deem-data/ArtiFact huggingface dataset:
Vrouw staande naast een uitstalling van fruit
Object type: drawing
Date: 1589 – 1657
Materials: ink, paper
Techniques: brush, pen
Artist: frans snijders
Artist role: draughtsman, painter
Artist dates: 1579 – 1657
Subjects: street-trader - bb - women engaged in trade and commerce, fruits
Imitatie geuzenpenning bij driehonderdjarige herdenking van de inname vanDen Briel door de Watergeuzen 1872
Object type: history medal
Date: 1872 – 1872
Materials: brass
Techniques: casting

Ovalen penning van verzilverd messing met rondom vier draagogen, imitatie van een geuzenpenning: op de voorzijde het portret van Koning Philips II met omschrift, op de keerzijde ineengedrukte handen op een bedeltas, met omschrift, aan de onderste drie draagogen hangen miniatuur bedelnapjes.
Entry of Mm. de Vroncourt, Tyllon, and Marimont, from The Combat at the Barrier
Object type: print
Date: 1627 – 1627
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Juan Manuel de Balmaseda, général espagnol
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Location: paris
Artist: edme jean pigal
Artist role: print maker
Artist dates: 1798 – 1872
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two black glazed fragments from kylikes, both with the start of the handle root
Grafmonument voor Petrus Camper
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: leiden, the hague, draughtsman, petrus camper, grave, tomb and other grave-forms and grave-markers
Inscriptions: collector's mark: Lugt 2228

Nis met buste van Petrus Camper. Grafmonument in de Pieterskerk in Leiden.
Fragment
Object type: textile
Date: 1801 – 1900
Materials: cotton, feather, silk
Techniques: embroidery, weave, stitching
Location: morocco
Subjects: morocco
La Pêche (Fishing)
Object type: textile
Date: 1725 – 1775
Materials: silk, wool
Techniques: tapestry weave
Location: france
Artist: variation of design by francois boucher
Netsuke of Monkey Scratching His Back
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: monkeys
Pastorie H:Mariakerk Amsterdam
Object type: print
Date: 1891 – 1891
Materials: paper
Techniques: letterpress printing, photolithography
Location: arnhem
Subjects: roman catholic church, parts of church exterior and annexes: façade
Inscriptions: collector's mark: ‘35-39’ Lugt 1641b

Bijvoegsel en tekstknipsel van De Opmerker (1891). Gevelaanzicht, links- en rechtsboven een dwarsdoorsnede en onderaan een schaalstok. Onderwerpsrubriek binnen de Atlas Amsterdam: R.K. Gemeenten: Sint Nicolaaskerk t/m Willibrordus (Rustenburgerstraat).
Kinderschort
Object type: apron
Date: 1880 – 1930
Materials: textile
Artist: Anonymous

Kinderschort samengesteld uit vijf verschillend bedrukte fragmenten textiel. Het schort heeft vier linten en een zak midden op de voorzijde.
Gezicht op de Joden Houttuinen, hoek Markenplein
Object type: drawing
Date: 1926 – 1926
Materials: chalk, paper
Location: amsterdam
Artist: anthonie van teijn
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1943
Subjects: city-view in general; 'veduta', façade (of house or building), street
Inscriptions: inscription: ‘hoek Jodenhouttuinen / markenplein 1926’, signature: ‘VanTeyne’, stamp: ‘J. van Eck.’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 16.
Section from a Qur'an Manuscript
Object type: section from a non illustrated manuscript
Date: 1320 – 1320
Materials: gold, ink, leather, paper, watercolor
Techniques: bookbinding, tooling
Location: egypt
Subjects: qur'an,calligraphy

