deem-data/ArtiFact huggingface dataset:
Tumult tijdens een processie
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: public worship and liturgy of the christian churches

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Mes uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: knife tool
Date: 1700 – 1743
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Cutlery, knive; (1)fragm, rear end of blade, part of NG 1980-27H681.
Verschillende schepen en stadsgezichten van Amsterdam, tweede deel
Object type: print
Date: 1652 – 1654
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Subjects: city-view in general; 'veduta', towers ~ fortified city
Inscriptions: collector's mark: Lugt 12

Links de Montelbaanstoren en het inladen van een schip. Een brug over het water met daarachter masten van vele zeilschepen.
Ceres zittend met een hoorn des overvloeds en een sikkel
Object type: drawing
Date: 1626 – 1626
Materials: ink, parchment
Techniques: pen
Artist: adriaen matham
Artist role: draughtsman, print maker
Artist dates: 1599 – 1660
Subjects: (story of) ceres (demeter), 'cornucopia', horn of plenty, attributes of ceres: sickle
Panel from a Triptych with Bishop Saint
Object type: triptych wing
Date: 1434 – 1466
Materials: gilt copper
Culture: german
Location: germany
Subjects: bishops,saints

The technique of punched dots (opus punctorium) to create a composition originated with goldsmith work and in many respects is a precursor to the art of engraving. Originally forming a triptych, the attendant Bishop saint may associate this devotional object with a specific city such as Cologne or Mainz.
Medal Given by Isaac Pontanus to his Grandson on his Eighth Birthday
Object type: medal
Date: 1688 – 1688
Materials: gold
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam
Inscriptions: inscription: ‘???? ???ste?e?? ?a? ‘?pe?????? ?µµe?a? ?????’, inscription: ‘EX FILIA / CATHARINA / NEPOTI SUAVISSIMO / HENRICO VAN BEEK / POST SECUNDUM QUADRIENNIUM / TERTII NATALITIA / CELEBRANTI IPSO INTERCALARI / DIE / ANNI / MDCLXXXVIII / D.D. IN AVITI FAVORIS / MONUMENTUM / IS. POTANUS’, inscription: ‘Cresce puer virtute Deo, pietate Parenti / Charus amore tuis, integritate bonis; / Omnibus innocuus, studiis nutritus honestis; / Fortunae invicta Mente utruisque capax. / Dum superest haec vita probus, post Fata beatus; / Audiat haec clemens feria vota Deus:’

In the past, important events were graced with a medal, especially in well-to-do families. The occasion for this was usually a birth, wedding, or death. These medals not only remained in the family as a memento, but were also given to the guests at the baptism, wedding party, or funeral. Sometimes they were purely private in character, such as the gold medal a grandfather gave to his grandson.
Grand Pylone du Palais de Karnac, Thèbes
Object type: photograph
Date: 1849 – 1850
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,ruins

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Lindley Murray
Object type: print
Date: 1827 – 1827
Techniques: engraving
Artist: asher brown durand
Artist role: artist
Artist nationality: american
Artist dates: 1796 – 1886
Subjects: men,portraits
Glass perfume bottle
Object type: lentoid perfume bottle
Date: 1 – 100
Materials: glass
Culture: roman

Miniature perfume bottle Translucent deep turquoise green. Rim folded out, over, and in, flattened on top; long, slightly conical neck, tooled in around base; lentoid body with tooled indents in both sides; round bottom. Intact; pinprick and a few very large bubbles; dulling and patches of iridescent weathering.
Venezia
Object type: photograph
Date: 1851 – 1900
Materials: paper
Techniques: albumen print, hand coloring
Location: venice
Artist: Anonymous
Subjects: church (exterior), doves, pigeons
Inscriptions: number: ‘2’
Oceaanhaven Belawan
Object type: photograph
Date: 1922 – 1922
Materials: photographic support
Techniques: gelatin silver print
Location: belawan
Artist: Anonymous
Subjects: harbour, ramming, driving piles (~ building activities), building-site, steamship, motorship
Inscriptions: date: ‘7/9-22’, inscription: ‘No. 196 / Heibak G 21’

