deem-data/ArtiFact huggingface dataset:
Envelop aan Philip Zilcken
Object type: envelope
Date: 1873 – 1930
Materials: ink, paper
Techniques: pen, writing
Artist: suze groshans
Artist role: schrijver
Artist dates: 1863 – 1944
Subjects: the hague, painter, draughtsman, philip zilcken
Fichu
Object type: fichu
Date: 1830 – 1840
Materials: cotton
Culture: american
Forearm from a bent royal arm crossing the front profile of figure's body and the rear profile of a second figure, arm marked with Aten cartouches, supported by the hand of an Aten ray
Object type: forearm of bent arm, aten cartouch, hand of aten ray
Date: 1353 – 1336
Materials: quartzite
Location: egypt
Subjects: cartouches
Gebouwen
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: chalk, paper
Subjects: architecture, civic architecture; edifices; dwellings

Pagina 40 uit een schetsboek met 31 bladen.
Portrait of a Woman, Probably Susanna Lunden (Susanna Fourment, 1599–1628)
Object type: painting
Date: 1625 – 1627
Materials: oil, wood
Artist: peter paul rubens
Artist role: artist
Artist nationality: flemish
Artist dates: 1577 – 1640
Subjects: portraits,women

Rubens’s portraits of friends and family members are some of his most appealing paintings to a modern eye. This intimate likeness probably represents a sister of Helena Fourment, Rubens’s second wife and the youngest of the Antwerp silk merchant Daniel Fourment’s seven daughters. Rubens shifted the veil worn by the sitter in the course of working on the painting, and its earlier contours have become visible over time.
Teapot
Object type: teapot
Date: 1830 – 1830
Materials: silver
Culture: american
Location: united states
Artist: thomas fletcher
Artist role: maker
Artist nationality: american
Artist dates: 1787 – 1866
Düsseldorf
Object type: photograph
Date: 1940 – 1940
Materials: paper, photographic support
Techniques: gelatin silver print
Location: dusseldorf
Artist: Anonymous
Subjects: city-view in general; 'veduta', germany
Inscriptions: inscription

Albumblad met vier (gekochte) foto's van bezienswaardigheden in Düsseldorf, waaronder de 'Adolf Hitler-Garten', januari 1940. Onderdeel van een Duits militair album Tweede Wereldoorlog 1939-1940.
Bouwen van een huis
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching, letterpress printing
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: funerary ceremonial, building-site
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Onderaan een zesregelig vers. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Lendensloop met merk HW 24
Object type: sloop
Date: 1820 – 1850
Materials: linen
Location: northern netherlands
De Malle Actionisten naar Vianen of 't Peperland
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: four-wheeled vehicle drawn by three animals, financial panic

Een wagen met Actionisten verlaat Amsterdam bij de Muiderpoort en rijdt richting Vianen en Culemborg. De reiswagen wordt gemend door een nar, op het dak rijdt een aap met een vaandel met Bombario, de paarden worden geleid door een duivel. In en om de wagen actionisten of windhandelaren. In het onderschrift een tekst in drie verzen. Prent in de gebonden eerste uitgave (304 B 10) van Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, gold, iron
Culture: japanese
Location: japan
Subjects: insects
Marianne, prinses van Oranje-Nassau
Object type: history medal
Date: 1845 – 1845
Materials: silver
Techniques: striking
Location: brussels
Artist: jean henri simon
Artist role: medailleur
Artist dates: 1752 – 1834
Subjects: berlin, voorburg, marianne (prinses der nederlanden)

Zilveren penning. Voorzijde: borststuk vrouw binnen omschrift. Keerzijde: gekroond wapenschild, omhangenmet bloemenguirlande, waarvoor een leeuw ligt, en waar ander leeuw achter vandaankruipt
Underskirt
Object type: underskirt
Date: 1875 – 1925
Materials: cotton
Culture: american or european
Blad met strooipatroon van kruismotief tussen een kruis van golvende stippellijnen
Object type: printed paper
Date: 1800 – 1900
Materials: paint, paper
Techniques: printing block
Artist: Anonymous
Subjects: fantasy ornament
Inscriptions: collector's mark: Lugt 2760

