deem-data/ArtiFact huggingface dataset:
Rapier
Object type: rapier
Date: 1600 – 1620
Materials: copper, gold, steel
Culture: german
Location: germany

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Loden rol uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: lead
Date: 1700 – 1735
Materials: lead
Location: middelburg
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Deze loden buisjes zijn vermoedelijk afkomstig van visnetten ofwel op TVliegend Hart zelf ofwel van vissers die hun netten aan het wrak verloren.
Wedding dress
Object type: wedding dress
Date: 1882 – 1882
Materials: silk
Culture: american
Verzameling van Afbeeldingen van Nederlandsche Mannen, beroemd geworden, wegens hunne Moed en Burgerliefde in de jongstledene Beroerten
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Jacobus Wijsman heeft sommige platen van de serie patriottenportretten van Abraham Jacobsz. Hulk aangepast en hergebruikt in zijn eigen serie patriottenportretten. Prent maakt deel uit van een serie, die in drie afleveringen werd uitgegeven onder de titel: Verzameling van Afbeeldingen van Nederlandsche Mannen, beroemd geworden, wegens hunne Moed en Burgerliefde in de jongstledene Beroerten. 1794-1795. Zie Atlas van Stolk en Van Someren.
Holland, Floris V, penning
Object type: coin
Date: 1256 – 1258
Materials: silver
Techniques: striking
Location: dordrecht
Artist: floris v (graaf van holland en zeeland)
Artist dates: 1254 – 1296

Zilveren munt. Voorzijde: hoofd met gravenmuts naar rechts. Keerzijde: lang dubbellijnig kruis.
Deksel van terrine, beschilderd in famille rose-stijl naar Chinees voorbeeld
Object type: lid
Date: 1735 – 1735
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: mold mark, factory mark

Deksel van terrine, van veelkleurig beschilderd porselein. De knop van het deksel heeft de vorm van een parende kip en haan.
Portret van Leonhard Popp
Object type: print
Date: 1670 – 1702
Materials: paper
Techniques: mezzotint
Artist: michael fennitzer
Artist role: print maker, printer
Artist dates: 1641 – 1702
Subjects: cut flowers; nosegay, bunch of flowers, gloves, mittens, etc., historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Materials: terracotta
Culture: greek, attic

Exterior, two fragments with parts of circumscribed palmettes and tendrils
Wandbespanning van paarse damast met dessin van vogelnesten
Object type: upholstered wall
Date: 1911 – 1915
Materials: linen
Techniques: damask
Location: eindhoven
Artist: chris lebeau
Artist role: draughtsman, print maker
Artist dates: 1878 – 1945

Wandbespanning van paarse damast met dessin van vogelnesten.
Louvain Church Grille
Object type: drawing
Date: 1851 – 1900
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: animals
Nécessaire in the Form of Two Books
Object type: metalwork
Date: 1765 – 1785
Materials: copper, enamel, gilt bronze, metal
Techniques: gilding, polychrome
Location: bilston
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two black glazed rim fragments from lipped kylikes
50 centimes uit het keizerrijk Frankrijk van Napoleon III,1864
Object type: vijftig centime
Date: 1864 – 1864
Materials: silver
Techniques: striking
Location: paris

Zilveren munt. Voorzijde: gelauwerd hoofd van de keizer naar links. Keerzijde: kroon, waaronder waarde-aanduiding in een regel, waaronder jaartal. Onderaan de letter A [=Parijs]. Kartelrand.
Metalen vaten en kandelaars voor kerkelijk gebruik
Object type: page
Date: 1860 – 1885
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: containers, chandelier, candelabrum
Flying Goose
Object type: album leaf
Date: 1887 – 1887
Materials: ink, silk
Culture: japanese
Artist: watanabe seitei
Artist role: artist
Artist nationality: japanese
Artist dates: 1851 – 1918
Subjects: geese
Zes landschappen met reizigers
Object type: print
Date: 1584 – 1603
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: landscapes in the temperate zone, 'en route', traveller under way
Inscriptions: collector's mark: Lugt 2228a

