deem-data/ArtiFact huggingface dataset:
[Lady Canning]
Object type: photograph
Date: 1858 – 1861
Techniques: albumen silver print
Artist: jean baptiste oscar mallitte
Artist role: artist
Artist nationality: french
Artist dates: 1829 – 1905
Subjects: tents,men,women,elephants
Covered Ewer with Upright Lotus Petals
Object type: vessel
Materials: stoneware
Techniques: carving, molding, underglaze
Location: china
Fragment of a Base with Pair of Peacocks flanking a Palm Motif
Object type: fragment of a base
Date: 1101 – 1200
Materials: plaster
Techniques: molding
Location: iran

This fragment belonged to a hexagonal object, possibly an inkwell. Birds are a typical theme of Seljuq art, especially in architectural decoration. The iconography of confronted animals separated by a tree is an ancient form and variants are found throughout Near Eastern art.
Boom
Object type: sketchbook leaf
Date: 1902 – 1914
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: trees

Boom. Pagina 92 uit een schetsboek met 46 bladen vervaardigd te Noord-Holland en Utrecht.
Fragment
Object type: textile
Date: 1625 – 1675
Materials: fiber, gilt, gold, silk, silver gilt
Techniques: brocade, patterning, weave
Location: italy
Portret van een onbekende oude vrouw
Object type: print
Date: 1880 – 1909
Materials: paper
Techniques: etching
Artist: eugène cosyns
Artist role: print maker
Artist dates: 1862 – 1909
Subjects: historical persons, old woman (+ sideview, profile)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘2em Etat’
Equipage égyptien
Object type: photomechanical print
Materials: paper
Techniques: photograph
Subjects: ass, donkey, two-wheeled, animal-drawn vehicle

Onderdeel van Fotoalbum van een reis door Zuid-Europa en het Midden-Oosten.
Mary Shelley (1797–1851)
Object type: bust
Date: 1843 – 1843
Materials: marble
Artist: camillo pistrucci
Artist role: artist
Artist nationality: british
Artist dates: 1811 – 1854
Subjects: portraits,women

“Singularly bold, somewhat imperious, and active of mind.” This is how the radical philosopher William Godwin described his daughter, the Romantic novelist Mary Shelley, who achieved fame and infamy for her groundbreaking Gothic fiction Frankenstein (1818), written at the remarkable age of twenty-one. Here, the Italian neoclassicist Camillo Pistrucci uses the imposing genre of the white marble portrait bust to present Shelley in the grand manner of a virtuoso. Balancing the rhythmic forms of the face and drapery with the dazzling details of her sweeping Victorian hairstyle, Pistrucci achieves a precision and finesse that betrays the influence of his father, Benedetto, the unrivaled cameo carver. The artist carved the bust in Rome in the year of Shelley’s Italian sojourn.
Portret van een meisje
Object type: carte de visite
Date: 1865 – 1896
Materials: cardboard, photographic support
Techniques: albumen print
Artist: albert dekema
Artist role: publisher
Artist dates: 1824 – 1909
Subjects: historical persons, girl (child between toddler and youth)
Inscriptions: inscription: ‘A. Dekema/ St. Jansstraat/ Enkhuizen/ (...)’
Heuvellandschap met twee bomen op rots
Object type: print
Date: 1815 – 1867
Materials: paper
Techniques: etching
Location: netherlands
Artist: willem matthias jan van dielen
Artist role: print maker
Artist dates: 1805 – 1867
Subjects: low hill country
Inscriptions: collector's mark: Lugt 2228
La Mode, 28 novembre 1835, Pl.481 : La mode revue du monde élégant (...)
Object type: fashion print
Date: 1835 – 1835
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (vest) (+ men's clothes), clothing for the upper part of the body (+ women's clothes), ear-rings (+ women's clothes), head-gear: turban (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), neck-gear ~ clothing (+ men's clothes), monocle, single lorgnette (+ male human being (not to be used where -a- is prescribed)), trousers, breeches, etc. (pantalon) (+ men's clothes), boxes, loges ~ theatre, etc., coat (+ men's clothes), styles of hairdress - aa - ~ women, fashion plates, dress, gown (+ women's clothes), fan (+ women's clothes), gloves, mittens, etc. (+ men's clothes), necklace (+ women's clothes)
Inscriptions: caption: ‘Une loge aux bouffes.’, address: ‘Rue du Helder No"25’, title: ‘La mode revue du monde élégant.’

