deem-data/ArtiFact huggingface dataset:
The flagellation of Christ
Object type: plaque
Date: 1867 – 1933
Materials: bronze
Artist: donatello
Artist role: maker
Artist nationality: italian
Artist dates: 1386 – 1466
Subjects: men,putti,christ

Although it has been exhibited, this plaque has eluded scholarly attention. It is heavy in every sense and shows a deliberately “primitive” approach and all-too-knowing observation of quattrocento technique. The vigorous chiseling of the back, for instance, is consistent with an early practice by which even the backs of reliefs and the undersides of statuettes might receive a lot of attention. But the artist responsible unleashed a store of inconsistencies. His point of departure is a Donatellesque composition known in slightly smaller bronze plaques in the Louvre and the Bode-Museum.[1] From one or the other of these he took the two all-but-naked flagellators who swing their knouts at Jesus. However, the one on the right has been completely misunderstood so that the front of his torso and the back of his hips are seen simultaneously in an impossible alignment. The same incongruously twisted contrapposto occurs in the putto below him. The soldier at left, meanwhile, wears a fanciful outfit more resonant of swimwear than armor. The putti supporting the coat of arms form an exergue whose ornamental nature is at odds with the tragic episode (and it must be said that Christ himself exhibits little pathos). The coat of arms is per pale with argent and vair in pale.[2] Disturbingly, the figures’ flesh and costumes have been indiscriminately stippled, while blank surfaces and the background are highly burnished. Some solder on the back suggests that the plaque was once framed. There is no buildup of patina; where rubbed, at top rear right, the alloy is highly cuprous. The relief was at one time assigned to the “School of Donatello,” but a pencil note by John Goldsmith Phillips summed up the situation perfectly: “This clumsily modeled relief is far removed from the Master.” An attribution to Antonio Filarete, that seminal participant in the Roman early Renaissance, was once suggested, but Pietro Cannata rightly rejected the thought. -JDD Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. Landais 1958, pl. 4; Bange 1922, pl. 1.1. 2. This is not the coat of arms of the Odescalchi, who originated in Como and only attained power in the seventeenth century. A suitable family has not been identified.
Waarzeggersscène
Object type: plaque
Date: 1650 – 1700
Materials: silver
Location: bolsward
Artist: claes baardt
Artist role: silversmith
Artist dates: 1628 – 1691
Inscriptions: signature: ‘C. Baardt’

Plaquette, silver. Bolsward, 2nd half of the 17th century, by Claes Baardt. Given by Mr A.A. van der Heyden.
Ruins, Mission San Juan Capistano, California
Object type: stereograph
Date: 1873 – 1873
Materials: cardboard, paper
Techniques: albumen print
Location: san juan capistrano
Artist: Anonymous
Subjects: ruin of church, monastery, etc.
Inscriptions: inscription: ‘[...] 1873/ 8’
Portret van Sultan Galga
Object type: print
Date: 1649 – 1670
Materials: paper
Techniques: engraving
Artist: moritz lang
Artist role: draughtsman, print maker
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
Camel
Object type: figure
Date: 701 – 800
Materials: earthenware, glaze
Culture: chinese
Subjects: camels
Fotoreproductie van een prent van een krijger met een trofee
Object type: reproduction
Date: 1852 – 1857
Materials: photographic support
Techniques: salted paper print
Subjects: adult man, trophy ~ battle, war
Inscriptions: inscription: ‘Duch. [N]o. 272 col. V. Sestich’
Caricatured Hungarian, 1 Florin, from the series Coins of All Nations (N72, variation 1) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,coins

Trade cards from the "Coins of All Nations" (N72), issued in a set of 50 cards in 1889 to promote W. Duke Sons & Co. brand cigarettes. There are two variations within the series. Version one (variation 1) maintains a white background on the cards and the second version (variation 2) displays a shaded background.
Pont de Rialto
Object type: photograph
Date: 1860 – 1881
Materials: photographic support
Techniques: albumen print
Location: venice
Artist: carlo ponti
Artist role: fotograaf
Artist dates: 1820 – 1893
Subjects: canal, bridge, gondola, venice
Inscriptions: check stamp: ‘Carlo Ponti Venezia’, negative number: ‘199’

