deem-data/ArtiFact huggingface dataset:
Couplet
Date: 1634 – 1666
Materials: ink, paper
Culture: chinese
Artist: zhou lianggong
Artist role: artist
Artist nationality: chinese
Artist dates: 1612 – 1672

You may have your method; As for me, I love my hut. This pithy verse by Zhou Lianggong may be taken as a mission statement for the recluse: regardless of what society may wish from you, inner peace is to be found at home, behind a closed gate, in a life of self-cultivation. In his lengthy career of service to the Ming and Qing dynasty governments, Zhou enjoyed great heights of success and suffered terrible depths of persecution, so his understanding of the appeal of withdrawal was well-earned.
Portret van Johann Kambli
Object type: print
Date: 1576 – 1576
Materials: paper
Techniques: engraving, etching
Subjects: mayor, historical persons
Inscriptions: date
Hoemen sonnewijser sal macken tegen een muer die voorover gaet ofte achter over gaet (...)
Object type: album leaf
Date: 1650 – 1650
Materials: ink, paper, pencil
Techniques: brush, pen
Location: low countries
Artist: Anonymous
Subjects: sundial
Illuminatie voor het huis van Jan Jacob de Bruyn te Amsterdam, 1788
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: william v (prince of orange), jan jacob de bruyn, bonfire, fire-works (+ illumination, fire-works ~ festive activities), amsterdam
Inscriptions: collector's mark: Lugt 2228

Illuminatie aangebracht voor het huis van Jan Jacob de Bruyn aan de Keizersgracht te Amsterdam. Genummerd bovenaan: IX. Onderdeel van een reeks van twaalf platen van de illuminaties en decoraties te Amsterdam op de 40ste verjaardag van prins Willem V op 8 maart 1788.
Portret van Hendrik Busserus
Object type: drawing
Date: 1766 – 1766
Materials: chalk, paper
Artist: julius henricus quinkhard
Artist role: draughtsman, painter, print maker
Artist dates: 1734 – 1795
Subjects: hendrik busserus, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Spoon
Object type: spoon
Date: 1701 – 1800
Materials: brass, coral, mother of pearl, wax, wood
Design for Extension Top Park Phaeton, no. 3487
Object type: drawing
Date: 1879 – 1879
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gants de Suède
Object type: print
Date: 1890 – 1890
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Man houdt een fles drank in de lucht in gezelschap van vier vrouwen
Object type: drawing
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: hans borrebach
Artist role: draughtsman
Artist dates: 1903 – 1991
Subjects: eyeglasses, spectacles, arm raised upward, dancing, alcoholic drinks
Inscriptions: signature: ‘HANS./ BORREBACH’, collector's mark: Lugt 2228a, :, annotation: ‘16 bz/ 111/ "Vooruit kinderen, à la dance! Bonheur aux Dames."’

Een oudere man met een snor en muts staat bij een tafel en steekt beide handen in de lucht. In één hand houdt hij een fles drank. Een oudere vrouw aan tafel kijkt naar hem met een lorgnet in de hand. Drie jonge vrouwen dansen om het gezelschap heen.
Gezicht op een kerk te Lauterbrunnen, met op de achtergrond de Staubbachwaterval
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: lauterbrunnen
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: waterfall, church (exterior)
Inscriptions: number: ‘294.’, inscription: ‘Views of Switzerland, photographed by W. England. (Registered) Under the Special Patronage of the Alpine Club.’
The Summer Palace, Peking / Vues du Palais d'Eté de Pékin / Vista del Palacio de Verano, Pekin
Object type: ansichtkaart, prentbriefkaart
Date: 1974 – 1974
Materials: cardboard
Techniques: offset printed
Location: beijing
Subjects: palace, lake, bridge
Anthony's photographic bulletin
Object type: book
Date: 1893 – 1893
Materials: paper, photographic support
Techniques: printing
Location: new york city
Boudet
Object type: photograph
Date: 1866 – 1866
Techniques: albumen silver print, glass negative
Artist: andré-adolphe-eugène disdéri
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1889
Subjects: portraits,women
Antonio Zingano, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence)
Object type: print
Date: 1611 – 1619
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Flounce (one of a pair)
Object type: flounce
Date: 1801 – 1900
Techniques: lace
Artist: georges martin (compagnie des indes)
Artist role: maker
Artist dates: 1800 – 1900
Subjects: flowers
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic
Armorer's Hammer
Object type: armorer's hammer
Date: 1701 – 1900
Materials: iron, wood
Culture: french or german
Location: germany

