deem-data/ArtiFact huggingface dataset:
Primo libro di caccie varie
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: etching
Location: italy
Subjects: hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), hunt ~ mammals
Inscriptions: collector's mark: Lugt 11, number: ‘12’, collector's mark: ‘Hinloopen’

Een landschap met primitieve jagers in lendendoeken jagend op wilde honden (de dieren lijken meer op lama's met hangoren).
Landscape with Ruin
Object type: photograph
Date: 1870 – 1870
Techniques: albumen print
Location: france
Artist: felix thiollier
Artist role: artist
Artist nationality: french
Artist dates: 1842 – 1914
Subjects: traditional landscapes, photography, landscapes
De schepping volgens de Banjans
Object type: print
Date: 1721 – 1721
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: tribal religions of south-east asia, creation of man by some creative force
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt als illustratie in: Ceremonies et coutumes religieuses de tous les peuples du monde (...). Amsterdam: Jean Frederic Bernard, 1721.
Monastic Saint
Object type: statue
Date: 1480 – 1480
Materials: wood
Culture: dutch
Subjects: men
Nine Designs for Decorated Cups
Object type: drawing
Date: 1852 – 1852
Materials: gouache, ink, watercolor
Techniques: pen
Artist: alfred henry forrester [alfred crowquill]
Artist role: artist
Artist nationality: british
Artist dates: 1804 – 1872
Subjects: flowers,leaves,cups
Netsuke in Shape of a Biwa Fruit containing Court Figures Playing Game of Go
Object type: netsuke
Date: 1801 – 1833
Materials: wood
Culture: japanese
Subjects: human figures,games
Drie skeletten: een paard, een mens en een hond
Object type: photograph
Date: 1900 – 1925
Materials: photographic support
Techniques: platinum process
Artist: Anonymous
Old Woman Cutting Her Nails
Object type: painting
Date: 1655 – 1660
Materials: canvas, oil
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: portraits,women

Once well known as a Rembrandt, this large canvas has also been attributed to his pupils Nicolaes Maes (1643–1693) and Abraham van Dijck (ca. 1635–1680). The two artists were closely associated in Dordrecht, the southern Dutch city from which several Rembrandt followers came. Whatever its authorship, the painting must date from about 1655–60. The sewing materials and the act of clipping nails probably suggest domestic virtues of a kind often associated with widowhood. The monumental treatment is unexpected and surely inspired by Rembrandt.
Portret van Filips II, koning van Spanje
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: philip ii of spain, head-gear: hat (+ men's clothes), knighthood order of the golden fleece
Inscriptions: collector's mark: Lugt 12

Proefdruk van de zesendertigeste prent uit de serie 'Graven en gravinnen van Holland, Zeeland en West-Friesland', bestaande uit 38 prenten.
Portret van Johann Jakob Rambach
Object type: print
Date: 1818 – 1838
Materials: paper
Techniques: lithograph
Location: hamburg
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Fragment van een beddentijk
Object type: tick covering
Date: 1850 – 1900
Materials: cotton
Location: netherlands

Fragment van een beddentijk, katoenen visgraat, blauwgestreept.
Thomas Moore
Object type: print
Date: 1828 – 1874
Materials: paper
Techniques: engraving
Location: hildburghausen
Artist: Anonymous
Subjects: thomas moore, historical persons, writer, poet, author
Design for a Painted Ceiling
Object type: drawing
Date: 1825 – 1875
Materials: watercolor
Artist: anonymous, italian, 19th century
Artist role: artist
Artist nationality: italian
Artist dates: 1800 – 1900
Subjects: architecture
Vase
Object type: vase
Date: 1801 – 1900
Materials: glaze, iron, porcelain
Culture: chinese
Tadja-feest
Object type: photograph
Date: 1880 – 1900
Materials: photographic support
Techniques: collodion silver print, gelatin silver print
Location: suriname
Artist: julius muller
Artist role: official, politician
Artist dates: 1846 – 1902
Subjects: suriname
Inscriptions: inscription: ‘Tadja-feest, cliché Muller.’

