deem-data/ArtiFact huggingface dataset:
Painted Banner (Thangka) of Bon Deity Tonpa Shenrap
Object type: painting
Date: 1501 – 1600
Materials: cotton, gold, watercolor
Culture: tibetan
Location: tibet

At the center of the thangka, Tonpa Shenrap, the founder of Bon, a pre-Buddhist religion of the Himalayas (prior to the 8th century), presides on an elaborate throne. He is flanked by two attendants and surrounded by a retinue of 250 enlightened beings. He forms a group with the Four Transcendent Lords, and together they are known as the 1,000 enlightened ones. Along the bottom register the donors of the painting preside at the left, while Bon priests – distinguishable by their hats – preside at right. Although the artistic tradition closely follows Buddhist visual culture, as is evident in the composition and iconography, there are distinguishing features. These include Tonpa Shenrap’s intricate crown, and details of his throne such as the dragon entwined columns, and the blue eagle (khyung) a lesser Bon deity, at the apex.

The Guge style of painting, named after the Guge kingdom in the Western Himalayas (11th -17th century), is evident in the way the subsidiary figures are arranged in both horizontal and vertical alignment. Another feature is the large scrolls framing the top of the throne.
Portret van Johann Christoph Gottsched
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving, etching
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: historical persons, writer, poet, author
Inscriptions: tekst, recto, handgeschreven

Prent waarschijnlijk uit: Deutsche Acta Eruditorum (...). Leipzig: Johann Friedrich Gleditsch, 1739.
Case (Inrō) with Design of People Catching Fireflies
Object type: inrō
Date: 1801 – 1900
Materials: lacquer, metal, stone, wood
Techniques: carving, fundame, inlay, polish, roiro
Culture: japanese
Artist: koma kōryū
Artist role: artist
Artist nationality: japanese
Artist dates:  – 1796
Subjects: human figures
Plaque with Harpokrates (or similar) on a lotus, Ptah and Re-Harakhty(?)
Object type: amulet plaque, harpokrates, re harakhty, ptah
Materials: lapis lazuli
Location: egypt
Flower Arrangement
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: utagawa itchinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1700 – 1900
Subjects: plants
Jean Le Mercier
Object type: drawing and watercolor
Materials: chalk, graphite, paper
Techniques: brush, wash
Location: france
Artist: Anonymous
Artist nationality: french
Artist dates: 1600 – 1699
Zegels van de Universiteit van Leiden, met namen van de hoogleraren en het wapen van de universiteit
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: insignia, seal ~ university
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent waarschijnlijk uit: Chronologische Tafelen, In zes en dertig Kopere Platen verbeeld, zo van Keizers, Koningen, Prinsen (...). Amsterdam: Pieter Bastiaansz., 1740.
Caryatid, after Perino del Vaga drawing in Albertina
Object type: drawing
Date: 1520 – 1520
Materials: ink
Techniques: pen, wash
Artist: anonymous, netherlandish, 16th century
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1500 – 1600
Subjects: caryatids,men
Portret van Abbas I, sjah van Perzië
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: coat of arms (symbol of sovereignty), sceptre, staff (symbol of sovereignty), head-gear: turban

Portret van Abbas I in een rechthoekige omlijsting. Hij draagt een tulband en heeft een scepter in zijn rechterhand. Op de achtergrond trekt een leger voorbij. Rechtsboven een wapen. In de ondermarge zijn naam en titel.
Portret van George Hamilton
Object type: print
Date: 1694 – 1742
Materials: paper
Techniques: mezzotint
Subjects: historical persons
Inscriptions: collector's mark: Lugt 240
The Pied Wagtail
Object type: print
Date: 1789 – 1789
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kuwagata keisai
Artist role: artist
Artist nationality: japanese
Artist dates: 1764 – 1824
Subjects: birds,flowers,leaves
Ceramic Fragment
Object type: fragment
Date: 101 – 700
Materials: earthenware
Techniques: glazing
Location: iraq

