deem-data/ArtiFact huggingface dataset:
Palazzi di Roma
Object type: print
Materials: paper
Techniques: etching
Location: rome
Subjects: palace, façade (of house or building), rome
Inscriptions: number: ‘60’, inscription: ‘Ende lib. No. 1. fol. 3. [...] No. 387.’

Deze prent maakt deel uit van de reeks getiteld: Palazzi di Roma. Deze reeks bestaat uit twee boeken. Boek één getiteld: Palazzi di Roma dei più celebri architetti..., bestaat uit 44 prenten die worden toegeschreven aan Giovanni Battista Falda (naam staat enkel op prent 27) en uitgegeven door Giovanni Giacomo de'Rossi. Deze 44 prenten zijn bekend in twee staten (met en zonder nummer). Boek twee getiteld: Nuovi disegni dell'architetture... libro secondo, bevat 66 prenten door Giovanni Battista Falda en Simone Felice. Deze 66 prenten zijn bekend in twee staten (met en zonder nummer).
Dorps- en stadsgezichten te Kleef
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: etching
Artist: paulus van liender
Artist role: draughtsman, print maker
Artist dates: 1731 – 1797
Subjects: river, village, church (exterior)
Inscriptions: collector's mark: Lugt 1641, collector's mark

Gezicht op de Eltenberg waarop het dorp Hoog-Elten met de Sint-Vituskerk ligt, omstreeks 1743. Helft van een plaat met twee voorstellingen. De prent maakt deel uit van een 100-delige serie met gezichten op dorpen en steden te Kleef. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Kerk en kerkwezen & Armwezen en liefdadige instellingen; Kerkgebouwen elders. A-E.
Exemplaer-boec Inhoudende Alderhande Gheschriften zeer bequaem ende dienstelyck voor de Joncheydt ende allen Lief-hebbers der Pennen:
Object type: ornament print
Date: 1607 – 1607
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: calligraphy
Inscriptions: collector's mark: Lugt 2166

Een ornamentele ovale omlijsting met gekalligrafeerde serietitel. In de onderste hoeken zitten twee engelen, boven de omlijsting zitten twee vrouwen met schrijfveren en hoornen des overvloeds. Links en rechts van hen een adelaar en een pauw.
Food bottle
Object type: food bottle
Date: 1701 – 1800
Materials: pewter
Aardewerken vaas uit de collectie van W. de Weckherlin
Object type: photograph
Date: 1860 – 1860
Materials: paper
Techniques: albumen print
Location: the hague
Artist: Anonymous
Subjects: container of ceramics: jar, jug, pot, vase, the hague
Inscriptions: inscription: ‘Bleu./ 49 Ctm.’
Vase with landscape scenes
Object type: vase
Date: 1667 – 1733
Materials: cobalt, enamel, porcelain
Techniques: overglaze, painting, polychrome, underglaze
Culture: chinese
Subjects: fish,flowers,mountains,landscapes
Prof. Dr. Karl Landsteiner / Het Nederlandse Rode Kruis - Bloedtransfusiedienst
Object type: history medal
Date: 1939 – 1939
Materials: bronze
Artist: Anonymous
Subjects: rode kruis, het nederlandse, karl landsteiner
Inscriptions: circumscription: ‘HET NEDERLANDSCHE ROODE KRUIS . BLOEDTRANSFUSIEDIENST’, circumscription: ‘PROF. DR. KARL LANDSTEINER’, circumscription: ‘SANGUINE SANGUINEM SANANTI’

Bronzen penning. Voorzijde: portret van Prof. Dr. Karl Landsteiner met omschrift. Keerzijde: pelikaan met uitslaande vleugels op nest met 3 jongen. Linksboven een kruis. Omschrift.
The Holy Family with Saint Elizabeth and the infant Saint John the Baptist, holding a bird on a string
Object type: print
Date: 1655 – 1695
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: holy family,madonna and child,saint john the baptist,saints
Slag bij Malachov, 1855
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: engraving
Location: france
Artist: jules worms
Artist role: painter, print maker
Artist dates: 1832 – 1924
Subjects: battle (+ land forces)
Inscriptions: collector's mark: Lugt 2228

