deem-data/ArtiFact huggingface dataset:
Woman Wearing a Costume Whose Bustle and Headdress are the Shape of Fishes
Object type: drawing
Date: 1851 – 1900
Materials: watercolor
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: costumes,women,fish

Drawing of woman wearing a costume with fish motifs, possibly an advertisement for a costume house. She stands on right profile, holding her right arm bent on a right angle in front of her. The bodice of the dress, likely corseted, is of light blue color, and the short sleeves are made up of orange fish scales. The skirt is made up of a white, thin fabric, above which is a bustle with train, with the shape of a large fish colored with shades of brown and orange. Two thin veils hang from the back of the bodice, one of which the woman holds with her right hand, extended to her side. The hair is long, loose, and partially covered by a headdress, also with the shape of a fish, executed with shades of brown.
Tumbler
Object type: tumbler
Date: 1770 – 1800
Materials: glass
Techniques: glassblowing, cutting
Culture: british
Location: england
The Return to Court of the Four Graybeards of Mount Shang (left); Su Shi’s Visit to the Wind and Water Cave (right
Object type: screen
Date: 1567 – 1600
Materials: gold, gold leaf, ink, panel, paper
Culture: japanese
Artist: kano mitsunobu 狩野光信
Artist role: artist
Artist nationality: japanese
Artist dates: 1565 – 1608
Subjects: men,horses,trees

The subject of the right screen is the future Emperor Hui (reigned 194–188 B.C.) of the Han dynasty. Although the crown prince, his rightful ascendance to the throne was threatened by his father’s desire to install a son from a favored concubine. But the unprecedented return to court of four former officials who had previously abandoned their positions and secluded themselves in the countryside near Mount Shang assured Hui’s succession. Their loyalty so impressed the emperor that he withdrew his illegitimate proposal. The left screen illustrates a poem by the renowned scholar and statesman Su Shi (Su Dongpo, 1037–1101). In 1073, as Su was traveling from Hangzhou to Xincheng, he stopped at the Wind and Water Cave to meet the young poet Li Bi. After they viewed plum blossoms and composed poetry together, Su inscribed poems on the walls of the cave. In the painting, the older man crosses a footbridge accompanied by a servant, while Li awaits his arrival seated in a pavilion high above a ravine. The slender trees and the crisp, delicate outlines of the rocks are reminiscent of works by Kano Mitsunobu, son and pupil of Kano Eitoku (1543–1590).
Twee skiërs in Zwitserland
Object type: album leaf
Date: 1933 – 1933
Materials: photographic support
Techniques: gelatin silver print
Location: capriasca
Artist: Anonymous
Subjects: skis (winter sports)
Inscriptions: number: ‘23’
Panel
Object type: panel
Date: 1601 – 1700
Materials: silk
Culture: chinese
Subjects: dragons,flowers
Hoofd van een oudere vrouw met een muts
Object type: sketchbook leaf
Date: 1892 – 1893
Materials: paper, pencil
Artist: alfred william rich
Artist role: draughtsman
Artist dates: 1856 – 1921
Subjects: folk costume, regional costume (+ women's clothes), head (human) (+ old female (human being))

Blad 66 recto uit een schetsboek met 86 bladen.
Chalcedony eight-sided cone
Object type: seal, conoid, or pendant
Date: 500 – 451
Materials: stone
Culture: greek
Subjects: birds,deer
Vase with cover
Object type: vase with cover
Date: 1662 – 1722
Materials: gemstone, jade
Culture: chinese
Subjects: trees
Allegorische triomf van keizer Licinius
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Artist: lucas vorsterman (i)
Artist role: print maker
Artist dates: 1595 – 1675
Subjects: conqueror triumphing, triumphal entry of victor
Inscriptions: collector's mark: Lugt 240

