deem-data/ArtiFact huggingface dataset:
Portret van een echtpaar, staande man en zittende vrouw in rieten tuinstoel
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: groningen
Artist: h. frank
Artist role: fotograaf
Subjects: historical persons - bb - woman, historical persons, head-gear: cap
Inscriptions: inscription: ‘H. Frank/ Rabenhauptstraat/ Groningen’
Portret van Martinus Steyaert op 55-jarige leeftijd
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: engraving, etching, snipping
Location: southern netherlands
Artist: jan lauwryn krafft (i)
Artist role: print maker
Artist dates: 1694 – 1785
Subjects: louvain, theologian, historical persons, functionaries and dignitaries (with name) ~ episcopal protestant churches

Met vierregelig onderschrift in het Latijn.
Gevel van het Arsenaal of de stadsturfpakhuizen te Amsterdam
Object type: photograph
Date: 1909 – 1909
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: waterlooplein
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: large-scale structure for storage, e.g.: warehouse, depot, silo
Inscriptions: annotation: ‘Het voormalig Oude-Zijds-Huiszitten-Aalmoezeniershuis te Amsterdam/ Aug 1909/ Detail van de gevels der pakhuizen aan het Waterlooplein’
Tomb of Arnold van der Sluis of Heusden, Knight (c. 1245-1296)
Object type: tomb
Date: 1296 – 1325
Materials: limestone
Techniques: carved
Location: meuse area
Artist: Anonymous
Subjects: bern (gelderland)
Inscriptions: coat of arms, inscription: ‘[Qui fuerat gratus cun]ctis iac[et] h[ic] tumulat[us] Husde[n]si nat[us] ex clara stirpe vocat[us] Arnold[us] mile[s] de slusa sp[er]ne[re] viles Act[us] h[ic] novit falso[s] [a] seque removit Fortis formosus prudens erat atque animosus Justus pacifuc probitati semper amicus Finiit is vitam morum gravitate p]olita[m] Q[ua]rto redde[n]das a mense dec[em]bre kale[n]das. An[n]o milleno d[omi]ni noviesq[ue] noveno Et bis centeno terno quo[que] cu[m] duedeno Gaudeat in c[oelis ut hoc orat] quis[que] fidelis Hoc pater et flamen sacrum nat[us]q[ue] [det amen]’, coat of arms, in reliëf, coat of arms, in relief

Onderdeel van de dekselplaat van de graftombe van Ridder Arnold van der Sluis van Heusden.
Broche
Object type: brooch
Date: 1908 – 1911
Materials: gold, gemstone
Techniques: enameling
Location: amsterdam
Inscriptions: alloy mark

Jewellery. Gold, silver, enamel and semi-precious stones. Amsterdam, c. 1908 - 1911, by L.W. van Kooten, designed by Bert Nienhuis. Given by the Prins Bernhard Fonds, 1980.
De komeet van Donati, 1858
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: etching
Artist: cornelis van der griendt
Artist role: draughtsman, painter, print maker
Artist dates: 1827 – 1918
Subjects: comet, river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

De komeet van Donati, 10 oktober 1858. Op de voorgrond een man met hond bij een rivier. Op de achtergrond links een kerktoren.
Panel
Object type: panel
Date: 1701 – 1800
Subjects: birds,flowers,leaves
Damesschoen van ivoorwit suède, hoog uitgesneden schachtrand en hoge hak
Object type: damesschoen
Materials: leather, linen, metal
Techniques: tanning, weave
Location: amsterdam
Inscriptions: company name: ‘HIRSCH & Cie // AMSTERDAM’, inscription: ‘5½ - 4 - 45159’, size: ‘5½ // 4’, company name: ‘HIRSCH & Cie // AMSTERDAM’

Damesschoen van ivoorwit suède. Model: Spitse neus, blad uit één stuk leer. De voorkant van de hak loopt in een afgeronde hoek recht naar beneden. De zijkant en achterkant zijn iets getailleerd en bekleed met ivoorwit suède. De hak heeft een donkerbruine rand leer van het achterlapje. Leren achterlapje met zes spijkers aan de hak vastgeslagen en leren zool. Vanaf halverwege het geleng naar de hiel is het blad gevoerd met ivoorwit leer. Voorvoet gevoerd met crèmekleurig linnen. In de hiel een stuk grijs geruwd leer in een T-vorm. De binnenzool is van ivoorwit leer. De schachtrand is afgebiesd met ivoorwit ripsband.
Le Calme
Object type: reproduction
Date: 1866 – 1889
Materials: cardboard, paper
Techniques: albumen print
Location: dornach
Artist: frithjof smith-hald
Artist role: painter
Artist dates: 1846 – 1903
Subjects: sea (seascape)
Inscriptions: annotation: ‘LE MÊME SUJET/ EN GRAND FORMAT/ Tiré au charbon, procédé inaltérable/ 15 francs.’, number: ‘No 2766.’, collector's mark: ‘VOSMAER’, address: ‘Ad. Braun et Cie, Dornach (Alsace); Avenue de l'Opera, 43, Paris.’
Hurrah for the New Year, from the New Years 1890 series (N227) issued by Kinney Bros.
Object type: print
Date: 1889 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: boys

