deem-data/ArtiFact huggingface dataset:
Object type: face jug
Date: 1850 – 1880
Materials: stoneware
Techniques: glazing
Culture: american
Location: united states
Artist: unrecorded  edgefield district potter
Artist role: maker
Artist nationality: american
Artist dates: 1800 – 1920
Subjects: faces

This rare face vessel, one of only a handful by this skilled, unidentified potter, is one of the most recognizable and iconic examples of this enigmatic form. Technically and aesthetically, it is distinct among the large group of 19th-century Edgefield-made face jugs. Harvest jugs—so called for the horizontal handle atop the vessel—are uncommon, and at over ten inches in height, this one is quite large. Notably, the hand-modeled features are quite different than those on the majority of known face vessels, which are typically depicted with exaggerated features in a grotesque or menacing manner. The applied elements on this example are delicately modeled in high relief, with particular attention to the facial anatomy, proportions, and symmetry. The features are sensitively rendered with acute detail, such as the eyebrows with incised lines for hair and the delicate lips revealing small, kaolin teeth. The beautiful mottled-green alkaline glaze flecked with areas of iron spotting is in contrast to the dark brown alkaline glazes on most face vessels. This rare jug is also significant for its likeness to the face vessel in J. A. Palmer’s 1882 stereopticon photograph "The Aesthetic Darkey," a satirical image inspired by a famous period cartoon of Oscar Wilde depicted as a monkey admiring a lily and sunflower. From Palmer’s "Aiken and Vicinity" series, this challenging image is the earliest visual document of an Edgefield face vessel.
Gezicht op Bellecourplein in Lyon
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching
Subjects: square, place, circus, etc., lyon
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van dertien prenten.
Portret van Hendrik VIII, koning van Engeland
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, king, armorial bearing, heraldry

Rechtsboven genummerd: Eerste Deel Fol 1.
Allegorie van Alfonso d'Avalos, Marchese del Vasto
Object type: print
Date: 1815 – 1815
Materials: paper
Techniques: etching
Location: paris
Subjects: ischia, isola d'
Inscriptions: collector's mark: Lugt 2228

Gemaakt voor de afdeling Italiaanse school van: Galerie du Musée Napoléon. Parijs: Filhol, 1804-1815.
Losse ceintuur van blauwe crêpe, met zwarte knoop te sluiten met een zwarte tres
Object type: belt
Date: 1935 – 1940
Materials: textile, silk
Location: amsterdam

Kleine vilten hoed met platte vierkante bol en brede opstaande rand. Rond de bol een effen zwarte of een blauw-zwarte brede ripsband, naar keuze. Oorspronkelijk was deze hoed b. genummerd, maar de losse ceintuur draagt al nr. b; bij het vinden van deze hoed in het depot, de nummering aanpassen !
Reproduction hangings for state bed from Hampton Court, Herefordshire
Object type: hanging
Materials: silk
Techniques: damask
Ruiters, paarden en veldslagen
Object type: print
Date: 1718 – 1781
Materials: paper
Techniques: etching
Location: augsburg
Subjects: riding a horse, ass, or mule; rider, horseman, battle
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie van 64 prenten door Christian Rugendas naar Georg Philipp Rugendas.
Apostle spoon: St. Matthias
Object type: apostle spoon
Date: 1592 – 1593
Materials: silver
Techniques: gilding
Artist: william cawdell
Artist role: maker
Artist nationality: british
Artist dates: 1560 – 1625
Subjects: saints

The set (67.166.1–.13) includes a master spoon with a figure of Christ and twelve apostle spoons. Martin Hewitt who made the Saint Andrew spoon had served his apprenticeship under William Cawdell. Both were specialist spoonmakers.
Metal: Li Kui (Kin, Riki), from the series "The Five Elements of The Water Margin (Suiko gogyo)"
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Vues de Mannheim représentées sur vingt six planches
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: engraving, etching
Location: mannheim
Artist: christian friedrich schwan
Artist role: bookseller, publisher
Artist dates: 1733 – 1815
Subjects: church (exterior), cloisters ~ monastery
Inscriptions: collector's mark: Lugt 2228
Lot Seduced by his Daughters
Object type: plate
Date: 1567 – 1567
Materials: silver
Techniques: gilding
Artist: p.m.
Artist role: engraver
Artist dates: 1500 – 1600
Subjects: cities,men,women,fire,boats

