deem-data/ArtiFact huggingface dataset:
Scarab Inscribed for the [God's] Wife Hatshepsut
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs

This scarab was found in one of the foundation deposits located along the front of the lower court of Hatshepsut's funerary temple at Deir el-Bahri. The inscription on the base appears to be missing a hieroglyph. It reads: the wife, Hatshepsut. It probably should have read either: The God's Wife, Hatshepsut, or The King's Wife (queen), Hatshepsut. In the late Seventeenth early Eighteenth Dynasties, the title God's Wife was held by the principal queen or the queen mother. Hatshepsut inherited the title while she served as principal queen of her half-brother, Thutmose II. Later, shortly after she took on the titles of king, Hatshepsut passed the title on to her daughter, Neferure (see scarab 27.3.325). Two scarabs from Hatshepsut's foundation deposits (27.3.194) have an unusual version of one of the hieroglyphs. The woman seated on the chair is represented perching on the seat with her knees drawn up in front of her instead of seated in a conventional fashion with her legs down (In most examples of this hieroglyph, the woman's legs merge with the front leg of the chair - see 27.3.192).
Laken en Clervaux
Object type: album leaf
Materials: paper, photographic support
Techniques: gelatin silver print
Location: belgium
Artist: Anonymous
Subjects: the family travelling, on holiday, outing, pleasure trip, laeken
Inscriptions: inscription

Albumblad met drie foto's met gezichten te Laken en Clervaux. Onder de foto's uitgeknipte papiertjes met getypte opschriften. Onderdeel van het tweede fotoalbum met foto's van familievakanties in Nederland, België, Luxemburg en Frankrijk in 1950-1951.
Busken Huet
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: etching, intaglio
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portrait of a Cardinal
Object type: drawing and watercolor
Materials: chalk, charcoal, paper
Techniques: brush, wash
Location: belgium
Artist: after anthony van dyck
11e. Vue d'optique representant l'entrée du temple du soleil dans Palmire du côté de l'orient
Object type: opticaprent
Date: 1745 – 1775
Materials: paper, watercolor
Techniques: brush, etching
Location: paris
Subjects: colonnade, arch, archivolt ~ architecture, landscape with ruins (+ city(-scape) with figures, staffage)
Inscriptions: watermark, collector's mark: Lugt 2233
Case (Inrō) with Design of Rats Eating Rice beside New Year Arrangement with Mochi and Crayfish
Object type: inrō
Date: 1801 – 1900
Materials: gold, lacquer, silver
Techniques: fundame, roiro
Culture: japanese
Subjects: rats
Portret van F.J. Goebel
Object type: print
Date: 1823 – 1841
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
“How silly ! Just look how they run. That's what you get when you are at the wrong place. Just you wait! Next time, tell us in advance and we'll take good care of you...,” plate 1 from Émotions Parisiennes
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Portret van Prosper Jolyot de Crébillon
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Sgabello van notenhout versierd met intarsia
Object type: seating furniture
Date: 1490 – 1490
Materials: wood
Techniques: intarsia
Location: florence
Artist: Anonymous

Notenhouten sgabello versierd met intarsia, rustend op drie in gespreide stand geplaatste, in doorsnede vierkante naar onder zich verbredende poten. De poten, de achthoekige zitting en het gestrekt trapeziumvormige rugraam dragen randen met intarsia. De onder- en bovenkant van de rugstijlen tonen een voluut; op de bovendorpel liggen twee acanthusvoluten die een medaillon dragen, omgeven door een rand van halve manen en bekroond met een palmet, dat aan twee kanten het wapen der Strozzi toont. Zie: BK-16878-a.
A California Forest
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: etching, roulette
Location: united states
Artist: mary nimmo moran
Artist role: artist
Artist nationality: american
Artist dates: 1842 – 1899
Saint Barbara, Seated Before her Tower
Object type: print
Date: 1769 – 1769
Techniques: drypoint, etching
Artist: cornelis van noorde
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1731 – 1795
Subjects: towers,women,saints

