deem-data/ArtiFact huggingface dataset:
Poolse vaandeldragers en Poolse ruiters
Object type: print
Date: 1576 – 1596
Materials: paper
Techniques: engraving
Location: cologne
Subjects: warfare; military affairs (+ cavalry, horsemen), folk costume, regional costume, military clothing and other equipment (uniforms, cap, armour, helmet, etc.)
Inscriptions: watermark

Prent 44 en 45 uit een serie van 77, mogelijke serietitel Diversarum gentium armatura Equestris. Latere editie van serie Equitum Descripcio, Quomodo Equestres (...).
De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
Beleg van Eindhoven
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: low countries
Artist: Anonymous
Subjects: siege, position war

Eindhoven belegerd en ingenomen door Karel, graaf van Mansveld, 23 april 1583. De troepen onder Bonnivet verdedigen de stad. Met onderschrift van 3 regels in het Nederlands. Ongenummerd. Bedrukt op achterzijde met tekst in het Latijn.
Kop van de neushoorn Clara
Object type: sketchbook leaf
Date: 1751 – 1751
Materials: chalk, paper
Artist: lorenzo baldissera tiepolo
Artist role: draughtsman, print maker
Artist dates: 1736 – 1776
Subjects: london, hoofed animals: rhinoceros

Studie naar de neushoorn Clara, die vanaf 1746 een rondreis door Europa maakte (zie documentatie).
Bearded Man and Boy (from Bas-Relief)
Object type: drawing and watercolor
Materials: charcoal, paper
Location: england
Artist: john downman
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1749 – 1824
Jeremia uit de kuil getrokken
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous
Subjects: jeremiah is released from the dungeon
Inscriptions: collector's mark: Lugt 240

Kopie van illustratie voor: Luyken, Jan. Bybel printen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1712, p. 15.
Koor van de afgebrande Hervormde Kerk te Harmelen
Object type: photograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: harmelen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: parts of church exterior and annexes: choir
Inscriptions: annotation: ‘Ned. Herv. kerk te Harmelen (U.)/ Na den brand in juni 1900’, annotation: ‘Harmelen’
Sancta Marcella
Object type: book illustration
Date: 1644 – 1644
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: anchorite, hermit, female saints
Inscriptions: collector's mark: Lugt 2228

Prent uit: Rosweyde, Heribert. 'tBosch der eremyten ende eremitinnen, van Aegypten ende Palestinen. Amsterdam: Pieter Jacobsz. Paets, 1644.
Portret van een onbekende vrouw in japon met sleep in interieur
Object type: photomechanical print
Date: 1875 – 1900
Materials: enamel
Techniques: autotype, enamel photograph
Artist: Anonymous
Subjects: anonymous historical person portrayed, dress, gown, cup of tea, france
Korenmolenaarsgilde van Amsterdam, gildepenning van Henderick Bitter
Object type: medal
Date: 1760 – 1760
Materials: copper
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Koperen penning. Voorzijde: korenmolen. Keerzijde: opschrift
Plate 4: Bear, from "Various animals" (Diversi animali)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: bears
Woman Holding a Bird
Object type: sculpture
Materials: earthenware, pigment
Location: china
Studieblad, onder andere met een kop van een pijprokende man en deel van een boot
Object type: sketchbook leaf
Date: 1808 – 1864
Materials: ink, paper, pencil
Techniques: pen
Location: rotterdam
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: drawing, pulling something, head (human), adult man, pipe ~ tobacco, farmers - aa - female farmer, farmer's wife, rowing-boat, canoe, etc.
Inscriptions: date and inscription: ‘Rotte 27/8 64- met Jan sophie [...]’

