deem-data/ArtiFact huggingface dataset:
Landscape with Boy Fishing
Object type: print
Materials: paper
Techniques: lithograph
Location: england
Artist: james duffield harding
Artist role: draughtsman, painter, print maker
Artist nationality: english
Artist dates: 1798 – 1863
Vase of Flowers
Object type: hanging scroll
Date: 1350 – 1750
Materials: ink, silk
Culture: chinese
Artist: chen hongshou
Artist role: artist
Artist nationality: chinese
Artist dates: 1598 – 1652
Subjects: flowers
Getroffenen van de overstroming in een kapel te Babyloniënbroek, 1809
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: ruin of church, monastery, etc. - qq - small church, chapel
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Ewijk, Hendrik. Geschiedkundig verslag der dijkbreuken en overstroomingen in Holland, in 1809. Amsterdam: J. Allart en J. Ruys, 1809.
Staande vrouw met hoed, in profiel
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head-gear: hat (+ women's clothes), adult woman (+ standing)

Blad 17 verso en blad 18 recto uit schetsboek LVII met 29 bladen.
Rugschild van een koorkap, van zijde
Object type: cope
Date: 1700 – 1750
Materials: silk
Techniques: brocade, lampas, weave
Location: lyon

Rugschild van een koorkap, van zijdeweefsel. Het patroon heeft zilveren ranken en boeketten met zilveren en groene bladeren op een beige gewerkte grond. Opmerking: Identiek aan BK-NM-1234, cat 206.
Charger with foliate design
Object type: charger
Date: 1750 – 1800
Materials: earthenware
Techniques: glazing
Subjects: trees

Green, yellow, and brown are used in a lush composition that features a straight tree flanked by two curving trees with knotted trunks. The tin-glazed charger was made in the second half of the eighteenth century, possibly in Talavera or Puente del Arzobispo, two centers of pottery production in the Castile region of Spain.
Gezicht bij Salerno
Object type: drawing
Date: 1786 – 1857
Materials: chalk, paint, paper
Subjects: landscapes in the temperate zone, villa, salerno

Tekening uit een groep tekeningen van landschappen en stadsgezichten in Italië (Rome, Tivoli, Civita Castellana en Pozzuoli).
Toegangsbewijs voor de inhuldiging van koning Willem III, 1849
Object type: admission ticket
Date: 1805 – 1849
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: brussels, willem iii (koning der nederlanden), installation of a ruler
Inscriptions: collector's mark: Lugt 2228

Toegangsbewijs voor de inhuldiging van koning Willem III in de Nieuwe Kerk te Amsterdam op 12 mei 1849. Bewijs van toegang voor een staanplaats op de boven-gallerij. Met de stempel van de kamerheer ceremoniemeester. Zonder naam.
Studie van twee vissersboten met figuren
Object type: drawing
Date: 1652 – 1652
Materials: chalk, ink, paper, watercolor
Techniques: brush, pen
Subjects: commercial fishery
Inscriptions: date: ‘1652’
De kindsheyd onses heeren Iesu Christi
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: christoffel van sichem (ii)
Artist role: print maker
Artist dates: 1581 – 1658
Subjects: rome, clergyman, missionary, the jesuit friar aloysius gonzaga; possible attributes: crucifix, discipline, lily, skull, christ-child (with attributes), the founder of the jesuit order, ignatius of loyola; possible attributes: book (with 'ad majorem dei gloriam'), demon, dragon under feet, flames, flaming heart, globe, ihs monogram, skull (with crown), tears in eyes, torch, the jesuit missionary francis xavier; possible attributes: cross, crucifix, flaming heart, indian, lily, torch, male saints (with name)
Inscriptions: collector's mark: Lugt 240

Het Christuskind in een nimbus met in elke hand een vlammend hart, omringd door cherubijnen. Het Kind wordt aanbeden door vier Jezuïeten: Ignatius van Loyola, Francis Xavier, Aloysius Gonzaga en Stanislaus Kostka. In de ondermarge vier regels Nederlandse tekst.
Eight-Day Tall Case Clock with Musical Movement
Object type: clock
Date: 1790 – 1795
Materials: brass, glass, wood
Culture: american
Location: united states
Artist: daniel burnap
Artist role: maker
Artist nationality: american
Artist dates: 1759 – 1838

