deem-data/ArtiFact huggingface dataset:
Parelvissers voor de kust van Tuticorin
Object type: print
Date: 1676 – 1676
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: traffic and transport, rowing-boat, canoe, etc., asiatic races and peoples: indians, pearl fishing, pearl diving; coral fishing

Aan de kust van Tuticorin (Thoothukudi) in India brengen parelvissers via lijnen in het water manden met oesters naar roeiboten en vervolgens aan land. Aan wal staan Europeanen en een man met een tulband. Linksboven: 186.
Vrouwen en kinderen
Object type: stereograph
Date: 1900 – 1922
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: robert julius boers
Artist dates: 1867 – 1932
Subjects: robert julius boers, dutch east indies, the

Portret van Europese vrouwen en kinderen met hoeden op aan een tafel in de tuin, waarschijnlijk te Banka. Onderdeel van een groep stereofoto's van Robert Julius Boers, chef van het staatsbedrijf de Banka-tinwinning op Banka, uit de periode ca. 1900-1922.
Ex libris van R.B. Dozy
Object type: bookplate
Date: 1888 – 1933
Materials: paper
Techniques: printing block
Location: netherlands
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: monk(s), friar(s), study; 'studiolo'; library
Inscriptions: collector's mark: Lugt 2760
Gezicht op een park in vermoedelijk Montpellier
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print, hand coloring
Location: montpellier
Artist: Anonymous
Subjects: public gardens, park
Inscriptions: inscription: ‘Jardin Supérieur, Montpellier’
Moordpartij te Naarden, 1572
Object type: print
Date: 1618 – 1624
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: massacre ~ war

Illustratie voor een (onbekende) uitgave van het populaire en vaak herdrukte werk getiteld: De Spaensche Tiranye gheschiet in Nederlant, waarschijnlijk voor het eerst ca. 1620 verschenen. Zie ook Hollstein (Dutch), vol. XXXVIII (Claes Jansz. Visscher II), p. 165, nr. 425 en een andere versie van dit werk uitgegeven in 1621 te Amsterdam bij C.L. vander Plasse, in de collectie van de Rijksmuseum Research Library, signatuur 327 K 30.
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1925
Materials: ink, paper
Techniques: pen, writing
Location: zeist
Artist: cornelis hofstede de groot
Artist role: kunsthistoricus
Artist dates: 1863 – 1940
Subjects: dordrecht, designer, jan veth, leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn, printed matter, berlin
Inscriptions: collector's mark: ‘RPK’

Brief gedateerd 20 September door schrijver, met toevoeging 99? in latere hand.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Exterior, head and part of left shoulder of youth to right
Wandarm van verguld lindehout met drie kaarsenhouders en decoratie van asymmetrisch gebeeldhouwd acanthusbladwerk met bloemen
Object type: furniture
Date: 1755 – 1770
Materials: wood
Techniques: cutting, gilding
Location: netherlands
Artist: Anonymous

Mirror cabinet. Oak, veneered with burr walnut, tulipwood and other woods, inlaid with mirrors painted on the back. Silver mounts. Amsterdam (?), the mirrors probably China, the mounts by Dirk Froger. Two wall-lights. Limewood, gilded. Netherlands, c. 1750. The wall-lights have indentations at the back, showing that they were originally attached to profiles on a panelled wall.
Escutcheon Plate of a Shaffron (Horse's Head Defense)
Object type: escutcheon plate of a shaffron horse's head defense
Date: 1530 – 1540
Materials: gold, steel
Culture: german
Location: germany
Subjects: heads,women

Escutcheon plates probably developed from early reinforces but were later employed primarily for the display of dynastic arms or personal imprese. Occasionally they also incorporated more fanciful motifs of purely decorative type such as this highly original and rare example of anthropomorphic shape and classical decoration. While the motif of a mooress holding a shield reflects the European fascination with "exotic" races, the scene on the shield represents Hercules battling the river god Acheloüs in the guise of a bull. One of his horns, broken off during the fight, was later given to the Goddess of Plenty, the cornucopia henceforth becoming her symbol (two such cornucopiae are embossed above the figure of Hercules).
Portret van Gerard Mercator
Object type: book illustration
Date: 1669 – 1669
Materials: paper
Techniques: engraving
Artist: jean jacques boissard
Artist dates: 1528 – 1598
Subjects: gerardus mercator, science and technology (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228

