deem-data/ArtiFact huggingface dataset:
Wandeling
Object type: album leaf
Date: 1913 – 1913
Materials: paper, photographic support
Techniques: gelatin silver print
Location: switzerland
Subjects: else wachenheimer-moos, the family travelling, on holiday, walking, hiking (recreation), switzerland
Inscriptions: inscription: ‘Vater, Tante, Onkel, ich / Am Schwarzsee’

Albumblad met een foto van Else en familieleden tijdens een wandeling, in Zwitserland. Onderdeel van het fotoalbum van Else Wachenheimer-Moos en haar broers Arthur en Willy Moos en anderen in de periode 1913-1918.
Boeren met een ploeg door paarden getrokken op het land
Object type: page
Date: 1880 – 1885
Materials: paper
Techniques: photograph
Subjects: farmers, horse, agricultural implements: plough
Inscriptions: inscription: ‘Bulletin de l'association belge de photographie’, inscription: ‘Concours e Négatifs de 1884.’

Prent twee en drie pagina's voor pagina 232.
Twee mannen bij een rivier
Object type: book illustration
Date: 1695 – 1705
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: adult man (+ two persons), landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage), bridge in village across river, canal, etc., abstract ideas and concepts
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Weigel, Christoph. Ethica Naturalis seu Documenta Moralia e Variis rerum Naturalium proprietatibus Virtutum Vitiorumq symbolicis imaginibus collecta. Neurenberg: Christoph Weigel: c. 1700.
Edinburgh. Greyfriars' Churchyard
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: architecture,churches,men,women
View of part of Bolton Abbey
Object type: photomechanical print
Date: 1887 – 1897
Materials: paper
Techniques: autotype
Location: wharfedale
Artist: Anonymous
Subjects: abbey wall
Tray
Object type: tray
Date: 1800 – 1830
Materials: iron
Techniques: painting
Culture: american
Location: united states
Border
Object type: textile
Date: 1875 – 1900
Materials: linen
Techniques: lace
Location: france
Border
Object type: textile
Date: 1700 – 1700
Materials: lace, linen
Techniques: lace
Location: brussels
Queen Clotilda
Object type: print
Date: 1810 – 1873
Materials: paper
Techniques: aquatint, etching
Artist: henry shaw
Artist role: print maker
Artist dates: 1800 – 1873
Subjects: paris, queen, sculpture, ornament derived from architectural details
Inscriptions: collector's mark: Lugt 2228
Reproductie van een schilderij van kinderen van Peter Paul Rubens
Object type: page
Date: 1878 – 1883
Materials: paper
Techniques: photograph
Subjects: infant, baby, painting, drawing and the graphic arts
Inscriptions: number: ‘No. 233’
Hudson Towards Fishkill Landing, 1871 (from Sketchbook)
Object type: drawing
Date: 1870 – 1870
Materials: graphite, paper
Culture: american
Artist: daniel huntington
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1906
Subjects: hills,trees

The leading portraitist in New York during the post-Civil War period--and president of the National Academy of Design from 1862 to 1870 and from 1877 to 1890--Daniel Huntington was a conservative painter, a man highly respected by his clients and colleagues throughout his long career. Although he traveled widely and frequently during the mid- and late nineteenth century, he shunned new artistic concepts and styles. As a staunch academician in technique and manner, Huntington understood that proper draftsmanship was at the core of accomplished painting. He sketched throughout the course of his life and his extant drawings number over a thousand. This page is from one of Huntington’s sketchbooks that contains forty-one drawings in graphite, some in a panorama format. The sketches are primarily of scenic locations in New York State including, Cornwall, Walton, and Mohonk subjects. Many of the drawings are dated 1871 and most are inscribed with the site represented.
Parasol
Object type: parasol
Date: 1868 – 1868
Materials: ivory, metal, silk
Culture: french
Artist: dupuy
Artist role: designer
Artist nationality: french

This parasol belonged to Mrs. Batcheller, a member of a prominent family from Saratoga Springs, NY. Generations of this family played important roles in American political affairs, and the original owner's husband was a general in the Civil War and an Ambassador to Portugal from 1890-1892. The parasol itself is exceptional. The exquisitely carved ivory handle makes reference to the shell forms of the Rococo and the idealized mythological Greek female form. It was made by the most exclusive parasol makers located at Rue de la Paix in 1868. Originally, the canopy had a black lace overlay.
Celeberrimi ad pacificandum Christiani nominis orbem legati Monasterium et Osnabrugas (...)
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: president, pieter van weyms
Inscriptions: collector's mark: Lugt 2228

