deem-data/ArtiFact huggingface dataset:
Portret van professor H.W. Middendorp
Object type: carte de visite
Date: 1860 – 1880
Materials: paper
Techniques: albumen print
Location: unknown
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life)
Bovenlichaam van een geklede figuur
Object type: sketchbook leaf
Date: 1751 – 1751
Materials: chalk, paper
Artist: lorenzo baldissera tiepolo
Artist role: draughtsman, print maker
Artist dates: 1736 – 1776
Subjects: clothing for the upper part of the body

Bladzijde 97 uit een schetsboek met 158 bladzijden.
Watching the Dancers
Object type: photograph
Date: 1906 – 1906
Techniques: photogravure
Location: united states
Artist: edward s. curtis
Artist nationality: american
Artist dates: 1868 – 1952
Subjects: portraits, portraits: native american subject, photography
Archeologische vondsten in en rond Rome
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: ruin of a building ~ architecture, theatre (building)
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Le Antichità Romane'. Piranesi deed meer dan acht jaar voorstudie voor deze 250 platen tellende serie die in vier volumes werd uitgegeven. Hij produceerde de prenten tussen ca. 1756 en 1757. De serie bevat ook prenten door of naar andere prentmakers, onder wie Francesco Bianchini en Girolamo Rossi.
Cup with Dragon Medallions (Exterior) and Fruit (Interior)
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, underglaze
Location: china
Busk
Object type: busk
Date: 1675 – 1725
Materials: wood
Culture: italian

Carved figures, fruits, flowers, and scrolls are edged with roping.
Reynard Put To His Shifts
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: animals,satire,men,women,foxes
Portrait of a Gentleman
Object type: painting, miniature
Date: 1840 – 1850
Materials: ivory, watercolor
Culture: american
Artist: james reid lambdin
Artist role: artist
Artist dates: 1807 – 1889
Subjects: men,portraits
Roofdieren en zwijnen
Object type: print
Date: 1657 – 1677
Materials: paper
Techniques: etching
Location: the hague
Artist: marcus de bye
Artist role: print maker
Artist dates: 1639 – 1688
Subjects: beasts of prey, predatory animals
Inscriptions: collector's mark: Lugt 2228
De Lyn draaier
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: rope-making, handicrafts, craftsman at work
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van de 100-delige serie beroepsprenten van Jan en Caspar Luyken, getiteld: Het menselyk bedryf. S.l.s.n., 1694 (eerste druk).
Binnenbak van blauw glas
Object type: salt condiment vessel
Date: 1805 – 1805
Materials: glass
Location: amsterdam
Artist: nathanael teuter
Artist role: silversmith
Artist dates: 1767 – 1831
Inscriptions: town mark, alloy mark, maker's mark, duty mark, date letter: ‘W’
Glass double head-shaped flask
Object type: flask, double head shaped
Date: 301 – 350
Materials: glass
Culture: roman
Subjects: heads

Translucent pale green, with same color handle and trail. Rounded and thickened rim; flaring mouth; cylindrical neck; body in the shape of a double head; irregular thick bottom, with central kick and traces of pontil scar; broad strap handle with combed outer surface attached to side of head above proper left ear, drawn up and slightly outward, then turned in and down, and trailed in folds onto underside of mouth and rim over trail decoration. A continuous mold seam runs from the base of neck, down body, and across bottom. On underside of mouth, a single thick horizontal trail; janiform body comprising two similar youthful heads, each with his ears, back to back: short-cropped, curly hair, circular, rather stylized ears with pendant earrings (?), broad forehead, high arched eyebrows, almond-shaped eyes with indented pupils, chubby cheeks, open mouth showing teeth, and small prominent chin. Complete, except for large hole on nose of one head and small internal crack near base of neck; many bubbles, some elongated in neck, black impurities in handle, and blowing striations; dulling and iridescence on exterior, some soli encrustation and creamy white weathering on interior. A number of similar large flasks in the form of two heads are known from sites in northeastern France and the Rhineland. Most show the faces with long curly hair that covers the ears. Here, however, the maker gave the heads short hair, and so two pairs of ears are visible, making for a rather odd effect when seen from the side.
Gezicht op Windsor Castle
Object type: print
Date: 1878 – 1878
Materials: paper
Techniques: drypoint
Artist: francis seymour-haden (sir)
Artist role: print maker
Artist dates: 1818 – 1910
Subjects: castle, river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Plaque
Object type: plaque
Date: 401 – 800
Materials: bone
Techniques: carving
Location: palestine
Prinsengracht, Amsterdam
Object type: print
Materials: paper
Techniques: etching, intaglio
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: urban housing, canals, waters (in city)
Inscriptions: collector's mark: Lugt 2233

