deem-data/ArtiFact huggingface dataset:
1st Base, from the Girl Baseball Players series (N48, Type 2) for Dixie Cigarettes
Object type: baseball card, photograph
Date: 1886 – 1886
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,baseball,athletes

Trade cards from the "Girl Baseball Players" series (N48), issued in 1886 by Allen & Ginter to promote Virginia Brights and Dixie Cigarettes. There are two types of card in the series. Type 1 shows a female baseball player in a uniform with a polka dotted bib, and most often the cards are numbered. Type 2 depicts a female baseball player in a standard uniform with her player position noted on the image.
Byrsa Amsterodamensis
Object type: print
Date: 1613 – 1648
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), stock exchange, stock-market, courtyard, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Guicciardini, Lodovico. Beschryvinghe van alle de Neder-landen, anderssins ghenoemt Neder-Duytslandt (…). Amsterdam: Willem Janszoon Blaeu, 1613. Of uit latere edities van 1625, 1646 of 1648, uitgegeven door Willem Janszoon Blaeu of Johannes Janssonius.
Kogo no Tsubone, from the series "Framed Pictures of Women for the Katsushika Circle (Katsushikaren gakumen fujin awase)"
Object type: print
Date: 1822 – 1822
Techniques: woodblock print, surimono
Location: japan
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Albarello
Object type: albarello
Date: 1534 – 1566
Techniques: maiolica, glazing
Subjects: men,profiles,flowers

Storage vessels were among the most frequently produced maiolica wares in late medieval and Renaissance Italy. Made in fairly standard shapes, they were designed to fit with dozens of others on a shelf, often in a pharmacy or shop. Their handles therefore tend to fit within the vessel’s profile, and the cylindrical albarello type is generally narrower at the middle than at the top or bottom, making it easy to grip. Other common features include inscriptions indicating contents and flanged lips to help secure cloth or paper seals. The decoration, usually more elaborate on one side than the other, can sometimes link pieces to a known dispensary or specific workshop or artist.
The Courtesan Hanatsuru of the Higashiōgiya Brothel as the Dragon Princess Otohime, from the series Costume Parade of the Shinmachi Quarter in Osaka (Ōsaka Shinmachi nerimono)
Object type: woodblock print nishiki e
Date: 1822 – 1822
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: yanagawa shigenobu 柳川重信
Artist role: artist
Artist nationality: japanese
Artist dates: 1787 – 1832

The courtesan Hanatsuru of the Higashi Ōgiya Brothel is elaborately garbed as Princess of the Dragon Palace (Ryūgū Otohime), for a costume parade that was held in the summer of 1822 in the Shinmachi licensed quarters in Osaka. Her crown is shaped like a coiled dragon, she grasps a fan in one hand, and her fabulous robes are decorated with a motif of waves, coral and magic jewels. Usually referred to as the Dragon Princess, Otohime is one of the protagonists in the popular legend of Urashima Tarō, a young fisherman. The Dragon Princess was also featured in Bugaku dance performances in a similar costume.
The Last Judgment, from The Passion of Christ, plate 32
Object type: print
Date: 1664 – 1664
Techniques: engraving
Artist: grégoire huret
Artist role: artist
Artist nationality: french
Artist dates: 1606 – 1670
Subjects: christ,cross,last judgement
Six Noh Performances in Scenes from Daily Life
Object type: handscroll
Date: 1667 – 1733
Materials: gold, ink, paper
Culture: japanese
Subjects: performance,men,women,spectators

