deem-data/ArtiFact huggingface dataset:
Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 3 (recto)
Object type: book print ornament architecture
Date: 1620 – 1620
Techniques: woodcut
Artist: cesare vecellio
Artist role: author
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament

Written by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, published by Alessandro de' Vecchi. From top to bottom, and left to right: Design forms triangular shape that is divided into 3 horizontal registers. Top register is decorated with a vase of plants that is flanked on either side by a composite man, bird, and foliage creature. Middle register is decorated with composite human and plant creatures resembling atlantes that support an architectural frieze above. Bottom register is decorated with left half of a man and plant composite creature that appears to serve as a type of decorative element.
Studies for an Adoration of the Shepherds
Object type: drawing
Date: 1601 – 1633
Materials: chalk, ink
Techniques: pen
Artist: adriaen brouwer
Artist role: artist
Artist nationality: flemish
Artist dates: 1605 – 1638
Subjects: adoration of the shepherds

Although no such picture by his hand survives, Brouwer, on this working sheet, explored solutions for an Adoration of the Shepherds. Lively figure studies in black chalk, some of them reworked in pen and ink, cover the page. Occupying the middle part of the sheet is a rendering of the entire figural group. At its center is the Christ Child; his profile is summarily indicated with a few quick pen strokes, which overlap with two diagonal lines—the leg of one of the shepherds—and two horizontal strokes—the top of the cradle. Gazing down at the infant are three crouching figures, one of whom holds a staff and a candle. Two other heads, left only roughly indicated in black chalk, appear to the left of this trio. Below them, another man kneels before the cradle, his right hand raised in a gesture of awe. To his left, the bulky form of an ox can be discerned. At lower right, Brouwer drew two additional versions of the stooped man with the candle, trying out different arrangements of the legs, arms, and staff. He also considered, with the sketches in the upper right and lower left corners, a kneeling figure in profile, facing left, with the Christ Child repositioned accordingly. Finally, at upper left, a man with a hat sits with his back toward the viewer, his head turned to the left. While many artists portrayed the shepherds who came to adore the newborn Christ as unidealized and suitably rustic figures and, increasingly in the late sixteenth and early seventeenth centuries, as decidedly "low" types, Brouwer’s shepherds—with the same ungainly poses, pointy chins, and beady eyes as the drinkers and smokers in his tavern scenes—are especially striking. As a subject, the Adoration of the Shepherds may have appealed to him as a occasion to deploy such figures beyond the genre in which he usually worked. (JSS, 8/23/2018)
Hoedenstandaard, samengesteld uit twee in elkaar passende lichtgroene planken
Object type: hat stand
Date: 1950 – 1950
Materials: wood
Location: western europe
Artist: Anonymous

Hoedenstandaard, samengesteld uit twee in elkaar passende lichtgroene planken.
Drie roggen op het strand
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: cartilaginous fishes: ray
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1490
Overlijden van Wilhelmina van Pruisen, weduwe van Willem V, prins van Oranje-Nassau
Object type: history medal
Date: 1820 – 1820
Materials: lead
Techniques: striking
Location: rotterdam
Artist: adriaan bemme
Artist role: draughtsman
Artist dates: 1753 – 1831
Subjects: berlin, painter, wilhelmina of prussia (princess of orange)

Overlijden van Wilhelmina van Pruisen, weduwe van Willem V, prins van Oranje-Nassau, in 1820. Loden penning. Voorzijde: borststuk vrouw. Keerzijde: tombe, waarop lijkbus is geplaatst, op sokkel; links vrouw met spiegel, waaromheen slang kronkelt, rechts wenende gesluierde vrouw met geopend boek op haar schoot
Scarab
Object type: scarab
Date: 1550 – 1295
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs
Portret van Frances Davenant
Object type: photomechanical print
Date: 1850 – 1899
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: historical persons - bb - woman
Mounted soldier
Object type: figure
Date: 1751 – 1757
Materials: hard paste porcelain
Artist: royal porcelain manufactory, berlin
Artist role: manufactory
Artist nationality: german
Artist dates: 1763 – 9999
Subjects: soldiers,men,horses
Portret van P. W. van den Broer
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: lithograph
Location: rotterdam
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: : ‘De ondergeteekende verklaart / dat dit portret door hen is / uitgegeven. / Rotterdam 23 mei 1861 / W.L. Stoeller’, : ‘De ondergeteekende verklaart bij deze / dat bovenstaand portret ter zijner / steendrukkerij is vervaardigd. / Rotterdam 22 mei 1861’

