deem-data/ArtiFact huggingface dataset:
Soldaat te paard met lans
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: engraving
Location: italy
Subjects: riding a horse, ass, or mule; rider, horseman, helved weapons, polearms (for striking, hacking, thrusting): lance, warfare; military affairs (+ cavalry, horsemen)
Inscriptions: inscription: ‘Sub. Maximiano / Passus 304’, collector's mark: Lugt 240

Een soldaat te paard met een lans in zijn hand. Op de achtergrond een stad in een landschap. Tekst en wapenschild in ondermarge.
Gold leaf from shabti of Neferseneb
Object type: gold fragment from shabti check name
Date: 1850 – 1640
Materials: gold leaf
Location: egypt
Straat uitkomend op een kerk
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: paper, pencil
Artist: willem koekkoek
Artist role: draughtsman
Artist dates: 1839 – 1895
Subjects: village street, church (exterior)
Inscriptions: kleurnotitie, handgeschreven in potlood

Blad 1 verso uit een schetsboek met 24 bladen.
Frontispiece, from "Hunting Scenes"
Object type: print
Date: 1829 – 1829
Techniques: lithograph
Artist: alexandre-gabriel decamps
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1860
Fonteinmarmer in blauw
Object type: wrapper
Date: 1700 – 1850
Materials: paint, paper
Techniques: marbling
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2760

Fonteinmarmer in blauw. Gebruikt als omslag.
Portret van Elzéard Auguste Cousin de Dommartin
Object type: book illustration
Date: 1818 – 1818
Materials: paper
Techniques: etching, roulette
Location: paris
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Mogelijk prent uit: Tardieu, Ambroise. Portraits des généraux français, faisant suite aux "Victoires et conquêtes des Français". Parijs: Panckoucke, Charles Louis Fleury, ca. 1818.
Terracotta statuette of woman with bird face
Object type: statuette of a woman with bird face
Date: 1450 – 1200
Materials: terracotta
Culture: cypriot
Subjects: birds,women

This figurine is typical of Cypriot coroplastic art of the Late Cypriot II and III periods. The type, with the pubic triangle accentuated and the breasts clearly shown, is likely of Syrian origin, but Cypriot sculptors created their own variations. Handmade and hollow, it has a shaved surface. Her eyes are pellets surrounded by rings. In each large flat ear are two perforations, each containing an earring; the lower ones have overlapping terminals. The infant stretches out its arms and has depressed circles for its eyes.
Gezicht op een kade in Amsterdam
Object type: sketchbook leaf
Date: 1870 – 1923
Materials: chalk, paper
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: quay, amsterdam
Opstelling van een sculptuur van een paard met daarop een zadel van textiel en een harnas
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, paper, ink
Techniques: photograph
Location: europe
Artist: Anonymous
Subjects: armour, saddle, horse, europe
Inscriptions: number: ‘26.’, collector's mark: Lugt 3937
Studies van een paardenkadaver en een dode opgehangen hond
Object type: drawing
Date: 1814 – 1860
Materials: chalk, paper
Artist: denis auguste marie raffet
Artist role: draughtsman, print maker
Artist dates: 1804 – 1860
Subjects: dog
Sutra Cover
Object type: textile
Materials: gold leaf, ink, paper, textile, silk
Techniques: bookbinding, interlacing, lacquer, patterning, printing, satin weave, weave
Location: china
Mortar
Object type: mortar
Date: 1101 – 1300
Materials: bronze
Location: central asia
Bergachtig landschap met een brug
Object type: print
Date: 1847 – 1906
Materials: paper
Techniques: etching
Location: germany
Subjects: landscape with bridge, viaduct or aqueduct, mountains
Inscriptions: collector's mark: Lugt 2228
The Letter, or The Spanish Conversation
Object type: drawing and watercolor
Date: 1778 – 1778
Materials: graphite, ink, paper
Techniques: brush, drawing, wash
Location: france
Artist: jean-honoré fragonard
Artist nationality: french
Artist dates: 1732 – 1806
Subjects: women, hats, men, love letters, interiors

