deem-data/ArtiFact huggingface dataset:
Newfoundland, Two Dollars, from the series Coins of All Nations (N72, variation 1) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,coins

Trade cards from the "Coins of All Nations" (N72), issued in a set of 50 cards in 1889 to promote W. Duke Sons & Co. brand cigarettes. There are two variations within the series. Version one (variation 1) maintains a white background on the cards and the second version (variation 2) displays a shaded background.
Adreskaart van kunsthandel E.J. van Wisselingh & Co.
Object type: print
Date: 1907 – 1915
Materials: paper
Techniques: letterpress printing, lithograph
Location: amsterdam
Artist: Anonymous
Subjects: abstract, non-representational art, ornaments ~ art, amsterdam
Inscriptions: date

Op de voor- en achterzijde een herhaalde voorstelling van bloemen in een veld met ornamenteel kader. In het midden daarvan het monogram van de firma 'E.J. v W & Co.'. Binnenin een tekst die aangeeft dat de werkplaatsen zullen verhuizen naar de Prinsengracht 824.
De Verheugde Bakker
Object type: text sheet
Date: 1829 – 1829
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: baker
Inscriptions: collector's mark: Lugt 2233
Waddling Out!
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: birds,buildings,men,dogs

Companion print to Waddling In! (59.533.625), and one of series after Woodward showing city businessmen participating in the stock market. This shows a man headed out of the stock exchange, dejected at his losses. with the lintel lettered "Stock Exch...", a sign at right advises: "Fluctutation of the Fund" and a building in the right background is identified as "Bull, Bear & Co. Insurance Brokers."
Square Tray
Object type: square tray
Date: 1201 – 1400
Materials: gold, lacquer
Culture: japanese
Souvenir
Object type: souvenir
Date: 1784 – 1785
Materials: enamel, gold, ivory
Artist: jean-nicolas defer
Artist role: maker
Artist dates: 1783 – 1793
Subjects: women

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Hostess Discharges a Pan of Blood into the Face of Parson Andrews, from "The Adventures of Joseph Andrews, and his friend Mr. Abraham Adams"
Object type: print
Date: 1792 – 1792
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: kitchens,men,women
Gezicht op het Palais de la Légion d'Honneur te Parijs
Object type: stereograph
Date: 1860 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: charles gérard
Artist role: fotograaf
Subjects: hôtel, i.e. small palace in city, façade (of house or building)
Inscriptions: inscription: ‘La legion d'honneur’, inscription: ‘Photographie C. G. à Paris.’
After the Ballet
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: france
Artist: constantin guys
Artist nationality: french
Artist dates: 1802 – 1892
Decoratief beslag uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: beslag
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fitting, decorative fitting or fragment; fragm, id. NG 1980-27H1749, eroded.
De Doop van Christus
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: baptism of christ in the river jordan: john the baptist pouring out water on christ's head: the holy ghost descends
N.R. Smith
Object type: page
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Subjects: historical persons
Man met hond voor een huis of boerderij
Object type: photograph
Date: 1900 – 1930
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Subjects: dog
Sky – Northern Cuba
Object type: painting
Date: 1853 – 1866
Materials: board, oil
Culture: american
Artist: charles dewolf brownell
Artist role: artist
Artist nationality: american
Artist dates: 1822 – 1909
Subjects: sky,clouds
Cup-Hilted Rapier
Object type: cup hilted rapier
Date: 1650 – 1650
Materials: copper, steel, metal
Culture: spanish
Location: spain

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Ontwerp voor een beeldengroep met de personificaties van Grootmoedigheid, Kracht en Afgunst
Object type: design
Date: 1600 – 1699
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture, strength, power; 'fortezza', 'fortezza d'animo e di corpo', 'fortezza del corpo congiunta con la generosità dell'animo', 'fortezza & valore del corpo congiunto con la prudenza & virtù del animo', 'forza' (ripa), jealousy; 'gelosia', 'rammarico del ben'altrui' (ripa) (+ strife between concepts), magnanimity; 'grandezza e robustezza d'animo', 'magnanimità' (ripa) (+ one concept conquering the other)
Portret van een onbekende jongen
Object type: frame
Date: 1840 – 1860
Materials: glass, wood
Techniques: daguerreotype
Artist: h. shearman
Artist role: fotograaf
Subjects: sitting figure, boy (child between toddler and youth), historical persons
Inscriptions: inscription: ‘From/ H. Shearman/ Photographic Artist/ 4 Queen's terrace, Commercial Road/ opposite teh telegraphe station/ Portraits taken on paper, Oileloth or copied from/ photographic likenesses or oil paintings [...]./ Portraits taken for Brooches, Lockets, Pins (...)’
Mystieke huwelijk van de heilige Catharina
Object type: print
Date: 1501 – 1580
Materials: paper
Techniques: engraving
Location: italy
Subjects: the mystic marriage of st. catherine of alexandria with the infant christ: the christ-child puts a ring on her finger
Inscriptions: collector's mark: Lugt 240

