deem-data/ArtiFact huggingface dataset:
Gezicht op het Aalmoezeniersweeshuis te Amsterdam
Object type: book illustration
Date: 1693 – 1694
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: public welfare, poorhouse, orphanage, canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Huidige staat van prent ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, desselfs eerste oorspronk uyt den Huyse (…). 2 delen. Amsterdam: Abraham Wolfgang, Gillis Janssonius van Waesberge, Johannes Janssonius van Waesberge II, weduwe Dirk Boom I, Hendrick Boom en Rembertus Goethals, 1693. En in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. Amsterdam: weduwe Aart Dircksz Oossaan, 1694.

Latere staat ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. 2e druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe A. van Aaltwyk en Hermanus Uytwerf, 1726.

Zie RP-P-AO-26-32-1, RP-P-AO-26-32-2, RP-P-AO-26-32-3 en RP-P-AO-26-32-4 voor de bijhorende beschrijving.
Key
Object type: key
Date: 1301 – 1400
Materials: iron
Culture: german
Bevrijding van Amsterdam in mei 1945
Object type: photograph
Date: 1945 – 1945
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: festivities, amsterdam
Ontwerp voor een cassolette, met daaronder een bovenaanzicht van de bodem
Object type: design drawing
Date: 1800 – 1810
Materials: ink, paper
Techniques: pen
Location: paris
Artist: Anonymous
Inscriptions: watermark, number: ‘No 270’
St. Catherine of Alexandria
Object type: print
Date: 1644 – 1650
Techniques: engraving, etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Schets van een schilder of beeldhouwer, aan het werk
Object type: drawing
Date: 1892 – 1916
Materials: paper
Techniques: brush
Artist: rik wouters
Artist role: draughtsman, print maker
Artist dates: 1882 – 1916
Subjects: sculptor at work, painter at work, in his studio
Ex libris van W. Klotschkoff
Object type: bookplate
Date: 1903 – 1903
Materials: paper
Techniques: printing block
Location: russia
Subjects: sitting figure - aa - female human figure, book
Inscriptions: date
Servet van wit linnendamast met gekoppelde wapens Von Inn- und Kniphausen en Van ewsum
Object type: woven material
Date: 1665 – 1670
Materials: linen
Techniques: damask
Location: northern netherlands
Artist: Anonymous

Servet van wit linnendamast met bloempatroon rondom de gekoppelde wapens Von Inn- und Kniphausen en Van Ewsum. Gemerkt: kroon LE 17.
Portret van Paolo Sarpi
Object type: print
Date: 1694 – 1756
Materials: paper
Techniques: engraving
Artist: george vertue
Artist role: print maker, publisher
Artist dates: 1684 – 1756
Subjects: venice, theologian, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Face of Half a Double Saddle Bag (Khorjin)
Object type: saddle bag
Date: 1801 – 1900
Materials: wool
Techniques: weave
Location: iran

This face of half a double saddlebag (Khorjin), was made by a woman weaver from the Shahsevan tribe, whose name means "those who love the king,". The historical migratory range of these Turkic nomads reaches from the southwest shores of the Caspian Sea to the southern part of Transcaucasia. Art historians have identified Shahsevan weavings, including a variety of small-format bags, only in the past half century. Many Shahsevan weavings from the nineteenth and twentieth centuries, especially those with centralized geometric designs, such as seen here, show a striking relationship with Anatolian carpets from the fifteenth and sixteenth centuries. Many of the motifs found on Shahsevan textiles are thought to be centuries-old tribal emblems, a symbolic language that today we are frequently unable to decipher.
Cradleboard
Object type: cradleboard
Date: 1890 – 1890
Materials: bone, textile, feather, glass, leather, metal, pigment, wood, wool
Techniques: tanning
Culture: ute
Location: united states

Relatives made this cradleboard in yellow ocher for a baby girl; they would have used white clay paint for a boy. Its wooden backboard is covered in leather and ornamented with geometric and curvilinear designs in pigment and beadwork. A hood of thin wooden rods provided protection if the cradleboard tipped forward and also kept the sun from the baby’s eyes. A small beaded case used to hold a stitching awl for sewing heavy hides hangs from the side.
Unidentified, plan (recto) blank (verso)
Object type: drawing
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture
Portret van Johann Caspar Lavater
Object type: print
Date: 1790 – 1820
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: johann caspar lavater, ornament ~ medallion, historical persons, scholar, philosopher (+ portrait of scholar, scientist)
Ideal Pastoral Life, reproduced for Calver's "Memoir"
Object type: print
Date: 1904 – 1904
Techniques: lithograph
Artist: edward calvert
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1883
Subjects: male nudes,female nudes,sheep,trees