De viering van het Tadja feest of tajiya-festival door de Hindostaanse moslims onder de Brits-Indische immigranten. Onderdeel van het fotoalbum Souvenir de Voyage (deel 3), over het leven van de familie Dooyer in en rond de plantage Ma Retraite in Suriname in de jaren 1906-1913.
Vrouw drinkt water uit een waterton
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Subjects: adult woman, water-supply and draining, pipework (in house or building)
Inscriptions: monogram: ‘Dr A Co’
Ensemble
Object type: ensemble
Date: 1860 – 1869
Materials: wool
Culture: british
Escutcheon of lock
Object type: escutcheon with lock
Date: 1701 – 1750
Materials: iron
American Balloon; American Playing Cello; Bamboo
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa yoshiiku
Artist role: artist
Artist nationality: japanese
Artist dates: 1833 – 1904
Subjects: men,cellos,bamboo,hot air balloons
Portret van Koningin Wilhelmina met prinses Juliana
Object type: photograph
Date: 1904 – 1912
Materials: photographic support
Techniques: matte daylight collodion silver print
Location: the hague
Artist: herman deutmann
Artist role: fotograaf
Artist dates: 1870 – 1926
Subjects: print maker, wilhelmina of the netherlands, juliana of the netherlands, the hague
Sectie T. Hijwerk, brug Wittewaterkreek
Object type: photograph
Date: 1905 – 1910
Materials: photographic support
Techniques: photography
Location: suriname
Artist: augusta curiel
Artist role: fotograaf
Artist dates: 1873 – 1937
Subjects: jacob evert wesenhagen, railway, tramway; rack railway, suriname
Inscriptions: inscription: ‘Sectie T. Hijwerk, brug Wittewaterkreek’

Heiwerk voor de aanleg van de brug over de Wittewater kreek (Wittiewatra) Foto in het fotoalbum over de aanleg van de Lawaspoorweg in Suriname in de jaren 1903-1912. Onderdeel van een groep objecten afkomstig van de familie Wesenhagen in Suriname.
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Date: 1901 – 1901
Materials: ink, paper
Techniques: pen, writing
Location: nogent-sur-marne
Artist: pieter dupont
Artist role: draughtsman, print maker
Artist dates: 1870 – 1911
Subjects: pieter haverkorn van rijsewijk, the graphic arts, art collecting
Inscriptions: collector's mark: ‘RPK’, watermark
Gezicht op het dorp Maruyama bij Kyoto
Object type: photograph
Date: 1870 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: kyoto
Artist: Anonymous
Subjects: prospect of village, silhouette of village, travelling; tourism, mountains, kyoto
Inscriptions: negative number: ‘702’

Onderdeel van Fotoalbum met 50 foto's van bezienswaardigheden in Japan.
Standbeeld van Hendrik Tollens
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: tone lithography
Location: rotterdam
Subjects: hendrik tollens, historical persons, monument, statue
Inscriptions: : ‘Geteekend en op steen gebracht / door S.T.VoornBoers / 24 sept 60.’, : ‘Gedrukt en uitgegeven / bij Gebr. Voornboers / 24 sept 60.’, : ‘Gedeponeerd.’, check stamp: ‘gebroeders Voorn Boers uitgevers’
Theatrum Orbis Terrarum
Object type: album leaf
Date: 1570 – 1570
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: scrollwork, strapwork ~ ornament, ornament ~ cartouche, compass

Ovale rolwerkcartouche met bovenop een schaalstok en passer. De cartouche is een fragment van een kaart van het hertogdom Milaan. De prent maakt deel uit van een album.
La Mode Miniature, 1872, No. 10 : Machines à coudr (...)
Object type: fashion print
Date: 1872 – 1872
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: head-gear (+ women's clothes), fashion plates, skirt (+ women's clothes), dress, gown (+ women's clothes), necklace (+ women's clothes)
Inscriptions: title: ‘La Mode Miniature Magasin Bijou Illustré’, caption: ‘Machines à coudre de Pollack Schmidt & Cie r. Richelieu. 30’

Twee vrouwen staan buiten op een bordes, gekleed in japonnen met tournure. Prent uit het modetijdschrift La Mode Miniature (1872-1873).
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, back of neck and drapery of figure to left
Pediculosis corporis
Object type: photomechanical print
Date: 1882 – 1892
Materials: paper
Techniques: photograph
Location: amsterdam
Subjects: skin and venereal diseases, adult man, back
Inscriptions: number: ‘Planche LX.’
Nederlandse ½ gulden, 1866
Object type: coin
Date: 1866 – 1866
Materials: silver
Techniques: striking
Location: utrecht
Artist: willem iii (koning der nederlanden)
Artist role: koning
Artist dates: 1817 – 1890

