deem-data/ArtiFact huggingface dataset:
Mars weggestuurd door Minerva
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Location: italy
Subjects: (story of) mars (ares), (story of) minerva (pallas, athena), peace and prosperity, 'pax et abundantia'
Inscriptions: collector's mark: Lugt 2228

Minerva stuurt Mars weg bij de personificaties van vrede en voorspoed.
Titelpagina voor: C.M. de Talleyrand-Périgord, Gedenkschriften, 1814
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: politician, charles maurice hertog van talleyrand-périgord, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Talleyrand-Périgord, Charles Maurice de. Gedenkschriften van C.M. Talleyrand de Perigord (...). Amsterdam: Cornelis Timmer, 1814.
Rechterhelft van paneel met cartouche
Object type: ornament print
Date: 1628 – 1682
Materials: paper
Techniques: etching
Location: france

Naast de cartouche zweven twee putti, de bovenste houdt een open kroon vast.
Terracotta fragments of a stamnos (jar)
Object type: stamnos fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

The larger fragment has at the left, part of a draped figure?; at the right, part of the chitoniskos of a warrior to right; the smaller fragment depicts the lower folds of the chitoniskos and part of the greaved leg of a warrior to right
De Corneliuskapel in de Katakombe van Callistus
Object type: photomechanical print
Date: 1929 – 1929
Materials: cardboard
Techniques: photograph, writing
Location: valkenburg
Artist: Anonymous
Subjects: interior ~ representation of a building, catacombs
Inscriptions: mark: ‘ZN’
Wapens van de Zeventien Provinciën
Object type: book illustration
Date: 1582 – 1582
Materials: paper
Techniques: engraving, hand coloring, letterpress printing
Location: antwerp
Subjects: coat of arms (as symbol of the state, etc.)

In het midden het wapen van de provincie Brabant en een Latijnse tekst. Rondom een rand met wapens van de overige zestien Provinciën van de Habsburgse Nederlanden.
Hitomoto of the Daimonjiya with Attendants Senkaku and Banki
Object type: print
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Amstelsluizen in Amsterdam
Object type: print
Date: 1912 – 1912
Materials: paper
Techniques: etching, intaglio
Artist: cornelis brandenburg
Artist role: print maker
Artist dates: 1884 – 1954
Subjects: sluice, weir, urban housing, canals, waters (in city)
Inscriptions: collector's mark: Lugt 2228, watermark

Gezicht op de Amstelsluizen en de hoek van de Amstel en de Nieuwe Prinsengracht.
Intaglio Depicting a Theater Mask
Object type: costume and accessory
Materials: gold
Culture: roman
Location: roman empire
Subjects: theater, masks

Engraved or carved gemstones (intaglios) were commonly incorporated into signet rings and could be pressed into wax or clay to function as a personal or official seal. The resulting impression created an image in relief that was the reverse of the carving. The many examples of engraved gems that survive today reflect a broad range of subjects and levels of artistic skill, which varied depending on the owner’s taste and financial means.
Portret van een meisje aangeduid als Tekla Harras dochtertje
Object type: carte de visite
Date: 1860 – 1870
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: munich
Artist: n.a. dietz
Artist role: fotograaf
Subjects: historical persons
Inscriptions: address: ‘München, Sendlingerthorplatz Nr. 6 a./O. (Kupferstecher)’, inscription: ‘Tekla Harras dochtertje[...]’

Onderdeel van Fotoalbum van een Nederlandse familie met 50 cartes-de-visite.
Flacon met ketting
Object type: flacon, flakon
Date: 1600 – 1800
Materials: glass, silver
Techniques: façon de venise, glassblowing
Location: western europe
Artist: Anonymous

