deem-data/ArtiFact huggingface dataset:
Het laatste oordeel, blad I
Object type: print
Date: 1582 – 1650
Materials: paper
Techniques: engraving
Location: vatican city
Subjects: last judgement
Inscriptions: number: ‘2’, collector's mark: ‘Hinloopen’, collector's mark: Lugt 11, collector's mark: Lugt 10

Prent maakt deel uit van een groep van tien prenten die samen één grote voorstelling vormen naar het fresco met het Laatste Oordeel door Michelangelo in de Sixtijnse Kapel in het Vaticaan.
Portret van een onbekende baby op een fauteuil
Object type: carte de visite
Date: 1885 – 1900
Materials: cardboard, celluloid, paper
Techniques: albumen print
Location: antwerp
Subjects: child, anonymous historical person portrayed, antwerp
Inscriptions: inscription: ‘Brévet d'/ Invention/ Médaille d'argent/ a l'Exposition Rubens 1881/ obtenue pour le procédé instantané/ J. van Crewel Jeune/ Photographe bréveté/ 48. rue du Pélican, 48/ en face de la Gare/ Anvers/ Galerie de Pose dans le Jardin./ D. Hutinet Paris’, inscription: ‘J. van Crewel Jne Phot. Anvers’
Pair of Sleeves (Kotē)
Object type: pair of sleeve kotē
Date: 1601 – 1800
Materials: iron, silk
Culture: japanese
Location: japan
Philippe de Courcillon zweert trouw aan koning Lodewijk XIV
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: etching
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: lodewijk xiv (koning van frankrijk), historical persons, swearing allegiance to a ruler

Ceremonie op 18 december 1695. Prent maakt deel uit van een album.
Portret van Carel Willem Pape
Object type: print
Date: 1812 – 1863
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: the hague, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘C. W. Pape’

De geportretteerde draagt een donkere jas en een bef.
St. Pétersbourg. Cathédrale de la Résurrection (Smolny)
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1930
Materials: cardboard
Techniques: photograph
Location: sint-petersburg
Subjects: abbey, monastery, convent ~ roman catholic church, church (exterior)

Boven de Franse titel staat de titel in het Russisch.
The Sirens
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Subjects: ulysses, tied to the mast of his ship, passes the sirens

Prent maakt onderdeel uit van een serie met 34 prenten over de Odyssee, geschreven door Homerus.
Erinnerung an Teplitz, Bade Saison 1833
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: germany
Subjects: adult man (+ more than eight persons), adult woman (+ six persons), historical persons, landscapes (+ landscape with figures, staffage), anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: collector's mark: Lugt 2228

Portretten van baron Von Gilgenheimb, Von Hodenius, baron von Gruben, Von Ehrenstein, Hasslinger, baron von Bilderling, Von Blankensee, Minto, Wilhelm Radziwil, Stroganoff, Metternich, Heijde, Stroganoff, Gary und Aldringer, Ancillon, Von Thümen, baron Von Kaulbars, Von Kessel en Von Bonin.
Ruine van de Luthersche Nieuwe Kerk, en andere Gebouwen
Object type: print
Date: 1822 – 1823
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: ruin of a building ~ architecture
Inscriptions: collector's mark: Lugt 1641b

Ruïne van de Nieuwe Lutherse Kerk op het Singel te Amsterdam, na de brand op 18 september 1822. Op de voorgrond publiek aan de overzijde van het Singel. Illustratie in een uitgave uit 1823 over de brand. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Ev. Lutherse Gemeente: 1822 Brand in de Nieuwe Luthersche Koepelkerk - Ruïne.
Armchair (part of a set)
Object type: armchair
Date: 1780 – 1790
Materials: wood
Techniques: gilding
Artist: georges jacob
Artist role: maker
Artist nationality: french
Artist dates: 1739 – 1814

