deem-data/ArtiFact huggingface dataset:
Road Coach "Old Times"
Object type: drawing
Date: 1880 – 1880
Materials: gouache, graphite, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Marktdag in een stad
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: city-view in general; 'veduta', market, bridge in city across river, canal, etc., public road
Inscriptions: number: ‘11’

Bedrijvigheid tijdens een marktdag in een stad. Elfde prent van deel vijf van een serie van in totaal zestig prenten met landschappen, verdeeld over vijf delen van elk twaalf prenten.
Venetian flower girl
Object type: reproduction
Date: 1889 – 1899
Materials: paper
Techniques: photoaquatint
Location: paris
Subjects: cut flowers; nosegay, bunch of flowers, stall, booth (~ market)
Inscriptions: inscription: ‘Estampe Miniature No. 323.’
Brief aan Elsie Maud Cownie
Object type: letter
Date: 1904 – 1904
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: annie de graaff
Artist role: auteur
Subjects: manchester, the hague, draughtsman, elsie maud cownie, painter, philip zilcken, drawing, the graphic arts, education, tuition of the artist (in general), amsterdam

Brief is als bijlage van RP-D-1982-43-269 doorgestuurd aan Philip Zilcken.
Verhaal van Jozef
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: potiphar's wife trying to seduce joseph
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1967

Prent uit serie van zes prenten met het verhaal van Jozef. De serie is geïnspireerd op een vergelijkbare reeks van Lucas van Leyden.
De Heilige Nicolaas, Ulrich van Augsburg en Erasmus
Object type: print
Date: 1503 – 1507
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: ulrich, bishop of augsburg; possible attributes: fish, rat, the bishop nicholas of myra (or bari); possible attributes: anchor, boat, three golden balls (on a book), three purses, three children in a tub, three maidens, the martyr erasmus (elmo), bishop of formiae; possible attributes: boat, capstan, carpenter's nails under fingernails, cauldron, windlass with entrails
Inscriptions: collector's mark: Lugt 240

De Heilige Nicolaas, Ulrich van Augsburg en Erasmus staan naast elkaar in een ruimte bij een pilaar, waarachter een baai te zien is. Ze zijn alledrie gekleed als bisschop.
Petit Courrier des Dames, 1826, No. 439 : Robe de Barège garnie de Volans (...)
Object type: fashion print
Date: 1826 – 1826
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: ear-rings (+ women's clothes), handkerchief (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), border, ribbon, braid (+ women's clothes), piece of clothing covering the breast or décolleté (fichu) (+ lace used for clothes), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), piece of clothing covering the breast or décolleté (fichu) (+ women's clothes), necklace (+ women's clothes)
Inscriptions: caption: ‘Robe de Barège garnie de Volans et de rouleaux de Satin fichu de blonde Chapeau de Velours orné de rubans.’, title: ‘Petit Courrier des Dames.’, address: ‘Boulevard des Italiens No.2 près le passage de l'Opera’, title: ‘Modes de Paris.’

Vrouw gekleed in een japon van barège, afgezet met gerimpelde stroken stof en een rouleaux van satijn. Lange doorzichtige mouwen over korte pofmouwen. Fichu van Blonde (kloskant), onder het ceintuur doorgestoken. Hoed van fluweel, versierd met lange linten. Verdere accessoires: oorbellen, collier met hanger in de vorm van een kruis, armbanden om beide polsen, handschoenen, zakdoek. Rechts een zittende vrouw, op de rug gezien, gekleed in eenzelfde japon. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Rape of Europa
Object type: print
Date: 1636 – 1636
Techniques: drypoint, etching
Artist: simone cantarini
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1648
Subjects: animals,europa
Tankard (Stein)
Object type: tankard
Date: 1701 – 1800
Materials: pewter, stoneware
Techniques: salt glaze

German stoneware tankards were brought to America in large numbers on Dutch fur-trading ships. Shards of these popular vessels have been uncovered at seventeenth century sites in New York and New England.
Wineglass
Object type: wineglass
Date: 1730 – 1770
Materials: glass
Oproep tot eendracht in de Nederlanden, 1578
Object type: propagandaprent
Date: 1578 – 1578
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: tormenting mammals ~ sport and recreation