This hammer is among the 644 pieces that make up the very specialized outillage (set of tools) brought from Paris to New York by the armorer Daniel Tachaux (1857–1928) in 1909, when he was hired to repair and maintain the Museum’s arms and armor collection. Hammer heads and stakes of many different sizes, shapes, and weights are necessary to create the complex forms of different weapons and pieces of armor. Tachaux trained in Paris under the German armorer Ludwig Klein (about 1830–1882) and inherited his teacher’s tools, which he combined with his own. The set, possibly the most complete of its kind in existence, was purchased by the Metropolitan Museum in 1912 at the request of the Arms and Armor Department's founding curator Bashford Dean.
Pair of finials
Object type: finial
Date: 1801 – 1833
Materials: gilt bronze
Subjects: female nudes

Presumably intended to represent a river nymph, the mermaid holds a vase with streaming water.
Passie van Christus
Object type: book illustration
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: london
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Prent opgenomen in: The Office Of The Holy Week According To The Missall And Roman Breviary. Printed by the Widow Chrestien, 1670, p. 486. Prent tevens opgenomen in latere uitgave: The Compleat Office of the Holy Week. Londen: Matthew Turner, 1687.
Carpet Fragment
Object type: textile
Materials: wool
Techniques: cutting, weave
Location: egypt
Pendant in the form of a swan
Object type: pendant
Date: 1501 – 1600
Materials: gold, pearl
Techniques: enamel
Subjects: swans

The size of this jewel and related ones (see also 17.190.892; 32.100.298; 32.100.306; and 41.100.26) is such that only the closest viewer could appreciate their full beauty and dexterous execution; they represent the finest craftsmanship for the wealthiest patrons. Each combines gold with natural treasures, such as pearls and gemstones. Bulbous baroque pearls cleverly suggest the fluffy down of a swan’s underbelly or a cloudy mass supporting the Crucifixion. Tiny figures are enameled in the round. Melding the secular and the sacred, these jewels were made to be worn: pinned to garments or hanging close to their owners’ skin. The animals might be heraldic devices; the swan, for example, could symbolize the Society of the Virgin Mary, called the Order of the Swan, which was founded in mid-fifteenth-century Brandenburg in Germany. [Elizabeth Cleland, 2017]
Terracotta pelike (jar)
Object type: pelike
Date: 470 – 470
Materials: terracotta
Culture: greek, attic
Artist: altamura painter
Artist role: artist
Subjects: shields,men,women,warriors

Obverse and reverse, libation at the departure of a young warrior Vases are invaluable sources of evidence for Athenian practices. Here, for instance, it is noteworthy that both the woman and the warrior are holding a phiale from which to pour a libation. Artistically, it is also apparent that the Altamura Painter used the shield to experiment with effects of perspective and foreshortening.
Egyptenaren op een straathoek in Luxor
Object type: sketchbook leaf
Date: 1919 – 1919
Materials: chalk, paper, watercolor
Techniques: brush
Location: luxor
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: africans, street (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

Pagina 24 uit een schetsboek met 28 bladen.
Saucer with the arms of the Romswinckel family
Object type: platter
Date: 1765 – 1770
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Schotel van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, geel, zwart en goud. Op het plat van de schotel het wapen van de familie Romswinckel. Het wapen heeft een rode achtergrond met drie concentrische gouden ringen. Het helmteken is een kroon met daarboven drie ringen en pluimen. Het dekkleed bestaat uit bladranken. Op de binnenrand een decoratieve band met traliewerk en bladranken met gestileerde bloemen. Twee barsten in de wand van de schotel. Wapenporselein met emailkleuren.
Academie van beeldhouwer Baccio Bandinelli
Object type: print
Date: 1533 – 1567
Materials: paper
Techniques: engraving
Location: italy
Subjects: baccio bandinelli, piece of sculpture, reproduction of a piece of sculpture, candle, student, draughtsman studying classical remains, place or institution of education and training of the artist, e.g.: academy of art
Inscriptions: collector's mark: ‘Hinloopen’, collector's mark: Lugt 11, collector's mark: Lugt 10

