deem-data/ArtiFact huggingface dataset:
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Exterior, upper torso, in three-quarter view, and bent arms, genitals, and part of thighs of an athlete holding a strigil in his right hand
Buckle
Object type: buckle
Materials: bronze
Culture: ibero-roman
Location: spain or portugal
Patrons d'etoffes et de velours
Object type: ornament print
Date: 1703 – 1712
Materials: paper
Techniques: etching
Artist: daniël marot (i)
Artist role: draughtsman, print maker
Artist dates: 1661 – 1752
Inscriptions: signature: ‘D. Marot fecit avec privilege’

Repetitive pattern in white and greys on a black ground; stylised flowers, fruit and naturalistically depicted foliate scrolls....and a foliate scroll. Prent uit 'De werken van Daniel Marot...', 1705.
Blad met twee foto's van de Arc de Triomphe te Parijs
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: arc de triomphe
Gezicht op de Sint-Lievensmonstertoren te Zierikzee
Object type: print
Date: 1927 – 1927
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: eugène lücker
Artist role: print maker
Artist dates: 1876 – 1943
Subjects: church (exterior)
Inscriptions: inscription: ‘Premie der Vereeniging tot Bevordering van den aankoop van kunstwerken vervaardigd door leden van de vereeniging "Sint Lucas" 1927’, collector's mark: Lugt 2228
The Young Painter and Young Goldsmith, from The Duels of the Workmen
Object type: print ornament architecture
Date: 1588 – 1588
Techniques: etching
Artist: jost amman
Artist role: artist
Artist nationality: swiss
Artist dates: 1539 – 1591
Subjects: boys,brushes

Two boys fighting. The figure at left weilds a paintbrush while the figure at right holds tongs, surrounded by banderole with German text.
Gehoornde meerman trekt een vrouw de zee in
Object type: print
Date: 1522 – 1561
Materials: paper
Techniques: engraving
Subjects: triton(s), merman, (story of) triton - aggressive, unfriendly activities and relationships, syme carried off by glaucus
Inscriptions: collector's mark: Lugt 2228

Deze prent is een gespiegelde versie van het origineel ontwerp door Albrecht Dürer uit 1498-1500 en was getiteld 'Das Meerwunder'. De prent wordt onder andere geïnterpreteerd als de verkrachting van Amymone door Triton, de ontvoering van Syme door Glaucus, en het ontsnappen van Aeneas door Anna Perenna met behulp van een meerman.
Portret van Maria van Hannover
Object type: print
Date: 1707 – 1792
Materials: paper
Techniques: engraving
Location: england
Artist: Anonymous
Subjects: london, historical persons - bb - woman
Inscriptions: date
東海道五十三次　藤澤
Object type: print
Date: 1901 – 1933
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: buildings,gates,bridges,mountains
Portret van Fridtjof Nansen
Object type: cabinet photograph
Date: 1894 – 1894
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: christiania
Artist: daniel nyblin
Artist role: fotograaf
Artist dates: 1856 – 1923
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a, :

Een eigenhandige beschrijving van de poolreis van Nansen werd uitgegeven door Uitgeversmaatschappij L.J. Veen. Zie Nansen, Fridtjof. Poolreis (naar The Daily Chronicle van 2, 3 en 4 november 1896). Amsterdam: Veen, c. 1896.
Glass cylindrical bottle
Object type: bottle, cylindrical
Date: 67 – 200
Materials: glass
Culture: roman

