deem-data/ArtiFact huggingface dataset:
Cuneiform tablet case impressed with four cylinder seals in Anatolian and Old Assyrian style, for cuneiform tablet 66.245.16a: quittance for a loan in silver
Object type: cuneiform tablet case
Date: 2000 – 1801
Materials: clay
Culture: assyrian
Location: anatolia

Kültepe, the ancient city of Kanesh, was part of the network of trading settlements established in central Anatolia by merchants from Ashur (in Assyria in northern Mesopotamia) in the early second millennium B.C. Travelling long distances, and often living separately from their families, these merchants traded vast quantities of goods, primarily tin and textiles, for Anatolian copper and other materials. Although the merchants adopted many aspects of local Anatolian life, they brought with them Mesopotamian tools used to record transactions: cuneiform writing, clay tablets and envelopes, and cylinder seals. Using a simplified version of the elaborate cuneiform writing system, merchants tracked loans as well as business deals and disputes, and sent letters to families and business partners back in Ashur. At Kültepe, thousands of these texts stored in household archives were preserved when fire destroyed the city in ca. 1836 B.C. Because the tablets document the activities of Assyrian merchants, they provide a glimpse into the complex and sophisticated commercial interactions that took place in the Near East during the beginning of the second millennium B.C. This sealed clay envelope contained a tablet documenting the discharge from debt for a silver loan owed to Ashur-taklaku (MMA 66.245.16a). The contents of the tablet was repeated on the envelope, perhaps in order to verify the decision regarding the loan repayment. Text on the envelope, read from left to right, must have been written after the original text was placed inside the case. Impressions of four different seals, appear on both sides and the edges of the case. On the front of the case, two cylinder seals featuring presentation scenes carved in an Anatolian style that emphasized features such as the large eyes of the figures were rolled out. One of these seals was inscribed with the name Ashur-taklaku, and demonstrates how Assyrian merchants adopted local styles. The reverse of the case contains two more impressions of cylinder seals carved in a visual hybrid that mixed elements, and offers further evidence for the cultural interaction between Anatolia and Assyria.
Terracotta pelike (jar)
Object type: pelike
Date: 330 – 310
Materials: terracotta
Culture: greek, south italian, apulian
Artist: underworld painter
Artist role: artist
Subjects: male nudes,women,eros,swans

Obverse, woman seated between youth and woman; above, Eros with fillet, woman, and swan Reverse, woman and seated youth, Eros above Details such as the Erotes, the woman with a swan, the youth by the laver, and the casket associate the iconography with marriage.
Portret van de kinderen van Willem V en Wilhelmina van Pruisen
Object type: print
Date: 1710 – 1790
Materials: paper
Techniques: etching
Location: london
Subjects: the hague, berlin, william i of the netherlands, delft, william i (prince of orange), frederick ii (king of prussia), amsterdam, louise (prinses van oranje-nassau), willem george frederik (prins van oranje-nassau), writing-table, writing-desk, historical person (with name) - historical person (with name) portrayed in a group, in a group-portrait, letter, envelope, brothers or sisters (second degree family relationships)
Inscriptions: collector's mark: Lugt 2228

Louise en Willem staan naast elkaar en houden een brief vast. Frederik zit aan een secretaire, waarop een buste van Willem van Oranje staat. Tegen de achterwand een medaillon met het portret van koning Frederik II van Pruisen.
Square bottle with flowering plants, rocks and birds
Object type: bottle
Date: 1680 – 1700
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, forming, vitrification
Location: china
Artist: Anonymous

The form of this porcelain bottle is based on a European glass model. The square shape of such sturdy porcelain bottles was very practical on board VOC ships: it allowed them to be conveniently packed in chests called ‘kelders’ (cellars).
Chintz palampore with floweringtree motif
Object type: bedspread
Date: 1725 – 1750
Materials: cotton
Location: coromandel coast

Palempore van sits met patroon van bloeiende boom.
Uit de Politieke Athleet
Object type: photomechanical print
Date: 1896 – 1896
Materials: paper
Techniques: letterpress printing, line block
Location: netherlands
Subjects: delft, politician, amsterdam, arnhem, furniture worker, voorschoten, the hague, johannes de koo, smoke, wrestling (sport), politician, e.g. party leader, political caricatures and satires
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kiesverenigingen, Politieke partijen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, lower abdomen, top of penis, and bent leg of male to right
Statuette of the Personification of a City
Object type: statuette
Date: 300 – 500
Materials: copper alloy
Culture: late roman or byzantine
Subjects: women,cornucopia
Oosters tapijt
Object type: oriental rug
Date: 1800 – 1949
Materials: wool
Location: south persia
Artist: khameh wevers
Artist role: tapijtwever