Portret van Petrus Weyms, afgezant van Luxemburg tijdens de onderhandelingen voor de Vrede van Münster. Portret in ovaal met motto: Pace suspecta, tutius bellum. Boven het wapen van Luxemburg, onder Weyms' ridderwapen. In de bovenhoeken twee vredesduiven.
Buddha Protected by a Seven-headed Naga
Object type: sculpture
Date: 1167 – 1233
Materials: stone
Culture: cambodian
Subjects: snakes,buddhism,buddha

This fragmentary sculpture can be associated with the late phase of Buddhist patronage in the vicinity of Angkor Thom, at Angkor, under the reign of King Jayavarman VII (r. 1181–1218), a devout Mahayana Buddhist. It depicts what must be assumed was the seated Buddha in deep meditation, resting on the coils of a snake that raises its seven-headed hood above the Buddha’s head. The cult of the animistic naga (snake-serpent) is an ancient practice in India and was readily taken up in Angkorian Cambodia to reflect a meeting of Indic and local cults that acknowledge the power of snake-spirits.
Fragment of a Floral Inlay
Object type: decorative art
Date: 100 – 100
Materials: glass
Techniques: mosaic glass
Culture: roman
Location: italy
Subjects: decoration, flowers

In ancient Rome, there was a high demand for colorful glass that could dazzle banquet guests alongside the expensive silver and gold serving wares meant to impress. Fragments like this one would have once been a part of larger mosaic dishes. The mosaic pattern was made by sagging molten glass into bowl-shaped molds, a technique used on many of these fragments is similar to millefiori, “thousand flowers” in Italian, a modern glass-making method in which tiny rods of colored glass are bundled together, wrapped in a sheet of glass, fused, and then thinly sliced to reveal swirls of a flower-like patterns. They were arranged side by side, sometimes together with bits of colored glass, and fused together with heat.
Portret van Christian van Saksen
Object type: print
Date: 1663 – 1693
Materials: paper
Techniques: engraving, etching
Artist: philipp kilian
Artist role: print maker
Artist dates: 1628 – 1693
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Zes landschappen
Object type: print
Date: 1605 – 1673
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: brook
Inscriptions: collector's mark: Lugt 2228

Uit een serie van zes. Landschap met een beek en in de verte een kerktoren.
Krater
Object type: krater
Date: 1050 – 950
Materials: terracotta
Culture: cypriot

Grooved body, miniature bowl on one handle; light clay under dark slip.
Portret van Jean-Sifrein Maury
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Plate 21: Envoys from Cologne Bring Presents to Civilis, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Object type: print
Date: 1611 – 1611
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: soldiers,weapons,men,horses
Der Regenstein bei Blankenburg, von Süden gesehen
Object type: stereograph
Date: 1866 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: blankenburg
Artist: hermann selle
Artist role: fotograaf
Subjects: castle, ruin of a dwelling, house, castle, etc.
Inscriptions: inscription: ‘Hof-Photograph. Potsdam.’, number: ‘No. 21.’, inscription: ‘Nordwärts von Blankenburg (...) Vorland viel be-/ sucht. (W. Riehl)’
Six-Barreled Pepperbox Disk Primer Pistol with Case and Accessories
Object type: six shot pepperbox detonator pistol with case and accessory
Date: 1840 – 1850
Materials: brass, copper, gold, lacquer, silver, steel, textile, tin, wood
Culture: british
Location: england
Artist: joseph rock cooper
Artist role: gunsmith
Artist nationality: british
Artist dates: 1814 – 1882

