deem-data/ArtiFact huggingface dataset:
Candlestick
Object type: candlestick
Date: 1735 – 1750
Materials: silver
Culture: american
Location: united states
Artist: adrian bancker
Artist role: maker
Artist nationality: american
Artist dates: 1703 – 1772

Early American candlesticks are extraordinarily rare; typically candlesticks that graced colonial American homes were imported from England or the Continent. For these, Adrian Bancker, a New York silversmith of Dutch descent, chose a traditional English form, yet their construction and appearance are unmistakably colonial North American. Although Bancker’s known oeuvre is small, the Met owns a significant collection of his silver, including a tankard (24.109.4), beaker (33.120.104), porringer (33.120.326), cream pot (44.88), punch bowl (48.15) and set of casters (1972.233.1–.3).
Wehrmacht soldaat in de duinen
Object type: photograph
Date: 1940 – 1941
Materials: photographic support
Techniques: gelatin silver print
Location: bergen
Artist: Anonymous
Subjects: occupation ~ war

Een Wehrmacht soldaat staat in de duinen dicht bij zee. Zijn jas waait op. Hij draagt een bril
Liggende vrouw met parasol
Object type: drawing
Date: 1834 – 1911
Materials: ink, paper, pencil
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Costume Ornament
Object type: costume ornament
Date: 1001 – 1200
Materials: silver
Culture: peruvian
Location: peru
Subjects: fish
Bracelet (Bazuband), One of a Pair
Object type: bracelet
Date: 1701 – 1900
Materials: gold
Location: india
Portret van Zacharias Ursinus
Object type: print
Date: 1607 – 1607
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Subjects: theologian, historical persons

Eerdere staat van de prent gebruikt in: Ursinus, Zacharias, David Pareus, Festus Hommius, Jermias Bastingius. Het schat-boeck der christelycke leere (...) Leiden: Andries Clouck, 1606.
Glass mosaic bowl fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Body fragment. Translucent honey brown, cobalt blue, and opaque white. Part of broad, convex side. Mosaic pattern formed from sections of a single cane in brown ground with white and blue threads in wavy lines. Many bubbles; polished exterior with only slight pitting; dulling, pitting, creamy weathering, and iridescence on interior and edges.
Fragment riemgesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: belt buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Rectangular, fragm of ring with spindle, id. NG 1980-27H2852, belt buckle.
Ornamento delle belle & virtuose donne, page 10 (recto)
Object type: book print ornament architecture
Date: 1554 – 1554
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588

Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821. From top to bottom, and left to right: Design composed of 3 vertical columns. Left column is decorated with interlace pattern formed by black triangles. Middle column is decorated with black interlace pattern upon grey gridded background. Right column is separated into 2 sections: top section is decorated with alternating squares with '+'s in the center and blank squares, and bottom section is decorated with a diamond pattern.
Portret van Mino da Fiesole
Object type: print
Date: 1550 – 1600
Materials: paper
Techniques: letterpress printing
Location: italy
Artist: Anonymous
Subjects: sculptor, mino da fiesole, portrait, self-portrait of sculptor, historical persons

Prent komt vermoedelijk uit een editie van Vasari's 'Vite'. Vergelijkbare prenten zijn bijvoorbeeld gebruikt in de edities uit 1568 en 1647.
Seated Male Nude
Object type: drawing
Date: 1740 – 1740
Materials: chalk, paper
Techniques: heightening, stumping
Artist: jean restout le jeune
Artist role: artist
Artist nationality: french
Artist dates: 1692 – 1768
Subjects: male nudes
Zes voorstellingen uit Müller's Siegfried von Lindenberg
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: city-view, and landscape with man-made constructions, literature, baring the head, lifting one's hat, book - mm - book open, interior of the house, disguise, horse, index finger forwards, pointing, indicating, dog
Inscriptions: collector's mark: Lugt 2228

Zes voorstellingen op één plaat. Vervaardigd voor J. G. Müller's 'Siegfried von Lindenberg'. Een latere staat gebruikt in: Goettinger Taschen Calender vom Jahr 1784. bey Joh. Chr. Dietrich. Göttingen: Georg Christoph Lichtenberg, 1784.
Letter C met caduceus
Object type: print
Date: 1639 – 1643
Materials: paper
Techniques: engraving
Location: paris
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: decoration of printed matter, letters, alphabet, script, caduceus (staff with two snakes, attribute of mercury)
Inscriptions: collector's mark: Lugt 240

