deem-data/ArtiFact huggingface dataset:
View of Contantinople
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: london
Subjects: city-view, and landscape with man-made constructions, opium-pipe, temple, shrine ~ islam, mohammedanism
Inscriptions: collector's mark: Lugt 2228
Bottle vase with floral scrolls
Object type: bottle vase
Date: 1701 – 1800
Materials: porcelain
Techniques: incising
Culture: chinese
Portrait of a Gentleman
Object type: painting, miniature
Date: 1785 – 1785
Materials: ivory, watercolor
Culture: american
Artist: william verstille
Artist role: artist
Artist nationality: american
Artist dates: 1757 – 1803
Subjects: men,portraits
Reclining Female Nude
Object type: print
Date: 1658 – 1658
Materials: paper
Techniques: drypoint, engraving, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: female nudes

This is one of Rembrandt's most beautiful and understated works. The artist made this print late in his career, by which time he had begun to create remarkable painterly effects never before seen in printmaking, with combinations of velvety drypoint lines, films of ink left on the printing plate, and variously hued papers. This impression was printed on golden toned Japanese paper, which brings an underlying warmth to the dark image.
Genius of Mirth
Object type: sculpture
Materials: marble
Culture: american
Artist: thomas crawford
Artist role: artist
Artist nationality: american
Artist dates: 1813 – 1857
Subjects: musical instruments,boys,dancing

During a visit to Crawford’s Rome studio in 1842, the New Yorker Henry Hicks gave him an order for a sculpture, leaving the theme to the artist’s choosing. Crawford’s selection of a lighthearted youth was likely to please his patron, as images of children at play were especially popular in the mid-nineteenth century. He described his subject as "a boy of seven or eight years, dancing in great glee, and tinkling a pair of cymbals." The sculptor and his contemporaries relished the technical challenges of carving marble; the raised left leg epitomizes the virtuosity they delighted in displaying.
Portret van William Smith, prentverkoper te Londen
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: etching
Subjects: antique dealer (+ graphic arts)
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228
Michael Le Basque, Each Man with a Prisoner, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: prisoners,men

Trade cards from the "Pirates of the Spanish Main" series (N19), issued ca. 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Cypresses
Object type: painting
Date: 1889 – 1889
Materials: canvas, oil
Artist: vincent van gogh
Artist role: artist
Artist nationality: dutch
Artist dates: 1853 – 1890
Subjects: landscapes,cypresses
Schepen op de Marne
Object type: page
Date: 1860 – 1865
Materials: photographic support
Techniques: albumen print
Location: france
Artist: ildefonse rousset
Artist role: fotograaf
Subjects: river, ships (in general), working class, labourers
Fighting Warriors
Object type: drawing and watercolor
Date: 1540 – 1540
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: Anonymous
Artist nationality: Mantuan
RCA Building, Rockefeller Center, New York
Object type: ansichtkaart, prentbriefkaart
Date: 1935 – 1960
Materials: photographic support
Techniques: gelatin silver print
Location: new york city
Artist: samuel gottscho
Subjects: moskou
Inscriptions: annotation

Een foto van het Rockefeller Center op drager.
Rim fragment with head of calf and "stylized trees"
Object type: chalice, cup, lotiform, relief
Date: 1070 – 664
Materials: faience
Location: egypt
View of the Surroundings of Bruges (Vue des environs de Bruges)
Object type: print
Date: 1700 – 1780
Techniques: engraving, etching
Artist: jacques philippe le bas
Artist role: artist
Artist nationality: french
Artist dates: 1707 – 1783
Subjects: roads,men,women,horses,carriages
Strand bij Dover, met badkoetsen en badgasten
Object type: photograph
Date: 1891 – 1891
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: great britain
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: dover (engeland)
Inscriptions: annotation: ‘ouvrage avancée / de l'ouest // Citadelle // B[atter]ie St Martin // Redoute Drop’, inscription: ‘Douvres’, inscription: ‘DOUVRES / Citadelle, Batterie St Martin, redoute Drop, vues de la plage au sud du Château.’, number: ‘4728’, check stamp: ‘FRITH'S / SERIES’

