deem-data/ArtiFact huggingface dataset:
Dish with Abraham and Melchizedek
Object type: dish
Date: 1498 – 1498
Materials: paint
Techniques: glassblowing
Culture: german, south
Artist: hans of landshut
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 1550
Subjects: kings,abraham

This marvelously well-preserved example of reverse glass painting is unique in many ways. Its complex application of pigments, colored glazes, and metallic foils to the outside of the glass vessel—in the reverse order of panel painting—is unparalleled at this early date. The shape of the vessel is also unknown in northern Europe but found in Islamic lands; recent research suggests the glass was likely produced in the eastern Mediterranean and imported to Germany, where it was later decorated. The painting shows the biblical patriarch Abraham, fresh from victorious battle, meeting the king and high priest Melchizedek, who gives him bread and wine, blesses him, and receives a tenth of Abraham’s loot (Genesis 14:18-20). Although this is an episode from the Hebrew Bible, Melchizedek is dressed as a bishop and his offering takes the form of a Christian chalice and paten, the plate for the bread consecrated at the Mass. These details, combined with the story’s emphasis on sacrifice and redemption, suggest the object likely served as a paten. Curled banderoles below the bases of columns on either side are marked "1 [4]" (left) and "9 8" (right), indicating the year 1498. At the top of each lantern flanking the elaborate openwork arches above is a lion supporting a shield; these bear the arms of the city of Freising in southern Germany (left) and its Bishopric (right). The background, however, depicts the nearby town of Landshut. Two large glass dishes are recorded in Freising’s cathedral inventory in 1456, and a record from 1498 indicates that a certain "Master Hans, painter in Landshut" decorated one—almost certainly producing this artwork.
Égypte
Object type: photograph
Date: 1867 – 1872
Materials: textile, cardboard, ink, paper, pencil
Techniques: albumen print, pen
Location: paris
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: temple, shrine ~ egyptian religion, landscape with ruins
Inscriptions: number: ‘49’, number: ‘Pl. 5.’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, head of a draped woman with sakkos
Pilgrim bottle with cover
Object type: pilgrim bottle with cover
Date: 1725 – 1725
Materials: hard paste porcelain, silver gilt
Artist: vienna
Artist role: manufactory
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
G. Fabrice de Hilden
Object type: print
Date: 1830 – 1853
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: check stamp: Lugt 3693
Linen fragment
Object type: linen fragment
Date: 1635 – 1458
Materials: linen
Location: egypt
The Judge Bias Shedding Tears, plate 9 from "Thronus Justitiae, tredecim pulcherrimus tabulis..."
Object type: print
Date: 1605 – 1606
Techniques: engraving
Artist: willem van swanenburg
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1581 – 1612
Subjects: musical instruments,weapons,men,women

This print is from a set of 13 plates depicting "pictures of justice", with scenes from the Bible, history, and legend. The prints are executed by Willem Swaneburg after designs by Joachim Wtewael. The prints were first published by Christoffel van Sichem in 1606.
Pagina 82 van fotoboek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.)
Object type: album leaf
Date: 1924 – 1925
Materials: paper, photographic support
Techniques: printing
Location: dutch east indies
Artist: j.w. meyster
Artist role: fotograaf
Artist dates: 1887 – 1945
Subjects: plantation, (non-fruit) products of plants or trees: rubber, trees: palm-tree, sumatra

Boekpagina met een foto van een Indische man die palmbladen kapt op een plantage van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.). Onderdeel van een fotoboek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.).
Band
Object type: band
Date: 1501 – 1600
Techniques: embroidery, lace
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic
Artist: painter of berlin 2268
Artist role: artist

Interior, filleted, reclining male with a beard wearing a himation draped around his lower body; part of an inscription, KALO[S] NAI; Exterior, foot of male to left; legs and genitals of draped male with a round shield; head and left foot of helmeted warrior with a round shield seen in three-quarter view; feet
Standing Female Deity
Object type: figure
Date: 300 – 101
Materials: patina, terracotta
Culture: indian
Subjects: maurya,mauryan

