deem-data/ArtiFact huggingface dataset:
Nederlands fotoalbum met 81 foto's
Object type: slip in album
Date: 1860 – 1920
Materials: cardboard, copper, leather, paper, photographic support
Techniques: albumen print, lithograph, decorated paper
Subjects: the hague, print maker, wilhelmina of the netherlands, adolescent, young woman, maiden, historical persons - bb - woman, historical persons, youth, adolescent, head-gear: cap
Inscriptions: collector's mark: ‘Dienst Verspreide Rijkskollekties (...) A817’

Fotoalbum met 81 foto's op 22 bladen met insteekpasse-partouts. Het album bevat voornamelijk portretten, onder andere een van prinses Wilhelmina. Daarnaast bevat het album twee fotoreproducties van schilderijen, een foto van een school en een foto van een monument. De foto's zijn onder andere vervaardigd door Albert Greiner, Cornelis Bernardus Broersma en W.G. Kuijer, enkele foto's zijn anoniem.
India, keizerin Victoria, roepie, 1892
Object type: coin
Date: 1892 – 1892
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: gekroond borstbeeld van keizerin Victoria naar links. Keerzijde: binnen een kring van lotusbloemen in twee regels waarde-aanduiding: one rupee, waaronder lands-aanduiding. Daaronder jaartal. Kartelrand.
The Bestowal of Kingdom
Object type: medal
Date: 1806 – 1806
Materials: gilt bronze
Techniques: struck
Artist: bertrand andrieu
Artist role: artist
Artist nationality: french
Artist dates: 1761 – 1822

This medal was struck for the Metropolitan Museum of Art at the Paris Mint at the request of the donor, Hon. Levi P. Morton, formerly U.S. Minister to France.
Gezicht op de baai van Nagasaki
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: chromolithography
Location: the hague
Subjects: gulf, bay, sailing-ship, sailing-boat
Portret van Kenau Simonsdochter Hasselaer
Object type: print
Date: 1740 – 1774
Materials: paper
Techniques: mezzotint
Subjects: weapons, haarlem
Inscriptions: collector's mark: Lugt 2228

Kenau Simonsdochter Hasselaer is bewapend en heeft op haar rechterarm een medaillon met de Hollandse Leeuw.
Hollands Arcadia, of de vermaarde rivier den Amstel
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, city-view in general; 'veduta', river, rural housing, e.g. country-house, villa, cottage, gate, entrance, boat propelled by man or animal

Prent waarschijnlijk uit: Tijsens, Gijsbert. Hollands Arcadia, of de vermaarde rivier den Amstel (...) naar 't léven getekend en in 't ligt gebragt door Abraham Rademaker (...). Amsterdam: Leonardus Schenk, 1730.
Untitled (Young Girl)
Object type: photograph
Date: 1839 – 1899
Techniques: daguerreotype
Location: unknown place
Artist: Anonymous
Artist dates: 1800 – 1899
Subjects: portraits, portraits: female subject, photography, formal portraits, portraits: child subject
Taira Koremochi Conquering the Devil Woman on Mount Togakushi (Taira no Koremochi Togakushiyama kijo taiji no zu)
Object type: print
Date: 1887 – 1887
Techniques: woodblock print
Location: japan
Artist: tsukioka yoshitoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1839 – 1892
Head with Simian Features
Object type: sculpture
Date: 200 – 1
Materials: terracotta
Culture: greek
Location: greece
Ontwerptekening voor een kamerwand
Object type: album leaf
Date: 1760 – 1819
Materials: paint, paper, pencil
Techniques: brush, pen
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Subjects: landscapes in the temperate zone, interior ~ architectural design or model, clock, wall-covering

Met aan beide kanten een waterlandschap met gebouwen en in het midden een klok. Tekening maakt deel uit van een album.
Gezicht op molen De Bok op bolwerk Het Blauwhoofd
Object type: drawing
Date: 1800 – 1879
Materials: paper, pencil
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', windmill in landscape
Inscriptions: inscription: ‘Port 45 N-160 / W36 no 1002 / molen De Bok / op oud opzetvel doorgehaald / stempel "Atlas Amsterdam / J. van Eck"’, inscription: ‘Amsterdam’, collector's mark: Lugt 800a

