deem-data/ArtiFact huggingface dataset:
Portret van Tiberio Malfi
Object type: book illustration
Date: 1676 – 1676
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: historical persons, physician, doctor (+ portrait of scholar, scientist)

Prent waarschijnlijk uit: Malfi, Tiberio. Neue Anleitung zur Barbier- und Wund-Artzney-Kunst (...). Neurenberg: Christoph Endters, 1676.
Plan De l'Action entre le Corps des troupes Alliez Commandé par le Gl. Majr. Webb contre l'Armée des François Commandé par le Comte de la Motte aupres de Wynendale le 28. Septe. 1708
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching, letterpress printing
Location: brussels
Subjects: maps of separate countries or regions, battle (+ land forces)

Plattegrond van de slag op 28 september 1708 bij Wijnendale in West-Vlaanderen tussen de geallieerde troepen onder generaal-majoor Webb die een konvooi begeleidden en Franse troepen onder Graaf de la Mott. Rechtsonder een cartouche met de legenda A-O in het Frans. Vastgeplakt onder de prent een tekstblad met het gedrukte relaas in twee kolommen in het Frans. Onderdeel van een gebundelde verzameling van plannen van veldslagen en steden vermaard in de Spaanse Successieoorlog.
Botanische studies en een beukenstam
Object type: sketchbook leaf
Date: 1843 – 1857
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: trees
Inscriptions: annotation: ‘[...]’

Achterste schutblad uit een schetsboek met 44 bladen.
Gezicht op Potsdam en restaurant Zum Schultheiss, Potsdam
Object type: album leaf
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Location: schöneberg
Artist: Anonymous
Subjects: city-view in general; 'veduta', hotel, hostelry, inn
Inscriptions: title: ‘Potsdam vom Brauhausberg aus gesehen.’, inscription: ‘Zum Schultheiss in Potsdam.’, inscription: ‘Woensdag 14de Aug 1901’

Deze fotomechanische afdrukken maken deel uit van een album.
Gröfin Auersperg
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: franz antoine
Artist role: artist
Artist nationality: austrian
Artist dates: 1815 – 1886
Subjects: portraits,women
Venus and Adonis (?) with the Duck Hunt
Object type: textile
Date: 1600 – 1600
Materials: silk, wool
Techniques: interlocking, slit, weave
Location: belgium
Artist: workshop of jacques i geubels or his widow catharina van den eynde
Artist dates: 1601 – 1629

Based on the 10th book of Ovid’s Metamorphoses, this scene may depict the goddess Venus and the hunter Adonis at the moment in which she warns him about the dangers of hunting. Ignoring her warning, Adonis is later killed by a boar. In the background, men in contemporary dress conduct a hunt, a popular pastime of the privileged elite. The border of the tapestry displays an array of allegorical, biblical, and mythological scenes and figures. Overall the composition gives the impression of receding space, which is characteristic of late-16th- and early-17th-century Flemish production.
Armor
Object type: armor
Date: 1501 – 1600
Materials: brass, leather, steel
Culture: german
Location: germany
Artist: hans michel
Artist role: armorer
Artist nationality: german
Artist dates: 1539 – 1599
Bos met ingang naar schuilkelder
Object type: print
Date: 1872 – 1931
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: willem de zwart
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1931
Subjects: landscape with ruins, forest, wood
Inscriptions: collector's mark: Lugt 2228
Card Number 569, Hattie Dolaro, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Antoine Vitre, typographe du roi
Object type: print
Date: 1605 – 1650
Techniques: etching
Artist: jean morin
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1650
Subjects: men,portraits
Canopic jar lid
Object type: canopic jar, human head
Date: 1878 – 1840
Materials: limestone
Techniques: painting
Location: egypt

