deem-data/ArtiFact huggingface dataset:
Design for Pony Phaeton, no. 3973
Object type: drawing
Date: 1886 – 1886
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Thomas Ragàlyi
Object type: print
Date: 1821 – 1877
Materials: paper
Techniques: etching
Location: vienna
Artist: joseph sürch
Artist role: print maker
Artist dates: 1811 – 1877
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Gezicht op een tuin met een wieg en baby
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: garden, infant, baby
Amphora
Object type: amphora
Date: 1662 – 1722
Materials: porcelain
Culture: chinese
Schilderingen in de Sixtijnse kapel
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving, intaglio
Location: vatican city
Artist: adamo scultori
Artist role: painter, print maker, sculptor
Artist dates: 1530 – 1585
Subjects: the (nude) human figure; 'corpo humano' (ripa)
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een serie bestaande uit een titelprent en 72 prenten naar schilderingen door Michelangelo in de Sixtijnse Kapel in het Vaticaan.
Escutcheon Plate
Object type: escutcheon plate
Date: 1401 – 1433
Materials: iron
Culture: german
The Persian
Object type: print
Date: 1632 – 1632
Techniques: etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: men
Scissors
Object type: scissors
Date: 1636 – 1636
Materials: silver, steel

Part of a lady's embroidery or sewing equipment.
Peronne en Stand Arntzenius
Object type: photograph
Date: 1860 – 1915
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Capital (Study Collection)
Object type: capital study collection
Date: 101 – 300
Materials: stone
Culture: pakistani
Subjects: gandhara
Ecrans dans le goût Pictoresque
Object type: print
Date: 1753 – 1775
Materials: paper
Techniques: engraving
Location: paris
Subjects: fire-screen
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee haardschermen met schelpmotieven, guirlandes, een masker en fakkels.
Bord, veelkleurig beschilderd met Deutsche Blumen, insekten en vruchten
Object type: soup plate
Date: 1750 – 1760
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: factory mark

Rond soepbord van beschilderd porselein. Het bord is beschilderd met Deutsche Blumen, insekten en vruchten. De rand is in reliëf versierd met het Neuozier-patroon. Het bord is gemerkt en hoort bij een servies (BK-17474-1 t/m BK-17474-253).
Omslag voor: Genootschaps kalender 1897, Achitectura et Amicitia
Object type: wrapper
Date: 1897 – 1897
Materials: paper
Techniques: woodcut
Artist: karel petrus cornelis de bazel
Artist role: draughtsman, print maker
Artist dates: 1869 – 1923
Subjects: book-cover, binding
Inscriptions: date

Ditzelfde ontwerp is gebruikt voor de kalender van 1898.
Charles Saint-Mémin's American Passport
Object type: document
Materials: ink
Techniques: letterpress, pen
Artist: charles b. j. f. de saint-mémin
Artist role: subject
Artist nationality: french
Artist dates: 1770 – 1852
Subjects: documents

Issued to the artist Charles de Saint-Mémin, this passport describes him as aged forty, five feet 4 1/2 inches tall, with a light complexion, hazel eyes, two scars on his left arm, and a bald head usually covered with a wig. After an education at the École Militaire in Paris, Saint-Mémin left France with his family during the Revolution, first for Switzerland, then New York (arriving in 1793, they intended to move on to a family estate in Sainte Domingue (now Haiti), but were prevented by the uprising on that island). To support the family, Charles became a self-taught portraitist and specialized in profiles, often produced with the help of a physiognotrace. His subjects included John Marshall, Thomas Jefferson and George Washington. This document indicates that the artist became a United States citizen during this period. Returning to France in 1814, he became director of the Musée des Beaux-Arts in Dijon.
On Reclusion
Object type: hanging scroll
Date: 1301 – 1350
Materials: ink, paper
Culture: japanese
Artist: sesson yūbai 雪村友梅
Artist role: artist
Artist nationality: japanese
Artist dates: 1290 – 1346

