deem-data/ArtiFact huggingface dataset:
Portret van Louise van Pruisen
Object type: print
Date: 1825 – 1899
Materials: paper
Techniques: engraving, etching
Location: berlin
Subjects: koningsbergen, wassenaar, prinses, louise van pruisen
Inscriptions: collector's mark: Lugt 2228

Portret van Louise in een achtkantige omlijsting. In de ondermarge een regel Duitse tekst.
Paulus voor het Sanhedrin
Object type: album leaf
Date: 1629 – 1646
Materials: paper
Techniques: letterpress printing
Location: antwerp
Artist: pieter jacobsz. paets
Artist role: publisher
Artist dates: 1587 – 1667
Subjects: paul before the high priest ananias and the sanhedrin

De prent is afkomstig uit een van de uitgaven van P.J. Paets uit Amsterdam. De prent wordt mogelijk al gebruikt in: Der Zielen Lust-hof. Leuven, I.Jacbosz voor P.J. Paets [= Amsterdam, P.J. Paets], 1629. Ze komt in ieder geval voor in: Het Nieuwe Testament ons Salichmaeckers Jesu Christi. Amsterdam, P.J. Paets, 1646.
De voorstelling is gekopieerd naar een prent van Philips Galle naar Jan van der Straet, onderdeel van de serie getiteld Acta Apostolorum.
Portret van Maximiliaan I van Beieren
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: engraving
Location: augsburg
Artist: wolfgang kilian
Artist role: print maker
Artist dates: 1581 – 1662
Subjects: maximiliaan i (keurvorst van beieren), armour, historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)

Prent met tekst in boekdruk op verso gebruikt in: Genealogia Serenissimor. Boiariae Ducum et Quorundam Genuinae Effigies. S.l.s.n., 1620.
Gezicht op een kanaal tussen de ijsplaten in de Karazee
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Location: kara sea
Subjects: icefield, landscapes in polar regions
Inscriptions: inscription: ‘De Nederlandsche Pool-Expeditie 1882-1883’
Hagi no Tamagawa
Object type: print
Date: 1725 – 1770
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: women,rivers,plants
Moses on Sinai (Le tables de Loi judaique)
Object type: print
Date: 1773 – 1773
Techniques: etching
Artist: simon julien
Artist role: artist
Artist nationality: french
Artist dates: 1735 – 1800
Subjects: musical instruments,men,moses
Moldings for Gothic Library Bookcase, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1753 – 1753
Materials: ink
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: furniture

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate LXXIV in the 1754 and 1755 editions, renumbered as plate XCIX in the 1762 edition.
VOC, duit stad Utrecht,1745
Object type: coin
Date: 1745 – 1745
Materials: copper
Techniques: striking
Location: utrecht

Koperen munt. Voorzijde: op balk, waaronder guirlande, geplaatst, door twee leeuwen gehouden gekroond wapenschild van de stad Utrecht. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Terracotta fragment of a kylix: eye-cup  (drinking cup)
Object type: kylix fragment, eye cup
Date: 520 – 510
Materials: terracotta
Culture: greek, attic
Artist: painter of the boulogne horse
Artist role: artist

Exterior, part of a palmette with a red heart
La Vera Perfettione del Disegno di varie sorti di recami, page 14 (recto)
Object type: book print ornament architecture
Date: 1567 – 1567
Techniques: woodcut
Artist: giovanni ostaus
Artist role: publisher
Artist nationality: italian
Artist dates: 1507 – 1607
Subjects: ornament

Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice. From top to bottom, and left to right: Design composed of 6 horizontal registers that are printed upon a grid. Each register is decorated with curvilinear lines that form a pattern of various geometric shapes.
Teapot with cover
Object type: teapot with cover
Date: 1734 – 1766
Materials: earthenware
Techniques: glazing
Artist: whieldon type
Artist role: maker
Gezicht op de voorzijde van het Koninklijk Paleis te Amsterdam
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: palace, royal palace of amsterdam

