deem-data/ArtiFact huggingface dataset:
Glass eye bead
Object type: bead
Date: 400 – 301
Materials: glass
Culture: greek, eastern mediterranean

Dark blue, with additions in opaque white and cobalt blue. Spherical shape with large vertical hole. Twenty-four eyes in six diagonal rows of four. Intact; dulling, pitting, weathering, and slight iridescence.
Entree Dish with Cover from the Hood Service
Object type: metalwork
Date: 1806 – 1807
Materials: metal, silver
Location: london
Artist: paul storr
Bird ornament
Object type: ornament
Date: 600 – 800
Materials: shell
Culture: maya
Location: guatemala or mexico
Artist: maya artist(s)
Artist role: artist
Subjects: birds
Portret van dominee J. Fairbrother
Object type: photograph
Date: 1855 – 1867
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: adult man, historical persons
Head of Shiva
Object type: figure
Date: 501 – 600
Materials: mineral, stone
Culture: pakistani, brahmanical post-gupta
Subjects: gandhara,shiva,hinduism
Corte , Corsika
Object type: photograph
Date: 1886 – 1896
Materials: cardboard, photographic support
Techniques: albumen print
Location: corsica
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Subjects: corsica

De stad Corte gezien vanaf de andere oever van de Tavignano. De stad Corte is gebouwd op een heuvel in het Corsicaanse berglandschap.
Otoe-Missouria Delegation
Object type: photograph
Date: 1881 – 1881
Techniques: albumen silver print, glass negative
Artist: john k. hillers
Artist role: artist
Artist nationality: american, born germany
Artist dates: 1843 – 1925
Subjects: men,portraits

The troubled relationship between native and non-native North Americans was well documented by the camera. In the 1850s and 1860s white photographers moved West and welcomed Native Americans into their studios. They rarely paid their subjects, seldom recorded their names or tribes, and often dressed their sitters in studio props, confusing the ethnographic record. After the end of the Civil War, the locus for most so-called "Indian" photographs moved east to Washington, D.C., where the United States government invited hundreds of Native American delegations for official state visits in an ongoing effort to seek peace, negotiate treaties, and acquire tribal land. Delegation photography was a routine part of any state visit, and many portrait studios, including that of Bell, profited from the business. For centuries the Otoe had lived near the mouth of the Platte River in Nebraska, but by 1881 the Department of Indian Affairs had forced the tribe to sell their lands and move to the Indian Territory in what is now Noble and Pawnee counties, Oklahoma. According to tribal history, in October 1881, with their possessions loaded onto seventy wagons, the Otoe walked across the state of Kansas to their new home in northern Oklahoma, where they live today.
Design for Three Gothic Pediments
Object type: drawing
Date: 1801 – 1833
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: architecture
Ketting
Object type: chain
Date: 1800 – 1900
Materials: gold
Location: java
Artist: Anonymous
Portret van Roemer Visscher
Object type: print
Date: 1790 – 1858
Materials: paper
Techniques: stippled etching
Location: amsterdam
Subjects: amsterdam, roemer visscher
Inscriptions: collector's mark: Lugt 2228

Portret van koopman en dichter Roemer Visscher op 71-jarige leeftijd, zittend bij een tafel.
Spits van de berg Podhorn in Marienbad
Object type: sketchbook leaf
Date: 1808 – 1869
Materials: paper, pencil
Location: marienbad
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: mountains, marienbad
Inscriptions: date and inscription: ‘spits. Podhorn/ 14.Aug 69/ ik vind hier nog terug in tuinhuisjes mijn potlood/ krabbelingen - na 10.11. & jaren & nog goed!’

Blad 22 recto uit een schetsboek met 48 bladen.
Portret van een jonge vrouw
Object type: cabinet photograph
Date: 1886 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: adolphe zimmermans
Artist role: fotograaf
Artist dates: 1858 – 1922
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Adolphe/ Anvers 1885/ Paris 1886/ De Riemerstraat 21/ La Haye’
Portret van Simon Simonides op 46-jarige leeftijd
Object type: print
Date: 1657 – 1707
Materials: paper
Techniques: engraving
Location: netherlands
Inscriptions: collector's mark: Lugt 2228

Portret van Simon Simonides, onder het portret zijn naam, leefjaren en functies.
Allegorie van de Lente
Object type: print
Date: 1621 – 1650
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: pietro testa
Artist role: draughtsman, painter, print maker
Artist dates: 1611 – 1650
Subjects: the chariot of the sun, (story of) apollo (phoebus), spring, 'ver'; 'primavera' (ripa), (story of) venus (aphrodite), couple of lovers
Inscriptions: collector's mark: Lugt 240