Zilveren munt. Voorzijde: borstbeeld naar rechts. Keerzijde: tussen waarde-aanduiding ½ G gekroond rijkswapenschild. Jaartal boven kroon. Kartelrand.
's Gravenhage, Kneuterdijk, paleis van den Kroonprins. La Haye, Kneuterdijk, palais du Prince Royal.
Object type: cabinet photograph
Date: 1865 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: palace, street (+ city(-scape) with figures, staffage)

Onderdeel van Leporelloalbum met foto's van Den Haag.
Gold aureus of Antoninus Pius
Object type: aureus of antoninus pius
Date: 141 – 141
Materials: gold
Culture: roman

DIVA FAVSTINA, draped bust of Faustina I (wife of Antoninus Pius)/AVGVSTA, empress as the goddess Ceres with burning torches in both hands Rome
Console table
Object type: console table
Date: 1735 – 1740
Materials: marble, wood
Techniques: carving

Supported on one or two legs, console tables need to be attached to the wall for stability and are considered to be part of the interior decoration of a room. They were made by a special group of joiners, menuisiers en bâtiments (litt. building carpenters) responsible for the fixed elements in the interior such as paneling, pier glasses and console tables. Unlike other members of the guild, these craftsmen were not required to stamp their output and for that reason it is rarely known who created such works. The serpentine outline of the table’s apron incorporates an openwork cartouche with a heart-shaped boss in the center surrounded by an asymmetrical rocaille frame and flanked by scrolling acanthus leaves and floral garlands. The doubly curved legs are decorated with floral trails and connected at the feet by an upward curving stretcher embellished in the center with an openwork asymmetrical cartouche of rocaille forms, scrolling acanthus leaves and floral ornament. The table has been compared with designs by Juste-Aurèle Meissonnier (1695-1750), the leading and most extravagant pioneer of the Rococo style in the decorative arts. The asymmetrical cartouches and use of rocaille decoration does reveal quintessential elements of the Rococo style prevalent in Continental Europe from 1730s onward. This table was part of the model collection of woodwork, paneling and seat furniture of Maison Leys, a successful decorating business, located at the Place de la Madeleine in Paris. Since 1885 the business was directed by Georges Hoentschel who installed the collection in 1903 in a museum-like display at Boulevard Flandrin, Paris. Three years later, Hoentschel sold the collection to J. Pierpont Morgan who gave the panels with the rest of the decorator’s seventeenth and eighteenth century objects to the Metropolitan Museum of Art in 1907.
W. Gleuns jr.
Object type: photograph
Date: 1878 – 1878
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: historical persons

Carte-de-visite is onderdeel van een groep portretten aangeboden aan A.J. Nijland, verzamelaar van historieprenten.
Gostiny Dvor, het 18de-eeuwse warenhuis, aan de Nevski Prospekt in Sint Petersburg
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: albumen print
Location: sint-petersburg
De inwoners en vegetatie van Musashino
Object type: book
Date: 1909 – 1920
Materials: paper
Techniques: woodcut, letterpress printing
Location: japan
Artist: ôta saburô
Artist role: print maker
Artist dates: 1884 – 1969
Inscriptions: mark: ‘kinseido’, mark
Series of Six Anamorphic Animal Prints
Object type: print
Date: 1700 – 1700
Techniques: etching
Artist: joseph friedrich leopold
Artist role: print maker, publisher
Artist nationality: german
Artist dates: 1668 – 1726
Subjects: animals
Salomo bouwt de tempel
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Artist: caspar luyken
Artist role: draughtsman, print maker
Artist dates: 1672 – 1708
Subjects: the building of the temple of solomon
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie uit: Josephus, Flavius. XX. boeken van de oude geschiedenissen der joden, 4 delen. Amsterdam: Barent Visscher, Willem de Coup, Willem van Lamsveld, Andries van Damme, 1698, dl. I.
Reclame voor een rijtuig van Fitzgerald & Kinne in Cortland, New York
Object type: carte de visite
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: advertising, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach
Inscriptions: inscription: ‘(...)’
Genova. S. Lorenzo. Capella di S. Giovanni Battista
Object type: photograph
Date: 1870 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: genoa
Artist: alfredo noack
Artist role: fotograaf
Artist dates: 1833 – 1895
Subjects: parts of church interior: chapel
Inscriptions: negative number: ‘3077’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië en Zuid-Frankrijk.
Man's Waist Sash
Object type: costume and accessory
Date: 1701 – 1800
Materials: metal, silk
Techniques: compound weave, weave
Location: iran
Subjects: floral motifs, flowers, vase, geometric, floral, rectangles, stripes, nobility