Onderwerpsrubriek binnen de Atlas Amsterdam: Molens.
Portrait of a Man
Object type: drawing
Date: 1500 – 1599
Materials: chalk
Techniques: heightening
Artist: anonymous, french, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: men,portraits
Reliefs from the Chapel of the Overseer of the Troops Sehetepibre
Object type: relief, funerary chapel, sehetepibre
Date: 1802 – 1640
Materials: limestone, paint
Location: egypt
Subjects: men,women,hieroglyphs
Daoist divine official
Object type: figure
Materials: stoneware
Techniques: glazing
Culture: chinese
Artist: qiao bin
Artist role: artist
Artist nationality: chinese
Artist dates: 1481 – 1507
Subjects: men,daoism

This figure of a Daoist deity is embellished with low-fired lead glaze colors typical of Ming religious ceramic sculptures made in Shanxi Province. An inscription on the back indicates that a certain Daoist priest ordered three sets of sculptures for his monastery in the Tiantan Mountains of Shanxi. Chief among these was a set of the Three Divine Officials (sanguan), Daoist deities who preside over heaven, earth, and water, respectively. The clothing on this sculpture helps to identify it as one of the three officials, though which one is uncertain.
Sacrifice on the Campus Martius, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: animals,men,women

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 137 in the scrapbook.
Untitle (Empire Hotel, San Francisco)
Object type: photograph
Date: 1850 – 1855
Techniques: ambrotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, people, hotels, horses, horse-drawn carriage, buildings
Torenspits van de Sint Lievensmonsterkerk te Zierikzee, onder
Object type: print
Date: 1619 – 1619
Materials: paper
Techniques: engraving
Location: zierikzee
Subjects: parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor het onderste gedeelte van de Sint Lievensmonstertoren. Onderaan het wapenschild van Zierikzee en een twaalfregelig lofdicht in het Nederlands. In de cartouche eronder de namen van burgemeesters.
Portret van Ibrahim Ali na een operatie aan zijn onderarm
Object type: photograph
Date: 1878 – 1880
Materials: photographic support
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: patient, sick person, bones of the arms
Inscriptions: number: ‘Figure 10.’
Preken in Leiden in de week van 22 maart 1812
Object type: text sheet
Date: 1812 – 1812
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: preaching (in general), leiden
Inscriptions: collector's mark: Lugt 1641, stamp

Preken in Leiden in de week van 22 maart 1812, met de namen van de predikanten. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Godsdienst, Predikbeurtenlijstjes.
Drapery study for "A Venus"
Object type: drawing
Date: 1868 – 1868
Materials: chalk, paper
Artist: albert joseph moore
Artist role: artist
Artist nationality: british
Artist dates: 1841 – 1893

This sensitive study of semi-translucent drapery falling over the back of a chair relates to Moore's painting "A Venus" (1869; York Art Gallery). In the latter, a similar arrangement appears at left placed next to an idealized nude woman who stands before flowering branches and next to two vases. The artist was a leader of the Aesthetic Movement whose proponents believed subject matter to be less important than beautifully arranged forms and harmonious colors. When preparing a composition, Moore made studies of figures, draperies and details which reveal how his ideas developed. His choice of rough brown paper to serve a support for studies was taken up by James McNeill Whistler who used it for pastel drawings.
A Bacchanalian
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: engraving
Location: london
Subjects: (story of) bacchus (dionysus), liber, maenad(s), female bacchant(es), nymphs (in general); 'ninfe in commune' (ripa)
Inscriptions: collector's mark: Lugt 2228

De wijngod Bacchus, een Bacchante, een sater en een panter. Genummerd linksonder: Vo. II. No. 30.
Governor Scales, North Carolina, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,agriculture,coat of arms,flags

