deem-data/ArtiFact huggingface dataset:
Goblet
Object type: chalice
Materials: gold
Culture: avar or byzantine

This goblet may in fact be a Byzantine export, though the foot of the cup does not conform to the standard shape of Byzantine chalices. The Avars The Avars were a nomadic tribe of mounted warriors from the Eurasian steppe. The Byzantine emperor Justinian negotiated with them in the sixth century to protect the Empire’s northern border along the Black Sea. Emboldened by their subjugation of numerous tribes, they unsuccessfully attempted to seize the Empire’s capital, Constantinople. They remained a scourge of both Byzantium and the Western kingdoms until Charlemagne defeated them through a series of campaigns in the 790s and early 800s. All the money and treasure that the Avars had been years amassing was seized, and no war in which the Franks have ever engaged . . . brought them such riches and such booty. Up to that time the Avars had passed for a poor people, but so much gold and silver was found . . . that one may well think that the Franks took justly from the Avars what the Avars had formerly taken unjustly from other nations. — Einhard (ca. 770–840), biographer of the Frankish ruler Charlemagne, early 800s The Vrap Treasure Tribute payments from the Byzantine Empire and war booty provided the Avars with enormous amounts of gold and silver. Avar goldsmiths created work of exceptionally high quality and were counted among the Avars’ ruling class. This ensemble of objects, all found together in Vrap, in present-day Albania, would seem to attest to the wealth of the Avars. Why this varied group was brought together remains a mystery. Some scholars have suggested that these objects were part of a treasure belonging to an Avar chief; others have speculated that they were the materials of an Avar artist. Others question whether an Avar metalsmith made them at all and assert these objects to be the products of a provincial Byzantine artist.
Plate
Object type: plate
Date: 1870 – 1870
Materials: glass
Location: england
Subjects: peacocks
Brief aan anoniem
Object type: letter
Date: 1850 – 1926
Materials: ink, paper
Techniques: pen, writing
Artist: jozef hoevenaar
Artist role: draughtsman, print maker
Artist dates: 1840 – 1926
Subjects: painting (including book-illumination, miniature-painting), exhibition ~ art, money
The Triumph of Love
Object type: print
Date: 1470 – 1490
Materials: paper
Techniques: engraving, printing
Location: italy
Artist: attributed to francesco rosselli
Artist nationality: italian
Artist dates: 1448 – 1513
Kampen, rozenobel
Object type: coin
Date: 1590 – 1610
Materials: gold
Techniques: striking
Location: kampen

Gouden munt. Voorzijde: gekroonde staande vorst met in rechterhand zwaard en in linkerhand wapenschild, staande in een schip. Midden op scheepswand een roos en op achtersteven staande vlag, waarin letter C. Keerzijde: binnen dubbellijnige veelpas kort rijk versierd kruis met in het centrum roos, waaruit zonnestralen en in de hoeken gekroonde dieren (leeuwen/luipaarden).
Rusland, tsaar Paul I, roebel, 1797
Object type: coin
Date: 1797 – 1797
Materials: silver
Techniques: striking
Location: sint-petersburg

Zilveren munt. Voorzijde: monogram van de czaar in de vorm van een kruis met op de uiteinden een kroon en in het centrum de aanduiding: I. Waarde-aanduiding in het omschrift en jaartal in het omschrift. Keerzijde: Keerzijde: binnen een versiering een dubbellijnig vierkant, waarin vierregelige tekst. Links onder de letters S en M in Cyrilisch schrift. Gladde rand.
Amulet of Min
Object type: amulet, min
Date: 664 – 630
Materials: alloy
Location: northern upper egypt
Louwerse's kinderprenten
Object type: popular print
Date: 1882 – 1905
Materials: paper
Techniques: letterpress printing, printing block, engraving
Location: arnhem
Subjects: riding a horse, ass, or mule; rider, horseman, delivering; receiving (~ postal matter), departure (for honeymoon)
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van verschillende aard, waaronder voorstellingen van een vrouwelijke ruiter te paard, kinderen die een praatje maken met de postbode en een bruidspaar dat vertrekt op huwelijksreis. Tussen de afbeeldingen versjes in boekdruk. Genummerd rechtsboven en linksonder: No. 22.
Op de binnenweg naar Roveredo
Object type: photograph
Date: 1934 – 1934
Materials: paper
Techniques: gelatin silver print
Location: ticino
Artist: Anonymous
Subjects: walking, hiking (recreation), anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: number: ‘38’
Death of the Historical Buddha (Nehan-zu)
Object type: hanging scroll
Date: 1401 – 1500
Materials: gold, ink, silk
Culture: japanese
Subjects: human figures,animals,sadness,elephants,buddha,death