Part of a larger set of seat furniture, these elegant armchairs with a concave back, are so-called fauteuils en cabriolet. Their frames are stamped on the underside I-B, which is believed to be an alternate mark for Georges Jacob (master 1765–1814), one of the most successful chair makers of eighteenth-century France, who supplied beds and seat furniture to the crown. Epitomizing neoclassicism, the chairs have tapering and spirally fluted legs, and frames carved with rosettes, acanthus leaves, and twisted rope ornament. The unusual scrolled top rail of the back makes a reference to the capital of the Ionic order, one of the three canonic orders of classical architecture.
Model Sheet from the Foundation Deposit for Hatshepsut's Tomb
Object type: model sheet
Date: 1479 – 1458
Materials: linen
Location: egypt
View of a Village with a Castle to the Right, plate 1 from Landscapes with Views of Villages
Object type: print
Date: 1562 – 1562
Materials: ink, paper
Techniques: etching
Location: belgium
Artist: hans bol
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1534 – 1593
Inscriptions: Lettered upper center: "HBol" and lower right: "H. cock"
Particolare della prima finestra chiusa della facciata
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: lombardy
Artist: Anonymous
Subjects: decorated gable, predatory birds: eagle
Inscriptions: collector's mark: Lugt 3937, number: ‘8212’, inscription: ‘Edizioni Brogi’
Schetsboek XXXII met 92 pagina's
Object type: sketchbook
Date: 1886 – 1903
Materials: cardboard, chalk, linen, paper, pencil
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head (human) - aa - female human figure, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Pagina's 2, 4 t/m 13, 16, 17, 20 t/m 23, 28, 29, 34, 35, 56, 57, 62 t/m 77, 82 t/m 85 en 88 t/m 91 zijn blanco en daarom niet beschreven.
Emily Bancker, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Liggende jongen lezend in een boek
Object type: sketchbook leaf
Date: 1645 – 1646
Materials: chalk, paper
Artist: pieter moninckx
Artist role: draughtsman
Artist dates: 1606 – 1686
Subjects: reading, lying on one side, with uplifted upper part of the body and leaning on the arm

Blad 8 recto uit een schetsboek met 39 bladen.
Bladrank met links een sater die een vrouw vastgrijpt
Object type: ornament print
Materials: paper
Techniques: engraving
Location: netherlands

Blad 8 uit serie met Nederlandse tegenzijdige verkleinde kopieën van de serie Disegnii Varii Di Polifilo Zancarli.
Titelprent voor de serie: Il Callotto resuscitato oder Neü eingerichtes Zwerchen Cabinet, 1716
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: caricatures (human types), little people, print, e.g.: engraving, etching, lithograph, street-trader
Inscriptions: collector's mark: Lugt 2166

Titelprent voor de serie getiteld: Il Callotto resuscitato oder Neü eingerichtes Zwerchen Cabinet. Embleem samengesteld uit een cartouche en een duivel met op zijn hoofd een mand met kleine mensen. Afdruk binnen een decoratieve omlijsting gedrukt van een aparte plaat met apen en een kleine mens als prentenverkoper. Genummerd rechts: 1. Onderdeel van de Nederlandse gebonden uitgave uit 1716 van een serie karikaturen van kleine mensen, bekend als Het Dwergentooneel, gekopieerd naar een ouder Duits voorbeeld.
Brocade
Object type: brocade
Date: 1801 – 1900
Materials: metal thread, silk
Techniques: brocade
Location: india
Spaanse man met hoed en wandelstok
Object type: print
Date: 1890 – 1945
Materials: paper
Techniques: lithograph
Location: spain
Artist: ignacio zuloaga
Artist role: painter, print maker, sculptor
Artist dates: 1870 – 1945
Subjects: adult man, 'en route', traveller under way
Inscriptions: signature: ‘I. Zuloaga’, collector's mark: Lugt 2861a, collector's mark: Lugt 2228
Horseman’s Ax of Cardinal Ippolito de’ Medici (1511–1535)
Object type: horseman's ax
Date: 1530 – 1535
Materials: gold, steel, wood
Culture: italian
Location: italy

