deem-data/ArtiFact huggingface dataset:
Landschap met bomen, mogelijk een duinlandschap
Object type: sketchbook leaf
Date: 1881 – 1927
Materials: chalk, paper
Techniques: stumping
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: dune coast

Landschap met bomen, mogelijk een duinlandschap. Blad 25 verso uit een schetsboek met 34 bladen.
Portret van een meisje, staand op een stoel
Object type: photograph
Date: 1877 – 1900
Materials: cardboard, celluloid, photographic support
Techniques: albumen print
Location: bergen op zoom
Artist: jannis jacobus van melle
Artist role: fotograaf
Artist dates: 1829 – 1911
Subjects: historical persons - bb - woman, toddler (female), chair
Inscriptions: inscription: ‘Photographisch/ ATELIER/ J.J. van Melle/ BERGEN/ OP/ ZOOM/ Rykebuurtstraat./ De plaat blyft voor nabestelling bewaard.’
Armchair back
Object type: upholstery panel
Date: 1754 – 1756
Materials: silk, wool
Artist: beauvais
Artist role: manufactory
Subjects: rabbits,flowers

This tapestry panel is part of a set of twelve armchairs and two settees ordered in Paris in 1753 by Baron Johann Ernst Bernstorff, Danish ambassador to the court of Versailles between 1744 and 1751. After returning to Denmark, Bernstorff commissioned this seat furniture for the tapestry room of his new residence in Copenhagen that was hung with four wall tapestries of the Amours des Dieux series woven at the Beauvais Manufactory. The tapestry covers are woven with animal and bird subjects after designs by the painter Jean-Baptiste Oudry (1686–1755). For a fuller description of the entire set, see, e.g., MMA 35.145.1.
Scarab of an Official
Object type: scarab, private name and title, khonsu
Date: 1760 – 1670
Materials: stone
Techniques: glazing
Location: egypt
Riviergezichten en kustgezichten
Object type: print
Date: 1651 – 1670
Materials: paper
Techniques: etching
Location: antwerp
Subjects: city-view, and landscape with man-made constructions, sailing-ship, sailing-boat, river
Inscriptions: collector's mark: Lugt 240

De prent maakt deel uit van een zesdelige serie riviergezichten en kustgezichten, ongenummerd.
Anno Haga Comitis in Hollandia 1570
Object type: print
Date: 1665 – 1667
Materials: paper
Techniques: etching
Location: the hague
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, the hague
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Archief Ministerie van Oorlog Afdeeling Genie’

Deze prent is onderdeel van een plattegrond van Den Haag. Deze staat van de plattegrond werd oorspronkelijk uitgegeven met een sierrand, bestaande uit een gezicht op de stad en veertien kleinere gezichten in en om Den Haag, en vormde zo de zogenaamde figuratieve kaart van Den Haag.

Voor de prenten die de rand vormen, zie: RP-P-AO-12-8, RP-P-AO-12-8-2, RP-P-OB-50.201, RP-P-OB-50.202, RP-P-OB-50.203, RP-P-OB-50.204, RP-P-OB-50.205, RP-P-OB-50.206, RP-P-OB-50.207, RP-P-OB-50.208, RP-P-OB-102.387, RP-P-OB-50.209, RP-P-OB-50.210, RP-P-OB-50.211, RP-P-OB-50.212, RP-P-OB-50.213, RP-P-AO-12-5-4 en RP-P-OB-50.214.
Zicht over een veld in Sinkawang
Object type: photograph
Date: 1920 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Subjects: borneo
Inscriptions: annotation: ‘Post card, correspondence address only’
Het Laatste Oordeel
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: last judgement
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 39 (recto)
Object type: album print ornament architecture
Date: 1615 – 1635
Materials: ink
Techniques: pen, wash
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Stirrup Ring
Object type: ring
Date: 1200 – 1300
Materials: gemstone, gold
Culture: british
Terracotta fragments of an amphora (jar)
Object type: amphora fragment
Date: 540 – 530
Materials: terracotta
Culture: greek, attic

Two fragments with a band of pendant lotus buds with dots in the interstices
W.J. Bryan, from the series N694, promoting Little Rhody Cut Plug
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: men,portraits

Trade cards from series N694, issued ca. 1888 to promote Little Rhody Cut Plug.
Plate
Object type: plate
Date: 1755 – 1755
Materials: enamel, soft paste porcelain
Techniques: polychrome
Artist: bow porcelain factory
Artist role: manufactory
Artist nationality: british
Artist dates: 1747 – 1776
Subjects: women,deer,flowers
Queen Chewa of Tewa
Object type: photograph
Techniques: platinum print
Location: united states
Artist: adam clark vroman
Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Talleyrand
Object type: painting
Date: 1817 – 1817
Materials: canvas, oil
Artist: pierre paul prud'hon
Artist role: artist
Artist nationality: french
Artist dates: 1758 – 1823
Subjects: men,portraits
Aquamanile in the Form of a Gourd with a
Human Head
Object type: aquamanile
Date: 1801 – 1900
Materials: bronze, copper alloy, patina
Culture: german
Subjects: heads
Afrikaanse vrouw, mogelijk een danseres
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: ink, paper
Techniques: pen
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: leaning forward, dancing, africans