Trade cards from the "New Years 1890 Cards" series (N227), a set of 50 cards issued in 1889-90 to promote Kinney Tobacco Company.
A Bamania. Les Trappistes
Object type: page
Date: 1887 – 1892
Materials: paper
Techniques: autotype
Location: congo
Subjects: jungle, anonymous historical persons portrayed in a group, in a group-portrait
A Mosque
Object type: painting
Date: 1886 – 1886
Materials: canvas, oil
Artist: alberto pasini
Artist role: artist
Artist nationality: italian
Artist dates: 1826 – 1899
Subjects: mosques,men,horses,orientalist

A mosque serves as the backdrop for this scene of village life, which features many figures outfitted in European-style military uniforms. Here, focusing on the lively mix of cultures, Pasini drew upon his extensive travels in the Middle East, which served as the source material for his paintings. His first opportunity to see this part of the world came in 1855, when he replaced his friend Théodore Chassériau as the official artist on a diplomatic mission to Persia.
Radiograph
Object type: page
Date: 1889 – 1899
Materials: paper
Techniques: autotype
Subjects: tailless amphibians: frog, x-ray examination
Elevation for a Building with an Octogonal Cupola and two stoy Pendimenting Facades
Object type: drawing
Date: 1700 – 1780
Materials: graphite, ink, drawing material, paper
Techniques: brush, pen, wash
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: architecture,buildings
Jug
Object type: jug
Date: 1727 – 1727
Materials: ivory, silver
Artist: simon pantin i
Artist role: maker
Artist nationality: british
Artist dates: 1672 – 1728
Subjects: coat of arms
Dolmabahçe moskee in Istanboel
Object type: stereograph
Date: 1903 – 1903
Materials: paper
Techniques: gelatin silver print
Location: haarlem
Artist: Anonymous
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: inscription: ‘Déposée.’, inscription: ‘Deze stereo-foto's worden in den handel gebracht en en gros en/ en détail verkocht door de ......... (...)’, number: ‘12.’, monogram, address: ‘Parklaan 49/ HAARLEM/ (Holland)’
How to Vault in the Saddle or a New Invented Patent Crane for the Accomodation or Rheumatic Rump'd Rectors
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,dogs,horses

A rector is hoisted from his horse by a pulley-system tied around his waist, pulled by two girls at left.
Glass Fragment
Object type: fragment
Date: 301 – 433
Materials: glass
Culture: coptic
Location: egypt
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, part of lower torso, genitals, right hip, right buttock, and thighs of a youth with his right hand on his hip, and a himation draped behind him
Latere editie van Ein frembds und wunderbares kunstbüchlin (...)
Object type: ornament print
Date: 1500 – 1568
Materials: paper
Techniques: woodcut
Location: germany

Onderaan de schematische opbouw van een basement. Daarboven een kopie naar het kapiteel met de ramskop en de twee mascarons uit een eerdere editie van deze serie (uitgegeven in 1538). Blad uit serie van 56 (?) bladen.
Mars zittend onder een baldakijn
Object type: ornament print
Materials: paper
Techniques: etching
Subjects: (story of) mars (ares), 'tropaion', i.e. decorative ornament ~ weapons, weapons, other hybrid forms in the shape of a pillar

Prent maakt deel uit van een serie van zes prenten.
Zoroastes
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: king
Inscriptions: inscription: ‘62’

Een bloemkelk met een koning. Hij heeft een kroon op zijn hoofd en in zijn handen een rijksappel en een scepter. De tekst identificeert hem als Zoroaster de wijze (of Zarathustra). De prent maakt deel uit van een album.
Schaatsende man, van achteren gezien
Object type: print
Date: 1630 – 1715
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: Anonymous
Subjects: skates (winter sports)
Inscriptions: collector's mark: Lugt 240

