deem-data/ArtiFact huggingface dataset:
Design for Landau, No. 3201
Object type: drawing
Date: 1876 – 1876
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Studie
Object type: sketchbook leaf
Date: 1890 – 1890
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945

Blad 4 recto uit een schetsboek met 38 bladen.
Melon-Shaped Incense Burner (Akoda Kōro) with Paulownia and Foliage Scroll
Object type: incense burner
Date: 1601 – 1633
Materials: gold, wood
Techniques: hiramakie, lacquer
Culture: japanese
Subjects: flowers
Landschap met een kerktoren
Object type: sketchbook leaf
Date: 1909 – 1909
Materials: chalk, paper
Techniques: stumping
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: road, path, landscapes (+ landscape with figures, staffage), parts of church exterior and annexes: tower
Inscriptions: kleurnotitie, handgeschreven

Vooraan een figuur op een pad langs bomen. In de verte een kerktoren. Blad 5 recto uit een schetsboek met 31 bladen.
Chiyoda Castle (Album of Men)
Object type: print
Date: 1897 – 1897
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: men,horses,trees
Schuttersbrief van kapitein Jacob Guillot
Object type: schuttersbiljet
Date: 1759 – 1759
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), freedom, liberty; 'libertà' (ripa), allegory of trade; 'commertio della vita humana' (ripa), armorial bearing, heraldry, courage, bravery, valiance, manliness; 'ardire magnanimo et generoso', 'gagliardezza', 'valore', 'virtù heroica', 'virtù dell'animo e del corpo' (ripa), amsterdam
Inscriptions: collector's mark: Lugt 1641b

Schuttersbrief met oproep van kapitein Jacob Guillot, gericht aan Marten van Heusden, om zich bij het eerste korporaalschap van Hendrik Mulder van burgerwijk XXVI te Amsterdam te melden. Voorgedrukte brief met open delen die met pen zijn ingevuld. Onderwerpsrubriek binnen de Atlas Amsterdam: Schutters-oproepingsbriefjes.
Ink Tablet
Object type: ink tablet
Date: 1736 – 1795
Materials: ink
Culture: chinese
Subjects: phoenix
The Laughing Audience
Object type: print
Date: 1733 – 1733
Materials: paper
Techniques: etching
Artist: william hogarth
Artist role: draughtsman, painter, print maker
Artist dates: 1697 – 1764
Subjects: laughing, social stratification, social groups, the audience ~ art performance

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 252.
Portret van Annibale Carracci
Object type: book illustration
Date: 1672 – 1672
Materials: paper
Techniques: engraving
Location: rome
Artist: albertus clouwet
Artist role: print maker
Artist dates: 1636 – 1679
Subjects: rome, print maker, draughtsman, annibale carracci
Inscriptions: collector's mark: Lugt 240

illustratie voor: Giovanni Pietro Bellori, "Vite de' pittori, scultori et architetti moderni", Rome, 1672.
Aangespannen karrepaard
Object type: drawing
Date: 1903 – 1903
Materials: chalk, paper
Artist: pieter h.j.j. ras
Artist role: draughtsman
Artist dates: 1857 – 1941
Subjects: horse
Beeld van Demosthenes uit de Vaticaanse Musea
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: politician
Inscriptions: stamp, : ‘G’, : ‘31. Demosene Mo Vaticano / ROMA’
Macbeth en Banquo ontmoeten de drie heksen
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: woodcut
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: groups of witches, macbeth
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2166

Linksonder Macbeth en zijn vriend Banquo, rechtsboven de drie heksen die voor elk van hen voorspellingen in petto hebben.
Twee gesneuvelde paarden waarvan de rechter van de zijkant gezien
Object type: print
Date: 1674 – 1733
Materials: paper
Techniques: engraving
Location: unknown
Subjects: horse (+ dying animal; death of animal; dead animal)
Inscriptions: collector's mark: Lugt 2228

