deem-data/ArtiFact huggingface dataset:
H. Thomas van Aquino
Object type: print
Date: 1680 – 1725
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: thomas van aquino, rome, clergyman, clemens xi, crucifix ~ personal devotion, writing accessories, cheat, deceit; 'fraude', 'inganno' (ripa), the dominican theologian, 'angelic doctor' thomas of aquino; possible attributes: book, (chain with) sun, dove, girdle of chastity, lily, model of church, monstrance (or chalice), mitre (under feet), star (on breast), heresy; 'heresia' (ripa), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

De heilige Thomas van Aquino zit naast zijn schrijftafel. Op de tafel een stapel boeken en een crucifix. In zijn hand houdt hij een schrijfveer. Een engel komt aanvliegen met het model van een kerk, dat wordt beschenen door een lichtstraal uit zijn veer. Achter hem een engel met een opengeslagen boek. Aan zijn voeten liggen drie figuren die Bedrog en Ketterij symboliseren. In de lucht vliegen drie engelen met het portret van paus Clemens XI.
Dragon Vase
Object type: vase
Date: 1662 – 1722
Materials: jade
Culture: chinese
Subjects: dragons
Dish
Object type: platter
Date: 1000 – 1199
Materials: ceramic
Location: china
Artist: Anonymous

This stoneware dish is decorated with a wave motif created by incising and combing the clay. The dish was then provided with a green glaze, called celadon. The depth of the carving determines the range of shades and creates attractive variations in the colour. This kind of olive-green glaze is typical of stoneware from Yaozhou kilns in Shaanxi Province.
Landschap met kar en figuren
Object type: print
Date: 1674 – 1733
Materials: paper
Techniques: engraving, etching
Location: unknown
Artist: jan van huchtenburg
Artist role: draughtsman, painter, print maker
Artist dates: 1647 – 1733
Subjects: war and peace (+ cavalry, horsemen)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘V. Meulen’

Rechts een kar, in het midden een man bij een paard. Links rustende soldaten bij twee bomen, geweren tegen de boom aan. Op de achtergrond cavalerie.
December
Object type: print
Date: 1607 – 1607
Materials: paper
Techniques: engraving
Location: prague
Artist: aegidius sadeler (ii)
Artist role: draughtsman, print maker
Artist dates: 1568 – 1629
Subjects: slaughtered ox or pig, conserving, preserving, e.g.: canning, december and its 'labours' (+ with zodiacal signs)
Inscriptions: collector's mark: Lugt 712

December is de slachtmaand. Centraal staat het slachten van vee en het pekelen van vlees. Middenboven het sterrenbeeld Steenbok. De prent heeft een Latijns onderschrift.
Badge or Harness Pendant
Object type: badge or harness pendant
Date: 1201 – 1300
Materials: copper, enamel, gold
Culture: spanish
Location: spain
Subjects: birds

Heraldry, or coat-of-arms, were vitally important in Europe throughout the Middle Ages and the Renaissance. Heraldic emblems were used to identify noble families, cities, regions, and even countries. In addition to being displayed on shields and flags, heraldry was incorporated into architectural decoration on the interior and the exterior of buildings, on furniture, works of art, clothing, and horse equipment. Harness pendants, like this example, would have been attached to a headstall, bridle, or other straps making up the tack of a horse ridden by a nobleman or noblewoman, or a member of their household. Many harness pendants also have decoration that is simply ornamental, or have symbols that are not specifically heraldic in nature.
Shepherd Dog
Object type: drawing and watercolor
Materials: chalk, paper
Location: england
Artist: after george morland
The Clock-Makers, Paimpol
Object type: print
Date: 1893 – 1893
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Maria als Mater Dolorosa
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: mary pierced by a sword
Inscriptions: collector's mark: Lugt 2228

Maria zit met haar handen gevouwen, een zwaard door haar borst gestoken, in een landschap. In de marge een tweeregelig onderschrift in het Latijn.
Sprei voor wieg, van beschilderde katoen (sits), gevoerd met crème kleurige zijde
Object type: bedspread
Date: 1690 – 1710
Materials: cotton, silk
Location: india
Artist: Anonymous

