deem-data/ArtiFact huggingface dataset:
Buste van dichter gelauwerd door drie muzen
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: bard, lyric poet
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 540 – 520
Materials: terracotta
Culture: greek, attic

Exterior, part of an eye, with the outer area in added white, and a black and red oculus, with an incised dot in the center for the pupil
A Select Collection of Views and Ruins in Rome and Its Vicinity. Recently Executed from Drawings Made Upon the Spot
Object type: book
Date: 1815 – 1815
Techniques: aquatint
Location: london
Artist: james merigot
Artist role: artist
Artist nationality: french
Artist dates: 1760 – 1824
Subjects: animals,buildings,ruins,rome
Dolman
Object type: dolman
Date: 1887 – 1887
Culture: american
Terracotta amphora (jar)
Object type: amphora, type b
Date: 500 – 500
Materials: terracotta
Culture: greek, attic
Artist: nikoxenos painter
Artist role: artist
Subjects: altars,spears

Obverse and reverse, the death of Priam Priam, king of Troy, has taken refuge at the altar of Zeus Herkeios. The Greek warrior Neoptolemos attacks with a spear from the left as Hecuba, Priam's wife, gesticulates in despair. The Nikoxenos Painter worked in both black-figure and red-figure. It is interesting that while he employed red-figure for the decoration, the type of amphora is that preferred by black-figure artists.
Gezicht op de tempel voor Amon door Ramses II bij Wadi es-Sebua
Object type: stereograph
Date: 1857 – 1862
Materials: photographic support
Techniques: albumen print
Location: egypt
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: city-view, and landscape with man-made constructions, temple, shrine ~ egyptian religion
Inscriptions: name: ‘Frith’, inscription: ‘General View’, number: ‘LXXVII’
Fragment (Nakshe)
Object type: textile
Date: 1875 – 1900
Materials: linen, silk
Location: iran
Enkele huizen
Object type: drawing
Date: 1644 – 1750
Materials: chalk, paper
Artist: Anonymous
Subjects: urban housing
Sleutel
Object type: key
Date: 1700 – 1800
Materials: bronze

Sleutel met groot, ringvormig oog door dwarse inkepingen van een zijde versierd.
Manchet met tussenzetsel met geabstraheerd bloemmotief geplaatst tussen acht opengewerkte cirkels
Object type: cuff
Date: 1850 – 1920
Materials: linen, metal
Techniques: embroidery
Location: western europe
Artist: Anonymous

Manchet met tussenzetsel met geabstraheerd bloemmotief geplaatst tussen acht opengewerkte cirkels.
Adoration of the Magi
Object type: sculpture
Date: 1425 – 1475
Materials: alabaster, gypsum
Techniques: gilding, polychromy, carved
Location: england
Subjects: religious scenes, biblical, jesus, babies, child, woman with children, women, woman, christianity, christian subjects, religious figures, religious, religion, devotion, holy family, virgin and child/madonna and child, kings
Fragment of a vessel with wheat stalks and a procession of bulls in relief
Object type: vessel
Date: 3300 – 2900
Materials: limestone
Location: southern mesopotamia
Subjects: bulls
Fragment of a Monkey
Object type: relief
Date: 1101 – 1200
Materials: terracotta
Culture: central asian
Subjects: monkeys
Program for the Gémier Benefit
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Della Ferrell, Champion Girl Rider, from the Champions of Games and Sports series (N184, Type 2) issued by W.S. Kimball & Co.
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w.s. kimball & co.
Artist role: publisher
Subjects: women

Trade cards from the set "Champions of Games and Sports" (N184), issued in 1887 by W.S. Kimball & Company. There are two variations of cards in the series. Type 1 displays the W.S. Kimball brand on the card recto and verso. Type 2 only displays the Kimball brand on the card verso. This card is Type 2.
Portret van Wilhelmina van Pruisen
Object type: print
Date: 1813 – 1819
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: berlin, wilhelmina frederica louisa (koningin der nederlanden)

Portret van Wilhelmina in een ovaal. In de ondermarge zes regels Nederlandse tekst. Linksonder 'Proefdruk.'.
Midday
Object type: print
Date: 1745 – 1794
Materials: paper
Techniques: etching
Location: london
Subjects: low hill country (+ landscape with figures, staffage), landscape with ruins (+ city(-scape) with figures, staffage), fisherman
Inscriptions: collector's mark: Lugt 240
Boekhoud afdeeling
Object type: photograph
Date: 1904 – 1931
Materials: photographic support
Techniques: gelatin silver print
Location: surabaya
Subjects: colonial system, trade-company, administration ~ trade and finance, surabaya, java
Inscriptions: inscription: ‘Boekhoud afdeeling’