Prent uit de serie 'Varie Figueri de Agati Antique' naar Peter Paul Rubens, van in totaal negen prenten waarvan vermoedelijk vijf door Lucas Vorsterman I en vier door Paulus Pontius.
Verschillende voorstellingen
Object type: print
Date: 1828 – 1913
Materials: paper
Techniques: letterpress printing, line block, engraving
Location: amsterdam
Artist: Anonymous
Subjects: street-trader, hunting butterflies, merchant, salesman
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van verschillende aard, waaronder een vlindervanger en een beeldenkoopman. Onder elke afbeelding een onderschrift. Onder de eerste afbeelding het onderschrift: Een tuinkamertje. Genummerd rechtsboven: No. 13.
Muts van witte tule met moesjes en doorlopende geborduurde tak
Object type: cap
Date: 1800 – 1900
Materials: lace, fiber
Techniques: embroidered
Location: netherlands
Artist: Anonymous
An Artist Seated in the Ruins of the Colosseum
Object type: drawing and watercolor
Date: 1759 – 1759
Materials: chalk, paper
Location: france
Artist: hubert robert
Artist role: artist
Artist nationality: french
Artist dates: 1733 – 1808
Subjects: cityscapes
Frankie Kemble, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from "World's Beauties," Series 2 (N27), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Schouwburg van den Oorlog, Beginnende van Koning Karel den II. Tot op Koning Karel den III. Bestaande in IX. Historische Figuren op een Olifants Blad, als Veldslagen, Belegeringen te Water en te Lande, met de voornaamste Vestingen (...)
Object type: book illustration
Date: 1707 – 1720
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: vienna, charles vi (holy roman emperor), city-view in general; 'veduta'

Aankomst van de Hollands-Engelse vloot met aan boord koning Karel III (aartshertog Karel van Oostenrijk) te Lissabon, 7 maart 1704. Gezicht op Lissabon met de schepen van de vloot op de rivier de Taag voor de stad. Onder de voorstelling een toelichting in het Nederlands en Latijn. Prent maakt deel uit van een album.
Dovecote (one of a pair)
Object type: dovecote
Date: 1750 – 1760
Materials: earthenware
Techniques: glazing
Artist: whieldon type
Artist role: maker
Subjects: birds
Design for a Frieze with Central Cartouche Containing Medici Arms with Papal Tiara
Object type: drawing
Date: 1550 – 1599
Materials: ink, paper
Techniques: highlighting, pen, wash
Artist: anonymous, italian, second half of the 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: coat of arms
Portrait of Herbert Rainer
Object type: drawing
Date: 1910 – 1910
Materials: graphite, paper
Artist: egon schiele
Artist role: artist
Artist nationality: austrian
Artist dates: 1890 – 1918
Subjects: boys,portraits
Cylinder seal
Object type: cylinder seal
Date: 1500 – 1301
Materials: stone
Culture: mitanni
Subjects: birds,fish
Portret van Johann Adolf Schinmeyer
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: engraving
Subjects: ornament ~ medallion, historical persons, ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228
Sutra Cover
Object type: sutra cover
Date: 1601 – 1700
Materials: metal thread, silk
Culture: chinese
Subjects: lotuses
Cartouche met twee bovenlichamen van gevleugelde vrouwen
Object type: print
Date: 1613 – 1657
Materials: paper
Techniques: engraving
Location: france

Beide vrouwen hebben een hand in de lucht geheven terwijl de andere rust op een hoorn des overvloeds.
Judgment of Solomon
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: pietro da cortona (pietro berrettini)
Artist role: artist
Artist nationality: italian
Artist dates: 1596 – 1669
Portret van Christian Bernhard Rode
Object type: print
Date: 1797 – 1849
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: berlin, print maker, artist, bernhard rode, historical persons
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, left eye and part of head of helmeted warrior to left
Le miroir des portraits des premiers reformateurs des eglises protestantes
Object type: print
Date: 1690 – 1729
Materials: paper
Techniques: etching
Location: leiden
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit een editie van: Le miroir des portraits des premiers reformateurs des eglises protestantes. Leiden: Pieter van der Aa, [1690-1729]. Eerdere staat gebruikt in serie uit 1599 en publicaties uit 1602 en 1604.
Newport Wagon #570
Object type: drawing
Date: 1865 – 1865
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Petit Courrier des Dames, 15 septembre 1828,, No. 582 : Canezou de Jaconnas...
Object type: fashion print
Date: 1828 – 1828
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: handkerchief (+ women's clothes), head-gear (capote) (+ women's clothes), border, ribbon, braid (+ women's clothes), clothing for the upper part of the body: blouse (+ women's clothes), fashion plates, skirt (+ women's clothes)
Inscriptions: caption: ‘Canezou de Jaconnas, Capote de gros d'été.’, address: ‘Boulevard des Italiens No.2 près le passage de l'Opèra.’, title: ‘Modes de Paris.’, title: ‘Petit Courrier des Dames.’

