deem-data/ArtiFact huggingface dataset:
Dattiers et Maison du quartier Franc, au Kaire
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,houses,palms

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Freedom to the Slaves
Object type: print
Date: 1865 – 1865
Techniques: lithograph
Artist: currier & ives
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1907
Subjects: abraham lincoln

This commemorative print was issued soon after the assassination of President Lincoln to comfort his supporters. The semi-allegorized representation portrayed the former president as the emancipator of enslaved African Americans, guided by divine principles. The image was reproduced in many variations by different publishers.
London Outrider, or Brother Saddlebag
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,dogs
Brief aan Philip Zilcken
Object type: letter
Date: 1922 – 1922
Materials: ink, paper
Techniques: pen, writing
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: paris, print maker, draughtsman, auguste rodin, h. goldmuntz, painter, philip zilcken, diseases
Inscriptions: collector's mark: ‘RPK’
Riviergezicht met een afgemeerd zeilschip
Object type: sketchbook leaf
Date: 1780 – 1848
Materials: ink, paper, pencil
Techniques: pen
Artist: martinus schouman
Artist role: draughtsman, painter
Artist dates: 1770 – 1848
Subjects: river, windmill in landscape, farm (building)

Aan de ene zijde van de rivier molens en aan de andere zijde een boerderij. Blad 41 verso en 42 recto uit een schetsboek met 53 bladen.
Huizen aan een gracht en een ophaalbrug
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Location: amsterdam
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: bridge, street, amsterdam

Blad 11 recto uit een schetsboek met 76 bladen.
Fotoreproductie van een gravure van de uitmoording van Zutphen door de Spanjaarden in 1572
Object type: reproduction
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: murder
Inscriptions: inscription: ‘Zutphen door (...) brand gestoken.’, number: ‘15’
Gedenksteen van de stichting van het Stadhuis, Vierschaar, Paleis op de Dam, Amsterdam
Object type: photograph
Date: 1899 – 1899
Materials: cardboard
Techniques: photograph
Artist: Anonymous
Subjects: palace, piece of sculpture, reproduction of a piece of sculpture, royal palace of amsterdam

Vierschaar. Gedenksteen van de Stichting van het Stadhuis.
Venster met gordijnen
Object type: print
Date: 1895 – 1910
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery
Inscriptions: : ‘Droits de reproduction réservés.’

Kruisvenster met gedrapeerde gordijnen in de art-nouveaustijl. Prent uit 369e Livraison.
Portret van Salomon Glass
Object type: print
Date: 1656 – 1717
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons
Gezicht op het Prater te Wenen
Object type: photograph
Date: 1930 – 1931
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: vienna
Artist: berti hoppe
Artist role: fotograaf
Subjects: city-view in general; 'veduta', public gardens, park, vienna
Inscriptions: annotation: ‘[...] Prater’

Deze pagina maakt deel uit van een album.
Monument voor Emmanuel Philibert en gezicht op een brug te Turijn
Object type: photograph
Date: 1873 – 1873
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: monument, statue, bridge
Inscriptions: inscription: ‘3725 Torino. Emanuelle Filiberto del Marochetti’, inscription: ‘3721 Torino. Pza Vo Emanuelle e ponte di Po’

Deze pagina maakt deel uit van een album.
Peasant Pushing a Wheelbarrow
Object type: print
Date: 1855 – 1855
Materials: ink
Techniques: etching, printing
Artist: jean-françois millet
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1875
Subjects: houses,men,working
Boom in een ring gesnoeid
Object type: book illustration
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: trees, (scenes from) specific works of literature: colonna, hypnerotomachia poliphili, pruning

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, verso fol. 108.
Tuscany, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the set, "Flags of All Nations," Series 2 (N10), issued in 1890 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Een Zee-koe spoor aan de Bergrivier op den grond afgetekendt
Object type: drawing
Date: 1707 – 1776
Materials: ink, paper, pencil
Techniques: pen
Location: south africa
Artist: Anonymous
Subjects: hoofed animals: hippopotamus
Inscriptions: label: ‘A7’

