deem-data/ArtiFact huggingface dataset:
Triangular label impressed with stamp seal: for grain loan
Object type: cuneiform tablet
Date: 700 – 601
Materials: clay
Culture: assyrian
Location: mesopotamia
Subjects: faces

The invention of writing in approximately 3300 B.C. was one of many developments in administrative technology--including the use of geometric tokens for counting and cylinder seals to guarantee transactions--that accompanied the growth of the first cities and states in southern Mesopotamia. Proto-cuneiform is the name given to the earliest form of writing--pictograms that were drawn on clay tablets. Gradually, the pictograms became abstracted into cuneiform (Latin, "wedge-shaped") signs that were impressed rather than drawn. At its greatest extent, cuneiform writing was used from the Mediterranean coast of Syria to western Iran and from Hittite Anatolia to southern Mesopotamia. It was adapted to write at least fifteen different languages. The last dated cuneiform text has a date corresponding to A.D. 75, although the script probably continued in use over the next two centuries. This clay object is a triangular-shaped label used to record a loan of grain. The cuneiform text which reads from left to right identifies the individuals involved, Shamash-sharru-usur and Ninurta-nadin-ahi, and also lists a number of witnesses. The label is impressed twice with a stamp seal with the design of a rosette. According to a caption the seal belonged to Ninurta-nadin-ahi, the man who received the advance of grain. Two counterclockwise whorls are incised between the stamped rosettes. They may represent either a type of countermark or perhaps a "signature" added by the scribe of the tablet. The label was excavated at the site of Nimrud in northern Mesopotamia. It was part of the archive of a certain Shamash-sharru-usur, a high official who was active during the reign of the Assyrian king Ashurbanipal.
Abklatsch van een potloodtekening
Object type: sketchbook leaf
Date: 1885 – 1911
Materials: paper
Techniques: printmaking
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911

De tekening van een kop van een kind is niet langer aanwezig in het schetsboek. Blad 23 recto uit een schetsboek met 26 bladen.
Rinske verlaat verdrietig de kerk
Object type: print
Date: 1804 – 1805
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: taking leave (+ variant), interior of church
Inscriptions: collector's mark: Lugt 240

Proefdruk van een prent die ook gebruikt is als illustratie in: Loosjes, Adriaan Pietersz. Zedelijke Verhaalen. Haarlem: Adriaan Loosjes, 1804-1805. Tweede druk Haarlem: Adriaan Loosjes, 1815.
Deel van de vesting van Carcassonne
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: carcassonne
Artist: Anonymous
Subjects: fortress
Inscriptions: annotation: ‘Frankrijk 9.’, collector's mark: ‘RIJKS NORMAALSCHOOL voor T[EEKENONDERWIJZERS] AMSTERDAM’, annotation: ‘Carcasone/ Entrée [....]pale/ du château’, annotation: ‘Carcassonne’, annotation: ‘Carcasone’
De Nederlandsche Parnas Grafisch-statistisch voorgesteld
Object type: print
Date: 1869 – 1869
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: statistic diagram, graph; pictorial chart, etc.

Spotprent nav het Statistisch Congres. Tabel van de Nederlandse dichtkunde van de 10e tot de 19e eeuw. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 36, 1869.
Glass mosaic inlay
Object type: mosaic block inlay
Date: 100 – 100
Materials: glass
Culture: egyptian or roman

Translucent cobalt blue ground; decoration in opaque white, yellow, red, and grayish green. Polygonal, flat, and very thin plaque. Symmetrical ivy leaf and palmette motif arranged around a large central six-petaled rosette, with a slightly compressed palmette with spiral volutes below on sides of the hexagon and ivy leaves in solid white at corners. Broken across middle with almost half of motif missing; upper and underside and edge ground and polished; pitted surface bubbles. This inlay is cut from the same mosaic block as 17.194.392, with decoration in mirror image.
Portret van Peter Simon Pallas
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: berlin, peter simon pallas, historical persons
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van (vermoedelijk) een getekend portret van Hendrik van Artois Bourbon, graaf van Chambord en Frans troonpretendent
Object type: photograph
Date: 1870 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Artist: andré-adolphe-eugène disdéri
Artist role: fotograaf
Artist dates: 1819 – 1889
Subjects: adult man, historical persons, neck-gear ~ clothing, clothing for the upper part of the body, beard, paris
Inscriptions: address: ‘Paris, 8 Boulevard des Italiens’

