deem-data/ArtiFact huggingface dataset:
Fauni imago in aedibus cuiusdam nobilis Romani
Object type: album leaf
Date: 1584 – 1584
Materials: paper
Techniques: engraving, intaglio
Location: italy
Subjects: satyrs, fauns, sileni, piece of sculpture, reproduction of a piece of sculpture

Deze prent maakt deel uit van een set van 79 prenten (+ titelprent) met voorstellingen van antieke sculpturen in Rome.
The Prophet Daniel in a Landscape
Object type: drawing
Date: 1567 – 1633
Materials: chalk, ink
Techniques: brush, heightening, incising, pen, wash
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: men
Overwinningen van Karel V
Object type: history print
Date: 1555 – 1556
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: antwerp
Subjects: charles v (holy roman emperor and king of spain)
Inscriptions: collector's mark: Lugt 2228

Tijdens de Vrede van Venlo (1543) knielt de hertog van Gelre, Willem II, voor de troon van keizer Karel V en onderwerpt zich aan zijn macht. Hij overhandigt hem het wapenschild van Gelre. De prent maakt deel uit van een twaalfdelige serie over de overwinningen van Karel V.
Portret van schrijver Samuel Jackson Pratt
Object type: print
Date: 1800 – 1808
Materials: paper
Techniques: stippled etching
Location: london
Subjects: writer, poet, author
Inscriptions: collector's mark: Lugt 4779, inscription: ‘S.J. Pratt Bookseller in Bath’, collector's mark: Lugt 2228

Pratt was ook korte tijd mede-eigenaar van een boekhandel in Bath.
Vuursteenpistool
Object type: flintlock pistol
Date: 1780 – 1780
Materials: gold, silver, thread, wood
Techniques: metalworking, cutting, encrustation, engraving, inlay, striking
Location: amsterdam
Artist: lambertus michaelis thone
Artist role: weapon manufacturer
Inscriptions: coat of arms, coat of arms, signature: ‘THONE // AMSTERDAM’, mark: ‘V’
Laatste Oordeel (bovenste plaat)
Object type: print
Date: 1644 – 1650
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: last judgement
Inscriptions: collector's mark: Lugt 240

Christus zit tronend als rechter op een wolk in de hemel bij het Laatste oordeel. Hij maakt een spreekgebaar en wordt omringd door engelen, koningen, kerkvaders en zijn apostelen. Boven hem vliegt een duif en ligt God met de wereldbol op een wolk.
Die Heimkehr vom Velde
Object type: album leaf
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: farmers - aa - female farmer, farmer's wife, girl (child between toddler and youth), agricultural implements: rake
Inscriptions: inscription: ‘1149’, annotation: ‘[...]’
Portret van een staande jongen met hoge hoed in de hand
Object type: album leaf
Date: 1867 – 1875
Materials: cardboard, celluloid, photographic support
Techniques: albumen print
Location: surabaya
Artist: ladislas straszak
Artist role: fotograaf
Artist dates: 1826 – 
Subjects: boy (child between toddler and youth), historical persons, head-gear: top hat
Inscriptions: inscription: ‘No.../ Photographie/ L. Straszak/ 9, Rue Neuve, 9./ BRUXELLES/ SUCCURSALE/ OSTENDE/ Hôtel de Flandre.’
View of “The Dead Sea”
Object type: photograph
Date: 1880 – 1890
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: rocky coast
Inscriptions: inscription: ‘Poulton's Series.’
Sauceboat with cover
Object type: sauceboat with cover
Date: 1770 – 1780
Materials: hard paste porcelain
Death beating a drum above, an owl and a bell attached to a ribbon below, from "Ornaments or Grotesques" (Ornamenti o Grottesche)
Object type: print
Date: 1650 – 1656
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: drums,owls
Spontoon
Object type: spontoon
Date: 1601 – 1700
Materials: gold, steel, wood
Culture: italian, savoy
Location: italy
Subjects: coat of arms
Bustes van Apollo
Object type: album leaf
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Artist: michel natalis
Artist role: print maker
Artist dates: 1610 – 1668
Subjects: (story of) apollo (phoebus), piece of sculpture, reproduction of a piece of sculpture

Twee antieke bustes van Apollo. Op de bustes het wapenschild van Vincenzo Giustiniani. Prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Cup with an image of Christ
Object type: cup
Date: 1842 – 1842
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, relief, turning, vitrification
Location: europe
Artist: Anonymous
Inscriptions: mark: ‘zwaard of f’