The fine engraving on this set of plates (65.260.1–.12) depicts scenes from the Old Testament. The engraver, who must have been trained on the Continent, based his compositions on illustrations in a Concordance to the Bible, improvising where necessary to fill in the circular frame offered by the plates. The plates and a related piece engraved with a portrait of Queen Elizabeth I must have been made as a gift to or from the queen herself.
Teabowl
Object type: teabowl
Date: 1801 – 1900
Culture: japanese
Standing Prophet in a Niche, Holding a Book
Object type: drawing
Date: 1529 – 1566
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: taddeo zuccaro
Artist role: artist
Artist nationality: italian
Artist dates: 1529 – 1566
Subjects: books,men
Relief Plaque of Hindu Deity, Probably Processional: Face of a Deity
Object type: relief plaque
Date: 1301 – 1600
Materials: copper alloy
Techniques: repoussé
Culture: nepali
Subjects: faces,hinduism

These "masks" were likely intended for use in the creation of lifelike effigies of the gods, the metal face to be affixed to a carrying frame and the figures dressed in textiles. Such constructions were intended for processional use, as seen in related practices in the Hindu communities of Himachal Pradesh, in the western hills of north India, where image-palanquins of this type are carried by devotees during festivals.
Two horsemen descend a hill in center, following another man on foot, a castle in the mountains in the center background, from "Various Landscapes" (Divers Paysages)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: castles,men,horses,mountains,landscapes
Bronze dragon-type fibula (safety pin)
Object type: fibula, serpentine type
Date: 700 – 650
Materials: bronze
Culture: etruscan

The bow has two loops, a spiral of one turn, and one pair of horns. The head consists of a knob.
Onias pius
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: high priest ~ hierarchy of priests, persons from the old testament (not in biblical context, nor occurring in legendary/historical extensions included in division 71)
Inscriptions: inscription: ‘242’

Een bloemkelk met een man in priesterkledij, naar rechts gekeerd. De tekst identificeert hem als Onias, hogepriester. Mogelijk gaat het om Onias III, zoon van Simon II. De voorstelling is onderdeel van de opeenvolging priesters in de Liber Chronicarum. De prent maakt deel uit van een album.
Bulletin de la Société française de photographie. Tome vingt-huitième - année 1882
Object type: book
Date: 1882 – 1882
Materials: paper, cardboard, leather
Techniques: photograph, letterpress printing, marbling, marbled paper
Location: paris
Inscriptions: number: ‘28’
Flagon
Object type: decorative art
Date: 1765 – 1780
Materials: pewter
Location: philadelphia
Artist: attributed to william will
Signature Quilt
Object type: textile
Date: 1896 – 1896
Materials: cotton
Techniques: embroidery, weave
Location: illinois
Schotel van faïence met landschap
Object type: platter
Date: 1740 – 1775
Materials: faience
Location: delft
Artist: Anonymous
Inscriptions: collector's mark: ‘collection J.F. Loudon’

Schotel van faïence. Blauw beschilderd met een landschap. De brede rand is veelkleurig beschilderd.
Inspectie van de munt te Harderwijk, penning door muntmeester Johan Hensbergen aan de raden en generaalmuntmeester vereerd
Object type: history medal
Date: 1735 – 1735
Materials: silver
Techniques: striking
Location: harderwijk
Subjects: johannes hensbergen

Zilveren penning. Voorzijde: Nederlandse maagd met vrijheidshoed op speer leunt met arm op bijbel staand op altaar binnen omschrift (stempel van twee guldenstuk); onder afbeelding: steigerend paard (merkteken van munt van Harderwijk). Keerzijde: opschrift onder gekroond wapenschild van Gelderland, geflankeerd door twee gekroonde leeuwen.
Evangelist Marcus
Object type: print
Date: 1630 – 1677
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: mark (marcus) the evangelist, and bishop of alexandria; possible attributes: book, (winged) lion, pen and inkhorn, scroll
Inscriptions: collector's mark: Lugt 240

