deem-data/ArtiFact huggingface dataset:
Studie, mogelijk een architectuurstudie
Object type: drawing
Date: 1912 – 1912
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: civic architecture; edifices; dwellings
Inscriptions: collector's mark: Lugt 2228
Diving, from the Pretty Athletes series (N196) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,athletes

Trade cards from the "Pretty Athletes" series (N196), issued in an unnumbered set of 20 cards in 1889 by Wm. S. Kimball & Co. to promote Sweet Lavender, Old Gold, Black and Tan, and Hard Tack Tobacco.
Gezicht op de Dam te Amsterdam met het Koninklijk Paleis, de Nieuwe Kerk en Naatje
Object type: sketchbook leaf
Date: 1893 – 1912
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: square, place, circus, etc., church (exterior), royal palace of amsterdam
Inscriptions: kleurnotitie, handgeschreven

Pagina 23 en pagina 24 uit een schetsboek met 32 bladen.
Bronze handle of a situla (pail) with Silenos head attachment and lion head mouthpiece
Object type: handle of a situla with satyr head
Date: 400 – 301
Materials: bronze
Culture: etruscan
Subjects: silenus,lions

Satyr head attachment and lion head mouthpiece.
Paarden in verschillende houdingen
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: horse
Inscriptions: number: ‘22’, collector's mark: Lugt 11

Deze prent maakt deel uit van een reeks van 24 prenten van paarden.
Three Bearded Male Heads, Two in Profile to the Right
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, wash
Location: italy
Artist: circle of bernardino lanino
Stirrup Spout Vessel with Geometric Motifs
Object type: vessel
Date: 100 – 500
Materials: ceramic, paint, pigment
Culture: moche
Location: peruvian north coast
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic
Artist: antiphon painter
Artist role: artist
Gezicht op het Uddelermeer
Object type: drawing
Date: 1878 – 1878
Materials: chalk, paper
Location: uddel
Artist: johannes gijsbert vogel
Artist role: draughtsman, painter, print maker
Artist dates: 1828 – 1915
Subjects: lake
Inscriptions: date

Gezicht op het Uddelermeer; verso: Scheveningse bosjes, nov. 1879.
Joodse straatventer
Object type: print
Date: 1772 – 1791
Materials: paper
Techniques: printmaking, etching
Artist: mathias de sallieth
Artist role: print maker
Artist dates: 1749 – 1791
Subjects: container made of plant material other than wood: basket, the jews, jewish life
Inscriptions: collector's mark: Lugt 2228

De prent verscheen vanaf 1818 tevens als onderdeel van een 33-delige reeks prenten door Mathias de Sallieth, samengebonden in: Perkois, Jacobus, Prins, Johannes Huibert. Verzameling van verschillende gekleede mans- en vrouwenstanden, ter oefening van jonge schilders en liefhebbers. Rotterdam: Johannes Immerzeel, 1818.
Twee variétéartiesten op een podium
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: paris
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: performer, artiste (non-work situations), horn, trumpet, cornet, trombone, tuba (+ artist at work), the audience ~ art performance

Rechts mogelijk een trompettist. Vooraan toeschouwers. Pagina 17 uit schetsboek XLV met 85 pagina's.
Charles James Fox, English writer and M.P. (1749–1806)
Object type: figure
Date: 1770 – 1780
Materials: earthenware
Techniques: glazing
Artist: ralph wood the younger
Artist role: maker
Artist nationality: british
Artist dates: 1748 – 1795
Subjects: men
Gezicht op het Ayuntamiento in Sevilla
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: sevilla
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: townhall, sevilla
Inscriptions: number: ‘2462.’
Vignet met een hartvorm en een kasteel, twee putti en een cherubijn
Object type: print
Date: 1635 – 1694
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: dirck de bray
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1694
Subjects: cherubs, i.e. children's heads with wings, castle, vignette, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240
Strip
Object type: strip
Date: 1830 – 1830
Techniques: lace
Parrot
Object type: decoratief object
Date: 1729 – 1729
Materials: earthenware, glaze
Location: delft
Artist: Anonymous
Subjects: ornamental birds: parrot