Op de voorgrond schepen in het water van de gracht. Links op de achtergrond de toren van de Noorderkerk.
Introduction of Citizen Volpone & His Suite, at Paris.–Vide, The Moniteur, & Cobbetts Letters
Object type: print
Techniques: etching
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: satire,napoleon i,men,women,politics
Reverse Copy of Le Paysan Tenant un Gobelet (The Peasant Holding a Cup), from "Les Caprices" Series A, The Florence Set
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: men
Interieur met dienstmeiden
Object type: drawing
Date: 1836 – 1896
Materials: paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Seated Deity from an Esoteric Buddhist Mandala
Object type: figure
Date: 951 – 975
Materials: bronze
Culture: indonesian, javanese
Subjects: buddhism,deities
St. Roche
Object type: figure
Date: 1601 – 1650
Materials: earthenware
Techniques: glazing
Subjects: men,saints
Mannen te paard op valkenjacht
Object type: print
Date: 1662 – 1742
Materials: paper
Techniques: mezzotint
Artist: john smith (prentmaker/ uitgever)
Artist role: print maker, publisher
Artist dates: 1652 – 1743
Subjects: predatory birds: falcon, assembling, 'départ pour la chasse'
Inscriptions: collector's mark: Lugt 240
Soengeiliat. Mijn 26. Kongihuis met het personeel en werkvolk
Object type: photograph
Date: 1907 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, miner, minerals and metals: tin, mine
Inscriptions: label: ‘Soengeiliat. Mijn 26. Kongihuis met het personeel en werkvolk’

Kongsihuis, een verenigingshuis voor Chinese mijnwerkers van de Banka-tinwinning te Soengeiliat. Onderdeel van het fotoalbum over de Banka-tinwinning, ca. 1907-1919.
Strook kloskant met rozentakjes
Object type: strip
Date: 1850 – 1899
Materials: cotton
Techniques: lace
Location: valenciennes
Artist: Anonymous

Strook naturelkleurige kloskant, Valenciennes-kant. Het zich herhalende patroon bestaat op de middenlijn van de strook uit een rozetbloem dat aan een gebogen takje naar beneden hangt. Boven de rij rozentakjes die zo ontstaat staat een rij dikke c-vormige blaadjes. Langs de onderzijde van de strook ligt een aaneenschakeling van langgerekte voluten die een zeer flauwe schulpenrand vormen. De motieven zijn met elkaar verbonden door een maasgrond, een ronde Valenciennes-grond. De motieven zijn gemaakt in linnenslag met opengewerkte randjes en een uitsparing in het bloemhart. De bovenzijde van de strook is recht afgewerkt. De flauwe schulpen langs de onderzijde zijn afgewerkt met picots. De korte zijden zijn aan elkaar genaaid.
Snuff Bottle
Object type: snuff bottle
Date: 1767 – 1833
Materials: jade, lapis lazuli
Culture: chinese
The Right Hon. G. Wyndham Esq - Parliamentary Under Sec'y of State - the Man of the [...] London, England
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: south africa
Subjects: politician, george wyndham (4e hertog van egremont), politician, e.g. party leader
Inscriptions: name: ‘Works and Studios Sun Sculpture trade mark Arlington N.J. Littleton N.H. Washington D.C.’, number: ‘217’
William Swanson, matroos, Newport, R.I., 1944
Object type: photograph
Date: 1944 – 1944
Materials: photographic support
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Subjects: militair, william swanson
Inscriptions: inscription: ‘IDENTIFICATION / NAME [op RP-F-2022-57-7 ingevuld maar onleesbaar] / Street / City [in pen: Newport, R.I.] / EMPLOYED BY [op RP-F-2022-57-7 ingevuld maar onleesbaar] / Mfg. by / POSITIVE PAPER / AND CHEMICAL CO., Inc. / 30 Clifton St., Newark, N. J.’, date: ‘10-13-44’
Portaal van de Santa Maria Gloriosa dei Frari te Venetië, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: venice
Artist: Anonymous
Subjects: parts of church exterior and annexes: portal, door
Inscriptions: number: ‘238.’
Headband: Basket of Fruit
Object type: print
Date: 1600 – 1688
Techniques: etching
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: fruit
Landschap met jagers, beer, herten, leeuw en wild zwijn
Object type: album leaf
Date: 1570 – 1612
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: hoofed animals: deer, game, hunted animals, beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2228

