deem-data/ArtiFact huggingface dataset:
Order of Saint Anne, Russia, from the World's Decorations series (N44) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: medals

Trade cards from the "World's Decorations" series (N44), issued in 1890 in a numbered set of 50 cards to promote Allen & Ginter brand cigarettes. Series N44 reproduces the cards from N30 in a larger size.
Omslag voor een serie gezichten te Java
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: city-view in general; 'veduta', java
Inscriptions: collector's mark: Lugt 2228

Omslag voor een serie van zes lithografieën van gezichten te Java van Willem Jan Gordon.
This is What Nowadays is Called a Light Work. “- My God, what's this!.... an encyclopaedia? “- No sir.... it is the novel 'the mysteries of Paris' that Madame bought at the bookshop of our Master. We will bring you the rest of the oeuvre as soon as it appears.,” plate 13 from Revue Caricaturale
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Christ Healing a Leper
Object type: drawing
Date: 1650 – 1655
Materials: paint, ink, paper
Techniques: brush, pen
Location: amsterdam
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: healing of one leper, who kneels before christ (matthew 8:1-4; mark 1:40-45; luke 5:12-16)

Christ healed a leper by simply touching him. Rembrandt initially showed Christ taking hold of the afflicted man’s hand. He changed his mind and covered both hands with opaque lead white, which has oxidized over time. Ultimately, he placed Christ’s hand meaningfully on the head of the leper. At the right two disciples look on quietly in wonder.
Gezichten op Amsterdam vanaf het water
Object type: print
Date: 1696 – 1743
Materials: paper
Techniques: etching
Artist: jan lamsvelt
Artist role: print maker
Artist dates: 1674 – 1743
Subjects: prospect of city, town panorama, silhouette of city, amsterdam
Inscriptions: collector's mark: ‘3-27’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Panorama's en verzamelprenten.
Genummerd: 3.
Card Number 76, Irene Verona, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Interieur met zittende vrouwen, mogelijk koffiepiksters
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ sitting)

Pagina 17 uit schetsboek XXXIII met 47 pagina's.
Sago Palms
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: palms
In a Pleasure House in Shinagawa (Shinagawa no rojo)
Object type: print
Techniques: woodblock print
Location: japan
Artist: chobunsai eishi
Artist role: artist
Artist nationality: japanese
Artist dates: 1756 – 1829
Quatrième Station du Chemin de la Croix
Object type: print
Date: 1931 – 1931
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: stations of the cross
Inscriptions: collector's mark: Lugt 5i, collector's mark: Lugt 2228

Christus loopt langs zijn moeder Maria terwijl hij zijn kruis naar Golgota draagt, de heuvel waar hij zal worden gekruisigd.
Kaart van het graafschap Vlaanderen
Object type: print
Date: 1666 – 1667
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maps of separate countries or regions, coat of arms (as symbol of the state, etc.) (+ province; provincial)

Kaart van het graafschap Vlaanderen. In een balk boven de kaart de titel. Linksboven vier putti die het wapen van het graafschap Vlaanderen dragen. Rechtsonder twee schaalstokken: 1 Duytse Myl van 15 in een graad / 2 ure gaens. Rechtsboven gemerkt: Q.
Pavement tiles
Object type: pavement tile
Date: 1501 – 1700
Materials: earthenware
Techniques: glazing
Vest
Object type: vest
Date: 1840 – 1840
Culture: french
Bulgaarse boerinnen in een Bulgaars dorp, tijdens een rondreis van Eugen Wachenheimer en zijn echtgenote Else Wachenheimer-Moos door Bulgarije, 1922-1923, (mogelijk omgeving Sofia)
Object type: album leaf
Date: 1922 – 1923
Materials: paper, photographic support
Techniques: gelatin silver print
Location: bulgaria
Subjects: village (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘bulg. Bäuerinnen’

Albumblad bevat een foto van twee Bulgaarse boerinnen. Uit album half formaat, blauw kunstlederen omslag met koordbinding.
Fan
Object type: fan
Date: 1701 – 1800
Materials: ivory, paper
Subjects: shields,men
Bordspel over de geschiedenis van Nederland, 1815
Object type: print
Date: 1815 – 1815
Materials: cardboard, paper
Techniques: aquatint, engraving, etching
Location: amsterdam
Subjects: goose-game, historical events and situations; historical persons, netherlands
Inscriptions: collector's mark: Lugt 2228

Bordspel over de geschiedenis van Nederland met vakken genummerd 1-70. Beginnend met de aankomst van de Batavieren in Nederland (100 jaar v. Chr.) en eindigend met de Vrede van Parijs (1815).
Perseus op Pegasus
Object type: print
Date: 1651 – 1691
Materials: paper
Techniques: engraving
Location: france
Subjects: pegasus, the winged horse, (story of) perseus
Inscriptions: collector's mark: Lugt 971
Febraro
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: etching
Location: italy
Subjects: the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months', tournament, pisces (zodiacal sign of february), joust, tilt, with barrier, festivities
Inscriptions: collector's mark: Lugt 240

