deem-data/ArtiFact huggingface dataset:
Mold
Object type: mold
Date: 867 – 933
Materials: clay
Techniques: molding
Location: iran

This mold was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Portret van een vrouw met kind
Object type: photograph
Date: 1850 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Subjects: mother and child(ren), woman and child(ren) (family group)
Inscriptions: inscription: ‘The London/ and Continental/ Photographic/ copying company’
Dish with a bull, a greyhound, and a hare
Object type: dish
Date: 1501 – 1700
Materials: earthenware
Techniques: luster painting, glazing
Subjects: bulls

Tin-glazed earthenware, of which lusterware is one type, was developed in the Middle East in the ninth and tenth centuries to imitate the porcelains produced in China. The opaque white glaze concealed the clay body, which could range from pale buff to brick red, allowing for brilliant effects created by painting the white surface with metal oxides that fired to a range of colors. This technique, as well as the use of metallic luster—an iridescent, coppery painted glaze—spread throughout the Muslim world, arriving among the potters of Valencia in the thirteenth century. The so-called Hispano-Moresque lusterware, with its fusion of Islamic and Gothic styles and motifs, often in shaped imitating those of metal vessels, was treasured by the elite in Spain during the fifteenth century and exported to the courts of Europe. The Valencian industry declined in the late sixteenth century, as colorful Italian Renaissance maiolica gained in popularity among the fashionable and as Spanish centers were founded to produce versions of its pictorial forms. Adding to this decline was the expulsion from Valencia in 1609 of all the remaining Moriscos (Muslims converted to Christianity), though Christian potters reestablished the industry shortly thereafter.
Portret van Cornelis Pietersz. Bega
Object type: print
Date: 1718 – 1718
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: haarlem, cornelis pietersz. bega, historical persons, portrait, self-portrait of painter
Inscriptions: inscription: ‘Cornelis Bega’

Prent uit: Houbraken, Arnold. De groote schouburgh der Nederlantsche konstschilders en schilderessen (...). Amsterdam: Arnold Houbraken, 1718, dl. 1.
Don Quichot ten val geraakt tijdens een bal
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: ball, formal dance, falling, don quixote
Inscriptions: date

Tijdens een bal is Don Quichot ten val geraakt omdat hij te veel had gedanst. Sancho probeert hem met opstaan te helpen, maar Don Quichot weigert zijn hulp in eerste instantie. De twee worden omringd door sjiek uitgedoste dames en heren. Op de achtergrond speelt een kamerorkest.
Lot en zijn dochters verlaten het brandende Sodom
Object type: print
Date: 1552 – 1552
Materials: paper
Techniques: woodcut
Location: nuremberg
Subjects: the destruction of sodom and gomorrah: lot and his family flee to zoar, carrying their belongings; an angel may be showing the way (genesis 19:24-29), lot's wife looks back at the city and is transformed into a pillar of salt
Inscriptions: number: ‘181’

Gebruikt voor verschillende publicaties die werden gedrukt door Valentin Geißler tussen 1552 en 1560 te Neurenberg.
Ioannes Apostolvs Propheta Martyr Evangelista Virgo.
Object type: print
Date: 1607 – 1607
Materials: paper
Techniques: engraving
Location: cologne
Subjects: st. john the evangelist writing the gospel, usually the eagle present
Inscriptions: collector's mark: Lugt 2166

Buste van de evangelist Johannes die zijn evangelie schrijft. Naast hem zijn attribuut de adelaar. In de marge een zesregelig onderschrift, in drie kolommen, in het Latijn. Prent uit een serie van vier met de evangelisten.
Seated female figurine
Object type: statuette of a woman
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: women

The figurine is handmade and solid. The face is mold-made. The rudimentary chair has a high back.
Shroud
Object type: shroud, painted
Materials: linen, paint
Location: egypt
Subjects: birds,portraits,women,anubis

