deem-data/ArtiFact huggingface dataset:
Lucidario di Recami, page 4 (recto)
Object type: book print ornament architecture
Date: 1564 – 1564
Techniques: woodcut
Location: italy
Artist: iseppo foresto
Artist role: designer
Artist nationality: italian
Artist dates: 1520 – 1580
Subjects: ornament

Designed by Iseppo Foresto, published by Jeronimo Calepino, 1564. From top to bottom, and left to right: Design composed of 3 vertical columns. Left column is decorated in the center with a flower in a vase that is flanked by curving vines of leaves on which 2 serpentine creatures climb. Middle column is decorated in the center with a flower in a vase that is flanked by 2 vines shaped like figure-8s, which 4 nude boys climb. Right column is decorated with 2 curving vines that meet at a bull's head in the center with 2 nude boys at the sides; at the ends of each vine are leaves in form of a bird.
Portret van een vrouw met een boek zittend bij een lessenaar, aangeduid als Jane K.
Object type: carte de visite
Date: 1866 – 1866
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: guildford
Subjects: studio requisites ~ photographer, historical persons, dress, gown
Inscriptions: address: ‘Guildford, 32 High St.’, inscription: ‘1866? Jane K. [...]’

Onderdeel van Engels fotoalbum van E.A. Kettle met 42 cartes-de-visite.
Portret van een onbekende man
Object type: print
Date: 1855 – 1924
Materials: paper
Techniques: etching, intaglio
Artist: paul renouard (1845-1924)
Artist role: painter, print maker
Artist dates: 1845 – 1924
Subjects: old man, historical persons not known by name
Inscriptions: collector's mark: Lugt 2228

Oude man, vroeger werkzaam bij de gendarmerie. Rechtsonder in de marge een kip en genummerd: 66.
Allerlei
Object type: print
Date: 1869 – 1882
Materials: paper
Techniques: letterpress printing, engraving
Location: europe
Subjects: animals, american indian religions, human types, africans, indigenous peoples of north america, characters (human types), americans with african roots, african-americans, insects, dog
Inscriptions: collector's mark: Lugt 2760, inscription

Blad met negen voorstellingen van mensen en dieren, zoals een eekhoorn, een oorspronkelijke Noord-Amerikaan en zusterliefde. Onder elke voorstelling een onderschrift. Genummerd midden boven: XII.
Mrs. St. Henery, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Coffee and tea service
Object type: coffee service
Date: 1775 – 1778
Materials: porcelain
Location: loosdrecht
Inscriptions: factory mark: ‘M:OL’

By attracting skilled artists and artisans, it was not long before Reverend De Mol was able to produce high-quality porcelain in the Loosdrecht factory. This beautiful service measures up to the wares that were made in most German porcelain factories from around 1760 onwards.
Vespasian, from The Twelve Caesars, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1500 – 1534
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: men,profiles

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 91 in the scrapbook. Mounted with 41.72(3.92).
H.J. Scholten
Object type: photograph
Date: 1881 – 1885
Materials: cardboard, paper
Techniques: woodburytype
Location: the hague
Artist: maurits verveer
Artist role: painter
Artist dates: 1817 – 1903
Subjects: amsterdam, painter, print maker, draughtsman, hendrik jacobus scholten, portrait, self-portrait of painter
Inscriptions: annotation: ‘H.J. Scholten’
Gezicht op Huis te Schagen
Object type: book illustration
Date: 1711 – 1774
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: castle, bridge

Prent ook gebruikt in: Smids, Ludolf. Schatkamer der Nederlandsse oudheden; of woordenboek, behelsende Nederlands steden en dorpen, kasteelen, sloten en heeren huysen (…). Amsterdam: Pieter de Coup, 1711, tussen p. 306 en 307.

Het is ook mogelijk dat deze prent uit de tweede (1737) of derde (1774) druk komt, of uit een uitgave met alleen de prenten: Nederlandsche oudheden, bestaande in zestig verbeeldingen (...) gelegen in Holland, 't Sticht van Utrecht en Gelderland enz. Amsterdam: Hendrik Bosch, 1721.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 440 – 420
Materials: terracotta
Culture: greek, attic
Artist: calliope painter
Artist role: artist

Interior, meander and cross square with dots in the corners; Exterior, lower drapery and toes of the right foot of a figure to right; lower legs of a draped figure to left
Portret van Jakob Martini
Object type: print
Date: 1634 – 1634
Materials: paper
Techniques: engraving, etching
Subjects: theologian, scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228, number: ‘171.’

