deem-data/ArtiFact huggingface dataset:
Leiden, brandspuitpenning met monogram R.H.
Object type: medal
Date: 1680 – 1800
Materials: brass
Techniques: casting
Location: leiden
Artist: Anonymous
Subjects: leiden

Messing penning. Voorzijde: gekroond wapenschild, geflankeerd door twee leeuwen boven compartiment met gedeeltelijk leesbaar opschrift beginnend met No.. Keerzijde: monogram van letters R en H
Gezicht op Nijenrode
Object type: print
Date: 1646 – 1676
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: castle, rowing facing backward, pulling, four-wheeled vehicle drawn by more than three animals
Inscriptions: collector's mark: Lugt 240

Gezicht op kasteel Nijenrode, waaromheen veel bedrijvigheid. Links- en rechtsboven twee familiewapens elk gedragen door twee putti.
Pine of Success and Oumayagashi, Asakusa River (Asakusagawa Shubi no matsu Oumayagashi), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1856 – 1856
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
VOC, duit Holland, 1748. Afslag in zilver
Object type: coin
Date: 1748 – 1748
Materials: silver
Techniques: striking
Location: dordrecht

Zilveren munt. Voorzijde: gekroond wapenschild van Holland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand. Afslag in zilver.
Boogschutter
Object type: print
Date: 1903 – 1932
Materials: paper
Techniques: lithograph
Artist: adriaan j. van t hoff
Artist role: draughtsman, print maker
Artist dates: 1893 – 1939
Subjects: archer's weapons, shooting with bow and arrow, archery (~ games of skill), dog
Inscriptions: collector's mark: Lugt 2228
Blad met ranken met bloemen
Object type: brocade paper
Date: 1740 – 1780
Materials: gold leaf, paint, paper
Techniques: relief print
Location: augsburg
Artist: johann wilhelm meyer
Artist role: papiermaker
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760

Blad met ranken met grote en kleine bloemen. Genummerd onderaan: No 17.
Plate
Object type: plate
Materials: faience
Techniques: glazing
Subjects: flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Dripstones in Reed Flute Cavern
Object type: photomechanical print
Date: 1974 – 1974
Materials: cardboard
Techniques: offset printed
Location: guilin
Subjects: stalactitic cave
Fries met gehurkte sater tussen twee tritons
Object type: ornament print
Date: 1534 – 1534
Materials: paper
Techniques: engraving
Location: germany
Subjects: triton(s), satyr(s) (in general)
Inscriptions: collector's mark: Lugt 240

De sater houdt de staarten van de tritons in zijn handen, de tritons houden knotsen vast. Gearceerde achtergrond.
Waterloo Bridge
Object type: print
Date: 1896 – 1896
Materials: ink, paper
Techniques: printing, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: bridges
Konstbüchlein den Goldschmiden dienstlich
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the olympian gods together: jupiter, juno, neptune, ceres, apollo, diana, mars, venus, mercury, minerva, vulcan, vesta (or bacchus), more than one musician with instrument

Van links naar rechts: Mars, Juno en Jupiter, Bacchus en Diana. Bovenaan musicerende putti. Blad uit serie bestaande uit een titelblad en 11 bladen met ontwerpen voor horlogedeksels.
Pair of shoes with straps
Object type: womenswear
Date: 1939 – 1939
Materials: cotton, leather, metal
Location: brussels
Artist: a. van goethem
Artist role: schoenmaker

Linkerbandschoen, van blauwzwart krokodillenleer met gespsluiting en hoge, onbeklede hak. Model: de schoen is opgebouwd uit een voorblad, twee zijpanden met twee riemen en metalen gespen en twee hielpanden. De zijpanden vormen een smalle bies op de voorvoet. Sluiting midden op de wreef door middel van twee riemen met vierkante, metalen gespen. De achternaad wordt gecamoufleerd door een smalle bies. Hoge ( 7 cm) onbeklede hak. De voorvoet is gevoerd met naturelkleurig katoen; de rest met grijs leer. Binnenzool met gouden opdruk. Adres: (op binnenzool) A. VAN GOETHEM, 15 RUE DE NAMUR/PRES LA PLACE ROYALE, BRUXELLES. Opmerking: in de linkerschoen is met inkt geschreven: 113504/2391.
Landschap met boerderij bij sloot met bruggetje en schetsjes in marge
Object type: print
Date: 1809 – 1869
Materials: paper
Techniques: etching
Location: rotterdam
Artist: dirk vis blokhuyzen
Artist role: print maker
Artist dates: 1799 – 1869
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Landschap met boerderij bij sloot met bruggetje. In de marge staan kleine schetsjes van een schilder met zijn palet, gebouwen in een landschap en een boom.
Drie waaiers met familiewapens
Object type: surimono
Date: 1820 – 1830
Materials: paper
Techniques: woodcut
Location: japan
Artist: Anonymous
Subjects: fan
Inscriptions: inscription

