deem-data/ArtiFact huggingface dataset:
Portret van Frederik de Grote na de slag bij Kolín
Object type: print
Date: 1825 – 1881
Materials: paper
Techniques: engraving
Artist: johann gottfried flegel
Artist role: print maker
Artist dates: 1815 – 1881
Subjects: berlin, frederick ii (king of prussia), historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic
De Stadt Maastricht, door den Prins van Parma met storm verovert, den 29 July des Jaars 1579
Object type: history print
Date: 1678 – 1680
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: massacre ~ war, maastricht

Gebruikt als illustratie in: J. le Clerc, Geschiedenissen der Vereenigde Nederlanden, sedert den aanvang van die Republyk tot op den Vrede van Utrecht in 't jaar 1713 en het Tractaat van Barriere in 't jaar 1715 gesloten, Z. Chatelain, Amsterdam 1730, 3 delen, dl. I.
Swept frame
Object type: frame
Date: 1730 – 1740
Materials: feather, gilt, wood
Techniques: carving
Culture: french
Foto behorend bij album Kriegserinnerungen
Object type: photograph
Date: 1940 – 1945
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: netherlands, germany

Foto behorend bij album 'Kriegserinnerungen'.
Umazukushi
Object type: surimono
Date: 1822 – 1822
Materials: paper
Techniques: woodcut, polish
Location: japan
Subjects: horse
Inscriptions: collector's mark, verso, stamped: Lugt 2228, collector's mark, passe-partout, bottom left, printed: JABdH with a rooster.

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Tafelstuk van verguld brons en geslepen kristal
Object type: eating drinking utensil
Date: 1805 – 1815
Materials: bronze, crystal
Techniques: gilding
Location: paris
Artist: pierre philippe thomire
Artist role: brazier
Artist dates: 1751 – 1843
Inscriptions: signature: ‘THOMIRE A PARIS’

Tafelstuk van verguld brons en geslepen kristal. De voet is versierd met bladwerk en rozetten. Op een dekplaat staan drie afgewende gevleugelde vrouwenfiguren, oprijzend uit acanthusgebladerte en eindigend in bladranken met rozetten. De stam heeft een basis van bladeren en is bewerkt met puntig bladwerk, waarboven een kapiteel. De stam draagt drie kristallen schaaltjes van opeenvolgend formaat, versierd met wingerdranken en gescheiden door twee gladde zuilen. Bovenop een geknielde putto met krans. Zie: a/g.
Kabuki Actors Ichikawa Raizō I and Bandō Hikosaburō II
Object type: woodblock print
Date: 1767 – 1767
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyomitsu
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1785
Subjects: men,actors,baskets,buckets
Study for Chelsea Hospital, from Microcosm of London
Object type: drawing and watercolor
Date: 1810 – 1810
Materials: graphite, paper
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
Vuursteenpistool met batterijslot
Object type: flintlock pistol
Date: 1709 – 1709
Materials: brass, steel, wood
Location: utrecht
Artist: Anonymous
Undersleeves
Object type: undersleeves
Date: 1834 – 1866
Culture: british
Portret van een vrouw
Object type: photograph
Date: 1875 – 1899
Materials: cardboard, celluloid, photographic support
Techniques: albumen print
Subjects: adult woman, historical persons
Inscriptions: name: ‘Cornand et Cie Gand’, inscription: ‘Gand/ Rue de la Corne, 1 & Rue des douze Chambres, 15 (...)’
Paperweight
Object type: paperweight
Date: 1736 – 1795
Materials: jade
Culture: chinese
Waster of Three Bowls Attached Together
Object type: waster
Date: 1501 – 1700
Materials: earthenware, glaze
Location: iran