Omtrek van een pootafdruk van een 'zeekoe', getekend bij de Bergrivier. Hoogstwaarschijnlijk gaat het om de pootafdruk van een nijlpaard. De tekening is mogelijk gemaakt tijdens de eerste reis van Hendrik Swellengrebel, 18-31 juli 1776. Volgens het reisjournaal ziet het gezelschap verse sporen van nijlpaarden langs de Bergrivier op 24 juli 1776.
Portret van een vrouw met opgestoken haar, geborduurde blouse en bontjas
Object type: photograph
Date: 1918 – 1918
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Subjects: historical persons - bb - woman, coat (+ fur used for clothes), embroidery (ornamentation)
Inscriptions: date: ‘1918’
Set of Two Ornaments
Object type: ornament
Materials: gold
Culture: indonesian, javanese
Mantel clock (pendule de cheminée)
Object type: mantel clock
Date: 1775 – 1775
Materials: enamel, gilt bronze, marble, porcelain
Artist: charles-nicolas dutertre
Artist role: maker
Artist nationality: french
Artist dates: 1728 – 1793
Subjects: children,female nudes

About ten allegorical clocks of this model, personifying Love and Friendship probably created by the marchand mercier Dominique Daguerre (d. 1796), are known today. Records of the Sèvres porcelain manufactory indicate that twenty-three columns suitable for clock cases were supplied to Daguerre between 1772 and 1791. Holding two hearts in one hand, the female figure represents Friendship while she originally held in her other hand a portrait medallion, now missing. The putto on the other side of the column, personifying Love, plays with a dog that is the symbol of Fidelity. A colored drawing for a similar clock is in the Museum’s collection (60.692.7). One of a group of drawings that was sent to Albert, Duke of Sachsen-Teschen, and his wife Maria-Christina, a sister of Marie Antoinette, joint governors of the Low Countries from 1780 to 1792, they probably served as a sort of sale catalogue.
Omlijsting
Object type: drawing
Date: 1809 – 1814
Materials: paper, pencil, watercolor
Techniques: brush, pen
Location: southern netherlands
Artist: Anonymous

Lege omlijsting. Rechtsboven genummerd: 360. Onderdeel van het vierde album met tekeningen van bloemen en paddestoelen. Elfde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Servet met gevlamde zon, sterren, engelen en bloemen
Object type: napkin
Date: 1900 – 1920
Materials: linen
Techniques: damask
Location: germany
Artist: Anonymous

Wit linnen damasten servet met een Jugendstil-patroon, gevlamde zon, sterren, engelen en bloemen.
Herdsman with Cow, Donkey, Sheep
Object type: drawing and watercolor
Date: 1640 – 1683
Materials: chalk, paper
Techniques: brush, heightening, wash
Location: netherlands
Artist: after nicolaes berchem
Jar
Object type: vessel
Date: 101 – 300
Materials: glass
Techniques: glassblowing
Culture: roman
Location: mediterranean region
Het Casteel Amboyna, soo 't hem van de Water-cant ende uyt de Shepen vertoont
Object type: print
Date: 1644 – 1646
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: landscapes in tropical and sub-tropical regions, exploration, expedition, voyage of discovery

Gebruikt als illustratie: Historisch Verhael Vande treffelijcke Reyse, gedaen naer de Oost-Indien ende China, met elf Schepen. Door den Manhaften Admirael Cornelis Matelief de Jonge. Inden Jaren 1605. 1606. 1607. ende 1608. Deze tekst opgenomen in : I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: No. 6.
Portretten van burgemeesters van Zürich
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: engraving, etching
Artist: conrad meyer (i)
Artist role: painter, print maker, publisher
Artist dates: 1618 – 1689
Subjects: mayor, mayor, burgomaster, historical persons
Inscriptions: collector's mark: Lugt 2228
Zittende vrouw, omringd door Japanse waaiers
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: drypoint, intaglio
Artist: norbert goeneutte
Artist role: draughtsman, painter, print maker
Artist dates: 1854 – 1894
Subjects: sitting figure - aa - female human figure, fan
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Tile
Object type: tile
Date: 1757 – 1761
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: john sadler
Artist role: maker
Artist dates: 1720 – 1789
Subjects: infants,men,women
Duit van de VOC uit de stad Utrecht,1742
Object type: coin
Date: 1742 – 1742
Materials: copper
Techniques: striking
Location: utrecht

Koperen munt. Voorzijde: op balk, waaronder guirlande, geplaatst, door twee leeuwen gehouden gekroond wapenschild van de stad Utrecht. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Design for Landaulet, no. 3098
Object type: drawing
Date: 1875 – 1875
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Rowel Spur (Right)
Object type: spur
Date: 1634 – 1666
Materials: metal alloy
Culture: spanish
Location: spain
Principes de Fleurs et de Fruits l'Usage des Commencants
Object type: print
Date: 1824 – 1881
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: elise therèse daiwaille
Artist role: print maker
Artist dates: 1814 – 1881
Subjects: bunch of grapes
Inscriptions: collector's mark: Lugt 2228

