deem-data/ArtiFact huggingface dataset:
Actress wearing pink hat with blue feathers, from Stars of the Stage, First Series (N129) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Stars of the Stage, First Series" (N129), issued in an unnumbered set of 25 cards in 1890 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco.
Smaak
Object type: print
Date: 1600 – 1670
Materials: paper
Techniques: etching
Artist: isaac vos
Artist role: publisher
Subjects: taste, tasting (one of the five senses), pipe ~ tobacco
Inscriptions: collector's mark: Lugt 240

Een man rookt in een herberg een pijp. Hij zit op een omgekeerde mand met de benen over elkaar geslagen. Op de achtergrond vier figuren. Onder de voorstelling een tweeregelig vers in het Nederlands. De prent maakt deel uit van een serie van vijf prenten met de vijf zintuigen.
William Purcell, The Rochester Union and Advertiser, from the American Editors series (N35) for Allen & Ginter Cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: villages,men,portraits

Trade cards from the "American Editors" series (N35), issued in 1887 in a set of 50 cards to promote Allen & Ginter brand cigarettes. This series is a physically larger version of the "American Editors" set (N1), including the corresponding small card design with other pictorial matter added.
Staande vrouw met kind
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: leiden
Subjects: carrying something in basket, bag, rucksack, etc., mother and child(ren), woman and child(ren) (family group) (with number of children)
Inscriptions: collector's mark: Lugt 2233

Een moeder met haar zoontje. Lopend naar rechts. De moeder draagt een mandje in de andere hand.
Model of the organ in the Lutheran Church at the Stroomarkt in Amsterdam, before the fire in 1823
Object type: furniture
Date: 1710 – 1710
Materials: lead, wood, paint
Location: northern netherlands
Artist: Anonymous

Model of the organ in the Lutheran Church in Amsterdam. Amsterdam, c. 1715 - 1719. The organ, which was built in 1719, perished when the Lutheran church was burnt in 1823.
Conversation between Mutes (Gespraech zwischen Stummen)
Object type: print
Date: 1907 – 1907
Techniques: lithograph
Artist: moriz jung
Artist role: artist
Artist nationality: austrian
Artist dates: 1885 – 1915
Subjects: buildings,men,chairs,tables
Giethoorn
Object type: ansichtkaart, prentbriefkaart
Date: 1897 – 1905
Materials: cardboard
Techniques: writing
Location: zwolle
Artist: Anonymous
Subjects: canals, waters (in village), street, bridge in village across river, canal, etc.
Inscriptions: postage stamp
Arm Ornament
Object type: ornament
Date: 1201 – 1600
Materials: gold
Culture: colombian
Location: colombia
Titelpagina van een Duitse editie van Adam van Breens De Nassausche Wapen-Handelinge, 1618
Object type: titelblad, titelpagina
Date: 1616 – 1618
Materials: paper
Techniques: engraving, hand coloring
Location: northern netherlands
Subjects: maurice (prince of orange), armour, title-page

Illustratie in: Adam van Breen, Nassauische Waffenhandelung [incompleet exemplaar], 1618?, titelpagina. Dit is een Duitse editie van Adam van Breens De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe : beyde figuerlick afgebeelt, ende gestelt na de nieu ordening [van] ... Maurits van Nassau, 's-Gravenhage, [Aert Meuris] 1618. In het exemplaar in de collectie van de Rijksmuseum Research Library (326 F 23).
Gezicht in een zaal van het Rijksmuseum: Weense tentoonstelling Pavilloenzaal 1947
Object type: drawing
Date: 1947 – 1947
Materials: paper, pencil, watercolor
Techniques: brush
Artist: van lynden
Artist role: draughtsman
Subjects: permanent exhibition, museum
The Grotto of Pan and Fame
Object type: print
Date: 1653 – 1655
Materials: paper
Techniques: etching
Location: italy
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664

Florentine by birth, Stefano della Bella worked extensively for the Medici family there, although he also worked in Rome and Paris between 1638 and 1650. He was a prolific graphic artist, creating over 1,000 etchings, mostly from his imagination. This is one of a series of prints he made of the Medici gardens.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of draped figure; Exterior, unidentified subject
Keizer Lodewijk II leidt de paus op zijn paard
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: riding a horse, ass, or mule; rider, horseman, ruler, sovereign, procession ~ christian religion, pope, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 240