This object was found in 1937 at a kiln on the "New Road to the west of the city" of Nishapur. It is composed of fragments of three bowls adhered together during firing, resulting in a waster that was unlikely to be sold at the market but that could have an alternative use at the ceramic workshop. The shape of the bowls and their green glazed decoration, with yellow stripes, point to a date in the early modern period. While this may be slight evidence of the continuity in the urban life of Nishapur well after the arrival of the Mongols in the 13th century, recent surveys by Iranian archaeologists have documented many traces of the multi-period occupation of the area.
Portret van Pieter van Ruyven
Object type: drawing
Date: 1712 – 1795
Materials: ink, paper
Techniques: brush, pen
Artist: tako hajo jelgersma
Artist role: draughtsman, painter
Artist dates: 1702 – 1795
Subjects: delft, print maker, pieter jansz. van ruyven, historical persons, portrait, self-portrait of artist
Avium Vivae Icones in aes incisae & edita ab Adriano Collardo
Object type: print
Date: 1570 – 1600
Materials: paper
Techniques: engraving
Location: antwerp
Artist: adriaen collaert
Artist role: draughtsman, print maker
Artist dates: 1560 – 1618
Subjects: predatory birds: falcon, other birds: woodpecker

Een torenvalk en een grijze bonte specht in een landschap. Prent is onderdeel van een prentalbum met zeven prenten van vogels en de titelprent.
Onderdeel van een kamerscherm
Object type: vouwscherm, kamerscherm
Date: 1700 – 1750
Materials: linen, wood
Location: netherlands
Artist: Anonymous

Onderdeel van een kamerscherm van zes slagen, bespannen met beschilderd linnen waarop piedestals, vazen met bloemen, medaillons en vogels in diverse kleuren zijn aangebracht.
Sur ce fier ennemi BOURBON se précipite...
Object type: print
Date: 1825 – 1825
Materials: chine, paper
Techniques: printmaking, lithograph
Location: france
Artist: horace vernet
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1863
Robe à l'anglaise
Object type: robe à l'anglaise
Date: 1785 – 1795
Materials: cotton
Culture: american

Women with coquettish airs were imposing in robes à la française and robes à l'anglaise throughout the period between 1720 and 1780. The robe à l'anglaise developed with a fitted back after the style of dress worn in England. The silhouette, composed of a funnel-shaped bust feeding into wide rectangular skirts, was inspired by Spanish designs of the previous century and allowed for expansive amounts of textiles with delicate Rococo curvilinear decoration. The wide skirts, which were often open at the front to expose a highly decorated underskirt, were supported by panniers created from padding and hoops of different materials such as cane, baleen or metal. The robes à l'anglaise are renowned for the beauty of their textiles, the meticulous fit of their back and their skirt decorations, known as robings, which showed endless imagination and variety.
Print
Object type: print
Date: 1780 – 1850
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Subjects: bow and arrow,men
Sarah Bernhardt
Object type: magazine
Date: 1899 – 1899
Materials: paper
Techniques: printing
Location: paris
Subjects: paris, sculptor, sarah bernhardt

Tijdschrift met 48 reproducties van foto's van Sarah Bernhardt door diverse fotografen.
Vrouwenbuste
Object type: print
Date: 1739 – 1851
Materials: paper
Techniques: printmaking
Subjects: head-gear
Inscriptions: collector's mark: Lugt 2228
Plate 10, from twenty ornamental designs for goblets and beakers
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: engraving
Location: germany
Artist: master a.p.
Ceremonial Armor for a High Ranking Official
Object type: armor
Date: 1701 – 1800
Materials: copper, gold, metal thread, silk, steel
Culture: chinese
Location: china
The Spirited Moor Gazul is the First to Spear Bulls According to Rules, plate five from The Art of Bullfighting
Object type: print
Materials: paper
Techniques: aquatint, burnishing, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Ulysses, Penelope and Euryclea
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: john flaxman
Artist role: artist
Artist nationality: british
Artist dates: 1755 – 1826
Set of four swag ends (part of a set)
Object type: swag end
Date: 1701 – 1800
Materials: gilt bronze
Subjects: faces
Aangespannen paarden, mogelijk op de Dam in Amsterdam
Object type: sketchbook leaf
Date: 1909 – 1912
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: four-wheeled vehicle drawn by one animal, urban housing, horse

