deem-data/ArtiFact huggingface dataset:
Beeld van Jupiter in de zuidelijke galerij van het Stadhuis op de Dam
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (story of) jupiter (zeus), attributes of jupiter: eagle, attributes of jupiter: thunderbolt, attributes of jupiter
Inscriptions: collector's mark: Lugt 195

Prent gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Artus Quellinus (I), 1655.

Zie RP-P-AO-22-1-1 voor bijhorende titelpagina.
Zie RP-P-AO-22-1-2 voor bijhorend register.
Zie RP-P-AO-22-1A, RP-P-AO-22-1B, RP-P-AO-22-1C, RP-P-AO-22-1D-1, RP-P-AO-22-1D-2, RP-P-AO-22-1E, RP-P-AO-22-1F, RP-P-AO-22-1G, RP-P-AO-22-1H, RP-P-AO-22-1I, RP-P-AO-22-1K-1, RP-P-AO-22-1K-2, RP-P-AO-22-1K-3, RP-P-AO-22-1K-4, RP-P-AO-22-1K-5, RP-P-AO-22-1L-2, RP-P-AO-22-1M-1, RP-P-AO-22-1M-2, RP-P-AO-22-1N-1, RP-P-AO-22-1N-2, RP-P-AO-22-1N-3, RP-P-AO-22-1N-4, RP-P-AO-22-1N-5, RP-P-AO-22-1O-1, RP-P-AO-22-1O-2, RP-P-AO-22-1O-3, RP-P-AO-22-1O-4, RP-P-AO-22-1P-1, RP-P-AO-22-1P-2, RP-P-AO-22-1P-3, RP-P-AO-22-1P-4, RP-P-AO-22-1Q-1, RP-P-AO-22-1Q-2, RP-P-AO-22-1Q-3, RP-P-AO-22-1Q-4, RP-P-AO-22-1R-1, RP-P-AO-22-1R-2, RP-P-AO-22-1R-3, RP-P-AO-22-1R-4, RP-P-AO-22-1R-5, RP-P-AO-22-1S-1, RP-P-AO-22-1S-2, RP-P-AO-22-1S-3, RP-P-AO-22-1S-4, RP-P-AO-22-1S-5, RP-P-AO-22-1T-1 en RP-P-AO-22-1T-2 voor andere prenten uit deze publicatie.

Zelfde staat van prent ook gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Frederik de Wit, 1665.
Latere staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).

Zie BK-AM-51-16 voor model van het beeld.
Wapenschild van de familie Overlander
Object type: design
Date: 1660 – 1672
Materials: chalk, ink, paper, pencil
Techniques: brush, pen
Artist: pieter jansz
Artist role: draughtsman
Artist dates: 1602 – 1672
Subjects: armorial bearing, heraldry
Zwaard met schede
Object type: sword
Date: 1650 – 1660
Materials: iron, oilcloth, wood
Techniques: printing, embroidery, upholstery
Location: wallonia
Artist: Anonymous
Inscriptions: mark: ‘SAHAGOM’, mark: ‘BC’
Pin
Object type: pin
Date: 401 – 700
Materials: copper
Culture: sasanian or islamic
Location: iran
From the Actors and Actresses series (N45, Type 5) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,actors

Trade cards from the "Actors and Actresses" series (N45, Type 5), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Elf zegels uit de collectie Six
Object type: print
Date: 1860 – 1870
Materials: paper
Techniques: etching
Artist: j. kuyper (prentmaker)
Artist role: print maker
Subjects: seal, stamp
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Zegels uit de collectie Six J Kuyper [...]’
Bowl
Object type: bowl
Date: 1201 – 1300
Materials: earthenware
Techniques: glazing, painting
Location: iran
Subjects: flowers
Piazza di S. Marco dal Palazzo Reale
Object type: photograph
Date: 1850 – 1920
Materials: cardboard, paper
Techniques: albumen print
Location: venice
Artist: carlo ponti
Artist role: fotograaf
Artist dates: 1820 – 1893
Subjects: parts of church exterior and annexes: campanile, square, place, circus, etc., palace, church (exterior)
Inscriptions: inscription: ‘A gauche le Procuratie vecchie par Pietro Lombardo,/ (...)’, inscription: ‘(Deposé)’
Plate 61 from "The Disasters of War" (Los Desastres de la Guerra): 'Perhaps they are of another breed' (Si son de otro linage)
Object type: print
Date: 1811 – 1811
Techniques: engraving, drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men
Rotsachtig landschap met dak op palen en rechts leeuw
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Location: italy
Subjects: landscapes, beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2228, number: ‘3’

