deem-data/ArtiFact huggingface dataset:
Joh. Leonhard Hug
Object type: print
Date: 1818 – 1880
Materials: paper
Techniques: lithograph
Location: freiburg
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Hervatting van de bouw van de Dom te Keulen 1842
Object type: history medal
Date: 1840 – 1840
Materials: tin
Techniques: striking

Tinnen penning, op de voorzijde de voltooide Dom met dubbel omschrift en afsnedetekst, op de keerzijde de Dom in aanbouw met dubbel omschrift en afsnedetekst.
Vision of a Pope
Object type: drawing and watercolor
Materials: chalk, gouache, ink, paper, lead, paint, pigment, watercolor
Techniques: brush, heightening, pen, drawing, wash
Location: italy
Artist: possibly francesco campora
Artist nationality: italian
Artist dates: 1693 – 1763
Bowl
Object type: bowl
Date: 1301 – 1400
Materials: earthenware
Techniques: glazing
Location: iran
Sacred animal mummy of an ibis
Object type: mummy, ibis
Date: 400 – 100
Materials: linen
Techniques: dyeing
Location: egypt
Subjects: animals,mummies

Animal cults The Egyptians considered certain individual animals to be living manifestations of a god, such as, since earliest times, the Apis bull. Those individuals were duly mummified when they died and buried for eternal life, then replaced by another single living manifestation. During the first millennium B.C., many multiples of animals associated with certain gods were specially raised in temple precincts as simultaneous avatars of that god and then mummified in large contingents and deposited in catacombs for eternal life. The ancient perception of these multiples, the evolution of the practice in this direction, and variations within the practice are not easily accessible to us. But the hundreds of thousands of often elaborately prepared animal mummies found in catacombs and other locales testify to its ancient resonance. Animal mummies Research on animal mummies has shown that the majority of mummies found at the large animal cemetery sites are pre-adults who were purposely killed for use. Some of the mummies are actually ‘substitute’ mummies containing only a few bones or feathers or possibly just sticks or sand. This ibis mummy was found at Abydos in the same area as 13.186.4a-c. Recently a review of the museum's animal mummies and their x-rays was conducted in consultation with an expert in their study, and brought to light a number of interesting points. In this particular case the wrappings have a black linear emphasis created with dark-dyed linen; inside the wrappings is a well-preserved ibis mummy.
Page from the Münster Chronick
Object type: print
Date: 1544 – 1544
Techniques: hand coloring, letterpress, woodcut
Artist: anonymous, german, 16th century
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1600

