deem-data/ArtiFact huggingface dataset:
Fotoreproductie van L'automne
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: garden, painting, drawing and the graphic arts, private festivities, merry company
Inscriptions: annotation: ‘Herbst’, inscription: ‘Jourdan, 50. L'automne’
Mitaine met open duim van gebreid katoen
Object type: childrenswear
Date: 1700 – 1800
Materials: cotton
Techniques: knitting
Location: netherlands
Artist: Anonymous

Linkermitaine van wit gebreid katoen, met open duim. Gebreid in patroon van afwisselende rijen met vogels en bloemen, voor baby of kind.
Widow Ducker & Her Nymphs
Object type: print
Date: 1813 – 1813
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: women,fish,horses
Nürnberg
Object type: cabinet photograph
Date: 1863 – 1898
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-sebalduskerk
Subjects: grave, tomb, parts of church interior
Inscriptions: number: ‘9.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, greaved legs of warrior with chlamys
Twee voorstellingen van dammen in dezelfde rivier in 1682 en 1683
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: etching
Location: rome
Subjects: river, dam (in canal)
Inscriptions: collector's mark: Lugt 2228

Prent uit: L'arte di rendere i fiumi navigabili, in varij modi, con altre nuove inventioni, e varij altri segreti. Rome: Giovanni Giacomo Komarek, 1696.
Waarschuwing tegen de vredesonderhandelingen te Keulen
Object type: jeton
Date: 1579 – 1579
Materials: copper
Techniques: striking
Location: dordrecht
Artist: gerard van bylaer
Artist role: die cutter
Artist dates: 1540 – 
Subjects: brussels, earl, cologne

Koperen penning. Voorzijde: twee ruiters en twee soldaten te voet met elkaar in gevecht binnen omschrift. Keerzijde: twee lijken, waarvan de hoofden op staken zijn geplaatst binnen omschrift
Jongen zittend op een stoel, wijzend naar rechts
Object type: drawing
Date: 1770 – 1837
Materials: chalk, paper
Techniques: brush
Artist: taco scheltema (i)
Artist role: draughtsman
Artist dates: 1760 – 1837
Fibula
Object type: fibula
Date: 800 – 501
Materials: bronze
Culture: italic
Rombertus Dodonaeus Mechlini
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: engraving
Location: brussels
Subjects: mechelen, leiden, rembertus dodonaeus, historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228

Prent uit: Bullert, Isaac. Académie des Sciences et Arts contenant les vies et éloges his. des hommes illustres qui ont excellé en ces professions depuis environ quatre siècles. Brussel: Foppens, François, 1682.
Het boek werd in 1682 eveneens in Amsterdam uitgegeven door de erfgenamen van Daniel Elzevier.
Deze portretten dienen ter illustratie van de biografie van een kunstenaar of geleerde. De meeste portretten werden door Nicolas de Larmessin vervaardigd (162), 93 door De Boulonois en een derde door ongeïdentificeerde prentmakers. Dit betreft een illustratie op p. 99, deel II.
Design for Stanhope Phaeton, no. 3674
Object type: drawing
Date: 1881 – 1881
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Diana and Acteon
Object type: print
Date: 1742 – 1742
Techniques: etching
Artist: etienne fessard
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1777
Nude Warriors Fighting
Object type: drawing and watercolor
Materials: fiber, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: Anonymous
Riviergod Peneus te midden van goden en nimfen
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: the river-gods condole with peneus for the loss of daphne transformed into a tree
Inscriptions: collector's mark: Lugt 11, collector's mark: ‘Hinloopen’

