deem-data/ArtiFact huggingface dataset:
Cased Colt Model 1860 Army Percussion Revolver, Serial no. 7569, with Accessories
Object type: percussion revolver with case and accessory
Date: 1861 – 1861
Materials: brass, gold, silver, steel, textile, wood
Culture: american
Location: united states
Artist: samuel colt
Artist role: manufacturer
Artist nationality: american
Artist dates: 1814 – 1862

This finely engraved revolver was presented by Samuel Colt to Major Charles Traintor Baker (1821–1881), an officer in the Fifth Regiment of Connecticut Volunteers, at the outbreak of the Civil War.
Adelaide Prince, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Anubis
Object type: statuette, anubis
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: anubis
Gezicht op de Seine te Parijs met links het arsenaal
Object type: album leaf
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: river, ammunition store, arsenal, paris

Prent origineel vervaardigd als boekillustratie voor: Zeiller, Martin. Topographia Galliae, oder Beschreibung und Contrafaitung der vornehmbsten und bekantisten Oerter in dem mächtigen und grossen Königreich Frankreich, 13 delen. Frankfurt am Main: Caspar Merian, 1655-1661. De prent werd voor het eerst gepubliceerd in deel 1: Topographia Galliae, 1655.

De prent is langs de bovenrand van de voorstelling afgescheurd. Het bovenste gedeelte is hoger opgeplakt, zodat de lucht hoger is geworden en het formaat van de voorstelling past bij de andere groot formaatvoorstellingen in het album. De voorstelling is aan de bovenzijde aangevuld met een geschilderde lucht.
In the Bows of the Great Eastern: The Cable Broken and Lost, Preparing to Grapple, August 2nd, 1865
Object type: drawing
Date: 1865 – 1865
Materials: gouache, graphite, watercolor
Artist: robert charles dudley
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1909
Subjects: industry,ships,transatlantic cable

One of the 19th century's great technological achievements was to lay a telegraphic cable beneath the Atlantic, allowing messages to speed back and forth between North America and Europe in minutes, rather than ten or twelve days by steamer. An initially successful attempt in 1858, led by Cyrus W. Field and financed by the Atlantic Telegraph Company, failed after three weeks. Two working cables were finally laid in July and September 1866, the result of repeated efforts by the indefatigable Field, a cadre of engineers, technicians, and sailors, two groups of financial backers, and significant help from the British and United States navies. Dudley documented the process in a series of watercolors and oils, here showing the Great Eastern, a huge passenger steamer by Isambard Kingdom Brunel then recommissioned to serve the cable effort, lowering a grappling hook into the water after a cable broke and was lost at sea on August 2, 1865. Initial retrievalattempts proved fruitless, but the following summer the cable was located, brought up from the seabed, spliced, and laid on to Newfoundland. In 1892 Field donated art works by Dudley, commemorative medals, memorabilia, and specimens of cable to the Museum.
A Yarmouth Row
Object type: photograph
Date: 1887 – 1887
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Scherven van een kelderfles uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Typologically not identifiable, base, fragm.
Portret van Godfried van Bouillon in medaillon binnen rechthoekige omlijsting met ornamenten
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: godfrey of bouillon, godefroy of bouillon (one of the nine worthies)
Inscriptions: collector's mark: Lugt 2228

Portret van Godfried van Bouillon met helm en doornenkroon in medaillon binnen rechthoekige omlijsting met krulornamenten en vogels en een vleermuis.
Ikushima Shingoro as a Bushi (Samurai) and Ogino Yaegiri as a Woman with A girl Attendant
Object type: print
Date: 1709 – 1709
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
Subjects: girls,men,actors
Perpignan en andere steden in Rousillon
Object type: album leaf
Date: 1701 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: fortifications, military engineering, maps of cities

