deem-data/ArtiFact huggingface dataset:
Vaart met boerderij
Object type: print
Date: 1916 – 1916
Materials: paper
Techniques: etching, intaglio
Artist: jan paul valkema blouw
Artist role: draughtsman, print maker
Artist dates: 1884 – 1954
Subjects: canal, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Page from Ein new kunstlich Modelbuch...(Page 6r)
Object type: book print ornament architecture
Date: 1544 – 1544
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: ornament

Published by Peter Guentel, Cologne. Illustrated title page, architectural border on reverse of title page, 99 pages of designs, arms of Cologne on last page (Merlos 1063.477, Van Worms).
Vedute vicentine
Object type: print
Date: 1744 – 1787
Materials: paper
Techniques: etching
Location: italy
Artist: cristoforo dall acqua
Artist role: draughtsman, print maker
Artist dates: 1734 – 1787
Subjects: city-view, and landscape with man-made constructions, river, parts of church exterior and annexes: façade, hôtel, i.e. small palace in city
Inscriptions: collector's mark: Lugt 2228

Gezicht op de Chiesa di S. Biasio en omliggende gebouwen, waaronder de Campanille di S. Marco en het Palazzo Gualdo Dalle Ore, in Vicenza. Rond de voorstelling een rand van putti, vogels en bloemenranken. In de vier hoeken cartouches met voorstellingen van woningen, een kerk en een brug op het platteland. Midden boven een medaillon met een vrouwenportret. Verklarende lijst met nummers en titel in cartouche in ondermarge.
Pair of Lappets (Joined)
Object type: costume and accessory
Date: 1765 – 1775
Materials: lace, linen
Techniques: lace
Location: belgium
Study of Venus and Cupid, from Prove di Vari Rami Inediti [...]
Object type: print
Date: 1801 – 1900
Techniques: etching
Artist: francesco rosaspina
Artist role: artist
Artist nationality: italian
Artist dates: 1762 – 1841

According to a list compiled by Bertha H. Wiles in 1952, pages 2, 32, 33, 37, 38 and 39 of this portfolio are proofs for a work actually published: Inig's Disegni Originali, 14 plates published in Bologna before 1788. (Weigel 59.63). The notice printed on the verso of the Frontispiece (41.97.286(2)) refers to proofs of about 70 prints by Rosaspina after Parmigianino of drawings in the collection of Antonio Armano in Venice. This work was never published (Copertini, op. cit, II.63). According to Wiles, the drawings reproduced in the proofs of this portfolio most likely belong to this unpublished work. Seventeen of them feature the inscription: "Dal Gabinetto del Sig. Giovanni Antonio Armano Veneto." The others either are proofs, or the inscription has been cut away.
Study for "A Sunday on La Grande Jatte"
Object type: painting
Date: 1884 – 1884
Materials: oil, wood
Artist: georges seurat
Artist role: artist
Artist nationality: french
Artist dates: 1859 – 1891
Subjects: parks

This small panel is one of approximately fifty oil sketches and drawings made as preparatory studies for Seurat’s monumental masterpiece, A Sunday on La Grand Jatte. Painted from 1884–86, the scene depicts Parisians at leisure on an island in the Seine. Illustrating Seurat’s process of investigation, the figures in the present panel were significantly transformed in the final painting. Seurat’s style came to be known as Pointillism (from the French word “point,” or “dot”), but he preferred the term divisionism—the principle of separating color into small touches placed side-by-side and meant to blend in the eye of the viewer.
Fragment zijdesatijn met patroon in gouddraad van verticale banen voorzien van met elkaar verbonden spitsovalen die alle een bloemfiguur in het midden hebben
Object type: zijdesatijn
Date: 1500 – 1599
Materials: silk
Techniques: brocade
Location: iran
Artist: Anonymous

Fragment met patroon in gouddraad van verticale banen voorzien van met elkaar verbonden spitsovalen die alle een bloemfiguur in het midden hebben.
Kaart van de Beemster
Object type: map
Date: 1658 – 1658
Materials: ink, paper, pencil
Techniques: engraving, hand coloring, pen
Location: amsterdam
Subjects: maps of separate countries or regions, beemster
Inscriptions: inscription, collector's mark: Lugt 19

