deem-data/ArtiFact huggingface dataset:
Drop-front secretary on stand (Secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set)
Object type: drop front secretary on stand
Date: 1790 – 1790
Materials: wood, gilt bronze, lacquer, leather, marble, panel, steel
Techniques: veneering
Artist: adam weisweiler
Artist role: maker
Artist nationality: french
Artist dates: 1744 – 1820

On October 7, 1790, many European royals and aristocrats were gathered in Frankfurt to attend the coronation of Leopold II as Holy Roman Emperor. Ferdinand IV (1751–1825), king of Naples, was among those present for this solemn event. Married to the new emperor’s sister, Maria Carolina, Ferdinand was the brother-rin-law of both Leopold and Marie-Antoinette. At this time of social and political instability caused by the French Revolution, the Parisian marchand-mercier Dominique Daguerre and his business partner, Martin-Eloi Lignereux, traveled to Frankfurt as well. They were looking for new clients and lucrative commissions. This secretary (or its pair) and a matching commode were among the luxury goods they brought along with them and offered for sale. Mounted with Japanese lacquer and exquisite gilt bronze, both pieces were purchased by the king of Naples, who ordered an additional secretary and a matching rolltop desk in 1792. The set of furniture was placed in Ferdinand’s study at the royal palace of Caserta. Jakob Philipp Hackert (1737–1807), who as court painter to Ferdinand IV created gouaches for display in the king’s study, described the interior in a letter of December 4, 1792, to his friend Count Dönhoff in Berlin: "Everything is bronze and lacquer, the furniture is from Paris, the room is beautiful and splendid and cost thirty thousand ducats with all the decoration, which is simple but precious." The lacquer furniture was the work of Adam Weisweiler, who stamped the back of the secretary. He worked almost exclusively for marchands-merciers and especially for Dominique Daguerre, who supplied Weisweiler’s Neoclassical furniture to an international clientele. The drawers of the breakfront commode, known as a commode à vantaux during the eighteenth century, are enclosed behind a double-hinged and bolted folding door to the right, and a single door to the left. The sculptural half-figure corner mounts and those of the frieze, which include scrolling acanthus and ivy leaves, goats, and playful infant fauns, add a nearly unrivaled richness to this set of furniture. Because of their outstanding quality they have in the past been attributed to the bronze worker Pierre Gouthière (1732–1813). They might, however, equally well have been the work of François Rémond, who is known to have cast, finished, and gilded similar bronzes for Daguerre.
Portret van Maurits van Oranje
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: maurice (prince of orange)
Inscriptions: collector's mark: Lugt 2228

Portret van Maurits, prins van Oranje, graaf van Nassau. In het randschrift van de omlijsting de naam en functie van de geportretteerde in het Latijn. In de marge een vierregelig lofdicht in het Latijn.
Self-Portrait with Plumed Cap and Lowered Sabre
Object type: print
Date: 1634 – 1634
Techniques: etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: men,self-portraits
Egyptisch straattafereel
Object type: drawing
Date: 1844 – 1896
Materials: paper, pencil
Techniques: brush
Artist: willem de famars testas
Artist role: draughtsman, painter, print maker
Artist dates: 1834 – 1896
Subjects: street
Rev. Dr. John Purves, Jedburgh
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Studie, mogelijk een compositiestudie
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Inscriptions: annotation: ‘Mej C Molenbroek / v Kinsbergenstr 170’

Schutblad B, achterste schutblad, uit schetsboek VI met 33 bladen.
Antoninianus (Coin) Portraying Empress Salonina
Object type: coin
Date: 260 – 268
Culture: roman
Location: roman empire
Inscriptions: Obverse: SALONINA AVG
Reverse: VESTA, retrograde Q

The front (obverse) of this coin portrays a bust of empress Salonina, diademed, facing right on a crescent. The back (reverse) despicts the goddess Vesta, seated to the left, holding a patera (dish) and transverse sceptre. In the field below is a mintmark in the form of a retrograde Q.