Een wit vlak is uitgespaard onder de druiven. Genummerd rechtsboven: 'No. 1'. De prent maakt deel uit van een omslag met zes prenten.
Piece
Object type: piece
Date: 1601 – 1700
Materials: metal thread, silk
Culture: chinese
Subjects: leaves
Oude Gevangenis op de binnenplaats van het Raadhuis te Enkhuizen
Object type: photograph
Date: 1900 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: enkhuizen
Subjects: prison, jail
Inscriptions: annotation: ‘Oude gevangenis van 1612 op de binnenplaats van het Raadhuis/ Enkhuizen’
The Hill-Side Semur
Object type: print
Date: 1921 – 1929
Materials: paper
Techniques: etching
Subjects: sloping street; street with steps or stairs
Inscriptions: annotation: ‘Martin Hardie’, collector's mark: Lugt 2228
Twee wasvrouwen
Object type: print
Date: 1827 – 1830
Materials: paper
Techniques: hand coloring
Artist: Anonymous
Subjects: laundering, building or outbuilding where laundry is done
Inscriptions: collector's mark: Lugt 1641, stamp, collector's mark: Lugt 1641a

Twee wasvrouwen onder een afdakje. De ene staat bij tobbe, de andere spoelt de was uit. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Beroep en bedrijf, Complete suites.
Military ensemble
Object type: military ensemble
Date: 1776 – 1783
Materials: feather, linen, metal, paper, silk, wood, wool
Culture: american
Subjects: navy,american revolution

According to the donor, this ensemble was worn by Obedeak [sic] Herbert, a Continental Naval Admiral of the Revolutionary War. This form of jacket, the tail coat, persisted first, as men's everyday wear and, later, as formal attire throughout the 19th and 20th centuries. The epaulettes retain sense of delicacy and refinement as handmade objects. The silk on the underside is padded and sewn into a roll at the edge to enhance the shape of the tassels as they fall over the shoulders. The tape on the other end is meant to tie into corresponding studs on the shoulders of the jacket. The phrase on the medallion of the bicorne, "E Pluribus Unum" (translated as "Out of Many, One") was submitted by the committee Congress as part of a design for the seal for the United States of America in 1776, which, upon revisions, was passed as the official seal in 1782. The phrase was considered the motto of the United States until 1956 when it was replaced with the motto, "In God We Trust."
The Clock Tower - Amboise
Object type: print
Date: 1888 – 1888
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Design for an Urn on a Pedestal
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: pen
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: ornament,urns
Design for an Exterior Doorway and Window
Object type: drawing
Date: 1801 – 1850
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, early 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1850
Subjects: architecture,doors,windows
Wineglass
Object type: wineglass
Date: 1785 – 1790
Materials: glass
Artist: david wolff
Artist role: engraver
Artist nationality: dutch
Artist dates: 1732 – 1798
Subjects: children,dogs
Twee profielen met een verstevigingsplan voor de zeedijk ten oosten van Muiden, 1703
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: dikes, levee, amsterdam
Inscriptions: collector's mark: Lugt 195

Prent gebruikt in: Heyden, Jan van der (de Jonge). Berigt nopende den toestand van de zeedyk, tussen Amsterdam en Muyden, volgens ordre van de edele groot achtbare heeren burgemeesteren en regeerders der stad Amsterdam, (…). Amsterdam: s.n., s.a. [1703].

Zie RP-P-AO-8-35, RP-P-AO-8-36 en RP-P-AO-8-37 voor andere prenten uit deze publicatie.

Zie RP-P-AO-8-35A en RP-P-AO-8-37B voor prenten over de later uitgevoerde verstevigingen van de dijk.
Zes lieden in een interieur
Object type: print
Date: 1690 – 1730
Materials: paper
Techniques: etching
Subjects: inn, coffee-house, public house, etc., pipe ~ tobacco

Na de overname van de firma Niemeyer door British American Tabacco Group besloot deze de collectie van het Niemeyer Tabaksmuseum af te stoten. De beheerder van de collectie, het Noordelijk Scheepvaartmuseum, organiseerde in januari 2011 open dagen voor musea waar deze hun voorkeuren voor collectieonderdelen kenbaar konden maken. De objecten zijn getaxeerd door medewerkers van Christie's en vervolgens ter overname aangeboden aan de belangstellende musea. Het Rijksprentenkabinet koos 46 prenten uit de collectie tegen door de medewerkers van Christie's vastgestelde waarde.
[H. Leeflang, 2011-06-09]
Vase fragment
Object type: vase fragment
Date: 3000 – 2200
Materials: terracotta

Fragment of handle, reddish zigzag lines.
Lopend mannetje, naar rechts
Object type: drawing
Date: 1770 – 1825
Materials: chalk, paper
Artist: simon andreas krausz
Artist role: draughtsman, print maker
Artist dates: 1760 – 1825
Segawa Kikunojo III
Object type: print
Date: 1791 – 1791
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Subjects: women,actors
Studieblad
Object type: sketchbook leaf
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Inscriptions: annotation: ‘[...] naar Prinkipo [...]’

