deem-data/ArtiFact huggingface dataset:
Printer's woodblock
Object type: printer's woodblock
Date: 1701 – 1900
Materials: wood
Culture: japanese
Artist: utagawa toyokuni i
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Subjects: women,landscapes
Cornuault. Joseph. 17 ans, né à Angers (Maine & Loire). Peintre eu bâtiment. Anarchiste. 7/1/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Bluff-Bowed Scheveningen Boats at Anchor
Object type: painting
Date: 1860 – 1889
Materials: canvas, oil
Artist: hendrik willem mesdag
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1915
Subjects: beach, sea and coastal fishery
Inscriptions: signature: ‘HW Mesdag’

Scheveningse bommen voor anker. In het ondiepe water bij het strand liggen vier vissersschepen, bij de schepen staat een groep vissersvrouwen.
Lower part of a shabti
Object type: lower part of a shabti, merseneb
Date: 1981 – 1640
Materials: limestone, paint
Location: egypt
Ontwerp voor een wapen met twee sterren
Object type: sketchbook leaf
Date: 1934 – 1943
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: coat of arms (as symbol of the state, etc.)

Blad 6 recto uit een schetsboek met 19 bladen.
Gezicht op een stad
Object type: page
Date: 1882 – 1892
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘Epreuve sur glace orthochromatique. Pose 4 secondes avec écran no 3.’, number: ‘(No 2)’
Adam and Eve with Infants Cain and Abel
Object type: print
Date: 1500 – 1500
Materials: paper
Techniques: engraving
Location: italy
Artist: cristofano robetta
Artist role: artist
Artist nationality: italian
Artist dates: 1462 – 1535
Bruiloftsprent van Claas Corneliszoon Calff en Aefje Pieters, 1702
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: (civil) marriage ceremonies
Inscriptions: collector's mark, collector's mark: Lugt 1641

Bruiloftsprent van Claas Corneliszoon Calff en Aefje Pieters, 25 juni 1702. Allegorische voorstelling van een huwelijk waarin het bruidspaar binnentreedt in een zaal met Venus op de troon, omringd door andere goden en personificaties. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Des Menschen Begin, Midden en Einde. Bruiloft en huwelijk.
Portret van Francesco Maria I della Rovere
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: francesco maria i della rovere (duke of urbino), commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228
Bowl
Object type: bowl
Date: 1101 – 1300
Materials: stonepaste
Techniques: luster painting
Location: iran
Luohans
Object type: album
Date: 1601 – 1800
Materials: ink
Culture: chinese
Artist: unidentified
Artist role: artist
Subjects: men,buddhism

The Buddha achieved enlightenment in Bodh Gaya, India, in the fifth century BC, beneath a tree with large, spade-shaped leaves. This tree, a type of ficus, became revered by Buddhists as the sacred Tree of Enlightenment (bodhi tree) and was propagated by believers throughout Asia. In China, painters used leaves of the bodhi tree to create albums like this, which invest the ground of the image with an extra layer of sacred power by connecting it to the Buddha’s awakening. With bright, thickly applied mineral pigments, this album shows the luohans exercising their magical powers.
Portret van Catharina van Bragança
Object type: print
Date: 1662 – 1742
Materials: paper
Techniques: mezzotint
Location: london
Subjects: catharina van bragança, ornamental birds: parrot, historical persons, queen
Inscriptions: collector's mark: Lugt 240
Christ with a Staff
Object type: painting
Date: 1650 – 1674
Materials: canvas, oil
Artist: rembrandt
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: christ

This impressive picture was clearly inspired by Rembrandt's style of the 1660s and was conceivably painted in his workshop. The broad, uniform application of paint and rather decorative use of strokes and scratches imitate some of Rembrandt's surface effects but fail to achieve his sense of volume, various textures, and atmosphere. A few scholars have suggested the manner of execution is similar to that of Arent de Gelder (1645–1727), Rembrandt's last important pupil.
Saint John the Baptist
Object type: sculpture
Date: 1550 – 1550
Materials: alabaster, gypsum
Techniques: carved
Culture: spanish
Location: spain
Subjects: saint john the baptist, animals, christian subjects, christianity, cloth, devotion, lamb, man, religion, religious, religious figures, saints
Saucer with flower sprays
Object type: platter
Date: 1790 – 1790
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: lille
Inscriptions: mark: ‘gekroonde dolfijn’

