deem-data/ArtiFact huggingface dataset:
Urker vrouw en een gedecoreerd plaatsnaambord met de naam 'Delft'
Object type: sketchbook leaf
Date: 1875 – 1875
Materials: paper, pencil
Location: delft
Artist: george clausen
Artist role: draughtsman
Artist dates: 1852 – 1912
Subjects: adult woman, folk costume, regional costume, ribbon, scroll, banderole ~ ornament
Inscriptions: annotation: ‘Urk/ Delft’

Blad 3 recto uit een schetsboek met 38 bladen.
Pail‑shaped freshwater jar (Onioke mizusashi)
Object type: freshwater jar mizusashi
Date: 1501 – 1600
Materials: wood, glaze, stoneware
Culture: japanese

During the sixteenth century, when the foundations of the Japanese-style tea culture (wabicha) were formed, tea master Takeno Jōō began using simple, rough Shigaraki ware in the tea room. One of the vessels he adopted as a freshwater jar was a Shigaraki container known as an onioke (devil’s bucket) and thought to have been used in the Ōmi area to process hemp or ramie stalks into thread. When Shigaraki clay is fired without glaze, it turns a range of shades, from golden-orange to ruddy brown, its tawny surface flecked with white grains of feldspar. Wood ash melting onto the vessels during wood-firing could create irregular patches of greenish-blue natural glaze. Western potters, such as Paul Chaleff, were inspired by the seemingly random effects of the wood-fired kiln.
Preekstoel met alziend oog
Object type: print
Date: 1740 – 1745
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: rocaille ornament, pulpit, ambo, chancel, the all-seeing eye, triangle with eye ~ symbol of god the father

Preekstoel met rocaille ornamenten tussen twee panelen. Aan bovenzijde gevleugelde putti en het alziend oog met stralenkrans. Uitgeversnummer 166.
Twee driemasters en andere schepen
Object type: print
Materials: paper
Techniques: printmaking
Artist: gerrit groenewegen
Artist role: draughtsman, print maker
Artist dates: 1754 – 1826
Subjects: ships (in general)
Inscriptions: collector's mark: Lugt 2228

Twee driemasters en andere schepen in de buurt van de wal. Aan wal staan elf figuren, waarvan drie mannen in een sloep zijn afgebeeld. Deze prent maakt deel uit van een serie van vijf prenten met verschillende schepen op open water.
Portret van Marino Grimani, doge van Venetië
Object type: print
Date: 1600 – 1604
Materials: paper
Techniques: engraving
Location: augsburg
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Subjects: venice
Inscriptions: collector's mark: Lugt 240

Illustratie uit: D. Custos en M. Henning. Atrium heroicum Caesarum, regum aliorq. summatum ac procerum qui intra proximum seculum vixere, aut hodie supersunt, imaginib. Deel 1-4. Augsburg: D. Custos, 1600-1604.
Ronde broche van goud met centraal een ronde nefriet
Object type: brooch
Date: 1971 – 1972
Materials: gold, jade
Techniques: grinding
Location: netherlands
Artist: Anonymous
Inscriptions: alloy mark: ‘eikenblad 585’

Ronde broche van goud met centraal een rond cabochon geslepen nefriet, vorzien van kogelsluiting.
Flagellation
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: pen, wash
Artist: anonymous, italian, venetian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: suffering,men,punishment
Christus zegent de kinderen
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: christ blessing children brought by their mothers, usually with some disciples disapprovingly looking on (matthew 19:13-15; mark 10:13-16; luke 18:15-17)
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel II. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Beaker, Bell
Object type: beaker
Date: 501 – 700
Materials: glass
Culture: frankish
Den Klagenden Huysman
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: hoofed animals (+ animal(s) being sick; having a disease), cow, netherlands
Inscriptions: collector's mark: Lugt 2228

Een boer knielt naast een dode koe en bidt tot God om verlossing van de vee- of runderpest die het land treft in 1745. Op de achtergrond huizen aan het water en het afvoer van gestorven vee in schuitjes. Op het blad onder de plaat een vers in 14 regels.
Diana en Actaeon
Object type: print
Date: 1818 – 1819
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: actaeon changed into a stag: as punishment for seeing her bathe, diana changes actaeon, the hunter, into a stag (ovid, metamorphoses iii 193), diana bathing with her nymphs
Four Wheel Dog Cart #136
Object type: drawing
Date: 1850 – 1870
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Fragment sluitring uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sluitring
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, washers; oval. sim. 80H164, flat, rectangular hole, bevelled outer rim.
Titelpagina voor Wilelmus Goesius, Pilatus Judex, Den Haag, 1681
Object type: titelblad, titelpagina
Date: 1681 – 1681
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: christ before pontius pilate (matthew 27:11-26; mark 15:2-15; luke 23:2-7, 23:13-25; john 18:28 - 19:16), pilate washing his hands (in innocence)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Christus wordt door soldaten afgevoerd en door de omstanders bespot. Pilatus die op een troon zit wast zijn handen in onschuld.
Miniatuur ordetekens van Willem Drees
Object type: ordeteken
Date: 1950 – 1988
Materials: metal, textile
Location: the hague
Subjects: amsterdam, the hague, willem drees, netherlands, france, thailand, norway, belgium