Illustratie in: Hamelsveld, Ysbrand van. Algemeene kerkelijke geschiedenis, der Christenen, deel 13. Haarlem: François Bohn, 1806, p. 214.
E-4: English Drawing Room of the Late Jacobean Period, 1680-1702
Object type: miniature room
Date: 1937 – 1937
Location: united states
Artist: narcissa niblack thorne
Terracotta fragment rim of a bowl?
Object type: fragment of a bowl
Date: 600 – 501
Materials: terracotta
Culture: east greek

Exterior, below the rim, black glazed lines alternating with thin bands of reserve
Belegeringe van Schencken-Schans, Met alle de nieuwe Forten ende Approchien / le Siege du Fort de Schinc, Avecq toutes les Nouvelles Fortifications et Approches
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: the hague
Subjects: frederick henry (prince of orange), maps of separate countries or regions, siege, position war
Inscriptions: date

Kaart van het beleg van het door de Spanjaarden op 28 juli 1635 bij verrassing ingenomen fort Schenckenschans door het Staatse leger onder Frederik Hendrik, sinds 30 juli 1635. Grote kaart op drie bladen met de ligging van het fort Schenckenschans op de splitsing van Rijn en Waal. Links een inzet met een kaart van het groter gebied, rechts een door soldaten opgehouden doek met de titels. Onder de prent zijn twee tekstbladen geplakt met beschrijvingen en de legenda's A-Z en 1-50 in het Nederlands en Frans.
Portret van tegenpaus Felix V
Object type: print
Date: 1573 – 1573
Materials: paper
Techniques: letterpress printing
Location: straatsburg
Subjects: historical persons, pope, armorial bearing, heraldry

Prent uit: Accuratae effigies pontificum maximorum, numero XXVIII (...). Straatsburg: Bernhard Jobin, 1573.
Studies van een paardenploeg
Object type: drawing
Date: 1823 – 1894
Materials: chalk, paper
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Drie centrale motieven van pilastervullingen
Object type: drawing
Date: 1835 – 1860
Materials: paint, paper, pencil, watercolor
Techniques: brush
Location: vienna
Artist: franz jakob kreuter
Artist role: architect
Artist dates: 1813 – 1889
Subjects: ornaments ~ art
Inscriptions: inscription: ‘November.’, watermark: ‘BLA[…].’
Portret van Filips V, koning van Spanje
Object type: print
Date: 1700 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob gole
Artist role: print maker
Artist dates: 1660 – 1724
Subjects: filips v (koning van spanje), crown (symbol of sovereignty), knighthood order of the golden fleece, mantle, gown, dress (symbol of sovereignty)
Inscriptions: collector's mark: Lugt 2228

De jonge hertog Filips van Anjou, vanaf 1700 koning Filips V van Spanje. Hij draagt een kroon, de kroningsmantel en een keten met het ordeteken van de Orde van het Gulden Vlies.
Landschap met boerderij
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: farm (building)
Inscriptions: collector's mark: ‘FS’

Prent uit een serie van twintig van landschappen met boerderijen. Erf met boerderij. In de deuropening een figuur, rechts een schuur.
De schoone slaapster. / Eene vertelling van Moeder de Gans
Object type: popular print
Date: 1831 – 1854
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: tales and fairy tales: sleeping beauty
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen uit het sprookje van de Schone Slaapster en haar gemene schoonmoeder de koningin. De koningin probeert de prinses en haar kinderen te vermoorden. Onder elke voorstelling een onderschrift.
Portret van twee peuters en een baby
Object type: semi enamel
Date: 1880 – 1900
Materials: cardboard, celluloid, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: toddler (female) (+ two persons), infant, baby ~ the ages of man, anonymous historical persons portrayed in a group, in a group-portrait
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 450 – 450
Materials: terracotta
Culture: greek, attic

Interior, part of a draped figure; on the underside of the foot, a graffito
Design for Landau, No. 4018
Object type: drawing
Date: 1888 – 1888
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Time Smoking a Picture
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: etching
Subjects: the arts; artists, father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228

