deem-data/ArtiFact huggingface dataset:
Le Duché de Gveldres
Object type: map
Date: 1700 – 1702
Materials: paper
Techniques: engraving, etching, hand coloring, lacquer
Location: northern netherlands
Subjects: maps of separate countries or regions, guelders

Kaart van het hertogdom Gelre, linksboven bij de cartouche met de titel een kindje als soldaat met zwaard en schild met het wapen van Gelre. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Rubbens
Object type: print
Date: 1778 – 1827
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: antwerp, painter, print maker, draughtsman, peter paul rubens
Masataka, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Terracotta fragment of a bell-krater (bowl for mixing wine and water)?
Object type: bell krater fragment
Date: 450 – 440
Materials: terracotta
Culture: greek, attic

Beneath the rim, part of band of laurel?
Fotoreproductie van Blossom and Decay
Object type: photograph
Date: 1875 – 1875
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: boy (child between toddler and youth), girl (child between toddler and youth), death's head, skull (symbol of death)
Schetsen van kleine kinderen, moeder met kind en een kat
Object type: drawing
Date: 1836 – 1896
Materials: chalk, paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: interior of the house, tot, toddler ~ the ages of man
Campagne du Vice-amiral Cte d'Estaing
Object type: drawing
Date: 1778 – 1778
Materials: ink
Techniques: brush, pen, wash
Artist: pierre ozanne
Artist role: artist
Artist nationality: french
Artist dates: 1737 – 1813
Subjects: ships
Incense Burner
Object type: incense burner
Date: 1620 – 1620
Materials: clay, glaze
Culture: japanese
Saint Catherine of Alexandria
Object type: painting
Date: 1636 – 1654
Materials: canvas, oil
Artist: bernardo cavallino
Artist role: artist
Artist nationality: italian
Artist dates: 1616 – 1656
Subjects: women,saint catherine

Saint Catherine, a fourth-century Christian martyr, is shown with the spiked wheel used to torture her. The sword and books are also traditional attributes of the saint. An artist of exceptional refinement and elegance, Bernardo Cavallino specialized in small-scale paintings and half-length compositions that owe much to the naturalistic style of Ribera and to the example of Venetian painting filtered through Rubens.
Autumn Meadows
Object type: painting
Date: 1912 – 1917
Materials: canvas, oil, wood
Culture: american
Artist: albert pinkham ryder
Artist role: former attribution
Artist nationality: american
Artist dates: 1847 – 1917
Subjects: horses,landscapes,trees
Design for a Frieze with Putto and Acanthus Scroll
Object type: drawing ornament architecture
Date: 1601 – 1700
Materials: ink
Techniques: pen, wash
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Chirurgijnsgilde te Amsterdam, gildepenning van Mr. Hendrick Smeeckes, chirurgijn
Object type: medal
Date: 1688 – 1688
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: Dood, afgebeeld als geraamte, met rechterarm op zandloper en met linkerelleboog leunend op altaar binnen bladerkrans. Keerzijde: opschrift
Nymegen.
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: parts of church exterior and annexes: portal, city-view in general; 'veduta', nijmegen
Inscriptions: collector's mark: Lugt 2228

Links aan de straat staat de Latijnse School met een facade in vroegrenaissance stijl. Op het plein lopen figuren en honden. In het midden is het Zuiderportaal van de Stevenskerk te zien. Deze prent maakt deel uit van een serie over Nijmegen.
Tea
Object type: print
Date: 1738 – 1745
Techniques: engraving, etching
Artist: gabriel huquier
Artist role: artist
Artist nationality: french
Artist dates: 1695 – 1772
Subjects: men,tea drinking
Double-page Illustration from Vol. 2 of "Picture Book of Spring Brocades (Ehon haru no nishiki)"
Object type: print
Date: 1771 – 1771
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Gezicht op een straat met een toren
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: street, tower (of house or building)

Gezicht op een straat met een toren, mogelijk een kerktoren. Blad 15 recto uit een schetsboek met 58 bladen.
John Rodgers D.D.
Object type: print
Materials: paper
Techniques: engraving, mezzotint
Location: united states
Artist: john sartain
Artist role: engraver
Artist nationality: american, born england
Artist dates: 1808 – 1897
Groepsportret van hooggeplaatsten aan het hof van Langkat
Object type: photograph
Date: 1919 – 1919
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult man, historical persons, ruler, sovereign, sumatra
Inscriptions: inscription: ‘Bild 4 erste Reihe Toengkoe Zainal Abidin, Toengkoe Adil. Sultan v. Langkat, Ass. Res. Roos van Raadshoven, Mahmoed, Sohn des Sultans, Sjaksa v. Tdj. Poera (...)’

