deem-data/ArtiFact huggingface dataset:
Table Base with Jonah Swallowed and Cast Up by the Big Fish
Object type: sculpture
Materials: marble
Culture: roman
Subjects: men,monsters,boats

This table base displays the story of Jonah (Jonah 1:12–2:10), who is shown being swallowed by a ketos, a legendary sea monster of the classical world, and then being rescued. According to Matthew (12:40), the story of Jonah was a foretelling of the Resurrection of Christ. The ship is a rare detailed depiction of a Roman merchant ship. Tarsos, where the base was found, was the birthplace of Saint Paul and an important Christian city.
Coffee Pot and Stand
Object type: metalwork
Date: 1786 – 1786
Materials: metal, silver
Location: london
Artist: hester bateman
Vijf voorstellingen
Object type: print
Date: 1750 – 1806
Materials: paper
Techniques: etching
Artist: johann rudolph schellenberg
Artist role: print maker
Artist dates: 1740 – 1806
Subjects: human being, man in general
Inscriptions: collector's mark: Lugt 2228
Fragment of a Bowl
Object type: fragment
Date: 1101 – 1300
Materials: stonepaste
Techniques: overglaze, painting
Location: iran
Subjects: men
Schetsboek met 54 bladen
Object type: sketchbook
Date: 1828 – 1894
Materials: cardboard, leather, paper, pencil, watercolor
Techniques: brush
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: landscapes, cattle, landscape with ruins, artist (in general) making preliminary designs, sketching, farm (building)
Inscriptions: inscription: ‘[...] 800 / [...] 150 / [...] 2[...]’

De volgende recto-bladen uit het schetsboek zijn blanco: 20(R), 22(R) 24(R), 25(R), 28(R) t/m 31(R), 40(R), 42(R), 43(R), 46(R) t/m 51(R), 53(R).
De volgende verso-bladen uit het schetsboek zijn blanco: 2(V) t/m 15(V), 25(V), 32(V), 43(V), 44(V).
Ewer
Object type: ewer
Date: 767 – 900
Materials: earthenware
Location: iran

This ewer was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Expedition des Pantheon
Object type: print
Date: 1830 – 1860
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Plaque
Object type: plaque
Date: 301 – 700
Materials: wood
Culture: coptic
Location: egypt
Alexander von Humboldt (1769–1859)
Object type: portrait
Date: 1856 – 1856
Materials: silk
Artist: nicolas romain
Artist role: designer
Artist dates: 1808 – 1858
Subjects: men,portraits
Lucidario di Recami, page 3 (recto)
Object type: book print ornament architecture
Date: 1564 – 1564
Techniques: woodcut
Location: italy
Artist: iseppo foresto
Artist role: designer
Artist nationality: italian
Artist dates: 1520 – 1580
Subjects: vines

Designed by Iseppo Foresto, published by Jeronimo Calepino, 1564. From top to bottom, and left to right: Design composed of 4 vertical columns printed upon a grid. First column is decorated with an intertwining vine of leaves with a 4-petaled flower at the center. Second column is decorated in the center with an urn, flanked on both sides by a curving vine of leaves. Third column is decorated with a flower in the center with stems that curve outward. Fourth column is decorated with a central flower that is surrounded by curving vines with leaves, upon which sit 2 devil figures at the top.
Familiefoto's in de voormalige kolonie Nederlands-Indië, Enschede en Pernis
Object type: album leaf
Date: 1925 – 1925
Materials: paper, cardboard
Techniques: gelatin silver print
Location: netherlands
Subjects: haarlem, elisabeth de jong-van tonderen, garden, terrace, passenger carriage, dutch east indies, the

De twee bovenste foto's zijn gemaakt in de voormalige kolonie Nederlands-Indië, met links op de rechter foto Elisabeth de Jong-van Tonderen, de stiefmoeder van Johanna (Hans) de Jong. Deze foto's maken deel uit van een album.
Glass jar
Object type: jar
Date: 201 – 400
Materials: glass
Culture: roman

Colorless with purple tinge. Rim folded out, round, and in, and pressed into side of broad, flaring mouth; short neck, expanding downwards; broad, rounded shoulder; convex curving side, tapering downwards; kick in bottom. Complete, but one crack around bottom; many pinprick bubbles; dulling, brilliant iridescence, and weathering on exterior, soil encrustation on interior.
Cestaruoli
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Twee soldaten te paard
Object type: print
Date: 1821 – 1827
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes mock
Artist role: draughtsman, painter, print maker
Artist dates: 1800 – 1884
Subjects: land forces (+ cavalry, horsemen)
Inscriptions: collector's mark: Lugt 2228
Utrechtse Courant Foto-Zegels
Object type: photograph album
Date: 1937 – 1937
Materials: paper, photographic support
Techniques: gelatin silver print
Subjects: utrecht, bernhard (prins der nederlanden), the hague, juliana of the netherlands, soccer, football (early names: soule, choule, cholle) (+ sportsman, player, etc.), historical persons, ruler, sovereign
Inscriptions: annotation: ‘Elftallen 188/ zegels/ C. Rooze. Schoolstr 2/ Woerden’

