deem-data/ArtiFact huggingface dataset:
The Road to Market
Object type: painting
Date: 1858 – 1859
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: constant troyon
Artist role: artist
Artist nationality: french
Artist dates: 1810 – 1865
Subjects: livestock, sheep, animals, horse, paths, road, trees, nature, dog, dogs, men, women, woman, shepherds, sky
Inscriptions: Inscribed lower left: C Troyon
Nederlandse gulden,1904
Object type: coin
Date: 1904 – 1904
Materials: silver
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: hoofd met diadeem naar links. Keerzijde: tussen waarde-aanduiding 1 G gekroond rijkswapenschild. Jaartal bovenaan in omschrift. Randschrift.
Poem by Henjō Sojō
Object type: print
Date: 1766 – 1766
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: women

This impression of a print commonly known as "Cotton Threshing" was made in the early twentieth century, as indicated by the palette characterized by brownish and flat color, presumably after an original print. The charming rural scene shows a yung woman seeding cotton and another carrying it off in a basket. The allusion to a poem by Hen Sojo is cleverly abscure as befitted the urbane patrons of Harunobu's art: These cotton clouds... whose black hair will fall on the sleeves they will become?
Cover or Hanging
Object type: cover or hanging
Date: 1801 – 1833
Materials: metal thread, silk, wool
Techniques: embroidery, weave
Location: turkey
Subjects: flowers
Gelidium corneum, var. pulchellum
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Portret van een onbekende man met een baret
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: mezzotint
Artist: charles phillips
Artist role: painter, print maker
Artist dates: 1737 – 1787
Subjects: historical persons, head-gear: beret
Inscriptions: collector's mark: Lugt 240
Oorlogsschip bij het strand
Object type: print
Date: 1724 – 1798
Materials: paper
Techniques: print drawing
Location: amsterdam
Artist: jurriaan cootwijck
Artist role: print maker
Artist dates: 1714 – 1798
Subjects: coast (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Een woelige zee met verschillende schepen, ondermeer een galjoen. Op de voorgrond drie mannen op de duinen.
Bowl of Jujube Berries
Object type: bowl, jujube berry
Date: 1479 – 1458
Materials: pottery
Location: egypt
Subjects: fruit
Telemachus and the Nymphs of Calypso
Object type: painting
Date: 1782 – 1782
Materials: canvas, oil
Artist: angelica kauffmann
Artist role: artist
Artist nationality: swiss
Artist dates: 1741 – 1807
Subjects: men,women,nymphs
Windsor
Object type: print
Date: 1878 – 1878
Materials: paper
Techniques: etching
Location: england
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Sloop van linnen
Object type: sloop
Date: 1820 – 1870
Materials: linen
Location: northern netherlands
Gezicht op Florence met in de verte Palazzo Vecchio en de Dom
Object type: print
Date: 1886 – 1927
Materials: paper
Techniques: aquatint, etching
Location: florence
Artist: guglielmo taubert
Artist role: print maker
Artist dates: 1876 – 1949
Subjects: city-view in general; 'veduta', church (exterior)
Inscriptions: inscription: ‘M Taubert’, collector's mark: Lugt 2228

Prent maakt deel uit van een serie van tien prenten met gezichten op Florence. De prenten worden bij elkaar bewaard in een omslag met daarop de serietitel en een portret van de prentmaker.
Architectuurtekening
Object type: drawing
Date: 1770 – 1808
Materials: paper
Techniques: brush, pen
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: architectural design or model

Architectuurtekening van een deel van de gevel van een neoklassiek gebouw. Zwart kader om driekwart van de tekening.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Parts of two draped figures to right
Coin
Object type: coin
Date: 776 – 785
Materials: copper
Location: iran

This coin was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Fragmentary offering list with mention of unguents and incense; meat, bread, wine; and beer, fowl and desserts. The queen's name is at the lower left.
Object type: relief fragment, tomb of neferu
Date: 2051 – 2030
Materials: limestone, paint
Location: egypt

