deem-data/ArtiFact huggingface dataset:
Carpet
Object type: carpet
Date: 1834 – 1866
Materials: wool
Techniques: pile
Location: south caucasus
Psyche Gives Presents to Her Sisters
Object type: print
Date: 1530 – 1540
Materials: ink, paper
Techniques: engraving
Location: italy
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Guido de Montefeltro gelegen in een kapel met de duivel, de H. Francsicus en een processie
Object type: print
Date: 1778 – 1839
Materials: paper
Techniques: etching
Artist: joseph anton koch
Artist role: draughtsman, painter, print maker
Artist dates: 1768 – 1839
Subjects: skull as danger signal, cortege, funeral procession, founder of the order of friars minor (franciscans), francis(cus) of assisi; possible attributes: book, crucifix, lily, skull, stigmata, human-shaped devil, angels, (scenes from) specific works of literature: dante, divina commedia
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De overleden Guido de Montefeltro, gekleed als Franciscaan, ligt op de grond in een kapel. De duivel grijpt hem bij het koord om zijn middel, rechts de verschijning van de H. Franciscus, beide strijdend om zijn ziel. Op de achtergrond een begrafenisstoet. Tekst in het Italiaans op de twee papieren.
Swift-Sailing Proa, Mulgrave Archipelago, Oceania
Object type: drawing and watercolor
Date: 1866 – 1866
Materials: graphite, paper
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Design for a Clock, Title Page to 'Cahier de six Pendules'
Object type: print collection ornament architecture
Date: 1770 – 1770
Techniques: etching
Artist: jean françois forty
Artist role: artist
Artist nationality: french
Artist dates: 1775 – 1790
Subjects: profiles,women

Design for a clock with two putti supporting an urn. The urn's upper frieze is calibrated for the clock movements and a winding snake indicates the time. The putti are attached to the base in which the legs turn into foliage and connects them.
Library Scene
Object type: handscroll
Date: 901 – 1000
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: books,libraries,interiors,men,women,tables
The Night Watch by Rembrandt van Rijn
Object type: history medal
Date: 1873 – 1873
Materials: bronze
Techniques: striking
Location: netherlands
Artist: moses cohen de vries junior
Artist role: diamantslijper, graveur, medailleur
Artist dates: 1807 – 1883
Subjects: leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn
Inscriptions: signature and date: ‘v.z.: M.C.D.V. Jr. 1873’, inscription: ‘v.z. REMBRANDT HERMANSZ. VAN RIJN / NE A LEYDE 15 JUILLET 1606. MORT A AMSTERDAM. ET ENTERRE 8 OCTOBRE 1669. k.z.(boven) MUSEE / D'AMSTERDAM; k.z.(onder) LA RONDE DE NUIT’

Rembrandt van Rijn is regarded as the Netherlands’ most important painter. Medals relating to him have been made time and again, often when his year of birth or death is commemorated. Throughout his life the sculptor Piet Esser (1914-2004) was fascinated by Rembrandt, in particular the artist’s head. He made numerous portrait medals, each one different, modelling them by hand, after which he fired them in clay or had them cast in bronze.
Brief aan Jan Veth
Object type: letter
Date: 1896 – 1896
Materials: ink, paper
Techniques: pen, printing, writing
Location: nieuwer-amstel
Artist: pieter lodewijk tak
Artist role: politician
Artist dates: 1848 – 1907
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, official, klaas groesbeek, haarlem, publisher, hermanus diedericus tjeenk willink (1843-1917), anonymous historical person portrayed, london
Inscriptions: collector's mark: ‘RPK’, watermark
Diverse jacht- en strijdscènes
Object type: print
Date: 1602 – 1602
Materials: paper
Techniques: etching
Location: italy
Subjects: hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), ox
Inscriptions: collector's mark: Lugt 240

Landschap met jagers te paard die wilde ossen vangen met behulp van speren en touwen. Tekst in het Latijn in ondermarge.
Schooltje
Object type: design
Date: 1692 – 1759
Materials: chalk, paper
Techniques: brush, drawing
Artist: jan josef horemans (i)
Artist role: draughtsman
Artist dates: 1682 – 1759
Subjects: elementary school; class, form
Ex libris van W.J.H. Leuring
Object type: bookplate
Date: 1851 – 1924
Materials: paper
Techniques: drypoint
Location: netherlands
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: willem leuring, surf, breakers, coast
Inscriptions: collector's mark: Lugt 2760
Eaux-fortes par J. Veyrassat
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: drypoint, etching
Location: paris
Subjects: horse, landscapes (+ landscape with figures, staffage)
Inscriptions: inscription: ‘Rentrée de l'attelage’, collector's mark: Lugt 2228

