deem-data/ArtiFact huggingface dataset:
Plate 20, from twenty ornamental designs for goblets and beakers
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: engraving
Location: germany
Artist: master a.p.
Die Radel Wacht
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching
Subjects: night patrol
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Sancta Clara, Abraham à. Etwas für Alle, das ist: Eine kurtze Beschreibung allerley Stands- Ambts- und Gewerbs-Persohnen (...), 3 delen (1699-1733). Würtzburg: Martin Frank Hertz, 1711, dl. II, p. 511. Het betreft hier de tweede druk van deel II.
Fotoreproductie van tien schilderijen
Object type: page
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Location: stockholm
Subjects: picture, painting
Inscriptions: number: ‘PL. LVIII.’
Toeschouwers bekijken opspuitend water na een leidingbreuk
Object type: photomechanical print
Date: 1907 – 1907
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: crowd, mob, pipe system (~ water supply)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Gemeentebedrijven.
Heiligdom met rechts een zuilenportaal
Object type: album leaf
Date: 1550 – 1550
Materials: paper
Techniques: etching
Location: orléans
Artist: jacques androuet
Artist role: draughtsman, print maker
Artist dates: 1515 – 1584
Subjects: exterior ~ representation of a building

Heiligdom met rechts een zuilenportaal. Aan de zijkant eveneens een toegang. Deze prent maakt deel uit van een album.
Terracotta fragment of a lid
Object type: lid fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic

Black glaze fragment from a lid
Plattegrond van de Sint-Bavokerk in Haarlem
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: interior of church
Inscriptions: collector's mark: Lugt 698, collector's mark: ‘F’

Prent uit: Ampzing, Samuel. Beschryvinge ende lof der stad Haerlem in Holland (…). Haarlem: Adriaen Roman (I), 1628, p. 502-503.
Gezicht op een portaal van de Notre-Dame in Parijs
Object type: stereograph
Date: 1855 – 1860
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: parts of church exterior and annexes: portal
Inscriptions: inscription: ‘Portail Notre Dame Paris.’, number: ‘69’
Portret van Justus van Effen
Object type: print
Date: 1735 – 1802
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: johann christian gottfried fritzsch
Artist role: print maker
Artist dates: 1720 – 1802
Subjects: utrecht, den bosch, historical persons
Inscriptions: collector's mark: Lugt 2228
Dance at the Moulin Rouge
Object type: print
Date: 1897 – 1897
Materials: paper, ivory
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Mucius Scaevola
Object type: print
Date: 1550 – 1580
Techniques: woodcut
Artist: antonio campi
Artist role: artist
Artist nationality: italian
Artist dates: 1523 – 1587
Subjects: weapons,men,women

In Mariette Album, folio 77, upper left
Design for Ceiling at Kirtlington Park, Oxfordshire
Object type: drawing
Date: 1747 – 1748
Materials: ink
Techniques: pen, wash
Artist: john sanderson
Artist role: artist
Artist nationality: british
Artist dates: 1730 – 1774
Subjects: ceilings
Cornucopia
Object type: pendant
Date: 1701 – 1800
Materials: gilt bronze
Portret van Lancelot Blackburne
Object type: print
Date: 1724 – 1725
Materials: paper
Techniques: engraving
Location: london
Subjects: london, archbishop, bishop, etc. (roman catholic), historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1658 Bromley p. 270 [...]’
Model vase
Object type: model vase
Date: 1479 – 1390
Materials: paint, wood
Location: egypt
Portret van Hendrik Grave
Object type: book illustration
Date: 1858 – 1862
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: amsterdam, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Jonge, J.C. de. Geschiedenis van het Nederlandsche zeewezen. Haarlem: Jonge, J.K.J. de, 1858-62.
Vessel of the Russian Line (Vaisseau de ligne russe)
Object type: drawing and watercolor
Date: 1827 – 1827
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: denmark
Artist: christoffer wilhelm eckersberg
Artist role: artist
Artist nationality: danish
Artist dates: 1783 – 1853
Inscriptions: Inscribed upper left, in graphite (partially erased): “70”; upper right, in graphite (partially erased): “W. E.” (?)
Fragment zijdeweefsel
Object type: silk textile
Date: 1740 – 1760
Materials: linen, silk
Techniques: pattern warp, weave
Location: turkey

