deem-data/ArtiFact huggingface dataset:
Uitgaan van de kerk
Object type: print
Date: 1883 – 1913
Materials: paper
Techniques: etching, retroussage
Artist: lisette wesmael
Artist role: print maker
Artist dates: 1861 – 1953
Subjects: leaving the church after service
Inscriptions: collector's mark: Lugt 2228
Blade for a Sword (Katana)
Object type: blade for a sword katana
Materials: steel
Culture: japanese
Location: japan
Artist: masazane
Artist role: swordsmith
Artist nationality: japanese
Artist dates: 1515 – 1526
Boerderij aan een plas
Object type: print
Date: 1916 – 1916
Materials: paper
Techniques: etching, intaglio
Artist: jan paul valkema blouw
Artist role: draughtsman, print maker
Artist dates: 1884 – 1954
Subjects: lake, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Architecture antique : Égypte, Grèce, Asie Mineure : album de photographies
Object type: photograph
Date: 1872 – 1872
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Subjects: damascus
Inscriptions: number: ‘Pl. 25’, stamp: ‘Rijksschool voor Kunstnijverheid’, number: ‘Bonfils 210’, title, signature: ‘Bonfils phot’

Syrie/Petite coupole de la Gde Mosquée (livre sacré) - Damas, pl. 25.
Peter Marks met zijn eerste en zijn tweede vrouw
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: sick-bed, (lovers) kissing each other, dog
Inscriptions: collector's mark: Lugt 2228

Eerste en tweede prent uit een serie van zes voorstellingen die de geschiedenis van Peter Marks illustreren. Deze prentserie is ook gebruikt in: Wezel, Johann Karl. Peter Marks. Eine Ehestandgeschichte. Leipzig: Dykischen Buchhandlung, 1779.
Design for Pink, Green and White Curtains with Gold and Red Fringes, and Gold Pediments
Object type: drawing
Date: 1820 – 1820
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: windows,curtains
Terracotta composite jug
Object type: composite jug
Date: 1900 – 1600
Materials: terracotta
Culture: cypriot

Triple vase with one neck and handle, bands of lattice and wavy lines.
Sugar Bowl
Object type: sugar bowl
Date: 1780 – 1820
Materials: glass, lead
Techniques: glassblowing, molding
Culture: american or british
Location: england
Brief aan Philip Zilcken
Object type: letter
Date: 1907 – 1907
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: venice
Artist: karel johan lodewijk alberdingk thijm
Artist role: criticus, prozaschrijver
Artist dates: 1864 – 1952
Subjects: the hague, draughtsman, philip zilcken, printed matter
Inscriptions: collector's mark: ‘RPK’
Madonna in Glory Crowned by Angels
Object type: print
Date: 1401 – 1500
Techniques: hand coloring, woodcut
Artist: anonymous, german, 15th century
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 1500
Subjects: angels,madonna and child
Meanderende rivier
Object type: drawing
Date: 1939 – 2009
Materials: charcoal, paper
Artist: kees stoop
Artist role: draughtsman
Artist dates: 1929 – 2019
Subjects: river
Inscriptions: signature: ‘KS’
Jewelry Box
Object type: jewelry box
Date: 2051 – 1981
Materials: wood
Location: egypt

This box is divided into two compartments, each closed with a sliding lid. The end batton of each lid has a hole for fitting a small knob. The two knobs could be tied together to seal the box. The box was found in a tomb that also contained a "seweret" bead (25.3.252) and an exquisite "sa" amulet (25.3.253).
No. 26: Mochizuki, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"
Object type: print
Date: 1835 – 1838
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
De armeninrichting te Zwolle
Object type: print
Date: 1832 – 1845
Materials: paper
Techniques: lithograph
Location: zwolle
Subjects: canals, waters (in city), windmill, the poor
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond ligt een eiland in de gracht. Rechts een windmolen.
Portret van Giovanni Battista Guarini
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: engraving
Location: france
Artist: demautort
Artist role: print maker
Subjects: venice, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Evening slippers
Object type: evening slipper
Date: 1845 – 1865
Materials: silk
Culture: french
Relief fragment with king Khufu's cattle
Object type: relief, king khufu's cattle
Date: 2551 – 2528
Materials: limestone
Location: egypt
Subjects: animals