De prent is waarschijnlijk oorspronkelijk bedoeld als aankoopbewijs (subscription ticket) voor prenten van het schilderij 'Sigismunda' door Hogarth. Hogarth impliceert met deze prent dat tijd en ouderdom kunst niet mooier maken maar juist verslechteren en reageert daarmee op Edmund Burke's essay over schoonheid (A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, 1757). De Griekse tekst op de lijst komt van Krates van Thebe en betekent grofweg: 'tijd is geen groot kunstenaar, expert of vakman, het verzwakt juist alles wat het aanraakt'.
Danseres Annette Köbler, de pas-de-shawl uitvoerende
Object type: watercolor
Date: 1810 – 1812
Materials: paint, ink, paper, watercolor
Techniques: brush, pen
Artist: bartholomeus ziesenis
Artist role: draughtsman, sculptor
Artist dates: 1768 – 1820
Subjects: vienna, woman dancing alone, historical persons, female dancer
Inscriptions: : ‘Pas-de-Shawl, dansé par la Demoiselle Annette Köbler au Théatre d'Amsteldam Octob- 1812. Dessiné d'après nature par l'architecte Ziesenis’
Waiter (one of a pair)
Object type: waiter
Date: 1817 – 1817
Materials: gilt silver
Artist: william burwash
Artist role: maker
Artist nationality: british
Artist dates: 1782 – 1820
Adamspforte (r.Hand u.Modell)
Object type: photograph
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: bamberg
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: number: ‘43’
Henricus Wilhelmus Couwenberg kopieert een schilderij
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: lithograph
Subjects: the hague, amsterdam, print maker, draughtsman, henricus wilhelmus couwenberg, drawing, sketch, picture within picture, artist (in general) making preliminary designs, sketching, picture, painting
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De graveur Henricus Wilhelmus Couwenberg bezig op het kasteel te Windsor met het kopiëren van het schilderij 'Mignon en de oude harpenaar' van Ary Scheffer uit 1844.
Buste van Hendrik, prins der Nederlanden, op de Prins Hendrikkade te Amsterdam
Object type: print
Date: 1885 – 1929
Materials: paper
Techniques: letterpress printing, engraving
Location: den bosch
Subjects: hendrik (prins der nederlanden), piece of sculpture, reproduction of a piece of sculpture

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Martelwerktuigen aan het kruis opgehangen
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: instruments of torture, execution or punishment
Inscriptions: collector's mark: Lugt 2228

Mogelijk gebruikt als boekillustratie in: Goeree, Willem. Voor-bereidselen tot de bybelsche wysheid, en gebruik der heilige en kerklijke historien. 2 delen. Amsterdam: Willem Goeree, 1690.
Molen bij een vaart
Object type: print
Date: 1887 – 1952
Materials: paper
Techniques: etching
Artist: chris van der windt
Artist role: print maker
Artist dates: 1877 – 1952
Subjects: windmill in landscape
Inscriptions: collector's mark: Lugt 2228
Bottle with Overlapping Petals
Object type: bottle
Date: 1001 – 1133
Materials: silver
Techniques: chasing, incising, repoussé
Culture: chinese
Jacket
Object type: jacket
Date: 1818 – 1818
Materials: cotton
Culture: british
Lobed dish with dragon, tiger, bamboo and prunus
Object type: plate dish
Date: 1670 – 1690
Materials: glaze, paint, porcelain
Techniques: firing
Location: arita
Artist: Anonymous

Small dish, c. 1690 - 1710.
Zittende jongen met een hoed en klompen
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: wooden shoes, clogs, sitting figure (+ young male (human being))

Blad 10 verso uit een schetsboek met 37 bladen.
Landschap met de boetvaardige Magdalena
Object type: print
Date: 1573 – 1573
Materials: paper
Techniques: engraving
Location: rome
Subjects: female saints (with name)
Inscriptions: collector's mark: Lugt 2228

Landschap met de heilige Maria Magdalena biddend voor een crucifix in een ravijn.
Spice box with grater
Object type: spice box
Date: 1723 – 1724
Materials: silver
Artist: nicolas mahon
Artist role: maker
Artist dates: 1633 – 1733

By the late 17th century, salt, which had been contained in extraordinarily ornate receptacles during the medieval and renaissance periods, had lost its prior ceremonial significance. Changes in customs and dining practices led to spice and condiments being used at the diner’s discretion. A spice box like this with its bold gadrooning, elaborate engraving, and faceted profiles, may have been part of a large centerpiece or surtout. Other components of a surtout might include matching cruets for oil and vinegar, and spice boxes, as well as elaborate vessels or tureens supporting candle branches all standing on a decorative tray. The perfectly symmetrical table arrangement around the surtout emphasized the geometric form of the spice boxes. The hinged compartments of this box contained dry spices for the table such as cloves, pepper, salt, and cinnamon. The interior is partitioned into a single container at one end and two at the other. At the center is a cylindrical grater for nutmeg which could be freshly ground at the table. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture, and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver as illustrated by this spice box.
Plate
Object type: plate
Date: 1770 – 1770
Materials: faience
Techniques: glazing
Subjects: angels
Great Sallet
Object type: helmet
Date: 1367 – 1466
Materials: steel
Culture: italian
Location: italy

