deem-data/ArtiFact huggingface dataset:
Sacra Eremus Ascetriarum
Object type: print
Date: 1590 – 1612
Materials: paper
Techniques: engraving
Location: low countries
Subjects: anchorite, hermit, female saints, angels
Inscriptions: collector's mark: Lugt 2228

Prent uit: Sacra Eremus Ascetriarum, uitgever Boëtius Adamsz. Bolswert, 1612 of Hendrik Aertssen, Antwerpen 1619. Prent uit de serie van vijfentwintig kluizenaressen in deze uitgaven. In 1612 verscheen een ongebonden editie maar op basis van de gewijzigde opschriften en samenstelling van de serie kluizenaars wordt aangenomen dat de prenten van de uitgave 1619 ook in 1612 of iets daarvoor gedrukt werden. De serie kluizenaressen bleef vrijwel ongewijzigd in de ongebonden uitgave van 1612, dit compliceert de datering van de losse bladen in de collectie van het RMA, zie Roethlisberger 1993, p. 171-175.
Studenten in een rijtuig in het Vondelpark in Amsterdam
Object type: photograph
Date: 1880 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, student life
The War with Venice, from The Triumphal Arch of Maximilian I
Object type: print
Date: 1515 – 1517
Materials: ink, paper
Techniques: printing, woodcut
Location: germany
Artist: school of albrecht dürer
Artist nationality: german
Artist dates: 1471 – 1528
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of round shield and greaved leg of fallen warrior; front legs of a horse
Troonsafstand van keizer Karel V, 1555
Object type: history print
Date: 1747 – 1759
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: philip ii of spain, william i (prince of orange), ghent, charles v (holy roman emperor and king of spain), voluntary abdication (of a ruler)

Troonsafstand van Karel V op 25 oktober 1555 waarin hij de regering van de Nederlanden overdraagt aan zijn zoon Filips. Troonzaal met de keizer staande voor de troon, met een arm steunend op de schouder van jonge Willem van Oranje, voor hen staat Filips.
Een koeienkop en paardenbenen
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: horse (+ limbs of an animal), cow (+ head of an animal)
Inscriptions: date

Waarschijnlijk is dit een prent voor: 'Beesten Studien naar het Leven op steen gebragt door G. Craeyvanger'. Amsterdam: Francois Buffa & Zoonen, 1828. Zie Swillens in Jaarboek Oud Utrecht. Volgens Swillens gedrukt door Ambroise Jobard. In Lijst van kunstwerken door beoefenaars en verzamelaars bijeengebragt, om verloot te worden ten behoeve van het vaderland; tentoongesteld te Amsterdam, in het nationale geregtshof, Amsterdam (C.A. Spin) 1831, p. 31, nr. 700 vermeld als uitgave van Daiwaille en Veldhuijzen. Daiwaille had eerder samengewerkt met Ambroise Jobard.
Cor Jesu.
Object type: cut paper
Date: 1750 – 1784
Materials: paper, watercolor
Techniques: cutting, drawing, snipping
Artist: Anonymous
Subjects: the sacred heart
Inscriptions: inscription: ‘Dit prenke is mij is mij gegeven van eerweerde heer Derken Lucas ottinga priester to Sneek / aen mij Agnes Maria van diemen den 9 october 1784’

Christus met het Heilige Hart in een uitgesneden decoratieve omlijsting met bloemen en krullen. Beneden een cartouche met de tekst: 'Cor Jesu'.
Petticoat
Object type: petticoat
Date: 1890 – 1899
Materials: cotton
Culture: american
Laan met bocht, vermoedelijk in de buurt van Volendam
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: volendam
Artist: george hidderley
Artist role: fotograaf
Subjects: forest path or lane

Onderdeel van fotoalbum met opnames van Volendam, Dordrecht, Gorinchem en Woudrichem.
Fruitstuk
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: etching
Location: amsterdam
Artist: cornelis ploos van amstel
Artist role: draughtsman, print maker
Artist dates: 1726 – 1798
Subjects: fruits
Inscriptions: collector's mark: ‘RIJKS / MUSM’

De prent ligt los in een album, zie blad 67
Kleine cartouche naar voorbeeld te Fontainebleau
Object type: ornament print
Date: 1520 – 1584
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous

De engelen zitten linksonder en rechtsonder op een voluut van het rolwerk. Uit serie van 32 bladen. De cartouches zijn deels ontleend aan de prenten van Antonio Fantuzzi naar de decoratie van de Galerie van François 1er door Giovanni Battista Rosso. De serie staat ook bekend onder de titel Petits cartouches de Fontainebleau.
Votive Plaque with Seated Buddhas
Object type: plaque
Date: 618 – 906
Materials: terracotta
Culture: tibetan
Subjects: buddhism,buddha
Nederlandse 2½  gulden, 1898
Object type: coin
Date: 1898 – 1898
Materials: silver
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: hoofd met diadeem naar links.Keerzijde: tussen waarde-aanduiding 2½ G gekroond rijkswapenschild. Jaartal bovenaan in omschrift. Randschrift.
Portret van een geharnaste man
Object type: drawing
Date: 1649 – 1723
Materials: ink, paper
Techniques: pen
Subjects: helmet, armour, baton of general, historical persons not known by name
Russische kerk in Genève
Object type: photomechanical print
Date: 1895 – 1910
Materials: cardboard, paper
Techniques: photograph
Location: geneva
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: inscription: ‘Edition Photoglob. 344. Genève, Eglise russe.’

