deem-data/ArtiFact huggingface dataset:
Splendore delle virtuose giovani, page 2 (verso)
Object type: book print ornament architecture
Date: 1564 – 1564
Techniques: woodcut
Location: italy
Artist: iseppo foresto
Artist role: designer
Artist nationality: italian
Artist dates: 1520 – 1580

Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice. From top to bottom, and left to right: Design composed of 4 vertical columns printed upon a grid. First column is decorated with curving vines and two female composite figures with plant limbs. Second column is decorated with 2 curving vines with leaves that attach to a vase in the center. Third column is decorated with a curving vine with leaves among which are 2 peacocks. Fourth column is decorated with curving branches with leaves and grapes.
Study for "Sparking" (from Sketchbook)
Object type: drawing
Materials: graphite, ink, paper
Culture: american
Artist: francis william edmonds
Artist role: artist
Artist nationality: american
Artist dates: 1806 – 1863
Subjects: women

The execution of sketches and studies was a crucial part of Edmonds’s creative process. Many of his drawings exist as independent works--apparently never taken further--but many others represent an initial step in his conception for paintings. This sketchbook, which he began about 1838, includes both types of drawings of a variety of subjects.
Woman at Her Toilette
Object type: drawing and watercolor
Date: 1900 – 1905
Materials: paper, pastel
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: women, interior, domestic scenes, everyday life (genre), water
Inscriptions: Signed lower left, in red: "Degas"

Edgar Degas captured an intimate moment: a woman drying herself after a bath. At right, a curtain conceals the woman’s lower body as she bends forward. Degas’s loose handling of pastel and use of warm hues of yellow, orange, and red throughout the drawing visually connect the woman’s body with her surroundings, though specific details like the woman’s face and emotions are obscured from view.
LVII Laet de Kieft stippen
Object type: album leaf
Date: 1614 – 1614
Techniques: engraving, printing
Location: amsterdam

LVII Laet de Kieft stippen. Tweede schok. Onderdeel van 'Sinnepoppen', R. Visscher, 1614.
Gezicht op de stad Kleef
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: etching, hand coloring, lithography
Location: netherlands
Subjects: city-view, and landscape with man-made constructions, cleves
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Landschap met een gezicht op de stad Kleef. Op de voorgrond twee bomen.
Bell pull
Object type: bell pull
Date: 1601 – 1700
Materials: silk
Portret van Lodewijk Huygens
Object type: drawing
Date: 1669 – 1669
Materials: graphite, ink, paper
Techniques: pen
Artist: constantijn huygens (ii)
Artist role: draughtsman
Artist dates: 1628 – 1697
Subjects: historical persons
Inscriptions: date: ‘6. nov. 1669.’
Study of animal heads
Object type: print
Techniques: engraving
Artist: claude gillot
Artist role: artist
Artist nationality: french
Artist dates: 1673 – 1722
Subjects: goats,sheep
The Rapenburg, Leiden, three Days after the Explosion of a Powder Ship on 12 January 1807
Object type: painting
Date: 1807 – 1807
Materials: canvas, oil
Artist: johannes jelgerhuis
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1836
Subjects: landscape with ruins, public road, gunpowder disaster, leiden
Inscriptions: signature, date and inscription: ‘I. Jelgerhuis Rz. Acteur aan den Schouwburg te Amsterdam fecit. Het Raepenburg te Leyden. 15 Januari 1807.’

Gezicht op het Rapenburg te Leiden, drie dagen na de ontploffing van het kruitschip op 12 januari 1807. Op de brug op de voorgrond staan toeschouwers en soldaten, enkele mannen dragen een slachtoffer op een draagbaar weg. Rechts opgestapelde huisraad. De locatie van de ramp was het Steenschuur, een gracht in het verlengde van het Rapenburg.
Henk van de Berg neemt op zijn paard Bobbie  een horde op het veld achter het Rijksmuseum
Object type: photograph
Date: 1896 – 1896
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: rotterdam, amsterdam, norbertus petrus van den berg (1831-1917), riding a horse, ass, or mule; rider, horseman
Lake Maggiore May 12 1869 (recto, from sketchbook)
Object type: watercolor
Date: 1869 – 1869
Materials: gouache, graphite, paper, watercolor
Culture: american
Artist: jervis mcentee
Artist role: artist
Artist nationality: american
Artist dates: 1828 – 1891
Subjects: lakes,landscapes
Ostrakon with Text from the Biography of Severus of Antioch
Object type: ostrakon
Date: 600 – 600
Materials: ink, pottery
Culture: coptic
Location: egypt
Subjects: coptic,documents
Graf van Heinrich III Groß von Trockau in de dom van Bamberg
Object type: photograph
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: bamberg
Artist: Anonymous
Subjects: interior of church
Inscriptions: number: ‘162’
Cinerary Urn
Object type: funerary object
Date: 67 – 133
Materials: marble
Culture: roman
Location: roman empire