Te hoge, rijk vergulde kop rustend op drie klauwpootjes is aan de voorzijde beschilderd met de figuur van Christus bij het Laatste Avondmaal. Christus ten halven lijve gezien, is gekleed in een rood gewaad met blauwe mantel. Op de door een wit kleed bedekte tafel staat een blauwe schaal met brood en een kelk met wijn. De achtergrond is donkerbruin. Ook de binnenzijde van de kop is verguld. Op de bodem enkele cirkels in goud op witte grond. Het oor steekt hoog boven de kop uit en vertoont een rozet.
Sugar Bowl
Object type: sugar bowl
Date: 1777 – 1790
Materials: pewter
Culture: american
Location: united states
Artist: thomas danforth, iii
Artist role: maker
Artist nationality: american
Artist dates: 1756 – 1840
Brief aan Philip Zilcken
Object type: letter
Date: 1907 – 1907
Materials: ink, paper
Techniques: pen, printing, writing
Location: saint-tropez
Artist: paul signac
Artist role: print maker
Artist dates: 1863 – 1935
Subjects: painter, draughtsman, philip zilcken, workshop, studio of the artist (in general), money
Inscriptions: monogram: ‘PS’, watermark, collector's mark: ‘RPK’
Oosters paleis
Object type: print
Date: 1892 – 1921
Materials: paper
Techniques: etching
Artist: frans hogerwaard
Artist role: print maker
Artist dates: 1882 – 1921
Subjects: palace, village square, place
Inscriptions: collector's mark: Lugt 2228
A.C.M. Geertsema met twee jonge kinderen
Object type: photograph
Date: 1900 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous

Staande vrouw met in haar armen een baby en naast haar een staand kind op een kruk.
Stamp seal
Object type: stamp seal
Date: 201 – 300
Materials: gemstone
Culture: sasanian
Location: iran
Miracle of a Saint
Object type: print
Date: 1777 – 1777
Techniques: etching
Artist: benedetto eredi
Artist role: artist
Artist nationality: italian
Artist dates: 1750 – 1815
Dutch night-mare of the fraternal hug returned with a Dutch squeeze
Object type: cartoon
Date: 1813 – 1813
Materials: paper
Techniques: etching
Location: england
Artist: Anonymous
Subjects: napoleon i (emperor of the french), sitting figure, nightmare, pipe ~ tobacco
Inscriptions: collector's mark: Lugt 2228

Spotprent op de val van Napoleon, 1813. Napoleon liggend in zijn keizerlijke bed met een dikke Hollander gezeten op zijn borst. De Hollander zegt 'Orange Boven' en draagt een grote oranje lint en kokarde op zijn hoed. Hij klemt het hoofd van Napoleon tussen zijn benen in een 'Dutch squeeze' en blaast tabaksrook van zijn pijp in het gezicht van de keizer. Met twee grote pijlenbundels aan de voet van het bed.
Portret van Jacob Geel
Object type: print
Date: 1847 – 1875
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: amsterdam, the hague, historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Hen and chickens in a group
Object type: toy
Date: 1755 – 1755
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: chickens
A Piece (Peace) and Plenty
Object type: print
Date: 1820 – 1820
Techniques: aquatint, etching
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: portraits,women

This print shows a heavy, large-breasted woman reading a letter. Dressed in a low-cut gown with short Tudor style slashed sleeves and a swag of roses adorning her shirt, she stands before a column whose base is carved with the word "Amo" [love]. The three ostrich feathers in her hair, the personal symbol of the Prince of Wales, suggests that this is Caroline of Brunswick, the prince's long-estranged wife. When George III died in 1820, and her husband became king, she decided to return self-imposed exile on the Continent, hoping to be recognized as queen.
Sofa (canapé à confidents)
Object type: sofa
Date: 1765 – 1765
Materials: wood, silk
Techniques: carving, gilding, lampas
Artist: jean-jacques pothier
Artist role: maker
Artist dates: 1750 – 1780