Jean-Honoré Fragonard’s highly personal, powerful style emerged after periods of study with both François Boucher and Jean-Siméon Chardin, and over five years at the Académie de France in Rome. Entitled The Letter, or The Spanish Conversation (because of the man’s elegant attire—with a doublet of full sleeves and a wide, stiff neck ruff—a costume that was “in the Spanish mode”), this lively sheet depicts with wit and teasing ambiguity an intimate incident in an upper-class drawing room. The artist’s rapid, virtuoso draftsmanship evokes forms with what seems like a minimum of effort, and his powerful handling of brush and wash reflects his ability to capture the effects of light. The interplay between the drawing’s broad, free underdrawing and its shimmering veils of wash lend this work its charm and vivacity. The woman in this drawing is said to be Fragonard’s sister-in-law, the artist Marguerite Gérard.
Abdij van Paraclet
Object type: print
Date: 1757 – 1814
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: city-view, and landscape with man-made constructions, abbey, monastery, convent ~ roman catholic church
Inscriptions: collector's mark: Lugt 2228
Dode roodborst
Object type: watercolor
Date: 1800 – 1900
Materials: paper, watercolor
Techniques: brush
Artist: yamamoto shinryo baiitsu
Artist role: draughtsman
Artist dates: 1789 – 1857
Incision linéaire
Object type: photograph
Materials: photographic support
Techniques: albumen print
Location: france
Artist: a. de montméja
Artist role: arts, fotograaf
Artist dates: 1841 – 
Subjects: eyes, operation, surgery, disabilities affecting the eyes
Inscriptions: number: ‘Planche VI’
Two-handled cup
Object type: cup
Date: 1729 – 1730
Materials: silver
Artist: robert pilkington
Artist role: maker
Artist dates: 1720 – 1739
Portretschets van Alphons Marie Antoine Joseph Grandmont, schuin van achteren
Object type: drawing
Date: 1865 – 1913
Materials: chalk, paper
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: historical persons
Architectural Drawing for a Chapel
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: pen, wash
Artist: anonymous, italian, roman, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: men
Le garde-meuble / Collection de Meubles
Object type: print
Date: 1839 – 1885
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: fire-screen, table

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Fragment of a Pin
Object type: pin fragment
Date: 901 – 1000
Materials: bronze
Techniques: casting
Location: iran
Subjects: birds
Satyr Resting beneath a Herm
Object type: print
Date: 1645 – 1647
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni benedetto castiglione (il grechetto)
Artist role: artist
Artist nationality: italian
Artist dates: 1609 – 1664

The Baroque Italian etcher and innovator par excellence, Castiglione employed his signature flourish in this oblong view of revelers regaining their strength after a bacchanal. A satyr sets himself down on the steps below a portly herm, likely a depiction of Pan: the flock of goats on the right attentively raise their heads toward the sculpture as if awaiting orders.
Portretbuste van filosoof Cicero
Object type: print
Date: 1510 – 1562
Materials: paper
Techniques: engraving
Location: italy
Subjects: marcus tullius cicero, scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 11

Samen met RP-P-H-OB-207.756 op één opzetvel geplakt.
Tussenzetsel van kloskant met zigzaglijn
Object type: strip
Date: 1875 – 1949
Materials: linen
Techniques: lace
Location: belgium
Artist: Anonymous

Tussenzetsel van naturelkleurige kloskant: Mechelse kant. In het midden van de fijne traliegrond, een Mechelse grond (ook wel ijsgrond genoemd), loopt een opengewerkte band in zigzaglijn, oversneden door twee soorten rozetjes.
La Devineresse
Object type: print
Date: 1783 – 1807
Materials: paper
Techniques: aquatint
Location: germany
Subjects: horse
Inscriptions: collector's mark: Lugt 2228
Palatina-style Salvator Rosa frame
Object type: frame
Date: 1667 – 1700
Materials: wood
Culture: southern italian
Patriotse hemelvaart
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching, hand coloring
Location: london
Subjects: grown-ups playing children's games, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Een Hollandse patriot wordt door Pruisische soldaten in een deken in de lucht gegooid, waardoor de geldstukken uit zijn zakken vliegen. Linksboven dwingt een Engelse matroos de Fransman toe te kijken. Pastiche op een illustratie van een episode uit de avonturen van Don Quichot en Sancho Panza. Onderdeel van een groep van vier spotprenten op de patriotten ten tijde van de Pruisische inval in oktober 1787. De De originele versie met Engelse opschriften uitgegeven in Londen. Zie ook de pendant en het bijbehorende paar spotprenten.
Plattegrond van het beleg van Bergen op Zoom, 1747
Object type: map
Date: 1747 – 1747
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: siege, position war, maps of cities, bergen op zoom
Inscriptions: collector's mark: ‘G’, collector's mark: Lugt 2228

