deem-data/ArtiFact huggingface dataset:
The Vision of Saint William of Aquitaine
Object type: drawing
Materials: chalk, gouache, paper
Techniques: brush, highlighting, wash
Artist: giovanni angelo canini
Artist role: artist
Artist nationality: italian
Artist dates: 1609 – 1666
Subjects: saints

This monumental and spirited composition sketch of stark chiaroscuro contrasts portrays the kneeling, praying figure of William, Duke of Aquitaine, at lower right before a rocky landscape, as the saint is about to be led by one of the angels to the desolate valley of the Gellone, where he would found the Benedictine monastery of Saint Guilhem-du-Desert (some of which stone-remains are today in the Cloisters, The Metropolitan Museum of Art). The drawing shows the elements of the story of Saint William as told in the twelfth-century biography, the Vita Sancti Wilhelmi. The sheet may be dated in the late 1650s, based on comparison to the composition of ‘Christ's Charge to Peter’ (San Giovanni dei Fiorentini, Rome), dated 1659, and based on the more significant evidence of its distinctive drawing technique. The brush drawing technique with brown wash and strong thick white highlights is exactly that of a sheet in the Musée des Beaux-Arts (inv. C.52.1), Rennes, for the fresco of the ‘Sacrifice of Abraham’ (Palazzo del Quirinale, Rome) of 1656-57, and that of the extant drawings for the Conversion of Saint Paul (Louvre inv. 9617, Paris) also at the Quirinal, and of these same years. Canini was a Roman pupil of Domenichino and a master of the High Baroque in his own right. The attribution to Canini of the Steiner drawing is due to Nicholas Turner, expert of this artist's drawings, before it was published by Alfred Moir (Old Master Drawings of John and Alice Steiner, exh. cat. Santa Barbara Museum of Art, 1986, pp. 40-41, no. 12, entry by Carmen Roxanne Robbin). (Carmen C. Bambach, 2006)
Tilt-top Tea Table
Object type: tilt top tea table
Date: 1760 – 1780
Materials: wood
Culture: american
Location: united states
Brabantiae pars septentrionalis continens Marchionatus (...)
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Artist: Anonymous
Subjects: maps of separate countries or regions, den bosch, antwerp

Kaart van het noordwestelijk deel van Brabant, waarin verschillende bestuurlijke gebieden in kleur zijn omlijnd. Rechtsonder de titelcartouche met schaalstok: 2 Milliaria Germanica communia.
L'Union des Graces et de la Vertu
Object type: print
Date: 1746 – 1763
Materials: paper
Techniques: etching
Location: paris
Subjects: graces (charites), generally three in number; 'gratie' (ripa)
Landscape with Fisherman and Washerwoman
Object type: painting
Date: 1790 – 1800
Materials: canvas, oil, paint, panel
Techniques: painting
Location: england
Artist: john rathbone
Artist nationality: british
Artist dates: 1750 – 1807
Subjects: landscape, trees, figures, animals, men, woman, fences, building, buildings, water, streams, rural life, nature
Inscriptions: Inscribed lower right, in red paint: J. R. / G Morland
Bowl
Object type: bowl
Date: 1701 – 1900
Materials: gold, steel
Location: iran
The Return of the Prodigal Son, from The History of the Prodigal Son
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacob matham
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1631
Inscriptions: Lettered lower right: "4"; lower center: "KVM. Invent. I Maetham. schulp."; and below image: "Hinc patrias dum ... laeta parantur. F. E."
Lezende jonge vrouw
Object type: sketchbook leaf
Date: 1880 – 1900
Materials: paper, pencil
Artist: Anonymous
Subjects: arms crossed, reading

De vrouw zit met de armen over elkaar en heeft de ogen neergeslagen op een boek in haar schoot. Blad 9 verso uit een schetsboek met 29 bladen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, torso and extended right arm and hand of male with himation
Jubileum-Tentoonstelling. 9-17 September 1893
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: haarlem
Artist: Anonymous
Subjects: factory-interior, machine shop, collection, exhibition, show
Inscriptions: number: ‘No. 15.’
Queen of Diamonds, from the Transparent Playing Cards series (N220) issued by Kinney Bros.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: queens,playing cards

