deem-data/ArtiFact huggingface dataset:
Portret van John W. Garrett
Object type: photograph
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Subjects: historical persons
Fotoreproductie van een gezicht op een onbekende personen waarvan één een deur opent en een ezel
Object type: reproduction
Date: 1883 – 1888
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: open door, historical persons (portraits and scenes from the life), donkey-riding (on the beach)
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: hilversum
Artist: johannes de koo
Artist role: auteur
Artist dates: 1841 – 1909
Subjects: dordrecht, ewaldus daniél pijzel, the hague, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Landscape, Mariastein in Tyrol
Object type: print
Date: 1801 – 1833
Techniques: etching
Artist: johann christoph erhard
Artist role: artist
Artist nationality: german
Artist dates: 1795 – 1822
Subjects: buildings,landscapes
Reproductie van een landkaart door Pedro Reinel
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Subjects: maps, atlases
Inscriptions: collector's mark: ‘Société d'Emulation de l'Ain/ Bourg/ Bibliothèque’, inscription: ‘Pl. I/ Conservée à la Bibliothèque Nationale’, inscription: ‘Attribuée à Pero Reinel, vers 1517’
Thetis
Object type: print
Date: 1552 – 1584
Materials: paper
Techniques: engraving
Artist: nikolaus solis
Artist role: print maker
Artist dates: 1542 – 1584
Subjects: (story of) thetis; 'thethi, ninfa del mare' (ripa)
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Schrammsteine
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Location: germany
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), mountains
Inscriptions: collector's mark: Lugt 2228
De Annunciatie
Object type: drawing
Date: 1600 – 1699
Materials: chalk, graphite, ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: the annunciation: mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)
Jewelry
Object type: jewellery
Date: 1867 – 1900
Materials: gold
Culture: american
Kippen en kalkoenen
Object type: print
Date: 1611 – 1661
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: fowl (cock, hen, chicken, etc.), walker and runner birds: turkey
Inscriptions: collector's mark: Lugt 2228

Kopie in spiegelbeeld naar prent uit serie met veertien prenten zogenaamde Pastoralen van B.A. Bolswert naar ontwerp van Abraham Bloemaert.
Portret van Wilhelm Martin Leberecht de Wette
Object type: print
Date: 1811 – 1863
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Das Denkmal der Erzherzogin Christine. 
(Canova.)
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: vienna
Artist: august angerer
Artist role: publisher
Subjects: triangular pyramid, interior of church, monument, statue, sculpture, vienna
Inscriptions: collector's mark: Lugt 3937
Cope
Object type: cope
Date: 1651 – 1675
Materials: metal, silk

Part of a collection that was purchased from Duveen Brothers, pre-eminent art dealers of the early 20th century, this cope belongs to a set that includes two chasubles (2009.300.2949 and 2009.300.2952a–c) and two dalmatics (2009.300.3411a, b and 2009.300.3412a, b).
De Fransche fury tot Antwerpen
Object type: history print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: massacre ~ war, antwerp

De Franse Furie te Antwerpen, 17 januari 1583. Moord en plundering door Franse soldaten in de straten van Antwerpen in een poging de stad te veroveren voor de hertog van Anjou. Met onderschrift van 4 regels in het Latijn. Genummerd 146. Bedrukt op achterzijde met tekst in het Latijn.
Shoe
Object type: textile
Date: 1553 – 1558
Materials: leather
Location: england
Arcadisch rivierlandschap met figuren die een beeld aanbidden
Object type: print
Date: 1710 – 1747
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), statues, paintings, etc. ~ objects of worship in roman religion, utilitarian, public pump or water fountain, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 240

Arcadisch rivierlandschap met diverse figuren die een beeld aanbidden. Rechts een vrouw bij een bron, aan de overkant van de rivier ligt een stad. De prent maakt deel uit van een 40-delige serie prenten met voorstellingen van Italiaanse en Duitse landschappen.
Wrecked horse-drawn wagons with German and Austrian-Hungarian soldiers
Object type: photograph
Date: 1914 – 1918
Materials: paper
Techniques: gelatin silver print
Location: italy
Artist: Anonymous
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach (+ accident, collision, crash ~ traffic and transport), two-wheeled, animal-drawn vehicle (+ accident, collision, crash ~ traffic and transport), italy
Inscriptions: number: ‘5700’

