deem-data/ArtiFact huggingface dataset:
Zelfportret van Ludolf Bakhuysen
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, print maker, draughtsman, ludolf bakhuysen, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: Lugt 2166

De zeeschilder Ludolf Bakhuysen op 71-jarige leeftijd. Onder het portret de naam en de leeftijd van de schilder. In de marge een vierregelig vers in het Latijn.
Adoration of the Child
Object type: print
Date: 1550 – 1555
Techniques: etching
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: infants,women,christ
Portret van Johan Michael von Loën
Object type: print
Date: 1749 – 1749
Materials: paper
Techniques: engraving
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Old Woman With Grapes
Object type: print
Date: 1523 – 1523
Techniques: engraving
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: grapes,women
Shipbuilder's Yard, Liverpool
Object type: print
Date: 1875 – 1875
Materials: ink, paper
Techniques: drypoint, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men,boats
Feathered Tunic
Object type: textile
Date: 1470 – 1532
Materials: cotton, feather
Techniques: weave, stitching
Culture: chimú
Location: peru
Subjects: animals, fish, birds, cats, feline, stepped motif, triangles

One of the most extraordinary works in the Art Institute’s archaeological textile collection, this feathered tunic was created by Chimú weavers in northern Peru in 1470/1532. The knee-length, sleeveless garment is composed of a plain-weave cotton cloth completely concealed by thousands of brightly colored feathers. These coveted plumes were taken from macaws, parrots, toucans, cotingas, and tanagers from the tropical forests of South America. Because they were transported across the treacherous peaks of the Andes, the feathers were extremely rare and valuable and would only have been available to the most elite members of pre-Hispanic society. Thus, the feathered tunic—with its stylized felines, birds, and fish—would have been a sumptuous emblem of power, wealth, and prestige. Like many other pre-Hispanic textiles, it was buried with its owner in a subterranean tomb on the southern coast of Peru. The dark and arid conditions in these tombs protected the tunic, thereby allowing its vibrant colors and bold motifs to endure.
Fond de Clausen
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: luxembourg city
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: ‘Librairie de E. HOFFMAN à Luxembourg.’, inscription: ‘7’, number: ‘No. 7.’
Louis Berryer
Object type: print
Date: 1667 – 1667
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: men,portraits
David Maitland Makgill Crichton, Rankeillour
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Barges, Dordrecht
Object type: print
Date: 1886 – 1886
Materials: ink, paper
Techniques: etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Inscriptions: Signed with butterfly in plate, lower left
Cilindrische schacht van Belgisch Saint-Anne marmer, behorend bij Buste van Karel II, kroonprins van Engeland (1630-1685)
Object type: base
Date: 1900 – 1950
Materials: marble
Techniques: carved
Location: unknown
Artist: Anonymous
Inscriptions: annotation: ‘11.’

Cilindrische schacht van grijs, zwart en wit geaderd gepolijst marmer, behorend bij 'Buste van Karel II, kroonprins van Engeland (1630-1685)'. Het bovenblad is ruw afgewerkt en bevat twee penopeningen. Op de schacht zijn twee gaten voor een plaatje aangebracht. Het rijkelijk gedecoreerde vergulde koperen plaatje ontbreekt (zie tabblad opmerkingen). Op het vergulde koperen plaatje staat het opschrift: Karel van Engeland toegeschreven aan ROMBOUT VERHULST 2E HELFT 17E EEUW. De onderzijde is vlak en geheel gepolijst en bevat een annotatie. De schacht is gelijk aan NG-761-2.
Apotheosis D. Isabellae Clarae Eugeniae (...) Media Pegmatis Tab. maiori formâ
Object type: print
Date: 1639 – 1641
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Subjects: filips iv (koning van spanje), infante van spanje isabella clara eugenia, brussels, landvoogd der zuidelijke nederlanden ferdinand van oostenrijk, triumphal arch, antwerp

