deem-data/ArtiFact huggingface dataset:
Deel van een kalender voor 1895
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: chromolithography
Artist: Anonymous
Subjects: fruits: plum, calendar, almanac
Inscriptions: collector's mark: Lugt 2228
Façade van Palazzo Bighazzini
Object type: print
Materials: paper
Techniques: etching
Location: vatican city
Subjects: palace, façade (of house or building)
Inscriptions: inscription: ‘[...] Ende lib. No. 8. fol. 14. 15./ [...]’, number: ‘101’

Deze prent maakt deel uit van de reeks getiteld: Palazzi di Roma. Deze reeks bestaat uit twee boeken. Boek één getiteld: Palazzi di Roma dei più celebri architetti..., bestaat uit 44 prenten die worden toegeschreven aan Giovanni Battista Falda (naam staat enkel op prent 27) en uitgegeven door Giovanni Giacomo de'Rossi. Deze 44 prenten zijn bekend in twee staten (met en zonder nummer). Boek twee getiteld: Nuovi disegni dell'architetture... libro secondo, bevat 66 prenten door Giovanni Battista Falda en Simone Felice. Deze 66 prenten zijn bekend in twee staten (met en zonder nummer).
Le Poule et ses Poussins
Object type: print
Date: 1860 – 1860
Techniques: etching
Artist: charles-françois daubigny
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1878
Subjects: chickens
The Roman Charity
Object type: figure
Date: 1769 – 1769
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: prisoners,men,women,flowers
Kumara, the Youthful God of War on his Peacock Mount
Object type: sculpture
Date: 701 – 900
Materials: stone
Location: kathmandu valley
Derde deel. Verscheijden Schepen en Gesichten van Amsterdam, naer t leven afgetekent en opt Cooper gebracht, door Reinier Nooms, alias Zeeman
Object type: print
Date: 1652 – 1654
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: reinier nooms
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1664
Subjects: repairing, caulking, careening (~ ship), raft
Inscriptions: collector's mark: Lugt 12

Een vlot met twee hutten en vier mannen. Daarnaast een onderlegger. Op de achtergrond een onderlegger in gebruik: een groot schip wordt schuin getrokken om reparaties en onderhoud aan het onderwaterschip te kunnen uitvoeren. Links een scheepswerf met een schip in aanbouw.
Gezicht op een plas omringt door bomen
Object type: print
Date: 1876 – 1910
Materials: paper
Techniques: lithograph
Artist: alphonse stengelin
Artist role: painter, print maker
Artist dates: 1852 – 1938
Subjects: trees, cow, landscapes, lake
Inscriptions: collector's mark: Lugt 2228, inscription: ‘15-16’

Naast de voorstelling een remarque van kop van een koeienkop.
Sling, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: shields,swords,men

Trade cards from the "Arms of All Nations" series (N3), issued in 1887 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Hat
Object type: hat
Date: 1865 – 1865
Culture: american or european
World's Columbian Exposition Elevated Electric Railroad Tower, Chicago, Illinois, Elevation
Object type: architectural drawing
Date: 1892 – 1892
Materials: graphite, paper
Location: chicago
Artist: peter j. weber
Artist nationality: american, born germany
Artist dates: 1863 – 1923

Chicago hoped to surpass the 1889 Paris Exposition's Eiffel Tower with an even more remarkable one. Many suggestions were put forth, one of which was the plan drawn up by architect Peter Weber in 1892 for the Partello Tower Company. His proposal, reminiscent of the tower of Pisa, would rise 400 feet high with an electric railway following a spiral course to the top affording excellent views of the city. A full chime of beautifully toned bells was to be placed in the top of the tower. In the end no tower was built. Instead, Chicago’s great engineering contribution to the World’s Columbian Exposition will always be remembered as George Ferris's giant wheel.
Frau von Schmerling probeert Fritz tot de adel te laten toetreden
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: berlin, family lineage, pedigree, genealogical tree or table, conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor G. F. W. Grossmann's 'Nicht mehr als sechs Schüsseln'. Een latere staat gebruikt in: Königl. Grossbr. Genealogischer Kalender auf das Jahr 1782. Lauenburger: J.G. Berenberg, 1782.
Portret van koning Alfred de Grote
Object type: print
Date: 1805 – 1811
Materials: paper
Techniques: etching
Location: théâtre des folies-marigny
Subjects: historical persons, ruler, sovereign, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)