This type of pistol is commonly called a pepperbox, its defining feature being a rotatable cluster of full-length barrels. They were produced in large numbers in England in the 1830s-50s and were the first English revolvers to utilize percussion ignition system, though early examples of the English pepperbox date to the early 1800s and employed flintlocks. They commonly feature six or seven barrels machine bored from a single piece of steel, and a box-lock with a bar hammer at the top of the frame. This example is self-cocking, each pull of the trigger raising the releasing the hammer and rotating the barrel cluster. It utilizes a disk primer mechanism, instead of the more common percussion caps that fitted over a protruding nipple. It features a folding trigger, silver primer shield, and a blued frame and barrels, now faded, the frame and shield engraved with scrollwork.
Twee vrouwen doen de was in Odogno, Zwitserland
Object type: album leaf
Date: 1933 – 1933
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: public wash house
Inscriptions: number: ‘16’
Untitled (Chicago after the Fire)
Object type: photograph
Date: 1871 – 1871
Techniques: albumen silver print
Location: united states
Artist: attributed to george n. barnard
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: chicago

Chicago's Great Fire of 1871 killed 300 people, left 100,000 homeless, and leveled four square miles of the city. Yet as the flames died, resolve replaced despair. This photograph was made perhaps one month after the fire, and it shows the makeshift homes, businesses, telegraph poles, and streetcar tracks that were in place even before the rubble was pushed into the lake. Within three years, Chicago would regain its position as the premier city of the Midwest.

This panorama was probably made by George N. Barnard, who documented the tremendous devastation of the South by the campaign of General William Tecumseh Sherman during the Civil War. Barnard had a studio in downtown Chicago, but, forced into the lake to flee the fire, he lost everything except the equipment he held aloft in the water. Like Chicago itself, he quickly recovered and joined colleagues who documented the rebuilding of the city.
Goethe's Faust
Object type: book
Date: 1828 – 1828
Techniques: lithograph
Artist: johann wolfgang von goethe
Artist role: author
Artist nationality: german
Artist dates: 1749 – 1832
“- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: letterpress, lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Groepsportret van een groep jongeren, waaronder Jacob Olie junior, Jan Olie, Aagje en Willem
Object type: photograph
Date: 1900 – 1900
Materials: paper, cardboard
Techniques: collodion silver print
Artist: Anonymous
Subjects: amsterdam, jacob olie jr., historical persons, bicycle
Inscriptions: inscription: ‘De Veertien + X’, inscription: ‘l.b. Willem/ Jacob boven/ Jan midden, daarnaast/ Aagje/ jongerenreis 'De Veertien X'/ UIBW (uitgenodigd op een/ [...]/ stalhouderij A/d [...] c. 1900’
Vier voorstellingen van mensen en dieren
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: paris
Subjects: (farm) wagon, freight wagon, cart, rural life
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 2760
Portret van Koenraad Hovens
Object type: print
Date: 1786 – 1809
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: koenraad hovens
Inscriptions: collector's mark: Lugt 2228

Latere staat prent ook gebruikt als boekillustratie in: Wagenaar, Jan. Vaderlandsche historie, (...) ten vervolge van Wagenaars Vaderlandsche historie. Dl. 1-43. Amsterdam: Johannes Allart, 1786-1809.
Der König von Achem
Object type: book illustration
Date: 1726 – 1779
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: (military) camp with tents
Inscriptions: collector's mark: Lugt 2228

Een paard wordt door twee mannen meegevoerd. De legeraanvoerder wijst hen de weg. Op de achtergrond soldaten in het tentenkamp. Rechtsboven genummerd: N. 9. Rechtsonder gemerkt: Tom. X. D.
Handkar
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Location: south holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: hand-cart
Inscriptions: kleurnotitie, handgeschreven

Handkar. Pagina 83 uit een schetsboek met 70 bladen.
Beige lint
Object type: ribbon material
Date: 1850 – 1920
Materials: silk
Location: netherlands
Artist: Anonymous

Beige lint behorende bij doopjurk met tuledoorstop en onderjurk van zijde. Door de hals is een blauw lint geregen, rond het middel twee beige linten.
Portrait of Pope Pius IV
Object type: print
Date: 1534 – 1566
Techniques: engraving
Artist: nicolas beatrizet
Artist role: artist
Artist nationality: french
Artist dates: 1515 – 1566
Subjects: men,profiles,popes,coat of arms
Herdboy Riding a Water Buffalo
Object type: figure
Date: 1667 – 1733
Materials: biscuit, enamel, porcelain
Culture: chinese
Subjects: boys,buffalos

