deem-data/ArtiFact huggingface dataset:
Madam Pompadour
Object type: painting
Date: 1915 – 1915
Materials: canvas, oil
Location: italy
Artist: amedeo modigliani
Artist nationality: italian
Artist dates: 1884 – 1920
Subjects: women, interiors, portraits, fashion, hats, joseph winterbotham collection
Inscriptions: Signed, l.r.: "modigliani"; inscribed and dated, l.c.: "Madam/Pompadour/1915"

Born of Jewish parents in the Italian coastal town of Leghorn, Amedeo Modigliani settled in Paris in 1906, where he developed friendships with Pablo Picasso , the poet Max Jacob, the sculptor Constantin Brancusi, and other members of the literary and artistic avant-garde, many of whom appear in his portraits. He led a notoriously bohemian life, shortened by a self-destructive use of alcohol and drugs. Modigliani produced his finest paintings between 1914 and his premature death in 1920. Within a limited range of subjects, mainly portraits and nudes, he developed a highly distinctive style of sensitively elongated forms.
In this portrait, Modigliani's emphasis is on a strong formal structure dominated by the grid in the background and the echoing curves of the sitter's hat, shoulders, and features. There is none of the pathos often associated with his work. The artist seems instead to have invested this portrait with a note of ironic detachment, even humor, reflected in both the title of the painting (which refers to Madame de Pompadour, mistress of King Louis XV of France) and the expression of amused inscrutability worn by the sitter. Were painter and sitter perhaps both amused by the flamboyant hat? Modigliani's skill in rhyming forms, while at the same time keeping us visually interested and slightly off-balance, is evident throughout the picture, which resonates with the lessons of Paul Cezanne, Cubism, and African sculpture.
The sitter for this portrait may well have been Beatrice Hastings, an English poetess who was Modigliani's mistress at the time. Because of the artist's tendency to generalize his sitter's features, however, a comparison of this portrait with others of Hastings is inconclusive.
—Entry, Margherita Andreotti, Art Institute of Chicago Museum Studies, Vol. 20, No. 2, The Joseph Winterbotham Collection at The Art Institute of Chicago (1994), p. 150-151.

This is one of thirty-five works that comprise the Winterbotham Collection. Click here to learn more about the collection.
Portret van Heinrich Ewald
Object type: print
Date: 1827 – 1862
Materials: paper
Techniques: lithograph
Location: gottingen
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Gij zult de naam van de Heer uw God niet ijdel gebruiken
Object type: print
Date: 1570 – 1612
Materials: paper
Techniques: brush, engraving
Location: antwerp
Subjects: tetragram (in roman or hebrew script) ~ symbol of god the father, 'you shall not take the name of the lord your god in vain' ~ separate representation of the third of the ten commandments, swearing an oath (with two fingers raised)
Inscriptions: collector's mark: Lugt 2228

Een man voor de rechter zweert bij God, door zijn hand op een opengeslagen Bijbel en een crucifix te leggen. Op de achtergrond spelen mannen kaart en dobbelen, terwijl een de hand heft naar de naam van God aan de hemel. Prent maakt deel uit van een serie over de tien geboden en geeft een overtreding van het tweede gebod weer: Gij zult de naam van de Heer, uw God, niet ijdel gebruiken. Onderaan in de marge een verwijzing naar de Bijbeltekst in het Latijn.
De modellen Blok en Netje in een tableau vivant (?) naar Le Berger Galant van Boucher (Arti, Pulchri Studio)
Object type: photograph
Date: 1890 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: machiel hendricus laddé
Artist role: fotograaf
Artist dates: 1866 – 1932
Subjects: 'tableau vivant'
Inscriptions: : ‘MHL / M.H. Laddé / AMSTERDAM’, annotation: ‘Blok en Netje de 2 vaste / modellen in / Le Berger Galant van / Boucher’
Portret van Hendrik Ravekes
Object type: print
Date: 1831 – 1879
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, historical persons

