deem-data/ArtiFact huggingface dataset:
Portret van een man en een vrouw, zittend in vermoedelijk een serre
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: historical persons - bb - woman, historical persons, greenhouse, orangery
Atlas van Fouquet
Object type: print
Date: 1770 – 1783
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: canals, waters (in city) (+ city(-scape) with figures, staffage), old-people's home, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Vanaf 1760 gaf Pierre Fouquet stadsgezichten van Amsterdam naar tekeningen van verschillende kunstenaars uit. Deze prenten werden aanvankelijk los verkocht. Later werden ze samengebonden verkocht in verschillende volgordes en aantallen in:

(1). Afbeeldingen van de wyd-vermaarde koopstad Amsterdam benevens des zelvs voornaamste gebouwen en gezigten alle naar het leeven getekend / Receuil des edifices les plus considerables et des plus belles vues, de la fameuse ville d'Amsterdam, dessinées d'après nature. Amsterdam: Pierre Fouquet, 1778-1783. Deze 'uitgave' bestond waarschijnlijk alleen uit een titelblad en inhoudsopgave van de tot dusver 100 uitgegeven prenten, die de koper zelf aan zijn of haar reeds verzamelde prenten kon toevoegen. De hoeveelheid en volgorde van prenten verzameld onder deze titel verschilt dus sterk.
(2). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam, met derzelver beknopte beschryvingen. 2 dln. Amsterdam: Daniël Jean Changuion en Petrus den Hengst [in opdracht van Pierre Fouquet], 1783.

Ook werden er door verschillende uitgevers tussen 1788 (Amsterdam: Petrus Conradi) en 1805 (Amsterdam: Evert Maaskamp) heruitgaven gepubliceerd.
Portret van Scévole de Sainte-Marthe
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons, writer, poet, author

Latere staat van prent maakt mogelijk deel uit van de serie 'Recueil de portraits de personnes qui se sont distinguées tant dans les Armes (...)', vervaardigd en uitgegeven door Etienne Desrochers. De serie werd initieel uitgegeven door Desrochers en aangekondigd in 'Mercure' in mei 1726, p. 985.
Vaucheria cæspitosa
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Necklace or Rosary (?)
Object type: necklace or rosary
Date: 1601 – 1900
Materials: coral, gold
Culture: filipino
Prent van C.E. Taurel naar het schilderij Mijmering van Jozef Israëls
Object type: photograph
Date: 1855 – 1855
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: art
Portret van Pierre de Brach
Object type: print
Date: 1576 – 1614
Materials: paper
Techniques: engraving
Artist: thomas de leu
Artist role: print maker, publisher
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Bowl with cover (one of a pair)
Object type: bowl with cover
Date: 1801 – 1900
Materials: glass
Netsuke of Monkey Catching Fleas
Object type: netsuke
Date: 1701 – 1900
Materials: wood
Culture: japanese
Subjects: monkeys
December
Object type: print
Date: 1596 – 1652
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: january and its 'labours', conserving, preserving, e.g.: canning, salt (+ preserved foods)
Inscriptions: collector's mark: Lugt 2228

Winterlandschap met wintertaferelen. December is de slachtmaand. Op de voorgrond wordt een varken gerookt door een familie. Deel van een serie van de twaalf maanden, waarbij elke maand wordt afgebeeld met de voor haar typerende menselijke activiteiten en haar klimatologische kenmerken.
Portret van Peter III, tsaar van Rusland
Object type: print
Date: 1762 – 1781
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: adult man, historical persons, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Woodwork of a Room from the Colden House, Coldenham, New York
Object type: architectural element
Date: 1767 – 1767
Materials: wood
Culture: american
Location: united states

The woodwork in this room came from a large stone house, in Coldenham, New York. The original owner was Cadwallader Colden Jr. According to a date inscribed on one of the stones of the structure, Colden built the structure in 1767. This parlor comes from the front left side of the house. The treatment of its walls exemplifies a well-developed, late eighteenth-century trend of paneling only the fireplace wall of a room and covering the remaining walls with plaster between the dado and cornice.
Pitcher
Object type: pitcher
Date: 1800 – 1810
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Subjects: george washington,maps