De vesting van Perpignan met legenda. Daaronder twee andere plaatsen in Rousillon. Met teksten in het Nederlands en Frans. De prent maakt deel uit van een album.
Fotoreproductie van een schilderij voorstellende het laatste oordeel
Object type: photograph
Date: 1857 – 1900
Materials: cardboard, paper
Techniques: albumen print
Subjects: picture, painting, wall-covering
Inscriptions: number: ‘411’
Galerie historique de Versailles
Object type: print
Date: 1818 – 1848
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: painter, engineer, sculptor, historical persons, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228
Block statue of Hor
Object type: block statue, hor
Date: 1550 – 1295
Materials: granite
Location: northern upper egypt
Subjects: men,hieroglyphs
Vier portretten van vrienden van Loentje Onnen
Object type: album leaf
Date: 1912 – 1913
Materials: paper
Techniques: gelatin silver print
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: motor-cycles and other two-wheeled motor-vehicles, historical persons not known by name
Inscriptions: inscription: ‘Some people say they like Lobster, but it's/ really its inside they are mad about!’

Deze foto's maken deel uit van een album.
Bal, op de achtergrond een orkestje
Object type: drawing
Date: 1811 – 1873
Materials: paper
Techniques: brush
Artist: pieter van loon
Artist role: draughtsman
Artist dates: 1801 – 1873
Brief aan anoniem
Object type: letter
Date: 1896 – 1896
Materials: ink, paper
Techniques: pen, writing
Location: heere
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: drawing
Gezicht op Ávila
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: pencil
Location: avila
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: city-view, and landscape with man-made constructions, bridge
Inscriptions: annotation: ‘avila’

Met op de voorgrond de brug richting de stad. Pagina 50 uit een schetsboek met 50 bladen.
Gezicht op Port Said
Object type: photograph
Materials: photographic support
Techniques: albumen print
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘No. 10 Vue generale de Port-Said’, annotation: ‘a/b s.s. Prinses Amalia." 23-27 October 1894’
Bible
Object type: bible
Date: 1235 – 1235
Materials: ink, leather, metal leaf, parchment, paint
Techniques: bookbinding
Culture: french
Location: france
Cornices, in Chippendale Drawings, Vol. I
Object type: drawing ornament architecture
Date: 1753 – 1762
Materials: ink
Techniques: wash
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: ornament

Six designs for cornices. Not published in Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'.
Sleutel van ijzer
Object type: key
Date: 1500 – 1600
Materials: iron
Location: france

Gesmeed ijzeren sleutel. Geheel opengewerkt. Aan de ring twee maskers. De baard in een twintigtal dunne bladen gedeeld. Waarschijnlijk gilde proefstuk.
Zak van rood en wit en zwart gestreepte keperkatoen
Object type: clothing
Date: 1850 – 1900
Materials: cotton
Techniques: weave
Location: netherlands
Artist: Anonymous

Zak van rood en wit en zwart gestreepte keperkatoen.
Arcadisch landschap met een rivier en drie badende vrouwen
Object type: print
Date: 1656 – 1726
Materials: paper
Techniques: etching
Location: unknown
Artist: johannes glauber
Artist role: draughtsman, painter, print maker
Artist dates: 1646 – 1726
Subjects: taking a bath - aa - in the open air, river (+ landscape with figures, staffage), pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 2228

Een arcadisch landschap met een rivier en drie badende vrouwen. De prent maakt deel uit van een serie met arcadische landschappen.
Flail scepter from the tomb of Senebtisi
Object type: scepter, senebtisi
Date: 1850 – 1775
Materials: gemstone, faience, gold, paint, wood
Location: egypt
Dees kinderprent leert, kort en goed, / Wat nut de werktuigkunde doet: / Hoe zij der menschen werk verligt, / En onbegrijplijk veel verricht
Object type: popular print
Date: 1794 – 1804
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: tools and machines ~ building, dynamics, kinetics, printing press, dock crane