Blad 15 verso uit schetsboek XIII met 25 bladen.
Design for Grand Salon Ceiling, Hôtel Hope
Object type: drawing
Date: 1867 – 1867
Materials: gouache, ink
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: birds,flowers
Portretten van de koningen Pepijn en Carloman
Object type: book illustration
Date: 1729 – 1733
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: vienne, liège, historical persons, king
Inscriptions: collector's mark: Lugt 2228

Prent uit: Montfaucon, Bernard de. Les monumens de la monarchie françoise, qui comprennent l'histoire de France avec les figures de chaque règne que l'injure des tems a épargnées (...). Parijs: Julien-Michel Gandouin en Pierre-François Giffart, 1729-1733, dl. 1, afb. voor p. 273.
Lieut. Nelson Volunteering to Board a Prize in a Violent Gale
Object type: photomechanical print
Date: 1877 – 1887
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: horatio nelson (hertog van bronte), storm at sea
Werkzaamheden aan de drainage op de Stabat plantage, Sumatra
Object type: photograph
Date: 1890 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: sumatra
Subjects: plantation, irrigation ~ cultivation, working class, labourers, sumatra
Inscriptions: number: ‘6’

In de lijst van afbeeldingen wordt deze foto beschreven met de woorden "Drainage Arbeiten in Stabat-Estate".
Portret van een onbekende rechtsgeleerde
Object type: photograph
Date: 1860 – 1868
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Subjects: lawyer, attorney at law, anonymous historical person portrayed, paris
Inscriptions: inscription: ‘Photographe de la magistrature/ médailles d'argent/ anc. maison E. Défonds/ Bousseton & Appert/ Peintres photographes/ de S.M. la Reine d'Espagne/ de la Maison de l'Empereur/ de salle grand Duc Constantin./ 21 Rue Louis le Grand,/ au 1er Étage/ Paris/ Les Clichés étant conservés indéfiniment,/ on peut toujours se procurer de nouvelles/ épreuves de Cartes & Portraits sans reposer.’, inscription: ‘Bousseton & Appert, phot.’
Fragment of a Tunic
Object type: textile fragment
Date: 301 – 500
Materials: linen, wool
Techniques: weave
Location: egypt
Catharina de Grote verkleed als luitenant
Object type: print
Date: 1797 – 1797
Materials: paper, pencil
Techniques: etching, writing
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: catharina de grote, riding a horse, ass, or mule; rider, horseman, woman dressed as man, travesty, history
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Historisch-genealogischer Kalender auf das Gemeinjahr 1798. Katharina II. Ein historischer Versuch (...). Berlijn: Johann Friedrich Unger, [1797].
West- en zuidgevel van Cathédrale Notre-Dame in Parijs
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Artist: louis antoine pamard
Artist role: fotograaf
Artist dates: 1840 – 1893
Subjects: church (exterior), parts of church exterior and annexes: tower
Inscriptions: negative number: ‘202’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in België en Frankrijk.
Gezicht op de Botermarkt te Amsterdam met een nooit gebouwde koepelkerk
Object type: print
Date: 1700 – 1705
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: buildings for performances - aa - open-air performances, stalls ~ theatre, etc. - aa - open-air performances, stall, booth (~ market), church (exterior), market, weigh-house, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Notaris, advocaat en kerkmeester van de Oude Kerk Nicolaas Listingh maakte rond 1700 een ontwerp voor een nieuwe koepelkerk op de Botermarkt (het huidige Rembrandtplein). Naast een houten maquette, die nog steeds te zien is in de Oude Kerk, liet hij ook op eigen kosten een serie van zeventien prenten van zijn ontwerp maken ('Nievv desseyn tot een Seer Groote, Stercke, en om te hooren, heel bequame Coupel-Kerck (…)'). De huidige prent is daar onderdeel van. Deze prenten zouden zijn gemaakt door Daniël Stopendaal.*

De plaat van de huidige prent kwam later in het bezit van Isaac le Long of de uitgever van zijn boek Johannes van Septeren (I).* Zodoende is de tweede staat van deze prent (met toevoeging van de titel 'Afbeeldinge van een fraaye Coupel-Kerk, uytgevonden door Mr. Nicolaas Listing, advokaat, om op de Booter-markt alhier geplaatst te worden; beneffens de geheele Bootermarkt, en alle de omleggende huysen') ook verschenen in de hieronder genoemde publicatie.