Prent verschenen in: Dapper, Olfert. Historische beschryving der stadt Amsterdam: waer in de voornaemste geschiedenissen (na een kort verhael van gansch Hollant en d'omleggende dorpen (…). Amsterdam: Jacob van Meurs, 1663.
Kalk-Hoen
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: animals (+ skeleton of an animal), walker and runner birds: turkey
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Dyk, Cornelis van. Osteologia, of nauwkeurige geraamt beschryving van verscheyde dieren, nevens hare historien. Amsterdam: Jan Claesz ten Hoorn, 1680.
St James
Object type: figure
Date: 1490 – 1500
Materials: wood
Location: lower rhine region
Artist: master of st anthony
Artist role: sculptor
Subjects: the apostle james the great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword - specific aspects ~ male saint

Meester van Sint-Antonius (werkzaam ca. 1475-1500)?, Nederrijn (Hertogdom Kleef?), ca. 1480-1510, buxushout
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1701 – 1800
Materials: gold alloy, gold, silver
Culture: japanese
Location: japan
Subjects: fish
Armed Four-Master Sailing Towards a Port, from The Sailing Vessels
Object type: print
Materials: paper
Techniques: engraving
Location: belgium
Artist: frans huys
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1522 – 1562
Pandeiro
Object type: pandeiro
Date: 1801 – 1833
Materials: tin
Culture: portuguese
Location: portugal
Arbor group
Object type: figure group
Date: 1750 – 1750
Materials: earthenware
Techniques: glazing
Subjects: couples,men,women,dogs
Chlorite mortar
Object type: mortar, three legged
Date: 1600 – 700
Materials: mineral
Culture: cypriot

The mortar has three quite tall legs.
Stirrup
Object type: stirrup
Date: 901 – 1100
Materials: iron
Culture: german or west slavic
Location: poland

This triangular stirrup was used in the eastern part of the Baltic, where Viking and West Slavic populations were cohabitating. Horses had a great societal importance in Germanic and Slavic cultures, in both social and religious aspects. Equestrian equipment, like stirrups, spurs and bits, are regularly found in their burials, among the goods warriors wanted to bring with them to the afterlife. The elite would sometimes even be accompanied by sacrificed horses, a meaningful practice at that time, considering the high economic value of horses.
Portret van George I van Engeland
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: george i (koning van groot-brittannië en ierland), coat of arms (symbol of sovereignty), crown (symbol of sovereignty), knighthood order, armour
Inscriptions: collector's mark: Lugt 240

Portret van George I, koning van Engeland en Ierland. Onder de omlijsting zijn wapenschild met zijn devies in het Latijn. Op een draperie een kroon, een rijksappel, een keten met de Constantijnse Orde van Sint Joris en een medaillon waarop een paard. In de marge een achtregelig onderschrift in het Latijn.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, gold, iron, silver
Culture: japanese
Location: japan
Subjects: birds
Ontwerp voor Horatiaans Emblemata: Aequanimitas
Object type: drawing
Date: 1599 – 1609
Materials: ink, paper
Techniques: brush, pen
Artist: otto van veen
Artist role: draughtsman, painter
Artist dates: 1556 – 1629
Watkins Glen
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: watkins glen
Artist: william t. purviance
Artist role: publisher
Subjects: waterfall
Inscriptions: title: ‘Pluto fall.’, number: ‘1256’
View of an Encampment of the Army of Willem III at Lembeek, Hainaut
Object type: drawing
Date: 1675 – 1675
Materials: ink, paper
Techniques: brush, pen
Location: lembeek
Artist: josua de grave
Artist role: draughtsman
Artist dates: 1645 – 1712
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), (military) camp with tents, lembeek
Vogelvluchtgezicht op de Beurs van Hendrik de Keyser te Amsterdam, na 1668
Object type: print
Date: 1701 – 1726
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), stock exchange, stock-market, courtyard, caduceus (staff with two snakes, attribute of mercury), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Les Forces de l'Europe, Asie, Afrique et Amerique (...). Amsterdam: Pieter Mortier (I), [1701]. Of uit: Les Forces de l'Europe, Asie, Afrique et Amerique (...). 20 dln. Parijs en Leiden: Nicolas de Fer (?) en Pieter (I) van der Aa, [1726], dl. 13.
Isabella aan tafel bij Karel VI
Object type: print
Date: 1803 – 1861
Materials: paper
Techniques: drypoint, etching
Artist: jacob joseph eeckhout
Artist role: draughtsman, print maker
Artist dates: 1793 – 1861
Subjects: paris, queen, king
Inscriptions: collector's mark: Lugt 2228