Onder het portret de signatuur van de geportretteerde.
Pilgrim flask
Object type: pilgrim flask
Date: 1878 – 1880
Materials: earthenware
Culture: american
Location: united states
Artist: chelsea keramic art works
Artist role: manufacturer
Artist nationality: american
Artist dates: 1872 – 1889

The Chelsea Keramic Art Works was the first American ceramics firm to designate itself an "art pottery." It was founded in Chelsea, Massachusetts, by members of the Robertson family, all of whom had honed their skills in the ceramics industry in Britain before coming to this country. This pilgrim vase is typical of Hugh Robertson’s work in the late 1870s and early 1880s. Although its form relates to medieval canteens, this vessel is more directly aligned with contemporary English art wares, notably vases executed at the Mintons and Doulton potteries. This flask features a central medallion depicting a mail carrier riding into town and trumpeting his arrival. Robertson, who skillfully sculpted the scene (his monogram appears at the lower right), copied the imagery from James E. Kellly’s "An Old Time Post-Boy," an illustration that appeared in the May 1878 issue of the popular magazine Scribner’s Monthly. Roberson openly acknowledged his source in a misspelled inscription at the lower edge of the vase: "after Keley [sic]." Noting that only five or six examples of this design were produced, Ceramics historian Edwin AtLee Barber described how the flasks were executed: "The figures were modelled by Mr. Hugh C. Robertson in low relief, to which an effective glaze adds depth and distance. They were worked in white clay and laid on the yellow body of the vase and then covered with a single glaze, producing the effect of a grayish blue design against a yellowish-olive or mouse-colored ground." This vase is from the Robert A. Ellison Jr. Collection of American art pottery donated to the Metropolitan Museum in 2017 and 2018. The works in the collection date from the mid-1870s through the 1950s. Together they comprise one of the most comprehensive and important assemblages of this material known.
Bottle
Object type: bottle
Date: 801 – 1000
Materials: stone
Techniques: carving
Location: iran

This object was excavated at the site of Sabz Pushan– a thriving residential neighborhood throughout the 9th and 12th centuries. Made of gray stone from Mashhad, this small bottle has a neck (now broken) and a short rectangular body carved with two grooves and a small foot on each side. The inside of the neck has been drilled through to a small cavity at the center of the body. The bottle would have fit easily in one’s hand. The protruding feet at the bottle’s base would have allowed it to stand on a flat surface. It is one of many objects excavated at Nishapur, Iran in 1937 and was acquired by the Museum through a division of finds with the Iranian government.
View of Zeelst, Noord-Brabant
Object type: drawing
Date: 1674 – 1674
Materials: ink, paper
Techniques: brush, pen
Location: zeelst
Artist: barend klotz
Artist role: draughtsman
Subjects: prospect of village, silhouette of village, church (exterior), zeelst
Keizer Titus
Object type: portretmedaillon
Date: 1782 – 1784
Materials: porcelain
Location: loosdrecht

Five portrait medallions of the Roman Emperors Augustus, Claudius, Vespasian, Titus and Domitian. Biscuit porcelain. Loosdrecht, c. 1778 - 1782. Factory of Joannes de Mol.
Five Sketches for the Triumph of Silenus
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: england
Artist: james thornhill
Artist role: artist
Artist nationality: british
Artist dates: 1675 – 1734
Snuffbox with a breast ornament with a portrait of Queen Mary
Object type: snuffbox
Date: 1752 – 1752
Materials: diamond, gold, silver
Location: amsterdam
Inscriptions: mark

Miniature portraits of rulers played an important role in 17th-century diplomacy. An unusual variant arose around 1670 in which the miniatures were set in diamonds. This breast ornament was a gift from Queen Mary, consort of King-Stadtholder William III, to a confidante. It was later mounted on the lid of a gold snuffbox.
Penning van Rederij De Schie, stoomboot dienst 3
Object type: history medal
Date: 1860 – 1915
Materials: brass
Techniques: printing, striking
Inscriptions: circumscription: ‘REEDERIJ - DE SCHIE’, circumscription: ‘STOOMBOOT - DIENST’