This section of a Qur‘an manuscript written on parchment contains verses 114-147 from Sura 4 (al-Nisa’, "of the women"). On the last page, the text is framed by a gilded border and is set inside cloud-bands against a background of scrolls. The style of the script is cursive muhaqqaq, canonized in the 13th century, that is of larger dimensions than naskhi and mainly employed for large Qur’ans. The brown leather binding, gold-tooled in Mamluk style, is a recent addition.
Wapen van Lodewijk XIV, koning van Frankrijk
Object type: drawing
Date: 1668 – 1668
Materials: paint, paper, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: lodewijk xiv (koning van frankrijk), armorial bearing, heraldry
Inscriptions: inscription: ‘Louis d 14de door Godes gnaden Coninck van Franck-/riek en[de] van Navarre [...] A[nn]o 1668.’
Female Musician
Object type: sculpture
Materials: earthenware, pigment
Techniques: polychrome
Location: china
Plate 31: Meat vendor
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: simon guillain ii
Artist role: artist
Artist nationality: french
Artist dates: 1618 – 1718
De Moddermolen
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: city-view in general; 'veduta', dredge, dredging machine
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Luyken, Jan. De Bykorf des Gemoeds. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1711, p. 62.
Engageantes
Object type: engageantes
Date: 1760 – 1760
Materials: cotton
Culture: british
The Princess Dwells in the Oak Tree Where ye Wild Pigeons Come to Feed Her, for "The Wonder Clock"
Object type: drawing
Date: 1887 – 1887
Materials: board, graphite, ink
Techniques: pen
Artist: howard pyle
Artist role: artist
Artist nationality: american
Artist dates: 1853 – 1911
Subjects: women,pigeons

Pyle is considered the father of American illustration. Born in Wilmington, Delaware, he became interested in art and writing as a boy, studied in Philadelphia and then New York, at the Art Students League. In 1878, a drawing accepted by Harper's Weekly helped to launch his career and the artist returned to Delaware in 1880. Over the next three decades Pyle wrote and illustrated a series of now iconic works and became an influential teacher. Aware of contemporary European innovations, he skillfully adapted his style to suit a range of subjects. This design first appeared in Harper's "Young People," May 25, 1886 titled "The Princess and the Pigeons," and was used to illustrate the story "Mother Hildegarde." Here, the artist redrew it for "The Wonder Clock," a book published by Harper Brothers in 1888. The related image appears in story XV on page 197.
Jachttafereel met het wapen van Jämtland
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: stockholm
Subjects: coat of arms (as symbol of the state, etc.)
Inscriptions: date

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
The cardinal virtue of Fortitude represented by a seated woman, her right hand on a column  (possibly a modern impression)
Object type: print
Date: 1480 – 1520
Materials: niello
Techniques: engraving, printing
Artist: Anonymous
Artist role: artist
Subjects: women
Labyrinthine ways through the Lava ash formations, Red Mountain Crater, Arizona, No. 6 from the series "Notes of Travel"
Object type: photograph
Date: 1903 – 1903
Techniques: albumen print
Location: united states
Artist: underwood & underwood
Artist nationality: american
Artist dates: 1881 – 1920

You are part way up one of the ancient volcanoes in northwestern Arizona. The Grand Cayon is about forty miles behind you. Today this mountain is simply a picturesque height standing up from a great plain covered with sage-brush and straggling pines and cedars; in some earlier geologie age it was an active volcano or vent-hole through which poured out smoke and steam and fiery liquid rock heaved up from the tumultuous depths below. These weird masses of grayish red, crumbly mineral stuff are lava ashes, left here by prehistoric fires when the earth's vast caldron boiled over and the rim of the crater, thick with its choking lining of burn-out rocks, was left to cool at leisure through all the following long, slow centuries.

You can explore all sorts of queer corridors and uncanny looking aisles among these ragged walls; sometimes they are so narrow two people could not pass each other, and the grotesque shapes of the old lava-masses seem ready to fall upon you. There is a strange fascination about the spot, but it is the fascination belonging to the scene of an ancient and terrible drama, in the world's unwritten history.
One especially queer thing about these ragged spaces is that sounds are almost completely deadened by the porous rock-walls. If these two ladies were no farther apart than they are now, but on opposite sides of one of the lava walls, their loudest shouts would be inaudible to each other.

