deem-data/ArtiFact huggingface dataset:
The Oude Zijds Herenlogement (Gentlemen's Hotel) in Amsterdam
Object type: painting
Date: 1660 – 1680
Materials: oil, panel
Artist: gerrit berckheyde
Artist role: draughtsman, painter
Artist dates: 1638 – 1698
Subjects: canals, waters (in city), hotel, hostelry, inn, public road
Inscriptions: signature: ‘G Berck Heyde’

Het Oude Zijds Herenlogement te Amsterdam, links het 'Huis aan de drie Grachten'.
Luxembourg. La Porte du Pfaffenthal. Le Viaduc du Nord, Clausen et Fetschenhof
Object type: photomechanical print
Date: 1906 – 1908
Materials: cardboard
Techniques: photograph, writing
Location: luxembourg city
Subjects: landscape with bridge, viaduct or aqueduct, church (exterior), city-gate
Inscriptions: postage stamp
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, back of head and neck of a filleted youth to right with his himation draped over his head and around his shoulders
Ice cream cup (Tasse à glace) (part of a service)
Object type: ice cream cup
Date: 1780 – 1780
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: flowers
Work and writing table (table en chiffonière)
Object type: work and writing table
Date: 1760 – 1760
Materials: gilt bronze, metal, wood
Techniques: silvered, veneering
Artist: bernard ii van risenburgh
Artist role: maker
Artist dates: 1696 – 1767

This diminutive, multipurpose table is similar in scale and style to another model by van Risenburgh in the museum’s collection (1977.102.7). The top is decorated in floral marquetry of veneered tulipwood and end-cut kingwood, and is hinged at the back and opens to reveal three compartments. A separate drawer on the right contains three metal receptacles for writing equipment. This table en chiffonière features an extra shelf framed in gilt bronze between the curving legs, a feature that adds stability and some extra space for storage.
Gezicht op water met boten en een kade
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: etching
Artist: frans hens
Artist role: print maker
Artist dates: 1856 – 1928
Subjects: pier, quay, wharf, traffic on the water
Inscriptions: collector's mark: Lugt 2228
Nail
Object type: nail
Date: 1401 – 1600
Materials: iron
Culture: european
Gezicht op molen De Victor
Object type: photograph
Date: 1897 – 1897
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, windmill in landscape
Inscriptions: inscription: ‘Nassaukade nabij de Rozengracht met de molen "de Victor" / omstreeks 1897’, collector's mark: ‘6’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Buitensingel of wel: Gezichten langs en op de Stadsvest van Haarlemmerpoort tot Raampoort.
The Labors of the Months: Cutting Faggots (March)
Object type: plaque
Date: 1534 – 1566
Materials: copper, enamel, gilt
Techniques: painting
Artist: jean ii pénicaud
Artist role: maker
Artist nationality: french
Artist dates: 1524 – 1554
Subjects: men,working
Joshua
Object type: drawing
Date: 1779 – 1779
Materials: chalk, paper
Techniques: brush, highlighting, stumping, wash
Artist: gaetano gandolfi
Artist role: artist
Artist nationality: italian
Artist dates: 1734 – 1802
Subjects: shields,swords,joshua
Detmold. Auguststrasse
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: rotogravure
Location: kassel
Subjects: street
Vier historische figuren uit de Vlaamse geschiedenis
Object type: print
Date: 1831 – 1890
Materials: paper
Techniques: etching
Artist: jean baptiste pierre michiels
Artist role: print maker
Artist dates: 1821 – 1890
Subjects: brussels, standing figure, historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1e Etat’

De prent is gemaakt naar de muurschilderingen van Henri Leys in het Stadhuis van Antwerpen.
Een latere staat van de plaat is gebruikt in: Leys, Henri. De Zaal Leys op het Stadhuis van Antwerpen: zeven kopersneden naar de muurschilderingen van Baron H. Leys. Antwerpen: Museum Plantin-Moretus, 1902.
Double knot clasp of Sithathoryunet
Object type: clasp, sithathoryunet, double knot
Date: 1887 – 1813
Materials: gold
Location: egypt
Portret van Frederik V, koning van Denemarken en Noorwegen
Object type: print
Date: 1714 – 1746
Materials: paper
Techniques: etching
Location: nuremberg
Artist: martin tyroff
Artist role: print maker, publisher
Artist dates: 1704 – 1779
Subjects: copenhagen (city), historical persons, baton of general, knighthood order (elephant)
Inscriptions: collector's mark: Lugt 2228
Zoutvat met het wapen van de familie Swellengrebel
Object type: salt condiment vessel
Date: 1740 – 1750
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: china
Artist: Anonymous
Subjects: utrecht

