deem-data/ArtiFact huggingface dataset:
The Triumph of the Word of God, from "Triumph of the Catholic Church" (oil sketch for a painting of the same subject)
Object type: drawing
Date: 1615 – 1620
Materials: ink, oil, paper
Techniques: pen
Artist: otto van veen
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1556 – 1629
Subjects: women,angels,christ,crucifixion,chariots

Oil sketch showing part of a procession. In the center, a horse-drawn wood chariot is depicted which has been adorned with a crucifix. Three allegorical figure groups are placed on top of the chariot consisting of a man sacrificing a child, the female personification of Faith, and the female personification of Charity. Four figures are depicted in front of the chariot, from left to right a woman representing ‘Ratio’, a man personifying ‘Sacred Scripture’ and a female and child. Three more figures, possibly the Magi (?) are walking right behind the chariot. Five angels are depicted in the sky above, several of which hold up banderoles with text. Various inscriptions have been incorporated in the sketch, but not all are legible. This oil sketch by Otto van Veen, the teacher of Peter Paul Rubens, is a preparatory study for a painting, part of a series of six, devoted to the Triumph of the Catholic Church, entitled "Fundamenta et Principia Fidei et Catholicae Religionis in Sex Triumphales Currus Dispartita," dating from around 1615-20, and now in the Bavarian State Collections at Bamberg, Germany. It forms a pendant to a study for one of the other panels in the series, which was donated to the Museum in 2014. Van Veen based his compositions on designs by Johannes Stradanus (also in the collection), and in their turn, Van Veen's compositions inspired Rubens in about 1625, in his design for a series of tapestries devoted to the Triumph of the Eucharist. While Van Veen has (undeservedly) been credited for bringing the technique of oil sketches to the Netherlands, colored oil sketches such as this one are rather exceptional as he more often worked in brown or gray.
Canoe Model
Object type: canoe model
Date: 1875 – 1875
Materials: wood
Location: united states
Artist: jo polis
Artist role: artist
Artist nationality: native american
Subjects: boats
Portret van een onbekend meisje
Object type: page
Date: 1900 – 1905
Materials: paper
Techniques: photograph
Subjects: girl (child between toddler and youth)
Inscriptions: number: ‘Tafel XI’, inscription: ‘Lichtdruck (...) Mottu.’
Militair in garage
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: repair shop, garage for repairs, supplies etc., occupation ~ war, netherlands

Een militair, waarschijnlijk Wehrmacht, is bezig een band te verwisselen. Hij rookt een sigaret. Achterop staat: .......(Holland) beim Reifen ab......
Head of Guanyin
Object type: head
Date: 1368 – 1644
Materials: stone
Culture: chinese
Subjects: heads,bodhisattvas
Balustrade fragment with the cartouches of the Aten and Akhenaten
Object type: balustrade, akhenaten and aten cartouch
Date: 1352 – 1336
Materials: granite
Location: egypt
Subjects: cartouches
Le Narcisse et l'observateur, août 1842 : Publié par Fontain (...)
Object type: fashion print
Date: 1842 – 1842
Materials: paper
Techniques: engraving, hand coloring
Artist: Anonymous
Subjects: hunter (+ hunting weapons, equipment, outfit), skirt (+ girls' clothes), neck-gear ~ clothing (+ men's clothes), trousers, breeches, etc. (pantalon) (+ men's clothes), head-gear (+ girls' clothes), clothing for the upper part of the body (+ girls' clothes), ensembles of pieces of clothing (hunting costume) (+ men's clothes), coat (+ men's clothes), hunter, fashion plates, shoes, sandals (+ men's clothes), gloves, mittens, etc. (+ men's clothes), walking-stick, staff, cane (+ men's clothes)
Inscriptions: address: ‘Publié par Fontaine père & fils rue Montmartre, 143. / Aout 1842’, title: ‘Le Narcisse et l'observateur’

