deem-data/ArtiFact huggingface dataset:
Bottle
Object type: vessel
Date: 201 – 400
Materials: glass
Techniques: glassblowing
Culture: roman
Location: syria
Subjects: containers

The iridescent sheen on this bottle, an artificially created effect sought after by 19th-century glassmaking innovators such as Louis Comfort Tiffany, was not actually intended by or known to their makers. Because of their association with luxury and precious oils and perfumes, these vessels were often buried with their owners in tombs, the chemical conditions of which, over time, have caused the surfaces to deteriorate, resulting in the shimmering, often opalescent, hues that appeal to the modern eye.
Ring
Object type: ring
Date: 1001 – 1200
Materials: gold
Techniques: chasing
Location: iran

Iranian turquoise, of which deposits were exploited in the mountains near Nishapur in Khorasan, has been known and valued since proto-historic times, and it was widely exported to the West. Precious and semi-precious stones were sometimes believed to have apotropaic properties. The polymath al-Biruni, who wrote a book on precious stones in the early 11th century, explains that turquoise was believed to dispel immediately the effect of the evil eye, i.e. curse, and that for this reason people wore it and necklaces were made for children. In contemporary Persian poems poets often use the image of precious stones as metaphors of magnificence and to represent colors, whether they are describing flowers, natural settings or architectural monuments. Here, the shape is a development of an older one in use under the Parthians, as in one ring brought to light in the excavations at Masjid-i Sulayman in south-west Iran. Claws, as the small wedge-shaped ones here, are considered an innovation of the 9th-10th centuries.
Spice box
Object type: spice box
Date: 1737 – 1737
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: women,flowers
'D' Wester Kerck', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld
Object type: book print ornament architecture
Techniques: engraving, lithography
Location: amsterdam
Artist: carel allard
Artist role: publisher
Artist nationality: dutch
Artist dates: 1648 – 1709
Subjects: houses,towers

Depiction of the Westerkerk (Western Church) in Amsterdam. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century.
Fotoreproductie van De Grieken en Trojanen vechten om het lijk van Patroclus door Antoine Wiertz
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: edmond fierlants
Artist role: fotograaf
Artist dates: 1819 – 1869
Subjects: the fight over the body of patroclus
Inscriptions: check stamp: ‘SOCIÉTÉ ROYALE BELGE DE PHOTOGRAPHIE/ 69, RUE KEYENVELD/ BRUXELLES’
Gezicht op de Canal Grande in Venetië
Object type: print
Date: 1848 – 1923
Materials: paper
Techniques: drypoint, roulette
Artist: justin gabriel
Artist role: print maker
Artist dates: 1838 – 1923
Subjects: city-view in general; 'veduta', canal, gondola
Inscriptions: stamp: ‘Letter 'G' in een cirkel.’ Lugt 1129b, collector's mark: Lugt 2228
Heilige Antonius van Padua aanbidt het Christuskind
Object type: print
Date: 1622 – 1648
Materials: paper
Techniques: etching
Location: italy
Artist: simone cantarini
Artist role: draughtsman, print maker
Artist dates: 1612 – 1648
Subjects: angels, the franciscan monk antony of padua; possible attributes: ass, book, crucifix, flowered cross, flaming heart, infant christ (on book), lily
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Pesares’

De Heilige Antonius van Padua zit geknield voor het Christuskind. Ze worden omringd door cherubijnen en putti.
Roemer met twee rijen gladde bolle noppen
Object type: roemer
Date: 1650 – 1675
Materials: glass
Techniques: glassblowing

Hoge, concave gesponnen voet. Ingestoken bodem. Bolle, verticaal geribde kelk, als één geheel geblazen met de stam, die bezet is met twee rijen gladde, bolle noppen. De overgang van de kelk naar de stam aangegeven door een geribde draad.
[Grace Lee Rinehart]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: sculpture,portraits,women,artists
Cuneiform tablet: inventory
Object type: cuneiform tablet
Date: 2045 – 2045
Materials: clay
Culture: neo-sumerian
Location: mesopotamia
Kind en volwassenen
Object type: album leaf
Date: 1911 – 1938
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: eefde
Artist: Anonymous
Subjects: family life at home
Inscriptions: inscription