This cinerary urn likely held the cremated remains of two individuals, presumably a husband and wife. The lid features portraits of the deceased flanked by symbols of the Roman goddess of love, Venus (the Greek Aphrodite), including dolphins and winged erotes, the goddess’s mythological companions. The front of the urn contains two rectangular panels, which were intended for personalized inscriptions but were instead left blank. Surrounding the panels are garland swags and an ox skull, both motifs associated with sacrificial rites, as well as rabbits, symbols of love and immortality.
Pair of Flintlock Pistols
Object type: arm
Date: 1730 – 1730
Materials: iron, steel, wood
Culture: german
Location: suhl
Bladen met knipplaatjes en decoratieve randen
Object type: print
Date: 1750 – 1750
Materials: paper, watercolor
Techniques: etching, hand coloring
Location: paris
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Vijf staven met omwikkeld met guirlandes. Een van 39 bladen met knipplaatjes en decoratieve randen.
Iacopo da Empoli
Object type: album leaf
Date: 1752 – 1766
Materials: paper
Techniques: engraving
Subjects: painter, jacopo da empoli, historical persons, portrait, self-portrait of painter

Prent is onderdeel van een serie getiteld 'Museum Florentinum', bestaande uit vier subsecties: 'Gemmae antiquae ex Thesauro Mediceo et privatorum dactyliothecis florentiae...' (1730-1731), 'Statuae antiquae dorum et virorum illustrium' (1734), 'Antiqua numismata aurea et argentea' (1740-1741) en 'Serie di ritratti degli eccellenti pittori' (1752-1766). Het vierde deel bestaat uit 320 kunstenaarsportretten en is uitgegeven in boekvorm (vier delen).
Prent uit: Moücke, Francesco. Serie di ritratti degli eccellenti pittori : dipinti di propria mano che esistono nell'Imperial galleria di Firenze. 4 dln. Florence: Francesco Moücke, 1753, dl. 1, p. 220.

De samensteller heeft deze prent in het album gevoegd als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 176.
Salt Boemel
Object type: area plan
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of cities, gelderland
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2233

Plattegrond in vogelvluchtperspectief. Linksboven het wapen van Gelderland. Linksonder de opdracht met daaronder de legenda. Rechtsboven twee wapens van Zaltbommel. Op verso Nederlandse tekst.
Gezicht op een huis op de Karazee
Object type: page
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Location: kara sea
Subjects: icefield, landscapes in polar regions
Inscriptions: inscription: ‘De Nederlandsche Pool-Expeditie 1882-1883’
Comme la reyne dangleter acompaignee de ses enfans se jette aux pieds de la reyne sa mere a son arrivee dans le palays de S. James
Object type: history print
Date: 1639 – 1639
Materials: paper
Techniques: etching
Location: london
Subjects: cologne, print maker, maria de' medici

Henrietta Maria omhelst Maria de' Medici, haar moeder, op de binnenplaats van St James' Palace. Op de binnenplaats staat een koets met paarden en verschillende mensen kijken toe. De prent maakt deel uit van een boek over de ontvangst van de Franse koning-moeder Maria de' Medici aan Engeland.
Cabinet
Object type: cabinet
Date: 1801 – 1900
Materials: wood
Artist: hugues sambin
Artist role: maker
Artist nationality: french
Artist dates: 1520 – 1601
Subjects: sphinx,satyrs
Oscarhall. Norway
Object type: photograph
Date: 1860 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: oscarshall
Artist: Anonymous
Subjects: castle, lying on the back with uplifted upper part of the body

