats off the coast, storm approaching
Object type: drawing
Date: 1830 – 1830
Materials: gouache, graphite, gum arabic, watercolor
Artist: john sell cotman
Artist role: artist
Artist nationality: british
Artist dates: 1782 – 1842
Subjects: seascapes,waves,storms,boats

As he approached fifty, Cotman abandoned oil painting after a number of his works failed to sell and instead refocused his ambitions on watercolor. This luminous seascape demonstrates his mature mastery of the medium. The fishing boat threatened by a storm may allude to the artist’s personal struggles, but more obviously it pays tribute to J. M. W. Turner’s famous painting Dutch Boats in a Gale (1801; National Gallery, London), as both works are centered on a sharply canted, golden-sailed fishing boat, distant warship, and looming clouds. More generally, Cotman is declaring his admiration for seventeenth-century Dutch seascapes while also demonstrating how watercolors can effectively convey effects of light and weather. To produce the milky, foam-topped waves, for example, he experimented with mixing flour paste into his washes.
Ecce Homo
Object type: drawing
Date: 1500 – 1599
Materials: ink, paper
Techniques: brush, pen, wash
Artist: anonymous, french
Artist role: artist
Artist nationality: french
Artist dates: 1400 – 2050
Subjects: christ,crowd
Portret van Joseph Ignaz von Beroldingen
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons
Inscriptions: inscription: ‘geb. zum Ellwangen 1780 [...]’, collector's mark: Lugt 2228
Terracotta lekythos (oil flask)
Object type: lekythos
Date: 480 – 480
Materials: terracotta
Culture: greek, attic
Artist: bowdoin painter
Artist role: artist
Subjects: dionysus,satyrs,goats

Dionysos (god of wine) with a satyr and goat The decoration on the body is executed in a combination of black silhouette and outline drawing on a white ground. Such works, known as semioutline lekythoi, are associated with the workshops of two closely related artists, the Bowdoin Painter and the Athena Painter. The technique represents a modification of black-figure at a time when red-figure was gaining popularity.
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 36 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament

Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. From top to bottom, and left to right: Design composed of 3 horizontal registers. Top register is decorated with a floral pattern comprised of various shapes like triangles, ovals, circles, diamonds, etc. Middle register is decorated with an alternatining pattern of diamonds containg a 4-petaled flower followed by a profile of a Roman Emperor (?), resembling a medallion.
Covered Sugar Bowl
Object type: sugar bowl
Date: 1849 – 1858
Materials: earthenware
Culture: american
Location: united states
Artist: united states pottery company
Artist role: maker
Artist nationality: american
Artist dates: 1852 – 1852
Portret van N.N. Niehr
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2233
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left
Object type: print
Date: 1756 – 1756
Techniques: engraving, etching
Artist: bartolomeo crivellari
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Fantasiemonument voor de Heilige Sacramentskapel in Brussel
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: engraving, etching
Location: brussels
Artist: jan lauwryn krafft (i)
Artist role: print maker
Artist dates: 1694 – 1785
Subjects: monument, statue
Inscriptions: collector's mark: Lugt 2228

Fantasiemonument in barokstijl voor de Heilige Sacramentskapel ter ere van het mirakel van Brussel. Het altaar bestaat uit drie verdiepingen, met beelden van diverse heiligen, twee wierookvaten en vele vaandels.
Terracotta bowl
Object type: bowl
Date: 2500 – 1600
Materials: terracotta
Culture: cypriot

Bowl with handle and two spouts. Red Polished Ware vessels, such as this bowl, made their appearance at the very beginning of the Early Cypriot I period, having been introduced by immigrants from Anatolia who settled on the island soon after the middle of the third millennium B.C. The surface was covered with a red slip, which was then burnished to render a lustrous appearance. The small rosettes and incisions on the handle, filled with lime after firing, lend a striking contrast to the red background of the vase. Cypriot Red Polished Ware has long been known from finds in tombs throughout the island, and has recently appeared at settlement sites as well. The shapes and decorations on vessels, like this double-spouted bowl, highlight the creative spirit of the Cypriot potter, showing the artist's sense of elegance and geometric symmetry.
Cape
Object type: cape
Date: 1890 – 1899
Materials: wool
Culture: american
Vouwwaaier met felroze struisveren op een montuur van onversierd van kunststof met schildpadmotief
Object type: vouwwaaier
Date: 1900 – 1925
Materials: plastic
Techniques: painting, pressing
Location: paris
Inscriptions: company name: ‘Duvelleroy Paris’