Verbeelding van menselijke activiteit in de maand februari. Gezicht op een plein waar festiviteiten en een toernooi plaatsvinden. Midden boven het symbool voor het sterrenbeeld vissen. Italiaans vers en titel in ondermarge.
Fragment
Object type: textile
Date: 1601 – 1625
Materials: silk, velvet
Techniques: cutting, weave, voiding
Location: italy
Clothing Beggars
Object type: print
Date: 1635 – 1635
Techniques: etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: children,men,women,dressing
Fragment of a Cope
Object type: cope fragment
Date: 1701 – 1800
Materials: metal thread, silk
Techniques: brocade
Location: iran
Carl Fredrik Liljevalch
Object type: print
Date: 1909 – 1909
Techniques: etching
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Subjects: men,portraits
Gezicht op de Thonethof in Wenen, Oostenrijk
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: vienna
Artist: Anonymous
Subjects: exterior ~ representation of a building
Inscriptions: number: ‘132.’
Nieuwe Nederlandsche kinderprenten
Object type: popular print
Date: 1875 – 1903
Materials: paper
Techniques: lithograph, letterpress printing
Location: haarlem
Subjects: family life at home
Inscriptions: collector's mark: Lugt 2760

Blad met grote voorstelling van een gezin aan een tafel. De vader van het gezin bouwt een huis van een bouwprent. De moeder en de kinderen kijken toe. Onder de afbeelding een vers. Genummerd rechtsboven: No. 132.
Papyrus Fragment
Object type: fragment
Date: 301 – 700
Materials: ink, papyrus
Culture: coptic
Location: egypt
Subjects: documents
Needlework picture of scene from Shakespeare’s "Henry VIII"
Object type: needlework
Date: 1865 – 1865
Materials: canvas, linen, silk, wool
Culture: american
Location: albany
Artist: agnes (pruyn) strain
Artist role: artist
Artist dates: 1839 – 1898
Subjects: henry viii,shakespeare,men,women,horses

This needlework picture was made in the technique of Berlin wool work (so called because initially the brightly colored wool thread was imported from Germany,) a style of embroidery that flourished in Europe and America during the middle decades of the nineteenth century. The printed patterns for Berlin wool work replaced the time-consuming task of drawing an original pattern, allowing the embroiderer to follow a chart in a sort of "paint-by-numbers" style in order to create a highly elaborate finished product. Berlin wool work was executed in many colors and hues, and large pieces like this one were meant to be almost like wool paintings, using different colored threads to create shading and highlights. This piece has been embroidered in tent stitch in multiple different shades of wool, and there are highlights of silk embroidery, as well as chenille yarn incorporated for areas of fur and hair. This piece is based on Robert Thew's (1758–1802) original stipple engraving, King Henry the Eighth. Act IV, Scene II. Abbey of Leicester. Wolsey, Northumberland, & Attendants, Abbot of Leicester, Etc. after a painting by Richard Westall (1765–1836) for the Boydell Shakespeare Gallery (1789-1805), an establishment founded in the late-eighteenth century in London, England dedicated to British paintings depicting scenes from Shakespeare’s plays. According to family history, the piece was made in Albany, New York during the Civil War to keep the artist’s mind occupied during period of the war. This coincides with the tercentenary of Shakespeare’s birth, that was celebrated in England and further afield in 1864, around the time the piece was created.
The Actor Segawa Yujiro (or Segawa Kikunojo III) in an Unidentified Role
Object type: print
Date: 1774 – 1774
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Design for Fireplace Wall and Ceiling
Object type: drawing
Date: 1851 – 1900
Materials: gold, gouache, watercolor
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: architecture,fireplaces,ceilings
Portret van een zittende man met bakkebaarden
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: sideburns, sitting figure, historical persons
Portret van een onbekende matroos
Object type: photomechanical print
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Subjects: seaman: sailor, historical persons not known by name
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic
De bekering van Paulus
Object type: print
Date: 1608 – 1611
Materials: paper
Techniques: engraving
Location: rome
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: on the way to damascus christ appears to saul, who falls from his horse and is blinded by the light
Inscriptions: collector's mark: Lugt 240

Paulus valt van zijn paard als Christus in een groot licht aan de hemel verschijnt. Deze prent is onderdeel van (de tweede staat van) een serie van 29 voorstellingen van schilderijen en sculpturen in kerken te Rome, genummerd 1-16 en 1-13. (De eerste staat van deze serie, waarin de prenten ongenummerd zijn, behelst ook een titelprent).
Presentiepenning bij brand van het Turfdragersgilde te Amsterdam 1639
Object type: history medal
Date: 1639 – 1639
Materials: lead
Techniques: casting
Inscriptions: circumscription: ‘TVRF.DRAGERS.GILT’

