deem-data/ArtiFact huggingface dataset:
Francesco I d'Este Assists His Subjects with Great Generosity During the Great Famine of 1648 and 1649, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"
Object type: print
Date: 1659 – 1659
Techniques: etching
Location: italy
Artist: bartolomeo fenice (fénis)
Artist role: artist
Artist nationality: italian
Subjects: human figures,buildings,horses

This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.
Travelling Boat being Rowed
Object type: boat, traveling, meketre
Date: 1981 – 1975
Materials: textile, linen, paint, plaster, wood
Location: egypt
Subjects: men,rowing,boats,meketre-models

This boat is being rowed in a northerly direction, downstream, against the prevailing north wind. Its mast and spars rest in the forklike support beam, ready to be rigged for the return journey. The sail lies folded on the deck. A small cabin, positioned amidships, leaves room for eighteen rowers; speed clearly is important on this journey. Seated on a stool in the prow, Meketre holds a closed lotus flower to his nose. Before him stands a man (possibly the boat captain), with arms crossed reverentially over his chest. Inside the cabin, a servant guards Meketre's trunk. Is the Chief Steward on an inspection tour for the pharaoh, and does the trunk contain the accounts? Even if this represents a real-life event, the model still refers to the afterlife because the lotus flower, which opens every morning when the sun comes up, is a symbol of rebirth.
Petite mère
Object type: tissue stereograph
Date: 1863 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring
Location: paris
Subjects: children's games and plays
Inscriptions: number: ‘8’, retailer's mark: ‘AU BON MARCHE/ Maison ARTISTIDE BOUCICAUT - PARIS’
Meubilair
Object type: chair
Date: 1700 – 1750
Materials: wood, velvet
Location: netherlands
Artist: Anonymous

Stoel van iepenhout, de voorpoten en de kop van notenhout, de rug en het zitraam belijmd met wortelnotenhout. De overhoeks geplaatste S-vormige voorpoten zijn versierd met rocaille-motieven. Het H-vormige kruis is geschulpt. Het geschulpte zitraam heeft een los groenfluwelen kussen met een patroon van bladeren en bloemen. De horizontaal geholde rug heeft een symmetrisch uitgezaagde middenbaan, hoekstijlen in de vorm van S-voluten en een bovendorpel versierd met rocaille-motieven en vogelkoppen.
Necklace
Object type: necklace
Date: 1801 – 1900
Materials: feather, glass, metal, silk, stone
Culture: mongolian
Verschillende impressies van het Rasphuis te Amsterdam
Object type: print
Date: 1803 – 1895
Materials: paper
Techniques: letterpress printing, lithograph
Location: netherlands
Artist: joan bosch
Artist role: print maker
Subjects: prison, jail, open door, fixed altar, workhouse, penal camp, penitentiary, chain gang
Inscriptions: collector's mark: Lugt 1641b

Prent uit of gepubliceerd als bijvoegsel van een onbekende publicatie.
The Pantheon, broken away to show the interior, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1553 – 1553
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: architecture,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 21 in the scrapbook.
Portret van Bernard Verzascha
Object type: print
Date: 1678 – 1678
Materials: paper
Techniques: engraving
Subjects: historical persons, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228
Belt Ornament with Zoomorphic Design
Object type: belt ornament
Date: 600 – 401
Materials: bronze
Culture: chinese or mongolian
Florijn van Friesland, 1665
Object type: florijn
Date: 1665 – 1665
Materials: silver
Techniques: striking
Location: leeuwarden

Zilveren munt. Voorzijde: tussen waarde-aanduiding edelman met muts naar rechts. In rechterhand zwaard. In omschrift jaartal Keerzijde: op kort gebloemd kruis gekroond wapenschild van Friesland. Op keerzijde klop HOL.
St Jerome reading
Object type: print
Date: 1634 – 1634
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: st. jerome as hermit in a landscape, reading
Inscriptions: date: ‘1634’, signature: ‘Rembrandt f.’, collector's mark: Lugt 240
Gelijkenis van de boze landlieden die de zoon van de eigenaar buiten de wijngaard werpen
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: at last the lord sends his son, '... they cast him out of the vineyard, and killed him'
Inscriptions: collector's mark: Lugt 2228, number: ‘94’

Proefdruk van illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. II.
De twee oude Vleys Hallen / Les deux vieilles Boucheries
Object type: print
Date: 1665 – 1665
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: market-hall, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: ‘41-69’ Lugt 1641b

