deem-data/ArtiFact huggingface dataset:
Penning van zilver met het Rijksmuseum in rond doosje van perspex
Object type: medal
Date: 1985 – 1985
Materials: plastic, silver
Techniques: striking
Location: utrecht
Artist: willem vis
Artist role: sculptor
Artist dates: 1936 – 2007
Subjects: rijksmuseum amsterdam

Voorzijde: voorgevel Rijksmuseum binnen opschrift ('100 jaar Rijksmuseum / Amsterdam'), met onder muntmeesterteken en muntteken; aambeeld (boven S) en mercuriusstaf (boven D)) en rechtsonder (onder rechtertoren) signatuur medailleur. Keerzijde: de twee hoofdpersonen uit De Nachtwacht voor schilderijlijst met rechts drie bezoekers, twee zittend, een staand, binnen omschrift ('13 juli / 1885-1985').
Portret van Louis Gabriël James
Object type: print
Date: 1845 – 1865
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: monogram: ‘AC’, collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Mrs. Onslow
Object type: photograph
Date: 1850 – 1859
Techniques: paper negative, salted paper print
Artist: Anonymous
Artist role: artist
Subjects: portraits,women
Censer with Ideograph "Ju"
Object type: censer
Date: 1700 – 1700
Materials: enamel, porcelain
Culture: japanese
Subjects: flowers,censers
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Exterior, head of filleted youth to left
De vier elementen
Object type: print
Date: 1586 – 1586
Materials: paper
Techniques: engraving
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: earth (one of the four elements)
Inscriptions: collector's mark: Lugt 240

Vrouw, staande in een landschap, een hoorn des overvloeds in de handen. Op de achtergrond een man temidden van een aantal dieren. Onder de voorstelling twee regels Latijn. Deze prent is onderdeel van een serie van de vier elementen.
Landschap met gezicht op Delphi en processie
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: etching
Location: london
Subjects: city-view, and landscape with man-made constructions - ii - ideal landscapes, places and objects of worship ~ non-christian religions, landscape with bridge, viaduct or aqueduct - ii - ideal landscapes, mountains - hh - ideal landscapes
Inscriptions: date

Vanaf 1774 publiceerde John Boydell tweehonderd prenten naar het tekeningenboek Liber Veritatis van Claude Lorrain, in het bezit van de hertogen van Cavendish. Deze prenten werden vanaf 1777 in twee volumes gebundeld uitgegeven.
Portret van Jean Thierry
Object type: print
Date: 1697 – 1741
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: lyon, sculptor, jean thierry, portrait, self-portrait of sculptor, historical persons
Inscriptions: collector's mark: Lugt 240, number: ‘D 2338’, number: ‘12..3’
De stiefmoer
Object type: print
Date: 1760 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: giving food, eating and drinking, dining-room, comedy
Inscriptions: collector's mark: Lugt 2233

Een eetkamer met figuren rond een tafel. Rechts een rijk aangeklede vrouw en kind. Tegenover hen drie sober geklede heren. Een man bedient hen. Rechts op de achtergrond een kind dat uit een pan eet. Links een bediende met glazen. Scène uit het blijspel De Stiefmoêr van Thomas Asselyn uit 1684, waarin het personage Jochem de arme familie van zijn tweede vrouw op bezoek krijgt. Zijn eigen kind moet de pot uitlikken, terwijl zijn tweede vrouw en haar familie het lekkerste eten krijgen.
Portret van Cornelis van der Burg
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: mayor
Inscriptions: collector's mark: Lugt 2228

Jacobus Wijsman heeft sommige platen van de serie patriottenportretten van Abraham Jacobsz. Hulk aangepast en hergebruikt in zijn eigen serie patriottenportretten. Prent maakt deel uit van een serie, die in drie afleveringen werd uitgegeven onder de titel: Verzameling van Afbeeldingen van Nederlandsche Mannen, beroemd geworden, wegens hunne Moed en Burgerliefde in de jongstledene Beroerten. 1794-1795. Zie Atlas van Stolk.
S. Helena
Object type: print
Date: 1608 – 1611
Materials: paper
Techniques: engraving
Location: rome
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: empress helena, mother of constantine the great; possible attributes: model of church, (royal) crown, crown of thorns, cross, three nails
Inscriptions: collector's mark: Lugt 240