Politieke allegorie waarin opgeroepen wordt tot eendrachtig optreden van de Nederlanden tegen de Spaanse vijand. Op een Romeins (of Italiaans) stadsplein vindt binnen een omheining een gevecht plaats tussen twee honden en een wolf. Rondom de arena een grote groep toeschouwers. Op de voorgrond geeft een man uitleg over de politieke interpretatie van de gebeurtenis en de betekenis ervan. De stad wordt belegerd, op de achtergrond het legerkamp van de belegeraars. Onderaan de plaat twee cartouches met gegraveerde teksten van zes regels in het Nederlands en Frans. Vastgeplakt onder de prent een blad met teksten in het Nederlands, Latijn en Frans.
Europeaan wandelend in 's Lands Plantentuin te Buitenzorg
Object type: album leaf
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: s lands plantentuin
Artist: Anonymous
Subjects: strolling, botanic garden, 'hortus botanicus'

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Axe
Object type: axe
Date: 1401 – 1600
Materials: bronze
Culture: inca
Location: peru
Fibula, fragment
Object type: fibula, fragment
Date: 7000 – 330
Materials: bronze
Ex libris van Johnny Køhler
Object type: bookplate
Date: 1958 – 1958
Materials: paper
Techniques: printing block
Location: denmark
Subjects: fishes, swimming (movement in water), man (showing himself) undressed, quasi-nude
Inscriptions: workshop stamp: ‘Thomas Arnel - Denmark - 1958’, workshop stamp: ‘Etching in zinc-/ original graphic’
ontwerp voor de linkerhelft van een vaas, met een oor in de vorm van een ramskop met een cornucopia
Object type: drawing
Date: 1760 – 1780
Materials: chalk, ink
Techniques: drawing
Location: italy
Artist: Anonymous
Inscriptions: collector's mark: ‘Lodewijk Houthakker (1926-2008)’ Lugt 3893, collector's mark: ‘Edmond Fatio (1871-1959)’ Lugt 3472
Plate
Object type: plate
Date: 1801 – 1900
Materials: pottery
Artist: james and ralph clews
Artist role: factory
Artist nationality: british
Artist dates: 1813 – 1836
Subjects: men,horses,flowers,don quixote
Galatea Married – Restored by Mr. Punch from one of the Elgin Bas-Reliefs representing the fragment of a Wheel
Object type: print
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: galatea,fauns,horses,chariots

This print came to the Museum inserted in an album of caricatures clipped from contemporary periodicals, assembled around 1873 by the artist and etcher Arthur Heseltine. Born in England, Heseltine lived for a time in Bourron-Marlotte, near the forest of Fountainebleau in France, and later in Glasgow. The album later belonged to William Lieberman, a curator at the Museum of Modern Art, and chairman of the Department of 20th Century Art at the Metropolitan Museum.
Handkerchief
Object type: handkerchief
Date: 1851 – 1875
Materials: linen
Culture: belgian
Dress
Object type: dress
Date: 1834 – 1866
Materials: silk
Culture: american
Twee liggende schapen
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: etching
Artist: jacobus cornelis gaal
Artist role: print maker
Artist dates: 1796 – 1866
Subjects: sheep
Inscriptions: collector's mark: Lugt 698, collector's mark: Lugt 2228
Studies bij een scheepswerf
Object type: drawing
Date: 1832 – 1880
Materials: paper, pencil
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Subjects: sailing-ship, sailing-boat, dry-dock, floating-dock
Topographia Enchusae
Object type: area plan
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: enkhuizen
Subjects: coat of arms (as symbol of the state, etc.), coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, enkhuizen

Plattegrond in vogelvluchtperspectief. Linksboven de wapens van Holland en West-Friesland, daaronder een legenda. Rechtsboven de titelcartouche en het wapen van Enkhuizen. Daaronder nog een legenda. Op verso Latijnse tekst.
Uitstalling van houten vaten
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: wooden container: barrel, cask, bucket
Tobie donnant la Sépulture aux Mort
Object type: print
Date: 1743 – 1770
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: tobit buries the dead in secret
Inscriptions: collector's mark: Lugt 2165
Pair of Sword-Grip Ornaments (Menuki)
Object type: pair of sword grip ornament menuki
Date: 1701 – 1800
Materials: gold alloy, gold, silver
Culture: japanese
Location: japan
Snuff bottle with squirrels
Object type: snuff bottle
Date: 1801 – 1900
Materials: lacquer
Techniques: carving, polychrome
Culture: chinese
Subjects: squirrels