This unusual handscroll features scenes from six popular Noh plays depicted amid the daily lives of townspeople. Each painting was made on a separate sheet, which were all joined to form a long handscroll. It is likely that the scroll originally included inscriptions or excerpts between the paintings, from the six plays: Orangutan, Wind in the Pines, The Monk Shunkan, Rashōmon Gate, Chikubushima Island, and The Beach at Takasago.
Vijf grafmonumenten
Object type: print
Date: 1803 – 1869
Materials: paper
Techniques: lithograph
Location: paris
Subjects: cemetery, park-like burying ground
Scherf van rossigbakkend aardewerk, aan de bovenzijde voorzien van blauw glazuur met decoratie van een tafereel met twee bloemen die in de aarde staan in bruin, wit, geel, oranje en groen, en enkele cirkels in bruin en geel eromheen
Object type: sherd
Date: 1600 – 1650
Materials: earthenware, glaze
Techniques: maiolica
Location: northern netherlands
Artist: Anonymous
Prentbriefkaart aan Arthur François Emile van Schendel jr.
Object type: ansichtkaart, prentbriefkaart
Date: 1947 – 1947
Materials: cardboard, ink
Techniques: pen, writing
Location: laren
Artist: Anonymous
Subjects: leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn, arthur françois emile van schendel jr., painting (including book-illumination, miniature-painting), diseases
Weite-Weite-Welt
Object type: photomechanical print
Date: 1908 – 1908
Materials: cardboard
Techniques: writing
Location: london
Subjects: church (exterior)
Star-Shaped Tile
Object type: tile
Date: 1201 – 1400
Materials: glaze, stonepaste
Techniques: luster painting, painting
Location: iran
Subjects: donkeys

This eight-pointed star tile was once part of a panel of star- and cross-shaped tiles adorning the walls of an Ilkhanid building. Probably produced in the ceramic center of Kashan in Central Iran, the tile displays many characteristics typical of this site. A donkey painted in cobalt stands amid plants, with mostly illegible Persian poetry framing the scene. The background decoration and poetic verses that run along the border are rendered in luster.
Venus and Cupid Bind Mercury
Object type: print
Date: 1597 – 1637
Techniques: engraving
Artist: lucas kilian
Artist role: artist
Artist nationality: german
Artist dates: 1579 – 1637
Subjects: cupid,mercury,venus
Habit à la disposition
Object type: habit à la disposition
Date: 1805 – 1810
Materials: cotton, metal thread, silk
Culture: french
Scarab Incised with Hieroglyphs in Scroll Border
Object type: scarab, nefer, scroll
Date: 1850 – 1640
Materials: stone
Location: egypt
Subjects: scarabs
Trade Card for Jones and Barriff, Engravers and Printers
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Textile Design with Vertical Strips of Quatrefoils of Pearls Over an Abstract Background that Simulates Tie-Dye
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of vertical strips of quatrefoils of pearls of white color over an abstract background simulating tie-dye of dark reddish-brown color over a light tan base.
Terracotta fragments of open shapes
Object type: undetermined open shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two black glazed fragments from open shapes
Boerderijen en hooimijten
Object type: sketchbook leaf
Date: 1780 – 1800
Materials: ink, paper, pencil
Techniques: brush

Blad 5 verso uit een schetsboek met 17 bladen.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1701 – 1800
Materials: gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: plants
Table cover
Object type: table cover
Date: 1814 – 1814
Materials: cotton, linen
Techniques: weave
Culture: american
Location: mid-atlantic
Artist: nancy parker
Artist role: maker
Artist nationality: american
Artist dates: 1749 – 1848
My train
Object type: model
Date: 2002 – 2003
Materials: plastic
Location: netherlands
Artist: hans op de beeck
Artist role: installatie-kunstenaar, videokunstenaar
Artist dates: 1969 – 
Subjects: netherlands, france, belgium

Draagbaar model of schets van een spoorlandschap geïnspireerd op de Hoge Snelheidslijn van Amsterdam naar Parijs. Rond een rotspartij rijdt een trein in eindeloze rondjes. Het geheel wordt afgedekt door een zilverkleurige "Beautycase" van aluminium (NG-2008-28-9-1). Met opschrift. Gemaakt in opdracht van Atelier HSL.
Soldaat, van voren gezien, die zijn spies met beide handen rechtop voor zich iets boven de grond vasthoudt (nr. 2), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, die een spies (lans) met beide handen rechtop voor zich iets boven de grond vasthoudt (nr. 2), ca. 1600. Dit is de eerste handeling voor het rechtop opheffen van de spies. Plaat 2 in de instructies voor het hanteren van de spies: Corte onderwysinghe op de figuerliicke afbeeldinghe, belanghende t'recht ghebruyck, van al t'ghene een Soldaet int handelen vande Spies noodich is. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, 's-Gravenhage, 1607. Krijgswezen rond 1600.
Robert Macaire, dentist. “- Damnit Doctor, you pulled out two good teeth and left the two bad ones. - (Robert Macaire aside) Devil!!! … (loud) Of course.... And for a good reason: there will be enough time to pull out the bad ones. The good ones surely would have caused you pain in due time. A dental plate however will not hurt you and is very fashionable right now. Everybody is wearing it, plate 57 from Caricaturana
Object type: print
Date: 1838 – 1839
Materials: paper
Techniques: hand coloring, lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Het vermaak der kinderen
Object type: print
Date: 1791 – 1812
Materials: paper
Techniques: colour, letterpress printing
Location: rotterdam
Subjects: giving food, child