Gemaakt voor: J.J. Boissard, Icones virorum illustrium doctrina &c eruditione praestanti um contines. Frankfurt am Main: de Bry, 1597-1599. Opnieuw gebruikt in: J.J.Boissard, Bibliotheca chalcographica, hoc est Virtute et eruditione clarorum Virorum Imagines. Heidelberg: Clemens Ammon, 1669 (te herkennen aan de toegevoegde signatuur in de rechter onderhoek: 2Y2).
Fotoreproductie van een schilderij van een vrouw en een soldaat die afscheid nemen bij een trein
Object type: album leaf
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, railway, train, the soldier; the soldier's life, painting, drawing and the graphic arts
Inscriptions: annotation: ‘Ordered on foreign service’
Sir John McNeill
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Faam zittend bij portretten van heersers met lauwerkransen
Object type: print
Date: 1644 – 1692
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: fama as roman personification
Inscriptions: collector's mark: Lugt 2228

Titelpagina (frontispiece) voor: Francesco Amico, Cursus Theologicus scholasticus et moralis, Antwerpen, Willem Lesteens (uitgever), 1650, aldus Hollstein.
Plate, from the Novelties series (N228, Type 5) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Tile from an Inscriptional Frieze
Object type: tile from a frieze
Date: 1301 – 1333
Materials: glaze, stonepaste
Techniques: luster painting, painting
Location: iran
Subjects: lotuses

This frieze tile bears a Qur’anic inscription set in modeled relief against a pattern of scrolls and dense foliage, with lotus blossoms on a vegetal background above. Inscriptional friezes composed of tiles like this example were often set at eye level above dados of stars and crosses in palaces, mosques, and mausoleums.
Modieuze ornamenten met bladmotieven
Object type: ornament print
Date: 1670 – 1690
Materials: paper
Techniques: etching
Location: paris
Subjects: acanthus ~ ornament, mask, mascaron ~ ornament
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 2760

Deze prent maakt deel uit van een album.
Portret van diplomaat Adolf Wilhelm von Krosigk
Object type: print
Date: 1644 – 1646
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: historical persons, diplomacy, diplomat
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie van 43 prenten. Latere staat van prent gebruikt in de serie 'Pacificatores orbis Christiani in Westphaliam missi anno 1641', uitgegeven door Rombout van den Hoeye in Amsterdam.
Portret van Domingo Francisco Jorge Badia y Leblich
Object type: print
Date: 1775 – 1834
Materials: paper
Techniques: etching
Artist: konrad westermayr
Artist role: print maker
Artist dates: 1765 – 1834
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Domingo Francisco Jorge Badía y Leblich is ook bekend onder zijn pseudoniem Ali Bey el Abbassi.
Herderspaar
Object type: calligraphy
Date: 1652 – 1652
Materials: ink, paper, watercolor
Techniques: brush, calligraphy
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690

Herderspaar onder pastoraal gedicht op de melodie van Herders Liet. Gesina heeft boven de illustratie in haar eigen woorden twee coupletten toegevoegd.
Cover for a Smallsword Hilt
Object type: cover for a smallsword hilt
Date: 1725 – 1750
Materials: ink, leather
Culture: french
Location: france
Artist: guillaume pagés
Artist role: sword maker
Artist nationality: french, paris
Artist dates: 1709 – 1756

By the early seventeenth century, the rapier, a long slender thrusting sword, began to dominate as the gentleman’s weapon of choice. During the course of the century, however, as civilian fencing techniques became more specialized and refined, the rapier developed into a lighter, trimmed-down weapon known by about 1700 as the smallsword. Smallswords, often richly decorated, remained an integral part of a gentleman’s wardrobe until the wearing of swords in civilian settings went out of fashion at the end of the eighteenth century, at which time pistols were replacing swords as arms most frequently used in personal duels. The majority of smallsword hilts are made of silver or steel, but many also employ a wide variety of luxurious materials, such as gold, porcelain, and enamel. At their best, smallswords combine the crafts of swordsmith, cutler, and jeweler to create an elegant weapon that was also a wearable work of art.
Portrait of a Noblewoman, Probably Isabella of Portugal (1397–1472)
Object type: painting
Date: 1430 – 1469
Materials: oil, wood
Artist: netherlandish painter
Artist role: artist
Artist nationality: netherlandish
Subjects: portraits,women
Gezicht op het psychiatrisch ziekenhuis nabij Straatsburg
Object type: print
Date: 1829 – 1879
Materials: paper
Techniques: tone lithography
Location: straatsburg
Subjects: hospital, landscapes in the temperate zone (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Joannes PP XI Romanus
Object type: print
Date: 1595 – 1595
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: rome, historical persons, pope, armorial bearing, heraldry