Landschap met jagers, beer, herten, leeuw en wild zwijn. Deze prent maakt deel uit van een album.
Head of a bearded man with a turban facing right, from "Small Heads in Oriental Headdress"
Object type: print
Date: 1645 – 1650
Techniques: etching
Artist: giovanni benedetto castiglione (il grechetto)
Artist role: artist
Artist nationality: italian
Artist dates: 1609 – 1664
Subjects: heads,men,portraits
Bertha
Object type: bertha
Date: 1801 – 1900
Culture: italian
Schilderij van een jong meisje
Object type: album leaf
Date: 1865 – 1867
Materials: cardboard, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: girl (child between toddler and youth), picture, painting

Schilderij van een jong meisje, zittend op de grond aan de voet van een boom. Foto op albumblad in album met 68 foto's merendeels met geaquarelleerde randversieringen. Het zijn voornamelijk portretten op carte-de-visite formaat.
Carpet
Object type: carpet
Date: 1601 – 1700
Materials: linen, wool
Gallerie Moderner Meister
Object type: reproduction
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: munich
Subjects: child (at home) - aa - girl
Lake George - New York
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: photograph
Location: georgemeer
Artist: Anonymous
Subjects: lake, traffic on the water, hotel, hostelry, inn
Inscriptions: inscription: ‘Paradise Bay. View across to French Point (...) North end of Lake from Rogers Rock M.T.N.’
Portret van prentmaker Giuseppe Longhi
Object type: print
Date: 1798 – 1853
Materials: paper
Techniques: engraving
Location: italy
Artist: samuele jesi
Artist role: print maker
Artist dates: 1788 – 1853
Subjects: draughtsman, giuseppe longhi, historical persons, portrait, self-portrait of artist
Cup
Object type: cup
Date: 1735 – 1735
Materials: hard paste porcelain
Artist: possibly claudius innocentius du paquier period
Artist role: factory director
Subjects: landscapes
Buck Ewing, Catcher, New York, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Portret van An Kessler op een stoel op ongeveer 2 jarige leeftijd
Object type: photograph
Date: 1880 – 1920
Materials: paper, photographic support
Techniques: photography
Location: the hague
Artist: kameke
Artist role: painter
Inscriptions: inscription: ‘An Kessler’
Easter procession of Greek Patriarch, entering Chruch of Holy Sepulchre, Jerusalem
Object type: stereograph
Date: 1900 – 1905
Materials: paper, cardboard
Techniques: gelatin silver print
Location: new york city
Artist: Anonymous
Subjects: procession ~ christian religion
Inscriptions: inscription: ‘Works and Studios ~/ Arlington, N.J. Westwood, N.J.’, number: ‘(22)-3101-’, inscription, number: ‘22’, copyright notice: ‘Copyright Underwood & Underwood.’
The Female Seven Ages
Object type: print
Date: 1797 – 1797
Techniques: engraving
Artist: george wilson
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1801
Punchinello Collapses on the Road
Object type: drawing and watercolor
Date: 1791 – 1791
Materials: charcoal, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Inscriptions: Signed, lower right, brown ink: "Domo Tiepolo"; inscribed, lower right, graphite: "14"; inscribed, upper left, brown ink: "13"; inscribed, upper left, graphite: "O"

Between 1797 and his death in 1804, Domenico Tiepolo created 104 inventive wash drawings for what he called Divertimenti per li ragazzi (diversions for children). This series described the life, from birth to death, of the tragicomic commedia dell’arte figure Punchinello (identified by his conical hat and beaked mask), in a loosely structured tale of an everyman.