Foto uit een album met 35 topografische foto's van Britse kustplaatsen, waarop in pen militaire verdedigingswerken zijn aangegeven door een Franse militair.
Kindervreugd / of plaatjes voor kleine teekenaars en prentevriendjes; door R. G. Rijkens
Object type: popular print
Date: 1808 – 1844
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: fashion, clothing, harp, clock, fowl (cock, hen, chicken, etc.), education, bird in a cage
Inscriptions: collector's mark: Lugt 2760

Blad met 9 illustraties (genummerd 19-27) bij leesboekjes van R.G. Rijkens. Elk plaatje hoort bij een lesje uit de boekjes "Natuurlijke Lees-Leerwijze". Weergegeven zijn ondermeer kledingstukken, een klok, een vogelkooi met vogel, een dappere haan en een blinde harpspeler. Boven elke afbeelding een nummer en een titel en onder elke afbeelding een vierregelig vers. Links van elke afbeelding staat vermeld bij welke les het plaatje hoort. Gemerkt rechtsboven: C.
Tile from marsh scene
Object type: tile fragment, marsh scene, bird
Date: 1353 – 1336
Materials: faience
Techniques: polychrome
Location: egypt
Subjects: leaves
Arabesken
Object type: ornament print
Date: 1746 – 1800
Materials: paper
Techniques: etching
Location: paris
Artist: kollmann
Artist dates: 1700 – 1799
Subjects: ornament ~ arabesque, vase ~ ornament, standing figure - aa - female human figure
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Vijf scènes met arabesken, staande vrouwen en vazen.
Kunstmatige grot met waterval in de Planten- en Dierentuin te Batavia
Object type: photograph
Date: 1864 – 1908
Materials: cardboard, paper
Techniques: albumen print
Location: batavia
Subjects: cave, grotto, zoological garden, zoo, seen as place where non-domestic animals are kept, garden cascade
Inscriptions: inscription: ‘PHOTOGRAFIEEN VAN NED: INDIE BATAVIA’, inscription: ‘FOTO’

Deze foto zat oorspronkelijk in prentenkabinet RP-F-AA3192.
Portret van Robert Patterson
Object type: photograph
Date: 1853 – 1867
Materials: photographic support
Techniques: albumen print
Artist: ernest edwards
Artist role: fotograaf
Artist dates: 1837 – 1903
Subjects: adult man, historical persons
Inscriptions: name: ‘Photographed by Ernest Edwards, 20, Baker Street. W.’
Queen (Catherine 2nd from Russia), from "Court Game of Geography"
Object type: print
Date: 1838 – 1855
Techniques: engraving, etching, hand coloring
Artist: william and henry rock
Artist role: publisher
Artist nationality: british
Artist dates: 1821 – 1884
Subjects: queens,playing cards
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 400 – 376
Materials: terracotta
Culture: greek, attic

Exterior, head and part of upper torso of draped male to left, with fillet in added white
Twee jongens bij een wasplaats in Frankrijk
Object type: photograph
Date: 1809 – 1883
Materials: photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: public wash house, france

Onderdeel van Album van een Franse amateurfotograaf met opnames van familie, militairen, industrie, landschappen en bezienswaardigheden in Frankrijk.
Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto Ve(nez)iano
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: city-view, and landscape with man-made constructions, landscape with bridge, viaduct or aqueduct, landscape with ruins, aqueduct (~ water supply), rome
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Fragment of a Bowl or Cup
Object type: fragment
Date: 1201 – 1600
Materials: glaze, stonepaste
Techniques: painting
Location: egypt
Subjects: flowers
Gezicht op de haven en Notre-Dame-de-la-Garde in Marseille
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: marseille
Artist: Anonymous
Subjects: harbour, church (exterior), marseille
Inscriptions: number: ‘28’

Onderdeel van Reisalbum met opnames van kunstwerken en bezienswaardigheden in Italië, Griekenland en Frankrijk.
Auf der Düne
Object type: page
Date: 1897 – 1902
Materials: paper
Techniques: photoaquatint
Artist: friedrich victor spitzer
Artist role: fotograaf
Artist dates: 1859 – 
Subjects: dune coast, adult woman, folk costume, regional costume
Siger de Courtrai
Object type: photomechanical print
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: scholar, philosopher, regular clerics, e.g. jesuits, redemptorists
Inscriptions: inscription: ‘Civilisation par les Arts et les Sciences.’
Schepen aan de kade
Object type: print
Date: 1845 – 1847
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: sailing-ship, sailing-boat, pier, quay, wharf
Inscriptions: collector's mark: Lugt 2228

