deem-data/ArtiFact huggingface dataset:
Decorated Initial "G" in Pink with Curling Leaves from a Manuscript
Object type: drawing and watercolor
Date: 1301 – 1400
Materials: gold leaf, paint, parchment
Techniques: cutting
Culture: european
Location: europe
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Part of a draped male with a knobby stick?
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: flowers,leaves
"The Lion and the Elephant Fighting", Folio from a Kalila wa Dimna
Object type: folio from an illustrated manuscript
Date: 1526 – 1550
Materials: ink, paper, watercolor
Location: india
Subjects: elephants,lions

This manuscript contains seventy-eight paintings and many text folios telling the famous tales of the jackals Kalila and Dimna. Based on the book of ancient Indian animal fables, the Panchatantra written by Vidyapati (Bidpai), the stories spread all over the Middle East where they became wildly popular. This manuscript has a strong flavor of Mamluk Egypt in the figure styles and bold drawings, with hints of Ottoman tulips and Safavid turbans. However, the burnt orange palette and darkly-inked lines have led to an attribution to Sultanate Gujarat where it is suggested this manuscript was copied from an Egyptian original. Its life in India is also attested by a Devanagari inscription at the end, although the rest of the Arabic text is written in a strong, left-leaning naskh-like script.
Johannes de Doper verlaat zijn ouders
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: florence
Subjects: john the baptist leaves his parents to go into the wilderness
Inscriptions: collector's mark: Lugt 11, collector's mark: ‘Hinloopen’

Onderdeel van een serie van dertien prenten en een titelprent. Origineel onderdeel geweest van het album Schijnvoet-nummer 24.
Westzijde van slot Ulriksdal
Object type: print
Date: 1686 – 1686
Materials: paper
Techniques: etching
Location: stockholm
Subjects: palace

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
Camp of 34th Massachusetts Infantry near Fort Lyon, Virginia
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: tents,army,soldiers,american civil war,men
Portret van Dionysius Denijssen
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: ambrosius schevenhuysen
Artist role: print maker, publisher
Artist dates:  – 1712
Subjects: gloves, mittens, etc., historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van de Haarlemse predikant Dionysius Denijssen. Hij zit op een stoel en met zijn rechterhand toont hij een knoop van zijn kleding. In zijn linkerhand heeft hij een paar handschoenen. Het portret is gevat in een omlijsting met onderaan de naam, functie en leeftijd van de geportretteerde.
Man met zeis
Object type: drawing
Date: 1820 – 1830
Materials: chalk, paper
Location: the hague
Artist: Anonymous
Subjects: agricultural implements: scythe, adult man

Tekeningen waarschijnlijk ontstaan bij het Haagse kunstgenootschap ‘Tot Nut der Tekenkunst’, waar twee keer per week tekenavonden werden georganiseerd met geklede modellen.
Bestorming en verovering van Coevorden op 30 december 1672
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching
Artist: coenraet decker
Artist role: print maker
Artist dates: 1650 – 1685
Subjects: attack ~ siege
Inscriptions: collector's mark: Lugt 2228

De bestorming en verovering van Coevorden op 30 december 1672 door de troepen onder bevel van generaal Rabenhaupt. Infanterie en cavalerie trekken op in de richting van de vestingswallen om de versterkte stad.In lucht op vaandel verklarende lijst in Nederlandse tekst.
Diatomée [Diatom]
Object type: photograph
Date: 1853 – 1857
Techniques: salted paper print
Artist: auguste-adolphe bertsch
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1871
Portret van François Séverin Marceau
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons, (military) uniforms
Wasserburg a/Inn, Pfarrkirche
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1905
Materials: cardboard
Techniques: lithograph, writing
Location: munich
Subjects: church (exterior)
Ribbon
Object type: ribbon
Date: 1801 – 1900
Subjects: roses
Taper holder (one of a pair)
Object type: taper holder
Date: 1812 – 1813
Materials: silver
Artist: william abdy ii
Artist role: maker
Artist dates: 1790 – 1823
Studieblad, mogelijk met gebouwen
Object type: sketchbook leaf
Date: 1909 – 1909
Materials: paper, pencil
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: civic architecture; edifices; dwellings

Studieblad, mogelijk met gebouwen. Blad 25 recto uit een schetsboek met 31 bladen.
Vase fragment
Object type: vase fragment
Date: 670 – 330
Materials: terracotta
Culture: roman

Fragment of handle of yellow enamelled vase.
Jug
Object type: jug
Date: 1801 – 1900
Twee heren en een jongen (page?) bij een landhuis
Object type: drawing
Date: 1656 – 1687
Materials: chalk, paper
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690
Inscriptions: watermark