Twee mannen, van wie één met een geweer onder de arm. Op de achtergrond twee kinderen, van wie de jongen op de rug is weergegeven. Links: jas, vest en lange spanbroek. Geknoopte zwarte halsdoek. Accessoires: hoge hoed, handschoenen, wandelstok, schoenen met vierkante neuzen en hakken. Rechts: jachtkostuum, bestaande uit een jas met ceintuur op een geruite lange broek. Het meisje draagt een jasje met lange mouwen en afgeronde voorpanden op een wijde witte rok. De jongen draagt een wijde jas op een lange broek. Wandelstok in de hand. Prent uit het modetijdschrift Le Narcisse et l'observateur (1829-1855)
Characteristic ruin, of the Pueblo San Juan, New Mexico, on the north bank of the San Juan River, about 15 miles west of the mouth of Cañon Largo. The present race of Indians know nothing of when or by whom these buildings were constructed. The ruin is about 350 feet square, and built of natural stone, joined together by a mud cement, No. 43 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Object type: photograph
Date: 1874 – 1874
Techniques: albumen print
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards, geographical explorations and surveys
Effectenhandelaar vergaart met behulp van Fortuna rijkdom
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Artist: claude gillot
Artist role: draughtsman, print maker
Artist dates: 1673 – 1722
Subjects: stock exchange, stock-market, fortuna as roman personification
Fragment met borduurwerk met bloemen
Object type: woven material
Date: 1800 – 1930
Materials: textile
Techniques: embroidered, weave
Location: europe
Artist: Anonymous
Ontwerpen voor een juwelenkist
Object type: photograph
Date: 1908 – 1913
Materials: ink, paper, pencil
Techniques: blueprint, pen
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: jewel-box
Inscriptions: date: ‘aug 1913’
Aardse en hemelse Drieëenheid
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: quinity, the holy trinity, 'trinitas coelestis'; father, son and holy ghost ~ christian religion
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2542

Landschap met het Christuskind, te midden van Maria en Jozef. Boven het Kind, de Heilige Geest in de gedaante van een duif en God de Vader, omringd door cherubijnen. Het Christuskind wordt aanbeden door geknielde kinderen. In de marge een zesregelig onderschrift, in twee kolommen, in het Latijn.
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: "Enfant et attributs" door Georges Diébolt
Object type: photograph
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: tower, clock tower ~ monumental adornment, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘208’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 1.
Hamburg. Jungfernstieg
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: lithograph
Location: hamburg
Subjects: lake, avenue, boulevard, promenade, esplanade
Limestone funerary cippus (tomb marker)
Object type: cippus of kratea
Date: 101 – 300
Materials: limestone
Culture: roman, cypriot
Subjects: portraits,women

Only one other funerary cippus of this type is known, but the conventions used are similar to those of Egyptian painted portraits. The woman portrayed here is named in the Greek inscription as Kratea. In an attempt to capture her individuality, she is represented with rather bony and irregular features, and her hair is parted down the middle, a convention that seems to imply that she was elderly. Her jewelry is meant as an indicator of her wealth and status.
Twee bladen met ruitenpatroon van bladmotief
Object type: wrapper
Date: 1750 – 1900
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee bladen met ruitenpatroon van bladmotief. Met etiket met opschrift: 'Seiffer ... quo ... .' Twee losse helften van een omslag.
Dress
Object type: dress
Date: 1810 – 1810
Materials: cotton
Culture: american
Portret van een groep blazers
Object type: photograph
Date: 1930 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Subjects: wind instruments, anonymous historical persons portrayed in a group, in a group-portrait
Le Suprême Bon Ton, 1800-1815, No. 23: Rencontre d'anglais à Paris
Object type: fashion print
Date: 1800 – 1815
Materials: paper
Techniques: etching, hand coloring
Location: paris
Subjects: meeting of soldiers and/or officers (+ variant), clothes, costume (+ girls' clothes), cape (+ women's clothes), clothing for the upper part of the body (spencer) (+ women's clothes), europeans: englishmen, fashion plates, head-gear: hat (+ women's clothes), skirt (+ women's clothes), (military) uniforms
Inscriptions: title: ‘Le Suprême Bon Ton, No. 23.’, address: ‘A Paris chez Martinet, Libraire, Rue du Coq, No. 15’, inscription: ‘Dépose à la Direction, & c.’, caption: ‘RENCONTRE D'ANGLAIS A PARIS’

