deem-data/ArtiFact huggingface dataset:
Gezicht op de ingang van Château de Berny
Object type: album leaf
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: castle

Prent origineel vervaardigd als boekillustratie voor: Zeiller, Martin. Topographia Galliae, oder Beschreibung und Contrafaitung der vornehmbsten und bekantisten Oerter in dem mächtigen und grossen Königreich Frankreich, 13 delen. Frankfurt am Main: Caspar Merian, 1655-1661. De prent werd voor het eerst gepubliceerd in deel 1: Topographia Galliae, 1655.

De prent is langs de bovenrand van de voorstelling afgescheurd. De titel is hoger opgeplakt. De voorstelling is aan de bovenzijde aangevuld met een geschilderde lucht.
Victoria Club
Object type: print
Date: 1879 – 1887
Materials: ink, paper
Techniques: scraping, lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Voorstellingen uit Vergilius' Bucolia
Object type: print
Date: 1703 – 1767
Materials: paper
Techniques: etching
Subjects: (story of) ceres (demeter)
Inscriptions: collector's mark: Lugt 240

Ceres, godin van de landbouw, verschijnt op het platteland waar ze een boer en boerin een schep overhandigt. Zij wordt vergezeld door een allegorische figuur met een korenschoof in zijn armen. Achter dit tweetal zweeft de door draken voortgetrokken wagen van Ceres in de lucht. Op dezelfde plaat staat links onder deze voorstelling een versierd initaal O met de beeltenis van een figuur gezeten bij vier bijenkorven. Deze illustratie is vervaardigd bij een verhaal uit Vergilius' Bucolica.
11. Le nouvel Opéra de Paris. Bronzes.
Object type: photograph
Date: 1878 – 1881
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: louis-emile durandelle
Artist role: fotograaf
Artist dates: 1839 – 1917
Inscriptions: number: ‘11’

bij boek in Bibliotheek RMA, Zie Frizot, pp. 217-223, vgl G. Vicaire, Manuel de l'amateur de livres du XIXe siècle, vol. 3, column 870.
Alger. Mosquée Djemaa-el-Kebir. Rue de la Marine
Object type: photomechanical print
Date: 1903 – 1905
Materials: cardboard
Techniques: photograph, writing
Location: paris
Subjects: temple, shrine ~ islam, mohammedanism, street (+ city(-scape) with figures, staffage)
Inscriptions: postage stamp
Adoration of the Shepherds
Object type: collage
Date: 1701 – 1800
Materials: glass, paper
Subjects: adoration of the shepherds
For Success in Art
Object type: medal
Date: 1856 – 1856
Materials: gold
Artist: william wyon
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1851
Subjects: profiles,women

Wyon's medal "For Success in Art," with the youthful head of Victoria, remained in use for nearly half her reign. This specimen was presented to the American painter George F. Munn.
Le Supreme Bon Ton, Caricatures Parisiennes, 1800-1815, No.16: Les invisibles en tête-a-tête.
Object type: cartoon
Date: 1800 – 1815
Materials: paper
Techniques: etching, hand coloring
Location: paris
Subjects: head-gear (poke bonnet) (+ women's clothes), head-gear (capote) (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), coat (+ men's clothes), head-gear: hat (+ men's clothes), fashion plates, dress, gown (+ women's clothes), trousers, breeches, etc. (breeches) (+ men's clothes), boots (+ men's clothes), walking-stick, staff, cane (+ men's clothes)
Inscriptions: title: ‘Le Suprême Bon Ton, No. 16.’, title: ‘Caricatures Parisiennes.’, address: ‘A Paris chez Martinet, Rue du Coq S. Honoré.’, caption: ‘LES INVISIBLES EN TÊTE-A-TÊTE’

Karikatuur op de grote luifelhoeden die in de mode waren rond 1800-1815. Twee modieus geklede stellen, waarbij het hoofd van de man 'verdwijnt' in de hoed van de vrouw. Op het derde plan twee vrouwen met idem hoeden. Prent uit een serie van 30 modeprenten, Le Suprême Bon Ton, Parijs, 1800-1815.
Glass squat alabastron (perfume bottle)
Object type: alabastron, squat
Date: 334 – 268
Materials: glass
Culture: eastern mediterranean or italian

