deem-data/ArtiFact huggingface dataset:
Fragment of a Bowl
Object type: fragment
Date: 801 – 1000
Materials: earthenware, glaze
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Onoe Matsusuke as the Ghost of the Murdered Wife Oiwa, in "A Tale of Horror from the Yotsuya Station on the Tokaido Road"
Object type: print
Date: 1812 – 1812
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa toyokuni i
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Subjects: hair,actors
Oranje koekoeksbloem in landschap
Object type: drawing
Date: 1790 – 1790
Materials: pencil, watercolor
Techniques: brush
Artist: aert schouman
Artist role: draughtsman, painter, print maker
Artist dates: 1710 – 1792
Inscriptions: signature: ‘A. Schouman Fecit’, inscription: ‘2’, annotation: ‘Lychnis Coccinea Celeb: Banks. / Agrostima Coccinea’
"Mr. E. Forest as Daymen" (from Sketchbook)
Object type: drawing
Date: 1811 – 1893
Materials: graphite, ink, paper, watercolor
Techniques: pen
Culture: american
Artist: john william casilear
Artist role: artist
Artist nationality: american
Artist dates: 1811 – 1893
Subjects: men
Madonna and Child
Object type: painting
Date: 1506 – 1518
Materials: oil, wood
Artist: boccaccio boccaccino
Artist role: artist
Artist nationality: italian
Artist dates: 1466 – 1525
Subjects: birds,madonna and child

Although from Cremona, Boccaccio Boccaccino spent considerable time in Venice: the manner in which the Virgin is posed before a cloth of honor with a distant landscape derives from works by Giovanni Bellini. This charming picture, in which the child tempts a goldfish with a cherry, dates from around 1506–18 (the goldfinch is symbolic of Christ's Passion).
Damesschoen van lichtblauw zijden damast met twee flappen over de wreef
Object type: shoe
Date: 1725 – 1750
Materials: leather, linen, metal, silk, wood
Techniques: tanning, weave
Location: france
Artist: Anonymous

Damesschoen van lichtblauw zijden damast. Model: Spitse opwippende neus, één voorblad en twee zijbladen. Op de stiksels, die de bladen bij elkaar houden, een band ripszijde. Vierkante tong op de wreef. Over de tong lopen vanaf de zijbladen twee flappen over elkaar. De rechterflap heeft een ijzeren haakje die je kan vasthaken aan een lus op de linkerflap. De voorkant van de hak loopt in een afgeronde hoek vanaf het geleng iets getailleerd naar beneden. De zijkant en achterkant van de hak zijn iets getailleerd en bekleed met lichtblauw zijde.. Langs de rand van de hak lopen witte stiksels. De hak heeft een donkerbruine rand leer van het achterlapje. Zijbladen en voorblad gevoerd met beige linnen. Aan de onderkant van de zijbladen en het voorblad aansluitend aan de binnenzool is een reep ivoorwit leer bevestigd waarschijnlijk ter versteviging van de schoen. De binnenzool is van donkerbruin leer. Geruwd leren achterlapje met vier houten spijkers aan de hak vastgeslagen en geruwd leren zool. Versiering: In de tekening van het damast zijn bloemen en bladeren te zien. Afgebiesd met lichtblauw ripsband. Geen links/rechts verschil.
Marquises Louis XVI
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Decoratieve randen
Object type: print
Date: 1750 – 1750
Materials: paper, watercolor
Techniques: etching, hand coloring
Location: paris
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Blad met zeven identieke decoratieve randen opgebouwd uit bloemen en fruitschalen. Rechtsboven genummerd: 207. Een van 39 bladen met knipplaatjes en decoratieve randen.
Schuit met een roeiboot
Object type: drawing
Date: 1619 – 1685
Materials: chalk, paper
Techniques: brush
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: sailing-ship, sailing-boat (+ rest ~ travelling), rowing-boat, canoe, etc. (+ rest ~ travelling)
Panel
Object type: textile
Date: 1733 – 1735
Materials: textile, silk
Techniques: bookbinding, interlacing, patterning, satin weave, weave
Location: france
Artist: in the style of jean revel
Artist nationality: french
Artist dates: 1684 – 1751
Subjects: foliage
Terracotta fragment of a mastoid (drinking cup with narrow base) or a kyathos (cup-shaped ladle)
Object type: mastoid or kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Two vines, one with a bunch of grapes
Hinge
Object type: hinge
Date: 1700 – 1800
Materials: iron
Culture: american
Location: united states

