deem-data/ArtiFact huggingface dataset:
Ceiling painting from the palace of Amenhotep III
Object type: ceiling painting, palace of amenhotep iii
Date: 1390 – 1352
Materials: gesso, mud, paint, plaster
Location: egypt
Subjects: ox

The important buildings in the palace complex of Amenhotep III at Malqata were embellished with floor, wall, and ceiling paintings. This partially restored section of a ceiling painting was discovered lying face up in a room adjacent to the king's bedchamber. The motif consists of a repeating pattern of rosette-filled running spirals alternating with bucrania (ox skulls). Similar ceiling patterns, both painted and modeled in plaster, have been excavated at Aegean sites of a slightly earlier period. Other objects excavated at Malqata are displayed in gallery 120.
Grootkruis van de Orde van de Unie, behoord hebbend aan I.J.A. Gogel
Object type: ordeteken
Date: 1811 – 1811
Materials: silver
Techniques: striking
Location: netherlands
Subjects: staatsman, intendant-generaal van financien, secretaris van staat voor financien, minister van financiën, izaak jean alexandre gogel, orde van de unie

Eenzijdig, enigszins bol middenschildje met vier gaatjes erin. Voorzijde: gekroonde leeuw met geheven klauwen, tot middel in golven binnen omschrift. Keerzijde: blanco.
Portret van Adolf von Schwarzenberg
Object type: print
Date: 1603 – 1603
Materials: paper
Techniques: engraving, etching
Artist: hans sibmacher
Artist role: print maker
Artist dates:  – 1611
Subjects: adolf von schwarzenberg (graaf), commander-in-chief, general, marshal, historical persons

Prent waarschijnlijk uit: Ortel, Hieronymus. Chronologia Oder Historische beschreibung aller Kriegsempörungen (...). Neurenberg: Johann Sibmacher, 1603.
The Triumph of Bacchus
Object type: painting, grisaille overdoor
Date: 1780 – 1789
Materials: canvas, oil
Artist: piat joseph sauvage
Artist role: artist
Artist nationality: flemish
Artist dates: 1744 – 1818
Subjects: putti,bacchus,chariots
Wonderen van Christus
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the demons enter into a herd of swine, which leap into the sea ~ healing of two possessed at gerasa

Christus geneest een bezeten man in het gebied van de Gerasenen. De onreine geesten verlaten de man via zijn mond en trekken in een kudde varkens, die het meer inrennen en verdrinken. De discipelen van Christus kijken toe. Op de achtergrond is het vervolg van het verhaal verbeeld: De varkenshoeders slaan op de vlucht en vertellen in de stad wat er is gebeurd. Daarop komen de bewoners naar Christus en vragen hem hun gebied te verlaten. Links op de achtergrond vertrekt Christus in een boot en blijft de genezen man achter op de steiger. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Mar. 5. Deze prent maakt deel uit van een album.
Peter Alexewitz klyn zoon van wylen Peter de I Kyser van Rusland, is na het overlyde van Catharina Alexewna, in de Ouderdom van 12 Iaar door het Volk tot Kyser en selfz-houder van geheel Rusland verklaart, 1727
Object type: print
Date: 1727 – 1727
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: proclamation of a ruler, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Op een balkon van een gebouw aan een plein wordt Peter II Aleksejevitsj tot tsaar van Rusland uitgeroepen. Het volk op het plein juicht. Linksonder een vijfregelige tekst in het Nederlands met een toelichting op de voorstelling en rechts een vergelijkbare toelichting in het Latijn.
William Wilson of Crummock
Object type: page
Date: 1886 – 1896
Materials: photographic support
Techniques: platinum process
Artist: Anonymous
Subjects: historical persons
L'Escaut près Veere
Object type: print
Date: 1887 – 1889
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: prospect of village, silhouette of village, river, church (exterior)
Inscriptions: collector's mark: Lugt 2228
Donker vlak landschap
Object type: drawing
Date: 1773 – 1843
Materials: chalk, paper
Artist: georges michel
Artist role: draughtsman
Artist dates: 1763 – 1843
Subjects: landscapes in the temperate zone

