deem-data/ArtiFact huggingface dataset:
Intocht van Maria Henrietta Stuart, prinses van Oranje te Amsterdam (plaat 2), 1660
Object type: print
Date: 1638 – 1639
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: william iii (prince of orange and king of england, scotland, and ireland), the hague, amalia of solms-braunfels, london, mary henrietta stuart, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'

Bezoek van de Maria Henrietta Stuart, prinses van Oranje, vergezeld door Amalia van Solms, de jonge prins Willem III en anderen te Amsterdam, 15 juni 1660. De aankomst van de stoet met ruiters bij de Haarlemmerpoort. De voorste ruiter gemerkt met de letter A. Tweede plaat in een ongemonteerd ensemble bestaande uit een zeven bladen van de stoet.
La Sylphide, 1850, 11e année, 2e serie, tome 9, 33e liv : Bonnet en dentelles (...)
Object type: fashion print
Date: 1850 – 1850
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: skirt (+ girls' clothes), head-gear (capote) (+ women's clothes), head-gear: cap (+ lace used for clothes), border, ribbon, braid (+ women's clothes), bed with tester, coat (+ women's clothes), coat (+ girls' clothes), head-gear: cap (+ women's clothes), fashion plates, flowers: rose
Inscriptions: address: ‘On s'abonne à la Société des Journaux de Modes réunis, à Paris, rue S.te Anne, 64. / Pour les Etats-Unis à New-York M.r Thomas N. Dale 67 Liberty Street. / Für ganz Deutschland bei C.H. Müller in Aachen.’, title: ‘La Sylphide’, caption: ‘Bonnet en dentelles orné de rubans et de roses. Capote en satin et petits velours. Fleurs de Guelot, 3. rue Neuve S.t Augustin. Robes de Mad. Duwavran,4 rue Favart. Corsets de Mad, Morin,1, boul. de la Madeleine. Lingeries de Berthier et C.ie br. tis 2 place Louvois. Parfumeries de la Société Hygiénique. rue J.J. Rousseau, 5. / Maisons en Vogue. / Mariton, Modes 2 pl de la madeleine. / Violard, Dentelles, 4 rue Choiseul.’

Twee vrouwen en een meisje in een interieur. Op de achtergrond een hemelbed. Onder de voorstelling enkele regels reclametekst voor verschillende producten en enkele regels informatie over het modetijdschrift. Prent uit het modetijdschrift La Sylphide (1839-1885).
Vijf mannen met hoge hoeden in verschillende houdingen
Object type: drawing
Date: 1826 – 1826
Materials: chalk, paper
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: dancing, crawling, going on all fours, walking, head-gear: top hat
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Schilderkunst, Tekeningen.
Terracotta fragment of an amphora (jar)?
Object type: amphora fragment
Date: 600 – 501
Materials: terracotta
Culture: etruscan
Schrank
Object type: furniture
Date: 1790 – 1790
Materials: wood
Techniques: painting
Location: berks county
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1799
Subjects: furniture
Inscriptions: inscription: (17 John Weidner 90) centered over door stop.
Pocket Watch, from the Miniature Novelties series (N120) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1891 – 1891
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: pocket watches,women

Trade cards from the "Miniature Novelties'" series (N120), issued in an unnumbered set in 1891 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. Although each card verso states that there are 25 cards in the series, there are 26 variations of known cards. The set was released in 1891 after W. Duke Sons & Co. merged with The American Tobacco Company.
Portret van een onbekend bruidspaar
Object type: photograph
Date: 1880 – 1915
Materials: cardboard, photographic support
Techniques: daylight paper print
Location: netherlands
Artist: Anonymous
Subjects: studio requisites ~ photographer, bride and groom in wedding-dress
Double heads of protagonists in the Year of Disasters
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: rampjaar (disaster year)
Inscriptions: inscription: ‘Dien booskop uijt het kot gekropen van een verken / Slaet omgecocht als dol met Sleutels van de Kerken’

In 1672, known as the ‘Year of Disasters’, the Dutch Republic came under simultaneous attack by France, England and Germany. The double heads depict the protagonists, whose true nature is revealed when they are turned upside down. From left to right, they are: Stadtholder William III as Mars, Louis XIV as a lion, the English King Charles II as a tiger, Archbishop Henry of Bavaria as an ass and the Bishop of Munster as a swine. Johan and Cornelis de Witt are a fox and a wolf. Many believed they were to blame for the war.
Brodick Bay and Goatfell
Object type: photograph
Date: 1861 – 1871
Materials: photographic support
Techniques: albumen print
Location: brodick
Artist: william russell sedgfield
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: gulf, bay, mountain-top, peak
Fotoreproducties van prenten naar fresco's met voorstellingen van Moses die de tien geboden ontvangt en het gouden kalf aanschouwt door Rafaël voor de loggia's in het Vaticaan
Object type: page
Date: 1851 – 1861
Materials: photographic support
Techniques: albumen print
Location: berlin
Subjects: adoration of the golden calf (which may be standing on a pillar, and is sometimes depicted as a dragon), moses receives the tables of the law from god
Inscriptions: number: ‘No 33. No 34. Bild 1. Bild 2. IX. Loge.’
Harpspelende David
Object type: drawing
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: david as musician, usually playing the harp