Jan van Eyck's painting of St. Barbara of 1437, now in the Museum of Fine Arts in Antwerp, is one of the great masterpieces of fifteenth-century art. The work hovers somewhere between drawing and painting. In 1769, Cornelis van Noorde etched a life-size reproduction of the painting in etching, drypoint, and soft ground, as a facsimile of the painting. The print was commissioned and published by the painting's owner at the time Johannes Enschedé who lived in Haarlem. The print is remarkable for the careful and inventive printmaking that Van Noorde used to approximate Van Eyck's delicate drawing on panel. The artist was working at the same time as Jean-Francois Charpentier and Jean Baptiste LePrince were making their early experiments to reproduce drawings with aquatint in France and at the same time that Cornelis Ploos van Amstel was also experimenting with etching and aquatint to imitate drawings in The Netherlands. Here, the printmaker employed etching, drypoint, and probably soft-ground etching to simulate Van Eyck's delicate painted strokes. In the sky, the only area in the original that is painted, Van Noorde employed light scratches to gently modulate the space. These scratches could easily be mistaken for the scratches normally left behind in polishing the printing plate were it not for the sun in the upper right corner where the artist has intentionally cleared these scratches away and circled the orb with brief touches of soft-ground etching. This suggests that he intended to keep the remaining scratches that create a light, contrasting tone. This unique work of reproduction is unlike other reproductive prints of the period.
Allegorisch grafmonument voor prins Willem V, 1806
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: the hague, william v (prince of orange), grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 2228

Grafmonument voor prins Willem V, overleden op 9 april 1806. Op het graf een ovaal portret van de prins, omgeven door vaandels en Oranjetakken. Onder het portret een vers van vier regels. De staande vrouw rechts is de Vriendschap, links drie kinderen met het wapen van de prins.
Étui
Object type: étui
Date: 1781 – 1782
Materials: gold
Subjects: birds

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Uitbeeldingen van karakters, eigenschappen, deugden en ondeugden
Object type: drawing
Date: 1675 – 1737
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: pieter van den berge
Artist role: draughtsman, print maker, printer, publisher
Artist dates: 1659 – 1737
Subjects: anger; 'ira' (ripa) ~ personification of one of the seven deadly sins
Inscriptions: number: ‘63’

Rechts een man met de hand op de borst. Hij wordt bij de arm gegrepen door een man, die hem met de linkervoet op de rechterknie trapt.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 460
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, and frontal torso of a wreathed, bearded man to left wearing a himation, with his right arm extended, holding an skyphos in his right hand
Zalfpot uit V.O.C.-schip de 'Witte Leeuw'
Object type: ointment vessel
Date: 1613 – 1613
Materials: earthenware
Location: europe
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Zalfpot uit V.O.C.-schip de 'Witte Leeuw', compleet. De pot is cylindervormig, heeft een voetprofiel en heeft een ingesnoerde basis en hals. De basis is ruw afgewerkt. De scherf is grijs. Op de wand zitten 2 rijen met kommavormige reliëfs omsloten door 3 banden in reliëf.
Ensemble
Object type: ensemble
Materials: cotton, glass, linen, metal, mother of pearl, pigment, silk, wool
Culture: russian
Madonna and Child with Saints Francis and Dominic and Angels
Object type: painting
Date: 1612 – 1612
Materials: canvas, oil
Artist: giulio cesare procaccini
Artist role: artist
Artist nationality: italian
Artist dates: 1574 – 1625
Subjects: angels,madonna and child,saints

Ten figures are tightly woven together, compressed against the picture plane in an idiosyncratic combination of flickering paint surfaces taken from Parmigianino and the unexpected, angular bodily contortions of Ludovico Carracci. The result is otherworldly and unbelievable, but highly stimulating visually. Procaccini began as a sculptor, but by 1610 had established himself as a painter in Milan. This altarpiece, likely commissioned by the Spanzotta family around 1612, represents the Institution of the Rosary, established by Saint Dominic, clothed in black and white, whose body is mirrored by Saint Francis, dressed in his humble brown habit.
Costume Plate: Woman with Hooded Garment
Object type: print
Date: 1557 – 1558
Techniques: engraving
Artist: enea vico
Artist role: artist
Artist nationality: italian
Artist dates: 1523 – 1567
Subjects: portraits,women
Edward VII sovereign
Object type: sovereign
Date: 1902 – 1902
Materials: gold
Artist: g.w. desaulles
Artist role: maker
Artist dates: 1862 – 1903
Subjects: men,profiles,dragons,horses
Sacra eremvs ascetarvm
Object type: book illustration
Date: 1590 – 1612
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the hermit macarius of egypt (the elder, the great); possible attributes: t-shaped staff, skull
Inscriptions: collector's mark: Lugt 240

