deem-data/ArtiFact huggingface dataset:
Ruitertafereel op Koninklijke Houtvesterij Het Loo: vrouw speldt ruiter iets op
Object type: photograph
Date: 1900 – 1925
Materials: photographic support
Techniques: gelatin silver print
Location: het loo
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, hunting, chase, hunting-ground

Onderdeel van Fotoalbum van de heer Brams, opperhoutvester van koningin Wilhelmina op Koninklijke Houtvesterij Het Loo.
The Holy Family with the Infant Christ Pressing the Wine of the Eucharist
Object type: covering and hanging
Date: 1485 – 1525
Materials: gilt, linen, metal, silk, wool, thread
Techniques: slit, tapestry weave, tapestry, weave
Location: belgium
Subjects: holy family, columns, cup, eucharist, flowers, foliage, grapes, jesus, joseph, people, portraits, wine

With its focus on the infant Christ squeezing grapes to make the Eucharistic wine, this small tapestry probably decorated a private oratory. The outer border of flowers and fruit is a later addition and is less finely woven than the holy figures and the inner border of a single pansy and rosebud.
Detail van een kanten doek, mogelijk een kraag
Object type: photograph
Date: 1890 – 1920
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: lace
Panel (Furnishing Fabric)
Object type: textile
Date: 1850 – 1859
Materials: cotton, ink, pigment
Techniques: painting, weave
Location: london
Two Flip Glasses
Object type: glass
Date: 1767 – 1800
Materials: glass
Techniques: glassblowing, cutting, molding
Location: england
Kabuki Actor Ichikawa Yaozō II
Object type: woodblock print nishiki e
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: theatre,men,actors
Portret van twee vrouwen in verkleedkleding
Object type: photograph
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: adult woman, historical persons, historical costume, france

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
Priester buigt zich over een man op de pijnbank
Object type: print
Date: 1829 – 1885
Materials: paper
Techniques: etching
Artist: willem linnig (i)
Artist role: print maker
Artist dates: 1819 – 1885
Subjects: torture
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Waterval bij huis
Object type: print
Date: 1833 – 1869
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: waterfall
Inscriptions: collector's mark: Lugt 2233

Een landschap met dennenbomen en een waterval met rechts een huis.
Portret van een man en een vrouw bij een tafel met een boek
Object type: cabinet photograph
Date: 1875 – 1899
Materials: cardboard, photographic support
Techniques: albumen print
Location: bremen
Artist: jean baptiste feilner
Artist role: fotograaf
Artist dates: 1844 – 1912
Subjects: historical persons - bb - woman, historical persons, table
Inscriptions: inscription: ‘Jean Baptiste Feilner/ Photograph/ Bremen, Wall 185/ schräg gegenüber dem Stadttheater.’
Commodore Edward Preble (1761–1807) and his Bombardment of Tripoli, August 3, 1804
Object type: medal
Date: 1804 – 1804
Materials: bronze
Techniques: struck
Culture: american
Location: united states
Artist: johann mathias reich
Artist role: artist
Artist nationality: american
Artist dates: 1768 – 1833
Subjects: men,portraits,profiles,ships
Planting rice
Object type: print
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Aeolus and the Winds
Object type: sculpture
Date: 1600 – 1700
Materials: bronze, copper alloy, metal, patina
Techniques: casting, carved
Culture: flemish
Location: belgium
Subjects: greek mythology, greek, mythology, mythical, mythological figures, bearded man, nudes, children, child, man
Ode on Returning Home
Object type: handscroll
Date: 1301 – 1500
Materials: gold, ink, paper
Culture: chinese
Artist: qian xuan
Artist role: artist
Artist nationality: chinese
Artist dates: 1239 – 1301
Subjects: men,landscapes,boats