In een bomenrijk landschap lopen twee reizigers met een hond langs een moeras naar twee huizen. Deze prent is onderdeel van een serie van zes landschappen met reizigers.
Toby Mug
Object type: toby mug
Date: 1830 – 1870
Materials: earthenware
Culture: american
Subjects: men
Tafereel met twee naakte meisjes op een sofa
Object type: stereograph
Date: 1873 – 1910
Materials: cardboard, paper
Techniques: autotype
Artist: Anonymous
Subjects: woman (showing herself) undressed, quasi-nude
Portret van Lambert Allard te Winkel
Object type: print
Date: 1842 – 1887
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: arnhem, leiden, eyeglasses, spectacles, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een bril. Onder het portret zijn signatuur.
Aerarii Publici Rome, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
Object type: album print ornament architecture
Techniques: engraving
Artist: monogrammist g.a. with the caltrop
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1535
Subjects: architecture,buildings

Perspectival depiction of the side view of a building referred to as the ‘Aerarii Publici Rome’, the public treasury of Rome. The main body of the building is circular in shape interrupted at regular intervals by semi-circular absidioles and an avant-corps on the front side (here seen on the left). The avant-corpse consists of a monumental staircase that leads up to the fourth floor of the building. A separate staircase leads to the top of the building, which is crowned by a dome with a balustrade. While the building is meant to represent the public treasury of Rome, thought to have been located on the Capitoline Hill near the Temple of Saturnus, very few architectural elements remain to indicate what the building may have looked like, and this rendition was likely created as an ekphrasis. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation. Most copper plates for this series have been engraved on both sides. This print is taken from the same plate as the 'Pinaculu Termae'. This group of prints was purchased as part of an an album in 1926, but taken apart by the Museum in 1934. The album appears to have been compiled in the 17th century, although the majority of prints date from the 16th century. The larger part of the prints is focused on mythological subjects and objects and architecture from Antiquity. The album was part of the collection of the architect Hippolyte Destailleur and was sold in the sale of his books and prints in 1895. The Museum acquired the album at G. Rapilly & Fils in 1926. Where the album had been kept in the mean time is unclear and several prints were taken out in this period. The museum's numbering does not reflect the order of the original album, but Destailleur's numbering system is retained on the inidividual sheets, allowing for the reconstruction of its original content.
Portret van een jongen, zittend in een uniform
Object type: photograph
Date: 1878 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: france
Artist: françois chéri rousseau
Artist role: fotograaf
Artist dates: 1826 – 1908
Subjects: handwriting, writing as activity, studio requisites ~ photographer, child, warfare; military affairs, (military) uniforms, division of armed forces, france
Inscriptions: address: ‘8 Place de l'Hôtel de Ville, St. Étienne / 14 Boulevard du Musée Marseille’

Onderdeel van Album met cartes-de-visite en kabinetfoto's van militairen in uniform.
Departure of the Ship
Object type: print
Date: 1770 – 1770
Techniques: engraving
Artist: joseph vernet
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1789
Bowl
Object type: bowl
Date: 1840 – 1840
Materials: earthenware
Techniques: glazing
Culture: mexican
Location: mexico
Subjects: flowers
Pair of Bracelets
Object type: bracelet
Date: 1840 – 1840
Materials: gold, hair, ivory, watercolor
Culture: american
Location: united states
Artist: john carlin
Artist role: artist
Artist nationality: american
Artist dates: 1813 – 1891
Subjects: portraits,women

