deem-data/ArtiFact huggingface dataset:
Ontwerp voor een glas in loodraam met twee vogels en ornamenten
Object type: drawing
Date: 1907 – 1930
Materials: ink, paint, pencil, paper, watercolor
Techniques: brush
Location: amsterdam
Artist: Anonymous
Subjects: ornaments ~ art, birds
Inscriptions: inscription: ‘Schaal 1 a 5./ 8 stuks hoog 56,5 x 92 cm/ Buitenkant lood maat precies.’, collector's mark: ‘R:MVS’
Mijmering
Object type: print
Date: 1842 – 1896
Materials: paper
Techniques: etching
Location: netherlands
Artist: kornelis jzn de wijs
Artist role: print maker
Artist dates: 1832 – 1896
Subjects: container of ceramics: jar, jug, pot, vase, utilitarian, public pump or water fountain
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een jonge vrouw staat in gedachten verzonken met een kruik in de hand bij een waterpomp.
Vase with lid
Object type: vase with lid
Date: 1922 – 1922
Materials: ceramic
Techniques: glazing
Culture: danish
Artist: herman a. kähler
Artist role: designer
Artist nationality: danish
Artist dates: 1846 – 1917
Pilgrim bottle with cover
Object type: pilgrim bottle with cover
Date: 1710 – 1715
Materials: glaze, stoneware
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: cranes,chinoiserie
Portret van François Henri de Montmorency
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: france
Subjects: paris
Inscriptions: collector's mark: Lugt 240

Portret van de Franse maarschalk François Henri de Montmorency-Bouteville, hertog van
Piney- Luxembourg (1628-1695). Afgebeeld in ovale omlijsting met wapen.
Gedenkvers voor Willem IV, 1751
Object type: text sheet
Date: 1751 – 1751
Materials: paper
Techniques: letterpress printing
Location: middelburg
Subjects: the hague, willem iv (prins van oranje-nassau)
Inscriptions: collector's mark: Lugt 2228

Tekstblad met een vers op het overlijden van prins Willem IV op 22 oktober 1751.
Zes etsproeven
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: etching
Location: netherlands
Artist: pierre louis dubourcq
Artist role: draughtsman, painter, print maker
Artist dates: 1815 – 1873
Subjects: forest path or lane
Inscriptions: collector's mark: Lugt 2228
Snuffbox with still life
Object type: snuffbox
Date: 1765 – 1770
Materials: copper, enamel
Witte schoenendoos
Object type: verpakking
Materials: cardboard, paper
Location: amsterdam
Artist: h.w. schouten
Artist role: winkelier
Kruisafneming
Object type: print
Date: 1582 – 1586
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: flowers, descent from the cross: christ is taken down from the cross, usually by nicodemus and joseph of arimathaea who are standing on the ladders (both arms of christ detached), animals, 'vanitas' symbols
Inscriptions: collector's mark: Lugt 2228

Het lichaam van Christus wordt door Nikodemus, Jozef en twee onbekende mannen van het kruis gehaald. Maria, Maria Magdalena en andere vrouwen treuren. De voorstelling is gevat in een ornamentele omlijsting die is gedecoreerd met dieren, bloemen, en een putto met vanitassymbolen.
Chasuble
Object type: chasuble
Date: 1725 – 1730
Materials: metal thread, silk
Subjects: flowers,leaves
London, from the Dancing Girls of the World series (N185) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,dancing

Trade cards from the "Dancing Girls of the World" series (N185), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
Kreuzer van de vrije rijksstad Frankfurt am Main, 1857
Object type: coin
Date: 1857 – 1857
Materials: silver
Techniques: striking
Location: frankfurt am main

Zilveren munt. Voorzijde: gekroonde enkelkoppige adelaar. Keerzijde: binnen twee samengebonden eiketakken in twee regels waarde-aanduiding, waaronder jaartal. Gladde rand.
Hercules
Object type: sculpture
Date: 1550 – 1600
Materials: bronze
Location: italy
Art education applied to industry
Date: 1877 – 1877
Location: united states
Artist: george ward nichols
Artist role: author
Artist nationality: american
Artist dates: 1831 – 1885
The Procession, from Nathaniel Hawthorne's "The Scarlet Letter"
Object type: drawing
Date: 1879 – 1879
Materials: graphite, ink
Techniques: pen, wash
Artist: felix octavius carr darley
Artist role: artist
Artist nationality: american
Artist dates: 1822 – 1888
Subjects: girls,infants,men,women

