deem-data/ArtiFact huggingface dataset:
Portret van Hermann Hamelmann
Object type: print
Date: 1701 – 1763
Materials: paper
Techniques: engraving
Subjects: handwriting, writing as activity, bookshelves, scholar in his study, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Ruïnes op het Forum Romanum te Rome, Italië
Object type: photograph
Date: 1867 – 1874
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Subjects: square, place, circus, etc., ruin of a building ~ architecture, landscape with ruins, rome
Inscriptions: number: ‘4’, address: ‘SOMMER & BEHLES/ ROMA E NAPOLI’, number: ‘No. 1017.’, inscription: ‘C. 85’, inscription: ‘Roma/ Forum’
Instituut van Kinsbergen te Elburg
Object type: medal
Date: 1806 – 1806
Materials: silver
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: jonkheer jan hendrik van kinsbergen

Zilveren ovale penning met draagoog. Voorzijde: gehelmd wapenschild omhangen met de orde van H. Anna en Alexander Newsy binnen omschrift. Keerzijde: opschrift binnen lauwerkrans.
Diverse gezichten door Israël Silvestre
Object type: print
Date: 1631 – 1661
Materials: paper
Techniques: etching
Location: france
Subjects: landscape with bridge, viaduct or aqueduct
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van negen prenten.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic
Artist: antiphon painter
Artist role: artist

Interior, lower body of draped figure seated on a stool; Exterior, calf of male; lower legs and frontal right foot of draped male
Fukusa (Gift Cover)
Object type: textile
Materials: cotton, dye, gold, gold leaf, ink, paper, silk
Techniques: embroidery, interlacings, lacquer, painting, weave, stitching
Location: japan
Gelijkenis van de barmhartige Samaritaan
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: a priest and/or a levite passing by without attending to the wounded man ~ parable of the good samaritan, a samaritan tending the wounds of the traveller

De gewonde reiziger ligt op de grond. De barmhartige Samaritaan giet olie op zijn wond. Naast hen staat de ezel van de Samaritaan. Op de achtergrond lopen de Leviet en de priester die de man voorbij waren gelopen.
Vita B. Philippi Benicii Florent. ord. servor B. Mariae virginis
Object type: print
Date: 1591 – 1591
Materials: paper
Techniques: etching
Location: vatican city
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: clergyman, (public) prayer, prior general of the order of the servites, philip benizzi of florence; possible attributes: book, cross, lily, tiara at his feet
Inscriptions: collector's mark: ‘Hinloopen’, number: ‘7’

De heilige Philippus gaat voor in gebed als hoofd van de servieten. Tekst in het Latijn in ondermarge. Genummerd rechtsonder: 7.
Joanna Southcott en de messias krib
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons - bb - woman, cradle, crib

Southcott beweerde dat zij zwanger was van de nieuwe messias, die 19 oktober 1814 geboren zou worden. Prent waarschijnlijk uit: Niemeyer, August Hermann. Waarnemingen op eene reize naar Engeland in 1819 (...). Haarlem: Adriaan Loosjes, 1822, dl. 2.
Horse bit cheekpiece in form of a mouflon
Object type: horse bit cheekpiece
Date: 800 – 601
Materials: bronze
Culture: iranian
Location: iran, probably from luristan
Subjects: animals
Galerij van Diana in het Palais des Tuileries te Parijs
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: tuileries palace
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: palace, gallery (spacious corridor), interior ~ representation of a building
Inscriptions: number: ‘22.’, inscription: ‘E. Lamy's collection’
Portret van mevrouw de Perez, residensvrouw van Sourabaya
Object type: drawing
Date: 1850 – 1850
Materials: paper, pencil
Artist: christian heinrich gottlieb steuerwald
Artist role: draughtsman, print maker
Artist dates: 1802 – 1874
Subjects: sitting figure, historical persons, male sex; man
Loop Suspension Bell (Niuzhong)
Object type: decorative art
Materials: bronze
Location: china
Ost-Polynesien
Object type: map
Date: 1864 – 1864
Materials: paper
Techniques: engraving, etching, hand coloring
Location: gotha
Subjects: maps, atlases
Inscriptions: collector's mark: Lugt 2228