Aangespannen paarden met oogkleppen, mogelijk op de Dam in Amsterdam. Pagina 15 en pagina 16 uit een schetsboek met 46 bladen vervaardigd te Amsterdam.
Duodecim anni mensium
Object type: print
Date: 1608 – 1618
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: agricultural implements: scythe, landscape with bridge, viaduct or aqueduct, leo (zodiacal sign of july), rest during harvest (eating, dancing, making love, etc.), tower (of house or building), landscape symbolizing july
Inscriptions: collector's mark: Lugt 964

Gezicht op een huis en een aqauduct, waarvoor rustende maaiers met hun zeisen, voorstellende de maand juli. In het midden twee figuren aan een tafel bij een waterput. Onderaan het astrologische symbool van het sterrenbeeld leeuw. Prent uit een serie van twaalf.
Volwassen man met hoed
Object type: album leaf
Date: 1802 – 1802
Materials: paper
Techniques: drypoint, etching
Location: london
Subjects: head-gear: cap (+ men's clothes), morphology of human expression (+ adult male (human being))
Inscriptions: collector's mark: ‘RIJKS / MUSM’, collector's mark: ‘B’
Dish
Object type: dish
Date: 1736 – 1795
Materials: enamel
Techniques: painting
Culture: chinese
Subjects: men,trees
Tekstblad bij het portret van Egbert de Vrij Temminck
Object type: text sheet
Date: 1781 – 1781
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: mayor, egbert de vrij temminck

Mogelijk tekstblad bij het portret door Jacob Houbraken.
Dish
Object type: dish
Date: 1451 – 1500
Materials: earthenware
Techniques: glazing
Culture: spanish
Location: spain
Subjects: coat of arms

Lusterware is the term used to describe a glazed earthenware ceramic decorated with an iridescent finish. The technique for creating this finish was developed in the ninth century under the rule of the Abbasid Caliphate in present-day Iraq. The medium involves a technique that is difficult to master, but if completed successfully, the surfaces of the ceramic objects display an iridescent sheen which is achieved through multiple firings and the application of a metal-based pigment (including silver, copper, tin, or a combination of these). Lusterware manufacture is still difficult to understand from a technical perspective because for generations, production was kept secret to protect workshop practices from being replicated by competitors. Therefore, pigment formulas and trade techniques were passed down from master to pupil and rarely recorded. Knowledge of the technique for creating lusterware made its way to the Iberian Peninsula by the twelfth century, when most of the region was still under Islamic rule. By the 1400s, the Iberian center of lusterware production was in Manises, near the city of Valencia. Previously a Muslim taifa, or principality, the Kingdom of Valencia was conquered in the thirteenth century by James I for the Crown of Aragon, and it was here that Christians and Muslim potters worked, sometimes together, for a diverse clientele with a voracious appetite for high quality lustered wares.
Jar with immortals
Object type: jar
Date: 1467 – 1500
Materials: enamel, porcelain
Culture: chinese
Subjects: human figures

Daoist immortals—identifiable by their wild hair, unkempt clothing, and feats of magic—cavort in a garden setting. This vibrant type of ceramic decoration, called fahua, entails applying raised lines and dots of slip with a piping bag, as if decorating a cake, in addition to glazes of various colors.
Design for the Hilt of a Small-Sword
Object type: drawing
Date: 1780 – 1790
Materials: graphite, ink, parchment
Techniques: pen, wash
Culture: italian
Location: italy
Artist: luigi valadier
Artist role: artist
Artist nationality: italian
Artist dates: 1726 – 1785
Subjects: hilts
Oude vrouw zittend aan een tafel
Object type: sketchbook leaf
Date: 1834 – 1903
Materials: paper, pencil
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: sitting figure (+ old female (human being)), laid table: table-ware, table-decoration, etc.