Darley illustrates Hawthorne's "The Scarlet Letter, A Romance" (published in 1850). His drawing was reproduced in 1879 as the tenth print of twelve "Compositions in Outline." Set in seventeenth-century Boston, the story explores the consequences of a liason between Hester Prynne and the Puritan pastor, Arthur Dimmesdale. When Hester becomes pregnant, she refuses to identify her child's father, is imprisoned, and forced to wear a red letter "A" on her dress (to mark her as an adultress). Upon release, she lives in an isolated cottage, supports herself as a seamstress, and tends to her daughter Pearl–whose behavior grows increasingly wild and antisocial. The artist responds here to an incident in chapter 22, set amid celebrations held to mark the arrival of a new governor. That occasion allows Mistress Hibbens to approach Hester and call Pearl a child of the Devil–at an earlier point in the text, Hawthorne describes the old woman as a suspected witch. See 14.111.1–3,.5 for other drawings from the set.
Bergweg R'dam
Object type: photograph
Date: 1905 – 1907
Materials: photographic support
Techniques: collodion silver print
Location: rotterdam
Artist: folkert idzes de jong
Artist role: architect
Artist dates: 1877 – 1929
Subjects: rural housing, e.g. country-house, villa, cottage, village, bridge, small canal, ditch, rotterdam

Onderdeel van Topografisch album van Nederlandse dorpen en steden 1905.
Fragment naaldkant met gekantelde vierkantjes
Object type: fragment
Date: 1500 – 1599
Materials: linen
Techniques: needle lace
Location: unknown
Artist: Anonymous

Fragment naturelkleurig naaldkant, gesneden werk. Patroon met uitgesneden, gekantelde vierkantjes.
Heilige familie in boot met engel als bootsman tijdens vlucht naar Egypte
Object type: print
Date: 1748 – 1752
Materials: paper
Techniques: etching
Artist: giovanni domenico tiepolo
Artist role: draughtsman, print maker
Artist dates: 1727 – 1804
Subjects: flight into egypt and miracles during the journey
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent naar ontwerp van Giovanni Battista Tiepolo. Prent maakt deel uit van blad met twee scènes uit het bijbelverhaal van de Vlucht naar Egypte. In de collectie van het RMA zijn de twee prenten losgesneden (vergelijk inv.nr. RP-P-1950-490).
Ceramic Fragment
Object type: fragment
Date: 1101 – 1300
Materials: stonepaste
Techniques: glazing, painting
Location: saudi arabia
James Henry O'Rourke, 3rd Base, New York, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Covered cup and saucer with three panels with two seated figures
Object type: lid
Date: 1800 – 1899
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: japan
Artist: Anonymous

Deksel van porselein met een ringvormige knop, beschilderd op het glazuur in rood en goud. Op de voorzijde van de deksel drie cartouches met telkens twee zittende mensen omgeven door een band krulwerk; tussen de cartouches een geometrisch patroon. Gemerkt op de onderzijde met drie ongeïdentificeerde karakters. Een chip in de rand van de deksel.
Exterieur van de Apostelenkerk te Keulen, gezien vanaf de koorzijde
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: cologne
Artist: Anonymous
Subjects: parts of church exterior and annexes: choir, two-wheeled, animal-drawn vehicle, façade (of house or building), parts of church exterior and annexes: tower
Inscriptions: inscription: ‘CWN.’, inscription: ‘Romaansche Kunst - Duitschland. <BR />Keulen (...) Restauratie van 1875.’, collector's mark: ‘INSTITUUT VOOR KUNST- <BR />NIJVERHEIDSONDERWIJS <BR />GABRIËL METSUSTRAAT No. 16. <BR />AMSTERDAM’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL <BR />QUELLINUS <BR />AMSTERDAM <BR />FRANS HALSSTRAAT 14.’
Covered jar
Object type: covered jar
Date: 1675 – 1700
Materials: earthenware, paint, silver
Techniques: burnishing
Culture: mexican
Location: mexico