Sprei voor de wieg, van bischilderde katoen (sits), gevoerd met crème kleurige zijde, zonder tussenlaag; dessin een gestileerd bloemmotief met banden in lichtblauw, rood, donkerrood en lichtbruin, rondom afgezet met rand (één zijde vast, drie zijden aangenaaid).
Railway-Station, Voves
Object type: print
Date: 1888 – 1888
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Covered Box
Object type: covered box
Date: 1201 – 1300
Materials: ceramic glaze, glaze, stoneware
Techniques: inlay
Culture: korean

This sumptuously decorated container, probably used as a cosmetics box, would have held a set of smaller celadon boxes for makeup.
Incense Burner with Openwork Panels
Object type: incense burner
Date: 1820 – 1820
Materials: clay, enamel, glaze, gold
Culture: japanese
O, Caruso!
Object type: print
Date: 1911 – 1911
Techniques: lithograph
Artist: moriz jung
Artist role: artist
Artist nationality: austrian
Artist dates: 1885 – 1915
Subjects: women
Sherd with lug
Object type: sherd
Materials: ceramic
Location: mesopotamia
Cairo - The Pyramids
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1925
Materials: cardboard
Techniques: rotogravure, writing
Location: cairo
Artist: Anonymous
Subjects: quadrangular pyramid, desert, trees: palm-tree
Inscriptions: postage stamp
The Long Room, Custom House
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: interiors,men,women,crowd
Terracotta statuette of a woman seated on a rock
Object type: statuette of a woman
Date: 300 – 201
Materials: terracotta
Culture: greek or south italian
Subjects: women
Tobacco Box
Object type: box
Date: 1816 – 1816
Materials: silver
Culture: american
Location: united states
Artist: john erwin
Artist role: maker
Artist nationality: american
Artist dates: 1806 – 1821
Feline pantomime, plate 73 from The Disasters of War
Object type: print
Materials: gilt, paper
Techniques: engraving, burnishing, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: war
Tantric Female Enlightened Being (Vajrayogini) Holding a Skull Cup
Object type: sculpture
Date: 1701 – 1800
Materials: copper alloy, gilt, silver gilt, silver
Culture: tibetan
Location: tibet

This metal image represents Vajrayogini, an important tantric goddess in Tibetan Buddhism visualized by adepts to aid them in spiritual attainment. Vajrayogini’s contorted face, bared fangs, and garland of skulls evince her fearsome nature. She wears a revealing bone skirt, holds a kapala (skull cup) in her left hand, and displays a khatvanga (scepter) behind her right shoulder. The figure’s attributes and posture accord with representations of Vajrayogini in the Naropa tradition except for the unusual rosary of human heads in her right hand, which normally holds a kartrika (flaying knife).
Portret van Melchior Stör
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: engraving
Artist: christoph melchior roth
Artist role: print maker
Artist dates: 1720 – 1798
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Stör / 961’

Prent uit: Würfel, Andreas. Diptycha ecclesiae Sebaldianae (...). Neurenberg: Christoph Melchior Roth, 1756.
Munchener platen
Object type: popular print
Date: 1843 – 1920
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: munich
Subjects: proverbs, sayings, etc.
Inscriptions: collector's mark: Lugt 2760

Blad met 12 verbeeldingen van spreekwoorden. Onder elke afbeelding het spreekwoord. Genummerd midden onder: Nro. 39. Genummerd rechtsboven: 39.
Mr. Aernout van Citters
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: ambassadeur, aernout van citters
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59. Prent volgens Ver Huell ook gebruikt in: Portraiten van eenige der vermaardste staatsmannen en zeehelden, als toevoeging op: Willem Tiberius Hattinga, Atlas van Zeeland. Amsterdam: Isaak Tirion, 1760.
Sauceboat
Object type: ceramic
Date: 1750 – 1760
Materials: ceramic, earthenware
Techniques: glazing
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 – 
Inscriptions: Mark: "WEDGWOOD" impressed
Environs de Paris - Fontainebleau - Le château - Fontaine de Diane
Object type: stereoscopic photograph
Date: 1893 – 1920
Materials: glass
Techniques: gelatin silver transparency
Location: paris
Artist: Anonymous
Subjects: garden fountain
Inscriptions: number: ‘No 23.550’
Emma Lake op een steigerend paard
Object type: stereograph
Date: 1889 – 1889
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: horse-racing
Inscriptions: company name: ‘Strohmeyer & Wyman Publishers / New York, NY’, company name: ‘Sold only by Underwood & Underwood, Liverpool, New York, Chicago, Toronto, Ottawa, Kas. El Paso, Tex.’, : ‘Copyright, 1889, by Underwood & Underwood’
Dinerend gezelschap in de buitenlucht
Object type: print
Date: 1830 – 1865
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: evening meal, dinner, supper - cc - out of doors, rural housing, e.g. country-house, villa, cottage
Inscriptions: collector's mark: Lugt 2228

