deem-data/ArtiFact huggingface dataset:
Optocht
Object type: photograph
Date: 1885 – 1885
Techniques: albumen print
Location: suriname
Artist: julius muller
Artist role: official, politician
Artist dates: 1846 – 1902
Subjects: suriname

Grote groep mensen op de been in Paramaribo, mogelijk in 1885 bij de ovatie aan de heer Cateau van Rosevelt ter gelegenheid van zijn vijftigjarige ambtsjubileum in Suriname.
Groep mensen die in een straat voor een school staan
Object type: stereograph
Date: 1903 – 1903
Materials: paper, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945

Het gaat vermoedleijk om de familie Kessler in Tsjechië.
Hindostanee Dancer, from the Dancing Women series (N186) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,dancing,dancers

Trade cards from the "Dancing Women" series (N186), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
Wasboekje
Object type: notebook
Date: 1910 – 1919
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: laundering
Necklace
Object type: necklace
Date: 1201 – 1600
Materials: gold
Culture: colombian
Location: colombia
Dress
Object type: dress
Date: 1881 – 1881
Materials: silk
Culture: american
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic
Artist: colmar painter
Artist role: artist

Interior, right leg, with greave, of archer moving to right, shooting an arrow; part of an inscription, [K]ALOS, retr.
Armstoel
Object type: furniture
Date: 1695 – 1705
Materials: wood
Location: netherlands
Artist: Anonymous

Armstoel van notenhout. Het meubel is met riet bespannen en heeft gebroken S-vormige poten versierd met een voluut en acanthusblad. Het kruis is X-vormig. De vrijstaande hoekstijlen van de hoge rug vertonen huis en geledingen met acanthusblad en eindigen in vaasjes. De armstutten in de vorm van S-voluten dragen de armleggers, die gehold zijn en eindigen in naar buiten gerichte voluten, versierd met acanthusblad, evenals het achterpand. De huizen hebben rozetten en de zitregels zijn met acanthusblad versierd.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, extended arm, and legs of a woman to right, wearing a chiton
Studie voor Eva, die de appel plukt
Object type: drawing
Date: 1555 – 1561
Materials: chalk, paper
Artist: battista franco
Artist role: draughtsman, painter, print maker
Artist dates: 1510 – 1561
Schets met meerdere figuren
Object type: drawing
Date: 1885 – 1922
Materials: chalk, paper
Artist: johannes hendricus jurres
Artist role: draughtsman, print maker
Artist dates: 1875 – 1946
Portret van een onbekende acteur met boezeroen en een boek
Object type: photograph
Date: 1900 – 1920
Materials: paper, cardboard
Techniques: gelatin silver print
Location: toulouse
Subjects: portrait of actor, actress, historical persons not known by name
Inscriptions: signature: ‘Sereni & Cie/ Toulouse’
Portret van Willem II, koning der Nederlanden
Object type: print
Date: 1826 – 1829
Materials: paper
Techniques: lithograph
Location: brussels
Artist: claudio linati
Artist role: print maker
Artist dates: 1790 – 1832
Subjects: the hague, william ii of the netherlands, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 963, collector's mark: Lugt 2165

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Balustrade met reliëf van de San Marco in Venetië
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: photograph
Location: venice
Subjects: balustrade, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘N.23’, number: ‘266’, number: ‘N.23.’

Deze prent maakt deel uit van een omslag met 58 prenten op 50 bladen.
Officierssabel lichte cavalerie model nr. 4 met schede
Object type: sabre
Date: 1843 – 1843
Materials: iron, steel
Techniques: etching
Location: solingen
Subjects: netherlands
Inscriptions: : ‘Het 1e Regt Lanciers aan den 2e Luit. W.C.H. van Rappard / Als vereerend blijk van van goedkeuring voor gegeven militair onderwijs 1843 op 1844’

Officierssabel lichte cavalerie model nr. 4. Inscriptie op de kling: Het 1e Regiment lansiers aan den 2e Lt. U.J.K. van Rappard - Als vereerende blijk van Goedkeuring voor gegeven Militair Onderwijs 1843 op. 44 - 6 december 1844. Rondom tekst gegraveerd lofwerk. En fabrieksmerk Schnitzler & Kirschbaum, Solingen. De kling van deze is zeer licht gebogen en heeft aan beide zijden dubbele geulen. De schede heeft 2 ringen, waarvan de bovenste (1859) vast zit.
Grave Monument
Object type: grave monument
Date: 901 – 1000
Materials: wood
Culture: byzantine
Ein new Modelbuch..., page 15 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Subjects: acanthus