Spiegelbeeldige kopie naar prent uit de twaalfdelige serie "T'Leven Der Boeren" van Salomon Savery naar Pieter Jansz. Quast.
Le mariage d'un prince
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: prince, betrothal and marriage
Inscriptions: collector's mark: ‘AFE v S’, collector's mark: Lugt 2760, watermark, collector's mark: Lugt 2228
Virglbahn bei Bozen mit Eisacktal. Südtirol.
Object type: photomechanical print
Date: 1885 – 1915
Materials: cardboard, photographic process
Techniques: writing
Location: bolzano
Subjects: funicular railway, mountain-range, snow peaks
Inscriptions: poststempel, verso, gestempeld
Voltaire (Marie François Arouet, 1694–1778)
Object type: bust
Date: 1767 – 1800
Materials: plaster, wood
Techniques: gilding, painting
Artist: jean antoine houdon
Artist role: artist
Artist nationality: french
Artist dates: 1741 – 1828
Subjects: men,portraits,authors

Although many of Houdon's foreign patrons (such as Empress Catherine), as well as some private collectors of advanced taste, preferred the severe á l'antique portrait format of his Diderot and the original Voltaire bust, the sculptor produced other, more elaborate versions as well. This type, called á la française, followed soon on the heels of the first version. Houdon employs the same transfixing image of the face used to produce the classical model, but here surrounds it with a heavy, old-fashioned wig and conventional contemporary garments. D'Alembert presented a copy to the Académie Française in August 1778 and Houdon himself offered plasters in this format to each academician the following January. The typology matches a version of the posthumous portrait of Jean-Jacques Rousseau modeled by Houdon in July 1778 (see 08.89.2a). When the two Enlightenment heroes died, mere weeks apart, Houdon seized on the lucrative opportunity to offer the much praised portraits as a pair, making them available to the public á la française, as here, or á l'antique, following the model exemplified by the Stroganov Voltaire (1972.61). The Museum's pair, whose details have been obscured by layers of restoration, is of uncertain origin. The Voltaire bears a red wax seal purportedly attesting to its origin in Houdon's atelier.
Badge with the Virgin and Child
Object type: badge
Date: 1500 – 1500
Materials: gilt, silver
Culture: german
Subjects: madonna and child

Pendants or badges with images of saints and holy figures were probably worn as talismans–the patron saint likely chosen to answer personal concerns–and as displays of piety.
Old Battersea Bridge
Object type: print
Materials: ink, ivory, paper
Techniques: lithograph, printing, scraping
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: bridges
Scherven van een pot of schaal uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pot
Date: 1700 – 1743
Materials: earthenware
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Earthenware (lead-glazed), pot or dish (hollow ware); fragm of rim, straight, with join of looped or straight handle on the outside, stepped inside, glazed on both sides.
Jug with handle
Object type: jug
Date: 201 – 700
Materials: ceramic
Culture: sasanian
Location: iran
Souvenirs de L'Armée du Nord
Object type: titelblad, titelpagina
Date: 1832 – 1833
Materials: paper
Techniques: lithograph
Location: paris
Artist: nicolas toussaint charlet
Artist role: draughtsman, painter, print maker, printer
Artist dates: 1792 – 1845
Subjects: antwerp

Typografisch titelblad voor een serie van twintig bladen uit 1833 met voorstellingen van de militaire interventie van het Franse Noordelijke Leger in België in 1832.
Sege teecken Opgerecht ter onsterffelicker eere en lof vande doorluchtige ende hoochgeboren Vorst Frederick Hendrick (...)
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: delft, the hague, frederick henry (prince of orange), symbolic triumphs of individual persons, 'victoria'; 'vittoria', 'vittoria navale', 'vittoria degl'antichi' (ripa), fame; 'fama', 'fama buona', 'fama chiara' (ripa)
Inscriptions: date

Zegewagen voor Frederik Hendrik, 1629. De stadhouder in wapenrusting gezeten in een triomfkar gemend door de Overwinning (Victoria). In de lucht de Faam (Fama). Met een gekalligrafeerde tekst in 2 kolommen in het Nederlands onder de voorstelling.
5 cash voor Madras in India van de Engelse Oostindische Compagnie (EIC), 1803
Object type: coin
Date: 1803 – 1803
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: door twee op banderol, waarin opschrift, staande leeuwen met pijl, waaraan vlag in de klauw, gehouden wapenschild van de EIC, waarboven helmteken. Jaartal onderaan. Keerzijde: in Arabische lettertekens opschrift in drie regels. In afsnede waarde-aanduiding: V Cash. Gladde rand.
Border
Object type: border
Date: 1701 – 1733
Techniques: lace
De Valse Schijndeugd Ontdekt
Object type: print
Date: 1777 – 1780
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Artist: benjamin martini
Artist role: print maker
Subjects: morphology of facial expression (+ being sad, suffering, sorrowing), taking leave
Inscriptions: collector's mark: Lugt 2488