Photography was used in the First World War as a means of propaganda. These shots were probably taken by a military photographer or a photographer in the service of a press agency on the German and Austrian-Hungarian side. To keep the home front informed, shows of photographs were already being held during the war. The large format of these photographs suggests that they were displayed in such an exhibition.
Stadsgezigten: Leyden
Object type: popular print
Date: 1861 – 1929
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: europe
Subjects: harbour, church (exterior), university building, college, ornamental fountain (in village), leiden
Inscriptions: collector's mark: Lugt 2760

Blad met 7 verschillende gezichten op Leiden. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 16. Linksboven: Bekroond door de Maatschappij tot Nut van 't Algemeen.
Glass alabastron (perfume bottle)
Object type: alabastron
Date: 534 – 401
Materials: glass
Culture: greek, eastern mediterranean

Translucent cobalt blue, with handles in same color; trails in opaque yellow and opaque white. Uneven rim-disk, with tooling indents in upper surface; cylindrical neck; narrow rounded shoulder; elongated oval body with marked upward taper; convex, slightly pointed bottom; below shoulder, two vertical ring handles with knobbed tails applied over trail decoration; one with a longer tail than the other. A yellow trail attached unevenly at edge of rim-disk; a white trail applied as a thick blob at top of body and wound down in spiral ten times and overlaid with a yellow trail, then tooled into a close-set zigzag pattern around the central part of body, flanked at top and bottom by overlaid thicker yellow trails; below this, the white trail continuesfive and a half times horizontally around lower body, again overlaid with a yellow trail; one large round blue blob protrudes from side of bottom. Complete, except for part of trail around rim-dis and some surface cracks around bottom; dulling and pitting, and most of body covered with thin creamy iridescent weathering.
Preekstoel in de Nieuwe Kerk in Amsterdam
Object type: print
Date: 1649 – 1673
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: pieter holsteyn (ii)
Artist role: draughtsman, print maker
Artist dates: 1614 – 1673
Subjects: amsterdam, sculptor, albert jansz vinckenbrinck, interior of church, pulpit, ambo, chancel
Inscriptions: collector's mark: Lugt 195

Na de brand van 1645 kreeg beeldhouwer Albert Jansz. Vinckenbrinck opdracht voor het maken van een nieuwe preekstoel voor de Nieuwe Kerk. Bekend is dat hij van 1649 tot 1664 werkte aan deze preekstoel. In de collectie van het Stadsarchief Amsterdam bevindt tegendruk van deze ets die met zwarte inkt is ingekleurd en bijgewerkt. Op dit exemplaar staat linksonder 'J. v.d. Heyden, anno 1649' geschreven. De naam van Van der Heyden zorgt voor verwarring rondom het auteurschap van deze prent, die is geëtst door Pieter Holsteyn (II). Ook het jaartal 1649 is verwarrend, aangezien de preekstoel toen nog niet klaar was. Als het jaartal en de naam daadwerkelijk in 1649 op deze prent zijn geschreven is het aannemelijk dat een J. van der Heyden in 1649 zijn naam heeft gezet op een door hem ingekleurde tegendruk van de door Pieter Holsteyn (II) gemaakte prent. Dat dit al in 1649 was impliceert dat de prent is gemaakt naar een ontwerp van de preekstoel, die in de daaropvolgende jaren gerealiseerd zou worden.
Bonk van 2 stuivers van Nederlands Indië,1818
Object type: coin
Date: 1818 – 1818
Materials: copper
Techniques: striking
Location: surabaya
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Koperen rechthoekige munt. Voorzijde: binnen een rechthoekige lijst waarde-aanduiding 2 St. Keerzijde: binnen een rechthoekige lijst jaartal.
Indochina, from the Dancing Girls of the World series (N185) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,dancing,dancers

Trade cards from the "Dancing Girls of the World" series (N185), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
[Studio Portrait: Person with Brooms, Syria]
Object type: carte de visite
Techniques: albumen silver print
Artist: abdullah frères
Artist role: photography studio
Artist dates: 1858 – 1899
Subjects: men,portraits,brooms

