deem-data/ArtiFact huggingface dataset:
Portret van Willem I Frederik, koning der Nederlanden
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: the hague, berlin, william i of the netherlands, historical persons, king
Inscriptions: stamp, collector's mark: Lugt 1641

Portret van Willem I Frederik in een ovaal van eikenbladen. Daar omheen een aantal allegorische objecten. Midden boven een kroon. Midden onder op een banderol zijn geslachtsspreuk. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Portretten, Portretten van Vorsten uit het huis van Oranje, Regeerende Vorsten, Koningen uit het huis van Oranje.
Please Remember The More Than 110,000 People Who Have Died From COVID-19
Object type: poster
Date: 2020 – 2020
Techniques: letterpress
Artist: amos kennedy
Artist role: artist
Artist nationality: american
Artist dates: 1948 – 9999
Parrot Finch, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Song Birds of the World" series (N23), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Israëlieten dansen rond het gouden kalf
Object type: print
Date: 1596 – 1633
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: 'you shall have no other gods' ~ separate representation of the first of the ten commandments, the people dance around the golden calf ~ exodus
Inscriptions: collector's mark: Lugt 2228

De Israëlieten dansen rond het gouden kalf, terwijl Mozes op de berg de tien geboden van God ontvangt. Prent maakt deel uit van een serie over de tien geboden en geeft een overtreding van het eerste gebod weer: Gij zult geen andere goden voor mijn aangezicht hebben. Onderaan in de marge een verwijzing naar de Bijbeltekst in het Latijn.
Shoe Buckle
Object type: shoe buckle
Date: 1770 – 1800
Materials: copper, silver
Culture: american
Location: united states
Artist: paul revere jr.
Artist role: maker
Artist nationality: american
Artist dates: 1734 – 1818
Plate
Object type: ceramic
Date: 1700 – 1700
Materials: earthenware
Techniques: glazing
Location: delft
Portret van Benedetto Menzini
Object type: print
Date: 1670 – 1750
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: rome, priest, historical persons
Studies van koppen en figuren
Object type: drawing
Materials: paper, pencil
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Portret van Pietro Andrea Mattioli
Object type: print
Date: 1820 – 1828
Materials: paper
Techniques: engraving, roulette
Location: paris
Artist: ambroise tardieu
Artist role: print maker, printer
Artist dates: 1788 – 1841
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Politieke spotprent over Nederlands-Indië, 1882
Object type: cartoon
Date: 1882 – 1882
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: dutch east indies, the

Politieke spotprent over Nederlands-Indië, 1882. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 5, 1882.
L'Epreuve
Object type: print
Date: 1804 – 1895
Materials: paper
Techniques: printing, lithograph
Location: paris
Subjects: youth, adolescent, martyr(s) (often with palm-branches)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Verschenen in album met tien originele prenten als supplement bij tijdschrift: L'Epreuve, april 1895, prent nr. 5
Incense Burner
Object type: incense burner
Date: 1801 – 1900
Materials: clay, enamel
Techniques: polychrome
Culture: japanese
Portret van Jean Boussard
Object type: print
Date: 1760 – 1785
Materials: paper
Techniques: engraving
Location: paris
Subjects: ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Omslag met 359 foto's van beeldhouwwerken uit het Germanisches Nationalmuseum, Neurenberg
Object type: photograph album
Date: 1913 – 1930
Materials: paper, cardboard, leather, textile
Techniques: gelatin silver print
Location: marburg
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum
Inscriptions: inscription: ‘Reproducties/ Beeldhouwwerk[en]/ Germanisches Museum/ Nürnberg’

Omslag met 359 ontwikkelgelatinezilverdrukken van Middeleeuwse sculpturen uit het Germanisches Nationalmuseum in Neurenberg. 131 foto's zijn afgedrukt op 238 x 178 mm, 228 foto's meten 178 x 128 mm. Alle foto's hebben een afgedrukt nummer op recto, een handgeschreven nummer op verso en een stempel van de samensteller op verso. Van alle foto's is de fotograaf onbekend.
Drie vrouwen
Object type: album leaf
Date: 1913 – 1913
Materials: paper, photographic support
Techniques: gelatin silver print
Location: germany
Subjects: else wachenheimer-moos, historical persons - bb - woman, germany
Inscriptions: inscription: ‘Die 2 Holms, Wally Weiner / Im Garten’

