deem-data/ArtiFact huggingface dataset:
Slippers
Object type: slipper
Date: 1834 – 1866
Materials: leather, silk
Culture: european
Square-Headed Bow Brooch
Object type: brooch
Date: 500 – 600
Materials: alloy, gilt copper, niello
Techniques: inlay
Culture: anglo-saxon

This brooch displays the Anglo-Saxon preference for lavish decoration, with a particular emphasis on fantastic animal forms. Dividing the foot is a strip of niello (a black substance containing silver, copper, lead, and sulphur) terminating in an animal’s head, and above the foot is a pair of stylized animal heads with gaping jaws.
Views of Richmond and Vicinity
Object type: stereograph
Date: 1875 – 1879
Materials: cardboard, paper
Techniques: albumen print
Location: richmond
Artist: david h. anderson
Artist role: fotograaf
Artist dates: 1827 – 1905
Subjects: monument, statue
Inscriptions: address: ‘913 Main St. Richmond, Va.’, : ‘Views of Richmond (...) and Colonial Relics.’
Openbaring van Johannes
Object type: print
Date: 1563 – 1574
Materials: paper
Techniques: engraving, etching
Location: antwerp
Artist: gerard van groeningen
Artist role: draughtsman, painter, print maker
Artist dates: 1515 – 1599
Subjects: the army of horsemen ~ the seven angels with trumpets, the sixth of the seven angels sounds the trumpet: the four angels of destruction are released
Inscriptions: collector's mark: Lugt 2228

In de lucht kijkt God toe hoe de zesde engel op zijn bazuin blaast. Vier doodsengelen slaan op aarde met zwaarden op de mensheid in. Op de achtergrond een cavalerie, waarvan de paarden vuurspuwende leeuwenkoppen hebben en staarten met slangenkoppen (Op. 9: 13-19).
Portret van Peter I, koning van Castilië
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: historical persons, ruler, sovereign

Portret mogelijk afkomstig van een grote prent, getiteld 'Effigies et series regum Hispaniae primum ex Gothis Christianorum (...)', bestaande uit meerdere bladen die samengevoegd konden worden, uitgegeven door Giovanni Giacomo de' Rossi in 1684.
Bronze nozzle of a firing machine from the wreck of the Dutch East Indiaman Hollandia
Object type: firehose
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fire engine, firehose nozzle; bent, circular, tapering tube, flanged rim at upper end, integral shaped socket with flanged rim at lower end, internally threaded and fitting onto nozzle NG 1978-8H1921.
J. Jacotot Inventeur de l'Enseig.t universel
Object type: print
Date: 1802 – 1861
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228
Slag bij Quatre-Bras, ter ere van Willem Frederik George Lodewijk, erfprins der Nederlanden
Object type: history medal
Date: 1815 – 1815
Materials: alloy
Techniques: striking
Location: netherlands
Subjects: the hague, william ii of the netherlands

Slag bij Quatre-Bras (16 juni 1815), ter ere van Willem Frederik George Lodewijk, erfprins der Nederlanden. Penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: gevleugelde Overwinning met helm, speer en lauwerkrans staande tussen veroverd wapentuig binnen omschrift; afsnede: opschrift.
Cylinder seal
Object type: cylinder seal
Date: 3200 – 2900
Location: mesopotamia
Nis met guirlandes
Object type: ornament print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: 'concha' ~ architecture, ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Voor- en zijaanzicht van een nis gedecoreerd met guirlandes. Prentnummer 208.
Preparatory Studies for Plates 90 and 91 of "Maisons de plaisance," Volume II
Object type: drawing
Date: 1701 – 1800
Materials: chalk
Techniques: drawing
Artist: jacques françois blondel
Artist role: artist
Artist nationality: french
Artist dates: 1705 – 1774
Subjects: musical instruments,birds,ornament,flowers
Towel
Object type: textile
Date: 1601 – 1733
Techniques: embroidery
Location: turkey
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 425 – 401
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, left shoulder, bit of the upper left arm, and hand, holding a strigil, of a filleted youth to right; bent right arm, with hand holding a javelin
Grotingang met schildwacht
Object type: print
Date: 1851 – 1862
Materials: paper
Techniques: lithograph
Location: paris
Subjects: cave, grotto, guard duty, keeping sentry, rocks
Inscriptions: collector's mark: Lugt 2233, check stamp: Lugt 36a, inscription: ‘Aug Allebé’
Schetsen van een liggende geit en een schaap, van achteren
Object type: drawing
Date: 1775 – 1833
Materials: chalk, paper
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: sheep, goat
Yamashiro Province: The Togetsu Bridge in Mount Arashi (Yamashiro, Arashiyama Togetsukyo), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)"
Object type: print
Date: 1853 – 1853
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Ewer
Object type: ewer
Date: 1744 – 1746
Materials: silver
Artist: jean tugot
Artist role: maker
Artist dates: 1683 – 1780
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1915 – 1915
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: fenna de meyier
Artist role: onderwijzer, schrijver
Artist dates: 1874 – 1943
Subjects: louis couperus, willem byvanck, berlin, politician, fridolin marinus knobel, painter, draughtsman, philip zilcken, printed matter
Inscriptions: collector's mark: ‘RPK’
Le Louvre Pavillion Denon
Object type: stereograph
Date: 1860 – 1860
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: permanent exhibition, museum
Zomertaling (Anas querquedula)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, paper, pencil, watercolor
Techniques: brush
Subjects: water-birds: garganey