Maria zit met het Christuskind op schoot. Christus schuift een ring aan de vinger van de heilige Catharina die voor hem knielt. Op de voorgrond links een stuk van het rad van de heilige Catharina. Op de voorgrond rechts een man.
Nude Figure
Object type: drawing
Date: 1862 – 1865
Materials: chalk
Artist: alfred george stevens
Artist role: artist
Artist nationality: british
Artist dates: 1817 – 1875
Subjects: male nudes

Stevens, who drew his inspiration from Michelangelo, was one of the finest figure draftsmen in Britain during the nineteenth century. This drawing may have been a preliminarty sketch for "Vision," part of a series of decorations the artist carried out in the east end of Christ Church, Sosway Street, Marylebone.
The Angel Appearing to the Shepherds
Object type: print
Date: 1634 – 1634
Materials: ink, paper
Techniques: drypoint, engraving, etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669

This nocturnal scene from the Gospel of Luke represents Rembrandt’s first attempt to render shadows in print with the same gravity and depth he achieved in oil paint. In the upper left, an angel stands before a glowing celestial vortex and announces the birth of Christ. At the center of the divine light is the dove of the Holy Spirit, defined by a few small marks. Terrified by the sudden blast in the night, herdsman and their beasts run amok.
To depict the stunning collision between heaven and earth, Rembrandt first scratched a detailed compositional outline with a sharp needle and etched lines. He then built a range of grays and deep blacks by crisscrossing layers of lines in varying widths. This fine netting of shadow echoes the spontaneity of the moment and differs from the rigidity and systematized decorative patterns seen in the work of predecessors such as Hendrik Goudt.
Jérusalem, Casque trouvé dans le Jourdain, 2
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: sculpture
Deur met reliëf in Huize Overbeek te Velp
Object type: photograph
Date: 1903 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: huize overbeek
Artist: Anonymous
Subjects: interior ~ representation of a building, closed door, sculpture (+ relief ~ sculpture)
Inscriptions: annotation, inscription: ‘Velp (G.) Huize Overbeek Aanzicht in het salon. Deur naar de bibliotheek.’, inscription: ‘neg. no 16889 foto no 23911’
Coffee Urn
Object type: coffee urn
Date: 1840 – 1865
Materials: brass, pewter, wood
Culture: american
Location: united states
Artist: roswell gleason
Artist role: maker
Artist nationality: american
Artist dates: 1799 – 1887
Bracket
Object type: bracket
Date: 1701 – 1800
Materials: wood
Techniques: carving
Location: india
Subjects: elephants
Brief aan August Allebé
Object type: letter
Date: 1866 – 1918
Materials: ink, paper
Techniques: pen, writing
Artist: wally moes
Artist role: draughtsman, print maker
Artist dates: 1856 – 1918
Subjects: amsterdam, print maker, draughtsman, august allebé
Inscriptions: watermark
Wakasa, section of sheet no. 10 from the series "Cutout Pictures of the Provinces (Kunizukushi harimaze zue)"
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Indiana, from the Industries of States series (N117) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: shields,women

Trade cards from the "Industries of the States'" series (N117), issued in an unnumbered set of 25 cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco.
Juifs de Jérusalem / Jews of Jerusalem
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard, photographic process
Location: jerusalem
Artist: Anonymous
Subjects: the jews, jewish life
Textile Fragment
Object type: textile fragment
Date: 1201 – 1400
Materials: wool
Techniques: weave
Location: egypt
Flowers, fish, and crabs
Object type: hanging scroll
Date: 1534 – 1566
Materials: ink, silk
Culture: chinese
Artist: liu jie
Artist role: artist
Artist nationality: chinese
Artist dates: 1534 – 1566
Subjects: crabs,fish,flowers

This painting by the court master Liu Jie juxtaposes a large perch with many smaller fish and a variety of flora and fauna, including narcissus in bloom, lily pads, grasses, grain, a crab, and frogs. The effect is one of civilized tranquility in which the large fish, symbolizing a person of obvious stature, swims quietly along a peaceful riverbank. Both the fish and grain symbolize wealth, and the overall impact of the image is suggestive of abundance and reward. Some pictorial elements—perch, grain, and crab—also create a visual pun with a homophonous wish for “peace and harmony in the entire palace,” which makes it clear that this picture was intended for the emperor. Liu Jie’s formal signature, which gives his title as Commander in the Embroidered Uniform Guard, on Appointment to the Wenhua Palace, confirms that this was an imperial commission. The Wenhua Palace was one of the halls in the Forbidden City at which court painters served. Liu’s rank of commander was very near the highest to which a painter could aspire. Both Liu’s grandfather and father had also held this title as court artists, and Liu Jie would have been entitled to inherit this rank after his father’s death, which apparently occurred only a few years after Liu received his first court title in 1477.
albumblad
Object type: photograph
Date: 1880 – 1910
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: inscription: ‘Ensenada [?]’, caption: ‘Casa del Dr. Dirks.’