Onder het portret een facsimile van de handtekening van de geportretteerde.
Plate
Object type: plate
Date: 1701 – 1800
Materials: faience
Techniques: glazing
Subjects: birds,insects,flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Portret van Antonio de Nebrija
Object type: album leaf
Date: 1549 – 1577
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: historical persons, portrait of a writer

Prent gebruikt in: Giovio, Paolo. Elogia virorum literis illustrium (...). Bazel: Peter Perna, 1577.
River Landscape in Winter with Figures Skating and Sleds
Object type: drawing
Date: 1651 – 1651
Materials: chalk
Techniques: wash
Artist: jan van goyen
Artist role: artist
Artist nationality: dutch
Artist dates: 1596 – 1656
Subjects: skating,rivers,landscapes,winter,boats
Bracket
Object type: bracket
Date: 1600 – 1600
Materials: bronze
Artist: hubert gerhard
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1540 – 1621
Subjects: faces
Three Panels (Furnishing Fabric ?)
Object type: textile
Date: 1725 – 1725
Materials: silk
Techniques: bookbinding, interlacing, patterning, weave
Location: france
Rechthoekige cartouche met herder, herderin en schapen
Object type: drawing
Date: 1612 – 1672
Materials: ink, paper
Techniques: brush, pen
Artist: pieter jansz
Artist role: draughtsman
Artist dates: 1602 – 1672
Subjects: fishes, bread, loaf, ornament ~ cartouche, fish; still life of fishes
Inscriptions: collector's mark: Lugt 2228
Card Number 580, Grace Chase, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Fotoreproductie van de Kruisdraging door Pieter Brueghel II
Object type: photograph
Materials: photographic support
Techniques: albumen print
Location: brussels
Subjects: carrying of the cross: christ bearing the cross, alone or with the help of others (e.g. simon the cyrenian)
Plafond in het Bardomuseum in Le Bardo nabij Tunis
Object type: photograph
Date: 1888 – 1905
Materials: cardboard, paper
Techniques: albumen print
Location: le bardo
Artist: albert goupil
Artist role: publisher
Artist dates: 1840 – 1884
Subjects: (decorated) ceiling
Inscriptions: number: ‘467.’
Acht gezichten op Amsterdam
Object type: page
Date: 1898 – 1898
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, windmill in landscape, the usual house or row of houses, bridge in city across river, canal, etc., amsterdam
Inscriptions: collector's mark: ‘3-40’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Panorama's en verzamelprenten.
Gezichten op de Grimburgwal, Oudezijds Achterburgwal, Achterburgwal, Reguliersgracht, Singel bij de Haarlemmerstraat, Herengracht tegenover de Spiegelstraat, Molen De Samson en de Herengracht bij de Leidsegracht.
Piece
Object type: piece
Date: 1434 – 1466
Materials: metal thread, silk
Eerepoort opde markt / Arc de triomphe sur le marché
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), coat of arms (as symbol of the state, etc.) (+ city; municipal), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'
Inscriptions: collector's mark: Lugt 195

Gezicht op de erepoort op de markt, opgericht voor de intocht van stadhouder-koning Willem III te Den Haag, 5 februari 1691. Voor de poort twee obelisken en twee halfronde vleugels, alles versierd met historische en mythologische voorstellingen met opschriften in het Latijn.
Drie fotoreproducties, voorstellende portretten van Gaetano Fraschini, Célestine Galli-Marié en Italo Gardoni
Object type: page
Date: 1858 – 1868
Materials: paper, photographic support
Techniques: albumen print, printing
Location: france
Artist: antoine rené trinquart
Artist role: fotograaf
Subjects: portrait of opera-singer
Christus voor Pilatus
Object type: print
Date: 1598 – 1618
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ before pontius pilate (matthew 27:11-26; mark 15:2-15; luke 23:2-7, 23:13-25; john 18:28 - 19:16)

Prent maakt deel uit van een prentbijbel.
Two designs for decorative panels and one design for an ornamental monogram with a crown and the initials:  FF
Object type: drawing
Date: 1830 – 1897
Materials: graphite, watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ornament,insignia
Studies
Object type: sketchbook leaf
Date: 1908 – 1908
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: architecture
Inscriptions: annotation: ‘[...]’

