deem-data/ArtiFact huggingface dataset:
Magesyn der Italiaense gebouwen
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: etching
Location: italy
Subjects: palace, plan ~ architecture

Deze prent maakt deel uit van de reeks getiteld: Palazzi di Roma. Deze reeks bestaat uit twee boeken. Boek één getiteld: Palazzi di Roma dei più celebri architetti..., bestaat uit 44 prenten die worden toegeschreven aan Giovanni Battista Falda (naam staat enkel op prent 27) en uitgegeven door Giovanni Giacomo de'Rossi. Deze 44 prenten zijn bekend in twee staten (met en zonder nummer). Boek twee getiteld: Nuovi disegni dell'architetture... libro secondo, bevat 66 prenten door Giovanni Battista Falda en Simone Felice. Deze 66 prenten zijn bekend in twee staten (met en zonder nummer).
Het Koninklijk Paleis te Amsterdam, Leiden/Haarlem [1899]
Object type: fotomechanisch procedé
Date: 1898 – 1899
Materials: cardboard, paper
Techniques: photograph
Artist: Anonymous
Subjects: palace, royal palace of amsterdam

Het Koninklijk Paleis te Amsterdam. (Koepel.)
Heilige Familie met slapend kind aanbeden door engelen, boven hen dragen putti het kruis
Object type: print
Date: 1632 – 1693
Materials: paper
Techniques: engraving
Location: paris
Subjects: angels in adoration, holy family, and derived representations (+ angel(s))
Inscriptions: collector's mark: Lugt 240
Knife from a Traveling Set
Object type: metalwork
Date: 1761 – 1763
Materials: metal, silver, steel
Location: augsburg
Brand van de Nieuwe Kerk
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: on fire, ablaze, church (exterior)
Inscriptions: collector's mark: Lugt 1641b

Centraal bovenaan genummerd: 39. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Nieuwe Kerk, de brand van 1645.
Knife
Object type: knife
Date: 1802 – 1700
Materials: bronze, copper alloy
Location: egypt
Rivierlandschappen
Object type: print
Date: 1650 – 1690
Materials: paper
Techniques: etching
Location: paris
Subjects: low hill country, river (+ landscape with figures, staffage), public road (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Een heuvelachtig landschap met een rivier. Rechts naast de rivier een kronkelende weg. De prent maakt deel uit van een serie van rivierlandschappen.
Waterdraagster
Object type: drawing
Date: 1840 – 1879
Materials: paper, watercolor
Techniques: brush
Artist: émile prisse davennes
Artist role: draughtsman
Artist dates: 1830 – 1879
Subjects: carrying something on the head or on the shoulders
Handle, possibly for a spoon
Object type: handle
Date: 500 – 401
Materials: silver
Culture: achaemenid
Location: iran (?)
Subjects: animals

This elaborate silver handle is decorated with the head of a calf at one end and the head of a lion at the other; a third creature, difficult to identify, emerges from the lion’s mouth. The creature’s long snout is split horizontally, and presumably the bowl of a spoon or another implement was originally inserted there, A silver spoon with a loop handle decorated with the head of a duck was excavated at a palace at Pasargadae, the first capital of the Achaemenid Persian Empire. That spoon was likely used at the royal table, and probably this spoon was as well. There was a long history in Iran of decorating vessels with animal features, and the Achaemenids adopted and expanded this practice.
Teapot
Object type: teapot
Date: 1771 – 1772
Materials: silver
Artist: gillsland and ker
Artist role: maker
Portret van C. Rudolphi
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: etching
Location: berlin
Subjects: plants; vegetation, trees: palm-tree (+ branch, stick), rocaille ornament, historical persons, cupids: 'amores', 'amoretti', 'putti', armorial bearing, heraldry, trees: olive-tree (+ branch, stick)
Inscriptions: collector's mark: Lugt 2228
Square Dish
Object type: dish
Date: 1801 – 1900
Materials: enamel
Techniques: painting
Culture: chinese
Subjects: dragons
Studieblad met man met lang haar en hoed
Object type: print
Date: 1756 – 1817
Materials: paper
Techniques: etching
Location: unknown
Artist: louis bernard coclers
Artist role: draughtsman, print maker
Artist dates: 1741 – 1817
Inscriptions: collector's mark: Lugt 2228