Het gezelschap zit buiten onder een afdak bij een villa. Een bediende loopt de trap op naar de ingang.
The Temple of Vespian (Veduta del Tempio di giove Tonante)
Object type: print
Date: 1756 – 1756
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: human figures,buildings,temples
Mrs. Robert Shurlock Sr. (Ann Manwaring)
Object type: painting, drawing
Date: 1801 – 1801
Materials: canvas, paper, pastel
Artist: john russell
Artist role: artist
Artist nationality: british
Artist dates: 1745 – 1806
Subjects: portraits,women

Mrs. Shurlock was the mother of Robert Shurlock, the artist's son-in-law. This portrait of her taking snuff is one of several pastels made by Russell for his daughter's family. The handling of the sitter's face is smooth and even, while her bonnet and dress reveal a more rigorous application of the medium with greater evidence of the artist's stroke.
Portret van Jean-Baptiste Alphonse Kar
Object type: page
Date: 1857 – 1862
Materials: photographic support
Techniques: albumen print
Artist: andré-adolphe-eugène disdéri
Artist role: fotograaf
Artist dates: 1819 – 1889
Subjects: paris, alphonse karr, adult man, historical persons
Inscriptions: inscription: ‘Galerie des Contemporains’
Très Parisien, juin 1922: 1 (Spécimen gratuit) - APRÈS-MIDI
Object type: fashion print
Date: 1922 – 1922
Materials: paper
Techniques: brush, hand coloring, letterpress printing, lithography
Location: paris
Subjects: diadem, tiara (+ women's clothes), dress, gown: evening dress (+ women's clothes), embroidery (ornamentation) (+ women's clothes), dress, gown (tunic) (+ women's clothes), fashion plates
Inscriptions: inscription: ‘(CRÉATION "LA TUNIQUE RADIAH")’, stamp: ‘SPÉCIMEN GRATUIT’, caption: ‘1. - APRÈS-MIDI / Longue tunique en souffle de soie mordoré, entièrement recouverte d'un perlage camaïeu. Robe du soir en Crêpe Georgette gris de fer, richement brodée de perles de cristal en motifs égyptiens.’, title: ‘Très Parisien / Juin 1922’

Creaties van "La Tunique Radiah": Lange tuniek van zijde; avondjapon van grijze crêpe Georgette, geborduurd met Egyptische motieven. Prent uit het modetijdschrift Très Parisien (1920-1936).
Terracotta foot of Hadra hydria (water jar)
Object type: hydria, hadra foot
Date: 323 – 31
Materials: terracotta
Culture: greek, egyptian, alexandria-hadra
Scarab of Hatnefer
Object type: scarab, hatshepsut, hatnefer
Date: 1492 – 1473
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs
Karamono-Style Basket
Object type: basket
Date: 1801 – 1900
Materials: bamboo, rattan
Culture: china or japan
Plate with a bouquet and flower sprays
Object type: service set
Date: 1800 – 1849
Materials: glaze, paint, porcelain
Techniques: firing, forming, turning, vitrification
Location: vienna
Inscriptions: mark: ‘schild/ A/ 30/ 33’

Bord van porselein met een gelobde rand, beschilderd op het glazuur in rood, groen, geel en paars. Op het plat een boeket van verschillende bloemen (o.a. pioenroos) omgeven door losse takjes en op de rand vijf bloemtakken. Gemerkt op de onderzijde met het schild, de letter A en de nummers 30 en 33.
Baltasar Carlos
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: drypoint, engraving, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828