Koning Karel VI trouwde met Isabella van Beieren. De narrenfiguur in de achtergrond van deze prent symboliseert de waanbeelden die Karel VI teisterden.
Portret van Geertruida Hasselaer
Object type: print
Date: 1645 – 1654
Materials: paper
Techniques: etching
Subjects: geertruida hasselaer
Inscriptions: collector's mark: Lugt 2233

Portret van Geertruida Hasselaer, echtgenote van Cornelis van Werkhoven, raad in de Vroedschap te Utrecht.
Knoop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: button
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Thanka with Large Buddha
Object type: thangka
Date: 1801 – 1900
Materials: textile
Culture: tibetan
Subjects: horses,clouds,buddhism,buddha,monks,carts
Terracotta fragment of a neck-amphora (jar)?
Object type: neck amphora fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Head, extended left arm, and part of the upper torso of a draped, helmeted warrior to left, holding a pairs of spears in his right hand
Menu voor het diner ter ere van de publicatie van het boek 'Henri Boutet graveur et pastelliste' door Leon Maillard
Object type: menu, menukaart
Date: 1805 – 1894
Materials: paper
Techniques: drypoint, intaglio
Artist: henri boutet
Artist role: draughtsman, print maker
Artist dates: 1851 – 1919
Subjects: book, evening meal, dinner, supper, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Inscriptions: annotation: ‘Monsieur Floury’, collector's mark: Lugt 2228, collector's mark: Lugt 4780

Een naakte vrouw vliegt over een tafel met glazen en borden. Uitgestrekte handen reiken naar het boek van Maillard dat zij in haar handen heeft.
Koe bij hek
Object type: print
Date: 1872 – 1932
Materials: paper
Techniques: etching, intaglio
Location: netherlands
Artist: frans smissaert
Artist role: draughtsman, print maker
Artist dates: 1862 – 1944
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
Abklatsch van de krijttekening op pagina 17
Object type: sketchbook leaf
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 16 uit een schetsboek met 43 bladen.
Brief aan Elsie Maud Cownie
Object type: letter
Date: 1905 – 1905
Materials: ink
Techniques: pen, writing
Location: the hague
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: liverpool, walter crane, manchester, elsie maud cownie, drawing, the graphic arts, printed matter, venice
Vase
Object type: vase
Date: 1840 – 1845
Materials: porcelain
Culture: american or european
Location: wales
Subjects: landscapes
Croix de Chaudesaigues, Auvergne
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: paris
Subjects: monument, statue (+ city(-scape) with figures, staffage), village square, place (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228a

Prent gebruikt voor: Nodier, Ch. en Taylor, I. Voyages pittoresques et romantiques dans l'ancienne France. Auvergne. Parijs: Casimir Gide, 1829-1833. dl. 1, p. 195 bis.
Groepsportret van vier meisjes en een jongen in een tuin
Object type: album leaf
Date: 1912 – 1912
Materials: paper
Techniques: gelatin silver print
Location: ellecom
Artist: liesbeth overhoff
Artist role: fotograaf
Artist dates: 1895 – 1969
Subjects: girl (child between toddler and youth) (+ four persons), boy (child between toddler and youth), garden, historical persons
Inscriptions: inscription: ‘Ellekom 1912’
Deventer. V. Twickelostraat
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: amsterdam
Subjects: trees, street, deventer
Ceremonial Situla of the 'Great Praised' Penmin showing  Nut as a tree-goddess, and Osiris, Isis, Nephthys, and Harsiese
Object type: situla, penmin, tree goddess, osiris
Date: 332 – 330
Materials: bronze
Location: egypt
Subjects: hieroglyphs

