deem-data/ArtiFact huggingface dataset:
Doorway of a Farmhouse
Object type: print
Materials: chine
Techniques: etching
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Portret van Pierre Nicole
Object type: print
Date: 1713 – 1752
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan schenk
Artist role: draughtsman, print maker
Artist dates: 1698 – 1752
Subjects: paris, historical persons, book
Inscriptions: collector's mark: Lugt 2228

Portret naar rechts van de predikant Pierre Nicole in een ornamentele omlijsting. Zijn rechterhand rust op een boek. Onder het portret de naam van de geportretteerde.
La foire / De jaarmarkt
Object type: print
Date: 1833 – 1900
Materials: paper
Techniques: colour, letterpress printing
Artist: Anonymous
Subjects: taming and training of animals, street-trader, pleasure fair and circus, merchant, salesman
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen van artiesten en verkopers op de jaarmarkt, waaronder een beeldenverkoper en een berentemmer. Onder elke afbeelding een tweeregelig vers in het Nederlands en in het Frans. Genummerd midden boven: n 11.
Fotoreproductie van Ondine
Object type: reproduction
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: spirit of water, nix, undine, painting, drawing and the graphic arts
Inscriptions: annotation: ‘Ondine’, number: ‘2992’
Studioportret van zoon van Emilie van den Berg en Piet Onnen
Object type: cabinet photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Inscriptions: name: ‘Koene & Co’

Jongen in matrozenpak zittend op takken.
Portret van Lhéritier
Object type: photomechanical print
Materials: paper
Techniques: woodburytype
Location: france
Subjects: portrait of actor, actress
Inscriptions: number: ‘No 120’, inscription: ‘Du 2 au 8 Septembre 1875’
Veterinary Hospital at Naauwport - Horses wounded in engagement near Colesberg (Jan.4th), S. Africa
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: south africa
Subjects: veterinarian, horse
Inscriptions: number: ‘233’, name: ‘Works and Studios Sun Sculpture trade mark Arlington N.J. Littleton N.H. Washington D.C.’
Studioportret van een onbekende man met een hond
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1907
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: theodorus johannes de kruijs
Artist role: fotograaf
Artist dates: 1883 – 1925
Subjects: adult man, dog
Inscriptions: name: ‘Atelier de Kruys’
Plate
Object type: plate
Date: 1830 – 1840
Materials: glass
Gedenknaald ter gelegenheid van het overlijden van Wilhelmina van Pruisen
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: aquatint, etching, lithography
Location: the hague
Subjects: berlin, painter, draughtsman, wilhelmina of prussia (princess of orange), obelisk, needle
Portret van François Fénelon
Object type: print
Date: 1820 – 1828
Materials: paper
Techniques: engraving, roulette
Location: paris
Subjects: françois fénelon, archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228
Carpenter's chest of Ankhef
Object type: carpenter's chest, ankhef
Date: 1981 – 1802
Materials: paint, plaster, wood
Location: egypt
Subjects: hieroglyphs

The whitewashed wooden box with sliding lid is inscribed with the epithet "honored by Anubis, Lord of Kereret, Ankhef," and with a list of the intended contents: 6 axes, 6 adzes, 6 chisels, and 6 other bladed implements, perhaps saws. The list and actual inventory of tools, however, do not agree; it appears that an adz and ax have been added and a chisel and the six saws omitted.
Portret van Gerhard Pauli
Object type: print
Date: 1697 – 1737
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: bookshelves, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Cartouches Nouvellement Inventez par J.B. Toro
Object type: album print ornament architecture
Date: 1716 – 1716
Techniques: etching
Artist: jean bernard toro
Artist role: designer
Artist nationality: french
Artist dates: 1672 – 1731
Subjects: cartouches,grotesques,ornament,mythical creatures
Flounce (Used as Quilling)
Object type: textile
Date: 1760 – 1769
Materials: linen
Techniques: lace
Location: italy
The Figure of Sarah, Bride of Tobias
Object type: drawing
Date: 1830 – 1882
Materials: graphite, paper
Location: france
Artist: henri lehmann
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1882
Subjects: female nudes
Gezicht op een hooischuur en bomen
Object type: drawing
Date: 1876 – 1924
Materials: cardboard, chalk, paper
Techniques: pasting
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: barn, trees
Portret van een zittende jongen
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: sitting figure, historical persons, girl (child between toddler and youth)
Enquêteformulier ingevuld door Guillaume Somers
Object type: manuscript
Date: 1840 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Subjects: antwerp, painter, guillaume somers
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Covered Jar
Object type: covered jar
Date: 1662 – 1722
Materials: enamel, porcelain
Techniques: painting
Culture: chinese
Subjects: human figures,fish,mountains,landscapes
Koffiepot, peervormig, met rocailles en C- en S-voluten
Object type: coffee pot
Date: 1863 – 1863
Materials: ivory, silver
Techniques: engraving
Location: amsterdam
Artist: daniel jan de haas
Artist role: silversmith
Artist dates: 1821 – 1886
Inscriptions: alloy mark, assay office mark, maker's mark, retailer's mark: ‘A.D. VERSCHUUR’, date letter: ‘D’