Kaart van de Beemster na de drooglegging (voltooid in 1612). Boven in het midden het wapen van de Beemster. Linksonder de titelcartouche, rechts daarvan een schaalstok: Vyff-hondert Rhynlandtsche roeden. Rechts een cartouche met een Latijns gedicht van Caspar van Baerle over de Beemster. Oriëntatie: noorden rechts.
Glass mosaic bowl fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent cobalt blue, deep honey yellow, opaque white, yellow, and brick red. Vertical rim with beveled edge; almost straight side, tapering downward. Composite mosaic pattern formed from polygonal sections and short rectangular lengths of three canes: one in a blue ground with a ring of white dots around a white circle and central white rod; a second in a yellow ground with a circle of white dots around a central design of four red rods surrounded by white circles in a blue (?) ground, and a length in red flanked by blue layered with white; a blue cane wound spirally with a white thread is attached as a rim. Polished exterior; pitting of surface bubbles on exterior; dulling, pitting, and creamy iridescent weathering on interior, edge of rim, and jagged edges.
Fluitglas van filigraanglas
Object type: flute glass
Date: 1600 – 1700
Materials: glass
Techniques: façon de venise, filigree glass, glassblowing
Location: western europe
Artist: Anonymous

Lage, gewelfde voet met omgeslagen rand. Stam gevormd door een holle nodus. Trechtervormige kelk. Voet, stam en kelk met verticale, ingesmolten lattimo draden.
Gezicht op Antwerpen
Object type: drawing
Date: 1735 – 1735
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, antwerp
Inscriptions: date
Panel
Object type: textile
Materials: gold, silver
Location: japan
Table decorated with floral scroll
Object type: table
Date: 1801 – 1900
Materials: lacquer, metal, mother of pearl
Techniques: inlay
Culture: korean

The decoration on this table continues the designs of Goryeo-dynasty lacquer. The scroll pattern in wire, delicate three-pointed leaves, and circular geometric pattern are common in the earlier tradition. The scallop framing of the floral motif on the tabletop evokes the shape of ogival trays.
Phari Fort seen from the east with houses and pack animals surrounding it, Tibet
Object type: photograph
Date: 1903 – 1906
Materials: photographic support
Techniques: gelatin silver print
Location: phari
Artist: d.t. dalton
Artist role: sergeant
Subjects: pack-animal, fortress, snow, hut, cabin, lodge
Inscriptions: title: ‘Phari Fort. East View’

Onderdeel van Fotoalbum met 24 foto's van de reis van legertelegrafist D.T. Dalton door Tibet.
Stamp seal (scaraboid) with divine symbol
Object type: stamp seal
Date: 900 – 601
Materials: limestone
Culture: phoenician
Location: levant or syria
Gezigt van het groote Cabinet / Vue du grand Cabinet
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: etching
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: french or architectonic garden; formal garden, country-house
Inscriptions: collector's mark: Lugt 2228

Gezicht op het kabinet in de Franse tuin van Huis ter Meer. In de tuin wandelen groepjes figuren. De prent maakt deel uit van een serie met 26 gezichten op Huis ter Meer en het bijbehorende landgoed te Maarssen.
France
Object type: stereoscopic photograph
Date: 1920 – 1925
Materials: glass
Techniques: gelatin silver transparency
Location: paris
Artist: Anonymous
Subjects: castle, townhall
Inscriptions: inscription: ‘Made in France (...) Brevete S.G.D.G. (...)’
Terracotta fragments of a psykter (vase for cooling wine)
Object type: psykter fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

One fragment depicts a bit of the hair, right cheek, neck, and shoulders and upper torso of a youth with a himation; the second fragment shows a bent arm of a youth protruding from his himation; a third fragment depicts part of the shoulder and upper arm of a youth wearing a himation
Panel (part of a set)
Object type: panel
Date: 1701 – 1800
Materials: wood
Techniques: gilding
Subjects: musical instruments,fish,leaves
Sterfbed van koning Willem III, 1702
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), deathbed

Sterfbed van koning Willem III in het paleis te Londen, 19 maart 1702. De koning overlijdt aan de gevolgen van een val tijdens een jachtpartij op 4 maart. Het bed omringd door geestelijken, hoogwaardigheidsbekleders en leden van de hofhouding. In het onderschrift een vers van zes regels.
Komt, kindertjes! komt hier, wilt doctor Steven kyken, / Met zyn knecht Sprint in 't Veld, gy zag nooit zyns gelyken
Object type: popular print
Date: 1761 – 1804
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: quack, charlatan, mountebank, 'saltimbanco', man and wife quarrelling, 'marriage à la mode'
Inscriptions: collector's mark: Lugt 2228

Blad met 24 voorstellingen over het leven van de kwakzalver dr. Steeven en zijn knecht Spring in 't Veld. Onder elke afbeelding een tweeregelig vers. Genummerd linksboven: No. 21.
Faithful as a Polish Man!
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
Recueil de XII costumes Suisses civils et militaires, hommes et femmes, du seizième siècle
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: basel
Subjects: (military) uniforms (+ weapons), hacking and thrusting weapons: sword, (military) standard-bearer, medals and other marks of military honour, clothes, costume, beard, (military) flags and standards, switzerland
Inscriptions: collector's mark: Lugt 2228