This elaborately carved beechwood sofa (canapé) is stamped several times: I. POTHIER. Jean-Jacques Pothier was elected a maître menusier in 1750. Around 1775-76, he established his workshop in the Rue de Bourbon-Villeneuve, Paris, and appears to have retired around 1780. The curvilinear shape of the frame with its crest-rail curving around the ends to form armrests, the serpentine seat-rail and the seven short cabriole legs are still expressions of the Rococo style. However, the continuous molding along the legs, seat-rail, arm supports and crest-rail, as well as the symmetrical floral and foliage carving makes this sofa a Transitional piece. Pothier made other seat furniture in the Transitional style by introducing classical motifs such as the Greek key pattern, thereby heralding the advance into Neo-classicism (see armchair 07.225.60). Very little is known about Pothier’s clientele. His oeuvre shows a high level of craftsmanship and great attention to detail. He seems to have worked regularly with the foremost menuisier Georges Jacob since a number of virtually identical pieces come from both workshops.
Chemise
Object type: chemise
Date: 1810 – 1819
Materials: linen
Culture: american or european
Glasscherf en fragmenten pijpensteel uit het wrak van de Oostindiëvaarder 't Vliegend Hart
Object type: pipe stem
Materials: glass, clay
Techniques: green glass
Artist: Anonymous

Eén glasscherf en vier fragmenten van een pijpensteel, waarvan er één omsloten is door concretie.
Coverlet
Object type: coverlet
Date: 1839 – 1839
Materials: cotton, wool
Techniques: weave
Culture: american
Location: united states
Artist: harry tyler
Artist role: maker
Artist nationality: american
Artist dates: 1801 – 1858
Subjects: lions,flowers

Coverlets made by Harry Tyler are perhaps the most recognized and appreciated examples of classic New York State doublecloth coverlets. More than three hundred examples of his work are known to be extant. This coverlet is an example of the Tyler workshop’s early products made between 1834 and the early 1840s, which are known for their appealing trademark corner block showing a large and handsome lion. The field is decorated with stylized floral, star, and snowflake designs set in a diagonal grid pattern, while the border has clearly representational fruit trees alternating with a picket fence. Tyler coverlets made from the mid-1840s on, (see 1997.343), have corner blocks with American eagles surmounted by stars; according to family history, this change took place because Tyler’s oldest son Elman opined that the lion, the symbol of England, should be replaced with a more patriotic American motif. Over the twenty-four years that Tyler was weaving, from 1834 to 1858, he made small (and sometimes large) changes to the look of the corner blocks and field designs of his coverlets each year in order to keep up with the popular design trends of his day.
Festa della Sensa (zevende gedeelte)
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: woodcut
Location: nuremberg
Subjects: city-view in general; 'veduta', lion (possibly with book) ~ symbol of st. mark, string instruments (bowed) - cc - out of doors, wind instruments - cc - out of doors, procession ~ christian religion, gondola, venice
Inscriptions: collector's mark: Lugt 240

Zevende gedeelte van een grote voorstelling van de Festa della Sensa. De voorstelling is gedrukt van veertien blokken, de titel van vijf blokken en het onderschrift bestaat uit vijf delen van elk drie kolommen Duits tekst. De veertien blokken die samen de voorstelling vormen zijn in de titels met de klok mee vanaf linksboven genummerd. In de collectie Rijksmuseum bevinden zich twee complete exemplaren inclusief titel en onderschrift. Omdat niet alle delen van de titel en het onderschrift op afzonderlijke bladen zijn gedrukt, is dit exemplaar niet virtueel samengevoegd omwille van een betere presentatie. Zie voor het andere exemplaar: RP-P-2017-6073.
A spider's foot
Object type: photomechanical print
Date: 1898 – 1908
Materials: paper
Techniques: autotype
Subjects: spiders
Inscriptions: inscription: ‘This photograph was taken through a microscope as explained in the text. It is difficult to realize that all this detail is contained in the foot of such a tiny creature as a spider. (See chap. xiv.)’
Slot Abtspoel
Object type: drawing
Date: 1730 – 1730
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: castle
Natalis Christi
Object type: print
Date: 1614 – 1676
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: collector's mark: Lugt 240

Herders en vrouwen bezoeken de Heilige Familie in de stal en knielen voor het Christuskind. Maria en Jozef staan achter de kribbe. Op de achtergrond liggen de os en de ezel. Kopie in spiegelbeeld. De prent heeft een Latijns onderschrift.
Blad met regelmatig slingerende ranken bestaande uit punten omgeven door blaadjes
Object type: printed paper
Date: 1800 – 1900
Materials: paint, paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760

