deem-data/ArtiFact huggingface dataset:
Verklaring der Staatkundige Printverbeelding, Wegens den Staat der Engelsche Natie in 1778
Object type: text sheet
Date: 1778 – 1778
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: philadelphia, amerikaanse vrijheidsoorlog
Inscriptions: collector's mark: Lugt 2228

Tekstblad met een verklaring van de voorstelling van de eerste spotprent op de Engelse verliezen in de strijd met Amerika in 1778. Tekst in twee kolommen met een uitleg van de nummers 1-9.
Park met grote boom en classicistisch bouwwerk, vermoedelijk in Italië
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: italy
Artist: Anonymous
Subjects: trees, public gardens, park, italy

Onderdeel van Reisalbum met opnames van kunstwerken en bezienswaardigheden in Italië, Griekenland en Frankrijk.
Toe Cap for a Foot Defense (Sabaton)
Object type: toe cap for a foot defense sabaton
Date: 1525 – 1525
Materials: gold, steel
Culture: german
Location: germany
Inktstel van zilver. Blad met uitgebogen voorzijde; inktpot en zandstrooier meloenvormig, tafelbel peervormig
Object type: inkstand
Date: 1773 – 1782
Materials: silver
Location: middelburg
Artist: laurens potmans
Artist role: goud- en zilversmid

Inkstand Silver Middelburg, c. 1775, by Laurens Potmans Given by the Commissie voor Fotoverkoop, 1970
Cabinet with personifications of the Five Senses
Object type: cabinet
Date: 1651 – 1675
Materials: coral, metal thread, mica, paper, pearl, textile, silk, wood
Techniques: embroidery, lining, stitching, weave
Subjects: birds,eagles,castles,houses,men,women,lutes,cats,deer,dogs,insects,monkeys,rabbits,squirrels,turtles,flowers,trees,coat of arms

Raised work, or stumpwork as it is sometimes called, developed in England during the early seventeenth century, and was characterized by its high relief. The technique was used to create pictures and to decorate objects such as storage boxes for jewelry and writing supplies, baskets, and mirror frames. This box is typical of raised-work pieces in that it employs a variety of stitches and includes the use of metal thread and other materials, in addition to colored silks. The faces of the five women representing the Senses are drawn in ink on satin, and the figure of Sight holds a mirror made of mica that reflects her face. Other unexpected materials were frequently used to highlight details: real hair for a figure's head, tiny seed pearls for a necklace, and glass beads for animal eyes. Allegorical and biblical subjects, along with portraits of monarchs, were the most common themes for the decoration of a seventeenth-century box. Of the seven complete and partial boxes in the Museum's collection, the majority show biblical scenes, although these are sometimes combined with depictions of the Senses or the Seasons. Raised work had a rather short period of popularity and was at its peak during the mid-seventeenth century. The creation of raised-work boxes, mirror frames, and pictures ceased to be a fashionable occupation by the turn of the eighteenth century, if not sooner.
Pin
Object type: pin
Date: 800 – 601
Materials: bronze
Culture: iranian
Location: iran, luristan

This cast bronze pin has a head in the form of a horned animal, possibly an antelope, with a tubular snout and pointed ears. It was excavated at Surkh Dum, a settlement site in Luristan in the Zagros Mountains of western Iran. It was found in a structure interpreted as a sanctuary and was thus probably an offering to a god. Such pins were probably used to fasten clothing and as objects of adornment in their own right. Many have been attributed to Luristan, but this is one of the few examples from an archaeological excavation.
Modelstudie van een zittende man
Object type: drawing
Date: 1609 – 1614
Materials: chalk, paper
Artist: pietro sorri
Artist role: draughtsman
Artist dates: 1556 – 1622
Subjects: sitting figure
Portretten van graven en gravinnen
Object type: print
Date: 1660 – 1663
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: elizabeth cavendish (hertogin van devonshire), historical persons - bb - woman, frame of painting, etc., nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 240
Christ disputing with the doctors: a sketch
Object type: print
Date: 1711 – 1800
Materials: paper
Techniques: etching
Location: augsburg
Subjects: drawing, sketch, christ explaining his doctrine
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 4071

