deem-data/ArtiFact huggingface dataset:
Kruisiging van Christus
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: crucified christ, with particular persons under the cross
Inscriptions: number: ‘58’, collector's mark: Lugt 240

Christus hangt aan het kruis. Aan de voet van het kruis Maria en Johannes. In de marge een onderschrift in het Latijn.
Writing table
Object type: writing table
Date: 1761 – 1761
Materials: brass, wood
Techniques: lacquer
Artist: william vile
Artist role: maker
Artist nationality: british
Artist dates: 1715 – 1767

With its unusual top, folding back to reveal a writing surface, this elegant table is attributed to the highly successful London furniture maker William Vile (1715–1767). The sparing use of carved ornament shows a great appreciation for the lustrous figured mahogany and the serpentine outline is the embodiment of the Rococo style stripped down to its very essence.
Studie
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: chalk, paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946

Mogelijk een plant of bloem. Blad 51 recto uit een schetsboek met 53 bladen.
Thomas Hearne, (Antiquary)
Object type: print
Date: 1808 – 1873
Materials: paper
Techniques: etching
Location: london
Artist: robert graves
Artist role: print maker
Artist dates: 1798 – 1873
Subjects: london, print maker, thomas hearne, scholar in his study
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Thomas Hearne voor een boekenkast met in zijn rechterhand een geopend boek, getiteld: 'Oath of Alleg[iance]'.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, lower body of draped woman holding krotala in her right hand; behind her, part of another draped figure
Tadorna cana (South African shelduck)
Object type: drawing
Materials: chalk, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Inscriptions: annotation: ‘Zogenaamde Caapse berg eend. het mannetje, / Gamka rivier; Canard de montagne’

South African shelduck (Eng.). Franse benaming geschreven door Levaillant.
Portret van Juliana, koningin der Nederlanden
Object type: ansichtkaart, prentbriefkaart
Date: 1934 – 1934
Materials: photographic support
Techniques: photography
Location: amsterdam
Artist: franz ziegler
Artist role: fotograaf
Artist dates: 1893 – 1939
Subjects: juliana of the netherlands
Inscriptions: address: ‘BOEKH. LANKAMP & BRINKMAN AMSTERDAM-C. SPIEGELGRACHT’

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic

Interior, framing border of meander; Exterior, forearm and pair of spears?
Now, I understand the mother wolf of Rome, from "Scenes from the Private and Public Life of Animals"
Object type: print
Date: 1837 – 1847
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Mug
Object type: mug
Date: 1740 – 1760
Materials: stoneware
Culture: british
Location: england
Lieven Willemsz van Coppenol, Writing Master: the Larger Plate (copy)
Object type: print
Techniques: etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: men,portraits,writing
Woman, Child and Dog Looking Far Away
Object type: drawing and watercolor
Materials: chalk, paper
Location: england
Artist: maria louisa catherine cecilia cosway
Artist nationality: english
Artist dates: 1759 – 1838
Dordrecht
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: aquatint, drypoint, etching, intaglio
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: city-view in general; 'veduta', river, dordrecht
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Bulla
Object type: bulla
Date: 200 – 100
Materials: clay
Culture: parthian
Location: iran

This lump of clay, called a ‘bulla,’ bears two impressions of stamp seals. One impression is indistinct, but the other shows a quadruped, possible a goat. Given its condition it is not clear to what it was attached originally, but it may have been a stopper in the mouth of a jar. Seals were ancient accounting tools, used for example to indicate who supplied a commodity, who was responsible for its disbursement, or who received it. In this case, the seal impressions may indicate who supplied the contents of the jar. Once the jar was opened, the bulla was discarded. This bulla was excavated at Shahr-i Qumis in northern Iran, which has been identified as the ancient city of Hecatompylos, established by the Parthians as the capital of their empire by about 200 B.C. In Greek Hecatompylos means ‘a hundred gates,’ suggesting that the city was quite large. Indeed, the modern archaeological site includes several mounds, only a few of which have been excavated, and a vast area covered with potsherds. This bulla was found in a large building at Site V, which has been tentatively identified as an elite residence. This building was completely filled with dirt sometime in the late 1st century B.C. or early 1st century A.D., perhaps when the Parthian capital was moved elsewhere and the city’s elite residents left with it. The excavations at Shahr-i Qumis by the British Institute of Persian Studies in 1967 were co-sponsored by the Metropolitan Museum of Art. However, this bulla was not discovered until 1971, and it was acquired from the British Institute as a result of the Met’s financial contributions to the Institute’s excavations at Tepe Nush-i Jan, another site in Iran. At the time the Iranian government allowed foreign excavators to keep a portion of the finds, and these excavators in turn would divide their share among the institutions that supported the work.
John Nelson Kerins, Catcher, Louisville Colonels, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Portret van een onbekende man en vrouw aan een schrijftafel
Object type: carte de visite
Date: 1854 – 1885
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: writing-table, writing-desk, adult woman, adult man, anonymous historical person portrayed
Eve after the Fall
Object type: sculpture
Materials: marble
Techniques: modeling, carved
Location: france
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: eve (biblical), nudes, woman, genesis, religious figures, figure, biblical, religion