Prent uit: Beschryvinge van Amsterdam, haar eerste oorspronk uyt den huyze der Heeren van Aemstel en Aemstellant (...). Amsterdam: Marcus Doornick, 1665, dl. 4, p. 227.
Aesopi Fabulas
Object type: book
Techniques: hand coloring, woodcut
Location: verona
Artist: aesop
Artist role: author
Artist nationality: greek
Artist dates: 620 – 560
Subjects: peacocks
Standard
Object type: standard
Materials: textile
Culture: spanish
Location: spain
Gezicht op de Doopsgezinde Singelkerk gezien vanaf de Herengracht te Amsterdam
Object type: book illustration
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johannes hilverdink
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1902
Subjects: protestant churches and denominations (mennonites), church (exterior), city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)

Prent uit: Vijver, Cornelis van der. Geschiedkundige Beschrijving der Stad Amsterdam (...). Amsterdam: Gebroeders Diederichs, 1844, dl. 1.
Scheepstimmerliedengilde van Amsterdam, gildepenning van Joonis Tuenisz de Vrij
Object type: medal
Date: 1723 – 1723
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning met gat erin. Voorzijde: nog niet opgetuigde driemaster te water. Keerzijde: opschrift.
Bowl
Object type: bowl
Date: 1701 – 1800
Materials: hard paste porcelain
Subjects: human figures,bulls
Nederrijnsche School, omstreeks 1530. St. Ursula, eikenhout, gepolichromeerd
Object type: ansichtkaart, prentbriefkaart
Date: 1921 – 1940
Materials: cardboard
Techniques: rotogravure
Location: leiden
Artist: Anonymous
Subjects: the virgin martyr ursula of cologne; possible attributes: arrow, banner with red cross, cloak of ermine, crown, ship, sculpture
Inscriptions: collector's mark: ‘AFE v S’
Kind in een wieg waarnaast een dode slang op de grond ligt
Object type: book illustration
Date: 1693 – 1693
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: snakes, cradle, crib
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Duĳkerius, Johannes. Voorbeeldzels der oude wyzen. Waar in (...) de menschelijke hartstogten (...) behandeld worden. Amsterdam: Aart Wolsgrein, 1693, p. 356.
Portret van een zittende baby in witte jurk
Object type: album leaf
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: infant, baby
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, arm, lower torso, and legs of male to left
Portret van baron George Brydges Rodney
Object type: print
Date: 1747 – 1781
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons, commander-in-chief, admiral

Prent uit: Universal Magazine, uitgegeven tussen 1747-1814.
Dwarf in the uniform of a colonel of hussars
Object type: figure
Date: 1750 – 1765
Materials: hard paste porcelain
Artist: höchst manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1746 – 1796
Subjects: men
Stencil with Pattern of Pinks
Object type: stencil
Date: 1801 – 1900
Materials: paper, silk
Culture: japanese
Subjects: flowers

This stencil is an excellent example of the textile designer's art, with its masterful play of light and dark, positive and negative. A floral pattern and an irregular diagonal background are also seen in the obi worn by the woman in the accompanying print. In his rendering of the obi, the print artist, in turn, may have been seeking to show the fluid rippling effect of light on a sheer fabric like a patterned gauze.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, filleted woman with long hair wearing a chiton and himation
Staand mannelijk naakt bij stenen blok
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: human figure of ideal proportions, e.g. academic nude
Inscriptions: inscription: ‘Den Weledele Heer C. Apostool dirct. aan het Museum aangeboden door zijn weledele dienaar D.J. Sluyter.’, collector's mark: Lugt 2228, collector's mark: Lugt 10, inscription: ‘cf. A.W. Couwenberg sc. / cf. J.P. Lame sc.’

Amsterdamse Academiestudie van een staande naakte man, die met een arm op een stenen blok steunt.
Asch-Karmans Nieuwjaars-Wensch (...) 1830
Object type: new year card
Date: 1829 – 1830
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: public road - ii - ideal city, garbage collection, amsterdam
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens namens de askarrenmannen (karrenman of vuilnisman) te Amsterdam voor het jaar 1830. Gezicht in een straat te Amsterdam waar een man asemmers naar de kar draagt terwijl een andere man aan huis geld ophaalt. Onderaan een gedicht in twee kolommen en een lied in drie verzen. Namens J.D. Farjon, de askarreman van wijk no. 19.
Koningen van Juda
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: death of athalia: she is seized by soldiers, brought to the palace and killed at the horse gate, story of joash, son of ahaziah, king of judah (2 kings 11:4 - 12:21; 2 chronicles 23-24), amaziah is assassinated in lachish; his body is carried back to jerusalem on a horse, story of uzziah (azariah), son of amaziah, king of judah (2 kings 15:1-7; 2 chronicles 26), story of amaziah, son of joash, king of judah (2 kings 14:1-21; 2 chronicles 25), kings of israel and judah ~ the old testament (not in biblical context)
Inscriptions: collector's mark: Lugt 2228