Rotsachtig landschap met centraal een dak op palen, waaronder mannen bidden voor een crucifix. Rechts een brullende leeuw. Titel in het Latijn in ondermarge.
Baan zijdedamast met een dessin van blokken en strepen
Object type: silk textile
Date: 1900 – 1920
Materials: silk
Techniques: damask
Location: japan

Baan zijdedamast met een dessin van blokken en strepen in blauw, rood, bruingrijs en zwart op goudgele fond. Oosters textiel.
Cape
Object type: cape
Date: 1871 – 1871
Materials: silk, wool
Techniques: embroidery
Location: iraq

Made of a cream-colored wool, this hooded cape, or maşlah, was acquired by Mrs. James Nevins Hyde (née Alice Louise Griswold) when she visited Baghdad on her honeymoon in 1871. The maşlah is extensively embroidered in a satin stitch which closely matches the color of the garment’s fabric. The silk tassels that decorate the hood and the front closing at both neck and hem are repeated in the tassels and ribbon motif that appears in the embroidery on either side of the front opening and at the center back. An inscription, perhaps repeating a proper name, edges the cape, with the size of the letters around the hem much larger. An inscription is also used to delineate the boundaries of the embroidered design, comprised of flower garlands forming diamond shapes surrounding a stylized and mostly illegible version of the calligraphic insignia and royal symbol of the Ottoman sultans, the tughra, and another calligraphic motif, the words maşallah, an Arabic phrase most commonly used to invoke God’s protection. Garments such as this one are rarely found in museum collections and apart from the fact that they seem to have been originally associated with Baghdad and worn mostly in the summer by urban women, little is known about them. Perhaps Mrs. Nevins Hyde purchased it to wear over an evening gown as it would have been an unusual and elegant piece of formal apparel.
Rome. Le Colisée / Roma. Il Colosseo
Object type: print
Date: 1838 – 1841
Materials: paper
Techniques: lithograph
Location: paris
Subjects: ruin of a building ~ architecture, amphitheatre
Inscriptions: check stamp: Lugt 1397c
Gezicht op het beursgebouw, te Glasgow
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: engraving
Location: edinburgh
Artist: thomas flowers
Artist role: print maker
Subjects: exchange, bourse, glasgow
Inscriptions: collector's mark: Lugt 2228
Portret van Thomas Stanley
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Portrait of a Gentleman
Object type: painting, miniature
Date: 1812 – 1812
Materials: ivory, watercolor
Culture: american
Artist: benjamin trott
Artist role: artist
Artist nationality: american
Artist dates: 1767 – 1843
Subjects: men,portraits
Portret van Maria Catharina von Stein
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: engraving
Subjects: historical persons - bb - woman, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Auto op een straat
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: automobile, street

Blad 33 recto uit een schetsboek met 73 bladen.
Putto's Upturned Face
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: heightening
Location: italy
Artist: Anonymous
Artist nationality: italian
Artist dates: 1675 – 1725
Willow Bridge (Yanagibashi), from the series "A Series of Willows (Yanagi bantsuzuki)"
Object type: print
Date: 1828 – 1828
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Kinderkoppen
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: paper, pencil
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: head (human), infant, baby

Blad 31 recto uit een schetsboek met 53 bladen.
Nightingale, from the Song Birds of the World series (N42) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Large trade cards from the "Song Birds of the World" series (N42), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N42 reproduces the cards from N23 in a larger size.
Figure of Daoist God Zhenwu (Perfected Warrior)
Object type: vessel
Materials: stoneware
Techniques: celadon glazed
Location: junyao
Christus op de olijfberg
Object type: print
Date: 1509 – 1509
Materials: paper
Techniques: engraving
Location: low countries
Artist: lucas van leyden
Artist role: draughtsman, painter, print maker
Artist dates: 1494 – 1533
Subjects: christ's prayer in the garden of gethsemane during the night
Inscriptions: collector's mark: Lugt 2228a

Omlijsting weggesneden. Drie slapende apostelen en Christus biddend op de berg. Op een rots boven hem een kelk.
Shroud of a woman with bent-arm posture
Object type: shroud
Date: 100 – 100
Materials: linen, paint
Location: egypt
Subjects: women
Portret van schilder Giorgione
Object type: print
Date: 1648 – 1664
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: cornelis van dalen (ii)
Artist role: draughtsman, print maker
Artist dates: 1638 – 1664
Subjects: painter, giorgione, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 11

Deze prent maakte ten minste tot 1979 deel uit van een prentalbum met de titel: 't Cabinet der Italiaense schilderije antique statue en borstbeelde van de heer Renst 145 stucks.