Prent uit: Sacra eremus ascetarum, Antwerpen, Hendrick Aertssen, 1619. Eerste gebonden uitgave met in totaal vijftig prenten. Prent uit serie van vijfentwintig mannelijke kluizenaars. In 1612 verscheen een ongebonden editie maar op basis van de gewijzigde opschriften en samenstelling wordt aangenomen dat de prenten van de uitgave 1619 ook in 1612 of iets daarvoor gedrukt werden. Roethlisberger beschouwt de uitgave van 1619 als de eerste staat en de ongebonden editie van 1612 als de tweede staat (Roethlisberger 1993, p. 171, 172).
Bronze, Tiberius Claudius Drusus, 41 A.D., from the Ancient Coins series (N180) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: men,coins

Trade cards from the "Ancient Coins" series (N180), issued in 1888 by W.S. Kimball & Co.
Bains Kloof
Object type: photomechanical print
Date: 1870 – 1880
Materials: paper
Techniques: photograph
Location: south africa
Subjects: dale, valley, public road
Inscriptions: inscription: ‘SA’, number: ‘75. 76.’
Portret van Frederik Willem, keurvorst van Brandenburg
Object type: print
Date: 1670 – 1726
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: berlin, frederik willem van brandenburg (i), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228
Zaroukhla, Khani
Object type: photomechanical print
Date: 1905 – 1910
Materials: paper
Techniques: photograph
Location: berlin
Artist: frédéric boissonnas
Artist role: fotograaf
Artist dates: 1858 – 1946
Subjects: wandering communities: romani or roma
Inscriptions: number: ‘30.’
Coin Portraying Emperor Gratian
Object type: coin
Date: 367 – 383
Materials: bronze
Culture: roman
Location: roman empire
Inscriptions: Obverse: D N GRATIANVS P F AVG
Reverse: REPARATIO
Chasse with Christ in Majesty and Apostles
Object type: chasse
Date: 1190 – 1200
Materials: copper, enamel, gilt
Techniques: enamel, engraving
Culture: french
Location: france
Subjects: christ,reliquaries
Arco de Santa María in Burgos
Object type: photograph
Date: 1850 – 1863
Materials: photographic support
Techniques: albumen print
Location: burgos
Artist: charles clifford
Artist role: fotograaf
Artist dates: 1819 – 1863
Subjects: gate ~ fortified city

Onderdeel van Reisalbum met opnames van kunstwerken, personen en bezienswaardigheden in Spanje.
Dove (one of a pair)
Object type: figure
Date: 1750 – 1750
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: doves
Leyden
Object type: print
Date: 1652 – 1679
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, church (exterior), prospect of city, town panorama, silhouette of city, leiden

Gezicht op Leiden, gezien vanaf het water. Op de voorgrond een zeilschip. Rechts op de achtergrond de stad. Oorspronkelijk onderdeel van een blad met acht gezichten op steden gezien vanaf het water.
Vrees voor de komend onderdrukking, penning geslagen door de Staten van Zeeland
Object type: jeton
Date: 1566 – 1566
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: zeeland

Penning. Voorzijde: man met kroon en scepter, zittend op paard midden in water binnen omschrift. Keerzijde: gekroond wapenschild tussen jaartal binnen omschrift.
Vier foto's van familie Onnen-Van den Berg tijdens een vakantie, mogelijk in Nice
Object type: photograph
Date: 1920 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: the family travelling, on holiday, avenue, boulevard, promenade, esplanade

Deze foto's maken deel uit van een album.
Bidkleed, z.g. ruiten-bidkleed, MELAS
Object type: prayer rug
Date: 1800 – 1900
Materials: wool
Location: melas
Artist: Anonymous

