deem-data/ArtiFact huggingface dataset:
Journey for Eternity, No. 4
Object type: print
Date: 1839 – 1839
Techniques: lithograph
Artist: j. j. grandville
Artist role: designer
Artist nationality: french
Artist dates: 1803 – 1847
Subjects: watches,skeletons,men
Gezigt by Overveen op de stad Haarlem
Object type: print
Date: 1790 – 1858
Techniques: aquatint, etching, hand coloring
Location: amsterdam
Artist: pieter van der meulen
Artist role: draughtsman, painter, print maker
Artist dates: 1780 – 1858
Subjects: city-view, and landscape with man-made constructions, haarlem
Inscriptions: collector's mark: Lugt 2228

Gezicht op Haarlem vanuit Overveen. Op de voorgrond een gearmd paar, koeien en twee mannen onder een boom. Op de vaart een passagiersboot.
Ballancelle (Mediterranean), from the Types of Vessels series (N139) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: boats

Die-cut trade cards from the "Types of Vessels" series (N139), issued in an unnumbered set of 25 cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The card versos have "Honest Long Cut" text printed in either green or blue. Knapp is the lithographer of the green backs and Giles is the lithographer of the blue backs. Because all but one card in the series are affixed to the original album page, card versos are not visible.
Man brandt koffie
Object type: album leaf
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: coffee, roasting, grilling
Inscriptions: inscription: ‘No. 5./ Het branden der koffie voor onmiddelijk gebruik.’

Deze prent maakt deel uit van een album.
Inname van Porto-Bello door Admiraal Vernon 1739
Object type: history medal
Date: 1739 – 1739
Materials: brass
Techniques: striking

Verguld messing penning, op de voorzijde Vernon staand naar links met zwaard, een kanon en een anker aan zijn voeten, met omschrift, op de keerzijde de haven van Porto Bello waarvoor zes schepen, met omschrift en afsnedetekst.
1re Ruine de Pfeffingen
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: aquatint
Location: amsterdam
Subjects: ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Promenade Pittoresque dans l'évêché de bâle aux bords de la Birs (...). Amsterdam: T.B. Groebe, 1710.
Verhael, van 't gepasseerde in de Zee-Slag, tusschen de Vlooten van Engelandt, ende van de Vereenigde Nederlanden, opgestelt volgens last ende ordre van de Heeren Staten Generael der selver Landen, in dato den 24 Junij 1666 (...)
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: jacob vinckel
Artist role: publisher
Subjects: flushing, michiel adriaenszoon de ruyter
Inscriptions: date

Tekstblad bij de prent van de Vierdaagse Zeeslag tussen de Staatse vloot onder admiraal Michiel Adriaenszoon de Ruyter en de Engelse vloot onder admiraal George Monck, 11-14 juni 1666. Verhaal in 3 kolommen, daaronder lijsten van de kapiteins van de Nederlandse en de Engelse schepen die deelnamen aan de slag, de gezonken Nederlandse schepen 1-4 en de gezonken Engelse schepen A-Z.
Design Amulet, a Double-Falconhead Shank Pierced Transversally on the Back, Device showing Two Hares Head-to-tail
Object type: design amulet, falcon head, hare
Date: 2100 – 2080
Materials: quartz
Location: egypt
Fridericus Tiedemann
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: karlsruhe
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
(recto) Seated Bishop Saint Praying Before a Crucifix; (verso) the cropped figure of a youth seen in frontal view (somewhat damaged).
Object type: drawing
Date: 1570 – 1620
Materials: chalk, ink
Techniques: inlay, pen
Artist: anonymous, spanish, late 16th–early 17th century
Artist role: artist
Artist nationality: spanish
Artist dates: 1570 – 1620
Ruïne van een drie verdiepingen tellend gebouw
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: amsterdam
Artist: bonaventura van overbeek
Artist role: draughtsman, print maker
Artist dates: 1660 – 1706
Subjects: ruin of a building ~ architecture, rome
Inscriptions: collector's mark: Lugt 2228
Armorial dish: The story of King Anius
Object type: dish
Date: 1532 – 1532
Techniques: maiolica, glazing
Artist: francesco xanto avelli da rovigo
Artist role: artist
Artist nationality: italian
Artist dates: 1482 – 1542
Subjects: doves,male nudes,female nudes,coat of arms