Een gezelschap in een theaterloge. Vrouw in een gestippelde japon met korte mouwen. Dubbele kraag, afgezet met gerimpelde stroken stof. Haarnet met linten. Lange handschoen. Man in jas, vest en broek. Geknoopte halsdoek. Handschoenen. Lorgnet. Vrouw met tulband. Japon met korte mouwen. Schoudermantel met bloempatroon afgezet met bont. Accessoires: tulband, oorbel in het linkeroor lange handschoenen. Prent uit het modetijdschrift La Mode (1829-1855).
Portret van Bernard Herman Goudriaan
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: lithograph
Location: the hague
Artist: hendrikus michael
Artist role: print maker
Artist dates: 1814 – 1849
Subjects: amsterdam, the hague, engineer, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘H. Michaël lithographieé’

De geportretteerde draagt een galakostuum met opstaande kraag. Onder het portret zijn signatuur en beroep.
Reliëf met een intocht van een Romeinse keizer in Rome
Object type: album leaf
Date: 1645 – 1645
Materials: paper
Techniques: etching
Location: paris
Subjects: (story of) mars (ares), 'victoria'; 'vittoria', 'vittoria navale', 'vittoria degl'antichi' (ripa), piece of sculpture, reproduction of a piece of sculpture, ruler, sovereign, rome, arch of constantine
Inscriptions: number: ‘61’

Deze prent maakt deel uit van een reeks van 54 prenten (+ titelprent) naar antieke reliëfs. De nummering op de prenten loopt van 1 tot en met 50. Sommige prenten hebben dubbele nummers.
Naar de reliëfs op de Boog van Constantijn te Rome.
Chineesch Diamanten-Vuur, nooit vertoond in Holland. De heer Jean Louis van Parijs, heeft de eer (...) op de Botermarkt
Object type: reclamebiljet
Date: 1855 – 1855
Materials: paper
Techniques: letterpress printing
Location: rotterdam
Artist: leenhoff
Artist role: printer
Subjects: panorama, cyclorama, pleasure fair and circus, bonfire, fire-works, amsterdam
Inscriptions: collector's mark: Lugt 1641, collector's mark
Ear Cup
Object type: vessel
Materials: earthenware, glaze, lead
Location: china
Tweede Kamer droom van "Had je me maar"
Object type: postcard
Date: 1921 – 1921
Materials: paper
Techniques: printing
Location: amsterdam
Artist: willem van schaik
Artist role: painter
Artist dates: 1876 – 1938
Subjects: amsterdam

Briefkaart, tekeningen van een oude man met hoed en jas, in een auto stappend. Gesigneerd; o.: Willem van Schaik. Opschrift: zie titel.
Het hoofd van Johannes de Doper, op een pilaar
Object type: drawing
Materials: paper, pastel
Artist: odilon redon
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1916
Subjects: the head of john the baptist on a platter

