deem-data/ArtiFact huggingface dataset:
Medallion with Portrait of Thomas Bentley
Object type: ceramic
Date: 1775 – 1775
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 – 
Inscriptions: Mark: "WEDGWOOD" impressed; "Bentley" incised
De Liedjes-sangster
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: dordrecht
Subjects: performance in the open air (pleasure fair), ballad singer, ballad seller - cc - out of doors, festivities (+ music and song ~ festive activities)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent uit: Vaderlandsche Kermisvreugd vertoond in acht kunstplaaten geteekend en gegraveerd door K.F. Bendorp, met toepasselijke Vaersjes door R. Arends, H. de Haas en Compagnie (uitgever) Dordrecht 1782
Bangu (板鼓)
Object type: bangu drum
Date: 1801 – 1900
Materials: metal, skin, wood
Culture: chinese
Location: china
Artist: elevated tone workshop, guangzhou (canton)
Artist role: maker

The interior of the bangu has six wood wedges held together by a brass belt and tightly stretched cowhide. When struck, this small drum produces a sharp, dry sound to signal the different tempi of the piece. Several sounds may be produced depending on where it is struck. Used in Chinese opear by the percussionist who plays many different instruments and is the ensemble’s leader, responsible for setting the rhythm, linking scenes, emphasizing the action and punctuating the singing and speech. This is accomplished by a rich variety of gongs, drums, cymbals and wood blocks. The following examples are a few of the essentials
Bowl
Object type: bowl
Date: 1760 – 1760
Materials: enamel, porcelain
Culture: japanese
Handkerchief
Object type: handkerchief
Date: 1850 – 1870
Materials: cotton, linen
Culture: french

The dense embroidery on this handkerchief is detailed and refined. The beautiful overall design combines complex motifs and embroidery stitches with high-quality lace. The execution of detail in the heraldic shields is particularly fine.
Portret van Eustache Lesueur
Object type: print
Date: 1818 – 1849
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: paris, painter, eustache lesueur, historical persons, portrait, self-portrait of painter
Inscriptions: check stamp: ‘JC’, collector's mark: Lugt 2228, stamp: ‘M/ v.S’

Prent waarschijnlijk uit: Chabert, M. Galerie des peintres ou collection de portraits des peintres les plus célèbres de toutes les écoles. Parijs: Jean-Claude Chabert, 1822-1834.
Verzoeking van Christus
Object type: print
Date: 1693 – 1783
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: satan withdrawing from christ ~ temptation of christ in the wilderness
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Utrechts Fundatie huijs’

Christus staat op een rotsachtige heuvel. Naast hem Satan in de gedaante van een oude man, die zich woedend van Christus afwendt. Aan de voet van de heuvel ligt Jeruzalem. Onderaan een éénregelige titel in het Hebreeuws, Engels, Duits, Latijn, Frans en Nederlands uit Mat. 4.
De doop van Christus in de Jordaan
Object type: print
Date: 1480 – 1500
Materials: paper
Techniques: woodcut
Subjects: city-view, and landscape with man-made constructions, baptism of christ in the river jordan: john the baptist pouring out water on christ's head: the holy ghost descends

Eén blad van 113 uit Ludolphus de Saxonia, "Dit es dleué ons liefs heeren ihesu christi". Anonieme Nederlandse vertaling. Uitgegeven door Henrick Eckert van Homberch te Antwerpen in 1503. Botke, K. Deze 113 houtsneden, die meestal reeds in vroege Nederlandse boeken gebruikt zijn, worden toegeschreven aan de tweede Meester van Delft, de Meester van de Delbecq-Schreiber-passie en de Meester van de Virgo inter Virgines. In Conway (1884) en in "De gulden passer"(1951) zijn ook eerdere versies opgenomen. Botke, K.
Uil met prooi belaagd door andere vogels
Object type: print
Date: 1594 – 1644
Materials: paper
Techniques: engraving
Subjects: song-birds: crow, owls, animals (+ animal with prey)
Inscriptions: collector's mark: Lugt 2228