Messing penning, op de voorzijde een blank veld met omschrift, op de keerzijde een blank veld, ingestempeld "3", met omschrift.
Miniature fireback (part of a set)
Object type: fireback
Date: 1720 – 1720
Materials: silver
Artist: david clayton
Artist role: maker
Artist nationality: british
Artist dates: 1659 – 1719
Kermis
Object type: drawing
Date: 1840 – 1840
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: (annual) fair, trade fair
Gewelven en gang van een kerk in Engeland
Object type: photograph
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: parts of church interior: vault, england

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
Lentoid Aryballos (Container for Oil)
Object type: vessel
Date: 400 – 201
Materials: glass
Techniques: forming
Culture: italian
Location: eastern mediterranean region
Trafalgar Square from National Gallery
Object type: carte de visite
Date: 1865 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: london
Artist: Anonymous
Subjects: square, place, circus, etc., triumphal column with helical friezes
Inscriptions: number: ‘27.’, address: ‘Published by/ Dalton and Lucy/ Booksellers to the Queen/ 28, Cockspur Street, S.W.’
Kruisdraging
Object type: print
Date: 1615 – 1650
Materials: paper
Techniques: engraving
Location: low countries
Subjects: christ collapsing ~ carrying of the cross
Inscriptions: collector's mark: Lugt 240

Christus valt op weg naar Golgota op zijn knieën onder het gewicht van het kruis. Hij kijkt naar Maria. Rondom hem enkele bewapende soldaten. In de marge een éénregelig onderschrift in het Latijn uit Joh. 19.
Panel
Object type: textile
Date: 1860 – 1880
Materials: textile, silk
Techniques: bookbinding, brocade, interlacing, patterning, satin weave, weave
Location: lyon
Artist: mathevon et bouvard
Artist nationality: french
Artist dates: 1810 – 1895
Subjects: floral arrangements, foliage, flowers
Inscriptions: On reverse: 8334
Stoel, mahoniehout, bekleed met velours d'Utrecht, waarop een geperst zonnebloemmotief
Object type: seating furniture
Date: 1760 – 1775
Materials: wood, wool
Location: netherlands
Artist: Anonymous

Stoel bekleed met velours d'Utrecht, waarop een geperst groot zonnebloemmotief. De S-vormige voorpoten eindigen in een vogelklauw met bal en zijn tot over de welfing extra geprofileerd. De achterpoten wijken in gespreide stand naar achteren. De zitregels en de rugregels- en dorpels zijn gewelfd. De bovendorpel van het beklede rugraam wordt bekroond door een klein bloemmotief. De bekleding is genageld. Het hol gebogen rugraam rust op gecanneleerde gewelfde stutten.
Koe bij een boom
Object type: cut paper
Date: 1788 – 1840
Materials: paper
Techniques: snipping
Artist: johannes sombeek slijper
Artist dates: 1778 – 
Subjects: trees, cow
Inscriptions: collector's mark: Lugt 1641, stamp

Een staande koe met rechts een boom. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Knipkunst.
Grace Seavey, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Studies van soldaten
Object type: drawing
Date: 1782 – 1837
Materials: graphite, paper
Artist: pieter bartholomeusz. barbiers
Artist role: draughtsman, print maker
Artist dates: 1772 – 1837
Card case
Object type: card case
Date: 1801 – 1900
Materials: gold
Portret van een meisje, zittend op een tafel
Object type: photograph
Date: 1886 – 1887
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: friedrich carel hisgen
Artist role: fotograaf
Artist dates: 1846 – 1912
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, girl (child between toddler and youth), chair
Inscriptions: inscription: ‘Photographisch/ Atelier/ van/ F. Hisgen/ Parkstraat 25/ Anrhem/ atelier gelijkvloers’
De kerk te Nieuwland
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: engraving, etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: prospect of village, silhouette of village, church (exterior)