Dit betreft één van de 21 letters die Mellan voor de Imprimerie Royale vervaardigde. Elke letter wordt vergezeld door een afbeelding van een onderwerp dat met dezelfde letter begint.
Tussen 1639-1643 werkte Mellan samen met de Imprimerie Royale (IFF 17e siècle, p. 21-22). Hij vervaardigde verschillende vignetten, letters, culs-de-lampe en decoratieve banden (IFF 17e siècle, p. 215-220).
O.a. gebruikt voor de publicatie: Vergilius Maro, Publius. Publii Virgilii Maronis Opera. Parijs: Imprimerie Royale, 1641. Zie IFF 17e siècle, p. 218, nr. 398.
VOC, duit Holland, 1793
Object type: coin
Date: 1793 – 1793
Materials: copper
Techniques: striking
Location: dordrecht

Koperen munt. Voorzijde: gekroond wapenschild van Holland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Fan Holder
Object type: fan holder
Date: 1701 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: cats,butterflies
Portret van een man met snor, aangeduid als Edouard Donker
Object type: cabinet photograph
Date: 1884 – 1884
Materials: cardboard, photographic support
Techniques: albumen print
Location: utrecht
Artist: wilhelm küpper
Artist role: fotograaf
Artist dates: 1838 – 1892
Subjects: moustache, historical persons
Inscriptions: inscription: ‘Wilh. Küppers/ Photogr. Artist/ Utrecht’, annotation: ‘Souvenir Sympathigue/ à Gertrude Donkers/ Edouard Donkers/ Utrecht 12 Mars 1884’
Target gun used by the Guild of Arquebusiers in Amsterdam
Object type: target rifle
Date: 1675 – 1699
Materials: brass, copper, horn, iron, mother of pearl, wood
Techniques: cutting, engraving, gilding, inlay
Location: amsterdam
Artist: jacobus jaspers
Artist role: geweermaker, pistoolmaker
Subjects: birds (+ claws, paws of an animal), amsterdam
Inscriptions: signature: ‘IACOBUS // IASPERS’

The support stand on this target gun is in the form of a taloned eagle’s claw grasping a ball, a reference to the Guild of Arquebusiers in Amsterdam. Civic guardsmen would grasp the support with their left hand, while pressing their left elbow into their side. The gun has a tinder lock, which uses a piece of smouldering dried fungus, rather than a slow match, to ignite the powder.
Cover
Object type: cover
Date: 1701 – 1800
Materials: cotton
Location: iran
Snuffbox with allegorical figures of History and Time
Object type: snuffbox
Date: 1765 – 1770
Materials: copper, enamel
Subjects: men,trees
Corset
Object type: corset
Date: 1861 – 1863
Materials: bone, cotton
Culture: american
Artist: worcester skirt company
Artist role: manufacturer
Artist nationality: american
Artist dates: 1861 – 1950

In 1950, E.A. Meister, then president of the Royal Worcester Corset Co., donated a collection of 171 corsets to the Brooklyn Museum in memory of Isidor Roth, his father-in-law and former president of the company, who had assembled the collection. The stated dual purpose of the donation was to honor Mr. Roth for his outstanding contributions to the growth of the field of corsetry and to establish a place where the collection could be used as a resource for the history of corsetry. Overall, the collection of corsets represents prime examples of the stylistic and technological developments which took place from1745-1939. It represents not only the changing silhouette of the past 200 years but also the innovative culture of the corset industry, where solutions to further comfort and increasing flexibility were continually being sought. Known first as The Worcester Skirt Company, the company was founded in 1861 in Worcester, Massachusetts, by David Hale Fanning. It specialized in making hoop skirts to support the full skirts that were in vogue. By March 1, 1872, the company shifted foundation directions, as the focus of the woman's silhouette changed from hoop skirts to shaped torsos and hips, and it was renamed the Worcester Corset Co. Fanning became president when the company went public in 1888. In 1901, the name was changed to the Royal Worcester Corset Co. From waist cinchers to full-length corsets, the collection represents the numerous silhouettes that were in mode, the engineering of the shapers that created them and the measures women took to alter their figures accordingly. Documented as being made from the "A la mode" pattern, this corset is one of the earliest examples made by the Worcester Skirt Company during this period. The style of the corset is very short, complimenting the high-waisted fashion that was in vogue. Very plain in its fabrication, this would have been an everyday corset.
Piet en Maria
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: lithograph, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: child, bad behaviour, sugar-candy, bonfire, fire-works
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen over het jongetje Piet en het meisje Maria. Piet wordt blind door spelen met vuurwerk en Maria overlijdt door snoeplust. Onder elke voorstelling een tweeregelig vers. Genummerd rechtsboven: No. 20.
Design for a Valance with Bundles and Garlands of Flowers and Musical Instruments
Object type: drawing ornament architecture
Date: 1870 – 1900
Materials: watercolor
Artist: anonymous, french, 19th century
Artist role: designer
Artist nationality: french
Artist dates: 1800 – 1900

