deem-data/ArtiFact huggingface dataset:
Gezicht op de kerk en het rechthuis van Hilversum na de brand van 1766
Object type: print
Date: 1770 – 1800
Materials: paper
Techniques: etching
Subjects: ruin of church, monastery, etc., village street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Portret van Georg III Thurzo von Bethlendorf
Object type: print
Date: 1607 – 1607
Materials: paper
Techniques: engraving
Location: prague
Artist: aegidius sadeler (ii)
Artist role: draughtsman, print maker
Artist dates: 1568 – 1629
Subjects: earl
Inscriptions: collector's mark: Lugt 2228

Graaf Georg Thurzo de Bethlenfalvy, lid van het Hongaarse adellijke geslacht Thurzo en onderkoning van Hongarije.
Portret van Hendrik de la Tour d'Auvergne
Object type: print
Date: 1725 – 1779
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob van der schley
Artist role: draughtsman, print maker
Artist dates: 1715 – 1779
Subjects: armour
Inscriptions: collector's mark: Lugt 2228

Portret van Hendrik de la Tour d'Auvergne, burggraaf van Turenne. Hij draagt een harnas.
Design for a Candelabra
Object type: drawing ornament architecture
Date: 1550 – 1580
Materials: chalk
Artist: bernardo buontalenti (bernardo delle girandole)
Artist role: artist
Artist nationality: italian
Artist dates: 1526 – 1608
Subjects: candelabra
A peasant woman herds two cows across a stream, walking towards the left, plate 2 from "Diversi capricci"
Object type: print
Date: 1644 – 1647
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: women,cows
Gevel van het pand 'In de steenrotse' aan de Dwarskaai te Middelburg
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: huis in de steenrotse
Geit
Object type: sculpture
Date: 1520 – 1550
Materials: bronze
Techniques: patinaed
Location: padua
Artist: Anonymous

Goat. Bronze. Padua, c. 1520 - 1550.
Buffet à deux corps. Néo-Grec
Object type: print
Date: 1832 – 1877
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage

Een buffetkast in de stijl van de neo-grec. Prent uit 31e Livraison.
Studies van kreeften
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: crustaceans: lobster
Inscriptions: number: ‘37’, number: ‘905’
Horses and pigs in a landscape, Windsor
Object type: drawing
Date: 1793 – 1794
Materials: graphite, watercolor
Artist: thomas girtin
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1802
Subjects: horses,pigs

This unfinished study demonstrates how Girtin developed compositions, layering brown and blue watercolor washes to indicate patches of foliage, then adding dappled brushwork to suggest leaves. Lines of graphite left untouched describe pigs in the left foreground, as well as horses, baskets, and figures at center and right. The drawing was likely made around the same time as a finished watercolor by the artist that hangs nearby, representing deer resting in Windsor Forest.
Buste van een onbekende vrouw op een sokkel
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: sculpture, anonymous historical person portrayed - bb - woman
Inscriptions: annotation: ‘Beschilderde Marmeren/ buste’, collector's mark: ‘RIJKS NORMAALSCHOOL voor TEEKEN[ONDERWIJZERS] AMSTER[DAM]’, annotation: ‘Italië 6’
Brush
Object type: brush
Date: 1736 – 1795
Materials: jade
Culture: chinese
Portret van Richard Hol
Object type: print
Date: 1856 – 1867
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: amsterdam, artist, printed edition of musical score, historical persons (+ three-quarter length portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde zit met zijn armen over elkaar op een stoel. Hij heeft zijn haar achterover gekamd en draagt een snor. Op de tafel naast hem liggen papieren met notenschrift en een blad met de titel: 'Leyden Ontzet'.
Varkens
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: paper, pencil
Subjects: pig
Inscriptions: workshop stamp: Lugt 291d

Pagina G, los aangetroffen tussen blad 33 en het achterste schutblad in een schetsboek met 16 bladen.
Landschap met bomen
Object type: drawing
Date: 1813 – 1863
Materials: paper, pencil
Techniques: brush
Artist: arnoldus johannes eymer
Artist role: draughtsman, print maker
Artist dates: 1803 – 1863
Villeroy en de keurvorst van Beieren knielen voor Lodewijk XIV, 1706
Object type: cartoon
Date: 1706 – 1706
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: lodewijk xiv (koning van frankrijk), paris, françois de neufville (hertog van villeroy), maximiliaan ii emanuel (keurvorst van beieren), political caricatures and satires

