deem-data/ArtiFact huggingface dataset:
The Music Temple, from the series, Views in Central Park, New York, Part 2
Object type: print
Date: 1864 – 1864
Techniques: lithograph
Artist: louis prang & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1800 – 1950
Subjects: temples,men,women
Rekenpenning uit Gelderland op het opheffen van het beleg van Bergen op Zoom 1622
Object type: jeton
Date: 1622 – 1622
Materials: copper
Techniques: striking

Verzilverde penning, op de voorzijde een leeuw naar rechts die druiven van een struik eet, met omschrift en afsnedetekst, op de keerzijde een ooievaar die zijn jong een slang voert, met omschrift.
Design for Omnibus or Wagonette, no. 4111
Object type: drawing
Date: 1890 – 1890
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Standing Male Nude with Hands behind Back
Object type: portfolio
Date: 1510 – 1561
Materials: chalk
Artist: battista franco
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1561
Subjects: male nudes
Bowl
Object type: bowl
Date: 1801 – 1900
Materials: bronze, gilt, glaze, porcelain
Culture: chinese
Fotoalbum Kriegsmarine
Object type: photograph album
Date: 1940 – 1943
Materials: leather, paper, photographic support, textile
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: occupation ~ war, netherlands

Klein Duits militair fotoalbum uit de Tweede Wereldoorlog samengesteld door een militair van de Kriegsmarine. Omslag van beige kunstleer met een afbeelding van een scheepje op zee en een windmolen. Koordje door de rug. Binnenwerk bestaande uit 24 bladen met in totaal 49 foto's. Vensters van de bladen 42 en 43 zijn leeg. De meeste foto's gemaakt in Nederland, veelal op de Afsluitdijk. Het album toont verder het onderkomen van de Kriegsmarine (Dienststelle 23 443) en de matrozen die er verbleven, de matrozen aan boord van hun schip en verschillende Nederlandse visserschepen en binnenvaartuigen. Verder foto's van Nederlandse dorpen en steden, waaronder Leeuwarden.
Kaart van het Hoogheemraadschap van Woerden (negende deel)
Object type: map
Date: 1670 – 1670
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: maps of separate countries or regions, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Negende deel (onder rechts) van een kaart van het Hoogheemraadschap van Woerden.
Ewer with Equestrian Figure
Object type: ewer
Date: 1567 – 1633
Materials: cobalt, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: bow and arrow,horses
Chasse aux Lions et aux Tigres
Object type: print
Date: 1700 – 1762
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: beasts of prey, predatory animals: tiger, hunting, chase, lion hunt, beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 240
Portret van Alexander van Haecken
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: etching
Location: london
Subjects: antwerp, london, painter, print maker, alexander van haecken, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240
Study for "The Reconcil'd Maiden," etched vignette in "Songs in the Opera of Flora"
Object type: drawing
Date: 1737 – 1737
Materials: chalk, graphite
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Subjects: doors,men,women
Aanslag op het rijtuig van de gedeputeerden van Dordrecht, 1786
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: revolutionary action (violent)

Aanslag door de Haagse pruikenmaker F. Mourand op het rijtuig van de gedeputeerden van Dordrecht, de heren Gevaerts en De Gijzelaar, als zij door de Stadhouderspoort het Binnenhof op willen rijden, 17 maart 1786.
Servet van wit linnendamast
Object type: napkin
Date: 1775 – 1816
Materials: linen
Techniques: damask
Location: netherlands

Wit linnendamasten servet met een patroon van een gestrooid fijn bloemtakje, merk WS 36.
[Actress tipping chair], from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Chinoiserie, from "Nouvelle Suite de Cahiers arabesques chinois a l'usage des dessinateurs et des peintres"
Object type: print ornament architecture
Date: 1790 – 1799
Techniques: etching, lithography
Artist: jean pillement
Artist role: artist
Artist nationality: french
Artist dates: 1728 – 1808
Subjects: birds,chinoiserie,men,flowers
Straat in Rijswijk
Object type: print
Date: 1888 – 1934
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: street
Inscriptions: collector's mark: Lugt 2228

Er loopt een vrouw met een emmer in de straat.
Assumption of the Virgin
Object type: pax
Date: 1501 – 1600
Materials: gilt, silver
Subjects: assumption of the virgin,god the father