This hand colored woodcut was once part of a copy of Cosmographia, a book on geography and astronomy by the German scholar Sebastian Münster (1488-1552). This publication was the earliest German description of the world and a major work in the revival of geographic thought in sixteenth-century Europe. It first appeared in print in 1544 and went through forty subsequent editions. The Cosmographia included descriptions and maps of all parts of the earth known to Europeans at that time, and was accompanied by a discourse on cosmography. Texts were illustrated by intricate diagrams, such as the one depicted here, which could be used as tools to track the movements of the planets and stars, as well as to do specific calculations and measurements on distance or time. This diagram from a French-language edition of the book was used to measure the length of days. The main circle symbolizes the earth, with its upper half lit by the sun and the lower half covered in darkness. The vertical line dividing the circle indicates the zenith, the highest point of the sun in the sky. To its left, six zodiacal signs, associated with the spring and summer months are represented. Parallel lines connect these signs with their counterparts, representative of autumn and winter. The lower right quarter of the earth is centrally divided by a line that indicates the equinox, the moment in spring when the sun moves north across the celestial equator. It symbolizes the end of winter, as the days will start to get longer. The same happens in autumn, when around September 22nd, the sun again crosses the equator going south, and we are on our way to the winter solstice; the longest night. Münster’s book was published at a time in which the astronomical sciences knew rapid development. Contemporary scholarship harked back to on the theories of the Greek astrologer Ptolomy, which were based on the principle of a geocentric planetary system, in which the earth formed the center of the universe. In 1543, just before Münster’s Cosmographia was published, Nicolas Copernicus (1473-1543) wrote his revolutionary De revolutionibus orbium coelestium, arguing that not the earth but the sun was the center of all things. It would take a long time before his idea of the heliocentric system would be widely accepted. Therefore, when Münster’s book appeared, the geocentric idea were still considered valid, and nothing prevented his publication from becoming a great success.
Veerhaven
Object type: page
Date: 1902 – 1907
Materials: paper
Techniques: photograph
Location: rotterdam
Artist: Anonymous
Subjects: harbour
Candlestick
Object type: candlestick
Date: 1501 – 1600
Materials: iron
Portret van een vrouw met hoed en haarnet
Object type: photograph
Date: 1874 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Location: batavia
Subjects: historical persons - bb - woman, head-gear: hat
Inscriptions: date: ‘2 Maart 1874’, inscription: ‘Atelier/ Petz & Co./ JAVA/ Batavia./ Portretten in elke grootte & genre./ Nabestellingen worden zelfs na/ verloop van jaren geeffectueerd.’
Brougham #3731
Object type: drawing
Date: 1881 – 1881
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Hoepelrokken
Object type: popular print
Date: 1840 – 1879
Materials: paint, paper
Techniques: hand coloring, lithograph
Location: metz
Subjects: skirt (crinoline skirt) (+ women's clothes)
Inscriptions: collector's mark: Lugt 1641, stamp, : ‘Déposé’

Volksprent met alle voor- en nadelen van de hoepelrok of crinoline. De rokken van vrouwen hadden een wijde omtrek wat voor veel onhandigheden zorgde. Maar er wordt ook een tuinman afgebeeld die de pompoenen afschermt met een crinoline. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De crinolinetijd.
Tristram Shandy en Maria
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: berlin
Subjects: london, clergyman, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, literary characters and objects, goat
Inscriptions: collector's mark: Lugt 240

Twaalfde prent uit de serie 'XII Kupfer zu den Leben und Meynungen Tristram Shandy's' gedrukt op kosten van de Berlijnse boekhandelaar Christian Friedrich Himburg in 1778. De illustraties volgen een eerder verschenen tekstuitgave: [Stern, Laurence]. Tristram Schandis Leben und Meynungen [uit het Duits vertaald door] Johann Joachim Christoph Bode. 9 dln. Hamburg: Carl Ernst Bohn te Hamburg, 1776.
Patio de Las Muñecas au Palais de l'Alcazar a Séville
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: royal palace of seville
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: arch, archivolt ~ architecture, courtyard
Inscriptions: number: ‘2488.’
Vestingplattegrond van Mantua
Object type: area plan
Date: 1700 – 1730
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: maps, atlases, fortified city
Inscriptions: collector's mark: Lugt 2228
Portrait of Alphonse Karr
Object type: print
Date: 1878 – 1878
Techniques: drypoint
Location: france
Artist: marcellin desboutin
Artist role: artist
Artist nationality: french
Artist dates: 1823 – 1902
Subjects: men,portraits
Portret van Frans II van Saksen-Lauenburg
Object type: print
Date: 1581 – 1619
Materials: chalk, paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: armour, historical persons, crowning with laurel, armorial bearing, heraldry

Portret in medaillon met rondom verschillende figuren, tekst en wapens. Met zesregelig onderschrift in het Latijn.
Strook kloskant met s-ranken
Object type: strip
Date: 1875 – 1899
Materials: linen
Techniques: lace
Location: netherlands
Artist: Anonymous

Strook naturelkleurige kloskant: duchesse-kant. Op een vlechtengrond staat een lopend patroon. S-ranken met een drietal madeliefjes en een randje van campanes vormen de schulpen en eindigen in een voluut met enkelvoudig roosje.
Portret van een vrouw
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: friedrich carel hisgen
Artist role: fotograaf
Artist dates: 1846 – 1912
Subjects: adult woman, historical persons
The Count from the Dance of Death
Object type: print
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: shields,daggers,skeletons,men,death

