deem-data/ArtiFact huggingface dataset:
Herms Supporting and Overdoor with Portrait Oval
Object type: drawing
Date: 1601 – 1700
Materials: graphite, ink
Techniques: brush, pen, drawing, wash
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: human figures,caryatids,portraits
Portretten van de familie Vettòri
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een serie van onbekende omvang met portretten van de familie Vettòri.
Portrait of Anton Dreher
Object type: plaquette
Date: 1895 – 1895
Materials: bronze
Artist: anton scharff
Artist role: artist
Artist nationality: austrian
Artist dates: 1845 – 1903
Subjects: men,portraits
Lyre Clock
Object type: lyre clock
Date: 1822 – 1828
Materials: gesso, gilt, wood
Culture: american
Location: united states
Artist: john sawin
Artist role: maker
Artist dates: 1801 – 1863
Subjects: eagles,lyres
Gezicht op het Entrepotdok te Amsterdam
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: petrus josephus lutgers
Artist role: draughtsman, print maker
Artist dates: 1808 – 1874
Subjects: dry-dock, floating-dock - cc - more than one ship, canals, waters (in city), bridge in city across river, canal, etc., merchant shipping, shipping trade
Inscriptions: : ‘Gedeponeerd.’, collector's mark: ‘41-56’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Entrepot.
Tubaspeler op een zolderkamer
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: etching, intaglio
Artist: romain looymans
Artist role: print maker
Artist dates: 1864 – 1914
Subjects: attic, loft, horn, trumpet, cornet, trombone, tuba
Inscriptions: collector's mark: Lugt 2228, annotation: ‘3me état’
Ottomaanse veldheer
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: Anonymous
Subjects: asiatic races and peoples: turks, head-gear: turban, the soldier; the soldier's life

Een Ottomaanse veldheer, zittend naar links, in de handen een kromzwaard en een scepter, op het hoofd een tulband. Onderdeel van het modelboek Enchiridion artis pingendi, fingendi & sculpendi met 108 figuren bedoeld voor beginnende schilders, beeldhouwers en prentmakers.
Clothes-Exchange, Houndsditch, No. 2
Object type: print
Date: 1887 – 1887
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Kind wordt verzorgd
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching, letterpress printing
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: cradle, crib, the new-born child
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Onderaan een zesregelig vers. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Bowl with incised floral patterns and ornamental borders
Object type: bowl
Date: 1700 – 1799
Materials: glaze, stoneware
Techniques: engraving, firing, turning, vitrification
Location: korea
Artist: Anonymous

The inside of this bowl was decorated with stamped and carved motifs, which were then filled with white slip. A layer of white slip was brushed over the outer surface of the bowl. This type of stoneware was produced in large quantities and was an affordable imitation of the more precious white porcelain. The appearance was less smooth and refined, but more natural.
Housecoat with Waistcoat
Object type: huisjas
Date: 1740 – 1770
Materials: textile
Location: haarlem
Artist: Anonymous

The pattern of this chintz is a mix of European stylistic elements from different periods in the 18th century, based on so-called lace-patterned silks. This robe and matching waistcoat were probably made in the Netherlands. The material used to line the robe of sewn, striped silk may have been woven in Haarlem.
Decorative paneling from the Palace of Westminster
Object type: panel
Date: 1845 – 1859
Materials: wood
Artist: augustus welby northmore pugin
Artist role: designer
Artist nationality: british
Artist dates: 1812 – 1852

These decorative oak panels exemplify the designs of A.W.N Pugin, who was the leading exponent of the Gothic Revival style in England. Pugin’s work is central to the transformation in British design that began in the mid-nineteenth century. He admired what he saw as the honesty and purity of medieval art, and deplored the meaningless repetition of historical motifs. Pugin coined the phrase “Brumagen Gothic,” referring to “those inexhaustible mines of bad taste, Birmingham.” The carved oak panels for the Palace of Westminster were made for both the House of Lords and House of Commons and are just one component of a larger, Pugin-designed interior program, including brasswork (grill panels, large doors, candelabra and other light fixtures, hardware, and gallery railings), stained glass, tiles, and furniture. These panels are executed in Pugin’s interpretation of the Gothic Revival and feature several different patterns inspired by medieval tracery and linen fold patterns.
Pouch
Object type: pouch
Date: 1830 – 1860
Materials: glass, linen
Culture: american
Rivier in Suriname
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: landscapes in tropical and sub-tropical regions, suriname

Rivier in het binnenland van Suriname. Foto met hoekjes bevestigd op een bladzijde van een albumblad in het fotoalbum over de familie Jetten en het leven en werken in de mijnstad Moengo in Suriname rond 1927.
Gezicht op de Westerhal te Amsterdam
Object type: book illustration
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), market, market-hall, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. 2e druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe A. van Aaltwyk en Hermanus Uytwerf, 1726.

