deem-data/ArtiFact huggingface dataset:
Galeria militar
Object type: book
Date: 1879 – 1879
Materials: paper, photographic support
Techniques: albumen print, printing
Location: lisbon
Artist: gomes pércheiro
Artist role: publisher
Anderson, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Ingang naar een villa, vermoedelijk in Batavia
Object type: album leaf
Date: 1870 – 1880
Materials: paper, photographic support
Techniques: albumen print
Location: batavia
Artist: Anonymous
Subjects: hand-cart, fence, wall, paling, rural housing, e.g. country-house, villa, cottage, gate, entrance, batavia

Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Panel with John the Baptist and other saints
Object type: panel
Date: 1801 – 1900
Materials: ivory
Culture: byzantine or european
Subjects: christ

This modern carving copies a tenth century ivory panel now in the Victoria and Albert Museum, London (215-1866).
Two Young Ladies Having Tea Attended by Elderly Servant
Object type: print
Date: 1750 – 1835
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: women,tea drinking,servants,teapots
Portretten van Izaak Schmidt, Jurriaan Andriessen en Reinier Vinkeles
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: painter, jurriaan andriessen, amsterdam, print maker, draughtsman, izaak schmidt, reinier vinkeles (i), drawing, historical persons, portrait, self-portrait of painter, tools, implements of painter, cupids: 'amores', 'amoretti', 'putti', portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 11

Onderaan handgeschreven genummerd: s.104, en: N 19.
Strook naaldkant met klimopblaadjes
Object type: strip
Date: 1850 – 1850
Materials: linen
Techniques: needle lace
Location: brussels
Artist: Anonymous

Grote wingerdbladeren van een staand recht takje worden afgewisseld met dito takje waarvan drie viooltjes naar beneden hangen. Point de gaze de Bruxelles.
Boerenfeest
Object type: print
Date: 1537 – 1537
Materials: paper
Techniques: engraving
Location: frankfurt am main
Artist: hans sebald beham
Artist role: designer, draughtsman, print maker
Artist dates: 1500 – 1550
Subjects: (annual) fair, trade fair, vomiting
Inscriptions: collector's mark: Lugt 2228a
Borderie. Raoul. 18 ans, né à Castelsarazin (Tarn & Garonne). Peintre en bâtiment. Anarchiste. 1/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Fac Simile eener Generale Instructie voor de Vloot van Nederlands Staat, geteekend door M.A. de Ruyter en C. de Witt, in dato 9 Mei 1672
Object type: letter
Date: 1800 – 1899
Materials: ink, paper
Techniques: pen
Location: northern netherlands
Artist: Anonymous
Subjects: flushing, michiel adriaenszoon de ruyter, dordrecht, the hague, cornelis de witt, command, navy, military instruction, preparation for battle, battle of solebay
Inscriptions: collector's mark: ‘25.90A’ Lugt 1641b

Transcriptie van een facsimile van instructies gericht aan de vloot van de Republiek der Zeven Verenigde Nederlanden, inclusief toelichting. Bestaande uit twee pagina's. Onderwerpsrubriek binnen de Atlas Amsterdam: Krijgswezen I: De Admiraliteit van Amsterdam, B. Vlootvoogden en schepelingen; Herinneringen daaraan.
Vrouw met hoedendoos
Object type: print
Date: 1832 – 1902
Materials: paper
Techniques: drypoint, etching
Artist: karel frederik bombled
Artist role: draughtsman, print maker
Artist dates: 1822 – 1902
Subjects: container of paper, cardboard: bag, carton, umbrella, standing figure (canon, proportions), the (nude) human figure; 'corpo humano' (ripa) (+ young female (human being)), poster
Inscriptions: collector's mark: Lugt 2228

Een jonge vrouw in 19de eeuwse kleding met hoed en mantel wandelt over straat. Ze heeft een hoedendoos en een paraplu bij zich. Achter haar aan de muur hangen Nederlandse reclameposters.
Trouwplegtigheid by de hervormden, in de Nieuwe Kerk, te Amsterdam
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: interior of church, (civil) marriage ceremonies, marriage ~ protestant service
Inscriptions: collector's mark, collector's mark: Lugt 1641