Deze fotomechanische afdruk maakt deel uit van een omslag.
Head from a Large Statue of a Priest or Dignitary
Object type: head, priest or dignitary
Date: 1700 – 1600
Materials: quartzite
Location: egypt
Subjects: heads,men

This head was at some point in the past considered to be of Late Period (Dynasty 25) date but subsequent reevaluation of the art of the late Middle Kingdom has enabled scholars to understand it as a primary work of Dynasty 13. The partial baldness of the official is an indication of maturity. He still retains tufts of hair, once probably emphasized by paint, above the ears. The hooded eyes and the furrow between the brows are reminiscent of royal images of Dynasty 12. Maturity and features characteristic of a wise ruler identify the man as an experienced and caring holder of high office, while the elegant bone structure of the head and the sensitive pursed lips express a noble and refined mind. The head once belonged to a statue that was larger than life size and showed the official either standing or seated. It was excavated in the temple of Osiris at Abydos which makes it an example of the new type of statuary introduced during the Middle Kingdom: a temple statue. Through this placement of his statue, the official hoped to participate eternally in the rituals performed for the god.
Rank Badge
Object type: rank badge
Date: 1662 – 1722
Materials: metal thread, silk
Techniques: tapestry
Culture: chinese
Subjects: cranes

The bird shown on this badge is a crane, corresponding to the highest rank of civil official. The badge is woven in a fine silk tapestry weave (kesi) with some details, especially outlines, in metallic thread. The sun, at the upper right, was a Qing-dynasty innovation not found on Ming badges.
Kom met deksel van melkglas met blauwe emailverf beschildering, imitatie Chinees porselein; kelkvormig kom met bloemmotieven tussen verticale lijnen, bolle deksel met knop.
Object type: miniature
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous
A profile of a man looking to the right with a dark mustache
Object type: print
Date: 1880 – 1910
Techniques: woodcut
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,profiles
Staande figuur op een straat voor een huis
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: street (+ city(-scape) with figures, staffage)

Tevens een studie van zittende figuur. Blad 31 recto uit een schetsboek met 53 bladen.
Opregte Zaturdagsche Haarlemsche Courant van 21 Oktober. Ao. 1837. No. 126
Object type: newspaper
Date: 1837 – 1837
Materials: paper
Techniques: letterpress printing
Location: haarlem
Subjects: berlin, the hague, wilhelmina frederica louisa (koningin der nederlanden)
Inscriptions: collector's mark: Lugt 2228

Exemplaar van de Opregte Haarlemsche Courant van 21 oktober 1837 met nieuws over de dood van koningin Wilhelmina van Pruisen op 12 oktober 1837. Dubbelgevouwen blad bedrukt op alle zijden.
The King's Acquaintances Memi and Sabu
Object type: statue, standing pair, memi, sabu
Date: 2575 – 2465
Materials: limestone, paint
Location: memphite region
Subjects: couples,men,women

This statue evokes the intimacy of Memi and his companion, Sabu, although she is set somewhat apart by her oblique gaze. Until recently, the flowering of nonroyal statuary was believed to have occurred only in the Fifth and Sixth Dynasties. Recent studies indicate, however, that many of these nonroyal statues, including Memi and Sabu, are better dated to the Fourth Dynasty, contemporary with the great royal statuary programs. The early date for Memi and Sabu is based both on her coiffure and on the reciprocated embrace.
Relikwieënkast van het heilig avondmaal en abdij-kruis in het klooster van Maredsous, België
Object type: page
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Location: maredsous
Subjects: relics (and reliquaries), the cross ~ symbols of christ
Inscriptions: number: ‘Pl. no LII.’, inscription: ‘Propriété réservée.’
Scene in the Cripple Creek mining region
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: cripple creek
Artist: Anonymous
Subjects: city-view in general; 'veduta', mountains
Group portait of the family of Dost Mohammed Khan, with Sher Ali Khan and Abdur Rahman Khan, Afghanistan
Object type: photograph
Date: 1878 – 1880
Materials: paper
Techniques: albumen print
Location: afghanistan
Artist: j.n.o. burke
Artist role: fotograaf
Artist dates: 1843 – 1900
Subjects: historical persons
Inscriptions: number: ‘87’, name: ‘Burke’
Maharaja Sidh Sen Receiving an Embassy
Object type: painting
Date: 1700 – 1710
Materials: ink, paper, watercolor
Culture: indian
Artist: a master of the mandi atelier
Artist role: artist
Artist nationality: indian
Subjects: men,horses