Een van 120 tekeningen, afkomstig uit een 19e eeuws album met tekeningen van Georges Michel.
Portret van Oscar van Pruisen
Object type: photograph
Date: 1910 – 1913
Materials: paper
Techniques: gelatin silver print
Location: berlin
Artist: ernst sandau
Artist role: fotograaf
Artist dates: 1880 – 1918
Subjects: prince, historical persons
Inscriptions: number: ‘4577’
Jan Cornelis Sylvius
Object type: print
Date: 1633 – 1633
Techniques: etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: men,portraits
Staand mannelijk naakt, op de rug gezien
Object type: drawing
Date: 1802 – 1802
Materials: chalk, paper
Artist: jan willem pieneman
Artist role: draughtsman, painter, print maker
Artist dates: 1779 – 1853
Untitled (Portrait of a Man)
Object type: photograph
Date: 1855 – 1855
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, male, photography, portrait, portraits, portraits: male subject
Haardplaat met het wapen van Maurits van Oranje
Object type: fireback
Materials: iron
Techniques: casting
Location: germany
Artist: Anonymous
Subjects: the hague, maurice (prince of orange)

Haardplaat van gietijzer, met een halfronde bovenzijde. Centraal staat het wapenschild van Maurits van Oranje. Naast de kroon vliegt aan weerszijden een putto met een band met bladranken en vruchten.
Hundred Island House, from Phelps Island, Lake George
Object type: stereograph
Date: 1870 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: phelps island
Artist: seneca ray stoddard
Artist role: fotograaf
Artist dates: 1843 – 1917
Subjects: lake
Inscriptions: number: ‘222.’, : ‘Crystal/ Glens Falls, N.Y.’, retailer's mark: ‘Gebr. Douwes/ Ateliers/ Warmoesstraat 73./ Amsterdam’
Blair, Pitcher, Philadelphia Athletics, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Love's Labour's Lost, Act IV, Scene 1: A Pavilion in the park, near the Palace
Object type: reproduction
Date: 1874 – 1874
Materials: paper
Techniques: woodburytype
Location: london
Subjects: comedy
Man
Object type: crèche figure
Date: 1801 – 1900
Materials: terracotta, wood
Techniques: polychrome
Subjects: men
Michelet
Object type: photomechanical print
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Subjects: paris, adult man, historical persons
Inscriptions: inscription: ‘Né le Août 1798. Mort le 9 Fevrier 1874.’
Wohnhaus des Ritters Herrn Knuyt von Vosmaer, erbaut auf dem Freiheitsplatz in Brüssel. Pläne der Etagen
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: dresden
Artist: joseph naert
Artist role: architect
Artist dates: 1838 – 1910
Subjects: plan ~ architecture, civic architecture; edifices; dwellings
Inscriptions: number: ‘Pl. 16.’, inscription: ‘2me. année.’

Deze prent maakt deel uit van een omslag met 110 prenten op 90 bladen en 18 tekstbladen.
Kaart van de provincie Utrecht, bestaande uit twee delen
Object type: map
Date: 1696 – 1696
Materials: paper, pencil, watercolor
Techniques: brush, engraving, etching, pen
Location: utrecht
Subjects: coat of arms (as symbol of the state, etc.), peat-cutting, maps of separate countries or regions, hunting, chase, cattle, river-gods, fishing (sports), agriculture
Inscriptions: collector's mark: Lugt 19, inscription

Rechtsonder de titelcartouche met een variant van het wapen van het aartsbisdom Utrecht. Boven het wapen een vrouwfiguur met op haar hoofd vier torens, in haar ene hand de hoorn des overvloeds en in haar andere hand een korenschoof. Verder om de cartouche heen een riviergod met een vrouwelijke tegenhangster en putti met attributen die verwijzen naar de jacht, landbouw, turfwinning en visserij. Onder de cartouche een advertentie van de drukker. Links van de cartouche een legenda en een schaalstok: Schale van twee duysent Stightse roeden. Op de kaart zijn verschillende handgeschreven aanvullingen aangebracht.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, genitals, left thigh, and drapery? of a male to right
"Tsu": Narihira in the Snow at Ono, from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)"
Object type: print
Date: 1772 – 1773
Techniques: woodblock print, koban
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Dakreparatie
Object type: photograph
Date: 1900 – 1940
Materials: photographic support
Techniques: collodion silver print, gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: sumatra, dutch east indies, the

