deem-data/ArtiFact huggingface dataset:
Bowl
Object type: bowl
Date: 701 – 900
Materials: earthenware, glaze, pigment
Techniques: painting, polychrome
Location: iran
Subjects: birds

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Emperor greeted by a warrior
Object type: drawing
Date: 1501 – 1600
Materials: ink, paper
Techniques: pen, wash
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: animals,soldiers,kings,horses
De brievenbesteller, 1840-1841
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: professional clothes, postman, netherlands

De brievenbesteller. Een man bezorgt brieven bij een huis. Genummerd: 18. Illustratie in het boek 'De Nederlanden: karakterschetsen, kleederdrachten, houding en voorkomen van verschillende standen', een boek met karakterschetsen, beroepen en klederdrachten van Nederlandse volkstypen uit 1841.
The Englishman at the Moulin Rouge
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: lithograph, printing
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: men,women
Wanderer Resting in the Forest
Object type: print
Materials: paper
Techniques: etching
Location: austria
Artist: martin von molitor
Artist role: artist
Artist nationality: austrian
Artist dates: 1759 – 1812
Pair of pedestals
Object type: pedestal
Date: 1780 – 1780
Materials: wood
Techniques: inlay, veneering
Churchyard
Object type: print
Date: 1887 – 1887
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Hercules with the Head of the Nemean Lion
Object type: album leaf
Date: 1548 – 1548
Materials: paper
Techniques: engraving
Location: florence
Subjects: (1) hercules chokes the nemean lion with his arms
Inscriptions: number: ‘44’, collector's mark: Lugt 2760, collector's mark: Lugt 2228, watermark

Sheets from the dismantled Zobel Album occasionally surface on the market. They can be recognized by their format and the number written in the upper left corner. In 2011, the Rijksmuseum acquired this exceptionally rare engraving of the muscular demigod Hercules holding his club in one hand and the skin of the Nemean lion in the other.
Sampler
Object type: sampler
Date: 1832 – 1832
Materials: canvas, silk, wool
Subjects: houses,trees
Stamp seal
Object type: stamp seal
Date: 2333 – 1668
Materials: limestone
Culture: bactria-margiana archaeological complex
Location: bactria-margiana
Landschap, mogelijk een duinlandschap
Object type: sketchbook leaf
Date: 1886 – 1923
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: dune coast
Inscriptions: workshop stamp: Lugt 291d

Pagina 13 uit een schetsboek met 19 bladen en 9 losse tekeningen.
Leden van het Hof van Friesland in de begrafenisstoet van prinses Maria Louise, 1765
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: etching
Location: leeuwarden
Subjects: cortege, funeral procession
Inscriptions: collector's mark: Lugt 2228

Leden van het Hof van Friesland. Gemerkt rechtsonder: Pl. XVI. Op het blad onder de plaat de namen van personen in de stoet. Onderdeel van de serie platen van de begrafenis van prinses Maria Louise te Leeuwarden op 13 juni 1765.
Gelderland
Object type: print
Date: 1812 – 1887
Materials: paper
Techniques: tone lithography
Location: netherlands
Artist: frederik lodewijk huygens
Artist role: draughtsman, print maker
Artist dates: 1802 – 1887
Subjects: hut, cabin, lodge, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), paddle-wheel boat
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie over Gelderland, zie RP-P-1906-4096 t/m 4099 en RP-P-1906-4101 t/m 4109.
Musée Vivenel - Salle Renaissance
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Location: douai
Subjects: permanent exhibition, museum, furniture and household effects
Inscriptions: inscription: ‘Reproduction interdite.’, number: ‘Pl. IV.’

Prent op tweede ongenummerde pagina na pagina 4.
Portret van Georg Bernhard Bilfinger
Object type: print
Date: 1744 – 1744
Materials: paper
Techniques: engraving, etching
Location: leipzig
Subjects: historical persons

Prent uit: Zuverläßige Nachrichten von dem gegenwärtigen Zustande, Veränderung und Wachsthum der Wissenschaften. Leipzig: Johann Friedrich Gleditsch, 1744, dl. 56.
Bekering van Paulus
Object type: print
Date: 1505 – 1507
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: hans baldung grien
Artist role: draughtsman, print maker
Artist dates: 1484 – 1545
Subjects: on the way to damascus christ appears to saul, who falls from his horse and is blinded by the light
Inscriptions: collector's mark: Lugt 240

