deem-data/ArtiFact huggingface dataset:
La Maison Carrée
Object type: drawing
Date: 1824 – 1907
Materials: ink, paper
Techniques: brush, pen
Location: nîmes
Artist: bedos
Artist role: draughtsman
Subjects: temple, shrine ~ roman religion
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Prix. 10’
Three flowerpot containers (cache-pots) and stands
Object type: cachepot
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht

Manufactuur Oud-Loosdrecht
Loosdrecht, c. 1778–1782
hard-paste porcelain
Bezoeken van de gevangenen
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: visiting or liberating the imprisoned, 'incarceratus solatur' ~ one of the (seven) acts of mercy

Twee mannen bezoeken de gevangenen. Links op de trap een voorover gebogen bezoeker en een soldaat. Rechts twee aan de muur geketende gevangenen en op de achtergrond andere gevangenen. Onder de voorstelling een verklarende tekst in het Latijn. Deze prent maakt deel uit van een album.
Change (valentine)
Object type: print
Date: 1830 – 1830
Materials: ink
Techniques: printing
Location: united states
Artist: Anonymous
Artist nationality: american or english
Artist dates: 1800 – 1899
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Part of the upper torso and extended left arm, with hand holding a phiale, of a woman to right, wearing a chiton; part of a staff?
Emblem of Folly
Object type: painting
Date: 1701 – 1800
Materials: canvas, oil
Culture: peruvian, cuzco
Artist: Anonymous
Artist role: artist

The unusual subject of this painting is taken from an emblem book, the Pia Desideria, written by the Dutch Jesuit, Herman Hugo (1588-1629), and illustrated with 46 engravings by Boetius Adams Bolswert (1580-1633). First published in Antwerp in 1624, the Pia Desideria is known in more than 150 editions and translations, making it one of the most popular books of the 17th century. The painting, following an emblem by Bolswert, depicts a confrontation between Anima (the human soul), who appears as a fool, and the winged figure of Amor divina (Divine Love). Anima, wearing a red foolscap adorned with feathers and bells, races about on a hobby horse waving a windmill toy in the air and carrying a cat in a basket (a symbol of lasciviousness). Amor covers her face in shame and points heavenward. A scriptural motto from Psalm 68 inscribed at the feet of the two figures clarifies the meaning of the scene: Deus tu scis insipientiam meam, & deli[cta] mea à te non sunt abscondita. (God, you know my foolishness and my sins are not hidden from thee).The present painting almost certainly formed part of an as yet unidentified pictorial cycle that included other images from the Pia Desideria.
Mother Pichard's Canteen, Near Gorge aux Loups
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: louis auguste lepère
Artist role: print maker
Artist nationality: french
Artist dates: 1849 – 1918
Marquetry box in book form
Location: england
Gezicht op een straat of steeg in Rotterdam
Object type: sketchbook leaf
Date: 1907 – 1907
Materials: chalk, paper
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, lane, alley, street, rotterdam
Inscriptions: annotation: ‘dhr. H. Renkes[?] Tuill[...] / Delfsche vaart 12’, annotation: ‘Sch[...]steeg[?]’

Gezicht op een straat of steeg in Rotterdam, mogelijk in de buurt van de Delftsevaart. Pagina 3 en pagina 4 uit een schetsboek met 46 bladen vervaardigd in Amsterdam, Rotterdam en Haarlem.
Bracelet
Object type: bracelet, bead
Date: 1492 – 1473
Materials: faience, stone
Techniques: glazing
Location: egypt