Schotel van porselein, beschilderd op het glazuur in blauw, roze, groen, zwart en goud. Op het plat een bloemtak (korenbloem) omgeven door drie dezelfde bloemtakken op de wand. Een band met gouden driehoeken op de rand. Gemerkt op de onderzijde met de gekroonde dolfijn.
Landschap met vooraan twee bomen
Object type: ornament print
Date: 1703 – 1712
Materials: paper
Techniques: etching
Location: netherlands
Artist: daniël marot (i)
Artist role: draughtsman, print maker
Artist dates: 1661 – 1752

Links staan twee vrouwen naast een cascade. Op de achtergrond is een paleis te zien met rechts daarvan uitzicht op zee. Uit serie van 6 bladen.
The Death of Adonis
Object type: drawing
Date: 1625 – 1625
Materials: ink
Techniques: brush, pen, wash
Artist: johann könig
Artist role: artist
Artist nationality: german
Artist dates: 1586 – 1642
Subjects: adonis
Watergraafs of Diemer-meer
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter van den berge
Artist role: draughtsman, print maker, printer, publisher
Artist dates: 1659 – 1737
Subjects: (story of) neptune (poseidon), coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of separate countries or regions, water-birds: swan, river-gods, polder, reclaimed land, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Langs de bovenkant de titel en het wapen van het hoogheemraadschap van de Watergraafsmeer. Linksboven de wapens van een hoofdingeland, de dijkgraaf en twee heemraden. Rechtsboven de wapens van een hoofdingeland en drie heemraden. Linksonder een cartouche met een Latijnse tekst en een schaalstok: Maat van 200 Rynlantse roeden. Daaromheen Neptunus of een riviergod, putti met verschillende attributen die onder andere verwijzen naar de handel, het wapen van Amsterdam en een vrouwfiguur met een zwaan. Onder in het midden het wapen van de secretaris en penningmeester. Rechtsonder een cartouche met een Nederlands gedicht over de Watergraafsmeer en een schaalstok: Maat van 200 Amsterdamse roeden. Daaromheen putti en een riviergod.
Cup Plate
Object type: cup plate
Date: 1830 – 1845
Materials: glass
Culture: american
Location: united states
Bass Viola da Gamba
Object type: bass viola da gamba
Date: 1701 – 1733
Materials: wood
Culture: austrian
Location: austria
Artist: andreas jais
Artist role: maker
Artist nationality: german
Artist dates: 1685 – 1753

Viols, the most esteemed bowed instruments of the late Renaissance, were only gradually displaced by the violin family. Viols differ from violins chiefly in shape, in number of strings and tuning, and in having fretted necks. All viols are played in an upright position between the knees or on the legs ("gamba" means "leg"), and the bow is held palm upward. The sound is less brilliant and quieter than that of the violin family of instruments. Chamber music for a consort of four to six viols was composed during the Renaissance and Baroque eras, and solo works for the bass viol were being played until nearly the end of the eighteenth century. Andreas Jais was from a Tyrolean family of instrument builders active in Bolzano in the eighteenth century. Despite its unoriginal narrow neck and fingerboard (replacements from a conversion to the cello), this instrument maintains its original oblong and curvilinear shape, a feature typical of instruments from this region. Description: Seven strings tuned AA, D, G, c, e, a, d1; unusual lobed lower bouts; oval rosette inserted above flame-shaped soundholes contains a double-headed eagle and unidentified coat of arms; two-piece table of Alpine spruce with very fine grain widening toward the flanks; two-piece back and ribs of curly maple with irregular figure; reddish-brown varnish; neck and fittings are recent; grafted pegbox terminates in a lion's head; manuscript label possibly spurious. (L. Libin, 1992)
Miniature wafer box
Object type: wafer box
Date: 1694 – 1695
Materials: silver
Artist: i. c., london
Artist role: maker
Artist dates: 1686 – 1697
Subjects: flowers
Portretten van kunstenaars
Object type: print
Date: 1752 – 1762
Materials: paper
Techniques: engraving
Location: italy
Subjects: haarlem, painter, draughtsman, job adriaensz berckheyde, historical persons, violin, fiddle, portrait, self-portrait of painter, recorder (musical instrument)
Inscriptions: collector's mark: ‘RIJKS / MUSM’, collector's mark: Lugt 2760