Playing cards issued as trade cards from the series "Transparent Playing Cards" (N233), issued in 1888 to promote Kinney Bros. Cigarettes for Kinney Tobacco Company. Some card versos state that there are 52 cards included in the deck whereas other versos confirm the number at 53. Each card verso reads, "Hold to the light/ Read your fortune."
Costume national Russe
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Subjects: adolescent, young woman, maiden, folk costume, regional costume
Boerderijen
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: farm or solitary house in landscape, dog
Inscriptions: collector's mark: Lugt 240

Gezicht op een landweg met links een rij boerderijen en op de achtergrond een stenen huis met een trapgevel. Links haalt een figuur water uit een put.
Scarab
Object type: scarab, setting, winged scarab
Date: 1550 – 1479
Materials: gold
Location: egypt
Subjects: scarabs

This scarab was found in the same coffin as the statuettes of Amenemhab (26.7.1413a, b) and Huwebenef (26.7.1414a, b). An interesting mixture of designs indicates the lively individuality of artworks made during this transitional period. The back type, which has no indication of the beetle's wing cases, is typical of Second Intermediate Period scarabs found in the Nile Delta, and the rope pattern framing the design on the base had been used since the Middle Kingdom; both of these designs continued into early Dynasty 18. The winged scarab on the base is a new feature that becomes more common during the reigns of Hatshepsut and Thutmose III. The notches on the beetle's carefully delineated wing cases are found regularly on the backs of scarabs dating to their joint reign.
Necklace with carnelian barrel bead
Object type: necklace, barrel bead
Date: 1981 – 1640
Materials: gemstone, faience
Location: egypt
World's Columbian Exposition Commemorative Presentation Medal
Object type: metalwork
Date: 1892 – 1894
Materials: bronze, copper alloy, metal
Location: united states
Artist: augustus saint-gaudens
Artist nationality: american
Artist dates: 1848 – 1907
Inscriptions: Marked: "CHRISTOPHER/ COLVMBVS/ OCT.XII/MCCCCXCII"; on right side at bottom: "AVGVSTVS SAINT GAVDENS FECIT"
Jar
Object type: jar
Materials: earthenware
Techniques: incising
Location: iran

This sturdily potted jar decorated with a combination of ridges and incised design was found in position to receive the grape juice from a press.
Kingfisher, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Birds of America" series (N4), issued in 1888 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Luxury
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: couples,men,lovers,women,female nudes,servants
Vase
Object type: vase
Date: 1736 – 1795
Materials: gilt, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: flowers
Cocoon-Shaped Flask (Jianxinghu)
Object type: vessel
Materials: earthenware, pigment
Techniques: polychrome
Location: china
Portret van Maurits, prins van Oranje
Object type: print
Date: 1600 – 1602
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: the hague, maurice (prince of orange), battle of nieuwpoort
Inscriptions: collector's mark: Lugt 963, collector's mark: Lugt 2228

Portret van Maurits onder een toog. In de rechterhand een commandostaf. Op de achtergrond de Slag bij Nieuwpoort, 2 juli 1600. In de ondermarge zijn naam in het Latijn, twee kolommen met elk vier regels Latijnse tekst en zijn naam in het Nederlands.
Portret van een Indische ambtenaar
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: tone lithography
Location: the hague
Artist: Anonymous
Subjects: head-gear: cap, historical persons (+ three-quarter length portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde zit op een stoel met zijn uniformpet in zijn handen.
Vissen
Object type: popular print
Date: 1850 – 1850
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: netherlands
Subjects: fishing (sports)
Inscriptions: collector's mark: Lugt 2760

Na voltooiing van de acht jaargangen van de reeks 'Prenten-magazijn voor de jeugd' in 1850 heeft Jan Schuitemaker al deze prenten heruitgegeven en omgenummerd als nr. 1 t/m 192. De oorspronkelijke jaargang wordt telkens nog vermeld rechtsonder op de prent. Binnen de jaargangen zijn prenten van hetzelfde thema in clusters van vier achter elkaar gezet.
Andromeda aan de rots geketend
Object type: print
Date: 1597 – 1597
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: perseus and andromeda
Inscriptions: collector's mark: Lugt 240

Andromeda is aan een rots geketend, als offer aan een zeemonster, dat rechts in het water ligt. Daarboven vliegt Perseus, klaar om het monster te doden. De ouders van Andromeda en omstanders treuren en wijzen.
Juridische staf in de lijkstoet van Anna van Hannover te Delft, 1759
Object type: print
Date: 1759 – 1761
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, anna van hannover, cortege, funeral procession, delft
Inscriptions: serial number: ‘14’, collector's mark: Lugt 2228