De afdelingen boekhouding, met de Europese en Javaanse werknemers bij hun bureaus en achter loketten. Foto in het het fotoalbum aangeboden aan A. van der Eyk namens de chefs en het personeel van de Handelsvereniging Amsterdam (HVA) te Soerabaja bij zijn vertrek van Java in april 1931.
Reclamemateriaal voor potloden van Eberhard Faber
Object type: album leaf
Date: 1915 – 1935
Materials: paper
Techniques: gelatin silver print, hand coloring
Location: springfield
Subjects: pencil
Inscriptions: stamp: ‘Paramount/ Commercial Studios/ 145 Chestnut St./ Springfield - Mass.’, number: ‘450’
Ontwerp voor een titelpagina met een vrouw met een monstrans
Object type: design
Date: 1763 – 1826
Materials: ink, paper
Techniques: brush, pen
Artist: abraham van strij (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1753 – 1826
Subjects: trees: orange-tree, ostensorium, monstrance, the ten commandments represented together on stone tablets
Inscriptions: inscription: ‘A.v.Stry’

Vrouw met monstrans, gezeten bij de tafelen der wet voor een oranjeboom. Banderol met opschrift: vici-mooge-offenzi (?).
Armchair (one of a set of four)
Object type: armchair
Date: 1701 – 1800
Materials: wood
Techniques: carving, tapestry
Artist: aubusson
Artist role: factory
Artist dates: 1665 – 9999
Subjects: animals,birds,flowers
Sauskom met het wapen van de familie Swellengrebel
Object type: sauceboat
Date: 1740 – 1750
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: china
Artist: Anonymous
Subjects: utrecht

Ovale sauskom, de rand in de vorm van een vierpas. De hoge, opstaande oren staan kas op de lange zijden van de kom. Beschilderd in onderglazuur blauw en met zwart en goud op het glazuur. Ronde de binnenwand een brede band met bandwerk en bloemranken in blauw met goud, in het centrum het wapen van de familie Swellengrebel in zwart en goud: Franse lelie op een ovaal schild en een gewei boven een kroon als helmteken.
Wapenporselein in blauw-wit en emailkleuren.
Ceiling Design
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: ceilings
Vrouw zittend bij tafels met een plant en bloemen
Object type: photograph
Date: 1900 – 1910
Materials: photographic support
Techniques: matte daylight collodion silver print
Artist: Anonymous
Subjects: plants; vegetation, cut flowers; nosegay, bunch of flowers, anonymous historical person portrayed - bb - woman

Onderdeel van Familiealbum met onder meer foto's van Wijnhandel Kraaij & Co. Bordeaux-Amsterdam.
Elbow (?)
Object type: elbow
Date: 1353 – 1336
Materials: limestone
Location: egypt
Chasuble
Object type: textile
Date: 1700 – 1725
Materials: gilt, metal, textile, silk
Techniques: brocade, damask, treatment, weave
Location: france
Sterfbed van Nikolaus Ludwig Graf von Zinzendorf
Object type: drawing
Date: 1760 – 1762
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: deathbed, historical persons
Inscriptions: collector's mark: Lugt 2228
Ornament
Object type: ornament
Date: 1801 – 1900
Materials: porcelain
Culture: japanese
Subjects: animals
Minerva and the Muses
Object type: plaque
Date: 1604 – 1604
Materials: silver
Location: prague
Artist: paulus willemsz. van vianen
Artist role: draughtsman, jeweler
Artist dates: 1570 – 1614
Subjects: (story of) minerva (pallas, athena), the muses acting together (as group)

Paulus van Vianen often derived the subject of his plaquettes from Ovid’s Metamorphoses, as is the case here. The goddess Minerva visits the Muses because she wishes to see the sacred spring that the winged horse Pegasus caused to gush forth near them with a blow of his hoof.
Gezicht op Villa Berigo in San Remo
Object type: photograph
Date: 1870 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: san remo
Artist: jean gilletta
Artist role: fotograaf
Artist dates: 1856 – 1933
Subjects: villa
Inscriptions: negative number: ‘2005’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië en Zuid-Frankrijk.
Museum du Mont Blanc
Object type: print
Date: 1840 – 1852
Materials: paper
Techniques: lithograph
Location: chamonix
Subjects: glacier
Inscriptions: collector's mark: Lugt 2228

