deem-data/ArtiFact huggingface dataset:
Gezicht op de koorbanken van de Sint-Janskathedraal in 's-Hertogenbosch
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: daylight paper print
Location: sint-janskathedraal
Artist: Anonymous
Subjects: interior of church, seats of the clergy, choir-stalls
Inscriptions: collector's mark: Lugt 3937, annotation:, annotation:, annotation:, inscription: ‘s Janskerk te s Bosch gezicht op de Koorbanken links’
Paard in een weiland dat aan een hek gebonden is
Object type: drawing
Date: 1802 – 1802
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: wouter johannes van troostwijk
Artist role: draughtsman, painter, print maker
Artist dates: 1782 – 1810
Subjects: meadow, pasture, horse
Beleg van Stettin, 1677
Object type: book illustration
Date: 1683 – 1683
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: bombardment ~ siege
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Valckenier, Petrus. Das verwirrte Europa. Oder Politische und historische Beschreibung der in Europa, 3 dln, deel III, p. 214. Amsterdam: wed. Joannes van Someren, wed. Dirk en Hendrick Boom, 1683.
Jacket
Object type: jacket
Date: 1865 – 1869
Culture: french
Antonius Schultingius
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Subjects: nijmegen, historical persons, lawyer, attorney at law, portrait of a writer, professor
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Schultingh, Antonius en Nicolaus Smallenburg. Antonii Schultingii, (quondam in academia Lugduno-Batava juris antecessoris celleberrimi), Notae ad Digesta seu Pandectas. Leiden: Samuel en Johannes Luchtmans, 1835, dl. 3.
Collar
Object type: collar
Date: 1701 – 1800
Techniques: crochet
Glass dish
Object type: dish
Date: 301 – 400
Materials: glass
Culture: roman

Translucent pale blue green. Tubular rim, folded out, down, and in, with narrow, slightly convex inner shoulder; bulging side to body, curving in to integral tubular base ring; concave bottom, with kick at center and large circular pontil mark. Intact; pinprick and a few larger bubbles; pitting, dulling, and iridescent weathering.
Brug in de Darjalkloof
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: photolithography
Location: georgia
Artist: Anonymous
Subjects: georgië
Inscriptions: annotation: ‘38 idem’

Brug over rivier in de Darjalkloof. Linksonder staat de titel in het Russisch en in het Frans.
Figwort (recto), and Bloodroot (verso), from Gart der Gesundheit (Garden of Health), Plate 11 from Woodcuts from Books of the 15th Century
Object type: print
Materials: paper
Techniques: hand coloring, letterpress, woodcut
Location: germany
Artist: Anonymous
Artist dates: 15 –
Portret van Jean-Baptiste Jourdan
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Location: france
Subjects: paris, politician, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228, number: ‘370’
Drachm of Sybaris, 600 B.C., from the Ancient Coins series (N180) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: coins

Trade cards from the "Ancient Coins" series (N180), issued in 1888 by W.S. Kimball & Co.
Pair of Earrings in Cruciform Shape
Object type: pair of earring
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Rocking Chair
Object type: rocking chair
Date: 1823 – 1823
Materials: wood
Culture: american
Location: united states
Artist: hudson and brooks
Artist role: maker
Artist nationality: american
Artist dates: 1773 – 1873
Vergulde lijst met pâte ornamenten in neoclassicistische stijl
Object type: frame
Date: 1800 – 1849
Materials: gold leaf, wood
Techniques: gilding
Location: unknown
Artist: Anonymous

Neoklassieke vergulde lijst met pâte ornamenten uit verschillende stijlperioden; Renaissance, Empire en Biedermeier. De dagopening van de binnenlijst is ovaal. De verstekken zijn aan de achterkant verbonden met taps toelopende zwaluwstaart spieën. De binnenlijst is met spijkers bevestigd in de sponning van het buitenste profiel.
Keeshondje, draagteken ter ere van Hendrik Danielsz. Hooft, burgemeester van Amsterdam
Object type: case
Date: 1788 – 1788
Materials: copper, silver
Techniques: engraving, fastening, gilding
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, mayor, hendrik danielsz. hooft, dog

