deem-data/ArtiFact huggingface dataset:
Figurine of a cat with kittens
Object type: amulet, cat
Date: 1070 – 664
Materials: faience
Location: egypt
Subjects: cats

This figure is part of a repertoire of figures created in a distinctive spotted faience from Dynasty 22 into Dynasty 26. The center of production was the eastern Delta, in particular Bubastis and Tanis; this was an area where Near Eastern peoples had long been interwoven in the population; at this time it was also a center for the settlement of Libyan tribal peoples. Possibly these conditions influenced this particular production. Through their appearance, the figures all allude to the goddess Bastet. In particular, many details evoke the myth termed "The Return of the Faraway Goddess." The feline / leonine Bastet was angry with the god Re and left Egypt for Nubia. Re wanted her back again, so he sent the god Thoth, who, taking the form of a monkey, lured her back with fables. Bes, musicians and dancers accompanied the train of the returning goddess, whose arrival brought the return of good fortune to Egypt. Figures of Bes (2015.11; 04.2.103), the cats (04.2.119, 04.2.120, 21.6.61), the monkeys (44.4.17), the nude females with ‘Nubian’ hairstyles (66.99.71), and the musicians (89.2.217, 17. 194.2441, 17.194.2459, 41.6.7) all relate to this tale; the figure with a conical ‘foreign’ cap carrying a vessel of beer (86.1.55) and the bound oryx behind the feathers of the Bes-image (2015.11) both allude to controlling the goddess’s dangerous nature. Bes-rattles must have been used in a ritual performances, and Bes’s known role as a protector of women and childbirth suggests the rituals addressed such concerns. Bastet, too, had a role as the nurse of a divine child king, and the allusions to her stories may have invoked her power for similar ends.
A Spectator, from Le Café-Concert
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Italië, koning Vittorio Emanuele II, 50 centesimi, 1863
Object type: coin
Date: 1863 – 1863
Materials: silver
Techniques: striking
Location: milan

Zilveren munt. Voorzijde: hoofd van de koning naar rechts. Daaronder jaartal. Keerzijde: binnen twee takken door keten van ridderorde met juweel omhangen gekroond wapenschild. Waarde-aanduiding: C. 50 onderaan. Links daarvan muntteken: letter M [=Milaan]. Gladde rand.
Cuneiform tablet: account of workmen, Ebabbar archive
Object type: cuneiform tablet
Date: 598 – 598
Materials: clay
Culture: babylonian
Location: mesopotamia
Bon, Bruel, Rhijnbach etc. ingenomen door zijn Hoogheijt, den 13 November Ao. 1673
Object type: print
Date: 1674 – 1676
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: william iii (prince of orange and king of england, scotland, and ireland), capture of city (after the siege)

Verkleinde kopie naar de prent van Romeyn de Hooghe (FMH 2506) of naar de kopie (FMH 2507).. Gebruikt als illustratie in: T. van Domselaer, Het ontroerde Nederlandt, door de wapenen des konings van Vrankryk, 2 dln, M. Willemsz. Doornik, Amsterdam 1674-1676, dl. II, p. 720.
Drie vrouwen in de regen
Object type: sketchbook leaf
Date: 1886 – 1898
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: rain, adult woman (+ three persons), amsterdam
Inscriptions: annotation: ‘Drie vrouwen die hun/ rokken over het hoofd/ doen tegen de regen/ [kleurnotities]/ op een groote brug/ de stad in 't verschiet/ De [...] wacht/ tot de anderen/ klaar zijn.’

Pagina 8 uit een schetsboek met 21 bladen.
Portret van Luitenant-kolonel J.G. van Thiel
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: the hague
Artist: adolphe zimmermans
Artist role: fotograaf
Artist dates: 1858 – 1922
Subjects: eyeglasses, spectacles, adult man, historical persons, the hague
Inscriptions: address: ‘de Riemerstraat [...] La Haye.’

