deem-data/ArtiFact huggingface dataset:
Vloertegel met veelkleurige rozet
Object type: architectural element
Date: 1545 – 1570
Materials: earthenware, glaze
Techniques: maiolica
Location: antwerp
Artist: Anonymous

Vierkante vloertegel met een veelkleurige (blauw, groen, geel en oranje) rozet binnen twee elkaar snijdende ruiten. In de hoeken, stralen.
1/3  groot uit Henegouwen van Willem II, 1337-1345
Object type: coin
Date: 1337 – 1345
Materials: silver
Techniques: striking
Location: valenciennes

Zilveren munt. Voorzijde: klimmende leeuw naar links. Keerzijde: lang gevoet kruis, in de hoeken bladversiering. Omschrift: ECO-MES-HAN-ONI. Eigentijdse vervalsing?
Midôsuji, a business center
Object type: print
Date: 1947 – 1947
Materials: paper
Techniques: woodcut
Location: japan
Inscriptions: date
Portret van onbekende man met snor en jas met bont, naar links
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: drypoint, etching
Location: london
Artist: thomas worlidge
Artist role: print maker
Artist dates: 1700 – 1766
Subjects: anonymous historical person portrayed alone
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Wohnhaus, Kurfürstenstrasse 55
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: dresden
Subjects: urban housing, berlin
Inscriptions: inscription: ‘H. Licht, Architect.’, number: ‘Bl. 10.’

Deze prent maakt deel uit van een omslag met honderd prenten en zes tekstbladen.
Studies van een zittende, naaiende vrouw
Object type: drawing
Date: 1915 – 1915
Materials: ink, paper
Techniques: brush, pen
Artist: rik wouters
Artist role: draughtsman, print maker
Artist dates: 1882 – 1916
Subjects: sewing
Inscriptions: dedication: ‘aan mijn goede vriend Harkema’, signature and date: ‘Rik Wouters Amsterdam 15’
Fotoreproductie van een prent van de triomf van de liefde
Object type: reproduction
Date: 1852 – 1857
Materials: photographic support
Techniques: salted paper print
Subjects: vase ~ ornament, cupids: 'amores', 'amoretti', 'putti'
Visvrouw
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: fishes
Inscriptions: collector's mark: Lugt 240

Voor een hut zit een visvrouw aan een tafel. Zij haalt een vis uit een bak.
Le mari confesseur
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: interior of church, confessional ~ part of the confession
Inscriptions: collector's mark: Lugt 240

Mogelijk prent uit: Fontaine, Jean de La. Contes et nouvelles en vers. Parijs: Basan, 1762.
Incense container with lid
Object type: incense container
Date: 1801 – 1900
Materials: enamel, stoneware
Techniques: polychrome
Culture: japanese
Subjects: women
Saddle (Kura)
Object type: saddle kura
Date: 1601 – 1800
Materials: wood
Culture: chinese or korean
Location: china
Ex libris Leona Walickiego
Object type: bookplate
Date: 1917 – 1944
Materials: paper
Techniques: woodcut
Location: czech republic
Artist: stanisław zgaiński
Artist role: print maker
Artist dates: 1907 – 1944
Subjects: hoofed animals: stag, the hunter hubert(us), bishop of maastricht and liège; possible attributes: hounds, hunting horn, key, stag with crucifix, (bishop's) stole, one person praying
Inscriptions: inscription: ‘Stanislav/ Zgainski/ B[...]’
Soldaat die zijn spies met beide handen ver uit elkaar boven zijn rechterschouder draagt, de punt schuin naar de grond gericht
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: manoeuvre ~ military training, warfare; military affairs (+ mercenary troops, e.g.: lansquenets), helved weapons, polearms (for striking, hacking, thrusting): lance