Liverpool produced many transfer-printed ceramics with patriotic imagery for the American market. Depictions of George Washington and important sites in the Revolutionary War were especially popular. Transfer printing allowed manufacturers to reproduce images easily, as on this pitcher bearing the depiction of George Washington with a map of the United States. White earthenware printed in black or blue was a prevalent and affordable style.
Portret van Hendrik Herman van den Berg
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: batavia, amsterdam, hendrik herman van den berg
Inscriptions: inscription: ‘C.J.L. Vermeulen AMSTERDAM’, inscription: ‘Henk’
Eunoë : verspreide en nieuwe gedichten
Object type: book
Date: 1875 – 1875
Materials: cardboard, linen, paper
Techniques: letterpress printing, woodburytype
Location: leiden
Inscriptions: inscription: ‘Aan mejufrouw Landsé,/ UIt dankbare herinnering/ van Hare liefhebbende/ Leerlinge/ Antoinette ten Kate/ Amsterdam 1 September 1875’, inscription: ‘zelfde portret in Bladeren en Bloemen/ (1862?)/ gekocht bij Vanenschip, Amsterdam/ december 1964 voor f2-’
Rapier
Object type: rapier
Date: 1601 – 1633
Materials: iron, silver, steel
Culture: german
Location: germany

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Tekstblad bij de prent met de allegorie op de oprichting van de Oprechte Vaderlandsche Sociëteit te Rotterdam, 1787
Object type: text sheet
Date: 1787 – 1787
Materials: paper
Techniques: letterpress printing
Artist: petrus hofstede
Artist role: predikant
Artist dates: 1716 – 1803
Subjects: the hague, william v (prince of orange), rotterdam, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Tekstblad met een verklaring van de prent met de allegorie op de oprichting van het orangistische genootschap de Oprechte Vaderlandsche Sociëteit te Rotterdam, 7 of 18 januari 1787. Verklaring van de voorstelling in versvorm in twee kolommen.
The skeleton of Don Juan Tenorio
Object type: print
Date: 1900 – 1910
Materials: paper
Techniques: letterpress, lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: skeletons
Isotta degli Atti of Rimini, d. 1470
Object type: medal
Date: 1446 – 1446
Materials: bronze
Artist: matteo de' pasti
Artist role: artist
Artist nationality: italian
Artist dates: 1420 – 1467
Subjects: profiles,women,elephants

Obverse: Following her name, in the part of the inscription that is often occupied by a sitter’s title, Isotta is said to have ornamented all Italy by her beauty and virtue, two concepts that were considered strictly interrelated. Isotta was the mistress of the Lord of Rimini. Most unusually, they went on to marry. This medal sought to legitimize their union then and forever. Reverse: Both the meaning of the gloriously observed elephant and the choice of date – 1446 – are somewhat mysterious, given that the medal was made some years afterwards. The date may mark the beginning of Isotta’s illicit love affair with the Lord of Rimini and the elephant has been interpreted as signifying fame, chastity and magnanimity.
Battle of Cavaliers and Infantrymen
Object type: print
Date: 1550 – 1572
Materials: paper
Techniques: engraving
Location: france
Artist: etienne delaune
Artist role: artist
Artist nationality: french
Artist dates: 1518 – 1583
Vrije kunsten en deugden
Object type: print
Date: 1663 – 1716
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: apelles, 'pictura', symbolic representations, allegories and emblems ~ painting; 'pittura' (ripa), historical persons
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een veertiendelige serie opgedeeld in twee reeksen, met als onderwerp de zeven vrije kunsten en deugden naar schilderijen door Sébastien Bourdon. De schilderijen werden in 1663 vervaardigd voor de Grande Galerie van het Hôtel de Bretonvilliers te Parijs.
Portret van William Dobson
Object type: print
Date: 1645 – 1649
Materials: paper
Techniques: etching
Location: london
Subjects: london, william dobson, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Chinon
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: drypoint, etching
Location: scotland
Artist: david young cameron
Artist role: draughtsman, print maker
Artist nationality: scottish
Artist dates: 1865 – 1945
Portret van een jongen met pijl en boog in de hand
Object type: cabinet photograph
Date: 1864 – 1904
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: eugène pirou
Artist role: fotograaf, fotostudio
Artist dates: 1841 – 1909
Subjects: archer's weapons: bow and arrow, boy (child between toddler and youth), historical persons
Inscriptions: inscription: ‘Photographie/ (...)/ Salons'/ et Ateliers/ AU REZ DE CHAUSSÉE/ ET AU 1ER ETAGE/ Eug. Pirou/ 23, Rue Royale/ Paris/ Photographie la Nuit à la Lumière Eléctrique.’
Isabel Wachenheimer op de Widenmayerstrasse en tijdens een zondagswandeling, november 1930, München
Object type: photograph
Materials: paper, photographic support
Techniques: gelatin silver print
Location: munich
Subjects: leiden, isabel wachenheimer-elon, family life at home, infant, baby
Inscriptions: inscription: ‘2. November in der Widenmayerstrasse//Ende November Sontagsspaziergang’

