deem-data/ArtiFact huggingface dataset:
Slag bij Steenkerken
Object type: history medal
Date: 1692 – 1692
Materials: bronze
Techniques: striking
Location: paris
Artist: Anonymous
Subjects: lodewijk xiv (koning van frankrijk), henegouwen
Goya's Return to his Homeland
Object type: print
Date: 1899 – 1899
Materials: paper, ivory, stone
Techniques: lithograph, pen
Location: france
Artist: jean veber
Artist nationality: french
Artist dates: 1864 – 1928
Chair Strip with Antiquities
Object type: chair strip
Date: 1736 – 1795
Materials: metal thread, silk
Techniques: embroidery
Culture: chinese
Subjects: fish

Unlike upholstered furniture, chairs in China were covered only temporarily with textiles such as this chair strip, designed and embroidered specifically to be used as a chair covering. The antiquities in the design are rebuses for good wishes. For example, the halberd and the angled stone chime together form the rebus for "celebratory occasion." This strip is embroidered mainly with gold threads that have been couched-that is, laid on the surface of the satin and stitched into place.
Lijsten
Object type: print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: other architectural details (cornice), foliage ~ ornament
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee geornamenteerde lijsten met bladmotieven en een hoekornament met profiel. Prentnummer 265.
Rivieroever met bomen
Object type: print
Date: 1830 – 1882
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: trees, river bank
Inscriptions: collector's mark: Lugt 2228

Ongesigneerde kopie in spiegelbeeld naar RP-P-OB-24.497.
Rustend groepje wandelaars met balspelende kinderen
Object type: print
Date: 1823 – 1883
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes adrianus van der drift
Artist role: print maker
Artist dates: 1808 – 1883
Subjects: outdoor gathering, 'délices à la campagne', games using special objects (marbles, top, hoop, etc.)
Inscriptions: collector's mark: Lugt 2228
Portret van Clara Barton
Object type: photomechanical print
Date: 1880 – 1899
Materials: paper
Techniques: rotogravure
Subjects: historical persons - bb - woman
Brief aan Philip Zilcken
Object type: letter
Date: 1910 – 1910
Materials: ink
Techniques: pen, writing
Location: voorschoten
Artist: hendrikus hubertus van kol
Artist role: engineer, politician
Artist dates: 1852 – 1925
Subjects: the hague, painter, draughtsman, philip zilcken, travelling; tourism, rome
Inscriptions: collector's mark: ‘RPK’
The Worn-Out Horse, (La Mazette), from Series of Horses
Object type: print
Date: 1652 – 1652
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: paulus potter
Artist role: artist
Artist nationality: dutch
Artist dates: 1625 – 1654
Inscriptions: Lettered lower right: "Paulus Potter f: 1652."
Hoofd van een jongen, naar links
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Location: amsterdam
Inscriptions: collector's mark: Lugt 2228
Photographie de l'amas d'Hercule
Object type: page
Date: 1882 – 1887
Materials: paper
Techniques: albumen print
Subjects: stars and constellations
Winter Drive
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink
Techniques: pen, wash
Location: france
Artist: constantin guys
Artist role: artist
Artist nationality: french
Artist dates: 1802 – 1892
Subjects: men,women,horses,carriages
Familiewapen van Goll van Frankenstein, geflankeerd door twee putti
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: compasses, attributes of mercury, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228
Polderlandschap met een rivier, molen en boerderij
Object type: sketchbook leaf
Date: 1807 – 1877
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: windmill in landscape, landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage), farm (building)
Inscriptions: date: ‘10 Juli 77’

Blad 18 verso en 19 recto uit een schetsboek met 41 bladen.
Gezicht op een grot nabij Schooner Head
Object type: page
Date: 1877 – 1877
Materials: photographic support
Techniques: albumen print
Location: mount desert island
Artist: Anonymous
Subjects: landscapes, cave, grotto
Environs de Choisy-le-Roi
Object type: print
Date: 1843 – 1843
Techniques: etching
Artist: charles-françois daubigny
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1878
Subjects: landscapes