Calvert, the oldest member of the Ancients, was arguably its finest printmaker. Masterful control of line, strong articulation of light and shade, and bold sense of design lend his tiny lithographs surprising power, drawing the viewer into intricate worlds. Calvert's unusual approach to lithography may have been inspired by Blake's method of relief etching, which combined additive and subtractive processes. After drawing his design on the stone with tushe, a greasy black ink, Calvert then scratched away passages using a needle, creating fine white lines that resemble wood engraving. Here, a womans tends a flock of sheep near a rustic fence as a man emerges from a wood, guiding a single sheep back towards the group.
Portret van een jonge vrouw met hoed, strik en ketting
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: medemblik
Artist: roelof loots
Artist role: fotograaf
Artist dates: 1814 – 1898
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Atelier Photographique/ R. Loots/ Nieuwstraat/ Medemblik’, number: ‘55’
Braunschweig's Baudenkmäler
Object type: photomechanical print
Date: 1893 – 1893
Materials: paper
Techniques: photograph
Location: dresden
Subjects: permanent exhibition, museum, façade (of house or building)
Inscriptions: number: ‘No. 69.’
Grafmonument in de Grote of Sint-Catharijnekerk te Brielle
Object type: photograph
Date: 1908 – 1908
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: grote of sint-catharijnekerk
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: interior of church, grave-building, monumental tomb
Inscriptions: annotation: ‘Kerk te Brielle/ April 1908/ Geschenk van Gos de Voogt’, annotation: ‘Brielle/ de N.H. Kerk (H. Catharina) den Briel’, annotation: ‘Kerk te Brielle/ april 1908/ Geschenk van Gos de Voogt’
Portret van Bruno Uebel
Object type: print
Date: 1816 – 1875
Materials: paper
Techniques: engraving
Subjects: helmet, historical persons
Inscriptions: collector's mark: Lugt 2228
Christus met zijn kruis
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Artist: hieronymus wierix
Artist role: draughtsman, print maker
Artist dates: 1553 – 1619
Subjects: types of adult christ (alone), blood spouting from christ's wounds
Inscriptions: collector's mark: Lugt 2228

Christus draagt zijn kruis op zijn schouder. Uit de wond in zijn zijde stroomt het bloed in een kelk. In de marge een tweeregelig onderschrift in het Latijn.
Bemanning op zeilschip de Macasser
Object type: photograph
Date: 1892 – 1892
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: europeans, warfare; military affairs (+ sailing-ships), sumatra
Inscriptions: annotation: ‘Reede Penang, 29 Augustus 1892.’
Landscape with a Farm House and a Bell Tower
Object type: drawing
Date: 1582 – 1656
Materials: ink
Techniques: pen
Artist: remigio cantagallina
Artist role: artist
Artist nationality: italian
Artist dates: 1582 – 1656
Subjects: musical instruments,houses,towers,landscapes,trees
Sawamura Sojuro III as Nagoya Sanza
Object type: print
Date: 1794 – 1795
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: tōshūsai sharaku
Artist role: artist
Artist nationality: japanese
Artist dates: 1794 – 1795
Subjects: fans,swords,men,actors
Studie, mogelijk van een weg
Object type: sketchbook leaf
Date: 1891 – 1894
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: road, path

Pagina 17 uit een schetsboek met 15 bladen.
Design for Break (unnumbered)
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Piece
Object type: piece
Date: 1501 – 1600
Materials: metal thread, silk
Plate
Object type: plate
Date: 1770 – 1770
Materials: earthenware
Techniques: glazing
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Quai de paludate et chantiers de construction, à Bordeaux
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: bordeaux
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: quay
Inscriptions: number: ‘1938.’
Cape
Object type: cape
Materials: silk
Culture: american or european
Equivalent
Object type: photograph
Date: 1925 – 1925
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Inscriptions: Unmarked recto; inscribed verso, on second mount, upper left, in graphite: 170 C ; verso, on second mount, upper right, in orange pencil: I [underlined]

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Dish
Object type: dish
Date: 1401 – 1600
Materials: earthenware
Techniques: luster painting, glazing
Location: spain
Portret van Henriëtte van Nassau-Weilburg
Object type: print
Date: 1815 – 1899
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: j. rémon
Artist role: print maker
Subjects: vienna
Inscriptions: collector's mark: Lugt 2228

