deem-data/ArtiFact huggingface dataset:
Paper Doll Clothing
Object type: print
Date: 1897 – 1898
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: unidentified artist
Artist role: artist
Subjects: dresses
Michael Scott's Tomb.
Object type: page
Date: 1850 – 1872
Materials: photographic support
Techniques: albumen print
Location: melrose abbey
Artist: Anonymous
Subjects: gravestone, tombstone, ruin of a dwelling, house, castle, etc.
Aanbidding der Herders
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: collector's mark: Lugt 240

Kopie naar illustratie voor: Luyken, Jan. Bybel printen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1712, p. 25.
Roman Soldiers Before an Emperor
Object type: print
Date: 1540 – 1540
Materials: paper
Techniques: engraving
Artist: giorgio ghisi
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1582
Subjects: soldiers,spears,men
Diep bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: deep dish
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A bowl with a flattened rim. Taotie mask and/or borders with diaper patterns. A central decoration of a combination of symbols. Panels decorated with flowers.
Portrait of a Young Man
Object type: painting
Date: 1490 – 1500
Materials: oil, wood
Artist: french (burgundian?) painter
Artist role: artist
Artist nationality: french
Subjects: men,portraits
Figuren in een keuken waarin een varken wordt uitgebeend
Object type: print
Date: 1869 – 1936
Materials: paper
Techniques: line block
Artist: theodorus henricus kerstel
Artist role: print maker
Artist dates: 1859 – 1936
Subjects: kitchen, pig, cutting meat
Inscriptions: collector's mark: Lugt 2228
Triomphe de Leglise
Object type: print
Date: 1787 – 1791
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Artist: Anonymous
Subjects: triumph of the church (or religion), brabant

Personificatie van de Kerk rijdend in haar triomfwagen getrokken door twee adelaars door de wolken. Op de voorgrond rechts gehuld in donkere wolken liggen verslagen monsters en Afgunst. Onderdeel van de gebundelde verzameling prenten betrekking hebbend op de gebeurtenissen van de Brabantse Omwenteling en de periode 1787-1790.
Model of a Gun Carriage
Object type: demonstration model
Date: 1782 – 1820
Materials: brass, wood
Location: netherlands
Artist: Anonymous

Model van een rolpaard. Het dwarsverband van de twee wangen wordt gevormd door het verticale kalf met borststuk, de zoolplaat en een dwarsbalk in het midden. De wangen hebben vier trappen en een ellipsvormige uitsnede beneden. Onder het verticale kalf en de zoolplaat zijn de aslijven opgehangen in beugels die tegen de wangen zijn gebout. De houten wielen zijn dubbel; de voorwielen zijn iets groter dan de achterwielen ter compensatie van de helling van het dek. Het model heeft messing oogbouten en tappandeksels.
Fragmenten pijpenkoppen en pijpenstelen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark: crowned 57; 2hsm3, fragm, no hsm.
Capt. Scheerenberg stilt het oproer op den Dam te Amsterdam ao. 1747
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: engraving, etching
Subjects: amsterdam, church (exterior), townhall, plundering ~ riot, weigh-house, strike (political demonstration)
Inscriptions: date

Onder leiding van kapitein Abraham Scheerenberg worden Oranjegezinde oproerkraaiers onder leiding van Daniël Raap verjaagd uit het stadhuis en van de Dam, 9 november 1747. In het bezette stadhuis steekt een demonstrant een ragebol uit het raam, wat een spottende verwijzing is naar de door de schout gedragen roede. In het midden de Nieuwe Kerk en rechts een deel van de waag.
Esemplario di lavori, page 4 (recto)
Object type: book print ornament architecture
Techniques: bookbinding, inlay, woodcut
Location: italy
Artist: nicolò zoppino
Artist role: publisher
Artist nationality: italian
Artist dates: 1478 – 1544
Subjects: leaves,vines

