deem-data/ArtiFact huggingface dataset:
Landschap met figuren en op de voorgrond een grote wilg
Object type: drawing
Date: 1601 – 1666
Materials: ink, paper
Techniques: pen
Artist: g.jo.franc da cento
Artist role: draughtsman, painter
Artist dates: 1591 – 1666
Subjects: landscapes in the temperate zone
Dagger
Object type: dagger
Materials: iron
Location: mesopotamia
Brougham #3184
Object type: drawing
Date: 1876 – 1876
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Plate
Object type: plate
Date: 1567 – 1633
Materials: enamel
Techniques: overglaze, painting, polychrome
Culture: chinese
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Eleven miscellaneous fragments from DvB 10.1
Vessel in shape of a crouching tiger
Object type: vessel
Date: 201 – 500
Materials: ceramic glaze, glaze, stoneware
Culture: chinese
Subjects: tigers

Fanciful vessels such as this were produced primarily in south China; however, examples in both clay and bronze have been found in the north as well. The shape has a long history and was first produced in the second and third centuries for pouring liquids.
Dagger
Object type: dagger
Date: 1701 – 1900
Materials: horn
Culture: indian
Location: central india
Regulus Condemned to the Most Horrible Torture
Object type: print
Date: 1701 – 1800
Techniques: engraving, etching
Artist: gabriel de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1724 – 1780
Subjects: suffering,men,crowd,boats
Portret van Johanna P.C. Kessler
Object type: photograph
Date: 1905 – 1918
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Inscriptions: annotation: ‘Ongetrouwde zus van J.B.A Kessler, Johanna P.C. Kessler, mei 1918’
Tekstblad met portretten van Jan en Martinus Nieuwenhuyzen
Object type: print
Materials: paper
Techniques: letterpress printing, printing block
Location: the hague
Subjects: haarlem, martinus nieuwenhuyzen, amsterdam, jan nieuwenhuyzen, historical persons, façade (of house or building)

Tussen de beide portretten het huis waar de Maatschappij tot nut van 't algemeen is opgericht.
Portret van Manuel de Castel Rodrigo
Object type: print
Date: 1636 – 1679
Materials: paper
Techniques: engraving
Location: the hague
Subjects: historical persons
Portret van een man
Object type: carte de visite
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Artist: joseph dupont
Artist role: fotograaf
Artist dates: 1818 – 1901
Subjects: adult man
Inscriptions: annotation: ‘Au cher camarade Duquesne / Souvenir affectueux des heureux moments / passés avec lui à Utrecht en mai 1874 et Bruxelles septembre 1874 / [...]’, inscription: ‘Dupont Phot. Bruxelles’, inscription: ‘DUPONT / BRUXELLES / 67, Rue Neuve, 67.’
Theo, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Hoofd van een man met baard, van voren
Object type: drawing
Date: 1830 – 1830
Materials: chalk, paper
Petal-Lobed Dish
Object type: vessel
Materials: porcelain
Techniques: glazing
Location: china
Noordzijde van de Kerk van Vlagtwedde
Object type: photograph
Date: 1893 – 1893
Materials: cardboard, photographic support
Techniques: albumen print
Location: vlagtwedde
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Vlagtwedde/ noordzijde N.H. kerk/ sept 1893’, annotation: ‘Vlagtwedde’
Abuse of article 214 of the civil law. “My lady wife, you let me want for everything, you only allow me a miserable pension of three thousand francs, you throw me out of your door like a beggar, and, what is more, you want to drive me away from Paris, exile me, deport me!... No! No! I won't leave France! I won't! I won't!!... Listen, I owe my friend Bertrand 10'000 Fr., it's a gambler's debt, a debt of honor, I owe my cook 525 Fr. and ten francs for my chambers, a total of 10'535 Fr. Let me have a few thousand francs more to take my mind off my domestic worries and, on my word of honor, I won't pester you any longer,” plate 50 from Caricaturana
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: letterpress, lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Figuren en een kar voor een huis in Scheveningen
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: chalk, paper
Location: scheveningen
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: hand-cart, urban housing, adult woman, child
Inscriptions: annotation: ‘Panorama Mesdag’

Pagina 13 uit een schetsboek met 31 bladen.
Lord George Hamilton, M.P.
Object type: page
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: politician, historical persons (portraits and scenes from the life) (+ (full) bust portrait), politician, e.g. party leader
Toadfish, from the Fish from American Waters series (N8) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: fish

