deem-data/ArtiFact huggingface dataset:
Tile
Object type: tile
Date: 1706 – 1707
Materials: faience
Techniques: glazing
Artist: pierre chapelle i
Artist role: artist
Artist dates: 1673 – 1707
Subjects: men,music,flutes

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Vlakdecoraties met witte moresken en arabesken op een zwart fond
Object type: ornament print
Date: 1516 – 1571
Materials: paper
Techniques: woodcut
Location: france
Artist: Anonymous
Armet
Object type: armet
Date: 1440 – 1440
Materials: copper alloy, steel
Culture: italian
Location: italy
Artist: lionardo
Artist role: armorer
Artist nationality: italian
Artist dates: 1415 – 1465

This is one of the earliest complete examples of an armet, the characteristic headpiece worn in Italy by mounted soldiers from about 1410 to about 1510. It is stamped with the armorer's name, LIONARDO, and his mark, the letter L in a serrated circle.
Man van Smarten
Object type: album leaf
Date: 1580 – 1629
Materials: paper
Techniques: engraving
Artist: aegidius sadeler (ii)
Artist role: draughtsman, print maker
Artist dates: 1568 – 1629
Subjects: man of sorrows, 'imago pietatis', 'erbärmdebild', 'schmerzensmann'; the upright christ showing his wounds, usually bearing the crown of thorns, and accompanied by the instruments of the passion, standing or sitting in his tomb

Christus als man van smarten, met een doornenkroon op het hoofd. Titelprent van serie van prenten met de passiewerktuigen als onderwerp. De prent heeft een onderschrift in het Latijn. Deze prent maakt deel uit van een album.
Suo Province, from the series "Modern Scenes of the Provinces in Edo Brocades (Edo nishiki imayo kuni zukushi)"
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Palette in the shape of a fish
Object type: palette, fish shaped
Date: 3650 – 3300
Location: egypt
Medal commemorating the birth of the King of Rome (1811–1832)
Object type: medal
Date: 1811 – 1811
Materials: bronze, patina
Techniques: struck
Artist: bertrand andrieu
Artist role: artist
Artist nationality: french
Artist dates: 1761 – 1822
Subjects: kings,queens,profiles
A revolutionary soldier on horseback with a rifle (Heraclio Bernal)
Object type: print
Date: 1911 – 1911
Techniques: lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: firearms,men,horses

Image included in the broadsheet "El famoso caballo de batalla de Emiliano Zapata" (Imprenta de A. Vanegas Arroyo, ca. 1911).
Entombment of Christ
Object type: print
Techniques: etching
Artist: claude gillot
Artist role: artist
Artist nationality: french
Artist dates: 1673 – 1722
Subjects: christ,entombment
Herons in Landscape
Object type: drawing
Date: 1810 – 1875
Materials: watercolor, paper
Location: france
Artist: antoine-louis barye
Artist role: artist
Artist nationality: french
Artist dates: 1795 – 1875
Subjects: birds,landscapes
Storm en hoogwater bij Elburg, 21 november 1776
Object type: drawing
Date: 1776 – 1822
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: flood, historical events and situations
Gezicht op het Kurpark te Bad Schwalbach
Object type: photomechanical print
Date: 1890 – 1899
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: public gardens, park (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘3779. Bad Langenschwalbach, Weier im Kurpark’

Deze prent maakt deel uit van een album.
Portretstudie van een onbekende vrouw
Object type: photomechanical print
Date: 1900 – 1905
Materials: paper
Techniques: two-color autotype
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Study by Hermann C. Kosel’, inscription: ‘G. VI.’
Chalk jug
Object type: jug
Date: 500 – 301
Materials: chalk
Culture: cypriot

Wide, flat base, thick handle, and narrow mouth.
View of the Large Imported Elephant
Object type: woodblock print
Date: 1863 – 1863
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: taguchi (utagawa) yoshimori
Artist role: artist
Artist dates: 1830 – 1884
Subjects: men,elephants
Tongs
Object type: tongs
Date: 1800 – 1810
Materials: silver
Culture: american
Artist: j. s. porter
Artist role: maker
Artist nationality: american
Artist dates: 1783 – 1862
No. 4: Soldiers Recruiting
Object type: print
Techniques: aquatint, etching
Artist: heinrich joseph schütz
Artist role: artist
Artist nationality: german
Artist dates: 1800 – 1825
Subjects: soldiers,men,women,dogs

Outside of an inn, an officer places a cocked hat on the head of an old man, while another officer flirts with a young woman at left.
The Virgin and St John the Evangelist
Object type: figure
Date: 1670 – 1670
Materials: ivory
Location: brussels
Artist: mattheus van beveren
Artist role: ivory carver, sculptor
Artist dates: 1630 – 1690
Subjects: the apostle john the evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll

The figures of the Virgin and the Apostle John originally flanked a crucified Christ. The Virgin is represented with an expression of intense sorrow, while he gazes upwards in dismay. Her masterfully carved, flowing robes and her face were inspired by the Italian Baroque. John’s dynamic pose is derived from a famous sculptural group from Classical antiquity, the Laocoön.
Portion of a dress border
Object type: border fragment
Date: 1726 – 1726
Materials: linen, silk
Subjects: human figures
Amulets (Ear and 3 Eyes)
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: eyes
Portret van een onbekend echtpaar en een bediende op een veranda in Nederlands-Indië
Object type: photograph
Date: 1890 – 1920
Materials: paper, cardboard
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: anonymous historical person portrayed, loggia, verandah, porch, house personnel, servants, dutch east indies, the
Inscriptions: inscription: ‘Joo’

Zie gerelateerde objecten voor andere foto's van hetzelfde echtpaar.
Brief aan Philip Zilcken
Object type: letter
Date: 1872 – 1930
Materials: ink, paper
Techniques: pen, writing
Artist: barbara elisabeth van houten
Artist role: draughtsman, print maker
Artist dates: 1862 – 1950
Subjects: painter, philip zilcken, the graphic arts
Inscriptions: collector's mark: ‘RPK’
Festakt. Kinderreigen
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: chur
Subjects: activities in the air ~ public festivities, e.g. fly-past, choir
Inscriptions: number: ‘IV. V.’
Vase with scholar's objects
Object type: vase
Date: 1801 – 1900
Materials: glaze, porcelain
Culture: chinese
Hab.t de la Laponie, from the playing cards (for quartets) "Costumes des Peuples Étrangers"
Object type: print
Date: 1700 – 1799
Techniques: etching, hand coloring
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: infants,men,women,playing cards,fire
Glass Fragment
Object type: fragment
Date: 1467 – 1600
Materials: glass, pigment
Culture: european
Newport Rocks
Object type: painting
Date: 1872 – 1872
Materials: canvas, oil
Culture: american
Artist: john frederick kensett
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1872
Subjects: landscapes

The austere composition of this painting and of Kensett's "A Foggy Sky" may represent the most familiar type in the artist's output and was introduced as early as the mid-1850s following his initial visits to Newport, Rhode Island, and Shrewsbury River on New Jersey's northern shore. The type was unquestionably popular with patrons. Kensett repeated it with only nominal variations until his death in 1872 and the numbers of such views, relative to his total output, only increased through the Civil War years. For the artist's clients, the simple arrangement of rocks at either side against the apparent infinitude of an ocean horizon must have appealed in tumultuous times to yearnings for stability, certitude, peace, and the eternal. For Kensett, outdoors and in his studio, the control of the simple setting supplied a tabula rasa for articulating shifting complexions of light and atmosphere.
Broad-bladed knife
Object type: machete
Date: 1879 – 1879
Materials: brass, copper, iron, leather
Location: netherlands
Artist: Anonymous

Kapmes met korte kling met rechte rug en gekromde snede. Het gevest is geheel van geelkoper, met een gegroefde greep en stootplaat met eindknoppen. De onderband met eindknop is geheel binnen de leren schede genaaid, zodat alleen de knop uitsteekt. De messing bovenband heeft een koperen draagknop voor de draagband, die aan een broekriem gedragen moet worden.
Gustavus Adolphus, King of Sweden (r. 1611–1632)
Object type: medal
Date: 1611 – 1632
Materials: gilt silver
Artist: Anonymous
Artist role: artist
Susanna and the Elders
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacob matham
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1631
Inscriptions: Lettered upper center: "C. Harlemensis invent / Matham sculp. et excud. Ao. 99"; and below image: "Illecebris tentata senum ... pudicitiam. C. Schoneus"
Fragment of a Sleeve
Object type: textile fragment
Date: 501 – 600
Materials: linen, wool
Techniques: weave
Location: egypt
Jongen op een ladder wordt betrapt op het stelen van druiven
Object type: print
Date: 1850 – 1886
Materials: paper
Techniques: engraving, etching
Subjects: vine, thief, ladder
Inscriptions: collector's mark: Lugt 2228
A Dismounted Light Horse Volunteer
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,horses
The Four Avenging Angels, from "The Apocalypse"
Object type: print
Date: 1498 – 1498
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: battles,horses,angels,apocalypse
Gazette du Bon Ton, 1920 - No. 5, Pl. 33: L'oiseau mort / Robe Tchéco-Slovaque
Object type: fashion print
Date: 1920 – 1920
Materials: paper
Techniques: hand coloring, letterpress printing, lithograph, pochoir
Location: new york city
Subjects: clothing for the upper part of the body (+ women's clothes), dress, gown: day dress (+ women's clothes), domestic animals, kept in and outside the house (+ dying animal; death of animal; dead animal), fashion plates
Inscriptions: date