Oosters tapijt van geknoopte wol waarvan het middenveld versierd is donkerblauw en witte strepen met ranken; hoekornamenten. Drie smalle randen waarvan de middelste versierd met botehs. Vervaardigd door Khameh wevers.
Gezicht op Huis Kronenburg te Loenen aan de Vecht
Object type: print
Date: 1711 – 1774
Materials: paper
Techniques: engraving, etching, hand coloring
Artist: jacobus schijnvoet
Artist role: draughtsman, print maker
Artist dates: 1685 – 1743
Subjects: castle, ruin of a dwelling, house, castle, etc.
Inscriptions: stamp, collector's mark: Lugt 1641

Prent mogelijk uit: Smids, Ludolph. Schatkamer der Nederlandsche oudheden of woordenboek, behelsende Nederlands steden en dorpen, kasteelen (...). Amsterdam: Pieter de Coup, 1711. Verscheen tevens in de heruitgave van voorgenoemd werk in 1737 en 1774. In 1721 verscheen er een uitgave met alleen de prenten: Nederlandsche oudheden, bestaande in zestig verbeeldingen (...) gelegen in Holland, 't Sticht van Utrecht en Gelderland enz. Amsterdam: Hendrik Bosch, 1721.
Hanging (Pichwai)
Object type: hanging
Date: 1767 – 1800
Materials: cotton, gold leaf, pigment
Techniques: dyeing, painting, weave
Location: india
Gezicht op de Jan Roodenpoortstoren te Amsterdam
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: etching
Artist: willem writs
Artist role: draughtsman, print maker
Artist dates: 1731 – 1786
Subjects: jan roodenpoortstoren
Inscriptions: collector's mark: Lugt 2228
Border
Object type: border
Date: 1601 – 1700
Techniques: lace

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Servet van wit linnendamast
Object type: napkin
Date: 1859 – 1859
Materials: linen
Techniques: damask
Location: borne

Wit linnen damasten servet met een voorstelling van het Laatste Avondmaal.
Slaapvertrek
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: bedroom, dutch east indies, the

In de hoek van de kamer staat een bed met kussens en een klamboe. Een rieten ameublement staat ervoor. Op tafel staan enkele voorwerpen waaronder een fotolijstje. Boven de tafel een hanglamp. Links op de vloer staat schoeisel, waaronder halfhoge laarzen. Onderdeel van familiealbum Nederlands-Indië.
Urformen der Kunst
Object type: photograph
Date: 1928 – 1928
Materials: ink, paper
Techniques: rotogravure
Location: berlin
Subjects: plants (in general)
Inscriptions: number: ‘52’

facher Vergrößerung. Afkomstig uit losbladige uitgave.
Vijf vogels, een vlinder en een slak
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving

Kopie naar prent met vogels uitgegeven door Johannes Janssonius (zie RP-P-1965-905).
Little Girl Standing on Sofa (recto); Fragment: Back of a Woman's Head (verso)
Object type: drawing and watercolor
Date: 1827 – 1827
Materials: graphite, paper
Location: england
Artist: edmund thomas parris
Artist role: artist
Artist nationality: english
Artist dates: 1793 – 1873
Portret van Gijsbert Voet op 68-jarige leeftijd
Object type: print
Date: 1657 – 1665
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theologian, scholar, philosopher, historical persons

Met zesregelig onderschrift in het Latijn.
Box with Joan van Hoorn’s coat of arms
Object type: lakdoos
Date: 1700 – 1710
Materials: wood, lacquer
Techniques: lacquer
Location: japan
Artist: Anonymous
Subjects: amsterdam

Japanese lacquerware was highly prized in both Asia
and Europe. This lacquer box, featuring Joan van Hoorn’s
coat of arms on the lid, is decorated along the sides
with traditional Japanese motifs. A significant portion
of Van Hoorn’s collection remained in the possession of
the descendants of his daughter Petronella at Rosendael
Castle in Gelderland until in the 20th century.
Spinnenweb met mensachtige spin die een man gevangen heeft
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: marcel roux
Artist role: print maker
Artist dates: 1878 – 1922
Subjects: (corpse of) man eaten by animals, spiders
Inscriptions: collector's mark: Lugt 2113, collector's mark: Lugt 2228