Kopie in spiegelbeeld naar prent van Nicolaes de Bruyn. Prent uit serie van twaalf prenten met vogels en insecten. Bij Hollstein zijn bladen van een andere serie prenten afgebeeld, zie De Groot 1988, p. 37.
Piëta
Object type: print
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: 'pietà ', 'vesperbild', 'marienklage' (no others present): christ, either with or without crown of thorns, mourned by mary
Inscriptions: monogram: ‘HG’, date: ‘Ao. 96’, collector's mark: Lugt 10, collector's mark: Lugt 11

Maria met de gestorven Christus in de armen, hem bewenend, zittend op een steen.
Cock on Drum
Object type: print
Date: 1825 – 1825
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Subjects: roosters,leaves
Quay at Middelburg
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: autotype
Location: middelburg
Artist: george christopher davies
Artist role: fotograaf, geoloog
Artist dates: 1849 – 1922
Subjects: sailing-ship, sailing-boat, pier, quay, wharf, middelburg
Grote Pier maakt de Zuiderzee onveilig, 1516, en Vrede van Kamerijk, 1529
Object type: book illustration
Date: 1784 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: frans i van valois-angoulême (koning van frankrijk), ghent, charles v (holy roman emperor and king of spain), signing of peace treaty, concluding the peace, piracy, zuiderzee
Inscriptions: collector's mark: Lugt 2228

Voorstellingen uit de vaderlandse geschiedenis. Boven: Grote Pier maakt met zijn piraterij de Zuiderzee onveilig, 1516. Onder: Het sluiten van de Vrede van Kamerijk op 5 augustus 1529 tussen keizer Karel V en de Franse koning Frans I. De twee vorsten leggen de eed af. Twee voorstellingen van één plaat, respectievelijk genummerd: XXXI en XXXII.
Portret van Bernard Ignatius, graaf van Martinitz
Object type: print
Date: 1643 – 1666
Materials: paper
Techniques: engraving
Subjects: bernardus ignatius de martinitz
Inscriptions: collector's mark: Lugt 2228

Portret van Bernard Ignatius, graaf van Martinitz, borststuk
La Danse (one of a pair)
Object type: plaquette
Date: 1903 – 1903
Materials: bronze
Techniques: casting
Artist: alexandre-louis-marie charpentier
Artist role: artist
Artist nationality: french
Artist dates: 1856 – 1909
Subjects: female nudes,dancing
Terracotta fragment of a skyphos (deep drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of a handle and wall of a skyphos
Vase with cover
Object type: vase with cover
Date: 1701 – 1800
Materials: enamel, gold, porcelain
Culture: japanese
Subjects: cranes,flowers
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Date: 1883 – 1915
Materials: ink, paper
Techniques: pen, writing
Location: london
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: painter, print maker, draughtsman, vincent van gogh, london, john milton, pieter haverkorn van rijsewijk, robert burns, literature ~ arts, painting (including book-illumination, miniature-painting)
Inscriptions: watermark, collector's mark: Lugt 2233
Spring Landscape with Plum Blossoms, Scholar and Deer
Object type: hanging scroll
Materials: ink, silk
Culture: chinese
Artist: xie shichen
Artist role: artist
Artist nationality: chinese
Artist dates: 1487 – 1567
Panel
Object type: textile
Date: 1801 – 1833
Materials: silk
Techniques: bookbinding, interlacing, patterning, satin weave, weave
Location: france
Portret van Carel baron van Boetzelaar
Object type: print
Date: 1793 – 1827
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacobus wijsman
Artist role: print maker
Artist dates: 1768 – 1827
Subjects: the hague
Inscriptions: collector's mark: Lugt 2228