Blad met 8 voorstellingen van mannen die werktuigen gebruiken, zoals een pers en een hijskraan. Onder elke afbeelding een zesregelig vers. Genummerd rechtsboven: F.
The Market Woman
Object type: print
Date: 1542 – 1542
Materials: paper
Techniques: engraving
Location: germany
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Straatbeeld met begrafenisoptocht
Object type: photograph
Date: 1905 – 1905
Materials: paper
Techniques: photography
Location: paramaribo
Artist: augusta curiel
Artist role: fotograaf
Artist dates: 1873 – 1937
Subjects: paramaribo (stad)
Studieblad met koppen, takken en arceringen
Object type: print
Date: 1803 – 1842
Materials: paper
Techniques: etching
Subjects: head (human) (+ right side visible; right - (r. hand, r. foot, etc.))
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Bytwater no.1’, inscription: ‘5 uur, 4 uur, 3 uur, 2 uur, 1 uur’
Vlissingen - de mailboot Prinses Juliana
Object type: album leaf
Materials: paper
Techniques: rotogravure
Location: flushing
Artist: Anonymous
Subjects: harbour, postal service, steamship, motorship, flushing

Deze prent maakt deel uit van een album.
[Two Girls in Identical Dresses]
Object type: photograph
Date: 1857 – 1857
Techniques: daguerreotype
Artist: jeremiah gurney
Artist role: artist
Artist nationality: american
Artist dates: 1812 – 1895
Subjects: girls,portraits

Jeremiah Gurney was born in New York State and moved to New York City to work in the jewelry trade. He was among the earliest of the city's residents to learn the daguerreotype process and in 1840 opened one of the first portrait galleries on Broadway. Blessed with remarkable technical skills, Gurney created tonally delicate, startlingly three-dimensional portraits such as this study of two sisters. His clientele were New York's cultural elite, not the political and entertainment world catered to by his more illustrious colleague, Mathew B. Brady. Gurney effortlessly established himself, not by soliciting portraits of public figures but simply by producing the finest daguerreotypes in Gotham.
Auvers, Panoramic View
Object type: painting
Date: 1873 – 1875
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: paul cézanne
Artist role: artist
Artist nationality: french
Artist dates: 1839 – 1906
Subjects: century of progress, building, buildings, countryside, france, hills, homes, house, houses, sky, towns, townscapes, trees, weather/seasons, landscapes, world's fairs, chicago world's fairs

Paul Cezanne made this work during his first prolonged stay at Auvers, where he was mentored by Impressionist painter Camille Pissarro. Cezanne rendered the unusual perspective—looking down onto the rooftops of Auvers and out to the distant countryside—using blocky, energetic patches of color and areas of ragged brushwork that seem unfinished, especially at the lower left and center. These choices, which were radical at the time, mark his attempt to communicate not merely the landscape’s appearance but also the feeling of seeing it and painting it.
Tale of Genji
Object type: book
Date: 1701 – 1900
Materials: gold, ink, lacquer, paper
Techniques: dyeing, painting
Culture: japanese
Location: japan
Ex libris van Włodzimierz Egiersdorff
Object type: bookplate
Date: 1911 – 1977
Materials: paper
Techniques: woodcut
Location: poland
Artist: stanisłas szymański
Artist role: print maker
Subjects: open door
Inscriptions: inscription: ‘Pologne/ bois Szymanski’
Stereoscopic Photographs of the Photographer’s Children Running and Jumping, Domburg
Object type: stereograph
Date: 1899 – 1899
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: domburg
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Subjects: domburg
Inscriptions: title: ‘Domburg 1899’
Kandelaar
Object type: candlestick
Date: 1741 – 1741
Materials: silver
Location: amsterdam
Artist: willem van strant
Artist role: silversmith
Artist dates: 1682 – 1742

Kandelaar op een vierkante, geprofileerde, gewelfde voet met afgeschuide hoeken. De stam is geprofileerd en balustervormig. De kandelaar is gemerkt: stk.= Amsterdam, jrl.= G (1741), mt.= Willem van Strant en een bijltje.
Portret van Johann Philipp Kellner
Object type: print
Date: 1719 – 1737
Materials: paper
Techniques: mezzotint
Location: augsburg
Subjects: mayor, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Roma - Museo Capitolino - Vecchia
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: terni
Subjects: statues, paintings, etc. ~ objects of worship in roman religion, permanent exhibition, museum

Prentbriefkaart maakt deel uit van een album.
Duke's Little Joker, from the Playing Cards series (N84) to promote Turkish Cross-Cut Cigarettes for W. Duke, Sons and Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: playing cards

