deem-data/ArtiFact huggingface dataset:
Card Number 644, Hattie Robins, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Pijlkoker met 28 pijlen behorend bij wapenrek van Cornelis Tromp
Object type: arrow
Date: 1650 – 1679
Materials: brass, wood, feather
Techniques: painted
Location: southeast asia
Artist: Anonymous
Subjects: rotterdam, amsterdam, cornelis tromp, flowers ~ ornament

Arms collection of Cornelis Tromp. These weapons were kept at the Amsterdam home of Cornelis Tromp. The collection included contemporary weapons of exceptional quality and several exotic weapons acquired for their curiosity value. Tromp probably received many of these weapons as gifts during his patrols of the Mediterranean Sea and in the Baltic.
Kleine zeegezichten
Object type: print
Date: 1627 – 1636
Materials: paper
Techniques: etching
Location: germany
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 2228
De schilder Raden Saleh
Object type: photograph
Date: 1860 – 1872
Materials: photographic support
Techniques: albumen print
Location: batavia
Subjects: painter, draughtsman, raden sarief bastaman saleh, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, java, batavia

Studioportret van de Javaanse schilder Raden Sarief Bastaman Saleh, zittend in een stoel aan een tafel waarop een boek ligt. Ingeplakte foto in het fotoalbum getiteld: Gezichten van Java.
De Nieuwe Hal
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: market-hall
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Prent ook gebruikt in: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (…). 3 delen [folio-uitgave]. Amsterdam: Isaak Tirion en Yntema & Tieboel, 1760-1767, dl. 2 (Isaac Tirion, 1765).
The Doctor, from "The Pageant"
Object type: print
Date: 1894 – 1894
Materials: ink, paper
Techniques: printing, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men
Grafmonument van Thomas Pope en Elizabeth Blount
Object type: print
Date: 1729 – 1749
Materials: paper
Techniques: mezzotint
Location: fleet street
Artist: Anonymous
Subjects: historical persons - bb - woman, historical persons, grave, tomb, monument, statue
Inscriptions: inscription: ‘Sir Thomas Pope (...) 23.10.1963’
Prentjesdruk van Epinal
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: colour, letterpress printing, lithograph
Location: epinal
Artist: Anonymous
Subjects: magic, supernaturalism, occultism, tales and fairy tales, digging for or finding of treasure, dog
Inscriptions: collector's mark: Lugt 2760

Blad met 20 voorstellingen over het magische as van een Japanse hond. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 105.
Fragment of a Bowl
Object type: fragment
Date: 1001 – 1200
Materials: stonepaste
Techniques: glazing
Location: iran

This bowl was unearthed at Nishapur in excavations carried out by the MET in the 1930s and 1940s and was acquired by the Museum through a division of finds with the Iranian government at the time. It is very thinly potted and displays a finely tapered rim. The transparent turquoise glaze appears iridescent due to decay in the soil. This object was most probably made in the 11th or 12th century, at a time when potters were experimenting with new technologies such as stonepaste. Early stonepaste vessels were mostly monochrome-glazed, in turquoise, purple, white, blue, with the occasional splash of a different color. They were thinly-potted, such as in this example. West of Nishapur, in central Iran, vessels displayed a range of scalloped, lobed, and variably decorated rims, suggesting that the development of the medium followed slightly different paths in the two regions.
Jar
Object type: jar
Date: 301 – 500
Materials: glass
Techniques: glassblowing
Location: syria
Twee vazen met bloemen
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: flowers in a vase

Twee vazen met bloemen. Onderdeel van een groep van 5 foto's en 19 stereofoto's gemaakt door een onbekende amateurfotograaf rond 1900 in Amsterdam, de Ardennen en Denemarken.
Belt Plate
Object type: belt plate
Date: 601 – 700
Materials: iron, silver
Techniques: inlay
Culture: burgundian or frankish
Branch of the Seine near Giverny (Mist)
Object type: painting
Date: 1897 – 1897
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: claude monet
Artist role: painter
Artist nationality: french
Artist dates: 1840 – 1926
Subjects: landscapes, white (color), river, reflections, purple (color), blue (color), weather/seasons, water
Inscriptions: Inscribed lower left: Claude Monet 97