The wrought iron produced for Dutch dwellings in upstate New York followed a utilitarian aesthetic. These door hinges feature a swelling, or nail pad, at the end closest to the doorjamb. The pads accommodated additional nails and thus strengthened the hinges’ attachment to the door. This design, based on hardware used throughout the Netherlands in the seventeenth and eighteenth centuries, is characteristic of hinges produced in Dutch communities in the Hudson River valley.
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Date: 1902 – 1902
Materials: ink, paper
Techniques: pen, writing
Location: s-graveland
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: den bosch, painter, print maker, draughtsman, antoon derkinderen, pieter haverkorn van rijsewijk, applied arts, arts and crafts; industrial design
Inscriptions: collector's mark: ‘RPK’, watermark
Orandajin
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: woodcut
Location: japan
Artist: utagawa yoshitora
Artist role: print maker
Subjects: human types; peoples and nationalities, walking-stick, staff, folk costume, regional costume
Inscriptions: collector's mark: Lugt 2228
The Colosseum, two herds being directed towards the amphitheater in the foreground, plate 8 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: ruins,men,buffalos,rome

For comments on the series, see 17.50.17-234.
Panel (Pillar Design)
Object type: textile
Materials: cotton
Techniques: printing block, painting, weave, printing
Location: england
Dronken gezelschap lacht om een vrouw met snor
Object type: print
Date: 1804 – 1856
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: middelburg, laughing, drunkenness, moustache - aa - ~ women
Inscriptions: collector's mark: Lugt 2228

In een interieur zit een dronken gezelschap rond een tafel. Op het gezicht van een vrouw heeft de man met een schrijfveer, die een tekening van een vrouw met snor toont, een snor getekend. Een man naast haar grijpt de vrouw vast en trekt een grimas. Andere mensen huilen van het lachen om de situatie. De man links op de voorgrond houdt zijn pul zo scheef dat de drank eruit stroomt. Aan de muur hangt een prent van de heilige Arnoldus van Soissons als patroonheilige van de bierbrouwers. Onderaan in de marge de titel en een tekst in het Frans, waarin staat dat het schilderij zich bevindt in de collectie van Johan Steengracht van Oostcapelle in Den Haag.
Alpi Italiane / Alpes Italiennes
Object type: stereograph
Date: 1861 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: isola dei pescatori
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: island, lake
Inscriptions: number: ‘84’
Carte Particuliere des environs de Bruges, Ostende, Damme, l'Ecluse et autres
Object type: map
Date: 1737 – 1757
Materials: paper
Techniques: engraving, etching, hand coloring
Location: augsburg
Subjects: maps of separate countries or regions, southern netherlands, belgium

Deze kaart is onderdeel van een wandkaart van de Oostenrijkse Nederlanden, bestaande uit vier rijen van zes delen. De delen van de kaart zijn rechtsonder genummerd, beginnend bij het deel linksboven (1) tot het deel rechtsonder (24).
Bowl
Object type: bowl
Date: 1770 – 1770
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Subjects: human figures,landscapes
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Part of the foot of a skyphos; the foot is profiled and the outer edge is unglazed; the resting surface is unglazed; the inner wall of the foot is glazed
De lachende Ezopus, op het koolmaal, gehouden ter afscheyd van de Actieapen
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: monkeys, apes, animals acting as human beings
Inscriptions: collector's mark: Lugt 2228

Links staat de lachende Aesopus, Bombario in harlekijnspak, bij een groep apen die kool eten (de slachtoffers van de windhandel). Rechts jagen wolven op schapen. In de wolken Mercurius, de Nederlandse Leeuw en Vader Tijd. In het onderschrift een vers in vier kolommen. Prent 48 in de serie Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Wolter Jan Gerrit baron Bentinck (1745-1781)
Object type: bust
Date: 1782 – 1784
Materials: biscuit porcelain, material)
Techniques: biscuit (porcelain, material
Location: loosdrecht
Subjects: amsterdam, historical persons

Buste van biscuit, voorstellende Wolter Jan Gerrit baron Bentinck (1745-1781) in uniform met epauletten en pruik in Lodewijk XV-stijl.
Vier mijnwerkers op weg naar hun werk
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: miner, factory in landscape
Inscriptions: collector's mark: Lugt 2228
Basreliëf op het pendopo voetstuk aan de noordzijde van Candi Panataran.
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905

