deem-data/ArtiFact huggingface dataset:
Design for Phaeton, no. 614
Object type: drawing
Date: 1850 – 1874
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1899 – 1899
Materials: cardboard, ink
Techniques: pen, writing
Location: venice
Artist: françois pieter ter meulen
Artist role: painter
Artist dates: 1843 – 1927
Subjects: draughtsman, philip zilcken, painting (including book-illumination, miniature-painting), exhibition ~ art
Inscriptions: collector's mark: ‘RPK’
Ex libris van onbekend
Object type: bookplate
Date: 1880 – 1939
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: reading, sitting figure - aa - female human figure, dress, gown: ball gown
Portrait of the Artist
Object type: drawing
Date: 1884 – 1884
Techniques: lithograph
Artist: thomas nast
Artist role: artist
Artist nationality: american, born germany
Artist dates: 1840 – 1902
Subjects: men,portraits,profiles,artists,palettes,brushes

Widely considered to be one of the most important American satirists of the nineteenth century, Thomas Nast was a leading cartoonist in the mid to late nineteenth century. An outspoken defender of principled politicians, Nast targeted leaders whom he deemed unethical through his biting illustrations. These works harnessed popular references that could be easily understood by a partially illiterate audience.
Portret van Benjamin Bieler
Object type: print
Date: 1725 – 1757
Materials: paper
Techniques: engraving
Location: germany
Subjects: historical persons, crucifix ~ personal devotion
Inscriptions: collector's mark: Lugt 2233
Card Number 366, Elsie Dean, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
The Intercession of the Virgin, kneeling on a cloud at right before Christ, standing at left holding the cross
Object type: print
Date: 1610 – 1637
Techniques: engraving
Artist: egbert van panderen
Artist role: artist
Artist nationality: flemish
Artist dates: 1590 – 1637
Subjects: putti,christ,virgin mary,cross
Saint Stephen
Object type: sculpture
Date: 1525 – 1530
Materials: paint
Culture: german, south
Artist: hans leinberger
Artist role: artist
Artist nationality: german
Artist dates: 1510 – 1530
Subjects: men,saints

Saint Stephen sits upon a low, partially draped, backless bench. He wears a dalmatic over a long tunic, indicating his position in the church as a deacon, and in his right hand he holds an open book supporting three rocks, referring to his death by stoning. Revered as the first Christian martyr, Stephen's story is recounted in the Acts of the Apostles (6-7). The work is carved from three pieces of wood: one was used for the saint and the other two for the lateral extensions of the seat. The modeling is so convincing that when viewed from the front, the figure, in fact a sculpture in relief, appears to be rendered fully in the round. The statue is well preserved except for the loss of much of the original polychromy. The relief probably was once part of a series of seated figures of saints that may have included Saint Lawrence, another deacon saint often depicted together with Saint Stephen in Late Gothic art. Attributed to one of the foremost Late Gothic sculptors of Lower Bavaria, Hans Leinberger of Landshut, this portrayal of Saint Stephen represented an especially welcome addition to the Museum's collection of German sculpture of the period. It is the only example of Leinberger's work in the collection, and it is particularly notable for the animated execution of drapery, with its deeply scalloped recesses, the doughlike thickening of the outer ridges, broken connecting folds, and inexplicably swirling edges.
Piece
Object type: piece
Date: 1815 – 1815
Materials: cotton
Subjects: flowers,leaves
The Colosseum, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Location: rome
Artist: Anonymous
Artist role: artist
Subjects: architecture,ruins,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 57 in the scrapbook.
Figure
Object type: male figure
Date: 1 – 800
Materials: stone, shell
Culture: mezcala
Location: mexico
Subjects: men
Scheveningen, Strandgezicht
Object type: photomechanical print
Date: 1909 – 1909
Materials: cardboard
Techniques: writing
Location: scheveningen
Artist: Anonymous
Subjects: child, beach, donkey-riding (on the beach)
Votive Ear
Object type: votive, plaque, ear
Date: 1479 – 1458
Materials: bronze, copper alloy
Location: egypt
The Circumcision
Object type: drawing
Date: 1516 – 1573
Materials: paint, ink
Techniques: brush, wash
Location: germany
Artist: hans mielich
Artist role: artist
Artist nationality: german
Artist dates: 1516 – 1573
Subjects: men,jesus,circumcision
Netsuke of Noh Dancer
Object type: netsuke
Date: 1801 – 1900
Materials: ivory, lacquer
Culture: japanese
Subjects: dancers
Studie
Object type: sketchbook leaf
Date: 1896 – 1897
Materials: pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923