Onderdeel van Engels familiealbum met foto's van personen, reizen, cricket en kunstwerken.
Portret van Lodewijk XIV van Frankrijk
Object type: print
Date: 1700 – 1750
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: Anonymous
Subjects: lodewijk xiv (koning van frankrijk), historical persons, king
Inscriptions: inscription: ‘gehuwd aan Maria Teresia/ van Spanje/ en heeft 6 kinderen geh.’
Gezicht op het kasteel bij Ivoz-Ramet
Object type: print
Date: 1738 – 1744
Materials: paper
Techniques: engraving, etching
Location: liège
Subjects: castle, landscape with tower or castle, liège

Prent uit: Johanne de Saumery, Alexandre de et al. Les délices du païs de Liège, ou description géographique, topographique et chorographique des monumes sacrés et profanes (...). 5 dln. Luik: Everard Kints, 1738-1744, dl. 1, p. 350.
Gezicht op een Normandische stad
Object type: drawing
Date: 1816 – 1862
Materials: paper, pencil
Artist: charles louis mozin
Artist role: draughtsman, print maker
Artist dates: 1806 – 1862
Subjects: harbour, prospect of city, town panorama, silhouette of city
Wegarbeiders (vermoedelijk) te Frankrijk
Object type: stereograph
Date: 1855 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: working class, labourers, public road
Inscriptions: inscription: ‘J Henry 10.’
Medoro en Angelica in een landschap
Object type: print
Date: 1520 – 1540
Materials: paper
Techniques: engraving, intaglio
Location: italy
Artist: Anonymous
Subjects: medoro, angelica
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 617

Medoro zit op de grond en het hoofd van Angelica ligt in zijn schoot. Een bosrijk landschap met hert en een stad op de achtergrond. Scène afkomstig uit Ludovico Ariosto's epos 'Orlando Furioso' (1532).
Shooting: Verse 2
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: england
Artist: thomas sutherland
Artist nationality: english
Artist dates: 1785 – 1827
Standard Head
Object type: standard head
Date: 1500 – 1511
Materials: iron, steel
Culture: egyptian or syrian
Location: egypt

Ensigns like this one often served as finials for standards, which were carried like flags to identify army units on the battlefield and in military reviews before the sultan. This ensign bears a Koranic inscription and the name of a Syrian emir, Sayfī al-Dīn Tarabāy, who is recorded to have commissioned a mausoleum in Cairo in 1503–4. This is probably one of the many ensigns that were taken as booty by the Ottomans when they defeated the Mamluks in 1517.
Overlijdensbericht aan Philip Zilcken
Object type: overlijdensbericht, overlijdensadvertentie
Date: 1908 – 1908
Materials: ink, paper
Techniques: pen, printing, writing
Location: venice
Artist: Anonymous
Subjects: venice, painter, martín rico ortega, the hague, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Ex libris van A. Mattelaer
Object type: bookplate
Date: 1955 – 1955
Materials: paper
Techniques: linocut
Location: netherlands
Artist: frans lasure
Artist role: print maker
Subjects: parts of church exterior and annexes: campanile, violin, fiddle, book
Inscriptions: inscription: ‘Linosnede: ipse fecit; 1955.’
½ stuiver van Nederlands Indië, 1818
Object type: coin
Date: 1818 – 1818
Materials: copper
Techniques: striking
Location: surabaya
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Koperen munt. Voorzijde: tussen waarde-aanduiding ½ St. gekroond generaliteitswapenschild. Daaronder letter G [=gulden!]. Keerzijde: tweeregelig opschrift, waarboven muntteken en waaronder jaartal. Gladde rand.
Design for a stained glass window with Jesus Blessing the Little Children
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Portret van Christina I van Zweden
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: christina (koningin van zweden), historical persons - bb - woman, queen, empress, etc. (wife of a ruler)

