deem-data/ArtiFact huggingface dataset:
Journal des Dames et des Modes, Costume Parisien, 7 novembre 1798, An 7, (72) : Chapeau de Courrier (...)
Object type: fashion print
Date: 1798 – 1798
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: gloves, mittens (long gloves) (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: title: ‘Costume Parisien.’, caption: ‘Chapeau de Courrier. Schall Quarré. / Théatre de l'Odéon’

Vrouw, lopend naar rechts, op de rug gezien, met op het hoofd een hoed: 'Chapeau de Courrier'. Om de schouders een vierkante sjaal met strepen. Zij draagt een japon met sleep. Verdere accessoires: lange handschoenen, kous, platte schoen met puntige neus. Volgens het onderschrift is deze voorstelling naar het leven getekend bij de 'Théatre de l'Odéon'. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Sellèque, Parijs, 1797-1839.
De tooverlantaarn van mr. Laronde [(...)]
Object type: print
Date: 1850 – 1870
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: street-trader, merchant, salesman
Inscriptions: collector's mark: Lugt 2760

Blad met 5 rijen met voorstellingen van verschillende straatventers: verkopers van o.a. vodden, huishoudelijke artikelen, groente en fruit, vis, almanakken, brillen en kammen, lucifers, hout, vloermatten. Onder elke voorstelling een onderschrift. Genummerd rechtsboven: No. 74.
Werkzaamheden aan de zeesluis en droogdok te Hellevoetsluis, ca. 1802
Object type: drawing
Date: 1802 – 1806
Materials: paper
Techniques: brush, pen
Location: netherlands
Artist: balthazar jooss
Artist role: draughtsman
Artist dates: 1772 – 1834
Subjects: jan blanken jansz., sluice, weir, dry-dock, floating-dock, hellevoetsluis
Inscriptions: collector's mark: Lugt 2228

De bouw van de grote schutsluis in het Kanaal door Voorne (Voornsche kanaal) bij Hellevoetsluis, onder toezicht van de waterbouwkundige Jan Blanken, 1803. Gezicht in de bouwput waar arbeiders aan het werk zijn, op de voorgrond rechts enkele bezoekers. Het kanaal werd pas op 30 november 1830 geopend.
Pendant of an ibis wearing an atef crown
Object type: figure of an ibis wearing an atef crown, with a suspension loop, pendant
Date: 664 – 630
Materials: metal
Location: egypt

The ibis was sacred to the scribal god Thoth, a deity also closely associated with the moon.This striding bird wears an atef crown, often seen worn by the funerary god Osiris, topped by the sun disk of the solar deity Re. Along with the cat, falcon, and Apis bull, the ibis was one of the sacred animals most frequently represented in statuettes of copper alloy during the first millennium B.C. The popularity of the ibis cult is attested by the thousands of mummies of this bird found in animal catacombs throughout Egypt. Figures such as this one have been found alongside the mummies in the catacombs, as well as in caches related to temples and shrines. The loop on the back suggests that it was meant to be carried or suspended.
Hortorum Viridariorumque elegantes et multiplicis formae
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: etching
Location: cologne
Subjects: garden, french or architectonic garden; formal garden

Tuin met parterre met diagonale paden. Op de achtergrond gangen van traliewerken en drie paviljoens. De tuin is aangelegd volgens de Ionische bouworde. De prent maakt deel uit van een album.
Paperweight
Object type: glass
Date: 1801 – 1900
Materials: glass
Location: france

Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying and classifying the natural world. Amateur botanists were eager to collect and preserve floral specimens, which they intently researched and catalogued. In response to this broad appeal, French glassmakers made paperweights that portrayed the very botanical subjects that were so enthusiastically sought. Many weights represented specimens with horticultural correctness, but others were entirely fanciful creations. Paperweights like this example speak to the period’s fascination with taxonomic systems.