(Rivier)goden en nimfen zijn bijeengekomen bij de riviergod Peneus, die op een rots in een lommerrijk landschap zit. Mogelijk tonen zij hun medeleven na de metamorfose van Peneus' dochter Daphne in een laurierboom. In de ondermarge een vierregelige toelichting, in twee kolommen, in het Latijn.
Portret van Jules Verne
Object type: page
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Artist: étienne carjat
Artist role: draughtsman
Artist dates: 1828 – 1906
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Galerie Contemporaine/ 126, boulevard Magenta. - Paris./ Né à Nantes, le 8 février 1828.’
Kris with Sheath
Object type: kris with sheath
Date: 1801 – 1900
Materials: copper, gold, pigment, steel, stone, wood
Culture: balinese
Location: indonesia
Travelling Boat being Rowed
Object type: travelling boat, meketre, music, harp
Date: 1981 – 1975
Materials: gesso, linen, paint, wood
Location: egypt
Subjects: men,boats,meketre-models

This model of a riverboat was found with twenty three other models of boats, gardens, and workshops in a hidden chamber at the side of the passage leading into the rock cut tomb of the royal chief steward Meketre, who began his career under King Nebhepetre Mentuhotep II of Dynasty 11 and continued to serve successive kings into the early years of Dynasty 12. Meketre is seated smelling a lotus blossom in the shade of a small cabin, which on an actual boat would have been made of a light wooden framework with linen or leather hangings. Here the hangings are shown partly rolled up to let the breeze into the cabin. Wooden shields covered with bulls' hides are painted on each side of the cabin roof. A singer, with his hand to his lips, and a blind harper entertain Meketre on his voyage. Standing in front of him is a man, probably the ship's captain, with his arms crossed over his chest. He may be depicted awaiting orders, but he may also be paying homage to the deceased Meketre. As the twelve oarsmen propel the boat, a lookout in the bow holds a weighted line used to determine the depth of the river. At the stern, the helmsman controls the rudder. A tall white post amidship supported a mast and sail (not found in the tomb), which would have been taken down when the boat was rowed downstream—as it is here—against the prevailing north wind. Going south (upstream), with the wind behind it, the boat would have been sailed. The boat is similar to one Meketre might have used in his lifetime. Certain details, however, suggest that on this voyage Meketre is traveling toward the afterlife. For instance the blossom he holds is the blue lotus, a flower the Egyptians associated with rebirth. All the accessible rooms in the tomb of Meketre had been robbed and plundered already during Antiquity; but early in 1920 the Museum's excavator, Herbert Winlock, wanted to obtain an accurate floor plan of the tomb's layout for his map of the Eleventh Dynasty necropolis at Thebes and, therefore, had his workmen clean out the accumulated debris. It was during this cleaning operation that the small hidden chamber was discovered, filled with twenty-four almost perfectly preserved models. Eventually, half of these went to the Egyptian Museum, Cairo, and the other half came to the Metropolitan Museum in the partition of finds.
Iacobus Androuetius Du Cerceau inventor ante annos non paucos conscripsit (...)
Object type: ornament print
Date: 1525 – 1594
Materials: paper
Techniques: etching
Location: france
Inscriptions: collector's mark: Lugt 240

Blad uit serie met architectuurfantasieën en grotesken met fabelwezens, guirlandes, kandelabers en mascarons.
Portret van koning Koenraad IV
Object type: print
Date: 1589 – 1624
Materials: paper
Techniques: engraving, etching, letterpress printing
Artist: lucas kilian
Artist role: draughtsman, print maker
Artist dates: 1579 – 1637
Subjects: historical persons, king
Inscriptions: collector's mark: Lugt 2228

Deze prent is gebruikt in: Mazzella, Scipione, Kilian, Lucas en Custos, Dominicus. Der Neapolitanische Koenige Leben und Bildnisse (...). Augsburg: Lucas Kilian, 1624.
Te Bremen dringen Luthersen tegen het verbod van de raad de Dom binnen terwijl de wacht de wapens neerlegt, 1638
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: church (exterior), battle, fighting in general
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Gottfried, Johann Ludwig. Historische kronyck; vervattende een (...) beschrijvingh der aldergedenckwaerdigste geschiedenissen des weerelds, van den aenvangh der scheppingh tot (...) 1576 (2 delen). Leiden: Pieter van der Aa, 1698, dl. II, p. 27.
Ruit met twee cartouches en een wapenschild met als helmteken twee vleugels
Object type: wapenruit
Date: 1600 – 1699
Materials: glass, lead
Techniques: leading
Artist: Anonymous