Such small goddesses were produced in vast quantities and likely were used for personal devotion. This figure’s outstretched arms and wide hips recall the goddesses in the ring stone exhibited nearby. Her face and the rosettes in her hair were produced with molds, while handmade coils were used to craft the earrings, necklace, and girdle.
Raoul ... /  Louis le Jeune..., from "Game of the Kings of France" (Jeu des Rois de France)
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: kings
Christ Talking to the Disciples, 5, from Das Plenarium
Object type: print
Date: 1517 – 1517
Techniques: hand coloring, woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: men,jesus
Émile Lévy
Object type: page
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Artist: ferdinand mulnier
Artist role: painter
Artist dates: 1817 – 1891
Subjects: paris, painter, emile lévy, adult man, historical persons
Duit van de VOC uit Holland, 1733
Object type: coin
Date: 1733 – 1733
Materials: copper
Techniques: striking
Location: dordrecht

Koperen munt. Voorzijde: gekroond wapenschild van Holland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Theepot, beschilderd met een landschap met huizen
Object type: teapot
Date: 1809 – 1814
Materials: porcelain
Techniques: painted
Location: nieuwer-amstel

Tea service. Porcelain. Ouder-Amstel or Nieuwer-Amstel, c. 1805 - 1810. Factory of Nicolaas Gerard Dommer. On loan from the Koninklijk Oudheidkundig Genootschap.
The Actor Ichikawa Komazo III as Fuji Sakon (?) in the Play Egara Tenjin Risho Kagami (?), Performed at the Nakamura Theater (?) in the Third Month, 1789 (?)
Object type: print
Date: 1789 – 1789
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsen
Artist nationality: japanese
Artist dates: 1780 – 1789
Akte van de geloofsbelijdenis van George Hendrik Breitner
Object type: document
Date: 1876 – 1876
Materials: paper
Techniques: printing, writing
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, painter, print maker, draughtsman, george hendrik breitner
Portret van William Pinkney Whyte
Object type: photograph
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Subjects: politician, historical persons
Mirror case with lunar scene
Object type: mirror case
Date: 1801 – 1900
Materials: textile, silk
Techniques: embroidery
Culture: chinese
Subjects: fans,women,rabbits,flowers

In imperial China, scholars from humble backgrounds could attain upward social mobility by passing the civil service examination (held by the state every three years) and becoming a career government official. This achievement was often symbolized as “plucking a branch off the osmanthus tree on the moon” in popular culture. This embroidered silk case depicts the goddess Chang’e who, accompanied by her attendant and rabbit, hands a branch of the tree to the successful scholar.
Zeilschepen, waaronder Dorothy, Caprice en Astore, te water
Object type: album leaf
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Artist: james adamson
Artist role: fotograaf
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: number: ‘1’, check stamp: ‘Adamson, Rothesay.H.B/ Copyright’
Geiten met jongen in een landschap bij een boom
Object type: print
Date: 1816 – 1816
Materials: paper
Techniques: lithograph
Location: paris
Subjects: landscapes, goat
Inscriptions: collector's mark: Lugt 2228

Prent uit de serie: Demarne, Jean Louis. Cours complet d'études du dessin: animaux I. Études de chevres. Parijs: Engelmann, 1816.
Sword Guard (<i>Tsuba</i>)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: copper, iron
Culture: japanese
Location: japan
The Bishop of Petersborough
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: archbishop, bishop, etc. (roman catholic)
Inscriptions: inscription: ‘57 & 61, Elbury Street, London.’
Portret van een Vietnamese man
Object type: photograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: annotation: ‘1 Annamiet von Saigon’, number: ‘51’

Deze foto maakt deel uit van een album. De man draagt een ao khach (tuniek).
Loop-handled beaker
Object type: cup
Date: 1500 – 1699
Materials: engobe, glaze, stoneware
Techniques: firing, forming, turning, vitrification
Location: dreihausen
Artist: Anonymous

Beker van steengoed op standring met een eivormig lichaam en hoge, trechtervormige nek. Bedekt met een bruine engobe. Vanaf halverwge de buik omhoog versierd met draairingen en op de nek een brede band met kleine oren met elk een ring. Dreihausen.
Candlestick
Object type: metalwork
Date: 1765 – 1766
Materials: bronze, copper alloy, gilt bronze, metal
Location: italy
Artist: leandro gagliardi