Bidkleed, z.g. ruiten-bidkleed, MELAS. Middenveld: op een smal, rechthoekig, even boven het midden ingesnoerd rood fond staan elkaar rakende ruiten, in roze en paars. Randen: vijfvoudig. De breedste is geel, waarop beurtelings paarse ruiten staan en viervoudige anjers in oranje, rood, wit en paars. De eerste rand met sparrentakken, de tweede met anjers en de buitenste twee in zwart en wit met zigzaglijnen.
Plate
Object type: plate
Date: 1839 – 1840
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: john ridgway
Artist role: maker
Artist dates: 1827 – 1840
Subjects: houses,farmers
Eetzaal
Object type: photomechanical print
Date: 1905 – 1915
Materials: cardboard
Techniques: photograph
Location: bosch en duin
Artist: Anonymous
Subjects: interior of the house, recovery, convalescence of sick person
Journal des Dames et des Modes, Costume Parisien, 22 sept. 1800, An 8 (246) : Coeffure en dentell (...)
Object type: fashion print
Date: 1800 – 1800
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: gloves, mittens (long gloves) (+ women's clothes), ornamental parts of clothing (+ women's clothes), head-gear (+ women's clothes), styles of hairdress - aa - ~ women, fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), lace
Inscriptions: title: ‘Costume Parisien.’, caption: ‘Coeffure en dentelle. Boucles sur les Manches.’

'Coiffure en Dentelle'. Japon met korte mouwen, versierd met contrasterend banden met gespen. Op de rug een gekruist en gestrikt lint. Sleep. Lange handschoenen. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
The Whore of Babylon, from "The Apocalypse"
Object type: print
Date: 1498 – 1498
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,women,monsters,apocalypse

By 1498, Dürer had published more than two dozen prints, which brought him to the attention of artists and connoisseurs not only in his native Nuremberg and other German-speaking areas but also across the Alps in Italy. It was the prodigious woodcuts of The Apocalypse, however, published in 1498, that made him enormously famous. There was a long tradition of Apocalypse illustrations in manuscripts, which continued in printed books, but nothing like Dürer's galvanizing imagination had ever been brought to bear on the text. In previous printed Bibles, illustrations had been put on pages along with the words, but Dürer gave precedence to the image, taking the entire large page of what he himself called a "superbook" for each of his fifteen subjects. This last image in the series marks the appearance of the whore of Babylon in the Book of Revelation (17:3—4): "And I saw a woman sitting on a scarlet beast, full of names of blasphemy with seven heads and ten horns. The woman was garbed in purple and scarlet, and gilded with gold, gems, and pearls, and bearing a golden goblet in her hand full of abominations and filthiness of her fornication." Babylon, the domain that embodies evil on earth, burns with huge explosions of flame and smoke in the distance, and from the upper left come the armies of heaven, led by the knight Faithful-and-True.
Distant View of Snow on the Sumida River in Edo
Object type: print
Date: 1840 – 1844
Techniques: woodblock print
Location: japan
Artist: keisai eisen
Artist role: artist
Artist nationality: japanese
Artist dates: 1790 – 1848
Gezicht op de Poststrasse te Zürich
Object type: stereograph
Date: 1906 – 1906
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: zurich
Subjects: façade (of house or building), street
Inscriptions: inscription: ‘Neue Photographische Gesellschaft A. G., Steglitz-Berlin 1906.’, number: ‘208’
Charles Albert "The Old Roman" Comiskey, 1st Base and Manager, St. Louis Browns, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1886 – 1886
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Strip (one of two)
Object type: strip
Date: 1601 – 1700
Techniques: lace
Minerva omgeven door krijgers
Object type: print
Date: 1597 – 1597
Materials: paper
Techniques: engraving
Subjects: (story of) minerva (pallas, athena), private soldier, proverbs, sayings, etc.
Inscriptions: number: ‘n. 462’, collector's mark: Lugt 240

