deem-data/ArtiFact huggingface dataset:
Vrouw geeft aalmoes aan een man met dochter
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: girl (child between toddler and youth), old man, giving alms; collection
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie met religieuze scènes. Over deze serie is verder niets bekend. Mogelijk is het een aanvulling op de eerder uitgegeven serie 'Paroles de l'âme' van Adolf Fries in 1837.
J'ordonnais, mais en vain, qu'on épargnat Joyeuse...
Object type: print
Date: 1825 – 1825
Materials: chine, paper
Techniques: printmaking, lithograph
Location: france
Artist: horace vernet
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1863
Stovey, Left Field, Philadelphia Athletics, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Kerst- en nieuwjaarswens van Filippo en Lea Rossi
Object type: print
Date: 1930 – 1980
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: christmas card, christ as adult
Tekenvoorbeelden van goden en helden uit de klassieke oudheid
Object type: album leaf
Date: 1665 – 1673
Materials: paper
Techniques: etching
Location: paris
Subjects: (story of) neptune (poseidon), model-books ~ implements of painter

Prent uit een 32-delige serie met tekenvoorbeelden van goden en helden uit de klassieke oudheid. Een eerste editie werd in 1673 uitgegeven en een tweede in 1684 door Nicolas Langlois.
Summer Robe (Katabira) with Irises at Yatsuhashi
Object type: kimono
Date: 1834 – 1866
Materials: gold thread, paste, silk
Techniques: dyeing, embroidery, painting, weave, resist
Culture: japanese
Subjects: bridges,flowers

This samurai woman’s summer robe evokes water—light blue fabric with irises and zigzagging plank bridges. The composition refers to an episode from The Tales of Ise and the Noh play derived from it, Irises, in which an exiled ninth-century poet—alluded to on this robe by a courtier’s hat and a fan near the hem—and his friends leave the capital. Pausing at Yatsuhashi, where bridges cross eight channels of a river, they admire the irises growing in the riverbank. Inspired, the poet composes a poem in which each line begins with one of the five syllables of the word for “iris,” ka-ki-tsu-ba-ta. Karagoromo / kitsutsu narenishi / tsuma shi areba / harubaru kinuru / tabi o shi zo omou. I wear robes with well-worn hems, / Reminding me of my dear wife / I fondly think of always, / So as my sojourn stretches on / Ever farther from home, / Sadness fills my thoughts. —translated by John T. Carpenter
Bowl
Object type: bowl
Date: 1201 – 1400
Materials: glaze, porcelain
Culture: chinese
Fragment
Object type: textile
Culture: moche or wari
Location: peru
Oboe
Object type: wind instrument
Date: 1890 – 1899
Materials: nickel, silver
Location: paris
Artist: cabart
Artist role: musical instrument maker
Inscriptions: inscription: ‘[gallioen] / CABART / A PARIS / [kruis /mol / herstellingsteken].’, inscription: ‘FRANCE’, inscription: ‘3’

Hobo van nikkel en zilver met 16 kleppen en een vingersteun (gesoldeerd op het middelstuk). Gemarkeerd op de beker [gallioen] / CABART / A PARIS / [kruis /mol / herstellingsteken]. Gemarkeerd op de achterkant van de beker boven het stemmingsgat: FRANCE. Op het onderste gedeelte van het middenstuk staat het cijfer 3.
Utrecht. De Zadelstraat.
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: utrecht
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: street (+ city(-scape) with figures, staffage), parts of church exterior and annexes: tower

Onderdeel van Fotoalbum met opnames van steden in Noord- en Zuid-Holland en Utrecht.
Have you pray'd tonight, Desdemona?, plate twelve fom Othello
Object type: print
Date: 1844 – 1844
Materials: paper, ivory
Techniques: engraving, etching, roulette
Location: france
Artist: théodore chassériau
Artist nationality: french
Artist dates: 1819 – 1856
Gewijzigde kiestabel
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: lithograph
Location: netherlands

Spotprent. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 51, 1877.
In den tuin van het hospitaal
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

Een groep Surinaamse vrouwen staande bij elkaar in de tuin van het hospitaal, waarschijnlijk te Paramaribo. Onderdeel van het fotoalbum Souvenir de Voyage (deel 5), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Bracelet
Object type: bracelet
Date: 1401 – 1900
Materials: bronze
Culture: middle niger civilization
Location: mali
Artist: middle niger artist
Artist role: artist
Titelpagina voor: Mountstuart Elphinstone, Gezantschaps-reize naar en beschrijving van het koningrijk Kabul, 1818
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: visiting; receiving guests; elegant company, king
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Haarlem: Elphinstone, Mountstuart. Gezantschaps-reize naar en beschrijving van het koningrijk Kabul en naburige landen en volken, eerste deel. Loosjes Pz., weduwe Adriaan, 1818.
Terracotta head of a bearded god, perhaps Zeus
Object type: head of a deity
Date: 200 – 101
Materials: terracotta
Culture: cypriot
Subjects: heads,zeus