Dierenfiguur van faïence, in de vorm van een papegaai. Veelkleurig beschilderd.
Teapot
Object type: ceramic
Date: 1760 – 1760
Materials: ceramic, enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Location: worcester
The Men's Bath
Object type: print
Date: 1496 – 1497
Materials: ink, paper
Techniques: printing, woodcut
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528

Albrecht Dürer’s Men’s Bath has been interpreted in many ways—from a humanist ode to Italian nudes to a group of portraits including three potential views of Dürer and one of his best friend, the rotund Willibald Pirckheimer. The waterline is only ankle-deep for the standing figures, while the seated pair in the foreground is more submerged; a Dürer look-alike controls the strategically placed pump. This large-scale woodcut was published shortly after a 1496 edict closed the bathhouses in Dürer’s hometown of Nuremberg, around the time of both an outbreak of syphilis and a drought. It may therefore be a protest against the edict, or perhaps a nostalgic look at idyllic bathing activities of days past.
The Timid Bride
Object type: painting
Date: 1800 – 1800
Materials: gilt, ink, paper, watercolor
Culture: indian, kangra, punjab hills
Subjects: couples,men,women
Portret van Johann Arndt
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: etching
Subjects: theologian, historical persons
Portret van Giuseppe Parini
Object type: print
Materials: paper
Techniques: etching, engraving
Location: italy
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Ruinarum varii prospectus
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: ruin of a building ~ architecture, landscape with other man-made constructions not mentioned above, e.g.: graveyards, playgrounds, etc., (story of) the horatii, three brothers from rome, catacombs
Inscriptions: collector's mark: Lugt 2228, number: ‘157’

Italiaans landschap met waarschijnlijk de ruïne van de begraafplaats van de legendarische broers Horatii. In het midden van de prent een weg met een karavaan. Rechts een herder met schapen. De prent is deel van een serie die verschillende plaatsen in het Middellandse Zeegebied afbeeldt.
Time Banished by Truth
Object type: drawing
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: jean jacques de boissieu
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1810
Subjects: diadems,weapons,men,women
Portret van een adelborst, waarschijnlijk admiraal Nelson
Object type: print
Date: 1822 – 1845
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: horatio nelson (hertog van bronte), sail, historical persons, binoculars, spy-glass, etc.
Inscriptions: collector's mark: Lugt 2228

De geportretteerde staat op een schip en hangt over de rand van een gestreken zeil met de wind in zijn rug. In zijn hand heeft hij een verrekijker. Onder het portret de woorden: De Adelborst.
Plant and Seals
Object type: hanging scroll
Materials: ink, paper
Culture: japanese
Artist: yokoyama seiki
Artist role: artist
Artist nationality: japanese
Artist dates: 1793 – 1793
Subjects: plants
Koning Antoine de Bourbon wordt gewond weggedragen
Object type: book illustration
Date: 1782 – 1782
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: paris
Subjects: antoine de bourbon (koning van navarra), carrying the sick, wounded and dead off the battle-field, king
Inscriptions: collector's mark: Lugt 2228

Prent uit: Désormeaux, Joseph-Louis-Ripault. Histoire de la maison de Bourbon. Parijs: L'Imprimerie Royale, 1782, dl. 3, p. 99.
Gezicht op de Rapenburgergracht, gezien richting de Montelbaanstoren
Object type: drawing
Date: 1750 – 1850
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment, city-view in general; 'veduta', canal
Inscriptions: inscription: ‘Port. 11-281’, stamp: ‘Van het Koninklijk / Oudheidkundig Genootschap / te Amsterdam.’, inscription: ‘Rapenburgergracht / thans [...]Entrepot (...) naar den K[...]ijk.’, collector's mark: ‘11’ Lugt 1641b, inscription: ‘van Rapenburg of vinkebuurt’

Onderwerpsrubriek binnen de Atlas Amsterdam: Raadhuisstraat, Raamgracht, Raamplein, Rapenburgerstraat, Reguliersgracht, Reguliersbreestraat.
Ornament
Object type: ornament
Date: 918 – 1392
Materials: silver
Culture: korean
Subjects: birds,turtles
Portret van Frederik, prins van Oranje-Nassau
Object type: print
Date: 1790 – 1849
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: Anonymous
Subjects: the hague, willem george frederik (prins van oranje-nassau), knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Leven van Maria in emblemen
Object type: cognizance
Date: 1625 – 1629
Materials: paper
Techniques: etching, letterpress printing
Location: nancy
Subjects: gardening, flowers: lily
Inscriptions: collector's mark: Lugt 240