The subdues palette of grays, greens, and whites and the sophisticated drawing of this unusually large and ambitious painting mark it as the work of the most important Mandi painter of the early eighteenth century. The dual-level composition, in which the maharaja and two visiting dignitaries sit on a raised dais covered with a summer carpet while retainers and mounts stand on the ground below, derives from Mughal models. The subject is extremely unusual within the corpus of hill-state painting; the picture probably records an actual meeting, which seems filled with import. In Hindu painting, rulers are routinely portrayed on a larger scale than their courtiers, as befits their royal stature. Here, the two massive figures face each other; the white-robed Sidh Sen and his portly petitioner.
Sheet 5 of figures for Chinese shadow puppets
Object type: print
Date: 1859 – 1859
Techniques: engraving, woodcut
Artist: juan llorens
Artist role: publisher
Artist nationality: spanish
Artist dates: 1800 – 1900
Subjects: boars,angels,devil,puppets
Lobster on a Piece of Charcoal with Other New Year Decorations
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: lobsters
Vieille Maison en Restauration
Object type: photograph
Materials: paper
Techniques: gelatin silver print, photography
Location: france
Artist: hippolyte bayard
Artist role: artist
Artist nationality: french
Artist dates: 1801 – 1887
Subjects: collected by hugh edwards
Portret van Antonio Franchi
Object type: print
Date: 1789 – 1789
Materials: gouache, paper
Techniques: color mezzotint
Location: florence
Artist: carlo lasinio
Artist role: painter, print maker
Artist dates: 1759 – 1838
Subjects: antonio franchi, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228, number: ‘57’, inscription:

Een prent uit een groep van veertig kleurendrukken met kunstenaarsportretten, gebaseerd op de collectie geschilderde zelfportretten van kunstenaars verzameld door de Medici in Florence. De groep maakt deel uit van het grote werk van Lasinio ‘Gli Autoritratti della Real Galleria di Firenze’, uitgegeven in 1789 met omstreeks 350 kunstenaarsportretten. Van deze uitgave is tot nog toe is geen compleet exemplaar bekend. In de inspringende marges onderaan de prenten zijn de namen van de kunstenaars aangebracht en soms hun levensdata en de plaats van geboorte en sterven en een enkele maal de signatuur van Lasinio en dat van de drukker Labrelis. Getuige de bindgaatjes en lijmresten moeten de prenten ingebonden zijn geweest in een album. De meeste prenten zijn verso voorzien van nummers in potlood, met als laagste nummer 2 en hoogste 93. Tevens zijn er verso Italiaanse opschriften in pen aangebracht met de levensdata van de kunstenaars en de school waartoe zij worden gerekend. Deze opschriften zijn vrijwel alle deels afgesneden. Elf prenten zijn niet genummerd en niet voorzien van opschriften. Deze laatste elf zijn alle gedrukt op blauw papier.
Zittend konijn
Object type: print
Date: 1917 – 1917
Materials: chalk, paper, pencil
Techniques: hand coloring
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: rodents: rabbit
Inscriptions: collector's mark: Lugt 2228
Satire op de aansporing tot deelneming in de (zogenaamde) vrijwillige 3% geldlening van 1844 (blad 9)
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: amsterdam, the hague, floris adriaan van hall, organization of trade and finance, taxes and financial administration

Bladzijde 9 met artikels 38-41 van de 'Wet van Behoud, Liefde en Redding'. Een satire in zestien bladzijden op de aansporing tot deelneming in de (zogenaamde) vrijwillige 3% geldlening uitgeschreven in maart 1844 door minister F.A. van Hall. Voorzijde van een dubbelgevouwen blad bedrukt op alle zijden.
Titelpagina met allegorische omlijsting
Object type: drawing
Date: 1809 – 1814
Materials: ink, paper, watercolor
Techniques: brush, pen
Location: southern netherlands
Artist: Anonymous
Subjects: title-page

Titelpagina met omlijsting met zeven allegorische vrouwelijke figuren. Onderdeel van het eerste album met tekeningen van viervoeters. Eerste van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Ichikawa Danjuro II as Kanto Koroku and Yamamura Ichitaro as Oichi
Object type: print
Date: 1721 – 1721
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyotomo
Artist role: artist
Artist nationality: japanese
Artist dates: 1815 – 1820
Subjects: men,women,actors
Cuneiform tablet impressed with ring seal: promissory note for barley
Object type: cuneiform tablet
Date: 419 – 419
Materials: clay
Culture: achaemenid
Location: mesopotamia
Vos in monnikspij (Reinaert) omringd door kippen en haan (Cantecleer)
Object type: print
Date: 1906 – 1908
Materials: paper
Techniques: lithograph
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: fable of reynard the fox
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1e druk na / mool[?] prepareeren[?]/ zonder correctie./ Juni 1908’