Published by Nicolo Zoppino, Italian, active 16th century, Venice. From top to bottom, and left to right: Design composed of 2 vertical bands: vines with with dandelions and leaves, and vines with leaves.
Portret van Hendrik Jozef Franciscus van der Poorten
Object type: drawing
Date: 1799 – 1924
Materials: chalk, pencil, paper
Techniques: brush
Artist: Anonymous
Subjects: antwerp, print maker, draughtsman, hendrik jozef franciscus van der poorten, historical persons, portrait, self-portrait of artist
The Actor Ichikawa Yaozo II
Object type: print
Date: 1767 – 1800
Techniques: woodblock print
Location: japan
Artist: ippitsusai buncho
Artist nationality: japanese
Artist dates: 1755 – 1790
Headless statue of Babaef as older man
Object type: statue, babaef a older man
Date: 2475 – 2450
Materials: limestone
Location: egypt
Subjects: men

The two statues 64.66.1 and 64.66.2 were found in the mastaba of Babaef. They are part of a set of as many as sixty representations of him in alabaster, red and black granite, and limestone. The taut flesh and muscles and the energetic stride of his youth in 64.66.1 contrast with the softened muscles, lost flesh tone, and measured stride of his maturity in 64.66.2. Babaef was a vizier and overseer of all construction projects. He was described as "king's son of his body" and "unique associate of his father," though the king himself is not mentioned by name.
Matchlock Musket
Object type: matchlock musket me mda'
Date: 1801 – 1900
Materials: brass, copper, iron, leather, wood
Culture: tibetan
Location: tibet

This is a good example of a fairly plain but well-made and utilitarian Tibetan matchlock in relatively complete condition and with an old provenance. Its fittings consist of a small engraved copper cap at the tip of the fore stock; a plain brass plate on either side of the fore stock just behind the horn block, where it is pierced by a transverse hole for a loop to hold the front of the sling; and an iron lock plate on both sides of the stock. Behind the breech is the most decorative feature of the gun: a very simple pierced copper plate (the escutcheon plate) with scrollwork, lions, and a garuda motif, which is pierced by a slot for the upper arm of the serpentine (see detail). The match-cord pouch, made of leather, is unusual in having a lengthwise flap that closes over eleven copper rings, which pass through slots in the flap. The plain iron barrel flares at the muzzle and has a bead sight and a peep sight. The twist pattern of the barrel forging is also faintly visible. The barrel is attached to the stock by two copper bands and five cord wrappings (the latter being restorations). The horns have no metal caps or bands, and the lower halves are made entirely of iron, rather than horn. There are the remains of a barrel plug, which was originally attached by a cord to the horns. Barrel plugs, usually made of leather or felt with a decorative horsehair tuft, were inserted in the end of the barrel when the gun was not in use to keep out dirt and other debris. The ramrod is missing.
Praalbed van prins Filips Willem, 1618
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: engraving
Location: low countries
Subjects: buren, bruges, filips willem (prins van oranje), lying in state
Inscriptions: collector's mark: Lugt 151

Het praalbed van Filips Willem, prins van Oranje, opgericht op 8 maart 1618. De prins overleed te Brussel op 20 februari 1618. De prins ligt in galakleding opgebaard op een bed. Hieromheen brandende kaarsen en knielende en biddende monniken. Linksachter betreedt een man vanachter een gordijn de ruimte. Links aan de wand hangt de opdracht van Boëtius à Bolswert aan de prinses Eleonora van Bourbon, de weduwe van Filips Willem. Bij dit exemplaar ontbreekt het onderschrift dat volgens de beschrijving in Knuttel nr. 2496 bij de plaat behoort.
Potpourri vase
Object type: potpourri vase
Materials: gilt bronze, hard paste porcelain
Mormon Emigrant Train, Echo Canyon
Object type: photograph
Date: 1870 – 1870
Techniques: albumen silver print, glass negative
Artist: charles william carter
Artist role: artist
Artist nationality: american, born england
Artist dates: 1832 – 1918
Subjects: men,horses,landscapes,wagons