Voorstelling van een tuinman die, steunend op zijn schop, de lelies in een omheinde tuin bewondert. Boven en onder deze prent Latijnse en Franse teksten in boekdruk. Dit blad is onderdeel van de embleemserie 'Leven van Maria in emblemen'. De eerste staat van deze serie behelst naast een titelpagina en 26 emblemen ook drie bladen met lofzangen op Maria in boekdruk zonder afbeelding.
Figuur met gesloten ogen
Object type: print
Date: 1923 – 1923
Materials: paper
Techniques: lithograph
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: eyes closed
Inscriptions: collector's mark: Lugt 2228
Sherd
Object type: sherd
Date: 501 – 800
Materials: ceramic
Culture: sasanian or islamic
Location: mesopotamia
Crows in Old Trees
Object type: hanging scroll
Date: 1301 – 1333
Materials: ink, silk
Culture: chinese
Artist: luo zhichuan
Artist role: artist
Artist nationality: chinese
Artist dates: 1290 – 1340
Subjects: birds,trees

This painting, by the southern artist Luo Zhichuan, demonstrates the renewed interest in the brush idioms of the Northern Song artists Li Cheng (919–967) and Guo Xi (ca. 1000–ca. 1090) that grew after the Mongol conquest forcefully reunified north and south China in 1279. Luo’s painting may be read as a bleak commentary on life under the Mongols, for the image of a wintry grove of trees has long been understood as a metaphor for like-minded men enduring political adversity. Similarly, the two male pheasants on the shore in the foreground symbolize scholars living in reclusion, while the varied pattern (wen) of their plumage is a symbol of literary cultivation (also wen). Luo contrasts their stoic endurance with the agitated movement of dozens of circling crows—a reference to petty opportunists.
Plate 1: a young man sitting on a stone, facing left in profile, holding a drawing pad in his lap and a pen in his left hand, a pedestal with title to left and ruins to right in the background, title page from "Various heads and figures" (Diverses têtes et figures)
Object type: print
Date: 1650 – 1650
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: ruins,men,profiles
Gezicht op een landschap met brug en schuur te Schagen
Object type: drawing
Date: 1942 – 1942
Materials: chalk, pastel
Location: schagen
Artist: jacob olie jr.
Artist role: fotograaf, scheikundige
Artist dates: 1879 – 1955
Subjects: barn, bridge, schagen
Inscriptions: annotation: ‘Schagen 8 aug '42/ Bruggetje en schuur van Kant’
The Unicorn Surrenders to a Maiden (from the Unicorn Tapestries)
Object type: tapestry
Date: 1495 – 1505
Materials: gilt, silk, silver, wool
Culture: french or south netherlandish
Location: netherlands
Subjects: fences,men,women,horns,unicorns,dogs,flowers,trees

In these two fragments of a single tapestry (see also 38.51.2), the unicorn appears to have been tamed. He seems so docile, in fact, that he is oblivious to the dog licking the wound on his back and stares loving at the maiden who must have subdued him. Most of her figure is missing, the result of damage incurred after the tapestries were looted in 1793. The remaining traces include the maiden's right arm, clothed in red velvet and visible between the beard and throat of the unicorn, and her fingers, seen gently caressing the bottom of the animal's mane. She sits in an enclosed garden (hortus conclusus), often a metaphor for the purity of a maiden. The more complete female figure may be signaling to the hunter outside the garden, who in turn sounds the horn to summon the others.
Drie vrouwen met harken
Object type: photograph
Date: 1940 – 1945
Materials: photographic support
Techniques: gelatin silver print
Location: czechoslovakia
Artist: Anonymous
Subjects: netherlands, germany

Drie vrouwen met harken, op de achtergrond een hek en bomen. Foto behorend bij album 'Kriegserinnerungen'.
Tobacco box
Object type: tobacco box
Date: 1601 – 1700
Materials: brass, copper
Subjects: men,women