This ceramic fragment was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this fragment attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Mashrabiyya Screen
Object type: screen
Date: 1401 – 1600
Materials: wood
Location: egypt
Subjects: screens

This frame once was part of a mashrabiyya, or wooden window screen, with its small openings through which the onlooker could see passersby without being seen or conduct a conversation with someone outside. In a mashrabiyya screen the small openings can take horseshoe or curved arch shape.
Bouwwerk te Maasbommel
Object type: sketchbook leaf
Date: 1701 – 1759
Materials: ink, paper, pencil
Techniques: brush, pen
Subjects: city-view, and landscape with man-made constructions
Inscriptions: annotation: ‘Kam[..] te Maasbommel’

Blad 8 recto uit een schetsboek met 65 bladen.
Jonge vrouw voor boekenkast
Object type: photograph
Date: 1900 – 1920
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: netherlands

Foto op bruin albumblad 54 van familiealbum van Alphons Diepenbrock.
Harlequin with barrel
Object type: toy
Date: 1755 – 1755
Materials: soft paste porcelain
Artist: saint james's factory
Artist role: maker
Artist nationality: british
Artist dates: 1749 – 1759
Subjects: men
Jager Officier
Object type: costume print
Date: 1785 – 1785
Materials: paper
Techniques: etching, hand coloring
Location: northern netherlands
Artist: Anonymous
Subjects: rijngraaf van salm frederik iii, (military) uniforms (+ infantry), patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Staande jager in uniform. Onderdeel van de prentserie van uniformen van het legioen van Frederik III Rijngraaf van Salm, in dienst van Republiek in 1785.
Berglandschap; de Alpen
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: alps
Artist: achille quinet
Artist dates: 1831 – 1900
Subjects: mountains
Inscriptions: signature: ‘Sertifier conforme au tirages // A Quinet’
De dwerg Petrus Dorlandus als walvisvaarder, 1720
Object type: print
Date: 1718 – 1720
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: caricatures (human types), little people

De kleine mens Petrus Dorlandus als (Nederlandse?) walvisvaarder in Groenland. In het onderschrift verzen in het Nederlands en Frans. Genummerd rechts midden: 13. Onderdeel van de tweede Nederlandse gebonden uitgave uit 1720 (en gerelateerd aan de Windhandel in dat jaar) van een serie karikaturen van kleine mensen, bekend als Het Dwergentooneel.
Soldaat op wacht die zijn musket van zijn schouder neemt (nr. 35), ca. 1600
Object type: print
Date: 1597 – 1608
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat op wacht, ten voeten uit, naar rechts, die een musket (een bepaald type vuurwapen) van zijn linkerschouder neemt met zijn rechterhand (nr. 35), ca. 1600. In zijn linkerhand behalve de kolf van het musket ook een furket (musketvork) en een brandende lont. Het gaat dus om dezelfde positie als degene die op de derde prent van de serie getoond wordt. Plaat 35 in de instructies voor het hanteren van het musket: Brief enseignement, sur les pourtraitz figurez, touchant le droit maniement du Mousquet. Onderdeel van de illustraties in een Franse editie van J. de Gheyns Wapenhandelinghe: J. de Gheyn, Maniement d'armes, d'arquebuses, mousquetz et piques : en conformité de l'ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. Krijgswezen rond 1600.
Wine Glass
Object type: glass
Date: 1734 – 1766
Materials: glass
Location: netherlands
Mandobass
Object type: mandobass
Date: 1913 – 1913
Materials: brass, wood, mother of pearl, nickel, silver
Culture: american
Location: united states
Artist: gibson mandolin-guitar manufacturing co., ltd.
Artist role: maker
Artist nationality: american
Artist dates: 1902 – 9999

