deem-data/ArtiFact huggingface dataset:
Wheellock Sporting Rifle
Object type: wheellock rifle
Materials: iron, silver, steel, shell, wood
Culture: german
Location: germany
Artist: martin kammerer
Artist role: gunsmith
Artist nationality: german
Artist dates: 1654 – 1667

This fine wheellock Eevenrifle is a rare example of a distinctive class of luxury seventeenth-century sporting firearms that chiefly stand out for the striking adornment of their stocks with unconventional—and sometimes eclectically combined—materials and decorative techniques. The metal components are predominantly plain, allowing the highly burnished and translucent scarlet veneer of the stock to be the primary focus of viewer’s attention. The veneer, made from the shells of Asian tortoises, is a potent manifestation of the Baroque predilection for the unusual and eccentric, applied to the gunmaker’s art. Fewer than a dozen rifles decorated in this fashion are known. Seven—including this one—bear the signature of Martin Kammerer, one of the preeminent German gunmakers of the Baroque era. They are preserved in the Státní Hrad Bítov; the Tøjhusmuseet, Copenhagen (inv. B. 558); the Wittelsbach Stiftung, Munich; the Philadelphia Museum of Art (acc. 1977-167-809 and 1977-167-810. Bequest of Carl Otto Kretzschmar von Kienbusch, 1977); and the Livrustkammern, Stockholm (inv. 10872, ex-inv. 1346), respectively. The majority originate from the gunrooms of rulers of central European and Scandinavian states, including the Holy Roman Emperors, the kings of Denmark, the kings of Sweden, the prince-electors of Saxony, and the dukes of Bavaria. The gift of this rifle complements another rifle by the master, which The Met acquired in 2015, and whose stock is just as unconventionally veneered in plaques of deer antler.
Tail Piece to Volume Three: The Genii of Caricature Bringing in Fresh Supplies
Object type: print
Date: 1809 – 1809
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,demons

Plates from the series were rearranged and reissued until 1821. Street scene showing Tegg's printshop at left with a crowd gathered in front. Four demons at center hold out a long net filled with papers inscribed with the subjects of satirical prints, including manners, investigation, jokes, and fashion.
"Red-Headed Vulture and Long-Billed Vulture", Folio from the Shah Jahan Album
Object type: album leaf
Materials: gold, ink, paper, watercolor
Location: india
Artist: mansur
Artist role: artist
Artist dates: 1584 – 1626
Subjects: birds

The artist Mansur became such a master in painting flora and fauna that he received the title nadir al-'asr, "rare one of the age." Ornithologically accurate, the vultures as revealed by the brush of Mansur are far more than avian specimens. His masterful hand is evident in the subtle gradations of sooty hues and pearly beige and gray shades of the feathers. The sketchy rock suggestive of ground plane and the linear outline of the half-toned rock are not an actual habitat but a plausible setting out of the artist’s imagination.
Portret van Floris II, graaf van Holland
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Subjects: lion's head ~ ornament, historical persons, ruler, sovereign

Prent uit: Scriverius, Petrus. Beschrivinge van Out Batavien (...). Amsterdam: Jan Cloppenburg, 1636. Prent met andere omlijsting gebruikt in eerdere editie van het werk uit 1606.
Textile Fragment
Object type: textile fragment
Date: 1667 – 1700
Materials: silk
Location: iran
Reproductie van schilderij "Liebesdienste" van Otto Erdmann
Object type: photograph
Date: 1881 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: munich
Inscriptions: caption: ‘Photographie nach dem Originale.//GALLERIE MODERNER MEISTER//O. ERDMANN//LIEBESDIENSTE.//798.//1881//Verlag von Fr. Hanfstaengl in München//New York, Geo Kirchner & Co..//Registered//Déposé’

