deem-data/ArtiFact huggingface dataset:
Portretten van beroemde Italianen met wapenschild in ondermarge
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks portretprenten van onbekende omvang. De prenten zijn gemaakt door meedere prentmakers, onder wie Francesco Allegrini en Carlo en Raimondo Faucci.
Emblemes d'Amour
Object type: print
Date: 1686 – 1686
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van vianen
Artist role: print maker
Artist dates: 1660 – 1726
Subjects: tinder-box, spark ~ fire (+ variant), (story of) cupid, amor (eros)
Inscriptions: collector's mark: Lugt 2228

Twee putti proberen tevergeefs een vonk te slaan uit een hart, door er met een vuurslag op te slaan om zo een vuur te maken met een tondeldoos. Op de grond liggen gebroken pijlen. Eenzijdige liefde kan als vonk geen vlam vatten en zal niet beklijven. Achtste embleem uit Emblemata Amatoria.
Vase
Object type: vase
Date: 1800 – 1830
Materials: porcelain
Culture: french
Location: france
Beef à la Mode
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,cows

A cow ludicrously dressed, wearing a bonnet, shawl and earring. It wears slippers on its front feet and Hessian boots on its rear feet. A miniature image of a bull hangs from its neck.
Van het Genootschap Pro Patria
Object type: print
Date: 1783 – 1787
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: amsterdam, fourth anglo-dutch war, patriots (1780-1795)
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Krijgswezen, Burgerbewapening.
Lezende man
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: paper, pencil
Subjects: reading, adult man
Inscriptions: workshop stamp: Lugt 291d

Los blad recto aangetroffen tussen blad 9 en blad 11 in een schetsboek met 16 bladen.
Desk and Bookcase
Object type: desk and bookcase
Date: 1800 – 1805
Materials: wood
Culture: american
Location: united states
Artist: thomas seymour
Artist role: maker
Artist nationality: american
Artist dates: 1771 – 1848
Glass dish
Object type: dish
Date: 301 – 400
Materials: glass
Culture: roman

Translucent green. Tubular, slightly outsplayed rim, folded out, down, and in, forming a prominent flanged edge to side; convex curving side sloping in to applied solid foot ring with diagonal tooling marks around its outer side; slightly convex bottom. Around the flanged edge to rim, a single horizontal groove. Broken and repaired, with only one small hole; some bubbles, elongated in rim; thick, limy encrustation, dulling, and slight iridescence. Greenish, colored blown glass.
Gebeeldhouwde piëta in de Sint-Pieter, Rome
Object type: photograph
Date: 1880 – 1904
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: sint-pietersbasiliek
Inscriptions: number: ‘41.’
Autour de la table
Object type: book illustration
Date: 1849 – 1849
Materials: paper
Techniques: letterpress printing, engraving
Location: paris
Subjects: book in which illustrations are essential - mm - book open
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 4780, collector's mark: Lugt 2228

Prent uit: L'illustration. Dl. 14. Parijs: A. le Chevalier et Cie, 1849, p. 157. De prent is een aankondiging voor een album met prenten van Theodore Maurisset: Autour de la table, album des rébus. Parijs: Paulin en Le Chevalier, 1849.
Tombe met treurende figuren
Object type: print
Date: 1755 – 1782
Materials: paper
Techniques: etching
Location: paris
Subjects: incense-burner ~ scents, perfumes, façade (of house or building)

Een tombe op leeuwenpoten met een treurende man en vrouw, daarboven hangt een rookvat.
Stilleven met vaas
Object type: print
Date: 1867 – 1913
Materials: paper
Techniques: etching, intaglio
Artist: marinus van der maarel
Artist role: draughtsman, painter
Artist dates: 1857 – 1921
Subjects: still life of related objects, container of ceramics: jar, jug, pot, vase
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2233

Op de vaas een figuur voor een hek. Links een stapel kommen.
Tengu Hatching from an Egg
Object type: netsuke
Date: 1701 – 1800
Materials: lacquer, wood
Culture: japanese
Subjects: mythical creatures,eggs

