deem-data/ArtiFact huggingface dataset:
Titelpagina van Gedenkboek: Keuze-tentoonstelling van Hollandsche schilderkunst uit de jaren 1860-1892, gehouden te Amsterdam in Arti et Amicitiae
Object type: titelblad, titelpagina
Date: 1893 – 1894
Materials: paper
Techniques: lithograph
Subjects: beauty; 'bellezza' (ripa), flowers: lotus, angels
Inscriptions: collector's mark: Lugt 2233

Een vrouw, de personificatie van de schoonheid, rijst op uit een lotusbloem. Een vrouw met een harp, de personificatie van de harmonie, en een vrouw met een opgeheven sluier, de personificatie van de waarneming, brengen haar een offer. Onder de voorstelling vakken die tekst en decoratie bevatten. Naast de ondertitel twee engelen. De engel met klimop en gevouwen handen symboliseert trouw, de engel met lelie en handen op het hart symboliseert zuiverheid.
Brief aan Willem Vogelsang
Object type: letter
Date: 1904 – 1904
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Subjects: cigarette, caricatures (human types), the graphic arts, adult man, haarlem
Inscriptions: watermark, collector's mark: Lugt 2228
Recueil d'estampes d'apres les plus célèbres tableaux de la Galerie Royale de Dresde
Object type: print
Date: 1753 – 1757
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: st. sebastian, tied to a tree or a pillar, is pierced by arrows, founder of the order of friars minor (franciscans), francis(cus) of assisi; possible attributes: book, crucifix, lily, skull, stigmata, mary, the christ-child and john the baptist (as child) with others
Inscriptions: collector's mark: Lugt 2228
Carrie Andrews, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Ukifune of the Kanaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana hatsu moyo)"
Object type: print
Date: 1776 – 1776
Techniques: woodblock print
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Portret van toneelspeelster Jacoba Wouters-Sardet in de rol van Josabeth
Object type: drawing
Date: 1780 – 1813
Materials: ink, paper, pencil
Techniques: pen
Location: amsterdam
Artist: johannes jelgerhuis
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1836
Subjects: the hague, historical persons - bb - woman, portrait of actor, actress, actor (on the stage), amsterdam
Inscriptions: inscription: ‘josabeth in Athalia / Vervuld door / Mevrouw Sardet’

Voorbereidende tekening op de prentserie Acteurs en actrices in verschillende rollen van Johannes Jelgerhuis.
Brug over de Seine, Parijs
Object type: watercolor
Date: 1903 – 1903
Materials: chalk, paper, watercolor
Techniques: brush
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: bridge in city across river, canal, etc., france, paris
Design for Coupé, no. 3763
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van een vrouw
Object type: album leaf
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: annotation: ‘Chinesisch: Madschen/ van Saigon’, number: ‘45’
Design for a panel ornamented with strapwork and rinceaux
Object type: drawing
Date: 1830 – 1897
Materials: graphite, watercolor, paper
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ornament
Sauceboat and tray
Object type: sauceboat tray
Date: 1760 – 1760
Materials: faience
Techniques: glazing
Artist: veuve perrin factory
Artist role: factory

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Bowl
Object type: bowl
Date: 867 – 933
Materials: earthenware, glaze
Techniques: polychrome
Location: iran
Aga, ou Gentilhomme Turc, plate 39 from "Recueil de cent estampes représentent differentes nations du Levant"
Object type: print
Date: 1714 – 1715
Techniques: engraving, etching
Artist: jean baptiste vanmour
Artist role: artist
Artist nationality: french
Artist dates: 1671 – 1737
Subjects: men
Venezia
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1925
Materials: cardboard
Techniques: lithograph
Location: zurich
Subjects: palace, gondola, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), venice
Op het overheerlyk nieuw gebouw voor de roomschgezinde weesmeisjes, staande te Amsterdam op 't Spui
Object type: popular print
Date: 1715 – 1813
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: orphanage
Inscriptions: collector's mark: Lugt 2760