Vermoedelijk schenkt de vrouw drinken uit een kan of pot. Aan de andere zijde van de tafel vermoedelijk een tweede figuur. Blad 28 verso uit een schetsboek met 39 bladen.
Alb'om' panoram' i vidov g. Port'-Artura 1898-1899
Object type: page
Date: 1900 – 1900
Materials: cardboard, linen, paper
Techniques: photograph, printing, writing
Inscriptions: inscription: ‘M. Molas [...] le Sissoi Velicky.’
Judit met het hoofd van Holofernes
Object type: print
Date: 1589 – 1607
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: judith and her maidservant put holofernes' head in a sack
Inscriptions: collector's mark: Lugt 240

Judit stopt samen met haar bediende het hoofd van Holofernes in een zaak. Bij haar voeten ligt zijn zwaard. Achter haar ligt het lichaam van Holofernes in bed. Boven hem hangt een schild met het gezicht van een man. Links achter een burcht. Onder de voorstelling een tweeregelige, Latijnse tekst met commentaar op de voorstelling en een tekst met een opdracht.
Koning Josia geeft opdracht de priesters van de tempels in Samaria te vermoorden
Object type: print
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the pagan priests are either killed or suppressed ~ story of josiah

Koning Josia staat in de tempel van Samaria en laat de priesters op de offeraltaren vermoorden. Soldaten van Josia slaan de priesters met bijlen en zwaarden. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in 2 Kon. 23:20. Deze prent maakt deel uit van een album.
Gezicht op de Texelsche Kade en de Haringpakkerij [tegenwoordig: Prins-Hendrikkade] vanaf de Nieuwe Stadsherberg in het IJ, Amsterdam
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: street
Inscriptions: annotation: ‘Texelsche kade et partie du Haringpakkerij. (vue prise du Nieuwe Stads-Herberg) Amsterdam. - Johannes Leeuwenkuijl’, stamp: ‘E & M Photographie...’
Heilige spijker
Object type: book illustration
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: nails of the cross ~ relics of christ
Inscriptions: collector's mark: Lugt 240

Volgens het opschrift betreft dit de Heilige spijker die wordt bewaard in de Dom van Milaan.
Dit betreft waarschijnlijk een illustratie uit een onbekend boek, op p. a72.
Terracotta askos (vessel) in the form of a bull
Object type: askos in the form of a bull
Date: 1800 – 1600
Materials: terracotta
Culture: cypriot
Ridder van de Orde van de Kousenband
Object type: drawing
Date: 1663 – 1667
Materials: chalk, charcoal, graphite, paper
Artist: peter lely (sir)
Artist role: draughtsman, painter
Artist dates: 1618 – 1680
Subjects: knighthood order (garter), walking
Plate (one of six)
Object type: plate
Date: 1867 – 1900
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: human figures,trees
Quail, Sparrows, and Millet
Object type: hanging scroll
Date: 1501 – 1533
Materials: ink, silk
Culture: japanese
Subjects: birds

A flock of quails and pair of sparrows gather around stalks of millet, their heads heavy with ripe seed on an autumn day. The theme of quails and autumn grasses was widely depicted in China during the Southern Song dynasty (1127–1279), most often by painters in attendance at the imperial court. Many works on the theme were brought to Japan and entered the collections of Buddhist temples, while a select few entered prestigious private collections such as that of the Ashikaga family, who ruled Japan as military dictators during the Muromachi period. These works served as important models for later Japanese artists. The present example reflects the unidentified Japanese painter’s familiarity with these earlier Chinese works.
Vase with a Green Glaze
Object type: vase
Date: 1898 – 1898
Materials: earthenware
Techniques: vitrification
Location: delft
Inscriptions: mark: ‘fles // Delft // monogram. T. // Boz. // v’

Vaas van aardewerk, met slanke hals en vierlobbig lichaam, bedekt met groene glazuur. De hals heeft bovenaan een verdikking.
Portret van Paus Clemens XII
Object type: print
Date: 1730 – 1731
Materials: paper
Techniques: engraving
Location: rome
Subjects: clemens xii, historical persons, pope
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Part of the ground line; two black glaze lines; chain of pomegranates; two black glaze lines; frieze of upright lotus buds
Afbeeldingen van oude bestaande gebouwen
Object type: photomechanical print
Date: 1870 – 1870
Materials: paper
Techniques: photolithography
Location: amsterdam
Subjects: plan ~ architecture, parts of church exterior and annexes: tower
Inscriptions: collector's mark: ‘32.44’ Lugt 1641b