De Heilige Helena, staand naast een kruis, op een terras of bordes met klassieke architectuur. Om haar heen staan en vliegen engelen. Onder de voorstelling een onderschrift in Latijn. Deze prent is onderdeel van (de tweede staat van) een serie van 29 voorstellingen van schilderijen en sculpturen in kerken te Rome, genummerd 1-16 en 1-13. (De eerste staat van deze serie, waarin de prenten ongenummerd zijn, behelst ook een titelprent).
Copy of La Roue (The Wheel), plate 14 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)
Object type: print
Date: 1801 – 1900
Techniques: engraving
Artist: Anonymous
Artist role: artist
Jug
Object type: jug
Date: 960 – 1127
Materials: pottery
Culture: chinese
L'Escalier aux  Quatre Bornes
Object type: print
Techniques: etching
Artist: hubert robert
Artist role: artist
Artist nationality: french
Artist dates: 1733 – 1808
Gezicht op de voormalige stadspoort Rode Poort in Antwerpen
Object type: print
Date: 1868 – 1868
Materials: paper
Techniques: etching, intaglio
Location: antwerp
Subjects: city-gate, antwerp
Inscriptions: collector's mark: Lugt 2228

Prent uit: Mertens, F.H. Album historique de la ville d'Anvers [...]. Antwerpen: J.E. Buschmann, 1868.
Anatomical depiction of an ectopic pregnancy
Object type: book illustration
Date: 1672 – 1672
Materials: paper
Techniques: drypoint, engraving
Location: netherlands
Subjects: womb, uterus
Inscriptions: collector's mark: Lugt 2228

In 1672 physician and anatomist Reinier de Graaf published De mulierum organis, a book about the organs of the female body, with prints by Hendrik Bary. De Graaf was the first to conclude that a foetus grows from the mother’s egg cell after it is fertilised by the father’s seed. He also discusses anomalies such as ectopic pregnancies (when the fertilised egg implants outside the womb).
Das Kriegstheater in Schlesien, Böhemen & Sachsen
Object type: print
Date: 1807 – 1866
Materials: paper
Techniques: lithograph
Location: germany
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228

Kaart van het strijdtoneel in Silezië, Bohemen en Saksen, tijdens de Oostenrijks-Pruisische Oorlog van 1866.
Nude Women Wrestling
Object type: statuette group
Date: 1634 – 1666
Materials: bronze, lacquer, patina
Artist: leonhard kern
Artist role: artist
Artist nationality: german
Artist dates: 1588 – 1662
Subjects: female nudes,sports

An ivory of this composition, in Vienna, has been convincingly assigned to the prolific Leonhard Kern.[1] The ivory is smaller (17.2 cm) and its self-base naturalistically carved with shells and a dog. Among other bronzes of this composition, equivalent in quality to ours, are those in the Wallace Collection, London, and in the Nationalmuseum, Stockholm. They are conventionally called Italo-Flemish, and are dated to the late sixteenth or early seventeenth century, because of their supposed resemblance to bronzes of the type of nos. 88 and 89.[2] It is generally assumed that one of the bronzes was the model for the ivory, but the case is more likely to have been the reverse. While omitting the elaborate base of the ivory, the maker of the bronzes retained some, if not all, of the simple volumetric masses that typify Kern’s carving style. This maker may best be defined as either a workshop associate or an early imitator. The iconography remains unexplained. Diana discovering the pregnancy of Callisto and scene from Tasso’s Gerusalemme liberate (XV, 18) have been proposed as subjects.[3] [James D. Draper, 1984] Footnotes: [1] E. Grünenwald, Leonhard Kern: ein Bildhauer des Barock, Schwäbisch-Hall, 1969, no. 121, dated ca. 1635. [2] H. R. Wihrauch, Europäische Bronzestatuetten, 15.–18. Jahrhundert, Brunswick, 1967, p. 366, links them with his “Meister der Genrefiguren.” [3] J. G. Mann, Wallace Collection Catalogues. Sculpture, 2nd ed. With supplement, London, 1981, no. 130.
Entrance of Calais Harbour, part XI, plate 55 from "Liber Studiorum"
Object type: print
Techniques: aquatint, etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: seascapes,ships