De hertog van Villeroy en Maximiliaan II Emanuel, de keurvorst van Beieren, knielen met de kous op de kop voor koning Lodewijk XIV, 1706. In de plaat verzen in het Nederlands en Frans. Spotprent op de situatie in het jaar 1706 in de Spaanse Successieoorlog. Onderdeel van een reeks van 25 spotprenten op de Fransen en bondgenoten uit het jaar 1706.
Portret van een man
Object type: album leaf
Date: 1868 – 1869
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: adult man, historical persons
Inscriptions: annotation: ‘Frans [...]’, inscription: ‘C. Janssens & E. Rademacher/ PHotographers/ Hofplein 14. 341/ Rotterdam’, annotation: ‘Frans [...]’
La Roche-Guyon
Object type: print
Date: 1829 – 1831
Techniques: printmaking, lithograph
Location: paris
Subjects: quay (+ city(-scape) with figures, staffage), river (+ landscape with figures, staffage), prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage)
Inscriptions: check stamp: Lugt 1828b, collector's mark: Lugt 2228a

Prent maakt deel uit van een omslag met twaalf prenten.
Allegorie op Vrolijkheid en Genoegen
Object type: design
Date: 1677 – 1755
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: elias van nijmegen
Artist role: draughtsman, painter
Artist dates: 1667 – 1755
Subjects: pleasure, enjoyment, joy; 'allegrezza', 'allegrezza da le medaglie', 'allegrezza, letitia e giubilo', 'diletto', 'piacere', 'piacere honesto' (ripa)
Cavetto Tile from the palace of Ramesses II
Object type: tile, palace of ramesses ii, cavetto
Date: 1279 – 1213
Materials: faience
Location: egypt

This tile once decorated the palace of Ramesses II in Piramesse, which he made into one of the greatest royal cities of ancient Egypt. Thanks to the royal favor and its strategic location, Piramesse soon became an important international trade center and a cosmopolitan metropolis, boasting a harbor, a military base, and temples dedicated to various gods like Amun-Re-Harakhty-Atum, Seth, Astarte, etc. Poems were written in the city's praise, and its name, which translates as "The House of Ramesses, Beloved of Amun, Great of Victories" when fully written, came to us through the Old Testament as ‘Raamses.’ The tiles bear the names of Seti I, Ramesses II and later Ramesside kings, who renovated the palace and changed its decoration through the reigns. New tiles were made, and the old tiles may be have been dismantled and buried together. Based on the tiles, we can still reconstruct quite a number of the features of the palace that are now completely lost, including throne podiums, steps, windows of appearance, and faience sculptures. This tile belongs to the railing of a throne platform and its stairways. It curves out slightly at the top and was probably part of the cornice.
Staande edelman met lans
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: Anonymous
Subjects: nobility and patriciate; chivalry, knighthood

Staande edelman met een lans in de hand, met de punt op de grond. Onderdeel van het modelboek Enchiridion artis pingendi, fingendi & sculpendi met 108 figuren bedoeld voor beginnende schilders, beeldhouwers en prentmakers.
Presentation of the Infant Jesus in the Temple
Object type: drawing
Date: 1643 – 1643
Materials: ink
Techniques: pen, wash
Location: france
Artist: charles mellin
Artist role: artist
Artist nationality: french
Artist dates: 1597 – 1649
Subjects: infants,men,women,jesus
Zes scènes met arabesken
Object type: ornament print
Date: 1746 – 1800
Materials: paper
Techniques: etching
Location: paris
Artist: kollmann
Artist dates: 1700 – 1799
Subjects: ornament ~ arabesque, vase ~ ornament, postures of the human figure - aa - female human figure
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Zes scènes met arabesken, staande en zittende vrouwen en vazen.
Portret van Arthur Kinnaird, elfde Lord Kinnaird
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons
Mechanic Tattooing
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Slobkous van ecrukleurig keperkatoen, waarop vier parelmoerkleurige knopen en een linnen riem met metalen gesp onder de voet
Object type: clothing
Date: 1900 – 1930
Materials: cotton, metal, mother of pearl
Techniques: weave
Location: netherlands
Artist: Anonymous