Gezicht op de gletsjer Mer de Glace en Montanvert in de vallei van de stad Chamonix. De stad ligt aan de voet van de Mont Blanc.
Souvenir du Hâvre
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: etching, intaglio
Subjects: harbour, le havre
Inscriptions: collector's mark: Lugt 2228

Vooraan zit iemand in een roeiboot; achteraan masten van schepen. Op de kade staat de tekst: 'Eaux-Fortes par Ch. de Gravesande'.
Nautilusbokaal, rustend op de rug van een man die gebukt staat
Object type: print
Date: 1548 – 1548
Materials: paper
Techniques: engraving
Location: netherlands

Op het oor van de bokaal zit Neptunus met zijn drietand. Afkomstig uit een serie bestaande uit een titelblad en 20 bladen.
Statuette of Wepwawet
Object type: statuette, wepwawet
Date: 700 – 332
Materials: bronze, copper alloy, gold
Techniques: inlay
Location: egypt
Subjects: animals
Fragment rode zijdefluweel en satijn
Object type: zijdefluweel
Date: 1700 – 1700
Materials: silk
Techniques: velvet
Location: france
Artist: Anonymous

Fragment rode zijde fluweel en satijn. Het patroon heeft grote gestileerde bladeren waarin kleine bloemen en waartussen bloemtakken.
Speculum Zelandiae
Object type: album leaf
Date: 1662 – 1662
Materials: paper
Techniques: etching, hand coloring
Subjects: city-view, and landscape with man-made constructions, cow, picnic, alfresco, 'déjeuner sur l'herbe', flushing

Gezicht op de stad Vlissingen met twee koeien en drie geiten. Eén van de koeien doet zijn behoefte. Rechts op de voorgrond zijn enkele welgestelden heren en dames aan het picknicken. De prent maakt deel uit van een album.
Ontwerp voor de voorgevel voor een nieuwe beurs te Amsterdam
Object type: photomechanical print
Date: 1881 – 1881
Materials: paper
Techniques: photolithography
Location: haarlem
Subjects: jonkheer jacob pompejus ernst hoeufft van velsen en santpoort (1842-1910), stock exchange, stock-market, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Ontwerp voor een nieuwe beurs te Amsterdam. Dit ontwerp is van E. Hoeufft. Onderwerpsrubriek binnen de Atlas Amsterdam: Handel en Zeevaart, D. Beurs-Ontwerpen.
Briefpapier en enveloppen, 11 stuks, enkele van de juweliers Citroen
Object type: stationery
Date: 1900 – 1950
Materials: paper
Techniques: printing
Location: netherlands
Artist: Anonymous
Subjects: oslo, juwelier, karel adolf citroen
Gauri
Object type: print
Date: 1894 – 1899
Materials: varnish
Techniques: lithograph
Culture: indian

Gauri is an expression of a tender form of Parvati, the wife and consort of Shiva. In this image, Gauri is represented portrait-like, as if a depiction of a young woman of beauty, not of divinity. Her ‘other’ status is asserted only by the crown she wears, which along with her radiant halo, defines her divine status. In all other respects, she could be mistaken for a young woman prepared for her wedding day. The lower register of the print declares the goddess’s name in devanagari script, along with the name of the press "Ravi Varma Press, Karla-Lonavia", in both English and Hindi. The painting is labelled "Registered No. 95", an attempt at patenting, which proved ineffective in late 19th century India.
Jonge vrouw met kind staande voor een monnik
Object type: watercolor
Date: 1816 – 1816
Materials: paper, pencil, watercolor
Techniques: brush
Artist: bartolomeo pinelli
Artist role: draughtsman, print maker, sculptor
Artist dates: 1781 – 1835
Subjects: monk(s), friar(s), mother and baby or young child, folk costume, regional costume, europeans (with name) (+ costume), rome
Portret van Sir George de Lacy Evans
Object type: page
Date: 1853 – 1867
Materials: photographic support
Techniques: albumen print
Artist: ernest edwards
Artist role: fotograaf
Artist dates: 1837 – 1903
Subjects: studio requisites ~ photographer, commander-in-chief, general, marshal
Maximilian and Maria of Burgundy, plate 2 from Historical Scenes from the Life of Emperor Maximilian I from the Triumphal Arch
Object type: print
Materials: ink, paper
Techniques: woodcut
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Lady Macbeth (Shakespeare, Macbeth, Act 1, Scene 5)
Object type: print
Techniques: engraving, etching
Artist: james parker
Artist role: engraver
Artist nationality: british
Artist dates: 1750 – 1805
Subjects: shakespeare,women,macbeth