The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 1850s and throughout the latter half of the century, these economical keepsakes depicting portraits of loved ones, celebrities, monarchs, and foreign types circulated en masse and spurred a veritable "cartomania." Collected in albums, traded among friends, and admired in drawing rooms, cartes put photography in the hands of virtually everyone, and thus offered a means of reflecting upon one’s own social standing in an ever-expanding world.
Paleis van Justitie te Utrecht
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: tone lithography
Location: utrecht
Artist: pieter wilhelmus van de weijer
Artist role: print maker, printer, publisher
Artist dates: 1816 – 1880
Subjects: court building, city-view, and landscape with man-made constructions, utrecht
Inscriptions: collector's mark: Lugt 2228

Het Paleis van Justitie aan de voorzijde. Links op de achtergrond de Domtoren rechts de St. Paulus abdij.
S. Juste et S. Pastor (St. Justus and St. Pastor), August 6th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
't Dorp Riederkerk
Object type: book illustration
Date: 1791 – 1793
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view in general; 'veduta', village
Inscriptions: collector's mark: Lugt 2228

afkomstig uit: L. van Ollefen, De Nederlandsche stad- en dorpbeschrijver. Deel 1. Amsterdam: H.A. Banse, 1793
Bengalee with dancing bear
Object type: photomechanical print
Date: 1876 – 1886
Materials: paper
Techniques: photograph
Location: paris
Artist: Anonymous
Subjects: bears (circus performance)
Inscriptions: inscription: ‘From a photograph taken by Messrs. Lambert and Co., of Singapore.’
Jasje voor baby van sits met een rood fond, langs de mouwen, hals en langs één voorpand afgebiesd met rood linnen
Object type: jasje
Materials: textile, cotton, linen
Artist: Anonymous

Jasje voor baby met lange mouw van sits met een rood fond, langs de mouwen, hals en langs één voorpand afgebiesd met rood linnen; voering van wit linnen.
Romeinse paleizen
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: etching
Location: italy
Subjects: urbanus viii, palace, façade (of house or building)

Deze prent maakt deel uit van de reeks getiteld: Palazzi di Roma. Deze reeks bestaat uit twee boeken. Boek één getiteld: Palazzi di Roma dei più celebri architetti..., bestaat uit 44 prenten die worden toegeschreven aan Giovanni Battista Falda (naam staat enkel op prent 27) en uitgegeven door Giovanni Giacomo de'Rossi. Deze 44 prenten zijn bekend in twee staten (met en zonder nummer). Boek twee getiteld: Nuovi disegni dell'architetture... libro secondo, bevat 66 prenten door Giovanni Battista Falda en Simone Felice. Deze 66 prenten zijn bekend in twee staten (met en zonder nummer).
Figure 83: Lady Macbeth, ferocious cruelty
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: guillaume-benjamin-amand duchenne de boulogne
Artist role: artist
Artist nationality: french
Artist dates: 1806 – 1875
Subjects: science,portraits,women
Portret van Johan Adriaan van de Perre
Object type: print
Date: 1750 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: adult man, historical persons
Portret van Paul Eber
Object type: book illustration
Date: 1699 – 1699
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: theologian, historical persons

Prent uit: Vries, Simon. Algemeene Historische Gedenk-Boeken (...). Leiden: Pieter van der Aa, 1699, dl. 1.
Portret van Johann Franz Eckher von Kapfing und Liechteneck
Object type: print
Date: 1696 – 1727
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: clergyman, archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: Lugt 4099, collector's mark: Lugt 1238

Portret van de bisschop van Freising in ovale lauwerkrans, vastgehouden door een putto. Rechts Madonna op de maansikkel in ovale omlijsting. In het midden een fontein en op de achtergrond een kerk. Linksvoor een man in toga die een titelblad ophoudt.
Une Baliste
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1918
Materials: cardboard
Techniques: photograph
Location: saint-germain-en-laye
Artist: Anonymous
Subjects: weapons for striking a blow, permanent exhibition, museum
Kansel in de parochiekerk van Bolzano, Italië
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photoaquatint
Location: vienna
Subjects: pulpit, ambo, chancel
Inscriptions: inscription: ‘Déposé.’, number: ‘5.’

