deem-data/ArtiFact huggingface dataset:
Vier voorstellingen in een bos, bij een landhuis, een klooster en een kasteeltoren
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: abbey, monastery, convent ~ roman catholic church, forest, wood, villa, death i.e. the fall of icarus, without daedalus
Inscriptions: collector's mark: Lugt 2233

De voorstellingen zijn rechtsboven genummerd: 68, 149, 159 en 192. Linksboven kijken vier figuren in het bos naar een vallende persoon met vleugels aan zijn enkels en armen: mogelijk de val van Icarus. Rechtsboven kijken twee figuren voor een landhuis naar iemand die uit een waterton komt. Linksonder staat een monnik bij een gesloten poort. Rechtsonder gewapende figuren bij een toren.
Glass network mosaic fragment
Object type: fragment, network
Date: 34 – 33
Materials: glass
Culture: roman

Body fragment. Colorless, with opaque white. Slightly convex side. Seven narrow parallel canes decorated with two spirally twisted threads. Many pinprick bubbles; exterior polished; slight pitting of surface bubbles; creamy iridescent weathering on interior; jagged, weathered edges.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, right shoulder, and part of upper right arm of a wreathed youth with a himation draped over his left shoulder
Gezicht op een kerk in Clewer
Object type: photograph
Date: 1871 – 1871
Materials: photographic support
Techniques: albumen print
Location: clewer
Artist: henry w. taunt
Artist role: fotograaf
Artist dates: 1842 – 1922
Subjects: church (exterior)
Frame
Object type: decorative art
Date: 1900 – 1900
Materials: paint, wood
Location: united states
Artist: Anonymous
Artist nationality: American
Morningside Heights, New York City-Arch of the Cathedral of St. John the divine and St. Luke's Hospital
Object type: photomechanical print
Date: 1892 – 1900
Materials: paper
Techniques: autotype
Location: morningside heights
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, public gardens, park
Mozes verkiest de zeventig oudsten
Object type: book illustration
Date: 1684 – 1684
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: moses chooses seventy elders to assist him and places them round the tabernacle; the spirit of god descends upon them
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Aysma, Joannes. Spiegel der Sibyllen, van vierderley vertooningen. Amsterdam: Timotheus ten Hoorn, 1685.
Bowl, Mythological Scene
Object type: bowl
Date: 701 – 800
Materials: ceramic
Culture: maya
Location: guatemala or mexico
Subjects: animals,mythical creatures

The enigmatic scene on this cup painted in the 'codex-style' shows a jaguar holding an enema bladder with a syringe wearing what seems to be a bib made of white cotton. The ancient Maya consumed alcoholic beverages through enemas; special bone enema tubes have been found in royal tombs. In this scene, a supernatural bi-cephalic serpent is shown emerging from the enema; the head of the serpent to the left of the rollout photograph holds an axe, as if to threaten a skeletal death god. The death god is shown legless with its hands raised to the right of the jaguar. This type of jaguar makes an appearance in other vessel scenes, though a lack of comparative imagery and an overpainted hieroglyphic text impedes interpretation of the scene. ‘Codex-style’ pots are so-called for the style of painting which bears a close resemblance to the four extant screen-fold Maya books, known as codices, located in Madrid, Paris, Dresden, and Mexico City. These books date to the Postclassic Period (ca. a.d. 1000–1492). The characteristics of the codex-style are a cream or yellowish slipped background, often framed by red bands above and below, and a black calligraphic line outlining figures and hieroglyphic texts. Sometimes the painters applied a gray wash to shade figures or other features. In contrast to the richly polychromed vases and bowls from the large corpus of Maya vessels, codex-style pots stand apart in their grayscale, which is almost certainly a reflection of their development vis-à-vis calligraphic books.
Sculptuur van Hans en Grietje door vermoedelijk Carl Cauer
Object type: cabinet photograph
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘2008.’
Portret van Niccolò Leoniceno
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: inscription: ‘N. 1428/ O. 1524’, inscription: ‘Nicolaus Leonicennus’, inscription: ‘zeldzaam’
Fotoreproductie van een fresco te Pompeï, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: pompeii
Artist: Anonymous
Subjects: picture, painting, wall-covering, pompeii
Inscriptions: inscription: ‘Parsi en stier, Pompei’, number: ‘75.’, number: ‘11’
Illustratie voor 'Alle de werken' van Lucianus
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: etching
Location: amsterdam
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: (story of) neptune (poseidon), perseus, riding on pegasus, kills the sea monster
Inscriptions: collector's mark: Lugt 2760