De serie behoort tot de 4-delige publicatie 'Oeuvre de Jean Holbein', Bazel 1780-1795, door Christian von Mechel.
The Crossing Sweeper
Object type: painting
Date: 1860 – 1869
Materials: canvas, oil
Culture: american
Artist: seymour joseph guy
Artist role: artist
Artist nationality: american, born england
Artist dates: 1824 – 1910
Subjects: fountains,girls,drinking

This small-scale work is typical of the sentimental genre scenes of childhood that were popular at the time this was painted. The subject is a barefoot girl, pausing in her task of sweeping streets in order to drink at a fountain. A fence separates her from a group of figures who relax in the park.
Saltcellar with Portuguese Figures
Object type: saltcellar
Date: 1525 – 1600
Materials: ivory
Culture: edo period
Location: nigeria
Artist: master of the heraldic ship
Artist role: artist
Artist nationality: nigerian
Subjects: spears,swords,men

This saltcellar created by a Benin ivory carver reflects a local interest and emphasis on extensive detailing of dress and regalia found in other forms of Benin court art. Articulated in exacting detail, four Portuguese male figures, two richly adorned men and their attendants, are depicted around the perimeter of the receptacle. The higher status figures are depicted frontally, facing outward. The attendants are in profile, more crudely rendered, and in motion. The two wealthier men are laden with the trappings of their status. This includes the patterned high-crowned hat with a feather decorating its brim, the knee britches, a buttoned doublet with flaring shoulders and sleeves and bodice, keys, crosses, swords, and spears. Two-dimensional fabric patterns are translated into low relief, endowing the work's surface with an intricately arranged series of textures. This baroque layering of forms nearly disguises the structure of the object. This particular saltcellar is one of four of almost identical design; the others are currently in European collections. It is believed that the four were intended as a set, perhaps as a gift for a patron's table.
Portret van de Amsterdamse predikant Henricus Vos
Object type: print
Date: 1700 – 1750
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, henricus vos
Inscriptions: collector's mark: Lugt 2228, inscription: ‘G. Storck a Milano 1798./ In.tto. 5383’
Denarius (Coin) Portraying Emperor Trajan
Object type: coin
Date: 103 – 111
Materials: bronze, copper alloy, metal, silver
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP TRAIANO AVG GER DAC P M TR P
Reverse: COS V P P SPQR OPTIMO PRINC

The front (obverse) of this coin portrays the head of Emperor Trajan, facing to the right. On the back (reverse), Victory strides left holding a wreath and palm.
Veue de l'Abbaye Royal des Religieuses de Lonchamps
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: landscape with tower or castle, paris
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van 30 prenten.
Twee foto's van mensenmassa's op het terrein van het Hippodrome de Longchamp
Object type: photograph
Date: 1904 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Location: paris
Artist: frank willem van den berg (1912-1998)
Artist dates: 1912 – 1998
Subjects: race-track (+ out of doors (sports, games, etc.)), historical persons

Deze foto's maken deel uit van een album.
Helmet
Object type: helmet
Date: 1601 – 1700
Materials: copper, steel
Culture: caucasian or russian
Location: caucasus
Bottle vase with two continuous landscapes with figures
Object type: bottle
Date: 1650 – 1699
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: arita
Artist: Anonymous

Buikfles gedecoreerd in onderglazuur blauw met op de buik en hals figuren in een landschap.
Portret van een onbekende man
Object type: frame
Date: 1855 – 1880
Materials: cardboard, glass, paper, wood
Techniques: albumen print, retouching
Artist: Anonymous
Subjects: historical persons not known by name
Liggend mannelijk naakt
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: drypoint, etching
Artist: c.b. millar
Artist role: print maker
Subjects: lying on the back with uplifted upper part of the body
Inscriptions: collector's mark: Lugt 2228

Prent is deel van een groep prenten gemaakt door leerlingen van Alphonse Legros, naar kunstwerken in het Victoria & Albert Museum.
Portret van Adriaen van Ostade
Object type: album leaf
Date: 1670 – 1724
Materials: paper
Techniques: aquatint, etching
Location: haarlem
Subjects: haarlem, print maker, draughtsman, adriaen van ostade, portrait, self-portrait of artist