Hervormde huwelijksceremonie in de Nieuwe Kerk te Amsterdam. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Des Menschen Begin, Midden en Einde. Bruiloft en huwelijk.
Waistcoat
Object type: waistcoat
Date: 1867 – 1900
Materials: silk
Culture: american or european
Portretten van Cornelis Visscher, Jan de Visscher, Richard Brakenburg en Quiringh Gerritsz. van Brekelenkam
Object type: print
Date: 1815 – 1815
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: richard brakenburg, haarlem, jan de visscher, leiden, draughtsman, quiringh gerritsz. van brekelenkam, painter, cornelis visscher (ii)
Inscriptions: collector's mark: Lugt 2228

Latere staat van de prent ook gebruikt in: Roeland van Eynden, Adriaan van der Willigen, Geschiedenis der vaderlansche schilderkunst, sedert de helft der XVIII eeuw. Haarlem, A. Loosjes, Pz [vanaf dl 3: Wed. A. Loosjes], 4 dln., 1816-40.
Eight Men in Indian and Burmese Costume
Object type: illustrated single work
Date: 1801 – 1900
Materials: gold, ink, paper, watercolor
Techniques: dyeing
Location: india
Artist: ghulam ‘ali khan
Artist role: artist
Subjects: men

The Scottish brothers William and James Fraser were resident in India during the first half of the nineteenth century and commissioned an extensive series of paintings depicting native people. A folio in the so-called Fraser Album includes the figure of the same Burmese nobleman who is depicted at the center of this folio. Both paintings have been attributed to the Delhi school of the well-known artist Ghulam ‘Ali Khan, although this work is based on the Fraser Album page and was probably done by a different painter in the workshop. The main figure depicted may be a Burmese ambassador to Delhi, and the Delhi Fort is visible in the distant background.
Bottle with Daoist Immortals
Object type: vase
Date: 1567 – 1700
Materials: cobalt, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: men

The immortals on the bottle are all carrying the Chinese character shou, or longevity, and the good wishes implied therein are also reiterated in the inscription on the neck, which reiterates the desire for long life.
Constantine's Battle at the Milvian Bridge
Object type: drawing
Date: 1722 – 1722
Materials: ink
Techniques: brush, pen, wash
Artist: georg philipp rugendas
Artist role: artist
Artist nationality: german
Artist dates: 1666 – 1743
Subjects: bridges,battles,soldiers,horses
Opening van het Suez-kanaal 1869
Object type: history medal
Date: 1869 – 1869
Materials: tin
Techniques: striking

Tinnen penning, op de voorzijde het portet van Ferdinand de Lesseps naar links met omschrift, op de keerzijde het Suez-kanaal vanaf de Rode Zee in vogelvlucht met onder en boven tekst.
Portret van Dohlmann
Object type: print
Date: 1836 – 1880
Materials: paper
Techniques: engraving
Artist: conrad friedrich merckel
Artist role: print maker
Artist dates: 1826 – 1880
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portrait of Napoleon I
Object type: tapestry
Materials: wood, silk, silver gilt, thread, wool
Techniques: gilding
Artist: baron françois gérard
Artist role: artist
Artist nationality: french
Artist dates: 1770 – 1837
Subjects: napoleon i,men,portraits