De koningen Joas, Amasja en Azarja. Op de achtergrond enkele belangrijke gebeurtenissen uit hun leven. Links op de achtergrond wordt Joas' voorganger koningin Atalja ter dood gebracht. Midden op de achtergrond wordt de vermoorde koning Amasja te paard naar Jeruzalem gebracht. Rechts op de achtergrond zit koning Azarja bedekt bij een poort. Hij leefde in afzondering omdat hij leed aan huidvraat. Onder de voorstelling verwijzingen naar de Bijbelteksten in het Latijn.
Gezigt op de baai van Amoerang 1847
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: tone lithography
Location: indonesia
Subjects: indonesia
Inscriptions: collector's mark: Lugt 2228

Gepubliceerd in: L.J. van Rhijn, Reis door den Indischen archipel in het belang der Evangelische Zending: Uitgegeven ten voordeele van dat genootschap. Rotterdam, Wyt & Zn.: 1851.
The Hon Rob.t Monckton
Object type: print
Date: 1762 – 1850
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: robert monckton, commander-in-chief, general, marshal, historical persons
Inscriptions: number
Spookhistoriën, medegedeeld door Meester Penneschacht aan zijne kostleerlingen
Object type: popular print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: leiden
Subjects: tales and fairy tales, spirit, ghost
Inscriptions: collector's mark: Lugt 2760

Blad met 4 scènes uit een spookverhaal. Boven elke voorstelling een titel en onder elke voorstelling een achtregelig vers. Genummerd rechtsboven: No. 170.
Werken van Charles le Brun
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: engraving
Location: paris
Subjects: lodewijk xiv (koning van frankrijk), triumphal arch, paris

Prent uit: L'Entrée triomphale de Leurs Maiestez Louis XIV, Roy de France et de Nauarre, et Marie Therese d'Austriche, son espouse, dans la ville de Paris. Parijs: Pierre le Petit, Thomas Ioly en Louis Bilaine, [1662].
Koffiepotten en kannen
Object type: design drawing
Date: 1830 – 1850
Materials: graphite, paper
Techniques: brush
Location: paris
Virgin and Child
Object type: sculpture
Date: 1700 – 1700
Materials: wood
Techniques: carved
Culture: flemish
Location: belgium
Subjects: virgin and child/madonna and child, religious figures, religious, religion, christianity, christian subjects, woman with children, sons, woman, child, mother, mother and child, jesus, virgin mary
Dameskleding
Object type: print
Date: 1857 – 1864
Materials: paper
Techniques: lithograph
Subjects: fashion, clothing
Inscriptions: collector's mark: Lugt 2228

De dames dragen kleding uit de tweede helft van de achttiende eeuw. Zij staan en zitten in een interieur. Een vrouw heeft twee kinderen bij zich.
Flight of the Queen of James II, from "Illustrated London News"
Object type: print
Techniques: engraving
Artist: richard principal leitch
Artist role: engraver
Artist nationality: british
Artist dates: 1826 – 1882
Subjects: queens,infants,women

Mary of Modena, James II's queen, prepares here to leave England for France with her infant son, Prince James Francis Edward Stuart. Her husband has already fled before the advance of William of Orange (the latter soon to be crowned William III with his wife Mary II (daughter of James II by his first marriage). This dramatic change would be dubbed the "Glorious Revolution" and ensured the succession of a Protestant monarch in Britain. In December 1688, as the queen left Whitehall Palace, London was gripped with anti-Catholic fever, so she huddles in fear beside the tower of St. Mary's Church at Lambeth as a carriage is prepared to take her to a yacht at Gravesend. Related text in the "Illustrated London News" states: "Some time elapsed however, before the horses were harnessed. Mary, afraid that she might be recognised, would not enter the house. She remained with her child standing for shelter...under the tower of Lambeth Church, and distracted with terror whenever the ostler approached her with his lantern."
Gezin Onnen in een tuin of park
Object type: photograph
Date: 1909 – 1911
Materials: paper, cardboard
Techniques: collodion silver print
Location: hilversum
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: emilie albertina onnen (milly), amsterdam, carolina frederika onnen (lien/loen), historical persons - bb - woman, garden, dog, anonymous historical persons portrayed in a group, in a group-portrait