De aanstelling van Ferdinand als gouverneur over de Nederlanden door Filips IV. Links de knielend smekende Nederlandse Maagd, in de hemel Isabella Clara Eugenia. De centrale voorstelling op de triomfboog van Isabella Clara Eugenia opgesteld in de Clarenstraat. Gemerkt rechtsboven: pag. 96. Blad nr. 25 in een geheel van 43 platen die de uitgave van de beschrijving van de intocht van de Kardinaal Infant Ferdinand van Oostenrijk te Antwerpen op 17 april 1635 als de nieuwe landvoogd voor de Spaanse Nederlanden illustreren.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, lotus, tendril, and part of a palmette; one letter of an inscription, H
Negen oren
Object type: print
Date: 1820 – 1833
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jean augustin daiwaille
Artist role: draughtsman, print maker, printer
Artist dates: 1786 – 1850
Subjects: ears (+ sideview, profile), ears (+ front view), ears
Inscriptions: collector's mark: Lugt 2228

De oren zijn van verschillende aanzichten afgebeeld. Het oor rechtsonder is omkranst met gekrulde lokken haar. Genummerd rechtsboven: No. 6.
Afbeelding der heidensche goden en godinnen
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Subjects: (story of) bacchus (dionysus), liber, (story of) minerva (pallas, athena), (story of) mercury (hermes), (story of) venus (aphrodite), gods ~ classical mythology
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van mythologische figuren, onder wie Mercurius, Bacchus, Minerva en Venus. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: no. 47.
Box
Object type: box
Date: 701 – 800
Materials: silver
Techniques: gilding
Culture: chinese
Subjects: birds,flowers
Knotwilgen met hekje
Object type: print
Date: 1825 – 1882
Materials: paper
Techniques: etching
Location: leiden
Artist: jacobus ludovicus cornet
Artist role: draughtsman, print maker
Artist dates: 1815 – 1882
Subjects: fence, wall, paling, trees: willow
Inscriptions: collector's mark: Lugt 2166
Blad met strooipatroon van bloemen en takken
Object type: printed paper
Date: 1700 – 1850
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms

Blad met strooipatroon van bloemen en takken met puntenfond met kronkellijnen. Gebruikt als omslag.
Servet van wit linnendamast
Object type: napkin
Date: 1890 – 1910
Materials: linen
Techniques: damask

Wit linnendamasten servet met een distel, roos en klaverblad binnen eikenkrans-patroon, merk MB 24.
Piece
Object type: piece
Date: 1700 – 1710
Materials: silk
Subjects: flowers,leaves
Portret van H. Kloek
Object type: album leaf
Date: 1868 – 1868
Materials: cardboard, photographic support
Techniques: albumen print
Location: hellevoetsluis
Artist: c. j. korsten
Artist role: painter
Artist dates: 1829 – 1914
Subjects: historical persons
Inscriptions: inscription: ‘Photographish Atelier van/ C.J. Korsten/ Zierikzee’, annotation: ‘Hellevoetsluis 26 dec 68/ a/b Z.M.Wachtschip de [Chijn]/ H. Kloek’
Ruïne van St. Alme
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: engraving
Subjects: gate, entrance, street
Inscriptions: collector's mark: Lugt 2228

Gezicht op een straat met figuren, rechts een afgebrokkelde poort met zuilfiguren. Op de achtergrond een kerk.
Jug with ribbed neck and coat of arms
Object type: jug
Date: 1550 – 1599
Materials: glaze, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: raeren
Artist: Anonymous

Kruik van steengoed op standring met een bolvormig lichaam en wijde, geribde nek. Het C-vormige oor is bevestigd aan de nek en de schouder. Op de buik in reliëf driemaal een gedrukt en opgelegde wapen met een onleesbaar opschrift. Raeren.
Titelpagina voor Pieter Le Clercq, Geschiedenissen der Vereenigde Nederlanden, 1753
Object type: titelblad, titelpagina
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: the hague, willem iv (prins van oranje-nassau)
Inscriptions: collector's mark: Lugt 2228