From the late 1840s to early 1860s, French manufacturers of fine glass and crystal—such as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)—catered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.
Plate
Object type: plate
Date: 1755 – 1765
Materials: faience
Techniques: glazing
Subjects: houses,men,working

The mark on the underside of this plate—"A.T."—is for Août, or August, and cutting and binding wheat is an activity of that month. Other 'months' plates in this series are known, inscribed "Mi," "Av," "Jv," "Jl," "St," and "Ob," for May, April. January, July, September and October.
Portret van Jules Joseph Lefebvre
Object type: photomechanical print
Date: 1876 – 1879
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: portrait, self-portrait of painter
Dressing gown
Object type: dressing gown
Date: 1825 – 1825
Materials: cotton
Culture: british

The dressing gown featured here is an extraordinary piece of hand work. The use of many different lively roller print patterns gives it an eye popping appeal and makes this piece a sampler of the various patterning from this period. Roller printing was introduced and then patented in 1783 in an attempt to reduce the cost of copperplate printing as well as to ease the printing process of small, repeat patterns.
Chessmen (32)
Object type: chessman
Date: 1801 – 1900
Materials: horn, ivory
Subjects: chess,games
Poet Crowned with Laurel
Object type: drawing and watercolor
Date: 1701 – 1800
Materials: chalk, paper
Techniques: drawing, stumping
Location: italy
Artist: after raffaello sanzio, called raphael
Portret van Isabella Clara Eugenia, infante van Spanje
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: engraving
Location: the hague
Subjects: infante van spanje isabella clara eugenia
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240

Buste naar linkts van Isabella Clara Eugenia, infante van Spanje in een ovale omlijsting met randschrift in het Latijn. Onder het portret twee regels in het Latijn.
Fudō Myōō (Achala Vidyaraja), The Immovable Wisdom King
Object type: sculpture
Date: 1805 – 1805
Materials: wood
Techniques: carving
Culture: japanese
Artist: mokujiki shōnin
Artist role: artist
Artist nationality: japanese
Artist dates: 1718 – 1810
Subjects: swords,men,buddhism

Statues of the Buddhist protective deity Fudō Myōō, the “immovable wisdom king,” are a familiar sight at temples in Japan. In contrast to meticulously carved works by professionals, this type of roughly hewn sculpture is the creation of an amateur monk-sculptor, Mokujiki, who was motivated by religious enthusiasm to make thousands of sculptures of Buddhist deities and popular gods of good fortune. His sculptures were rediscovered in the early twentieth century by art critic Yanagi Sōetsu (1889–1961), an advocate of the of Mingei, or “people’s art.” Yanagi admired the direct, unaffected power of Mokujiki’s sculpture, which he saw as representing the ideal of an indigenous, popular Japanese art. While Mokujiki’s technique is referred to as natabori (“hatchet-carved”), the artist actually used round-headed chisels.
Owl Tab Ornament
Object type: ornament
Date: 501 – 700
Materials: metal
Culture: moche
Location: peru
Subjects: owls
Jackal standard
Object type: figurine, jackal standard
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: jackals

The canine deity Wepwawet stands on the upper portion of a papyriform standard; he is attentive and alert with his ears pricked forward. Wepwawet was known as the "Opener of the Ways" and on temple reliefs and stelae, such standards were frequently carried in processions and festivals. The god was chiefly associated with Osiris and his cult practices in this period. Osiris was overwhelmingly popular in the Late and Ptolemaic Periods as a dedication and the frequent representation of Wepwawet standards in copper alloy may be linked to that popularity. It seems unlikely that this figure was an actual standard, as it would have been too small to be easily visible. Instead it may have been a standalone offering or been used in another as yet unknown setting.
Man met schuine baret leunend op een stok
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: etching
Artist: johann andreas benjamin nothnagel
Artist role: print maker
Artist dates: 1729 – 1804
Subjects: old man
Inscriptions: collector's mark: Lugt 240
Glass mosaic inlay fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Fragment of revetment plaque. Translucent deep purple, appearing black, and opaque yellow. Flat inlay, with one straight flat edge. Marbled mosaic pattern in purple ground with irregular yellow lines and streaks. Polished upper side; pitting of surface bubbles, with some surface cracks; dulling, pitting, and iridescent weathering on underside; weathering on straight and jagged edges, but one edge ground flat and polished.
Gezicht op de poort van Sint Denis
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: triumphal arch, landscape with tower or castle
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van 30 prenten.
Wall painting on black ground: supports with entablature, from the imperial villa at Boscotrecase
Object type: wall painting on black ground support with entablature
Techniques: fresco
Culture: roman, pompeian