Fragment van groene zijde met verticale strepen in geel, wit en rose, waartussen palmetten, wingerdbladeren en slingerende ranken in wit, geel en lichtgroen.
Bizard Catafalque
Object type: drawing
Date: 1765 – 1765
Materials: paper, pencil, watercolor
Techniques: brush
Artist: cornelis van noorde
Artist role: draughtsman, print maker
Artist dates: 1731 – 1795
Subjects: flowers: tulip
Dish
Object type: dish
Date: 1736 – 1795
Materials: jade
Culture: chinese
Landschap met boerderij
Object type: drawing
Date: 1700 – 1800
Materials: ink, paper
Techniques: brush, pen
Artist: valentijn
Artist role: draughtsman
Subjects: farm or solitary house in landscape
Inscriptions: inscription: ‘Valentijn 2’
Brief aan Philip Zilcken
Object type: letter
Date: 1901 – 1901
Materials: ink, paper
Techniques: pen, writing
Location: parays
Artist: alidor delzant
Artist role: advocaat, auteur, kunstverzamelaar
Artist dates: 1848 – 1905
Subjects: philippe burty, edmond de goncourt, paris, stéphane mallarmé, print maker, félix bracquemond, félicien rops, painter, draughtsman, philip zilcken, literature ~ arts, italy, the hague, france
Inscriptions: collector's mark: ‘RPK’
Tail-Piece
Object type: print
Techniques: aquatint, etching
Artist: richard livesay
Artist role: artist and publisher
Artist nationality: british
Artist dates: 1750 – 1826
Subjects: faces,men
Kindermuts van fletsgele changeantzijde met rood bloempje
Object type: cap
Date: 1700 – 1800
Materials: silk
Location: netherlands
Artist: Anonymous

Kindermuts van fletsgele changeantzijde met rood bloempje. Model met drie passen. Randversiering rondom en één lintje aan de linkerpunt.
Kasteel de Haar. Sousterrein
Object type: photograph
Date: 1900 – 1930
Materials: paper
Techniques: collodion silver print
Location: haarzuilens
Artist: Anonymous
Subjects: castle, arch, archivolt ~ architecture
Vrouw aan het werk op een stuk grond
Object type: sketchbook leaf
Date: 1879 – 1879
Materials: paper, pencil
Artist: theo hanrath
Artist role: draughtsman, painter
Artist dates: 1853 – 1883
Subjects: working class, labourers - aa - women

De vrouw staat voorovergebogen. Mogelijk werkt zij in een (moes)tuin. Blad 17 verso uit een schetsboek met 27 bladen.
Flora Receiving Flowers and Festoon of Flowers, from "Dessins d'aiguières, etc., no. 5"
Object type: print
Date: 1525 – 1600
Techniques: engraving
Artist: rené boyvin
Artist role: artist
Artist nationality: french
Artist dates: 1525 – 1598
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Six black glazed rim fragments from kylikes
Ruïne van een kerk in Frankrijk
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: daylight paper print
Location: france
Artist: Anonymous
Subjects: ruin of a dwelling, house, castle, etc., france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Drie hangers met rolwerk
Object type: ornament print
Date: 1593 – 1596
Materials: paper
Techniques: engraving
Location: augsburg
Artist: daniel mignot
Artist role: print maker
Subjects: ornaments ~ art, scrollwork, strapwork ~ ornament, pendant, trinket, 'breloque'
Inscriptions: collector's mark: Lugt 2760, inscription: ‘Daniel Mignot’, collector's mark: Lugt 2228, signature: ‘DM F’, number: ‘XXIII’

Drie ontwerpen voor hangers bestaande uit rolwerk. De hanger linksonder is in de vorm van een driehoek en de hanger rechtsonder is in de vorm van een ovaal.
Panel of tiles
Object type: tile panel
Date: 1501 – 1600
Materials: earthenware
Techniques: glazing
Subjects: flowers
Amulet: Crown of Lower Egypt
Object type: amulet, crown of lower egypt
Date: 664 – 332
Materials: faience
Location: egypt

