deem-data/ArtiFact huggingface dataset:
Brand van de schouwburg aan de Keizersgracht te Amsterdam, 1772
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: on fire, ablaze, theatre (building), fire-fighting
Inscriptions: collector's mark: Lugt 240

Gezicht op de laaiende brand in de Amsterdamse Schouwburg op 11 mei 1772, gezien vanaf de overzijde van de Keizersgracht. Vanaf het dak rechts wordt getracht het vuur te blussen. Op straat vele toeschouwers.
Frederik, prins der Nederlanden, vijfentwintig jaar grootmeester van de "Grande Loge d'Administration"
Object type: history medal
Date: 1841 – 1841
Materials: silver
Techniques: striking
Location: utrecht
Artist: johannis petrus schouberg
Artist role: die cutter, draughtsman, print maker
Artist dates: 1798 – 1864
Subjects: frederik (prins der nederlanden), the hague

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift binnen lint van orde van het Grootmeesterschap, beschenen door vijfhoekige ster met letter G erin binnen omschrift.
Huismunt ter waarde van honderd cent, van de Strafgevangenis Ommerschans of van het Correctiehuis Sint Bernard?, geslagen op last van de Maatschappij van Weldadigheid
Object type: monetary token
Date: 1822 – 1830
Materials: metal
Techniques: striking
Location: ommerschans
Artist: Anonymous
Subjects: maatschappij van weldadigheid, ommerschans

eenzijdige munt. Voorzijde: waardeaanduiding onder merk en tussen de verticaal geplaatste letters O en S. Keerzijde: blanco
Bracelet
Object type: bracelet
Date: 900 – 801
Materials: bronze
Culture: iranian
Location: iran
Gezicht op La Logetta aan het San Marcoplein in Venetië
Object type: cabinet photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: san marco square
Artist: Anonymous
Subjects: civic architecture; edifices; dwellings
Inscriptions: annotation: ‘Venezia la loggetta’
Netsuke of Sambaso Dancer with Bells and Fan
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Techniques: lacquer
Culture: japanese
Subjects: men,dancers
Two Philosophers
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: pen
Location: france
Artist: Anonymous
Artist nationality: french
Artist dates: 1600 – 1699
Marv Beardsley, Champion Long Distance Rider, from the Champions of Games and Sports series (N184, Type 2) issued by W.S. Kimball & Co.
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w.s. kimball & co.
Artist role: publisher
Subjects: men,horses,athletes

Trade cards from the set "Champions of Games and Sports" (N184), issued in 1887 by W.S. Kimball & Company. There are two variations of cards in the series. Type 1 displays the W.S. Kimball brand on the card recto and verso. Type 2 only displays the Kimball brand on the card verso. This card is Type 2.
Funerary Cone of a Woman Named Seniseneb
Object type: cone, seniseneb, square impression
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs

This cone has the impression of a square stamp seal inscribed for a woman named Seniseneb by her loving husband whose name is not recorded. For a drawing of this impression see http://www.funerarycones.com/, number 312.
Rocky Landscape with the Stigmatisation of Saint Francis
Object type: print
Techniques: engraving
Artist: aegidius sadeler (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1568 – 1629
Subjects: landscapes,trees
Archeologische vondsten in en rond Rome
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: theatre (building), base (~ column, pillar)
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Le Antichità Romane'. Piranesi deed meer dan acht jaar voorstudie voor deze 250 platen tellende serie die in vier volumes werd uitgegeven. Hij produceerde de prenten tussen ca. 1756 en 1757. De serie bevat ook prenten door of naar andere prentmakers, onder wie Francesco Bianchini en Girolamo Rossi.
Chest (?)  fragment with Aten cartouche
Object type: body fragment, cartouche of aten
Date: 1353 – 1336
Materials: limestone
Location: egypt
Madonna and Child with Saints
Object type: drawing
Date: 1601 – 1700
Materials: chalk, paper
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: putti,madonna and child,saints
Inlay, hieroglyph
Object type: inlay, hieroglyph
Date: 664 – 610
Materials: faience
Location: egypt