Allegorische voorstelling van het seizoen lente. De zon, weergegeven als de god Apollo op zijn zonnewagen, zweeft linksboven. Naast de wagen zweven Venus en Amor op wolken. Recht een groep putti. Op de grond een gevleugelde figuur, zittend op een bal van vuur, voortgetrokken door twee zwanen over water. Rond het water verschillende personificaties van bloemen en verliefde paren.
Portret van Jakob Friedrich van Bielfeld
Object type: print
Date: 1740 – 1766
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Belt (Yeemy Mambolmashet)
Object type: costume and accessory
Date: 1801 – 1900
Materials: fiber, raffia, shell
Techniques: weave
Culture: kuba
Location: democratic republic of the congo
Subjects: status, regalia, geometric, wealth

In the Kuba Kingdom, ceremonial occasions require ostentatious displays of wealth and status through dress and other attributes. Specialized male artists excel in the making of beaded regalia like the belt displayed here. They sew both beads and shells onto a woven raffia foundation to create geometric designs. The interlaced pattern on this belt, called imbol, is a favorite Kuba motif that can also be seen on the raffia skirts worn with such beaded ornaments.
Portret van Willem, prins der Nederlanden
Object type: print
Date: 1845 – 1899
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: the hague, paris, willem (prins der nederlanden)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Ein new getruckt model Büchli...Page 10, verso
Object type: book print ornament architecture
Date: 1529 – 1529
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Subjects: ornament

Published by Schoensperger, Augsburg. Title page, 45 pages of designs for weaving and embroidery, and 5 manuscript pages of weaver's notations at back.
Silver Clasp
Object type: costume and accessory
Date: 1701 – 1800
Materials: coral, silver
Culture: tibetan
Location: tibet
Wall hanging
Object type: wall hanging
Date: 1818 – 1818
Materials: linen, paint
Artist: anders pålsson
Artist role: artist
Artist nationality: swedish
Artist dates: 1781 – 1849
Subjects: animals,men,women,violins
Koffiehuisjongen, 1840-1841
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: engraving
Location: the hague
Subjects: professional clothes, inn, coffee-house, public house, etc.
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Een bediende in een koffiehuis. Staande jongen schenkt een glas in. Genummerd: 33. Uit een boek met karakterschetsen, beroepen en klederdrachten van Nederlandse volkstypen uit 1841. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Uitspanningslokalen, Koffiehuizen.
Groninger studenten almanak voor het jaar 1891
Object type: book
Date: 1891 – 1891
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, lithograph, printing
Location: groningen
Inscriptions: number: ‘f 3.75’, annotation: ‘gekocht okt 19[..] bij/ Academia, Groningen/ voor f 3.75.’
Skirt
Object type: skirt
Date: 1882 – 1882
Materials: linen
Johan de Standvastige, keurvorst van Saksen en zijn zoon Johan Frederik de Grootmoedige
Object type: history medal
Date: 1530 – 1530
Materials: silver
Techniques: casting
Location: saxony
Artist: hieronymus magdeburger
Artist role: die cutter
Artist dates: 1492 – 1540
Subjects: meissen, keurvorst van saksen johan de standvastige, torgau, weimar, keurvorst, johan frederik i (keurvorst van saksen)

Zilveren penning. Voorzijde: borststukken van twee mannen binnen tweeregelig omschrift onderbroken door vier wapenschilden. Keerzijde: wapenschild met drie helmen binnen omschrift
Portret van Atanasio Rodulfi
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons

Prent mogelijk uit: Theatrum Europaeum (...). Frankfurt am Main: erven Matthaüs Merian, 1652, dl. 6.
Plaque: “Amun is in Luxor”
Object type: costume and accessory
Materials: gemstone
Culture: egyptian
Location: egypt
Subjects: hieroglyphs
Nabby's Point
Object type: woodcut, print
Date: 1913 – 1913
Materials: paper, pencil
Techniques: woodcut
Culture: american
Location: united states
Artist: arthur wesley dow
Artist role: artist
Artist nationality: american
Artist dates: 1857 – 1922
Subjects: landscapes,trees
Plate
Object type: plate
Date: 1734 – 1766
Materials: faience
Techniques: glazing
Subjects: human figures,insects,butterflies,flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Torri, Ikaho
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: ikaho
Artist: Anonymous
Subjects: ikaho
Inscriptions: annotation: ‘43. Ikao.’
Drie putti rond een medaillon
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: crowning with laurel, single muses, cupids: 'amores', 'amoretti', 'putti', jolly joker
Inscriptions: collector's mark: Lugt 2228