Twee militairen gekleed in Engelse uniformen. Beiden dragen een uniformjas op een lange spanbroek. De dikke man heeft op het hoofd een sjako; de slanke man een steek met struisveer en aan de uiteinde troetels. Tussen hen in staat een vrouw met aan de hand een meisje. Zij draagt een doorzichtige cape over een spencer. Volgens het onderschrift ontmoeten de Engelsen elkaar in Parijs. Prent uit een serie van 30 modeprenten, Le Suprême Bon Ton, Parijs, 1800-1815.
Bonnet Veil
Object type: textile
Date: 1830 – 1839
Materials: cotton, textile
Techniques: embroidery, stitching
Location: france
Gezicht op de Italiaanse stad Gaeta (rechterblad)
Object type: drawing
Date: 1600 – 1699
Materials: paper, pencil
Techniques: brush
Artist: Anonymous
Subjects: harbour, prospect of city, town panorama, silhouette of city, italy

Rechterblad van voorstelling op twee bladen met een gezicht op Gaeta (linkerblad heeft objectnummer RP-T-00-409).
Tray (part of a service)
Object type: tray
Date: 1770 – 1785
Materials: hard paste porcelain
Subjects: coat of arms
Statue of Anubis as a recumbent canid
Object type: statuette, anubis
Date: 343 – 330
Materials: limestone
Techniques: painting
Location: egypt
Subjects: anubis

The Sacred Animal Necropolis at North Saqqara included catacombs that housed the burials of sacred animals - the Mother of Apis cows, falcons, baboons, and ibises. In front of them were arranged shrines attached to their respective cults. The area saw much attention and construction in the Late Period and presumably in the Ptolemaic Period. The extension of the Main Terrace to include the Northern Enclosure, probably as a cult place for the Mother of Apis cows since it was near those catacombs, can be dated to sometime after 343 B.C. This statue of Anubis was found in the fill for the Northern Enclosure, so its date is not certain. The jackal was found in two pieces and in the vicinity of other statues of recumbent jackals which actually lay beneath remains of a remarkable reed structure. The reed structure comprised panels made of vertical bundles of round reeds, bound and lashed with reed fiber ties, and strengthened with cross members at intervals. It seemed to the excavators that the elements found were originally part of a tall. four-sided pavilion with a square or rectangular ground plan, originally roofed and possibly provided with double doors at the front. Being composed of reeds, such a pavilion could only be for temporary use during a specific ritual, festival, or funerary ceremonies. Embalming tents, called in Egyptian ibou, are constructed of reeds and fibers, and are known to have been used in the funeral ceremonies of the Apis bull and so presumably also for the Mother of Apis cow. Anubis being the god of embalming, it is tempting to speculate the jackal statues originally stood somewhere in the temple precincts in the vicinity of the area used for the embalming pavilions.
Portret van Jos. Weiss
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: tone lithography
Subjects: adult man, historical persons, writing accessories
Inscriptions: collector's mark: Lugt 2228
Landscape with Windmill, Young Man and Girl, and Two Oxen
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: dominique-vivant denon
Artist nationality: french
Artist dates: 1747 – 1825
Inscriptions: Inscribed verso, center, in graphite: "13384"; lower right, in graphite: "n59 130 / no" [?]
Rouget de Lisle
Object type: page
Date: 1878 – 1883
Materials: paper
Techniques: woodburytype
Subjects: sculpture
Meisjesjurk met lange mouw, van gedessineerd neteldoek (?) met streepjes- en blokmotiefjes; versierd met pas en strook van randstof met machinal Engels borduurwerk
Object type: girls' wear
Date: 1907 – 1910
Materials: textile, cotton, mother of pearl
Techniques: cross stitching, embroidered
Location: switzerland
Artist: Anonymous

Een meisjesjurk met lange mouw, van gedessineerd neteldoek (?) met streepjes- en blokmotiefjes; versierd met pas en strook van randstof met machinal Engels borduurwerk. Achtersluiting met sierparelmoeren knopen en lusjes.
The Revd. Stephen Hales D.D.
Object type: print
Date: 1760 – 1761
Materials: paper
Techniques: mezzotint
Location: london
Subjects: stephen hales, historical persons, science and technology (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 240
Andreasthaler uit Brunswijk-Luneburg-Calenberg-Hannover van Georg I Ludwig, 1706
Object type: andreastaler
Date: 1706 – 1706
Materials: silver
Techniques: striking
Location: clausthal-zellerfeld