*Long, Isaac le. Historische beschryvinge van de reformatie der stadt Amsterdam (…). Amsterdam: Johannes van Septeren (I), 1729, p. 572.
Portret van een man
Object type: photograph
Date: 1860 – 1875
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: adult man, historical persons
Portret van Adam Zanner op 70-jarige leeftijd
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: engraving
Subjects: publisher, adam zanner, publishing, publisher (+ portrait of scholar, scientist), historical persons
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de ondermarge.
Jonge vrouw met tamboerijn
Object type: print
Date: 1882 – 1882
Materials: paper
Techniques: etching, intaglio
Artist: h. becker
Artist role: print maker
Subjects: tambourine
Inscriptions: collector's mark: Lugt 2228
Berglandschap met rivier
Object type: stereoscopic photograph
Date: 1907 – 1935
Materials: glass
Techniques: autochrome process
Location: switzerland
Artist: adolphe burdet
Artist role: fotograaf
Artist dates: 1860 – 1940
Subjects: river, mountains, switzerland
"Preparing a Noonday Meal on an Outing", Folio from a Kulliyat (Complete Works) of Sa'di
Object type: folio from an illustrated manuscript
Date: 1801 – 1900
Materials: gold, ink, paper, watercolor
Location: india
Subjects: men,women
Metal Inrō with Flower Medallions
Object type: inrō
Date: 1834 – 1866
Materials: gold, metal, silver
Techniques: enamel, hiramakie
Culture: japanese
Subjects: flowers
Qur'an Bookbinding Inset with Turquoise
Object type: bookbinding
Date: 1501 – 1600
Materials: leather
Techniques: gilding, painting, stamping
Location: iran
Subjects: arabic

The stamped and gilded techniques used for this leather binding were common in the Middle East, especially in Iran where the art first developed, and in Turkey, where it was perfected. Central almond-shaped medallions and concave fillings in the four corners are common features of Islamic books. Ottoman book covers with this kind of composition and floral design served as models for a great number of Venetian Renaissance bookbindings and, more surprisingly, Venetian furniture as well.
Journal des Dames et des Modes, Costume Parisien, 17 décembre 1803, An 12 (519) : Chapeau de Velours (...)
Object type: fashion print
Date: 1802 – 1802
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: gloves, mittens (long gloves) (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), gloves, mittens, etc. (+ dressing, putting on clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), necklace (+ women's clothes)
Inscriptions: caption: ‘Chapeau de Velours et Satin. Robe de Taffetas, Bouffettes en Satin.’, title: ‘Costume Parisien.’

Hoed van fluweel en satijn. Japon van tafzijde met korte mouwen en sleep. 'Bouffettes' van satijn. Verdere accessoires: collier bestaande uit twee snoeren, lange handschoenen, sjaal om de linkerarm, platte schoenen. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Portret van Hieronymus von Cölln
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: theologian, historical persons, armorial bearing, heraldry

Prent mogelijk uit: Rothscholtz, Friedrich. Icones virorum omnium ordinum eruditione: omnique item genere et varietate artium de republica litteraria et speciatim de Academiis et Gymnasiis (...). Neurenberg: erven Johann Daniel Tauber, 1725, dl. 1.
Head of a Woman Leaning on Her Hand
Object type: print
Date: 1890 – 1894
Materials: paper
Techniques: lithography
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926
Standing cup with cover
Object type: standing cup with cover
Date: 1755 – 1755
Materials: glass
Subjects: benjamin franklin,coat of arms
Two Sketches of Old Man with Books (from Sketchbook)
Object type: drawing
Date: 1854 – 1854
Materials: ink, paper
Techniques: pen
Culture: american
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men
Design for a ceiling: the Grand Salon
Object type: drawing
Date: 1851 – 1900
Materials: graphite, ink
Techniques: pen, wash
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ornament
Embroidery sample for a man’s suit or waistcoat
Object type: sample
Date: 1785 – 1815
Materials: metal thread, silk
Subjects: plants
Portrait of a Gentleman
Object type: painting
Date: 1545 – 1545
Materials: canvas, oil, paint
Techniques: painting
Culture: venetian
Location: italy
Subjects: portraits: male subject, man, portrait, shadows
Sculpture
Object type: print
Date: 1731 – 1765
Techniques: etching
Artist: louis félix de la rue
Artist role: artist
Artist nationality: french
Artist dates: 1731 – 1765
Subjects: sculpture
H. Martinus deelt zijn mantel met een bedelaar
Object type: book illustration
Date: 1515 – 1517
Materials: paper
Techniques: woodcut
Location: nuremberg
Subjects: st. martin divides his cloak (i.e. the charity of st. martin): he is usually shown on horseback, cutting his cloak with his sword, or putting part of the cloak round the shoulders of a beggar who kneels beside him

