deem-data/ArtiFact huggingface dataset:
Cecile James, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Plate
Object type: plate
Date: 1801 – 1900
Materials: brass
Culture: spanish
Subjects: birds,men
Sword with Scabbard
Object type: sword with scabbard
Date: 1875 – 1900
Materials: leather, silver, steel
Culture: caucasian
Location: caucasus
Tempel van Athena in Paestum
Object type: photograph
Date: 1860 – 1889
Materials: cardboard, paper
Techniques: albumen print
Location: paestum
Artist: roberto rive
Artist role: fotograaf
Artist dates: 1825 – 1868
Subjects: ruin of a building ~ architecture, temple, shrine ~ greek religion
Inscriptions: inscription: ‘Rive (t)’, number: ‘No. 256.’

Men heeft lange tijd ten onrechte aangenomen dat dit de Tempel van Ceres is geweest.
Messenheft uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: knife handle
Date: 1700 – 1743
Materials: wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knife, handle deformed: unclassifiable; fragm, probably cylindrical, tapering.
Napoli
Object type: reproduction
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: eruption (of volcano), mount vesuvius
Inscriptions: number: ‘K. 16.’, inscription: ‘Eruzione del 13 Xbre 1861’
Fotoreproductie van boekomslag van Le Rime Spirituali della illustrissima signora Vittoria Colonna uit 1548
Object type: page
Date: 1863 – 1868
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: book-cover, binding
Inscriptions: number: ‘525’
Portret van Carl Theodor Welcker
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: mainz
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: date
Het Huis te Loevestein, op de rechter zyde
Object type: book illustration
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: castle, loevestein castle

Prent voor het eerst gebruikt in: Smids, Ludolph. Schatkamer der Nederlandsse oudheden; of Woordenboek, behelsende Nederlands steden. Amsterdam: Pieter de Coup, 1711, tussen p. 108 en 109.
Verscheen daarna mogelijk in heruitgaven van dit werk in 1737 en 1774.

In 1721 verscheen er een uitgave met alleen de prenten: Nederlandsche oudheden, bestaande in zestig verbeeldingen (...) gelegen in Holland, 't Sticht van Utrecht en Gelderland enz. Amsterdam: Hendrik Bosch, 1721.
Fob seal
Object type: seal
Date: 1801 – 1900
Materials: gold, onyx
Subjects: flowers,insignia
Kirkstall Abbey.  Ruins on the South Side
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: joseph cundall
Artist role: fotograaf, schrijver
Artist nationality: british
Artist dates: 1818 – 1895
Subjects: abbeys
Letter M in een geornamenteerde omlijsting
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: fancy letters
Inscriptions: collector's mark: Lugt 240
Gezicht op de ruïnes van de Hermitage in Slane
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: london
Subjects: city-view, and landscape with man-made constructions, landscape with ruins
Inscriptions: date

Prent verschenen in: Grose, Francis. The antiquities of Ireland, dl. 2. Londen: S. Hooper, 1795.
Prentjesdruk van Epinal
Object type: popular print
Date: 1902 – 1902
Materials: paper
Techniques: colour, letterpress printing, lithograph
Location: epinal
Artist: augé
Artist role: print maker
Subjects: shoes, sandals
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen. Boven 6 voorstellingen over een kuiper die perongeluk een vat over drie kinderen zet. Onder 10 voorstellingen over een man die goedkope schoenen koopt, maar ze zelf thuis niet meer aankrijgt. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 116.
Kleine landschappen
Object type: print
Date: 1652 – 1659
Materials: paper
Techniques: etching
Location: netherlands
Artist: karel du jardin
Artist role: draughtsman, painter, print maker
Artist dates: 1626 – 1678
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., horse

Maakt deel uit van blad met acht kleine etsen
Flagon (one of a pair)
Object type: flagon
Date: 1646 – 1647
Materials: silver gilt
Artist: richard blackwell ii
Artist role: maker
Artist nationality: british
Artist dates: 1646 – 1670
Subjects: bears,children,boars,lions,flowers