In tegenstelling tot de meeste prenten uit deze publicatie komt deze prent niet in huidige of eerdere staat voor in de uitgaves van 1693 en 1694.

Voor latere staat van prent (nummering rechtsboven zichtbaar verwijderd) zie RP-P-AO-25-48-2.
Portret van Thomas Ernsthuys
Object type: print
Date: 1684 – 1690
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: abraham bloteling
Artist role: draughtsman, print maker, publisher
Artist dates: 1640 – 1690
Subjects: guinea
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Thomas Ernsthuis / Directeur Van Guinea’

Portret van Thomas Ernsthuys, directeur-generaal van de West-Indische Compagnie, ter gelegenheid van zijn overlijden. Hij heeft in de rechterhand een staf.
A Forest Interior, with a Seated Figure
Object type: drawing and watercolor
Materials: chalk, crayon, ink, paper, watercolor
Techniques: brush, pen, wash
Location: netherlands
Artist: herman saftleven
Artist role: artist
Artist nationality: dutch
Artist dates: 1609 – 1685
Inscriptions: Signed, lower right: "HSL; inscribed verso, lower margin, in brown ink: "13" (upside down)

In this charming landscape study, a seated figure appears nestled among tree roots at the bend in a stream or river. The water’s gentle course seems in harmony with the irregularly formed trees and their fluttering leaves. Black chalk lines anchor the structure of the landscape elements while the varied application of brown wash in different densities contributes the more atmospheric qualities of light and moving air. Saftleven was born into a family of artists, and his penchant for landscape subjects may have been formed by his travels along the Rhine and Moselle Rivers.
View: Enjoying the Evening Breeze at the Ryogoku Bridge
Object type: print
Date: 1811 – 1811
Materials: paper
Techniques: woodcut, nishiki e
Artist: utagawa toyokuni (i)
Artist role: print maker
Artist dates: 1769 – 1825
Subjects: rowing-boat, canoe, etc., bridge, festivities

At his death Breitner owned a collection of 45 Japanese prints, including this quintych. In the catalogue of his estate the work is described as ‘A Japanese print, representing a water festival.’ It is not known where he bought the prints, but there were plenty of possibilities. For instance, in 1894 an exhibition of Japanese prints was held at Arti et Amicitiae, the artists’ association of which Breitner was an active member.
Vase decorated with lotus flowers
Object type: vase
Date: 1734 – 1766
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: flowers,leaves
Fundaties molenstation gezien vanaf den kalkoven. (October 1926.)
Object type: photograph
Date: 1910 – 1926
Materials: photographic support
Techniques: gelatin silver print
Location: east java
Artist: Anonymous
Subjects: colonial system, trade-company, industrial structures, (non-fruit) products of plants or trees: sugarcane, laying the foundations; trench
Inscriptions: inscription: ‘Fundaties molenstation gezien vanaf den kalkoven. (October 1926.)’

Zicht op de funderingen voor het molenstation voor de fabriek, oktober 1926. Onderdeel van het fotoalbum met foto's van de opbouw van de suikerfabriek te Goenoengsari op Oost-Java door de Handels Vereniging Amsterdam 1926-1927.
Portret van een onbekende man
Object type: print
Date: 1835 – 1862
Materials: paper
Techniques: lithograph
Location: mainz
Subjects: historical persons not known by name
Inscriptions: collector's mark: Lugt 2228

Portret van een verder onbekende man, met handtekening in facsimile waarin de naam Andriani te lezen is.
Verschillende kampementen
Object type: print
Date: 1632 – 1679
Materials: paper
Techniques: etching
Location: antwerp
Subjects: giving food, tent-camp, the soldier; the soldier's life, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 240

Figuren bij een tent voor een boerderij waar voedsel wordt verkocht. Op de voorgrond een groep rustende figuren en een hond.
België, stijlkamer in een museum
Object type: cabinet photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: interior of the house, belgium
Coin
Object type: coin
Date: 1201 – 1400
Materials: copper
Location: iran