Jacques-Louis David was First Painter to the emperor, but Napoleon did not like the official coronation portrait that David painted during the autumn and winter of 1805. Instead, he preferred a portrait that François Gérard had prepared in 1805 for the Ministry of Foreign Affairs. It shows Napoleon in the Throne Room of the Tuileries Palace, the seat of the empire. The emperor commissioned a number of repetitions to give to prominent officials, such as his grand-chamberlain, the duc de Tallyrand, and to his numerous brothers and sisters, whom he had installed on thrones throughout western Europe. It is no longer certain which of the many versions of Gérard's portrait was the first, although it may be the canvas now at the Château de Versailles. In 1808, Napoleon ordered the imperial tapestry works to execute a woven copy of his favorite portrait, thereby aligning himself with the royal tradition of tapestry patronage that extends back to the Middle Ages. A painted replica could have been produced quickly and with little expense, but tapestry was much more time-consuming and costly, and therefore considerably more precious. Eight weavers worked for three full years to make this tour de force. It was presented to the arch-chancellor of the empire, Jean-Jacques Régis de Cambacérès, four days after it was completed on March 7, 1811. In their depictions of Napoleon in his imperial robes, David and Ingres both strove to create novel imagery consonant with the new regime. However, the portraits that found favor with the court were those, such as this, that relied upon familiar conventions that had been used to portray French kings since Louis XIV.
Bronzen sculptuur, opgegraven in Pompeï, Italië
Object type: photograph
Date: 1880 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: italy
Artist: Anonymous
Subjects: sculpture
Inscriptions: inscription: ‘Brons, Pompeii, opgegr. 1880.’, collector's mark: ‘VOSMAER’
Vogel (onbekend)
Object type: drawing
Date: 1596 – 1610
Materials: paint, paper, pencil, watercolor
Techniques: brush, pen
Subjects: song-birds

Vogel (onbekende soort), mogelijk een mees. Genummerd rechtsboven: 7. Onderdeel van het tweede album met tekeningen van vogels. Vierde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Portret van Lodewijk Filips II van Orléans
Object type: print
Date: 1793 – 1799
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: paris, lodewijk filips ii (hertog van orléans), ornament ~ medallion, historical persons, medusa (one of the gorgons), ear-rings
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Met onder het portret een voorstelling van Medusa, vermoedelijk verwijzend naar de Terreur.
Jérusalem, Vallée de Hinnom, Retraite des Apôtres
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture,ruins
Vrouw met lans te paard
Object type: drawing
Date: 1570 – 1635
Materials: ink, paper
Techniques: brush, pen
Artist: domenico tintoretto
Artist role: draughtsman
Artist dates: 1560 – 1635

Vrouw die een lans vasthoudt op rijk getuigd paard met 16de-eeuwse schabrak.
Half Model of a Screw Steamer
Object type: ship model
Date: 1855 – 1855
Materials: brass, wood
Techniques: polychromy
Location: amsterdam
Subjects: vuurpijl (schip), montrado (schip)
Inscriptions: inscription, top centre, on an oval light blue label: ‘MONTRADO / Schooner met Stoomvermogen 50 PK / 8 Stukken / 1/40 ware grootte.’, label, bottom right: ‘486’ former inventory label

De schroefschoener van 8 stukken de Vuurpijl, lang 40 m., werd gebouwd in 1853-1854 in Amsterdam door A.E. Tromp; herdoopt Montrado in 1854, in verband met de onderwerping van de Chinese kongsis op West-Borneo. Zij deed dienst in Oost-Indië, waar zij werd verkocht in 1867. Het was het eerste schip van de Nederlandse Marine met een pijpketel.
Sjouwende figuren
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: adult woman, carrying something, adult man, dog

Links een hond naast een vrouw met spullen onder haar arm en in haar hand. Rechts een man achter een handkar met zakken. Blad 50 recto uit een schetsboek met 58 bladen.
Map voor negatieven van Photo House Rüedi
Object type: photomap
Date: 1930 – 1935
Materials: paper
Techniques: letterpress printing
Location: lugano
Artist: Anonymous
Inscriptions: inscription: ‘Zwitserland/ 28-35’
Lvdovicvs car simpl. F.
Object type: print
Date: 1603 – 1603
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: london
Inscriptions: collector's mark: Lugt 2228