Allegorische titelprent voor Pieter Le Clercq, Geschiedenissen der Vereenigde Nederlanden, 1753. Stadhouder Wilem IV zittend op troon ontvangt van de Nederlandse Maagd het staatsbestuur. In de wolken de Vrede en blaast de Faam op een bazuin met de vaandel Historia Belgii, op de voorgrond rechts engeltjes die verwijzen naar de Windhandel van 1720. Op de achtergrond treuren Minerva en Mercurius bij de graftombe van de in 1751 overleden prins. In het onderschrift van acht regels een verklaring van de voorstelling.
Inlevering van wapens door Duitse soldaten
Object type: documentary photograph
Date: 1905 – 1945
Materials: photographic support
Techniques: photography
Location: soest
Artist: willem van de poll
Artist role: fotograaf, journalist
Artist dates: 1895 – 1970
Subjects: soest (utrecht), bevrijding van nederland (1945)
Inscriptions: number: ‘3056’

Na de Duitse capitulatie moeten de Duitse soldaten hun wapens inleveren. Op achterzijde foto opschrift: "In 't kamp Soest is het een drukte van belang. Van alle kanten komen Duitsers hun wapens inleveren".
Val van Phaëton
Object type: print
Date: 1741 – 1741
Materials: paper
Techniques: etching
Location: paris
Subjects: theatre, theatrical performance, phaethon, types in 'commedia dell'arte': harlequin
Inscriptions: collector's mark: Lugt 2228

Prent uit: Palaprat, Jean. Arlequin Phaëton. Parijs: Briason, 1741, dl. 3, p. 379.
De illustratie is waarschijnlijk gebaseerd op een toneelstuk, getiteld 'Arlequin Phaeton', naar het theater gebracht door Monsieur de Palaprat en opgevoerd door de Comédiens Italiens du Roi in het Hôtel de Bourgogne op 4 februari 1691.
Tree Set 3
Object type: photograph
Date: 1924 – 1924
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Inscriptions: Unmarked recto; inscribed verso, on second mount, upper left, in graphite: 192A; verso on second mount, upper left, backwards [?], in graphite: 3 [?]

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
The Council of the Gods
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: john flaxman
Artist role: artist
Artist nationality: british
Artist dates: 1755 – 1826
Snuffbox
Object type: snuffbox
Date: 1780 – 1780
Materials: enamel, gold
Artist: d.m.c., switzerland
Artist role: artist
Artist dates: 1750 – 1800
Subjects: cupid
Rondedans om een vreugdevuur
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: drypoint, etching, intaglio
Location: brussels
Subjects: group dancing around someone or something (folk dancing)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Album du Journal des Beaux-Arts. Antwerpen: s.n., 1875.
Optocht bij de opening van de Staten-Generaal, 1852
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: willem iii (koning der nederlanden), voting place, polling station, the hague
Inscriptions: collector's mark, collector's mark: Lugt 1641

Optocht met de koets door Den Haag, bij de opening van de zitting van de Staten-Generaal, 20 september 1852. Bedrukt met tekst op de verso. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Staten-Generaal.
Book cover with overall pattern of leaves
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Portret van Benjamin Hoadly, bisschop van Winchester
Object type: print
Date: 1743 – 1762
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: archbishop, bishop, etc. (roman catholic), historical persons, armorial bearing, heraldry
George Washington
Object type: painting, miniature
Date: 1810 – 1820
Materials: ivory, watercolor
Culture: american
Subjects: george washington,portraits
Apostelen Tomas en Matthias
Object type: print
Date: 1529 – 1529
Materials: paper
Techniques: woodcut
Subjects: the apostle thomas; possible attributes: book, chalice, girdle, heart, lance or spear, scroll, square, stones, the apostle and evangelist matthew (mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword
Inscriptions: collector's mark: Lugt 240
Intelligentia, Herinnering en Wilskracht bij ruïnes
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: engraving
Location: italy
Subjects: intellect, intelligence; 'intelletto', 'intelligenza' (ripa), forethought, deliberation; 'previdenza', 'providenza' (ripa), memory; 'memoria' (ripa)
Inscriptions: collector's mark: Lugt 240
Georgiana, Duchess of Devonshire
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: mezzotint
Location: england
Artist: valentine green
Artist role: engraver
Artist nationality: british
Artist dates: 1739 – 1813