Translucent pale blue green. Rim folded out, round, and in, with uneven upper surface, forming irregular, off-center, oval mouth; short, cylindrical, slanting neck, with deep, irregular tooling marks around base; rounded shoulder; cylindrical body, tapering downwards; pushed-in bottom, with trace of central pontil mark. Intact; pinprick bubbles; severe pitting and weathering, with brilliant iridescence and patches of thick enamel-like weathering on rim and neck, soil encrustation on interior.
Krantenknipsel uit archief Philip Zilcken
Object type: newspaper clipping
Date: 1903 – 1903
Materials: paper, ink
Techniques: printing
Location: the hague
Artist: Anonymous
Subjects: johan hendrik weissenbruch, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Textile Fragment
Object type: textile fragment
Date: 1667 – 1700
Materials: silk
Location: iran
Subjects: flowers
Prent van de aankomst van koning Willem I te Scheveningen, 1813
Object type: photograph
Date: 1863 – 1863
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: netherlands
Subjects: the hague, william i of the netherlands, print, e.g.: engraving, etching, lithograph, being welcomed ~ travelling, homage to a ruler, landing of william frederick i (1813)
Inscriptions: collector's mark: Lugt 2228

Fotoreproductie van de ingekleurde prent door R. Vinkeles naar tekening van J.W. Pieneman van de aankomst van de souvereine vorst te Scheveningen op 30 november. Ter gelegenheid van het vijftigjarig jubileum van Nederlands onafhankelijkheid.
Staande man en twee vrouwen in een interieur
Object type: cartoon
Date: 1770 – 1775
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: corsage (+ women's clothes), clothing for the upper part of the body (vest) (+ men's clothes), cut flowers; nosegay, bunch of flowers, wig - aa - ~ women, coat (frac) (+ men's clothes), head-gear: cap (+ women's clothes), fashion plates, clothes, costume (+ women's clothes), dress, gown (+ women's clothes), clothes, costume (+ men's clothes), interior of the house, wig, trousers, breeches, etc. (breeches) (+ men's clothes)
Inscriptions: title: ‘The Macaronies.’, inscription: ‘Engraved for the Ladys Magazine’

'Macaroni' met hoed en boeket in de handen, staand bij een vrouw in interieur met op de tafel een buste met in-folio pruik. Hij draagt een frak, vest, en een gestreepte kniebroek. Accessoires: breloques, degen, schoenen met gespen. De vrouw is gekleed in een japon met bloemcorsage en strikken, op een rok met aangerimpelde stroken. In de deuropening staat een vrouw met op het hoge kapsel een muts. Om de hals een zwart lint. De prent is gemaakt voor The Lady's Magazine, Londen, 1770-1837.
A Reconstruction of the Temple of Janus (above) and a View of the Ruins (below)
Object type: drawing
Date: 1704 – 1704
Materials: chalk, ink
Techniques: brush, pen, wash
Location: italy
Artist: jan goeree
Artist role: artist
Artist nationality: dutch
Artist dates: 1670 – 1731
Subjects: temples,ruins,men,women
Gezicht op Kleve
Object type: drawing
Date: 1745 – 1745
Materials: chalk, ink, paper
Techniques: pen
Artist: jan de beijer
Artist role: draughtsman, print maker
Artist dates: 1703 – 1780
Subjects: prospect of city, town panorama, silhouette of city, cleves
Portret van Pierre Jeannin
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: paris, ambassador
Inscriptions: collector's mark: Lugt 2228

Portret van Pierre Jeannin, afgevaardigde namens Frankrijk bij de vredesonderhandelingen voor het Twaalfjarig Bestand en Frans ambassadeur te Den Haag, in een ornamentele lijst.
Plate Ten from Drawings of Several Movements by Soldiers
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: etching
Location: italy
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664

For the subject of this work, della Bella chose the movements of soldiers toward and through a town, which is recognizable as Arras. He dedicated the work to Henry du Plesseys, Count of Roche-Guyon, whose coat of arms appears in the first and second plates.
Crucifix
Object type: crucifix
Date: 1567 – 1633
Materials: wood, ivory
Subjects: christ,cross,crucifixion