Tekening naast twee andere tekeningen in het Familie-plakboek geplakt.
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 434 – 368
Materials: terracotta
Culture: greek, attic

Head and neck of a bearded man to right
Monumental Jewelled Vase
Object type: drawing and watercolor
Materials: chalk, gold paint, gouache, paper, paint, watercolor
Techniques: heightening
Location: italy
Artist: giuseppe grisoni
Artist nationality: italian, born flanders
Artist dates: 1699 – 1769
Head of a Man
Object type: sculpture
Date: 400 – 201
Materials: terracotta
Culture: greek
Location: greece
Storage reservoir at West Hartford (no. 2). Depth, 41 feet. Capacity 285,000,000 gallons. Elevation, 395 feet above Connecticut river
Object type: photograph
Date: 1883 – 1884
Materials: photographic support
Techniques: albumen print
Location: connecticut
Artist: Anonymous
Subjects: water course
Portret van Filips III, koning van Spanje
Object type: print
Date: 1679 – 1684
Materials: paper
Techniques: engraving
Artist: andries vaillant
Artist role: print maker
Artist dates: 1655 – 1693
Subjects: filips iii (koning van spanje), crown (symbol of sovereignty), adult man, historical persons, knighthood order of the golden fleece
Inscriptions: inscription: ‘N. 37/ 1598’

Prent waarschijnlijk uit: Bor, Pieter Christiaensz. Oorsprongk, begin, en vervolgh der Nederlandsche oorlogen, beroerten, en borgerlyke oneenigheden (...). Amsterdam: weduwe Joannes van Someren, Abraham Wolfgangh en Hendrick en Dirck Boom, 1679-1684.
Design for Phaeton, no. 6
Object type: drawing
Date: 1875 – 1875
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: john c. parker & co.
Artist role: manufacturer
Artist nationality: american
Artist dates: 1800 – 1900
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Decorationen auf den beiden Königlichen Theatern in Berlin
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: aquatint, engraving, hand coloring
Location: berlin
Subjects: stage design
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Weergave van een decor uit een toneelstuk door Jakob Andreas Konrad Levezow.
Shipke, Washington, American League, from the White Border series (T206) for the American Tobacco Company
Object type: baseball card
Date: 1909 – 1911
Techniques: lithography
Artist: american tobacco company
Artist role: publisher
Subjects: men,portraits,baseball,athletes

Trade cards from "White Border" series (T206), issued 1909-11 to promote sixteen brands of cigarettes and loose tobacco distributed by the American Tobacco Company.
Ovoid tea caddy with flower basket and water landscape in panels
Object type: tea caddy
Date: 1725 – 1749
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: japan
Artist: Anonymous

Kleine theebus van porselein met eivormig lichaam en spreidende voet met een gemodelleerde band met krulwerk, beschilderd in onderglazuur blauw en op het glazuur rood, groen, zwart en goud. Op de schouder een Japanse decoratieve band in onderglazuur blauw. In Nederland een decoratie toegevoegd in emailkleuren. Op de buik een brede decoratieve band met arceerwerk met daarin uitgespaard vier cartouches met afwisselend een rivierlandschap met een man in een boot en een bloemenmand met twee insecten; rond de schouder krulwerk. Overgedecoreerd (Amsterdams bont).
Pair of side chairs
Object type: side chair
Date: 1724 – 1736
Materials: wood, canvas, gilt, lead, panel
Techniques: embroidery, gilding, stitching, veneering
Artist: thomas how
Artist role: maker
Artist nationality: british
Artist dates: 1710 – 1733
Subjects: flowers,coat of arms

The set included twelve side chairs, two settees, and two pedestals supplied to Nicholas, fourth Earl of Scarsdale (d. 1736) for Sutton Scarsdale, Derbyshire.
Lappet
Object type: lappet
Date: 1700 – 1700
Materials: linen
Techniques: lace
Fibula with silver bead
Object type: fibula with silver bead
Date: 700 – 501
Materials: bronze, silver
Culture: italic

The bow is four-sided in section and strung with a silver bead.
Portret van Alexander Mollinger
Object type: print
Date: 1838 – 1863
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: utrecht, painter, historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Chocoladeketel met deksel van aardewerk, Wedgwood Black Basalt. Met deksel.
Object type: chocoladeketel
Date: 1785 – 1800
Materials: earthenware
Location: england