Maakt deel uit van een serie van veertien etsen door Jules Jacques Veyrassat, gepubliceerd in 1866 en beschreven door Beraldi 1885-1892.
Vervoermiddelen
Object type: print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing
Location: den bosch
Artist: Anonymous
Subjects: horse-sleigh, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, horse
Inscriptions: collector's mark: Lugt 2760

Blad met 3 horizontale rijen met voorstellingen van vervoermiddelen, zoals karren en een slee. Onder elke rij een achtregelig vers in twee kolommen. Genummerd linksboven: 119.
Landhuis met toren
Object type: drawing
Date: 1765 – 1825
Materials: paper, pencil
Artist: christoph heinrich kniep
Artist role: draughtsman
Artist dates: 1755 – 1825
Subjects: rural housing, e.g. country-house, villa, cottage
Inscriptions: collector's mark: Lugt 2228
Ex-libris Dr. J.R.Chaves
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: woodcut
Location: spain
Artist: Anonymous
Subjects: josé rodriguez chaves, bed, lying figure - aa - female human figure
Arc de Triomphe, Parijs
Object type: photograph
Date: 1885 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Subjects: arc de triomphe
Inscriptions: check stamp: ‘Photographic Company//J. Kühn//Paris//220 170174 Rue de Rivoli’, inscription: ‘116, Paris - Arc de Triomphe’, number: ‘6.’
The Right Honorable Henry Fox, Esr.
Object type: print
Date: 1756 – 1756
Techniques: mezzotint
Artist: james mcardell
Artist role: engraver
Artist nationality: irish
Artist dates: 1728 – 1765
Subjects: men,portraits
Jug
Object type: jug
Date: 900 – 700
Materials: ceramic, paint
Culture: iranian
Location: iran

This jug has a globular body, a flat base, and a narrow mouth. A loop handle, large enough for a single finger, connects the neck to the body. The jug is made of a buff clay with red painted decorations, including stripes around the rim and neck and on the handle, and rays descending from the neck to the body. Wheel lines on the interior indicate that it was made on a potter’s wheel. This jug was excavated at Tepe Sialk, near Kashan in central Iran. Sialk was the site of a fortified town, constructed in the early first millennium B.C. Several hundred yards from the town there was a large cemetery, called Necropolis B by the archaeologists who explored it between 1933 and 1937. The graves were pits covered with pitched roofs made of stone or clay, and in addition to the bodies of the dead they contained jewelry, weapons, leather armor, horse trappings and ceramic vessels, including many similar jugs. Possibly it was used in a funerary banquet or ritual before it was placed in the grave; regardless, its burial in the cemetery shows that drinking was an important part of life and death in Iron Age Sialk.
Flavius Vestasianus, from "Twelve Caesars on Horseback"
Object type: print
Date: 1565 – 1587
Techniques: engraving
Artist: abraham de bruyn
Artist role: artist
Artist nationality: flemish
Artist dates: 1540 – 1587
Subjects: men,horses
Portret van een jonge vrouw in klederdracht
Object type: photograph
Date: 1850 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adolescent, young woman, maiden, historical persons, folk costume, regional costume
1 Aggele uit Haarlem
Object type: inhoudsmaat droge waren
Date: 1800 – 1800
Materials: iron, wood
Location: haarlem
Artist: Anonymous
Subjects: haarlem
Inscriptions: title: ‘d'Haarlem un Boisseau’, title: ‘Haarlem een Aggele’, : ‘56’, mark: ‘C’

Spanen en ijzeren inhoudsmaat voor droge waren met brug en stijl van 1 aggele, v.z.v. merk en etiketten.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic
Artist: painter of the paris gigantomachy
Artist role: artist
Sestertius (Coin) Portraying Emperor Maximinus
Object type: coin
Date: 235 – 238
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Portret van Jeremiah Behm
Object type: photograph
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Artist: edric l. eaton
Artist role: fotograaf
Artist dates: 1835 – 1890
Subjects: historical persons, politician, e.g. party leader
Inscriptions: inscription: ‘Central Union Agricultarist, Omaha, Nebraska’
Lion amulet
Object type: amulet, lion
Date: 2110 – 2030
Materials: ivory
Location: egypt
Ontwerp voor een tapijt met Oosters patroon
Object type: drawing
Date: 1920 – 1930
Materials: paint, paper
Techniques: brush
Location: amsterdam
Artist: dirk verstraten
Artist role: designer
Artist dates: 1892 – 1946
Subjects: ornaments ~ art
Inscriptions: collector's mark: ‘R:MVS’, inscription: ‘ONTW VII/ T WOONHUYS/ 250 x 350’, annotation, annotation: ‘Orient kwaliteit’

