deem-data/ArtiFact huggingface dataset:
Dieren
Object type: print
Date: 1635 – 1670
Materials: paper
Techniques: engraving, etching
Location: utrecht
Subjects: ornamental birds: peacock
Inscriptions: collector's mark: Lugt 240

Een maagd voert pauwen die rond lopen op een boerenerf. Prent uit een serie van 14 prenten met verschillende inheemse dieren.
Hara, Yoshiwara, and Kanbara, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Three Stations (Tokaido gojusan eki sanshuku meisho)"
Object type: print
Date: 1830 – 1835
Techniques: woodblock print
Location: japan
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Groepsportret met moeder en twee kinderen
Object type: album leaf
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: rive-de-gier
Artist: benoît bonnet-poméon
Artist role: printer
Artist dates: 1827 – 
Subjects: mother and child(ren), woman and child(ren) (family group)
Inscriptions: inscription: ‘Photographie Artistique/ Bonnet-Poméon/ Rue de Lyon, 15/ Rive-de-Gier/ Loire’
Beaker
Object type: beaker
Date: 1700 – 1700
Materials: glass
Subjects: human figures,deer
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1889 – 1889
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: arnold koning
Artist role: print maker
Artist dates: 1860 – 1945
Subjects: painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Sheperd with his Flock and a Dog
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: anonymous, flemish, 17th century
Artist role: artist
Artist nationality: flemish
Artist dates: 1600 – 1700
Subjects: cows,dogs,sheep,shepherds
Hairpin
Object type: hairpin
Date: 1886 – 1886
Materials: gold
Culture: frankish
Location: northern france
Portret van Franz Ludwig Pfyffer
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: engraving
Artist: c. müller
Artist role: print maker
Subjects: historical persons, writing and letters, rocks
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit: Bertuch, Friedrich Justin. Allgemeine geographische Ephemeriden: Mit Kupfern und Charten. Weimar: Industrie-Comptoir, 1806, dl. 19.
Paris. - Le Grand Escalier de l'Opéra
Object type: photograph
Date: 1887 – 1900
Materials: paper
Techniques: albumen print
Location: paris
Subjects: staircase, opera house
Inscriptions: inscription: ‘148 Paris. - Le Grand Escalier de l'Opéra X. Phot.’, inscription: ‘Parijs -Opera’

Tussen 1887 en ca. 1900 werkten Neurdein frères onder andere onder de naam 'X phot.'.
Vrouw met cornucopia en graan en Bacchus met cornucopia en geit
Object type: page
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: harvest, 'cornucopia', horn of plenty, (story of) bacchus (dionysus), liber, (scenes from) specific works of literature: colonna, hypnerotomachia poliphili

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, recto fol. 68.
Netsuke van een man met een rattenval
Object type: print
Date: 1840 – 1890
Materials: paper
Techniques: drypoint, intaglio
Artist: philippe burty
Artist role: print maker
Artist dates: 1830 – 1890
Subjects: carving ~ applied arts, piece of sculpture, reproduction of a piece of sculpture, mouse trap
Inscriptions: inscription: ‘Pointe-Sèche<BR />Ph.B.’, collector's mark: Lugt 2233
Morning cap
Object type: morning cap
Date: 1837 – 1837
Materials: cotton
Culture: american

The proper 19th century woman wore various forms of headwear throughout the day and evening. Unstructured, finely decorated cotton caps such as this were worn in the morning hours with the informal attire appropriate for the early part of the day. The particularly elegant detailing on this example such as the fineness of the embroidery, extra ruffle with lace edging on the streamers, embroidered, pointed edges of the ruffles, hemstitched seams and tucking on the ties all contribute to an overall sense of refinement and femininity. The streamers, known as "follow me lads" or "flirtation ribbons" add a coquettish touch as well.
Gezicht op de Dam
Object type: ansichtkaart, prentbriefkaart
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Location: amsterdam
Artist: Anonymous
Subjects: square, place, circus, etc., city-view in general; 'veduta', palace
Inscriptions: collector's mark: ‘7’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Dam (na 1835).
Jappe Gruelt van Molcquerum, Poppesz. / Etienne Legèr des Hautes Culottes
Object type: print
Date: 1790 – 1800
Materials: paper
Techniques: etching
Location: netherlands
Subjects: folk costume, regional costume, france
Inscriptions: collector's mark: Lugt 2228

