deem-data/ArtiFact huggingface dataset:
Portret van Anna Maria van Schurman
Object type: print
Date: 1792 – 1808
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: lambertus antonius claessens
Artist role: draughtsman, print maker
Artist dates: 1763 – 1834
Subjects: cologne, draughtsman, anna maria van schurman
A Follower of Broussais (plate 7)
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Juglet
Object type: juglet
Date: 750 – 600
Materials: terracotta
Culture: cypriot
Subjects: birds

This type of jug was popular in the Amathus region. They are are always decorated with birds.
Frank uit Luxemburg van Charlotte, 1952
Object type: coin
Date: 1952 – 1952
Materials: nickel
Techniques: striking
Location: brussels

Nikkelen munt. Voorzijde: tussen waarde-aanduiding gekroond monogram van de letters C en H. Keerzijde: tegen achtergrond van industriële activiteiten stoker met schep naar rechts. Jaartal in afsnede. Kartelrand.
Landschap met toegangspoort en twee jagers
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: etching
Location: dresden
Artist: philipp veith
Artist role: draughtsman, print maker
Artist dates: 1768 – 1837
Subjects: well, landscapes, hunter, gate, entrance
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 3976, collector's mark: Lugt 2228
Hercules and the Hydra of Lerna, from "The Labors of Hercules"
Object type: print
Date: 1608 – 1608
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: weapons,hercules
Geboorte van prins Willem, zoon van Willem IV en Anna van Hannover
Object type: history medal
Date: 1748 – 1748
Materials: silver
Techniques: striking
Location: amsterdam
Artist: martinus holtzhey
Artist role: medailleur, muntmaker
Artist dates: 1697 – 1764
Subjects: the hague, william v (prince of orange), anna van hannover

Zilveren penning. Voorzijde: borststuk man en vrouw binnen omschrift. Keerzijde: engel, zittend op wolk en omgeven door een stralenkrans, houdt de pas geboren prins op een kleed binnen omschrift
Hoed, plat model met strik en linten
Object type: doll's clothing
Materials: cotton
Location: netherlands
Artist: Anonymous

Plat hoedje van stro, van boven rood en wit katoen waarop een strik die in twee keelbanden overgaat, onderzijde met kant.
The Cloisters Playing Cards
Object type: playing card
Date: 1475 – 1480
Materials: glaze, gold, ink, paint, paper, silver
Techniques: pen
Culture: south netherlandish
Subjects: men,women,playing cards,horns,games

The Cloisters set of fifty-two cards constitutes the only known complete deck of illuminated ordinary playing cards (as opposed to tarot cards) from the fifteenth century. There are four suits, each consisting of a king, queen, knave, and ten pip cards. The suit symbols, based on equipment associated with the hunt, are hunting horns, dog collars, hound tethers, and game nooses. The value of the pip cards is indicated by appropriate repetitions of the suit symbol. The figures, which appear to be based on Franco-Flemish models, were drawn in a bold, free, and engaging, if somewhat unrefined, hand. Their exaggerated and sometimes anachronistic costumes suggest a lampoon of extravagant Burgundian court fashions. Although some period card games are named, it is not known how they were played. Almost all card games did, however, involve some form of gambling. The condition of the set indicates that the cards were hardly used, if at all. It is possible that they were conceived as a collector’s curiosity rather than a deck for play.
View of the Boulevards of Paris
Object type: photograph
Date: 1843 – 1843
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: cities,streets,paris

