deem-data/ArtiFact huggingface dataset:
Design for Phaeton, no. 834
Object type: drawing
Date: 1850 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Cavalry on the March (recto); Fragment of Sketch of Horse (verso)
Object type: drawing and watercolor
Materials: chalk, ink, paint, paper, watercolor
Techniques: brush, pen
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Phare de l'Île Vierge
Object type: photomechanical print
Date: 1873 – 1883
Materials: paper
Techniques: photograph
Location: paris
Subjects: lighthouse, lightship, island, rocky coast
Pouring vessel (kendi) with landscape
Object type: pouring vessel
Date: 1660 – 1680
Materials: cobalt, glaze, hard paste porcelain
Techniques: painting
Subjects: flowers,landscapes

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
The Terrace
Object type: page
Date: 1879 – 1889
Materials: paper
Techniques: photograph
Location: woodbury
Artist: Anonymous
Subjects: villa, terrace
Jonge vrouw met omslagdoek en waaier
Object type: print
Date: 1836 – 1857
Materials: paper
Techniques: lithograph
Location: the hague
Artist: paulus anthonius liernur
Artist role: print maker
Artist dates: 1826 – 1857
Subjects: fan
Inscriptions: collector's mark: Lugt 2228
Blackwork Print with the Alphabet
Object type: print
Date: 1620 – 1620
Techniques: embroidery
Artist: claes jansz. visscher (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1586 – 1652

Blackwork print with in the middle a panel on which the alphabet has been depicted. The J and U or V are missing.
A father's lessons on the illustrated wall-papers
Object type: print
Date: 1867 – 1884
Materials: paper
Techniques: letterpress printing
Location: london
Subjects: carpenter, good and bad behaviour, moral qualities, father and son(s) (family group)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Een timmerman in zijn werkplaats spreekt zijn zoon toe aan de hand van prenten die achter hem hangen. Deze "illustrated wall-papers" werden per set verkocht en hadden vaak een moraliserende boodschap.
Puma
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: relief print
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: beasts of prey, predatory animals: puma
Inscriptions: collector's mark: Lugt 2228

Deze prent is vermoedelijk een plaatsnede, ook al wordt in de literatuur veelal gesproken over een houtsnede. Voor zover Wierink zijn prenten in hoogdruk zelf nader heeft omschreven, heeft hij altijd de term 'plaatsnede' gebruikt.
De schoenmaakers knegt
Object type: print
Date: 1789 – 1791
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: inn, coffee-house, public house, etc., shoe-maker, cobbler
Inscriptions: collector's mark: Lugt 1641, collector's mark

Gebruikt als illustratie in: Volks-liedjes, uitgegeven door de Maatschappij tot Nut van 't Algemeen, Amsterdam: Harmanus Keijzer, Arend Fokke en Cornelis de Vries, 3 delen, 1789-1791, p. 58/59.
Card 6, from the Girl Cyclists series (N49) for Virginia Brights Cigarettes
Object type: photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women,bicycles

Trade cards from the "Girl Cyclists" series (N49), issued in 1887 by Allen & Ginter to promote Virginia Brights Cigarettes.
Hof van Sonoy te Alkmaar
Object type: sketchbook leaf
Date: 1724 – 1724
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: alkmaar
Artist: abraham meyling
Artist role: draughtsman
Subjects: urban housing
Inscriptions: date and inscription: ‘'t Hof te Alkmaar/ 1724’

Hof van Sonoy te Alkmaar met zicht op de achtkantige toren. Boven de buitenmuur zijn daken van gebouwen zichtbaar die deel uitmaken van het Hof. Op de voorgrond een gracht met rechts een brug. Blad 8 recto uit een schetsboek met 21 bladen.
Laatste avondmaal
Object type: print
Date: 1586 – 1650
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: cornelis galle (i)
Artist role: print maker
Artist dates: 1576 – 1650
Subjects: communion of the apostles: christ giving bread (host) and/or wine to the (standing) apostles
Inscriptions: collector's mark: Lugt 2228

Christus zit met zijn discipelen aan tafel voor het laatste avondmaal. Hij houdt het brood in handen en spreekt een gebed. Tweede prent uit een serie van 13, met voorstellingen uit het lijdensverhaal van Christus.
Portret van Adam Dobschütz
Object type: print
Date: 1578 – 1678
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: peter isselburg
Artist role: print maker
Artist dates: 1568 – 1630
Subjects: politician, theologian, historical persons
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de marge.
Portret van een man met wandelstok, staand bij een tafel met hoge hoed
Object type: photograph
Date: 1860 – 1872
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Subjects: walking-stick, staff, historical persons, head-gear: top hat
Inscriptions: annotation: ‘opdracht aan Lemoine’, annotation: ‘Souvenir de bonne/ amitié ou camarade/ Lemoine/ [...]’, inscription: ‘Photographe Allemande/ de Chs Billotte et Cie/ Place de la Monnaie, 9 Rue de la Reine/ Bruxelles’
Ring
Object type: ring
Date: 1701 – 1900
Materials: gold
Location: india
Bronze statuette of a ram
Object type: statuette of a ram
Date: 200 – 200
Materials: bronze
Culture: cypriot
Subjects: rams