Blad met een grote voorstelling van het Maagdenhuis aan het Spui te Amsterdam. Boven en onder de afbeelding versregels. Genummerd rechtsboven: No. 18.
La Elegancia, 1854, No. 698
Object type: fashion print
Date: 1854 – 1854
Materials: paper
Techniques: engraving, hand coloring
Subjects: head-gear: cap (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)
Inscriptions: title: ‘La Elegancia’, address: ‘Paris, rue S.te Anne, 64 - Barcelone, Princesa, 7 - 3 .o’
Mantle
Object type: mantle
Date: 1857 – 1860
Materials: silk
Culture: american
Inzending voor de Salon van 1886, een monument voor Victor Hugo door Aime-Jules Dalou
Object type: page
Date: 1881 – 1886
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: paris, victor hugo, arch, archivolt ~ architecture, monument, statue
Inscriptions: inscription: ‘Reproduction directe d'après la maquette de M. Jules Dalou.’
Portret van Frederik Hendrik, prins van Oranje
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: engraving
Location: the hague
Artist: willem outgertsz. akersloot
Artist role: print maker
Artist dates: 1600 – 1651
Subjects: delft, frederick henry (prince of orange)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 963

Portret van Frederik Hendrik, ten voeten uit in wapenrusting, staande op een bordes. In zijn rechterhand een degen, in zijn linker een touw. Aan het touw zijn de wapens van onder andere Den Bosch en Groenlo vastgemaakt. Op de achtergrond het Beleg van Den Bosch, 1929. In een cartouche vier regels Latijnse tekst.
Jupiter, Neptune and Pluto Paying Homage to the Coat of Arms of Cardinal Borghese
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: stumping
Location: italy
Artist: simone cantarini
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1648
Alchemist aan het werk
Object type: print
Date: 1755 – 1755
Materials: paper
Techniques: etching
Subjects: alchemist at work
Inscriptions: collector's mark: Lugt 2228
L'Illustration, Journal Universel
Object type: newspaper
Date: 1861 – 1861
Materials: paper
Techniques: letterpress printing, engraving
Location: paris
Artist: ange-louis janet
Artist dates: 1815 – 1872
Subjects: brussels, willem iii (koning der nederlanden), knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 2165, collector's mark: Lugt 963

Krant met een artikel over Willem III. In het midden een portret van Willem III. Daar omheen twee kolommen met Franse tekst in boekdruk. Midden boven een stadsgezicht.
Gezicht op Balmoral Castle bij Ballater en gezicht op the lion's face rock bij Braemar
Object type: album leaf
Date: 1807 – 1874
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: castle, forest, wood, rocks
Inscriptions: inscription: ‘The Lion's Face Rock, 103. G.W.W.’, inscription: ‘Balmoral Castle 99 G.W.W.’

Deze pagina maakt deel uit van een album.
Aarde
Object type: print
Date: 1640 – 1655
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: earth (one of the four elements), ornament ~ festoon, garland, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

In een landschap dragen vijf putti een guirlande van bladeren en vruchten. In de lucht vliegen eveneens putti met een guirlande. Prent uit een serie van de vier elementen.
Overlijden van Karel XI van Zweden
Object type: history medal
Date: 1697 – 1697
Materials: silver
Techniques: striking
Location: stockholm
Artist: arvid karlsteen
Artist role: medailleur
Artist dates: 1647 – 1718
Subjects: koning, karel xi (koning van zweden)

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: landschap met ondergaande zon binnen omschrift; afsnede: opschrift
A Golden Pheasant amid Snow-Covered Bamboo on a Steep Hillside
Object type: print
Date: 1840 – 1840
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Fotoreproductie van een tekening, voorstellende twee studenten in roeikleding
Object type: reproduction
Date: 1855 – 1866
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: caricatures (human types), clothes for special purposes, student life, rowing, canoeing, etc. (sport)
Fukushima Station
Object type: print
Date: 1837 – 1837
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,roads,trees,working
Rearing Horse in Rear Three-Quarter View
Object type: drawing
Date: 1501 – 1600
Materials: chalk
Techniques: wash
Artist: anonymous, italian, florentine, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: horses
Gouda. Stadhuis
Object type: photomechanical print
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: gouda
Subjects: square, place, circus, etc., townhall
Bustle
Object type: bustle
Date: 1880 – 1885
Materials: cotton
Culture: american or european
Frankrijk, 10 francs, 1951
Object type: coin
Date: 1951 – 1951
Materials: bronze
Techniques: striking
Location: paris

