deem-data/ArtiFact huggingface dataset:
Harpocrates, Philosophus, Silentii Deus
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: putting a finger to the lips, 'silentium'; 'silentio' (ripa), harpocrates
Inscriptions: collector's mark: Lugt 240

Harpocrates, de god van de stilte, houdt zijn vinger tegen zijn lippen.
Portret van Willem III, koning der Nederlanden
Object type: print
Date: 1887 – 1889
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: willem iii (koning der nederlanden)

Portret van Willem III in een ovaal van lauwertakken. Midden boven een kroon. Op een banderol '1817. WILLEM. III. 1887.'. Vervaardigd ter gelegenheid van de viering van de zeventigste verjaardag van Willem III op 19 februari 1887.
De Singel te Amersfoort
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: tone lithography
Location: amsterdam
Subjects: laundering, canals, waters (in city), city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Deze prent komt uit: Koster, E. 'E. Koster's schetsboek: Nederlandsche Stads- en Havengezichten, uitgegeven onder medewerking van de maatschappij Arti et Amicitiae, Amsterdam, F. Buffa en Zn., e.a.' Amsterdam 1858.
Mannen, vrouwen en kind aan het ontbijt in de openlucht in Algerije
Object type: album leaf
Date: 1895 – 1895
Materials: paper, photographic support
Techniques: daylight paper print
Location: algeria
Artist: marotte (fotograaf)
Artist role: fotograaf
Subjects: breakfast
Inscriptions: inscription: ‘Un dejeuner dans la brousse au 40e Kilom. route de Boghari chez le secretaire de l'Etat Civil 8 k. de Berrouaghia le 7 avril 1895<BR />Marotte’

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.
25 portretten van Thompson, Templey, Domenech, Valentine Petit en Diéterle
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: number: ‘No 212’
Brief aan Philip Zilcken
Object type: letter
Date: 1911 – 1911
Materials: ink
Techniques: pen, printing, writing
Location: amsterdam
Artist: gerard muller
Artist role: draughtsman
Artist dates: 1861 – 1929
Subjects: the hague, draughtsman, philip zilcken, exhibition ~ art, amsterdam
Inscriptions: collector's mark: ‘RPK’
Het Jaar 1804 !!!
Object type: cartoon
Date: 1804 – 1805
Materials: paper
Techniques: etching, hand coloring
Location: netherlands
Subjects: leiden, haarlem, making a testament, balloon flight (sport), notary
Inscriptions: inscription: ‘Geschenk van den H: Mazell te 's Hage sept 1885’

Chaos in het notariskantoor waar Abraham Hopman en Louis Samuel Loude hun testament laten opmaken. Hun vrouwen trekken zich de haren uit het hoofd, op de vloer huilende kinderen. Op de achtergrond de onsuccesvolle pogingen om de luchtballon met hete lucht te vullen op de Overtoom te Amsterdam op 5 juli 1804. Aan de muren hangen platen van eerdere mislukte vluchten van luchtballons. Aan het plafond hangt een vaartuig uitgerust met kanon, roer, vlaggen en een barometer. Hopman en Loude ondernamen op 5 en 6 juli 1804 pogingen om een reis te maken in een luchtballon genaamd 'Lust tot Onderzoek'. Uiteindelijk is de luchtballon zonder passagiers opgelaten. Zie ook de pendant.
Bremen
Object type: photograph
Date: 1890 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: bremen
Subjects: townhall, other rooms
Inscriptions: inscription: ‘L.O. Grienwaldt/ Bremen/ 1890’, inscription: ‘Rathhaussaal. (No. 12.)’
Henry Durant, Inspecteur général des Charbonnages patronnés par la Société Générale pour favoriser l'Industrie nationale. Bruxelles
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons
Kasteel Bouvigne bij Breda
Object type: drawing
Date: 1729 – 1729
Materials: ink, paper, pencil
Techniques: pen
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: castle, rural housing, e.g. country-house, villa, cottage
Inscriptions: inscription: ‘Boeveleijde / 8 aug 1729’
Schotel, beschilderd met waterlandschappen
Object type: platter
Date: 1756 – 1756
Materials: faience
Location: delft
Artist: Anonymous
Inscriptions: date: ‘1756’