The ram had been used as the symbol on the coinage of the kings of Salamis in the late sixth and fifth centuries B.C. But it also had a wider significance in the Cypriot countryside, where pastoralism was an important element in the way of life. The statuette may have been made as a votive offering at a rural shrine.
Gezicht in Amsterdam met een figuur
Object type: sketchbook leaf
Date: 1903 – 1903
Materials: pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: city-view, and landscape with man-made constructions, adult man, civic architecture; edifices; dwellings, amsterdam

Pagina 21 uit een schetsboek met 32 bladen.
Violet Sargent
Object type: sculpture
Materials: bronze, copper alloy, metal
Location: new hampshire
Artist: augustus saint-gaudens
Artist nationality: american
Artist dates: 1848 – 1907
Subjects: people, portraits
Inscriptions: Inscribed in wreath upper right: "Violet Sargent"
Signed on bench:"A ST G / MDCCCLXXXX / FECIT"

Portrayed here is Violet Sargent, the sister of the painter John Singer Sargent. Augustus Saint-Gaudens produced this bronze relief in exchange for a portrait of his wife and son by Sargent. Clothed in contemporary dress and playing a guitar, Violet projects charm, elegance, and sophistication—similar to a sitter in a Sargent portrait in oil. Musical instruments were often included in late 19th-century depictions of young upper-class women as a way of suggesting the leisure and refinement these women were expected to embody. The varying degrees of relief and the harmonious lines of this work attest to Saint-Gaudens’s technical prowess and his sensitivity to the medium of bronze.
Ontwerp voor illustratie toneelgroep: twee staande figuren en een zittende figuur
Object type: design
Date: 1739 – 1782
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: paulus constantijn la fargue
Artist role: draughtsman, painter, print maker
Artist dates: 1729 – 1782
Subjects: group of actors, troupe; actors on the stage
Titelpagina voor: S.n., Hedendaagsche historie of Het vervolg van de Algemeene historie, 1777
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: personifications of countries, nations, states, districts, etc., pride; 'superbia' (ripa) ~ personification of one of the seven deadly sins, pope, italy
Inscriptions: collector's mark: Lugt 2228

Een paus zit op een voetstuk. De Hoogmoed fluistert hem iets in het oor, in haar hand houdt zij een vlag met Madonna. Links en rechts van hem zitten een gewapende soldaat en een gemaskerde monnik. Links in de achtergrond wordt een ketter verbrand. Rechts in de achtergrond een kruisvaart.
Portret van Gottfried Steinbach
Object type: print
Date: 1787 – 1803
Materials: paper
Techniques: engraving, etching
Artist: christian gottlieb geyser
Artist role: print maker
Artist dates: 1742 – 1803
Subjects: historical persons, merchant, salesman, trees: olive-tree (+ branch, stick)
Inscriptions: collector's mark: Lugt 2228
Mountain
Object type: relief
Date: 1801 – 1900
Materials: jade
Culture: chinese
Subjects: houses,mountains,trees
Border
Object type: border
Date: 1701 – 1800
Techniques: embroidery
Watervloed in Zeeland
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1906
Materials: paper
Techniques: printing
Location: middelburg
Artist: p.j. daniëlse
Artist role: publisher
Subjects: zeeland

Briefkaart, zwart-wit. Watersnood 12 maart 1906.
Val van Jericho
Object type: album leaf
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: on the seventh day, at a signal from joshua, the people start to shout and the walls of jericho crumble, the israelites march around jericho: in the procession the main body of the soldiers comes first, next are seven priests who blow on trumpets, followed by the priests carrying the ark and a rear guard

Zeven priesters blazen op hun ramshorens, terwijl ze voor de ark van het verbond uit lopen. De muren van de stad Jericho storten in en het volk bestormt de stad. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Joz. 6. Prent maakt deel uit van een album.
Armband
Object type: armband
Date: 1200 – 900
Materials: copper alloy
Culture: european bronze age
Dress
Object type: dress
Date: 1840 – 1840
Materials: cotton
Culture: american
Comb (?)
Object type: comb
Date: 500 – 300
Materials: bronze
Culture: vietnamese
Kleine en gevarieerde taferelen van Aubert
Object type: cartoon
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: paris
Subjects: activities of devil(s)
Inscriptions: collector's mark: Lugt 2228

