deem-data/ArtiFact huggingface dataset:
Signal Tower on Elk Mountain, Maryland
Object type: photograph
Techniques: albumen print, photography
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards, gardner's photographic sketch book
Cologne (Prusse). Le Pont de fer. Galerie du Chemin de fer
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: dombrücke
Artist: Anonymous
Subjects: adult man, railway, tramway; rack railway
Inscriptions: number: ‘488’
Roma. M. Nazionale Affresco. Educazione di Bacco
Object type: photograph
Date: 1906 – 1930
Materials: paper
Techniques: gelatin silver print
Location: rome
Artist: Anonymous
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: monogram: ‘PEC Roma’, collector's mark: ‘AFE v S’, inscription: ‘P.E.C.’
Gezicht van Schenkenschans
Object type: drawing
Date: 1666 – 1706
Materials: chalk, paper, watercolor
Techniques: brush
Artist: jan van call (i)
Artist role: draughtsman, print maker
Artist dates: 1656 – 1706
Joined lappets
Object type: lappet
Date: 1801 – 1833
Techniques: lace

The Metropolitan Museum's great lace collection was started when the Museum became the first among American museums to organize a permanent collection of lace with the acceptance of the McCallum Collection in 1879 and the bequests of Mrs. John Jacob Astor, Mrs. Robert L. Stuart, Mrs. Augustus Cleveland, and Mrs. A. W. Winters shortly thereafter. In 1893 a loan collection of antique laces shown at the World's Columbian Exposition in Chicago was assembled by a committee of New York women headed by Catharine Augusta Newbold. About 1900 Miss Newbold arranged and labeled an exhibition of laces and linenworks lent to the Metropolitan Museum by Mrs. James Boorman Johnstone and the Misses Johnstone. "Her scholarly knowledge of lace technique enabled the Museum for the first time to offer a comprehensive display of lace illustrating its historical development," wrote Miss Frances Morris, then curator of the textile department. Miss Newbold's name occurs again in connection with a group of thirty-eight laces recently given to the Museum by her nieces, Mrs. Donald P. Spence and The Lady Reigate, in memory of her sister, their mother, Mrs. William Redmond Cross. These represent a selection of the finest of Miss Newbold's personal lace collection, a collection probably made at the time she was active in lace circles in New York about the last decade of the nineteenth and early part of the twentieth century, under the guidance of Marian Hague, a distinguished connoisseur and collector herself. This period witnessed the last peak of appreciation of and connoisseurship in an art form that had been in tremendous vogue from its beginnings in the fifteenth century. And it was the last period in which fine laces were available in any number. Among choice examples of the great lace types represented in Miss Newbold's small collection are: early Italian pieces combining cut-work, pulled work, reticella, embroidery on linen ground; Sicilian polychrome silk filet; seventeenthcentury Venetian points (point de Venise à reseau and the widely known rose point de Venise); famous French needlepoints (Point de Paris, Argentan, Alençon); French and Flemish bobbin laces (Binche, Valenciennes, Brussels, Point d'Angleterre, and Point de Gaz); and a beautiful cap crown of Argentella (1979.310.9), a rare eighteenth-century European lace whose place of origin has never been surely determined.
Design for Landau, No. 3087a
Object type: drawing
Date: 1875 – 1875
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Titelprent voor het pamflet: De Arminiaensche vaert naer Spaegnien, 1618
Object type: titelprent, frontispice
Date: 1618 – 1618
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: ships (in general) (+ propulsion of vehicle, ship, etc. by wind)