Portret van Henriëtte. In de ondermarge haar naam en titels.
Scherf van roodbakkend aardewerk, aan de voorzijde voorzien van blauw glazuur, met daarop een schildering van een bloem in gestileerde vorm, in bruin, wit, oranje en geel, en strepen in blauw, bruin en geel
Object type: fragment
Date: 1600 – 1650
Materials: earthenware, glaze
Techniques: maiolica
Location: northern netherlands
Artist: Anonymous
Button
Object type: button
Date: 1775 – 1775
Materials: silver
Culture: european
Landschap met boomgroep
Object type: print
Date: 1831 – 1904
Materials: paper
Techniques: drypoint, etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: trees
Inscriptions: collector's mark: Lugt 2228
La Mon and Cary, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Rapier
Object type: rapier
Date: 1565 – 1575
Materials: steel, wood
Culture: italian
Location: italy

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Honganji at Asakusa in Edo (Tōto Asakusa Honganji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: temples,mountains
De heilige Antonius van Padua
Object type: print
Date: 1601 – 1666
Materials: paper
Techniques: etching
Location: italy
Artist: g.jo.franc da cento
Artist role: draughtsman, painter
Artist dates: 1591 – 1666
Subjects: the franciscan monk antony of padua; possible attributes: ass, book, crucifix, flowered cross, flaming heart, infant christ (on book), lily
Inscriptions: collector's mark: Lugt 240

De heilige Antonius van Padua met een boek en een lelietak in zijn handen.
Pijprokende man zittend tegen een muur
Object type: print
Date: 1860 – 1920
Materials: paper
Techniques: etching, intaglio
Artist: Anonymous
Subjects: pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)
Court Game of Geography
Object type: print
Date: 1838 – 1855
Techniques: engraving, etching, hand coloring
Artist: william and henry rock
Artist role: publisher
Artist nationality: british
Artist dates: 1821 – 1884
Subjects: playing cards
Afternoon dress
Object type: afternoon dress
Date: 1883 – 1883
Materials: silk
Culture: american
Artist: catherine donovan
Artist role: designer
Artist nationality: american, born ireland
Artist dates: 1826 – 1906
Portret van een onbekende vrouw
Object type: photograph
Date: 1877 – 1877
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: max büttinghausen
Artist role: fotograaf
Artist dates: 1847 – 1906
Subjects: adolescent, young woman, maiden
Inscriptions: name: ‘M. Büttinghausen Amsterdam’, name: ‘M. Büttinghausen Photografisch artistisch Atelier. Amsterdam Kalverstraat hoek Spui. Amsterdam 1877. Specialiteit in Vergrootingen Kooldruk. Onveranderlijk. De plaat blijft ter nabestelling bewaard.’
Glass Fragment
Object type: fragment
Date: 1167 – 1233
Materials: glass, metal
Culture: european
Arrowhead
Object type: arrowhead
Date: 2000 – 1
Materials: bronze
Culture: iranian
Location: iran
Panoramic Italian Landscape
Object type: drawing and watercolor
Materials: chalk, fiber, paper
Techniques: brush, wash
Location: france
Artist: pierre antoine mongin
Artist nationality: french
Artist dates: 1761 – 1824
Roundel
Object type: textile
Materials: linen, wool
Techniques: weave
Culture: coptic
Location: egypt
Moerassig landschap buiten een stad
Object type: drawing
Date: 1836 – 1836
Materials: chalk, paper
Techniques: brush
Artist: hendrik gerrit ten cate
Artist role: draughtsman
Artist dates: 1803 – 1856
Subjects: swamp, inland marsh, fens
Inscriptions: date: ‘1836’, signature, monogram
Verhaal van Romulus en Remus
Object type: print
Date: 1659 – 1659
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: (story of) romulus and remus
Inscriptions: number: ‘139.’, number: ‘140.’, collector's mark: Lugt 11