Paulus is te paard op weg naar Damascus als hij wordt verblind door licht uit de hemel. Zijn paard steigert en zijn hoed en tas vallen op de grond. Op een wolk verschijnt Christus met een Taukruis en drie engelen.
Embroidered map sampler
Object type: sampler
Date: 1767 – 1833
Materials: silk
Subjects: maps
Sculptuur van Firminus afkomstig van de kathedraal de Notre-Dame te Amiens
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amiens
Artist: adolphe giraudon
Artist role: publisher
Artist dates: 1849 – 1929
Subjects: saints, piece of sculpture, reproduction of a piece of sculpture, notre-dame d'amiens
Inscriptions: number: ‘83’, annotation:, collector's mark: Lugt 3937, name: ‘A. GIRAUDON ÉDITEUR.’
David bidt voor het leven van het kind van Bathseba
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: caspar luyken
Artist role: draughtsman, print maker
Artist dates: 1672 – 1708
Subjects: david repentant; he lies on the ground praying and fasting for his child to recover
Inscriptions: collector's mark: Lugt 2228, number: ‘113’

Illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. I.
Handkerchief
Object type: handkerchief
Date: 1601 – 1700
Materials: linen, silk
Techniques: lace
Saucer
Object type: saucer
Date: 801 – 900
Materials: earthenware, glaze
Culture: chinese
Slippers
Object type: slipper
Date: 1795 – 1810
Materials: leather
Culture: british

The transition from the high-heeled shoes of 18th century to flat 19th century styles is exemplified by this pair of delicately colored slippers. The sharply pointed toe became fashionable in the later 1780s, and remained the preferred style for about twenty-five years as the heel diminished to nothingness. Seen here is a classic example of the "Italian” heel; quite short with a deeply wedged seat, tapering sharply and flaring out to a tiny top piece. The shoes are neatly trimmed in white, and beautifully burnished on the soles.
Cour du Louvre.
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: etching
Location: paris
Subjects: city-view in general; 'veduta', palace, paris
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie met 60 platen van monumenten, kathedralen en paleizen in Parijs.
Terracotta fragment of a hydria (water jar)
Object type: hydria fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic
Palazzo Ducale
Object type: photograph
Date: 1850 – 1870
Techniques: albumen print
Artist: Anonymous
Subjects: dogepaleis
Portret van de schilder Peter Paul Rubens
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, painter, print maker, draughtsman, peter paul rubens, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240
Night Procession of Goblins (Hyakki yagyo no zu)
Object type: painting
Materials: ink, paper
Location: japan
Artist: kawanabe kyōsai 河鍋暁斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1831 – 1889
Panel
Object type: textile
Date: 1709 – 1711
Materials: gilt, metal, silk
Techniques: bookbinding, brocade, patterning, weave
Location: france
Gezicht op het Escorial nabij San Lorenzo de El Escorial
Object type: album leaf
Date: 1856 – 1863
Materials: paper
Techniques: albumen print
Location: san lorenzo de el escorial
Artist: juan laurent
Artist role: publisher
Artist dates: 1816 – 1896
Subjects: abbey, monastery, convent ~ roman catholic church, palace, mausoleum
Inscriptions: number: ‘48.’
Mannen in een raadzaal
Object type: book illustration
Date: 1483 – 1531
Materials: paper
Techniques: letterpress printing
Subjects: assembly-room, counsellor
Twee figuren op de bevroren bedding van de Niagarawatervallen
Object type: stereoscopic photograph
Date: 1860 – 1879
Materials: glass
Techniques: slide
Location: niagara falls
Artist: platt d. babbitt
Artist role: fotograaf
Artist dates: 1822 – 1879
Subjects: dry river, river bed (+ landscape with figures, staffage), drift ice
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

At the right, bit of the panel ornament, ivy; part of the calf of a male to right
Fotoreproductie van een geschilderd portret van Lord Byron naar Ernst Hader door Sophus Williams
Object type: reproduction
Date: 1877 – 1877
Materials: cardboard, photographic support
Techniques: albumen print
Location: berlin
Artist: sophus williams
Artist role: publisher
Artist dates: 1835 – 1900
Subjects: london, lord byron, historical persons, writer, poet, author
Inscriptions: name: ‘Byron’, number: ‘1.50’
Camille D'arville, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Patroon van potten met verschillende planten
Object type: decorated paper
Date: 1860 – 1930
Materials: paper, paint
Techniques: woodcut, printing
Location: japan
Artist: Anonymous
Subjects: potted plants, ornament derived from plant forms
Saint Ferreolus, from Saints Connected with the House of Habsburg
Object type: print
Date: 1517 – 1517
Materials: paper
Techniques: woodcut
Location: germany
Artist: leonhard beck
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1542
Hanging
Object type: hanging
Date: 1101 – 1500
Materials: cotton
Culture: chimú
Location: peru
Artist: chimú artist(s)
Artist role: artist
Einige Vases mit modernen Einfassungen (...)
Object type: print
Date: 1705 – 1771
Materials: paper
Techniques: etching
Location: augsburg
Subjects: birds, jar, jug (used as drinking-vessel)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een sierkan met rocaille ornamenten en een vogelkop. Rondom de kan een rocaille omlijsting met draak en rocailles. Uitgeversnummer 20.
Abklatsch van de krijttekening op pagina 56
Object type: sketchbook leaf
Date: 1901 – 1907
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 57 uit een schetsboek met 60 bladen.
Newes Modelbuch in Kupffer (Page, 3v)
Object type: book print ornament architecture
Date: 1604 – 1604
Techniques: woodcut
Artist: johann sibmacher
Artist role: artist
Artist nationality: german
Artist dates: 1590 – 1611