Badge with spitz dog.
Gezicht op schepen bij kust
Object type: print
Date: 1613 – 1695
Materials: paper
Techniques: etching
Subjects: harbour, coast
Inscriptions: collector's mark: Lugt 240

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Women Parading in an Imitation of the Cortege of a Daimyo
Object type: print
Date: 1797 – 1797
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa toyokuni i
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Subjects: women,mountains
Begraeffenisse van Syne Hoogheyt Frederick Henrick, by der Gratien Gods Prince van Orange, Grave van Nassau &c
Object type: print
Date: 1647 – 1651
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: delft, the hague, frederick henry (prince of orange), cortege, funeral procession
Inscriptions: collector's mark: Lugt 2228

De begrafenisstoet van stadhouder Frederik Hendrik te 's-Gravenhage op 10 mei 1647. Plaat nr. 4 met een deel van de stoet, boven de personen staat hun functie. Onderdeel van een serie van 30 platen en 20 tekstbladen, bedoeld om aan elkaar geplakt te worden.
Les Propos de Thomas Vireloque: Misere et corde - quarrel for tops
Object type: print
Date: 1852 – 1853
Materials: paper
Techniques: lithograph
Location: france
Artist: paul gavarni
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1866
Opera Selectiora
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: etching
Location: venice
Subjects: predatory birds: eagle, temperance, moderation; 'misura' (ripa)
Inscriptions: collector's mark: Lugt 2228

De gepersonifieerde matigheid (Temperantia) zit bij een tempel en trekt veren van de adelaar naast haar. De prent maakt deel uit van een 53-delige serie prenten naar schilderijen van Titiaan en Veronese.
Fan Holder
Object type: fan holder
Date: 1701 – 1900
Materials: quartz, silk
Culture: chinese
werkplaats van 't Woonhuys, Amsterdam
Object type: photograph
Date: 1925 – 1940
Materials: cardboard, glass, photographic support, wood
Techniques: gelatin silver print
Location: amsterdam
Artist: martens
Inscriptions: label: ‘FOTO MARTENS / A'DAM - TEL. 21046’
The Michiyuki Scene from the play Ohan and Choemon (Michiyuki, Ohan Choemon), section of a sheet from the series "Reflections of Dramas in Cutouts (Harimaze joruri kagami)"
Object type: print
Date: 1854 – 1854
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Stribrný kalich z kostela Kadovského z roku 1526
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: chalice
Lamp
Object type: lamp
Date: 901 – 1100
Materials: earthenware
Location: iran

This ceramic lamp was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Slag op het Slaak
Object type: history medal
Date: 1631 – 1631
Materials: silver
Techniques: striking
Location: middelburg
Artist: johannes looff
Artist role: die cutter, draughtsman, print maker
Artist dates:  – 1651
Subjects: slaak, het, slag op het slaak

Zilveren penning. Voorzijde: kaart van Zeeuws stroomgebied met positie van beide vloten boven opschrift. Keerzijde: opschrift boven gekroond wapenschilden
Glass mosaic fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Thin-walled body fragment. Translucent purple, turquoise blue, opaque white and yellow. Shallow convex curving side. Composite mosaic pattern formed from polygonal sections of two or more canes: one in a purple ground with a white circle and central white rod, and another in a purple ground with radiating yellow spokes around a yellow circle enclosing a central turquoise blue rod. Polished exterior; pitting of surface bubbles; dulling, pitting, and iridescent weathering on interior and jagged edges.
Diverses Pieces de Serruriers, page 8 (recto)
Object type: album print ornament architecture
Date: 1663 – 1663
Techniques: engraving
Artist: jean berain
Artist role: artist
Artist nationality: french
Artist dates: 1640 – 1711
Subjects: birds,male nudes,flowers,acanthus

Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is for a lock plate and is in the shape of a rectangle. In the center of the design is a grey-shaded key hole that is surrounded by coiling vines of acanthus leaves, flowers, and grotesque heads. To the left of the key hole are a bird and a serpent. To the right of the key hole is a composite man and plant figure. At each corner of the design is a diverse foliage element.
Cartouche met figuren die geschenken brengen aan een kind
Object type: book illustration
Date: 1886 – 1886
Materials: paper
Techniques: engraving
Location: london
Subjects: mother and baby or young child, bringing gifts; exchanging gifts

Prent uit: Crane, Walter. The sirens three. Londen: Macmillan & Co., 1886.
The Slave Market
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Staand meisje
Object type: sketchbook leaf
Date: 1834 – 1903
Materials: paper, pencil
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: standing figure (+ young female (human being))

Blad 11 recto uit een schetsboek met 39 bladen.
Taisekiji kara no Fuji
Object type: print
Date: 1909 – 1944
Materials: paper
Techniques: woodcut
Location: japan
Artist: koizumi kishio
Artist dates: 1893 – 1945
Inscriptions: seal: ‘こいづみきしを’, signature: ‘小泉癸巳男’

De rode kleur van de steunpilaren van de sanmon-tempelpoort bij de Taiseki-tempel geeft een mooi contrast met het blauw van de lucht en het geel van de velden in de verte. De piek van de Fuji-berg stijgt uit boven een dik wolkendek. De Taiseki-tempel ligt direct ten zuidwesten van de Fuji-berg.
Koizumi Kishio begon in 1940 aan zijn project 'Zesendertig gezichten op de heilige berg Fuji', een knipoog naar de welbekende prenten uit de jaren 1830 van Katsushika Hokusai (1760–1849). Vanwege de geallieerde bombardementen vluchtte hij naar zijn schoonouders in Saitama, ten noorden van Tokyo. Hij voltooide 23 ontwerpen voor hij bezweek aan ziekte in 1945.
Scabbard Chape
Object type: arm
Materials: jade
Location: china
Tienerring van zilver met parel op opengewerkte knop
Object type: ring
Date: 1960 – 1970
Materials: pearl, silver
Location: amsterdam
Artist: Anonymous
Inscriptions: : ‘I’, maker's mark: ‘CH6’

Tienerring van zilver met parel op opengewerkte knop. De rand van de ring is geschulpt.
Ottomaanse bazaar
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: etching, intaglio
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: market-hall
Inscriptions: collector's mark: Lugt 2228

Een overdekte bazaar met drie figuren, waarvan twee zittend en één staand.
Pastorales
Object type: cartoon
Date: 1845 – 1845
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: caricatures (human types), (lovers) kissing each other, satire on marriage, binoculars, spy-glass, etc.
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 07-10-1845.
Gezicht op het Fort Ehrenbreitstein
Object type: page
Date: 1889 – 1899
Materials: paper
Techniques: photoaquatint
Location: koblenz
Artist: Anonymous
Subjects: city-view in general; 'veduta', castle, river
Inscriptions: title: ‘Ehrenbreitstein and the Bridge of Boats from Coblentz.’
Godardus de Reede. Dominus de Nederhorst, Vredelant, Cortehouff, Horstwaert, Overmeer etc. (...)
Object type: print
Date: 1648 – 1665
Materials: paper
Techniques: engraving
Subjects: utrecht, historical persons, nobility and patriciate; chivalry, knighthood

Spiegelbeeldige kopie naar een prent van Cornelis Galle II. Zie documentatie. De prent maakt waarschijnlijk onderdeel uit van een serie portretten met vredesonderhandelaars die betrokken waren bij de Vrede van Münster.
Boots
Object type: boot
Date: 1855 – 1869
Materials: leather, wood
Culture: american
Ceuta
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: etching, hand coloring, lacquer
Location: northern netherlands
Artist: Anonymous
Subjects: maps of cities