This plate formed part of one of the largest majolica services ever made, commissioned by Piero Maria Pucci (1467–1547), a member of a prominent Florentine family whose coat of arms features the head of a Black man in profile, a reference to their original surname, Saracini (meaning "Saracens"). Similar images had frequently appeared in European heraldry since the thirteenth century. Rooted in the subjugation of Muslims and peoples of Arab and African descent, this imagery often signified triumph in the Crusades or involvement in the slave trade. Here, a white band tied around the man’s head is inscribed with three T’s, an acronym for the Pucci family motto: Tempore tempora tempera (Time alleviates all troubles). Thirty-seven pieces from the maiolica service survive (including four in the Lehman Collection: see also 1975.1.1131; 1975.1.1135; 1975.1.1137), all painted in Urbino by the celebrated maiolica painter Francesco Xanto Avelli da Rovigo in 1532 and 1533. Some pieces were sent to Gubbio to be completed with luster decoration under Xanto’s direction. The plate depicts the story of King Anius’ daughters, who escaped imprisonment by Agamemnon when Dionysus turned them into doves.
Grafmonument van Henri Bonneau de Trassy in de kathedraal van Doornik
Object type: album leaf
Date: 1685 – 1685
Materials: paper
Techniques: engraving, etching
Subjects: gravestone, tombstone
Foto van Moffat ovens
Object type: photograph
Date: 1935 – 1940
Materials: paper, photographic support, textile
Techniques: gelatin silver print
Location: canada
Artist: Anonymous
Inscriptions: inscription: ‘396-M’, inscription: ‘$ 45200’
Gevecht voor Bergen in Henegouwe Op den 11 Augusti 1678
Object type: history print
Date: 1678 – 1679
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: william iii (prince of orange and king of england, scotland, and ireland), battle (+ land forces)

De slag bij St. Denis bij Bergen op 14 augustus 1678 tussen een geallieerd leger onder Willem III en het Franse leger. Gezicht op het slagveld, op de voorgrond officieren te paard. Gemerkt rechtsboven: Fol. 166
Decanter
Object type: decanter
Date: 1815 – 1835
Materials: glass
Techniques: glassblowing, engraving
Culture: american
Location: united states
Subjects: eagles
Twee duellerende edellieden met degens op een slagveld
Object type: print
Materials: paper
Techniques: engraving, etching
Location: france
Artist: Anonymous
Subjects: duel in place of battle, fencing (sport), hacking and thrusting weapons: rapier
Inscriptions: collector's mark: Lugt 240

Twee edellieden kruisen de degens, met op de achtergrond strijdgewoel en links achterin de stad Turijn.
Familie van den berg in Maarn
Object type: album leaf
Date: 1909 – 1919
Materials: paper, cardboard
Techniques: gelatin silver print
Location: maarn
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: family life

Deze foto's zijn onderdeel van een album.
Embroidered sampler
Object type: sampler
Date: 1819 – 1819
Materials: linen, silk
Techniques: embroidery
Culture: american
Location: united states
Artist: ann margaret thum
Artist role: maker
Artist nationality: american
Artist dates:  – 9999
Subjects: animals,houses,trees
Oor van een kardoeskoker uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: lug
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Cartridge canister, lug; fragm of strip, cut-corner end with rivet-hole, sim. NG 1980-27H2394.
Portret van Folco Portinari
Object type: print
Date: 1741 – 1741
Materials: paper
Techniques: engraving
Location: france
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Fragment
Object type: fragment
Date: 1701 – 1900
Techniques: embroidery
Fles
Object type: bottle
Date: 1700 – 1725
Materials: earthenware, silver, glaze
Techniques: painted
Location: delft
Artist: Anonymous
Inscriptions: mark (possibly false): ‘LVE(ineen)’

Fles van blauw beschilderde faience. De fles is van boven met zilver gemonteerd. Op de fles zijn figuren in een landschap geschilderd.
Keizer Vitellius te paard
Object type: print
Date: 1596 – 1596
Materials: paper
Techniques: etching
Location: italy
Subjects: rome, emperor, equestrian statue

Titelprent bij een reeks van twaalf prenten van Romeinse keizers.
Herenhoed van lichtgrijs vilt, bol met gleuf en zwart ripslint als hoedband, omhooggeslagen rand
Object type: hat
Date: 1930 – 1930
Materials: felt
Location: alessandria
Artist: johannes sebastianus meuwsen
Artist role: hoedenmaker, koopman
Artist dates: 1862 – 1915

