deem-data/ArtiFact huggingface dataset:
Design for 4 seat Rockaway, no. 3945
Object type: drawing
Date: 1885 – 1885
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Feestnommer behoorende bij het Utrechtsch Procinciaal en Stedelijk Dagblad van Maandag 15 October 1883
Object type: newspaper
Date: 1883 – 1883
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Artist: monogrammist es (19e eeuw)
Artist role: print maker
Subjects: monument, statue
Inscriptions: date

Feestnummer ter ere van het standbeeld van Johan VI. In het midden het standbeeld van Johan VI door Jean Theodor Stracké op het Domplein te Utrecht. Daar omheen vier kolommen met Nederlandse tekst in boekdruk. Geheel in een geornamenteerde rechthoek.
Gustave Aimard
Object type: photograph
Date: 1876 – 1876
Materials: paper
Techniques: photography, woodburytype
Location: france
Artist: étienne carjat
Artist role: artist
Artist nationality: french
Artist dates: 1828 – 1906
Subjects: collected by hugh edwards, portraits, portraits: male subject, photography, contemporaine littéraire
Journal des Dames et des Modes, Costume Parisien, 4 juin 1804, An 12, (558): Diadême de roseaux (...)
Object type: fashion print
Date: 1804 – 1804
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (+ women's clothes), diadem, tiara (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), fan (+ women's clothes), necklace (+ women's clothes)
Inscriptions: title: ‘Costume Parisien.’, caption: ‘Diadême de Roseaux. Echancrures en Coeur.’

Vrouw, op de rug gezien, met in het haar een diadeem van riet. Zij draagt een japon met middenachter uitsnijdingen. Korte mouwen en sleep. Verdere accessoires: collier, waaier, lange handschoenen, sjaal met bloem- en bladmotief, platte schoen. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Tailcoat
Object type: tail coat
Date: 1840 – 1850
Materials: cotton, metal, silk, wool
Culture: british
Icon Pendant with the Archangel Michael
Object type: pendant
Materials: lead
Culture: byzantine
Subjects: saints

The archangel Michael, commander of the heavenly host, became one of the most popular saints during Byzantium's last centuries. Depictions usually show him in the robes worn by the Byzantine emperor or dressed in armor.
Portret van Christian Furchtegott Gellert
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: historical persons, writer, poet, author
Inscriptions: date
Forest Landscape
Object type: print
Techniques: etching
Location: germany
Artist: domenico quaglio ii
Artist role: artist
Artist nationality: german
Artist dates: 1786 – 1837
Subjects: human figures,forests,landscapes,trees
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1701 – 1800
Materials: brass, copper, gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Terracotta fragment of a stamnos (jar)
Object type: stamnos fragment
Date: 480 – 460
Materials: terracotta
Culture: greek, attic
Pacifical-medaillon with Christ in Limbo
Object type: print
Date: 1472 – 1553
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: christ
De kerk van Domrémy-la-Pucelle (de geboortestad van Jeanne d’Arc), Frankrijk
Object type: photograph
Date: 1900 – 1903
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: church (exterior), france

De kerk van Domrémy-la-Pucelle (de geboortestad van Jeanne d’Arc), Frankrijk.
La Pratique de l'Aiguille, page 33 (recto)
Object type: book print ornament architecture
Date: 1605 – 1605
Techniques: woodcut
Artist: matthias mignerak
Artist role: author
Subjects: ornament,fruit

Written by Matthias Mignerak, title page engraved by Pierre Firens, French, born Paris 1641, dedicated to Marie de Medici, Florence 1575-1642 Cologne, published by Jean Le Clerc, Paris. From top to bottom, and left to right: Design is printed upon a grid and is decorated with a large central square framing a flower that has curving stems of leaves and fruit. Surrounding this central element is a border decorated with 2 different foliage patterns.
Amulet of Double Plumes
Object type: costume and accessory
Materials: stone
Culture: egyptian
Location: egypt
Meisje spreekt jongen toe
Object type: print
Date: 1818 – 1871
Materials: paper
Techniques: tone lithography
Location: the hague
Artist: isaac cornelis elink sterk
Artist role: print maker
Artist dates: 1808 – 1871
Subjects: adolescent, young woman, maiden, boy (child between toddler and youth), speaking
Inscriptions: collector's mark: Lugt 2228

