deem-data/ArtiFact huggingface dataset:
Zinneprent op Willem III, na de veldtocht van 1673 en de verovering van Grave in 1674
Object type: print
Date: 1674 – 1674
Materials: paper
Techniques: etching
Artist: gerard de lairesse
Artist role: draughtsman, painter, print maker
Artist dates: 1641 – 1711
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), personifications of countries, nations, states, districts, etc. (+ province; provincial), (story of) hercules (heracles), political propaganda, lion's den (+ animals used symbolically), fenced or walled garden; 'hortus conclusus', conqueror triumphing, triumphal entry of victor, disagreement, discord; 'discordia' (ripa), fame; 'fama', 'fama buona', 'fama chiara' (ripa), grave
Inscriptions: collector's mark: Lugt 240

Grote allegorische voorstelling op de militaire successen van Willem III en de verovering van Grave, 26 oktober 1674. Bovenaan wordt Willem III gekroond door de Overwinning en wordt Grave toegevoegd aan de reeks van zijn overwinningen. De Faam blaast op een bazuin. Op de voorgrond verjagen Hercules en de Nederlandse Leeuw de Oorlog en de Tweedracht uit de Hollandse Tuin, het wapen van Grave staat op het hek. Op de achtergrond de provinciemaagden. Onderaan een fries met een Romeinse triomfoptocht en het monogram van de prins.
Abklatsch van de krijttekening op blad 3 recto
Object type: sketchbook leaf
Date: 1886 – 1934
Materials: paper
Techniques: printmaking
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 2 verso uit schetsboek LXIII met 23 bladen.
Nude Model, Reclining
Object type: print
Date: 1893 – 1893
Materials: ink, paper
Techniques: stumping, lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903

By the 1890s, Whistler had tired of the conservative art world of London and had moved to Paris, where he rented an elegant studio. He became preoccupied with capturing the essence of the female form in various states, dancing, posing, sleeping, nude, or draped in translucent fabrics. In Nude Model, Reclining, Whistler used the medium of transfer lithography to convey the immediacy of an informal studio session. During Whistler’s lifetime, this artfully composed image of a sinuous model posing on a rectangular sofa proved to be among his most popular lithographs.
Fragment of a terracotta kylix
Object type: kylix fragment
Date: 480 – 480
Materials: terracotta
Culture: greek, attic

Interior, lower part of a himation; bit of tondo frame.
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Three black glazed rim fragments from kylikes, with abraded surfaces
Portret van een oude vrouw
Object type: print
Date: 1802 – 1816
Materials: paper
Techniques: etching
Location: utrecht
Artist: pieter christoffel wonder
Artist role: draughtsman, painter, print maker
Artist dates: 1780 – 1852
Subjects: historical persons, key, old woman
Inscriptions: collector's mark: Lugt 2228

Portret van een zittende oude vrouw. Ze draagt een muts en houdt een sleutel in haar hand. De vrouw was de beheerster van het huis van Van Amerongen in de Utrechtse Wittevrouwenstraat, waar de kunstenaar een bovenverdieping huurde.
Flax in great stacks curing in sunny fields near Courtrai, center of Belgium's linen industry
Object type: stereograph
Date: 1904 – 1904
Materials: cardboard, paper
Techniques: albumen print
Location: kortrijk
Artist: Anonymous
Subjects: flax (material ~ textile industry), stocking (on the field)
Inscriptions: inscription: ‘(EMERET)’, inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’, copyright notice: ‘Copyright 1904 by Underwood & Underwood.’, number: ‘13’, inscription: ‘C 13.’
Plate 4: A Lying-in Visit, A Round Dance, from "World in Miniature"
Object type: print
Date: 1816 – 1816
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: infants,men,women,dancing,boats