A quantity of faience hieroglyphs and border elements was found in the tomb or courtyard of Nespekashuty. These are displayed in galleries 127 and 130. They are of similar size and manufacture, so seem to have belonged to a single object, likely of wood. Some of the signs belong to the standard offering formula, others mention Osiris and Anubis, so they certainly suggest an item of funerary furniture - a box, a screen, or a coffin although coffins are not usually inlaid in faience and remnants of Nespekashuty's were painted. Unfortunately, there are no signs indisputably pointing to Nespekashuty's names or titles. Although it seems likely that the fairly elaborate piece of equipment to which they testify belonged to the main burial of this tomb, and not to the Third Intermediate Period burials found in the courtyard or to the material apparently cleared from the Hathor Shrine at Deir el Bahri or to the other sets of late shabtis found in the vicinity of the tomb, it cannot be proven that they belong to Nespekashuty's equipment. Possibly the ongoing reexcavation of Kushite and Saite tombs in the Theban necropolis and also in the Saqqara area will eventually provide a better understanding of what kind of funerary equipment supplied the burials of the period, providing better context for these inlays.
Groepsportret van pastoor Bercio met zijn familie in Klein Koslau
Object type: photograph
Date: 1890 – 1910
Materials: paper, photographic support
Techniques: collodion silver print
Location: klein koslau
Artist: christian augustus ganderup
Artist role: fotograaf
Artist dates: 1855 – 
Subjects: three generations (family group)
Inscriptions: address: ‘Holbaek Nygade 7.’, inscription: ‘Clara Zimmermann mit [...] mit Werner [...]’, inscription: ‘Familie Bercio Klein Koslau 1898.’

Onderdeel van Fotoalbum van Carl Heinrich Fliegenschmidt, gevangenisdirecteur te Oslebshausen.
Valentine
Object type: valentine
Date: 1882 – 1882
Materials: paper
Techniques: chromolithography
Artist: kate greenaway
Artist role: artist
Artist nationality: british
Artist dates: 1846 – 1901
Subjects: children,infants,women
Aanslag van Jean de Jauregui op prins Willem I, 18 maart 1582
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: brush, engraving, etching, roulette
Location: amsterdam
Subjects: antwerp, charlotte of bourbon, delft, william i (prince of orange), the hague, maurice (prince of orange)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Geretoucheerde proefdruk van den 12 aug 1853 / der gravure voor de Vereniging tot bevordering / van Beeldende Kunsten voor de jaren 1853-1854’

Aanslag van Jean de Jauregui op prins Willem I, 18 maart 1582 te Antwerpen. Interieur met de prins die gewond in een stoel zit, met familie en anderen om zich heen. Links op de vloer ligt het lichaam van de gedode Jean de Jauregui. Maurits vraagt de soldaten hem te onderzoeken.
Studieblad
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932

Pagina 93 uit een schetsboek met 58 bladen.
De Zonheuvel: Gang
Object type: ansichtkaart, prentbriefkaart
Date: 1913 – 1950
Materials: cardboard
Techniques: photograph, writing
Location: doorn
Artist: Anonymous
Subjects: corridor, villa
Candlestick
Object type: candlestick
Date: 1820 – 1870
Materials: earthenware
Culture: american
Location: united states
Iacobus Androuetius Du Cerceau Lectoribus S Quoniam apud veteres alio structurae genere templa (...)
Object type: album leaf
Date: 1550 – 1550
Materials: paper
Techniques: etching
Location: orléans
Artist: jacques androuet
Artist role: draughtsman, print maker
Artist dates: 1515 – 1584
Subjects: exterior ~ representation of a building

Tempel van Mercurius. Deze prent maakt deel uit van een album.
Glasscock, Shortstop, Indianapolis, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Brief aan Philip Zilcken
Object type: letter
Date: 1886 – 1886
Materials: ink, paper
Techniques: pen, writing
Artist: philip gilbert hamerton
Artist role: print maker
Artist dates: 1834 – 1894
Subjects: painter, draughtsman, philip zilcken, the graphic arts
Inscriptions: collector's mark: ‘RPK’
Wig uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: wedge
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Locks, fastenings and accesories, wedge; id. NG 1980-27H1492, eroded.
Ex libris van C.v.H.v.H.
Object type: bookplate
Date: 1850 – 1950
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: dale, valley, shipwreck, prospect of city, town panorama, silhouette of city
Terracotta woman
Object type: statuette of a woman
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: women