Genretafereel twee vrouwen bij een trap, en een man die een van de vrouwen een handkus geeft. Op de achtergrond arcaden van een gebouw, gedragen door grote marmeren beelden.
Maria met Kind
Object type: print
Date: 1595 – 1692
Materials: paper
Techniques: etching, intaglio
Location: italy
Artist: Anonymous
Subjects: cherubs, i.e. children's heads with wings, madonna (i.e. mary with the christ-child) in the air, or on the clouds
Inscriptions: collector's mark: Lugt 240

Maria met het Christuskind op een wolkenpartij, omgeven door putti en cherubijnen.
Bowl with a male bust within a medallion
Object type: bowl
Date: 301 – 333
Materials: silver
Culture: sasanian
Location: iran
Subjects: men,profiles
Portret van John Ray
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: engraving
Location: london
Subjects: botany (+ portrait of scholar, scientist), historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Ray, John. Stirpium Europaearum (...). Londen: Samuel Smith en Benjamin Walford, 1694. Prent is later gebruikt in publicaties uit 1701 en 1732.
Zilveren armband van acht Nederlandse munten
Object type: bracelet
Date: 1940 – 1950
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands

Zilveren armband van negen Nederlandse munten met de beeldenaar van Wilhelmina voorzien van een baksluiting. Één halve gulden en zeven kwartjes. De baksluiting is gemaakt van een kwartje. Niet gekeurd.
[Portrait of Seated Man]
Object type: photograph
Date: 1850 – 1859
Techniques: paper negative, salted paper print
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Groep patiënten in lange jassen bij het fabrieksziekenhuis te Sereda in Rusland
Object type: photograph
Date: 1903 – 1904
Materials: photographic support
Techniques: gelatin silver print
Location: russia
Artist: joseph cheetham
Artist role: engineer
Subjects: hospital, patient, sick person, russia

Onderdeel van Fotoalbum van de Engelse familie Cheetham met opnames van hun verblijf in Rusland.
Oude vrouw ontluist een meisje
Object type: print
Date: 1647 – 1674
Materials: paper
Techniques: etching
Location: unknown
Artist: jan van ossenbeeck
Artist role: print maker
Artist dates: 1623 – 1674
Subjects: 'motherly care', delousing - aa - female human figure
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2610

Een oude vrouw zit voor een hut op de grond en ontluist een meisje. Het meisje houdt haar hoofd in de schoot van de oude vrouw. Erachter twee jongens bij een vat. Op de grond een hond bij een schaal met schelpen.
Vase
Object type: vase
Date: 1900 – 1900
Materials: earthenware
Artist: william de morgan
Artist role: artist
Artist nationality: british
Artist dates: 1839 – 1917
Subjects: fish

The ceramics either made or designed by William de Morgan (1839–1917) are among the most artistically significant of those made in England in the late nineteenth century and in the years immediately after 1900. This vase is representative of the high-quality work by de Morgan, and it is signed by the decorator Joe Juster, an employee of de Morgan whose work is not represented in the Museum. The vase’s painted design of swimming fish is cleverly enhanced by both the form and the palette of the vase, which suggests the watery depths inhabited by the fish. The overall decorative scheme is very typical of de Morgan’s work, but as the vase does not bear the factory mark, it can only be attributed to de Morgan’s workshop, even though it bears the initials of Joe Juster who worked for de Morgan.
Landscape
Object type: painting
Date: 1601 – 1800
Materials: ink, silk
Location: china
Artist: Anonymous
Inscriptions: Spurious signature of Song Huizong (r. 1101-1126)

