deem-data/ArtiFact huggingface dataset:
Musée de Cluny
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: chest, coffer
Inscriptions: number: ‘Cluny 24’, workshop stamp: ‘Mieusement/ Photographe’, collector's mark: ‘Rijks-normaalschool voor teekenonderwijzers Amsterdam’ Lugt 3937
Dort Etek Entari
Object type: robe
Date: 1701 – 1900
Materials: silk
Location: turkey
Subjects: flowers

The entari, or robe, was the main element of women’s dress in the Ottoman Empire, worn together with a chemise, or gömlek, and baggy trousers, or şalvar. Striking both because of its striped fabric and elaborate, knotted trim, this entari is made from a silk and cotton fabric called kutnu. Kutnu was made using silk warps and wefts that are cotton, or a mixture of silk and cotton, and as in this example, is often striped. The striped design is executed using extra warps of silk. A piece of this same textile identified as having been produced in Bursa, an important Ottoman silk production center, is in an Istanbul textile collection. The entari has a small stand-up collar, long sleeves open for their entire length, and is open down the front. The skirt is slit nearly to the waist, and the back skirt has a center slit, which makes this a four-skirt or dört etek entari, a much less common version of the entari. Long narrow triangular pieces of fabric have been added to the front and sides to increase the fullness of the skirt. The front, side slits and hem are all scalloped, while the sleeve ends are straight and finished with a narrow band of the garment fabric, arranged with the stripes perpendicular to the rest of the sleeve. The sleeve ends are made up of smaller pieces of fabric sewn together somewhat randomly, suggesting that the tailor or seamstress was working with scraps to complete this part of the garment. The entire entari is lined with a pink fabric (often the open sleeves have a different lining) which may have been added later. The lining shows signs of wear suggesting that it could have been original, but it was added after the garment’s trim was completed, which is unusual. It may have been an early replacement for an original lining that failed or added to freshen a beloved garment after a period of wear. The floral trim that decorates the garment is made of thick pink and green plied cord, twisted, and knotted together to form a delicate pattern of flowers, leaves and stems. It is tacked at intervals to the twisted trim, comprised of the same pink and green cord, which finishes all the garment edges.
Guatsetto. Mestolino.
Object type: drawing
Date: 1633 – 1635
Materials: ink, paper, watercolor
Techniques: brush
Location: zwolle
Artist: gerard ter borch (ii)
Artist role: draughtsman, painter
Artist dates: 1617 – 1681
Inscriptions: inscription: ‘3’

Guatsetto en Mestolino, naar een van de 24 Commedia dell'arte figuren van Jaques Callot, de Balli di Sfessania (Meaume 647, Lieure 385). Waarschijnlijk was dit een van de bladen van een schetsboek of album, dat Gerard (II) in deze periode maakte, gelet op de nummering, die niet naar Callot's serie verwijst.
Charity with three small children
Object type: print
Date: 1795 – 1795
Techniques: engraving
Artist: raphael morghen
Artist role: artist
Artist nationality: italian
Artist dates: 1758 – 1833
Fragment of Tombstone
Object type: tombstone fragment
Date: 701 – 1300
Techniques: carving
Location: iran

This object was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Twee platbodems varen op een rivier
Object type: print
Date: 1709 – 1711
Materials: paper
Techniques: etching, letterpress printing
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: sailing-ship, sailing-boat, windmill in landscape
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Vervoermiddelen te land en te water, Vervoermiddelen te water.
Fotoreproductie van het onderste deel van het Evangelistenraam gemaakt door Richard Nicolaüs Roland Holst in de Dom van Utrecht
Object type: glasnegatief, glasplaatnegatief
Date: 1926 – 1938
Materials: glass
Techniques: gelatin glass negative
Location: utrecht
Artist: Anonymous
Subjects: church-window, e.g. rose-window
Onderscheiding (Stuttgart) voor verdienst tijdens de  oorlog
Object type: onderscheidingsteken, onderscheiding
Date: 1900 – 1925
Materials: metal
Location: stuttgart
Artist: Anonymous
Subjects: eugen wachenheimer, else wachenheimer-moos

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Het dorp Noordwyk, aan zee
Object type: print
Date: 1742 – 1784
Materials: paper
Techniques: engraving, etching
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: prospect of village, silhouette of village, dune coast, church (exterior)
De Kuiper
Object type: print
Date: 1718 – 1718
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: cornelis van der sys
Artist role: publisher
Subjects: handicrafts, craftsman at work, wooden container: barrel, cask, bucket, handicrafts ~ wood, timber
Inscriptions: collector's mark: Lugt 1641, stamp