Herenhoed van lichtgrijs vilt met zwart lint, type bol met gleuf en middelbrede omhooggeslagen rand, met grijs lint omboord. Adres: BORSALINO/ALESSANDRIA ITALIA en J.S. Meuwsen N.V./ Hofleverancier/Borsalino/Grand Prix Paris 1900/ANTICA CASA FONDATA NEL 1857. Italië, ca. 1930.
Caritas
Object type: painting
Date: 1610 – 1716
Materials: copper, oil
Subjects: charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, nursing, suckling

In een landschap tussen bomen geeft een vrouw liggend op een doek haar kind de borst, in de linkerhand houdt zij een kruis. Links kijkt een ander kind toe. In de wolken staat een triomfwagen waarin een man die de vrouw een lauwerkrans en een palmtak aanreikt. De voorstelling is geïnterpreteerd als Caritas en als Venus die Amor de borst geeft.
Holland, scheeepjesschelling, 1724
Object type: coin
Date: 1724 – 1724
Materials: silver
Techniques: striking
Location: dordrecht

Zilveren munt. Voorzijde: tussen waarde-aanduiding 6 S gekroond wapenschild van Holland. Jaartal boven kroon. Keerzijde: oorlogsschip, varend naar rechts.
Fotoreproductie van een ontwerp van een gezicht op de abdij van Waulsort
Object type: photograph
Date: 1878 – 1883
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: abbey, monastery, convent ~ roman catholic church
Vues de Mannheim représentées sur vingt six planches
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: engraving, etching
Location: mannheim
Artist: christian friedrich schwan
Artist role: bookseller, publisher
Artist dates: 1733 – 1815
Subjects: townhall
Inscriptions: collector's mark: Lugt 2228
Portret van paus Sixtus V
Object type: book illustration
Date: 1614 – 1614
Materials: paper
Techniques: engraving, letterpress printing
Location: the hague
Subjects: rome, sixtus v, historical persons, pope

Prent uit: Meteren, Emanuel van. Historie der Nederlandscher ende haerder na-buren oorlogen ende geschiedenissen (...). Den Haag: Hillebrant Iacobsz. van Wouw, 1614. Prent ook gebruikt in: Meteren, Emanuel van. Historie der Nederlandscher ende haerder na-buren oorlogen ende geschiedenissen (...). Den Haag: weduwe en erfgenamen van Hillebrant Iacobsz. van Wouw, 1623.
In Clichy, from 'News of the day,' published in Le Charivari, April 11, 1865
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men

- Just imagine in a few weeks from now, these bars will be sold in a curio gallery! - I wouldn't want to bid on them!... I would rather try to buy myself a "commerce policeman" and have him stuffed for my collection.
Plattegrond van de begane grond van het Paleis van Versailles
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: engraving
Location: paris
Subjects: palace, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Prent uit: Gavard, Charles. Galeries historiques de Versailles, collection de gravures (...). Parijs: Charles Gavard, 1840. Op de prent vermeld: Diagraphe et Pantographe Gavard.
Jérusalem, Enceinte du Temple, Vue générale de la face Est, Pl. 2
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture,cities

This is one portion of a three-part panorama that forms an all-encompassing view from outside Jerusalem’s walls. It displays the city’s architectural diversity, including domed mosques and churches, ancient masonry, and towering minarets. Although other photographic views of Jerusalem had been produced by Maxime Du Camp and Joseph-Philibert Girault de Prangey, Salzmann’s project was the most thorough and ambitious to date. Before its integration into the 1856 album, this panorama was offered separately in 1854. A review in the prominent Paris bulletin Annales Archéologiques suggested that the photographs forged a spiritual relationship with the sacred city: "We have here living Jerusalem. . . . An identical panorama should be exposed in all the churches and in all the seminaries, under the eyes of the young people who are destined for the priesthood; there is no description that inspires thoughts more numerous or more profound."
Courtesan with a Kitten
Object type: hanging scroll
Date: 1701 – 1733
Materials: gold, ink, silk
Culture: japanese
Artist: nishikawa sukenobu 西川祐信
Artist role: artist
Artist nationality: japanese
Artist dates: 1671 – 1750