"imperially made in the Xuanhe Palace for presentation to Zhao Kai. The prince of Yun."
Cuirass and Pauldrons for a Papal Swiss Guard
Object type: armor
Materials: brass, copper, leather, steel, textile, velvet
Techniques: gilding
Culture: italian
Location: brescia
Familieportret van de Kesslers in de tuin, J.B. Aug Kessler bedient de zelfontspanner (zelfportret)
Object type: photograph
Date: 1897 – 1897
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
The Morning After, from "Thinking of Rising from Bed - A Set of Three (Toko banare omoi iri sanpukutsui)"
Object type: print
Date: 1750 – 1750
Techniques: printmaking, woodblock print
Location: japan
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
Shell
Object type: shell
Date: 2700 – 2600
Materials: shell
Location: mesopotamia
Vaderlandsche mannen en vrouwen
Object type: popular print
Date: 1829 – 1856
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: alexander cranendoncq
Artist role: draughtsman, print maker
Artist dates: 1799 – 1869
Subjects: cologne, anna maria van schurman, jan havicksz. steen, jacoba of bavaria (countess of hainaut), rotterdam, desiderius erasmus, flushing, michiel adriaenszoon de ruyter, delfshaven, delft, hubert kornelisz. poot, antwerp, painter, print maker, draughtsman, peter paul rubens, priest, utrecht, leiden, hermanus boerhaave, housing, monument, statue, classical mythology and ancient history, netherlands
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van bezigheden, huizen of monumenten van beroemde Nederlandse mannen en vrouwen, waaronder Jan Steen, Erasmus en Jacob Cats. Onder elke afbeelding een zesregelig vers en boven elke afbeelding een titel. Linksboven het zegel van de Maatschappij tot Nut van 't Algemeen. Gemerkt rechtsboven: L. C.
Vase in the shape of an ancient ritual cup (zhi) (one of a pair)
Object type: vase
Date: 1736 – 1795
Materials: glaze, porcelain
Culture: chinese
Ogura Imitation of the One Hundred Poems
Object type: print
Date: 1843 – 1845
Materials: paper
Techniques: woodcut
Location: japan
Subjects: waterfall, dragon, sitting on the ground - aa - female human figure

Prinses Yuki met het zwaard van haar vader achter haar rug, kijkt om naar een draak in de waterval. Scene uit een kabukitoneelstuk. Gedicht door Dainagon Kintô.
Barefoot Woman Seated on Ground
Object type: drawing and watercolor
Materials: gouache, graphite, ivory, paint, paper, watercolor
Techniques: brush, heightening, wash
Location: france
Artist: jean siméon chardin
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1779
St. Bernard (Rough), from the Dogs of the World series for Old Judge Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: dogs

The "Dogs of the World" series of trading cards (N163) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The series of 50 cards depicts dogs of various breeds. The Metropolitan Museum of Art owns 23 of the series' 50 cards.
Le pont du yacht le May-Queen, du port de Gand
Object type: photomechanical print
Date: 1876 – 1881
Materials: cardboard, paper
Techniques: woodburytype
Location: paris
Artist: paul joseph nicolas nestor schaffers
Artist role: fotograaf
Artist dates: 1826 – 1896
Subjects: crew ~ ship, parts of ship's exterior: deck, ghent
Inscriptions: inscription: ‘Vue instantanée (...) Cliché au gélatino-bromure’
Decoratief beslag uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: beslag
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fitting, decorative fitting or fragment; fragm of rim, id. NG 1980-27H139 eroded, squashed.
Glass aryballos (perfume bottle)
Object type: aryballos
Date: 534 – 401
Materials: glass
Culture: greek, eastern mediterranean

Translucent cobalt blue, with handles in opaque yellow; trails in opaque yellow and opaque turquoise blue. Broad inward-sloping rim-disk; short cylindrical neck; right-angled shoulder; almost spherical body; convex, somewhat pointed bottom; two vertical ring handles with knobbed tails, applied over trail decoration, extend from shoulder to underside of rim-disk. Turquoise blue trail applied to outer edge of rim-disk; a yellow trail, unmarvered, applied on upper body and wound spirally, at first in horizontal lines, then tooled into a close-set zigzag pattern around central section of body, formed by shallow vertical tooling indents; three thick turquoise blue trails applied over yellow, forming a bold, even design; below this, a yellow trail and a turquoise blue trail wound horizontally once around body. Intact; white gritty impurities in body; slight dulling and pitting, and small patches of brown encrustation.
Luxuria
Object type: print
Date: 1618 – 1625
Materials: paper
Techniques: etching
Location: florence
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: lust, luxury, 'luxuria'; 'lussuria' (ripa) ~ personification of one of the deadly sins
Inscriptions: collector's mark: Lugt 240