Trade cards from the "Fish from American Waters" series (N8), issued in 1889 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Candlestick
Object type: candlestick
Date: 1845 – 1865
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Subjects: dolphins
Interior of dining room with corner chimney
Object type: drawing
Date: 1925 – 1925
Materials: paper, watercolor
Techniques: brush
Location: netherlands
Artist: Anonymous
Subjects: dining-room
Foglie di ogni misura
Object type: bookplate
Date: 1945 – 1945
Materials: paper
Techniques: printing block
Location: bologna
Subjects: gino sabattini, woman (showing herself) undressed, quasi-nude, the tree of knowledge of good and evil (whose fruit, usually apples or figs, brings death); the tree may be guarded by the serpent
Inscriptions: inscription: ‘S. Burzi - Bologna - 1945’
Tapijt, z.g. arabeskenkleed, met groene rand
Object type: tapijt
Date: 1590 – 1650
Materials: wool
Techniques: ghiordes knot
Location: asia minor

Arabeskenkleed met groene rand, Lotto tapijt. Middenveld met arabeskenmotieven. Tweevoudige rand. Knoop: Ghiordes knoop.
Fotoreproductie van een schilderij van Maria op bidprent
Object type: reproduction
Date: 1879 – 1879
Materials: paper
Techniques: albumen print, blind stamped, hand coloring
Artist: Anonymous
Subjects: picture, painting
Inscriptions: inscription: ‘Souvenez-vous qu'il vaut/ bien la peine de vivre/ sans plaisir pour pouvoir/ mourier sans peine./ Ma bonne Marie un/ petit souvenir dans des/ prières réclame/ Sa devouée/ St M. Augustine/ Noah/ le 2 Juin 79/ au S Coeur de Jéans’
Portret van een figuur met een helm, aan de rechterzijde omlijst door een gordijn
Object type: sketchbook leaf
Date: 1894 – 1894
Materials: paper, pencil
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: curtains, helmet, head (human)

Tevens een studie van een kop. Blad 12 recto uit een schetsboek met 35 bladen.
Fotoreproductie van een ontwerp voor een wanddecoratie met grotesken naar Alexandre Eugène Prignot
Object type: reproduction
Date: 1873 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: liège
Subjects: ornament ~ grotesque, wall-covering
Inscriptions: stamp: ‘AFGESCHREVEN/ [...]’, number: ‘40’, inscription: ‘Eug. Prignot. inv.’, stamp: ‘TEEKENSCHOOL/ VOOR/ KUNST-NIJVERHEID/ HAARLEM’, inscription: ‘Déposé’

Deze foto maakt deel uit van een omslag met 61 foto's op 61 bladen.
Sari
Object type: costume and accessory
Date: 1801 – 1900
Materials: gold, silk
Location: india
Drawers
Object type: drawer
Date: 1874 – 1874
Materials: cotton, linen
Culture: american
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, fingers; part of an inscription, IS
E 50. De sphinx en de tweede pyramide. Caïro
Object type: photograph
Date: 1862 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: gizeh
Artist: antonio beato
Artist role: fotograaf
Artist dates: 1835 – 1906
Subjects: sphinx (lion/woman); 'sfinge' (ripa), pyramid (historical grave form)
Inscriptions: title: ‘E 50. De sphinx en de tweede pyramide. Caïro.’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, check stamp: ‘Bristol/ L.M.’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Pompone II de Bellièvre
Object type: print
Date: 1657 – 1657
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits,coat of arms
Textile
Object type: textile
Date: 1201 – 1300
Materials: silk
Culture: european
Subjects: birds
Barneveld, eierhal (pluimvee-tentoonstelling)
Object type: photomechanical print
Date: 1913 – 1930
Materials: cardboard
Techniques: photograph
Location: barneveld
Artist: Anonymous
Subjects: fowl (cock, hen, chicken, etc.), temporary exhibition, 'salon'
Orphrey
Object type: orphrey
Date: 1501 – 1600
Materials: canvas, metal thread, silk
Subjects: men,women
Brand in de Waag te Amsterdam den 20 May des Jaars 1780
Object type: print
Date: 1781 – 1793
Materials: paper
Techniques: etching
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: weigh-house, square, place, circus, etc. (+ city(-scape) with figures, staffage), amsterdam
Inscriptions: collector's mark: Lugt 1461b