Head of a deity, mold-made, including the headdress, and solid.
Enthroned Buddha Attended by the Bodhisattvas Avalokiteshvara and Vajrapani
Object type: group
Date: 951 – 1000
Materials: bronze
Culture: indonesian, javanese
Subjects: avalokiteshvara,buddha,shakyamuni,vajrapani

This ensemble, consisting of seven separately cast pieces, is one of the most elaborate of known surviving Javanese bronzes. The central figure, his hands raised in teaching the dharma, can be identified either as Shakyamuni, the hist­orical Buddha, or as Vairocana, his transcendent manifestation. The lion emerging from the center of the main base refers to the Buddha’s clan name. Seated on the left is Avalokiteshvara, supported by his vehicle the calf-bull Nandin, and on the right is Vajrapani, accompanied by his mount, a makara (mythical crocodile-elephant hybrid). The figures’ slender prop­ortions and angular features mark this triad as a product of the Early Eastern Javanese period.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: canvas, silk
Subjects: flowers
Stirrup Spout Bottle with Sea Monster
Object type: bottle
Date: 1 – 600
Materials: ceramic, pigment
Culture: moche
Location: peru
Subjects: monsters
Halte de la Bourse
Object type: photograph
Date: 1874 – 1884
Materials: photographic support
Techniques: albumen print
Location: berlin
Artist: Anonymous
Subjects: railway, train, interior ~ representation of a building, station; shelter (railway, tramway)

Boven het station aan de Friedrichstrasse, midden de halte aan de Börse, onder het station aan de Alexanderplatz.
Man knielt bij het bed van een vrouw
Object type: drawing
Materials: paint, paper, pencil, watercolor
Techniques: brush
Artist: h.c. louwerse
Artist dates: 1878 – 1946
Subjects: deathbed, kneeling figure
Inscriptions: monogram: ‘HCL’, annotation: ‘Toen bij 't bed van de directrice gekomen, deed hij de/ [...] nog eens, die hij daar even deed, nam haar hand,/ maar liet deze onmiddelijk loodzwaar weer/ neervallen (Bladz 22)’, collector's mark: Lugt 2228a, :

In een door kaarslicht verlicht vertrek knielt een man bij het bed van een vrouw. De vrouw is vermoedelijk stervende. In een hoek zit een meisje. Voor haar ligt een pop op de grond.
Portret van twee vrouwen in lijst
Object type: photograph
Date: 1855 – 1875
Materials: glass, gypsum, paper
Techniques: ambrotype
Location: netherlands
Artist: Anonymous

Naast elkaar zittend, elkaars hand vasthoudend.
Design for Coupé, no. 3144
Object type: drawing
Date: 1875 – 1875
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Abigail Smith Adams
Object type: drawing
Date: 1796 – 1796
Materials: paper, pastel
Culture: american
Artist: james sharples
Artist role: artist
Artist nationality: british
Artist dates: 1751 – 1811
Subjects: portraits,women
Design for Escutcheon, with Artist's Instruments
Object type: drawing and watercolor
Materials: chalk, ivory, paper
Techniques: brush, wash
Location: italy
Artist: Anonymous
Artist nationality: genoese
Bamborough Castle from the Northeast, with Holy Island in the Distance, Northumberland
Object type: drawing
Date: 1827 – 1827
Materials: graphite, watercolor
Artist: john varley
Artist role: artist
Artist nationality: british
Artist dates: 1778 – 1842
Subjects: castles,beaches,ships

This evocative view encapsulates the type of finished landscape watercolor that made Varley's reputation. Picturesque details in the foreground include a family of fisherfolk walking towards their small vessel on a broad sandy shore, with the scene overshadowed by the impressive fortress of Bamborough (or Bamburgh) Castle, Northumberland. Rising over the North Sea, this landmark is accentuated by an open patch of blue sky, and its form echoed in miniature by the tiny silhouette of Holy Island in the right distance. Varley may have exhibited this drawing at the Old Water-Colour Society in 1828.
Landschap met weide en zicht op een stad
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: drypoint, engraving, etching, intaglio
Location: france
Artist: maxime françois antoine lalanne
Artist role: draughtsman, print maker
Artist dates: 1827 – 1886
Subjects: city-view in general; 'veduta', meadow, pasture
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166