Onderdeel van Fotoalbum met 123 cartes-de-visite van leden van Europese vorstenhuizen, politici en bekende personen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic

Interior, fragment with part of leftward meander; Exterior, part of handle and handle patch
Portret van een onbekende man, mogelijk de Parijse ingenieur Wittman
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: drypoint, etching
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: anonymous historical person portrayed alone
Inscriptions: annotation: ‘2eme etat; deux exemplaires de cet etat’, collector's mark: Lugt 2228, watermark: ‘Franse lelie in een wapenschild boven monogram V.G.Z.’
Dish with long-tailed birds and flowers
Object type: dish
Date: 1351 – 1400
Materials: lacquer
Techniques: carving
Culture: chinese
Subjects: birds,flowers

A sophisticated example of the two-bird design, the compact composition of this dish features flowers and long-tailed birds (shoudai, or paradise flycatchers)—a symbol of a rewarding career and long life—carved in a three-dimensional effect.
“‘A Boat Cast Adrift’ (Ukifune): Omatsu and Akabori Mizuemon,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase)
Object type: print
Date: 1845 – 1846
Materials: ink, paper
Techniques: nishiki e
Culture: japanese
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861

A battle takes place between the villainous samurai Akabori Mizuemon and the female warrior Omatsu. The source may be a scene from a Kabuki play by Chikamatsu Monzaemon (1653–1725). At first glance, the only connection with Genji’s Chapter 51 is that they both take place on board a boat, which in Genji contains Ukifune and Niou, headed toward the Isle of Orange Trees. Given Ukifune’s role as a demure, helpless girl in that episode, it is humorous to see a figure in a comparable setting rise up to attack the man in the boat.
Rond blad met beer die de doedelzak bespeelt
Object type: print
Date: 1534 – 1534
Materials: paper
Techniques: engraving
Location: germany
Artist: monogrammist cg (duitsland)
Artist role: print maker
Subjects: one person playing wind instrument, bagpipe, musette, animals acting as human beings, ornament ~ medallion, beasts of prey, predatory animals: bear
Inscriptions: collector's mark: Lugt 240

De beer speelt op een doeldelzak en is omringd door een rand, gedecoreerd met bladranken en vier medaillons.
Gnome, plate six from In Dreams
Object type: print
Date: 1879 – 1879
Materials: paper, ink, ivory
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Autumn landscape with a colliery
Object type: drawing
Date: 1866 – 1867
Materials: gouache, watercolor
Artist: george price boyce
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1897
Subjects: landscapes,industry
Cartes-de-visite
Object type: photograph
Date: 1860 – 1865
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: studio requisites ~ photographer, shoes, sandals (+ children's clothes), dress, gown (+ children's clothes), stockings, socks (+ children's clothes), child, historical persons, styles of hairdress - aa - ~ women, chair, paris
Inscriptions: address: ‘N. 35, Boult. des Capucines, Paris’

