deem-data/ArtiFact huggingface dataset:
L'ameublement / Collection simple
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Een canapé, fauteuil en een stoel. Prent uit 305e nummer (livraison).
Design for iron work balcony, with alternate
Object type: drawing
Date: 1701 – 1800
Fragment
Object type: textile
Date: 1600 – 1600
Materials: silk, velvet
Techniques: cutting, weave, voiding
Location: italy
Statuette of a woman
Object type: statuette of a woman
Date: 600 – 501
Materials: bronze
Culture: etruscan
Subjects: women
Portret van Hermann Knaur
Object type: print
Date: 1831 – 1850
Materials: paper
Techniques: engraving
Location: germany
Artist: p. wurster
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Design for a Scene in Pierre de Laujon's "L'Amoureux de quinze ans, ou la Double-Fête..."
Object type: drawing
Date: 1771 – 1771
Materials: chalk, ink
Techniques: pen
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Subjects: men,lovers,women
Bat-Head Figure Pendant
Object type: pendant
Date: 1201 – 1600
Materials: gold
Culture: diquís
Location: costa rica
Voorgevel en plattegrond
Object type: ornament print
Date: 1559 – 1559
Materials: paper
Techniques: etching
Location: paris
Artist: jacques androuet
Artist role: draughtsman, print maker
Artist dates: 1515 – 1584
Subjects: façade (of house or building), plan ~ architecture

Voorgevel en plattegrond. Aanzicht en plattegrond van architectuur. Genummerd: XXIX. Onderdeel van 'De architectura Iacobi Androuetii du Cerceau' (1559): 69 etsen met 171 voorstellingen van architectuur en ornamentiek.
Stylus or pin head ?
Object type: stylus or pin head
Date: 700 – 401
Materials: gold
Culture: etruscan
The Bride and Death
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Opstelling in een fotostudio voor het fotograferen van een lijk
Object type: page
Date: 1893 – 1903
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: studio ~ photographer, the corpse
Inscriptions: number: ‘Fig. 70.’
Paris. Jardin des Tuileries. Le Charmeur d'Oiseaux
Object type: photomechanical print
Date: 1904 – 1906
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: performance, public gardens, park (+ city(-scape) with figures, staffage), birds
Nieuwjaarsprent voor de schutterij, ca. 1700
Object type: new year card
Date: 1690 – 1710
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: warfare; military affairs (+ citizen soldiery, civil guard, citizen militia)

Nieuwjaarsprent voor de schutterij. Wachtlokaal met een compagnie van de schutterij. Bij de plaat behoort een tekstblad met een vers in drie kolommen met de legenda 1-16 op de rangen van de schutters.
Javaanse prins
Object type: photograph
Date: 1860 – 1915
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Inscriptions: inscription
Vlakversiering
Object type: photomechanical print
Date: 1880 – 1986
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament ~ geometric motifs
Inscriptions: collector's mark: ‘R:MVS.’
Gezicht op een veld met hyacinthen, met een landhuis op de achtergrond
Object type: color slide
Date: 1907 – 1914
Materials: glass
Techniques: autochrome process, slide
Location: netherlands
Artist: adolphe burdet
Artist role: fotograaf
Artist dates: 1860 – 1940
Subjects: overveen
Portret van beeldhouwer Baccio Bandinelli
Object type: print
Date: 1538 – 1552
Materials: paper
Techniques: engraving
Location: italy
Subjects: draughtsman, baccio bandinelli, portrait, self-portrait of sculptor, sculptor making a model, bozzetto, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 240
Plaque with a water landscape with a pavilion, trees, mountains and a waterfall
Object type: plaque
Date: 1900 – 1900
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, vitrification
Location: japan
Artist: Anonymous

Rechthoekige plaque van porselein, beschilderd in onderglazuur blauw. Op de voorzijde een rivierlandschap met een paviljoen aan de oever omgeven door bomen, in de achtergrond een bergpartij met bomen en een waterval. Blauw-wit.
George Washington
Object type: painting
Date: 1779 – 1781
Materials: canvas, oil
Culture: american
Artist: charles willson peale
Artist role: artist
Artist nationality: american
Artist dates: 1741 – 1827
Subjects: cannons,george washington,men,portraits