Jacob Berckehyde, zittend achter zijn schildersezel, met palet en penseel in de hand. Linksvoor een tafel waarop een blokfluit, passer, boek, gipsen buste en glas liggen. Aan de muur hangen een viool en een portret.
Interieur met vier figuren rondom een tafel
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: chalk, paper
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: sitting figure, table, interior of the house

Blad 8 recto uit een schetsboek met 53 bladen.
The Actor Arashi Otohachi I as Numataro Kyusei Disguised as the Burglar Ipponzaemon in the Play Otokoyama Yunzei Kurabe, Performed at the Ichimura Theater in the Eleventh Month, 1768
Object type: print
Date: 1768 – 1768
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Pedestal
Object type: pedestal
Date: 1701 – 1800
Artist: john turner
Artist role: artist
Artist dates: 1762 – 1786
Subjects: children,girls,women
Snuffbox
Object type: snuffbox
Date: 1751 – 1752
Materials: silver, soft paste porcelain
Artist: mennecy
Artist role: factory

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Fort Isabella, 1629
Object type: area plan
Date: 1631 – 1631
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: delft, the hague, frederick henry (prince of orange), fortifications, military engineering, den bosch

Prent ook gebruikt in: Heinsius, Daniel. Rerum ad Sylvam-Ducis atque alibi in Belgio aut a Belgio anno 1629 gestarum historia. Leiden: Ex Officina Elzeviriorum, 1631, p. 38-39. In het exemplaar in de Rijksmuseum Research Library, signatuur 327 I 25.
Cylinder Seal of Amenemhat Senbef
Object type: cylinder seal
Date: 1799 – 1795
Materials: stone
Techniques: glazing
Location: southern upper egypt
Imitation Blue-and-White Bowl
Object type: dish
Date: 1601 – 1700
Materials: glaze, stonepaste
Techniques: painting
Location: iran

Like so many ceramics produced in Iran during the Safavid period, the style and decoration of this dish shows an attempt to emulate the highly-regarded Chinese porcelain. This is illustrated by the blue and white color scheme, as well as the distinctly Chinese imagery of pagoda structures and figures wearing local dress. Moreover, there is an imitation Chinese seal-mark on the base, which in Chinese porcelain would have indicated the dynasty and Emperor. That Iranian potters included this detail indicates the great lengths to which they went to make their wares comparable to the Chinese originals.
Tureen with the coat of arms of Hendrik Peter Godfried Quack and Isabella Gertraud von Carnap
Object type: service set
Date: 1790 – 1800
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: low countries
Artist: Anonymous

Terrine van porselein op hoge voet en met twee handvatten, beschilderd op het glazuur met goud. Op de buitenwand het alliantiewapen van Hendrik Peter Godfried Quack en Isabella Gertraud von Carnap en een bloemrank. De schouder met een bladrank. Gouden banden op de voet en rand. De handvatten zijn in de vorm van gemodelleerde en met goud aangezette bladranken.
Three decorated jugs
Object type: ewer
Date: 1694 – 1712
Materials: earthenware, glaze
Location: delft
Subjects: landscapes in the temperate zone, 'en route', traveller under way
Inscriptions: mark: ‘RooS.’

