deem-data/ArtiFact huggingface dataset:
De zeven vrije kunsten
Object type: print
Date: 1565 – 1633
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: 'grammatica' (~ trivium); 'grammatica' (ripa)
Inscriptions: signature: ‘Corn. Cort fec.’, collector's mark: Lugt 2228, caption:

Grammatica zit als oudere lerares te midden van haar leerlingen. In de klas zitten leerlingen van verschillende leeftijden. Achter leren de jongste kinderen schrijven. Links voor leest een ouder kind in een boek. Grammatica helpt een andere leerling die met een boek naast haar staat. In haar schoot ligt een wijsstok. Op de grond liggen boeken van beroemde schrijvers op het gebied van de spraakkunst zoals Donatus en Diomedes.
Portret van een zittende vrouw zittend bij een tafel met bloemstuk
Object type: photograph
Date: 1859 – 1867
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: maria hille
Artist role: fotograaf
Artist dates: 1827 – 1893
Subjects: cut flowers; nosegay, bunch of flowers, historical persons - bb - woman
Inscriptions: inscription: ‘M. Hille Photograaf/ Willemstraat 12/ 's Gravenhage’
Portret van Carl Friedrich von Baden
Object type: print
Date: 1723 – 1767
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: knighthood order, armour, historical persons
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van een foto door Hugo Henneberg, voorstellend de tuin van Villa Torlonia
Object type: photomechanical print
Date: 1880 – 1907
Materials: paper
Techniques: autotype
Subjects: garden, villa
Inscriptions: inscription: ‘n.e. Gummidruck.’
Poort van de orangerie bij Kasteel Gunterstein, Breukelen
Object type: print
Date: 1680 – 1696
Materials: paper
Techniques: engraving, etching
Subjects: magdalena poulle, gate, entrance, greenhouse, orangery

De toegangspoort tot de tuin rond de orangerie bij Kasteel Gunterstein te Breukelen. Een man opent het hek. Links een hond, rechts een vrouw en een man.
Abklatsch van de krijttekening op blad 22 verso
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper
Techniques: printmaking
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 23 recto uit schetsboek XI met 30 bladen.
Key
Object type: key
Date: 1401 – 1500
Materials: iron
Culture: german

The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or coffrets and other types of storage chests was a result of the increasing urbanization of life and the new emphasis on material wealth and private ownership which developed in the late Middle Ages.
River God
Object type: statuette
Date: 1700 – 1700
Materials: gilt bronze, marble, terracotta
Subjects: male nudes

This and another pendant Neptune (1973.184.2a, b) are models, probably for much larger garden figures. They are amusingly distorted imitations of types current in French baroque classicism, in the manner of Girardon and Coysevox but gone awry.
Hoek van een atelier
Object type: print
Date: 1888 – 1934
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: workshop, studio of the artist (in general)
Inscriptions: collector's mark: Lugt 2228
Les Voyageurs
Object type: print
Date: 1734 – 1811
Materials: paper
Techniques: etching
Location: paris
Subjects: 'en route', traveller under way
Inscriptions: collector's mark: Lugt 2228

Genummerd midden boven: Pl. No. 36 de l'Oeuvre.
Ambachten en bedrijven
Object type: popular print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: leiden
Subjects: miner, smith, blacksmith
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van beroepen, zoals mijnwerker en smid. Onder elke voorstelling een tweeregelig vers. Genummerd rechtsboven: No. 11.
Hawk Tied to Perch
Object type: print
Date: 1750 – 1835
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: hawks
Portret van clown Eugène Skladanowsky tijdens zijn act
Object type: photograph
Date: 1896 – 1896
Materials: paper, cardboard
Techniques: collodion silver print
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: circus, clown
Inscriptions: collector's mark: Lugt 1641, stamp

Portret van clown Eugène Skladanowsky tijdens zijn act. Achter de foto zitten een handgeschreven brief en een krantenartikel over clown Eugène Skladanowsky. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin. Volksleven. Volksfeesten. Circusmenschen, dierentemmers, acrobaten, goochelaars, en dergelijken.
Vrouw in de klederdracht van Scheveningen
Object type: print
Date: 1865 – 1875
Materials: paper
Techniques: lithograph, hand coloring
Artist: Anonymous
Subjects: folk costume, regional costume (+ women's clothes), head-gear: cap