This elegantly proportioned and delicately ornamented ax probably served more as a symbol of authority than as a weapon for mounted warfare. The surfaces are etched and gilt with foliage on an obliquely hatched ground, in the manner of early-Italian ornamental prints. The ax blade is further decorated on one side with a shield enclosing the Medici arms and a Latin inscription around the edges BENIFICIVM · DANDO · ACCEPIT · QVI · DIGNO · DEDIT (He who confers a benefit has received one if he has given it to a man worthy of it), and on the other side with the device of an inflatable soccerlike ball and the inscription FALLENTI · NON · FACILE · RVRSVS · ADHIBENDA · EST (Trust is not again to be placed easily in those who have once deceived). Although the inflatable ball was used as a personal badge by several members of the Medici family, here it most likely refers to Cardinal Ippolito de' Medici (1511–1535), a youthful prelate more at home in armor than his scarlet robes of office. In 1532 Ippolito commanded an expedition against the Turks in Hungary, an event immortalized in Titian's portrait in the Uffizi, Florence, in which the cardinal wears the exotic costume of a Hungarian soldier. This ax very likely accompanied Ippolito on that campaign. For almost two centuries a large armory occupied a suite of galleries on the upper floor of the Uffizi, where the dynastic collections of the Medici rulers of Florence were displayed. The armory was seen by a steady stream of local and foreign visitors who marveled at harnesses worn by famous men, curious weapons of earlier times, and richly jeweled arms from the Orient. The Museum's ax undoubtedly entered the armory as a memento of Ippolito following his death, but it is only clearly identifiable in an inventory of the Medici armory in Florence in 1695, where it is described as having a wooden haft studded with brass nails with rosette heads. The present haft is a modern replacement. In 1775, when the Medici collections were reorganized, a large portion of the armory was sold. The dispersal scattered the contents far and wide, but more than a half dozen of these arms have entered the Metropolitan's collection.
Venus laat haar portret schilderen
Object type: drawing
Date: 1600 – 1625
Materials: ink, paper
Techniques: brush, pen
Location: germany
Artist: Anonymous
Subjects: bodegraven, draughtsman, jan brandes, painting ~ applied arts (+ model, sitter), non-aggressive, friendly or neutral activities and relationships of venus

Engelen of nimfen rond Venus die haar portret laat schilderen.
Fragment
Object type: textile
Techniques: weave
Culture: chancay
Location: peru
Rural Happiness at Caverac, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution"
Object type: print
Date: 1821 – 1821
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,dancing
A horseman facing right in profile asking a young man for directions, a dead horse to left, a group of horsemen to left in the background, from "Various figures and lands" (Diverse figure e paesi)
Object type: print
Date: 1649 – 1649
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,horses
Audenarde. Escaut et Rue Smallendam
Object type: reproduction
Date: 1981 – 1981
Materials: cardboard
Techniques: offset printed
Location: oudenaarde
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, river

Deze prentbriefkaart is een reproductie van een oudere prentbriefkaart.
Engel des Heren doodt de troepen van Sanherib
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: at night, an angel of the lord decimates the assyrian camp: 185.000 soldiers are killed
Inscriptions: number: ‘155’, collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. I.
Jagging Wheel
Object type: jagging wheel
Date: 1770 – 1800
Materials: ivory
Zuilengalerij in Baalbek, Libanon
Object type: photograph
Date: 1867 – 1885
Materials: paper
Techniques: albumen print
Location: baalbek
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: landscape with ruins
Inscriptions: number: ‘463’
View Above Handeck, Switzerland
Object type: drawing
Date: 1875 – 1875
Materials: gouache, paper, watercolor
Techniques: heightening
Artist: eugène-emmanuel viollet-le-duc
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1879
Subjects: landscapes

Architect, theorist, and draftsman, Viollet-le-Duc spent the last years of his life living in Switzerland, where he worked on the restoration of the Cathedral of Lausanne and on preparing a map of the Mont Blanc massif. The map was published in 1876 with a "study of its geodesic and geological construction, its transformations, and the old and modern state of its glaciers." Although executed in an area outside the focus of the map, this drawing relates to those made for that project, combining the careful, analytical approach to recording the terrain with a more painterly and evocative use of the watercolor medium.
Schoengesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: shoe buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Schoengesp. Buckle, chape buckle, shoe buckle; (1) ring (6x4.7, 0.4t), diagonally ribbed
Salle à manger
Object type: photomechanical print
Date: 1888 – 1891
Materials: paper
Techniques: photograph
Location: stockholm
Subjects: dining-room
Inscriptions: number: ‘N:o X.’
Chair
Object type: chair
Date: 1830 – 1830
Materials: wood
Techniques: veneering
Dress
Object type: dress
Date: 1890 – 1890
Materials: linen, silk
Culture: american