On January 18, 1779, the Supreme Executive Council of Pennsylvania passed a resolution commissioning a portrait of George Washington for the Council Chamber and selected Charles Willson Peale as the artist. In preparation, Peale traveled to the Princeton and Trenton battlefields in February of 1779 to make sketches for the background. The original portrait, the full-length version now in the Pennsylvania Academy of Fine Arts, was a tremendous success and Peale completed numerous copies for royal palaces abroad, each time updating the general's military dress. This figure of George Washington was probably painted between June and August of 1780. In every other version, Washington is shown after the Battle of Princeton, but here he is depicted after the Battle of Trenton, the turning point of the war. It has been suggested that this portrait was commissioned upon the order of Mrs. Washington, because it is the only portrait in which Washington wears his state sword and because the painting descended in the Washington family.
Glass mosaic carinated bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Body fragment. Translucent honey brown, purple, and light blue, opaque white and yellow. Part of bottom and side curving unevenly upward; one straight edge running across bottom and up side. Composite mosaic pattern formed from polygonal sections of three canes: one in a brown ground with a white spiral and central white rod; a second in a purple ground with a white circle around a tiny central yellow spiral, and the third in a purple ground with a white spiral around a tiny central yellow spiral; trace of a fourth cane in a blue ground with a white spiral. Polished exterior; pitting and weathering of surface bubbles on exterior; dulling and iridescent weathering on interior and edges.
First Riding Lesson
Object type: print
Date: 1864 – 1864
Techniques: etching
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Subjects: children,sheep
Coolies drawing a heavily laden truck. Shanghai, China
Object type: stereograph
Date: 1902 – 1902
Materials: paper, cardboard
Techniques: gelatin silver print
Location: shanghai
Artist: carleton harlow graves
Artist role: fotograaf
Artist dates: 1867 – 1943
Subjects: drawing, pulling something, hand-cart
Inscriptions: number: ‘70’, copyright notice: ‘Copyright 1902 by C. H. Graves.’, number: ‘197.’
De Nederlandsche "bouwploegh"
Object type: cartoon
Date: 1878 – 1878
Materials: paper
Techniques: lithograph
Location: arnhem

Spotprent. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 50, 1878.
45e Cahier
Object type: print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: other architectural details (cornice), foliage ~ ornament, flowers ~ ornament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Drie lijsten geornamenteerd met blad- en bloemmotieven. Prentnummer 270.
Queen Juliana and Prince Bernhard
Object type: photograph
Materials: paper, photographic support
Techniques: gelatin silver print
Location: unknown
Subjects: utrecht, bernhard (prins der nederlanden), the hague, juliana of the netherlands
Inscriptions: caption: ‘Birthday feast of dutch Queen Julian at Royal Palace at Soestdijk. Photo: Queen Juliana and Prince Bernhard Foto-Anefo (Harry Pot) 30-460’
'Anno 1690' (the Year 1690), with numerous warring figures clambering on and hanging from the numbers, allusions to the Allegories of the Four Elements and the Four Continents
Object type: print
Date: 1690 – 1690
Techniques: etching
Artist: giuseppe maria mitelli
Artist role: artist
Artist nationality: italian
Artist dates: 1634 – 1718
Subjects: battles,cannons,men,horses,flags
Portret van Isabel Wachenheimer, bedoeld als eerste tekenen van leven aan Leo Blumensohn, 25 september 1945 in Davos
Object type: photograph
Date: 1945 – 1945
Materials: photographic support
Techniques: gelatin silver print
Location: davos
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon
Inscriptions: inscription: ‘(onduidelijke aanhef) Du hast mich über- haupt nicht lieb"!!!!! Wann wirst Du schon endlich ein bisschen ordentlich?? Sei mir nicht böse, ich meine alles nur gut. Vergiss nie Deine Mirjam’
Buste ten halve lijve van een jongeman met bontmuts en jas
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: etching
Location: berlin
Artist: joachim martin falbe
Artist role: print maker
Artist dates: 1709 – 1782
Subjects: head-gear (with name), head-gear: hat
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Figuur loopt door een tunnel
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: etching, intaglio
Artist: adrien de witte
Artist role: print maker
Artist dates: 1850 – 1935
Subjects: walking, underground road, tunnel
Inscriptions: collector's mark: Lugt 2228
Piece
Object type: piece
Date: 1740 – 1740
Materials: silk
Subjects: birds,profiles,flowers,leaves
The Curate and Barber Disguising Themselves to Convey Don Quixote Home (Six Illustrations for Don Quixote)
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: men,women,dressing,don quixote
Indiase vrouwen slaan de kruiken stuk waaruit de Nederlanders dronken
Object type: print
Date: 1676 – 1676
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: fighting
Inscriptions: collector's mark: Lugt 2228