Maakt deel uit van een 14-delige serie met scènes uit het verhaal van Romulus en Remus naar ontwerpen door de familie Carracci voor het Palazzo Magnani te Bologna. Prent 1 t/m 7 zijn in prent gebracht door Lepautre en Boulanger en prent 8 t/m 14 door De Châtillon.
[Unknown Subject]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: emile tourtin
Artist role: artist
Artist nationality: french
Artist dates: 1860 – 1880
Subjects: men,portraits
VELAZQUEZ.- Portrait de Phlippe III. (au Musée du Prado).
Object type: reproduction
Date: 1857 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: madrid
Artist: juan laurent
Artist role: publisher
Artist dates: 1816 – 1896
Subjects: filips iii (koning van spanje), equestrian state-portrait, ruler, sovereign
Inscriptions: negative number: ‘41’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Spanje en Marokko.
Portret van een vrouw met kapje (Marie Joseph Bertrand?)
Object type: print
Date: 1756 – 1817
Materials: paper
Techniques: etching
Artist: louis bernard coclers
Artist role: draughtsman, print maker
Artist dates: 1741 – 1817
Subjects: anonymous historical person portrayed alone - bb - woman
Inscriptions: collector's mark: Lugt 2228
Landscape with Figures
Object type: painting
Date: 1730 – 1770
Materials: canvas, oil
Artist: giuseppe zaïs
Artist role: draughtsman, painter
Artist dates: 1709 – 1784
Subjects: low hill country

Heuvellandschap met figuren. Rivierlandschap met op de voorgrond drie rustende vrouwen, aan de overzijde van een stroomversnelling staan twee mannen. In de verte een heuvel met enkele gebouwen,
Twelve ornamental designs for the decoration of interiors
Object type: drawing
Date: 1851 – 1900
Materials: graphite, ink, paper
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ornament
Grote Kerk te Muiden
Object type: photograph
Date: 1910 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: muiden
Subjects: church (exterior)
Inscriptions: annotation: ‘N.H. Kerk, Mei 1910/ Muiden’
Kous van witte katoenen tricot, met diagonaal patroon van slingerende banen, smalle boord en versmalling rond de enkel
Object type: stocking
Date: 1830 – 1840
Materials: cotton
Techniques: knitting
Location: netherlands
Artist: Anonymous

Kous van dikke witte katoenen tricot, met diagonaal patroon van slingerende banen, smalle boord en versmalling rond de enkel. Voet en enkel deel zijn aangebreid, te zien aan het lichte kleurverschil.
Artist's Trial Piece: Hathor in Shrine, Offerings, Ox Head
Object type: architectural fragment
Materials: limestone
Culture: egyptian
Location: egypt
Subjects: goddesses
Stollen Gasser, Rothenburg, Germany
Object type: drawing
Date: 1876 – 1876
Materials: graphite, ink, paper
Culture: american
Artist: andrew fisher bunner
Artist role: artist
Artist nationality: american
Artist dates: 1841 – 1897
Subjects: houses,streets
Portret van de chemicus Gerardus Johannes Mulder
Object type: print
Date: 1848 – 1863
Materials: paper
Techniques: etching, engraving
Location: utrecht
Subjects: utrecht
Inscriptions: collector's mark: Lugt 2228
Derde reeks
Object type: popular print
Date: 1892 – 1905
Materials: paper
Techniques: letterpress printing, printing block, engraving
Location: the hague
Subjects: children's games and plays, spring ~ human activities (the four seasons of the year), plants; vegetation (+ flowers, blossom, blossoming), birds (+ animals nesting; making nests, lodges, webs, etc.)
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van lentetaferelen, zoals een nestje jonge vogels, zwaluwen, een meisje met bloesemtakken, en kinderen die buiten spelen. Tussen de afbeeldingen versjes in boekdruk. Genummerd rechtsboven en linksonder: No. 1.
Man Drawing from a Cast
Object type: print
Date: 1641 – 1641
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Chasuble
Object type: textile
Date: 1575 – 1625
Materials: cotton, gilt, metal, silk
Techniques: lace, treatment, weave, satin weave
Location: spain
Gevecht bij Halfweg, 1787
Object type: history print
Date: 1783 – 1795
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: surprise attack (stratagem)

Illustratie voor: J. Fokke. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd. Amsterdam: Johannes Allart, 1783-1795, 25 delen. deel XX pl. I.
His ducibus princeps celebraberis ore viroru illa homines beat haec sideribusq locat
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: etching
Location: italy
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: horse
Inscriptions: collector's mark: ‘Hinloopen’, number: ‘15’

Deze prent maakt deel uit van een reeks van 28 prenten van paarden (+ titelprent en opdracht).
Document
Object type: sheet
Date: 1770 – 1806
Materials: ink, paper
Techniques: writing
Artist: karel van brunswijk-wolfenbüttel
Subjects: karel van brunswijk-wolfenbüttel

Handtekening in bruine inkt (van Karel George August van Brunswijk-Wolffenbuttel), op blaadje papier. Gesigneerd: Charles G A Pr Herz de Br Lux (?).
Aantekeningen uit archief Philip Zilcken
Object type: aantekening
Date: 1867 – 1930
Materials: paper, pencil
Techniques: writing
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’