Rechtsboven genummerd: CVIII. Onderaan een schaalroede. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Westerkerk.
Ancient school built according to the Egyptian and Greek manners (Scuola antica architettata all'Egiziana e alla Greca)
Object type: print
Date: 1750 – 1750
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: architecture,schools,men
Patience in a Punt
Object type: print
Date: 1811 – 1811
Techniques: etching, stippling
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,fishing,boats

Four men with fishing poles in a boat. From left to right, one man has caught seaweed, is yawning, is securing his bait, and dangling a worm above a duck.
Inglinge höögh. Tumulus Regis Ingonis prope pagum Ingelstad in Smalandia et parochia Torsåhs, Sesquimilliari ab Oppido Wexionia / Delineato perotundi ac eleganter excisi Lapidis sepulcralis Super Tumulum Regis Ingonis prope pagum Ingelstadium positum
Object type: album leaf
Date: 1693 – 1693
Materials: paper
Techniques: etching
Subjects: grave, tomb and other grave-forms and grave-markers

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
Panel with Christ Among the Doctors
Object type: panel
Date: 1501 – 1533
Materials: wood
Culture: french
Location: france
Subjects: human figures,men,christ,doctors

Until 1950 this panel lined the Great Hall of Highcliffe Castle in southern England. Constructed in the 1830s for Lord Stuart de Rothesay, the castle was furnished in part with stonework acquired form the ruined royal abbey at Jumièges in Normandy, where the panels might also have originated. In all likelihood they once decorated the backs of choir stalls ordered in 1501 by the abbot of Jumièges. Carved on The Cloisters' thirty-five oak panels (50.147.1–38) are scenes from the lives of the Virgin and Christ, each set under an elaborate canopy of single or double arches. The exuberant latticework surrounding the arches provides an almost encyclopedic display of pinnacles, crockets, spirals and other fanciful decorations. As in many late medieval works, the figures are foreshortened within their inhabited surroundings, adding depth and drama to the composition.
Portret van John Nicoll
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: drypoint, etching
Artist: thomas worlidge
Artist role: print maker
Artist dates: 1700 – 1766
Subjects: historical person (...) - historical person (...) portrayed alone
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Dr. Nicolls 1756 etched by T. Worlidge’
Lint met strik van blauwe zijde met witte (of verbleekt oranje) biezen
Object type: womenswear
Date: 1600 – 1999
Materials: silk
Location: western europe
Artist: Anonymous

Lint met strik, gemaakt van blauwe zijde dat langs beide lange zijden is afgezet met een witte (of verbleekt oranje) bies.
Steek van gala-kostuum van lid Erewacht tijdens de inhuldiging van koningin Juliana
Object type: bicorne
Date: 1909 – 1948
Materials: textile
Location: netherlands
Artist: johannes sebastianus meuwsen
Artist role: hoedenmaker, koopman
Artist dates: 1862 – 1915
Subjects: erich hartmann, the hague, juliana of the netherlands, amsterdam
Inscriptions: label: ‘J.S. MEUWSEN / HOFLEVERANCIER. / AMSTERDAM. / DEN HAAG. / ROTTERDAM.’, inscription: ‘E / H’

Steek van zwarte pluizige stof met witte struisveren met aan één zijde een oranje rozet. Gedragen door Ernst Hartmann, lid Erewacht, tijdens de inhuldiging van koningin Juliana op 6 september 1948.
[Lacock Abbey]
Object type: photograph
Date: 1839 – 1840
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Majnun in the Wilderness
Object type: illustrated album leaf
Date: 1576 – 1600
Materials: ink, paper, watercolor
Location: iran
Subjects: animals,men
Portret van de heer Imans
Object type: print
Date: 1829 – 1863
Materials: paper
Techniques: lithograph
Artist: adrianus johannes ehnle
Artist role: draughtsman, print maker
Artist dates: 1819 – 1863
Subjects: writing tools, book, historical persons (+ half-length portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde zit op een stoel aan tafel. In zijn linkerhandheeft hij een boek. Op de tafel liggen boeken en schrijfgerei.
Creamer
Object type: cream pot
Date: 1850 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states