One of forty prints from Rowlandson's "World in Miniature; Consisting of Groups of Figures, for the Illustration of Landscape Scenery." Three scenes: at top, a lying-in visit with the mother in a rocking chair at left and a baby being admired by three ladies at right; at middle, a round dance with fiddle players at left; below, ship-building on the shore.
Portret van een meisje
Object type: carte de visite
Date: 1881 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: senftenberg
Artist: hermann meyer
Artist role: fotograaf
Subjects: historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: inscription: ‘Photographisches Atelier/ gegründet 1881/ Herm. Meyer/ Senftenberg N.L.’
Teapot with cover (part of a set)
Object type: teapot with cover
Date: 1808 – 1808
Materials: silver gilt, wood
Zittend mannelijk naakt
Object type: drawing
Date: 1851 – 1851
Materials: chalk, paper
Artist: lambertus lingeman
Artist role: draughtsman, painter, print maker
Artist dates: 1829 – 1894
Subjects: sitting figure
Inscriptions: date: ‘1851’
Kreeft, krab, salamander en een schelp
Object type: print
Date: 1600 – 1638
Materials: paper
Techniques: engraving
Location: paris
Artist: pierre firens
Artist role: print maker
Artist dates: 1580 – 1638
Subjects: crustaceans, molluscs (+ shell, snail-shell etc.)
Inscriptions: collector's mark: Lugt 2228
Gezicht op het Valkhof vanaf de Belvédère
Object type: print
Date: 1746 – 1792
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: castle, towers ~ fortified city

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 2 (1746), ill. 190. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 2, ill. 190.
Roundel with Angel Supporting a Heraldic Shield
Object type: roundel
Date: 1530 – 1530
Materials: glass, paint, pigment
Culture: south netherlandish
Subjects: deer,angels,coat of arms
Portret van een baby, aangeduid als Brigite
Object type: carte de visite
Date: 1878 – 1878
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: ghent
Artist: charles emmanuel dhoy
Artist role: fotograaf
Artist dates: 1823 – 1892
Subjects: infant, baby
Inscriptions: inscription: ‘Gand/ Charles d'Hoy/ Photographe/ Rue Courte du Jour 25/ près pont Madou/ Gand’, annotation: ‘Brigie/ 7 maanden 6 dagen/ 13 oct. 1878’
Portret van Pierre Jeannin
Object type: print
Date: 1755 – 1765
Materials: paper
Techniques: engraving, etching
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent als illustratie gebruikt voor het boek: Dreux de Radier, Jean François. L'Europe illustre. Parijs: Michel Odieuvre, 1755-1765.
Deel van mechanisch gedeelte van een slot uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: lock
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Locks, fastenings and accessories. thumbler, small bar, tapering, rectangular curve, wavy moulding with 2 pointed projections on one side.
Burgemeester Beernt Proys te Utrecht, vermoord, 1425
Object type: history print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: netherlands
Subjects: utrecht, violent death, being killed; being mishandled and maltreated; seeking death

Illustratie voor: Jacobus Kok, Vaderlandsch Woordenboek, Johannes Allart, Amsterdam 1785-1799, 35 delen, dl. XXV, pl. III. Staat vóór de letter.
Section of the Grizzly Giant, 101 feet circumference
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: men,trees
Girl with a Basket and Birdcage Adjusting Her Garter
Object type: print
Date: 1785 – 1795
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women

A country girl has set down a basket loaded with vegetables, props herself on a tree, and exposes her leg to tie her garter. Behind her, a man she is unaware of leans over the notch of a tree to admire her.
The Flight into Egypt, from the Life of the Virgin
Object type: print
Materials: ink, paper
Techniques: printing, woodcut
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528

Early in his career Albrecht Dürer set out to meet Martin Schongauer but arrived after the famous printmaker’s death. This woodcut from The Life of the Virgin, one of Dürer’s three major illustrated books along with The Passion and The Apocalypse, represents an homage to Schongauer. Compared to Schongauer’s print of the scene, Dürer’s image shares an interest in a variety of exotic vegetation (palms) and desert creatures (lizards) and by suggesting the arid nature of the landscape, visually reinforces how far the family had to travel to escape the persecution of Herod’s Massacre of the Innocents.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, left foot and knobby stick of a male reveler; Exterior, part of a circumscribed palmette
Album della pubblica esposizione del 1869
Object type: book
Date: 1869 – 1869
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, engraving, printing
Artist: luigi rocca
Artist role: auteur
A. Piron
Object type: print
Date: 1820 – 1829
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Desseins a Plusieurs Usages Inventés par M. B. Toro
Object type: album print ornament architecture
Techniques: etching
Artist: jean bernard toro
Artist role: designer
Artist nationality: french
Artist dates: 1672 – 1731
Subjects: grotesques,ornament,mythical creatures,putti
Three Proverbs of King Solomon
Object type: print
Materials: paper
Techniques: etching
Location: germany
Artist: daniel hopfer
Artist role: artist
Artist nationality: german
Artist dates: 1470 – 1536
Ornamentale lijst
Object type: drawing
Date: 1545 – 1545
Materials: paper
Artist: Anonymous
Plate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Como digo..eh!  Cuidado! si no...)
Object type: print
Date: 1799 – 1799
Techniques: aquatint, burnishing, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men
Double-chambered vessel with monkey
Object type: vessel
Date: 1350 – 1470
Materials: silver
Culture: chimú
Location: peru
Artist: chimú artist(s)
Artist role: artist
Subjects: monkeys
Jan Miel
Object type: album leaf
Date: 1745 – 1745
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: painter, print maker, jan miel, historical persons

