deem-data/ArtiFact huggingface dataset:
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, bit of drapery; Exterior, drapery and part of a column
Japanse vrouw staand bij boom
Object type: photograph
Date: 1862 – 1866
Materials: paper
Techniques: albumen print
Location: japan
Artist: antoon bauduin
Artist role: amateurfotograaf, hoogleraar
Artist dates: 1820 – 1885
Subjects: trees, japanese, japan
Vier liggende ovalen met putti
Object type: print
Date: 1573 – 1610
Materials: paper
Techniques: etching
Location: germany
Artist: christoph jamnitzer
Artist role: draughtsman, goldsmith, print maker
Artist dates: 1563 – 1618

Linksboven een putto die op zijn knieën vooroverliggend een kreeft uit het water haalt, rechtsboven een putto met een schaal in de hand, rijdend op een zeehaas, linksonder een putto met een parapluie, rijdend op een vis met slagtanden, en rechtsonder een putto met een tak in de arm, rijdend op een zeeslang. Blad uit een serie vlakdecoraties met grotesken, cartouches, ovalen, mascarons, putti en fantastische wezens. De serie bestaat uit drie titelbladen, twee tekstbladen met de opdracht en het voorwoord en 60 bladen, verdeeld over drie boeken.
Chateau de Fontainebleau
Object type: photograph
Date: 1870 – 1875
Materials: photographic support
Techniques: albumen print
Location: fontainebleau
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: castle - aa - civic architecture: inside, panelling
Inscriptions: number: ‘PL. 15.’

Deze foto maakt deel uit van een omslag met dertig foto's en twee tekstbladen.
Nieuwjaarswens voor 1978 met een fotoreproductie van een stereo-daguerreotypie van twee naakte vrouwen
Object type: photograph
Date: 1977 – 1977
Materials: paper
Techniques: chromogenic print
Artist: Anonymous
Subjects: l.j. hartkamp, woman (showing herself) undressed, quasi-nude

Nieuwjaarswens van Gérard Lévy en mogelijk François Lefranc gericht aan Bert Hartkamp.
Lebes gamikos (jar associated with weddings)
Object type: lebes gamikos
Date: 400 – 301
Materials: terracotta
Culture: greek, south italian, apulian
Artist: xenon group
Artist role: artist

The lid that belongs to the vase is 96.9.17.
Caudle Cup
Object type: ceramic
Date: 1668 – 1668
Materials: earthenware
Techniques: glazing
Culture: lambeth
Location: lambeth
Inscriptions: Inscription: "C R 2" for King Charles II of England and date
Portret van Marcus Cassiodorus Reinius op 57-jarige leeftijd
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: historical persons, book
Inscriptions: collector's mark: Lugt 2233
Portret van Richard Brinsley Sheridan
Object type: print
Date: 1777 – 1850
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: official; civil servant; functionary (in general), historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Portretten van twaalf pausen van Pius IV tot en met Urbanus VIII
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: pius v, sixtus v, clergyman, urbanus viii, paulus v, leo xi, gregorius xiv, pius iv, gregorius xv, gregorius xiii, clemens viii, historical persons, pope
Inscriptions: collector's mark: Lugt 2228

Rechtsboven genummerd: No. c. Portretten van de pausen Pius IV, Pius V, Gregorius XIII, Sixtus V, Urbanus VII, Gregorius XIV, Innocentius IX, Clemens VIII, Leo XI, Paulus V, Gregorius XV en Urbanus VIII.
Spontoon
Object type: spontoon
Date: 1701 – 1733
Materials: brass, gold, iron, steel, textile, wood
Culture: italian, savoy
Location: italy
Subjects: coat of arms
Haarlem. Giebel der Stadtzeichenschule
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Location: leipzig
Artist: Anonymous
Subjects: decorated gable
Inscriptions: number: ‘25.’
Design for Pony Phaeton, no. 3832
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Specimens of White and Colored Glassware
Object type: drawing ornament architecture
Date: 1866 – 1880
Materials: graphite, ink, watercolor
Techniques: pen
Artist: compagnia di venezia e murano
Artist role: designer
Artist nationality: italian
Artist dates: 1872 – 1909
Subjects: bottles,goblets,vases
Dido and Aeneas Embracing before Gates of Carthage
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: possibly after marten de vos
Artist nationality: flemish
Artist dates: 1532 – 1603
Chair (one of a pair)
Object type: chair
Date: 1801 – 1833
Materials: wood
Techniques: tapestry
Artist: beauvais
Artist role: factory
Subjects: flowers,insignia
Wine Ewer and Warming Bowl
Object type: vessel
Materials: porcelain
Techniques: carving, incising, underglaze
Location: china
Terracotta hydria: kalpis (water jar)
Object type: hydria, kalpis
Date: 460 – 450
Materials: terracotta
Culture: greek, attic
Artist: nausicaä painter
Artist role: artist
Subjects: infants,athena,serpents,herakles