Zoutvat met een zeshoekige uitlopende voet en een zeslobbige rand. Beschilderd in onderglazuur blauw en met zwart en goud op het glazuur. Aan de buitenzijde een brede band met bandwerk en bloemranken in blauw met goud, rond de rand een blauwe band en in het centrum het wapen van de familie Swellengrebel in zwart en goud: Franse lelie op een ovaal schild en een gewei boven een kroon als helmteken.
Wapenporselein in blauw-wit en emailkleuren.
Florence
Object type: photograph
Date: 1889 – 1893
Materials: paper
Techniques: gelatin silver print
Location: florence
Artist: johanna margaretha piek
Artist role: fotograaf
Artist dates: 1870 – 1947
Subjects: city-view in general; 'veduta'
Undersleeves
Object type: undersleeves
Date: 1850 – 1865
Materials: cotton, linen
Culture: british
Biface, commonly referred to as a hand ax
Object type: tool, biface, hand ax
Materials: stone
Location: egypt
Twee handen, die een been (?) vasthouden
Object type: drawing
Date: 1587 – 1660
Materials: chalk, paper
Artist: giacomo cavedone
Artist role: draughtsman
Artist dates: 1577 – 1660
Subjects: postures and gestures of hand and fingers, grasping something
Man wijst een jongen terecht
Object type: drawing
Date: 1915 – 1935
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: d. viel
Artist role: draughtsman
Subjects: rubbing one's eyes - aa - both arms or hands, index finger forwards, pointing, indicating, dog
Inscriptions: :, collector's mark: Lugt 2228, signature: ‘D. Viel.’

In een omheinde tuin staan een man, vrouw, twee jongens en een hond. Een man wijst één van de jongens terecht. Hij steekt zijn rechterarm uit en wijst in de verte. De jongens wrijft in zijn ogen.
Portrait of Louis XVI, Marie Antoinette and The Dauphin
Object type: print ornament architecture
Date: 1791 – 1791
Techniques: engraving, etching
Artist: augustin de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1807
Subjects: kings,princes,queens,profiles

Version in reverse of Bocher 149(A)-151 after Pieter Joseph Sauvage. This small portrait was meant to be mounted into a brooch.
Stamboom van het Habsburgse huis, serie A
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: engraving
Location: prague
Subjects: family lineage, pedigree, genealogical tree or table
Inscriptions: collector's mark: Lugt 2228

De prent behoort tot een serie bestaande uit zes prenten, waarvan één titelprent. De laatste prent is van de hand van een anonieme kunstenaar en de overige prenten zijn vervaardigd door Aegidius Sadeler.
Boekverkoper met een klant op straat
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: etching, hand coloring
Location: paris
Subjects: reading, street-trader
Inscriptions: collector's mark: Lugt 4780, collector's mark: Lugt 4779, collector's mark: Lugt 2228

Een boekhandelaar, geknield tussen zijn boeken, biedt een klant een werk aan. De zakken van de klant puilen uit van de boeken.
Zanze
Object type: zanze
Date: 1867 – 1900
Materials: glass, metal, wood
Culture: central african
Location: congo
Breasted Drum
Object type: breasted drum
Date: 1801 – 1900
Materials: wood
Culture: akan
Location: ghana
Bell
Object type: bell
Date: 1 – 100
Materials: bronze
Culture: italian, roman
Location: italy

Small bells were worn by household pets or as jewelry (like the nearby bracelet bell). Lost-Wax Cast Bells The art of lost-wax metal casting has been used on the west coast of Africa for centuries. The technique uses wax, traditionally beeswax, to create a form. Next, a clay mold is formed around the beeswax, and the wax is melted away. The final step involves pouring liquid metal into the clay mold and after it is cooled, breaking the clay. These small crotal and clapper bells were all formed using the lost-wax technique.
Assisi. Chiesa superiore di S. Francesco. Porta principale
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: assisi
Subjects: parts of church exterior and annexes: portal
Head of a Black African youth
Object type: head of a black boy
Date: 7000 – 30
Materials: terracotta
Culture: greek
Subjects: heads,boys
Elles (portfolio cover)
Object type: print
Date: 1896 – 1896
Materials: crayon, paper
Techniques: brush, lithograph, printing
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: hats,women
Pottery Whistle
Object type: pottery whistle
Date: 1501 – 1600
Materials: clay
Culture: costa rican
Receptiekamer in het Stadhuis van Manchester
Object type: page
Date: 1877 – 1877
Materials: photographic support
Techniques: albumen print
Location: manchester
Artist: j. mcleod
Artist role: fotograaf
Subjects: townhall, interior ~ representation of a building
Inscriptions: title: ‘The Reception-Room’
Portret van Gerard van Nijmegen
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: rotterdam, painter, print maker, draughtsman, gerard van nijmegen
Inscriptions: collector's mark: Lugt 2228