In May 1843 Talbot traveled to Paris to negotiate a licensing agreement for the French rights to his patented calotype process. His invention used a negative-positive system and a paper base—not a copper support as in a daguerreotype. Although his negotiations were not fruitful, Talbot’s views of the elegant new boulevards of the French capital were highly successful. Filled with the incidental details of urban life, architectural ornamentation, and the play of spring light, this photograph appears as the second plate in Talbot’s groundbreaking publication The Pencil of Nature (1844). The chimney posts on the roofline of the rue de la Paix, the waiting horses and carriages, and the characteristically French shuttered windows evoke as vivid a notion of mid-nineteenth-century Paris now as they must have 170 years ago.
Azoren, koningin Maria I van Portugal, 20 reis, 1795
Object type: coin
Date: 1795 – 1795
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: barok wapenschild van Portugal, waarboven kroon. tussen twee samengebonden takken waarde-aanduiding: 20, waaronder jaartal. Gladde rand.
Cries of London, No. 6: All a growing, here's Flowers
Object type: print
Techniques: aquatint, etching
Artist: henri merke
Artist role: artist
Artist nationality: swiss
Artist dates: 1760 – 1820
Subjects: girls,men,women,flowers
Leiden. Inwendige van den Burg
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: leiden
Subjects: castle
Cylinder seal: contest scene
Object type: cylinder seal
Date: 2350 – 2150
Materials: stone
Culture: akkadian
Location: mesopotamia
Subjects: animals
Design for a Stage Set at the Opéra, Paris
Object type: drawing
Date: 1830 – 1890
Materials: graphite, watercolor
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: stage design
Vrouw lopend met een kind, van voren
Object type: drawing
Date: 1653 – 1653
Materials: chalk, paper
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Portret van Urs Viktor Oberlin
Object type: print
Date: 1759 – 1815
Materials: paper
Techniques: etching
Artist: heinrich pfenninger
Artist role: print maker
Artist dates: 1749 – 1815
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228
Gecostumeerde optogt gehouden door de leden van het Leidsche studenten-corps den 6den Junij 1865, ter viering van den 290sten verjaardag der Leidsche Hoogeschool, voorstellende: de intogt der Hollanders binnen Zierikzee onder Jonker Willem, Grave van Oostervant, op den 12den augustus Anno 1304
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Subjects: students' pageant, costumes used in pageants, leiden

Historische gekostumeerde optocht van de studenten van de Leidse Hogeschool gehouden op 6 juni 1865 ter gelegenheid van het 290-jarig bestaan van de Hogeschool. De optocht verbeeldt de intocht van de Hollanders binnen Zierikzee op 12 augustus 1304. Zevende plaat met de groepen genummerd 77-95. Onderdeel van de serie van 16 aaneen geplakte bladen.
Portret van Paulus Steenwinkel
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob gole
Artist role: print maker
Artist dates: 1660 – 1724
Subjects: wijk bij duurstede
Inscriptions: collector's mark: Lugt 2228

Paulus Steenwinkel, predikant te Den Bosch, Amsterdam en andere Nederlandse steden.
Allegorie op overwinning bij Höchstädt, 1704
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: vienna, eugenius van savoye, john churchill (1e hertog van marlborough), chariot, triumphal car, fame; 'fama', 'fama buona', 'fama chiara' (ripa)

Allegorie op overwinning bij Höchstädt en Blenheim, 13 augustus 1704. Triomfwagen met de overwinnende geallieerde legeraanvoerders, met Faam en de Nederlandse Leeuw. Hiervoor personificaties van de zeven provincies van de Republiek. Gedrukt op het blad onder de plaat een vers in 2 kolommen in het Nederlands.
Gezicht op een boerderij met windmolen
Object type: drawing
Date: 1700 – 1800
Materials: paper, pencil
Artist: Anonymous
Subjects: windmill
Hoe
Object type: hoe
Date: 1961 – 1917
Materials: wood
Location: egypt
Portret van een onbekende jonge vrouw
Object type: snapshot
Date: 1912 – 1916
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: anonymous historical person portrayed - bb - woman
Ontwerptekening voor een kamerwand
Object type: album leaf
Date: 1760 – 1819
Materials: paint, paper, pencil
Techniques: brush, pen
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Subjects: landscapes in the temperate zone, wall-covering, pastorals, arcadian scenes

Met een arcadisch landschap. Tekening maakt deel uit van een album.
Vessel lid in the form of a turtle
Object type: vessel lid, turtle shaped
Date: 3500 – 2650
Materials: paste, stone
Location: egypt
Subjects: turtles
The Bird-Nester
Object type: drawing
Date: 1604 – 1606
Materials: ink, paper
Techniques: brush, pen
Artist: david vinckboons
Artist role: draughtsman, painter, print maker
Artist dates: 1576 – 1629
Subjects: child robbing bird's nests, proverbs, sayings, etc.