Gezicht op een vrijstaand gebouw aan een onverharde weg.
Brief aan Philip Zilcken
Object type: letter
Date: 1877 – 1932
Materials: ink, paper
Techniques: pen, writing
Location: bussum
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: klaas groesbeek, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Een familie in Suriname
Object type: stereograph
Date: 1913 – 1930
Materials: glass
Techniques: photography
Location: suriname
Artist: theodoor brouwers
Artist role: amateurfotograaf
Artist dates: 1874 – 1932
Subjects: amsterdam, theodoor brouwers, suriname

In de periode 1911-1932 woonde op plantage Accaribo in Suriname de familie Brouwers van wie de foto's afkomstig zijn. Rond 1910 vond Theodoor Brouwers werk op plantage Accaribo. In 1929 werd hij eigenaar van de plantage. Op Accaribo werden in zijn tijd bananen geproduceerd en wat koffie.
F. van Schooten
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: lithograph
Location: leiden
Artist: leendert springer (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1789 – 1871
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Springer, Leendert. Galerij van hoogleeraren aan de Hoogeschool te Leijden, naar de oorspronkelijke afbeeldsels op de Senaat-zaal aldaar berustende. Leiden: Springer, Leendert., s.a. [circa 1850].
Portret van een vrouw met muts, zittend aan een tafel
Object type: album leaf
Date: 1865 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, head-gear: cap
Inscriptions: inscription: ‘ATELIER DE PHOTOGRAPHIE/ BILLOTTE FRÈRES,/ 9, rue de la Reine,/ près la Place de la Monnaie,/ BRUXELLES.’
Sprookjes
Object type: popular print
Date: 1893 – 1894
Materials: paper
Techniques: colour, letterpress printing, lithograph
Location: epinal
Artist: Anonymous
Subjects: selfishness; 'interesse', 'interesse proprio' (ripa)

Blad met zestien voorstellingen over de egoïstische jongen Marcelinus. Onder elke voorstelling een onderschrift in het Engels. Deze prent maakt deel uit van een album.
Bamboo and Rock in Snow
Object type: hanging scroll
Date: 1767 – 1800
Materials: ink, silk
Culture: japanese
Artist: kuwayama gyokushū
Artist role: artist
Artist nationality: japanese
Artist dates: 1746 – 1799
Subjects: bamboo,snow

Bamboo, a symbol of enduring strength, especially in its capacity to thrive under the snow in winter, has long been a favored motif among the literati of East Asia. Kuwayama Gyokushū left areas of the paper unpainted to represent snow, while an uneven gray wash signals a dark, wintry evening. Gyokushū was an affluent shipping merchant and farmer in addition to an artist and commentator on literati painting.
De zel-neering of het darink-delven, zoo als het oudtyds, in Zeeland, geoefend werdt
Object type: print
Date: 1750 – 1770
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: opencast mine; strip mining, salt, zeeland

Huidige staat van prent ook gebruikt in: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden […]. 21 delen. Amsterdam: Isaak Tirion, 1749-1759, dl. 4 (1750), p. 170. En in: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden […]. 21 delen. Amsterdam: weduwe Isaak Tirion, 1770, dl. 4, p. 170.

Prent naar het anonieme zestiende-eeuwse schilderij op paneel in de Burgemeesterskamer van het oude stadhuis van Zierikzee.
Veuë de la Maison de Saint Cloud, apartenant a Monsieur Le Duc d'Orleans
Object type: album leaf
Date: 1631 – 1691
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Subjects: castle, french or architectonic garden; formal garden

Gezicht op Château de Saint-Cloud, de residentie van de hertog van Orléans. Prent maakt deel uit van een album.
Private, 1st Battery, New York State Militia, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Brief aan Jan Veth
Object type: letter
Date: 1890 – 1890
Materials: ink, paper
Techniques: pen, writing
Location: berlin
Artist: max liebermann
Artist role: draughtsman, print maker
Artist dates: 1847 – 1935
Subjects: draughtsman, jan veth, berlin, painter, print maker, artist, karl köpping, amsterdam, sculptor, wilhelmus bernardus gerardus molkenboer, publisher, j.h. schorer, the graphic arts
Inscriptions: collector's mark: ‘RPK’

