deem-data/ArtiFact huggingface dataset:
Border strip
Object type: relief
Date: 900 – 701
Materials: ivory
Culture: assyrian
Location: mesopotamia

This fragment of a narrow strip is decorated with an incised row of connected circles, called a guilloche pattern. Carved ivory pieces such as this were widely used in the production of elite furniture during the early first millennium B.C. They were often inlaid into a wooden frame using joinery techniques and glue, and could be overlaid with gold foil or inlaid with colored glass or stone pieces to create a dazzling effect of gleaming surfaces and bright colors. This strip has light horizontal scratches on the back, probably to help the glue join the surface of the ivory to another element made out of wood or ivory. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
A Mother with her Three Children, plate 18 from The Beggars
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: mothers, babies, children, nursing (breast feeding)
Ex libris van Sabattini
Object type: bookplate
Date: 1920 – 1920
Materials: paper
Techniques: printing block
Location: italy
Subjects: gino sabattini, head (human), hand, head (human) - aa - female human figure
Inscriptions: workshop stamp: ‘Serra - Bologna - 1920’
Two Women with Fans
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: pen, wash
Location: france
Artist: constantin guys
Artist role: artist
Artist nationality: french
Artist dates: 1802 – 1892
Subjects: fans,women
Portret van Melchior Pyrnesius van Pyrn op 50-jarige leeftijd
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving
Artist: aegidius sadeler (ii)
Artist role: draughtsman, print maker
Artist dates: 1568 – 1629
Subjects: archbishop, bishop, etc. (roman catholic), historical persons

Met tekst in het Latijn rondom het portret.
Portret van Antoinette Bourignon
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Subjects: lille, historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
Right and Part of the Left Half of a Design for a Cartouche
Object type: drawing
Date: 1624 – 1687
Materials: chalk, ink
Techniques: pen
Artist: michelangelo colonna
Artist role: artist
Artist nationality: italian
Artist dates: 1604 – 1687
Subjects: cartouches
Musicerend trio
Object type: print
Date: 1655 – 1706
Materials: paper
Techniques: mezzotint
Location: amsterdam
Subjects: violin, fiddle, vocal music, singing, more than one musician with instrument
Inscriptions: collector's mark: Lugt 2228

Twee vrouwen en een man maken samen muziek. Er wordt gezongen en viool en luit gespeelt.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, part of the handle patch, handle root, and wall of a kylix
Mout Fuji Seen from the Left on the Tokaido (Tokaido hidari Fuji), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)"
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Presentation in the Temple
Object type: drawing and watercolor
Materials: paper, oil
Location: belgium
Artist: circle of antonie van dyck
Artist nationality: flemish
Artist dates: 1599 – 1641
Monument met het portret van Giustiniana Wynne
Object type: print
Date: 1791 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: venice, flowers, historical persons, grave, tomb
Inscriptions: collector's mark: Lugt 2233
Kris with Sheath
Object type: kris with sheath
Date: 1501 – 1900
Materials: wood
Culture: javanese
Location: indonesia
Scarf
Object type: scarf
Date: 1867 – 1900
Materials: lace
Left Leg Broken Off Above Knee Cap
Object type: sculpture
Date: 300 – 101
Materials: terracotta
Culture: greek
Location: greece
Brief aan Philip Zilcken
Object type: letter
Date: 1901 – 1901
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: édouard vuillard
Artist role: draughtsman, print maker
Artist dates: 1868 – 1940
Subjects: the hague, painter, philip zilcken, painting (including book-illumination, miniature-painting), exhibition ~ art, money
Inscriptions: watermark, collector's mark: ‘RPK’
Portret van Willem I, prins van Oranje
Object type: print
Date: 1603 – 1603
Materials: paper
Techniques: engraving
Location: low countries
Artist: Anonymous
Subjects: william i (prince of orange), knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Kopie naar het origineel eerst gebruikt als illustratie in: Michael Aitsinger, Belgici leonis chorographia, das ist ein newe Landt Beschreibung des Belgischen Lewen, in 17 Provincien des gantzen Niderlandts außgetheylet. Keulen: Frans Hogenberg, 1587.
Pourtraict du memorable Combat a Cheval, lez certain Village nommé Vucht (...) entre de Vaillant Sr. de Breauté (...) au service de Messrs. les Estats des Provinces Unies, et XXI de sa Comp.ie François dune part: et Leckerbeetken Lieutenant de Sr. Grobbendoncq (...)
Object type: history print
Date: 1630 – 1680
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: den bosch, battle (+ land forces)