Blad met 2 voorstellingen van kindervermaken in sierlijsten. Boven: drie kinderen die kippen voeren. Onder: een meisje dat eendjes voert en een jongen die een hond tegenhoudt de eenden weg te jagen. Onder elke afbeelding een achtregelig vers in twee kolommen. Genummerd rechtsboven: No. 3.
Length
Object type: length
Date: 1720 – 1720
Materials: metal thread, silk

This piece is comparable to silk designs by James Leman (ca. 1688–1745), whose ancestors probably emigrated from northern France. Huguenot artisans were influential in a number of industries in England, particularly during the late seventeenth and early eighteenth centuries.
Rotterdam
Object type: print
Date: 1827 – 1873
Materials: paper
Techniques: iris print, lithograph
Artist: hendrik wilhelmus last
Artist role: print maker
Artist dates: 1817 – 1873
Subjects: river, city-gate (+ city(-scape) with figures, staffage), rotterdam
Inscriptions: collector's mark: Lugt 2228

De poort is gezien vanaf het water van de Maas.
Textile Design with Alternating Vertical Rows of Lens Shapes and Rows of Ovals and Pearls Framed by Undulating Garlands of Pearls
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating vertical rows of lens shapes and rows of ovals and pearls of red color framed by undulating garlands of pearls of white color over a light tan ground with dark reddish-brown stipples. The ovals are colored with purple, green and orange.
Portret van een man met baard
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: arthur nicholls
Artist role: fotograaf
Subjects: adult man, historical persons, beard
Inscriptions: inscription: ‘Artist & photographer/ Arthur Nicholls/ 5 Marine Terrace/ Sandown/ I. of W.’
Two clothes brushes
Object type: clothes brush
Date: 1874 – 1875
Materials: ivory, silver
Settee
Object type: furniture
Date: 1850 – 1900
Materials: iron
Techniques: casting, painting
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: furniture
Inscriptions: Inscribed back left leg interior, middle-bottom, impressed: "217 E"; inscribed front right leg interior, bottom-right, impressed: "R".
Joseph Cheetham en andere man spelen cricket in Rusland
Object type: photograph
Date: 1903 – 1904
Materials: photographic support
Techniques: gelatin silver print
Location: russia
Artist: joseph cheetham
Artist role: engineer
Subjects: joseph cheetham, cricket (ball game) (+ sportsman, player, etc.), russia

Onderdeel van Fotoalbum van de Engelse familie Cheetham met opnames van hun verblijf in Rusland.
Jug
Object type: ceramic
Date: 1775 – 1780
Materials: ceramic, porcelain, soft paste porcelain
Techniques: underglaze
Location: worcester
Terracotta fragment of a volute-krater (bowl for mixing wine and water)
Object type: volute krater fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

On the lip, leftward key; on the neck, at the far left, part of the head, and bent arm and hand of a bearded satyr to right; draped maenad to right; satyr to left, looking over his left shoulder, with his arms bent, holding a drinking horn in his left hand; below, a dog; behind the satyr and dog, part of an eye
Three Sketches of an Equestrian Battle and a Sketch of Two
Object type: drawing and watercolor
Date: 1813 – 1814
Materials: crayon, graphite, ink, paper
Techniques: brush, pen, wash
Location: france
Artist: jean louis andré théodore géricault
Artist role: artist
Artist nationality: french
Artist dates: 1791 – 1824
Personificatie van Frankrijk (Marianne) voor een legerkamp
Object type: print
Date: 1793 – 1795
Materials: paper
Techniques: etching
Location: france
Subjects: politician, (military) camp with tents, personifications of countries, nations, states, districts, etc.
Inscriptions: inscription: ‘Rapport avec toutes les pieces/ Les Membres du Comité/ Merlin (d.d.)/ Charles Cochon/ j.f.B. Delmas/ Thuriot/ P.a./ [Menthau?]’