Lodewijk IV de Eenvoudige, koning van Frankrijk. Naast hem het wapenschild van Frankrijk. De prent dient als een illustratie bij een boek over de geschiedenis van de graven van Brabant en heeft het folionummer Aa.
Gezicht op de haven van Caligny, Frankrijk
Object type: print
Date: 1860 – 1900
Materials: cardboard
Techniques: lithograph
Artist: Anonymous
Subjects: harbour
Inscriptions: inscription: ‘[...] PORT ET LE QUAI DE CALIGNY.’
Studie
Object type: sketchbook leaf
Date: 1887 – 1934
Materials: chalk, paper
Location: paris
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 8 verso uit schetsboek LIX met 21 bladen.
Meisje met mand in een bloemenweide
Object type: print
Date: 1856 – 1897
Materials: paper
Techniques: roulette
Artist: henri charles guérard
Artist role: print maker
Artist dates: 1846 – 1897
Subjects: meadow, pasture, container made of plant material other than wood: basket, girl (child between toddler and youth)
Inscriptions: stamp: Lugt 1157, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Het Rijksmuseum beschikt over negentien drukken van dezelfde voorstelling (RP-P-1972-234 t/m RP-P-1972-252) in verschillende staten en tonen.
Dancing Couple, from "The Small Wedding Dancers"
Object type: print
Date: 1538 – 1538
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: couples,men,women,dancing
Glass alabastron (perfume bottle)
Object type: alabastron
Date: 334 – 268
Materials: glass
Culture: eastern mediterranean or south italian

Translucent cobalt blue, with handles in same color; trails in opaque yellow, opaque white, and opaque turquoise blue. Broad horizontal rim-disk, with radiating tooling marks on upper and lower surfaces; cylindrical neck, tapering upward; shallow, uneven shoulder; straight-sided cylindrical body, with slight upward taper and slightly uneven surface; convex, slightly pointed bottom; below shoulder, two irregular trailed knob handles, applied over trail pattern. A fine yellow trail attached at edge of rim-disk; on body, alternating bands of yellow, white, and turquoise blue, tooled from shoulder to undercurve at bottom into a close-set feather pattern in seven vertical patterns with alternating upward and downward strokes. Intact, except for small internal cracks on bottom; some of trails completely weathered, leaving only impressions in sides of body; many tiny white inclusions; some pitting and small areas of iridescent weathering.
Haga comitis illustrata; of het verheerlykt en verligt 's Gravenhage bestaende in eene (...) verzameling van 116 (...) in het koper gebragte afbeeldingen, der (...) geillumineerd geweest zynde decoratien en zinnebeelden (...) ter geleegenheid der (...) verkiezinge, proclamatie & installatie van Z.D.H. Willem Carel Hendrik Friso, Prince van Oranje & Nassau, enz. tot Stadhouder (...) den 3 & 15 May 1747 : opgehelderd door een (...) beschryving
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: the hague, willem iv (prins van oranje-nassau), decoration and illumination of streets, squares, etc. (~ triumphal entry, etc.)

Blad met de decoraties aangeduid met de cijfers 1-6, opgehangen aan de huizen van inwoners van Den Haag. Los blad oorspronkelijk onderdeel van het plaatwerk Haga comitis illustrata uit 1751 met de versieringen opgesteld te Den Haag tijdens de feestelijkheden rond de installatie van prins Willem IV als stadhouder van Holland en West-Friesland op 3 en 15 mei 1747.
Kindervermaken
Object type: popular print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: children's games and plays, dancing, child playing with animals, fishing (sports), swimming (sport)
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van kinderspelen en bezigheden, zoals zwemmen, vissen en dansen. Onder elke voorstelling een tweeregelig vers. Genummerd midden onder: No. 108.
Corset
Object type: corset
Date: 1887 – 1890
Materials: bone, cotton, metal
Culture: american
Artist: madame mccabe
Artist role: designer
Takata Riding Grounds (Takata no baba), from the series “One Hundred Famous Views of Edo (Meisho Edo hyakkei)”
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portret van Casimir I
Object type: album leaf
Date: 1574 – 1594
Materials: paper
Techniques: woodcut
Location: cologne
Subjects: historical persons, king
Inscriptions: collector's mark: Lugt 240

Prent gebruikt in: Mylius, Arnold. Principum et Regum Polonorum Imagines ad Vivum Expressae (...). Keulen: Gottfried von Kempen, 1594.
12 cartes postales illustrées de la Grande Guerre / Pochette No 1
Object type: ansichtkaart, prentbriefkaart
Date: 1914 – 1915
Materials: paper
Techniques: photograph
Location: marseille
Artist: sémaphore
Artist role: printer
Subjects: truck, van, modern forms of military vehicles