Plattegrond van het beleg van Bergen op Zoom door de Fransen, juli-september 1747. Op het blad onder de plaat een beschrijving van de stad met de legenda 1-35 en A-S in het Nederlands.
Inkstand
Object type: inkstand
Date: 1800 – 1800
Materials: glaze, porcelain
Culture: japanese
Twee vrouwenkoppen
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: head (human) (+ female (human being) (not to be used where -aa- is prescribed))

Blad 8 recto uit een schetsboek met 26 bladen.
Broth bowl with cover (Écuelle)
Object type: broth bowl with cover écuelle
Date: 1720 – 1770
Materials: pewter

An écuelle is a lidded bowl with two handles, often provided with a matching saucer or stand, used for serving hot broth or bouillon. During the late seventeenth and eighteenth century, broth was taken during the morning toilette but also offered to new mothers, as well as to the sick and bed-ridden to regain their strength. For that reason, écuelles were intended for private use in the bedroom. This écuelle strongly resembles in form silver examples in The Met’s collection, such as 48.187.11a, b and 48.187.6a, b. Although of a modest material, this bowl is nevertheless decorated with sophisticated Bérain-esque chasing on the cover and handles. Unmarked, the style would indicate a date after the first quarter of the 18th century.
Gezicht op een kamer in een woning in Klausen, Italië
Object type: photomechanical print
Date: 1886 – 1891
Materials: paper
Techniques: photoaquatint
Location: vienna
Subjects: other rooms
Inscriptions: number: ‘13.’, inscription: ‘Déposé.’

Deze prent maakt deel uit van een omslag met dertig prenten en drie tekstbladen.
The Actor Ichimura Uzaemon IX as an Incarnation of the Dragon King in the Play Saki Masuya Ume on Kachidoki, Performed at the Ichimura Theater in te Eleventh Month, 1778
Object type: print
Date: 1778 – 1778
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Portret van Witte Cornelisz. de With
Object type: print
Date: 1866 – 1868
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jan frederik christiaan reckleben
Artist role: print maker
Artist dates: 1819 – 1879
Subjects: hoogendijk, zeeofficier, witte cornelisz. de with
Inscriptions: collector's mark: Lugt 2228

Portret van de marine-admiraal Witte Cornelisz. de With. Hij draagt om zijn nek een medaillon met een engel die een duivel verslaat, het draagteken van de Orde van Saint Michel, waarvan ook Michiel de Ruyter lid was. Op de plint zijn naam.
Mannen in historisch kostuum
Object type: sketchbook leaf
Date: 1879 – 1885
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: standing figure, adult man, hacking and thrusting weapons: sword, historical costume
Inscriptions: annotation: ‘Tribut’

Mogelijk kostuums voor een theaterstuk. Pagina 104 uit een schetsboek met 58 bladen.
Handschoen van donkerrode katoenen tricot
Object type: clothing
Date: 1895 – 1900
Materials: silk
Location: western europe
Artist: Anonymous

Linkerhandschoen van donkerrode katoenen tricot, op de rug drie uitstralende zwarte koorden.
Binnenplaats van de meisjesafdeling van het Burgerweeshuis te Amsterdam
Object type: photomechanical print
Date: 1890 – 1920
Materials: cardboard
Techniques: four-color autotype
Artist: Anonymous
Subjects: orphanage, orphans
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: I. Stadsinrichtingen: Burgerweeshuis.
Weide met bomen
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: paper, watercolor
Techniques: brush
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: trees, meadow, pasture (+ landscape with figures, staffage)

Op de voorgrond een figuur. Blad 30 recto uit een schetsboek met 51 bladen.
Pinaculu Termar (sic), from a Series of 24 Depicting (Reconstructed) Buildings from Roman Antiquity
Object type: print ornament architecture
Techniques: engraving
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: architecture

Perspectival cross section of a building referred to as ‘Pinaculu Termar’. The building has a circular floor plan and consists of a central round nave surrounded by an ambulatory. The coffered ceiling is interrupted at top by an oculus. While it has been suggested that the building may represent the Church of Santa Costanza in Rome, the interior and exterior features of the building depicted in this print differ too much, to follow this identification. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation. Most copper plates for this series have been engraved on both sides. This print is taken from the same plate as the 'Aerarii Publici Rome'.
Glass Fragment
Object type: fragment
Date: 1267 – 1300
Materials: glass, metal
Culture: european
Design for Knife Handles with the Death of Lucretia and Grotesques
Object type: print ornament architecture
Date: 1580 – 1600
Techniques: embroidery, engraving
Artist: theodor de bry
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1528 – 1598
Subjects: hilts