Tevens studies van een boerin en twee mannen die vermoedelijk een trekschuit (die niet is getekend) voorttrekken. Blad 53 verso uit een schetsboek met 98 bladen.
Kop, beschilderd met een landschap met vee en huizen
Object type: tea service
Date: 1809 – 1814
Materials: porcelain
Techniques: painted
Location: nieuwer-amstel

Kop, beschilderd met landschap met vee en huizen. Deze kop heeft een afwijkend gouden decor. Gemerkt: Amstel in blauw.
Groningen. Groote Markt en Martini-Kerk
Object type: print
Date: 1855 – 1857
Materials: paper
Techniques: engraving
Location: gouda
Subjects: church (exterior)
Inscriptions: collector's mark, collector's mark: Lugt 1641

Prent uit: Terwen, J.L. Het koningrijk der Nederlanden (...). 2 dln. Gouda: G.B. van Goor, 1857. Dezelfde prent, met een ander onderschrift, komt ook voor in: Der Rhein und die Rheinlande in malerischen Original-ansichten. 3 dln. Darmstadt: G.G. Lange, 1863.
Design for Man's "Medieval" Costume
Object type: drawing
Materials: ink, watercolor
Techniques: pen
Artist: charles bianchini
Artist role: artist
Artist nationality: french
Artist dates: 1860 – 1905
Subjects: costumes,men
Ruines d'une part du Rapenbourg à Leyde, a la suite de l'explosion du bateau à poudre
Object type: print
Date: 1816 – 1816
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Subjects: gunpowder disaster
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Merkwaardige gezigten, gebouwen, monumenten en standbeelden in de Noordelijke provintiën van het Koningrijk der Nederlanden = Vues remarquables, édifices, monumens et statues dans les provinces septentrionales du Royaume des Pays-Bas. Amsterdam: Evert Maaskamp, 1816.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, upper torso of wreathed youth holding a diskos in both hands
Kolenfabrieken te Königshütte
Object type: print
Date: 1840 – 1860
Materials: gouache, paper
Techniques: hand coloring, lithograph
Location: schmiedeberg
Artist: Anonymous
Subjects: smoke-stack, factory-building, crafts and industries (+ men (labourers))
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Gezicht op een stad met rokende fabrieksschoorstenen en karren met cokes die over een rails getrokken worden door mensen en paarden. Op de voorgrond rustende mensen.
Allegorie op de dood en de vergankelijkheid van het leven
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: eve offers the fruit to adam, comprehensive representation of last judgement: christ (with sword and lily), often surrounded by elders and sometimes accompanied by mary and john the baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the passion); after the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils, farmers, 'vanitas' symbols, emperor, hourglass, the corpse, crucified christ with mary and john on either side of the cross; holy rood, smoking pot as symbol of 'vanitas', (children or putti) blowing bubbles, 'homo bulla' ~ scene symbolizing 'vanitas'
Inscriptions: collector's mark: Lugt 2228a
Gezicht op een brug (vermoedelijk) te Rome
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: bridge
Border
Object type: border
Date: 1801 – 1833
Techniques: lace
Covered Bowl
Object type: bowl
Date: 1800 – 1850
Techniques: glassblowing
Culture: american
Location: united states
Twee saters brengen Silenus bij koning Midas
Object type: print
Date: 1501 – 1580
Materials: paper
Techniques: engraving
Location: italy
Subjects: satyr(s) (in general), silenus amicably entertained by midas
Inscriptions: number: ‘6’, collector's mark: Lugt 11, collector's mark: Lugt 10, collector's mark: ‘Hinloopen’

Blanco ondermarge afgesneden. Mogelijk naar een tekening door Perino del Vaga naar een antiek reliëf.
Man gezeten voor een boekenkast met een schrijfveer achter zijn oor en een muis in zijn hand
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: etching, intaglio, retroussage
Artist: jos ratinckx
Artist role: print maker
Artist dates: 1860 – 1937
Subjects: quill, rodents: mouse, book - mm - book open, old man
Inscriptions: mark: ‘Antwerpsche Etsers 1880’, inscription: ‘Les deux rongeurs’, collector's mark: Lugt 2228
Study from the Nude of a Girl Lying Down
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: drypoint
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926
Portret van Joannes Meyssens
Object type: print
Date: 1660 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: brussels, antwerp, print maker, publisher, joannes meyssens, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Andere prent met tekst in boekdruk op verso uit: Bie, Cornelis de. Het gulden cabinet vande edele vry schilder-const. Antwerpen: Joannes Meyssens en Juliaen van Montfort, 1662, dl. 2.
Omnia Vincit Amor, or The Power of Love in the Three Elements
Object type: painting
Date: 1809 – 1809
Materials: canvas, oil
Culture: american
Artist: benjamin west
Artist role: artist
Artist nationality: american
Artist dates: 1738 – 1820
Subjects: doves,eagles,venus,horses,lions