Met stokken gewapende halfnaakte Indiase vrouwen (in de tekst aangeduid als Jentyven uit Satrispatnam) slaan de kruiken stuk waaruit de Nederlanders op een warme dag water dronken uit een put.
Le Moniteur de la Mode, 1879, No. 1648 : Modèles de la M.on Degon-Pointud (...)
Object type: fashion print
Date: 1879 – 1879
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: looking in the mirror; (possibly: contemplation of own beauty - aa - (for) women), ornamental parts of clothing (+ women's clothes), coat (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), skirt (+ women's clothes), mourning dress, neck-gear ~ clothing (+ women's clothes)
Inscriptions: title: ‘Le Moniteur de la Mode’, address: ‘Paris, Rue du Quatre-Septembre, No. 3’, caption: ‘Modèles de la M.on Degon-Pointude. r. Montmartre. 156 _ Etoffes pour deuil des Magasins de la Scabieuse. r. de la Paix. 10 _ Jupons & tournures de P. de Plument. r. Vivienne. 33. Veloutine Fay.r. de la Paix.9 _ Plissés éxicutés au métier Merle. B.d Bonne-Nouvelle.1.’

Zeven vrouwen gekleed in verschillende mantels, staande in een interieur. De mantels zijn afgezet met bont, de japonnen zijn gegarneerd met ruches en geplooide stof. Volgens het onderschrift is de kledij van de firma Degon-Pointude. Hieronder enkele regels reclametekst voor verschillende producten. Prent uit het modetijdschrift Le Moniteur de la Mode (1843-1913).
Portret van Francina Schas met over elkaar geslagen armen
Object type: cabinet photograph
Date: 1804 – 1877
Materials: cardboard, photographic support
Techniques: albumen print
Location: wiesbaden
Artist: leonhard w. kurtz
Artist role: fotograaf
Artist dates: 1849 – 1906
Subjects: francina schas
Inscriptions: name: ‘Voor Jet en ... / April 77’, name: ‘Françoise W.S. vdBerg-Schas’, name: ‘Photographie / L.W. KURTZ WIESBADEN’
Landschap met molen aan het water
Object type: print
Date: 1830 – 1865
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: cow, meadow, pasture, windmill in landscape
Inscriptions: collector's mark: Lugt 2228
Deep bowl
Object type: bowl, deep
Date: 3850 – 2960
Materials: pottery
Location: northern upper egypt
Dress
Object type: dress
Date: 1858 – 1860
Materials: silk
Culture: american

Gargantuan sizes and swelled diameters enabled by crinolines in the late 1850s and 1860s resulted in some dresses of Crystal Palace simplification. Others dresses took the grandiose scale as an extravagant, flamboyant fate, providing eye-popping color and pattern. A colorful leaf motif combined with this silhouette makes for no wallflower, but rather the confident style of the Second Empire in France and the Civil War years in the United States.
Reproductie van een detail van de Sixtijnse Madonna door Rafaël
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: photoaquatint
Artist: g. höfle
Artist role: painter
Subjects: mary standing (or half-length), the christ-child in front of her, close to her bosom; sitting

Prent achter semi-transparante omslag met tekst.
Straatventer die ramenassen uit zijn kruiwagen verkoopt in de avond
Object type: drawing
Date: 1805 – 1805
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: persons engaged in trade and commerce, (non-fruit) products of plants or trees: radish, amsterdam
Inscriptions: inscription: ‘28 oct Wie moet er ook nieuwe ramenas rammenassieren’, signature: ‘J Andriessen’

Straatventer die ramenassen uit zijn kruiwagen verkoopt in de avond. Hij heeft een licht op zijn kar gemonteerd.
Cupid Sleeping
Object type: print
Date: 1524 – 1530
Techniques: engraving, etching
Artist: parmigianino (girolamo francesco maria mazzola)
Artist role: artist
Artist nationality: italian
Artist dates: 1503 – 1540
Subjects: sleeping,men,women,cupid

In Mariette Album, folio 13, top left
Palette
Object type: palette
Date: 4500 – 4000
Materials: stone
Location: egypt
"As-tu faim?" dit-elle. "Oui," dit-il
Object type: book illustration
Date: 1861 – 1861
Materials: paper
Techniques: etching
Location: brussels
Subjects: giving alms or other charity, e.g.: handing out food, battlement, crenellation ~ fortified city
Inscriptions: collector's mark: Lugt 2228