J model mandobass with a light to dark red sunburst finish, serial number 15729. This instrument has teardrop shaped body, corresponding to the A series Gibson mandolins. The guitar has a carved, arched top and back, a design patented by Orville Gibson in 1898. Five businessmen bought the name and patent from Orville Gibson in 1902 and started The Gibson Mandolin-Guitar Manufacturing Co., Ltd. The instrument has an oval sound hole with decorative inlaid wood and ivoroid binding. The top of the instrument has ivoroid binding. The neck is made of mahogany, the fingerboard is ebony and extends to the sound hole. There are seventeen nickel-silver frets with mother-of-pearl position dots on the fingerboard. Floating bridge, "trapeze" style tailpiece, original maple arm rest, a metal end pin, and a side pin for resting the instrument on a chair (holding it positioned across the body like a guitar). Headstock is veneered and inlaid with mother-of-pearl words "The Gibson." Plain, "butter bean" brass tuners.
Gezicht op de baai van Nice, Frankrijk ('Nice - Vue prise de la Route de Villefranche')
Object type: photograph
Date: 1883 – 1888
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: étienne neurdein
Artist role: publisher
Artist dates: 1832 – 1918
Subjects: nice
Inscriptions: inscription: ‘ND Phot.’, inscription: ‘[?] Nice [?] - Vue Générale prise de la Route de Villefranche [?]’

Gezicht op de baai van Nice, Frankrijk ('Nice - Vue prise de la Route de Villefranche').
Golden oriole (one of a pair)
Object type: figure
Date: 1740 – 1741
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds,leaves

Porcelain birds have their origins in the princely tradition of maintaining collections of living animals and birds in menageries and aviaries, which were viewed as microcosms of the universe, and emblems of royal power and enlightenment. These collections often included exotic birds such as parrots, admired for their rarity, as well as more familiar native species. In 1731 the Meissen manufactory began a new genre in European porcelain, producing several hundred life-size and near-life-size porcelain birds and animals, many destined for the Japanese Palace of Augustus the Strong, Elector of Saxony (1670–1733). To create them, factory modelers found inspiration in nature, looking both to living and stuffed specimens, as well as zoological illustrations and Asian porcelain precedents. The great Meissen modeler Johann Joachim Kändler is known to have copied from life the birds kept at the royal aviary at Schloss Moritzburg. Surviving prints and drawings of the period indicate that porcelain birds, animals, and vases were placed on gilt wood brackets arranged in decorative, symmetrical patterns. An eighteenth-century English visitor to the Japanese Palace, Jonas Hanway, described this manner of display: "The long gallery in the second story had already two marble chimney-pieces, each adorned with near 40 very large pieces of porcelain, of birds, beasts, and vases, ranged to the height of above 20 feet in a most superb taste…." [Elizabeth Sullivan, 2013]
Correctiehuis Sint Bernhard te Hemiksem, huismunt ter waarde van een cent
Object type: huismunt prison money
Date: 1826 – 1833
Materials: zinc
Techniques: striking
Location: brussels
Artist: joseph pierre braemt
Artist role: print maker
Artist dates: 1796 – 1864
Subjects: ghent

Zinken betaalpenning. Voorzijde: opschrift binnen omschrift. Keerzijde: waardeaanduiding
Landschap met ruiter
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: etching
Artist: johanna de bruyn
Artist role: draughtsman, print maker
Artist dates: 1722 – 1782
Subjects: lane, alley
Inscriptions: collector's mark: Lugt 2228

