deem-data/ArtiFact huggingface dataset:
Terracotta fragment of a mastoid (drinking cup with narrow base)
Object type: mastoid fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Vine with bunches of grapes; start of handle root
Brief aan Philip Zilcken
Object type: letter
Date: 1903 – 1903
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: cornelia van der hart
Artist role: print maker
Artist dates: 1851 – 1940
Subjects: arnhem, hendrika maria aleida jungius, painter, draughtsman, philip zilcken, literature ~ arts
Inscriptions: collector's mark: ‘RPK’
Vier liggende schapen
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes mock
Artist role: draughtsman, painter, print maker
Artist dates: 1800 – 1884
Subjects: sheep
Inscriptions: collector's mark: Lugt 2228
The Alcove, Isleworth, part XIII, plate 63 from "Liber Studiorum"
Object type: print
Techniques: etching, mezzotint
Location: london
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: rivers,landscapes

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Dawe here added mezzotint to describe a classical pavilion which he may relate to one at Syon Park. Turner lived at Sion (or Syon) Ferry House, Isleworth, on the Thames between 1805 and 1806, and this image derives from sketches he made along the river. Naturalistic observations of the English countrside are combined with idealized classical elements, and the scene bathed in a golden evening light. A bright reflected sail on the far shore recalls "White House, Chelsea," a famous watercolor by Turner's close friend Thomas Girtin, who had died tragically young in 1804. The letters "EP" in the upper margin likely stand for Elevated Pastoral and were applied by Turner to landscapes within the set that echo the Arcadian sensibility of Claude.
Pair of tassels
Object type: tassel
Date: 1601 – 1700
Materials: metal thread, silk
Twee mannen, een vrouw en een meisje poserend bij een veranda in Batavia, twee van hen aangeduid als 'Leen en Kees'
Object type: album leaf
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: family life, loggia, verandah, porch, batavia

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Vignet met het wapen van de stad Amsterdam
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), vignette, amsterdam

Het wapen van de stad Amsterdam met een kroon, twee leeuwen en drie Andreaskruisen.
Portret van Johan Wilhelm Statius Muller
Object type: print
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maastricht
Inscriptions: collector's mark: Lugt 2228

Portret van Johan Wilhelm Statius Muller, predikant en lid van de Hollandsche Maatschappij der Wetenschappen in Haarlem.
Portret van Michelangelo
Object type: print
Date: 1823 – 1827
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: rome, painter, draughtsman, sculptor, michelangelo, historical persons, portrait, self-portrait of artist
Inscriptions: check stamp: ‘JC’, collector's mark: Lugt 2228

Prent waarschijnlijk ook gebruikt in: Chabert, Jean Claude. Galerie des peintres ou collection de portraits des peintres les plus célèbres de toutes les écoles. Accompagnée d'une notice sur chacun d'eux, et de copies de dessins originaux / Galerie des peintres ou collection de portraits des peintres les plus célèbres de toutes les écoles. Accompagnée de leur notice historique, de leurs dessins et d'un discours sur les arts. Parijs: Jean Claude Chabert, s.a. [1822-1834].

De samenstelling van tegenwoordig bekende en al dan niet gebonden exemplaren van deze uitgave verschillen. Dit omdat de prenten en bijhorende stukken tekst op inschrijving en waarschijnlijk ook los verkrijgbaar waren.
Border
Object type: border
Date: 1501 – 1700
Materials: linen, silk
Jar
Object type: jar
Date: 1000 – 1000
Materials: ceramic
Culture: iranian
Location: northwestern iran
Black Jack
Object type: photograph
Date: 1881 – 1881
Techniques: photography, woodburytype
Location: scotland
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Opinions Respecting The Young Roscius
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women
Drie vrouwen, een man en een meisje op het strand
Object type: photograph
Date: 1880 – 1910
Materials: metal
Techniques: ferrotyping
Artist: Anonymous
Subjects: beach (as place of recreation)
Pair of vertical panels
Object type: panel
Date: 1601 – 1633
Materials: metal thread, silk
Subjects: birds,flowers
Portret van een oude man in profiel met hoed
Object type: print
Date: 1597 – 1702
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: head-gear: hat (+ men's clothes)
Inscriptions: collector's mark: Lugt 2228

