deem-data/ArtiFact huggingface dataset:
Hagar en Ismaël door Abraham verstoten
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: the banishment of hagar and ishmael (genesis 21:9-21)
Inscriptions: collector's mark: Lugt 2228

Abraham staat voor zijn huis en stuurt Hagar en Ismaël weg. Ismaël heeft een wandelstok, Hagar droogt haar tranen met een zakdoek. Achter Abraham staat Sara in de deuropening.
Op het eiland Marken
Object type: print
Date: 1896 – 1896
Materials: ink, paper, pencil
Techniques: etching
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: village
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De Wittewerf op het eiland Marken. Op de achtergrond de Havenbuurt.
Orphrey (one of a pair)
Object type: orphrey
Date: 1601 – 1700
Materials: metal thread, silk
Subjects: men,saint michael
Papyrus Fragment
Object type: fragment
Date: 580 – 640
Materials: ink, papyrus
Culture: coptic
Location: egypt
Subjects: coptic,documents
Zwangere vrouw zittend op een stoel
Object type: drawing
Date: 1934 – 1934
Materials: paper, pencil
Artist: henk henriët
Artist role: draughtsman, print maker
Artist dates: 1903 – 1945
Subjects: sitting on an elevation - aa - female human figure, pregnant woman
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Mr. Kist’

De geportretteerde vrouw is mogelijk de vrouw van de kunstenaar, genaamd Gerarda Antonia Maria Tonia Sluijter.
Jacob's Well, Near Shechem
Object type: photograph
Date: 1850 – 1865
Materials: photographic support
Techniques: albumen print
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: landscapes
Inscriptions: inscription: ‘"Now Jacob's well was there, Jesus therefore, being wearied with his journey, sat thus on the well."John IV. 6.’
Jug
Object type: ewer
Date: 1650 – 1699
Materials: cobalt, glaze, mineral, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: westerwald
Artist: Anonymous
Subjects: mask, mascaron ~ ornament

Kan van steengoed op hoge voet met een bolvormig lichaan en smalle nek met een geknepen tuit. Het C-vormige oor is bevestigd aan de nek en de schouder. Profielen op de nek en de voet. Gedeeltelijk bedekt met kobaltblauw en mangaanpaars. Op de buik in reliëf verticale gedrukte en opgelegde banden met golvende lijnen in blauw; daartussen paars. Op de nek, onder de tuit, een masker. Blauwe lijnen op de nek en voet. Westerwald.
Portret van Otto Sandel met wandelstok en hoed
Object type: carte de visite
Date: 1905 – 1907
Materials: cardboard, paper
Techniques: albumen print
Location: bindjai
Subjects: toddler, walking-stick, staff, historical persons, head-gear: top hat, sumatra
Inscriptions: inscription: ‘H. Ernst & Co./ Photographers/ Bindjey Langkat/ Sumatra./ Haake & Albers, Frankfort o/M.’, inscription: ‘H. Ernst & Co./ Photographers/ Bindjey Langkat/ Sumatra’, inscription: ‘Otto’, inscription: ‘2 Jakra/ dengan djelaka/ monjet/ Juli 1905./ Otto Sandel’
Pair of wall sconces
Object type: wall sconce
Date: 1730 – 1730
Materials: gesso, gilt, gilt bronze, wood, silk
Techniques: embroidery
Subjects: flowers
Elizabeth Ford, later Lady Colville of Culross
Object type: drawing
Date: 1785 – 1785
Materials: chalk, graphite, watercolor
Artist: john downman
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1749 – 1824
Subjects: portraits,women

Dowman represents Elizabeth, second daughter of Francis Ford of Lears, Barbados in her early twenties. Wearing a feathered headress and dark cloak she leans on the base of a classical column, with her face shown in profile. In 1790 she would marry the Scottish nobleman John, 9th Lord Colville of Culross.
Vase ornament (?)
Object type: vase ornament
Date: 1701 – 1800
Materials: gilt bronze
Gezicht bij de Willemsluis
Object type: drawing
Date: 1820 – 1820
Materials: chalk, ink, paper, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: gerrit lamberts
Artist role: bookseller, draughtsman, print maker
Artist dates: 1776 – 1850
Subjects: sluice, weir, city-view in general; 'veduta', hut, cabin, lodge
Inscriptions: collector's mark: ‘21’ Lugt 1641b, signature and date: ‘G. Lamberts 1820.’, inscription: ‘neg 13x18: 719 (...) Gerrit Lamberts. 1820’
George La Blanche, Pugilist, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,boxing,athletes