Speld met dertien miniatuur ordetekens (behorend bij de grootkruizen) van Willem Drees om op kostuum te dragen.
De volgorde van links naar rechts is:
Nederlandse leeuw
LIB 1 = Grand Cross of the Order of Leopold of Belgium
DD 1 = Grand Cross of Order of Dannebrog, of Denmark
HDE 1 = Grand Cross of the Order of the Holy Trinity of Ethiopia
LEF 1 = Grand Cross of the Order of the Légion d'Honneur of France
Orde van Sint Michaël en Sint George van Groot Brittannië
CIG 1 = Crand Cross of the Order of George I of Greece
SAL 1 = Grand Cross of the Order of the Star of Africa of Liberia
EKL 1 = Grand Cross of Order of Crown of Oak of Luxemburg
ANL 1 = Grand Cross Order of Adolf van Nassau of Luxemburg
SON 1 = Grand Cross of the Order of St. Olav of Norway
VZ 1 = Grand Cross of the Order of Vasa of Sweden
WOTh 1 = Grand Cross of the Order of the White Elephant of Thailand

De letters zijn de officiële afkortingen van deze decoraties.
Avenzoar
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: arts, avenzoar
Inscriptions: inscription: ‘213’

Een bloemkelk met een bebaarde man. Zijn muts valt af en hij heeft zijn hand bij zijn hoofd. De tekst identificeert hem als Avenzoar (Ibn Zuhr), een Arabische psycholoog en chirurg. De prent maakt deel uit van een album.
Koffiemama (Erythrina fusca) met vlinders, rupsen en pop
Object type: print
Date: 1705 – 1705
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: trees, insects: pupa, insects: butterfly, insects: caterpillar, suriname

Rechtsonder genummerd: 11. Prent maakt deel uit van een boek.
Tafereelen uit het leven der profeten Elia en Eliza
Object type: print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: leiden
Subjects: story of elisha (eliseus), story of elijah (elias), old testament
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen uit het leven van de oudtestamentische profeten Elia en Elisa. Boven elke voorstelling een titel en onder elke voorstelling een vierregelig vers. Genummerd rechtsboven: No. 89.
Mr. de Rossi
Object type: print
Date: 1820 – 1850
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Gedeelte van een gebeeldhouwde stijl van eikenhout, afkomstig uit het z.g. Huis van Alva, Warmoestraat te Amsterdam
Object type: stile
Date: 1500 – 1699
Materials: wood, paint

Gedeelte van gebeeldhouwde eikenhouten stijl (behorend bij BK-KOG-754-7), afkomstig uit het z.g. Huis van Alva, Warmoestraat te Amsterdam. In totaal gaat het om zes beschilderde stijlen (zie BK-KOG-754-1 t/m 5 & 7). Zie tevens BK-KOG-755-A t/m H, dit zijn twee kapitelen en zes stijlen van onbehandeld eikenhout die uit hetzelfde huis afkomstig zijn.
Alarming Sacrifice from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
Object type: print
Materials: paper, steel
Techniques: printmaking, etching
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Portret van Jan de Visscher
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: printing, printmaking
Location: haarlem
Artist: cornelis van noorde
Artist role: draughtsman, print maker
Artist dates: 1731 – 1795
Subjects: jan de visscher
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, inscription: ‘naar de Origineele Tekening in 't koper gebragt door Corn: van Noorde, 1775.’

Portret van schilder en prentmaker Jan de Visscher.
Broche
Object type: brooch
Date: 1945 – 1953
Materials: gemstone, diamond, gold
Techniques: faceting, granulation, grinding
Location: the hague
Inscriptions: alloy mark: ‘(oud) eikenblad’, maker's mark: ‘V.Z.K.’