These nine fragments of relief come from the tomb of Neferu, queen of Nebhepetra Mentuhotep II, at Deir el-Bahri. They represent what remains of the queen's offering manu, a grid detailing food, drink, and ritual items needed for the Neferu's eternal survival. For more information on the decoration of Neferu's tomb, see 31.3.1b-s and 26.3.353*.
Portret van Christian August zu Sachsen-Zeitz
Object type: print
Date: 1716 – 1729
Materials: paper
Techniques: engraving, etching
Artist: andreas geyer
Artist role: print maker
Artist dates:  – 1729
Subjects: archbishop, bishop, etc. (roman catholic), insignia of bishop, e.g. mitre, crozier, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Card Number 173, Lillian Grubb, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Card Number 350, Dora Lee, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Detail van het fries op de Zuil van Trajanus
Object type: print
Date: 1637 – 1691
Materials: paper
Techniques: etching
Location: rome
Subjects: triumphal column with helical friezes, piece of sculpture, reproduction of a piece of sculpture, the soldier; the soldier's life

Detail van het spiraalvormige gebeeldhouwde fries op de Zuil van Trajanus. Het fries toont de oorlogen tussen de Romeinen en de Daciërs. Verklarende nummers in de ondermarge. Prent maakt deel uit van een album.
Sanno Shrine at Nagatababa (Nagatababa Sannogu), from the series "Famous Places in the Eastern Capital (Toto meisho)"
Object type: print
Date: 1832 – 1838
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Private, Fayetteville Light Infantry, North Carolina, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,firearms,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Wolkenstudie
Object type: drawing
Date: 1919 – 1919
Materials: chalk, paper
Artist: adolf le comte
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1921
Subjects: clouds
Dagger (Katar)
Object type: dagger katar
Date: 1601 – 1800
Materials: steel
Culture: indian
Location: south india
Kan met deksel, beschilderd met bloem in groen en rood
Object type: ewer
Date: 1800 – 1849
Materials: glass
Location: bristol
Artist: Anonymous

Kan met deksel van opaak wit glas, de bolle buik overgaand in zich iets verbredende voet en brede hals met tuit, met s-vormig oor, conisch oplopende deksel met zwarte knop en rode stippen. De kan bezit geen beschildering meer. De kan behoort tot een set van vijf stuks.
Dress
Object type: dress
Date: 1830 – 1830
Materials: cotton
Culture: american
Snuffbox
Object type: snuffbox
Date: 1765 – 1766
Materials: enamel, gold
Artist: jean-joseph barrière
Artist role: maker
Artist nationality: french
Artist dates: 1733 – 1833
Subjects: musical instruments,men,women

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Portret van baron François René Hendrik Robert Fagel op jeugdige leeftijd
Object type: drawing
Date: 1844 – 1844
Materials: paper, pencil
Techniques: brush
Artist: pieter gerardus bernhard
Artist role: print maker
Artist dates: 1813 – 1880
Subjects: the hague, historical persons
Inscriptions: date

Jonge man met geweer (?), leunend tegenverhoging waarop zijn pet ligt. Zijn linkerhand rust op de kop van een hond.
Head of a Male Haniwa Figure with Headdress
Object type: haniwa head
Date: 401 – 700
Materials: earthenware
Culture: japanese
Christus en de twaalf apostelen
Object type: print
Date: 1600 – 1669
Materials: paper
Techniques: woodcut
Subjects: the apostle james the great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword
Inscriptions: collector's mark: Lugt 240

Onderdeel van een serie van twaalf prenten met afzonderlijk Christus en de apostelen.
Landschap met houten brug over een rivier
Object type: print
Date: 1878 – 1878
Materials: paper
Techniques: etching, intaglio
Subjects: poling, punting, bridge in city across river, canal, etc., dog
Inscriptions: collector's mark: Lugt 2228
Border
Object type: border
Date: 1667 – 1700
Techniques: lace
Vier scherven behorend bij vier glazen
Object type: sherd
Date: 1700 – 1790
Materials: glass
Techniques: painted
Location: netherlands
Artist: Anonymous
Inscriptions: label: ‘'Gebrandschilderde glazen. Collectie I.S. van der Schaaff, Baarn. Nummer 5 (vijf) inhoudende vier glazen, voorstellende vier ambachten, ongeschonden en heel op 16 februarij 1886.'’