Flacon, rond en plat, in de vorm geblazen met straalsgewijze ribben. De mond gevat in een zilveren montuur met een stop aan een gevlochten ketting, en een schakelketting om de fles aan een ceintuur te hangen. Aan beide zijden centraal een getordeerd blauwe nop , de rand afgezet met kleine blauwe en kleurloze geknepen ornamenten.
Reproductie van een gravure van verschillende soorten dieren, getoond op de Exposition Nationale van 1880 in Brussel, door Armand Heins
Object type: page
Date: 1881 – 1882
Materials: paper
Techniques: photograph
Location: brussels
Subjects: animals, trade exhibition, industries fair, brussels
Inscriptions: name: ‘Heins’
Portret van een Japanse bloemschikkende vrouw
Object type: album leaf
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: arranging flowers, historical persons - bb - woman, sitting on the ground
Inscriptions: number: ‘200’
Portret van een meisje, staand bij een stoel
Object type: photograph
Date: 1863 – 1899
Materials: cardboard, photographic support
Techniques: albumen print
Location: gouda
Artist: frederik harting
Artist role: fotograaf
Artist dates: 1835 – 1902
Subjects: historical persons - bb - woman, toddler (female), standing figure - aa - female human figure, chair
Inscriptions: inscription: ‘F. HARTING/ PHOTOGRAPHE/ GOUDA’
De Hofstede Waslust, aan de Ring sloot, toe behoorende den Heer Barent Coman / Waslust, maison de campagne sur le Ringsloot apartent a Mr. Barent Coman
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, city-view in general; 'veduta', river, rural housing, e.g. country-house, villa, cottage, amsterdam

Prent waarschijnlijk uit: Tijsens, Gijsbert. Hollands Arcadia, of de vermaarde rivier den Amstel (...) naar 't léven getekend en in 't ligt gebragt door Abraham Rademaker (...). Amsterdam: Leonardus Schenk, 1730.
Domus Senatoria Vlissingensis
Object type: book illustration
Date: 1612 – 1648
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: townhall

Deze staat van prent voor het eerst ook gebruikt in: Guicciardini, Lodovico. Beschryvinghe van alle de Neder-landen, anderssins ghenoemt Neder-Duytslandt (…). Amsterdam: Willem Janszoon Blaeu, 1612.

Hierna is deze prent tot 1648 nog gebruikt in latere uitgaven van deze publicatie, uitgegeven door Blaeu en daarna door Janssonius. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Koffiehuis
Object type: book illustration
Date: 1711 – 1711
Materials: paper
Techniques: etching
Subjects: inn, coffee-house, public house, etc.
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Sancta Clara, Abraham à. Etwas für Alle, das ist: Eine kurtze Beschreibung allerley Stands- Ambts- und Gewerbs-Persohnen (...), 3 delen (1699-1733). Würtzburg: Martin Frank Hertz, 1711, dl. II, p. 152. Het betreft hier de tweede druk van deel II.
Square-Sided Jar with Dragons, Phoenixes, Cranes, and Auspicious Symbols
Object type: vessel
Materials: porcelain
Techniques: painting, underglaze
Location: china
Portrait of Mian Mir and Mulla Shah
Object type: illustrated album leaf
Date: 1695 – 1705
Materials: paper, watercolor
Location: india
Artist: muhammad musa
Artist role: artist
Subjects: men,portraits

Mullah Shah was the spiritual guide of the heir apparent to the Mughal throne, Prince Dara Shikoh, and his elder sister Princess Jahanara Begum. Both were initiated by him into the Qadri Sufi order in the year 1640. An identical portrait of Mullah Shah by the same hand is in an album from Kashmir housed at the Lahore Museum. Dated 1699–1702, the name of the artist is mentioned in the album’s preface. This painting, which is inspired by an earlier portrait in the collection of the Victoria & Albert Museum, represents the localization of an imperial Mughal style into regional schools in the late-seventeenth century Here, the three-dimensionality favored during the Jahangir and Shah Jahan periods gives way to flat blocks of color that rejects any sense of naturalistic space.
Cup
Object type: cup
Date: 1701 – 1800
Materials: stone, gemstone
Culture: chinese
Poem by Kamo no Chōmei with Underpainting of Cherry Blossoms
Object type: hanging scroll
Date: 1606 – 1606
Materials: gold, ink, paper, silver
Culture: japanese
Artist: hon'ami kōetsu
Artist role: artist
Artist nationality: japanese
Artist dates: 1558 – 1637
Subjects: poetry,trees

