deem-data/ArtiFact huggingface dataset:
Advertentie voor filmhouders van Thornton-Pickard
Object type: advertisement
Date: 1888 – 1900
Materials: paper
Techniques: letterpress printing, printing block
Artist: Anonymous
Subjects: camera ~ photography, printing ~ film, printed matter
Inscriptions: inscription: ‘2€’

Advertentie voor filmhouders van de Britse camerafabrikant Thornton-Pickard uit Altrincham met op de achterzijde een advertentie voor fotopapieren van Tambour.
Archangel Holding a Lily in a Landscape with Clouds Bearing Putti (Fragment of a Scene of the Annunciation)
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: drawing, pen
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: putti,angels
Fragment
Object type: textile
Date: 1301 – 1400
Materials: animal substrate, gilt, linen, silk
Techniques: bookbinding, interlacing, patterning, satin weave, weave
Culture: islamic
Location: italy
Tekenacademie van 's-Hertogenbosch, eerste prijs der antieken, uitgereikt aan P.A. de Bergh
Object type: medal
Date: 1827 – 1827
Materials: silver
Techniques: engraving, striking
Location: netherlands
Artist: g.f. sartorius jr.
Artist role: painter
Artist dates: 1799 – 1859
Subjects: den bosch
Design for Wagon, no. 856a
Object type: drawing
Date: 1860 – 1860
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Schoolmeester geeft een jongen de plak
Object type: print
Date: 1676 – 1676
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: jan van somer
Artist role: draughtsman, print maker
Artist dates: 1645 – 1699
Subjects: quill, teacher and pupil, punishment at school
Inscriptions: collector's mark: Lugt 2228

Een schoolmeester geeft een jongen de plak in het bijzijn van drie andere leerlingen. In het klaslokaal liggen boeken en schrijfveren.
Tussentitel voor het album met de kaart van Rotterdam
Object type: album leaf
Date: 1783 – 1783
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: title-page
Inscriptions: collector's mark: ‘Ministerie van Oorlog / Archief / Afdeling Genie’
Profetie van Agabus en Paulus spreekt tot het volk
Object type: book illustration
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the arrest of paul in jerusalem is foretold by agabus, who binds his own hands and feet with paul's girdle, paul speaks to the people from the stairs
Inscriptions: collector's mark: Lugt 2233, collector's mark

Twee Bijbelse voorstellingen uit Hand. 21 en 22. Agabus voorspelt Paulus dat hij te Jeruzalem aan handen en voeten gebonden zal worden, en Paulus spreekt vanaf een trap tot het volk. Twee voorstellingen van één plaat, elk voorzien van een titel in het Nederlands en Frans. Geheel rechtsonder genummerd: 47.
Portret van een zittend meisje in witte jurk
Object type: photograph
Date: 1903 – 1940
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: haarlem
Artist: jan van roon
Artist role: fotograaf
Artist dates: 1879 – 1948
Subjects: infant, baby
Inscriptions: inscription: ‘Atelier van Roon/ Gen. Cronjéstraat 41 en 43/ Haarlem’
Chess Piece, Pawn
Object type: chess piece
Date: 701 – 1100
Materials: ivory, wood
Location: iran
Subjects: chess
Half Shawl
Object type: textile
Date: 1860 – 1869
Materials: lace, silk
Location: france
Vierkante tafel met een kan
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: charcoal, paper
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: jar, jug (used as drinking-vessel), table

Blad 20 recto uit een schetsboek met 43 bladen.
Portret van twee kleuters
Object type: photograph
Date: 1880 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: dordrecht
Artist: hendrik boonstoppel
Artist role: fotograaf
Artist dates: 1854 – 1924
Subjects: child
Inscriptions: inscription: ‘H. Boonstoppel/ Dordrecht’
Snuffbox
Object type: snuffbox
Date: 1763 – 1764
Materials: gold
Artist: jean frémin
Artist role: maker
Artist nationality: french
Artist dates: 1738 – 1786

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Panelen met grotesken
Object type: ornament print
Date: 1675 – 1748
Materials: paper
Techniques: engraving
Location: germany
Artist: moritz bodenehr
Artist role: print maker
Artist dates: 1665 – 1749
Brief aan anoniem
Object type: letter
Date: 1846 – 1846
Materials: ink, paper
Techniques: pen, writing
Artist: jan adam kruseman
Artist role: draughtsman, painter, print maker
Artist dates: 1804 – 1862
Subjects: exhibition ~ art
Hertogdom Athene, tourse penning, Guillaume I,1280-1287
Object type: coin
Date: 1280 – 1287
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: kasteel met drie torens. Boven middelste, spitse toren kruis als begin van het omschrift. Keerzijde: kort gevoet kruis. Geslagen in Thebe.
Gezin in hun hut
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: human races; peoples; nationalities (+ costume)
Inscriptions: collector's mark: Lugt 2228