Zilveren munt. Voorzijde: gekroond samengesteld wapenschild. Jaartal bovenaan aan het eind van het omschrift. Keerzijde: heilige Andreas met kruis. Gladde rand.
Petticoat
Object type: petticoat
Date: 1750 – 1775
Materials: cotton, linen
Culture: british
Portrait of Charles Meryon
Object type: drawing and watercolor
Date: 1863 – 1863
Materials: graphite, paper
Location: france
Artist: henri monnier
Artist dates: 1799 – 1877
Portrait of Jan Harmensz de Marre (1696-1763). Seaman, Poet and Director of the Amsterdam Theater
Object type: painting
Date: 1732 – 1771
Materials: copper, oil
Artist: jan maurits quinkhard
Artist role: draughtsman, painter
Artist dates: 1688 – 1772
Subjects: portrait of a writer
Inscriptions: inscription: ‘De Marre / 8/23 1696.’

Portret van Jan Harmensz de Marre (1696-1763). Zeeman, dichter en directeur van de Amsterdamse schouwburg. Buste in ovaal, iets naar rechts, het gezicht bijna aanziend, een blad papier in de linkerhand. Onderdeel van een verzameling portretten van Nederlandse dichters.
Earring
Object type: earring
Date: 501 – 700
Materials: copper alloy, glass, gold, pearl, silver
Culture: frankish
Houten gevel van een woning in de Saucierstraat in Antwerpen
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: etching
Artist: jean théodore joseph linnig
Artist role: draughtsman, print maker
Artist dates: 1815 – 1891
Subjects: façade (of house or building), antwerp
Inscriptions: collector's mark: Lugt 2228

Volgens Hippert & Linnig is deze prent gebruikt in: Mertens, F.H. en K.L. Torfs. Geschiedenis van Antwerpen. 5 dln. Antwerpen: J.P. van Dieren, 1845-1853.
Prenten naar tekeningen van Raymond de Lafage bewaard in de Hofbibliothek te Wenen
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving, etching
Location: vienna
Subjects: holy family, and derived representations
Inscriptions: collector's mark: Lugt 2228
Miss Van Oasten, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1895 – 1895
Materials: cardboard, ink
Techniques: pen, writing
Location: laren
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: brussels, helène lambertine hauzeur, philip zilcken, passions, emotions, affections
Visschers avonturen
Object type: print
Date: 1843 – 1920
Materials: paper
Techniques: letterpress printing, engraving
Location: munich
Subjects: commercial fishery, fisherman

Blad met 8 voorstellingen van vissers. Onder elke afbeelding een onderschrift. Genummerd midden onder: Nr. 14. Genummerd rechtsboven: 14.
Jonge man met hoed
Object type: print
Date: 1768 – 1827
Materials: paper
Techniques: etching
Location: netherlands
Subjects: youth, adolescent
Inscriptions: collector's mark: Lugt 2228
Klokkentoren van Ivan de Grote in het Kremlin van Moskou
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: moscow
Artist: Anonymous
Subjects: parts of church exterior and annexes: campanile
Een grote (A) en twee kleine (B en C) ovale terrines in Lodewijk XVI-stijl
Object type: tureen
Date: 1773 – 1773
Materials: silver
Location: middelburg
Artist: philippus priee
Artist role: silversmith

Three tureens. Silver. Middelburg, 1773, by Philippus Prié.
Heavy Snow (Oyuki furishikiru zu)
Object type: print
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: winter
Verzameling van arabesken, met de Vaticaanse loggia's
Object type: titelprent, frontispice
Date: 1802 – 1802
Materials: paper
Techniques: etching
Location: paris
Subjects: (showing oneself) undressed, quasi-nude, ornament ~ arabesque, garland, wreath, vase ~ ornament

Doordat dit album bestaat uit meerdere, deels eerder uitgegeven prentreeksen, is de datering niet consequent. Het geheel is op de titelpagina gedateerd op 1802. Deze reeks is niet los gedateerd.
De serietitel voor het gehele werk is "Recueil d'arabesques, contenant les loges du Vatican". De andere serietitel is de titel van de specifieke reeks binnen het geheel.
Bowl
Object type: bowl
Date: 2030 – 1640
Materials: pottery
Location: egypt
Konijn
Object type: print
Date: 1923 – 1924
Materials: paper
Techniques: woodcut
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: rodents: rabbit
Inscriptions: collector's mark: Lugt 2228
Vase
Object type: vase
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states
Subjects: eagles