Nagamureba ni mono omou aki ni mata waga mi hitotsu no mine no matsu kaze Gazing into the distance, in a melancholy autumn mood, is it for me alone that winds howl through boughs of pines on that solitary peak? —Trans. John T. Carpenter This poem page is one of the earliest verifiable works by the influential calligrapher Hon’ami Kōetsu. The poem, included in the anthology New Collection of Ancient and Modern Poems (Shin kokin wakashū), is by the monk-poet Kamo no Chōmei (1153–1216), who was famous for his poems on cherry blossoms. Kōetsu and Tawaraya Sōtatsu produced many similar works on both individual sheets and handscrolls. Rarely do background motifs have any semantic or symbolic connection to the poems they accompany. Here, however, Kōetsu responded with élan to the decorated handscrolls and shikishi that Sōtatsu’s studio presented him to write upon.
Passing Characteristics in Twenty-Six Plates (cover)
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Artist: henry heath
Artist role: artist
Artist nationality: british
Artist dates: 1801 – 1858
Subjects: men,women,cauldrons
Dr. Mezger
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: willem steelink (ii)
Artist role: draughtsman, print maker
Artist dates: 1856 – 1928
Subjects: amsterdam, massage ~ medical treatment, historical persons, physician, doctor

Portret van de arts en masseur Johann Georg Mezger. Afgebeeld terwijl hij het been van een vrouw, mogelijk de koninklijke patiënte prinses Marie, masseert. Op de achtergrond het Amstel Hotel waar Mezger patiënten behandelde.
Fragment veelkleurige gebrocheerde zijde
Object type: fragment
Date: 1700 – 1800
Materials: silk
Techniques: brocade, damask

Fragment veelkleurig zijdeweefsel. De beige grond heeft een veelkleurige patroon van een vaasachtig ornament waaruit bladeren en bloemen komen, verbonden door slingerende bloemtakken en bloem- en bladranken. Gevoerd met zijde.
Trekpot van zilver, gestrekt bolvormig en afgezet met parelranden.
Object type: teapot
Date: 1886 – 1886
Materials: silver
Location: voorschoten

Trekpot van zilver. Gestrekt bolvormig en afgezet met parelranden.
Goddess of Upper Egypt
Object type: statuette, standing goddess, upper egypt
Date: 1550 – 1295
Materials: ivory
Location: egypt
Subjects: goddess
Nicolaas Pieter Jacob Kien, vijfentwintig jaar burgemeester van Utrecht
Object type: honorary medal
Date: 1864 – 1864
Materials: bronze
Techniques: striking
Location: utrecht
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: mayor, utrecht

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift binnen omschrift en eikekrans
Coin purse
Object type: coin purse
Date: 1790 – 1810
Materials: glass, metal, silk
Culture: mexican
Subjects: lions

The charming iconography on this coin purse includes animated lions, each with one foot up and mouth open. While the design of urn and grape clusters on the reverse is fairly conventional, it has been individualized with pendant clusters. The purse is part of the Mexican beadwork collection of over 600 pieces assembled by Elizabeth Morrow (1873-1955), mother of writer Anne Morrow Lindbergh, the wife of renowned aviator Charles Lindbergh. Morrow collected the objects between 1927 and 1930, when her husband, Dwight Morrow, Sr., served as U.S. ambassador to Mexico. She lent the collection to the Brooklyn Museum in 1938 and upon her death, her children donated it. A collection of 155 pieces of Mexican ceramics and other decorative arts were given to Amherst College, her husband's alma mater. Mrs. Morrow collected Mexican beadwork, along with other examples of colonial and native arts, to decorate their country home in Cuernavaca in order to promote a more peaceful image of that country through its works. The Morrows sought to overturn the perception of post-revolutionary Mexico as a violent and unstable nation by highlighting the richness and diversity of its colonial, folk, and contemporary art. Glass beads were originally imported to New Spain (Mexico) from Italian and Asian sources via Spanish colonial trade routes. By the early part of the nineteenth century, Spain had suffered the loss of almost all of its colonies and with the succeeding establishment of free trade British ships undertook the importation of beads to Mexico. Many of the design influences on the bags and cases in the collection came from Europe; patterns for beadwork designs came from contemporary fashion publications such as "La Dama Elegante."
Rover overmeestert jonge reizigster
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: woodcut
Location: japan
Artist: katsukawa shunchō
Subjects: rape, violation, coitus, cohabiting, sexual intercourse
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Naakte vrouw, een mouw voor haar gezicht houdend, overmeesterd door een man met doek om hoofd en zwaard langs linker zij. In de achtergrond een wegvluchtende man.
Sereno D. Nickerson
Object type: photograph
Date: 1876 – 1881
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult man
In 't Jaar 1036
Object type: design
Date: 1789 – 1810
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: nederland tijdens de late middeleeuwen

Man te paard buiten een stad, in het jaar 1036.
Atlas van Fouquet
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: prison, jail, workhouse, penal camp, penitentiary, chain gang, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam. Met derzelver beknopte beschryvingen. Amsterdam: Evert Maaskamp, 1805.