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Pass of Glencoe
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Location: glen coe
Artist: stephen thompson
Artist role: fotograaf, schrijver
Artist dates: 1831 – 1893
Subjects: dale, valley, bridge
Portrettengalerij van schrijvers
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Illustrations du Cours de Littérature de la Harpe, ou collection de 400 portraits destinés à l'ornement de cet ouvrage. Parijs: Boblet, 1830.
Cup and cover
Object type: cup with cover
Date: 1796 – 1875
Materials: jade
Culture: chinese
Plate 37 from "Los Caprichos": Might not the pupil know more? (Si Sabrá mas el discipulo?)
Object type: print
Date: 1799 – 1799
Techniques: aquatint, engraving, burnishing, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: animals,horses
Madonna and Child with Saints Jerome and Agnes
Object type: painting
Date: 1465 – 1465
Materials: gold leaf, paint, wood
Artist: giovanni di paolo (giovanni di paolo di grazia)
Artist role: artist
Artist nationality: italian
Artist dates: 1398 – 1482
Subjects: madonna and child,saint jerome,saints
Child Lying Down
Object type: figure
Materials: enamel, porcelain
Techniques: overglaze, underglaze
Culture: japanese
Subjects: boys
Lucas de Evangelist
Object type: print
Date: 1671 – 1672
Materials: paper
Techniques: engraving, etching
Subjects: luke the evangelist; possible attributes: book, (winged) ox, portrait of the virgin, surgical instruments, painter's utensils, scroll
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een ongenummerde serie van vier prenten.
Abklatsch van een tekening
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper
Techniques: printmaking
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

De originele tekening is niet meer in het schetsboek aanwezig. Blad 22 verso uit schetsboek LX met 33 bladen.
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Part of the lower body and foot of a lekythos; the outer edge and underside of the foot is reserved
Pair of Knives (Dha) with Sheath
Object type: pair of knife dha with sheath
Date: 1801 – 1900
Materials: ivory, silver, steel, wood
Culture: burmese
Location: burma
Portret van een zittende man, aangeduid als Jan Kooimans
Object type: album leaf
Date: 1855 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: gorinchem
Artist: kornelis willem schorteldoek
Artist role: boekbinder, fotograaf
Artist dates: 1800 – 1885
Subjects: sitting figure, historical persons
Inscriptions: inscription: ‘SCHORTELDOEK/ PHOTOGRAAF/ GORINCHEM/ Groote Markt’, name: ‘Jan Kooimans’
Belt Plaque with Three Ibex
Object type: belt plaque
Date: 200 – 1
Materials: bronze
Culture: northwest chinese
Subjects: ibex
Herdersfiguur met vogel
Object type: mannenfiguur
Date: 1750 – 1770
Materials: faience
Location: delft
Artist: Anonymous
Inscriptions: collector's mark: ‘5030 A (in zwarte inkt), 321 (in rode en zwarte inkt)’

Mannenfiguur van faience, in de vorm van een herder met een vogel. Wit geglazuurd.
Mannen in zeventiende-eeuwse kleding
Object type: sketchbook leaf
Date: 1846 – 1882
Materials: paper, pencil
Location: netherlands
Subjects: adult man, clothes, costume (+ men's clothes)
Inscriptions: annotation: ‘Lingelbach’, annotation, annotation: ‘vanderhelst’

Mannen in zeventiende-eeuwse kleding. Blad 8 uit een schetsboek met 91 bladen.
Berlin. Unter den Linden. Blick in die Friedrichstrasse
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard, photographic process
Location: berlin
Artist: Anonymous
Subjects: street, hotel, hostelry, inn
Jupiter and Semele
Object type: drawing and watercolor
Materials: chalk, ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: netherlands
Artist: attributed to jan harmensz muller
Artist nationality: dutch
Artist dates: 1571 – 1628
Lo Scalco alla Moderna
Object type: book
Date: 1694 – 1694
Techniques: printing, woodcut
Artist: antonio latini
Artist role: author
Artist nationality: italian
Subjects: food
The Attarouthi Treasure - Chalice
Object type: chalice
Date: 500 – 650
Materials: gilt silver, silver
Culture: byzantine
Location: syria
Subjects: christ