Juridische staf te voet in de lijkstoet van Anna van Hannover, prinses van Oranje-Nassau, te Delft. De figuren in de stoet zijn genummerd en onder de voorstelling nader omschreven. Het serienummer is rechtsonder met pen verbeterd.
Terracotta fragments of pots; unglazed on the inside
Object type: pot fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Seven black glaze fragments from pots; unglazed on the inside
The First Nakamura Tomijuro as a Woman Walking Toward the Left
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Subjects: women
Chinese Architecture, Civil and Ornamental [bound with: Chinese Architecture, Part the Second]
Object type: book
Date: 1759 – 1759
Techniques: engraving, etching
Location: england
Artist: p. decker
Artist role: artist and publisher
Artist nationality: british
Artist dates: 1730 – 1780
Subjects: architecture
Grafreliëf afkomstig uit Athene met een zittend en twee staande personen
Object type: photograph
Date: 1898 – 1898
Materials: cardboard, paper, ink
Techniques: photograph
Location: europe
Artist: Anonymous
Subjects: gravestone, tombstone, sculpture (+ relief ~ sculpture)
Inscriptions: collector's mark: Lugt 3937, number: ‘No. 47.’, inscription:
Placcaet ende Ordonnantie sConyncx ons Gheduchts Heere
Object type: book
Date: 1593 – 1593
Materials: cardboard, paper
Techniques: bookbinding, printing
Location: ghent
Artist: jan van den steene
Artist role: publisher
Subjects: tachtigjarige oorlog
Inscriptions: date
Portret van Leberecht Hartung
Object type: print
Date: 1825 – 1874
Materials: paper
Techniques: lithograph
Artist: a. diller
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Cayenne door de Fransen heroverd
Object type: history medal
Date: 1699 – 1703
Materials: bronze
Techniques: striking
Location: paris
Artist: jean mauger
Artist role: medailleur
Artist dates: 1648 – 1722
Subjects: lodewijk xiv (koning van frankrijk)

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: Neptunus met drietand en vaandel met lelies zittend op zijn wagen binnen omschrift.
Netsuke of Frog-like Tortoise on a Shell
Object type: netsuke
Date: 1701 – 1800
Materials: wood
Culture: japanese
Subjects: turtles,shells
Aanval op de vesting van Oranje en de Kerk Gods, 1672
Object type: print
Date: 1672 – 1674
Materials: paper
Techniques: drypoint, etching
Artist: jacob de lambre
Artist role: print maker
Subjects: dordrecht, cornelis de witt, politician, johan de witt, the hague, william iii (prince of orange and king of england, scotland, and ireland), aggression against the church, siege, position war, devil(s) and demons, rampjaar (disaster year)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Aanval op de vesting van Oranje en de Kerk Gods. Uitvoerige allegorische voorstelling van de gebeurtenissen in het jaar 1672. De teneur van de prent is Orangistisch, tegen de Arminianen en de gebroeders de Witt die met vereende krachten (samen met de duivel) proberen de Kerk Gods en de Oranjeboom omver te trekken. Rechts de oprukkende legers, links de gebouwen van het Franse hof en dansende duivels in de hel. De prent is uiteindelijk verschenen met vier kolommen tekst in de marge waarin de verklaring van de voorstelling volgens de letters A-Z en de nummers 1-24 in het Nederlands en Frans staat, gevolgd door een vers in 8 coupletten.
Gezicht op de Boulevard du Temple, Parijs
Object type: stereograph
Date: 1851 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Subjects: avenue, boulevard, promenade, esplanade
Inscriptions: number: ‘22’, retailer's mark: ‘222, rue de Rivoli/ en face le Jardin des Tuileries./ Lecocq-Frêne/ Estampes Photographies/ Plans et Guides pour Voyageurs/ Vues pr Stéreoscopes.’
Portret van Leonhard Fussenegger
Object type: drawing
Date: 1655 – 1655
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: bartholomäus hopfer (ii)
Artist role: draughtsman, painter
Artist dates: 1628 – 1699
Subjects: augsburg, functionaries and dignitaries (with name) ~ episcopal protestant churches, theologian, historical persons