Trade cards from the "State Governors, Arms, Etc." sseries (N133-2), issued in an unnumbered set of 48 cards ca. 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type, pictured here, is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Neu künstlich Modelbuch (page 30r)
Object type: book print ornament architecture
Date: 1598 – 1598
Techniques: woodcut
Artist: bernhard jobin
Artist role: publisher
Artist nationality: swiss
Artist dates: 1535 – 1597
Subjects: flowers

Published by Bernhard Jobin, Strassburg. Facsimile illustrated title page of 1579 edition, poem (2 pages), and 44 pages of designs.
Pendant with Coins, One of a Pair
Object type: pendant
Date: 1767 – 1800
Materials: gold
Location: turkey
Allegorie op kunsten en wetenschappen met vier putti
Object type: print
Date: 1741 – 1820
Materials: paper
Techniques: etching
Location: leiden
Artist: abraham delfos
Artist role: draughtsman, painter, print maker
Artist dates: 1731 – 1820
Subjects: (story of) mercury (hermes), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228
Haardbodemplaat van zilver
Object type: fireback
Materials: silver
Location: haarlem
Artist: michiel maenbeeck
Artist role: silversmith
Artist dates: 1634 – 1682
Inscriptions: maker's mark: ‘wassende maan (Citroen 1975, nr. 1166)’

Haardbodemplaat van zilver op vier gebogen, geribbelde poten, gladde plaat met groefrand, vierknoppen op de hoeken en twee gebogen knoppen met een gat (waarin oorspronkelijk twee handvatten hingen).
Shoes
Object type: shoe
Date: 1770 – 1789
Materials: silk
Culture: italian
Terracotta amphora (jar)
Object type: amphora
Date: 550 – 550
Materials: terracotta
Culture: greek, attic
Artist: amasis painter
Artist role: artist
Subjects: armor,helmets,shields,men,warriors

Obverse and reverse, warrior putting on armor Although both sides of this amphora show the same subject, the Amasis Painter has introduced subtle variations in the sequence of action and in detail. On one side, a warrior holds a greave (shin guard); on the other side, he adjusts it on his leg. A nude youth with a spear and a wreath is replaced in the opposite scene by a woman with a spear and an aryballos (oil flask). This is an interesting conflation of two important themes because both the wreath and the oil flask are usually associated with athletes, not warriors. The male figures have the same long hair and proud stance as contemporary marble statues and reliefs of kouroi (youths) and embody the same ideal of young manhood.
Gezicht op boten aan het Damrak te Amsterdam
Object type: sketchbook leaf
Date: 1903 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, ships (in general), canals, waters (in city)
Inscriptions: annotation: ‘Damrak’

Gezicht op boten aan het Damrak te Amsterdam, mogelijk gezien vanaf de Oude Brug. Pagina 61 en pagina 62 uit een schetsboek met 46 bladen vervaardigd te Amsterdam en Haarlem.
Portret van Joanna Emilia Agnes van den Berg (Jeanette)
Object type: carte de visite
Date: 1855 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: cologne
Artist: friedrich raps
Artist role: fotograaf
Subjects: rotterdam, the hague
Inscriptions: inscription: ‘Tante Jeannette Trip / vandenBerg / 1843-1915’, name: ‘FIRMA S. SALLINGER &amp; Cie / F&gt; RAPS / 16 Comödienstrasse / COELN’, name: ‘F. RAPS PHOT.’
Tegel met drietulp
Object type: tile
Date: 1620 – 1660
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Tegel met een veelkleurig (blauw, oranje, groen, geel en paars) geschilderde drietulp omlijst door een akkolade met in de hoeken, meanderornament.
Parade van Chinese krijgslieden
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: asiatic races and peoples, sailing-ship, sailing-boat, military parade, pageant
Man of Sorrows with the Three Marys and the Evangelists
Object type: print
Techniques: engraving
Artist: adriaen collaert
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1560 – 1618
Subjects: men,women,angels,saint john the evangelist
Sesde Plaag van Egypte. God slaat de Menschen en 't Vee met quaade Zweeren.
Object type: book illustration
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the plague of boils: moses throws a handful of ashes into the air in front of pharaoh and it produces boils on the people and the animals
Inscriptions: collector's mark: Lugt 2228