Fantasieportret in profiel van een oude man met een hoed op en een mantel met bontkraag aan, op de rechterzijde gezien. Rechtsonder genummerd: 22.
Ex libris van de Grootoosten der Nederlanden
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: bookshelves, miscellaneous religions, cults and doctrines: freemasonry
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, lower drapery and right calf and foot of draped woman to right; behind draped woman, left calf and foot of a second figure; Exterior, lower drapery and right foot of figure
Cup with Floral Scrolls
Object type: cup
Date: 1167 – 1200
Materials: silver
Techniques: chasing, repoussé
Culture: chinese
Caerte gemaeckt op ordre vande bovengenoemde heeren opperdijckgraeff en hoog heemraden des Ringhs van Putten (…)
Object type: map
Date: 1701 – 1701
Materials: paper
Techniques: engraving
Subjects: maps of separate countries or regions, polder, reclaimed land
Inscriptions: collector's mark: Lugt 195

Voor zover bekend is de kaart waar deze prent deel van is drie keer gedrukt; in 1701, 1738 en 1774. De huidige prent is onderdeel van de eerste druk.

Waarschijnlijk verscheen de eerste druk (1701) zonder wapens van de opperdijkgraaf, secretaris en hoogheemraden.

Voor de tweede druk (1738) werden de vier platen van de kaart bijgewerkt waardoor van elke plaat een tweede staat ontstond. Ook werd langs de bovenkant een wapenrand (gedrukt van één plaat) en langs de zijkanten een sierrand (gedrukt van twee platen) toegevoegd. Het bestuur bestond destijds uit opperdijkgraaf Gualterus de Raet, secretaris Nicolaas Hooreman en hoogheemraden Dirck Lieve, Cornelis Taal, Adriaen Roosmael, Pieter van der Mersch en Johannes Assuerus Roosendael. Zie RP-P-AO-14-53A voor een exemplaar van de tweede druk/staat (zonder sierrand).

Voor de derde druk (1774) werd in ieder geval de plaat rechtsonder bijgewerkt. Verder onderzoek is nodig om vast te stellen of de drie andere platen van de kaart ook werden bijgewerkt. Het bestuur bestond destijds uit opperdijkgraaf Dirk Bouwens, secretaris Carel Willem Hogerwaard en hoogheemraden Joh. van der Zaag, Hendrik Hoogendyck, Jan Jacob Villerius, Dammis Hoogendyck en Paulus Gevers.
Incense burner
Object type: incense burner
Date: 1615 – 1868
Materials: cobalt, glaze, porcelain
Culture: japanese
Subjects: flowers

Incense burners in imitation of Chinese forms, were among the first shapes made in Hizen. The combination of glazed and unglazed surface decoration reflects technological experimentation between 1630 and 1660.
Two daggers
Object type: dagger
Date: 1475 – 1524
Materials: brass, copper, wood, iron
Techniques: cutting, forging
Location: low countries
Artist: Anonymous
Subjects: low countries

Soldiers used daggers mainly in hand-to-hand combat, but these thrusting weapons were also a status symbol for the nobility. Various types were in use, often with an embellished hilt. A dagger with two lobes at the guard was called a ‘bollock dagger’ or a ‘kidney dagger’. These
two daggers were found buried, which is why the blades are damaged.
Ornamental Design with Two Urns and a Trophy
Object type: drawing
Date: 1700 – 1780
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: ornament,trophies,urns
Dry Dock on Curaçao
Object type: painting
Date: 1959 – 1959
Materials: canvas, oil, paint
Location: curacao
Artist: suzanne perlman
Artist dates: 1922 – 2020
Subjects: pipeline ~transportation of oil, dry-dock, floating-dock, plants and herbs: cactus

The industrial scaling up that gripped the post-war Netherlands also took place in the Caribbean Netherlands. The oil refinery of Shell, the British-Dutch company on Curaçao, is the subject of this painting: an industrial landscape with pipelines, cranes and ships. The cactus on the right identifies the landscape as Antillean.
Design for 4 seat Phaeton, no top, no. 3180
Object type: drawing
Date: 1876 – 1876
Materials: gouache, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Allegorie op de Oost-Indische Compagnie
Object type: book illustration
Date: 1728 – 1728
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: dordrecht, mayor, asiatic races and peoples, trade-company, justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, (story of) minerva (pallas, athena)
Inscriptions: collector's mark: Lugt 2228