Many private summer villas were located along the coast near Naples. One of the most sumptuous must have been the villa built by Agrippa, friend of the emperor Augustus and husband of his daughter, Julia. It stood overlooking the Bay of Naples from a spot near the modern town of Boscotrecase. The villa was partially excavated between 1903 and 1905 after its accidental discovery during work on a railway. Wall decorations that still survived in four bedrooms were removed. The Metropolitan Museum acquired sections from three rooms and the Archaeological Museum at Naples received the rest. Agrippa died in 12 B.C. and his son, Agrippa Postumus became the villa's proprietor in 11 B.C. as inscriptions found there indicate. The frescoes must have been painted during renovations begun at the time. Painted by artists working for the imperial household, they are among the finest existing examples of Roman wall painting. The so-called Black Room was one of a sequence of bedrooms facing south toward the downward slope of the mountain and the sea. The source of light was a wide doorway giving onto a terrace or promenade. This ambiguous and sophisticated decoration is a masterpiece of the so-called third style of Roman wall painting, which flourished during the reign of Augustus. The theme is a playful rendition of architectural motif. A low red dado serves as the base from which a skeleton of thin white columns appears to rise against a black background. There almost weightless columns support pavilions, candelabra, tripods, and a narrow cornice that runs around the room. They were embellished with jewel-like decorations. On the back wall tiny swans, the bird of Apollo, patron god of Augustus, perch improbably on threadlike spirals, and yellow panels with Egyptianizing motifs must have brought to mind the recent annexation of Egypt after the death of Cleopatra in 30 B.C. This architectural scheme creates almost no sense of depth or volume. The black walls behind appear at once to be flat and to dissolve into limitless space. Tiny landscape vignettes float like islands in the middle of this blackness. Burnished to a high polish, these walls must have appeared magical indeed when illuminated by lamps at night.
Paleis gouverneur te Buitenzorg
Object type: photograph
Date: 1870 – 1900
Materials: paper
Techniques: albumen print
Location: indonesia
Artist: Anonymous
Subjects: palace, garden pond
Inscriptions: inscription: ‘Paleis gouverneur te/ Buitenzorg’
Nose ornament with intertwined creatures
Object type: nose ornament
Date: 500 – 800
Materials: gold, silver
Culture: moche
Location: peru
Artist: moche artist(s)
Artist role: artist
Subjects: serpents
Portret van Nicolaas Grevinkhoven of van Vincent Anthonissoon van Drielenburgh
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter serwouters
Artist role: draughtsman, print maker
Artist dates: 1586 – 1657
Subjects: book - mm - book open, clock
Inscriptions: collector's mark: Lugt 2228

Portret van de Remonstrantse predikant Nicolaas Grevinkhoven of van de jurist en Contra-remonstrantse geestdrijver Vincent Anthonissoon van Drielenburgh op 33-jarige leeftijd. Hij zit aan een tafel met zijn hand op een met een verwijzing naar een Bijbelvers beschreven vel papier. Op tafel een open geslagen boek, met een verwijzing naar verschillende Bijbelteksten, aan de muur een klok, eveneens met Bijbelverwijzingen. In de ronde randomlijsting een Bijbeltekst. Ander portret dan dat op de eerste staat.
½ crown uit Engeland van Victoria, 1887
Object type: coin
Date: 1887 – 1887
Materials: silver
Techniques: striking
Location: london

