deem-data/ArtiFact huggingface dataset:
Soldiers and Peasants
Object type: print
Date: 1640 – 1650
Materials: paper
Techniques: etching
Location: belgium
Artist: frans van den wyngaerde after peter paul rubens
Artist nationality: flemish
Artist dates: 1614 – 1679
Inscriptions: Inscribed verso, lower center, in graphite: “83” (encircled); lower left, in graphite: “246”; lower right, in graphite: “MO-87-35-RMH”
Jerusalem (St. Sepulchri)
Object type: print
Date: 1850 – 1863
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: grave, tomb

De tombe staat in de Heilig Grafkerk onder de centrale koepel. Er omheen staan figuren.
Vrijend paar
Object type: print
Date: 1935 – 1935
Materials: paper
Techniques: letterpress printing
Location: lausanne
Subjects: couple of lovers, coitus, cohabiting, sexual intercourse

Prent in: Ovidius Naso, Publius. L'art d'aimer. [Vertaald uit het Latijn door] Henri Bornecque. Parijs/Lausanne: Les frères Gonin, 1935, p. 122.
Proposition concernant le payement et la police des troupes du roy, qui produira à Sa Majesté une finance de six millions deux cens soixante mille livres inventée et proposée par le baron de Sparre, circa 1740
Date: 1740 – 1740
Location: france
Artist: padeloup
Artist role: binder
Artist nationality: french
Sugar Bowl
Object type: metalwork
Date: 1790 – 1794
Materials: silver
Location: philadelphia
Artist: abraham carlile
Mechelen. Haverwerf 21
Object type: photograph
Date: 1880 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: darmstadt
Subjects: mechelen
Schlossbrücke in Berlijn
Object type: stereograph
Date: 1868 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: sculpture, bridge, berlin
Inscriptions: number: ‘No. 128.’
Mourning cape
Object type: mourning cape
Date: 1895 – 1900
Materials: silk
Culture: american
Artist: abraham & straus
Artist role: department store
Artist dates: 1865 – 1994

Victorian mourning traditions were complex and circumscribed. Full mourning, with its proscribed all-black clothing, lasted a year and a day, while second mourning, which followed, lasted six to nine months and allowed for some use of trim and small jewelry. Half-mourning lasted three to six months and allowed for more elaborate fabrics and jewelry. This cape is an example of a half-mourning evening garment. It was purchased at Abraham & Straus by Brooklyn resident Florence Madden Adriance (1878-1915), who was the grandmother of the donors. Founded in 1865 as Wechsler & Abraham by Abraham Abraham (1843-1911) and Joseph Wechsler (ca. 1837-n.d.), Abraham & Straus became the largest department in store in Brooklyn during the late 19th and early 20th centuries.
Exterieur van Hotel Selabatoe in Soekaboemi, door de bomen gezien
Object type: album leaf
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: soekaboemi
Artist: Anonymous
Subjects: hotel, hostelry, inn

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Foot fragment
Object type: foot fragment
Date: 7000 – 330
Materials: bronze
Subjects: feet
Bord van majolica met beschildering in lustertechniek
Object type: plate dish
Date: 1600 – 1699
Materials: earthenware, glaze, luster, paint
Location: spain
Artist: Anonymous

Bord van majolica met beschildering in lustertechniek.
Card Table
Object type: furniture
Date: 1800 – 1815
Materials: wood
Location: salem
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: furniture
Design for a Decorative Frieze
Object type: drawing
Date: 1825 – 1850
Materials: chalk, graphite
Techniques: brush, heightening, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: ornament
Ex libris van José Rodríguez Chaves
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: spain
Artist: Anonymous
Subjects: josé rodriguez chaves, sailing-ship, sailing-boat
Snuffbox
Object type: snuffbox
Date: 1765 – 1770
Materials: copper
Techniques: enamel
Subjects: houses,couples,trees
Scherven van kraaikoppen uit V.O.C.-schip de 'Witte Leeuw'
Object type: kraaikop
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A high bowl. The inside decorated with flower- and fruit-sprays. The exterior with flowers, a cicada and birds.
Maestricht, Ville Forte aux Hollandois, Située sur la Meuse (...)
Object type: print
Date: 1690 – 1697
Materials: paper
Techniques: etching
Subjects: maps of cities, maastricht
Inscriptions: collector's mark: Lugt 195

Prent in huidige staat ook gebruikt in: Fer, Nicolas de. Les forces de l'Europe, ou description des principales villes, avec leurs fortifications : dessignées par les meilleurs ingenieurs, particulierement celles (…). Parijs: Nicolas de Fer, 1690-1695. Fer, Nicolas de. Le theatre de la guerre, dans les Pays-Bas, ou representation des principales villes qui sont en Flander, Hainaut, Brabant (...). Parijs: Nicolas de Fer, 1697.

