deem-data/ArtiFact huggingface dataset:
Gezicht op de Schinkel nabij Huis Te Vraag, gezien vanaf het rangeerterrein
Object type: drawing
Date: 1908 – 1927
Materials: chalk, paper
Location: amsterdam
Artist: anthonie van teijn
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1943
Subjects: city-view in general; 'veduta', canal, boat propelled by man or animal
Inscriptions: collector's mark: Lugt 800a, inscription: ‘Schinkel’, signature: ‘VanTeyne’, inscription: ‘De Schinkel nabij (...) Aug 1927 / vanEck’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 31.
Portrait of Cardinal-Infante Ferdinand of Austria
Object type: print
Date: 1710 – 1738
Techniques: engraving
Artist: suzanne elizabeth silvestre
Artist role: artist
Artist nationality: french
Artist dates: 1694 – 1738
Subjects: men,portraits

Formerly incorrectly identified as Albert VII.
Ruitertafereel op Koninklijke Houtvesterij Het Loo: ruiter neemt hindernis op een landweg
Object type: album leaf
Date: 1900 – 1925
Materials: photographic support
Techniques: gelatin silver print
Location: het loo
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, hunting, chase, hunting-ground, forest path or lane, jumping (horse in motion)

Onderdeel van Fotoalbum van de heer Brams, opperhoutvester van koningin Wilhelmina op Koninklijke Houtvesterij Het Loo.
Portret van David Welsh
Object type: print
Date: 1810 – 1846
Materials: paper
Techniques: mezzotint
Subjects: historical persons, professor
Inscriptions: collector's mark: Lugt 2228
Cemetery
Object type: photograph
Date: 1870 – 1880
Materials: paper
Techniques: albumen print
Location: san lazzaro degli armeni
Artist: Anonymous
Subjects: churchyard, cemetery
Portret van Filips van Marnix van Sint-Aldegonde op 59-jarige leeftijd
Object type: print
Date: 1601 – 1601
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: brussels, leiden, politician, filips van marnix van sint-aldegonde, fruits and vegetables ~ ornament, ornament ~ medallion, historical persons, portrait of a writer, armorial bearing, heraldry

Filips van Marnix van Sint-Aldegonde overleed in 1598 en was toen waarschijnlijk 58 jaar oud, en niet 59 zoals op de prent vermeld. Prent waarschijnlijk uit: Marnix van Sint-Aldegonde, Filips van. Tafereel der religions verschillen (...). Amsterdam: Jan Evertsz. Cloppenburgh, 1601.
Kruisiging van Christus
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: etching
Location: france
Subjects: the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)

Prent uit: Heures dédiées à la Dauphine. Metz: François Bouchard, 1683.
Portret van Carl Ehregott Andreas Mangelsdorff
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: stippling
Location: leipzig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Mangelsdorff, Karl Ehregott. Hausbedarf aus der allgemeinen Geschichte der alten Welt, für seine Kinder und für Andere von zwölf bis funfzehn Jahren, allenfalls auch etwas darüber. dl. 5. Halle an der Saale en Leipzig: Johann Gottfried Ruff, 1797.
Portaal van de Collegiale kerk Onze-Lieve-Vrouw en Domitianus van Hoei
Object type: print
Date: 1839 – 1841
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: parts of church exterior and annexes: portal
Inscriptions: collector's mark: Lugt 2228

Prent verschenen in: Van Hasselt, André. Voyage aux bords de la Meuse. Brussel: Société des Beaux-Arts, 1839-1841. Deze publicatie bevat 36 litho's.
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, printing, writing
Location: paris
Artist: lugné-poe
Artist role: acteur, theaterdirecteur, theatervormgever
Artist dates: 1869 – 1940
Subjects: painter, draughtsman, philip zilcken, printed matter
Inscriptions: watermark, collector's mark: ‘RPK’
De Groote Markt te Haarlem
Object type: print
Date: 1839 – 1841
Materials: paper
Techniques: woodcut
Location: purmerend
Subjects: interior of church