This tall clock by Daniel Burnap possesses a musical that plays one of six tunes every three hours after the hour is struck on a large chime bell. The brass clock dial is expertly engraved with rococo style script, scrolls, and raffles. The case maintains period features such as neoclassical pilasters, a pagoda pediment with a pierced fret, and gold-painted flame finials indicative of popular eighteenth century tastes in the Connecticut River Valley. Daniel Burnap operated as a clockmaker, watch repairer, instrument maker, silversmith, and brass founder near Bissell’s Tavern in East Windsor, Connecticut. The musical brass movement bears Burnap’s signature traits, most notably the count-wheel strike system and dead-beat escapement. These features may be linked to Burnap’s time working under English-trained, master clockmaker Thomas Harland (1735–1807) who migrated from London in 1773 and introduced English traditions of clock production to the Connecticut River Valley. By the time the clock was made, most clockmakers had moved away from using the count-wheel system of striking in favor of a rack and snail system however Harland and Burnap continued to employ them. Burnap trained at least eleven apprentices including Eli Terry who developed the popular shelf clock with a wooden movement that dominated the American consumer market in the nineteenth century.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, part of a knobby stick; one letter of an inscription, pi
The Mountain and the Star Fall into the Sea, from the "Apocalypsis Sancti Johannis" block book, fourth edition
Object type: print
Date: 1460 – 1470
Techniques: hand coloring, woodcut
Artist: anonymous, german, 15th century
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 1500
Subjects: men,horns
Wrath, from the 'Seven Deadly Sins'
Object type: print
Date: 1550 – 1555
Techniques: etching
Artist: léon davent
Artist role: artist
Artist nationality: french
Artist dates: 1540 – 1556
Subjects: soldiers,swords,anger,men,execution
Luftkurort Arolsen (Waldeck). Residenzschloss
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1976
Materials: cardboard
Techniques: four-color rotogravure
Location: bad arolsen
Artist: Anonymous
Subjects: castle, watering-place, spa
Inscriptions: date
Abklatsch van de krijttekening op pagina 51
Object type: sketchbook leaf
Date: 1901 – 1907
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 50 uit een schetsboek met 60 bladen.
Here's Your Potatoes, Four Full Pounds for Two Pence
Object type: print
Date: 1811 – 1811
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women
Le Faucon, La Coupe Enchantee, from "Contes et nouvelles en vers par Jean de La Fontaine.  A Paris, de l'imprimerie de  P. Didot, l'an III de la République, 1795"
Object type: print
Date: 1795 – 1795
Techniques: engraving, etching
Artist: jean-baptiste tilliard
Artist role: artist
Artist nationality: french
Artist dates: 1740 – 1740
Subjects: stairs,dining rooms,men,women,dogs
Wineglass
Object type: wineglass
Date: 1767 – 1800
Materials: glass
Ex libris van Mantero
Object type: bookplate
Date: 1930 – 1960
Materials: paper
Techniques: photograph
Location: italy
Subjects: gianni mantero, head (human), magnifying glass, sculpture
Inscriptions: workshop stamp: ‘Michel Fingesten / Milano / Punta secca originale / Pointe seche originale / Orig. kalte Nädel-rad’
Empress Jito (Jito Tenno), from the series "One Hundred Poems by One Hundred Poets (Hyakunin isshu no uchi)"
Object type: print
Date: 1763 – 1764
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Portrait de Maria Louisa de Tassis
Object type: page
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Location: antwerp
Subjects: historical persons - bb - woman
Broche in de vorm van een maansikkel
Object type: brooch
Date: 1870 – 1890
Materials: diamond, gold
Techniques: grinding
Location: netherlands
Artist: Anonymous
Inscriptions: alloy mark: ‘Uiltje’, alloy mark: ‘leeuwenkop’

Gouden broche in de vorm van een maansikkel, bezet met roosgeslepen diamanten in een incrustatiezetting en versierd met donkerblauw email.
Portret van een jongeman
Object type: album leaf
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, youth, adolescent
Familie buiten aan tafel
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: tone lithography
Location: the hague
Artist: jacobus ludovicus cornet
Artist role: draughtsman, print maker
Artist dates: 1815 – 1882
Inscriptions: stamp: ‘Waller’ 2760, collector's mark: Lugt 2228