Tekst in het Latijn in de omlijsting en in de marge.
Susanna Bronkhorst bij het sterfbed van mevrouw Elzevier
Object type: print
Date: 1806 – 1807
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: death of human being

In een donkere kamer staat een meisje met een kaars bij een oude vrouw, liggend in bed. Zij heeft haar ogen gesloten en haar handen gevouwen. Onder de prent de tekst: Hare handen lagen nog ineen gevouwen ... De prent maakt deel uit van een album.
Dream Book, from the Honest Library series (N115) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1896 – 1896
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: birds,plants

Trade cards/ booklets from the "Honest Library'" series (N115), issued in an unnumbered set of 25 in 1896 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. Each booklet consists of 16 pages of text and illustrations on a theme. Two other cigarette companies released the series in the same year, Gail & Ax (Navy Library) and Whitlock (Cheroots Library).
Oorlogsschip op het IJ
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: etching, roulette
Location: amsterdam
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228

Een oorlogsschip op het IJ voor Amsterdam. Links een zeil schip, rechts een roeiboot met vissers.
Portret van een kleuter zittend op een speelgoedbeer
Object type: photograph
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: daylight paper print
Artist: Anonymous
Subjects: (playing with) toy animals, child (at home)
Out-of-court. Auspicium melioris ævi
Object type: cartoon
Date: 1827 – 1827
Materials: paper
Techniques: etching, hand coloring
Location: england
Subjects: politician, george iv (koning van het verenigd koninkrijk), london, protestant churches and denominations, roman catholic church, political caricatures and satires

Spotprent op de spanningen in het Britse kabinet tussen de Protestanten en Katholieken in maart en april 1827. Lord Chancellor Eldon, vertegenwoordiger van de protestanten, wordt verjaagd door Lady Conyngham, maitresse van de koning. In zijn vlucht laat Eldon de Mace en de Purse of the Great Seal vallen. De katholieke Canning kijkt met kruis in de hand tevreden toe. Vanuit de zolderraam van een huis kijkt koning George IV toe.
The Schlossbrunnen
Object type: page
Date: 1881 – 1891
Materials: paper
Techniques: photograph
Location: munich
Subjects: advertising, hot spring, geyser
Inscriptions: inscription: ‘Schloss Brunnen 24.’
Portret van Jan Jacob Mauricius
Object type: book illustration
Date: 1753 – 1753
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: joan jacob mauricius, ornament ~ medallion, historical persons, portrait of a writer
Inscriptions: date

Prent waarschijnlijk uit: Mauricius, Jan Jacob. Dichtlievende uitspanningen. Amsterdam: weduwe S. Schouten en Gerret de Groot, 1753.
Design for a platter
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: brush, pen, wash
Artist: erasmus hornick
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1501 – 1583
Subjects: dishes
Drie foto's van de voorkamer beneden van Keizersgracht 806-808
Object type: album leaf
Date: 1930 – 1931
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: frank willem van den berg (1912-1998)
Artist dates: 1912 – 1998
Subjects: living-room, parlour, sitting-room

Deze foto's maken deel uit van een album.
Trevifontein te Rome
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: ornamental fountain, façade (of house or building)
Inscriptions: number: ‘235.’
Aankomst van Willem III te Engeland, 1688
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: william iii (prince of orange and king of england, scotland, and ireland), arrival and return ~ travelling