Deze prent maakt deel uit van een omslag met twintig prenten, twee tekstbladen en een titelpagina.
Takemoto-School Surimono
Object type: print
Date: 1847 – 1847
Techniques: woodblock print, surimono
Location: japan
Artist: nagayama kien

During the late 18th century, Japanese culture was strongly influenced by Chinese traditions, such as the steeped-tea ceremony (sencha) illustrated here, and the demand for Chinese-style rituals increased tremendously. Intellectuals, samurai, well-educated townspeople, and artists came to advocate sencha, partly as a reaction against the conventionalism of chanoyu system. Large-scale production of the objects used in the ceremony, often based on imported Chinese objects, accompanied the growing interest in the sencha. Here Nagayama Kien depicted typical objects used in the sencha ceremony.
This is a memorial surimono for the 50-year anniversary of the death of the Takemoto school gidayu chanter Takemoto Sakidayu I (died 1779). Sakidayu worked as a chanter in Osaka and Kyoto Kabuki theaters. This print was commissioned by Machi and Yotsu Sakidayu and their family to celebrate their grandfather.
Motie van orde van den heer Van Kerkwijk
Object type: cartoon
Date: 1878 – 1878
Materials: paper
Techniques: lithograph
Location: netherlands

Spotprent. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 19, 1878.
God Vishnu
Object type: sculpture
Date: 801 – 900
Materials: bronze
Location: bangladesh
Portretbuste van Karel II, koning van Spanje
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: karel ii (koning van spanje), historical persons, knighthood order of the golden fleece, king
Pierre Emile Herbette
Object type: honorary medal
Date: 1894 – 1894
Materials: silver
Techniques: casting
Location: paris
Artist: louis eugène mouchon
Artist role: medailleur
Artist dates: 1843 – 1914
Subjects: pierre emile herbette
Rotsachtig landschap met de H. Hieronymus en een waterval
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving, etching
Location: vienna
Subjects: river, waterfall, the monk and hermit jerome (hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone, (high) hill (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Two Cupids, One with Bat Wings
Object type: print
Techniques: engraving, etching
Artist: jacques gabriel huquier
Artist role: artist
Artist nationality: french
Artist dates: 1730 – 1805
Subjects: cupid
Nativity
Object type: print
Date: 1588 – 1588
Techniques: engraving
Artist: aegidius sadeler (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1568 – 1629
Subjects: virgin mary,jesus,nativity
Textile Fragment
Object type: textile fragment
Date: 801 – 1000
Materials: linen, wool
Techniques: weave
Location: egypt

This fragment and 31.19.13, two ends of a shawl, are both decorated with two inscription bands—one a line of purely ornamental (illegible) kufic, and the other a Coptic inscription interspersed with rosecolored cross-hatches.
Apparel
Object type: clothing
Date: 1601 – 1633
Materials: metal thread, silk
Subjects: birds,flowers
Shaft-hole axe head
Object type: axe
Date: 2333 – 1668
Materials: copper alloy
Culture: bactria-margiana archaeological complex
Location: bactria-margiana
Hemelverschijnselen, 1729
Object type: print
Date: 1729 – 1735
Materials: paper
Techniques: etching, hand coloring
Location: northern netherlands
Artist: Anonymous
Subjects: northern lights, 'aurora borealis', astronomical phenomena, leiden

Hemelverschijnselen waargenomen 16 november 1729 door Conrado Zumbach de Croesvelt, mogelijk boven Haarlem of Leiden. Bijzondere stralen, wolken, planeten en sterren in de hemel boven een meer en een dorp. Waarschijnlijk betreft het noorderlicht. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Plate 2 from Military Figures
Object type: print
Date: 1590 – 1590
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: heinrich ulrich
Artist role: draughtsman, painter, print maker
Artist nationality: german
Artist dates: 1572 – 1671
Inscriptions: Lettered upper center: "2" and below image: "Me ducem miles sequitur colitque"
Set of Sword Fittings (Mitokoromono) with Two Additional Knife Handles (Kozuka) and a Pair of Grip Ornaments (Menuki)
Object type: set of sword fitting mitokoromono with two additional knife handle kozuka
Date: 1734 – 1766
Materials: gold alloy, gold, silver
Culture: japanese
Location: japan
Artist: gotō mitsutaka (enjō)
Artist role: fittings maker
Artist nationality: japanese
Artist dates: 1722 – 1784