This etching of a marshy landscape southeast of Paris reproduces a painting of the same title, now lost, that Daubigny exhibited in the Salon of 1843. At this early point in his career, Daubigny made his living as an illustrator. His skills as a printmaker also enabled him to promote and circulate reproductions of his own Salon submissions. This print was published in the short-lived periodical "Les Beaux-Arts: Illustration des Arts et de la Littérature."
M'lle Marriott, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Folio from a Qur'an Manuscript
Object type: folio from a non illustrated manuscript
Date: 1401 – 1433
Materials: gold, ink, paper, watercolor
Location: india
Subjects: qur'an

Sura 8 (al-'Anfal): end of 74 through 75; Sura 9(al-Tawba): 1 to the beginning of 2 A unique cursive script was used for Indian Qur'ans between the late fourteenth and mid-sixteenth centuries. Called bihari (from the region of Bihar), although it is not known exactly where it developed, the script’s main traits are its wide, extended horizontal lines and its thin, delicate verticals. Qur'ans of this style also often use several different colors for the text (here, alternating lines of gold, black, and blue), and include zigzagging Persian commentary in the margins.
Redingote
Object type: redingote
Date: 1787 – 1787
Materials: silk
Culture: french

The redingote, a dress inspired by English men’s riding coats, was one of many new, informal styles fashionable for women in the 1780s. French versions deviated from the strict simplicity of the man’s coat but retained masculine details, such as this redingote’s wide lapels, cape collar, and cutaway skirt that imitates the line of a tailcoat. While fashion magazines often presented the style as tasteful and versatile, some conservative critics saw the appropriation of masculine dress as a subversion of traditional gender roles.
St. Nicolaaskerk Amsterdam
Object type: photomechanical print
Date: 1920 – 1950
Materials: paper
Techniques: rotogravure
Location: amsterdam
Subjects: church (exterior), canals, waters (in city)

Deze prent maakt deel uit van een omslag met tien prenten.
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: hendrik johannes haverman
Artist role: draughtsman, print maker
Artist dates: 1857 – 1928
Subjects: hendrick peter godfried quack, grada hermina marius, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
George Stephenson's Monument en St. John's church te Newcastle
Object type: photograph
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: church (exterior), monument, statue
Inscriptions: inscription: ‘Stephenson's Monument and St John's church, Newcastle. 42.’
Werken van Charles le Brun
Object type: album leaf
Date: 1666 – 1666
Materials: paper
Techniques: engraving, etching
Artist: gérard audran
Artist role: print maker
Artist dates: 1640 – 1703
Subjects: the battle of the milvian bridge (saxa rubra): st. constantine on horseback confronts maxentius; a cross appears in the sky with in fiery letters 'in hoc signo vinces' (the raised standards of the roman soldiers carry a cross or the chi-rho monogram), rome

Middelste deel van een prent gedrukt van drie platen.
Funke's prenten
Object type: popular print
Date: 1875 – 1903
Materials: paper
Techniques: lithograph, letterpress printing
Location: haarlem
Subjects: family life at home
Inscriptions: collector's mark: Lugt 2760

Blad met grote voorstelling van een gezin aan een tafel. De vader van het gezin bouwt een huis van een bouwprent. De moeder en de kinderen kijken toe. Onder de afbeelding een vers. Genummerd rechtsboven: No. 132.
Portret van Gozewijn Jan Loncq
Object type: print
Date: 1829 – 1898
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan heinrich neuman
Artist role: draughtsman, painter, print maker
Artist dates: 1819 – 1898
Subjects: utrecht, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een ringbaard, een toga en een bef. Onder het portret zijn signatuur.
Braat afpak pers
Object type: photograph
Date: 1931 – 1937
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: machines; parts of machines; tools and appliances, java

Albumblad met een foto van een afpakpers voor kisten sheets (waarschijnlijk voor een rubberfabriek). Onderdeel van een fotoalbum met foto's van machines en constructies van de N.V. Machinefabriek Braat te Soerabaja, Soekaboemi en Tegal uit de periode 1931-1937.
Voetwassing van Petrus
Object type: book illustration
Date: 1520 – 1521
Materials: paper
Techniques: hand coloring
Location: amsterdam
Subjects: christ washes peter's feet, book in which illustrations are essential