Albumblad met een foto van drie vrouwen op stoelen in de tuin. Onderdeel van het fotoalbum van Else Wachenheimer-Moos en haar broers Arthur en Willy Moos en anderen in de periode 1913-1918.
Portret van meisje, zittend op een stoel
Object type: photograph
Date: 1857 – 1864
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: girl (child between toddler and youth)
Inscriptions: inscription: ‘Photogr. Atelier/ Wegner & Mottu/ Prinsengracht BB, 439/ Amsterdam’
Der Tower
Object type: lantern slide photographic
Date: 1900 – 1906
Materials: glass
Techniques: gelatin silver transparency
Location: london
Artist: Anonymous
Subjects: façade (of house or building), tower (of house or building)
Groepsportret van het gezin van August Kessler (iedereen behalve Go)
Object type: cabinet photograph
Date: 1896 – 1896
Materials: cardboard, paper
Techniques: albumen print
Location: the hague
Artist: adolphe zimmermans
Artist role: fotograaf
Artist dates: 1858 – 1922
Subjects: engineer, jean baptiste august kessler (1888-1972), johan herman kessler (jan), batavia, geldolph adriaan kessler (dolph), margaretha jacoba johanna kessler-de lange (margo), jean baptiste august kessler (1853-1900), the hague, hermann johannes kessler (boelie), historical persons
Inscriptions: address: ‘La Haye./ DE RIEMERSTRAAT 21.’
Terracotta fragment of an oinochoe (jug)?
Object type: oinochoe fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Black glaze rim fragment from the mouth of an oinochoe?
Gezicht op de stallen van het Paleis van Versailles
Object type: print
Date: 1700 – 1799
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Artist: Anonymous
Subjects: animal traction, animal-drawn vehicle (carriage etc.), palace, stall, stable
Inscriptions: inscription: ‘Fo 8 B4’
Bovenaan en onderaan een fries, daartussen twee kleine vlakdecoraties
Object type: print
Date: 1525 – 1594
Materials: paper
Techniques: etching
Location: germany
Subjects: ornament derived from architectural details
Inscriptions: collector's mark: Lugt 240

Gelijkzijdige kopie naar prent van Jacques Androuet Ducerceau, die de vlakdecoratie links ontleende aan een prent van Cornelis Matsys. Blad uit serie met architectuurfantasieën en grotesken met fabelwezens, guirlandes, kandelabers en mascarons.
Portret van Jan van Beers
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: engraving
Artist: christiaan lodewijk van kesteren
Artist role: print maker
Artist dates: 1832 – 1897
Subjects: lierre, painter, print maker, jan van beers (schilder)
Inscriptions: collector's mark: Lugt 2228

Portretbuste met het hoofd naar rechts, van de dichter en leraar Jan van Beers. Van Beers draagt een bril en een strik.
Portret van Hans von Fersen
Object type: print
Date: 1737 – 1737
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: armour, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Die Neue Europäische Fama, Welche den gegenwärtigen Zustand der vornehmsten Höfe entdecket. dl. 24. Leipzig: Gleditsch, 1737.
Piece
Object type: piece
Date: 1601 – 1700
Materials: silk
Subjects: birds,flowers
The Painter
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan saenredam
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1607

Jan Saenredam frequently engraved the designs of other artists, especially Hendrick Goltzius and Abraham Bloemaert. The Painter offers an allegory of artistic inspiration based on the story that Saint Luke (the patron saint of painters) depicted the Virgin Mary from a vision. Dirk Vellert’s version of this scene epitomizes that iconography. Here, Mary becomes a nude Venus accompanied by a mirror-wielding Cupid, but the tone of the image remains reverential to the art form. Even the saint’s glasses, frequently used in this period to denote fools, lack any satirical sting.
Piece
Object type: piece
Date: 1720 – 1720
Materials: metal thread, silk
Subjects: flowers,leaves

Panels such as this—with its extraordinary patterns in long repeats—were called "bizarre" by the Danish scholar Slomann, who believed they were made in India. Most scholars consider them an exotic phase in the history of European silk weaving.
Bag
Object type: bag
Date: 1830 – 1860
Materials: glass, linen
Culture: mexican
Subjects: lions