This magnificent altar set, made by the Roman Rococo goldsmith Leandro Gagliardi, is comprised of statuettes of four apostles—Saints Andrew, John, Peter, and Paul; four candlesticks; a crucifix; and three frames to hold cards indicating the part of the Mass being performed. The altar set was made for Flavio Chigi (1711–1771) and bears the Chigi and Albani coats of arms. It might have been intended for use in the family chapel of the Palazzo Chigi in the Piazza Colonna, Rome.
Aäron als hogepriester / Nadab en Abihu bij het altaar gedood
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: two sons of aaron, nadab and abihu, offer incense in their censers to god, who punishes them for this by sending a fire that kills them, aaron (not in biblical context); possible attributes: attributes of aaron: censer, dressed as high priest or bishop, ointment jar, rod or flowering wand
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Josephus, Flavius. XX. boeken van de oude geschiedenissen der joden, 4 delen. Amsterdam: Barent Visscher, Willem de Coup, Willem van Lamsveld, Andries van Damme, 1698, dl. I.
Twee boerderijen tussen geboomte
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Jagers in het bos van Fontainebleau
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt')
Inscriptions: annotation: ‘1er etat; trois epreuves de c'est etat’, collector's mark: Lugt 2228
Letters
Object type: boekillustratie ontwerp
Date: 1910 – 1910
Materials: paper
Techniques: relief print
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: letters, alphabet, script, fable of reynard the fox
Inscriptions: collector's mark: Lugt 2228

Waarschijnlijk ontwerp voor: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910. Deze prent is vermoedelijk een plaatsnede, ook al wordt in de literatuur veelal gesproken over een houtsnede. Voor zover Wierink zijn prenten in hoogdruk zelf nader heeft omschreven, heeft hij altijd de term 'plaatsnede' gebruikt.
Portret van Gustav von Mevissen
Object type: photomechanical print
Date: 1847 – 1847
Materials: paper
Techniques: letterpress printing, line block
Artist: Anonymous
Subjects: adult man, historical persons

Cliché uit: L'Illustration Journal Universel 224 (1847), zaterdag 12 juni 1847, dl. 9.
Vajrabhairava
Object type: stele
Date: 1401 – 1500
Materials: stone
Techniques: polychromy
Culture: tibetan
Subjects: buddhism,deities
Plate
Object type: plate
Date: 1785 – 1790
Materials: porcelain
Culture: chinese
Location: china
Subjects: birds,flowers,coat of arms
Kriegsjahr 1940
Object type: album leaf
Date: 1908 – 1940
Materials: paper, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, mess ~ the soldier off duty, germany
Inscriptions: date

Albumblad met twee foto's in Fort Bocklemünd (Keulen) in 1940. Boven een maaltijd van officieren, onder de samensteller alleen op de foto ter gelegenheid van zijn bevordering op 30 augustus 1940 tot wachtmeester (hier eindigt het fotoalbum). Onderdeel van een Duits militair album Tweede Wereldoorlog 1939-1940.
Plattegrond van Wismar
Object type: map
Date: 1735 – 1735
Materials: paper
Techniques: engraving, etching, hand coloring, lacquer
Location: northern netherlands
Artist: Anonymous
Subjects: fortress, maps of cities

Plattegrond van de versterkingen om de stad Wismar. Linksonder een soldaat die op een tablet schrijft. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Fragment of a Dish
Object type: fragment of a dish
Date: 901 – 1000
Materials: earthenware, glaze
Techniques: incising
Location: uzbekistan
Yet She Must Die, plate eleven from Othello
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: drypoint, engraving, etching, roulette
Location: france
Artist: théodore chassériau
Artist nationality: french
Artist dates: 1819 – 1856
Twee liggende figuren
Object type: sketchbook leaf
Date: 1849 – 1917
Materials: pencil
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: lying figure

Blad 31 recto uit een schetsboek met 35 bladen.
Plate
Object type: plate
Date: 1730 – 1730
Materials: faience
Techniques: glazing
Artist: jean-baptiste guillibaud
Artist role: factory
Artist dates: 1720 – 1739
Subjects: flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Private, Infantry, United States Army, 1813, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: soldiers,firearms,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Ruins of the Old Tuileries, Paris
Object type: print
Date: 1903 – 1903
Materials: paper
Techniques: etching
Location: france
Artist: gustave leheutre
Artist role: print maker
Artist nationality: french
Artist dates: 1861 – 1932
Kous van gebreid wit katoen, waarvan de klink in ajour en het kuit deel effen, met bovenaan een smalle boord
Object type: stocking
Date: 1900 – 1910
Materials: cotton
Techniques: embroidery, knitting
Location: surabaya
Artist: Anonymous
Inscriptions: inscription: ‘'IV'’