Het gevecht van Lekkerbeetje. Ruitergevecht op de Vughterheide bij Den Bosch tussen de Spaanse ruiters onder Anthony Schetz van Grobbendonck en de Staatse ruiters onder de Pierre de Breauté, 5 februari 1600. Op de voorgrond links ligt de gesneuvelde Gerardt Abrahamsz. Lekkerbeetje. In de verte 's-Hertogenbosch en Vught. Bovenin het wapen van Grobbendonck. Met onderschrift in het Frans in 2 kolommen en daaronder 4 regels in het Nederlands.
Ninnaraku, from an untitled series of No plays
Object type: print
Date: 1823 – 1823
Techniques: woodblock print, surimono
Location: japan
Artist: takashima chiharu
Artist role: artist
Artist nationality: japanese
Artist dates: 1777 – 1859
Vase with cover
Object type: vase with cover
Date: 1680 – 1680
Materials: enamel, gold, porcelain
Culture: japanese
Subjects: flowers,plants
Glass jar
Object type: jar
Date: 301 – 400
Materials: glass
Culture: roman, syrian

Translucent pale yellow green; trail in same color. Rounded, everted rim with hollow, folded flange below; wide cylindrical neck tapering downwards; pushed-in, almost horizontal shoulder; biconical body; concave bottom with central, thick kick inside and raised circular pontil mark. Single trail wound round from left to right in zigzag between upper section of body and underside of rim, forming openwork collar, with narrow loops at top and pointed fins at bottom; on body, thirteen irregular vertical indents. Intact; pinprick bubbles; dulling, pitting of surface bubbles, patches of soil encrustation and weathering, and some iridescence.
Gezicht op het Île des Peupliers te Ermenoville met de tombe van Jean-Jacques Rousseau
Object type: print
Date: 1778 – 1817
Materials: paper
Techniques: etching
Subjects: waterfall
Inscriptions: collector's mark: Lugt 2228

Genummerd rechtsonder: Valois et Comte de Senlis. No. 26.
Vier evangelisten
Object type: print
Date: 1555 – 1642
Materials: paper
Techniques: engraving
Location: low countries
Subjects: the apostle john the evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll
Inscriptions: collector's mark: Lugt 240

De evangelist Johannes zit als banneling onder enkele bomen op het eiland Patmos. In zijn linkerhand heeft hij een schrijfveer en onder zijn rechterhand ligt het boek Openbaring. Naast hem zit een adelaar als symbool van zijn inspiratie. Achter hem is het visioen van Maria met het Christuskind te zien. Onder de voorstelling een tweeregelige, Latijnse tekst.
English Filmstars
Object type: photomechanical print
Date: 1960 – 1970
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: portrait of actor, actress
Portret van Ramboldo van Collalto
Object type: print
Date: 1630 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons
Portret van David Ralph
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: engraving
Location: london
Artist: Anonymous
Subjects: historical persons
Inscriptions: date
Netsuke of Artist Marking a Box
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: men
Fenêtre Henri II
Object type: print
Date: 1878 – 1904
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, table

Een vaas met bloemen op voetstuk voor een raam met gedrapeerde gordijnen, in Hendrik II-stijl. Prent uit 65e Livraison. Rechts onder de vermelding Tentures riches, Pl. 73.
Portret van Jan Willemsz. op 73-jarige leeftijd
Object type: book illustration
Date: 1647 – 1647
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: salomon savery
Artist role: print maker, publisher
Artist dates: 1594 – 1683
Subjects: cologne, historical persons, physician, doctor, functionaries and dignitaries ~ protestant churches