Translucent light greenish yellow, with handles in same color; trails in opaque yellow, opaque white, and opaque turquoise blue. Very broad, thick slanting rim-disk, made as a spiral coil around top of neck; cylindrical neck with convex sides; uneven shoulder, almost horizontal on one side and concave on the other; bell-shaped cylindrical body; convex lop-sided bottom, with indent along one side; on upper body, two solid handles, tooled into angular knobs, applied over trail pattern. A yellow trail attached at edge of rim-disk; on body, alternating bands of yellow, white, and opaque turquoise blue, tooled from top of body to undercurve at bottom into a close-set feather pattern in thirteen vertical panels with alternating upward and downward strokes, forming large round loops at bottom and bottom. Broken and repaired around body, with one large and two small holes, and several cracks and chips; weathered chip in underside of rim-disk; dulling, pitting, and creamy iridescent weathering. Squat alabastra such as these are unusual. The highly weathered surfaces–the result of their being buried in the ground–have obscured the colors and decoration.
Gezicht op het dorp Abcoude
Object type: print
Date: 1786 – 1805
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan evert grave
Artist role: draughtsman, print maker
Artist dates: 1759 – 1805
Subjects: landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage), abcoude
Inscriptions: collector's mark: Lugt 2228

Het dorp Abcoude. Op de voorgrond een brug over een rivier. Op de achtergrond de kerktoren. De prent maakt deel uit van een serie met Nederlandse dorpen.
Portretten van leden van het Legioen van Eer
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: etching
Location: paris
Subjects: ferdinand iii (groothertog van toscane), historical persons, decorations, honours (as symbols of the state, etc.)
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie portretten van leden van het Legioen van Eer getiteld 'Collection complète des portraits des Grands-Aigles et des Grands-Officiers de la Légion d'Honneur', uitgegeven in 1810 te Parijs door Mayer.
Bifolium from a Qur'an
Object type: bifolio from a non illustrated manuscript
Date: 867 – 1000
Materials: gold, ink, parchment, watercolor
Location: central islamic lands or north africa
Subjects: arabic,qur'an,calligraphy

This double folio was once bound in a multivolume Qur'an manuscript. The calligrapher wrote in bold kufic script with black ink using a broad‑nibbed reed pen. Red and green dots indicate the vowels. Verse markers include a star‑shaped medallion highlighted with green and red dots and framed by two concentric multilobed medallions.
Mourning Ring
Object type: ring
Date: 1762 – 1762
Materials: enamel, gold, onyx, silver
Culture: american
Location: united states
Fotoreproductie van een tekening door vermoedelijk Jules Joseph Lefebvre, voorstellend een vrouwelijk naakt
Object type: page
Date: 1876 – 1879
Materials: paper
Techniques: autotype
Subjects: drawing, sketch, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Border
Object type: textile
Date: 1601 – 1625
Materials: lace, linen, thread
Techniques: lace
Location: italy
God schept de droge aarde en de planten
Object type: print
Date: 1700 – 1750
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: gathering of the waters below the firmament; dry land appears and produces all kinds of plants, god the father as young or adult man (perhaps resembling christ)
Inscriptions: collector's mark: Lugt 2233

God schept het land, de zaadvormende planten en de bomen met vruchten die zaden dragen. Het water trekt zich terug in rivieren en de zee. In de marge een tweeregelig onderschrift in het Nederlands.
Dressing gown
Object type: dressing gown
Materials: silk
Culture: american or european
Chair Seat
Object type: chair
Date: 1825 – 1825
Materials: linen, thread
Techniques: embroidery
Culture: american
Subjects: women,dogs
Résidences Impériales Collection E. Lamy, Imperial Recidences E. Lamy collection
Object type: tissue stereograph
Date: 1860 – 1870
Materials: paper
Techniques: albumen print
Location: paris
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: monumental adornments (in city), paris
Inscriptions: annotation: ‘IMPERIAL RECIDENCES / E. Lamy collection // RÉSIDENCES IMPÉRIALES / Collection E. Lamy // 11. PLACE DU CARROUSEL , VUE PRISE DEPUIS / LA SALLE DES MARÉCHAUX, (PALAIS DES RUILERIES)’