Viewed vertically this shroud has an architectural structure with a frieze of uraeus-cobras and a winged sun disk across the top, and registers of scenes down either side of the female figure as if she stood in a doorway. Placed over the supine mummy the naturalistic painted bust would lie over the face, and the panels of gods would have been draped along its sides. The woman’s rosy face and large eyes are striking. A long bone or ivory pin holds coils of her hair in place on top of her head, and she holds a small wreath in one hand. Over her abdomen Isis and Nephthys mourn, and over her lower body are placed the long strands of the late protective ornament as well as a net garment. Columns on either side of her head are invocations to the god Osiris, but her name is lost. The side panels are paired, showing the goddesses Isis and Nephthys as red kites (a bird related to the hawk); the four mummy-shaped “sons of Horus” associated with the bodily integrity; jackals associated with transit and cemetery; the Thoth-ibis and the Horus-falcon; and at the bottom scenes of the dead woman led by Horus and alternatively Anubis into the afterlife. Interestingly, one specialist has noted that women may have had more flexibility in relation to tradition when creating shrouds, and might experiment more often with the ‘new’ Greco-Roman naturalism.
Woman Walking in the Snow
Object type: hanging scroll
Materials: ink, silk
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: women,snow,umbrellas

In his prints, Hiroshige used the unprinted white paper to represent snow, a technique also exploited in this painting, in which unpainted silk, reserved against the pale ink wash, suggests the snow-covered areas. Slightly bleeding ink creates the impression of fluffy snow, and snowflakes were rendered with splashes of opaque white pigment. By contrast, the figure's partially revealed red undergarment intensifies the white. Hiroshige's early works, of the mid-to late 1820s, depict slouching, long-faced women, while his later works present tall beauties in landscape settings, as in this scroll, made in the 1840s or early 1850s.
Frontispice pour le "Tombeau de Guillaume III" (Frontispiece for the Tomb of William III), from Tombeaux des Princes, des Grands Capitaines et autres Hommes illustres (Tombs of Princes, Great Captains, and other Illustrious Men)
Object type: collection ornament architecture
Date: 1736 – 1736
Techniques: engraving, etching
Location: france
Artist: pierre louis surugue
Artist role: artist
Artist nationality: french
Artist dates: 1716 – 1772
Subjects: cartouches
Vier ogen zonder pupillen
Object type: print
Date: 1820 – 1826
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jean augustin daiwaille
Artist role: draughtsman, print maker, printer
Artist dates: 1786 – 1850
Subjects: eyes
Inscriptions: collector's mark: Lugt 2228

De ogen hebben geen pupillen of wimpers. Genummerd linksboven: 'No. 2'. Deze prent maakt deel uit van een omslag met veertien prenten.
Steengoed: drie Siegburg Schnellen (kannen) uit circa 1575-1600
Object type: photograph
Date: 1863 – 1863
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: netherlands
Subjects: container of stone: stone vase
Inscriptions: annotation: ‘219 Hoog 22 diam. v. boven 6, v. onderen 8,5. 818. Hoog 19 met deksel 22,5 diam. v. boven 4,5 v. ond. 7 ned. duim. 822. Hoog 23, v. boven 5 v. ond. 8 ned duim.’

De linkerkan is in de collectie van het KOG: BK-KOG-B358-465. De kannen zijn te zien in H.C. Rogge, Album. Verzameling van afbeeldingen der merkwaardigste voorwerpen, ingezonden voor de Tentoonstelling van Oudheden
Portret van Peter I de Grote, tsaar van Rusland
Object type: print
Date: 1698 – 1737
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: peter i de grote (tsaar van rusland), historical persons
Inscriptions: collector's mark: Lugt 2228

Borstbeeld van Peter de Grote met harnas in een ovale lijst versierd met bladranken. Voor de lijst liggen op een stenen sokkel een kroon, scepter en een rijksappel. Onder de voorstelling een Nederlands vers door Samuel Sylvius op de heldendaden van de tsaar.
Bracelet with snakes' heads
Object type: bracelet with snakes' head
Date: 7000 – 330
Materials: silver
Subjects: snakes
Vaandel van een der regimenten van Oranje-Nassau
Object type: banner
Date: 1752 – 1795
Materials: silk
Techniques: lining, painted
Location: netherlands
Artist: Anonymous
Subjects: holland