Op de kade staan mensen onder een rij bomen.
Gezicht op de Halvemaansteeg
Object type: photomechanical print
Date: 1800 – 1899
Materials: paper
Techniques: letterpress printing, line block
Artist: Anonymous
Subjects: city-view in general; 'veduta', the usual house or row of houses, street
Inscriptions: collector's mark: ‘8’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Haarlemmerplein, Halvemaansteeg, Handboogstraat, Handelskade, Haringpakkerij, Hartenstraat, Hasseltsteeg (Dirk van), Heerengracht.
Ex libris van J.C. Wirix van Mansvelt
Object type: bookplate
Date: 1923 – 1923
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: dante alighieri, column, pillar ~ architecture, portrait of a writer
Vaucheria dichotoma
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Portret van een meisje, aangeduid als M.P.S.
Object type: album leaf
Date: 1865 – 1880
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, girl (child between toddler and youth)
Inscriptions: inscription: ‘M.P.S.’
Studioportret van Pauline van den Berg met hoed met struisvogelveren en een bontkraag
Object type: carte de visite
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Artist: j. ganz
Artist role: fotograaf
Artist dates: 1872 – 1954
Subjects: batavia, the hague
Inscriptions: name: ‘J. Ganz / 38, Rue de l'Ecuyer / en face des Galeries St. Hubert . / BRUXELLES / MÊME MAISON À ZÜRICH’, inscription: ‘J. GANZ / BRUXELLES.’, inscription: ‘Pau van den Berg’
Portret van Hermanus Boerhaave
Object type: print
Date: 1750 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: hermanus boerhaave, historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 240
Only another mile to camp
Object type: stereograph
Date: 1895 – 1910
Materials: cardboard, photographic support
Techniques: carbon print
Location: philadelphia
Artist: Anonymous
Subjects: hunter
Inscriptions: number: ‘15020’, number: ‘3814’
Twee mannen met honden in het bos
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: forest, wood (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Teapot with Cover
Object type: ceramic
Date: 1730 – 1730
Materials: ceramic, enamel, hard paste porcelain, porcelain
Techniques: gilding
Location: vienna
Artist: du paquier porcelain manufactory
Artist nationality: austrian
Artist dates: 1718 – 1744
Zittende boer met kruik en pijp
Object type: print
Date: 1626 – 1740
Materials: paper
Techniques: etching
Location: netherlands
Subjects: pipe ~ tobacco, opening the door, drinking
Inscriptions: collector's mark: Lugt 2228

Een boer zit rechts naast een tafel, met een kruik en een pijp in zijn handen. Achter de tafel zit een man. Rechts komt een vrouw door de deur de ruimte binnen.
Opgevouwen Carbine camera
Object type: page
Date: 1907 – 1912
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: camera ~ photography
[Grand Army Review, Pennsylvania Avenue, Washington]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: alexander gardner
Artist role: artist
Artist nationality: american, scottish
Artist dates: 1821 – 1882
Subjects: soldiers,american civil war,horses

On May 23 and 24, 1865, two weeks after the president of the Confederacy, Jefferson Davis, was taken prisoner in Georgia, more than 150,000 jubilant soldiers marched up Pennsylvania Avenue as part of the Grand Army Review. To the sounds of bands playing "When Johnny Comes Marching Home," the armies of the Potomac, Tennessee, and Georgia were feted in a victory parade to celebrate the end of the war. Traveling from the newly completed Capitol (seen in the distance) to the main reviewing stand in front of the Executive Mansion, row after row of men passed before Alexander Gardner's stereoscopic camera, positioned just above the heads of the crowd. Posted opposite the Willard Hotel, today still standing at Pennsylvania Avenue and 14th Street, Gardner and several assistants worked to document the event with relatively fast, small plate cameras. The resulting views, in which the soldiers and horses are blurred, were taken from the spectators' level rather than from an ideal vantage point, thus anticipating by twenty years the contingent look of street photography made with hand-held cameras. Statistics would later reveal that four times the number of men who marched in the Grand Army Review had died in the war.
May Belfort, from Treize Lithographies
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 540 – 500
Materials: terracotta
Culture: greek, attic