Valentine Green was primarily self-taught in the art of mezzotint and mastered it early on in his career. The medium allowed the artist to achieve new textural effects, especially when copying from paintings. His large-scale Georgiana, Duchess of Devonshire was originally painted by Sir Joshua Reynolds. To obtain a rich painterly texture, Green used a uniquely fine-toothed “rocker,” a tool that roughened the surface of the entire plate, producing a particularly dark overall ink tone when it was printed. The tones were then burnished and scraped to produce the white heightening of the image. The resulting composition exudes the refinement and soft elegance that only Green could produce. He printed close to 400 mezzotints during his career; all appeared in limited editions, which was made necessary by the delicacy of his plates.
Portret van een onbekende vrouw
Object type: photograph
Date: 1855 – 1870
Materials: glass, metal, velvet, wood
Techniques: ambrotype
Subjects: historical persons - bb - woman
Gezicht op IJsselmonde
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: prospect of village, silhouette of village

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
New square, Bournemouth
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: bournemouth
Subjects: square, place, circus, etc., street (+ city(-scape) with figures, staffage)

Prent op zevende ongenummerde pagina na pagina 68.
Kuypers politiek en de Katholieke partij
Object type: cartoon
Date: 1904 – 1904
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: the hague, abraham kuyper, cook, baker, bread, cake, pastry, etc., political parties, political caricatures and satires

Premier Kuyper als bakker met twee puddingen (wetten) bij de Katholieke partij, de vrouw des huizes. Zij belooft er van te eten, maar zonder dat de Liberale partij ervan hoort.
Ontwerp voor een titelblad met twee lege wapenschilden
Object type: design
Date: 1606 – 1675
Materials: chalk, paint, ink, paper
Techniques: brush, pen
Artist: abraham van diepenbeeck
Artist role: draughtsman, print maker
Artist dates: 1596 – 1675
Subjects: ornaments ~ art, attributes of mercury, attributes of mars
Panel of a Diptych Announcing the Consulship of Justinian
Object type: diptych wing
Date: 521 – 521
Materials: ivory
Culture: byzantine
Location: constantinople

Justinian, who would be the greatest emperor of the early Byzantine period, presented this handsome ivory panel (one of two forming a diptych, see acc. no. 17.190.53) to a member of the Roman Senate announcing his election as consul. The title, now largely honorific, was once that of supreme magistrate of the Roman Republic. Once hinged together with the names of the other consuls inscribed in wax on the interior, the panels were probably presented as an invitation to the great public games that new consuls hosted in Constantinople’s hippodrome (stadium). The elegantly carved classical motifs focused attention on the inscriptions written in Latin, still the official language of the Empire.
Fulham
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: drypoint, etching
Location: england
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Palma Vecchio: Die drei Schwestern
Object type: reproduction
Date: 1870 – 1875
Materials: paper
Techniques: albumen print
Location: berlin
Subjects: sisters (second degree family relationships)
The American School
Object type: painting
Date: 1765 – 1765
Materials: canvas, oil
Culture: american
Artist: matthew pratt
Artist role: artist
Artist nationality: american
Artist dates: 1734 – 1805
Subjects: painting,men,artists

The picture depicts a scene in the London studio of Benjamin West, who is generally agreed to be the figure standing at the left. Based on comparisons to self-portraits, Pratt is the man at the easel, an accomplished portrait painter. The identities of the other artists represented in the picture remain uncertain, but they are younger and they draw rather than paint. The composition explores the academic tradition as carried out among Americans in late-eighteenth century London.
Lukombé (slit drum)
Object type: lukombé slit drum
Date: 1900 – 1900
Materials: metal, wood
Culture: tetela
Location: democratic republic of the congo
Piece
Object type: piece
Date: 1780 – 1790
Materials: silk
Costume Study for Bassa Selim in the "Abduction from the Seraglio" by W.A. Mozart
Object type: drawing
Date: 1830 – 1850
Materials: graphite, gum arabic, watercolor
Artist: johann georg christoph fries
Artist role: artist
Artist nationality: german
Artist dates: 1788 – 1857
Subjects: costumes,men
Head, from a Figure
Object type: head
Date: 1 – 500
Materials: ceramic
Culture: tolita-tumaco
Location: colombia
Subjects: human figures,heads
Portret van Johannes Stöffler
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: letterpress printing
Location: frankfurt am main
Artist: johann balthasar diehl
Artist role: printer, publisher
Subjects: publisher, johannes stöffler, historical persons, mathematics