These cattle with long, lyre-shaped horns are probably offerings for the funerary cult of Khufu. Such cattle were kept in herds that grazed in open grasslands in the Nile Delta or at the desert margin. The inscriptions over their backs mention the pharaoh's name but are otherwise difficult to translate; they seem to refer to outlying or foreign lands. The austere but very sensitive style of relief carving and the gently rounded outlines, which let the figures blend beautifully with the background, are typical of Khufu's reign.
Painted Bowl
Object type: bowl
Date: 101 – 600
Materials: ceramic, pigment
Culture: michoacán
Location: mexico
Kabinet, versierd met marqueterie in verschillende houtsoorten. Op de deuren met linten opgehangen medaillons waarin links een zeilschip en rechts muziekinstrumenten.
Object type: furniture
Date: 1775 – 1800
Materials: copper, wood
Techniques: marquetry
Location: northern netherlands
Artist: Anonymous

Cabinet. Oak, veneered with mahogany and other woods. Netherlands, c. 1780 - 1800. Miss E.W. Engels bequest, 1941.
J.L.M. Lauweriks
Object type: folder container
Date: 1898 – 1918
Materials: cardboard, linen, paper, fiber
Techniques: marbled paper
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932

Map voor 22 foto's van ontwerpen en tekeningen door Mathieu Lauweriks en enige documentatie, waaronder een nummer van de Neudeutsche Bauzeitung van 9 juli 1914 , twee losse bladen uit de Deutsche Goldsmiede-Zeitung uit 1913 en het jaarverslag van 1918 van de kunstnijverheidsschool Quellinus uit Amsterdam.
Teabowl and saucer
Object type: teabowl and saucer
Date: 1740 – 1740
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: women,dogs,flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Heuvelachtig landschap met brug over een rivier
Object type: print
Date: 1778 – 1821
Materials: ink, paper
Techniques: brush, etching
Location: london
Artist: henry edridge
Artist role: draughtsman, painter, print maker
Artist dates: 1768 – 1821
Subjects: low hill country, river, landscape with bridge, viaduct or aqueduct
Inscriptions: collector's mark: Lugt 2760, inscription: ‘[s?]:p:h:’, collector's mark: Lugt 2228
Strassenklatsch
Object type: page
Date: 1889 – 1899
Materials: paper
Techniques: photoaquatint
Location: germany
Subjects: adult woman, ships (in general), beach
Guess My Name
Object type: drawing and watercolor
Date: 1821 – 1821
Materials: chalk, crayon, graphite, paper
Techniques: heightening
Location: united kingdom
Artist: sir david wilkie
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1785 – 1841
Subjects: children

This drawing is a preparatory study for a genre scene commissioned by a German nobleman in 1820 and shown at the Royal Academy in 1821. Executed in the three-chalk technique, the sheet betrays the influence of Rubens’s drawings, which Wilkie could have seen in Paris in 1814. In a subject of the artist’s own devising, a young woman covers a potential suitor’s eyes, but will he identify her correctly?
Two Angels, Study for the Val de Grâce
Object type: drawing
Date: 1601 – 1700
Materials: chalk, paper
Techniques: heightening, drawing
Artist: pierre mignard
Artist role: artist
Artist nationality: french
Artist dates: 1612 – 1695
Subjects: musical instruments,angels

Commissioned by Anne of Austria, the mother of Louis XIV, Mignard made this study for the frescoed dome of the chapel of the Val de Grâce church in Paris. The ceiling as installed in situ depicts celestial glory in illusionistic concentric rings, recalling the work of Correggio (Antonio Allegri, Italian, active by 1514–died 1534) in Parma. Mignard must have made hundreds of drawings to prepare his design, but this sheet is one of only three known to exist today.
Dwarsdoorsnede longen
Object type: print
Date: 1589 – 1637
Materials: paper
Techniques: etching
Artist: lucas kilian
Artist role: draughtsman, print maker
Artist dates: 1579 – 1637
Subjects: lungs, bronchia