Salonina was married to the Roman emperor Gallienus, who reigned jointly with his father, Valerian, from 253-260, then as sole emperor to 268.
Venus, back view, from "Oeuvre de Canova: Recueil de Statues..."
Object type: print
Date: 1817 – 1817
Techniques: engraving, etching
Location: rome
Artist: domenico marchetti
Artist role: artist
Artist nationality: italian
Artist dates: 1780 – 1844
Subjects: female nudes,venus

Canova’s statue is in the Pitti Palace, Florence. A replica of the statue from Canova’s workshop is in the collection of The Met.
Shilling of Philip and Mary
Object type: shilling
Date: 1554 – 1554
Materials: silver
Subjects: men,profiles,women,coat of arms
Marble statue of Aphrodite loosening her sandal
Object type: statuette of aphrodite
Date: 1 – 100
Materials: marble
Culture: roman
Subjects: aphrodite

Variant of a Greek work of the 3rd or 2nd century B.C. Aphrodite was represented bending down to remove the sandal from her raised left foot. Her outstretched left arm probably held a small figure of Eros, who reached over to her breast. Many versions of this small-scale statue type exist. It was probably a popular votive offering in the Hellenistic period, and it was widely used as decoration in Roman villas.
De Kromme Mijdrecht met een wipmolen
Object type: drawing
Date: 1755 – 1818
Materials: chalk, paper
Techniques: brush
Artist: egbert van drielst
Artist role: draughtsman
Artist dates: 1745 – 1818
Subjects: windmill in landscape
Falcon amulet
Object type: amulet, fying falcon, sundisk
Date: 664 – 380
Materials: gold
Subjects: falcons
Nijmegen en Arnhem
Object type: photograph
Date: 1940 – 1940
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: rhenen
Artist: Anonymous
Subjects: obstructions, barricades (defensive measures), bridge, nijmegen, arnhem

Albumblad met twee foto's van de door het Nederlandse leger opgeblazen bruggen over de Waal bij Nijmegen en de Rijn bij Arnhem, bij de Duitse inval in mei 1940. Onderdeel van het fotoalbum over de verwoestingen van Nederlandse steden en infrastructuur in het begin van de Tweede Wereldoorlog.
Portret van Johannes Christianus Vorstman
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: leendert springer (ii)
Artist role: draughtsman, print maker
Artist dates: 1831 – 1894
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Plan for a temple garden
Object type: trial piece, temple garden plan
Date: 2030 – 1640
Materials: stone
Location: egypt
Subjects: gardens
Wapenhandelinghe van Roers Musquetten ende Spiessen
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: manoeuvre ~ military training, firearms: rifle

Een soldaat, ten voeten uit, naar rechts, die een musket (een bepaald type vuurwapen) met de rechterhand schuin omhoog gericht vasthoudt, terwijl hij een furket (musketvork) onder de loop plaatst. Deze prent is onderdeel van de reeks van 43 genummerde prenten van musketiers uit de Wapenhandelinghe.
Cosmetic Dish in the Shape of a Trussed Duck
Object type: cosmetic dish, duck
Date: 1353 – 1327
Materials: paint
Location: egypt
Subjects: ducks
Vrouw van Wilhelmus Johannes Steenhoff, in bed
Object type: drawing
Date: 1873 – 1932
Materials: chalk, paper
Artist: wilhelmus johannes steenhoff
Artist role: draughtsman, print maker
Artist dates: 1863 – 1932
Subjects: historical persons
Christus, Maria en de apostelen
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: etching
Location: nancy
Subjects: 'salvator mundi', making a blessing gesture; an orb in his hand or at his feet, christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers, crucified christ with mary and john on either side of the cross; holy rood
Inscriptions: collector's mark: Lugt 240

Christus, ten voeten uit, in de linkerhand een rijksappel, met de rechterhand een zegenend gebaar makend. Op de achtergrond rechts zijn kruisiging en links zijn opstanding. Deze prent is onderdeel van een reeks van 16 prenten, bestaande uit een titelblad en 15 portretten, voorstellende Christus, Maria en de apostelen.
Voorbeelden van verschillende wapenschilden
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: armorial bearing, heraldry
Inscriptions: inscription: ‘M Samuel Dufresnay in Great St/ Hellens in Bishopsgatestreet’

Prent uit: The Gentleman's Magazine 18 (1748), februari 1748.
Kwitantie voor Johannes Vetten
Object type: ontvangstbewijs, kwitantie
Date: 1865 – 1865
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: johannes vetten
Artist role: painter
Artist dates: 1827 – 1866
Subjects: drawing, money
Inscriptions: collector's mark: Lugt 2233
Geertruydenberg
Object type: print
Date: 1650 – 1699
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: the hague, maurice (prince of orange), siege, position war, camp followers, geertruidenberg