Prent uit: Galerie historique des hommes les plus célèbres (...). Parijs: Charles Paul Landon, 1805-1811.
Staand en liggend schaap
Object type: print
Date: 1648 – 1652
Materials: paper
Techniques: etching
Location: netherlands
Artist: nicolaes pietersz berchem
Artist role: draughtsman, print maker
Artist dates: 1620 – 1683
Subjects: sheep
Inscriptions: collector's mark: Lugt 240
Portret van twee meisjes
Object type: album leaf
Date: 1855 – 1878
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: girl (child between toddler and youth)
Inscriptions: inscription: ‘Paris, Boulevart des Capucines 3’, annotation: ‘Mayer & Pierson’
Het Paleis te Amsterdam
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: square, place, circus, etc., city-view in general; 'veduta', church (exterior), townhall
Inscriptions: collector's mark: ‘15,47’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Stadhuis, als Paleis, op de Dam, van Buiten.
Vermakelijke kinderoefeningen / Amusements d' enfants
Object type: popular print
Date: 1866 – 1902
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: children's games and plays, child, swinging (children's game)
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van kinderspelen en bezigheden, zoals schommelen, leren lopen, dansen en bidden voor het slapengaan. Onder elke voorstelling een onderschrift in het Nederlands en het Frans. Genummerd midden boven: no 56.
Portret van Elizabeth I Tudor, koningin van Engeland
Object type: print
Date: 1632 – 1632
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: hendrick hondius (i)
Artist role: draughtsman, print maker, publisher
Artist dates: 1573 – 1650
Subjects: greenwich, richmond (surrey), koningin, elizabeth i tudor (koningin van engeland)
Inscriptions: collector's mark: Lugt 2228

Buste naar rechts van Elizabeth I Tudor, koningin van Engeland op 48-jarige leeftijd in een ovale omlijsting met randschrift in het Latijn. Onder het portret vier regels in het Latijn.
Spouted water container (He)
Object type: water container
Date: 1334 – 1301
Materials: bronze
Culture: chinese

This ritual water container is among the earliest bronze vessels decorated with snakes. In this example the serpent’s open jaws form the spout. Straps would have been threaded through the lugs on the shoulder and holes on the foot to hold the vessel.
Vampyr, from "The Comic Natural History of the Human Race"
Object type: print
Date: 1851 – 1851
Materials: watercolor
Techniques: lithograph
Artist: henry louis stephens
Artist role: artist
Artist nationality: american
Artist dates: 1824 – 1882
Subjects: satire
Fotoreproductie van een geschilderd portret van Thomas Gray
Object type: reproduction
Date: 1859 – 1863
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: thomas gray, portrait of a writer
Scallop-shell-shaped bowl with antiquities
Object type: bowl
Date: 1700 – 1724
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, vitrification
Location: china
Artist: Anonymous
Kop, behorende bij een theeservies van chromolith steengoed, versierd in blauw en geelbruin
Object type: cup
Date: 1911 – 1912
Materials: stoneware
Inscriptions: mark: ‘ingedrukt toren // METTLACH waaronder VB in naamplaat, Ges.Gesch., Reg. U.S.Pat.OFF // Made in Germany, 2962, 2, 12; 45 geschilderd.’

Kop, behorende bij een theeservies van chromolith steengoed. Versiering in blauw en geelbruin. Onderste helft kop is zeshoekig.
Portret van Georg Frederik Sartorius
Object type: print
Date: 1818 – 1826
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: protestant churches and denominations, historical persons
Inscriptions: collector's mark: Lugt 2228
Kiln Stand
Object type: kiln stand
Date: 1001 – 1100
Materials: earthenware
Location: iran
Plate
Object type: ceramic
Date: 1801 – 1833
Materials: enamel, porcelain
Techniques: polychrome
Location: amsterdam
Dress
Object type: dress
Date: 1817 – 1817
Materials: silk
Culture: italian
Portret van Samuel Thomas von Sömmerring
Object type: print
Date: 1830 – 1840
Materials: paper
Techniques: lithograph
Location: magdeburg
Artist: Anonymous
Subjects: physicist, historical persons, physiology and anatomy (+ portrait of scholar, scientist), physician, doctor
Hanging Vase
Object type: hanging vase
Date: 1801 – 1900
Materials: clay, enamel, glaze
Culture: japanese
Subjects: leaves
Virgin and Child
Object type: figure
Date: 1530 – 1530
Materials: wood
Inscriptions: number, on the reverse, in pencil: ‘108’