Voorstudie voor het schilderij 'David en Saul' dat zich in het Groninger Museum bevindt.
Gezicht op Rouen en de Seine
Object type: print
Date: 1829 – 1880
Materials: paper
Techniques: hand coloring, lithograph
Location: mainz
Artist: Anonymous
Subjects: river, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Mogelijk uitgegeven door Scholz (Mainz), gezien de gedrukte aantekening Scholz no. 2[.] in de bovenmarge.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, three fronds of a palmette; tail and hind legs of a horse to right
Mme Salomon
Object type: print
Date: 1891 – 1891
Materials: ink, paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Portret van een (vermoedelijk) Franse militair, staand in uniformjas met tressen
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: melun
Artist: eugène darnay
Artist role: painter
Artist dates: 1831 – 
Subjects: studio requisites ~ photographer, warfare; military affairs, (military) uniforms, division of armed forces
Inscriptions: address: ‘49, Avenue Thiers 49, Melun’

Onderdeel van Album met cartes-de-visite en kabinetfoto's van militairen in uniform.
Hoofd van een neerziende vrouw
Object type: drawing
Date: 1867 – 1923
Materials: chalk, paper
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Crescent-shaped axe head with an iron blade
Object type: axe
Date: 1000 – 668
Materials: bronze, iron
Culture: iranian
Location: iran, probably from luristan
Finger Ring
Object type: ring
Date: 601 – 700
Materials: copper alloy, gilt, glass, paste, stone
Culture: frankish
Portret van Lord Byron
Object type: drawing
Date: 1833 – 1851
Materials: chalk, paper
Techniques: pasting
Artist: henriëtte jacoba van burmania rengers
Artist role: draughtsman
Artist dates: 1823 – 1851
Subjects: lord byron, historical persons, writer, poet, author
Inscriptions: inscription: ‘Uit het schetsboek van Freule H.J. van Burmania Rengers/ geb. te Leeuwarden 23 Nov. 1823, overl. ald. 16 Febr. 1851.’
Model voor een versieringselement van een chatelaine
Object type: model
Date: 1750 – 1775
Materials: copper
Techniques: repoussé
Location: amsterdam
Artist: Anonymous

Het uit plaat gedreven model voor een gietvorm is voorzien van een door rococo-ornament en bloemen omgeven medaillon met een putto met druiventros en kelk. Langs de randen zes ogen ter bevestiging van schakels.
Philippus i.d.g. Hispaniarum rex archid. Austriae dux Burgund. bra. com. Fland.
Object type: book illustration
Date: 1614 – 1614
Materials: paper
Techniques: engraving, letterpress printing
Location: the hague
Subjects: filips de schone (hertog van bourgondië), historical persons, ruler, sovereign

Prent uit: Meteren, Emanuel van. Historie der Nederlandscher ende haerder na-buren oorlogen ende geschiedenissen (...). Den Haag: Hillebrant Iacobsz. van Wouw, 1614. Latere staat van prent gebruikt in: Meteren, Emanuel van. Historie der Nederlandscher ende haerder na-buren oorlogen ende geschiedenissen (...). Den Haag: weduwe en erfgenamen van Hillebrant Iacobsz. van Wouw, 1623. Prent mogelijk ook gebruikt in latere edities.
Stieglitz Family at Oaklawn, Lake George
Object type: photograph
Date: 1888 – 1888
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Card Number 30, Ellen Terey as Margaret, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Hollandsch Paardenspel, onder directie van M. Blanus en Zoon
Object type: programma, programmaboekje
Date: 1852 – 1856
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: pleasure fair and circus, horses (circus performance), amsterdam
Inscriptions: collector's mark, collector's mark: Lugt 1641
Textile Fragment
Object type: textile fragment
Date: 701 – 900
Materials: wool
Location: egypt
Sir John Robert Steell
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Fisherman John Roker
Object type: album leaf
Materials: paper
Techniques: platinum process
Artist: Anonymous
Subjects: manoeuvering a ship
Medal:  Sigismondo Pandolfo Malatesta
Object type: medal
Materials: copper alloy, patina
Artist: matteo de' pasti
Artist role: artist
Artist nationality: italian
Artist dates: 1420 – 1467
Subjects: men,portraits