This sculpted head was the lid of a canopic jar, one of the four containers for the organs that were removed during mummification. In previous periods, canopic jars had simple disc-shaped or hemispherical lids. In the late First Intermediate Period to early Middle Kingdom, however, lids in the form of human heads were introduced. The hooded eyes, marked cheek bones, and the lines beside the nostrils of this head can be compared to the features found in the quartzite face of Senwosret III (26.7.1394).
Vuursteengeweer voor de Schutterij Harlingen
Object type: flintlock pistol
Date: 1780 – 1780
Materials: brass, iron, steel, wood
Techniques: printing, cutting, engraving
Location: amsterdam
Artist: lambertus michaelis thone
Artist role: weapon manufacturer
Subjects: harlingen
Inscriptions: : ‘7 q H (of M)//HARLINGEN//N=8’, signature: ‘THONE // AMSTERDAM’, mark, : ‘CN (de N in superscript) No. :44’, coat of arms, inscription: ‘A 1621’, : ‘D.III of D.m.’
Dish (coppa): The satyr Silenus on an Ass
Object type: dish
Date: 1530 – 1535
Techniques: maiolica, glazing
Artist: the "milan marsyas" painter
Artist role: artist
Artist dates: 1500 – 1550
Subjects: silenus,satyrs,donkeys
Fragment of Turban Cloth
Object type: turban fragment
Date: 1701 – 1800
Materials: cotton, metal thread, silk
Techniques: embroidery
Location: bangladesh
Subjects: flowers
Vrijburg Palace
Object type: cut paper
Date: 1642 – 1652
Materials: paper, parchment, silk
Techniques: cutting
Location: brazil
Artist: Anonymous
Subjects: earl, johan maurits graaf van nassau-siegen, slavery; serfs and enslaved persons

Johan Maurits only stayed in Brazil for seven years. His many costly plans for the colony suggest that the governor himself had envisioned this differently. Construction of his Vrijburg Palace was never completed, but this cut parchment silhouette gives an impression of the palace with an observatory in one of the towers. There are slave quarters on both sides.
Belt plaque
Object type: belt plaque
Date: 1501 – 1600
Materials: jade
Culture: chinese
Subjects: birds,flowers
The Fourth Foolish Virgin
Object type: print
Date: 1480 – 1491
Materials: paper
Techniques: engraving
Location: germany
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Portret van Ibrahim I, sultan van Turkije
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, ruler, sovereign
Saint Ursula and her Virgins
Object type: figure
Date: 1520 – 1520
Materials: wood
Techniques: polychromy, carved
Location: kalkar
Artist: henrik douverman
Artist role: sculptor
Artist dates: 1480 – 1544
Subjects: the virgin martyr ursula of cologne; possible attributes: arrow, banner with red cross, cloak of ermine, crown, ship

The Christian princess Ursula was murdered by Huns near Cologne together with her retinue of 11,000 virginal handmaidens. Some of them seek protection under Ursula’s gown in this sculpture. The saint is dressed as a well-to-do lady in the high fashion of the day: with a braided linen headdress and a ‘guimpe’ (a thin chemisette worn under a low-necked dress).
Het preken van oproer onder de boeren, 1672
Object type: print
Date: 1764 – 1766
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: middelburg

Het preken van oproer onder de boeren in een boerenschuur, 1672. Met onderschrift van twee regels. Illustratie nr. II bij een gedicht van Petrus Johannes Beronicius over de opstandige Zeeuwse boeren en het tumult te Middelburg rond burgemeester Filips van den Brande op 21 juli 1672.
Mace
Object type: arm
Date: 1600 – 1700
Materials: copper alloy, steel
Culture: polish
Location: poland
Vrouw die haar haren blondeert
Object type: print
Date: 1576 – 1624
Materials: paper
Techniques: engraving
Location: venice
Artist: francesco villamena
Artist role: draughtsman, painter, print maker
Artist dates: 1566 – 1624
Subjects: comb, brush and other tools (care of the hair), folk costume, regional costume, care of the hair, making toilet - aa - (for) women
Inscriptions: number: ‘11’, collector's mark: Lugt 10, collector's mark: Lugt 11