Onderdeel van Topografisch album van Venetië 1881.
Vât Suthât - Buddha et ses auditeurs dans le Bõt Phra: Trilokathera
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Artist: michel berthaud
Artist role: publisher
Artist dates: 1845 – 1912
Subjects: temple, shrine ~ hinduism, buddhism, jainism, worship and devotion (in general) ~ hinduism, buddhism, jainism, religious functionaries ~ hinduism, buddhism, jainism, thailand
Inscriptions: collector's mark: ‘Société d'Emulation de l'Ain/ Bourg/ Bibliothèque’, inscription: ‘Pl. XVII’
S. Maria Magdalena
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: anchorite, hermit, the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: collector's mark: Lugt 2228

Prent uit: Rosweyde, Heribert. 'tBosch der eremyten ende eremitinnen, van Aegypten ende Palestinen. Amsterdam: Pieter Jacobsz. Paets, 1644.
Deel van de graftombe van Leonardo Bruni in de Santa Croce te Florence
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: santa croce
Artist: Anonymous
Subjects: ornaments ~ art, acanthus ~ ornament, interior of church, grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 3937, number: ‘5821 c.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of arm and lower drapery of figure
Braunschweig's Baudenkmäler
Object type: page
Date: 1892 – 1892
Materials: paper
Techniques: photograph
Location: riddagshausen abbey
Subjects: abbey, monastery, convent ~ roman catholic church, pulpit, ambo, chancel
Inscriptions: number: ‘No. 34.’
Étui
Object type: étui
Date: 1765 – 1770
Materials: copper
Techniques: enamel
Subjects: flowers
Athènes L'Aréopage / Athen Der Areopag
Object type: photograph
Date: 1905 – 1905
Materials: paper
Techniques: gelatin silver print
Location: steglitz
Artist: Anonymous
Subjects: (high) hill
Inscriptions: collector's mark: ‘Vosmaer’, inscription: ‘Neue Photographische Gesellschaft A.G./ Berlin Steglitz 1905/ NPG’, number: ‘15019’, stamp: ‘II. WAHL’
Portret van Filips van Montmorency, graaf van Horne
Object type: book illustration
Date: 1749 – 1759
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: brussels, armour, historical persons, knighthood order of the golden fleece

Prent oorspronkelijk bedoeld als aanvulling op: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden (…). 21 dln. Amsterdam: Isaak Tirion, 1749-1759 (eerste editie). De portretten werden echter pas toegevoegd bij de 1796-editie door Johannes Allart: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 dln. Amsterdam: Johannes Allart, 1790-1796.
Afternoon scenes
Object type: length
Date: 1820 – 1829
Materials: cotton
Subjects: men,women,dogs,horses,trees
Fotoreproductie van een foto door Franz Holluber, voorstellend een landschap met water en een huis
Object type: reproduction
Date: 1880 – 1907
Materials: paper
Techniques: autotype
Subjects: landscapes
Inscriptions: inscription: ‘n.e. Gummidruck.’
Hohkönigsburg. Das Löwentor mit der Zugbrücke
Object type: ansichtkaart, prentbriefkaart
Date: 1908 – 1913
Materials: cardboard
Techniques: photograph
Location: alsace
Artist: Anonymous
Subjects: castle, gate, entrance, guard of honour, bridge
Bowl with an inscription
Object type: bowl
Date: 900 – 999
Materials: earthenware, glaze, paint
Techniques: firing, turning, vitrification
Location: nishapur
Artist: Anonymous
Inscriptions: : ‘'Allah' of 'al yoemn' (herhaald)’

In the Islamic world calligraphy is considered the highest form of art. After all, the Koran is transmitted through writing. Some objects are decorated with pseudo writing devoid of meaning and serving a purely symbolic or aesthetic function. The inscriptions on this early 10th-century Iranian piece of pottery are still in Arabic. The repetitive pattern painted on this bowl may be the word Allah or al yumn, which means ‘prosperity’.
Maria Magdalena in een grot
Object type: print
Date: 1560 – 1600
Materials: paper
Techniques: engraving
Location: unknown
Subjects: the penitent st. mary magdalene (often before a cave, possibly at la sainte-baume hill): her long hair covers her (naked) body, she reads, meditates or raises her tear-filled eyes towards heaven
Inscriptions: collector's mark: Lugt 240

De boetvaardige Maria Magdalena als kluizenares in een grot. Ze leest de bijbel. Rondom haar een crucifix, een roede en een zalfpot. De prent heeft een Latijns onderschrift met uitleg.
Bloemenkrans met 'Constanter'
Object type: titelblad, titelpagina
Date: 1817 – 1817
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: the hague, constantijn huygens (i), title-page
Inscriptions: date