In het midden een paard op de buik gezien. Rechts de achterkant van een paard van de zijkant gezien.
Passio, mors et resvrrection dn. Nostri Iesv Christ
Object type: print
Date: 1585 – 1586
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: evangelists, usually with books or scrolls (not in biblical context), single instruments of the passion, title-page, the four symbols of the evangelists, 'the apocalyptic beasts', armorial bearing, heraldry
Inscriptions: watermark: Briquet 309, number: ‘325’, collector's mark: Lugt 2228, collector's mark: Lugt 2760

In een octagonale lijst de titel van de serie. Daarboven het wapenschild van Fernando De' Medici. Onder de titel een cartouche met een dedicatie. Naast de titel de werktuigen van de passie. In de vier hoeken van de prent een van de vier evangelisten. De prent heeft een Latijns onderschrift en maakt deel uit van een serie over het passie, door en wederopstanding van Christus.
Christ (as Salvator Mundi), from Christ, the Apostles and St Paul with the Creed
Object type: print
Date: 1589 – 1589
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered lower center: "HG. fe." and below image: "Ite in mundum universum ... daemonia eijcient etc."
Gezicht op het dorp Piershil
Object type: book illustration
Date: 1791 – 1793
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view in general; 'veduta', piershil
Inscriptions: collector's mark: Lugt 2228

afkomstig uit: L. van Ollefen, De Nederlandsche stad- en dorpbeschrijver. Deel 1. Amsterdam: H.A. Banse, 1793
Kandelaar met langs de getordeerde balusterstam bladslingers
Object type: candlestick
Date: 1780 – 1780
Materials: silver
Location: amsterdam
Artist: wijnand warneke
Artist role: silversmith
Artist dates: 1738 – 1810
Inscriptions: maker's mark, alloy mark, duty mark, assay office mark, date letter: ‘V’

De gewelfde, getrapte voet, de balustervormige stam en de kaarsenhouder zijn alle getorst en zijn opgebouwd uit afwisselend lobben en geribde gedeeltes. De voet heeft een gecontourneerde onderrand. Hij rust op vier bloemtakjes die op de hoeken uit de lobben te voorschijn komen en die als pootjes fungeren. De voet is versierd met gegoten en gegraveerde rocailles en bloemtakken, de stam vertoont op iedere lob een bladertak. Voet, stam, en kaarsenhouder worden van elkaar gescheiden door ronde, geprofileerde gedeeltes. De losse vetvanger is opgebouwd uit opkrullende bladeren met bessen.
Children's Games
Object type: print
Date: 1897 – 1897
Materials: paper, ivory
Techniques: lithograph
Location: france
Artist: edouard jean vuillard
Artist role: draughtsman, print maker
Artist nationality: french
Artist dates: 1868 – 1940
Comb
Object type: comb
Date: 1981 – 1640
Materials: wood
Location: egypt
Micro-opname van strovezel
Object type: page
Date: 1890 – 1900
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: agricultural products and by-products: straw
Inscriptions: number: ‘XIX’, inscription
De cadettenschool der toekomst
Object type: cartoon
Date: 1890 – 1890
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: nursing, suckling, military training, nursery school, political caricatures and satires

Kleuterschool waar de cadetten van zeer jongs af aan opgeleid worden tot militair. Links krijgt een cadet de borst, rechts wordt een cadet op het toilet gezet.
Opera Nova Universali intitulata Corona di racammi, page 20 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Artist: giovanni andrea vavassore
Artist role: publisher
Artist nationality: italian
Artist dates: 1530 – 1573

Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice. From top to bottom, and left to right: Grid with black dots forming curving vines with leaves.
Vase
Object type: vase
Date: 1840 – 1865
Materials: gemstone, glass, marble
Techniques: pressed
Culture: american
Location: united states
Untitled Valentine (Flowers)
Object type: drawing and watercolor
Date: 1840 – 1840
Materials: paper, watercolor
Techniques: collage, cutting, embossing
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
M'lle Geraldine, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Civitas Bommelia
Object type: history print
Date: 1607 – 1609
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: lambert cornelisz.
Artist role: draughtsman, print maker
Subjects: maps of cities, siege
Inscriptions: number: ‘62’