Zilveren munt. Voorzijde: gekroond hoofd van de koningin naar links [jubilee coinage]. Keerzijde: omhangen door het teken van de orde van de kousenband gekroond samengesteld wapenschild. Jaartal onderaan. Kartelrand.
Portret van Jacques Lenfant
Object type: print
Date: 1720 – 1775
Materials: paper
Techniques: engraving
Location: halle an der saale
Artist: gottfried august gründler
Artist role: painter, print maker
Artist dates: 1710 – 1775
Subjects: berlin, historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Band of upright circumscribed palmettes and lotuses; below, head, neck, right shoulder, and extended right arm of a wreathed, bearded man to right (deity?), wearing a himation; fingers of the right hand of a male to left, grasping an unidentified object; part of a spear?
Portret van Andrea Palladio
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: andrea palladio, portrait, self-portrait of architect, portrait, self-portrait of artist, tools, implements of architect
Inscriptions: collector's mark: Lugt 240, inscription: ‘d l : s’

Portret van de Italiaanse architect Andrea di Pietro della Gondola (Palladio). Op de piëdestal diverse attributen waaronder een passer.
Lace tassel
Object type: tassel
Date: 1601 – 1700
Techniques: lace
Henning with Parthenon Frieze
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: sculpture,men,portraits
Bracelet
Object type: bracelet
Date: 501 – 600
Materials: bronze
Location: egypt
Cuffs
Object type: cuff
Date: 1801 – 1900
Subjects: flowers
Furukawa River, Hiroo (Hiroo Furukawa), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1856 – 1856
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Barrel bead
Object type: bead, barrel, nesenaset
Date: 1070 – 945
Materials: lapis lazuli
Location: egypt
Haventaferelen
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: genoa
Artist: m. schaep
Artist role: print maker
Subjects: harbour, slavery; serfs and enslaved persons, ornamental fountain, seaman: sailor

Islamitische galeislaven rusten bij een fontein. Eén van hen rookt een pijp. Deze tot slaaf gemaakte mannen zijn als moslims te herkennen door het typerende kapsel (hoofd op een pluk na kaalgeschoren) dat zij verplicht waren te hebben. De staande mannen met tulband zijn waarschijnlijk papassi (moellahs en vertegenwoordigers van de islamitische tot slaaf gemaakten). Rechtssachter enkele schepen in het water.
Portret van een meisje
Object type: photograph
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: paris
Artist: l. sprécher
Artist role: fotograaf
Subjects: girl (child between toddler and youth)
Inscriptions: inscription: ‘L. Spréher/ 154, Faubg St. Antoine/ Paris’
Still Life with Flowers and Fruit
Object type: painting
Date: 1815 – 1830
Materials: canvas, oil
Artist: eelke jelles eelkema
Artist dates: 1788 – 1839
Subjects: still life of plants, flowers and fruit
Inscriptions: signature: ‘E.J. Eelkema’

Stilleven met bloemen en vruchten. Op een plint staat een stenen vaas met bloemen, vruchten en wijnranken. Op de plint staat een glas en liggen een ananas, perziken, druiven en een roos. Aan de muur hangt een schilderij van een vrouw met een bloemenmand die een kind een bloemenkrans aanreikt.
Portret van Gaston Jean-Baptiste Orléans
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: gaston jean-baptiste hertog van orléans, historical persons
Inscriptions: collector's mark: Lugt 2228
Boulevard de la Madeleine in Parijs met voorbijgangers, paardenkoetsen en een paardentram
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Subjects: diligence, omnibus, horse-tram, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, street (+ city(-scape) with figures, staffage)
Inscriptions: negative number: ‘139’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in België en Frankrijk.
Votive Plaque with Manjushri(?)
Object type: plaque
Date: 1401 – 1700
Materials: clay
Culture: tibetan
Subjects: manjushri
Terracotta rim fragment of a stemless? kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, lower body of a draped woman to left, wearing a chiton and himation
Heiwerk voor de schutsluis ten westen van Terneuzen
Object type: photograph
Date: 1902 – 1902
Materials: photographic support
Techniques: cyanotype
Location: terneuzen
Artist: carl wilhelm bauer
Artist role: fotograaf
Artist dates: 1844 – 1911
Subjects: sluice, weir, building activities
Silhouetportret van een onbekende man met pruik
Object type: silhouette
Date: 1775 – 1849
Materials: paper
Artist: Anonymous
Subjects: historical persons not known by name
Inscriptions: stamp, collector's mark: Lugt 1641, collector's mark: Lugt 1641a