The infant Herakles strangling snakes sent by the goddess Hera Herakles, the greatest of the Greek heroes, was one of twins conceived in a night when Alkmene, the wife of Amphitryon, was visited by both her husband and the god Zeus. Angered by his infidelity, Zeus's wife, Hera, tried to kill the infant Herakles with snakes. Here the child strangles them in the presence of his parents and Athena, his protective goddess.
Hungarian Children Going to School
Object type: print
Date: 1838 – 1838
Materials: chine, paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
St. George Liberating the Princess
Object type: print
Date: 1508 – 1508
Techniques: engraving
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: swords,princesses,horses,trees,saint george
Joint stool
Object type: joint stool
Date: 1650 – 1690
Materials: wood
Culture: american
Location: united states

Joint stools provided basic everyday seating in seventeenth-century households. Although common in their day, they were subjected to hard use, and few have survived. This oak stool, with its solid columnar turnings, is typical of the seventeenth-century style.
Holland, gulden, 1793
Object type: coin
Date: 1793 – 1793
Materials: silver
Techniques: striking
Location: dordrecht

Zilveren munt. Voorzijde: tussen waarde-aanduiding gekroond generaliteitswapenschild. Keerzijde: staande Nederlandse maagd met in rechterhand speer, waarop hoed en met linkerhand steunend op altaar, waarop bijlbel. In afsnede jaartal. Kabelrand.
Dance Under the Trellis
Object type: print
Date: 1610 – 1685
Techniques: etching
Artist: adriaen van ostade
Artist role: artist
Artist nationality: dutch
Artist dates: 1610 – 1685
Subjects: houses,children,men,women,dancing
The Fable of the Miller, His Son, and the Donkey No. 8
Object type: painting
Date: 1867 – 1868
Materials: canvas, oil
Culture: american
Artist: elihu vedder
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1923
Subjects: boys,men,landscapes

Vedder is best known for his visionary paintings that contain classical and allegorical allusions, which were precursors to the Symbolist movement in the United States. This series of paintings, however, has a literary theme based on a specific text—Aesop’s fable "The Miller, His Son, and the Donkey". Vedder used his beloved Italy as the setting of the classic fable, in which a hapless miller and his son attempt to appease passing critics, resulting in the death of their precious donkey.
Coin Depicting the God Apollo
Object type: coin
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Le Faucheur
Object type: photomechanical print
Date: 1878 – 1883
Materials: paper
Techniques: photoaquatint
Location: brussels
Subjects: reaping, picking, mowing ~ harvest (+ men (labourers))
Physiographe en microphotographie ( dernier type)
Object type: page
Date: 1891 – 1901
Materials: paper
Techniques: autotype
Location: paris
Subjects: photographic apparatus
Inscriptions: number: ‘Fig. 21.’

Prent in album 'La photographie des objets immergés', 1901.
Gezicht op Jeruzalem, met de ommuring van de tempel
Object type: photograph
Date: 1854 – 1856
Materials: cardboard, paper
Techniques: salted paper print
Location: jerusalem
Subjects: city-view in general; 'veduta', fence, wall, paling
Man aan de telefoon
Object type: sketchbook leaf
Date: 1925 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head (human), telephone

Blad 26 verso uit schetsboek XXVI met 35 bladen.
Twee kinderen met een duif bij een ruïne
Object type: print
Date: 1659 – 1694
Materials: paper
Techniques: mezzotint
Artist: paul van somer (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1639 – 1704
Subjects: other birds: dove, landscape with ruins
Inscriptions: collector's mark: Lugt 2228
Vrouw met spiegel
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving, intaglio
Location: italy
Artist: adamo scultori
Artist role: painter, print maker, sculptor
Artist dates: 1530 – 1585
Subjects: mirror

Staande vrouw met een spiegel in de hand. Figuur afkomstig van Michelangelo's plafondschildering. Genummerd rechtsonder: 34. De prent maakt deel uit van een album.
Berlin. Im Lustgarten Mittags 12½ Uhr
Object type: ansichtkaart, prentbriefkaart
Date: 1885 – 1905
Materials: cardboard
Techniques: photograph
Location: berlin
Artist: Anonymous
Subjects: berlin, frederik willem iv (koning van pruisen), monument, statue, permanent exhibition, museum
Inscriptions: stamp: ‘5’
[Photo Collage: Three People Holding Oars, Sitting on a Large Fish]
Object type: carte de visite
Date: 1875 – 1875
Techniques: albumen silver print, lithograph
Artist: juan pedro chabalgoity
Artist role: artist
Artist nationality: uruguayan
Artist dates: 1848 – 1909

