deem-data/ArtiFact huggingface dataset:
Ditio Trans-Isulana
Object type: print
Date: 1700 – 1702
Materials: paper
Techniques: engraving, hand coloring, lacquer
Location: amsterdam
Subjects: maps of separate countries or regions

Kaart van Overijssel, Drenthe en Twente. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Border
Object type: textile
Date: 1725 – 1750
Materials: lace, linen
Techniques: lace
Location: france
Biddende monnik
Object type: drawing
Date: 1643 – 1687
Materials: chalk, paper
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690
Inscriptions: annotation: ‘vgl 67’

Tekening opgeplakt in het Familie-plakboek. Dezelfde figuur is afgebeeld op folio 67.
Votes Place in the County of Kent, from Edward Hasted's "The History and Topographical Survey of the County of Kent", vols. 1-3
Object type: print
Date: 1777 – 1790
Techniques: engraving, etching
Artist: richard bernard godfrey
Artist role: artist
Artist nationality: british
Artist dates: 1728 – 1795
Subjects: castles,men,women,landscapes,coat of arms

Plate 21, vol. III. Votes, the Seat of W. Daniel Master, Esq. See 2014.599.1–.30 for comments.
Davidson’s Real Photographic Series
Object type: photograph
Date: 1905 – 1920
Materials: paper
Techniques: gelatin silver print
Location: london
Artist: Anonymous
Subjects: harbour, drunkenness
Halberd
Object type: arm
Date: 1500 – 1550
Materials: steel, wood
Culture: german
Location: germany
Gezicht op de kust bij Le Havre, Frankrijk
Object type: carte de visite
Date: 1860 – 1880
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: le havre
Inscriptions: annotation: ‘HAVRE / LA HEVE [?]’
Pendant
Object type: pendant
Date: 1902 – 1902
Materials: jade
Culture: guatemala or mexico
Aankomst van hunne doorluchtige en koninklyke hoogheden, Willem, Prinse van Oranje en Nassau (...) En zyne gemalinne Fredrica Sophia Wilhelmina, Pinsesje van Pruissen, Aen de Haarlemmer Poort der stad Amsterdam, op den 30 May 1768
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: william v (prince of orange), berlin, painter, draughtsman, wilhelmina of prussia (princess of orange), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'
Inscriptions: collector's mark: Lugt 2228

Aankomst van de stoet met stadhouder Willem V en prinses Wilhelmina van Pruisen bij de Haarlemmerpoort te Amsterdam, op 30 mei 1768. Met grote groepen toeschouwers op de kades en op het water.
Vrede van Amiens, ter ere van Napoleon Bonaparte, premier consul van Frankrijk
Object type: history medal
Date: 1802 – 1802
Materials: silver
Techniques: striking
Location: paris
Artist: rambert dumarest
Artist role: medailleur
Artist dates: 1750 – 1806
Subjects: napoleon i (emperor of the french)

Zilveren penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: gehelmde Mars, voostellende Napoleon Bonaparte, houdt in linkerhand beeldje van gevleugelde Overwinning en reikt met andere hand olijftak aan gekroonde vrouw, die tegen leeuwenkop rust binnen omschrift; afsnede: opschrift
Friezen met putti
Object type: ornament print
Date: 1639 – 1706
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ornament ~ festoon, garland, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Een fries met putti hangend op en aan een guirlande.
Bustes van filosofen en koningen
Object type: print
Date: 1615 – 1647
Materials: paper
Techniques: engraving
Location: paris
Subjects: london, scholar, philosopher, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Christus in debat met de farizeeën over de belasting aan de keizer
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ (in the temple) in debate with pharisees about the tribute to caesar (matthew 22:15-22; mark 12:13-17; luke 20:20-26)
Inscriptions: collector's mark: Lugt 2228, number: ‘49’, inscription: ‘Pharisiens hypocrites pourquoy interrogez vous le seigneur sur vos obligations? il faut rendre a Cesar ce qui est du a Cesar et a dieu ce qui appartient a Dieu.’

