deem-data/ArtiFact huggingface dataset:
Statuette of Venus
Object type: sculpture
Date: 101 – 200
Materials: bronze, metal
Culture: roman
Subjects: goddesses, women, aphrodite

This statuette depicts Venus, the Roman goddess of love, sexuality, and maternity, with her hair in an elegant updo and wearing nothing but the diadem (crown) atop her head. Earlier images of Venus often represented the goddess modestly clothed, reinforcing her role as exemplary matron and mother of the Roman people. By the first century, Venus was regularly shown fully nude, reflecting body types associated with her Greek counterpart, Aphrodite, whose domain leaned more toward the pleasures of erotic love and seduction. In their respective cultures, both goddesses served as models for brides and matrons: nude forms such as this guided women to cultivate their sexual appeal, thereby fostering the production of children who would carry on society
Mycenai Lion Gate 165
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: photograph
Location: mycene
Artist: Anonymous
Subjects: mycene
Inscriptions: number: ‘11.’
Kaart van de Nederlanden waarop is aangegeven tot waar de vijandelijke troepen in de jaren 1672-73 zijn opgerukt
Object type: print
Date: 1673 – 1673
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of separate countries or regions, netherlands, rampjaar (disaster year)

Kaart van de Nederlanden waarop is aangegeven tot hoever de Franse en bisschoppelijke legers in 1672 zijn opgerukt. Boven de kaart in zee zijn de zeeslagen uit de jaren 1672-1673 voorgesteld. Linksonder de cartouche met de titel van de kaart.
Ereboog ter ere van de inhuldiging van president Kruger in Pretoria
Object type: photograph
Date: 1898 – 1898
Materials: paper
Techniques: gelatin silver print
Location: pretoria
Artist: Anonymous
Subjects: ceremonial celebration of installation of a ruler, triumphal arch

Op 12 mei 1898 werd president S.J.P. Kruger ingehuldigd voor zijn vierde ambtstermijn als president.
Kazerun
Object type: photograph
Date: 1880 – 1895
Materials: paper, photographic support
Techniques: albumen print
Location: kazerun
Artist: antoine sevruguin
Artist role: fotograaf
Artist dates: 1840 – 1933
Subjects: mountains (+ landscape with figures, staffage)
Inscriptions: negative number: ‘131’

Onderdeel van Reisalbum van H. Dunlop met foto's van bezienswaardigheden in Perzië, Schotland, Duitsland, Rusland, China en Canada.
Studies van vee
Object type: drawing
Date: 1635 – 1645
Materials: chalk, paper
Artist: claude lorrain
Artist role: draughtsman, print maker
Artist dates: 1604 – 1682
Subjects: bovine cattle

Bladen van serie zijn afkomstig uit een schetsboek.
Design for Pony Phaeton, no. 3200a
Object type: drawing
Date: 1876 – 1876
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Glass jug
Object type: jug
Date: 1 – 200
Materials: glass
Culture: roman

Translucent green with blue tinge; handle in same color. Collared rim, folded over, down, round, and up, with a slight flaring outer lip, pressed back onto top of mouth in front of handle; cylindrical neck, expanding slightly downwards, with tooling indent at base around top of body; squat globular body; thick, pushed-in bottom, forming high dome on interior, with central pontil scar; broad, 3-ribbed handle applied to upper body, drawn up vertically, then turned in horizontally and trailed on to underside of rim and top half of neck. Complete but one crack in rim and inside of mouth; pinprick and larger bubbles, with many bubbles and some black impurities in handle; slight encrustation and weathering on exterior, patches of encrustation and iridescent weathering on interior.
Schets van een zittend figuur
Object type: drawing
Date: 1867 – 1928
Materials: chalk, paper
Artist: hendrik johannes haverman
Artist role: draughtsman, print maker
Artist dates: 1857 – 1928
Marble statue of a kore (maiden)
Object type: statue of a kore maiden
Date: 534 – 501
Materials: marble
Culture: greek
Subjects: women

