deem-data/ArtiFact huggingface dataset:
Model Broad Collar of Hapiankhtifi
Object type: broad collar, hapiankhtifi
Date: 1981 – 1802
Materials: faience
Location: egypt

One of the complete burial groups excavated at Meir belonged to the Steward Hapiankhtifi. When the mummy was unwrapped in the Museum numerous objects were discovered: a model dagger and sheath, two mirrors, a bat amulet, jewelry, and a ceremonial flail–an emblem of Osiris, with whom the deceased is identified. Broad collars of faience beads such as this were an indispensable part of every funerary outfit. This one - restrung in the Museum - consists of 9 rows of cylindrical beads strung on edge in a sequence of 2 blue, 1 black, 2 blue, 1 black and 3 blue rows. At the bottom are 23 leaf pendants with 2 blue cylindrical beads strung together lengthwise between them. Two semi-circular clasps lay on the shoulders of the wearer.
Girls Gathering Shells on the Sea-shore
Object type: print
Date: 1790 – 1790
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: children,women,beaches
Coat
Object type: coat
Date: 1840 – 1849
Materials: cotton
Culture: american
Kleine landschappen
Object type: print
Date: 1559 – 1561
Materials: paper
Techniques: etching
Location: antwerp
Subjects: castle
Inscriptions: collector's mark: Lugt 2228

Een kasteel met links een ophaalbrug en op de voorgrond in de slotgracht twee zwanen.
Stukken witte zijde
Object type: maniple
Date: 1725 – 1799
Materials: silk

Manipel onderdeel van een set van stukken witte zijde met ingeweven bloemen van zijde en gouddraad gediend hebbende tot stola en manipel. De stola bestaat uit negentien stukken, de manipel uit vier stukken.
Panel
Object type: textile
Date: 1780 – 1780
Materials: linen
Techniques: weave, printing, resist
Location: france
Hilly Panorama, from Twelve landscapes with Figures
Object type: print
Date: 1624 – 1624
Materials: paper
Techniques: etching
Location: netherlands
Artist: after gillis van scheyndel
Inscriptions: Numbered lower right: 9
acht reaal
Object type: coin
Date: 1741 – 1741
Materials: silver
Techniques: striking
Location: mexico city
Artist: Anonymous

Spaans-Amerika, acht reaal uit VOC-wrak Hollandia 1742.
Vase
Object type: vase
Date: 1662 – 1722
Materials: porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: animals,men
Chasse
Object type: chasse
Date: 1101 – 1200
Materials: silver gilt, wood
Culture: german
S. Dominicus
Object type: print
Date: 1723 – 1782
Materials: paper
Techniques: engraving
Artist: lodewijk joseph fruytiers
Artist role: print maker
Artist dates: 1713 – 1782
Subjects: dominic(us) guzman of calerueja, founder of the order of preachers (or dominican (black) friars; possible attributes: book, dog with flaming torch, lily, loaf of bread, rosary, star
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Bidprent voor Gertrudis Maria Cloots, overleden op 16 maart 1789. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Godsdienst, Roomsch-Katholieken, Processies, Herinneringen.
Studies of Nudes
Object type: drawing and watercolor
Materials: charcoal, crayon, paper
Techniques: heightening
Location: england
Artist: henry fuseli
Artist role: artist
Artist nationality: swiss
Artist dates: 1741 – 1825
Subjects: zigzags
Design for Vis-à-vis/ Caleche, no. 847
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Amante inconstante
Object type: print
Date: 1792 – 1817
Materials: paper
Techniques: etching, engraving
Subjects: parting, leave-taking (of lovers)
Inscriptions: collector's mark: Lugt 2228

Een heer met hoed en mantel neemt aan de deur afscheid van een jonge vrouw. De vrouw staat met een brandende kaars in haar hand en sluit met haar andere hand de onderdeur van het huis terwijl ze haar geliefde in de ogen kijkt. Deze prent vormt een pendant met een voorstelling van de wachtende vrouw bij de deur.
Shepherdess herding goats, plate 14 from "Various Animals" (Diversi Animali)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: women,goats,shepherds
Vase
Object type: ceramic
Date: 1810 – 1810
Materials: earthenware
Techniques: glazing
Location: staffordshire
Twee foto's van Caroline van den Berg in de tuin van Huize Welgelegen en familieleden die croquet spelen in het bos
Object type: photograph
Date: 1921 – 1921
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: the hague, caroline louise van den berg-van den berg, historical persons - bb - woman, forest, wood, ball games (children's games)
Inscriptions: caption: ‘Welgelegen Zomer 1921’