Schotel van faïence, veelkleurig beschilderd met waterlandschappen.
Begrafenis van China's Keizer en Keizerin-weduwe
Object type: cartoon
Date: 1908 – 1908
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: cixi (keizerin-regentes van china), personifications of countries, nations, states, districts, etc., cortege, funeral procession, political caricatures and satires, china

Vertegenwoordigers van de grote mogendheden lopen in de begrafenisstoet van keizer Guangxu en keizerin Cixi, overleden op 14 en 15 november 1908. Vanaf een verhoging zien de jonge prins Puyi (keizer Xuantong) en een Mandarijn toe, bezorgd over de inhaligheid van andere landen.
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 100
Materials: glass
Culture: roman

Translucent blue green. Flaring, uneven rim, with beveled lip; cylindrical neck expanding downwards with tooling marks around base; conical body; thick concave bottom. Intact; pinprick and larger bubbles, and blowing striations; slight pitting and faint iridescence on exterior; thick encrusted weathering and brilliant iridescence on interior.
Mackerel, from Fish from American Waters series (N39) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: fish

Trade cards from the "Fish from American Waters" series (N39), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Brief aan Philip Zilcken
Object type: letter
Date: 1867 – 1930
Materials: ink, paper, pencil
Techniques: pen, writing
Subjects: painter, draughtsman, philip zilcken, money
Inscriptions: collector's mark: ‘RPK’, watermark
Footed dish
Object type: footed dish
Date: 1601 – 1650
Materials: earthenware
Techniques: glazing
Subjects: putti
The Flagellation; (reverse) The Madonna of Mercy
Object type: painting, processional banner
Date: 1540 – 1540
Materials: canvas, oil
Artist: girolamo romanino
Artist role: artist
Artist nationality: italian
Artist dates: 1484 – 1560
Subjects: men,christ,virgin mary,saints

Romanino painted this expressive depiction of the flagellation of Christ as a processional banner for a confraternity, or lay religious group, in Brescia, a city not far from Milan. Contemporary German prints, which circulated widely in northern Italy, inspired its dramatically compressed composition and the vehemence of the brutish executioners. Caravaggio, the groundbreaking artist of the next generation, spent his formative years in the region and almost certainly knew and admired this painting. On its reverse, now unfortunately somewhat damaged, Romanino painted the Madonna of Mercy surrounded by kneeling members of the confraternity. For an image of the reverse, visit its collection record at The Met website.
Prenten toegevoegd aan de serie Evénemens de Bruxelles, Anvers (...) (1831)
Object type: print
Date: 1830 – 1831
Materials: paper
Techniques: lithograph
Location: brussels
Artist: pierre simonau
Artist role: printer
Subjects: street-fights, riots, brussels
Inscriptions: collector's mark: Lugt 2228

Gevechten tussen de Nederlandse troepen en de Belgische opstandelingen bij de Place Royal in Brussel, september 1830. Centraal wordt een gewonde militair door een kameraad ondersteund. Onderdeel van een groep van prenten uit verschillende andere series verwant aan de platen in het recueil over de gebeurtenissen tijdens de Belgische Revolutie in Brussel, Antwerpen en andere steden in de periode 25 augustus 1830 tot 27 maart 1831.
High-footed bowl
Object type: bowl
Date: 501 – 700
Materials: pewter
Culture: sasanian
Location: iran
Gezicht op Hampton Court Palace te Londen gezien vanaf de zuidzijde
Object type: print
Date: 1700 – 1799
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Artist: Anonymous
Subjects: garden, palace
Cup and saucer
Object type: cup and saucer
Date: 1740 – 1750
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: human figures,firearms
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: waves,boats

The breathtaking composition of this woodblock print, said to have inspired Debussy’s La Mer (The Sea) and Rilke’s Der Berg (The Mountain), ensures its reputation as an icon of world art. Hokusai cleverly played with perspective to make Japan’s grandest mountain appear as a small triangular mound within the hollow of the cresting wave. The artist became famous for his landscapes created using a palette of indigo and imported Prussian blue.
Details van de architectuur van het Muiderslot
Object type: sketchbook leaf
Date: 1866 – 1868
Materials: paper, pencil
Location: muiden
Artist: isaac gosschalk
Artist role: draughtsman
Artist dates: 1838 – 1907
Subjects: other architectural details
Inscriptions: annotation: ‘[...] Muiderslot’