Eerste rij: Toengkoe Zainal Abidin van Pangkalan Brandan, Toenkoe Adil van Bindjei, Sultan van Langkat, Assistent Resident Roos van Raadshoven, Mahmoed, zoon van sultan en Djaksa (procureur generaal) van Tanjongpoera, tweede rij: Dato van Besitan en onbekende Dato's. Deze foto maakt deel uit van een album.
Pendant Design with a Male Diety with a Shield Flanked by Two Reclining Men
Object type: print ornament architecture
Date: 1581 – 1581
Techniques: engraving
Artist: jan collaert i
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1530 – 1581
Subjects: pendants,male nudes

Vertical panel with a pendant design at center, with a male diety holding a shield to his right sight, and standing on an orb at center, surrounded by strapwork ornament and grotesques. To either side, two nude reclining male figures facing outwards towards dragon-headed grotesques. The ornament hangs from a ribbon and has three pearls descending from the bottom and left and right sides. Plate 2 from a set of ten plates with pendant designs, with deities and strapwork backgrounds. The first edition of the series was published in Antwerp by Philips Galle in 1581 and exists in two states; two later editions – the first published by Theodoor Galle after 1600 and the second by Johannes Galle after 1636 – were also produced in Antwerp. Jan Collaert I produced several series of plates with pendant designs, a practice continued by his son, Adriaen Collaert.
Rijtuig voor ijzerenweg / Voitures pour chemin de fer
Object type: print
Date: 1856 – 1900
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: diligence, omnibus, horse-tram, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, two-wheeled vehicle drawn by one animal
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van verschillende rijtuigen. Onder elke voorstelling een onderschrift in het Nederlands en in het Frans. Genummerd midden boven: n 43.
Chinese Poem Lamenting the Death of a Friend
Object type: hanging scroll
Date: 1801 – 1833
Materials: ink, paper
Culture: japanese
Artist: ryōkan taigu
Artist role: artist
Artist nationality: japanese
Artist dates: 1758 – 1831

This is one of the Chinese verses Ryōkan Taigu composed upon learning of the death of the Confucian scholar Tomitori Yukinori. In this poignant poem, Ryōkan recalls their joyful days together at a private Confucian school and pours out his profound sorrow upon hearing the news. Ryōkan inscribed the poem in a small standard script, with off-balance characters arrayed in tilted columns.
Portret van Johann Vultejus
Object type: print
Date: 1641 – 1668
Materials: paper
Techniques: engraving
Location: france
Subjects: official; civil servant; functionary (in general), historical persons, armorial bearing, heraldry

Rechtsonder handgeschreven genummerd: 13. Rechtsboven handgeschreven genummerd: 181.
Asahina (Kyogen), from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Netsuke of Obaga Saké
Object type: netsuke
Date: 1767 – 1800
Materials: ivory
Culture: japanese
Subjects: masks,men
Canal with a Boat and Ducks
Object type: drawing
Date: 1601 – 1700
Materials: ink
Techniques: brush, pen, wash
Artist: anthonie van borssom
Artist role: artist
Artist nationality: dutch
Artist dates: 1631 – 1677
Subjects: ducks,canals,trees,boats