Ceramic vessels of this type, known as búcaros de Indias, were highly prized by European collectors during the 17th and 18th centuries. They were appreciated not only for their unusual shapes and American origin, but also for the distinctive aroma and taste of the clay from which they were made. Búcaros were used to contain water and gave it a pleasing flavor. The clay was thought to have medicinal qualities, and it was fashionable among Spanish and Italian elites, especially women, to consume fragments of the pottery. This unusual practice made their complexions pale, which was considered desirable at the time. The popularity of this kind of pottery in Europe is well documented in the art and literature of the period. In Diego Velázquez’s Las Meninas, the infanta Margarita is served a small búcaro of water on a silver tray, while artists like Juan van der Hamen often included búcaros in their still life paintings. The Spanish dramatist, Lope de Vega, wrote satirically about the obsessive eating of pottery and its effects: "Girl of broken color, either you have lovers, or you eat clay." (Niña de color quebrado / O tienes amores o comes barro.) Lope de Vega, El Acero de Madrid (1608).
Gewelf
Object type: sketchbook leaf
Date: 1905 – 1905
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: vault ~ architecture

Blad 18 verso uit een schetsboek met 27 bladen.
Portret van predikant J. J. Kotzé
Object type: photograph
Date: 1871 – 1873
Materials: cardboard, paper
Techniques: albumen print
Location: utrecht
Artist: abraham adrianus vermeulen
Artist role: painter
Artist dates: 1817 – 1894
Subjects: historical persons
Inscriptions: address: ‘A. A. VERMEULEN/ photograaph/ UTRECHT/ VOETIUSSTEEG F.314’
Linnen servet van damastweefsel, met centraal ingeweven monogram BO, waar boven en onder een vogel met opgeheven poot
Object type: dwaal
Date: 1690 – 1710
Materials: linen
Location: amsterdam
Artist: Anonymous
Covered vase
Object type: covered vase
Date: 1701 – 1733
Materials: jade
Culture: chinese
Rolduc et ses environs
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: tone lithography
Location: brussels
Artist: alexander schaepkens
Artist role: draughtsman, print maker
Artist dates: 1815 – 1899
Subjects: interior of church
Inscriptions: collector's mark: Lugt 2228

Een jongen met plateau waarop twee kannen loopt richting in deur in de abdijkerk.
Snoek, met twee inkepingen op de rug
Object type: drawing
Date: 1775 – 1833
Materials: chalk, paper, pencil, watercolor
Techniques: brush
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: bony fishes: pike
Warbler on a Plum Branch
Object type: woodblock print
Date: 1835 – 1835
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: birds

Poems included on Hiroshige’s bird-and-flower compositions are usually unsigned, but sometimes they are by famous poets, such as this verse by Suganuma Kyokusui (1659–1717), a poet of the samurai class who was a pupil and patron of Matsuo Bashō (1644–1694). Here, Kyokusui playfully suggests that the warbler (uguisu) pays its yearly taxes in the spring by generously singing a song on the small grove where it lives. 鶯や 二升五合の 藪年貢 Uguisu ya masumasu hanjō no yabu nengu Oh, the warbler! It pays a generous tithe for such a tiny grove. —Trans. John T. Carpenter
The Bear Seeks Justice from the Lion Against Renard from Hendrick van Alcmar's Renard The Fox
Object type: print
Date: 1650 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: bears,chickens,dogs,foxes,lions,rabbits
Portret van Antonio Agustín, aartsbisschop van Tarragona
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: historical persons
Inscriptions: inscription: ‘#3’
Saint John Nepomuk
Object type: statuette
Date: 1734 – 1766
Materials: wood
Subjects: cross,saints
The Virgin seated with the infant Christ sleeping in her lap, Saint Elizabeth at right, an oval composition, after Reni
Object type: print
Date: 1776 – 1776
Techniques: printmaking
Artist: robert menageot
Artist role: artist
Artist nationality: french
Artist dates: 1748 – 1808
Subjects: love,sleeping,madonna and child,saints

Verso is not visible as print it laid to another sheet of paper.
Portret van een man
Object type: print
Date: 1814 – 1870
Materials: paper
Techniques: engraving
Location: italy
Subjects: anonymous historical person portrayed
Inscriptions: collector's mark, collector's mark: Lugt 2228
Glass beaker with indented sides
Object type: beaker, indented
Date: 101 – 300
Materials: glass
Culture: roman