Zomertaling. Genummerd rechtsboven: 26. Onderdeel van het derde album met tekeningen van vogels. Vijfde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Christ and the Twelve Apostles
Object type: print
Date: 1592 – 1592
Artist: maerten de vos
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1532 – 1603
Subjects: christ
Voorstellingen van de vier elementen: water
Object type: print
Date: 1566 – 1566
Materials: paper
Techniques: engraving
Location: netherlands

Blad uit serie bestaande uit een titelblad en 15 van de 16 bladen met cartouches met bijbelse en mythologische voorstellingen in een omlijsting van rolwerk en grotesken.
Gelderland
Object type: book illustration
Date: 1947 – 1947
Materials: paper
Techniques: lithograph
Subjects: maps, atlases, gelderland
Painting
Object type: album leaf
Date: 1801 – 1900
Materials: paper, silk, watercolor
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Subjects: men
Portret van Johannes Wilhelmus Bouvink
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: rotterdam
Subjects: the hague, historical persons, functionaries and dignitaries ~ episcopal protestant churches
Inscriptions: inscription: ‘n 1744 + 1809’
Legerdag in 's-Gravenhage
Object type: photograph
Date: 1938 – 1938
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: print maker, wilhelmina of the netherlands, juliana of the netherlands, crown princess, queen, the hague
Portret van een vrouw, aangeduid als Van der Duyn
Object type: photograph
Date: 1877 – 1877
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Subjects: historical persons - bb - woman
Inscriptions: annotation: ‘[Mlle vd Duyn]’, inscription: ‘De Lavieter & Co./ Photographes/ Willemstraat No2/ La Haye’
Vijftig centisimi, serie G, no. 23607 uitgegeven door de Banca popolare di Genova
Object type: waardepapier
Date: 1868 – 1868
Materials: paper
Techniques: printing
Location: genoa
Subjects: genua
Twee ontwerpen voor prie-dieu's
Object type: album leaf
Date: 1825 – 1839
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: paris
Artist: Anonymous
Subjects: kneeling-chair, furniture for special use (+ wood and other phytogenic material)

Twee ontwerpen voor prie-dieu’s (bidstoelen) in twee verschillende houtsoorten. Beide rijk versierd met houtsnijwerk. Het blad op de achterzijde genummerd: 59, het tegenoverliggende blad met informatie (ontbreekt hier) over de afgebeelde meubelen genummerd: 59 bis. Onderdeel van een album met 80 bladen met tekeningen en een prent van gefineerde en gelakte meubelen, alsmede zitmeubelen.
Bulletin / Association belge de photographie
Object type: book
Date: 1805 – 1887
Materials: paper
Techniques: printing, engraving, woodburytype
Galerie pittoresque
Object type: print
Date: 1837 – 1849
Materials: paper
Techniques: lithograph
Location: paris
Subjects: saluting, guard duty, keeping sentry, military salutes
Inscriptions: collector's mark: Lugt 2228a
Arvita, from the Ballet Queens series (N182) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,dancing,dancers

