deem-data/ArtiFact huggingface dataset:
Ontwerptekening voor ex libris van Otto Verhagen jr.
Object type: design drawing
Date: 1942 – 1942
Materials: ink, paper
Techniques: drawing, pen
Location: netherlands
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: maarssen, painter, print maker, draughtsman, otto verhagen (ii), scallop, shell ~ ornament, eyes
Inscriptions: inscription: ‘Penteekening-ontwerp. Ex libris voor O. Verhagen JR. voor Schelpenboeken/ Motief= schelp waaruit een menschenoog angstig de wereld bekijkt/ Niet uitgevoerd.’
Huis aan een landweg met een figuur
Object type: drawing
Date: 1834 – 1911
Materials: ink, paper, pencil
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: city-view, and landscape with man-made constructions
Portret van een jonge vrouw
Object type: photograph
Date: 1874 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: adolescent, young woman, maiden, historical persons
Inscriptions: number: ‘24048’, inscription: ‘Chambay/ Grand Hotel/ Bould des Capucines 12/ Paris’
Sleutel
Object type: key
Date: 1600 – 1699
Materials: iron
Location: france

Sleutel met twee dolfijnen, die de ring vormen.
Madonna and Child with Saint John
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: attributed to fortunato duranti
Artist nationality: Italian
Artist dates: 1787 – 1863
Tienerring met ronde knop met zwart veld waarin een gladde bloemvorm
Object type: ring
Date: 1960 – 1970
Materials: silver
Techniques: blackening
Location: netherlands
Artist: Anonymous
Inscriptions: maker's mark: ‘JdB’, alloy mark

Tienerring van zilver met ronde knop met zwart veld waarin een gladde bloemvorm.
Oudewater. Stadhuis
Object type: photomechanical print
Date: 1909 – 1909
Materials: cardboard
Techniques: photograph
Location: oudewater
Subjects: townhall
Inscriptions: date
Painting (La Peinture): a monkey seated at an easel, dressed in a robe and beret and holding a painter's palette, a framed painting hanging on the wall beyond
Object type: print
Date: 1700 – 1739
Techniques: engraving, etching
Artist: louis desplaces
Artist role: artist
Artist nationality: french
Artist dates: 1682 – 1739
Subjects: painting,monkeys,easels,palettes
Wielerwedstrijd
Object type: drawing
Date: 1891 – 1941
Materials: pencil
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: crowd, mob, bicycle racing
Inscriptions: collector's mark: Lugt 2228
Watch
Object type: watch
Date: 1645 – 1670
Materials: crystal, enamel, gold
Artist: jean hubert (l'âiné)
Artist role: maker
Artist nationality: french
Artist dates: 1663 – 1695
Landing van de Britten op Walcheren, 1809
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Artist: a. lutz
Artist role: print maker
Subjects: (military) attack
Inscriptions: collector's mark: Lugt 2228

Landing van Britse troepen op de kust van Walcheren. Op de voorgrond wordt met een kanon geschoten op Fort den Haak, 30 juli 1809. Zie ook de pendant.
Bit of Venice
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: berlin
Artist: alfred stieglitz
Artist role: fotograaf
Artist dates: 1864 – 1946
Subjects: bridge, gondola, small canal, ditch, venice
Inscriptions: monogram: ‘MR&C’
Central Figure, study for The Life of Saint Louis, King of France
Object type: drawing and watercolor
Date: 1878 – 1878
Materials: charcoal, paper
Techniques: drawing, stumping
Location: france
Artist: alexandre cabanel
Artist nationality: french
Artist dates: 1823 – 1889
Saint Christopher at the cross
Object type: photograph
Date: 1875 – 1885
Materials: photographic support
Techniques: platinum process
Artist: frederick hollyer
Artist role: fotograaf
Artist dates: 1838 – 1933
Subjects: st. christopher serving the devil, who is scared of the cross
Model
Object type: model
Date: 801 – 900
Materials: earthenware
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Nar die op een trompet blaast
Object type: book illustration
Date: 1900 – 1900
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: buffoon (in general) (german: 'schalksnarr')
Inscriptions: collector's mark: Lugt 2228