Trade cards from "World's Champions," Series 2 (N29), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Capital with Lions
Object type: sculpture
Date: 1100 – 1150
Materials: limestone
Techniques: carved
Culture: french
Location: france
Subjects: lions, animals, architechture, architectural, architectural detail, architectural fragment, architectural fragments
Fragment of a limestone funerary stele with a seated sphinx
Object type: statue of a sphinx
Date: 467 – 435
Materials: limestone
Culture: cypriot
Subjects: sphinx

Sphinx with earrings and necklaces.
Oefenschets van slapend kind, liggend op een kussen
Object type: drawing
Date: 1657 – 1658
Materials: chalk, paper
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Portret van Eleonora van Bourbon
Object type: photomechanical print
Date: 1850 – 1949
Materials: paper
Techniques: autotype
Location: low countries
Subjects: éléonore de bourbon
Inscriptions: collector's mark: Lugt 2228

Portret van Eleonora. In haar linkerhand een zakdoek.
Watteau. L'indifférent
Object type: reproduction
Date: 1903 – 1930
Materials: cardboard
Techniques: photograph
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: collector's mark: ‘AFE v S’, inscription: ‘L. N. Musée du Louvre’
Tongewelf, samengesteld uit eiken planken, beschilderd met grotesken en acanthusranken, afgewende vrouwenfiguren met onderlijven die eindigen in klauwen en voluten
Object type: architectural element
Date: 1600 – 1600
Materials: wood, paint
Location: northern netherlands
Artist: Anonymous
Subjects: the hague

In 1878 was het stadhouderlijk kwartier 'hersteld'. De heer F.J. Nieuwenhuis, architect te Utrecht, was belast met de verbouw van de eerste kamer.
Verschillende dieren
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: etching
Location: england
Artist: hendrik willem schweickhardt
Artist role: draughtsman, painter, print maker
Artist dates: 1746 – 1797
Subjects: horse
Inscriptions: collector's mark: Lugt 2228

Behoort tot een serie van acht prenten met verschillende dieren.
Bloemstuk
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: aquatint, etching, lithography
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: flowers in a vase
Costume Français, No.10 : Robe à la Grecque
Object type: fashion print
Date: 1799 – 1810
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (shawl) (+ women's clothes), bag (handbag) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: caption: ‘Robe à la Grecque. Chapeau à la Prime Rose.’, caption: ‘Déposé à la Bibliothèque N.ale’, title: ‘Costume Français’, address: ‘A Paris, chez J. Chéreau. Rue Jacques près la Fontaine Severin, No. 257. Il tient Magasin de Papiers en Gros en Rouleaux pour Tenture.’

Vrouw, op de rug gezien, in een 'robe à la Grecque'. Op het hoofd een hoed: 'chapeau à la Prime Rose'. Verdere accessoires: lange sjaal om de schouders, buidel met sierletters, platte schoenen met puntige neuzen. De prent maakt deel uit van een serie van 142 modeprenten, waarvan er 115 zijn geïdentificeerd, uitgegeven door J. Chéreau, Parijs, 1799-1810.
Portret van baron Gustaaf Willem van Imhoff
Object type: print
Date: 1681 – 1746
Materials: paper
Techniques: etching
Subjects: colonial governor, 'cornucopia', horn of plenty, historical persons, armorial bearing, heraldry, abstract ideas and concepts (+ personification)

Een vrouwelijke personificatie zit naast een sokkel met het portret van de gouverneur. Zij houdt een palmtak vast en een slang die zichzelf in de staart bijt. Naast haar ligt een hoorn des overvloeds.
Terracotta fragment of a kylix (drinking cup) or a skyphos (deep drinking cup)?
Object type: kylix or skyphos fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Part of a handle from either a kylix or a skyphos
Vase with cover
Object type: vase with cover
Date: 1662 – 1722
Materials: jade
Culture: chinese
Subjects: flowers
Jade Ornament
Object type: costume and accessory
Materials: jade
Location: china
Urn
Object type: ceramic
Date: 1805 – 1810
Materials: earthenware
Techniques: glazing
Location: staffordshire
Sabre (nimcha) of Michiel de Ruyter
Object type: nimcha
Date: 1640 – 1664
Materials: textile, copper, iron, leather, mother of pearl, silver, shell, velvet, wood
Techniques: engraving, forging, inlay, sawing, sewing
Location: algeria
Artist: Anonymous
Subjects: flushing, michiel adriaenszoon de ruyter
Inscriptions: inscription

