deem-data/ArtiFact huggingface dataset:
Afscheid van de dienstplichtigen
Object type: print
Date: 1882 – 1882
Materials: paper
Techniques: engraving, etching
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: conscription ~ enlisting
Inscriptions: collector's mark: Lugt 2228, annotation: ‘dernier etat; seule épreuve Japon’
Bowl
Object type: bowl
Date: 1753 – 1753
Materials: soft paste porcelain
Artist: vauxhall
Artist role: factory
Artist nationality: british
Artist dates: 1748 – 1768
Subjects: birds,men,fishing,boats
Botanical Specimen
Object type: photograph
Date: 1835 – 1835
Techniques: drawing
Location: england
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Embroidered darning sampler
Object type: sampler
Date: 1801 – 1900
Materials: linen, silk
Subjects: flowers
Cuneiform tablet: vocabulary of food and drink terms, Urra=hubullu, tablet 23
Object type: cuneiform tablet
Date: 333 – 1
Materials: clay
Location: mesopotamia

The invention of writing in approximately 3300 B.C. was one of many developments in administrative technology--including the use of geometric tokens for counting and cylinder seals to guarantee transactions--that accompanied the growth of the first cities and states in southern Mesopotamia. Proto-cuneiform is the name given to the earliest form of writing--pictograms that were drawn on clay tablets. Gradually, the pictograms became abstracted into cuneiform (Latin, "wedge-shaped") signs that were impressed rather than drawn. At its greatest extent, cuneiform writing was used from the Mediterranean coast of Syria to western Iran and from Hittite Anatolia to southern Mesopotamia. It was adapted to write at least fifteen different languages. The last dated cuneiform text has a date corresponding to A.D. 75, although the script probably continued in use over the next two centuries. This clay tablet, partially broken, is divided into three columns which read from left to right. The tablet records food and drink terms, first in the long-dead Sumerian language, and then in Akkadian translation. This text is known to be the twenty-third tablet in a series of tablets that collected and codified knowledge of the civilized world. Beer and food items listed in this text were an essential part of ritual knowledge as they formed the basis for the daily feeding of the gods in their temples.
Tamaris
Object type: painting
Date: 1886 – 1887
Materials: canvas, oil
Artist: pierre puvis de chavannes
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1898
Subjects: female nudes
Titelpagina voor: J. Nomsz, De driftige, blyspel, 1782
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: symbolic representations, allegories and emblems ~ the theatre, bee-hive, young versus old age; young and old
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een oud paar en twee spelende kinderen met bloemenguirlandes bij een bijenkorf op een sokkel, symbool voor de Amsterdamse schouwburg.
Gezicht op het schip en het altaar van de Kathedraal van Burgos
Object type: photograph
Date: 1890 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Location: burgos
Artist: Anonymous
Subjects: parts of church interior: nave
Inscriptions: number: ‘10’
Artistic houses : being a series of interior views of a number of the most beautiful and celebrated homes in the United States : with a description of the art treasures contained therein
Date: 1883 – 1884
Location: new york
Artist: d. appleton & co.
Artist role: publisher

"Edition limited to 500 copies" -- p. [3] of volume 1. Title in red and black; vignette. Watson Library copy: No. 320 of 500 copies printed.
Card Table
Object type: card table
Date: 1800 – 1800
Materials: wood
Culture: american
Location: united states
Cruet Stand
Object type: metalwork
Date: 1810 – 1811
Materials: silver, wood
Location: philadelphia
Artist: liberty browne
Inscriptions: Marked on each side: "BROWNE & SEAL"; marked five times on frame and handle and on top and bottom of each lug: "B&S"
Chess Piece, King
Object type: chess piece
Date: 701 – 1000
Materials: ivory
Location: western islamic lands
Subjects: chess
Figure
Object type: figure
Date: 1760 – 1760
Materials: glaze, stoneware
Culture: japanese
Subjects: men
Geboorte van Christus
Object type: print
Date: 1717 – 1717
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: adoration of the christ-child ~ christ's birth
Inscriptions: collector's mark: Lugt 240
Bergachtig landschap met rechts een boerderij
Object type: drawing
Date: 1634 – 1654
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: herman naiwincx
Artist role: draughtsman, print maker
Artist dates: 1623 – 1670
Subjects: low hill country, farm (building)
Cabriolet (unnumbered)
Object type: drawing
Date: 1870 – 1870
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Plusievrs Pieces et Ornements Darquebuzerie (4th extended edition)
Object type: pattern book of firearm ornament
Date: 1776 – 1776
Materials: ink, paper
Culture: french
Location: france
Artist: claude simonin
Artist role: engraver
Artist nationality: french
Artist dates: 1635 – 1693
Subjects: firearms,ornament