Sesson Yūbai, one of the most accomplished literati Zen monks, was both proficient in calligraphy and learned in Chinese poetry. After studying with the Chinese émigré monk Yishan Yining (Japanese: Issan Ichinei, 1247–1317), he spent twenty-three years in China, and his calligraphy reveals the influence of the latest Chinese styles. Ample space between the columns of text allows the longer horizontal strokes and pronounced diagonals to stand out. The humble aspirations expressed in this poem are echoed in many Zen writings that honor a frugal life. My thatched hut is woven with disordered layers of clouds. Already my footprints are washed away with the red dust. If you ask, this monk has few plans for his life: Before my window, flowing waters; facing my pillow, books. —Trans. Jonathan Chaves
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: thalia painter
Artist role: artist

Interior, part of abdomen, genitals and legs of male with a skyphos, bending to left; upper part of a vase; Exterior, toes of right foot; foot to left
Ensemble
Object type: ensemble
Date: 1820 – 1829
Materials: cotton
Culture: american
Dish with Stylized Flowers
Object type: dish
Date: 1567 – 1633
Materials: enamel
Techniques: enamel
Culture: chinese
Subjects: flowers

During the sixteenth century there was a general decline in the quality of official wares in all media, including cloisonné. Attention centered on productivity and efficiency, a change from the fifteenth century, when the primary aim was to make the finest objects regardless of cost. The duller palette and imprecise enameling and gilding show the effects of the commercially oriented production of the time.
Piece
Object type: piece
Date: 1851 – 1872
Materials: cotton
Artist: stinton bros.
Artist role: designer
Subjects: roses
Group of Children
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: kate greenaway
Artist role: artist
Artist nationality: british
Artist dates: 1846 – 1901
Kleine ovalen
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: amsterdam
Ruitergevecht
Object type: drawing
Date: 1631 – 1676
Materials: ink, paper
Techniques: pen
Artist: jacques courtois
Artist role: painter
Artist dates: 1621 – 1676
Subjects: battle (+ cavalry, horsemen)
Queen Trisala's Grief (at the Stillness of the Unborn): Folio from a Kalpasutra Manuscript
Object type: folio
Date: 1401 – 1500
Materials: gold, ink, paper, watercolor
Culture: indian
Subjects: queens

Having received the embryo of Mahavira from the Brahmani Devananda, transplanted by Indra’s ambassador Harinaigamesin, Trisala, previously concerned over the embryo’s welfare, becomes distressed. The queen indicates her despair to her handmaiden and orders all festivities at the palace to cease. Her legs, revealed at the ankles, indicate the posture of a person unconcerned with her demeanor. A textile canopy, decorated with parading gajasimhas (mythical hybrid elephant-lions), hangs heavily over the scene.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1816 – 1856
Materials: gold alloy, gold, silver
Culture: japanese
Location: japan
Subjects: cranes
Scabbard Chape (Kojiri)
Object type: scabbard chape kojiri
Date: 1801 – 1900
Materials: copper, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: birds
Gezicht op Buren met de Sint-Lambertuskerk en de Huizenpoort
Object type: sketchbook leaf
Date: 1863 – 1863
Materials: paper, pencil
Location: buren
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: city-view, and landscape with man-made constructions, church (exterior), city-gate
Inscriptions: kleurnotitie, handgeschreven

Gezicht op Buren met de Sint-Lambertuskerk en de Huizenpoort. Blad 21 verso en blad 22 recto uit een schetsboek met 55 bladen vervaardigd op de Veluwe en in Noord-Duitsland.
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 7 (verso)
Object type: book print ornament architecture
Techniques: drawing, etching
Artist: pietro paulo tozzi
Artist role: designer
Artist nationality: italian
Artist dates: 1593 – 1628

Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua. Author's notes about the book printed in black (second of three pages).
Verzameling hoofden
Object type: print
Date: 1757 – 1758
Materials: paper
Techniques: etching
Location: venice
Artist: giovanni domenico tiepolo
Artist role: draughtsman, print maker
Artist dates: 1727 – 1804
Subjects: person with big beard
Inscriptions: collector's mark: Lugt 2228

Prent uit serie Verzameling hoofden (Raccolta di teste). Giovanni Domenico Tiepolo vervaardigde in de winter van 1757-1758 en in de periode van 1771-1774 deze hoofden naar schilderijen en tekeningen van Giovanni Battista Tiepolo. De eerste uitgave verscheen in 1774 in twee delen met elk dertig prenten. Deze prent werd in de tweede staat met serienummer 23 opgenomen in deel 2.
Tentjacht op het land
Object type: design
Date: 1899 – 1899
Materials: ink, paper
Techniques: pen
Artist: felicien bobeldijk
Artist role: draughtsman, print maker
Artist dates: 1876 – 1964
Subjects: baby-carriage, pram, perambulator
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Vervoermiddelen te land en te water, Vervoermiddelen te water.
Wood Thrush, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Birds of America" series (N4), issued in 1888 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Zelfportret, graverend
Object type: print
Date: 1911 – 1911
Materials: paper
Techniques: drypoint
Artist: max slevogt
Artist role: print maker
Artist dates: 1868 – 1932
Subjects: print maker, max slevogt, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Komfoor, behorend bij koffiekan, op vier vogelklauwpoten
Object type: komfoor
Date: 1839 – 1839
Materials: silver, wood
Location: netherlands
Artist: Anonymous
Inscriptions: mark

Komfoor van zilver. Het rust op vier hoge gebogen poten op vogelklauwen. Het komfoor heeft een met bloem- en bladmotieven opengewerkte wand en een gladde rechte bovenrand waarin de rechtwandige basis van de pot past.
The Disadvantage of Buying a Newspaper That is Publishing the News Twelve Hours Before the others. “- How come I buy your paper and cannot find the news of today? - Sir, today's news was in yesterday's paper,” plate 139 from Actualités
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Portret van Frans Hercules van Anjou
Object type: book illustration
Date: 1614 – 1614
Materials: paper
Techniques: engraving, letterpress printing
Location: the hague
Subjects: historical persons, nobility and patriciate; chivalry, knighthood

Prent uit: Meteren, Emanuel van. Historie der Nederlandscher ende haerder na-buren oorlogen ende geschiedenissen (...). Den Haag: Hillebrant Iacobsz. van Wouw, 1614.
Weigering van de Belgische kroon door de Hertog van Nemours 1831
Object type: history medal
Date: 1831 – 1831
Materials: bronze
Techniques: striking
Artist: adrien hippolyte veyrat
Artist role: medailleur
Artist dates: 1803 – 1883

Bronzen penning, op de voorzijde een klimmende leeuw naar rechts binnen een gordel met tekst, op de keerzijde een tablet met zeven regels tekst op een dichte eikenkrans, met omschrift.
Kamerpot van opaak wit glas (waarschijnlijk imitatie wit aardewerk); vrij hoog model met naar binnen gestoken bodem, vlakke halsrand en een aangezet oor.
Object type: pot
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous

Kamerpot van opaak wit glas, waarschijnlijk imitatie wit aardewerk; vrij hoog model met naar binnen gestoken bodem, vlakke halsrand en een aangezet oor.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, woman with right arm extended and youth holding drapery; on the ground is a round shield in three quarter view
Saucer
Object type: saucer
Date: 1785 – 1805
Materials: porcelain
Culture: chinese
Location: china
Subjects: birds,coat of arms
Landscape in Light Colors
Object type: hanging scroll
Date: 1775 – 1775
Materials: ink, silk
Culture: japanese
Artist: yosa buson
Artist role: artist
Artist nationality: japanese
Artist dates: 1716 – 1783