Onderdeel van Album met foto's en litho's van bezienswaardigheden in Noord- en Zuid-Hollandse steden, schilderijen en klederdrachten.
Two Lovers
Object type: print
Date: 1675 – 1680
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: hishikawa moronobu 菱川師宣
Artist role: artist
Artist nationality: japanese
Artist dates: 1618 – 1694
Subjects: musical instruments,swords,lovers,women

Moronobu, the earliest ukiyo-e master, was trained in his family's textile business. He used his knowledge of fabric in the design of his prints, which were the first to explore the theme of beautiful women. He adapted a calligraphic style to black-and-white woodblocks, creating expression by manipulating line. This print, a leaf from an album of shunga, or erotica, shows Moronubu's ability to suggest human sensibilities through inanimate objects. Contrasting the curves of the costumes with the straight lines of the architectural setting, he portrays a woman and her lover, whose bodies—and robes—are beginning to intertwine. Behind them, seeming to float in space because of the artificially high viewpoint, is a cast-off uchikake (outer robe). The sleeves lie parallel, reinforcing the idea of the couple's intimacy, as does the association of the stringed instrument and the sword.
Fragment
Object type: fragment
Date: 1763 – 1774
Techniques: glassblowing
Culture: american
Location: united states
Artist: stiegel's manheim factory
Artist role: maker
Artist nationality: american
Artist dates: 1763 – 1774
Saucer
Object type: saucer
Date: 1840 – 1840
Materials: glaze, porcelain
Culture: japanese
Portret van een kind van acht maanden.
Object type: drawing
Date: 1835 – 1892
Materials: ink, paper, pencil
Techniques: pen
Location: the hague
Artist: jan willem van borselen
Artist role: draughtsman, print maker
Artist dates: 1825 – 1892

Portret van een kind van acht maanden, op de achterkant wiskundige aantekeningen.
Portret van koning Hendrik II
Object type: plaque
Date: 1775 – 1800
Materials: copper, lacquer, paint
Techniques: lacquer
Location: japan
Artist: Anonymous
Subjects: göttingen, keizer, koning, hendrik ii de heilige (keizer van het heilige roomse rijk)

Ovale plaquette met portret van een man, schouderstuk, met kroon en links een staf waarop een kruis. In goud op zwart, sporen van rood op de kroon, de ogen en het kruis, gouden randschrift boven: REX. HENRICVS. en keerzijde midden: HENRICVS II. Imp. an, XXII, mens V. di. XXI, sedentib. / Silvestro II,I.XVI,I.XVII, Sergio IV, Bened. VIII. et Ie XVIII / decess. an. Chr. MXXIV. Boven een draaibaar draagoog.
The Actor Nakamura Matsue III as Keisei Agemaki
Object type: print
Date: 1801 – 1833
Techniques: woodblock print
Location: japan
Artist: shunshosai hokucho
Artist nationality: japanese
Artist dates: 1822 – 1830
The Lake of Zurich
Object type: painting
Date: 1660 – 1660
Materials: canvas, oil
Artist: jan hackaert
Artist role: draughtsman, painter, print maker
Artist dates: 1628 – 1705
Subjects: lake
Inscriptions: signature: ‘Hackaert.’

Hackaert belongs to the Dutch Italianates, the name given to painters able to capture the golden sunlight of Italy. It is unclear whether he ever actually travelled to Italy. What is certain is that he lived for many years in Switzerland, where he made drawings in the environs of Zurich. He relied on such studies for this panoramic
view – it is one of the earliest topographical renderings of the Alps.
Ichikawa Danjuro VII as Fujiwara no Shihei (Tokihira, Minister of the Left), in Ume Sakura Aioi-zoshi
Object type: print
Date: 1816 – 1816
Techniques: woodblock print
Location: japan
Artist: utagawa toyokuni i 初代 歌川 豊国
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Wine Jar (Hu)
Object type: vessel
Materials: bronze
Location: china
The Title Page for 'Douze Eaux Fortes d'après Nature'
Object type: print
Date: 1858 – 1858
Materials: paper, ink
Techniques: printmaking, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Portret van Isabella Clara Eugenia, infante van Spanje
Object type: print
Date: 1598 – 1619
Materials: paper
Techniques: engraving
Location: antwerp
Artist: hieronymus wierix
Artist role: draughtsman, print maker
Artist dates: 1553 – 1619
Subjects: infante van spanje isabella clara eugenia, brooch, agraffe, clasp (+ women's clothes), head-gear, neck-gear ~ clothing (with name) (+ fur used for clothes)
Inscriptions: number: ‘22. - 23.’, collector's mark: Lugt 2228