Pagina 22 uit een schetsboek met 39 bladen.
Eduard Jenner, uitvinder van de koepokinenting
Object type: history medal
Date: 1796 – 1796
Materials: silver
Techniques: striking
Location: berlin
Artist: friedrich wilhelm loos
Artist dates: 1786 – 1819
Subjects: wetenschapper, arts, edward jenner

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: kinderen in kring dansend rond koe, die door engel uit wolken bloemenkrans omgehangen krijgt binnen omschrift; afsnede: opschrift
Miniature fork
Object type: fork
Date: 1690 – 1710
Materials: silver
Wi' Girning o'his Chaps
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: etching
Location: london
Artist: william strang
Artist role: print maker
Artist dates: 1859 – 1921
Subjects: death as old man, night ~ landscape (sometimes titled 'nox'), storm
Inscriptions: signature: ‘WmStrang’

Op een landweg de Dood in een pij, schedel als hoofd, zeis in de linkerhand. Hij loopt bij nacht door een rivierlandschap in stormachtig weer.
1283 Impronte umane Pompei
Object type: photograph
Date: 1888 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: pompeii

Een versteend lijk van een mens gevonden te Pompeï.
König-Ludwigs Album
Object type: print
Date: 1850 – 1859
Materials: paper
Techniques: lithograph, engraving
Location: london
Subjects: lodewijk i (koning van beieren), castle, naiads, river- and spring-nymphs; usually carrying an urn; 'naiadi, ninfe de' fiumi' (ripa)
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Piloty & Loehle Munchen’

Prent afkomstig uit de serie 'Album Seiner Majestät des Königs Ludwig I. von Bayern', verschenen in verschillende afleveringen. De prenten gaan terug op het album dat Lodewijk I van Beieren op 9 oktober 1850 kreeg overhandigd van verschillende kunstenaars.
Allegorieën op het misbruik van aards bezit
Object type: print
Date: 1609 – 1609
Materials: paper
Techniques: engraving
Location: leiden
Artist: willem isaacsz. van swanenburg
Artist role: print maker
Artist dates: 1580 – 1612
Subjects: adult woman, adult man, devil(s) and demons: satan, heart, painting (including book-illumination, miniature-painting), amorousness, desire
Inscriptions: collector's mark: Lugt 2228

De duivel zit achter een ezel. Op de ezel staat een menselijk hart, waarop hij symbolen van rijkdom en ijdelheid schildert. Bij hem staat een jonge man. Een vrouw knielt naast hem en knoopt een touw om zijn enkel. Onder de voorstelling bevindt zich een tweeregelige, Latijnse tekst en een tweeregelig, Nederlands gedicht waarin de voorstelling en de betekenis ervan wordt toegelicht.
Chemise
Object type: chemise
Date: 1861 – 1865
Materials: linen
Culture: american or european
Kaart van Delfland, Schieland en de Zuid-Hollandse eilanden
Object type: print
Date: 1629 – 1629
Materials: paint, paper
Techniques: brush, engraving, etching, hand coloring
Location: amsterdam
Subjects: maps of separate countries or regions

Kaart van Delfland, Schieland en de Zuid-Hollandse eilanden (onder andere Voorne, Overflakkee, Goeree en IJsselmonde). Linksonder een cartouche met de titel en een schaalstok: Milliaria Germanica communia. Voorzien van een coördinatennet. Oriëntatie: noorden rechts.
Sealing
Object type: sealing, administrative
Date: 1981 – 1640
Materials: clay
Location: egypt
Terracotta fragment of an olpe (jug)
Object type: olpe fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Fragment from the neck of an olpe with part of the ornament from the top left corner of the panel
Martyrdom of Saint Sebastian
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Inscriptions: Lettered below image: "Joannes ab Achen inventor. Joan. Mullerus sculpsit. / Cum fera tela ... patiente domo. / HMuller excud."
Gold Disk Brooch
Object type: brooch
Date: 601 – 700
Materials: copper alloy, gold
Culture: frankish

The relief pattern of these brooches was created by working a thin sheet of metal from the reverse side. Roman coins were the inspiration for such designs.
Bureau en drukkerij van de Deli Courant te Medan
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: medan
Artist: Anonymous
Subjects: dutch east indies, the

