deem-data/ArtiFact huggingface dataset:
Parrot (one of a pair)
Object type: figure
Date: 1741 – 1741
Materials: gilt bronze, hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: fruit,parrots,flowers

Porcelain birds have their origins in the princely tradition of maintaining collections of living animals and birds in menageries and aviaries, which were viewed as microcosms of the universe, and emblems of royal power and enlightenment. These collections often included exotic birds such as parrots, admired for their rarity, as well as more familiar native species. In 1731 the Meissen manufactory began a new genre in European porcelain, producing several hundred life-size and near-life-size porcelain birds and animals, many destined for the Japanese Palace of Augustus the Strong, Elector of Saxony (1670–1733). To create them, factory modelers found inspiration in nature, looking both to living and stuffed specimens, as well as zoological illustrations and Asian porcelain precedents. The great Meissen modeler Johann Joachim Kändler is known to have copied from life the birds kept at the royal aviary at Schloss Moritzburg. Surviving prints and drawings of the period indicate that porcelain birds, animals, and vases were placed on gilt wood brackets arranged in decorative, symmetrical patterns. An eighteenth-century English visitor to the Japanese Palace, Jonas Hanway, described this manner of display: "The long gallery in the second story had already two marble chimney-pieces, each adorned with near 40 very large pieces of porcelain, of birds, beasts, and vases, ranged to the height of above 20 feet in a most superb taste…." [Elizabeth Sullivan, 2013]
Pair of Sword-Grip Ornaments (Menuki)
Object type: pair of sword grip ornament menuki
Date: 1701 – 1800
Materials: gold
Culture: japanese
Location: japan
Subjects: birds
Gezicht van de Boter Markt te Amsterdam / Vue du Marche au Beure à Amsterdam
Object type: print
Date: 1768 – 1783
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: weigh-house, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Deze prent is ook gebruikt in de zogenaamde Atlas van Fouquet.* Pierre Fouquet gaf vanaf 1760 stadsgezichten van Amsterdam - naar tekeningen van verschillende kunstenaars, gemaakt door verschillende prentmakers - uit. Deze prenten werden aanvankelijk los of in series verkocht. Zoals toen gebruikelijk kon de koper de prenten zelf laten inbinden. Hiertoe gaf Fouquet tussen 1778 en 1783 een titelblad, plattegrond en inhoudsopgave van de tot dusver 100 uitgegeven prenten uit (1). Gezien de inhoud afhankelijk was van wat de koper had verzameld verschilt de inhoud van de verschillende bewaarde Fouquetatlassen onder deze titel sterk. Ook zijn er exemplaren bekend waar tevens andere prenten aan zijn toegevoegd. Omdat er behoefte bleek aan uitleg bij de platen werd in 1783 een nieuwe versie van de atlas uitgegeven, aangevuld met tekst en twee prenten. De aangegeven volgorde veranderde maar de platen van de al eerder uitgegeven prenten bleven ongewijzigd. Deze uitgave werd in opdracht van Fouquet gedrukt bij Daniël Jean Changuion en Petrus den Hengst (2). Een tiental platen werd bijgewerkt en verscheen, met nieuw impressum, in het vervolg van Wagenaars geschiedenis van Amsterdam, uitgeven door Petrus Conradi en Folkert van der Plaats (3). Een aantal jaar na het overlijden van Fouquet kwam Evert Maaskamp met een nieuwe uitgave van de atlas, met verbeterde tekst en toevoeging van twee prenten. Op alle platen verwijderde hij het oude en liet hij zijn eigen impressum zetten (4).

De huidige staat van de prent komt voor in exemplaren van de onder (1) en (2) genoemde werken.

* Onder de Atlas van Fouquet of Fouquetatlas verstaan we de hieronder vermelde publicaties (1), (2) en (4).
(1). Afbeeldingen van de wyd-vermaarde koopstad Amsterdam benevens des zelvs voornaamste gebouwen en gezigten alle naar het leeven getekend / Receuil des edifices les plus considerables et des plus belles vues, de la fameuse ville d'Amsterdam, dessinées d'après nature. Amsterdam: Pierre Fouquet, 1778-1783.
(2). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam, met derzelver beknopte beschryvingen. 2 delen. Amsterdam: Daniël Jean Changuion en Petrus den Hengst [in opdracht van Pierre Fouquet], 1783.
(3). Stijl, Simon. Amsterdam, in zyne geschiedenissen, voorregten, koophandel, gebouwen, kerkenstaat, schoolen, schutterye, gilden en regeeringe, beschreeven. Om te dienen ten vervolge op het werk van Jan Wagenaar (…). 10 delen. Amsterdam en Harlingen: Petrus Conradi en Folkert van der Plaats, 1788-1801.
(4). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam. Met derzelver beknopte beschryvingen. Amsterdam: Evert Maaskamp, 1805.