Bij het ontwerp wordt een handgeschreven beschrijving van de order en het patroon bewaard, evenals een stuk papier met daarop 'VII.W'.
Jar with Loop-Handles
Object type: vessel
Materials: stoneware
Techniques: celadon glazed
Location: china
Voyage en Italie, en Sicile et à Malte - 1778
Object type: watercolor
Date: 1778 – 1778
Materials: chalk, paper, watercolor
Techniques: brush, pen
Artist: louis ducros
Artist role: draughtsman, print maker
Artist dates: 1748 – 1810

Tekening uit het album 'Voyage en Italie, en Sicile et à Malte', 1778.
Graftombes in Pompeï
Object type: page
Date: 1905 – 1910
Materials: paper
Techniques: photograph
Location: berlin
Artist: frédéric boissonnas
Artist role: fotograaf
Artist dates: 1858 – 1946
Subjects: grave, tomb
Inscriptions: number: ‘5.’
Conway in the County of Caernarvon, plate eleven from Twelve Views in North Wales
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: aquatint, etching
Location: england
Artist: paul sandby
Artist role: draughtsman, print maker, publisher
Artist nationality: british
Artist dates: 1731 – 1809
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, handle patch preserved to rim; fronds from a handle palmette; part of handle attachments
Terracotta amphora (jar)
Object type: amphora
Date: 530 – 530
Materials: terracotta
Culture: greek, attic
Artist: bateman group
Artist role: artist
Subjects: dionysus,amazons,satyrs,herakles

Obverse, Herakles and Amazons in combat Reverse, Dionysos, Hermes, and satyrs Amazons were mythical women warriors thought to live in a remote region of Asia Minor. One of the twelve labors that Herakles had to perform for his master, King Eurystheus, was to capture the girdle of the Amazon queen Hippolyte. In the fierce battle depicted here, the Amazons are dressed like Greek hoplites (foot soldiers) with helmet, cuirass, and round shield.
Het slot Doornenburg
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: engraving
Subjects: castle

Prent mogelijk ook als illustratie gebruikt in: Geldersche Volksalmanak. Arnhem : Thieme. 1865, p. 84-92
Strook gehaakte kant met rozettenkrans
Object type: strip
Date: 1890 – 1909
Materials: cotton
Techniques: crocheted lace, irish crochet lace
Location: ireland
Artist: Anonymous

Het is een aanname dat deze Ierse gehaakte kant ook daadwerkelijk in Ierland is gemaakt. Ierse gehaakte kant kent zijn oorsprong rond 1760 en kwam vanaf 1840 in ontwikkeling. Aangezien volgens Martine Bruggeman (Kant in Europa) de Ierse haakindustrie aan het eind van de 19e eeuw gereorganiseerd werd en in populariteit groeide, is het hier beschreven stuk gedateerd rond 1890, tot 1909 vanwege de datering in het eerste decennium van populariteit van Ierse gehaakte kant volgens het Kantlexicon (Johan Coene).
Model mirror of Hapiankhtifi
Object type: model mirror, hapiankhtifi
Date: 1981 – 1802
Materials: gold leaf, paint, wood
Location: egypt

One of the complete burial groups excavated at Meir belonged to the Steward Hapiankhtifi. When the mummy was unwrapped numerous objects were discovered including two mirrors (for the second one see 12.183.19a, b). The handle of the mirror is in the shape of a papyrus column.
Afbeelding der Huw'lyksplechtigheid van zyne Doorl. Hoogheid, Willem de V.de (...) met Haare Koninglyke Hoogheid Frederika Sophia Wilhelmina, Prinses van Pruisen. te Berlyn den 4 October 1767
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: the hague, william v (prince of orange), berlin, painter, draughtsman, wilhelmina of prussia (princess of orange), (civil) marriage ceremonies
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2166

Huwelijk van stadhouder Willem V en prinses Wilhelmina van Pruisen te Berlijn op 4 oktober 1767. Voorstelling van de huwelijksceremonie met op het blad onder de plaat een beschrijving van de gebeurtenissen in vier kolommen.
Self-portrait with a broad nose
Object type: print
Date: 1628 – 1628
Materials: ink, paper
Techniques: etching, intaglio, pen
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: leiden, amsterdam, painter, print maker, rembrandt van rijn
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 2228 a

