deem-data/ArtiFact huggingface dataset:
Panel
Object type: panel
Date: 801 – 900
Materials: wood
Techniques: carving
Location: egypt

The Islamic tendency toward highly abstract forms and away from naturalistic effects is evident in this panel. The 'Abbasid beveled style, so-called because the pattern lines are carved at an oblique angle to the surface, initially appears in the stucco decoration of houses and palaces of Samarra, the ninth-century capital in Iraq. This was the first truly innovative style created by early Muslim artists. With its harmonious and rhythmical arrangement of absract forms that lend themselves to endless repetition, the beveled style was an important step in the development of the true arabesque. The elements in this panel seem based largely on vegetal forms.
Woonhuis met personeel
Object type: photograph
Date: 1886 – 1886
Materials: photographic support
Techniques: albumen print
Location: jogjakarta
Artist: kassian céphas
Artist role: fotograaf
Artist dates: 1845 – 1912
Subjects: the hague, colonial system, villa, house personnel, servants

Gezicht op een woonhuis, met het personeel op de veranda, rechts een koets. Onderdeel van het fotoalbum aangeboden aan J.M. Pijnacker Hordijk bij zijn vertrek uit Jogyakarta in 1886.
Deventer, duit
Object type: coin
Date: 1627 – 1629
Materials: copper
Techniques: striking
Location: deventer

Koperen munt. Voorzijde: gekroond wapenschild van Deventer. Keerzijde: binnen een bladerkrans drieregelig opschrift, waaronder wapenschild.
"Hamza's Heroes Fight in Support of Qasim and Badi'uzzaman", Folio from a Hamzanama (The Adventures of Hamza)
Object type: folio from an illustrated manuscript
Date: 1564 – 1569
Materials: textile, gold, ink, paper, watercolor
Location: india
Artist: shravana
Artist role: artist
Subjects: battles,men

The Hamzanama relates the story of Hamza, an uncle of the prophet Mohammad and an ardent defender of Muslim faith. In this folio, two of Hamza’s allies, Qazim and Badiʿuzzaman fight under a pavilion. The scene is overrun with chaos as other groupings of rivals join the brawl. The drama-filled story of the Hamzanama was a favorite of the Mughal emperor Akbar, who commissioned this magnificent manuscript in 1562. Composed of 1400 illustrations and bound into several volumes, the work took nearly one hundred artists fifteen years to complete.
Sonnet en psalmteksten
Object type: ornament print
Date: 1600 – 1650
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: calligraphy

Drieluik met gekalligrafeerde sonnet en psalmteksten.
Studieblad
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932

Pagina 22 uit een schetsboek met 49 bladen.
Lead figure of a warrior with a helmet, shield, and spear
Object type: statuette of a warrior, 10
Date: 600 – 401
Materials: lead
Culture: greek, laconian
Subjects: soldiers,helmets,shields

Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of Laconia–over one hundred thousand, dating from the seventh century B.C. to the Classical period, were dedicated to the goddess Artemis Orthia in Sparta.
Looking glass
Object type: looking glass
Date: 1685 – 1705
Materials: glass, wood
Techniques: veneering
Culture: british
Location: england

Looking glasses were among the most prized furniture imports from England, and their prices remained inflated well into the eighteenth century when the value of many other objects had decreased. This piece is typical of late seventeenth century William and Mary design, characterized by the use of figured walnut veneers and a dramatic, pierced cresting.
Staande vrouw bij wasemmer
Object type: copper plate
Date: 1886 – 1886
Materials: copper
Techniques: etching
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
The Hanging, plate eleven from The Large Miseries of War
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: gerrit lucasz van schagen
Artist role: print maker, publisher
Artist nationality: dutch
Artist dates: 1642 – 1690
Vuurmandkleed
Object type: vuurmandkleed, vuurmandskleed
Date: 1650 – 1950
Materials: silk

Vuurmandkleed van blauwe zijden damast met asymmetrisch patroon van grote bloemen. Afgezet met franje en passement dat in voluutranken, bloemen en kandelabermotieven is gelegd.
Zes landschappen
Object type: print
Date: 1597 – 1629
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: forest, wood, stag-hunting (+ hunting with dogs)
Inscriptions: collector's mark: Lugt 2228