Albumblad met een foto van een kind met hond en drie volwassenen. Onderdeel van het familiealbum 1938-1939.
Groep Indianen wordt door Westerlingen gevangen genomen
Object type: book illustration
Date: 1594 – 1594
Materials: paper
Techniques: engraving, letterpress printing
Subjects: law and jurisprudence (+ transport), indigenous peoples of south america

Een groep oorspronkelijke bewoners van Zuid-Amerika, bestaande uit mannen, vrouwen en kinderen, wordt door Europeanen gevangengenomen en afgevoerd. De lokale bevolking draagt bagage op hun rug. De Europeanen zijn gewapend met musketten, zwaarden en knuppels.
Norbert Peter van den Berg als peuter bij een verblijf met cavia's
Object type: album leaf
Date: 1906 – 1944
Materials: paper, cardboard
Techniques: gelatin silver print
Location: netherlands
Artist: norbert peter van den berg (1941-)
Artist dates: 1941 – 
Subjects: amsterdam, norbert peter van den berg (1941-), toddler, rodents
Bow Brooch
Object type: brooch
Date: 450 – 500
Materials: garnet, silver gilt
Culture: frankish

Garnets, worked in the cloisonné technique, featured prominently in the luxury jewelry of the Franks. Jewelers would solder small compartments arranged in geometric patterns onto the surface of a metal disk. In those cells, or cloisons, they would place a textured piece of gold foil, which would show through the thin translucent garnet that would then be set on top.
Hemd, mogelijk gedragen door Hendrik Casimir tijdens de bestorming van een fort bij Hulst
Object type: menswear
Materials: linen
Location: netherlands
Artist: Anonymous
Subjects: arnhem, hendrik casimir i graaf van nassau-dietz

Tijdens het beleg van Hulst werd Hendrik Casimir op 6 juli 1640 van zijn paard geschoten. Hij stierf acht dagen later.
Zampa, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Beleg van Saint-Jean d'Angély onder leiding van Karel IX, koning van Frankrijk
Object type: album leaf
Date: 1569 – 1573
Materials: paper
Techniques: etching
Subjects: karel ix (koning van frankrijk), siege, position war, militant proselytizing: religious war, crusade, etc., the roman catholic church vs. protestantism; (reformation and counter reformation)

Prent gebruikt in: Aitsinger, Michael. De Leone Belgico (...). Keulen: s.n., 1588.
Terracotta fragment of a mastoid (drinking cup with narrow base) or a kyathos (cup-shaped ladle)
Object type: mastoid or kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Two horse legs to right; foot of a figure to right?; below, a thin band of reserve interrupting black glaze
Doily van linnen rozetvormig met vier lobben en rondom een rand kloskant
Object type: kleed
Date: 1925 – 1949
Materials: linen
Techniques: lace, weave
Location: netherlands
Artist: Anonymous

Doily van naturelkleurig linnen met rondom een rand kloskant: Nederlandse kant. Vierkant rozetvormig model met vier halfcirkelvormige schulpen of lobben. De rand kloskant volgt dit model.
Table Service
Object type: table service
Date: 1785 – 1790
Materials: porcelain
Culture: chinese
Location: china

This object belongs to a large dinner service (10.149.1–.248) bearing the Townley family coat-of-arms. The service, probably ordered by Justice Samuel Chase (1741–1811) of Annapolis, Maryland, displays the enamel-painted arms of Margaret Townley, Chase's aunt.
Portret van Christian Wolff
Object type: print
Date: 1750 – 1770
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: scholar, philosopher, historical persons
Design for Three Stools with Columnar Supports
Object type: drawing
Date: 1801 – 1833
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: stools
Twee vrouwen
Object type: print
Date: 1679 – 1750
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: adult woman
Inscriptions: collector's mark: Lugt 2228

Twee vrouwen, vooraanzicht, met losse kleding. Kopie naar een voorstelling uit het tekenboek van Abraham Bloemaert, in de editie van Nicolaas Visscher.
Dorp aan een rivier
Object type: print
Date: 1583 – 1650
Materials: paper
Techniques: etching
Subjects: village, reflection (light in general)
Inscriptions: collector's mark: Lugt 2228