Latere staat van deze prent gebruikt in: Coster, Charles de. Légendes Flamandes. 1e druk. Brussel: Veuve Parent & Fils, Parijs: Michel-Lévy, Leipzig: Ch. Muquardt, 1861, p. 232-233. De prent illustreert het verhaal Smetse Smee.
Hercules en Iole
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: etching
Location: rome
Subjects: hercules wooing iole, (story of) cupid, amor (eros)
Inscriptions: collector's mark: ‘Hinloopen’

Prent uit een reeks prenten met nummers van 1 tot en met 29 (sommige prenten hebben hetzelfde nummer), plus titelprent en opdracht, naar schilderingen in Palazzo Farnese te Rome.

Deze prent maakte oorspronkelijk deel uit van liber nr. 22 van de Atlas van Rome, uit de collectie Hinloopen. In dit album waren een aantal prentreeksen naar bekende zeventiende eeuwse frescoseries bijeengebonden. In 1709 heeft Schijnvoet op last van de burgemeesters van Amsterdam de collectie herordend. De prenten uit liber 22 kwamen terrecht in Schijnvoet boek nr. 10. De laatst gedateerde reeks in het album is gedateerd 1691. Het album moet dus na deze datum gebonden zijn. De band is in de Rijksakademietijd uit elkaar gehaald. De marges van de prenten zijn bij het opbergen in het Rijksprentenkabinet vaak drastisch afgesneden. Van een aantal series waren de prenten teruggeslagen om in het album te passen. (Zie: Waals, Jan van der. De prentschat van Michiel Hinloopen. 's-Gravenhage: SDU uitgeverij, 1988, pp. 173-174.)
Gil Blas en Lukrezia en vignet met Gil Blas voor erfprins Filips van Spanje
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: filips iv (koning van spanje), literature, audition; ruler giving audience, conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2228

Links bespreekt Gil Blas met Estrella, zijn oude liefde Laura, de toekomst van 'nicht' Lukrezia. Op het moment dat Estrella zich verspreekt en het Gil Blas duidelijk wordt dat Lukrezia eigenlijk zijn dochter is, komt de veertienjarige binnen. Rechts Gil Blas op audiëntie bij erfprins Filips van Spanje (rechts op een leunstoel). De prins beveelt hem aan bij de graaf van Leyra (staand voor de schouw).
Gevleugeld hart stijgt op naar een hemels fort
Object type: print
Date: 1706 – 1796
Materials: paper
Techniques: etching
Location: england
Subjects: heaven represented as a city
Inscriptions: collector's mark: Lugt 2228

Prent is vermoedelijk als illustratie gebruikt voor Macklin's Bible, in delen gepubliceerd tussen 1789 en 1800.
Entari
Object type: robe
Date: 1701 – 1800
Materials: gilt, silk, thread, wool
Location: turkey

The entari, or robe, was the primary garment of indoor dress for women in the Ottoman Empire for several centuries. Worn over an undershirt (gömlek) and baggy trousers (şalvar), the entari was open down the front, held closed by a belt or sash. While the proportions of the garment changed over time, the basic construction as demonstrated in this example, the oldest in the museum’s collection, remained the same. A single loom width of fabric comprises the body of the entari, with no shoulder seam. Long triangular pieces of fabric (peş in Turkish) are sewn to each side and the front openings to add width to the garment. While entaris from earlier centuries were closed at the sides, by the eighteenth century when this garment was made, it was customary to leave the side seam open near the waist, revealing the şalvar and gömlek beneath. Similarly, the long narrow sleeves were open until the elbow, allowing the extra sleeve length to fall away from the arm. The sleeves, front and sides openings are all edged with a narrow trim made up of several shades of metallic-colored thread and small silver-colored sequins. The embroidered wool fabric, known as hüseyni or tepebaşı, after the Istanbul neighborhood where the fabric was made, has been heavily embroidered before the garment was assembled with a multi-colored design of floral elements and other motifs executed in silk and metal-wrapped thread.
Obelisk op het Piazza San Giovanni in Laterano te Rome
Object type: photograph
Date: 1852 – 1862
Materials: photographic support
Techniques: gelatin silver print
Location: rome
Artist: Anonymous
Subjects: square, place, circus, etc., obelisk, needle, façade (of house or building)
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1849 – 1849
Materials: ink, paper
Techniques: pen, writing
Artist: jan willem pieneman
Artist role: draughtsman, painter, print maker
Artist dates: 1779 – 1853
Subjects: paris, amsterdam, print maker, draughtsman, benoit taurel, publisher, the graphic arts, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: Lugt 2233
Titelpagina voor: Jan Jordens, Voor kinderen. Amsterdam, 1782
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: reading to somebody
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Titelpagina voor: Jan Jordens, Voor kinderen, Amsterdam, W. Holtrop, 1782.
de Boeken, in welke hij zijne gevoelens beweerd had, te verbranden.
Object type: book illustration
Date: 1807 – 1807
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: archbishop, bishop, etc. (roman catholic), torture (+ judge), rod, birch ~ punishment at school, burning of books
Inscriptions: collector's mark: Lugt 2228