Gepubliceerd in: L'Illustration nouvelle, 1877.
Twaalf afbeeldingen uit 'Des menschen begin, midden en einde'
Object type: book illustration
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Inscriptions: collector's mark: Lugt 2228

Prenten gebruikt als illustratie in: Luyken, Jan. Des menschen begin, midden en einde. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712.
[Member of the Paris Commune: Marie Chérel, perpétuité, pillage et incendie]
Object type: carte de visite
Date: 1871 – 1871
Techniques: albumen silver print
Artist: ernest eugène appert
Artist role: artist
Artist nationality: french
Artist dates: 1831 – 1891
Subjects: portraits,women

Following France’s defeat in the Franco-Prussian War and the fall of Napoleon III, thousands of Parisians revolted against the new royalist-leaning government and declared Paris an independent commune. Weeks of fighting ensued, during which Versailles troops attacked the city while the Communards threw up barricades, shot hostages, and burned government buildings. Women participated in the insurrection in great numbers, most notoriously as pétroleuses, or female arsonists, who torched several government buildings during the Commune's bloody last week. Soon afterward, Appert, a Parisian portrait photographer, gained exclusive access to a makeshift prison at Versailles and made portraits of individual prisoners, who ceded the rights to their likenesses. He issued many of the portraits as cartes-de-visites, such as these, but also integrated the Communards' faces into a series of propagandistic photomontages entitled "Crimes of the Commune."
Tien ontwerpen voor juwelen
Object type: ornament print
Date: 1695 – 1695
Materials: paper
Techniques: engraving
Location: augsburg
Artist: joseph friedrich leopold
Artist role: print maker, publisher
Artist dates: 1668 – 1726

Negen ontwerpen zijn slechts voor de helft weergegeven. Blad 14 uit serie van 17 bladen.
Christiania. Udsigt fra Slottet
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1925
Materials: cardboard
Techniques: photograph
Location: oslo
Artist: Anonymous
Subjects: palace, monument, statue, avenue, boulevard, promenade, esplanade

Prentbriefkaart maakt deel uit van een album.
S. Abondie, prêtre et martyr (St. Abundius, Priest and Martyr), July 11th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Eagle transformation figure
Object type: figure
Date: 1000 – 400
Culture: olmec
Location: mexico
Artist: olmec artist(s)
Artist role: artist
Dom Carlos
Object type: print
Date: 1704 – 1760
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: gille edme petit
Artist role: print maker
Artist dates: 1694 – 1760
Subjects: karel iii (koning van spanje (1716-1788), historical persons, king
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a stemless kylix (drinking cup)?
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Profiled ring foot from a stemless kylix?; with a glazed resting surface; the inner wall of the foot is glazed
Een koel plekje
Object type: print
Date: 1872 – 1897
Materials: paper
Techniques: drypoint, etching
Location: the hague
Artist: ferdinand oldewelt
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Subjects: reading, boy (child between toddler and youth)
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a stamnos (jar) or a column-krater (bowl for mixing wine and water)
Object type: stamnos or column krater fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

At the shoulder, a band of tongues
Portret van paus Innocentius XI
Object type: print
Date: 1682 – 1698
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: rome, clergyman, innocentius xi, historical persons, pope

Prent mogelijk uit: Theatrum Europaeum (...). Frankfurt: erven Matthaus Merian, 1691, dl. 12. Of uit eerdere en latere publicaties (1682 en 1698).
Dish with 'Cintamani' and Tiger-stripe Pattern
Object type: dish
Date: 1575 – 1590
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: turkey

The pattern of this charming dish is a variant of the so‑called chintamani (Sanskrit for "auspicious jewel") design. Appearing on ceramics as well as on carpets and textiles, this pervasive design originated in Buddhist iconography. Originally, the circles and wavy stripes represented auspicious flaming pearls, but in the Ottoman context this significance was transformed through their association with tiger stripes and leopard spots, symbols connoting strength and courage.
The Tocsin of Liberty–Rung by the State House Bell, (Independence Hall) Philadelphia, July 4th, 1776, "Proclaim liberty throughout all the land, unto all the inhabitants thereof" LEV.XXV.10.
Object type: print
Date: 1876 – 1876
Techniques: hand coloring, lithograph
Artist: currier & ives
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1907
Subjects: musical instruments,men,crowd

Scene from American history. A man pulls a rope to ring the Liberty Bell in the tower above Independence Hall while a crowd cheers in the background.
Man Lighting a Rocket, also called Peace is Better than a Victory, from Communia Gaudia (The Wide-Spread Rejoicing at the Siege of Namur)
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: mezzotint
Location: netherlands
Artist: cornelis dusart
Artist role: artist
Artist nationality: dutch
Artist dates: 1660 – 1704