Published by Johann Schӧnsperger the Younger, Zwickau. From top to bottom, and left to right: Design composed of 3 vertical columns. Left column is decorated with a curving white line. Middle column is decorated with coiling acanthus leaves. Right column is decorated with a pattern of horizontal hatch marks.
Vase fragment
Object type: vase fragment
Date: 670 – 330
Materials: terracotta
Culture: roman

Lower part of brownish-yellow enamelled vase with raised garland decoration.
Jean Auguste Dominique Ingres (1780–1867), French painter
Object type: medallion
Date: 1801 – 1900
Materials: bronze, patina
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
't Maria Klooster, aan de West zyde van de Nesse
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: abbey, monastery, convent ~ roman catholic church
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 195

Prent ook gebruikt in: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (…). 3 delen [folio-uitgave]. Amsterdam: Isaak Tirion en Yntema & Tieboel, 1760-1767, dl. 1 (Isaac Tirion, 1760).

Zie RP-P-AO-24X-10 voor proefdruk.

Dat de prent de situatie rond 1544 weergeeft gaat terug op het feit dat voor het maken van deze en andere prenten van kloosters en kerken van voor de Alteratie (1578) is uitgegaan van de plattegrond van Cornelis Anthonisz. uit 1544 (zie RP-P-OB-70.399 en RP-P-AO-20-15).
Portret van Abraham des Amorie van der Hoeven
Object type: drawing
Date: 1792 – 1867
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: abram van der horn
Artist role: draughtsman, print maker
Artist dates: 1782 – 1867
Subjects: historical persons
Foro civile. Pompei.
Object type: photograph
Date: 1860 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: pompeii
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: square, place, circus, etc., excavation ~ archaeology, volcano
Inscriptions: number: ‘5301’

Onderdeel van Fotoalbum met opnames van opgravingen in Pompeï door Giorgio Sommer.
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, chalk, ink
Techniques: pen, writing
Location: soest
Subjects: the hague, draughtsman, philip zilcken, the graphic arts
Inscriptions: collector's mark: ‘RPK’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of draped woman to right; Exterior, unidentified subject
Studieblad met een hoofd, de blik naar boven gericht
Object type: print
Date: 1756 – 1817
Materials: paper
Techniques: etching
Location: unknown
Artist: louis bernard coclers
Artist role: draughtsman, print maker
Artist dates: 1741 – 1817
Inscriptions: collector's mark: Lugt 2228
Shoe buckles
Object type: shoe buckle
Date: 1801 – 1833
Materials: metal
Culture: european
Portret van een onbekend Zweeds meisje
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Artist: frederick downer
Artist role: clichémaker, fotograaf
Subjects: adolescent, young woman, maiden

Prent op vijfde ongenummerde pagina na pagina 108.
Brug over de rivier
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ruin of a building ~ architecture, bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 2228

Zicht op een rivier en een boogvormige brug. Op de linkeroever huizen en ruïnes. Enkele figuren lopen op de brug. Prent maakt deel uit van een serie Romeinse ruïnes en kustlandschappen naar een prentserie van Willem van Nieulandt.
Small oval box with cover (one of a pair)
Object type: box with cover
Date: 1755 – 1757
Materials: silver gilt
Artist: johann martin satzger i
Artist role: maker
Artist dates: 1707 – 1785
[Actress wearing dress with fringed bodice], from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Fragment van geel zijden weefsel met witte bloemen
Object type: woven material
Date: 1775 – 1799
Materials: silk
Location: germany
Artist: Anonymous

Fragment van geel zijden weefsel met witte bloemen.
Straatscène in India
Object type: sketchbook leaf
Date: 1924 – 1925
Materials: paper, pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: asiatic races and peoples: indians, (farm) wagon, freight wagon, cart, street (+ city(-scape) with figures, staffage)