'De Geveinsde Droefheid': eerste bedrijf, elfde toneel van het blijspel 'De Ontdekte Schijndeugd' van David Lingelbach (1687). Een vrouw (Geertruy) staande in de deuropening veinst droefheid bij het vertrek van haar oudere man (Filibert), die door een jonge man wordt weggeleid.
Charles Darwin
Object type: page
Date: 1868 – 1868
Materials: paper
Techniques: photoaquatint
Subjects: charles darwin, historical persons, biology (+ portrait of scholar, scientist)
Inscriptions: inscription: ‘Charles Darwin./ (from life.)’
Vrouw van Richard Roland Holst in bed met afgewend gezicht
Object type: drawing
Date: 1903 – 1903
Materials: paper, pencil
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: amsterdam, henriëtte roland holst-van der schalk, historical persons - bb - woman, sleeping; unconsciousness
Inscriptions: date: ‘29 7 03’
George Washington, president der Verenigde Staten van Amerika
Object type: locket
Date: 1840 – 1840
Materials: brass, glass, gypsum
Techniques: casting
Location: berlin
Subjects: virginia, mount vernon, president, george washington

Eenzijdig medaillon in messing ring achter glas aan draagoog en draagring. Voorzijde: borststuk man naar links binnen omschrift. Keerzijde: etiket met opschrift.
Geschiedenis van Reinaert de vos / Histoire de mâitre Renard
Object type: print
Date: 1856 – 1900
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: fable of reynard the fox
Inscriptions: collector's mark: Lugt 2760

Blad met 20 voorstellingen uit het epos van Reinaert de vos. Onder elke afbeelding een tweeregelig vers in het Nederlands en in het Frans. Genummerd midden boven: n. 118.
Marie het ongehoorzame meisje
Object type: print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: Anonymous
Subjects: wandering communities: romani or roma, circus
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen over het meisje Marie dat verdwaalt in het woud. Zij wordt gevonden door Roma of Sinti en gedwongen in het circus te werken. Een man herkent Marie en brengt haar terug naar haar ouders. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 119.
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: carla van geuns
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Claviorganum
Object type: claviorganum
Date: 1712 – 1712
Materials: wood
Culture: german
Location: germany
Artist: herman willenbrock
Artist role: maker
Subjects: landscapes

German harpsichords are extremely rare. This example by Herman Willenbrock is the only known instrument from this North German maker and includes both a harpsichord and organ (only the harpsichord is shown). The organ is played from the lower keyboard manual. This instrument was possibly made for George I and may have been known by Handel who visited the court in 1712. Technical description: Two-manual harpsichord on replacement stand supporting one rank of wood pipes immediately below harpsichord and bellows across stretchers below; C (no. C#)-c3, 2x8' & 1x4' harpsichord registers and coupler; pinblock, nuts, pins, guides, jacks, ribs, bottom new in 1939 (former piano action removed); case exterior decorated with perhaps Dutch chinoiserie, lid interior shows oil landscape with Schulenberg Castle.
Prise de Menin. 23 Mai au 24 Juin 1744
Object type: print
Date: 1835 – 1840
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: capture of city (after the siege)
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: C. Gavard, Galeries historiques de Versailles, collection de gravures réduites d'après les dessins originaux du grand ouvrage, Parijs 1840, nr. 356. Op de prent vermeld: Diagraphe et Pantographe Gavard.
Montserrat - Principal Staircase
Object type: page
Date: 1865 – 1870
Materials: paper
Techniques: albumen print
Location: sintra
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture, staircase
Eight tiles with a continuous pattern of floral scrolls
Object type: tile
Date: 1800 – 1899
Materials: earthenware, glaze, paint, quartz
Techniques: firing, forming, vitrification
Location: iznik
Artist: Anonymous

