deem-data/ArtiFact huggingface dataset:
Burner (Ran Lu)
Object type: burner
Date: 200 – 1
Materials: bronze
Culture: chinese

Small burners, known as ran lu in Chinese, are used for heating dipping sauce for meat. It is generally coupled with a small saucer, often in the shape of an eared cup (er bei), which is missing here.
Side plate of a musket or pistol with reference to the  East India chamber Zeeland from the wreck of the Dutch East Indiaman 't Vliegend Hart
Object type: schroefplaat, schroefblik
Materials: copper
Location: middelburg
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Koperen schroefplaat van een musket met het opschrift 'camer zeeland'. Side plate.
Wintersportvakantie in Semmering, Oostenrijk
Object type: photograph
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: semmering
Artist: berti hoppe
Artist role: fotograaf
Subjects: thaw, hotel, hostelry, inn

Drie gezichten op gebouwen en een foto van een landschap tijdens een dooiperiode in Semmering. In de onderschriften is vermeld dat het gaat om Hotel Erzherzog Johann, Hotel Panhans en het Südbahnhotel. Deze foto's maken deel uit van een album.
Beleg van Haarlem, 1572-1573
Object type: print
Date: 1742 – 1779
Materials: paper
Techniques: etching
Location: haarlem
Subjects: siege, position war, haarlem
Inscriptions: collector's mark: Lugt 2228

Belegering van de stad Haarlem in de jaren 1572-1573 door de Spanjaarden onder Fadrique Alvarez de Toledo (Don Frederik), de zoon van de hertog van Alva. Grote voorstelling met een gezicht op de stad vanuit het noorden, in prent naar een eigentijdse tekening in drie bladen. Onder in het midden het wapen van Haarlem. Rechts het Huis ter Kleef, in de verte de Sint Bavo. Onder de voorstelling de titels en de legenda's 1-35 in het Nederlands en Frans.
Vogel
Object type: postcard
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: fabulous animals ~ ornamental birds
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Reijer Stolk, Tien bladen sierkunst uit ons Oost-Indië, 1942.
Celebrated Obelisk, Naples
Object type: photograph
Date: 1846 – 1846
Materials: paper
Techniques: salted paper print
Location: england
Artist: rev. calvert r. jones
Artist nationality: welsh
Artist dates: 1804 – 1877
Hoover, Right Field, Philadelphia, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Daniël Franken Dzn (1838-98). Bankier en kunstverzamelaar
Object type: painting
Date: 1888 – 1888
Materials: canvas, oil
Artist: willy martens
Artist role: painter
Artist dates: 1856 – 1927
Subjects: daniël franken dzn., historical persons, person stimulating the arts; art lover, connoisseur, maecenas, patron
Inscriptions: signature and date: ‘Willy Martens 1888’

Portret van Daniël Franken Dzn, bankier en kunstverzamelaar en oprichter van het Koninklijk Oudheidkundig Genootschap en de Vereniging Rembrandt. Kniestuk, zittend aan een bureau met zijn rechterhand op een opengeslagen boek voor zich. Op het bureau staan meer boeken, een inktstel en een kaars.
Around the Council Fire, The Young Brave's Speech, from "Harper's Weekly"
Object type: print
Techniques: engraving
Artist: edwin austin abbey
Artist role: artist
Artist nationality: american
Artist dates: 1852 – 1911
Subjects: children,men,women,fire
Ex libris van F.G. Waller
Object type: bookplate
Date: 1893 – 1893
Materials: paper
Techniques: engraving
Location: netherlands
Artist: charles william sherborn
Artist role: print maker
Artist dates: 1831 – 1912
Subjects: griffin (lion/eagle); 'griffo' (ripa), foliage ~ ornament - aa - stylized, armorial bearing, heraldry
Inscriptions: signature: ‘C W Sherborn’
Setangan lepus limar
Object type: head cloth
Date: 1900 – 1900
Materials: gold thread, silk
Techniques: weave
Location: south sumatra
Artist: Anonymous