Studieblad met in het midden een portret van een man met lang haar en hoed. Linksachter twee portretbusten van een vrouw met hoed en een lachende man.
Hemd of mouwhemd van linnen
Object type: streekdracht, streekkleding
Date: 1850 – 1900
Materials: linen
Location: netherlands
Artist: Anonymous
[Young Girl in the Garden]
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: houses,gardens,girls,men,portraits
The Pulpit of Omar, Mosque El-Aksa, Jerusalem
Object type: stereograph
Date: 1900 – 1905
Materials: paper, cardboard
Techniques: gelatin silver print
Location: jerusalem
Artist: Anonymous
Subjects: pulpit, ambo, chancel, temple, shrine ~ islam, mohammedanism
Inscriptions: inscription, number: ‘(32)-3111-’, inscription: ‘Works and Studios ~/ Arlington, N.J. Westwood, N.J.’, copyright notice: ‘Copyright Underwood & Underwood.’, number: ‘32’
Saucer with flower sprays
Object type: platter
Date: 1760 – 1800
Materials: glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: ansbach
Inscriptions: mark: ‘3’

Schotel van porselein, beschilderd op het glazuur in rood, roze, groen, geel en paars. Op de voorzijde grote bloemtakken en strooibloemen. Gemerkt op de onderzijde met een 3.
Forget & Forgive, or Honest Jack Shaking Hands with and Old Acquaintance
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,firearms,men,women
Preliminary drawing for a relief
Object type: relief drawing, sebeknakhte
Date: 2124 – 1504
Materials: limestone
Location: egypt

Blocks of fine limestone were used to line the walls of the tomb chapel and provide a surface for the decoration. Visible on this fragment are two legs of an animal that would have been part of a scene in the lowest register.
Carinated Stone Jar with Rope Pattern
Object type: jar, carinated, rope pattern
Date: 1550 – 1458
Materials: limestone
Location: egypt

This limestone vessel with its baggy shape and sharp carination of the lower body is a traditional Egyptian shape called the deshret-jar. The form is common in pottery found in burials from the Old Kingdom onward. A raised band with carved diagonal lines imitating a twisted cord decorates the base of the neck. The vessel was deposited in the lowest chamber of a pit tomb cut into the forecourt of a reused Middle Kingdom tomb and belonged to the burial of a man named Nakht. The tomb was covered over during the construction of the causeway of Hatshepsut's mortuary temple sometime after year 7 of her reign
Vier lofdichten op de politicus Joan Derk van der Capellen tot den Pol
Object type: text sheet
Date: 1785 – 1785
Materials: paper
Techniques: letterpress printing
Location: leiden
Subjects: politician, joan derk van der capellen tot den pol, historical persons
Inscriptions: date
De kleine Passie
Object type: print
Date: 1508 – 1509
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: mockings of christ, who may be blindfolded
Inscriptions: collector's mark: Lugt 2228

Christus wordt lastig gevallen en bespot door vijf mannen. Deze prent is onderdeel van de prentserie 'De kleine Passie', bestaande uit een titelprent en 36 bijbelse scènes (voornamelijk uit het Lijdensverhaal).
Turfdragersgilde van Amsterdam, presentiepenning met letter D en cijfer 77
Object type: medal
Date: 1600 – 1800
Materials: lead
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam
Fragment of a Cup
Object type: decorative art
Date: 100 – 100
Materials: glass
Techniques: mosaic glass
Culture: roman
Location: italy
Subjects: decoration

In ancient Rome, there was a high demand for colorful glass that could dazzle banquet guests alongside the expensive silver and gold serving wares meant to impress. Fragments like this one would have once been a part of larger mosaic dishes. The mosaic pattern was made by sagging molten glass into bowl-shaped molds, a technique used on many of these fragments is similar to millefiori, “thousand flowers” in Italian, a modern glass-making method in which tiny rods of colored glass are bundled together, wrapped in a sheet of glass, fused, and then thinly sliced to reveal swirls of a flower-like patterns. They were arranged side by side, sometimes together with bits of colored glass, and fused together with heat.
Titelpagina voor "L'Amant Indiscret, ou le Maistre Estourdi", in: P. Quinault, Le theatre, deel II, 1697
Object type: titelblad, titelpagina
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: candle
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor het toneelstuk "L'Amant Indiscret, ou le Maistre Estourdi" in deel II van: Quinault, Philippe. Le theatre, 2 delen. Amsterdam: Antoine Schelte, 1697.
Duitse militairen bij een vrachtauto
Object type: photograph
Date: 1940 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: troop movements, transportation, occupation ~ war, netherlands