A seated courtesan is dressed in a gray-patterned over-robe (uchikake), a brilliant red kimono decorated with white dots arranged in a faux tie dyed pattern, and a white under-robe. Her two tiered chignon is fastened with a white cloth tie and a tortoiseshell comb. She leans against a kotatsu brazier covered by a low table and a cloth for warmth during the winter season. In one hand she holds a long stemmed tobacco pipe (kiseru), and with the other she caresses a kitten. In front of her is a lacquered tray containing a set of utensils used for smoking, along with the pipe of her unseen male client. A three-stringed shamisen lies beside her, its plectrum tucked beneath the strings.
Designs for Door Hardware
Object type: drawing
Date: 1775 – 1785
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Fabel van de wolf en de egel
Object type: book illustration
Date: 1608 – 1608
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: prague
Artist: aegidius sadeler (ii)
Artist role: draughtsman, print maker
Artist dates: 1568 – 1629
Subjects: fables, other mammals: hedgehog, beasts of prey, predatory animals: wolf

Een wolf en een egel staan tegenover elkaar. De fabel beschrijft hoe een wolf tracht een egel te overtuigen zijn stekels terug te trekken. De moraal van het verhaal leert dat men nooit vijanden mag vertrouwen.
Ex libris van C.Tj. Tuymelaar
Object type: bookplate
Date: 1939 – 1939
Materials: paper
Techniques: printing block
Location: netherlands
Subjects: c.tj. tuymelaar, birds, fishes, armorial bearing, heraldry
Inscriptions: signature, date and inscription: ‘CTj Tuymelaar / Cl. '39’
The King of Siam Observing the Lunar Eclipse from his Palace
Object type: book illustration
Date: 1687 – 1687
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: palace, eclipse of the moon, thailand
Inscriptions: collector's mark: Lugt 2228

In the portrait Narai is presented as a ‘stereotypical’ oriental monarch. His likeness is therefore more of a European interpretation than a portrait of an individual. The print at the upper right illustrates the first French diplomatic visit to Siam. The observation of the lunar eclipse, lower right, took place on 11 December 1685. By introducing Narai to the latest developments in astronomy, the French Jesuits hoped to win him over to Catholicism.
Hut in een landschap
Object type: print
Date: 1824 – 1879
Materials: paper
Techniques: etching
Location: netherlands
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: rowing-boat, canoe, etc., farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Glooiend landschap met een hut en een boot. Boven de hut een groep vogels.
Drie cherubijnen en een putto met een luit
Object type: print
Date: 1580 – 1580
Materials: paper
Techniques: woodcut
Subjects: cherubs, i.e. children's heads with wings, cupids together with attributes of the arts, sciences, etc.

Prent ook gebruikt in: Amman, Jost. Kunstbüchlein. Frankfurt am Main: Feyerabend, 1580.
Hotta no Niwa, Fukagawa
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: tokyo
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: garden, pond
Inscriptions: inscription: ‘Plate XVII.’
Stockings
Object type: stocking
Date: 1801 – 1825
Materials: silk
Culture: british
Hoedenspeld met bolronde witte knop van bakeliet
Object type: hatpin
Date: 1910 – 1930
Materials: bakelite, metal
Techniques: forging, pressing
Location: netherlands
Artist: Anonymous

Hoedenspeld met bolronde witte knop van bakeliet (?).
Personages uit de roman 'Les mystères de Paris' van Eugène Sue
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: paris
Subjects: adult woman, plants and herbs
Inscriptions: collector's mark: Lugt 2228
Dishes Inlaid with Images of Ancient Bronzes
Object type: decorative art
Materials: lacquer
Techniques: inlay
Location: china
Rotterdam
Object type: print
Date: 1742 – 1801
Materials: paper, watercolor
Techniques: brush, etching
Location: germany
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), stock exchange, stock-market, street (+ city(-scape) with figures, staffage)

De serie “Rotterdam”, met het nummer 46, bevat vier prenten met de nummers 177-180, waarvan dit nummer 178 is.
Bertholdus Hallerus Theologus
Object type: book illustration
Date: 1597 – 1599
Materials: paper
Techniques: engraving, letterpress printing
Location: france
Subjects: historical persons, book, molluscs: snail
Inscriptions: collector's mark: Lugt 2228
Flower Vendor
Object type: print
Date: 1738 – 1738
Techniques: engraving, etching
Artist: anne claude philippe de tubières, comte de caylus
Artist role: artist
Artist nationality: french
Artist dates: 1692 – 1765
Subjects: portraits,women,flowers
Ontwerp voor inhuldigingsbord
Object type: design
Date: 1939 – 1939
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: dish, plate, saucer, installation of a ruler
Inscriptions: date: ‘1939’
Der Ancker-Schmid
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: smith, blacksmith, parts of ship's exterior: anchor
Inscriptions: number: ‘3’, collector's mark: Lugt 2228