According to tradition, Michiel de Ruyter captured this nimcha (sabre) in 1655 from an Algerian corsair. Between 1644 and 1664 the admiral repeatedly went to the Mediterranean. His missions there included punitive expeditions against the cities of Algiers, Tunis and Tripoli, whose corsairs were menacing Dutch merchant ships.
Portret van Henriëtte Wassink met een hond voor een muur
Object type: photograph
Date: 1930 – 1935
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: batavia, the hague, henriëtte wassink, adult woman, historical persons, dog, netherlands
Carpet with Fame and Fortitude
Object type: carpet
Date: 1668 – 1685
Materials: wool
Techniques: cutting, weave
Artist: savonnerie manufactory
Artist role: manufactory
Artist dates: 1626 – 2050
Subjects: flowers,coat of arms

In his A New Description of Paris, of 1687, Germain Brice (1652–1727) mentioned work in progress on “a great Footcloath in the manner of Turky-work, . . . in a place built on purpose at the end of the Cours de la Reine, commonly called the Savonnerie, which is to be the full length of the great Gallery of the Louvre, but is not yet finisht.” Brice referred here to a set of ninety-three carpets, of different but related designs, that was being created for the Grande Galerie of the Palais du Louvre in Paris. The Savonnerie manufactory, which received a monopoly from Louis XIII in 1627 to make knotted-pile rugs in the manner of the Levant, experienced its most creative period under Louis XIV, when the workshops were placed under the direction of the king’s First Painter, Charles Le Brun. The project to cover with carpets the entire floor of the long gallery at the Louvre, measuring more than 480 yards in length, was the most ambitious commission the Savonnerie ever received. The work space was expanded and extra-wide looms were created to accommodate this monumental task. Contrary to tradition, the size of the looms was based on the length of the carpets (which in turn was determined by the width of the long gallery ). The individual designs of the series most likely reflected in some degree the decoration of the ceiling and walls of the gallery. Set against a black ground with scrolling acanthus leaves in the corners, the main motifs of the Museum’s splendid carpet, number thirty-eight of the series, are full of references to the monarchy. The sunflower, symbol of the Sun King, is flanked by the French royal arms and by Louis XIV’s crowned monogram of interlaced Ls. A number of the carpets for the Grande Galerie have compartments at either narrow end showing simulated bas-reliefs in grisaille representing different aspects and virtues of good government. Here the personifications of fame, blowing a trumpet, and fortitude, with a lion and a column, are depicted. Although all the carpets of the original commission but one were woven between 1670 and 1689, Louis XIV appears to have lost interest in the interior decoration of the Louvre, and thus in this monumental project, when he focused his attention on Versailles instead, moving his court there in 1682. When Horace Walpole visited the Louvre in August 1771 the palace was in a derelict state. “Saw the great gallery of Le Brun with battles of Alexander, all the ornaments, ceiling, shutters and even locks and bolts designed by Le Brun, but so abominably neglected that it rains in.” Perhaps it was not such a bad thing after all that the series of Savonnerie carpets appears never to have been laid out in the Grande Galerie as originally intended.
The Kitchen of a Joroya.
Object type: print
Date: 1680 – 1680
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: hishikawa moronobu 菱川師宣
Artist role: artist
Artist nationality: japanese
Artist dates: 1618 – 1694
Subjects: kitchens,men,women,fish,working