Tegelveld van acht grote bij elkaar behorende tegels, beschilderd in blauw, rood en groen met een doorlopend patroon van bloemranken.
Amulet of a Situla (Jar)
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Ex-libris G. Takens
Object type: design drawing
Date: 1932 – 1932
Materials: paper, pencil
Techniques: drawing
Location: netherlands
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: shadow-play, puppet and marionette show, indonesia
Inscriptions: inscription: ‘1’
Table Frontal
Object type: textile
Materials: cotton, gold leaf, paper, silk, velvet
Techniques: cutting, lacquer, painting, weave, voiding
Location: china
Inscriptions: Inscription translation (on top front): Publicly purchased for the Chaodian shrine of the Fujun hui [a fraternal association]; (on reverse): Jiaqing, ninth year [1804], twelfth month, first day of the moon: All the jia [neighborhood association] publicly purchased [this piece] valued at three ounces of silver. Those in charge commonly agreed on this resolution not to permit private use [of it] also not to permit transfer or loan to others.  If, after investigation, [this charge has been found to be violated, there will be] a fine of three ounces of silver.  Each should find it suitable to obey this resolution. Respectfully recorded.  In the Chaodian shrine of the Fujun hui, the jia, the one in charge and everybody else bows and presents.
Breastplate
Object type: armor
Date: 1520 – 1520
Materials: steel
Culture: austrian or german
Location: innsbruck

Once part of a complete armor, this breastplate features bold fluted or rippled surfaces meant to mimic the fashionable pleats and slashes on contemporary clothing. Enhancing the allusion to textiles, the slashes and borders are acid etched with ornament not unlike embroidery or patterned silk. On the center top is a scene of the Crucifixion, undoubtedly meant to invoke holy protection in battle.
Cuneiform tablet: private letter concerning consignment of textiles
Object type: cuneiform tablet
Date: 2000 – 1801
Materials: clay
Culture: assyrian
Location: anatolia
–They're talking about new elections. –Before I vote for a candidate, I want him to be examined by a doctor to make sure he is not declared invalid again, from 'News of the day,' published in Le Charivari, September 27, 1869
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men
Statue of Horwedja
Object type: statue, man
Date: 100 – 1
Materials: limestone
Location: egypt
Arc-shaped pendant (Huang)
Object type: pendant
Date: 500 – 401
Materials: jade
Culture: chinese
Border
Object type: border
Date: 1501 – 1600
Materials: silk
Techniques: embroidery
Glacier ar Chamounix
Object type: photomechanical print
Date: 1874 – 1884
Materials: paper
Techniques: photograph
Location: chamonix
Artist: Anonymous
Subjects: glacier
Begrafenisstoet van Willem IV (linkerblad), 1752
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: the hague, willem iv (prins van oranje-nassau), cortege, funeral procession, delft
Inscriptions: collector's mark: Lugt 2228

Nummer FMH 4038A zit niet in Frederik Muller, het is een later door het RPK toegevoegd nummer. Mogelijk zijn deze twee lossen afdrukken de plaat die door Muller onder FMH 4034b wordt beschreven, al vermeldt hij daar dat de platen aaneengevoegd zijn. Als dit het geval is dan behoren de hierbij vermelde losse bladen met de beschrijving (RP-P-OB-84.425) bij deze prenten.
Twee ruiters en een gezelschap te voet bij een muur van een ruïne
Object type: drawing
Date: 1701 – 1759
Materials: ink, paper
Techniques: brush, pen
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: ruin of a building ~ architecture
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, hilt of sword and upper part of scabbard; Exterior, lower body of draped, seated figure on a block; stick; leg of male to right
Salt
Object type: salt
Date: 1830 – 1850
Materials: amber, glass
Techniques: pressed
Culture: american
Location: united states
Peking: Wu-ta-su or Temple of 5 Pagodes.
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, photographic support
Techniques: photograph
Location: beijing
Artist: Anonymous
Subjects: peking
Inscriptions: number: ‘12.’
Bead
Object type: bead
Date: 670 – 330
Materials: glass
Culture: roman

Blue bead with white zigzag lines.
Figuren op een trap leidend naar een huis
Object type: sketchbook leaf
Date: 1865 – 1913
Materials: chalk, paper
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: flight of steps, street (+ city(-scape) with figures, staffage)

Blad 32 recto uit een schetsboek met 39 bladen.
Portret van Pieter van de Goot
Object type: print
Date: 1837 – 1886
Materials: paper
Techniques: etching, engraving
Artist: dirk jurriaan sluyter
Artist role: draughtsman, print maker
Artist dates: 1811 – 1886
Subjects: theologian, historical persons

Een facsimile signatuur in de ondermarge.
Penitent Magdalene
Object type: drawing and watercolor
Materials: chalk, paper, lead, pigment
Techniques: heightening
Location: italy
Artist: attributed to sebastiano conca
Artist nationality: italian
Artist dates: 1680 – 1764