deem-data/ArtiFact huggingface dataset:
S. Vital et S. Agricole (St. Vitalis and St. Agricola), November 4th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,crucifixion,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Deurplaat met vissen
Object type: push plate
Date: 1910 – 1910
Materials: copper
Techniques: punching
Location: hengelo
Inscriptions: factory mark, factory mark

De gedreven plaat vertoont boven- en onderaan een gedreven gestileerd ornament van twee antithetisch geplaatste vissen. Het oppervlak van deze versiering is met verschillende ponsstempels genuanceerd bewerkt.
Views of Vienna
Object type: light screen
Date: 1820 – 1820
Materials: glass, mother of pearl, steel, wood
Techniques: enamel
Artist: anton kothgasser
Artist role: enameler
Artist nationality: austrian
Artist dates: 1769 – 1851
Subjects: human figures,buildings,cities,streets

Light screen consisting of four leaves, each consisting of two topographical views of Vienna, identified by inscriptions beneath, in translucent enamels on glass, set into a frame of blond wood trimmed with darker wood with a wood panel in the lowest register set with a framed, mother-of-pearl, shaped cartouche.
Part of the ancient Appian Way about three miles outside Porta S. Sebastiano, plate 19 from Some Views of Triumphal Arches and other monuments
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Head of a Crozier
Object type: crozier head
Date: 1175 – 1225
Materials: ivory
Techniques: gilding, polychromy
Culture: south italian
Groep van zes stieren
Object type: drawing
Date: 1775 – 1833
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: bull
Down On The Wharf, New York
Object type: photograph
Date: 1910 – 1910
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: lewis wickes hine
Artist role: fotograaf
Artist nationality: american
Artist dates: 1874 – 1940
Subjects: collected by hugh edwards
Vader Tijd onthult de Waarheid
Object type: print
Date: 1702 – 1767
Materials: paper
Techniques: etching
Artist: jacob folkema
Artist role: draughtsman, print maker
Artist dates: 1692 – 1767
Subjects: 'historia'; 'historia' (ripa), time revealing truth; time carrying truth aloft
Inscriptions: collector's mark: Lugt 240

De personificatie van Geschiedenis legt met een schrijfveer in een boek vast wat ze voor haar ogen ziet gebeuren. Ze kijkt naar Vader Tijd die hand in hand staat met Waarheid, een naakte vrouw omgeven door wolken. Het hoofd van Waarheid is getooid met een stralende zon, in haar handen houdt ze een palmtak vast.
Om na te teekenen
Object type: print
Date: 1875 – 1903
Materials: paper
Techniques: lithograph, letterpress printing
Location: haarlem
Subjects: animals, ass, donkey, cat and mouse, dog
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van dieren. Links onder elkaar vier ingekleurde afbeeldingen van honden, een kat en een ezel. Rechts dezelfde vier afbeeldingen met enkel de contouren in zwart. Genummerd rechtsboven: No. 112.
Hand guard
Object type: tsuba, zwaardstootplaat
Date: 1600 – 1900
Materials: copper, gold, iron, silver
Location: japan
Artist: Anonymous

Ovale tsuba in de vorm van een kikker met zilveren ogen en een koperen tong; de ryo- hitsu zijn opgevuld met goud, dat bewerkt is als het ijzer (ishime-oppervlak).
Jar
Object type: jar, pointed base
Date: 3850 – 2960
Materials: pottery
Location: egypt
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed rim fragment from a kylix with part of the handle patch
Two Designs for a Vase
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink, watercolor
Techniques: pen
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: vases
Glass jug
Object type: jug
Date: 201 – 400
Materials: glass
Culture: roman

Colorless with light green tinge; same color handle and trails. Plain, rounded rim; flaring mouth; short cylindrical neck, expanding downwards and joining imperceptibly with biconical body; outsplayed tubular foot rim, made by folding; deep kick in bottom, with large jagged pontil scar; four-ribbed strap handle, applied to body just above greatest diameter, with claws extending downwards, the two outer ones being larger and each tooled to have a pinched, horizontal projection; handle drawn out and up, curved in, and folded onto underside of mouth and edge of rim, with one hollow roll, on top of trail. A thicker trail wound slightly more than once around underside of mouth; another thinner trail wound six times in a spiral around neck. Body intact, but top of handle broken and repaired below hollow roll (with alien piece of glass); bubbles and blowing striations; some soil encrustation, especially around neck, slight dulling, whitish weathering, and brilliant iridescence.
Teapot in the form of a house
Object type: teapot
Date: 1755 – 1755
Materials: enamel, stoneware
Techniques: salt glaze
Subjects: animals,buildings,faces,hands
Fotoreproductie van een prent van een portret van een vrouw
Object type: album leaf
Date: 1810 – 1873
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: print, e.g.: engraving, etching, lithograph
Inscriptions: annotation: ‘Raphael, "Fornarina"- Florence- Ufifizi’