This statue of a young woman has the same pose and costume as the well-known statues of korai found on the Athenian Akropolis. She stands with her left leg slightly advanced. Her left hand grasped a fold of her thin linen chiton, pulling it tightly across her legs; the right hand probably held out an offering. The short himation (cloak), which passes diagonally over her right shoulder and under her left arm, falls in vertical, stacked folds. This type of dress originated in the East Greek cities on the coast of Asia Minor. The variation in layers and texture animates the surface of the statue, which was once brightly painted.
Panel with the Flagellation of Christ
Object type: panel
Date: 1500 – 1500
Materials: wood
Culture: french
Subjects: men,christ

Until 1950 this panel lined the Great Hall of Highcliffe Castle in southern England. Constructed in the 1830s for Lord Stuart de Rothesay, the castle was furnished in part with stonework acquired form the ruined royal abbey at Jumièges in Normandy, where the panels might also have originated. In all likelihood they once decorated the backs of choir stalls ordered in 1501 by the abbot of Jumièges. Carved on The Cloisters' thirty-five oak panels (50.147.1–38) are scenes from the lives of the Virgin and Christ, each set under an elaborate canopy of single or double arches. The exuberant latticework surrounding the arches provides an almost encyclopedic display of pinnacles, crockets, spirals and other fanciful decorations. As in many late medieval works, the figures are foreshortened within their inhabited surroundings, adding depth and drama to the composition.
Vrouwen en kinderen voor een gebouw in Japan
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: japan
Artist: Anonymous
Subjects: adult woman, child, japan
Gesprek aan het venster
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: etching
Location: the hague
Artist: kornelis jzn de wijs
Artist role: print maker
Artist dates: 1832 – 1896
Subjects: neighbour, conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2228

Een voorbijganger spreekt met een vrouw, die aan haar raam zit.
Versailles, Fontaine du Point du Jour, (Tigre Terrassant un Ours par Houzeau)
Object type: photograph
Date: 1903 – 1903
Techniques: albumen print
Location: france
Artist: jean-eugène-auguste atget
Artist nationality: french
Artist dates: 1857 – 1927
Subjects: collected by hugh edwards
Inscriptions: Inscribed recto, in negative, lower left, backwards, in brown: "64[cut off]"; verso unchecked
Pisa. Duomo di fianco e tribuno
Object type: photograph
Date: 1860 – 1881
Materials: paper
Techniques: albumen print
Location: pisa
Artist: giacomo brogi
Artist role: fotograaf
Artist dates: 1822 – 1881
Subjects: church (exterior)
Inscriptions: number: ‘191’
Geminiano Caldarostaro (chestnut seller)
Object type: print
Date: 1597 – 1601
Techniques: engraving
Artist: francesco villamena
Artist role: artist
Artist nationality: italian
Artist dates: 1565 – 1624
Subjects: men
Annual report of the Forest Commission of the State of New York for the year ending December 31, 1894
Object type: book
Date: 1895 – 1895
Materials: cardboard, linen, paper
Techniques: photograph, printing
Location: new york city
Artist: james b. lyon
Artist role: printer, publisher
Model of Wheellock Pistol
Object type: pair of wheellock pistol
Date: 1550 – 1600
Materials: steel
Culture: german
Location: germany
Watch
Object type: watch
Date: 1825 – 1825
Materials: enamel, gold
Artist: firm of moynier & fils
Artist role: maker
Artist dates: 1830 – 1830
Ontwerp voor marqueterie van aan linten opgehangen muziekinstrument(en) in rond medaillon
Object type: design drawing
Materials: graphite, ink, paper
Techniques: pen in black ink
Location: brussels
Artist: pierre félix van doren
Artist dates: 1797 – 1856
Subjects: trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, harp
Inscriptions: inscription: ‘harpe moderne’, watermark: ‘VDL’

Een van 103 ontwerpen voor marqueterie van aan linten opgehangen muziekinstrumenten in ronde medaillons, bestemd voor de set stoelen gemaakt door Van Doren voor de grote zaal van het Paleis van de Prins van Oranje in Brussel in 1828.
Rivaulx Abbey.  General View from the South
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: joseph cundall
Artist role: fotograaf, schrijver
Artist nationality: british
Artist dates: 1818 – 1895
Subjects: abbeys
Gezicht op de oude haven van Antwerpen, België
Object type: photograph
Date: 1870 – 1906
Materials: paper
Techniques: albumen print
Location: antwerp
Artist: Anonymous
Subjects: harbour, pier, quay, wharf, antwerp
Inscriptions: retailer's mark: ‘PHOTOGRAPHIES/ GRAVURES ANCIENNES ET MODERNES/ OBJETS D'ART/ G. ZAZZARINI & CO./ Successeur de F. TESSARO/ 37, Marché aux Souliers, 37/ ANVERS’
Holland, duit,1752. Afslag in zilver
Object type: coin
Date: 1752 – 1752
Materials: silver
Techniques: striking
Location: dordrecht

Zilveren munt. Voorzijde: binnen omheining staande leeuw met vrijheidshoed op speer. Keerzijde: opschrift: provincienaam in drie regels, daaronder jaartal. Kabelrand.
Sari-length textile
Object type: textile
Date: 1801 – 1933
Techniques: weave
Culture: bangladesh, dacca

These two exceptionally fine muslin sari-length textiles are both decorated in the same in-weave technique with variants of the same design. Both may be termed jamdani muslin saris, a style of sari known for its unique patterns and representations of plants and flowers, skillfully adapted into the weave of the fabric. These designs are created in undyed muslin with deep blue in-weave patterning, with bold kalkas (mango) motifs, a common thematic element in jamdani saris distinguished by a prominent mango design inset in each corner. Floral repeats are woven in diagonal patterns. This motif is better known as a tear-drop motif made popular in so-called Paisley embroidered shawls of Kashmiri workmanship
Cope
Object type: cope
Date: 1501 – 1600
Materials: linen, metal thread, silk
Enige Japanse vrouwen aan het werk
Object type: drawing
Date: 1800 – 1900
Materials: silk, watercolor
Techniques: brush
Artist: Anonymous
Subjects: making toilet, one person playing string instrument (plucked), japan

Enige Japanse vrouwen aan de arbeid, één verstelt een kledingstuk, een tweede maakt een schoen, een derde kapt zich, een vierde schildert zich de tanden, terwijl een vijfde er bij op een snaarinstrument speelt en een man om een hoek kijkt.
Vrouw met V-hals
Object type: print
Date: 1920 – 1920
Materials: paper
Techniques: lithograph
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Inscriptions: signature and date: ‘mesquita 1920’
Cream Pitcher
Object type: cream pitcher
Date: 1825 – 1825
Materials: earthenware
Culture: british
Location: england
Zuilenrij in het klooster van Mont Saint-Michel
Object type: page
Date: 1866 – 1876
Materials: photographic support
Techniques: albumen print
Location: mont saint-michel
Artist: Anonymous
Subjects: abbey, monastery, convent ~ roman catholic church, interior ~ representation of a building, arcade ~ architecture
Dish with a Lotus Design
Object type: dish
Date: 1501 – 1600
Materials: glaze, stonepaste
Techniques: painting
Location: iran
Subjects: lotuses

This dish belongs to a group of ceramics known as Kubachi ware. Named for a village in the Caucasus where this pottery was discovered in quantity, Kubachi wares are now thought to have actually been produced in Tabriz. One attribute of the Kubachi style is an uneven application of the glaze that has resulted in a surface-wide crackle. Dirt has seeped into the cracklure, discoloring the underlying body to a brownish tint. Like so many ceramics produced in Iran during the Safavid Period, the style and decoration of this dish was inspired by the highly-regarded Chinese porcelain. The central lotus flower, use of blue and white coloring, as well as the wave pattern on the flat rim illustrate the Chinese influences in this piece
Slag bij Landen, 1693
Object type: map
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of separate countries or regions, battle (+ land forces)

Plan van de slag bij Landen, ook bekend als de slag bij Neerwinden, waar de geallieerden door het Franse leger verslagen worden, 29 juli 1693. Plaat nr. 63 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in de plaat in het Frans.
Epaves dans le biesbosch
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: etching, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: shipwreck
Inscriptions: collector's mark: Lugt 2228
Ontwerp voor een verpakking of advertentie van Kalo zeep
Object type: drawing
Date: 1884 – 1952
Materials: ink, paint, paper, pencil
Techniques: brush, pen
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: prospect of village, silhouette of village
Inscriptions: collector's mark: ‘R:MVS.’

Ontwerp met lijnen en een gezicht op een dorp.
H.M. Koningin Wilhelmina
Object type: photograph
Date: 1901 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, historical persons, queen, head-gear: cap
Inscriptions: inscription: ‘CACAO &/ CHOCOLAAD/ "A. DRIESSEN".’
Fries met de letters N, O, P, Q, R, S
Object type: print
Date: 1546 – 1546
Materials: paper
Techniques: engraving
Location: netherlands
Artist: cornelis floris (ii)
Artist role: draughtsman, print maker
Artist dates: 1514 – 1575
Subjects: ornaments ~ art, ornament ~ hybrid beings; human and animal forms mixed, letters, alphabet, script, satyr(s) (in general)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Fries met de letters N, O, P, Q, R, S. Het fries maakt deel uit van een alfabet opgebouwd uit ornamenten en groteske figuren. Het hele alfabet is gedrukt van een plaat. De afdruk is lang in tact bewaard. De vier friezen zijn pas later losgesneden, zoals onder meer blijkt uit het doorlopen van vlekken. De vier stroken samen als één blad opgezet.
Zeegod Portunus
Object type: print
Date: 1586 – 1586
Materials: paper
Techniques: engraving
Location: antwerp
Artist: philips galle
Artist role: print maker, publisher
Artist dates: 1537 – 1612
Subjects: (story of) palaemon
Inscriptions: collector's mark: Lugt 2228

De zeegod Portunus, gezeten op een steen. De prent maakt deel uit van een zeventiendelige serie over rivier- en zeegoden.
Portret van Wolfgang Willem van de Palts-Neuburg
Object type: print
Date: 1630 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: wolfgang willem van de palts-neuburg, historical persons, knighthood order of the golden fleece, ruler, sovereign

Met tekst in het Latijn rondom het portret.
James William "Jim" Keenan, Catcher, Cincinnati, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Border (Fragment)
Object type: textile
Date: 1850 – 1875
Materials: cotton, lace, linen
Techniques: lace
Location: belgium
Ram head made for attachment to a barque
Object type: statue attachment, ram head
Date: 1070 – 664
Materials: bronze, copper alloy, metal leaf
Techniques: inlay
Location: egypt
Subjects: rams

Images of gods were carried out of temples on festival days on processional bark-shrines. Most often the image itself was concealed in a shrine, but sculpted heads at the prow and stern identified the god to the populace, royal statuary surrounded and protected the god hidden in the shrine, and other protective gods rode at the prow. This large ram's head would have appeared on Amun's processional barque.
Slang met prooi
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: snakes
Inscriptions: collector's mark: Lugt 2228

Slang gewikkeld om een bok, met beschrijvende tekst van twee kanten te lezen.
Portraits des artistes modernes nés dans le Royaume des Pays-Bas
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: brussels, antonis aloisius emanuel van bedaff, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie van zestig prenten.
Candi Kalasan (Buddhist), general view from the northeast. Kalasan, Yogyakarta district, D.I. Yogyakarta province, 8th -9th century.
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905
Bord, plat model, behorend bij een servies met geslingerd lintmotief met bladertakken, bloemboeketten en gestrooide bloemtakken
Object type: plate dish
Date: 1780 – 1820
Materials: porcelain
Location: loosdrecht

Bord, plat model, behorend bij een servies van porselein met geslingerd lintmotief in paars en goud met groene bladertakken, bloemboeketten en gestrooide bloemtakken. Randen lichtgegolfd met decoratie in goud met paars bladmotief waartussen groen gekruist bladmotief. Gemerkt: M.O.L. of AMSTEL.
Ridderspoor
Object type: print
Date: 1800 – 1850
Materials: paper
Techniques: lithograph
Location: france
Artist: Anonymous
Subjects: flowers: delphinium
Study for St. Luke's Hospital, from Microcosm of London
Object type: drawing and watercolor
Date: 1809 – 1809
Materials: graphite, paper
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 434 – 368
Materials: terracotta
Culture: greek, attic

Interior, part of a draped figure with a stick; legs of a male to right
Terracotta fragment of a bell-krater (bowl for mixing wine and water)
Object type: bell krater fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Complete handle, with tongue pattern around the handle roots; two addorsed palmettes with tendrils
The Betrayal and Mocking of Christ
Object type: monstrance
Date: 1900 – 1900
Materials: copper, gilt, glass, metal, wood
Techniques: carving, enamel
Culture: european
Subjects: christ
Modes of Ancient Roman Construction
Object type: reproduction
Date: 1863 – 1887
Materials: cardboard, paper
Techniques: albumen print
Subjects: drawing, stone ~ building material
The Defense of Champigny
Object type: painting
Date: 1879 – 1879
Materials: canvas, oil
Artist: edouard detaille
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1912
Subjects: battles,soldiers,cannons,men,generals

In this battle picture, shown in the Salon of 1879, Détaille depicts an incident that he had observed on December 2, 1870, during the Franco-Prussian War. General Faron's soldiers are shown fortifying their new position at the town of Champigny-sur-Marne, near Paris, and breaking openings in the wall for cannons. General Faron is at the left, talking to an old gardener. The artist painted a replica of the picture in 1879 (private collection) and returned to the subject for a huge panorama of the battle (now destroyed) that he executed with de Neuville in 1882.
Camp de Bataille by Oosterhout, Den 6. September 1732
Object type: print
Date: 1732 – 1732
Materials: paper
Techniques: etching, letterpress printing
Location: the hague
Subjects: (military) camp with tents
Inscriptions: collector's mark: Lugt 2228

Plattegrond van het Hollandse legerkamp tijdens het Kampement van Oosterhout op de heide bij Oosterhout, 6 september 1732. Onder de plaat een lijst van de eskadrons cavalerie (1-11) en de bataljons infanterie (a-l) en de legenda A-O.
Apollo and Marsyas
Object type: sculpture
Date: 1720 – 1720
Materials: marble
Techniques: carved
Location: italy
Artist: domenico antonio vaccaro
Artist nationality: italian
Artist dates: 1678 – 1745
Subjects: gods (deities), trees, men, satyr, musical instruments, violence, music, competition, woman, man
Vrouwen en kinderen bij een drooggevallen rivierbedding in een uitgesleten landschap, mogelijk op Sumatra
Object type: photograph
Date: 1895 – 1905
Materials: paper, photographic support
Techniques: albumen print
Location: sumatra
Artist: Anonymous
Subjects: dry river, river bed, sumatra

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië, Zwitserland en Nederlands-Indië.
Portret van een kind
Object type: album leaf
Date: 1865 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: child, historical persons
Inscriptions: inscription: ‘Numa Fils/ Photographe/ 47, rue Vincent/ Paris’
Jōra (small) Sāz,
Object type: jōra small sāz,
Date: 1867 – 1900
Materials: wood
Culture: turkish
Location: turkey
Pad in een landschap
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: landscapes, road, path

Op het pad mogelijk figuren of een kar. Blad 20 verso uit een schetsboek met 34 bladen.