Beleg van Geertruidenberg, maart-juni 1593, tijdens het bewind van Maurits. Op de voorgrond het legerkamp met marketensters.
Bag
Object type: bag
Date: 1701 – 1900
Materials: metal, silk
Culture: chinese
Head
Object type: head
Date: 600 – 101
Materials: stone
Culture: mexican
Location: mexico
Subjects: heads
Portret van Dionysius Godefridus van der Keessel
Object type: print
Date: 1816 – 1871
Materials: paper
Techniques: tone lithography
Location: leiden
Subjects: deventer, historical persons
Inscriptions: collector's mark: Lugt 2233

Onder het portret de biografische gegevens van de geportretteerde en de namen van drie van zijn leerlingen die dit portret na zijn dood lieten maken.
Jachtonderwerpen met geweer
Object type: print
Date: 1827 – 1873
Materials: paper
Techniques: lithograph
Location: paris
Subjects: hunter, game, hunted animals
Inscriptions: collector's mark: Lugt 1641, stamp

Negen voorstellingen van de jacht met het geweer, van de voorbereidingen voor de jacht tot de terugkeer. Onderaan genummerd: No. 2. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, jacht.
Isabel bij een stenen poort
Object type: photograph
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: lenzerheide
Subjects: leiden, isabel wachenheimer-elon, the family travelling, on holiday, snow
Inscriptions: date

Albumblad met een foto van Isabel Wachenheimer staande bij een stenen poort. Onderdeel van het fotoalbum met vakantiefoto's Lenzerheide, 1934.
Studie van een mannelijk naaktmodel, rechtop staand en schuin van achter gezien, in het atelier van Jacques de Lalaing
Object type: album leaf
Date: 1883 – 1890
Materials: photographic support
Techniques: albumen print
Location: brussels
Artist: jacques lalaing
Artist role: painter, sculptor
Artist dates: 1858 – 1917
Subjects: adult man, artist (in general) working from nude model, the (nude) human figure; 'corpo humano' (ripa) (+ standing)
Brief aan Carel Vosmaer
Object type: letter
Date: 1884 – 1884
Materials: ink, paper
Techniques: pen, printing, writing
Location: london
Artist: laura theresa alma tadema (lady)
Artist role: painter
Artist dates: 1852 – 1909
Subjects: the hague, print maker, draughtsman, carel vosmaer
Inscriptions: watermark
Rank Badge with Egret
Object type: rank badge
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: birds
Rushing Red Lodges Passed through the Line
Object type: painting
Date: 1900 – 1900
Materials: canvas, oil
Location: new york
Artist: frederic remington
Artist nationality: american
Artist dates: 1861 – 1909
Inscriptions: Signed, lower right: "Frederic Remington"
("Leda") Design for a Plate: Shame on Those Who Evil Think (Honi Soit Qui Mal y Pense) ; cover illustration for the "Volpini Suite" entitled Lithographic Drawings (Dessins lithographiques)
Object type: print
Date: 1889 – 1889
Materials: gouache, watercolor, paper
Techniques: marbling, lithography
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Subjects: profiles,women,flowers,leaves
Mosquée d'Aly-Bey, Girgeh, Haute-Egypte, plate 15 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie
Staal kloskant met grove draad als voorbeeld van een tulegrond (traliegrond)
Object type: sample
Date: 1900 – 1930
Materials: cotton
Techniques: lace
Location: amsterdam
Artist: Anonymous

Staal naturelkleurige kloskant met grove draad als voorbeeld van een tulegrond met daarbij een fragment kant waarin deze techniek is toegepast. De datering betreft het staal.
Twee jonge vrouwen tegenover elkaar
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adolescent, young woman, maiden (+ two persons)

Pagina 26 uit een schetsboek met 25 bladen.
Key Ring with Lovers
Object type: key ring
Date: 1467 – 1500
Materials: copper alloy
Culture: german
Subjects: couples,men,women