Hoofddoek met florale en geometrische motieven.
Bowl
Object type: bowl
Date: 767 – 833
Materials: earthenware, glaze
Techniques: incising
Location: iran

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Portret van Pedro Gailhard
Object type: photomechanical print
Materials: paper
Techniques: woodburytype
Location: france
Subjects: portrait of opera-singer
Inscriptions: number: ‘No 56’, inscription: ‘Journal hebdomadaire paraissant le jeudi Du 11 au 17 Juin 1874’
Head of a Man
Object type: drawing
Date: 1837 – 1911
Materials: chalk, paper
Location: france
Artist: alphonse legros
Artist role: artist
Artist nationality: french and british
Artist dates: 1837 – 1911
Subjects: heads,men,portraits
Crawling Male Figure (Study for Cacus)
Object type: drawing
Date: 1593 – 1593
Materials: chalk, charcoal, paper
Techniques: highlighting
Artist: annibale carracci
Artist role: artist
Artist nationality: italian
Artist dates: 1560 – 1609
Subjects: men
Overlijden van Maria II van Engeland
Object type: history medal
Date: 1695 – 1695
Materials: silver
Techniques: striking
Location: dordrecht
Artist: johannes drappentier
Artist role: die cutter
Artist dates: 1689 – 1758
Subjects: london, maria ii stuart (koningin van engeland, schotland en ierland), england
Fragment
Object type: fragment
Date: 1640 – 1640
Subjects: leaves
The Action off Dogger Bank (5 August 1781)
Object type: drawing
Date: 1783 – 1783
Materials: glass, ink, wood, paper, watercolor
Techniques: brush, pen
Location: netherlands
Artist: j. weuyster
Artist role: draughtsman
Subjects: the hague, johan arnold zoutman
Inscriptions: inscription, bottom left and right: identification of the Dutch and British ships, inscription, right: ‘N. 2.’, signature, left: ‘J.W.’, caption, bottom centre: ‘Formering der Hollandsche en / Engelsche Linie Op Doggersbanck / voorgevallen den 5de Augusts 1781 tusschen den / Schout bij Nacht J.A. Zoutman en den Vice Adml. Parker’

Tekening met gecalligrafeerde titel. Twee rijen schepen (driemasters), wigvormig in linie liggend t.o. elkaar op voorgrond ver uit elkaar. schepen in l. rij zijn met boegsprieten schuin naar voren gericht. Schepen in r. rij liggend met bakboordzijde naar l. rij gericht. Bij de masttoppen zijn bij de l. rij cijfers, en bij de r. rij letters aangebracht. Corresponderend met beschrijving onder tekening.
Smallsword with Scabbard
Object type: smallsword with scabbard
Date: 1750 – 1760
Materials: gold, steel, stone, textile, parchment, wood
Culture: german
Location: germany

By the early seventeenth century, the rapier, a long slender thrusting sword, began to dominate as the gentleman’s weapon of choice. During the course of the century, however, as civilian fencing techniques became more specialized and refined, the rapier developed into a lighter, trimmed-down weapon known by about 1700 as the smallsword. Smallswords, often richly decorated, remained an integral part of a gentleman’s wardrobe until the wearing of swords in civilian settings went out of fashion at the end of the eighteenth century, at which time pistols were replacing swords as arms most frequently used in personal duels. The majority of smallsword hilts are made of silver or steel, but many also employ a wide variety of luxurious materials, such as gold, porcelain, and enamel. At their best, smallswords combine the crafts of swordsmith, cutler, and jeweler to create an elegant weapon that was also a wearable work of art.
Vest
Object type: vest
Date: 1800 – 1810
Materials: linen, metal, silk
Culture: british