Gezicht op een dorp aan een waterkant. De huizen van het dorp worden weerspiegeld in het water op de voorgrond. Links zwemmen drie zwanen.
Bowl in the form of a turtle
Object type: bowl, red polished ware, turtle shaped
Date: 3900 – 3500
Materials: pottery
Location: egypt
Subjects: turtles
Cartouche en detail ornament
Object type: ornament print
Date: 1644 – 1718
Materials: paper
Techniques: etching
Location: italy
Subjects: ornaments ~ art, ornament ~ cartouche

Boven een cartouche met bloemen in de rand. Onder een detail van een ornament met een hoorn met vruchten. De prent maakt deel uit van een album.
Firenze
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: gelatin silver print
Location: florence
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Inscriptions: number: ‘50.’, inscription: ‘Edizione inalterabile.’, number: ‘5001’

Deze foto maakt deel uit van een omslag.
Studie van een oude man
Object type: print
Date: 1776 – 1831
Materials: paper
Techniques: etching
Location: italy
Subjects: historical persons, old man, simeon christophorus (the just, the grey); possible attributes: the infant christ in his arms
Inscriptions: collector's mark: Lugt 2228

Naar schilderij door Lievens in de Pinacoteca dell'Accademia Carrara, Bergamo (inv.nr.: 156).
Landscape: View on Catskill Creek
Object type: watercolor
Date: 1867 – 1867
Materials: gouache, graphite, watercolor, paper
Culture: american
Artist: john william hill
Artist role: artist
Artist nationality: american, born england
Artist dates: 1812 – 1879
Subjects: landscapes
Tea and Coffee Service
Object type: metalwork
Date: 1865 – 1865
Materials: ivory, silver
Location: london
Artist: george angell
Mes met heft met ovale doorsnede en versmalde angel
Object type: table knife
Date: 1590 – 1596
Materials: bone, iron, wood
Techniques: forging
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Knives with horn and bone handles
Jonge straatartiest met hond en aap
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: lithograph
Location: paris
Subjects: boy (child between toddler and youth), earning money with monkey, dog
Inscriptions: collector's mark: Lugt 2228a

Prent gepubliceerd in 'L'Artiste, journal de la littérature et des beaux-arts', een geïllustreerd weekblad dat verscheen tussen 1831 en 1904.
Gezicht op de Keizerstraat te Scheveningen
Object type: photograph
Date: 1885 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: keizerstraat
Artist: carl philip wollrabe
Artist role: fotograaf, musicus
Artist dates: 1812 – 1887
Subjects: church (exterior), façade (of house or building), street
Inscriptions: inscription: ‘C.P. Wollrabe sen. (...) De plaat blijft tot nabestelling bewaard.’
Huis aan een sloot met knotwilgen
Object type: print
Date: 1887 – 1936
Materials: paper
Techniques: etching, intaglio
Artist: maria johanna goemans
Artist role: draughtsman, print maker
Artist dates: 1877 – 1936
Subjects: trees: willow, small canal, ditch, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Sculptuur van Niobe met haar dochter
Object type: album leaf
Date: 1584 – 1584
Materials: paper
Techniques: engraving, intaglio
Location: rome
Subjects: piece of sculpture, reproduction of a piece of sculpture, (story of) niobe

Deze prent maakt deel uit van een set van 79 prenten (+ titelprent) met voorstellingen van antieke sculpturen in Rome.
Den Grooten Figuer-Bibel (...)
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: engraving
Location: alkmaar
Subjects: it is reported to king nebuchadnezzar that shadrach, mesach, and abed-nego do not worship the golden statue, the dedication of the golden statue: in the presence of king nebuchadnezzar, trumpets are blown and all the people surrounding the image fall on their knees
Inscriptions: number: ‘247’

Koning Nebukadnessar heeft een gouden standbeeld laten oprichten en heeft de opdracht gegeven dat iedereen voor het beeld moet buigen. Bij het geluid van de trompet buigt een menigte voor het beeld. Een man vertelt de koning, links op het balkon, dat Sadrach, Mesach en Abednego weigeren te buigen. De drie mannen worden midden op de achtergrond gevangen genomen. Uiterst rechts wordt een oven opgestookt om een ieder die niet buigt te verbranden. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Dan. 3:1. Deze prent maakt deel uit van een album.
Man met zijn handen op zijn rug
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: etching, hand coloring
Artist: Anonymous
Subjects: head-gear: tricorn, coat, historical costume, contemplation
Inscriptions: collector's mark: Lugt 1641, stamp, collector's mark: Lugt 1641a