Op een plein voor de tempel waar de farao staat, gooit Mozes as omhoog temidden van een menigte mensen. De mensen krabben zich en tonen elkaar hun aangedane ledematen. De prent is een verbeelding van de zesde plaag die God over Egypte liet komen.
True View of a Yokohama Mercantile House (Yokohama shokan shinzu)
Object type: print
Date: 1861 – 1861
Techniques: woodblock print
Location: japan
Artist: utagawa (gountei) sadahide
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1873
Terracotta fragment of a hydria (water jar)
Object type: hydria fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Part of a draped male sitting on a diphros
Amstelodamum, celebre emporium formâ planâ
Object type: print
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), stock exchange, stock-market, townhall, seaman, parts of ship's exterior: anchor, maps of cities, prospect of city, town panorama, silhouette of city, amsterdam
Inscriptions: collector's mark: Lugt 1641b
Two Beauties Picking Dates
Object type: print
Date: 1736 – 1795
Materials: ink, paper
Techniques: hand coloring, woodblock print
Culture: chinese
Portret van Nicolas Fouquet
Object type: print
Date: 1653 – 1700
Materials: paper
Techniques: engraving, etching
Location: france
Artist: Anonymous
Subjects: paris, politician, nicolas fouquet, stag-hunting, historical persons, politician, e.g. party leader
Prick Spur
Object type: spur
Date: 101 – 400
Materials: copper alloy
Culture: gallo-roman
Location: germany

This small bronze spur, its iron prick missing, was found in Trier, Germany, which was a part of Belgic Gaul in antiquity. It was secured to the heel of the rider by means of a strap attached to two side buttons. An extra strap passed through the heel’s hook (missing, shaped as a horse’s head) before going around the ankle, to be sure that it would not move. Evolved from Celtic and Roman types, this kind of spur is found in Roman Gaul in contexts dated between the 1st and the 3rd century A.D. In Britain, related indigenous examples can be dated from the 4th century, the horse’s head usually replaced by a simple hook. In high antiquity, spurs were not used in pairs, but rather as a single accessory attached to only one of the feet, usually on the left. The first pairs are recorded in some Greek regions in the late 2nd century B.C. They were used, as they are today, for directing a horse to move forwards. The prick spur was the first type of spur to be invented, and it consists of a goad or prick, more or less pointed, connected to side arms or a heel plate. The earliest spurs were probably simple thorns attached at the back of the heel or ankle, before they began to be made out of metal.
Venus and Adonis
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: anthonie waterloo
Artist role: artist
Artist nationality: dutch
Artist dates: 1609 – 1690
Subjects: adonis,venus,dogs,trees
A military encampment with a soldier standing on a parapet to the right beating a drum, plate 4 from "Various Military Caprices" (Varii capricci militari)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: soldiers,men
Activities of the Twelve Months
Object type: hanging scroll
Materials: ink, silk
Culture: japanese
Artist: sakai hōitsu
Artist role: artist
Artist nationality: japanese
Artist dates: 1761 – 1828
Subjects: men