Prent uit: Stielers Handatlas. Gotha: Uitgeverij Justus Perthes, 1864, dl. 4.
Bottle
Object type: bottle
Date: 1736 – 1795
Materials: porcelain
Techniques: underglaze
Culture: chinese
Subjects: flowers
Portret van Gottlob Heinrich Curt von Tottleben
Object type: print
Date: 1750 – 1800
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: germany, russia, commander-in-chief, general, marshal, historical persons

Met tweeregelig onderschrift in het Nederlands.
H. Christoffel
Object type: print
Date: 1500 – 1536
Materials: paper
Techniques: letterpress printing
Location: germany
Artist: Anonymous
Subjects: the christ-child calls st. christopher to carry him across the river

De heilige Christoffel waadt door een rivier met een stok in zijn rechterhand. Hij ontmoet het Christuskind, die een wereldbol in zijn handen houdt, en hem vraagt om hem over de rivier te zetten. Op de oever staat een kluizenaar met een fakkel. Prent maakt deel uit van een album.
Het einde van de Zaak-Dreyfus
Object type: cartoon
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: pig, violent death by bomb, hand-grenade, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 4 juni 1899.
Cup and saucer
Object type: cup and saucer
Date: 1750 – 1795
Materials: hard paste porcelain
Artist: fürstenberg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Subjects: children,goats
Pier bij Alum Bay, met op de achtergrond the Needles
Object type: photograph
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Location: alum bay
Artist: Anonymous
Subjects: pier, quay, wharf, coastal cliff or crag
Allegorie op de overwinningen van Willem III in 1673
Object type: propagandaprent
Date: 1673 – 1674
Materials: ink, paper
Techniques: engraving, etching, pen
Location: northern netherlands
Subjects: flushing, michiel adriaenszoon de ruyter, rotterdam, amsterdam, cornelis tromp, johan maurits graaf van nassau-siegen, the hague, william iii (prince of orange and king of england, scotland, and ireland), juan domingo méndez de haro y fernández de córdoba, hendrik casimir ii graaf van nassau-dietz, commander-in-chief, general, marshal, prince, military glory, commander-in-chief, admiral, rampjaar (disaster year)

Allegorie op de overwinningen van Willem III in 1673. De jonge prins met commandostaf staande naast de jonge Hendrik Casimir. Hiervoor bevelhebbers die in 1673 overwinningen behaalden: Michiel Adriaenszoon de Ruyter, Cornelis Tromp, Adriaen Banckert, Johan Maurits, Paulus Wirtz, George Frederik van Waldeck, Rabenhaupt en graaf Willem van Hornes. Hieromheen medaillons en cartouches met overwinningen. Bovenaan links het portret van Montecuccoli en rechts Monterrey. Onderaan een open ruimte bestemd voor de almanak voor het jaar 1674 met in handschrift de titel. Aan weerszijden geketende gevangenen. In de plaat onderaan een vers in twee kolommen in het Nederlands gericht aan de vorst.
The Esplanade
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Beaker
Object type: beaker
Date: 401 – 700
Materials: ceramic
Culture: nasca
Location: peru
Portret van Anna, de zuster van Dido
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: (story of) anna, dido's sister
Inscriptions: collector's mark: Lugt 2228, inscription: ‘No. 392.’
Landscape album
Object type: album
Materials: ink, paper
Culture: chinese
Artist: bada shanren (zhu da)
Artist role: artist
Artist nationality: chinese
Artist dates: 1626 – 1705
Subjects: mountains,landscapes