Schip met heimachine. Genummerd: 196. Onderdeel van de groep van losse foto's over de aanleg van de haven Belawan aan de kust voor Medan, Sumatra 1921-1922.
Textile Fragment
Object type: textile fragment
Date: 1501 – 1600
Materials: linen, silk
Location: turkey
Drie stadsgezichten
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: dordrecht
Artist: johannes schoenmakers
Artist role: painter, print maker
Artist dates: 1755 – 1842
Subjects: prospect of city, town panorama, silhouette of city - ii - ideal city, sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760

Drie stadsgezichten op een blad. Links en midden gezichten in een stad. Rechts een gezicht over het water op een stad.
Examining Antique Arms
Object type: painting
Date: 1870 – 1870
Materials: oil, wood
Artist: josé villegas y cordero
Artist role: artist
Artist nationality: spanish
Artist dates: 1848 – 1921
Subjects: armor,swords,men
Parade met wagens en ruiters
Object type: drawing
Materials: paper, pencil
Location: netherlands
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: military parade, pageant

Potloodschets van een optocht of begrafenisstoet. Het opschrift 'hollandsche maagd' duidt op politieke bijbedoelingen. Onderdeel uit het schetsboek van Jan Brandes, dl. 1 (1808), p. 117.
De twaalf maanden
Object type: print
Date: 1625 – 1700
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: may and its 'labours', spading ~ soil cultivation, gemini (zodiacal sign of may), milking
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Menselijke bezigheden in de maand mei. Op de voorgrond een boer die een koe melkt. Op de achtergrond een landschap met rivier en spelevarend gezelschap. Rechtsboven het sterrenbeeld Tweelingen.
Shard:  Head of Offerer
Object type: shard
Date: 301 – 500
Materials: terracotta
Techniques: painting
Culture: pakistani
Subjects: gandhara,heads
Zelfportret van Jean Baptiste Madou
Object type: drawing
Date: 1806 – 1877
Materials: paper, pencil
Artist: jean baptiste madou
Artist role: draughtsman, painter, print maker
Artist dates: 1796 – 1877
Subjects: brussels, draughtsman, jean baptiste madou, historical persons, portrait, self-portrait of artist
The Dying Chestnut
Object type: photograph
Date: 1919 – 1919
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Inscriptions: No markings recto or verso

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Liggende koe in landschap
Object type: drawing
Date: 1848 – 1865
Materials: paper, pencil
Artist: gerard bilders
Artist role: draughtsman, print maker
Artist dates: 1838 – 1865
Subjects: cow
The old house at Frogmore. High Wycombe
Object type: photograph
Date: 1872 – 1882
Materials: photographic support
Techniques: albumen print
Location: high wycombe
Artist: j. perry
Artist role: fotograaf
Subjects: housing, façade (of house or building)
The Actor Iwai Kiyotaro as Kewaizaka no Shosho in the Play Gohiiki no Hana Aikyo Soga, Performed at the Kawarazaki Theater in the First Month, 1794
Object type: print
Date: 1794 – 1794
Techniques: woodblock print
Location: japan
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Bowl rim with rosettes
Object type: bowl rim with rosette
Date: 600 – 401
Materials: silver
Subjects: flowers
Going to Church
Object type: print
Date: 1651 – 1651
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: churches,men,horses,trees

Going to Church; the count and countess de Tour et Tassis and their attendants approaching church from left; priest and two acolytes waiting at the door with host Alexander Roelants; cottages among trees in the background
Portretten van prominente figuren
Object type: print
Date: 1642 – 1678
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: catharina van bragança, historical persons, queen
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een grootschalige serie met portretten van prominente figuren. Binnen de serie bevindt zich een sectie getiteld 'Les Augustes Représentations De tous les Roys De France depuis Pharamond Iusqu'à Louys XIIII'.
De serie werd respectievelijk uitgegeven door Pierre Bertrand, door zijn weduwe en door De Larmessin zelf.
Rivierlandschap
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Location: north brabant
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: river, bridge
Inscriptions: annotation: ‘zon/ brug’