Deze pagina maakt deel uit van een album.
Opvoeding van Christus
Object type: print
Date: 1604 – 1674
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: the virgin martyr catherine of alexandria; possible attributes: book, crown, emperor maxentius, palm-branch, ring, sword, wheel, education of the christ-child, globe
Inscriptions: collector's mark: Lugt 240

Het Christuskind wordt geflankeerd door Maria en Jozef terwijl Catharina van Alexandrië geknield naast hem zit en wijst naar een banderol die wordt vastgehouden door een geknielde jongen met lauwerkrans. Rechts van deze jongen zijn nog enkele kinderen met lauwerkransen afgebeeld. Achter hen staan twee engelen bij een sokkel met globe en lauwerkrans.
[Seated Young Woman with Hand Raised to Jawline]
Object type: daguerreotype
Techniques: daguerreotype
Artist: Anonymous
Artist role: artist
Subjects: portraits,women

The daguerreotype, the first photographic process, was invented by Louis-Jacques-Mandé Daguerre (French, 1787–1851) and spread rapidly around the world after its presentation to the public in Paris in 1839. Exposed in a camera obscura and developed in mercury vapors, each highly polished silvered copper plate is a unique photograph that, when viewed in proper light, exhibits extraordinary detail and three-dimensionality. The daguerreotype soon became extremely popular in the United States, where in the 1840s and 1850s thousands of daguerreotypists vied for clients from Boston and New York to San Francisco. The new medium’s success here was built upon the patronage of the average citizen who desired a simple likeness to keep or, perhaps, to send to a loved one in the era’s most enduring pledge of friendship.
Maria Gonggrijp op de fiets
Object type: photograph
Date: 1911 – 1911
Materials: photographic support
Techniques: photography
Location: suriname
Artist: andries augustus boom
Artist role: amateurfotograaf, handelaar
Artist dates: 1878 – 
Subjects: bicycle, suriname

Maria Gonggrijp rijdend op een fiets. Onderdeel van het fotoalbum over het leven van de familie Gonggrijp in Suriname rond 1912.
Gezicht op een gebouw aan het water
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: sailing-ship, sailing-boat, rural housing, e.g. country-house, villa, cottage, landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)

Gezicht op een gebouw aan het water. Voor het gebouw een figuur. Rechts van de figuur ligt een zeilschip aangemeerd. Blad 14 recto uit een schetsboek met 41 bladen.
Gezicht op de Sioule in de Auvergne
Object type: photograph
Date: 1904 – 1904
Materials: paper, photographic support
Techniques: gelatin silver print
Location: auvergne
Artist: delizy
Artist role: manufacturer
Subjects: river (+ landscape with figures, staffage)

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Zegelring en aanbidding van de god Ganesha op Ceylon, 1602
Object type: print
Date: 1603 – 1605
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: floris balthasarsz. van berckenrode
Artist role: print maker
Artist dates: 1562 – 1616
Subjects: antwerp, bergen op zoom, landscapes in tropical and sub-tropical regions, exploration, expedition, voyage of discovery, representations ~ goddesses, demi-goddesses, heroines etc. (hinduism, buddhism or jainism), sri lanka