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Miniature headdress with owl
Object type: ornament
Date: 500 – 800
Materials: gold
Culture: moche
Location: peru
Artist: moche artist(s)
Artist role: artist
Subjects: birds
Head-shaped bead
Object type: bead
Date: 200 – 800
Materials: gold
Culture: moche
Location: peru
Artist: moche artist(s)
Artist role: artist
Subjects: heads
Design for a Vignette Accompanying a Publication on the Greek Alphabet
Object type: drawing
Date: 1630 – 1664
Materials: ink
Techniques: pen
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: birds,ornament,flowers
Vignet met putti in een cartouche
Object type: ornament print
Materials: paper
Techniques: etching
Location: paris
Subjects: measuring-instruments, ornament ~ cartouche, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Pagina 16 uit: Edme-Sébastien. Traité de perspective à l'usage des artistes (...). Parijs: Jombert, Charles Antoine, 1750.
Case (Inrō) with Design of Persons Outside Building and Wall (obverse); With Flowering Cherry Trees (reverse)
Object type: inrō
Date: 1801 – 1900
Materials: gold, lacquer
Techniques: fundame, hiramakie, maki-e
Culture: japanese
Subjects: buildings,men
Scribe's knife
Object type: scribe's knife
Date: 1295 – 1070
Materials: bronze
Location: egypt
Schuttersbrief van kapitein Pieter Clockener
Object type: schuttersbiljet
Date: 1779 – 1787
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: theodoor koning
Artist role: print maker
Artist dates: 1748 – 1829
Subjects: helved weapons, polearms (for striking, hacking, thrusting): lance, firearms, maps of cities, armorial bearing, heraldry, amsterdam
Inscriptions: collector's mark: Lugt 800a, collector's mark: Lugt 800a, collector's mark: Lugt 1641b

Van deze schuttersbrief komen minstens vier staten voor: zonder tekst en zonder datering onderaan, zonder tekst en met datering onderaan, met tekst en zonder datering onderaan, en met tekst en met datering onderaan. Hier is sprake van de derde situatie.
Sleutel van ijzer met monogram MC
Object type: key
Date: 1680 – 1700
Materials: iron
Location: england
Chelsea Palaces (Color Version)
Object type: print
Date: 1890 – 1897
Materials: paper
Techniques: aquatint, etching
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926
David
Object type: painting
Date: 1408 – 1410
Materials: gold leaf, paint, wood
Artist: lorenzo monaco (piero di giovanni)
Artist role: artist
Artist nationality: italian
Artist dates: 1370 – 1425
Subjects: musical instruments,david
Mary Anderson, from the Actresses and Celebrities series (N60, Type 1) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products
Object type: photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actresses and Celebrities" series (N60), issued in 1887 to promote Little Beauties Cigarettes distributed by Allen & Ginter. There are two types of cards in the set. Type 1 cards have the brand name printed on front and Type 2 cards do not.
Wandelaars op het Spui en de Kalverstraat in Amsterdam
Object type: photograph
Date: 1890 – 1910
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Subjects: kalverstraat, spui

Moderne afdruk van negatief BR 1166 (collectie RKD).
Scarab Inscribed for Pharaoh Aya (I)
Object type: scarab, merneferre aya, cartouche, hieroglyph, royal title
Date: 1700 – 1676
Materials: stone
Location: egypt
Subjects: scarabs

This scarab is inscribed with a royal title and a cartouche encompassing the prenomen of pharaoh Aya (Dynasty 13, ca. 1700-1676 B.C.).
Alexander de Grote laat de werken van Homerus veilig opbergen
Object type: print
Date: 1515 – 1575
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: alexander has the books of homer put into a chest
Inscriptions: collector's mark: Lugt 240