Prent met vermelding van de uitgever gebruikt in: De nieuwe vaderlandsche Almanach voor den Jaare 1781. Amsterdam: Arend Fokke, 1782. De vaderlandsche historie in themata (...). Amsterdam: Arend Fokke, 1783. En in: De vaderlandsche historie in themata (...). 2de druk. Amsterdam: Arend Fokke, 1788.
Entombment
Object type: print
Date: 1595 – 1600
Techniques: etching
Artist: guido reni
Artist role: artist
Artist nationality: italian
Artist dates: 1575 – 1642
Subjects: sadness,male nudes,women,entombment,death
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: copper, copper alloy, gold alloy
Culture: japanese
Location: japan
Subjects: men
Rekenpenning uit Antwerpen voor het Bureau van Financien op het beleg van Ostende door de Spaanse troepen 1601
Object type: jeton
Date: 1601 – 1601
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde de elkaar toegewende borstbeelden van Albert en Isabella met omschrift, op de keerzijde twee ineengeslagen gevleugelde handen waarachter korenaren, met tekst in het veld en omschrift.
Toneelvoorstelling in de open lucht
Object type: painting
Date: 1670 – 1698
Materials: canvas, oil
Artist: matthijs naiveu
Artist role: painter
Artist dates: 1647 – 1726
Subjects: theatre, theatrical performance, 'commedia dell'arte', theatre (building) - aa - open-air performances

Toneelvoorstelling in de open lucht. Rechts op de voorgrond, bij een distel, liggen een man en een vrouw in het gras, zij wijst met de hand naar een toneelvoorstelling. Voor het podium heeft zich een menigte verzameld, links een pannenkoekenbakster, in het midden kinderen met een bokkenwagen, rechts een officier te paard. Op het toneel een dansend paar en een vioolspelende harlekijn. Het toneel is versierd met wapens van de provincies.
Kaartspelers
Object type: print
Date: 1767 – 1782
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: playing-cards, the soldier off duty, lying figure
Inscriptions: collector's mark: Lugt 2228

Twee liggende en een zittende figuur spelen kaart.
Portret van keizer Matthias
Object type: book illustration
Date: 1730 – 1730
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: vienna, matthias van oostenrijk (rooms-duits keizer), ornament ~ medallion, historical persons, knighthood order of the golden fleece, emperor

Prent waarschijnlijk uit: Le Clerc, Jean. Geschiedenissen der Vereenigde Nederlanden. Amsterdam: Zacharias Chatelain, 1730, dl. 1. De prent is in een eerdere staat gebruikt in Bors 'Oorsprongk, begin, en vervolgh der Nederlandsche oorlogen (...)', 1679.
Portret van Hajo Albert Spandaw
Object type: print
Date: 1843 – 1891
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: hajo albert spandaw, knighthood order, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt twee ridderorden waaronder het grootkruis. Hij heeft zijn hand in zijn jas gestoken. Onder het portret zijn signatuur.
Spotprent op de inmenging van Lodewijk XIV in de Engelse troonopvolging, 1689
Object type: cartoon
Date: 1688 – 1688
Materials: paper
Techniques: etching, letterpress printing
Location: netherlands
Subjects: jacobus ii (koning van engeland en schotland), william iii (prince of orange and king of england, scotland, and ireland), lodewijk xiv (koning van frankrijk), paris, london, rome
Inscriptions: date

Spotprent op de inmenging van Lodewijk XIV in de Engelse troonopvolging, 1689. Kraamkamer waarin koningin Maria van Modena in bed ligt en bezocht wordt door een Duitse dokter die haar urine bekijkt. In het midden een boze Lodewijk XIV (Harlekijn) die door Willem III wordt tegengehouden, links drie Algerijnen of Turken. Op de voorgrond links krijgt kardinaal von Fürstenburg een lavement, rechts het kind Jacobus Frans Eduard, het ondergeschoven kind (de prins van Wales) met een molentje bij twee minnen die een eed van stilzwijgen afleggen. Met onderschrift van 2 keer 2 regels en op blad onder de voorstelling 2 verzen van elk 2 kolommen met een toelichting op de nummers 1-12 in het Nederlands en Frans.
Portret van Robert Stigell
Object type: page
Date: 1873 – 1883
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: sculptor, portrait, self-portrait of sculptor
Embroidery
Object type: embroidery
Date: 1774 – 1792
Materials: silk
The Book of Law Read before the People
Object type: print
Techniques: engraving
Artist: claes jansz. visscher (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1586 – 1652

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Kamerinterieur in het huis van H. van den Steen
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: living-room, parlour, sitting-room, surabaya

Onderdeel van Herinneringsalbum met foto's van Soerabaja.
Portrait of a Gentleman
Object type: painting, miniature
Date: 1785 – 1790
Materials: ivory, watercolor
Culture: american
Artist: ezra ames
Artist role: artist
Artist nationality: american
Artist dates: 1768 – 1836
Subjects: men,portraits
Interieur van de eetzaal in Royal Hotel te Durban, Zuid-Afrika
Object type: album leaf
Date: 1896 – 1896
Materials: photographic support
Techniques: albumen print
Location: durban
Artist: Anonymous
Subjects: hotel, hostelry, inn, dining-room
Inscriptions: annotation: ‘Eetzaal Royal HOtel, Durban, 27 feb - 6 mrt 1896’
Head of a King
Object type: statue head
Date: 1150 – 1175
Materials: limestone
Culture: french
Subjects: heads