Rembrandt was fascinated by the effects of light. This is also clear in his etchings, for instance in these diminutive self-portraits in which his face is mostly half cast in shadow. In the version with a fur cap, we can see that this head covering was added only at a later stage. He began the etching with a bare head: his hair is still visible through the cap.
Buste d'Amour
Object type: print
Date: 1756 – 1776
Materials: paper
Techniques: printmaking
Location: paris
Subjects: cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2233, number: ‘No. 519’

Buste van een putto, met zijn ogen kijkend naar links.
Cylindrical jar
Object type: jar, cylindrical
Date: 2750 – 2649
Materials: stone
Location: egypt
Strand
Object type: print
Date: 1867 – 1918
Materials: paper
Techniques: etching, intaglio
Artist: maurits van der valk
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Subjects: dune coast, beach
Inscriptions: collector's mark: Lugt 2233
Buste van soldaat met helm met veer
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Subjects: the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 240
Aeëtes Gathers the Limbs of Absyrtes (Tandis qu'il fait les membres ramasser, Grecs font devoir de leurs voiles haulser...), from "Jason and the Golden Fleece"
Object type: print ornament architecture
Date: 1563 – 1563
Techniques: engraving
Artist: rené boyvin
Artist role: artist
Artist nationality: french
Artist dates: 1525 – 1598
Subjects: men,male nudes,boats,ships

Absyrtus' limbs presented in a wrapped cloth to his father, who stands on the deck of a ship, the composition is surrounded by a rectilinear frame with twisting male figures, fruits of the earth, scrollwork, and animals, from the series 'Tale of Jason and the conquest of the Golden Fleece' (Histoire de Jason et de la conquête de la toison d'or)
Sickle Insert
Object type: sickle, denticulate, truncated, backed, geometric, tool, element, adhesive
Date: 1186 – 1070
Materials: stone
Location: egypt

This small piece of flint was a key element to a successful agricultural season in ancient Egypt. Grain was a staple of the economy, as bread and beer made from grain were consumed daily. They also formed the foundation of eternal sustenance, as funerary offerings. Ancient Egyptians used sickles made from flint and wood to reap grain. Pieces of flint such as this one were shaped to fit into a wooden haft along with a number of other such inserts, and secured with an adhesive. The flint pieces provided a sharp edge to cut the grain stalks. With use, the flint would wear down and develop a shiny gloss. The flint inserts could be re-sharpened or replaced as needed. Sickle inserts could be made in a variety of ways. The earliest were fully bifacially retouched, then later they were made on blades (long narrow pieces of flint). Starting in the 2nd millennium BC, some sickle inserts were made on large flakes, such as this one. Flint, rather than copper alloy, was the primary material used to make sickles in Egypt until the first millennium B.C. when iron became more widely available. The reason for using flint was probably multifaceted and included considerations such as its abundance, its ease of manufacture compared to casting metal tools, flint’s proficiency at cutting grain, and the relationships between the people who made flint tools and the people who used them.
Magasin des Demoiselles, 25 septembre 1854
Object type: fashion print
Date: 1854 – 1854
Materials: paper
Techniques: hand coloring, engraving
Location: paris
Subjects: bow (ornamental part of clothing) (+ women's clothes), handkerchief (+ women's clothes), cut flowers; nosegay, bunch of flowers, dress, gown: evening dress (+ women's clothes), gloves, mittens (short gloves) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), fan (+ women's clothes), neck-gear ~ clothing (+ women's clothes), bracelet, wristlet (+ women's clothes)
Inscriptions: caption: ‘10 Francs par an pour Paris 12 francs pour les Départements, Avec 2 Aquarelles (fac simile) 2 sepias, 7 albums de musique, 2 gravures sur acier, 14 gravures de modes, 6 planches de tapisseries coloriées, 1200 dessins de broderies, patrons de grandeur naturelle, petits patrons, ouvrages à l'aiguille, filet, tricot, crochet ouvrages nouveaux, rébus illustrés. planches crochet, couleur bleue: planche de petits ouvrages fantaisie or argent.’, title: ‘Magasin des Demoiselles’, address: ‘Bureaux du Journal, 51, rue Laffitte.’