Bovenaan genummerd: 5. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De 18de eeuw (de pruikentijd). Mannen en vrouwen.
Prophetie accomplie
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: paris, crown (symbol of sovereignty), melpomene (one of the muses); 'melpomene' (ripa)
Inscriptions: collector's mark: Lugt 240
Poem to Xu Qianzhi
Object type: folding fan mounted a an album leaf
Date: 1535 – 1612
Materials: gold, ink, paper
Culture: chinese
Artist: wang zhideng
Artist role: artist
Artist nationality: chinese
Artist dates: 1535 – 1612
Section of a Buddhist Pagoda
Object type: sculpture
Materials: limestone
Location: china

These two stone slabs originally formed the first story of a miniature Buddhist pagoda, which was elevated on a tiered base. Many such pagodas, usually standing seven or nine stories tall, are preserved from the eighth century in northern China.

Now separated for display, these slabs were once tightly aligned to form one chamber whose interior was visible only though a canopied doorway cut into the front slab. Dynamic guardians, flying apsaras (heavenly beings), writhing dragons, and an ogre mask protect this doorway, which opens into a sacred space. The Buddha, seated in the center, is flanked by two bodhisattvas (compassionate saintly beings) holding lotus flowers. The bodhisattvas' fluid postures, which echo those of sensual images from contemporary Indian art, distinguish many Buddhist sculptures of early-eighth-century China.

A long inscription, carved into the left side of both slabs, states that the family of Jia Heida commissioned this pagoda in honorable devotion to his deceased parents. Replete with Buddhist metaphors and allusions to the Buddha s life, this text opens with a bleak perspective on the physical world and then praises both Buddhist teachings of spiritual redemption and secular values of Chinese filial devotion. The inscription closes with a prayer extolling Buddhist principles.

The back of the rear slab is incised with images of two brothers, the bodhisattvas of medicine, who vow to heal the sick. The elder brother (left) holds a bowl containing a lotus flower, which symbolizes medicine; the younger brother (right) joins his hands in prayer. A small figure in the lower-left corner, who reaches out with one arm, as if pleading for medicine, may represent a faithful devotee. Inscriptions along the far-left and far-right edges identify the patron of these images as Konghui, a Buddhist nun. Inscriptions to the left of both brothers offer praise to the bodhisattvas.
Tempel der Vrede voor het vuurwerk van 30 augustus 1721
Object type: print
Date: 1721 – 1723
Materials: paper
Techniques: engraving, etching
Subjects: amsterdam, christoffel van brants, bonfire, fire-works
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Voorbereidingen rond de Tempel der Vrede, het middelpunt van het vuurwerk afgestoken op 9 december 1721 op de Binnen-Amstel bij de Kloveniersburgwal ter gedachtenis van de Vrede van Nystad gesloten tussen Rusland en Zweden op 10 september 1721. In de lucht vier engeltjes, rechts een stuk van de toren Swygh Utrecht. Het vuurwerk geleverd in opdracht van Christoffel van Brants, vertegenwoordiger van de Russische kroon te Amsterdam. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin. Volksleven. Openbare feesten. Vorstelijke intochten, (Illuminaties, vuurwerken en dergelijke, openbare feesten).
Ardea
Object type: print
Date: 1771 – 1847
Materials: paper
Techniques: engraving
Artist: johann christian reinhart
Artist role: print maker
Artist dates: 1761 – 1847
Subjects: landscapes
Inscriptions: collector's mark: Lugt 2228
Deksel van botervloot
Object type: lid
Date: 1740 – 1765
Materials: faience
Techniques: kiln, painted, polychromy
Location: delft
Artist: Anonymous
Inscriptions: inscription: ‘5?’