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Voor- en achterzijde van een penning met het portret van Michiel Adriaenszoon de Ruyter en een zeeslag
Object type: text sheet
Date: 1690 – 1690
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Subjects: michiel adriaenszoon de ruyter, war (+ naval force), memorial medal, medals and other marks of military honour, historical person (with name), amsterdam, battle of augusta
Inscriptions: collector's mark: ‘25.108A/B’ Lugt 1641b

Met beschrijving. Nummering rechtsonder niet leesbaar: fig: 103. Onderwerpsrubriek binnen de Atlas Amsterdam: Krijgswezen I: De Admiraliteit van Amsterdam, C. Michiel Adriaensz. de Ruyter.
Cartouche met gevleugelde figuren, guirlandes en opdracht aan kardinaal Bourbon del Monte Santa Maria
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: etching
Location: rome
Subjects: ornament ~ cartouche
Inscriptions: number: ‘1’, collector's mark: ‘Hinloopen’

Opdracht bij een reeks van 12 prenten met de twaalf werken van Hercules.
Krug
Object type: krug
Date: 1700 – 1700
Materials: earthenware
Techniques: glazing
Artist: rose factory
Artist role: maker
Artist dates: 1662 – 1854
Subjects: flowers
Portret van een man met ringbaard
Object type: photograph
Date: 1880 – 1918
Materials: cardboard, photographic support
Techniques: collodion silver print
Subjects: historical persons, beard
Inscriptions: inscription: ‘Photographische/ Ateliers/ J. Siewers & Zoon/ Edam/ Hilversum./ Specialiteit in vergrootingen.’
Bath of Venus
Object type: drawing
Date: 1890 – 1899
Materials: graphite, paint
Artist: sir edward burne-jones
Artist role: artist
Artist nationality: british
Artist dates: 1833 – 1898
Subjects: human figures,venus,bathing

Burne-Jones made a painting of "The Bath of Venus" between 1873 and 1878 (Gulbenkian Foundation, Lisbon), and here seems to have returned to the subject at a later date. The artist experimented with metallic pigments on colored papers in his last decade, and this example appeared in the posthumous sale of his studio in 1898, and was acquired by the Museum in 1908.
Minashi-gai, shio-gai, katatsu-gai, miso-gai, chijimi-gai, and chigusa-gai, from the illustrated book "Gifts from the Ebb Tide (Shiohi no tsuto)"
Object type: print
Date: 1789 – 1789
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Terracotta beak-spouted jug
Object type: jug
Date: 1750 – 1700
Materials: terracotta
Culture: helladic

Buff-ware jug with globular body, concave handle, high beaked spout and low foot. The shoulder is painted in dark brown over a buff slip with small zig zags.
Glass striped mosaic bowl fragment
Object type: fragment, striped mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Body fragment. Translucent blue, purple appearing opaque brick red, turquoise blue appearing green, yellow, and white, with colorless glass. Convex curving side. Striped mosaic pattern formed from lengths of different canes in regular, parallel bands: yellow, green, colorless with two overlapping spiral yellow threads, blue, red, blue, colorless with two overalapping spiral yellow threads, and green. Pinprick bubbles; exterior polished, with pitting of surface bubbles; pitting and creamy weathering on interior and jagged edges. This type of Roman mosaic glass combines stripes of translucent colored glass with canes of network glass.
Textile Fragment
Object type: textile fragment
Date: 1501 – 1600
Materials: velvet
Location: turkey
Royal Cap (Orikogbofo)
Object type: costume and accessory
Materials: textile, glass
Culture: yoruba
Location: nigeria
Subjects: royalty
Fotoreproductie van Filosofischer dan men denkt door Antoine Wiertz
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: edmond fierlants
Artist role: fotograaf
Artist dates: 1819 – 1869
Subjects: (lovers) kissing each other, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: check stamp: ‘SOCIÉTÉ ROYALE BELGE DE PHOTOGRAPHIE/ 69, RUE KEYENVELD/ BRUXELLES’
Sampler
Object type: sampler
Date: 1821 – 1821
Materials: canvas, silk, wool
Subjects: birds,houses,men,women
Bronze dagger blade
Object type: dagger
Date: 1600 – 1050
Materials: bronze
Culture: cypriot