Een soldaat, ten voeten uit, die een spies (lans) boven zijn rechterschouder draagt, de punt schuin naar de grond gericht. Zijn handen ver uit elkaar om de spies. Dit is de eerste handeling voor het laten zakken van de spies om onder een overwelving door te kunnen. Deze prent is onderdeel van de reeks van 32 genummerde prenten van spiesdragers uit de Wapenhandelinghe.
Head of a lion
Object type: head of a lion
Date: 500 – 301
Materials: terracotta
Culture: greek
Subjects: lions
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1904 – 1904
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: grada hermina marius
Artist role: painter
Artist dates: 1854 – 1919
Subjects: utrecht, print maker, albert neuhuys (1844-1914), draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Ihro Römisch-Kaiserl. u. Cathol. Majest: Caroli VI. Krönung, gehalten zu Frankfurt am Mayn
Object type: history print
Date: 1712 – 1715
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: charles vi (holy roman emperor), during the coronation

Kroning van koning Karel III van Spanje (aartshertog Karel van Oostenrijk) tot Duits keizer Karel VI, 22 december 1711. De centrale voorstelling van de kroning gevat in een zeer rijk versierde ornamentele omlijsting met wapentrofeeën en allegorische figuren. Onderaan een cartouche met de beschrijving van de gebeurtenissen in het Duits. Blad in de gebonden verzameling platen uitgebracht onder de titel: Repraesentatio belli ... Der Spanische Successions-Krieg [ca. 1720].
The Last Supper, from Speculum passionis domini nostri Ihesu Christi
Object type: print
Date: 1507 – 1507
Techniques: woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: apostles,jesus,last supper
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 434 – 401
Materials: terracotta
Culture: greek, attic

Interior, part of meander; Exterior, part of a palmette
Tankard with three men in relief
Object type: stave tankard
Date: 1540 – 1560
Materials: glaze, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: frechen
Artist: Anonymous

Bierpul van steengoed met een cilindrisch, iets taps toelopend lichaam, C-vormig oor en profielen op de rand en boven de voet. Op de pul in reliëf drie vakken met in elk een gedrukte en opgelegde decoratie van een man ten voeten uit, gekleed in 16e eeuwse kledij (krijgslieden?). Frechen/Keulen.
"Portrait of Raja Bikramajit (Sundar Das)", Folio from the Shah Jahan Album
Object type: album leaf
Materials: gold, ink, paper, watercolor
Location: india
Artist: bichitr
Artist role: artist
Artist nationality: indian
Artist dates: 1585 – 1685
Subjects: kings,portraits,flowers

Sundar Das was a Hindu whoses ancestors had been considerable landowners. He entered the service of Prince Khurram (Shah Jahan) and in 1617 Jahangir awarded him the title of Raja Bikramajit "which among Hindus is the highest" as Jahangir wrote in his memoirs. Raja Bikramajit was a brilliant military strategist and instrumental to the success of Prince Khurram's campaigns in the Deccan. In Shah Jahan's rebellion against Jahanagir in 1623–24, Raja Bikramajit sided with the prince, and when he was killed in battle, Jahangir was unashamedly gleeful, writing "By losing him the Wretch [Shah Jahan] lost courage, as though his luck, ambition, and reason were all found up with that Hindu dog." In Bichitr's brilliant portrait, the figure positively pulses with life.
Portret van Philipp Christoph von Sötern
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Artist: cornelis danckerts (i)
Artist role: print maker, publisher
Artist dates: 1604 – 1656
Subjects: archbishop, bishop, etc. (roman catholic), historical persons

Prent uit: Abelinus, Johann Philipp. Historis oft Waerachtich Verhael Van den Gantschen toestant van Dorlooge (...). Amsterdam: Cornelis Danckerts (I), 1642.
Detail van het fries op de Zuil van Trajanus
Object type: print
Date: 1637 – 1691
Materials: paper
Techniques: etching
Location: france
Subjects: triumphal column with helical friezes, piece of sculpture, reproduction of a piece of sculpture, the soldier; the soldier's life