Between 1705 and 1711, both the De Roos and the De Witte Ster pottery factories were in the hands of the same owners. There must have been a lively exchange of motifs and painters, for it is impossible to distinguish between the objects made in either factory during those years.
Portret van Sarah Bernhardt met biografie
Object type: photomechanical print
Date: 1877 – 1877
Materials: paper
Techniques: letterpress printing, woodburytype
Location: france
Subjects: sarah bernhardt, portrait of actor, actress, paris
Sokkel met kop van een satyr
Object type: print
Date: 1546 – 1546
Materials: paper
Techniques: woodcut
Location: paris
Subjects: (scenes from) specific works of literature: colonna, hypnerotomachia poliphili, satyr(s) (in general), monument, statue

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, na colofon.
Allegorische voorstelling met Spaanse Inquisitie, Vrijheid en Waarheid
Object type: titelblad, titelpagina
Date: 1621 – 1621
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: philip ii of spain, charles v (holy roman emperor and king of spain), violent death, being killed; being mishandled and maltreated; seeking death (+ death by inquisition), inquisition
Inscriptions: collector's mark: Lugt 2228

De personificatie van de Spaanse Inquisitie met slangenhaar heeft de plaats ingenomen van Rechtvaardigheid die geboeid slaapt. Links wordt Vrijheid verjaagd en Waarheid doorstoken. Rechts plunderen Spaanse soldaten de geldkist met privileges. Op de achtergrond terechtstellingen. Bovenaan in medaillon de portretten van Filips II en Karel V. Onderaan een motto van 2 regels in het Nederlands. Onderste deel van de prent gesneden.
Gertrude vraagt heer Arner om hulp
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: berlin
Subjects: politician, city-view, and landscape with man-made constructions, afternoon tea - cc - out of doors, mother and baby or young child, feudal lord
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Pestalozzi, Johann Heinrich. Léonard et Gertrude ou Les moeurs villageoises, telles qu'on les retrouve à la ville & à la cour. Berlijn: George Jacques Decker, 1783.
Cartouches in omlijstingen van rolwerk met grotesken, guirlandes en mascarons
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving
Location: france

Tegenzijdige kopie naar blad 11 uit serie met cartouches in omlijstingen van rolwerk met grotesken, guirlandes en mascarons uitgegeven door Pierre Mariette.
Exterieur van het stadhuis van Wiesbaden
Object type: photomechanical print
Date: 1887 – 1895
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: townhall, façade (of house or building)
Inscriptions: number: ‘3812’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in België, Duitsland en Noorwegen.
Bank naar ontwerp van Mathieu Lauweriks
Object type: photograph
Date: 1910 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Subjects: bench
Inscriptions: annotation: ‘JM Lauweriks/ Ma[...]ts 18, Düsseldorf/ Canapé’, annotation: ‘CANAPÉ’, inscription: ‘salon-ameublement uitgevoerd in cuba-mahoni-/ hout met verguld en geciseleerd koperwerk,/ voor den heer J. P. W. Schuurman, Den Haag./ Ontworpen door J. L. M. Lauweriks, architect./ Uitgevoerd door de firma Wed. C. Nederkoorn,/ meubelmaker te Haarlem. + Beelhouwwerk/ van M. J. Hack te Amsterdam. + Koperwerk van/ F. Zwollo, Amsterdam +++++++++’
Portret van een onbekende man
Object type: print
Date: 1830 – 1860
Materials: paper
Techniques: lithograph
Location: bern
Subjects: historical persons not known by name
Inscriptions: collector's mark: Lugt 2228

Portret van een verder onbekende militair, met handtekening in facsimile waarin mogelijk de naam Schnell te lezen is.
Soap Bubbles
Object type: painting
Date: 1859 – 1859
Materials: canvas, oil
Artist: thomas couture
Artist role: artist
Artist nationality: french
Artist dates: 1815 – 1879
Subjects: books,boys,portraits,bubbles
Titmouse and Camellias (right), Sparrow and Wild Roses (center), and Black-naped Oriole and Cherry Blossoms (left)
Object type: print
Date: 1833 – 1833
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: birds,flowers
Portret van twee geliefden bij een fauteuil
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1910
Materials: cardboard, paper
Techniques: gelatin silver print
Location: berlin
Subjects: couple of lovers
Inscriptions: number: ‘4992/4’

