deem-data/ArtiFact huggingface dataset:
Niche à la porte de la Mosque du Sultan Hassan, Caire
Object type: photograph
Date: 1869 – 1889
Materials: cardboard, paper
Techniques: albumen print
Location: cairo
Artist: henri béchard
Artist role: fotograaf
Subjects: temple, shrine ~ islam, mohammedanism, mosque-madrasa of sultan hassan
Inscriptions: inscription: ‘AP’, number: ‘No. 176’
Un Gentilhomme et Son Page (A Gentleman and his Page), from "Les Caprices" Series B, The Nancy Set
Object type: print
Date: 1617 – 1620
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Dresden. Stallhof. Konigl. Schloβ
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: dresden
Subjects: castle
Zittende en staande Indische figuren
Object type: sketchbook leaf
Date: 1921 – 1922
Materials: paper, pencil
Location: dutch east indies
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: asiatic races and peoples, adult man (+ sitting), adult woman (+ standing), dutch east indies, the

Pagina 6 uit schetsboek XXXIV met 24 pagina's.
Statue of Queen Anne, St. Paul's, London
Object type: stereograph
Date: 1850 – 1919
Techniques: albumen silver print
Artist: european and american views
Artist role: publisher
Subjects: monuments,london
Portret van Willem Jacobszoon van Heemskerk
Object type: print
Date: 1687 – 1690
Materials: paper
Techniques: engraving
Subjects: leiden, willem jacobszoon van heemskerk, historical persons
Inscriptions: collector's mark: Lugt 2228
De hoek van de Lek bij Krimpen
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: river
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 530 – 520
Materials: terracotta
Culture: greek, attic

Interior, reserve line and unidentified object; Exterior, rays alternating with reserve and black glaze
Card 39, Thecla Smilacis, from the Butterflies series (N183) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women

Trade cards from the "Butterflies" series (N183), issued in a numbered set of 50 cards in 1888 by W.S. Kimball & Co.
Plate 33: Armorial trophy on a Tuscan column, surrounded by allegorical figures and cherubs bearing the armorial shields of Ferdinand; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'
Object type: print, fete, ornament architecture
Date: 1636 – 1636
Techniques: engraving
Location: antwerp
Artist: johannes meursius
Artist role: publisher
Artist nationality: flemish
Artist dates: 1600 – 1699
Subjects: armor,coat of arms,trophies

On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp [1636], illustrate what the series looked like. The Metropolitan Museum of Art owns 34 plates from the set of 42.
Vest
Object type: vest
Date: 1880 – 1900
Materials: cotton, metal, silk, wool
Location: albania

The well-balanced designs on this vest are handsomely executed and show the strong influences of the Ottoman Empire. The raised couching gives the motifs an organic and vital appearance.
Spring (Music-Making Couple), from The Four Seasons
Object type: print
Date: 1595 – 1595
Materials: paper
Techniques: engraving
Location: netherlands
Artist: attributed to jan saenredam
Artist nationality: dutch
Artist dates: 1565 – 1607
Inscriptions: Lettered lower left: "HGoltzius invent."; and below image: "1 Humanas recreo mentes ... tempore veris. C. Schoneus."
Vierkante afslag van een twee-guldenstuk 1682 uit West-Friesland bewerkt tot penning op het overlijden van Anna Schagen 1684
Object type: history medal
Date: 1684 – 1684
Materials: silver
Techniques: engraving, striking
Inscriptions: inscription: ‘Obiit - den 25 - Januarij - 1684’, inscription: ‘Anna - Schagens - Gedach - tenis’

Vierkante plaat zilver met afslagen van de stempels voor een Westfries 2-guldenstuk 1682, beiderzijds in de hoeken gegraveerde tekst.
Jansenius, eveque d'Ypres
Object type: print
Date: 1605 – 1650
Techniques: etching
Artist: jean morin
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1650
Subjects: men,portraits
The Rape of a Sabine Woman
Object type: figure
Date: 1600 – 1625
Materials: bronze
Location: florence
Subjects: rape of the sabine women: they are carried off by romulus and his men during a feast

