deem-data/ArtiFact huggingface dataset:
Rol met lichtgroen lint met één gerafelde zijde en drie zwarte horizontale strepen
Object type: rol
Date: 1930 – 1930
Materials: cardboard, paper, textile
Location: france

Rol met lichtgroen lint met één gerafelde zijde en drie zwarte horizontale strepen.
Design for a Candelabra
Object type: drawing
Date: 1770 – 1790
Materials: graphite, ink
Techniques: pen
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: candelabra
Bowood
Object type: photograph
Date: 1840 – 1840
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: architecture,buildings
Portret van de heer Metternich
Object type: print
Date: 1836 – 1905
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Holland, dubbele stuiver, 1731
Object type: coin
Date: 1731 – 1731
Materials: silver
Techniques: striking
Location: dordrecht

Zilveren munt. Voorzijde: tussen waarde-aanduiding 2 S gekroond wapenschild van Holland. Keerzijde: opschrift: provincienaam in drie regels, daaronder jaartal.
Nieuwjaarskaart met een portret van een vrouw bij een klok en een tafel met champagne
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1940
Materials: cardboard, paper
Techniques: gelatin silver print
Subjects: adult woman
Inscriptions: number: ‘7036/1.’

Onderdeel van Album met foto's van spoorwegen in Nederlands-Indië en prentbriefkaarten.
Visitekaartje aan Philip Zilcken
Object type: visiting card
Date: 1841 – 1915
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: the hague
Artist: hendrik willem mesdag
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1915
Subjects: the hague, painter, draughtsman, philip zilcken
Bonnet
Object type: bonnet
Date: 1800 – 1900
Materials: leaf
Culture: american, shaker
Location: united states
Artist: united society of believers in christ’s second appearing (“shakers”)
Artist role: maker
Artist nationality: american
Artist dates: 1750 – 9999
Side Panel of a Crupper
Object type: side panel of a crupper
Date: 1485 – 1500
Materials: steel
Culture: german
Location: germany
Weight of 3 Deben in the Shape of a Gazelle
Object type: weight, 3 deben, gazelle
Date: 1390 – 1352
Materials: bronze, copper alloy
Location: egypt
Subjects: animals

The notation on the back of this gazelle indicates that it its weight was the equivalent of 3 deben, an ancient Egyptian weight of approximately 270 grams (0.06 lbs). The gazelle actually weighs 261.80 grams.
Bergdorp met monument
Object type: print
Date: 1809 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: village, public road in village, mountains (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Links en rechts van een zandweg staan huizen. Op het plein verderop staat een kruis op een sokkel. Op de weg staat een groepje figuren waaronder soldaten.
Titelprent voor de serie 'Bloemstudies'
Object type: titelprent, frontispice
Date: 1905 – 1905
Materials: paper
Techniques: lithograph
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: flowers
Inscriptions: collector's mark: Lugt 2228
Embroidered panel
Object type: panel
Date: 1750 – 1750
Materials: linen, wool
Techniques: embroidery
Culture: american
Location: united states
Subjects: flowers
De triomfboog in de tuin van Versailles
Object type: print
Date: 1715 – 1715
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: garden fountain, french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent ook gebruikt in: Les Plans, Profils, Et Elevations, Des Ville, Et Château De Versailles (...). Parijs: Gilles de Demortain, [1715].
Ox leg dish
Object type: dish, ox leg
Date: 1550 – 1295
Materials: ivory
Location: egypt
Le Cavalier
Object type: print
Date: 1942 – 1942
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: riding a horse, ass, or mule; rider, horseman, city-view, and landscape with man-made constructions, low hill country
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 5i, collector's mark: Lugt 5i
Landscape
Object type: painting
Date: 1835 – 1845
Materials: board, oil, paper
Artist: carl rottmann
Artist role: artist
Artist nationality: german
Artist dates: 1797 – 1850
Subjects: landscapes
Grotte au glacier de Rosenlaui
Object type: stereograph
Date: 1860 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: rosenlaui glacier
Artist: Anonymous
Subjects: cave, grotto, glacier
Inscriptions: retailer's mark: ‘NOLET & ZOON/ UTRECHT/ [...]/ GRACHT’, number: ‘No. 1166’
Portret van Jan Carel van Goltstein
Object type: print
Date: 1843 – 1863
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: arnhem, the hague, politician, knighthood order, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