Kopie naar prent van Marcantonio Raimondi. Raimondi baseerde zijn prent op een ontwerp van Raphael voor een grisaille in de Stanza della Segnatura, Vaticaan, Rome (tekening in collectie Ashmolean Museum, Oxford).
Reliëf op de Arc de Triomphe in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: triumphal arch, decorating 'en relief', appliquéing
Inscriptions: name: ‘Louchet Ingr Opticien Grande Galerie des Panoramas, 44 Paris.’, monogram: ‘V.F.’, number: ‘25’
Dinos
Object type: dinos
Date: 600 – 480
Materials: terracotta
Culture: cypriot

Bowl with two handles, bands, and concentric circles.
A Doleful Disaster, or Miss Fubby Fatarmin's Wig Caught Fire
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women

A woman unloads a wagon at left, and hands a man a basket of bread. A group of people is lined up outside of the Flying Waggon Inn at right.
Equestrian Figure
Object type: ceramic
Date: 1750 – 1765
Materials: earthenware
Techniques: glazing
Location: staffordshire
Filmnegatief met opname van Rome
Object type: photograph
Date: 1907 – 1935
Materials: film
Techniques: gelatin silver negative
Location: rome
Artist: Anonymous
Subjects: rome
A Snowy Evening at Kanbara Station
Object type: woodblock print
Date: 1833 – 1834
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: houses,mountains,snow

Deep snow covers the slope of Kanbara in the evening. Fresh flakes falling on the houses, trees, and mountains create a quiet that is broken only by the implied crunch of travelers' footsteps in the snow. This scene is imaginary because records indicate that Hiroshige traveled through Kanbara in the summertime, and such heavy snowfall would be unusual for this area of Japan.
Red sheet with two borders with a white floral pattern atop a black lace pattern
Object type: print
Date: 1767 – 1866
Techniques: relief print
Artist: Anonymous
Artist role: artist
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Man en vrouw in een galerij met kariatiden
Object type: print
Date: 1663 – 1674
Materials: paper
Techniques: etching
Location: vienna
Subjects: set, scenery ~ stage, theatre, theatrical performance
Inscriptions: collector's mark: Lugt 2228

Een man en een vrouw lopen in het midden van een galerij met kariatiden. Aan het begin van de galerij staan twee ruiterstandbeelden, aan het einde een poort.
Prints of the Female Reproductive Organs
Object type: book illustration
Date: 1672 – 1672
Materials: paper
Techniques: engraving, letterpress printing
Location: netherlands
Subjects: womb, uterus
Inscriptions: collector's mark: Lugt 2228

In 1672, physician and anatomist Reinier de Graaf published his De mulierum organis about the female reproductive organs. The book contains detailed prints by Hendrik Bary, among them several of the vagina. De Graaf was the first to conclude that a foetus was the product not just of a man’s seed, but also of a woman’s egg. He discovered what he called blisters, which later became known as Graafian follicles.
Vijf Nederlandse industrieën
Object type: photomechanical print
Date: 1915 – 1970
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen, printing block
Artist: Anonymous
Subjects: industries
Inscriptions: annotation: ‘GEBOUWEN/ GAS/ HAVEN/ WATER/ WEGENBOUW/ ELECTRA/ REINIGING/ 4 cm/ 17 1/2 cm/ SCHETS NED. FABRIKAAT’, collector's mark: Lugt 2228a

De vijf belangrijkste Nederlandse industrieën, te weten gas, haven, water, elektra en reiniging met bijbehorende gebouwen zoals een watertoren en energiecentrale. Tevens een vignet met de letters CHE MES in spiegelbeeld in een zon.
Visitekaart van 'Le Prince Odescalchi et son fils p.p.c.'
Object type: visiting card
Date: 1700 – 1799
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: landscape with ruins, boulder, stone
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Landschap met antieke ruïne en links een boom. Op de voorgrond een brede steen waarop in handschrift de naam geschreven is. Onduidelijk is om welk lid van de familie Odeschalchi het hier gaat.
Votive Menat fragment
Object type: menat fragment
Date: 1479 – 1458
Materials: faience
Location: egypt
Huizenblok aan het Pretoriusplein te Amsterdam met kinderen op straat
Object type: photograph
Date: 1910 – 1930
Materials: paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: façade (of house or building)

Onderdeel van Album met foto's van Amsterdam en omgeving.
Nimpharum oceanitidum, ephydridum potamidum naiadum
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: engraving
Location: antwerp
Artist: philips galle
Artist role: print maker, publisher
Artist dates: 1537 – 1612
Subjects: hydra of lerna
Inscriptions: collector's mark: Lugt 2228