This type of representation of the birth of the mythical creature known as tengu, was most favored by netsuke carvers. The image of the small tengu breaking the shell of its egg is rendered particularly vivid through the use of red lacquer.
St. Etienne du Mont, Paris
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: etching
Location: england
Artist: charles john watson
Artist role: print maker
Artist nationality: english
Artist dates: 1846 – 1927
White Swan, Lower Yanktonas Sioux, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Trade cards from the "American Indian Chiefs" series (N36), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N36 reproduces the cards from N2 in a larger size.
Studie van een naakt kind op de knieën gezeten en van opzij gezien
Object type: photograph
Materials: photographic support
Techniques: albumen print
Artist: louis jean-baptiste igout
Artist role: fotograaf
Artist dates: 1837 – 1881
Subjects: the (nude) human figure; 'corpo humano' (ripa) (+ sideview, profile), child
Inscriptions: number: ‘E. 297.’
Hameau de Trianon - Maison de la Reine / The Hamlet of Trianon - The Queen's House
Object type: photograph
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: versailles
Artist: Anonymous
Subjects: farm (building)
Inscriptions: number: ‘19’
Opstelling van cavaleristen op het Place du Carrousel te Parijs
Object type: stereograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: place du carrousel
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, square, place, circus, etc., triumphal arch
Inscriptions: inscription: ‘Place du Carousel le louvre’
Gezicht op het Piazza del Popolo in Rome
Object type: photograph
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Location: piazza del popolo
Artist: james anderson
Artist role: fotograaf
Artist dates: 1813 – 1877
Subjects: square, place, circus, etc.
Inscriptions: number: ‘431’, collector's mark: ‘VOSMAER’
North Side of Platform from the Minaret over the Pool of Bethesda
Object type: photograph
Date: 1860 – 1865
Materials: paper, photographic support
Techniques: albumen print
Location: tempelberg
Artist: james mcdonald
Artist role: fotograaf
Artist dates: 1822 – 1885
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: inscription: ‘a’, inscription: ‘b’
Gezadelde ezels op een rij
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: ass, donkey

Blad 28 verso uit een schetsboek met 42 bladen.
Plattegrond van het Sint-Pietersplein, gezicht op de Zuil van Antoninus Pius en twee gezichten op obelisken, te Rome
Object type: print
Date: 1639 – 1701
Materials: paper
Techniques: engraving, etching
Subjects: square, place, circus, etc., obelisk, needle, church (exterior), triumphal column with helical friezes
Inscriptions: collector's mark: Lugt 2228

Prenten rechtsboven gemerkt, vanaf linksboven met de klok mee: G, D, E, H.
Orphrey woven with figurative design of Seraphim with IHS Christogram in glory, and God the Father holding the Dead Christ
Object type: orphrey fragment
Date: 1401 – 1600
Materials: linen, metal thread, silk
Subjects: virgin mary
Kankantrieboom
Object type: photograph
Date: 1900 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: suriname
Artist: eugen klein
Artist role: fotograaf
Artist dates: 1869 – 1927
Subjects: trees: kapok, suriname
Inscriptions: inscription: ‘Suriname / Kankantrieboom’

Een grote kankantrie (wilde kapokboom) langs een pad. Rechts staat een man. Fotoafdruk op een blad geplakt samen met twee andere foto's. Onderdeel van een groep van 44 foto's van Paramaribo, Suriname en Curaçao, ca. 1900-1905, opgeplakt op kartons en voorzien van opschriften.
Joueurs de vielle
Object type: photograph
Date: 1850 – 1853
Techniques: paper negative, salted paper print
Artist: louis-désiré blanquart-évrard
Artist role: artist
Artist nationality: french
Artist dates: 1802 – 1872
Subjects: musical instruments,boys
4 pence uit Engeland van Anne, 1704
Object type: coin
Date: 1704 – 1704
Materials: silver
Techniques: striking
Location: london

Zilveren munt. Voorzijde: borstbeeld van de koningin naar links. Keerzijde: gekroond cijfer vier. Jaartal bovenaan rondom kroon. Maundy money.
Interieur van boekhandel D. Appleton & Co. te New York
Object type: print
Date: 1851 – 1854
Materials: paper
Techniques: engraving
Location: new york city
Artist: monogrammist w (prentmaker
Artist role: print maker
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), monument, statue, book-shop, bookseller, new york (city)
Inscriptions: collector's mark: Lugt 2228