Deze foto's maken deel uit van een album.
Mallet of Daikoku, One of the Gods of Good Fortune, and a Rat
Object type: print
Date: 1828 – 1828
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Subjects: rats
Battle around the Body of Patroclus
Object type: print
Date: 1543 – 1547
Techniques: etching
Artist: anonymous, school of fontainebleau
Artist role: artist
Artist dates: 1500 – 1600
Subjects: battles,men,patroclus
Das Neüe Modelbuch. . .Erster Theil
Object type: book
Date: 1660 – 1660
Techniques: etching, woodcut
Location: germany
Artist: rosina helena fürst
Artist role: designer
Artist nationality: german
Artist dates: 1642 – 1709
Subjects: men,women,mythical creatures,dogs,working
Het hout
Object type: popular print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: Anonymous
Subjects: turner in wood, industries ~ wood, handicrafts ~ wood, timber
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen over het gebruik en de bewerking van hout. Onder andere voorstellingen van klompenmakers, wagenmakers en kuipers die gebruik maken van hout. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 167.
Panel (For Sleeve Bands)
Object type: textile
Materials: textile
Techniques: embroidery
Culture: han chinese
Location: china
Schuttersvereniging 'Ulysses'
Object type: insignia
Date: 1825 – 1875
Materials: silver
Techniques: engraving
Location: netherlands
Artist: Anonymous

Eenzijdig zilveren draagteken aan draagoog en ring, opgebouwd uit gekroond wapenschild met aan elk van beide zijden guirlande, rustend op gekruiste boog en pijl, omwonden met lint met opschrift
Souvenir
Object type: souvenir
Date: 1776 – 1800
Materials: gold, ivory

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Nina, from the Ballet Queens series (N182) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: profiles,women,dancers

Trade cards from the "Ballet Queens" series (N182), issued in an unnumbered set of 50 cards in 1889 by Wm. S. Kimball & Co.
Rivierlandschap in Groot-Brittannië
Object type: photograph
Date: 1877 – 1887
Materials: cardboard, paper
Techniques: albumen print
Location: great britain
Artist: john payne jennings
Artist role: fotograaf
Artist dates: 1843 – 1926
Subjects: river, great britain
Ruiters worden ontvangen in een stad
Object type: book illustration
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, reception ~ ambassador

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Carnelian scaraboid with back in form of lion
Object type: scaraboid
Date: 434 – 401
Materials: gemstone
Culture: greek
Subjects: lions
Tethys, from The Deities
Object type: print
Date: 1588 – 1590
Materials: ink, paper
Techniques: woodcut
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered lower center: "HG. fe."
Gezicht op de Binnen-Amstel tussen de Blauwbrug en de Halvemaansbrug
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc., boat propelled by man or animal
Inscriptions: collector's mark: ‘4A no 40 a en b’ Lugt 1641b

Huidige staat van prent ook gebruikt in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Pieter Schenk (I), s.a. [1710-1711]. En in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Barent Greve, s.a. [1757-1766].*

*In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
In Rust en werk
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘C13 / In Rust en werk (cliché Moelaert).’

Gezicht in de suikerfabriek op de Plantage Rust en Werk, vier mannen staande bij de ketels. Onderdeel van het fotoalbum Souvenir de Voyage (deel 2), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Des Königs Tod
Object type: print
Date: 1816 – 1886
Materials: paper
Techniques: engraving
Location: germany
Artist: friedrich randel
Artist dates: 1808 – 1886
Subjects: london, widow, death of human being
Inscriptions: collector's mark: Lugt 2228

Kennisgeving aan koningin Elizabeth Woodville van de dood van haar man, koning Eduard IV van Engeland, 9 april 1483.
Brief aan Philip Zilcken
Object type: letter
Date: 1900 – 1900
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: alidor delzant
Artist role: advocaat, auteur, kunstverzamelaar
Artist dates: 1848 – 1905
Subjects: edmond de goncourt, paris, print maker, félix bracquemond, the hague, painter, draughtsman, philip zilcken, the graphic arts, sculpture, temporary exhibition, 'salon', historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’
Openwork Belt Mount
Object type: plaque
Date: 500 – 700
Materials: copper alloy
Culture: frankish
Location: germany
Undersleeves
Object type: undersleeves
Date: 1860 – 1869
Materials: cotton
Culture: american
Portret van een onbekende vrouw
Object type: cabinet photograph
Date: 1875 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: adult woman
Inscriptions: inscription: ‘Hellis & Sons Photographers’, inscription: ‘211 & 213, Regent Street, W (...) London established over 25 years’
Nephrite Pebble from New Zealand
Object type: jade carving material
Date: 1901 – 2000
Materials: jade
Culture: chinese
Verschillende disciplines in de Académie des sciences et des beaux arts
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: academy, association of artists, place or institution of education and training of the artist, e.g.: academy of art
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Allegorie op de Academie van kunsten en wetenschappen met beoefenaren van tal van disciplines, waaronder de schilderkunst, beeldhouwkunst, architectuur, vestingbouw en wiskunde.
Closed Burgonet of "Savoyard" Type, Possibly Made for Théodore Agrippa d'Aubigné (1552–1630)
Object type: closed burgonet
Date: 1600 – 1620
Materials: gold, leather, steel
Culture: italian
Location: italy