Duitse militairen staan op een weg bij een vrachtauto en twee bussen. Drie militairen zitten in het gras. Achterop staat: Die beiden Feldwebel am 16.6.40.
Portret van Johann Georg Walch
Object type: print
Date: 1723 – 1723
Materials: paper
Techniques: engraving
Location: leipzig
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Deutsche Acta Eruditorum (...). dl. 92. Leipzig: Johann Gottlieb Gleditsch, 1723.
Zeilschepen
Object type: drawing
Date: 1809 – 1874
Materials: ink, paper
Techniques: brush, pen
Artist: christiaan lodewijk willem dreibholtz
Artist role: draughtsman
Artist dates: 1799 – 1874
Subjects: sailing-ship, sailing-boat, ship in the roads, roadstead
Waiter
Object type: metalwork
Date: 1710 – 1730
Materials: silver
Location: new york
Artist: charles le roux
Subjects: dining, drinking
Inscriptions: Maker's mark twice on bottom, within an oval: CR
Engraved on top with a cipher within a circular reserve
[Nude Study]
Object type: photograph
Date: 1853 – 1854
Techniques: albumen silver print, glass negative
Artist: eugène durieu
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1874
Subjects: female nudes

Durieu was a lawyer and early advocate and practitioner of photography in France. In 1853-54 he made a series of photographic studies of nude and costumed figures as models for artists. The French Romantic painter Eugène Delacroix helped him pose the figures and later praised the results, from which he and other artists sketched. Often photographers posed their models in attitudes based on sanctioned works of classical statuary or Old Master paintings, ostensibly providing artists with photographic académies as an alternative to live models. The mantle of high art also served to cloak (albeit somewhat transparently) the nakedness of such images and thereby protect the photographer from the actions of the censor and the viewer from the scorn of society.
Christus en Maria en Johannes de Doper met heiligen Paulus en Catharina van Alexandrië
Object type: print
Date: 1520 – 1610
Materials: paper
Techniques: engraving
Location: rome
Subjects: adult christ with mary, adult christ together with apostles, evangelists, saints, etc.
Inscriptions: collector's mark: Lugt 11, collector's mark: Lugt 10, inscription: ‘B 24 f 59’

Kopie naar prent van Marcantonio Raimondi. Raimondi baseerde zijn prent mogelijk op een ontwerp van Giulio Romano. Het modello waarop deze prent werd gebaseerd lijkt kwalitatief niet goed genoeg om aan Rafael toe te schrijven maar is wel vervaardigd door iemand uit zijn directe omgeving (Louvre, Parijs). Stilistisch tonen de figuren meer verwantschap met werk van Giulio Romano (Shoemaker 1981, p. 180-182).
Briefkaart aan Jan Veth
Object type: postcard
Date: 1890 – 1890
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: eduard karsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1941
Subjects: dordrecht, designer, jan veth, amsterdam, print maker, draughtsman, marius bauer, the graphic arts, painting (including book-illumination, miniature-painting), exhibition ~ art, historical persons (portraits and scenes from the life), new york (city)
Inscriptions: collector's mark: ‘RPK’
Penannular Brooch
Object type: brooch
Date: 901 – 1100
Materials: copper alloy
Culture: scandinavian or baltic
Groepsfoto van drie studenten, waaronder François Buys zittend in het midden
Object type: album leaf
Date: 1881 – 1890
Materials: paper, cardboard
Techniques: collodion silver print
Location: amsterdam
Artist: nicolaas schuitvlot
Artist role: fotograaf
Artist dates: 1859 – 1947
Subjects: françois buys, historical persons, student life, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: address: ‘Amsterdam/ Paleisstraat bij den Dam No 5.’
Marcus Licinius Crassus uitgelachen door Parthische afgezanten
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: etching
Location: amsterdam
Artist: ludwig gottlieb portman
Artist role: print maker
Artist dates: 1772 – 1828
Subjects: (story of) m. licinius crassus
Inscriptions: collector's mark: Lugt 2228