Just below the rim of this situla is a band of stars indicating the sky, and beneath that is a register of inscription which asks that the 'Great Praised' Penmin give life to Hetepkhonsu, and names various other individuals whose relationship is not entirely clear.Two scenes cover opposite sides of this vessel. In one scene a tree goddess, named here as Nut, pours water down over Penmin on the right and his ba (in the form of a bird) on the left. In the other Penmin adores across an offering table the gods, Osiris, Isis, Nephthys, and Harsiese. A lotus design clasps the rounded bottom of the vessel.
Wedding dress
Object type: wedding dress
Date: 1838 – 1838
Materials: silk, wool
Culture: european
Hoofd van een oude vrouw met capuchon
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: etching, intaglio
Artist: piet verhaert
Artist role: print maker
Artist dates: 1852 – 1908
Subjects: head-gear: hood, old woman
Inscriptions: collector's mark: Lugt 2228
Nicaise
Object type: book illustration
Date: 1881 – 1881
Materials: paper
Techniques: etching
Location: france
Subjects: garden, lovers; courting, flirting
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit een veilingcatalogus: "Catalogue des Tableaux anciens composant la très importante collection de Monsieur le Baron de Beurnonville", uitgegeven in 1881 te Parijs door Pillet en Dumoulin. De veiling vond plaats van 9 tot en met 14 en 16 mei 1881.
Pierre de Maridat
Object type: medal
Date: 1656 – 1656
Materials: bronze
Artist: i. josias belle
Artist role: artist
Artist nationality: french
Artist dates: 1624 – 1695
Subjects: men,profiles,coat of arms
To C.W. Field, from the State of Wisconsin for laying the Atlantic Cable, 1867
Object type: medal
Date: 1867 – 1867
Materials: gold
Artist: alfred borrel
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1927
Subjects: men,profiles,coat of arms,transatlantic cable
The Art of Printing: A Poem
Object type: print
Date: 1801 – 1900
Techniques: letterpress
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others.
Alexandre Dumas Fils
Object type: photomechanical print
Materials: paper
Techniques: woodburytype
Location: france
Artist: frank (fotograaf)
Artist role: fotograaf
Subjects: paris, portrait of artiste (dancer, actor, etc.)
Inscriptions: number: ‘No 33.’, inscription: ‘Du 1er au 7 Janvier 1874’
Corona delle Nobile et Virtuose Donne, Libro Terzo, page 23 (recto)
Object type: book print ornament architecture
Date: 1620 – 1620
Techniques: woodcut
Artist: cesare vecellio
Artist role: designer
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament,flowers

Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de' Vecchi, Italian, active 17th century, Venice. From top to bottom, and left to right: Design consists of a central section that forms a corner. The outer edge of the corner is decorated with several floral motifs that include figural representations. The inner portion of the corner is decorated with 2 gridded horizontal registers that are ornamented with flowers and curving vines of leaves and grotesque figures. At the bottom left corner of the design is an ornamented triangle and at the top right corner is a curving vine of flowers that sits upon an ornamented rectangular base.
Uitnodiging voor een bijeenkomst van de Federation des Avocats
Object type: print
Date: 1891 – 1891
Materials: paper
Techniques: etching
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: nivelles, politician, brussels, edmond picard, lawyer, attorney at law
Inscriptions: collector's mark: Lugt 2228
Dood van Jakob
Object type: ornament print
Date: 1667 – 1667
Materials: paper
Techniques: etching
Location: paris
Subjects: jacob's death (genesis 49:33, 50:1-14)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘15a / 20-10-'81’

Jakob ligt op bed en wordt omringd door zijn twaalf zonen. Zijn zoon Jozef knielt voor het bed en ontvangt de zegen van zijn vader.
Boekenkraam van Aäron Eliazer van Kollem in de Oudemanhuispoort
Object type: print
Date: 1905 – 1905
Materials: paper
Techniques: photograph
Location: hamburg
Artist: Anonymous
Subjects: book-shop, bookseller
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228
Abklatsch en doordruk van de tekeningen op pagina 12 en 13 verso
Object type: sketchbook leaf
Date: 1886 – 1890
Materials: paper
Techniques: printmaking, transfer
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906

Blad 13 recto uit een schetsboek met 17 bladen.
Hugh Hall
Object type: drawing
Date: 1758 – 1758
Materials: canvas, paper, pastel
Culture: american
Artist: john singleton copley
Artist role: artist
Artist nationality: american
Artist dates: 1738 – 1815
Subjects: men,portraits