Prent oorspronkelijk verschenen in de 100-delige serie beroepsprenten van Jan en Caspar Luyken, getiteld: Het menselyk bedryf. S.l.s.n., 1694 (eerste druk). Daarna is de titel en het vers afgesneden. De prenten in diverse publicaties verschenen en gekopieerd. Huidige staat uit: Luyken, Jan en Caspar. Spiegel van het menselyk bedryf (...). Amsterdam: Cornelis van der Sys, 1718, p. 81. Prent waarschijnlijk ook gebruikt in eerdere (1704) en latere (1730, 1749, 1767) publicaties.
Joseph Casier, Président 1895
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Subjects: joseph casier, historical persons
Drinkende koe
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: etching
Location: netherlands
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
Plaster Cast of Left Hand
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: drawing, stumping
Location: italy
Artist: onorio marinari
Artist nationality: italian
Artist dates: 1627 – 1715
Fragment glas uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: scheepswrakvondst
Date: 1700 – 1743
Materials: glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Nakamura Utaemon III in de rol van Yojiro
Object type: print
Date: 1812 – 1816
Materials: paper
Techniques: woodcut, nishiki e
Location: japan
Artist: utagawa kunisada (i)
Artist role: print maker
Artist dates: 1786 – 1865
Subjects: portrait of actor, actress
Inscriptions: collector's mark: Lugt 2228

Busteportet van de acteur Nakamura Utaemon III in de rol van Yojir, in kimono met patroon van blauwe zeesterren; tegen mica achtergrond.
Vue générale de l'île de Philae, prise de l'Est
Object type: photograph
Date: 1849 – 1850
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,landscapes

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Historia Septem Infantium de Lara/ Historia de los Siete Infantes de Lara
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: antwerp
Subjects: tales and fairy tales, becoming a knight, knighting, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 40 prenten (+ titelprent) met voorstellingen uit het volksverhaal over de zeven infanten van Lara.
Gezicht op Château Margaux in Margaux, Frankrijk
Object type: photograph
Date: 1862 – 1867
Materials: paper
Techniques: albumen print
Location: margaux
Artist: alfred danflou
Artist role: fotograaf, schrijver
Subjects: castle
Inscriptions: inscription: ‘propriétaire: M. AGUADO de LAS MARIMAS’
The library, Columbia University, New York City
Object type: album leaf
Date: 1928 – 1928
Materials: paper
Techniques: four-color autotype
Artist: Anonymous
Subjects: civic architecture; edifices; dwellings, public library, new york (city)
Inscriptions: number: ‘19132’
Fotoreproductie van een tekening, voorstellende de ouders van Hermann op een bank naast een plein
Object type: page
Date: 1875 – 1885
Materials: paper
Techniques: photograph
Subjects: bench, marriage, married couple, 'matrimonium'
Bridal Veil Fall near Minneapolis, No. 1515 from the series "Among the Bluff Scenery of the Upper Mississippi"
Object type: photograph
Date: 1870 – 1908
Techniques: albumen print
Location: wisconsin
Artist: henry hamilton bennett
Artist role: artist
Artist nationality: american, born canada
Artist dates: 1843 – 1908
Ornament
Object type: sketchbook leaf
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: ornaments ~ art

Blad 9 verso uit een schetsboek met 40 bladen.
Uitnodiging aan Ludolf Backhuysen (II)
Object type: invitation
Materials: paper
Techniques: printing
Location: amsterdam
Subjects: amsterdam, rotterdam, painter, johannes bakhuysen
Inscriptions: watermark, collector's mark: Lugt 2233
Jug (Bartmann jug) with a flower in a medallion
Object type: bellarmine
Date: 1600 – 1649
Materials: cobalt, glaze, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: frechen
Artist: Anonymous
Subjects: enkhuizen

Kruik (baardmankruik) van steengoed op standvlak met een bolvormig lichaam en smalle nek. Het getordeerde, C-vormige oor is bevestigd aan de nek en de schouder. Profielen op de nek. Bedekt met een bruin gevlekt glazuur en kobaltblauw. Op de buik in reliëf een gedrukt en opgelegd medaillon met een bloem. Op de nek, doorlopend op de schouder, een baardman. Frechen.
Idealisten II en verdere Kanttekeningen
Object type: print
Date: 1923 – 1923
Materials: paper
Techniques: lithograph
Artist: erich wichmann
Artist role: print maker
Artist dates: 1890 – 1929
Subjects: caricatures (human types)
Inscriptions: collector's mark: Lugt 2228