The lively rendering on this object depicts the king of beasts in some detail, from his mane--rendered in shades of brown and black--down to his white claws. The fine attention to presentation can also be seen in the differentiation of the foliage above him and in the sense of perspective created by the small evergreen tress beneath him. The partial bag is part of the Mexican beadwork collection of over 600 pieces assembled by Elizabeth Morrow (1873-1955), mother of writer Anne Morrow Lindbergh, the wife of renowned aviator Charles Lindbergh. Morrow collected the objects between 1927 and 1930, when her husband, Dwight Morrow, Sr., served as U.S. ambassador to Mexico. She lent the collection to the Brooklyn Museum in 1938 and upon her death, her children donated it. A collection of 155 pieces of Mexican ceramics and other decorative arts were given to Amherst College, her husband's alma mater. Mrs. Morrow collected Mexican beadwork, along with other examples of colonial and native arts, to decorate their country home in Cuernavaca in order to promote a more peaceful image of that country through its works. The Morrows sought to overturn the perception of post-revolutionary Mexico as a violent and unstable nation by highlighting the richness and diversity of its colonial, folk, and contemporary art. Glass beads were originally imported to New Spain (Mexico) from Italian and Asian sources via Spanish colonial trade routes. By the early part of the nineteenth century, Spain had suffered the loss of almost all of its colonies and with the succeeding establishment of free trade British ships undertook the importation of beads to Mexico. Many of the design influences on the bags and cases in the collection came from Europe; patterns for beadwork designs came from contemporary fashion publications such as "La Dama Elegante."
Fresco van God die de wereld zegent door Rafaël, uit de kapel van een villa in La Magliana, Rome
Object type: page
Date: 1868 – 1873
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: picture, painting, god the father represented as human being, usually with crown or tiara or sceptre and/or globe
La Motte-Gondrin opgehangen te Valenciennes, 1562
Object type: print
Date: 1565 – 1573
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: violent death by hanging

Gekopieerd naar de prent in: Jean Tortorel et Jacques Perrissin, Premier volume contenant quarante tableaux ou Histoires diverses qui sont memorables touchant les Guerres, Massacres et Troubles advenus en France en ces dernieres annees : le tout recueilly selon le tesmoignange de ceux qui y ont esté en personne et qui les ont veus : lesquels sont pourtraits à la vérité, Genève ca. 1570. Bibliotheek Rijksmuseum: 329 A 2, pl. 13.
Chinese Portrait Painter
Object type: screen
Date: 1701 – 1800
Materials: gold, ink, panel, paper
Culture: japanese
Artist: miwa zaiei
Artist role: artist
Artist nationality: japanese
Artist dates:  – 1789
Subjects: painting,men,women,artists

A Chinese painter dressed in the style of the Tang dynasty (618–907) is painting a small portrait of a beautiful lady who stands in front of him adjusting her hair. The small painting-within-a-painting faithfully replicates the lady's face. The screen painting itself is a testament to the sometimes conflicting ideals held by eighteenth-century Japanese artists. Although nothing is known about the background of the artist, named Miwa Zaiei, except that he lived and worked in the city of Edo, he must have been affected by the concept of Western realism, which had become fashionable in eighteenth-century Japanese art and prompted him to portray the painter in the act of painting his subject in the flesh. Ironically, however, Zaiei still felt compelled to follow the traditional practice of creating an imaginary setting from ancient China for his image of presumably "real" life.
Vaas, versierd met bloemen, bladeren en vlinders
Object type: vase
Date: 1915 – 1915
Materials: earthenware
Location: amsterdam
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
Inscriptions: mark: ‘DISTEL; fecit Th.N; in zwart: No C2081 f40,-’

Two vases. Earthenware decorated in the cuerda seca-technique, known as carduus earthenware. Amsterdam, c. 1915, made by Plateelbakkerij De Distel, designed by Theodorus W. Nieuwenhuis, factory under the direction of J.M. Lob.
Fan
Object type: fan
Date: 1851 – 1900
Materials: ivory, lace, mother of pearl, textile
Ontwerp voor een tafel
Object type: design drawing
Date: 1887 – 1911
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: gust van de wall perné
Artist role: draughtsman, painter, print maker
Artist dates: 1877 – 1911
Subjects: table
Inscriptions: collector's mark: Lugt 2228
Strainer spoon
Object type: strainer spoon
Date: 1701 – 1750
Materials: silver
Artist: s. t.
Artist role: maker
Artist nationality: british
Artist dates: 1700 – 1750