This group of eleven scrolls originally belonged to a set of 12 depicting Japanese customs and objects associated with the monthsof the year. Two represent traditional activities: the imperial court ritual of the First Month, known as Shihōhai, in which the Emperor and officials worship the Four Cardinal Directions, and the “Shichi-go-san mairi” celebration in the Eleventh Month for three- and five-year old boys and five- and seven-year old girls. Other paintings depict objects such as the ornamental scented ball, or kusudama, used in festivals of the Fifth Month, and a type of mulberry leaf associated with the Tanabata, or Milky Way, festival in the Seventh Month. The image for the Eighth Month is a classically poetic representation of the autumn season, with foliage—bellflowers, maidenflowers, and knotweed—set against a full moon. The artist, Sakai Hōitsu, was one of the most important painters of the late Edo-period Rinpa school, although early in his career his paintings reflected training in the Kano-school style, as well as Ukiyo-e. The hanging scrolls in this set were executed in a variety of styles, including the Rinpa mode adopted by Hōitsu around the close of the 1790s, when the work of Ogata Kōrin (1658–1716) first began to dominate his artistic development. Typical of Rinpa style and aesthetic, and visible in the compositions for the Sixth and Eighth Months, is the use of tarashikomi: application of ink or color to the already wet surface of paper or silk, creating a pooled or mottled effect. Rinpa paintings also often contain visual allusions to poetry and other works of literature, as in the image for the Sixth Month, referencing Chapter Four (“Yūgao”) of The Tale of Genji (Genji Monogatari). Thus Hōitsu, who was trained in poetry as well as painting, must have found the art of Kōrin and his circle to be doubly appealing.
Actors, Ancient Marriage Costume; Actors, Ancient Marriage Costume; Ancient Costumes
Object type: photograph
Date: 1868 – 1868
Techniques: photograph
Location: scotland
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Slag bij Nieuwpoort, 1600
Object type: print
Date: 1600 – 1601
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: bartholomeus willemsz. dolendo
Artist role: print maker
Artist dates: 1560 – 1626
Subjects: the hague, maurice (prince of orange), brussels, albrecht aartshertog van oostenrijk, battle (+ land forces), battle of nieuwpoort

Gebruikt als illustratie in: J.J. Orlers, Den Nassauschen Lauren-Crans: Beschrijvinghe ende af-beeldinge van alle de victorien ... die Godt Almachtich de ... Staten der Vereenichde Nederlanden verleent heeft, deur het wijs ende clouck beleyt des Hooch-ghebooren Fursts Maurits van Nassau, J.J. Orlers en H. van Haestens, Leiden 1610, fol. 152/153. Vrij naar de grote prent van Floris Balthasarsz. van Berckenrode (FMH 1136).
Expedition des Pantheon
Object type: print
Date: 1829 – 1863
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret een facsimile van de handtekening van de geportretteerde.
Vase
Object type: vase
Date: 1801 – 1900
Materials: gemstone
Culture: chinese
Subjects: flowers
Façade van een villa in Parijs, ontworpen door Jules Février
Object type: photograph
Materials: photographic support
Techniques: albumen print
Location: paris
Subjects: detached house in city, façade (of house or building), paris
Inscriptions: name: ‘Février Architecte’, number: ‘14’

Deze foto maakt deel uit van een omslag met 35 foto's en een titelblad.
Staff, curved
Object type: staff, curved
Date: 1550 – 1295
Materials: wood
Location: egypt
Drummer of the French Royal Guard, c. 1630
Object type: costume print
Date: 1639 – 1639
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: military music, drum-head court-martial, drum (musical instrument), clothes, costume (+ men's clothes), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie met acht kostuumprenten en een titelprent van de Franse koninklijke garde, in de voor hen passende kleding. De serie werd in 1632 uitgegeven in Parijs door Melchior Tavernier. Een tweede staat werd uitgegeven door François Langlois in 1639.
Saxoniae Ducum
Object type: print
Materials: paper
Techniques: engraving, letterpress printing
Location: augsburg
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Subjects: coburg, johan ernst (hertog van saksen-coburg)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Saxoniae Ducum. Caesarib. Creand. VIIVirum; et caeterorum A Friderico I. Ad Christianum II. Fratres Et Agnatos, Genuinae effig. Augsburg: D. Custos en M. Manger, 1601, of latere editie.
Wolffgang Muscul
Object type: print
Date: 1600 – 1750
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: theologian, historical persons
Portret van Jane Bickerton hertogin van Norfolk
Object type: print
Date: 1681 – 1681
Materials: paper
Techniques: engraving
Location: england
Subjects: jane bickerton
Inscriptions: collector's mark: Lugt 2228

Borstbeeld van de tweede vrouw van de hertog van Norfolk Henry Howard. In een ovale omlijsting van laurierbladen. Onder het portret haar naam, familiewapen en titels.