The Virgin and Child Standing on the Devil. Oak, originally with polychromy. Lower Rhine, c. 1520.
De deis gentium imagines aliquot iconicae aeneis tabulis (...)
Object type: print
Date: 1581 – 1581
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: (story of) mercury (hermes)
Inscriptions: collector's mark: Lugt 2228

Mercurius met gevleugelde hoed, gevleugelde schoenen en de caduceus in zijn hand. In de ondermarge een tweeregelige Latijnse tekst.
Game rack (Couronne D'office)
Object type: game rack
Date: 1601 – 1700
Materials: iron
It's Papa Can't Bear it Out of His Sight
Object type: drawing and watercolor
Date: 1872 – 1872
Materials: board, gouache, graphite, paint, paper, watercolor, wood
Location: england
Artist: randolph caldecott
Artist role: painter, print maker
Artist nationality: english
Artist dates: 1846 – 1886
Inside the Akiba Shrine at Ukeji
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,trees
Scarab
Object type: scarab
Date: 1550 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: fish,scarabs
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from a kylix, with a hole from an ancient repair
Tijdvers op de bouw van het Rooms-Katholieke aalmoezenierskantoor op de plaats van de afgebrande schouwburg aan de Keizersgracht te Amsterdam, 1773
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: the all-seeing eye, triangle with eye ~ symbol of god the father
Inscriptions: collector's mark: Lugt 2228

Binnen een omlijsting van rocailles, bloemen en het Alziende Oog een tijdvers in twee regels op de bouw in het jaar 1773 van het Rooms-Katholieke aalmoezenierskantoor op de plaats van de verbrande Schouwburg op de Keizersgracht.
Portret van Johann Christian Hebenstreit
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: mezzotint
Location: augsburg
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Brucker, Jacob. Bildersal heutiges Tages lebender und durch Gelahrtheit berühmter Schrifftsteller. Augsburg: Johann Jacob Haid, 1752.
Terracotta rim fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, part of circumscribed palmette; head of youth, in profile to left, frontal torso, with left bent arm across chest, and bent right arm
Portret van een man met snor
Object type: album leaf
Date: 1899 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: the hague
Artist: johannes van doorne
Artist role: fotograaf
Artist dates: 1869 – 1926
Subjects: moustache, historical persons
Inscriptions: inscription: ‘Joh. van Doorne/ Delft/ Oranjeplantage 19’
Flageolet in A
Object type: flageolet in a
Materials: mother of pearl, nickel, silver, wood
Culture: french
Location: france
Groepsportret van gezelschap in een tuin
Object type: album leaf
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: garden, anonymous historical person portrayed, three generations (family group), france

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
Portrait of Frederick R. Leyland
Object type: drawing
Date: 1871 – 1873
Materials: chalk, crayon, paper
Culture: american
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men,portraits

This is one of two (see also 40.91.7) informal yet enigmatic portraits Whistler made of his most significant patron while working on a full-length oil portrait of Leyland (Freer Gallery of Art, Washington) at the sitter’s house near Liverpool, England. The shipping magnate Leyland was an aggressive businessman but an indulgent, even nurturing, patron who fostered the critical endeavors of Whistler’s early maturity. Whistler called Leyland “the Liverpool Medici,” a fair characterization of his patron’s self-image and the one projected in the full-length portrait, hand on hip with one leg forward. The two drawings, which in medium and support as well as in the subject’s pose and dress suggest that both were done in a single sitting, relate to the oil only in the foil of darkness out of which the figure is revealed.
Landschap op Bali
Object type: print
Date: 1908 – 1908
Materials: paper
Techniques: woodcut
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: trees, jungle
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
La Pratique de l'Aiguille, page 47 (recto)
Object type: book print ornament architecture
Date: 1605 – 1605
Techniques: woodcut
Artist: matthias mignerak
Artist role: author
Subjects: ornament