Broad flat tang with five rivet-holes.
Guild Plaque for a Beer Brewer
Object type: metalwork
Date: 1790 – 1790
Materials: pewter
Location: bavaria
Artist: john rote
Pattern
Object type: textile
Date: 1701 – 1800
Techniques: embroidery
Location: uzbekistan
Visitekaartje van drukker Édouard De Lay De Muyttere te Brugge.
Object type: print
Date: 1842 – 1857
Materials: porcelainized cardboard
Techniques: lithograph
Location: bruges
Artist: édouard de lay-de muyttere
Artist role: print maker, printer
Artist dates: 1816 – 1857
Subjects: city-view in general; 'veduta', book in which illustrations are essential - mm - book open, bruges
Inscriptions: collector's mark: Lugt 2228

Opengeslagen boek met op de rechterpagina een gezicht op Brugge met de Minnewaterbrug in de voorgrond.
Bataille de Krasnoi
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1920
Materials: cardboard
Techniques: three-color autotype
Location: germany
Artist: fritz neumann
Artist role: printer, publisher
Subjects: battle, battle of krasnoi
Inscriptions: title: ‘1812 r. [Cyrillisch schrift]/ Bataille de Krasnoi./ Schlacht bei Krasnoi.’, inscription: ‘68, oorlog’, inscription: ‘Marke E.G.M.S. Serie 105.’
Man in habijt
Object type: drawing
Date: 1803 – 1868
Materials: ink, paper, pencil
Techniques: writing
Artist: louis royer
Artist role: draughtsman, sculptor
Artist dates: 1793 – 1868
Subjects: scholastic education, tuition
Inscriptions: inscription: ‘Meester Koolen / met zijnen dikken kop.’, inscription: ‘HJ [?] / L Royer’
Carved panel and ornament (Smaller Italian sketchbook, leaf 9 recto)
Object type: drawing
Date: 1774 – 1775
Materials: graphite
Artist: joseph wright (wright of derby)
Artist role: artist
Artist nationality: british
Artist dates: 1734 – 1797
Subjects: ornament
Man op een boerenwagen
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: etching
Artist: jean théodore joseph linnig
Artist role: draughtsman, print maker
Artist dates: 1815 – 1891
Subjects: two-wheeled vehicle drawn by one animal
Inscriptions: collector's mark: Lugt 2228
Huizen bij een stadsmuur
Object type: print
Date: 1836 – 1888
Materials: paper
Techniques: etching
Location: netherlands
Artist: carel vosmaer
Artist role: draughtsman, print maker
Artist dates: 1826 – 1888
Subjects: roof (of house or building), village-walls
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Terracotta hydria: kalpis (water jar)
Object type: hydria, kalpis
Date: 400 – 376
Materials: terracotta
Culture: greek, attic
Subjects: men,poseidon,seahorses

Poseidon riding a sea horse and a youth This unassuming vase presents the two protagonists in one of the major Greek myths. The sea god Poseidon became enamored of Pelops, son of Tantalos. When Pelops came to Pisa, in Elis, he fell in love with Hippodameia, daughter of king Oinomaos. Oinomaos eliminated his daughter's suitors by besting them in a chariot race. Here, Pelops asks Poseidon for horses that will permit him to win his prize.
Telescoop van William Parsons in Ierland
Object type: print
Date: 1845 – 1887
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: telescope (+ variant)
Inscriptions: collector's mark: Lugt 2228

Enkele figuren staan ernaast en bekijken de telescoop.
Plattegrond van Amsterdam
Object type: area plan
Date: 1674 – 1682
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: commercial fishery, (story of) ceres (demeter), coat of arms (as symbol of the state, etc.) (+ city; municipal), (story of) bacchus (dionysus), liber, europe represented allegorically; 'europa' (ripa), river personified, 'fiumi' (ripa) - hh - ideal landscapes, fishing net, seal (as symbol of the state, etc.) (+ city; municipal), asia represented allegorically; 'asia' (ripa), africa represented allegorically; 'africa' (ripa), (story of) mercury (hermes), america represented allegorically; 'america' (ripa), river-gods, maps of cities, continents represented allegorically, faunus, amsterdam
Inscriptions: collector's mark: Lugt 2228
Kerst- en nieuwjaarswens voor 1933 van Karl Hugo Frech
Object type: photomechanical print
Date: 1932 – 1932
Materials: paper
Techniques: printing block
Subjects: print maker, karl hugo frech, flowers, male infant, cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet), sitting on the ground
Inscriptions: date