Borstbeeld van de Rotterdamse schilder Gerard van Nijmegen.
Cape
Object type: cape
Materials: silk
Culture: american
Artist: r. h. white & co.
Artist role: department store
Artist nationality: american
Artist dates: 1850 – 1900
Interieur van het Plantsoen 9B te Leiden
Object type: photograph
Date: 1919 – 1919
Materials: paper, cardboard
Techniques: gelatin silver print
Location: leiden
Subjects: interior of the house
Inscriptions: date: ‘1919’

Woning van Frederik (Frits) Stokhuyzen. Op het bureau foto's van Johanna (Hans) de Jong. Deze foto maakt deel uit van een album.
Portrait of Benjamin Franklin
Object type: painting
Date: 1776 – 1883
Materials: oil, wood
Location: france
Subjects: benjamin franklin,men,portraits
Tête
Object type: print
Date: 1774 – 1793
Materials: paper
Techniques: printing, drawing
Location: paris
Artist: louis marin bonnet
Artist role: print maker, publisher
Artist dates: 1736 – 1793
Subjects: adolescent, young woman, maiden (+ sideview, profile)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De pastelmanier en deze goudbronsdruk zijn uitvindingen van Bonnet. Onder de voorstelling (bij deze prent afgesneden) stond: L'Invention de cette nouvelle manière de graver et Imprimer l'Or a été trouvée par Louis Marin et mise au jour le 16 Novembre 1774. A Paris chez Bonnet, rue St. Jacques au coin de celle de la parcheminerie au magazin Anglois. Botke, K.
Brede strook 17de-eeuws Duits kant uit de collectie van het Kunstgewerbemuseum in Dresden, Duitsland
Object type: photomechanical print
Date: 1888 – 1888
Materials: paper
Techniques: photograph
Location: dresden
Artist: Anonymous
Subjects: lace
Inscriptions: inscription: ‘E. KUMSCH, SPITZEN UND WEISS-STICKEREIEN DES XVI.-XVIII. JAHRH./ aus dem Königlichen Kunstgewerbe-Museum zu Dresden’, number: ‘Tafel 14.’

Deze prent maakt deel uit van een omslag met 49 prenten en een lijst van afbeeldingen.
Figurine in the Form of a Camel Carrying a Palanquin and Two Riders
Object type: figurine
Date: 1101 – 1233
Materials: stonepaste
Techniques: glazing, molding
Location: iran
Subjects: camels

Camel-rearing traditions may explain their frequent appearance in twelfth-century arts and their praise in mystical poetry. It has been suggested that Turkmen tribes bred hybrids of one- and two-humped camels and their southward migration and foundation of the Great Seljuq state was prompted, beyond an unstable political situation, by a climate change unfavorable to this occupation.
Half-length silhouette of a young officer of the 103rd regiment
Object type: drawing
Date: 1825 – 1900
Materials: gouache, ink, watercolor
Techniques: pen
Artist: john buncombe
Artist role: artist
Artist nationality: british
Artist dates: 1804 – 1904
Subjects: soldiers,men
Saint Catherine of Alexandria
Object type: print
Date: 1824 – 1824
Techniques: engraving
Artist: auguste gaspard louis boucher desnoyers
Artist role: artist
Artist nationality: french
Artist dates: 1779 – 1857
Pilgrim's Badge
Object type: pilgrim's badge
Date: 1301 – 1600
Materials: lead
Culture: french
Subjects: madonna and child
De Raads-heer
Object type: print
Date: 1719 – 1759
Materials: paper
Techniques: etching, letterpress printing
Artist: Anonymous
Subjects: magistracy, judges
Inscriptions: stamp, collector's mark: Lugt 1641

Prent met andere letterzetting gebruikt in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Janssoons van Waesberge, 1719, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman de Jonge, 1741, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman, 1759, dl. 2. Huidige prent uit een andere editie. Naar een prent van: Jan Luyken.
Box in book form
Location: europe
Glass Fragment
Object type: fragment
Date: 1101 – 1400
Materials: glass, metal, paint
Culture: french
Earring with pendants and female head
Object type: earring with nail head pendant
Date: 300 – 201
Materials: gold, silver
Culture: etruscan
Subjects: heads,women
Rokin te Amsterdam, gezien vanuit kunstenaarsvereniging Arti et Amicitiae
Object type: drawing
Date: 1898 – 1898
Materials: chalk, paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, street
Inscriptions: annotation: ‘Rokin’, workshop stamp: Lugt 291d
Reproductie van een prent van Christus die Maria kroont door Martin Schongauer
Object type: reproduction
Date: 1867 – 1872
Materials: paper
Techniques: woodburytype
Location: brussels
Artist: martin schongauer
Artist role: print maker
Artist dates: 1430 – 1491
Subjects: coronation of mary by christ