Bosmeer met zwaar overhangende bomen. Middenachter een hertenjacht. De derde prent in een zesdelige reeks met landschappen.
Groepsportret van een Franse familie op de trappen voor een huis
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: three generations (family group), france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Dameshandschoen van zwart glacéleer
Object type: glove
Date: 1950 – 1960
Materials: glazing
Techniques: glazing
Location: amsterdam
Artist: Anonymous

Rechterdameshandschoen van zwart glacéleer. Model: kort, met één peesnaadje op de handrug.
Spreekwoorden
Object type: popular print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: leiden
Subjects: war of the titans against jupiter and allies: titanomachy, (story of) icarus, son of daedalus, proverbs, sayings, etc., eris throws the golden apple, classical mythology and ancient history, midas given ass's ears: apollo gives midas ass's ears as punishment for preferring pan in the musical contest between apollo and pan (ovid, metamorphoses xi 174)
Inscriptions: collector's mark: Lugt 2760

Blad met 4 verbeeldingen van spreekwoorden, gebaseerd op mythologische verhalen. Boven elke voorstelling een titel en onder elke voorstelling een achtregelig vers. Genummerd rechtsboven: No. 58.
Exterieur van de Saint-Denisbasiliek nabij Parijs
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring, perforating
Location: paris
Artist: Anonymous
Subjects: church (exterior)
Sabel, jachtgeweer en een handtas
Object type: page
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: purse, money-bag, hacking and thrusting weapons (with name), firearms
Cupido
Object type: print
Date: 1815 – 1889
Materials: paper
Techniques: engraving
Location: haarlem
Artist: paul tetar van elven
Artist role: print maker
Artist dates: 1823 – 1896
Subjects: cupid shooting a dart
Inscriptions: collector's mark: Lugt 2228
In Brittany
Object type: photomechanical print
Date: 1904 – 1904
Materials: paper
Techniques: photoaquatint
Location: brittany
Subjects: girl (child between toddler and youth), folk costume, regional costume, coast
Inscriptions: signature: ‘Demachy’
Strand bij Scheveningen
Object type: photograph
Date: 1907 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: scheveningen
Artist: Anonymous
Subjects: beach (as place of recreation)

Strand bij Scheveningen. Onderdeel van het losbladige fotoalbum met 39 foto's van een reis door Nederland, ca. 1907-1910.
Design for a Monumental Altar, Plate k from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'
Object type: album print ornament architecture
Techniques: etching
Artist: martin engelbrecht
Artist role: publisher
Artist nationality: german
Artist dates: 1684 – 1756
Subjects: altars

Ornament print with a design for an altar in a late Baroque style, with vases and female Victory figures flanking the altar, and a large baldachin over the broken pediment. The floorplan for the altar is depicted directly below the elevation. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.
Henry Simons the Polish Jew
Object type: print
Date: 1753 – 1753
Techniques: etching
Location: england
Artist: thomas worlidge
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1766
Brief aan Filippo Tessaro
Object type: letter
Date: 1880 – 1880
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: willem maris
Artist role: draughtsman, painter
Artist dates: 1844 – 1910
Subjects: amsterdam, hermanus gijsbertus tersteeg, art trade, art shop, drawing, money, london
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2228
Gouge for carving jade
Object type: jade carving tool
Date: 1901 – 2000
Materials: steel
Culture: chinese

These steel drills with blunt points (zhuangding or dingzi in Chinese), flat heads (tuozi), or curving heads (wazi) are used for high relief carving, undercutting, and fine shaping of small jade works. The craftsman holds the jade in one hand against the drill, which is mounted on a spinning shaft. He or she rotates the shaft using foot treadles, while continuously applying abrasives, usually sand mixed with water, to the tip of the drill, which cuts the jade.
Bronze statuette of Hermes
Object type: statuette of hermes
Date: 100 – 100
Materials: bronze
Culture: greek or roman
Subjects: hermes

