deem-data/ArtiFact huggingface dataset:
Pouch
Object type: pouch
Date: 1676 – 1700
Materials: metal, silk
Culture: european
Knielende man
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: kneeling figure
Inscriptions: kleurnotitie, handgeschreven in rood kleurpotlood

Blad 21 recto uit een schetsboek met 42 bladen.
Madame Granger, after Ingres
Object type: print
Date: 1867 – 1867
Techniques: drypoint
Artist: félix bracquemond
Artist role: artist
Artist nationality: french
Artist dates: 1833 – 1914
Subjects: portraits,women
Ceramic Fragment
Object type: fragment
Date: 701 – 900
Materials: earthenware
Techniques: glazing, incising
Location: iraq

This ceramic fragment was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this fragment attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Shitaku and Sansho VII in Soga Kyodai (a Kabuki Play of the Soga Brothers)
Object type: print
Date: 1769 – 1825
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa toyokuni i
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Subjects: men,actors
Tekenvoorbeelden
Object type: print
Date: 1610 – 1672
Materials: paper
Techniques: engraving
Location: antwerp
Artist: michael snijders
Artist role: print maker, publisher
Artist dates: 1586 – 1672
Subjects: venice, painter, draughtsman, titiaan, anthony van dyck, head (human), model-books ~ implements of painter, fruits: pomegranate, insects, beasts of prey, predatory animals: civet
Inscriptions: signature and date: ‘L.O. GENUMMERD 18’, collector's mark: Lugt 2228, inscription: ‘PLATO (bij kop Plato); Titiaan (bij kop Titiaan); Anto Van deijck (bij kop Van Dijck). L.o. genummerd: 18’, collector's mark: Lugt 3751

Achttiende prent uit een serie met tekenvoorbeelden. Studieblad met koppen, figuren en dieren. In het midden links portret van Plato en rechtsboven portret van Anthony van Dyck, daaronder portret van Titiaan. Daaromheen diverse insecten, dieren, figuren waaronder een civet.
Suite de Chiens
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: paris
Subjects: hunting dogs, walker and runner birds: pheasant, bird hunting
Inscriptions: collector's mark: Lugt 2228a

Prent maakt deel uit van een omslag met zes prenten.
Bewening van Christus
Object type: print
Date: 1628 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: single instruments of the passion, lamentation over the dead christ by his relatives and friends (christ usually without crown of thorns)
Inscriptions: collector's mark: Lugt 240

Maria, Maria Magdalena en Johannes de Evangelist treuren bij het lichaam van Christus. Aan Christus' voeten liggen de doornenkroon en de spijkers. In de marge een vierregelig onderschrift, in twee kolommen, in het Latijn. Daaronder een opdracht in het Latijn.
Pot uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pot
Date: 1700 – 1743
Materials: wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pot; egg-shaped, narrow flat circular base, straight upper rim, engraved linear decoration, rim recessed to fit metal band, mounting missing.
Bedel van de Euromast
Object type: charm
Date: 1958 – 1970
Materials: silver
Techniques: gilding
Location: rotterdam
Inscriptions: maker's mark: ‘EdG’, alloy mark: ‘zwaard 835’

Bedel van de Euromast te Rotterdam van verguld zilver.
Christus aan het kruis
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: crucified christ with mary magdalene, who usually weeps and embraces the cross - dd - the three crosses, crucified christ with mary, john, and mary magdalene, night
Inscriptions: collector's mark: Lugt 2228
Picturae a Fresco in Aedibus Augustae Vindelic (...)
Object type: print
Date: 1765 – 1770
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: trinity in which god the father and christ are represented as persons, the holy ghost as dove, coronation of mary by god the father and christ
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De kroning van Maria door Christus en God de Vader met globe en scepter. De duif als symbool van de Heilige Geest vormt tezamen met Christus en God de Heilige Drie-eenheid.
Roemer van helder kleurloos glas met blauwe noppen op de schacht; cuppa dubbelwandig; deel van voet een schacht ontbreekt.
Object type: miniature
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous
Design for Three Armchairs with Pictorial Upholstery
Object type: drawing ornament architecture
Date: 1830 – 1840
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: chairs