"Omnia vincit Amor," (Love triumphs over everything) is a quotation from Virgil’s Eclogues. Venus, the goddess of love, is shown at the left with her attributes the doves and with her small son, Amor, armed with bow and arrows, clinging to her draperies. A young deity, presumably Hymen, god of marriage, brandishes a flaming torch with his right hand and grasps in his left cords that leash an eagle. The eagle symbolizes all the creatures living in the element Air, a hippocampus stands for those of the Water, and a lion for those on Earth. The fourth element, Fire, is implicit in the goddess herself, in the winged Amores, or little Loves, and most particularly in Hymen’s flaming torch.
The Dwarf Morgante as Bacchus
Object type: statuette
Date: 1601 – 1800
Materials: bronze, marble
Artist: giambologna
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1529 – 1608
Subjects: male nudes

The model on which this piece is based has been attributed to Giovanni Bologna and dated ca. 1580 by analogy with the fountain group Morgante on the Dragon, now Museo Nazionale, Florence. Morgante (ca. 1535–after 1594) was the favorite dwarf of the Medici court.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, bit of meander; Exterior, lower drapery of figure
Hongerige wolven overvallen een groep ruiters
Object type: drawing
Date: 1826 – 1836
Materials: paper, pencil
Artist: eugène verboeckhoven
Artist role: draughtsman, painter, print maker, printer
Artist dates: 1798 – 1881
Subjects: beasts of prey, predatory animals: wolf (+ herd, group of animals)
Inscriptions: monogram: ‘EV’

Voorstudie voor een schilderij, gedateerd 1836, eveneens aanwezig in het Rijksmuseum.
Portret van Luise von Mecklenburg-Strelitz, koningin van Pruisen
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: stippling
Location: berlin
Subjects: historical persons - bb - woman, diadem, tiara
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Luise August Wilhelmine Amalie, Königinn von Preußen. Ein Denkmal. Berlijn: Friedrich Braunes, 1810.
Opium gesmokkeld tussen beschuit en koekjes
Object type: photograph
Date: 1920 – 1930
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: opium, trade and smuggling of drugs, policeman, constable, dutch east indies, the

Albumblad met vier foto's van een kist beschuit, kisten met lekkernijen en imitatiekoekjes waarin opium werd gesmokkeld. Onderdeel van het fotoalbum uit 1930 met politiefoto's over de opiumsmokkel in Indië.
Onderboezem met medaillon
Object type: ornament print
Date: 1658 – 1670
Materials: paper
Techniques: etching
Location: france

Medaillon met de Ontvoering van Proserpina, aan weerskanten zit een putto op een leeuw.
Molasses jug
Object type: molasses jug
Date: 1800 – 1830
Materials: gemstone, glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Russian Orthodox Cathedral, Paris
Object type: drawing
Date: 1801 – 1900
Materials: gouache, graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: cathedrals,crowd,paris
Kasteel Maurick te Vught
Object type: sketchbook leaf
Date: 1701 – 1759
Materials: ink, paper, pencil
Techniques: pen
Subjects: castle
Inscriptions: annotation: ‘Maurik Jr Bentheim E[...] te Vucht’

Blad 20 recto uit een schetsboek met 65 bladen.
Tilburg. Kerk van't Heilig Hart. Noordstraat
Object type: photomechanical print
Date: 1913 – 1926
Materials: cardboard
Techniques: photograph
Location: amsterdam
Subjects: church (exterior)
Sketch of a Country Scene (from Sketchbook)
Object type: drawing
Date: 1860 – 1864
Materials: graphite, paper
Culture: american
Artist: thomas hewes hinckley
Artist role: artist
Artist nationality: american
Artist dates: 1813 – 1896
Subjects: trees

Hinckley painted landscapes chiefly as a background to his portraits of wild and domesticated animals. This sketchbook (1992.373.1 recto–.27) contains thirty-four drawings in graphite and watercolor and appears to have been filled during a tour that the artist probably began near the Delaware Water Gap and extended north into the Catskill Mountains and Adirondacks of New York State. Few of the drawings in this book, however, can be linked to Hinckley’s known paintings after 1864, and the majority of them represent not merely selected motifs, but discrete compositions that often assume the character of engraved vignettes.
Standing male figurine
Object type: statuette of a votary, male
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: men