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. No preliminary drawing for this print is known, and the artist probably etched the image directly onto the plate from his related oil, "Fishing Boats entering Calais Harbor" (Frick Collection, New York). This is one of the few instances where Turner also developed the tone, using aquatint and mezzotint–normally a professional engraver executed this stage. We see fishing boats in the foreground negotiating a stiff breeze and high waves to approach the fortified entrance of a French harbor, with the city's skyline visible at left. The "M" in the top margin indicates Turner's category of Marine landscape.
Berglandschap met watermolen en stenen brug
Object type: drawing
Date: 1800 – 1900
Materials: paper, pencil
Artist: johannes van reijn
Artist role: draughtsman
Subjects: landscape with bridge, viaduct or aqueduct, watermill, mountains
Belegering van Groningen
Object type: plate
Date: 1674 – 1674
Materials: silver
Location: amsterdam
Artist: Anonymous
Subjects: siege, rampjaar (disaster year)

Plaque depicting the Siege of Groningen by M. van Keulen, silver, 17th century. This plaque depicts the siege and relief of Groningen. The bishops of Cologne and Münster laid siege to the city from 9 July to 17 August 1672. Led by Karel von Rabenhaupt the city managed to overcome its attackers. After the bombardment of Groningen Bernhard van Galen, the bishop van Münster, became known as Bomber Berend.
Portret van een onbekende man, zittend
Object type: drawing
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult man (+ sitting), anonymous historical person portrayed, chair

Zijn hoofd steunt op zijn hand. Losse tekening, aangetroffen tussen blad 20 verso en het achterste schutblad in schetsboek XXIII met 20 bladen.
People paying homage to Psyche's beauty
Object type: print
Date: 1540 – 1550
Techniques: woodcut
Artist: niccolò vicentino
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1550

This print is from a scrapbook (album) containing woodcuts and chiaroscuro prints. It was presumably taken apart when it was acquired by The Met in 1922. On the front page of the volume there appeared a statement that this collection was made by the poet Samuel Rogers (1763-1855) and then bought by Angela Coutts (1816-1906) in memory of him at the sale of the collection at his house (28 April – 20 May, 1856). #1615a Rogers Sale. #146 Burdett Coutts Sale (Sotheby’s, May 1922). The prints from the original album have the range 22.73.3-1–22.73.3-161.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Part of a kylix foot with a chamfer; the outer edge of the foot is glazed
James O. Owens
Object type: painting, miniature
Date: 1832 – 1832
Materials: ivory, watercolor
Culture: american
Artist: john wood dodge
Artist role: artist
Artist nationality: american
Artist dates: 1807 – 1893
Subjects: men,portraits
Gezichten voorname Hollandse dorpen
Object type: print
Date: 1770 – 1800
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior), village (+ city(-scape) with figures, staffage)

Prent mogelijk uit: Gezichten voorname Hollandse dorpen. Amsterdam: Pierre Fouquet, s.a.
Mary, Queen of Scots
Object type: print
Techniques: etching, engraving
Artist: john keyse sherwin
Artist role: artist
Artist nationality: british
Artist dates: 1751 – 1790
Subjects: portraits,profiles,women,mary queen of scots
Brief aan Philip Zilcken
Object type: letter
Date: 1900 – 1900
Materials: ink
Techniques: pen, writing
Location: santpoort
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: painter, draughtsman, philip zilcken, exhibition ~ art, paris, spain
Inscriptions: collector's mark: ‘RPK’
Pitcher
Object type: pitcher
Date: 1846 – 1852
Materials: earthenware
Culture: american
Location: united states
Artist: harker, taylor and company
Artist role: manufacturer
Artist nationality: american
Artist dates: 1846 – 1846
Subjects: dogs
Interieur Witsen
Object type: photograph
Date: 1860 – 1915
Materials: paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: witsenhuis
Hals van een wijnfles uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Wine bottle, continental production, neck, onion-shaped bottle or bottle with vertical side; eroded, thin r-string rim
Paperweight
Object type: glass
Date: 1848 – 1852
Materials: glass
Culture: bohemian
Location: czech republic
Brief aan Jan Veth
Object type: letter
Date: 1889 – 1889
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: dordrecht, designer, jan veth, art trade, art shop, painting (including book-illumination, miniature-painting), exhibition ~ art, art collecting
Inscriptions: collector's mark: ‘RPK’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, bit of hair, shoulder, and bent arm of a male to left
Portret van de arts Friedrich Julius Stiebel
Object type: carte de visite
Date: 1865 – 1865
Materials: photographic support
Techniques: albumen print
Location: frankfurt am main
Artist: hermann hartmann
Artist role: fotograaf
Subjects: frankfurt, arts, friedrich julius stiebel
Ex libris van A. Herman Veldman
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: netherlands
Subjects: boring, drilling, piercing (industrial processes), notation of music, cooking food, armorial bearing, heraldry
Inscriptions: inscription: ‘Ontwerp / J. le Nobel / Haarlem’
Mlle. Zuillos, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Schaal met wapenschild en devies 'per Ardua ad Astra'
Object type: dish
Date: 1725 – 1750
Materials: brass, metal alloy
Techniques: casting, engraving
Location: batavia
Artist: Anonymous
Inscriptions: inscription: ‘per Ardua ad Astra’