Pagina 56 uit een schetsboek met 42 bladen.
Case (Inrō) with Design of Maple Leaves on Conventionalized Waves
Object type: inrō
Date: 1820 – 1820
Materials: gold, ivory, lacquer, mother of pearl, silver, wood
Techniques: carving, fundame, inlay, roiro
Culture: japanese
Brilium, Holandiae opp. ob intestinum batavicum bellum, quod anno partae salutis M.D.LXXII. calend aprilis, hîc initium sumpsit, famosum
Object type: print
Date: 1575 – 1657
Materials: paper
Techniques: etching
Subjects: maps of separate countries or regions, maps of cities, brielle

Deze (eerste) staat van prent voor het eerst ook gebruikt in: Braun, Georg en Frans Hogenberg. Civitates orbis terrarum. Dl. 2 / De praecipuis totius universi urbibus, liber secundus. Keulen: Gottfried von Kempen, 1575. Deze staat komt ook voor in de daaropvolgende uitgaven van 'Civitates orbis terrarum' en in de Duitse en Franse uitgaven, maar telkens met tekst op verso.

Tweede staat van prent gebruikt in: Theatrum Urbium Celebriorum totius Belgii sive Germaniae Inferioris. 2 delen. Amsterdam: Johannes Janssonius, 1657, dl. 2.
Lord Robertson
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Vulcanus smeedt een bliksemschicht voor Jupiter, terwijl hij toekijkt en Mercurius aan komt lopen
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: etching
Location: england
Subjects: (story of) mercury (hermes), vulcan forging jupiter's thunderbolt, (story of) jupiter (zeus), cave, grotto
Inscriptions: stamp: ‘foto’, collector's mark: Lugt 2228

De prent werd in 1819 nogmaals gebonden uitgegeven: Earlom, Richard. Liber Veritatis; or A Collection of Prints, after the Original Designs of Claude le Lorrain (...). Londen: Hurst, Robinson & Co., 1819.
Division Viol
Object type: division viol
Date: 1629 – 1629
Materials: wood
Culture: british
Location: united kingdom
Artist: henry smith
Artist role: maker
Artist nationality: british
Artist dates: 1623 – 1637

Viols, the most esteemed bowed instruments of the late Renaissance, were only gradually displaced by the violin family. Viols differ from violins chiefly in shape, in number of strings and tuning, and in having fretted necks. All viols are played in an upright position between the knees or on the legs ("gamba" means "leg"), and the bow is held palm upward. The sound is less brilliant and quieter than that of the violin family of instruments. Chamber music for a consort of four to six viols was composed during the Renaissance and Baroque eras, and solo works for the bass viol were being played until nearly the end of the eighteenth century. This instrument is of the type known as a division viol, measuring between two and three inches shorter than a consort viol. Slightly smaller than the bass viola da gamba, the division viol is an instrument ideal for playing improvised variations (or "divisions") upon a repeated bassline, or ground. Division viols grew in popularity in England in the seventeenth century alongside publications of methodical treatises, such as Christopher Simpson's The Division Viol of 1665 and The Division-Violist of 1669, as well as John Playford's A Brief Introduction of 1667. Because of its large compass and range of over three octaves, the instrument allowed accomplished performers to play polyphonic compositions and rapid passagework, but was also ideal for informal consort playing. (Elizabeth Weinfield, 2014) As with many seventeenth century viols, this instrument was modified in the nineteenth century to be used as a cello. A restoration in southern Germany or Austria returned the instrument as a viol before it came to the Museum. Technical description: intact except for neck; body of classical English viol proportions; opaque reddish-brown varnish; table of spruce in five pieces; back of maple in two pieces; ribs of similar maple to the back; table richly ornamented with double purfling, with an inlaid rosette of maple with figured parchment backing and a single purfling surround beneath the fingerboard; the back with double purfling extending inwards toward the center joint in a cross-over pattern at the top and bottom block areas; tuning: D, G, c, e, a, d'. (William Monical, 1977)
Disk
Object type: disk
Date: 1981 – 1803
Materials: gold
Location: egypt
Dress
Object type: dress
Date: 1700 – 1735
Materials: silk
Culture: french