Interior, reserved tondo with a black glazed circle in the center, which has a smaller circle in middle, with a dot in the center; fragment of a cup type A
Slippers
Object type: slipper
Date: 1885 – 1885
Materials: leather, silk
Culture: french

High quality products are often distinguished by the creativity of their design. With Paris as the capital of fashion in the 19th century, some of the best quality and most novel products came out of its myriad workshops. This pair of slippers features very finely worked embroidery. While embroidered floral motifs are fairly common on shoes, the French knot technique is unusual, being both labor-intensive and not reproducible by machine. The black heel provides a pleasant contrast, and exhibits the topstitched edges only seen on the best women’s shoes.
Assemblée Nationale. Galerie des représentants du peuple (1848)
Object type: print
Date: 1848 – 1849
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: journalist, reporter, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Melkboer praat met een keukenmeid
Object type: drawing
Date: 1754 – 1831
Materials: chalk, paper, watercolor
Techniques: brush
Artist: wybrand hendriks
Artist role: draughtsman, painter, print maker
Artist dates: 1744 – 1831
Subjects: carrying something with yoke, transportation of milk, dog
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Beroep en bedrijf, Mannelijk, Eet- en drinkwaren.
Vrouw, vermoedelijk Maria Magdalena, omhelst de voeten van het dode lichaam van Christus
Object type: photomechanical print
Materials: paper
Techniques: photograph
Subjects: christ's feet are anointed by mary (magdalene)
Inscriptions: number: ‘Vol. 1, No 4, Planche 1.’

Deze prent maakt deel uit van 8 omslagen met 22 tekstbladen en 89 prenten op losse bladen in en tussen de omslagen.
Portret van Karel VII van Frankrijk
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: paris, historical persons, king
Inscriptions: collector's mark: Lugt 2228
Ritratti di persone facette che servono a divertire il pubblico fiorentino
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: lithography
Location: florence
Artist: carlo lasinio
Artist role: painter, print maker
Artist dates: 1759 – 1838
Subjects: man dressed as woman, travesty
Inscriptions: watermark: ‘leeuw in ovaal’, collector's mark: Lugt 2228, collector's mark: Lugt 2760
Vase
Object type: glass
Date: 1850 – 1850
Materials: glass
Techniques: cutting, stain
Location: bohemia
Spontoon
Object type: spontoon
Date: 1701 – 1733
Materials: brass, gold, steel, textile, wood
Culture: italian, savoy
Location: italy
Subjects: coat of arms
Petticoat
Object type: petticoat
Date: 1900 – 1900
Materials: silk
Culture: american
De koninklijke familie op het balkon van het Paleis op de Dam, 1822
Object type: watercolor
Date: 1800 – 1900
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: brussels, square, place, circus, etc., the new-born child shown to the father, court ceremonial, court etiquette, historical persons, historical events and situations, royal palace of amsterdam

De koninklijke familie met de kroonprins (later koning Willem II) en de pasgeboren prins Ernst Casimir op het balkon van het Paleis op de Dam, 1822. Ontwerp voor een prent.
Landschap met huis bij steile rotsen
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: etching
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Inscriptions: date
Cabinet Design with Renaissance style Ornament and Red Interior
Object type: drawing
Date: 1801 – 1900
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: cabinets
Hippopotamus Head
Object type: facsimile, puyemre tt 39, hippopotamus
Materials: paper, paint
Location: egypt
Artist: hugh r. hopgood
Artist role: artist
Subjects: hippos
Aankomst van de prins en prinses van Oranje te Middelburg, 1786
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: middelburg
Artist: mathias de sallieth
Artist role: print maker
Artist dates: 1749 – 1791
Subjects: the hague, william v (prince of orange), berlin, painter, draughtsman, wilhelmina of prussia (princess of orange), public festivities on the occasion of royal events, being welcomed ~ travelling, middelburg
Inscriptions: collector's mark: Lugt 2228