Gezicht op Place du Carroussel en Arc du Carrousel, Parijs, gezien vanuit de Salle des Maréchaux van het Palais des Tuileries, met een balkonhek op de voorgrond als repoussoir.
Rabbit and Roses
Object type: hanging scroll
Date: 1776 – 1783
Materials: ink, silk
Culture: japanese
Artist: mori ransai
Artist role: artist
Artist nationality: japanese
Artist dates: 1731 – 1801
Subjects: rabbits,roses

A rabbit crouches by a boulder and a rose bush with vibrant leaves and blossoms. Mori Ransai’s polychrome technique belongs to a tradition established by the Chinese painter Shen Nanpin (active 1725–80) in Nagasaki. The inscription, brushed by the Shingon monk Jiun Onkō, echoes a Zen teaching that asserts that all beings, including inanimate objects, can reach enlightenment. It reads: 有情非情同時成道ときけばげに うれしくもあるがか 法の友どち I’m truly delighted to hear it said that “Sentient beings or insentient beings, at the same time, can attain the Way [of spiritual enlightenment],” for those that pursue the Buddhist law together.
Apollo vilt Marsyas
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: punishment of marsyas: he is flayed by apollo

David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.
Every Man on his Perch
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: etching
Location: england
Artist: issac robert cruikshank
Artist nationality: english
Artist dates: 1789 – 1856
Scarlet Ibis
Object type: drawing
Date: 1699 – 1701
Materials: paint, gouache, parchment
Artist: dorothea maria gsell
Artist role: draughtsman, painter
Artist dates: 1678 – 1743
Subjects: shore-birds and wading-birds: red ibis, shore-birds and wading-birds: red ibis (egg)
Inscriptions: : ‘Surinaamsche Flammingo’

Dorothea Graff depicted this bird in Suriname, where she spent two years with her mother Maria Sibylla Merian observing and drawing native flora and fauna. An unidentified inscription incorrectly names the bird a flamingo. Graff portrayed the ibis in profile, as was customary in scientific illustrations at the time. She achieved the rich texture of the feathers by using a subtle tonal range and various brushstrokes.
Huis De Pollenbering te Bemmel
Object type: sketchbook leaf
Date: 1731 – 1731
Materials: ink, paper, pencil
Techniques: brush, pen
Location: bemmel
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: castle
Inscriptions: annotation: ‘Pollenbering/ onder Bemmel/ vermoedelijk gesloopt’, annotation: ‘de Pollenbeering/ Pollenbering/ com. va Bronkhorst. Agneet va Aelwijn.’

Huis De Pollenbering te Bemmel gezien vanaf de zijkant en achterzijde met op voorgrond gracht. Linksboven schets van familiewapen. Blad 10 recto uit een schetsboek met 69 bladen.
Weergave van verschillende verbanden A-N
Object type: book illustration
Date: 1691 – 1691
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: dressing, bandage
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Verduc, Laurent. Het Parische verband-huis, waarin getoont werd, de wyse om alle fracturen en luxatien (...) te genesen. Amsterdam: Jan Claesz ten Hoorn, 1691.
Small commode
Object type: commode
Date: 1765 – 1765
Materials: gilt bronze, lacquer, marble, wood
Techniques: painting
Subjects: landscapes
La sainte cêne / De laetste avond-mael van Christus / met zijne apostelen
Object type: popular print
Date: 1827 – 1894
Materials: paper
Techniques: colour, letterpress printing
Location: schaarbeek
Subjects: the episode of the last supper
Inscriptions: collector's mark: Lugt 2760