For removing tea-leaves floating in the cup.
Brandy Decanter
Object type: brandy decanter
Date: 1801 – 1900
Materials: glass
Techniques: glassblowing, cutting
Culture: british
Location: england
Eerste verjaardag van de Belgische revolutie op de Place des Martyres, gevierd door de "association des vraies patriotes"
Object type: history medal
Date: 1831 – 1831
Materials: bronze
Techniques: striking
Artist: m. borrel
Subjects: laeken, leopold i (koning der belgen)
Portret van koning Karel X van Frankrijk
Object type: print
Date: 1829 – 1840
Materials: paper
Techniques: engraving
Location: hildburghausen
Artist: g. metzeroth
Artist role: print maker
Subjects: historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 2228

Afkomstig uit de portretserie 'Zeitgenossen', uitgegeven tussen 1829 en circa 1840.
Maria als Mater Dolorosa
Object type: print
Date: 1638 – 1678
Materials: paper
Techniques: engraving
Location: antwerp
Artist: cornelis galle (ii)
Artist role: print maker
Artist dates: 1615 – 1678
Subjects: 'mater dolorosa', mary with the instruments of the passion, 'vera icon', 'sudarium', veronica-portrait
Inscriptions: poem: ‘O quam tristis et aflicta / Fuit illa Benedicta / Mater Unigeniti !’, collector's mark: Lugt 240

Maria als Mater Dolorosa, met zwaard door de borst, opkijkend naar het gelaat van Christus met doornenkroon op de doek van Veronica (Vera Icon). Deze wordt vastgehouden door een engel. Scène omgeven door passiewerktuigen en engeltjes. Middenonder in cartouche drie regels uit het Stabat Mater: O quam tristis et aflicta / Fuit illa Benedicta / Mater Unigeniti!
Twintig munten
Object type: album leaf
Date: 1672 – 1675
Materials: paper
Techniques: etching
Location: rome
Subjects: coin

Twintig munten uitgegeven tijdens en na de oprichting van de Zuil van Marcus Aurelius. Een lijst met verklarende nummers in de ondermarge. Prent maakt deel uit van een album.
These are responsible for those, from 'News of the day,' published in Le Charivari, February 9, 1871
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: female nudes
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, ankle and heel of foot
Table knife
Object type: table knife
Date: 1701 – 1800
Materials: metal, mother of pearl, steel, wood
Twee mannen aan een tafel voor herberg het Molentje aan de Amstel
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: inn, coffee-house, public house, etc.
Inscriptions: collector's mark: Lugt 2228
Dessert basket with cover
Object type: dessert basket with cover
Date: 1770 – 1780
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Muiderberg, Strand
Object type: ansichtkaart, prentbriefkaart
Date: 1890 – 1920
Materials: cardboard
Techniques: photograph, writing
Location: the hague
Artist: Anonymous
Subjects: coast
The Adoration of the Magi, from Ewangeli und Epistel
Object type: print
Date: 1512 – 1512
Techniques: woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: men,madonna and child,adoration of the magi
Bracket Clock
Object type: metalwork
Date: 1756 – 1756
Materials: brass, gilt, wood, metal
Location: london
Artist: thomas monkhouse
Subjects: furniture
Venus and the Sphinx
Object type: group
Date: 1868 – 1868
Materials: plaster
Techniques: tinting
Artist: auguste préault
Artist role: artist
Artist nationality: french
Artist dates: 1809 – 1879
Subjects: sphinx,venus

Like much of the sculpture of the Romantic movement in French art, Préault's work was rejected from the Paris Salons throughout the 1830s and 1840s. Official recognition came after the Revolution of 1848. This plaster group is the working model for the commission of 1867 for the imperial palace at Fontainbleau.
Zijn visschen, dieren, zoo bekend, / Als vreemd uit ieder element [(...)]
Object type: popular print
Date: 1851 – 1880
Materials: paper
Techniques: letterpress printing
Location: turnhout
Subjects: animals, cat, monkeys, apes, fishes, rodents, trunked animals: elephant, dog
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van in totaal 96 dieren, waaronder vissen, slangen, geiten, apen en knaagdieren. Onder elke afbeelding de namen van de dieren in het Nederlands en in het Frans. Genummerd midden boven: N. 157.
Portret van een onbekende jonge vrouw
Object type: carte de visite
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: mannheim
Artist: emil bühler
Artist role: fotograaf
Subjects: adolescent, young woman, maiden, anonymous historical person portrayed
Inscriptions: monogram: ‘EB’, inscription: ‘Emil Bühler/ Photograph/ B7 No 1, Ludwigs-Strasse No 34/ am Schlossgarten/ Mannheim./ No.../ Die Originalplatte bleibt zum/ Nachbestellen aufbewahrt.’, inscription: ‘Emil Bühler, phot.’, inscription: ‘Aan mijn lieve zuster Anna.’
Pattern crown of Queen Victoria
Object type: pattern crown coin
Date: 1837 – 1837
Materials: bronze
Artist: joseph bonomi
Artist role: maker
Artist nationality: italian
Artist dates: 1739 – 1808
Subjects: profiles,women,queen victoria
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 433 – 567
Materials: terracotta
Culture: greek, attic
Artist: skythes
Artist role: artist