The Buddha’s death, when he passed from his earthly life to the final release from suffering as an enlightened being, is a confirmation of essential tenets of Buddhist faith. The people witnessing the event here reveal their own imperfect level of enlightenment through their grief. The bodhisattvas, however, enlightened buddhas-to-be who remain tethered to the earthly realm to assist people on their paths to salvation, show a solemn serenity. Except for the Bodhisattva Jizō, who appears as a monk holding a jewel near the center of the bier, these deities are envisioned in princely finery adorning their golden bodies. Shaven-headed disciples weep bitterly, as do the multi-limbed Hindu deities and guardians who have been converted to the Buddha’s teaching. Men and women of every class, joined by more than thirty animals, grieve, and even the blossoms of the sala trees change from pink to blue. Queen Maya, mother of the Buddha, descends from upper right, weeping.
Duit van de stad Utrecht, 1790
Object type: coin
Date: 1790 – 1790
Materials: copper
Techniques: striking
Location: utrecht

Koperen munt. Voorzijde: gekroond stedelijk wapenschild, gehouden door twee leeuwen met in afsnede dubbele lijn, waaronder een versierde accolade met een grote schelp. Keerzijde: opschrift in twee regels, waaronder jaartal. Jaartal met Arabische 1.
Gezicht op de Maas. Maastricht
Object type: photomechanical print
Date: 1905 – 1919
Materials: cardboard
Techniques: photograph, iris print, lithograph
Location: haarlem
Subjects: city-view, and landscape with man-made constructions, river
Textile Design with a Honeycomb Pattern Formed with Small Rosettes and with Alternating Rows of Hexagons Decorated with Pearls
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The pattern is made up of a honeycomb pattern formed with rosettes of light tan color with offsetting thorns rendered with stipples of dark reddish-brown color over a light tan base. The center of the hexagons forming the honeycomb pattern are decorated with smaller hexagons framed by twelve pearls and adorned with a pearl in the center that form alternating vertical rows. These hexagons are colored with black, the pearls surrounding them are colored with white, and the pearl in the center is of gold color.
Portret van de huzaar Barra
Object type: print
Date: 1700 – 1800
Materials: paper
Techniques: engraving, etching, roulette
Location: netherlands
Subjects: private soldier, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228

Portret van de huzaar Barra met een sabel geheven in zijn hand. Onder het portret een bas–reliëf met Barra's heldendood. Hij riskeerde zijn leven om de paarden van zijn officier te behouden. Daarbij vond hij de dood.
Portret van Johannes Henricus, baron van Schütz
Object type: print
Date: 1683 – 1750
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: historical persons, medals and other marks of military honour, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Landscape with Foreground Trees (from Sketchbook)
Object type: drawing
Materials: graphite, paper
Culture: american
Artist: francis william edmonds
Artist role: artist
Artist nationality: american
Artist dates: 1806 – 1863
Subjects: landscapes,trees

The execution of sketches and studies was a crucial part of Edmonds’s creative process. Many of his drawings exist as independent works--apparently never taken further--but many others represent an initial step in his conception for paintings. This sketchbook, which he began about 1838, includes both types of drawings of a variety of subjects.
S. Cecilia
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Subjects: male saints (with name)
Inscriptions: collector's mark: Lugt 2228

Prent naar ontwerp van Peter Paul Rubens.
Road Opened Through Trenches
Object type: photograph
Date: 1855 – 1855
Techniques: albumen print
Location: scotland
Artist: james robertson
Portret van Ulrika Eleonora van Zweden
Object type: print
Date: 1718 – 1720
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: historical persons - bb - woman, queen
Portret van Christian Felix Weisse
Object type: print
Date: 1760 – 1820
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: historical persons, writer, poet, author
Brug met twee bogen over een gracht
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Location: amsterdam
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: bridge in city across river, canal, etc.