These matching bracelets are made of 14-karat yellow gold and have wide chain-link bands engraved with flowers at the terminals. The clasps are set with portrait miniatures on ivory of two young women, presumably sisters, painted by American artist John Carlin. The reverse of each clasp is a locket, which holds a braid of the sitter’s hair beneath a crystal face. One miniature depicts a young woman with dark hair, smoothly coifed across the crown of her head with a center part and falling in ringlets to her shoulders. She is portrayed in a head and neck format, turned to the proper left, with a modulated background simulating clouds. The reverse of this portrait is engraved with the initials "MLP" and the date "1840." The second portrait shows a young woman with dark hair smoothly coifed across the crown of her head with a center part draped in front of her ears and pulled back. Like her sister, she is portrayed in head and neck format, and in a similar cloud setting. The reverse of this portrait is engraved with the initials "CAP" and the date "July 1840" on the reverse. The identities of these sitters remains unknown. John Carlin, a deaf mute, was born in Philadelphia and graduated from the Pennsylvania Institute for the Deaf and Dumb. At school he proved himself a talented painter. He went on to study with John Rubens Smith and John Neagle of Philadelphia before going to Paris to study with the academic master Paul Delaroche. Upon his return to the United States Carlin settled in New York, becoming one of the city’s most sought after miniaturists. Carlin was also a genre and landscape painter, a writer, and a poet.
Brief aan Philip Zilcken
Object type: letter
Date: 1906 – 1906
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: abraham bredius
Artist role: kunsthistoricus, museumdirecteur
Artist dates: 1855 – 1946
Subjects: leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn, the hague, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Monk's Hat
Object type: monk's hat
Date: 1701 – 1800
Materials: coral, glass, lacquer, silver
Culture: tibetan
Engel en man
Object type: print
Date: 1847 – 1863
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: the fall of satan, fall of lucifer, nude with covered genitals, rocks, angels
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Satan, Milton's Paradise Lost I, 56 f. f. / Tentoonstelling Haag 10-07 No. 7.’

De twee figuren, mogelijk de gevallen Satan en een engel, dragen beiden een lendendoek. Ze liggen op een rots. Achter hen donkere wolken en een vuurzee.
Fotoreproductie van Le charpente du logis door Edmond Fierlants
Object type: reproduction
Date: 1855 – 1860
Materials: photographic support
Techniques: albumen print
Artist: edmond fierlants
Artist role: fotograaf
Artist dates: 1819 – 1869
Subjects: carpenter, angels
Losse fragmenten van een prent van Adam en Eva
Object type: print
Date: 1585 – 1596
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: eve takes the fruit from the serpent (or the tree) in the presence of adam (who may be trying to stop her)

De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
Harriet Warner Walker, less than 24 hr. old
Object type: photograph
Techniques: albumen print
Location: united states
Artist: j. j. kanberg
Artist nationality: american
Artist dates: 1870 – 1879
Subjects: portraits, portraits: child subject, photography
Tempel van Neptunus te Pestum
Object type: print
Date: 1809 – 1857
Materials: paper
Techniques: lithograph
Artist: cornelis kruseman
Artist role: draughtsman, painter, print maker
Artist dates: 1797 – 1857
Subjects: (story of) neptune (poseidon), temple, shrine ~ greek religion
Inscriptions: collector's mark: Lugt 2228
De loterij zaal / La salle de loteries
Object type: print
Date: 1840 – 1860
Materials: paper
Techniques: iris print, lithograph
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, the hague

Gezicht op de Loterijzaal, de huidige Ridderzaal.
La Hollande
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: etching, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: forest, wood
Inscriptions: collector's mark: Lugt 2228

In het midden staat een figuur met een kind naast een boom.
Fishes
Object type: album leaf
Date: 1890 – 1892
Materials: ink, silk
Culture: japanese
Artist: seki shūkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1858 – 1915
Subjects: fish
Bijbelillustraties
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: mary, joseph and the new-born christ (nativity)
Inscriptions: collector's mark: Lugt 240

Prent afkomstig uit een onbekende Latijnse bijbel, mogelijk gedateerd 1590.
Temperance personfied by a woman standing in a niche holding a bit, from "The Virtues"
Object type: print
Date: 1515 – 1525
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: women
Ear Ornament with Granulate Design
Object type: ear ornament
Materials: gold
Culture: indonesian, javanese
Tekstblad bij de kaart van het beleg van Thionville, 1643
Object type: map
Date: 1644 – 1644
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: lodewijk xiv (koning van frankrijk), paris, lodewijk ii de bourbon-condé (hertog van enghien)
Inscriptions: collector's mark: Lugt 240