This animated sculpture depicts a scene of peaceful life in China’s agricultural society. It is also an example of a remarkable innovation by craftsmen of the imperial workshops during the late seventeenth century: the application of enamel colors, originally used for metalwork, on porcelain, which significantly enlivened the pallet of ceramic decoration.
Portret van een onbekende man
Object type: photograph
Date: 1867 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: stockholm
Subjects: old man, historical persons not known by name
Inscriptions: inscription: ‘[...]’, address: ‘HOF-PHOTOGRAFER/ STOCKHOLM/ Regeringsgatan No. 18.’, inscription: ‘Originalplåten bevaras för vidare/ beställning.’
Portret van Emil Orlik
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: woodcut
Artist: bernhard pankok
Artist role: print maker
Artist dates: 1872 – 1943
Subjects: prague, painter, print maker, emil orlik, portrait, self-portrait of artist
Inscriptions: date
Theepot
Object type: teapot
Date: 1777 – 1790
Materials: porcelain
Techniques: painted
Location: the hague

Deksel van theepot de knop in de vorm van een vrucht en beschilderd met bloemen.
Beaulieu-Villefranche
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1909
Materials: cardboard
Techniques: writing
Location: paris
Artist: Anonymous
Subjects: gulf, bay, prospect of village, silhouette of village, ships (in general)
Scherven van een kom uit V.O.C.-schip de 'Witte Leeuw'
Object type: bowl
Date: 1613 – 1613
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A bowl. In the centre a sketchily painted flower. On the glazed bottom is a mark, the top is meaningless, the bottom one could be: ru (ju), i.e. jade.
Heilige Nicolaas als helper van schipbreukelingen
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: etching
Artist: martin johann schmidt
Artist role: draughtsman, print maker
Artist dates: 1718 – 1801
Subjects: the bishop nicholas of myra (or bari); possible attributes: anchor, boat, three golden balls (on a book), three purses, three children in a tub, three maidens
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: Lugt 906
Portret van Johann Heinrich Daniel Zschokke onder een boom
Object type: print
Date: 1822 – 1894
Materials: paper
Techniques: engraving
Artist: adrian schleich
Artist role: print maker
Artist dates: 1812 – 1894
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Center table
Object type: center table
Date: 1780 – 1785
Materials: brass, gilt, copper gilt, glass, silver, steel
Artist: imperial armory, tula (south of moscow), russia
Artist role: manufacturer
Subjects: dolphins
Wall panel (part of a set)
Object type: wall panel
Date: 1701 – 1725
Materials: wood
Techniques: carving, painting
Subjects: birds
Den Grooten Figuer-Bibel (...)
Object type: album leaf
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the israelites complain to moses and aaron (~ pharaoh), pharaoh commands the taskmasters to stop supplying the people with straw for making bricks (+ variant)
Inscriptions: number: ‘78’

Een Israëlitische arbeider valt op de grond en wordt door een van de Egyptische opzichters van de farao met een zweep geslagen. De Israëlieten verzamelen stro voor het bakken van stenen. Op de achtergrond preken Mozes en Aäron. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Ex. 5:6. Deze prent maakt deel uit van een album.
Notenmand met opengewerkte wanden, beschilderd met strooibloemen en gouden biezen
Object type: notenmand
Date: 1782 – 1784
Materials: porcelain
Location: loosdrecht

Notenmand van porselein. Met plastisch versierde oren. Mand en deksel zijn opengewerkt. Op de buitenranden veelkleurige strooibloempjes, evenals op de bodem van de mand. In het midden van de bodem een kleurig bloemboeket. Alle randen, ook die van de opengewerkte delen zijn met gouden biezen versierd. Het bovenvlak van het deksel en de knop zijn ook met goud beschilderd, evenals de oren.
Portrait of a Man
Object type: painting
Date: 1663 – 1663
Materials: canvas, oil
Artist: ferdinand bol
Artist role: draughtsman, painter, print maker
Artist dates: 1616 – 1680
Subjects: historical persons not known by name
Inscriptions: signature and date: ‘FBol. 1663.’