Crown amulets, whether representing the Upper Egyptian or Lower Egyptian crown (compare 24.4.4), supplied the wearer with royal power. They bestowed royal status on the deceased, who was identified with the god Osiris, the king of the afterworld. Crowns themselves also bore great magical power.
Bead
Object type: bead
Date: 100 – 500
Materials: glass
Culture: roman
Twee studies van een staande man
Object type: drawing
Date: 1815 – 1815
Materials: chalk, paper
Techniques: brush
Artist: abraham johannes ruytenschildt
Artist role: draughtsman
Artist dates: 1778 – 1841
Inscribes slab (Old Javanese language, East Javanese Kawi script) from Candi Lor with a kalamukha on top (rear view); three statuettes (Surya, Nandi, femal dification imade), Residential house. Kediri, Kediri district, East Java province, 900-910 AD.
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905
Flying Celestial Apsara (Feitian 飛天)
Object type: relief
Date: 601 – 700
Materials: earthenware, pigment
Culture: chinese
Miracle of Bishop Saint
Object type: drawing and watercolor
Materials: chalk, fiber, paper
Location: italy
Artist: attributed to pietro santi
Artist nationality: italian
Artist dates: 1635 – 1700
The Actor Sanjo Kantaro II as Oshichi in the play "Nanakusa Fukki Soga," performed at the Ichimura Theater in the first month, 1718
Object type: print
Date: 1718 – 1718
Techniques: hand coloring, woodblock print
Location: japan
Artist: torii kiyonobu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1664 – 1729
Illustratie voor 'Den Arbeid van Mars' van Allain Manesson Mallet
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching
Location: amsterdam
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), fortifications, military engineering, prospect of city, town panorama, silhouette of city, mathematics
Inscriptions: collector's mark: Lugt 2228

Grondplan voor een vesting, fort of versterking (zeshoek). Daaronder een gezicht op Barcelona. In de hoek rechtsboven het cijfer 36 (= het nummer van de pagina in het boek waartegenover de illustratie geplaatst is).
Traveler on Horseback
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: drypoint, roulette
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Aan de Waterkant van Paramaribo
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo, waterkant, paramaribo (stad)

Drie mannen (waaronder R.A. Jetten) aan de Waterkant van Paramaribo. Foto op een bladzijde van een los albumblad. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Candlestick
Object type: candlestick
Date: 1667 – 1700
Materials: brass
Techniques: silvered
Theodoricvs VI, Florentii Crassi Filivs
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: cornelis visscher (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1628 – 1658
Subjects: dirk vi (graaf van holland)
Inscriptions: collector's mark: Lugt 12

Dirk VI, graaf van Holland, met een met parels en edelstenen verfraaide hoofddeksel. De omlijsting is versierd met het wapen van Holland.
Portret van Cornelis van Bynkershoek
Object type: print
Date: 1743 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons, lawyer, attorney at law
Lotus Petal Pendant
Object type: pendant, lotus petal
Date: 1390 – 1352
Materials: faience
Location: egypt
Stoof van gesmeed ijzer
Object type: voetstoof, stoof
Date: 1625 – 1675
Materials: iron
Techniques: forging

Een langwerpige stoof van gesmeed ijzer. Het ajour gewerkt deksel vertoont als medaillon in het midden en menselijke buste met een kind. De randen zijn met vruchten en reliëf enz. opgewerkt. Het hengsel is door twee zeepaarden aan de bak bevestigd.
Man Resting On His Spade
Object type: print
Materials: paper
Techniques: woodcut
Location: france
Artist: jean françois millet
Artist role: draughtsman, painter, print maker
Artist nationality: french
Artist dates: 1814 – 1875
Dessein de Buffet (...)
Object type: ornament print
Date: 1745 – 1775
Materials: paper
Techniques: engraving
Location: paris
Subjects: furniture for storage, panelling
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Vooraanzicht en plattegrond van een buffetkast met rocaille ornamenten. De kast staat tegen een wand met rocaille panelen.
Portrait of Fleury
Object type: drawing
Date: 1897 – 1955
Materials: graphite
Artist: georges-edmond dargouge
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: portraits,women
Scarab from Rennefer's Burial
Object type: scarab, union of two land, rennefer
Date: 1504 – 1447
Materials: faience
Location: egypt
Subjects: hieroglyphs,scarabs
Fantastisch landschap met gebouwen
Object type: drawing
Date: 1600 – 1699
Materials: chalk, paper
Artist: francesco desiderio
Artist role: draughtsman, print maker
Subjects: fantastic architecture, unrealistic architectural fantasies
Gesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: buckle
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Buckle, chape buckle, chape; loop squashed, single-pronged, no marks.
Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting
Object type: drawing
Date: 1612 – 1650
Materials: chalk, ink
Techniques: pen
Artist: pietro testa
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1650
Subjects: men,women,trees
Geornamenteerde omlijsting voor een menu
Object type: print
Date: 1851 – 1857
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: haarlem, plants (in general), coat of arms (as symbol of the state, etc.) (+ city; municipal), 'cornucopia', horn of plenty, cupids: 'amores', 'amoretti', 'putti'