Gezicht op Ceuta, Spaanse enclave in Marokko. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Verslag over het kopiëren van De Nachtwacht
Object type: tekst
Date: 1886 – 1886
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: félix françois georges philibert ziem
Artist role: painter
Artist dates: 1821 – 1911
Subjects: leiden, draughtsman, rembrandt van rijn, rijksmuseum amsterdam, the graphic arts, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: Lugt 2228, watermark
Prentbriefkaart aan Philip Zilcken
Object type: ansichtkaart, prentbriefkaart
Date: 1914 – 1914
Materials: cardboard, ink
Techniques: photograph, pen, writing
Location: amsterdam
Subjects: museum, painter, draughtsman, philip zilcken, the graphic arts
Inscriptions: collector's mark: ‘RPK’
Portret van een jonge vrouw
Object type: photograph
Date: 1853 – 1853
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: historical persons - bb - woman, netherlands
The Sign of White Horse, Parson's Green
Object type: print
Date: 1906 – 1906
Materials: graphite, paper
Techniques: etching
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926
Sestertius (Coin) Portraying Emperor Severus Alexander
Object type: coin
Date: 232 – 232
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Bottle
Object type: bottle
Date: 1860 – 1870
Materials: bone china
Artist: minton(s)
Artist role: maker
Artist nationality: british
Artist dates: 1793 – 2001

Minton was the most important ceramics factory during the Victorian period and began exhibiting products at the first Great Exhibition of 1851. Founded in 1793 by Thomas Minton at Stoke-on-Trent, the firm initially specialized in transferware pottery before expanding under the ownership of Thomas’s son Herbert Minton, beginning in 1836. Under the ownership of Colin Minton Campbell, who succeeded his uncle in 1858, the factory became recognized as a specialist producer of Aesthetics movement porcelain, which were inspired by a rich array of exotic and eclectic decorative motifs.
Corte , Corsika
Object type: photograph
Date: 1886 – 1896
Materials: cardboard, photographic support
Techniques: albumen print
Location: corsica
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Subjects: corsica
Glass flask decorated with intersecting circles
Object type: flask
Date: 101 – 300
Materials: glass
Culture: roman

Translucent colorless with pale blue green tinge. Uneven rounded rim with slight inward lip on one side; upper half of neck funnel-shaped, then more cylindrical but tapering downwards; pushed in shoulder, above vertical collar; spherical body; projecting round edge to base concave bottom; no pontil mark. Body blown into a four-part mold of three vertical sections, joined to a shallow, disk-shaped base section. On body, sunken relief design of nine interlocking circles with a dot at the center of each circle, bordered above and below by a double row of smaller dots; on bottom, a raised circle around a small central knob. Intact; some bubbles and blowing striations, with a sharp, trail-like swirl on inside of neck, shoulder, and collar; dulling, pitting, and iridescence on exterior, patches of weathering on interior. Decorated with intersecting circles.
A bamboo grove
Object type: page
Date: 1882 – 1892
Materials: paper
Techniques: autotype
Location: japan
Artist: Anonymous
Subjects: forest, wood
Inscriptions: number: ‘2 L’
Euntes in Emaus (Landscape with Pilgrims at Emmaus)
Object type: print
Date: 1555 – 1556
Techniques: engraving, etching
Artist: pieter bruegel the elder
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1525 – 1569
Subjects: rivers,landscapes
Yamato Takeru no Mikoto
Object type: drawing
Date: 1701 – 1900
Materials: ink, paper
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: men
Dresden. Blick vom Japanische Palais
Object type: postcard
Date: 1920 – 1950
Materials: photographic support
Techniques: rotogravure
Location: dresden
Subjects: dresden
Portret van Johann Philipp Fresenius
Object type: print
Date: 1739 – 1791
Materials: paper
Techniques: engraving
Artist: johanna dorothea sysang
Artist role: print maker
Artist dates: 1729 – 1791
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Internationale Koloniale en Uitvoerhandel-Tentoonstelling te Amsterdam 1883
Object type: history medal
Date: 1883 – 1883
Materials: brass
Techniques: striking
Inscriptions: circumscription: ‘HERINNERING AAN AMSTERDAM / 1883’, inscription: ‘INTERNATIONALE / KOLONIALE / EN / UITVOERHANDEL / TENTOONSTELLING’