Staande vrouw met een dode vogel in de hand. Zij draagt een middagjapon of 'Robe Tchéco-Slovaque', met een zwart fluwelen lijfje en rode borduursels en kwasten. Planche 33 uit Gazette du Bon Ton 1920, No. 5. Uitleg over de kleding op pagina "Explication des Planches".
Maria met Christus en Johannes de Doper als kinderen
Object type: print
Date: 1840 – 1886
Materials: paper
Techniques: etching
Artist: josephus nauwens
Artist role: print maker
Artist dates: 1830 – 1906
Subjects: mary and the christ-child with john the baptist (as child) (+ angel(s))
Microscopische weergave van vingerhoedskruid
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Subjects: microscope (+ scientific research)
Inscriptions: number: ‘XX’
Wensbrief met decoratief kader
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: shaking hands, 'dextrarum junctio', evening meal, dinner, supper
Inscriptions: collector's mark: Lugt 2760

Wensbrief met onbeschreven cartouche binnen een decoratief kader met voorstellingen van gezelschapen rond een tafel, en twee mannen die elkaar de hand schudden.
Kelkglas met trechtervormige kelk
Object type: goblet
Date: 1575 – 1600
Materials: glass
Techniques: glassblowing
Location: venice
Artist: Anonymous

Platte voet, holle balustervormige stam met een nodus tussen twee schijven en een trechtervormige kelk.
Die 's lands geluk en roem beoogt, / Heeft reeds zyn waerde als mensch verhoogd
Object type: popular print
Date: 1856 – 1900
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen over het leven van militairen. Onder elke afbeelding een onderschrift. Genummerd midden boven: n. 78.
Pair of chairs (part of a set)
Object type: chair
Date: 1601 – 1700
Materials: wood
Pottery Whistle
Object type: pottery whistle
Date: 800 – 1525
Materials: clay
Culture: costa rican
Location: costa rica
Artist: linea vieja
Artist role: maker
Artist nationality: costa rican
Brahma
Object type: sculpture
Date: 800 – 900
Materials: stone
Location: candi merak
Artist: Anonymous

The Hindu deity Brahma is easy to recognize by his four faces, each directed toward one of the four cardinal directions. He is revered as the creator of the universe and is often part of the group of supreme deities who are venerated along with the great god Shiva. This sculpture is from Candi Merak, a temple of Shiva in Central Java. It was found in two pieces and restored in 1925-1926.
Fotoreproductie van (vermoedelijk) een tekening voorstellend het bombardement van Kagosima door een Engelse vloot tijdens een tyfoon
Object type: reproduction
Date: 1863 – 1880
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: battle (+ naval force)

Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Sugar bowl with cover (part of a service)
Object type: sugar bowl with cover
Date: 1785 – 1800
Materials: hard paste porcelain
Model of a Polacre
Object type: ship model
Date: 1815 – 1850
Materials: brass, fiber, textile, wood
Techniques: polychromy
Location: netherlands
Artist: Anonymous
Subjects: ship-model
Inscriptions: inscription, on the stern: ‘DEDALUS’

Het Rijkswapen is een aanwijzing voor een datering van het model in of na 1815. De Daedalus is geregistreerd in Lloyds Register of Shipping van 1819. Zij zou zijn gebouwd in Emden (Duitsland) in 1806 als ééndeks schoener. Zij voer op de lijnen Londen-Amsterdam en Londen-Bremen. In 1809 stond zij te boek als galjoot, in 1810 als schip, in 1811 als galjoot en in 1816 als schoener.
Luise en Robert omhelzen elkaar
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: (lovers) embracing each other, 'symplegma'
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Lang, Karl. Almanach und Taschenbuch für Häusliche und Gesellschaftliche Freuden (...). Heilbronn: Industrie Comtoir, 1799.
Palazzi di Roma
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: etching
Location: rome
Subjects: clergyman, urbanus viii, palace, façade (of house or building)

Deze prent maakt deel uit van de reeks getiteld: Palazzi di Roma. Deze reeks bestaat uit twee boeken. Boek één getiteld: Palazzi di Roma dei più celebri architetti..., bestaat uit 44 prenten die worden toegeschreven aan Giovanni Battista Falda (naam staat enkel op prent 27) en uitgegeven door Giovanni Giacomo de'Rossi. Deze 44 prenten zijn bekend in twee staten (met en zonder nummer). Boek twee getiteld: Nuovi disegni dell'architetture... libro secondo, bevat 66 prenten door Giovanni Battista Falda en Simone Felice. Deze 66 prenten zijn bekend in twee staten (met en zonder nummer).
Kinderportretten
Object type: album leaf
Date: 1890 – 1900
Materials: cardboard, paper, photographic support
Techniques: photograph
Artist: Anonymous
Subjects: girl (child between toddler and youth), umbrella, folk costume, regional costume