Prent uit: Dézallier d'Argenville, Antoine Joseph. Abrégé de la vie des plus fameux peintres. 4 dln. Parijs: De Bure l'aîné, 1745, dl. 2, p. 176.
De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 355.
La famille malheureuse
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: aquatint, etching
Subjects: family, relationship, descent, patient, sick person
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent uit: Journal des artistes, 1839, no. 5, vol. 1.
Engelse hulp aan de opstandelingen, rekenpenning van de Staten van Zeeland
Object type: jeton
Date: 1586 – 1586
Materials: copper
Techniques: striking
Location: middelburg
Artist: Anonymous
Subjects: zeeland, england

Koperen penning. Voorzijde: gekroond wapenschild, omringd door acht wapenschilden binnen omschrift. Keerzijde: gekroond wapenschild in versierd cartouche binnen omschrift
Blad met ruitpatroon van takken met als veldvulling een bladmotief
Object type: printed paper
Date: 1700 – 1850
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms

Blad met ruitpatroon van takken met als veldvulling een bladmotief.
Necklace
Object type: necklace
Date: 1981 – 1640
Materials: gemstone, shell
Location: egypt
Jesus Christ Parting from the Virgin to go and Suffer Death
Object type: print
Materials: paper
Techniques: etching
Location: germany
Artist: daniel hopfer
Artist role: artist
Artist nationality: german
Artist dates: 1470 – 1536

While artists often portrayed the Virgin lamenting her son’s suffering in Passion cycles, Daniel Hopfer I’s visionary image depicts the Virgin sobbing before Christ’s betrayal, scourging, and crucifixion. Knowing her son will die a gruesome death, she feels physical pain at his departure. Hopfer literally depicted the Virgin’s heart-wrenching pain as the hilt of a sword projecting from her chest. This rugged etching pitilessly shows an aged Virgin clinging to her grown son as tears roll down her face.
Covered urn with geometric decoration
Object type: urn
Date: 701 – 800
Materials: stoneware
Techniques: stamping
Culture: korean

The custom of cremation is associated with buddhism, and the prevalence of such urn signals the growing popularity of the religion in Korea.
Onderschotel van porselein
Object type: flowerpot
Date: 1774 – 1784
Materials: porcelain
Location: loosdrecht

Op de onderschotel een landschap met toren.
Riviergezicht
Object type: print
Date: 1800 – 1878
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: n. de vries
Artist role: print maker
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc., river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Riviergezicht met links een schuit waarin drie tonnen en drie personen. Op het water ook meerdere zeilschepen en sloepen.
Seated goddess holding flowers (Flora?)
Object type: statuette
Date: 1550 – 1575
Materials: bronze
Subjects: female nudes
La Vera Perfettione del Disegno di varie sorti di recami, page 23 (verso)
Object type: book print ornament architecture
Date: 1567 – 1567
Techniques: woodcut
Artist: giovanni ostaus
Artist role: publisher
Artist nationality: italian
Artist dates: 1507 – 1607
Subjects: female nudes

Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice. From top to bottom, and left to right: Design depicts 3 women (2 are nude and 1 wears a robe) who interact with 2 other figures by a tree stump. Next to the group of 3 women is a winged putto and next to the tree stump is a dog. This scene takes place in the woods; there is a mountain in the background.
Bordeaux. Le Pont et la Ville pris de la Tour Saint-Michel
Object type: photomechanical print
Date: 1903 – 1920
Materials: cardboard
Techniques: photograph, writing
Location: paris
Subjects: city-view, and landscape with man-made constructions, river, bridge
Landschap met figuren en stad
Object type: print
Date: 1675 – 1696
Materials: paper
Techniques: engraving, etching
Location: unknown
Subjects: landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Heuvelachtig landschap met drie ruiters links en bossage rechts. In het midden op de achtergrond een stad met stadspoort.
Reproductie van een ets met een ontwerp voor een theaterdecor
Object type: page
Date: 1910 – 1910
Materials: paper
Techniques: photoaquatint
Location: england
Subjects: stage design
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 530 – 520
Materials: terracotta
Culture: greek, attic