Suzanne Karr Schmidt suggereert dat deze prenten van losse en uitneembare (dus niet geplakte) organen onderdeel waren van de Visio Secundae en Visio Tertia van Johann Remmelin's 'Catoptrum Microcosmicum' uit 1619.
Sealing with inscribed stamp seal impressions
Object type: sealing
Date: 501 – 700
Materials: ceramic
Culture: sasanian
Location: iran

This sealing was impressed with five seals of varying size. The imagery on the seals depict two birds (impressed twice), a camel walking to the right, an inscription, and a floral motif. The sealing was among over 500 sealings excavated in the Sasanian fortress at the site of Qasr-i Abu Nasr. The cache was preserved because the building had burned, baking the clay and retaining the seal impressions. These small clay objects played a role in Sasanian administrative practices. A piece of clay would be pressed around a cord to close a document or package and then stamped with a seal. In some cases, these removed sealings seem to have been deliberately stored for administrative purposes. Qasr-i Abu Nasr is located near Shiraz in southern Iran at a strategic point at the intersection of defensive mountains, available water sources, and along roads entering the Shiraz plain. It was excavated by archaeologists from The Metropolitan Museum of Art for three seasons from 1932-1935. The town was occupied, at least intermittently, from the Parthian period (3rd century B.C.–3rd century A.D.) to the Muzaffarid period (13th-14th century A.D.). The major occupation, including the extensive fortress, dates to the Late Sasanian period (6th-7th century A.D.). The eastern part of Qasr-i Abu Nasr is a raised plateau of a roughly triangular shape. During the Sasanian period the plateau was fortified by a wall and densely occupied. Archaeological finds from the fortress show a wide range of defensive and administrative practices.
Scarab
Object type: scarab
Date: 1648 – 1540
Materials: stone
Location: eastern delta
Subjects: scarabs
Twee foto's van twee stellen in de duinen van Noordwijk
Object type: photograph
Date: 1908 – 1917
Materials: paper, cardboard
Techniques: gelatin silver print
Location: noordwijk
Artist: Anonymous
Subjects: recreation in the dunes, historical persons - bb - woman, historical persons
Inscriptions: caption: ‘[...] Driesse/ Johnny Andriesse/ [...]’

Deze foto's maken deel uit van een album.
Portret van Arie de Jager
Object type: print
Date: 1877 – 1903
Materials: paper
Techniques: lithograph
Location: the hague
Artist: Anonymous
Subjects: delfshaven, rotterdam, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228
Netsuke of Frog
Object type: netsuke
Date: 1701 – 1800
Materials: wood
Culture: japanese
Subjects: frogs
Portret van Laurens de Geer
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: koopman, laurens de geer
Inscriptions: collector's mark: Lugt 240

Portret van de Amsterdamse koopman Laurens de Geer.
Englishman at Paris
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,dogs,carriages
Design for 4 seat Phaeton, no top, no. 3110
Object type: drawing
Date: 1875 – 1875
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Razor
Object type: sculpture
Materials: bronze
Culture: egyptian
Location: egypt
Poort naar een binnenplaats en een gevel
Object type: sketchbook leaf
Date: 1822 – 1893
Materials: chalk, paper, pencil, watercolor
Techniques: brush
Artist: willem troost (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1893
Subjects: façade (of house or building)

Blad 55 recto uit een schetsboek met 36 bladen.
Kandelaber met bladranken
Object type: print
Date: 1512 – 1540
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous

Vlakdecoratie. De kandelaber wordt door twee vrouwen rug aan rug gedragen. Zij hebben voluten in plaats van armen. Gearceerde achtergrond.
Portrait medal of Niccolò Michiel (obverse); Alidea Contarini (reverse)
Object type: medal
Date: 1500 – 1500
Materials: gilt bronze
Culture: italian
Artist: fra antonio da brescia
Artist role: artist
Artist dates: 1480 – 1525
Subjects: men,portraits,profiles