Portret van Carel baron van Boetzelaar in een ronde lijst. Onder het portret een opgeprikte afbeelding van de belegering van Willemstad in 1793. Onder leiding van Carel baron van Boetzelaar werd de stad verdedigd en het Franse leger weerstaan.
Le Messager des Modistes et des Salons, Modes de Paris, Journal Aglaja, janvier 1864, No. 27
Object type: fashion print
Date: 1864 – 1864
Materials: paper
Techniques: engraving, hand coloring
Location: zaltbommel
Subjects: cut flowers; nosegay, bunch of flowers, dress, gown: evening dress (+ women's clothes), dress, gown: evening dress (+ girls' clothes), fashion plates, gloves, mittens, etc. (+ women's clothes)
Inscriptions: title: ‘Modes de Paris / Le Messager des Modistes et des Salons.’, caption: ‘Propriété du Journal Aglaja publié par John Noman & fils à Zalt Bommel.’

Een vrouw en twee meisjes in avondjaponnen. De prent werd opgenomen in Aglaja (1848-1864), maandboekje voor dames handwerken, uitgegeven door A. C. Kruseman te Haarlem.
Wagenmaker
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: hand coloring, letterpress printing
Location: nuremberg
Subjects: animal traction, animal-drawn vehicle (carriage etc.), wheel (of vehicle), handicrafts, craftsman at work
Inscriptions: stamp, collector's mark: Lugt 1641

Prent uit: Comenius, Johannes Amosius. Orbis sensualium picti pars prima (...). Neurenberg: Martin Endter, 1719, dl. 2, p. 228. Prent eerder gebruikt in: Comenius, Johannes Amosius. Orbis Sensualium Picti denuo aucti Pars Secunda (...). Neurenberg: Martin Endter, 1730, dl. 2.
Dinner dress
Object type: dinner dress
Date: 1877 – 1877
Materials: silk
Culture: french
Artist: house of worth
Artist role: design house
Artist nationality: french
Artist dates: 1858 – 1956

Autumn leaves decorate a silk dress the bronzed color of the season and its leaves. Never melancholy in their majesty, the leaves remind us of Homer's phrase: "like leaves on trees the race of man is found, Now green in youth, now withering on the ground: another race the following spring supplies; they fall successive, and successive rise." The dress is likewise an allegory cognizant of the season and of a cycle of life and death.
Gezicht en ontwerp van de Beurs van Berlage in Amsterdam
Object type: book illustration
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Subjects: stock exchange, stock-market, market-hall

Deze prent was een zogeheten "Bijvoegsel" bij: De Kroniek 4 (1898), nr. 20 maart.
Portret van Isaac Casaubon
Object type: print
Date: 1709 – 1709
Materials: paper
Techniques: engraving
Subjects: historical persons

Prent mogelijk uit: Casaubon, Isaac, en Mericus Casaubon. Isaaci Casauboni epistolæ (...). Rotterdam: Caspar Fritsch en Michael Böhm, 1709.
Portret van een vrouw
Object type: album leaf
Date: 1891 – 1907
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: rotterdam
Artist: johan gerard lubbers
Artist role: fotograaf
Artist dates: 1849 – 1923
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘J.G. Lubbers/ Photographe/ van der Takstraat 8/ Rotterdam./ De plaat blijft voor nabestelling bewaard./ Vergrootingen in ieder afmeting tot levensgroot.’, number: ‘w. 46’
Gonzalo Gomez blinkt uit in het spel en doña Lambra beledigt Lara en haar zonen
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: italy
Subjects: monsters of mixed human and animal shape; 'mostri' (ripa), palace, joust, tilt, tales and fairy tales
Inscriptions: collector's mark: Lugt 11, collector's mark: ‘Hinloopen’, number: ‘6’

Deze prent maakt deel uit van een reeks van 40 prenten (+ titelprent) met voorstellingen uit het volksverhaal over de zeven infanten van Lara.
Germanicus bij een brandend offer op een altaar
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: (story of) germanicus, sacrifice ~ roman religion
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor de publicatie: Winter, Lucretia Wilhelmina van. Germanicus: In zestien boeken. Amsterdam: P. Meijer, 1779.
Moer uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: nut
Date: 1743 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Terracotta scyphus (drinking cup) with barbotine decoration
Object type: skyphos
Date: 1 – 100
Materials: terracotta
Culture: roman