A count dressed in armor retreats to the right in an attempt to evade Death who has already grabbed his shield. The side borderlines are not complete.
Ring, Rectanglular Bezel with Glass
Object type: ring
Date: 701 – 1200
Materials: gold
Techniques: casting
Culture: indonesian, central java
Dress
Object type: dress
Date: 1880 – 1880
Materials: silk
Culture: american
Man die een houten schijf bewerkt
Object type: photomechanical print
Date: 1922 – 1932
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: printing, printing office
Inscriptions: number: ‘Fig. 249.’
Kneeling Priest
Object type: figure
Date: 1701 – 1800
Materials: clay
Techniques: polychrome
Culture: korean
Subjects: men
Bierpul met optisch geblazen verticale ribben
Object type: stave tankard
Date: 1600 – 1700
Materials: glass
Techniques: façon de venise, glassblowing
Location: low countries
Artist: Anonymous

Tankard. Netherlands, façon de Venise, c. 1600-1700.
Vrouw met gesloten ogen
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman, child, eyes closed

Ze steunt op haar armen. Verder twee kinderhoofden. Blad 12 verso uit schetsboek XIII met 25 bladen.
Portret van Abraham Valentijn
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Subjects: kapitein, abraham valentijn
Inscriptions: collector's mark: Lugt 2228
The Man of Sorrows
Object type: plaque
Date: 1376 – 1400
Materials: enamel, gilt copper
Techniques: enamel
Culture: italian
Subjects: christ

A monk and a hooded figure, his back bared so that he can whip himself in penitence, kneel before a dreamlike vision of Jesus rising from his tomb. This plaque, with an inscription naming the society of Saint Dominic, was probably intended for private prayer by a member of a Dominican brotherhood. Focus on the crucified Christ and his suffering was widespread in the 1300s. Pope John XXII (reigned 1316–34) declared that the Imago pietatis should be evoked during the celebration of the Mass. Pope Innocent VI (reigned 1352–62) affirmed that devotion to the Instruments of the Passion would reduce punishment for sin after death; seen here are the vinegar-soaked sponge that was offered to Jesus on the cross and the lance that pierced his side.
Portret van Christian Friedrich Pfeffel von Kriegelstein
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: etching
Location: nuremberg
Artist: johann carl bock
Artist role: print maker
Artist dates: 1757 – 1843
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228
Landscape at Famars
Object type: drawing
Date: 1863 – 1863
Materials: graphite, watercolor, paper
Artist: henri-joseph harpignies
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1916
Subjects: landscapes
Gezicht op Wateringen
Object type: print
Date: 1643 – 1677
Materials: paper
Techniques: etching
Location: amsterdam
Artist: roelant roghman
Artist role: draughtsman, painter, print maker
Artist dates: 1627 – 1692
Subjects: prospect of village, silhouette of village, river, church (exterior), rowing-boat, canoe, etc., fisherman
Inscriptions: collector's mark: Lugt 2228a

Gezicht vanaf het water op het dorp Wateringen en een kerk. Rechts een bospad met enkele passanten en een visser aan de waterkant. Op het water twee boten en op de achtergrond een brug. Rechtsonder genummerd: 1.
Ronde schalen
Object type: album leaf
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: paris
Subjects: hoofed animals: deer, birds, dish, plate, saucer, eels: eel
Inscriptions: number: ‘5.e Cah.er’

Ontwerpen voor vier platte ronde schalen of borden, met onder meer vogels, herten, vissen en palingen. Prent maakt deel uit van een album.
Gezicht op Innisfallen Island
Object type: photograph
Date: 1861 – 1871
Materials: photographic support
Techniques: albumen print
Location: innisfallen
Artist: Anonymous
Subjects: island
Man met hoed
Object type: sketchbook leaf
Date: 1886 – 1923
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult man
Inscriptions: kleurnotitie, handgeschreven

Pagina 28 uit een schetsboek met 17 bladen.
Flag
Object type: flag
Materials: linen
Location: indonesian archipelago
Artist: Anonymous
Subjects: flag, colours (as symbol of the state, etc.)