De godin Minerva in harnas zit op een troon. Rondom haar soldaten. De prent heeft een Latijns en Nederlands onderschrift met een wijze spreuk.
Voorstudie voor het portret van Aleida Maria Engelberts, echtgenote van prof. Hendrik Cock
Object type: drawing
Date: 1774 – 1837
Materials: chalk, paper
Artist: charles howard hodges
Artist role: draughtsman, painter, print maker
Artist dates: 1764 – 1837
Subjects: leiden, historical persons
Gloves
Object type: glove
Date: 1840 – 1860
Materials: silk
Culture: american
Opening van de internationale tentoonstelling van industrie in het Crystal Palace te Londen
Object type: history medal
Date: 1854 – 1854
Materials: silver
Techniques: striking
Location: london
Artist: john pinches
Artist role: medailleur
Artist dates: 1846 – 1905
Subjects: crystal palace, wereldtentoonstelling 1851 (londen)

Zilveren penning. Voorzijde: vrouw met lauwerkrans op hoofd opent met sleutel in haar rechterhand toegangsdeuren tot expositie; links een lam met krans om nek, rechts een helm. Keerzijde: tentoonstellingsgebouw binnen omschrift.
Bootees
Object type: bootee
Date: 1870 – 1870
Materials: silk
Culture: american
Gezicht op twee ingestorte huizen aan de Da Costakade
Object type: photomechanical print
Date: 1904 – 1904
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', collapsing building
Inscriptions: collector's mark: ‘6’ Lugt 1641b, inscription: ‘n: 52.- 27 juni 1904’

Onderwerpsrubriek binnen de Atlas Amsterdam: Buijskade, Catskade (Jacob), Clercqstraat (de), Commelinstraat, Costakade (da), Cuypstraat (Albert), Czaar Peterstraat.
Panel
Object type: textile
Date: 1725 – 1750
Materials: silk
Techniques: brocade, weave
Location: spitalfields
Subjects: flowers, foliage, floral arrangements
Servet van linnendamast met kantpatroon
Object type: napkin
Date: 1725 – 1725
Materials: linen
Techniques: damask
Location: flanders

Linnen damasten servet met 'kantpatroon'.
Coin
Object type: coin
Date: 1067 – 1233
Materials: copper
Location: iran
Subjects: stars
Nieuwmarkt met de Waag en de Gemeentelijke Vishal, Amsterdam
Object type: stereograph
Date: 1860 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: square, place, circus, etc., market
Inscriptions: inscription: ‘C.P. Staalman/ Amsterdam’, inscription: ‘Eglise de Moïse/ et Aaron/ Amsterdam/ Waag’
Minakuchi: The Beautiful Pine Trees at Mount Hiramatsu (Minakuchi, Hiramatsuyama bisho)—No. 51, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido
Object type: print
Date: 1847 – 1852
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Zelfportret
Object type: print
Date: 1938 – 1938
Materials: paper
Techniques: etching
Artist: huib luns
Artist role: draughtsman, print maker
Artist dates: 1881 – 1942
Subjects: paris, amsterdam, print maker, draughtsman, huib luns, portrait, self-portrait of artist
Inscriptions: dedication: ‘Voor mijn vriend D. Harting. Febr. '39. Huib Luns.’, collector's mark: Lugt 2760, collector's mark: Lugt 2228
Side Chair
Object type: side chair
Date: 1794 – 1799
Materials: wood
Culture: american
Location: united states
Artist: samuel mcintire
Artist role: maker
Artist nationality: american
Artist dates: 1757 – 1811

This vase-back chair originally was made for the wealthy Salem merchant Elias Hasket Derby. The chair is part of a larger set, two pieces of which are at Bayou Bend (Museum of Fine Arts, Houston), and one in the Karolik Collection (Museum of Fine Arts, Boston). The design of these chairs is an enriched version of plate 2 from George Hepplewhite's "Cabinet-Maker and Upholsterer's Guide" (London, 1788). The carved grape clusters in the lunette at the base of the splat and suspended from bowknots at the top of each leg are a motif traditionally associated with the work of Samuel McIntire, a Salem carver and architect.
Interieur van de Waalse Kerk te Amsterdam
Object type: photomechanical print
Date: 1910 – 1910
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: interior of church
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Waalse Gemeente.