Op de voorgrond Neptunus met zijn drietand. Links op de achtergrond Perseus op het gevleugelde paard Pegasus, op het punt een zeemonster aan te vallen.
Fotoreproductie van een schilderij, voorstellende een portret van een onbekende man
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: historical persons (portraits and scenes from the life)
Inscriptions: number: ‘464’
Cameo glass with three portrait heads
Object type: cameo
Date: 1 – 200
Materials: glass
Culture: roman
Subjects: heads

Three male portrait busts This cameo may date to the Flavian period (A.D. 69-96). The slight difference in the level of the heads is skillfully managed.
Studieblad met schaap
Object type: print
Date: 1781 – 1822
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Artist: hermanus fock
Artist role: conservator, draughtsman, painter, print maker
Artist dates: 1766 – 1822
Subjects: sheep
Inscriptions: collector's mark: Lugt 2228

Studieblad met schetsen van de kop van een schaap, een manshoofd en een arm.
Scene 4, from Jack and the Giant Killer, Scenes for a Toy Theater
Object type: print
Date: 1870 – 1890
Techniques: lithograph
Artist: benjamin pollock
Artist role: publisher
Artist nationality: british
Artist dates: 1857 – 1937
Subjects: sun,hills,landscapes
Dialectica (Redeneerkunst)
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: printing, engraving
Location: antwerp
Subjects: 'dialectica' (~ trivium); 'dialettica' (ripa)
Inscriptions: collector's mark: Lugt 240, caption:

Dialectica zit op een stoel in een ruimte met stenen muren en disputeert met een oude man. Ze telt haar argumenten aan de vingers af. Op haar hoofd en op de leuning van haar stoel zitten vogels, op de grond twee padden. Dialectica staat met haar voet op een stapel boeken van belangrijke denkers.
Gevelsteen met opschrift ANNO.
Object type: gable stone
Date: 1661 – 1661
Materials: stone
Location: netherlands

Liggende rechthoek met een brede gearceerde rand waarbinnen het opschrift ANNO. De gevelsteen hoort bij twee gevelstenen (KOG-ALS-144-1 met D LOOSMAN en KOG-ALS-144-3 met 1661).
Medallion
Object type: medallion
Date: 1701 – 1900
Materials: silk
Culture: chinese
Subjects: human figures,butterflies,flowers
Marc Aurèle prenant congé des Officiers de son Palais, à Rome, en 169, après J.-C.
Object type: photomechanical print
Date: 1903 – 1918
Materials: cardboard
Techniques: photograph
Location: saint-germain-en-laye
Artist: Anonymous
Subjects: rome, permanent exhibition, museum, sculpture
Ontwerp voor stof
Object type: design drawing
Date: 1920 – 1920
Materials: gouache, paper
Location: paris
Inscriptions: stamp: ‘Léo TISSANDIÉ / Dessinateur / de Mode’
Swallow and Wisteria
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: birds,leaves
Landschap met een vrouw, man en een kind in omhelzing
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: landscapes, embracing each other, kissing
Inscriptions: collector's mark: Lugt 240

Deze prent is ook gebruikt als illustratie bij het verhaal 'Hammel Clement' voor: Brooke, H. Zedelijke verhaalen, deel 2. Amsterdam: A. Mens Jansz. en A.E. Munnikhuisen, 1777.
Terracotta fragment of a mastoid (drinking cup with narrow base)
Object type: mastoid fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Black glazed rim fragment from a mastoid
Portretten van twee onbekende vrouwen, beiden als herderin
Object type: album leaf
Date: 1640 – 1640
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: crispijn van de passe (ii)
Artist role: draughtsman, print maker
Artist dates: 1594 – 1670
Subjects: female sex; woman, shepherd's crook

Twee voorstellingen op een albumblad. Portretten van twee onbekende vrouwen uit Haarlem, beiden met herdersstaf, als Falconetta H. en Anhela H. Op de achtergrond van de twee portretten een stadsgezicht. Het blad maakt deel uit van een album.
Astronoom en de Dood
Object type: book illustration
Date: 1524 – 1526
Materials: paper
Techniques: woodcut
Subjects: astronomical instruments, dance of death; death together with one or more human beings, astronomy (and cosmography) (+ scholar, scientist (at work))

De houtblokken werden voor 1526 vervaardigd door Hans Lützelburg en pas in 1538 voor het eerst gebruikt als boekillustraties in: Les simulachres & historiees faces de la mort avtant elegamment pourtraictes que artificiellement imaginées... a Lyon, Soubsz l'escu de Coloigne, MDXXXVIII, (M. en G. Trechsel, voor F. Frellon in Lyon), 1538. Later verschenen nog andere uitgaven.
Gezicht op een nis bedoeld voor een troon in het Alcazar in Sevilla
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: royal palace of seville
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: arch, archivolt ~ architecture, courtyard
Inscriptions: number: ‘2487 Bis.’
Figure, from Six Figures Académiques
Object type: print
Date: 1742 – 1743
Materials: paper
Techniques: etching
Location: france
Artist: carle (charles andré) vanloo
Artist role: artist
Artist nationality: french
Artist dates: 1705 – 1765
Lekythos
Object type: lekythos
Date: 434 – 401
Materials: terracotta
Culture: greek, corinthian
Courtisane Tachibana uit het Tsuruya huis
Object type: print
Date: 1813 – 1813
Materials: paper
Techniques: woodcut
Location: japan
Artist: kitagawa shikimaro
Artist role: painter, print maker
Subjects: historical persons - bb - woman, courtesan, hetaera