Qian Xuan was a celebrated Song loyalist who, following the Mongol conquest, supported himself through painting. Toward the end of his life, however, he complained that his works were being forged. Here, both the calligraphy and painting are modeled closely on Qian's style, suggesting that the work is a faithful copy. Qian's composition was inspired by Tao Qian's (365–427) poem "Returning Home," written in 405 after Tao resigned from public office. In it, Tao expresses his preference for poverty over the compromises and constraints of official life, establishing forever the ideal of the home and garden as a personal retreat. Clearly, Qian saw Tao's poem as a reflection of his own life in reclusion. Using the archaic "blue-and-green" style in a new, purposefully naive manner, he created a dreamlike environment that exists outside the realm of temporal troubles. His poem, written to the left of the picture, is both an appreciation of Tao and an expression of his state of mind: In front of his gate he plants five willows, By the eastern fence, he picked chrysanthemums. In his long chant is a lingering purity, There is never enough wine to sustain him. To live in this world it is necessary to become deeply drunk, To take office would only bring shame. In a moment of inspiration he composes "Returning Home" The poem of one thousand years.
'Het Groene Koningins Kabinet', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld
Object type: book print ornament architecture
Techniques: engraving, lithography
Location: amsterdam
Artist: carel allard
Artist role: publisher
Artist nationality: dutch
Artist dates: 1648 – 1709
Subjects: palaces,queens

Depiction of the Queen's covered walkways known as 'the green cabinet' at the Loo Palace. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century.
Portret van Rudolf Meyer
Object type: print
Date: 1755 – 1757
Materials: paper
Techniques: etching
Artist: rudolf füssli (der jüngste)
Artist role: print maker
Artist dates: 1737 – 1806
Subjects: painter, portrait, self-portrait of painter, ornament derived from architectural details
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Füssli, Johann Kaspar. Geschichte Und Abbildung der besten Mahler in der Schweitz. Zürich: David Gessner, 1755-1757.
Dansende kreupelen
Object type: print
Date: 1577 – 1577
Materials: paper
Techniques: engraving
Location: antwerp
Artist: cornelis massijs
Artist role: painter, print maker
Artist dates: 1510 – 1557
Subjects: dancing, crutches, person with a physical disability, social stratification, social groups, hurdy-gurdy player, folk costume, regional costume, clappers, castanets, beggar
Inscriptions: collector's mark: Lugt 1967, collector's mark: Lugt 2227

In de tijd waarin deze serie ontstond was 'kreupel' een generiek woord om een lichamelijke beperking aan het onderlichaam te beschrijven. Deze serie is sociale satire. Twee bedelaars, één met castagnetten in de handen en de ander met een draailier. De linker heeft een nap aan zijn riem hangen en een bandage om zijn been. Genummerd: 9.
Le montagnard
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: girls,portraits
Joannes Baptista Morgagnus
Object type: titelblad, titelpagina
Date: 1721 – 1721
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons

Prent waarschijnlijk uit: Deutsche Acta Eruditorum. Leipzig: Johann Friedrich Gleditsch zoon, 1721, dl. 73.
Stilleven met statuette en mand
Object type: photograph
Date: 1852 – 1852
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Kudde schapen in een bos
Object type: drawing
Date: 1864 – 1936
Materials: chalk, paper
Artist: jan van essen
Artist role: draughtsman, print maker
Artist dates: 1854 – 1936
Subjects: sheep
Plate 100: The death of Orpheus, from "Ovid's Metamorphoses"
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: johann wilhelm baur
Artist role: artist
Artist nationality: german
Artist dates: 1607 – 1642
Scartaffii overo ornamenti
Object type: ornament print
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: door

Beide panelen zijn gedecoreerd met een rond medaillon met een mascaron. Opstand en plan onderaan. Uit serie van 6 bladen met ornamentele panelen en deuren voor kamers en alkoven.
St Jerome beside a pollard willow
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: the monk and hermit jerome (hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone
Inscriptions: collector's mark: Lugt 240
Portret van een man
Object type: photograph
Date: 1860 – 1920
Materials: cardboard, photographic support
Techniques: daylight paper print
Artist: g.d. laborie
Artist role: fotograaf
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Photographe/ de l'opera/ Laborie/ 11.R.Boudreau Paris’
Painting Palette
Object type: palette
Date: 1981 – 1640
Materials: limestone
Location: egypt
Portret van een man met hond
Object type: album leaf
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Subjects: adult man, dog
Inscriptions: inscription: ‘Photogr. Atelier / Wegner & Mottu / Kalverstraat / over den Heyligenweg, D. 26. /Amsterdam / Leydsche Straatweg / Buiten Cathrynen. / Utrecht’
Iron baluster
Object type: baluster
Date: 1770 – 1770
Materials: iron
Terracotta oinochoe: chous (jug)
Object type: oinochoe, miniature
Date: 400 – 400
Materials: terracotta
Culture: greek, attic
Subjects: boys,goats,chariots