Drie putti rond een leeg medaillon. Bovenaan wordt de medaillon gelauwerd door een putto met bazuin. De putto rechts houdt een narrenstok vast. Op de voorgrond liggen naast bladen met namen van toneelschrijvers een tamboerijn, masker en kroon met scepter, attributen van muzen.
Vase (rolwagen) with a company in a landscape
Object type: rolwagen
Date: 1635 – 1650
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

AK-NM-6671 Rolwagen

• Overgangsporselein
• Onderdeel van Royers porseleincollectie
• Rolwagen
• Op de bodem in pen: ‘T22’ (slecht leesbaar) en in potlood: ‘No28’. Betekenis onbekend
• Met dank aan Fan Lin, Qinxin He and Erika Riccobon, Universiteit Leiden, voor informatie over de voorstelling

Een hoogwaardigheidsbekleder krijgt een vaas aangeboden met drie kleine hellebaarden. Dit motief drukt de wens uit op een snelle promotie van drie rangen. Het karakter voor hellebaard (ji) is homofoon met het karakter voor officiële rang, vaas (ping) klink als probleemloos. Zo kan het aanbieden van een vaas met drie hellebaarden direct herkend worden als het uitspreken van de wens dat de ontvanger zonder moeite drie rangen stijgt in de Chinese ambtenaren-hiërarchie.

De voorstelling is vrijwel gelijk aan die op AK-NM-6680, maar het schilderwerk (weergave van de figuren, de details) is eenvoudiger.
Jurōjin
Object type: hanging scroll
Date: 1801 – 1900
Materials: ink, paper
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Subjects: men
Scenes from the Story of David
Object type: panel
Date: 1501 – 1600
Materials: linen, silk
Subjects: men,women,horses,trees,david
[Castle with Round Towers Seen from the Grounds]
Object type: photograph
Date: 1850 – 1859
Techniques: paper negative, salted paper print
Artist: Anonymous
Artist role: artist
Subjects: architecture,castles
Jeugdstorm
Object type: photograph
Date: 1934 – 1943
Materials: photographic support
Techniques: photography
Location: zeist
Artist: antonius philippus de keijzer
Artist role: fotograaf
Subjects: military celebrations, zeist

Rij meisjes van de jeugdstorm in uniform op een Velddag in Zeist. Vijf dragen de Jeugdstormvlag met de vliegende meeuw, de overigen brengen de NSB groet. Achter hen de Nederlandse vlag en die van de Jeugdstorm. Links jongens en meisjes in gewone kleren, rechts groep jongens van de Jeugdstorm in uniform met trommels. Op de achtergrond bomen. Het bijschrift vermeldt dat dit het slot is van de Velddag op Hemelvaartsdag, het 6de couplet van het Wilhelmus werd gezongen. De dag was georganiseerd door het Gewest Nedersticht (prov. Utrecht), er namen ca. 1400 leden aan deel.
Four Studies of Nude Men
Object type: drawing
Date: 1757 – 1822
Materials: ink
Techniques: pen
Artist: anonymous, italian, early 19th century
Artist role: artist
Artist nationality: italian
Artist dates: 1800 – 1825
Subjects: male nudes
Trofeeën
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: etching
Subjects: trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, agricultural implements
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een trofee met agrarische objecten zoals een hark, een gieter, een schep en een mand met fruit. Aan de bovenzijde een rond medaillon met twee putti.
Cuneiform tablet: Atra-hasis, Babylonian flood myth
Object type: cuneiform tablet
Date: 700 – 501
Materials: clay
Culture: achaemenid or babylonian
Location: mesopotamia

The invention of writing in approximately 3300 B.C. was one of many developments in administrative technology--including the use of geometric tokens for counting and cylinder seals to guarantee transactions--that accompanied the growth of the first cities and states in southern Mesopotamia. Proto-cuneiform is the name given to the earliest form of writing--pictograms that were drawn on clay tablets. Gradually, the pictograms became abstracted into cuneiform (Latin, "wedge-shaped") signs that were impressed rather than drawn. At its greatest extent, cuneiform writing was used from the Mediterranean coast of Syria to western Iran and from Hittite Anatolia to southern Mesopotamia. It was adapted to write at least fifteen different languages. The last dated cuneiform text has a date corresponding to A.D. 75, although the script probably continued in use over the next two centuries. This clay tablets fragment contains part of the ancient Akkadian flood story, often called Atra-hasis. The epic tells of how the gods created humans to alleviate their own work, grew tired of the noise of the peoples on earth, and sent various natural disasters – including a flood – to destroy the human race. Because the story describes the intervention of a god to save one man (Atra-hasis) by giving him instruction for building a boat, it is often compared to the biblical story of Noah. The text on this tablet, which reads left to right, describes the noise on earth that led to the gods’ decision to destroy humanity on the front. On the reverse, the very end of the story appears – the gods promise to never send another flood, allowing people to "last forever" – as well as the name of the Mesopotamian flood survivor, who in this text is given the name Ut-napishtim. The epic is best-known from copies of the text dating to the Old Babylonian period, but several examples, including this text, show that the story continued to be copied in later periods.
Gezicht in vogelvlucht op de Heilige Stede te Amsterdam
Object type: print
Date: 1729 – 1729
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior)