A recently discovered photograph taken about 1906–10 seems to confirm earlier speculation that this head comes from Notre-Dame-dela-Couldre in Parthenay. Following the French Revolution, the church was secularized, sold, and demolished by its new owner. Certain aspects of this sculpture, such as the striated hair and the thick upper lip, are characteristic of Parthenay production. Although its original placement and identification remain unknown, the head may have belonged to a large figure on horseback, set in profile, on the church’s façade.
Bernini's Fountain of "Il Tritone," Piazza Barberini, Rome
Object type: drawing
Date: 1701 – 1800
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: human figures,fountains,fish
Glass oinochoe (perfume jug)
Object type: oinochoe
Date: 534 – 401
Materials: glass
Culture: greek, eastern mediterranean

Opaque white, with handle and foot apparently in opaque white and translucent purple; trails in translucent purple. Applied broad, trefoil rim-disk with radiating tool marks on upper surface; cylindrical neck with concave sides; broad, sloping shoulder; convex sides to body curving in to flattened bottom; applied outsplayed foot, with uneven underside; handle applied on shoulder over trails and pressed on to underside of rim-disk and top of neck. One trail attached at edge of rim-disk; another trail applied to edge of shoulder, wound round in a spiral, then tooled into an irregular zigzag pattern, and ending on lower body; vertical tooling indents in alternating upward and downward strokes, forming prominent rounded ribs around body; a marvered circular blob applied to side of lower body. Complete, except for most of handle and chip in rim-disk, both with weaathered breaks; some pitting, most of surfaces covered in thick creamy weathering with faint iridescence. Opaque white with wavy zigzag pattern in purple.
Terracotta fragments of a neck-amphora (jar)?
Object type: neck amphora fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

The larger fragment has a red line, two black glaze lines and three fronds of a palmette; the smaller fragment has two black glaze lines and four fronds of a palmette
Laughing Bumblebee Orchid (Ophrys bombyliflora)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: orchid

The Historia Naturalis aimed to give a reliable ‘scientific’ image for each subject. However, you might well wonder about this image. At first glance, green heads of birds or ducks – hidden behind coats of arms – seem to hang from a stem. Yet here, too, the artist followed reality fairly closely. We are again witnessing one of Nature’s little jokes.
You Will Smile Tonight, from the Magic Changing Cards series (N223) issued by Kinney Tobacco Company
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,profiles

Trade cards from the "Magic Changing Cards" series (N223), issued in a set of 50 in 1889 by Kinney Tobacco Company. When held up to the light, a hidden image is revealed on each card.
Man met kaarten en dobbelstenen aan tafel
Object type: book illustration
Date: 1490 – 1534
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: games of calculation and chance, e.g.: card games, gambling, puzzles, etc.

Prent is gebruikt in: Teütsch Cicero. [Vertaald uit het Latijn door] Johannes von Schwarzenberg. Augsburg: Hans Steiner, 1534.
Figure of Buddhist Divinity
Object type: figure
Date: 1701 – 1800
Materials: stone
Culture: chinese
Subjects: men,buddhism
Yamabuki Flowers (kerria japonica)
Object type: print
Date: 1701 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: unidentified artist
Artist role: artist
Subjects: flowers,leaves
Portret van twee onbekende meisjes
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Subjects: anonymous historical persons portrayed in a double portrait - bb - woman, girl (child between toddler and youth)
Schelp
Object type: drawing
Date: 1885 – 1885
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: anthonie karel ringler
Artist role: draughtsman
Artist dates: 1817 – 1896
Subjects: molluscs (+ shell, snail-shell etc.)
Gezichten op het kasteel van Rochefoucauld in Liancourt
Object type: print
Date: 1631 – 1661
Materials: paper
Techniques: etching
Subjects: french or architectonic garden; formal garden, landscape with tower or castle (+ city(-scape) with figures, staffage), paris
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van negen prenten.
Map of Libya, the Middle East and North Africa
Object type: print
Materials: paper
Techniques: lithograph
Location: italy
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Ushimachi at Takanawa (Takanawa Ushimachi), No.81 from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Het was te verwachten!
Object type: cartoon
Date: 1911 – 1911
Materials: paper
Techniques: autotype
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: magistracy, judges, political caricatures and satires, criminals

Een jurist uit de Eerste Kamer als een misdadiger die terugkeert naar de plek van zijn misdrijf, Papendrecht. Naar aanleiding van de zogenaamde 'Papendrechtse affaire'.