De schaal heeft de vorm van een zespas met een even opstaande rand. Deze is versierd met gegraveerd rankwerk op gegranuleerde achtergrond, langs gedreven naar elkaar toegewende godronlijsten, welke worden onderbroken door zes rozetten. Op de bodem een gegraveerd door bladornament omgeven wapenschild met in de bovenste helft twee zespuntige sterren en in de onderste helft een schuinkruis. Boven het wapenschild een helm met twee vleugels, onder het wapenschild twee banderollen met het devies 'per Ardua ad Astra'.
Dwarsdoorsnede van een provinciale weg in Zuid-Holland
Object type: lantern slide
Date: 1956 – 1960
Materials: glass, paper
Techniques: printing block
Artist: Anonymous
Subjects: statistic diagram, graph; pictorial chart, etc., public road
Inscriptions: number: ‘III’
Portret van een zittende baby in witte jurk
Object type: album leaf
Date: 1889 – 1925
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: purmerend
Artist: josephus hendrikus petrus coppens
Artist role: fotograaf
Artist dates: 1864 – 1941
Subjects: sitting figure, historical persons, infant, baby ~ the ages of man
Inscriptions: inscription: ‘Levensgroote olieverfs/ Pastell en Craijon/ Portretten naar/ Photographie/ J. H. P. Coppens/ Photograaf/ en/ Portretschilder/ Purmerend./ Negatieven voor nabestelling bewaard.’
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Crab from "Cleopatra's Needle"
Object type: obelisk support, crab
Date: 13 – 13
Materials: bronze
Location: egypt
Subjects: crabs

The two bronze crabs 81.2.1 and 81.2.2) are from a set of four originally used in Roman times as supports for the broken corners of the obelisk that now stands in Central Park. Thutmose III erected the obelisk about 1443 B.C. in Heliopolis, now part of modern Cairo. It was re-inscribed by Ramesses II and later moved to Alexandria by the Romans, who inserted the crabs when they re-erected it. The Roman crabs were replaced with newly cast substitutes in 1881 when the obelisk was moved to New York and placed in Central Park behind The Metropolitan Museum of Art. The originals were given to the Museum by Lieutenant Commander Henry H. Gorringe, who brought the obelisk to New York; the obelisk itself was a gift from Egypt to the City of New York. The claw of 81.2.2 has an inscription in Latin on the inside and one in Greek on the outside. Both state that the Roman prefect Barbarus and the architect Pontius re-erected the obelisk in Alexandria during the eighteenth year of an emperor, probably Augustus, who also built the Temple of Dendur.
Gezicht op het instorten van de nieuwe toren van de Deutscher Dom te Berlijn op 28 juli 1781
Object type: print
Date: 1755 – 1779
Materials: paper, watercolor
Techniques: brush, etching
Location: germany
Subjects: church (exterior), collapsing building
Portret van schrijfmeester Lieven Willemsz. van Coppenol
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: etching
Location: paris
Subjects: amsterdam, draughtsman, lieven willemsz. coppenol
Inscriptions: collector's mark: Lugt 2228