Portret van Leonhard Fussenegger, lutheraan, theoloog en predikant (1594 Augsburg - 1671). Ontwerp voor een prent.
[William H. Macdowell and Margaret Eakins in Saltville (or Clinch Mountain), Virginia]
Object type: photograph
Date: 1880 – 1882
Techniques: platinum print
Artist: thomas eakins
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1916
Subjects: boys,men,women

This view, perhaps one of the earliest photographs by Thomas Eakins, shows William H. Macdowell, the Philadelphia engraver (later Eakins' father-in-law), the artist's sister, and two boys on a casual outing to Clinch Mountain, Virginia. The sitters rest on a rough-hewn bench in the shadow of a quarried rock wall that serves like a neutral studio backdrop or curtain for the summer tourists.
Pair of vases
Object type: vase
Date: 1770 – 1770
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Subjects: birds,flowers
Beeldhouwwerk in de vorm van een liggende leeuw.
Object type: sculpture
Date: 1400 – 1950
Materials: stone

Beeldhouwwerk in de vorm van een liggende leeuw.
Jozefs broers knielen voor Jozef
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: joseph's brothers load their donkeys and leave egypt, admitted in joseph's presence, the brothers bow down before him, joseph's brothers are given corn; joseph orders money to be placed secretly in their sacks

Tien van Jozefs broers zijn naar Egypte gekomen om graan te kopen. Jozef, die rechts staat met een scepter in zijn hand, beschuldigt hen van spionage. De broers proberen aan Jozef, die ze niet als hun broer herkennen, uit te leggen wie ze zijn. Jozef laat ze gaan, maar eist van hen dat ze terugkomen met hun jongste broer Benjamin. Op de achtergrond staat een aantal broers bij de zakken met graan. Geheel op de achtergrond vertrekken ze met hun ezels. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Gen. 42. Deze prent maakt deel uit van een album.
Mr. van Houten, vóór het astronomisch congres
Object type: cartoon
Date: 1894 – 1894
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: the hague, samuel van houten, scholar in his study, the right to vote, the compulsory vote, sorcerer, magician, wizard, warlock, political caricatures and satires

Minister van Binnenlandse Zaken Samuel van Houten als de geleerde die in zijn werkkamer een geheimzinnig symbool 'kiesrechtuitbreiding' bestudeert. Naar de prent van Rembrandt.
Jozefs droom
Object type: print
Date: 1931 – 1931
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: the foster-father of christ, joseph of nazareth, husband of mary; possible attributes: flowering rod or wand, lily, carpenter's tools, dream, angels
Inscriptions: collector's mark: Lugt 5i, collector's mark: Lugt 2228

Rechts op de voorgrond Jozef, slapend op een bank in een tuin. Links de aartsengel Gabriël, die aan Jozef verschijnt in een droom. Op de achtergrond gebouwen.
Allegorical Design for a Tomb
Object type: drawing
Materials: graphite, ink
Techniques: pen, wash
Artist: andré lebrun
Artist role: artist
Artist nationality: french
Artist dates: 1737 – 1811
Subjects: men,women
Tureen
Object type: metalwork
Date: 1824 – 1824
Materials: metal, silver
Techniques: casting, repoussé
Location: england
Artist: john bridge
Subjects: tureen, dining, mermaids, neptune, turtle
Inscriptions: Mark: "i", lion passant, King's head, "IB"
Afbeelding van den Geweldigen Aanval, tegen de heeren Gevaarts en De Gyzelaar, gedeputeerden van Dordrecht, Op het Binnenhof, in 's Gravenhaagen den 17 Maart des Jaars 1786 / Représentation de la Violente Attaque (...)
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: revolutionary action (violent)
Inscriptions: collector's mark: Lugt 2228

Ongeregeldheden als de gedeputeerden van Dordrecht, de heren Gevaerts en De Gijzelaar, met hun rijtuig door de Stadhouderspoort het Binnenhof op rijden en hun paarden bij de toom worden gegrepen door de Haagse pruikenmaker F. Mourand, 17 maart 1786. Links de opgestelde schutterij, centraal verdedigt de advocaat Van Nispen de koets.
Portretten van Franse beroemdheden
Object type: print
Date: 1823 – 1827
Materials: paper
Techniques: lithograph
Location: paris
Subjects: pierre du terrail de bayard, historical persons
Inscriptions: collector's mark: Lugt 2228a