Een bloot kind zit in het gras tussen bloemen en graan, en reikt op naar de zon waarin het jaartal 1933 staat.
Drum
Object type: drum
Date: 1867 – 1900
Materials: skin, wood
Culture: south american
Location: guyana
Tureen
Object type: ceramic
Date: 1810 – 1820
Materials: ceramic, earthenware
Techniques: transfer
Location: creil
Artist: creil pottery
Artist nationality: french
Artist dates: 1801 – 1840
Herders en reizigers bij een fontein
Object type: print
Date: 1744 – 1816
Materials: paper
Techniques: engraving, etching
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., 'en route', traveller under way, utilitarian, public pump or water fountain
Inscriptions: : ‘Déposé à la Direction.’, collector's mark: Lugt 2228
Doek van linnen
Object type: towel
Date: 1800 – 1870
Materials: linen
Techniques: peeled fabric
Location: netherlands

Handdoek of doek voor keukengebruik van linnen, pellen, blok. Restanten van lussen en linten.
Specimen
Object type: specimen
Date: 1801 – 1900
Techniques: lace
Subjects: flowers
Simon Dreux d'Aubray
Object type: print
Date: 1658 – 1658
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits,coat of arms
Männliches Bildniss
Object type: print
Date: 1861 – 1889
Materials: paper
Techniques: etching, intaglio
Location: vienna
Subjects: london, historical persons
Inscriptions: collector's mark: Lugt 2228
Collared Disc
Materials: jade
Location: china
Lolling Armchair
Object type: lolling armchair
Date: 1790 – 1800
Materials: wood
Culture: american
Location: united states
Jacht op zwijnen en konijnen in de hagen
Object type: book illustration
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Subjects: hunting dogs, boar-hunting, hare-hunting, rabbit-hunting

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.

Deze prent is ook gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
Terracotta rim fragment with polychrome decoration
Object type: vase fragment
Date: 1800 – 1700
Materials: terracotta
Culture: minoan

From Knossos, Crete Polychrome fragment with roughened surface.
Fan
Object type: fan
Date: 1876 – 1900
Materials: ivory, lace
Swinhoe Pheasant, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: pheasants

Trade cards from the "Birds of the Tropics" series (N5), issued in 1889 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Gezicht op de ruïne van het Macellum di Pozzuoli
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: pozzuoli
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: ruin of a building ~ architecture, pozzuoli
Inscriptions: number: ‘L. 2.’, number: ‘N. 276.’
Portretten van leden van de Société des gens de lettres
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: etching
Artist: henri charles guérard
Artist role: print maker
Artist dates: 1846 – 1897
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Toussaint-Guillaume Picquet de la Motte
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: historical persons

Prent waarschijnlijk uit: De nuttige en aangenaame staatsalmanach, voor het jaar MDCCLXXXIII (...). Amsterdam: T. en J.A. Crajenschot, 1783.
Caricaturana
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: lithograph
Location: paris
Subjects: publishing, publisher, art dealer
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Nummer 64 uit de serie Caricaturana, bestaande uit 100 prenten. Deze prenten verschenen voor het eerst in Le Charivari tussen 1836-1838 (deze prent oktober 1837), en werden in 1838 gebundeld onder de titel: Les Robert-Macaires. Een van de prenten in de etalage toont deze voorstelling.
The Actor Tamazawa Saijiro in an unidentified role
Object type: print
Date: 1740 – 1740
Techniques: hand coloring, woodblock print, urushi
Location: japan
Artist: torii kiyomasu ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1706 – 1763
Portret van Michel de L'Hospital
Object type: book illustration
Date: 1714 – 1714
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: ornament ~ medallion, historical persons

Prent waarschijnlijk uit: Neue Bibliothec Oder Nachricht und Urtheile von neuen Büchern Und allerhand zur Gelehrsamkeit dienenden Sachen (1714), nr. 35.
Ichikawa Danjuru VII als marskramer
Object type: print
Date: 1840 – 1850
Materials: paper
Location: japan
Subjects: wandering or travelling merchant, portrait of actor, actress

De acteur Ichikawa Danjuro in de rol van marskramer, met waaier in linker hand.
Gezicht op de zuil van Marcus Aurelius op de Piazza Colonna in Rome
Object type: photograph
Date: 1870 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: triumphal column with helical friezes
Inscriptions: inscription: ‘[.]32 COLONNA DI MARCO AURELIO’
Hobnail Bowl
Object type: bowl
Date: 1870 – 1900
Materials: glass
Techniques: pressed
Culture: british
Location: england
Model of the "Opening of the Mouth" ritual equipment
Object type: model, opening of the mouth ritual equipment
Date: 2465 – 2150
Materials: limestone, stone
Location: egypt