Bolvormige chocoladeketel met deksel van aardewerk, Black Basalt. De ketel heeft een opstaande, accoladevormige rand met twee gaten waarin het losse hengsel van omwonden riet hangt. De tuit is S-vormig en het deksel heeft een knop in de vorm van een zittende vrouw met in haar linker hand een stuk papier. De buik van de ketel is in reliëf versierd met spelende naakte kinderen, boven een rand van uitgeslepen verticale biezen. De ketel is gemerkt.
Ruitertafereel op Koninklijke Houtvesterij Het Loo: gezelschap bij gedekte tafels bij een huis
Object type: photograph
Date: 1900 – 1925
Materials: photographic support
Techniques: gelatin silver print
Location: het loo
Artist: Anonymous
Subjects: hunting, chase, hunting-ground, eating and drinking

Onderdeel van Fotoalbum van de heer Brams, opperhoutvester van koningin Wilhelmina op Koninklijke Houtvesterij Het Loo.
The Nativity
Object type: group
Date: 1601 – 1650
Materials: earthenware
Techniques: glazing
Subjects: sheep,christ,virgin mary,nativity
Diana en haar nimfen
Object type: album leaf
Date: 1688 – 1698
Materials: paper
Techniques: etching, hand coloring, lithography
Location: netherlands
Subjects: companions, nymphs of diana; 'ninfe di diana' (ripa), (story of) diana (artemis)

Diana, maangodin en godin van de jacht, met een jachthond. Naast haar drie nimfen. Deze prent maakt deel uit van een album.
L'Art Ancien au Pays de Liége
Object type: photomechanical print
Date: 1879 – 1884
Materials: paper
Techniques: photograph
Location: liège
Artist: Anonymous
Subjects: ornamental cupboard (+ wood and other phytogenic material), permanent exhibition, museum, liège
Inscriptions: number: ‘No 9’

Deze prent maakt deel uit van een omslag met twintig prenten, een titelblad en een lijst van afbeeldingen.
Door Knocker
Object type: door knocker
Date: 1401 – 1500
Materials: iron
Culture: spanish
Veues de Versailles
Object type: album leaf
Date: 1686 – 1686
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: palace, french or architectonic garden; formal garden

De prent maakt deel uit van een serie bestaande uit 87 genummerde prenten (volgens Hollstein). De serie is opgedeeld in de delen A t/m F.
Salvator Rosa frame
Object type: frame
Date: 1734 – 1766
Materials: wood
Culture: italian
Band
Object type: band
Date: 1701 – 1800
Materials: linen, wool
The Trevi Fountain, Rome
Object type: drawing
Date: 1767 – 1866
Materials: ink
Techniques: drawing, pen, wash
Artist: giovanni battista cipriani
Artist role: artist
Artist nationality: italian
Artist dates: 1766 – 1839
Subjects: buildings,fountains,rome
Arch of Septimus Severus, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: architecture,arches,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 79 in the scrapbook.
Wicklow Hills
Object type: drawing and watercolor
Date: 1843 – 1843
Materials: graphite, paint, paper, watercolor
Location: england
Artist: elizabeth murray
Artist nationality: english
Artist dates: 1815 – 1882
Frontispiece, from the Scherzi di Fantasia
Object type: print
Date: 1743 – 1750
Techniques: etching
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: owls,trees
Journal des Dames et des Modes, Costumes Parisiens, 1914, No. 164
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: engraving
Subjects: head-gear: hat (+ leather used for clothes), sailing (sport) (+ equipment, outfit (sports, games, etc.)), coat (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), skirt (+ women's clothes), binoculars, spy-glass, etc.
Inscriptions: date

Vrouw in en kostuum voor een pleziervaart: jasje van laken op een rok van gestreept doek. Hoed van leer. Verrekijker in de hand. Op de achtergrond een zeilschip. Proefdruk van een prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914).
Gezicht op de Lagune van Venetië
Object type: print
Date: 1851 – 1902
Materials: paper
Techniques: etching, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: haff, lagoon created by sand, shingle bank ~ coast, prospect of city, town panorama, silhouette of city
Inscriptions: number: ‘409’, collector's mark: Lugt 2228

Mogelijk vermeld in: Storm van 's-Gravesande, Charles. Catalogue des eaux-fortes et lithographies. New York: s.n., 1903, of in een onbekende latere uitgave van het manuscript. Vermoedelijk vermeld als catalogusnummer 409.
West-Fries familiealbum met 23 foto's
Object type: slip in album
Date: 1870 – 1920
Materials: cardboard, metal, paper, photographic support, textile
Techniques: albumen print
Location: netherlands
Subjects: historical persons - bb - woman, child, historical persons, folk costume, regional costume, den helder, enkhuizen, utrecht, amsterdam, hoorn (north holland)
Inscriptions: annotation: ‘ABK/ AKK’, collector's mark: ‘DIENST/ VERSPREIDE/ RIJKSKOLLEKTIES/ (...) A 703’