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Profiel van Deventer (plaat IV)
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, church (exterior), prospect of city, town panorama, silhouette of city, deventer
Inscriptions: collector's mark: Lugt 2228

Rechterplaat van 'Profiel van Deventer', met een gezicht op een gedeelte van de stad Deventer. Op de voorgrond wordt op het land gewerkt. Op de IJssel zeilen diverse boten. Op de achtergrond vestingwerken, de stadspoort en de Sint-Nicolaas- of Bergkerk. Rechtsboven een cartouche waarin het privilege en de datering.
Shiva Mahadev
Date: 1878 – 1883
Materials: glaze, watercolor
Techniques: hand coloring, lithograph, printing
Culture: west bengali

This image of Shiva as Mahadev, the ‘Great God’, is a rarely represented subject. It depicts a disheveled and mournful Shiva wandering aimlessly in a wilderness setting, carrying the limp body of his first wife, Sati, over his shoulder. Her diminutive body is barely detectable at first glance, one limp arm hanging down on Shiva’s chest, the other draped over his trident. Her grey lifeless face is visible over his right shoulder. The tragedy of Sati’s death from shame and Shiva’s grief are evoked with great pathos. The story, in short, tells of Shiva, having failed to duly honor his wife’s father Daksha, is in turn excluded from a great sacrifice that Daksha hosts, inviting all the gods except Shiva. Sati insists on attending without her husband but dies of shame. Shiva is enraged and destroys the sacrificial grounds. He gathers up his wife’s body and begins to dance wildly, threatening to destroy the world in his fury. To avert this calamity, Vishnu, here seen overseeing Shiva from a heavenly realm, uses his discus (cakra) to cut Sati’s body into pieces, scattering them all over the world. The places where her body parts fell are marked to this day by goddess shrines, revered as places made holy by her presence (Shakta-pithas). The artist has elected to depict a poignant but rarely shown moment in the Sati story, that of Shiva wandering in remorse with his dead wife before beginning the dance of destruction.
Standing Kinnari Holding an Oil Receptacle
Object type: figure
Date: 901 – 925
Materials: bronze
Culture: indonesian, javanese
Subjects: mythical creatures
Shinagawa, from the series "Fifty-three Stations [of the Tokaido] (Gojusan tsugi)," also known as the Figure Tokaido (Jinbutsu Tokaido)
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Liggende vrouw
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: landscapes in the temperate zone, lying figure - aa - female human figure

Mogelijk slapend. Pagina 32 uit een schetsboek met 29 bladen.
Corona delle Nobile et Virtuose Donne, Libro Terzo, page 9 (recto)
Object type: book print ornament architecture
Date: 1620 – 1620
Techniques: woodcut
Artist: cesare vecellio
Artist role: designer
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: birds,foxes,squirrels,flowers,leaves

Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de' Vecchi, Italian, active 17th century, Venice. From top to bottom, and left to right: Design composed of 3 horizontal registers. Top register is decorated with a pattern of flowers with curving striped stems. Middle register is decorated with coiling vines of leaves and flowers, which various animals like a dog, squirrel, fox, and a lion climb. Bottom register is decorated with coiling vines of leaves and flowers; at the left side sits Orpheus who serenades animals like deer, birds, foxes, and an iguana, which advance toward him.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: linen, silk
Subjects: flowers,cross
Door
Object type: door
Date: 1551 – 1600
Materials: wood
Techniques: carving
Artist: burgundy
Artist role: maker
Waringin boom te Praja
Object type: page
Date: 1892 – 1897
Materials: paper
Techniques: photograph
Artist: christiaan johan neeb
Artist role: arts, fotograaf, officier
Artist dates: 1860 – 1925
Subjects: trees, indonesia
Adelheid spreekt met Osman, wie eigenlijk haar tot slaaf gemaakte verloofde Karl blijkt te zijn
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: berlin, literature, slavery; serfs and enslaved persons, lighting; lamps, lovers' meeting, lute, and special forms of lute, e.g.: theorbo
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor G. F. W. Grossmann's 'Adelheid von Veltheim'. Een latere staat gebruikt in: Königlich Grosbritannischer genealogischer Kalender auf das Jahr 1784. Lauenburg: Berenberg, 1783.
Ganzel, Catcher, Boston, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Exterior, left hand holding krotala
Défaite de la Cavalerie Turque (Defeat of the Turkish Cavalry), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles)
Object type: print
Date: 1614 – 1620
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