Gebruikt als illustratie eerst in: J. van Spilbergen, t'Historiael iournael, van tghene ghepasseert is van weghen drie schepen (...) onder tbeleyt van Ioris van Speilberghen generael, anno 1601 (...) tot in t'eylant Celon, Floris Balthasars, Delft, 1605. In deze staat gebruikt als illustratie in: 't Historiael Journael, van tghene ghepasseert is van weghen drie Schepen ghenaemt den Ram, Schaep, ende het lam, ghevaren uyt Zeelandt, van der Stadt Camp-Vere, naer d'Oost-Indien, onder 't beleyt van den heer Admirael Joris van Splibergen, gedaen in de Jaren 1601. 1602. 1603. ende 1604. Opgenomen in: I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: No. 8.
Vessel in the form of an Elephant with Rider
Object type: vessel
Date: 1301 – 1566
Materials: earthenware, iron
Techniques: underglaze
Culture: thai
Subjects: men,elephants
Bodice
Object type: bodice
Date: 1900 – 1900
Materials: cotton, metal
Culture: american or european
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: adriaan pit
Artist role: print maker
Artist dates: 1860 – 1944
Subjects: draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Sibille van Cumae
Object type: print
Date: 1516 – 1516
Materials: paper
Techniques: engraving
Location: italy
Subjects: carrying something in basket, bag, rucksack, etc., the cumaean sibyl is granted long life: apollo grants the cumaean sibyl as many years as she has grains of sand in her hand, in return for her love (ovid, metamorphoses xiv 136), cumaean sibyl, dog
Inscriptions: collector's mark: Lugt 240

De Sibille van Cumae staat in een landschap met een mand vol zand in haar handen. Apollo schonk haar voor elke zandkorrel een levensjaar. Links naast haar staat een hond. Op de achtergrond een dorp aan een rivier.
Familiewapen Van de Poll in allegorische setting
Object type: print
Date: 1685 – 1732
Materials: paper
Techniques: etching
Location: amsterdam
Artist: philip van gunst
Artist role: print maker
Subjects: minerva as patroness, justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Minerva, Justitia, Prudentia, en een oude man met een boek, bij het wapen van de familie Van de Poll.
L'Orage
Object type: print
Date: 1913 – 1913
Materials: paper
Techniques: drypoint
Location: netherlands
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: low hill country, thunderstorm
Inscriptions: collector's mark: Lugt 5i, collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een zwaarbewolkte lucht boven een heuvellandschap met bomen en huizen.
Duit van de VOC uit Holland, 1747
Object type: coin
Date: 1747 – 1747
Materials: copper
Techniques: striking
Location: dordrecht

Koperen munt. Voorzijde: gekroond wapenschild van Holland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Twee gezichten op de Potsdamer Platz, Berlijn
Object type: album leaf
Date: 1896 – 1901
Materials: paper, photographic process
Location: zurich
Artist: Anonymous
Subjects: square, place, circus, etc.
Inscriptions: title: ‘Potsdamer Platz’, inscription: ‘Vrijdag den 9den Aug: 1901’, inscription: ‘16517. P.Z. - Berlin. Am Potsdamer-Platz.’

Deze fotomechanische afdrukken maken deel uit van een album.
Card 755, Seven Ravens, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: shields,portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 2), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Vier foto's, waarvan een prentbriefkaart, van Madeira
Object type: ansichtkaart, prentbriefkaart
Date: 1933 – 1933
Materials: paper
Techniques: gelatin silver print
Location: madeira
Subjects: carel frederik van den berg (cay), harbour, city-view in general; 'veduta'
Inscriptions: inscription: ‘6. aanlegplaats te Funchal/ 7 rotsen bij Gurgulho/ (Cay zwemmende)/ 8 aan het strand te Funchal/ Madeira’

Deze foto's maken deel uit van een album.
Portret van Cornelis Joosten Glimmer
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: crispijn van de passe (ii)
Artist role: draughtsman, print maker
Artist dates: 1594 – 1670
Subjects: hourglass
Inscriptions: collector's mark: Lugt 2228

Portret van Cornelis Joosten Glimmer, leraar der Doopsgezinden te Amsterdam, op 60-jarige leeftijd. Hij wijst naar een zandloper, die de vergankelijkheid van het leven symboliseert.
After Election, from Puck
Object type: print
Materials: paper
Techniques: lithograph
Location: united states
Artist: joseph keppler
Artist nationality: american
Artist dates: 1838 – 1894
Eight Kunstbillets
Object type: cut paper
Date: 1801 – 1900
Materials: textile, gouache, paper, silk
Techniques: cutting, embossing, gilding, printing
Artist: anonymous, austrian, viennese, 19th century
Artist role: artist
Artist nationality: austrian
Artist dates: 1800 – 1900
Landscape with the Rest on the Flight into Egypt
Object type: drawing
Date: 1645 – 1645
Materials: gouache, paper
Techniques: heightening, wash
Artist: claude lorrain (claude gellée)
Artist role: artist
Artist nationality: french
Artist dates: 1604 – 1682
Subjects: landscapes,angels,virgin mary,jesus
Dagger (Katar) with Sheath
Object type: dagger with sheath
Date: 1701 – 1800
Materials: gold, steel, velvet, wood
Culture: north indian
Location: india
Subjects: animals,elephants
Profielen van gezichten
Object type: sketchbook leaf
Date: 1894 – 1894
Materials: paper, pencil
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: face, head (human), adult woman