Prent waarschijnlijk uit: Willemsz., Jan. Postilla, oft sermoenboeck: (...). Hoorn: Isaac Willemsz. vander Beeck, 1647.
In 't Jaar 1788
Object type: design
Date: 1789 – 1810
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: street-fights, riots

Rellen op straat in 1788, mogelijk het incident met de jager van de Franse ambassadeur de Graaf de St. Priest, op de Turfmarkt te Den Haag op 6 juli 1788.
Constantinople
Object type: stereograph
Date: 1903 – 1903
Materials: paper
Techniques: gelatin silver print
Location: haarlem
Artist: Anonymous
Subjects: harbour
Inscriptions: number: ‘14.’, address: ‘Parklaan 49/ HAARLEM/ (Holland)’, monogram, inscription: ‘Deze stereo-foto's worden in den handel gebracht en en gros en/ en détail verkocht door de ......... (...)’, inscription: ‘Déposée.’
Il Monte. Opera Nova di Recami, page 11 (recto)
Object type: book print ornament architecture
Date: 1557 – 1557
Techniques: woodcut
Location: italy
Artist: giovanni antonio bindoni
Artist role: designer
Artist nationality: italian
Artist dates: 1500 – 1650
Subjects: grapes,flowers,vines

Designed by Giovanni Antonio Bindoni, published by Giovanni & Marchio Sessa, Venice, bound by Chambolle-Duru, French, 19th century. From top to bottom, and left to right: Design composed of 2 vertical columns. Left column is decorated with a central floral element flanked on both sides by a coiling stem of leaves, flowers, and fruit. Right column is decorated with curving vines of leaves, flowers, and grapes.
Pijprokende Turken.
Object type: napkin
Date: 1850 – 1899
Materials: linen
Techniques: damask
Location: veghel
Inscriptions: label: ‘1172’

Vingerdoek van wit linnendamast, met dessin van pijprokende Turken.
En plein soleil
Object type: print
Date: 1858 – 1858
Materials: chine, paper
Techniques: printmaking, etching
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: women,parasols

Whistler probably captured this image of a grisette, or working girl holding a parasol, in the countryside near Paris (the title translates to "In Full Sun"). Realist and naturalist ideas circulating among artists in France influenced the unidealized approach. One of Whistler's early etchings, it was made in the summer of 1858 before he set out in mid-August to tour the Rhineland. In November, it was included in "Douze eau-fortes d'apres Nature" ("Twelve Etchings from Nature"), known as the "French Set." This impression belonged to Thomas Winans, a Baltimore friend who financed the artist's move to Paris in 1855; Winans kept the print in an album that his descendants gave to the Museum.
Brush holder with Gathering at the Orchid Pavilion
Object type: brush holder
Date: 1701 – 1900
Materials: jade
Culture: chinese
Subjects: human figures,orchids

Makers of decorative arts often embellished the surfaces of vessels with famous stories. This brush pot depicts the statesman and calligrapher Wang Xizhi and his friends assembling at Kuaiji in 353 CE to celebrate the spring purification festival by drinking wine and writing poems, an event known as the Gathering at the Orchid Pavilion. More than just an appealing landscape with figures, the decoration signaled that the owner of the brush holder understood and appreciated history.
Portret van Johanna (Hans) de Jong zittend voor een spiegel
Object type: photograph
Date: 1900 – 1900
Materials: paper
Techniques: gelatin silver print
Location: leiden
Artist: willem de jong (fotograaf)
Artist role: arts, fotograaf
Artist dates: 1864 – 1918
Subjects: johanna petronella lambertina stokhuyzen-de jong (hans), historical persons, girl (child between toddler and youth), reflection (in a mirror) - aa - (for) women
Inscriptions: inscription: ‘H’
Returning Sails at Kanazawa, View of Nojima from Seto Bridge (Kanazawa kihan, Setobashi yori Nojima no zu), from the series "Eight Views of Famous Places (Meisho hakkei)"
Object type: print
Date: 1833 – 1834
Techniques: woodblock print
Location: japan
Artist: utagawa toyoshige (toyokuni ii)
Onderwijs bij kaarslicht
Object type: drawing
Date: 1765 – 1770
Materials: chalk, paper
Artist: willem joseph laquy
Artist role: draughtsman, painter
Artist dates: 1738 – 1798
Subjects: scholastic education, tuition