Werkzaamheden bij het repareren van een dak. Onderdeel van een groep van 14 losse foto's genomen op Midden- en Zuid-Sumatra in de periode ca. 1900-1940.
Allegorie op de nederlagen der Spanjaarden
Object type: jeton
Date: 1589 – 1589
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: tachtigjarige oorlog

Koperen penning. Voorzijde: man, op knieen biddend bij altaar tot God, die in wolken verschijnt binnen omschrift. Keerzijde: stralende zon, die wolken verdrijft binnen omschrift
Polander leaning on a stick
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: etching
Subjects: adult man
Inscriptions: collector's mark: Lugt 4071, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Design for T-Cart, no. 3651
Object type: drawing
Date: 1881 – 1881
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gedichten en kraanvogels
Object type: surimono
Date: 1774 – 1825
Materials: paper
Techniques: woodcut
Location: japan
Artist: ryûryûkyo shinsai
Artist role: draughtsman, print maker
Artist dates: 1764 – 1825
Subjects: shore-birds and wading-birds: crane
Inscriptions: collector's mark: Lugt 2228

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Odawara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"
Object type: print
Date: 1806 – 1806
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Tafel met helm en wapens
Object type: ornament print
Date: 1784 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: helmet, weapons, table
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Voor- en bovenaanzicht van een rechthoekige tafel geornamenteerd met een guirlande, medaillons, ranken en helmen. Aan de onderzijde flankeren vier vlaggen een medaillon met lauwerkrans. Op de tafel liggen een pluimenhelm, een schild, een fases en lansen.
Fragment
Object type: fragment
Date: 1701 – 1800
Materials: linen
Subjects: men,women,ceres,cows,dogs,flowers,trees,angels,carriages
Shell-Matching Game, from the illustrated book "Gifts from the Ebb Tide (Shiohi no tsuto)"
Object type: print
Date: 1789 – 1789
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Cornelis de Vos
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: brush, heightening, wash
Location: belgium
Artist: after anthony van dyck
Kom, blauw,  met geschulpte wand, onderbroken door een gladde horizontale band
Object type: bowl
Date: 1860 – 1890
Materials: stoneware
Techniques: engels steengoed
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879

Kom van aardewerk, blauwsteen. De geschulpte wand wordt onderbroken door een gladde horizontale band.
Mary, Queen of Scots, with a small scene of the queen on the scaffold, being prepared by her ladies for execution
Object type: print
Date: 1824 – 1825
Techniques: etching, stippling
Artist: james joshua neele
Artist role: artist
Artist nationality: british
Artist dates: 1791 – 1868
Subjects: portraits,women,execution,mary queen of scots
Seated Female Nude
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: sitting on the ground - aa - female human figure

Ze bedekt haar borsten met haar armen. Blad 8 verso uit schetsboek LXIX met 25 bladen.
De schuttersmaaltijd in de Voetboog- of St. Jorisdoelen te Amsterdam ter viering van het sluiten van de vrede van Munster, 18 juni 1648
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: engraving, etching
Subjects: amsterdam, mayor, cornelis witsen, warfare; military affairs (+ citizen soldiery, civil guard, citizen militia), glass, rummer, celebration meal, feast, banquet, (military) flags and standards, private festivities, merry company
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘François Buffa & Fils/ Amsterdam’
Landschap met herderspaar en vee aan rivieroever
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Location: london
Subjects: river - hh - ideal landscapes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., cattle, village - ii - ideal landscapes, pastorals, arcadian scenes
Inscriptions: date

Vanaf 1774 publiceerde John Boydell tweehonderd prenten naar het tekeningenboek Liber Veritatis van Claude Lorrain, in het bezit van de hertogen van Cavendish. Deze prenten werden vanaf 1777 in twee volumes gebundeld uitgegeven.
Design for 4 Seat Sleigh, no. 3666
Object type: drawing
Date: 1881 – 1881
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Edamame (Soy Beans)
Object type: netsuke
Date: 1767 – 1833
Materials: ivory
Culture: japanese
Artist: okatomo
Artist role: artist
Artist nationality: japanese
Artist dates: 1767 – 1833
Subjects: vegetables