Op de voorgrond Indiërs en karren. Pagina 146 uit een schetsboek met 87 bladen.
Ex libris van Alexis Kahl
Object type: bookplate
Date: 1913 – 1913
Materials: paper
Techniques: etching
Location: schlangenbad
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: zwickau, robert schumann, dale, valley, mountains
Inscriptions: signature and date: ‘L. Schelfhout 1913’, collector's mark: Lugt 2233
Designs for Components of Stage Sets: at Bottom: Spiral and Wreathed-Colonnaded Pavillion with Central Arch Surmounted by Military Trophy and Another Hanging Inside Arch; at Top: Centralized Pavillion Decorated by Pediment Surmounted by Fountain
Object type: drawing
Date: 1696 – 1756
Materials: chalk, ink
Techniques: pen
Artist: giuseppe galli bibiena
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1756
Subjects: architecture
Donau en het kasteel van Bratislava
Object type: photomechanical print
Date: 1950 – 1980
Materials: cardboard
Techniques: four-color autotype
Location: bratislava
Subjects: castle, river
Inscriptions: inscription: ‘Kcs 0.20/ V prospech cestovného ruchu’, inscription: ‘M 05-22824 (...) Kcs 0,60’
Portret van aartsbisschop Thomas Cranmer
Object type: print
Date: 1669 – 1731
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: flame
Inscriptions: collector's mark: Lugt 2228

Thomas Cranmer, aartsbisschop van Canterbury en protestants martelaar. De lijst van het portret is versierd met vlammen, verwijzend naar zijn marteldood. Onder het portret zijn wapenschild. De prent heeft als onderschrift een Frans gedicht over zijn leven.
Pyramid of Caius Cestius, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1547 – 1547
Techniques: engraving
Location: rome
Artist: Anonymous
Artist role: artist
Subjects: pyramids,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 44 in the scrapbook.
Fragment with the cartouche of Nefertiti
Object type: cartouche of nefertiti
Date: 1353 – 1336
Materials: quartzite
Location: egypt
Subjects: nefertiti
½ duit van Nederlands Indië, 1821
Object type: coin
Date: 1821 – 1821
Materials: copper
Techniques: striking
Location: surabaya
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Koperen munt. Voorzijde: tussen waarde-aanduiding 5 1/32 G. gekroond generaliteitswapenschild. Keerzijde: tweeregelig opschrift, waarboven muntteken en waaronder jaartal. Gladde rand.
View on the Catskill—Early Autumn
Object type: painting
Date: 1836 – 1837
Materials: canvas, oil
Culture: american
Artist: thomas cole
Artist role: artist
Artist nationality: american
Artist dates: 1801 – 1848
Subjects: mountains,landscapes

Cole was enraptured by the pictureseque landscape along the Hudson River in upstate New York and spent much of his time at his home on the Catskill Creek tributary. By 1837, when he painted this view, the region was rapidly transforming. The Canajoharie and Catskill Railroad was being constructed through its heart, dooming hundreds of trees. Cole, who was also a poet and essayist, wrote in despair of the ruthless sacrifice. Here, the misty glow on the distant mountains, the calm water, and the pastoral figures constitute a scene that he mourned as lost forever.
Portret van Campegius Vitringa
Object type: print
Date: 1716 – 1761
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: leeuwarden, theoloog, campegius vitringa
Inscriptions: collector's mark: Lugt 2228

Campegius Vitringa, theoloog en hoogleraar te Franeker. Onderaan in de marge een zesregelig vers in het Latijn.
Fakirs Resting
Object type: illustrated album leaf
Date: 1601 – 1700
Materials: silk
Location: india
Subjects: animals,men
The Baptism of Christ (verso); The Circumcision of Christ (recto), pages 34 and 33, from the Treasury (Schatzbehalter)
Object type: print
Date: 1491 – 1491
Materials: paper
Techniques: woodcut
Location: germany
Artist: michael wolgemut and workshop
Artist nationality: german
Artist dates: 1434 – 1519
S. Pèlerin, éveque et martyr (St. Pelerin, Bishop and Martyr), May 16th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Shipwreck near a Rocky Coast
Object type: painting
Date: 1833 – 1833
Materials: canvas, oil
Techniques: painting
Location: united states
Artist: thomas birch
Artist role: artist
Artist nationality: american
Artist dates: 1779 – 1851
Subjects: landscapes, boats
Inscriptions: Signed at lower right: "T Birch 1833"