Plattegrond van de stad Zaltbommel (Bommel), tijdens het beleg door de Spanjaarden in mei-juni 1599. Onderaan de schipbrug over de Waal. Linksboven een cartouche met de Latijnse titel. Onderdeel van de verzameling kaarten genomen uit een latere editie van: Descrittione di tutti i Paesi Bassi van Lodovico Guicciardini.
New State Omnibus, or, The Man wot is Cad to the Man wot was Cad to the Man wot drove the Sovereign
Object type: print
Techniques: lithograph
Artist: john doyle
Artist role: artist
Artist nationality: irish
Artist dates: 1797 – 1868
Subjects: men,carriages

An omnibus lettered "Public Reform" carries William IV as a passenger, with the Duke of Wellington travelling on the step as conductor or cad. The coachman is Sir Robert Peel, and John Bull stands at left as timekeeper holding a watch. The satire reflects the fact that Peel has now become Prime Minister but is not making a promising start with only one passenger. The title derives from an series of prints issued when George IV was king where Wellington was "The Man wot drives the Sovereign" and Peel, then leader of the house was the cad. Now the roles have been reversed.
Yoke
Object type: yoke
Date: 1201 – 1500
Materials: stone
Culture: taíno
Location: dominican republic
Sculptuur van het hoofd van Hendrik III van Frankrijk, opgesteld tijdens de Exposition Rétrospective van 1873 in Tours, Frankrijk
Object type: page
Date: 1873 – 1873
Materials: paper
Techniques: woodburytype
Location: tours
Artist: gabriel blaise
Artist role: printer
Artist dates: 1827 – 1897
Subjects: hendrik iii (koning van frankrijk), head (human), piece of sculpture, reproduction of a piece of sculpture, temporary exhibition, 'salon'
Donkey
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink
Techniques: pen, wash
Artist: pieter jacobsz. van laer
Artist role: artist
Artist nationality: dutch
Artist dates: 1592 – 1642
Subjects: donkeys
Groepsportret van deelnemers aan een picknick onder de bomen bij Falicon
Object type: stereograph
Date: 1859 – 1859
Materials: paper, photographic support
Techniques: albumen print
Location: falicon
Subjects: eating and drinking
Inscriptions: inscription: ‘Pic-nic party at Falicon Nice, 28th July 1859 (...)’
Zuiderzeewerken: Wieringermeer, Dijkgedeelte Oude Zeug 10 sept. 1928
Object type: photograph
Date: 1928 – 1928
Materials: cardboard, photographic support
Techniques: gelatin silver print
Subjects: dikes, levee, zuiderzee
Family group
Object type: statuette group, man and woman
Date: 1802 – 1640
Location: egypt
Subjects: men,women
Saint Matthew
Object type: statue
Date: 1667 – 1733
Materials: wood
Techniques: gilding, polychrome
Artist: johann georg libigo
Artist role: artist
Artist dates: 1690 – 1729
Subjects: children,saint matthew
Spoon
Object type: spoon
Date: 201 – 700
Materials: metal
Location: egypt
Portret van Benjamin Franklin
Object type: text sheet
Date: 1827 – 1829
Materials: paper
Techniques: etching, letterpress printing
Location: paris
Subjects: physicist, historical persons
Portret van Margaretha II van Henegouwen
Object type: book illustration
Date: 1725 – 1725
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.), musical instruments; group of musical instruments, sailing-ship, sailing-boat, historical persons - bb - woman, crown (symbol of sovereignty) - bb - female ruler, armorial bearing, heraldry