Een man en vrouw zitten aan tafel. De vrouw heeft een klein kind op schoot, de man eet soep. Naast hen staat een man met een hoed op, hij eet ook van de soep. Op de grond zit een jongen die zijn soep aan een hond geeft. Het gezelschap zit buiten voor een huis. De deur is half geopend, er groeit klimop tegen de muur en er staan en liggen allerhande spullen zoals een bezem, een ton en een karaf. Op het erf zijn verder een kat, een haan en kippen.
Tapestry with the Annunciation
Object type: tapestry
Date: 1410 – 1420
Materials: wool
Culture: south netherlandish
Subjects: lilies,angels,virgin mary,archangel gabriel,annunciation,god the father

Seated within an elaborate room, the Virgin Mary looks away from her book on the reading lectern, startled by the sudden entrance of the archangel Gabriel. He holds a scroll with the words Ave gracia plena (“Hail [Mary], full of grace”). Above, God the Father sends the infant Jesus bearing a cross toward the Virgin, preceded by the dove of the Holy Spirit. They descend in the direction of the Virgin. The enclosed garden emphasizes her virginity, and the single white lily placed in an elaborate pottery jar symbolizes her purity.
The Sixteen Luohans
Object type: handscroll
Materials: ink, paper
Culture: chinese
Artist: qiu ying
Artist role: artist
Artist nationality: chinese
Artist dates: 1485 – 1562
Subjects: buddhism,monks

Best known for his paintings rendered in brilliant mineral colors, Qiu Ying sometimes worked in ink alone to demonstrate his skill as a draftsman. In this dynamic procession of luohans and their attendants, the figures are enlivened through exquisitely controlled, undulating and folded brush lines and luminous graded washes. Qiu's enthusiasm for detail is evident in the remarkable individualization of the holy men's eccentric features and the delicate textile designs of their robes. Although the artist's inscription credits the monk-artist Guanxiu (832–912) as the source of his inspiration, the ninth-century master's grotesque luohans have here been replaced by elegant Sinicized ascetics. Reflecting the blending of Buddhism and Confucianism in later Chinese culture, this procession of luohans is shown ceremoniously escorting a Chinese scholar—identifiable by his tall cap and full robes—and his retinue out of the clouds.
St. Dorothy
Object type: print
Date: 1401 – 1500
Artist: anonymous, german, 15th century
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 1500
Subjects: children,women,saints
Vier details van een medulla oblongata van een schaap
Object type: page
Date: 1854 – 1864
Materials: paper
Techniques: photolithography
Artist: john dean
Artist role: fotograaf
Artist dates: 1831 – 1888
Subjects: brains
Inscriptions: number: ‘Plate III. Fig. 9. Fig 10. Fig. 11. Fig. 12.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, ankle of figure to right?; Exterior, left calf and shod foot of draped male to right with spear
Huizen onder een zware lucht
Object type: print
Date: 1867 – 1910
Materials: paper
Techniques: drypoint, intaglio
Artist: etha fles
Artist role: print maker
Artist dates: 1857 – 1948
Subjects: rural housing, e.g. country-house, villa, cottage, low clouds and those originating from rising air currents
Inscriptions: collector's mark: Lugt 2228
Woman Putting on a Stocking
Object type: sculpture
Date: 1895 – 1910
Materials: bronze
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: women

Since Degas’s surviving sculptures represent only a portion of his entire production, and since none are dated, it is difficult to establish a chronology. Those that still exist depict Degas’s favorite subjects. With the exception of a few sculpted heads, these include horses, dancers, and women—bathing or dressing—all caught in a fleeting moment. It has been suggested that, while Degas appears to have engaged adolescent models to pose for his earlier works, the later sculptures depict more mature and less slender sitters. In accordance with the artist’s expressive and summary late painting style, the surface here is rough and coarse. The face is indicated by a few flat planes, and the missing left foot either broke off from the wax model or perhaps never existed at all.
Card 924, Miss Williamson, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 2), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Josiah Johnson Hawes
Object type: photograph
Date: 1845 – 1850
Techniques: daguerreotype
Artist: southworth and hawes
Artist role: photography studio
Artist nationality: american
Artist dates: 1843 – 1863
Subjects: men,portraits
Folge 3: Der Französische Religionskrieg
Object type: print
Date: 1562 – 1562
Materials: paper
Techniques: etching
Subjects: militant proselytizing: religious war, crusade, etc., the roman catholic church vs. protestantism; (reformation and counter reformation)