Uit Drieluik met allegorie op het kunstonderwijs: onderwijs bij kaarslicht.
Print
Object type: print
Date: 1870 – 1917
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kajita hanko
Artist role: artist
Artist nationality: japanese
Artist dates: 1870 – 1917
Subjects: men,trees
Notebook
Object type: notebook
Date: 1801 – 1900
Materials: gold, mother of pearl
Subjects: books
Art - Goût - Beauté, Feuillets de l' élégance féminine, Juin 1932, No. 142, 12e Année, p. 8
Object type: fashion print
Date: 1932 – 1932
Materials: paper
Techniques: printing, photography
Subjects: clothing for the upper part of the body (+ women's clothes), gloves, mittens (short gloves) (+ women's clothes), clothing for the upper part of the body (bolero) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), skirt (+ women's clothes), dress, gown (+ women's clothes)

Drie creaties van jean Patou. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Hier ziet gy veel byzonderheeden, U uit Oost-Indien ontleeden
Object type: print
Date: 1761 – 1804
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: asiatic races and peoples, ruler, sovereign - bb - female ruler, sea and coastal fishery
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van taferelen uit Oost-Indië, waaronder de Indische koning op zijn troon, Indische dieren en Indische vissers. Onder elke afbeelding een tweeregelig vers. Genummerd linksboven: No. 23.
Oudere man keert terug naar zijn gezin als vijfde periode van de levensloop
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: bench, child, old man, family, relationship, descent, farm or solitary house in landscape, the life of man
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie van acht prenten over de levensloop van de mens.
Gedrukt met weinig inkt waardoor de afdruk vrij licht is.
Standing cup
Object type: standing cup
Date: 1750 – 1750
Materials: glass
Subjects: men,horses
Netsuke of Shoki Holding a Demon by a Cord
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: men,demons
Portico Octavia, pediment and entablature, elevation; pediment, elevation (recto)  Temple of Antoninus and Faustina,  entablature, elevation (verso)
Object type: collection ornament architecture
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture
Neckpiece
Object type: neckpiece
Date: 1801 – 1900
Materials: cotton
Culture: american
Mercurius met het hoofd van Argus
Object type: print
Date: 1558 – 1558
Materials: paper
Techniques: etching
Location: antwerp
Artist: hieronymus cock
Artist role: print maker, publisher
Artist dates: 1518 – 1570
Subjects: mercury beheads argus, argus' eyes changed into peacock's 'eyes' (ocelli): juno sets argus' eyes on her peacock, after argus, while watching io, has been slain by mercury (ovid, metamorphoses i 723)
Inscriptions: collector's mark: Lugt 2228

Heuvelachtig landschap met een havenstadje in de verte. Rechts voor Mercurius die de reus Argus het hoofd afgehakt heeft. Mercurius houdt het hoofd in zijn hand. In de wolken rijdt Juno in haar koets die getrokken wordt door twee pauwen. Prent uit een serie van 13 landschappen met bijbelse en mythologische scènes.
Dead Christ Between Two Angels
Object type: pax
Date: 1475 – 1490
Materials: copper gilt
Techniques: repoussé
Subjects: flowers,angels,christ
La Chasse au Rat
Object type: photograph
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Location: liège
Subjects: rodents: rat, family life at home, bedroom
Inscriptions: name: ‘EM. TASSET, SC.’, name: ‘J. HERMAN, INV.’, inscription: ‘Jean-Baptiste Madou (...) ses aquarelles’, inscription: ‘IMAGERIE FRANKLIN No 19. - 1878.’
Inlay, rekhyt bird
Object type: inlay, rekhyt
Date: 100 – 100
Materials: glass
Location: egypt
Subjects: birds