An Italian medallist, architect, painter, and illuminator, Matteo de Pasti resided at the court of Rimini by 1449, where he worked on the construction and decoration of two large funerary chapels (1447â€“c. 1452) for Sigismondo Pandolfo Malatesta, Lord of Rimini, and Isotta degli Atti (his mistress and then third wife) in S Francesco (known as the Tempio Malatestiano). Like Pisanello, who had produced medals for the Malatesta, Matteo was also active as a medallist at the Rimini court. The obverse of this medal shows a portrait of Sigismondo Pandolfo Malatesta (1417 – 1468), lord of Rimini, condottiere, and patron of the arts
Christus en de vrouw uit Kanaän
Object type: book illustration
Date: 1629 – 1629
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: a canaanite woman kneels before christ, asking him to heal her daughter; the metaphor of the dogs and bread (matthew 15:21-28; mark 7:24-30)

Een Kanaänitische vrouw die Christus eerst naar binnen was gevolgd, werpt zich voor Christus en smeekt hem haar dochter, die door een demon wordt gekweld, te genezen. Zijn leerlingen vragen Christus om de vrouw weg te sturen. In eerste instantie keurt hij de vrouw geen blik waardig, maar nadat hij is overtuigd van haar geloof geneest hij haar dochter en verdwijnt de demon. Bij verschillende elementen uit de voorstelling staan letters. De prent maakt deel uit van een album.
[Bayonet Drill]
Object type: photograph
Date: 1863 – 1863
Techniques: glass negative, salted paper print
Artist: egbert guy fowx
Artist role: artist
Artist nationality: american
Artist dates: 1821 – 1889
Subjects: soldiers,american civil war
Triomf van gezagvoerders ter zee
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: michiel adriaenszoon de ruyter, (story of) neptune (poseidon), commander-in-chief, admiral (+ naval force)
Inscriptions: collector's mark: Lugt 2228

Neptunus en een man in harnas delen (steden)kronen uit aan een groep omstanders. Rechts staat een groep mannen met geketende kale mannen en wapens. Links wenen vrouwen bij gestorven gezagvoerders ter zee, onder andere Michiel Adriaenszoon de Ruyter. Links staat een man met commandostaf. In de achtergrond zeeslagen.
Italian landscape
Object type: painting
Date: 1643 – 1643
Materials: canvas, oil
Artist: herman van swanevelt
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1603 – 1655
Subjects: (traveller) resting in the open air, rocks
Inscriptions: signature and date: ‘H. Swanevelt Fs. Woerden 1643’

Italiaans landschap met een zware rotspartij met bomen en een waterplas. Onder de bomen rustende reizigers, links muilezeldrijvers op een landweg.
Afkondiging van de Pacificatie van Gent, 1576
Object type: print
Date: 1782 – 1784
Materials: paper
Techniques: pen
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: proclamation of peace
Inscriptions: inscription: ‘Pacificatie van Gend Ao. 1576’

Gebruikt als illustratie in: J.W. te Water, De vaderlandsche Historie van den heere J. Wagenaar, verkort, en met leerzaame aanmerkingen, ten dienste der Nederlandsche jeugd, 1784-1800, 4 delen.
Koppermaandagprent met een lofzang op de boekdrukkunst, 1844
Object type: koppermaandagprent
Materials: paper
Techniques: letterpress printing, printing block
Location: amsterdam
Subjects: 'blue monday'
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Koppermaandagprent door de gezellen van de boekdrukkerij van Dirk Allart te Amsterdam, ter gelegenheid van Koppermaandag 8 januari 1844. In het midden een vers in twee kolommen namens de gezellen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in engeren zin. Volksleven. Volksbladen. Koppermaandagwenschen.
Portret van Chlotharius III, koning van Neustrië en Bourgondië
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Prent uit: Eudes de Mézeray, François. Histoire de France, depuis Faramond jusqu’au regne de Louis le Juste (...). 3 dln. Parijs: Denis Thierry, Jean Guignard en Claude Barbin, 1635, dl. 1. Prent waarschijnlijk voor het eerst verschenen in: Bie, Jacques de. Les vrais portraits des rois de France (...). Parijs: Jacques de Bie en Pierre Rocolet, 1634. Prent ook gebruikt in latere publicaties.
Implement
Object type: implement
Date: 2333 – 1668
Materials: copper alloy
Culture: bactria-margiana archaeological complex
Location: bactria-margiana
Kurhaus in Ruhla
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: london
Artist: hermann selle
Artist role: fotograaf
Subjects: hotel, hostelry, inn
Coronation of the Czar Alexander I, Moscow, September 1801
Object type: drawing
Date: 1801 – 1801
Materials: watercolor
Artist: lieutenant-captain cheleyev
Artist role: artist
Artist nationality: russian
Artist dates: 19 – 19
Subjects: trees,insignia
Portret van Anna Maria van Schurman
Object type: print
Date: 1657 – 1657
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: cologne, print maker, draughtsman, anna maria van schurman, historical persons - bb - woman, portrait, self-portrait of artist, writer, poet, author
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166