Straatgezicht met het gebouw van het bureau en drukkerij van de Deli Courant te Medan. Onderdeel van een groep van 49 losse zwart-wit foto's van verschillend formaat over de uitgeverij en drukkerij van de krant Deli Courant in Medan in de periode 1885-1947.
Snuff Bottle
Object type: snuff bottle
Date: 1796 – 1820
Materials: porcelain
Techniques: molding
Culture: chinese
Subjects: dragons
Portret van een onbekende geestelijke
Object type: album leaf
Date: 1850 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: theologian, historical persons
Inscriptions: inscription: ‘L. Haase & Comp. in Berlin,/ Königl. Hof-Photographen/ und Hof-Photographen Ihrer Kgl. Hoheit der Frau/ Kronprinzessin v. Preussen./ 178. Grosse Friedrich-Strasse 178.’
Vase of Flowers
Object type: print
Date: 1660 – 1660
Materials: ivory, paper
Techniques: etching, hand coloring
Location: france
Artist: jean baptiste monnoyer
Artist role: designer, painter, print maker
Artist nationality: french
Artist dates: 1636 – 1699
Au Moulin Rouge: Un Rude!  Un Vrai Rude!
Object type: print
Date: 1893 – 1893
Materials: crayon, paper
Techniques: brush, lithograph, printing
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: men

This lithograph was published by the journal L'Escarmouche and reproduced in the December 10, 1893 issue. The print is one of three or four known proofs apart from the edition of 100.
Titelpagina voor: Richard Marks, De terugblik of Gods goedertierene leidingen, 1854
Object type: titelblad, titelpagina
Date: 1854 – 1854
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: sailing-ship, sailing-boat, storm at sea

Boven een groep figuren in een boot varend van de kade naar een schip om daarmee te vertrekken. Onder een schip in de storm en figuren in de zee vasthoudend aan drijfhout.
Foto van Moffat ovens
Object type: photograph
Date: 1935 – 1940
Materials: paper, photographic support, textile
Techniques: gelatin silver print
Location: canada
Artist: Anonymous
Inscriptions: inscription: ‘296-M’
Hercules Fighting the River-God Achelous, from "The Labors of Hercules"
Object type: print
Date: 1550 – 1550
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: male nudes,hercules,crocodiles
Fragment of a terracotta plate
Object type: plate fragment
Date: 700 – 601
Materials: terracotta
Culture: greek, east, wild goat style
Subjects: griffins

Obverse, above, griffin; below, sphinx Reverse, head of horned figure, Acheloos? It is unclear whether this plate was decorated on the reverse or whether the plain surface invited a spontaneous drawing.
London Bridge
Object type: photograph
Date: 1850 – 1900
Techniques: albumen print
Location: england
Artist: Anonymous
Artist nationality: probably english
Artist dates: 1800 – 1899
Studies
Object type: sketchbook leaf
Date: 1834 – 1906
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906

Blad 37 verso uit een schetsboek met 39 bladen.
Tea-Houses along the Bank
Object type: page
Date: 1892 – 1897
Materials: paper
Techniques: photograph, hand coloring
Location: uenopark
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: park, tea garden, garden restaurant
Inscriptions: number: ‘17’
La joueuse-d'osselets, statue du vestibule
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: grand trianon
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: vestibule, hall, sculpture, (playing at) knuckle-bones, 'astragali'
Inscriptions: number: ‘140.’, inscription: ‘E. Lamy's collection’
Verzamelen van het manna
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the gathering of manna (in baskets and pots), in the morning manna falls to the earth ~ exodus

De Israëlieten verzamelen het manna in potten en manden in de woestijn. Midden achter Mozes, met zijn staf, en Aäron. Op de achtergrond regent het manna uit de hemel. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Ex. 16. Prent maakt deel uit van een album.
Portret van Elisabeth Christine van Brunswijk-Bevern
Object type: print
Date: 1800 – 1900
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons - bb - woman
Covered Bowl
Object type: glass
Date: 1730 – 1730
Materials: glass
Location: germany
The Raising of Lazarus
Object type: drawing
Date: 1619 – 1619
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: guercino (giovanni francesco barbieri)
Artist role: artist
Artist nationality: italian
Artist dates: 1591 – 1666
Subjects: men,saints

This drawing was identified by Sir Denis Mahon as one of Guercino's preparatory studies for The Raising of Lazarus (Paris, Louvre inv. 1139), a painting dated ca. 1619 . Another composition study connected with a painting of this subject, with numerous differences in design with respect to the Museum's drawing and the finished painting, is in the Teylers Museum, Haarlem (inv. H 45: see Tuyll Van Serooskerken 1991, cat. no. 5). The outline of forms and the use of wash are extremely descriptive, as is typical of composition studies of this period. A pen and ink study for an individual figure connected with the Louvre painting is A Seated Woman (Royal Library, Windsor inv. 2484: see Mahon and Turner 1989, no. 10) The articulation of the composition is complete and relief-like as in comparable autograph pen and ink drawings from the same period, for example studies for the now lost painting of Jael and Sisera of c.1619-1620 (see Turner and Plazzotta 1991, nos. 23, 24): Jael and Sisera (Paris, Institute Neerlandais, inv. no. 1050) and Jael Showing Barak the Corpse of Sisera and Barak finds Jael with the Corpse of Sisera (both Collection Denis Mahon, on loan to the Ashmolean Museum, Oxford).
Loflied op de muziek
Object type: print
Date: 1587 – 1592
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: musical instruments; group of musical instruments, victory of the israelites ~ judith and holofernes, printed edition of musical score
Inscriptions: stamp, collector's mark: Lugt 1641