Langwerpig gezicht met omhoogstaand haar.
Small jug
Object type: jug
Date: 1667 – 1700
Materials: earthenware, pewter
Techniques: glazing
Subjects: human figures,birds,plants,carriages
Virgin and Child
Object type: statuette
Date: 1430 – 1440
Materials: alabaster
Techniques: polychromy
Culture: south netherlandish
Subjects: madonna and child
French Pastimes
Object type: print
Date: 1860 – 1860
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: ichiryūsai yoshitoyo
Artist role: artist
Artist nationality: japanese
Artist dates: 1830 – 1866
Subjects: boys,girls,women,horses
Beukenlaan in Voorst
Object type: photograph
Date: 1900 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Inscriptions: annotation: ‘Groote Beukenlaan / genaamd Poll-laan / in het vroege voorjaar / te Voorst (Gld)’, signature: ‘foto / R Tepe’
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two black glazed fragments from lipped kylikes
Buffalo, from Quadrupeds series (N41) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: buffalos

Large trade cards from the "Quadrupeds" series (N41), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N41 reproduces the cards from N21 in a larger size.
Piece
Object type: piece
Date: 1775 – 1775
Materials: linen, wool
Techniques: embroidery
Culture: american
Location: united states
Meubels
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving
Location: holborn
Subjects: tent-camp

Genummerd: Pl. 105. Prent maakt deel uit van een boek.
Silhouetportret van Wouterus Verschuur
Object type: silhouette
Date: 1819 – 1845
Materials: ink, paint, paper
Techniques: brush, snipping
Artist: elisabeth alida haanen
Artist role: draughtsman, print maker
Artist dates: 1809 – 1845
Subjects: painter, wouter verschuur (1812-1874), historical persons, portrait, self-portrait of painter
Inscriptions: inscription: ‘W. Verschuur’, inscription: ‘Neg. D. 1752’, collector's mark: ‘Ex-libris van Beresteyn’, number: ‘14027’, number: ‘96’, inscription: ‘Schilder’

Met onder het portret de handtekening van de geportretteerde.
Livre des plus belles devises enrichies des fleurons et d'autres ornaments nouvellement inventes, etc. ...Tome second
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ornaments ~ art, symbolic representations, allegories and emblems ~mind, spirit, symbols of human life, love: 'frau minne' and other allegories
Inscriptions: date

Prent nr. 23 van een serie van twaalf genummerde prenten (inclusief titelblad) met deviezen betreffende de liefde en andere levenszaken. De deviezen bestaan uit een pictura en een motto in het Latijn. Deel twee van twee genummerde reeksen. Het is de eerste uitgave (en eerste staat) van de uitgave, voor het adres van Cornelis Danckerts II en de toevoeging van Nederlandse teksten.
Cybele
Object type: print
Date: 1543 – 1543
Techniques: etching
Artist: antonio fantuzzi
Artist role: artist
Artist nationality: italian
Artist dates: 1537 – 1545
Subjects: lions,goddess
Jar
Object type: jar
Date: 501 – 700
Materials: wood, glaze, stoneware
Techniques: incising
Culture: japanese

This jar is an example of the type of stoneware containers and stands known as Sue ware, produced from the middle of the fifth until the fourteenth century. Because the word sue means offering, it is presumed that they were originally made for ritual use. Early examples of Sue ware are typically found in tombs, while later articles were also made for use in Buddhist temples. This massive jar is striking in its size, dramatic contour, and the appearance of the mottled greenish glaze that unevenly coats the mouth and shoulders. The glaze, produced accidentally when ash and embers from burning logs settled on the objects during firing, drips down the sides of the jar, freezing the process of its formation. The rough look of the vessel's surface is accentuated by the pattern of incised lines and cord markings that cover it. In later centuries, ceramic objects such as this jar were highly prized for their irregular profile and rustic appearance, because it was felt that these characteristics conveyed a one-of-a-kind quality and captured the energy and spontaneity of nature.
The House of Marco Ricci in the Bellunese
Object type: drawing
Date: 1726 – 1726
Materials: ink
Techniques: pen, wash
Artist: marco ricci
Artist role: artist
Artist nationality: italian
Artist dates: 1676 – 1730
Subjects: animals,houses,landscapes