De schilder draagt een hoed. In een ovale omlijsting een randschrift met de naam en het beroep van de geportretteerde. Deze prent maakt deel uit van een album.
De Quikzilvere Vrede, van Geertruide[n]berg gevlucht na Versailles / La Paix Argent vif de Geertudenberg (...)
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: etching
Location: amsterdam
Artist: abraham allard
Artist role: print maker, publisher
Artist dates: 1676 – 1725
Subjects: symbols, allegories of peace, 'pax'; 'pace' (ripa)

Allegorie op het mislukken van de vredesonderhandelingen tussen Frankrijk en de geallieerden, begonnen op 9 maart 1710 in een jacht en voortgezet te Geertruidenberg. De Vrede achterop een rijtuig dat naar het paleis van Versailles rijdt. Met opschriften en verzen in het Nederlands en Frans. Ongenummerd. Door Muller (incorrect) opgenomen als de zevende prent in de Vorstelyke Staat-Balans, een reeks van 7 genummerde spotprenten op de Fransen in het jaar 1709 van de Spaanse Successieoorlog. Onderdeel van het prentwerk uitgegeven onder de verzameltitel 't Lust-Hof van Momus met de gebundelde series van spotprenten tijdens de jaren 1701-1713 van de Spaanse Successieoorlog.
Vrouwen uit Notre-Dame-de-Lorette in Parijs
Object type: cartoon
Date: 1841 – 1841
Materials: paper
Techniques: lithograph
Location: paris
Artist: paul gavarni
Artist role: draughtsman, print maker
Artist dates: 1804 – 1866
Subjects: married couple of unequal age, couch, sofa, settee
Inscriptions: collector's mark: Lugt 964, check stamp: Lugt 3855

Prent gebruikt voor: Le Charivari, 26 september 1841.
Hammered Silver Miniature Crown
Object type: crown base
Date: 1001 – 1566
Materials: gilt, silver
Techniques: hammering
Culture: peruvian, north or central coast
Location: peru
Portret van Claes Wiggers Cousebant Vigerius
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: skull as symbol of 'vanitas', crucifix ~ personal devotion
Inscriptions: collector's mark: Lugt 2228

Portret van de priester te Haarlem Claes Wiggers Cousebant Vigerius.
Shoulder Band Fragment
Object type: shoulder band fragment
Date: 501 – 700
Materials: linen, wool
Techniques: weave
Location: egypt
Fragment of a Frieze
Object type: frieze fragment
Date: 1001 – 1100
Materials: terracotta
Techniques: carving, painting
Location: iran

This fragment of a frieze was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Taboeret van verguld populierenhout
Object type: tabouret
Date: 1500 – 1600
Materials: paint, wood
Techniques: gilding
Location: italy
Artist: Anonymous

Stool. Poplar, gilded. Italy, 16th century. J.M. Edwin vom Rath bequest, 1941.
Pilgrim's Badge Fragment
Object type: pilgrim's badge fragment
Materials: lead
Culture: french or british
Nagoya
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: nagoya
Artist: Anonymous
Subjects: castle
Inscriptions: number: ‘29’, number: ‘No. 555’
Portret van drie kinderen
Object type: photograph
Date: 1850 – 1865
Materials: copper, glass
Techniques: daguerreotype
Location: great britain
Artist: john jabez edwin mayall
Artist role: fotograaf
Artist dates: 1813 – 1901
Inscriptions: stamp: ‘224, REGENT ST / (ARGYLL PLACE) / MAYALL / & / 433, WEST STRAND’
Island of Temdos(?) (from Sketchbook)
Object type: watercolor
Date: 1904 – 1904
Materials: graphite, paper, watercolor
Culture: american
Artist: mary newbold sargent
Artist role: artist
Artist nationality: american
Artist dates: 1826 – 1906
Subjects: landscapes
Gezicht op Pont du Gard
Object type: print
Date: 1771 – 1816
Materials: paper
Techniques: etching, roulette
Location: haarlem
Artist: hendrik schwegman
Artist role: draughtsman, print maker
Artist dates: 1761 – 1816
Subjects: landscape with bridge, viaduct or aqueduct, aqueduct (~ water supply)
Inscriptions: collector's mark: Lugt 2228

Gezicht op het Romeinse aquaduct Pont du Gard.
Sagami River (Sagamigawa), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)"
Object type: print
Date: 1858 – 1858
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Künstler-Serie "WIRO" München
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: color autotype
Location: munich
Subjects: theatre (building), monument, statue
Jar
Object type: jar
Date: 1301 – 1400
Materials: glaze, stoneware
Culture: chinese
Print
Object type: print
Date: 1786 – 1854
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Subjects: birds,women,boats
Ishiyakushi
Object type: print
Date: 1840 – 1840
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Subjects: men,women,horses