Toegewijde nachtelijke studie met het accent op het tekenen is ook in de tweede prent van de 'Academia' van Bandinelli het centrale thema. Het studiemateriaal is hier echter uitgebreider: naast de sculptuur zijn er beenderen, skeletten en boeken aanwezig. Het tekenen naar skelet werd beschouwd als de enige manier om de menselijke figuur zonder fouten te kunnen afbeelden. De stapel boeken op de plank weerspiegelt het ideaal van de kunstenaar als geleerde. Geen van de figuren tekent naar model: ze zijn zó ver gevorderd dat ze nu in staat zijn uit het hoofd te tekenen naar hun eigen idee.
Boer tussen twee koeien bij een ruif in een stal (grote variant)
Object type: print
Date: 1860 – 1894
Materials: paper
Techniques: etching
Location: the hague
Artist: jan vrolijk
Artist role: draughtsman, painter, print maker
Artist dates: 1846 – 1894
Subjects: cow, farmers, stall, stable
Inscriptions: collector's mark: Lugt 2228
Vrouw in profiel in inheemse kleding met lange vlechten
Object type: photograph
Date: 1880 – 1900
Materials: paper
Techniques: albumen print
Artist: Anonymous

Vrouw in profiel in inheemse kleding met lange vlechten.
The Tournament with Lances
Object type: woodcut, print
Materials: ink, paper
Culture: german
Location: germany
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: men,women,horses
Cartouches Nouvellement Inventez par J.B. Toro
Object type: album print ornament architecture
Date: 1716 – 1716
Techniques: etching
Artist: jean bernard toro
Artist role: designer
Artist nationality: french
Artist dates: 1672 – 1731
Subjects: cartouches
Inktstel van veelkleurig beschilderde faïence
Object type: inkstand
Date: 1750 – 1775
Materials: faience
Techniques: kiln, painted, polychromy
Location: delft
Artist: Anonymous
Inscriptions: collector's mark: ‘collection J.F. Loudon’

Inkstand. Faience. Delft, c. 1750 - 1775. Given by the heirs of John F. Loudon, 1916.
Savoy Pigeons
Object type: print
Date: 1896 – 1896
Materials: ink, paper, stone
Techniques: printing, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: bridges,pigeons
Bon. Méneval
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Covered bottle with cloud scrolls
Object type: bottle
Date: 1301 – 1400
Materials: silver
Techniques: incising
Culture: chinese
Scarab: Sobekhotep
Object type: costume and accessory
Materials: glaze, stone
Techniques: glazing
Culture: egyptian
Location: egypt
Subjects: hieroglyphs, crocodiles, insects
Inscriptions: Sobek-hotep
Ex libris van J.P. Lettinga
Object type: bookplate
Date: 1942 – 1942
Materials: paper
Techniques: printing block
Location: netherlands
Artist: jan elffers
Artist role: print maker
Subjects: container of ceramics: jar, jug, pot, vase
Inscriptions: signature and date: ‘J. Elffers - '42’
Embroidered sampler
Object type: sampler
Date: 1761 – 1761
Materials: linen, silk
Techniques: embroidery
Subjects: deer,plants
Blad 4 uit Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel II (1930-1949)
Object type: album leaf
Materials: paper, photographic support
Techniques: photography, printing, writing
Location: the hague
Artist: Anonymous
Subjects: further education (+ pupil), further education, the hague

Twee pagina's met gegevens van de deelnemers aan de 26e driemaandelijkse cursus van 6 januari 1930 tot en met 4 april 1930, stamboeknummers 544 tot en met 548. Onderdeel van Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel II (1930-1949).
Study for a second edition, never published, of Colle's "La Partie de Chasse de Henri IV", Act I, Scene 6
Object type: drawing and watercolor
Date: 1766 – 1766
Materials: graphite, ink, paper
Techniques: incising, pen, transfer
Location: france
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Fragment of a shirt
Object type: textile
Date: 1776 – 1800
Materials: linen, metal, silk
Subjects: flowers

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg.
Kabinet met bloemdecoraties
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: europe
Artist: Anonymous
Subjects: cupboard, flowers ~ ornament, europe
Inscriptions: number: ‘(Kat 108’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, number: ‘90’, number: ‘XXXVIII’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’
De Heerengracht over de Warmoesgracht
Object type: photograph
Date: 1860 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: bridge in city across river, canal, etc.
Ruiter en meisje op bankje
Object type: print
Date: 1966 – 1966
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: aat verhoog
Artist role: print maker
Artist dates: 1933 – 
Inscriptions: signature: ‘Aat Verhoog’