Versneden blad waarop vier soortgelijke houtsneden voorkomen. Het blad is getiteld "Prenten-Magazijn voor de Jeugd, no. 2".
Collar and Handkerchief
Object type: textile
Date: 1875 – 1900
Materials: lace, silk
Techniques: lace, treatment, weave
Location: malta
Lola Yberri, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Landscape With Two Mills
Object type: drawing
Date: 1601 – 1700
Materials: chalk
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: windmills,landscapes
Bruiloft te Kana
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: christ orders (six) jars to be filled with water ~ marriage-feast at cana, the marriage-feast at cana (john 2:1-11)

Op de bruiloft te Kana beveelt Christus zes kruiken met water te vullen. Vervolgens verandert hij het water in wijn.
Twee staande eenden
Object type: print
Date: 1878 – 1909
Materials: paper
Techniques: lithograph
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: water-birds: duck
Inscriptions: collector's mark: Lugt 2233

Prent is een proefdruk voor kalenderblad september 1909.
Tankard
Object type: tankard
Date: 1601 – 1650
Materials: amber, ivory, mica, silver gilt
Subjects: faces,flowers

See 17.190.545 for a similar amber tankard.
Joined lappets
Object type: lappet
Date: 1667 – 1700
Materials: linen
Techniques: lace
Subjects: flowers

The Metropolitan Museum's great lace collection was started when the Museum became the first among American museums to organize a permanent collection of lace with the acceptance of the McCallum Collection in 1879 and the bequests of Mrs. John Jacob Astor, Mrs. Robert L. Stuart, Mrs. Augustus Cleveland, and Mrs. A. W. Winters shortly thereafter. In 1893 a loan collection of antique laces shown at the World's Columbian Exposition in Chicago was assembled by a committee of New York women headed by Catharine Augusta Newbold. About 1900 Miss Newbold arranged and labeled an exhibition of laces and linenworks lent to the Metropolitan Museum by Mrs. James Boorman Johnstone and the Misses Johnstone. "Her scholarly knowledge of lace technique enabled the Museum for the first time to offer a comprehensive display of lace illustrating its historical development," wrote Miss Frances Morris, then curator of the textile department. Miss Newbold's name occurs again in connection with a group of thirty-eight laces recently given to the Museum by her nieces, Mrs. Donald P. Spence and The Lady Reigate, in memory of her sister, their mother, Mrs. William Redmond Cross. These represent a selection of the finest of Miss Newbold's personal lace collection, a collection probably made at the time she was active in lace circles in New York about the last decade of the nineteenth and early part of the twentieth century, under the guidance of Marian Hague, a distinguished connoisseur and collector herself. This period witnessed the last peak of appreciation of and connoisseurship in an art form that had been in tremendous vogue from its beginnings in the fifteenth century. And it was the last period in which fine laces were available in any number. Among choice examples of the great lace types represented in Miss Newbold's small collection are: early Italian pieces combining cut-work, pulled work, reticella, embroidery on linen ground; Sicilian polychrome silk filet; seventeenthcentury Venetian points (point de Venise à reseau and the widely known rose point de Venise); famous French needlepoints (Point de Paris, Argentan, Alençon); French and Flemish bobbin laces (Binche, Valenciennes, Brussels, Point d'Angleterre, and Point de Gaz); and a beautiful cap crown of Argentella (1979.310.9), a rare eighteenth-century European lace whose place of origin has never been surely determined
Boer met twee paarden bij een trog met water
Object type: drawing
Date: 1832 – 1880
Materials: paper, pencil
Techniques: brush
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Subjects: horse
Ex libris van G.E. a Wagner
Object type: bookplate
Date: 1818 – 1818
Materials: paper
Techniques: etching
Location: switzerland
Artist: gottlieb emanuel wysard
Artist role: painter, print maker
Artist dates: 1787 – 1837
Subjects: book, hourglass, oil-lamp, coin
Inscriptions: inscription: ‘Gerster 2430’, collector's mark: Lugt 2233, collector's mark: Lugt 2760
Plattegrond
Object type: ornament print
Date: 1559 – 1559
Materials: paper
Techniques: etching
Location: paris
Artist: jacques androuet
Artist role: draughtsman, print maker
Artist dates: 1515 – 1584
Subjects: plan ~ architecture