Ecru, op het midden het wapen der Republiek, gehouden door twee omziende leeuwen met een hertogelijke kroon, het wapen gedekt met een koningskroon. Het schild is gevat in een asymmetrische cartouche waaronder een banderol met in klassieke gouden kapitalen: CONCORDIA RES PARVAE CRESCUNT, de spreuk der Republiek. Het geheel is omgeven door twee omhoog gebogen gouden takken met oranjeappels, welke aan de onderzijde door een kleine oranjerode strik bijeengehouden worden. Paradekant identiek.
Composition (Fjord)
Object type: drawing
Date: 1915 – 1916
Materials: ink, pencil
Techniques: brush
Artist: jacoba van heemskerck
Artist role: artist
Artist nationality: dutch
Artist dates: 1876 – 1876
Subjects: landscapes
Spout Vessel in the Form of a Gourd
Object type: vessel
Date: 250 – 500
Materials: ceramic, pigment
Culture: moche
Location: santa valley
Wedding stockings
Object type: wedding stocking
Date: 1863 – 1863
Materials: cotton
Culture: american
Design for the Ceiling of the Center Hall of Château de Syam, France
Object type: drawing
Date: 1820 – 1820
Materials: graphite, ink, watercolor
Techniques: pen
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: architecture,ceilings
Tekenboek met werken van James Duffield Harding 1838
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: tone lithography
Location: london
Subjects: rowing-boat, canoe, etc., river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Uitgever Charles Tilt heeft verschillende series uitgegeven over het werk van James Duffield Harding. Deze serie 'Harding's drawing book for the year MDCCCXXXVIII', bestaat uit zes delen met elk vier lithografieën.
Kraag, van wit linnen; bestaande uit een onafgewerkt schouderstuk, waar langs de halslijn een dubbele kraag met losse slippen is aangerimpeld, afgezet met linnen kloskant
Object type: miniature
Date: 1690 – 1710
Materials: linen
Techniques: lace
Artist: Anonymous

Kraag van wit linnen; bestaande uit een onafgewerkt en ongezoomd schouderstuk, waar langs de halslijn een dubbele kraag met losse slippen is aangerimpeld. De kraag is afgezet met linnen kloskant.
Portret van William Nairn
Object type: page
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: carbon print, woodburytype
Subjects: functionaries and dignitaries (with name) ~ protestant churches
Amulet, cat
Object type: amulet, cat
Date: 1550 – 1295
Materials: lapis lazuli
Location: egypt
Subjects: cats
Portret van William Pitt II
Object type: print
Date: 1794 – 1828
Materials: paper
Techniques: stippled etching
Location: haarlem
Subjects: london, politician, historical persons
Inscriptions: collector's mark: Lugt 2228
Pocket bottle
Object type: pocket bottle
Date: 1815 – 1845
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Portret van Leonhard Schwab op 41-jarige leeftijd
Object type: print
Date: 1671 – 1671
Materials: paper
Techniques: mezzotint
Artist: Anonymous
Subjects: historical persons, armorial bearing, heraldry, (military) equipment and supply

Met tekst in het Duits rondom het portret.
Man met pet en lange jas
Object type: book illustration
Date: 1841 – 1841
Materials: paper
Techniques: engraving
Location: the hague
Subjects: carrying something, coat, adult man, head-gear: cap
Inscriptions: collector's mark: Lugt 2228

Prent uit: Brown, Henry. De Nederlanden: karakterschetsen, kleederdragten, houding en voorkomen van verschillende standen. Den Haag: Nederlandsche Maatschappij van Schoone Kunsten, 1841.
Gezicht op herberg Het Kalfje aan de Amsteldijk
Object type: drawing
Date: 1701 – 1769
Materials: chalk, ink, paper
Techniques: brush, pen
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, hotel, hostelry, inn
Inscriptions: date: ‘January 1769’, inscription: ‘gezigt van 't Kalfje aan den Amstel’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 8.
Kamakura, Nishimikado
Object type: print
Materials: paper
Techniques: woodcut
Location: japan
Artist: Anonymous
Subjects: representations ~ gods, demi-gods, heroes, etc. (hinduism, buddhism, jainism)
Inscriptions: collector's mark: Lugt 2760