Born in London, Charles Carter learned photography as a soldier in the British Army. In 1859 he moved to Salt Lake City in the Territory of Utah and soon joined the studio of his countryman and fellow Mormon Charles Roscoe Savage. Shortly thereafter he opened Carter's View Emporium, which catered to the rapidly growing Mormon community in Brigham Young's theocratic State of Deseret. From 1850 to 1870 the population of Salt Lake City grew on the average an astonishing 33 percent each year; by 1870 there were 86,000 residents, an increase of more than 75,000 people in two decades. This view of a train of Conestoga wagons, or prairie schooners as they were known, is typical of the work Carter produced for sale to the Mormon pioneers. Urged by the church to emigrate to Utah, and partially aided by Young's Perpetual Emigration Fund, thousands of new converts in search of a better life set out across the country in covered wagons. Of the many trails leading west, the Mormon Trail played the largest role in the growth of population along the frontier. In the background of Carter's photograph are several telegraph poles, confirmation that even early Western communication followed the settlers. Echo Canyon is one of the two mountain passes at the very end of the trail, just outside Salt Lake City, through which Young first directed his small band of followers in the summer of 1847.
Vase with cover
Object type: vase with cover
Date: 1701 – 1800
Materials: quartz
Culture: chinese
Poem by Sanjo-in, from the series "One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)"
Object type: print
Date: 1835 – 1836
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Study of a Mustang
Object type: statuette
Materials: bronze
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: horses

Upon Degas's death in 1917, more than 150 figurative sculptures were found in his studio. Most were made of fragile wax, clay, and plastiline (a wax- and oil-based modeling material). Many had deteriorated. Only a few were preserved in copies that had been cast from them in plaster. Except for the wax Little Fourteen-Year-Old Dancer (Washington: NGA) none of these sculptures had been publicly exhibited during the artist’s lifetime. Although Degas had not favored reproducing his sculptures in more permanent materials, his heirs authorized that copies be cast in bronze in order to preserve the compositions and to sell them as finished works. Paul-Albert Bartholomé, a sculptor and Degas's longtime friend, prepared 72 of the figures for casting, a process executed by the distinguished Paris foundry A.-A. Hébrard et Cie. The quality of the Degas bronzes was tightly controlled and their edition was limited. Only twenty-two editions of the series of 72 figures were cast. Each bronze within the series was assigned a number from one to seventy-two. The first twenty editions were assigned a letter from A-T. In most cases these numbers and letters were incised on the individual bronzes. The series of 72 bronzes was completed before May 1921 when it was exhibited in Paris. Edition A, comprising the first and best casts of the series, was reserved for the important Impressionist collector Mrs. H. O. Havemeyer. She later acquired the first bronze cast of the Little Fourteen-Year-Old Dancer (lettered A, but not numbered), which had been omitted from the initial series. In 1929 Mrs. Havemeyer bequeathed Little Fourteen-Year-Old Dancer and 70 of the 72 Edition A Degas bronzes to the Metropolitan Museum of Art.
Portret van Joannes Deknatel
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: engraving
Subjects: amsterdam, theologian, historical persons, portrait of a writer
Sara sterft, en wert in de spelonke van Machpela begraven
Object type: print
Date: 1645 – 1646
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: jan klooster
Artist role: bookseller
Subjects: abraham weighs out four hundred pieces of silver, sarah's burial in the cave of machpelah

De prent is afkomstig uit: Bybels Lusthof. Amsterdam, J. Klooster, 1740. De prent werd gemaakt voor de uitgaven van P.J. Paets uit Amsterdam. Ze komt in ieder geval voor in: Bibels Tresoor ofte der zielen lusthof. Amsterdam, P.J. Paets, 1646. Mogelijk staat ze ook in: Historien ende Prophetien. [Amsterdam], P.J. Paets, 1645.
The Fashions of 1830: A Further Degree of Perfection (Encore un dégré de perfection: Modes de 1830)
Object type: print
Date: 1829 – 1829
Techniques: hand coloring, lithograph
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: men,women,fashion,caricature