Eerdere staat van prent gebruikt in: Le Charivari 2 (1833), nr. 112, 22 maart 1833. De serie "Petites macédoines d'Aubert" bestaat uit ten minste 256 prenten.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, tendril, lower drapery and heel of woman to right
Short-Necked bottle
Object type: bottle
Date: 1101 – 1300
Materials: glass
Techniques: glassblowing
Location: iran

The molded decoration, including pairs of simple palmettes arranged one above the other in eight narrow vertical compartments, suggests both a 9th century dating and an Iraqi provenance for this small jar. The impression of an eagle with spread out wings under the base, which is not visible in normal conditions, may be a factory stamp.
Gezicht op de vallei van Chamonix
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: chamonix
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: dale, valley
Inscriptions: number: ‘157.’
Vaas met slang
Object type: print
Date: 1770 – 1780
Materials: paper
Techniques: etching
Subjects: snakes, vase ~ ornament
Inscriptions: collector's mark: Lugt 2228

Een geornamenteerde vaas met een slang. Daaronder een guirlande. Rechts boven E genummerd.
Suikerfabriek met hijskraan in Purworejo
Object type: photograph
Date: 1916 – 1918
Materials: photographic support
Techniques: gelatin silver print
Location: purworejo
Artist: Anonymous
Subjects: factory-building, vertical transport, hoisting (industrial processes), factory in landscape, dutch east indies, the

Onderdeel van Familiealbum met foto's van een familie in de voormalige kolonie Nederlands-Indië en van een suikerfabriek in Purworejo.
Gathering at the Orchid Pavilion
Object type: fan mounted a an album leaf
Date: 1501 – 1600
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men,landscapes,pavilions

This painting depicts the famous party held by Wang Xizhi at the Orchid Pavilion in 353 CE, when a group of scholars gathered to write poems and drink wine along the banks of a stream. Working within the intimate fan format, the artist could not spread out the stream as in a handscroll; instead, the men are clustered in the bottom half of the composition as the stream snakes around them. The host of the party sits in the pavilion at right, authoring the famous preface that would record the event for posterity.
Portret van Thomas van Aquino
Object type: book illustration
Date: 1584 – 1584
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: thomas van aquino, historical persons, book, the dominican theologian, 'angelic doctor' thomas of aquino; possible attributes: book, (chain with) sun, dove, girdle of chastity, lily, model of church, monstrance (or chalice), mitre (under feet), star (on breast)

Prent uit: Thevet, André. Les vrais pourtraits et vies des hommes illustres grecz, latins et payens (...). Parijs: weduwe Jacques Kerver en Guillaume Chaudière, 1584, dl. 1, f. 144.
Creamer
Object type: glass
Date: 1801 – 1900
Materials: glass
Location: france
Landschap met een water en oeverbegroeiing, vermoedelijk in Nederland
Object type: album leaf
Date: 1902 – 1906
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), netherlands

Onderdeel van Reisalbum van een Nederlandse familie met bezienswaardigheden in Europa, Egypte en New York.
Rouler Moor, Cornwall
Object type: print
Date: 1822 – 1822
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: landscapes
Brooch
Object type: brooch
Date: 1801 – 1900
Materials: gold, pearl
Culture: american or european
Portret van Ulrich Zwingli
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: theologian, historical persons

Prent uit: Corput, Abraham van den. Het leven, ende dood, van den seer beroemden D. Philips Melanchton. Amsterdam: Abraham Wolfgang, 1662. Prent ook gebruikt in de 1728-editie van dit werk.
Plate 37: Men with heraldic flags and horses from Zeeland and Holland marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii'
Object type: print, fete, ornament architecture
Date: 1623 – 1623
Techniques: etching, hand coloring
Location: brussels
Artist: cornelis galle (i)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1576 – 1650
Subjects: men,horses,flags

Plate from 'Pompa Funebris ... Alberti Pii', after Jacques Francquart, illustrating the funeral procession of Albert the Pious (1559–1621), Archduke of Austria, son of Emperor Maximilian II. 2 sheets pasted together at center. The first edition of this series contains 54 numbered plates and an engraved title page, published in 1623. The second and third editions contain 66 plates and were published in 1728 and 1729 respectively.
Wintergezicht in het Haagse bos
Object type: print
Date: 1865 – 1879
Techniques: printmaking, etching
Location: netherlands
Subjects: forest, wood
Inscriptions: collector's mark: Lugt 2228