Een vrouw zittend op een stoel met op het hoofd een hoed met brede rand. Haar haren zijn door de opengewerkte bovenkant van de hoed heen getrokken, opdat deze door de zon worden geblondeerd. In de linkerhand houdt zij een spiegel en in de rechterhand een spons waarmee zij de haren bevochtigt.
Ceinture en argent doré sur velours
Object type: page
Date: 1859 – 1864
Materials: paper
Techniques: chromolithography
Location: paris
Subjects: belt, girdle, waistband
Franse vissersschepen op zee
Object type: print
Date: 1840 – 1856
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: traffic on the water, fisherman, sea
Inscriptions: collector's mark: Lugt 2228
Belegering van Wenen door de Ottomanen
Object type: print
Date: 1532 – 1532
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: ghent, charles v (holy roman emperor and king of spain), battle, warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life, siege, vienna
Inscriptions: collector's mark: Lugt 12

Gezicht in vogelvlucht op het slagveld rondom Wenen. Op de voorgrond het Ottomaanse leger onder leiding van sultan Süleyman I, dat in september 1532 voor de tweede keer Wenen belegerde. Aan de andere kant van de Donau is het Habsburgse leger onder leiding van keizer Karel V gepositioneerd. Op het middenplan wordt de strijd om Wenen voltrokken. Verscheidene omliggende geografische locaties zijn op de prent afgebeeld. Midden onder een cartouche met een twaalfregelige tekst in het Latijn.
Gezicht op Henley-on-Thames vanaf een pad langs de rivier
Object type: album leaf
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: daylight paper print
Location: henley-on-thames
Artist: Anonymous
Subjects: prospect of village, silhouette of village, road, path

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Engeland en Frankrijk.
Brief aan Anna Dorothea Dirks
Object type: letter
Date: 1922 – 1922
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: chap van deventer
Artist role: kunstcriticus, scheikundige, schrijver
Artist dates: 1860 – 1931
Subjects: rotterdam, george hendrik breitner, designer, jan veth, painter, print maker, draughtsman, willem witsen, artist, anna dorothea dirks, haarlem, paris, gideon busken huet, catharina henriette perk, anonymous historical person portrayed, diseases, java
Inscriptions: collector's mark: ‘RPK’
Haven van Le Hâvre
Object type: print
Date: 1820 – 1860
Materials: paper, watercolor
Techniques: brush, hand coloring, lithograph
Artist: Anonymous
Subjects: harbour, le havre
Inscriptions: collector's mark: Lugt 2228
Limestone votive chariot with four horses and two figures
Object type: chariot, votive
Date: 700 – 501
Materials: limestone
Culture: cypriot
Subjects: men,horses,chariots

The small horses, pressed one against the other, are attached two by two. The car of the chariot is partially covered by a piece of fabric, the edge of which is incised in front, whereas the rest is painted red. The two figures rest their hands on the edge of the car. Neither appears to hold the reins.
Een collectie scherven opgegraven in de leeuwekooien van Artis
Object type: sherd
Materials: earthenware, glaze
Artist: Anonymous

Een collectie scherven opgegraven in de leeuwekooien van Artis, bestaande uit: 6 kannen van bruin aardewerk (allemaal flink beschadigd). 3 potjes van bruin aardewerk. 1 voet van een pot van bruin aardewerk. 2 bruine potten met loodglazuur. 1 bruine kan met loodglazuur. 1 beschadigde Westerwaldsche kan. 1 schotelscherf. 14 schotelscherven met diverse voorstellingen. 5 schotelscherven. 1 schotelscherf met tinglazuur. 1 schotelscherf met haan. 14 schotelscherven met diverse ornamenten. 1 schotelscherf. Een kinderkopje van zandsteen.
Bass Horn
Object type: serpent
Date: 1820 – 1830
Materials: copper, wood
Location: gottingen
Artist: johann heinrich gottlieb streitwolf
Artist role: musical instrument maker
Artist dates: 1779 – 1837

Music has always been a crucial element of public celebrations, such as military parades, coronations, royal weddings, and funerals, adding grandeur to the solemnity of the occasion. Musical ensembles entrusted with performing music at these events have existed in Europe since the Middle Ages. This display highlights various marching bands and their musical instruments dating from the 16th to the 19th century.
Ontwerp voor een monogram met de letters J en B
Object type: drawing
Date: 1869 – 1925
Materials: ink, paper, pencil
Techniques: pen
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: letter combinations such as letterword, anagram, letter square, monogram, etc.
Jozef en de vrouw van Potifar
Object type: print
Date: 1526 – 1599
Materials: paper
Techniques: engraving
Subjects: potiphar's wife catches joseph by his robe, usually while lying in bed; joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)