Twee illustraties op een blad. Boven het ruiterstandbeeld van Willem III, prins van Oranje, op het plein voor Trinity College te Dublin. Onder het interieur van boekhandel D. Appleton & Co. te New York. Linksboven genummerd: 396. Tekst op recto en verso.
The Peach's Revenge, from the Magic Changing Cards series (N223) issued by Kinney Tobacco Company
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: peaches,boys

Trade cards from the "Magic Changing Cards" series (N223), issued in a set of 50 in 1889 by Kinney Tobacco Company. When held up to the light, a hidden image is revealed on each card.
Cavern of Aeolus; a cave with wind gods blowing on either side of Aeolus who sits enthroned at center; set design from 'Il Pomo D'Oro'
Object type: print, fete, ornament architecture
Date: 1668 – 1668
Techniques: etching
Artist: mathäus küsel
Artist role: artist
Artist nationality: german
Artist dates: 1621 – 1682
Subjects: opera,caves,wind

The eleventh of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortina—also designed by Burnacini.
Karnak Grand temple avec obélisques de Touthmes 1er et de sa fille Hatasou
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: luxor
Subjects: obelisk, needle, temple, shrine ~ egyptian religion
Inscriptions: negative number: ‘994’

Onderdeel van Reisalbum met 80 foto's van Egypte.
Spotprent op de Franse rol tijdens de Conferentie te Londen, 1831
Object type: cartoon
Date: 1831 – 1831
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Artist: Anonymous
Subjects: berlin, william i of the netherlands, paris, politician, charles maurice hertog van talleyrand-périgord, leopold i (koning der belgen), peace negotiations, prisoner; in fetters
Inscriptions: collector's mark: Lugt 2228

Spotprent op de manipulerende tol van Frankrijk tijdens de Conferentie te Londen waar het Verdrag der XXIV artikelen wordt vastgelegd, 15 november 1831. Talleyrand houdt de vier gekroonde vorsten (Groot-Brittannië, Pruisen, Rusland en Oostenrijk) aan kettingen. Achter Talleyrand zit koning Leopold I op kussens. Links aan een tafel de Nederlandse koning Willem I.
Transport Teams and Oxen watering in the Velch River - on the march to Pretoria, S.A.
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Artist: Anonymous
Subjects: troop movements, transportation
Inscriptions: number: ‘93’, inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’, copyright notice: ‘Copyright 1900 by Underwood & Underwood.’, inscription
Green paste paper
Object type: print
Date: 1701 – 1800
Techniques: relief print
Artist: Anonymous
Artist role: artist
Allegorische voorstelling van het toneel
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: mask, symbolic representations, allegories and emblems ~ the theatre, satyr(s) (in general), the drunken bacchus
Inscriptions: inscription: ‘a.d.’, collector's mark: Lugt 2228

Rondom een tableau met daarop de titel en de auteur van het boek zitten saters met toneelmaskers en bazuinen. Rechtsonder een geit. Links staat Bacchus met een wijnstulk en een wijnglas, zijn voet op een leegstromende kruik. Rechts staat een vrouw met toneelmaskers en een rol papier in de hand.
Louis Boulanger (1806–1867), French historical painter
Object type: medallion
Date: 1828 – 1828
Materials: bronze
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Rotterdam met al syn gebouwen net op haer maet geteekent en gesneden
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: etching, hand coloring
Location: rotterdam
Subjects: 'cornucopia', horn of plenty, merman, river-gods, satyr(s) (in general), maps of cities, flag, colours (as symbol of the state, etc.), rotterdam

