deem-data/ArtiFact huggingface dataset:
Ophaalbrug en schip in de mist
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: etching, intaglio
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: drawbridge ~ fortified city, ships (in general), amsterdam
Inscriptions: watermark
Vase (one of a set of three)
Object type: vase
Date: 1761 – 1761
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: chickens,children,flowers
Curb Bit
Object type: bit
Date: 1551 – 1600
Materials: metal alloy
Culture: german
Location: germany
Pochette (Kit)
Object type: pochette kit
Date: 1701 – 1800
Materials: ivory, wood
Culture: european

Dancing was an expected aristocratic accomplishment. Instruction was given at home by a visiting dance master, who played a small fiddle to provide music for the lessons. The compact, slender shape of these instruments made them easy to transport and gave them the name pochette, which suggests that they were carried in one's coat pocket.
Portret van de predikant Jan Cornelis Sylvius
Object type: print
Date: 1774 – 1808
Materials: paper
Techniques: etching
Location: netherlands
Artist: johan antoni kauclitz colizzi
Artist role: print maker
Artist dates: 1742 – 1808
Subjects: predikant, johannes cornelisz. sylvius
Inscriptions: collector's mark: Lugt 2228
Limestone bearded head with a Corinthian helmet
Object type: male head, wearing a greek helmet
Date: 500 – 468
Materials: limestone
Culture: cypriot
Subjects: helmets,heads,men
Bell
Object type: bell
Date: 1867 – 1900
Materials: copper
Culture: chinese
Location: china
An uncomfortable situation, from 'News of the day,' published in Le Charivari, June 5, 1866
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men
Portret van Carlo Ruini
Object type: print
Date: 1566 – 1566
Materials: paper
Techniques: engraving, intaglio
Artist: Anonymous
Subjects: historical persons

Prentserie voor het eerst uitgegeven te Rome door Antonio Lafreri in 1566. Serie waarschijnlijk opnieuw uitgegeven door Petri de' Nobili rond 1584-1585.
Stadhuis (Zuidzijde.) Sluitsteen
Object type: photograph
Date: 1900 – 1904
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: delft
Artist: Anonymous
Subjects: satyrs, fauns, sileni, keystone ~ architecture, townhall
Inscriptions: inscription: ‘Het recht van reproductie dezer photo's wordt door den Uitgever voorbehouden.’, inscription: ‘Delft. 1620’, number: ‘57’
De Peerelgaater
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: handicrafts, craftsman at work, pearl; pearl necklace
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van de 100-delige serie beroepsprenten van Jan en Caspar Luyken, getiteld: Het menselyk bedryf. S.l.s.n., 1694 (eerste druk).
Venloa
Object type: book illustration
Date: 1653 – 1672
Materials: paper
Techniques: engraving, etching
Location: arnhem
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial), prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Slichtenhorst, Arend van. XIV boeken van de Geldersse geschiedenissen (...) Arnhem: Jacob van Biesen, 1653-1654. En in: Slichtenhorst, Arend van. Cartes géographiques du duché de Gueldre et comté de Zutphen (...) Arnhem: Jacob van Biesen, 1672.
Sketch of woman crossing bridge
Materials: ink, paper
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Fringe
Object type: fringe
Date: 1601 – 1700
Materials: silk
The Ratcatcher, plate 7 from "Cries of Paris" (Les Cris de Paris)
Object type: print
Date: 1632 – 1633
Techniques: etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: hats,men,mice,flags

"A noble gentleman who in combat made the whole earth tremble, Through a misfortune of war goes crying death to rats." Bosse, who wrote a treatise on etching based on the innovations of Jacq"ues Callot-with whom he had worked-and who developed a new means of perspective construction that he taught in the French Royal Academy for over a decade, is best known for his numerous prints of everyday Parisian life. In his series of twelve itinerant tradesmen, the crisp and controlled etched line and the precisely defined spatial settings lend polish to the figures, even to the ragged, peg-legged rat catcher.
Omlijsting
Object type: drawing
Date: 1809 – 1814
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: southern netherlands
Artist: Anonymous