The firm Gillows was established in Lancaster by Robert Gillow (British, Singleton 1704-1772) in 1730. The firm also opened a shop in London which was turned into a permanent branch in the 1760s. Gillows of Lancaster and London produced furniture for the higher classes of society in Britain and the colonies overseas. The firm had a remarkably long and mostly prosperous history which is documented richly in the Gillow archives in London. The archive also contains many sketches and finished designs for their furniture. A group of approximately 250 presentation drawings dating to the first half of the 19th century were acquired by the Metropolitan Museum in 1938 however. They show the range of designs produced by the firm, from chairs and sofas to dressing tables and hat and umbrella stands, as well as whole room arrangements and draperies. The pieces are executed in various historic period styles, from ‘contemporary’ Empire and Biedermeier to Neo Gothic, Baroque and Rococo, which could be ordered according to taste and preference.
Stalinterieur met twee paarden
Object type: print
Date: 1811 – 1867
Materials: paper
Techniques: etching
Location: amsterdam
Artist: christiaan wilhelmus moorrees
Artist role: draughtsman, print maker
Artist dates: 1801 – 1867
Subjects: horse, stall, stable
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee paarden en een stalknecht in een stal voor met hooi gevulde ruiven.
Sacrificial Tablet
Object type: tablet
Date: 1644 – 1912
Culture: chinese
Allegorical Figure Representing Grammar
Object type: painting, monochrome
Date: 1760 – 1760
Materials: canvas
Techniques: fresco
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: women
Portret van Francisco d'Andrade en António d'Andrade, in een gevechtsscène uit Carmen van de Opera
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: a. eichenwald
Artist role: fotograaf
Subjects: berlin, adult man, historical persons, portrait of opera-singer, brothers (second degree family relationships)

Deze foto maakt deel uit van een omslag met 22 foto's.
Plate
Object type: plate
Date: 1705 – 1720
Materials: faience
Techniques: glazing
Subjects: flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Vervallen muur
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil, watercolor
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: ruin of a building ~ architecture, fence, wall, paling

Links een onderdeel van een muur. Rechts een vervallen muur. Blad 27 recto uit een schetsboek met 27 bladen.
Still Life wit Flowers
Object type: painting
Date: 1870 – 1877
Materials: canvas, oil
Artist: auguste jouve
Artist role: painter
Artist dates: 1846 – 1887
Subjects: cut flowers; nosegay, bunch of flowers, flowers: hollyhock, flowers in a vase
Inscriptions: signature: ‘A. Jouve’

Stilleven met bloemen. Boeket met stokrozen in een pot staande op een tafel.
Noorwegen Juli/Aug. 1927
Object type: photograph
Materials: paper
Techniques: gelatin silver print
Location: norway
Subjects: the hague, caroline louise van den berg-van den berg, amsterdam, carel frederik van den berg (cay), frank willem van den berg (1912-1998), the family travelling, on holiday, mountains
Inscriptions: inscription: ‘Bij Stalheim’, inscription: ‘Stalheimskleven’

Deze foto's maken deel uit van een album.
Maaltijd te Emmaüs
Object type: drawing
Date: 1617 – 1617
Materials: ink, paper, pencil
Techniques: brush
Location: zwolle
Artist: gerard ter borch (i)
Artist role: draughtsman, print maker
Artist dates: 1584 – 1662
Inscriptions: annotation: ‘Gerard de Oude’

Tekening opgeplakt in het Familie-plakboek.
Portret van Andreas Tucher
Object type: print
Date: 1656 – 1689
Materials: paper
Techniques: engraving
Artist: johann jacob schollenberger
Artist role: print maker, publisher
Artist dates: 1646 – 1689
Subjects: official; civil servant; functionary (in general), historical persons
Inscriptions: collector's mark: Lugt 2228
Enkel blad van een buidel van ivoorkleurig satijn, waarop in aquarel groene takken en roze bloemen
Object type: purse
Date: 1880 – 1890
Materials: gold thread, silk, watercolor
Techniques: aquarelle, braiding, weave
Location: netherlands
Artist: Anonymous

Enkel blad van een buidel van ivoorkleurig satijn, waarop in het midden in aquarel groene takken en roze bloemen en knoppen. Het blad is omboord met een gevlochten tresband van witte zijde en gouddraad, met onderaan een band in V-vorm en waar de banden kruisen een strik. De band loopt door in een hengsel aan de bovenkant. In een tunnel langs de bovenste rand is een verstevigde strook.
Edward J. Poynter
Object type: bookplate
Date: 1846 – 1919
Materials: paper
Techniques: printing block
Location: england
Artist: Anonymous
Subjects: paris, london, draughtsman, edward john poynter (sir), writing-table, writing-desk, book
Inscriptions: collector's mark: Lugt 2233
Le sommeil
Object type: print
Date: 1730 – 1740
Materials: paper
Techniques: etching
Location: paris
Subjects: cat, sleeping on the ground, animals (+ sleeping animal(s)), child (+ two persons)

