deem-data/ArtiFact huggingface dataset:
Design for Leather and Netsuke
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: insects,dragonflies,flowers
Portret van Bayezid I, sultan van het Ottomaanse Rijk
Object type: book illustration
Date: 1596 – 1596
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Prent uit: Ritratti di cento capitani illustri con li lor Fatti in guerra (…), Rome: Domenico Gigliotti, 1596. Latere staten van prent ook gebruikt in: Ritratti et elogii di capitani Illustri. Rome: Pompilio Totti en Andrea Fei, 1635. En in: Ritratti et elogii di capitani Illustri. Che ne'secoli moderni hanno gloriosamente guerreggiato. Rome: Filippo de'Rossi en Vitale Mascardi, 1646.
Portret van Laure Junot d'Abrantès
Object type: print
Date: 1848 – 1853
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Kerk te Broek in Waterland
Object type: drawing
Date: 1789 – 1789
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: hendrik tavenier
Artist role: draughtsman, print maker
Artist dates: 1734 – 1807
Subjects: church (exterior)
Inscriptions: inscription: ‘Broek in Waaterland 1789 / H. Tavener’
The Advance Guard of the Grand Army of the United States Crossing the Long Bridge over the Potomac at 2 A.M. on May 24, 1861
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Fotoalbum met foto's van de familie van Dirk Hudig in Nederland
Object type: photograph album
Date: 1932 – 1957
Materials: paper, cardboard, ink, pressure sensitive tape, textile
Techniques: gelatin silver print, writing
Location: netherlands
Subjects: dirk hudig (1876-1973), civil marriage ceremony, family life at home, amsterdam
Inscriptions: inscription: ‘1932/ Baarn/Heerlen/ 1933/8/ 1951/ [t]ocht Ferrand/ motorboot/ 1951’, inscription: ‘1932/8/ Kerstmis Baarn familie/ " Heerlen "/ Vinculum Baarn grootvader+vrienden/ vader-moeder-zoons/ Kerstmis Heerlen/ receptie Jan Carla/ Bruidspaar v. Lier/ Vaartocht Ferrand Hudig/ afscheid Roermond/ met Jan’

Insteekalbum met 87 foto's verdeeld over 55 pagina's, voorzien van handgeschreven bijschriften. Het album bevat foto's van de familie Hudig-Rotgans in Baarn en Heerlen, foto's van een professorengezelschap in Baarn, een huwelijk in Amsterdam in 1936 en van een boottocht bij Loosdrecht in 1951.
The Last Supper
Object type: print
Date: 1615 – 1620
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Tennismatch
Object type: photograph
Date: 1907 – 1912
Materials: photographic support
Techniques: photography
Location: paramaribo
Artist: Anonymous
Subjects: tennis, lawn-tennis, suriname
Inscriptions: inscription: ‘Op de tennisbaan tijdens de matches met de officieren v H. M. Zeeland. Juli 1912’

Tenniswedstrijd met de officieren van het Pantserdekschip Hr. Ms. Zeeland op de tennisclub in Paramaribo, juli 1912. Onderdeel van het fotoalbum over het leven van de familie Gonggrijp in Suriname rond 1912.
Beeld van Lucius Verus te Napels
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: naples
Artist: Anonymous
Subjects: emperor, sculpture
Inscriptions: collector's mark: ‘Rijks normaalschool voor teekenonderwijzers Amsterdam’, inscription: ‘G.’, inscription: ‘Lucius Verus’
Carp Ascending Falls
Object type: print
Date: 1867 – 1900
Techniques: woodblock print
Location: japan
Artist: kawanabe kyōsai 河鍋暁斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1831 – 1889
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of left forearm and hand of figure?
Vase with (mythological) animals in landscapes
Object type: vase
Date: 1675 – 1699
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Cilindervormige vaas van porselein met een brede nek en opstaande rand, beschilderd op het glazuur in blauw, rood, groen, geel, aubergine, zwart en goud. Op de wand een landschap met (mythologische) dieren (feng huang, shishi, draak, qilin, tijger), onderbroken door twee cartouches met rivierlandschappen met pijnboom en paviljoens en twee perzikvormige cartouches met een vogel op een bloemtak (prunus, magnolia). Op de schouder een band servetwerk onderbroken door bloeiende planten in cartouches. De nek met losse bloemtakken en twee waaiervormige cartouches met antiquiteiten (boeken, rol, ruyi-scepter, qin, objecten van een geleerde, go-bord, artemisiablad). De buitenrand met een band krulwerk. Famille verte.
Gezichten op Paleis Het Loo, de bijbehorende gebouwen en het bijbehorende park
Object type: print
Date: 1690 – 1694
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), sports, games ~ animals (+ hunting with falcon, hawk; falconry), four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, palace
Inscriptions: collector's mark: Lugt 2228a