Based in Philadelphia, Thomas Birch was a leading marine painter who helped establish the genre in early 19th-century America. Shipwreck near a Rocky Coast is a romantic, imaginative composition that highlights human struggle against the forces of nature: the ship’s sails are torn, its masts lean to one side, and a tiny group of seafarers attempts to flee the disaster. Birch rendered the scene in dramatic detail, yet left the narrative unresolved.
Sheet with four borders with guilloche and ribbon patterns
Object type: print
Date: 1767 – 1866
Techniques: relief print
Artist: Anonymous
Artist role: artist
Foot and leg of Akhenaten or Nefertiti prostrate
Object type: akhenaten or nefertiti prostrate, foot leg
Date: 1352 – 1336
Materials: limestone
Location: egypt
Subjects: feet
Cover
Object type: cover
Date: 1801 – 1833
Materials: cotton, silk
Techniques: embroidery
Location: caucasus
Rembrandt's son in a monk's habit, possibly in the guise of St Francis of Assisi
Object type: painting
Date: 1660 – 1660
Materials: canvas, oil, paint
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: amsterdam, draughtsman, historical persons, monk(s), friar(s), founder of the order of friars minor (franciscans), francis(cus) of assisi; possible attributes: book, crucifix, lily, skull, stigmata
Inscriptions: signature and date: ‘Rembrandt f. 1660’

Rembrandt portrayed his son Titus with downcast eyes and wearing a Franciscan habit. The rules of this monastic order prescribed a life of poverty and humility. Indicative of this are the coarse robe and the introspective gaze on the boy’s gaunt face, on which Rembrandt has focussed all his attention. The surroundings, with rocks and bushes, are only summarily suggested.
Crossbow
Object type: arm
Materials: wood, bone, fiber, hemp, horn, iron, steel
Culture: german
Location: europe

Strong enough to pierce through mail or plate armor at close ranges, the crossbow was a formidable weapon on the late medieval battlefield. In the fifteenth century, most bows like this example were made of joined pieces of horn, bone, and sinew bound by animal-skin glue and covered in a layer of painted birch bark to make them waterproof. The worn condition of this bow has made its layers visible. The added steel plate at the front of the bow to hold the bolt (arrow) is a later repair, suggesting this crossbow had a long working life in an Austrian or German arsenal or armory—possibly well into the end of the fifteenth century.
Design for a Stage Set or Illustration in a Fête Book with a Blank Scroll Above
Object type: drawing
Date: 1701 – 1800
Materials: graphite, ink, lead, paper
Techniques: pen
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: stage design
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, frontal toes; left foot; vase? with ivy; crouching figure to left with wounds on legs
Zun-Shaped Vase with Dragons and Landscapes
Object type: vessel
Materials: porcelain
Location: china
Servet van linnendamast met een wapen
Object type: napkin
Date: 1867 – 1867
Materials: linen
Techniques: damask, weave
Location: veghel

Servet van linnendamast met het wapen van Schimmelpenninck. Het servet hoort bij elf servetten (BK-1973-216-A t/m BK-1973-216-L) en een tafellaken (BK-1973-215).
Hawk and three pheasants
Object type: screen panel
Date: 1719 – 1772
Materials: wool
Artist: savonnerie manufactory
Artist role: manufactory
Artist dates: 1626 – 2050
Subjects: hawks,fruit,pheasants,flowers,trees
Drie friezen boven elkaar, in het bovenste fries bevindt zich een mascaron
Object type: ornament print
Date: 1550 – 1580
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: mask, mascaron ~ ornament

Drie friezen boven elkaar, waarvan de linker helft bestaat uit zwarte moresken op een witte achtergrond en de rechter helft uit witte moresken op een donker fond. In het bovenste fries bevindt zich een mascaron. Blad 9 van 15 bladen afkomstig uit een serie van 23 friezen met titelblad.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1667 – 1700
Materials: copper, iron, silver
Culture: japanese
Location: japan
Subjects: children,men
Tea jar with cover
Object type: tea jar with cover
Date: 1801 – 1900
Culture: japanese
Ex libris van Barnabas Maude
Object type: bookplate
Date: 1800 – 1899
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: beasts of prey, predatory animals: lion
Marino Faliero en zijn vrouw
Object type: print
Date: 1831 – 1890
Materials: paper
Techniques: etching, intaglio
Location: antwerp
Subjects: venice, palace - aa - civic architecture: inside, adult woman, old man
Inscriptions: collector's mark: Lugt 2228
Portret van Jan Baptist Robert baron van Velde tot Melroy en Sart-Bomal
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: lithograph
Artist: jobard
Artist role: printer, publisher
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: date