Designed by Johann Sibmacher, German, active 1590-1611. 2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs.
Portret van Edward Seymour
Object type: print
Date: 1687 – 1687
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent waarschijnlijk uit: Burnet, Gilbert en Jean Baptiste de Rosemond. Histoire de la réformation de l'église d'Angleterre. Amsterdam: Abraham Wolfgang, 1687, dl. 2.1.
Veuë du Chasteau de Passy en Champagne
Object type: print
Date: 1631 – 1661
Materials: paper
Techniques: etching
Location: paris
Subjects: castle, landscape with bridge, viaduct or aqueduct
Inscriptions: collector's mark: Lugt 2228
Besneeuwd berglandschap, met bomen en sneeuwvlakte op de voorgrond
Object type: photograph
Date: 1930 – 1975
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Inscriptions: number: ‘Weg zum Fabrarigo-Pass’

Besneeuwd berglandschap, met bomen en sneeuwvlakte op de voorgrond.
The Holy Family with the Infant Saint John
Object type: print
Date: 1500 – 1510
Materials: paper
Techniques: engraving
Location: italy
Artist: giovanni antonio da brescia
Artist nationality: italian
Artist dates: 1490 – 1525

Giovanni Antonio da Brescia likely used a drawing or painting by his teacher Andrea Mantegna to produce this pared-down scene of the Holy Family, with its strong strokes, relief-like shadows, and crisp details. While the New Testament of the Bible does not mention the meeting between the infant Christ and his young cousin John, the scene was a popular one beginning in the fourth century. In some traditions, the cousins visited Mary, Joseph, and Jesus in Bethlehem just after the Nativity, while others were set in Jerusalem after the Presentation. Importantly, this grouping heralds John’s future role in baptizing the adult Christ.
Portret van Cornelis Loots
Object type: print
Date: 1813 – 1813
Materials: paper
Techniques: etching
Subjects: cornelis loots, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2233

Prent waarschijnlijk uit: Loots, Cornelis. Dichtstuk ter gelegenheid van het tweede eeuwgetijde der beurs van Amsterdam. Amsterdam: J. Ruys, 1813.
Portret van een echtpaar
Object type: cabinet photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: new york city
Artist: a. stoffregen
Artist role: fotograaf
Subjects: historical persons - bb - woman, historical persons, couple of lovers
Inscriptions: inscription: ‘A. Stoffregen/ 740 & 742 Broadway/ cor. Flushing Ave.,/ Brooklyn, N.Y.’
Study for Covent Garden Theatre, from Microcosm of London
Object type: drawing and watercolor
Date: 1807 – 1807
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
Ode on Melancholy
Object type: painting
Date: 1887 – 1887
Materials: canvas, oil
Location: united states
Artist: will hicock low
Artist nationality: american
Artist dates: 1853 – 1932
Double-faced water spirit crest
Object type: headdress
Date: 1901 – 1933
Materials: pigment, wood
Culture: yoruba peoples, ijebu group
Location: nigeria
Artist: ijebu-yoruba artist
Artist role: artist
Subjects: heads