Slobkous van ecrukleurig keperkatoen, waarop vier parelmoerkleurige knopen en een linnen riem met metalen gesp onder de voet. Voering van ecrukleurig katoen
Firing squad shooting a man with his left hand on his chest
Object type: print
Date: 1880 – 1910
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: military,firearms,men,execution
Portret van Jacques Jordaens
Object type: drawing
Date: 1780 – 1848
Materials: chalk, paper
Artist: martinus schouman
Artist role: draughtsman, painter
Artist dates: 1770 – 1848
Subjects: antwerp, painter, print maker, draughtsman, designer, jacques jordaens, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Reisalbum Frankrijk en Spanje
Object type: photograph album
Date: 1880 – 1900
Materials: cardboard, leather, paper, photographic support
Techniques: albumen print, painting
Subjects: city-view in general; 'veduta', castle, river, church (exterior), cloisters ~ monastery, mountains, paris
Inscriptions: annotation: ‘foto's/ 16 Parijs/ 66 Frankrijk diverse/ 3 Spanje/ 12 [...]’

Fotoalbum met 36 bladen en in totaal 78 foto's, zeven fotomechanische afdrukken en twaalf prenten. De eerste fotomechanische afdruk is op het schutblad geplakt. Het album bevat opnamen van een reis door Frankrijk en Spanje. Het bevat voornamelijk opnamen van gebouwen en landschappen in onder andere Parijs, Chartres, Toulouse, Perpignan, Biarritz, San Sebastian en Bordeaux.
La Vera Perfettione del Disegno di varie sorti di recami, page 8 (recto)
Object type: book print ornament architecture
Date: 1567 – 1567
Techniques: woodcut
Artist: giovanni ostaus
Artist role: publisher
Artist nationality: italian
Artist dates: 1507 – 1607
Subjects: ornament

Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice. From top to bottom, and left to right: Design composed of 5 registers that are printed upon a grid. All registers are decorated with diverse geometric and linear patterns that create forms resembling flowers and foliage.
Mozes met de Tien Geboden
Object type: titelprent, frontispice
Date: 1585 – 1589
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: purification of the temple ('first' and 'second'): christ driving the money-changers from the temple with a whip (matthew 21:12-13; mark 11:15-17; luke 19:45-46; john 12:12-19), prayer of solomon; solomon kneels before the altar, moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, tables of the law, a samaritan tending the wounds of the traveller, the ten commandments (exodus 20:3-17), moses on mount sinai with the tables of the law (exodus 24:9-18, 31:18)
Inscriptions: collector's mark: Lugt 2228

Mozes staat in het midden en houdt twee stenen tafelen vast met daarop de Latijnse versie van de Tien Geboden. Aan weerszijden van hem vier afbeeldingen. Bovenaan links koning Salomo's gebed tijdens de inwijding van de tempel (1 Koningen 8). Onderaan links verdrijft Christus de geldwisselaars uit de tempel (Lucas 19:45). Bovenaan rechts de verschijning van God aan Mozes op de berg Sinaï (Exodus 19). Onderaan rechts een scène uit de parabel van de Barmhartige Samaritaan (Lucas 10:25-37). Deze afbeeldingen hebben een Latijns onderschrift. De prent heeft een Latijns boven- en onderschrift. De prent is de titelprent van een serie over de Tien Geboden uitgebeeld met behulp van scènes van het Oude Testament.
Banknote motif: Five oval or circular ornamental lathe work designs, one containing the word ten
Object type: print
Date: 1824 – 1842
Techniques: engraving
Artist: cyrus durand
Artist role: artist
Artist nationality: american
Artist dates: 1787 – 1868
Subjects: ornament,money
Bisdom Luik, sede vacante, patagon, 1688
Object type: coin
Date: 1688 – 1688
Materials: silver
Techniques: striking
Location: liège