Hij draagt drie ridderorden op zijn jas en een aan zijn das. Onder het portret zijn signatuur.
Actor, Nakamura Shikan plays as Ootomo no Kuronushi, Onoe Taganojō plays as Kurosome no rei, from Tsumoru koiyuki no sekinoto
Object type: print
Materials: ink, panel, paper
Techniques: woodblock print
Culture: japanese
Artist: hashimoto naoyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: men,flowers,actors,axes
Portret van Hieronymus Eckebrecht
Object type: print
Date: 1755 – 1755
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Zeilschepen voor anker bij een oever
Object type: sketchbook leaf
Date: 1797 – 1838
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johannes christiaan schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1838
Subjects: sailing-ship, sailing-boat, river bank

Blad 12 recto uit een schetsboek met 65 bladen.
Design for a Frieze with Felines holding up a Garland and the Medici Coat of Arms in the Center, plate 2 from "Decorative friezes and foliage" (Ornamenti di fregi e fogliami)
Object type: print
Date: 1645 – 1650
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: animals,garlands,coat of arms
Plate 36, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Object type: print
Date: 1620 – 1620
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: buildings
Meubilair
Object type: chair
Date: 1640 – 1660
Materials: wood
Techniques: embroidery
Location: northern netherlands
Artist: Anonymous

Armstoel van notenhout, bekleed met point d'Hongrie in verschillende kleuren. Het meubel heeft geslingerde poten, door plat geslingerde ondersporten verbonden. De geslingerde armleggerstutten dragen de armleggers, die licht gehold zijn en in voluten met spiralen op de zijkanten eidigen. De achterstijlen zijn bekroond door twee afzonderlijk gestoken leeuwen, die ieder een ruitvormig schild dragen (doorsneden, boven een boom, onder een naar links gewende zwaan) dragen.
The Small Household
Object type: print
Techniques: engraving, etching
Artist: jacques gabriel huquier
Artist role: artist
Artist nationality: french
Artist dates: 1730 – 1805
Subjects: interiors,children,infants,women,cats,daily life
Portret van George Ransome
Object type: print
Date: 1849 – 1852
Materials: paper
Techniques: lithograph
Location: london
Subjects: george ransome, adult man, historical persons, writing and letters
Inscriptions: collector's mark: Lugt 2228

Prent behoort waarschijnlijk tot de serie 'Ipswich Museum Portraits', ook bekend onder de titel 'Portraits of Honorary Members of the Ipswich Museum'. Deze serie is in 1852 door George Ransome uitgegeven en gedrukt door M&N Hanhart tussen 1848 en 1852. De serie bestaat uit ca. 60 portretten.
Colonnade of the Casino of the Villa Albani, in Rome
Object type: drawing
Date: 1763 – 1764
Materials: paper
Techniques: brush, pen
Artist: hubert robert
Artist role: draughtsman, print maker
Artist dates: 1733 – 1808
Subjects: draughtsman studying classical remains - cc - out of doors
Inscriptions: collector's mark: Lugt 2228a

Cardinal Albani owned a famous collection of antique statues, which was displayed in his luxurious villa. Artists in training were invited to draw in this private museum, as reflected by the young man sketching on the left. Hubert Robert, an architectural draughtsman, had a keen eye for detail: even the veins of the marble columns are visible. He enlivened the scene with elegant figures.
A Scene Near Lodore, Cumberland
Object type: drawing and watercolor
Date: 1818 – 1818
Materials: board, graphite, paint, paper, watercolor
Location: england
Artist: joshua cristall
Artist role: artist
Artist nationality: english
Artist dates: 1767 – 1847
Gezicht op een waterval in het Franconia Notch State Park
Object type: photomechanical print
Date: 1873 – 1878
Materials: paper
Techniques: photograph
Location: franconia notch state park
Artist: Anonymous
Subjects: trees, waterfall, pond, pool
Mont Sainte-Victoire
Object type: painting
Date: 1902 – 1906
Materials: canvas, oil
Artist: paul cézanne
Artist role: artist
Artist nationality: french
Artist dates: 1839 – 1906
Subjects: mountains,landscapes