Hermes—messenger of the gods, the cattle rustler, the inventor of the lyre, the guider of souls across the River Styx, the manly god of boundaries—stands gracefully here rather than moving purposefully. He likely originally held his kerykeion (herald's staff) in his left hand. A pair of wings are strapped to his feet, and the small rectangular cuttings at the top of his head once held wings that sprang from his laurel-crown. The eyes, once inlaid with silver, glass paste, or stone, would have added vitality to the figure. The lack of interest in the specific delineation of the anatomy and the listless elegance of the pose attest to the decorative quality of this highly refined bronze. It is a sophisticated work, executed in a mannered, classicizing style that sets the god apart from the mundane world of the statuette's human owner and invites contemplation of the divine.
Landschap met boerderij en visser
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: hendrik schwegman
Artist role: draughtsman, print maker
Artist dates: 1761 – 1816
Subjects: water course, farm or solitary house in landscape, fisherman
Inscriptions: collector's mark: Lugt 2228

Landschap met een boerderij en hooiberg links. Op de voorgrond op het water een visser met fuiken in een boot.
Evening, from the series The Times of the Day
Object type: print
Date: 1807 – 1807
Techniques: engraving
Artist: philipp otto runge
Artist role: artist
Artist nationality: german
Artist dates: 1777 – 1810
Subjects: musical instruments,goddess
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz
Object type: folio from a non illustrated manuscript
Date: 1467 – 1500
Materials: gold, ink, paper, silver, watercolor
Location: afghanistan
Artist: sa'di
Artist role: author
Artist nationality: iranian
Artist dates: 1213 – 1291
Subjects: animals,poetry,calligraphy

This folio, copied by Sultan 'Ali Mashhadi—a renowned master of nasta'liq script—once formed part of an anthology of Persian poetry including selections from the works of Sa'di and Hafiz. It was common practice for valuable manuscripts to be remounted within new margins whether for aesthetic or preservation reasons. The folios of this highly treasured fifteenth‑century manuscript were remounted in the sixteenth century within colored margin papers beautifully painted with diverse scenes in silver and gold.
Portret van de schilder Hendrick Berckman
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Subjects: painter, draughtsman, hendrick berckman, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Portret van de schilder Hendrick Berckman. In de marge de naam van de geportretteerde en een vijfregelig onderschrift met biografische gegevens in het Frans.
Christ Blessing
Object type: painting
Date: 1500 – 1505
Materials: oil, wood
Artist: gerard david
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1455 – 1523
Subjects: christ
Zilveren lantaarn, mogelijk afkomstig uit een synagoge in Suriname
Object type: lantern
Date: 1720 – 1740
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: suriname
Inscriptions: mark: ‘[...]’

Zilveren lantaarn of lamp gevormd door vier kolommen of pilaren (één manco) die aan de bovenzijde een zilveren dak dragen en aan de onderzijde een vergelijkbaar bakje voor de lampenolie. Waarschijnlijk zat de olie in een tinnen binnen-bakje ter bescherming van het zilveren bakje. De kolommen hebben aan beide uiteinden kleine peervormige knopjes met een schroefdraad. Hierdoor is het mogelijk de lamp in en uit elkaar te zetten. Bovenaan de kolommen, net onder het dak, bevinden zich oogjes voor de bevestiging van een windglas dat moest voorkomen dat de vlam zou doven. Aan het oog op het dak van de lantaarn kon de lamp worden opgehangen. Voor de vierde ontbrekende kolom is een replica gemaakt op basis van de drie overgebleven kolommen. Dergelijke lampen werden in kerken en synagogen gebruikt als verlichting. Er zijn ook exemplaren bekend die werden gebruikt voor het branden van het eeuwige licht in de synagoge. Deze lampen hebben vaak een inscriptie ter nagedachtenis aan een persoon. Het uiterlijk van de lamp wijst op vervaardiging in Nederland. Het is niet duidelijk wanneer de lamp naar Suriname is gebracht en in welke context deze daar heeft gefunctioneerd. Mogelijk is het een geschenk geweest van geloofsgenoten in Nederland aan de joodse gemeenschap in Suriname.
Hassan and Namouna
Object type: print
Date: 1872 – 1872
Techniques: etching
Artist: léopold flameng
Artist role: engraver
Artist nationality: french
Artist dates: 1831 – 1911
Stockholm. Riddarhuset
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: stockholm
Subjects: tram, monument, statue, edifice, e.g.: public building, department store
Pair of Wheellock Pistols with Matching Priming Flask/Spanner
Object type: pair of wheellock pistol with matching priming flask spanner
Date: 1570 – 1580
Materials: brass, gold, pigment, silver, steel, metal, wood
Culture: french
Location: france
Artist: etienne delaune
Artist role: designer
Artist nationality: french
Artist dates: 1518 – 1583