The small stone tray holds models of objects required for the Opening of the Mouth ceremony. This rite reanimated the deceased or animated a statue so that it could eat, breathe, see, hear, and otherwise enjoy everything offered to it. The forked instrument was touched to the mouth of the deceased's mummy or statue; it symbolically restored the individual's capability of independent existence. In addition to the implement, this set includes replicas of the vessels with which the newly revived spirit was offered milk (a baby's first source of nourishment), salt water (used for cleansing), and fresh water. Forked blades (see 16.2.6) were included in burials throughout the Predynastic Period.The cutting edge is the V-shaped notch. Although the implement's exact purpose is unknown, there is persuasive evidence that it was used at birth to cut the umbilical cord and was placed in the grave to assist its owner's rebirth into the afterlife.
Knielend mannelijk naakt, de armen om een blok geslagen
Object type: drawing
Date: 1751 – 1822
Materials: chalk, paper
Artist: noach van der meer (ii)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1822
Farnesiorum palatium
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: ruin of a building ~ architecture
Inscriptions: collector's mark: Lugt 2228, number: ‘164’

Gezicht op de stad Palestrina en de ruïnes van de tempel van Fortuna. De prent is deel van een serie die verschillende plaatsen in het Middellandse Zeegebied afbeeldt.
Chinese Compradores, Winter Costume
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Teapot
Object type: teapot
Date: 1750 – 1750
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: flowers
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Wheel of a chariot, and legs and tail of a horse, seen from the front
Gezicht op een binnenplaats te Barcelona
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: barcelona
Artist: Anonymous
Subjects: façade of inner court, ornamental fountain
Inscriptions: number: ‘No 232.’, inscription: ‘Maison du Grand Inquisiteur, à Barcelonne’
Rembrandt's Mother
Object type: print
Date: 1745 – 1765
Materials: paper
Techniques: mezzotint
Location: london
Subjects: reading, anonymous historical person portrayed - bb - woman
Inscriptions: collector's mark: Lugt 240

Naar het schilderij van Rembrandt uit 1655 in de Buccleuch Collectie te Drumlanrig.
Triomf van Galatea
Object type: print
Date: 1630 – 1660
Materials: paper
Techniques: engraving, etching
Subjects: cupids: 'amores', 'amoretti', 'putti' (+ triumph), sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster), triumph of galatea
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11, inscription: ‘7’

De triomf van de zeegodin Galatea. De naakte Galatea wordt door een zeepaard door het water gevoerd, terwijl ze wordt vergezeld door vier putti, waarvan twee op een schelp blazen. Deze prent maakt deel uit van een vierdelige serie over mythologische figuren.
Cupids Tickling Each Other
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: cupid
Wereldtentoonstelling te Antwerpen 1930
Object type: history medal
Date: 1930 – 1930
Materials: bronze
Techniques: striking
Artist: josué dupon
Artist role: print maker
Artist dates: 1864 – 1935
Inscriptions: : ‘J. FONSON’

Achthoekige bronzen plakette, op de voorzijde de zeegod bij een Congolees met blaasinstrument, op de achtergrond een rivier, schip en vliegtuig, op de keerzijde een scheepsmast, vrouw te paard en kerktoren boven drie regels tekst, met omschrift.
Stirrup Spout Bottle with Portrait Head
Object type: bottle
Date: 1 – 400
Materials: ceramic
Culture: moche
Location: peru
Subjects: heads,portraits
Crane Beneath a Banana Tree
Object type: hanging scroll
Materials: ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: cranes
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: krefeld
Artist: johan thorn prikker
Artist role: draughtsman, print maker
Artist dates: 1868 – 1932
Subjects: friedrich deneken, the hague, painter, draughtsman, philip zilcken, applied arts, arts and crafts; industrial design, painting (including book-illumination, miniature-painting), printed matter, germany
Inscriptions: collector's mark: ‘RPK’
Brussels
Object type: photograph
Date: 1935 – 1935
Materials: photographic support
Techniques: rotogravure
Artist: Anonymous
Subjects: brussels