The beads strung together here were found scattered in the area of the right wrist of one of the children buried in the tomb of Hatnefer (see 36.3.1). They were restrung based on the numbers of the various types and colors of beads. Because the beads were found near the child's wrist, they have been interpreted as part of a bracelet, though the use of wallet beads is more common on girdles (see 26.8.60).
Jan van der Does, plate 3 from Quatuor Personae
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving, letterpress
Location: netherlands
Artist: cornelis visscher
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1658
Portret van de theoloog Jens Bircherod
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: engraving
Location: antwerp
Artist: coenraet waumans
Artist role: draughtsman, print maker
Artist dates: 1619 – 1681
Subjects: schrijver, theoloog, professor, jens bircherod
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Bicherod, Jens. Synopsis locorum communium theologicorum, in qua veritas religionis christianæ ex sacris literis & orthodoxis theologis sequenti methodo proponitur ... Frankfurt: Johannis Justi Erytropili, 1690.
Strip
Object type: strip
Date: 1801 – 1900
Techniques: lace
Ink stand with circles
Object type: inkstand
Date: 1750 – 1799
Materials: cobalt, glaze, stoneware, tin
Techniques: printing, firing, forming, vitrification
Location: westerwald
Artist: Anonymous

Inkstel van steengoed op drie lage voeten, met een pennenbak en twee houders voor de inktpot en de zandstrooier. Daarbij zit in één houder een tinnen bakje. Gedeeltelijk bedekt met kobaltblauw. De voor- en achterzijde met een decoratie van gestempelde, aaneengeschakelde cirkels. Op de buitenwand van de pennenbak en op de bovenzijde gestempelde cirkels. Op de bovenzijde viermaal een gemodelleerde 'klinknagel'. Westerwald.
Loop for Strap
Object type: loop for strap
Date: 1401 – 1700
Materials: brass
Culture: european
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Materials: glass
Culture: chinese
Subjects: flowers
Oriental attendant
Object type: crèche figure
Date: 1751 – 1800
Materials: linen, silk, terracotta, fiber, metal
Techniques: polychrome
Subjects: men

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Commodore's Pennant, Great Britain, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags,ships

Trade cards from the "Naval Flags" series (N17), issued ca. 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Marine
Object type: painting
Date: 1871 – 1871
Materials: canvas, oil
Culture: american
Artist: edward moran
Artist role: artist
Artist nationality: american, born england
Artist dates: 1829 – 1901
Subjects: men,boats
Panel (Dress Fabric)
Object type: textile
Date: 1701 – 1900
Location: iran
Subjects: floating gardens
Standbeeld van Ganymedes te Rome
Object type: stereoscopic photograph
Date: 1860 – 1870
Materials: glass, paper
Techniques: slide
Subjects: (story of) ganymede, sculpture
Inscriptions: inscription: ‘7384 Statue de Ganimede, chambre des Masques, Rome’
Dish
Object type: dish
Date: 900 – 801
Materials: bronze
Culture: iranian
Location: iran
Ostrakon
Object type: ostrakon
Date: 600 – 600
Materials: ink, limestone
Culture: coptic
Location: egypt
Subjects: coptic,documents
Ex libris van Lydia Ruppel
Object type: bookplate
Date: 1870 – 1933
Materials: paper
Techniques: printing block
Location: germany
Subjects: kneeling figure - aa - female human figure, death as skeleton, stars, sea
Views of Italy, Switzerland and Savoy
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: courmayeur
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: mountain-range, snow peaks, courmayeur
Inscriptions: number: ‘10’, inscription: ‘By Permission: Dedicated to The Alpine Club’, inscription: ‘N10. La Doire et le Col du Géant, Courmayeur. Italie’
Ontwerpschets affiche voor propaganda kunstbescherming in het leger, schets met twee soldaten.
Object type: drawing
Date: 1939 – 1939
Materials: paper, pencil
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: non-combatants ~ war