This coin was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Work table
Object type: work table
Date: 1767 – 1800
Materials: shell, wood
Techniques: veneering
De ster van de koningen, 1636
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: a theodore (braham?)
Artist role: print maker
Subjects: twelfth night, usually falling on the eve of january 6
Inscriptions: collector's mark: Lugt 240

Zingend gezelschap verzameld rond een groep kinderen op straat met de ster op Driekoningenavond, de avond vóór 6 januari. In het onderschrift een vers in 3 keer 2 regels.
October
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Little Sandpiper, from the Game Birds series (N40) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Game Birds" series (N40), issued in 1888-90 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N40 reproduces the cards from N13 in a larger size.
Bijeenkomst van een groep Surinamers
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: crowd, mob, suriname

Bijeenkomst van een groep Surinamers met vlaggen voor een huis. Foto met hoekjes bevestigd op een bladzijde van een albumblad in het fotoalbum over de familie Jetten en het leven en werken in de mijnstad Moengo in Suriname rond 1927.
Scarab Inscribed Daughter of Re, with Winged Maat
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs
Achilles en de dochters van Lycomedes
Object type: print
Date: 1636 – 1679
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: achilles discovered among the daughters of lycomedes, i.e. achilles on scyros: when presents are brought achilles snatches up the weapons and thus betrays his identity
Inscriptions: collector's mark: Lugt 240

De dochters van Lycomedes zitten gebogen over een mand met juwelen terwijl Achilles, vermomd als vrouw, zijn zwaard trekt. Achilles wordt door twee mannen gegrepen, aan zijn voeten zijn schild en een speer. In de marge een zesregelig onderschrift, in twee kolommen, in het Latijn.
Netsuke of Bale of Rice; Inside are Daikoku and Fukurukujin, Wrestling
Object type: netsuke
Date: 1701 – 1900
Materials: wood
Culture: japanese
Subjects: men
Gezicht op de overdekte sluis bij de IJsselpoort in IJsselstein
Object type: drawing
Date: 1700 – 1799
Materials: ink, paper
Techniques: brush, drawing, pen
Artist: Anonymous
Subjects: sluice, weir, city-gate
Parasol met dek van écrukleurig linnen met borduurwerk op een stok van licht hout met knop in de vorm van een vogelkop
Object type: parasol
Date: 1905 – 1910
Materials: linen, silk, wood
Techniques: braiding, cutting, embroidered, weave
Location: netherlands
Artist: Anonymous

Parasol met een dek van écrukleurig linnen met borduurwerk. De stof heeft een geschulpte rand met koordzijden gecordonneerde kleinere schulpen en Henri-II-werk. Op iedere sector is van vloszijde een los gearrangeerd boeket van tulpen geborduurd. Ongevoerd, acht baleinen. Op een licht houten stok met omgebogen uiteinde in de vorm van een vogelkop. Een koord hangt aan de stok met twee kwasten in beige en groen.
A Liliputian Ridotto!, Borders for Rooms & Halls, Plate 11
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,caricature

Three strips arranged horizontally with various scenes.
Column Base
Object type: column base
Date: 1267 – 1333
Materials: stone
Culture: french
Location: france
Clivia ducatus et Ravestein dominium
Object type: map
Date: 1630 – 1680
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228

Linksboven het wapen van het hertogdom Kleef.
O.L. Vrouw van Handel - 1220
Object type: photomechanical print
Date: 1913 – 1950
Materials: cardboard
Techniques: photograph, lithograph
Location: helmond
Artist: Anonymous
Subjects: monument, statue
Portret van Bartholomeus Breenbergh
Object type: print
Date: 1735 – 1805
Materials: paper
Techniques: engraving, etching
Subjects: deventer, amsterdam, print maker, draughtsman, bartholomeus breenbergh, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Suijin Shrine and Massaki on the Sumida River (Sumidagawa Suijin no mori Massaki), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1856 – 1856
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: landscapes
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, on the left, part of a knobby stick, on the right, unidentified subject
Landschap met herders en vee
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: landscapes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., herd, flock
Inscriptions: collector's mark: Lugt 240
Narasimha (de man-leeuw incarnatie van Vishnu)
Object type: indian miniature
Date: 1790 – 1810
Materials: paper
Techniques: brush
Location: murshidabad
Artist: Anonymous
Inscriptions: inscription: ‘.’