Acht portretten van kinderen, waaronder een meisje in klederdracht en een meisje met een paraplu. Deze pagina maakt deel uit van een album.
Portret van Jozef Klemens van Beieren
Object type: print
Date: 1690 – 1697
Materials: paper
Techniques: engraving
Location: augsburg
Artist: leonhard heckenauer
Artist role: print maker
Artist dates: 1650 – 1704
Subjects: priest, historical persons, ruler, sovereign, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Thucelius, Christian Leonhard. Austria S.R.Imperio Conjux (...). Augsburg: Lorenz Kroniger, [1690].
Of prent gebruikt voor: Thulemarius, Heinrich Günther. Tractatio de Bulla aurea, argentea, plumbea et cerea in genere, nec non in specie de Aurea Bulla Caroli IV Imperatoris (...). Frankfurt am Main: Johann Melchior Bencard, 1697.
Poem by Kakinomoto Hitomaro, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Object type: woodblock print
Date: 1760 – 1849
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: human figures,mountains,landscapes

Kakinomoto Hitomaro (act. late seventh–early eighth century), the author of this poem, was known for his intense language and subject matter. Like Hokusai, he had a gift for observation and for finding the human inflection in landscape. Ashibiki no yamatori no o no hidari o no hitori ka mo nemu Trailing, the mountain pheasant's tail long and longer this night too, spent along will be.
Saucer with a medallion among flowers
Object type: platter
Date: 1777 – 1788
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: sèvres
Inscriptions: mark: ‘dubbele L/ KK en Y/ kroon met kruis’

Schotel van porselein met een rechte wand, beschilderd in onderglazuur blauw en op het glazuur in blauw, roze, groen, geel, zwart en goud. Op het plat een medaillom met een bloemtak omringd door strooibloemen. De wand met een decoratieve band met een zwarte bladrank tegen een groene achtergrond, een gouden band met stippen op onderglazuur blauw en een bloemrank. Gemerkt op de onderzijde met de dubbele L met de jaarletters KK en Y.
Little Doorway, Lyme Regis
Object type: print
Date: 1895 – 1895
Materials: ink, paper
Techniques: printing, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: doorways,girls
Brief aan Andries Bonger
Object type: letter
Date: 1878 – 1936
Materials: ink, paper
Techniques: pen, writing
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: paris, odilon redon, painter, print maker, draughtsman, vincent van gogh, paul cézanne, amsterdam, andries bonger, art trade, art shop, applied arts, arts and crafts; industrial design, painting (including book-illumination, miniature-painting), money
Vari disegni di merletti (page 11r)
Object type: book
Date: 1639 – 1639
Techniques: etching
Location: italy
Artist: bartolomeo danieli
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1643
Subjects: ornament
Gezicht op een aantal bomen aan het water in een lijst
Object type: page
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Subjects: trees, landscapes with waters, waterscapes, seascapes (in the temperate zone), frame of painting, etc.
Piazza S. Marco e Campanile (Venezia)
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: venice
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: parts of church exterior and annexes: campanile, square, place, circus, etc.
Inscriptions: number: ‘No. 3603.’, inscription: ‘Venetie : Ponte Rialto’
Mons
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: lithograph
Location: brussels
Artist: j. vanderborght
Artist role: printer
Subjects: maps of separate countries or regions, henegouwen
Inscriptions: check stamp: ‘Depot de la Guerre Belgique’
Bird feeder with geese
Object type: bird feeder
Date: 1701 – 1800
Materials: cobalt, soft paste porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: geese
Needles, hooks, and harpoon
Object type: needle, hook, and harpoon
Date: 1000 – 300
Materials: bone
Culture: japanese
Figure of Europe
Object type: ceramic
Date: 1766 – 1766
Materials: enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Location: bow
Artist: bow porcelain factory
Artist nationality: london, england
Artist dates: 1744 – 1775
Inscriptions: Marked anchor and dagger symbols in iron red.
Landleven
Object type: print
Date: 1833 – 1856
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: farmers, agriculture, ploughing, milking
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van werkzaamheden op het platteland, zoals gewassen zaaien, planten water geven, koeien melken en broden bakken. Onder elke afbeelding een onderschrift in het Nederlands en in het Frans. Genummerd midden boven: No. 9.
Teabowl and saucer (assembled)
Object type: teabowl and saucer
Date: 1770 – 1770
Materials: hard paste porcelain
Artist: zurich pottery and porcelain factory
Artist role: factory
Artist nationality: swiss
Artist dates: 1763 – 9999
Subjects: birds

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.