Niet in Frederik Muller; door het RPK toegevoegd nummer.
Baptism of Christ
Object type: statuette group
Date: 1651 – 1700
Materials: bronze
Artist: alessandro algardi
Artist role: artist
Artist nationality: italian
Artist dates: 1598 – 1654
Subjects: angels,christ,baptism of christ,saints

The model was first created by Algardi for a version in silver, which was presented to Pope Innocent X in 1646.
Tile from a Frieze
Object type: tile
Date: 1301 – 1333
Materials: glaze, stonepaste
Techniques: luster painting, painting
Location: iran
Subjects: arabic

Once part of a calligraphic frieze within a tomb or religious structure, this tile holds three lines of religious text. Executed in thuluth script, the raised writing of the central band includes the word "the Messenger" and is part of a Qur’anic verse from Sura 2 (The Cow), verse 285. The calligraphic inscriptions painted in luster above and below are from other sections of the Qur’an, although most of the luster on the lower register has worn off. Perhaps set at eye level above a dado of geometric tiles, the full group once formed a continuous band of text. A total of twenty tiles from this frieze are known to exist, including eight in the Museum’s collection.
Cup
Object type: cup
Date: 1801 – 1900
Materials: metal, silver

This electrotype is after a seventeenth-century original a treasure of the Patriarch, Moscow, at the time of reproduction.
Zeyst. De Kerk
Object type: print
Date: 1855 – 1857
Materials: paper
Techniques: engraving
Location: darmstadt
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 1641, collector's mark

Prent uit: Terwen, J.L. Het koningrijk der Nederlanden (...). 2 dln. Gouda: G.B. van Goor, 1857. Dezelfde prent, met een ander onderschrift, komt ook voor in: Der Rhein und die Rheinlande in malerischen Original-ansichten. 3 dln. Darmstadt: G.G. Lange, 1863.
Portret van twee onbekende jongemannen in uniform, Caïro
Object type: photograph
Date: 1888 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: cairo
Artist: jean pascal sébah
Artist role: fotograaf
Artist dates: 1872 – 1947
Subjects: (military) uniforms, historical persons not known by name
Inscriptions: title: ‘E 19. Saïs (voorloopers). Caïro.’, number: ‘288’, check stamp: ‘Bristol/ L.M.’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Fransche Broederschap, gezegt Egaliteit
Object type: cartoon
Date: 1793 – 1793
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: brotherly love, pickpocket
Inscriptions: collector's mark: Lugt 2228

Spotprent op de Franse broederschap, 1793. Een Fransman en Hollander omarmen elkaar terwijl de Fransman de beurs van de Hollander steelt. Waarschijnlijk naar aanleiding van de eerste Franse inval in 1793. In het onderschrift een samenspraak tussen de twee.
Embroidery of a Thousand-Armed Kannon
Object type: hanging scroll mounted a panel
Date: 1467 – 1533
Materials: cotton, panel, silk
Techniques: embroidery
Culture: japanese
Artist: unidentified artist
Artist role: artist
Subjects: buddhism,bodhisattvas

This exceedingly rare example of late medieval Buddhist embroidery depicts a Thousand-armed Kannon (Japanese: Senju Kannon). Such elaborate textiles were painstakingly stitched as an act of devotion and an individual or group of believers would commission them in order to gain religious merit. Stylistic considerations place this work in the late fifteenth or early sixteenth century, which concurs with radiocarbon dating of thread samples. Senju Kannon, a manifestation of a compassionate bodhisattva, has eleven heads (jūichimen) and multiple arms. Though senju literally means “one-thousand arms,” sculpted and painted version of this deity often reduce the arms to a finite number, such as ten. Here, the palms of the deity’s central hands are pressed together to form a gasshō, a gesture of greeting and reverence. Other hands wield a hand drum, pilgrim’s staff, trident, Dharma wheel, wish-granting jewels, bow and arrows, bell, and prayer beads. The figure of Kannon stands on a lotus platform surrounded by a mandorla with eleven disks on lotus flower supports. Above the figure are orbs representing the moon and sun. The Japanese characters jūban 十番 above the figure indicates that this work is from the “tenth” temple in the Eighty-Eight Temple Pilgrimage Route of Shikoku Province.
George W. Holdrege
Object type: page
Date: 1869 – 1869
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Cup and saucer
Object type: cup and saucer
Date: 1895 – 1895
Materials: hard paste porcelain
T-Cart  Phaeton (unnumbered)
Object type: drawing
Date: 1850 – 1870
Materials: gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
The Dream of Aeneas
Object type: painting
Date: 1660 – 1665
Materials: canvas, oil
Artist: salvator rosa
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1673
Subjects: swords,sleeping,men,aeneas,aeneid