The preparation of food in the kitchen of a teahouse is shown without any architectural barriers. Cooks on the bamboo draining floor are washing octopus in a large basin, taking scales off fish, and pouring water into a bucket. At the back of the room are three large pots on a stove.
bowl with a pheasant, flowering plants and mythological animals
Object type: bowl
Date: 1700 – 1724
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Kom van porselein met een geribde wand en gelobde rand, beschilderd op het glazuur in blauw, rood, groen, geel, aubergine, zwart en goud. De buitenwand is verdeeld in twee banden. De bovenste band bestaat uit zes vakken met afwisselend bloeiende planten (lotus, pioen, chrysant) en drie mythologische dieren (shishi, qilin). De onderste band bestaat uit getordeerde vakken met bloeiende planten bij een rots. Op de bodem een fazant op een rots bij bloeiende pioenen. De binnenrand met een band met bloemranken. Een chip in de rand. Famille verte.
Charm Bag
Object type: charm bag
Date: 1790 – 1890
Materials: wool
Culture: mesquakie or potawatomi
Location: united states
Rocky Landscape with Figures
Object type: drawing and watercolor
Materials: board, chalk, paper, wood
Techniques: printmaking, heightening
Location: france
Artist: after gaspard dughet
La Pietà, from "L'Illustration"
Object type: print
Techniques: engraving
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863

Published just two weeks after the death of Delacroix, this print is described as the artist's "last drawing on wood." Customarily, to make a wood engraving, an artist would supply a drawing on paper to be translated by another hand onto the wood block, before being engraved by yet another practitioner. By drawing directly onto the wood himself, Delacroix believed the medium could serve as an outlet for the direct expression of his thought. This composition corresponds more closely with Delacroix's first oil sketch (private collection) for his Pietà than the final mural executed in Saint-Denys-du-Saint-Sacrement, which does not include the angels and reverses the figural group.
Versierde topgevel en schoorstenen
Object type: sketchbook leaf
Date: 1783 – 1797
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: johannes huibert prins
Artist role: draughtsman, painter, print maker
Artist dates: 1757 – 1806
Subjects: chimney, decorated gable

Pagina 66 uit een schetsboek met 175 pagina's.
One of Two Doors with Ironwork
Object type: door
Date: 1101 – 1200
Materials: iron, wood
Culture: french or spanish
Location: france or spain

Worked into the iron strapwork is a representation of Christ on the Cross, set against a wheel pattern and with geometric and leaf-form patterns and horses’ heads with stylized manes.
Oribe-Type Ewer
Object type: decorative art
Date: 1601 – 1633
Materials: pottery, stoneware
Techniques: glazing
Location: japan
Subjects: tea, flowers

Furuta Oribe (1544–1615) was a military general–turned–tea aesthete whose style of presentation at tea gatherings catered to the samurai class and rulers of seventeenth-century Japan. In contrast to his predecessors, Oribe preferred tea wares that were bold and eccentric rather than subtle and rustic. He was the first to recognize the beauty of artfully misshapen ceramics for use in tea gatherings. Ewers such as this were employed as water containers during the meal that preceded the tea service. Their distinctive glaze contains copper, which turned green in the firing process. This glaze, along with slightly off-kilter or distorted shapes, became trademarks of Oribe ware produced in the Mino region (now Gifu Prefecture) of Japan.

This vessel features drawings of plum blossoms, wheels, a hexagonal tortoiseshell pattern, and a lattice, all done in an underglaze iron wash. This is typical of such wares, which most often do not have a single decorative theme, but rather depict a mélange of almost abstract motifs akin to the popular patterning on textiles of the period.
[Confederate Trestle Work on Southside Railroad, Virginia]
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: andrew joseph russell
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: bridges,american civil war
Model of a Two-Masted Ship
Object type: hull model
Date: 1800 – 1850
Materials: wood
Location: unknown
Artist: Anonymous

Model van de romp van een schip, de twee masten en opbouw ontbreken evenals het hek.
Grafmonument voor Petrus Nieuwland
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: etching
Location: rotterdam
Subjects: the hague, faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, historical persons, mourning the dead, grave-building, monumental tomb, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: date

Rondom het monument verschillende putti. Links staat een huilende personificatie van het Geloof. Voor het monument een open grafkist met het lichaam van Nieuwland.
The Man Wrapped in his Coat, from The Caprices
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Cylinder seal
Object type: cylinder seal
Date: 1667 – 1001
Materials: stone
Location: syria
Subjects: hunting,horses,scorpions,chariots
Prenten naar tekeningen van Claude Lorrain
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Location: london
Subjects: sailing-ship, sailing-boat, coast - hh - ideal landscapes, cattle, ezekiel prophesies against tyrus (ezekiel 26-28), sea (seascape)
Inscriptions: date