Staande figuur gekleed in een canezou van 'jaconas' op een wijd uitlopende rok. Op het hoofd een capote van 'gros d'été'. Zittende figuur in eenzelfde japon, op de rug gezien. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868). Ingebonden (met enkele pp. Le Journal des Dames et des Modes). 15 Januari 1827 t/m 20 maart 1830. Incompleet.
Frontispiece
Object type: collection ornament architecture
Date: 1727 – 1760
Techniques: engraving, etching
Location: france
Artist: pierre alexandre aveline
Artist role: artist
Artist nationality: french
Artist dates: 1702 – 1760
Subjects: putti,writing
Kind met speelgoed
Object type: sketchbook leaf
Date: 1875 – 1920
Materials: ink, paper
Techniques: pen
Location: netherlands
Artist: Anonymous
Subjects: (playing with) toys

Kind spelend met speelgoed aan een tafel. Onderdeel van het schetsboek met humoristische tekeningen over het leven van een 'famille nombreuse'. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven.
Kameyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Object type: print
Date: 1837 – 1842
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Bedcover (Cherry Trees and Robins Bride's Quilt)
Object type: textile
Date: 1820 – 1850
Materials: cotton
Techniques: dyeing, weave
Location: united states
Portret van een zittende vrouw
Object type: cabinet photograph
Date: 1895 – 1920
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Artist: Anonymous
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman
Deel van een beschrijving van de stad Zierikzee
Object type: text sheet
Date: 1652 – 1652
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: johannes willemszoon blaeu
Artist role: printer, publisher
Artist dates: 1596 – 1673
Subjects: zierikzee

Tekst gebruikt in: Blaeu, Johannes Willemszoon. Toonneel der steden van de Vereenighde Nederlanden. 2 delen. Amsterdam: Johannes Willemszoon Blaeu, 1652, dl. 1.

Zie RP-P-AO-15-18-2-1 voor de plattegrond die ook in deze atlas is gebruikt.
Mozes en de koperen slang
Object type: print
Date: 1597 – 1597
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: the brazen serpent (numbers 21:4-9)
Inscriptions: collector's mark: Lugt 240

In het midden de koperen slang bevestigd op een tau-vormige paal. Links daarvan staat Mozes. Op de voorgrond de Israëlieten kronkelend op de grond met slangen rondom hun ledematen. Sommigen kijken op naar de koperen slang om in leven te blijven. Op de achtergrond het tentenkamp van de Israëlieten. Opdracht en Latijnse tekst in drie kolommen in ondermarge.
Het Toilet, 15 februari 1879, No. 8
Object type: fashion print
Date: 1879 – 1879
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: dress, gown: evening dress (+ women's clothes), fashion plates
Inscriptions: caption: ‘HET TOILET / SCHIEDAM - H.A.M. ROELANTS’

Prent uit het modetijdschrift Het Toilet (1877-?).
Tijden van de dag
Object type: print
Date: 1720 – 1775
Materials: paper
Techniques: etching
Location: augsburg
Subjects: personification of the morning, 'aurora'; 'aurora' (ripa), personification of the afternoon, 'meridies'
Inscriptions: collector's mark: Lugt 2228

Personificaties van de ochtend en de middag, met rocaille ornamenten. Links de ochtend, een figuur loopt door een landschap, op de achtergrond de zonsopkomst. Rechts de middag, een figuur in een landschap zit aan tafel te lunchen. Uitgeversnummer 43.
Half Model of a 36-Gun Frigate
Object type: builder's model
Date: 1750 – 1800
Materials: wood
Techniques: polychromy
Location: netherlands
Artist: Anonymous
Inscriptions: scale, top left: paper scale in Amsterdam feet, label, bottom right: ‘290’ former inventory label