Exterior, extended right arm and part of upper torso of a symposiast with a kylix; at the bottom left, top of handle and rim of a volute krater
Domino game in book form
Location: europe
Stoomboot op zee langs de Noorse kust
Object type: photograph
Date: 1807 – 1889
Materials: cardboard, paper
Techniques: albumen print
Subjects: wilhelm ii (keizer van duitsland), norway
Inscriptions: number: ‘28’
Scene with monkeys and baboons
Object type: relief, tomb of khety, monkey, baboon
Date: 2051 – 2000
Materials: limestone, paint
Location: egypt
Subjects: monkeys
Boord van ambtskostuum van Hendrikus Colijn
Object type: menswear
Materials: cardboard
Artist: Anonymous
Subjects: hendrikus colijn

H. Colijn's ministerial uniform and sabre. Sabre of silver and ivory, sheath of nickel-plated steel. Hendrikus Colijn (1869-1944) began his career as a soldier in the Dutch East Indies. As a veteran of the 1894 Lombok campaign he was awarded the Militaire Willemsorde. In 1899, following his participation in the Atjeh campaign, he was presented with this honourary sabre. In 1904 he was appointed adjutant to Governor General Van Heutsz. Back in the Netherlands (1909), Colijn entered parliament as an Anti-Revolutionary (1909-1911). He served as minister of war (1911-1913), head of the Bataafsche Petroleum Maatschappij (1914-1922), minister of finance (1923-1925) and prime minister (1925 and 1933-1939). His drastic economic cuts during the Depression met with deep resentment. Although not the original decorations, these are identical to those awarded to Colijn.
Portret van een oude vrouw met muts, staand bij een stoel
Object type: album leaf
Date: 1862 – 1863
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Subjects: historical persons - bb - woman, head-gear: hat, standing figure - aa - female human figure
Inscriptions: inscription: ‘Etablissement Photographique/ de Maes & Michaux/ Place de la Monnaie, 36, Rue Fossé-aux-Loups/ Bruxelles’
Portret van paus Nicolaas II
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: historical persons, pope, armorial bearing, heraldry

Prent uit: Ciccarelli, Antonio. Le vite de Pontefici di Antonio Ciccarelli (...). Rome: Domenico Basa, 1587. Prent voor het eerst verschenen in: Cavalieri, Giovanni Battista de'. Pontificum romanorum effigies (...). Rome: Domenico Basa en Francesco Zanetti, 1580. Prent ook gebruikt in latere publicaties.
Juli 1908
Object type: magazine
Date: 1908 – 1908
Materials: paper
Techniques: woodcut, letterpress printing
Location: japan
Inscriptions: date

Ontwerp titelplaat: Asai Chû. Overige illustraties: Shimomura Izan (1), Ishii Hakutei (3), Mori Kosen (2), Kikuchi Sokû (1), Yamazaki Gakudô (1), Nagoshi Kunitarô (1), Yoshida Mari (1) en Yamada Kiyoshi (1). Achterkant illustratie: Shôno Munenosuke. Gedichten door Suzuki Miekichi.
Textile Fragment with Birds
Object type: textile fragment
Date: 701 – 800
Materials: cotton, linen
Techniques: brocade, weave
Location: egypt
Subjects: birds
Ontwerp van redevoering voor een geacht afgevaardigde
Object type: cartoon
Date: 1869 – 1869
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: antique types of bicycles

Spotprent op de heersende velocipèdewoede: huzaren en infanterie rijdend op fietsen. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 6, 1869.
Portret van Konrad Mannert
Object type: print
Date: 1821 – 1835
Materials: paper
Techniques: lithograph
Subjects: history and archaeology (+ portrait of scholar, scientist), historical persons, geography (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228
Sculptuur van de slapende Ariadne
Object type: stereograph
Date: 1855 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: karl heinrich franz stolze
Artist role: fotograaf
Artist dates: 1836 – 1910
Subjects: (story of) ariadne, sculpture
Inscriptions: number: ‘22’, : ‘Berlin’