Wezen met het onderlijf van een spin en het bovenlijf van een vrouw buigt zich over het lichaam van een man.
Draped Figure, Standing
Object type: print
Date: 1891 – 1891
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Dombrücke in Keulen
Object type: photograph
Date: 1859 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: cologne
Artist: Anonymous
Subjects: bridge in city across river, canal, etc.
Waerafftighe afconterfeitinge der loeflike Keyser vrye Anze Stadt Deventer In wat ghestalt dat het is Belgert onde Beschaten Ao. 1578
Object type: history print
Date: 1836 – 1838
Materials: paper
Techniques: lithograph
Location: deventer
Artist: jan de lange (ii)
Artist role: printer, publisher
Artist dates: 1799 – 1849
Subjects: groningen (province), politician, capture of city (after the siege), deventer

Opgenomen als illustratie in: Overijsselsche almanak voor oudheid en letteren, jrg. 4 (1839), J. de Lange, Deventer 1838. Lithografie naar het oorspronkelijke schilderij op het stadhuis te Deventer.
Portret van Filips van Marnix, heer van Sint-Aldegonde
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: brussels, leiden, politician, filips van marnix van sint-aldegonde, ornament ~ medallion, historical persons, portrait of a writer

Prent waarschijnlijk uit: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...). Amsterdam: Isaak Tirion, 1752, dl. 7. Latere staat is gebruikt in de editie uit 1792 van 'Vaderlandsche historie (...)'.
Fan
Object type: fan
Date: 1867 – 1900
Materials: glass, gold, mother of pearl, paint, paper, silver
Subjects: children,women,lutes,swans
Bottle
Object type: bottle
Materials: pottery
Location: egypt
Septem orbis admiranda
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: etching
Location: antwerp
Subjects: hoofed animals: camel, the seven wonders of the world, colossus of rhodes (wonder of the world)
Inscriptions: collector's mark: Lugt 11, collector's mark: ‘Hinloopen’, number: ‘8’

Gezicht op het strand van Rhodos. Op het strand staan een leger, werklui en kamelen. Op de achtergrond staat het grote bronzen beeld de Kolos van Rhodos. Op de voorgrond wordt een tweede beeld geplaatst.
Reproductie van: Port of Amsterdam
Object type: ansichtkaart, prentbriefkaart
Date: 1912 – 1930
Materials: cardboard
Techniques: autotype
Subjects: harbour, sailing-ship, sailing-boat, steamship, motorship, port of amsterdam
Jonge herder met een stier
Object type: print
Date: 1659 – 1659
Materials: paper
Techniques: etching
Location: amsterdam
Artist: adriaen van de velde
Artist role: draughtsman, painter, print maker
Artist dates: 1636 – 1672
Subjects: bull, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 240

Eerste prent uit een serie van tien prenten met verschillende dieren. Van de Velde nam het thema met de jonge herder en de stier over van een vroeg schilderij van Jacob Isaacksz. van Ruisdael uit 1646. In het landschap met een boerderij van Ruisdael zijn de herder en de stier met de opvallende witte vlek op de flank klein in de compositie geplaatst. Van de Velde maakte het groepje los uit de oorspronkelijke context en volgde bij zijn weergave nauwkeurig ieder detail. De herder die op zijn hoorn blaast terwijl hij de stier aan een touw vasthoudt staan groot op de voorgrond in een licht glooiend landschap.
Ornament
Object type: ornament
Date: 918 – 1392
Materials: bronze, gilt
Culture: korean
Portret van een meisje
Object type: carte de visite
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: nottingham
Subjects: girl (child between toddler and youth)
Inscriptions: inscription: ‘A.W. & H. Cox/ Portrait & Landscape Photographers/ St. James Street/ Nottingham (...)’
Schrijfvoorbeeld: Vive la plume
Object type: album leaf
Date: 1605 – 1605
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: calligraphy