Gezeten op zijn paard snijdt de Heilige Martinus met zijn zwaard zijn mantel in tweeën, om een deel aan een bedelaar te geven. Prent maakt deel uit van een album.
Vrouwen haori met nachtlandschap en haan
Object type: kimono
Date: 1920 – 1940
Materials: silk
Techniques: embroidered, painting, weave
Location: japan
Artist: Anonymous

Haori voor een vrouw met een versiering over het hele vlak van een voorstelling van een ossenkar en twee dozen voor het schelpenspel, in een nachtelijk landschap met bloemen, water, rotsen en pijnboommotieven, de voering met een kraaiende haan in het ochtendgloren tegen een rode achtergrond; refererend aan afscheid de grenspost bij Osaka, waar geliefden elkaar heimelijk plachtten te ontmoeten. Het Hoofdkussenboek van Sei Shonagon: ‘Er mogen sommigen zijn die bedrogen worden door het kraaien van de haan dat vals de stilte van de nacht verbreekt, maar die misleiding zal niet opgaan voor de Grenspost bij Osaka, waar geliefden hun rendez-vous hebben.’ Zwarte fijne crêpe zijde (kinsha) met een damast geweven decoratie van , buitenkant en voering met geschilderde yuzen decoratie en geborduurde detaillering. Drie familiewapens (mon) van het ‘slangenoog-motief’ (janome).
Molen langs een rivier
Object type: drawing
Date: 1810 – 1850
Materials: ink, paper
Techniques: brush
Artist: gerrit lamberts
Artist role: bookseller, draughtsman, print maker
Artist dates: 1776 – 1850
Subjects: river, river bank, windmill in landscape
Inscriptions: stamp, collector's mark: Lugt 1641, inscription: ‘Gerrit Lamberts geb 1776’

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Molens.
El Maragato Threatens Friar Pedro de Zaldivia with His Gun
Object type: painting
Date: 1806 – 1806
Materials: oil, paint, panel, wood
Techniques: painting
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: narrative, interior, prisoners, prison, spain, guns, brown (color), man, men, friars, violence, century of progress, world's fairs, chicago world's fairs

In small, lively paintings made for his own pleasure or for a few discerning patrons, Francisco de Goya explored satirical and popular aspects of Spanish life. This series was inspired by a contemporary event, the capture of notorious criminal El Maragato by Friar Pedro de Saldivia in 1806. After escaping from prison, El Maragato spent two months stealing food, guns, and money before trying to take Friar Pedro and other innocent people hostage. The friar outsmarted the bandit, however, seizing his gun, shooting him in the thigh as he tried to flee, and finally tying him up. This story was extremely popular in the early 19th century and Spanish artists memorialized it in images, poems, and songs.
Design for Cabriolet or Victoria, no. 3701
Object type: drawing
Date: 1881 – 1881
Materials: gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Patch box
Object type: patch box
Date: 1748 – 1748
Materials: metal
Subjects: flowers,leaves
Deuren van het transcept aan de zuidzijde van de Notre Dame, Parijs
Object type: photograph
Date: 1853 – 1853
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: a. morel
Artist role: publisher
Subjects: parts of church exterior and annexes: portal
Inscriptions: stamp: ‘Bibliotheek/ Rijksmuseum/ Amsterdam’
The Union
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,bulls,politics
Brief aan jonkheer Hendrik Teding van Berkhout (1879-1969)
Object type: letter
Date: 1932 – 1932
Materials: cardboard, ink
Techniques: pen, writing
Location: middelburg
Artist: dolf van der haar
Artist role: draughtsman, print maker
Artist dates: 1899 – 1973
Subjects: amsterdam, jonkheer hendrik teding van berkhout (1879-1969), art collecting
Dwarsdoorsnede van een onbekend onderdeel van een plant
Object type: photograph
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: plants; vegetation
Saltcellar with scene of infant harvesters (one of a pair)
Object type: saltcellar
Date: 1540 – 1545
Materials: copper, enamel, gilt
Techniques: painting
Artist: pierre reymond
Artist role: enameler
Artist nationality: french
Artist dates: 1513 – 1590
Subjects: faces,infants,male nudes,working

Pierre Reymond, Colin Nouailher (active by 1539), and Léonard Limosin (ca. 1505–1575/77) were among the earliest enamelers in Limoges to decorate hollow wares. Both Reymond and Nouailher painted scenes of frolicking infants; in this case, the scenes were partly based on an engraving of 1529 by the Italian master IB. Another pair of salts, similar in form and style and signed with Reymond’s initials, is now in the Musée des Beaux-Arts, Limoges.