This complex group of three intertwined figures is a reduced copy of the monumental marble sculpture Giambologna made in 1583 for the Loggia dei Lanzi in Florence, where it stands to this day. The composition is so ingenious that the statuette looks beautiful from all angles. This was quite an artistic challenge for sculptors in the late 16th century.
Scene from Ancient History: Cup Offered to an Invalid
Object type: drawing
Materials: chalk
Location: france
Artist: jacques louis david
Artist role: artist
Artist nationality: french
Artist dates: 1748 – 1825
Subjects: shields,men,women,cups
Portret van Menno Simons
Object type: print
Date: 1623 – 1641
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: clergyman
Inscriptions: collector's mark: Lugt 964

Portret van Menno Simons, leider van de Mennonieten (doopsgezinden).
Straffe der Beeld-stormers
Object type: history print
Date: 1780 – 1795
Materials: paper
Techniques: etching
Location: netherlands
Subjects: execution of heretic, e.g. by burning at the stake, 'auto-da-fé', on the scaffold or place of execution, violent death, being killed; being mishandled and maltreated; seeking death, beeldenstorm (1566)

Illustratie voor: J. Fokke, Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd, Johannes Allart, Amsterdam 1783-1795, 25 delen, dl. IV, pl. VI. Niet in Frederik Muller; door het RPK toegevoegd nummer.
Boerderij aan een weg
Object type: print
Date: 1829 – 1830
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: public road, farm (building)
Inscriptions: inscription: ‘2de editie / Daiwaille adres ingeslepen / en daarvoor in de plaats / gegeven Meyers adres / gemerkt Lev 4 / PL 19 / K’, collector's mark: Lugt 2228

In 1829 en 1830 gaf Koekkoek, samen met Daiwaille, zes cahiers uit met ieder zes prenten getiteld Landschapstudiën. Deze werden gebruikt in het tekenonderwijs. Vijftien jaar later werd deze reeks, in een andere samenstelling nogmaals uitgegeven door Meyer en Comp in Amsterdam. Zie: De Bruyn Kops, 1963.
Marseille
Object type: wrapper
Date: 1900 – 1950
Materials: cardboard, ink
Techniques: pen
Artist: Anonymous
Joel Barlow (1754–1812)
Object type: bust
Date: 1701 – 1800
Materials: plaster
Artist: jean antoine houdon
Artist role: artist
Artist nationality: french
Artist dates: 1741 – 1828
Subjects: men,portraits
The Tower, London
Object type: photomechanical print
Date: 1902 – 1930
Materials: cardboard
Techniques: autotype
Location: london
Artist: j.w.d.
Artist role: maker
Subjects: castle
A Sibyl
Object type: print
Date: 1540 – 1545
Techniques: engraving, etching
Artist: antonio fantuzzi
Artist role: artist
Artist nationality: italian
Artist dates: 1537 – 1545
Subjects: books,female nudes
Dagelijkse bezigheden van Indianen
Object type: book illustration
Date: 1716 – 1716
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: ritual practices ~ american indian religions, cleaning of material, rowing-boat, canoe, etc., native peoples of the americas
Inscriptions: collector's mark: Lugt 240

Landschap met op de voorgrond een vrouw die op het strand aan het werk is. Een met veren getooide man zit op een kano en houdt zijn beker omhoog. Op de achtergrond zijn enkele rituelen en ceremonies voorgesteld.
Moskee der Kasba
Object type: photograph
Date: 1927 – 1927
Materials: paper, photographic support
Techniques: gelatin silver print
Location: marrakech
Artist: a.g.a. van eelde
Artist role: engineer
Artist dates: 1862 – 1950
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘5.’
Ontwerpen voor illustraties voor Le Deserteur van Jean-Michel Sedaine
Object type: design
Date: 1770 – 1775
Materials: ink, paper
Techniques: brush, pen
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: prison, jail

Illustratie voor 'Le Deserteur' van Jean-Michel Sedaine.
Funerary Cone of the Scribe Min
Object type: cone, circular impression, min, scribe, overseer, priest, osiris, oasis, tt 109
Date: 1479 – 1425
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 11 (verso)
Object type: book print ornament architecture
Techniques: woodcut
Artist: domenico da sera
Artist role: publisher
Artist nationality: french
Artist dates: 1500 – 1599
Subjects: birds,plants,vases

Published by Domenico da Sera Lyons. From top to bottom, and left to right: Design is decorated in the center with a large plant inside an ornate vase. Surrounding this plant are other ornamental elements and birds.
Allegorie op de gerechtigheid
Object type: print
Date: 1723 – 1723
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, the seven deadly sins (personified), prisoner with hands bound, symbols and allegories of jurisprudence (+ 'fasces cum securibus')
Inscriptions: collector's mark: Lugt 240