Midden boven een portret van Laurens Jansz. Coster. Midden onder het wapen van de stad Haarlem met een kroon en twee leeuwen. Daar omheen bloemen, planten en een aantal putti met een lauwerkrans, een bazuin en de hoorn des overvloeds.
Castle Gandolfo
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: germany
Artist: johann christian reinhart
Artist role: artist
Artist nationality: german
Artist dates: 1761 – 1847
Diverse schepen op woelig water
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: etching
Location: rotterdam
Artist: gerrit groenewegen
Artist role: draughtsman, print maker
Artist dates: 1754 – 1826
Subjects: ships (in general) - cc - more than one ship
Inscriptions: collector's mark: Lugt 2228

Diverse zeilschepen op woelig water. Aan de rechterzijde een huis met een toren waar twee figuren naast staan. Links op de achtergrond de contouren van een kerktoren en andere bebouwing. Deze prent maakt deel uit van een serie van zes prenten met diverse schepen.
Fragment (Loincloth)
Object type: costume and accessory
Materials: animal fiber, cotton, wool
Techniques: cutting, treatment, weave, slit, tapestry weave, tapestry
Culture: chimú
Location: peru
Subjects: abstract figures, abstract forms, animals, birds, grids, headdresses, male, staffs, stepped motif

Following the decline of their ancestors, the Moche, the Chimú emerged as one of the most powerful cultures of South America, dominating several rich valleys across the north coast of Peru for more than five centuries, from around A.D. 900 to 1465. Chimú weavers created strikingly graphic designs through the repetition of simple, abstract forms in vivid color combinations—particularly red, white, and yellow—against a solid background. Most of these textiles depict an anthropomorphic male figure wearing a "toothed" crescent headdress and holding a set of staffs—details that suggest supernatural or exalted status. This stark representation of a frontal human figure wearing an arched crown recalls the Chimú-made gold and turquoise ceremonial knife (tumi). The slit-tapestry panel depicts a seated animal-like figure with a long tail, arms reaching forward, and a row of spikes down its back. This being wears a similar crescent headdress, indicating a connection with the human representations on the other works. The use of repeated abstract motifs arrayed in a grid-like pattern and the stepped shape of the loincloths resemble not only the gold repoussé breastplate, but also architectural details of certain Chimú buildings, reflecting the cohesive artistic style that was presented across different media.
Boerderijen aan het water
Object type: print
Date: 1827 – 1894
Materials: paper
Techniques: drypoint, etching
Location: austria
Artist: remigius adrianus haanen
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1894
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 2760, name: ‘Remigius Adrianus (van) Haanen’, collector's mark: Lugt 2228
Headdress
Object type: headdress
Date: 1776 – 1800
Materials: cotton, glass, metal, mother of pearl, paper, silk
Culture: russian