Ontwerp voor: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910.
Andiron
Object type: andiron
Date: 1790 – 1820
Materials: brass, iron
Marble head of a god, probably Zeus
Object type: head of zeus
Materials: marble
Culture: greek
Subjects: heads,zeus

The back of the head was completed with another material, probably stucco.
Verscheyde Schepen en Gesichten van Amstelredam
Object type: print
Date: 1652 – 1654
Materials: paper
Techniques: drypoint, etching
Subjects: sailing-ship, sailing-boat, towers ~ fortified city, rowing-boat, canoe, etc., bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 1227, collector's mark: Lugt 2228, collector's mark: ‘A421’, annotation: ‘12 / cu’, collector's mark: Lugt 462, collector's mark: Lugt 1494
Portret van Rene de Birague
Object type: print
Date: 1682 – 1730
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: jacobus harrewijn
Artist role: print maker
Artist dates: 1660 – 1740
Subjects: rené de birague
Inscriptions: collector's mark: Lugt 2228

Buste naar links van Rene de Birague in een ovaal. Boven het portret een afbeelding van het Lam Gods liggend op een boek met de spreuk: Rubet agnus aris. Onder het portret vier regels in het Frans.
Chinese Poem Extolling a Reclusive Lifestyle
Object type: hanging scroll
Date: 1734 – 1766
Materials: ink, paper
Culture: japanese
Artist: jakugon taijō
Artist role: artist
Artist nationality: japanese
Artist dates: 1702 – 1771

Unaffiliated with Zen sects but working in the Zen calligraphy tradition, the Shingon monk Jakugon Taijō achieved recognition as a scholar of Sanskrit and a calligrapher. He is considered one of the great monk-calligraphers of the Edo period, alongside Jiun Onkō and Ryōkan Taigu, also represented in the Cowles Collection. The inscribed poem, by the Chinese poet Li Panlong (1514–1570), reads: 君去何時歸 山中春草夕 莫将白雲廬 不及紅塵陌 Now that you are leaving, when might you return To the spring grasses in the mountains at dusk? Do you really believe that a thatched hut shrouded in white clouds Does not have more to offer than the mundane realm of red dust?
Adam and Eve
Object type: print
Date: 1733 – 1797
Materials: paper
Techniques: etching
Subjects: temptation and fall (genesis 3:1-7)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Fusssohle, Mensch (II, Mitte ausssen)
Object type: stereograph
Date: 1885 – 1895
Materials: paper
Techniques: photoaquatint
Location: vienna
Subjects: skin (human)
Inscriptions: number: ‘Taf. 8.’
Gezicht op de grot van Sedekia, Jeruzalem
Object type: photograph
Date: 1867 – 1877
Materials: cardboard, paper
Techniques: albumen print
Location: jerusalem
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: cave, grotto, rock-formations
Inscriptions: stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, title: ‘S 38. De grot van Jeremiah. Syrië.’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Veduta del Romano Campidoglio con Scalinata che va alla Chiesa d'Araceli
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: square, place, circus, etc., city-view, and landscape with man-made constructions, church (exterior), roman catholic church, hôtel, i.e. small palace in city, rome
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Female Portrait Head
Object type: drawing and watercolor
Date: 1858 – 1858
Materials: paper, pastel
Location: england
Artist: elizabeth murray
Artist nationality: english
Artist dates: 1815 – 1882
Brief aan Anna Dorothea Dirks
Object type: letter
Date: 1927 – 1927
Materials: ink, paper
Techniques: pen, writing
Location: leiden
Artist: johan huizinga
Artist dates: 1872 – 1945
Subjects: printer, artist, anna dorothea dirks, haarlem, publisher, hermanus diedericus tjeenk willink (1843-1917), the graphic arts, illustration ~ printed matter, book
Inscriptions: collector's mark: ‘RPK’, watermark
Coin Depicting the Goddess Athena
Object type: coin
Date: 371 – 357
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Eigentijdse kunstenaars
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: tone lithography
Location: nantes
Subjects: meadow, pasture, trees: oak, brook, fishing (sports), fisherman
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 36b
Design for Wagon, no. 706a
Object type: drawing
Date: 1860 – 1860
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Bonchamps
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228a
Portret van Ulla Jacobsson; onderdeel van het kwartet Swedish Filmstars uit een kwartetspel
Object type: playing card
Date: 1960 – 1970
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: vienna, portrait of actor, actress