Plakboek met 195 fotozegels van onder andere Prinses Juliana en Prins Bernhard, ter gelegenheid van hun huwelijk op 7 januari 1937, en verschillende bekende sporters. De zegels werden verspreid bij de Utrechtse Courant.
Beleg van Bergen op Zoom, 1747
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: siege, position war, bergen op zoom

Illustratie voor: J. Fokke. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd. Amsterdam: Johannes Allart, 1783-1795, 25 delen. deel XI pl. III.
Enquêteformulier ingevuld door François Joseph Navez
Object type: questionnaire
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: brussels
Subjects: painter, draughtsman, françois joseph navez
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Oksaal in de Sint-Pieterskerk te Leuven
Object type: print
Date: 1852 – 1878
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: interior of church, civic architecture; edifices; dwellings
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Vanaf 1852 verschijnen de eerste afleveringen van deze serie, telkens in een set van drie platen voorzien van tekst door Félix Stappaerts. Later (vanaf 1854 tot en met 1878) worden deze prenten gebonden uitgegeven.
Saucer (one of two) (part of a traveling tea service)
Object type: saucer
Date: 1788 – 1788
Materials: hard paste porcelain
Artist: dihl et guérhard
Artist role: factory
Artist nationality: french
Artist dates: 1781 – 1824
Mirakels van de Heilige Hyacinthus van Polen
Object type: print
Date: 1595 – 1600
Materials: paper
Techniques: engraving
Location: venice
Artist: johann sadeler (i)
Artist role: print maker
Artist dates: 1550 – 1600
Subjects: miraculous activities and events ~ st. hyacinth, monk(s), friar(s), storm on land
Inscriptions: collector's mark: Lugt 240

De H. Hyacinthus van Polen en een monnik bidden geknield voor een korenveld dat door een storm wordt geteisterd. Hun gebed beëindigt de storm. De prent maakt deel uit van een achttiendelige serie die een kader vormt rondom een afbeelding van de H. Hyacinthus van Polen.
Portret van een vrouw
Object type: photograph
Date: 1879 – 1881
Materials: cardboard, photographic support
Techniques: albumen print
Artist: dirk niekerk
Artist role: fotograaf
Artist dates: 1824 – 1881
Subjects: adult woman, historical persons
Inscriptions: inscription: ‘D. Niekerk/ (...)/ Baangracht tusschen/ Leidsche Plein en/ Kruisstraat/ 248/ Amsterdam’
Grafmonument voor Ahasverus van den Berg
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: etching
Location: arnhem
Subjects: dordrecht, arnhem, serpent ouroboros, weeping, grave-building, monumental tomb, (rays of) light ~ symbol of god the father
Inscriptions: collector's mark: Lugt 2228

Het grafmonument van de predikant Ahasverus van den Berg met zijn portret, omlijst met een ouroboros als symbool voor de eeuwigheid. Bij het monument kijkt een treurende vrouw omhoog naar een vrouwenfiguur die op een bijbel op een sokkel leunt en met een hand naar een open plek tussen de wolken wijst waar lichtstralen uitkomen. Op het grafmonument liggen een zandloper en een lier en twee boeken van de overleden predikant, Evangelische zangen uit 1806 en Boek der Psalmen uit 1774. Tegen het monument staat tevens een zeis en op de voorgrond spelen twee naakte kinderen.
One of a pair of parakeets
Object type: parakeet
Date: 1734 – 1766
Materials: enamel
Techniques: enamel
Culture: chinese
Subjects: birds

During the Qianlong period, artisans working with cloisonné enamels expanded their repertoire to create three-dimensional representations of birds and other animals, depictions that have a long history in Chinese bronze casting. These parakeets could have been loosely modeled on prints of bronze antiquities, or inspired by the famous five-colored parakeet painted by Song-dynasty emperor Huizong (r. 1100–1126) as an auspicious omen. The polychrome possibilities of cloisonné enamels lent themselves particularly well to this colorful subject.
Strand bij Nice
Object type: photograph
Date: 1862 – 1862
Materials: cardboard, paper
Techniques: albumen print
Location: nice
Artist: louis crette
Artist role: fotograaf
Subjects: coast, beach
Inscriptions: inscription: ‘Nice’