Christus wast de voeten van Petrus. De andere discipelen kijken toe. Prent maakt deel uit van een boek.
Jar
Object type: jar
Date: 960 – 1127
Materials: glaze, stoneware
Culture: chinese
Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull
Object type: print
Date: 1816 – 1816
Techniques: aquatint, engraving, burnishing, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,bulls
Design for a Cabinet with a Vitrine
Object type: drawing ornament architecture
Date: 1870 – 1880
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: a. damon et cie.
Artist role: artist
Artist nationality: french
Artist dates: 1870 – 1900
Subjects: cabinets,vases
Kaart van de rivier de Eem, bestaande uit drie delen
Object type: map
Date: 1692 – 1692
Materials: paper
Techniques: engraving, etching
Location: utrecht
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions, river
Inscriptions: collector's mark: Lugt 195

Dit object is omwille van een betere presentatie virtueel samengevoegd maar bestaat fysiek uit losse onderdelen.

In tegenstelling tot latere beschreven staten komen de namen van de genoemde leden van het College van Watergraaf en Heemraden in de cartouche linksonder overeen met de afgebeelde namen en wapens op de kaart. Hiermee kan het huidige exemplaar gedateerd worden volgens de datering op de kaart: 1692, toen de genoemde personen lid waren van het College.
Springend paard
Object type: page
Date: 1881 – 1886
Materials: paper
Techniques: autotype
Location: leszno
Artist: ottomar anschütz
Artist role: fotograaf
Artist dates: 1846 – 1907
Subjects: jumping (horse in motion)
Inscriptions: signature: ‘Meisenbach’

Prent op ongenummerde pagina tegenover pagina 128.
Two Horses
Object type: print
Date: 1906 – 1906
Materials: paper
Techniques: etching
Location: united states
Artist: donald shaw maclaughlan
Artist role: painter, print maker
Artist nationality: american, born canada
Artist dates: 1876 – 1938
Gezicht op de Troitskayatoren in Moskou
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: moscow
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment
Inscriptions: inscription: ‘49 La porte Sainte Moscou’
Rest on the Flight into Egypt
Object type: print
Date: 1606 – 1700
Materials: paper
Techniques: etching
Location: low countries
Subjects: rest on the flight into egypt
Inscriptions: number: ‘6’, collector's mark: Lugt 10, collector's mark: Lugt 11

Maria zittend bij een palmboom, het Christuskind op schoot. Links van haar Jozef, hij houdt de ezel aan een touw vast. Rechts van haar vier engelen.
Staande en zittende jonge vrouw
Object type: sketchbook leaf
Date: 1840 – 1860
Materials: paper, pencil
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: shrubs, standing figure - aa - female human figure

De vrouw draagt een lange japon en is getekend tegen een achtergrond van bomen of struiken. Blad 2 recto uit een schetsboek met 38 bladen.
Whitefish, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: fish

Trade cards from the "Fish from American Waters" series (N39), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Gildepenning van het Smedengilde van een plaats in Friesland, op naam van Dierck Clasen.
Object type: medal
Date: 1681 – 1681
Materials: brass
Techniques: engraving
Location: friesland
Artist: Anonymous
Subjects: dierck clasen, friesland

Messing penning. Voorzijde: wapenschild, hangend aan krans binnen omschrift. Keerzijde: gekroond aambeeld tussen jaartal binnen omschrift
Portretten van Franse historische figuren
Object type: print
Date: 1790 – 1816
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: paris, nicolas boileau, pegasus, the winged horse, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Seal paste box with boys and mythical beast qilin
Object type: seal paste box
Date: 1667 – 1733
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: men,mythical creatures,flowers,leaves
Eagle relief
Object type: panel
Date: 900 – 1200
Materials: stone, pigment, plaster
Culture: toltec
Location: mexico
Artist: toltec artist(s)
Artist role: artist
Subjects: eagles
Monkey Pendant
Object type: pendant
Date: 800 – 1500
Materials: gold
Culture: carchi-nariño
Location: ecuador or colombia
Subjects: monkeys
Purse
Object type: purse
Date: 1775 – 1800
Materials: wool
Culture: british
Piece
Object type: piece
Date: 1600 – 1600
Materials: metal thread, silk
Subjects: flowers,leaves
Sri Sri Kali (recto); Kali (verso)
Object type: lithograph
Materials: glaze, watercolor
Techniques: hand coloring, lithograph, printing
Culture: west bengali
Artist: g. c. dass
Artist role: artist