These pistols are remarkable for the chiseled and gilt decoration of the barrels and locks, for the distinctive figural and floral inlay on the stocks, which is copied in part from ornament engravings by Etienne Delaune (1518/19–1583), and for the use of red paint to highlight the stock decoration. The survival of the matching priming flask is also exceptional for a pistol from this early date.
Pendant
Object type: pendant
Date: 301 – 800
Materials: jade
Culture: atlantic watershed
Location: costa rica
Portret van een vrouw
Object type: carte de visite
Date: 1861 – 1864
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: the hague
Artist: robert severin
Artist role: fotograaf
Artist dates: 1839 – 1888
Inscriptions: address: ‘R. Severin/Photographe du Roi/109, Noordeinde/La Haye’

Vrouw met boek in de hand, zittend naast een tafel waarover een kleed met grote patronen. Links achter haar een gordijn.
Gezicht op een besneeuwd dorp bij avond
Object type: boekillustratie ontwerp
Date: 1898 – 1898
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: prospect of village, silhouette of village, snow, stars
Inscriptions: number: ‘no 174’

Ontwerp voor: Hoffman, Ernst Theodor Amadeus. Notenkraker en muizenkoning. Amsterdam: Scheltema & Holkema, 1898.
Portret van Marie Antoinette
Object type: print
Date: 1794 – 1809
Materials: paper
Techniques: engraving, etching
Subjects: vienna, paris, marie antoinette, historical persons - bb - woman, ornament ~ medallion, queen
Inscriptions: name: ‘Curtus’, collector's mark: Lugt 2228

Prent waarschijnlijk uit een deel van: Tafereelen van de staatsomwenteling in Frankrijk. Amsterdam: Johannes Allart, 1794-1809.
Bronze necklace spiral
Object type: necklace spiral
Date: 900 – 701
Materials: bronze
Culture: italic, villanovan

Openwork spiral with three concentric circles linked at 4 points and flat on underside.
Arthur Albert "Doc" Irwin, Shortstop, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
H. Andreas wordt naar zijn kruisdood gevoerd
Object type: print
Date: 1677 – 1756
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: the apostle andrew; possible attributes: book, x-shaped cross, fish, fishing-net, rope, scroll - martyrdom, suffering, misfortune, death of male saint
Inscriptions: collector's mark: Lugt 2228
Bloementuin, het andere deel
Object type: book illustration
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: arnhem
Subjects: flowers, vegetables

Prent uit: Passe, Crispijn van de (II). Hortus floridus in quo rariorum & minus vulgarium florum icones ad vivam veramque formam. Arnhem: Johannes Janssonius, 1617.
Vamplate
Object type: vamplate
Materials: steel
Culture: italian
Location: italy

This vamplate is part of an unusually large armor garniture (acc. no. 27.159.1) from the armory of the Dos Aguas family in Valencia, Spain. The garniture contains pieces for use in battle and for the tilt in both the Italian and German fashions. The tilt was a tournament fought on horseback between two opponents armed with lances and separated by a lengthwise barrier. The armor as mounted is equipped with a helmet and vambraces (arm defenses) for the tournament. The buffe (chin defense), second breastplate (27.159.2), and manifer (reinforced left gauntlet) (27.159.6) would have been added to make the armor ready for exchange pieces for different forms of the tournament. For the German tilt, the trellised targe (shield) (27.159.7), small elbow defense (27.159.5), and small stomach defense (27.159.3) were added. For the Italian tilt, these elements were replaced by the form-fitting reinforce covering the left half of the torso and left shoulder (mezzo sovrapetto) (27.159.2) and the larger elbow defense (soprabracciale) (27.159.4). The garniture also includes two complete sets of saddle steels (27.159.13, .14) (only one is exhibited) and two vamplates (conical hand defenses affixed to the lance) (27.159.8, .9). The decoration consisting of etched bands containing trophies of arms and musical instruments was a popular design found in many variations in Italy throughout the second half of the sixteenth century.
Baraffael Family Hanukkah Lamp
Object type: hanukkah lamp
Date: 1773 – 1775
Materials: silver, wood
Techniques: embossing, engraving
Artist: gaspare vanneschi
Artist role: maker
Artist nationality: italian
Artist dates: 1758 – 1787