Design for a knife handle with the death of Lucretia on the design at left, contained in an oval surrounded by grotesque blackwork background, with two owls flanking a mask under a canopy below. On the right design, a half-length female figure with a headdress under a canopy, with a candelabrum with decorative dolphins below.
Portret van een onbekende franciscaner monnik, genaamd Franciscus
Object type: print
Date: 1570 – 1632
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: monastic orders, monastic life: franciscans, insignia of cardinal, e.g. hat, mantle
Inscriptions: collector's mark: Lugt 240

Een franciscaner monnik genaamd Franciscus, een boek in zijn handen. Op de grond een kardinaalshoed.
Shabti (Funerary Figurine) of Mayat
Object type: funerary object
Materials: gesso, pigment, wood
Techniques: painting
Culture: egyptian
Location: egypt
Subjects: funerary art, hieroglyphs, mummies, women
Gezicht op een huis en tuin
Object type: photograph
Date: 1880 – 1920
Materials: photographic support
Techniques: collodion silver print
Artist: cornelia hendrika jonker
Artist dates: 1874 – 1924
Subjects: garden, villa
Inscriptions: annotation: ‘t'Huis van ons gezamen [Fockens]’
Beleg van Augsburg, 1704
Object type: print
Date: 1705 – 1705
Materials: paper
Techniques: etching
Location: augsburg
Artist: georg philipp rugendas (i)
Artist role: draughtsman, print maker, publisher
Artist dates: 1666 – 1742
Subjects: transport, train (military) (+ land forces), siege, augsburg
Inscriptions: collector's mark: Lugt 2228

Scène uit het beleg van Augsburg door de Fransen en Beiersen. Transport in januari 1704 van wapens en geschut uit Augsburg naar München. Links een kanon getrokken door zes paarden, aan het begin van de stoet. Een zittende officier trekt een schoen aan. In de verte de stad. Deze prent onderaan genummerd 3.
Gezicht op de Petruskerk in Barton-upon-Humber
Object type: print
Date: 1928 – 1928
Materials: paper
Techniques: drypoint, intaglio
Artist: frederick landseer maur griggs
Artist role: print maker
Artist dates: 1876 – 1938
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2228, signature: ‘F.L. Griggs’
Sauceboat
Object type: sauceboat
Date: 1773 – 1774
Materials: silver
Artist: paul-david bazille
Artist role: maker
Artist dates: 1740 – 1793
Subjects: coat of arms
Portret van Nuno da Cunha e Ataíde
Object type: print
Date: 1722 – 1722
Materials: paper
Techniques: engraving, etching, letterpress printing
Artist: Anonymous
Subjects: historical persons
Inscriptions: date
De Pijpenmarkt. Amsterdam. Vue du canal dit Pijpenmarkt.
Object type: cabinet photograph
Date: 1860 – 1884
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: sailing-ship, sailing-boat, canals, waters (in city), prospect of city, town panorama, silhouette of city, amsterdam

Onderdeel van Leporelloalbum met twaalf foto's van Amsterdam.
Portret van Johannes Vischer
Object type: print
Date: 1596 – 1596
Materials: paper
Techniques: letterpress printing
Location: tübingen
Subjects: flowers, caryatids ~ architecture, gloves, mittens, etc., historical persons, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor de publicatie: Cellius, Erhard. Imagines professorum Tubingensium. Tübingen: Erhard Cellius, 1596, p. [108].
Epitafen
Object type: print
Materials: paper
Techniques: etching
Artist: Anonymous