Blad met twee soldaten frontaal gezien, één die met linkerhand een stopteken maakt en een geweer in de rechterhand houdt, de ander houdt het geweer in beide handen voor zich.
Two Sketches of Standing Man Leaning on Staff
Object type: drawing and watercolor
Materials: chalk, paper
Location: netherlands
Artist: possibly jan steen
Artist nationality: dutch
Artist dates: 1626 – 1679
Baboon figurine
Object type: figurine, baboon
Date: 2030 – 1640
Materials: stone
Techniques: glazing
Location: egypt
Subjects: baboons
Versailles, Fontaine de Diane (Detail)
Object type: photograph
Date: 1901 – 1901
Techniques: albumen print
Location: france
Artist: jean-eugène-auguste atget
Artist nationality: french
Artist dates: 1857 – 1927
Subjects: collected by hugh edwards
The Bridge of Toledo, Madrid
Object type: drawing and watercolor
Date: 1903 – 1903
Materials: board, charcoal, paper, wood
Techniques: drawing, stumping
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, part of head of woman with diadem
The steamer Dessoug with the obelisk on board ready for departure from Alexandria
Object type: photomechanical print
Date: 1880 – 1880
Materials: paper
Techniques: photograph
Location: new york city
Artist: Anonymous
Subjects: obelisk, needle, steamship, motorship
Inscriptions: number: ‘Plate XVI’
Schutter bij een kanon
Object type: print
Date: 1641 – 1716
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: georg andreas wolfgang
Artist role: goldsmith, print maker
Artist dates: 1631 – 1716
Subjects: wooden container: barrel, cask, bucket, armour, firearms: cannon, projectiles, explosives, etc.
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Rapid photographs
Object type: snapshot
Materials: photographic support
Techniques: gelatin silver print
Location: alkmaar
Artist: jan gottfried stütner
Artist role: fotograaf
Artist dates: 1892 – 

Between 1912 and 1930, anyone could have their portrait taken at the many so-called rapid photography studios in the shopping streets of mainly (medium) large-size European cities. As if on an assembly line, the youngest clerk shot the photographs with a special camera and in artificial light and developed them. Later in the day, the customer collected a sheet with 12 portrait photos for 25 cents. This form of photographic mass production gave rise to a fascinating tableau of boys, girls, men and women not previously seen in photographs; candid and informal. There were at least 150 quick-photo studios, from Alkmaar to Zutphen. Many called themselves ‘American,’ mistakenly as it turns out because hardly any examples from that country have been found.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Two fragments with circumscribed palmettes
Portret van Robert Ker
Object type: print
Date: 1755 – 1765
Materials: paint, paper
Techniques: brush
Location: london
Artist: james mcardell
Artist role: print maker, publisher
Artist dates: 1728 – 1765
Subjects: historical persons
Inscriptions: collector's mark: Lugt 240
She Thank'd Me, plate two from Othello
Object type: print
Date: 1844 – 1844
Materials: paper, ivory
Techniques: drypoint, engraving, etching, roulette
Location: france
Artist: théodore chassériau
Artist nationality: french
Artist dates: 1819 – 1856
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 490
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, and part of right shoulder of youth to left
Tureen and stand
Object type: platter
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht

Manufactuur Oud-Loosdrecht
Loosdrecht, c. 1778–1782
hard-paste porcelain
Blijde intrede van de Kardinaal-Infant te Gent, 1635
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: engraving, etching
Location: antwerp
Artist: pieter de jode (ii)
Artist role: draughtsman, print maker
Artist dates: 1606 – 1674
Subjects: filips iv (koning van spanje), landvoogd der zuidelijke nederlanden ferdinand van oostenrijk, specific aspects, allegorical aspects of neptune; neptune as patron, other decorative structures (~ triumphal entry, etc.), ghent
Inscriptions: collector's mark: Lugt 240

Spektakel met Neptunus (Filips IV) staande in zijn strijdwagen getrokken door zeepaarden. Stellage opgesteld op een plein te Gent. Op de achtergrond de stellage met de reuzenvis, huizen en masten met brandende pektonnen. In de marge een onderschrift in het Latijn. Vijfendertigste prent uit een serie van 42 die de uitgave van de beschrijving van de intocht van de Kardinaal Infant Ferdinand van Oostenrijk te Gent op 28 januari 1635 als de nieuwe landvoogd voor de Spaanse Nederlanden illustreren.
Furniture socket, rectangular
Object type: furniture socket, rectangular
Date: 3900 – 100
Materials: bronze
Culture: cypriot
A Stag and Four Hinds on a Grassy Knoll (with Base)
Object type: drawing
Date: 1770 – 1770
Materials: chalk, ink
Techniques: pen, wash
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Subjects: deer
Handkerchief
Object type: handkerchief
Date: 1801 – 1900
Materials: linen
Subjects: flowers
Gevangentoren te Oudewater
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: etching
Location: oudewater
Artist: eberhard cornelis rahms
Artist role: print maker, publisher
Artist dates: 1823 – 1907
Subjects: sailing-ship, sailing-boat, canal
Inscriptions: collector's mark: Lugt 2228