Strand bij Nice met de Promenade des Anglais.
Cherry Blossoms in Full Bloom along the Sumida River (Sumidagawa hanazakari), from the series "Famous Places in Edo (Koto meisho)"
Object type: print
Date: 1832 – 1834
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Het uitplanten van de zaailingen (boven), Tabakzaadbedden (onder)
Object type: photomechanical print
Materials: paper
Techniques: photoaquatint
Location: munich
Subjects: plantation, tobacco, sumatra
Inscriptions: number: ‘21’

Onderdeel van Album met heliogravures van Sumatra's oostkust.
Sulmona. Porta Napoli (Sec. XIII)
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph
Location: sulmona
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), city-gate (+ city(-scape) with figures, staffage)
Officer, Meagher Guards, Providence, Rhode Island, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: soldiers,swords,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
French Photographer with His Wife
Object type: print
Date: 1861 – 1861
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa yoshikazu
Artist role: artist
Artist nationality: japanese
Artist dates: 1845 – 1870
Subjects: photography,men,women
Portret van Rutger Schutte op 63-jarige leeftijd
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, rutger schutte, historical persons, portrait of a writer

Prent waarschijnlijk uit: Schutte, Rutger. Stichtelyke gezangen, op de beste Italiaanschen, en eenige in dien smaak nieuwgemaakte zangwyzen (...). Amsterdam: Johannes Covens jr., 1770.
Scène uit Faust: twee wandelende paren in een bos
Object type: tissue stereograph
Date: 1868 – 1868
Materials: cardboard, paper, photographic support
Techniques: albumen print, cutting, hand coloring
Location: paris
Subjects: couple of lovers
Koning Aigialeus
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: king
Inscriptions: inscription: ‘315’

Een bloemkelk met een koning, zijn hoofd naar links gekeerd. Hij heeft een rijksappel en een scepter in zijn handen. De voorstelling is onderdeel van een reeks koningen in de Liber Chronicarum. De tekst identificeert hem als koning Aigialeus, koning van Sicyon. De prent maakt deel uit van een album.
George Howard (1773–1848), Lord Morpeth
Object type: painting, miniature
Date: 1775 – 1831
Materials: ivory
Artist: richard collins
Artist role: artist
Artist nationality: british
Artist dates: 1755 – 1831
Subjects: boys,portraits
Monument voor Johannes Henricus van der Palm
Object type: print
Date: 1843 – 1853
Materials: paper
Techniques: engraving
Artist: jan baptist tetar van elven
Artist role: draughtsman, print maker
Artist dates: 1805 – 1889
Subjects: rotterdam, leiden, johannes hendricus van der palm, grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 964

Een man en een jongen kijken naar het monument met het borstbeeld van de dichter, theoloog, staatsman en hoogleraar Johannes van der Palm (1763-1840), in de Pieterskerk te Leiden.
Sword Blade
Object type: sword
Date: 206 – 9
Materials: bronze, gold, silver
Techniques: inlay
Culture: chinese
Sampler
Object type: sampler
Date: 1701 – 1800
Materials: silk, wool
Subjects: peacocks,flowers
Zittende oude vrouw met rozenkrans
Object type: drawing
Date: 1766 – 1766
Materials: ink, paper
Techniques: pen
Artist: hendrik nieuwenhuysen
Artist role: draughtsman, print maker
Artist dates: 1747 – 1794
Bead ornaments, 2 female masks
Object type: bead ornament, 2 female mask
Date: 7000 – 330
Materials: gold
Subjects: women
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1898 – 1898
Materials: cardboard, ink
Techniques: pen, writing
Location: naples
Artist: vittorio pica
Artist role: criticus
Artist dates: 1864 – 1930
Subjects: carel nicolaas storm van 's-gravesande, amsterdam, painter, print maker, draughtsman, willem witsen, jan toorop, baronne madeleine deslandes, philip zilcken, the graphic arts
Inscriptions: collector's mark: ‘RPK’
Schön newes Modelbuch (Page 32r)
Object type: book print ornament architecture
Date: 1608 – 1608
Techniques: woodcut
Artist: sigismundus latomus
Artist role: publisher
Artist nationality: german
Artist dates: 1599 – 1632
Subjects: ornament,flowers,vases

Published by Sigismundus Latomus, Frankfurt a.M. Illustrated and hand-colored title page, 94 pages of designs for lace and embroidery.
Spotprent over de val van een minister, 1886
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: antwerp, jan van speyk