This exquisite work of carved lacquer has representations of a popular animal: the squirrel. This small rodent is prized not only for its preciousness but also for being a highly fertile animal. Depicted playing among vines with bunches of grapes, another symbol of multiple offspring, squirrels express wishes for a large family.
Design drawing
Object type: drawing
Materials: gouache, graphite, ink
Artist: christopher dresser
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1834 – 1904
Subjects: ornament
Spotprent op Napoleon: Klaas Bonaparte in zijn studeervertrek op 't eiland Elba, 1814
Object type: drawing
Date: 1814 – 1814
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: netherlands
Artist: wijnand esser
Artist role: draughtsman, print maker
Artist dates: 1779 – 1860
Subjects: napoleon i (emperor of the french), historical persons, writing and letters, political caricatures and satires
Inscriptions: inscription: ‘Klaas Bonaparte in zijn studeervertrek op 't eiland Elba’
Kaart van de slag bij Landen, 1693
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Subjects: william iii (prince of orange and king of england, scotland, and ireland), paris, maps of separate countries or regions, battle (+ land forces)

Kaart van de veldslag bij Landen (Neerwinden) tussen de geallieerden onder koning Willem III en de Fransen onder de hertog van Luxemburg, 29 juli 1693. Rechtsonder een cartouche met de Franse titel en wapentrofeeën.
Op den westdam van Tourtonne
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

Plantengroei op de westdam van de plantage Tourtonne. Onderdeel van het fotoalbum Souvenir de Voyage (deel 2), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Panel
Object type: textile
Date: 1801 – 1900
Location: united states
Artist: marandy merrill hobbs
Artist nationality: american
Artist dates: 1791 – 1871
Watch
Object type: watch
Date: 1815 – 1830
Materials: enamel, gold, silver
Artist: firm of guirodon et cie
Artist role: maker
Subjects: horses
Sakanoshita—No. 49, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido
Object type: print
Date: 1847 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Thesaurus sacrarum historiaru[m] veteris testame[n]ti, elega[n]tissimis imaginibus expressu[m] excelle[n]tissimoru[m] in hac arte viroru[m] opera: nu[n]c primu[m] in luce[m] editus
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: death of ahaziah, story of ahaziah (ochozias), son of jehoram, king of judah (2 kings 8:25-29; 2 chronicles 22:1-9), story of jehoram (joram), son of jehoshaphat, king of judah (2 kings 8:16-24; 2 chronicles 21), story of jehoshaphat (josaphat), son of asa, king of judah (1 kings 22:41-51; 2 chronicles 17-20), kings of israel and judah ~ the old testament (not in biblical context)

De koningen Josefat, Joram en Achazja. Op de achtergrond enkele belangrijke gebeurtenissen uit hun leven. Midden op de achtergrond slaan twee mannen met stokken drie kinderen. Rechts op de achtergrond de dood van Achazja. Onder de voorstelling toelichtingen in het Latijn. Deze prent maakt deel uit van een album.
Man, vrouw en kind
Object type: print
Date: 1652 – 1659
Materials: paper
Techniques: etching
Location: netherlands
Artist: karel du jardin
Artist role: draughtsman, painter, print maker
Artist dates: 1626 – 1678
Subjects: male sex; man
Inscriptions: collector's mark: Lugt 240
Portret van Peter Zorn
Object type: print
Date: 1737 – 1737
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: berlin, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Deutsche Acta Eruditorum (...). dl. 216. Leipzig: Johann Gottlieb Gleditsch, 1737.
Statuette of a Horse
Object type: sculpture
Date: 750 – 730
Materials: bronze
Culture: greek
Subjects: horse, animals

This small statuette was created in Greece around the time of the first Olympic games (776 BCE). It was made as a gift for a god and was probably deposited at a religious site. Devotional gifts took many forms, but statuettes of horses were especially popular because the creatures were symbols of affluence. Following the stylistic preference of the time, the sculptor used a few simple shapes to capture the animal’s essence.
Arikara Medicine Ceremony - the Ducks
Object type: photograph
Date: 1908 – 1908
Techniques: photogravure
Location: united states
Artist: edward s. curtis
Artist nationality: american
Artist dates: 1868 – 1952
Subjects: portraits, portraits: male subject, photography, portraits: native american subject, portraits: multiple subjects
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: "L'Astronomie et la Géométrie" door Jean-Esprit Marcellin
Object type: photograph
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘707’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 2.
Chalice veil
Object type: chalice cover
Date: 1501 – 1600
Materials: cotton, silk
Subjects: angels,virgin mary
Portret van Johann Heinrich Hävecker
Object type: print
Date: 1693 – 1724
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: bookshelves, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Portret van Karl von Lehndorff
Object type: print
Date: 1810 – 1899
Materials: paper
Techniques: lithograph
Location: germany
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons, (military) uniforms
Inscriptions: collector's mark: Lugt 2228
Hat
Object type: hat
Date: 1720 – 1750
Materials: silk
Culture: italian
Miniature terracotta jug
Object type: jug, miniature
Date: 834 – 801
Materials: terracotta
Culture: greek, attic