Curiously enough, the only spring of water to be found in miles and miles is quite near where you stand now, right inside the mouth of the dead crater. There are no human creatures living about here, but all the wild things know the spot; even antelopes and big, surly looking bears are accustomed to come up to that spring water.
Seal paste box with dragon
Object type: seal paste box
Date: 1701 – 1800
Materials: glaze, porcelain
Culture: chinese
Subjects: dragons
Man en kind bekijken een boek
Object type: print
Date: 1847 – 1863
Materials: paper
Techniques: lithograph
Subjects: boy (child between toddler and youth), reading a picture book, reading to somebody

De man zit in een stoel. In het boek is een afbeelding van een portret opgenomen.
Cup
Object type: cup
Date: 1601 – 1700
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: japanese
Subjects: flowers,leaves
Omlijsting met saterkop en groenten
Object type: print
Date: 1778 – 1779
Materials: paper
Techniques: etching
Location: augsburg
Subjects: fruits and vegetables ~ ornament, ornaments ~ art (+ framing decorations), satyr(s) (in general)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een ornamentele omlijsting met guirlandes, een saterkop, twee medaillons met pijl en boog en muziekinstrumenten en een afbeelding van twee putti met hoornen des overvloeds. In het midden bloemen en groenten. Uitgeversnummer 4.
Landschap met herderin op muilezel en herder met koeien
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: etching
Subjects: riding a horse, ass, or mule; rider, horseman, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 2228
Double-handle sauceboat
Object type: sauceboat
Date: 1754 – 1754
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Subjects: swans,trees,farmers
Vrouw met kind aan de hand komt uit de kerk
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: mother and son(s) (family group), roman catholic church
Inscriptions: annotation: ‘Aurora, 1841/ Aan [...]’, collector's mark: Lugt 2228

Prent gebruikt in: Aurora. Jaarboekje voor 1841. Den Haag: K. Fuhri, 1841.
Plate from Livre de Scènes Comiques
Object type: print
Date: 1729 – 1732
Materials: paper
Techniques: etching
Location: france
Artist: gabriel huquier
Artist role: artist
Artist nationality: french
Artist dates: 1695 – 1772
Stoomschip de Dandie van Paul Sandel bij de eerste vaart, Sumatra 1905
Object type: photograph
Date: 1905 – 1905
Materials: paper
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: paul sandel, steamship, motorship, sumatra
Inscriptions: inscription: ‘49./ steam launch/ van/ Paul Sandel/ Langkat/ Sumatra/ (1905)/ 44./ mit der "Butterblume"/ Onkel David Sandel’
Kites of Fukuroi and Distant View of Akiba in Totomi Province (Enshu Akiba enkei Fukuroi tako), from the series "One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)"
Object type: print
Date: 1859 – 1859
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige ii (shigenobu)
Portret van Jacob Johannes Batelier
Object type: print
Date: 1657 – 1707
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: predikant, jacobus johannes batelier
Inscriptions: collector's mark: Lugt 2228

Portretbuste van de remonstrantse predikant Jacobus Johannes Batelier. Onder de voorstelling een vers van zes regels in het Nederlands.
Stuttgart und Umgebung
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: stuttgart
Artist: Anonymous
Subjects: palace
Inscriptions: number: ‘2.’
Studioportret van Frans Alexander van den Berg
Object type: carte de visite
Date: 1855 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: batavia, amsterdam, frans alexander van den berg
Inscriptions: name: ‘Berg.’, name: ‘A. GREINER, PHOT. 12. AMSTERDAM.’, inscription: ‘A. GREINER / Photograf / NIEUWENDIJK . L. 87 / AMSTERDAM’
Piece
Object type: piece
Date: 1751 – 1800
Materials: silk
Subjects: flowers
Fotoreproductie van een schilderij, voorstellende een interieur van (vermoedelijk) een delicatessenzaak
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: shop, store
Gezelschap in een rijtuig, vermoedelijk op Corsica
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: corsica
Artist: Anonymous
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, travelling; tourism