Wapenruit met als helmteken twee vleugels. Daaronder tweemaal een cartouche waarin "Ick Siet geen silver" en "Jan Lambertsz Bruijn".
Model of a Pile Dwelling
Object type: architectural model
Date: 300 – 1
Materials: bronze
Culture: chinese
Subjects: houses
Fragment
Object type: fragment
Date: 1801 – 1900
Materials: lace

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Portret van Cesare Baronio
Object type: print
Date: 1593 – 1625
Materials: paper
Techniques: engraving, etching
Subjects: history and archaeology (+ portrait of scholar, scientist), historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van de schilder Hendrik van Balen (I)
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: painter, hendrik van balen (i), portrait, self-portrait of painter, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 240
Landscape with a Farm Building and the "House with the Tower"
Object type: print
Date: 1650 – 1650
Materials: ink, paper
Techniques: drypoint, etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Huwelijksknipsel met twee monogrammen van Pieter Adrian Vlacq en Catherine Elisabeth Metayer
Object type: cut paper
Date: 1771 – 1771
Materials: ink, paper
Techniques: pen, snipping
Artist: Anonymous
Subjects: rotterdam, catharina elisabeth metayer, flowers, marriage, married couple, 'matrimonium'
Inscriptions: stamp, collector's mark: Lugt 1641

Plaatsaanduiding voor huwelijksmaaltijd met twee monogrammen, een baldakijn en twee bustes op sokkels. In het midden in inkt twee wapenschilden aan linten met twee gekroonde medaillons, waarin links PAV en rechts CEM. Links en rechts twee gevleugelde kariatiden met bloemenmanden op het hoofd. De onderste helft bestaat uit een rasterwerk en florale motievenOnderaan de tekst: mr. Pieter Adrian Vlacq in den egt verenigt met Catharina Elisabeth Metayer den 17 Sepr. 1771. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Knipkunst.
Lakeshore View [Long Lake?] (from Sketchbook)
Object type: watercolor
Date: 1860 – 1864
Materials: graphite, paper, watercolor
Techniques: tinting
Culture: american
Artist: thomas hewes hinckley
Artist role: artist
Artist nationality: american
Artist dates: 1813 – 1896
Subjects: lakes,trees

Hinckley painted landscapes chiefly as a background to his portraits of wild and domesticated animals. This sketchbook (1992.373.1 recto–.27) contains thirty-four drawings in graphite and watercolor and appears to have been filled during a tour that the artist probably began near the Delaware Water Gap and extended north into the Catskill Mountains and Adirondacks of New York State. Few of the drawings in this book, however, can be linked to Hinckley’s known paintings after 1864, and the majority of them represent not merely selected motifs, but discrete compositions that often assume the character of engraved vignettes.
Zonaanbidder
Object type: print
Date: 1968 – 1968
Materials: paper
Techniques: lithograph
Artist: rein dool
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1933 – 
Inscriptions: title: ‘ZONAANBIDDER’, signature and date: ‘Rein Dool '68’, edition: ‘1/9’

Figuur met opengesperde kaken en opgeheven armen onder stralende zon.
Portret van Lodewijk XIV van Frankrijk
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: engraving
Artist: christiaan lodewijk van kesteren
Artist role: print maker
Artist dates: 1832 – 1897
Subjects: lodewijk xiv (koning van frankrijk), coat of arms (symbol of sovereignty), armour, historical persons, king
Inscriptions: number: ‘No. 520’

