deem-data/ArtiFact huggingface dataset:
Groepsfoto
Object type: photograph
Date: 1940 – 1945
Materials: paper, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, germany

Albumblad met een foto van een eenheid van de Luftwaffe poserend op de trappen voor een monument. Boven de foto een geplakt etiket met naam en adres van Dieter Glitsch. Onderdeel van een fotoalbum over de diensttijd van Dieter Glitsch uit Hardegsen tijdens de Tweede Wereldoorlog en de jaren daarna.
Gezigt van het Binnenhof in 's Hage, en van de roekeloozen aanval gedaan (...) / Vuë de la Cour interieure (dite le Binnenhof) à la Haye, & de l'attaque temaire faite (...)
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: revolutionary action (violent)
Inscriptions: collector's mark: Lugt 2228

Ongeregeldheden als de gedeputeerden van Dordrecht, de heren Gevaerts en De Gijzelaar, met hun rijtuig door de Stadhouderspoort het Binnenhof op rijden en hun paarden bij de toom worden gegrepen door de Haagse pruikenmaker F. Mourand, 17 maart 1786. In het onderschrift een vignetje en de titels in het Nederlands en Frans.
Portret van een zittende vrouw met een baby in witte jurk op schoot
Object type: album leaf
Date: 1805 – 1873
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: stanislas victor bureau
Artist role: fotograaf
Artist dates: 1810 – 1888
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, infant, baby ~ the ages of man
Inscriptions: annotation: ‘Mei 1873./ J. A. vd [h].’, inscription: ‘S. BUREAU/ 44, Palais Royal/ 28, Rue Montpensier/ PARIS/ Tous les Clichés sont conservés.’
Gezicht op het Damrak
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: diligence, omnibus, horse-tram, city-view in general; 'veduta', the usual house or row of houses, street
Inscriptions: inscription: ‘Legaat Joh. M. Coffeng / 1966’, collector's mark: ‘7C’ Lugt 1641b, : ‘11. Amsterdam. / Het Damrak.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Damrak, Damstraat, Doelensluis, Doelenstraat (Nieuwe), Driehoekstraat, Droogbak, Duvelshoek, Dijkstraat en Korte -.
Beeld (of afgietsel van een beeld) van een jongen die beeldhouwt
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: sculptor at work, sculpture
Inscriptions: inscription: ‘G’, collector's mark: ‘Rijks normaalschool voor teekenonderwijzers Amsterdam’, inscription: ‘MIchael-Angelo/ als Knaap’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, scabbard with baldric wrapped around it
Landschap met het offer van Abraham
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: when abraham has his hand raised to kill isaac, god or the hand of god restrains abraham's hand, mountains
Inscriptions: collector's mark: Lugt 1967, collector's mark: Lugt 2228

Berglandschap met het offer van Abraham. Op een berg heft Abraham een zwaard om zijn zoon Isaak te doden maar een engel grijpt in. Onder de voorstelling staat een regel tekst in Latijn welke verwijst naar het bijbelverhaal.
Bedelaars
Object type: print
Date: 1632 – 1632
Materials: paper
Techniques: etching
Location: leiden
Artist: jan gillisz. van vliet
Artist role: draughtsman, painter, print maker
Artist dates: 1600 – 1668
Subjects: crutches, wooden leg, beggar
Inscriptions: collector's mark: Lugt 240

Een bedelaar met een houten been en op krukken loopt naar rechts.
Ewer
Object type: ewer
Date: 801 – 900
Materials: earthenware
Location: iran

This ceramic ewer was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Set of Sword Fittings (Mitokoromono) with Two Additional Knife Handles (Kozuka) and a Pair of Grip Ornaments (Menuki)
Object type: set of sword fitting mitokoromono with two additional knife handle kozuka
Date: 1601 – 1700
Materials: gold alloy, gold, silver
Culture: japanese
Location: japan
Artist: gotō renjō (mitsutomo)
Artist role: fittings maker
Artist nationality: japanese
Artist dates: 1628 – 1708