Plattegrond in vogelvluchtperspectief. Linksonder de legenda 1-46, A-Z en a-z. Rechts daarvan een groep mythologische en allegorische figuren waaronder figuren en voorwerpen die verwijzen naar de overzeese handel, saters, de Rotterdamse stedenmaagd en een riviergod. Rechtsboven een cartouche met de titel, opdracht en een schaalstok: Mate van 50 roeden en roeden van 12 voeten en voeten van 12 duymen.
Augustus 1923
Object type: photomechanical print
Date: 1908 – 1923
Materials: paper, cardboard
Techniques: gelatin silver print, photolithography
Location: bern
Subjects: the hague, caroline louise van den berg-van den berg, carel frederik van den berg (cay), amsterdam, frank willem van den berg (1912-1998), the family travelling, on holiday, lake, mountains
Inscriptions: inscription: ‘Aare Schlucht’, inscription: ‘Grimselhospisz’

Deze foto's en prent maken deel uit van een album.
Opleiding in Bocklemünd
Object type: photograph
Date: 1939 – 1939
Materials: paper, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: military training, recreation ~ the soldier off duty, germany
Inscriptions: inscription

Albumblad gemerkt 'Krieg' met drie foto's tijdens de militaire opleiding in Bocklemünd (Keulen), 1939. Twee zonnende militairen op een boekje en twee foto's van sportende militairen. Onderdeel van een Duits militair album Tweede Wereldoorlog 1939-1940.
Jacket
Object type: jacket
Date: 1870 – 1870
Materials: silk
Culture: american
Kruithoorn
Object type: jewellery
Date: 1700 – 1800
Materials: gold
Location: sri lanka
Artist: Anonymous

Sieraad van gedreven goud met groen en blauw email. De buik ontbreekt. Met vier gouden kettingen.
Delivering a Love Letter
Object type: print
Date: 1777 – 1777
Techniques: woodblock print, hashira
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Westportaal van het Mosteiro dos Jerónimos in Lissabon
Object type: photograph
Date: 1851 – 1890
Materials: paper
Techniques: albumen print
Location: lisbon
Artist: Anonymous
Subjects: parts of church exterior and annexes: portal
Portret van Franciscus de Moncada
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: brussels, francisco de moncada (markies van aytona), armour, historical persons
Inscriptions: collector's mark: Lugt 2228

Met tweeregelig onderschrift in het Latijn.
Model of a Rounder Plane
Object type: demonstration model
Date: 1819 – 1819
Materials: wood
Inscriptions: inscription, on the front: ‘WERKTUiG / om / Nagels te snyden / D.’

Hoewel pennenschaven reeds lang gebruikt werden in Nederland, was dit type van Britse oorsprong en werd op Nederlandse werven ingevoerd in 1821. Dit model heeft de afmetingen van de schaaf voor nagels; die voor neuten was groter. Dit model vormde waarschijnlijk een serie samen met NG-MC-65 en NG-MC-70.
Capelle en 't Huys te Mael-Stede
Object type: album leaf
Date: 1662 – 1662
Materials: paper
Techniques: etching
Artist: pieter hendricksz. schut
Artist role: print maker
Artist dates: 1618 – 1660
Subjects: city-view, and landscape with man-made constructions, castle, hunting, chase
Inscriptions: collector's mark: Lugt 195

Gezicht op kasteel Maalstede en de kerk van Kapelle. Op een weg een jachtgezelschap. Op de voorgrond links wordt een paard klaargemaakt voor de jacht. De prent maakt deel uit van een album.
Vier seizoenen
Object type: drawing
Date: 1600 – 1699
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: hobby-horse, spring ~ human activities (the four seasons of the year), child with plant (games and plays)
Spreekwoord: Ick bints alleen niet
Object type: print
Date: 1601 – 1605
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: proverbs, sayings, etc., setting on fire (of conquered city), man doing woman's work, political refugee, 'émigré'
Inscriptions: collector's mark: Lugt 2228