These wine flagons bear the mark of a silversmith who supplied many prominent Royalist and high-church clients during the turbulent period of the Civil War. For the sensitively chased floral ornament here, he must have employed a Dutch or Netherlandish artist.
Tempel van Hercules Victor en de Fontana dei Tritoni op het Piazza della Bocca della Verità te Rome
Object type: glasnegatief, glasplaatnegatief
Date: 1907 – 1935
Materials: glass
Techniques: gelatin glass negative
Location: rome
Artist: Anonymous
Subjects: ruin of a building ~ architecture, temple, shrine ~ roman religion, ornamental fountain
Design for 6 seat Rockaway, no. 3463
Object type: drawing
Date: 1878 – 1878
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Eginhard
Object type: book illustration
Date: 1821 – 1821
Materials: paper
Techniques: stippling
Location: nuremberg
Subjects: charlemagne (holy roman emperor), historical persons, book, index finger forwards, pointing, indicating
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Jerrer, Georg Ludwig. Geschichte der Teutschen für die Jugend (...). Neurenberg: Friedrich Campe, 1821.
Gezicht op een bos
Object type: page
Date: 1911 – 1916
Materials: paper
Techniques: autotype
Subjects: forest, wood
Gezicht vanuit het huis van de fotograaf richting logement Rondeel, Amsterdam
Object type: photograph
Date: 1845 – 1846
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: hotel het rondeel, reguliersbreestraat, kloveniersburgwal

Uitzicht uit het huis van de fotograaf, Singel 548, naar de ingang van de Reguliersbreestraat met geheel rechts het huis nummer 2 en daar tegenover de nummers 3 en 1. Uiterst links is een gedeelte te zien van de achterzijde van de huizen in de Nieuwe Doelenstraat.
Tijdvers op de inwijding van de schouwburg aan het Leidseplein te Amsterdam, 1774
Object type: book illustration
Date: 1774 – 1775
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: pegasus, the winged horse, apollo and the muses, apollo musagetes, theatre (building), bee-hive
Inscriptions: collector's mark: Lugt 2228

Blad met een ovale allegorische voorstelling en een tweeregelig tijdvers op de inwijding van de nieuwe Amsterdamse Schouwburg op het Leidseplein, 15 september 1774. Deze stadsschouwburg werd gebouwd om de in 1772 afgebrande schouwburg aan de Keizersgracht te vervangen en brandde in 1890 zelf af. In het midden verwelkomt de personificatie van de Amsterdamse Schouwburg, met op haar schoot een nieuwe bijenkorf, een man en twee kinderen. Rechts van haar twee putti die een afbeelding van het nieuwe gebouw ontrollen. Op de voorgrond boeken en geschriften met toneelwerken. In het verschiet Apollo, de muzen en Pegasus op de Parnassus.
Deeze Hond byt niemand
Object type: popular print
Date: 1761 – 1804
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: dog

Een zittende hond met halsband. Geheel omgeven door een sierrand. Onder de voorstelling een vierregelig vers in twee kolommen. Genummerd linksboven: No. 62.
Cuneiform tablet: balanced account of Shu-ili
Object type: cuneiform tablet
Date: 2040 – 2040
Materials: clay
Culture: neo-sumerian
Location: mesopotamia
Schepen in een haven met goederen op de kade
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: etching
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: sailing-ship, sailing-boat, pier, quay, wharf
Inscriptions: collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Scheepsbouw.
Kraanvogels aan de waterkant
Object type: print
Date: 1878 – 1910
Materials: paper
Techniques: lithograph
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: shore-birds and wading-birds: crane
Inscriptions: collector's mark: Lugt 2233

Prent is een proefdruk voor kalenderblad september 1910.
Zeeslag bij Kijkduin op 21 augustus 1673
Object type: print
Date: 1673 – 1673
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: prague, painter, print maker, prinz ruprecht, flushing, michiel adriaenszoon de ruyter, rotterdam, amsterdam, cornelis tromp, battle (+ naval force), battle of the texel
Inscriptions: date

Zeeslag bij Kijkduin (bij Texel) op 21 augustus 1673 tussen de Staatse vloot onder Michiel Adriaenszoon de Ruyter en Cornelis Tromp en de Engels-Franse vloot onder prins Rupert en graaf Jean d'Estrées (II). Grote voorstelling van de zeeslag met brandende en zinkende schepen. Op het blad onder de plaat een beschrijving in 3 kolommen met de legenda A-Z.
Meat Jar Label
Object type: jar label, meat
Date: 1390 – 1352
Materials: pigment, pottery
Location: egypt
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic
Plattegrond van Den Haag
Object type: area plan
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial), the hague
Inscriptions: collector's mark: Lugt 2228