This dramatic headdress is more severe, geometric, and linear than most familiar Yoruba sculptures. With extraordinary mastery of carving from a single block of wood, the sculptor has created an expressive work built entirely out of geometric shapes. The face is a disk, the nose a triangle, the cap a hemisphere, and the lips two bars, combined to create a captivating, otherworldly visage. Overlying that face playfully and mysteriously is the long-nosed face of a horned animal that reuses elements of the larger face in a double entendre. Ijebu water-spirit masks such as this example are used in performances that are part of a festival known as Àgbó. This mask's two hornlike projections are braids that recall coiffures worn by Ijebu priests, queens, and elders. It was apparently worn by a performer, whose body was concealed by a costume attached around the top of the wooden cap, hiding it completely. Diverse masks refer to the spirit entities that are perceived to inhabit coastal lagoons. Ijebu's ports have historically served as sources of commercial prosperity and cultural exchange. Inspiration for this Ijebu art form has come from the masquerades of neighboring Ijo peoples, a powerful cultural influence. Though several similar headdresses are known, their use remains obscure.
Jerusalem - View in Gethsemane, Looking toward Jerusalem
Object type: photograph
Date: 1862 – 1862
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Artist: francis bedford
Artist role: print maker
Artist dates: 1815 – 1894
Subjects: olijfberg
Inscriptions: date
Portret van Cornelis Pijnacker
Object type: print
Date: 1858 – 1860
Materials: paper
Techniques: printmaking, letterpress printing, engraving
Location: amsterdam
Artist: jan frederik christiaan reckleben
Artist role: print maker
Artist dates: 1819 – 1879
Subjects: cornelis pijnacker, historical persons, professor, map making

Prent waarschijnlijk uit: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. Amsterdam: J.F. Schleijer, 1840-1884, dl. 3.3, p. 726.
Painter's Palette Inscribed with the Name of Amenhotep III
Object type: palette, painting, amenhotep iii
Date: 1390 – 1352
Materials: ivory, pigment
Location: upper egypt, thebes

This painter's palette was carved from a single piece of ivory. Six oval wells contain cakes of pigments including blue, green, brown (?), yellow, red, and black. The oval cartouche at one end encircles the throne name of Amenhotep III, Nebmaatre, and the epithet "beloved of Re."
La libre critique revue d'art et de littérature
Object type: book
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: brussels
Model of  Horse's Head
Object type: head
Date: 206 – 220
Materials: pottery
Culture: chinese
Subjects: horses
Dining hall
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Location: new york city
Artist: Anonymous
Subjects: institution for contagious diseases, (descendants of) european emigrants to america, dining-room

Prent op twintigste ongenummerde pagina.
Gezicht op de tempel van Minerva op het Forum van Nerva in Rome
Object type: photograph
Date: 1870 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: (story of) mars (ares), ruin of a building ~ architecture, temple, shrine ~ roman religion
Inscriptions: inscription: ‘[...] TEMPIO DI MINERVA’
Voorstellingen op sarcofagen
Object type: drawing
Date: 1550 – 1570
Materials: chalk, ink, paper
Techniques: brush, pen
Location: low countries
Artist: Anonymous

Album "Maarten de Vos schetsboek", blad 2v(12).
Septem Artium Liberalium icones
Object type: print
Date: 1640 – 1708
Materials: paper
Techniques: engraving
Subjects: the liberal arts, 'artes liberales', letters, alphabet, script, 'grammatica' (~ trivium); 'grammatica' (ripa)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Deze prent hoort bij een serie van zeven prenten met personificaties van Zeven Vrij Kunsten.
Hengsel van vertind ijzer met bladmotieven
Object type: hengsel
Date: 1600 – 1800
Materials: iron, tin
Techniques: metalworking, tinning
Artist: Anonymous

Hengsel van vertind ijzer. Onderaan een grote, ronde opening van een scharnier met daaraan een ronde aanzet. Van daaruit ontspringen twee symmetrische bladmotieven, die naar het einde toe splitsen.
Schermschool
Object type: book illustration
Date: 1711 – 1711
Materials: paper
Techniques: etching
Subjects: sabre (~ fencing)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Sancta Clara, Abraham à. Etwas für Alle, das ist: Eine kurtze Beschreibung allerley Stands- Ambts- und Gewerbs-Persohnen (...), 3 delen (1699-1733). Würtzburg: Martin Frantz Hertz, 1711, dl. III, p. 155. Het betreft hier de tweede druk van deel III.
De wereldtentoonstelling te Weenen
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: world fair, world exhibition, vienna

Spotprent over de wereldtentoonstelling te Wenen. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 6, 1873.
Tankard
Object type: tankard
Date: 1661 – 1662
Materials: silver
Artist: henry greenway
Artist role: maker
Artist dates: 1648 – 1665
Samoan Homestead, from the Habitations of Man series (N113) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: the giles company
Artist role: artist
Artist nationality: american
Artist dates: 1800 – 1900
Subjects: houses,trees

Trade cards from the "Habitations of Man" series (N113), issued in a set of 25 cards in 1890 by W. Duke, Sons & Co., a branch of The American Tobacco Company, to promote Honest Long Cut Smoking and Chewing Tobacco.
Two Ladies Personifying Taste and Touch (?)
Object type: embroidered picture
Date: 1651 – 1675
Materials: stone, gemstone, coral, glass, metal thread, mica, pearl, quartz, textile, silk
Techniques: embroidery, stitching
Subjects: birds,castles,fruit,women,lions