Een schaarsgeklede dame laat een vogeltje op haar hand zitten. Naast haar staat een geit, boven haar vliegt een duiveltje. Onder de voorstelling de Latijnse term voor de zonde die de vrouw verbeeldt. Deze prent is onderdeel van een serie van zeven prenten waarop de hoofdzonden als allegorische figuren zijn weergegeven.
John Stewart "Pop" Corkhill, Center Field, Cincinnati, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Gesigt tot Rhynsburg by de kerk met het overblyfs van de abdye / Vuë a Rhynsburg proche de l'eglise avec les ruïnes de l'abbaye
Object type: print
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior), ruin of church, monastery, etc.
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Rademaker, Abraham. Rhynlands fraaiste gezichten; vertonende alle deszelfs lustplaatzen, heeren-huizen en dorpen. Van halfwegen Haarlem en Leyden (…) / Les plus agréables vuës de Rhynland, representant toutes les maisons de plaisance, maisons seigneuriales & villages. Commençant à demilieu Haarlem & Leyden (…). Ansterdam: Leonard Schenk, 1732.
Haardplaat met het stadswapen van Amsterdam
Object type: fireback
Date: 1600 – 1700
Materials: iron
Techniques: casting
Location: germany
Artist: Anonymous
Subjects: amsterdam

Haardplaat van gietijzer, met halfronde bovenzijde. In het midden is het gekroonde wapenschild van de stad Amsterdam, met aan weerszijden festoenen met muziekinstrumenten. Het tafereel wordt omlijst door een parelrand en een geribbelde buitenrand. Het geheel wordt bekroond met drie schelpmotieven, met aan weerszijden een omhoogklimmende dolfijn.
Kalenderblad voor september 1913 met reigers in het riet
Object type: calendar leaf
Date: 1912 – 1912
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: shore-birds and wading-birds: heron
Twee Chinese gevangenen met hun hoofden in houten borden
Object type: photograph
Date: 1860 – 1885
Materials: cardboard, photographic support
Techniques: albumen print, hand coloring
Subjects: prisoner; in fetters
Inscriptions: number: ‘641’, annotation: ‘Stillfried of Beato’
Cup and saucer
Object type: cup and saucer
Date: 1730 – 1730
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Portretten van H. Lageman, Ch. Dubois, G.J. Michaëlis en A. van den Bos
Object type: print
Date: 1811 – 1811
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: nijmegen, anthonie van den bos, amsterdam, print maker, draughtsman, chrétien dubois, haarlem, painter, gerrit jan michaëlis, hendrik lageman
Inscriptions: name: ‘Lageman du Bois Michaelis v Bosch’, collector's mark: Lugt 2228

Portretten van de kunstenaars Hendrik Lageman, Chrétien Dubois, Gerrit Jan Michaëlis en Anthonie van den Bos.
Aeneas wordt weggeroepen van Dido
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: etching
Location: italy
Subjects: mercury summons aeneas, engaged in building activities, to leave carthage

De prent is vervaardigd naar het schilderij van Schiavone dat zich in de collectie van het Kunsthistorisches Museum te Wenen bevindt (inventarisnummer GG_5816). David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.
The Actor Yamashita Mangiku I as Lady Yuya (Yuya Gozen) (?) in the Play Heike Hyobanki (?), Performed at the Nakamura Theater (?) in the Seventh Month, 1789 (?)
Object type: print
Date: 1789 – 1789
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsen
Artist nationality: japanese
Artist dates: 1780 – 1789
Twee wolven
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep, beasts of prey, predatory animals: wolf
Inscriptions: collector's mark: Lugt 2228

Een herder jaagt een wolf op terwijl een tweede wolf een van zijn schapen in de nek grijpt. Illustratie bij het verhaal 'De twee wolven' uit 'Fabelen voor de Nederlandsche jeugd'.
Athletic, from the Sports and Art Subjects series (N197) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: swords,women,female nudes

Trade cards from the "Sports and Art Subjects" series (N197), issued ca. 1889 by Wm. S. Kimball & Co. to promote Straight Cut Cigarettes.
L'École d'Anvers. Portraits biographies cartes de visite. Collection Dupont
Object type: carte de visite
Date: 1861 – 1861
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Artist: joseph dupont
Artist role: fotograaf
Artist dates: 1818 – 1901
Subjects: antwerp, painter, charles verlat, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: inscription: ‘Verlat’, inscription: ‘ETABLISSEMENT PHOTOGRAPHIQUE/ de/ J. DUPONT/ Place de Meir 32/ ANVERS/ Maison fondée en 1853’
Portrait of a Man in a Tricorn Hat
Object type: painting
Date: 1767 – 1767
Materials: canvas, oil, paint
Techniques: painting
Location: england
Artist: john russell
Artist role: artist
Artist nationality: british
Artist dates: 1745 – 1806
Subjects: portraits: male subject, portrait, portraits, hat, red (color), gold (color), jackets, sky, foliage, man
Inscriptions: Inscribed lower left: J. Russell pinxt / 1767 (on fictive frame)
Vier hoofden van mannen, naar rechts
Object type: drawing
Date: 1648 – 1671
Materials: chalk, paper
Techniques: brush
Artist: jan de bisschop
Artist role: draughtsman, print maker
Artist dates: 1628 – 1671
Subjects: head (human), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: date: ‘3 F.b. 1668’

Kopie naar reliëf met vier hoofden van mannen.
Le Repas Chez le Pharisien (The Meal at the Home of the Pharisee), from "Les Quatre Banquets" (The Four Feasts)
Object type: print
Date: 1625 – 1625
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Fragment of a Dipper
Object type: dipper fragment
Date: 500 – 300
Materials: bronze
Culture: vietnamese
Wapenhandelinghe van Roers Musquetten ende Spiessen
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: manoeuvre ~ military training, firearms: rifle

Een soldaat, ten voeten uit, naar rechts, met een roer (een bepaald type vuurwapen) steunend op zijn linkerschouder. In zijn linkerhand behalve de kolf van het roer ook een brandende lont. Deze prent is onderdeel van de reeks van 42 genummerde prenten van roerschutters uit de Wapenhandelinghe.
Studie
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: chalk, paper, pencil
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914

Blad 16 verso uit een schetsboek met 43 bladen.
St. James Major
Object type: print
Date: 1501 – 1700
Techniques: etching
Artist: anonymous, italian, 16th to 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1700
Subjects: women,saints

In Mariette Album, folio 3, bottom right
De twaalf maanden
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: september ~ other concepts
Inscriptions: collector's mark: Lugt 240

Uit een serie van twaalf prenten, de verbeelding van de maand september. Figuren op het terras van een villa. Op de voorgrond loopt een jager met zijn jachthonden, op zijn schouder draagt hij een stok waaraan het geschoten wild hangt.
Reproductie naar een foto van Willem Witsen
Object type: photograph
Date: 1860 – 1915
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, willem kloos
Fragment of an Ewer
Object type: fragment of an ewer
Date: 701 – 900
Materials: glass
Techniques: glassblowing, tooling
Location: iraq

This glass fragment was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this fragment attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Mercury Abducting Psyche (lateral view Psyche's side), from a set of three views of the sculpture
Object type: print
Date: 1593 – 1593
Techniques: engraving
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Subjects: psyche,mercury
Divan Japonais
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, jeanne louise beaudon, antwerp, print maker, edouard dujardin, musician(s) accompanying singer(s)

Affiche ter promotie van het Parijse café chantant Divan Japonais. De afgebeelde vrouw is danseres Jane Avril, de man naast haar is schrijver Édouard Dujardin, de vrouw op het podium is zangeres Yvette Guilbert.