In the tranquil waters of a canal framed by wildly vegetated banks, two little boats are moored near a shed—a record of the Dutch rural landscape. For Van Borssom, a prolific draftsman, painter, and printmaker, the local countryside formed a prime source of inspiration. The vigorous pen and ink lines with which foliage and shrubbery are rendered show the influence of Rembrandt’s renowned landscape etchings. The cool green and blue watercolors, typical of Van Borssom’s palette, complement the expressive penwork and reinforce the stillness of the scene.
Zondvloed
Object type: print
Date: 1706 – 1706
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the flood and destruction of mankind ~ story of noah (genesis 7:10 - 8:17)
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Schabaalje, Jean Philipsz. De vermeerderde lust-hof des gemoeds. Amsterdam: Jan Rieuwertsz. (II) en Barent Visscher, 1706, p. 120.
Button
Object type: button
Date: 701 – 1000
Materials: stone
Techniques: carving
Location: iran
Koe aan de rand van het water
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: etching
Artist: léon brunin
Artist role: print maker
Artist dates: 1861 – 1949
Subjects: cow
Inscriptions: collector's mark: Lugt 2228, annotation: ‘2e Etat’
Fortuna Pouring Out the Horn of Plenty Before Hercules
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: etching
Location: netherlands
Artist: jacques de gheyn iii
Artist role: artist
Artist nationality: dutch
Artist dates: 1596 – 1641
Inscriptions: Lettered upper center: "Vertu Mesure du Bon-Heur. IDG 1617"; and lower right: "Hh"
Wapen van Willem Eggert in de Nieuwe Kerk / Grafschrift van Willem Eggert Mede stichter der Nieuwe Kerk
Object type: drawing
Date: 1855 – 1855
Materials: paper, pencil
Techniques: drawing
Location: netherlands
Artist: Anonymous
Subjects: gravestone, tombstone, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Nieuwe Kerk van binnen.
Basin and ewer
Object type: dish
Date: 1649 – 1649
Materials: silver
Location: the hague
Artist: andries grill
Artist role: jeweler
Subjects: auricular ornament, lobe style ~ ornament
Inscriptions: mark

This basin and ewer were made for the Delft councillor Gerard Meerman. They are engraved with two escutcheons, one for Meerman and the other for his wife. However, only his shield is filled in. The celebrated Hague silversmith Grill executed the objects in a personal interpretation of the so-called Auricular style, placing emphasis on abstract linear forms.
Bedelaars
Object type: print
Date: 1632 – 1632
Materials: paper
Techniques: etching
Location: leiden
Artist: jan gillisz. van vliet
Artist role: draughtsman, painter, print maker
Artist dates: 1600 – 1668
Subjects: hurdy-gurdy player - cc - out of doors, beggar
Inscriptions: collector's mark: Lugt 240
Bijbelse scènes
Object type: print
Date: 1607 – 1607
Materials: paper
Techniques: etching
Location: vatican city
Subjects: the ten commandments (exodus 20:3-17)
Inscriptions: collector's mark: Lugt 2228

Mozes staat op een verhoging en toont de tafelen der wet aan het volk. Midden onder de verwijzing: Exo. 34. Genummerd rechtsonder: 39.
Zittend naakt
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving, intaglio
Location: vatican city
Artist: adamo scultori
Artist role: painter, print maker, sculptor
Artist dates: 1530 – 1585
Subjects: the (nude) human figure; 'corpo humano' (ripa), fruits: acorn
Inscriptions: collector's mark: Lugt 240

Naakte man zittend op een kussen, gedeeltelijk naar rechts gedraaid, met een guirlande van eikels. Eén van de 'ignudi' (naakte mannen) van Michelangelo's plafondschildering. Genummerd rechtsonder: 8.
The Holy Family with Joachim and Saint Anne
Object type: print
Date: 1511 – 1511
Materials: ink, paper
Techniques: printing, woodcut
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Boerin in een schuur komt de trap af
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: etching, intaglio
Subjects: barn, farmers - aa - female farmer, farmer's wife
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228
Sphacelaria scoparia
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Subjects: plants
Sardonyx ring stone
Object type: intaglio
Date: 100 – 300
Materials: gemstone
Culture: roman
Subjects: zeus

Zeus with scepter supporting a child with cornucopia Adaptation of a Greek work of the 4th or 3rd century B.C.
Paternal Pleasures
Object type: print
Materials: ink, paper
Techniques: aquatint, etching
Location: france
Artist: louis philibert debucourt
Artist role: artist
Artist nationality: french
Artist dates: 1755 – 1832
Teapot (part of a service)
Object type: teapot
Date: 1790 – 1790
Materials: hard paste porcelain
Artist: royal porcelain manufactory, berlin
Artist role: manufactory
Artist nationality: german
Artist dates: 1763 – 9999
Subjects: butterflies,flowers
Ornatus Muliebris Anglicanus / The Severall Habits of English Women, from the Nobilitie to the contry woman, they are in these times
Object type: costume print
Date: 1640 – 1640
Materials: paper
Techniques: etching
Location: london
Subjects: bow (ornamental part of clothing) (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), neck-gear ~ clothing (neckerchief) (+ women's clothes), europeans: englishmen (+ women), head-gear: cap (+ women's clothes), fashion, clothing (+ lace used for clothes), neck-gear: collar (+ women's clothes), fashion plates, clothes, costume (+ women's clothes), dress, gown (+ women's clothes), apron (+ women's clothes)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Engelse vrouw met een mutsje waarvan de geschulpte rand over het voorhoofd komt. Over de schouders een dubbele halsdoek met geschulpte rand, in het midden vastgebonden met een strik. Handschoenen in haar rechterhand.
Stadsgracht
Object type: print
Date: 1876 – 1918
Materials: paper
Techniques: drypoint, etching
Artist: henri wouters
Artist role: draughtsman, print maker
Artist dates: 1866 – 1935
Subjects: canal
Inscriptions: collector's mark: Lugt 2228
Pair of Rowel Spurs
Object type: spur
Date: 1401 – 1500
Materials: copper alloy, gold
Culture: german
Location: germany