Cornelis Dusart made a series of seven prints documenting the jubilation that erupted after King William III of England reclaimed the city of Namur from France on September 2, 1695. The pyrotechnician on the left (1964.46) has a full arsenal of rockets secured to his belt while the woman on the right (1964.47) prepares to launch a firework. At her side are a bottle of alcohol, a pipe, and a drinking horn to fuel her gaiety; the keys symbolize her renewed sense of security. The mezzotint medium is particularly effective in heightening the drama of nighttime scenes, with the dark velvet shadows emphasizing the presence of fiery light.
Singa
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905
Subjects: borobudur

Lion figure at one of the stairways.Borobudur village, Magelang district, Central Java province, 778-824 AD.
Gezicht op gebouwen van Harvard College te Cambridge
Object type: page
Date: 1866 – 1876
Materials: paper
Techniques: photograph
Location: united states
Subjects: university building, college, façade (of house or building)
Landschappen met bijbelse en mythologische scènes
Object type: print
Materials: paper
Techniques: etching
Location: antwerp
Artist: hieronymus cock
Artist role: print maker, publisher
Artist dates: 1518 – 1570
Subjects: the flight into egypt: mary, joseph, the child (and sometimes others) on their way; mary usually riding on an ass
Inscriptions: collector's mark: Lugt 2228

Landschap met een watermolen bij een rivier. Links op het pad Maria en Jozef op de vlucht naar Egypte. Maria houdt Christus in haar arm en rijdt op een ezel. Jozef draagt een hoed en een stok en houdt Marias hand vast. Prent uit een serie van 13 landschappen met bijbelse en mythologische scènes.
Kostuums van de inwoners van Nederland en België
Object type: print
Date: 1825 – 1835
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: adult woman, carrying something in basket, bag, rucksack, etc., folk costume, regional costume, dog
Inscriptions: : ‘Déposé’

Van den Burggraaff wilde een serie (twintig afleveringen met telkens vier platen) uitgeven met kostuums uit alle provincies van Nederland en België onder de titel 'Costumes du peuple de toutes les provinces des Pays-Bas'. Hij begint met deze serie in 1825 en eindigt hiermee bij de dertiende aflevering in 1830. Omdat in 1830 België zicht afsplitst van Nederland geeft hij de prenten daarna apart uit onder de titels 'Costumes de peuple Hollandais' en 'Collection de costumes du peuple des provinces de la Belgique' (1835).
Spearhead
Object type: spearpoint, socketed javelin head
Date: 1850 – 1640
Materials: bronze, copper alloy
Location: egypt
Sacred animal mummy of an ibis inside a jar
Object type: jar, ibis mummy
Date: 400 – 100
Materials: linen, pottery
Location: egypt
Subjects: animals,mummies

Animal cults The Egyptians considered certain individual animals to be living manifestations of a god, such as, since earliest times, the Apis bull. Those individuals were duly mummifed when they died and buried for eternal life, then replaced by another single living manifestation. During the first millennium BC, many multiples of animals associated with certain gods were specially raised in temple precincts as simultaneous avatars of that god and then mummified in large contingents and deposited in catacombs for eternal life. The ancient perception of these multiples, the evolution of the practice in this direction, and variations within the practice are not easily accessible to us. But the hundreds of thousands of often elaborately prepared animal mummies found in catacombs and other locales testify to its ancient resonance. Animal mummies This jar contains an ibis mummy wrapped in linen. The lid, now open, was anciently replaced over the opening and sealed with lime plaster. This mummied creature was discovered with many others, some single burials, other group burials in large jars, in a concentration east of the processional way at Abydos. Most of the mummies in this concentration seem to have dated even to the Roman Period, although others nearby in the newly recognized north cemetery temple and catalcombs belong to the Ptolemaic Period. Animal mummies are generally envisioned as being offered to the corresponding god - for the ibis that would be Thoth. However, there are no known temples to the god Thoth at Abydos. On the other hand, Thoth was closely involved both in the confirmation of the king and in the justification and rebirth of the deceased king, so it has been suggested that ibises may have been offered in support of divine kingship, Abydos being the seat of the most ancient kings, and, in specific, of Osiris.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, left hand holding an oinochoe
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of left forearm with hand holding staff or spear; Exterior, bit of ground line
L'Agrèable
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
Auch Cathédrale
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: auch cathedral
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: parts of church interior: nave, seats of the clergy, choir-stalls
Inscriptions: number: ‘No. 604’, collector's mark: Lugt 3937, inscription: ‘MONUMENTS HISTORIQUES’, name: ‘MIEUSEMENT <BR />PHOTOGRAPHE’