Prent waarschijnlijk uit: Gottfrieds, Johann Ludwig. Historische kronyck,: vervattende een nauwkeurige en volkomene beschrijvingh der aldergedenckwaerdighste geschiedenissen des weerelds. Leiden: Pieter van der Aa, 1702.
Portret van Pierre Corneille
Object type: print
Date: 1828 – 1850
Materials: paper
Techniques: etching
Location: paris
Subjects: pierre corneille, historical persons, portrait of a writer
Inscriptions: check stamp: ‘A[?]’, collector's mark: Lugt 2228
Exemplaar van de onder RP-P-1887-A-12391 beschreven prent
Object type: print
Date: 1581 – 1631
Materials: paper
Techniques: engraving
Artist: jacob matham
Artist role: draughtsman, print maker
Artist dates: 1571 – 1631
Inscriptions: date
Kinderen bij de overhaal aan de Baarsjesweg te Amsterdam
Object type: photograph
Date: 1910 – 1930
Materials: paper, photographic support
Techniques: daylight paper print
Location: amsterdam
Artist: Anonymous
Subjects: sluice, weir, amsterdam

Onderdeel van Album met foto's van Amsterdam en omgeving.
Overwinning op het Franse leger bij Zaragoza, 1710
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: filips v (koning van spanje), vienna, charles vi (holy roman emperor), maps of separate countries or regions, battle (+ land forces)

Blad met een voorstelling en een kaart van de overwinning van de Geallieerden op het Franse leger in de slag bij Zaragoza, 20 augustus 1710. De voorstellingen gedrukt van twee platen onder elkaar op één blad.
Inferioris Germaniae Provinciarum Nova Descriptio
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: coat of arms (as symbol of the state, etc.), (story of) minerva (pallas, athena), (story of) mercury (hermes), ornament ~ cartouche

Langwerpige cartouche van een kaart van de Zeventien Nederlandse Provinciën. De cartouche is gedecoreerd met de wapen van de zeventien provincies. Links en rechts staan de goden Athena en Mercurius. De prent maakt deel uit van een album.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Part of a foot type B with chamfer
Paskaart van de kusten Colombia, Panama, Costa Rica en Honduras, met een inzetkaart van Carthagena
Object type: print
Date: 1684 – 1799
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, maps, atlases, compass
Inscriptions: collector's mark: Lugt 2228

Paskaart van de kusten Colombia, Panama, Costa Rica en Honduras, met drie een inzetkaarten, waarvan een van Carthagena. Met twee kompasrozen, het Noorden ligt onder. Linksonder de titel, het adres van de uitgever en de schaalverdeling, weergegeven in Duitse, Spaanse en Engelse of Franse mijlen (schaal: c. 1:1.900.000). De gegevens zijn geflankeerd door twee mannen die op een kompas kijken en een man met een opgerolde kaart.
Allegorie op het huwelijk
Object type: print
Date: 1588 – 1595
Materials: paper
Techniques: engraving
Location: munich
Subjects: civil marriage ceremony, shaking hands, 'dextrarum junctio', epistle of paul to the ephesians (+ donor(s), supplicant(s), whether or not with patron saint(s)), bed with tester, (personifications and symbolic representations of) love; 'amore (secondo seneca)' (ripa), (story of) cupid, amor (eros), 'benevolenza et unione matrimoniale', 'concordia maritale' (ripa), ploughing
Inscriptions: collector's mark: Lugt 2228, number: ‘no. 2037’

Cupido giet water uit over de handen van een man en vrouw die tegenover elkaar staan. Rechtsachter in het vertrek een hemelbed. Links door het venster is een ploegende boer te zien. De prent heeft een Latijns onderschrift met een Bijbelcitaat over het huwelijk (Ef. 5).
Lopende jongen met een emmer in elke hand, naar rechts
Object type: drawing
Date: 1652 – 1652
Materials: chalk, ink, paper
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Inscriptions: annotation: ‘Har[man].t.Borch. de[n] 5 februarij 1652. inven[tor]’
Dish
Object type: dish
Date: 1467 – 1500
Materials: earthenware
Techniques: glazing
Culture: spanish
Location: spain
Subjects: coat of arms