Claude Monet painted the 18 works in his Mornings on the Seine series from a flat-bottomed boat anchored to the riverbank where the Epte River flows into the Seine. There, as the light changed from dawn to day, he worked on one canvas after another. To keep them in order, he numbered them, placed them in grooves built into the boat, and had the gardener whom he enlisted as his assistant hand them to him.
Delightful Land
Object type: print
Date: 1893 – 1894
Materials: paper
Techniques: printing, woodcut
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Subjects: women

In this print Gauguin reimagines the Biblical story of the Fall. Eve is now a native Tahitian woman, the Garden of Eden a lush tropical paradise, the devilish serpent a fantastical winged lizard, and the apple from the Tree of Knowledge an exotic flower from a peacock-like plant. The right-hand border of the print is patterned much like the carved house-posts that Gauguin encountered in Tahiti. Adding to the cultural mix, Gauguin based Eve's statuesque figure on photographs of sculpted frieze from a Javanese Buddhist temple. The composition derives from an earlier painting by the artist (1892; Ohara Museum of Art, Kurashiki, Japan) which he further reworked in a series of drawings and monotypes.
Les Singuliers et Nouveaux Portraicts... page 8 (recto)
Object type: book print ornament architecture
Date: 1588 – 1588
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: birds

Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top to bottom, and left to right: Design is decorated with 2 rounded triangular motifs that sit upon a rectangular base. Both rounded triangles are ornamented in the center with a bird that is surrounded by foliage. Base consists of 2 squares that are each decorated in the center with a bird(s) that is encircled by a vine of leaves.
Portret van Ernst I van Oostenrijk
Object type: print
Date: 1630 – 1680
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: armour, historical persons
Untitled (Portrait of a Man)
Object type: photograph
Date: 1850 – 1900
Techniques: albumen print
Location: united states
Artist: e. doane
Subjects: collected by hugh edwards
Wineglass
Object type: wineglass
Date: 1810 – 1830
Materials: glass
Techniques: glassblowing, cutting
Culture: american
Location: united states
Portret van Guillaume Groen van Prinsterer
Object type: print
Date: 1842 – 1887
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: guillaume groen van prinsterer, historical persons, portrait of a writer

Prent mogelijk uit: De Maandelijksche Kronijk 1 (1853).
Gezicht op het Palais-Royal
Object type: album leaf
Date: 1660 – 1703
Materials: paper
Techniques: etching
Location: france
Subjects: palace
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn. De uitgevers vader en zoon Nicolas Langlois worden allebei vermeld als N. Langlois op hetzelfde adres.
Buddha Seated on the Coils of a Naga
Object type: figure
Date: 1167 – 1200
Materials: bronze
Culture: thai
Subjects: buddhism,buddha
Gezicht op een glooiend landschap met landweg in Indonesië
Object type: print
Date: 1843 – 1845
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: tondano

Aan de kant drie mannen, onder wie een te paard. Genummerd linksboven: Pl. XXXVII. De prent maakt deel uit van een omslag met acht bladen.
Glass oinochoe (perfume jug)
Object type: oinochoe
Date: 367 – 268
Materials: glass
Culture: greek or eastern mediterranean or italian

Translucent honey brown, with handle in same color; trails in opaque yellow, opaque white, and opaque turquoise blue. Applied trefoil rim-disk; cylindrical neck, expanding downwards; broad rounded shoulder; slightly convex sides to body with downward taper; applied low circular coiled pad-base, slightly concave on bottom; strap handle attached in pad to outer edge of shoulder. A fine yellow trail attached at edge of rim-disk; another unmarvered yellow trail wound spirally four times around neck; on body, alternating bands of yellow, white, and turquoise trails wound round from shoulder to pad-base and tooled into a close-set feather pattern in eleven vertical panels with alternating upward and downward strokes, creating long loops at top and bottom. Broken and repaired, with many holes in rim and neck and most of handle missing; one large chip in body and two small chips in pad-base; dulling, pitting, and faint iridescent weathering.
Lobed cooking cauldron (Li )
Object type: cooking vessel
Date: 1200 – 1001
Materials: earthenware
Culture: chinese

The tri-lobed shape and combed ridges of this cooking pot increased heating efficiency by maximizing the vessel’s surface area.
Portret van Lucy Ebberton
Object type: print
Date: 1745 – 1765
Materials: paper
Techniques: mezzotint
Location: london
Subjects: cut flowers; nosegay, bunch of flowers, historical persons - bb - woman
Inscriptions: collector's mark: Lugt 240
Rokende man
Object type: drawing
Date: 1802 – 1872
Materials: paper
Techniques: brush, pen
Location: netherlands
Artist: adalbertus engelsmet
Artist role: print maker
Artist dates: 1792 – 1872
Subjects: inn, coffee-house, public house, etc., pipe ~ tobacco
Inscriptions: collector's mark: Lugt 1641, collector's mark
Kaart van Zijpe en omgeving
Object type: print
Date: 1665 – 1665
Materials: paper
Techniques: engraving, etching, hand coloring
Location: alkmaar
Subjects: device (as symbol of the state, etc.) (+ city; municipal), maps, atlases
Inscriptions: collector's mark: Lugt 2228