De waternimf Lerna, gezeten op een stenen blok. In de achtergrond de hydra van Lerna. De prent maakt deel uit van een zeventiendelige serie over stroom- en waternimfen.
Religieuze voorstellingen
Object type: popular print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: sacrifice of the paschal lamb ~ jewish religion, david penitent, pentecost: the holy ghost descends upon (mary and) the apostles, sometimes paul and/or representatives of the nations present (acts 2:1-4)
Inscriptions: collector's mark: Lugt 2760

Blad met 8 religieuze voorstellingen, waaronder David in gebed, de neerdaling van de Heilige Geest met pinksteren en het Lam Gods op een altaar. Onder elke voorstelling een onderschrift. Genummerd midden boven: No. 213.
Tekstblad met initiaal A
Object type: advertisement
Date: 1899 – 1899
Materials: paper
Techniques: letterpress printing
Artist: charles ricketts
Artist role: print maker
Artist dates: 1866 – 1931
Subjects: initial
Inscriptions: mark: ‘Ex libris J. Visser, Rotterdam’, collector's mark: Lugt 2228

Deze prent is een advertentie met bestelformulier voor het werk 'A defence of the revival of printing' van Charles Ricketts.
Pompei: Maison Cornelio Rufo: fouilles 1863
Object type: photograph
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: albumen print
Location: pompeii
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture (+ sculpture), column, pillar ~ architecture, excavation ~ archaeology, pompeii
Inscriptions: negative number: ‘4204’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Napels en omgeving.
Portret van Johan Arnold Zoutman
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: pieter willem van megen
Artist role: print maker
Artist dates: 1750 – 1785
Subjects: the hague, johan arnold zoutman
Inscriptions: collector's mark: Lugt 240

Portret van Johan Arnold Zoutman, vice-admiraal van Holland en West-Friesland, met een bevelhebberstaf in zijn hand. Op de achtergrond de Slag bij de Doggersbank.
Bruxelles. Panorama (Palais de Justice et église de la Chapelle) / Brussel. Panorama (Justitiepaleis en Kapelkerk)
Object type: photomechanical print
Date: 1913 – 1930
Materials: cardboard
Techniques: photograph
Location: brussels
Subjects: court building, prospect of city, town panorama, silhouette of city
Inscriptions: postage stamp
Gezicht van den Mäabotop op de Saramacca
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

Gezicht vanaf de top van de Maabo Heuvel op de Saramacca Rivier. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Sampler made at the British and Foreign School Society
Object type: sampler
Date: 1825 – 1825
Materials: cotton, wool
Techniques: embroidery

This small sampler worked with the alphabet in upper and lower case, as well as number 1 through 9, represents the tenth lesson in the "Manual of the System of Teaching Needlework in the Elementary Schools of The British and Foreign School Society," published in 1821. This educational society was founded by Quaker Joseph Lancaster (1778–1838) out of concern for the lack of educational opportunities available to poorer children, particularly those whose families not members of the Church of England. Small samplers such as this are preserved in these manuals, and were also made into objects such as pincushions that were sold to raise funds for the school. A complete example of this manual, dating from 1821, is also preserved in the Museum’s collection (accession number 43.63).
Vissersboot op woelig water
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: etching, intaglio
Artist: egidius linnig
Artist role: draughtsman, print maker
Artist dates: 1821 – 1860
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228
Denis Lebey de Batilly, Emblemata, 1596
Object type: book illustration
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: rescue from fire
Inscriptions: collector's mark: Lugt 240

Een groep mensen vertrekt uit een brandende stad. De mensen dragen hun bezittingen in zakken op de rug. De groep wordt geleid door een naakt man gekleed enkel met een doek om zijn midden.
Brief aan Philip Zilcken
Object type: letter
Materials: ink, pencil
Techniques: pen, writing
Location: groningen
Subjects: cyriel buysse, paris, alphonse daudet, the hague, painter, philip zilcken, literature ~ arts
Inscriptions: collector's mark
Design for Pony Phaeton, no. 4072
Object type: drawing
Date: 1890 – 1890
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
De Witte Poort
Object type: book illustration
Date: 1734 – 1734
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: andries van buysen (sr.)
Artist role: print maker
Subjects: bridge, city-gate
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Prent ook gebruikt in: De vermakelyke Leidsche buiten-cingels, aangenaame dorpen en landstreken, rondom die stad gelegen (…) versiert met alle de stadts-poorten. Leiden: Quirinum Visscher, Amsterdam: Arent van Huyssteen, 1734.