Coffee pot and four-piece tea service. Silver and ivory. Amsterdam, 1863, 1865, by Daniel Jan de Haas, designed by A.D. Verschuur.
Munsterkerk in Roermond te Limburg
Object type: photograph
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: roermond
Artist: Anonymous
Inscriptions: annotation, annotation: ‘Coupole Munsterkerk Roermond’
Miss Benn, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Jasper lentoid seal
Object type: seal
Date: 1600 – 1450
Materials: jasper
Culture: minoan
Subjects: birds
Albumblad met diverse voorstellingen
Object type: print
Date: 1814 – 1869
Materials: paper
Techniques: snipping
Location: netherlands
Subjects: stone-cutter, stone-sawyer, human types, picnic, alfresco, 'déjeuner sur l'herbe', volcano

Albumblad met 9 uitgeknipte voorstellingen uit voornamelijk volksprenten, onder andere van een steenhouwer, een boer die muizen probeert te vangen, een vulkaan en een picknickende familie.
Portret van Johann Jacob Tetzel
Object type: print
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: politician, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233
Dutailly, Variettees, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Job op de mestvaalt
Object type: print
Date: 1509 – 1509
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: job on the dunghill with satan (or devils) abusing and tormenting him; job's wife may be present
Inscriptions: collector's mark: Lugt 240

Illustratie voor: Ulrich Pinder, Speculum patientie, Neurenberg 1509. Dit exemplaar echter als losse prent uitgegeven. Klinkert, C.
Self-portrait in a fur cap, in an oval border: bust
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: etching, intaglio
Subjects: leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Horizontal Panel with a Bearded Amascaron in a Medallion at Center Surrounded by Tendrils
Object type: print ornament architecture
Date: 1543 – 1543
Techniques: engraving
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: ornament

Panel with the mask of a large, open-mouthed, and bearded face at center, surrounded by a wreath and tendrils.
Landscape with Gallows (near Haarlem), from Landscapes
Object type: print
Date: 1610 – 1630
Materials: paper
Techniques: etching
Location: netherlands
Artist: esaias van de velde
Artist role: draughtsman, painter, print maker
Artist nationality: dutch
Artist dates: 1587 – 1630
Inscriptions: Lettered upper left: "E.V. Velde. fecit. I. P. Beerendrecht excud."; and upper center: "9".
Brief aan anoniem
Object type: letter
Date: 1878 – 1930
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: andré jolles, painter, draughtsman, philip zilcken, the graphic arts
Inscriptions: watermark, collector's mark: ‘RPK’
Fotoreproductie van een schildering, voorstellende een gezicht op Herstmonceux Castle
Object type: reproduction
Date: 1866 – 1876
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: castle, façade (of house or building)
Gezicht op een haven in de staat Bahia in Brazilië, vermoedelijk van Salvador
Object type: photograph
Date: 1864 – 1874
Materials: photographic support
Techniques: albumen print
Location: bahia
Artist: Anonymous
Subjects: harbour
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Top of the mouth and neck of a column krater
Prenten naar antieke edelstenen
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: drypoint, etching
Location: london
Artist: thomas worlidge
Artist role: print maker
Artist dates: 1700 – 1766
Subjects: (1) hercules chokes the nemean lion with his arms
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Worlidge maakte prenten voor de serie vanaf ca. 1754. Na zijn dood werden de prenten gebundeld in: Worlidge, Thomas. A Select Collection of Drawings from Curious Antique Gems (...). Londen: M. Worlidge, 1768.
Studieblad, onder andere met gezichten in profiel
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: face
Inscriptions: annotation: ‘hond.’