In een nis troont Rechtvaardigheid met weegschaal en fasces. Aan haar voeten ligt een geboeide man en naast haar knielt een geblinddoekte man met een toorts in de hand. Links zit een personificatie van ondeugden, met een slang en een handspiegel als attributen.
Saint Jerome in His Study
Object type: print
Date: 1514 – 1514
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: interiors,skulls,lions,saint jerome
Goat's Foot Lever
Object type: arm
Date: 1530 – 1560
Materials: steel
Culture: spanish
Location: europe
Herfstbos met sloot
Object type: print
Date: 1872 – 1913
Materials: paper
Techniques: etching, retroussage
Artist: henri rul
Artist role: print maker
Artist dates: 1862 – 1942
Subjects: forest, wood, brook
Inscriptions: mark: ‘Antwerpsche Etsers 1880’, collector's mark: Lugt 2228
Der Rothschmidt
Object type: book illustration
Date: 1719 – 1719
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: handicrafts, craftsman at work, smith, blacksmith
Inscriptions: stamp, collector's mark: Lugt 1641

Prent uit: Comenius, Johannes Amosius. Orbis sensualium picti pars prima (...). Neurenberg: Martin Endter, 1719, dl. 2, p. 118. Prent eerder gebruikt in: Comenius, Johannes Amosius. Orbis Sensualium Picti denuo aucti Pars Secunda (...). Neurenberg: Martin Endter, 1730, dl. 2.
Study for Seascape (from Sketchbook)
Object type: drawing
Date: 1891 – 1891
Materials: gilt, graphite, leather, paper
Techniques: bookbinding
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: seascapes
Portret van O. Apput
Object type: print
Date: 1824 – 1864
Materials: paper
Techniques: lithograph
Artist: alexander schramm
Artist role: painter, print maker
Artist dates: 1814 – 1864
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van een verder onbekende man, met handtekening in facsimile waarin mogelijk de naam Apput te lezen is.
Twaalfeneenhalfjarig huwelijk van F.I. van Heeckeren van Brandsenburg en C.A. Voorduin
Object type: marriage medal
Date: 1824 – 1824
Materials: bronze
Techniques: striking
Location: utrecht
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: frans jan baron van heeckeren van brandsenburg

Bronzen penning. Voorzijde: gevleugelde huwelijksgod Hymen houdt in linkerhand brandende toorts en legt met rechterhand rozekrans op altaar, waarop twee verbonden brandende harten liggen; afsnede: signatuur. Keerzijde: blanco veld binnen myrtekrans. Jubileumpenning ter ere van twaalfeneenhalfjarig huwelijk.
Girl Resting
Object type: painting
Date: 1827 – 1827
Materials: canvas, oil
Artist: jan adam kruseman
Artist role: draughtsman, painter, print maker
Artist dates: 1804 – 1862
Subjects: adolescent, young woman, maiden, leaning forward - aa - female human figure
Inscriptions: signature and date: ‘J.A. Kruseman f: 1827’

Studie van jonge vrouw, glimlachend voorovergeleund met de armen op een stenen balustrade. Rechts een bundel met een fles wijn, in een doek geknoopt.
Portret van een vrouw met waaier in een lijst
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: anonymous historical person portrayed, frame of painting, etc.

Tevens een figuurstudie. Blad 3 recto uit een schetsboek met 60 bladen.
Berlin. Schloss total mit Schlossbrücke
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: berlin
Artist: Anonymous
Subjects: castle, bridge in city across river, canal, etc.
Portret van een actrice in kostuum met harp
Object type: photograph
Date: 1879 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: georg brokesch
Artist role: fotograaf
Artist dates: 1849 – 1896
Subjects: portrait of actor, actress
Inscriptions: : ‘Prämurt 1879 / Leipzig I. Preis / Dresden I. Preis’, : ‘Leipzig, Zeitzerstrasse 19c’
Handkerchief
Object type: handkerchief
Date: 1701 – 1733
Culture: unknown
Subjects: human figures,horses,lions,chariots
Fragment
Object type: fragment
Date: 1701 – 1800
Materials: wood
Gezicht op Interlaken met op de achtergrond de Jungfrau, Zwitserland
Object type: photograph
Date: 1860 – 1890
Materials: paper
Techniques: albumen print
Location: interlaken
Artist: Anonymous
Subjects: city-view in general; 'veduta', mountains
Florence Cathedral, Giotto's Tower
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: church (exterior)
Portret van een man met een vlinderdasje
Object type: drawing
Date: 1807 – 1861
Materials: paper, pencil
Artist: johannes hendrik veldhuijzen
Artist role: draughtsman
Artist dates: 1831 – 1910
Inscriptions: date: ‘July 1861’
Papegaai in de kamer
Object type: sketchbook leaf
Date: 1875 – 1920
Materials: ink, paper
Techniques: pen
Location: netherlands
Artist: Anonymous
Subjects: ornamental birds: parrot, family life at home, living-room, parlour, sitting-room