Afkomstig uit: Long Tom. Komische Coupletten. De Couranten-Jongen, 't Is 'n Familiekwaal en De Transvaalsche Boer. Amsterdam: E.P.A. van de Geer, s.d.
Boys Peeping at Nature
Object type: print, subscription ticket
Date: 1701 – 1800
Techniques: etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Portret van Johan 't Serclaes, graaf van Tilly
Object type: print
Date: 1646 – 1647
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: ranks in the army, historical persons, armorial bearing, heraldry

Prent uit: Ritratti et elogii di capitani Illustri. Che ne'secoli moderni hanno gloriosamente guerreggiato. Rome: Filippo de'Rossi en Vitale Mascardi, 1646, p. 371. Prent ook gebruikt in dezelfde editie van 1647. Eerdere staat van prent in ieder geval ook gebruikt in: Ritratti et elogii di capitani Illustri. Rome: Pompilio Totti en Andrea Fei, 1635.
Portret van Jobst Heinrich Hansen
Object type: print
Date: 1750 – 1799
Materials: ink, paper, pencil
Techniques: brush, etching
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Reichspost-Gebäude Karlsruhe
Object type: photomechanical print
Date: 1885 – 1905
Materials: cardboard
Techniques: photograph
Location: karlsruhe
Subjects: post-office
Grabstätte Adolf Kolping in der Minoritenkirche zu Cöln
Object type: photomechanical print
Date: 1913 – 1913
Materials: cardboard
Techniques: photograph
Location: cologne
Artist: Anonymous
Subjects: cologne, priest, interior of church, grave-building, monumental tomb
Inscriptions: date
Carinated bowl rim sherd
Object type: bowl
Date: 2333 – 2001
Materials: ceramic, gypsum
Location: mesopotamia
Buitensoos
Object type: sketchbook leaf
Date: 1805 – 1896
Materials: paper, pencil, watercolor
Techniques: brush
Artist: chris huidekooper
Artist role: draughtsman
Artist dates: 1878 – 1939
Subjects: open-air recreation
Inscriptions: date and inscription: ‘10 Mei 1896/ Buitensoos’

Blad 26 recto uit een schetsboek met 32 bladen.
The Gauls and the Francs, from "The Complete Works of Béranger"
Object type: print
Date: 1829 – 1829
Location: paris
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
Deels overdekte schuit met twee mannen
Object type: drawing
Date: 1619 – 1685
Materials: chalk, paper
Techniques: brush
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: oaring, sculling
The Arched Bridge at Kameido Tenjin Shrine (Kameido Tenjin Taikobashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran)
Object type: woodblock print
Date: 1830 – 1830
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: human figures,bridges,trees
Aristoteles en Phyllis
Object type: print
Date: 1588 – 1592
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: aristotle and phyllis
Inscriptions: collector's mark: Lugt 2228