In overdadig gekrulde en doorvlochten Italiaanse kapitaalletter de tekst: Vive la plume. Rechtsonder: Velde. De prent maakt deel uit van een album.
Wachtende oosterlingen op een kade
Object type: drawing
Date: 1644 – 1644
Materials: ink, paper
Techniques: brush, pen
Artist: stefano della bella
Artist role: draughtsman, print maker
Artist dates: 1610 – 1664
Subjects: pier, quay, wharf, quay (+ city(-scape) with figures, staffage)
Journal des Dames et des Modes, Costumes Parisiens, 1913, No. 102 : Robe de linon (...)
Object type: fashion print
Date: 1913 – 1913
Materials: paper
Techniques: engraving, hand coloring, pochoir
Subjects: neck-gear ~ clothing (revers) (+ women's clothes), embroidery (ornamentation) (+ women's clothes), clothing for the upper part of the body (tunic) (+ women's clothes), picking flowers (+ variant), coat (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: title: ‘Costumes Parisiens’, caption: ‘Robe de linon à double tunique de tulle brodé Patite casaque à revers de satin.’

Japon van fijn linnen en dubbele tuniek van geborduurde tule. Kleine 'casaque' met revers van satijn. Prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914).
Meisje met tamboerijn en jongen met accordeon
Object type: boekillustratie ontwerp
Date: 1880 – 1910
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: accordion (+ artist at work), tambourine (+ artist at work)
Inscriptions: collector's mark: Lugt 2228a, number: ‘19 T en V’
Gezicht op het hoofdkwartier van de Verenigde Naties aan de East River in Manhattan, New York
Object type: photograph
Date: 1950 – 1950
Materials: paper
Techniques: gelatin silver print
Location: london
Artist: Anonymous
Subjects: city-view in general; 'veduta', river
Inscriptions: inscription: ‘KEYSTONE/ PRESS AGENCY LTD./ 4-7, RED LION COURT./ FLEET STREET LONDON, E.C.4.’, inscription: ‘A striking scene is presented by/ the almost completed United Nations building - on/ 42nd-st. and East River, looking across the East/ River, scaffolding can be seen on the back of the/ building (left - centre).. It will be the permanent/ home of the United nations./ JSS/KEYSTONE 1/537669’
Hector Viger
Object type: page
Date: 1872 – 1877
Materials: paper
Techniques: woodburytype
Subjects: hector viger, adult man, historical persons
Familie van den berg in Maarn
Object type: photograph
Materials: paper, cardboard
Techniques: gelatin silver print
Location: maarn
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: family life

Deze foto's zijn onderdeel van een album.
Gezicht op La Madeleine in Parijs
Object type: stereograph
Date: 1860 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: two-wheeled, animal-drawn vehicle, parts of church exterior and annexes: façade
Inscriptions: number: ‘P. 8.’, inscription: ‘Madeleine’
Gezicht op de Passage de Nîmes in Vichy
Object type: stereograph
Date: 1890 – 1910
Materials: cardboard, paper
Techniques: photograph
Location: vichy
Artist: Anonymous
Subjects: advertisement, notice, street
Inscriptions: number: ‘8422’, name: ‘[...] phot, Nice’
Soerabaya / Hoofdbureau van Politie
Object type: photograph
Date: 1925 – 1931
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: surabaya