Het meisje en de jongen zitten in een landschap. Het meisje maakt met haar rechterhand een spreekgebaar, de jongen kijkt naar haar op.
Mrs. Oswald John Cammann (Catherine Navarre Macomb)
Object type: painting, miniature
Date: 1843 – 1843
Materials: ivory, watercolor
Culture: american
Artist: thomas seir cummings
Artist role: artist
Artist nationality: american, born england
Artist dates: 1804 – 1894
Subjects: portraits,women

The sitter was the daughter of John Navarre and Christina Livingston Macomb. She married in 1829.
Dopsleutel van staal
Object type: socket wrench
Date: 1400 – 1500
Materials: steel
Location: france

Stalen dopsleutel met gedetailleerde en opengetande baard, ring boonvormig gebogen.
Brand op het Waalseiland te Amsterdam, 1670
Object type: book illustration
Date: 1735 – 1735
Materials: paper
Techniques: engraving, etching
Subjects: on fire, ablaze, collapsing building
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

De nog brandende ruïnes van zes huizen bij de brand van 25 oktober 1670 aan de Binnenkant bij de hoek van de Buiten Bantammerstraat op het Waalseiland (ook bekend als het Nieuwe Eiland) te Amsterdam. Met vijfregelig onderschrift in het Nederlands en Bovenaan de tekst: 6de Figuur Pag: 14. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Brandwezen.
Spica lavendula / Lavendule / Lavender / Lavendelen
Object type: page
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: arnhem
Subjects: flowers, fruits: apricot

Prent uit: Passe, Crispijn van de (II). Hortus floridus in quo rariorum & minus vulgarium florum icones ad vivam veramque formam. Arnhem: Johannes Janssonius, 1617.
Amoghasiddhi, the Transcendent Buddha of the North
Object type: figure
Date: 967 – 1033
Materials: bronze, copper, gold foil, silver
Techniques: inlay
Culture: tibetan
Subjects: lotuses,buddhism,amoghasiddhi

Amoghasiddhi is one of the five Transcendent Buddhas of Esoteric Buddhism. He displays a four-pronged visvavajra, or thunderbolt emblem, signifying the lightning speed of enlightenment offered by the esoteric path. Garuda, his traditional mount, kneels beneath the architectural throne support. Stylistically, this icon has clear debts to the greater Kashmiri world but was likely produced in western Tibet.
Afbeelding der Vreugdebedryven en Plegtigheden die by de aankomst en gedurende het verblyf (...) Willem (...) en zyne Gemaalinne (...) zyn voorgevallen te Amsterdam, op maandag, den 30 Mey, en eenige volgende dagen, des jaars 1768
Object type: print
Date: 1769 – 1773
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: william v (prince of orange), berlin, painter, draughtsman, wilhelmina of prussia (princess of orange), public festivities on the occasion of royal events, amsterdam
Inscriptions: collector's mark: Lugt 2228

De stadhouder Willem V en prinses Wilhelmina van Pruisen nemen afscheid van het magistraat van Amsterdam bij de herberg De Berebijt aan de Buitenamstel, 4 juni 1768. Onderdeel van een prentserie met titelprent en 14 platen van de inhaling van de prins en prinses te Amsterdam, 30 mei - 4 juni 1768.
Tray
Object type: tray
Date: 1801 – 1833
Materials: iron
Techniques: hammering
Culture: japanese
Portret van Christian Weise
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: bookshelves, historical persons, portrait of a writer, professor
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Weise, Christian. Christian Weisens Politischer Redner, Das ist, Kurtze und eigentliche Nachricht (...). Leipzig: Jacob Gerdesius, 1679. In andere uitgaven van dit werk zitten portretten van de auteur die erg op deze prent lijken maar wel verschillende prenten zijn, zie ook: RP-P-2022-5184 en RP-P-1917-935.
Stoel van mahoniehout, bekleed met groene trijp
Object type: chair
Date: 1775 – 1800
Materials: wood, textile
Location: netherlands
Artist: Anonymous