Cartomanie was a collecting craze. From 1855 hundreds of thousands of these portraits were annually sold worldwide. People had photographs taken of their loved ones, including their pets, and kept them in an album. Portraits of kings, writers, artists, actors, and statesmen were also collected. Photography was no longer the preserve of the wealthy; farmers and maidservants now also stood before the camera.
Landschap met ruïnes en fantasie-architectuur en twee vrouwen met kind op de voorgrond
Object type: print
Date: 1560 – 1570
Materials: paper
Techniques: etching
Location: vicenza
Artist: giovanni battista pittoni (i)
Artist role: print maker
Artist dates: 1520 – 1583
Subjects: fantastic architecture, unrealistic architectural fantasies
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Vermoedelijk is deze prentreeks onbeschreven (vergelijk Passavant, deel 6 p. 169-170, nr. 1). Het is vooralsnog onduidelijk of de reeks compleet is of wellicht uit meer prenten bestond.
Scenes from the Life of Christ
Object type: painting, right wing of a diptych
Materials: canvas, gold leaf, paint, wood
Artist: giovanni baronzio
Artist role: artist
Artist nationality: italian
Artist dates: 1325 – 1349
Subjects: men,women,christ,virgin mary,last judgement,saints,coronation of the virgin
Hoogmoed
Object type: print
Date: 1552 – 1552
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: draughtsman, print maker
Artist dates: 1502 – 1561
Subjects: pride; 'superbia' (ripa) ~ personification of one of the seven deadly sins
Inscriptions: number: ‘110’

Personificatie van de hoogmoed. Vrouw te paard, met een tiara op het hoofd, een zwaard in de rechterhand, in de linker een vaandel met daarop een adelaar. Naast het paard loopt een leeuw. Linksboven een wapenschild met een leeuw, daarboven een pauw. Onder de voorstelling een tweeregelige tekst in het Latijn. Eerste prent uit een serie van zeven.
Allegorie op het bestuur van de stad Amsterdam met de naamlijst en wapens van regeringsleden
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: cities represented allegorically or symbolically, armorial bearing, heraldry, good government, amsterdam
Inscriptions: collector's mark: Lugt 2228

Een lijst met namen van Amsterdamse regeringsleden, omkaderd door hun familiewapens. Middenboven troont de personificatie van het bestuur van Amsterdam (Politia), aan haar voeten staat het wapen van H. Roeters. Politia's hand rust op een met zeilschip versierd roer, onder haar arm draagt ze een boek. Links van Politia wordt de geblinddoekte Rechtvaardigheid (weegschaal) gevolgd door Voorzichtigheid (spiegel). Schuin onder dit tweetal wijst Vader Tijd (gevleugelde zandloper) op de verschillende wapens in de omlijsting. Onder hem staat de gepersonifieerde overvloed met vruchten en koren in haar handen bij twee putti die pijlen samenbundelen, symbool van eenheid. Rechts van Politia staat Minerva die de wijsheid met een olijftak symboliseert, naast haar vliegt de bazuin blazende Faam. Onder de Faam verbrandt een putto met zijn toorts de gepersonifieerde oorlog en ligt de kermende Tweedracht vastgeketend.
Portret van een jonge vrouw
Object type: photograph
Date: 1886 – 1908
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: h. van der zijl
Artist role: fotograaf
Artist dates: 1852 – 1937
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: number: ‘12.’, inscription: ‘Photographie/ Parisienne/ H. van der Zijl/ Amsterdam/ 60 Nieuwendijk 60./ over Raamskooi en Kapelsteeg./ Gelieve op Voornaam H/ en Huisnummer 60 te Letten’
Dadabuan
Object type: dadabuan
Date: 1801 – 1900
Materials: mother of pearl, skin, wood
Culture: philippine
Location: philippines

The Islamic influences in this drum from the Southern Philippine Islands contributed to its name, goblet shape, mother-of-pearl inlay, and leaf decoration. The drum is blackened by rubbing oil and root into the carved palm wood. It is played with two rattan sticks.
Design for Wagon, no. 718c
Object type: drawing
Date: 1860 – 1860
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Eider Duck, from the Game Birds series (N40) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: ducks