Vouwwaaier met felroze struisveren op een montuur van 10 aaneengesloten benen van onversierd van kunststof met schildpadmotief.
Vase with pheasants and horses in landscapes
Object type: vase
Date: 1575 – 1599
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Vaas van porselein met een naar boven toe uitlopend lichaam, ronde schouder en een smalle, spreidende nek met een opstaande rand, beschilderd in onderglazuur blauw. De buik is verdeeld in twee delen. Het bovenste deel met twee fazanten - één vliegend, de ander op een rots - in een landschap met bloeiende planten (pioen, prunus) en wolken. Aan de onderkant twee paarden omgeven door vlammen, rennend boven kolkende golven en rotsen. Op de schouder drie vakken met een swastikapatroon onderbroken door een cartouche met perziktakken; de vakken zijn gescheiden door een ruyi-motief. Op de nek een band met puntige bladmotieven. Een barst in de rand en één in de buik. Ming porselein in blauw-wit.
Sampler
Object type: sampler
Date: 1845 – 1845
Materials: canvas, silk, wool
Portret van taxichauffeur Ray Rockwood
Object type: photograph
Date: 1924 – 1924
Materials: paper
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Subjects: adult man, historical persons
Inscriptions: number: ‘17 1242’, inscription: ‘Photographer Unknown, American/ Ray Rockwood 1924/ <BR />Yellow Cab Driver/ Vintage Silver Gelatine Print c1924/ £ 200’, inscription: ‘Ray Rockwood/ 1309 Payne/ Yellow Cab Driver’, inscription: ‘(Husband of Flozari Rockwood) Died’
Studies
Object type: sketchbook leaf
Date: 1874 – 1945
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945

Blad 28 verso uit een schetsboek met 41 bladen.
Cormorants on Rock
Object type: fan mounted a an album leaf
Date: 1368 – 1644
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: birds
Belegering van Zaltbommel en andere sterkten in de Bommelerwaard en de bouw van Sint-Andries, 1599
Object type: print
Date: 1600 – 1601
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Artist: bartholomeus willemsz. dolendo
Artist role: print maker
Artist dates: 1560 – 1626
Subjects: the hague, maurice (prince of orange), siege, position war

Gebruikt als illustratie in: J.J. Orlers, Den Nassauschen Lauren-Crans: Beschrijvinghe ende af-beeldinge van alle de victorien ... die Godt Almachtich de ... Staten der Vereenichde Nederlanden verleent heeft, deur het wijs ende clouck beleyt des Hooch-ghebooren Fursts Maurits van Nassau, J.J. Orlers en H. van Haestens, Leiden 1610, fol. 144/145.
Near Naples. Amalfi, General view .
Object type: stereograph
Date: 1900 – 1940
Materials: cardboard, ink
Techniques: offset printed
Location: campania
Artist: Anonymous
Subjects: city-view in general; 'veduta', rocky coast, amalfi
Inscriptions: number: ‘89.’
Pond or Creek in a New Hampshire Meadow (from Sketchbook)
Object type: drawing
Date: 1864 – 1864
Materials: graphite, paper
Techniques: tinting
Culture: american
Artist: thomas hewes hinckley
Artist role: artist
Artist nationality: american
Artist dates: 1813 – 1896
Subjects: ponds,landscapes

Hinckley painted landscapes chiefly as a background to his portraits of wild and domesticated animals. This sketchbook (1992.373.1 recto–.27) contains thirty-four drawings in graphite and watercolor and appears to have been filled during a tour that the artist probably began near the Delaware Water Gap and extended north into the Catskill Mountains and Adirondacks of New York State. Few of the drawings in this book, however, can be linked to Hinckley’s known paintings after 1864, and the majority of them represent not merely selected motifs, but discrete compositions that often assume the character of engraved vignettes.
Portret van Claude Louis Thiboust, boekhandelaar en drukker te Parijs
Object type: print
Date: 1737 – 1737
Materials: paper
Techniques: engraving, etching
Subjects: paris, publisher, claude louis thiboust, publishing, publisher, book-shop, bookseller
Inscriptions: collector's mark: Lugt 4780, collector's mark: Lugt 2228

Volgens de monografie van Auguste Guillaume Crayen is deze prent vervaardigd door Georg Friedrich Schmidt.
Harlequin
Object type: figure
Date: 1760 – 1760
Materials: hard paste porcelain
Artist: nymphenburg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Subjects: men,women,dancing
Calendar key for a watch
Object type: watch calendar key
Date: 1800 – 1800
Materials: enamel, gold
Artist: etienne tavernier
Artist role: maker
Artist nationality: french
Artist dates: 1756 – 1839
Twee paarden in een wei bij een hek
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Subjects: horse
Inscriptions: collector's mark: Lugt 2228
Plattegronden van de vestingen te Boertange en Zwartsluis, veroverd door de Fransen of Munstersen, 1672
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching
Location: antwerp
Artist: gaspar bouttats
Artist role: print maker
Artist dates: 1640 – 1695
Subjects: maps of cities, rampjaar (disaster year)

Plattegronden van de vestingen te Boertange en Zwartsluis. Deze prent maakt deel uit van een groep van twaalf prenten, merendeels geëetst en uitgegeven door Gaspar Bouttats, met gezichten op vestingen en steden veroverd door de Fransen en de bisschop van Munster in 1672.