Blad 40 recto uit een schetsboek met 59 bladen.
L'Hiver
Object type: print
Date: 1867 – 1867
Techniques: drypoint, etching
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Female Indentured Labourers in the Depot
Object type: photograph
Date: 1895 – 1898
Materials: photographic support
Techniques: collodion silver print
Location: suriname
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: migrants, working class, labourers
Inscriptions: inscription: ‘Br. Indische vrouwen en kinderen i/h immigranten dépôt / Oemraisie [?]’

Here the women wear the white saris (robes) they received when they left Kolkata, and a few hold a hookah (tobacco waterpipe). Visitors are allowed on Sundays. These are mostly Hindustanis looking for relatives, a spouse or news from India. Photographer Van Lelyveld also visits the depot. He notes the name of one woman, ‘Oemranie.’
Satyrs Family, from Bacchanales, or Satyrs' Games
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: etching
Location: france
Artist: jean-honoré fragonard
Artist nationality: french
Artist dates: 1732 – 1806
Cosmetic container
Object type: cosmetic container
Date: 2333 – 1668
Materials: copper alloy
Culture: bactria-margiana archaeological complex
Location: bactria-margiana
Moliere
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: paris, jean baptiste poquelin molière, historical persons, writer, poet, author

Met tweeregelig onderschrift in het Frans.
Shepherdess and Peasant with Flock in Italianate Landscape
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: netherlands
Artist: after nicolaes berchem, the elder
Card 2, from the series, Cigarette Making Girls (N46) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women

Trade cards from the "Cigarette Making Girls" series (N46), issued in 1888 by Allen & Ginter to promote Virginia Brights Cigarettes.
Portret van Frederik Willem II
Object type: print
Date: 1762 – 1797
Materials: paper
Techniques: etching
Artist: meno haas
Artist role: print maker
Artist dates: 1752 – 1833
Subjects: berlin, frederik willem ii (koning van pruisen), historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
Dancer Moving Forward, Arms Raised, Right Leg Forward (Second State)
Object type: statue
Materials: bronze
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: female nudes,dancing,dancers

Upon Degas's death in 1917, more than 150 figurative sculptures were found in his studio. Most were made of fragile wax, clay, and plastiline (a wax- and oil-based modeling material). Many had deteriorated. Only a few were preserved in copies that had been cast from them in plaster. Except for the wax Little Fourteen-Year-Old Dancer (Washington: NGA) none of these sculptures had been publicly exhibited during the artist’s lifetime. Although Degas had not favored reproducing his sculptures in more permanent materials, his heirs authorized that copies be cast in bronze in order to preserve the compositions and to sell them as finished works. Paul-Albert Bartholomé, a sculptor and Degas's longtime friend, prepared 72 of the figures for casting, a process executed by the distinguished Paris foundry A.-A. Hébrard et Cie. The quality of the Degas bronzes was tightly controlled and their edition was limited. Only twenty-two editions of the series of 72 figures were cast. Each bronze within the series was assigned a number from one to seventy-two. The first twenty editions were assigned a letter from A-T. In most cases these numbers and letters were incised on the individual bronzes. The series of 72 bronzes was completed before May 1921 when it was exhibited in Paris. Edition A, comprising the first and best casts of the series, was reserved for the important Impressionist collector Mrs. H. O. Havemeyer. She later acquired the first bronze cast of the Little Fourteen-Year-Old Dancer (lettered A, but not numbered), which had been omitted from the initial series. In 1929 Mrs. Havemeyer bequeathed Little Fourteen-Year-Old Dancer and 70 of the 72 Edition A Degas bronzes to the Metropolitan Museum of Art.
Kermis van Sint Joris
Object type: print
Date: 1557 – 1561
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: (annual) fair, trade fair, pleasure fair and circus
Inscriptions: collector's mark: Lugt 240

De Sint-Joriskermis. Boerenkermis op het plein in een Vlaamse boerendorp. Rechts een herberg met een vaandel van de schutters van Sint Joris, links een boerenkar. Voor de kerk wordt een toneelscene vertoond waarbij Joris de draak aanvalt. Op de achtergrond rechts een toneelopvoering of een kwakzalver op een verhoging, links schieten op de papegaai bij een molen. Verder veel dansen, muziekmaken, feesten, eten en drinken en vechten.
Acanthus Leaves, Birds and Insects, no. CCCLXXII, plate 57 from "Designs for Various Ornaments"
Object type: print
Techniques: engraving, etching
Artist: michelangelo pergolesi
Artist role: artist and publisher
Artist nationality: italian
Artist dates: 1760 – 1801