Gezicht op het rechterdeel van Paleis Het Loo, met valkeniers, ruiters, een koets en voornaam geklede mannen en vrouwen ervoor. Dit blad maakt deel uit van een omvangrijke prent met een gezicht op Paleis Het Loo, omgeven door dertien gezichten op de bijbehorende gebouwen en het bijbehorende park (boven, links, rechts), en een profiel van het paleis (onder).
Cows in a Pond at Sunset
Object type: painting
Date: 1860 – 1860
Materials: canvas, oil
Location: new york
Artist: sanford robinson gifford
Artist nationality: american
Artist dates: 1823 – 1880
Subjects: landscapes
Inscriptions: signed, lower left in wet paint: "SR Gifford '60"

Landscape painter Sanford Robinson Gifford portrayed the glowing light of sunset with brief brushstrokes and a limited, terracotta palette in this small oil sketch. With gradated bands of color, the artist captured the transitory moment’s golden, expansive sky and its reflection on the watering hole below. The bucolic scene evokes the tranquility and romance of nature. Across the pond, a home in the wilderness indicates man’s harmonious relation to the land.
Portret van een man met snor
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: göteborg
Artist: waldemar dahllöf
Artist role: fotograaf
Artist dates: 1844 – 1935
Subjects: moustache, historical persons
Inscriptions: inscription: ‘Wald. Dahllöf/ GÖTEBORG/ Östra Hamngatan No. 18./ Första Ateliern 83, Lorensbergsgatan 83/ Plåten behälles för efterbeställning’
Buffet genre Louis XIII
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Portret van Antonie Franciscus Dona (Pieck)
Object type: drawing
Date: 1800 – 1900
Materials: chalk, paper
Artist: Anonymous
Subjects: the hague, draughtsman, antonie franciscus dona, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Portret van Pierre-Jacques-Thomas Cochon-Duvivier
Object type: print
Date: 1818 – 1832
Materials: paper
Techniques: engraving, etching, roulette
Location: paris
Subjects: politician, historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228

Prent uit: Journal complémentaire du Dictionnaire des sciences médicales. Parijs: Panckoucke, Charles Louis Fleury, 1818-1832.
Ruïnekerk te Bergen
Object type: photograph
Date: 1905 – 1905
Materials: cardboard, photographic support
Techniques: albumen print
Location: bergen
Subjects: church (exterior), ruin of church, monastery, etc.
Inscriptions: annotation: ‘Noordzijde der tegenwoordige N.H. Kerk/ Sept. 1905/ Bergen’, annotation: ‘Bergen N.H./ Noordzijde van de tegenwoordige kerk/ sept 1905’
Conquêtes de l'Empereur de la Chine
Object type: print
Date: 1783 – 1785
Materials: paper
Techniques: engraving
Location: france
Subjects: letters, alphabet, script

Beschrijvende tekst bij een versie van de serie 'Conquêtes de l' Empereur de la Chine' met afbeeldingen van de veroveringen van keizer Qianlong van China, uitgegeven door Helman tussen 1783-1785.
Fotoreproductie van Het verbrande door Antoine Wiertz
Object type: photograph
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: edmond fierlants
Artist role: fotograaf
Artist dates: 1819 – 1869
Subjects: child, burning
Inscriptions: check stamp: ‘SOCIÉTÉ ROYALE BELGE DE PHOTOGRAPHIE/ 69, RUE KEYENVELD/ BRUXELLES’
Beaker
Object type: beaker
Date: 1780 – 1780
Materials: glass
Subjects: children
Ontzet van Turijn, 1706
Object type: history print
Date: 1727 – 1729
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: paris, vienna, eugenius van savoye, raising the siege with outside assistance, relief, battle (+ land forces)