An oblong box with shaped ends, its copper cartouche of a shape similar to that of the box. The cartouche on the lid portrays a couple conversing in a landscape. The bust of a second man, much larger in scale, appears in the foreground; this should be seen as the personification of the evil tongue, a gossiper, perhaps. (See also 57.108.2.) Inscribed below: Valsche tong is fel (An evil tongue is fierce). In the cartouche on the underside the couple is seated with a pitcher and glass in front of a house. A clergyman stands next to them with a crucifix in his hand. Inscribed below: Doet geen mens wel (Doesn't do anybody good). Rims are lined, edges molded. Leaf scrolls are found flanking the cartouches, on the borders, and on the front and ends of the side. The back side has geometrical ornament. This is one of the inscriptions that frequently occur on tobacco boxes, according to Van der Linden, "Les boîtes en cuivres," p. 203.
Visit to an Oil Field in Purissima Hills, USA
Object type: photograph
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: california
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Inscriptions: title: ‘Graciosa ridge’

In 1908 Kessler accompanied the director of Koninklijke Olie (Royal Dutch Petroleum Company, later Shell), Henri Deterding, as secretary on a world tour. He travelled to Canada and the United States via the Dutch East Indies, Singapore, China, and Japan. Dolph’s photo album contains pictures of an oil field in California, as well as San Francisco’s town hall which had collapsed during an earthquake.
Portret van Johann Jakob Schalch
Object type: print
Date: 1750 – 1806
Materials: paper
Techniques: etching
Artist: johann rudolph schellenberg
Artist role: print maker
Artist dates: 1740 – 1806
Subjects: print maker, johann jakob schalch, portrait, self-portrait of painter, tools, implements of painter, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228
De vijf dwaze maagden zijn buitengesloten
Object type: print
Date: 1589 – 1611
Materials: paper
Techniques: engraving
Location: cologne
Subjects: the wise virgins are let into the house with the bridegroom (christ); the foolish virgins are shut out

De vijf dwaze maagden staan voor de gesloten deur van het huis van de bruidegom. Ze roepen om binnengelaten te worden. In de marge een vierregelig onderschrift, in twee kolommen, in het Latijn dat verwijst naar de buitengesloten maagden. Deze prent maakt deel uit van een album.
Allegorie met de overwinning op de Domheid
Object type: print
Date: 1700 – 1800
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: truth; 'verità' (ripa) (+ personification), (story of) minerva (pallas, athena), (story of) mercury (hermes), stupidity, poverty of intellect; 'stupidità overo stolidità' (ripa)
Inscriptions: collector's mark: Lugt 240

De Waarheid met scepter en boek in de hand staat met een voet op de Domheid, een man met ezelsoren, ten teken van haar overwinning op hem. Links Mercurius en Minerva.
Fauteuil en chaise longue
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Collar
Object type: collar
Date: 1801 – 1900
Subjects: flowers
Fotoreproductie van een prent naar het schilderij Madonna di Foligno
Object type: photograph
Date: 1882 – 1887
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: madonna: i.e. mary with the christ-child
Wallet
Object type: wallet
Date: 1790 – 1810
Materials: silk
Culture: american
Parrot
Object type: decorative art
Date: 1870 – 1890
Materials: paint, wood
Location: pennsylvania
Artist: wilhelm schimmel
Subjects: animals
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of round shield or helmet crest?, mid-torso of male with drapery wrapped around waist and right hand on hip
Portret van George Gillis Haanen
Object type: drawing
Date: 1817 – 1900
Materials: ink, paper, pencil
Techniques: brush
Artist: Anonymous
Subjects: utrecht, painter, print maker, draughtsman, george gillis haanen, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, part of an inscription, KA[LOS]
The Building of Westminster Bridge
Object type: painting
Date: 1722 – 1772
Materials: canvas, oil
Artist: samuel scott
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1772
Subjects: buildings,bridges,cathedrals,rivers,boats,london

To the left in this view of London and the Thames River is the still unfinished Westminster Bridge. Behind it from left to right are Saint Johns, Smith Square, Westminster Hall, Westminster Abbey, and the tower of Saint Margaret's Church. Work on Westminster Bridge began in 1738 and was completed in 1750. It is shown here in approximately the state it would have reached by 1742.
Landschap
Object type: drawing
Date: 1856 – 1909
Materials: ink, paper
Techniques: pen
Artist: sientje mesdag-van houten
Artist role: draughtsman, painter
Artist dates: 1834 – 1909
Subjects: landscapes in the temperate zone
Plates 3 and 4, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Object type: print
Date: 1620 – 1620
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: architecture,buildings
Bergrivier tussen bomen
Object type: copper plate
Date: 1848 – 1909
Materials: copper
Techniques: etching
Artist: johannes arnoldus boland
Artist role: print maker
Artist dates: 1838 – 1922
Liggende dromedaris
Object type: sketchbook leaf
Date: 1910 – 1940
Materials: chalk, paper
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: hoofed animals: dromedary
Inscriptions: date: ‘12/10/40’