Rectangular sheet of paper with a design for a valance from the second half of the nineteenth century, inspired on the style of Louis XVI, forming part of the Neo-Classical Revival that took place in France and Britain from the 1850s on. The style was part of the Classical and Renaissance Revival that took place from about 1850, where the interest on the art and architecture from Ancient Rome and the 15th and 16th centuries was propelled by archaeological discoveries in Greece, Italy and Egypt. Through this style, Classical and Renaissance pieces of art and design were reinterpreted in a variety of forms and motifs, and classical figures, scrolling decorations, strapwork, and grotesques and moresques, became central element in design. This Revival was characterized by the use of design motifs that alluded to Classical Antiquity, including vases and trophies with pastoral attributes, classical figures and cameos, a mixture of real and fantastic figures, and swags and festoons. These swags and festoons comprised garlands of fabric and ribbon, as well as thin bundles and garlands of flowers and husks colored with pastels. The scale of this design is clearly not true to life and it is not unlikely that this drawing was made for a sample book of an upholsterer, to be shown to the customer as one of many different styles to choose from. The design is made up of bundles of leaves and flowers over a cream background inside an ornamental frame, rendered with shades of yellow to simulate a golden finish, and decorated with acanthus leaves colored with shades of pink and purple. A large bundle of flowes and leaves hangs from the upper center of the valance design is decorated with a string musical instrument. The leaves are colored with shades of green, and the flowers are colored with yellow, orange, carmine, blue, and shades of pink and purple. The background outside the frame is colored with aquamarine. The design contains an inscription in ink in the recto of the sheet of paper, which relates it to the style of Louis XIV, although the style seems to be closer to that of its successors, Louis XV and Louis XVI.
Frame Drum
Object type: frame drum
Date: 1801 – 1900
Materials: skin, wood
Culture: native american
Location: united states
Artist: shonshone / shoshonean
Artist role: maker
Artist nationality: native american
Portret van Jacobus Gerardus Staring op 54-jarige leeftijd
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons, functionaries and dignitaries (with name) ~ episcopal protestant churches
Inscriptions: collector's mark: Lugt 240

Met achtregelig onderschrift in het Nederlands.
Lamp
Object type: lamp
Date: 1201 – 1300
Materials: earthenware
Culture: syrian
Location: syria
Portret van Benjamin de Rohan
Object type: print
Date: 1717 – 1717
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons, commander-in-chief, admiral
Inscriptions: collector's mark: Lugt 2228

Eerste staat van de prent gebruikt in: Vassor, Michel de. Histoire du regne de Louis XIII, roi de France et de Navarre. Amsterdam: Pierre Brunel, 1717.
Spotprent over het verwijderen van het Naatje op de Dam
Object type: cartoon
Date: 1913 – 1914
Materials: paper
Techniques: woodcut
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: monument, statue
Inscriptions: collector's mark: ‘7’ Lugt 1641b

Prent uit een editie van: De Groene Amsterdammer (1913-1914).
A Glimpse of Knockhill, 1864
Object type: photograph
Date: 1864 – 1864
Materials: photographic support
Techniques: albumen print
Artist: scott
Artist role: fotograaf
Subjects: adult man, horse, dog
Inscriptions: inscription: ‘(From a Photograph, the sole Property of the Author, taken by Scott, of Carlise, and registred according to the Act.)’
Eene Russische omhelzing
Object type: cartoon
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: wilhelm ii (keizer van duitsland), personifications of countries, nations, states, districts, etc., embracing each other, kissing, political caricatures and satires