Plattegrond in vogelvluchtperspectief. Linksboven een cartouche met de titel en de opdracht, met links het wapen van Holland en rechts het wapen van Den Haag. Linksonder een legenda 1-18 en a-h. Op verso Latijnse tekst.
Ontwerp voor wandarm
Object type: design drawing
Date: 1820 – 1820
Materials: graphite, ink, paper
Techniques: brush, pen
Location: northern italy
Artist: Anonymous
Subjects: sconce, wall lamp
Inscriptions: collector's mark: Lugt 3893, watermark:, inscription: ‘un richissimo braccialo da / collocarsi nal muro, capace a / sostenere una lampada ed un / piccolo caveo che possa servire / per l'altare maggiore di una / Cattedrale esso pootrà essere / costruito di bronzo, o / di ferro, e varie parte di / esso potranno essere / indorate’
Vera Wilson, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Neushoorn
Object type: print
Date: 1542 – 1542
Materials: paper
Techniques: engraving, etching, intaglio
Location: rome
Subjects: hoofed animals: rhinoceros
Inscriptions: collector's mark: Lugt 2228

Een neushoorn, staand en naar links gekeerd. Drieregelige tekst in het Italiaans in ondermarge.
"Alte Oper", Frankfurt am Main, Duitsland
Object type: photograph
Date: 1880 – 1895
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Inscriptions: caption: ‘Opera. Frankfurt.’

Gezicht op het operagebouw op een plein. Het gebouw, van de hand van architect Richard Lucae
(1829-1877) werd in 1880 in aanwezigheid van Kaiser Wilhelm I geopend. Op 23 maart 1944 werd het grotendeels verwoest, maar is herbouwd.
Tweede corps de garde van Hollandsche officiers
Object type: print
Date: 1766 – 1793
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: open hearth, fire-place, handwriting, written text, in the guard-room, 'kortegaard', studying a map, meeting of soldiers and/or officers, new york (city)
Inscriptions: collector's mark: Lugt 2488

Een interieur met verschillende officieren. Rechts zit een man aan een schrijftafel, links is een man bezig met vuur uit de open haard, in het midden kijken drie heren op een kaart. Boven de schoorsteen een wapenschild en daarboven een met een lauwerkrans omgeven portret van een man en profil. Deze kopie situeert de voorstelling in New York en behoren de afgebeelde militairen tot het Engelse leger. Verkleinde kopie met Duits en Frans onderschrift.
Dorpsgezicht
Object type: print
Date: 1673 – 1695
Materials: paper
Techniques: etching
Location: paris
Artist: pierre drevet
Artist role: print maker, publisher
Artist dates: 1663 – 1738
Subjects: village
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Laatste avondmaal
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: letterpress printing
Location: antwerp
Subjects: last supper (in general) (matthew 26:21-35; mark 14:18-31; luke 22:3, 22:15-23; john 13:21-38)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Andries, Judocus. Perpetua crux sive passio Jesu Christi. Antwerpen: Cornelis Woons, 1649.
Figuur op een erf voor een huis
Object type: sketchbook leaf
Date: 1873 – 1873
Materials: chalk, paper
Location: scheveningen
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: cottage, fowl (cock, hen, chicken, etc.)

Op het erf scharrelen kippen. Tevens een figuurstudie. Blad 24 recto uit een schetsboek met 39 bladen.
Collier van goud en amethist
Object type: jewellery
Date: 1824 – 1829
Materials: gemstone, gold
Location: amsterdam
Artist: jean baptiste bonnard
Artist role: goldsmith
Inscriptions: alloy mark