Portret van de Amsterdamse schrijfmeester Lieven Willemsz. van Coppenol zittend aan zijn schrijftafel. Coppenol snijdt zijn schrijfveer.
A helmet and a figure's lower body
Object type: print
Date: 1880 – 1910
Techniques: lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: helmets
Pitcher
Object type: pitcher
Date: 1852 – 1858
Materials: porcelain
Culture: american
Location: united states
Artist: united states pottery company
Artist role: maker
Artist nationality: american
Artist dates: 1852 – 1852
Subjects: waterfalls
Apollo and Thetis
Object type: drawing
Date: 1701 – 1733
Materials: chalk
Techniques: wash
Artist: jacob de wit
Artist role: artist
Artist nationality: dutch
Artist dates: 1695 – 1754
Subjects: women,apollo,putti
Plas van Cupido wordt door een oude man opgevangen
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: etching
Artist: joachim von sandrart (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1688
Subjects: old man, (story of) cupid, amor (eros), chamber-pot, urination
Inscriptions: collector's mark: Lugt 240
Standing Man with Hand in Vest, from Figures de Modes
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: etching
Location: france
Artist: antoine watteau
Artist role: artist
Artist nationality: french
Artist dates: 1684 – 1721
People Fleeing a Burning Building
Object type: drawing and watercolor
Materials: graphite, ink, paint, paper, watercolor
Techniques: pen
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Ex libris van N.P. Thomsen
Object type: bookplate
Date: 1897 – 1951
Materials: paper
Techniques: etching
Location: hungary
Artist: józsef divéky
Artist role: print maker
Artist dates: 1887 – 1951
Subjects: printer, johannes gutenberg, floral interlace ~ ornament, tools, implements of graphic artist, historical costume
Kalenderblad voor oktober 1911 met salamanders en paddenstoelen
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: calendar, almanac, lizards, mushrooms
Inscriptions: collector's mark: Lugt 2228
Kinderhuis Trein 8.28 Nieuwe Weg - Soest.
Object type: ansichtkaart, prentbriefkaart
Date: 1923 – 1929
Materials: cardboard
Techniques: photograph, writing
Location: baarn
Artist: Anonymous
Subjects: hospital
Inscriptions: postage stamp
Portret van keizer Maximiliaan I
Object type: print
Date: 1738 – 1738
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: maximilian i (holy roman emperor), historical persons, emperor, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)

Prent waarschijnlijk uit: Leti, Gregorio. Het leven van keizer Karel, den Vyfden (...). Leiden: Jan en Hendrik van der Deyster, Amsterdam: Jan Roman de Jonge, 1738.
Siervaas met meermannen tussen dolfijnen
Object type: drawing
Date: 1500 – 1530
Materials: ink, paper
Techniques: brush, pen

P. Führing, "Un vaso monumentale del Rinascimento", in: Chiara Callegari,(red.), Gli affanni del collezionista, Padova 2003, p.45-53, afb.1-8, pp. 222-229
The South Downs
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, british, early 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1850
Subjects: hills
Fragment (Dress Fabric)
Object type: textile
Date: 1600 – 1650
Materials: silk
Culture: persian
Location: iran
Sugar bowl
Object type: sugar bowl
Date: 1770 – 1800
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Subjects: swans
Lidmaatschapskaart voor de Vaderlandsche Sociëteit te Utrecht, 1795
Object type: membership certificate
Date: 1795 – 1795
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: utrecht
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een lidmaatschapskaart voor de Vaderlandsche Sociëteit te Utrecht, opgericht 1795. Drie putti rond een medaillon met de zinspreuk "Voor Eendragt en het Algemeen Welzyn". De putti dragen als attributen de speer met vrijheidshoed, weegschalen van de Rechtvaardigheid en zwaard met krans van eikenbladeren.
Rachel Middleexiae comitissa
Object type: print
Date: 1660 – 1663
Materials: paper
Techniques: engraving
Location: france
Subjects: historical persons - bb - woman, frame of painting, etc., nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 240
Designs for a ceiling and painted panel
Object type: drawing
Date: 1830 – 1897
Materials: graphite, ink, watercolor, paper
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ceilings