Caricature, 'The Fashions of 1830: A Further Degree of Perfection' (Modes de 1830: Encore un dégré de perfection), depicting an exaggerated version of the fashionable styles of the time: puff sleeves and shorter hemlines for women's dresses and elaborate hairdos, and broad shoulders, bell-shaped trousers, and large bow ties for men.
Portret van Georg Carl Woelcker
Object type: print
Date: 1711 – 1721
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, lawyer, attorney at law, counsellor
Inscriptions: collector's mark: Lugt 2228, number: ‘22’
Verbanning van Napoleon Bonaparte naar St. Helena
Object type: history medal
Date: 1815 – 1821
Materials: alloy
Techniques: striking
Location: paris
Subjects: napoleon i (emperor of the french)

Penning. Voorzijde: Napoleon zittend op rotsen midden in zee; afsnede: opschrift. Keerzijde: opschrift.
Crib with Christ Child
Object type: sculpture
Date: 1475 – 1525
Materials: clay
Location: northern netherlands
Artist: Anonymous
Inscriptions: inscription, on the left side, in white paint: ‘WM.91.’
Tafellaken gemaakt van twee aan elkaar genaaide dwalen met groot slingermotief van bloemen
Object type: towel
Date: 1735 – 1740
Materials: linen
Location: germany
Inscriptions: mark: ‘VHT I’, mark: ‘y x’

Twee tot tafellaken aaneengezette handdwalen van wit linnendamast met groot slingermotief van bloemen. Gemerkt met rode kruissteek VHT 1.
Portret van Johann Philipp von Greifenclau zu Vollraths
Object type: print
Date: 1700 – 1800
Materials: paper
Techniques: mezzotint
Artist: Anonymous
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2233
Nederlaag van het Staatse leger bij Wesel, 1595
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: antwerp, raising the siege with outside assistance, relief

Nederlaag van het Staatse leger bij Wesel. Ruiters van Maurits worden verslagen door de ruiters van Mondragon bij Wesel, 2 september 1595. Graaf van Solms en Filips van Nassau komen om het leven en graaf Ernst van Nassau wordt gevangen genomen. Onderaan Wesel, boven Rijnberg. Met onderschrift van 4 regels in het Latijn. Genummerd: 223. Bedrukt op achterzijde met tekst in het Latijn.
Tile
Object type: tile
Date: 1884 – 1884
Materials: earthenware
Culture: american
Location: united states
Artist: trenton tile works
Artist role: manufacturer
Subjects: sleeping,children,women,dogs
Pilaster Festonnen
Object type: print
Date: 1665 – 1700
Materials: paper
Techniques: etching
Artist: Anonymous

Aan de trofee links hangt een spinklos, aan de trofee rechts hangen twee maskers. Tegenzijdige kopie naar prenten uitgegeven door Hubertus Quellinus en prenten uitgegeven door Johannes de Ram. Festoenen in het stadhuis van Amsterdam.
Looking Glass
Object type: looking glass
Date: 1795 – 1810
Materials: gesso, gilt, wood
Culture: american
Location: united states
Tile
Object type: tile
Date: 1201 – 1300
Materials: earthenware, glaze
Culture: spanish
Subjects: dragons
Panel
Object type: panel
Date: 1667 – 1700
Materials: wood
Techniques: carving, gilding
Subjects: faces
Exposition Universelle Paris, 1900
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: world fair, world exhibition, gallery (spacious corridor), paris
Inscriptions: number: ‘98’
Prijslijst van portrettekenaar Rienk Jelgerhuis
Object type: price list
Date: 1739 – 1806
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: amsterdam, print maker, draughtsman, rienk jelgerhuis, portrait, self-portrait of artist, printed matter

Onder de kop 'R. Jelgerhuis, portraiteur à crayon' volgt een prijslijst voor portretten en bijbehorende lijsten.
Portret van twee jonge stellen achter een tafel in een tuin
Object type: ansichtkaart, prentbriefkaart
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: garden, table, couple of lovers
Inscriptions: inscription: ‘Den Heer H. Hensten [...] Sneek’, inscription: ‘Beste Oom & Tante, Nevens (...) Tina & Douwe’
Portret van Friedrich Germanus Lüdke
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: mezzotint
Subjects: theologian, ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Saucer-dish with fluted sides and a water landscape
Object type: dish
Date: 1800 – 1899
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: japan
Artist: Anonymous