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. Peter the Great's (1672-1725) attempts to Westernize Russia were partially manifested in changes to the traditional costume of the court. Though they were not required by law to adhere to the reformations, the peasant class commonly adopted aspects of Western styles blended with folk dress. This headdress in particular is an excellent example of the melding of cultures found in Russian history. The shape of this headdress is nearly identical to a French style from Alsace illustrated in Auguste Racinet's "The Complete History of Costume". This type of crossover is characteristic of the evolution of Russian dress. Married women were required to cover their hair entirely lest they be considered immodest, therefore headdresses, or kokoshniks were often accompanied by a venchik, a forehead covering made of fabric or metal.
Rembrandtieke verlichting der hoofdwacht in het Paleis op den Dam
Object type: photomechanical print
Date: 1892 – 1892
Materials: paper
Techniques: letterpress printing, line block
Location: netherlands
Subjects: candle, the soldier; the soldier's life, royal palace of amsterdam
Inscriptions: signature: ‘R&Hz.’, collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Landmacht: Gebouwen / Herinneringen aan officieren, stadssoldaten / Nationale militie / (diverse korpsen) / Padvinders / Parade.
Chariot of Apollo
Object type: ceiling panel
Date: 1509 – 1509
Materials: canvas, panel, wood
Techniques: fresco
Artist: pinturicchio
Artist role: artist
Artist nationality: italian
Artist dates: 1454 – 1513
Subjects: apollo,horses,chariots

The ceiling, composed of detached frescoes of mythological subjects set into casts of the original stuccowork, was painted by Pinturicchio and his workshop as part of the decoration of a room in the Palazzo del Magnifico in Siena. The palace was constructed for the ruler of Siena, Pandolfo Petrucci, (1451–1512) called "Il Magnifico," whose coat-of-arms decorates the center of the ceiling. According to an eighteenth century description, the walls were frescoed with eight allegorical and mythological scenes by Signorelli, Girolamo Genga, and Pinturicchio. Six of these were detached in 1842/44 and are now in the National Gallery, London and the Pinacoteca Nazionale, Siena. There was also a wooden framework carved by Antonio Barili, parts of which are preserved in Siena, and a majolica tile floor, sections of which also survive. Some of the tiles are dated 1509, the year Pandolfo Petrucci's son, Borghese, married Vittoria Piccolomini, and the room must have been painted about this time. Pinturricchio was one of the first artists to explore Nero's Golden House in Rome, and the decoration of the present ceiling is based on a vault in the Golden House. The frescoes from the ceiling, badly damaged, were detached in 1912. One of twenty-two panels (14.114.1–.22) forming the ceiling from the Palace of Pandolfo Petrucci. The general distribution and partition of the ceiling appears to derive from that of a vaulted and painted ceiling in Nero's Golden House in Rome. Many of the individual figures also seem to derive from antique works of art– especially sarcophagi.
Gezicht op een rivier met rotsen bij Devon
Object type: stereograph
Date: 1860 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: river, rock-formations
Inscriptions: number: ‘25’, number: ‘L. 16.’, number: ‘No. 7.’
Portret van Frans IV van Modena
Object type: print
Date: 1785 – 1858
Materials: paper
Techniques: engraving
Artist: friedrich rossmässler
Artist role: print maker
Artist dates: 1775 – 1858
Subjects: historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 2228, date: ‘1832’
4 D Morceaux de Caprices à divers usages
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: etching
Location: germany
Subjects: river, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Twee landschappen in een omlijsting met thyrsi en vlaggen en wapens. Boven: Vier figuren op een heuvel, op de weg voor hen loopt een man met een vrouw op een paard richting een stad in de achtergrond. Onder: Twee figuren zitten op een oever van een rivier met rechts architectuur met rondbogen.
Vase fragment
Object type: vase fragment
Date: 101 – 150
Materials: terracotta
Culture: roman, gaul
Subjects: men,horses

Male figure and horses. Stamped: BVTRIO.
Fencing Shoulder and Arm Guard
Object type: fencing shoulder and arm guard
Date: 1615 – 1868
Materials: textile
Culture: japanese
Location: japan
Uitvaart van prins Maurits, 1625
Object type: print
Date: 1649 – 1651
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: maurice (prince of orange), cortege, funeral procession

De begrafenisstoet van prins Maurits te Delft op 16 september 1625. Een lange stoet slingert zich over de Grote Markt in acht rijen naar de ingang van de Nieuwe Kerk. Vooraan de schutterijen van de stad Delft. In het onderschrift de legenda 1-103 in het Nederlands.
Bifolium from an Antiphonary
Object type: antiphonary
Date: 1301 – 1400
Materials: ink, metal leaf, parchment, paint
Culture: italian
Location: italy