In the 15th century, rowel spurs with very long necks were of common use in western Europe. At this period, the elevated war saddles and the very specific riding style, with long stirrup leathers and legs extended forward, had the consequence of taking away the rider’s feet from the horse’s flank. Thus, these long necks gave them easier access without having to disturb the rider’s position. The small proportions of this pair compared to other examples may indicate it was used by a child or a youth.
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Date: 1911 – 1911
Materials: ink, paper
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: lourens alma tadema, the hague, london, painter, matthijs maris, jacob maris, pieter haverkorn van rijsewijk, schools, education, tuition of the artist (in general), antwerp
Venus and Cupid
Object type: statuette group
Date: 1798 – 1799
Materials: terracotta
Artist: antonio canova
Artist role: artist
Artist nationality: italian
Artist dates: 1757 – 1822
Subjects: cupid,venus,beds

This group is more closely related to Canova's painting than to his sculpture. Escaping from the "fearful effects of the Revolution" that were then afflicting Rome (Canova 1994, p. 310), he spent much of the years 1797–98 with his family in Possagno, there taking time out to paint several of the canvases that were a delightful sideline of his. They include a half-length squarish picture of Venus and Cupid (fig. 34; Pavanello 1976, p. 138, no. D23, ill.). Although her legs are cut off, Venus is posed on a couch, embracing her son who returns her hug, and gazes directly at the witness of this tender momeny, more or less as here. Softly brushed, the paintings have the look of Pompeian frescoes with accents from his beloved Titian. The present model, which I presume precedes the painting, is rather larger and perhaps a bit more ponderously studied than usual for Canova. Admittedly his clay models are generally handled more loosely, but they do offer abundant precedents for the choppy play of the modeling tool over flesh and cloth, the sluggish rhythms of Venus's long limbs, and her huge feet. These traits occur strikingly in the studies leading up to Cupid and Pysche (cat. no. 10) and in models for the Penitent Magdalen (cat. no. 8 and fig. 25) and one for Charity. This last has the same preliminary relationship to a painting as the present work, only babies have been added to the canvas, which is signed and dated "A. Canova Sc. 1799" (Pavanello 1976, pp. 104, 138, nos. 111, D27, ill.). In all fairness, it must be said that Hugh Honour and Giuseppe Pavanello are unconvinced by the Canova attribution (letter from Honour to James Draper, October 6, 1993). We resubmit the case in the interest of opening up the question––adding only that we know as yet no imitator of his modeling style capable of incorporating so instinctively such personal Canova tics as the curved slumped back, looping limbs, and long feet. The slightly reddish buff clay, with firing cracks visible especially underneath, hsa been extensively touched up with plaster additions painted to match the terracotta in the areas of the front left corner of the bed, the mattress, the foot of the bed with paint extending over Venus's proper left foot, and Cupid's wings. Venus's hair is overpainted, possibly covering damages there.
Lichtensteg No. 2, Zinshaus des Herrn A. Denk
Object type: photograph
Date: 1860 – 1869
Techniques: albumen print
Location: austria
Artist: Anonymous
Artist nationality: austrian
Artist dates: 1800 – 1899
Brief aan Philip Zilcken
Object type: letter
Date: 1909 – 1909
Materials: ink, paper, pencil
Techniques: pen, printing, writing
Location: scheveningen
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’