Slag bij Malachov op 7 september 1855 waarbij de geallieerden de redoute van Malachov veroverden. Onderdeel van het beleg van Sebastopol tijdens de Krimoorlog.
Arm van een kaarsenkroon in drie hoogten
Object type: chandelier
Date: 1625 – 1650
Materials: brass
Techniques: screwed, turning
Location: northern netherlands
Artist: Anonymous

De arm is aan de stamzijde voorzien van een nok, waarin een gat is aangebracht om ze met een pin in de standringen te kunnen vastzetten. De S-vormige arm heeft de gedaante van een slang met een naar de stamzijde gekronkelde staart en naar buiten toe een opgeheven kop met daarop een ronde knop, waarin het van een schroefdraad voorziene gat is aangebracht ter bevestiging van de kaarsenhouders met de vetvangers. De arm is met behulp van hetzelfde model gegoten als de overige armen van de krans.
De ronde kaarsenhouder is vaasvormig met een geprofileerde rib. Bovenaan heeft zij twee holronde profileringen, en een uitkragende rand en onderaan een uit twee holronde profileringen bestaande voet. De voet loopt uit in een zich verjongend schroefeind met een centergat.
De bolle vetvanger is aan de bovenkant glad en heeft aan de onderkant visblaasachtige godrons en een rib. De vetvanger is met behulp van hetzelfde model gegoten als de overige vetvangers van de krans. De pinnen zijn met bolle knoppen versierd.
Dit is de zesde arm van de middelste standring, genummerd op de nok met het cijfer VI.
New-York & environs
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: tone lithography
Location: united states
Subjects: harbour, maps of cities, traffic on the water, new york (city)
Inscriptions: collector's mark: Lugt 2228
Portret van Leopold van Limburg Stirum
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: lithograph
Artist: coenraad hamburger
Artist role: draughtsman
Artist dates: 1809 – 1891
Subjects: the hague, historical persons (+ three-quarter length portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een militair kostuum met het grootkruis van de Militaire Willemsorde en een mantel. Hij staat voor een open raam.
Zicht op Luzern
Object type: print
Date: 1820 – 1820
Materials: paper
Techniques: lithograph
Location: paris
Subjects: prospect of city, town panorama, silhouette of city, mountains
Inscriptions: collector's mark: Lugt 2228a
Christ on the Cross, from "The Passion of Christ"
Object type: print
Date: 1596 – 1598
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: crucifixion

Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas’s prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltzius’s famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin. The Passion of Christ was extremely popular during Goltzius’s own lifetime and well beyond. This is evidenced by a very deceptive set of copies produced in Goltzius’s own studio and six additional sets of copies dating from the late 1590s to the mid-seventeenth century. In addition to having two sets of the Goltzius’s original prints, the Met has three different sets of copies and a single plate from a fourth (see 51.501.168(1-12), 53.601.336(25-36) 51.501169(1-12) and 51.501.170).
Case (Inrō) with Design of Flowering Hagi beside a Brushwood Fence
Object type: inrō
Date: 1601 – 1800
Materials: gold, lacquer, pottery
Techniques: fundame, hiramakie, inlay, roiro
Culture: japanese
Subjects: flowers
Porta Nigra in Trier
Object type: photograph
Date: 1860 – 1890
Materials: paper
Techniques: albumen print
Location: trier
Artist: Anonymous
Subjects: city-gate
Inscriptions: inscription: ‘688 Trier. Die Porte Nigra.’, number: ‘1,10’
Aulus Vitellius
Object type: locket
Date: 1700 – 1800
Materials: mother of pearl
Location: netherlands
Artist: Anonymous
Subjects: consul, vitellius (keizer van het romeinse rijk)

Een medaillon van parelmoer, waarop een afbeelding is gesneden van een Romeinse keizer, met randschrift: A.VITELL.
Almanach de Normandie pour l'année bissext. 1788
Location: france
Artist: la veuve besongne & fils
Artist role: publisher
Artist nationality: french