Deze en MC-1125-A en C werden door het schroefstoomschip Reteh (6 stukken, oorspronkelijk de Sprinkhaan, lang 43 m, gebouwd te Amsterdam in 1858-1860, niet meer vernoemd vanaf 1872) veroverd op piraten die zich verschanst hadden op een eilandje in de baai van Lobo. Het eiland is Jolly-eiland genoemd, naar Ltz. H.L. Jolly die bij deze actie het leven verloor.
Jimmy Carney, Pugilist, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,boxing,athletes

Trade cards from "World's Champions," Series 1 (N28), issued in 1887 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Pierre Chareau. Canapés
Object type: photograph
Date: 1924 – 1924
Materials: paper
Techniques: photograph, lithograph
Artist: Anonymous
Subjects: france
Rij gebouwen en een gevel
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: chalk, paper
Location: south holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, façade (of house or building)

Rij gebouwen en een gevel. Pagina 21 uit een schetsboek met 43 bladen.
Verscheyde aerdige lantschappen (...)
Object type: titelprent, frontispice
Date: 1643 – 1679
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: cow, landscapes, rural housing, e.g. country-house, villa, cottage, spindle, drapery, draped garment, 'gewandgebung'
Inscriptions: collector's mark: Lugt 240

Voor een gebouw op een wal zit een spinster bij enkele koeien.
Self-portrait in a Cap and Scarf
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: leiden, amsterdam, painter, print maker, rembrandt van rijn
Inscriptions: collector's mark: Lugt 240, signature and date: ‘Rembrandt f. 1633’

After Rembrandt painted a highly unusual self-portrait with his face in shadow around 1628 (elsewhere in this gallery), he tried out the same approach in his etchings. This proved to be no easy task. Initially the details in shadow could hardly be recognized. He succeeded only with a renewed attempt in 1633 (middle).
Kylix Fragment
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic
Artist: painter of berlin 2268
Artist role: artist
Subjects: human figures

Interior, youth; exterior, fight.
Het oolijke dwergenspel
Object type: gameboard
Date: 1887 – 1891
Materials: paper
Techniques: lithograph, letterpress printing
Location: amsterdam
Artist: s. warendorf (ii)
Artist role: publisher
Subjects: board-games of chance, board-games
Inscriptions: collector's mark: Lugt 2760

Bordspel met in het midden een tiental dwergen met groot het getal zeven op een zak met goudstukken. Daaromheen de cijfers 2-12 en allerlei bezige dwergen. Midden boven de titel op een spandoek dat gedragen wordt door drie dwergen. Midden onder de spelregels.
Standing Avalokiteshvara
Object type: figure
Date: 901 – 1100
Materials: bronze
Culture: indonesian, sumatran
Subjects: buddhism,avalokiteshvara,bodhisattvas
Vase
Object type: vase
Date: 1860 – 1860
Materials: porcelain
Culture: japanese
Subjects: trees
Fragment
Object type: textile
Materials: textile
Techniques: slit, tapestry
Location: peru
Plattegronden van preekstoelen
Object type: ornament print
Date: 1740 – 1745
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: pulpit, ambo, chancel, architectural design or model

Plattegronden van vier preekstoelen. Uitgeversnummer 166.
Compartmented Stirrup Spout Jar
Object type: bottle
Date: 1101 – 1500
Materials: ceramic
Culture: chimú
Location: peru
Vingerdoek van linnendamast
Object type: vingerdoek
Date: 1900 – 1900
Materials: linen
Techniques: damask, weave
Location: germany
Artist: Anonymous
Inscriptions: monogram: ‘P’