Simon Schijnvoet heeft in 1709 aan dit album het Schijnvoet-nummer 22, liber nummer 20 toegekend.

Prent uit serie Caelaturae met vierendertig reprodukties naar Italiaanse en Nederlandse schilders, vervaardigd door de allerbeste graveurs in opdracht van de verzamelaar Gerard Reynst.
Table
Object type: table
Date: 1740 – 1740
Materials: wood
Culture: american
Location: united states
Deez kinderprent leert, kort en goed / Wat nut de werktuigkunde doet / Hoe zij der menschen werk verligt, / En onbegryplyk veel verricht
Object type: popular print
Date: 1866 – 1902
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: tools and machines ~ building, printing press, dock crane
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van mannen die werktuigen gebruiken, zoals een pers en een hijskraan. Onder elke afbeelding een zesregelig vers. Genummerd midden boven: 35.
Cake dish
Object type: cake dish
Date: 1865 – 1865
Materials: faience, glaze
Culture: japanese
Gevel van een vakwerkhuis aan de Rue Malpalm te Rouen
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: rouen
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: timber framing, housing, façade (of house or building), street
Inscriptions: collector's mark: ‘KUNSTNIJVERHEIDSCHOOL <BR />QUELLINUS <BR />AMSTERDAM <BR />FRANS HALSSTRAAT 14.’, number: ‘12.’, inscription: ‘Gothische Kunst - Frankrijk. <BR />Rouaan. Vakwerkbouw uit de 15e Eeuw. Rue Malpalm.’, name: ‘MIEUSEMENT <BR />PHOTOGRAPHE’, inscription: ‘MONUMENTS HISTORIQUES’, collector's mark: ‘INSTITUUT VOOR KUNST- <BR />NIJVERHEIDSONDERWIJS <BR />GABRIËL METSUSTRAAT No. 16. <BR />AMSTERDAM’, inscription: ‘CWN.’
Laken, gemerkterk: MC8 (Muller/Cats)
Object type: beddenlaken, laken object
Date: 1821 – 1837
Materials: linen
Location: netherlands
Artist: Anonymous

Beddenlaken van linnen met blindmerk MC8 (Mulier-Cats). N.B.: Mr. Gerrit Nicolaas Mulier (1791-1861) trouwt in 1821 Petronella Catharina Cats (1798-1837).
John C. Calhoun
Object type: watercolor
Date: 1846 – 1846
Materials: board, gouache, gum arabic, lead, watercolor
Culture: american
Location: france
Artist: savinien edme dubourjal
Artist role: artist
Artist nationality: french
Artist dates: 1795 – 1865
Subjects: men,portraits

At the time he sat for this portrait, Calhoun, one of the preeminent American statesmen of the nineteenth century, was serving as United States Senator from South Carolina. Dubourjal does not idealize his portrait, but emphasizes the striking features of Calhoun’s visage: his piercing, deep-set eyes, high brow, thin lips, and hollow cheeks. The delicate cross-hatching on the face and in the background contrasts with the full, sinuous lines in the hair. Color is used sparingly, only in the face, and there are touches of white gouache on the eyes, collar, and shirt. The drawing may have been acquired by author and poet Anne Charlotte Lynch shortly after its completion; it was exhibited at the National Academy of Design, New York, in 1847, together with a miniature portrait of her by Dubourjal (95.2.3).
Portret van Willy Moos
Object type: photograph
Date: 1902 – 1954
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: willy moos, new york (city)
Inscriptions: inscription: ‘Underhill Studio 17 Park Place New York .../2/54’