A scion of a branch of the Ming imperial family, Bada Shanren became a "crazy" Buddhist monk, feigning deafness in order to escape persecution after the Ming dynasty fell to Manchu conquest in 1644. Like his cousin Shitao (Zhu Ruoji), he became an extraordinary painter, known for an expessionist calligraphic style. In these album-size landscapes, Bada has adopted traditional themes and compositions as points of departure for his own creative improvisations. In several leaves, the sparse composition, dry brushwork, and carefully selected motifs—bare trees and an empty pavilion—allude to the late Yuan hermit-artist Ni Zan (1306–1374). Elsewhere, diagonally receding mountain masses made of simplified ovoid and cone-shaped rock forms derive from the landscape style of Dong Qichang (1555–1636). In each case, however, Bada transmuted his models, playing with spatially ambiguous patterns or adding human figures or color when least expected.
De vijf dwaze maagden vragen om olie
Object type: watercolor
Date: 1869 – 1925
Materials: paper, pencil, watercolor
Techniques: brush
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: the wise virgins are let into the house with the bridegroom (christ); the foolish virgins are shut out (+ variant)

De tekening betreft een ontwerp voor een wandschildering.
Portret van Denys Dulignon
Object type: drawing
Date: 1750 – 1784
Materials: chalk, paper
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
The Warrior Watanabe no Tsuna Fighting the Demon at Rashomon
Object type: print
Date: 1770 – 1770
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Inscriptions: signature: Katsukawa Shunshô zu 
artist seal: Hayashi in jar-shaped outline
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 400 – 400
Materials: terracotta
Culture: greek, attic

Interior, meander and cross square with dots in the corners; Exterior, drapery and feet of a figure; right buttock and legs of a male to left; in the field, a fillet?
Kade in Parijs met een vrouw zittend op een bank
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: quay, paris
Inscriptions: inscription: ‘La quais’
The Watchers and the Watched
Object type: print
Date: 1764 – 1772
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: musical instruments,men,women

Harunobu, who is credited with the introduction of the polychrome print, also depicts courtesans on display in a Yoshiwara teahouse, but there is considerable difference in his treatment of the subject. While Moronobu observes the watchers and the watched with a uniform and impersonal gaze, Harunobu contrasts the observers and the observed. Like Moronobu, Harunobu uses a window, a frame within a frame, to depict inside and outside simultaneously, but, instead of a view from the street, he situates the viewer within the intimacy of the pleasure house. The neutral vantage point of a passerby has become the psychologically charged perspective of someone on the inside. We have a privileged view of the courtesans and can feast our eyes on the sumptuous attire that accentuates their beauty. Harunobu intensifies our awareness of the courtesans' self-conscious display by making the stage and audience areas more distinct. In the print by Moronobu there is an exchange between the inside and the outside. Here, however, the courtesans do not acknowledge the presence of the men peering through the window, though the letter that is being delivered by the young attendant is presumably from an admirer. There is also no visual overlap between interior and exterior spaces. The observers are confined to a cramped window in the background. They are distanced from us, unlike the passersby in the foreground of Moronobu's print, who are our surrogates. The harsh cropping of the watchers contrasts with the lavish depiction of the courtesans. This reduction of the observers to a crowd of faces and the small space allotted them serve to intensify their gaze. The observers are no longer passersby strolling along the street; here, looking is their sole activity.
Voorbereidingen voor het huwelijksfeest van Amor en Psyche
Object type: print
Date: 1575 – 1575
Materials: paper
Techniques: engraving, etching
Location: vatican city
Subjects: (story of) bacchus (dionysus), liber, (story of) mercury (hermes), marriage of cupid and psyche
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2092

Door verscheidene mythologische figuren wordt het huwelijksfeest van Amor en Psyche voorbereid. Links zit Apollo omringd door godinnen. In het midden een met luxe serviesgoed gedekte tafel en een tweede tafel met daaromheen Bacchus, saters, Mercurius en de gratiën.
Antwerpen 1577-1877
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: lithograph
Location: netherlands

Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 34, 1877.
The New London Valentine Inditer Adapted for the Present Year, and Containing Valentines for All Occasions
Object type: pamphlet
Date: 1808 – 1824
Techniques: hand coloring, engraving
Location: england
Artist: j. bailey
Artist role: publisher
Artist nationality: british
Artist dates: 1800 – 1900
Waterfall in the Chartreuse Mountains
Object type: drawing
Date: 1669 – 1669
Materials: chalk, ink, paper
Techniques: brush, pen
Location: amsterdam
Artist: frederik de moucheron
Artist role: draughtsman, painter
Artist dates: 1633 – 1686
Subjects: waterfall, mountains
Straatscène bij met vlaggen versierd stadhuis, met reclame voor Dubonnet
Object type: photograph
Date: 1935 – 1935
Techniques: autochrome process
Location: france
Artist: Anonymous
Inscriptions: inscription: ‘G’
Binnenplaats van het Buiten-Proveniershuis te Kampen
Object type: photograph
Date: 1896 – 1896
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: kampen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: urban housing, courtyard
Inscriptions: annotation: ‘Kampen’, annotation: ‘Kampen/ Het buitenproveniershuis, gezicht op de binnenplaats’
Pedestal
Object type: pedestal
Date: 1501 – 1600
Materials: marble
Subjects: acanthus
Gezicht op het strand bij Scheveningen
Object type: photograph
Date: 1894 – 1894
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Inscriptions: annotation: ‘No. 825. 1894.’
Terracotta sculptuur van een dansende vrouw
Object type: page
Date: 1852 – 1857
Materials: paper
Techniques: photolithography
Location: paris
Subjects: woman dancing alone, piece of sculpture, reproduction of a piece of sculpture (+ clay, sand, etc. ~ arts)
Inscriptions: number: ‘XXIX.’
Group of Men
Object type: drawing
Date: 1601 – 1700
Materials: chalk
Techniques: brush, wash
Artist: master of the large figure brush drawings
Artist role: artist
Subjects: men
Portret van Dietrich Schnepf
Object type: print
Date: 1688 – 1688
Materials: ink, paper
Techniques: engraving, pen, snipping
Artist: Anonymous
Subjects: theologian, historical persons
Inscriptions: inscription: ‘Natus a. 1525. (...) pag. 275-281.’

Prent uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Lüneburg, Kloster Lüne
Object type: ansichtkaart, prentbriefkaart
Date: 1902 – 1902
Materials: cardboard
Techniques: photograph
Location: darmstadt
Artist: Anonymous
Subjects: abbey, monastery, convent ~ roman catholic church
Inscriptions: date
Oban
Object type: photograph
Date: 1858 – 1868
Materials: photographic support
Techniques: albumen print
Location: scotland
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: harbour, city-view, and landscape with man-made constructions
Cup and saucer (gobelet litron et soucoupe)
Object type: cup and saucer
Date: 1780 – 1780
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: flowers
Verschijning van een komeet
Object type: history medal
Date: 1681 – 1681
Materials: silver
Techniques: striking
Location: germany
Artist: Anonymous
Subjects: netherlands

Zilveren penning. Voorzijde: de komeet temidden van een aantal sterren boven opschrift. Keerzijde: opschrift
Eleven Hounds
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: dogs

Eleven hounds, one of them lying in foreground at left, others lying, sitting and standing.
Portret van de theoloog Franciscus Gomarus
Object type: book illustration
Date: 1788 – 1788
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: bruges
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als boekillustratie in: Kok, Jacobus. Vaderlandsch woordenboek : met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796. Deel XVIII.
Netsuke of Tiger and Cub
Object type: netsuke
Date: 1701 – 1800
Materials: ivory
Culture: japanese
Subjects: tigers
Leeuwe of Sout-Leeuwe door de Geallieerde In genomen den 5. Aug: 1705
Object type: map
Date: 1735 – 1735
Materials: paper
Techniques: engraving, etching, hand coloring, lacquer
Location: amsterdam
Artist: zacharias chatelain (ii)
Artist role: bookseller, publisher
Artist dates: 1690 – 1754
Subjects: siege, position war, maps of cities, zoutleeuw

Verovering van Zoutleeuw (Leeuwe) door de Geallieerden op de Fransen, 5 augustus 1705. Bovenaan een plattegrond van de versterkingen om de stad, onderaan een gezicht van de strijd. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Gevechten bij Xanten en Rheinberg waarbij graaf Adolf van Nassau-Siegen sneuvelt, 1608
Object type: history print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: earl, battle (+ land forces)