Tekstblad bij de kaart van de belegering van Thionville door het Franse leger onder bevel van Lodewijk II van Bourbon-Condé, de hertog van Enghien, 18 juni - 10 augustus 1643. Tekstblad met een lijst van de Franse regimenten (nrs. 48-75) in het Frans. Met ornamentele rand. Onderdeel (rechtsonder) van een ongemonteerd ensemble bestaande uit de kaart van het beleg en vier tekstbladen.
Portret van Lodewijk XVI, koning van Frankrijk
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: london
Subjects: paris, lodewijk xvi (koning van frankrijk), historical persons, king
Inscriptions: number: ‘Nr. 1217’, collector's mark: Lugt 2228
Colosseum in Rome
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: amphitheatre, vespasian builds the colosseum, other monuments which are sometimes included in the wonders of the world (colosseum), rome
Inscriptions: collector's mark: Lugt 2228

De ruïne van het Romeins colosseum. Centraal in het colosseum een standbeeld van Jupiter. Er zijn gevechten aan de gang. In de voorgrond keizer Vespasianus te paard. Hij had opdracht gegeven tot de bouw van het colosseum. Links in de voorgrond een reliëf met de zogende Romulus en Remus. De prent heeft een Latijns onderschrift en maakt deel uit van een serie over de acht wereldwonderen.
Bowl with a white glaze
Object type: bowl
Date: 1600 – 1699
Materials: glaze, porcelain
Techniques: firing, turning, vitrification
Location: south china
Artist: Anonymous

Klokvormige kom van porselein, bedekt met een wit glazuur. De binnenrand is ongeglazuurd. Wit porselein.
Button
Object type: button
Date: 1780 – 1780
Materials: bone, metal, wood
Culture: french
Man Turning His Head to the Left
Object type: print
Date: 1543 – 1543
Materials: paper
Techniques: etching
Location: france
Artist: juste de juste
Artist role: artist
Artist nationality: french, born italy
Artist dates: 1505 – 1559
Fotoreproductie van Arabes devant leur demeure door Eugène Delacroix
Object type: page
Date: 1878 – 1883
Materials: photographic support
Techniques: albumen print
Subjects: open door, historical persons, painting, drawing and the graphic arts
Inscriptions: inscription: ‘Eug. Delacroix’
Ex libris van L.K.
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: woodcut
Location: poland
Artist: jan kruszynski
Artist role: print maker
Subjects: flowers
Inscriptions: monogram
Portret van een zittende vrouw
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: sitting figure - aa - female human figure, historical persons
Carpet
Object type: carpet
Date: 1534 – 1566
Materials: cotton, wool
Techniques: asymmetrically knotted pile
Location: iran
Apple
Object type: figure
Date: 1750 – 1775
Materials: earthenware
Techniques: glazing
Subjects: apples