Trade cards from the "Game Birds" series (N40), issued in 1888-90 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N40 reproduces the cards from N13 in a larger size.
A Village on the Brenta
Object type: drawing
Date: 1740 – 1741
Materials: ink
Techniques: pen, wash
Artist: bernardo bellotto
Artist role: artist
Artist nationality: italian
Artist dates: 1722 – 1780
Subjects: buildings,villages,rivers
Terracotta fragment of a Neck-amphora (jar)
Object type: neck amphora fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of the handle from an amphora
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, meander; Exterior, lower drapery of a figure with a stick; on the ground, a lyre?
Study of a Woman
Object type: drawing
Date: 1906 – 1906
Materials: chalk
Artist: louis-oscar roty
Artist role: artist
Artist nationality: french
Artist dates: 1846 – 1911
Subjects: women
Plattegrond van de figuratieve kaart van Den Haag (achtste deel)
Object type: print
Date: 1665 – 1667
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of cities, the hague
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Archief Ministerie van Oorlog Afdeeling Genie’

Deze prent is onderdeel van een plattegrond van Den Haag. Deze staat van de plattegrond werd oorspronkelijk uitgegeven met een sierrand, bestaande uit een gezicht op de stad en veertien kleinere gezichten in en om Den Haag, en vormde zo de zogenaamde figuratieve kaart van Den Haag.

Voor de prenten die de rand vormen, zie: RP-P-AO-12-8, RP-P-AO-12-8-2, RP-P-OB-50.201, RP-P-OB-50.202, RP-P-OB-50.203, RP-P-OB-50.204, RP-P-OB-50.205, RP-P-OB-50.206, RP-P-OB-50.207, RP-P-OB-50.208, RP-P-OB-102.387, RP-P-OB-50.209, RP-P-OB-50.210, RP-P-OB-50.211, RP-P-OB-50.212, RP-P-OB-50.213, RP-P-AO-12-5-4 en RP-P-OB-50.214.
Bokaal met de wapens van de Zeven Verenigde Gewesten
Object type: goblet
Date: 1700 – 1725
Materials: glass
Techniques: glassblowing
Location: germany
Artist: Anonymous

Bokaal met licht gewelfde voet met omgeslagen rand. Holle balusterstam met vier schijven. Op de conische kelk de gekroonde wapens van de Zeven Verenigde Gewesten.
Padlock with key
Object type: padlock with key
Date: 1601 – 1700
Materials: iron
Strook kloskant met zigzag-rand en één rij moesjes in een blauwe tulegrond
Object type: strip
Date: 1850 – 1850
Materials: silk
Techniques: lace
Location: le puy-en-velay
Artist: Anonymous

Strook naturelkleurige en blauw gekleurde kloskant: blonde van Caen. Onder één rij moesjes loopt langs de onderrand van de strook een zigzag-rand van omgekeerde v-motieven. De ene poot van elk v-motief is geklost in linnenslag met een dikkere glimmende contourdraad en de andere poot bestaat alleen uit een contourdraad waarbinnen een siergrond is toegepast, een rozengrond. De traliegrond daarboven waarin de moesjes zijn gewerkt betreft een tulegrond en is geklost met een blauwe draad. De bovenzijde van de strook is recht afgewerkt. De schulpenrand met driehoekige schulpen wordt gevormd door de zigzag en is afgewerkt met picots.
Gezicht op de Vismarkt te Amsterdam
Object type: staalplaat
Date: 1822 – 1849
Materials: steel
Techniques: engraving
Outline of a Mountain and River View (from Sketchbook)
Object type: drawing
Date: 1860 – 1864
Materials: graphite, paper
Culture: american
Artist: thomas hewes hinckley
Artist role: artist
Artist nationality: american
Artist dates: 1813 – 1896
Subjects: rivers,mountains,landscapes