Spotprent over de val van een minister vergeleken met de zelfopoffering van Jan van Speyk. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 52, 1886.
Plate Six from Raccolta di Vasi diversi di Stef. de la Bella Fiorentino
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: etching
Location: germany
Artist: johanna sibylla küsel
Artist nationality: german
Artist dates: 1670 – 1730
Waarschuwing tegen infiltranten
Object type: album leaf
Date: 1942 – 1945
Materials: paper, plastic
Techniques: printing
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, tonny van renterghem, berlin, fritz kahlenberg, underground movement, partisans, netherlands

Illegaal blad met waarschuwing tegen personen die zich voordoen als werkend voor het verzet maar in werkelijkheid werken voor de Duitsers.
Scarab Inscribed with the Throne Name of Thutmose III
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs
Gezicht op de Beurs van Zocher te Amsterdam
Object type: print
Date: 1845 – 1847
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: stock exchange, stock-market, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Handel en Zeevaart: Hulpbeurs op de Dam en Beurs (Dam).
Disc shaped weight, lead,  from the wreck of the Dutch East India ship Hollandia
Object type: weight scale component
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Disc-shaped weight, circular, slightly convex top, concave underside.
Scene from the Life of the Buddha
Object type: hanging scroll
Date: 1401 – 1433
Materials: gold, ink, panel, silk
Culture: japanese
Subjects: palaces,men,women,buddha

This scroll depicts Prince Shakyamuni abandoning palace life after encountering human suffering. At the lower right, Shakyamuni's father, King Shuddhodana, asks women to dance and play musical instruments to entice the prince to remain. The identities of the two women inside the palace and the image of the Buddha ascending on a cloud remain problematic. Judging by the palatial surroundings, the two women could be Shakyamuni's wife, Yashodara, and her lady-in-waiting, in which case the ascending Buddha would signify Shakyamuni's departure from the palace to pursue enlightenment.
Veertien etsen van Michał Płoński
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: etching
Location: amsterdam
Artist: michał płoński
Artist role: print maker
Artist dates: 1778 – 1812
Subjects: farmers
Inscriptions: collector's mark: Lugt 2228

Op één blad met RP-P-1885-A-8761 en RP-P-1885-A-8763.
Dertien studies van ogen
Object type: tekenvoorbeeld
Date: 1795 – 1819
Materials: paper
Techniques: printmaking
Location: paris
Subjects: drawing, sketch, eyes
Inscriptions: collector's mark: Lugt 2228
Bergachtig landschap met waterval en boomstronken
Object type: drawing
Date: 1873 – 1917
Materials: chalk, charcoal, paper
Techniques: brush
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: waterfall, mountains
Moeder
Object type: photograph
Date: 1909 – 1909
Materials: photographic support
Techniques: photography
Location: netherlands
Inscriptions: date: ‘1909.’

Foto op bruin albumblad 24 van familiealbum van Alphons Diepenbrock.
Chest
Object type: chest
Date: 1467 – 1533
Materials: wood
Culture: french or swiss
Location: switzerland

As storage containers, chests became increasingly elaborate with high relief carvings in the later Middle Ages. This chest is carved with the popular decorative motif of linen fold panels, separated by a less common motif of an arcade of twisted columns and laurel arches.
The Chase
Object type: furnishing textile
Date: 1815 – 1825
Materials: cotton
Subjects: men,women,horses,trees,carriages
Portret van Jan Christiaan Loman
Object type: print
Date: 1821 – 1852
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, gouda, ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Grote Havenbrug te Leiden
Object type: photograph
Date: 1806 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: henri de louw
Artist role: fotograaf
Artist dates: 1851 – 1944
Subjects: bridge in city across river, canal, etc.
Inscriptions: date

Grote Havenbrug te Leiden in de nieuwe situatie met de dubbele ophaalbrug die werd geplaatst in 1894-1895.
Portret van Jean-Pierre de Crousaz
Object type: print
Date: 1693 – 1799
Materials: paper
Techniques: engraving
Subjects: historical persons, armorial bearing, heraldry
Nederlaegh der Israëliten door de Philistijnen
Object type: print
Date: 1711 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: first battle between the philistines and the israelites at eben-ezer; the israelites defeated
Inscriptions: collector's mark: Lugt 2228

gemaakt voor: Figures de la Bible, Amsterdam, B. Picart, 1720. ook gebruikt voor: Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament, en andere boeken, bij de Heilige Schrift gevoegt. Den Haag: Pieter de Hondt, 1728.
Portretten van figuren betrokken bij de Griekse onafhankelijkheidsoorlog
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: lithograph
Location: london
Subjects: eyeglasses, spectacles, head-gear, moustache, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent maakt onderdeel uit van een serie portretten van figuren betrokken bij de Griekse onafhankelijkheidsoorlog. Deze serie is uitgegeven door Adam Friedel in verschillende delen en edities.