Edamame literally means stem beans, because the soya beans were boiled while still attached to the stem. The artist has captured the fluid form of edamame through simple yet graceful light staining, which increases the shadowy effect of the cluster.
Vrouw met een platte hoed
Object type: drawing
Date: 1874 – 1945
Materials: paper, watercolor
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: anonymous historical person portrayed alone
Portret van Gustaaf II, koning van Zweden
Object type: print
Date: 1747 – 1781
Materials: paper
Techniques: engraving
Location: london
Subjects: historical persons, memorial medal, king

Prent uit: The Universal Magazine of Knowledge and Pleasure, 1747-1781.
Rear view of the eastern gateway (torana) of the Great Stupa at Sanchi, Madhya Pradesh, India
Object type: photograph
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Location: sanchi
Artist: james john waterhouse
Artist role: fotograaf, luitenant, officier
Artist dates: 1842 – 1928
Subjects: places and objects of worship ~ hinduism, buddhism, jainism, gate, entrance
Inscriptions: inscription: ‘SANCHI. PLATE IX./ REAR VIEW OF EASTERN GATEWAY.’
Bord met groene rand en gouden Griekse band
Object type: plate dish
Date: 1865 – 1865
Materials: earthenware
Techniques: transfer decoration
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: check stamp: ‘P. REGOUT // MAASTRICHT // 17X’

Bord van aardewerk, geschulpt, met groene rand en gouden Griekse band.
Audiëntie van paus Bonifatius VIII
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Location: leiden
Artist: Anonymous
Subjects: rome, historical persons, pope giving an audience, pope

Naar een prent uit: Brant, Sebastian. Corpus juris canonici glossatum. Basel: Johann Amerbach et Johann Froben, 1500.
Paris. Le Square d'Anvers et le Sacré-Coeur. Vue Générale
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1920
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: church (exterior), city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), public gardens, park, paris
Clubgebouw van IJsclub Utrecht
Object type: photograph
Date: 1888 – 1888
Materials: paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912

Het clubgebouw van IJsclub Utrecht met wapperende vlag. Voor het gebouw staat een aantal mannen met bolhoed en lange overjas. Met onderschrift: IJsclub Utrecht.
Zilveren reliekhouder afkomstig uit de kerk Saint-Maurice te Saint-Maurice-de-Lignon
Object type: page
Date: 1850 – 1857
Materials: photographic support
Techniques: salted paper print
Location: france
Artist: hippolyte malègue
Artist role: archeoloog, fotograaf, schrijver
Artist dates: 1825 – 1901
Subjects: relics (and reliquaries)
Inscriptions: number: ‘PL. 10.’, inscription: ‘appartenant a l'eglise de St. Maurice du Lignon.’
Wineglass
Object type: wineglass
Date: 1501 – 1600
Materials: glass

During the Renaissance, Venetian glassmakers, working on the island of Murano, were celebrated across Europe for their fine and sparkling work. Called “cristallo” emulating the clarity of rock crystal, in the hands of the most skilled glassblowers the medium could be delightfully manipulated, variously stretched paper-thin flat, or playfully twisted, or blown into molds with spectacular patterns.
Schip bij een overslagkade
Object type: sketchbook leaf
Date: 1797 – 1838
Materials: paper, pencil
Artist: johannes christiaan schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1838
Subjects: freight vessel, pier, quay, wharf

Met een takel wordt hout in het schip geladen. Blad 52 verso uit een schetsboek met 65 bladen.
Flintlock pistol
Object type: flintlock pistol
Date: 1655 – 1655
Materials: iron, steel
Techniques: printing, engraving, soldering
Location: grevenbroich
Artist: jan cloeter
Artist role: geweermaker, pistoolmaker
Inscriptions: inscription: ‘Imiecz tem u poblara ij kula folgiuie’, mark: ‘K S; I C’, : ‘I D’

In the late 17th century pistols made entirely of iron were produced in the border region of the Netherlands and Germany (Westphalia). These were often exclusive gifts. This pair was probably owned by a Polish officer.
Neptune in his Chariot being drawn by seahorses, from the 'Division of the Universe'
Object type: print
Date: 1531 – 1576
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: mythical creatures,neptune,shells,chariots,seahorses
Mitaine van zijde met rode, witte en zwarte strepen
Object type: mitt
Date: 1800 – 1820
Materials: linen, silk
Location: zaanstreek
Artist: Anonymous

Mitaine van zijde, met rode, witte en zwarte strepen. Afgezet met witte kant en zilvergalon.