Blad 7 recto uit een schetsboek met 25 bladen.
Ocean Life
Object type: watercolor
Date: 1854 – 1864
Materials: gouache, graphite, gum arabic, watercolor, paper
Culture: american
Artist: james m. sommerville
Artist role: artist
Artist nationality: american
Artist dates: 1825 – 1899
Subjects: crabs,fish,snails,oceans,shells,seahorses

Schussele, the first professor in drawing and painting at the Pennsylvania Academy of the Fine Arts, was chiefly a genre, history painter and portrait painter, yet his subject matter occasionally reflected Philadelphia’s scientific tradition, as in this watercolor. One of the earliest American submarine illustrations, this picture was executed expressly for lithographic reproduction in a pamphlet of the same title published in Philadelphia in 1859. James M. Sommerville (1825 - 1899), a physician, amateur naturalist, member of the Academy of Natural Sciences, as well as an artist and a trustee of the Pennsylvania Academy, was probably the designer of the watercolor. He collected the specimens, wrote the text of the pamphlet and lithographed the image.
Isabel Wachenheimer buiten met medewerkers van KLM, 1954, Israël
Object type: photograph
Date: 1954 – 1954
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: tel aviv
Subjects: leiden, isabel wachenheimer-elon, historical persons - bb - woman, air hostess, stewardess, steward, purser, historical persons not known by name
Inscriptions: date

Blad bevat vier foto's van Isabel Wachenheimer (in KLM-uniform) en verschillende mannelijke collega's. Uit album half formaat, kunstlederen omslag met koordbinding.
Votive Plaque with Seated Buddhas
Object type: plaque
Date: 618 – 906
Materials: terracotta
Culture: tibetan
Subjects: buddha
Hatchet
Object type: hatchet
Date: 1902 – 1902
Materials: jade
Culture: chinese
Candelabra grotesque with four children with a cat and a dog, from a series of twelve candelabra grotesques
Object type: print ornament architecture
Date: 1490 – 1515
Techniques: engraving
Artist: giovanni antonio da brescia
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1525
Subjects: grotesques,children,cats,dogs,candelabra
Stoelen
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: chair
Inscriptions: annotation: ‘4 staal/ bij [...]’

Blad 19 recto uit een schetsboek met 29 bladen.
Portret van Émile Bin
Object type: page
Date: 1876 – 1879
Materials: paper
Techniques: woodburytype
Artist: ferdinand mulnier
Artist role: painter
Artist dates: 1817 – 1891
Subjects: émile bin, portrait, self-portrait of painter
Inscriptions: inscription: ‘25, boulevard des Italiens.’
Lithyalin Beaker
Object type: glass
Date: 1830 – 1830
Materials: glass, marble
Techniques: glassblowing, gilding
Location: bohemia
Artist: workshop of friedrich egermann
Pilatus wast zijn handen in onschuld, de geseling en de doornenkroning van Christus
Object type: book illustration
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: pilate washing his hands (in innocence), the crowning with thorns: soldiers with sticks place a thorny crown on christ's head and give him a reed (matthew 27:27-31; mark 15:16-20; john 19:2-3), flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)

Pilatus heeft aan het volk gevraagd of hij Christus of Barabbas zal vrij laten. Het volk roept dat Barabbas moet worden vrijgelaten en dat Christus moet worden gekruisigd. Pilatus wast zijn handen in onschuld. Op de achtergrond wordt Christus, gekleed in een lendendoek en vastgebonden aan een pilaar, door twee mannen geschopt en geslagen met een gesel en roedes. Rechts op de achtergrond zetten mannen Christus met stokken een doornenkroon op het hoofd. Een man knielt voor hem en geeft hem een rietstok in de hand.
Terracotta hydria (water jar)
Object type: hydria
Date: 330 – 300
Materials: terracotta
Culture: greek or south italian or campanian
Artist: apz painter
Artist role: artist
Subjects: women