The goddess Kali (the “Black One”), the destroyer of time itself and the embodiment of supreme power, lies at the heart of Bengal Hindu devotionalism. When the printing workshops of Calcutta began producing multiple images of the Hindu gods to be sold to pilgrims, Kali was amongst the first. In this small but powerful image, Kali appears doll-like, with a large head, forehead third eye, wide glaring eyes and a long red lolling tongue. Four arms project from her upper body, those on her left wield the sacrificial chopper (marked with the all-seeing eye) and severed male head. This head, and a garland of severed heads that she wears along with garlands of white jasmine, all have the twin horizonal forehead mark (tilaka) of Shaiva devotees. On the verso is another, incomplete, image, indicating that the lithograph was printed on the recycled paper of another lithographed image of Kali. This is the only known version of this highly realistic rendering of Kali, making this double-sided image of singular importance in the early history of Kali print-making.
Annecy. Vieux Quartiers
Object type: ansichtkaart, prentbriefkaart
Date: 1920 – 1932
Materials: photographic support
Techniques: photography
Location: paris
Subjects: city-view, and landscape with man-made constructions, gate, entrance
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Part of a handle, round in section
Glass striped mosaic bowl fragment
Object type: fragment, striped mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent honey yellow, purple, turquoise blue, mainly layered with yellow and appearing green, opaque yellow, and white, with colorless glass. Applied coil rim with lip ground flat; convex curving side, tapering inward at bottom. Rim in yellow with turquoise spiral thread; body decorated with vertical bands slanting from top right to bottom left, forming a pattern: yellow, turquoise, green, colorless with two yellow spiral threads, white, and purple. Some pinprick and larger bubbles; exterior polished, with some pitting of surface bubbles; dulling, pitting, and iridescent weathering on interior; some iridescent weathering on edges.
Drie vazen met deksels van aardewerk
Object type: vase
Date: 1896 – 1896
Materials: earthenware
Techniques: painted
Location: the hague

Groep van drie vazen met deksels van aardewerk, polychroom beschilderd met zonnebloemen, wapens en topografische voorstellingen. Tussen en boven de voorstellingen zijn zonnebloemen geschilderd.
Treinveerpont in de haven van Enkhuizen
Object type: photomechanical print
Date: 1899 – 1954
Materials: paper
Techniques: photograph, letterpress printing
Location: enkhuizen
Subjects: passenger liner, ferry
Inscriptions: collector's mark, stamp, collector's mark: Lugt 1641

De stoompont te Enkhuizen is een treinveer. Tussen 1899 tot 1936 voer de treinveer tussen de treinstations Enkhuizen en Stavoren. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Vervoermiddelen te land en te water, Vervoermiddelen te water.
Liggende Venus met twee putti
Object type: print
Date: 1506 – 1538
Materials: paper
Techniques: engraving
Location: germany
Artist: albrecht altdorfer
Artist role: draughtsman, print maker
Artist dates: 1480 – 1538
Subjects: (story of) venus (aphrodite), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: number: ‘8’

Venus, naakt en liggend op het gras, bij haar zijn twee putti, waarvan één met vleugels.
Kleermakers
Object type: print
Date: 1815 – 1815
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: special processes for woollen fabric, wool (material ~ textile industry)
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en verkeer, Beroep en bedrijf, Mannelijk, Lakenindustrie en aanverwante vakken.
Salonscène
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: drawing-room, 'salon'
Inscriptions: inscription: ‘foto zelfde decor in Gernsheim History of photography/ folio 145: unknown photographer Ballroom scene c 1855’
New Modelbüch
Object type: ornament architecture
Date: 1615 – 1615
Techniques: etching, woodcut
Location: germany
Artist: andreas bretschneider
Artist role: designer
Artist nationality: german
Artist dates: 1573 – 1645
Subjects: men,women,peacocks,coat of arms