Blad 63 recto uit een schetsboek met 67 bladen.
La Vera Perfettione del Disegno di varie sorti di recami, page 14 (verso)
Object type: book print ornament architecture
Date: 1567 – 1567
Techniques: woodcut
Artist: giovanni ostaus
Artist role: publisher
Artist nationality: italian
Artist dates: 1507 – 1607
Subjects: flowers

Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice. From top to bottom, and left to right: Design composed of 6 horizontal registers that are printed upon a grid. First register is decorated with a wavy vine of flowers. Second register is decorated with a pattern of curving leaves. Third register is decorated with a pattern of overlapping 'balloon' shapes. Fourth register is decorated with a vine of minimalist 3-petaled flowers. Fifth register is decorated with a linear pattern. Bottom register is decorated with a pattern of minimalist 4-petaled flowers.
Vrouw met jachthonden en pijl met twee putti en een hertenkop
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: etching, letterpress printing
Location: venice
Subjects: hunting dogs, archer's weapons: arrow, (scenes from) specific works of literature: tasso, gerusalemme liberata

Prent uit: Tasso, Torquato. La Gerusalemme liberata di Torquato Tasso con le figure de Giambatista Piazzetta. Venetië: Giambatista Albrizzi, 1745.
The Death of the Giant Shankachura: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu)
Object type: folio
Date: 1680 – 1690
Materials: ink, paper, watercolor
Culture: indian
Subjects: women,krishna,hinduism,death

As the songs of Krishna were driving the gopis (female cowherds) wild with delight, the giant Shankachura, a minion of the god of wealth Kubera, appeared and led them away. They appealed to Krishna, who, with his brother, Balarama, uprooted two teak trees and charged the villain. Krishna killed him with a single blow and took the jewel from his head. In the text, he hands it to his brother, but here he appears to be giving it to his beloved, Radha.
Palampore
Object type: bed covering
Date: 1725 – 1750
Materials: textile, cotton, linen
Location: india
Artist: Anonymous

This type of large cloth was usually thrown over a bed, stretched behind it, or hung throughout the room. It was known in Europe as a ‘palampore’, a name derived from the Persian and Hindi (India’s official language) ‘palangposh’. This cloth is decorated with the floweringtree
motif.
Head of Hathor
Object type: head, hathor
Date: 1981 – 1640
Materials: pottery
Location: egypt
Subjects: heads,hathor
Camera Obscura
Object type: photograph
Date: 1840 – 1840
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Sculptuur aan het portaal van de Dom van Bamberg, voorstellende Abraham
Object type: photograph
Date: 1896 – 1896
Materials: cardboard, photographic support
Techniques: daylight paper print
Location: bamberg
Artist: bernhard haaf
Artist role: fotograaf
Subjects: church (exterior), story of abraham, sculpture, façade (of house or building)
Inscriptions: collector's mark: ‘INSTITUUT VOOR KUNST- <BR />NIJVERHEIDSONDERWIJS <BR />GABRIËL METSUSTRAAT No. 16. <BR />AMSTERDAM’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL <BR />QUELLINUS <BR />AMSTERDAM <BR />FRANS HALSSTRAAT 14.’, number: ‘XII.’, inscription: ‘CWN.’, inscription: ‘Romaansche Kunst - Duitschland. <BR />Dom te Bamberg . ,,Fürstenportal.''<BR />Ornamenteele gedeelte zeer gerestaureerd.’
Part of Springing or Arch near South West Angle
Object type: page
Date: 1860 – 1865
Materials: paper, photographic support
Techniques: albumen print
Location: tempelberg
Artist: james mcdonald
Artist role: fotograaf
Artist dates: 1822 – 1885
Subjects: wailing wall ~ jewish religion, city-walls
Inscriptions: inscription: ‘a’, inscription: ‘b’
Apollo van Belvedère in de Vaticaanse Musea te Vaticaanstad
Object type: page
Date: 1863 – 1873
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: (story of) apollo (phoebus), sculpture
Falstaff at Herne's Oak (Shakespeare, Merry Wives of Windsor, Act 5, Scene 5)
Object type: print
Techniques: etching, engraving
Artist: michele beneditti
Artist role: engraver
Artist nationality: british, italian
Artist dates: 1745 – 1810
Subjects: shakespeare,men,women