Onderdeel van Album met foto's van spoorwegen in Nederlands-Indië en prentbriefkaarten.
Sword Guard (<i>Tsuba</i>) With the Motif of Insects and Autumnal Vegetation (秋草に虫図鐔)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: copper, gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: insects,plants
Luther op de Rijksdag te Worms, 1521
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: aquatint, engraving, etching
Location: amsterdam
Subjects: prague, priest, martin luther, ghent, charles v (holy roman emperor and king of spain), disputing theologians, water-birds: swan, debate, discussion (~ meeting)
Inscriptions: collector's mark: Lugt 2228

Martin Luther verdedigt zich staande tegenover keizer Karel V op de rijksdag te Worms, 18 april 1521. In de lucht twee putti met portretten van Jan Hus en Hiëronymus van Praag. In het onderschrift een zwaan, het symbool van de Lutherse kerk. Waarschijnlijk ontstaan in het kader van de derde eeuwfeest van de Hervorming, 1517-1817.
Coat
Object type: coat
Date: 1860 – 1865
Materials: cotton
Culture: french
Neu künstlich Modelbuch (page 38r)
Object type: book print ornament architecture
Date: 1598 – 1598
Techniques: woodcut
Artist: bernhard jobin
Artist role: publisher
Artist nationality: swiss
Artist dates: 1535 – 1597

Published by Bernhard Jobin, Strassburg. Facsimile illustrated title page of 1579 edition, poem (2 pages), and 44 pages of designs.
Ex libris van A.C. Bunnik
Object type: bookplate
Date: 1944 – 1944
Materials: paper
Techniques: printing block
Location: breda
Subjects: calligraphy
Inscriptions: workshop stamp: ‘Ontwerp Arch. W.J. Bunnik / Breda 1944’
Halberd
Object type: halberd
Date: 1590 – 1600
Materials: steel, textile, wood
Culture: italian
Location: italy
't Kasteel van Aldegonde
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: engraving, etching
Location: middelburg
Subjects: castle
Inscriptions: collector's mark: Lugt 195

Oorspronkelijk van één plaat gedrukt met drie andere voorstellingen (zie RP-P-AO-15-154 en RP-P-AO-15-159-26). Prent in zijn geheel ook gebruikt in: Smallegange, Mattheus. Nieuwe Cronyk van Zeeland (…). Middelburg en Amsterdam: Johannes Meertens en Abraham van Someren, 1696.

Huidige voorstelling later (plaat mogelijk versneden) met andere voorstelling van zelfde plaat en apart gedrukte sierrand ook gebruikt in: Aa, Pieter van der. La galerie agreable du monde (...). 66 delen. Leiden: Pieter van der Aa, 1728, dl. 20.
Portret van Nicolaus Picus
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: brielle, priest, historical persons
Inscriptions: collector's mark: Lugt 964

Portret van de heilige Nicolaus Picus, een van de negentien katholieke martelaren van Gorinchem.
Portret van Jacoba van Selstede
Object type: print
Date: 1735 – 1736
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: historical persons - bb - woman

Pendant van het portret van Jacob van Hoorn.
Gipseying Party
Object type: print
Date: 1830 – 1830
Techniques: printmaking, engraving
Artist: asher brown durand
Artist role: artist
Artist nationality: american
Artist dates: 1796 – 1886
Subjects: boys,girls,men,women,party
Pair of gloves with cuffs
Object type: glove
Date: 1900 – 1915
Materials: leather, skin
Location: netherlands
Artist: Anonymous

Linker handschoen van roodbruin leer en slangenleren omslagen bij de pols. Op de rug drie uitstralende koorden.
The Big Rock
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: aquatint, burnishing, etching, printing
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Portret van een vrouw
Object type: photograph
Date: 1871 – 1875
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: the hague
Artist: henri de louw
Artist role: fotograaf
Artist dates: 1851 – 1944
Subjects: historical persons - bb - woman