Gepolychromeerd mallenmodel (stuurboord) van een driemaster. Géén geschutpoorten of dekken aangegeven, alleen het halfdek en de bak door middel van gillingen. Gewrongen spiegel, hol wulf; hek, zijgalerij en roer niet aangegeven. Zeeg aan beide uiteinden iets oplopend, twee berghouten en één reehout. Gepiekt rondspant. Schaal 1:48 (schaal op model).
Einde van de zeeslag bij Doggersbank, 1781
Object type: print
Date: 1782 – 1790
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: johan arnold zoutman, hyde parker, battle (+ naval force)
Inscriptions: collector's mark: Lugt 2228

Het einde van de zeeslag bij Doggersbank op 5 augustus 1781 tussen de Nederlandse vloot onder schout-bij-nacht Johan Zoutman en de Engelse vloot onder vice-admiraal Hyde Parker. In de marge de titel in het Frans. Onderdeel van een serie van vier platen van zeeslagen in het jaar 1781.
Bord, wit, beschilderd in blauw
Object type: miniature
Date: 1675 – 1699
Materials: glass
Techniques: enamel painting
Location: amsterdam
Artist: Anonymous

Twee borden van melkglas met blauwe emailverf beschildering; dubbele laag, hol van binnen.
Serie 10: Nederlandse en Buitenlandse Gebeurtenissen, 1587-1612
Object type: print
Date: 1601 – 1603
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: capture of city (after the siege)

Inname van Rheinberg door het Staatse leger onder prins Maurits en het vertrek van de Spaanse troepen, 1 augustus 1601. Plan van de stad en omgeving met de stellingen van de belegeraars. Onder de voorstelling de titel en de legenda van de cijfers 1-10, in het Duits. Ongenummerd.
George Washington
Object type: cameo
Date: 1851 – 1900
Materials: gold, onyx
Artist: george bissinger
Artist role: artist
Artist dates: 1848 – 1908
Subjects: george washington,profiles

George Bissinger, French crystal-and gem engraver, exhibited 112 different works at the Paris Universal Exhibition 1878, comprising cameos representing the Birth of Venus, a Bacchanalian procession, and a series of remarkable imitations of ancient, Renaissance and 18th century cameos and intaglios of the Paris Cabinet des Médailles.
Six Classes of the Noble and Useful Animal a Horse
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,hunting,horses

Six images: The Race Horse, The War Horse, The Shooting Pony, The Hunter, The Gig Horse, and The Draught Horse.
Le Nouvel Opéra de Paris (Sculpture Ornementale)
Object type: photograph
Date: 1865 – 1872
Techniques: albumen silver print, glass negative
Artist: louis-emile durandelle
Artist role: fotograaf
Artist nationality: french
Artist dates: 1839 – 1917
Subjects: architecture,men,paris

Among the most lavish Second Empire monuments was the Paris Opéra, designed by Charles Garnier. Elaborately decorated in a neo-Baroque style and devoting as much space and luxe to grand ceremonial arcades, foyers, and staircases as to the theater hall proper, Garnier's design was selected in 1860 from among 171 entries and, once built, served as a model for many late-nineteenth-century theaters around the world. Construction of this elaborate confection required the clearing of some three acres and lasted until January 1875-more than four years after the fall of Napoleon III. Along with countless construction workers, masons, and artisans, some sixty-five sculptors worked on the statuary and ornamentation of the Opéra. In this photograph, stone carvers two hundred feet above the street chip away at the enormous garlands of fruit that formed the decorative freize on the sides of the fly tower.
Portret van een staande vrouw bij een tafel
Object type: carte de visite
Date: 1874 – 1874
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: brussels
Artist: jules géruzet (fotograaf)
Artist role: fotograaf
Artist dates: 1817 – 1874
Subjects: studio requisites ~ photographer, historical persons, styles of hairdress - aa - ~ women, neck-gear ~ clothing, dress, gown, brussels
Inscriptions: address: ‘27bis, Rue de l'Ecuyer, Bruxelles’