Hij draagt zijn haar naar voren gekamd. Een strikje onder de kin. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Silhouetportretten.
A Short History of General J. E. Johnston, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,flags,generals,boats

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
A Tragic Story at Avignon, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution"
Object type: print
Date: 1821 – 1821
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women
Portret van een man in uniform met jachtgeweer en een hond aan zijn voeten
Object type: cabinet photograph
Date: 1895 – 1920
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Location: stuttgart
Subjects: historical persons, firearms: rifle, (military) uniforms, dog
Inscriptions: inscription: ‘Stober&Co/ Stuttgart/ Gymnasiums-Str. 6./ TELEPHON No 1467./ No. 19403/ PLATTE RESERVIRT.’
Tiles (3)
Object type: tile
Date: 1501 – 1700
Materials: earthenware
Techniques: glazing
Subjects: lions,rabbits
Salomo laat de tempel bouwen
Object type: print
Date: 1554 – 1595
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the building of the temple of solomon
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Salomo zit op zijn troon. Bij zijn voeten liggen de bouwplannen voor de tempel die hij laat bouwen. Voor hem staat een man met verschillende meetinstrumenten. Achter hen bouwen arbeiders de tempel en voorzien enkele mannen de zuilen van cannelures. Onderaan in de marge een éénregelig onderschrift in het Latijn.
Cassandra, Frontispiece, Vol. 1
Object type: print
Date: 1725 – 1725
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: men,horses
From point sublime, South Cheyenne Cañon
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: new york city
Artist: Anonymous
Subjects: landscapes, ravine, chasm, abyss, canyon
Tailcoat
Object type: tail coat
Date: 1815 – 1815
Materials: cotton, silk, wood, wool
Culture: british
Panoplia sev armamentarium…
Object type: ornament print
Date: 1572 – 1572
Materials: paper
Techniques: etching
Location: netherlands
Inscriptions: collector's mark: Lugt 2275

Drie muziekboeken en snaarinstrumenten. Uit serie, bestaande uit een titelblad en 16 bladen.
The Fair Penitent
Object type: print
Techniques: aquatint, etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,landscapes

The Vicar of Wakefield was written by Oliver Goldsmith between 1761–62, published in 1766, and later illustrated with twenty-four designs by Thomas Rowlandson in 1817.
Étui
Object type: étui
Date: 1765 – 1770
Materials: copper, enamel
Artist: robert sayer
Artist role: publisher
Artist nationality: british
Artist dates: 1725 – 1794
Subjects: men,tulips,trees
Miniature fireback (part of a set)
Object type: fireback
Date: 1667 – 1733
Materials: silver
Artist: david clayton
Artist role: maker
Artist nationality: british
Artist dates: 1659 – 1719
Subjects: flowers
Scarab
Object type: scarab
Date: 1640 – 1504
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs
Robinson Crusoe
Object type: popular print
Date: 1822 – 1849
Materials: paper
Techniques: colour, letterpress printing
Location: deventer
Subjects: (scenes from) specific works of literature: defoe, robinson crusoe
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen uit het verhaal van Robinson Crusoe die strandt op een eiland. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: N. 27.
Susanna en de ouderlingen
Object type: print
Date: 1601 – 1652
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: castle, susanna bathing, usually in or near a fountain and sometimes accompanied by two female servants
Inscriptions: collector's mark: Lugt 2228

In een rijk aangelegde kasteeltuin zit Susanna in een bassin bij een fontein. De twee ouderlingen zitten aan weerszijden van Susanna en proberen haar te verleiden. In de verte een kasteel, op de voorgrond een vijver en diverse dieren bij de bosrand. In de marge een onderschrift in Latijn.
Figure-top spoon
Object type: spoon
Date: 1630 – 1630
Materials: silver
Subjects: infants,women