Landschap met ruiter, een hoeve en een wandelaar.
Christus, de apostelen en de H. Paulus
Object type: print
Date: 1609 – 1652
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the apostle john the evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll
Inscriptions: collector's mark: Lugt 2228
Cup
Object type: cup
Date: 1701 – 1800
Materials: glaze, gold, porcelain
Culture: japanese
Subjects: leaves
Mei: Christus en de Samaritaanse vrouw
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the woman of samaria (john 4:4-42), landscape symbolizing may (+ with gemini (may))
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een lentelandschap. In de lucht het astrologisch teken van mei: de Tweeling. Christus rust uit bij de bron van Jakob. Zijn leerlingen bevragen hem over de Samaritaanse vrouw, die juist vertrokken is (Joh.4). De prent heeft een Latijns onderschrift en is deel van een serie over het leven van Christus uitgebeeld in de twaalf maanden van het jaar.
Amulet of the God Thoth as a Crouched Ibis with Feather of Maat
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: gods (deities)
Hercules en de koning van Rome
Object type: copy
Date: 1812 – 1812
Materials: lead
Techniques: striking
Location: paris
Artist: henri-françois brandt
Artist role: painter
Artist dates: 1789 – 1845
Subjects: paris, vienna
Gezicht op de Nieuwe Prinsengracht, gezien naar de Rapenburgergracht
Object type: drawing
Date: 1751 – 1799
Materials: chalk, ink, paper
Techniques: brush
Location: amsterdam
Artist: jacob cats (1741-1799)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1799
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc.
Inscriptions: signature: ‘J. Cats / fec’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 23.
Three Studies of the Head of a Turbaned Black Man
Object type: drawing and watercolor
Date: 1720 – 1730
Materials: chalk, paper
Techniques: drawing, stumping
Location: france
Artist: nicolas lancret
Artist role: artist
Artist nationality: french
Artist dates: 1690 – 1743
Landschap met drie herders en brug met acht bogen
Object type: print
Date: 1806 – 1808
Materials: paper
Techniques: aquatint, etching
Location: london
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscape with bridge, viaduct or aqueduct - ii - ideal landscapes
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Zeeslag met zinkende schepen
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: battle (+ naval force)
Inscriptions: collector's mark: Lugt 2228

Voorstelling uit de vaderlandse geschiedenis. Zicht op een zeeslag met op de voorgrond een zinkend zeilschip en een roeiboot met bemanning. In de verte liggen meer zeilschepen, enkele hiervan staan in brand en zijn omgeven door rookwolken.
Droogmaking van de Haarlemmermeer, ter ere van Willem III, koning der Nederlanden
Object type: history medal
Date: 1853 – 1853
Materials: silver
Techniques: striking
Location: utrecht
Artist: johan philip menger
Artist role: medailleur
Artist dates: 1818 – 1895
Subjects: william i of the netherlands, brussels, willem iii (koning der nederlanden), the hague, william ii of the netherlands
Ex libris van Máňa Jančáková
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: czech republic
Subjects: book, standing figure - aa - female human figure
Inscriptions: inscription: ‘Vozlueki [?]’
A personification of Philosophy sitting on clouds with her feet resting on a globe, two putti at right holding a tablet
Object type: print
Date: 1510 – 1515
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: women,putti
Twaalfjarige Christus in de tempel
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: christ's dispute with the doctors in the temple; he counts his arguments on his fingers, christ found by his parents
Inscriptions: collector's mark: Lugt 240

In de tempel zit Christus tussen de schriftgeleerden en legt hen de schrift uit. Jozef en Maria lopen de tempel binnen.
Portret van M. Nieuwenhuyzen
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: torch, caduceus (staff with two snakes, attribute of mercury), historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde is afgebeeld in een wolkenpartij. Hij draagt een pruik. Onder het portret een vignet met daarin een fakkel, een mercuriusstaf en een putto. Daarin een banier met de opdracht: de heren leden secretaressen der Maatschappij tot Nut van het Algemeen.
Schutterspenning van Leiden
Object type: marksman medal
Date: 1661 – 1661
Materials: silver
Location: leiden
Artist: Anonymous

Zilveren schutterspenning van Leiden. Voorzijde: een gekroonde klimmende leeuw met een zwaard in zijn rechter en een schild met het Leidse wapen in zijn linker klauw. Omschrift: PVGNO PRO PATRIA (ik vecht voor het vaderland). Keerzijde: twee gekruiste musketten tussen LEY en DEN. Omschrift: SCHVTTERS PENNING en daarachter het jaartal.
Habiti antichi, et moderni di tutto il mondo : di nuovo accresciuti di molte figure : vestitus antiquorum, recentiorumque totius orbis
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: private soldier (+ cavalry, horsemen)