This helmet is part of a unique group of late medieval helmets and armor fragments that was discovered about 1840 in the ruins of a Venetian fortress at Chalcis, on the Greek island of Euboea. Founding curator of the Arms and Armor Department at the Metropolitan Museum Bashford Dean saw the Chalcis group in Athens in the 1890s and, recognizing its rarity and importance, eventually was able to acquire a substantial portion of it (a selection is on permanent display in the Museum, gallery 373). After Dean's death, this helmet was owned by Clarence H. Mackay, a major art collection, trustee of the Museum, and great admirer of Dean. It later belonged to Dean's successor, Stephen Grancsay, who subsequently donated it to the Museum.
Bust (probably of an angel)
Object type: crèche figure
Date: 1767 – 1833
Materials: glass, terracotta
Techniques: polychrome
Artist: giuseppe gori
Artist role: maker
Artist dates: 1770 – 1810
Subjects: faces,women
Portret van Peter I, koning van Castilië en Leon
Object type: print
Date: 1849 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
The Battle Near Naples, from "Der Weisskunig"
Object type: print
Techniques: woodcut
Artist: hans burgkmair
Artist role: artist
Artist nationality: german
Artist dates: 1473 – 1531
Subjects: battles,soldiers

Der Weisskunig (the white king) is a loosely biographical account of the life of Emperor Maximilian I. The text, composed by Maximilian's secretary Marx Treitz-Sauerwein, is accompanied by illustrations by Burgkmair, Leonhard Beck, Hans Schäufelein, and Hans Springinklee, with the proofs completed between 1514 and 1516. However, they remained unpublished until the blocks were rediscovered in 1775, at which point they were published as a book by Hoffstätter in Vienna. The first edition was published again in 1799 by S. Edward in London with the French title, "Tableaux des principaux evénemens de la vie et du regne de l'empereur Maximilien I." It includes 236 woodcut illustrations.
Knopstoel, de rugleuning met twee dwarsregels, de zitting van gevlochten biezen
Object type: knopstoel
Date: 1750 – 1760
Materials: fiber, wood
Location: amsterdam
Artist: Anonymous
Vignet met een vogel en drie kuikens
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: birds, vignette
Inscriptions: collector's mark: Lugt 240
The Animal Creation
Object type: print
Date: 1875 – 1875
Techniques: hand coloring, lithograph
Artist: currier & ives
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1907
Subjects: camels,deer,elephants,horses,leopards,lions,monkeys,zebras,giraffes

Wild and domesticate animals from the four continents gather here peacefally near a watering hole. In the foreground an elephant and a giraffe at right, and a leopard and a stag at left flank a lion with a sheep resting its foreleg across the lion's paw. Behind at right are a hyena and a donkey, then a zebra, moose, horse, antelope, fox and camels. At left we also find an armidillo, wolf, kangaroo and American buffalo, then a tiger, boar, bear, tapir and monkeys. In the center before the lake are a mouse, goat and rabbits. Beyond the lake are a crocodile, water buffalo and warthog, and various kinds of birds, including a peacock, ostrich, turkey and eagle. Animals from all parts of the earth are included in this scene which echoes Isaiah 11.6, a prophetic vision of a messianic time of peace when: "The wolf also shall dwell with the lamb, and the leopard shall lie down with the kid; and the calf and the young lion and the fatling together." Artistic responses to this verse traditionally pair a lion with a lamb.
Mazzocchi
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons, robber, firearms: rifle
Inscriptions: collector's mark: Lugt 2228a
Pair of two-tone gloves
Object type: clothing
Date: 1900 – 1915
Materials: leather
Location: netherlands
Artist: Anonymous
Inscriptions: stamp: ‘tekst; afbeelding’

Linkerhandschoen van beige wasleer. Afgezet met sierrand van bruin wasleer. Op de rug drie lijnen. Gestikt met bruine draad.
Stirrup-shaped Ring with Oval Bezel and "Java Kuno"
Object type: ring
Materials: gold
Culture: indonesian, javanese
Ornament met vier vissen
Object type: sketchbook leaf
Date: 1901 – 1901
Materials: paper, pencil
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: ornaments ~ art, fishes

Blad 41 verso uit een schetsboek met 42 bladzijden.
Fotoreproductie van Sainte Amélie Reine de Hongrie door Paul Delaroche
Object type: carte de visite
Date: 1861 – 1878
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: queen, relics (and reliquaries)
Inscriptions: inscription: ‘PHOTOGRAPHIE GOUPIL & Cie/ PARIS, 19, Bd Montmartre./ LONDRES-LA HAYE-BERLIN-NEW YORK’