Broche van roodgoud met groene beryl, robijnen en diamanten. De ovale beryl is cabochon geslepen en wordt omringd door vier keer drie gefacetteerde diamanten op rij voorzien van een kanonsluiting. Aan weerszijden van de ovaal gevat tussen gouden krullen in een gegranuleerde rand zit een robijn.
Huis in een heuvellandschap
Object type: drawing
Date: 1800 – 1900
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johannes van reijn
Artist role: draughtsman
Subjects: farm or solitary house in landscape
Portret van een onbekende man met een snor
Object type: photograph
Date: 1882 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: carel frederik cordes
Artist role: fotograaf
Artist dates: 1851 – 1927
Subjects: adult man
Inscriptions: name: ‘Bijzondere inrichting voor vergrootingen in Kooldruk, Crayon, olieverf, en gewoone phot. Voor alle portretten [...] steeds nabesteld worden. C.F. Cordes 's Bosch aan de Parade Haarlem Groote Houtstraat. Op verschillende [...] bekroond en met [...]’, name: ‘C.F. Cordes [...]’
Bruxelles. Maison du Roi
Object type: photomechanical print
Date: 1906 – 1907
Materials: cardboard
Techniques: photograph, writing
Location: brussels
Artist: Anonymous
Subjects: square, place, circus, etc., city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), edifice, e.g.: public building, department store
Inscriptions: postage stamp
Gezicht
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: face

Blad 63 recto uit een schetsboek met 69 bladen.
Lijst met in het album afgebeelde onderwerpen in Londen, Brighton en Windsor (1 t/m 39)
Object type: list
Date: 1880 – 1910
Materials: paper
Techniques: writing
Artist: Anonymous

Onderdeel van Reisalbum met bezienswaardigheden in Engeland, Zwitserland, Frankrijk en Duitsland.
Portret van Christian von Mechel
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Subjects: publisher, christian von mechel, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228
Vase
Object type: vase
Date: 1680 – 1700
Materials: earthenware
Artist: isaac de benserade
Artist role: artist
Artist nationality: french
Subjects: men,women,cupid,lions

The vase is decorated with a scene from the story of Atalanta and Milanion in Ovid's Metamorphoses, based on an engraving in the translation by the court poet Isaac Benserade (1613–1691) published in 1676 (see 34.17.1).
Die dreizende Part
Object type: print
Date: 1553 – 1586
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, dress-up party, rejoicing on special occasions (+ parade, pageant, cavalcade ~ festive activities), taking a bath - aa - in the open air, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure, return from the hunt, small group of musicians, chamber orchestra, jazz band - cc - 'concert champêtre'
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Papyrus fragment
Object type: fragment
Date: 400 – 600
Materials: ink, papyrus
Culture: egyptian
Subjects: greek
Standaard der Nederlandse Kan
Object type: measuring cup
Date: 1810 – 1810
Materials: brass
Location: netherlands
Artist: Anonymous
Subjects: netherlands
Inscriptions: : ‘Standaard der Nederl. Kan. (Litre)’

Maatbeker, ca. 1810. Zoals het opschrift aangeeft - ‘Standaard der Nederl. Kan (litre)’ - was de Nederlandsche Kan gelijk aan de liter. Het was een inhoudsmaat voor droge waren. Bruikleen NMi Museum IJkwezen, Delft.
Portret van kardinaal Rampolla
Object type: photomechanical print
Date: 1881 – 1891
Materials: paper
Techniques: autotype
Subjects: cardinal
Inscriptions: inscription
Document Sealings With the Throne Name of Thutmose IV
Object type: sealing, thutmose iv, menkheperure
Date: 1390 – 1352
Materials: mud
Location: egypt
Buffalo Bill, Champion of the Wild West Hunters, from the Goodwin Champion series for Old Judge and Gypsy Queen Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits

The Goodwin Champions series of trading cards (N162), was issued by Goodwin & Company in 1888 to promote Old Judge and Gypsy Queen Cigarettes. The series of 50 cards depicts athletes in various disciplines. The Metropolitan Museum of Art owns all 50 cards from the series.
Armor
Object type: armor
Materials: leather, steel
Culture: german
Location: germany

Although relatively plain in appearance, in many ways this armor is typical of armors worn in battle by the knightly cavalry of the mid-sixteenth century. Lacking surface ornamentation such as etching or gilding, it was known as “white armor,” a reference to the unaugmented color of the polished steel. Armor of this type, cap-à-pie (from head to foot), would have been commissioned individually by a noble patron for personal use, as opposed to the even simpler armors that were made in large numbers to be worn by average fighting men. The double lily on the tassets (upper thigh defenses) and the embossed scales on the borders are motifs frequently used on armors thought to have been made in northern Germany. This is one of several similar armors possibly commissioned by the princes Radziwill of Poland.
Commedia del'Arte (Furnishing Fabric)
Object type: textile
Date: 1770 – 1770
Materials: cotton
Techniques: weave, printing
Location: england
Subjects: propaganda
Salt dish
Object type: salt dish
Date: 1767 – 1833
Materials: hard paste porcelain
Fragment wijnkan uit V.O.C.-schip de 'Witte Leeuw'
Object type: wijnstoop, wijnkaraf, wijnkan
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A kendi with a rounded side. Decorated with birds and flowers under a band with diaper patterns. The neck decorated with plantain leaves, the spout with peaches and groups of dots in sections.
Landschapsstudie met open hek
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: landscapes, gate, entrance
Inscriptions: collector's mark: Lugt 2228, number: ‘8’
Laenas trekt een cirkel in het zand rond Antiochus IV Epiphanes
Object type: drawing
Date: 1752 – 1819
Materials: graphite, ink, paper
Techniques: brush, pen
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Subjects: the consul c. popilius laenas, commissioned by the roman senate to order antiochus iv epiphanes to abstain from war, with his staff draws a circle around the monarch and asks him not to go beyond it before answering
Bureau Table
Object type: bureau table
Date: 1750 – 1765
Materials: wood
Culture: american
Location: united states