Onderdeel van Fotoalbum met 36 cartes-de-visite van Nederlandse personen.
Portret van Simon Schijnvoet
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: simon schijnvoet, wig, urn

De architect Simon Schijnvoet wijst met zijn rechterhand. Achter hem een grote vaas, een draperie en wolken.
Gothic Windows in the Ruins of the Monastery at Oybin
Object type: painting
Date: 1828 – 1828
Materials: canvas, oil
Artist: carl gustav carus
Artist role: artist
Artist nationality: german
Artist dates: 1789 – 1869
Subjects: windows

This church, with its fine Gothic tracery, was founded in 1369, deserted in 1546, and later embraced as a motif by German Romantic artists. Carus visited in August 1820, making a drawing (Staatliche Kunstsammlungen Dresden) that served as a study for the painting. It depicts a vista through two windows—one on either side of the ruined choir—toward a pale morning sky and distant hill. In its starkness and opposition of dark and light, and with young trees referring to the cycle of life, the image invites both hope and meditation.
Job reproved by his friends
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: aquatint, etching
Subjects: politician, edmund burke, the dialogue ~ job discussing with his friends (job 4-31)

Behalve een monumentale en ''sublime'' uitbeelding van een oudtestamentisch thema, is de prent eveneens bedoeld als politieke allegorie op de rampzalige staat van Engeland ten tijde van de Amerikaanse revolutie. De geplaagde Job staat voor Albion. Zijn vrouw vertoont de trekken van de politicus en geestverwant van de kunstenaar, William Pitt. De staande figuur links bevat een portret van de kunsttheoreticus Edmund Burke, aan wie de prent is opgedragen.
Catone e Porzia
Object type: album leaf
Date: 1857 – 1875
Materials: paper
Techniques: albumen print
Location: vatican museums
Artist: james anderson
Artist role: fotograaf
Artist dates: 1813 – 1877
Subjects: father and daughter(s) (family group), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘1333 M. Vat. CATONE E PORZIA - Anderson -’
Visit to a New Mother
Object type: painting
Date: 1835 – 1835
Materials: canvas, oil
Artist: moritz calisch
Artist role: draughtsman, print maker
Artist dates: 1819 – 1870
Subjects: visiting the new mother, lying-in visit
Inscriptions: signature and date: ‘M. Calisch fec.t 1835’

Interieur met een vrouw die een bezoek brengt aan een jonge moeder. De kraamvrouw zit in een stoel met het kind op de arm, naast de stoel staat de vader. Op de vloer een wieg, stoofje en een hond die snuffelt aan een mand. Linksachter bereidt een meid eten voor een kind. Aan de muur een stoelklok.
Entrance to Zocodover, Toledo
Object type: drawing and watercolor
Date: 1903 – 1903
Materials: board, chalk, charcoal, paper, wood
Techniques: drawing, heightening, stumping
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Dong Yong (To Ei), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"
Object type: print
Date: 1848 – 1850
Techniques: woodblock print
Location: japan
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Sugar bowl
Object type: sugar bowl
Date: 1801 – 1900
Techniques: printing
Artist: james and ralph clews
Artist role: factory
Artist nationality: british
Artist dates: 1813 – 1836
Subjects: flowers
Portret van Charles-Nicolas-Sigisbert Sonnini de Manoncourt
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: etching
Location: london
Subjects: paris, botany (+ portrait of scholar, scientist), historical persons, explorer
Inscriptions: inscription: ‘+ / 9 mai 1812’

Prent waarschijnlijk uit: The European Magazine and London Review, by the Philological Society of London 37 (1800), 1 januari 1800.
Gelderland, dubbele stuiver, 1789
Object type: coin
Date: 1789 – 1789
Materials: silver
Techniques: striking
Location: harderwijk

Zilveren munt. Voorzijde: tussen waarde-aanduiding gekroond generaliteitswapenschild. Keerzijde: in twee regels tekst. Daaronder jaartal.