Man en vrouw zitten met hun kind te midden van hun huisraad. Bijzonder is dat de man opmerkelijk lange nagels heeft. Ze dragen traditionele kleding.
Dar-Thula, from "Illustrated London News"
Object type: print
Techniques: engraving
Artist: frederick james smyth
Artist role: engraver
Artist nationality: british
Artist dates: 1841 – 1867
Subjects: men,women

The "Illustrated London News" commissioned this print to inform readers of a significant watercolor shown by Tidey at the New Watercolour Society in 1861. The theme demonstrates the continued significance of Ossian as a poetic source considered a northern equivalent to classical epics by Homer and Virgil. London's watercolor societies offered artists a chance to use the medium with ambition and garner a degree of attention not possible at the Royal Academy. Commenting on Tidey's work, a contemporary critic remarked "The artist has fully entered into the character of this cruel epic...with the wild, gigantesque fancy of a Fuseli....in colour the artist has subdued his [palette] to the grey granite hue of Ossians's poetry."
Onderscheiding Ronde van Koudum 1985
Object type: onderscheidingsteken, onderscheiding
Date: 1985 – 1985
Materials: metal
Techniques: striking
Location: sneek
Inscriptions: inscription: ‘IJssportvereniging Koudum 12-1-85’
Portret van vier onbekende vrouwen in Indonesië
Object type: photograph
Date: 1891 – 1912
Materials: paper
Techniques: albumen print
Artist: christiaan benjamin nieuwenhuis
Artist role: publisher
Artist dates: 1863 – 1922
Subjects: anonymous historical persons portrayed in a group, in a group-portrait - bb - woman, folk costume, regional costume
Inscriptions: inscription: ‘Bovenl. vrouwen’

De vier vrouwen dragen traditionele kleding met batik sarong en veel sieraden.
Munchener platen
Object type: print
Date: 1860 – 1868
Materials: paper
Techniques: letterpress printing, engraving
Location: munich
Subjects: bee-hive, tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen uit het het verhaal van de twee deugnieten Kees en Jan die honing stelen en vervolgens gestoken worden door bijen. Onder elke afbeelding een tweeregelig vers. Genummerd midden onder: Nro. 87. Genummerd rechtsboven: 87.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, unidentified subject; Exterior, lower body and feet of a draped woman to right
Pendant Shaped as a Dog
Object type: costume and accessory
Materials: diamond, enamel, gold, pearl, gemstone
Culture: spanish
Location: spain
Plate 71 from "The Disasters of War" (Los Desastres de la Guerra): 'Against the common good' (Contra el bien general)
Object type: print
Date: 1814 – 1814
Techniques: etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: writing
2e Deel Van de Voghels / Avium pars 2a. / Deuxieme Partie des Oiseaux
Object type: manuscript
Date: 1809 – 1814
Materials: ink, paper
Techniques: handwriting, pen
Location: bruges
Artist: joseph van huerne
Artist role: kunstliefhebber, mecenas, verzamelaar
Artist dates: 1752 – 1844
Subjects: handwriting, written text

Handgeschreven titelpagina voor het tweede deel van de voorstellingen van vogels. Onderdeel van het eerste album met tekeningen van vogels. Derde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Recueil d'arabesques, contenant les loges du Vatican
Object type: album leaf
Date: 1792 – 1802
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: decorations (interior of the house), ornaments ~ art

Doordat dit album bestaat uit meerdere, deels eerder uitgegeven prentreeksen, is de datering niet consequent. Het geheel is op de titelpagina gedateerd op 1802. Deze reeks is gedateerd 1792. Aangezien onduidelijk is wanneer de prenten in deze vorm precies uitgegeven zijn, worden beide data gehanteerd: zowel 1802 als publicatiedatum, en de eerdere datum.
De serietitel voor het gehele werk is "Recueil d'arabesques, contenant les loges du Vatican". De andere serietitel is de titel van de specifieke reeks binnen het geheel.
Matchsafe
Object type: matchsafe
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states
Subjects: animals
West-Friesland, scheepjesschelling, 1676
Object type: coin
Date: 1676 – 1676
Materials: silver
Techniques: striking
Location: enkhuizen
Artist: dirck bosch
Artist role: mintmaster

Zilveren munt. Voorzijde: tussen waarde-aanduiding 6 en S en daaronder de letters B en P gekroond wapenschild van West-Friesland. Keerzijde: schip met zeilen naar rechts.
Boeket bloemen
Object type: print
Date: 1809 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: cut flowers; nosegay, bunch of flowers, flowers: rose
Inscriptions: collector's mark: Lugt 2228