This design, numbered CCCLXXII, represents acanthus, birds and insects. The print comes from a group that Pergolesi made and published serially in London between 1777 and 1792. There is no title page, but a prospectus of ca. 1786 described the group as: "A great variety of original designs of vases, figures, medallions, friezes, pilasters, panels and other ornaments, in the Etruscan and grotesque style." The complete set contains 67 plates numbered 1-66 (two are numbered 56), with designs within the plates irregularly numbered 1-435 (in Roman numerals at first, then with Arabic numbers). In 1801, after Pergolesi's death, four additional plates of designs were published by a bookseller Dulouchamp (or Dulonchamp).
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, head, wings, and part of the upper body of a draped, winged figure (Nike) to right
Schuiten in de Seine in Parijs
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: intaglio
Location: paris
Artist: pieter dupont
Artist role: draughtsman, print maker
Artist dates: 1870 – 1911
Subjects: city-view, and landscape with man-made constructions, ships (in general), paris
Inscriptions: collector's mark

Op de achtergrond huizen. Voor de huizen meerdere paarden, waarvan sommigen voor een rijtuig gespannen.
II
Object type: page
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Subjects: adult woman, lying on one side, stretched out
Da cibo il prato al gregge, e l'amo a noi
Object type: print
Date: 1750 – 1803
Materials: paper
Techniques: etching
Location: italy
Subjects: city-view, and landscape with man-made constructions, herd, flock
Inscriptions: collector's mark: Lugt 2228

Een weids landschap met op de voorgrond herders met een kudde schapen. Genummerd rechtsonder: No 49: 2. Titel in ondermarge.
Gezicht op Kasteel Sterckshof in Deurne bij Antwerpen
Object type: print
Date: 1846 – 1878
Materials: paper
Techniques: etching, letterpress printing
Artist: félix de baerdemaecker
Artist role: print maker
Artist dates: 1836 – 1878
Subjects: castle, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228
The Good Samaritan
Object type: print
Date: 1633 – 1633
Techniques: drypoint, engraving, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: buildings,stairs,men,dogs,horses,allegory

This etching depicts the final scene in the parable of the Good Samaritan (Luke 10:25-37) in which the Samaritan stopped to help a traveler who had been attacked by robbers. Here he has brought the wounded man on horseback to an inn and pays for the man’s care and lodging. The is one of two etchings in which Rembrandt reproduced his own paintings; the other is Christ Before Pilate (see inv. No. 17.37.75). The Good Samaritan repeats with a number of variations the composition of his painting in the Wallace Collection, London. Among Rembrandt’s additions here to the largely empty foreground that appeared in the painting is the defecating dog that adds a note of everyday reality to the biblical scene. The Met has four impressions of the Good Samaritan, one of the extremely rare first state, before Rembrandt completed the hatching on the horse’s tail and added his signature, and three of the fourth (final) state, of which this is the earliest. The first state is a luminous impression of exceptional quality and has long been recognized as such. In the 1843 sale catalogue of the Würtemberg collection, it was one of only two Rembrandt prints mentioned in the introduction to the catalogue and has an unusually long description in the body of the sale. It is also specifically mentioned by Frits Lugt in his entry on the Würtemberg collection, a citation he reserved for the only the most important prints and drawings (F. Lugt, Les Marques de Collection de Dessins et d’Estampes, 1921).
Twee vrouwen met een kaketoe en een hondje die ruziën
Object type: drawing
Date: 1694 – 1766
Materials: paper
Techniques: brush, pen
Artist: matthijs balen (1684-1766)
Artist role: draughtsman, painter, print maker
Artist dates: 1684 – 1766
Subjects: female sex; woman, ornamental birds: cockatoo, dog
De begrafenisstoet van Frederik Hendrik (plaat nr. 21), 1647
Object type: print
Date: 1647 – 1651
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, frederick henry (prince of orange), cortege, funeral procession
Inscriptions: collector's mark