Christus in debat met de farizeeën. Achter hem staan zijn leerlingen. Een van de farizeeën toont hem een munt en vraagt aan Christus of het toegestaan is belasting aan de keizer te betalen. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Mat. 22.
Fles of karaf, met op de schouder bladrank in goud
Object type: bottle
Date: 1800 – 1849
Materials: glass
Location: bristol
Artist: Anonymous

Fles of karaf van helder, kleurloos glas. De buik met vlakke, iets ingestoken bodem. Op de schouder versierd met bladrank van goudemail. De hals met uitstaande mondrand en drie meegeblazen ringen.
Pair of firedogs
Object type: firedog
Date: 1750 – 1750
Materials: brass, gilt bronze
Subjects: men,women,parrots

The model of these chenets in the chinoiserie style, incorporating a Chinese couple and parrots, was apparently very popular since many eighteenth as well as nineteenth century versions are known today. Lazare Duvaux (c. 1703-1758), one of the Parisian marchands merciers who dealt in luxury objects such as gilt-bronze furnishings, sold a pair of fire dogs with Chinese figures to the Marquise de la Ferrière in August of 1756. It may have been a set of this design.
H.R.H. The Princess Louisa
Object type: photograph
Date: 1861 – 1861
Techniques: albumen print
Location: united states
Artist: john jabez edwin mayall
Artist role: fotograaf
Artist nationality: american
Artist dates: 1813 – 1901
Portret van Johann Friedrich Blumenbach
Object type: print
Date: 1776 – 1809
Materials: paper
Techniques: engraving
Location: augsburg
Artist: johann elias haid
Artist role: print maker
Artist dates: 1739 – 1809
Subjects: physicist, historical persons, physician, doctor
Portret van François Valentijn
Object type: print
Date: 1724 – 1724
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: dordrecht, the hague, asiatic races and peoples, minerva as patroness
Inscriptions: collector's mark: Lugt 1120, collector's mark: Lugt 2228

Portret van de historicus en dominee François Valentijn op 38-jarige leeftijd, in een ovaal medaillon, dat wordt vastgehouden door Minerva (de wetenschap) en het Geloof (vrouw met kerkgebouw en duif op haar hoofd). Het portret wordt omringd door oosterse figuren en boeken die verwijzen naar zijn reizen naar Azië en de werken die hij hierover schreef. Onder de voorstelling de naam en gegevens van de geportretteerde in twee regels in het Latijn. Daaronder twee kolommen van elk vier regels met een vers in het Latijn
Binnenwateren
Object type: print
Date: 1654 – 1658
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, parts of ship's exterior: bow, rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2228

Titelblad van een serie van acht prenten. Twee statensloepen, gebruikt om hooggeplaatste figuren te vervoeren, met een baldakijn en een vlag. Een aantal zeilschepen en de boegspriet van een groter zeilschip met een zeil met tekst, drie mannen op de ra.
Portret van predikant Cornelis Johannes van Heusden
Object type: print
Date: 1822 – 1845
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: brabant, den bosch, knighthood order, historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de naam van de geportretteerde. Hij draagt een ridderorde.
Avatars van Vishnu
Object type: drawing
Date: 1825 – 1875
Materials: paper, watercolor
Techniques: brush
Inscriptions: inscription: ‘64’, inscription: ‘1st// Fish Avatar’

Vishnu daalt neer in de bek van een vis. De voorstelling is omlijst door een smal wit biesje, daaromheen een brede oranjerode sierrand met zwarte kaderlijnen; dit blad is op een blad kardoespapier opgeplakt waarop een zwarte kaderlijn in potlood is getekend.
Insignia Medallion
Object type: insignia medallion
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: phoenix
Diverse vazen
Object type: ornament print
Date: 1820 – 1820
Materials: paper
Techniques: etching
Location: paris
Subjects: vase ~ ornament