De aangeschafte papegaai maakt een vieze boel in de kamer. Onderdeel van het schetsboek met humoristische tekeningen over het leven van een 'famille nombreuse'. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven.
"Eye-Dazzler" Weaving
Object type: textile
Date: 1880 – 1900
Materials: cotton, dye, wool
Techniques: interlocking, tapestry, weave
Culture: navajo, diné
Location: navajo
Subjects: geometric, zigzags

Navajo weavers, most of whom were women, developed a new, more colorful and complex style of weaving in the late 19th century: they began incorporating wool yarns that had been dyed with vibrant commercial dyes, made available through expanded railroads. They often rendered the junctures between colors as serrated, zigzag lines, creating dynamic patterns that visually vibrate. For this reason, these textiles have come to be called “eye dazzlers.”
Taminakloof, met op de achtergrond de Falknis
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: taminakloof
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: ravine, chasm, abyss, canyon, mountains
Inscriptions: inscription: ‘1867. Juli. No 2 - Aug. 1887. - Aug. 1897.’, inscription: ‘Views of Switzerland, photographed by W. England. (Registered) Under the Special Patronage of the Alpine Club.’, number: ‘190.’
Amulet of Sekhmet
Object type: costume and accessory
Materials: ceramic, faience
Culture: egyptian
Location: egypt
Subjects: goddesses, animals, lions, cats

With the head of a lion and the idealized figure of a woman, this amulet depicts a powerful ancient Egyptian goddess. Ancient Egyptians—both living and dead—wore amulets of gods and goddesses to bring protection and health. These included depictions of deities in their human, animal, or mixed forms.

This amulet represents one of several goddesses who appeared in a hybrid leonine-human form, likely Sekhmet, a goddess of pestilence and divine violence. In Egyptian mythology, Sekhmet acted as the Eye of Re, the daughter and protector of the sun god, Re. She had the ability to make enemies fall sick or heal those who were afflicted, so she would have provided the wearer of this amulet with protection from disease and other dangerous forces.
Standing man with his right hand resting on a basin, shown in three-quarters view with his head turned toward the left, from "Figures of Fashion" (Figures de Modes)
Object type: print
Date: 1710 – 1710
Techniques: etching
Artist: antoine watteau
Artist role: artist
Artist nationality: french
Artist dates: 1684 – 1721
Subjects: men,portraits
Possibly a Ceremonial Scarf
Object type: scarf
Date: 401 – 600
Materials: linen, wool
Techniques: weave
Location: egypt

The original use of this unique red and purple scarf is uncertain. Literary descriptions suggest such scarves may have been worn as symbols of civic rank or, draped over the head and around the body, as part of the liturgical wardrobe of ranking Christian clergy.
Stamp seal (conoid) with cultic scene
Object type: stamp seal
Date: 700 – 601
Materials: stone
Culture: assyrian
Location: mesopotamia
Limestone statuette of a male votary with Cypriot shorts and a diadem
Object type: statuette of a votary, male
Date: 600 – 568
Materials: limestone
Culture: cypriot
Subjects: diadems,men

Male votary with Cypriot loin-cloth.
Hôtel de Croix, à Namur. Vestibule décoré de stucs
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1913
Materials: cardboard
Techniques: photograph
Location: namur
Subjects: vestibule, hall, permanent exhibition, museum, interior ~ representation of a building
Border
Object type: textile
Date: 1675 – 1725
Materials: linen
Techniques: lace, weave
Location: northern europe
Landschap met een herder en een naaiende herderin
Object type: print
Date: 1638 – 1658
Materials: paper
Techniques: engraving, etching
Subjects: cow, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep, sewing, dog
Inscriptions: collector's mark: Lugt 240