The figurine is handmade and solid. His legs are shown full length and joined together.
Gezicht op de Botermarkt te Leiden
Object type: carte de visite
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: leiden
Artist: jan goedeljee
Artist role: fotograaf
Artist dates: 1824 – 1905
Subjects: city-view in general; 'veduta', canals, waters (in city), leiden
Inscriptions: inscription: ‘C.J.H. Trap’
Unidentified, cornice, projection (recto) blank (verso)
Object type: collection ornament architecture
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture
Portret van Johann Jakob Hess
Object type: print
Date: 1775 – 1825
Materials: paper
Techniques: stippling
Artist: Anonymous
Subjects: historical persons, portrait of a writer
Inscriptions: inscription: ‘Joh: Jacob Hesz. Schryver vant Leven van Jezus’
Vrouw met een mand voor een huis te Staphorst
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: farm (building)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘te Staphorst’
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: copper, gold, iron, silver
Culture: japanese
Location: japan
Subjects: men
Compote
Object type: metalwork
Date: 1882 – 1882
Materials: silver, silver gilt
Location: new york city
Artist: charles osborne
Artist nationality: american
Artist dates: 1847 – 1920
Inscriptions: Marked on interior of foot rim: TIFFANY & CO / 6873 M 4816 / 2 2113
Portret van Dirck Jansz. van Oirschott
Object type: print
Date: 1610 – 1665
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: salomon savery
Artist role: print maker, publisher
Artist dates: 1594 – 1683
Subjects: dirck jansz. van oirschott
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
De Bataafse oorlogen tegen de Romeinen
Object type: print
Date: 1611 – 1612
Materials: paper
Techniques: etching, letterpress printing
Location: italy
Subjects: flood, high tide, battle, the soldier; the soldier's life, (story of) julius claudius civilis, extinct, 'historical' peoples (with name)

Julius Civilis zet het land tijdens een strijd tegen de Romeinen onder water met behulp van dijken. Op de achtergrond een fort. Onderschrift in het Nederlands en in het Latijn.
The Bohemians Marching: The Rear Guard, from The Bohemians
Object type: print
Materials: paper
Techniques: engraving, etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Romeinse ruïnes en monumenten
Object type: print
Date: 1651 – 1693
Materials: paper
Techniques: etching
Artist: johann franz ermels (der ältere)
Artist role: draughtsman, print maker
Artist dates: 1641 – 1693
Subjects: well, landscape with ruins, rome
Inscriptions: collector's mark: Lugt 240
De twaalf maanden
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: etching
Subjects: september and its 'labours' (+ with scenes showing human occupations ~ seasons and months), carrying something in basket, bag, rucksack, etc., container made of plant material other than wood: basket, rowing-boat, canoe, etc., transporting ~ harvest
Inscriptions: collector's mark: Lugt 2228
Ex libris van P.C.P. de Louw
Object type: bookplate
Date: 1900 – 1900
Materials: paper
Techniques: printing block
Location: netherlands
Artist: august hendrik sassen
Artist role: print maker
Artist dates: 1853 – 1913
Subjects: ihs ('iesus hominum salvator') ~ symbol of christ, fishes
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Tornau da Costa / Tulpa Gedeldr(i)g
Object type: album leaf
Date: 1637 – 1637
Materials: paint, parchment, pencil, watercolor
Techniques: brush
Artist: jacob marrel
Artist role: draughtsman, painter
Artist dates: 1614 – 1681
Subjects: insects: butterfly, flowers: tulip
Inscriptions: date