Prent waarschijnlijk uit: Halma, François. Tooneel der Vereenigde Nederlanden, en onderhorige landschappen (...). 2 dln. Leeuwarden: Hendrik Halma, 1725, dl. 2, p. 70. Eerdere staat van prent gebruikt in: Stoke, Melis. Hollandse jaar-boeken of rijm-kronijk van Melis Stoke. Behelsende de geschiedenissen des lands (...). Leiden: Johannes du Vivié en Isaak Severinus, 1699. Derde staat zonder paginanummering gebruikt in 'Korte leevensschets (...)', 1744.
Box
Object type: box
Date: 1736 – 1795
Materials: enamel
Techniques: painting
Culture: chinese
Subjects: flowers
Gallerie des Modes et Costumes Français 1777-1778, D 23: Coëffure d'un Soldat recruteur (...)
Object type: fashion print
Date: 1777 – 1778
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: dandy, beau, neck-gear ~ clothing (+ men's clothes), head-gear: hat (+ men's clothes), styles of hairdress, styles of hairdress - aa - ~ women, head-gear: cap (+ women's clothes), fashion plates, (military) uniforms, neck-gear ~ clothing (+ women's clothes)
Inscriptions: inscription: ‘Coeffure d'un Soldat recruteur / Coeffure à quatre boucles en arriere avec une barriere de grosses perles et un pouf / Coeffure demi négligée / Petit-maître en grecque quarrée avec des boucles badines et un favori’, address: ‘A Paris chez Esnauts et rapilly rue St. Jacques a la Ville de Coutances. A.P.D.R.’

Twee mannen- en twee vrouwenkapsels met hoofdbedekking, verdeeld in vier kaders. Van linksboven naar rechtsonder: 'Coëffure d'un Soldat recruteur. Coeffure à quatre boucles en arriere avec une barriere de grosses perles et un pouf. Coëffure demi négligée. Petit-maître en grecque quarrée avec des boucles badines et un favori'. Prent uit serie D. 4e Cahier des Costumes Français pour les Coeffures en 1777 et 1778, Gallerie des Modes et Costumes Français.
Institution Harmonique
Object type: book print ornament architecture
Date: 1615 – 1615
Techniques: engraving, woodcut
Location: germany
Artist: salomon de caus
Artist role: designer
Artist nationality: french
Artist dates: 1576 – 1626

Salomon de Caus (1576–1626) was a unique figure in garden history. Trained as an architect-mathematician and hydraulic engineer, he was renowned not only for his garden designs with magnificent waterworks, but also for his many publications on topics relating to the arts and sciences. His most influential works include the Hortus Palatinus (1620) on his Heidelberg garden designs, and Les raisons des forces mouvantes (1615), setting out the principles of hydraulics on which the automata or trick fountains and water jokes in the seventeenth-century garden were based. Familiar with the waterworks in Italian Renaissance gardens (Villa d'Este, Tivoli, and Pratolino, Florence), ultimately derived from the just reissued works of Hero of Alexandria (first century A.D.), de Caus introduced hydraulics into the Northern European garden. His influence was widespread at the courts of the Southern and Northern Netherlands, Germany, and also England, where his younger brother Isaac de Caus worked.
Dagger with Sheath
Object type: dagger with sheath
Date: 1801 – 1900
Materials: copper, ivory, silver, steel, textile, wood
Culture: philippine
Location: philippines
The Old Savoyard
Object type: print
Materials: paper
Techniques: etching, printing
Location: france
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Sampler
Object type: textile
Date: 1701 – 1900
Materials: linen, silk
Techniques: embroidery, weave, stitching
Location: italy
Inscriptions: Inscription: POR CECILIA ALFA RO DE EDAD DE OCH O ANOS DIRIGIDO POR D DOLORES
Figuren in een straat met een monument
Object type: sketchbook leaf
Date: 1887 – 1887
Materials: chalk, paper
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: adult woman, monument, statue, walking, street lighting, dog, street (+ city(-scape) with figures, staffage)

Eén van de studies toont op de voorgrond een vrouw met een hond. Pagina 18 uit een schetsboek met 19 bladen.
Driehonderdjarige herdenking van de inname van Den Briel 1872
Object type: history medal
Date: 1872 – 1872
Materials: aluminum, brass