Volgens Muller mogelijk gebruikt als illustratie in: Spiegel voor 't Menschdom. Amsterdam: Moolenijzer, 2 dln, 1794-1796 (?)
Ibex-Shaped Design Amulet Inscribed With A Crocodile and A Fish
Object type: stamp seal, ibex
Date: 1550 – 1295
Materials: faience
Location: egypt

The animal on its little base might be crouching behind a bush during a hunt. Eyes wide open and head only slightly raised from the forelegs, the animal seems to be listening and sniffing for the dreaded hunter and his dogs. The ancient Egyptians considered the ibex to be a good-luck charm and symbol of renewal. Ibex figures often decorated New Year's gifts, and in "Happy New Year" inscriptions an ibex frequently served as the hieroglyphic emblem for the word "year." The piece here is pierced horizontally to fit into a ring.
Groepsportret van het gezin van Friedrich Wilhelm, kroonprins van Pruisen, met links Wilhelm (de latere keizer Wilhelm II)
Object type: carte de visite
Date: 1864 – 1867
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: wilhelm ii (keizer van duitsland), clothes, costume (+ children's clothes), family group, especially parents with their child(ren), prince, historical persons, clothes, costume (+ women's clothes), clothes, costume (+ men's clothes), ruler, sovereign, crown prince

Onderdeel van Fotoalbum met 123 cartes-de-visite van leden van Europese vorstenhuizen, politici en bekende personen.
Dode vogels hangend aan een tak
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: drypoint, etching, intaglio, retroussage
Artist: jacques thielens
Artist role: print maker
Subjects: birds, hunting trophies, kitchen-interior with foodstuffs in foreground (dutch: 'keukenstuk')
Inscriptions: mark: ‘Antwerpsche Etsers 1880’, collector's mark: Lugt 2228
Double-End Snake Bottle
Object type: bottle
Date: 300 – 101
Materials: ceramic, pigment
Culture: paracas
Location: peru
Subjects: snakes
Portret van Simon Grynäus
Object type: print
Date: 1752 – 1793
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: johann georg sturm
Artist role: print maker
Artist dates: 1742 – 1793
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Landscape in the Style of Ancient Masters: after Wang Meng (c. 1308-1385)
Object type: painting
Materials: ink, paper
Location: china
Artist: lan ying
Artist nationality: chinese
Artist dates: 1585 – 1664
Inscriptions: 黃鶴山樵江皋話古圖畫，寄吉偶辭長正之。藍瑛。

After “Conversation by the River" of Wang Meng (c. 1308–85). I asked for Mr. Ji’ou’s instruction. Lan Ying.

Artist's seals: 藍瑛, 田叔氏
Combined Wheellock Spanner, Turnscrew, and Adjustable Powder Measure
Object type: arm
Date: 1601 – 1700
Materials: iron
Culture: european
Location: europe
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of a circumscribed open lotus and a circumscribed palmette
Portret van een man
Object type: painting, miniature
Date: 1575 – 1575
Materials: copper, oil, silver
Location: low countries
Artist: Anonymous
Subjects: historical persons not known by name

Portret van een man. Buste naar links, met een hoge muts. Onderdeel van de collectie portretminiaturen.
Design for Wagon, no. 832
Object type: drawing
Date: 1860 – 1860
Materials: gouache, gum arabic, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Man met baard en pijl zwevend boven een vrouw met kind
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: engraving, letterpress printing
Location: london
Subjects: adult man, archer's weapons: arrow, mother and child(ren), woman and child(ren) (family group), beard
Inscriptions: : ‘To naked waste ; a dreary vale of tears (...)’