Trade cards from the "Ballet Queens" series (N182), issued in an unnumbered set of 50 cards in 1889 by Wm. S. Kimball & Co.
Circvncisvs est pver et vocatvm est nomen eivs iesvs
Object type: print
Date: 1665 – 1698
Materials: paper
Techniques: engraving
Location: rome
Subjects: circumcision of the christ-child by the priest in the temple (luke 2:21)
Inscriptions: collector's mark: Lugt 240
Banyan
Object type: banyan
Date: 1775 – 1775
Materials: silk
Culture: british

For at-home wear, a gentleman had a dressing gown, often with a matching waistcoat, and an undress cap or turban. As for breeches, they were not designed especially for this casual ensemble, but rather borrowed from other suits. The dressing gown was cut like a man’s loose coat and usually hung to the floor, though there were also versions that stopped below the knees. Since there were no fastenings, the wearer overlapped the dressing gown in front when he walked so that the sides did not billow out behind him. The sleeves were originally rolled back to form cuffs, but later dressing gowns display the fashionable cuff of their period. In England these dressing gowns were called "banyans" or "Indian nightgowns" because of their kimono-like form and Eastern origin. Banyans were made in a variety of fabrics, including silk brocades, damasks, and printed cottons. Winter banyans were occasionally quilted for extra warmth. Gentlemen received friends while attired in banyans as a sign of their informality and of their intimacy with the visitor. By the 1780s gentlemen ventured out of doors in this comfortable and stylish costume. According to Town and Country Magazine in 1785: "Banyans are worn in every part of the town from Wapping to Westminster, and if a sword is occasionally put on it sticks out of the middle of the slit behind. This however is the fashion, the ton, and what can a man do? He must wear a banyan." This yellow damask banyan with its bold Chinese Chippendale – inspired pattern would have been an imposing sight on the streets or in the drawing rooms of London.
Portret van een vrouw bij een tafel
Object type: photograph
Date: 1867 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: adult woman, historical persons
Inscriptions: inscription: ‘Photographers & Miniature Painters/ to the Principal Souvereigns of Europe/ Moira & Haigh/ L. Lower Seymour Street Portman Sq. W./ opposite the Marylebone Institution’
L'ameublement / Collection Simple
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage, table

Een renaissance open kast, tafel en buffetkast. Prent uit 307e Livraison.
Portret van een onbekende kleine man en een onbekende kleine vrouw
Object type: carte de visite
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: christian franzen
Artist role: fotograaf
Subjects: adult woman, adult man, historical persons
Inscriptions: address: ‘Christian Franzen KJØBENHAVN/ 38 Vimmelskaftet.’

Portret van een onbekende man en een onbekende vrouw (kleine mensen).
Brandewijnkom
Object type: brandy bowl
Date: 1764 – 1764
Materials: silver
Techniques: casting
Location: sneek
Artist: Anonymous
Inscriptions: mark

Brandewijnkom van gedreven zilver. De ovale cuppa staat op een gewelfde voet. De gegoten horizontale oren zijn opengewerkt en vertonen een bloemenmand met engeltjes.
The Crucifixion
Object type: painting
Date: 1675 – 1675
Materials: canvas, oil
Artist: bartolomé estebán murillo
Artist role: artist
Artist nationality: spanish
Artist dates: 1617 – 1682
Subjects: christ,cross,crucifixion
Sampler
Object type: sampler
Date: 1823 – 1825
Materials: cotton, silk
Subjects: flowers,leaves,boats
Inlay, falcon with spread wings
Object type: plaque, falcon
Date: 100 – 100
Materials: glass
Location: egypt
Subjects: falcons

A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards. Such elements could also be used side by side to create repeating patterns. Or if the rod presented one half of a scene or an element that was symmetrical, a tile and a reversed tile from the same rod could be put together to form a complete whole.
Vrouwenkop
Object type: sketchbook leaf
Date: 1894 – 1894
Materials: paper, pencil
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: head (human), adult woman

Verso-zijde van een losse tekening tussen het schutblad en pagina 1 van een schetsboek met 35 bladen.
Kreml
Object type: photograph
Date: 1878 – 1890
Materials: photographic support
Techniques: albumen print
Location: moscow
Artist: Anonymous
Subjects: fortress, palace