Verre églomisé is glass decorated by gilding or painting. The design is applied to the reverse side, so that details and objects in the foreground must be delineated first and the background last.
Gezicht op een aantal bomen en een weiland
Object type: page
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Location: halle an der saale
Artist: h.w. müller
Artist role: fotograaf
Subjects: trees, meadow, pasture
Inscriptions: monogram: ‘MR&C’
Textile Fragment
Object type: textile fragment
Date: 1501 – 1550
Materials: metal thread, silk
Location: turkey

Expensive materials were woven in a sophisticated technique, using silver and metal-wrapped silk, to produce a rare and precious type of Ottoman silk fabrics called seraser. Few examples survive from the early period of production dating from the first half of the sixteenth century. They are usually woven in designs and motifs quite different from the typical Ottoman artistic language, organized in narrow horizontal bands of small-scale decoration. Here, blue diamond-like rectangles, each bearing eight-petalled silver blossoms, are framed by red borders composed of two intertwined silver ribbon-like forms. These wider bands alternate with narrower white-ground bands containing blue undulating vines. The overall effect results from the richness of colored silk accented with the silvery sheen of the metal-wrapped thread. While the later seraser pieces were mainly produced for ceremonial robes, the use of the earlier ones still remains enigmatic.
Veld van zestien tegels (4x4) elk met een veelkleurig patroon in blauw, geel en oranje van een rozet omgeven door drie stippen met in de hoeken een lelie
Object type: tegelveld
Date: 1640 – 1660
Materials: earthenware, glaze
Techniques: maiolica
Location: haarlem
Artist: Anonymous

Veld van zestien tegels (4 x 4) elk met een veelkleurige (blauw, geelen oranje) rozet omgeven door driestippen met in de hoeken een lelie.
Portret van een zittende baby
Object type: photograph
Date: 1897 – 1902
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Location: amsterdam
Artist: guillame maximilien zimmermann
Artist role: fotograaf
Artist dates: 1873 – 1951
Subjects: sitting figure, historical persons, infant, baby ~ the ages of man
Inscriptions: inscription: ‘Willy Zimmermann/ Const. huijg. straat 49/ Amsterdam.’
Geschilderd plafond in Noordeinde 140 te Den Haag
Object type: photograph
Date: 1912 – 1912
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: noordeinde
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: (decorated) ceiling
Inscriptions: collector's mark: ‘R:MUS.’ Lugt 2228, annotation: ‘Ca. 1700?’, annotation: ‘Huis Noordeinde 140, bewoond geweest door Fagel, midden partij koepel v/h woonhuis thans paleistuin. Jan. 1912/ 's Gravenhage’
Sugar bowl with cover
Object type: sugar bowl with cover
Date: 1735 – 1735
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: chinoiserie,men,insects,flowers
Exterieur van het paleis van Daendels aan het Waterlooplein in Batavia
Object type: album leaf
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: batavia
Artist: Anonymous
Subjects: palace, batavia

Onderdeel van Album met foto's van Batavia en van de zusters Ursulinen.
Portret van een man met baard
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: adult man, historical persons, beard
Inscriptions: inscription: ‘Mr & Mrs Bustin/ Photographers/ Hereford/ and/ Ross/ (...)’
Gezicht op een meer (vermoedelijk) te Italië
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: italy
Artist: Anonymous
Subjects: lake
Landschap, Rome
Object type: print
Date: 1873 – 1931
Materials: paper
Techniques: etching
Artist: etienne bosch
Artist role: print maker
Artist dates: 1863 – 1933
Subjects: city-view, and landscape with man-made constructions, low hill country, parts of church exterior and annexes: dome
Inscriptions: number: ‘no. 185’, collector's mark: Lugt 2228

Zicht op de koepels van de Sint-Pietersbasiliek vanaf een gedeeltelijk met bomen begroeide heuvel. Rechts op de voorgrond een knielende figuur.
Studie
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923

Blad 29 verso uit een schetsboek met 16 bladen.
Slapende jachthond
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: aquatint, engraving, etching
Location: london
Subjects: helmet, animals (+ sleeping animal(s)), dog
Inscriptions: collector's mark: Lugt 12

De hond is waarschijnlijk een braque français.
Blad met twee portretten van Heinrich Heine
Object type: sheet
Date: 1850 – 1900
Materials: paper
Techniques: snipping, engraving
Artist: Anonymous
Subjects: paris, heinrich heine, historical persons, portrait of a writer
Inscriptions: number: ‘8’