Blad met regelmatig over het blad slingerende ranken bestaande uit punten omgeven door hulstblaadjes.
Haven
Object type: print
Date: 1911 – 1938
Materials: paper
Techniques: etching, intaglio
Location: netherlands
Artist: arend hendriks
Artist role: print maker
Artist dates: 1901 – 1951
Subjects: harbour
Inscriptions: collector's mark: Lugt 2228
Ex libris voor Klaas Groesbeek en Paul Nijhoff
Object type: print
Date: 1876 – 1924
Materials: paper
Techniques: woodcut
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: klaas groesbeek, fishes, shrubs: rose-bush
Inscriptions: collector's mark: Lugt 2228

De initialen van Klaas Groesbeek en Paul Nijhoff, de directeuren van boekhandel Scheltema & Holkema in Amsterdam, in een ruit die verder is opgevuld met een rozenstruik en twee vissen.
Dish with Floral Scrolls
Object type: vessel
Materials: gold, stoneware
Techniques: incising, underglaze
Location: china
Berkenbomen in het bos
Object type: print
Date: 1829 – 1845
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: barend cornelis koekkoek
Artist role: draughtsman, painter, print maker
Artist dates: 1803 – 1862
Subjects: groups of trees, trees: birch
Inscriptions: collector's mark: Lugt 2228

In 1829 en 1830 gaf Koekkoek, samen met Daiwaille, zes cahiers uit met ieder zes prenten getiteld Landschapstudiën. Deze werden gebruikt in het tekenonderwijs. Vijftien jaar later werd deze reeks, in een andere samenstelling nogmaals uitgegeven door Meyer en Comp in Amsterdam. Zie: De Bruyn Kops, 1963.
Portret van Sir Henry Holland
Object type: page
Date: 1853 – 1867
Materials: photographic support
Techniques: albumen print
Artist: ernest edwards
Artist role: fotograaf
Artist dates: 1837 – 1903
Subjects: physician, doctor
Inscriptions: name: ‘Photographed by Ernest Edwards, 20, Baker Street. W.’
Derde gesticht van de kolonie Veenhuizen, huismunt geslagen op last van de Maatschappij van Weldadigheid ter waarde van dertig cent
Object type: monetary token
Date: 1818 – 1859
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: maatschappij van weldadigheid, veenhuizen
Margaretha van Parma overhandigt de stadssleutels aan de Antwerpse magistraat in het stadhuis
Object type: print
Date: 1863 – 1890
Materials: paper, pencil
Techniques: etching, intaglio
Artist: jean baptiste pierre michiels
Artist role: print maker
Artist dates: 1821 – 1890
Subjects: key, townhall, interior ~ representation of a building
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1e Etat retouchée d'apres la peinture’

De prent is gemaakt naar de muurschilderingen van Henri Leys in het Stadhuis van Antwerpen.
Een latere staat van de plaat is gebruikt in: Leys, Henri. De Zaal Leys op het Stadhuis van Antwerpen: zeven kopersneden naar de muurschilderingen van Baron H. Leys. Antwerpen: Museum Plantin-Moretus, 1902.
Watch
Object type: watch
Date: 1774 – 1775
Materials: brass, silver
Artist: j. tarts
Artist role: maker
Artist dates: 1755 – 1790
Subjects: horses,coat of arms
Standing Female Figure
Object type: print
Date: 1739 – 1740
Techniques: etching
Artist: pierre ignace parrocel
Artist role: artist
Artist nationality: french
Artist dates: 1702 – 1775
Subjects: women
Fotoreproductie van een schets van een bakker, een schoorsteenveger en een vrouw, door Albert Hendschel
Object type: photograph
Materials: paper
Techniques: albumen print
Location: frankfurt am main
Subjects: adult woman, baker, handicrafts ~ maintenance and repair (with name of trade or profession)

Deze foto maakt deel uit van een omslag met 50 foto's op 48 bladen, een lijst van afbeeldingen en een titelblad.
Villa Fauvette à Arcachon
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: arcachon
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: rural housing, e.g. country-house, villa, cottage, façade (of house or building)
Inscriptions: number: ‘1969’
Twee grote oorlogsschepen
Object type: print
Date: 1650 – 1664
Materials: paper
Techniques: etching
Location: netherlands
Artist: reinier nooms
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1664
Subjects: sailing-ship, sailing-boat (with name)
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 345