Kaart van Zijpe en omgeving. Bovenaan het wapenschild van Zijpe. Onderaan een cartouche met een legenda. Linksonder een schaalverdeling.
Portret van Johann Karl Rodbertus
Object type: print
Date: 1849 – 1862
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 2141c
Vue de la première Cataracte, prise à l'Ouest, entre Assouan et Philae
Object type: photograph
Date: 1849 – 1850
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: landscapes

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Ex libris van onbekend, mogelijk Sir Christopher Sykes
Object type: bookplate
Date: 1841 – 1896
Materials: paper
Techniques: woodcut
Subjects: the giant and martyr christophorus; possible attributes: palm-tree (with bunches of dates, or withered), infant christ, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Palais du Luxembourg. Côté du Jardin
Object type: photograph
Date: 1853 – 1853
Materials: cardboard, paper
Techniques: salted paper print
Location: paris
Subjects: palace
Inscriptions: inscription: ‘Paris Photographie Pl. 26./ Plaut fecit. 1853/ PALAIS DU LUXEMBOURG/ Côté du Jardin/ Publié par GOUPIL & Cie Editeurs,/ Paris, London, Berlin, New York./ Imp. Photographique de H. de Fonteny,/ Rue St. Nicolas d'Antin, 72, Paris.’
Krajka k antipendiu
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: 11q71422	antependium, frontal, lace
Portret van Joost van den Vondel
Object type: print
Date: 1657 – 1657
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: cologne, amsterdam, joost van den vondel, print, e.g.: engraving, etching, lithograph, head-gear: hat (+ men's clothes), sculpture, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

De schrijver en dichter Joost van den Vondel op 70-jarige leeftijd in zijn werkkamer. Hij draagt een kalot en heeft een beschreven rol papier in zijn hand. Hij zit bij twee planken met boeken en beelden van een vrouw en een putto. Aan de muur hangt een op stokken geslagen prent.
Gevecht tussen de Hoeken en Kabeljauwen in Haarlem door een priester verhinderd, 1444
Object type: print
Date: 1844 – 1846
Materials: paper
Techniques: engraving
Location: netherlands
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: haarlem

Gevecht tussen de Hoeken en Kabeljauwen in Haarlem door een priester verhinderd, 1444. De priester stelt zich op straat tussen de twee strijdende partijen op.
Wedding ensemble
Object type: wedding ensemble
Date: 1868 – 1868
Materials: leather, linen, silk, wool
Culture: american

According to family history, Amelia Jane Carley (1844–1892) wore this dress at her marriage to William Edward Chess (1842–1926) in 1868 in West Virginia, the half-mourning colors chosen in honor of those who died during the Civil War. Both bride and groom were fortunate not to have lost any immediate family during the war, though Ms. Carley’s brother and Mr. Chess served in the Union Army. This family narrative suggests that the bride chose shades of mourning in response to the widespread losses suffered during the war rather than to memorialize an individual. A subdued palette of gray and black may have felt more respectful than a showier bridal gown while so many families still grieved. Etiquette manuals and women’s magazines frequently offered guidance for brides whose weddings intersected with a period of mourning, though the choice of dress under such circumstances often reflected a woman’s personal judgment rather than prescriptive advice.
Portret van Jacob Chimarrhaeus op 59-jarige leeftijd
Object type: print
Date: 1654 – 1666
Materials: paper
Techniques: engraving
Location: prague
Subjects: jacob chimarrhaeus, historical persons
Portret van Carlos María Isidro Benito de Borbón y Borbón-Parma
Object type: book illustration
Date: 1836 – 1836
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: earl, historical persons
Inscriptions: collector's mark: Lugt 2228

Vermoedelijk afkomstig uit: Almanach de Gotha, 1836.
Onbekende man met bril
Object type: photograph
Date: 1860 – 1910
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous

Onbekende man met bril, snor, wit hemd, donkere stropdas en donkere jas.
Piazza Colonna (Rome)
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: photograph
Location: piazza colonna
Subjects: square, place, circus, etc., triumphal column with helical friezes, (story of) marcus aurelius, the roman emperor
Portretten van De Kroniek
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: amsterdam, allard pierson, historical persons
Inscriptions: inscription: ‘proefdruk / Jan Veth’, collector's mark: Lugt 2228

Dit portret werd uitgegeven als bijvoegsel bij De Kroniek op 7 juni 1896.
Modelbuch aller Art Nehens vn Stickens (Page 7r)
Object type: book print ornament architecture
Date: 1535 – 1535
Techniques: woodcut
Location: germany
Artist: christian egenolff
Artist role: publisher
Artist nationality: german
Artist dates: 1502 – 1555
Subjects: ornament,flowers

Published by Christian Egenolff, German, 1502-1555, Frankfort am Mayn. Illustrated title page, 26 pages of designs including 4 pages of animals and fish at the end.
Portret van Paolo Farinati
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: engraving
Location: venice
Subjects: painter, paolo farinati, historical persons, portrait, self-portrait of painter

Prent uit: Ridolfi, Carlo. Le Maraviglie dell'arte, overo Le vite de gl'illustri pittori veneti, e dello stato. Ove sono raccolte le opere insigni, i costumi, & i ritrati loro, con la narratione delle historie, delle favole, e delle moralità da quelli dipinte. Venetië: s.n., 1648, p. 124.
De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 183.
Portret van Willem VI van Henegouwen, Holland en Zeeland
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: etching
Location: haarlem
Subjects: holland en zeeland willem vi van henegouwen, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor: Langendyk, Pieter. De Graaven van Holland, in jaardichten beschreven door Pieter Langendyk. Verykt met alle de beeldtenissen dier prinsen, naauwkeurig getekend naar de echte aloude tafereelen of de zaal van't raadhuis der stad Haarlem. Haarlem: J. Bosch, 1745.
Portret van een vrouw, mogelijk Polly Kennedy
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: mezzotint
Location: london
Subjects: historical persons - bb - woman, book - mm - book open, courtesan, hetaera
Inscriptions: collector's mark: Lugt 240
Twee vrouwen in klederdracht bij een deuropening
Object type: sketchbook leaf
Date: 1874 – 1874
Materials: paper, pencil
Artist: george clausen
Artist role: draughtsman
Artist dates: 1852 – 1912
Subjects: adult woman, open door, folk costume, regional costume

Blad 5 recto uit een schetsboek met 37 bladen.
Der Lebenslauf
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: bench, child, old man, family, relationship, descent, farm or solitary house in landscape, the life of man
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie van acht prenten over de levensloop van de mens.
A Lühdorf's deer
Object type: photomechanical print
Date: 1876 – 1886
Materials: paper
Techniques: photograph
Location: paris
Subjects: hoofed animals: stag, zoological garden, zoo, seen as place where non-domestic animals are kept
Zeeslag bij Duins
Object type: print
Date: 1650 – 1699
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: sailing-ship, sailing-boat
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Zeeslag bij Duins tussen de Spaanse vloot onder bevel van Antonio de Oquendo en de Staatse vloot onder Maarten Harpertsz. Tromp, 21 oktober 1639. Rechts op de spiegel gezien het admiraalsschip van Tromp de Aemilia (Amelia) naast de Santa Teresa die in brand staat. Links op de voorgrond een brandend schip en sloepen met bemanningsleden. Op de achtergrond de Engelse kust. Bovenaan in het midden een de titel en het nummer: Pag. 566. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Krijgswezen, Zeemacht.
Duncan C. Ross, Champion All Around Athlete of the World, from the Champions of Games and Sports series (N184, Type 2) issued by W.S. Kimball & Co.
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w.s. kimball & co.
Artist role: publisher
Subjects: men,athletes

Trade cards from the set "Champions of Games and Sports" (N184), issued in 1887 by W.S. Kimball & Company. There are two variations of cards in the series. Type 1 displays the W.S. Kimball brand on the card recto and verso. Type 2 only displays the Kimball brand on the card verso. This card is Type 2.
Vrouw licht een lezende vrouw in een donker vertrek met een kaars bij
Object type: book illustration
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: reading, candle, darkness
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. De zedelyke en stichtelyke gezangen. Amsterdam: Wed. Pieter Arentsz (II) en Cornelis van der Sys, 1704, p. 100.