De prent werd eerder uitgegeven door Pierre Fouquet als onderdeel van de zogenaamde Atlas van Fouquet: stadsgezichten van Amsterdam naar tekeningen van verschillende kunstenaars. Deze prenten werden aanvankelijk (vanaf ca. 1760) los verkocht en later (1783) samengebonden gepubliceerd.
Architectuurperspectieven in ovale omlijstingen voor intarsia
Object type: ornament print
Date: 1601 – 1601
Materials: paper
Techniques: etching
Location: antwerp
Subjects: architectural representations in general, gate, entrance, vault ~ architecture

Portaal met een tongewelf, voorzien van een oculus. Links en rechts lege muurnissen. Op de achtergrond een stadspoort met hermen. In de hoeken rolwerk met maskers. De prent maakt deel uit van een album.
Hanging
Object type: hanging
Date: 1701 – 1800
Materials: textile, silk, thread, wool
Techniques: lining
Location: iran
Subjects: flowers
Landschap met drie mannen
Object type: print
Date: 1616 – 1680
Materials: paper
Techniques: etching
Location: venice
Subjects: landscapes, lake
Inscriptions: collector's mark: Lugt 240

Landschap met drie mannen aan de rand van een meer.
Ale or Wine Funnel
Object type: metalwork
Date: 1800 – 1800
Materials: pewter
Location: england
Mametita-gin [=zilveren boontje] van 1 bu het keizerrijk Japan, uit de 17e, 18e en 19e eeuw tot 1865
Object type: coin
Date: 1600 – 1865
Materials: silver
Techniques: striking

Zilveren langwerpige munt. Voorzijde: deel van een formele inscriptie met tijdperk-aanduiding: Of: "God van de Veelvuldigheid-symbool met op zijn buik tijdperk-aanduiding. Keerzijde: glad.
Vaas met soldaten bij een vuur
Object type: album leaf
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: vase ~ ornament, the soldier; the soldier's life, garden vase

Prent maakt deel uit van een serie van zeven prenten.
Vertoninge ende nae t' leven Afgebeelt, het door breecken vande St. Anthonis dyck buyten Amsterdam
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: dike-break

Dijkdoorbraak van de Sint-Antoniesdijk of Diemerzeedijk buiten Amsterdam op 5 maart 1651, veroorzaakt door de hoge watervloed en de sterke noordwester storm. Het water stroomt door het gat in de dijk, aan weerszijden van het gat toeschouwers in paniek. Op de achtergrond de torens van Amsterdam. Linksonder het eerste deel van de legenda A-C. Zie de bijbehorende plaat (FMH 2020).
Reproductie van een schilderij van kussende ruiters door Carl Schweninger
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Subjects: riding a horse, ass, or mule; rider, horseman, (lovers) kissing each other
Inscriptions: inscription: ‘Extrait de la "Photographische Correspondenz" 1900’, monogram: ‘AG’
Marble grave stele with a family group
Object type: grave stele with a family group
Date: 360 – 360
Materials: marble
Culture: greek, attic
Subjects: girls,men,women,family