De Parthische veldheer Vagises wijst op de binnenkant van zijn hand. Hij zegt tegen Marcus Licinius Crassus dat er nog sneller haar op zijn hand zal groeien dan dat Crassus Seleucia zal bereiken.
Christus, Maria en de twaalf apostelen
Object type: print
Date: 1570 – 1600
Materials: paper
Techniques: engraving
Location: unknown
Subjects: the apostle andrew; possible attributes: book, x-shaped cross, fish, fishing-net, rope, scroll
Inscriptions: collector's mark: Lugt 240, caption: ‘Dominum Nostrum’

De apostel Andreas, met als attribuut het x-vormig kruis. De prent heeft een Latijns onderschrijft met een regel uit het Credo. De vierde prent in een serie van veertien waarvan de prenten met een apostel genummerd zijn van 1 tot 12.
Jodenhouttuinen
Object type: print
Date: 1906 – 1907
Materials: paper, pencil
Techniques: aquatint, etching
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: urban housing, street, amsterdam
Schat oft voorbeelt ende verthooninge van verscheyden geschriften (...)
Object type: album leaf
Date: 1618 – 1618
Materials: paper
Techniques: engraving
Location: rotterdam
Subjects: calligraphy

Schrijfvoorbeeld in het Frans met kapitaal F en twee keer vier regels tekst: Faveur mondaine (...). Omlijst door kalligrafisch krulwerk. De prent maakt deel uit van een album.
Christus
Object type: print
Date: 1930 – 1930
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: eyes closed, 'portraits' of christ
Inscriptions: collector's mark: Lugt 5i, collector's mark: Lugt 2228
Milk jug in the form of a monkey
Object type: milk jug
Date: 1760 – 1780
Materials: faience
Location: delft
Artist: Anonymous
Subjects: head-gear: tricorn (+ men's clothes), monkeys, apes
Inscriptions: inscription: ‘Kees/ is goet/ hij geeft melk/ in over/ vloet als/ je sijn buik/ maar vol doet’

Melkkan van faïence, in de vorm van een drinkende aap. Op zijn buik het opschrift: kees is goet hij geeft melk in overvloet als je sijn buik maar vol doet. Met losse deksel.
Fotoreproductie van een geschilderd portret van predikant Sybren Klases Sybrandi
Object type: reproduction
Date: 1862 – 1882
Materials: cardboard, paper
Techniques: albumen print
Location: haarlem
Subjects: historical persons, picture, painting
Inscriptions: address: ‘CHs BINGER & Cie/ Zylstraat, HAARLEM.’
Plate
Object type: plate
Date: 1710 – 1720
Materials: faience
Techniques: glazing
Subjects: flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Opere Varie di Architetura; Raccolta di Alcuni Disegni del Barberi da Cento detto Il Guercino
Object type: book
Date: 1750 – 1764
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Portrait of Maurits (1567-1625), Prince of Orange
Object type: painting
Date: 1613 – 1620
Materials: oil, panel
Artist: michiel jansz van mierevelt
Artist role: draughtsman, painter
Artist dates: 1567 – 1641
Subjects: maurice (prince of orange), commander-in-chief, general, marshal, armour, historical persons
Inscriptions: signature, bottom left: ‘M. Miereveld’

Prince Maurits was stadholder and military commander of the Republic of the Seven United Netherlands. He sired eight children with six different mistresses. As he refused to marry he had no legal successor. Maurits stands proud in a ceremonial gilded suit of armour, his helmet and gloves are on the table. This design had been the norm for state portraits since 1551, when it was first devised by the Italian painter Titian.
Reproductie van een tekening van Klein Duimpje die broodkruimels strooit
Object type: album leaf
Date: 1905 – 1906
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: tales and fairy tales: little thumbling
Inscriptions: inscription: ‘No. 1./ Klein Duimpje strooit broodkruimels.’