Three women within a naiskos (shrine) between youths and women. Under the handles, head of a woman A recurring question in ancient funerary representations is which figures are alive and which deceased. On this vase, the critical difference between the individuals inside and outside the naiskos is that the ladies inside are painted white. Should they be interpreted as statues, despite their lifelike actions? Or does the white signify a change in substance though not in form brought about by death?
haardsteen met twee klimmende leeuwen in ruiten
Object type: hearthstone
Date: 1575 – 1625
Materials: earthenware

geglazuurde haardsteen met twee klimmende leeuwen, geplaatst in twee ruiten met laurierbladmotief. De halve en kwart ruiten aan de boven- en onderkant zijn opgevuld met een bloemmotief.
The Handwriting on the Wall
Object type: drawing and watercolor
Materials: board, graphite, ink, paper
Techniques: brush, pen, wash
Location: ireland
Artist: attributed to or after john doyle
L'Officier a la Collerette Vu de Dos (The Officer with the Hackle Seen from Behind), plate 14 from "Varie Figure" (Various Figures)
Object type: print
Date: 1620 – 1620
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Portret van een onbekende vrouw met een fiets in een tuin
Object type: photograph
Date: 1890 – 1905
Materials: cardboard, photographic support
Techniques: daylight paper print
Artist: Anonymous
Subjects: adult woman, garden, bicycle
Portret van John Pordage
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: Anonymous
Subjects: london, theologian, historical persons

Prent uit: Rothscholtz, Friedrich. Icones virorum omnium ordinum eruditione: omnique item genere et varietate artium de republica litteraria et speciatim de Academiis et Gymnasiis (...). Neurenberg: erven Johann Daniel Tauber, 1725, dl. 1 of 2.
Vase fragment
Object type: vase fragment
Date: 100 – 100
Materials: terracotta
Culture: roman
Subjects: women
Terracotta fragment of a pot; unglazed on the inside
Object type: pot fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic
A Blacksmith
Object type: print
Techniques: aquatint, drypoint
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: men,working,blacksmiths
Cavalerie bij een auto in Frankrijk
Object type: album leaf
Date: 1902 – 1902
Materials: paper, photographic support
Techniques: daylight paper print
Location: france
Artist: Anonymous
Subjects: land forces (+ cavalry, horsemen), land forces, automobile, france

Onderdeel van Fotoalbum van een legeroefening in Zuidwest-Frankrijk in 1902.
Shoes
Object type: shoe
Date: 1690 – 1700
Materials: leather, silk
Culture: french
Subjects: flowers
Board for Ruling Paper
Object type: writing tool
Date: 1601 – 1800
Materials: cotton, ink, paper
Location: iran

Before the scribe could begin copying text onto folios, he had to rule the sheets in some discreet manner to produce lines to follow when writing the text. These lines could be made in a variety of ways. The most common method was to prick tiny holes with a needle or knife along the outer edges of the unfolded bifolios. The horizontal ruling lines were then made by connecting the prickings with a stylus that had a carbon or lead point. Ruling lines could also be produced in a faster manner, using an instrument called a ruling frame, a board with parallel strings or wires fixed across it. The slightly dampened paper would be pressed against the frame, and the strings would cause tiny raised ridges on each leaf, forming raised lines.
String of 5 Beads
Object type: bead, rectangular
Materials: glass
Location: egypt
Portret van Maximilian von und zu Trauttmansdorff
Object type: print
Date: 1634 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: vienna, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228, number: ‘172’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, start of handle root; below, black glaze
Herder en herderinnen in een voorde
Object type: print
Date: 1643 – 1692
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan de visscher
Artist role: print maker
Artist dates: 1633 – 1712
Subjects: cow, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., ford, index finger forwards, pointing, indicating
Inscriptions: collector's mark: Lugt 240