Deze prent maakt deel uit van een omslag met 24 prenten op 24 bladen.
Veturia Coriolani Mater/ Andromache Hectoris/ Tulliola M. Tullii F.
Object type: print
Date: 1510 – 1562
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons - bb - woman, furies, dirae (erinyes), eumenides; 'furie' (ripa), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 11

Blad met drie voorstellingen van medaillons met vrouwenkoppen en een vierde voorstelling van een furie. Linksboven: buste van Veturia Coriolani Mater. Genummerd rechtsonder: 26. Rechtsboven: buste van Andromache Hectoris. Genummerd rechtsonder: 17. Linksonder: portretbuste van Tulliola M. Tullii F.. Genummerd rechtsonder: 27. Rechtsonder: een kop van een schreeuwende furie met wapperend haar.
Geschiedenis van Ester
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: mordecai's triumph: mordecai, mounted on the king's horse, is led through the city by haman (esther and ahasuerus may be looking on from the palace), ahasuerus holds out his sceptre to esther (esther usually kneeling), ahasuerus being sleepless, has the court records read to him, king ahasuerus asks haman how to honour a man he wishes to reward

Ester knielt voor koning Ahasveros. De koning wijst zijn scepter naar haar als teken van genegenheid. Ester verzoekt de koning om samen met Haman naar het door haar verzorgde feestmaal te komen. Rechts op de achtergrond het vervolg van het verhaal. De koning laat zich 's avonds voorlezen uit de kronieken van het rijk. Daarin staat dat Mordechai een aanslag op het leven van de koning heeft verijdeld. De koning vraagt aan Haman, die bij het bed staat, hoe iemand die het leven van de koning heeft gered geëerd moet worden. Op de achtergrond is te zien hoe Mordechai in het kleed van de koning en op het paard van de koning wordt rondgereden, terwijl Haman hem rondleidt. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Est. 5-6. Deze prent maakt deel uit van een album.
Limestone statuette of a mourning siren
Object type: statue of a harpy or siren
Date: 300 – 201
Materials: limestone
Culture: cypriot
Subjects: human figures

Figure with human body and legs.
On the Derwent
Object type: page
Date: 1889 – 1894
Materials: paper
Techniques: autotype
Artist: bernard lintott
Artist role: fotograaf
Subjects: landscapes, river
Gezicht op de Prinsengracht bij de Brouwersgracht
Object type: drawing
Date: 1906 – 1927
Materials: chalk, paper
Location: amsterdam
Artist: anthonie van teijn
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1943
Subjects: sailing-ship, sailing-boat, city-view in general; 'veduta', canal, bridge in city across river, canal, etc.
Inscriptions: inscription: ‘Noordermarkt - 5. het (...) Juni 1927. / VEck’, signature: ‘VanTeyne’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 18.
Shoe Buckle
Object type: shoe buckle
Date: 1770 – 1800
Materials: brass, copper, silver, steel
Page of Calligraphy from a Shahnama (Book of Kings)
Object type: folio from an illustrated manuscript
Date: 1562 – 1583
Materials: gold, ink, paper, watercolor
Location: iran
Artist: muhammad ibn taj al-din haidar muzahhib shirazi
Artist role: calligrapher
Artist nationality: iranian
Artist dates: 1535 – 1605
Subjects: calligraphy
Luna or Diana
Object type: stirrup ornament
Date: 1601 – 1625
Materials: copper, enamel, gilt
Techniques: painting
Artist: joseph limosin
Artist role: enameler
Artist dates: 1675 – 1775
Subjects: human figures
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: flowers
Textile Fragment
Object type: textile fragment
Date: 1034 – 1066
Materials: cotton, silk
Location: egypt
Snipe-Shooting
Object type: photograph
Date: 1886 – 1886
Techniques: platinum print
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Subjects: dogs, animals
Ornament
Object type: ornament
Date: 1701 – 1800
Materials: gilt bronze
The African Sentinel
Object type: painting
Date: 1865 – 1865
Materials: canvas, oil
Culture: american
Artist: elihu vedder
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1923
Subjects: firearms,men,landscapes
Nieuwe straetgeroepen
Object type: popular print
Date: 1833 – 1911
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: street-trader, merchant, salesman
Inscriptions: collector's mark: Lugt 2760