Westall's image centers on Lady Macbeth steeling herself to support the murder of Duncan, king of Scotland. It was conceived for John Boydell's Shakespeare Gallery, launched in 1786 as a publishing-cum-exhibition scheme that included a new illustrated edition of the plays, sets of large and small engravings, and a gallery on London's Pall Mall. The latter opened in 1789 with thirty-four paintings and contained about one hundred and seventy works the time Boydell went bankrupt and auctioned the contents in 1805–his print sales plummeted when Napoleon blocaded European ports. The impression belongs to an American reissue of 1852 spearheaded by Shearjashub Spooner, a New York dental surgeon, writer and art scholar who acquired Boydell's heavily worn plates and had them reworked. Printed on thick cream colored paper, the New York edition added small numbers in the lower left margin, this being number 47.
Gold Belt Mount with Rivets
Object type: belt mount
Materials: gold
Culture: avar

The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively cast. Some show no signs of use, while others are quite worn. The Avars The Avars were a nomadic tribe of mounted warriors from the Eurasian steppe. The Byzantine emperor Justinian negotiated with them in the sixth century to protect the Empire’s northern border along the Black Sea. Emboldened by their subjugation of numerous tribes, they unsuccessfully attempted to seize the Empire’s capital, Constantinople. They remained a scourge of both Byzantium and the Western kingdoms until Charlemagne defeated them through a series of campaigns in the 790s and early 800s. All the money and treasure that the Avars had been years amassing was seized, and no war in which the Franks have ever engaged . . . brought them such riches and such booty. Up to that time the Avars had passed for a poor people, but so much gold and silver was found . . . that one may well think that the Franks took justly from the Avars what the Avars had formerly taken unjustly from other nations. — Einhard (ca. 770–840), biographer of the Frankish ruler Charlemagne, early 800s The Vrap Treasure Tribute payments from the Byzantine Empire and war booty provided the Avars with enormous amounts of gold and silver. Avar goldsmiths created work of exceptionally high quality and were counted among the Avars’ ruling class. This ensemble of objects, all found together in Vrap, in present-day Albania, would seem to attest to the wealth of the Avars. Why this varied group was brought together remains a mystery. Some scholars have suggested that these objects were part of a treasure belonging to an Avar chief; others have speculated that they were the materials of an Avar artist. Others question whether an Avar metalsmith made them at all and assert these objects to be the products of a provincial Byzantine artist.
Kaïn en Abel
Object type: print
Date: 1544 – 1544
Materials: paper
Techniques: engraving, intaglio
Location: rome
Subjects: the killing of abel: cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon, the sacrifice of cain and abel: abel offers a lamb, cain usually a sheaf of corn
Inscriptions: collector's mark: Lugt 240

Rechts de offers van Kaïn en Abel. Kaïn brengt een offer van zijn oogst en Abel offert een lam. Links Abel die door Kaïn wordt gedood.
Boekslot met afbeelding van de Overwinning of de Faam
Object type: boekslot
Date: 1814 – 1827
Materials: silver
Location: hoorn
Artist: willem nicolaas ernens
Artist role: silversmith

Kerkboekslot van zilver. In het midden een afbeelding van de Overwinning of de Faam. Op de einden de vrijheid.
Embleem met man die ziet hoe vertrouwen in God een mens kan verlossen van zonden en doen leven in deugd
Object type: book illustration
Date: 1620 – 1649
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the life of man
Inscriptions: collector's mark: Lugt 2228

Een geketende man kijkt naar een tafereel waarbij Christus twee gelovige mannen verlost van hun zonden en hun ketenen. Hun vertrouwen in God doet hen leven in deugd en stuurt hen op de juiste weg naar het eeuwige leven die op de achtergrond is weergegeven. Als voorbeeld wordt een bijbelscène aangehaald: de herdersjongen David won de strijd tegen de grote Goliath door zijn standvastige geloof.
Le Chasteau Royal de Madrid (...)
Object type: print
Date: 1613 – 1707
Materials: paper
Techniques: etching
Location: paris
Subjects: landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn. De uitgevers vader en zoon Nicolas Langlois worden allebei vermeld als N. Langlois op hetzelfde adres.
The Holy Family with Shepherds
Object type: painting
Date: 1616 – 1616
Materials: canvas, oil, wood
Artist: jacob jordaens
Artist role: artist
Artist nationality: flemish
Artist dates: 1593 – 1678
Subjects: christ,holy family,saint joseph,virgin mary,shepherds
Heuvelachtig landschap met figuren
Object type: print
Date: 1727 – 1793
Materials: paper
Techniques: etching
Location: netherlands
Artist: leendert brasser
Artist role: draughtsman, print maker
Artist dates: 1727 – 1793
Subjects: (high) hill
Inscriptions: collector's mark: Lugt 240