Gebruikt als illustratie in: Baltes Boekholt, Kort vertoog van Hollands bloedige oorlogen, Baltes Boekholt, Amsterdam 1689.
Versailles, Bosquet de l' Arc de Triomphe
Object type: photograph
Date: 1903 – 1903
Techniques: albumen print
Location: france
Artist: jean-eugène-auguste atget
Artist nationality: french
Artist dates: 1857 – 1927
Subjects: collected by hugh edwards
Portret van een zittende man
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons
Case (Inrō) with Design of Chrysanthemum and Pawlonia
Object type: inrō
Date: 1701 – 1800
Materials: gold, lacquer, metal
Techniques: fundame, hiramakie, inlay, roiro, maki-e
Culture: japanese
Subjects: flowers
"Mi'raj, The Night Journey of the Prophet," Folio from a Hamla-yi Haidari (Attack of the Lion)
Object type: folio from an illustrated manuscript
Date: 1801 – 1900
Materials: gold, ink, paper, silver, watercolor
Location: iran

This illustrated folio from the popular religious epic poem, the Hamla-i Haidari, features an episode recounting the mi'raj, or the Prophet Muhammad's celestial night journey from Mecca to Jerusalem. He is shown mounted on the Buraq, a steed with the face of a human, accompanied by angels. Here, 'Ali is shown twice – once as a lion and once as a man holding his bifurcated sword, Du'l fiqar. On the far left of the composition is an image of Moses, who is said to have persuaded the Prophet to reduce the number of daily prayers to five. The Divine Throne crowns the composition while a group of angels circumambulate the Bayt al-Ma'mur, a building akin to the Ka'ba in the heavens.
Premier Cahier / Cahier des Pots-a-Oeille
Object type: ornament print
Date: 1759 – 1800
Materials: paper
Techniques: aquatint, etching
Location: paris
Artist: claude dominique vinsac
Artist role: print maker
Artist dates: 1749 – 1800
Subjects: serving-dish, platter, lion's head ~ ornament, ornament ~ medallion
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een terrine met leeuwenkoppen, guirlandes en een medaillon met portret en profil. Daarboven een bijbehorende schaal met ranken en vier medaillons met portretten en profil.
The Actors Ichikawa Monnosuke I and Dekijima Daisuke II
Object type: print
Date: 1728 – 1728
Techniques: hand coloring, woodblock print, urushi
Location: japan
Artist: torii kiyonobu ii
Artist nationality: japanese
Artist dates: 1725 – 1761
Officierssabel met schede voor marine
Object type: sabre
Date: 1800 – 1825
Materials: copper, iron, ivory, leather
Subjects: utrecht
Inscriptions: : ‘P. knecht Solingen’

Marinesabel van officier. De kling heeft een brede geul en is versierd met ornamenten ankers en marine-emblemen, met opschrift: P. knecht Solingen. De greep is van gegoten koper en been met koperdraad omwoeld. Met trofee versierde beugel. Schild stootplaten waarop anker en lauwerkrans. Knop in de vorm van een leeuwenkop. Met sabelkwast en zwart leren schede met versierd koperen montuur met afbeelding van anker en ringen. Afkomstig van J.C. Koopman.
Woman's Ceremonial Skirt (Tapis)
Object type: skirt
Date: 1801 – 1900
Materials: cotton, gold, metal, silk, thread
Culture: lampung
Location: indonesia
Dupondius (Coin) Portraying Antonia
Object type: coin
Date: 50 – 54
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: ANTONIA AVGVSTA 
Reverse: TI CLAVDIS CAESAR AVG P M TR P IMP S C

The purpose of the first portrait coins was to identify the ruler. The front side became a mirror of the sovereign’s self-image. The back was often used to communicate the ruler’s accomplishments or intentions. The profile portrait was used because it suited the very shallow depth and limited surface of the coin. The tiny images were carved by engravers into bronze dies, one for the front and another for the back. The coins were then struck, one by one, in a process similar to how modern coins are created today.

Since few citizens actually saw their sovereign, recognizable symbols such as crowns, robes, and regalia served to identify the ruler.