Designed by Andreas Bretschneider, German, ca. 1578-?1640, printed by Henning Gross the younger, Leipzig. Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates. Lotz 55 describes the 1619 edition, the only one known to Lotz. Of the 1619 edition he cites the complete copy in the Landesbibliothek, Kassel, an incomplete copy in Berlin, and 4 leaves in MMA. The facsimile published by Wasmuth of Berlin in 1892 is made from the Berlin copy. The title and 2 missing leaves supplied from the Kassel copy. Every pattern in this edition of 1605 appears in the facsimile, 156.11 B 75 MMA library. This copy lacks 1 leaf (2 pp.) of dedication, * pls. 3,1129 and 44 of fac. Several of these patterns are copied from or based upon the following ones in Hoffman's "Gantz new Modelbuch" of 1607 L.48 of which MMA has a photographic copy, Dick 1028. Bretschneider pl. 21 see Hoffmann pl. 3, B. pl. 27 see H. pl. 13, B. pl. 31 see H. pl. 18, B. pl. 33 see H. pl. 19, B. pl. 32 see H. pl. 5, B. pl. 35 see H. pl. 6, B. pl. 34 see H. pl 11 upper, B. pl. 36 see H. pl. 11 lower, B. pl. 42 see H. pl. 20, B. pl. 50 see H. pl. 4, B. pl. 43 see H. pl. 10. 50 leaves, unnumbered, unsigned (except for title which is signed "Andreas Bretschneider Mahller"), complete copy in Kassel has 48 leaves, no. dupls. This one lacks 5 pls. but has 7 extra. Additional reference is Hollstein-German engravings...1400-1700, 1954- v. IV, p. 155 (gives additional refs. for 1619 ed.) The dedication of 1619 is dated 1619 under arms of Catharina von Dortstats and again at the end: "Leipzig 3 Febr. 1619" This edition probably had a dedication which, with 4 plates in 1619 and without counterproofs and duplicates, would make a complete copy of 48 leaves. Pl. 28 is pounced. Pl. 50 (rabbit) is pounced. Bound in tan leather, stamped and gilded.
Models of a Twin Screw Steamer
Object type: ship model
Date: 1864 – 1864
Materials: brass, wood
Techniques: polychromy
Location: netherlands
Artist: h.g. jansen
Artist role: designer, model maker
Subjects: ship-model
Inscriptions: label, on the side: ‘1165’ former inventory label

Gepolychromeerd blokmodel van een houten dubbelschroefstoomschip, beschadigd. Het typische aan dit model is het ronde achterschip met twee achterstevens voor de tweebladige schroeven en de twee roeren; hiervoor lopen twee extra kielen van ongeveer halverwege naar de achterstevens. Eén dek met indicatie van luiken. Zeven geschutpoorten en een schematisch model van een kanon op schuifaffuit, met sporen voor zijn posities op het dek. Van de twee masten en de boegspriet zijn slechts delen op het model aangebracht. De voorsteven loopt terug, tegemoetkomend aan de mode van de vroege ramschepen. Schaal 1:40 (afgeleid).
Portret van Jan van Os
Object type: drawing
Date: 1786 – 1839
Materials: paint, gouache, ivory
Techniques: brush
Artist: pieter gerardus van os
Artist role: draughtsman, painter, print maker
Artist dates: 1776 – 1839
Subjects: jan van os, historical persons, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1667 – 1700
Materials: copper, gold, iron
Culture: japanese
Location: japan
Subjects: dragons
Blauwborst (Luscinia svecica)
Object type: drawing
Date: 1596 – 1610
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Subjects: song-birds: bluethroat

Blauwborst. Genummerd rechtsboven: 5. Linksboven de naam in Duits. Onderdeel van het tweede album met tekeningen van vogels. Vierde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Koperen acht kas uit Paliakatte
Object type: coin
Date: 1646 – 1700
Materials: copper
Location: paliacatta
Subjects: paliacatta

Min of meer ronde munt met op voorzijde: VOC beeldmerk met daarboven PAL (slecht leesbaar) / VIII / VOC-beeldmerk. Keerzijde: in het arabisch het opschrift: Heer / Koning / Knecht.
Terrine, veelkleurig beschilderd met een bloemboeket
Object type: tureen
Date: 1760 – 1770
Materials: faience
Techniques: kiln
Location: arnhem
Artist: johan van kerkhoff
Artist role: fayencier
Artist dates: 1716 – 1773
Inscriptions: mark

Terrine van faience, veelkleurig beschilderd met een bloemboeket. Langs de randen, bloemtakken.