The Philadelphia origin of this bureau table is suggested because its case width is equal to its overall height, proportions that match a description in the 1772 Philadelphia Price Book. The prospect door, however, is tall and narrow in the mid-century manner. Most other known Philadelphia bureau tables have details which suggest a later, post–1765 date. The table's history of ownership in Middletown, Monmouth County, New Jersey, brings up the question of whether it was brought there from Philadelphia or made there by Philadelphia-trained craftsmen.
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Artist: abraham bredius
Artist role: kunsthistoricus, museumdirecteur
Artist dates: 1855 – 1946
Subjects: painter, draughtsman, philip zilcken
Inscriptions: address: ‘Dr. A. BREDIUS,/ Frederikstraat 72./ 'S-GRAVENHAGE.’, collector's mark: ‘RPK’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic
Artist: kleomelos painter
Artist role: artist

Interior, part of the head of a male with his right hand on the top of his head; part of an inscription, [KLEOM]ELOS [KALOS]; Exterior, start of handle root and part of handle patch
Rewarding the Hounds (From Incidents in a Stag Hunt)
Object type: tapestry
Date: 1495 – 1515
Materials: wool
Culture: south netherlandish
Subjects: men,deer,flowers
The Road to Calvary, from the Passion
Object type: print
Date: 1509 – 1509
Materials: paper
Techniques: woodcut
Location: germany
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Groepsportret van negen vrouwen met boeketten in de hand tijdens een bruiloft in Frankrijk
Object type: photograph
Date: 1808 – 1885
Materials: photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: members of bridal party

Onderdeel van Album van een Franse amateurfotograaf met opnames van familie, militairen, industrie, landschappen en bezienswaardigheden in Frankrijk.
Karren
Object type: sketchbook leaf
Date: 1834 – 1906
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: hand-cart

Blad 31 verso uit een schetsboek met 46 bladen.
White Rose (Rose, Madame Plantier), from the Flowers series for Old Judge Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: roses,leaves

The "Flowers" series of trading cards (N164) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series.
Portret van Johann Tobias Mayer
Object type: print
Date: 1808 – 1861
Materials: paper
Techniques: engraving
Artist: heinrich lödel
Artist role: print maker
Artist dates: 1798 – 1861
Subjects: physicist, historical persons
Inscriptions: collector's mark: Lugt 2228, name
Dish
Object type: dish
Date: 1704 – 1704
Materials: earthenware
Techniques: glazing
Culture: dutch
Location: netherlands
Subjects: houses,landscapes
Aachen. Bahnhof, Kriegerdenkmal
Object type: photomechanical print
Date: 1905 – 1906
Materials: cardboard
Techniques: photograph
Location: aachen
Subjects: monument, statue, station; shelter (railway, tramway)
Kyōsai’s Drawings for Pleasure (Kyōsai rakuga)  暁齋樂画
Object type: illustrated book
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kawanabe kyōsai 河鍋暁斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1831 – 1889
Subjects: animals,playing
Pfeffel.
Object type: print
Date: 1816 – 1880
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Familiewapen van Mr. Arnold Spoor
Object type: print
Date: 1689 – 1690
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: mayor, burgomaster, armorial bearing, heraldry, utrecht

Familiewapen van Mr. Arnold Spoor, burgemeester van Utrecht (1688-1690). Onderdeel van een groep van twaalf wapens van magistraten van Utrecht. Mogelijk behorend bij een grote kaart van bijvoorbeeld een hoogheemraadschap. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Wapens (Heraldiek), Geslachtswapens.
Hans Fedlaer
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: instrumental popular music - cc - out of doors
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een jonge man (Hans Fedlaer) draagt een cape en bespeelt een muziekinstrument. Op de achtergrond een vaart en een huis tussen de bomen. De prent maakt deel uit van een serie van 32 prenten met genretaferelen.
Dress
Object type: dress
Date: 1751 – 1800
Materials: silk
Culture: american
Cup and saucer
Object type: cup and saucer
Date: 1767 – 1833
Materials: jade
Culture: chinese