Late in the reign of Louis XIV, loose-flowing gowns with pleats gathered at the back neckband were worn as undress wear by daring ladies who liked the ease and comfort of this garment. The famous actress Madame Dancourt popularized these gowns by wearing one in Terence’s Andria, after which such gowns were often called andriennes. As the style developed the gathers were formalized by being drawn into one or more flat pleats, and a dome-shaped hoop or pannier was worn to extend the material around the wearer. When a lady moved, air was trapped under the hoops and she appeared to be floating; thus the name robe volante. This type of dress is often erroneously called a "Watteau sack," despite the fact that Antoine Watteau had little to do with the creation or dissemination of the fashion. According to the Mercure de France, by 1729 robes volantes were "universellement en règne, on ne voit presque plus d’autres habits" (universally in vogue, one hardly ever sees any other kind of dress).
Six of Diamonds, When Doctors Disagree, from Harlequin Cards, 2nd Series (N220) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,playing cards

Playing cards issued as trade cards from the "Harlequin Cards, 2nd Series" (N220), issued in 1889 to promote Kinney Tobacco Company.
Vase with flowers
Object type: vase
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: flowers,leaves
Piece of Embossed Leather
Object type: embossed leather
Date: 1801 – 1900
Materials: leather
Culture: japanese
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: links "L'Océanie" door De Herleg en rechts "Le Feu" door Henri-Frédéric Iselin
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 1.
Rode toren, zwart vlak
Object type: print
Date: 1994 – 1994
Materials: paper
Techniques: aquatint
Location: amsterdam
Artist: harrie a. gerritz
Artist role: draughtsman, painter, print maker
Artist dates: 1940 – 
Inscriptions: signature and date: ‘Harrie Gerritz 1994’

Rode toren onder, zwart vlak over een gele, rode en blauwe baan boven.
Zoutvat bolvormig op vierkante voet
Object type: salt condiment vessel
Date: 1830 – 1830
Materials: glass, gypsum, silver
Location: amsterdam
Inscriptions: assay office mark, alloy mark, date letter: ‘V’, maker's mark

De vier bolvormige vaatjes van kleurloos glas, met uitgebogen rand, rusten elk op een ronde, gewelfde, zich verjongende voet op een vierkant basement. Aan de onderzijde van de voet loopt een geribde band en aan de bovenzijde een kabelrand. Het vat is geslepen in een motief van diamanten, de geschulpte rand in facetten. De voet is met gips opgevuld.
Portret van Benny Dick, Miss Engeland 1929, reclame voor Club & Liga
Object type: photograph
Date: 1929 – 1929
Materials: paper
Techniques: gelatin silver print
Location: dresden
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Die schönsten/ Frauen der Welt/ dargestellt durch die Schön-/ heitsköniginnen aller Länder,/ finden Sie in 190 echten/ Bromsilber-Fotos, die nur den/ CLUB-und-LIGA-Packun-/ gen beiliegen. Eind prächtiges/ Sammel-Album erhalten Sie/ für 75 Pfennig vom Händler/ oder bei Einsendung von/ 75 Pfennig in Briefmarken/ von der Bilderstelle Lohse,/ Dresden A24, Nossener Str. 1./ Ges. gesch. Nachdruck verboten!’
Fragments of a Canopic Jar Belonging to Senimen
Object type: canopic jar, senimen, fragment, imseti
Date: 1479 – 1458
Materials: paint, pottery
Location: egypt
Portret van Christoph Martin Wieland
Object type: print
Date: 1813 – 1899
Materials: paper
Techniques: letterpress printing
Location: germany
Artist: Anonymous
Subjects: publisher, christoph martin wieland, historical persons, writer, poet, author
Papier d'alfa, bambou, arundo
Object type: page
Date: 1890 – 1900
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: plants and herbs: reed
Inscriptions: number: ‘XLIII’
Diverse ornamenten
Object type: ornament print
Date: 1820 – 1820
Materials: paper
Techniques: etching
Location: paris
Subjects: ornaments ~ art

Ornamentprent met diverse decoratieve objecten. Onderdeel (18e. Cah.er f.le 31) van het prentalbum met twee series van in totaal 138 ornamentprenten door Beauvallet en Normand, 'Fragmens d'Ornemens dans le Style Antique'.
Portret van een onbekende vrouw
Object type: print
Date: 1833 – 1846
Materials: paper
Techniques: lithograph
Location: stuttgart
Artist: f. elias
Artist role: print maker
Artist dates:  – 1846
Subjects: adult woman, historical persons not known by name
Inscriptions: collector's mark: Lugt 2228