Gegoten loden penning, op de voorzijde een brandemmer tussen 16 en 39, op de keerzijde cijfer I.
Portrait of Jean-Nicolas, Baron Corvisart
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: france
Artist: jules boilly
Artist role: artist
Artist nationality: french
Artist dates: 1786 – 1874
Terracotta fragment of a lekythos (oil flask)?
Object type: lekythos fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic
Feest
Object type: album leaf
Date: 1910 – 1939
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, harvest festivities, military training, recreation ~ the soldier off duty, germany
Inscriptions: inscription: ‘... von ... 27 X 1939’

Albumblad met vijf foto's van een feestelijke bijeenkomst van militairen (Oktoberfest?) en van de eenheid onderweg, oktober 1939. Onderdeel van de fotoalbum van de Wehrmacht 1938-1941.
Trousers
Object type: trouser
Date: 1830 – 1830
Materials: wool
Culture: european
Portret van Napoleon Bonaparte
Object type: print
Date: 1808 – 1864
Materials: paper
Techniques: engraving
Location: france
Subjects: napoleon i (emperor of the french), predatory birds: eagle, historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
Plate 52 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not arrive in time' (No llegan á tiempo)
Object type: print
Date: 1811 – 1811
Techniques: engraving, drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: women
Bottle
Object type: bottle
Date: 1601 – 1800
Materials: porcelain
Techniques: underglaze
Culture: japanese
The Love Parade
Object type: photograph
Date: 1929 – 1929
Materials: paper
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Subjects: film actor (on the screen)
Inscriptions: stamp: ‘Nederlands Filmmuseum/ Amsterdam’, inscription: ‘The Love Parade/ USA. 1929/ Ernst Lubitsch’
Gewonde krijgsman
Object type: print
Date: 1837 – 1886
Materials: paper
Techniques: drypoint, etching
Artist: david van der kellen (1827-1895)
Artist role: draughtsman, print maker
Artist dates: 1827 – 1895
Subjects: landscapes, hacking and thrusting weapons, infections and wounds, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228

In een landschap verbindt een krijgsman zijn gewonde linkerbeen. Rechts naast hem ligt het levenloze lichaam van een soldaat, en links zijn rapier. Op de achtergrond zijn enkele naaldbomen en de contouren van een verwoeste gevel te zien.
Landschap met weg
Object type: print
Date: 1724 – 1798
Materials: paper
Techniques: print drawing
Location: amsterdam
Artist: jurriaan cootwijck
Artist role: print maker
Artist dates: 1714 – 1798
Subjects: river, outskirts of city, public road (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Landschap met op de voorgrond voetgangers aan de kant van een weg. In de achtergrond de contouren van een stad. De weg volgt een rivier richting de stad.
Rustic Solicitude (Solicitudo rustica), from "The Large Landscapes"
Object type: print
Date: 1555 – 1556
Techniques: engraving, etching
Artist: johannes van doetecum i
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1528 – 1605
Subjects: rivers,mountains,landscapes
Gezicht op de Weteringpoort vanaf het Singel
Object type: drawing
Date: 1744 – 1786
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: dirk verrijk
Artist role: draughtsman
Artist dates: 1734 – 1786
Subjects: city-view in general; 'veduta', canal, windmill in landscape, bridge in city across river, canal, etc., city-gate
Inscriptions: inscription: ‘De Weeteringse Poort der Stad Amsterdam.’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 24.
Omslag met tekstbladen en prenten over Nederlands Indië: achtste aflevering
Object type: print
Date: 1843 – 1845
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: landscapes in the non-temperate zone, exotic landscapes, dutch east indies, the
Inscriptions: inscription: ‘8 C’

Omslag met acht losse bladen waaronder twee tekstbladen en zes lithografieën. De omslag maakt deel uit van een map met twaalf omslagen.
Bebaarde man met muts
Object type: print
Date: 1737 – 1787
Materials: paper
Techniques: etching
Location: germany
Subjects: head-gear: cap (+ men's clothes), old man, beard
Inscriptions: collector's mark: Lugt 240
Charles Dickens
Date: 1867 – 1867
Techniques: albumen silver print, glass negative
Artist: j. gurney & son
Artist role: photography studio
Artist dates: 1860 – 1874
Groet uit Valkenburg (L). Verliefde boomen Genlem - Valkenburg (L.)
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1926
Materials: cardboard
Techniques: photograph
Location: valkenburg
Subjects: trees, canal
Kracht (Fortitudo)
Object type: print
Date: 1754 – 1809
Materials: paper
Techniques: printmaking, etching
Artist: izaak jansz. de wit
Artist role: draughtsman, print maker, publisher
Artist dates: 1744 – 1809
Subjects: fortitude, 'fortitudo' ~ one of the four cardinal virtues