Onderdeel van Reisalbum Europese steden, vermoedelijk Zweeds.
La Naissance
Object type: print
Date: 1744 – 1744
Techniques: engraving
Artist: jean-joseph baléchou
Artist role: artist
Artist nationality: french
Artist dates: 1716 – 1764
Subjects: interiors,infants,women
Jar Stopper
Object type: rope attachment
Location: egypt

A number of small amulets and other items were found in the excavation of Nespekashuty's tomb, spanning its long use life.See the discussion under 23.3.468. Bottles with narrow mouths could be closed with stoppers, which could be made of many materials. The excavators judged this stopper would have closed a bottle opening of about 5 cm in diameter.
Pair of Flintlock Pistols
Object type: pair of flintlock pistol
Date: 1775 – 1775
Materials: horn, silver, steel, wood
Culture: irish
Location: ireland
Lea Castle, Worcestershire, Dining Room Looking South
Object type: drawing
Date: 1816 – 1816
Materials: watercolor
Artist: john carter
Artist role: artist
Artist nationality: british
Artist dates: 1748 – 1817
Subjects: dining rooms
Quartier des Attractions
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1910
Materials: cardboard
Techniques: photograph, lithograph
Location: brussels
Subjects: world fair, world exhibition, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), brussels
Inscriptions: date
Composities van handen voor De Molenaar
Object type: drawing
Date: 1870 – 1923
Materials: chalk, paper
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: miller, hand
Zuilengalerij van de Jama Masjid Moskee in Delhi
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil, watercolor
Techniques: brush
Location: delhi
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: colonnade, temple, shrine ~ islam, mohammedanism

Pagina 25 uit een schetsboek met 15 bladen.
Il terzo libro di Sabastiano Serlio Bolognese
Object type: book
Date: 1540 – 1540
Techniques: printing, woodcut
Location: italy
Artist: sebastiano serlio
Artist role: author
Artist nationality: italian
Artist dates: 1475 – 1554
Subjects: architecture
Meisje steunend op een kruk
Object type: print
Date: 1835 – 1884
Materials: paper
Techniques: tone lithography
Artist: richard burnier
Artist role: print maker
Artist dates: 1826 – 1884
Subjects: crutches - aa - female human figure, brook, dog
Inscriptions: inscription: ‘R. Burnier door hem zelve gewassen’, collector's mark: Lugt 2228

Het meisje zit in een bosrijk landschap aan een beek met een kleine waterval. Ze heeft een kruk onder haar linker oksel en kijkt naar een hond links van haar.
Enquête-Voorstel van Mr. P. J. Troelstra
Object type: cartoon
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: abraham kuyper, annexes and outbuildings; fencing; gate, lavatory, water-closet, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 22 mei 1910.
Allemagne
Object type: stereograph
Date: 1864 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: koblenz
Artist: Anonymous
Subjects: bridge in city across river, canal, etc.
Inscriptions: number: ‘No 4917.’
Chasse sous Bois.
Object type: print
Date: 1831 – 1907
Materials: paper
Techniques: etching
Location: paris
Subjects: hunting, chase, forest, wood
Inscriptions: collector's mark: Lugt 2228
Fotoalbum met 96 foto's
Object type: photograph album
Date: 1855 – 1900
Materials: cardboard, leather, metal, photographic support
Techniques: albumen print
Subjects: sitting figure, adult woman, adult man, historical persons
Inscriptions: inscription: ‘Dienst Verspreide Rijkskollekties/ (...)’

Fotoalbum met 48 pagina's met in totaal 96 foto's, alle cartes-de-visite. Het album bevat portretten.
Pouring vessel (Kendi)
Object type: pouring vessel
Date: 1710 – 1712
Materials: stoneware
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: dragons,flowers

Used principally in Southeast Asia for drinking and pouring, the kendi is loosely based on an earlier Indian form. This German example is decorated with dragons and clouds on the neck, flowering narcissus on the body, and the heads of the lingzhi fungus at the foot and rim, motifs that derive from China, where kendi-type vessels were often made for export. This type of red stoneware body is known as Böttger stoneware, named after the man who developed it at the Meissen factory.
Fragmenten schroefdop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: verpakking
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