Plattegrond van architectuur. Genummerd: XLIX. Onderdeel van 'De architectura Iacobi Androuetii du Cerceau' (1559): 69 etsen met 171 voorstellingen van architectuur en ornamentiek.
Portret van twee jonge vrouwen
Object type: carte de visite
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: historical persons - bb - woman, adolescent, young woman, maiden (+ two persons)
Inscriptions: number: ‘225/ 350’
Nieuwjaarswens van de Amsterdamsche Grafische School voor 1922
Object type: print
Date: 1922 – 1922
Materials: paper, watercolor
Techniques: brush, lithograph
Artist: jan ligter
Artist role: draughtsman
Subjects: boy (child between toddler and youth), print, e.g.: engraving, etching, lithograph
Inscriptions: date

Jongen bekijkt een prent met een dradenteller. Op de prent staat '1922', het wapen van Amsterdam en 'AGS'.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Interior, part of the hair of a gorgoneion?; Exterior, part of a reserve line
Portaal van de Dom van Bamberg, Duitsland
Object type: carte de visite
Date: 1860 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: bamberg
Artist: s.p. christmann
Artist role: publisher
Subjects: parts of church exterior and annexes: portal
Inscriptions: number: ‘1106.’
Minnend paar wandelt in een middeleeuwse stad
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: etching, intaglio
Location: brussels
Artist: adrien aubry
Artist role: painter, print maker
Artist dates: 1834 – 1889
Subjects: prospect of city, town panorama, silhouette of city - ii - ideal city, arm in arm (lovers)
Inscriptions: annotation: ‘Bruxelles le 16 Fevrier 1872 / Ad. Aubry’, watermark: ‘Hallines’
In de stad
Object type: page
Date: 1865 – 1878
Materials: paper
Techniques: albumen print
Subjects: city-view in general; 'veduta'
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, lower body of a draped woman wearing a chiton and himation
100 Afbeeldinge der voornaamste gebouwen van Amsterdam
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, canals, waters (in city), bridge in city across river, canal, etc., boat propelled by man or animal
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Pieter Schenk (I), s.a. [1710-1711]. Of uit: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Barent Greve, s.a. [1757-1766]. In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
Skittles, from the Games and Sports series (N165) for Old Judge Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,women,games

The "Games and Sports" series of trading cards (N165) was issued by Goodwin & Company in 1889 to promote Old Judge Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series.
Spotprent
Object type: cartoon
Date: 1876 – 1876
Materials: paper
Techniques: lithograph
Location: netherlands

Spotprent . Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 16, 1876.
Religious teacher
Object type: sculpture
Date: 1300 – 1400
Materials: bronze
Location: karnataka
Artist: Anonymous
Subjects: hinduism, buddhism, jainism

This teacher’s right hand makes the gesture of edification (vitarka mudra). This statue may represent one of the Alvars, the poets-saints who dedicated themselves to the god Vishnu. The making of bronze images of these mystics and their veneration began around the 10th century in Tamil Nadu, under the Chola Dynasty. From this time on, their poems also became an integral part of the temple liturgy.
Vesta Victoria, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses
Fotoreproductie van een schilderij van Cornelis Springer, voorstellend de brink te Deventer met het waaggebouw en een markt
Object type: photograph
Date: 1869 – 1880
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: square, place, circus, etc., market, weigh-house, deventer

Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Standaarden met potloden van Eberhard Faber
Object type: photograph
Date: 1915 – 1935
Materials: paper
Techniques: gelatin silver print, hand coloring
Location: springfield
Subjects: pencil
Inscriptions: stamp: ‘Paramount/ Commercial Studios/ 145 Chestnut St./ Springfield - Mass.’, number: ‘605’
Marteling van een heilige
Object type: drawing
Date: 1656 – 1660
Materials: chalk, paper
Artist: mattia preti
Artist role: draughtsman
Artist dates: 1613 – 1699
Subjects: saints
Coffee Pot
Object type: ceramic
Date: 1820 – 1820
Materials: earthenware
Techniques: glazing
Location: staffordshire
Cup-Hilted Rapier
Object type: arm
Date: 1670 – 1690
Materials: brass, iron, metal alloy, metal, steel
Techniques: gilding
Culture: spanish
Location: italy
Twee foto's van de ruïne van Brederode en kinderen in lokale dracht in Marken
Object type: photograph
Materials: paper, cardboard
Techniques: gelatin silver print
Location: north holland
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: folk costume, regional costume, ruin of a dwelling, house, castle, etc., anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: caption: ‘Ruine van Brederode 14/5 '22/ Marken 16/5 '22’