De begrafenisstoet van stadhouder Frederik Hendrik te 's-Gravenhage op 10 mei 1647. Plaat nr. 21 met een deel van de stoet met de drager van de prinselijke kroon en de eerste vier paarden van de lijkwagen, boven de personen staan hun naam en functie. Onderdeel van een serie van 30 platen en 20 tekstbladen, bedoeld om aan elkaar geplakt te worden.
St. Bernard Presenting the Rule
Object type: print
Date: 1600 – 1688
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: monks,saints
Study for Juno (or Diana) with a Peacock
Object type: drawing and watercolor
Date: 1584 – 1585
Materials: chalk, ink, paper
Techniques: brush, pen, drawing, wash
Location: italy
Artist: luca cambiaso
Artist role: artist
Artist nationality: italian
Artist dates: 1527 – 1585
Key
Object type: key
Date: 1600 – 1620
Materials: iron
Twee militairen te paard houden de wacht in de sneeuw
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: paris
Artist: nicolas toussaint charlet
Artist role: draughtsman, painter, print maker, printer
Artist dates: 1792 – 1845
Subjects: snow, guard duty, keeping sentry
Inscriptions: collector's mark: Lugt 2228a

De tekst onder de afbeelding zegt dat het een grote troost voor de militair is dat hij wordt verwarmd en verlicht door zijn regering.
Portrait of an unknown minstrel (Bhat) from Moradabad, Uttar Pradesh, India
Object type: photograph
Date: 1858 – 1868
Materials: photographic support
Techniques: albumen print
Location: moradabad
Artist: Anonymous
Subjects: minstrel, 'jongleur', human races; peoples; nationalities
Inscriptions: number: ‘(109)’, inscription: ‘BHAT./ WANDERING MINSTREL. MAHOMEDAN./ MORADABAD.’
Gezicht op gebouwen in de Kerkstraat te Workum
Object type: sketchbook leaf
Date: 1846 – 1846
Materials: paper, pencil
Techniques: stumping
Location: workum
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: urban housing, street
Inscriptions: annotation: ‘Workum in de Kerkstraat’, date: ‘26 juny 1846’

Gezicht op gebouwen in de Kerkstraat te Workum. Blad 86 verso uit een schetsboek met 91 bladen.
Kraag van batist, versierd met Engels borduurwerk
Object type: collar
Date: 1850 – 1900
Materials: textile
Techniques: english embroidery
Location: western europe
Artist: Anonymous

Liggende kraag van batist, aan de voorzijde uitlopend in een punt. De kraag is afgezet met een aangerimpelde strook met gefestonneerde schulprand. Zowel deze rand als de kraag is versierd met Engels borduurwerk. De kraag heeft een opstaande boord die aan de achterzijde met een drukknoop sluit. De kraag zelf sluit eveneens aan de achterzijde met drie stoffen knopen op rij.
Gezicht op gebouwen en plantage van de theefabriek Peradeniya op Ceylon
Object type: photograph
Date: 1875 – 1880
Materials: paper, photographic support
Techniques: albumen print
Location: kandy
Subjects: plantation

Onderdeel van Album met 50 foto's van een reis door Zuidoost-Azië.
Driver in Pennsylvania Coal Mine
Object type: photograph
Date: 1909 – 1909
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: lewis wickes hine
Artist role: fotograaf
Artist nationality: american
Artist dates: 1874 – 1940
Subjects: collected by hugh edwards
Gazette du Bon Ton, 1920 - No. 7, Pl. 54: Les deux soeurs / Manteau et robe pour le soir, de Beer
Object type: fashion print
Date: 1920 – 1920
Materials: paper
Techniques: hand coloring, letterpress printing, photochemical processes, pochoir
Location: new york city
Subjects: dress, gown: evening dress (+ women's clothes), coat (evening coat) (+ women's clothes), fashion plates, stool, bracelet, wristlet (+ women's clothes)

Avondmantel en een zwarte avondjapon van zijdefluweel, van Beer. Planche 54 uit Gazette du Bon Ton 1920, No. 7. Uitleg over de kleding op pagina "Explication des Planches".
Bamboo
Object type: hanging scroll mounted a handscroll
Date: 1037 – 1101
Materials: ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: bamboo
David Sears, Jr.
Object type: painting
Date: 1815 – 1815
Materials: canvas, oil
Culture: american
Artist: gilbert stuart
Artist role: artist
Artist nationality: american
Artist dates: 1755 – 1828
Subjects: men,portraits