Aluminium-bronzen munt. Voorzijde: hoofd van een vrouw met krans in het haar naar links. Keerzijde: haan naar rechts, waaronder tak. Rechts daarvan waarde-aanduiding in twee regels, waaronder jaartal. Gladde rand.
Portret van onbekende man
Object type: print
Date: 1822 – 1893
Materials: paper
Techniques: lithograph
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Raadhuisstraat in Amsterdam
Object type: photograph
Date: 1898 – 1898
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: street, amsterdam
Inscriptions: annotation: ‘Raadhuisstraat // A'dam’

Gezicht op de Raadhuisstraat met aan het eind het Paleis op de Dam, genomen vanaf een hoog standpunt.
Zelfportret
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: antwerp, painter, print maker, draughtsman, peter paul rubens, historical persons, portrait, self-portrait of artist
Kruisdraging
Object type: album leaf
Date: 1632 – 1632
Materials: paper
Techniques: engraving
Subjects: carrying of the cross: christ bearing the cross, alone or with the help of others (e.g. simon the cyrenian)
Inscriptions: date

Christus valt tijdens het dragen van zijn kruis naar Golgota. Een Romeinse soldaat spoort hem aan om op te staan. De twee misdadigers lopen voor hem. Veronica wist het zweet van zijn gezicht met een doek. Omstanders kijken bedroefd toe. Deze prent maakt deel uit van een album.
Piece
Object type: piece
Date: 1551 – 1600
Materials: metal thread, silk
Plate 10: The ancient Capitol ascended by approximately one hundred steps [...] (Campidoglio antico a cui si ascendeva per circa cento gradini [...]), from "Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe" (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe)
Object type: print
Date: 1743 – 1743
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: architecture,obelisks,centaurs,horses
The Frisian Horse, from Series of Horses
Object type: print
Date: 1652 – 1652
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: paulus potter
Artist role: artist
Artist nationality: dutch
Artist dates: 1625 – 1654
Inscriptions: Lettered lower right: "Paulus Potter f: 1652."
Ewer (Brocca)
Object type: ewer
Date: 1575 – 1587
Materials: soft paste porcelain
Techniques: underglaze
Artist: medici porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1570 – 1592
Subjects: men,flowers

The first identifiable porcelain produced in Europe was made in the Medici court workshops in Florence in the late sixteenth century. Under the patronage of Francesco I de' Medici, Grand Duke of Tuscany, experiments began around 1574 to make porcelain in imitation of Chinese blue and white wares, which were highly prized in Europe. While Chinese and Ottoman ceramics influenced the decoration of Medici porcelain, many of the forms produced in the ducal workshop were indebted to contemporary hard-stone vessels or goldsmith's work, as in the case of this ewer. Approximately sixty of pieces of Medici porcelain are known to have survived.
Fête Champêtre
Object type: painting
Date: 1725 – 1750
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: Anonymous
Artist nationality: french
Artist dates: 1700 – 1799
Subjects: men, forests, landscape, love, music, musical instruments, picnic, trees, wine, women
Fragment of a Bowl
Object type: fragment
Date: 801 – 900
Materials: earthenware
Techniques: glazing, molding
Location: iran
Portret van Christian Gotthilf Salzmann
Object type: print
Date: 1801 – 1858
Materials: paper
Techniques: engraving
Location: germany
Artist: moritz steinla
Artist role: painter, print maker
Artist dates: 1791 – 1858
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Oval Case Decorated  with Schweifwerk in Two Variants, Surrounded by Smaller Motifs, Flowers and Two Birds Below
Object type: print collection ornament architecture
Date: 1614 – 1619
Techniques: embroidery, engraving
Artist: jacques hurtu
Artist role: artist
Artist nationality: french
Artist dates: 1584 – 1635
Subjects: birds,ornament

In this very sophisticated example of the use of blackwork, Jacques Hurtu presents a decorated oval pendant, which could be the model for a watch case, or (portrait) medallion. In the oval itself he shows two variants for the Schweifwerk pattern. Four smaller motifs in blackwork, which represent parts of rings, are placed in the four corners of the sheet. Around the pendant Hurtu has used engraved lines to add other decorative motifs such as flowers and fruits. On the bottom of the sheet he depicted two birds which are both fixated on a small butterfly in the middle.
Saint Charles Borromeo Supervising the Opening of a Crypt
Object type: drawing and watercolor
Date: 1604 – 1604
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: cesare nebbia
Artist role: artist
Artist nationality: italian
Artist dates: 1536 – 1614