This dress is in keeping with the interest in historical revivals popular in the 19th century. The long puffed sleeves refer to both Elizabethan and early 19th-century styles. The one-piece construction indicates it was probably intended for formal reception at home.
Ludi Equestres Apparatissimi
Object type: print
Date: 1594 – 1595
Materials: paper
Techniques: etching
Location: antwerp
Artist: pieter van der borcht (i)
Artist role: print maker
Artist dates: 1545 – 1608
Subjects: brussels, africans, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', tilting at the ring (~ games of skill), antwerp

Ringsteken op de Meir. Op de voorgrond een zwarte koning in een draagstoel met dragers. Voor hem uit lopen in een optocht dansende en muciserende mannen, vrouwen en kinderen en enkele paarden en kamelen. Onderdeel van de beschrijving van de intocht van aartshertog Ernst te Antwerpen, 18 juli 1594, door Joannes Bochius, Descriptio publicae gratulationis, spectaculorum et ludorum, in adventu Sereniss. Principis Ernesti Archiducis Austriae, Ex Officina Plantiniana, Antwerpen 1595.
Cuneiform tablet: account of barley disbursements to prebendary bakers, Ebabbar archive
Object type: cuneiform tablet
Date: 620 – 620
Materials: clay
Culture: babylonian
Location: mesopotamia
Wall covering
Object type: wall covering
Date: 1701 – 1800
Materials: canvas, oil
Subjects: flowers
Studies van vrouwen op het land
Object type: drawing
Date: 1838 – 1903
Materials: chalk, paper
Artist: paul joseph constantin gabriël
Artist role: draughtsman, print maker
Artist dates: 1828 – 1903
Portrait of M. Louis Silvestre
Object type: drawing and watercolor
Date: 1753 – 1753
Materials: chalk, paper
Location: france
Artist: maurice quentin de latour
Artist nationality: french
Artist dates: 1704 – 1788
Young Bull
Object type: drawing and watercolor
Materials: ink, paper
Techniques: drawing, pen
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: bulls, animals

From an early age, Albrecht Dürer displayed an inquisitive mind and exceptional talent as a draftsman. He was born in Nuremberg and first trained as a goldsmith in his father’s shop before apprenticing with the painter Michael Wolgemut. One of his earliest animal drawings, Young Steer shows its subject grazing in an unseen field. The artist’s sure strokes and adept cross-hatching delineate the steer’s sculptural form, with taut skin stretched over a strong yet bony frame. Dürer’s precise draftsmanship recalls the drawings and prints of the celebrated German master Martin Schongauer, whom he greatly admired. This work was probably a study from nature; sketchy lines around the animal’s right hind foot, back, muzzle, and horns reveal that the artist originally drew the steer in a slightly different position, with his mouth open. A masterful engraver who would elevate printmaking to an expressive art form over the course of his career, Dürer employed the steer’s hindquarters for the barnyard scene in his engraving The Prodigal Son amid the Swine (1494/96), an impression of which is in the Art Institute.
Saint John The Baptist In Prison Visited By Salome
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: etching
Location: italy
Subjects: john the baptist in prison

Salome bezoekt Johannes de Doper in de gevangenis. Prent nr. 18 op blad 10 in het album 'Raccolta di Soggetti Pittorici', een prentalbum met 42 genummerde etsen op 28 pagina's van Luigi Sabatelli (I) zelf en van leerlingen naar diens ontwerp.
Portrait of Samuel Rogers, English Poet
Object type: print
Date: 1816 – 1816
Materials: paper
Techniques: lithograph
Location: france
Artist: dominique-vivant denon
Artist nationality: french
Artist dates: 1747 – 1825
Twee rivierlandschappen met zeilschepen bij huizen
Object type: print
Date: 1742 – 1784
Materials: paper
Techniques: etching
Location: haarlem
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: sailing-ship, sailing-boat, river
Inscriptions: collector's mark: Lugt 240

Twee afbeeldingen op een blad: boven een rivierlandschap met boten en huizen. Onder een rivierlandschap met een zeilschip bij een huis.
Het Valkhof, en het Belvidere te Nymegen
Object type: print
Date: 1746 – 1792
Materials: paper
Techniques: etching
Location: amsterdam
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: castle, towers ~ fortified city