Lege omlijsting. Genummerd rechtsboven: 71. Onderdeel van het eerste album met tekeningen van bloemen en planten. Achtste van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Drie peren
Object type: drawing
Date: 1925 – 1941
Materials: paint, ink, paper
Techniques: brush, pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: fruits: pear
Inscriptions: clichéaanwijzing, recto, handgeschreven

Ontwerp voor een illustratie voor: De Gemeenschap, uitgegeven tussen 1925-1941.
Diana
Object type: sculpture
Materials: bronze
Culture: american
Artist: olin levi warner
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1896
Subjects: female nudes,diana

While bathing in a woodland pool, Diana--who allowed no man to see her nude--senses the young prince Acteon spying on her. As punishment, Diana transforms him into a stag and he is torn to pieces by his own hounds. Warner captured the moment Diana sees the prince and reaches for her arrow. Although her face registers a gravity approaching alarm, her body, still seated from the bath, has yet to fully react.
Portret van Alexander van Bournonville
Object type: print
Date: 1650 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: brussels
Inscriptions: collector's mark: Lugt 2228

Portret van Alexander van Bournonville, prins van Bournonville en graaf van Hennin. Midden onder in de marge zijn wapenschild.
Gezicht op de Sint-Sebastiaan buiten de Muren
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: etching
Location: rome
Subjects: city-view in general; 'veduta', church (exterior)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Barbault, Jean. Les plus beaux édifices de Rome moderne publiés par Jean Barbault peintre (...). Rome: Bouchard et Gravier, 1763.
Veenendaal van de Klomp gezien, 24 Maart
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: etching
Location: netherlands
Subjects: flood
Inscriptions: collector's mark: Lugt 2228

Gezicht op Veenendaal vanaf de Klomp, 24 maart 1855. Op de voorgrond een onder water staande boerderij. Onderdeel van de reeks van 24 prenten over de watersnood van maart 1855, door leden van het genootschap Arti et Amicitiae. Uitgave ten behoeve van de slachtoffers van de watersnood.
The Trinity in an Initial B
Object type: cutting from a gradual
Date: 1387 – 1387
Materials: gold, parchment, paint
Culture: italian
Artist: master of the codex rossiano
Artist role: artist
Artist nationality: sienese
Artist dates: 1380 – 1400
Subjects: angels
Writing board of an apprentice scribe
Object type: writing board
Date: 2030 – 2030
Materials: ink, wood
Location: egypt

It is clear from the awkwardly formed hieroglyphs and their uneven spacing that this is the work of an apprentice scribe who was practicing his penmanship. The writing board could be used again and again by scraping or wiping off the ink and adding a new coat of whitewash. Another writing board in the collection shows corrections made in red ink.
Piece
Object type: piece
Date: 1801 – 1900
Materials: hemp
Culture: japanese
Nederlandsche Kunstbode, Beeldende kunst, Oudheidkunde, Kunstnijverheid
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: letterpress printing, lithograph
Subjects: art, craftsman ~ applied arts
Inscriptions: date

Prent uit: Nederlandsche Kunstbode, 2 (1880).
Cephale et Procris
Object type: playing card
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: france
Subjects: cephalus and procris

Deze prent maakt deel uit van een kaartspel met 52 kaarten met voorstellingen uit de Metamorfosen van Ovidius. De serie is uitgedacht door Jean Desmarests de Saint-Sorlin in opdracht van Kardinaal Mazarin. Het kaartspel werd gemaakt voor de jonge Lodewijk XIV, samen met het Jeu des Reynes Renommées, Jeu de la Géographie en Jeu des Rois de France.
Heilige familie met Anna
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Subjects: holy family, and derived representations, anna, mother of mary; possible attributes: book, christ-child, lily, virgin mary, cradle, crib
Inscriptions: collector's mark: Lugt 240