Candi Panataran (Temple Complex), Pendopo Terrace, unidentified reliefs 40-43 (inscription above no. 43 reads samasa), north side. Panataran, Blitar district, East Java province, 1375 AD
Standbeeld van Ary Scheffer in Dordrecht
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: lithograph
Subjects: dordrecht, painter, print maker, draughtsman, sculptor, ary scheffer, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228
Voorovergebogen zittende vrouw met kapje
Object type: drawing
Date: 1874 – 1925
Materials: chalk, paper
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, lower drapery and shod foot of male to right; the interior of the three other fragments have parts of the meander; Exterior, lower drapery and legs of a male to left, with shod feet; strigil and aryballos; part of a draped male leaning on a stick; bent left leg and hand of a male holding a jumping weight; two javelins?; lower drapery and stick of a male to left; the smallest fragment has part of the double ground line
Calle Mayor Alcalá
Object type: drawing and watercolor
Date: 1903 – 1903
Materials: board, chalk, charcoal, paper, wood
Techniques: drawing, stumping
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Dr. G.F. Westerman
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: rotterdam, gerardus frederik westerman, historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van Gerardus Frederik Westerman, één van de drie oprichters van het Koninklijk Zoölogisch Genootschap Natura Artis Magistra.
Boom
Object type: sketchbook leaf
Date: 1840 – 1860
Materials: paper, pencil
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: trees

Recto van het voorste vrije schutblad uit een schetsboek met 38 bladen.
The Railway Street at Balaklava
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: photography, salted paper print
Location: england
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: collected by hugh edwards
The Old Woman: "What are you afraid of? A wide black hole! It is empty, perhaps?", plate 19 of 24
Object type: print
Date: 1896 – 1896
Materials: paper, ink
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Square tray with flower-and-bird decoration
Object type: tray
Date: 1701 – 1800
Materials: lacquer
Techniques: polychrome
Culture: japanese or ryukyuan
Archeologische vondsten in en rond Rome
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: river, bridge, rome
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Le Antichità Romane'. Piranesi deed meer dan acht jaar voorstudie voor deze 250 platen tellende serie die in vier volumes werd uitgegeven. Hij produceerde de prenten tussen ca. 1756 en 1757. De serie bevat ook prenten door of naar andere prentmakers, onder wie Francesco Bianchini en Girolamo Rossi.
Bekende tijdgenooten
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: amsterdam, historical persons - bb - woman (+ (full) bust portrait)
Inscriptions: inscription: ‘Proefdruk eerste staat / Jan Veth’

Deze prent werd uitgegeven door De Amsterdammer op 8 november 1896.
Reproductie van een gravure naar een schilderij van een scène uit King Henry the Fourth
Object type: reproduction
Date: 1874 – 1874
Materials: paper
Techniques: woodburytype
Location: london
Subjects: theatre, theatrical performance
Diversarum gentium nostrae aetatis habitus
Object type: costume print
Materials: paper
Techniques: engraving
Location: venice
Artist: enea vico
Artist role: draughtsman, print maker
Artist dates: 1523 – 1567
Subjects: europeans: spaniards (+ costume)

Vrouw naar rechts, met rol stof en plankje in de armen. Prent uit album 'Diversarum gentium nostrae aetatis habitus'.
Dieppe
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring, perforating
Location: dieppe
Artist: Anonymous
Subjects: harbour, ships (in general)
Landscape with waterfall, from an untitled series of chuban prints
Object type: print
Date: 1831 – 1831
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Plate
Object type: decorative art
Date: 1789 – 1789
Materials: alloy, metal, pewter, tin
Location: boston
Artist: thomas badger
Artist nationality: american
Artist dates: 1764 – 1826
Splicing the Cable (after the First Accident) on Board the Great Eastern, July 25th, 1865
Object type: drawing
Date: 1865 – 1866
Materials: gouache, graphite, watercolor
Artist: robert charles dudley
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1909
Subjects: cannons,men,working,transatlantic cable