The solid figurine is mold-made. The back is flat. She wears a clinging dress that is loose at the bottom, showing her legs.
Het laatste oordeel, blad G
Object type: print
Date: 1530 – 1582
Materials: paper
Techniques: engraving
Location: italy
Artist: giorgio ghisi
Artist role: print maker
Artist dates: 1520 – 1582
Subjects: last judgement

Prent maakt deel uit van een groep van tien prenten die samen één grote voorstelling vormen naar het fresco met het Laatste Oordeel door Michelangelo in de Sixtijnse Kapel in het Vaticaan.
Small Dish with Design of Chrysanthemums and Autumn Grasses
Object type: dish
Date: 1701 – 1900
Materials: porcelain
Techniques: overglaze, underglaze
Culture: japanese
Subjects: flowers,plants
Octagonal saucer with light brown, animals and flower sprays
Object type: platter
Date: 1700 – 1724
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, forming, turning
Location: china
Artist: Anonymous
Inscriptions: mark

Kop en schotel, achtkantig, cafe-au-lait, famille verte, met decors van bloeiende planten, haasjes en vogels. Op de buitenzijde zijn op een zeemleerkleurig fond bloempjes in afstekende kleuren aangebracht.
Ex libris van Carl E. Petersen
Object type: bookplate
Date: 1894 – 1894
Materials: paper
Techniques: etching
Artist: stephen h. hargan
Artist role: print maker
Subjects: bookshelves, reading, study; 'studiolo'; library, letter, envelope
Inscriptions: annotation: ‘Stephen H. Hargan’, collector's mark: Lugt 2228

Portret van een man in zijn studeerkamer, mogelijk Carl E. Petersen. In zijn handen houdt hij een brief. Boven een drieregelig citaat van Isaac Barrow.
Album met voorstellingen van en door kunstenaars genoemd in het lexicon 'Pilkington's Dictionary of Painters'
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1805 – 1805
Materials: cardboard, leather, paper
Techniques: bookbinding, printing, engraving, etching, letterpress printing
Location: london
Inscriptions: : ‘7’, number: ‘2451/ 4jul’, number, : ‘Con.pp/ 137 mounted engr/ etched portrs/ plates’, : ‘B’

Factice album met 132 prenten en één titelpagina op 80 albumbladen. Factice album, dat wil zeggen: een door een verzamelaar of eigenaar van de prenten samengesteld album. Dit verzamelde werk is gebonden in vier banden, met deze boekband als tweede deel. Het album is samengesteld met de publicatie van een kunstenaars encyclopedie geschreven door Matthew Pilkington in 1767, bewerkt en herzien door Johann Heinrich Füssli in1805, als leidraad voor de verzamelde prenten. De afgesneden tekstbladen uit dit boek zijn, met de albumbladen als passe-partouts, in het album verwerkt. De randen van pagina's 173 tot 352 van het tweede deel zijn op deze wijze in dit album geplakt. Er staat tekst in het Engels op beide zijden, die door deze methode zichtbaar blijft. De prenten zijn los op de albumbladen geplakt of op de folio's gedrukt en ingevoegd. De prenten zijn hoofdzakelijk gemaakt door de kunstenaars beschreven in de ingevoegde tekst op het naastgelegen albumblad. De prenten zijn een aanvulling op de tekst. Het zijn hoofdzakelijk portretten van de genoemde kunstenaars, alfabetisch op achternaam, en prenten met ontwerpen door deze kunstenaars.
Tweezers in the Shape of a Bird
Object type: decorative art
Date: 1000 – 1400
Materials: gold, metal
Culture: chimú
Location: peru
Scraper
Object type: scraper
Date: 3850 – 2960
Materials: stone
Location: egypt
St. Bartholomew, from "Christ, the Apostles and St. Paul with the Creed"
Object type: print
Date: 1589 – 1589
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: saints
Onyx Bowl
Object type: bowl
Date: 1501 – 1600
Materials: marble, onyx
Culture: mexican
Location: mexico
The Renunciation of Philip II by the Netherlands
Object type: jeton
Date: 1583 – 1583
Materials: copper
Techniques: striking
Location: dordrecht
Artist: gerard van bylaer
Artist role: die cutter
Artist dates: 1540 – 
Subjects: philip ii of spain, delft, william i (prince of orange), netherlands
Inscriptions: circumscription: ‘POPVLO IVRE D ET H DIVORTIVM’, circumscription: ‘VBI REX IN POPVLVM TIRANNVS 1583’