Illustratie uit: Weigel, Christoff. Abbildung Der Gemein-Nützlichen Haupt-Stände Von denen Regenten Und ihren So in Friedens- als Kriegs-Zeiten zugeordneten Bedienten an, biß auf alle Künstler Und Handwercker. Regenspurg 1698, p. 99.
Two Poppies
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: yokoyama seiki
Artist role: artist
Artist nationality: japanese
Artist dates: 1793 – 1793
Jachttaferelen
Object type: print
Date: 1594 – 1598
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: beasts of prey, predatory animals: leopard, archer's weapons: bow, (story of) commodus the roman emperor, circus ring
Inscriptions: collector's mark: Lugt 240

De arena van een colosseum. Een luipaard breekt uit zijn kooi en valt een man aan. Keizer Commodus schiet met een boog een pijl in de borst van het beest. De prent heeft een Latijns onderschrift en is deel van een serie over jachttaferelen.
Bow
Object type: bow
Date: 1860 – 1880
Materials: wood
Culture: french
Location: france
Artist: francois nicolas voirin
Artist role: maker
Artist nationality: french
Artist dates: 1833 – 1885
Portret van Johann Rudolf Rahn (I)
Object type: print
Date: 1628 – 1689
Materials: paper
Techniques: engraving
Artist: conrad meyer (i)
Artist role: painter, print maker, publisher
Artist dates: 1618 – 1689
Subjects: mayor, mayor, burgomaster, gloves, mittens, etc., other non-personal regalia, e.g. mayor chain, historical persons
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie van 67(?) portretten van burgemeesters van Zürich. Zie Hollstein German 110, 1-26.
Zes langpootmuggen
Object type: page
Date: 1881 – 1891
Materials: paper
Techniques: autotype
Location: france
Artist: Anonymous
Subjects: insects: mosquito
Apotheose van Jean Racine
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: france, paris, jean racine, historical persons, melpomene (one of the muses); 'melpomene' (ripa), immortality, imperishableness; 'immortalità' (ripa), 'genio' (ripa)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Racine, Jean. Oeuvres de Jean Racine. Parijs: Pierre I Didot, 1801, dl. 1.
Oudemanhuispoort in Amsterdam
Object type: print
Date: 1926 – 1926
Materials: paper
Techniques: etching, intaglio
Artist: frederik van der harst
Artist role: print maker
Subjects: gate, entrance, lane, alley
Inscriptions: collector's mark: Lugt 2228, number: ‘8’

De toegangspoort van het gebouwencomplex Oudemanhuispoort aan de Oudezijds Achterburgwal in Amsterdam.
J.M. Ward, Shortstop, New York, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
D.J. Brouwer Lt ter Zee 1e Kl.
Object type: photograph
Date: 1855 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: pieter jan kaiser
Artist role: fotograaf
Artist dates: 1838 – 1916
Subjects: historical persons, science and technology (+ portrait of scholar, scientist)
Inscriptions: inscription: ‘Tijdelijk belast met astronomische waarnemingen in de zwwvaart, bij de ... waart’, annotation: ‘D.J. Brouwer Lt ter Zee 1e Kl.’
Patch box with Scottish dancers, “The Reel of Tullochgorum”
Object type: patch box
Date: 1780 – 1790
Materials: copper, enamel, glass
Subjects: dancing,bagpipes
Inlay
Object type: inlay
Date: 1500 – 1950
Materials: glass
Culture: modern
Mannenkoppen, een paard en een landschap met figuren
Object type: sketchbook leaf
Date: 1839 – 1872
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: head (human), adult man, head-gear: hat (+ men's clothes), landscapes (+ landscape with figures, staffage)

Blad 72 verso uit een schetsboek met 73 bladen.
Terracotta fragments of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

The larger fragment has, above the ground line, a tendril; below, a band of upright lotuses with dots in the interstices, bordered at the top and bottom by a thick line of black glaze; rays; the smaller fragment has part of a palmette with tendrils
The Republican Pharisees, from Puck
Object type: print
Materials: paper
Techniques: lithograph
Location: united states
Artist: joseph keppler
Artist nationality: american
Artist dates: 1838 – 1894