Kopie in spiegelbeeld naar een prent van Hans Sebald Beham waarop het opschrift van de originele prent IOSEPH ontbreekt.
Portret van Simon Moritz von Donepp
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: vienna
Artist: elias widemann
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit de publicatie: Widemann, Elias. Honori Sacrum. Wenen: s.n., 1649.
Pleasures of Occupation
Object type: print
Date: 1610 – 1684
Techniques: engraving, etching
Artist: cornelis bloemaert (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1603 – 1684
Subjects: sleeping,men,dogs
Martyrdom of St. Stephen
Object type: print
Date: 1500 – 1545
Techniques: woodcut
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545
Subjects: men,saints,execution
De vier evangelisten
Object type: print
Date: 1642 – 1652
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the four evangelists ~ the four main prophets
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 2228

De vier evangelisten met hun attributen in een architecturale setting.
Twee penningen van Willem II en het overlijden van Willem II, 1650
Object type: historical object representation
Date: 1650 – 1749
Materials: paper
Techniques: etching, writing
Location: northern netherlands
Subjects: william ii (prince of orange), medal (considered as a piece of sculpture, regardless of its specific function), amsterdam

Een penning ter ere van prins Willem II. Voorzijde: portret van Willem II. Keerzijde: zijn wapen. Een penning over de mislukte aanslag op Amsterdam door prins Willem II op 30 juli 1650 en de begrafenisstoet van de prins in Den Haag, 8 maart 1651. Voorzijde: rennend paard, met krijgslieden onder dekkleed; op achtergrond gezicht op de blokhuizen aan de Amstel. Keerzijde: de val van Phaëthon, daaronder de lijkstoet bij het Hof in Den Haag. Vier uitgeknipte en opgeplakte rondjes op een blad papier met annotatie.
Frederiksborg
Object type: photomechanical print
Date: 1906 – 1920
Materials: cardboard
Techniques: lithograph
Location: hillerød
Artist: Anonymous
Subjects: park, palace, pond, pool
Censer in form of a Pleasure Boat
Object type: censer
Date: 1830 – 1830
Materials: glaze, porcelain
Culture: japanese
Subjects: dragons,censers,boats
Reclamebiljet voor The Evolution of Woman door Harry Whitney McVickar
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: new york city
Subjects: golf, windmill
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779, stamp: ‘J. Littauer kunst-Salon Odensplatz 2 München’

Reclamebiljet voor: McVickar, Harry Whitney. The Evolution of Woman. New York: Harper & Sons, 1896.
Fotoreproductie van een prent naar een schilderij, voorstellende Maria met Kind en Johannes de Doper (La belle jardinière)
Object type: page
Date: 1856 – 1861
Materials: photographic support
Techniques: albumen print
Location: berlin
Subjects: john the baptist as child ~ madonna-representations (n.b. secondary notation only)
Inscriptions: number: ‘126’
Square Dish with Abstract Motifs
Object type: dish
Date: 1801 – 1900
Materials: stoneware
Techniques: glazing
Culture: japanese
Artist: shuntai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1799

Katō Shuntai, whose father was the famous potter Shunzan, ran the official Owari branch of the Tokugawa family kiln (goyōyama) at Ofukeyo from 1817until 1851, when he passed the operations on to his son. He is famous for his Oribe style renditions.
Blad met patroon van ranken en bandwerk
Object type: brocade paper
Date: 1700 – 1850
Materials: gold leaf, paper
Techniques: relief print
Artist: Anonymous
Subjects: ornament derived from plant forms

Blad met patroon van ranken met bloemen en bandwerk. Mogelijk deel van een omslag.
Koningin Wilhelmina bezoekt de gewonde Prins van Oranje, na de slag bij Waterloo, in Brussel
Object type: drawing
Date: 1815 – 1817
Materials: ink, paper
Techniques: brush, pen
Artist: mattheus ignatius van bree
Artist role: draughtsman, print maker
Artist dates: 1773 – 1839
Subjects: the hague, william ii of the netherlands, berlin, wilhelmina frederica louisa (koningin der nederlanden), historical persons, visiting the sick; sick person together with others, historical events and situations
Katsushikaren meisû jûban
Object type: surimono
Date: 1822 – 1822
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Inscriptions: collector's mark, verso, stamped: Lugt 2228, collector's mark, passe-partout, bottom left, printed: JABdH with a rooster.