This rare and sumptuous silver lamp was commissioned by the wealthy Baraffael family in Rome. Their crest, a rooster grasping a stalk of wheat, is embossed near the top. A tipped oil jug and a lit nine-stem candelabrum known as a hanukiah suggest the lamp’s use during the Jewish holiday of Hanukkah. The bees circling the jug are a moving tribute to one of the family members, Deborah (Hebrew for "bee"), who died in 1763.
Bomen
Object type: sketchbook leaf
Date: 1892 – 1897
Materials: chalk, paper
Location: north brabant
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: trees

Pagina 35 uit een schetsboek met 24 bladen.
View from St. Regis Mountain
Object type: page
Date: 1891 – 1891
Materials: paper
Techniques: photograph
Location: saint regis mountain
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: inscription: ‘Osgood Pond (...) Upper St. Regis Lake’, number: ‘Plate IX.’
Afbeeldingh: hoe de hollanse vloot onder den Amirael Tromp ende de Engelse vloot onder den Amirael pen gheslagen hebben
Object type: historieplaat
Date: 1653 – 1666
Materials: ink, paper, pencil
Techniques: brush, pen
Location: northern netherlands
Artist: jan abrahamsz. beerstraten
Artist role: draughtsman, painter
Artist dates: 1622 – 1666
Subjects: brielle, maarten harpertszoon tromp, battle (+ naval force), battle of scheveningen

Zeeslag bij Terheide in de Eerste Engelse Oorlog tussen de Staatse vloot onder Maarten Tromp en de Engelse vloot onder George Monck, 10 augustus 1653. Rechtsboven de legenda A-K.
Harriet Vernon, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Head of a pin: human head and wings
Object type: pin head
Date: 800 – 601
Materials: bronze
Culture: iranian
Location: iran, luristan

This bronze pin (the shaft is mostly missing) is decorated with a human head. The head has a large nose, puffy cheeks and thick lips. Below the head are two projects, probably wings. This pin was excavated at Surkh Dum, a settlement site in Luristan in the Zagros Mountains of western Iran. It was found in a structure interpreted as a sanctuary and was thus probably an offering to a god. Such pins were probably used to fasten clothing and as objects of adornment in their own right. Another very similar pin, also excavated at Surkh Dum, is in the University of Pennsylvania Museum of Archaeology and Anthropology.
The Voyage of the White King Against the Turks, from Der Weisskunig
Object type: print
Date: 1514 – 1516
Techniques: woodcut
Artist: hans burgkmair
Artist role: artist
Artist nationality: german
Artist dates: 1473 – 1531
Subjects: soldiers,men,ships

Der Weisskunig (the white king) is a loosely biographical account of the life of Emperor Maximilian I. The text, composed by Maximilian's secretary Marx Treitz-Sauerwein, is accompanied by illustrations by Burgkmair, as well as Leonhard Beck, Hans Schäufelein, and Hans Springinklee, with proofs completed between 1514–16. However, they remained unpublished until the blocks were rediscovered in 1775, at which point they were published as a book in Vienna by Hoffstätter. The first edition was published again in 1799 by S. Edward in London with the French title, "Tableaux des principaux evénemens de la vie et du regne de l'empereur Maximilien I." This edition includes 236 woodcut illustrations.
Gezicht op stoomwolken langs Lake Rotomahana
Object type: page
Date: 1865 – 1875
Materials: paper
Techniques: photograph
Location: united kingdom
Subjects: steam, hot spring, geyser, lake
Toneelvoorstelling van een gevecht, in de Kraton Ngayogyakarta Hadiningrat in Jogyakarta, Indonesië
Object type: photomechanical print
Date: 1883 – 1888
Materials: paper
Techniques: photograph
Location: yogyakarta
Artist: kassian céphas
Artist role: fotograaf
Artist dates: 1845 – 1912
Subjects: group of actors, troupe; actors on the stage, fighting
Inscriptions: number: ‘XV’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic
Artist: nicosthenic
Artist role: artist

Interior, head and right shoulder of helmeted warrior to right; one letter of an inscription, K