The prints in this pattern book were among the most influential means by which the French fashion of firearms ornament spread throughout Europe and remained the leading style from the late seventeenth century through to the late eighteenth century. The initial eight-plate edition, by the engraver Claude Simonin (deceased by 1693), was published in 1684 and reissued in 1685. The Parisian gunmaker Laurent le Languedoc issued editions with eight and thirteen plates, including designs by the engraver De Lacollombe (active about 1702–1736), in 1705. The three plates shown here are from the expanded edition produced by the engraver Gilles-Antoine Demarteau (1756–1802) in about 1776. The noted arms historian Dr. James D. Lavin acquired this pattern book in Spain in the 1960s. It is annotated in Spanish and shows clears signs of use in an active workshop.
Museo Vaticano. Amazzone. (Scultura Antica)
Object type: photograph
Date: 1852 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: vatican city
Subjects: (story of) the amazons, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘B.N.’, inscription: ‘doublet’, number: ‘No. 6572’, collector's mark: ‘VOSMAER’
Groepsportret van drie Japanse meisjes
Object type: photograph
Date: 1870 – 1900
Materials: paint, photographic support
Techniques: albumen print, hand coloring
Location: japan
Artist: Anonymous
Subjects: folk costume, regional costume (+ women's clothes), adolescent, young woman, maiden
Inscriptions: number: ‘V 42’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Japan en studioportretten.
Vase (part of a garniture)
Object type: vase
Date: 1723 – 1741
Materials: earthenware
Techniques: glazing
Artist: de witte starre manufactory
Artist role: manufactory
Subjects: human figures,flowers
Brillenverkoper en een oude vrouw
Object type: print
Date: 1723 – 1789
Materials: paper
Techniques: mezzotint
Location: dordrecht
Artist: jacob hoolaart
Artist role: print maker
Artist dates: 1713 – 1789
Subjects: eyeglasses, spectacles, old woman, wandering or travelling merchant
Inscriptions: collector's mark: Lugt 2228

Een brillenverkoper met een mand vol brillen staat voor het huis van een oude vrouw. Zij leunt op de onderdeur terwijl ze een bril krijgt aangereikt. Een kind kijkt toe.
Aanslagbiljet van het Heerengeld, 1793
Object type: text sheet
Date: 1793 – 1793
Materials: paper
Techniques: letterpress printing, pen
Location: amsterdam
Subjects: tax collection, amsterdam
Inscriptions: collector's mark: Lugt 1641, collector's mark

Aanslagbiljet van het Heerengeld, nr. 2475, op naam van dhr. J. Kluppel, Amsterdam 19 juli 1793. Voorgedrukt formulier gedrukt in rood, beide zijden bedrukt, ingevuld en ondertekend met pen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Belasting.
ALEXANDRIE. - Colonne Pompée
Object type: ansichtkaart, prentbriefkaart
Date: 1895 – 1905
Materials: paper
Techniques: autotype
Location: alexandria
Subjects: column, pillar ~ architecture
Inscriptions: number: ‘408’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Griekenland en Egypte.
A Couple Visiting the Wedded Rocks (Meoto Iwa) by Futamigaura
Object type: print
Date: 1801 – 1900
Techniques: woodblock print, surimono
Location: japan
Artist: keisai eisen
Artist role: artist
Artist nationality: japanese
Artist dates: 1790 – 1848
Curb Bit
Object type: bit
Date: 1701 – 1800
Materials: metal alloy
Culture: german
Location: germany

This driving bit was used for horses pulling carriages and sleighs. The large rings prevent the bit from pulling through the horse's mouth. The triangular loops on the purchases attached the bearing reins, connected to the horse's collar. They were used to prevent the animal from lowering its head, and, for aesthetic reasons, to adjust all the horses' heads to the same level. Driving bits are usually more rigid compared to riding ones, as the voice and the hand are the only ways of communicating with the animal.
Ram (?)
Object type: figure
Date: 1601 – 1800
Materials: glass
Techniques: glassblowing
Subjects: animals
Obsidian revetment slab fragment
Object type: revetment slab fragment
Date: 1 – 100
Materials: obsidian
Culture: roman
Subjects: leaves