A lad steals eggs from a nest. Two peasants watch him closely, so intently in fact that they are oblivious to the boy cutting one of their purses. The depiction may have an erotic significance: whoever stands by idly, will not go far in love. The fish trap in the water could also refer to courtship and marriage.
Opening van het Noordzeekanaal, ter ere van Willem III, koning der Nederlanden, penning geslagen op last van de Amsterdamsche Kanaal Maatschappij
Object type: history medal
Date: 1876 – 1876
Materials: silver
Techniques: striking
Location: brussels
Subjects: brussels, willem iii (koning der nederlanden)
Inscriptions: : ‘AMSTERDAMSCHE KANAAL MAATSCHAPPIJ’, signature: ‘ED. GEERTS . F.’, : ‘OPENING . V.H. NOORDZEEKANAAL . I . NOVEMBER . MDCCCLXXVI’

Tweezijdige zilveren penning. Voorzijde: borststuk van Willem III binnen omschrift. Keerzijde: vrouw met vrijheidshoed op lans en gehelmde vrouw met vaandel, zittend in boot: het Amsterdamse koggeschip, binnen wimpel met opschrift. Rood leren etui bijbehorend.
Pictorial print
Object type: furnishing textile
Date: 1815 – 1825
Materials: cotton
Subjects: men,women,dogs,sheep,flowers,shepherds
Exiguus nobis, sed bene cultus Ager
Object type: bookplate
Date: 1804 – 1813
Materials: paper
Techniques: letterpress printing
Location: france
Artist: Anonymous
Subjects: académie celtique
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760, inscription: ‘ou des Antiquaires de france / Poësies épiq. mèditat.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of extended right arm and legs of male; to the right, drapery
Three Figures (recto); Sketches of Kneeling Figures and Putti (verso)
Object type: drawing
Date: 1760 – 1806
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Artist: domenico mondo
Artist role: artist
Artist nationality: italian
Artist dates: 1732 – 1806
Subjects: human figures
Delesderrier. Louis. 34 ans, né le 2/3/60 à Paris Ille. Ciseleur. Anarchiste. 16/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Portret van Jean d'Orléans, graaf van Dunois en Mortain
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: earl, military service, historical persons

Prent waarschijnlijk uit: Thevet, Andre. Histoire des plus illustres et scavans hommes de leurs siècles (...). Parijs: François Mauger, 1670, dl. 5.
Briefkaart aan Jan Veth
Object type: postcard
Materials: cardboard, pencil
Techniques: writing
Location: amsterdam
Artist: chap van deventer
Artist role: kunstcriticus, scheikundige, schrijver
Artist dates: 1860 – 1931
Subjects: painter, print maker, draughtsman, jan veth, artist, anna dorothea dirks, family life
Inscriptions: collector's mark: ‘RPK’
De Franse kleine mens Madame Palatinelle, ca. 1710
Object type: print
Date: 1705 – 1715
Materials: paper
Techniques: engraving, etching, hand coloring
Location: augsburg
Artist: martin engelbrecht
Artist role: print maker, publisher
Artist dates: 1684 – 1756
Subjects: caricatures (human types), little people

De Franse kleine mens Madame Palatinelle, in gala. In het onderschrift onder de titel een vierregelig vers in het Duits. Genummerd rechtsboven: 17. Onderdeel van een losbladige uitgave uit ca. 1710 van een serie karikaturen van kleine mensen, bekend als Het Dwergentooneel.
De landing van de Engelsen tussen Petten en Callantsoog
Object type: design drawing
Date: 1800 – 1800
Materials: ink, paint, paper
Location: kyoto
Artist: sasaya