Busteportret van Isabella Clara Eugenia, infante van Spanje Albrecht en gemalin van aartshertog van Oostenrijk. Ze draagt een rijk versierde hoed en jurk met juwelen. De voorstelling is gevat in een omlijsting met een randschrift in het Latijn. In de marge een vierregelig onderschrift in het Latijn.
Moorbild
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Location: berlin
Artist: george einbeck
Artist role: painter
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: monogram: ‘MR/ &Co’
Kous van effen gebreide witte katoen met ajour rand, kindermaat
Object type: childrenswear
Date: 1840 – 1850
Materials: cotton
Techniques: cross stitching, embroidery, knitting
Location: netherlands
Artist: Anonymous
Inscriptions: mark: ‘'IRvG 3'’

Kous van effen gebreide witte katoen met ajour rand, kindermaat. Gemerkt in rode kruissteek: 'IRvG 3'. Deel van een paar.
Exterieur van een schoolgebouw te Praag
Object type: page
Date: 1891 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: façade (of house or building), elementary school; class, form
Swaddling band
Object type: swaddling band
Date: 1501 – 1600
Materials: linen
[Man Examining Other Man]
Object type: carte de visite
Date: 1870 – 1879
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: men
Quartae partis Brabantiae seu ditionis Silvae Ducis accuratissima delineatio
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Artist: Anonymous
Subjects: maps of separate countries or regions, den bosch

Kaart van de Meierij van 's-Hertogenbosch. Linksboven de titelcartouche. Linksonder twee schaalstokken: Gemeene Duytsche Mylen van 15 in een Graad / 2 Uren Gaens.
Bowl
Object type: bowl
Date: 1835 – 1840
Materials: glass
Bowl with Floral Scrolls
Object type: vessel
Materials: porcelain
Techniques: painting, underglaze
Location: china
Suerte I: Bull entering the bullring after a law officer on horseback; two toreros standing to right
Object type: print
Date: 1850 – 1880
Techniques: woodcut
Artist: anonymous, spanish, 19th century
Artist role: artist
Artist nationality: spanish
Artist dates: 1800 – 1900
Subjects: men,bulls,horses,flowers

Copied from a print in Carnicero's series of etchings 'Colección de las principales suertes de una corrida de toros' (Collection of the main actions in a bullfight) published 1787–90.
Pendeloque. In den r.b.: 3. Onderaan in het midden P.B. In.
Object type: ornament print
Date: 1571 – 1639
Materials: paper
Techniques: engraving
Location: germany

Hanger met een bloemenvaas tussen de bovenlichamen van twee gevleugelde vrouwen. Aan de hanger hangen drie parels. De hanger is opgehangen aan een mascaron met linten. Blad naar een serie, bestaande uit een titelblad en 5 bladen.
Meisje van Marken
Object type: photomechanical print
Date: 1920 – 1920
Materials: paper
Techniques: photograph
Location: netherlands
Subjects: clothes, costume (+ children's clothes), folk costume, regional costume
Inscriptions: collector's mark, collector's mark: Lugt 1641

Meisje van Marken, met speelgoed paard op wielen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: De Kleeding, Volkskleederdracht, Noord-Holland.
Portret van een onbekende man
Object type: print
Date: 1876 – 1908
Materials: paper
Techniques: etching, intaglio
Artist: martinus van regteren altena
Artist role: painter, print maker
Artist dates: 1866 – 1908
Subjects: head-gear: hat (+ men's clothes), anonymous historical person portrayed
Inscriptions: collector's mark: Lugt 2228

De man draagt een hoed en heeft bakkebaarden.
Magical Figure
Object type: figure, magical, execration, tablet
Date: 1802 – 1550
Materials: clay
Location: egypt