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 2 (1746), ill. 189. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 2, ill. 189.
Pygmalion, from "Game of Mythology" (Jeu de la Mythologie)
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: women,pygmalion,putti
Shard:  Shoulder of Vessel with Ornament of Mastif
Object type: shard
Date: 301 – 500
Materials: terracotta
Techniques: painting
Culture: pakistani
Subjects: gandhara
Ribbon
Object type: ribbon
Date: 1801 – 1900
Charles-Camille Doucet
Object type: photograph
Date: 1880 – 1880
Materials: paper
Techniques: photography, woodburytype
Location: france
Artist: goupil et cie
Subjects: collected by hugh edwards, paris, contemporaine littéraire
Zicht op een stad
Object type: drawing
Date: 1620 – 1698
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: towers ~ fortified city
Inscriptions: collector's mark: Lugt 2228
Portret van Bonefacius Amerbach
Object type: print
Date: 1759 – 1815
Materials: paper
Techniques: engraving, etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Generaal Chassé spaart de stad Antwerpen 1832
Object type: history medal
Date: 1832 – 1832
Materials: tin
Techniques: striking
Location: antwerp

Tinnen penning, op de voorzijde het borstbeeld van Chassé half naar links met omschrift, op de keerzijde de beschadigde Citadel van Antwerpen met een omschrift waarbinnen een kleine lauwerkrans en in afsnede een tekst boven een gekroond Antwerpens wapenschildje.
Album of Fan-Shaped Paintings of Figures, Birds and Flowers
Object type: album
Date: 1601 – 1733
Materials: ink, silk
Culture: japanese
Artist: kano tsunenobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1636 – 1713

This album preserves a marvelous selection of miniature and meticulously brushed paintings of the variety Kano Tsunenobu became famous for. He was the quintessential chronicler of the history of East Asian painting styles, and this compilation serves as an excellent record of the reception of Chinese and Japanese painting styles in early modern Japan. Kano Tsunenobu is recognized as the last of the great four Kano painters, a roster that also includes masters of the previous generations: Kano Motonobu (1434–1530), Kano Eitoku (1534–1590), and Kano Tan’yū (1602–1674). Though it began as an atelier specializing in Chinese-style painting (kanga), Kano adherents in both Kyoto and Edo also inherited and preserved the traditions of Japanese-style painting, as demonstrated here by several of the exquisite paintings here on indigenous genre themes or a scene from The Tale of Genji. Pictorial topics here include: Monkey kyōgen performances (猿狂言); Chinese lion and peonies (唐獅子牡丹); Monkey on a deer (鹿乗猿); Fish and waterweeds in a lotus pond (蓮池魚藻); Officers with horses (郡馬高官); Small bird and mortar (擂鉢小禽); Gourd and mice (瓜鼠); Millet and quail (粟鶉); Scene from The Tale of Genji (源氏 絵); Deer and autumn foliage (紅葉鹿).
Charitatenhuis te Delft
Object type: armenloodje
Date: 1600 – 1800
Materials: lead
Techniques: casting
Location: delft
Artist: Anonymous
Subjects: delft

Loden penning. Voorzijde: gekroond wapenschild binnen omschrift. Keerzijde: opschrift
Terracotta fragments of a stamnos (jar)
Object type: stamnos fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Two fragments with unidentified subjects
Foot stool (bout de pied)
Object type: stool
Date: 1780 – 1785
Materials: wood, silk
Techniques: carving, gilding

French seat furniture was often made in sets consisting of matching arm and side chairs, settees, bergères, stools, as well as a footstool and fire screen. The carving of the seat rails and the multi-color gilding of this particular footstool suggest that it was once part of an important set.
Overview of different types of beetles and larvae
Object type: photograph
Date: 1863 – 1868
Materials: paper
Techniques: albumen print
Location: india
Artist: john edward saché
Artist role: fotograaf
Subjects: insects: beetle
Inscriptions: inscription: ‘PLATE IX.’, inscription: ‘FIG. 1,2. CURCULIO FROM LOG OF BUTEA FRONDOSA. ... 25. LARVAE, IN DIFFERENT STAGES OF GROWTH.’, inscription: ‘Saché Photo’
Dress border
Object type: border
Date: 1801 – 1900
Materials: silk