White leather binding; both covers gold-stamped with a border of flowers, hearts, and stars, and cartouches depicting a wreath tied with a bow. At the center of the wreath is the motto L’amitie Mengage a vous le donne (friendship makes me give it to you).
Folding Fan Seller, Round Fan Seller, and Barley Pounder (Ogi-uri, uchiwa-uri, mugi-tsuki), from the series "Female Geisha Section of the Yoshiwara Niwaka Festival (Seiro niwaka onna geisha no bu)"
Object type: print
Date: 1793 – 1793
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Side Chair
Object type: side chair
Date: 1830 – 1850
Materials: wood
Culture: american, shaker
Location: united states
Artist: united society of believers in christ’s second appearing (“shakers”)
Artist role: maker
Artist nationality: american
Artist dates: 1750 – 9999
Plate
Object type: plate
Date: 1738 – 1749
Materials: faience
Techniques: glazing
Artist: laurent cars
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1771
Subjects: birds,men,women,violas

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Eva en de slang
Object type: print
Date: 1890 – 1933
Materials: paper
Techniques: lithograph
Artist: wolbartus brouwer
Artist role: print maker
Artist dates: 1880 – 1933
Subjects: the serpent tries to persuade eve to take some of the fruit (usually an apple)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Eva plukt een vrucht van de boom van de kennis van goed en kwaad. Bij haar voeten de slang.
Portret van een man, een vrouw en een jongen
Object type: album leaf
Date: 1893 – 1893
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: erfurt
Subjects: adult woman, boy (child between toddler and youth), adult man, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: number: ‘1093’, inscription: ‘Photographisch/ Artis. Atelier/ Bissinger & Dittmann/ Inhaber: E. Bissinger./ Anger 25/ Erfurt./ Die Platten bleiben für Nachbestellungen aufbewahrt/ und können jederzeit Abzüge sowie Vergrösserungen/ davon geliefert werden.’, annotation: ‘zur freundlichen Erinnerung!/ Erfurt 25 Mai 1893.’
Plate (tondino)
Object type: plate
Date: 1525 – 1530
Techniques: maiolica, glazing
Artist: maestro giorgio andreoli
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1550
Subjects: coat of arms
Naakte dansende en muziekmakende slavinnen voordat zij ter dood worden gebracht
Object type: print
Date: 1610 – 1665
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: salomon savery
Artist role: print maker, publisher
Artist dates: 1594 – 1683
Subjects: last hours before execution, dancing, woman (showing herself) undressed, quasi-nude, slavery; serfs and enslaved persons
Inscriptions: collector's mark: Lugt 2228

Mogelijk aan een Ottomaans hof. Op de achtergrond zitten mannen met tulbanden en mannen in Europese kledij aan tafel toe te kijken. Linksvoor de beul met daaronder de onthoofde lichamen van de vrouwen.
Portret van Jacobus Hinlopen
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: engraving
Artist: nicolaus mettel
Artist role: print maker
Subjects: utrecht, historical persons, wig
Inscriptions: collector's mark: Lugt 2228
Godspraak door de Urim en de Thummim
Object type: book illustration
Date: 1682 – 1682
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: 'urim' and 'thummim' ~ vestments of high priest
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Cunaeus, Petrus. De republyk der Hebreen, of gemeenebest der joden, 3 delen. Amsterdam: Wilhelmus Goeree, 1682, dl. 1, p. 174.
Gevest van een zwaard uit het wrak van de in 1735 vergane Oost-Indiëvaarder 't Vliegend Hart
Object type: hilt
Date: 1700 – 1735
Materials: copper
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Gevestvan een zwaard, omwikkeld met koperdraad dat groen-blauw is verkleurd als gevolg van oxidatie. Ronde doorsnede, langwerpig, rondom de 'basis' zitten gedraaide koperdraden. Swordhandle.
Haarlemmerpoort
Object type: staalplaat
Date: 1850 – 1886
Materials: steel
Techniques: engraving
Artist: dirk jurriaan sluyter
Artist role: draughtsman, print maker
Artist dates: 1811 – 1886
Glass Dish with an Engraving of the Raising of Lazarus
Object type: dish
Date: 301 – 500
Materials: glass
Techniques: engraving
Culture: roman
Subjects: saints
Frontispiece for Rimes de Joie
Object type: print
Date: 1881 – 1881
Materials: paper, varnish
Location: belgium
Artist: félicien rops
Artist role: artist
Artist nationality: belgian
Artist dates: 1833 – 1898
Twaalf verschillende scènes
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: battle, warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 240