These tablets of unfired clay with attached crude faces were found as a group by the Museum's excavators at Lisht South in loose surface sand west of the mastaba of Senwosretankh, a high official and possibly the architect of the pyramid complex of Senwosret I (ca. 1961–1917 B. C.), east of which he erected his own very elaborate mastaba tomb (see acc. nos. 33.1.2 and other pieces). The mud figures and little coffin (acc. no. 33.1.66) that had contained some of them must have been buried, however, considerably later than the early twelfth dynasty tomb close to which they were found. In fact, during the thirteenth and following dynasties people deposited a number of objects in the by then sacred area around a legendary ruler's pyramid and its dependant monuments, believing conceivably that potent magical powers could thus be released. These flat mud figures, for instance, are inscribed in now much-faded red paint with the names of men identified as enemies (most of them Egyptians but some with foreign names). Their deposition may have been thought to effect their destruction.
Fragment
Object type: fragment
Date: 1150 – 1250
Materials: ceramic, glass
Culture: european or middle eastern
Twee figuren bij een handkar
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Techniques: stumping
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: hand-cart, adult woman

Twee figuren, waarschijnlijk vrouwen, aan weerszijden van een handkar. Blad 45 verso uit een schetsboek met 58 bladen.
Gaming purse
Object type: gaming purse
Date: 1690 – 1710
Materials: linen, silk
Culture: french
Subjects: flowers

A new level of card game mania swept Europe during the 17th century and continued into the 18th century. Gambling with cards or "gaming" was a favored pastime for both men and women of all ages and classes. Gaming purses, round flat-bottomed pouches that closed by means of a drawsting were worked in various materials. This examples is worked in fine petit point needlework. Its repeat pattern of pink flowers is interrupted only once by a single yellow flower. This anamoly may have personalized the bag, relating it to a particular owner.
Portret van Louise, prinses van Oranje-Nassau
Object type: print
Date: 1806 – 1834
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: the hague, amsterdam, louise (prinses van oranje-nassau)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Omene, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Bacchanalian Scene with Allegorical Figures
Object type: print
Materials: paper
Techniques: etching
Location: germany
Artist: johann wilhelm bauer
Artist nationality: german
Artist dates: 1607 – 1642
Terracotta fragment of a bell-krater (bowl for mixing wine and water)
Object type: bell krater fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Nose, mouth, beard, right shoulder, and part of upper right arm of a male to left
Emperor Tenji
Object type: print
Date: 1845 – 1846
Materials: paper
Techniques: woodcut
Location: japan
Subjects: garden, mist, fog

Ushiwakamaru in een jachtkostuum van groen brocade, staat in de mist in de tuin van het huis van prinses Jôruri. Scene uit een kabukitoneelstuk. Gedicht door de zevende eeuwse keizer Tenji.
Begrafenis van Sara
Object type: book illustration
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: sarah's burial in the cave of machpelah
Inscriptions: collector's mark: Lugt 240

Boekillustratie voor Willem Goeree. Mosaize historie der Hebreeuwse kerke. Amsterdam: Willem & David Goeree, 1700.
Page from the Mustard Seed Garden Manual of Painting
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: chinese
Artist: wang gai
Artist role: artist
Artist nationality: chinese
Artist dates: 1645 – 1710
Subjects: landscapes

In 1679, publishers Shen Xinyu and Li Yu printed the first edition of the Mustard Seed Garden Manual of Painting. Produced in five volumes, it included sections on technique, trees, rocks, figures, and reproductions of works by famous painters. Nanjing painter Wang Gai was chosen to illustrate the book, and he did so by adapting a painting primer from an earlier artist. For an aspiring painter without access to a collection of their own, the Mustard Seed Manual and others like it were invaluable resources, as they offered a glimpse into the elite training available to painters of privilege. While numerous painting manuals found favor in China, Korea, and Japan, none had so great an impact as the Mustard Seed Manual, which was widely reproduced and disseminated.
Char de la Paix
Object type: photomechanical print
Date: 1892 – 1892
Materials: paper
Techniques: photograph
Location: antwerp
Artist: joseph maes
Artist role: fotograaf
Artist dates: 1838 – 1908
Subjects: public festivities (+ parade, pageant, cavalcade ~ festive activities), antwerp
Inscriptions: inscription: ‘L'ARBRE CROISSANT DE LIERRE. - DE GROEIENDE BOOM VAN LIER.’, inscription: ‘De Verbroedering.’, number: ‘Pl. IX.’
The Actor Ichikawa Danjuro V as Abe no Sadato in the Play Oshu Adachi ga Hara, Performed at the Ichimura Theater in the Fifth Month, 1777
Object type: print
Date: 1777 – 1777
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Tiles (5)
Object type: tile
Date: 1501 – 1700
Materials: earthenware
Techniques: glazing
Portret van Hendrik III, koning van Frankrijk
Object type: print
Date: 1700 – 1724
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: hendrik iii (koning van frankrijk), city-view in general; 'veduta', historical persons, king