Waistcoats of the 18th and 19th centuries served as a layer protection and ornamentation during a period in fashion when the coat was intended to be left open in the front. The color was often chosen to complement the suit and covered in imaginative embroideries, heavily woven patterns or shiny satins made to draw the eye. The style of the neck, the length and the hem treatment fluctuated as the tastes changed from over-sized coats of the early 18th century to narrow tightly fitted coats of the late 18th century and onward. This very elegant vest is indicative of the taste for very high stand collars alongside double-breasted waist-length styles which came into focus near the end of the 18th century. The use of satin is flashy next to the elaborately embroidered waistcoats of the previous century, and shows their fashionable continuation as a decorative element in the male wardrobe. The embroidered flowers are a remnant of the styles of the previous century and indicate the transition into the heavily patterned woven textiles used for vests in the 1820s.
Spigel, ofte Toneel der ydelheyd ende ongebondenheyd onser eeuwe
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: hands folded with fingers knit, old woman
Inscriptions: collector's mark: Lugt 240

Een moeder met een enorme kap op haar hoofd, spreekt haar kind toe, op te passen voor de verlokkingen van het leven. Vierde prent uit een serie van achttien.
Drie paarden voor een hooiwagen
Object type: print
Date: 1710 – 1763
Materials: paper
Techniques: etching
Artist: jan peeter verdussen
Artist role: print maker
Artist dates: 1700 – 1763
Subjects: horse, dog
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee figuren maken een hooiwagen gereed, met drie paarden. rechts een hond.
Leeg wapenschild met man en vrouw als schildhouders
Object type: print
Date: 1550 – 1587
Materials: paper
Techniques: engraving
Artist: abraham de bruyn
Artist role: print maker, publisher
Artist dates: 1540 – 1587
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Leeg wapenschild met versieringen. Langs beide kanten een man en een vrouw in adellijke kledij
Ex libris van de Nederlandsche Hervormde Gemeente te Maastricht
Object type: bookplate
Date: 1930 – 1930
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: shaking hands, 'dextrarum junctio', plants and herbs
Inscriptions: inscription: ‘2584 / Nypels '30’
Geschiedenis van David en Batseba
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: garden fountain, bathsheba receives a letter from david
Inscriptions: number: ‘153’

Batseba, vergezeld door dienaressen, zit op de rand van een waterbassin bij een fontein. Een bediende reikt haar een brief aan van koning David. David staat op het balkon van het paleis links op de achtergrond. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in 2 Sam. 11:4. Deze prent maakt deel uit van een album.
Broodmand met twee opstaande handgrepen, gevlochten
Object type: basket
Date: 1700 – 1799
Materials: plant material
Techniques: braiding
Location: netherlands
Artist: Anonymous

Broodmand van gevlochten wilgenteen met twee opstaande handgrepen.
Serie portretten van vijftiende- en zestiende-eeuwse geleerden
Object type: print
Date: 1597 – 1599
Materials: paper
Techniques: engraving, letterpress printing
Location: france
Subjects: rome, molluscs: snail - ff - fabulous animals (sometimes wrongly called 'grotesques'); 'mostri' (ripa), historical persons
Inscriptions: collector's mark: Lugt 2228
Prikklok in een fabriek
Object type: photograph
Date: 1920 – 1935
Materials: photographic support
Techniques: photography
Location: netherlands
Artist: Anonymous
Subjects: labourers going to work, personnel in modern industry

Twee mannen met bolhoed en een jongeman met pet/hoed zijn bezig zich via een prikklok aan te melden op hun werk. Het is vijf voor acht.
Jar
Object type: jar
Date: 1368 – 1644
Materials: enamel, pottery
Techniques: painting, polychrome
Culture: chinese
Subjects: dragons,flowers
Vence. France
Object type: photograph
Date: 1880 – 1920
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: vence
Cylindrical Jar
Object type: jar, cosmetic, cylindrical, rennefer
Date: 1504 – 1447
Materials: stone
Location: egypt
Fresco in de Sixtijnse Kapel te Vaticaanstad, voorstellende het Laatste Oordeel
Object type: photograph
Date: 1875 – 1907
Materials: photographic support
Techniques: gelatin silver print
Location: vatican
Subjects: the revelation of john, the apocalypse
Inscriptions: number: ‘7269’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Italië.
Portret van Willem Johannes Leyds op 36-jarige leeftijd
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: historical persons, diplomacy, diplomat