Grafmonument met ovaal medaillon waarin een gesluierde vrouw een schedel vasthoudt. Links en rechts van het medaillon zitten rouwende vrouwen.
Paris-Portrait : ancien Paris-Theatre
Object type: magazine
Date: 1878 – 1880
Materials: cardboard, linen, paper
Techniques: printing, woodburytype
Location: paris
Artist: eugène paz
Artist role: journalist
Artist dates: 1835 – 1901
Inscriptions: collector's mark: ‘Librairie du Spectacle/ Garnier Arnoul/ 39, Rue de Seine, PARIS’
Praha. Prasná brána
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: color autotype
Location: prague
Subjects: city-gate
Inscriptions: inscription: ‘H&H’
Schip te water
Object type: album leaf
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), ships (in general)
Inscriptions: inscription: ‘A.L. B.te S.C.D.G.’
Zeegezicht met land op de achtergrond
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Location: berlin
Artist: niels adam fischer
Artist role: fotograaf
Artist dates: 1856 – 1938
Subjects: sea (seascape)
Twee schapen, liggend, met herder op achtergrond
Object type: print
Date: 1660 – 1664
Materials: paper
Techniques: etching
Location: the hague
Artist: marcus de bye
Artist role: print maker
Artist dates: 1639 – 1688
Subjects: sheep
Inscriptions: collector's mark: Lugt 2228
Portret van Jan Huygen van Linschoten
Object type: print
Date: 1775 – 1834
Materials: paper
Techniques: stippling
Location: germany
Artist: konrad westermayr
Artist role: print maker
Artist dates: 1765 – 1834
Subjects: haarlem, jan huygen van linschoten, historical persons, portrait of a writer, wandering or travelling merchant
Fragment from the head of a statue
Object type: head fragment, perneb
Date: 2381 – 2323
Materials: paint, wood
Location: egypt

At least one statue of the deceased was an important element of the burial equipment. No complete statues were found during the clearance of Perneb's tomb, but several statue fragments were discovered in the debris of the superstructure. These would have belonged to one or more figures either of Perneb himself or of members of his family. The statues would have been placed originally in Perneb's "serdab," a hidden room behind one of the chapel walls (see 98.4.9). This fragment preserves the side of a face framed by a short, curled wig, painted black, from the head of a male statue. The deep undercut at the corner above the cheek is typical of the late Fifth Dynasty.
Dádá Huree's well at Asárwa.- Cupolas over the Staircases
Object type: photograph
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Location: ahmedabad
Artist: thomas biggs
Artist role: fotograaf, kapitein
Artist dates: 1822 – 1905
Subjects: well
Inscriptions: number: ‘91.’
Portretten van pausen
Object type: print
Date: 1568 – 1568
Materials: paper
Techniques: engraving
Location: rome
Subjects: pius v
Inscriptions: collector's mark: Lugt 2228

Portret van paus Pius V met gevouwen handen. Linksboven zijn pauselijk wapenschild.
Rivierlandschap
Object type: print
Date: 1750 – 1803
Materials: paper
Techniques: etching
Location: italy
Subjects: city-view, and landscape with man-made constructions, river, landscape with ruins, mule
Inscriptions: collector's mark: Lugt 2228

Een rivierlandschap met links een ruïne en op de voorgrond een aangemeerde boot en een man met een pakezel. Genummerd linksonder: No 51. 4. Titel in ondermarge.
Snuffbox
Object type: snuffbox
Date: 1760 – 1760
Materials: copper, porcelain
Techniques: gilding, painted
Location: meissen

Meissener Porzellan Manufaktur
Meissen, c. 1760
hard-paste porcelain, gilt copper
Portret van Antoine Masson
Object type: print
Date: 1659 – 1740
Materials: paper
Techniques: mezzotint
Location: paris
Artist: jan van der bruggen
Artist role: draughtsman, print maker
Artist dates: 1649 – 1709
Subjects: paris, print maker, antoine masson, wig
Inscriptions: collector's mark: Lugt 2228

Portret van de Franse graveur Antoine Masson met een lange krulpruik.
Vrede van Rijswijk
Object type: jeton
Date: 1697 – 1697
Materials: copper
Techniques: striking
Location: antwerp
Artist: philippe roëttiers (ii)
Artist role: medailleur
Artist dates: 1640 – 1718
Subjects: maximiliaan ii emanuel (keurvorst van beieren)

Koperen penning. Voorzijde: keurvorst van Beieren, in Romeinse kledij staande naast de door hem gesloten tempel van Janus binnen omschrift. Keerzijde: Vrede met olijftak in hand, zittend op zegekar die wordt getrokken door twee leeuwen, die elk klauw op een wapenschild leggen binnen omschrift; afsnede: signatuur
Reine d'Etrurie (colorieè)
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
Scherven porselein, tinfragment en kei uit het wrak van de Oostindiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: porcelain, tin
Artist: Anonymous