Detail van het spiraalvormige gebeeldhouwde fries op de Zuil van Trajanus. Het fries toont de oorlogen tussen de Romeinen en de Daciërs. Verklarende nummers in de ondermarge. Prent maakt deel uit van een album.
Valence for a bed (Lit à la duchesse en impériale)
Object type: bed valance
Date: 1780 – 1790
Materials: silk, wool
Artist: beauvais
Artist role: factory
Subjects: garlands

As its full-size domed canopy is suspended from the ceiling rather than supported on posts, this tester bed, which bears the stamp of the menuisier Georges Jacob, is a type called lit à la duchesse en impériale. Its original but now fragile hangings, woven in 1782–83 at the Beauvais tapestry manufactory after designs by Jean-Baptiste Huet (1745–1811), have been replaced by modern silk damask, except for the lining of the interior dome. French eighteenth-century beds tended to be lofty, as it was customary to pile them with three or more mattresses filled with straw, wool, horsehair, or feathers. Tobias Smollett (1721–1771) noted in 1766, “French beds are so high, that sometimes one is obliged to mount them by the help of steps.”[1] The custom of receiving visitors while reposing in a large and elegantly fitted out bed was practiced in France during the eighteenth century mostly by aristocratic women. The Museum’s imposing piece of furniture with its exquisitely carved floral decoration, the work of an unknown carver, must have formed a splendid backdrop for such official calls or congratulatory visits. In 1791 the bed is documented as standing in the large bedchamber of Guyonne-Marguerite de Durfort de Lorge, duchesse de Choiseul-Praslin (1737–1806), at her Parisian home, the Hôtel de Belle Isle. Following the turmoil of the Revolution and the political changes of the early nineteenth century, the bed was sold in Paris in 1830. It became part of the famous collections at Hamilton Palace, South Lanarkshire, Scotland, the residence of Alexander Hamilton Douglas, tenth Duke of Hamilton (1767–1852), where it was placed in one of the state rooms. The duke’s grandson sold the contents of the palace, including the bed, at a highly anticipated auction that took place in 1882. Through the intermediation of several dealers, the bed was acquired in 1897 by the financier and railroad executive George J. Gould (1864–1923). His wife, the former actress Edith M. Kingdon (1864–1921), used it in her bedroom of their New York town house. [Daniëlle Kisluk-Grosheide, 2010] Footnotes: [1] Tobias George Smollett. Travels through France and Italy. London, 1766. New ed.: Introduction by James Morris. Travellers' Classics 11. Fontwell, Sussex, 1969, p. 43.
Akademie van Beeldende Kunsten
Object type: medal
Date: 1817 – 1817
Materials: silver
Techniques: striking
Location: brussels
Artist: jean henri simon
Artist role: medailleur
Artist dates: 1752 – 1834
Card Number 102, Daughters of the Plow, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-6), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the sixth subset, N145-6. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Titelprent voor: Les Graveurs du XIX siècle
Object type: titelprent, frontispice
Date: 1887 – 1887
Materials: paper
Techniques: lithography
Location: paris
Subjects: symbolic representations, allegories and emblems ~ the graphic arts (+ artist at work)
Inscriptions: date

Prent gebruikt voor: M.H. Beraldi, Les Graveurs du XIXe Siècle, Parijs 1887.
Joaillerie: Album of Jewelry Designs, Page 3
Object type: album print ornament architecture
Materials: ink
Artist: anonymous, french
Artist role: artist
Artist nationality: french
Artist dates: 1400 – 2050
Subjects: jewelry