Bunbury's "Shakespeare" consisted of twenty-prints published between 1792 and 1797, issued periodically in sets of four. The publisher Thomas Macklin was inspired by the success of Boydell's Shakespeare Gallery to open a rival Poets Gallery in 1787. He then commissioned a set of large watercolors from Bunbury of comic Shakesperean subjects with related prints issued by subscription. The artist was the younger son in an old gentry family who had amused fellow students with comic drawings at Westminster School in London, then at Cambridge University. He became a friend of Thomas Rowlandson, who etched many Bunbury designs. Most of Bunbury's income came, however, from army positions and the patronage of the Duke of York, whom he served as equerry. The Shakespeare series of watercolors rank among the artist's most ambitious and soon belonged to the Duchess of York. Michele Bennediti, a follower of Francesco Bartolozzi, produced this stipple engraving of a famous scene near the end of "The Merry Wives of Windsor." The housewives Mrs. Ford and Mrs. Page have arranged to meet Falstaff in Windsor Forest at night. He hopes to seduce them, and is unaware of their elaborate scheme to fend off his repeated and unwelcome attentions.
Bodhisattva
Object type: relief fragment
Date: 301 – 500
Materials: plaster
Culture: afghan
Subjects: gandharan,buddhism,bodhisattvas

Elaborate tasseled headdresses are found at sites in the Gandharan region, in the Kucha kingdom, at related sites such as Tumshuq, and in northwest China. They are generally worn by bodhisattvas, beings that have attained enlightenment but choose to remain accessible to devotees.
Onbekende mannen te paard in het water
Object type: photograph
Date: 1881 – 1886
Materials: paper
Techniques: collodion silver print
Subjects: historical persons, animal mounts; pack-animals
Inscriptions: inscription: ‘Bulletin de l'association belge de photographie / Schloss-Gronenbach (Bavière )’, inscription: ‘Concours de négatifs 1885’
Architectuurstudie en twee figuren
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: anatomy (non-medical), architecture

Pagina 89 uit een schetsboek met 58 bladen.
Fanny Ward, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Plate
Object type: plate
Date: 1770 – 1830
Materials: earthenware
Culture: american
Location: united states
The Holy Spirit Surrounded by a Wreath of Flowers Held up by Infant Angels
Object type: drawing
Date: 1632 – 1698
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: giovanni battista merano
Artist role: artist
Artist nationality: italian
Artist dates: 1632 – 1698
Subjects: wreaths,angels
Messenheft met grotesken, onderaan een gehurkte sater die op een panfluit blaast
Object type: ornament print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: germany
Artist: johann theodor de bry
Artist role: print maker
Artist dates: 1561 – 1623
Subjects: ornament ~ grotesque, chastity, panpipes, satyr(s) (in general), 'castità matrimoniale', 'fede maritale', 'matrimonio' (ripa)

Bovenaan een allegorie op het huwelijk uit kuise liefde. Een van 4 bladen, elk met één ontwerp voor de voorzijde van een heft, geflankeerd door twee halve ontwerpen voor de de achterzijde. De teksten op de achterzijde hebben betrekking op de voorstellingen aan de voorzijde.
Man met ezel in een landschap
Object type: print
Date: 1766 – 1815
Materials: paper
Techniques: etching
Subjects: trees, ass, donkey, landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228

Man met ezel op een landweg. Links bomen.
Balmoral Castle, from the south
Object type: photograph
Date: 1858 – 1868
Materials: photographic support
Techniques: albumen print
Location: aberdeen
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: castle
Zittende vrouw met japon en gespreide armen
Object type: drawing
Date: 1890 – 1890
Materials: paper
Artist: charles haslewood shannon
Artist role: draughtsman, print maker
Artist dates: 1865 – 1937
Subjects: sitting figure - aa - female human figure

Zittende vrouw, met wijd uitgespreide japon en gespreide armen; het hoofd niet geheel geschetst.
Portrait of Morose Man in Half-Length
Object type: drawing
Date: 1591 – 1666
Materials: ink
Techniques: pen
Artist: guercino (giovanni francesco barbieri)
Artist role: artist
Artist nationality: italian
Artist dates: 1591 – 1666
Subjects: men,portraits
William Oughtred (frontispiece from William Oughtred's "The Key of the Mathematicks New Forged and Filed," 1647)
Object type: print
Date: 1644 – 1644
Techniques: drypoint, etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: men,portraits