Reddish glazed two-handled cup with bands of leave and dots in barbotine.
Linen mark (Type XXXVII)
Object type: linen mark
Date: 1961 – 1917
Materials: linen
Location: egypt
HB Sketches
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: tone lithography
Location: london
Subjects: london, political caricatures and satires

Spotprent uit 1845 met premier Robert Peel als eenmansorkest spelend op straat, omgeven door straatjongens. Uitgegeven als nr. 839 in de serie HB Sketches.
Gezicht op de Grote Markt met het stadhuis te Haarlem
Object type: book illustration
Date: 1628 – 1628
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: townhall, market, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Ampzing, Samuel. Beschryvinge ende lof der stad Haerlem in Holland (…). Haarlem: Adriaen Roman (I), 1628.
Ingang van het Tivolipark in Hannover
Object type: stereograph
Date: 1869 – 1872
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: park, open-air recreation
Inscriptions: number: ‘No 58.’
Gelderland, Philips II, statenoord
Object type: coin
Date: 1577 – 1578
Materials: copper
Techniques: striking
Location: gelderland
Artist: philip ii of spain
Artist role: koning
Artist dates: 1527 – 1598

Koperen munt. Voorzijde: gekroond Bourgondisch wapenschild, waaromheen keten van het Gulden Vlies. Keerzijde: portret Philips II naar links.
Josefus in een boot voor de stad Tiberias
Object type: print
Date: 1574 – 1574
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: christoffel van sichem (i)
Artist role: print maker, publisher
Artist dates: 1546 – 1624
Subjects: harbour

Boekillustratie voor een editie van: Flavius Josephus, Von Alten Jüdischen Geschichten. De eerste editie verscheen in 1574.
Card 841, Alice Atherton, from the Actors and Actresses series (N45, Type 7) for Dixie Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 7), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
The Entombment, from "The Passion of Christ"
Object type: print
Date: 1615 – 1620
Techniques: engraving
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Subjects: sadness,men,christ,virgin mary,entombment

Towards the end of the sixteenth and early in the seventeenth century, Dutch Mannerists turned their attention to the Netherlandish master Lucas van Leyden and other northern Renaissance artists, creating a revival of interest in their works. Printmakers copied these earlier designs or made new compositions emulating the style of their predecessors. In about 1615-20, Jan Muller engraved copies of Lucas van Leyden’s 1521 series of the Passion of Christ, fourteen engravings illustrating Christ’s final days, from The Last Supper to The Resurrection. Muller’s copies are so deceptive that it takes extremely close looking and sometimes magnification to distinguish them from Lucas’s originals. Christ Crowned with Thorns is the seventh print in the series. Christ sits leaning forward, a robe around his shoulders, as two men force the crown of thorns onto his head. Another hands him a reed, in place of a king’s scepter.
Elsenburg; het Huis van den H: Theod: de Leeuw, Heere van Abcoude en Baambrugge / Elsenburg, La Maison du S: Theod: de Leeuw, Seigneur d'Abcoude, et Baambrugge
Object type: print
Date: 1719 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: river (+ landscape with figures, staffage), country-house, maarssen, vecht
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Prent mogelijk uit: Leth, Andries de. De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende (...). Amsterdam: Weduwe Nicolaus Visscher, 1719.
Of uit: Brouërius van Nidek, Matthaeus. De Vechtstroom, van Utrecht tot Muiden (...). Amsterdam: H. Gartman, W. Vermandel en J.W. Smit, 1790.
Ornament met medaillons
Object type: print
Date: 1700 – 1800
Materials: paper
Techniques: printmaking
Artist: Anonymous
Subjects: ornaments ~ art, ornament ~ medallion
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit een plakalbum met titelprenten, ornamenten etc. op blauw papier in 1983 uit elkaar gehaald. Volgens een notitie op verso zat de prent op p. 208 van dit album.
Bowl with Eight-Pointed Star
Object type: bowl
Date: 767 – 900
Materials: earthenware, glaze
Techniques: polychrome
Location: iran
Subjects: stars