Auguste Rodin’s sculpture Eve owes its genesis to The Gates of Hell, the artist’s major commission from the French government in 1880. The associations posed by the sculptural portals of that project led Rodin back to the art of Lorenzo Ghiberti and Michelangelo, particularly their depiction of biblical stories from the book of Genesis. A number of elements from the Gates—such as The Thinker, Adam, and Eve—gradually evolved into independent works. In particular, Eve recalls the most sculptural of Renaissance paintings: Michelangelo’s panels from the Sistine Chapel Ceiling and Masaccio’s Expulsion from the Garden of Eden. Its naturalism shocked critics when it was first exhibited, since Eve seemed to them more like a flesh-and-blood woman than an idealized creation.
Stamboom van Frederik en Ottheinrich van Palts-Neuburg (plaat 17)
Object type: print
Date: 1535 – 1594
Materials: paper
Techniques: letterpress printing
Location: basel
Subjects: earl, family lineage, pedigree, genealogical tree or table
Inscriptions: collector's mark: Lugt 240

Blad 17 van een stamboom bestaande uit 21 bladen, gedrukt van 42 blokken.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Black glaze fragment from a skyphos of Corinthian type
Gezicht op de schouwburg aan het Leidseplein te Amsterdam bij avond
Object type: print
Date: 1774 – 1783
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theatre (building), city-gate, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Deze prent is ook gebruikt in de zogenaamde Atlas van Fouquet.* Pierre Fouquet gaf vanaf 1760 stadsgezichten van Amsterdam - naar tekeningen van verschillende kunstenaars, gemaakt door verschillende prentmakers - uit. Deze prenten werden aanvankelijk los of in series verkocht. Zoals toen gebruikelijk kon de koper de prenten zelf laten inbinden. Hiertoe gaf Fouquet tussen 1778 en 1783 een titelblad, plattegrond en inhoudsopgave van de tot dusver 100 uitgegeven prenten uit (1). Gezien de inhoud afhankelijk was van wat de koper had verzameld verschilt de inhoud van de verschillende bewaarde Fouquetatlassen onder deze titel sterk. Ook zijn er exemplaren bekend waar tevens andere prenten aan zijn toegevoegd. Omdat er behoefte bleek aan uitleg bij de platen werd in 1783 een nieuwe versie van de atlas uitgegeven, aangevuld met tekst en twee prenten. De aangegeven volgorde veranderde maar de platen van de al eerder uitgegeven prenten bleven ongewijzigd. Deze uitgave werd in opdracht van Fouquet gedrukt bij Daniël Jean Changuion en Petrus den Hengst (2). Een tiental platen werd bijgewerkt en verscheen, met nieuw impressum, in het vervolg van Wagenaars geschiedenis van Amsterdam, uitgeven door Petrus Conradi en Folkert van der Plaats (3). Een aantal jaar na het overlijden van Fouquet kwam Evert Maaskamp met een nieuwe uitgave van de atlas, met verbeterde tekst en toevoeging van twee prenten. Op alle platen verwijderde hij het oude en liet hij zijn eigen impressum zetten (4).

De huidige staat van de prent komt voor in exemplaren van de onder (1) en (2) genoemde werken.

* Onder de Atlas van Fouquet of Fouquetatlas verstaan we de hieronder vermelde publicaties (1), (2) en (4).
(1). Afbeeldingen van de wyd-vermaarde koopstad Amsterdam benevens des zelvs voornaamste gebouwen en gezigten alle naar het leeven getekend / Receuil des edifices les plus considerables et des plus belles vues, de la fameuse ville d'Amsterdam, dessinées d'après nature. Amsterdam: Pierre Fouquet, 1778-1783.
(2). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam, met derzelver beknopte beschryvingen. 2 delen. Amsterdam: Daniël Jean Changuion en Petrus den Hengst [in opdracht van Pierre Fouquet], 1783.
(3). Stijl, Simon. Amsterdam, in zyne geschiedenissen, voorregten, koophandel, gebouwen, kerkenstaat, schoolen, schutterye, gilden en regeeringe, beschreeven. Om te dienen ten vervolge op het werk van Jan Wagenaar (…). 10 delen. Amsterdam en Harlingen: Petrus Conradi en Folkert van der Plaats, 1788-1801.
(4). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam. Met derzelver beknopte beschryvingen. Amsterdam: Evert Maaskamp, 1805.