Twee grote Nederlandse oorlogsschepen met bemanning op zee, aan de horizon een derde schip.
Relics of Andersonville Prison
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: brady & co.
Artist role: photography studio
Artist nationality: american
Artist dates: 1840 – 1889
Subjects: american civil war,still life,buckets

Clara Barton, the first president of the American Red Cross, began her philanthropic career by distributing supplies for the relief of wounded soldiers during the Civil War. At its close, she organized the first bureau of records in Washington, D.C., to aid in the search for missing men. In connection with this work, Barton identified and marked the graves of more than 12,000 soldiers in the National Cemetery at Andersonville, Georgia. The site of the most notorious Confederate prison, Andersonville was one of the most deadly places in the war. Of the more than 40,000 Union soldiers imprisoned, 13,000 died of starvation and disease-a ratio of one in three. To support her effort for proper burial of the Andersonville dead, and to raise money for veteran relief in general, Barton displayed and sold souvenirs of Andersonville. As early as 1866, the year this photograph was copyrighted by Brady, Barton discovered that veterans had already begun to collect relics of the war. Carefully identified by descriptive labels and placed on a crudely built stepped display, the artifacts are a heinous spectacle, a brutal tableau composed for the camera to attract alms from survivors. The largest item for sale was a portion of the infamous Dead Line, a wooden fence that prisoners were prohibited from crossing on pain of death.
Pizzaro a New Play or the Drury-Lane Masquerade
Object type: print
Techniques: etching
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800
Subjects: satire,men,women,politics
Mug
Object type: mug
Date: 1700 – 1700
Materials: silver
Culture: american
Location: united states
Artist: koenraet ten eyck
Artist role: maker
Artist nationality: american
Artist dates: 1678 – 1753

This straight-sided, slightly tapered mug is typical of early American silver drinking vessels. On early New York mugs, the reeded bands—which in addition to being ornamental also provided reinforcement—are sometimes embellished with meander wire, as here. Particularly attractive on this mug is the interlaced mirror cipher, engraved within a heart-shaped reserve amid symmetrical foliate scrolls. The initials, J E S, are those of Johannes (1668–1747) and Elizabeth (ca. 1659–1737) Schuyler. It was originally one of a pair, and its matching mug is now in the collection of the New-York Historical Society. Albany-born, Johannes Schuyler became a successful fur trader and military officer, rising to the rank of colonel. In April 1695, he married Elizabeth Staats Wendell, widow of Johannes Wendell and mother of eleven children; together he and Elizabeth would have four more. Johannes was very active politically and in the Dutch Reformed Church. In 1703 he was appointed mayor of Albany, a position he held until 1706. He also served for eighteen years on the Board of Commissioners of Indian Affairs.
Alderhande Voorbeelden van Doorgebroken Zilver-Smids Werk (...)
Object type: ornament print
Date: 1690 – 1700
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: ornament derived from plant forms

Een jager met honden en een hert is verwerkt in het stervormige motief links. Uit serie van 6 bladen met voorbeelden van ornamenten voor zilversmeden.
De Blanke Grondwetsherziening
Object type: cartoon
Date: 1907 – 1907
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personifications of countries, nations, states, districts, etc., dominoes, political caricatures and satires

Minister van Binnenlandse Zaken Pieter Rink laat premier Theo de Meester zien dat hij het spelletje domino met de Nederlandse Maagd gaat winnen.
Abklatsch van de krijttekening op pagina 9
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: paper
Techniques: printmaking
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Pagina 10 uit schetsboek XXXIII met 47 pagina's.
The Fifth Clause, or the Effect of Example
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,politics
Dagboeknotities
Object type: sketchbook leaf
Date: 1915 – 1921
Materials: paper, pencil
Location: northern france
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Inscriptions: annotation: ‘[...]’

Mogelijk (deels) over de huwelijksreis van Witsen naar Noord-Frankrijk in 1893. Blad 10 verso en blad 11 recto uit een schetsboek met 23 bladen.
Glazen stolp
Object type: bell jar
Date: 1900 – 1900
Materials: glass
Artist: Anonymous
Griekenland, koning Georgios I, diobolon of 10 lepta, 1869
Object type: coin
Date: 1869 – 1869
Materials: copper
Techniques: striking
Location: straatsburg

Koperen munt. Voorzijde: hoofd van de koning naar links. Daaronder jaartal. Keerzijde: tussen twee met strik samengebonden takken waarde-aanduidingen in twee regels. Onder strik letters BB in ligatuur [=Straatsburg]. Gladde rand.