Lusterware is the term used to describe a glazed earthenware ceramic decorated with an iridescent finish. The technique for creating this finish was developed in the ninth century under the rule of the Abbasid Caliphate in present-day Iraq. The medium involves a technique that is difficult to master, but if completed successfully, the surfaces of the ceramic objects display an iridescent sheen which is achieved through multiple firings and the application of a metal-based pigment (including silver, copper, tin, or a combination of these). Lusterware manufacture is still difficult to understand from a technical perspective because for generations, production was kept secret to protect workshop practices from being replicated by competitors. Therefore, pigment formulas and trade techniques were passed down from master to pupil and rarely recorded. Knowledge of the technique for creating lusterware made its way to the Iberian Peninsula by the twelfth century, when most of the region was still under Islamic rule. By the 1400s, the Iberian center of lusterware production was in Manises, near the city of Valencia. Previously a Muslim taifa, or principality, the Kingdom of Valencia was conquered in the thirteenth century by James I for the Crown of Aragon, and it was here that Christians and Muslim potters worked, sometimes together, for a diverse clientele with a voracious appetite for high quality lustered wares.
Gedecoreerde deur van een gebouw in Milaan, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: milan
Artist: Anonymous
Subjects: door
Inscriptions: inscription: ‘RSKN 1’, collector's mark: ‘RIJKS SCHOOL VOOR KUNSTNIJVERHEID/ GROEP’
Rapier
Object type: rapier
Date: 1600 – 1600
Materials: steel
Culture: german
Location: germany

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Portretten van zes Europese vorsten
Object type: print
Date: 1834 – 1844
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: prince, historical persons, king
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 4221

Portretten van Alexander Karl von Anhalt-Bernburg, Ernst I van Saksen-Coburg en Gotha, Karel Lodewijk Ferdinand van Bourbon-Parma, Hendrik van Anhalt-Köthen, Günther Friedrich Karl II. von Schwarzburg-Sondershausen, en van Leopold IV Friedrich Herzog von Anhalt-Dessau.
Four O'Clock in the Country
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,children,men,women,dogs,beds

Companion plate to "Four O'Clock in Town." A man is waking up early in the morning to prepare for hunting. His wife pours him a cordial at center, and their child sleeps in a bassinet at left.
Cup and saucer with lozenges and flowering plants
Object type: kop en schotel, kop en schotel
Date: 1800 – 1800
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: japan
Artist: Anonymous

Kop en schotel van porselein met iets uitlopende wand, beschilderd op het glazuur in blauw, rood, groen, aubergine, zwart en goud. Op het plat van de schotel een bloemtak in een medaillon; op het medaillon driemaal twee ruiten. Tussen de ruiten een bloeiende plant en een bloemtak. De kop met dezelfde decoratie. Gecraqueleerd glazuur. Schotel is gebroken geweest. Imari.
Capital with Acanthus Leaves
Object type: capital
Date: 301 – 400
Materials: marble
Location: egypt

Marble was often imported from quarries near Constantinople. This capital is carved in the classical Corinthian style, based on the shape of acanthus leaves.
Reise-Notizen von Teneriffa
Object type: book
Date: 1879 – 1879
Materials: cardboard, paper, photographic support
Techniques: albumen print, printing
Inscriptions: name: ‘W. Junk Verlag u. Buchhandl. f. Naturwiss. u. Mathemat. Berlin N.W.5’
De Waarheid
Object type: newspaper
Date: 1945 – 1945
Materials: paper
Techniques: mimeography, printing
Subjects: netherlands
Inscriptions: date
Textile Design with a Checked Pattern of Intersecting Honeycomb Lines and Vertical Stripes of Pearls
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of checked background of intersecting vertical and horizontal honeycomb stripes of light tan color over a dark reddish-brown base, and zig-zagging stripes of pearls running over the vertical honeycomb stripes. The pearls are of white color and outlined with black. Star-like figures of light tan color with stipples of dark reddish-brown color stand out in the squares forming between the honeycomb stripes.
Maurits bij het lichaam van Willem van Oranje, 1584
Object type: history print
Date: 1856 – 1860
Techniques: printmaking, lithograph
Location: netherlands
Subjects: louise de coligny, frederick henry (prince of orange), delft, william i (prince of orange), the hague, maurice (prince of orange), deathbed

Naar het schilderij gedateerd 1856. De prent komt ook voor in: Bladzijden uit de geschiedenis van Neêrlands roem en grootheid, Haarlem [1860], bij een gedicht van A. Beeloo.
Foot Race, from the Games and Sports series (N165) for Old Judge Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,women,running,athletes

The "Games and Sports" series of trading cards (N165) was issued by Goodwin & Company in 1889 to promote Old Judge Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series.