During the fifteenth and sixteenth centuries, particularly in the North, it was common for mistresses of the house to carry the keys for their numerous chests, cupboards, and their doors on rings suspended from their belts or girdles by a chain or cord. Sometimes the key ring was attached to one of several chains hanging from a large broochlike device fastened directly below the belt. This device was used not only to attach key rings and other items but also to pin up trailing skirts. This key ring, though possibly carried separately, may once have been attached in the fashion described above. The small sculpture of the courting couple would have served at the finial or handle. Though key rings with non-figurative terminals exist from the fifteenth and sixteenth centuries, at least two other key rings with very similar figures have survived. This particular example is opened by detaching the screw that links the ring to the figures. It is possible that originally a small bolt or cap covered the exposed end of the screw.
Belegering der Stadt Breda Door Frederick Henderick Prince van Orangien den 23 July 1637
Object type: history print
Date: 1651 – 1652
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: delft, the hague, frederick henry (prince of orange), maps of separate countries or regions, siege, position war

Gebruikt als illustratie in: I. Commelin, Frederick Hendrick van Nassauw prince van Orangien zyn leven en bedryf, Wed. Esdras Willemsz Snellaert en Gerrit Nieuwenhuysen, Utrecht 1652, fol. 269. Spiegelbeeldige kopie naar de prent mogelijk van P.H. Schut in de uitgave van Jodocus Janssonius van 1651 (FMH 1767) die weer gekopieerd is naar de prent van C.J. Visscher (II) (FMH 1766).
Illustratie voor 'Den Arbeid van Mars' van Allain Manesson Mallet
Object type: book illustration
Date: 1672 – 1672
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), battle, landscape with other man-made constructions not mentioned above, e.g.: graveyards, playgrounds, etc., fortifications, military engineering, mathematics
Inscriptions: collector's mark: Lugt 2228

Plattegrond van een gebied met daarin de omtrekken voor een vesting, fort of versterking (vijfhoek). Daaronder een vuurgevecht tussen soldaten. In de hoek linksboven het cijfer 65 (= het nummer van de pagina in het boek waartegenover de illustratie geplaatst is).
Gezicht op het Vrijthof, de Sint-Servaasbasiliek en de Hoofdwacht te Maastricht
Object type: print
Date: 1746 – 1746
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: church (exterior), village square, place (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark, collector's mark: Lugt 1641

Prent eerst gebruikt in: Spilman, Hendrik. Het verheerlykt Nederland, of kabinet van hedendaagsche gezigten. 9 dln. Amsterdam: Isaac Tirion, 1745-1774, dl. 2 (1746), ill. 125-126. Later in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (...). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 2, ill. 125-126.
Gezicht op Jericho vanaf de vlakte, links het Jordan Hotel, op de voorgrond kinderen met een kudde
Object type: photograph
Date: 1867 – 1895
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: jericho
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., hotel, hostelry, inn, plain
Inscriptions: negative number: ‘906’

Onderdeel van Reisalbum met foto's van Jeruzalem en andere bijbelse plaatsen.
Tahitian Girl in a Pink Pareu
Object type: drawing and watercolor
Date: 1894 – 1894
Materials: paper, watercolor
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Equile Ioannis Austriaci Caroli
Object type: print
Date: 1583 – 1587
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: don juan van oostenrijk, horses and kindred animals
Inscriptions: collector's mark: Lugt 2228

Een Siciliaans paard, in profiel. De prent heeft een Latijns onderschrift en maakt deel uit van het eerste deel van een 39-delige serie over de paardenrassen uit Koninklijke stallen van Don Juan van Oostenrijk.
Armchair
Object type: armchair
Date: 1700 – 1710
Materials: velvet, wood
Techniques: carving, gilding

This stately armchair ( fauteuil) is richly embellished with symbols of the French monarchy that strongly suggest a royal origin. Interlaced L’s alternating with fleurs-de-lis motifs are carved on the lambrequin-shaped seat rails, while a medallion with the double L monogram surmounted by a crown decorates the crest rail. The chair has been identified with one listed in an inventory drawn up after Louis XIV’s death.1 The king sat on his throne only on special occasions, such as the reception of overseas embassies, which took place in the Apollo Salon or, exceptionally, in the Hall of Mirrors (see cats. 60, 71). At other times, including for the public audiences of foreign diplomats (held in either the royal bedchamber or the Cabinet du Conseil), he was seated on an armchair, and it is possible that this formal example was used as such during an official visit of some kind.
De Nederlandse gezant te Venetië, ca. 1561
Object type: print
Date: 1700 – 1740
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: matthijs pool
Artist role: print maker
Artist dates: 1676 – 1740
Subjects: audition; ruler giving audience, venice