Pagina 108 uit een schetsboek met 54 bladen.
Tea service with tray (déjeuner Bolvry)
Object type: dienblad
Date: 1779 – 1779
Materials: porcelain, silver
Techniques: gilding, painted
Location: sèvres
Subjects: birds, flowers ~ ornament
Inscriptions: painter's mark: ‘F.’, mark: ‘9’, factory mark, mark

The Sèvres factory succeeded in making true hard-paste porcelain containing kaolin (white clay) only in 1769. Many new patterns were developed for this kind of porcelain. The painted decoration of this service was influenced by patterned calico fabric (chintz) from India and by enamel from China.
A vendor selling toys to a child
Object type: print
Date: 1880 – 1910
Techniques: lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: boys,men,toys
Record of the class of 1845 of Yale College
Object type: book
Date: 1881 – 1881
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, printing
Location: new york city
Portret van Nicodemus Frischlin
Object type: print
Date: 1817 – 1878
Materials: paper
Techniques: engraving
Artist: engelhardt graeff
Artist role: print maker
Artist dates: 1807 – 1878
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Havengezicht met schepen
Object type: print
Date: 1594 – 1635
Materials: paper
Techniques: etching
Subjects: harbour, fortress, sailing-ship, sailing-boat, rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Verschillende schepen liggen voor anker in een riviermonding, die uitkomt op zee. Rechts aan de overzijde van het water ligt een burcht met een toren, met links daarvan twee windmolens. Op de voorgrond liggen een schip met lading en een roeiboot met bemanning.
False Glory
Object type: drawing and watercolor
Date: 1885 – 1885
Materials: charcoal, paper
Techniques: drawing, stumping
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Inscriptions: Signed lower left, black chalk: "ODILON REDON"

This eerie drawing may have had familial ramifications. In the 1880s Redon’s younger brother, Gaston, won the coveted Prix de Rome in architecture, which may have rekindled a kind of sibling rivalry and increased the artist’s own feelings of inadequacy. Reiterating a motif that he had used before, Redon seems to have included a solar eclipse in one of the eyes of the laurel-wreathed bust’s masklike face.
Copy of La Halte des Bohémiens: Les Diseuses de Bonne Aventure (The Gypsy Stopover: The Fortune Tellers), from "Le Bohémiens..."
Object type: print
Date: 1601 – 1700
Techniques: engraving, etching
Artist: Anonymous
Artist role: artist
Panel
Object type: textile
Date: 1501 – 1700
Materials: textile, silk
Techniques: damask, weave
Location: italy
Subjects: flowers, animals, cupids, eagles, foliage
Terracotta one-handled cup
Object type: cup, one handled
Date: 1600 – 1500
Materials: terracotta
Culture: minoan

One-handled cup, decorated with spirals.
Bacchanal
Object type: print
Date: 1615 – 1642
Techniques: etching
Location: france
Artist: pierre brebiette
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1642
Subjects: human figures,animals
Cushion Cover
Object type: textile
Materials: diamond, gold, panel, textile
Techniques: embroidery, damask, stitching, weave
Culture: manchu
Location: china
Miniature bronze shield
Object type: shield, miniature
Date: 500 – 401
Materials: bronze
Culture: etruscan
Subjects: shields

Miniature bronze replica of a shield.
Franse protectoraat Marokko, Empire Cherifien, franc, 1921-1924
Object type: coin
Date: 1921 – 1924
Materials: nickel
Techniques: striking

Nikkelen munt. Voorzijde: vijfpuntige ster, waarin en waaromheen versiering. Keerzijde: binnen een uit twee rechthoeken bestaande achthoek waarde-aanduiding: 1 franc. Kartelrand.
Bewening van de dode Christus
Object type: drawing
Materials: chalk, charcoal, linen, paper, pastel, wood
Artist: federico barocci
Artist role: draughtsman, painter, print maker
Artist dates: 1528 – 1612
Subjects: lamentation over the dead christ by his relatives and friends (christ usually without crown of thorns)
Father Time
Object type: drawing and watercolor
Date: 1620 – 1650
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: attributed to alessandro algardi
Artist nationality: italian
Artist dates: 1598 – 1654