Set off by blued steel surfaces, the etched and gilt flames provide an attractive and thoroughly appropriate decoration for a soldier constantly exposed to firearms and cannon fire.
De maskerades
Object type: print
Date: 1595 – 1596
Materials: paper
Techniques: engraving
Location: leiden
Subjects: mask, death as skeleton
Inscriptions: collector's mark: Lugt 2228a

Een Latijnse tekst in een cartouche, waarboven een skelet uitkomt. Dit skelet houdt een masker voor de gezichten van de twee figuren die tegen de linker- en de rechterzijde van de cartouche geleund staan. Deze prent is onderdeel van een serie van tien genummerde prenten: een titelprent en negen prenten waarop twee of drie gemaskerde en/of verklede figuren ten voeten uit zijn weergegeven.
Drie Japanse motieven, mogelijk waaiers
Object type: print
Date: 1856 – 1897
Materials: paper
Techniques: etching, intaglio
Subjects: song-birds: swallow, fan
Inscriptions: collector's mark: Lugt 2228, annotation: ‘imprimé pour m. Burty.’, stamp: Lugt 1157
"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds)
Object type: folio from an illustrated manuscript
Date: 1600 – 1600
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: habiballah of sava
Artist role: artist
Artist nationality: iranian
Artist dates: 1565 – 1635
Subjects: cranes,ducks,poetry,men,persian,peacocks,roosters

The illustration on this folio depicts a scene from a mystical poem, Mantiq al-tair (Language of the Birds), written by a twelfth-century Iranian, Farid al-Din 'Attar. The birds, which symbolize individual souls in search of the simurgh (a mystical bird representing ultimate spiritual unity), are assembled in an idyllic landscape to begin their pilgrimage under the leadership of a hoopoe (perched on a rock at center right). The careful, harmonious composition is consistent with that of the late fifteenth-century Timurid miniatures also in the manuscript, but three factors indicate that this image is later: the presence of the hunter, who has no place in the narrative; his firearm, a weapon that gained currency in Iran after the mid-sixteenth century; and the signature of the late sixteenth- to early seventeenth-century artist Habiballah
Laatste Avondmaal
Object type: print
Date: 1730 – 1772
Materials: paper
Techniques: engraving, etching
Subjects: last supper (in general) (matthew 26:21-35; mark 14:18-31; luke 22:3, 22:15-23; john 13:21-38)
Inscriptions: number: ‘2586’, collector's mark: Lugt 240
Wine Glass
Object type: wine glass
Date: 1765 – 1775
Techniques: glassblowing
Culture: british
Location: england
Intelligence was Mine! I Became the Great Buddha!, plate 12 of 24
Object type: print
Date: 1896 – 1896
Materials: paper, ink
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Bruiloft te Kana
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: paris
Artist: franz ertinger
Artist role: print maker
Artist dates: 1640 – 1710
Subjects: christ orders (six) jars to be filled with water ~ marriage-feast at cana
Inscriptions: collector's mark: Lugt 2165

Tijdens het diner van de bruiloft te Kana laat Christus stenen vaten met water vullen, waarna hij het in wijn verandert. Aan tafel, in het midden, de bruid. Boven haar hoofd een duif en op het balkon een musicerend en zingend gezelschap. Joh. 2:1-11.
Man die uit het raam kijkt
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Subjects: human figure at (open) window, seen from inside
Jongen met fluit
Object type: print
Date: 1659 – 1740
Materials: paper
Techniques: mezzotint
Artist: jan van der bruggen
Artist role: draughtsman, print maker
Artist dates: 1649 – 1709
Subjects: one person playing wind instrument
Inscriptions: collector's mark: Lugt 2228

Een jongen met in zijn handen een fluit zit aan een tafel. Achter hem staat een man met een hoed op het hoofd in zijn mantel gewikkeld.
Domine quo uenis; uenio iterum crucifigi
Object type: album leaf
Date: 1645 – 1700
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: christ and paul on a boat: 'quo vadis'
Inscriptions: number: ‘12’