Blad met strooipatroon van kruismotief tussen een kruis van golvende stippellijnen.
Plate
Object type: plate
Date: 1725 – 1730
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: human figures,flowers
Gezicht op Silvaplana en het Berninamassief
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: switzerland
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: lake, mountains (+ landscape with figures, staffage)
Inscriptions: number: ‘544’, inscription: ‘Vues de la Suisse, Savoie et Italie’
Vessel fragment
Object type: vessel fragment
Date: 1390 – 1352
Materials: paint, pottery
Location: egypt
Tuinvaas met twee monogrammen bekroond met saterkop
Object type: print
Date: 1690 – 1710
Materials: paper
Techniques: engraving, etching
Artist: gerrit visscher
Artist role: print maker
Subjects: vase ~ ornament, garden vase, letter combinations such as letterword, anagram, letter square, monogram, etc.

Linksonder genummerd: 5. Prent maakt deel uit van een album.
Portret van Johann Samuel Stryk
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: wig
Inscriptions: collector's mark: Lugt 2228

De Duitse jurist en professor in de rechten Johann Samuel Stryk. Hij draagt een vest en een pruik.
Votive cone with cuneiform inscription of Gudea
Object type: cuneiform cone
Date: 2090 – 2090
Materials: clay
Culture: neo-sumerian
Location: mesopotamia
Ex libris van de Paasheuvel
Object type: bookplate
Date: 1923 – 1923
Materials: paper
Techniques: printing block
Location: netherlands
Subjects: cottage, sun as celestial body
Inscriptions: inscription: ‘1923, eerste cl.’
Publius Horatius
Object type: print
Date: 1586 – 1586
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: swords,men,crowd
Sophia Hedwichia, Countess of Nassau-Dietz
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: engraving
Location: netherlands
Artist: william jacobsz. delff
Artist nationality: dutch
Artist dates: 1580 – 1638
Print
Object type: print
Date: 1830 – 1830
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Subjects: women,waterfalls,washing
Boom in een heidelandschap
Object type: print
Date: 1811 – 1867
Materials: paper
Techniques: etching
Location: netherlands
Artist: christiaan wilhelmus moorrees
Artist role: draughtsman, print maker
Artist dates: 1801 – 1867
Subjects: trees, shrubs: broom
Inscriptions: collector's mark: Lugt 2228

Een boom in een glooiend heidelandschap. Links het dak van een huis.
Portret van een vrouw en een jong meisje
Object type: photograph
Date: 1912 – 1913
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: studio requisites ~ photographer, mother and baby or young child

Onderdeel van fotoalbum van een onbekende Nederlandse familie met opnames van Suriname, Europa en Nederlands-Indië.
Government House, Nassau
Object type: photograph
Date: 1889 – 1895
Materials: paper
Techniques: albumen print
Location: nassau
Artist: jacob frank coonley
Artist role: fotograaf
Artist dates: 1832 – 1915
Subjects: exterior ~ representation of a building
Inscriptions: number: ‘710.’
Begraefnis der joden buyten Amsterdam
Object type: print
Date: 1675 – 1695
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: 'sephardim' ~ jewish communities, churchyard, cemetery, death and burial ~ jewish customs

Gezicht op de Portugees-Joodse begraafplaats Beth Haim te Ouderkerk aan de Amstel. Op de voorgrond is een trekschuit met een grafkist en begrafenisgangers aangekomen. Van de drie centrale tombes is de middelste van Isaac Uziel en de linker van Elia Montalto. Op en voor de begraafplaats rouwende mannen. Boven in het midden een banderol met de titel.
Ottomaanse ruiter
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, division of armed forces (+ cavalry, horsemen)

Ottomaanse krijger te paard. Onderdeel van het modelboek Enchiridion artis pingendi, fingendi & sculpendi met 108 figuren bedoeld voor beginnende schilders, beeldhouwers en prentmakers.
Chemin de Qeulem (Limbourg Hollandais)
Object type: page
Date: 1873 – 1878
Materials: paper, cardboard
Techniques: heliotype
Location: aachen
Subjects: road, path, cave, grotto
Inscriptions: inscription: ‘Héliotypie’
Otto de Guericke
Object type: print
Date: 1827 – 1894
Materials: paper
Techniques: engraving
Artist: henri hendrickx
Artist role: print maker
Artist dates: 1817 – 1894
Subjects: science and technology, moustache, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228