Onderdeel van Fotoalbum van de families Matthes, Doorman en Van Thiel.
Moscow. St. Basil's Cathedral (XVI c.) / Moskau. Basilius-Kathedrale (16. Jh.) / Moscou. Eglise Basile-le-Bienheureux (XVIe siècle)
Object type: photomechanical print
Date: 1956 – 1956
Materials: cardboard
Techniques: color autotype
Location: moscow
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: date

De titel op object staat ook in het Russisch.
Stoelzitting met borduurwerk
Object type: embroidery
Date: 1500 – 1600
Materials: thread, velvet
Techniques: brocade
Location: italy

Stoelzitting van wijnrood fluweel met applicatie-borduurwerk. Aan de korte zijden staan afgeknotte takken omwonden door een lint. Zijtakken met acanthusblad en eindigend in lelie, eikels, korenaar en druiventrossen. Applicatie van goudbrokaat geborduurd met groene en gele zijde. Langs de contouren glegd goud en blauw koord. Bladnerven van zilverdraad.
Portret van een man
Object type: sketchbook leaf
Date: 1803 – 1840
Materials: chalk, paper
Artist: s. altmann
Artist role: painter, print maker
Artist dates: 1822 – 1890
Subjects: head (human), anonymous historical person portrayed

Blad 14 verso uit een schetsboek met 24 bladen.
Lucht
Object type: drawing
Date: 1600 – 1699
Materials: paper
Techniques: brush
Artist: Anonymous
Subjects: air (one of the four elements), birds, meat; still life of meat, kitchen-maid, kitchen servant
Groep mensen en twee priesters
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: letterpress printing
Artist: félix edouard vallotton
Artist role: print maker
Artist dates: 1865 – 1925
Subjects: priest (roman catholic)
Inscriptions: collector's mark: Lugt 2228

Op het verso twee dames, kinderen aan een tafel, jongen en breiende dame op een bank.
Histoire de Primaleon de Grece
Object type: book
Date: 1550 – 1550
Artist: pasquier le tellier
Artist role: printer
Artist nationality: french
Twee figuren in oosterse kleding
Object type: sketchbook leaf
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: asiatic races and peoples
Inscriptions: kleurnotitie, handgeschreven

Pagina 102 uit een schetsboek met 51 bladen.
Picture (Needlework)
Object type: textile
Date: 1657 – 1657
Materials: coral, glass, linen, metal, mica, pearl, textile, silk
Techniques: appliqué, embroidery, embroidered, laid work, weave, satin weave, stitching
Location: england
Inscriptions: Inscription: 1657
Gendarmes d'Ordonnance
Object type: painting
Date: 1894 – 1894
Materials: canvas, oil
Artist: edouard detaille
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1912
Subjects: men,dogs,horses
Portret van Nikolaas Hasselaer
Object type: print
Date: 1749 – 1780
Materials: ink, paper
Techniques: engraving, pen
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Nicolaas Hasselaer./ Majoor der Stad Amsterdam’

Latere staat van deze prent is oorspronkelijk bedoeld als aanvulling op Jan Wagenaars ‘Vaderlandsche historie’* en was zo vanaf 1796 verkrijgbaar bij Johannes Allart te Amsterdam.

Voor de advertentie waarin Allart de 60 portretten en 7 platen, allen gegraveerd door Houbraken, ter aanvulling op Wagenaars ‘Vaderlandsche historie’ aanbiedt, zie RP-P-OB-77.766.

*Van dit werk zijn in de achttiende eeuw meerdere uitgaves verschenen, zoals:

Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden (…). 21 delen. Amsterdam: Isaak Tirion, 1749-1759.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: weduwe Isaak Tirion, 1770.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam, Leiden, Dordrecht en Harlingen: P. Schouten e.a., 1782.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: Johannes Allart, 1790-1796.
Stockings
Object type: stocking
Date: 1878 – 1878
Materials: wool
Culture: american
Ceiling Design with Psyche and Mercury
Object type: drawing and watercolor
Materials: ink, ivory, lead, paper, pigment
Techniques: brush, heightening, pen, wash
Location: italy
Artist: attributed to pietro liberi
Artist nationality: italian
Artist dates: 1614 – 1687
Sword guard (<i>Tsuba</i>) with Flower Basket Motif (花籠図鐔)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, gold alloy, gold
Culture: japanese
Location: japan
Subjects: flowers
Sterne and Death: "And When Death Himself Knocked at My Door"
Object type: print
Techniques: etching
Artist: thomas patch
Artist role: artist
Artist nationality: british
Artist dates: 1725 – 1782
Subjects: skeletons,men,hourglass