Ontwerptekening voor een paneel van lakwerk in een sécretaire (NG-401). Op de tekening zitten twaalf aangehechte strips met daarop aanwijzingen in het Japans voor de lakwerker.
Jar with cover
Object type: jar with cover
Date: 1830 – 1830
Materials: gold, porcelain
Culture: japanese
Subjects: human figures
Horse
Object type: figure
Date: 1801 – 1900
Materials: earthenware
Techniques: glazing
Subjects: horses
Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects
Object type: album print ornament architecture
Date: 1800 – 1850
Materials: chalk, graphite, ink
Techniques: pen
Artist: charles percier
Artist role: designer
Artist nationality: french
Artist dates: 1764 – 1838
Subjects: architecture,doors
Head of a Woman
Object type: drawing
Date: 1651 – 1700
Materials: chalk
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Subjects: heads,portraits,women
Zintuigen
Object type: print
Date: 1765 – 1792
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: taste, tasting (one of the five senses)
Inscriptions: collector's mark: Lugt 240

Mogelijk prent uit een boek of serie: 'Les sens'.
Metalen kandelaars in de vorm van griffioenen
Object type: page
Date: 1860 – 1885
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: chandelier, candelabrum
Straatlantaarn voor een huis
Object type: album leaf
Date: 1880 – 1930
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: urban housing, street lighting
Schouw met vazen en zuilen
Object type: ornament print
Date: 1784 – 1785
Materials: paper
Techniques: etching
Location: paris
Subjects: column, pillar ~ architecture, vase ~ ornament, open hearth, fire-place

Een geornamenteerde schouw met vazen met bloemen, guirlandes en zuilen met bladmotieven en guirlandes.
Textile Printed in Gold
Object type: textile fragment
Date: 917 – 923
Materials: cotton, fur, linen
Techniques: weave, printing
Location: iraq

The design of this textile fragment is a repeated pattern consisting of rows of facing palmettes and trefoil motifs, printed in gold on a tan ground. Another fragment of the same textile (now in the Abegg Stiftung Museum, Switzerland) bears an embroidered tiraz band inscribed with the name of the vizier Hamid b. al-ʿAbbas.
Lille Donnell, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Pitcher
Object type: pitcher
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states
Subjects: squirrels
Rijtuigen met paarden
Object type: sketchbook leaf
Date: 1893 – 1894
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, horse, amsterdam

Pagina 66 uit een schetsboek met 36 bladen.
The Hon-ble. John Hancock, Esq-r.
Object type: print
Date: 1774 – 1774
Techniques: engraving
Artist: paul revere jr.
Artist role: engraver
Artist nationality: american
Artist dates: 1734 – 1818
Netsuke
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: men,fish
The Slave Market (Le Marché d'esclaves)
Object type: print
Date: 1601 – 1633
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Elf schetsen en studies van personen
Object type: print
Date: 1775 – 1840
Materials: paper
Techniques: etching
Artist: ernst ludwig riepenhausen
Artist role: print maker
Artist dates: 1765 – 1840
Subjects: adult man, playing-cards, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228
Reliëf met een guirlande en een maskerkop
Object type: photograph
Date: 1875 – 1900
Materials: photographic support
Techniques: albumen print
Location: italy
Artist: gustave eugène chauffourier
Artist role: fotograaf
Artist dates: 1845 – 1919
Subjects: garland, wreath, mask, mascaron ~ ornament, sculpture (+ relief ~ sculpture)
Inscriptions: collector's mark: Lugt 3937, number: ‘33’
Portret
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: daniel sargeant stacy
Artist role: fotograaf
Artist dates: 1841 – 1929
Subjects: historical persons
Inscriptions: inscription: ‘(...)/ D. Sargeant Stacy/ Photographer/ 62, Upper Street/ London. N.’
Britse marinier staande naast munitie en enkele projectielen
Object type: photomechanical print
Date: 1918 – 1970
Materials: paper
Techniques: rotogravure
Location: great britain
Artist: Anonymous
Subjects: projectiles, explosives, etc.
Inscriptions: inscription: ‘Crown Copyright in letterpress and illustrations reserved.’
Verschillende landschappen
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: etching
Location: paris
Subjects: rural housing, e.g. country-house, villa, cottage
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, stamp: Lugt 922