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
An elephant in center, his mahout standing to the right wearing an Oriental costume, another elephant to left in background, plate 16 from "Diversi capricci"
Object type: print
Date: 1644 – 1647
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: elephants
Bowl with Peony Flowers
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, painting
Location: china
Cluny. Vierge. Italie XIIIe siècle
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1930
Materials: paper
Techniques: gelatin silver print
Location: cluny
Artist: Anonymous
Subjects: statues, paintings, etc. ~ objects of worship in roman religion
Inscriptions: collector's mark: ‘AFE v S’
Portret van Salomon Hirzel
Object type: print
Date: 1652 – 1669
Materials: paper
Techniques: engraving
Artist: conrad meyer (i)
Artist role: painter, print maker, publisher
Artist dates: 1618 – 1689
Subjects: mayor, mayor, burgomaster, other non-personal regalia, e.g. mayor chain, historical persons
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie van 67(?) portretten van burgemeesters van Zürich. Zie Hollstein German 110, 1-26.
Allegorie op de Wetenschappen
Object type: drawing
Date: 1683 – 1733
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: science and technology
Merced River, Yosemite
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: rivers,landscapes
Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme aussi les Cartes des Côtes de France et d'Espagne
Object type: map
Date: 1726 – 1726
Materials: paper
Techniques: etching
Location: leiden
Subjects: raising the siege with outside assistance, relief, maps of cities

Plattegrond met het ontzet van Rheinfels (dat belegerd werd door de Fransen) door Duitse troepen, januari 1693. Plaat nr. 206 in deel IX van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne uit 1726, dit eerste deel met 238 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in het Frans. Rechtsonder sporen van het weggepolijste nummer: 96.
Recumbent Lion from a Bracelet
Object type: amulet, lion
Date: 1648 – 1540
Materials: gold, stone
Location: eastern delta
Subjects: lions
Covered Jar
Object type: covered jar
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Tile
Object type: tile
Date: 1601 – 1625
Materials: earthenware
Techniques: glazing
Subjects: fruit,grapes,flowers
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, legs of male to left; hand of a fallen figure?
Dish cross
Object type: dish cross
Date: 1761 – 1762
Materials: silver
Artist: samuel herbert
Artist role: maker
Artist dates: 1747 – 1773
Three designs for painted borders to decorate a room
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink, watercolor, paper
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ornament,flowers
Portrait of J. L. Ernest Meissonier
Object type: print
Date: 1884 – 1884
Techniques: etching
Artist: charles courtry
Artist role: etcher
Artist nationality: french
Artist dates: 1846 – 1897
Subjects: men,portraits
Incised Bowl with Ring Base
Object type: bowl
Date: 501 – 1100
Materials: ceramic
Culture: manteño
Location: ecuador
Subjects: faces
Mêr de Glace, Valley of Chamouni-Savoy, part X, plate 50 from "Liber Studiorum"
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: mountains,landscapes

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. This is one of the few instances where Turner also developed the tone, here using mezzotint to detail an image of glacier developed from sketches made in Switzerland near the St. Gothard pass. Working experimentally, he rocked only part of the plate to create the darks, rather than following conventional mezzotint practice, where the plate is rocked completely, and highlights creates by scraping and burnishing. The "M" in the upper margin refers to Turner's category of Mountainous landscape.
Die Certosa bei Pavia
Object type: wrapper
Date: 1882 – 1882
Materials: cardboard, leather, linen, paper, photographic support
Techniques: albumen print, decorated paper, printing
Inscriptions: date: ‘SEPT 1990’, annotation: ‘[1882]/ (Heidtmann, 475)/ 3.000-’

Omslag met titelpagina en twintig losse platen.
Paperweight
Object type: glass
Date: 1845 – 1870
Materials: glass
Location: clichy