The emperor in his role as head priest is shown with covered head, holding a ladle in the act of sacrificing to the gods.
Karnak (Thèbes), Vue Générale des Ruines Prise du Point B
Object type: photograph
Techniques: paper negative, salted paper print
Artist: félix teynard
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1892
Subjects: architecture,ruins
De Oude Burgerij (...) van Amsterdam in 1770 tot 83
Object type: drawing
Date: 1795 – 1795
Materials: paper
Techniques: writing
Location: amsterdam
Artist: s.g. casten
Artist role: draughtsman
Subjects: (military) uniforms (+ citizen soldiery, civil guard, citizen militia), patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2166

De uniformen van een kapitein, vaandrig, sergeant en schutter van de oude Amsterdamse schutterij. Onderdeel van het hoofdstuk over de oude Amsterdamse schutterij van 1770-1783. In het schetsboek met gekleurde tekeningen van de uniformen van militairen en leden van de schutterij uit de periode 1770 tot 1795-1796.
XII. Apostolos.
Object type: print
Date: 1574 – 1637
Materials: paper
Techniques: engraving
Location: cologne
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: beheading of james, the apostle james the great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword
Inscriptions: collector's mark: Lugt 240

De apostel Jakobus de Meerdere, ten voeten uit, een hoed op zijn rug en een wandelstok in de hand. Op de achtergrond zijn onthoofding. In de marge een onderschrift in het Latijn. Prent uit een serie met de twaalf apostelen.
Oor van een theepot (De Caluwe bakafval)
Object type: bakafval
Date: 1700 – 1725
Materials: earthenware
Techniques: firing, vitrification
Location: delft
Artist: jacobus de caluwe
Artist role: plateelbakkerij
Artist dates:  – 1730

Toegeschreven aan Jacobus de Caluwe, omdat dit voorwerp samen met gemerkte stukken (‘Jacobus De Caluwe’ en rennend hert) gevonden is op de plaats waar zich De Caluwes tweede werkplaats bevond. Er is een duidelijke stilistische overeenkomst tussen de gemerkte en niet gemerkte voorwerpen uit deze archeologische vondst.
Exhibit of the Shipwrecked Fishermen & Mariners' Royal Benevolent Society. At the Great International Fisheries Exhibition, S. Kensington, 1883
Object type: photograph
Date: 1883 – 1883
Materials: cardboard, paper
Techniques: albumen print
Location: london
Artist: Anonymous
Subjects: trade exhibition, industries fair, rowing-boat, canoe, etc.
Inscriptions: inscription: ‘(Kindly lent by Mrs. JOHN JOICEY.)/ Exhibited by "The Shpwrecked Fishermen & Mariners' Royal Benevolent Society."/ Extracted from a leading article in "The Daily Telegraph."/ (...)’, copyright notice: ‘LONDON STEREOSCOPIC CO. COPYRIGHT.’
View of Nuwara Eliya from the Ramboda pass, Sri Lanka
Object type: photograph
Date: 1862 – 1903
Materials: paper
Techniques: albumen print
Location: sri lanka
Subjects: dale, valley, forest, wood
Inscriptions: check stamp: ‘Photographers/ W.L.H. Skeen & Co/ Colombo, Ceylon’, title: ‘Newara Eliya from the top of the Rambodde Pass’
Roellia. Hort. Cliff. 492. sp. 1
Object type: print
Date: 1738 – 1738
Materials: paper
Techniques: etching, letterpress printing
Location: warmond
Artist: jan wandelaar
Artist role: draughtsman, print maker
Artist dates: 1690 – 1759
Subjects: flowers, plants and herbs

Prent gebruikt als illustratie in: Linnaeus, Carolus. Hortus Cliffortianus plantas exhibens quas in hortis tam vivis quam siccis, Hartecampi in Hollandia, coluit (...) Georgius Clifford. Amsterdam: sine nomen, 1738.
Large Alpine Landscape
Object type: print
Date: 1555 – 1556
Techniques: engraving, etching
Artist: johannes van doetecum i
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1528 – 1605
Subjects: mountains,landscapes
Brief aan Philip Zilcken
Object type: letter
Date: 1896 – 1896
Materials: ink, paper
Techniques: pen, writing
Location: bussum
Artist: henriëtte de vries
Artist role: draughtsman, print maker
Artist dates: 1867 – 1942
Subjects: the hague, painter, philip zilcken, drawing
Inscriptions: collector's mark: ‘RPK’
Vase of Flowers in a Niche
Object type: painting, overdoor
Date: 1746 – 1793
Materials: canvas, oil
Artist: michel bruno bellengé
Artist role: artist
Artist nationality: french
Artist dates: 1726 – 1793
Subjects: flowers,vases
Mannengezicht
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: face
Inscriptions: watermark: ‘VGZ’