Prent maakt deel uit van een boek, bladzijde 13. Tekst in het Engels op recto en verso.
Marie Antoinette: The Queen of Fashion: Ball at the Home of Monsieur de Villemorien
Object type: costume print
Date: 1774 – 1774
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: party clothes, festive attire, dress, gown: ball gown (+ women's clothes), ball, formal dance, clothes, costume (+ women's clothes), clothes, costume (+ men's clothes)
Inscriptions: watermark, collector's mark: Lugt 2228, collector's mark: Lugt 2760

French queens were expected to set an example in the realm of fashion. As the wife of Louis XVI, Marie Antoinette threw herself into this task with enthusiasm. Together with her marchande de modes Rose Bertin and her hairdresser Léonard, she launched many a new fashion. Court etiquette dictated robes de cour – lavishly embellished gowns with wide skirts. When receiving visitors, Marie Antoinette wore a robe à la polonaise 1 2, but preferred an informal, loose-fitting gown when at her own pavilion in Versailles. This chemise de la reine 3 was quickly adopted by other women of the elite.
Portret van een man, aangeduid als Geertsema
Object type: photograph
Date: 1850 – 1866
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: jacobus van koningsveld
Artist role: draughtsman
Artist dates: 1824 – 1866
Subjects: historical persons
Inscriptions: signature: ‘[.]Geertsema’, name: ‘Geertsema’, inscription: ‘J. v. Koningsveld/ FREDERIKSTRAAT 60.’
Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō"
Object type: woodblock print
Date: 1833 – 1834
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: houses,mountains,snow

Deep snow covers the slope of Kanbara in the evening. Fresh flakes falling on the houses, trees, and mountains create a quiet that is broken only by the implied crunch of travelers' footsteps in the snow. This scene is imaginary because records indicate that Hiroshige traveled through Kanbara in the summertime, and such heavy snowfall would be unusual for this area of Japan.
Montesquieu
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Rekenpenning uit Dordrecht op de afgebroken vredesonderhandelingen te Keulen 1580
Object type: history medal
Date: 1580 – 1580
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde de Spaanse Koning die een leeuw een olijftak aanbiedt maar een halsband achter zijn rug houdt, gezegend door de Paus, met omschrift, op de keerzijde een leeuw gekluisterd aan een zuil met een halsband, waar een rat aan knaagt, met afsnedetekst en omschrift.
Studio delle virtuose Dame, page 27 (recto)
Object type: book print ornament architecture
Date: 1597 – 1597
Techniques: woodcut
Artist: isabella catanea parasole
Artist role: designer
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: ornament

Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Antonio Fachetti, Rome. From top to bottom, and left to right: Design decorated with 8 squares ornamented with an alternating pattern of a diamond and a quatrefoil motif.
Singer Standing Between Two Smokers
Object type: print
Date: 1610 – 1685
Techniques: etching
Artist: adriaen van ostade
Artist role: artist
Artist nationality: dutch
Artist dates: 1610 – 1685
Subjects: men,smoking
Christ Testifying his Mission
Object type: print
Date: 1520 – 1520
Techniques: etching
Artist: daniel hopfer
Artist role: artist
Artist nationality: german
Artist dates: 1470 – 1536
Subjects: men,christ
Marital concord (one of a pair)
Object type: group
Date: 1766 – 1766
Materials: hard paste porcelain
Artist: frankenthal porcelain manufactory
Artist role: manufactory
Artist nationality: german
Subjects: couples,men,women
Grotesque Borders for Rooms & Halls
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,horses,carriages