Gevechten tussen het Staatse en het Spaanse leger bij Xanten en Rheinberg waarbij graaf Adolf van Nassau-Siegen sneuvelt, maar het Staatse leger overwint, 19 november 1608. Op de achtergrond het plaatsje Wardt. Met onderschrift van 4 regels in het Latijn. Genummerd: 278. Bedrukt op achterzijde met tekst in het Latijn.
Vase with phoenixes amid flowers
Object type: vase
Date: 1667 – 1733
Materials: cobalt, enamel, porcelain
Techniques: overglaze, painting, polychrome, underglaze
Culture: chinese
Subjects: phoenix,flowers
Portret van Antoine Cotignon
Object type: print
Date: 1600 – 1667
Materials: paper
Techniques: engraving
Artist: michel lasne
Artist role: print maker
Artist dates: 1590 – 1667
Subjects: insignia of bishop, e.g. mitre, crozier, historical persons
Inscriptions: inscription: ‘Mr. Colignon’, collector's mark: Lugt 2228
Partie meridionale du comté de Hollande
Object type: map
Date: 1700 – 1700
Materials: paper
Techniques: engraving
Location: paris
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions, holland
Inscriptions: watermark, collector's mark: Lugt 195

Deze kaart vormt samen met RP-P-AO-6-7 een kaart van het graafschap Holland, maar werd ook los gebruikt als kaart van het zuidelijke deel van het graafschap.

Prent ook gebruikt in: Atlas françois contenant les cartes geographiques dans lesquelles sont tres exactement remarquez les empires, monarchies, royaumes et estats (…). Parijs: Alexis Hubert Jaillot, 1700.
Gezicht op de Loolaan, bij Den Haag
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: trees, the hague
Inscriptions: collector's mark: Lugt 2228

Prent verscheen in 1886 als onderdeel van de jaarlijkse uitgave van de 'Portefeuille der Nederlandsche Etsclub'.
Reproductie van een plattegrond van Amsterdam met de postkantoren en postdistricten
Object type: area plan
Materials: paper
Techniques: photolithography
Location: amsterdam
Subjects: maps of cities, amsterdam
Armchair (one of four)
Object type: armchair
Date: 1755 – 1765
Materials: wood, silk, wool
Artist: royal manufactory beauvais 1664-1789
Artist role: factory
Subjects: dogs,flowers

These chairs are from a set of six armchairs and two settees supplied to the third Duke of Ancaster (1714–1778) for Grimsthorpe Castle, Lincolnshire. The set was originally partially gilt and upholstered with Gobelins coverings (now Rijksmuseum, Amsterdam) after designs by Francois Boucher. The present coverings were applied between 1934 and 1858.
Hamburg. Bei der St. Nikolai-Kirche
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1905
Materials: cardboard
Techniques: photograph
Location: hamburg
Subjects: city-view, and landscape with man-made constructions, church (exterior)
Inscriptions: date
Vlucht naar Egypte
Object type: print
Date: 1641 – 1665
Materials: paper
Techniques: etching
Location: france
Artist: charles macé
Artist role: draughtsman, print maker, sculptor
Artist dates: 1631 – 1665
Subjects: the flight into egypt: mary, joseph, the child (and sometimes others) on their way; mary usually riding on an ass
Inscriptions: watermark, collector's mark: Lugt 240
Afdaling in het voorgeborchte
Object type: print
Date: 1509 – 1509
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: christ leaving hell: he liberates patriarchs, prophets, kings and other persons from hell, among them adam, eve, moses, david, and john the baptist
Inscriptions: collector's mark: Lugt 2228

Christus bevrijdt zielen uit het voorgeborchte. Deze prent is onderdeel van de prentserie 'De kleine Passie', bestaande uit een titelprent en 36 bijbelse scènes (voornamelijk uit het Lijdensverhaal).
Initial letter E on patterned background
Object type: print
Date: 1520 – 1520
Techniques: woodcut
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Vincent Voiture
Object type: print
Date: 1649 – 1649
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits
Gezicht open berglandschap met lariksen en koeien
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: photograph
Artist: p. odier
Artist role: fotograaf
Subjects: cow, trees: larch, mountains
Mephistopheles Receiving the Student
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: france
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863