Prent uit: Cavalieri, Giovanni Battista de'. Effigies pontificum romanorum cum eorum vitis (...). Rome: Bartolomeo Bonfadino, 1595. Prent voor het eerst verschenen in: Cavalieri, Giovanni Battista de'. Pontificum romanorum effigies (...). Rome: Domenico Basa en Francesco Zanetti, 1580. Prent ook gebruikt in latere publicaties.
Gezicht op Hofstede Zonnestein
Object type: book illustration
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: civic architecture; edifices; dwellings
Inscriptions: inscription: ‘52’

Prent uit: Tijsens, Gijsbert. Hollands Arcadia, of de vermaarde rivier den Amstel (...) naar 't léven getekend en in 't ligt gebgragt door Abraham Rademaker (...). Amsterdam: Leonardus Schenk, 1730.
Anna Paulowna, konigin der Nederlanden
Object type: print
Date: 1822 – 1863
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: the hague, anna paulowna romanowa, historical persons - bb - woman (+ (full) bust portrait), pearl; pearl necklace
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een jurk met ontblote schouders, een parelketting, oorbellen en een tiara.
Ruitertafereel op Koninklijke Houtvesterij Het Loo: geüniformeerde ruiter neemt hindernis op een renbaan
Object type: album leaf
Date: 1900 – 1925
Materials: photographic support
Techniques: gelatin silver print
Location: het loo
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, hunting, chase, hunting-ground, horse-racing, jumping (horse in motion), (military) uniforms

Onderdeel van Fotoalbum van de heer Brams, opperhoutvester van koningin Wilhelmina op Koninklijke Houtvesterij Het Loo.
Vue de Vicovaro anc. Varia
Object type: print
Date: 1780 – 1805
Materials: paper
Techniques: etching
Location: rome
Subjects: landscapes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., cattle, village, 'en route', traveller under way
Inscriptions: collector's mark: Lugt 2228
Brief aan Philip Zilcken
Object type: letter
Date: 1911 – 1930
Materials: ink
Techniques: pen, writing
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: paris, painter, print maker, draughtsman, sculptor, edgar degas, the hague, philip zilcken, drawing, workshop, studio of the artist (in general), exhibition ~ art
Inscriptions: collector's mark: ‘RPK’

Betreft een deel van een brief (zonder aanhef) dat bewaard is bij correspondentie van Rose Imel aan Philip Zilcken.
Brief aan Adriaan van der Willigen
Object type: letter
Date: 1844 – 1844
Materials: ink, paper
Techniques: pen, writing
Location: haarlem
Artist: johannes franciscus hoppenbrouwers
Artist role: draughtsman, painter, print maker
Artist dates: 1819 – 1866
Subjects: rotterdam, adriaan van der willigen
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 450 – 401
Materials: terracotta
Culture: greek, attic

Fragment from the underside of a skyphos, with a bit of the black glaze from a small circle; the fragment has miltos
Abraham en Melchisedek
Object type: print
Date: 1642 – 1704
Materials: paper
Techniques: engraving
Location: paris
Subjects: abraham gives melchizedek a tenth of the booty he has recovered
Inscriptions: collector's mark: Lugt 240

Abraham biedt Melchisedek een tiende van de buit aan na een succesvolle veldslag.
Louksor (Thèbes), Vue Générale des Ruines
Object type: photograph
Date: 1851 – 1852
Techniques: paper negative, salted paper print
Artist: félix teynard
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1892
Subjects: architecture,ruins
Fan
Object type: fan
Date: 1701 – 1800
Materials: paper, shell
Subjects: birds,men,women
Verhaal van Ester
Object type: print
Date: 1533 – 1539
Materials: paper
Techniques: woodcut
Subjects: the story of esther
Inscriptions: collector's mark: Lugt 240
Boerderij met schuur aan een vaart
Object type: watercolor
Date: 1834 – 1903
Materials: paper, watercolor
Techniques: brush
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: river, meadow, pasture, farm or solitary house in landscape
Portret van Jacques-Louis David
Object type: print
Date: 1813 – 1827
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: paris, painter, draughtsman, jacques-louis david, historical persons, portrait, self-portrait of painter
Gold Weight: Ceremonial Whisk
Object type: weight
Date: 1701 – 1900
Materials: brass
Culture: akan
Location: ghana