Prent waarschijnlijk uit: Arend, Johannes Pieter en J. van Vloten. Algemeene Geschiedenis des Vaderlands (...). Haarlem: I. de Haan, 1879, dl. 4-1.
Portret van Desiderius Erasmus
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: rotterdam, desiderius erasmus, historical persons, scholar, philosopher (+ portrait of scholar, scientist)
Inscriptions: date

Met vierregelig vers van Beza in het Latijn onder het portret.
Wheellock Pistol
Object type: wheellock pistol
Date: 1580 – 1590
Materials: ivory, steel, wood
Culture: german
Location: germany
Stephens, St. Louis, American League, from the White Border series (T206) for the American Tobacco Company
Object type: baseball card
Date: 1909 – 1911
Techniques: lithography
Artist: american tobacco company
Artist role: publisher
Subjects: men,portraits,baseball,athletes

Trade cards from "White Border" series (T206), issued 1909-11 to promote sixteen brands of cigarettes and loose tobacco distributed by the American Tobacco Company.
Boogbrug in Zomerpaleis, Peking
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, photographic support
Techniques: photograph
Location: beijing
Artist: Anonymous
Subjects: peking
Inscriptions: number: ‘10.’
Cup
Object type: cup
Date: 1801 – 1900
Materials: metal, porcelain, silver
Techniques: gilding
Location: turkey

This cup is typical of the objects that were displayed in open niches in reception rooms of upper-class Syrian residences during the Ottoman period.
Gezicht op het stadhuis van Leuven, België
Object type: page
Date: 1875 – 1880
Materials: paper
Techniques: photograph, photolithography
Location: leuven
Subjects: townhall
Inscriptions: inscription: ‘HOTEL de VILLE (...)’, monogram: ‘JJvY’, inscription: ‘LITT. H. - PL. 11’
Portret van Maria Anna van Savoy, keizerin van Oostenrijk en koningin van Hongarije
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: vienna state
Subjects: historical persons - bb - woman, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral) - bb - female ruler
Inscriptions: collector's mark: Lugt 2228
Portret van Christian Heinrich Riehm
Object type: print
Date: 1847 – 1883
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: amsterdam, draughtsman, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Studieblad met paarden en figuren
Object type: sketchbook leaf
Date: 1883 – 1885
Materials: chalk, paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, adult man, horse

Pagina 13 en pagina 14 uit een schetsboek met 17 bladen.
Numa Pompilus
Object type: piece
Date: 1825 – 1825
Materials: cotton
Subjects: human figures,trees
Kop van hazewindhond
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: aquatint, etching
Location: the hague
Subjects: dog
Inscriptions: collector's mark: Lugt 2228

Uit inventarisboek: Kr. 5. Verso: tekening in bruine inkt van een herbergscène en een tekening in potlood van twee vechtende mannen.
The Flagellation, from "The Passion"
Object type: print
Date: 1512 – 1512
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,christ,punishment
Oude vrouw met een kapje op haar hoofd
Object type: print
Date: 1665 – 1738
Materials: paper
Techniques: etching
Location: netherlands
Artist: carel de moor (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1655 – 1738
Subjects: head-gear, neck-gear ~ clothing (with name), neck-gear: collar (+ women's clothes), old woman
Inscriptions: collector's mark: Lugt 240

Oude vrouw met een kapje op haar hoofd en plooikraag om haar nek.
Onderdeel of hulpstuk afkomstig uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: part
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip)

Strip-shaped fitting; fragm, sim. 80H947, 2 holes diagonally at one end.
Design for wall decoration in the house of Baron Malet in Jouy-en-Josas (Seine et Gise)
Object type: drawing
Date: 1871 – 1871
Materials: gold paint, gouache, ink, paper, watercolor
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: architecture
Ornament
Object type: ornament
Date: 1601 – 1700
Techniques: lace
Subjects: birds,flowers