Three strips arranged horizontally with various scenes. Top scene: Private Theatricals; Middle scene: Lilliputian Poney Races; Lower scene: A Lilliputian Stage Coach Stopping to Change Horses.
Doorkijk van zaal D naar zaal E op de Historische Tentoonstelling van Amsterdam in 1876
Object type: photograph
Date: 1876 – 1876
Materials: photographic support
Techniques: albumen print
Location: amsterdam
Artist: pieter oosterhuis
Artist role: draughtsman, print maker
Artist dates: 1816 – 1885
Subjects: permanent exhibition, museum
Inscriptions: annotation: ‘16: [Doorkijk van zaal D naar zaal E]’, number: ‘-1’
Portret van een peuter en een baby
Object type: photograph
Date: 1861 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: toddler, historical persons, infant, baby
Inscriptions: inscription: ‘A. Greiner/ photograf/ Nieuwendijk L 87/ Amsterdam’
Terracotta fragment from a closed shape
Object type: undetermined closed shape
Date: 534 – 468
Materials: terracotta
Culture: etruscan
Glass ribbed bowl
Object type: bowl, ribbed
Date: 67 – 100
Materials: glass
Culture: roman

Translucent honey brown. Outsplayed rim, with almost pointed edge and concave band sloping inward below; side curving in downwards; concave bottom. On interior, fine horizontal groove on inner edge of rim, two concentric grooves around bottom and small, broader circle at center; on exterior, fifty-one slightly slanting ribs of varying length and width, with tops ground off, arranged around bulging middle section of body. Intact, except for one small chip and crack in rim; some internal strain cracks; few bubbles; dulling on interior and around band below rim on exterior, and one patch of encrusted limy weathering on lower side and bottom, elsewhere small patches of iridescent brownish weathering. Rotary grinding marks on interior and plain band around top of sides on exterior.
Portret van Agostino Barbarigo en de personificaties van Eendracht en Vrede
Object type: print
Date: 1673 – 1743
Materials: paper
Techniques: engraving
Location: rome
Subjects: agreement, unity; 'concordia', 'concordia insuperabile', 'concordia militare', 'concordia di pace', 'unione civile' (ripa), 'cornucopia', horn of plenty, symbols, allegories of peace, 'pax'; 'pace' (ripa), medal (considered as a piece of sculpture, regardless of its specific function), peace and prosperity, 'pax et abundantia'
Inscriptions: collector's mark: Lugt 2228

Voetstuk in de vorm van een cartouche. Daarop een medaillon met op de voorzijde het portret van Agostino Barbarigo in harnas. Op de achterzijde plaatsten twee commissies een grenssteen. Gezien de wapenschilden in de linker- en rechter bovenhoek betreft het de grensstenen van keizer Ferdinand I en Venetië. Links op het voetstuk zit de personificatie Eendracht met in haar rechterhand twee cornucopia die met elkaar verstrengeld zijn en in haar linkerhand een vuurbeker. De vrouw rechts heeft een spies en olijftak in haar handen. Ze is de personificatie van de Vrede. De prent maakt deel uit van een album.
Schutterij van Gouda
Object type: marksman medal
Date: 1600 – 1700
Materials: silver
Techniques: striking
Location: gouda
Artist: Anonymous
Subjects: gouda

Zilveren penning. Voorzijde: schutter met geweer over linker schouder en vork in rechterhand binnen siermotief. Keerzijde: gekroond wapenschild binnen omschrift op wimpels
Fotoreproductie van een ontwerp voor een wandindeling met een sofa en een spiegel
Object type: photograph
Date: 1873 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: liège
Subjects: mirror, container of ceramics: jar, jug, pot, vase, couch, sofa, settee
Inscriptions: inscription: ‘Eug. Prignot. inv.’, stamp: ‘AFGESCHREVEN/ [...]’, inscription: ‘Déposé’, stamp: ‘TEEKENSCHOOL/ VOOR/ KUNST-NIJVERHEID/ HAARLEM’, number: ‘45’

Deze foto maakt deel uit van een omslag met 61 foto's op 61 bladen.
Ribbon
Object type: ribbon
Date: 1801 – 1833
Materials: metal thread, silk
The Actor Bando Hikosaburo II in the Role of the Oiran Hatsuito of Yamashiro-ya
Object type: print
Date: 1770 – 1770
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: ippitsusai bunchō
Artist role: artist
Artist nationality: japanese
Artist dates: 1765 – 1792
Subjects: women,actors
Gezicht op het dorp Heenvliet
Object type: print
Date: 1796 – 1798
Materials: paper
Techniques: etching
Location: amsterdam
Artist: anna catharina brouwer
Artist role: print maker
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2228

afkomstig uit: L. van Ollefen, De Nederlandsche stad- en dorp-beschrijver. Deel 6, Amsterdam: Hendrik Arend Banse, 1798.
Iconographie
Object type: print
Date: 1646 – 1675
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, print maker, draughtsman, cornelis schut (i), historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2760, collector's mark: 2166