One of the 19th century's great technological achievements was to lay a telegraphic cable beneath the Atlantic, allowing messages to speed back and forth between North America and Europe in minutes, rather than ten or twelve days by steamer. An initially successful attempt in 1858, led by Cyrus W. Field and financed by the Atlantic Telegraph Company, failed after three weeks. Two working cables were finally laid in July and September 1866, the result of repeated efforts by the indefatigable Field, a cadre of engineers, technicians, and sailors, two groups of financial backers, and significant help from the British and United States navies. This watercolor by Dudley shows a splicing operation on the deck of the Great Eastern, necessitated by a break or fault in the cable. Part of a series documenting the long, arduous process, this image was reproduced as a color lithograph in William H. Russell's 1866 book "The Atlantic Telegraph" (92.10.100 and 61.536.5). In 1892 Field donated art works by Dudley, a copy of Russell's book, commemorative medals, memorabilia, and specimens of cable to the Museum.
Ointment Jar
Object type: jar
Date: 301 – 700
Materials: bone
Culture: coptic
Location: egypt
St. Merri
Object type: print
Date: 1906 – 1906
Materials: paper
Techniques: drypoint, etching
Location: scotland
Artist: david young cameron
Artist role: draughtsman, print maker
Artist nationality: scottish
Artist dates: 1865 – 1945
Schilderingen in de Sixtijnse kapel
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving, intaglio
Location: italy
Artist: adamo scultori
Artist role: painter, print maker, sculptor
Artist dates: 1530 – 1585
Subjects: mother and child(ren), woman and child(ren) (family group), father and child(ren), man and child(ren) (family group)

Deze prent maakt deel uit van een serie bestaande uit een titelprent en 72 prenten naar schilderingen door Michelangelo in de Sixtijnse Kapel in het Vaticaan.
Vossen bij een groep bomen
Object type: sketchbook leaf
Date: 1865 – 1913
Materials: chalk, paper
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: trees, beasts of prey, predatory animals: fox

Blad 18 recto uit een schetsboek met 68 bladen.
Raphael Morghen
Object type: print
Date: 1778 – 1900
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: painter, print maker, draughtsman, raphael morghen, historical persons, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Gezicht op een kerk
Object type: drawing
Date: 1700 – 1800
Materials: chalk, paper, pencil
Techniques: brush
Artist: Anonymous
Subjects: church (exterior)
Hatchet
Object type: hatchet
Date: 1902 – 1902
Materials: jade
Culture: jamaica
The Fourth Ichikawa Danjuro as a Yakko (servant) seated upon a Large Cake of Mochi Prepared for the New Yer Celebration
Object type: woodblock print nishiki e
Date: 1772 – 1772
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: men,actors
Fountain with Satyr and Putto (recto); Punchinello (verso)
Object type: drawing and watercolor
Materials: graphite, ink, ivory, paper
Techniques: pen
Location: italy
Artist: Anonymous
Artist nationality: italian or french
Artist dates: 1700 – 1799
Seven Glass Fragments
Object type: glass fragment
Date: 801 – 900
Materials: glass
Location: iraq
Panel from a Skirt
Object type: textile
Date: 1753 – 1755
Materials: gilt, metal, silk
Techniques: brocade, patterning, weave, silvered
Location: spitalfields
Gezicht op Slot Ostende en gezicht op het Schuttershof en de Grote Kerk te Goes
Object type: book illustration
Date: 1754 – 1792
Materials: paper
Techniques: etching
Location: haarlem
Subjects: castle, church (exterior), slot ostende

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 5 (1754), ill. 39-40. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden [….]. 9 delen. Amsterdam: Jan de Groot, 1792, dl. 5, ill. 39-40.
Siam, Bangkok - general view of Palace from the River
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: bangkok
Artist: Anonymous
Subjects: palace
Portret van Cornelis Tromp
Object type: print
Date: 1664 – 1721
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: rotterdam, amsterdam, cornelis tromp, armour
Inscriptions: collector's mark: Lugt 2228

Portret van Cornelis Tromp, vlootvoogd, met aan een lint het ordeteken van de Orde van de Olifant. Midden onder zijn wapenschild en devies.
Kinderkopje
Object type: print
Date: 1820 – 1830
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jean augustin daiwaille
Artist role: draughtsman, print maker, printer
Artist dates: 1786 – 1850
Subjects: child between toddler and youth (of undetermined sex)
Inscriptions: collector's mark: Lugt 2228

'Hartstochten na J.B. Greuze' bestaat uit twee of drie genummerde reeksen. (Sommige nummers komen drie keer voor op drie verschillende afbeeldingen.) Binnen deze omslag bevinden zich achttien verschillende afbeeldingen. Mogelijk heeft dit te maken met de twee momenten waarop Daiwaille de reeks uitgaf, ten tijden van zijn directeurschap aan de Rijksakademie in Amsterdam en daarna als zelfstandige. De omslag behoort waarschijnlijk bij een van deze twee series. Zie Marres-Schretlen in het Bulletin van het Rijksmuseum.
The Actor Iwai Hanshiro IV as Mitsuogiya Usukumo in the Play Shida Choja-bashira, Performed at the Nakamura Theater in the Eighth Month, 1781
Object type: print
Date: 1781 – 1781
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792