This landscape encapsulates Yosa Buson’s engagement with Chinese styles. A solitary, red-clad figure sits in a cottage at lower left, looking toward distant mountains shrouded in a soft mist that hovers over the water. The use of mist to create an ambiguous, atmospheric effect, offering a transition from the foreground to the background, is often seen in handscrolls by painters of the Wu school, who flourished during the Ming dynasty (1368–1644) in Suzhou, China. Buson established himself as a professional poet and painter in Kyoto, where he was able to access and copy an array of Chinese paintings, allowing him to develop his own refined synthesis of poetic imagery and artistic expression.
De vier elementen
Object type: print
Date: 1632 – 1670
Materials: paper
Techniques: engraving
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: water (one of the four elements), fisherman
Inscriptions: number: ‘3’, inscription: ‘Aqua’, collector's mark: Lugt 240

Een visser trekt zijn vangst aan land. Op de achtergrond hangt een net te drogen.
Handschoen van leverkleurig zeemleer en drie kunsstof knopen
Object type: clothing
Date: 1900 – 1915
Materials: leather, plastic
Location: western europe
Artist: Anonymous

Linker handschoen van leverkleurig zeemleer, bij de pols een split met drie kunsstof witte parelmoeren kunsstof knopen, op de rug drie uitstralende koorden.
Bergwerker
Object type: print
Date: 1694 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: miner, handicrafts, craftsman at work
Inscriptions: collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Beroep en bedrijf, Complete suites.
Montbar
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: city-view in general; 'veduta'

Prent uit: Zeiller, Martin. Topographia Galliae. 13 dln. Frankfurt: Caspar Merian, 1656, dl. 3, na p. 22.
Springend paard, in het veld
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: horse
Inscriptions: collector's mark: Lugt 2228, signature: ‘Tavenraat’
Herstel van de rust in de Nederlanden
Object type: jeton
Date: 1530 – 1530
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: frans i van valois-angoulême (koning van frankrijk), low countries

Koperen penning. Voorzijde: man, zittend aan tafel, bezig met tellen van geld of rekenpenningen binnen . Keerzijde: genius, bezig met spitten binnen omschrift
Gezicht op de Singelgracht
Object type: drawing
Date: 1827 – 1898
Materials: gouache, ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: johan george lodewijk rieke
Artist role: draughtsman, print maker
Artist dates: 1817 – 1898
Subjects: city-view in general; 'veduta', windmill in landscape, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 24.
Portret van Johann Friedrich Burg
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: mezzotint
Location: augsburg
Subjects: johann friedrich burg, bookshelves, rocaille ornament, theologian, historical persons, book
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent gebruikt voor: Brucker, Jacob. Bildersal heutiges Tages lebender und durch Gelahrtheit berühmter Schrifftsteller. Augsburg: Johann Jacob Haid, 1750.
Diptych with Annunciation, Visitation, Nativity, Crucifixion, and Coronation of the Virgin
Object type: diptych
Date: 1301 – 1400
Materials: ivory, metal
Culture: french
Subjects: angels,virgin mary,annunciation,crucifixion,nativity,visitation
Cup
Object type: cup
Date: 1800 – 1800
Materials: enamel, porcelain
Culture: japanese
Subjects: flowers,leaves
Bronze flanged axe
Object type: axehead
Date: 2000 – 1001
Materials: bronze
Culture: helladic

Light green patina with blue in spots.
Familie in een huiskamer
Object type: book illustration
Date: 1883 – 1927
Materials: paper
Techniques: wood engraving, letterpress printing
Location: london
Subjects: family life at home, living-room, parlour, sitting-room, mother and child(ren), woman and child(ren) (family group)