The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 1850s and throughout the latter half of the century, these economical keepsakes depicting portraits of loved ones, celebrities, monarchs, and foreign types circulated en masse and spurred a veritable "cartomania." Collected in albums, traded among friends, and admired in drawing rooms, cartes put photography in the hands of virtually everyone, and thus offered a means of reflecting upon one’s own social standing in an ever-expanding world.
Terracotta transport amphora
Object type: amphora, pointed
Date: 201 – 233
Materials: terracotta
Culture: roman

Red clay with pointed bottom, and moulded lines on body and neck.
Uniformen van het legioen van de Rijngraaf van Salm, 1785
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: etching, hand coloring
Location: utrecht
Subjects: rijngraaf van salm frederik iii, (military) uniforms (+ infantry), patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Staande jager in uniform. Onderdeel van de prentserie van uniformen van het legioen van Frederik III Rijngraaf van Salm, in dienst van Republiek in 1785.
Très Parisien, 1923, No 10: 7.-TOPAZE. - Comment dire le charme...
Object type: fashion print
Date: 1923 – 1923
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: embroidery (ornamentation) (+ women's clothes), border, ribbon, braid (+ fur used for clothes), fashion plates, dress, gown (+ women's clothes)
Inscriptions: caption: ‘7. - TOPAZE. - Comment dire le charme de cette robe de velours aux broderies délicatement nuancées et garnie de fourrure. / Création PHILIPPE et GASTON.’, title: ‘Très Parisien / No 10. - 1923’

Jurk van fluweel met fijn borduurwerk en gegarneerd met bont. Ontwerp van Philippe et Gaston. Prent uit het modetijdschrift Très Parisien (1920-1936).
Icones Principum Vivorum Doctorum Pictorum Chalcographorum Statuariorum nec non Amatorum Pictoriae Artis Numero Centum ab Antonio van Dyck Pictore ad Vivum Expressae Eiusq: Sumptibus aeri incisae
Object type: album leaf
Date: 1630 – 1641
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: armour

Deze prent maakt deel uit van een album.
Two Monastic Figures Standing before a Church
Object type: drawing
Date: 1624 – 1663
Materials: ink
Techniques: pen
Artist: francesco allegrini
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1679
Subjects: human figures,churches
Zomerpaleis te Peking
Object type: page
Date: 1915 – 1920
Materials: paper
Techniques: rotogravure
Location: beijing
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), palace
Geleerde met globe en meetkundige instrumenten
Object type: book illustration
Date: 1705 – 1705
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: scholar, philosopher, measuring-instruments, armillary sphere, skeleton celestial globe
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Basnage, Jacobus. 't Groot waerelds tafereel, waar in de heilige en waereldsche geschiedenissen en veranderingen zedert de schepping des waerelds tot het uiteinde van de Openbaring van Joannes, worden afgemaalt, 3 delen. Amsterdam: Jacob Lindenberg, 1705.
Chinoiserie
Object type: drawing
Date: 1728 – 1808
Materials: chalk, graphite
Techniques: stumping, wash
Artist: jean pillement
Artist role: artist
Artist nationality: french
Artist dates: 1728 – 1808
Subjects: chinoiserie,men,women,trees
Keizer Augustus en de Tiburtijnse Sibille
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: etching
Location: italy
Artist: giacomo barri
Artist role: painter, print maker
Artist dates: 1630 – 1690
Subjects: the tiburtine sibyl and augustus: the sibyl reveals to the emperor a vision of the madonna in heaven
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De Tiburtijnse Sibille toont Keizer Augustus de verschijning van Maria en het Christus kind aan de hemel. Links staan soldaten en rechts bedienden.
Bord van porselein met blauwe onderglazuur decoratie in 'Kraak' Wanli stijl; plat met vogel (eend) onder boom aan oever, eveneens op achterzijde versierd.
Object type: miniature
Date: 1675 – 1715
Materials: porcelain
Techniques: painted
Location: china
Artist: Anonymous

Bord op voetring, met schulprand. Gedecoreerd in onderglazuur blauw in de stijl van Kraakporselein, met een eend op de rivieroever en bloeiende planten. De wanden zijn verdeeld in brede en smalle velden, deze zijn gevuld met bloemen, vlinders en symbolen. De achterzijde van de wand is beschilderd met grote panelen gevuld met bloeiende takken. Zie BK-NM-1010-112-A.
Portret van James Hamilton, eerste hertog van Hamilton
Object type: print
Date: 1640 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: james i hamilton (hertog van hamilton)
Inscriptions: collector's mark: Lugt 240