Met facsimile handtekening van de geportretteerde.
Le Thresor des Parterres de l'Univers, Contenant les Figures et Pourtraits des Plus Beaux Compartimens, Cabanes, & Labyrinthes des Jardinages...
Object type: book
Date: 1629 – 1629
Techniques: woodcut
Location: geneva
Artist: daniel loris
Artist role: author
Artist nationality: german or swiss
Taking Over the Cart or Children with the Cart
Object type: drawing
Date: 1862 – 1862
Materials: graphite, ink, paper
Techniques: pen
Artist: charles-françois daubigny
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1878
Subjects: children,carts
Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing, 27 oktober 1896
Object type: invitation
Date: 1810 – 1896
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: criticizing and discussing art, art criticism, circle, club of artists, collecting and exhibiting products of the fine arts, sailing-ship, sailing-boat, river
Inscriptions: collector's mark: Lugt 2228

Zeilschip op het water. Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing op 27 oktober 1896 van de portefeuille van de dhr. Const. Grolman.
Heilige Bruno in gebed
Object type: print
Date: 1623 – 1676
Materials: paper
Techniques: printmaking, engraving, etching
Location: france
Subjects: the founder of the order of the carthusians, bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s), personal devotion of st. bruno - male saint meditating, in ecstasy
Inscriptions: collector's mark: Lugt 2165

Maakt deel uit van een serie met 24 prenten (inclusief twee titelprenten), naar schilderijen door Lesueur vervaardigd tussen 1645-1648 voor de Chartreuse de Paris. De serie is getiteld: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur.
Portret van Johann Richey op 31-jarige leeftijd
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving
Subjects: city-view in general; 'veduta', historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Studieblad met ruiters op straat en dieren
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper, pencil
Location: paris
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: riding a horse, ass, or mule; rider, horseman, lizards, insects: moth, insects: butterfly, street (+ city(-scape) with figures, staffage)

Mogelijk een mot of vlinder en een salamander of hagedis. Pagina 48 uit een schetsboek met 25 bladen.
The Case Is Altered
Object type: print
Date: 1784 – 1786
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,horses,carts

Charles James Fox drives Sir Cecil Wray as a pauper in a cart to Lincolnshire. Samuel Hood stands at right.
Gipsen afgietsel van een sculptuur naar studie van Houdon over de anatomie van het menselijk lichaam
Object type: photograph
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation, annotation: ‘Anatomie Houdon’, annotation: ‘M 0.83 hoog M 1.80 hoog’
Officer, Busch Zouaves, St. Louis, Missouri Militia, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Emma, koningin-regentes der Nederlanden, op haar morgenrit in een rijtuig
Object type: photograph
Date: 1925 – 1934
Materials: photographic support
Techniques: photography
Location: the hague
Artist: Anonymous
Subjects: the hague, emma (queen consort of the netherlands), animal traction, animal-drawn vehicle (carriage etc.)
Inscriptions: inscription

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Gezichten in Nantes en omgeving
Object type: print
Date: 1833 – 1835
Materials: paper
Techniques: lithograph
Location: paris
Subjects: church (exterior) - qq - small church, chapel, prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228a

Prent maakt deel uit van een omslag met achttien prenten.
Badge or Harness Pendant
Object type: badge or harness pendant
Date: 1400 – 1400
Materials: copper, enamel, gold
Culture: spanish
Subjects: coat of arms

Heraldry, or coat-of-arms, were vitally important in Europe throughout the Middle Ages and the Renaissance. Heraldic emblems were used to identify noble families, cities, regions, and even countries. In addition to being displayed on shields and flags, heraldry was incorporated into architectural decoration on the interior and the exterior of buildings, on furniture, works of art, clothing, and horse equipment. Harness pendants, like this example, would have been attached to a headstall, bridle, or other straps making up the tack of a horse ridden by a nobleman or noblewoman, or a member of their household. Many harness pendants also have decoration that is simply ornamental, or have symbols that are not specifically heraldic in nature.
Uitzicht vanuit een rijdende auto op billboard “SMILE, You’re on Radar!"
Object type: photograph
Date: 1965 – 1965
Materials: photographic support
Techniques: gelatin silver print
Location: north and central america
Artist: Anonymous
Subjects: united states of america
Inscriptions: stamp: ‘HIGHWAY/US” en “RECEIVED EXAMINER / REFERENCE LIBRARY / OCT 12 1965"’
Fragmenten beslag van patroonhulzen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: cartridge shell
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Cartridge case, tube solder; id. NG 1979-205H549.
Portret van Adolf, graaf van Nassau en Rooms-Duits koning
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: low countries
Artist: Anonymous
Subjects: gelnheim, koning, adolf (graaf van nassau en rooms-duits koning)
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Maharaja Sardar Singh of Bikaner
Object type: painting
Date: 1860 – 1870
Materials: gold, ink, paper, watercolor
Culture: indian, rajasthani, bikaner
Artist: chotu
Artist role: artist
Subjects: men,portraits