Deze foto's maken deel uit van een album.
Soup plate
Object type: soup plate
Date: 1880 – 1880
Materials: bone china
Artist: minton(s)
Artist role: factory
Artist nationality: british
Artist dates: 1793 – 2001
Subjects: flowers

The rim was painted in imitation of the then-popular Chinese cloisonné enameling.
Pont-Neuf, Paris, from "Etchings of Paris"
Object type: print
Date: 1853 – 1853
Techniques: drypoint, etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: arches,bridges,paris

It seems likely that the poet Charles Baudelaire had this print in mind in 1859 when he admired "the majesty of accumulated stone" in Meryon’s work juxtaposed with "obelisks of industry, spewing forth . . . conglomerations of smoke" and "prodigious scaffolding of monuments under repair" that overlaid an "openwork architecture of a paradoxical beauty" upon the city. The seventeenth-century Pont-Neuf—the oldest surviving bridge in Paris at the time—was one such monument undergoing extensive renovation when Meryon made this print.
Aanvang van het jaar 1743
Object type: new year medal
Date: 1742 – 1742
Materials: silver
Techniques: engraving, striking
Location: amsterdam
Artist: martinus holtzhey
Artist role: medailleur, muntmaker
Artist dates: 1697 – 1764

Zilveren penning. Voorzijde: Holland, afgebeeld als vrouw met vrijheidshoed op speer en Mercuriusstaf zit in de Hollandse tuin tussen koopmanswaar, naast haar leeuw met pijlenbundel en bijbel op een altaar binnen omschrift. Keerzijde: stralende zon binnen slangerond, omwonden door bloemen en vruchten binnen omschrift
Gezichten op Parijs
Object type: print
Date: 1675 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: palais du louvre
Inscriptions: collector's mark: Lugt 2228
Fragment textiel
Object type: fragment
Date: 1658 – 1661
Materials: silk
Location: japan
Artist: Anonymous

Textielfragment, borduursel van korenaren op zijden damast.
Portret van Johan Banér
Object type: book illustration
Date: 1656 – 1656
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: politician, armour, historical persons

Prent uit: Brachelius, Johannes Adolphus. Historia nostri temporis, dat is: geschiedenis onses tijdts, (...). Rotterdam: Andries van Hoogenhuyse, 1656. Prent ook gebruikt in latere edities van dit werk.
The Actors Ichikawa Monnosuke I as Minamoto no Yoshiie and Sodesaki Iseno I as Onoe no Mae in the play "Kaomise Junidan," performed at the Nakamura Theater in the eleventh month, 1726 (?)
Object type: print
Date: 1726 – 1726
Techniques: hand coloring, woodblock print, urushi
Location: japan
Artist: torii kiyonobu ii
Artist nationality: japanese
Artist dates: 1725 – 1761
Schwalbach, Parthie aus dem Park. A.
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: bad schwalbach
Subjects: bridge, public gardens, park
Inscriptions: inscription: ‘Photographischer und Stereoscopischer Kunstverlag (...) Glas-u. Papier- Stereoscopbildern aller Weltgegenden’, number: ‘1667.’
Cookeilanden en bewoners
Object type: popular print
Date: 1869 – 1882
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: netherlands
Subjects: storm at sea, human races; peoples; nationalities
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van een bewoner, woningen en religieuze beelden van de Sandwicheilanden. Onder elke afbeelding een onderschrift. Genummerd midden boven: No. 55.
Portret van Baron Sirkma van Grovestins
Object type: drawing
Materials: paper, pencil
Artist: jacob joseph eeckhout
Artist role: draughtsman, print maker
Artist dates: 1793 – 1861
Subjects: historical persons, officer
Strafgevangenis Ommerschans, huismunt geslagen op last van de Maatschappij van Weldadigheid ter waarde van 25 cent
Object type: huismunt prison money
Date: 1822 – 1830
Materials: metal
Techniques: striking
Location: ommerschans
Artist: Anonymous
Subjects: maatschappij van weldadigheid, ommerschans