Opgenomen in: Ernst Braun, Max Liebermann: Briefe 1869-1895, Baden-Baden: Deutscher Wissenschafts-Verlag, 2011, Band 1, p. 144-145.
Boomstudie
Object type: drawing
Date: 1904 – 1904
Materials: ink, paper, pencil
Techniques: pen
Artist: coba steenhoff
Artist role: draughtsman
Subjects: trees
Inscriptions: date: ‘1904’
Caracal and Pheasant
Object type: drawing
Date: 1810 – 1875
Materials: watercolor, paper
Location: france
Artist: antoine-louis barye
Artist role: artist
Artist nationality: french
Artist dates: 1795 – 1875
Subjects: animals,pheasants
Crystal Skull and Jade Vase
Object type: print
Date: 1868 – 1868
Techniques: etching
Artist: jules-ferdinand jacquemart
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1880
Moord op de protestanten te Wassy, 1562
Object type: album leaf
Date: 1567 – 1571
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: massacre ~ war

Moord op de protestanten tijdens een bijeenkomst te Wassy (Wassy-sur-Blaise), 1 maart 1562, door soldaten van de hertog de Guise. Met onderschrift van 8 regels in het Duits. Linksonder genummerd: 25. De prent maakt deel uit van een album.
Designs for Two Round Tables
Object type: drawing
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: tables
Viewing the Moon in an Empty Room
Object type: album leaf
Date: 1829 – 1829
Materials: ink, paper
Culture: chinese
Artist: gu luo
Artist role: artist
Artist nationality: chinese
Artist dates: 1763 – 1837
Sculptuur van Atalanta, Vaticaan
Object type: photograph
Date: 1857 – 1875
Materials: paper
Techniques: albumen print
Location: vatican museums
Artist: james anderson
Artist role: fotograaf
Artist dates: 1813 – 1877
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘1374 - ROMA - Corriera dei giuochi Olimpici - Museo Vaticano - Anderson’
Portret van Jan Hofker
Object type: print
Date: 1905 – 1905
Materials: paper
Techniques: intaglio, soft ground etching
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: portrait of a writer
Inscriptions: inscription: ‘schoongeveegde druk’
Buddhist Pagoda
Object type: sculpture
Materials: granite
Location: korea
Subjects: architecture
Ontwerp voor een tapijt
Object type: drawing
Date: 1854 – 1864
Materials: gouache, paper
Techniques: brush
Location: amsterdam
Artist: Anonymous
Subjects: ornaments ~ art
Inscriptions: number: ‘No 19.’, inscription: ‘E s.’, retailer's mark: ‘JHS.’

De presentatietekeningen BK-1971-77-1 t/m 86 zijn kopieën van de originele ontwerptekeningen. Ze werden gemaakt voor vertegenwoordigers van bijvoorbeeld magazijnen, die ze aan hun klanten konden tonen. De meeste tekeningen tonen een kwart van het dessin inclusief rand, middenpartij (de zogenaamde grond of fond) en centraal medaillon. Door het gebruik van spiegels kan de illusie van het gehele tapijt worden opgeroepen. Een deel van de tekeningen heeft een alfabetische opeenvolgende letter als kenmerk, de andere groep een cijfer.Waarschijnlijk is de reeks dessins met een letter eerder samengesteld dan de genummerde tekeningen.
Blad met bloemen en vruchten
Object type: brocade paper
Date: 1730 – 1760
Materials: gold leaf, paint, paper
Techniques: relief print
Location: augsburg
Artist: johann michael munck
Artist role: ontwerper sierpapier
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760

Blad met bloemen en vruchten, rechtsboven drie granaatappels, linksonder twee granaatappels.
Gezicht op de Église Saint-Eustache in Parijs
Object type: print
Date: 1839 – 1840
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: church (exterior)
Inscriptions: inscription: ‘PARIS DAGUERRÉOTYPÉ No. 25.’

Prent op negenennegentigste ongenummerde pagina.
Town Hall Middleburg
Object type: photograph
Date: 1912 – 1912
Materials: photographic support
Techniques: gelatin silver print
Location: middelburg
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment, townhall, travelling; tourism, square, place, circus, etc. (+ city(-scape) with figures, staffage), middelburg

Onderdeel van Fotoalbum van de excursie naar Nederland van de Britse amateurfotografenvereniging P.C.U.K.
Portret van Johannes Georgi
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: graz
Artist: david mannasser
Artist role: print maker
Artist dates:  – 1664
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Russell, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.