Portret van Willy Moos in pak met gestipte das.
Gallery in the Shahi Tower in the Red Fort, Delhi, India
Object type: photograph
Date: 1868 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: delhi
Artist: lala deen dayal
Artist role: fotograaf
Artist dates: 1844 – 1910
Subjects: palace, gallery (spacious corridor)
Inscriptions: inscription: ‘Lala Deen Dayal’, number: ‘68’, title: ‘Delhi - Palace in the Fort/ Interior of Burj-i-Shanuli - (Bathroom)’
Clarinet in A
Object type: clarinet in d
Date: 1860 – 1865
Materials: wood, brass, gold
Techniques: wash
Culture: french
Location: france
Artist: buffet, crampon & cie.
Artist role: maker
Artist nationality: french
Artist dates: 1859 – 9999
Saint Christopher
Object type: print
Date: 1500 – 1500
Materials: paper
Techniques: engraving
Location: germany
Artist: master m.z.
Artist nationality: german
Artist dates: 1500 – 1550

Master M. Z. often played with dramatic changes in scale. In this engraving, the abrupt contrasts emphasize the gigantic stature of Saint Christopher, the patron saint of travelers, who transports people to safety across a raging stream yet struggles with Christ, who carries the weight of the world on his shoulders. Dwarfed by the giant saint and his heavy burden, miniscule figures appear in the water, barely discernable at first glance. Two men fight behind Saint Christopher’s tree staff, while near his right leg, a mermaid frolics and a monk heads toward the entrance of a church.
Begrafenis van wijlen koning Willem II te Delft op 4 april 1849 (blad 1)
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: lithograph
Location: haarlem
Subjects: the hague, william ii of the netherlands, cortege, funeral procession, delft
Inscriptions: collector's mark: Lugt 2228

De begrafenis van wijlen koning Willem II te Delft op 4 april 1849. Eerste blad in een reeks van vijf aaneengesloten bladen. Op dit blad het begin van de begrafenisstoet met de letters a-f.
A saint, possibly Matthew, holding a staff and a book
Object type: print
Date: 1540 – 1550
Techniques: etching
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: books,saint matthew
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, reserve lines of tondo border; Exterior, tail of a satyr to left; tail and part of thigh of a satyr to right
Terracotta fragments of skyphoi (deep drinking cups)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Gibraltar. Alameda Gardens
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph, writing
Location: saxony
Subjects: bench, botanic garden, 'hortus botanicus'
Terracotta model of a shrine
Object type: altar shrine with divinity
Date: 600 – 480
Materials: terracotta
Culture: cypriot

The model originally had pilasters on either side of the opening. The vertical form inside is an aniconic representation of the fertility goddess Astarte. Similar depictions are known from the Levant and Cyprus. Model shrines began to be made in Cyprus during the Chalcolithic period and, due to Phoenician influence, were produced in particular quantity during the Archaic period. All of the excavated examples come from tombs.
Green Tara, Folio from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
Object type: folio
Date: 1101 – 1133
Materials: leaf, watercolor
Culture: indian, bengal or bangladesh
Artist: mahavihara master
Artist role: artist
Subjects: buddhism,bodhisattvas

Enshrined image of Green Tara with pendant leg and displaying a blue lotus, with two female attendants, one holding a vajra; the other, Mahakali, holding a flaying knife and skullcup (kapala).
String of 12 Eyed Beads
Object type: bead, string
Materials: glass
Location: egypt
Portret van de H. Theresa van Avila, met twee engelen
Object type: print
Date: 1613 – 1613
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the foundress of the reformed (discalced) carmelites, t(h)eres(i)a of avila; possible attributes: angel, arrow, dove, heart (flaming or pierced by an arrow)
Inscriptions: number: ‘2’, signature and address: ‘Corn. Galle sculp et excud.’

Portret van de H. Theresia, kijkend naar crucifix voor haar. De H. Geest in de vorm van een duif boven haar hoofd. Het portret wordt vastgehouden door twee engelen. Onder draperie. Met onderschrift in Latijn. Prent in album 'Vita B. Virginis Teresiae A. Jesu ordinis carmelitarum excalceatorum piae restauratricis..., 1613.
Ceiling Design, plate 39 from "Curieuses recherches de plusieurs beaus morceaus d'ornemens antiques et modernes..."
Object type: print
Date: 1645 – 1645
Techniques: etching
Artist: jacques lepautre
Artist role: artist
Artist nationality: french
Artist dates: 1653 – 1684