Titelprent van het pamflet 'De Arminiaensche vaert naer Spaegnien', zonder jaartal of plaats van uitgave [1618]. Spotprent op de val van de arminianen. De voorstelling van deze simpele gravure toont de vaart van het arminiaanse schip naar Spanje. Het schip draagt opschriften als 'Schyn van Deucht' / 'Tholl*Verder' / 'Hoop van Eer' / 'Wie Mach Ons Dieren'. In de nabijheid van het schip varen andere schepen met de wapens van onder andere Leiden en Gouda. Rechtsboven het schip 'Spae[ns] Bedrog'. Onder de voorstelling een vers van twee regels in het Nederlands.
Dish with Dragons and Lotuses
Object type: dish
Date: 1501 – 1533
Materials: cobalt, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: dragons,lotuses
Quatrième Livre de Formes ornées de Rocailles (...) et Dragons Chinois
Object type: ornament print
Date: 1736 – 1736
Materials: paper
Techniques: etching
Location: france
Subjects: rocaille ornament, dragon

Deze serie is linksboven genummerd met een letter D. Prent maakt deel uit van een album.
Oiso no Tora and Shosho Playing Instruments
Object type: print
Date: 1746 – 1746
Techniques: woodblock print
Location: japan
Artist: nishimura shigenaga
Artist nationality: japanese
Artist dates: 1697 – 1756
Geschiedenis overwint Tijd
Object type: print
Date: 1727 – 1727
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: truth; 'verità' (ripa), 'historia'; 'historia' (ripa), father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228

Een allegorie op de schrijfkunst. Geschiedenis zit op een trap en schrijft een boek, zij wordt omringd door putti en allegorische figuren. Op een wolk boven haar zit Waarheid met een zon boven het hoofd. Op de grond ligt de gevallen Vader Tijd, omringd door putti met boeken en papieren.
Fragment
Object type: fragment
Date: 1601 – 1633
Materials: silk
Subjects: flowers
Vrouw zittend achter een schildersezel
Object type: sketchbook leaf
Date: 1894 – 1894
Materials: paper, pencil
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: adult woman, easel, working situations ~ painter

De vrouw zit op een kruk en heeft een bos penselen in de linkerhand. Blad 10 recto uit een schetsboek met 35 bladen.
Ewer
Object type: ewer
Date: 1753 – 1754
Materials: silver
Artist: françois joubert
Artist role: maker
Artist dates: 1719 – 1823
Ingenieur Jetten met echtgenote en ander echtpaar
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Ingenieur Jetten met zijn echtgenote en een ander echtpaar, de vrouwen met parasols. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Frederik de Grote inspecteert de troepen
Object type: print
Date: 1778 – 1784
Materials: paper
Techniques: etching
Location: london
Subjects: berlin, frederik willem ii (koning van pruisen), frederick ii (king of prussia), equestrian state-portrait, review, inspection (of company, unit, troop), historical persons, banner, standard (as symbol of the state, etc.)
Inscriptions: collector's mark: Lugt 2228

In het midden Frederik de Grote te paard. Schuin achter hem zijn neef, Frederik Willem II van Pruisen. Daar achter de generaals Friedrich Ehrenreich von Ramin en Hans Joachim von Zieten met een vleugeladjudant.
Kaïn doodt Abel
Object type: book illustration
Date: 1490 – 1538
Materials: paper
Techniques: letterpress printing
Artist: hans schäufelein
Artist role: print maker
Artist dates: 1480 – 1540
Subjects: the killing of abel: cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon

Tussen albumblad 37 en 38 is een stuk papier geplakt met daarop de handgeschreven tekst 'Cain die syn broeder Abel dood zal slaan gemaakt ~H', met daaronder 'Hans Schäufelein'.
Newes Modelbuch in Kupffer  (Page 66r)
Object type: book print ornament architecture
Date: 1604 – 1604
Techniques: etching
Artist: johann sibmacher
Artist role: artist
Artist nationality: german
Artist dates: 1590 – 1611
Subjects: fruit,flowers