Vernietigde colonne Duitse vrachtwagens. Onderdeel van de eerste serie van twaalf (elf aanwezig) prentbriefkaarten over de Eerste Wereldoorlog, 1914-1915.
Portret van een man met snor
Object type: photograph
Date: 1804 – 1869
Materials: cardboard, photographic support
Techniques: albumen print
Location: den bosch
Artist: antonius godefridus schull
Artist role: fotograaf
Artist dates: 1819 – 1896
Subjects: moustache, historical persons
Inscriptions: date: ‘April 1869’, inscription: ‘PHOTOGRAPHIE/ A. G. SCHULL/ Kerkstraat/ 'S HERTOGENBOSCH.’
Geyser Spring, from the series "Saratoga Springs, N. Y."
Object type: photograph
Date: 1875 – 1899
Techniques: albumen print
Location: saratoga springs
Artist: baker & record, photographers

Text printed on reverse of stereocard:

This Wonderful Mineral Fountain was discovered in February, 1870. It was developed by experimental drilling in the sold rick. It is located in the "Coeesa Valley," near Cady Hill, on the Ballston road, one and a half miles south of the principal hotels at Saratoga Springs. The water vein was struck by the drill in the birdseye limestone, one hundred and fifty feet beneath the surface rock. The water immediately commenced spouting at the surface, being forced up from the depths of the earth by the pressure of its own carbonic acid gas, spouting through an inch nozzle to the height of thirty feet. During the season of 1870 over fifty thousand persons visited the Geyser Spring, and the universal testimony of all is that the waters are the best and the Spring the most wonderful in the world.
Landschap met een wandelaar en enkele bomen
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Bon à tirer à 250 exemplaires. 4 Janvier 1876.’, annotation: ‘Teinter un peu plus la ciel surtout a gauche.’

De etsen naar de schilderijen van Frédéric Van de Kerkhove werden na zijn dood door zijn vader en zuster gemaakt en uitgegeven in twee reeksen. De eerste werd in 1877 uitgegeven door het Journal des Beaux-Arts et de la Littérature: Cahier de 25 Eaux-fortes d'après Frédéric van de Kerkhove, gravées par son père et sa sœur. De tweede reeks van 126 etsen, ook in 1877, werd in Parijs uitgegeven bij A. Lévy onder de titel Cent eaux-fortes gravées par J. Van de Kerkhove d'après les tableaux de Frédéric Van de Kerkhove, mort en 1873 à l'âge de 10 ans et 11 mois.
Saucer with Floral Design and Basketry Exterior
Object type: saucer
Materials: enamel, glaze, porcelain
Techniques: painting, polychrome
Culture: japanese
Artist: zōshuntei sanpo
Artist role: artist
Artist nationality: japanese
Artist dates: 1841 – 1878
Dish
Object type: dish
Materials: earthenware
Techniques: glazing
Artist: bernard palissy
Artist role: maker
Artist nationality: french
Artist dates: 1510 – 1590
Subjects: faces,flowers
Glass bead
Object type: bead, spherical
Date: 1 – 400
Materials: glass
Culture: roman
Voorstellingen van sarcofagen en antieke beelden
Object type: drawing
Date: 1550 – 1570
Materials: chalk, ink, paper
Techniques: pen
Location: low countries
Artist: Anonymous

Album "Maarten de Vos schetsboek", blad 5v(12)
Hoofd Administratie : Club
Object type: photograph
Date: 1933 – 1933
Materials: photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: plantation
Inscriptions: inscription: ‘Hoofd Administratie : Club (Reçu 2-10-33)’

Gebouw van de club van de Sucama bij de plantage Pernantian. Met etiket met onderschrift onder de foto. Onderdeel van het fotoalbum over de plantages Brussel en Pernantian van de Sumatra Caoutchouc Maatschappij op de Oostkust van Sumatra in de jaren 1910-1935.
1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
[Sculptures of Hylas and the Nymphs, Allegorical Figures of the Three Fates, Zephyr wooing Flora, and Michelangelo's Bacchus and Donatello's St. George]
Object type: photograph
Date: 1859 – 1859
Techniques: albumen silver print, glass negative
Artist: philip henry delamotte
Artist role: artist
Artist nationality: british
Artist dates: 1821 – 1889
Subjects: sculpture,male nudes,female nudes