Aantekeningen van Philip Zilcken op envelop verso.
Verstoring van de huwelijksgeloften
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: london, literature, nativity scene ~ equipment of church, interior of the house, weeping, (civil) marriage ceremonies (+ variant)
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor een bewerking van Frances Burney's 'Cecilia', genaamd 'Cecilia oder die Geschichte einer reichen Waise'. Latere staat van deze prent gebruikt in: Königl. Grosbritannischer Historischer Genealogischer Calender für 1789, mit Kupfern von Chodowiecki. Lauenburg: J. G. Berenberg, 1788.
Wolken
Object type: sketchbook leaf
Date: 1910 – 1910
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: clouds
Inscriptions: kleurnotitie, handgeschreven

Pagina 88 uit een schetsboek met 45 bladen.
De familie op het San Marcoplein
Object type: photograph
Date: 1914 – 1914
Materials: paper, photographic support
Techniques: gelatin silver print
Location: venice
Subjects: else wachenheimer-moos, willy moos, the family travelling, on holiday, tourism
Inscriptions: inscription: ‘Auf d. Markusplatz / Herr Nen, mutter, Willy, Vater, Frau Nen, ich’

Albumblad met twee foto's van Else Moos met haar ouders en enkele andere familieleden op het San Marcoplein in Venetië. Onderdeel van het fotoalbum van Else Wachenheimer-Moos en haar broers Arthur en Willy Moos en anderen in de periode 1913-1918.
Portret van een oude vrouw, mogelijk lid van de familie Beucker Andreae
Object type: carte de visite
Date: 1854 – 1885
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: adult man, anonymous historical person portrayed
Portret van Govert Klinkhamer
Object type: print
Date: 1716 – 1761
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, govert klinkhamer, quill
Inscriptions: collector's mark: Lugt 2228

Portret van Govert Klinkhamer, dichter van Bijbelse gedichten, met een schrijfveer in de hand. Onder het portret een vierrregelig vers in het Nederlands.
Art - Goût - Beauté, Feuillets de l' élégance féminine, Mai 1929, No. 105, 9e Année, p. 18
Object type: magazine
Date: 1929 – 1929
Materials: paper
Techniques: printing, photography
Subjects: coat (+ women's clothes), fashion plates, dress, gown (+ women's clothes)
Inscriptions: caption: ‘QUELQUES FLEURS. - Crêpe imprimé. Agnès. / BERENICE. - Ensemble lainage. Doeuillet - Doucet’

Japonnen van verschillende modehuizen. Van links naar rechts: Premet, Redfern, Bernard et Cie, Louise Boulanger. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Portret van een vrouw, aangeduid als Mme. Alexandre Maréchal nee Le Quentrec
Object type: album leaf
Date: 1870 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: nantes
Artist: louis martin
Artist role: fotograaf
Artist dates:  – 1925
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: address: ‘12 Rue Boileau/ Nantes’
Handle of a hydria
Object type: handle of a hydria
Date: 500 – 301
Materials: bronze
Culture: cypriot
Vier figuren in niches, elk in een ander stadium van ontleding
Object type: print
Date: 1610 – 1640
Materials: paper
Techniques: engraving
Location: france
Subjects: parts of church interior: niche, decomposition (of dead body)
Inscriptions: collector's mark: Lugt 240

In deze serie worden naakte figuren in vier architecturale niches geplaatst. Zij stellen de inwoners voor van de Nieuwe Wereld.
Cavenagh brug over de Singapore rivier
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Inscriptions: caption: ‘The Cavenagh Bridge, Singapore’
Mariakerk te Utrecht, 1090
Object type: print
Date: 1865 – 1870
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: procession ~ christian religion
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: J. van Lennep en W. Moll en J. ter Gouw, Nederlands geschiedenis en volksleven in schetsen. Leiden: A.W. Sijthoff, [ca. 1870]. Staalgravures naar de schilderijen van de Historische Galerij der Maatschappij Arti en Amicitiae.
Portret van Hendrik Laurensz. Spieghel op dertigjarige leeftijd
Object type: print
Date: 1659 – 1731
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter van gunst
Artist role: print maker
Artist dates: 1658 – 1731
Subjects: amsterdam, hendrick laurensz. spieghel
Inscriptions: collector's mark: Lugt 2228

Hendrik Laurensz. Spieghel, een Amsterdamse rederijker en handelaar, op dertigjarige leeftijd. Onder het portret een nederlands gedicht op zijn persoonlijk devies 'Dueghd verhuecht''.