Deze prent maakt deel uit van een album.
J-B. Bossuet: Bust Portrait
Object type: print
Materials: paper
Techniques: aquatint
Location: france
Artist: jean-baptiste de grateloup
Artist role: painter, print maker, sculptor
Artist nationality: french
Artist dates: 1735 – 1817
Portret van Pieter de Jode (II)
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Artist: pieter de jode (ii)
Artist role: draughtsman, print maker
Artist dates: 1606 – 1674
Subjects: tools, implements of graphic artist, scroll
Inscriptions: inscription: ‘Petrvs de Iode Ivnior Caleograp[?]’, collector's mark: Lugt 240

Portret van de kunstenaar Pieter de Jode (II), ten halven lijve. In zijn linkerhand houdt hij een opgerold vel papier. Op de tafel voor hem een graveernaald en andere attributen. In de marge de naam van de geportretteerde (handgeschreven).
Koning Frederik IX Denemarken
Object type: photomechanical print
Date: 1961 – 1963
Materials: paper
Techniques: blind stamped, printing block
Artist: Anonymous
Subjects: historical persons, king

Aan weerszijden van het portret is tweemaal de vlag van het land afgebeeld.
Portret van onbekende staande man
Object type: carte de visite
Date: 1860 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: java
Inscriptions: name: ‘WOODBURY & PAGE / PHOTOGRAPHERS / JAVA.’, inscription, number: ‘B1’
Ex libris van Máňa Jančáková
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: czech republic
Subjects: standing figure - aa - female human figure, flowers: iris
Inscriptions: inscription: ‘Vozlueki [?]’
Dobachi
Object type: dobachi
Date: 1801 – 1900
Materials: brass
Culture: japanese
Location: japan
Portret van Maria Louise von Thurn und Taxis
Object type: print
Date: 1654 – 1709
Materials: paper
Techniques: engraving
Artist: anthony van dyck
Artist role: draughtsman, painter, print maker
Artist dates: 1599 – 1641
Subjects: fan
Inscriptions: collector's mark: Lugt 240

Portret van Maria Louise von Thurn und Taxis, telg uit het geslacht van de keizerlijke postmeesters von Thurn und Taxis.
Kwitantie voor David de la Mar
Object type: ontvangstbewijs, kwitantie
Date: 1883 – 1883
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: david de la mar
Artist role: draughtsman, painter
Artist dates: 1832 – 1898
Subjects: drawing, money
Inscriptions: collector's mark: Lugt 2233
Portret van een Napoleon Jozef Karel Paul Bonaparte
Object type: album leaf
Date: 1855 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Artist: charles reutlinger
Artist role: publisher
Artist dates: 1816 – 1880
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: name: ‘Prins Napoleon 1822-1891’
The Salt Dragon
Object type: print
Date: 1832 – 1832
Materials: pigment
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Frank van den Berg in een wandelwagen
Object type: photograph
Date: 1913 – 1913
Materials: paper, cardboard
Techniques: gelatin silver print
Location: blaricum
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: frank willem van den berg (1912-1998), baby-carriage, pram, perambulator, historical persons, infant, baby
Oranje geeft Bossu te Hoorn zijn zwaard terug, 1573
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: delft, william i (prince of orange), earl
Inscriptions: collector's mark: Lugt 2228

Willem van Oranje geeft Bossu te Hoorn zijn zwaard terug, 1573. Deze prent maakt deel uit van een serie van 24 prenten met taferelen uit het leven van prins Willem I, 1568-1584 en is een illustratie bij de tiende zang.
The First Nakamura Nakazo in the Role of Chinzei Hachiro in the Drama "Kite Kaeru nishiki no wakayagi"
Object type: woodblock print nishiki e
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: men,actors
Leaf from Aedes Walpolianae mounted with two prints: (a): The Loves of Venus and Adonis; (b): The Loves of Venus and Adonis
Object type: print
Date: 1741 – 1741
Techniques: engraving, etching
Artist: benoit audran the elder
Artist role: artist and engraver
Artist nationality: french
Artist dates: 1661 – 1721
Subjects: adonis,venus
Portret van Lucas Jonker
Object type: cabinet photograph
Date: 1870 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: haarlem
Subjects: historical persons, haarlem
Inscriptions: workshop stamp: ‘C.F. & LJ. Cordes/ Haarlem, Groote Houtstraat 84/ 's Bosch a/d. Parade’, inscription: ‘Lucas Jonker’