Veldslag bij Turijn, door de Fransen belegerd en ontzet door de Geallieerden onder de prins van Savoye op 7 september 1706. Rechts op de voorgrond de prins te paard. Genummerd rechtsonder: Tom. I. No. 23. Illustratie in het eerste deel van: Jean du Mont, Oorlogskundige beschryving van de veldslagen en belegeringen, der drie ... wydvermaarde krygsoversten... den Prins Eugenius van Savoye, den ... Hertog van Marlborough, en den Prins van Oranje en Nassau-Vriesland, in de editie van 1729. Dit eerste deel is gewijd aan de daden van Eugenius, prins van Savoye.
Zelfportret
Object type: drawing
Date: 1750 – 1774
Materials: paper
Techniques: brush
Artist: cornelis van den berg
Artist role: draughtsman, print maker
Artist dates: 1699 – 1774
Subjects: haarlem, print maker, cornelis van den berg, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Portret van Alfred Joseph Naquet
Object type: print
Date: 1861 – 1911
Materials: paper
Techniques: etching
Artist: louis le nain
Artist role: print maker
Artist dates: 1851 – 1939
Subjects: adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228
Amphora
Object type: amphora
Date: 900 – 700
Materials: terracotta
Culture: east greek
Fragment of Sash
Object type: textile fragment
Date: 1701 – 1800
Materials: metal, silk
Location: iran
Subjects: flowers
Duchesse Louis XV
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture, mirror, table

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Profiel van de wallen van de citadel van Lille, 1708
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: johan willem friso (prins van oranje-nassau), paris, vienna, eugenius van savoye, fortress, lille

Doorsnede van de versterkingen om de citadel of kasteel van Lille (Rijssel), ingenomen door de Geallieerden onder prins Eugenius van Savoye en prins Johan Willem Friso op 8 december 1708.
Brugge
Object type: print
Materials: paper
Techniques: woodcut
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: city-view in general; 'veduta', windmill in landscape, bruges
Inscriptions: collector's mark: Lugt 2233

Op de achtergrond het silhouet van Brugge.
Bearded Man in Soldier's Cap (from Sketches on the Coast Survey Plate)
Object type: print
Date: 1854 – 1855
Materials: board
Techniques: cutting, etching
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men

Whistler made his first etchings while employed as a draftsman at the U.S. Coast and Geodetic Survey in Washington, D.C., between 1854 and 1855. A staff member taught him the technique and supplied him with a copper plate, on which he etched topographic renderings of coastlines, then sketched freely drawing figures. This fragment was trimmed from a printed proof and given to Thomas Winans who financed Whistler's move to Paris, allowing him to pursue an artistic career. Winans mounted the fragment in an album of Whistler's early work that his descendants gave to the Museum.
Emperor Commodus as Hercules, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1550 – 1550
Techniques: engraving
Artist: jacob bos
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1520 – 1580
Subjects: children,male nudes

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 108 in the scrapbook.
Relief from the South Wall of a Chapel of Ramesses I
Object type: relief, ramesses i chapel, south wall
Date: 1295 – 1294
Materials: limestone
Location: egypt
Subjects: men

Displayed in Gallery 129 are reliefs from three walls of the chapel of Ramesses I at Abydos. This monarch was a military officer from the eastern Delta. He served as a general and vizier under Haremhab, last king of Dynasty 18, and was designated by Haremhab as his successor. Ramesses was probably quite old when he became king and most of his monuments were finished by his son, Seti I. The south wall, shown here, depicts Ramesses I and his family presenting offerings to Osiris. The upper register (now lost) showed Ramesses leading four young bulls to "Osiris Onnophris." In the lower register, Ramesses is shown "making incense and libation" over offerings piled before the shrine of "Osiris, lord of continuity, great god at home in the Abydene nome"; behind the statue of Osiris stand Isis and Hathor. Ramesses is accompanied by his queen, Sitre, shaking two sistra "to your beautiful face." Behind her is a procession of men and women bearing bouquets. In the dedicatory stela of this temple, they are described as "all his brethren according to their rank"; the first figure behind the queen (now lost) was probably "the beloved brother of the king" mentioned in the stela. The scene in the lower register continued onto the short west face of the doorway (in situ), with two more women bearing bouquets. In the register above them is a scene of Ramesses before the statue of Osiris.
Design for a Stage Set at the Opéra, Paris: Building Façade
Object type: drawing
Date: 1830 – 1890
Materials: graphite
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: buildings,stage design
Studieblad, onder andere met paarden
Object type: sketchbook leaf
Date: 1839 – 1839
Materials: paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: head (human), adult man, horse

Tevens twee studies van mannenkoppen. Blad 4 verso uit een schetsboek met 37 bladen.
Necklace, chain
Object type: necklace, chain
Date: 1 – 100
Materials: gold
Culture: roman
Andromeda aan de rots geketend
Object type: print
Date: 1652 – 1690
Materials: paper
Techniques: mezzotint
Subjects: andromeda chained to the rock
Inscriptions: collector's mark: Lugt 2228