Maakt deel uit van een achtdelige serie met landschappen uit 1843.
Portret van Jan Lievens
Object type: album leaf
Date: 1645 – 1646
Materials: paper
Techniques: engraving
Subjects: leiden, amsterdam, painter, print maker, draughtsman, jan lievens, historical persons, portrait, self-portrait of painter

Prent uit: Iconographie ou Vies des Hommes Illustres du XVII. Siecle (...). 2 dln. Amsterdam: Johann Caspar Arkstee, Leipzig: Henricus Merkus, 1759, dl. 1, p. 90.

Prent is ontworpen voor de serie getiteld 'Iconographie' samengesteld door Anthony van Dyck en uitgegeven in 1645-1646.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 296.
Twee legers waarvan één wordt geteisterd door een hagelstorm
Object type: print
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: army 'en route', hail

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Portret van een onbekende man, mogelijk Détail
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: etching, intaglio
Artist: georges montenez
Artist role: print maker
Artist dates: 1873 – 1930
Subjects: adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1e état; Mons 1894’

In de inventaris getiteld: Portret van Mr. Détail.
Foedraal voor de Chathambeker van admiraal Michiel Adriaenszoon de Ruyter
Object type: photograph
Date: 1880 – 1920
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: flushing, michiel adriaenszoon de ruyter, cup, alcoholic drinks, battle (+ sailing-ships), raid on the medway
Inscriptions: collector's mark, collector's mark: Lugt 1641
Portretten van Franse historische figuren
Object type: print
Date: 1790 – 1816
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: paris, politician, jean-baptiste colbert, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van de serie "Les illustres français, ou tableaux historiques des grands hommes de la France pris dans tous les genres de célébrité jusqu'en 1792".
The Fable of the Miller, His Son and the Donkey  No. 6
Object type: drawing
Date: 1860 – 1861
Materials: graphite, paper
Culture: american
Artist: elihu vedder
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1923
Subjects: men,donkeys,crowd

During a visit to Cádiz, Spain in 1860–61, Vedder grew homesick for Italy—where he spent most of his life— and made several sketches in which he imagined Aesop’s classic fable "The Miller, His Son, and the Donkey" set in the characteristic hill towns and scenic countryside of medieval Tuscany. For his final composition, Vedder divided the story into nine scenes. Shown here are studies for eight of them—missing is the penultimate scene, in which the miller and his son head home after the death of the donkey, presumably reflecting on the moral of the story: "Try to please all and you end by pleasing none."
Liggende man met hond
Object type: drawing
Date: 1869 – 1869
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: lying on the back with hands under the head, dog
Inscriptions: collector's mark: Lugt 2228

Liggende man met hond, getekend op de achterzijde van een envelop geadresseerd aan Tavenraat met poststempel 16 sept. 69.
Cup with putti on clouds
Object type: service set
Date: 1785 – 1785
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: the hague
Inscriptions: mark: ‘ooievaar’

Kop (theekop) van porselein met een C-vormig oor, beschilderd op het glazuur in roze (camaïeu) en goud. Op de buitenwand twee putti op een wolk. Om de voorstelling strooibloemen in goud. De binnenrand met een gedraaide band, waaraan guirlandes en bloemtakken hangen. Gouden lijn op de voet en gouden rand. Gemerkt op de onderzijde met de ooievaar.
Portret van jonge vrouw met ketting
Object type: photograph
Date: 1920 – 1930
Materials: cardboard, paper, photographic support
Techniques: jos-pé print
Location: amsterdam
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Subjects: historical persons not known by name - bb - woman
Inscriptions: inscription: ‘Mej. N.N.’