Published as part of a series designed and published by Philippon in 1645, reproducing elements of Italian architecture, this print shows part of an ornamented ceiling. Below, an octagonal coffer contains an image of Aeneas fleeing Troy with Anchises and Ascanius. Above is a rosette surrounded by figures and acanthus scrolls in a star-shaped panel.
Hurstmonceux Castle
Object type: page
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: herstmonceux
Artist: william russell sedgfield
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: ruin of a dwelling, house, castle, etc.
Crinoline van paars keperkatoen, voorzien van drie baleinen en vijf gespen waaraan evenveel banden bevestigd zijn met zes nestelgaten en een haak
Object type: steunende en vormende kleding
Date: 1840 – 1860
Techniques: weave
Artist: Anonymous

Crinoline van paars keper, voorzien van drie baleinen en vijf gespen waaraan evenveel banden bevestigd zijn met zes nestelgaten en een haak.
Boeken
Object type: photograph
Date: 1860 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Welriekende bosch roose / rosa silverstris adorata. / Rose des bois avec odeur
Object type: drawing
Date: 1596 – 1610
Materials: paint, paper, pencil, watercolor
Techniques: brush, pen
Subjects: flowers: rose

Wilde welriekende roos. Rechtsboven genummerd: 110. Onderdeel van het tweede album met tekeningen van bloemen en planten. Negende van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Figure of God of Longevity (Shoulao) and two dogs
Object type: figure
Date: 1701 – 1800
Materials: enamel, gilt bronze, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: men,dogs
Admiral van Rissel / Morrillon da Costa
Object type: album leaf
Date: 1640 – 1640
Materials: paint, parchment, pencil, watercolor
Techniques: brush
Artist: jacob marrel
Artist role: draughtsman, painter
Artist dates: 1614 – 1681
Subjects: insects: butterfly, flowers: tulip, molluscs: snail, insects: grass-hopper
Inscriptions: date

De tekening maakt deel uit van een album.
Portret van Johannes Bohn
Object type: print
Date: 1664 – 1725
Materials: paper
Techniques: mezzotint
Artist: christoph weigel
Artist role: goldsmith, print maker, publisher
Artist dates: 1654 – 1725
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Sample Vase in Process of Making Cloisonné
Object type: vase sample
Date: 1867 – 1933
Culture: japanese
Duif keert terug met olijftak
Object type: book illustration
Date: 1683 – 1733
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: the dove returns with an olive-branch ~ story of noah
Inscriptions: collector's mark: Lugt 2228

Prent oorspronkelijk bedoeld voor: Figures de la Bible. Amsterdam, Bernard Picart, 1720. Prent ook gebruikt in: Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament (...) door de vermaarde kunstenaars Hoet, Houbraken, en Picart getekent (...) en met beschrijvingen uitgebreid. Den Haag: Pieter de Hondt, 1728.
Prent kan mogelijk ook zijn gebruikt in andere bijbels.
Ex libris van Luigi Airoldi
Object type: photomechanical print
Date: 1945 – 1945
Materials: paper
Techniques: autotype
Location: italy
Subjects: reading, ass, donkey, monkeys, apes, book, metamorphoses ~ classical mythology
Inscriptions: date
Woman spinning
Object type: drawing
Date: 1653 – 1657
Materials: paper
Techniques: brush
Artist: gerbrand van den eeckhout
Artist role: draughtsman, print maker
Artist dates: 1621 – 1674
Les Chapeaux du "Très Parisien", Automne 1925, : Créations Jane BLANCHOT (...)
Object type: fashion print
Date: 1925 – 1925
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: clothing for the upper part of the body (shawl) (+ women's clothes), embroidery (ornamentation) (+ women's clothes), flowers (+ variant), fashion plates
Inscriptions: caption: ‘Créations Jane BLANCHOT / 9. - L'ETÉ SE MEURT. - Un feutre grège piqué d'une fantaisie de brins d'autruche glycérinés. En crêpe de Chine coulissé appliqué de fleurs de velours, cette capeline seyante. Feutre vert mousse, brodé de petits boutons carrés.’, title: ‘Les Chapeaux du "Très Parisien" / Automne 1925.’

Ontwerpen van Jane Blanchot. Cloche (pothoed) van 'feutre grège piqué' (vilt) versierd met 'brins d'autruche glycérinés' (struisvogelveren). Cloche (pothoed) van crêpe de Chine met een applicatie van fluwelen bloemen. Cloche (pothoed) van mosgroen vilt geborduurd met kleine vierkante stippen. Prent uit het modetijdschrift Très Parisien (1920-1936).