Op den voorgrond binden twee mannen een takkenbos. Links een huiskamer met een man en een vrouw. De vrouw vertelt de man wat hij moet doen en laten. Rechts een door oorlog geteisterd dorp met een brandende boerderij, soldaten en vluchtelingen. Onder de voorstelling een Nederlands verklarend vers over gedeeld leed.
Chair Cover
Object type: textile
Date: 1800 – 1825
Materials: textile, silk
Techniques: bookbinding, interlacing, patterning, satin weave, weave
Location: france
Subjects: medallions, flowers
Soldaten bij een poort
Object type: print
Date: 1770 – 1843
Materials: paper
Techniques: etching, intaglio
Location: netherlands
Artist: cornelis van hardenbergh
Artist role: draughtsman, painter, print maker
Artist dates: 1755 – 1843
Subjects: the soldier; the soldier's life, city-gate
Inscriptions: collector's mark: Lugt 2228
Lobed Dish
Object type: vessel
Materials: stoneware
Location: china
Terracotta amphora (jar)
Object type: amphora, type c
Date: 540 – 540
Materials: terracotta
Culture: greek, attic
Artist: affecter
Artist role: artist
Subjects: men

Obverse and reverse, men and youths The Affecter is a particularly recognizable personality among artists of the second half of the sixth century B.C. The decoration of his vases accords so fully with the shapes that potter and painter were most likely the same individual. Noteworthy, however, is the volume of his shapes in contrast to the rigidity of his figures.
Pieter Haaringh
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: pieter haringh
Inscriptions: signature and date: ‘Rembrandt f 1655’, collector's mark: Lugt 240
Writing table
Object type: writing table
Date: 1760 – 1770
Materials: gilt bronze, wood
Techniques: veneering
Artist: roger vandercruse, called lacroix
Artist role: maker
Artist nationality: french
Artist dates: 1727 – 1799

The writing drawer contains a slide covered with modern tooled green leather and fitted with three gilt-metal containers for pens, sand, and an inkwell. The two lower drawers are treated as though they were a single panel, veneered with continuous floral marquetry and framed by a gilt-bronze molding of entwined-rope design chased with beading. The overall shape of this table and the style of floral marquetry with endcut kingwood suggests a date early in Lacroix’s career when he was still working under the influence of Oeben. The marquetry and cabriole legs in combination with fully neoclassical mounts denote a transitional table. The mounts and marquetry are found on other pieces by Lacroix, particularly the central ornamental motif of the foliated wheel inlaid on both top and lower shelf, a motif that he often repeated. It was used on small transitional tables;[1] on a group of neoclassical bonheurs du jour;[2] and on a group of neoclassical upright secretaries where the motif is combined with cornflower marquetry in diamond reserves.[3] Lacroix also made this shape of table as a combined toilet and writing table; an example that repeats some of the same mounts, although veneered with a more naturalistic floral marquetry, was in the René Fribourg collection.[4] [Bill Rieder, 1984] Footnotes: [1] Examples are in the Musée Cognacq-Jay, Paris (E. Jonas, comp., Collections leguées à la ville de Paris par Ernest Cognacq, Paris, 1930, p. 88, no. 401) and a table formerly in the Heywood-Lonsdale collection (sale, Christie’s, London, June 6, 1957, lot 155). [2] One in the collection of Mr. and Mrs. Charles Wrightsman, New York (F. J. B. Watson, The Wrightsman Collection, New York, 1966, I, pp. 180–81, no. 103); another formerly in the collection of Mrs. Derek Fitzgerald (sale, Sotheby’s, London, November 22, 1963, lot 134); and two formerly at Kraemer & Cie, Paris (P. Verlet, Les Ebénistes du XVIIIe siècle français, 1963, p. 169, fig. 2; Connaissance des Arts no 285 [November 1975], p. 37 [advertisement]). [3] One is published in G. Janneau, Le Meuble léger en France, Paris, 1952, p. 353, figs. 194, 195; two were formerly in the collection of Mrs. Alexander Hamilton Rice, New York (sale, Sotheby’s, New York, October 3, 1970, lots 146, 147); at Dalva Brothers, Inc., New York, 1983. [4] P. Verlet, Les Ebénistes du XVIIIe siècle français, 1963, p. 167, figs. 2, 3.
Le Pont du Doelen a Amsterdam
Object type: print
Date: 1755 – 1779
Materials: paper, watercolor
Techniques: brush, etching
Location: augsburg
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), tower, clock tower ~ monumental adornment, rowing-boat, canoe, etc.
Beauty Writing a Letter (copy of a section of the Hikone Screen)
Object type: hanging scroll
Date: 1601 – 1800
Materials: ink, silk
Culture: japanese
Subjects: women,writing