Putti met wapenschilden van Aegidius van den Bempden, Hendrik Trip, Adriaan van Loon en Reinier Bouwens (burgemeester en bewindhebbers van de handelscompagnie) worden geflankeerd door Rechtvaardigheid met weegschaal en Minerva met (vrijheids)hoed in de hand. Rechts een putto met vlag van de VOC, Mercurius als handelsgod, Neptunus als god van de zee, een allegorische vrouwenfiguur en het Oostindisch-magazijn te Amsterdam. Links handelsschepen op zee, mensen die de Oost-Indische volkeren vertegenwoordigen en een vrouw met wierookvat en ster op het hoofd. Op de voorgrond handelswaar.
Kapper in Batavia
Object type: photograph
Date: 1945 – 1946
Materials: photographic support
Techniques: photography
Location: indonesia
Subjects: batavia
Inscriptions: inscription, stamp: ‘COPYRIGHT / 'ANEFO' / ALGEMEEN NEDERLANDSCH FOTOBUREAU’

Geallieerde soldaat bij een kapper in Batavia. De kapper verricht zijn werk in de open lucht.
The Seven Churches of Rome (Le Sette Chiese di Roma), from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1575 – 1575
Techniques: engraving, etching
Location: rome
Artist: giovanni ambrogio brambilla
Artist role: artist
Artist nationality: italian
Artist dates: 1575 – 1599
Subjects: human figures,cities,churches,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 12 in the scrapbook.
Slagorde van het keizerlijk leger onder den Prins Eugenius in 't jaar 1709
Object type: text sheet
Date: 1709 – 1720
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: paris, vienna, eugenius van savoye, battle arrays
Inscriptions: collector's mark: Lugt 2228

Slagorde van het keizerlijk leger onder prins Eugenius in het jaar 1709. Formatie weergegeven met de namen van de bevelhebbers van de verschillende regimenten. Linksboven gemerkt: II. Deel, pag. 293.
Ornament en twee vlinders
Object type: drawing
Date: 1939 – 1941
Materials: paper, pencil
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: insects: butterfly

Ontwerp voor een watermerk voor een bankbiljet.
Perseus en Andromeda
Object type: print
Date: 1731 – 1731
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: scrollwork, strapwork ~ ornament, perseus frees andromeda of her chains
Inscriptions: collector's mark: Lugt 2228

Andromeda, de dochter van een Ethiopische koning, is vastgeketend aan een rots bij de zee, als offer aan een zeemonster. Perseus werd verliefd op haar en doodt het monster. Amor verlost haar van de ketens. In de marge de titel in het Frans, Engels, Duits en Nederlands. De voorstelling is gedecoreerd met een ornamentele rand.
Portret van Maurits, prins der Nederlanden
Object type: print
Date: 1850 – 1882
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: the hague
Inscriptions: collector's mark: Lugt 2228

Portret van Maurits. Midden onder zijn wapen met een kroon en twee leeuwen. Daaronder op een banderol zijn geslachtsspreuk. In de ondermarge zijn naam, titel, zijn geboortedatum en sterfdatum.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, rim fragment with a circumscribed palmette with an elongated central frond
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of circumscribed palmette and tendril; start of handle root
Norway, 10 Kronors, from the series Coins of All Nations (N72, variation 2) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,smoking,coins

Trade cards from the "Coins of All Nations" (N72), issued in a set of 50 cards in 1889 to promote W. Duke Sons & Co. brand cigarettes. There are two variations within the series. Version one (variation 1) maintains a white background on the cards and the second version (variation 2) displays a shaded background.
Johannes de evangelist naar Patmos verbannen
Object type: book illustration
Date: 1685 – 1685
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: john (writing) on the island of patmos, possibly the eagle beside him
Inscriptions: collector's mark: Lugt 2228, number: ‘19’
Design for a Tomb with Herms and a Niche with a Bust Portrait
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: architecture,tombs,men,portraits
Plate
Object type: plate
Date: 1801 – 1900
Materials: metal
Artist: elkington & co.
Artist role: manufacturer
Artist nationality: british
Artist dates: 1829 – 1963

This electrotype is after a sixteenth-century German, pewter original in a private collection at the time of reproduction.
De verzoeking van de heilige Antonius
Object type: print
Date: 1509 – 1509
Materials: paper
Techniques: engraving
Location: low countries
Artist: lucas van leyden
Artist role: draughtsman, painter, print maker
Artist dates: 1494 – 1533
Subjects: temptations of st. antony abbot
Inscriptions: collector's mark: Lugt 2228a