Armchair. Mahogany, the velvet upholstery has been renewed. Netherlands, c. 1780 - 1800. Given by Mr and Mrs Drucker-Fraser, 1922.
Avvocato (one of a pair)
Object type: figure
Date: 1745 – 1745
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men
Portret van Johann Andreas Engelbrecht
Object type: print
Date: 1795 – 1797
Materials: paper
Techniques: etching
Subjects: berlin, historical persons, portrait of a writer
The Forth Bridge
Object type: print
Date: 1890 – 1890
Techniques: etching
Artist: a. duprez
Artist role: artist
Artist nationality: british
Artist dates: 1850 – 1950
Subjects: bridges,canals

A symbol of Scotland, the Forth Bridge carries trains over a firth (ocean inlet) eight miles from Edinburgh. Designed by British engineers Sir John Fowler and Sir Benjamin Barker, it was opened by the Prince of Wales on March 4, 1890 and measures 8,296 feet. The world's longest single cantilever span when built, it is now surpassed only by the Quebec Bridge in Canada, completed in 1917. Duprez, who worked during the Etching Revival, creates a moody image of the great metal construction with a small steam engine at upper right, and fishermen on the water used to establish scale.
Elegantia, of tijdschrift van mode, luxe en smaak voor dames, Maart 1808, No. 40 : Robe d'Etoffe...
Object type: fashion print
Date: 1808 – 1808
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: pendant, trinket, 'breloque' (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), embroidery (ornamentation) (+ women's clothes), gloves, mittens (mitaines) (+ women's clothes), styles of hairdress - aa - ~ women, fashion plates, dress, gown (+ women's clothes)
Inscriptions: caption: ‘Robe d'Etoffe de Lyon. Mitaine en Tricot de Berlin.’

Volgens de begeleidende tekst (p. 96): hemelsblauwe japon van 'étoffe de Lyon' met gouden sterren geborduurd en gouden franjes. 'Coëffure' van dezelfde stof met gouden strepen en een 'spirale'. Volgens het onderschrift: mitaines van 'tricot de Berlin'. Prent uit het modetijdschrift Elegantia, of tijdschrift van mode, luxe en smaak voor dames 1807-1814 (onderbroken door de periode 1811-1813).
Ring Fragment With the Name Tiye
Object type: ring fragment, tiy
Date: 1390 – 1352
Materials: faience
Landschap met weiland, boerderij en water
Object type: print
Date: 1867 – 1931
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: maurits van der valk
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Subjects: meadow, pasture, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Portret van Alexandre Dumas père
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk gebruikt voor: Célébrités contemporaines ou portraits des personnes de notre époque (…). Parijs: veuve Delpech, 1842. En/of voor: Célébrités contemporaines ou portraits des personnes de notre époque (…). Parijs: Rosselin, 1845-1849.

Mogelijk komt de prent ook voor in eerdere en/of latere publicaties uitgegeven door veuve Delpech of haar opvolger Rosselin.
Dorstigen laven
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ornament ~ cartouche, giving the thirsty to drink, 'sitiens potatur' ~ one of the (seven) acts of mercy, giving drink, drinking
Inscriptions: collector's mark: Lugt 2228

Een voorstelling in een cartouche van palmtakken. Twee reizigers drinken uit kommen water. De man naast hen schenkt water in de kom en laat zijn knecht meer kruiken met water aandragen. Op de achtergrond twee andere vermoeide reizigers.
"Feest der Alliantie (...) te Amsterdam, op het Plein der Revolutie den 19den Junij, 1795."
Object type: print
Materials: paper
Techniques: etching
Inscriptions: date
Krantenknipsel uit archief Philip Zilcken
Object type: newspaper clipping
Date: 1903 – 1909
Materials: paper, ink
Techniques: printing
Artist: Anonymous
Subjects: paul rink, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 530 – 520
Materials: terracotta
Culture: greek, attic

Chariot wheel with end of pole and part of chariot box with a draped figure to left
St. Jerome
Object type: print
Date: 1797 – 1797
Techniques: engraving, drypoint, etching, roulette
Artist: jean jacques de boissieu
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1810
Subjects: lions,saint jerome,writing
Ocean Steamship Company, from the Ocean and River Steamers series (N83) for Duke brand cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,ships

Trade cards from the "Ocean and River Steamers" series (N83), issued in a set of 36 cards in 1887 to promote W. Duke Sons & Co. brand cigarettes.
Dagger Sheath Decorated with Tendrils and Two Profiles
Object type: print ornament architecture
Date: 1537 – 1537
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: daggers

Design for a dagger sheath with ornate foliate design. Beneath cross-guard of dagger, two profiles facing inwards towards center of design.
Journal des Dames et des Modes, Costume Parisien, 1 avril 1798, (29): Turban à point (...)
Object type: fashion print
Date: 1798 – 1798
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: ear-rings (+ women's clothes), head-gear: turban (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), clothing for the upper part of the body (spencer) (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), fan (+ women's clothes), necklace (+ women's clothes)
Inscriptions: caption: ‘Turban à pointe, orné d'une aigrette et d'une guirlande de myrthe. Spencer sans manches.’, title: ‘Costume Parisien.’