Opaque black slab; pattern of ivy cut for inlay; architectural; cast and carved.
Two apostle spoons
Object type: apostle spoon
Date: 1600 – 1600
Materials: silver, wood

For a similar apostle spoon in the Metropolitan Museum's collection see 97.2.138.
L'École d'Anvers. Portraits biographies cartes de visite. Collection Dupont
Object type: photograph
Date: 1861 – 1861
Materials: cardboard, paper
Techniques: albumen print
Artist: joseph dupont
Artist role: fotograaf
Artist dates: 1818 – 1901
Subjects: engraver, etcher, historical persons, portrait, self-portrait of artist
Toegoestraat te Jogyakarta
Object type: album leaf
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: jogjakarta
Artist: Anonymous
Subjects: street (+ city(-scape) with figures, staffage)

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Drie kaartspelende dames
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: aquatint, etching, intaglio
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: historical persons - bb - woman, card games, candlestick
Inscriptions: collector's mark: Lugt 2228
Bowl Depicting Incised and Painted Abstract Crouching Figure
Object type: vessel
Date: 650 – 150
Materials: ceramic, pigment
Culture: paracas
Location: peru
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Exterior, wreathed woman wearing a chiton with her arms extended towards the wreathed youth with a himation, leaning on a knobby stick, whose right arm is touching the upper right arm of the woman; behind him, a sponge and aryballos; below rim, part of an inscription?
Glass eye bead
Object type: bead
Date: 600 – 301
Materials: glass
Culture: phoenician

Stratified double eye bead; two sets of four eyes. Opaque turquoise blue; eyes in opaque white with circle and central dot in translucent blue. Cylindrical but tooled in around middle; rounded edges at both ends Intact; slight dulling and pitting.
Figuren op de oever bij Ouderkerk aan de Amstel, 1622
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Subjects: river bank, rowing-boat, canoe, etc., open-air recreation, fisherman
Inscriptions: collector's mark: Lugt 1641, stamp

Figuren op de oever bij Ouderkerk aan de Amstel. Een jongetje kijkt toe hoe een man met een schepnet vis vangt. De vrouw verderop doet de was en heeft haar kind in de wastobbe achter haar gezet. In het gras van de oever liggen eenden, een hond en een spelend kind. In de verte passanten te voet en te paard. Op het water varen roei- en zeilschepen. Rechtsonder genummerd: 2. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Visscherij, Zee- en Riviervisscherij.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, head of helmeted warrior with round shield raised in front of face, and spear
De kerk van S. Jacob te Utrecht
Object type: book illustration
Date: 1752 – 1752
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641, collector's mark

Prent ook gebruikt in: Tegenwoordige staat der Vereenigde Nederlanden, elfde deel, behelzende eene beschryving van de provincie van Utrecht. Met landkaarten, plans der steden en printverbeeldingen versierd / Hedendaagsche historie, of tegenwoordige staat van alle volkeren; XXI. deel (…). Amsterdam: Isaak Tirion, 1758, tussen p. 374 en p. 375.
Lid with Figurative Scenes
Object type: lid
Date: 1301 – 1400
Materials: bronze
Culture: indonesian
Subjects: animals,boats
Plate
Object type: ceramic
Date: 1700 – 1725
Materials: earthenware
Techniques: glazing
Location: delft
Artist: augusteyne reygensburgh
Artist nationality: dutch
Artist dates: 1700 – 1799
Inscriptions: Mark: A.R. (in red)
Allegorie van de vier temperamenten
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: etching
Artist: bernhard rode
Artist role: artist, print maker
Artist dates: 1725 – 1797
Subjects: 32a1	the four temperaments; 'complessione' (ripa)
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Ramler, Karl Wilhelm. Allegorische Personen zum Gebrauche der bildenden Künstler. Berlijn: Akademischen Kunst- und Buchhandlung, 1788.
Opening van het Kieler Kanaal 1895
Object type: history medal
Date: 1895 – 1895
Materials: bronze
Techniques: striking
Location: utrecht
Artist: bas veth
Artist role: designer