Maria zit met het Christuskind staand op haar schoot en zij heeft een borst ontbloot. Naast haar staat een wieg. Jozef en Anna kijken liefdevol naar het kind. Onder de voorstelling staat een bijbeltekst uit Spreuken 2.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of line border of tondo; Exterior, unidentified subject
Tullia Driving Her Chariot over the Body of Her Father
Object type: drawing
Date: 1655 – 1670
Materials: chalk, ink, pencil
Techniques: pen, drawing, wash
Artist: ciro ferri
Artist role: artist
Artist nationality: italian
Artist dates: 1634 – 1689
Subjects: soldiers,men,women,horses,chariots
Hoofdpersonages in de affaire-Fualdès
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: stamp: Lugt 2325b, collector's mark: Lugt 2228

Eerste staat van deze prent bevat het volgende onderschrift: "Non de vils assassins je ne fus point complice, Francais vous me rendez au moins cette justice, Lisez dans mes regards et devinez mon cœur, avant de me blâmer vous plaindrez mon malheur". Zie: Bibliothèque Zoummeroff.
Book IV, plate 7: the fountain of the Tiburtine sibyl in the garden at Villa d'Este, Tivoli, from "The fountains of the Este garden in Tivoli" (Le fontane del Giardino Estense in Tivoli)
Object type: print
Date: 1676 – 1700
Techniques: engraving, etching
Artist: giovanni francesco venturini
Artist role: artist
Artist nationality: italian
Artist dates: 1650 – 1700
Subjects: fountains,gardens
Cup
Object type: cup
Materials: silver
Techniques: gilding
Culture: japanese

This double-walled small vessel could be a coffee cup; it may have had a matching saucer, having been made for the Western market. The fretwork pattern (raimonyō) around the mouth and the motifs on the body, including a fukusa (decorative wrapping cloth), a mirror, and a stylized flower, were produced with fine gilding. The handle is shaped like a stylized dragon.
Seated Woman in Profile to Right
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: possibly domenico fiasella
Artist nationality: italian
Artist dates: 1589 – 1669
Veuë du bastion S. Jean de Pierre en size, et d'une partie de la ville de Lion
Object type: print
Date: 1631 – 1661
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Subjects: city-view in general; 'veduta', lyon

Deze prent maakt deel uit van een album.
Sneeuw in de stad
Object type: print
Date: 1888 – 1934
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: ships (in general), snow, bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 2228

Afgemeerde schuiten aan een besneeuwde kade in Den Haag. Op de achtergrond de Wagenbrug.
Portretten van Jan Melchior Roessingh Udink en Maria Geertruida Roessingh Udink
Object type: sketchbook leaf
Date: 1842 – 1842
Materials: paper, pencil
Artist: jonkvrouw elisabeth kemper
Artist role: draughtsman
Artist dates: 1799 – 1871
Subjects: boy (child between toddler and youth), girl (child between toddler and youth), historical persons (portraits and scenes from the life)
Inscriptions: annotation: ‘Jan Melchior/ Roessingh Udink/ oud 4 jaar/ Maria Geertruida/ Roessingh Udink/ oud 5 jaar’

Losse tekening ingeplakt op blad 92 recto uit een schetsboek met 94 bladen.
Portret van Luis de Camões
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons
The Market at Dolo, from Vedute
Object type: print
Date: 1735 – 1744
Materials: paper
Techniques: etching
Location: italy
Artist: canaletto
Artist role: artist
Artist nationality: italian
Artist dates: 1697 – 1768
Kohl Tube Holder in the Form of a Papyrus Column
Object type: kohl tube, papyrus column, openwork. hathor, cat, taweret
Date: 1390 – 1352
Materials: faience
Location: egypt

This openwork kohl container would have held a tube for eye paint (kohl). The decoration around the bottom consists of papyrus plants. Around the center, the emblem of the goddess Hathor is flanked by two cats, and an image of the goddess Taweret appears on the opposite side.
Titelpagina voor: Alle de huizen en gebouwen op de Heeren- en Keizers-grachten der stad Amsterdam
Object type: titelblad, titelpagina
Date: 1772 – 1800
Materials: paper
Techniques: letterpress printing
Location: unknown
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2233

Titelpagina voor: Alle de huizen en gebouwen op de Heeren- en Keizers-grachten der stad Amsterdam, van den Binnen-Amstel tot aan de Brouwers-gracht. Amsterdam: Jan Barend Elwe, [sine anno].
Broad collar
Object type: broad collar
Date: 1981 – 1640
Materials: faience
Location: egypt