The subject of this powerful study is Hugh Hall, a distiller, son of the governor of Barbados, and a Boston merchant of great affluence. The portrait reveals the young Copley's earliest attempt to master the difficult medium of pastel crayons. This is not an effortless performance. The picture bears the scars of his struggle to bend an obdurate medium to his will, but what the picture lacks in elegance it more than makes up in forcefulness. This portrait of Hugh Hall is probably Copley's first pastel.
Portret van een onbekende man
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Location: dresden
Subjects: historical persons
Inscriptions: monogram: ‘BX’
Zomerlandschap
Object type: print
Date: 1820 – 1860
Materials: paper
Techniques: etching
Artist: barend cornelis koekkoek
Artist role: draughtsman, painter, print maker
Artist dates: 1803 – 1862
Subjects: fringe, edge of the wood, forest path or lane
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Zomerlandschap. Wandelaar op een pad langs de rand van een bos, rechts het dak van een huis.
Head of Tutankhamun
Object type: head, tutankhamun, god's hand
Date: 1336 – 1327
Materials: limestone
Location: egypt
Subjects: tutankhamun,heads

This head is a fragment from a statue group that represented a god seated on a throne with the young king Tutankhamun in front of him. The king's figure was considerably smaller than that of the god, indicating his subordinate status in the presence of the deity. All that remains of the god is his right hand, which touches the back of the king's crown in a gesture that signifies Tutankhamun's investiture as king. During coronation rituals, various types of crowns were put on the king's head. The type represented here—probably a leather helmet with metal disks sewn onto it—was generally painted blue, and is commonly called the "blue crown." The ancient name was khepresh. Statue groups showing a king together with gods had been created since the Old Kingdom, and formal groups relating to the pharaoh's coronation were dedicated at Karnak by Hatshepsut and other rulers of Dynasty 18. The Metropolitan's head of Tutankhamun with the hand of the god is special because of the intimacy with which the subject is treated. The face of the king expresses a touching youthful earnestness, and the hand of the god is raised toward his crown with gentle care. A cast of the head has recently been matched by a scholar to the remains of an indurated limestone seated statue of a god in the storerooms at Karnak in Thebes. She reports that the join is minimal, but conclusive. This confirms the long supposed origin of the Museum's head from Karnak temple, and also resolves the question of the young king's pose - he was standing rather than kneeling in front of the god. The seated god at Karnak is only preserved from the waist down and is much damaged, but he is identified as Amun by the distinctive epithet "ruler of Thebes" included in the inscription.
Portret van Algernon Borthwick
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: politician, journalist, reporter, politician, e.g. party leader
Inscriptions: inscription: ‘57 & 61, Elbury Street, London.’
Portail de Notre Dame
Object type: cabinet photograph
Date: 1865 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: parts of church exterior and annexes: portal
Brush
Object type: brush
Date: 1601 – 1700
Materials: shell
Culture: french
Ex libris van Eugène Strens
Object type: bookplate
Date: 1930 – 1930
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: engineer, eugène louis charles marie strens
Inscriptions: inscription: ‘Joh. Enschede & Zn. 1930 / Str. 8.’
Portret van Johann Wilhelm von Archenholz
Object type: book illustration
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: leipzig
Subjects: historical persons

Prent uit: Neue Bibliothek der schönen Wissenschaften und der freyen Künste. Leipzig: Johann Gottfried Dyck, 1786, dl. 32.
Plan van de kust bij Katwijk met de fundamenten van Brittenburg
Object type: history print
Date: 1783 – 1783
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: maps of separate countries or regions
Inscriptions: date

Plan van de kust bij Katwijk aan Zee met de fundamenten van Brittenburg (Huis te Britten). Linksboven een cartouche met een beschrijving van de overblijfselen in het Frans. Rechts en onderaan een overzicht van ter plekke gevonden oudheden. Vervaardigd naar een oude anonieme tekening uit 1572 waarvan de juistheid wordt gecertificeerd door landmeter Dirk van der Boon.
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 567 – 600
Materials: terracotta
Culture: greek, attic

Exterior, head and body of an unidentified animal or monster?; the second smaller fragment has part of a net pattern; the larger fragment has an ancient repair visible
Design for a ceiling
Object type: drawing
Date: 1851 – 1900
Materials: gouache, graphite, watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: architecture,ceilings
Hoofd van een jongen
Object type: print
Date: 1650 – 1703
Materials: paper
Techniques: etching
Location: paris
Subjects: face, boy (child between toddler and youth)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent uit een serie met op elke prent een hoofd uit een schilderij van Poussin.