Deksel van botervloot met opstaande oortjes veelkleurig beschilderd met een oosters landschap met gebouwen binnen cartouches.
The long-tailed tit
Object type: page
Date: 1850 – 1876
Materials: photographic support
Techniques: carbon print
Location: selborne
Subjects: song-birds: tit
Portret van een man
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Subjects: historical persons
Inscriptions: inscription: ‘DECHAMPS & Cie/ PHOTOGRAPHES BREVETÉS,/ 14, Place Ste Gudule, 14,/ BRUXELLES.’
Interieur van de ruïne van de Abdij van Furness
Object type: page
Date: 1852 – 1862
Materials: photographic support
Techniques: albumen print
Location: furness abbey
Artist: roger fenton
Artist role: fotograaf
Artist dates: 1819 – 1869
Subjects: parts of church interior: transept, ruin of church, monastery, etc.
Meisje knuffelt een hond
Object type: drawing
Date: 1880 – 1930
Materials: ink, paper, pencil
Techniques: pen
Artist: Anonymous
Subjects: dog
Inscriptions: :, collector's mark: Lugt 2228a, signature: ‘lami’
Gezicht op de Russische Academie van Wetenschappen in Sint-Petersburg
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: berlin
Artist: louis gothe
Artist role: fotograaf
Subjects: learned society, academy of sciences, river
Inscriptions: number: ‘92.’, inscription: ‘Ansichten von St. Petersburg.’
Montreux. Les Quais
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1920
Materials: cardboard
Techniques: photograph, lithograph
Location: geneva
Artist: Anonymous
Subjects: lake, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), quay
Portret van Samuel Stryk
Object type: print
Date: 1707 – 1707
Materials: paper
Techniques: engraving
Location: germany
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: samuel stryk, historical persons, lawyer, attorney at law, professor
Inscriptions: collector's mark: Lugt 2233

Prent ook gebruikt in: Beckmann, Johann Christoph. Notitia Universitatis Francofurtanae (...). Frankfurt an der Oder: erven Jeremias Schrey en Johann Christoph Hartmann, 1707, p. 224.
Thumb ring
Object type: thumb ring
Date: 206 – 220
Materials: jade
Culture: chinese
Gezicht op het huis van de heer Ketjen aan de Trapjesschans
Object type: drawing
Date: 1805 – 1881
Materials: chalk, paint, gouache, ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: johan george lodewijk rieke
Artist role: draughtsman, print maker
Artist dates: 1817 – 1898
Subjects: city-view in general; 'veduta', the usual house or row of houses, street
Inscriptions: inscription: ‘586 Het Huis (...) 22. B. 30.’, collector's mark: ‘12’ Lugt 1641b, stamp: ‘Van het Koninklijk / Oudheidkundig Genootschap / te Amsterdam.’, collector's mark: ‘1711’ Lugt 1811, inscription: ‘den Wel[...] Heere L. Ketjen woont Pos[...]straat 108 / geteekend Mei 1881’, inscription: ‘Port. 12-301’

Onderwerpsrubriek binnen de Atlas Amsterdam: Sarphatistraat, Schans.
Nederlandse ½  cent,1937
Object type: coin
Date: 1937 – 1937
Materials: bronze
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Bronzen munt. Voorzijde: in een veld rijkswapen. Jaartal onderaan in omschrift. Keerzijde: binnen twee samengebonden oranjetakken waarde-aanduiding ½ cent. Kartelrand.
Zes anatomische prenten van een zwangerschap
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: etching
Location: london
Subjects: physiology and anatomy, womb, uterus
Inscriptions: collector's mark: Lugt 2228

De volledige titel van de serie luidt 'The demonstrations of a pregnant uterus of a woman at her full time. In six tables, as large as nature. Done from the pictures painted, after dissections, by Mr. van Riemsdyk' en verscheen voor het eerst in Londen in 1757 op initiatief van professor in de anatomie en chirurgie Charles Nicholas Jenty.
Ruines d'un Arc-de-triomphe Romain, à Philae
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,arches,ruins

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Plattegrond van de eerste verdieping van de villa Pallavicino delle Peschiere te Genua
Object type: album leaf
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: hôtel, i.e. small palace in city - aa - civic architecture: inside, plan ~ architecture

Deze prent maakt deel uit van een album.