* Het aantal vermelde staten is gebaseerd op het aantal gevonden staten. Mogelijk zijn er meer staten van deze prent.
Salt
Object type: salt
Date: 1730 – 1740
Materials: silver
Culture: american
Location: united states
Artist: jacob hurd
Artist role: maker
Artist nationality: american
Artist dates: 1702 – 1758
Subjects: dogs
The Sleeping Congregation
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: sleeping,men,women,reading,praying

A congregation dozes during a church service as the clergyman reads from the gospel and his clerk, sitting below the pulpit, eyes the exposed bosom of a young woman. The preacher was intended by Hogarth to satirize his contemporary John Theophilus Desaguliers. Originally published in October 1736, Hogarth here republished the print in 1762, adding elements such as two warts on the reader's face and cracks in the wall on which the angel is painted.
Harriet Sterling, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Bruneau. Amédé, Jean Baptiste. 46 ans, né à Châteauroux (Indre). Cordonnier. Anarchiste. 2/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Très Parisien, 1923, No 6: Ces deux toilettes aperçues au Bois.....
Object type: fashion print
Date: 1923 – 1923
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: dress, gown: evening dress (+ women's clothes), walking-stick, staff, cane (+ women's clothes), dress, gown: walking dress (+ women's clothes), cape (+ women's clothes), fashion plates, skirt (+ women's clothes), gloves, mittens, etc. (+ women's clothes)
Inscriptions: caption: ‘Ces deux toilettes aperçues au Bois sont en tissus de RODIER (1 et 2). D'un joli mouvement drapé qui a grande allure est cette robe du soir; chez PHILIPPE et GASTON (3).’

Nummer 1 en 2: twee ensembles, gemaakt van stoffen van Rodier. Accessoires: cloches (pothoeden), lange handschoen, wandelstok (parasol), pumps. Nummer 3: een gedrapeerde avondjurk van Philippe et Gaston. Prent uit het modetijdschrift Très Parisien (1920-1936).
Zes voorstellingen uit Madame Acker van Giavarni
Object type: book illustration
Date: 1842 – 1842
Materials: paper
Techniques: etching
Location: france
Artist: charles emile jacque
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: adult woman, adult man, dog
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760
Metamorphoseos liber primus (...)
Object type: print
Date: 1659 – 1659
Materials: paper
Techniques: etching
Location: amsterdam
Artist: nicolaes cornelisz. witsen
Artist role: mayor, print maker
Artist dates: 1641 – 1717
Subjects: stones turning into men: stones thrown by deucalion and pyrrha, as directed by the oracle of themis, turn into men (ovid, metamorphoses x 400)
Inscriptions: collector's mark: Lugt 2165

Deucalion en Pyrrha gooien met gesluierde gezichten stenen over hun schouder, die in overeind krabbelende mannen en vrouwen veranderen. Achter deze scène staan ze bij de tempel van het orakel. Onder de voorstelling een vierregelige toelichting in het Latijn.
VOC, duit Westfriesland, 1752
Object type: coin
Date: 1752 – 1752
Materials: copper
Techniques: striking
Location: hoorn

Koperen munt. Voorzijde: gekroond wapenschild van Westfriesland. Keerzijde: monogram van de VOC, waarboven muntmeesterteken en waaronder jaartal. Gladde rand.
Mourners Over the Dead Christ
Object type: drawing and watercolor
Materials: ink, ivory, paper
Techniques: brush, pen, wash
Location: italy
Artist: Unknown Italian Artist
Artist nationality: Italian
Wintergezicht met boerderij met twee varkens
Object type: print
Date: 1861 – 1910
Materials: paper
Techniques: etching, intaglio
Subjects: pig, farm or solitary house in landscape, farm (building)
Inscriptions: collector's mark: Lugt 2228
De Canadees
Object type: photograph
Date: 1913 – 1913
Materials: paper, photographic support
Techniques: photography
Location: netherlands
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Subjects: official