Onder de prent: Comité de Salut Public, Section de la Guerre. Onder Marianne liggen verschillende wapenschilden en een pauselijke kroon. Boven haar wappert de tricolore.
Brief aan Philip Zilcken
Object type: letter
Date: 1894 – 1894
Materials: ink, paper
Techniques: pen, printing, writing
Location: rotterdam
Artist: pieter haverkorn van rijsewijk
Artist role: museumdirecteur, publicist
Artist dates: 1839 – 1919
Subjects: amsterdam, petrus johannes arendzen, rotterdam, charles rochussen, jozef israëls, print maker, draughtsman, bernardus johannes blommers, painter, jacoba van heemskerck, philip zilcken, the graphic arts, painting (including book-illumination, miniature-painting), exhibition ~ art, money, printed matter
Inscriptions: collector's mark: ‘RPK’
Jérusalem. Tombeaux de St Jacques et de Zacharie
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: louis de clercq
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1901
Subjects: architecture,tombs,ruins
Portret van Philips van Winghe
Object type: print
Date: 1592 – 1597
Materials: paper
Techniques: engraving
Location: haarlem
Artist: jacob matham
Artist role: draughtsman, print maker
Artist dates: 1571 – 1631
Subjects: louvain, historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van de kunstliefhebber en vriend van Hendrick Goltzius, Philips van Winghe.
Portret van Willem III, prins van Oranje
Object type: print
Date: 1670 – 1749
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: Anonymous
Subjects: william iii (prince of orange and king of england, scotland, and ireland), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain

Portret van Willem III in een ovaal van lauwerbladen. Midden onder zijn wapen met een kroon, gedecoreerd met de Kousenband en het devies van de Orde van de Kousenband. Op een voetstuk zijn naam en titels.
The expression of the emotions in man and animals
Object type: book
Date: 1872 – 1872
Materials: cardboard, paper, textile
Techniques: photoaquatint, printing
Location: london
Inscriptions: bookplate: ‘SFJ Ex Libirs’, annotation: ‘MAY 1981’
Vertoning van het Ontwapenen van Mars, 1648
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: symbols, allegories of peace, 'pax'; 'pace' (ripa), theatre, theatrical performance, festivities on events of national importance, specific aspects, allegorical aspects of mars; mars as patron

Vertoning van het Ontwapenen van Mars. Onderdeel van de vertoningen opgevoerd op 23 juni 1648 op de Schouwburg te Amsterdam naar aanleiding van het sluiten van de Vrede van Munster. De derde voorstelling toont hoe Mars door de Vrede wordt ontwapend. Op de achtergrond kijkt een Hollandse vorst toe. In het onderschrift een vers van 4 regels in het Nederlands.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, framing border; Exterior, neck, left shoulder, upper arm and torso of male to left
Achttiende pagina van een dagboek van een reis door Noorwegen met twee foto's van het Gorsvandmeer
Object type: photograph
Date: 1895 – 1895
Materials: paper, ink
Techniques: pen
Location: norway
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: amsterdam, hendrik herman van den berg, waterfall, handwriting, written text, lake, 'en route', traveller under way, mountains
Inscriptions: caption: ‘Gorsvand./ Gorsvand.’

Achttiende pagina van een dagboek met het verslag van een reis door Noorwegen gemaakt door Hendrik Herman van den Berg en zijn neef Guillaume Louis Jacques Holle tussen 5 en 20 juli 1895. Op het dagboekblad zijn twee foto's geplakt met gezichten op het Gorsvandmeer.
Cap
Object type: cap
Date: 1801 – 1833
Materials: cotton, silk
Culture: european
Border
Object type: textile
Date: 1580 – 1580
Materials: gilt, linen, metal, textile, silk
Techniques: embroidery, embroidered, weave, silvered, stitching
Location: england
Spotprent op de langdurige debatten over onderwijs, 1875
Object type: cartoon
Date: 1875 – 1875
Materials: paper
Techniques: lithograph
Location: netherlands