Deze foto's zijn onderdeel van een album.
Plumassier
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: men,portraits,feathers
Straatgezicht van de Kramgasse met de Simsonbrunnen te Bern
Object type: photomechanical print
Date: 1880 – 1900
Materials: paper
Techniques: photograph
Location: bern
Artist: Anonymous
Subjects: ornamental fountain, street (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘Edit: Schroeder & Cie, Zürich. 1417. Bern, Kramgasse, Simsonbrunnen.’

Deze prent maakt deel uit van een album.
Schede van lans van Cornelis Tromp
Object type: knife with sheath
Materials: brass, copper, wood, lacquer
Location: japan
Artist: Anonymous
Subjects: rotterdam, amsterdam, cornelis tromp

Arms rack. This arms rack of katsura wood stood in the Amsterdam home of Cornelis Tromp (1629-1691). It may have been given by the VOC. In the 17th century this was known as the East-Indian gun case. It was probably made by Chinese craftsmen working on the northern coast of Java in the 17th or 18th century. The arms rack is decorated with birds and flowers. The swords and lances are Japanese in shape. The blades and some of the mounts were certainly made in Japan.
Buckle
Object type: buckle
Date: 1510 – 1520
Materials: steel
Culture: german
Location: germany
Textile Fragment
Object type: textile fragment
Date: 401 – 500
Materials: linen, wool
Techniques: brocade, weave
Location: egypt
Maskerade van de Leidse studenten, 1850 (plaat 3)
Object type: text sheet
Date: 1850 – 1850
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: delft, frederick henry (prince of orange), students' pageant, costumes used in pageants, leiden, den bosch

Historische gekostumeerde optocht van de studenten van de Leidse Hogeschool op 11 juni 1850. De optocht verbeeldt de intocht van Frederik Hendrik te Den Bosch in 1629. Derde plaat met de groepen genummerd 25-34. Onderdeel van de serie van dertien aanelkaar geplakte bladen.
Parasolknop of parapluknop van hout, versierd met in het hout gekerfde lieveheersbeestjes
Object type: parasolknop
Date: 1920 – 1920
Materials: paint, wood
Location: nijmegen
Artist: gustav schnitzler
Artist role: paraplufabrikant

Parasolknop of parapluknop van geverfd hout. De knop is versierd met in het hout gekerfde lieveheersbeestjes.
Kop van een man met krullend haar
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: head (human) (+ left side visible; left - (l. hand, l. foot, etc.))

Blad 59 verso uit een schetsboek met 71 bladen.
Design for Stanhope Phaeton, no. 424
Object type: drawing
Date: 1850 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Aanval door Noormannen op een rivierstad in Nederland, 9e eeuw
Object type: print
Date: 1853 – 1861
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: siege, position war, extinct, 'historical' peoples (with name), netherlands

Illustratie voor: Jacob van Lennep, De geschiedenis des vaderlands in schetsen en afbeeldingen, Binger, Amsterdam 1855-1861, 8 delen, pl. VII.
Flectere si nequeo superos, Acheronta movebo
Object type: bookplate
Date: 1932 – 1932
Materials: paper
Techniques: printing
Location: italy
Artist: michel fingesten
Artist role: painter, print maker
Artist dates: 1884 – 1943
Subjects: writing-table, writing-desk, sitting figure, death as skeleton, woman (showing herself) undressed, quasi-nude, book, candle, virgil
Fragment of a Standing Deity(?)
Object type: figure fragment
Date: 701 – 800
Materials: bronze
Culture: indonesian, kalimantan
Lady Interrupting Her Lover, who is Playing the Shamisen
Object type: print
Date: 1671 – 1751
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: nishikawa sukenobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1671 – 1750
Subjects: musical instruments,men,lovers,women
Man werkend op het land aan de voet van een rokende vulkaan
Object type: photograph
Date: 1912 – 1912
Materials: paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: onnes kurkdjian
Artist role: fotograaf
Artist dates: 1851 – 1903
Subjects: field filled with a crop, volcano, dutch east indies, the

Onderdeel van Reisalbum met veertig foto's van Nederlands-Indië.