Prent gebruikt in: Aitsinger, Michael. De Leone Belgico (...). Keulen: s.n., 1588.
Standing Monk
Object type: drawing and watercolor
Materials: graphite, paper
Location: europe
Artist: Anonymous
Dish
Object type: dish
Date: 1301 – 1400
Materials: earthenware
Techniques: painting, underglaze
Location: iran
Subjects: birds
Op commando rond Ladysmith Primative tent onder een os vel
Object type: album leaf
Date: 1899 – 1900
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: ladysmith
Artist: jan van hoepen
Artist role: fotograaf
Artist dates: 1856 – 1922
Subjects: (military) camp with tents, tent

Onderdeel van Fotoalbum met opnames van de Tweede Boerenoorlog (1899-1902).
Veld van vier randtegels
Object type: randtegel
Date: 1660 – 1700
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van 4 randtegels (1 x 4) elk met een blauw geschilderd dier.
Wilderness Colors
Object type: album
Date: 1700 – 1700
Materials: ink, paper
Techniques: painting
Culture: chinese
Artist: shitao (zhu ruoji)
Artist role: artist
Artist nationality: chinese
Artist dates: 1642 – 1707
Subjects: vegetables,flowers,landscapes

In the mid-1690s, after a life of wandering, Shitao settled permanently in Yangzhou, a bustling commercial city on the Grand Canal that eclipsed Suzhou during the eighteenth century as the most vigorous economic and cultural center in China. Renouncing his monastic vows and taking the name Dadizi, or "Greatly Purified One," Shitao turned to painting as his sole means of support. In Wilderness Colors, each leaf offers something unexpected, not only in the painter's choice of subject and compositional arrangement but also in the subtle wit and touching personal insights revealed in the verbal and pictorial imagery. Many of the leaves were inspired by Du Fu (712–770) and Li Bo (701–762) of the Tang dynasty (618–907); others refer to personal experiences. In late-seventeenth-century criticism, an excess of technical versatility in painting was considered as bad as "overcooked" food. Shitao's lighthearted account of eating vegetables raw reveals his intention to maintain an uninhibited style all his own. Once Wang Anjie* presented me with a poem, saying: "Get some spring water in your copper bowl and roast some taro on the earthen stove." He truly understood me. But what a laughable, uncouth person I am! This year I greedily obtained some huge taro roots. They were too large to be roasted in a short time, so I ate them all partly raw. Can you guess what the temperature is inside my stomach?
Scherven van porselein uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven van porselein uit V.O.C.-schip de 'Witte Leeuw'.
Rieten hoed
Object type: print
Date: 1765 – 1770
Materials: paper
Techniques: woodcut
Location: japan
Artist: suzuki harunobu
Artist role: print maker
Artist dates: 1725 – 1770
Subjects: adolescent, young woman, maiden, head-gear
Inscriptions: collector's mark: Lugt 2228

Meisje in kimono met patroon van origami kraanvogels en gestileerde golven, een rieten hoed opzettend.
Sultan Murad Mirze, gouverneur van Khorasan
Object type: drawing
Date: 1867 – 1923
Materials: paper, pencil
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: historical persons
Marmeren schoorsteenmantel
Object type: photograph
Date: 1908 – 1908
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: wijnstraat
Subjects: open hearth, fire-place, interior of the house
Inscriptions: annotation: ‘Huis Wijnstraat 69 genaamd "de onbeschaamde"/ schoorsteen in de zaal/ Oct. 1908/ Dordrecht’
Gezicht op een dorp
Object type: print
Date: 1724 – 1798
Materials: paper
Techniques: print drawing
Location: amsterdam
Artist: jurriaan cootwijck
Artist role: print maker
Artist dates: 1714 – 1798
Subjects: trees, village (+ city(-scape) with figures, staffage), bridge in village across river, canal, etc.
Inscriptions: collector's mark: Lugt 2228