A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards. Such elements could also be used side by side to create repeating patterns.
Nieuwe Kerk te Amsterdam
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: city-view in general; 'veduta', church (exterior)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Reproductie van Le Christ door Léon Bonnat
Object type: photomechanical print
Date: 1867 – 1880
Materials: paper
Techniques: woodburytype
Subjects: specific types of crucified christ (in non-narrative context), painting, drawing and the graphic arts
Inscriptions: inscription: ‘Bonnat’
Historische optocht bij het tweede eeuwfeest van de Utrechtse Hogeschool, 1836 (plaat 4)
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: students' pageant, costumes used in pageants, battle of nieuwpoort
Inscriptions: collector's mark: Lugt 2228

Historische gekostumeerde optocht van de studenten van de Hogeschool van Utrecht op 16 juni 1836, bij de viering van het tweede eeuwfeest van de Utrechtse Hogeschool. De optocht verbeeldt de intocht van het Staatse leger in Oostende op 3 juli 1600, daags na de overwinning in de Slag bij Nieuwpoort. Vierde plaat in een serie van tien ongenummerde platen, met de groepen genummerd 11-15
Narcis
Object type: brooch
Date: 1990 – 2000
Materials: plastic, textile
Techniques: snipping
Location: new zealand
Artist: Anonymous

Vanaf 1990 wordt in Nieuw-Zeeland op 25 augustus Daffodil Day gevierd.
Diverse oefeningen van de cavalerie
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: horse, groom
Inscriptions: collector's mark: Lugt 240

Een stalknecht en paard in een doorgang.
Stalinterieur met schapen, geiten en kippen
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: lithograph
Artist: dirk van lokhorst
Artist role: draughtsman, painter, print maker
Artist dates: 1818 – 1893
Subjects: barn - aa - civic architecture: inside, sheep, fowl (cock, hen, chicken, etc.), stall, stable, goat
Inscriptions: collector's mark: Lugt 2228

De dieren staan bij ruiven met hooi. Rechts een raam.
Rivierlandschap met ruiter bij een brug
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)
Dagger (Palitai) with Sheath
Object type: dagger palitai with sheath
Date: 1801 – 1900
Materials: bone, steel, wood
Culture: mentawi
Location: indonesia
Galleria Giustiniana del Marchese Vincenzo Giustiniani II
Object type: album leaf
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Artist: pieter de bailliu (i)
Artist role: print maker
Artist dates: 1613 – 1660
Subjects: piece of sculpture, reproduction of a piece of sculpture, ornament ~ festoon, garland

Twee aanzichten van een piëdestal. Op beide een ramskoppen met aan de hoorns een guirlande. Midden onder op de basis van het piëdestal het wapenschild van Vincenzo Giustiniani. Prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Tekstblad met aanzichten van het Meer van Albano en de Mare Morto
Object type: print
Date: 1770 – 1820
Materials: paper
Techniques: etching
Artist: wilhelm friedrich gmelin
Artist role: print maker
Artist dates: 1760 – 1820
Subjects: maps, atlases, naples
Inscriptions: collector's mark: Lugt 2228

In de schematische aanzichten staan de belangrijkste plaatsen vermeld. Onder de gezichten is in een uitgebreide tekst informatie over de meren te lezen.
Plate
Object type: plate
Date: 1828 – 1846
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: enoch wood & sons
Artist role: maker
Artist nationality: british
Artist dates: 1818 – 1846
Subjects: buildings,trees
Medallion with Archer Shooting Bird
Object type: medallion
Date: 1240 – 1260
Materials: copper, enamel, gilt
Techniques: enamel, engraving
Culture: french
Location: france
Subjects: birds,bow and arrow,men,hunting
One of a Pair of Cups
Object type: one of a pair of cup
Date: 1701 – 1733
Techniques: underglaze
Culture: japanese
Subjects: houses,trees