Named in reference to the ancient marble quarry on the Greek island of Parros, parian has higher proportion of feldspar than conventional porcelain, resulting in a vitrified biscuit body that resembles white statuary marble. Stylish and affordable, parian statuary and hollowware were extremely popular household ornaments in the mid-nineteenth century. This vessel was likely made by the United States Pottery Company, which exhibited parian to great acclaim at the 1853 Crystal Palace Exhibition in New York.
Straatgezicht in Bethlehem met links fotostudio Abufhele
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: bethlehem
Artist: Anonymous
Subjects: studio ~ photographer, workshop, prospect of city, town panorama, silhouette of city
Inscriptions: number: ‘595 5’

Onderdeel van Fotoalbum van een reis door Zuid-Europa en het Midden-Oosten.
Portret van een staand meisje met stuk speelgoed in de hand
Object type: carte de visite
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: winschoten
Artist: b.j. pottjewijd
Artist role: fotograaf
Artist dates: 1859 – 1941
Subjects: historical persons - bb - woman, (playing with) toy animals, toddler (female)
Inscriptions: inscription: ‘B.J. Pottjewijd/ Winschoten./ Het negatief blijft voor/ nabestelling bewaard./ Vergrootingen in alle afmetingen.’
Bed valance
Object type: bed valance
Date: 1701 – 1800
Materials: linen, wool
Subjects: birds,flowers
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic
Artist: veii painter
Artist role: artist

Interior, meander; Exterior, lower body and legs of a draped male to left; behind him, part of a netted bag?; start of handle root
Muscarum Scarabeorum
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: etching
Location: antwerp
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: insects: dragon-fly, insects: butterfly, insects: bumblebee
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van de twaalfdelige serie (incl. titelprent) met verschillende insecten: "Muscarum Scarabeorum".
Les extrèmes se touchent
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: guillaume groen van prinsterer, amsterdam, painter, draughtsman, publisher, josephus albertus alberdingk thijm, brielle

Spotprent met Alberdingk Thijm en Groen van Prinsterer nav de twisten over de aanstaande viering van 300 jaar inname van Den Briel. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 7, 1872.
Lady
Object type: toy
Date: 1765 – 1768
Materials: soft paste porcelain
Artist: derby porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 1785
Subjects: women
Portret van Kaspar Kornelius Mortaigne de Potelles
Object type: print
Date: 1646 – 1686
Materials: paper
Techniques: engraving
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van een meisje in vermoedelijk een jurk voor de eerste communie
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: clothes for official occasions, historical persons, girl (child between toddler and youth)
Brieven aan anoniem
Object type: letter
Materials: ink
Techniques: pen, writing
Location: the hague
Artist: dirk dirksen
Artist role: painter, print maker
Artist dates: 1811 – 1885
Subjects: drawing, the graphic arts, art collecting, money
Inscriptions: collector's mark: ‘RPK’
Stockings
Object type: stocking
Date: 1801 – 1833
Materials: wool
Culture: british
Inlay
Object type: inlay
Materials: stone
Location: mesopotamia
Drie kunstenaarsportretten
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: etching
Artist: jan l admiral
Artist role: draughtsman, print maker
Artist dates: 1699 – 1773
Inscriptions: collector's mark: Lugt 2228

Prent opgenomen in: Mander, Karel van; Jongh, Jacobus de (vert.). Het leven der doorluchtige Nederlandsche en eenige Hoogduitsche schilders. Amsterdam: Steven van Esveldt, 1764.
Scheefgegroeide appelbomen langs een sloot
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: intaglio
Location: north holland
Artist: pieter dupont
Artist role: draughtsman, print maker
Artist dates: 1870 – 1911
Subjects: trees: apple-tree, small canal, ditch
Inscriptions: number: ‘13’, collector's mark: Lugt 2233

In de sloot twee watervogels. Op de achtergrond weilanden.
Mountain Landscape in the Mist (Muchu no sansui)
Object type: print
Date: 1830 – 1844
Techniques: woodblock print
Location: japan
Artist: utagawa kunisada i (toyokuni iii)
Annam, from the Dancing Girls of the World series (N185) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,dancers

Trade cards from the "Dancing Girls of the World" series (N185), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
Button
Object type: button
Date: 1775 – 1775
Materials: glass, ivory
Culture: french
Subjects: putti
Petites têtes d'expression
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: paris
Subjects: adolescent, young woman, maiden, morphology of human expression, chest, bust - aa - female human figure
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 1397c