Blad met een grote voorstelling van het Laatste Avondmaal. In de ondermarge de titel in het Nederlands en in het Frans.
Tastzin
Object type: print
Date: 1590 – 1632
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: feeling (one of the five senses)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Landschap met de vrouwelijke personificatie van de Tastzin, met een duif op haar hand. Een man omhelst haar en aait de hond die op haar schoot zit. Op de voorgrond Venus en Amor. In de marge, in twee kolommen, een onderschrift in het Latijn. Prent uit een serie van vijf met de vijf zintuigen.
Plan de l'Action de Fontenoy près de Tournay, entre l'Armée des Alliez, & celle de la France, le 11 Mai 1745 / Plaan van de Actie voorgevallen tusschen de Geallieerde Armée, en die der Fransen, te Fontenoy by Doornick, den 11 May 1745
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: etching, letterpress printing
Location: the hague
Subjects: battle (+ land forces)
Inscriptions: collector's mark: Lugt 2228

Plattegrond van de slag bij Fontenoy (bij Doornik) op 11 mei 1745 tussen het Geallieerde leger en de Fransen. Op het blad onder de plaat de verklaringen A-S en 1-7 in het Frans en Nederlands.
Saber and Dart with Scabbard
Object type: saber with scabbard
Date: 1601 – 1700
Materials: silver alloy, gold, leather, silver, steel, wood
Culture: mounts and scabbard

The silver-gilt and niello decoration on this set of throwing dart and saber, as well as the dragon-head quillon, date the ensemble to Ottoman Turkey during the late seventeenth century. Dragon terminals were popluar with Ottoman metalworkers through much of the sixteenth to eighteenth century, but there is considerable variation in the form of the dragons. The stylized, roundish heads of this saber are of a late seventeenth-century type; a comparable example can be seen on a jug sent as a gift to the empress of Russia in 1692. A similar dating for the set is supported by the very similary silver-gilt decoration on a saber in the Wallace Collection, London, that bears an inscription stating that it was made in Constantinople in the year 1700 (no. 0A 1750). The comparison with the Wallace Collection saber is important, as the inscription on the latter demonstrates that this kind of work was produced in the capital, then usually called Constantinya. Yet it should not be thought that this type of nielloed floral decoration was confined to this precise period, as examples exist dating from the time of Mehmed IV (r. 1648–87) to that of Mustafa III (r. 1757–74). Both the dragon quillon and decoration on the Museum's set, however, are closer to work produced during the final years of the seventeenth century, and for that reason are dated here to approximately 1700.
Familiefoto's
Object type: album leaf
Date: 1935 – 1938
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: celebes
Artist: Anonymous
Subjects: jet vonk, r.h. vonk, family life
Inscriptions: inscription

Albumblad met vijf foto's van de familie Vonk en hun vrienden de familie Storm. Onderdeel van het familiealbum van Jet Vonk uit Celebes.
Brief aan Anna Dorothea Dirks
Object type: letter
Date: 1893 – 1893
Materials: ink
Techniques: pen, printing, writing
Location: the hague
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, artist, anna dorothea dirks
Inscriptions: collector's mark: ‘RPK’
Design for Landaulet, no. 3232
Object type: drawing
Date: 1876 – 1876
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Cosimo Padre delle Patria
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Location: italy
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228
Piece
Object type: piece
Date: 1751 – 1775
Materials: metal thread, silk
Cricket cage
Object type: cricket cage
Date: 1701 – 1900
Materials: wood
Culture: chinese
Subjects: mythical creatures
View of Rio de Porto in Sintra with the Castle of the Moors in the background
Object type: print
Date: 1840 – 1840
Techniques: printmaking, lithograph
Artist: clementine de brelaz
Artist role: artist
Artist nationality: portuguese
Artist dates: 1811 – 1892

Sintra (Cintra) is a summer resort near Lisbon on the 'Portuguese Riviera' that historically has been frequented by the royal family and the nobility. Much of the architecture is in the neo-Renaissance style built in the nineteenth century. This is from a collection of picturesque views of Sintra by the lithographer and sometime painter Clementine de Brelaz. She was born in Lisbon in 1811, and migrated to Switzerland, as a Protestant convert. According to Carl Brun (Schweizerisches Künstler Lexikon), Brelaz was taught in Geneva by the Swiss landscape painter Alexandre Calame (1810–64), presumably during the 1830s. The series of plates are from a set of 18 with a title ‘Coquis de Cintra: Dessines d’apres et lithographies par CNE B.’, Lisbon, Litografia de Manuel Luis, 1840.
Portret van Jean de La Grange
Object type: book illustration
Date: 1660 – 1660
Materials: paper
Techniques: engraving, etching, letterpress printing
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Du Chesne, François. Histoire de tous les cardinaux françois de naissance, ou qui ont esté promeus au cardinalat. Parijs: François Du Chesne, 1660.
Leeuwarden, gezicht op het plein voor de Waag.
Object type: album leaf
Date: 1870 – 1870
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: leeuwarden
Subjects: square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: address: ‘Nieuwendijk L.330 Amsterdam’