Armored and elegant, the legendary founder of Rome, Aeneas, sleeps beside a theatrical, reed-laden personification of the city’s Tiber River. The subject comes from the ancient poet Virgil’s Aeneid, which was popularized in mid-seventeenth-century Rome through commissions by Pope Innocent X, including Bernini’s Four Rivers Fountain and frescoes in the papal family’s palace. Rosa may have painted this example specifically for public exhibition. The figures relate to the rough bandit types for which Rosa was famed, but the pared-down composition and their scale lend them a sculptural majesty. The complicated poses, heavy impasto of the armor, and loose brushwork of the river reeds enliven a static subject.
Knopstoel met zitting van gevlochten biezen
Object type: knopstoel
Date: 1690 – 1710
Materials: wood, fiber
Location: amsterdam
Artist: Anonymous
De dochters van Alphons Diepenbrock: Thea en Joanna
Object type: photograph
Date: 1908 – 1915
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: amsterdam, netherlands

Foto op bruin albumblad 45 van familiealbum van Alphons Diepenbrock.
Rue Pirouette aux Halles, Paris
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Rust van de oude dag, door Voorzorg en Liefde
Object type: watercolor
Date: 1869 – 1925
Materials: paper, pencil, watercolor
Techniques: brush
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: care of the aged, warming oneself at a fire (or hearth, stove, fire-pan, brazier)

Ontwerp voor de wandschildering in het gebouw van de Algemeene Maatschappij van Levensverzekering en Lijfrente te Amsterdam: de Rust van de oude dag, door Voorzorg en Liefde.
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Materials: amber
Culture: chinese
Subjects: human figures,boats
Dish in the shape of flower
Object type: dish
Date: 618 – 907
Materials: earthenware, glaze
Culture: chinese
Cantiniere, France, 1853, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,profiles,women

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Zijingang van Stadtpalais Liechtenstein te Wenen
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: vienna
Subjects: coat of arms (as symbol of the state, etc.), gate, entrance, piece of sculpture, reproduction of a piece of sculpture, vienna
Inscriptions: number: ‘Nr. 48.’, collector's mark: Lugt 3937
Thomas Tickell
Object type: print
Date: 1807 – 1821
Materials: paper
Techniques: etching
Location: london
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Dronken paar op de Kermis van Winschoten
Object type: sketchbook leaf
Date: 1917 – 1917
Materials: chalk, paper, pencil
Location: winschoten
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: drunkenness
Inscriptions: date and inscription: ‘WINSCHOTEN/ KERMIS 1917’

De man en vrouw hebben de armen over elkaars schouders geslagen en steunen op elkaar bij het lopen. Beiden hebben de mond open. De vrouw draagt een staf met veren of draden aan het uiteinde in haar linkerhand. Pagina 5 uit een schetsboek met 28 bladen.
Creatophora cinerea (Wattled starling)
Object type: drawing
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795

Vogelstudie: Lelspreeuw (Creatophora cinerea): een mannetje.
Parasol met dek van zwarte zijde met strooimotief van witte botahs en rode strepen, gevoerd met donkerrode zijde, op dunne bamboe stok met gesneden ivoren handvat en metalen punt
Object type: parasol
Date: 1890 – 1900
Materials: bamboo, ivory, silk, steel
Techniques: cutting, weave
Location: göteborg
Artist: Anonymous

Parasol met dek van zwarte zijde met strooimotief van witte botahs en rode strepen, gevoerd met donkerrode zijde, op dunne bamboe stok met gesneden ivoren handvat en metalen punt. Baleinen van zwart gelakt staal. Sluiting door middel van smal zwart elastiek met ivoren ornamentje dat achter een dubbele kopren haak gehaakt wordt. Gedraaid zijden koord met dito ring en twee zijden pompons. Het ivoren handvat is gecanneleerd en heeft een gesneden ring aan het uiteiende.
Toren van de Oude Kerk in Delft
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: etching, intaglio
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: barracks, parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Op de voorgrond de binnenplaats van het Prinsenhof, waarvan een gedeelte diende als kazerne.
Les Propos de Thomas Vireloque: The old story, my lambkins
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Location: france
Artist: paul gavarni
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1866
Mrs. Samuel Mifflin and Her Granddaughter Rebecca Mifflin Francis
Object type: painting
Date: 1777 – 1780
Materials: canvas, oil
Culture: american
Artist: charles willson peale
Artist role: artist
Artist nationality: american
Artist dates: 1741 – 1827
Subjects: girls,portraits,women

Peale portrayed Mrs. Mifflin, born Rebecca Edgell, in the act of instructing her granddaughter in virtue and morals from an emblem book. The atmosphere of affectionate serenity with which the well-knit group is imbued probably indicates that Mrs. Mifflin was a contented, pleasant matron and a good mother to her three children. It also reflects Peale's own love for family life and his reverence for domestic happiness.
Basement
Object type: architectural element
Date: 1400 – 1950
Materials: stone
Location: rolduc
Subjects: rolduc