The Gotō School of sword-fittings makers was founded in the fifteenth century by Gotō Yūjō, who is said to have been patronized by the shogun Ashikaga Yoshimasa (1435–1490). The work of the Gotō masters is characterized by painterly designs carved in high relief on a ground of shakudō (an alloy of copper and gold chemically treated to turn a rich blue-black), finished in nanako (tiny circles punched regularly over the surface to give it a granular appearance) with colorful accents in gold and silver. The succeeding generations of Gotō masters continued to work in these soft metals and concentrated on the smaller sword fittings, such as kozuka (the handle of the small utility knife fitted into a slot on the back of a sword scabbard), kōgai (a skewer-like hairdressing tool carried in the front of the scabbard), and menuki (a pair of grip ornaments secured by the handle wrappings). The production of the stouter sword guards, or tsuba, was left to other masters. While earlier generations had not signed their work, the Gotō masters in about 1600 began to authenticate the work of their predecessors; the attributions usually were engraved on the backs of the pieces themselves. These attributions bear testimony to the keen interest in early sword fittings as status symbols for high-ranking samurai. The collection of Gotō sword fittings exhibited here was assembled by Count Mito Tokugawa in the nineteenth century. Each of the first fifteen generations of masters of the main Gotō school is represented by a mitokoromono, a set of matching fittings consisting of a kozuka, a kōgai, and two menuki. Two additional sets of kozuka and one set of menuki also are exhibited for each generation. This display is the most complete representation of the famous Gotō school of sword-fittings masters. These sword fittings are the work of Gotō Renjō (Mitsutomo), tenth-generation Gotō master.
Silver ring with chalcedony scaraboid
Object type: ring with scaraboid
Date: 467 – 435
Materials: stone, silver
Culture: greek

horse lying down The prominence of the inscription suggests that the name is that of the owner.
Gezicht op Regensburg, in de verte de Dom van Regensburg
Object type: photograph
Date: 1860 – 1865
Materials: glass
Techniques: slide
Location: regensburg
Artist: ferrier père-fils et soulier
Artist role: publisher
Subjects: city-view in general; 'veduta'
Inscriptions: number: ‘622.’
Kom met veelkleurig decor met een tuinvaas, een hek en bloemen
Object type: bowl
Date: 1860 – 1890
Materials: creamware
Techniques: muffling, transfer decoration
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: mark: ‘PORTICI // PIERRE REGOUT’, mark: ‘7’, check stamp: ‘P. REGOUT. MAASTRICHT. 13x.’

Kom van aardewerk met lila transferdecor en moffelkleuren. Het veellobbig lichaam aan de buitenzijde met veelkleurig decor met een tuinvaas, een hek, bloemen en bladeren en een vogel. De wanden van de binnenzijde met een tuinvaas, een hek, bloemen en bladeren en een vogel. Op de bodem bloemen en bladeren. De uitstaande voet met voluten in reliëf, aangezet met oranje. .
Triple-back settee (part of a set)
Object type: triple back settee
Date: 1790 – 1800
Materials: glass, velvet, wood
Techniques: carving, cutting, gilding, painting, voiding

This settee is from a large set of seat furniture, which included at least four settees and twenty side chairs. It was formerly thought to have been commissioned for the Villa Palagonia at Bagheria near Palermo, but the provenance remains undocumented, and the initials in the cipher at the center of the back, "PPL," are as yet unidentified. The reverse-painted glass panels in imitation of agate, lapis, and marble are a distinctive feature often used on late-eighteenth-century Neoclassical Sicilian furniture.
Les vrais pourtraits de quelques unes des plus grandes dames de la chrestiente desguisees en bergeres.
Object type: album leaf
Date: 1640 – 1640
Materials: paper
Techniques: letterpress printing
Location: amsterdam

Twee keer twee kwatrijnen in het Frans en Nederlands bij de voorstellingen van Orania P.O. en Batavina P.O. Het blad maakt deel uit van een album.
Gezicht op de binnenplaats van het kasteel van Pierrefonds, Frankrijk
Object type: page
Date: 1870 – 1875
Materials: photographic support
Techniques: albumen print
Location: pierrefonds
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: castle, courtyard
Inscriptions: number: ‘PL. 4.’, inscription: ‘No 143. PIERREFONDS - Façade sur la Cour’
The Penitent
Object type: print
Date: 1510 – 1510
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men
The Courtesan Umegawa and Chubei of the Courier Firm (Keisei Unegawa, Hikyakuya Chubei), from the series "True Feelings Compared: The Founts of Love (Jitsu kurabe iro no minakami)"
Object type: print
Date: 1798 – 1799
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Emma Seraweck, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Twee debatterende mannen
Object type: book illustration
Date: 1514 – 1531
Materials: paper
Techniques: letterpress printing
Subjects: debate, discussion (~ meeting)