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Idem 2e gaanderij
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905
Subjects: borobudur

Gallery I, main wall, south side 23 (top): Relief 1a-27, Lalitavistara relief, Queen Maya on her way to Lumbini park where the delivery of Siddhartha, the future Buddha took place. 24 (bottom): relief 1b-27, Avadana relief, unidentified offering scene. Borobudur village, Magelang district, Central Java province, 778-824 AD.
Tijdschrift uit archief Jan Veth
Object type: magazine
Date: 1904 – 1967
Materials: paper
Techniques: printing
Location: amsterdam
Artist: b. ram
Artist role: auteur
Subjects: dordrecht, amsterdam, painter, draughtsman, designer, jan veth, middelburg, politician, pieter lodewijk tak
Inscriptions: collector's mark: ‘RPK’
Buckle
Object type: buckle
Date: 501 – 700
Materials: copper alloy
Culture: frankish
Portretten van Italiaanse kunstenaars
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: etching
Artist: isaac lodewijk la fargue van nieuwland
Artist role: draughtsman, painter, print maker
Artist dates: 1726 – 1805
Subjects: rome, painter, draughtsman, filippo lauri
Inscriptions: collector's mark: Lugt 2228

Prent opgenomen in: Dézallier d'Argenville, Antoine Joseph. Tooneel der uitmuntende schilders van Europa, en byzonderlyk van Nederland. Den Haag: Mattheus Gaillard, 1752.
Ring: Head of Hathor
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: goddesses
Vogels en vlinders
Object type: print
Date: 1547 – 1590
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: ornamental birds: parrot, ornamental birds: bird of paradise - ff - fabulous animals, basilisk (cock with posterior of snake), water-birds: duck - ff - fabulous animals (sometimes wrongly called 'grotesques'); 'mostri' (ripa)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Vier papegaaien in een boom, centraal een basilisk en een paradijsvogel, links eend met vier poten en enkele eendenkuikens die uit bloemen groeien. De prent maakt deel uit van een prentserie over vogels en vlinders.
Ordos plaque met roofdieren
Object type: schoolplak
Date: 206 – 220
Materials: bronze
Techniques: gilding
Location: ordos plateau
Artist: Anonymous

Opengewerkte plak met een voorstelling van twee elkaar omstrengelende roofdieren.
Standing cup with cover
Object type: standing cup with cover
Date: 1801 – 1900
Materials: glass
Looking Glass
Object type: looking glass
Date: 1815 – 1815
Materials: wood
Subjects: eagles
Van een haas en andere dieren
Object type: popular print
Date: 1820 – 1843
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: germany
Subjects: animals, easter rabbit, animals acting as human beings
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen uit het het verhaal van de twee deugnieten Kees en Jan die honing stelen en vervolgens gestoken worden door bijen. Onder elke afbeelding een tweeregelig vers. Genummerd midden onder: Nro. 87. Genummerd rechtsboven: 87.
Bladeren van een lansvaren en een andere naaldvaren
Object type: page
Date: 1867 – 1877
Materials: photographic support
Techniques: albumen print
Location: england
Artist: sydney courtauld
Artist role: botanicus, fotograaf, schrijver
Artist dates: 1840 – 1899
Subjects: ferns
Inscriptions: inscription: ‘Plate XVII. One-third natural size.’
Design for a Wagonette, no. 3159
Object type: drawing
Date: 1875 – 1875
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Fire Screen
Object type: fire screen
Date: 1835 – 1855
Techniques: embroidery
Subjects: flowers
Bowl
Object type: bowl
Date: 1885 – 1900
Materials: glass, textile
Techniques: glassblowing
Culture: american or british
Location: england
De Poeti Seglo (Oosterface)
Object type: album leaf
Date: 1891 – 1894
Materials: photographic support
Techniques: albumen print
Artist: a. kaulfuss
Artist role: fotograaf
Artist dates: 1861 – 1909
Subjects: shelter ~ military service
[Blue Mosque of TABRIZ, 1465.]
Object type: photograph
Techniques: albumen silver print
Artist: luigi pesce
Artist role: artist
Artist nationality: italian
Artist dates: 1818 – 1891
Subjects: architecture,mosques,ruins
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Two fragments with parts of vines with korymboi on the exterior
The Chapel of the Enfants-Trouvés in Paris: Groupe des bergers près d'un puits
Object type: print
Date: 1757 – 1757
Techniques: engraving, etching
Artist: etienne fessard
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1777
Subjects: boys,infants,men,women,nursing
7 Jarige oliepalmen aanplant
Object type: photograph
Date: 1930 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: plantation, (non-fruit) products of plants or trees: palm oil, sumatra
Inscriptions: inscription: ‘7 Jarige oliepalmen aanplant / 1930’