* Het aantal vermelde staten is gebaseerd op het aantal gevonden staten. Mogelijk zijn er meer staten van deze prent.
Illustration of Sign or Badge (on Banner, Costume, etc.) Proscribed for Subjects of the Tokugawa
Object type: scroll
Date: 1794 – 1794
Materials: ink, paper
Culture: japanese
Location: japan
Artist: baron matsudaira
Artist role: mount maker
Artist nationality: japanese
Triomferende Christus met kruis
Object type: print
Date: 1525 – 1565
Materials: paper
Techniques: engraving
Location: rome
Subjects: particular types of adult christ (without others)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: Lugt 1584

Naar Michelangelo's Cristo della Minerva, in de Santa Maria sopra Minerva in Rome. Op een blad geplakt en voorzien van een kader in pen in bruin.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, at the left, part of a fluted column or drapery; part of a draped figure to right, wearing a chiton and himation
View of Zoutelande
Object type: painting
Date: 1910 – 1912
Materials: canvas, oil
Artist: ferdinand hart nibbrig
Artist role: draughtsman, painter, print maker
Artist dates: 1866 – 1915
Subjects: dune coast, prospect of village, silhouette of village (+ city(-scape) with figures, staffage)
Inscriptions: signature: ‘Hart Nibbrig’

At the beginning of the 20th century, painters were drawn to the North Sea coast of the province of Zeeland. Every summer an artists’ colony gathered in the charming seaside resort of Domburg on Walcheren. Hart Nibbrig even had a summer house built in nearby Zoutelande in 1911. From a high vantage point in the dunes he painted the sweltering summer light.
Bord met op het plat een man op het dak van een huis en een vrouw beneden op de grond
Object type: plate dish
Date: 1400 – 1950
Materials: earthenware
Techniques: transfer decoration
Inscriptions: check stamp: ‘3 1/2 S’, mark: ‘TIMOR // V & B en U’

Bord van aardewerk met zwart transferdecor. Op het plat een voorstelling van een man zonder schoenen op het dak van een huis. Benenden op de grond staat een vrouw naast zijn schoenen. Aan de hemel staan de maan en sterren. De rand van het bord met bloemen, voluten en abstracte motieven.
The Elopement (parody of Akutagawa episode from "Tales of Ise")
Object type: print
Date: 1767 – 1767
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Gezigt van het ondervloeijen van het dorp Kruiningen na de doorbraak van den Zeedijk in den nacht tusschen den 14den en 15den januarij 1808
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: haarlem
Subjects: flood
Inscriptions: collector's mark: Lugt Lugt 2228

Prent gebruikt in: Hoek, S. van. Natuur- en geschiedkundige beschrijving van den verschrikkelijken watervloed tusschen den XIVden en XVden van Louwmaand des jaars 1808. Haarlem: Adriaan Pietersz. Loosjes, 1808.
Altar to the Hand (Ikegobo)
Object type: altar
Date: 1801 – 1900
Materials: wood
Culture: edo period
Location: nigeria

In the royal kingdom of Benin, cylindrical "altars to the hand," or ikegobo, are created to celebrate a person's accomplishments and successes. Ikegobo are dedicated to the hand, the aspect of an individual's being associated with action and the initiation of change which is at the root of one's achievements. Depending on a patron's wealth and place within the hierarchy of the kingdom, these objects are made of brass, wood, or clay.
Bottle
Object type: bottle
Date: 2333 – 2001
Materials: ceramic
Location: mesopotamia
Panel with arms of the Killigrew family of Cornwall
Object type: panel
Date: 1570 – 1570
Materials: glass
Subjects: coat of arms
Dragon and Tiger
Object type: painting
Materials: gold, ink, panel, paper
Location: japan
Artist: kishi ganku
Artist role: artist
Artist nationality: japanese
Artist dates: 1749 – 1838
Design for 2 seat Phaeton, no. 3010a
Object type: drawing
Date: 1874 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Brief aan Anne Marie Louise van der Linden
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: camille redon-falte
Artist dates: 1853 – 1923
Subjects: paris, painter, print maker, draughtsman, odilon redon, drawing, painting (including book-illumination, miniature-painting), exhibition ~ art, historical persons (portraits and scenes from the life)

Brief behoort tot een album samengesteld door weduwe Françoise W.M. Barones van der Borch van Verwolde met afschriften van brieven met betrekking tot (de familie van) Odilon Redon. De brief werd bewaard op pagina 89.
Knoop van zwart glas of git
Object type: button
Date: 1590 – 1596
Materials: glass
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck
Portret van Georg Kromppein
Object type: print
Date: 1664 – 1689
Materials: paper
Techniques: engraving
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de ondermarge.
On the Bridge of Europe, plate nine from Landscapes and Interiors
Object type: print
Date: 1899 – 1899
Materials: paper, ivory
Techniques: lithograph
Location: france
Artist: edouard jean vuillard
Artist role: draughtsman, print maker
Artist nationality: french
Artist dates: 1868 – 1940