Drie vrouwen in een interieur. Links: een bruine en een blauwe japon, hooggesloten en met wijd uitlopende mouwen en geplooide ondermouwen. Rechts: avondjapon met lichtroze strepenmotief. Puntig lijfje met boothals en korte mouwen, op de schouders versierd met strikken. Onder de voorstelling enkele regels informatie over het modetijdschrift. Prent uit het modetijdschrift Magasin des Demoiselles (1844-1896).
Four Doctors of the Church
Object type: print
Date: 1540 – 1550
Techniques: woodcut
Artist: domenico beccafumi
Artist role: artist
Artist nationality: italian
Artist dates: 1484 – 1551
Subjects: men,doctors

This print is from a scrapbook (album) containing woodcuts and chiaroscuro prints. It was presumably taken apart when it was acquired by The Met in 1922. On the front page of the volume there appeared a statement that this collection was made by the poet Samuel Rogers (1763-1855) and then bought by Angela Coutts (1816-1906) in memory of him at the sale of the collection at his house (28 April – 20 May, 1856). #1615a Rogers Sale. #146 Burdett Coutts Sale (Sotheby’s, May 1922). The prints from the original album have the range 22.73.3-1–22.73.3-161.
Buffoon and the Two Bathing Women
Object type: print
Date: 1541 – 1541
Techniques: engraving
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Portret van Stanislaus Leszczyński, koning van Polen
Object type: print
Date: 1777 – 1842
Materials: paper
Techniques: stippling
Artist: johann ferdinand krethlow
Artist role: artist, draughtsman, print maker
Artist dates: 1767 – 1842
Subjects: historical persons, king
Inscriptions: collector's mark: Lugt 2228

Tekst in het Duits en het Frans in de ondermarge.
Linze (Lens culinaris)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: plants and herbs: lentil

Wilde linze met gele bloemen. Rechtsboven genummerd: 175. Bovenaan de naam in drie talen. Onderdeel van het tweede album met tekeningen van bloemen en planten. Negende van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Fragment
Object type: textile
Date: 1575 – 1600
Materials: gilt, metal, silk, velvet
Techniques: cutting, weave, voiding
Location: italy
The Road from Gaud (La Route de Gaud), from "L'Estampe Originale"
Object type: print
Date: 1893 – 1893
Techniques: lithograph
Artist: maxime maufra
Artist role: artist
Artist nationality: french
Artist dates: 1861 – 1918
Subjects: roads
Oude man met baard met de blik naar beneden gericht: driekwart, naar rechts
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: old man
Fragment van een aurifries
Object type: aurifries
Date: 1510 – 1510
Materials: textile
Techniques: embroidered
Location: netherlands

Fragment van een aurifries, met borduurwerk. Het fragment heeft een afbeelding van laat gotische architectuur met Johannes de Doper in de kerker.
Vase fragment
Object type: vase fragment
Date: 100 – 100
Materials: terracotta
Culture: roman
Subjects: nike
Sketch after "Arrangement in Black: Lady Meux"
Object type: drawing and watercolor
Date: 1881 – 1881
Materials: board, ink, ivory, paper
Techniques: pen
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Inscriptions: Signed recto, left, in brown ink, and recto, center left, in brown ink: [artist's butterfly monogram]
Portret van Steven Blankaart
Object type: print
Date: 1663 – 1695
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: christiaan hagen
Artist role: draughtsman, print maker
Artist dates: 1635 – 1707
Subjects: middelburg, moustache, styles of hairdress, lace
Inscriptions: collector's mark: Lugt 2228

Buste naar rechts van de arts Steven Blankaart. Onder zijn portret een plint met zijn naam en een familiewapen.
Backplate of a Belt Buckle
Object type: belt plate
Date: 501 – 700
Materials: brass, iron, silver
Techniques: inlay
Culture: frankish
Museo Cerralbo o Museo del Excmo. Sr. D. Enrique de Aguilera y Gamboa, XVII Marqués de Cerralbo. Serie III
Object type: album
Date: 1924 – 1930
Materials: paper, cardboard
Techniques: photograph, printing block, stapling
Location: madrid
Artist: Anonymous
Subjects: picture, painting
Inscriptions: collector's mark: ‘AFE v S’

Album met twintig prentbriefkaarten met kunstreproducties uit het Museo Cerralbo te Madrid. De prentbriefkaarten kunnen eruit gescheurd worden.
Armchair
Object type: armchair
Date: 1701 – 1900
Materials: wood
Culture: chinese
Vrees
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Artist: henricus franciscus wiertz
Artist role: draughtsman, painter, print maker
Artist dates: 1784 – 1858
Subjects: historical persons - bb - woman (+ head (and shoulders) (portrait)), passions, emotions, affections, fear, dread; 'paura', 'timidità o timore', 'timore' (ripa)
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een omslag met een tekstblad en twaalf prenten.
Portret van keizer Wilhelm I
Object type: photograph
Date: 1865 – 1875
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: berlin, wilhelm i (keizer van duitsland), historical persons, emperor
Inscriptions: inscription: ‘emperor William’
Dish
Object type: dish
Date: 1870 – 1870
Materials: enamel, gilt, glass
Subjects: flowers