Ornamentprent met zes verschillende vazen en houders. Onderdeel (17e. Cah.er f.le 27) van het prentalbum met twee series van in totaal 138 ornamentprenten door Beauvallet en Normand, 'Fragmens d'Ornemens dans le Style Antique'.
The actors Sawamura Yodogoro II (R) as Kawatsura Hogen and Bando Zenji (L) as Onisadobo
Object type: print
Date: 1794 – 1794
Techniques: woodblock print
Location: japan
Artist: toshusai sharaku 東洲斎 写楽
Artist role: artist
Artist nationality: japanese
Artist dates: 1794 – 1795
Portret van twee onbekende vrouwen
Object type: carte de visite
Date: 1855 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: canterbury
Artist: john bateman
Artist role: fotograaf
Subjects: adult woman, hand on shoulder (friends), anonymous historical person portrayed
Inscriptions: inscription: ‘51, St. George's Street, Canterbury/ J. Bateman,/ Photographer.’
Gold Strip
Object type: lamella
Materials: gold
Culture: avar

The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively cast. Some show no signs of use, while others are quite worn. The Avars The Avars were a nomadic tribe of mounted warriors from the Eurasian steppe. The Byzantine emperor Justinian negotiated with them in the sixth century to protect the Empire’s northern border along the Black Sea. Emboldened by their subjugation of numerous tribes, they unsuccessfully attempted to seize the Empire’s capital, Constantinople. They remained a scourge of both Byzantium and the Western kingdoms until Charlemagne defeated them through a series of campaigns in the 790s and early 800s. All the money and treasure that the Avars had been years amassing was seized, and no war in which the Franks have ever engaged . . . brought them such riches and such booty. Up to that time the Avars had passed for a poor people, but so much gold and silver was found . . . that one may well think that the Franks took justly from the Avars what the Avars had formerly taken unjustly from other nations. — Einhard (ca. 770–840), biographer of the Frankish ruler Charlemagne, early 800s The Vrap Treasure Tribute payments from the Byzantine Empire and war booty provided the Avars with enormous amounts of gold and silver. Avar goldsmiths created work of exceptionally high quality and were counted among the Avars’ ruling class. This ensemble of objects, all found together in Vrap, in present-day Albania, would seem to attest to the wealth of the Avars. Why this varied group was brought together remains a mystery. Some scholars have suggested that these objects were part of a treasure belonging to an Avar chief; others have speculated that they were the materials of an Avar artist. Others question whether an Avar metalsmith made them at all and assert these objects to be the products of a provincial Byzantine artist.
Voorgevel van de Basiliek van San Marco te Venetië
Object type: stereograph
Date: 1850 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: san marco square
Artist: antonio perini
Artist role: fotograaf
Artist dates: 1830 – 1879
Subjects: façade (of house or building)
Inscriptions: name: ‘ISTITUTO FOTOGRAFICO A.PERINI VENEZIA’, number: ‘1.’, inscription: ‘X a XII secolo (...) alla crociera 62.80.’
Fannie McIntyre, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Tile
Object type: tile
Date: 1620 – 1640
Materials: earthenware
Techniques: glazing
Subjects: flowers,plants
Portret van Joseph Hauber
Object type: print
Date: 1776 – 1810
Materials: paper
Techniques: etching
Location: munich
Subjects: print maker, joseph hauber, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Mineur of Sappeur
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: (military) uniforms

Een Nederlandse mineur of sappeur van de artillerie. Plaat 31. Uniformvoorstelling in 'Beschrijving hoedanig de Koninklijke Nederlandsche troepen' van J.F. Teupken, 1823.
Patch Box "A Trifle from New York"
Object type: patch box
Date: 1780 – 1790
Materials: copper, enamel, glass
Design for the Figure of "Flora"
Object type: drawing
Date: 1801 – 1900
Materials: graphite, paper
Culture: british
Artist: sir edward burne-jones
Artist role: artist
Artist nationality: british
Artist dates: 1833 – 1898
Biscay, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the "City Flags" series (N6), issued in 1887 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Hooibouw
Object type: book illustration
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: crossing a river, harvest, agricultural products and by-products: hay, hay-wagon
Inscriptions: collector's mark: Lugt 2228, : ‘Déposé’