The long silk sashes worn as part of men’s dress in Persia (present-day Iran) and north India were adopted by Polish nobility during the late 1600s. Wrapped around the waist with the fringed ends hanging free, such expensive woven silks denoted the wearer’s high status. Sashes became part of noblemen’s formal dress as a symbol of Poland’s history as the territory connecting Europe and Asia. They were exported from Iran, made in Poland, and made in France for export to Poland.
Kris
Object type: kris
Date: 1501 – 1900
Materials: gold, steel, wood
Culture: javanese
Location: indonesia
Christinen-Monument. Der Schutzgeist.
Object type: photograph
Date: 1870 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: vienna
Artist: Anonymous
Subjects: sham-grave, cenotaph, piece of sculpture, reproduction of a piece of sculpture, vienna

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Duitsland en Oostenrijk en van kunstwerken.
Seneca
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving
Location: belgium
Artist: lucas vorsterman (i)
Artist role: artist
Artist nationality: flemish
Artist dates: 1595 – 1675
Inscriptions: Printed in plate, below image, lower left: "P P Rubens delin. / L. Vorstermans sculp. Ao 1638."; in plate, below image, lower right: "Cum priuilegijs Regis Christianiss. / Principum Belgarum et Ord. Batauiae."; inscribed verso, lower left, in graphite: "R. 1218"
Sugarbowl with the arms of the Romswinckel family
Object type: sugar box
Date: 1765 – 1770
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Suikerpot van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, geel, zwart en goud. Op de wand het wapen van de familie Romswinckel. Het wapen heeft een rode achtergrond met drie concentrische gouden ringen. Het helmteken is een kroon met daarboven drie ringen en pluimen. Het dekkleed bestaat uit bladranken. Op de binnenrand een decoratieve band met traliewerk en bladranken met gestileerde bloemen. Een barst en een chip in de rand van de pot. Wapenporselein met emailkleuren.
Inlaid Rosette
Object type: rosette, inlaid, kv 42, senetnay
Date: 1427 – 1400
Materials: faience, glass, gold, jasper
Location: egypt
Veerpoort
Object type: ansichtkaart, prentbriefkaart
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: schoonhoven
Subjects: bridge, city-gate
Galerie du Travail, vue a vol d'oiseau du promenoir
Object type: stereograph
Date: 1867 – 1867
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Subjects: world fair, world exhibition, paris
Inscriptions: inscription: ‘40’, check stamp: ‘CONCESSION/ */ UNIQUE’, number: ‘307’
Jacket
Object type: jacket
Date: 1805 – 1815
Materials: cotton, linen, silk
Culture: french
Polychrome Bowl Depicting Eight Abstract Motifs on Exterior
Object type: vessel
Date: 1200 – 1521
Materials: ceramic, pigment
Culture: cholula
Location: puebla
Over-life-sized marble portrait, probably of the empress Sabina
Object type: portrait bust of a woman, the empress sabina
Date: 121 – 128
Materials: marble
Culture: roman
Subjects: heads,women

This imposing head probably comes from a statue of Sabina, wife of the emperor Hadrian. The face was originally surmounted by a very high, ovoid hairpiece covered with small curls, a style that was fashionable at the court of Trajan in about A.D. 100. The upper part of the hairpiece was carved separately and added onto the shelf-like area above the forehead. In back, the hair is arranged like that of a classical statue of Venus, goddess of love, with long locks falling forward over the shoulders. Sabina, grandniece of the emperor Trajan, was married to Hadrian, his ward and protégé, in A.D. 100. It is unlikely that an over-life-sized statue of the girl would be commissioned in the years before A.D. 117 when Hadrian became emperor, but it must have been carved fairly soon after, given the high hairpiece that was already out of style. As was quite common, the statue probably represented the young empress as Venus, combining contemporary elements with the traditional iconography of a goddess.
Medal
Object type: medal
Date: 1867 – 1900
Materials: gold, ribbon
Culture: japanese
Subjects: emblems
Mur des Juifs un vendredi, avec groupes de femmes
Object type: photograph
Date: 1867 – 1885
Materials: paper
Techniques: albumen print
Location: jerusalem
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: walls ~ fortified city
Inscriptions: number: ‘245’
Slippers
Object type: slipper
Date: 1785 – 1795
Materials: leather, linen
Culture: british
March, from The Twelve Months of the Year
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist nationality: dutch
Artist dates: 1593 – 1641
Inscriptions: Lettered upper center: "Martius" and lower right: "3"
Portret van een meisje, zittend op een stoel met hond
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: sitting figure - aa - female human figure, girl (child between toddler and youth), dog
Two Orphrey Sections made into a Hanging or Cover
Object type: textile cover
Date: 1534 – 1566
Materials: hemp, metal, silk
Techniques: weave
Culture: spanish
Subjects: lions
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Interior, part of head and right shoulder of warrior to left wearing a tunic, with his Chalcidian helmet pushed back on the top of his head, holding a spear in his right hand, and a shield in his left
Nicola[us] perot[us] Rhetor
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: fano, filoloog, niccolò perotti
Inscriptions: inscription: ‘308’