Bij Hollstein en Bartsch ook op naam van Ludolf Backhuizen.
View of an Italian Villa and Gardens (the Belvedere of the Vatican)
Object type: drawing and watercolor
Date: 1765 – 1766
Materials: chalk, gouache, paper, paint, watercolor
Techniques: brush, heightening, wash
Location: france
Artist: jean jacques de boissieu
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1810
Hollandsche Maatschappij der Wetenschappen te Haarlem
Object type: medal
Date: 1752 – 1752
Materials: silver
Techniques: striking
Location: amsterdam
Artist: johan george holtzhey
Artist role: mintmaster
Artist dates: 1726 – 1808
Subjects: truth; 'verità' (ripa), haarlem

Medal
silver, by J.G. Holtzhey, 1752
Struck to mark the founding of the scientific society, the Hollandsche Maatschappij van Wetenschappen in Haarlem in 1752.
This was the Republic's first national scholarly society. The society focused on every aspect of science.
Wandeling in de bergen
Object type: stereograph
Date: 1909 – 1909
Materials: paper, photographic support
Techniques: collodion silver print
Location: austria
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
XVII Provinciarum Inferioris Germaniae …
Object type: print
Date: 1659 – 1659
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: (story of) neptune (poseidon), coat of arms (as symbol of the state, etc.), triton(s), maps of separate countries or regions, other female roman deities: salacia, low countries
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Linksboven cartouche met overzicht van de provincies, topografische informatie en legenda. Op deze cartouche zit een man die een kaart vasthoudt. Rechtsboven titelcartouche omringd door wapens van de Zeventien Provinciën. Daaronder schaalstok: Mill Germa. comm. / Duytse mijen, Horae itiner. / Uren gaens. Hieronder een mythologische voorstelling met Neptunus, Salacia en drie tritons. Gradenverdeling langs de randen. Oriëntatie: noorden rechts.
Huys en Bank van Leeninge ofte Lombard
Object type: print
Date: 1693 – 1694
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: pawnbroker, lombard, rowing-boat, canoe, etc., bank, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Huidige staat van prent ook gebruikt in: Commelin, Casparus. Beschryvinge van Amsterdam (…). Amsterdam: Abraham Wolfgang, Gillis Janssonius van Waesberge of Johannes Janssonius van Waesberge, Hendrick Boom of weduwe Dirk Boom, Abraham van Sanderen en Rembertus Goethals, 1693, dl. 2. En in: Commelin, Casparus. Beschryvinge van Amsterdam (…). Amsterdam: weduwe Aart Dircksz. Oossaan, 1694, dl. 2.

Tweede staat van prent (met opgewerkte lucht- en waterpartijen) ook gebruikt in: Commelin, Casparus. Beschryvinge van Amsterdam (…). 2de druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe Antony van Aeltwijk en Hermanus Uytwerf, 1726, dl. 2.
Van Huis Geweest
Object type: print
Date: 1842 – 1879
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: family, descendance
Inscriptions: collector's mark: Lugt 2228

In een rommelig vertrek zitten een vrouw met haar kind en een man bij een tafel. De man heeft zijn hand naar de vrouw uitgestoken, maar zij houdt haar handen op een koffiemolen.
Cup plate
Object type: cup plate
Date: 1829 – 1830
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Portret van Josua van Iperen
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: middelburg, batavia
Inscriptions: collector's mark: Lugt 2228

Proefdruk van de prent volgens Ver Huell gebruikt in: Josua van Iperen, Kerkelyke historie van het psalm-gezang der christenen (...) en inzonderheid van onze verbeterde Nederduitsche psalmberyminge. Amsterdam: wed. Loveringh en Allart, 1777. Deel 2: J. Allart, 1778.
Portret van Jan de Vos
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: amsterdam, jan vos, historical persons, portrait of a writer, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Head of Girl in Profile to Right
Object type: drawing and watercolor
Materials: chalk, paper
Location: france
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Versailles! Versailles!... Three weeks of interruption, from 'News of the day,' published in "Le Charivari"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,women,trains
Interieur met staande vrouw bij een zuil
Object type: drawing
Date: 1856 – 1856
Materials: paper, pencil
Techniques: brush
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891