Een groep, bestaande uit mannen, vrouwen en een kind, is bezig gemaaid gras middels paard en wagen en een boot de rivier over te transporteren. De prent werd gemaakt naar een schilderij van Philips Wouwermans in het Mauritshuis in Den Haag.
Portret van Alphonse de Lamartine
Object type: print
Date: 1828 – 1852
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: paris, historical persons, portrait of a writer, politician, e.g. party leader

Prent waarschijnlijk uit: Meyer, Joseph. Das große Conversations-Lexikon für die gebildeten Stände. 52 dln. Hildburghausen: Bibliographisches Institut, 1828-1852.
Wood-Nymphs (The Discovery)
Object type: print
Date: 1799 – 1799
Techniques: etching, stippling
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: female nudes,nymphs
Terracotta fragment of a kantharos (drinking cup with high handles)
Object type: kantharos fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic
Coverlet (Colcha)
Object type: coverlet
Date: 1675 – 1700
Materials: cotton, silk
Techniques: embroidery

Against a ground of symmetrical, foliate arabesques, two women in southern European costume flank a central dancer, who wears a saree; twisting at her waist, with arms upraised, and pallu billowing over her head, she seems caught in a dance. In format, size, design elements and bright mustard-colored yellow silk, this work is part of a group of coverlets called Colchas (from the Portuguese), created by local craftspeople in India, particularly associated with the port city of Saptagram (often called Satgaon) in West Bengal, for export by Portuguese traders to Europe. Created in a rich melting pot of world cultures, this coverlet engages foliate motifs drawn from Persian sources with the skill of its Indian producers, and the desire of its European consumers.
Portret van Gisbertus Bonnet
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: utrecht
Subjects: utrecht, gisbertus bonnet
Inscriptions: collector's mark: Lugt 2228

Portret van de theoloog Gisbertus Bonnet, ten halven lijve. Hij heeft zijn linkerhand in zijn jas gestoken. Het portret is gevat in een rechthoekige omlijsting met in een kader de naam en functie van de geportretteerde in het Nederlands.
Brug van overspel
Object type: print
Date: 1530 – 1530
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: cheat, deceit; 'fraude', 'inganno' (ripa), adultery
Inscriptions: collector's mark: Lugt 240
Retour de la pêche aux huitres - par les grandes marées, à Cancale (Ille-et-vilaine)
Object type: page
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Subjects: adult woman, oyster and mussel culture, painting, drawing and the graphic arts
The Terrible Attempt Against the King of Spain
Object type: print
Materials: paper
Techniques: etching, relief
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Portret van een man met een snor en een sik
Object type: carte de visite
Date: 1868 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: netherlands
Subjects: historical persons not known by name
Inscriptions: address: ‘Kalverstraat over den Heyligenweg D.26. Amsterdam. / Leidsche Straatweg Buiten Cathrijnen Utrecht.’
Portret van François Duquesnoy
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving
Location: england
Subjects: brussels, sculptor, françois du quesnoy, portrait, self-portrait of sculptor, historical persons
Inscriptions: collector's mark: Lugt 240

Portret van de beeldhouwer François Duquesnoy. In zijn hand een gebeeldhouwde kop van een sater.
Portret van Francisco Calzolari
Object type: book illustration
Date: 1591 – 1596
Materials: ink, paper
Techniques: engraving, letterpress printing, pen
Location: haarlem
Artist: jacob matham
Artist role: draughtsman, print maker
Artist dates: 1571 – 1631
Subjects: moustache, historical persons, beard
Inscriptions: edge inscription: ‘FRANCISCUS CALCEOLARIUS PHARMACOPOLA...LXII’, inscription: ‘Franciscus Calceolarius Pharmacopatus Veronensis’, collector's mark: Lugt 2228