This piece of jewelry is a broad collar, a type of multi-strand necklace that covers the wearer’s upper chest and shoulders. Broad collars were popular from the Old Kingdom on and the piece here represents a conventional type that is composed of beads and semicircular terminals (endpieces). It features eight alternately colored rows of vertically placed cylindrical beads, separated by rows of small disk beads. At the bottom are differently shaped elements, so called drop beads. When this collar was excavated, the ancient string had deteriorated, but for the most part the general pattern of the collar could be observed and the piece was reconstructed with modern string by the archaeologists. When worn in life, broad collars would have been fastened around the neck with strings that originally were looped through the small holes at the top of the terminals (for a broad collar with original string, see 40.3.2). However, not all of these collars were used for the living, and many were made to be placed on top of the mummy of a deceased individual, such as the piece here.
Figure-celt pendant
Object type: pendant
Date: 1 – 700
Materials: jade
Culture: guanacaste-nicoya
Location: costa rica
Artist: greater nicoya or central region artitst(s)
Artist role: artist
[Performer in Bugaku-style Costume]
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: costumes,portraits,women

In the 1880s it was an almost obligatory practice among Japanese photographers to hand color both studio and landscape pictures. In Europe the practice of tinting photographs had fallen into disrepute, but because of the consummate skill of Japanese watercolorists, hand-colored albumen photographs became a minor art form of startling beauty in Japan. The process of tinting a photograph was incredibly tedious, and a master colorist could only be expected to produce two or three finished prints during a twelve-hour day. This photograph of a woman in a bugaku-style costume was probably produced for the tourist trade. Bugaku, a traditional form of Japanese court theater that dates back to the first millenium, was performed only by men. The photographer's use of a female model suggests that he was concerned more with effect than with authenticity. [label for Johnson XXVIII]
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, meander and checkerboard ornament; Exterior, part of handle palmette
Antoninianus (Coin) Portraying Emperor Diocletian
Object type: coin
Date: 285 – 285
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP C C VAL DIOCLETIANVS PF AVG
Reverse: VIRTVS AVG   QXXIT

The front (obverse) of this coin portrays the head of Emperor Diocletian, facing to the right. On the back (reverse), a soldier stands facing to the left, holding a spear in his left hand and resting his right arm on a shield.
The True Issue or "Thats Whats the Matter"
Object type: print
Date: 1864 – 1864
Techniques: lithograph
Artist: currier & ives
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1907
Subjects: satire,american civil war,abraham lincoln,politics

Throughout the Civil War, Currier & Ives issued biting political satires. Here, Abraham Lincoln and Jefferson Davis, presidents of the United States and the Confederacy, struggle to control a map of the eastern United States that has started to rip from east to west. General George McClellan, Lincoln’s opponent in the presidential campaign of 1864, stands between the contenders and declares that the Union must be preserved at all costs. Lincoln counters, "No peace without abolition!!" while Davis insists, "No peace without separation!!" The image encapsulates the chief political positions presented to Union voters in 1864 as well as the Confederacy’s official position on the war. The New York firm of Currier & Ives (established by Nathaniel Currier, who formed a partnership with his brother-in-law James Merritt Ives in 1857), lithographed 4,300 subjects between 1835 and 1907 for distribution across America and Europe. They offered images of almost everything animal, vegetable, or mineral in the United States, and issued landscapes, genre subjects, caricatures, portraits, historical scenes, foreign views and reproductions of art works. The pictures were drawn on lithographic stones, printed in monochrome, then generally hand-colored by women who worked for the firm at home. This example remained uncolored.
Basket
Object type: ceramic
Date: 1770 – 1770
Materials: ceramic, porcelain, soft paste porcelain
Techniques: underglaze
Location: worcester
Munt van een halve penny van Sint Helena
Object type: coin
Date: 1821 – 1821
Materials: bronze
Techniques: striking
Location: england
Artist: Anonymous
Subjects: sint-helena