Ovalen tinnen penning met oog, draagring en kettinkje, imitatie van een geuzenpenning: op de voorzijde het geharnaste borstbeeld van Philips II naar links met omschrift, op de keerzijde ineengedrukte handen op een bedeltas, met omschrift.
Portret van Nikolaos Maurokordatos
Object type: print
Date: 1722 – 1722
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: historical persons, crown prince

Prent waarschijnlijk uit: Die Europäische Fama, Welche den gegenwärtigen Zustand der vornehmsten Höfe entdecket (1723), dl. 262.
Study of a Head
Object type: drawing
Date: 1737 – 1737
Materials: chalk, paper
Artist: charles parrocel
Artist role: draughtsman, painter, print maker
Artist dates: 1688 – 1752
Subjects: head-gear: tricorn

Charles Parrocel was a cavalryman in his younger years and thus knew the military world inside out. This served him in good stead in his later career as a painter of battle scenes, for which the sheet on view here served as a preparatory drawing. Using the trois crayons technique, Parrocel deftly drew the averted head – in profil perdu – of a French officer, as indicated by the tricorne and wig.
My friend, you have taken the wrong bus, get out quickly!, from 'Parisian sketches,' published in Le Charivari, January 31, 1866
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women,buses

- My friend, you have taken the wrong bus, get out quickly! - No way... I've paid my 15 cents and I don't want to lose them. I'll take a cab later to get home.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, chin, upper torso, and bent right arm of youth to left
Cornetto in A
Object type: cornetto in a
Date: 1575 – 1575
Materials: gilt, ivory
Culture: german
Location: germany

The cornetto, also known as a zink, is a lip-vibrated instrument made by adding finger holes and a thumbhole to a signal horn. Its small cup-shaped mouthpiece is like that of a trumpet, but it is usually played on the side of the mouth, where the lips are narrower. Cornetti have a narrow bore, with a straight or curved body shape. They were made in several sizes, with the cornetto in A being the principal size. The cornetto was a difficult instrument to master, but skilled players could excel in virtuosity and compete with the violin. Cornetti were widely used in polyphonic music of the sixteenth and seventeenth centuries (see Odhecaton), to accompany choral singing in churches, to play the soprano part in trombone ensembles, and for both secular and religious music. This cornetto has an octagonal body, slightly curved, and narrower at the top, where it is carved with a pattern of diamond facets. A gilt and engraved ferrule encircles the top of the body.
Portret van Jean Sylvain Bailly
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, mayor, historical persons
Inscriptions: collector's mark: Lugt 2228a
Captain Bowling introduced to Narcissa
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men
Gezichten op het Nahe dal
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: tone lithography
Location: cologne
Artist: levy elkan
Artist role: print maker
Artist dates: 1808 – 1865
Subjects: switzerland, politician, weapons, landscape with tower or castle, knight
Inscriptions: check stamp: ‘Verlag von I. Niessen Coeln’, collector's mark: Lugt 2228

De serie 'Das Nahe-Thal. Von dem Ursprunge der Nahe bis zu ihrer Mündung in den Rhein' is uitgegeven in vijf delen van elk vier prenten vervaardigd door A. Brandmayer en Andreas Borum. Tien prenten uit deze serie zijn daarnaast waarschijnlijk ook nog samen onder de titel 'Kreuznach und seine Umgebung. Erinnerung an seine Heilquellen und das Nahe-Thal' uitgegeven.
Deksel van dekschaaltje van doorschijnend agaat
Object type: vessel
Date: 1575 – 1600
Materials: stone, gold
Location: germany
Artist: Anonymous

Dekselrand vertoont gouden motieven op witte fond. Op het deksel een lam van goud en wit met barokparel als rug.
Titelpagina met omlijsting
Object type: page
Date: 1859 – 1864
Materials: paper
Techniques: chromolithography
Artist: Anonymous
Subjects: title-page
Groepsportret van een onbekende familie rond een tafel
Object type: photograph
Date: 1890 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: family group, especially parents with their child(ren), table, interior ~ representation of a building