In Punchinello Collapses on the Road, we see the protagonist, surrounded by eleven of his companions and three lamenting women, in the final days before his death. While Punchinello is indeed a kind of everyman, Tiepolo also made references throughout the series to the life of Christ. This drawing calls to mind one of Christ’s falls as he carried the cross.
Zebra
Object type: drawing
Date: 1904 – 1906
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: hoofed animals (with name)
IVe Cahier de Meubles
Object type: print
Date: 1784 – 1796
Materials: paper
Techniques: etching
Location: paris
Subjects: bed
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een geornamenteerde aanligbed met twee rolkussens, vlechtwerk en draperieën. Twee vazen met oor flankeren het bed.
Een schraal middagmaal
Object type: popular print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: monogrammist jgr
Artist role: print maker
Subjects: midday meal, lunch, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen over een edelman en zijn knecht die een middagmaal proberen te verdelen. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 194.
Bowl
Object type: bowl
Date: 1500 – 1525
Materials: gilt, glass
Techniques: glassblowing, enamel, molding
Culture: italian
Reproductie van een tekening van de leeszaal van de Young Men's Christian Association in Londen
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: reading, living-room, parlour, sitting-room, london
M Jules Lyon
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Administrateur general’
Table à coulisses. Vieux bois
Object type: print
Date: 1832 – 1877
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: table

Een ovale tafel. Rechts boven vermeld Vieaux bois pl. 44.
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 540 – 530
Materials: terracotta
Culture: greek, attic

At the shoulder, a band of tongues, alternating with red and black; below, two fronds of a palmette; head and neck of a filleted woman to right; branch with leaves
Stacks of Wheat (End of Summer)
Object type: painting
Date: 1890 – 1891
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: claude monet
Artist role: painter
Artist nationality: french
Artist dates: 1840 – 1926
Subjects: seasons, nature, farm, trees, bushes, hills, building, pink (color), green (color), weather/seasons, landscapes, rural life, summer, wheat, farm life, farming
Inscriptions: Inscribed lower left: Claude Monet 91

The monumental stacks that Claude Monet depicted in his series Stacks of Wheat rose fifteen to twenty feet and stood just outside the artist’s farmhouse at Giverny. Through 1890 and 1891, he worked on this series both in the field, painting simultaneously at several easels, and in the studio, refining pictorial harmonies. In May 1891, Monet hung fifteen of these canvases next to each other in one small room in the Galerie Durand-Ruel in Paris. An unprecedented critical and financial success, the exhibition marked a breakthrough in Monet’s career, as well as in the history of French art. In this view, and in nearly all of the autumn views in the series, the conical tops of the stacks break the horizon and push into the sky. But in most of the winter views, which constitute the core of the series, the stacks seem wrapped by bands of hill and field, as if bedded down for the season. For Monet, the stack was a resonant symbol of sustenance and survival. He followed this group with further series depicting poplars, the facade of Rouen Cathedral, and, later, his own garden at Giverny. The Art Institute has the largest group of Monet’s Stacks of Wheat in the world.
Tie or streamer ribbing
Object type: tie or streamer ribbing
Date: 1353 – 1336
Materials: quartzite
Location: egypt
Tile
Object type: tile
Date: 1700 – 1700
Materials: earthenware
Techniques: glazing
Subjects: ships
Portret van Louis Odespung de La Meschinière
Object type: print
Date: 1637 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons, art collector, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Two Men Seated under Tree on Hillside
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: italy
Artist: circle of giovanni francesco grimaldi
Fotoreproductie van een foto van de Rialtobrug over het Canal Grande te Venetië, op de voorgrond een gondel
Object type: photograph
Date: 1890 – 1905
Materials: paper
Techniques: cyanotype
Location: venice
Artist: Anonymous
Subjects: bridge in city across river, canal, etc., gondola
Inscriptions: inscription: ‘The Rialto - oldest bridge/ in Venice - Mentioned/ in Merchants of Venice/ by Shylock!/ "Many a time and oft on the Rialto"’, number: ‘3278’
Saracenen arriveren in Ostia
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: rome, harbour, battle, pope
Inscriptions: collector's mark: ‘Hinloopen’, collector's mark: Lugt 10, collector's mark: Lugt 11, number: ‘2’

De vloot van de Saracenen arriveert in de havenstad Ostia, waar de Saracenen door de Christenen gevangen worden genomen. Rechts worden de gevangenen voor paus Leo IV gebracht.
'Transylvanian' Carpet
Object type: carpet
Date: 1701 – 1800
Materials: wool
Techniques: pile
Location: turkey
Visitekaartje aan Philip Zilcken
Object type: visiting card
Date: 1873 – 1932
Materials: cardboard, ink
Techniques: pen, printing, writing
Artist: maria biermé
Artist role: dichter, schrijver
Artist dates: 1863 – 1932
Subjects: painter, draughtsman, philip zilcken, italy, brussels
Inscriptions: collector's mark: ‘RPK’