Portret van een verder onbekende vrouw met de naam Madame Elisabeth.
Portrait of an unknown Tamil girl, Sri Lanka
Object type: photograph
Date: 1876 – 1893
Materials: paper
Techniques: albumen print
Location: sri lanka
Subjects: adolescent, young woman, maiden, anonymous historical person portrayed, sri lanka
Inscriptions: inscription: ‘Tamil Girl’, number: ‘42’
Glen Ellen for Robert Gilmor, Towson, Maryland (perspective, elevation, and plan)
Object type: drawing ornament architecture
Date: 1832 – 1832
Materials: graphite, ink, paper, watercolor
Artist: alexander jackson davis
Artist role: artist
Artist nationality: american
Artist dates: 1803 – 1892
Subjects: architecture,houses

Although Benjamin Latrobe's Sedgeley (1799), a classically planned house with some exterior Gothic details, is sometimes cited as the first Gothic Revival villa in the United States, Glen Ellen was the first truly Picturesque American Gothic home. Its design was inspired by two seminal English Gothic Revival models: Horace Walpole's Strawberry Hill (1749–76) and Sir Walter Scott's Abbotsford (1812–15; 1819). These two houses delighted Robert Gilmor during a tour he made of England and Scotland. Davis recorded that his partner Ithiel Town (1784–1844) and Gilmor were responsible for the design of the cruciform floor plan, while Davis designed the Gothic ornamentation. Glen Ellen was demolished in the 1930s.
Twee vrouwen bekijken een boom die met de wortels omhoog is geplant
Object type: print
Date: 1687 – 1687
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: trees
Inscriptions: collector's mark: Lugt 2228, number: ‘43’

Illustratie uit: Luyken, Jan. Voncken der liefde Jesu, van het godtbegerende zielenvier. Amsterdam: Pieter Arentsz (II), 1687, p. 182.
Sealing naming Nesisti, a priest in the cult of Arsinoe II and her sister Philotera
Object type: seal impression, arsinoe ii and sister philotera
Date: 210 – 180
Materials: clay
Location: egypt
Subjects: hieroglyphs

Arsinoe II was divinized on her death, and a cult to her deceased sister Philotera was maintained alongside hers at least at Memphis for a certain period. This fragile unfired sealing from a papyrus names an official and priest of the two women. Recently a specialist has read the name of the priest Nesisti on the seal along with the epithet Epiphanes applied to Ptolemy V and his wife Cleopatra I, revealing the seaing dates to the beginning of the second century B.C. The priest appears to be one Nesisti who was a member of the family that held the high priesthood of Ptah at Memphis during the Ptolemaic Dynasty.
La Rixe
Object type: print
Materials: ink, paper
Techniques: aquatint, engraving, etching
Location: france
Artist: charles-melchior descourtis
Artist nationality: french
Artist dates: 1753 – 1820
Landschappen in de Schwalbach-regio
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: etching
Artist: matthäus merian (i)
Artist role: print maker
Artist dates: 1593 – 1650
Subjects: village, sheep, fowl (cock, hen, chicken, etc.), goat
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Portret van de schilder Lucas Gassel
Object type: print
Date: 1645 – 1676
Materials: paper
Techniques: engraving
Subjects: print maker, draughtsman, lucas gassel, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240

Kopie in spiegelbeeld naar prent van Jakob Binck. Het Latijnse opschrift met de naam van de geportretteerde van de originele prent is volledig overgenomen: IMAGO LVCAE GASSELI AB IACOBO BINCO AD VIVAM EFFIGIEM DELINIATA HONOS ALIT ARTES
Glass mosaic bowl fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Deep translucent purple, appearing brown, light honey yellow, blue, and opaque white. Convex side. Marbled mosaic pattern in a yellow ground with parallel stripes and swirls in purple interspersed with streaks in white and blue. Some pinprick bubbles; exterior polished, with pitting of surface bubbles; dulling, creamy weathering, and iridescence on interior and jagged edges.