Bodhisattva zittend op lotusbloem tegen cirkelvormige achtergrond waarin twee draken.
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 45 (recto)
Object type: book print ornament architecture
Techniques: drawing, etching
Artist: pietro paulo tozzi
Artist role: designer
Artist nationality: italian
Artist dates: 1593 – 1628
Subjects: flowers

Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua. Design is composed of a central rectangle upon which the alphabet is printed twice. Surrounding all sides of the middle section is a border decorated with various foliage and floral elements as well as geometric motifs.
Apostle's Well (from Sketchbook)
Object type: drawing
Date: 1904 – 1904
Materials: graphite, paper
Culture: american
Artist: mary newbold sargent
Artist role: artist
Artist nationality: american
Artist dates: 1826 – 1906
Subjects: human figures,animals,wells,apostles
Abritz dermahliger Burger Büchereij auf der Wasser Kirchen allhier
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: etching
Location: zurich
Subjects: writing-table, writing-desk, public library
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Interieur van de Wasserkirche te Zürich, in gebruik als bibliotheek. In het midden van de zaal staat een leestafel. Aan het plafond hangen een opgezette krokodil en twee vissen. Op de bovenste verdieping is een globe te zien. Onder een achtregelig vers in het Duits.
Hexagonal Bowl with Decoration of Flowers of Four Seasons
Object type: bowl
Date: 1680 – 1710
Materials: cobalt, enamel, gold, porcelain
Techniques: underglaze
Culture: japanese
Subjects: flowers
Coin (Thaler) Showing John Philip, Duke of Saxony
Object type: coin thaler
Date: 1625 – 1625
Materials: silver
Culture: german
Location: germany
Subjects: men
Inwijding van de Arc de Triomphe te Parijs 1836
Object type: history medal
Date: 1836 – 1836
Materials: silver
Techniques: striking
Artist: montagny

Zilveren penning, op de voorzijde het portret van Napoleon naar rechts met omschrift, op de keerzijde de Arc de Triomphe waarboven een ster.
Portret van Pierre Boquin
Object type: print
Date: 1588 – 1622
Materials: paper
Techniques: engraving
Artist: jacques granthomme
Artist role: print maker, publisher
Artist dates: 1550 – 
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van (vermoedelijk) een prent van een verliefd stel
Object type: photograph
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: couple of lovers

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
Box
Object type: box
Date: 1750 – 1750
Materials: copper, enamel, silver
Techniques: painting
Artist: jean or pierre mussard
Artist role: artist
Artist dates: 1707 – 1768
Subjects: men,women,drinking
Portret van Rhijnvis Feith
Object type: print
Date: 1818 – 1826
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: rhijnvis feith
Inscriptions: collector's mark: Lugt 2228

Portret van de dichter en advocaat Rhijnvis Feith.
Portret van een oude vrouw
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman, old woman
Medal:  Sultan Mehmed II
Object type: medal
Materials: bronze
Artist: costanzo da ferrara
Artist role: artist
Artist nationality: italian
Artist dates: 1440 – 1524
Subjects: men,portraits,profiles

Costanzo da Ferrara was both a painter and a medalist who was primarily active in Naples. Costanzo was called to Istanbul to paint a portrait of the Sultan Mehmed II of Turkey (1430–1481) probably between 1475–1478 when diplomatic relations were restored following the Turkish attack on Negroponte. It is likely that Costanzo remained at the court until the Sultan's death in 1481, when this medal was produced. The reverse shows the subject on horseack. The work is a fine old aftercast of the 1481 version of Costanzo’s original medal of 1477– 80; it was possibly cast after a reworked and polished lead original. Note the unusual spelling of ETERETIE, which should be ET GRETIE.
Zydgevel / Façe laterale
Object type: print
Date: 1789 – 1791
Materials: paper
Techniques: etching
Location: amsterdam
Artist: noach van der meer (ii)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1822
Subjects: jacob otten huslij, architectural design or model
Inscriptions: collector's mark: Lugt 2233