From the Hymettos deposit (see 30.118.1)
Wall tile
Object type: wall tile
Date: 1501 – 1600
Materials: earthenware
Techniques: luster painting, glazing
Subjects: leaves

Tin-glazed earthenware, of which lusterware is one type, was developed in the Middle East in the ninth and tenth centuries to imitate the porcelains produced in China. The opaque white glaze concealed the clay body, which could range from pale buff to brick red, allowing for brilliant effects created by painting the white surface with metal oxides that fired to a range of colors. This technique, as well as the use of metallic luster—an iridescent, coppery painted glaze—spread throughout the Muslim world, arriving among the potters of Valencia in the thirteenth century. The so-called Hispano-Moresque lusterware, with its fusion of Islamic and Gothic styles and motifs, often in shaped imitating those of metal vessels, was treasured by the elite in Spain during the fifteenth century and exported to the courts of Europe. The Valencian industry declined in the late sixteenth century, as colorful Italian Renaissance maiolica gained in popularity among the fashionable and as Spanish centers were founded to produce versions of its pictorial forms. Adding to this decline was the expulsion from Valencia in 1609 of all the remaining Moriscos (Muslims converted to Christianity), though Christian potters reestablished the industry shortly thereafter.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic
Portret van een vijftigjarige vrouw
Object type: coin
Date: 1650 – 1650
Materials: oil, silver
Artist: gerrit lundens
Artist role: painter
Artist dates: 1622 – 1686
Subjects: historical persons not known by name - bb - woman
Inscriptions: signature and date: ‘AE...is 50 / G Lundens ft 1650.’

Gerrit Lundens (1622 - after 1683). Portraits of a young man and a woman. Oilpaint on silver, 1650.
Landscapes with the Story of Elijah
Object type: print
Date: 1617 – 1634
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: elijah fed by the raven(s): while the prophet is living by the brook, ravens bring him food
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Magdalena de Passe based these impressive landscapes on paintings by the landscape painters Adam Willaerts and Roelant Savery. On her own initiative, the printmaker turned them into a narrative series by incorporating in them scenes from the life of the prophet Elijah. De Passe’s subtle engraving technique comes into its own in the rocky outcrops, waters and rolling hills. You can almost distinguish each leaf in the foliage of the trees.
Vel van verguld en gepolychromeerd leer, versierd met wilde rozen, ranken en vlinders
Object type: gilt leather hanging
Date: 1910 – 1910
Materials: leather
Techniques: gilding
Location: amsterdam

Vel van verguld en gepolychromeerd leer, versierd met wilde rozen, ranken en vlinders, naar ontwerp van Th.W. Nieuwenhuis.
Mlle. Rositi, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Sailor
Object type: figure
Date: 1770 – 1780
Materials: earthenware
Techniques: glazing
Artist: ralph wood the younger
Artist role: maker
Artist nationality: british
Artist dates: 1748 – 1795
Subjects: men,sailors
Moeder met kinderen in een boot
Object type: drawing
Date: 1735 – 1800
Materials: chalk, paper
Subjects: mother and baby or young child
Inscriptions: collector's mark, verso, lower centre: Lugt 2228
Zelfportret van Willem Drost voor de ezel
Object type: kopie naar prent
Date: 1650 – 1807
Materials: paper
Techniques: etching
Location: paris
Subjects: amsterdam, venice, painter, print maker, willem drost, painter at work, in his studio
Krishna Stealing the Clothes of Gopis
Object type: indian miniature
Date: 1780 – 1780
Materials: paper
Techniques: brush
Location: bundi
Artist: Anonymous
Inscriptions: inscription: ‘.’

Often loving and playful, the young cowherd is a cherished form of Krishna. In the centre of this bathing scene, a nude gopi (cowherd woman) conceals herself behind the tree. Four women with veils hastily wrapped around their bodies gesture imploringly towards Krishna. Krishna plays his flute in the treetop where the stolen garments sway in the wind.
Holland, Floris V, penning
Object type: penny
Date: 1256 – 1258
Materials: silver
Techniques: striking
Location: dordrecht
Artist: floris v (graaf van holland en zeeland)
Artist dates: 1254 – 1296

Zilveren munt. Voorzijde: hoofd met gravenmuts naar rechts. Keerzijde: lang dubbellijnig kruis.
Bileam sacerdos & Asina
Object type: print
Date: 1530 – 1533
Materials: paper
Techniques: woodcut
Subjects: balaam saddles his donkey and departs with the moabite messengers

Prent afkomstig uit: Biblicae historiae. Frankfurt am Main: Egenloph, 1539.
Card Number 352, Jennie Calef, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Part of a foot type B with broad reserve line at chamfer