Een deel van de twaalf bisschoppen kijkt toe hoe de door hen opgelegde straf door Godschalk wordt ondergaan. Godschalk verbrandt boeken nadat hij is afgeranseld met de roede.
Bijbelse voorstellingen, 13 (43)
Object type: print
Date: 1490 – 1526
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: christ preaching or teaching (in general), christ's sermon on the mount (matthew 5-7)
Diana en haar nimfen
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: printing, engraving, hand coloring, lithography
Location: netherlands
Subjects: companions, nymphs of diana; 'ninfe di diana' (ripa), (story of) diana (artemis)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Diana, maangodin en godin van de jacht, met een jachthond. Naast haar drie nimfen.
Head of Buddha
Object type: head
Date: 501 – 700
Materials: clay
Culture: chinese
Subjects: heads,buddhism,buddha

This unfired head is related to fifth- to seventh-century clay sculpture from Afghanistan, especially in the treatment of the eyebrows and in the hairstyle of three rows of curls. The site of Rawak comprises a cruciform stupa (relic mound) based on architecture established in Afghanistan and Gandhara; the enclosing wall of this sacred precinct was embellished with hundreds of clay Buddhas and bodhisattvas such as this one.
Portret van schilder Hyacinthe Collin de Vermont
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: engraving, etching
Subjects: painter, historical persons, portrait, self-portrait of painter, tools, implements of painter
Inscriptions: collector's mark: Lugt 2228
Violin
Object type: violin
Date: 1867 – 1900
Materials: wood
Culture: melanesian, new ireland or papua new guinean
Location: papua new guinea

Description: This roughly carved folk violin is built on a European model. Like European violins, the instrument has F holes and four strings (two gut and two overspun). Accompanied by a heavy wooden bown.
Allegorie op de Liefde (in doos met 43 tekeningen)
Object type: drawing
Date: 1744 – 1744
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: louis fabritius dubourg
Artist role: draughtsman, print maker
Artist dates: 1693 – 1775
Subjects: (personifications and symbolic representations of) love; 'amore (secondo seneca)' (ripa) (+ allegorical scene, i.e. two or more personifications involved in an action)
Richard Bill
Object type: painting
Date: 1733 – 1733
Materials: canvas, oil
Location: united states
Artist: john smibert
Artist role: artist
Artist nationality: american, scottish
Artist dates: 1688 – 1751
Subjects: fashion, people, portraits

The Scottish-born painter John Smibert studied in London and Italy before settling in Boston in 1728. His skills as a trained formal portraitist were in great demand among the wealthy and powerful colonists in Boston. Richard Bill was a prosperous merchant and politically involved citizen. Smibert depicted him dressed in fashionable costume and standing next to a writing table. A large ship is visible through the window in the background. These details hint at Bill’s success and prestige.
Side Chair
Object type: side chair
Date: 1810 – 1820
Materials: wood, brass
Culture: american
Location: united states
Subjects: harps
Portret van een onbekende vrouw, aangeduid als Henriette
Object type: photograph
Date: 1902 – 1915
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: algiers
Artist: louis ménard
Artist role: dichter, filosoof, fotograaf, historicus, journalist, schrijver
Artist dates: 1822 – 1901
Subjects: historical persons - bb - woman
Inscriptions: address: ‘Louis Ménard/ 11. Rue Bab-Azoun/ALGER.’, inscription: ‘Clouveuir de aia/ pauve auayran/ Henriette/ Fevrier 1915’
Landschap met reizigers en een houten brug bij een waterval
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: etching
Artist: johann christian klengel
Artist role: print maker
Artist dates: 1751 – 1824
Subjects: waterfall, landscape with bridge, viaduct or aqueduct, 'en route', traveller under way
Inscriptions: collector's mark: Lugt 240