Chandelle / De vlam vertoont een neigend hoofd/ La tête du decapité ou de S. Jean Baptiste
Leaf from Cursus Beate Marie Virginis (The Journey of the Blessed Virgin Mary), Plate 31 from Woodcuts from Books of the 15th Century
Object type: print
Materials: paper
Techniques: letterpress, woodcut
Location: switzerland
Artist: Anonymous
Artist dates: 1450 – 1499
Zelia de Lussan, from the Actors and Actresses series (N171) for Gypsy Queen Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses
Berglandschap met een ruïne in een kloof
Object type: print
Date: 1870 – 1913
Materials: paper
Techniques: etching, intaglio
Artist: jos ratinckx
Artist role: print maker
Artist dates: 1860 – 1937
Subjects: landscape with bridge, viaduct or aqueduct, ravine, chasm, abyss, canyon, landscape with ruins
Inscriptions: inscription: ‘I staat’, collector's mark: Lugt 2228
Malignant aspects looking with envy on John Bull and his satelites, or a new planetary system.
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: etching, hand coloring
Location: london
Subjects: napoleon i (emperor of the french), personifications of countries, nations, states, districts, etc., comet, cartilaginous fishes: ray, planets; planetary system, solar system
Inscriptions: collector's mark: Lugt 2228

John Bull (Groot-Brittannië) als een stralende zon, het gelukkige en veilige middelpunt van een vijandig zonnestelsel. Hij wordt omringd door zijn satellieten of planeten: allerlei vijanden waaronder de Corsicaanse komeet (Napoleon), de Amerikaanse sidderrog (Torpedo) en de Hollandse kikvors.
Portret van François Mauriceau
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: engraving, etching
Subjects: paris, gynaecology, obstetrics, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Georg Gulten
Object type: print
Date: 1640 – 1663
Materials: paper
Techniques: engraving
Artist: wolfgang hartmann
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Martin Luther
Object type: print
Date: 1750 – 1820
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: priest, martin luther, theologian, ornament ~ medallion, historical persons
Sitting Bull, North American Chief, from the Savage and Semi-Barbarous Chiefs and Rulers series (N189) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: men,portraits

Trade cards from the "Savage and Semi-Barbarous Chiefs and Rulers" series (N189), issued in an unnumbered set of 50 cards in 1888 by Wm. S. Kimball & Co.
A Groom Bridling a Horse
Object type: print
Materials: paper
Techniques: engraving
Location: germany
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545
Saucer with stars and ornamental borders
Object type: kop en schotel, kop en schotel
Date: 1791 – 1801
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: vienna
Inscriptions: mark: ‘schild/ 101/ 39/ 91’

Delen van een cilindervormig koffieservies bestaande uit een kan (A) en 6 koppen en schotels (B t/m G) beschilderd in paars en goud met sterretjes en kettingen. Gemerkt met een fabrieksmerk in onderglazuurblauw en ingegrift 801 26 (kan), 791 33 (koppen) 791 39 (schotels).
Titelprent voor serie honden
Object type: titelprent, frontispice
Date: 1667 – 1667
Materials: paper
Techniques: etching
Location: unknown
Subjects: dog
Inscriptions: collector's mark: Lugt 2228
Bender, Philadelphia, American League, from the White Border series (T206) for the American Tobacco Company
Object type: baseball card
Date: 1909 – 1911
Techniques: color lithograph
Artist: american tobacco company
Artist role: publisher
Subjects: men,baseball,athletes

Trade cards from "White Border" series (T206), issued 1909-11 to promote sixteen brands of cigarettes and loose tobacco distributed by the American Tobacco Company.
Sleigh with Rumble Seat # 3543
Object type: drawing
Date: 1879 – 1879
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Landschap en gebouw [moskee?], "La route de Rescht", Iran
Object type: photograph
Date: 1885 – 1910
Materials: paper
Techniques: albumen print
Location: iran
Artist: antoine sevruguin
Artist role: fotograaf
Artist dates: 1840 – 1933
Subjects: iran
Inscriptions: number: ‘29’, number: ‘830’, inscription: ‘La route de Rescht//Chahabail [?]’

