deem-data/ArtiFact huggingface dataset:
Dressing jacket
Object type: dressing jacket
Date: 1725 – 1750
Materials: linen
Culture: british

A combing jacket would have been worn by a fashionable lady at her toilette. Although there are no obvious means of fastening the jacket, pinholes at the neck suggest it was held closed by a brooch. The considerable width at the hem seems to confirm a date of the 1740s, when wide skirts were supported by side panniers. Although there are illustrations of women wearing informal jackets and some extant examples, these are usually more fitted, either at the sleeve or the back. The construction of the combing jacket, however, is closer to the kimono style cut seen in men's dressing gowns of the same period. The Costume Institute already has a number of white-work pieces, including a very fine cord-quilted linen bodice and two similar skirts, but to find a combing jacket is unusual. The cord quilting of the body and sleeves requires a high degree of skill. Moreover, the white-work embroidery on the facings, hem, and turned-back cuffs is of special significance. Hand-embroidered in linen thread, it comprises a wide variety of stitches and techniques, including drawn-and-pulled work, eyelet holes, and satin, coral, buttonhole, and cretan-feather stitches. This type of embroidery is to be found particularly on men's linen vests of the 1740s, which were probably worn in the summer and sometimes for wedding or engagement celebrations. Although quilted, this combing jacket is not padded and would have been a suitable garment for summer.
Tightrope Walking, from the Pretty Athletes series (N196) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,athletes

Trade cards from the "Pretty Athletes" series (N196), issued in an unnumbered set of 20 cards in 1889 by Wm. S. Kimball & Co. to promote Sweet Lavender, Old Gold, Black and Tan, and Hard Tack Tobacco.
The Illustrated London News, Supplement, 6 Feb. 1869 : Skating on the lake of Suresn (...)
Object type: fashion print
Date: 1869 – 1869
Materials: paper
Techniques: engraving
Artist: jules pelcoq
Subjects: couple of lovers (+ variant), coat (+ women's clothes), fashion plates, skirt (+ women's clothes), skates (winter sports), sledge, sleigh (winter sports), muff (+ fur used for clothes), historical persons (portraits and scenes from the life)
Inscriptions: title: ‘THE ILLUSTRATED LONDON NEWS’, caption: ‘THE LATE SIR HENRY ELLIS, FORMELY PRINCIPRL LIBRARIAN OF THE BRITISH MUSEUM. / SKATING ON THE LAKE OF SURESNE, BOIS DE BOULOGNE, PARIS.’

Boven: portret van de overleden Sir Henry Ellis, senior bibliothecaris van het British Museum. Onder: een grote groep mensen schaatsen op het ijs van het meer van Suresne, Bois de Boulogne, Parijs.
Portret van Gaspard Saunier
Object type: print
Date: 1749 – 1749
Materials: paper
Techniques: engraving
Artist: david johannes martini
Artist role: print maker
Artist dates: 1720 – 
Subjects: historical persons, occupations ~ cattle
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent waarschijnlijk uit: Saunier, Gaspard. Les vrais principes de la cavalerie. Amsterdam: Zacharias Chatelain II, 1749.
Horseman
Object type: statue of a warrior
Date: 400 – 201
Materials: terracotta
Culture: cypriot
Subjects: faces

The figurine is handmade and solid, with a mold-made face. The nude, bearded figure is preserved to the hips, where it is broken diagonally from the rest of the figurine, which must have been a horse-and-rider group.
Recueil de portraits (...)
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving
Location: paris
Artist: étienne desrochers
Artist role: print maker, publisher
Artist dates: 1668 – 1741
Subjects: beauvais, priest, historical persons
Inscriptions: collector's mark: Lugt 2228