Gebruikt als titelpagina voor: Constantini Hugenii De vita propria, sermonum inter liberos libri duo. Primum editit et annotatione illustravit Petrus Hofman Peerlkamp; belgicis versibus adumbravit Adrianus Loosjes. Haarlem: A. Loosjes, 1817.
Jug
Object type: jug
Materials: earthenware
Techniques: glazing
Culture: british
Location: england

Small simple pitchers of this type were common in England and used to dispense beverages. The typical bright green color was achieved by adding copper filings to the lead glaze.
Twee gezichten op de noordoostelijke toren van de citadel van Jeruzalem
Object type: page
Date: 1860 – 1865
Materials: paper, photographic support
Techniques: albumen print
Location: jerusalem
Artist: james mcdonald
Artist role: fotograaf
Artist dates: 1822 – 1885
Subjects: fortified city
Inscriptions: inscription: ‘a’, inscription: ‘b’
Schetsboek met 24 bladen
Object type: sketchbook
Date: 1888 – 1888
Materials: chalk, paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: church (exterior), canals, waters (in city), amsterdam
Inscriptions: workshop stamp: Lugt 291d, annotation: ‘Amst./ 1888./ M.’, collector's mark: Lugt 2228

Schetsboek bestaande uit 24 bladen, waarvan zes met gezichten in Amsterdam.
Oval dish with a bouquet, flower sprays and foliate scrolls
Object type: platter
Date: 1780 – 1820
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: berlin
Inscriptions: mark: ‘scepter/ 26/ IIII’

Ovale schaal van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, geel, paars, zwart en goud. Op het plat een boeket van verschillende bloemen en vier kleine bloemtakken. Op de wand een doorlopende bladrank. De rand met een decoratieve band met krulwerk en gekruiste takken. Een extra S-vormige voet in het centrum van de onderzijde. Gemerkt op de onderzijde met de scepter, het nummer 26 en IIII.
Troisième Cahier d'Arabesques.
Object type: print
Date: 1866 – 1900
Materials: paper
Techniques: lithograph

Op het linkerpaneel hangt in het midden een medaillon met een dansende vrouw en putto, op het rechterpaneel hangt in het midden een puntig ovaal medaillon met Venus en Amor.
Hafner ware pot with portraits of Ferdinand I, King of Hungary (1503–64), Anne of Hungary (1503–47), and probably Emperor Charles V (1519–56)
Object type: pot
Date: 1530 – 1530
Materials: earthenware, glaze
Techniques: firing, gilding, polychrome
Portret van Peter Taig
Object type: print
Date: 1656 – 1722
Materials: paper
Techniques: engraving
Artist: georg fennitzer
Artist role: print maker
Artist dates: 1646 – 1722
Subjects: historical persons
Bell-shaped covered beaker vase with hatched plants in petal-shaped panels
Object type: cup
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Subjects: ornament derived from plant forms

Beker met deksel op uitspreidende, bolle voet. Tussen de voet en het lichaam een smallere, bolle band. Lang lichaam met licht spreidende rand en bolvormige deksel met knop. Gedecoreerd in onderglazuur blauw met twee rijen van vier lotusvormige velden, die zijn gevuld met gearceerde bebladerde takken. Rondom de mond een bladrand.
Making Sencha by a Bamboo Grove and Stream
Object type: hanging scroll
Date: 1844 – 1844
Materials: ink, textile
Culture: japanese
Artist: nukina kaioku
Artist role: artist
Artist nationality: japanese
Artist dates: 1778 – 1863
One Hundred Flowers
Object type: handscroll
Date: 1701 – 1800
Materials: ink, silk
Culture: chinese
Artist: yun shouping
Artist role: artist
Artist nationality: chinese
Artist dates: 1633 – 1690
Subjects: flowers
VARA steekspeldje
Object type: pin
Date: 1900 – 1982
Materials: metal
Location: hilversum
Subjects: netherlands
Inscriptions: inscription: ‘VARA’

In the 1920s the various Dutch religious and political streams established separate radio organisations. The Protestant NCRV started in 1924, the Catholic KRO and the Socialist VARA in 1925, the Nonconformist Protestant VPRO in 1926 and the Liberal AVRO in 1927. All these organisations had one thing in common: lack of funds. There were constant money-raising activities and membership drives.
Schiller Theatre Building, Chicago, Illinois: Banquet Room Frieze Panel (Restored)
Object type: architectural fragment
Date: 1891 – 1893
Materials: bronze, gold, paint, plaster, silver
Techniques: casting
Location: randolph street
Artist: adler & sullivan
Artist nationality: american
Artist dates: 1883 – 1895
Subjects: chicago, architectural detail, architecture, banquet room, frieze, illinois, panel, restoration, theater
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 200
Materials: glass
Culture: roman