Tevens in een cirkel een profiel van een vrouw met een hoed, vermoedelijk Minerva. Blad 9 recto uit een schetsboek met 35 bladen.
Brief aan Sjoerd Kuperus en mevrouw Kuperus
Object type: letter
Date: 1940 – 1940
Materials: ink, paper
Techniques: pen, printing, writing
Location: bloemendaal
Artist: jac. p. thijsse
Artist role: bioloog, onderwijzer, schrijver
Artist dates: 1865 – 1945
Subjects: draughtsman, sjoerd kuperus
Inscriptions: collector's mark: ‘RPK’
Suspension Part for a Musical Instrument
Object type: suspension part for a musical instrument
Date: 901 – 1100
Materials: bronze
Culture: indonesian
Pin cushion (part of a toilet service)
Object type: pincushion
Date: 1687 – 1688
Materials: silver gilt
Artist: d., london
Artist role: maker

These objects are from a toilet set that also included a looking glass, a pair of candle snuffers, various small boxes and covered bowls, and two salvers.
Spotprent
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: lithograph
Location: netherlands

Spotprent . Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 21, 1877.
Gezicht op de Schafberg bij Sankt Gilgen
Object type: album leaf
Date: 1880 – 1899
Materials: ink, paper, photographic process
Location: sankt gilgen
Subjects: lake, mountains
Inscriptions: number: ‘467’

Onderdeel van Reisalbum met bezienswaardigheden in Duitsland, Oostenrijk, Zwitserland, Luxemburg en België.
Rokende boer met pijp
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: leiden
Subjects: pipe ~ tobacco
Inscriptions: collector's mark: Lugt 240
Upholstered armchair, originally from a set of eight, from Burley-on-the-Hill, Rutland (one of a pair)
Object type: armchair
Date: 1689 – 1689
Materials: wood, velvet
Techniques: cutting
Artist: thomas roberts
Artist role: maker
Artist dates: 1685 – 1714

These two armchairs are from a large suite of furniture comprising a bed, eight armchairs, four side chairs, and a pair of stools made about 1689 for Daniel Finch, second earl of Nottingham and seventh earl of Winchelsea (1647–1730), for the state bedroom and dressing room of his country seat, Burley-on-the-Hill in Rutland. Finch was secretary of state and privy counsellor to William III. He commissioned this set probably from Thomas Roberts, the prominent London chair maker who provided much of the seat furniture for the royal household. The tall raked backs and sinuously scrolled arms and legs reflect the style of Daniel Marot (1663–1752), the French architect and designer who worked closely with William and Mary both in Holland and England. The chairs retain their original and exceedingly rare Genoese cut-velvet covers, woven in several shades of red, blue, and green on an oyster ground in a Baroque pattern of scrolling leaves with matching tasseled fringe. The state bed, two of the armchairs, and the stools from this suite are displayed at William and Mary's palace of Het Loo, Apeldoorn, the Netherlands.
Boots
Object type: boot
Date: 1890 – 1895
Materials: leather
Culture: american
Werken van Hercules
Object type: print
Materials: paper
Techniques: etching
Location: antwerp
Subjects: (12) cerberus captured and carried away by hercules
Inscriptions: collector's mark: Lugt 2228