Behoort waarschijnlijk tot een serie portretten, grotendeels door Etienne Desrochers, getiteld: 'Recueil de portraits de personnes qui se sont distinguées tant dans les Armes que dans Belles-Lettres et les Arts, comme aussi la famille royale de France et autres cours étrangères'. De serie werd initieel uitgegeven door Desrochers en aangekondigd in 'Mercure' in mei 1726, p. 985. Echter was Desrochers reeds enkele jaren eerder begonnen met het uitgeven van de serie. Na de dood van Desrochers werd de serie voortgezet door Gilles Edme Petit. Een latere staat werd uitgegeven door Jean François Daumont in Parijs.
Lappet
Object type: lappet
Date: 1801 – 1833
Techniques: lace
Subjects: birds
Corded crib quilt
Object type: quilt
Date: 1700 – 1700
Materials: cotton
Techniques: embroidery
Fiori di Ricami Nuovamente Posti in Luce, page 15 (recto)
Object type: book print ornament archiecture
Date: 1591 – 1591
Techniques: woodcut
Location: italy
Artist: matteo florimi
Artist role: designer
Artist nationality: italian
Artist dates: 1581 – 1613
Subjects: ornament

Designed by Matteo Florimi, Italian, active Siena, ca. 1581-died 1613, published by Francesco de' Franceschi, Italian, active 16th century, Venice. From top to bottom, and left to right: Design composed of 4 horizontal registers. First register is decorated with 5 rounded triangular motifs ornamented with different floral patterns. Second register is decorated with 5 triangle motif ornamented with different floral patterns. Third and fourth columns appear similar as they are decorated with 8 circular and triangular motifs ornamented with various linear and floral patterns.
Koppen en hazen
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: head (human), caricatures (human types), rodents: hare
Inscriptions: collector's mark: Lugt 2228

Haas en koppen. Getekend op de achterzijde van een opengevouwen envelop gericht aan mejuff. Tavenraat.
Horse and rider
Object type: statue of a man on a horse
Date: 750 – 600
Materials: terracotta
Culture: cypriot
Subjects: human figures,horses

The figurine is handmade and solid. The rider stretches his arms forward to touch the horse's mane.
Ewer with Pomegranate-shaped Thumb Rests
Object type: ewer
Date: 1001 – 1200
Materials: bronze
Techniques: casting, chasing, engraving
Location: iran

This bronze ewer has an undecorated globular body and a long cylindrical neck. Bands of scrolling vines bearing trefoils and spade-shaped leaves are engraved at the bottom and top of the neck. A thumb rest in the form of a pomegranate is placed at the top of a beaded handle. Although perhaps not as ornate as similarly-shaped silver vessels that this bronze ewer relate to, such pieces had significant material value in their own right as hefty pieces of worked metal.
Heilig Oliesel (linker deel)
Object type: print
Date: 1633 – 1700
Materials: paper
Techniques: etching
Artist: jean pesne
Artist role: print maker
Artist dates: 1623 – 1700
Subjects: extreme unction ~ the last of the seven sacraments
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van zeven prenten.
Shawl Sample
Object type: shawl fragment
Date: 1801 – 1833
Materials: wool
Techniques: embroidery
Location: india
Document
Object type: travel document
Date: 1833 – 1833
Materials: paper
Techniques: printing, writing
Location: germany
Artist: Anonymous
Subjects: the hague, johan rudolf thorbecke, germany
Inscriptions: date

Kaartje Stoomboot De Nederlanden uit Keulen. Gedateerd: 24 aug. 1833.
Pair of Bracelets
Object type: bracelet
Date: 1801 – 1900
Materials: gold, metal
Techniques: chasing, engraving
Culture: indonesian

This pair of gold bracelets is probably the product of workshops associated with the royal court at Singasari, northern Bali, or the court of the Lombok, a neighboring island kingdom under Balinese suzerainty. The royal court of Singasari is known for its distinctive atelier, which produced a conservative style of Balinese court art still deeply influenced by the arts of Majapahit East Java.
Orphrey Panel (Depicting the Nativity)
Object type: textile
Date: 1450 – 1500
Materials: animal substrate, gilt, linen, metal, textile, silk
Techniques: bookbinding, brocade, interlacings, patterning, satin weave, weave
Location: florence
Subjects: knots, mythology
Inscriptions: Inscription: VERBUM CARO FACTUM EST (THE WORD WAS MADE FLESH)
Morning Glories
Object type: print
Date: 1843 – 1843
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: flowers,leaves