Albumblad met één foto: het hoofdbureau van politie te Soerabaja. Onderdeel van het fotoalbum aangeboden aan S. Koster door de Vereeniging van Hoogere Politie Ambtenaren in Nederlandsch-Indië in 1931.
Boom op dijk
Object type: print
Date: 1905 – 1920
Materials: paper
Techniques: lithograph
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: trees, dikes, levee
Inscriptions: annotation: ‘Dieren-Mei-15’, collector's mark: Lugt 2228
Soldaat, op de rug gezien, die zijn spies met zijn rechterhand rechtop vasthoudt (nr. 7), ca. 1600
Object type: print
Date: 1597 – 1608
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, op de rug gezien, die een spies (lans) met zijn rechterhand rechtop vasthoudt (nr. 7), ca. 1600. Dit is de derde handeling voor het rechtop naar de grond brengen van de spies. Plaat 7 in de instructies voor het hanteren van de spies: Enseignement brief; et succint sur les portraitz figurez, touchant l'usage, de tout ce qu'un Soldat doibt faire au maniement de la Pique. Onderdeel van de illustraties in een Franse editie van J. de Gheyns Wapenhandelinghe: J. de Gheyn, Maniement d'armes, d'arquebuses, mousquetz et piques : en conformité de l'ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. Krijgswezen rond 1600.
House on a Pond Outside a Town, from Landscapes (Playsante Lantschappen)
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: attributed to claes jansz. visscher ii
Artist nationality: dutch
Artist dates: 1586 – 1652
Inscriptions: Lettered lower right: "27"
Relief fragment, tomb of Mereri
Object type: relief fragment, tomb of mereri
Date: 2100 – 2030
Materials: limestone
Location: egypt
Mdme. Reserve, from the Actresses series (N67) promoting Virginia Brights Cigarettes for Allen & Ginter brand tobacco products
Object type: print
Date: 1888 – 1888
Techniques: photolithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N67), issued ca. 1888 to promote Virginia Brights and Dixie Cigarettes distributed by Allen & Ginter Tobacco Manufacturers.
Kris with Sheath
Object type: kris with sheath
Date: 1501 – 1900
Materials: copper alloy, steel, wood
Techniques: polychromy
Culture: madurese
Location: indonesia
Moderne gebouwen te Rome
Object type: album leaf
Date: 1699 – 1699
Materials: paper
Techniques: etching
Location: italy
Subjects: city-view, and landscape with man-made constructions, hôtel, i.e. small palace in city

Deze prent maakt deel uit van een reeks van 52 prenten met voorstellingen van paleizen in Rome. Samen met vier andere reeksen vormt het de grote reeks: 'Il nuovo teatro di Roma moderna'.
Vase from sample set of Chinese cloisonné
Object type: vase
Date: 1867 – 1900
Materials: copper alloy, enamel, glass
Techniques: enamel
Culture: chinese

The technique of cloisonné is used to create designs on metal vessels by placing colored glass paste within enclosures made of copper or bronze wires, which have been bent or hammered into the desired patterns. Known as cloisons, French for partitions, the enclosures are generally either glued or soldered onto the metal body. Enamel paste, ground from colored glass, is filled into the contained areas of the design. The vessel is usually fired several times at a relatively low temperature, about 800 degrees Celsius. Once this process is completed, the surface of the vessel is polished until the edges of the cloisons are visible, and then to finish the work, gilding is added.
Youth playing hurdy-gurdy, girl teaching dog dressed as harlequin to dance
Object type: group
Date: 1765 – 1765
Materials: soft paste porcelain
Artist: derby porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 1785
Subjects: musical instruments,men,women,dogs
Acrobaat
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: acrobat ~ circus

Een acrobaat, alleen een arm is zichtbaar, maakt op één hand een handstand op het hoofd van een andere acrobaat. Blad 30 verso uit schetsboek V met 33 bladen.
Catherine de Médicis.
Object type: print
Date: 1818 – 1859
Materials: paper
Techniques: etching
Location: paris
Subjects: historical persons, grave, tomb, sculpture
Inscriptions: collector's mark: Lugt 2228
Stadsgezicht
Object type: print
Date: 1886 – 1905
Materials: paper
Techniques: woodcut
Location: amsterdam
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of the upper torso of a male with his himation draped over his extended left arm
Immer voortvarend
Object type: bookplate
Date: 1945 – 1945
Materials: paper
Techniques: hand coloring, linocut
Location: netherlands
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, sun as celestial body, flag, colours (as symbol of the state, etc.)
Inscriptions: signature, date and inscription: ‘Dada Otten (?) '45 rubbersnede’
Vue du Pont Sixte
Object type: book illustration
Date: 1763 – 1763
Materials: paper
Techniques: etching
Location: rome
Subjects: city-view in general; 'veduta', hôtel, i.e. small palace in city, bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk gebruikt voor: Barbault, Jean. Les plus beaux édifices de Rome moderne publiés par Jean Barbault peintre (...). Rome: Bouchard et Gravier, 1763.
Sutra Cover
Object type: sutra cover
Date: 1501 – 1600
Materials: silk
Culture: chinese
A. Dürer del. Lucas van Leyden (Warwick Castle)
Object type: reproduction
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: munich
Subjects: painter, lucas van leyden, castle, portrait, self-portrait of painter, picture, painting
Inscriptions: collector's mark: ‘AFE v S’
Tile fragment
Object type: tile fragment
Date: 1981 – 1640
Materials: faience
Location: egypt