Gezicht op een dorp. Het dorp ligt aan een rivier. Op de achtergrond de kerk. Op de voorgrond drie hoge bomen.
Effie Ellsler in Algerian Costume of Africa, from the set Actors and Actresses, First Series (N70) for Duke brand cigarettes
Object type: print
Date: 1888 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the "Actors and Actresses" First Series (N70), issued in a set of 50 cards in 1888-89 to promote W. Duke Sons & Co. brand cigarettes.
Dordreght aan de waterzy 1650
Object type: print
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: machine driven by wind, sailing-ship, sailing-boat, church (exterior), rowing-boat, canoe, etc., prospect of city, town panorama, silhouette of city, dordrecht
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 153.
Head of a Young Man Looking Right
Object type: drawing
Date: 1774 – 1774
Materials: chalk
Artist: jakob matthias schmutzer
Artist role: artist
Artist nationality: austrian
Artist dates: 1733 – 1811
Subjects: heads,men,portraits
Sculptuur van Diogenes
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: bruges
Subjects: diogenes, carrying a lighted lantarn by daylight, trying to find an honest man, usually in a crowded market-place, sculpture
Inscriptions: collector's mark: Lugt 2228

Hij draagt een toga en heeft een lantaarn in zijn rechterhand. Achter hem ligt een ton. De sculptuur werd, volgens het onderschrift, gemaakt door Jacques Duméry (1775-1836). Hij won hiermee een eerste prijs in Antwerpen in 1822.
Tile
Object type: tile
Date: 1550 – 1295
Materials: faience
Location: egypt
Karikaturen
Object type: drawing
Date: 1768 – 1836
Materials: ink, paper
Techniques: pen
Artist: carle vernet
Artist role: draughtsman, print maker
Artist dates: 1758 – 1836
Inscriptions: collector's mark: Lugt 2228a, inscription, lower right, pen and brown ink: ‘jeunes inconus’
Kirwan à Cantenac
Object type: photograph
Date: 1862 – 1867
Materials: paper
Techniques: albumen print
Location: cantenac
Artist: alfred danflou
Artist role: fotograaf, schrijver
Subjects: castle
Inscriptions: inscription: ‘propriétaire: M. GODARD.’
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1917 – 1917
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: l. berden
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Kopie naar 'De Staalmeesters' van Rembrandt
Object type: sketchbook leaf
Date: 1875 – 1875
Materials: paper, pencil
Location: amsterdam
Artist: george clausen
Artist role: draughtsman
Artist dates: 1852 – 1912
Subjects: picture, painting

Blad 38 verso uit een schetsboek met 46 bladen.
7 Zinnebeeld, of de Hoofde-Smid der Munniken enz. Het Zevende Gebod overtreeden
Object type: cartoon
Date: 1592 – 1592
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: rome, utrecht, fire, oven, furnace ~ interior of industrial structure, smith, blacksmith, ways pretending to cure simpletons (folklore)

Het smeden van hoofden, 1705. In een smidse wordt het hoofd van Theodorus de Cock door drie smeden, waaronder Petrus Codde (de Coddige Smid) dusdanig met mokers bewerkt dat uit het hoofd een haantje tevoorschijn komt. Op de gronden hoofden van de paus en van een jezuïet. Zevende blad in de serie van 10 bladen met spotprenten op de jezuïeten getiteld Roma Pertubata, 1706.
Marskramer
Object type: titelprent, frontispice
Date: 1618 – 1638
Materials: paper
Techniques: etching
Location: haarlem
Subjects: pedlar

Een venter met om de hals een bak met koopwaar kondigt zijn handelswaar aan. In de hand heeft hij een bundel papier met daarop de tekst: "Almen nieu nieu Almenac." Titelprent van een serie van 32 prenten met genretaferelen.
Spa
Object type: page
Materials: paper
Techniques: photolithography
Location: brussels
Artist: c.f.
Artist role: fotograaf
Subjects: church (exterior), street
Inscriptions: inscription: ‘PHOTOLITH. SIMONAU & TOOVEY, d'après le procédé de Mr. ASSER.’, inscription: ‘SE VEND CHEZ F. ENGEL A SPA.’, collector's mark: ‘EA’
La Dame de Charité
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: giving alms or other charity, e.g.: handing out food, sick-bed, interior of the house
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een oude man ligt in bed in een armoedig interieur, omgeven door familieleden en een zuster. Op een stoel naast zijn bed zit een vrouw van hogere afkomst, die hem een buideltje aanbiedt.
Le Gentilhomme au Plastron de Fourrure (The Gentleman with a Fur Shirt Front), from "La Noblesse" (The Nobility)
Object type: print
Date: 1623 – 1623
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Ribbon
Object type: ribbon
Date: 1860 – 1860
Materials: metal thread, silk
Subjects: flowers