Blad 16 recto uit schetsboek IV met 27 bladen.
Rue de Rivoli in Parijs met paardenkoetsen en voorbijgangers
Object type: photograph
Date: 1900 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: animal traction, animal-drawn vehicle (carriage etc.), street (+ city(-scape) with figures, staffage), paris
Inscriptions: number: ‘29’

Onderdeel van Fotoalbum met bezienswaardigheden in Parijs, Versailles en het Bois de Boulogne.
Palais de fontainebleau, Chambre de l'imperatrice
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: cologne
Subjects: bedroom
Inscriptions: number: ‘15’, retailer's mark: ‘Stereoscopbilder/ in reicher Auswahl in/ der/ Kunsthandlung/ von/ Joh. Heinrigs in Cöln./ Hochstrasse No. 152.’, inscription: ‘D’
Maximilianus vraagt H. Antonius zijn dochter te genezen
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: etching
Location: rome
Subjects: the hermit antony abbot (antonius abbas) of egypt, also called the great; possible attributes: bell, book, t-shaped staff, flames, pig
Inscriptions: number: ‘17’, collector's mark: ‘Hinloopen’, collector's mark: Lugt 11

Deze prent maakt deel uit van een reeks van 27 prenten (+ titelprent) over het leven van de heilige Antonius, naar een frescocyclus in de S. Antonio Abbate in Rome door Giovanni Battista Lombardelli en Niccolò Circignani.
Plate
Object type: plate
Date: 1745 – 1755
Materials: hard paste porcelain
Subjects: birds,coat of arms
Head of a lion
Object type: sculpture
Materials: copper alloy, shell
Techniques: inlay
Location: mesopotamia or syria
Subjects: lions
Sketch of Joseph Holding the Christ Child
Object type: drawing and watercolor
Date: 1750 – 1750
Materials: charcoal, paper
Location: italy
Artist: giovanni antonio guardi
Artist role: artist
Artist nationality: italian
Artist dates: 1699 – 1760
Notities
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: pencil
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Inscriptions: annotation: ‘[...]/ ambros mundos./ [...] Rauzini/ Pasez de Colin 8/ Perpignan./ Htl Central./ Gerona Casa di posta/ Avignon/ [...]/ d'Avignon/ H. Europa’

Pagina 44 uit een schetsboek met 23 bladen.
Portret van Frans Antonie Bosse
Object type: print
Date: 1826 – 1847
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: amsterdam, eyeglasses, spectacles, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Piëta
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the dead christ in mary's lap (+ angel(s)), single instruments of the passion
Inscriptions: number: ‘30x’, collector's mark: Lugt 2228

Maria weent met het dode lichaam van Christus op haar schoot aan de voet van het kruis. Een zwaard is in haar hart gestoken. Ze is vergezeld door twee engelen, die passiewerktuigen in de hand houden. In het kader in de marge een tweeregelig onderschrift in het Latijn.
Head of a Bearded Man
Object type: sculpture
Date: 500 – 401
Materials: limestone
Culture: cypriot
Location: cyprus

This limestone head has features that are commonly found on Greek sculptures carved about one hundred years earlier (during the Archaic period), such as almond-shaped eyes, face-framing ringlets, and a faint smile. It comes from the island of Cyprus, a major center for the exchange of goods and ideas throughout the ancient world. The sculptor may have visited Greece or otherwise known about the earlier Greek art that appears to have influenced this work.
Valance
Object type: textile
Date: 1801 – 1900
Materials: textile, linen, silk, thread
Techniques: embroidery, painting, satin weave, stitching, weave
Location: france
Loden penning voor de Kille (Dordtse Kil) met M 1785 24 S
Object type: tax token
Date: 1785 – 1785
Materials: lead
Techniques: striking
Artist: Anonymous

Voorzijde: opschrift M 1785 24 S. Keerzijde: paard naar rechts
Presa da una litografia
Object type: photograph
Date: 1839 – 1840
Techniques: salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: houses
Fanlight (?)
Object type: fanlight
Date: 1501 – 1600
Materials: iron
Culture: german