Commemorating Dutch liberty. Many medals were made to commemorate important events or people. The Dutch revolt against the Spanish king that began in 1568 and the ups and downs of the independent Dutch Republic, which existed from 1588, were ample reasons for striking medals.
Edging
Object type: edging
Date: 1501 – 1600
Materials: silk
Techniques: embroidery
Sketches of Horses, Soldiers, and Hooves
Object type: drawing and watercolor
Date: 1813 – 1814
Materials: graphite, paper
Location: france
Artist: jean louis andré théodore géricault
Artist role: artist
Artist nationality: french
Artist dates: 1791 – 1824
Haarlem. Cathedraal: "St. Bavo"
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: lithograph
Location: amsterdam
Subjects: city-view, and landscape with man-made constructions, church (exterior), haarlem
Trade Card for Suffield, seal engraver
Object type: print, trade card
Date: 1767 – 1833
Techniques: engraving
Artist: anonymous, british, late 18th–early 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1771 – 1835

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today. John Suffield was an engraver and desiger of lettering, although he was also known through his signed metal work and made a medal commemorating the election of Sir Charles Cockerell to Evesham in 1819. Suffield is also listed in the 1817 Johnstone's London Commercial Giude, and Street Directory.
Design for a Woven Fabric
Object type: textile
Date: 1801 – 1900
Materials: ink, paper
Location: europe
Panel Fragment
Object type: panel
Date: 901 – 1500
Materials: animal fiber, cotton
Culture: peruvian
Location: peru
Jager schiet haas en boer
Object type: print
Date: 1865 – 1866
Materials: paper
Techniques: tone lithography
Location: amsterdam
Subjects: harvest, agricultural products and by-products: hay, hunter, rodents: hare, farmers
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Verbeelding van het spreekwoord: twee vliegen in een klap slaan. Een jager, verscholen in de struiken, schiet een haas aan. Met hetzelfde schot raakt hij een boerenknecht die zich schuilhield. Op het land zijn boeren bezig met hooien.
Portret van Johan Antoni Philipse
Object type: print
Date: 1851 – 1883
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan hendrik hoffmeister
Artist role: print maker
Artist dates: 1823 – 1904
Subjects: middelburg, politician, knighthood order, historical persons (+ (full) bust portrait)

De geportretteerde draagt een ridderorde op de borst en om zijn hals. In zijn rechterhand heeft hij een boek.
Madonna and Child
Object type: painting
Date: 1301 – 1325
Materials: panel, paint
Culture: italian, tuscany
Artist: italian [tuscan] painter, first quarter of 14th century
Artist role: artist
Artist nationality: italian
Artist dates: 1300 – 1324
Subjects: madonna and child
Imagines Quorundam Principum et Illustrium Virorum
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: engraving, etching
Location: venice
Artist: niccolò nelli
Artist role: print maker, publisher
Artist dates: 1535 – 1585
Subjects: fernando álvarez de toledo (3rd duke of alba), ornament derived from animal forms, fruits and vegetables ~ ornament, historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 2228

Een portret van Fernando Álvarez de Toledo, in harnas met de ketting van de Orde van het Gulden Vlies, gevat in een ovaal omgeven door maniëristische siermotieven met dieren en saters. Genummerd linksonder: Fo. 249. Genummerd middenonder: VII.
Temple at the Shwedagon Pagoda, Yangon, Myanmar
Object type: album leaf
Date: 1885 – 1886
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: yangon
Artist: philip adolphe klier
Artist role: fotograaf
Artist dates: 1845 – 1911
Subjects: temple, shrine ~ hinduism, buddhism, jainism
Inscriptions: caption: ‘Temple on Platform Shway Dagone Pagoda’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Birma.
The Courtesan Hinazuru of the Chojiya
Object type: print
Date: 1795 – 1795
Techniques: woodblock print
Location: japan
Artist: ichirakutei eisui
Artist nationality: japanese
Artist dates: 1790 – 1823
Dieren
Object type: popular print
Date: 1866 – 1902
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: pig, cow, animals, sheep, horse
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van boerderijdieren, zoals paarden, een schaap, een varken en een koe. Onder elke voorstelling een onderschrift in het Nederlands en in het Frans. Genummerd midden boven: n. 2.
Illustration from Officium B.M.V., plate 62 from Woodcuts from Books of the XVI Century
Object type: print
Materials: paper
Location: france
Artist: Anonymous
Artist nationality: french
Artist dates: 1500 – 1599
One hundred water buffalo
Object type: handscroll
Date: 1201 – 1300
Materials: ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: buffalos,landscapes