Deze prent is gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
A Maiden and a Bearded Man
Object type: illustrated single work
Date: 1700 – 1700
Materials: ink, paper
Techniques: brush
Location: india
Portret van Jan Zygmunt Skrzynecki
Object type: print
Date: 1809 – 1899
Materials: paper
Techniques: lithograph
Location: frankfurt am main
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons
Fragment schroefplaat van een musket uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: musket
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fragm, id. NG 1978-74H986 or NG 1980-27H3069, left wing and right eye broken off, heavily eroded, side plate.
Saucer dish with a crackled red glaze
Object type: dish
Date: 1800 – 1899
Materials: glaze, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Schaal van porselein met ronde wand, bedekt met een gecraqueleerd rood (sang de boeuf) glazuur, de rand is wit. Binnen de voetring een gecraqueleerd celadonglazuur. Wand is gebroken geweest. Monochromen.
Desiderius Erasmus vierhonderd jaar overleden (Vereniging voor Penningkunst 1936, eerste penning)
Object type: history medal
Date: 1936 – 1936
Materials: bronze
Techniques: striking
Artist: bon ingenhousz
Artist role: print maker, sculptor
Artist dates: 1881 – 1953

Bronzen penning, op de voorzijde het borstbeeld van Erasmus naar links met omschrift, op de keerzijde een aanziende uil met zotskap tussen twee jaartallen, met verklaring.
Portrait Study: Mrs. Philip, No. 3
Object type: print
Date: 1897 – 1897
Materials: ink, ivory, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Gezicht op de Oostelijke Handelskade aan het IJ in Amsterdam
Object type: photograph
Date: 1889 – 1893
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: willem frederik piek jr.
Artist role: fotograaf
Artist dates: 1874 – 1954
Subjects: harbour
Jug
Object type: jug
Date: 2000 – 1600
Materials: terracotta
Culture: cypriot
Jaarfeest van de Technische School te Bandoeng
Object type: photograph
Date: 1933 – 1933
Materials: photographic support
Techniques: gelatin silver print
Location: bandung
Artist: Anonymous
Subjects: vocational education, e.g.: junior technical school, colonial government, dutch east indies, the
Inscriptions: inscription: ‘Jaarfeest. / Einde. / TS’

Jaarfeest van de Technische School te Bandoeng. Groepsfoto in de met slingers versierde feestzaal van de leerlingen met introducés en docenten. Foto ingeplakt in het fotoalbum aangeboden aan J.H.A. van der Hoeven bij het beëindigen op 31 juli 1933 van zijn diensttijd bij het Nijverheidsonderwijs in Nederlandsch-Indië.
Horse Turning His Head
Object type: drawing and watercolor
Date: 1818 – 1819
Materials: graphite, paper
Location: france
Artist: jean louis andré théodore géricault
Artist role: artist
Artist nationality: french
Artist dates: 1791 – 1824
Terracotta pelike (jar)
Object type: pelike
Date: 430 – 430
Materials: terracotta
Culture: greek, attic
Artist: mannerists
Artist role: artist
Subjects: men,flutes,musicians
Portret van John Evelyn
Object type: print
Date: 1800 – 1830
Materials: paper
Techniques: etching
Subjects: print maker, john evelyn, historical persons, portrait of a writer
Inscriptions: inscription: ‘n. 1620 Engel[...]s Numismaticus +1705/6’
"Savart model" Violin
Object type: savart model violin
Date: 1819 – 1819
Materials: wood
Culture: french
Location: france
Artist: ch. michel
Artist role: maker
Artist nationality: french
Artist dates: 1800 – 1900

The builder of this instrument is presumed to be Ch. Michel whose name appears written in pencil on the inside of the instrument, visible through the treble sound hole. This unknown maker followed the unusual and radical instrument design of French physicist Félix Savart. The unusual trapezoidal-shaped violin design introduced by Savar, was based on the acoustical theories of the German scientist Ernst Chladni, who had studied vibrating plates. In addition to its unusual shape, the Savart design has a flat top and back. Savart published his design in 1819 in the hope that violin builders would make instruments of this type, undoubtedly, Michel used these plans to build this instrument. Technical description: Savart model violin with flat top and back and a trapezoidal-shaped body; top and back of wide-grain spruce;, slot-shaped sound hoes with rounded ends; edge of top and back flush with the ribs; plain maple ribs and neck; neck steeply angled back from the plane of the body; fingerboard of spruce covered in stained hardwood; ebony nut on bottom of instrument (no tailpiece); top block is continuous with cornber blocks; no linings; bass bar located below center seam; medium orange varnish over entire body.
Terracotta fragment of a neck-amphora (jar), Tyrrhenian?
Object type: neck amphora fragment, tyrrhenian
Date: 575 – 551
Materials: terracotta
Culture: greek, attic