Verzilverd messing penninkje, op de voorzijde het portret van Willem III naar rechts, met omschrift, op de keerzijde vijf regels tekst.
Amsterdam, Kon. Paleis achterzijde
Object type: stereoscopic photograph
Date: 1860 – 1890
Materials: glass
Techniques: slide
Location: amsterdam
Artist: Anonymous
Subjects: palace, royal palace of amsterdam
De Boog van Constantijn met Trajanus' overwinning op de Daciërs
Object type: drawing
Date: 1609 – 1609
Materials: chalk, ink, paper
Location: rome
Artist: gerard ter borch (i)
Artist role: draughtsman, print maker
Artist dates: 1584 – 1662
Subjects: arch of constantine

Tekening uit het Romeinse schetsboek van de kunstenaar.
Flagellation of Christ in an ornate Frame
Object type: print
Date: 1542 – 1545
Techniques: etching
Artist: anonymous, french, school of fontainebleau, 16th century
Artist role: etcher
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: soldiers,men,christ
Allegorie op de menselijke aard
Object type: print
Date: 1610 – 1648
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Subjects: fertility, good, right, bad, evil, wrong, (story of) apollo (phoebus), nursing, suckling, sun as celestial body, beasts of prey, predatory animals: lion, moon as celestial body
Inscriptions: collector's mark: Lugt 240

Beneficentia, de personificatie van weldadigheid, zit op een stoel en wordt van achteren neergestoken door het kwaad in de gedaante van een naakte man. Een knie van de man leunt op een schedel en een slang, die in zijn eigen staart bijt als symbool van eeuwigheid, hangt rond zijn rechterbeen. Rechts staat een doodskist met het opschrift: Mors Oblivio. Met haar linkerhand geeft Beneficentia de zon aan de naakte man. De maan geeft ze aan de vrouw voor haar. Tussen hen in ligt een vastgebonden leeuw, die aan een hond likt. Een muis knaagt aan zijn touw. Op de achtergrond enkele obelisken. De voorstelling heeft een ornamentele omlijsting. Links baart de personificatie van de vruchtbaarheid een kind, dat door de adem van Apollo als symbool van het goede tot leven wordt gewekt. Rechts wordt een kind gebaard dat zijn adem van het Kwaad ontvangt. Linksboven geeft een vrouw een kind de borst. Rechtsboven voedt een vrouw een kind met een lepel. Onder de voorstelling een achtregelige, Latijnse tekst en een cartouche met een vijfregelige, Latijnse tekst. Daaronder een Duitse tekst.
Derde deel (van vier) van de legenda bij een plattegrond van Rouen
Object type: album leaf
Date: 1657 – 1657
Materials: paper
Techniques: hand coloring, letterpress printing
Location: frankfurt am main
Subjects: rouen

De tekst beschrijft nummers 239 tot en met 387 op een kaart van Rouen. De bijbehorende kaart zit in ditzelfde album voor de legenda (RP-P-1956-131). Deze prent maakt deel uit van een album.
Doorcase for the Great Drawing Room of Norfolk House, Saint James's Square, London
Object type: doorcase
Date: 1755 – 1755
Materials: wood
Techniques: carving, gilding, painting
Artist: giovanni battista borra
Artist role: designer
Artist nationality: italian
Artist dates: 1713 – 1770

Known as the "monkey" doors, this doorway and its companion in the Victoria and Albert Museum, London, were designed by the Piedmontese architect Giovanni Battista Borra (1712–ca. 1786) and executed by the London carver John Cuenot (d. 1762) for the Great Drawing Room of Norfolk House, Saint James's Square, London, which was built for the ninth Duke of Norfolk between 1748 and 1752.
Breakfront Bookcase
Object type: drawing
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: robert morris
Artist role: artist
Artist nationality: british
Artist dates: 1701 – 1754