Albumblad met tien foto's. Alle foto's, Isabel Wachenheimer. Foto rechts boven en rechts onder, onbekende vrouw. Onderdeel van het fotoalbum met foto's van Isabel Wachenheimer als kind (1928-1931).
Gezicht op Wijk bij Duurstede
Object type: print
Date: 1692 – 1714
Materials: paper
Techniques: etching
Location: netherlands
Artist: thomas doesburgh
Artist role: print maker
Subjects: river, prospect of city, town panorama, silhouette of city, wijk bij duurstede
Inscriptions: collector's mark: Lugt 2228
The Pole Leaning Against the House
Object type: print
Techniques: etching
Artist: louis gabriel moreau
Artist role: artist
Artist nationality: french
Artist dates: 1740 – 1806
Subjects: houses
Achterlijf van een paard
Object type: sketchbook leaf
Date: 1887 – 1887
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: horse

Pagina 11 en pagina 12 uit een schetsboek met 12 bladen.
Soldaten kijken naar twee kruiken die in het water drijven
Object type: print
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: container of ceramics: jar, jug, pot, vase (+ ceramics and glass), soldiers and civilians
Inscriptions: collector's mark: Lugt 240

Vier soldaten staan langs de oever van een rivier. In het water drijven twee kapotte kruiken. Aan de overkant van de rivier staan vier mannen die eveneens naar de kruiken te kijken.
Man Drawing a Sword
Object type: statuette
Date: 1601 – 1633
Materials: bronze
Artist: barthélemy prieur
Artist role: artist
Artist nationality: french
Artist dates: 1536 – 1611
Subjects: male nudes
Valentine
Object type: valentine
Date: 1850 – 1860
Materials: lace, paper
Techniques: cutting, embossing, gilding, open work
Artist: Anonymous
Artist role: artist
The American Rattle Snake
Object type: print
Techniques: etching
Location: london
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: satire,american revolution,snakes,politics

This satirical print, one of Gillray's earliest, centers on a snake–a popular American symbol before the emblematic stars and stripes were devised for the nation's flag. In 1754 Benjamin Franklin had famously designed a woodcut of a dismembered serpent for the Pennsylvania Gazette, accompanied by the legend "unite or die." After the first American congress of 1774, the New York Journal published an image of a living snake curled around a tree of Liberty, with text that stated "united now alive and free." Gillray's image responds to two American victories that helped to secure the outcome of the Revolutionary War. His text makes it clear that he is commenting on General John Burgoyne's surrender at Saratoga, New York on October 7, 1777 and General George Cornwallis's surrender at Yorktown, Virginia on October 19, 1781. The coils of the serpent have forced the troops under the command of these two generals to lay down their flags. Text below states "Two British Armies I have thus Burgoyn'd, And room for more I've got behind." A sign hanging from the reptile's tail reads "An Apartment to let for Military Gentlemen," to suggest that the two defeated generals must now be looking for new lodgings.
Cup with cock and three fans with flower sprays
Object type: cup
Date: 1725 – 1749
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous
Bottle
Object type: bottle
Date: 1827 – 1827
Materials: glass, metal
Amor en Psyche
Object type: print
Date: 1746 – 1793
Materials: paper
Techniques: etching, roulette
Location: netherlands
Artist: theodorus de roode
Artist role: draughtsman, print maker
Artist dates: 1736 – 1793
Subjects: sleeping; unconsciousness, psyche, holding a lamp, gazes at the sleeping cupid, who awakens when a drop of hot oil falls on him
Inscriptions: collector's mark: Lugt 2228