The subtle modeling of Christ's elongated limbs and the virtuoso undercutting of his hair and crown of thorns point to the hand of an accomplished sculptor. The elaborate terminal ornaments on the ends of the arms of the cross appear on a number of ivory crucifixions from Italy. The name of the site where the Crucifixion took place, Golgotha or Calvary, means "place of the skull"; sculptures depicting the ground below the cross often show a skull, here lost.
Portret van Balduinus Cats
Object type: print
Date: 1663 – 1673
Materials: paper
Techniques: engraving
Artist: pieter holsteyn (ii)
Artist role: draughtsman, print maker
Artist dates: 1614 – 1673
Subjects: archbishop, bishop, etc. (roman catholic), historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Linksboven het portret zijn wapenschild.
Opera Nova Universali intitulata Corona di racammi, page 8 (verso)
Object type: book print ornament architecture
Techniques: woodcut
Artist: giovanni andrea vavassore
Artist role: publisher
Artist nationality: italian
Artist dates: 1530 – 1573
Subjects: flowers,leaves

Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice. From top to bottom, and left to right: design composed of 2 vertical columns: left is illustrated with white vines that form 4 heart shapes, right is illustrated by series of black curving leaves.
Portret van Frederik Willem II
Object type: print
Date: 1762 – 1797
Materials: paper
Techniques: etching
Artist: meno haas
Artist role: print maker
Artist dates: 1752 – 1833
Subjects: frederik willem ii (koning van pruisen)
Inscriptions: collector's mark: Lugt 2228
Kuisheid
Object type: print
Date: 1516 – 1516
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: agostino veneziano
Artist role: draughtsman, painter, print maker
Artist dates: 1490 – 1536
Subjects: unicorn, 'castità ', 'pudicitia', 'vergogna honesta' (ripa)
Inscriptions: collector's mark: Lugt 12

Volgens Bartsch is deze prent naar ontwerp van Rafaël. Er zijn echter ook overeenkomsten met een tekening door Leonardo da Vinci in het British Museum te Londen (inv.nr. 1860,0616.98).
Self-Portrait before an Easel
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Location: germany
Artist: anton graff
Artist role: painter, print maker
Artist nationality: german, born switzerland
Artist dates: 1736 – 1813
Fragment
Object type: fragment
Date: 1600 – 1600
Techniques: lace
Voot
Object type: print
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacobus houbraken
Artist nationality: dutch
Artist dates: 1698 – 1780
Portret van een onbekende vrouw met hoed, reclame voor Mafiadis et Cie
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: paris
Artist: félix nadar
Artist role: ballonvaarder, fotograaf
Artist dates: 1820 – 1910
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Cigarettes/ Mafiadis et Cie./ à Constantinople.’

Dergelijke foto's stonden bekend als 'zwartjes'. Men verkreeg ze bij aanschaf van bepaalde merken thee, cacao, sigaretten, beschuit, etc. om te verzamelen. Er waren speciaal voor de 'zwartjes' vervaardigde verzamelalbums in omloop.
Card 508, Conolly, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Banner with Tassel and Shaft
Object type: banner with tassel and shaft
Date: 1701 – 1800
Materials: brass, gold, pigment, textile, wood
Culture: french
Location: france
Intermezzi
Object type: print
Date: 1881 – 1881
Materials: paper
Techniques: aquatint, etching, roulette
Location: nuremberg
Subjects: beasts of prey, predatory animals: bear, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure, coast, climbing up a tree
Inscriptions: collector's mark: Lugt 2228

Prent één uit een serie van twaalf prenten.
The Sea at Dieppe
Object type: drawing
Date: 1852 – 1854
Materials: paper, watercolor
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: seascapes

Delacroix made five visits to Dieppe in the 1850s, pronouncing his "passion for the sea" in letters sent from the coastal town. The hours spent staring out at the English Channel resulted in perceptive interpretations of water’s various color effects. Here, yellow rippling waves cover almost two-thirds of the sheet and give way to a teal-blue horizon. The artist wrote in his journal: "The sun was behind me, and thus the side of the waves that rose up before me was yellow, the side turned towards the horizon reflecting the color of the sky." A second view in the upper right of the sheet represents a calmer sea before a landmass. The inscription below notes: "In good weather the mountains are violet and the tone of the sea appears green."
Costume Drawing: Lady and Gentleman Dancing
Object type: drawing
Date: 1760 – 1800
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: louis binet
Artist role: artist
Artist nationality: french
Artist dates: 1744 – 1800
Subjects: men,women,dancing
Lloyd's house at Amoy
Object type: album leaf
Date: 1879 – 1890
Materials: paper
Techniques: albumen print
Location: xiamen
Artist: Anonymous
Subjects: garden, villa
Overseer Shabti of Nauny
Object type: shabti, overseer, nauny
Date: 1050 – 1050
Materials: faience
Location: egypt