In een landschap voor een bomenrand zit een herderin iets te verstellen tussen de schapen en koeien. Schuin achter haar staat een herder die zijn kudde in de gaten houdt. Hij draagt een hoed en leunt op een van zijn koeien. Links drinkt een hond water uit een plas.
Plaque
Object type: plaque
Date: 401 – 800
Materials: bone
Techniques: carving
Location: palestine
Subjects: male nudes
Staande stier
Object type: print
Date: 1647 – 1659
Materials: paper
Techniques: etching
Artist: jan baptist weenix
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1661
Subjects: bull, landscapes, landscape with bridge, viaduct or aqueduct, aqueduct (~ water supply), mountains
Inscriptions: collector's mark: Lugt 240

In een landschap staat een stier bij een struik. In de verte zijn links bergen en rechts een brug of aquaduct te zien.
Gezicht op hofstede De Morgenstondt
Object type: print
Date: 1730 – 1799
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view in general; 'veduta', rural housing, e.g. country-house, villa, cottage, road, path
Inscriptions: collector's mark: ‘5’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Amstel buiten de stad, Amsteldijk.
Gezicht op de Eiffeltoren
Object type: album leaf
Date: 1890 – 1898
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: edouard hautecoer
Artist role: publisher
Artist dates: 1847 – 1904
Subjects: city-view in general; 'veduta' (+ city(-scape) with figures, staffage), eiffel tower
Inscriptions: retailer's mark: ‘E. Hautecoeur/ Estampes Photographies/ 35 Avenue de l'Opéra, 35/ Paris’, inscription: ‘468A - Paris. La Tour Eiffel prise de Trocadéro. Ed. H. édit’
Rolwagen van blauw beschilderde faience
Object type: rolwagen
Date: 1690 – 1720
Materials: faience
Location: delft
Artist: Anonymous
Inscriptions: mark: ‘118 figuratief teken plus’

Rolwagen van faience. Blauw beschilderd met twee go-spelende Chinese vrouwen.
Mascarille, zittend tussen twee vrouwen, presenteert aan elk van hen een handschoen
Object type: print
Date: 1811 – 1813
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: comedy
Inscriptions: collector's mark: Lugt 2228

Prent van scène tien uit 'Les Précieuses ridicules' door Jean Baptiste Molière. Dit betreft één van de dertig prenten, gemaakt in opdracht van Antoine Augustin Renouard, bestemd voor verschillende edities van Molières werk daterend van 1811 tot 1813. De prenten zijn vervaardigd door verschillende kunstenaars naar composities van Moreau.
Schetsblad met draagstoel
Object type: drawing
Date: 1807 – 1858
Materials: paper
Techniques: brush
Artist: utagawa hiroshige (i)
Artist role: draughtsman, print maker
Artist dates: 1797 – 1858
De Jagthaven en het Hotel "Nieuwe Stads Herberg" aan het IJ, te Amsterdam 1871
Object type: print
Date: 1871 – 1871
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: pier, quay, wharf, hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 2228

Het IJ gezien vanaf het Korte Singel met rechts de haringpakkerij waar schepen worden geladen en gelost. Daarachter de Nieuwe Stadsherberg kort voor de sloop. In de achtergrond links de toren van Ransdorp, rechts het Oosterdok.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, right eye, nose, mouth, and upper torso with extended right arm of bearded man with himation
Brief aan Suze Groshans
Object type: letter
Date: 1902 – 1902
Materials: ink
Techniques: pen, printing, writing
Location: groningen
Artist: nelly fokker
Subjects: suze groshans, textile artist, neeltje lettinga
Inscriptions: name: ‘RPK’, collector's mark: ‘RPK’
Fragment (From an Orphrey Band)
Object type: textile
Date: 1401 – 1500
Materials: fiber, gilt, gold, linen, silk
Techniques: compound weave, patterning, satin weave, weave
Location: florence
Bad Bertrich. Römerkessel
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1907
Materials: cardboard
Techniques: photograph
Location: bad bertrich
Subjects: city-view, and landscape with man-made constructions, mountains
Inscriptions: date
Fragmenten van vaatwerk uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: scheepswrakvondst
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Studie, mogelijk van een vrouw met een voorwerp onder haar arm
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, carrying something
Inscriptions: kleurnotitie, handgeschreven

Pagina 31 uit een schetsboek met 29 bladen.