De Russische beer omhelst de Duitse keizer Wilhelm II, de Franse president Faure moedigt de beer aan harder te drukken.
Mantel
Object type: mantel
Date: 1476 – 1500
Materials: limestone
Fotoreproductie van een prent van een herberg in de Haarlemmerhout te Haarlem
Object type: photograph
Date: 1900 – 1930
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: street (+ city(-scape) with figures, staffage), haarlem
Inscriptions: annotation: ‘Haarlem’, inscription: ‘De Herberg het Dronkemans huisje aen den Heere wegh op 't einde van den Hout, hebbende verscheide weergaloze gezichten’, number: ‘'22.41.’, collector's mark: Lugt 2233
Panel
Object type: textile
Date: 1830 – 1840
Location: england
Portret van Juliana, koningin der Nederlanden
Object type: print
Date: 1928 – 1928
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: heinrich m. krabbé
Artist role: draughtsman, print maker
Artist dates: 1868 – 1931
Subjects: the hague, juliana of the netherlands
Inscriptions: date

Portret van Juliana. In haar rechterhand een waaier. In haar linkerhand een bloem. Op de achtergrond een tempel. Midden onder een wapen. In de ondermarge haar naam en titels.
Custard cup with cover and tray
Object type: custard cup with cover and tray
Date: 1880 – 1890
Materials: hard paste porcelain
Artist: royal porcelain manufactory
Artist role: factory
Artist nationality: danish
Artist dates: 1775 – 9999
Subjects: flowers
Twee familieportretten van leden van familie Van den Berg
Object type: photograph
Date: 1921 – 1921
Materials: paper, cardboard
Techniques: gelatin silver print
Location: driebergen
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: batavia, hendrik herman van den berg, the hague, caroline louise van den berg-van den berg, amsterdam, carel frederik van den berg (cay), frank willem van den berg (1912-1998), historical persons, family life
Inscriptions: caption: ‘Welgelegen Zomer 1921’

Deze foto's maken deel uit van een album.
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

On top of the shoulder, pendant lotus buds; below, at the right, an archer?; helmeted warrior to left, with a round shield, and a pair of spears; at the right, part of the upper torso of a warrior to right
Chateau de Pierrefonds
Object type: page
Date: 1870 – 1875
Materials: photographic support
Techniques: albumen print
Location: pierrefonds
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: castle
Inscriptions: inscription: ‘[No.] 410bis PIERREFONDS. - Côté de l'Entrée. No. 410bis.’, number: ‘PL. 1’
Flaring Bowl with Inner Rim Depicting Undulating Serpents
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Culture: moche
Location: peruvian north coast
Portret van kunstenaar Petrus Franciscus Greive
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: lithography
Location: amsterdam
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: amsterdam, print maker, draughtsman, petrus franciscus greive, portrait, self-portrait of artist
Inscriptions: inscription: ‘146’

Onder het portret signatuur van de geportretteerde.
Gold, beryl, and garnet earring with head of a dolphin
Object type: earring with head of dolphin
Date: 200 – 1
Materials: gemstone, gold
Culture: cypriot
Subjects: dolphins

These earrings, found on Cyprus, reflect the style and taste prevalent throughout the Hellenistic world, notably in the use of animal figures. Constructed of twisted gold wire, they are embellished with beryl and garnet beads, and finials in the shape of dolphin heads.
Boeddhistische monniken bij de opgang van een trap
Object type: sketchbook leaf
Date: 1931 – 1931
Materials: paper, pencil, watercolor
Techniques: brush
Location: cambodia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: flight of steps, religious functionaries ~ hinduism, buddhism, jainism

Mogelijk de trap van de Angkor Wat tempel in Cambodja. Pagina 70 uit een schetsboek met 48 bladen.
Allegory of Europe, from "The Four Continents"
Object type: print
Techniques: etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: women
Edelman met bepluimde hoed in de hand
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: adult man, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 240