Part of the neck and chest of a horse to right; pair of spears; palmettes, tendril, and lotus ornament
Portret van Frederik Hendrik, prins van Oranje
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: delft, the hague, frederick henry (prince of orange), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain
Inscriptions: date

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Design for T-Cart, no. 3122a
Object type: drawing
Date: 1875 – 1875
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
La chaise rustique
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: children,portraits
Candlestick Base
Object type: candlestick base
Date: 1301 – 1350
Materials: brass, silver
Techniques: engraving, inlay
Location: egypt or syria
Gezicht op Onder de Linden (Nieuwe Gracht) te Utrecht
Object type: drawing
Date: 1619 – 1685
Materials: chalk, paper
Techniques: brush
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: street, utrecht
Go en Boelie Kessler aan een tafel
Object type: album leaf
Date: 1910 – 1910
Materials: paper
Techniques: gelatin silver print
Location: bavaria
Artist: johan herman kessler (jan)
Artist dates: 1892 – 1978
Subjects: the hague, hermann johannes kessler (boelie), midday meal, lunch
Inscriptions: number: ‘21’
Terracotta fragments of a kylix: Band cup (drinking cup)
Object type: kylix fragment
Date: 567 – 535
Materials: terracotta
Culture: greek, attic

The largest fragment has below the rim, head, part of the upper frontal torso, and bent right arm and hand of a bearded man capering to right; hanging in the field, garments; bearded man capering to left; palmette with black and red fronds and white dots around the heart; part of the handle; the smallest fragment has, below the rim, a dancing, bearded man to right, with his right arm bent, and his hand at his waist, and his left arm bent, with his hand in front of him; hanging in the field, sandals?; bent right arm, buttocks, and part of the bent legs of a second dancing male to right
Ceiling Design with Neptune in Corner
Object type: drawing
Date: 1601 – 1700
Materials: ink
Techniques: pen, wash
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: ornament,neptune,horses
Soldatenjongen met speer
Object type: print
Date: 1650 – 1700
Materials: paper
Techniques: engraving
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228

Een jonge soldaat met pluim op de hoed en speer in de hand. In de andere hand houdt hij een pan.
Map of Region Northwest of Mount Tacoma (from Sketchbook)
Object type: drawing
Date: 1890 – 1890
Materials: graphite, paper
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: maps
Vakantie in Zwitserland
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: photography
Location: spain
Artist: andries augustus boom
Artist role: amateurfotograaf, handelaar
Artist dates: 1878 – 
Subjects: amsterdam, andries augustus boom, spain

Albumblad met zes foto's in Spanje, o.a. een groepsfoto met de Duitse consul in Valencia, 1900. Onderdeel van het fotoalbum van de familie Boom-Gonggrijp in Suriname en Curaçao.
Piece
Object type: piece
Date: 1662 – 1722
Materials: silk
Culture: chinese
De schepping
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: rome
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: adam and eve in paradise (before the fall)
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een serie van twaalf prenten van de schepping. De prenten zijn deels naar ontwerpen van Rafaël voor de Loggia van Rafaël in het Vaticaan, en deels naar prenten door Nicolaes de Bruyn naar ontwerpen van Maerten de Vos (zie: Holl. Dutch. vol. 45 nr. 1-10).
Mannelijk naakt, knielend, op de rug gezien
Object type: drawing
Date: 1795 – 1795
Materials: chalk, paper
Artist: jacob willemz. de vos
Artist role: draughtsman
Artist dates: 1774 – 1844
Subjects: the (nude) human figure; 'corpo humano' (ripa)
Inscriptions: inscription: ‘Jacob de Vos willemsz A 1795’

Mannelijk naakt, knielend, op de rug gezien. No. 101.
Shiva Embracing Parvati
Object type: sculpture
Date: 1201 – 1300
Materials: bronze
Location: tamil nadu
Frederick B. "Ned" Jevne, Left Field, Minneapolis, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, three rim fragments with an egg pattern below the lip; one fragment is sheared on the inside and outside
Ruiterportret van Filips II van Orléans
Object type: print
Date: 1691 – 1767
Materials: paper
Techniques: engraving
Location: paris
Subjects: filips ii (hertog van orléans)
Inscriptions: collector's mark: Lugt 240

Portret van Filips II, hertog van Orléans, met commandostaf in uitgestrekte arm, op een steigerend paard. Op de achtergrond is een colonne cavaleristen op weg naar een belegerd fort bij een stad.