Designed by Johann Sibmacher, German, active 1590-1611. 2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs.
Christ Taking Leave of His Mother, from "The Fall and Salvation of Mankind Through the Life and Passion of Christ"
Object type: print
Date: 1513 – 1513
Techniques: woodcut
Artist: albrecht altdorfer
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1538
Subjects: men,women,christ,virgin mary
Rättvik. Zondagmorgen
Object type: glasdia
Date: 1907 – 1935
Materials: glass, ink, paper
Techniques: gelatin silver transparency
Location: rättvik
Artist: Anonymous
Subjects: child, church (exterior), anonymous historical persons portrayed in a group, in a group-portrait
Doornenkroning
Object type: print
Date: 1511 – 1534
Materials: paper
Techniques: engraving
Location: germany
Artist: marcantonio raimondi
Artist role: print maker
Artist dates: 1470 – 1534
Subjects: the crowning with thorns: soldiers with sticks place a thorny crown on christ's head and give him a reed (matthew 27:27-31; mark 15:16-20; john 19:2-3)

Prent naar houtsnede van Albrecht Dürer uit een serie van zevenendertig prenten met als onderwerp het levensverhaal van Christus, bekend als Passie van Christus.
Horizontal Panel with Profile Dragon amid Flowers
Object type: panel
Date: 1601 – 1800
Materials: metal thread, silk
Techniques: embroidery, weave
Culture: chinese
Subjects: dragons,flowers,leaves

The lively dragon is embroidered in silk and strips of gilded paper.
Head of the young Christ
Object type: print
Date: 1802 – 1802
Techniques: mezzotint
Artist: karl jautz
Artist role: artist
Artist nationality: austrian
Artist dates: 1780 – 1873
Subjects: christ
Benjamin Franklin
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: thomas b. welch
Artist nationality: american
Artist dates: 1814 – 1874
Portret van een vrouw in klederdracht
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: folk costume, regional costume, europe
De Notenkraker, 23 februari 1907 / In verlegenheid
Object type: print
Date: 1907 – 1907
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: albert hahn (i)
Artist role: draughtsman
Artist dates: 1877 – 1918
Subjects: minister ~ government, political caricatures and satires, netherlands

Aflevering van het satirische tijdschrift De Notenkraker van 23 februari 1907, eerste jaargang, nummer 8. Omslag met illustratie met een lakei van het hof die ministerportefeuilles wil bezorgen maar niemand geeft thuis. Onderdeel van een volledige eerste jaargang (1907). Elk nummer bevat 8 bladzijden, deels nog niet losgesneden, met op de voorzijde steeds een spotprent van Albert Hahn, op de overige pagina's prenten van Hahn steeds tussen de tekst. In de letter 'D' van de titel is een kop van een zgn. notenkraker afgebeeld.
The Holy Family
Object type: embroidered picture
Date: 1667 – 1700
Materials: cardboard, silk
Artist: leonardus quesi
Artist role: maker
Artist nationality: french
Artist dates: 1650 – 1750
Subjects: angels,holy family,virgin mary,jesus,saints
Rocky Landscape with St. Jerome
Object type: print
Date: 1590 – 1620
Materials: ink, paper
Techniques: engraving
Location: belgium
Artist: aegidius sadeler (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1568 – 1629
Inscriptions: Lettered lower center: "Ioan. Breugel inve. EG. Sadeler sc."; and below image: "Ornatiss.mo spectatoque viro Ferdinando Lombardo Belgae, pictori insigni. Egidius Sadeler D D."
Brief aan de Rotterdamsche Kunstkring
Object type: letter
Date: 1896 – 1896
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: drawing, exhibition ~ art
Cabinet des Modes ou les Modes Nouvelles, 15 Septembre 1786, pl. I
Object type: fashion print
Date: 1786 – 1786
Materials: paper
Techniques: engraving
Location: paris
Subjects: clothing for the upper part of the body (+ women's clothes), neck-gear ~ clothing (neckerchief) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), skirt (+ women's clothes), gloves, mittens, etc. (+ women's clothes), whip, ensembles of pieces of clothing (riding costume) (+ women's clothes)