The Gotō School of sword-fittings makers was founded in the fifteenth century by Gotō Yūjō, who is said to have been patronized by the shogun Ashikaga Yoshimasa (1435–1490). The work of the Gotō masters is characterized by painterly designs carved in high relief on a ground of shakudō (an alloy of copper and gold chemically treated to turn a rich blue-black), finished in nanako (tiny circles punched regularly over the surface to give it a granular appearance) with colorful accents in gold and silver. The succeeding generations of Gotō masters continued to work in these soft metals and concentrated on the smaller sword fittings, such as kozuka (the handle of the small utility knife fitted into a slot on the back of a sword scabbard), kōgai (a skewer-like hairdressing tool carried in the front of the scabbard), and menuki (a pair of grip ornaments secured by the handle wrappings). The production of the stouter sword guards, or tsuba, was left to other masters. While earlier generations had not signed their work, the Gotō masters in about 1600 began to authenticate the work of their predecessors; the attributions usually were engraved on the backs of the pieces themselves. These attributions bear testimony to the keen interest in early sword fittings as status symbols for high-ranking samurai. The collection of Gotō sword fittings exhibited here was assembled by Count Mito Tokugawa in the nineteenth century. Each of the first fifteen generations of masters of the main Gotō school is represented by a mitokoromono, a set of matching fittings consisting of a kozuka, a kōgai, and two menuki. Two additional sets of kozuka and one set of menuki also are exhibited for each generation. This display is the most complete representation of the famous Gotō school of sword-fittings masters. These sword fittings are the work of Gotō Mitsutaka (Enjō), thirteenth-generation Gotō master.
Doctor Pierre Carl Potain (1825–1901)
Object type: plaque
Date: 1901 – 1901
Materials: bronze, patina
Artist: alexandre-louis-marie charpentier
Artist role: artist
Artist nationality: french
Artist dates: 1856 – 1909
Subjects: men,profiles,doctors
Climax of Disaster, from Grand Leicestershire Steeplechase
Object type: print
Materials: paper
Techniques: aquatint
Location: england
Artist: charles bentley
Artist role: artist
Artist nationality: english
Artist dates: 1806 – 1854
Illustrated Journal of Japanese History no. 1-10 (Nihon Rekishi Gaho) 日本歴史画報（にほんれきしがほう）
Object type: illustrated book
Date: 1892 – 1893
Culture: japanese
Artist: matsumoto fūko 松本楓湖
Artist role: artist
Artist nationality: japanese
Artist dates: 1840 – 1923
Subjects: battles,trees
Hagar's Departure, from Six Landscape Subjects from the Old Testament
Object type: print
Date: 1650 – 1660
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie waterloo
Artist role: artist
Artist nationality: dutch
Artist dates: 1609 – 1690

Similar to Antoni Waterlo’s Elias in the Wilderness from the same series, this etching displays the artist’s excellent handling of landscapes. The trees not only enclose the composition, but also help guide the viewer to the biblical scene tucked inside them. Hagar and her son, Ishmael, are cast out into the wilderness by Ishmael’s own father, Abraham. Shown extending his arm, Abraham sends the mother and child to their fate with nothing but some bread and water.
Vier personen bij een waterbron
Object type: drawing
Date: 1891 – 1941
Materials: paper, pencil
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: well, standing figure, sitting figure
Inscriptions: collector's mark: Lugt 2228
Waste bowl (part of a service)
Object type: waste bowl
Date: 1760 – 1760
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Subjects: men,flowers
Drie kinderen bekijken boeken
Object type: print
Date: 1831 – 1867
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: toddler - aa - girl, book in which illustrations are essential - mm - book open
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 4780, collector's mark: Lugt 2228

Twee jongens bekijken een boek met afbeeldingen dat zij op een stoel hebben neergelegd, achter hen een geopende boekenkast. Op de grond een peuter die bladzijden uit een boek scheurt.