Cast brass gold weights, known as abrammuo (sing. mrammuo), were developed by Akan merchants and rulers to standardize the trade in gold dust from mines in present-day Ghana in networks of exchange that extended beyond the Sahara Desert. Domestically, gold was valued by the Akan kings for its decorative and symbolic qualities. Aside from bringing enormous wealth to the Akan kingdoms through trade, gold was considered the earthly counterpart to the sun and an incarnation of kra, or life force, and was incorporated into a wide spectrum of courtly paraphernalia. While the earliest gold weights from the fifteenth century displayed abstract or geometric motifs inspired by North African Islamic traditions, later weights from the seventeenth century onward were figurative in design. Some take their imagery from royal accoutrements, likely in reference to the Akan kings' increasing involvement in the regulation of the trade at this time. A miniature brass version of a type of royal fly whisk, made of gold-covered wood and tipped with the long tail hairs of a horse, is an item of regalia displayed by the king and other high-ranking officials of the Akan courts. Such amulets, constructed from Qur'anic texts folded and encased in leather, are evidence of the cosmopolitan nature of the Akan courts' engagement with the outside world through trade.
Band
Object type: band
Date: 1001 – 1466
Materials: animal fiber, cotton, fiber
Culture: chancay or chimú
Schoolboys Fighting
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: auguste bry
Artist nationality: french
Artist dates: 1800 – 1899
Doll's Shoes
Object type: textile
Date: 1801 – 1900
Materials: leather
Location: united states
Amerikaanse troepen verlaten een schip
Object type: photograph
Date: 1944 – 1944
Materials: photographic support
Techniques: gelatin silver print
Location: great ocean
Subjects: grote oceaan, tweede wereldoorlog

Amerikaanse troepen verlaten 'Navy Ship landing Craft' op een door Japanners bezet eiland in de Pacific.
Altar frontal
Object type: altar frontal
Date: 1651 – 1700
Techniques: embroidery
Subjects: flowers,leaves
Portret van twee onbekende personen
Object type: photograph
Date: 1910 – 1940
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: anonymous historical persons portrayed in a group, in a group-portrait
Gestalte van de voorgaande huizing, na het blussen van den brandt / Etat de la maison representée cy devant, apres que le feu y fut éteint
Object type: book illustration
Date: 1690 – 1735
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: joseph mulder
Artist role: print maker
Artist dates: 1658 – 1718
Subjects: painter, print maker, draughtsman, jan van der heyden, urban housing, ruin of a building ~ architecture, skates (winter sports), canals, waters (in city), fire-fighting, fire-extinguishing equipment, severe winters
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Prent ook gebruikt in: Heyden, Jan van der. Beschryving der nieuwlyks uitgevonden en geoctrojeerde slang-brand-spuiten en haare wyze van brand-blussen, tegenwoordig binnen Amsterdam in gebruik zijnde (…). 1e druk. Amsterdam: Jan Rieuwertsz. (II), 1690. En in: Heyden, Jan van der. Beschryving der nieuwlyks uitgevonden en geoctrojeerde slang-brand-spuiten en haare wyze van brand-blussen, tegenwoordig binnen Amsterdam in gebruik zijnde (…). 2e druk. Amsterdam: erfgenamen Jan van der Heyden, 1735.

Voor ontwerptekeningen zie RP-T-1899-A-4210 en RP-T-00-159.
Voor eerste bekende staat zie RP-P-OB-2365.
Voor tweede bekende staat zie RP-P-OB-82.098.
Voor tegendruk zie RP-P-OB-82.097.
“So this is what's called following the stream of life..... to be compelled to march lockstep with such a fool!,” plate 52 from Moeurs Conjugales
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Brief aan de commissie van de Tentoonstelling van Levende Meesters in Den Haag
Object type: letter
Date: 1843 – 1843
Materials: ink, paper
Techniques: pen, writing
Location: brussels
Artist: genaro de perez de villovamil
Subjects: painting (including book-illumination, miniature-painting), exhibition ~ art, money, brussels
Inscriptions: collector's mark: Lugt 2233
De zelfopoffering van predikant Hambroeck op Formosa, 1661
Object type: history print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: rotterdam, formosa, asking someone not to leave
Inscriptions: date