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Four vertical rows of dots separated by black glaze lines; unidentified object
Suikerdrooginstallatie
Object type: photograph
Date: 1932 – 1932
Materials: photographic support
Techniques: gelatin silver print
Location: surabaya
Subjects: colonial system, factory-interior, machine shop, machines; parts of machines; tools and appliances, (non-fruit) products of plants or trees: sugarcane, java
Inscriptions: company name: ‘Kunst Foto Atelier Isken’

Suikerdroger vervaardigd in 1932 voor de Suikerfabriek Adiwerna ten zuiden van Tegal. Onderdeel van de multomap met foto's van machines van de N.V. Machinefabriek Braat te Soerabaja bestemd voor de Nederlandse suikerindustrie op Java, uit de periode 1917-1938.
General Lafayette, from the "Generals" series (T64), issued by D.H. McAlpin & Co. Tobacco Company
Object type: print
Date: 1901 – 1901
Techniques: color lithograph
Artist: d.h. mcalpin & co. tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1901

Tobacco insert card from the "Generals" series (T64), issued by D.H. McAlpin & Co. Tobacco Company.
De Westerhal te Amsterdam
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: façade ~ architectural design or model, façade (of house or building), weigh-house
Inscriptions: collector's mark: ‘41-80’ Lugt 1641b

Prent uit de serie: Afbeeldingen van oude bestaande gebouwen / uitgeg. door de Maatschappij tot Bevordering der Bouwkunst, Amsterdam; Van Bakkenes, Afl. 1 (1854) - 47 (1907).
Two Angels or Winged Genii Carrying Torches
Object type: print
Date: 1510 – 1561
Techniques: engraving, etching
Artist: battista franco
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1561
Subjects: angels
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, drapery
Kiosk van Fin Garden in Kashan
Object type: book illustration
Date: 1843 – 1854
Materials: paper
Techniques: tone lithography
Location: paris
Artist: eugène flandin
Artist role: painter, print maker
Artist dates: 1809 – 1889
Subjects: lay-out of garden, water-works in garden
Inscriptions: collector's mark: Lugt 2228

Bagh-e Fin, zoals de tuin ook bekend is, is een historische Perzische tuin in Kashan, Iran.
Uit: Coste, Pascal-Xavier en Eugène Napoléon Flandin. Voyage en Perse de mm. Eugène Flandin, peintre, et Pascal Coste, architecte (...). 8 dln. Parijs: Gide et Jules Baudry, 1843-1854.
Gem
Object type: gem
Date: 101 – 400
Culture: roman
Heraldic tunic from the House of Orange-Nassau
Object type: coat
Date: 1647 – 1647
Materials: linen, metal thread, silk
Techniques: embroidered, sewing, weave
Artist: johan pietersz. smout
Artist role: lakenkoopman, schepen
Artist dates:  – 1652
Subjects: frederick henry (prince of orange), the hague, willem iv (prins van oranje-nassau), coat of arms (symbol of sovereignty), netherlands

No article of clothing could be more symbolic: the arms of Prince Frederick Hendrick of Orange-Nassau are embroidered on the front, back, and sleeves. This ‘heraldic tunic’ was made for his state funeral in Delft on 10 May 1647. It was carried in the procession to demonstrate the deceased’s status and rank. Four such tunics were worn by heralds, and a fifth, symbolizing the dead prince, was borne aloft on a pole.
Bowl
Object type: bowl
Date: 1101 – 1200
Materials: stonepaste
Techniques: overglaze, painting
Location: iran
Subjects: human figures
Vase
Object type: vase
Date: 618 – 907
Materials: bronze
Culture: chinese
Joséphine/ Impératrice des Français
Object type: print
Date: 1829 – 1898
Materials: paper
Techniques: etching
Subjects: joséphine de beauharnais, historical persons, emperor - bb - female ruler
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 2760
Ein ney Furmbüchlein, Page 11, recto
Object type: book print ornament architecture
Date: 1525 – 1529
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550