Spotprent op de langdurige debatten over het onderwijs. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 50, 1875.
Entreebewijs voor het Engelse paviljoen op de Wereldtentoonstelling 1900
Object type: admission ticket
Date: 1900 – 1900
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: printed matter, paris
Inscriptions: stamp: ‘[Wapen van het Verenigd Koninkrijk] Royal Commission Paris Exhibition 1900’

Kaart met de tekst: 'Commissariat général de la Grande Bretagne. Entrée au Pavillon Royal de la Grande Bretagne. Le Pavillon est fermé le mercredi toute la journée et le dimanche à partir de midi et demi'.
Arnald[us] de villa nova
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: valencia, genua, wetenschapper, theoloog, arts, arnaldus de villa nova
Inscriptions: inscription: ‘248’

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 224r.
Terracotta fragment of a pot; glazed on the inside
Object type: pot fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Above the ground line, two feet to right
Fragment
Object type: textile
Location: japan
Plafonds
Object type: ornament print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: netherlands
Artist: daniël marot (i)
Artist role: draughtsman, print maker
Artist dates: 1661 – 1752

Plafond met leeg middenstuk met gebogen hoeken. Het middenstuk is omringd door een ornamentele rand en medaillons met allegorische figuren in de hoeken. Uit serie van 6 (mogelijk 12) bladen.
Zeeslag bij Kaap La Hogue, ter ere van Willem III, Russell, van Almonde, Aschby en Delaval
Object type: history medal
Date: 1692 – 1692
Materials: silver
Techniques: striking
Location: nuremberg
Artist: georg hautsch
Artist role: medailleur, muntmaker
Artist dates: 1679 – 1745
Subjects: william iii (prince of orange and king of england, scotland, and ireland), politician
Enige boeren
Object type: print
Date: 1613 – 1656
Materials: paper
Techniques: etching
Location: netherlands
Subjects: farmers, agricultural implements: spade
Inscriptions: collector's mark: Lugt 2228

Prent uit serie van zes prenten met boeren naar verschillende kunstenaars: Jan Miense Molenaer, Pieter Quast, Hendrik Potuyl en Adriaen van Ostade
The Little Balcony
Object type: print
Date: 1894 – 1894
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Plate (Assiette à palmes) (1 of 102) (part of a service)
Object type: plate
Date: 1786 – 1786
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: flowers
Portret van Johann August Heinrich Tittmann
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: etching
Location: germany
Subjects: theologian, historical persons

Prent waarschijnlijk uit: Kreussler, Heinrich Gottlieb. Autobiographieen Leipziger Gelehrten. Leipzig: J.B. Fleischer, 1810, p. 16-17.
De negen helden
Object type: print
Date: 1574 – 1637
Materials: paper
Techniques: engraving
Location: unknown
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: hector (one of the nine worthies)
Inscriptions: collector's mark: Lugt 2228

De held uit de klassieke oudheid Hector van Troje. Buste gevat in een medaillon met daaronder een cartouche met zijn naam. In de onderhoeken twee olifanten en in de bovenhoeken twee adelaars. Prent uit een serie van negen met helden.
Sheet with overall floral and geometric pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Terracotta fragment of an undetermined shape
Object type: undetermined shape
Date: 500 – 301
Materials: terracotta
Culture: greek, attic

Black glazed fragment of a foot from an undetermined shape; the top of the foot is concave and glazed; the outer edge of the foot is glazed; the resting surface is reserved; the inner wall of the foot is glazed
Parasurama (incarnatie van Vishnu als Rama-met-een-bijl)
Object type: indian miniature
Date: 1825 – 1875
Materials: paper
Techniques: brush
Inscriptions: inscription: ‘6. Parasurama; The Death of Kartavirya’

Vishnu als Parasurama trekt met een bijl ten strijde tegen een veelarmige krijgsman. De voorstelling is omlijst door een smal wit biesje, daaromheen een brede oranjerode sierrand met zwarte kaderlijnen; dit blad is op een blad kardoespapier geplakt waarop een zwarte kaderlijn in potlood is getekend.