Cézanne worked on this, one of the grandest pictures of Mont Sainte-Victoire, over a considerable length of time, enlarging the canvas in order to extend the view at the right and in the foreground.
Button
Object type: button
Date: 1860 – 1860
Materials: metal
Culture: british
Subjects: girls,portraits
Whistler as Butterfly
Object type: print
Date: 1801 – 2000
Techniques: relief
Artist: james mcneill whistler
Artist role: sitter
Artist nationality: american
Artist dates: 1834 – 1903
Men Digging and Constructing a Wall
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink
Techniques: pen
Artist: pietro da cortona (pietro berrettini)
Artist role: artist
Artist nationality: italian
Artist dates: 1596 – 1669
Subjects: men,working,axes
Portret van Thomas Cromwell
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, memorial medal
Inscriptions: : Lugt 2228
Papyri Fragments of a Letter to Andreas
Object type: fragment
Date: 601 – 700
Materials: ink, papyrus
Culture: coptic
Location: egypt
Gezicht op het Piazza della Cisterna in San Gimignano
Object type: print
Date: 1913 – 1913
Materials: paper
Techniques: etching
Artist: albany e. howarth
Artist role: print maker
Artist dates: 1872 – 1936
Subjects: village square, place
Inscriptions: annotation: ‘Piazza della Sisterna no. 226’, collector's mark: Lugt 2228
Delden, Kasteel Twickel
Object type: photomechanical print
Date: 1895 – 1930
Materials: cardboard, paper
Techniques: rotogravure
Location: delden
Artist: Anonymous
Subjects: castle
Vase (vase hollandais)
Object type: vase
Date: 1761 – 1761
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: houses,women,trees

This piece of Sèvres porcelain comes from the Hillingdon Collection, which was founded by Sir Charles Mills (1792–1880), a partner in the great firm of Glyn, Mills, Currie and Company, bankers to the British royal family. Tradition says that Sir Charles acquired the collection during a series of visits to France in the first half of the nineteenth century. Sir Charles’ son was created first Baron Hillingdon in 1886. In 1937, his descendants sold the collection to the well-known art dealers Duveen Brothers. Although various collectors, such as Calouste Gulbenkian and J. Paul Getty, were interested in buying the Hillingdon Collection, ultimately the majority of the artworks, including seventeen pieces of porcelain-mounted furniture, were acquired in 1947 by the cultural foundation that had been established by the American businessman and philanthropist Samuel H. Kress (1863–1955). Under the leadership of Samuel’s brother Rush H. Kress (1877–1963), the Samuel H. Kress Foundation gave these extraordinary objects to the Museum in 1958, making it the foremost repository in the world of Sèvres-mounted furniture.
Frankrijk wint het kaartspel, 1795
Object type: drawing
Date: 1795 – 1795
Materials: paper
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: card games (+ quarrel, disagreement (in sports, games, etc.))
Inscriptions: inscription: ‘D'aristocraat heeft groote spijt / Wijl hij 't omber spel is kwijt’, collector's mark: Lugt 2228

Twee aristocratische mannen met pruiken (burgemeesters of predikanten?) zittend aan een tafel verliezen het kaartspel van een Franse soldaat. Links waarschuwt een burger tegen het spelen met de Fransen.
Natuurkunde
Object type: print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: leiden
Subjects: on fire, ablaze, (flying a) gas balloon, balloon flight (sport), diving-bell, bathysphere, mine (+ coal), mine
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van natuurkundige zaken: een luchtballon, een steenkolenmijn, brand en een duikerklok. Boven elke voorstelling een titel en onder elke voorstelling een zesregelig vers. Genummerd rechtsboven: No. 23.
Anatomical Studies of Legs
Object type: drawing
Date: 1810 – 1863
Materials: chalk
Techniques: printmaking, drawing
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: legs
Portret van Voltaire
Object type: print
Date: 1702 – 1767
Materials: paper
Techniques: engraving, etching
Artist: jacob folkema
Artist role: draughtsman, print maker
Artist dates: 1692 – 1767
Subjects: paris, voltaire
Inscriptions: collector's mark: Lugt 240

Portretbuste in ovaal naar rechts van de Franse schrijver Voltaire, blootshoofds. Het portret staat op een door de prentmaker nog te bewerken sokkel.
Hoge brug, Giethoorn
Object type: print
Date: 1870 – 1931
Materials: paper
Techniques: etching
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: bridge, small canal, ditch
Fragmentary Bowl
Object type: vessel
Materials: fur, glaze, stoneware
Culture: jian ware kiln site
Lachend paar
Object type: print
Date: 1734 – 1785
Materials: paper
Techniques: mezzotint
Location: northern netherlands
Subjects: laughing, head-gear: hat (+ men's clothes)
Inscriptions: collector's mark: Lugt 240, inscription: ‘de Baatzugt heeft dit Prentje opde Naam van N: Verkolje / naadat het Plaatje verkogt was, doen uytgaan, 't is niet van / hem, maar van J Stolker’
Reproductie van een schilderij van overvallen militairen in een dorp te Lotharingen door Paul Emile Boutigny
Object type: page
Date: 1885 – 1901
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: battle (+ infantry), village (+ city(-scape) with figures, staffage)