Psyche bespiedt de god Amor in zijn slaap. Zij heeft een olielamp en een dolk in haar handen. Psyche schrikt door de schoonheid van Amor en knoeit een druppel olie uit haar lamp. Onder de voorstelling het wapen van de baron van Ravittza.
Aanbidding door de herders
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: adoration of the christ-child by the shepherds; mary and joseph present, isaiah's prophecy of the birth of christ ('immanuel') (possibly with mary, the angel gabriel and king ahaz) (isaiah 7:14-16)
Inscriptions: caption: ‘Parvulus natus est ... seculi , princeps pacis.Esaiae 9’, address: ‘Phls Galle excud.’, collector's mark: Lugt 2228

In een ruimte met boogvormige ingangen zit Maria, in het midden, naar rechts gekeerd, geknield voor het Kind. Eromheen een grote groep herders. Boven hen een engel met banderol in de handen, omgeven door andere engelen in een wolk. Twee vrouwen kijken toe door een open venster. Met onderschrift uit Jesaja 9 waarin de geboorte van Christus wordt aangekondigd.
Teapot
Object type: teapot
Date: 1755 – 1775
Materials: silver
Culture: american
Location: united states
Studies
Object type: sketchbook leaf
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924

Blad 24 verso uit een schetsboek met 24 bladen.
Portret van Filips, hertog van Parma
Object type: print
Date: 1730 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: adult man, historical persons
Lycopodium Mandioccanum Raddi. Brésil
Object type: page
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: plants; vegetation
Inscriptions: inscription: ‘Bull. Soc. Belge de Géol. de Paléont. et d'Hydrol. Tome V. 1891. Mém. pl. I.’

Prent tegenover pagina XXXIV van deel 2.
Gezicht op Monte Mario te Rome
Object type: sketchbook leaf
Date: 1808 – 1857
Materials: ink, paper, pencil, watercolor
Techniques: brush
Location: rome
Artist: abraham teerlink
Artist role: draughtsman, painter
Artist dates: 1776 – 1857
Subjects: city-view, and landscape with man-made constructions, mountains
Inscriptions: annotation: ‘Monte Mario’

Blad 19 verso en 20 recto uit een schetsboek met 28 bladen.
Man's Garment
Object type: garment
Date: 1401 – 1500
Materials: animal fiber
Culture: peruvian
Location: peru
Portret van Jacobus van Peen
Object type: print
Date: 1650 – 1660
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: pastoor, jacobus van peen
Inscriptions: collector's mark: Lugt 2228
Brandy Decanter
Object type: glass
Date: 1806 – 1806
Materials: glass
Techniques: gilding
Location: england
Visitatie
Object type: drawing
Date: 1700 – 1800
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: visitation (possibly joseph and/or zacharias present) (luke 1:39-56)
Afschaffing van de slavernij / Huldeblijk aan de Eerste Kamer door haren dankbaren neger
Object type: cartoon
Date: 1862 – 1862
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: brussels, willem iii (koning der nederlanden), abolition of slavery, fighting slavery, suriname
Inscriptions: collector's mark: Lugt 2228

Spotprent naar aanleiding van de afschaffing van de slavernij. Een tot slaaf gemaakte man van Afrikaanse oorsprong met een slinger van lichtjes en de letter W in lichtjes op zijn borst. De wet om de slavernij in Suriname en de Nederlandse Antillen op te heffen werd in 1862 aangenomen. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 32, 9 augustus 1862.
Gezicht op Chamonix met bergen
Object type: cabinet photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: chamonix
Subjects: city-view in general; 'veduta', mountains
Inscriptions: workshop stamp: ‘Maison des trois rois/ Ancienne Maison F. Charnaux/ (...)’, inscription: ‘A Geneve’, number: ‘N.589’
Sampler
Object type: sampler
Date: 1782 – 1782
Materials: canvas, silk
Subjects: birds,flowers,coat of arms
Drie putti met druiventrossen
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: etching, intaglio
Artist: georg friedrich schmidt
Artist role: draughtsman, print maker
Artist dates: 1712 – 1775
Subjects: cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240
Bronze cylindrical cup
Object type: cup, cylindrical
Date: 1 – 200
Materials: bronze
Culture: roman