Colorless but with prominent purple streaks. Rim folded out, over, and in, and pressed flat around mouth but aslant to neck; tall, slender, cylindrical neck, with tooled indent around base; conical sides to body, curving in to flat but uneven bottom. Two faint horizontal lines around upper part of body. Intact; a few bubbles, glassy inclusions, and blowing striations; dulling and faint iridescent weathering on exterior, some thicker, enamel-like weathering on interior. Conical lavender blown glass vase with long slender neck.
Fragmentary Loom Width with Ogival Pattern
Object type: textile fragment
Date: 1570 – 1580
Materials: metal thread, silk
Techniques: lampas
Location: turkey
Subjects: flowers

With its unusual eggplant‑purple background, gold medallions, and crisp, stencil‑like drawing, this textile is an exceptionally fine example of the luxurious Ottoman silk fabrics referred to as kemha. Employing bold patterns, such as this ogival lattice design, these textiles were highly valued throughout the Mediterranean and beyond. Many datable fragments survive in the form of religious vestments of various Christian communities from Sweden to Moscow. Considering its overall shape, this fragment probably once served as part of a chasuble—a garment worn by Christian clergy.
Ridder te paard in harnas uit het Musée des Invalides
Object type: sketchbook leaf
Date: 1810 – 1891
Materials: chalk, paper
Location: paris
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: helmet, riding a horse, ass, or mule; rider, horseman, armour, knight

Bauer tekende naar de beelden van ridders in harnas die tentoongesteld waren in het museum, dat gewijd is aan de militaire geschiedenis van Frankrijk. Pagina 70 uit een schetsboek met 35 bladen.
Italiaans landschap bij Subiaco
Object type: drawing
Date: 1787 – 1847
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: josephus augustus knip
Artist role: draughtsman, painter, print maker
Artist dates: 1777 – 1847
Subjects: landscapes in the temperate zone, italy
Portret van Rafaël
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: rome, painter, rafaël, historical persons, portrait, self-portrait of painter
Figuurstudies
Object type: sketchbook leaf
Date: 1886 – 1923
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, adult man
Inscriptions: workshop stamp: Lugt 291d, annotation: ‘[...]’

Pagina 19 uit een schetsboek met 19 bladen en 9 losse tekeningen.
The Closet
Object type: print
Techniques: aquatint, etching
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800
Subjects: satire,soldiers,american revolution,ships,politics

Six scenes that comment on the American Revolution appear here in different compartments. The imagery suggests that tyranny, military failures and atrocities have resulted from the influence on George III of his ministers John Stuart, the Earl of Bute, Lord Mansfield and Lord Germain.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic
Artist: pithos painter
Artist role: artist
[Kate Keown]
Object type: photograph
Date: 1866 – 1866
Techniques: albumen silver print, glass negative
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: girls,portraits
Wy Willem Frederik, Prince van Orange en Nassau, aan allen die dit zullen zien, Salut!
Object type: proclamation
Date: 1813 – 1813
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: johannes van der hey
Artist role: publisher
Subjects: amsterdam, landing of william frederick i (1813)
Inscriptions: collector's mark: Lugt 2228

Proclamatie vanwege de prins van Oranje bij zijn intrede als soeverein vorst in Amsterdam, 2 december 1813. Ook namens Van der Duyn van Maasdam.
De Prins
Object type: magazine
Date: 1937 – 1937
Materials: paper
Techniques: printing
Location: amsterdam
Artist: gerrit jan thieme
Artist role: print maker, printer
Artist dates: 1827 – 1889
Subjects: utrecht, bernhard (prins der nederlanden), the hague, juliana of the netherlands, netherlands

Tijdschrift over het huwelijk van Juliana en Bernhard, pp 26 t/m 47 in papieren omslag.
Plattegrond van Vollenhove
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of cities
Inscriptions: collector's mark: Lugt 19