According to the inscription on the second state of the prints in this series, Callot's engravings are after designs by Matteo Rosselli. Mariette attributes the designs of the prints in the series to Rosselli, Bernardino Poccetti, and possibly Antonio Tempesta.
Vienna: Garden House in the Arenberg Garden
Object type: print
Date: 1910 – 1910
Techniques: lithograph
Artist: urban janke
Artist role: artist
Artist nationality: austrian
Artist dates: 1887 – 1914
Subjects: houses,gardens,trees
Pinhead
Object type: pinhead
Date: 670 – 330
Materials: glass
Culture: roman

Amber oval pinhead with white lines.
Lillie Bartlett, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Amsterdam, brandspuitpenning met no. 24 en monogram E.D.
Object type: medal
Date: 1800 – 1900
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Eenzijdige messing penning. Voorzijde: opschrift E D, onderbroken door drie boven elkaar geplaatste kruisjes; daaronder: letter B en opschrift No. 24. Keerzijde: blanco
Portret van een zittende vrouw, aangeduid als Bertha, en twee kinderen
Object type: photograph
Date: 1860 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: odiham
Artist: f. foster
Artist role: fotograaf
Subjects: sitting figure, historical persons - bb - woman, mother and child(ren), woman and child(ren) (family group)
Inscriptions: inscription: ‘F. FOSTER, Photographer,/ ODIHAM,/ HANTS./ MEMORIAM REI REPRAESENTARE./ No./ Negative kept Copies may be had/ at any time’, inscription: ‘Bertha/ with love/ [...]’
Portret van François Armagnin
Object type: page
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: toulon, historical persons
Goa Stone and Gold Case
Object type: goa stone and container
Date: 1667 – 1733
Materials: gold, stone
Techniques: casting, repoussé
Location: india
Subjects: animals,griffins,peacocks,dogs,monkeys,flowers

Goa stones, named for the place where they were manufactured by Jesuits in the late seventeenth century, were manmade versions of bezoars (gallstones from ruminants). Both types were used for their medicinal and talismanic powers. These treasured objects were encased in elaborate containers made of gold and silver and often exported to Europe. Surviving examples are recorded in European treasuries, including one made for the duke of Alba in the late sixteenth century (Kunsthistorisches Museum, Vienna). The stone was usually a compound of organic and inorganic materials, including bezoar, shell, amber, musk, resin, and crushed precious gems, which would be scraped and ingested with tea or water. The egg-shaped gold container enclosing this stone consists of hemispherical halves, each covered with a layer of pierced, chased, and chiseled gold foliate openwork. An arabesque surface pattern is overlaid with an ogival trellis containing a variety of beasts, some highly Europeanized, including unicorns and griffins. The source of these images is likely to have come to Goa through the Portuguese and may also reflect a particular European patron. (This example was brought to England in the eighteenth century by a British officer in the East India Company.)
Scherf van witbakkend aardewerk, aan de buitenzijde voorzien van een beschildering van bloemen in blauw op een witte ondergrond
Object type: sherd
Date: 1500 – 1899
Materials: earthenware, glaze
Twee mannen zoekend in een kist met oude schoolboeken
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: adult man (+ two persons), book, scholastic education, tuition
Teacup and saucer
Object type: teacup and saucer
Date: 1775 – 1775
Materials: hard paste porcelain
Artist: höchst manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1746 – 1796
Subjects: birds,roosters,butterflies

This partial tea and coffee service is distinguished by its relative completeness and its two components (the coffee pot and the hot milk jug) signed by the painters who decorated them—Joseph Angele and Johann Heinrich Usinger, respectively—a rarity on 18th-century porcelain. [Jeffrey H. Munger, 2009]
Interieur met een boekverkoper
Object type: drawing
Date: 1800 – 1850
Materials: paper, watercolor
Techniques: brush
Artist: Anonymous
Subjects: carpet, rug, print, e.g.: engraving, etching, lithograph, chimney-piece, mantelpiece, built-in bedstead (dutch: 'bedstee'), book-shop, bookseller
Inscriptions: watermark, collector's mark: Lugt 2228

In de hoek van een kamer zit een boekverkoper achter een tafel voor een boekenkast. Hij laat een boek zien aan een man met een stok en een hoed in zijn rechterhand. Naast de boekenkast een schouw met daarboven een spiegel en enkele ingelijste prenten of tekeningen, waaronder twee doodshoofden. Op de voorgrond een kleed en een stoel voor een bedstee.