Prent uit: Jane en Ann Taylor. Little Ann and other poems. Londen: George Routledge & Sons, [1883], p. 62. Of een latere uitgave.
Fragment
Object type: textile
Date: 1601 – 1635
Materials: silk, velvet
Techniques: cutting, weave, voiding
Location: italy
Subjects: geometric motif
Divers paisages
Object type: print
Date: 1630 – 1660
Materials: paper
Techniques: etching
Location: france
Subjects: riding a horse, ass, or mule; rider, horseman, river bank, landscape with bridge, viaduct or aqueduct, village
Inscriptions: collector's mark: Lugt 240

Landschap met enkele huisjes en een rivier die uitloopt in een baai of meer. Centraal op de voorgrond een grote boom. Rechts daarvan een ruiter en een wandelaar. Links op de achtergrond een brug. Deze prent is onderdeel van een serie van 19 prenten (20 incl. titelprent) met landschappen.
Christ among the Doctors
Object type: print
Date: 1550 – 1599
Materials: paper
Techniques: engraving
Location: brussels
Subjects: christ's dispute with the doctors in the temple; he counts his arguments on his fingers
Inscriptions: collector's mark: Lugt 2228

The drawings by De Weerdt (on the adjacent wall) were transformed into engravings by Isaac Duchemin, a Netherlandish-born printmaker who, like De Weerdt, had settled in Cologne. The skilled engraver followed the designs extremely closely, translating De Weerdt’s painterly compositions into a dense network of lines, crosshatches, and dots. As a result of the printmaking process, the compositions appear in reverse.
Burgonet (<i>Zischägge</i>)
Object type: burgonet zischägge
Date: 1560 – 1570
Materials: copper alloy, gold, leather, steel
Culture: german
Location: germany
Fragment of wood belonging to the organ from the Nicolaïkerk in Utrecht
Object type: fragment
Date: 1580 – 1580
Materials: wood
Location: northern netherlands
Artist: Anonymous
Subjects: nicolaïkerk

Sierlijst van hout met een engelenkop met twee vleugels geflankeerd twee monsterkoppen en profile gezien. Onderdeel van het orgel afkomstig uit de Nicolaïkerk in Utrecht (BK-NM-8166).
Int St. Pieter-pant binnen Utrecht 1660
Object type: book illustration
Date: 1727 – 1733
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: handicrafts, craftsman at work (+ men (labourers)), courtyard
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 213.
Portret van Jan Hofker
Object type: print
Date: 1905 – 1905
Materials: paper
Techniques: soft ground etching
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: portrait of a writer
Inscriptions: watermark, inscription: ‘II uitgehaalde druk’
Portret van Jean-Jacques Rousseau
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: stippling
Location: hamburg
Subjects: historical persons
Inscriptions: date

Prent afkomstig uit: Minerva. Ein Journal historischen und politischen Inhalt [uitgegeven door:] Johann Wilhelm Archenholz. Erster Band für das Jahr 1794. Januar, Februar, März. Hamburg: Johann Wilhelm Archenholz en Benjamin Gottlob Hoffmann, [1794].
Jesus werd besneden
Object type: album leaf
Date: 1629 – 1648
Materials: paper
Techniques: letterpress printing
Location: antwerp
Artist: jan klooster
Artist role: bookseller
Subjects: circumcision of the christ-child by the priest in the temple (luke 2:21)

Van deze prenten zijn twee staten bekend. Op deze tweede staat is de afbeelding van de Heilige Geest in de vorm van een duif van de voorstelling verwijderd.
De prent is afkomstig uit: Bybels Lusthof. Amsterdam, J. Klooster, 1740. De prent werd gemaakt voor de uitgaven van P.J. Paets uit Amsterdam, verschenen in de jaren 1629-1648.
Gezicht op Meliskerke te Zeeland
Object type: drawing
Date: 1754 – 1800
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: prospect of village, silhouette of village

Kopie naar de prent van Hendrik Spilman, zie RP-P-AO-15-126-6-1.
Fan
Object type: costume and accessory
Date: 1701 – 1800
Materials: ivory, paper
Techniques: gilding, painting
Location: france