Vier scherven afkomstig van vier glazen in een houten vatting met handvat.
Het Dorp Aquoi, langs 't Riviertje de Linge
Object type: print
Date: 1740 – 1760
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view, and landscape with man-made constructions, church (exterior)
Inscriptions: collector's mark: Lugt 2233

Prent verschenen in: Salmon, Th. Hedendaagsche historie of tegenwoordige staat van alle volkeren (...). 44 dln. Amsterdam: Isaak Tirion, 1730-1803.
Ornament met gevleugeld fantasiedier
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: tone lithography
Location: liège
Artist: michel liénard
Artist role: print maker
Inscriptions: annotation: ‘Motif v. drijfwerk, email en Edelgesteente.’

Linksboven pikt een vogel naar een bes. In de linkerhoek staat: 1re partie, rechtsboven: A. N° 6., rechtsonder: 14.
Terracotta rim and upper body fragment from a straight-sided cup with tortoiseshell ripple motif
Object type: cup, fragment
Date: 1600 – 1525
Materials: terracotta
Culture: minoan

From Priniatikos Pyrgos, Crete Rippled decoration.
Portret van twee onbekende vrouwen
Object type: ansichtkaart, prentbriefkaart
Materials: photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: adult woman
Inscriptions: inscription: ‘Wilmersdorf (...) Frida Michaelis’, inscription: ‘[...] O. Brand (...) Mühlenstr. No 11. III’
Schepen bij Bickerseiland te Amsterdam
Object type: sketchbook leaf
Date: 1892 – 1900
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: ships (in general), canals, waters (in city), civic architecture; edifices; dwellings
Inscriptions: kleurnotitie, handgeschreven

Pagina 65 en pagina 66 uit een schetsboek met 38 bladen.
Portret van een man en twee jongens met blaasinstrument
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: boy (child between toddler and youth), adult man, historical persons, wind instruments
Paard 2
Object type: chess piece
Date: 1923 – 1925
Materials: bronze, oxide
Techniques: casting, lost wax process, patinaed
Location: capri
Artist: saar de swart
Artist role: sculptor
Artist dates: 1861 – 1951
Ionic Entrance Hall
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: columns,interiors
Portret van een Oosterling met een tulband
Object type: print
Date: 1722 – 1775
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: arnout rentinck
Artist role: draughtsman, print maker
Artist dates: 1712 – 1774
Subjects: hacking and thrusting weapons: sword, head-gear: turban, trees: palm-tree
Inscriptions: collector's mark: Lugt 2228

Onder een boom staat een man met een tulband, een zwaard en een staf. Hij staat naast een rotsformatie. Op de achtergrond rotsen en palmbomen.
Bowl
Object type: bowl
Date: 201 – 700
Materials: ceramic
Culture: sasanian
Location: mesopotamia