De zelfopoffering van predikant Hambroeck op Formosa. Na het verzoek om overgave van de Chinezen persoonlijk te hebben overgebracht aan de Hollandse bevelhebbers van Fort Zeelandia op Formosa, neemt Hambroeck afscheid van zijn dochters en keert terug naar de Chinese zeerover Coxinga, 24 mei 1661. In oktober 1661 wordt hij door de Chinezen vermoord. Centrale voorstelling waarin zijn dochters hem smeken niet te vertrekken, omringd door vier kleinere scènes en het vignet van de VOC.
Beaulieu
Object type: reproduction
Date: 1892 – 1904
Materials: cardboard
Techniques: writing
Location: paris
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), rocks
Vrouw met een muts
Object type: sketchbook leaf
Date: 1890 – 1922
Materials: chalk, paper
Artist: johanna van de kamer
Artist dates: 1873 – 1922
Subjects: head-gear: cap (+ women's clothes), folk costume, regional costume

Blad 6 recto uit een schetsboek met 11 bladen.
Science Instructing Industry: Drapery Study
Object type: drawing
Date: 1898 – 1898
Materials: graphite, paper, linen
Culture: american
Artist: kenyon cox
Artist role: artist
Artist nationality: american
Artist dates: 1856 – 1919

Cox created multiple preparatory studies for his oil painting Science Instructing Industry (1898; Case Western Reserve University, Cleveland) (see also 50.101.1 and 50.101.2). Committed to precision, the painter used a grid system to ensure that the composition was properly proportioned, an important skill he developed during his student years at the École des Beaux-Arts in Paris. In this specific study, Cox carefully mapped out every wrinkle and fold of the fabric, emulating the example of classical Greek sculpture. Like other painters associated with the American Renaissance, Cox contrived to let the female form assume various allegorical guises by simply changing the props, setting, or title according to the requirements of a project.
Fish-shaped palette
Object type: palette, fish shaped
Date: 3300 – 3100
Location: egypt
Subjects: fish
Uniformen van keizerlijke konstabels
Object type: drawing
Date: 1795 – 1796
Materials: paper
Techniques: writing
Location: amsterdam
Artist: s.g. casten
Artist role: draughtsman
Subjects: (military) uniforms (+ artillery), patriots (1780-1795)

Vijf konstabels van de Oostenrijkse keizerlijke troepen, bij een kanon, ca. 1788-1795. Onderdeel van het derde hoofdstuk over de nieuwe uniformen in de periode na het herstel van de prins van Oranje en de komst van de Pruisische troepen in Holland in 1787. In het schetsboek met gekleurde tekeningen van de uniformen van militairen en leden van de schutterij uit de periode 1770 tot 1795-1796.
Twee jongens verzamelen hagi (takken met blad) vanaf een vlot op een rivier
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: woodcut
Location: japan
Subjects: boy (child between toddler and youth), raft
Inscriptions: stamp: ‘CG’ Lugt 538d

De jongen die het vlot voortduwt draagt een hemd met daarop een haas (verwijzing naar jaar van de haas). Uit de reeks 'Kleine kinderen op de zes ''kristallen'' rivieren'. Opschrift is een gedicht van Minamoto no Toshiyori: De maan, schijnend over de lespedeza, kwam tot leven in de kleurige golven van de kristalheldere rivier Noji, alsof, de ochtend nooit zou komen. Minamoto no Toshiyori, De Noji no tamagawa is een van de 'zes kristalheldere rivieren'. 'Hagi' is Lespedeza, een Japanse klaver, de struik waar de jongens aan trekken.
Portret van Jean de Landtsheer
Object type: print
Date: 1803 – 1856
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: brussels, painter, jean de landtsheer, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1872 – 1872
Materials: ink, paper
Techniques: pen, writing
Location: hilversum
Subjects: publisher, art trade, art shop, drawing, money
Inscriptions: collector's mark: Lugt 2233
Inscribed Panel
Object type: panel
Date: 1634 – 1666
Materials: stone
Techniques: carving
Location: golconda