Heilige Antonius zittend in landschap met boek, voor hem staat een vrouw met horens op het hoofd en een pot in de rechterhand.
Allegory of Lust
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: drawing, stumping
Location: netherlands
Artist: attributed to daniel mytens, the elder
Portret van een onbekende man
Object type: photograph
Date: 1900 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: amsterdam
Subjects: adult man
Inscriptions: inscription: ‘Foto Rembrandt Jan Steenstraat 131’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, left shoulder, and part of the extended left arm of a helmeted female warrior to right; head, neck, left shoulder, bent right arm, holding a spear, and Boeotian shield of a helmeted warrior to left, wearing a chiton; bent arm of a woman (Amazon?) to right, with her hand holding a spear
Plaque
Object type: plaque
Date: 1781 – 1783
Materials: iron, steel
Subjects: swords,men
Quae Genus, in the Sports of the Kitchen
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,kitchens,men,women,dancing,dogs
The Pyramids of Egypt
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: the courtesan rhodopis - love-affairs of person from classical history, egyptian pyramids (wonder of the world), slavery; serfs and enslaved persons, psammetichus, king of egypt, and the courtesan rhodopis; cupid assists her in putting on her sandal (while she was bathing one day an eagle carried away one of her sandals and dropped it near pharaoh, who started to look for its owner)
Inscriptions: collector's mark: Lugt 2228

Magdalena de Passe was just fourteen years old when she made this contribution to the family workshop’s print production as a full-fledged engraver. They are the first engravings she signed and are part of a series of depictions of the seven wonders of the ancient world. In both prints, De Passe created depth by engraving the background lighter than the foreground.
Gezigten in de omstreeken van Leiden, vervaardigt ter steendrukkerij van L. Springer te Leiden 1843
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: leendert springer (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1789 – 1871
Subjects: canals, waters (in city), university
Omslag van: Tijdschrift voor boek- en bibliotheekwezen, maart-mei 1903
Object type: photomechanical print
Date: 1903 – 1903
Materials: paper
Techniques: printing block
Location: antwerp
Subjects: compasses
Inscriptions: collector's mark: ‘BIBLIOTHEEK/ VEREENIGING TER BEVORDERING VAN DE BELANGEN DES BOEKHANDELS’, collector's mark: ‘R:MVS.’

Ornamenteel kader met in het midden een cirkel met een hand met een passer en het motto 'Labore et Constantia'.
Ruit met klimmende rode leeuw met wit kruis op goud veld
Object type: wapenruit
Date: 1700 – 1900
Materials: glass, lead
Techniques: leading
Artist: Anonymous

Een ruit waarin een ovale geschilderde wapenruit met een klimmende rode leeuw met wit kruis op een goud veld.
Fragment of a Calligraphic Textile
Object type: textile fragment
Date: 1267 – 1400
Materials: cotton
Location: egypt
Portraits des artistes modernes nés dans le Royaume des Pays-Bas
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Subjects: brussels, draughtsman, constantinus fidelio coene, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 12
Hoder krijgt een speer van de Walkuren
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: etching
Location: berlin
Subjects: germanic and scandinavian religions, representations ~ gods, demi-gods, heroes etc. (germanic and scandinavian religions), casting weapons: spear
Inscriptions: collector's mark: Lugt 2228

Prent uit: Ewald, Johannes. Balder's Tod. Ein traurspiel mit Gesang (...). 2de druk. Kopenhagen: Christ. Gottlob Proft, 1785.
Portret van Karel II, koning van Engeland en zijn vrouw Catharina van Braganza
Object type: print
Date: 1662 – 1698
Materials: paper
Techniques: engraving
Location: london
Subjects: catharina van bragança, london, karel ii (koning van engeland), hairdress - aa - ~ women, specific aspects, allegorical aspects of mercury; mercury as patron, (story of) pallas - specific aspects, allegorical aspects, as patron of
Inscriptions: collector's mark: Lugt 2228

Portretten van Karel II, koning van Engeland en zijn vrouw Catharina van Braganza in een ornamentele omlijsting met onder hun portretten hun familiewapens. In het midden lauweren twee putti een leeuw die zijn poot op een wereldbol heeft. Daarboven twee koppen, van Mercurius en Minerva.