Een romaanse basement met hoekspoor, afkomstig uit de kerk te Rolduc.
Portret van Theodoros Kolokotronis
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: tone lithography
Location: munich
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228

De prent hoort mogelijk bij een serie prenten met portretten van betrokkenen bij de Griekse onafhankelijkheidsoorlog. Mogelijk de serie: Bildnisse ausgezeichneter Greichen und Philhellene nebst einigen Ansichten und Trachten.
Expugnatio Fortissimae Urbis Bredae Ao.-1637
Object type: map
Date: 1637 – 1637
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: balthasar florisz. van berckenrode
Artist role: draughtsman, print maker, publisher
Artist dates: 1591 – 1645
Subjects: delft, the hague, frederick henry (prince of orange), maps of separate countries or regions, siege, position war

De belegering en verovering van Breda door het Staatse leger onder Frederik Hendrik, 23 juli - 10 oktober 1637. Onderdeel van een ongemonteerde ensemble bestaande uit 9 bladen (en 2 hier ontbrekende tekstbladen). Blad middenrechts met een deel van de kaart met een legerkamp van de belegeraars.
Plate 37: Side view of the school of St. Roch at left and view of facade of the church of St. Roch, Venice, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Object type: print
Date: 1703 – 1703
Techniques: etching
Artist: luca carlevaris
Artist role: artist
Artist nationality: italian
Artist dates: 1663 – 1730
Subjects: schools,churches,venice
Chessmen (32) and box
Object type: chessman
Date: 1801 – 1900
Materials: bone, wood
Subjects: chess
Portret van Stefano Antonio Morcelli
Object type: print
Date: 1765 – 1829
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks portretprenten van onbekende omvang. De reeks is in meerdere staten uitgegeven. De eerste staat met enkel het portret in ovaal. Een tweede staat met naam van de geportretteerde in holle letters onder de voorstelling. Een derde staat met de naam van de geportretteerde in gevulde letters onder de voorstelling. En een vierde staat met een rechthoekig kader rondom het ovale portret.
Ex libris van de Vereeniging voor voortgezet en hooger bouwkunst-onderricht
Object type: bookplate
Date: 1908 – 1987
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: temple, shrine ~ greek religion
Boerderij tussen hoge bomen, Ewijkshoeve
Object type: print
Date: 1886 – 1886
Materials: chalk, paper
Techniques: etching, intaglio
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: farm or solitary house in landscape
Relief with cartouches of Akhenaten, the Aten and Kiya
Object type: talatat, cartouch, akhenaten, aten, kiya
Date: 1353 – 1336
Materials: limestone, paint
Subjects: cartouches
Een gelukkige Arcadische Familie
Object type: design
Date: 1752 – 1819
Materials: graphite, paper, watercolor
Techniques: brush
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819

Ontwerpschets voor schilderij "Een gelukkige Arcadische Faamielie".
Portret van een vrouw en een jongen in een fotostudio
Object type: photograph
Date: 1879 – 1890
Materials: paper
Techniques: albumen print
Location: china
Artist: Anonymous
Subjects: ensemble of pieces of clothing: sailor suit, boy (child between toddler and youth), historical persons not known by name, china
Portret van Lucas van Steveninck, 1787
Object type: drawing
Date: 1787 – 1787
Materials: paper
Location: northern netherlands
Artist: Anonymous
Subjects: amsterdam, middelburg, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Portret van de patriotse arts Lucas van Steveninck, in ovaal naar links. Mogelijk naar aanleiding van de beschieting en plundering van zijn huis in Middelburg in 1787.
Dish
Object type: dish
Date: 1576 – 1600
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: turkey

Pinwheel-like in appearance, the design of this dish is based on stylized lotus blossoms and vines, set against a red ground. The motifs in the center and on the cavetto and rim of the dish all ultimately derive from Chinese sources, though this arrangement and color scheme are completely different from what one would find in Yuan and Ming porcelains.
Reverse Copy of Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis
Object type: print ornament architecture
Date: 1600 – 1600
Techniques: engraving
Artist: paul birckenhultz
Artist role: artist
Artist nationality: german
Artist dates: 1561 – 1639
Subjects: insects

Design for a jewelry pendant hanging from a putto mask (looking downwards to the right) and a ribbon at top, with three pearls descending from the bottom. At center of pendant, a vase flanked by two outward-facing putti and winged insects.
Bowl (one of a pair)
Object type: bowl
Date: 1601 – 1800
Materials: enamel, porcelain
Techniques: overglaze
Culture: chinese
Subjects: horses,flowers