Laurence Sterne here confronts Death–a skeleton holding a spent hour-glass and a crutch. The author rises from a writing table supporting a small model of the Diana of Ephesus, with books by Aristotle and Ovid, and a riding boot, on the floor below. A plan of a fort on the wall refers to the character of Uncle Toby in Tristram Shandy, while a machine consuming books and spitting out text points to charges of plagarism aimed at the writer. In the lower margin a moth hoves over a torch to symbolize life's fragility, near quotations from Tristram Shandy included to clarify the image. Patch met Sterne in Florence in the winter of 1765 and made this print close to the time of Sterne's death which occurred few weeks after his "A Sentimental Journey through France and Italy" was published in 1768.
Blackwork Print with Four Ring Bezel Combined with C-Scrolls and Insects
Object type: print ornament architecture
Date: 1592 – 1604
Techniques: embroidery, engraving
Artist: hans de bull
Artist role: artist
Artist nationality: german
Artist dates: 1592 – 1604
Subjects: insects,flowers,leaves

Blackwork print with a large bezel at center, flanked by two small vertical bezels and a third above. At far left and right, insects face downwards towards C-scrolls at bottom.
Untitled
Object type: photograph
Date: 1868 – 1868
Techniques: albumen print
Location: england
Artist: georgina cowper
Subjects: collected by hugh edwards, untitled album 1849-60, auld lang syne
Vervallen woning aan de Grote Aa te Zwolle
Object type: sketchbook leaf
Date: 1631 – 1633
Materials: ink, paper
Techniques: pen
Location: zwolle
Artist: gerard ter borch (ii)
Artist role: draughtsman, painter
Artist dates: 1617 – 1681
Subjects: the usual house or row of houses

Op de achtergrond het Binnengasthuis. Blad 25 recto uit een schetsboek met 55 bladen.
Portret van Petrus Ramus
Object type: book illustration
Date: 1549 – 1584
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: paris, historical persons, scholar, philosopher (+ portrait of scholar, scientist)
Sleeping shepherdess in a moonlit landscape
Object type: cameo
Date: 1567 – 1600
Materials: stone
Artist: alessandro masnago
Artist role: artist
Artist nationality: italian
Artist dates: 1520 – 1620
Subjects: sleeping,women,dogs,sheep,shepherds

Gems carved with highly pictorial evocations of nature by the great virtuoso Alessandro Masnago were eagerly sought by collectors, particularly Emperor Rudolf II in Prague. The thoroughgoing artistry with which Masnago could discern the marvels inherent in a piece of stone still causes the beholder to gaze in wonder and delight at this shepherdess sleeping with her flock and her dog amid the moonbeams and treetops elicited from the hues and forms of a variegated agate, akin to moss agate.
Theatre street, Osaka
Object type: photograph
Date: 1887 – 1897
Materials: photographic support
Techniques: albumen print, hand coloring
Location: japan
Artist: Anonymous
Subjects: street
Inscriptions: inscription: ‘So called because of the theatres here located.’
Altaar van Onze Lieve Vrouw van Goede Raad in de Star (Sint Augustinuskerk) te Amsterdam
Object type: newspaper clipping
Date: 1908 – 1908
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: madonna: i.e. mary with the christ-child, roman catholic church, mary devotion, altar
Inscriptions: collector's mark: ‘35,8’ Lugt 1641b