This poem is signed “Gyokō,” a name used by the female poet Sonoda Suejo (ca. 1818–1888). The evanescence of the morning glory (asagao) blossoms, which open in the morning and wither by night, is suggested by this haikai poem: 見るうちの 寿命のばしや 艸の花 Miru uchi no jumyō nobashi ya kusa no hana Even as we watch, their entire lives transpire— the flowering plants. —Trans. John T. Carpenter
Roelof Bicker en een jongen in zeventiende-eeuwse kleding
Object type: sketchbook leaf
Date: 1846 – 1882
Materials: paper, pencil, watercolor
Location: amsterdam
Subjects: amsterdam, clothes, costume (+ children's clothes), boy (child between toddler and youth), adult man, clothes, costume (+ men's clothes)
Inscriptions: annotation: ‘Van der Helst’

Naar figuren op 'Officieren en andere schutters van wijk VIII in Amsterdam onder leiding van kapitein Roelof Bicker en luitenant Jan Michielsz Blaeuw' van Bartholomeus van der Helst, 1639 (Rijksmuseum Amsterdam).
Initial letter S on patterned background
Object type: print
Date: 1520 – 1520
Techniques: woodcut
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: leaves
Oorlogsschip op zee
Object type: drawing
Date: 1728 – 1728
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, warfare; military affairs (+ naval force)

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Krijgswezen, Zeemacht.
Stockings
Object type: stocking
Date: 1870 – 1870
Materials: silk
Culture: american
Velperplein met Musis Sacrum, de schouwburg te Arnhem
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: arnhem
Artist: j.s.j. de jongh
Artist role: fotograaf
Subjects: square, place, circus, etc., arnhem
Inscriptions: signature: ‘J.S.J. de Jongh, Koningstraat 85 Arnhem’, name: ‘Vosmaer’, annotation: ‘Velperplein. Musis Sacrum. Arnhem.’
Stencil from Trading Room of the Chicago Stock Exchange, Chicago
Object type: stencil
Date: 1893 – 1894
Materials: canvas
Culture: american
Artist: adler and sullivan
Artist role: designer
Artist nationality: american
Artist dates:  – 9999
The Cockpit
Object type: print
Date: 1711 – 1759
Materials: paper
Techniques: etching
Location: london
Artist: william hogarth
Artist role: draughtsman, painter, print maker
Artist dates: 1697 – 1764
Subjects: betting on sports, theft, cock-fighting
Inscriptions: date

Centraal zit de blinde Lord Albermarle Bertie, van wie geld wordt gestolen en met wie weddenschappen worden gelegd.
Aruba D.W.I. : Native Huts
Object type: photograph
Date: 1910 – 1927
Materials: paper, cardboard
Techniques: writing
Location: aruba
Subjects: rural housing, e.g. country-house, villa, cottage, village
Inscriptions: poststempel, verso, gestempeld
Ferdinand Freiherr von Schaezler
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: lithograph
Artist: ignaz fertig
Artist role: print maker
Artist dates: 1809 – 1858
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van John Hawkesworth
Object type: print
Date: 1762 – 1819
Materials: paper
Techniques: etching, engraving
Location: england
Artist: james hopwood (i)
Artist role: print maker
Artist dates: 1752 – 1819
Subjects: london, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228, inscription: ‘478’
Winchester Cathedral-The Choir and Altar
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: winchester cathedral
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: parts of church interior: choir, winchester cathedral
Inscriptions: name: ‘Registered G. W. Wilson, Photographer, Aberdeen.’, number: ‘No. 405.’
Titelpagina voor: Diogenes Laertius, Les vies des plus illustres philosophes de l'antiquité, 1758
Object type: titelblad, titelpagina
Date: 1758 – 1758
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: writing-table, writing-desk, globe, public library
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Titelpagina voor: Diogenes Laertius, Les vies des plus illustres philosophes de l'antiquité. [Vertaald uit het Grieks door] Jacques George de Chaufepié. 3 dln. Amsterdam: Jean Herman Schneider, 1758, dl. 3.
Courtyard
Object type: print
Date: 1849 – 1849
Techniques: etching
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Subjects: girls,women,washing
Study of Napoleon on Horseback with Sketches of Nudes Among Rocks
Object type: drawing and watercolor
Date: 1813 – 1814
Materials: graphite, ink, iron, paper
Techniques: brush, pen, wash
Location: france
Artist: jean louis andré théodore géricault
Artist role: artist
Artist nationality: french
Artist dates: 1791 – 1824
Gezicht op een vestingstad
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228
Rij bloemen boven landschap
Object type: print
Materials: paper
Techniques: etching
Location: netherlands