Written by Matthias Mignerak, title page engraved by Pierre Firens, French, born Paris 1641, dedicated to Marie de Medici, Florence 1575-1642 Cologne, published by Jean Le Clerc, Paris. From top to bottom, and left to right: Design is printed upon a grid and is decorated in the center with 2 squares that are ornamented with a different floral motif. The squares are framed on the left and right by borders with diverse foliage patterns.
Christ Before Pilate, from "The Passion of Christ"
Object type: print
Date: 1596 – 1596
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: soldiers,kings,men,christ

Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas’s prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltzius’s famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin. The Passion of Christ was extremely popular during Goltzius’s own lifetime and well beyond. This is evidenced by a very deceptive set of copies produced in Goltzius’s own studio and six additional sets of copies dating from the late 1590s to the mid-seventeenth century. In addition to having two sets of the Goltzius’s original prints, the Met has three different sets of copies and a single plate from a fourth (see 51.501.168(1-12), 53.601.336(25-36) 51.501169(1-12) and 51.501.170).
Voor- en achterzijde van drie penningen met het portret van Leopold Willem van Oostenrijk en zijn motto
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: leopold willem van oostenrijk (landvoogd der zuidelijke nederlanden), historical persons, armorial bearing, heraldry (...) - device, motto, coin
Inscriptions: inscription: ‘Penningen ter gedagtenis van den aartshertog Leopold Willem/ Van Loon D.2 P. 301.’, monogram: ‘WA.F.’

Prent uit: Loon, Gerard van. Beschryving der Nederlandsche historipenningen (...). Den Haag: Christiaan van Lom et al., 1726, dl. 2, p. 301.
Terracotta fragment of a kylix (drinking cup) or a skyphos (deep drinking cup)?
Object type: kylix or skyphos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, part of a debased palmette-lotus ornament
Overstroming bij de Kerkstraat, Steen Beer en Dok te Vlissingen, 1808
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: haarlem
Subjects: flood, flushing
Inscriptions: collector's mark: Lugt Lugt 2228

Latere staat prent gebruikt in: Hoek, S. van. Natuur- en geschiedkundige beschrijving van den verschrikkelijken watervloed tusschen den XIVden en XVden van Louwmaand des jaars 1808. Haarlem: Adriaan Pietersz. Loosjes, 1808.
Attack on the Coach, plate eight from The Miseries of War
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

Inscribed: In the seclusion of forests and deserted places, quite far from military drill and duties, these infamous thieves lead the life of assassins, and their bloody arm deals only in robbery, so possessed are they with the cruel desire to take travelers’ property and life.
Maria Gonggrijp staand met hoed en camera in de hand
Object type: photograph
Date: 1911 – 1911
Materials: photographic support
Techniques: photography
Location: suriname
Artist: andries augustus boom
Artist role: amateurfotograaf, handelaar
Artist dates: 1878 – 
Subjects: suriname
Inscriptions: inscription: ‘Clevia 1911’

Maria Gonggrijp staand met de hoed in de hand, geleund tegen een boom, 1911. Onderdeel van het fotoalbum van de familie Boom-Gonggrijp in Suriname en Curaçao.
Engelse politieman en jongen
Object type: sketchbook leaf
Date: 1858 – 1858
Materials: paper, pencil
Location: england
Artist: gerrit postma
Artist role: draughtsman
Artist dates: 1819 – 1894
Subjects: child, head-gear: hat (+ men's clothes), policeman, constable, garden vase, england
Inscriptions: annotation: ‘bonnet du Soldaat anglais./ Policeman/ Enfant Anglais’