Voorzijde: twee leeuwen, elk met vaandel, tillen gezamelijk gehelmd wapenschild boven wimpel met opschrift. Keerzijde: jaartal binnen omschrift en lauwerkrans
Scabbard chape
Object type: scabbard chape
Date: 300 – 201
Materials: jade
Culture: chinese
Ling-Ti-Wa zittend naast een vissenkom
Object type: illustratie ontwerp
Date: 1875 – 1925
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: jony
Artist role: draughtsman
Subjects: fish bowl, sitting on the ground
Inscriptions: signature: ‘Jony’, collector's mark: Lugt 2228a, annotation: ‘Dat was Ling-Ti-Wa's eenige genoegen...’, :

Ling-Ti-Wa zit op een vloerkleed naast een vissenkom. Aan de wand hangt een lampion.
Portret van Friedrich Gottlieb Klopstock
Object type: print
Date: 1797 – 1823
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Candlestick (one of a set of six)
Object type: candlestick
Date: 1681 – 1682
Materials: silver
Artist: i. o. (probably), york
Artist role: maker
Artist dates: 1681 – 1682
Subjects: coat of arms
Gezicht op de vallei van Gastern in Kandersteg, Zwitserland
Object type: photomechanical print
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: dale, valley, landscapes, mountains
Gezicht op de London Bridge
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Artist: james davis burton
Artist role: fotograaf
Subjects: bridge in city across river, canal, etc.
Callao de Lima
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: indigenous peoples of south america, folk costume, regional costume

Man en vrouw uit Callao, bij Lima in Peru, gekleed in lokaal kostuum, op de achtergrond de stad. De man met een knots, de vrouw met een snaarinstrument. Plaat nr. 507 in deel XX van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne uit 1726, dit tweede deel met 271 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog.
Tureen
Object type: ceramic
Date: 1783 – 1805
Materials: enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: gotha
Turfschepen in de Oude Schans in Amsterdam
Object type: print
Date: 1911 – 1911
Materials: paper
Techniques: etching, intaglio
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: urban housing, canals, waters (in city), boat propelled by man or animal
Inscriptions: collector's mark: Lugt 2228

Gezicht op turfschepen in de Oude Schans bij de Keizersbrug. Op de achtergrond de huizen langs de Oude Schans en de Houtkopersburgwal.
Gevelsteen met opschrift MDCLVIII.
Object type: gable stone
Date: 1658 – 1658
Materials: stone
Location: netherlands
Inscriptions: date

Liggende rechthoek met een gearceerde rand en het opschrift MDCLVIII. De steen hoort bij een gevelsteen met invnr. KOG-ALS-69-1 (de Haringbuis).
Marble female figure
Object type: statuette of a woman
Date: 2600 – 2400
Materials: marble
Culture: cycladic
Artist: bastis master
Artist role: artist
Subjects: women

Cycladic sculptors produced several identifiable types of marble female figures but with slight variations. Some groups of figures with similar proportions, style, and execution have been attributed to individual artists. The elongated, highly stylized form of this example’s body is characteristic of the Bastis Master, named for its twentieth-century collector. Like all artists in this period, the sculptor’s real name is unknown.
Liggende koe
Object type: print
Date: 1862 – 1938
Materials: paper
Techniques: etching, intaglio
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
Vrouw schept de as uit de haard
Object type: book illustration
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: chimney, ash
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Luyken, Jan. Het leerzaam huisraad, vertoond in vyftig konstige figuuren, met godlyke spreuken en stichtelyke verzen: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1711, p. 138.
Presentiepenning van het Korenmolenaarsgilde te Amsterdam, 1683
Object type: medal
Date: 1683 – 1784
Materials: brass
Techniques: engraving
Inscriptions: inscription: ‘Jan Andries / Teltz den / 22 Jannarij / 1784 (Feltz ?)’

Rond messing plaatje gegraveerd op de voorzijde een molen, op de keerzijde vier regels tekst, op naam van Jan Andries Teltz 1784
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, on exergue, lower drapery and foot of a figure; Exterior, lower body and feet of a draped woman to right wearing a chiton and himation; part of a chair; lower body and frontal feet of a draped woman