Staande vrouw met op het hoofd een tulband met slip, versierd met een aigrette en een guirlande van mirte. Zij draagt een spencer zonder mouwen op een japon met lange mouwen en sleep. Accessoires: oorbellen, collier, lange sjaal om de schouders, armband(?), waaier, schoen met puntige neus. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Sellèque, Parijs, 1797-1839.
Insertion from a Table Cloth
Object type: textile
Date: 1601 – 1625
Materials: ink, linen, silk
Techniques: cutting, drawing, embroidery, lace, weave, stitching
Location: england
Tree
Object type: print
Date: 1892 – 1892
Materials: paper, ink
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Doop van prins Willem Frederik, 1772
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: the hague, william v (prince of orange), william i of the netherlands, painter, draughtsman, wilhelmina of prussia (princess of orange), baptism ~ protestant service
Inscriptions: collector's mark: Lugt 2228

De doopplechtigheid van prins Willem Frederik, 17 september 1772 in de Grote Kerk te Den Haag. Prins Willem V houdt het kind ten doop, links prinses Wilhelmina van Pruisen met hofdames, rechts predikanten.
Piece
Object type: piece
Date: 1601 – 1700
Materials: metal thread, silk
Techniques: lace
Borduursel voor jas van J.R. Thorbecke (boord)
Object type: embroidery
Date: 1850 – 1850
Materials: textile
Location: netherlands
Artist: Anonymous
Subjects: the hague, johan rudolf thorbecke

Borduursel voor jas behorende bij ambtskostuum van J.R. Thorbecke als minister van Binnenlandse Zaken.
Jérusalem, Mosquée d'Omar, côté Est, Intérieur de l'enceinte, 2
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: mosques,landscapes
Design for Pony Phaeton, no. 3642
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 400 – 351
Materials: terracotta
Culture: greek, attic

Interior, on exergue, bent leg of a male to right; Exterior, foot of a figure to right; feet of a draped male to left?
Titelprent van een plaatwerk over de kroning van Frans I Stefan tot keizer
Object type: print
Date: 1747 – 1747
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: the hague
Subjects: frans i stefan (duits keizer), 'sapientia' and the seven virtues, i.e. the three theological and the four cardinal virtues, during the coronation
Inscriptions: date

Titelprent van een plaatwerk over de kroning van Frans I Stefan tot keizer op 4-6 oktober 1745. Blad met de titels in het Frans en Nederlands en een groot vignet met de kroning in een kerk. In het randwerk de allegorische figuren van Geloof, Hoop en Liefde en Wijsheid, Rechtvaardigheid en Voorzichtigheid, het keizerlijke wapen en rocailles.
Teapot with a crane near a peony plant and rock
Object type: teapot
Date: 1725 – 1749
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Gedecoreerd in emails, goud en bianco sopra bianco met vogels en bloeiende planten.
M. Georges Beuve
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Subjects: adult man, historical persons
Bourgondische heerschappij over Holland, Zeeland en Friesland
Object type: jeton
Date: 1512 – 1512
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: zeeland, holland

Koperen penning. Voorzijde: twee wapenschilden, geplaatst boven derde wapenschild onder letter T binnen omschrift. Keerzijde: gekroonde vuurslag op Bourgondisch kruis, omhangen met ordeteken van Gulden Vlies binnen omschrift
Illustrated Manuscript: ‘Costumi Turchi e Grechi fatti in Constantinopoli 1790’
Object type: illustrated manuscript
Date: 1790 – 1790
Materials: gold, ink, leather, paper, watercolor
Techniques: bookbinding
Location: turkey
S-Shaped Brooch
Object type: brooch
Date: 501 – 600
Materials: garnet, gilt, niello, silver
Techniques: casting, chasing, inlay, relief
Culture: frankish