De serie is in verschillende livrasons uitgegeven door Pierre Sudré tussen 1823 en 1827.
Bather (Evening) I (Zinc etching)
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Portret van Hendrik Palier
Object type: print
Date: 1836 – 1861
Materials: paper
Techniques: lithograph
Location: den bosch
Subjects: hendrik palier, eyeglasses, spectacles, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een gestrikte das en een bril. Onder het portret zijn signatuur.
Jacket
Object type: jacket
Date: 1880 – 1882
Materials: cotton
Culture: american
Dolly Varden
Object type: reproduction
Date: 1863 – 1873
Materials: paper
Techniques: woodburytype
Location: london
Subjects: picture, painting
Inscriptions: name: ‘[...] 18[...]’
This Hog the Property of Mr. William White of Kingston, Surrey...
Object type: print
Techniques: aquatint, etching
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800
Subjects: pigs

This rare portrait of a fattened pink hog with black spots shows the animal in profile with a view of a fence and trees through the barn door at right. Engraved text below the image gives the animal's age–two and a half; size– four feet high, eight feet, nine inches long, nine feet, two inches in girth; and weight–980 pounds–suggesting that with time, it could have doubled in size. The publisher, Elizabeth Walker, continued to operate her husband's London business after his death.
Beeldhouwwerk Europa door Gleb Derujinsky op de World Fair, voor het Childs restaurant New York
Object type: photograph
Date: 1939 – 1939
Materials: photographic support
Techniques: gelatin silver print
Location: new york city
Artist: Anonymous
Subjects: new york (city)
Vase with peacock feathers
Object type: vase
Date: 1904 – 1904
Materials: stoneware
Culture: american
Location: united states
Artist: artus van briggle
Artist role: designer
Artist nationality: american
Artist dates: 1869 – 1904

Artus Van Briggle began his career in ceramics at the Rookwood Pottery, but because of respiratory issues, moved to Colorado, where, with his wife Anna Van Briggle, he established his own pottery in Colorado Springs in 1901. The Van Briggles and some other designers produced models from which molds were made, and the vases were then slip-cast in multiple forms. They were particularly noteworthy for their glazes in satiny soft textures in unusual colors, sometimes one or more combine on a single piece. Like many American artists, Artus Van Briggle had traveled to and studied in Paris in the late 1890s and was much influenced by not only the artistic ceramics he saw there, but much of the French art that was on exhibition. Van Briggle’s early work often exhibits the stylistic characteristics of the Art Nouveau, especially in the sinuous curves of the stems on his floral-decorative vases. As seen in this vase, he emphasized the abstracted design of the peacock feather, while also integrating it into the shape of the vase.
British Tars Towing the Danish Fleet into Harbour; the Broad-Bottom Leviathan trying Billy's Old Boat, and the Little Corsican tottering on the Clouds of Ambition
Object type: print
Techniques: etching
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: satire,men,fires,boats,politics
Fabel van de zon en de kikkers
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Location: france
Subjects: tailless amphibians: frog, sun as celestial body, fables
Inscriptions: collector's mark: Lugt 2228

Prent uit: Fontaine, Jean de la. Fables Choisies: Bouillon, Aux depens de la Société typographique. S.l.: s.d, 1776, dl. 2.
Dogs and Cart
Object type: page
Date: 1881 – 1886
Materials: paper
Techniques: autotype
Location: london
Artist: george christopher davies
Artist role: fotograaf, geoloog
Artist dates: 1849 – 1922
Subjects: two-wheeled vehicle drawn by three animals, dog, netherlands
Polia en Poliphilo aan weerszijden van een altaar knielend
Object type: print
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: altar ~ non-christian religions, priest ~ greek religion - ee - priestess, (scenes from) specific works of literature: colonna, hypnerotomachia poliphili, kneeling on both knees - aa - female human figure, kneeling on both knees

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, verso fol. 80.
Ciborie van edelmetaal, opgesteld tijdens de Exposition Rétrospective van 1873 in Tours, Frankrijk
Object type: photomechanical print
Date: 1873 – 1873
Materials: paper
Techniques: woodburytype
Location: tours
Artist: gabriel blaise
Artist role: printer
Artist dates: 1827 – 1897
Subjects: ciborium, temporary exhibition, 'salon'