At the left, tendrils; legs and chlamys of a male to right; flute case and glottokomeion; male to right, with his himation draped over his forearms and around his back, holding a staff in his left hand; palmette and tendrils; below the figures, a meander pattern
Nathaniel Griffing
Object type: painting, miniature
Date: 1800 – 1800
Materials: ivory, watercolor
Culture: american
Subjects: men,portraits

The Honorable Nathaniel Griffing (1767-1845) graduated from Yale College in 1786 and married Sarah Brown (1767-?) in 1787. He became a prosperous merchant in Guilford, Connecticut, a judge of the court for New Haven County, and a representative in the Connecticut legislature from 1819 to 1833.
Lint op rol, gestreept, grijs met magenta, zwart, groen en oranje
Object type: braid
Materials: cardboard, paper, textile
Techniques: weave
Location: nijmegen
Inscriptions: number: ‘Pon 8383’, stamp: ‘9 - APR. 1926’

Lint op rol, gestreept, grijs met magenta, zwart, groen en oranje.
The Sailor Boy's Dream
Object type: reproduction
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Location: new orleans
Subjects: advertising, seaman: sailor, beach, textile industry and clothing industry
Inscriptions: inscription: ‘PIERSON & HEWS, Successors to PITKIN, PIERSON & CO/ DEALERS IN/ FINE CLOTHING/ AND/ FURNISHING GOODS/ No.s 13 and 15 Camp Street,/ Wm. H. Pierson,/ E.L. Hews/ New Orleans’
The blindness of Tobit: the larger plate
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: tobit's blindness (tobit 2 - 3:6)
Inscriptions: collector's mark: Lugt 240, signature and date: ‘Rembrandt f. 1651’

Here we witness recognizable human emotions. When Anna, Tobit’s wife, tells him that she sees their long-awaited son, Tobias, arriving, he jumps up excitedly to meet him. However, he is blind and, in his haste, bumps into the door. Rembrandt etched this episode twice, first around 1629 and again in 1651.
Berthe Morisot
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: etching
Location: france
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Portret van het echtpaar Schaerer
Object type: photograph
Date: 1900 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: england
Artist: Anonymous
Subjects: marriage, married couple, 'matrimonium', england
Inscriptions: inscription: ‘With kindest regards to Mr. & Mrs. Van Gestel from mr. & Mrs. Schaerer’
Man en vrouw leunen over de rand van een balkon
Object type: print
Date: 1824 – 1869
Materials: paper
Techniques: drypoint, etching, intaglio, roulette
Artist: corneille seghers
Artist role: draughtsman, print maker
Artist dates: 1814 – 1869
Subjects: leaning forward, balcony
Inscriptions: collector's mark: Lugt 2228
Yaksha Supporting a Naga
Object type: figure
Date: 1101 – 1200
Materials: bronze, gilt
Culture: thai
Ontwerp met vazen en gevleugeld hoofd
Object type: print
Date: 1724 – 1754
Materials: paper
Techniques: engraving, etching
Location: augsburg
Artist: balthasar sigmund setletzky
Artist role: print maker
Artist dates: 1695 – 1771
Subjects: vase ~ ornament, skull as symbol of 'vanitas', fabulous beings with wings, epitaph, altar
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor een altaar of epitaaf met rocaille ornamenten en aan weerszijden rocaille vazen. Aan de bovenzijde een doodshoofd en een mannengezicht met baard omgeven door vleugels.
Fragment of Bowl
Object type: fragment
Date: 701 – 1200
Materials: earthenware
Techniques: glazing
Location: iran
Bottle, Crab Demon
Object type: bottle
Date: 301 – 700
Materials: ceramic
Culture: moche
Location: peru
Subjects: demons
Kolos van Rhodos
Object type: print
Date: 1917 – 1917
Materials: paper
Techniques: etching
Location: groningen
Artist: marius holleman
Artist role: draughtsman, print maker
Artist dates: 1878 – 1926
Subjects: harbour, colossus of rhodes (wonder of the world)
Inscriptions: collector's mark: Lugt 2228

Links een haveningang. In het midden de Kolos van Rhodos, zittend en uitkijkend over de zee.
Case (Inrō) with Design of Lotus (obverse); Lotus and Bird (reverse)
Object type: inrō
Date: 1801 – 1900
Materials: glass, ivory, lacquer, metal, shell, wood
Techniques: carving, inlay
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Subjects: birds,lotuses