Boy driving goat-drawn chariot preceded by boy with chous The representation, with the lively animals and polychromy, is particularly engaging.
Een bedenkelijk geval voor den bondgenoot
Object type: cartoon
Date: 1904 – 1904
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: wilhelm ii (keizer van duitsland), historical persons, emperor, personifications of countries, nations, states, districts, etc. (+ nation; national), political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 10 juli 1904.
"Tahmuras Defeats the Divs", Folio 23v from the Shahnama (Book of Kings) of Shah Tahmasp
Object type: folio from an illustrated manuscript
Date: 1525 – 1525
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: men,horses,demons

Tahmuras, shown here galloping across a meadow, defeated the divs (demons); in exchange for their lives, they taught him the art of writing. This work is attributed to Sultan Muhammad, the master painter and chief administrator of the first generation of artists of this manuscript. The humor of the divs’ ghastly faces and gestures and the painterly treatment of their spotty skin are typical of Sultan Muhammad’s style.
Plate 8: Otho in profile facing left, from "The Twelve Caesars"
Object type: print
Date: 1610 – 1640
Techniques: engraving, etching
Artist: Anonymous
Artist role: artist
Subjects: helmets,emperors,men
Nightjar
Object type: drawing
Date: 1784 – 1784
Materials: paper, pencil, watercolor
Techniques: brush
Location: jakarta
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: birds
Inscriptions: date: ‘5 Julij 1784’, inscription: ‘Een nagtvogel, die een geluyd maakt, op de grond in de maane schyn zittende, als of men met een haamer op een helderluydent plankje sloeg: tjuk tjuk tjuk 1000 maal agter elkander, en ook lagt als een koekkoek, wanneer zyn paar in de maneschyn by hem komt zitten. Leeft van vliegen, keevers en muggen, die hy in de maaneschyn telkens opvliegende vangt. Ooverdag ziet men hem niet, maar alleen s'avonds als de vleermuyzen uitvliegen. hy is een wynig grooter als hier afgebeeld is; dog niet zo van couleur en vlakken.’, inscription: ‘Caprimulgus (europaeus &) javanensis’

Kleurtekening van een vogel, gezien van boven, iets van opzij. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 1 (1808), p. 151.
Gezicht op de Hofvijver in Den Haag
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: the hague
Artist: Anonymous
Subjects: pond
Twee fauteuils
Object type: print
Date: 1878 – 1904
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Twee fauteuils in de stijlen Lodewijk XV en Lodewijk XVI. Prent uit 81e Livraison.
Portret van koningin Victoria
Object type: print
Date: 1835 – 1850
Materials: paper
Techniques: tone lithography
Location: berlin
Artist: wilhelm dümler
Artist role: print maker
Subjects: victoria (koningin van het verenigd koninkrijk en keizerin van india), adolescent, young woman, maiden, historical persons, flowers: rose
Inscriptions: check stamp: ‘F Sala&Co Kunst-Verlag Berlin’, collector's mark: Lugt 2228
Various Roman Ionic capitals compared with Greek examples from Le Roy [S. Maria in Trastevere, S. Paoplo fuori le Mura, S. Clemente, etc.], tab. 20 from "Della Magnificenza e d'Architettura de'Romani" (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)
Object type: print
Date: 1734 – 1766
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: architecture,capitals