Blad met 48 voorstellingen van straatverkopers. Onder elke afbeelding een onderschrift in het Nederlands. Genummerd rechtsboven: n. 129.
Vrede van Rijswijk
Object type: history medal
Date: 1697 – 1697
Materials: silver
Techniques: striking
Location: nuremberg
Subjects: rijswijk, vrede van rijswijk (1697)
Journal des Dames et des Modes, Costumes Parisiens, 1914, No. 153 : Tailleur de petit drap (...)
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: engraving, hand coloring, pochoir
Subjects: curtains, walking-stick, staff, cane (+ women's clothes), ensembles of pieces of clothing (suit) (+ women's clothes), button (+ other materials used for clothes), head-gear (+ women's clothes), fashion plates, skirt (+ women's clothes)
Inscriptions: title: ‘Costumes Parisiens’, inscription: ‘Cop. J. N. A. et Cie 1914’, caption: ‘Tailleur de petit drap canari garni de boutons d'ambre clair’

Mantelpak van kanariegeel (groen) laken, versierd met knopen van licht barnsteen. Prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914).
Hut
Object type: drawing
Date: 1700 – 1800
Materials: chalk, paper
Techniques: brush
Artist: Anonymous
Subjects: hut, cabin, lodge
Landscape with Apollo and the Muses
Object type: drawing
Date: 1674 – 1674
Materials: gouache, graphite, ink, paper
Techniques: brush, pen, wash
Artist: claude lorrain (claude gellée)
Artist role: artist
Artist nationality: french
Artist dates: 1604 – 1682
Subjects: birds,apollo,muses,landscapes,trees

This work belongs to a group of five drawings dated 1674 that bear witness to Claude’s ongoing interest in the theme of Apollo and the Muses on Mount Parnassus. This subject was very popular in 17th-century Rome: it was featured in one of the celebrated murals that Raphael had painted in the Vatican, and it served to glorify the patron concerned as a protector of the arts. One of Claude’s most ambitious paintings had been Landscape with Parnassus (National Gallery of Scotland, Edinburgh), commissioned in 1652 by cardinal Camillo Astalli-Pamphilj, the nephew of the then-reigning pope, Innocent X. Twenty-two years later the artist made a series of works exploring the subject anew, including the Metropolitan Museum’s drawing. This is the largest of the set; it also stands out for the use of tinted paper and the presence of a massive slanted tree. Unlike the other drawings of the series, the emphasis here is not on a play between a mountain in the foreground on one side and a distant plain on the other, but between the figures huddled on the left and the tree leaning towards the right, which are all set in the same plane, a different way of attaining equilibrium through the counterbalancing of opposites. The result is a frieze-like arrangement, where the eye is offered an outlet into depth only along the right margin. This is where a group of poets heading for Mount Parnassus can barely be made out. The winged horse on the slope of the mountain just above Apollo and the Muses is Pegasus, who has struck the ground and is making the Hippocrene fountain spring, a source of poetic inspiration. Its water reappears at the feet of Apollo and cascades towards the foreground pool, where two swans, birds sacred to Apollo, are floating. A few of the Muses can be identified by virtue of their attributes: the one elegantly striding on the extreme left is Terpsichore, the Muse of dance; the one seated in front of her and holding a trumpet is Clio, the Muse of historical writing (the trumpet refers to the glory that history bestows on its protagonists); the one seated on the right with a book is Calliope, the Muse of epic poetry; the one standing next to her with a theatrical mask is Talia, the Muse of comedy.
Portret van Willem Vink op 68-jarige leeftijd
Object type: print
Date: 1731 – 1761
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: historical persons, physician, doctor
Inscriptions: monogram: ‘H:V:S.’

Met vierregelig onderschrift in het Latijn.
Cachepot with stand
Object type: cachepot with stand
Date: 1805 – 1805
Materials: soft paste porcelain
Artist: coalport
Artist role: factory
Artist nationality: british
Artist dates: 1794 – 1926
Opeenstapeling van het ys tusschen Arnhem en Westervoord. (in Louwmaand, 1809.)
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: dike-break, drift ice, arnhem
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Hendrik Ewijk. Geschiedkundig verslag der dijkbreuken en overstroomingen, langs de rivieren in het Koningrijk Holland, voorgevallen in louwmaand MDCCCIX. 3 dln. Amsterdam: Johannes Allart en Jacobus Ruys, 1809.