Blad 8 uit serie van 7 bladen, genummerd 3-10, één blad heeft geen nummer. Tweede editie.
Acta Apostolorum
Object type: album leaf
Date: 1582 – 1582
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the ephesians burn the exorcists' books in public, seven exorcists, sons of sceva, are beaten by a man with an evil spirit, and flee, paul's handkerchiefs and aprons cure the sick and possessed

Prent maakt deel uit van een prentbijbel.
Oblong Plaque
Object type: plaque
Date: 634 – 900
Materials: gold
Culture: northwest chinese or eastern central asian
Zittend kind met een nap
Object type: print
Date: 1885 – 1885
Materials: paper
Techniques: etching, intaglio
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: child, cup, chair
Inscriptions: watermark: ‘[...]an Gelder Zonen / Holland’
Fragmenten van een brandslangring uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: firehose
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fire engine, firehose; fragments, id. NG-1975-20-H-1271-a, squashed corroded.
Censer
Object type: crèche figure
Date: 1701 – 1800
Materials: silver gilt

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Modern copy of a panel for a decorative frieze with portrait of Carracci (from an original set of six)
Object type: panel
Date: 1771 – 1771
Materials: wood
Techniques: carving, gilding, painting
Subjects: garlands,men,profiles

One of nine panels forming originally a decorative frieze in the cabinet intérieur of Étienne-François, duc de Choiseul (1719-1785) at his château of Chanteloup. In an anonymous drawing dating to ca. 1771, six of the frieze panels are seen in the duke’s private cabinet, one of the most richly decorated rooms in the castle, placed above large paintings by Giovanni Paolo Panini. Together the paintings and carved frieze panels, each with a medallion of a celebrated Italian artist framed by tied branches of laurel leaves and ribbon-tied garlands of flowers, commemorated Choiseul’s successful ambassadorship to the Vatican in 1753-1757. This particular panel has the portrait of the Italian painter Annibale Carracci (1560-1603), as identified in the French spelling of his name below. Overall, this and the other panels recall the decorative vignettes with profile medallion of famous artists designed by Jean-Baptiste Marie Pierre and engraved by Claude-Henri Watelet for the latter’s L’Art de peindre, published in 1760. It has been suggested that Choiseul’s architect Louis-Denis Le Camus may have directed the execution of the panels by the sculptor Jean-François Antoine Boulanger, the latter’s brother the joiner Jean-Éienne Boulanger, and possibly the painter-gilder Jean Gilles Ramier, all of whom worked for Choiseul around the time that the room was most likely decorated. After the duke’s death, the paintings were sold at auction in 1786 but the frieze remained in place. It was removed at an unknown date and six of the panels were later part of the model collection of woodwork, paneling, and seat furniture of Maison Leys, a successful decorating business, located at the Place de la Madeleine in Paris. Since 1885, the business was directed by Georges Hoentschel who installed the collection in 1903 in a museum-like display at Boulevard Flandrin, Paris. Three of the panels are visible in Léopold Stevens’ (1866-1935) Interior of the Hoentschel Collection at 58 Boulevard Flandrin, Paris (2019.55). In 1906, Hoentschel sold the collection to J. Pierpont Morgan who gave the panels with the rest of the decorator’s seventeenth and eighteenth century objects to the Metropolitan Museum of Art the following year.
Iliad
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Subjects: briseis is taken away from achilles and led to agamemnon by the heralds talthybius and eurybates; achilles may be holding a lyre