Op de voorgrond een rijk uitgedoste man, lopend naar rechts. In zijn hand houdt hij een hoed met veren. Op de achtergrond een wandelend paar met dochter.
Maria van Hongarije doet te Brussel afstand van de voogdij over de Nederlanden, ten gunst van Filips, erfprins van Spanje, rekenpenning van de munt van Holland te Dordrecht
Object type: jeton
Date: 1555 – 1555
Materials: copper
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: philip ii of spain, brussels, maria van hongarije (landvoogdes der nederlanden), dordrecht, low countries

Koperen penning. Voorzijde: Gerechtigheid met weegschaal in rechter- en getrokken zwaard in linkerhand binnen omschrift. Keerzijde: wapenschild in cartouche binnen omschrift
The Virgin Immaculate with the Four Doctors of the Church, Study for the Dispute over the Immaculate Conception
Object type: drawing
Date: 1625 – 1713
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: carlo maratti
Artist role: artist
Artist nationality: italian
Artist dates: 1625 – 1713
Subjects: men,angels,virgin mary,doctors

Together with a second drawing in the Museum’s collection (inv. 62.137), the present sheet represents a composition study for the altarpiece commissioned from Maratti by Cardinal Alderano Cybo (1613-1700) for his private chapel in the church of Santa Maria del Popolo, Rome. Completed and installed in 1686, the painting represents the Dispute of the Four Doctors of the Church (Saint John the Evangelist, Saint Gregory the Great, Saint Augustine, and Saint John Chrysostom) over the Immaculate Conception. Above the four saints appears the subject of their patristic discourse, the Immaculate Virgin Mary surrounded by a choir of angels, seated on a crescent moon, and crowned by a nimbus of stars. The present drawing records a preliminary idea for the whole composition - later modified - where the figure of the youthful John the Evangelist was intended to be standing on the far right. A copy drawn in 1705 by the obscure artist Giuseppe Maccagno, and pasted by the Italian eighteenth-century collector Sebastiano Resta onto his ‘Galleria Portatile’ (Codex Resta, Biblioteca Ambrosiana, Milan inv. 250 fol. 232), records a further lost drawing by Maratta with this earlier composition. As proven by the final painting, and by other drawings in the Metropolitan Museum (inv. 62.147) and in the Museum Kunst Palast of Düsseldorf (inv. FP 1131), the artist drastically changed this first idea: the figure of Saint John was shifted to the left, gesturing toward the open book held by the seated Saint Gregory the Great, which was moved to the opposite side and studied in greater detail on several drawings now in the Metropolitan Museum of Art (inv. 1981.364), Düsseldorf (inv. FP 540 and FP 13105), London (British Museum inv. 1927,0518.6), Madrid (Biblioteca Nacional inv. 7970), and in Venice (Fondazione Cini inv. 36137). According to the doctrine of the Immaculate Conception, the Virgin Mary was conceived pure and free of the taint of the original sin in the womb of her mother, Saint Anne. Although it only became official church dogma in 1854, the idea gained increasingly widespread acceptance beginning in the thirteenth century and was a popular subject in seventeenth-century art. (Furio Rinaldi, 2014)
Passement, groene tule met zijdeborduursel. Kant met slingerende rand met bladwerk en voluten in reliëf.
Object type: braid
Date: 1900 – 1925
Materials: textile
Artist: Anonymous

Passement van groene tule met groen zijde geborduurd. Machinale kant van groene kunstzijde met rechte lijsten, waartussen een slingerende rand loopt met bladeren in doorstop en voluten in diep reliëf.
Presentiepenning van het Turfdragersgilde te Haarlem
Object type: history medal
Date: 1600 – 1800
Materials: brass
Techniques: casting
Inscriptions: inscription: ‘No 44’, inscription: ‘GILDE - PENNING’

Gegoten messing penning, op de voorzijde een turfdrager en de tekst GILDE-PENNING op een banderol, op de keerzijde een versierd ovaal wapenschild van Haarlem en het cijfer 44
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: human figures
Gezicht op de Driehoekstraat
Object type: drawing
Date: 1875 – 1975
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', street
Inscriptions: inscription: ‘Amsterdam Driehoekstraat’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 18.
Portret van Reinier Wybrands Wybma
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: predikant, auteur, reinier wybrands wybma

Portretbuste van Reinier Wybrands Wybma, in ovaal. Onder het portret een vers van Adriaan Spinniker.