Third page of a small album containing drawings with jewelry designs copied after the prints by L. van der Cruycen, "Nouveau Livre de Desseins..." (New Book of Designs...), published in Paris in 1770. The designs in this page are for an two drop earrings, a girandole earring, a small brooch, a ribbon brooch, and anacanthus leaf ornament, all of them characteristic of the style in vogue during the reign of Louis XVI in France, displaying a serendipitous flavor, with asymmetrical forms, "rocaille" and stylized natural motifs, and heavily decorated with flowers, ribbons and tassels, thus representing the taste of the Rococo style, which was fashionable in France and Europe during the eighteenth century. The elaborately carved forms presented in the designs were particularly sought after during the third quarter of the eighteenth century, and were to be accomplished by skilled artisans who would work out the decorations by hand. The first drop earring consists of a round pearl and a teardrop-shaped stone, both framed by two interlacing ribbons, which are joined together by a bowshape ribbon motif decorated with a small pearl in the middle. The second drop earring consists of a rosette with a pearl in the middle with a bowknot ribbon decorated with a small pearl from which a tear-drop motif, accomplished by ribbon-like strips possibly to be made out of metal, hangs. The unfinished design for a girandole earring contains a naturalistic motif with branches of leaves and a bird, with the rest of the design left incomplete, showing only the lines of a circle over the motif and three hanging teardrop shapes with circle that would create the guidelines for a complete design. Van der Cruycen uses this engraving to illustrate the proportions required for the design of girandole earrings, and his engraving is fully copied in this drawing. The small brooch consists of a small scrolling branch with leaves and two oranges, the ribbon brooch is made up of a ribbon that is tied to form a rosette, and the design for an acanthus leaf ornament, taken from the frame in Title Page of Van der Cruycen's album, consists of an oval-shaped motif created by scrolling acanthus leaves. The designs in this drawing are copies after plates number 6 and 7 of the album of engravings by Van der Cruycen. Plate no. 6 has the design on the left and plate no. 7 the design on the right.
Mirror
Object type: mirror
Date: 600 – 501
Materials: bronze
Culture: greek, cypriot
Toru, from the series "One Hundred No Dramas (Nogaku hyakuban)"
Object type: print
Date: 1898 – 1903
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Twee doggen en een groep keffers
Object type: book illustration
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: farm (building), dog
Inscriptions: collector's mark: Lugt 2228

De dog loopt samen met zijn zoon langs een groep keffers en negeert hen. Zijn zoon vraagt hem hoe hij de keffers verdraagt. Illustratie bij het verhaal 'De dog en zyn zoontje' uit 'Fabelen voor de Nederlandsche jeugd'.
Plate 12: Vendor of lamp and funnels
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: simon guillain ii
Artist role: artist
Artist nationality: french
Artist dates: 1618 – 1718
Man poserend in een wit kostuum aan boord van een schip
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous

Onderdeel van familiealbum Nederlands-Indië.
Miss Debay, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Biddende vrouw
Object type: print
Date: 1773 – 1840
Materials: paper
Techniques: etching, intaglio
Location: germany
Artist: amalie baader
Artist role: print maker
Artist dates: 1763 – 1840
Subjects: one person praying
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
No. 1: Liu Bei (Sono ichi: Ryubi), from the series "Three Heroes of Shu (Shoku sanketsu)"
Object type: print
Date: 1824 – 1824
Techniques: woodblock print, surimono
Location: japan
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Menat counterpoise with figures of Hathor as a woman and a cow
Object type: menat, hathor
Date: 1390 – 1352
Materials: alloy
Location: egypt
Subjects: hathor,cows

The menat is a ritual necklace, which consists of multiple strings of beads attached to a counterweight, also called a menat, shaped like a pendulum. The necklace could be worn by the goddess Hathor or by others associated with her, or her priestesses and eventually elite women could hold the counterweight in the hand to shake the beads to produce a rattling sound soothing to the goddess. The counterweight alone was a magical symbol of the goddess Hathor, and in the New Kingdom small menats were dedicated to the goddess by those visiting her sanctuaries. This fine openwork example includes three representations of the goddess, fully detailed on both sides: the goddess’s head at the top of the menat underscores the identity of the menat as a fetish of the goddess Hathor, a full anthropomorphic figure of the goddess appears inside the central frame, and a third figure of the goddess in her cow form moves through the papyrus marshes in a light reed boat. The features of the goddess head at the top allow it to be assigned to the reign of Amenhotep III. As a symbol of the goddess, the menat brought fertility, fostered the newly born and rebirth in the afterlife.
Document Sealing With Multiple Seal Impressions
Object type: sealing, nebmaatre, amenhotep iii, bee
Date: 1390 – 1352
Materials: mud
Location: egypt
Prijspenning van de Nederlandsche Schutterij Kaderbond, 1894, behaald door de afdeling Amsterdam
Object type: draagpenning
Date: 1894 – 1894
Materials: silver, textile
Artist: Anonymous