Bright colors and dense patterns provide an intimate glimpse into the artist’s home while figures absorbed in their daily activities suggest an air of distance and mystery. Édouard Vuillard is best known today for his depictions of Parisian interiors, often populated by his friends and family. At the time Landscapes and Interiors was published, however, collectors were not eager to purchase the series, perhaps due to its personal and private subject matter; 20 years after it was produced, the influential art dealer Ambroise Vollard had not yet sold the edition of 100.
Dish with a folded rim
Object type: dish
Date: 2100 – 2010
Materials: mineral, pottery
Techniques: wash
Location: egypt

This dish of Nile clay covered all over with a red pigment has a rim folded inwards in five places. Stone dishes with inward-folded rims appear as early as the First Dynasty and would seem to derive from pottery prototypes, though examples in pottery are very rare before the First Intermediate Period. This vessel was excavated in 1920-21 from a grave at Sedment and was perhaps intended to represent a special dish in the funerary meal.
Sample
Object type: sample
Date: 1840 – 1840
Materials: cotton
Subjects: flowers
Terracotta fragment of a krater (deep bowl)
Object type: krater fragment
Date: 400 – 376
Materials: terracotta
Culture: greek, south italian, apulian
Artist: tarporley painter
Artist role: artist

Head and neck of a woman to left, wearing a sakkos
Annotaties
Object type: endleaf
Date: 1915 – 1920
Materials: paper, pencil
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Inscriptions: annotation: ‘W.F./ T. 79’, annotation: ‘[...]’

Schutblad A, voorste schutblad, uit een schetsboek met 12 bladen.
Cap
Object type: cap
Date: 1820 – 1825
Materials: brass
[Vignetted portrait, woman holding a baby]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: alfred capel cure
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1896
Subjects: infants,portraits,women
Tweede corps de garde van Hollandsche officiers
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: open hearth, fire-place, handwriting, written text, studying a map, meeting of soldiers and/or officers
Inscriptions: collector's mark: Lugt 240

Een interieur met verschillende officieren. Rechts zit een man aan een schrijftafel, links is een man bezig met vuur uit de open haard, in het midden kijken drie heren op een kaart. Boven de schoorsteen een wapenschild en daarboven een een met een lauwerkrans omgeven portret van een man en profil.
Button
Object type: button
Date: 900 – 801
Culture: iranian
Location: iran
Florida, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the "Flags of the States and Territories" series (N11), issued in 1888 in a set of 47 cards to promote Allen & Ginter brand cigarettes. There are also approximately 100 scroll color variations. The museum's collection contains the full set of 47 cards, as well as 54 scroll color variations and one cutout card.
Twee microscoopopnamen van bederfbacteriën
Object type: photomechanical print
Date: 1875 – 1885
Materials: paper
Techniques: photograph
Location: munich
Subjects: unicellular animals, bacteria, bacilli
Inscriptions: number: ‘Tafel XI. Figur 17. Figur 18.’
Dish (one of a pair)
Object type: dish
Date: 1744 – 1783
Materials: soft paste porcelain
Artist: bow porcelain factory
Artist role: factory
Artist nationality: british
Artist dates: 1747 – 1776
Subjects: leaves
La Corbeille
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: royal household; courtiers, retinue, train
Inscriptions: number: ‘5’, inscription: ‘cl 100’, retailer's mark: ‘Feldbrugge & Co./ Groningen’
Wien, Stefansdom, Unneres.
Object type: photograph
Date: 1907 – 1907
Materials: cardboard, photographic support
Techniques: daylight paper print
Location: stephansdom
Subjects: parts of church interior: nave, parts of church interior: choir
Inscriptions: name: ‘WÜRTHLE & SOHN WIEN 1907’, inscription: ‘CWN.’, number: ‘4505.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, inscription: ‘Gothische Kunst.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’
Hellmuth von Moltke
Object type: photograph
Date: 1880 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Subjects: berlin
Hachi-maki, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Vergulde lijst met gesneden ornamenten in Lodewijk XIII stijl
Object type: frame
Date: 1800 – 1899
Materials: gold leaf, wood
Techniques: cutting, gilding
Location: unknown
Artist: Anonymous

Vergulde lijst met gesneden ornamenten in Lodewijk XIII stijl. Op de middens van de lijstdelen bevindt zich een gearceerd en gestileerd bladmotief. De eikenhouten zool heeft een halfhout verbinding verstevigd met spijkertjes.
Op de grond zittende naakte vrouw
Object type: print
Date: 1948 – 1948
Materials: paper
Techniques: lithograph
Location: paris
Subjects: sitting figure - aa - female human figure, woman (showing herself) undressed, quasi-nude