Portret van Johannes Cornelis Heijning en Margaretha Eugenia Fransen van de Putte in een Canadese kano aan de rand van een vijver.
Plane trees
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: tone lithography
Location: london
Subjects: park, forest, wood, bovine cattle, watermill in landscape (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent maakt deel uit van een serie van 24 prenten.
Ontwerp voor marqueterie van aan linten opgehangen muziekinstrument(en) in rond medaillon
Object type: design drawing
Materials: graphite, ink, paper
Techniques: pen in black ink
Location: brussels
Artist: pierre félix van doren
Artist dates: 1797 – 1856
Subjects: trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, horn, trumpet, cornet, trombone, tuba
Inscriptions: watermark

Een van 103 ontwerpen voor marqueterie van aan linten opgehangen muziekinstrumenten in ronde medaillons, bestemd voor de set stoelen gemaakt door Van Doren voor de grote zaal van het Paleis van de Prins van Oranje in Brussel in 1828.
Portret van Scévole de Sainte-Marthe
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: paris
Subjects: schrijver, scévole de sainte-marthe
Inscriptions: collector's mark: Lugt 2228

Portret van de Franse dichter en penningmeester Scévole de Sainte-Marthe (1536-1623), afgebeeld in ovale omlijsting met wapen.
Broad Collar Terminal with the Cartouche of Nebmaatre (Amenhotep III)
Object type: broad collar terminal, cartouche, nebmaatre
Date: 1390 – 1353
Materials: faience
Location: egypt
Subjects: cartouches
Bord
Object type: plate dish
Date: 1760 – 1800
Materials: faience
Location: delft
Artist: Anonymous
Inscriptions: mark: ‘A/ DW5 of S’

Bord van faience, met gele bies. Blauw beschilderd met een pauwenveerdecoratie. Gemerkt.
Portret van August II van Polen
Object type: book illustration
Date: 1704 – 1704
Materials: paper
Techniques: engraving, etching
Location: england
Artist: Anonymous
Subjects: august ii (king of poland), ornament ~ medallion, historical persons, king

Prent waarschijnlijk uit: Beaumont, John. The Present State of the Universe (...). Londen: John Nutt, 1704.
Writing Brush and Cover
Object type: decorative art
Materials: lacquer
Location: china
Polish Mazurka, from National Dances (N225, Type 1) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,dancing,dancers

Trade cards from the series "National Dances" (N225), issued in 1889 to promote Kinney Brothers Cigarettes for Kinney Tobacco Company. There were two card variations issued within the series. Type 1 cards display a white border around the edges whereas Type 2 have no border.
Visitekaartje van het Nieuws- en Annoncenblad van Audenaerde
Object type: porcelain card
Date: 1840 – 1875
Materials: porcelainized cardboard
Techniques: lithograph
Location: oudenaarde
Subjects: printing press, newspaper, news-sheet
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Interieur van een drukkerij met in het midden een man achter een drukpers en in de achtergrond een letterzetter.
Title page (2 recto), from "Eyn New Kunstlichboich"
Object type: book
Date: 1529 – 1529
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: men,women,writing

Published by Peter Guentel, Cologne, woodcut border designed by Anton Woensam von Worms, German, active first half 16th century, died 1538. Italian translation of title page, illustrated title page, portrait of Charles V, 46 pages of designs including pages of the alphabet.
Markt met bomen omstreeks 1900
Object type: photomechanical print
Date: 1981 – 1981
Materials: cardboard
Techniques: letterpress printing, offset printed
Location: oudenaarde
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions
Inscriptions: date

Dit leporelloalbum bevat reproducties van oudere prentbriefkaarten.
Clock
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: flowers,clocks
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1905 – 1905
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: milan
Artist: vittorio pica
Artist role: criticus
Artist dates: 1864 – 1930
Subjects: the hague, painter, print maker, draughtsman, jozef israëls, philip zilcken, exhibition ~ art
Inscriptions: collector's mark: ‘RPK’
Groepsportret van zeven onbekende vrouwen in een tuin langs het water
Object type: photograph
Date: 1900 – 1900
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: garden, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘1900’, name: ‘Anna Honig’
Minerva verschijnt in de gedaante van Telemachus aan Odysseus
Object type: album leaf
Date: 1633 – 1633
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: paris
Subjects: the seer theoclymenus joins telemachus' party

Minerva verschijnt in de gedaante van een jonge prins of Telemachus aan Odysseus. De prent maakt deel uit van een album.
Soldaat met jongen
Object type: drawing
Date: 1811 – 1873
Materials: paper, pencil
Techniques: brush