Vingerdoek van linnendamast met rode ingeweven randen. Het patroon heeft sterren (of bloemen) en moesjes. De dubbele randen hebben sterren (of bloemen) en bladeren, geflankeerd door smalle randen met moesjes. In een hoek een in wit geborduurde letter P. De vingerdoek hoort bij elf vingerdoeken (BK-1980-164-A t/m BK-1980-164-L) en een tafellaken (BK-1980-163).
Gezicht op de Kleine Scheidegg en de Jungfrau
Object type: album leaf
Date: 1896 – 1897
Materials: paper
Techniques: photograph
Location: zurich
Artist: Anonymous
Subjects: mountain-range, snow peaks
Inscriptions: inscription: ‘Edit: Schröder & Co. Zürich./ No. 250 Petite Scheidegg (Jungfrau)’

Deze prent maakt deel uit van een album.
Portret van een onbekende man
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons
Mandemakersgilde van Amsterdam, gildepenning van Jan Burgers
Object type: medal
Date: 1642 – 1642
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: opschrift. Keerzijde: twee letters M boven letter G
Schild gedecoreerd met reliëf voorstellingen van allegorieën op de glorie, de roem, de kracht en voorzichtigheid
Object type: photomechanical print
Date: 1870 – 1870
Materials: paper
Techniques: woodburytype
Location: paris
Subjects: protective weapons: shield
Inscriptions: name: ‘De Goupil & Cie Imp. Photoglytique Paris’

Volgens de beschrijving is het schild gesigneerd met: Georgius de Ghisys, Mantuanu, FA, MDLIIII.
Voorportaal van een gebouw
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: chalk, paper
Location: turkey
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: standing figure, sitting figure, flight of steps, column, pillar ~ architecture, arch, archivolt ~ architecture, architecture
Inscriptions: kleurnotitie, handgeschreven

Bij het portaal staan en zitten enkele figuren. Pagina 45 uit een schetsboek met 53 bladen.
Portret van Sophia Hedwig van Brunswijk-Wolfenbüttel
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: engraving
Location: delft
Subjects: sophia hedwig van brunswijk-wolfenbüttel
Inscriptions: collector's mark: Lugt 2228

Portret van Sophia Hedwig van Brunswijk-Wolfenbüttel, borststuk met kanten kraag en parelsnoeren. In ovale omlijsting met motto, Latijns opschrift in vier regels in ondermarge.
Putto Seated Beside Drapery, Reaching Upwards
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: heightening
Location: france
Artist: style of etienne parrocel
Fotoreproductie van een tekening, voorstellende professor Jacobson en aartsdiaken Clerke
Object type: reproduction
Date: 1855 – 1866
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: political campaign, deacon (roman catholic)
Jar
Object type: jar
Date: 2600 – 2300
Materials: earthenware
Techniques: painting
Culture: chinese
Gezicht op de Dom van Keulen
Object type: album leaf
Date: 1897 – 1897
Materials: cardboard, photographic support
Techniques: albumen print
Location: cologne
Artist: Anonymous
Subjects: parts of church exterior and annexes: portal
Inscriptions: annotation: ‘Cologne Cathedral 1897’
Fleurs dessinées d'après nature (...)
Object type: ornament print
Date: 1799 – 1801
Materials: paper
Techniques: engraving
Location: paris
Subjects: flowers
Inscriptions: collector's mark: Lugt 2228

De serie Fleurs dessinées d'après nature (...) bestaat uit 24 prenten verdeeld over zes omslagen. Het Rijksprentenkabinet heeft 23 prenten in zes omslagen in bezit. De verdeling over de omslagen lijkt willekeurig. Zie RP-P-1909-4220 t/m 4242 en RP-P-2016-53 t/m 58.
Mirror cover
Object type: mirror with cover
Date: 31 – 330
Materials: bronze
Culture: roman, cypriot
Fragment of a Tunic
Object type: tunic fragment
Date: 601 – 700
Materials: linen, wool
Location: egypt