Prent waarschijnlijk uit: Icones principum, virorum doctorum, pictorum, chalcographorum, statuariorum (...). Antwerpen: Gillis Hendricx, [1645-1646].
Polygonal Virginal converted to a Tangent Piano
Object type: polygonal virginal converted to a tangent piano
Materials: wood, ivory
Culture: italian
Location: italy
Artist: franciscus bonafinis
Artist role: maker
Artist nationality: italian

Technical description: Pentagonal cypress inner case with softwood bottom, cypress soundboard with fine parchment-backed cypress-veneer rose, nameboard cut down slightly and possibly not original (lap-joint in center), moldings and name board studded with ivory buttons, panel above nameboard decorated with applied ornaments (many missing) of later origin; rectangular lidded outer case (probably later) painted red with ornamental scrollwork, festooned masks, birds and animals, having lidded triangular compartments along back and right side, with a framed fabric pentagonal panel (later) serving as dust cover; compass: c/e-a3 (no g#3), assumed pitch 4' (41 keys); bone naturals, ebony accidentals, black and white ivory studs at rear ends of key covers; jack rail missing but brackets present; oblong unpierced tuning pins; virginal jacks removed and replaced with leather-topped "tangents" or free jacks that strike and rebound from strings; 8 additional tangents found in an outer case compartment; 4 of these, of different wood than the others, are unleathered and have tiny leather dampers supported by brass wire.
The Presentation in the Temple
Object type: textile orphrey
Materials: linen, metal, silk
Culture: spanish
Subjects: men,virgin mary,jesus
Portret van Franz Kaspar von Stadion
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: matthias van sommer
Artist role: draughtsman, print maker
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Volgens Hollstein werd de prent gebruikt voor de publicatie: Sommer, Matthias van. Hasce Omnium Electorum. Regensburg: s.n., 1667. Alhoewel op de titelpagina van de publicatie het jaar 1667 wordt vermeld, zijn meerdere prenten later gedateerd. Waarschijnlijk werd de publicatie pas in 1671 daadwerkelijk uitgegeven.
Portret van Willem Molengraaff
Object type: photomechanical print
Date: 1898 – 1970
Materials: cardboard, paper
Techniques: letterpress printing, snipping
Artist: Anonymous
Subjects: nijmegen, the hague, historical persons, lawyer, attorney at law

Fotomechanische afdruk uit een onbekende publicatie.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, bit of lower drapery and left foot of figure to right
Rekenpenning uit Utrecht op de onlusten in Utrecht 1612
Object type: history medal
Date: 1612 – 1612
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde onlustzaaiers (Dirk Kanter en Hendrik van Helsding) die een kuil graven, met omschrift, op de keerzijde de onlustzaaiers die in de kuil vallen, met omschrift.
Hamburg, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: coat of arms,flags

Trade cards from the "City Flags" series (N6), issued in 1887 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Steatite seal in the form of a double-axe
Object type: seal
Date: 2200 – 1750
Materials: stone
Culture: minoan

Five groups of concentric circles.
Coffee Pot
Object type: ceramic
Date: 1755 – 1755
Materials: ceramic, porcelain, soft paste porcelain
Techniques: underglaze
Location: worcester
Vue perspective du refectoire de l'Hôtel Royal des Invallides a Paris
Object type: opticaprent
Date: 1700 – 1799
Materials: paper, watercolor
Techniques: brush, etching
Artist: Anonymous
Subjects: interior ~ representation of a building, (family) meal
Inscriptions: collector's mark: Lugt 2166
Studioportret van moeder met dochter
Object type: cabinet photograph
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous