deem-data/ArtiFact huggingface dataset:
Cup and saucer
Object type: cup and saucer
Date: 1730 – 1740
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: hunting,dogs,horses
Groepsportret van het orkest van de Société des Concerts Populaires in Lille
Object type: page
Date: 1878 – 1883
Materials: paper
Techniques: photograph
Location: lille
Subjects: large group of musicians, orchestra, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘Le Nord Contemporain/ Revue Artistique’

Prent op vijfde ongenummerde pagina na pagina 80.
Bust Portrait of the Actor Ichikawa Yaozo III as Tanabe Bunzo in the play Hana-ayame Bunroku Soga (Blooming Iris: Soga Vendetta of the Bunroku Era), Performed at the Miyako Theater from the Fifth Day of the Fifth Month, 1794
Object type: print
Date: 1794 – 1794
Materials: mica
Techniques: woodblock print
Location: japan
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Compositie van veertien foto's van personen en onderwijs aan de Keizerlijke Militair-Medische Academie, gecombineerd met decoratie van brillen en medische instrumenten
Object type: album leaf
Date: 1913 – 1913
Materials: cardboard, paper
Techniques: salted paper print
Location: sint-petersburg
Artist: v. sabelskij
Artist role: fotograaf
Subjects: eyeglasses, spectacles, military academy, medicine, medical science, historical persons not known by name
Scarab Inscribed Hatshepsut-United-with-Amun
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs

During the 1926-1927 excavation season, the Museum's Egyptian Expedition uncovered three foundation deposits along the eastern enclosure wall of Hatshepsut's funerary temple at Deir el-Bahri in Western Thebes. Among the contents were 299 scarabs and stamp-seals. Sixty-five of these are now in the Egyptian Museum, Cairo, and the rest were acquired by the Museum in the division of finds. Among the inscriptions on the bases of these scarabs and seals are examples of every title Hatshepsut held, from the time she was "king's daughter" during the reign of her father, Thutmose I; through the time she was queen of her half-brother, Thutmose II; and during her co-reign with her nephew/step-son, Thutmose III. Thirteen of the scarabs (27.3.199 to 27.3.212) are inscribed with various writings of the extended form of Hatshepsut's personal name, Hatshepsut-united-with-Amun, which sometimes appears, enclosed in a cartouche, as the last element of her titulary as king. By adopting this name, Hatshepsut links herself to the powerful god Amun of Thebes, whom she claimed as her father.
Kasteel De Parck te Elst
Object type: sketchbook leaf
Date: 1731 – 1731
Materials: ink, paper, pencil
Techniques: brush, pen
Location: elst
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: castle
Inscriptions: annotation: ‘de park/ De Parck.’, annotation: ‘De Park bij Elst/ gesloopt 1818.-’

Blad 4 recto uit een schetsboek met 69 bladen.
Qur’an Juz' XIX
Object type: non illustrated manuscript
Date: 1667 – 1800
Materials: gold, ink, leather, paper, watercolor
Techniques: bookbinding
Location: turkestan
Tafereel met een rozenmaagd
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: paris
Artist: adolphe block
Artist role: publisher
Artist dates: 1829 – 1918
Subjects: child
Inscriptions: number: ‘137’, inscription: ‘Rn 142’
Terracotta oil lamp
Object type: lamp
Date: 201 – 300
Materials: terracotta
Culture: roman

Mold-made, with ring (?) handle; Small, flat discus decorated with a seven-petalled rosette and a single, central filling hole, and surrounded by a raised circle; on horizontal shoulder, pattern of close-set raised dots, with a line of three circles at front; a raised cross with central dot on top of nozzle, and large wick hole. Undefined, flat base, with indistinct, vertical herring bone pattern as the maker's mark. Body complete, but almost all of handle missing.
Portret van Alexandre de Warfusée
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: vienna
Artist: elias widemann
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit de publicatie: Widemann, Elias. Honori Sacrum. Wenen: s.n., 1649.
Corpus from a Processional Cross
Object type: sculpture
Date: 1370 – 1430
Materials: bronze, copper alloy, gilt bronze, metal
Techniques: casting, carved
Culture: tuscan
Location: tuscany
Subjects: crucifixions, christianity, christian subjects, religious figures, religious, religion, biblical, figure, man, jesus

This powerful figure of Christ would have been placed at the center of an enameled and gilded cross to be carried in public processions. The sculptor, whose name is now unknown, probably derived the distinctive features of Christ, like his broad face and thick hair, from a well-known early 14th-century Tuscan Crucifixion, now lost. Even on a miniature scale, the tension of Christ’s body and his bowed head encourage an emotional response.
Bukkende man bij een bak, apen en katachtigen
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: monkeys, apes, bending figure (+ male human being (not to be used where -a- is prescribed))

Blad 24 recto uit een schetsboek met 26 bladen.
Prophet King from a Tree of Jesse Window
Object type: panel
Date: 1260 – 1270
Materials: glass, metal, paint, pigment
Culture: german
Location: germany
Subjects: kings,men

This half- length figure of a prophet king almost certainly came from a Tree of Jesse window that incorporated scenes from the Infancy of Christ, four panels of which are now installed in Falkenstein Castle, in the Harz Mountains near Germany's border with the Czech Republic. The original location of the window is uncertain, but it may have come from the church in Wurzen, east of Leipzig, in the diocese of Meiseen. Although the window appears to have been made in the eastern reaches of Germany (Sachsen-Anhalt), the king depicted is stylistically similar to works from the Rhineland. The panel is an eloquent and crisp expression of the "zigzag" style (Zackenstil), characterized by sharply angled and hooked lines, that is a hallmark of both manuscript and panel painting in the mid- and late thirteenth century; the period was heretofore unrepresented in our holdings of German stained glass. With its strong affinities to the Aschaffenburg Evangelary (Aschaffenburg, Hofbibliothek, ms. 13), this work also convincingly underscores the close relationship between manuscript illumination and glass painting in this period and the consequent dissemination of styles.
Zeilschepen op ruige zee
Object type: print
Date: 1650 – 1709
Materials: paper
Techniques: etching
Subjects: sailing-ship, sailing-boat, storm at sea
Inscriptions: collector's mark: Lugt 2228a
Sampler
Object type: textile
Date: 1757 – 1757
Materials: linen, silk
Techniques: embroidery, weave
Location: denmark
The Origin of Music / L'Origine de la Musique
Object type: stereograph
Date: 1856 – 1857
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: london
Artist: john reynolds
Artist role: fotograaf
Artist dates: 1814 – 1871
Subjects: panpipes
Inscriptions: inscription: ‘Entered at Stationers' Hall.’, inscription: ‘f125’
Conversazione
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,servants
Buitenlanders vermaken zich tijdens een banket
Object type: print
Date: 1812 – 1860
Materials: paper
Techniques: woodcut
Location: japan
Artist: utagawa yoshikazu
Artist role: print maker
Subjects: visiting; receiving guests; elegant company, celebration meal, feast, banquet, human races; peoples; nationalities
21e Vüe d'optique representant le Purfleet sur la Tamise dans le comte d'Essex
Object type: opticaprent
Date: 1745 – 1775
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Location: paris
Subjects: sailing-ship, sailing-boat, canals, waters (in village) (+ city(-scape) with figures, staffage), thames
Inscriptions: collector's mark: Lugt 2228
Side Chair
Object type: side chair
Date: 1805 – 1810
Materials: wood
Culture: american
Location: united states
Edith Pond, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Man met bierpul
Object type: print
Date: 1809 – 1841
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: tankard, barefoot
Inscriptions: collector's mark: Lugt 2228

De man heeft de pul in zijn rechterhand. Zijn linkerhand houdt hij tegen zijn voorhoofd. Hij loopt op blote voeten.
David Elwood "Dave" Rowe, Manager, Kansas City Cowboys, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Saint Healing a Child
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: school of carlo maratti
"Design for the Water Clock of the Peacocks", from the Kitab fi ma'rifat al-hiyal al-handasiyya (Book of the Knowledge of Ingenious Mechanical Devices) by Badi' al-Zaman b. al Razzaz al-Jazari
Object type: folio from an illustrated manuscript
Materials: gold, ink, paper, watercolor
Location: syria
Artist: badi' al-zaman ibn al-razzaz al-jazari
Artist role: author
Artist dates: 1136 – 1206
Subjects: arabic,peacocks,clocks

Al-Jazari, the author of this treatise on a variety of practical and fanciful mechanical devices, served at the Artuqid court in Diyar Bakr in the late eleventh to the early twelfth century. Some of the elements of the peacock clock, run by water, are shown in this illustration. In the completed device, the arch containing two peacocks would be surmounted by another containing a peahen that would turn from right to left in the course of a half hour, causing the peacocks to whistle.
Panel
Object type: panel
Date: 1101 – 1300
Materials: wood
Techniques: carving
Location: egypt
Subjects: arabic
Ladle
Object type: metalwork
Date: 1757 – 1767
Materials: silver
Location: philadelphia
Artist: william hollingshead
Subjects: dining, drinking
Inscriptions: Engraved on back of handle: "P / OL / to EH"
Marked in script capitals four times in conforming reserve: "WH"
View of Egmond aan Zee
Object type: painting
Date: 1660 – 1708
Materials: oil, panel
Artist: ludolf bakhuysen
Artist role: draughtsman, print maker
Artist dates: 1631 – 1708
Subjects: dune coast, church (exterior), prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage)
Inscriptions: signature: ‘L.B.’

Gezicht op het dorp Egmond aan Zee. Op de voorgrond duinen, rechts de zee.
Tools
Object type: tool
Date: 1601 – 1900
Materials: iron, steel, wood
Culture: european
Geit en drie schapen
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: etching
Artist: joseph roos (i)
Artist role: print maker
Artist dates: 1726 – 1805
Subjects: landscapes, sheep, goat
Inscriptions: collector's mark: Lugt 240

Serie van twaalf prenten, waarvan één titelprent.
Edö
Object type: print
Date: 1907 – 1907
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Wineglass
Object type: wineglass
Date: 1720 – 1740
Materials: glass
New Künstlichs Modelbuch (Page 6 recto)
Object type: book print ornament architecture
Date: 1600 – 1600
Techniques: woodcut
Artist: bernhard jobin
Artist role: publisher
Artist nationality: swiss
Artist dates: 1535 – 1597
Subjects: flowers

Published by Bernhard Jobin, Strassburg (?). Illustrated title page, poem (2 pages), and 45 pages of designs.
The Sarcophagus
Object type: print
Date: 1640 – 1640
Techniques: etching
Artist: laurent de la hyre
Artist role: artist
Artist nationality: french
Artist dates: 1606 – 1656
Subjects: sarcophagus
Berlin. Kgl. Schloss, Weisser Saal
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: berlin
Artist: Anonymous
Subjects: castle, interior of the house
Verenigde Staten van Amerika, ½ cent, 1800
Object type: coin
Date: 1800 – 1800
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: liberty (draped bust) naar rechts. Onderaan jaartal. Keerzijde: tussen twee met grote strik samengebonden takken waarde-aanduiding: half cent in twee regels. Onderaan tussen linten waarde-aanduiding: 1/200. Gladde rand.
Bible Reading
Object type: painting
Date: 1831 – 1831
Materials: canvas, oil
Artist: eduard karl gustav lebrecht pistorius
Artist role: painter
Artist dates: 1796 – 1862
Subjects: family life at home, reading to somebody, living-room, parlour, sitting-room, the bible as a book
Inscriptions: signature and date: ‘Pistorius p. 1831’

Bijbellezen. Interieur waarin de vader voorleest uit een bijbel. Aan tafel zit een oude vrouw met gesloten ogen, bij haar voeten knielt een jong meisje. Naast de vader luistert een jonge vrouw, links van haar staat een jonge man te gapen. Een jongen kijkt door het venster links naar binnen. Links een spinnewiel, rechts een kat bij een wasmand. Aan de wand hangen een klok en een geweer.
Reproductie van de prent waarop Bourse, Liedekercke en Roeck hun eed bevestigen, 1577
Object type: historical object representation
Date: 1877 – 1877
Materials: paper
Techniques: photolithography
Location: great britain
Artist: william stirling maxwell
Artist role: politician
Artist dates: 1818 – 1878
Subjects: agreement, unity; 'concordia', 'concordia insuperabile', 'concordia militare', 'concordia di pace', 'unione civile' (ripa), truth; 'verità' (ripa), swearing an oath (with two fingers raised)

Reproductie van de prent waarop Bourse, Liedekercke en Roeck hun eed bevestigen, 2 augustus 1577. De drie heren omringd door soldaten leggen een eed af. In de wolken een engel met lauwerkrans en palmtak. Voorstelling in een rond medaillon met ornamentele allegorische omlijsting met bovenaan de zittende vrouwelijke personificaties van Waarheid (Veritas) en Eendracht (Concordia). Onderaan een cartouche met 2 verzen van elk 6 regels in het Frans en Nederlands.
Actress posing with one arm aloft, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Reliëf met liggende leeuw
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: beasts of prey, predatory animals: lion
Inscriptions: date

Prent naar tekening van Chrétien Théodore Tinne. Gebruikt voor onbekende uitgave, pl. 2.
Tetradrachm (Coin) Portraying Alexander the Great as Herakles
Object type: coin
Date: 323 – 317
Materials: metal, silver
Culture: greek
Location: macedonia
Subjects: alexander the great, zeus, heracles
Inscriptions: ΦΙΛΙΓΓΟΥ Ν

The front of this coin portrays Alexander the Great wearing Herakles' signature lion skin cloak, facing right.

On the back the god Zeus is shown seated, facing left.
Broad Anklet of Sithathoryunet
Object type: anklet, sithathoryunet
Date: 1887 – 1813
Materials: gemstone, gold
Location: egypt
Figures à la Mode
Object type: costume print
Date: 1670 – 1685
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: coat (+ men's clothes), africans, head-gear: hat (+ men's clothes), shoes, sandals (+ men's clothes), trousers, breeches, etc. (breeches) (+ men's clothes), clothes, costume, head-gear: hat (+ feathers used for clothes), walking-stick, staff, cane (+ men's clothes), manservant, footman

From the middle of the 17th century fashionable men wore ‘rhinegraves’, extremely full breeches decorated with an ‘apron’ of braids under long fitted coats. The long curly hair, high-heeled shoes, large bands and profusion of buttons and bows amazed many contemporaries. The men in this series by De Hooghe almost seem to succumb to their garments.
Stall of the Young Men's Chrisitan Association, Vicar's-croft Market, Leeds
Object type: print
Date: 1850 – 1875
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: book-stall, kiosk
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Waarschijnlijk een illustratie uit een boek of tijdschrift.
Nederlandse militaire uniformen in de jaren 1830-1832
Object type: costume print
Date: 1835 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Subjects: (military) uniforms, clothes, costume
Inscriptions: collector's mark: Lugt 2228

Een trompetter van de Kurassiers, te voet. Onderdeel van een serie van 157 losse bladen met Nederlandse militaire uniformen in de jaren 1830-1832.
De vier vijanden van de Ware Gelovige en de goddelijke deugden
Object type: print
Date: 1580 – 1580
Materials: paper
Techniques: engraving
Subjects: hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues, true religion vs. false religion
Inscriptions: stamp: Lugt 4099

In het midden staat een gevleugelde vrouwengestalte op een anker, lauwerkrans op het hoofd. Ze zaait tarwe en wijst op de hemel. Voor haar een man die met zijn spade een gat graaft tussen de distels om zijn aardse schatten (vaatwerk en geldstukken) in te verbergen. Achter haar een vrouw die het koren maait. Op de voorgrond twee naakte kinderen. Op de achtergrond de berouwvolle koning David, geknield in gebed in een houten schuur. Linksboven Christus op een regenboog in de wolken, aanbeden door Maria en Johannes. Rechtsboven een engel met doodshoofd in de hand in de wolken. Met onderschrift van 4 kolommen in elk 4 regels Latijn en 4 regels Nederlands. Tweede prent uit serie met vier allegorieën op het Geloof. Derde prent uit serie met Allegorieën op de Deugden en het Geloof.
Guillaume de Lamoignon
Object type: print
Date: 1663 – 1663
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits,coat of arms
Tetradrachm (Coin) Portraying Emperor Nero
Object type: coin
Date: 64 – 65
Materials: alloy, metal, silver
Culture: roman or egyptian
Location: egypt
Inscriptions: Obverse: ΝΕΡΩ ΛΚΑΥ ΚΑΙΣ ΣΕΒ ΓΕΡ ΑV
"Neron Klaudios Kaisar Sebastos Germanikos Autokrator"
(Nero Claudius Cesar August Germanicus Emperor)
Reverse: ΠOΠΠAIA ΣEBAΣTH, L IA (date = year 11, or 64-65 CE)
"Poppaia Sebaste" (Poppaea Augusta)

The front (obverse) of this coin portrays the head of Emperor Nero, facing right, and radiate. The back (reverse) portrays the bust of Poppaea (second wife of Nero, who was her third husband), facing right. The back includes the date of minting, " L IA", which is the eleventh year of his rule as emperor, or 64-65 CE. Nero reigned from 54-68 CE.

Poppaea and Nero married in 62 CE. Coins such as this tetradrachm were struck to advertise the new imperial couple. Both portraits convey a sense of confidence and determination.
Death of Dido
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: italy
Artist: possibly donato creti
Artist nationality: italian
Artist dates: 1671 – 1749
Portret van Harmen Henrik van de Poll
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: mayor, mayor, burgomaster, historical persons

Prent waarschijnlijk uit: Wagenaar, Jacob, Jacobus Buys, Jacob Houbraken, Cornelis Ploos van Amstel en Reinier Vinkeles. Amsterdam in zyne opkomst, aanwas, geschiedenissen, voorregten, koophandel, gebouwen, kerkenstaat, schoolen, schutterye, gilden en regeeringe. Amsterdam: Isaak Tirion, 1768, dl. 12.
Saint Carl Borromäus Giving Extreme Unction to the Plague-Stricken.
Object type: drawing
Date: 1700 – 1754
Materials: ink
Techniques: brush, pen
Artist: johann daniel herz the elder
Artist role: artist
Artist nationality: german
Artist dates: 1693 – 1754
Subjects: men,women,angels,saints
A Glimpse of Higayashiyama the Western Capital, from the series Famous Places in the Nation (Shokoku meisho zukai no uchi-Saikyō Higashiyama ichiran)
Object type: woodblock print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige iii
Artist role: artist
Artist nationality: japanese
Artist dates: 1843 – 1894
Subjects: men,women,flowers,hills
De Heilige Hiëronymus in de wildernis
Object type: print
Date: 1494 – 1498
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: st. jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast; a skull (and other 'vanitas' symbols), sometimes a scorpion and a snake beside him
Inscriptions: collector's mark: Lugt 240

De Heilige Hiëronymus zit op zijn knieën in een rotsachtige omgeving bij een crucifix met een steen in zijn hand. Aan zijn voeten ligt een leeuw. Op de achtergrond links een kerkje, op de achtergrond rechts een burcht aan een water.
Seated Woman Bathing Her Feet
Object type: print
Date: 1500 – 1538
Techniques: engraving
Artist: albrecht altdorfer
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1538
Subjects: female nudes,bathing
De Chinese keizer Zunchinius doodt zijn dochter
Object type: drawing
Materials: chalk, ink, paper
Techniques: pouncing
Artist: hans hinrich rundt
Artist role: draughtsman
Artist dates: 1660 – 1750
Inscriptions: annotation: ‘origineel No.2’, signature: ‘Rundt. delin.’

De Chinese keizer Zunchinius (waarschijnlijk Chóngzhēn) doodt zijn dochter. Ontwerptekening voor een plaat in Orientalische Reise-Beschreibung: Jürgen Andersen aus Schleßwig/ Der Anno Christi 1644 außgezogen/ und 1650 wieder kommen. Und Volquard Iversen aus Hollstein/ [...] : Sind beyde respective durch Ost-Indien/ Sina, Tartarien/ Persien/ Türckeyen/ Arabien und Palestinam gezogen: und haben zu Wasser und Land viel merckliche [...] / Heraus gegeben Durch Adam Olearium ... Mit dessen Notis, und etlicher Oerter Erklärungen: Sampt vielen Kupfferstücken ... Hamburg, 1696.
Fotoreproductie van twaalf foto's van de kathedraal van Lincoln
Object type: photograph
Date: 1870 – 1880
Materials: photographic support
Techniques: albumen print
Location: lincoln cathedral
Subjects: church (exterior), parts of church interior: nave, parts of church interior: choir, parts of church interior: chapel

Van boven naar beneden en van links naar rechts: het koor, het schip, tweemaal een zijbeuk, het transept, een zijbeuk van het koor, de zuidelijke deur, de westelijke deur, viermaal een gezicht op de kathedraal.
Lezende jongen
Object type: print
Date: 1721 – 1778
Materials: paper
Techniques: etching
Artist: johann gottlieb glume
Artist role: print maker
Artist dates: 1711 – 1778
Subjects: reading, boy (child between toddler and youth)
Inscriptions: collector's mark: ‘S ch K’, collector's mark: Lugt 3870
Fragment
Object type: fragment
Date: 1501 – 1700
Materials: silk
Subjects: lions