Phyllis, van haar kleding ontdaan, berijdt Aristoteles die op handen en voeten rondkruipt in een studeervertrek. Rechts een tafel, waarop een aard- en een hemelglobe, boeken, inktkoker, en een kandelaar. Links op de achtergrond Op de achtergrond Aristoteles als geleerde.
Hond aan een riem
Object type: drawing
Date: 1783 – 1850
Materials: chalk, paper
Artist: louis moritz
Artist role: draughtsman, painter, print maker
Artist dates: 1773 – 1850
Subjects: dog
Scheepsgevecht op het IJ
Object type: history print
Date: 1697 – 1699
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: carel allard
Artist role: print maker, publisher
Artist dates: 1648 – 1709
Subjects: peter i de grote (tsaar van rusland), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', improvised and unusual traffic on the water - cc - more than one ship, amsterdam
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Scheepsgevecht op het IJ in Amsterdam ter ere van het bezoek van Peter I de Grote. Rechts op de achtergrond de Admiraliteitswerf. Met een beschrijving van het gevecht en de verschillende schepen in het Nederlands, in twee kolommen.
Miss Eicle, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, drapery and left leg of stool?
Fragment of a Panel
Object type: fragment
Date: 501 – 700
Materials: wood
Techniques: carving
Location: egypt
Gezicht op meerdere zeilboten te water en Gezicht op een kerk te Tianjin
Object type: page
Date: 1892 – 1897
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone), church (exterior)
Der Tändler
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching
Subjects: pedlar, head-gear: hat (+ men's clothes), clothes, costume (+ men's clothes)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Sancta Clara, Abraham à. Etwas für Alle, das ist: Eine kurtze Beschreibung allerley Stands- Ambts- und Gewerbs-Persohnen (...), 3 delen (1699-1733). Würtzburg: Martin Frantz Hertz, 1711, dl. III, p. 771. Het betreft hier de tweede druk van deel III.
Assassination of Julius Caesar
Object type: drawing
Date: 1793 – 1796
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: vincenzo camuccini
Artist role: artist
Artist nationality: italian
Artist dates: 1771 – 1844
Subjects: julius caesar,men
Groenlandsche Pakhuizen te Amsterdam
Object type: drawing
Date: 1870 – 1926
Materials: paint, ink, paper
Techniques: pen
Location: amsterdam
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: street
Landschap met twee jongens bij een beek
Object type: drawing
Date: 1700 – 1800
Materials: gouache, paper
Techniques: brush
Design for Vis-à-vis/ Calèche (unnumbered)
Object type: drawing
Date: 1865 – 1865
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Buste van een man met baard
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: head (human), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘2477 [?]’
Face of Christ on St. Veronica's Cloth
Object type: print
Date: 1649 – 1649
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: christ
Schotel met op het plat een wandelend gezelschap in een tuin
Object type: platter
Date: 1801 – 1879
Materials: earthenware
Techniques: transfer decoration
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: mark: ‘PR // PALMIRE 10’, check stamp: ‘P. REGOUT // 15 // MAASTRICHT 11’

Schotel van aardewerk met vloeiblauw transferdecor. Op het plat een man en twee vrouwen wandelend in een tuin. Op de voorgrond twee tuinvazen. Op de achtergrond een kasteel aan een meer of vijver. De rand van de schotel met in elkaar gevlochten bladranken en bloemboeketten tegen een gestreepte achtergrond.
Gezicht op de Niagarawatervallen en Terrapin Tower bij nacht
Object type: stereograph
Date: 1866 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: niagara falls
Artist: george e. curtis
Artist role: fotograaf
Artist dates: 1830 – 1910
Subjects: moonlight, waterfall, night
Inscriptions: number: ‘77’, number: ‘315’
Le treillage
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: girls,portraits
Limestone statuette of a male votary with Cypriot shorts and a diadem
Object type: statue of a votary, male
Date: 600 – 551
Materials: limestone
Culture: cypriot
Subjects: diadems,men

Male figure wearing Cypriot loin-cloth with rosette.
A Young Man Seized by Death, from Hymmelwagen auff dem, wer wol lebt...
Object type: print
Date: 1517 – 1517
Techniques: woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: men,death
Head of a Woman
Object type: drawing and watercolor
Materials: chalk, graphite, paper
Techniques: heightening
Location: italy
Artist: attributed to antonio cavallucci
Artist nationality: italian
Artist dates: 1752 – 1795
Copper Face Ornament with Dangles
Object type: ornament
Date: 300 – 200
Materials: copper, gilt
Culture: vicús
Location: peru
Subjects: heads
Shawl
Object type: shawl
Date: 1800 – 1850
Materials: cotton, silk
Culture: british
Boerderij met vee en een groep drinkende mensen
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Subjects: inn, coffee-house, public house, etc., farm (building) - aa - civic architecture: inside, cattle-breeding, livestock industry
Inscriptions: collector's mark: Lugt 2228