Prent maakt onderdeel uit van een serie met 39 prenten over de Ilias, geschreven door Homerus.
Man in gewaad met gebogen armen en benen
Object type: print
Date: 1927 – 1927
Materials: paper
Techniques: lithograph
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: both legs bent, arm or hand bent behind the body - aa - both arms or hands
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Deze prent is mogelijk geïnspireerd op de dichtbundel 'Les Apparus dans mes chemins' van Émile Verhaeren uit 1891.
Sumida River Holiday
Object type: print
Date: 1788 – 1790
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: men,women,rivers,boats
Portret van een zittende man
Object type: page
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons
Inscriptions: name: ‘[Hill n Beck]’
Fotoreproductie van een schilderij, voorstellende een portret van een onbekende man
Object type: reproduction
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: head-gear, adult man, historical persons not known by name
Death of a Saint
Object type: drawing
Date: 1601 – 1700
Materials: charcoal, ink, paper
Techniques: brush, pen, wash
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: men,trees,saints,death
[Hunters Stalking a Deer]
Object type: photograph
Date: 1857 – 1857
Techniques: salted paper print
Artist: horatio ross
Artist role: artist
Artist nationality: british, born scotland
Artist dates: 1801 – 1886
Subjects: hunting,deer

Far better known in his day as an athlete and a sportsman than as a photographer, Ross excelled in deerstalking and was judged the finest shot in Scotland. Keen on the challenge of pitting his knowledge, stamina, and experience against the deer's superior senses of smell, sight, and hearing, Ross brought to his sport an intimate knowledge of the terrain, a practiced ability to judge distance, and an exceptional attentiveness in observation–just the qualities needed when he took to the Highland countryside with a camera in place of his rifle.
Jean Louis baron de Carondelet
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: helmet, ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Skodsborg. Strandmöllebakken
Object type: photomechanical print
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph
Location: denmark
Subjects: village street, coast
Portret van Henri Decaisne
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: brussels, paris, henri decaisne, historical persons, portrait, self-portrait of painter, tools, implements of painter
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit: Baugniet, Charles. Les artistes contemporains: portraits lithographiés d'après nature, accompagnés de notices sur la vie et les ouvrages de chacun d'eux. Brussel: De Wasme-Pletinckx, [1836-1840].
Wetgeving op de berg Sinaï
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: mount sinai is covered by a thick cloud, thunder and lightning
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie voor: Luyken, Jan. Bybel printen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1712, p. 6.
Maria-boodschap, in architectonische omlijsting
Object type: sculpture
Date: 1325 – 1350
Materials: wood
Techniques: polychromy
Location: siena

The Annunciation. Walnut with polychromy. Siena, c. 1325 - 1350. The canopy is probably a later addition.
Vangen en gevangen
Object type: popular print
Date: 1887 – 1905
Materials: paper
Techniques: letterpress printing, printing block, engraving
Location: the hague
Subjects: rain, umbrella, animals (+ animals eating and drinking), child teasing animals
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van mensen en dieren die iets proberen te vangen. In en tussen de afbeeldingen versjes in boekdruk. Genummerd rechtsboven en linksonder: No. 7.
Portret van Jozef Israëls
Object type: print
Date: 1867 – 1930
Materials: paper
Techniques: printing
Artist: Anonymous
Subjects: the hague, painter, print maker, draughtsman, jozef israëls, philip zilcken
Inscriptions: collector's mark: ‘RPK’