Prent uit: Lucianus van Samosata. Dialogues des Courtisanes. [Vertaald uit het Grieks door] Charles Astruc. Parijs: s.n., 1948, deel van de suite met een extra afdruk van de prenten in sanguine.
Sugar spoon
Object type: sugar spoon
Date: 1749 – 1750
Materials: gilt, silver
Artist: jean-pierre chézelle
Artist role: maker
Artist dates: 1671 – 1771
Fiacre d' Amsterdam
Object type: print
Date: 1816 – 1833
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Subjects: four-wheeled vehicle drawn by one animal, whip
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Maaskamp, Evert. Tableau des principales vues des palais et édifices : représentations et des coutumes et usages, dans les provinces septentrionales du Royaume des Pays-Bas. Amsterdam, Evert Maaskamp, 1824.
Miss Vernon, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Costumes Zélandais
Object type: print
Date: 1830 – 1860
Materials: paper, watercolor
Techniques: hand coloring
Location: paris
Subjects: clothes, costume (+ women's clothes), clothes, costume (+ men's clothes), folk costume, regional costume, zeeland
Inscriptions: collector's mark, collector's mark: Lugt 1641

Jonge man en jonge vrouw staande aan de kust, gekleed in Zeeuwse klederdracht. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: De Kleeding, Volkskleederdracht, Zeeland.
Mountain Landscape with a Castle and a Boatman
Object type: drawing
Materials: chalk, paper
Techniques: stumping
Artist: thomas gainsborough
Artist role: artist
Artist nationality: british
Artist dates: 1727 – 1788
Subjects: castles,mountains,landscapes,boats

Once thought to date to the mid-1770s, when Gainsborough moved to London from Bath, the handling of this sheet suggests a date following the artist's visit to the Lake District in 1783. His early drawings respond to the English landscape, but this composition is an imagined conflation that demonstrates admiration for Claude Lorrain and Gaspard Dughet conveyed using black and white chalks on blue paper, a seventeenth-century technique. The appreciation for rough, irregular forms accords with the contemporary British aesthetic of the Picturesque.
Old man shading his eyes with his hand
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: mark: Lugt 2228
Pepper Caster
Object type: metalwork
Date: 1731 – 1732
Materials: metal, silver
Location: london
Artist: william fordham
Nieuwmarkt en Vischmarkt, Amsterdam
Object type: ansichtkaart, prentbriefkaart
Date: 1901 – 1901
Materials: cardboard
Techniques: photograph
Location: amsterdam
Artist: jos. m.h. nuss
Artist role: publisher
Artist dates: 1879 – 1954
Subjects: square, place, circus, etc., weigh-house
Panel
Object type: panel
Date: 1201 – 1400
Materials: bone, ivory, wood
Techniques: carving, inlay
Location: egypt
Herder met geiten
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: printmaking
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., bagpipe, musette
Inscriptions: collector's mark: Lugt 2228

Herder leunend op een stok, met drie geiten en een herdershond. Op zijn rug draagt de herder een doedelzak.
Prajnaparamita, Goddess of Wisdom
Object type: sculpture
Materials: bronze
Location: cambodia
Plate (assiette à palmes) (one of four) (part of a service)
Object type: plate
Date: 1771 – 1771
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: birds,wreaths,insignia

The table services produced at Sèvres in the eighteenth century were highly prized and extremely expensive. They were not only purchased by the Crown and members of the aristocracy but also given by the king as diplomatic gifts to foreign courts and visiting dignitaries, and the esteem in which they were held did much to enhance the factory’s prestige and fortunes. Because the number of pieces composing a service was very large, the cost was enormous, but this did not deter many courtiers from ordering a dinner or dessert service, or both. One of the most celebrated services produced at Sèvres was delivered to Louis-René-Édouard, prince de Rohan-Guémenée (1734–1803), on September 7, 1772. All of the pieces were decorated with the rich turquoise ground color known as bleu céleste and with birds encircled by an elaborate gilt wreath of oak leaves and acorns. Many of the components of the service bear the initials LPR ( for Louis, prince de Rohan), executed in two tones of gilding. The service cost the substantial sum of 20,772 livres, which was roughly equivalent to twice the annual income of a successful doctor at the time. This plate is one of twenty-three pieces from the Rohan service now in the Museum’s collection. Originally composed of 368 pieces, the service was small in size compared to other Sèvres services, but the rich use of gilding, the expensive ground color, and the initials in two tones of gold account for its high cost.
Mail Shirt
Object type: armor
Date: 1701 – 1800
Materials: steel
Culture: islamic
Location: india