Twee beschreven visitekaartjes en een fragment van een beschreven envelop.
Portret van Ferdinand Hérold
Object type: print
Date: 1824 – 1856
Materials: paper
Techniques: lithograph
Location: paris
Artist: bernard romain julien
Artist role: print maker
Artist dates: 1802 – 1871
Subjects: eyeglasses, spectacles, historical persons, portrait of composer
Glass cup
Object type: cup
Date: 34 – 200
Materials: glass
Culture: roman

Translucent greenish yellow. Vertical rounded and thickened rim; broad, cylindrical neck, slightly tapering downward, with folded tubular flange at base; slender S-shaped profile to body, which curves in at top behind flange, descends almost vertically with slightly convex sides, and then curves in to pushed-in base with trace of pontil scar. Intact, except for small crack in rim and neck; few bubbles; patches of dulling, slight pitting, iridescence, and limy weathering. Yellow cup with offset rim.
Manuscript Leaf with the Martyrdom of Saint Bartholomew, from a Laudario
Object type: laudario
Date: 1340 – 1340
Materials: gold, ink, parchment, paint
Culture: italian
Location: italy
Artist: pacino di bonaguida
Artist role: artist
Artist nationality: italian
Artist dates: 1302 – 1340
Subjects: men,angels,saints

On this page, the final moments of the martyrdom of the apostle Bartholomew unfold with a dance-like grace that lends a sacred air to horrific events. At the left, three tormentors flay his legs and arms as Bartholomew stands chained to a city gate. At the right, the saint, wearing his own flesh tied about his neck as a mantle, kneels in prayer before a rock, his haloed head tumbling to the ground. Pacino was a leading member of the painters’ guild in Florence. This page comes from the most important manuscript created in that city in the first half of the fourteenth century, a laudario, or book of hymns in Italian.
Genius of the Dance
Object type: statuette group
Date: 1864 – 1864
Materials: bronze
Artist: jean-baptiste carpeaux
Artist role: artist
Artist nationality: french
Artist dates: 1827 – 1875
Subjects: musical instruments,dance,children

Carpeaux’s high relief on the façade of the Opéra Garnier in Paris, with its naturalistic nudes embodying Dance, is one of the great monuments of Second Empire style. The limestone group was vilified and even splattered with ink but also found admirers, as witness the many bronze reductions of the crowning figure, an inspired teenager who conducts the rhythms of the dancers. This cast, with its very evident seams, is a chef modèle, which was easily disassembled and its separate parts then served for the casting of more elegantly assembled and finished commercial editions.
Denemarken, Christiaan VIII,  4 rigsbank skilling of 1 1/4 schilling courant, 1842
Object type: een en een kwart schilling
Date: 1842 – 1842
Materials: silver
Techniques: striking
Location: copenhagen

Zilveren munt. Voorzijde: hoofd van de koning naar rechts. Daaronder jaartal. Keerzijde: twee gekruiste scepters, waarboven kroon. Beide waarde-aanduidingen als omschrift. Gladde rand.
Studioportret van een klein meisje met een speelgoed hondje bij een tafel.
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: the hague
Artist: maurits verveer
Artist role: painter
Artist dates: 1817 – 1903
Soba Cup with Design of Willows
Object type: soba cup
Date: 1667 – 1733
Materials: porcelain
Techniques: underglaze
Culture: japanese
Boy Holding Hourglass and Chinese Fan
Date: 1780 – 1789
Techniques: woodblock print
Location: japan
Artist: attrib. kitao shigemasa
Artist nationality: japanese
Artist dates: 1739 – 1820
Windmills near Rotterdam
Object type: painting
Date: 1857 – 1857
Materials: canvas, oil
Artist: johan barthold jongkind
Artist role: draughtsman, painter, print maker
Artist dates: 1819 – 1891
Subjects: windmill in landscape, windmill, rotterdam
Inscriptions: signature and date: ‘Jongkind 1857’

Twee molens aan een vaart bij Rotterdam. Op de voorgrond een veerpontje, rechts wacht een moeder met kind, links een huis.