Portrait of William Oughtred, rector and mathematician, half length, aged 73, wearing skull-cap, collar and gown, and holding a book.
Cylinder seal
Object type: cylinder seal
Date: 2000 – 1750
Materials: stone
Culture: isin-larsa
Location: mesopotamia
Sparrows on Millstones with Hagi Bushes
Object type: print
Date: 1797 – 1797
Techniques: woodblock print, surimono
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Portret van Johann Andreas Danz
Object type: print
Date: 1727 – 1733
Materials: paper
Techniques: engraving
Location: hamburg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Vlucht naar Egypte
Object type: print
Date: 1582 – 1586
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: dale, valley, ornamental birds, flight into egypt and miracles during the journey, beasts of prey, predatory animals: weasel (+ ornamental variants of animals), he-goat, billy-goat (+ animals used symbolically), flowers ~ ornament
Inscriptions: collector's mark: Lugt 2228

Heuvenlandschap. Op de voorgrond Jozef met Maria en kind op een ezel. Ze zijn op de vlucht voor de soldaten van Herodes. De prent heeft een ornamentlijst met bloemen en dieren. Hij maakt deel uit van een vierentwintigdelige serie van landschappen met Bijbelse, mythologische scènes en jachttaferelen.
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Draped, bearded man to right, wearing a chlamys and petasos
Klein schippersgilde van Rotterdam, gildepenning met no. 93
Object type: medal
Date: 1645 – 1645
Materials: brass
Techniques: engraving
Location: rotterdam
Artist: Anonymous
Subjects: rotterdam

Messing penning. Voorzijde: naar links varend zeilschip; in de zielen: letters I, H en B. Keerzijde: opschrift: N.O. 9.3, de letters H, W, V en S boven jaartal
The Island of San Michele, Venice
Object type: painting
Date: 1770 – 1779
Materials: canvas, oil
Artist: francesco guardi
Artist role: artist
Artist nationality: italian
Artist dates: 1712 – 1793
Subjects: towers,cities,boats,venice

Guardi’s views of Venice differ from those of Canaletto in that they are less detailed descriptions of individual buildings than attempts to convey the magic of the city, enveloped—as here—in a diaphanous, silvery light. This painting shows the cemetery island of San Michele with its early Renaissance church, designed by Mauro Codussi in 1469, at center. Flanking the church are the domed Cappella Emiliani and the Gothic bell tower on one side and the (former) Camaldolensian monastery on the other.
The Humpbacked Violinist
Object type: print
Date: 1610 – 1685
Techniques: etching
Artist: adriaen van ostade
Artist role: artist
Artist nationality: dutch
Artist dates: 1610 – 1685
Subjects: children,men,women,daily life,musicians
Bokaal met hartvormige uitsparingen met sterren
Object type: goblet
Date: 1725 – 1750
Materials: glass
Techniques: glassblowing
Location: bohemia
Artist: Anonymous

Conische voet. Holle gefacetteerde, balustervormige stam met twee knopen en een samengestelde schijf. Trechtervormige kelk met gefacetteerde, afgeronde bodem. Op de kelk vier hartvormige uitsparingen met geslepen sterren. Tussen de punten van de sterren ranken met bessen. De uitsparingen worden bekroond met twijgen.
Woman's necktie
Object type: necktie
Date: 1870 – 1880
Materials: metal thread, silk
Subjects: flowers
Scene from the Legend of the True Cross
Object type: relief
Date: 1351 – 1400
Materials: stone
Culture: dutch or french
Subjects: men,horses,knights

Enthusiasm for embarking on Crusade waned during the fourteenth century, notwithstanding the celebration of past efforts of Christians to secure the Holy Land and its treasures in works of art like this, in which knights on horseback breach the walls of Jerusalem in quest of the True Cross.
Untitled (Group Portrait of Miners)
Object type: photograph
Date: 1870 – 1870
Techniques: photography, tintype
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits: multiple subjects, portraits: male subject, portraits, portrait, mines, men, male, gold rush, gold mining
Writing the Emancipation Proclamation (from Confederate War Etchings)
Object type: print
Date: 1861 – 1863
Techniques: etching
Artist: adalbert john volck
Artist role: artist
Artist nationality: american
Artist dates: 1828 – 1912
Subjects: american civil war,abraham lincoln,men,writing,desks