Otto Guericke was onder andere uitvinder van de vacuümpomp en de elektriseermachine. In het ornamentele kader is de pomp afgebeeld.
Spear case
Object type: spear case
Date: 1900 – 1900
Materials: paint, wood
Location: egypt
Mausoleum Augusti
Object type: print
Date: 1700 – 1710
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Subjects: mausoleum

Een reconstructie van het Mausoleum van Augustus te Rome. De prent maakt deel uit van een album.
Tafelkleed met opengewerkte zoom
Object type: miniature
Date: 1700 – 1799
Materials: linen
Location: netherlands
Artist: Anonymous

Een fijnlinnen tafelkleed met opengewerkte zoom.
Obsidian seal set in a gold ring
Object type: ring
Date: 450 – 400
Materials: bronze, gold, jasper
Culture: greek
Subjects: dogs

Sleeping dog tethered to a tree trunk.
Hoornblazer
Object type: costume print
Date: 1830 – 1835
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Subjects: (military) uniforms, clothes, costume
Inscriptions: collector's mark: Lugt 2228

Verkleinde kopieën naar de prenten van Houtman e.a. in FMH 6481. Muller beschrijft een onversneden compleet blad in de collectie Van Gijn waarop de namen van de prentmaker en de uitgever vermeld staan.
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Object type: print
Date: 1741 – 1741
Techniques: etching
Artist: canaletto
Artist role: artist
Artist nationality: italian
Artist dates: 1697 – 1768
Subjects: cities,churches,boats,venice

Venice in the eighteenth century was the site of an extraordinary flourishing of print production, which reached its apogee in the years 1740–45. It was in these years that Canaletto, the great painter of views of Venice and also of England during his sojourn there, made approximately thirty etchings: thirteen large plates and seventeen smaller ones. The title plate to the series states that these are 'Views, some representing actual sites, others imaginary.' This is one of the imaginary views, reminiscent of Venice and the lagoon. For an unknown reason, Canaletto divided this plate down the middle, between the backs of the two central figures, soon after it was made. Fewer than ten impressions are known from the undivided plate. The date, 1741 in Roman numerals on the wall at the left, is the only one on any of Canaletto's prints.
Man en paard (het gezicht van de man is weggekrast)
Object type: photograph
Date: 1860 – 1900
Materials: metal
Techniques: ferrotyping
Artist: Anonymous
Saint John the Evangelist
Object type: roundel
Date: 1550 – 1550
Materials: copper, enamel
Artist: jean iii pénicaud
Artist role: enameler
Artist nationality: french
Artist dates: 1470 – 1570
Subjects: profiles,saint john the evangelist

This set of four roundels (2013.967.1–.4) depicts the Evangelists, Matthew, Mark, Luke and John, each identified by inscriptions and accompanied by their respective symbols: the angel, the lion, the ox and the eagle. Two different artists are detectable: Mark and Luke stand out as the work of an exceptionally talented practitioner, including some breathtakingly lovely touches in the application of the flesh tones, rendered in a thin red wash on top of the translucent whites, the curls of the saints' hair, and details like the showering gold at the base of Luke's halo.
Portret van Kurd Christoph von Schwerin
Object type: print
Date: 1760 – 1829
Materials: paper
Techniques: engraving, etching
Subjects: prague, knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order), historical persons
Inscriptions: collector's mark: Lugt 2228, name: ‘Feldmarschall Schwerin. 1684-1757.’
Metal Working, Tomb of Rekhmire
Object type: facsimile, metal work, bellow, rekhmire tt 100
Date: 1504 – 1425
Materials: ink, paint, paper
Location: egypt
Artist: nina de garis davies
Artist role: artist
Artist dates: 1881 – 1965
Subjects: men,working,rekhmire-exhibition
The Bearing of the Cross; Christ bearing the cross, supporting himself with one arm on the ground, from "The Passion of Christ", after Dürer
Object type: print
Date: 1500 – 1534
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: weapons,suffering,men,christ,cross
One of the Twelve Celestial Guardians
Object type: hanging scroll
Date: 1301 – 1400
Materials: paper
Techniques: hand coloring
Culture: japanese
Subjects: buddhism,deities