Wintergezicht in het Haagse bos. In marge een schets van de Apollo Belvedere.
Portret van een onbekende, slapende baby op een stoel
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: sleeping; unconsciousness, infant, baby, europe
Inscriptions: name: ‘Feldbrugge & Co Groningen’
Ribbon
Object type: ribbon
Date: 1801 – 1900
Materials: silk
Subjects: flowers
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

On the shoulder, pendant lotus buds
Volkstypen
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: etching, intaglio
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: sitting figure - aa - female human figure, standing figure - aa - female human figure
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Tien vrouwen en meisjes bevinden zich, staand en zittend, in een met gras begroeid landschap.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Four parts of feet type B with reserve line at chamfer
Terracotta dog (?) figurine with suspension hole
Object type: figurine, animal
Date: 1900 – 1800
Materials: terracotta
Culture: cypriot
Subjects: dogs

Red Polished Ware pottery and its derivatives were manufactured in southern Cyprus throughout the Early Bronze Age and a good part of the Middle Bronze Age, a period of more than five hundred years. Potters of the Middle Cypriot period never attained the vivacity and originality seen in Early Cypriot Red Polished Ware works.
Twee huizen aan het water
Object type: photograph
Date: 1837 – 1880
Materials: paper
Techniques: cliché verre
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Subjects: adult woman, river, landscapes with waters, waterscapes, seascapes (in the temperate zone), rural housing, e.g. country-house, villa, cottage, rowing-boat, canoe, etc.

Op de oever van een rivier staan twee huizen. Voor de huizen staan twee vrouwen. In het water liggen twee boten.
Dish
Object type: dish
Date: 1783 – 1783
Materials: silver
Artist: gaspard burel
Artist role: maker
Artist dates: 1747 – 1813
Swigters Hofje
Object type: photomechanical print
Date: 1905 – 1905
Materials: paper
Techniques: letterpress printing, line block
Location: netherlands
Subjects: alms-house (dutch: 'hofje'), gate, entrance
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: III. Verschillende gestichten en instellingen / Hofjes: Spiegelhuisjes - Swigters Hofje - Hofje de Zeven Keurvorsten - Zonshofje.
Salt
Object type: salt
Date: 1827 – 1835
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Terracotta tankard
Object type: tankard
Date: 734 – 701
Materials: terracotta
Culture: greek, attic

From the Hymettos deposit (see 30.118.1)
Scherf van een wijnfles uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Typologically not identifiable, flat fragment, fragment.
Headdress
Object type: headdress
Date: 1867 – 1900
Materials: coral, cotton, metal

This unique piece of headwear, with its serpent form, may have been some kind of talisman to ward off evil spirits. It is notable for its intentionally representational design.
Soldaat op wacht die zijn roer met zijn rechterhand schuin omhoog gericht vasthoudt, terwijl hij de loop in zijn linkerhand laat vallen (nr. 35), ca. 1600
Object type: print
Date: 1597 – 1608
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat op wacht, ten voeten uit, naar rechts, die een roer (een bepaald type vuurwapen) met zijn rechterhand vasthoudt, de loop schuin omhoog gericht (nr. 35), ca. 1600. Hij laat de loop juist in zijn linkerhand vallen, waarin ook een brandende lont. Plaat 35 in de instructies voor het hanteren van de roer: Brief enseignement, sur la representation des figures, du droit maniement de l'Harquebuse. Onderdeel van de illustraties in een Franse editie van J. de Gheyns Wapenhandelinghe: J. de Gheyn, Maniement d'armes, d'arquebuses, mousquetz et piques : en conformité de l'ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. Krijgswezen rond 1600.
Alexander de Grote wordt verkozen tot opperbevelhebber
Object type: drawing
Date: 1655 – 1665
Materials: ink, paper
Techniques: brush, pen
Artist: leonaert bramer
Artist role: draughtsman, painter, print maker
Artist dates: 1596 – 1674
Subjects: (story of) alexander the great

Alexander de Grote wordt tijdens een vergadering door de Grieken verkozen tot opperbevelhebber in de strijd tegen de Perzen. Rechtsboven genummerd: 11. Tekening maakt deel uit van een album.
Reproductie van een modeltekening van delen van een machine
Object type: reproduction
Date: 1868 – 1873
Materials: paper
Techniques: photolithography
Subjects: parts of machines
Inscriptions: number: ‘Pl. 2’
Theatrum Hispaniae (...)
Object type: album leaf
Date: 1694 – 1737
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: palace, courtyard

Gezicht op de ronde binnenplaats van het Paleis van Karel V in het Alhambra te Granada. Onder de voorstelling een titel in het Latijn, Spaans, Nederlands en Frans. Prent maakt deel uit van een album.