Amazonekostuum. Volgens de begeleidende tekst draagt de vrouw een rijkostuum of amazonekostuum. Het bestaat uit een jasje met drie schouderkragen, een vest en een rok van appelgroene zijde. Geknoopte halsdoek. Kousen. Accessoires: hoed van geel wolvilt versierd met veren, handschoenen, zweep, schoenen met hakken en strikken. De prent maakt deel uit van het 21e Cahier uit de serie Cabinet des Modes ou les Modes Nouvelles. De serie bestaat uit 72 modeprenten, uitgegeven door Buisson, Parijs, 15 november 1785 - 1 november 1786.
Putto met drie wapenschilden en een toorts
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: cupids: 'amores', 'amoretti', 'putti', armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
Portrait of Juliane Sophie Heger as a Child, leaning on a Table
Object type: drawing
Date: 1820 – 1820
Materials: graphite, ink
Techniques: pen
Location: norway
Artist: johan christian dahl
Artist role: artist
Artist nationality: norwegian
Artist dates: 1788 – 1857
Subjects: girls
Portret van de hoogleraar Carel Johannes Matthes
Object type: print
Date: 1830 – 1886
Materials: paper
Techniques: etching, engraving
Artist: dirk jurriaan sluyter
Artist role: draughtsman, print maker
Artist dates: 1811 – 1886
Subjects: physicist
Inscriptions: collector's mark: Lugt 2228
Discussie over 't lager onderwijs
Object type: cartoon
Date: 1871 – 1871
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: johan rudolf thorbecke, elementary school; class, form

Spotprent waarin Minister van Binnenlandse Zaken Thorbecke het verzoek van de oppostie afwijst over een stembusgang over het lager onderwijs. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 20, 1871.
Glass amphoriskos with horizontal ribs
Object type: miniature transport amphora
Date: 51 – 100
Materials: glass
Culture: roman

Translucent purple, with one handle in purple streaked with some green, the other in pale green. Rim folded out, over, and in, and flattened into flaring mouth, aslant to cylindrical neck, the lower half of which is indented and bears vertical mold marks in relief; ovoid body, tapering to pointed bottom; two rod handles attached to upper body in pads, drawn up and folded onto sides of neck, one with loop above. One continuous mold seam around body. Body decorated with seventeen concentric, horizontal ribs. Intact, but crack in one side of neck; some bubbles; dulling, slight pitting, and faint iridescence on exterior, encrustation and iridescent weathering on interior.
Fortitude, from The Virtues
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacob matham
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1631
Inscriptions: Lettered lower left: "6"; and below image: "Fortis in adversis ... quaeque fero."
Terracotta fragment of an alabastron?
Object type: alabastron fragment
Date: 600 – 301
Materials: terracotta
Culture: unknown fabric

Part of the mouth and neck of an alabastron?; around the top of the mouth, degenerate rays?
Panel
Object type: textile
Date: 1701 – 1725
Materials: cotton, dye
Techniques: printing block, printing
Location: united states
Gezicht op de kerstboom op de Dam
Object type: photograph
Date: 1963 – 1963
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: square, place, circus, etc., christmas tree, city-view in general; 'veduta'
Inscriptions: inscription: ‘Geschenk Mej M. [...] Amsterdam’, collector's mark: ‘7’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Dam (na 1835).
Kind aan tafel drinkt uit een glas
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: child, drinking
Petit Courrier des Dames 1824 (245)
Object type: magazine
Date: 1824 – 1824
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: fashion plates

Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Het boschpad
Object type: print
Date: 1879 – 1954
Materials: paper
Techniques: lithograph
Artist: edzard koning
Artist role: draughtsman, print maker
Artist dates: 1869 – 1954
Subjects: walking-stick, staff, forest path or lane
Inscriptions: collector's mark: Lugt 2760, number: ‘1’, collector's mark: Lugt 2228

Een vrouw wandelt met een stok over een pad in een bos.
Saint Anthony of Padua with the Infant Jesus
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: spain
Artist: antonio del castillo y saavedra
Artist nationality: spanish
Artist dates: 1603 – 1667
Fashion News
Object type: fashion print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (caraco) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), skirt (+ women's clothes), mourning dress, piece of clothing covering the breast or décolleté (fichu) (+ women's clothes)