Marcus de evangelist met een boek onder zijn arm. De sokkel waarop de evangelist staat, is versierd met een gevleugelde leeuw. De prent maakt deel uit van een vierdelige serie met voorstellingen van de vier evangelisten.
Studioportret met klein kindje op een stoel
Object type: photograph
Date: 1915 – 1915
Materials: photographic support
Techniques: albumen print
Location: amsterdam
Artist: willem gerhardus kuijer
Artist role: fotograaf, hoffotograaf
Artist dates: 1834 – 1899
Subjects: amsterdam
Inscriptions: name: ‘W.G. Kuijer Amsterdam Westermarkt 19’

er is een stukje aan de onderkand van het karton gesneden
Kris with Sheath
Object type: kris with sheath
Date: 1501 – 1900
Materials: copper, ivory, silver, steel, stone, wood
Culture: sumatran
Location: indonesia
Turban from the Head of a Mummy of a Child
Object type: turban, mummy of a child
Date: 201 – 333
Materials: linen
Location: egypt
Cup-Hilted Rapier
Object type: cup hilted rapier
Date: 1670 – 1670
Materials: iron, steel, textile, metal, wood
Culture: italian
Location: italy
Artist: francesco maria rivolta
Artist role: hilt maker
Artist nationality: italian, milan
Artist dates: 1650 – 1700

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Uri-See
Object type: drawing
Date: 1851 – 1924
Materials: paper, watercolor
Techniques: brush
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: sea, switzerland
Stucco Fragment
Object type: fragment
Date: 701 – 1200
Materials: pigment, plaster
Techniques: carving
Location: iran
Landschap met een staande figuur bij een heg
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: landscapes (+ landscape with figures, staffage)

Blad 29 verso en 30 recto uit een schetsboek met 33 bladen.
Portret van Jacob van Nuys Klinkenberg
Object type: print
Date: 1778 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: predikant, hoogleraar, jacob van nuys klinkenberg
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve naar rechts van Jacob van Nuys Klinkenberg, zittend in een stoel, met in zijn hand een vel papier.
Scherven van kelderflessen uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: case bottle
Materials: glass
Techniques: green glass
Location: middelburg
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Drie fragmenten van vierkante kelderflessen. Gemaakt van groen glas met geelbruine aanslag. Case bottle.
Pavillon Turgot in het Palais du Louvre
Object type: album leaf
Date: 1857 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: permanent exhibition, museum, façade (of house or building), paris, tuileries palace

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 1.
Marcherende militairen
Object type: photograph
Date: 1941 – 1945
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: adult man, historical persons, occupation ~ war, netherlands
Inscriptions: annotation: ‘Ausmarch U-Stad aR. Flott’
Body with garment
Object type: body with garment
Date: 1353 – 1336
Materials: limestone
Location: egypt
Ruiterportret van Willem II, koning der Nederlanden
Object type: print
Date: 1810 – 1831
Materials: paper
Techniques: aquatint, etching
Artist: frederik christiaan bierweiler
Artist role: print maker
Artist dates: 1783 – 1831
Subjects: the hague, william ii of the netherlands

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Staande vrouw naar links, de hand in de zij
Object type: drawing
Date: 1814 – 1814
Materials: chalk, paper
Artist: abraham johannes ruytenschildt
Artist role: draughtsman
Artist dates: 1778 – 1841
Roma. Interno della Basilica di S. Paolo
Object type: photograph
Date: 1932 – 1932
Materials: photographic support
Techniques: photography
Location: rome
Artist: Anonymous
Subjects: interior of church
Inscriptions: date
Opvoeding van kinderen
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: elementary school; class, form
Inscriptions: collector's mark: Lugt 2228