This is one of a set of twelve (see 94.4.38–.49) Delftware polychromed figures in the shapes of fruit including apples, figs, lemons, and pears.
's-Hertogenbosch, vroedschapspenning op de aanleg van de steenweg van 's-Hertogenbosch naar Eindhoven
Object type: council medal
Date: 1741 – 1741
Materials: silver
Techniques: striking
Location: den bosch
Subjects: den bosch
Wine Cup with Bamboo (one of a pair)
Object type: cup
Date: 1723 – 1735
Materials: cobalt, enamel, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: bamboo
Glass Fragment
Object type: fragment
Date: 1401 – 1500
Materials: glass
Culture: european
Brief aan Richard Roland Holst
Object type: letter
Date: 1922 – 1922
Materials: ink, paper, pencil
Techniques: pen, writing
Location: naaldwijk
Subjects: richard nicolaüs roland holst, applied arts, arts and crafts; industrial design, money
Chair seat
Object type: chair
Date: 1670 – 1700
Materials: fiber, wool
Techniques: weave
Culture: british
Location: england
Landscape with a Shepherd and His Flock
Object type: print
Date: 1668 – 1671
Materials: paper
Techniques: etching
Location: france
Artist: sébastien bourdon
Artist role: artist
Artist nationality: french
Artist dates: 1616 – 1671
Portret van een jongen met hond
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: boy (child between toddler and youth), dog
Pair of clappers
Object type: music, clapper, arm, hand
Date: 1900 – 1640
Materials: ivory
Location: egypt
Subjects: musical instruments,hands
Groepsportret van verklede meisjes (vermoedelijk) voor een optocht
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: międzyzdroje
Subjects: periodic celebrations, popular feasts, anonymous historical persons portrayed in a group, in a group-portrait
Wallpaper with Satyr Family
Date: 1515 – 1515
Techniques: woodcut
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Geefhuis te Gouda, armeloodje met no. 306
Object type: hondenbelastingloodje
Date: 1805 – 1805
Materials: copper
Techniques: striking
Location: gouda
Artist: Anonymous
Subjects: gouda

Eenzijdig koperen ruitvormig loodje met gat erin. Voorzijde: in ovale sierrand: duif met gespreide vleugels in stralenkrans; boven sierrand: cijfer 306, eronder: jaartal in compartiment. Keerzijde: blanco.
Actors Nakamura Sukegorô II as Sasano Sangobei (Left) and Ôtani Hiroji III as Satsuma Gengobei (Right) in “Green Willow Soga of Erotic Design” (“Iro moyô aoyagi Soga”)
Object type: print
Date: 1775 – 1775
Techniques: woodblock print
Location: japan
Artist: rantokusai shundô
Artist nationality: japanese
Artist dates: 1770 – 1790
Portret van Ludolph Smids
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: amsterdam, ludolph smids, letter, envelope
Inscriptions: collector's mark: Lugt 240

De dichter, oudheidkundige en arts Ludolph Smids met in zijn hand een brief waarop twee medaillons waarin klassieke bustes. Achter hem een draperie en een gebouw.
Sculpturen uit de oudheid
Object type: album leaf
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: Anonymous
Subjects: historical persons, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘79’

Deze prent maakt deel uit van een reeks van ten minste 50 prenten van sculpturen uit de oudheid.
Knee Buckle
Object type: buckle
Date: 1800 – 1800
Materials: silver
Culture: american
Landschap met ronde toren
Object type: print
Date: 1612 – 1655
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes moeyaert
Artist role: draughtsman, painter, print maker
Artist dates: 1592 – 1655
Subjects: riding a horse, ass, or mule; rider, horseman, river, landscape with ruins
Inscriptions: collector's mark: Lugt 2165, collector's mark: Lugt 1684, inscription: ‘Cl. Moeyart fec: / Paisage non decrite. 1re Epreuve rare, avant le nom & l'addresse. J.F. Linck’

In een landschap met een ronde toren spreekt een ruiter met een man, terwijl zijn paard drinkt. Rechts een rivier met een roeiboot.
Tien landschappen
Object type: print
Date: 1586 – 1630
Materials: paper
Techniques: engraving
Subjects: forest path or lane
Inscriptions: collector's mark: Lugt 240
Filips II, koning van Spanje, rekenpenning van de rekenkamer van Bourgondië te Dole
Object type: jeton
Date: 1562 – 1562
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: philip ii of spain

Koperen penning. Voorzijde: vuurslag waar orde van Gulden Vlies aan hangt op Bourgondisch kruis, omgeven door vonken binnen omschrift. Keerzijde: gekroond wapenschild binnen omschrift.
Hob grate
Object type: hob grate
Date: 1751 – 1775
Materials: iron
Artist: carron foundry
Artist role: manufacturer
Artist nationality: scottish
Artist dates: 1759 – 9999