Soldaat te paard, naar links. met lans en schild. In ornamentrand.
Titelpagina's voor drie verschillende boeken
Object type: titelblad, titelpagina
Date: 1851 – 1851
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: cologne, amsterdam, joost van den vondel, moving (house), historical persons, title-page, mathematics
Inscriptions: collector's mark: Lugt 2228

Links titelpagina voor: Daalberg, Bruno. Komische vertoogen. Gevolgd door nog wat lektuur bij ontbijt- en thee-tafel, 1851. Op de pagina is een scène uit het verhaal Verhuis-tafeerelen afgebeeld, waarin een man een paard aanspoort om een grote stapel spullen voort te trekken. In het midden een titelpagina met een portret van Joost van den Vondel voor: Vondel, J. van den. Vijftal treurspelen, 1851. Rechts een titelpagina voor: Langendijk, Pieter. Blijspelen, 1851. Op de pagina is een scène uit het blijspel De Wiskunstenaars, of 't gevlugte juffertje afgebeeld, waarin een wiskundige uitleg geeft aan een groep heren.
Gezicht op de Herengracht te Amsterdam bij maanlicht
Object type: sketchbook leaf
Date: 1895 – 1898
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: canals, waters (in city), civic architecture; edifices; dwellings
Inscriptions: annotation: ‘Heerengracht met/ sterk maanlicht/ en donker blaauw/ water/ (ook 't Singel/ vroeg in de avond/ [...]’

Pagina 27 uit een schetsboek met 21 bladen.
Satyr with vase (one of a pair)
Object type: statuette
Date: 1540 – 1550
Materials: bronze
Artist: andrea briosco, called riccio
Artist role: artist
Artist nationality: italian
Artist dates: 1470 – 1532
Subjects: satyrs,urns
Herders met kudde
Object type: print
Date: 1673 – 1695
Materials: paper
Techniques: etching
Location: paris
Subjects: landscapes, pastorals, arcadian scenes, herd, flock
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Huis en tuin in Deli-Toewa op Sumatra
Object type: album leaf
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: plantation, garden, rural housing, e.g. country-house, villa, cottage, sumatra

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Plate 82: Hercules and Acheloüs (Luctatur, et vincit Acheolum Hercules), from Ovid's 'Metamorphoses'
Object type: print
Date: 1606 – 1606
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: men,hercules,bulls
Koningin Wilhelmina tijdens een toespraak voor Radio Oranje tijdens de Tweede Wereldoorlog, Londen
Object type: photograph
Date: 1940 – 1945
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Subjects: the hague, print maker, wilhelmina of the netherlands
Inscriptions: annotation: ‘Koningin Wilhelmina tijdens oorlog / voor radio Oranje Londen’, signature: ‘COPYRIGHT / "ANEFO" / KERKSTRAAT 310 / AMSTERDAM-C. / TEL. 30744 33902 / No. [in potlood ingevuld: PRF17-9733]’
S. Paulin, évêque de Nole (St. Paulinas, Bishop of Nolas), June 22nd, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Fotoalbum met snelfoto's uit Utrecht en Leeuwarden
Object type: snapshot
Materials: paper, cardboard
Techniques: gelatin silver print
Location: leeuwarden
Artist: Anonymous

Fotoalbum met 8 bladen met 29 snelfoto's uit Utrecht en Leeuwarden, waarvan 9 los.
Gezicht op staalfabrieken in Pittsburgh
Object type: ansichtkaart, prentbriefkaart
Date: 1930 – 1960
Materials: cardboard
Techniques: four-color autotype
Location: united states
Subjects: pittsburgh
Inscriptions: inscription: ‘70023 IRON MILLS AT NIGHT, PITTSBURGH, PA. / COPR. DETROIT PUBLISHING CO.’, inscription: ‘POST CARD / “PHOTOSTINT’ CARD. MADE ONLY BY DETROIT PUBLISHING CO. / TRADE MARK – REG. U.S. PAT. OFF. / […]’