James Hamilton, graaf van Aran en eerste hertog van Hamilton. Generaal van het Schotse leger tijdens de Engelse burgeroorlog.
Lieutenant, Old Guard, National Guard of the State of New York, 1887, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Siege of Utrecht, plate 6 from Historical Scenes from the Life of Emperor Maximilian I from the Triumphal Arch
Object type: print
Materials: ink, paper
Techniques: woodcut
Location: germany
Artist: wolf traut
Artist nationality: german
Artist dates: 1480 – 1520
Fragment (Hanging)
Object type: covering and hanging
Materials: linen, wool
Techniques: embroidery, embroidered, forming, weave, stitching
Culture: byzantine
Location: egypt
Subjects: men, architecture, decoration, columns, arches

Because many textiles made by early Egyptians were preserved in arid tombs, a substantial number of these fabrics have survived in remarkably good condition. This striking portion of a wall hanging depicts a figure standing beneath a colonnaded, arched opening. With raised arms, which perhaps once held candelabrum, he wears a traditional tunic with clavic bands (the narrow strips extending down from the shoulders, on the front and back, to the waist or hem). This woven piece is distinguished by its large size, imposing composition, and brilliant, unfaded shades of red, green, blue, brown, and yellow. The figure’s commanding frontality, solemn expression, and animated side glance, together with the composition’s bold lines and vivid colors, relate this fragment to hauntingly realistic portrait icons. Also suggestive of icons is the three-dimensional appearance of the warrior’s face and legs and the columns—an effect much easier to achieve in painting than in weaving. Woven of indigenous materials, this hanging is composed of linen warps and wool and linen wefts that create an uncut pile against a plain-weave foundation, a fabric surface less common in Byzantine textiles than the tapestry weave.
Inundated Ruins of a Monastery
Object type: drawing
Date: 1824 – 1824
Materials: ink, watercolor
Techniques: pen, wash
Artist: karl blechen
Artist role: artist
Artist nationality: german
Artist dates: 1798 – 1840
Subjects: buildings,ruins,cross

With Caspar David Friedrich and Johan Christian Clausen Dahl, who both exerted a major influence on his art, Karl Blechen can be termed one of the leading landscapists of German Romanticism. A more overtly subjective painter, he transformed his observations of nature and architecture by means of his imagination and technical experiments. The proud medieval building in this drawing—in fact hardly more than a seemingly endless wall supported by a row of arched vaults—has been overgrown by vegetation and worn away by water. The quintessentially Romantic theme of the victory of nature over man is animated by the richness of Blechen's technique: he scraped away ink to add highlights to the water and evoke the scaly surface of the stems of the trees at left. The drawing is directly related to a painting from 1824 that was unfortunately destroyed in a fire in 1931. Its nervous yet careful execution and the differences between it and the painting, in which the inundated wall is seen from within a cavern, suggest that it was intended as an independent work, an inspired repetition on paper of a celebrated canvas. The absence of the arch of the cavern in the foreground places less emphasis on the imaginary character of the subject, making the drawing all the more haunting.
Portret van Diederik van Bronckhorst-Batenburg
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: etching
Subjects: brussels, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 963, inscription: ‘Diderick van Batenburgh ontwijkt deeze lande [...] door Alva en zijn bloedraat op een schavot onthalst 1 junij 1658.’
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: copper, gold, iron
Culture: japanese
Location: japan
Subjects: dragons
The Actor Bando Sampachi I as Yawata no Saburo (?) in the Play Shuen Soga Omugaeshi (?), Performed at the Ichimura Theater (?) in the Second Month, 1768 (?)
Object type: print
Date: 1768 – 1768
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Jan Lutma, goldsmith
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: amsterdam, print maker, draughtsman, silversmith, johannes lutma (1584-1669)
Inscriptions: collector's mark: Lugt 2165, signature and date: ‘Rembrandt f 1656’
Op weg naar Pau
Object type: photograph
Date: 1906 – 1906
Materials: paper, cardboard
Techniques: gelatin silver print
Location: pau
Artist: françois buys
Artist role: advocaat, amateurfotograaf
Artist dates: 1871 – 1934
Subjects: two-wheeled vehicle drawn by two animals, street
Inscriptions: number: ‘8’

Deze foto maakt deel uit van een groep van 49 foto's.
Canton Waterfront (The Hongs at Canton)
Object type: painting
Date: 1847 – 1856
Materials: canvas, oil
Culture: american
Subjects: buildings,boats
Zeilschepen op de Maas
Object type: photograph
Date: 1905 – 1907
Materials: photographic support
Techniques: collodion silver print
Location: meuse
Artist: folkert idzes de jong
Artist role: architect
Artist dates: 1877 – 1929
Subjects: sailing-ship, sailing-boat, river

Onderdeel van Topografisch album van Nederlandse dorpen en steden 1905.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from a kylix with part of the handle patch
Terracotta fragment of a kylix (cup)?
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, reserved with parts of three thin black glazed lines
Landschap met huizen aan landweg en herder met kudde schapen
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes van cuylenburgh
Artist role: print maker
Artist dates: 1793 – 1841
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228