Judit staat te midden van een groep Israëlieten die muziekinstrumenten (lier, hoorns, bazuin, tamboerijn, panfluit, trommels en triangel) bespelen en zingen uit een muziekboek. Judit heeft een lauwerkrans op haar hoofd. De prent heeft een Latijns onderschrift met verzen. Rechtsonder een verwijzing naar Judit 15. De prent heeft een Latijns onderschrift met verzen. Linksonder genummerd: 14. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Muziek en muziekinstrumenten: Muziekinstrumenten op bijbelprenten.
Coffee Pot
Object type: metalwork
Date: 1750 – 1751
Materials: metal, silver, wood
Location: london
Artist: fuller white
De kerk te Nijkerk, ca. 1749
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2228

Gezicht op de kerk te Nijkerk. Toegevoegd aan de prenten van de Nijkerkse Beroeringen in 1749.
Brief aan Philip Zilcken
Object type: letter
Date: 1851 – 1909
Materials: cardboard, ink
Techniques: pen, writing
Artist: johannes de koo
Artist role: auteur
Artist dates: 1841 – 1909
Subjects: the hague, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Twee paarden bij drinkbak
Object type: print
Date: 1879 – 1932
Materials: paper
Techniques: drypoint, etching
Artist: adolf eduard herstein
Artist role: print maker
Artist dates: 1869 – 1932
Subjects: horse
Inscriptions: collector's mark: Lugt 2228, dedication: ‘Meinen lieben Kalf’
Koffiekan
Object type: coffee pot
Date: 1940 – 1940
Materials: silver, wood
Techniques: casting
Location: the hague
Artist: johannes steltman
Artist role: silversmith
Artist dates: 1891 – 1961
Inscriptions: date letter: ‘F (=1940)’, retailer's mark: ‘J. Steltman, C2 in rechthoek’, hallmark: ‘Minervakop met C (=keurkamer Den Haag)’, maker's mark, hallmark: ‘leeuw 2’

Rechtwandige koffiekan, ovaal in doorsnede met een C-vormig gebogen zwart houten oor met zilveren aanzetten, en een hoge S-vormig gebogen tuit. Gemerkt en gedateerd. Kan maakt deel uit van een koffieservies.
Woman in a Large Hat
Object type: painting
Date: 1650 – 1650
Materials: canvas, oil, paint
Artist: caesar van everdingen
Artist role: draughtsman, painter
Artist dates: 1616 – 1678
Subjects: fruits: plum, adolescent, young woman, maiden, head-gear: hat (+ women's clothes), summer, 'aestas'; 'estate' (ripa) (+ human occupations representing seasons and months)

The plums in the basket and the woman’s subtly exposed shoulder imbue the painting with an erotic undertone. The type of hat atop her head was mostly worn by Romani women at the time. Such hats were worn at the court in The Hague during costume parties and parades. Van Everdingen enjoyed recognition at court, having received several commissions from it.
Soup tureen
Object type: soup tureen
Date: 1760 – 1760
Materials: stoneware
Techniques: salt glaze
Collection Bardini
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Location: florence
Artist: Anonymous
Subjects: ornamental cupboard (+ wood and other phytogenic material)
Inscriptions: number: ‘Pl. 57’
Zodiac Figure: Rooster
Object type: figure
Date: 1701 – 1800
Materials: biscuit, glaze, porcelain
Culture: chinese
Subjects: mythical creatures,roosters,zodiac
Belichtingsstudie, afgebeeld een portret van een onbekende vrouw
Object type: page
Date: 1873 – 1878
Materials: paper
Techniques: carbon print
Artist: alphonse-justin liébert
Artist role: fotograaf, marinier
Artist dates: 1827 – 1914
Subjects: historical persons not known by name - bb - woman
Inscriptions: inscription: ‘Photographies demi-brillantes au charbon, tirées à 2.500 exemplaires, dans les ateliers/ et d'après les clichés de Mr. A. Liébert. (specimens d'éclairage)’, number: ‘No. 1.’
Portret van Johann Gottfried Roesner
Object type: print
Date: 1724 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: signature: ‘R.B.’
St. Anthonis poort
Object type: print
Date: 1655 – 1690
Materials: paper
Techniques: engraving, etching
Subjects: windmill in landscape, city-gate, parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 2233