Portret van een man, zittend met uitgestoken rechterhand. Op de achtergrond een zuil en een beeld van Apollo. De identiteit van de zitter is onbekend; voorgestelde namen zijn: Jacob van Campen, Artus Quellinus en Louis Trip.
Kind met pauw
Object type: drawing
Date: 1892 – 1892
Materials: chalk, paper
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Inscriptions: collector's mark: Lugt 2228
Hotel de Ville, XVIe Siècle
Object type: page
Date: 1882 – 1887
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: townhall
Inscriptions: inscription: ‘HOTELS-DE-VILLE. - PL. 3.’, monogram: ‘JJvY’, inscription: ‘HOTEL-DE-VILLE de Hoogstraeten (...)’
Vase with immortals
Object type: vase
Date: 1667 – 1733
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Bajadère of het Indiase bad
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: taking a bath - aa - in the open air, asiatic races and peoples: indians
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Sprengel, Matthias Christian. Historisch-genealogischer Calender, oder, Jahrbuch der merkwürdigsten neuen Welt-Begebenheiten für 1786. Leipzig: Zur Messe bey Haude und Spener von Berlin, s.a.
Corchosipus
Object type: drawing
Date: 1596 – 1610
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, etching
Location: netherlands
Subjects: monkeys, apes: collared mangabey

Tekening van een roodkopmangabey aan een ketting en een ingeplakte prent met twee apen. Genummerd rechtsboven: 8. Onderdeel van het tweede album met tekeningen van viervoeters. Tweede van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Mouw van zijde met streepmotief waarop floraal borduursel in verschillende kleuren
Object type: sleeve
Date: 1780 – 1780
Materials: silk
Techniques: embroidered, weave
Location: haarlem
Artist: Anonymous

Paar mouwen van een Louis XVI-japon. Model. Driekwart lang met aangeknipte elleboogvorm. Binnen- en buitenraad. Onderaan omboord met lintje.Weefsel. Streep effekten van dubbele groene lijstjes naast een witte baan, waarop losse strooiroosjes staan. Deze wisselen af met een brede baan van wit met fijne rose streepjes, waarover heen een bladrank loopt, in wit uitgespaard en daarop slingert weer een zeer fijn takje met roze bloesem.
Head and part of the back of a marble statue
Object type: statue of a satyr, fragment
Materials: marble
Culture: roman
Artist: praxiteles
Artist role: artist
Subjects: heads

Copy of a Greek statue of the 4th century B.C. The young satyr, identifiable by his pointed animal ears, was shown pouring wine. Many Roman copies of this appealing work are known today.
Interieur
Object type: photograph
Date: 1900 – 1910
Materials: paper
Techniques: cyanotype
Location: united states
Artist: Anonymous
Angel Comforting a Hermit Saint
Object type: drawing and watercolor
Date: 1660 – 1669
Materials: chalk, ink, iron, paper
Techniques: brush, pen, wash
Location: italy
Artist: attributed to giovanni battista pace
Artist nationality: italian
Artist dates: 1650 – 1664
Inscriptions: Inscribed verso, in brown ink (in Pace's hand): "La lege santa sarà data dal principe / al suo popolo e se non li sarà reato. / La Giostisia per mezzo della quale / il re regna, et condanna li giovani / scelerati delle colpe, le quali essendo atroci / defuilmente deveno esere perdonate dal giudica a quilli li qualli {me} ritano simili gastigi". {The saccred law will be given by the prince / to his peoplle, and if it will not be sinful for him / The Justice by which / the king rules and condems the wicked young people / for transgressions that are so ferocious, / Hardly will these be forgiven by the judge / for those who deserve those kinds of punishments}.
De vermoeyde dienst meyt (The Tired Maidservant)
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: sexual organs (human), peeping, voyeur
Inscriptions: caption: ‘DE VERMOEYDE DIENST MEYT/Door gewoel des somers......myn hoet soo toegaan decke.’, collector's mark: Lugt 2228

The master of the house chances upon his practically naked maidservant in bed. His curiosity aroused, he has put on his spectacles to compare her body with that of his spouse. He covers her vagina with his hat, apparently for the sake of ‘decorum’. Erotic prints were often anonymous because engravers did not want to risk their reputation.
Apotheek
Object type: titelblad, titelpagina
Date: 1700 – 1800
Materials: paper
Techniques: etching
Location: netherlands
Subjects: pharmacy, pharmaceutics
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk gebuikt als titelpagina in een avn de edities van: Elzevier, Kornelis. Lexicon galeno-chymico-pharmaceuticum, of Apothekers woordenboek. Amsterdam, 1755.