In het midden van het kleine boeket prijkt een roos.
Ontwerp voor een tuinpaviljoen van gedeeltelijk verguld smeedwerk, met eronder een plattegrond
Object type: drawing
Date: 1785 – 1785
Materials: graphite, ink
Techniques: drawing
Location: germany
Artist: elias samuel korschelt
Inscriptions: watermark: ‘J HONIG / & / ZOONEN’, inscription: ‘c.’, mark: ‘Contramerk: wapen met dubbele balk (Strasburg bend) met daarboven een lelie, daaronder een bijenkorf en JH&Z.’, inscription: ‘Grund Riss zu dem Trilliage Cabinet / Brouillion zu einem Trilliage Cabinet die Decoration kann von Eisenblech oder auch von Kupfer / getrieben, und mit feinem Ducaten Gold vergoldet werden, / Die Zocke muss von Guten Sandstein auf guten Grund geleget werden, die punctirte linie à in Grund / deutet an wo die eisernen Stäbe 3 bis 4 zoll eingelassen werden, und mit bleij vergossen, und kann noch / gut befinden, in den gebrochenen Ecken steinerne bäncke angebracht werden win b. waiset oben / an der kleinen Kuppel c. bleibet es offen / Elias Samuel Korschelt / wird. / ein Schmit. / 1785. a b a a b a’, size: ‘Maatverdeling met: ¼ ½ ¾ 1 2 3 4 5 6 7 8 9 10 Ellen.’
Twaalf personen in klederdracht van verschillende streken, ca. 1820-1830
Object type: print
Date: 1820 – 1830
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Artist: ludwig gottlieb portman
Artist role: print maker
Artist dates: 1772 – 1828
Subjects: professional clothes, inn, coffee-house, public house, etc., folk costume, regional costume
Inscriptions: collector's mark: Lugt 2228

Twaalf personen in klederdracht van verschillende landstreken, verzameld voor een dorpsherberg, ca. 1820-1830. Volgens de opschriften onder de titel gaat het om personen uit de streken Friesland, Alkmaar, Zuid-Beveland, Schokland en Walcheren. Zie ook de pendant.
Portret van Lucas Schröck
Object type: print
Date: 1641 – 1692
Materials: paper
Techniques: etching
Artist: johann reinhold mühl
Artist role: print maker
Artist dates: 1631 – 1692
Subjects: historical persons, armorial bearing, heraldry
Portret van Johann Jakob Meyer
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: engraving, etching
Artist: johann heinrich lips
Artist role: draughtsman, painter, print maker
Artist dates: 1758 – 1817
Subjects: painter, print maker, artist, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Servet van linnendamast met een bloempatroon
Object type: napkin
Date: 1849 – 1849
Materials: linen
Techniques: damask, weave
Location: northern netherlands

Servet van linnendamast. Het veld heeft verspringende rijen rozetten en de randen bloemen en acanthusbladeren. De hoeken hebben een vaas met vruchten. Het servet is gemerkt: HW36 1849. Het servet hoort bij dertien servetten (BK-1980-377-A t/m BK-1980-377-N).
Kris with Sheath
Object type: kris with sheath
Date: 1701 – 1800
Materials: gold, iron, ivory, silver, wood
Culture: sumatran or acheen
Location: indonesia
Portret van een onbekende man in uniform
Object type: photograph
Date: 1881 – 1886
Materials: cardboard, celluloid, paper
Techniques: albumen print
Location: melun
Artist: alphonse charles dumesnil
Artist role: fotograaf
Artist dates: 1836 – 
Subjects: adult man, anonymous historical person portrayed, (military) uniforms
Inscriptions: address: ‘19. Rue de Bourgogne, 19/ près la Place St Jean/ MELUN’, inscription: ‘Photographie Parisienne/ Les Clichés sont conservés’
Bekende tijdgenooten
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: amsterdam, historical persons - bb - woman (+ (full) bust portrait)
Inscriptions: signature: ‘Jeltje de Bosch Kemper’, inscription: Lugt 2228