Almost 400 small funerary figures known as shabtis were found with Nauny’s burial. These can be seen as avatars, meant to carry out agricultural labor on Nauny’s behalf in the afterlife. Of the 393 shabtis discovered, 355 were workers and 37 were overseers like this one. Recognizable by their long kilts and the flails that they hold, the overseer figures were meant to supervise the worker shabtis (see for example 30.3.26.10) that worked on Nauny’s behalf in the afterlife. On the back pillar, Nauny is called an “illuminated Osiris,” transformed through the process of mummification and identified with the principal god of the dead, then reanimated by the light of the sun god as he traveled through the Netherworld each night. Nauny’s shabtis were divided between seven boxes. Five of these, with their shabtis, were given to The Met, while two were sent to the Egyptian Museum in Cairo.
Bird on a Rock by a Flowering Branch
Object type: folding fan mounted a an album leaf
Materials: ink, paper
Culture: chinese
Artist: ren xun
Artist role: artist
Artist nationality: chinese
Artist dates: 1835 – 1893
Subjects: birds,flowers

Ren Xun painted this delicate fan in Suzhou, where he spent a good part of his artistic career before going to Shanghai. This work draws upon the highly representational style of the Southern Song (1127–1279) Imperial Painting Academy, merging exquisite drawing in fine contour lines with meticulously graded colored washes in a highly naturalistic image of great charm. The painting reflects Ren's keen observation of nature: a tiny bird, perched on one foot on an ornamental garden rock, bends its head to meet its uplifted foot, using wings and tail to maintain balance. Compared to his Song academic predecessors, Ren Xun brings his image closer to the viewer, cropping the bird's tail and the tree trunk, giving his picture immediacy and impact.
Design for Pony Phaeton, no. 4157
Object type: drawing
Date: 1892 – 1892
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gulden van de VOC uit Zeeland, 1791
Object type: coin
Date: 1791 – 1791
Materials: silver
Techniques: striking
Location: middelburg

Zilveren munt. Voorzijde: tussen waarde-aanduiding I Gl. gekroond generaliteitswapenschild, waaronder cartouche, waarin monogram van de VOC. Keerzijde: Nederlandse maagd met speer, waarop vrijheidshoed, leunend op een bijbel op een altaar. Jaartal in afsnede. Kabelrand.
Portret van Rafaël
Object type: print
Date: 1798 – 1874
Materials: paper
Techniques: engraving
Location: italy
Artist: michele bisi
Artist role: draughtsman, print maker
Artist dates: 1788 – 1874
Subjects: rome, painter, rafaël, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 4187, collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks portretprenten van onbekende omvang. De reeks is in meerdere staten uitgegeven. De eerste staat met enkel het portret in ovaal. Een tweede staat met naam van de geportretteerde in holle letters onder de voorstelling. Een derde staat met de naam van de geportretteerde in gevulde letters onder de voorstelling. En een vierde staat met een rechthoekig kader rondom het ovale portret.
Gesprek tussen Christus en Nikodemus
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous
Subjects: christ talking with nicodemus at night (john 3:1-21)
Inscriptions: collector's mark: Lugt 2228