In 1758, the French architect Julien-David Le Roy published 'Les ruines des plus beaux monuments de la Grèce' (The ruins of the most beautiful monuments of Greece) in which he proclaimed that the architectural orders were a Greek invention inherited by the Romans who imitated and subsequently debased them. Le Roy wrote of the Roman Composite order, "[I]t is only a fairly imperfect mixture of the Ionic and Corinthian and by altering the proportions of the column from the Doric order and by multiplying the moldings of its entablature, they have perhaps made it lose a lot of its male character, which was a distinguishing feature in Greece." Partly in response to such contemporary polemical salvos touting the significance of Greek architecture, including Marc-Antoine Laugier's 'Essai sur l'architecture' (1753), which demonstrated the evolution of wood to stone architecture as exemplified by the Greek Doric temple, in 1761 Piranesi published 'Della magnificenza ed architettura de' romani' (Concerning the magnificense and architecture of the Romans). Piranesi's lengthy essay in Italian and Latin expressed his conviction of the superiority of Etruscan design and was accompanied by thirty-eight engraved illustrations, including this foldout of Roman Ionic capitals. In the plate, Piranesi has surrounded Le Roy's own engraving of a capital from the Erechtheion in Athens with an elaborate array of more complex Roman variants. At the top of the plate is a quote from Le Roy: "The Ionic capitals one sees in Rome seem poor and defective," to which Piranesi responds by illustrating many of the "magnificent" Ionic capitals of Rome.
Trade Card for William Darling, Engraver
Object type: print, trade card
Date: 1701 – 1800
Techniques: engraving
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Tongs
Object type: tongs
Date: 1701 – 1800
Materials: iron
Location: england
Landelijke en pastorale scènes
Object type: print
Date: 1661 – 1726
Materials: paper
Techniques: engraving, etching
Subjects: garden, bee-hive, gardening
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een zestiendelige serie met landelijke en pastorale scènes, uitgegeven door Gerard Valck.
25 portretten van Eugenie Fougère en Legat
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: number: ‘No 254’
Leer kind'ren door deez' prent in uwe prille jeugd, / Dat niets uw pryslyk maakt als 't onderhoud der deugd
Object type: popular print
Date: 1795 – 1819
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: types in 'commedia dell'arte'
Inscriptions: collector's mark: Lugt 2760

Blad met 8 taferelen met personages uit de Commedia dell'arte. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 50.
Daniel argues with the elders while Susanna stands at left
Object type: print
Date: 1732 – 1750
Techniques: engraving, etching
Artist: pietro monaco
Artist role: artist and publisher
Artist nationality: italian
Artist dates: 1707 – 1772
Piece
Object type: piece
Date: 1734 – 1766
Materials: linen
Subjects: fruit,flowers,leaves
Tal van sociale problemen werden door de Sociale Commissie besproken
Object type: photograph
Materials: paper, photographic support
Techniques: gelatin silver print
Location: the hague
Subjects: binnenhof, rondetafelconferentie (1949)

De Sociale Commissie aan het werk. Foto in het fotoalbum met 37 foto's van de rondetafelconferentie gehouden tussen 23 augustus en 2 november in Den Haag in 1949 tussen vertegenwoordigers van Nederland, de Republiek Indonesië en de Bijeenkomst Federaal Overleg. Het exemplaar aangeboden aan premier Willem Drees.
Shabti of the High Priest of Thoth Djehutyirdis, born of Nephthysiti
Object type: shabti, priest djehutyirdis
Date: 380 – 362
Materials: faience
Location: middle egypt
Hoofd van een man met hoed
Object type: drawing
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Lombard album
Object type: drawing
Date: 1560 – 1585
Materials: paper
Techniques: brush
Location: low countries
Artist: Anonymous
Subjects: tailless amphibians: frog

Blad uit album van 100 (?) bladen met tekeningen van dieren.
Italiaans berglandschap met drie muilezels en muilezeldrijver
Object type: print
Date: 1643 – 1666
Materials: paper
Techniques: etching
Location: netherlands
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., rocks
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent uit serie van vier landschappen naar ontwerp van Pieter Nicolaesz. Berchem.
Glass jug
Object type: jug
Date: 301 – 400
Materials: glass
Culture: roman