Trade cards from the "Playing Cards" series (N84), issued in a set of 53 cards in 1888 to promote Turkish Cross-Cut Cigarettes produced by W. Duke Sons & Co. The versos across the set display a matching abstract floral pattern. The Joker advertises Duke brand cigarettes and the Ace of Spades displays an ad for Turkish Cross-Cut Cigarettes. Besides Turkish Cross-Cut, a version of the same set of playing cards was also released to promote the overall W. Duke Sons & Co. brand.
Cuirassier, Spain, 1853, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,swords,men,profiles

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Brief aan August Allebé
Object type: letter
Date: 1848 – 1882
Materials: ink, paper
Techniques: pen, writing
Location: leiden
Artist: alexander hugo bakker korff
Artist role: draughtsman
Artist dates: 1824 – 1882
Subjects: draughtsman, amsterdam, august allebé, drawing, education, tuition of the artist (in general)
Amsterdam, Rembrandt-Theater
Object type: ansichtkaart, prentbriefkaart
Date: 1875 – 1930
Materials: cardboard
Techniques: photograph
Location: amsterdam
Artist: a.j. nuss
Artist role: printer, publisher
Artist dates: 1843 – 
Subjects: theatre (building)
Bedcover (Bride's Album Quilt)
Object type: textile
Date: 1850 – 1860
Location: united states
Artist: fanny lovejoy
Artist dates: 1856 – 1857
Glaspaneel met Chinese voorstelling (vrouw) van tempelstuk
Object type: drinking glass
Date: 1600 – 1650
Materials: glass

Glaspaneel met Chinese voorstelling van tempelstuk.
Titelpagina voor: S.n., Hedendaagsche historie of Het vervolg van de Algemeene historie, 1786
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: africa represented allegorically; 'africa' (ripa)
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: S.n. Hedendaagsche historie of Het vervolg van de Algemeene historie (...) XIVde deel. Amsterdam: Schalekamp, M., 1786.
Prent afkomstig uit een plakalbum met titelprenten, ornamenten etc. op blauw papier in 1983 uit elkaar gehaald. Volgens een notitie op verso zat de prent op p. 203 van dit album.
Chessman
Object type: chessman
Date: 201 – 700
Materials: ceramic
Culture: sasanian
Location: iran
Subjects: chess,games

Objects such as this one can present problems of interpretation when they are not preserved as part of a set. This conical ceramic token is identified as a chessman, but it could just as well be a backgammon piece, or some sort of token not related to board games at all. Chess, whose origin is traditionally attributed to India, and backgammon are both attested in Iran by the late Sasanian period. The small town and fortress of Qasr-i Abu Nasr is located near Shiraz in southern Iran at a strategic point at the intersection of defensive mountains, available water sources, and along roads entering the Shiraz plain. The site was excavated by archaeologists from The Metropolitan Museum of Art for three seasons from 1932-1935. The town was occupied, at least intermittently, from the Parthian period (3rd century B.C.–3rd century A.D.) to the Muzaffarid period (13th-14th century A.D.). The major occupation, including the extensive fortress, dates to the Late Sasanian period (6th-7th century A.D.).
Portretten van onderhandelaars bij de Vrede van Munster
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Subjects: matthäus timmerscheidt
Inscriptions: collector's mark: Lugt 2228

Johannes Timmerscheidt, burgemeester van Munster en onderhandelaar bij de Vrede van Munster. Portret in ovale lijst met buste naar links. De prent bevat een Latijns onderschrift in cartouche, een randschrift en ornament met wapen bovenaan en onderaan.
Sabinea mulieres bello (...) affines conciliant
Object type: print
Date: 1573 – 1573
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista fontana
Artist role: draughtsman, painter, print maker
Artist dates: 1524 – 1587
Subjects: (story of) romulus and remus, reconciliation of the sabines and the romans: the women, some holding their babies, others with their hair loose, and possibly encouraged by hersilia call for peace in the midst of the two fighting armies
Inscriptions: date