Decorated with five moulded bands on the outside; on the bottom, moulded concentric circles.
Meubles en bois sculpté ayant figuré à l'exposition rétrospective de Lyon 1877 / cinquante planches en heliogravure par J.-B. Giraud
Object type: book
Date: 1880 – 1880
Materials: cardboard, leather, linen, paper
Techniques: marbled paper, photoaquatint, printing
Artist: jean-baptiste giraud
Artist role: schrijver
Artist dates: 1844 – 1910
Inscriptions: date: ‘JAN/ 1989’
Saule Pleureur Imperiale with hidden silhouettes of Napoleon and his family
Object type: print
Date: 1830 – 1850
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: napoleon i,men,trees
Combats and Triumphs: Battle of the Naked Men
Object type: print
Date: 1550 – 1572
Materials: paper
Techniques: engraving
Location: france
Artist: etienne delaune

In this delicately rendered engraving by Etienne Delaune, violence is often undercut by humorous moments. In the Battle of the Naked Men, one of the combatants bites into the leg of his enemy as if it is a sandwich. Delaune distinguished between combatants in the Battle of the Naked Men by giving one side New World adornments, adding a touch of the exotic to an otherwise traditional scene. The fine lines of the engraving allowed the artist to create quite a bit of detail on a small scale; even the overturned wine jug is decorated.
Lezende vrouw
Object type: print
Date: 1950 – 1950
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: plants; vegetation, reading, book
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Exposicion de ex libris / Barcelona 1950’

Op een tuinbank zit een lezende vrouw. Om haar heen planten en een vogel.
Profil oder dürchschnitt des Franckfurter (...) / Profildu corps de garde à Francfourt (...)
Object type: print
Date: 1729 – 1730
Materials: paper
Techniques: engraving, etching
Location: frankfurt am main
Subjects: prison, jail, barracks, plan ~ architecture

Boven, in het midden, en rechtsboven genummerd: 4.
Venus, Anchises and Cupid
Object type: drawing
Date: 1780 – 1827
Materials: watercolor
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: male nudes,female nudes,cupid,venus
Green Tara, Seated in Pose of Royal Ease (Lalitasana), with Lotus Stalks on Right Shoulder and Hands in Gestures of Reasoning (Vitarkamudra) and Gift Conferring (Varadamudra)
Object type: sculpture
Materials: bronze, copper alloy, gilt, pigment
Culture: sino-tibetan
Location: china

China's pantheon of Buddhist deities, with their accompanying rituals and artistic styles, burgeoned following its conquest by the Mongols and its absorption into the pan-Asian, multiethnic Yuan empire (1279 1368). From then on, many Chinese rulers and members of elite society, of both native and foreign heritage, became fervent devotees of Tibetan Buddhism. This faith is also known as Vajrayana (Diamond Path) Buddhism or, for its esoteric teachings derived largely from Hinduism, Tantric Buddhism. Buddhist images made in China but influenced by Tibetan (as well as Nepalese) iconography and style are termed Sino-Tibetan.

This image depicts one of many emanations of the compassionate god Tara. An inscription on the top surface of its throne reads "Da Ming Yongle nian zhi" (Bestowed in the Yongle reign of the Great Ming). The Yongle emperor was the third ruler of the Ming dynasty and a great patron of Buddhist art.
mise en marche d'une automobile Ostende
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: oostende
Artist: Anonymous
Subjects: trade exhibition, industries fair, automobile
Inscriptions: title

De stereofoto is genomen voor de Kursaal van Oostende, aan de zijde van de zee, namelijk op de Albert I-promenade op 21 juli 1904, op de laatste dag van de festiviteitenweek "la semaine d'Ostende" van 14 tot en met 21 juli 1904. De hier afgebeelde auto is de Clément-Bayard die bestuurd werd door Hanriot.
Dante's Bark
Object type: painting
Date: 1840 – 1860
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: after eugène delacroix
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: travel, boatman, boats, cities, death, france, french, greek, greek mythology, men, poetry, smoke, storms, water, wind, century of progress, world's fairs, chicago world's fairs