Landschap en gebouw [moskee?], "La route de Rescht", Iran.
Enquêteformulier ingevuld door Jan Hendrik Breijer (II)
Object type: manuscript
Date: 1840 – 1840
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Subjects: arnhem, draughtsman, jan hendrik breijer (ii)
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
[Group of 4 Stereograph Views of Ludgate Hill, London, England]
Object type: stereograph
Date: 1850 – 1919
Techniques: albumen silver print
Artist: j. f. jarvis
Artist role: artist
Artist nationality: american
Subjects: buildings,cities,carriages,london
Israëlieten brengen offers aan de afgodsbeelden
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the israelites worship baal, ashtaroth, and other idols
Inscriptions: number: ‘153’, collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. I.
Wilt gij de Rarekiek eens zien, / Komt hier dan, oude en jonge liên. / De man is klaar, de prent begint, / In deze Rarekiekenprint
Object type: print
Date: 1850 – 1870
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: netherlands
Subjects: street-trader, peep-show
Inscriptions: collector's mark: Lugt 2228

Blad met twintig voorstellingen vertoond door de rarekiek. Het eerste en het laatste plaatje tonen het begin en het einde van de voorstelling. Onder elk plaatje een vierregelig versje. Genummerd rechtsboven: No. 30. Ca. 1800-1850.
Angelo Maria Querini Created Cardinal by Benedict XIII
Object type: drawing
Date: 1709 – 1787
Materials: graphite
Techniques: drawing
Artist: francesco zugno
Artist role: artist
Artist nationality: italian
Artist dates: 1709 – 1787
Subjects: men,popes
Les forces de l'Europe, ou description des principales villes, avec leurs fortifications : dessignées par les meilleurs ingenieurs, particulierement celles (...) de la France, dont les plans ont esté levez par M. de Vauban
Object type: map
Date: 1695 – 1697
Materials: paper
Techniques: etching
Location: france
Subjects: maps of separate countries or regions

Kaart van het eiland Ile de Ré voor de Franse kust bij de stad La Rochelle. Onderdeel van het achtste deel (1697) van het prentwerk waarin gebundeld zijn de acht delen van Les forces de l'Europe uitgegeven tussen 1693-1697. Het prentwerk bestaat uit 175 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog. Titel en opschriften in het Frans.
Gesp versierd met anemonen
Object type: buckle
Date: 1900 – 1910
Materials: gold
Location: paris
Artist: Anonymous
Inscriptions: maker's mark: ‘CO in ruit’, alloy mark: ‘adelaarskop naar rechts (vanaf 1847)’, mark: ‘vogel naar links’

Clasp Gold Paris, c. 1900 - 1910
Apparel
Object type: clothing
Date: 1501 – 1533
Materials: linen, metal thread, silk
Subjects: masks,men,saints,coat of arms
Jug beak
Object type: jug beak
Date: 2600 – 2000
Materials: terracotta
Culture: minoan
Medaillon met twee kinderen, gewapend met knotsen
Object type: print
Date: 1500 – 1600
Materials: paper
Techniques: engraving
Location: germany
Subjects: protective weapons: shield, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

De kinderen staan ter weerszijden van een vaas met bladranken. Gearceerde achtergrond.
Arjuna Slays Karna, page from a Mahabharata series
Object type: painting
Date: 1801 – 1900
Materials: paper, watercolor
Location: nepal
De schoone slaapster in 't bosch
Object type: cartoon
Date: 1909 – 1909
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: amsterdam, the hague, tales and fairy tales: sleeping beauty, maid ~ house personnel, working class, labourers - aa - women, political caricatures and satires