One of the most sympathetic portrait medals of the Italian Renaissance, this work conveys Niccolò Michiel’s age with great economy—hollow cheeks, tight lips, and an introspective mien. Michiel held various posts in the Venetian government and served as an ambassador. The medal was cast on the occasion of Michiel’s appointment as procurator of San Marco in 1500. In keeping with the spirit of the Venetian Republic, however, he and his wife (portrayed on the reverse) appear as modest citizens of indeterminate rank. Alidea Contarini, the wife of Niccolò Michiel (portrayed on the obverse), is rendered with the same uncompromising directness and modesty as her husband, as evidenced by the sagging flesh of aging cheeks and the thick neck.
Handkerchief
Object type: handkerchief
Date: 1863 – 1863
Materials: linen
Subjects: flowers
Fragment bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: plate dish
Date: 1613 – 1613
Materials: bone china, porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A saucer without a flattened rim. A central decoration of a grasshopper on a rock and a chrysanthemum. The medallions decorated with peaches and symbols.
William IV from the series Counts and Countesses of Holland, Zeeland, and West-Frisia
Object type: print
Date: 1650 – 1650
Techniques: engraving, etching
Artist: pieter soutman
Artist role: artist and publisher
Artist nationality: dutch
Artist dates: 1580 – 1657
Subjects: armor,men,portraits
Case (Inrō) with Design of "Nonomiya" (Shrine in the Fields), from The Tale of Genji, chapter 10 (obverse);  Seven Autumn Flowers Growing beside a Torii and Fence, based on "Sakaki," a Chapter from The Tale of Genji (reverse)
Object type: inrō
Date: 1801 – 1900
Materials: gold, lacquer, mother of pearl, pewter
Techniques: fundame, inlay
Culture: japanese
Subjects: plants
Stoom Balance
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: fraudulence, swindling, scales, industries ~ food, drink, stimulants, sugar
Inscriptions: collector's mark: Lugt 2228

Spotprent op het bedrog met een valse weegschaal van de firma C. de Bruyn & Zonen, 1834. De firma bezat de eerste stoomsuikerraffinaderij aan de Lijnbaansgracht in Amsterdam. Op 8 januari 1834 werden zij betrapt op het gebruik van een balans waarvan een arm was verlengd. Centraal de valse balans hangend aan de stoomwolken die uit de fabriek 'De Vijf Gebroeders' komen en waarop kisten met suiker worden gewogen. Links C. de Bruyn met zijn twee zoons. In de wolken een bijbelcitaat.
Portret van een onbekende man
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: adult man
Inscriptions: collector's mark: Lugt 2228

Buste van een onbekende man, over zijn schouder kijkend.
Idem Westzijde
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905
Subjects: borobudur

Buddha sculpture from a niche at the west side displaying the dhyanamudra. Borobudur village, Magelang district, Central Java province, 778-824 AD.
Hattie Stewart, Champion Female Boxer of the World, from the Champions of Games and Sports series (N184, Type 1) issued by W.S. Kimball & Co.
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w.s. kimball & co.
Artist role: publisher
Subjects: women,boxing,athletes

Trade cards from the set "Champions of Games and Sports" (N184), issued in 1887 by W.S. Kimball & Company. There are two variations of cards in the series. Type 1 displays the W.S. Kimball brand on the card recto and verso. Type 2 only displays the Kimball brand on the card verso. This card is Type 1.
Helsingfors Norra Esplanadgatan
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: albumen print
Location: netherlands
Kerstkaart van Henri Verstijnen
Object type: christmas card
Date: 1912 – 1935
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: henri verstijnen
Artist role: draughtsman, print maker
Artist dates: 1882 – 1940
Subjects: henri verstijnen, lamb, trees: palm-tree, beasts of prey, predatory animals: lion
Inscriptions: date
De maskerades
Object type: print
Date: 1596 – 1635
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: mask, torch, masquerade, masked ball
Inscriptions: collector's mark: Lugt 2228