Parure. Gold and amethyst. Amsterdam, c. 1824 - 1829, by Jean Baptiste Bonnard.
Landschap met een visser
Object type: page
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: landscapes, fisherman
Inscriptions: monogram: ‘C. Cie’, inscription: ‘Phot. Martin, Berne’
Unfinished Sampler Panel on Loom
Object type: sampler with loom
Date: 901 – 1500
Materials: animal fiber, cotton, wood
Culture: peruvian
Location: peru
Yachting at the Ferry, Winander Mere
Object type: page
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Location: windermere
Subjects: sailing-ship, sailing-boat, cottage
Bloemen
Object type: print
Date: 1820 – 1833
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: flowers
Needlepoint
Object type: needlepoint
Date: 1601 – 1700
Techniques: lace
Portret van Carolina, prinses van Oranje-Nassau
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: etching
Location: leeuwarden
Subjects: carolina (prinses van oranje-nassau)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Prent uit: Bosch, Johannes van den. De heeren stadhouderen van Vriesland, zedert den jare acht-hondert, volgens hoogst derzelver successie kortelyk beschreven. Leeuwarden: Abraham Ferwerda en Gerrit Tresling, 1770.
Portret van Johannes Lambertus Antonius Luyben
Object type: print
Date: 1843 – 1856
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: delft, den bosch, politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228, inscription: ‘25 Jare lid der II Kamer St. Gen. 1856.’
The Actor Otani Hiroji III as Hata no Daizen Taketora in the play "Kisoeuta Sakae Komachi," performed at the Ichimura Theater in the eleventh month, 1762
Object type: print
Date: 1762 – 1762
Techniques: printmaking, woodblock print
Location: japan
Artist: torii kiyomitsu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1785
Landschap met een hut onder bomen
Object type: print
Date: 1831 – 1904
Materials: paper
Techniques: drypoint, etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: trees, landscapes in the temperate zone, cottage
Inscriptions: collector's mark: Lugt 2228
Jug, spouted
Object type: jug, spouted
Date: 750 – 600
Materials: terracotta
Culture: cypriot

Loop handle across neck and circles.
Head of a Man
Object type: drawing and watercolor
Materials: chalk, crayon, paper
Techniques: drawing, stumping
Location: france
Artist: jean baptiste carpeaux
Artist role: draughtsman, print maker, sculptor
Artist nationality: french
Artist dates: 1827 – 1875
"Rustam Fighting Ashkabus", Folio from a Shahnama (Book of Kings)
Object type: folio from an illustrated manuscript
Date: 1560 – 1580
Materials: gold, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: artist
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: bow and arrow,horses,flags
Decorated Initial "O" with Flowers from a Choir Book
Object type: drawing and watercolor
Date: 1301 – 1400
Materials: gold leaf, paint, parchment
Techniques: cutting
Culture: european
Location: europe
Pot
Object type: pot
Date: 901 – 1200
Materials: stone
Techniques: carving
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Sutra Cover
Object type: textile
Materials: cardboard, gold leaf, ink, paper, silk
Techniques: bookbinding, lacquer, painting, patterning, weave, printing
Location: china
Emblematische figuren
Object type: print
Date: 1533 – 1567
Materials: paper
Techniques: engraving
Location: italy
Artist: francesco salviati
Artist role: draughtsman, painter, print maker
Artist dates: 1510 – 1563
Subjects: pain, sorrow, sadness; 'dolore', 'dolore di zeusi' (ripa)
Inscriptions: collector's mark: Lugt 240

Smart (Dolor) als zittende naakte man, trekkend aan zijn haren. Op de achtergrond een schip dat geteisterd wordt door een storm. Regel Latijnse tekst in ondermarge.
Portret van Hiob Ludolf
Object type: print
Date: 1671 – 1704
Materials: paper
Techniques: engraving
Subjects: trees: palm-tree (+ branch, stick), philology, historical persons
Inscriptions: collector's mark: Lugt 2228
Ely Cathedral: Nave into North Transept
Object type: photograph
Date: 1891 – 1891
Materials: glass
Location: england
Artist: frederick h. evans
Artist role: fotograaf
Artist nationality: english
Artist dates: 1853 – 1943
Gezicht in het Grieks theater te Siracusa, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: syracuse
Artist: Anonymous
Subjects: ruin of a building ~ architecture, amphitheatre
Inscriptions: number: ‘No. 1382’
Silver snuffbox
Object type: crèche accessory
Date: 1701 – 1800
Materials: silver
Gezicht op de Oostkerk te Middelburg, 1743
Object type: book illustration
Date: 1746 – 1760
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 195

Gezicht op de Oostkerk te Middelburg, in de situatie omstreeks 1743.