Gezicht op de Gevangentoren en de Romeinsebrug te Oudewater. Op de voorgrond een gracht waar een zeilbootje op ligt.
Ornament of Horse Trapping
Object type: ornament of horse trapping
Date: 1301 – 1400
Materials: bronze
Culture: spanish
Location: spain
Jérusalem. Porte de Jaffa. Intérieur
Object type: photograph
Date: 1854 – 1856
Materials: cardboard, paper
Techniques: salted paper print
Location: paris
Subjects: gate, entrance, city-gate
Gezichten uit Italië
Object type: reproduction
Date: 1905 – 1906
Materials: cardboard, paper
Techniques: photograph
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', naples, rome, sorrento, atrani
Inscriptions: inscription: ‘Serie 22.’

Dergelijke prenten stonden bekend als 'zwartjes'. Men verkreeg ze bij aanschaf van bepaalde merken thee, cacao, sigaretten, beschuit, etc. om te verzamelen. Er waren speciaal voor de 'zwartjes' vervaardigde verzamelalbums in omloop.
Tool
Object type: tool
Date: 3850 – 2960
Materials: stone
Location: egypt
The Medley (Handkerchief)
Object type: textile
Date: 1792 – 1795
Materials: cotton
Techniques: weave, printing
Location: england
Artist: william gilpin
Artist role: author
Artist nationality: british
Artist dates: 1724 – 1804
Subjects: propaganda
Zie Gulivers geval, de landen 't aller wegen, / Beschreven in deez' prent, zyn in de maen gelegen. / Jeunesse, dans ce tableau admire les passages, / Qu' éprouva Guliver, dans ses curieux voyages
Object type: popular print
Date: 1856 – 1900
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: (scenes from) specific works of literature: swift, gulliver's travels
Inscriptions: collector's mark: Lugt 2760

Blad met 20 voorstellingen uit Gullivers reizen, waaronder Gulliver in Lilliput en twee reuzen die Gulliver gevangennemen. Onder elke voorstelling een tweeregelig vers in het Nederlands en het Frans. Genummerd midden boven: N. 27.
Portret van de heer en mevrouw Westenenk in Nederlands-Indië
Object type: photograph
Date: 1917 – 1917
Materials: photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: marriage, married couple, 'matrimonium', dutch east indies, the

Onderdeel van Familiealbum met foto's van een familie in de voormalige kolonie Nederlands-Indië en van een suikerfabriek in Purworejo.
Loterijbrief
Object type: loterijbrief
Date: 1813 – 1813
Materials: paper
Techniques: printing
Location: amsterdam
Artist: j.g. de groot jamin
Artist role: schrijver
Subjects: netherlands
Inscriptions: date
Het Menselyk Bedryf
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: sheet, handicrafts, craftsman at work
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van de 100-delige serie beroepsprenten van Jan en Caspar Luyken, getiteld: Het menselyk bedryf. S.l.s.n., 1694 (eerste druk).
Armchair
Object type: furniture
Date: 1897 – 1897
Materials: hair, wood
Techniques: stain
Location: scotland
Artist: charles rennie mackintosh
Artist nationality: scottish
Artist dates: 1868 – 1928
Subjects: furniture