Een gemaskerde vrouw in feestelijke kledij wordt aan de hand meegevoerd door een gemaskerde man in feestelijke kledij met een fakkel. Deze prent is onderdeel van een serie van negen genummerde prenten, waarop twee of drie gemaskerde en/of verklede figuren ten voeten uit zijn weergegeven.
Gevel voor een herenhuis
Object type: book illustration
Date: 1648 – 1648
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: urban housing

Prent uit: Afbeelsels der voornaemste gebouwen uyt alle die Philips Vingboons geordineert heeft. Amsterdam: Philips en Johannes Vinckboons en Johannes Willemszoon Blaeu, 1648.
Presentation casket
Object type: casket
Date: 1867 – 1867
Materials: enamel, lapis lazuli, leather, silver gilt
Artist: josef ritter von storck
Artist role: designer
Artist dates: 1830 – 1902
Bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: plate dish
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Bord uit V.O.C.-schip de 'Witte Leeuw', 99% aanwezig; één scherf uit de wand ontbreekt. De scherf is glasachtig wit en kent weinig ingebakken vuil. Het glazuur is blauw getint. De bodem is geglazuurd en de voetring is gefacetteerd en staat naar binnen. Er is weinig ovenzand aangetroffen.
Verzoeking van Job
Object type: album leaf
Date: 1645 – 1646
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: pieter jacobsz. paets
Artist role: publisher
Artist dates: 1587 – 1667
Subjects: job on the dunghill with satan (or devils) abusing and tormenting him; job's wife may be present

De prent werd gemaakt voor de uitgaven van P.J. Paets uit Amsterdam. Ze komt in ieder geval voor in: Bibels Tresoor ofte der zielen lusthof. Amsterdam, P.J. Paets, 1646. Mogelijk ook in: Historien ende Prophetien. [Amsterdam], P.J. Paets, 1645.
Portret van een onbekende man
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: engraving
Subjects: adult man, historical persons

De geportretteerde is voorheen geïdentificeerd als Alexander Suvarov.
Art - Goût - Beauté, Feuillets de l' élégance féminine, Avril 1925, No. 56, 5e Année
Object type: magazine
Date: 1925 – 1925
Materials: paper
Techniques: brush, hand coloring, lithograph, pochoir
Subjects: fashion plates, dress, gown (+ women's clothes), parasol, sunshade (+ women's clothes)
Inscriptions: title: ‘ART. GOÛT. BEAUTÉ’, title: ‘FEUILLETS DE L'ÉlÉGANCE FÉMININE / PARIS’

Omslag van het modetijdschrift Art-Goût-Beauté (1920-1933), april 1925, No. 56. Afbeelding van twee vrouwen met parasols, gekleed in ensembles van Jane Régny, 'Spécialiste Costumes Sport'.
Souvenir spoon with view of a church and Imperial German eagle
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, silver gilt
Subjects: eagles,churches,coat of arms
Belt Plate
Object type: belt plate
Date: 301 – 700
Materials: bronze, iron, silver
Techniques: inlay
Culture: frankish
Harnas van Gonzalo Fernández de Córdoba
Object type: photomechanical print
Date: 1883 – 1893
Materials: paper
Techniques: photoaquatint
Location: madrid
Artist: Anonymous
Subjects: armour
Vlag van Stavoren (blanco)
Object type: drawing
Date: 1667 – 1670
Materials: ink, paper, watercolor
Techniques: brush, pen
Location: france
Artist: Anonymous
Subjects: flag, colours (as symbol of the state, etc.)
Inscriptions: number: ‘181 / CXCVII / ...’

Blanco, oningevulde vlag, bestemd voor de vlag van de stad Stavoren. Vlag op vlaggensteng en mastvoet. Afgebeeld op folio 99r. Onderdeel van een vlaggenboek met vlaggen uit Europa, Noord-Afrika, Nabije en Verre Oosten.
Beeld van Antinoüs uit de Vaticaanse Musea
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: antinoüs, vaticaanse musea
Inscriptions: : ‘G’, : ‘6. Antinoo Mo Vaticano ROMA’, stamp
Bird and wisteria
Object type: print
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858