eenzijdige munt. Voorzijde: waardeaanduiding binnen parelrand; links en rechts: merk. Keerzijde: blanco
Portret van een man
Object type: album leaf
Date: 1860 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: utrecht
Artist: george lodewijk mulder
Artist role: fotograaf
Artist dates: 1841 – 1920
Subjects: adult man
Inscriptions: inscription: ‘G.L. Mulder Utrecht.’, inscription: ‘G.L.M./ Photogr. Atelier/ G.L. Mulder/ van Wijckskade H. 326/ Utrecht’
View of the Campagna of Rome
Object type: print
Date: 1778 – 1778
Materials: ink, paper
Techniques: aquatint, etching, printing
Location: scotland
Artist: richard cooper ii
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1740 – 1822
The Man in the Street
Object type: drawing and watercolor
Materials: crayon, graphite, paper
Location: england
Artist: philipp william may
Artist nationality: english
Artist dates: 1864 – 1903
The burning of the Masonic hall, Chestnut Street, March 9th, 1819
Object type: reproduction
Date: 1869 – 1874
Materials: photographic support
Techniques: albumen print
Location: philadelphia
Artist: frederick gutekunst
Artist role: fotograaf
Artist dates: 1831 – 1917
Subjects: extinguishing a fire, miscellaneous religions, cults and doctrines: freemasonry, façade (of house or building)
Gezicht op Venetië met de Chiesa di San Giorgio Maggiore
Object type: print
Date: 1884 – 1952
Materials: paper
Techniques: hand coloring, lithograph
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: church (exterior), canals, waters (in city)
Inscriptions: collector's mark: Lugt 2228
Rouw-Staetelijcke Lijk-pracht in de Uyt-Vaert en Begraefenisse van het ont-zielde Lichaem van (...) Wilhelm Frederich (...) Overleden binnen Leeuwarden (...) den een-en-twintichsten October, MDCLXIV. en aldaer in 't Choor van de Jacobijner Kerck, den vyfthienden december MDCLXIV. Oude Stijl (...)
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving
Location: leeuwarden
Subjects: cortege, funeral procession

Begrafenisoptocht van Willem Frederik, graaf van Nassau-Dietz, in Leeuwarden op 6 januari 1665. Deel van de begrafenisstoet. Plaat nr. 14 in een ensemble van 25 ongemonteerde genummerde platen en twee tekstbladen die samen een lange fries vormen.
Promenade des Pins à Beyrouth
Object type: photograph
Date: 1870 – 1870
Techniques: albumen silver print
Artist: félix bonfils
Artist role: fotograaf
Artist nationality: french
Artist dates: 1831 – 1885
Subjects: men,donkeys,trees
God's throne supported by two striding lions
Object type: throne for god
Date: 332 – 330
Materials: metal
Location: egypt
Subjects: lions,chairs

This throne has fittings for a separate statuette of a seated god. The lions forming the sides of the seat and the kneeling god heh holding notched reeds insignaling long rule are associated with royalty, and indicate Harpokrates or another god with royal stature would have been seated on the throne.
Portret van Ernest Renan
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: etching
Subjects: historical persons
Inscriptions: inscription: ‘a Aurelio de Baruch souvenir affectueux de san amigo Zorn’, collector's mark: Lugt 2228

Portret van Ernest Renan, Frans filosoof en schrijver.
Inname van Elbing door Rusland op Zweden 1710
Object type: history medal
Date: 1710 – 1710
Materials: tin
Techniques: striking

Tinnen penning, op de voorzijde het borstbeeld van Tsaar Peter de Grote naar rechts met omschrift, op de keerzijde een granaatwerpend soldaat met links een riviergod, op de achtergrond de plattegrond van Elbing, met omschrift en afsnedetekst.
Glass mosaic bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent deep purple, light blue appearing green, opaque white, yellow, and brick red. Vertical rim with rounded inner edge; side with thicker, convex collar below rim on interior, tapering downward. Composite mosaic pattern formed from polygonal sections of three canes: one in a purple ground with a concentric white circle and a central white rod surrounded by blue and yellow circles; another in a purple ground with an irregular scatter of red dots and a central white rod surrounded by blue and yellow circles, and the third in a blue ground with radiating yellow spokes around a central white rod. Polished exterior; pitting of surface bubbles on exterior; deep pitting and creamy iridescent weathering on interior, rim, and edges.