De Nederlandse gezant te Venetië, ca. 1561. Gelegenheid waarbij voor het eerst de vertegenwoordiger van de Staten als Heeren Staten begroet werd. Ontvangstruimte met de gezant zittend naast de doge op een podium.
Gezicht op een standbeeld van Georges Mouton in de Rue de Lobau in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: monument, statue, paris
Inscriptions: inscription: ‘Marechal Lobau Paris. Rue de Lobau’, number: ‘54’
Croquis Ydyllique
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: antwerp
Subjects: trees, adult woman, adult man, goat
Souvenir spoon with view of the Doge's Palace and the Campanile
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, silver gilt
Subjects: palaces,coat of arms
Sword Guard (<i>Tsuba</i>)
Object type: sword guard tsuba
Date: 1501 – 1900
Materials: gold, iron, silver
Culture: japanese
Location: japan
Subjects: human figures
Brief aan anoniem
Object type: letter
Date: 1899 – 1899
Materials: ink, paper
Techniques: pen, printing, writing
Artist: jakob smits
Artist role: draughtsman, print maker
Artist dates: 1855 – 1928
Subjects: drawing, exhibition ~ art, historical persons (portraits and scenes from the life), rotterdam, brussels, arnhem
Inscriptions: collector's mark: ‘RPK’
Gezicht op de Forth Bridge
Object type: print
Date: 1890 – 1927
Materials: paper
Techniques: etching, intaglio
Artist: walter hilton nash
Artist role: print maker
Artist dates: 1850 – 1927
Subjects: cantilever bridge, river, factory in landscape
Inscriptions: signature: ‘W. Nash’, inscription: ‘34.’
Vrouwenhoofd
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head (human) - aa - female human figure

Blad 12 verso uit schetsboek XXV met 23 bladen.
Kinderen en engelen
Object type: print
Date: 1630 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: child
Inscriptions: collector's mark: Lugt 2228

Halfnaakt kind met een schoteltje. Prent uit een serie van 24 prenten met engelen of kinderen.
Lantaka
Object type: lilla
Date: 1750 – 1850
Materials: bronze
Techniques: casting
Location: indonesian archipelago
Artist: Anonymous
Subjects: tanjung pulisan

Bronzen voorlader op mik. De ronde loop heeft een trompetvormige monding en het achtergedeelte is dikker; holle staart voor een houten richtstok. Aan weerszijden van het zundgat een knop voor een zundgatdeksel. Vóór het zundgat een lege ovale cartouche. De hoogste sierraadband en kulas zijn met een eenvoudig motief versierd. Vlak achter de monding een richtknop. De ogen van de mik zijn geheel om de de tappen heen gesmeed, zodat het stuk niet uit de mik getild kan worden.
Franse allegorie waarin Lodewijk XIV zich vergelijkt met de zon, 1672
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Subjects: lodewijk xiv (koning van frankrijk), sun as celestial body, rampjaar (disaster year)
Inscriptions: collector's mark: Lugt 240

Nederlandse versie van een oorspronkelijk Frans blad waarin de oorlog met de Nederlanden wordt gerechtvaardigd. Met een verklaring van het zinnebeeld van de Franse koning, waarin hij zich vergelijkt met de zon en waarin de Nederlandse Leeuw overwonnen wordt (FMH nr. 2331A). Onder de voorstelling het Franse vers, en de Nederlandse vertaling, op de voorbereidingen die de Fransen treffen voor de veldtocht in 1672. Het blad is ondertekend met de naam 'Phaëton'. Het oorspronkelijke Franse embleem is vervaardigd door Sebastien le Clerc.
Fireback
Object type: fireback
Date: 1703 – 1703
Materials: iron
Culture: american
Location: united states

Cast iron firebacks served the dual purpose of reflecting the heat of a fire back into a room and protecting vulnerable bricks and plaster on the back wall of a fireplace. Cast with the image of a stone fortress, bristling with cannons and a commanding figure standing atop a rampart, flying a British flag, it also features the date “1703,” possibly the year of its manufacture.
Portret van Johann von Weyhe
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: cut flowers; nosegay, bunch of flowers, gloves, mittens, etc., historical persons, pendant, trinket, 'breloque'
Inscriptions: collector's mark: Lugt 2228