Blad 44 recto uit een schetsboek met 69 bladen.
Slippers
Object type: slipper
Date: 1900 – 1900
Materials: leather
Culture: french
Artist: hellstern and sons
Artist role: manufacturer
Artist nationality: french
Gezicht op de voorpoort van Kasteel Buren
Object type: drawing
Date: 1803 – 1822
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: bridge in village across river, canal, etc. - ii - ideal landscapes, canals, waters (in village), gate, entrance
Inscriptions: inscription: ‘Maart 1822 FAVW De voorpoort Brug van 't Slot te Buuren’

Gezicht op de voorpoort, die in 1883 werd gesloopt. Het kasteel zelf was al in 1804 afgebroken.
Minakuchi: The Famous Pines at the Foot of Mount Hiramatsu (Minakuchi, meisho Hiramatsu yama no fumoto), no. 51 from the series "Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue)," also known as the Vertical Tokaido
Object type: print
Date: 1855 – 1855
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Christ presented to Pilate by henchmen, from "The Passion of Christ", after Dürer
Object type: print
Date: 1500 – 1534
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: men,christ,pilate
Fragment
Object type: textile
Date: 1601 – 1700
Materials: fiber, gold, silk, silver gilt
Techniques: brocade, interlacings, patterning, weave, polychrome
Location: italy
Mevrouw Mann Bouwmeester
Object type: drawing
Date: 1887 – 1887
Materials: chalk, charcoal, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: historical persons

Studie voor het portret van de actrice Theo Mann-Bouwmeester.
Hommes les illustres qui ont vécu dans le XVIIe siecle (...)
Object type: print
Date: 1713 – 1717
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: ferdinand iii (duits keizer), coat of arms (symbol of sovereignty), orb (symbol of sovereignty; sphere with cross on top), armour, historical persons, knighthood order of the golden fleece, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

De prent is genummerd gebruikt in een druk van 'Pacificatores Orbis Christiani, sive icones principum (...)'. Deze editie is ca. 1713 uitgegeven maar heeft het jaartal 1697, zie Van Someren. De prent is ook genummerd gebruikt voor de serie 'Hommes les illustres qui ont vécu dans le XVIIe siecle (...)', 1717.
Teapot
Object type: teapot
Date: 1734 – 1734
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: roosters,dogs
Ontmoeting met eenen beer
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: animals threatening man, beasts of prey, predatory animals: bear, firearms (with name), man killing animal
Inscriptions: collector's mark: Lugt 2228

Illustratie in: Haafner, J. Reize te voet door het eiland Ceilon. Amsterdam: Johannes Allart, 1810.
Ornamentale vlakvulling in een cirkel
Object type: drawing
Date: 1876 – 1951
Materials: paint, paper, pencil
Techniques: brush
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
Subjects: ornaments ~ art
Gezicht op een fresco van Mars en Venus te Pompeï
Object type: photograph
Date: 1862 – 1867
Materials: cardboard
Techniques: albumen print
Location: pompeii
Artist: Anonymous
Subjects: painting, drawing and the graphic arts, pompeii

Foto op derde ongenummerde pagina na pagina 106.
Candlestick (one of a pair)
Object type: candlestick
Date: 1747 – 1749
Materials: silver
Artist: michel ii delapierre
Artist role: maker
Artist dates: 1707 – 1815

In the era before gas lighting and electricity, candles played a principal role in illuminating the domestic interior. The number of candles lit was an indication of the wealth and status of the owner: beeswax candles burned clean and had a pleasant smell but were quite expensive compared to those made of tallow. In late seventeenth-century France, a change in dining habits had a significant effect on the production of silver candlesticks. Entertainment was increasingly orientated towards the evening and as a result, elegant lighting became an important part of the interior decoration. As seen in this pair of candlesticks made in Paris in 1747–49, the Rococo style generally affected the decoration more than the shape of candlesticks. Scrolls and foliage adorn the baluster stems and leaves, while flowers and asymmetrical cartouches embellish the sockets and feet. Dated 1771–72, the bobeches are not original to these candlesticks but are later additions or replacements. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture, and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, as illustrated by this pair of candlesticks.
Portret van Johann Gottlob Krüger
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: etching
Artist: barent de bakker
Artist role: print maker
Subjects: historical persons
Inscriptions: date