Hinckley painted landscapes chiefly as a background to his portraits of wild and domesticated animals. This sketchbook (1992.373.1 recto–.27) contains thirty-four drawings in graphite and watercolor and appears to have been filled during a tour that the artist probably began near the Delaware Water Gap and extended north into the Catskill Mountains and Adirondacks of New York State. Few of the drawings in this book, however, can be linked to Hinckley’s known paintings after 1864, and the majority of them represent not merely selected motifs, but discrete compositions that often assume the character of engraved vignettes.
Cartograaf aan het werk
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: etching, letterpress printing
Subjects: scholar in his study, map of the world, book - mm - book open
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning, Binnenhuizen, Boekerijen.
Kop en schotel met riviergezicht
Object type: kop en schotel, kop en schotel
Date: 1809 – 1814
Materials: porcelain
Techniques: painted
Location: nieuwer-amstel

Kop en schotel versierd met een veelkleurig landschap. Langs de randen een goude rand. Gemerkt: Amstel.
Fragment
Object type: textile
Date: 1601 – 1650
Materials: gold foil, silk, velvet
Techniques: cutting, patterning, weave, voiding
Location: italy
Meisje, van opzij gezien
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: charcoal, paper
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: girl (child between toddler and youth)

Blad 29 verso uit een schetsboek met 51 bladen.
Actor as Tokihira
Object type: print
Date: 1815 – 1815
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Subjects: swords,men,actors
Half-Cylinder Stamp Seal
Object type: stamp seal, amenhotep i, djeserkare
Date: 1525 – 1504
Materials: pottery
Location: egypt
Coventry, St. Mary's Hall, Entrance Gateway
Object type: photograph
Date: 1860 – 1894
Techniques: albumen print
Location: england
Artist: francis bedford
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1894
Abklatsch van de krijttekening op blad 9 recto
Object type: sketchbook leaf
Date: 1886 – 1934
Materials: paper
Techniques: printmaking
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 8 verso uit schetsboek LXIII met 23 bladen.
Portret van Georg Faber op 54-jarige leeftijd
Object type: print
Date: 1648 – 1663
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: historical persons, book, flowers: rose

Met vierregelig vers in het Latijn onder het portret.
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Part of the echinus mouth of a neck-amphora; the top is sheared off; the inside is glazed
Tempelruïnes aan een meer in een Italiaans landschap
Object type: drawing
Date: 1803 – 1867
Materials: paper, pencil
Techniques: scratching
Artist: clarkson frederick stanfield
Artist role: draughtsman
Artist dates: 1793 – 1867
Subjects: landscape with ruins, lake (+ landscape with figures, staffage)
S. Denis, S. Rustique et S. Eleuthère (St. Denis, St. Rusticus, and St. Eleutherius), October 9th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Contantinople - Fountain of Sweet Waters on the Asiatic Shore of the Bosphorus, stereo, No. 237 from "Good's Eastern Series"
Object type: photograph
Date: 1860 – 1890
Techniques: albumen print
Location: istanbul
Artist: frank m. good
Artist nationality: english
Artist dates: 1860 – 1890
Kaart van de kust van Frans-Vlaanderen
Object type: print
Date: 1677 – 1720
Materials: paper
Techniques: engraving, etching, hand coloring
Artist: Anonymous
Subjects: maps of separate countries or regions, maps of cities
Inscriptions: collector's mark: Lugt 2228

Kaart van de kust van Frans-Vlaanderen. Linksboven de titelcartouche. Linksonder een cartouche met schaalstok: Een Duytsche Mijle van 15 in een Graedt. Rechtsonder een inzet met een plattegrond van Duinkerke, met links een legenda A-N, 1-17 en a-o. In de inzet onder, links van het midden, een schaalstok: 200 Roeden.
Presentatie van Maria in de tempel
Object type: print
Date: 1661 – 1705
Materials: paper
Techniques: engraving
Subjects: armorial bearing, heraldry, presentation of the christ-child in the temple, usually simeon (and anna) present (luke 2:22-39)
Inscriptions: collector's mark: Lugt 240
Stirrup Spout Bottle with Figures
Object type: bottle
Date: 201 – 700
Materials: ceramic, pigment
Culture: moche
Location: peru
Subjects: human figures