Ruiter (Nietzsche) rechts en meisje op bank links. Drie staande vrouwen vóór de bank.
Deel van de gevel van de Sint-Janskathedraal te 's-Hertogenbosch
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: den bosch
Artist: antonius godefridus schull
Artist role: fotograaf
Artist dates: 1819 – 1896
Subjects: church (exterior), façade (of house or building)
Inscriptions: collector's mark: Lugt 3937, name: ‘A. G. SCHULL’
Portret uit archief Philip Zilcken
Object type: print
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Habiti antichi, et moderni di tutto il mondo...
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: pirate, corsair, buccaneer, asiatic races and peoples: turks

Turkse piraat, gekleed in een lange schoudermantel waaronder een wambuis en broek. Muts met punt op het hoofd.
Franse krijgsgevangenen
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: occupation ~ war, prisoner of war (after the battle), france

Franse krijgsgevangenen, de meesten zitten op de grond. Op de achtergrond zijn een paar Duitse militairen te zien. De winkels hebben opschriften in het Frans.
My Beloved Son
Object type: photograph
Techniques: albumen print
Location: england
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: portraits, portraits: male subject, photography
Portret van een meisje in tule
Object type: photograph
Date: 1856 – 1856
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: historical persons - bb - woman
Piktouw, in rol
Object type: rope
Date: 1590 – 1596
Materials: fiber
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck
Cup with a border of grapevines and flowers
Object type: cup
Date: 1800 – 1824
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: paris
Inscriptions: mark: ‘gekruiste pijlen’

Kop van porselein met een cilindrische wand en C-vormig oor, beschilderd op het glazuur in groen, zwart en goud. Op de buitenwand een band met aan de ene zijde wijnranken en aan de andere zijde bloemen en bladeren. Gouden rand, voet en oor. Gemerkt op de onderzijde met de gekruiste pijlen.
Portret van een onbekende man uit de familie en de kring van Eugene van Delden en Belle van Delden-Denninghof Stelling
Object type: carte de visite
Date: 1881 – 1889
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: gustaaf leonardus adolf amand
Artist role: print maker
Artist dates: 1833 – 1897
Subjects: historical persons not known by name
Inscriptions: inscription: ‘Photographie Artistique./ Gustave Amand/ Warmoesstraat 147. Amsterdam.’

Portret uit de kring van Eugene van Delden (Hartapoera, 1865 - Den Haag, 1954) en Belle van Delden-Denninghof Stelling (Batavia, 1870 - Den Haag, 1947).
Het betreurenswaardige lot van de blinden en de armen
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: giving alms or other charity, e.g.: handing out food, inn, coffee-house, public house, etc., blind, blindness
Inscriptions: collector's mark: Lugt 240

Drie blinden eten aan een tafel voor een herberg. De waard en waardin kijken toe. Onder de tafel kluift een hond op zijn bot. Links een blind kind met een wandelstok. In de marge een onderschrift in het Latijn.
Chinees gezin bij een prieel met begroeiing
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: parents with their children, chinese, pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 2228
Chest of Drawers
Object type: furniture
Date: 1700 – 1730
Materials: wood
Location: pennsylvania
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1799
Subjects: furniture
Mensen op een weg, met op de achtergrond een dorp
Object type: album leaf
Date: 1905 – 1906
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: prospect of village, silhouette of village, road, path (+ four persons or more ~ traffic and transport)
Inscriptions: inscription: ‘No. 5./ Weg naar het dorp.’

Deze prent maakt deel uit van een album.
Maskerade door studenten van de Leidse Hogeschool, 1840 (titelblad)
Object type: titelblad, titelpagina
Date: 1840 – 1840
Materials: paper
Techniques: letterpress printing
Location: leiden
Subjects: jan van beieren, students' pageant, costumes used in pageants
Inscriptions: collector's mark: ‘Bibliotheek Rijksmuseum Amsterdam’

Historische gekostumeerde optocht van de studenten van de Hogeschool van Leiden op 8 februari 1840. De optocht verbeeldt de intocht van hertog Jan van Beieren te Leiden op 18 augustus 1420. Typografisch titelblad voor de serie van negentien ongenummerde platen.