Plain unglazed ceramics, like this bowl, are the most common type of pottery found during the Sasanian period. These plain vessels were part of the everyday household materials. Excavated at Ma’aridh II in the Ctesiphon area, this small bowl is very well preserved, possibly due to its thickness and small size. A very similar bowl was found at the mound of Umm ez-Za’tir (32.150.171). The city of Ctesiphon was located on the east bank of the Tigris River, 20 miles (32 km) south of modern Baghdad in Iraq. It flourished for more than 800 years as the capital of the Parthians and the Sasanians, the last two dynasties to rule the ancient Near East before the Islamic conquest in the seventh century. Systematic excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the main palace (Taq-i Kisra), in a small fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. Over the course of the excavations in the Ctesiphon area, six houses from a series of small mounds called el Ma’aridh were excavated. These houses follow typical Sasanian design with a mix of square and elongated rooms. Ma’aridh II is a large house that is entered through a small entry way rather than directly from the street. The house is divided into a utilitarian, or service, sector on the eastern side of the building, and a monumental decorated space to the west of the entryway. The western rooms were decorated with pillars, a double horseshoe archway, and stucco reliefs. A long barrel vaulted arched room, 19 meters in length, was probably the most important room of the house. It was entered through a smaller room with four pillars. This large house, with the excavated portion revealing more than 1800 square meters, represents an elite household.
Ex libris van W.A.J. Archbold
Object type: bookplate
Date: 1768 – 1828
Materials: paper
Techniques: etching
Location: great britain
Artist: thomas bewick
Artist role: draughtsman, painter, print maker
Artist dates: 1753 – 1828
Subjects: shrubs
Rechterpaneel van een drieluik: knielende schenkers
Object type: drawing
Date: 1800 – 1900
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: representation of last judgement, with the archangel michael weighing the souls (or dividing the blessed and the damned) (+ donor(s), supplicant(s), whether or not with patron saint(s))
Armchair
Object type: armchair
Date: 1755 – 1790
Materials: wood
Culture: american
Location: united states
Soldaat op wacht die zijn lont op de haan van zijn roer drukt (nr. 40), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat op wacht, ten voeten uit, naar rechts, die een roer (een bepaald type vuurwapen) met zijn linkerhand vasthoudt (nr. 40), ca. 1600. Met zijn rechterhand drukt hij een brandende lont op de haan (onderdeel van het ontstekingsmechanisme) van zijn roer. Het gaat dus om dezelfde positie als degene die op de zevende prent van de serie getoond wordt. Plaat 40 in de instructies voor het hanteren van de roer. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, Amsterdam, 1608. Krijgswezen rond 1600.
La Vera Perfettione del Disegno di varie sorti di recami, page 24 (verso)
Object type: book print ornament architecture
Date: 1567 – 1567
Techniques: woodcut
Artist: giovanni ostaus
Artist role: publisher
Artist nationality: italian
Artist dates: 1507 – 1607
Subjects: mars,venus,horses,landscapes

Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice. From top to bottom, and left to right: Design depicts Venus kissing Mars (the soldier) on the right side. On the left side is a horse that stares out at the distant landscape.
Pair of Tea Caddies
Object type: decorative art
Date: 1800 – 1850
Materials: wood
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, goal post; filleted youth to right, with his torso in three-quarter view, and his left arm extended, with his himation draped over his forearm and hand, holding a javelin in his right hand; Exterior, left handle attachment and right half of handle; profiled ring foot; resting surface is reserved and the inner wall of the foot is glazed; the underside of the floor is decorated with concentric circles, with two broad bands, the first in reserve, the second in black glaze, followed by a narrow band of reserve, and a thin black glaze ring; in the center, a black glaze circle with a dot in the middle
Portretten van kunstenaars
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: historical persons, compasses, portrait, self-portrait of architect
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Portret van paus Benedictus III
Object type: book illustration
Date: 1595 – 1595
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: rome, historical persons, pope, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent uit: Cavalieri, Giovanni Battista de'. Effigies pontificum romanorum cum eorum vitis (...). Rome: Bartolomeo Bonfadino, 1595. Prent voor het eerst verschenen in: Cavalieri, Giovanni Battista de'. Pontificum romanorum effigies (...). Rome: Domenico Basa en Francesco Zanetti, 1580. Prent ook gebruikt in latere publicaties.
Syout, Constructions Modernes - le Divan, etc.
Object type: photograph
Techniques: paper negative, salted paper print
Artist: félix teynard
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1892
Subjects: architecture,buildings