Prent op pagina 33 van Figaro-Salon (par Albert Wolff).
Skull
Object type: ritual carving
Date: 1501 – 1600
Materials: bone
Culture: tibetan
Gelijkenissen van Christus
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: engraving
Location: cologne
Subjects: the great supper; the royal wedding-feast ~ parable of christ (matthew 22:1-14; luke 14:16-24)
Inscriptions: collector's mark: Lugt 240

De koning laat de bruiloftsgast die zich niet in bruiloftskleren had gestoken vastbinden en verwijderen. Op de achtergrond zit de bruid met gasten aan tafel (Mat. 22). De voorstelling is gevat in een ronde omlijsting met een randschrift in het Latijn. Prent uit een serie met gelijkenissen van Christus.
Il nuovo teatro di Roma moderna
Object type: album leaf
Date: 1665 – 1667
Materials: paper
Techniques: etching
Location: italy
Subjects: rome

Deze titelprent maakt deel uit van een reeks van 17 prenten met voorstellingen van gebouwen in Rome. Samen met vier andere reeksen vormt het de grote reeks: 'Il nuovo teatro di Roma moderna'.
Portret van Joh. Melchior Stenger
Object type: print
Date: 1653 – 1749
Materials: paper
Techniques: engraving
Location: berlin
Subjects: germany, historical persons, berlin
Inscriptions: collector's mark: Lugt 2228
Hinged bracelet with Assyrian human-headed winged bull medallion
Object type: hinged bracelet
Date: 1868 – 1880
Materials: gold
Culture: british
Scotch, Fisher Girl, from Types of Nationalities (N240) issued by Kinney Bros.
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: girls,profiles

Trade cards from the "Types of Nationalities" series (N240), issued in 1890 to promote Kinney Tobacco Company. Each card is meant to be folded into thirds. Unfolded the card displays a figure from a particular nationality. Folded, the same figure is portrayed smoking a Kinney Brothers Cigarette.
Footed beaker with cover
Object type: beaker with cover
Date: 1682 – 1682
Materials: gilt silver
Artist: johannes (hans) mautner
Artist role: maker
Artist dates: 1594 – 1694
Subjects: men,drums,lutes

This monumental beaker is the one of the largest known of its type. It has a hollow base and an undulating ring that marks the actual bottom of the vessel on the outside. Both of these features are characteristic of Hungarian and Transylvanian production. The inscribed coat of arms at left indicates that it belonged to a member of a princely Transylvanian family, Count Mikes, who came from one of the most ancient dynasties of the Székely people. Together with the Saxons, the Székely were crucial for the defense of Hungary’s eastern border against the Ottomans. The number “XX” may indicate that the beaker was the largest in an assembled set from which two smaller beakers are now preserved in the Hungarian National Museum in Budapest. The lute-playing angel garbed in peasant costume is very close to a similar figure decorating a silver-gilt tankard by Michael Schellung, made in Brassó about 1640. Both were likely inspired by the same printed design source.
Portret van Jan Huygen van Linschoten
Object type: print
Date: 1669 – 1669
Materials: paper
Techniques: engraving
Artist: jean jacques boissard
Artist dates: 1528 – 1598
Subjects: haarlem, jan huygen van linschoten
Inscriptions: collector's mark: Lugt 2228

Gemaakt voor: J.J. Boissard, Icones virorum illustrium doctrina &c eruditione praestanti um contines. Frankfurt am Main: de Bry, 1597-1599. Opnieuw gebruikt in: J.J.Boissard, Bibliotheca chalcographica, hoc est Virtute et eruditione clarorum Virorum Imagines. Heidelberg: Clemens Ammon, 1669 (te herkennen aan de toegevoegde signatuur in de rechter onderhoek: 2Y3).
Wall clock (cartel) with movement of later date
Object type: wall clock
Materials: gilt bronze
Artist: jacques caffieri
Artist role: maker
Artist nationality: french
Artist dates: 1678 – 1755
Subjects: women,dogs