Small jug. Colorless with yellow green tinge; handle and trail in same color. Rim folded out, round, and pressed into side of flaring mouth; cylindrical neck expanding downwards and joining imperceptibly with slender bulbous body; thick bottom, concave at center and with splayed outer edge; rod handle attached to upper body in a clawed pad, drawn up and slightly outwards, then turned in sharply onto rim, with projecting pinched fold above. Around neck, single uneven trail, forming an incomplete circle and now unattached to vessel. Broken and repaired around body with several losses; many pinprick bubbles; dulling, severe pitting, and iridescent weathering.
Manuscript uit archief Philip Zilcken
Object type: manuscript
Date: 1867 – 1930
Materials: ink, paper, pencil
Techniques: pen, printing, writing
Subjects: print maker, matthijs maris, draughtsman, philip zilcken
Inscriptions: watermark

Handgeschreven manuscript bevat gedrukte tekst over Matthijs Maris. Deze tekst bevat een notitie aan Philip Zilcken.
Scènes uit het Venetiaanse leven
Object type: album leaf
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: venice
Subjects: palace - aa - civic architecture: inside, other sovereign: doge, meeting, venice

Interieur van de Sala del Collegio in het Dogepaleis te Venetië. De doge van Venetië zit in het midden en leidt een vergadering. Vierregelige Italiaanse tekst midden onder. De prent maakt deel uit van een album.
Telemachus doodt een leeuw
Object type: print
Date: 1732 – 1732
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: (story of) telemachus - aggressive, unfriendly activities and relationships, beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 240

Tweede staat van deze prent ook gebruikt als illustratie in: Fénelon, François de Salignac La Mothe. Les avantures de Telemaque, fils d'Ulysse. Amsterdam/ Rotterdam, J. Wetstein, G. Smith, Z. Chatelain, J. Hofhout, 1734.
Haven van Piraeus
Object type: page
Date: 1898 – 1898
Materials: paper
Techniques: collodion silver print
Location: piraeus
Artist: johannes lodewijk heldring
Artist role: fotograaf, predikant, schrijver
Artist dates: 1852 – 1923
Subjects: harbour
Portrait of Jacob de Witte (1628-79)
Object type: painting
Date: 1660 – 1660
Materials: canvas, oil
Artist: jan mijtens
Artist role: painter
Artist dates: 1614 – 1670
Subjects: historical persons
Inscriptions: signature and date, upper left (j, A, N and M ligated): ‘jANMijtens. F: / a°: 1660.’

Jan Mijtens (1614 - 1670). Portrait of Jacob de Witte (1628 - 1679), Lord of Haamstede Signed and dated, 1660. In original gilt walnut frame.
Vase
Object type: vase
Date: 1767 – 1833
Materials: coral, glaze, porcelain
Culture: chinese
Spoon
Object type: spoon
Date: 1750 – 1760
Materials: silver
Culture: american
Location: united states
Artist: daniel henchman
Artist role: maker
Artist nationality: american
Artist dates: 1730 – 1775
Netsuke of Mask
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Techniques: inlay
Culture: japanese
Subjects: masks
Huisje aan een sloot
Object type: painting
Date: 1870 – 1888
Materials: canvas, oil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: small canal, ditch, farm or solitary house in landscape
Inscriptions: signature: ‘A Mauve f’

Enkele huizen aan het eind van een naar de achtergrond lopende sloot. Rechts enkele rijen bomen.
Shoulder Band Fragment
Object type: shoulder band fragment
Date: 301 – 500
Materials: linen, wool
Techniques: weave
Location: egypt
Tehuizen voor schoolgaande kinderen
Object type: article
Date: 1904 – 1904
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: child, communal rooms, playground
Inscriptions: collector's mark: Lugt 1641b

Object bestaat uit twee aan elkaar geplakte bladen in een bruine omslag. Drie fotomechanische afdrukken op pagina 761. Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: III. Verschillende gestichten en instellingen / Hofjes: Vrouwen-logement ‘Te Huis' - Boddaert Tehuizen - Tehuis “Koningin Wilhelmina” - Zuigelingen-inrichting.
Isabel Wachenheimer in lange jas en Leo Blumensohn in lange jas en gleufhoed, op de Eiffeltoren, 1945-1949
Object type: photograph
Date: 1945 – 1949
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon, paris
Inscriptions: inscription: ‘studio de la tour eiffel paris’

Isabel Wachenheimer in lange jas en Leo Blumensohn in lange jas en gleufhoed, op de Eiffeltoren.