Voor de ingang van een paleis zit Vishnu in zijn incarnatie (avatara) als man-leeuw met een man over zijn schoot waarvan hij de ingewanden opengelegd heeft; voor hem een eerbiedige man (de prins Prahlada) met gevouwen handen. Rondom de voorstelling een smalle oranje en een smalle gouden rand.
Venetian fishing boat
Object type: drawing
Materials: watercolor
Artist: félix-françois-georges-philibert ziem
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1911
Subjects: boats
Negen wapens van raden in de vroedschap van Rotterdam, rechtsboven het wapen van Hugo Cornets de Groot
Object type: album leaf
Materials: paper
Techniques: colour, etching
Artist: Anonymous
Subjects: rotterdam, coat of arms (as symbol of the state, etc.)

Negen voorstellingen op een albumblad. Het betreft negen wapen van raden in de vroedschap van Rotterdam. De prenten zijn onderdeel van de kaart van Rotterdam door Johannes de Vouw en maken deel uit van een album.
Bowl
Object type: bowl
Date: 1662 – 1722
Materials: jade
Culture: chinese
Burcht Rheinstein, Duitsland
Object type: stereograph
Date: 1851 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: trechtingshausen
Artist: Anonymous
Subjects: castle, river, landscape with tower or castle
Il Monte. Opera Nova di Recami, page 9 (verso)
Object type: book print ornament architecture
Date: 1557 – 1557
Techniques: woodcut
Location: italy
Artist: giovanni antonio bindoni
Artist role: designer
Artist nationality: italian
Artist dates: 1500 – 1650
Subjects: cornucopia,flowers

Designed by Giovanni Antonio Bindoni, published by Giovanni & Marchio Sessa, Venice, bound by Chambolle-Duru, French, 19th century. From top to bottom, and left to right: Design composed of 2 vertical columns. Left column is decorated with 3 flowers; each is connected to a vine resembling a cornucopia element. Right column is decorated with an interlace pattern formed out of vine with leaves that creates 2 heart shapes in the center.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 410 – 400
Materials: terracotta
Culture: greek, attic

Interior, head and part of upper torso of a bearded male holding a sword in his right hand, with his himation draped over his left shoulder; Exterior, part of the ground line
Altaardwaal of handdwaal van linnendamast
Object type: altaardwaal
Date: 1500 – 1600
Materials: linen, wool
Techniques: damask, weave
Location: italy
Subjects: sint odiliënberg

Altaardwaal of handdwaal van linnendamast. De dwaal heeft ingeweven of doorgestopte randen van donkerblauwe wol, in geometrische patronen.
Card Number 51, Annie Robe, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Toneelspeelsters
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: paris
Artist: paul gavarni
Artist role: draughtsman, print maker
Artist dates: 1804 – 1866
Subjects: behind the stage, actress (on the stage), stage costume - cc - female
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: La Caricature, 4 juli 1841, en voor: Le Charivari, 13 april 1843.
Aanlegsteiger bij Honfleur
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: etching
Location: honfleur
Subjects: harbour, ships (in general)
Inscriptions: collector's mark: Lugt 2228a

Een steiger in de haven van Honfleur, waaromheen drie zeilschepen liggen. Rechts op de achtergrond een vuurtoren, links een aantal huizen.
Benedictus quartus
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: rome, pope
Inscriptions: inscription: ‘88’

Een bloemkelk met een paus. Hij draagt een tiara en heeft een opengeslagen boek en een staf met een dubbel kruis in zijn handen. De voorstelling is onderdeel van de opeenvolging pausen in de Liber Chronicarum. De tekst identificeert de man als Benedictus IV. De prent maakt deel uit van een album.
Gezicht op de Landpoort te Vianen
Object type: drawing
Date: 1750 – 1800
Materials: ink, paper
Techniques: brush, pen
Subjects: city-gate

Landpoort te Vianen, met op de voorgrond "Het Goedkoopje".
Little Brave, North American Chief, from the Savage and Semi-Barbarous Chiefs and Rulers series (N189) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: men,portraits

Trade cards from the "Savage and Semi-Barbarous Chiefs and Rulers" series (N189), issued in an unnumbered set of 50 cards in 1888 by Wm. S. Kimball & Co.
Groep soldaten te paard
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: etching, intaglio
Artist: eléonore vial
Artist role: print maker
Subjects: riding a horse, ass, or mule; rider, horseman, battle, the soldier; the soldier's life
Inscriptions: inscription: ‘1892’, collector's mark: Lugt 2228