Translucent light blue green. Everted rim, with thickened, rounded lip; side tapering downwards, then bulging outwards at corners, and curving in to tubular foot ring, made by folding; low kick at center of bottom with large circular pontil mark. On lower half of body, four deep round or oval indents, giving square shape to side. Intact; pitting to surface bubbles, slight limy encrustation, and patches of creamy weathering and iridescence. Greenish, with indented sides.
Finial
Object type: finial
Date: 1701 – 1800
Materials: gilt bronze
Man in een grot onder de Rosenlauigletsjer, Zwitserland
Object type: stereograph
Date: 1860 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: dornach
Artist: Anonymous
Subjects: cave, grotto, glacier
Inscriptions: inscription: ‘Heseleskamp [?]’, number: ‘No. 1168.’
Vertical Duct Flute in D
Object type: vertical duct flute in d
Date: 1801 – 1900
Materials: porcelain
Culture: french
Location: france
Artist: h. boulanger et cie
Artist role: maker
Junction of the Severn and Wye, plate 28 from Liber Studiorum
Object type: print
Materials: paper
Techniques: aquatint, etching, roulette
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Paarden voor een wagen
Object type: drawing
Date: 1867 – 1935
Materials: charcoal, paper
Artist: maurits van der valk
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Subjects: (farm) wagon, freight wagon, cart
Snuffbox with a Portrait of a Woman
Object type: snuffbox
Date: 1785 – 1785
Materials: copper alloy, gilt, horn, paper, shell, parchment
Techniques: veneering
Culture: french
Subjects: portraits,women

On this modest interpretation of a Parisian gold box, the concentric circles simulate engine-turned grooves, and the rims recall the gold-beaded edges of boxes dating about 1775 – 85. The miniature, which is original, has a somewhat provincial style that is consistent with the dating of the box but does not permit attribution to a specific artist.
Fotoreproductie van een spotprent met een karikatuur van een man uitgebeeld als haan
Object type: reproduction
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Artist: bl
Artist role: fotograaf
Subjects: caricatures (human types)
Inscriptions: monogram: ‘BL’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of a draped figure?
Construction of the Viaur Viaduct
Object type: photograph
Date: 1901 – 1911
Materials: photographic support
Techniques: cyanotype
Location: france
Artist: Anonymous
Subjects: viaduct, making the overground structures (~ building activities)

In their time these modern looking photographs were nothing more than simple tools. The architectural draughtsmen of the viaduct would consult them when discussing their work. Architects generally relied on blueprints to quickly duplicate the construction drawings. The interplay of lines of the slender structures rising high above the ground and standing out against the sky is enhanced by the powerful contrast.
Roodborstje
Object type: watercolor
Date: 1658 – 1726
Materials: parchment, watercolor
Techniques: brush
Artist: johannes bronkhorst
Artist role: draughtsman
Artist dates: 1648 – 1727
Gezicht op het Damrak te Amsterdam, gezien naar de Warmoesstraat
Object type: drawing
Date: 1912 – 1912
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, ships (in general), canals, waters (in city)
Inscriptions: date: ‘16/4 12[?]’
Labyrint
Object type: drawing
Date: 1770 – 1808
Materials: cardboard, ink, paper
Techniques: pen
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: labyrinth, maze ~ garden, board-games

Vierkant doolhof met in het midden de schat en bij de ingang een hekje.
Shallow bowl
Object type: bowl
Date: 2960 – 2649
Materials: wood
Location: egypt
Ferdinand der Katholische
Object type: print
Date: 1847 – 1877
Materials: paper
Techniques: etching, intaglio
Location: vienna
Subjects: riding a horse, ass, or mule; rider, horseman, cherubs, i.e. children's heads with wings
Inscriptions: check stamp: ‘Gesellschaft für vervielfalt. Kunst Wien’
The Three Oaks
Object type: print
Date: 1634 – 1666
Techniques: etching
Artist: jacob isaacksz van ruisdael
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1682
Subjects: oaks
Case (Inrō) with Design of Lute and Maple Leaves
Object type: inrō
Date: 1801 – 1900
Materials: glass, gold, gold leaf, lacquer, mother of pearl, wood
Techniques: inlay, maki
Culture: japanese
Subjects: lutes
Gezicht op de Nieuwe Kerk te Den Haag
Object type: print
Date: 1681 – 1728
Materials: paper
Techniques: etching
Location: the hague
Artist: cornelis elandts
Artist role: draughtsman, painter, print maker
Artist dates: 1641 – 1687
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), church (exterior)
Inscriptions: collector's mark: Lugt 2228

Deze prent is oorspronkelijk uitgegeven als onderdeel van de rand van de zogenaamde figuratieve kaart van Den Haag uit 1681-1682 (zie RP-P-AO-12-9D). De rand bestond uit een gezicht op de stad en veertien kleinere gezichten in en om Den Haag.