Myriad water buffalo spread across this gentle river landscape in scenes of play, work, and relaxation. Some are guided gently by country oxherd boys, while others are ridden around and through the cool waters, lounge by the riverside, or scratch their weary hides. While the ox sometimes featured in Buddhist images, this painting presents the ox and oxherd as symbols of the simple joys of life in river country.
Kop van een kalkoen
Object type: drawing
Date: 1611 – 1612
Materials: ink, paper
Location: italy
Artist: gerard ter borch (i)
Artist role: draughtsman, print maker
Artist dates: 1584 – 1662
Subjects: walker and runner birds: turkey
Inscriptions: annotation: ‘[...]fronita ofte hohieter Cove/ selve gewassen en kleyn gesneen/op een boterham is goet voort/Firyn te weten tegen pessten’
Maastricht, - Kanaal naar Luik
Object type: photomechanical print
Date: 1905 – 1927
Materials: cardboard
Techniques: photograph
Location: velsen
Subjects: sailing-ship, sailing-boat, canal, maastricht
Artemista Absinthium L. Rosmarinus officinalis L.
Object type: photomechanical print
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Subjects: plants and herbs
Inscriptions: inscription: ‘absinthe(armoise) romain’, number: ‘Tab. XVIII.’
Textile Fragment
Object type: textile fragment
Date: 1601 – 1700
Materials: metal thread, silk
Techniques: lampas
Location: turkey
Thérèse Schwartze tijdens het schilderen van een vrouwsportret
Object type: photograph
Date: 1890 – 1918
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, painter, print maker, thérèse schwartze, artist at work, in his workshop
Edging
Object type: edging
Date: 1501 – 1700
Techniques: lace
Ex libris van Tore Hofman-Bang
Object type: bookplate
Date: 1935 – 1935
Materials: paper
Techniques: printing block
Location: germany
Subjects: predatory birds: eagle, dragon, armorial bearing, heraldry
Inscriptions: date
Fragmenten plaatwerk uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Art - Goût - Beauté, Feuillets de l' élégance féminine, Noël 1928, No. 100, 9e Année, p. 49
Object type: fashion print
Date: 1928 – 1928
Materials: paper
Techniques: printing, lithograph, photography
Subjects: sewing machine, fashion plates, embroidery (ornamentation)

Tekst 'La Broderie Moderne' met een afbeelding van een vrouw achter een naaimachine. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Terracotta loutrophoros (ceremonial vase for water)
Object type: loutrophoros
Date: 525 – 501
Materials: terracotta
Culture: greek, attic
Subjects: animals,men

On the body, obverse, prothesis (laying out of the deceased) with mourners Reverse, male mourners; subsidiary frieze, file of horsemen On the neck, obverse, mourning women Reverse, mourning women; subsidiary frieze, siren between panthers It is very unfortunate that this loutrophoros is so damaged and so incomplete. It was richly decorated with principal and subsidiary subjects on the obverse and reverse. The remaining figures are well drawn with much added white preserved. The women here clearly tear their hair, illustrating a traditional part of their lamentations.
Marseille (...). Le Palais Longchamp
Object type: photomechanical print
Date: 1900 – 1903
Materials: cardboard
Techniques: photograph, writing
Location: marseille
Subjects: park, palace
Inscriptions: postage stamp
Gezicht op een schoorsteenmantel in de Lodewijk XII vleugel van het Kasteel van Blois
Object type: page
Date: 1870 – 1875
Materials: paper
Techniques: woodburytype
Location: tours
Subjects: castle, chimney-piece, mantelpiece
Inscriptions: number: ‘PL. 20.’
Portret van Theophilus Grabener
Object type: print
Date: 1735 – 1757
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Kameeldrijver
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: intaglio
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: hoofed animals: camel
Inscriptions: collector's mark: Lugt 2228, number: ‘55’

Een man in oosterse kleding met een kameel die een vracht vervoert op straat.
Armband
Object type: bracelet
Date: 1800 – 1900
Materials: gold, pearl
Location: germany

Brede armband van dof goud. Met een opgelegde versiering, waarin zeven parels.