Prent mogelijk uit: Krüger, Johann Gottlob. Physiologia, of Natuurkundige verhandeling over het leven (...). Amsterdam: Jan Morterre, 1763, dl. 1.
Portret van Christoph Meiners
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: stippling
Location: gottingen
Artist: heinrich schwenterley
Artist role: print maker
Artist dates: 1749 – 1815
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van Christus aan het kruis door Anthony van Dyck
Object type: album leaf
Date: 1802 – 1871
Materials: paper, photographic support
Techniques: albumen print
Subjects: picture, painting, the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)

Deze pagina maakt deel uit van een album.
Hansom Cab  #3904
Object type: drawing
Date: 1884 – 1884
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, youth to right, with his right hand on his hip, a spear in his left hand, and his himation draped over his left elbow and forearm
Bottle
Object type: glass
Date: 1730 – 1730
Materials: glass
Location: bohemia
Jérusalem - Sanctuaire dans l'Eglise Arménienne
Object type: photograph
Date: 1867 – 1877
Materials: cardboard, paper
Techniques: albumen print
Location: jerusalem
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: the early christian churches, e.g. armenians, copts, syrians
Inscriptions: number: ‘871’, inscription: ‘S 25. De sacristy van de groote Armenische kerk. Jeruzalem./ (De deuren zijn van cederhout met paarlemoer ingelegd).’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Portret van Max Rooses
Object type: print
Date: 1879 – 1913
Materials: paper
Techniques: lithograph
Artist: willem steelink (i)
Artist role: draughtsman, print maker
Artist dates: 1826 – 1913
Subjects: antwerp, max rooses, historical persons
Gold Solidus of Valentinian I (364–75)
Object type: solidus
Date: 364 – 375
Materials: gold
Culture: byzantine
Location: nicomedia (now izmit, turkey)
Subjects: profiles

Valentinian restored Christian symbols, including the Chi-Rho emblem atop the emperor's standard. Coins connected an emperor to his subjects. He paid the army in coins, received taxes in coins, and was responsible for maintaining their weight and purity. These coins of early Byzantine emperors conveyed imperial ideals through inscriptions and images.
Cross-shaped Pendant and Four Other Motifs
Object type: print collection ornament architecture
Date: 1622 – 1622
Techniques: embroidery, engraving
Artist: giovanni battista costantini
Artist role: printmaker
Artist nationality: italian
Artist dates: 1615 – 1628
Subjects: pendants,male nudes,cupid,cross

Giovanni Battista Costantini shows a real progression in his print designs in blackwork. In 1615 he published a series which focuses entirely on his goldsmiths designs in blackwork. Seven years later he published the series in which this sheet appears and in which he combined blackwork and engraving to create an attractive presentation method for his designs. The print shows designs for five elements of goldsmith's work placed in a landscape with two cupids and two naked men (ignudi). In the center a cross-shaped pendant is presented. It is held up by two cupids, who each hold another motif in their other hand. On the bottom of the page, the two ignudi are seated on rocks. They each present a lunar-shaped design. A village is faintly indicated in the background, to give his landscape a real sense of depth.
Gezicht op de tuinen van het Koninklijk Paleis te Sevilla
Object type: drawing
Date: 1871 – 1903
Materials: chalk, paper
Location: sevilla
Artist: gerard muller
Artist role: draughtsman
Artist dates: 1861 – 1929
Subjects: garden, palace
Inscriptions: label: ‘8. Alcázar - Sevilla/ Gezicht op de tuinen.’, collector's mark: Lugt 2228
Scarabs
Object type: scarab, nefer, lotus, spiral
Date: 1492 – 1473
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs

This scarab was found with twenty-three other scarabs and seal-amulets in the coffin of a young woman who was buried in Hatnefer's tomb (see 36.3.1 and 36.3 26). The base is inscribed with a decorative pattern that includes a nefer hieroglyph (meaning good or beautiful)..