The Twelve Celestial Guardians, or Jūni-ten, are a force of protective deities worshipped in some schools of Buddhism. All are derived from Indian gods. Shown here are Bonten (Brahma), the god at the origin of all things, and Katen, the god of fire. Originally from a suite of twelve, these images would have been used to safeguard a ritual space.
Ceramic Fragment
Object type: fragment
Date: 701 – 900
Materials: earthenware
Techniques: molding
Location: iraq

This ceramic fragment was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this fragment attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Zeeslag in de baai bij Vigo en de verovering van de Spaanse zilvervloot, 1702
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Subjects: maps of separate countries or regions, battle (+ naval force)

Kaart van de zeeslag in de baai van Vigo waarbij de Franse en Spaanse vloot op 23 oktober 1702 verslagen wordt door de gecombineerde Engels-Hollandse vloot. Rechtsboven een draperie met een lijst van de veroverde en verbrande Franse schepen; linksonder de slagorde van de Engelse en Hollandse schepen. Prent maakt deel uit van een album.
Portretten van vier leden van het Lagerhuis van de staat New York
Object type: photomechanical print
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Location: united states
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life) (+ head (and shoulders) (portrait))
Inscriptions: annotation, number: ‘185’

Linksboven D.W. Tallmadge, rechtsboven Nathaniel B. Terpeny, linksonder George L. Terry, rechtsonder Charles M. Titus.
Dorpsrand met vrouw die de was bleekt
Object type: print
Date: 1825 – 1867
Materials: paper
Techniques: lithograph
Artist: arie ketting de koningh
Artist role: print maker
Artist dates: 1815 – 1867
Subjects: bleaching (laundering), outskirts of village, building or outbuilding where laundry is done
Inscriptions: collector's mark: Lugt 2228

Deze prent maakte waarschijnlijk deel uit van een serie waaronder in ieder geval: RP-P-1904-2035, RP-P-1904-2036, RP-P-1904-2037, RP-P-1904-2038.
Gezicht op de binnenplaats van het Leprozenhuis te Amsterdam
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: leprosy
Inscriptions: collector's mark: Lugt 2228

De binnenplaats van het Leprozenhuis te Amsterdam met bomen en enkele figuren.
Candlestick
Object type: candlestick
Date: 1801 – 1900
Materials: pewter
Textile Fragment
Object type: textile fragment
Date: 1601 – 1800
Materials: silk
Location: iran
Mars bedwingt een vrouw met toorts
Object type: print
Date: 1753 – 1806
Materials: paper
Techniques: etching, letterpress printing
Subjects: (story of) mars (ares)
Fragment
Object type: textile
Materials: textile
Culture: islamic
Location: egypt
Path between Swamp and Wooded Bank, from Landscapes
Object type: print
Date: 1595 – 1595
Materials: paper
Techniques: etching
Location: belgium
Artist: jacob savery
Artist role: draughtsman, painter, print maker
Artist nationality: flemish
Artist dates: 1566 – 1603
Inscriptions: Lettered lower left: "6"
Twee ontwerpen voor een tuingezicht en een balustrade
Object type: design
Date: 1715 – 1798
Materials: ink, paper, pencil
Techniques: pen
Artist: dionys van nijmegen
Artist role: draughtsman, painter
Artist dates: 1705 – 1798
Subjects: garden, garden fountain

Twee ontwerpen voor een tuingezicht met fontein en een balustrade met twee tuinvazen. Ontwerp voor een schildering.
Titelpagina voor: Jacques Besson, Theatre des instrumens mathematiques & mechaniques, 1579
Object type: titelblad, titelpagina
Date: 1579 – 1579
Materials: paper
Techniques: letterpress printing
Location: lyon
Subjects: measuring-instruments, compasses
Inscriptions: date