Plattegrond in vogelvluchtperspectief. Linksboven het wapen van Overijssel. Linksonder een schaalstok: 40 Rhijnlandse roeden. Rechtsboven het wapen van Vollenhove.
Cherry, Plum and Willow Trees
Object type: screen
Date: 1601 – 1633
Materials: gold, gold leaf, ink, panel, paper
Culture: japanese
Artist: unidentified artist
Artist role: artist
Subjects: trees

Originally the right half of a pair, this screen depicts flowering trees and a budding willow that convey the joyous spirit of spring. It includes three large cherry trees near the center and a slender branch laden with plum blossoms that belongs to a tree originally depicted on the lost left screen. Large cherry and plum blossoms are raised in low relief using gofun (ground seashell pigment). A sinuous willow tree stands in the middle of the composition, with cascading young leaves in pale green. A cluster of small dandelions fills the lower left corner. The slender and gently swaying tree trunks; the grouping of the trees in the center rather than to a side (as is usual in folding screens); and the soft curves of the scalloped edges of the gold clouds all point to an artist working close to Kano Mitsunobu (1565–1608), eldest son of the great Momoyama period master Eitoku (1543–1590).
Portret van een vrouw
Object type: album leaf
Date: 1859 – 1898
Materials: cardboard, photographic support
Techniques: albumen print
Location: germany
Artist: emil tiedemann
Artist role: fotograaf
Artist dates: 1858 – 1892
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘EMIL TIEDEMANN/ (...)/ HOF-PHOTOGRAPH/ (...)/ BREMEN/ Richtweg No 12./ (...)/ HANNOVER/ Georgstr, 13./ BRAUNSCHWEIG/ Bohlweg 66./ DESSAU/ Leopoldstr. 4./ BRAKE/ a/d. Weser.’
Pedestal cup with pendants
Object type: pedestal cup
Date: 401 – 600
Materials: stoneware
Culture: korean
Zelfportret
Object type: print
Date: 1919 – 1919
Materials: paper
Techniques: drypoint
Artist: ludwig meidner
Artist dates: 1884 – 1966
Subjects: ludwig meidner, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Liefdespaar onder boom
Object type: drawing
Date: 1724 – 1724
Materials: chalk, parchment, pencil
Artist: frans van mieris (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1689 – 1763
Subjects: couple of lovers
Mainardi, Eden, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Sergeantshellebaard
Object type: halberd
Date: 1600 – 1699
Materials: iron, wood
Location: low countries
Artist: Anonymous
Subjects: europe

Korte kling met een sterke taps toelopende vorm; onderin twee doorboringen. Taps toelopend gedraaid huis met twee ringvormig profielen boven en onder. Het huis heeft een dwars doorgaande spleet waar de bijl en haak doorheen zijn gestoken. Zowel de bijl als de haak zijn ajourgewerkt. In de bijl is een primitieve staande leeuw uitgesneden, in de haak een decoratief ruitvormig motief. Twee aangeklonken veren. Ronde stok met schoen.
Basin (Réchaud)
Object type: basin
Date: 1534 – 1566
Materials: earthenware
Techniques: glazing
Subjects: faces,flowers

The shape suggests a chafing dish (réchaud in French). Food was kept warm in a separate receptacle placed atop the basin, which would have been filled with water heated by a brazier stored in the pedestal. However, the fragility of the Museum’s basin indicates that it served a purely decorative purpose. The purple and green pillars and the large-scale floral motifs on a brown ground are unique to this piece.
Meininger Bank, Behrenstrasse 1-2
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: berlin
Subjects: bank, berlin
Inscriptions: number: ‘Bl. 20.’, inscription: ‘Ende & Böckmann, Architecten.’

Deze prent maakt deel uit van een omslag met honderd prenten en zes tekstbladen.
Thompson, R. F., Detroit, from the Gold Coin series (N284) for Gold Coin Chewing Tobacco
Object type: baseball card
Date: 1887 – 1887
Techniques: color lithograph, drawing
Artist: d. buchner & co., new york
Artist role: publisher
Artist nationality: american
Artist dates: 1850 – 1900
Subjects: men,baseball,athletes

(Sam) Thompson, R. F., Detroit, trade card from the "Gold Coin" series (N284), issued by D. Buchner in 1887 to promote Gold Coin Chewing Tobacco. In the American Card Catalog, Burdick refers to the series as "Leading Baseball Players, Police Inspectors and Captains, Jockeys, and Actors." The images in this series do not always represent the specific athletes named.
Bowl
Materials: stoneware
Techniques: celadon glazed, incising, underglaze
Location: korea