Meisjesfiguur met helm en in de linkerhand een schild.
Ontwerp voor een wandschildering
Object type: sketchbook leaf
Date: 1889 – 1891
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: standing figure

Ontwerp met figuren in gewaden in verschillende houdingen. Mogelijk een voorstudie voor Derkinderens wandschildering in het stadhuis te Den Bosch. Blad 26 verso en 27 recto uit een schetsboek met 33 bladen.
Plate (part of a set of six)
Object type: plate
Date: 1790 – 1790
Materials: earthenware
Artist: john turner
Artist role: artist
Artist dates: 1762 – 1786
Subjects: men
Signatuur en datum
Object type: sketchbook leaf
Date: 1809 – 1872
Materials: paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: signature: ‘G.H. Breitner.’, annotation: ‘Rotterdam’, collector's mark: Lugt 2228, date: ‘12 September 1872’

Schutblad A, voorste schutblad, uit een schetsboek met 32 bladen.
Indonesisch kindermeisje (destijds 'baboe' genoemd) met twee kinderen (Pitteke en Fritsje), waarvan één (Pitteke) verkleed als pierrot
Object type: negative
Date: 1928 – 1928
Materials: film
Techniques: gelatin silver negative
Location: dutch east indies
Artist: Anonymous
Subjects: types in 'commedia dell'arte': pierrot, baby-sitter, house personnel, servants, dutch east indies, the
Inscriptions: number: ‘15’, number: ‘5’

Onderdeel van Kodak negatievenalbum met 35 foto's van een familie in Nederlands-Indië.
Earring in the form of a shield
Object type: earring in the form of a shield
Date: 7000 – 330
Materials: gold
Pouring vessel
Object type: pouring vessel
Date: 1601 – 1633
Materials: iron
Techniques: painting, underglaze
Culture: japanese
Sunset on the Sea
Object type: painting
Date: 1872 – 1872
Materials: canvas, oil
Culture: american
Artist: john frederick kensett
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1872
Subjects: sun,seascapes,evening

The group of paintings called "The Last Summer's Work," left behind in Kensett's summer studio at Darien, Connecticut, at his death in December 1872, was the subject of great wonder and fascination among the artist's admirers, friends, and eulogists who gathered in tribute to him later that month at the Century Club. Their wonder was a factor partly of sheer novelty, for none of the works had been seen before, and as a body they were interpreted to be Kensett's ultimate testament of his vision and sensibility. To the assembled, however, none of those pictures better represented the absolute expression of the artist's distilling and suggestive eye than this, in which he eliminated any evidence of landfall but, in a way reminiscent of few artists but J. M. W. Turner, introduced a radiant sun suspended above the open ocean. "It is pure light and water, a bridal of the sea and sky," averred one of the eulogists, and asked, "Is it presumption in a poor novice in art like me, to say that this is a great picture?"
Hammered Copper Claw Ornament
Object type: ornament
Date: 701 – 1566
Materials: copper, gilt
Techniques: hammering
Culture: peruvian
Location: peru
Tobias en de engel bij een rivier
Object type: print
Date: 1608 – 1698
Materials: paper
Techniques: engraving
Subjects: tobias and the angel raphael travelling, accompanied by tobias' dog
Inscriptions: collector's mark: Lugt 2228

Tobias en de engel Rafaël steken een rivier over. Een hond volgt hen. In Tobias' handen een grote vis. Tobias zal de vis zijn gal later gebruiken om zijn vaders blindheid te genezen. Op de achtergrond een herder en zijn kudde. De prent heeft een Latijns onderschrift. Naar een schilderij van Adam Elsheimer
Koe aan de waterkant
Object type: print
Date: 1887 – 1940
Materials: paper
Techniques: etching, intaglio
Artist: gerard altmann
Artist role: print maker
Artist dates: 1877 – 1940
Subjects: cow
Inscriptions: signature: ‘G. Altmann’, collector's mark: Lugt 2228

Staande koe aan de waterkant, naast drie bomen.
Portret van een edelman
Object type: print
Date: 1570 – 1615
Materials: paper
Techniques: engraving
Location: germany
Subjects: anonymous historical person portrayed alone

Portret ten halven lijve in ovaal van een deftig geklede heer, met brede geplooide kraag en muts met veren. Onderin de voorstelling een devies: het woord 'utcumque' en een hand die een aantal slangen vasthoudt.
Huismunt ter waarde van een cent van de strafgevangenis te Woerden
Object type: monetary token
Materials: zinc
Techniques: striking
Location: utrecht
Artist: Anonymous

Zinken betaalpenning. Voorzijde: leeg veld binnen omschrift. Keerzijde: waardeaanduiding