Maharaja Sardar Singh (r. 1851–72) is captured here in an extraordinary portrait whose creator was undoubtedly aware of the inroads photography was making among royal patrons. At first glance, the work seems one of almost photographic realism. However, Chotu has carefully manipulated the painting's elements to play two and three-dimensional forms against one another, achieving a slightly surreal effect that is heightened by the composition's commanding symmetry, even down to the cleft beard and the bosses on the shield. The regularity is offset by the asymmetry of the pleated shawl and garment and by the fantastical turban, which is like some postmodern assemblage crowning the brooding visage.
Portret van Martin Luther
Object type: print
Date: 1718 – 1757
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: priest, martin luther, theologian, the four evangelists together (author portraits), water-birds: swan, ornament ~ medallion, historical persons

Portret in medaillon met zwaan. Rondom het portret de vier evangelisten. Met onderschrift in het Nederlands en vierregelig vers in het Nederlands en Duits onder de prent.
La Grande Duchesse Marie des Jeunes Filles, from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)
Object type: print
Date: 1614 – 1620
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

According to the inscription on the second state of the prints in this series, Callot's engravings are after designs by Matteo Rosselli. Mariette attributes the designs of the prints in the series to Rosselli, Bernardino Poccetti, and possibly Antonio Tempesta.
The Hundred Guilder Print: the central piece with Christ preaching, the plate arched
Object type: print
Date: 1775 – 1800
Materials: paper
Techniques: drypoint, etching
Subjects: christ preaching in the open
Inscriptions: inscription: ‘Rembrant Part of Hundred Gilder Capt Baillie / sculp’, inscription: ‘C. 15195’, mark: Lugt 2228
Afternoon dress
Object type: afternoon dress
Date: 1903 – 1903
Materials: silk
Culture: french
Artist: jeanne hallée
Artist role: design house
Artist nationality: french
Artist dates: 1870 – 1924
Acolyte with Open Book (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Object type: drawing
Date: 1801 – 1900
Materials: chalk, paper
Artist: isidore pils
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1875
Subjects: books,men
Gezicht op verschillende graven, waaronder die van Generaal van Ham en Luitenant Musquetier
Object type: photomechanical print
Date: 1892 – 1897
Materials: paper
Techniques: photograph
Artist: christiaan johan neeb
Artist role: arts, fotograaf, officier
Artist dates: 1860 – 1925
Subjects: grave, tomb, indonesia
Francois I roy de France LVII
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: frans i van valois-angoulême (koning van frankrijk), historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Prent uit: Eudes de Mézeray, François. Histoire de France, depuis Faramond jusqu’au regne de Louis le Juste (...). 3 dln. Parijs: Denis Thierry, Jean Guignard en Claude Barbin, 1635, dl. 2. Prent waarschijnlijk voor het eerst verschenen in: Bie, Jacques de. Les vrais portraits des rois de France (...). Parijs: Jacques de Bie en Pierre Rocolet, 1634. Prent ook gebruikt in latere publicaties.
Vrouwen in klederdracht uit Wales
Object type: album leaf
Date: 1865 – 1867
Materials: cardboard, photographic support, watercolor
Techniques: albumen print, aquarelle
Location: england
Artist: Anonymous
Subjects: folk costume, regional costume
Inscriptions: annotation: ‘Welch / from Susan’

Twee vrouwen in klederdracht uit Wales bij een stalletje met kaas. Foto op albumblad in album met 68 foto's merendeels met geaquarelleerde randversieringen. Het zijn voornamelijk portretten op carte-de-visite formaat.
Lütschine mit Jungfrau (4166 m)
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1920
Materials: cardboard, photographic process
Location: berner alpen
Artist: Anonymous
Subjects: river, mountain-range, snow peaks