Charles Rennie Mackintosh designed this armchair in 1897 for Catherine Cranston’s Argyle Street Tearooms in Glasgow. Though the chair adheres to the strict linearity of many of Mackintosh’s designs, in this instance he has enlivened the surfaces by piercing each of the side panels with a crescent-like motif reminiscent of a bird in flight. One of these chairs appears in a contemporary photograph of the Luncheon Room of the Argyle Street Tearooms, but it is not known how many were made. This chair has a particularly interesting provenance, as it passed down through the family of one of the tearoom’s employees.
Sceptre plaque
Object type: sceptre plaque
Date: 1701 – 1800
Materials: jade
Culture: chinese
Philadelphia Centennial Exhibition Quilt
Object type: textile
Date: 1876 – 1900
Materials: cotton, wool
Techniques: dyeing, printing, weave
Location: united states
Subjects: commemoration, propaganda, pennsylvania, exhibitions, geometric, checkerboards, paisley, triangles, presidents, united states of america, medallions, buildings
Inscriptions: Inscription (on handkerchief): CENTENNIAL / THE ART GALLERY. / 1776 /1876 / INTERNATIONAL EXHIBITION, 1876 /MAIN BUILDING. / HORTICULTURAL BUILDING. / PHILADELPHIA.
Flavian ampitheater, called the Colosseum. 1. Arch of Constantine. 2. Palatine Hill, plate 12 from Some Views of Triumphal Arches and other Monuments
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Mlle. Isabelle, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Mio Giardino
Object type: photograph
Date: 1840 – 1840
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: trees
Hoofddracht van een meisje uit Noord-Holland, 1816
Object type: print
Date: 1816 – 1817
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: folk costume, regional costume
Inscriptions: inscription: ‘Une Jeune fille de la Nord-hollande / Vue en profil’

Buste van een jonge vrouw uit Noord-Holland in klederdracht, 1816. Gezien in profiel naar links, rechtsonder genummerd: Pl. 7. Onderdeel van een plaatwerk uit ca. 1824-1825 met 74 (ongenummerde) platen van de belangrijkste topografische gezichten en verschillende zeden en gewoonten in het Verenigd Koninkrijk der Nederlanden.
Gezicht op een ruïne in Pompeï
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Subjects: ruin of a building ~ architecture, pompeii
Man met een boek in zijn hand aan een schrijftafel
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching, hand coloring
Artist: Anonymous
Subjects: writing-table, writing-desk, ink-well, book, watch, dog
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Een man zit met een boek in de hand aan een schrijftafel, gekleed in een kamerjas en met een muts op zijn hoofd. Op tafel liggen en staan verschillende objecten, waaronder een horloge, boeken en een inktstel. Op de grond voor de tafel ligt een hond. Onder een zesregelig vers in het Frans; boven voor het raam een citaat van Ovidius.
Snuifdoos met portret van Nicolaas Pancras
Object type: miniature
Date: 1743 – 1743
Materials: gemstone, diamond, glass, gold, parchment, silver, watercolor
Location: amsterdam
Subjects: nicolaas pancras, rocaille ornament, historical persons
Inscriptions: alloy mark, town mark, date letter: ‘I’, maker's mark

Snuffbox. Gold. With a portrait of Nicolaas Pancras. Amsterdam, 1743, by Jean Soumain. Snuffbox. Gold. Middelburg, 1784 - 1786, by L. Potmans.
Portrait of Casimir le Conte
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Verzameling hoofden
Object type: print
Date: 1771 – 1774
Materials: paper
Techniques: etching
Location: venice
Artist: giovanni domenico tiepolo
Artist role: draughtsman, print maker
Artist dates: 1727 – 1804
Inscriptions: collector's mark: Lugt 2228

Prent uit serie Verzameling hoofden (Raccolta di teste). Giovanni Domenico Tiepolo vervaardigde in de winter van 1757-1758 en in de periode van 1771-1774 deze hoofden naar schilderijen en tekeningen van Giovanni Battista Tiepolo. De eerste uitgave verscheen in 1774 in twee delen met elk dertig prenten. Deze prent werd opgenomen in deel 2.
Twaalfde landhuiskundig congres te Nijmegen
Object type: medal
Date: 1858 – 1858
Materials: bronze
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: nijmegen

Bronzen penning. Voorzijde: opschrift. Keerzijde: blanco veld binnen krans van eikeloof en korenaren