Zilveren munt. Voorzijde: binnen versierd ovaal portret van de heilige Lambertus naar links. Jaartal bovenaan in omschrift. Keerzijde: gekroond samengesteld wapenschild. Randschrift [?].
Rij huizen aan een kade
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: chalk, paper
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: the usual house or row of houses

Blad 17 recto uit een schetsboek met 47 bladen.
Corset
Object type: corset
Date: 1884 – 1884
Materials: cotton, metal, silk
Culture: french
Drawing of the Crucifixion
Object type: drawing, fraktur
Date: 1800 – 1800
Materials: paper, watercolor
Culture: american
Location: united states
Subjects: soldiers,christ,cross,crucifixion
Portret van Pierre Gassendi
Object type: print
Date: 1760 – 1769
Materials: paper
Techniques: printmaking
Location: france
Subjects: paris, priest, scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Saverien, Alexandre. L'Histoire des Philosophes modernes, avec leur portrait gravé dans le goût du crayon, d'apres les desseins des plus grands peintres. Parijs: Jean Charles François, 1760-1761, dl. 3
Panel
Object type: textile
Date: 1700 – 1700
Materials: silk, thread
Techniques: brocade, satin weave, weave
Location: portugal
Fotoreproductie van een prent, voorstellende de hemelvaart van Christus
Object type: page
Date: 1868 – 1873
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: christ aloft in the sky ~ ascension
Honderdste verjaardag van Jan Christiaan Hamelman
Object type: family medal
Date: 1838 – 1838
Materials: silver
Techniques: striking
Location: utrecht
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: amsterdam

Zilveren penning. Voorzijde: borststuk man met muts binnen omschrift. Keerzijde: opschrift onder sterbinnen eikekrans
Brief aan Adriaan van der Willigen
Object type: letter
Date: 1861 – 1861
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Subjects: the hague, print maker, draughtsman, frederik hendrik weissenbruch, rotterdam, haarlem, adriaan van der willigen, deventer, gerard ter borch (ii), den bosch, painter, joseph hartogensis, utrecht, amsterdam, reinier craeyvanger, drawing, photography, cinematography, the graphic arts, historical persons (portraits and scenes from the life)
Gezicht op Neckargemünd
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: prospect of village, silhouette of village
Inscriptions: collector's mark: Lugt 2228
Bird on Broken Stand
Object type: decorative art
Materials: bronze
Culture: greek
Location: greece
Subjects: bird

This precious bronze object is a votive, or devotional gift, made as an offering to the gods. They come in many forms, such as animals, beads and brooches. Many seem once to have been attached to something else. Votives were hung from sacred trees or placed in sanctuaries around Greece. Once a shrine was full, the votives were ceremonially buried to make room for more offerings.
Knife Cases
Object type: page
Date: 1787 – 1787
Materials: paper
Techniques: engraving
Location: holborn
Subjects: container of stone: stone vase

Genummerd: Pl. 39. Prent maakt deel uit van een boek.
Dordrecht. Bietdykshaven
Object type: print
Date: 1880 – 1884
Materials: paper
Techniques: drypoint, intaglio
Location: netherlands
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: harbour, dordrecht
Inscriptions: collector's mark: Lugt 2228
Straatbeeld in Paramaribo
Object type: photograph
Date: 1903 – 1903
Materials: photographic support
Techniques: photography
Location: paramaribo
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Inscriptions: date

Straatbeeld in Paramaribo met een groep mensen op straat voor een huis, 1903.
Bankroof op 2 december 1852
Object type: photograph
Date: 1810 – 1869
Materials: paper
Techniques: photography
Location: amsterdam
Subjects: london, napoleon iii (keizer der fransen), soldiers in gay company, robbery, revolution, revolt, picture, painting, paris
Inscriptions: collector's mark: Lugt 2228, workshop stamp: ‘Boekhandel F. Gunst Amsterdam’