Onderdeel van Fotoalbum met bezienswaardigheden in Nederlandse, Belgische en Duitse steden.
Roundel, disk
Object type: roundel, disk
Date: 400 – 301
Materials: gold
Subjects: human figures
Hoofden van mannen met hoofddeksels
Object type: drawing
Date: 1500 – 1525
Materials: ink, paper
Techniques: brush, pen
Artist: jacopo ripanda
Artist role: draughtsman

Blad uit serie met hoofden van mannen met uitheemse hoofddeksels op blauw en paars geprepareerd papier.
Gauntlets and Accessories
Object type: gauntlet and accessory
Date: 1701 – 1800
Materials: iron
Culture: japanese
Location: japan
The Ark
Object type: painting
Date: 1700 – 1700
Materials: canvas, oil
Culture: american
Artist: lodewijk tieling (active ca. 1695-1700)
Artist role: artist
Artist nationality: american
Subjects: ducks,men,women,unicorns,peacocks,swans,camels,cats,cows,dogs,goats,horses,lions,monkeys

Executed in Amsterdam, this painting has a long history of ownership in New York. Samuel Verplanck (1739–1820) may have purchased it while in Amsterdam for his wedding to Judith Crommelin in 1761. Furnishings from the couple’s New York town house are displayed in a period room in The American Wing (gallery 718).
Suerte de banderillas
Object type: album leaf
Date: 1880 – 1910
Materials: paper
Techniques: chromolithography
Artist: Anonymous
Subjects: bullfight
Inscriptions: inscription: ‘Pl. 9. Déposé’
Armband van zilver met vijf dubbeltjes en vijf wajangpoppen
Object type: bracelet
Date: 1940 – 1950
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: dutch east indies, the
Inscriptions: wajangschakel: Om zo 800

Armband van zilver met vijf Nederlands-Indische dubbeltjes en vijf wajangpoppen voorzien van een veerring. De dubbeltjes en de poppen zijn om en om met eenvoudige ringen aaneengeschakeld. Op één van de wajangschakels staat 'Om zo 800'.
Toilet vase
Object type: toilet vase
Date: 1850 – 1775
Materials: faience
Location: egypt

This miniature vessel imitates the shape of the large Middle Kingdom storage vessels of marl clay. It was found with other small vessels and the figure of a woman (11.151.745) in a basket (called "toilet basket I" by the excavators) west of the pyramid of Amenemhat I at Lisht North where the basket - like another one ("toilet basket II;" see 44.4.4 and 07.228.19) - was deposited by itself and without a body. The group is dated by the shape of 44.4.3 which can be compared with larger ointment jars found at Dahshur.
Nederlandse gulden, 1821
Object type: coin
Date: 1821 – 1821
Materials: silver
Techniques: striking
Location: utrecht
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Zilveren munt. Voorzijde: borstbeeld naar rechts. Keerzijde: tussen waarde-aanduiding 1 G gekroond rijkswapenschild. Jaartal boven kroon. Randschrift.
Saka no Shita
Object type: print
Date: 1840 – 1840
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Subjects: human figures,mountains,landscapes,trees
Cup with flaring sides with a woman and boy near a rock
Object type: cup
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Subjects: the hague
Inscriptions: mark

Kop van porselein met spreidende wand, beschilderd in onderglazuur blauw. Op de buitenwand een vrouw (lange lijs) zittend op een rots met een takje in haar hand; naast haar een jongen (zotje) en een grotere rots met planten. Op de bodem een rivierlandschap met bergen. De binnenrand met arceerwerk. Gemerkt op de onderzijde met het vier-karaktermerk van keizer Chenghua in een dubbele cirkel. Blauw-wit.