Kous van gebreid wit katoen, waarvan de klink in ajour in een klein ruittpatroon en het kuit deel effen, met bovenaan een smalle boord. Bovenaan aan de achterzijde 'IV'.
Cup (part of a service)
Object type: cup
Date: 1770 – 1770
Materials: hard paste porcelain
Artist: frankenthal porcelain manufactory
Artist role: manufactory
Artist nationality: german
Subjects: birds,flowers
Standing Statue of Mitry with flaring wig
Object type: statue, merti, flaring wig, mitry
Materials: gesso, paint
Location: egypt
Subjects: men

Mitry (previously read as Merti) was a high official and provincial governor. Eleven exceptionally large wooden statues were found in the serdab (statue chamber) of his tomb. Five are in the collection of The Metropolitan Museum of Art (26.2.2 - 26.2.6); five, including two wooden scribes, are in the Egyptian Museum, Cairo; and one is in the Medlhavsmuseet, Stockholm. Most of these statues represent Mitry in various aspects of his life and career, denoted by changes in wigs and garments. Surprisingly, three statues of women were also present, each in a different wig. This statue shows Mitry in a flaring wig pushed behind his ears and a short kilt. His original wooden stick and baton, indications of rank, are preserved.
Footed Salt Cellar with Octogonal Base
Object type: metalwork
Date: 1830 – 1830
Materials: pewter
Location: angers
Artist: louis alegre
Artist nationality: french
Artist dates: 1805 – 1830
Bay Scene with Mountains and Boats (Red Rock?) (from Sketchbook)
Object type: drawing
Date: 1890 – 1890
Materials: graphite, paper
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: houses,mountains,boats
Amulet, lion
Object type: amulet, lion
Date: 1550 – 1295
Materials: lapis lazuli
Location: egypt
Subjects: lions
Celestial globe
Object type: celestial globe
Date: 1695 – 1695
Materials: metal, paper, wood
Subjects: globes
Spotprent over de British Museum
Object type: print
Date: 1806 – 1833
Materials: paper
Techniques: hand coloring, lithograph
Location: england
Subjects: lower house, parliament, chamber, committee members, board members, political caricatures and satires

Spotprent waarin de Sir Henry Ellis, hoofdbibliothecaris van de British Museum door een parlementaire commissie onder William Cobbett beschuldigd wordt van nepotisme, juni 1833.
Beads, 23
Object type: bead, 23
Date: 7000 – 330
Materials: glass
Brief aan Alberto Caramelli
Object type: letter
Date: 1864 – 1864
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: carel jacobus behr
Artist role: draughtsman
Artist dates: 1812 – 1895
Subjects: utrecht, amsterdam, publisher, alberto caramelli
Inscriptions: collector's mark: ‘RPK’ Lugt 2233
Zie hier, ô Jeugd! het lot des Levens van een Paard, / Wulpsch, moedig, trotsch, en sterk, maar strydbaar ook van aart. / Het wordt nochthans al meest tot slaverny gebooren; / Is 't oud, men slaat het dood: den vilder mag 't behooren
Object type: popular print
Date: 1715 – 1813
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: horse
Inscriptions: collector's mark: Lugt 2228

Blad met 12 voorstellingen van het leven van een paard. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 115.
Fragment veelkleurig zijdelampas
Object type: zijdelampas
Date: 1750 – 1750
Materials: silk
Techniques: lampas
Location: netherlands
Artist: Anonymous

Een fragment zijdeweefsel met een grond waarop slingerende banen waarbinnen fijne bloemranken. Tussen de slingerende banen is de grond gestreept waarop veelkleurige bloemtakken.
Portret van Willem IV, prins van Oranje-Nassau
Object type: print
Date: 1747 – 1799
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: Anonymous
Subjects: the hague, willem iv (prins van oranje-nassau), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain

Portret van Willem IV in een cirkel met randschrift. Daar omheen een ovale omlijsting met oranjetakken, zijn wapen met een kroon, gedecoreerd met de Kousenband en het devies van de Orde van de Kousenband, en de wapens van de Zeven Provinciën. In spiegelbeeld.
Chamber candlestick
Object type: chamber candlestick
Date: 1762 – 1763
Materials: silver
Artist: john parker
Artist role: maker
Artist nationality: british
Artist dates: 1759 – 1777
Kohl jar
Object type: kohl jar
Date: 2030 – 1640
Materials: pottery
Location: egypt
Sugar bowl and tray
Object type: sugar bowl and tray
Date: 1760 – 1760
Materials: faience
Techniques: glazing
Artist: veuve perrin factory
Artist role: factory
Subjects: flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.