Aankomst van prins Willem V en prinses Wilhelmina van Pruisen en hun kinderen te Middelburg op 18 juni 1786. Illustraties van het bezoek van de prins en prinses aan Zeeland 18 juni - 25 juli 1786.
Market by the Seashore
Object type: painting
Date: 1637 – 1637
Materials: oil, wood
Artist: salomon van ruysdael
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1670
Subjects: men,horses,beaches,boats

On a beach like that at Zantvoort, near Haarlem, small fishing boats are hauled up onto the sand and fishermen unload their catch. Potential customers and idle onlookers gather around. The date on this panel, long read as 1629, is certainly 1637. Some coloring in the dunes has been lost through abrasion of the paint layers, which has partially revealed the light brown ground layer and traces of underdrawing.
Tros rode bessen
Object type: page
Date: 1886 – 1891
Materials: paper
Techniques: photograph
Artist: johannes beyer
Artist role: clichémaker
Subjects: plants (in general)
Inscriptions: inscription: ‘Nach einer Naturaufnahme für pmologische Studien’

Prent op vierde ongenummerde pagina na pagina 627.
Portret van paus Pius VII
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: rome, clergyman, pius vii, (veneration of) devotional objects, historical persons, pope
Ladle
Object type: ladle
Date: 1700 – 1800
Materials: pewter, wood
Culture: american
Location: united states
Metamorfosen van Ovidius
Object type: print
Date: 1636 – 1670
Materials: paper
Techniques: engraving
Artist: crispijn van de passe (ii)
Artist role: draughtsman, print maker
Artist dates: 1594 – 1670
Subjects: acis wooing galatea
Inscriptions: number: ‘74’, annotation: ‘Van Galatea, Atis en Polyphemus. lib. 13.’, collector's mark: ‘Hinloopen’

Deze incomplete serie, bestaande uit 77 van de in totaal 85 prenten met scènes uit Ovidius' Metamorfosen, werd in 1709 samen met Ovidius-illustraties van Tempesta, Goltzius en Le Pautre in één album, Schijnvoet nummer 43, ingebonden. In de negentiende eeuw werd deze band weer uit elkaar gehaald.
The Deluge–The Ark on the Waters, from "Dalziels' Bible Gallery"
Object type: print
Date: 1865 – 1881
Materials: paper
Techniques: engraving
Artist: thomas dalziel
Artist role: artist
Artist nationality: british
Artist dates: 1823 – 1906
Subjects: floods,rain,ships
betaalpenning (token) voor een farthing uit Aberdeen, Schotland
Object type: farthing
Date: 1790 – 1817
Materials: copper
Techniques: striking

Koperen particuliere munt. Voorzijde: kantoorcomplex. Keerzijde: zes- regelig opschrift. Gladde rand.
A River in Ireland
Object type: print
Date: 1864 – 1864
Materials: paper
Techniques: drypoint, etching
Location: england
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Gezicht in Amsterdam met een paard-en-wagen
Object type: sketchbook leaf
Date: 1895 – 1898
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: city-view, and landscape with man-made constructions, horse, civic architecture; edifices; dwellings, (farm) wagon, freight wagon, cart, amsterdam

Pagina 7 uit een schetsboek met 20 bladen.
Venus
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: (story of) venus (aphrodite)
Inscriptions: collector's mark: Lugt 2228

Een beeld van de godin van de liefde Venus, met haar metgezel Amor in een nis geplaatst. Naast hen twee zwanen die gewoonlijk de kar van Venus trekken. Aan de muur tortelduiven en een brandend haart als symbolen voor de liefde en een schelp die herinnert aan Venus geboorte uit de zee. Onder de voorstelling een Latijns onderschrift.
Urbis Venetiarum prospectus celebriores, ex Antonii Canal tabulis XXXVIII aere expressi ab Antonio Vissentini in partes tres distributi. pars secunda
Object type: titelprent, frontispice
Date: 1742 – 1742
Materials: paper
Techniques: etching, letterpress printing
Location: venice
Subjects: abstract ideas and concepts (+ abstract concept represented by female figure), ornament ~ cartouche

Een cartouche met een naakte vrouwenfiguur met schild, helm en boek. Boven een banderol met de tekst: Literarum Felicitas. De prent maakt deel uit van een album.
Portret van de hertog van Argyll, mogelijk John Campbell
Object type: print
Date: 1828 – 1870
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: historical persons, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2228