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 252v.
Envelop aan Philip Zilcken
Object type: envelope
Date: 1894 – 1930
Materials: ink, paper
Techniques: pen, writing
Artist: leonid sologoub
Artist role: draughtsman, painter
Artist dates: 1884 – 1956
Subjects: draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Spring Flowers
Object type: painting
Date: 1855 – 1860
Materials: canvas, oil
Artist: gustave courbet
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1877
Subjects: flowers,still life
Vertrek van koningin Henrietta Maria vanuit Scheveningen naar Engeland, 1643
Object type: print
Date: 1643 – 1643
Materials: paper
Techniques: etching
Location: the hague
Artist: balthasar florisz. van berckenrode
Artist role: draughtsman, print maker, publisher
Artist dates: 1591 – 1645
Subjects: henriëtta maria van frankrijk (koningin van engeland, schotland en ierland), delft, frederick henry (prince of orange), william ii (prince of orange), london, mary henrietta stuart, departure ~ travelling (+ propulsion of vehicle, ship, etc. by wind)

Het vertrek van de Engelse koningin Henrietta Maria vanuit Scheveningen naar Engeland, 29 januari 1643. Op het strand een grote menigte met wagens, ruiters en toeschouwers, links in de verte het dorp Scheveningen, op het strand de pink die de koningin naar haar schip zal brengen. Op het strand neemt de koningin onder saluutschoten afscheid van Frederik Hendrik, prins Willem en Maria Stuart, koningin Elisabeth van Bohemen en vertegenwoordigers van de Staten-Generaal. Bij de prent behoort een tekstblad.
Oude lezende man en jonge handwerk verrichtende vrouw in een cel
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: prison, jail, reading, needle ~ sewing
Inscriptions: collector's mark: Lugt 240

Deze prent is ook gebruikt als illustratie bij het verhaal 'De Fleet-Prison' voor: Brooke, H. Zedelijke verhaalen, deel 7. Amsterdam: A. Mens Jansz., 1782.
The Prodigal is Given the Best Coat (one of eight scenes from the story of the Prodigal Son)
Object type: roundel
Materials: glass, paint, pigment
Subjects: men,coat of arms
Lovers at a spinet
Object type: group
Date: 1741 – 1741
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: musical instruments,men,lovers,women
Evening dress
Object type: evening dress
Date: 1856 – 1856
Materials: silk
Culture: british
Plate Depicting Birds and Animals
Object type: dish
Date: 1601 – 1800
Materials: glaze, stonepaste
Techniques: painting
Location: iran
Subjects: animals,birds
Kinderen spelen volwassenen aan hun toilet na
Object type: print
Date: 1731 – 1731
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: making toilet, trade games, imitative games, imitating adults
Inscriptions: collector's mark: Lugt 240
Twee tulpen met vliegende kever en beervlinder
Object type: drawing
Date: 1637 – 1637
Materials: paint, parchment, pencil, watercolor
Techniques: brush
Artist: jacob marrel
Artist role: draughtsman, painter
Artist dates: 1614 – 1681
Subjects: insects: butterfly, flowers: tulip, insects: beetle
Inscriptions: date

De tekening maakt deel uit van een album.
Gezicht op de Ipswich te Middleton
Object type: page
Date: 1872 – 1872
Materials: paper
Techniques: photograph
Location: middleton
Artist: Anonymous
Subjects: landscapes, river

Prent op tweede ongenummerde pagina na pagina 328.