Like Velázquez in the 17th century, Goya was an artist to the Spanish Royal Court. He worked in a variety of media, from tapestry design and painting to printing. While his posthumous fame derived from the satirical series Caprichos and the Disasters of War, he also produced other types of prints. Some of his earliest were reproductive etchings after Velázquez’s much-prized portraits and history paintings. Goya would have seen the originals hanging in the Royal Palace in Madrid (now in the Museo del Prado).
Hungariae Descriptio
Object type: ornament print
Date: 1590 – 1590
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: ornament ~ cartouche, goat

De cartouche is gekopieerd naar een prent van een anonieme graveur naar het ontwerp van Hans Vredeman de Vries, onderdeel van een serie van rolwerkcartouches met grotesken uit circa 1555-1560.
Sharp pointed object
Materials: jade
Location: china
Gezicht op de Munttoren vanaf het Singel
Object type: ansichtkaart, prentbriefkaart
Date: 1882 – 1950
Materials: cardboard, paper
Techniques: photograph, letterpress printing
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment, city-view in general; 'veduta', canal
Inscriptions: collector's mark: ‘13,60A/B’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Oude Schans, Schoutensteeg, Singel (Korte), Singel.
Schapenherders met ezels
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: etching
Location: paris
Subjects: ass, donkey, cattle driving, cattle driver
Inscriptions: collector's mark: Lugt 2228
Vaas met vrouwen
Object type: ornament print
Date: 1788 – 1788
Materials: paper
Techniques: aquatint, etching
Location: rome
Subjects: sitting figure - aa - female human figure, vase ~ ornament
Inscriptions: collector's mark: Lugt 2228

Een vaas met drie meerminnen, arabesken en drie zittende vrouwen staat op een voetstuk met een griffioen en een putto als halffiguur. Aan de bovenzijde een vaas, guirlandes en arabesken.
Charlotte
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: etching, engraving
Location: london
Subjects: adolescent, young woman, maiden, adult woman
Inscriptions: collector's mark: Lugt 2165

Scène uit The Sorrows of Young Werther door Goethe. Charlotte zit buiten. Een jong meisje legt haar armen op Charlotte. Rechts zit een meisje met een boek, links zit een jongen met een fluit.
Footed Bowl
Object type: footed bowl
Date: 1101 – 1300
Materials: stonepaste
Techniques: overglaze, painting
Location: iran
Subjects: human figures
Portret van Eduard Mörike
Object type: page
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: germany
Artist: g.f. krauss
Artist role: fotograaf, lithograaf
Subjects: writer, poet, author
Inscriptions: name
Glass pendant shaped like a jug
Object type: pendant in the form of a vase
Date: 201 – 400
Materials: glass
Culture: roman

Translucent blue, with same color handle; chips in opaque red, yellow, light blue, and white, and translucent blue. Thick, rounded rim; narrow concave neck; squat, globular body; round bottom; loop handle applied to top of body, neck, and underside of rim. Chips applied randomly to body and marvered. Intact; dulling, pitting, and some soil encrustation.
Schelp met resten rode verf
Object type: shell
Date: 1590 – 1596
Materials: shell
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Schelp, verfschelp met resten rode verf.
Gezicht op buitenplaats Rust en Werk
Object type: photomechanical print
Date: 1875 – 1950
Materials: paper
Techniques: line block
Subjects: city-view in general; 'veduta', rural housing, e.g. country-house, villa, cottage, façade (of house or building)
Inscriptions: collector's mark: ‘5’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Amstel buiten de stad, Amsteldijk.
Self-portrait leaning on a stone sill
Object type: print
Date: 1639 – 1639
Materials: chalk, paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn
Inscriptions: collector's mark: Lugt 2925bis, signature and date: ‘Rembrandt f. 1639’, collector's mark: Lugt 573, collector's mark: Lugt 12

In his early self-portraits, Rembrandt often practises rendering light or emotions. By contrast, these later ones are more narrative, because he dresses up in imaginary costumes (e.g. complete with an Oriental sword) or in 16th-century attire. With the latter variant, he aligns himself with celebrated 16th-century artists, such as Lucas van Leyden, Titian or Raphael.
Terracotta fragment of a pot
Object type: pot fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Part of a draped figure to left, wearing a garment with a patterned border; parts of two spears?; the inside has a matte red glaze
Terracotta fragments of undetermined shapes
Object type: undetermined shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragments from undetermined shapes; sheared
Architectural Drawing (recto); Sketch of a Figure (verso)
Object type: drawing
Date: 1701 – 1800
Materials: chalk, graphite, ink, paper, lead
Techniques: pen
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: architecture,buildings,columns
Doorsnede en zijaanzicht van pilaar-voetstukken
Object type: print
Date: 1875 – 1895
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: petrus johannes arendzen
Artist role: draughtsman, print maker
Artist dates: 1846 – 1932
Subjects: sint-janskathedraal