Deze prent werd uitgegeven door De Amsterdammer op 8 november 1896.
Study for Satyr Family Walking (recto); Sketches of Five Decorative Vessels (verso)
Object type: drawing and watercolor
Date: 1657 – 1657
Materials: graphite, ink, paper
Techniques: pen
Location: italy
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Forge of the Carmelites
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: etching
Location: united states
Artist: donald shaw maclaughlan
Artist role: painter, print maker
Artist nationality: american, born canada
Artist dates: 1876 – 1938
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Head and part of upper torso of a draped woman to right, with a sakkos and himation; head and upper torso of a youth looking over his right shoulder, with his right hand on his hip, and his himation draped over his left shoulder and around his left forearm, holding a staff in his left hand; part of a circumscribed palmette with tendrils and lotus buds
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Portret van David Young
Object type: photomechanical print
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: carbon print, woodburytype
Subjects: functionaries and dignitaries (with name) ~ protestant churches
Gezicht op de resten van de Colonne Vendôme in Parijs na de Commune van Parijs
Object type: page
Date: 1871 – 1871
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: p. loubère
Artist role: fotograaf
Subjects: ruin of a building ~ architecture, triumphal column with helical friezes
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Head, shoulders, part of right arm, and upper torso of a winged woman to right, wearing a peplos
Bomen rond een klein meer
Object type: photograph
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: trees, pond, pool, france

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
Epaulets
Object type: epaulet
Date: 1801 – 1833
Materials: brass, lacquer, metal thread, wool
Culture: italian
Weg over rivier nabij Mtscheta
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: photolithography
Location: georgia
Artist: Anonymous
Subjects: georgië
Inscriptions: annotation: ‘40. idem.’

Weg waarop linksonder twee paarden voor een wagen gespannen staan, daarnaast staat de titel in het Russisch en in het Frans.
Gezicht op het Thorbeckeplein
Object type: cabinet photograph
Date: 1876 – 1940
Materials: paper, cardboard
Techniques: collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: square, place, circus, etc., city-view in general; 'veduta', monument, statue
Inscriptions: collector's mark: ‘13,109’ Lugt 1641b, inscription: ‘No 24 Thorbeckeplein’

Onderwerpsrubriek binnen de Atlas Amsterdam: Taanstraat, Teertuinen (Nieuwe), Thorbeckeplein, Tolhuis, Tuinstraat (Kromme), Turfmarkt (Oude), Uilenburgergracht, Uilenburgerstraat, Utrechtsestraat.
Heroic Defense of Mazagran
Object type: print
Materials: paper
Techniques: hand coloring, woodcut
Location: france
Artist: jean-charles pellerin
Haarkam van imitatieschildpad (celluloid)
Object type: haarkam haarsieraad
Date: 1880 – 1885
Materials: celluloid, glue
Location: europe
Artist: Anonymous
Inscriptions: inscription: ‘DEPOSE’, inscription: ‘Auguste Bonan’

Boven de kam met zeven tanden zijn vijf ballen vastgelijmd op pinnen. Aan de uiteinden een strikband. De ene strikband is grijs, de andere zwart. De bollen zijn samengesteld uit twee delen.
Amphora
Object type: amphora
Date: 750 – 600
Materials: terracotta
Culture: cypriot
100 Afbeeldinge der voornaamste gebouwen van Amsterdam
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: public welfare, orphanage, canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Huidige staat van prent ook gebruikt in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam, Pieter Schenk (I), s.a. [1710-1711]. En in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam, Barent Greve, s.a. [1757-1766].*

*In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
"Satan, Don't Get Thee Behind Me!"–Anything to Get Possession, from "Harper's Weekly," vol. 16, p. 641
Object type: print
Techniques: engraving
Artist: thomas nast
Artist role: artist
Artist nationality: american, born germany
Artist dates: 1840 – 1902

Widely considered to be one of the most important American satirists of the nineteenth century, Thomas Nast was the leading cartoonist at Harper’s Weekly from 1859 through 1886. An outspoken defender of principled politicians, Nast targeted leaders whom he deemed unethical through his biting illustrations. These works harnessed popular references that could be easily understood by a partially illiterate audience. Invoking the biblical saying, "Satan, Don’t Get Thee Behind Me," Nast illustrates Democratic candidate Horace Greeley on his knees begging the devil to assist him in defeating General Ulysses S. Grant in the 1872 presidential election. A staunch opponent of corruption in politics, Nast targeted Greeley because he was embroiled in a number of public scandals, including posting bail for the incarcerated former Confederate president Jefferson Davis.
Le cte. Stanislas de Girardin, député du dépt. de la Seine Inferieure
Object type: print
Date: 1816 – 1839
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, historical persons
Inscriptions: collector's mark: Lugt 2228, check stamp:
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, top of altar with flames; Exterior, start of handle root and part of handle patch
Boerderij
Object type: print
Date: 1847 – 1874
Materials: paper
Techniques: etching
Artist: jan van lokhorst
Artist role: draughtsman, print maker
Artist dates: 1837 – 1894
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Gezicht op een boerderij in een landschap. Links op de voorgrond zitten twee figuren in het gras.