The Cabinet des Modes offered readers highly detailed information about the illustrated clothes and accessories. It reported, for instance, on new clothing styles, such as the English ‘redingote’ 1; on accessories and embellishments, such as oversized muffs, buttons, ribbons and clasps; and finally, on the latest interior furnishings. For its male audience there was the fitted jacket 2 and the popular Androsmane, a hat with an upturned brim 3.
Hanging (Kalemkar)
Object type: hanging
Date: 1801 – 1850
Materials: cotton
Location: india
Subjects: peacocks
De zeven infanten van Lara
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: italy
Subjects: riding a horse, ass, or mule; rider, horseman, tales and fairy tales, ring
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 40 prenten (+ titelprent) met voorstellingen uit het volksverhaal over de zeven infanten van Lara.
Head of Buddha or Bodhisattva
Object type: head
Date: 1101 – 1300
Materials: stone
Culture: cambodian
Subjects: heads,buddhism,bodhisattvas,buddha
Cup
Object type: cup
Date: 600 – 551
Materials: terracotta
Culture: etruscan

High foot with incised horizontal lines.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Lower part of draped male; lotus and tendril from ornament
Portret van Johannes Henricus Scholten
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: vleuten, knighthood order, historical persons
Inscriptions: collector's mark: Lugt 2228

De geportretteerde zit op een stoel en leunt met zijn rechterarm op een tafel. Hij draagt een strik en een ridderorde. Onder het portret zijn signatuur.
Rouge Box with Cover
Object type: box
Date: 1600 – 1800
Materials: glaze, porcelain
Culture: chinese
Loom Width of Silk Velvet with 'Pinecone' Pattern
Object type: textile fragment
Date: 1501 – 1600
Materials: metal thread, silk, velvet
Techniques: brocade, cutting, voiding
Location: turkey

With its bold, contrasting pattern of pinecone or artichoke forms, striking deep red and gold palette, and costly combination of silk and gilded metal‑wrapped thread, this luxurious textile exemplifies the high‑quality velvets produced for the Ottoman court. Referred to as çatma, such fabrics are woven using a method akin to that employed for looped cotton bath towels. Here, however, the raw material is the finest silk, and its many rows of tiny loops have been cut to form a sumptuous velvet pile.
A figure supporting a tablet with a representation of a herm of Diana of Ephesus, from "Figurine"
Object type: print
Date: 1656 – 1657
Techniques: etching
Artist: salvator rosa
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1673
Subjects: tablets,men
Gemaskerde optocht door de studenten, voorstellende de intocht van Karel V, Duits keizer in Dordrecht, ter ere van de 280e stichtingsdag van de Universiteit van Leiden
Object type: history medal
Date: 1855 – 1855
Materials: silver
Techniques: striking
Location: utrecht
Artist: Anonymous
Subjects: charles v (holy roman emperor and king of spain), leiden, dordrecht

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: blanco veld onder ster binnen omschrift
Offerplaats op Bali, voormalig Nederlands-Indië
Object type: photograph
Date: 1890 – 1911
Materials: paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: onnes kurkdjian
Artist role: fotograaf
Artist dates: 1851 – 1903
Inscriptions: stamp: ‘Foto Kurkdjian, Soerabaia (...)’, number: ‘29’, check stamp: ‘Kurkdjian / Sourabaia Java’

Twee vrouwen met naakt bovenlichaam bij een offerplaats gelegen aan water op Bali, voormalig Nederlands-Indië
De dolende Avondstond.
Object type: print
Date: 1700 – 1850
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: cross-word puzzle
Inscriptions: collector's mark: Lugt 2228

Een puzzel met als thema avond, waarbij woorden tot zinnen verbonden moeten worden.
Vest
Object type: vest
Date: 1823 – 1823
Culture: american or european