Allegorie met centrale voorstelling van leraar die zijn leerlingen onderwijst en daaromheen een omlijsting waarin citaten uit de bijbel gecombineerd zijn met de verbeelding van bepaalde gebeurtenissen uit de bijbel. In de marge onderaan twee regels bijbeltekst in Latijn
Chamonix
Object type: carte de visite
Date: 1857 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: chamonix
Subjects: underground road, tunnel, mountains
Inscriptions: stamp: ‘AD BRAUN/ PHOTOGAPHE/ DE/ S.M. L'EMPEREUR/ à Dornach (Ht Rhin)’, number: ‘1821’
8 jours dans les Vosgues Gérardmer et environs 100 vues pittoresque
Object type: book
Date: 1898 – 1898
Materials: paper
Techniques: photograph
Location: nancy

Op het voorplat vier lichtdrukken van de natuur in de Vogezen. Op het achterplat twee lichtdrukken van gebouwen.
Figuren uit de verhalen van La Fontaine
Object type: vignette
Date: 1880 – 1880
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: single muses
Inscriptions: collector's mark: Lugt 2228, collector's mark:

Martial Potémont maakte etsen naar de tekeningen van Fragonard, die zich bevonden in een manuscript in de collectie van de verzamelaar Eugène Paillet. Rouquette bood hem aan de tekeningen zo exact mogelijk in prent te laten brengen door Martial Potémont: dit resulteerde in een serie van 57 etsen. Vervolgens werden deze gereproduceerd door middel van heliogravure. Deze omslag betreft een editie voor de letter, "Eau forte pure", de 1e staat van 3 waar men uit kon kiezen bij deze serie.
Rank Badge with Decoration of Two Cranes among Clouds
Object type: rank badge
Date: 1801 – 1900
Materials: silk
Techniques: damask, embroidery
Culture: korean
Subjects: cranes

Rank badges embroidered with one or two cranes flying among clouds were reserved for civil, rather than military, officials. Usually woven of colorful threads, the design here has a limited two-tone palette of white and green-blue. Such badges were usually worn during the one hundred days after the three-year mourning period following the death of a king or queen.
Jug
Object type: jug
Date: 1590 – 1590
Materials: glass
Techniques: enamel
Subjects: animals
Street at Saverne
Object type: print
Date: 1858 – 1858
Materials: ink, paper
Techniques: etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: buildings,streets

After visiting the Alsatian town of Saverne in the summer of 1858, Whistler produced his first etched "Nocturne." Sharp recession heightens the irregular forms of old buildings, with a gas lantern hanging at right casting deep shadows. Whistler included this work in his first published set, "Douze eaux-fortes d’après nature" (Twelve Etchings from Nature), which he always referred to as the "French Set." This is a later reissue with the printer's name removed.
Amsterdamse politieagent
Object type: print
Date: 1870 – 1890
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: policeman, constable
Inscriptions: signature: ‘C.b. (?) Sc’, signature: ‘AH (?)’, collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Politie.
Exterieur van het oude postkantoor van Tintagel met op een deur het opschrift 'Meier Family'
Object type: album leaf
Date: 1899 – 1899
Materials: paper, photographic support
Techniques: albumen print
Location: tintagel
Artist: Anonymous
Subjects: post-office, rural housing, e.g. country-house, villa, cottage

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Engeland en Frankrijk.
Snuff bottle with stopper
Object type: snuff bottle with stopper
Date: 1644 – 1911
Materials: jade
Culture: chinese
Group of Figures at a Table in the Garden of a Tavern
Object type: drawing
Date: 1650 – 1655
Materials: ink, paper
Techniques: pen
Location: amsterdam
Artist: willem drost
Artist role: draughtsman, painter, print maker
Artist dates: 1633 – 1659
The Mock Phoenix!!! Or a Vain Attempt to Rise Again
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,napoleon i,men,snakes,fire,politics
Terracotta fragment of a pelike (jar)
Object type: pelike fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Frieze of pendant lotus buds; below, draped woman to left, wearing a himation; panel ornament: dot band; one complete handle
Toboggan, from the Novelties series (N228, Type 4) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: girls

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Gelderland, halve duit, 1756. Zilveren afslag
Object type: coin
Date: 1756 – 1756
Materials: silver
Techniques: striking
Location: harderwijk