Andromeda, de dochter van een Ethiopische koning, is vastgeketend aan een rots bij zee, als offer aan een zeemonster. Scène uit de Metamorfosen van Ovidius.
Pitcher
Object type: pitcher
Date: 1850 – 1856
Materials: earthenware
Culture: american
Location: united states
Artist: e. & w. bennett pottery
Artist role: manufacturer
Artist nationality: american
Artist dates: 1847 – 1857
Subjects: grapes,hunting,boars,dogs
Portretkop van een rokende Karel
Object type: sketchbook leaf
Date: 1894 – 1894
Materials: paper, pencil
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: postures and gestures of hand and fingers, head (human), cigarette, adult man, girl (child between toddler and youth)
Inscriptions: annotation: ‘Karel’

Tevens een studie van een meisje met een strik in haar lange haren dat een vinger opsteekt terwijl zij met de andere hand ergens op drukt. Blad 11 verso uit een schetsboek met 35 bladen.
Gezicht op Egmond aan Zee, 1620
Object type: book illustration
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: riding a horse, ass, or mule; rider, horseman, prospect of village, silhouette of village, church (exterior), 'en route', traveller under way
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 41.
Wooded Landscape
Object type: drawing
Date: 1701 – 1800
Materials: graphite
Techniques: wash
Artist: paulus van liender
Artist role: draughtsman, print maker
Artist nationality: dutch
Artist dates: 1731 – 1797
Subjects: landscapes,trees
Kaart van Gelderland
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: engraving, etching, hand coloring, letterpress printing
Location: amsterdam
Subjects: maps of separate countries or regions, gelderland, guelders
Inscriptions: collector's mark: Lugt 2228

Linksboven de titelcartouche. Linksonder een cartouche met twee schaalstokken: 4 Milliaria Germanica communia / 5 Milliaria Gallica communia. De kaart is voorzien van een gradenverdeling langs de randen. Met Franse tekst op verso.
Plate with Horatio at the Bridge
Object type: ceramic
Date: 1535 – 1535
Materials: earthenware
Techniques: maiolica, glazing
Culture: italian
Location: urbino
Inscriptions: Inscription: Oratio sol contra Toscana Tutta.
Journey for Eternity, No. 7
Object type: print
Date: 1839 – 1839
Techniques: lithograph
Artist: j. j. grandville
Artist role: designer
Artist nationality: french
Artist dates: 1803 – 1847
Subjects: skeletons,men,women
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Exterior, lower body of draped maenad holding a thrysos in her right hand
Shawl
Object type: shawl
Date: 1834 – 1866
Materials: silk, wool
The Big Cherry Tree in the Park of Maruyama, Kioto
Object type: photomechanical print
Date: 1895 – 1905
Materials: paper
Techniques: photograph
Location: kyoto
Artist: kōzaburō tamamura
Artist role: fotograaf
Artist dates: 1856 – 1923
Subjects: trees: cherry-tree, public gardens, park, kyoto
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, hand holding drapery?
Corinth: Temple of Neptune and the Acrocorinth
Object type: print
Date: 1846 – 1846
Materials: paper, ivory
Techniques: etching, printing
Location: france
Artist: théodore caruelle d'aligny
Artist nationality: french
Artist dates: 1798 – 1871
Lazare Carnot
Object type: medallion
Date: 1801 – 1900
Materials: bronze
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, toes of right foot of figure to right; toes of left foot of a figure to left
Portret van een onbekende militair
Object type: photograph
Date: 1862 – 1866
Materials: paper
Techniques: albumen print
Location: japan
Artist: antoon bauduin
Artist role: amateurfotograaf, hoogleraar
Artist dates: 1820 – 1885
Subjects: historical persons not known by name, japan
Inscriptions: number: ‘33’
Head of a woman
Object type: head, female
Date: 1390 – 1352
Materials: ivory
Location: fayum entrance area
Subjects: heads,women

The size of this beautifully carved head might suggest that it was part of an elaborate cosmetic spoon with a handle in the form of a swimming girl. However, the lower neck edge of heads that fit such spoons is normally flattened. This example may then have actually belonged to a small ivory statuette.
Portret van kardinaal Carlo Barberini
Object type: print
Date: 1658 – 1679
Materials: paper
Techniques: engraving
Location: rome
Subjects: cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit een reeks van onbekende omvang met portretten van kardinalen. De prenten werden vanaf 1657 vervaardigd in opdracht van uitgever Giovanni Giacomo de’ Rossi, waarna de productie werd voortgezet onder leiding van zijn opvolgers Domenico de’ Rossi en Lorenzo Filippo de’ Rossi, en ten slotte onder leiding van de Calcographia R.C.A.