In een voorde wijst een herder te paard twee herderinnen met honden iets aan. De herder heeft twee koeien bij zich.
Paperweight
Object type: paperweight
Date: 1701 – 1800
Materials: quartz
Culture: chinese
Subjects: dogs
Handle-shaped object
Materials: jade
Location: china
Schetsen van een heuvellandschap en bomen
Object type: drawing
Date: 1619 – 1690
Materials: chalk, paper
Artist: anthonie waterloo
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1690
Subjects: low hill country
XII Kupfer zu den Leben und Meynungen Tristram Shandy's
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: berlin
Subjects: london, clergyman, kitchen, literary characters and objects, house personnel, servants
Inscriptions: collector's mark: Lugt 240

Zevende prent uit de serie 'XII Kupfer zu den Leben und Meynungen Tristram Shandy's', bestaand uit een titelpagina en 12 prenten, gedrukt op kosten van de Berlijnse boekhandelaar Christian Friedrich Himburg in 1778. De illustraties volgen een eerder verschenen tekstuitgave: [Stern, Laurence]. Tristram Schandis Leben und Meynungen [uit het Duits vertaald door] Johann Joachim Christoph Bode. 9 dln. Hamburg: Carl Ernst Bohn te Hamburg, 1776.
End of a scarf
Object type: scarf
Date: 1601 – 1700
Materials: silk
Techniques: embroidery
Teapot with a Filter and Iron Handle
Object type: teapot
Date: 1800 – 1899
Materials: iron, stoneware
Techniques: forming, turning
Location: china
Artist: Anonymous
Inscriptions: mark

This teapot has a round body and a square spout, and handles of iron. Inside the pot is a perforated stoneware infuser for the tea leaves. The pot’s shape deviates from traditional designs. For instance, the cover is hollow rather than convex, and the bottom is completely flat. It is possible that the teapot was inspired by objects made of metal.
Portret van Christian Ludwig Ermisch
Object type: print
Date: 1719 – 1732
Materials: paper
Techniques: engraving
Location: braunschweig
Artist: johann georg beck
Artist role: print maker
Artist dates: 1676 – 1722
Subjects: bookshelves, historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Exterior, head of youth to right, fillet
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Culture: japanese
Subjects: animals
Kop en schotel
Object type: kop en schotel, kop en schotel
Date: 1777 – 1790
Materials: porcelain
Techniques: painted
Location: the hague

Tea cup and saucer. Porcelain. Ansbach, decorated in The Hague, c. 1777 - 1790. Factory of Anton Lyncker or his heirs.
Molen aan de Rotte
Object type: sketchbook leaf
Date: 1807 – 1862
Materials: ink, paper, pencil
Techniques: brush, pen
Location: rotte
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: windmill in landscape
Inscriptions: date and inscription: ‘aan de Rotte/ 21/7 62’

Blad 22 verso uit een schetsboek met 65 bladen.
Kruisiging van Christus
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: crucified christ, with particular persons under the cross
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2542

Christus hangt aan het kruis. Aan de voet van het kruis Maria en Johannes. In de marge een onderschrift in het Latijn.
Saltcellar (?)
Object type: saltcellar
Date: 1701 – 1900
Materials: glass
Jardinière
Object type: jardinière
Date: 1877 – 1879
Materials: earthenware
Culture: american
Location: france
Artist: charles volkmar
Artist role: decorator
Artist nationality: american
Artist dates: 1841 – 1914
Subjects: horses
Studies of Dogs
Object type: drawing
Date: 1838 – 1838
Materials: chalk, paper
Artist: guillaume anne van der brugghen
Artist role: draughtsman, print maker
Artist dates: 1812 – 1891
Subjects: dog