Gezicht op een slagveld met soldaten te paard. Op de voorgrond drie soldaten te paard die in de aanval gaan.
Liber Chronicarum
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Inscriptions: inscription: ‘99’

De houtsnede wordt gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 138r.
Marble statue of a member of the imperial family
Object type: statue of a young man, half draped
Date: 27 – 68
Materials: marble
Culture: roman
Subjects: men

This statue and the similar work, 2003.407.8 a, b are important additions to the small number of standing half-draped male figures known today that were part of Julio-Claudian dynastic commemorative groups. Statues of members of the imperial family, both living and already deceased, were often displayed together in public spaces such as the forum of a city, a basilica, or the theater.
Flask
Object type: flask
Date: 701 – 900
Materials: bronze
Techniques: casting
Location: iran

The pear-shaped body, narrow neck, and wide rim are characteristic of metal vessels of late Sasanian and early Islamic Iran. The prunted decoration of drop-shaped bosses and the small protrusions around the opening link this flask to a group of similar objects produced in eastern Iran and farther east between the eighth and the twelfth century.
Portret van een zittend kind
Object type: photograph
Date: 1861 – 1887
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: sitting figure, historical persons, tot, toddler ~ the ages of man
Inscriptions: inscription: ‘A. GREINER/ Photograf/ AMSTERDAM/ NIEUWENDIJK L. 89’
Geiten, een paard en mannenkoppen
Object type: sketchbook leaf
Date: 1840 – 1840
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: head (human), adult man, horse, goat

Blad 23 verso uit een schetsboek met 33 bladen.
Gezichten op kasteel Zuilenstein te Leersum
Object type: print
Date: 1682 – 1726
Materials: paper
Techniques: etching
Location: amsterdam
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2228

Gezicht vanuit Kasteel Zuilenstein te Leersum op de tuinen en de omgeving in de richting van de Utrechtse Heuvelrug.
Twaalf rechthoekige gesneden stenen
Object type: print
Date: 1839 – 1863
Materials: paper
Techniques: relief engraving
Location: netherlands
Artist: jan dam steuerwald
Artist role: print maker, printer
Artist dates: 1805 – 1869
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228
Arco di Tito
Object type: photograph
Date: 1863 – 1887
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: michèle mang
Artist role: fotograaf
Artist dates: 1840 – 1909
Subjects: triumphal arch
Inscriptions: number: ‘N. 3’
Scheepswerf aan de Dedemsvaart. Ca. 1915 (Hasselt)
Object type: photomechanical print
Date: 1958 – 2021
Materials: cardboard
Techniques: autotype
Location: hasselt
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, shipyard, shipdock
Veue perspective du bombardement de la ville de Gueldre par un corps d'armée des troupes de sa maieste le roy de Prusse au mois d'octobre 1703
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: engraving, etching, hand coloring
Location: northern netherlands
Subjects: siege, position war, projectiles, explosives, etc., bombardment

Middel en rechter plaat van een grote prent van het bombardement van Geldern door de Pruisische troepen onder generaal Lotthum in de maand oktober 1703. Zeer brede voorstelling (gedrukt van drie platen) vanuit het kamp van de belegeraars waar kanonskogels worden gefabriceerd en afgeschoten. Staat vóór het nummer en de Nederlandse titel. Aan de bovenzijde is een strook geplakt met gegraveerde tekst in het Latijn waarin de opdracht staat. Zie RP-P-OB-83.394A voor het andere deel van de prent.
Esemplario di Lauori..., page 3 (verso)
Object type: book print ornament architecture
Techniques: woodcut
Location: venice
Artist: giovanni andrea vavassore
Artist role: publisher
Artist nationality: italian
Artist dates: 1530 – 1573
Subjects: ornament

Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore (Giovanni's brother), Italian, active 16th century. Reissued by Macmillan & Co., British, London and New York. From top to bottom, and left to right: Design composed of 4 horizontal registers. 1st register is decorated with a pattern of diamonds with 3-leafed plants on their top and bottom. 2nd register is composed of a bold 'X' imposed over a '+'. 3rd register is decorated with diamonds and 'x's. 4th register is decorated with short vertical lines.
Finger Ring with a head of Horus on the bezel
Object type: ring, finger
Date: 1 – 200
Materials: copper alloy
Location: egypt

A number of small amulets or other items were found in the excavation of Nespekashuty's tomb, spanning its long use life. This ring appears to be Roman Period in date. See the discussion under 23.3.468.
Lourdes. Arrivée du train blanc
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1906
Materials: cardboard
Techniques: photograph, writing
Location: paris
Subjects: platform (railway, tramway), passenger train (+ four persons or more ~ traffic and transport)
Januari
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: etching
Location: leiden
Artist: johannes janson
Artist role: draughtsman, painter, print maker
Artist dates: 1729 – 1784
Subjects: winter landscape; landscape symbolizing winter (the four seasons of the year), landscape symbolizing january
Inscriptions: collector's mark: Lugt 2228

Winterlandschap met schaatsers en rechts op de voorgrond een man met een bijl bij een boom. Op de achtergrond een dorp. Rechtsonder: 1. Tweede prent uit een serie van dertien met maanden.
Musical Clock with Spinet and Organ
Object type: musical clock with spinet and organ
Date: 1625 – 1625
Materials: brass, wood, gilt, iron, leather, metal, parchment, silver gilt
Culture: german
Location: germany
Artist: veit langenbucher
Artist role: maker
Artist nationality: german
Artist dates: 1587 – 1631
Subjects: musicians
Daoist immortals in a landscape
Object type: handscroll
Date: 1501 – 1600
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men,landscapes

This painting invites the viewer to follow a mountain path across a stone arch and into a magical realm where herb gatherers dressed in garments of leaves and grass mingle with robed gentlemen engaged in scholarly pleasures: viewing paintings, playing weiqi (go, in Japanese), strumming a zither, composing poetry, engaging in "pure conversation," and contemplating the scenery. The scroll ends with an imposing terrace for viewing the sky and a cave-an entrance to a Daoist grotto-heaven. Based on the two-character signature at the left edge of the scroll, the painting has been identified as the work of Shen Xiyuan, a late fourteenth-century practitioner of the Southern Song academic tradition of Ma Yuan (active ca. 1190–1225). But many of the figural and landscape details reflect the styles of such mid-sixteenth-century artists as Zhou Chen and Qiu Ying, suggesting that a more appropriate date for the scroll would be the later sixteenth or early seventeenth century.
Le Nouveau Paris
Object type: stereograph
Date: 1860 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: bal mabille
Artist: charles gérard
Artist role: fotograaf
Subjects: night-club, dance-hall, garden
Inscriptions: inscription: ‘Jardin Mabille’, inscription: ‘Photographie C. G. à Paris.’
Sword Pommel (Kashira)
Object type: sword pommel kashira
Date: 1601 – 1700
Materials: gold
Culture: japanese
Location: japan
Man in a Close Cap
Object type: print
Date: 1630 – 1630
Materials: chalk, paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: can hook
Inscriptions: mark: Lugt 2165

The old man in these four little etchings has traditionally been identified as Rembrandt’s father, Harmen Gerritsz van Rijn. Whether this is actually the case remains uncertain, but it is striking that Rembrandt made them all in 1630, the year of his father’s death. He depicts the wrinkled skin so precisely that it is possible that he worked directly on the etching plate while his model sat to him.