Ook wel bekend als De Ster of De Spin. Onderwerpsrubriek binnen de Atlas Amsterdam: R.K. Gemeenten: Sint Nicolaaskerk t/m Willibrordus (Rustenburgerstraat).
Zeven platen van gevechten op 3, 8 en 12 augustus 1831 uitgegeven door Desguerrois & Co.
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: william ii of the netherlands, fighting horses, battle (+ land forces), louvain
Inscriptions: collector's mark: Lugt 2228

Het paard van de prins van Oranje raakt gewond tijdens de slag bij Leuven op 12 augustus 1831. Onderdeel van een serie van zeven platen.
Governor Wilson, West Virginia, from "Governors, Arms, Etc." series (N133-1), issued by Duke Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,profiles,coat of arms,flags

Trade cards from the "State Governors, Arms, Etc." sseries (N133-1), issued in an unnumbered set of 48 cards ca. 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type, pictured here, is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Millbank
Object type: print
Date: 1861 – 1861
Materials: ink, ivory
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: rivers,boats

Sharply receding mooring posts and a high embankment at right direct our eye toward distant warehouses and a church in Lambeth, on the south bank of the Thames. This effect, together with the cropped form of a massive barge at lower left, and spatial leaps in the foreground, echo devices found in Japanese woodblock prints. Whistler selected this image to advertise an 1861 exhibition of his etchings held by the print dealer Edmund Thomas at 39 Old Bond Street. A decade later, Ellis & Green published it in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects (the "Thames Set").
Seated Four-Armed Bodhisattva
Object type: figurine
Date: 901 – 1000
Materials: bronze
Culture: indonesian, javanese
Subjects: buddhism,bodhisattvas
Model Throw stick fragment, eye
Object type: model throw stick fragment, eye
Date: 1479 – 1458
Materials: faience
Location: egypt
Subjects: eyes
Wine cup
Object type: wine cup
Date: 1801 – 1900
Materials: enamel, porcelain
Culture: japanese
Artist: aoki mokubei
Artist role: artist
Artist nationality: japanese
Artist dates: 1767 – 1833
Terracotta lekythos (oil flask)
Object type: lekythos
Date: 550 – 530
Materials: terracotta
Culture: greek, attic
Artist: amasis painter
Artist role: artist
Subjects: men,women,donkeys,musicians,carts

On the shoulder, women dancing between musicians playing flute and lyre On the body, wedding procession This is the earliest and most complete known representation of an Attic wedding. The bridal couple with the best man behind them sit in a cart drawn by two donkeys. A mule cart with four guests follows. Other members of the procession are on foot. The woman in the lead holds two torches, indicating that the scene takes place at night. The procession heads toward the bridegroom's house where a woman, probably the mother of the groom, awaits. The architecture of the house is carefully indicated; the white columns of the porch may be painted wood.
Portret van Filips V, koning van Spanje
Object type: print
Date: 1700 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob gole
Artist role: print maker
Artist dates: 1660 – 1724
Subjects: filips v (koning van spanje), knighthood order of the golden fleece
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2028

De jonge hertog Filips van Anjou, vanaf 1700 koning Filips V van Spanje. Hij draagt een harnas en een keten met het ordeteken van de Orde van het Gulden Vlies.
Barmhartige Samaritaan
Object type: print
Date: 1605 – 1673
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: the samaritan and the wounded traveller arrive at the inn; the traveller is cared for
Inscriptions: number: ‘2’

De barmhartige Samaritaan te paard levert reiziger af bij een herberg.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Two fragments with reserve line for tondo border from DvB 22.3
On the Dish, plate ten from In Dreams
Object type: print
Date: 1879 – 1879
Materials: ink, paper
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Vuë générale de la ville de Paris, prise de la hauteur de l'Observatoire
Object type: opticaprent
Date: 1700 – 1799
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Location: paris
Subjects: city-view in general; 'veduta', meteorological observatory, paris
Vuursteenjagerbus, Staatse leger M. 1798
Object type: flintlock pistol
Date: 1800 – 1800
Materials: brass, iron, steel
Techniques: printing, cutting, engraving, pierced
Location: amsterdam
Artist: lambertus michaelis thone
Artist role: weapon manufacturer
Inscriptions: inscription: ‘THONE // AMSTERDAM’, mark: ‘ND (St. 4118)’, mark: ‘G...DF’
Marcherende Franse soldaten
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: marching away (troops), private soldier
Inscriptions: number: ‘183’, inscription: ‘Marche oblique a bataille’
Seal Matrix with Abbot William of Gross St. Martin and Saint Martin
Object type: seal matrix
Date: 1152 – 1152
Materials: ivory
Culture: german
Location: germany
Subjects: men,saints