Marco Ricci was the nephew of the celebrated Baroque painter Sebastiano Ricci, with whom he collaborated in the 1720s. This pastoral landscape of 1726 is significant less for its aesthetic attributes than for its telling inscription on the verso. Marco Ricci records that the house is his own, that it is located in the Bellunese, among the mountains, that it has a view of an adjacent monastery, and that it was made by the artist and "given on the spot" to Humphrey Mildmay, Esq. in 1726. This exchange is evocative of the many interrelationships of local Italian artists and Grand Tourists in the eighteenth century. Indeed, Ricci’s gift of this keepsake drawing suggests a very personal association.
Ontwerp voor een rond juweel met stralen, met goud, saffieren en briljanten
Object type: drawing
Date: 1920 – 1930
Materials: paper, pencil, watercolor
Techniques: brush
Location: paris
Artist: jules chadel
Artist role: draughtsman, print maker
Artist dates: 1870 – 1941
Subjects: ornaments, jewels
Inscriptions: stamp: Lugt 562 b
Gezicht op de oude Muiderpoort
Object type: drawing
Date: 1666 – 1703
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: jan van call (i)
Artist role: draughtsman, print maker
Artist dates: 1656 – 1706
Subjects: city-view in general; 'veduta', city-gate
Inscriptions: inscription: ‘Van Call / De Oude Muiderpoort’

Onderwerpsrubriek binnen de Atlas Amsterdam: Eerste Muiderpoort.
Boom bij een rivier
Object type: sketchbook leaf
Date: 1931 – 1931
Materials: chalk, pencil
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: trees, river

Pagina 101 uit een schetsboek met 74 bladen.
"Portuguese" Carpet with Maritime Scenes
Object type: carpet
Date: 1601 – 1700
Materials: cotton, wool
Techniques: asymmetrically knotted pile
Location: iran
Subjects: fish,flowers,ships

This is one of a group of unusual carpets, long referred to as "Portuguese" carpets because of the European figures in Portuguese dress that appear in them. In the center of the field are five concentric lozenge‑shaped medallions decorated with flowering vines. The maritime scene in each corner contains ships manned by Europeans. In addition, fish, a wide‑mouthed sea monster, and a small half‑submerged nude human figure, which is probably a merman, swim in the water. The exact source and meaning of the scene are unknown.
Kalenderblad voor maart 1913 met hanen
Object type: print
Date: 1912 – 1912
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: fowl (cock, hen, chicken, etc.)
De nachtwacht aan Amstels ingezetenen
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: night patrol, amsterdam

Kermisprent van de Amsterdamse nachtwacht, 8 september 1851. Centraal een gedicht met bovenaan het wapen van Amsterdam en een gevleugelde vrouw. Aan de zijkanten verschillende gezichten op de kermis. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Groep ruiters in een heuvelachtig landschap op jacht
Object type: print
Date: 1815 – 1830
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: london
Subjects: riding a horse, ass, or mule; rider, horseman, low hill country (+ landscape with figures, staffage), england
Inscriptions: collector's mark: Lugt 2228
Gebeurtenissen in en rond de tempel
Object type: album leaf
Date: 1570 – 1574
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: attempts to stone christ (john 8:59, 10:31-33)

In de tempel rapen Joodse mannen stenen op om naar Christus te gooien, nadat Christus de uitspraak heeft gedaan dat hij er al voor Abraham was. Christus vlucht weg. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Joh. 8. Deze prent maakt deel uit van een album.
Spotprent op Charles Rogier, ca. 1830
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Subjects: politician, revolutionary government, little people
Inscriptions: collector's mark: Lugt 2228

Spotprent op de verschillende leden van het Voorlopig Bewind van België in 1830. Charles Rogier als Afgevaardigde der Muitelingen, voorgesteld als een kleine mens met lang haar en een grote hoed met veer, een document lezend. Met achtregelig versje.
Lithograaf aan het werk in zijn werkplaats
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: etching
Artist: jos ratinckx
Artist role: print maker
Artist dates: 1860 – 1937
Subjects: lithographer, artist at work, in his workshop, workshop-interior
Inscriptions: inscription: ‘1ste staat’, collector's mark: Lugt 2228