Schaal van porselein met een geribde wand, beschilderd in onderglazuur blauw. Op de voorzijde een rivierlandschap met een brug, twee bomen en bergen. Op de wand een zegel in rood en goud email. De wand is gebroken geweest. Blauw-wit.
Model Tipi
Object type: tipi
Materials: textile, hair, paint, skin
Techniques: tanning
Culture: blackfoot
Location: canada

Native American tipis are made in many sizes. From the large “skin tents” reported by early sixteenth-century travelers to those made by children three hundred years later, tipis are identified with Plains peoples. Distinctive features of construction mark each group’s forms, and the ornamentation of exteriors was equally distinctive, with individual men frequently specializing in painting them. Warrior deeds and hunting scenes appear on small tipis, as they also do on large ones. Symbols of the earth—mountains, the four world directions, the sky, sun and moon, clouds and rainbows—and of animals held in high esteem, like buffalo and bear, are among tipi depictions. Images could also originate in personal visions. As the greatest number of tipis are plain, painted examples are particularly meaningful. Certain painted tipis had ritual significance relating to specific ceremonies. Such tipis kept their owners from calamity and ensured good fortune. Medicine bundles were kept in some of these dwellings, and the proper maintenance of the tipi and bundle ensured the welfare of the entire community. It was an honor to own a medicine tipi, but it came with the responsibility to observe all rituals associated with it.
Flower Arrangements
Object type: painting
Materials: gold, ink, panel, paper
Location: japan
Artist: Anonymous
Portret van Willem Jonker
Object type: carte de visite
Date: 1898 – 1900
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Subjects: historical persons, amsterdam
Inscriptions: annotation: ‘Hansje Jonker’, workshop stamp: ‘Koene&Büttinghausen/ Amsterdam Heerengracht 150, Telephoonnummer 1402/ Batavia’
Bowl with sea bream, associated with Ebisu, the God of Daily Food
Object type: tea bowl
Date: 1800 – 1899
Materials: glaze, gold, paint, stoneware
Techniques: firing, gilding, turning, vitrification
Location: japan
Artist: Anonymous

Theekom van steengoed, bedekt met een crèmekleurig glazuur en beschilderd op het glazuur in blauw, rood, groen, zwart en goud. Doorlopend van de buiten- naar de binnenwand een vis (rode zeebrasem) aan een hengel van bamboe. Een barst in de wand. Een inkeping in de voet. Kyoyaki.
Selim Kahn I, from Portraits of the Emperors of Turkey
Object type: print
Date: 1815 – 1815
Materials: paper, watercolor
Techniques: brush, hand coloring, mezzotint
Location: england
Artist: john young
Artist role: engraver
Artist nationality: british
Artist dates: 1755 – 1825

“Selim the Grim,” as he was known in the West, was the ninth Ottoman sultan, ruling from 1512 to 1520. He increased the Turkish maritime forces, added numerous territories to the Ottoman Empire including Syria, Palestine, Hijaz, Algiers, and Egypt (Cairo’s pyramids appear in the lower cartouche), and also had a flair for writing poetry. Here his bejeweled dagger and mace show his military prowess. This mezzotint reflects the original colors of John Young’s miniature source, but the artist curiously truncated the pose. Selim was originally depicted seated on a golden throne that is now in the Topkapi Palace museum in Istanbul.
Landaulet #1043
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: hand coloring, lithograph, pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Fotoreproductie van een schilderij van een jonge jager
Object type: page
Date: 1879 – 1879
Materials: photographic support
Techniques: albumen print
Location: cologne
Subjects: predatory birds: falcon, hunter
Inscriptions: inscription: ‘Collection NEVEN/ Weenix (Baptiste).’
Frieze with Antique Motifs
Object type: print
Date: 1791 – 1791
Techniques: aquatint, printmaking, engraving, etching
Location: germany
Artist: louise pithoud
Artist role: artist
Artist nationality: french
Subjects: musical instruments,men,women

One of a pair of friezes (see 2009.187.1)