Latere staat van de prent gebruikt in de serie 'Portretten van De Kroniek'.
Treehouse
Object type: print
Date: 1773 – 1773
Techniques: etching
Artist: jean jacques avril, the elder
Artist role: artist
Artist nationality: french
Artist dates: 1744 – 1831
Subjects: tents,children,women,trees
Portret van Samuel Stryk
Object type: print
Date: 1692 – 1733
Materials: paper
Techniques: engraving
Location: halle an der saale
Subjects: samuel stryk, historical persons
Inscriptions: collector's mark: Lugt 2228
The Banks of the Liane
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: etching
Location: france
Artist: alphonse legros
Artist role: artist
Artist nationality: french and british
Artist dates: 1837 – 1911
Well Cleaner
Object type: print
Date: 1746 – 1746
Techniques: engraving, etching
Artist: anne claude philippe de tubières, comte de caylus
Artist role: artist
Artist nationality: french
Artist dates: 1692 – 1765
Subjects: wells,men
Trein op een viaduct in Londen
Object type: drawing
Date: 1886 – 1918
Materials: chalk, paper
Artist: maurice blieck
Artist role: draughtsman
Artist dates: 1876 – 1922
Subjects: viaduct, railway-traffic, canals, waters (in city), london
Inscriptions: collector's mark: Lugt 2228
Chariot Yoke Ornament in the Shape of a Doe
Object type: chariot yoke ornament
Date: 400 – 301
Materials: bronze
Culture: north chinese
Subjects: animals
Armchair (fauteuil)
Object type: armchair
Date: 1701 – 1725
Materials: wood, wool
Techniques: carving, gilding, tapestry
Vest
Object type: vest
Date: 1800 – 1815
Materials: cotton, linen, metal, silk
Culture: french

Waistcoats of the 18th and 19th centuries served as a layer protection and ornamentation during a period in fashion when the coat was intended to be left open in the front. The color was often chosen to complement the suit and covered in imaginative embroideries, heavily woven patterns or shiny satins made to draw the eye. The style of the neck, the length and the hem treatment fluctuated as the tastes changed from over-sized coats of the early 18th century to narrow tightly fitted coats of the late 18th century and onward. This vest is a nice example of early 19th century embroidery and style with its standing collar and boxy silhouette. The nuances of color and charming realistic flowers in the embroidery are particularly effective and nicely accented with minute spangles. This style of tiny spangle was common in the 18th century and the early 19th century, but was supplanted by spangles which gradually increased in size throughout the 19th century until the Belle Époque when the vogue for small spangles returned.
De Advokaat
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: lawyer, attorney at law

Maakt deel uit van de 100-delige serie beroepsprenten van Jan en Caspar Luyken, getiteld: Het menselyk bedryf. S.l.s.n., 1694 (eerste druk).
Stater (Coin) Depicting a Sea Turtle
Object type: coin
Date: 650 – 600
Materials: metal, silver
Culture: greek
Location: greece
Subjects: turtle

The front of this coin depicts a sea turtle.

On the back is a geometric design of a square divided into 8 triangles
Groepsportret van vijf Franse militairen poserend op de trappen voor een huis
Object type: photograph
Date: 1805 – 1884
Materials: photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: land forces, (military) uniforms

Onderdeel van Album van een Franse amateurfotograaf met opnames van familie, militairen, industrie, landschappen en bezienswaardigheden in Frankrijk.
Studies of Greco-Roman Sculpture
Object type: drawing
Date: 1833 – 1838
Materials: graphite
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Cover of a tureen with golden borders
Object type: lid
Date: 1800 – 1800
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: france
Artist: Anonymous