Met een omlijsting met midden boven de personificatie van Astronomie en/of Meetkunde en links en rechts mannen met meetkundige instrumenten. Publicatie maakt deel uit van een convoluut.
Motif from Kashmir Shawl: Pheerozee (Turquoise Color), No. 23, By Order of Mahummud Azeem Khan
Object type: drawing
Date: 1822 – 1823
Materials: gouache, paper, varnish
Artist: anonymous, indian, 19th century
Artist role: artist
Artist nationality: indian
Artist dates: 1800 – 1900
Subjects: flowers

One of group of eight textile designs made in Kashmir and sent to England in 1823 by British trader, William Moorcroft for use in the shawl making industry. These textile designs are the only surviving from a group of 34 drawings he sent, as part of his personal interesr in making British shawls supreme over all competitors. They are all painted on paper in brilliant colored gouache and varnished. Each shows a large stylized Paisley "cone" set in a field and are signed on the verso "William Moorcroft, Kashmeer, 1823", numbered, inscribed with the color of the ground in Kashmiri vernacular, and, on all but two, with the name and country of the person who commissioned the original shawl. In England, they would have been translated to graph paper to create mise-en-cartes for the guidance of a weaver. This design, titled "Pherosee [turquoise color]", contains a large paisley "cone", decorated in the lower part a bundle of stylized leaves colored with shades of red and green, from which emerges a bundle of long, thin, indulating branches with stylized leaves rendered with yellow, red and black. A green outline separates the cone from a floral pattern with interlacing garlands of green leaves and tiny stylized flowers and rosettes colored with shades of red, purple and yellow, that makes the background.
Santa Barbara, California, from the Surf Beauties series (N232), issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: girls,sports

Trade cards from the "Surf Beauties" series (N232), issued in 1889 to promote Kinney Tobacco Company.
Ceremonial Grinding Table (Metate)
Object type: sculpture
Date: 1 – 500
Materials: stone
Culture: nicoya
Location: nicoya
Subjects: birds, animals, sacrifice
Treasurer, from Officers and Soldiers of the Bodyguard of Emperor Rudolph II
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacques de gheyn (ii)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1629
Inscriptions: Lettered lower left: "10. HG. excud. IDGeyn sculp."; and below image: "Tempore si numerem ... turba capit."
Musashi, from the series "Fashionable Six Jewel Rivers (Furyu Mu Tamagawa)"
Object type: print
Date: 1772 – 1772
Techniques: woodblock print, koban
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Terracotta lekanis (dish)
Object type: lekanis
Date: 340 – 320
Materials: terracotta
Culture: greek, south italian, apulian
Artist: group of bologna 585/trieste s 403
Artist role: artist
Subjects: eros,deer

Interior, Eros and deer Exterior, obverse and reverse, woman's head
Chineesche brug. Tjarkoe Selo
Object type: photograph
Date: 1860 – 1925
Materials: photographic support
Techniques: photograph
Location: russia
Artist: Anonymous
Subjects: russia
Bowl Depicting a Row of Hummingbirds
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: nazca valley
Portret van Nicolaus Arnoldus
Object type: book illustration
Date: 1654 – 1654
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: franeker, nicolaus arnoldi
Inscriptions: collector's mark: Lugt 2228

Prent uit: Arnoldi, Nicolaas. Religio sociniana sev Catechesis Racoviana maior publicis disputationibus (...) refutata. Amsterdam en Franeker: Johannes Janssonius en Idzard Albertsz, 1654.
Studieblad met bomen, figuren en karikaturale scènes
Object type: sketchbook leaf
Date: 1839 – 1894
Materials: paper, pencil
Artist: lambertus lingeman
Artist role: draughtsman, painter, print maker
Artist dates: 1829 – 1894
Subjects: trees, nightwear: night-cap (+ men's clothes), rodents: hare
Inscriptions: annotation: ‘goed geslapen??/ na de jagtijd/ [...] zijn’

Onder andere een studie van twee hazen, één met krukken en één met verband om de kop, op een bospad en van twee mannen met slaapmutsen. Blad 17 recto uit een schetsboek met 51 bladen.
Tile
Object type: tile
Date: 1640 – 1660
Materials: earthenware
Techniques: glazing
Subjects: fruit,men,women,horses