Waarschijnlijk afkomstig uit: J.C.A. Hezenmans, De St. Jans-kerk te 's-Hertogenbosch, uitg. door het Provinciaal Genootschap voor Kunsten en Wetenschappen in Noord-Brabant, 's-Hertogenbosch : Muller, [1895]
Writing Box (Suzuribako) with Books
Object type: writing box
Date: 1701 – 1800
Materials: gold, gold foil, silver
Techniques: cutting, hiramakie, maki-e
Culture: japanese
Subjects: books

Beautifully bound works of literature decorate the top of this box. The two closed books bearing titles are the poetry anthology Zoku gosenshū and "The Autumn Excursion", Chapter 7 of the Tale of Genji; the partially open book quotes from a poetry contest. The illustration in the fully open book shows a scene from "Channel Buoys", chapter 14 of The Tale of Genji.
Portrait of Puvis de Chavannes
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: france
Artist: eugène carrière
Artist role: artist
Artist nationality: french
Artist dates: 1849 – 1906
Fotoreproductie van een prent, voorstellende een portret van Bartolommeo Scala
Object type: photomechanical print
Date: 1880 – 1890
Materials: paper
Techniques: photoaquatint
Location: florence
Artist: Anonymous
Subjects: politician, politician, e.g. party leader
Inscriptions: title: ‘Bartolommeo Scala.’
White cross-lined ware beaker with Nile River scene
Object type: beaker, white cross lined ware, nile river scene
Date: 3650 – 3500
Materials: paint, pottery
Location: egypt
Subjects: animals
Ontwerp voor een secretaire
Object type: design drawing
Date: 1821 – 1821
Materials: ink, paper
Techniques: brush, pen
Location: berlin
Artist: carl wilhelm marckwort
Artist role: draughtsman
Inscriptions: signature and date: ‘W. Marckwort. fecit. 1821.’, inscription: ‘2. Fuβ’

Rechthoekige verdiepte velden, voor- en zijaanzicht, met daaronder een in tweeën gedeelde plattegrond en een maatverdeling.
Ontwerp voor een zonnewijzer
Object type: drawing
Date: 1650 – 1650
Materials: ink, paper, pencil
Techniques: brush, pen
Location: low countries
Artist: Anonymous
Subjects: sundial

Midden links genummerd: Fo 2. Tekening maakt deel uit van een album.
Panel
Object type: panel
Date: 1855 – 1855
Materials: silk
Artist: horace verzier et cie
Artist role: manufactory
Subjects: george washington,napoleon iii,profiles,coat of arms
Projection of Ceiling Over Plan of the Small Theater in the Palace at Caserta
Object type: drawing
Date: 1700 – 1773
Materials: graphite, ink
Techniques: brush, pen, drawing, wash
Artist: luigi vanvitelli
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1773
Subjects: architecture
Part of a RIb of Groined Vaulting
Object type: rib
Date: 1201 – 1300
Materials: stone
Techniques: polychromy
Culture: french or german
Plattegrond van Antwerpen en de Citadel, 1830
Object type: map
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: maps of cities, antwerp
Inscriptions: collector's mark: Lugt 2228

Plattegrond van de stad Antwerpen met de Citadel, na het bombardement door de Nederlanders op 27 oktober 1830. De verwoestingen in de stad bij het arsenaal en entrepot aangegeven door middel van arcereingen. Links in een kader de legenda 1-100.
Portret van Alexander Buys
Object type: album leaf
Date: 1872 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: historical persons
Inscriptions: inscription: ‘Photogr. Atelier/ van/ Wegner & Mottu/ Kalverstraat D 26./ Amsterdam (...)’
Small male figure playing a wind instrument, in profile view, from "Varie Figure Gobbi"
Object type: print
Date: 1621 – 1625
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: musical instruments,men,profiles