Kopie van illustratie voor: Luyken, Jan. Bybel printen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1712, p. 31.
Portrait of Louise Émilie Baronne de ***
Object type: print
Date: 1779 – 1779
Techniques: etching
Artist: augustin de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1807
Subjects: portraits,women
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Exterior, head of youth wearing himation
The Assumption of the Virgin, plate 3 from "Bononiensium Pictorum Celebrioris..."
Object type: print
Date: 1678 – 1678
Techniques: etching
Artist: giuseppe maria mitelli
Artist role: artist
Artist nationality: italian
Artist dates: 1634 – 1718
Plate
Object type: plate
Date: 1830 – 1850
Materials: glass
Culture: american
Location: united states
Valentine Affection (valentine)
Object type: drawing and watercolor
Date: 1855 – 1860
Materials: gold, paint, paper
Techniques: collage, cutting, embossing
Location: england
Artist: thomas wood
Artist nationality: english
Artist dates: 1800 – 1899
Madonna and Child
Object type: painting
Date: 1448 – 1460
Materials: gold leaf, paint, wood
Artist: sano di pietro (ansano di pietro di mencio)
Artist role: artist
Artist nationality: italian
Artist dates: 1405 – 1481
Subjects: madonna and child

With their faces gently pressed together, the interaction between the Virgin and Christ Child evokes a tender intimacy. This compositional motif appears in numerous works by Sano di Pietro and his workshop (for example, in another painting in the Lehman Collection, 1975.1.51). Sano was a popular and highly prolific Sienese painter and illuminator, whose workshop produced numerous devotional images of the Madonna and Child, frequently shown in bust-length. The close stylistic affinities between works attributed to Sano and the enigmatic Sienese artist known as the Osservanza Master may indicate that they represent a single artistic identity. It is also possible that the paintings attributed to the Osservanza Master are the product of a collaborative workshop to which these artists belonged. It has been suggested that the present panel may have been painted by one of Sano’s pupil’s, the Sienese artist Francesco di Giorgio, following the compositional model of his master.
Ruit met een fantasievogel voor een vogelhuisje
Object type: light window
Date: 1650 – 1675
Materials: glass, lead
Techniques: enamel painting
Artist: Anonymous
Subjects: song-birds: goldfinch

Een ruit met emailschildering van een vogelhuisje met een puttertje. De vogel heeft een touw in zijn snavel waaraan een miniatuur wateremmertje hangt.
Reproductie van een stoomlocomotief, op de voorzijde een envelop
Object type: ansichtkaart, prentbriefkaart
Date: 1918 – 1944
Materials: paper
Techniques: lithograph
Location: hilversum
Subjects: letter, envelope, steam locomotive
Inscriptions: inscription: ‘€6-’, inscription: ‘HILVERSUM’, inscription: ‘Tootje Sitters Welld. [?]’

Reproductie van een stoomlocomotief met op de voorzijde een envelop geplakt met daarin een leporello met tien gezichten op Hilversum.
Young Herdsman with a Bull, plate 1 from "Different Animals"
Object type: print
Date: 1659 – 1659
Techniques: etching
Artist: adriaen van de velde
Artist role: artist
Artist nationality: dutch
Artist dates: 1636 – 1672
Subjects: men,bulls
Takken met bladeren
Object type: sketchbook leaf
Date: 1892 – 1901
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: trees (+ leaf), trees (+ branch, stick)

Blad 4 recto uit een schetsboek met 51 bladen.
Verklaring van een Treur-medaille, Ter hoogloflyker gedachtenisse van de Plechtige en Treurige Lykstaatsie (...) Willem-Carel-Henrik-Friso (...) Gehouden binnen Delft, den 4. Febr. 1752.
Object type: text sheet
Date: 1752 – 1752
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: the hague, willem iv (prins van oranje-nassau), delft
Inscriptions: collector's mark: Lugt 2228

Tekstblad met de beschrijving van de voorstellingen op de beide zijden van een penning of treurmedaille geslagen ter gelegenheid van de begrafenis van stadhouder Willem IV op 4 februari 1752 te Delft. Betreft waarschijnlijk de zilveren penning van Nicolaas van Swinderen uitgedeeld aan de leden van de Delftse schutterij.