Pagina 44 uit een schetsboek met 60 bladen.
Gobular bottle with dragon
Object type: bottle
Date: 1767 – 1800
Materials: glaze, porcelain
Techniques: incising
Culture: chinese
Beaker
Object type: beaker
Date: 1811 – 1811
Materials: silver
Artist: i.k.
Artist role: maker
Straat met figuren te Spakenburg
Object type: sketchbook leaf
Date: 1849 – 1895
Materials: paper, pencil
Location: spakenburg
Artist: willem koekkoek
Artist role: draughtsman
Artist dates: 1839 – 1895
Subjects: street (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘Spakenburg/ steen’

Blad 5 recto uit een schetsboek met 42 bladen.
Bowl (Tecomate)
Object type: bowl
Date: 1200 – 801
Materials: ceramic
Culture: olmec
Location: mexico
Scapular (?) (one of a pair)
Object type: scapular
Date: 1701 – 1800
Materials: metal thread, silk
Ontwerp voor een boekrug voor: Henri Borel, Een droom, 1899
Object type: drawing
Materials: ink, paper, pencil
Techniques: pen
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: intersecting lines
Inscriptions: collector's mark: Lugt 2228a, annotation: ‘bo’

Het boek waarvoor het ontwerp werd gemaakt werd in 1899 uitgegeven bij uitgeverij P.N. Van Kampen te Amsterdam, niet bij Uitgeverij L.J. Veen.
S. Rochvs
Object type: popular print
Date: 1700 – 1725
Materials: paper
Techniques: woodcut
Location: southern netherlands
Subjects: the confessor and pilgrim roch(us) (rocco, rock) of montpellier; possible attributes: angel (with ointment box or spoon), dog (sometimes with loaf), (pointing at) plague-spot on thigh, pilgrim's shell, staff, hat and wallet
Inscriptions: collector's mark: Lugt 2760

Een knielende engel betast de pestwond in het been van de heilige Rochus, op de achtergrond episodes uit het leven van H. Rochus.
Cover
Object type: textile
Date: 1601 – 1700
Location: italy
Trap Dike
Object type: page
Date: 1893 – 1893
Materials: paper
Techniques: photograph
Location: new york
Subjects: river
Portret van Achatius Troschel
Object type: print
Date: 1650 – 1689
Materials: paper
Techniques: engraving
Subjects: historical persons, armorial bearing, heraldry, mathematics
Inscriptions: collector's mark: Lugt 2228
Jan Veth - Larensch meisje
Object type: ansichtkaart, prentbriefkaart
Date: 1928 – 1928
Materials: cardboard
Techniques: rotogravure
Location: leiden
Subjects: adolescent, young woman, maiden, picture, painting
Inscriptions: collector's mark: ‘AFE v S’
Landschap met Apulische herder veranderend in een olijfboom en dansende nimfen
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Location: london
Subjects: river - hh - ideal landscapes, dancing, the apulian shepherd changed into an oleaster: the apulian shepherd is changed into an oleaster as punishment for mocking dancing nymphs (ovid, metamorphoses xiv 521)
Inscriptions: date

Vanaf 1774 publiceerde John Boydell tweehonderd prenten naar het tekeningenboek Liber Veritatis van Claude Lorrain, in het bezit van de hertogen van Cavendish. Deze prenten werden vanaf 1777 in twee volumes gebundeld uitgegeven.
Zilveren bonbonnière
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: etching, intaglio
Location: utrecht
Subjects: serving-dish, platter

Prent maakt deel uit van een serie van veertien prenten.
Creamer
Object type: cream pot
Date: 1886 – 1886
Materials: glass
Techniques: glassblowing
Culture: american
Location: united states
Artist: hobbs, brockunier and company
Artist role: maker
Artist nationality: american
Artist dates: 1863 – 1891