Met zesregelig onderschrift in het Latijn.
Museumroof te Leiden
Object type: cartoon
Date: 1882 – 1882
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: leiden

Spotprent over de diefstal uit het Leidse prentenkabinet, 1882. Minerva trekt ten strijde. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 46, 1882.
Fotoreproductie van een prent met het Parisoordeel
Object type: reproduction
Date: 1855 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: the judgement of paris (without mercury)
Hercules (Hercules in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: hercules

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 162 in the scrapbook. On a sheet with 41.72(2.157)-41.72(2.167)
Songs of Experience: The Voice of the Ancient Bard
Object type: print
Materials: gold, ink, shell, watercolor
Techniques: etching, hand coloring, printing, relief
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: musical instruments,poetry,women

Blake’s Songs of Experience contains twenty-seven pages. The artist etched the printing plates in 1794, expanding the scope of his earlier Songs of Innocence. He then printed and hand-colored copies of the combined sets over succeeding decades as patrons ordered them, each one visually distinct. Verse and image work together to celebrate poetic inspiration and reveal aspects of the divine as expressed through nature, but the tone of the later Songs of Experience is dark, even despairing. Children experience inexplicable cruelty at the hands of adults and the poet offers neither rescue nor resolution. These works were shaped by the later stages of the French Revolution, which was marked by regicide, the Terror, and repression of radical thinkers in Britain. The artist Edward Calvert met Blake around 1825 and commissioned this copy of Songs of Innocence and of Experience soon thereafter. These richly decorated pages, with their deeply saturated hues and distinctive ornamental borders, reveal Blake’s late vision, and the order is established by small red numbers at upper right. This copy of Songs was later the first work to be purchased by the Museum’s new Department of Prints in 1917, recommended by its distinguished curator William M. Ivins, Jr.
Portret van Tine in een kostuum met stippen
Object type: album leaf
Date: 1900 – 1925
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Tine’
Portret van een man met pet
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: historical persons, head-gear: cap
The death of the Virgin
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: the dormition: mary on her deathbed; the apostles are gathered around her (john the evangelist may be shown sleeping or dreaming)
Inscriptions: mark: Lugt 2228, signature and date: ‘Rembrandt f 1639’
Portret van Johan van Oldenbarnevelt op 70-jarige leeftijd
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the hague, johan van oldenbarnevelt, official; civil servant; functionary (in general)
Inscriptions: collector's mark: Lugt 2228

Portret van Johan van Oldenbarnevelt op 70-jarige leeftijd, borststuk met molenkraag en toga in ovale cartouche met opschrift. Onder portret cartouche met vier regels Latijns opschrift.
Portret van Marie Desbrosses als Germaine in de opera La journée aux aventures
Object type: print
Date: 1823 – 1824
Materials: paper
Techniques: lithograph
Location: paris
Subjects: stage costume, portrait of actor, actress
Inscriptions: collector's mark: Lugt 2228a

Germaine is een personage uit de opéra-comique 'La Journée aux Aventures' (librettisten: Pierre-David-Augustin Chapelle en Louis Mezières-Miot, componist: Étienne Méhul). Opgevoerd door het Théâtre Royal de l'Opéra Comique in 1816.
Kussenovertrek met Berlijns borduurwerk van drie zeer grote rozen omgeven door bladeren in kruissteek, gemerkt en gedateerd met kralen.
Object type: embroidery
Date: 1856 – 1856
Materials: jet, linen, silk, wool
Techniques: embroidery, embroidered, knotting, shaving, weave
Location: netherlands
Artist: Anonymous
Inscriptions: initials: ‘WvdV...20 April 1856’, date: ‘WvdV...20 April 1856’, initials: ‘AvdV...MH’

Kussenovertrek met Berlijns borduurwerk van drie zeer grote rozen omgeven door bladeren in kruissteek, gemerkt en gedateerd met kralen. Grofmazig, linnen stramien met langs de zijkanten een zelfkant; boven en onder omgezoomd. De rozen zijn uitgevoerd in knoopwerk met een extra hoge pool en reliëf geschoren. Boven de rozen met zwarte (gitten?) kralen gewerkt 'AvdV' en 'MH', onder de rozen 'WvdV... 20 April 1856' .