Federico Zuccaro painted another of the Collegio Borromeo frescos. His inscription on this drawing indicates his ownership of the work, which he presumably acquired from Nebbia directly. Its subject matter relates to Borromeo’s miraculous discovery of a group of holy relics in a crypt. In each of the three Bross drawings relating to the frescos, the saint is identifiable by his characteristically large nose.
Gustus
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: pieter jansz quast
Artist role: draughtsman, painter, print maker
Artist dates: 1605 – 1647
Subjects: taste, tasting (one of the five senses), pipe ~ tobacco, drinking
Inscriptions: collector's mark: Lugt 240

Op een bankje zit een man een pijp te roken. Tegenover de man houdt een persoon een grote schenkkan met drank onder de kin. De prent maakt deel uit van een serie van zes prenten met de vijf zintuigen.
Portret van George Walker
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: george walker, historical persons, functionaries and dignitaries (with name) ~ protestant churches
Inscriptions: collector's mark: Lugt 2228
Gezicht op Huis Ter Meer te Maarssen
Object type: print
Date: 1711 – 1774
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacobus schijnvoet
Artist role: draughtsman, print maker
Artist dates: 1685 – 1743
Subjects: castle
Inscriptions: inscription: ‘of Ter Meer’

Prent opgenomen in: Smids, Ludolph. Schatkamer der Nederlandsse[!] oudheden; of Woordenboek, behelsende Nederlands steden, Amsterdam: Pieter de Coup, 1711. Verscheen tevens in de heruitgave van voorgenoemd werk in 1737 en 1774. In 1721 verscheen er een uitgave met alleen de prenten: Nederlandsche oudheden, bestaande in zestig verbeeldingen (...) gelegen in Holland, 't Sticht van Utrecht en Gelderland enz. Amsterdam: Hendrik Bosch, 1721.
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora, tyrrhenian fragment
Date: 575 – 551
Materials: terracotta
Culture: greek, attic

At the juncture of the neck and shoulder, a red glazed ring; below, a band of tongues; in the frieze below, head, neck, and shoulders of a draped woman to right; head, neck, shoulders, and raised hand of a draped woman to right, wearing a polos; back of the head, right ear, neck, right shoulder, and upper right arm of a figure to right wearing an animal skin
Salle du Mariage du l'Empereur, Luxembourg
Object type: tissue stereograph
Date: 1855 – 1860
Materials: cardboard, paper
Techniques: albumen print, hand coloring, perforating
Location: paris
Subjects: palace - aa - civic architecture: inside
Inscriptions: inscription: ‘zelf gekocht in Parijs 27 Augustus 1860.’, retailer's mark: ‘222, Rue de Rivoli/ en face le Jardin des Tuileries./ Lecocq-Frêné/ Estampes Photographies/ Plans et Guides pour Voyageurs/ Vues pr Stéréoscopes.’
Collar and cuffs
Object type: collar and cuff
Date: 1801 – 1900
Techniques: lace
Double cobweb valentine with Venetian scene
Object type: valentine
Date: 1830 – 1850
Materials: paper, watercolor
Techniques: embossing, lithograph
Artist: Anonymous
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1899
Subjects: buildings,flowers,trees,boats
Design for a Grate and Surrounding Mantel
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: fireplaces
Portret van een man met een pen boven een vel papier
Object type: print
Date: 1810 – 1850
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: anonymous historical person portrayed alone, pen, paper (writing material)
Inscriptions: collector's mark: Lugt 2228
Slag bij Xanten, 1608
Object type: print
Date: 1608 – 1610
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: battle, fighting in general

Veldslag bij Wardt, nabij Xanten, 19 november 1608. Met onderschrift van 18 regels in het Duits. Linksonder genummerd: 367. De prent maakt deel uit van een album.
Twee vrouwen op een binnenplaats tussen de huizen
Object type: sketchbook leaf
Date: 1892 – 1913
Materials: chalk, paper
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: adult woman, courtyard, street (+ city(-scape) with figures, staffage)

Blad 21 verso uit een schetsboek met 31 bladen.