Part of the frontal face, neck, and tail of a panther to right
Creation of Eve, from "The Dance of Death"
Object type: print
Techniques: woodcut
Artist: hans holbein the younger
Artist role: artist
Artist nationality: german
Artist dates: 1497 – 1543
Subjects: birds,boars,deer,dogs,fish,rabbits,moon,sun,gods,adam,eve,ox
Christ in Majesty surrounded by the Fathers of the Church with Scenes from the Life of Christ
Object type: sculpture
Date: 1601 – 1800
Materials: bone, ivory
Techniques: carved
Culture: russian
Location: russia
Subjects: christian subjects, animals, christianity, crucifixions, jesus, men, religion, religious, religious figures, religious scenes, saints
Vest
Object type: vest
Date: 1859 – 1859
Materials: silk
Culture: american or european
H.K.H. prinses Juliana, naar eene opname van H.M. de koningin
Object type: ansichtkaart, prentbriefkaart
Date: 1913 – 1913
Materials: cardboard
Techniques: photograph
Location: amsterdam
Subjects: the hague, juliana of the netherlands, crown princess, horse
Sceptre
Object type: sceptre
Date: 1736 – 1795
Materials: jade
Culture: chinese
Textile with Animals, Birds, and Flowers
Object type: square
Date: 1167 – 1400
Materials: silk
Techniques: embroidery, weave
Culture: eastern central asian
Subjects: parrots,deer,horses,rabbits

This textile demonstrates the longevity of motifs in eastern Central Asia. The placement of animals—a spotted horse, a rabbit, and two deer (or antelope)—at its cardinal points is a compositional device that began to appear in the region during the Han dynasty. The birds on the piece, especially the parrot, entered the Central Asian repertoire during a second period of strong Chinese influence, the Tang dynasty. The floral background's central motif of lotus blossoms, a lotus leaf, and a trefoil leaf was seen in Central Asia and North China but became widespread during the Yuan dynasty.
Study for an illustration in Tacitus "Tibère, ou Les Six Premiers Livres des Annales", Book IV, Vol. 2, 2nd Study
Object type: drawing and watercolor
Date: 1768 – 1768
Materials: graphite, ink, paper
Techniques: incising, pen, transfer
Location: france
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Desert March
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
Card Number 48, Madelaine Luccette, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Brief aan Adriaan van der Willigen
Object type: letter
Date: 1820 – 1820
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: george pieter westenberg
Artist role: draughtsman, painter
Artist dates: 1791 – 1873
Subjects: rotterdam, haarlem, adriaan van der willigen, historical persons (portraits and scenes from the life)
Inscriptions: watermark
Maud Waldemere and May Danforth, Corsair Co., from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Portret van een vrouw met halsketting
Object type: carte de visite
Date: 1856 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: groningen
Artist: johannes wilhelmus karsses
Artist role: draughtsman
Artist dates: 1841 – 1875
Subjects: historical persons - bb - woman, necklace
Inscriptions: inscription: ‘J. W. KARSSES/ Kunstschilder en Photograaf/ Buiten [d]e Heerepoort/ O. Z. Heereweg Y. 513/ Groningen/ Voor nabestelling blijft deze plaat bewaard.’
Ex libris van William Hammond
Object type: bookplate
Date: 1750 – 1849
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry
De decem leprosis et caeco ad viam Iericho
Object type: book illustration
Date: 1590 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ healing lepers
Inscriptions: collector's mark: Lugt 240

Prent uit: Joannes Bourgois, Vitae passionis et mortis Jesu Christi Somini nostri mysteria, Antwerpen Hendrick Aertssens, 1622, afb. 42
Vase (vaso)
Object type: vase
Date: 1520 – 1530
Techniques: maiolica, glazing
Culture: italian
Finger Ring
Object type: ring
Date: 500 – 700
Materials: gold
Culture: frankish
Location: northern france
Subjects: human figures,profiles
Strook lila-witte kloskant met hangende korenaren
Object type: strip
Date: 1850 – 1900
Materials: linen
Techniques: lace
Location: russia
Artist: Anonymous

Strook gekleurde - lila-witte - kloskant: stropkant. Het zich herhalende patroon bestaat uit gestileerde hangende korenaren in linnenslag met een opengewerkt centrum. De korenaren zijn lila van kleur en hangen recht naar beneden, ze zijn tegen elkaar aan geplaatst en vormen een schulpenrand langs de onderzijde van de strook. Bovenaan de strook beginnen de korenaren vanuit een omgekeerd v-vormig motief gemaakt in netslag. Ze zijn aan de bovenkant van de strook met elkaar verbonden door een traliegrond, een stroptraliegrond, waarin steeds één spitsovaaltje in linnenslag is verwerkt tussen de korenaren in. De bovenzijde van de strook is recht afgewerkt. De schulpenrand is afgewerkt met picots.
Limestone plaque with two eyes in relief
Object type: eye, votive
Date: 480 – 310
Materials: limestone
Culture: cypriot
Subjects: eyes
Roumania, from the Dancing Girls of the World series (N185) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,dancing

Trade cards from the "Dancing Girls of the World" series (N185), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.