Veertien van de vijftien prenten van de rand zijn later ook gebruikt in: Aa, Pieter van der. La galerie agreable du monde (...). 66 delen. Leiden: Pieter van der Aa, 1728, dl. 18 en 19. De huidige prent komt als enige niet voor in deze publicatie.

Voor de overige prenten van de rand, zie: RP-P-AO-12-8, RP-P-AO-12-8-2, RP-P-OB-50.201, RP-P-OB-50.202, RP-P-OB-50.203, RP-P-OB-50.204, RP-P-OB-50.205, RP-P-OB-50.206, RP-P-OB-50.207, RP-P-OB-50.208, RP-P-OB-102.387, RP-P-OB-50.209, RP-P-OB-50.210, RP-P-OB-50.211, RP-P-OB-50.212, RP-P-OB-50.213 en RP-P-AO-12-5-4.
Portret van Titiaan
Object type: print
Date: 1840 – 1855
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: venice, painter, draughtsman, titiaan, historical persons, portrait, self-portrait of artist

Prent waarschijnijk uit: Meyer, Joseph, Das große Conversations-Lexikon für die gebildeten Stände. Hildburghausen: Bibliographisches Institut 1840-55, dl. 4.2.
Limestone woman
Object type: statuette of a woman votary holding flower
Date: 600 – 501
Materials: limestone
Culture: cypriot
Subjects: women

Cypriot sculptors assimilated influences not only from the East but also from the Greek world. Carved in local Cypriot limestone, this figure is a kore (maiden) of the type well known from examples of marble, terracotta, and bronze. East Greek works would have provided the most immediate sources of inspiration.
Dish with birds and flowers
Object type: dish
Date: 1601 – 1700
Materials: cobalt, enamel, porcelain
Techniques: overglaze, painting, polychrome, underglaze
Culture: chinese
Subjects: birds,flowers
Portret van een man
Object type: photograph
Date: 1860 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: adult man
Inscriptions: inscription: ‘AG/ A. Greiner/ Photograf/ Nieuwendijk, L. 87/ Amsterdam’, inscription: ‘A. Greiner, Phot. / Amsterdam.’
Groep zingende en dansende bewoners uit de vallei van Ossau in de Pyreneeën
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: lithograph
Location: paris
Subjects: vocal music, singing, villagers; villeins (dutch: 'dorpers')

Prent verschenen als bijlage bij: La Pandore, revue des moeurs, de la littérature, des beaux-arts et de la mode (1845), nr. 2, 20 november 1845.
Naamkaartje voor de bruidegom
Object type: print
Date: 1782 – 1804
Materials: paint, paper, watercolor
Techniques: brush, calligraphy, etching, hand coloring
Location: netherlands
Subjects: wedding feast, wedding meal
Inscriptions: collector's mark: Lugt 1641, collector's mark

Naamkaartje voor de bruidegom, te gebruiken bij de tafelindeling bij een bruiloftsmaal. Decoratieve omlijsting met putti, huwelijkssymboliek en tweeregelig motto over de liefde. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Des Menschen Begin, Midden en Einde. Bruiloft en huwelijk.
Buddha
Object type: sculpture
Materials: limestone
Techniques: polychromy
Location: china

Following its introduction from India centuries earlier, Buddhism flourished in China under the powerfully cosmopolitan Tang dynasty. Characteristic of Tang style in its robust, tapered physique, this monumental figure exhibits iconographic features distinctive to the Buddha: tightly curled hair covering a cranial mound symbolizes his enlightenment; and a forehead depression that originally held a stone or jewel represents wisdom. The articulated folds of the deity's flowing robe integrate Indian sensuality with a distinctly Tang blend of realism and linear elegance. Capping the deity's right shoulder, this garment discreetly modifies a fully bare-chested style described in Indian monastic texts.

The stepped pedestal rises from a base encircled by lotus petals pure white flowers that rise from muddy water and thereby evoke Buddhist beliefs in purity and the search for enlightenment. Above, musicians encircling the tapered stem evoke an ideal, celestial realm.

Together with two attendant bodhisattvas in the Art Institute collection (1930.84 and 1930.85), this sculpture came to the museum in 1930 with a note of its discovery in a temple known as Cangfosi in northern Hebei province. Neither archaeological nor written records have been located to confirm this reported site. The scale and stone medium of these figures suggest that they were commissioned for a cave temple or shrine—a chamber carved into the face of a mountain or cliff.
Portret van Johann Andreas Förderreuther
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: christoph wilhelm bock
Artist role: print maker
Artist dates: 1755 – 1836
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228