Het schilderij was ten tijden van de vervaardiging van deze prent te vinden in de collectie van meneer Fortier.
Shawl
Object type: shawl
Date: 1876 – 1900
Materials: silk
Subjects: birds,roosters,roses
Bowl
Object type: bowl
Date: 1201 – 1300
Materials: glaze, stonepaste
Techniques: painting
Location: iran
Bouw van een kleine fabriek of opslagplaats in de Keilehaven, op de achtergrond de Maas
Object type: photograph
Date: 1912 – 1912
Materials: paper, cardboard
Techniques: gelatin silver print
Location: rotterdam
Artist: willem sr. bleuzé
Artist role: fotograaf
Artist dates: 1873 – 1948
Subjects: factory-building, bridge, building-site
Inscriptions: address: ‘W. BLEUZÉ/ ROTTERDAM/ JONKER FRANSSTRAAT 66’
Programma voor een concert in Sociëteit Harmonie op 14 maart 1875
Object type: text sheet
Date: 1875 – 1875
Materials: paper
Techniques: letterpress printing
Location: batavia
Subjects: listening to music, large group of musicians, orchestra
Inscriptions: collector's mark: Lugt 1641, collector's mark

Gedrukt programma voor een concert van schutterijmuziek in de Sociëteit Harmonie te Batavia op 14 maart 1875. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Muziek en muziekinstrumenten: Varia.
Too Young to Fly
Object type: print
Date: 1734 – 1794
Materials: paper
Techniques: etching
Location: england
Subjects: caring for birds, birds
Inscriptions: collector's mark: Lugt 2228, number: ‘36.’
Cap crown
Object type: cap crown
Date: 1701 – 1733
Techniques: lace
Subjects: peacocks,flowers,leaves
Diana and the Stag
Object type: automaton
Date: 1620 – 1620
Materials: enamel, gilt silver, iron, wood
Artist: joachim friess
Artist role: maker
Artist dates: 1579 – 1620
Subjects: cupid,diana,deer,dogs,frogs,insects,lizards
Terracotta box of a pyxis
Object type: pyxis
Date: 3200 – 2800
Materials: terracotta
Culture: cycladic

The pyxis—a small, round box with a lid—rarely appears in terracotta in Cycladic art. A cord strung through the pierced lugs on either side would have secured a lid, which is now missing. The incised chevron designs, perhaps imitating the braided grass of basketry, appear on other pyxides, as well as on the two contemporary silver bowls (46.11.1 and 1972.118.152) displayed in the case nearby.
Handdwaal van wit linnen
Object type: towel
Date: 1730 – 1730
Materials: linen
Techniques: peeled fabric
Location: northern netherlands

Wit linnen handdwaal met pellen patroon in keperbinding. Merk kroon WG 2 en 1730.
Fotoreproductie van het fresco Kop van een heilige door Giotto in het Camposanto te Pisa, Italië
Object type: photograph
Date: 1860 – 1881
Materials: paper
Techniques: albumen print
Location: pisa
Subjects: picture, painting
Inscriptions: number: ‘2072’
Chasuble
Object type: chasuble
Materials: leather, metal leaf, wool
Subjects: flowers
Bowl
Object type: bowl
Date: 901 – 1000
Materials: earthenware, glaze
Location: iran

This bowl was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Brief aan Samuel Muller (1848-1922)
Object type: letter
Date: 1907 – 1907
Materials: ink, paper
Techniques: pen, writing
Location: berlin
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: leiden, hendricus petrus bremmer, nijmegen, print maker, adriaan pit, utrecht, willem vogelsang, samuel muller (1848-1922), cornelis hofstede de groot, the hague, painter, draughtsman, wilhelm martin, jan kalff, andré jolles, ernst wilhelm moes, sculpture, painting (including book-illumination, miniature-painting)
Inscriptions: watermark, collector's mark: ‘RPK’