De tekening voor deze prent bevindt zich in het Museum van Stockholm.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of forearm of male and spear?
Zeven werken van barmhartigheid
Object type: print
Date: 1648 – 1665
Materials: paper
Techniques: etching
Location: paris
Subjects: feeding the hungry, 'esuriens cibatur' ~ one of the (seven) acts of mercy, clothing the naked, 'nudus vestitur' ~ one of the (seven) acts of mercy
Inscriptions: collector's mark: Lugt 2228

Een vrouw helpt een bedelaar zijn vodden uit te trekken, terwijl een tweede vrouw klaar staat met nieuwe kleding. Een derde vrouw deelt broden uit. Onder de voorstelling een Frans vers van vier regels. Zeshoekig blad, waarschijnlijk onderdeel van een cirkelvormige prent.
Seiro niwaka onna geisha no bu : Asazumabune Ogiuri Uta.....
Object type: print
Date: 1793 – 1793
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Maskerade door studenten van de Leidse Hogeschool, 1840 (plaat 10)
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: jan van beieren, students' pageant, costumes used in pageants

Historische gekostumeerde optocht van de studenten van de Hogeschool van Leiden op 8 februari 1840. De optocht verbeeldt de intocht van hertog Jan van Beieren te Leiden op 18 augustus 1420. Tiende plaat in een serie van negentien ongenummerde platen, met de groepen genummerd 62-70.
Marche Comique
Object type: print
Date: 1716 – 1774
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: types in 'commedia dell'arte'
Inscriptions: collector's mark: Lugt 2228
Portretten van bekende personen uit de zestiende eeuw
Object type: print
Date: 1600 – 1604
Materials: paper
Techniques: engraving
Location: augsburg
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Subjects: nancy, philippe-emmanuel de lorraine hertog van mercoeur
Inscriptions: collector's mark: Lugt 240

Illustratie uit: D. Custos en M. Henning. Atrium heroicum Caesarum, regum aliorq. summatum ac procerum qui intra proximum seculum vixere, aut hodie supersunt, imaginib. Deel 1-4. Augsburg: D. Custos, 1600-1604.
Actress reclining on chair, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: fans,portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Brief aan Philip Zilcken
Object type: letter
Date: 1900 – 1900
Materials: ink
Techniques: pen, writing
Location: the hague
Artist: grada hermina marius
Artist role: painter
Artist dates: 1854 – 1919
Subjects: print maker, draughtsman, bernardus johannes blommers, hendrik willem mesdag, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Sofa (canapé à confidents)
Object type: sofa
Date: 1775 – 1780
Materials: wood, silk
Techniques: carving, gilding
Artist: claude i sené
Artist role: maker
Artist nationality: french
Artist dates: 1724 – 1792

A sofa of this type, with a wide central section and a single outward-facing seat at each end, was called a canapé à confidents, although a design less likely to encourage exchange of confidences would be hard to imagine. Examples were made primarily in the Louis XV and Louis XVI periods, and only a small number survive. However impractical, the form was highly decorative, and it appears in designs for neoclassical wall elevations where the shape and carving are conceived in harmony with the wall paneling.[1] On the present piece, the carving on the wreaths of roses and olive branches tied by a ribbon at the top of each end is particularly skillful. This canapé has been described by both the comte de Salverte and Guillaume Janneau as Sené's finest known piece of furniture in the Louis XVI style. [Bill Rieder, 1984] Footnotes: [1] An example by Richard de Lalonde in the Musée des Arts Décoratifs, Paris, is illustrated in World Furniture, ed. H. Hayward, New York, 1965, p. 124, fig. 453.
Triomftocht van Argenis
Object type: book illustration
Date: 1680 – 1680
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: conqueror triumphing, triumphal entry of victor
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in het eerste deel van: Barclay, John. D'Argenis, 2 delen. Amsterdam: Jan Claesz ten Hoorn, 1680-1681.
Figure of Luohan and Tiger
Object type: figurine
Date: 960 – 1279
Materials: pottery
Culture: chinese
Subjects: men
Schotel, veelkleurig beschilderd met Chinees bloemornament
Object type: platter
Date: 1750 – 1775
Materials: faience
Location: delft
Artist: Anonymous
Inscriptions: collector's mark: ‘collection J.F. Loudon’, seal, on: ‘495’