Pastiche op het sprookje van de schone slaapster, waarin Hendrik Drucker als een prins de slapende dienstmeid in een hemelbed wakker maakt met een arbeidscontract.
Copy of Le Guerrier au Chapeau Orné d'une Grande Plume (The Officer with a Large Feather in His Hat), from "La Noblesse" (The Nobility)
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: men
Vlakvullingen van weegbree en bladeren
Object type: page
Date: 1887 – 1897
Materials: paper
Techniques: photograph
Location: vienna
Artist: Anonymous
Subjects: foliage, tendrils, branches ~ ornament
Inscriptions: number: ‘52.’
Ontwerp voor een decoratief paneel, met gestileerde bloemen
Object type: design
Date: 1874 – 1945
Materials: pencil, paper
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: flowers ~ ornament - aa - stylized
Gezicht op de schouwburg aan het Leidseplein te Amsterdam
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: square, place, circus, etc., city-view in general; 'veduta', theatre (building), city-gate
Inscriptions: collector's mark: ‘9.121’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: 2e Laurierdwarsstraat (Vuile Weespad), Leidschegracht, Leidschekade, Leidscheplein, Leidschestraat, v. Lennepkade, Lijnbaansgracht, Lauriergracht, Leliedwarsstraat, Leliegracht, Lindengracht, Lombardsteeg, Looiersgracht, Looiersstraat (Nieuwe), Leidekkerssteeg.
Portret van een vrouw
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: daylight paper print
Artist: Anonymous
Subjects: adult woman, historical persons
La naissance d'Annette
Object type: print
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Artist: édouard vuillard
Artist role: draughtsman, print maker
Artist dates: 1868 – 1940
Subjects: bed, mother and baby or young child
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent gemaakt voor: L'Album d'estampes originales de la Galerie Vollard, vol. 2, ongepubliceerd.
Beaker Depicting a Decapitated Head Wearing an Intricate Headdress
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: nazca valley
Fotoreproductie van een tekening van Friederike uit Goethe's Dichtung und Wahrheit door Wilhelm von Kaulbach
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: reading, spindle (+ women (labourers)), specific works of literature

Deze foto maakt deel uit van een omslag met 22 foto's.
String of Large Flat Disk Beads
Object type: bead, disk
Date: 1390 – 1352
Materials: faience
Location: egypt
Portret van Wilhelmine Augusta Müller
Object type: print
Date: 1775 – 1807
Materials: paper
Techniques: stippling
Location: heilbronn
Artist: franz xaver gebhard
Artist role: print maker
Artist dates: 1775 – 
Subjects: historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
Self-Portrait
Object type: painting
Date: 1660 – 1678
Materials: oil, panel
Artist: pieter jansz van asch
Artist role: draughtsman, painter
Artist dates: 1603 – 1678
Subjects: pieter jansz van asch, portrait, self-portrait of painter, portrait, self-portrait of artist, picture, painting

Zelfportret van de schilder Pieter Jansz. van Asch zittend in een leunstoel en wijzend op een schilderij dat hij op de tafel voor hem houdt.
Painted limestone funerary slab with a man controlling a rearing horse
Object type: grave stele, painted
Date: 250 – 201
Materials: limestone, paint
Culture: greek
Subjects: boys,men,horses

During the Ptolemaic period a distinctive type of subterranean tomb for multiple burials proliferated in the cemeteries around the city of Alexandria. Underground chambers cut into the living rock radiated from a central courtyard open to the sky. Most chambers contained a number of loculi, long narrow niches cut into the walls, which served as burial slots. Some loculi were sealed with painted limestone slabs in the form of small shrines. Here, a lively depiction of a man trying to bridle a horse, while a boy stands behind him, commemorates a man from Thessaly in Northern Greece, who must have been one of the many foreigners who congregated in the wealthy, cosmopolitan Ptolemaic capital.
Glass jug in the form of a pine cone
Object type: flask in the form of a pine cone
Date: 51 – 100
Materials: glass
Culture: roman
Subjects: pinecones

Translucent blue green; handle in same color. Misshapen thick, everted rim with fire-rounded lip, half turned downwards, half flaring upwards; cylindrical neck expanding downwards; plain, convex shoulder; globular body; tall circular base, with slightly concave, uneven bottom; strap handle attached to shoulder and top of body, drawn up and out, then turned in at an acute angle, and trailed on to underside of rim and top of neck. One continuous mold seam around body and across bottom, extending to shoulder and forming a slight ridge across bottom. Body shaped in the form of a pine cone with interlocking domed scales, arranged in diagonal rows. Complete, but two holes in outer edge of base; pinprick bubbles, with some large elongated bubbles in neck; patches of dulling and faint iridescence on exterior, some creamy weathering and brilliant iridescence on interior.