De tekening maakt deel uit van een album.
Fumette
Object type: print
Date: 1858 – 1858
Materials: paper, ink
Techniques: printmaking, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Sword Guard (<i>Tsuba</i>) Depicting Heron on Boat (一路平安図鐔)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: silver alloy, gold, iron
Culture: japanese
Location: japan
Artist: shōzui
Artist role: fittings maker
Artist nationality: japanese
Artist dates: 1696 – 1769
Subjects: birds
Plate (part of a set)
Object type: plate
Date: 1781 – 1793
Materials: pewter
Artist: robert l. bush
Artist role: maker
Artist dates: 1725 – 1825
Teapot
Object type: teapot
Date: 1760 – 1760
Materials: earthenware
Techniques: glazing
Artist: whieldon type
Artist role: maker
Koning Hendrik IV bij de molenaar
Object type: print
Date: 1752 – 1813
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: hendrik iv (koning van frankrijk en navarra), miller, historical persons, king
Inscriptions: collector's mark: Lugt 2228
Coffeepot
Object type: coffeepot
Date: 1805 – 1805
Materials: hard paste porcelain
Subjects: human figures,ships
Dish
Object type: dish
Date: 1723 – 1735
Materials: glaze, porcelain
Techniques: incising
Culture: chinese
Zuilengang van het Ospedale degli Innocenti te Florence
Object type: page
Date: 1858 – 1863
Materials: photographic support
Techniques: albumen print
Location: florence
Artist: Anonymous
Subjects: foundling-hospital, façade (of house or building)
Het Groote Tafereel der Dwaasheid
Object type: pamphlet
Date: 1720 – 1720
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: isaac stokmans
Artist role: bookseller
Subjects: windhandel van 1720

Pamflet met een derde gedrukte brief van negen bladzijden waarin het bedrog van de windhandel wordt aangetoond, 1720. Pamflet meegebonden in de eerste uitgave (304 B 11) van Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Plaque of a Young Man
Object type: plaque
Date: 201 – 400
Materials: bone
Culture: egyptian

Long catalogued as a representation of a young man at a banquet, the iconography of this bone plaque is partially obscured due to accretions on the surface and losses along the lower half of the composition and the top edges. The Kelekian bone plaque, with its classical content and early Christian date, speaks directly to the multifaceted identities of people in the late antique world.
Fragment with the cartouche of Nefertiti
Object type: cartouche of nefertiti
Date: 1353 – 1336
Materials: quartzite
Location: egypt
Portrait of Andreas Everardus van Braam Houckgeest
Object type: figure
Date: 1770 – 1770
Materials: clay, oil
Techniques: polychromy
Location: guangdong
Artist: chitqua
Artist dates: 1740 – 1796
Subjects: amsterdam, sitting figure, historical persons, head-gear: hat (+ men's clothes)

Van Braam Houckgeest was director of the Dutch East India Company (VOC) trading post in the southern Chinese port of Canton from 1790 to 1795. He possibly ordered this figure of himself during one of his earlier journeys through China. The Chinese sculptor Chitqua specialized in such clay portraits, usually of foreigners. Comparable likenesses of other Dutch merchants and captains of VOC ships are also known.
Gedeelte van het Klooster Ter Apel
Object type: photograph
Date: 1893 – 1893
Materials: cardboard, photographic support
Techniques: albumen print
Location: ter apel
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: cloisters ~ monastery, façade (of house or building)
Inscriptions: annotation: ‘Ter Apel/ Eindgevel van de noordvleugel van het klooster/ sept 1893’, annotation: ‘Ter Apel’
Portret van een oudere vrouw
Object type: photograph
Date: 1846 – 1846
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: historical persons

de vrouw is vermoedelijk de moeder van de fotograaf
Portret van Louise Bourgeois op 45-jarige leeftijd
Object type: book illustration
Date: 1609 – 1609
Materials: paper
Techniques: engraving, letterpress printing
Location: france
Subjects: historical persons - bb - woman, midwife, 'accoucheuse'

Prent met dezelfde tekst op verso, maar in een andere druk, gebruikt in: Bourgeois, Louise. Observations diverses sur la sterilité (...). Parijs: Abraham Saugrain, 1609.
Landschap met vissers
Object type: print
Date: 1814 – 1878
Materials: paper
Techniques: etching
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: four-wheeled vehicle drawn by one animal, farm or solitary house in landscape, fisherman
Inscriptions: inscription, collector's mark: Lugt 2228

Twee vissers in een roeiboot hebben hun netten uitgegooid in een sloot. Op de landweg een kar en twee figuren. Boerderij op de achtergrond.