Deksel van porselein, behorend bij een schaal (A), versierd met gouden banden en met vrouwenkopjes aan de hoog opgaande oren. Schaal gemerkt: Co 61.
[A Japanese Woman and a Japanese Boy in Traditional Dress]
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print, glass negative
Artist: suzuki shin'ichi
Artist role: artist
Artist nationality: japanese
Artist dates: 1835 – 1919
Subjects: boys,portraits,women
Standing Saint, Fragment of the Lower Section
Object type: sculpture
Date: 1425 – 1550
Materials: clay
Techniques: modeling
Location: utrecht
Artist: Anonymous
Napkin with David and Bathsheba
Object type: napkin
Date: 1590 – 1600
Materials: linen
Subjects: bathsheba,david
Rinaldo krijgt nieuwe wapens
Object type: design
Date: 1677 – 1755
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: elias van nijmegen
Artist role: draughtsman, painter
Artist dates: 1667 – 1755
Subjects: rinaldo
Fragment of a terracotta architectural tile
Object type: tile with palmette
Date: 600 – 501
Materials: terracotta
Culture: lydian
Subjects: lotuses
Dram Cup
Object type: dram cup
Date: 1690 – 1700
Materials: silver
Culture: american
Location: united states
Artist: jacob boelen
Artist role: maker
Artist nationality: american
Artist dates: 1657 – 1729
Biljet van tien reichspfennig, kampgeld
Object type: tien reichspfennig
Date: 1944 – 1945
Materials: paper
Techniques: printing
Location: germany
Subjects: mühlberg, tweede wereldoorlog
Inscriptions: inscription: ‘Kriegsgevangenen Lagergeld -2- 8046179 Gutschein über 10 Reichspfenning’, signature: ‘Der Chef des Oberkommandos der Wehrmacht’

Roze papier met rode driehoek en zwarte letters. "Kriegsgevangenen Lagergeld -2- 8046179 Gutschein über 10 Reichspfennig". Dan verhaal over wat wel en niet mag met het geld. Adelaar met hakenkruis. Ondertekend: Der Chef des Oberkommandos der Wehrmacht, Im Auftrage: ?. Achterkant blanco.
Isabella
Object type: figure
Date: 1758 – 1758
Materials: hard paste porcelain
Artist: nymphenburg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Subjects: queens
Two Frieze Designs with Acanthus Scrolls combined with a Lion and Eagle on top and Two Rams below, plate 5 from "Decorative friezes and foliage" (Ornamenti di fregi e fogliami)
Object type: print
Date: 1645 – 1650
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: eagles,lions,rams,acanthus
Side Chair
Object type: side chair
Date: 1760 – 1785
Materials: wood
Culture: american
Location: united states
Artist: john goddard
Artist role: maker
Artist nationality: american
Artist dates: 1723 – 1785

In this rare instance, the characteristic Newport knee carving, usually found on that city’s finest high chests and tables, was employed on a side chair. The spherical ball feet and fleshy bulges above the rear talons are features associated with the cabinetmaker John Goddard (1724–1785).
Het Koninglyk Museum / Le Musée Roijal
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: aquatint, etching
Location: the hague
Subjects: canals, waters (in city)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Gezicht op het Trippenhuis of het Koninklijk Museum aan de Kloveniersburgwal te Amsterdam. In de verte de Waag op de Nieuwmarkt.
Terracotta fragment of a hydria: kalpis (water jar)?
Object type: kalpis fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Extended arm and hand; part of an inscription, …DLOS?
Pedestrian Hobby Horse
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: j. lewis marks
Artist nationality: english
Artist dates: 1769 – 1832
Portret van Henk en Rich Holsboer Eschauzier
Object type: cabinet photograph
Date: 1871 – 1927
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: the hague
Artist: henri de louw
Artist role: fotograaf
Artist dates: 1851 – 1944
Subjects: historical persons, the hague
Inscriptions: annotation: ‘Oom Henk en tante Rich Holsboer-Eschauzier’
Academic Male Nude Leaning on Staff
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: drawing, stumping
Location: italy
Artist: style of pompeo girolamo batoni
Portret van Johan Freyer
Object type: print
Date: 1696 – 1743
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan lamsvelt
Artist role: print maker
Artist dates: 1674 – 1743
Subjects: historical persons, armorial bearing, heraldry
Plate with Water Lilies
Object type: ceramic
Date: 1885 – 1885
Materials: enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Location: east stoke
Artist: charles ferdinand hürten