Schotel van faïence. Veelkleurig beschilderd met Chinees bloemornament.
Towel
Object type: towel
Date: 1601 – 1700
Materials: linen
Montmorency Falls, Canada
Object type: watercolor
Date: 1850 – 1850
Materials: gouache, graphite, watercolor, paper
Culture: american
Artist: john mackie falconer
Artist role: artist
Artist nationality: american
Artist dates: 1820 – 1903
Subjects: waterfalls
Tekstblad behorende bij het portret van Hermanus van Hasselt
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: letterpress printing
Artist: ambrosius justus zubli
Artist role: schrijver
Artist dates: 1751 – 1820
Subjects: hillegom, predikant, hermanus van hasselt
Inscriptions: collector's mark: Lugt 2228

Tienregelig gedicht behorende bij het portret van predikant Hermanus van Hasselt.
Fotoreproductie van een getekend silhouetportret van Napoleon Bonaparte
Object type: photograph
Date: 1890 – 1908
Materials: paper, cardboard
Techniques: gelatin silver print
Subjects: napoleon i (emperor of the french), historical persons, emperor
Inscriptions: inscription: ‘Zie brief van Wolfgang Goetz./ 20 Juni 1908’, inscription: ‘Das Original in Lebensgrösse’
Zuidzijde van de Sint-Bonifatiuskerk te Vries
Object type: photograph
Date: 1898 – 1898
Materials: cardboard, photographic support
Techniques: albumen print
Location: vries
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Vries’, annotation: ‘Kerk v/d Ned. Herv. gemeente te Vries (Drenthe)/ Aug 1898’
Robillard. Guillaume, Joseph. 24 ans, né le 17/11/68 à Vaucresson. Fondeur en cuivre. Anarchiste. 2/7/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Interior, part of an inscription, HO
Christiane Henriette Koch
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: engraving
Location: germany
Artist: johann friedrich bause
Artist role: artist
Artist nationality: german
Artist dates: 1738 – 1814
Courtisane uit het Hirai Izumiya huis
Object type: print
Date: 1815 – 1815
Materials: paper
Techniques: woodcut
Location: japan
Artist: yanagawa shigenobu (i)
Artist role: draughtsman
Artist dates: 1787 – 1832
Subjects: courtesan, hetaera

Courtisane in kimono met zwart wit geblokte rand en gele obi met patroon van paarse en rode karpers.
Vrede van Cateau-Cambrésis tussen Spanje en Fankrijk 1559
Object type: history medal
Date: 1559 – 1559
Materials: tin
Techniques: casting

Tinnen penning, op de voorzijde het portret van Philips II naar rechts met omschrift, op de keerzijde een handdruk met omschrift
Four Putti with Bow and Arrows on Clouds above a Landscape with a Tower
Object type: drawing
Date: 1591 – 1666
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: guercino (giovanni francesco barbieri)
Artist role: artist
Artist nationality: italian
Artist dates: 1591 – 1666
Subjects: putti
Plate 5: female figure on horseback and a male figure with a dog standing in a stream, pointing to a waterfall at left in the background, from 'Landscapes in the manner of Salvator Rosa' (Die Landschaften in Sal. Rosa's)
Object type: print
Date: 1700 – 1725
Techniques: etching
Artist: franz joachim beich
Artist role: artist
Artist nationality: german
Artist dates: 1665 – 1745
Portret van Timotheus de Sayer
Object type: print
Date: 1658 – 1676
Materials: paper, pencil
Techniques: engraving
Location: northern netherlands
Artist: theodor matham
Artist role: draughtsman, print maker
Artist dates: 1605 – 1676
Subjects: timotheus de sayer
Inscriptions: collector's mark: Lugt 2228

Portret van Timotheus de Sayer, pastoor in het Gooiland.
Wall paneling
Object type: wall paneling
Date: 1770 – 1780
Materials: wood
Techniques: painting
Artist: pierre ranson
Artist role: maker
Artist nationality: french
Artist dates: 1736 – 1786
Subjects: flowers,leaves
Uitzicht op een tuin, vermoedelijk van wijngaard Lanzerac in Stellenbosch, Zuid-Afrika
Object type: photograph
Date: 1911 – 1968
Materials: paper, cardboard
Techniques: chromogenic print
Location: stellenbosch
Artist: willem jacob van den berg
Artist role: boer
Artist dates: 1902 – 1983
Subjects: garden
Boeg van een schip
Object type: print
Date: 1913 – 1913
Materials: paper
Techniques: etching
Artist: jan sirks
Artist role: print maker
Artist dates: 1885 – 1938
Subjects: parts of ship's exterior: bow
Inscriptions: date, collector's mark: Lugt 2228