Affixing a wax seal to documents both authenticates and secures the document and also identifies the author or sender. According to the inscription, this rare ivory seal matrix, seen here with a wax impression from it, was made for Abbot William (“William, by the grace of God, Abbot of St. Martin”) of the powerful Benedictine abbey in Cologne. Pictured on the reverse is the abbey’s patron, Saint Martin.
De vier belangrijkste Christelijke feestdagen
Object type: print
Date: 1560 – 1600
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: easter, christ's entombment (possibly by angels), cherubs, i.e. children's heads with wings, the episode of the last supper, christ washes peter's feet, christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers, god the father as bearded old man, usually with crown or tiara or sceptre and/or globe, crucified christ with mary and john on either side of the cross; holy rood
Inscriptions: collector's mark: Lugt 2228

Christus verrijst uit zijn graf. Aan weerszijden van zijn graf een engel. In ornamentlijst links vluchtende soldaten en rechts de drie vrouwen die naar het graf gaan. In de vier hoeken scènes uit de passie van Christus in ovalen. Middenboven engelenkoren met God de Vader.
Portret van een onbekende baby op een kussen
Object type: carte de visite
Date: 1908 – 1908
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Subjects: anonymous historical person portrayed, infant, baby
Inscriptions: address: ‘Amsterdam/ Heerengracht 150./ Batavia.’, inscription: ‘TELEPHOONNUMMER 1402.’
Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae"
Object type: print
Techniques: engraving
Location: rome
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: male nudes,female nudes,cupid,horses

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Subjects L. to R. top row: B. 131, 106, 110, 113; middle row: B.116, 127, 121, 125, 129; bottom row: B.103, 122, 118, 119
Portret van een onbekende jonge vrouw
Object type: frame
Date: 1897 – 1897
Materials: paper, cardboard, celluloid, glass, metal, wood
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman
Inscriptions: label: ‘M. Hartmann/ Utrechtschestraat, 14/ Spiegels/ en lijsten/ fabriek./ Galeries/ Magazijn van staalgravuren.’
Romp voor filterpers
Object type: photograph
Date: 1937 – 1937
Materials: photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: colonial system, machines; parts of machines; tools and appliances, factory-interior, machine shop (+ men (labourers)), java
Inscriptions: date

Een gietijzeren romp voor een filterpers, vervaardigd in 1937 en bestemd voor de Suikerfabriek Manishardjo ten noordoosten van Klaten op Java. Onderdeel van de multomap met foto's van machines van de N.V. Machinefabriek Braat te Soerabaja, Soekaboemi en Jogyakarta, uit de periode 1908-1942.
Het spelen van jong en oud
Object type: print
Date: 1878 – 1878
Materials: paper
Techniques: lithograph, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: children's games and plays, blind-man's buff, (making a) snowman, throwing snowballs, games using special objects (marbles, top, hoop, etc.)
Inscriptions: collector's mark: Lugt 2760

Blad met 11 voorstellingen van kinderspelen en bezigheden, waaronder spelen met de pop, verveling, knikkeren, sneeuwballen gooien, sneeuwpop maken, dansen, schaatsen, kegelen, kaartspelen, schaken en blindemannetje spelen. Onder elke voorstelling een vers. Genummerd rechtsboven: No. 67.
The Flight into Egypt
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: etching
Location: france
Artist: jean baptiste marie pierre
Artist role: print maker
Artist nationality: french
Artist dates: 1713 – 1789