This complicated and highly asymmetrical cartel clock incorporates imagery of Diana, goddess of the hunt. A master of rococo style, Jacques Caffieri was among the most important bronze casters during the reign of Louis XV. By royal privilege, Caffieri was allowed to cast and gild bronze objects in his workshop. According to strict guild regulations, these two processes were normally done under separate premises. The clock’s original movement has been lost.
Boomstudie
Object type: photograph
Date: 1855 – 1900
Materials: paper
Techniques: albumen print
Location: great britain
Artist: Anonymous
Subjects: trees, great britain
Schaap naar rechts
Object type: print
Date: 1792 – 1810
Materials: paper
Techniques: etching
Location: amsterdam
Artist: wouter johannes van troostwijk
Artist role: draughtsman, painter, print maker
Artist dates: 1782 – 1810
Subjects: sheep
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van een prent van een allegorie op de navigatie
Object type: photograph
Date: 1852 – 1857
Materials: photographic support
Techniques: salted paper print
Subjects: signalling ~ navigation, symbolic representations, allegories and emblems ~ drawing
Stirrup
Object type: stirrup
Date: 1667 – 1700
Materials: metal alloy
Culture: german
Location: germany

This type of cut edge decoration, with a motif on the eye plates inspired from late medieval examples, seems to have been particularly popular in Northern German regions in the late 17th century.
San Giorgio Maggiore, Venice
Object type: drawing
Date: 1840 – 1906
Materials: gouache, graphite, watercolor
Artist: hercules brabazon brabazon
Artist role: artist
Artist nationality: british
Artist dates: 1821 – 1906
Subjects: churches,venice

Brabazon here records a view of the church of San Giorgio Maggiore, which sits on its own island across the Lagoon from the main islands that make up the city. As a watercolorist, the artist responded to the waterways and changeable light of Venice and was inspired by the work of others who painted the city, such as J. M. W. Turner, James McNeill Whistler, and his friend John Singer Sargent. The artist was born in Paris to English parents as Hercules Brabazon Sharpe. After earning a degree in mathematics at Trinity College, Cambridge, he moved to Rome to study art and music. This went against his father's determination that he should pursue law and forced him to lived on the edge of poverty until the death of an elder brother in 1847. He then inherited the Irish estate of a wealthy uncle, whose will stipulated that he change his last name to Brabazon. Now free to pursue art, the artist traveled widely and developed into a skilled watercolorist. Seeing himself as a gentleman amateur, however, he resisted public exhibition until 1891. When elected to the New English Art Club that year, he felt obliged to submit works to the club's winter and summer shows. Sargent and other friends then persuaded him to agree to hold a one-man exhibition at the Goupil Gallery on Bond Street in 1892. Many works sold and the resulting acclaim encouraged further exhibitions, concluding with a memorial display in 1905.
Titelblad van het fotoalbum aangeboden aan de resident der Lampongse districten F.J. Junius door studerende ambtenaren van de bestuursschool te Batavia
Object type: album leaf
Materials: cardboard
Techniques: drawing, writing
Location: dutch east indies
Artist: Anonymous
Subjects: dutch east indies, the

Titelblad met handgeschreven de naam van de ontvanger, de aanbieders, de reden van aanbieding en de datum. Linksboven een getekende krans en zwaard op een rechthoekig veld. Onderdeel van Fotoalbum aangeboden aan de resident der Lampongse districten F.J. Junius door studerende ambtenaren van de bestuursschool te Batavia.
Portret van Johannes Jacobus van Oosterzee
Object type: print
Date: 1817 – 1895
Materials: paper
Techniques: etching
Artist: jean baptiste alfred cornilliet
Artist role: print maker
Artist dates: 1807 – 1895
Subjects: rotterdam, johannes jacobus van oosterzee, theologian, historical persons, functionaries and dignitaries ~ protestant churches
Inscriptions: collector's mark: Lugt 2228
[Mrs Bayley, Lucknow]
Object type: photograph
Date: 1858 – 1861
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: houses,men,women,horses,trees,carriages
Pot with Cover
Object type: pot with cover
Date: 1801 – 1900
Materials: bronze
Culture: japanese
Aartsengel Michaël
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: etching
Location: italy
Subjects: the archangel michael fighting the dragon (devil, satan)
Inscriptions: collector's mark: Lugt 240

De aartsengel Michaël met een groot kruis vertrapt een monsterlijk wezen, half duivel half slang.
Candlestick
Object type: candlestick
Date: 1720 – 1720
Materials: brass
Culture: american
Location: united states