Vanaf 1774 publiceerde John Boydell tweehonderd prenten naar het tekeningenboek Liber Veritatis van Claude Lorrain, in het bezit van de hertogen van Cavendish. Deze prenten werden vanaf 1777 in twee volumes gebundeld uitgegeven.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Part of the foot of a woman?; below, two bands of reserve interrupted by a thin black glaze line
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, part of stalk of thrysos and drapery of maenad
Shabti coffin, clay
Object type: shabti coffin, clay
Date: 1635 – 1458
Materials: clay, paint
Location: egypt
Subjects: coffins
Abklatsch van de krijttekening op pagina 6
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 7 uit een schetsboek met 29 bladen.
Portret van Caroline van Ansbach, koningin van Engeland
Object type: print
Date: 1716 – 1717
Materials: paper
Techniques: mezzotint
Location: london
Subjects: london, historical persons, queen
Inscriptions: collector's mark: Lugt 240
Portret van een onbekende vrouw
Object type: photograph
Materials: paper, cardboard
Techniques: collodion silver print
Location: rotterdam
Artist: jules louis faassen
Artist role: fotograaf
Artist dates: 1845 – 1925
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: address: ‘Passage 10./ Rotterdam’
Vos in monnikspij (Reinaert) omringd door kippen en haan (Cantecleer)
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: fable of reynard the fox

Prent gebruikt in: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910.
Gezicht op de Herengracht bij de Huidenstraat in Amsterdam
Object type: stereograph
Date: 1860 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: street
Inscriptions: inscription: ‘De Heerengracht bij de Huidenstraat.’
Watch
Object type: watch
Date: 1830 – 1840
Materials: crystal, enamel, gold, silver
Artist: george guignard
Artist role: maker
Artist dates: 1775 – 1875
Subjects: flowers
Vergiet (gatenpetiel)
Object type: miniature
Date: 1700 – 1800
Materials: silver
Location: netherlands
Artist: Anonymous

Gatenpateel op drie poten en met twee horizontale handvatten. Rond de gaten in het pateel zijn lijnen gegraveerd. Langs de rand zijn concentrische lijnen gegraveerd. Het gatenpateel is gemerkt met een onleesbaar merk.
View taken from the Villefranche road
Object type: page
Date: 1876 – 1886
Materials: photographic support
Techniques: albumen print
Location: nice
Artist: albert courret
Artist role: fotograaf
Artist dates: 1856 – 1928
Subjects: city-view in general; 'veduta', avenue, boulevard, promenade, esplanade

Boven een gezicht op de Promenade des Anglais te Nice, onder een gezicht op Nice.
Kroning van Willem III
Object type: history medal
Date: 1689 – 1689
Materials: bronze
Techniques: striking
Location: leiden
Artist: jan smeltzing (i)
Artist role: modelleur
Artist dates: 1656 – 1693
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland)

Bronzen penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: Willem III met kroon, rijksappel en scepter, knielend op globe, beschenen door zomerlicht binnen omschrift; afsnede: opschrift
Hercules Farnese
Object type: drawing
Date: 1715 – 1767
Materials: chalk, paper
Location: amsterdam
Artist: jonas witsen
Artist role: mayor, print maker
Artist dates: 1705 – 1767
Subjects: (story of) hercules (heracles), sculpture
Inscriptions: inscription: ‘Port. 18-387b’, collector's mark: ‘18’ Lugt 1641b, signature: ‘Hercules / J. Witsen fc’

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan regeringsleden en hunne huisgezinnen. [voor 1800].
Daibutsu-kuyo, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
J.E. O'Neil, Left Field, St. Louis Browns, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen print, photography
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Fan
Object type: fan
Date: 1715 – 1715
Materials: ivory
Subjects: men,women
Treseta de cobre of 6 dineros uit de Balearen, Spanje van koning Philips V (IV in Mallorca), 1722
Object type: coin
Date: 1722 – 1722
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: portret van de koning naar links. Rechts daarvan waarde-aanduiding, 6. Jaartal bovenaan in omschrift. Keerzijde: gekroond Spaans wapenschild.