Fotoalbum met 18 pagina's met in totaal 23 cartes-de-visite in met gouden lijnen omkaderde passe-partouts. Niet alle passe-partouts in het album zijn gevuld. Afgebeeld zijn portretten van mannen, vrouwen en kinderen, waarvan sommigen in West-Friese klederdracht. De foto's zijn gemaakt door diverse fotografen. Het merendeel van de foto's is gemaakt door J.L.T. Huijsen (11) uit Hoorn.
Fragment van de Oranjeboom
Object type: sculpture
Date: 1874 – 1874
Materials: gypsum
Artist: frans stracké
Artist role: draughtsman, painter, sculptor
Artist dates: 1820 – 1898

Achteroverleunende vrouwenfiguur. Haar voeten rusten op een leeuwenkop. In haar rechterhand houdt ze een schild. Onderdeel van een model in gips van een niet uitgevoerd milieu de table voor Willem III.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, bent left arm and part of upper torso of draped figure
Moschee Valide in Dolma-Bagtche
Object type: stereograph
Date: 1873 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: Anonymous
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘32’
Inkstand
Object type: decorative art
Date: 1850 – 1880
Materials: earthenware
Culture: american, east liverpool
Location: east liverpool
Portret Marcus Fugger
Object type: print
Date: 1552 – 1552
Materials: paper
Techniques: engraving
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Panel of lace-patterned silk
Object type: panel
Date: 1720 – 1729
Materials: metal thread, silk
Techniques: lampas
Subjects: flowers,leaves
Portret van Heinrich Maurer
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: etching
Subjects: painter, print maker, historical persons, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, gold alloy, gold, iron, silver
Culture: japanese
Location: japan
Subjects: men,fish
Schepen liggen voor anker bij een rede
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: etching
Artist: piet verhaert
Artist role: print maker
Artist dates: 1852 – 1908
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone), ship bound for the harbour
Inscriptions: collector's mark: Lugt 2228
Gezicht op de ruïne van Sonnenberg
Object type: book illustration
Date: 1832 – 1832
Materials: paper
Techniques: etching
Location: london
Subjects: landscape with ruins, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228

Prent uit: Tombleson, William. Tombleson's Views of the Rhine. Londen: Tombleson & Co., 1832, dl. 1.
Wall Vase
Object type: wall vase
Date: 1701 – 1800
Materials: jade
Culture: chinese
Vase with flower and rock
Object type: vase
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: painting, polychrome
Culture: chinese
Subjects: flowers
Kop
Object type: cup
Date: 1777 – 1790
Materials: porcelain
Techniques: painted
Location: the hague

Kop, onderdeel van theeservies. Op de rand een blauwe band met rocaille ornament. Het hoofdmotief bestaat uit een bloemboeket omgeven door strooibloemen. Gemerkt met een ooievaar in bovenglazuurblauw. N.B. Doorniks zacht porselein beschilderd te Den Haag.
Statuette of a Cloaked Man
Object type: statue, seated man, cloak
Date: 1850 – 1850
Materials: limestone
Location: egypt
Subjects: men
Biografie van kunstenaar Barend Graat
Object type: text sheet
Date: 1727 – 1727
Materials: paper
Techniques: etching
Location: amsterdam
Artist: matthijs pool
Artist role: print maker
Artist dates: 1676 – 1740
Subjects: amsterdam, print maker, draughtsman, barend graat
Inscriptions: collector's mark: Lugt 2228

Blad ook gebruikt in: Bossuit, Francis van. Cabinet de l'art de schulpture (...). Executé en yvoire (...). = Beeld-snyders kunst-kabinet (...). = Statues, or Art's cabinet. Amsterdam: M. Pool, 1727.
Moki Belles
Object type: playing card
Date: 1900 – 1900
Materials: paper
Techniques: autotype
Location: united states
Artist: adam clark vroman
Artist role: fotograaf
Artist dates: 1856 – 1916
Subjects: arizona

Speelkaart uit doosje met 53 speelkaarten met afbeeldingen in autotypie van Native Americans. De inhoud bevat een complete set speelkaarten inclusief joker.
Christus, Geloof en Liefde zittend op een graftombe
Object type: titelblad, titelpagina
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: specific forms of the cross: greek cross, faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues, the cross ~ symbols of christ, letters and monograms ~ symbols of christ, specific forms of the cross: tau-cross
Inscriptions: collector's mark: Lugt 240

Christus met het kruis in zijn handen staat op een graftombe. Aan weerszijden zitten de personificaties van Geloof, met kelk en kruis, en Liefde, met vlam en kruis. Verschillende types van het kruis zijn in de compositie verwerkt, onder het Griekse kruis, links het Christusmonogram en rechts het taukruis.