Prent uit: Reusner, Nikolaus. Icones sive imagines virorum literis illustrium qui seculo XV. (...). Frankfurt am Main: Johann Balthasar Diehl, 1719, p. 160. Prent voor het eerst verschenen in de eerste editie van 1587.
Schip in reparatie
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: repairing, caulking, careening (~ ship)
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2228
Panel
Object type: panel
Date: 1701 – 1733
Materials: silk
Subjects: flowers
Lekythos
Object type: lekythos
Date: 500 – 451
Materials: terracotta
Culture: greek, attic
Artist: diosphos painter
Artist role: artist
Subjects: amazons,horses
Sword Scabbard
Object type: sword with scabbard
Date: 1701 – 1900
Culture: persian
Location: iran
Lordly Elevation
Object type: print
Techniques: etching
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: satire,men,mirrors,caricature
Terracotta fragments of closed shapes
Date: 450 – 401
Materials: terracotta
Culture: greek, attic

Three black glaze fragments from closed shapes
White, 3rd Base, Detroit, from the Gold Coin series (N284) for Gold Coin Chewing Tobacco
Object type: baseball card
Date: 1887 – 1887
Techniques: color lithograph, drawing
Artist: d. buchner & co., new york
Artist role: publisher
Artist nationality: american
Artist dates: 1850 – 1900
Subjects: men,baseball,athletes

(Deacon) White, 3rd Base, Detroit, trade card from the "Gold Coin" series (N284), issued by D. Buchner in 1887 to promote Gold Coin Chewing Tobacco. In the American Card Catalog, refers to the series as "Leading Baseball Players, Police Inspectors and Captains, Jockeys, and Actors." The images in this series do not always represent the specific athletes named.
Ploegen in Deli. Systeem Macdonald
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Inscriptions: caption: ‘Ploegen in Deli. Systeem Macdonald’
Arc de Trajan Face Ouest
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Location: timgad
Artist: Anonymous
Subjects: triumphal arch
Inscriptions: number: ‘Fig. XXIII’
Portret van de schilder Jan Hendrik Verheijen
Object type: drawing
Date: 1820 – 1895
Materials: chalk, paper
Artist: gijsbertus craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1810 – 1895
Subjects: utrecht, draughtsman, jan hendrik verheijen, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Mensen in klederdracht in bergdorp
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, cutting, hand coloring, perforating
Subjects: folk costume, regional costume
Inscriptions: number: ‘5’, number: ‘60’
Chariot fastenings from Etruscan biga
Object type: chariot fastening from etruscan biga
Date: 900 – 100
Materials: bronze
Culture: etruscan
Portret van Allard Hulshoff
Object type: print
Date: 1786 – 1811
Materials: paper
Techniques: engraving, etching
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: amsterdam, historical persons, functionaries and dignitaries ~ episcopal protestant churches

Latere staat van de prent gebruikt in: Loosjes, Petrus. Vaderlandsche historie, (...) ten vervolge van Wagenaars Vaderlandsche historie. Amsterdam: Johannes Allart, 1786-1811, dl. 33.
Arc de Triomphe, Parijs
Object type: stereograph
Date: 1857 – 1863
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: triumphal arch
Two Jugs
Object type: ewer
Date: 1660 – 1665
Materials: silver
Location: london
Artist: john cooqus
Artist role: silversmith
Artist dates: 1650 – 1697
Subjects: auricular ornament, lobe style ~ ornament, dragon

Christiaen lived in Utrecht during the British Civil War (1642-1660), but afterwards he returned to London where he worked together with John Cooqus, who married his daughter. Christiaen probably collaborated on the jug at the left. The one at the right, which is less well finished, is
probably solely Cooqus’s work. Kwab ornament is still very prominent in these late pieces.