Portret van de pharmaceut Francisco Calzolari, op 72- jarige leeftijd.
Bag
Object type: bag
Date: 1734 – 1766
Materials: glass, silk, steel
Subjects: grapes,flowers
Flower Holder
Object type: flower holder
Date: 1700 – 1800
Materials: earthenware
Culture: american
Location: united states
Jongetje
Object type: stereograph
Date: 1900 – 1922
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: robert julius boers
Artist dates: 1867 – 1932
Subjects: robert julius boers

Een Indisch jongetje langs een weg op Banka. Onderdeel van een groep stereofoto's van Robert Julius Boers, chef van het staatsbedrijf de Banka-tinwinning op Banka, uit de periode ca. 1900-1922.
Gezicht op de Dam
Object type: photomechanical print
Date: 1910 – 1920
Materials: paper
Techniques: rotogravure
Location: amsterdam
Artist: Anonymous
Subjects: square, place, circus, etc., city-view in general; 'veduta', artificial light
Inscriptions: collector's mark: ‘7’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Dam (na 1835).
Kana Letter on Stamped Images of Amida Buddha
Object type: hanging scroll
Date: 1201 – 1233
Materials: ink, paper
Techniques: brush, stamping
Culture: japanese
Interieur van het Colosseum in Rome in avondlicht, Italië
Object type: photograph
Date: 1857 – 1865
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Subjects: amphitheatre, landscape with ruins
Inscriptions: inscription: ‘R.k.d. techniek’, inscription: ‘(t) Altobelli & Molins’, inscription: ‘k.n.s.’, collector's mark: ‘RIJKS SCHOOL VOOR KUNSTNIJVERHEID/ GROEP’, inscription: ‘Rijks School voor Kunstnijverheid’

Gioacchino Altobelli gebruikte voor deze foto een combinatiedruk van twee negatieven om het dramatische effect van de wolkenlucht te bereiken. Hij is vermoedelijk geïnspireerd geraakt door Romantische dichters zoals Johann Wolfgang von Goethe en Lord Byron die plekken in Rome vaak bij maanlicht bezochten.
Elizabeth Humphrey
Object type: painting, miniature
Date: 1899 – 1899
Materials: ivory, watercolor
Culture: american
Artist: martha susan baker
Artist role: artist
Artist nationality: american
Artist dates: 1871 – 1911
Subjects: portraits,women
Allegorie op het Twaalfjarig Bestand
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: blind stamped, photograph
Artist: Anonymous
Subjects: twaalfjarig bestand
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin. Volksleven. Openbare feesten. Vorstelijke intochten, (Illuminaties, vuurwerken en dergelijke, openbare feesten).
Surihaku (Noh Costume)
Object type: textile
Materials: gold leaf, silk
Techniques: dyeing, weave, satin weave
Location: japan
Rice-Drying Frame
Object type: album leaf
Date: 1807 – 1868
Materials: lacquer, paper
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
The LumberJacks, second plate
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: drypoint, etching, printing
Location: france
Artist: alphonse legros
Artist role: artist
Artist nationality: french and british
Artist dates: 1837 – 1911
Landheer zittende in een tuin
Object type: print
Date: 1700 – 1800
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: garden
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een landheer gezeten in een stoel in een tuin met in de ene hand een bos bloemen en in de andere hand een vogel. Onder de voorstelling een vers over de landheer en een wapenschild.
Kaart van de Bylandsche waard, het benedenste gedeelte van (...) / Kaart van den Kleefschen Polder, de Pley, volgens de kaart (...)
Object type: map
Date: 1779 – 1779
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maps of separate countries or regions, river, gelderland
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Boven een kaart van het verloop van de Rijn tussen Emmerik en Pannerden. Onder een kaart van het verloop van de Rijn bij de polder de Pley.
Fragment of Tombstone
Object type: fragment
Date: 801 – 1100
Materials: limestone
Techniques: carving
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.