Bronzen penning, op de voorzijde de SS Rotterdam varend naar links onder een versierde rand met wapenschilden, met onderaan een band met vier regels tekst waarop een gekroond ovaal Nederlands wapenschild gehouden door een zeemeerman en -min, met afsnedetekst, op de keerzijde het kanaal vol schepen onder een stralende wolk waarop een hand met palmtak, een lint met vlaggen en een gekroond wapenschild, met onderaan een band waaarop twee cartouches en een landkaart.
Gezicht op boomstammen in het water en huizen om het water
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), civic architecture; edifices; dwellings
Sophia of Brandenburg 1568-1622, wife of Christian I, Elector of Saxony
Object type: medal
Date: 1622 – 1622
Materials: silver
Artist: ruprecht niclas kitzkatz
Artist role: artist
Artist nationality: german
Artist dates: 1615 – 1633
Terracotta amphora (jar)
Object type: amphora, type b
Date: 530 – 530
Materials: terracotta
Culture: greek, attic
Artist: lysippides painter
Artist role: artist
Subjects: men,horses,chariots

Obverse, departure of a warrior in a chariot. Reverse, departure of two youths with horse.
Satake no Niwa, Honjo
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: tokyo
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: garden
Inscriptions: inscription: ‘Plate XV.’
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: silver alloy, gold, iron
Culture: japanese
Location: japan
Subjects: flowers
Study for a Garden Capriccio
Object type: drawing
Materials: graphite, ink
Techniques: pen
Artist: gilles-marie oppenord
Artist role: artist
Artist nationality: french
Artist dates: 1672 – 1742
Subjects: architecture,gardens,male nudes
Terracotta one-handled vase with strainer
Object type: strainer
Date: 467 – 435
Materials: terracotta
Culture: italic, daunian
Standing Man
Object type: statue, man
Date: 2200 – 2100
Materials: wood
Location: egypt
Subjects: men
Atalanta and Hippomenes, from "Game of Mythology" (Jeu de la Mythologie)
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: apples,men,women,running
Pair of altar candlesticks
Object type: altar candlestick
Date: 1701 – 1800
Materials: pewter
Portrait of Edith Wonsen
Object type: photograph
Techniques: gelatin silver print, photography
Location: gloucester
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
The Priest's House, Rouen
Object type: print
Date: 1894 – 1895
Materials: ink, parchment, paper
Techniques: scraping, stumping, lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Poort van de Collegiale kerk Onze-Lieve-Vrouw en Domitianus van Hoei, België
Object type: photomechanical print
Date: 1882 – 1887
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: parts of church exterior and annexes: portal
Inscriptions: inscription: ‘PORTAIL de la (...)’, monogram: ‘JJvY’, inscription: ‘PORTAILS. - PL. 1.’
Scherf van een kelderfles uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Case bottle, fragm of base, straight sided, shallow kick-up, hollow pontil mark.
Danseres buiten op een kleed in Nederlands-Indië
Object type: photograph
Date: 1912 – 1912
Materials: paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: onnes kurkdjian
Artist role: fotograaf
Artist dates: 1851 – 1903
Subjects: portrait of dancer, dutch east indies, the

Onderdeel van Reisalbum met veertig foto's van Nederlands-Indië.
Het mystieke huwelijk van de heilige Catharina
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: etching
Location: italy
Subjects: the virgin martyr catherine of alexandria; possible attributes: book, crown, emperor maxentius, palm-branch, ring, sword, wheel, mystic marriage, the mystic marriage of st. catherine of alexandria with the infant christ: the christ-child puts a ring on her finger
Inscriptions: collector's mark: Lugt 240

Maria houdt het Christuskind op schoot. Het Christuskind schuift een ring om de vinger van de heilige Catharina van Alexandrië. Op de achtergrond een landschap. Opdracht in ondermarge.
Personificaties van zeven planeten
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: etching, intaglio
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: (story of) mars (ares), clouds, mars (planet)
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie die bestaat uit vier prenten met zeven personificaties van planeten en een cartouche met titel.
Teapot
Object type: teapot
Date: 1779 – 1780
Materials: silver
Artist: francis stamp
Artist role: maker
Artist dates: 1780 – 1780
Visitors to the Salon Exhibition, Admiring the Ceiling (Les Amateurs de plafonds au Salon)
Object type: print
Techniques: etching
Artist: louis philibert debucourt
Artist role: etcher
Artist nationality: french
Artist dates: 1755 – 1832
Subjects: men,women,caricature
Watervalletje bij een meer in een berglandschap
Object type: drawing
Date: 1766 – 1815
Materials: ink, paper
Techniques: brush, pen
Artist: jacob van strij
Artist role: draughtsman, painter, print maker
Artist dates: 1756 – 1815
Subjects: river, mountains