Prent uit een reeks van 14 prenten (+ titelprent) naar schilderingen door Rafaël in de Stanze di Raffaello in het Apostolisch Paleis in het Vaticaan en naar ontwerpen voor wandtapijten voor de Sixtijnse Kapel door Rafaël. Naar een schildering door Rafaël in de Stanza dell'incendio del Borgo.
Cylinder seal
Object type: cylinder seal
Date: 1500 – 1301
Materials: faience
Culture: mitanni
Subjects: men,trees
One from a Pair of Solid Undecorated Bangles
Object type: bangle
Materials: bronze
Culture: thai
Christus als overwinnaar van het kwaad en de dood
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: death as skeleton, vice, evil, sin; 'peccato' (ripa), the empty cross(es), christ triumphing (with crown, head usually upright)
Inscriptions: collector's mark: Lugt 2228

De herrezen Christus triomfeert over het kwaad en de dood. Hij vertrapt een monster en een skelet. Rechts op de achtergrond de drie lege kruizen. In de marge een tweeregelig onderschrift in het Latijn.
Christ, from "Christ and the Apostles"
Object type: print
Date: 1530 – 1576
Techniques: backing, engraving
Artist: lambert suavius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1510 – 1576
Portret van Abraham de Haen
Object type: print
Date: 1745 – 1800
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, painter, print maker
Inscriptions: collector's mark: Lugt 240

Portretbuste van de kunstenaar en dichter Abraham de Haen, een blad papier in de linkerhand. Rechts zit een putto die op het portret wijst; links liggen twee boeken en een lauwerkrans. Midden onder het portret ligt een vel papier met tekengerei. Geheel onderaan staat op een sokkel een vierregelige tekst in het Nederlands.
Boats on Ocean
Object type: drawing and watercolor
Materials: charcoal, paper, lead, pigment
Techniques: brush, drawing, heightening, stumping, wash
Location: netherlands
Artist: attributed to jan van goyen
Artist nationality: dutch
Artist dates: 1596 – 1656
Saint Paul Speaking before King Agrippa (Acts 26)
Object type: drawing
Date: 1573 – 1573
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: giorgio vasari
Artist role: artist
Artist nationality: italian
Artist dates: 1511 – 1574
Subjects: kings,men,saint paul
Portret van een onbekende familie
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: historical persons, abstract ideas and concepts (+ emblematical representation of concept)
Inscriptions: collector's mark: Lugt 2228
Scènes uit het leven van Ignatius van Loyola
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: rome, clergyman, the founder of the jesuit order, ignatius of loyola; possible attributes: book (with 'ad majorem dei gloriam'), demon, dragon under feet, flames, flaming heart, globe, ihs monogram, skull (with crown), tears in eyes, torch - portrait of male saint
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Centraal het portret van Ignatius van Loyola in ovaal kader. Buste naar links. Hij houdt een boek open waarin de regels van de Jezuïetenorde staan geschreven. Het portret staat tussen twee zuilen. Boven het monogram van de Jezuïetenorde IHS en het Heilig Hart. Links en rechts twee opschriften met Latijnse tekst en de titel van de serie.
Portret van een onbekende man in zijn werkkamer
Object type: cabinet photograph
Date: 1900 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: vienna
Artist: carl pietzner
Artist role: fotograaf
Artist dates: 1853 – 1927
Subjects: moustache, adult man, historical persons, book
Inscriptions: inscription: ‘52402/ II’, inscription: ‘K. und K. HOF-u./ KAMMER- PHOTOGRAPH/ C. PIETZNER/ WIEN/ VI. Mariahilferstrasse 3./ TELEPHON No 5063./ WIEN/ TEPLITZ/ CARLSBAD/ BRÜNN/ TROPPAU/ AUSSIG A/E/ BRÜX/ EGER/ OLMÜTZ/ MÄHR. OSTRAU/ KÜNSTLERISCHE AUSFÜH-/ RUNG IN PHOTOGRAPHEN,/ ALLER ARTEN MALEREIEN/ UND COMPOSITIONEN./ PLATTEN No./ ALLERHÖCHSTE AUSZEICHNUNGEN, STAATSPREISE,/ GRAND PRIX u. COLD. MEDAILLEN: LONDON, PARIS, WIEN, ETC. ETC./ DIE PLATTEN BLEIBEN AUFBEWAHRT.’
Beschieting van het huis van Lucas van Steveninck, 1787
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: middelburg
Subjects: amsterdam, street-fights, riots, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Oranjegezinden beschieten met een klein kanon het Huis Leeuwenburg te Middelburg van de patriotse arts Lucas van Steveninck, in de nacht van 30 juni op 1 juli 1787. De bewoners schieten vanuit de vensters van het huis met geweren terug.