Prent uit: Long, Isaac le. Historische beschryvinge van de reformatie der stadt Amsterdam (…). Amsterdam: Johannes van Septeren (I), 1729, tussen p. 330 en 331.
Toilettes de Mme Bréant-Castel, from  La Mode Illustrée, 1855, No. 4
Object type: print
Date: 1885 – 1885
Materials: steel
Techniques: engraving, hand coloring
Artist: isabelle desgrange
Artist role: artist
Artist nationality: french
Artist dates: 1850 – 1907
Subjects: women
Earring
Object type: earring
Date: 34 – 66
Materials: garnet, glass, gold
Culture: sarmatian
Limestone statuette of Artemis with a fawn
Object type: statuette of artemis with fawn
Date: 334 – 101
Materials: limestone
Culture: cypriot
Subjects: artemis,deer
Clarence #409
Object type: drawing
Date: 1850 – 1870
Materials: ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Man op een terras voor een woning
Object type: photograph
Date: 1935 – 1950
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: norbert van den berg (1901-1972)
Artist role: amateurfotograaf
Artist dates: 1901 – 1972
Subjects: adult man, terrace, façade (of house or building)
Length
Object type: length
Date: 1767 – 1800
Materials: silk
Subjects: human figures,buildings,trees
Gezicht op het Girard-College in Philadelphia
Object type: print
Date: 1851 – 1863
Materials: paper
Techniques: engraving
Location: hildburghausen
Subjects: city-view, and landscape with man-made constructions, university building, college
Inscriptions: monogram: ‘C.R. 1851 del.’, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent verschenen in: Meyer, Joseph. Meyer's Universum. Hildburghausen: Bibliographisches Institut, 1835-1863.
Streamers
Object type: streamer
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: dragons
Rode toren, halfronde blauwe cirkel
Object type: print
Date: 1994 – 1994
Materials: paper
Techniques: aquatint
Location: amsterdam
Artist: harrie a. gerritz
Artist role: draughtsman, painter, print maker
Artist dates: 1940 – 
Inscriptions: signature and date: ‘Harrie Gerritz 1994’
Transverse Flute
Object type: transverse flute
Date: 1795 – 1795
Materials: wood, ivory, silver
Culture: german
Location: germany
Artist: friedrich gabriel august kirst
Artist role: musical instrument maker
Artist nationality: german
Artist dates: 1750 – 1806

Kirst was one of the foremost German flute makers of his generation. The instrument comes with four exchangeable upper-middle sections to tune the flute in different pitches, and an additional C-foot for the notes c-sharp and c.
Studieblad, onder andere met een paard en gezichten
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: face, horse
Inscriptions: annotation: ‘[...]’

Pagina 41 uit een schetsboek met 29 bladen.
Card Number 520, Celie Ellis, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Window grill from a palace of Ramesses III
Object type: window grill, palace of ramesses iii
Date: 1184 – 1153
Materials: paint, stone
Location: egypt
Joan en Charlotte Boelen op Texel
Object type: photograph
Materials: paper
Techniques: gelatin silver print
Location: texel
Artist: charlotte alida boelen-matthes (lot)
Artist role: amateurfotograaf
Artist dates: 1889 – 
Subjects: dunes (sea not visible); in the dunes, market

Deze foto's zijn onderdeel van een album.
Tunnel Bathing Beach, high tide
Object type: page
Date: 1900 – 1920
Materials: paper
Techniques: autotype
Location: ilfracombe
Artist: Anonymous
Subjects: rocky coast, (high) hill
Pūngī
Object type: pūngī
Date: 1867 – 1900
Culture: indian
Location: india
Doopkleed van kantborduurwerk op machinale tule met plumetis en geappliceerde boeketten
Object type: doopkleed
Date: 1825 – 1830
Techniques: embroidered
Location: netherlands
Artist: Anonymous

Doopkleed van naturelkleurig kantborduurwerk van plumetis op machinale tule. Drie zijden hebben een geborduurde schulprand, met in elke schulp een gevederd bladmotief. De onderrand heeft bovendien nog acht geappliceerde bloemboeketten van fijn linnen gecombineerd met plumetis. De bovenrand is afgewerkt met een zoompje.