Schilderij van een groep feestende en drinkende soldaten op straat rond een houtvuurtje. Volgens het opschrift gaat het om een bankroof op 2 december 1852 waarbij 25 miljoen francs werd buitgemaakt. De schilderij wordt ook beschreven als de viering van de staatsgreep van Napoleon III op 2 december 1852.
Table knife
Object type: table knife
Date: 1601 – 1700
Materials: steel
Twenty-Armed Dancing God Ganesha, Remover of Obstacles
Object type: sculpture
Date: 901 – 1000
Materials: stone
Location: madhya pradesh

Ganesha, the elephant-headed son of Shiva and Parvati, is one of South Asia’s most popular deities. Venerated as the “Remover of Obstacles,” the portly god is here shown mid-step performing an exuberant dance while heavenly musicians play instruments at the corners of the frame. Beside Ganesha’s lifted left foot, his rat vahana (mount) peers up at him in adoration. In a feat of artistic virtuosity, the sculptor has carved twenty arms on this Ganesha, which is remarkable both for its quality and iconography. The image originally occupied an exterior wall niche of a temple, perhaps one dedicated to his father Shiva.
Miss Mascelle, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Le Char de Thétis (The Chariot of Thetis), from "Guerre de Beauté" (Guerra di Bellezza) (War of Beauty)
Object type: print
Date: 1616 – 1616
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Stoel van iepenhout, met uitzondering van de achterzijde geheel versierd met marqueteriewerk
Object type: chair
Date: 1780 – 1790
Materials: wood, textile
Location: netherlands
Artist: Anonymous

Six chairs. Elm, veneered with sycamore, tulipwood, purplewood, mahogany and other woods. Netherlands, c. 1780 - 1790.
Table Bell in the Form of a Chambermaid
Object type: table bell
Date: 1735 – 1735
Materials: hard paste porcelain
Artist: vienna
Artist role: manufactory
Subjects: women

This figure, modeled with a hollow interior, was equipped with a clapper that allowed it to serve as a table bell. The dress suggests that it represents a chambermaid, though the fashionable hairstyle and pearl necklace are slightly at odds with this interpretation. Producing a bell in this form, which may have been used to summon a chambermaid, reflects the playful spirit that appears throughout the manufactory’s work.
Vuur
Object type: print
Date: 1580 – 1596
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: fire (one of the four elements)

De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
Transverse Flute in B
Object type: transverse flute in b flat
Date: 1856 – 1890
Materials: silver, shell, wood
Culture: american
Location: united states

The tortoiseshell cladding of this opulent flute would not have influenced its sound but would have caught the eye of a wealthy customer. Its simple-system key work features various innovations, including a tri-cup trill key.
Hall Chimney-Piece, Houghton Hall, Norfolk
Object type: drawing
Date: 1735 – 1735
Materials: ink
Techniques: brush, pen, wash
Artist: isaac ware
Artist role: artist and architect
Artist nationality: british
Artist dates: 1704 – 1766
Subjects: architecture

This drawing relates to Isaac Ware's and Thomas Ripley's book "The Plans, Elevations and Sections, Chimney-pieces and Ceilings of Houghton in Norfolk" (first published 1735; second edition 1755 with added "Description of the Pictures at Houghton" by Horace Walpole).
Dram-a-tic Demireps at their Morning Rehearsal
Object type: print
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,interiors,women,dogs,drinking

Four women, still in their bedclothes, drinking in a messy room.
Cow Lying on Haunches
Object type: drawing and watercolor
Materials: chalk, charcoal, paper
Techniques: heightening
Location: united kingdom
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Spoon
Object type: spoon
Date: 1601 – 1700
Materials: gilt, silver
General Juan Prim (1814-1870)
Object type: painting
Date: 1868 – 1868
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: henri regnault
Artist nationality: french
Artist dates: 1843 – 1871
Subjects: portraits: male subject, soldiers, sketch, portraits, portrait, man, horses, horse, flags, figures, battles
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic
Artist: nikosthenes painter
Artist role: artist

Exterior, woman with sakkos and chiton, with left arm bent at elbow, in front of her, an unidentified object
Candle Stands, in Chippendale Drawings, Vol. I
Object type: drawing ornament architecture
Date: 1753 – 1753
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: furniture

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate CXXII in the 1754 and 1755 editions, and renumbered as plate CXLVI in the 1762 edition.