Prent mogelijk uit: Principum et illustrium quorundam virorum qui in Europa alibique terrarum (...). Leiden: Pieter van der Aa, s.a.
Scarf
Object type: scarf
Date: 1809 – 1810
Materials: linen, metal thread, silk
Pedestal
Object type: pedestal
Date: 1770 – 1780
Materials: gilt bronze
Artist: matthew boulton
Artist role: maker
Artist nationality: british
Artist dates: 1728 – 1809
Subjects: musical instruments,animals,men,women
Portret van een jongen met een schop
Object type: cabinet photograph
Date: 1897 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Artist: edouard fabronius
Artist role: fotograaf
Artist dates: 1847 – 
Subjects: boy (child between toddler and youth), agricultural implements: spade
Inscriptions: name: ‘E. Fabronius 11 Rue Neuve Bruxelles.’
Algemeen Handelsblad
Object type: newspaper
Date: 1937 – 1937
Materials: paper
Techniques: printing
Location: amsterdam
Subjects: the hague, wilhelmina of the netherlands, netherlands

Deel van een krant, extra editie 'Algemeen Handelsblad' 1 blad, 2 pp met troonrede en portret Wilhelmina.
Beleg van Jeruzalem
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: siege
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Josephus, Flavius. Alle de Werken, 2 delen. Amsterdam: Pieter Mortier, 1704, dl. 2, p. 662.
Servet met landelijke scènes, gemerkt BdW en 24
Object type: napkin
Date: 1830 – 1860
Materials: cotton, linen
Techniques: damask
Location: germany
Artist: Anonymous
Inscriptions: mark: ‘onleesbaar’

Wit halflinnen damasten servet met landelijke taferelen, gemerkt BdW en 24.
Onversneden blad met loterijbriefjes
Object type: text sheet
Date: 1800 – 1890
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: raffle, lottery

Onversneden blad met ongenummerde loterijbriefjes. Blad bedrukt op beide zijden met tekst in het Frans. Bovenaan gemerkt: 'Octrois. Reg. No. 6:'. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Spel en Vermaak; Loterij.
Corbel with Fore Portion of Beast with Bone
Object type: corbel
Date: 1150 – 1200
Materials: limestone
Culture: french
Location: france
Subjects: animals

Mischief and humor abound on the ten architectural supports set around the perimeter of this gallery. Naked grimacing acrobats wrestle and pull violently at each others’ beards; a snarling beast proudly claims a bone. Similar mischievous, and sometimes mystifying, motifs are often found on corbels set just under the eaves of the roof on the outside of a church. Notre-Dame-de-la-Grande-Sauve, the church from which these corbels come, was situated on one of the routes to the shrine of Santiago de Compostela in northern Spain. Set next to a great forest (the silva major from which its name comes) and dominating a hill overlooking the Gironde River, its community grew from seven monks at its founding in 1079 to some 300. The abbey benefited from donations from famous patrons, including a gift from Eleanor of Aquitaine, and Henry II king of England, in 1156. In the aftermath of the French Revolution, the monastic buildings served as a prison. The church vaults collapsed in 1809, and a fire in 1910 further compromised the site. Still, some related corbels survive on the church exterior.
Bridge and Spout Bottle with Head
Object type: bottle
Date: 700 – 301
Materials: ceramic
Culture: paracas
Location: peru
Subjects: heads
Zeilschepen
Object type: scrapbook
Date: 1880 – 1900
Materials: cardboard, leather, paper, photographic support
Techniques: albumen print, gelatin silver print
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone), (high) hill, civic architecture; edifices; dwellings, coast
Inscriptions: annotation: ‘[...] 562/ foto's Adamson Rothesay’

Pagina's 14, 16, 18, 20, 22, 24, 26, 28, 30, 32, 34, 36, 40, 42, 44, 46, 48, 50, 52, 54, 56, 58 en 60 bevatten geen foto's.
Under the Umbrella
Object type: stereograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Subjects: umbrella, couple of lovers