Because the framing niche that once surrounded this relief is missing, there are no inscriptions that might identify the deceased. Both the seated man and the veiled woman behind him stare straight ahead, as if the young woman who gazes down at them were invisible. Do they mourn their dead daughter? Does she mourn her dead father, or is she the sole survivor of the group? Despite its ambiguity and solemn sadness, the relief conveys an intense, though restrained, sense of family unity. Carved by a master, this grave stele is one of the most magnificent examples that have survived from the classical period.
Design for Doorway Exterior
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: doors
Leaf from Aedes Walpolianae mounted with a print and a drawing (a): Head in Profile of Prodigal Son; (b): The Wagonner (after Peter Paul Rubens) in Jean-Paul Mariette mount
Object type: drawing
Date: 1620 – 1766
Materials: graphite, ink, watercolor
Techniques: engraving
Artist: richard earlom
Artist role: engraver
Artist nationality: british
Artist dates: 1743 – 1822
Subjects: heads,men,profiles
Chisel
Object type: chisel
Date: 3000 – 2001
Materials: stone
Location: anatolia
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, woman with chiton and himation seated on a rock
Gezicht op de gekapte vlaktes voor de aanleg van koffievelden van plantage Silo Sanen
Object type: panoramic photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: indonesia
Artist: Anonymous
Bowery, New York
Object type: stereograph
Date: 1901 – 1901
Materials: paper, cardboard
Techniques: gelatin silver print
Location: new york city
Artist: Anonymous
Subjects: city-view in general; 'veduta', railway, train, new york (city)
Inscriptions: number: ‘27’, inscription: ‘The " PERFEC" STEREOGRAPH. (Trade Mark.)/ Patented April 14, 1903. Other Patents Pending.’, copyright notice: ‘Copyright 1901 by H. C. White Co.’
The Milkmaid on the Path
Object type: print
Materials: paper
Techniques: etching
Location: germany
Artist: sebastian habenschaden
Artist nationality: german
Artist dates: 1813 – 1868
Kop, veelkleurig beschilderd vogels en bloemtakken
Object type: eating drinking utensil
Date: 1770 – 1770
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: factory mark

Halfbolvormige kop van beschilderd porselein. De kop heeft een oor in de vorm van twee met elkaar verstrengelde takken. De kop is beschilderd met vogels op een grond en bloemtakken. Langs de binnenrand loopt een ornamentrand in goud. De kop is gemerkt.
Wisteria and Goldfish 紫藤金魚圖
Object type: painting
Materials: ink, paper
Location: china
Artist: xugu 虛谷
Artist role: artist
Artist nationality: chinese
Artist dates: 1823 – 1896
Portret van Willem Gustaef Frederik Bentinck
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als boekillustratie in: Wagenaar, Jan. Vaderlandsche historie, (...) ten vervolge van Wagenaars Vaderlandsche historie. Dl. 1-43. Amsterdam: Johannes Allart, 1786-1809. Twintigste deel, 1798.
View of Lormes
Object type: painting
Materials: canvas, oil
Artist: jean-baptiste-camille corot
Artist role: artist
Artist nationality: french
Artist dates: 1796 – 1875
Subjects: villages,landscapes

This rapidly executed sketch, made outdoors, is one of several views of the countryside and villages in the Morvan, the mountainous region of Burgundy where Corot had many relatives, and which he visited in the early 1840s.
The Staircase with Trophies, plate 8 from Imaginary Prisons
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Democritus and Heraclitus
Object type: print
Date: 1650 – 1660
Techniques: etching
Artist: wenceslaus hollar
Artist role: former attribution
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: men,portraits,globes
Ierusalem niewlicks uyt den schriften Iosephus
Object type: print
Date: 1704 – 1712
Materials: paper
Techniques: etching
Subjects: jeruzalem
Inscriptions: collector's mark: Lugt 2228

Plattegrond van het oude Jeruzalem, gebaseerd op de boeken van Flavius Josephus. Binnen de stadsmuren zijn enkele locaties gedetailleerd weergegeven, zoals het paleis van koningin Helena, de burcht Antonia en het paleis van Herodes. Buiten de stadsmuren zijn onder andere Golgotha, de graven van Helena en Herodes en de olijfberg weergegeven.
Kop van man met baard en bril, met een bontkraag en grote baret
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: old man
Inscriptions: collector's mark: Lugt 240
Gezicht op de Houses of Parliament, te Londen, gezien vanaf de Theems
Object type: print
Date: 1870 – 1885
Materials: paper
Techniques: etching
Location: london
Subjects: lower house, parliament, chamber
Horseshoe, from the Novelties series (N228, Type 5) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Nest met drie eieren
Object type: drawing
Date: 1899 – 1920
Materials: chalk, paper
Artist: jan mankes
Artist role: draughtsman, painter, print maker
Artist dates: 1889 – 1920
Subjects: birds (+ egg)
Suit
Object type: suit
Date: 1860 – 1869
Materials: cotton, linen
Culture: american
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, head and part of upper torso of falling warrior wearing a helmet, and holding a shield over his left arm; part of round shield and bent leg with greave, of warrior to left
Portret van Andreas Vesalius
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Subjects: brussels, adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228