These well-wrought liturgical objects-chalices, censers, a strainer, and a representation of the dove of the Holy Spirit-were among the possessions of a Christian church in the affluent merchant town of Attarouthi in Syria, then one of the richest lands of the Byzantine empire. The chalices, censers, and strainer were used for the Divine Liturgy, or Eucharist service, in which Christians take consecrated wine and bread in commemoration of the Last Supper and Christ's death. According to their inscriptions, written in Greek with several spelling variants, many of the objects were offerings of local citizens to the major church of the town, which was dedicated to Saint Stephen, and to a smaller church dedicated to Saint John (probably Saint John the Baptist). In the early seventh century, Syria fell first to the Sasanian Persians and then to the armies of Islam. These works were probably buried in haste in a protective container at some moment when the Byzantine army was retreating from attacks on the region.
Pelike, miniature
Object type: pelike, miniature
Date: 434 – 401
Materials: terracotta
Culture: greek, boeotian
Subjects: girls
Tile
Object type: tile
Date: 1201 – 1250
Materials: stonepaste
Techniques: luster painting, overglaze
Location: iran
Twaalf maanden
Object type: print
Date: 1568 – 1568
Materials: paper
Techniques: engraving
Location: france
Artist: etienne delaune
Artist role: draughtsman, goldsmith, print maker
Artist dates: 1519 – 1583
Subjects: scorpio (zodiacal sign of october), september and its 'labours' (+ with zodiacal signs)
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een twaalfdelige serie van de twaalf maanden met tekens van de dierenriem, in ovale vorm. In de collectie van het Rijksmuseum bevindt zich de complete serie.
Schon newes Modelbuch...Page 10(r)
Object type: album print ornament architecture
Date: 1617 – 1617
Techniques: woodcut
Artist: sigismundus latomus
Artist role: designer
Artist nationality: german
Artist dates: 1599 – 1632
Subjects: ornament
Gezicht op Praag met de Karelsbrug over de Moldau
Object type: sketchbook leaf
Date: 1820 – 1896
Materials: paper, pencil, watercolor
Techniques: brush
Location: prague
Artist: kasparus karsen
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1896
Subjects: city-view, and landscape with man-made constructions, river, bridge, prague
Inscriptions: annotation: ‘Praag Praag’

Blad 7 recto uit een schetsboek met 68 bladen.
Un marchand de Londre de la rue C.S. / Mistris D. sa femme
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Artist: crispijn van de passe (ii)
Artist role: draughtsman, print maker
Artist dates: 1594 – 1670
Subjects: city-view, and landscape with man-made constructions, head-gear, female sex; woman, pipe ~ tobacco, glass of wine, male sex; man

Twee voorstellingen op een albumblad. Links het fictieve portret van een koopman uit Londen. Hij handelt in hoeden, laarzen en handschoenen. Rechts zijn vrouw met wijnglas en tabakspijp. Op de achtergrond de stad Londen en de Theems. Daaronder twee kwatrijnen in het Nederlands. De prent maakt deel uit van een album.
Le Port de Boulogne-sur-Mer
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: etching
Location: france
Artist: donald shaw maclaughlan
Artist role: painter, print maker
Artist dates: 1876 – 1938
Subjects: harbour, ships, boats on land, beached
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Gezicht te Boulogne-sur-Mer met schepen en kleinere boten die met laag water droog komen te liggen. Op de voorgrond een groep figuren.
Dish with Petal-Lobed Rim, Stylized Peony, and Sickle-Leaf Scrolls
Object type: vessel
Materials: stoneware
Techniques: molding, underglaze
Location: china
The Wedding Procession, Plate 15 from Pastorales
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: etching
Location: france
Artist: claudine bouzonnet-stella
Artist nationality: french
Artist dates: 1636 – 1697
Inscriptions: Lettered lower left: "J. Stella p. / C. Stella sculp. cum privil Regis" and lower right: "15"; verso, inscribed in pen and ink, lower left: "76.590.84."
Portret van I.J. van Regemorter
Object type: print
Date: 1832 – 1900
Materials: paper
Techniques: engraving
Artist: adolphe frédéric nett
Artist role: print maker
Artist dates: 1822 – 
Subjects: antwerp, painter, conservator, ignatius josephus van regemorter, historical persons, portrait, self-portrait of artist