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Huis aan de oever van een rivier
Object type: print
Date: 1662 – 1683
Materials: paper
Techniques: etching
Location: netherlands
Artist: jan van almeloveen
Artist role: draughtsman, print maker
Artist dates: 1652 – 1683
Subjects: river
Inscriptions: collector's mark: Lugt 240

Prent uit een serie van zes rivierlandschappen. De rivier is mogelijk de Oder.
Woning, pompinstallatie en panorama van een mijn van de Banka-tinwinning te Soengeiliat
Object type: photograph
Date: 1914 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, opencast mine; strip mining, rural housing, e.g. country-house, villa, cottage, exterior of industrial structures, factories
Inscriptions: inscription

Albumblad met 3 foto's van een woning, pompinstallatie en een panorama van mijn 43 van de Banka-tinwinning te Soengeiliat. Onderdeel van het fotoalbum aangeboden aan Robert Julius Boers bij zijn vertrek naar Nederland in 1919 door het personeel van de Banka-tinwinning.
Plattegrond van Naarden, ca. 1693-1695
Object type: print
Date: 1693 – 1695
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: fortress, maps of cities

Plattegrond van de versterkingen om de Hollandse stad Naarden. Onderdeel van het derde deel (1695) van het prentwerk waarin gebundeld zijn de acht delen van Les forces de l'Europe uitgegeven tussen 1693-1697. Het prentwerk bestaat uit 175 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog. Titel en opschriften in het Frans.
Heart Scarab inscribed for Gautsoshen
Object type: heart scarab, gautsoshen
Date: 1070 – 945
Location: egypt
Young Woman Dancing
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: switzerland
Artist: Anonymous
Artist nationality: swiss
Artist dates: 1800 – 1899
Ruïnes in Amiens en geallieerde vliegtuigen
Object type: album leaf
Date: 1940 – 1945
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: aircraft, aeroplane (+ accident, collision, crash ~traffic and transport), firearms: cannon, devastated, ruined place or city (~ warfare), france
Inscriptions: inscription

Albumblad met vier foto's van oorlogsruïnes in Amiens, neergeschoten Engels vliegtuig, luchtafweergeschut en kapotgeschoten toestellen op een Franse luchthaven. Onderdeel van het fotoalbum 'Kriegserinnerungen' 1940-1945.
Plate (part of a service)
Object type: plate
Date: 1760 – 1770
Materials: hard paste porcelain
Subjects: flowers,coat of arms
Juli
Object type: print
Date: 1635 – 1694
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: dirck de bray
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1694
Subjects: july and its 'labours' (+ with leo (july))
Inscriptions: collector's mark: Lugt 240

Een hooiwagen wordt door twee mannen volgeladen met hooi. Op de voorgrond blaft een hond (leeuw?).
Tekenaar tekent een luit
Object type: print
Date: 1525 – 1525
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: instruments for perspective drawing, draughtsman at work, lute, and special forms of lute, e.g.: theorbo
Inscriptions: collector's mark: Lugt 240

De tekenaar en zijn helper werken volgens een door Dürer bedachte ingenieuze maar zeer omslachtige methode om de luit in verkort perspectief weer te geven
A view of one of the wings of Fontainebleau taken from the Court of Fountains
Object type: opticaprent
Date: 1745 – 1753
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Location: england
Subjects: palace, rowing-boat, canoe, etc., inner court of palace or 'hôtel'
Inscriptions: inscription: ‘Fo 13 B4’

De serie “Franse paleizen en tuinen” bevat acht prenten met de nummers 1-8, waarvan dit mogelijk nummer 6 is.