Gezicht op een veld met zevenjarige oliepalmen, 1930. Met etiket met onderschrift. Onderdeel van het fotoalbum over de plantages Brussel en Pernantian van de Sumatra Caoutchouc Maatschappij op de Oostkust van Sumatra in de jaren 1910-1935.
Fragment
Object type: fragment
Date: 1501 – 1533
Materials: silk
Subjects: flowers
Administratie personeel van het Residentiekantoor
Object type: photograph
Date: 1932 – 1933
Materials: photographic support
Techniques: gelatin silver print
Location: lampung
Artist: Anonymous
Subjects: colonial government

Onderdeel van Herinneringsalbum voor F.J. Junius, vertrekkend resident van Lampong (Zuid-Sumatra).
Gezicht op Schiedam
Object type: print
Date: 1666 – 1698
Materials: paper
Techniques: etching
Location: rotterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), sailing-ship, sailing-boat, church (exterior), windmill, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Gezicht op Schiedam gezien vanaf het water. In het midden de Sint-Janskerk. Rechts enkele zeilschepen. Boven in het midden het wapen van de stad en de titel.
Veue et Perspective du Palais du Roy d'Angleterre a Londres
Object type: print
Date: 1631 – 1661
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: landscape with tower or castle
Inscriptions: collector's mark: Lugt 240
Dood van Cleopatra
Object type: print
Date: 1590 – 1594
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: death of cleopatra: she commits suicide by holding to her breast an asp, which she has taken from a basket of figs
Inscriptions: collector's mark: Lugt 240

Cleopatra pleegt zelfmoord door zich door een cobra te laten bijten. Ze zit naakt op haar bed. Rechts van het bed haar kroon en scepter.
Interior with Fisherman and Man beside a Bobbin and Spool
Object type: painting
Date: 1663 – 1663
Materials: oil, panel
Artist: quiringh gerritsz. van brekelenkam
Artist role: draughtsman
Artist dates: 1622 – 1669
Subjects: spinning-wheel, angling
Inscriptions: signature and date: ‘Brekelenkam 1663’

Interieur met hengelaar en man bij spoelrad en haspel. Beiden zijn oude mannen met witte baarden. De visser maakt een praatje met de spinner die net een slok uit een stenen kruik heeft genomen. Op de grond liggen twee knotten wol.
Gezicht op de Leidsepoort te Amsterdam
Object type: photomechanical print
Date: 1870 – 1966
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: city-gate
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Poorten, verzamelbladen, F. Leidsepoort.
Veld van negen tegels met dieren
Object type: tile
Date: 1580 – 1625
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van negen tegels (3 x 3) elk met een veelkleurig (blauw, oranje, geel, groen en paars) geschilderd dier op een grond binnen een kwadraat omlijsting. In de hoeken, ornament in vultechniek.