De moeders van de Sabijnse maagden werpen zich tussen de twee vechtende legers van Sabijnen en Romeinen en doen een oproep tot vrede. De prent maakt deel uit van een album.
Hercules leidt man langs personificaties van deugden naar tempel voor eeuwige roem
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: brussels
Subjects: (story of) hercules (heracles), the seven virtues (symbolized), honour, glory; 'ampiezza della gloria', 'gloria', 'gloria de prencipi', 'gloria & honore', 'honore', 'sublimatà della gloria' (ripa)

Hercules leidt een man langs personificaties van deugden naar tempel voor eeuwige roem. De man, een heerser, draagt een harnas en vertrapt met zijn voeten een veelkoppige draak, in zijn hand houdt hij een knots. Deugden staan met attributen op sokkels langs een pad dat omhoog leidt naar een tempel waar David met het hoofd van Goliath en andere bijbelse helden wachten en Minerva op een troon zit. Opschrift op het fries van de tempel sic itur ad astra. De symboliek verwijst naar de inhoud van de uitgave waarin de auteur met emblemen aanbevelingen doet voor een heerser, een prins, om met behulp van deugden het juiste politieke leiderschap te tonen.
Drie vlakken met tulpen, plataan en een festoen met fruit
Object type: page
Date: 1887 – 1897
Materials: paper
Techniques: photograph
Location: vienna
Artist: Anonymous
Subjects: flowers: tulip, ornament ~ festoon, garland, fruits
Inscriptions: number: ‘116.’
Sword Guard (<i>Tsuba</i>)
Object type: sword guard tsuba
Date: 1601 – 1700
Materials: copper, gold alloy, gold, silver
Culture: japanese
Location: japan
Coat (Choga)
Object type: coat
Date: 1834 – 1866
Materials: wool
Techniques: embroidery
Location: india
A Man Seen from the Back Leaning on a Cane or Mallet
Object type: print
Date: 1629 – 1629
Techniques: etching
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Subjects: men
Untitled (Portrait of Seated Woman)
Object type: photograph
Date: 1865 – 1881
Techniques: albumen print
Location: united states
Artist: lyman w. colby
Studie van een kreeft
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: crustaceans: lobster
Inscriptions: number: ‘10’, number: ‘878’
Hoe Europa de vredespijp rookt
Object type: cartoon
Date: 1887 – 1887
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: willem steelink (ii)
Artist role: draughtsman, print maker
Artist dates: 1856 – 1928
Subjects: projectiles, explosives, etc.: gunpowder, symbols, allegories of peace, 'pax'; 'pace' (ripa), pipe ~ tobacco, political caricatures and satires

Leiders van de Europese landen roken pijpen zittend tussen wapens, granaten en vaten buskruit en dynamiet.
Psitaci duplex genus
Object type: print
Date: 1570 – 1600
Materials: paper
Techniques: engraving
Location: antwerp
Artist: adriaen collaert
Artist role: draughtsman, print maker
Artist dates: 1560 – 1618
Subjects: ornamental birds: parrot

Twee grijze roodstaart papegaaien in een landschap met een boerderij. Prent is onderdeel van een prentalbum met zeven prenten van vogels en de titelprent.
Hat
Object type: hat
Date: 1767 – 1833
Culture: italian
Vogelvluchtgezicht op de Beurs van Hendrik de Keyser te Amsterdam, voor 1668
Object type: book illustration
Date: 1663 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), stock exchange, stock-market, courtyard, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Huidige staat van prent ook gebruikt in: Dapper, Olfert. Historische beschryving der stadt Amsterdam: waer in de voornaemste geschiedenissen (na een kort verhael van gansch Hollant en d'omleggende dorpen (…). Amsterdam: Jacob van Meurs, 1663.* En in: Zesen, Philipp von. Beschreibung der Stadt Amsterdam: darinnen von derselben ersten Ursprunge bis auf gegenwärtigen Zustand (…). Amsterdam: Joachim Nosche, 1664.

* In sommige exemplaren van deze uitgave komt de huidige staat van de prent voor. In andere exemplaren is een latere staat ingebonden, waarop boven de Nederlandse een Franse titel is toegevoegd.
Wapen van de notarissen van het Châtelet in Parijs met personificaties van het Goede Geloof en de Wet
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: engraving
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240