Tevens een studie van de hoed van een Engelse soldaat en van een ornamentele vaas in een tuin. Blad 43 recto uit een schetsboek met 52 bladen.
Bowl
Object type: bowl
Date: 1000 – 1470
Materials: silver
Culture: chimú
Location: peru
Artist: chimú artist(s)
Artist role: artist
Sword guard (<i>Tsuba</i>) With the Motif of Paulownia Leaves, Tendrils, and Butterfly (蝶に桐唐草図鐔)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, copper alloy, gold alloy, gold
Culture: japanese
Location: japan
Subjects: butterflies,plants
Opera Nova Universali intitulata Corona di racammi, page 37 (verso)
Object type: book print ornament architecture
Techniques: woodcut
Artist: giovanni andrea vavassore
Artist role: publisher
Artist nationality: italian
Artist dates: 1530 – 1573

Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice. From top to bottom, and left to right: designed composed of 3 vertical columns, each containing 5 letters from the alphabet. Letters are printed in black in curvilinear script.
Vignet van Abraham Verhammen
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.), coat of arms (as symbol of the state, etc.) (+ city; municipal), vignette, haarlem
Inscriptions: collector's mark: Lugt 240

Wapen in een ovaal met randschrift. Midden boven een kroon. Midden onder het wapen van de stad Haarlem.
The Theatrical Bubble; being a new Specimen of the Astonishing Powers of the Great Politiico-Punchinello in the Art of Dramatic Puffing
Object type: print
Date: 1805 – 1805
Techniques: etching
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: men,bubbles,caricature,pipes
April
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: april and its 'labours' (+ with taurus (april)), garden, sowing, ploughing
Inscriptions: collector's mark: Lugt 2228

Figuren werkend in een omheinde tuin en op het land. Midden boven een stier.
Collection Nilsson - Nouvelle Série
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons - bb - woman, portrait of composer
Inscriptions: inscription: ‘Miss Mary Moore Lottie Stead/ Miss Ilma Montague Miss Fairleigh/ Miss Elsie Fairleigh Miss Nina Martino/ The &lt; &lt; Monte Christo Ballet &gt; &gt;/ Winton Hope Temple’, number: ‘No 224’
Figures Adoring a Statue of the "Magna Mater"
Object type: drawing
Date: 1585 – 1585
Materials: ink
Techniques: brush, heightening, pen, wash
Artist: joseph heintz the elder
Artist role: artist
Artist nationality: swiss
Artist dates: 1564 – 1609
Subjects: men,women,goddess
Studioportret van een zittende jonge Javaanse vrouw in een sarong met batik motief
Object type: photograph
Date: 1867 – 1910
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: kassian céphas
Artist role: fotograaf
Artist dates: 1845 – 1912

Studioportret van een zittende jonge Javaanse vrouw in een sarong met batik motief. De vrouw draagt sieraden in oren en aan handen.
Straat met een moskee in Caïro
Object type: sketchbook leaf
Date: 1894 – 1894
Materials: chalk
Location: cairo
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: temple, shrine ~ islam, mohammedanism, street (+ city(-scape) with figures, staffage)

Mogelijk de Kait Bey moskee. Pagina 86 uit een schetsboek met 48 bladen.
Mug
Object type: mug
Date: 1731 – 1731
Materials: silver
Culture: american
Location: united states
Artist: l. a.
Artist role: maker
Artist nationality: american
Vredelievende gezindheid van de Republiek der Verenigde Nederlanden
Object type: jeton
Date: 1671 – 1671
Materials: copper
Techniques: striking
Location: utrecht
Artist: Anonymous
Subjects: netherlands

Koperen penning. Voorzijde: gekroonde leeuw met bundel van zeven pijlen in rechter- en weegschaal in linkerklauw boven jaartal binnen omschrift. Keerzijde: vrijheidshoed, omgeven door rand van zeven met lint samengebonden gekroonde wapenschilden binnen omschrift
Figure of a cicada
Object type: figure
Date: 1767 – 1833
Materials: quartz
Culture: chinese
Subjects: insects
Zittend jongetje in het bos
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: etching
Location: netherlands
Artist: jacobus cornelis gaal
Artist role: print maker
Artist dates: 1796 – 1866
Subjects: forest, wood (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Singel Amsterdam
Object type: photomechanical print
Date: 1920 – 1950
Materials: paper
Techniques: rotogravure
Location: amsterdam
Subjects: canals, waters (in city)

Deze prent maakt deel uit van een omslag met tien prenten.