Hercules neemt Cerberus, de drie-koppige hond die de ingang van de Hades bewaakt, mee de hel uit. Hij trekt aan de ketting om Cerberus hoofden en bedreigt de hond met zijn knots.
Japanse god Quanwon
Object type: book illustration
Date: 1728 – 1728
Materials: paper
Techniques: etching
Location: japan
Subjects: representations ~ gods, demi-gods, heroes, etc. (non-christian religions)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in en mogelijk gebruikt in andere edities van: Picart, Bernard. Ceremonies et coutumes religieuses des peuples idolatres. Tome second. Premiere Partie. Amsterdam: Jean Frederic Bernard, 1728, na p. 310.
Ex libris van Ad Bibliothecam Canoniae Regularis in Diessen
Object type: bookplate
Date: 1755 – 1755
Materials: paper
Techniques: engraving, etching
Artist: a. schön
Artist role: print maker
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
No 61. Station de Kantara
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Inscriptions: caption: ‘Suez kanaal, Kantara’, title: ‘No 61. Station de Kantara’
Two illustrations for "The Economy of Human Life"
Object type: print
Date: 1834 – 1834
Techniques: printmaking, engraving
Artist: frank howard
Artist role: artist
Artist nationality: british
Artist dates: 1805 – 1866
Subjects: fireplaces,children,men,women,snakes,tables

Printed from one plate, these two images come from a set of twelve. They were made for an illustrated book published in London by John van Voorst in 1834. Each centers on a vignette illustration, with the book's title above, quotes and publication details below. The prints are numbered below the images, p. 154 and p. 9. p. 154 shows a rural family standing next to an open fireplace, frightened by a snake. Text below: "Warm him in thy bosom and he will requite thee with death." p. 9 shows a sour faced man sitting next to a table. Text below: "He sitteth in his cell repining, and the good that happeneth to another is to him an evil." Related drawings by Howard are in the Museum's collection (66.542.37(8) and 66.542.37(9)).
Seated Young Woman
Object type: drawing
Date: 1601 – 1700
Materials: chalk
Artist: gerrit adriaensz berckheyde
Artist role: artist
Artist nationality: dutch
Artist dates: 1638 – 1698
Subjects: women
Marba Titzenthaler, dochter van de fotograaf, op het dakterras van het woonhuis in de Friedrichstrasse, Berlijn
Object type: photograph
Date: 1917 – 1920
Materials: paper, cardboard
Techniques: gelatin silver print
Location: berlin
Artist: waldemar titzenthaler
Artist role: fotograaf
Artist dates: 1869 – 1937
Subjects: berlin, girl (child between toddler and youth)
Spirit keg in the shape of a Dutchman sitting astride a barrel
Object type: figure
Date: 1750 – 1750
Materials: brass, cobalt, glaze, paint, porcelain
Techniques: firing, forming, vitrification
Location: japan
Artist: Anonymous

Humorous drinking vessels in the shape of a guzzling figure seated on a barrel were popular in Europe in the early 18th century. They were made of Delft earthenware, as well as Japanese porcelain. The head is detachable and a European copper tap has been added.
Gezicht op een fabriekscomplex met rokende schoorstenen, vermoedelijk in Frankrijk
Object type: photograph
Date: 1883 – 1886
Materials: photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: factory-building, france

Onderdeel van Album van een Franse amateurfotograaf met opnames van familie, militairen, industrie, landschappen en bezienswaardigheden in Frankrijk.
And they are like wild beasts, plate five from The Disasters of War
Object type: print
Materials: gilt, paper
Techniques: aquatint, burnishing, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: war

Even mothers are driven to violence, as this image depicts. A woman holds a child on her left hip, even as she thrusts a spear into a French soldier with her right arm. In the background, other women assault the enemy by various means or languish from their wounds. The striking juxtaposition of the maternal with violent aggression serves to communicate the desperate conditions of the Peninsular War.
Ground Plan for a Catafalque for Leopold, Duke of Lorraine (d. 1729)
Object type: drawing
Date: 1729 – 1729
Materials: ink
Techniques: pen, wash
Artist: giuseppe galli bibiena
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1756
Subjects: architecture
Plattegrond van Paleis Soestdijk en voorliggende lanen
Object type: print
Date: 1815 – 1868
Materials: paper
Techniques: engraving, etching
Subjects: maps of cities, hunting-seat, hunting lodge, 'rendez-vous de chasse', 'jagdschloss'
Inscriptions: inscription: ‘Lustslot Soestdijk’

Onderaan een schaalstok: Rynl. voetmaat.
Portret van Felix Parmentier
Object type: album leaf
Date: 1855 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: nicolas claude persus
Artist role: fotograaf
Subjects: historical persons
Inscriptions: name: ‘Felix Parmentier’, inscription: ‘Persus/ Photographe/ 8, Rue Cassette/ au Rez-de-Chaussée/ Paris’