Zilveren munt. Voorzijde: in drie regels D/GEL/RIAE, daaronder jaartal en muntmeesterteken. Keerzijde: gekroond Gelders wapenschild. Afslag in zilver.
Man's Waistcoat
Object type: costume and accessory
Date: 1701 – 1800
Materials: cotton, textile, silk
Techniques: lace, embroidery, weave, stitching
Location: france
Self-Portrait 1916
Object type: print
Date: 1916 – 1916
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Two Costume Designs or Portrait Types
Object type: collection ornament architecture
Date: 1785 – 1790
Materials: gouache, graphite, ink
Techniques: pen
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: portraits,women

Two round portraits, each featuring a woman from the waist up in a corseted gown and hat. The woman in the left portrait is portrayed in a three-quarter pose facing left. She is wearing a pink corseted bodice with a fichu and straw hat with pink and blue feathers. The woman in the right portrait is depicted frontally and gazes towards the left. She wears a pink and yellow bodice, and a pink skirt. She also wears a white fichu and a bonnet-style hat with pink roses and a veil in the back.
Fruitoogst
Object type: photomechanical print
Date: 1887 – 1892
Materials: paper
Techniques: photograph
Location: nancy
Subjects: fruit harvest, reaping, picking, mowing ~ harvest
Samuel Anointing the Young David (?)
Object type: drawing
Materials: chalk
Techniques: brush, heightening, wash
Artist: jan erasmus quellinus
Artist role: artist
Artist nationality: flemish
Artist dates: 1634 – 1715
Subjects: animals,men,women,crowd
The taking down from the cross
Object type: page
Date: 1868 – 1873
Materials: photographic support
Techniques: albumen print
Location: oberammergau
Artist: joseph albert
Artist role: printer, publisher
Artist dates: 1825 – 1886
Subjects: descent from the cross: christ is taken down from the cross, usually by nicodemus and joseph of arimathaea who are standing on the ladders (both arms of christ detached), group of actors, troupe; actors on the stage
Inscriptions: number: ‘Royal Photograph 54.’, number: ‘54.’
Slapend kind omringd door beschermengelen
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: guardian angel, watching a sleeping child
Inscriptions: inscription: ‘JFP’, inscription: ‘No. 15’, inscription: ‘Let A. 4’, inscription: ‘P’
Gebouwen behorende bij plantage Silo Sanen gezien vanaf een hoger gelegen gedeelte
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Below the rim, an unidentified object and part of a vine
Huwelijk van Lodewijk XIV en Maria Theresia, koning en koningin van Frankrijk
Object type: jeton
Date: 1661 – 1661
Materials: copper
Techniques: striking
Location: paris
Artist: Anonymous
Subjects: lodewijk xiv (koning van frankrijk), maria theresia (koningin van frankrijk)

Koperen penning. Voorzijde: naar elkaar gewende borststukken van man met lauwerkrans en vrouw met kroon binnen omschrift. Keerzijde: twee ineen geslagen handen, beschenen door hemellicht binnen omschrift; afsnede: jaartal
The Caprices (Los Caprichos), plates 1-80
Object type: print
Date: 1799 – 1799
Techniques: aquatint, engraving, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Dish
Object type: dish
Date: 1800 – 1830
Materials: silver
Culture: american
Location: united states
Artist: lewis fourniquet
Artist role: maker
Artist nationality: american
Artist dates: 1791 – 1825
Ewer with bouquets and floral scrolls
Object type: ewer
Date: 1775 – 1780
Materials: glaze, paint, porcelain
Techniques: firing, forming, turning, vitrification
Location: würzburg
Inscriptions: mark: ‘W/ LM’

Kan van porselein met rocaille oor en driehoekige tuit vanuit de nek, beschilderd op het glazuur in rood, groen, geel en zwart. De kan is versierd met vakken van bloemranken in licht reliëf met daarin geschilderde boeketten. De tuit is gemodelleerd in de vorm van een hoofd. Gemerkt op de onderzijde met de W en LM.
Bowl
Object type: bowl
Date: 1351 – 1400
Materials: brass, silver
Techniques: engraving, inlay
Location: iran
Subjects: human figures