Zijgevel van gebouw Felix Meritis te Amsterdam. Rechtsboven genummerd: Pl. VI. Onderdeel van het plaatwerk over de architectuur van het gebouw voor de maatschappij Felix Meritis te Amsterdam, ontworpen door de achitect Jacob Otten Huslij en ingewijd op 31 oktober 1788.
Four-Cornered Hat
Object type: hat
Date: 401 – 900
Materials: animal fiber
Culture: tiwanaku
Location: peru or bolivia
New Year Greeting Card for "Rat" Year
Object type: print
Date: 1828 – 1828
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: yanagawa shigenobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1787 – 1832
Subjects: women,rats
Ex libris van A.H. Gerhard
Object type: bookplate
Date: 1926 – 1926
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: fré cohen
Artist role: draughtsman, print maker
Artist dates: 1903 – 1943
Subjects: trees, housing, sun as celestial body
Reverse frame
Object type: frame
Date: 1640 – 1640
Materials: gilt, wood
Culture: bolognese or southern italian
Portrait of Marshal von der Schulenburg
Object type: drawing and watercolor
Date: 1735 – 1735
Materials: board, chalk, charcoal, paper, wood
Techniques: drawing, heightening, stumping
Location: italy
Artist: giovanni battista piazzetta
Artist role: artist
Artist nationality: italian
Artist dates: 1682 – 1754
Ceremonial Arrowhead
Object type: arm
Date: 1500 – 1600
Materials: metal alloy, metal, steel
Techniques: gilding
Culture: italian
Location: italy
Porte de St. Honoré
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching
Subjects: city-gate
Inscriptions: collector's mark: Lugt 240
Een fontein tussen Ariccio en Genzano
Object type: drawing
Date: 1786 – 1857
Materials: chalk, paint, paper
Subjects: well, utilitarian, public pump or water fountain, italy

Tekening uit een groep tekeningen van landschappen en stadsgezichten in Italië (Rome, Tivoli, Civita Castellana en Pozzuoli).
Landschap met figuur en kind lopend door een storm
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: etching, intaglio
Subjects: storm, landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Ontwerp voor een kamerbeschildering met stenen bogen met een fontein en zicht op een tuin
Object type: watercolor
Date: 1677 – 1755
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: elias van nijmegen
Artist role: draughtsman, painter
Artist dates: 1667 – 1755
Subjects: garden fountain, garden ornaments
Schotel van melkglas met blauwe emailverf beschildering, imitatie Chinees porselein; bloemmotieven in vakken in Kraakporselein stijl; dubbelwandig met gladde rand.
Object type: platter
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous
's Hertogenbosch belegert door syn Excellentie Frederick Hendrick Prince van Orangien (...) den eersten May 1629
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: delft, the hague, frederick henry (prince of orange), maps of separate countries or regions, siege, position war, den bosch
Inscriptions: date

Grote kaart van het beleg van Den Bosch door het Staatse leger onder Frederik Hendrik, van 1 mei tot 17 september 1629. Kaart met centraal de versterkte stad. Rechtsonder voorstellingen van molens, fortificaties en een gezicht op de afsluiting van de Dommel bij Nieu Herlaer. Rechtsboven een cartouche met de titels. Vastgeplakt onderaan een voorstelling in drie platen van de uittocht van het Spaanse garnizoen uit 's-Hertogenbosch. Links en rechts aangeplakte teksten met de beschrijving van de gebeurtenissen in het Nederlands en Frans.
Portret van Nicolaas Bondt
Object type: print
Date: 1786 – 1809
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: amsterdam
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Wagenaar, Jan. Vaderlandsche historie, (...) ten vervolge van Wagenaars Vaderlandsche historie. Dl. 1-43. Amsterdam: Johannes Allart, 1786-1809.