Zilveren draagpenning met knop, ring en lint
Gezicht op kaap Sint Augustijn, ca. 1636-1644
Object type: print
Date: 1645 – 1647
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: earl, johan maurits graaf van nassau-siegen

Kaart van kaap Sint Augustijn (Cabo de Santo Agostinho) met de daargelegen forten, in Pernambuco, ca. 1636-1644. In de lucht een gevleugelde banderol met de titel. In het onderschrift de verklaring van de letters A-I in het Latijn. Plaat [nr. 37] in een serie van 55 voorstellingen van de tocht naar en het verblijf in Brazilië van graaf Johan Maurits van Nassau in de jaren 1636-1644.
River Landscape in Autumn
Object type: handscroll
Materials: ink, paper
Culture: chinese
Artist: luo mu
Artist role: artist
Artist nationality: chinese
Artist dates: 1622 – 1706
Subjects: rivers,mountains,landscapes
Game piece
Object type: game piece
Date: 801 – 1900
Materials: glass
Location: egypt
Paulus voor Felix
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Subjects: paul is brought to caesarea by soldiers with a letter to felix, the governor, devil(s) and demons
Inscriptions: collector's mark: Lugt 2228

Tekst in het Engels op de verscheurde brief en in de ondermarge. De apostel Paulus staat op een kruk voor het gerecht van Caesarea en richt zich tot Felix de gouverneur en procurator van Judea. Zijn vrouw Drusilla zit naast hem. De man links verscheurt een brief die aan Felix overhandigd had moeten worden ten behoeve van het lot van Paulus. De magistraten knijpen hun neus dicht.
Art - Goût - Beauté, Feuillets de l' élégance féminine, Novembre 1928, No. 99, 9e Année, p. 15
Object type: fashion print
Date: 1928 – 1928
Materials: paper
Techniques: printing, photography
Subjects: fashion plates, dress, gown (+ women's clothes)
Inscriptions: caption: ‘DOUCE CHOSE. - Crêpe Iris A.G.B. Bernard et Cie. / Crêpe Satin. Lucien Lelong. / COUP DE CLOCHE. - Crêpe satin Milbourg A.G.B. Martial et Armand.’

Links: jurk van crêpe Iris, A.G.B., van Bernard et Cie. Midden: jurk van 'crêpe satin', van Lucien Lelong. Rechts: jurk van 'crêpe satin' Milbourg A.G.B., van Martial et Armand. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Landschap met boom
Object type: sketchbook leaf
Date: 1806 – 1874
Materials: chalk, paper
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: landscapes
Inscriptions: date: ‘12 juni’

Blad 25 recto uit een schetsboek met 27 losse bladen.
Desk set with inkwell and pounce pot
Object type: desk set
Date: 1765 – 1765
Materials: copper, enamel
Overdekte straat met figuren
Object type: sketchbook leaf
Date: 1923 – 1923
Materials: paper, pencil
Location: morocco
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: street (+ city(-scape) with figures, staffage)

Pagina 125 uit een schetsboek met 66 bladen.
Design for an armorial stained glass window
Object type: drawing
Date: 1832 – 1832
Materials: graphite, ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: coat of arms
Staand koppel
Object type: drawing
Date: 1891 – 1941
Materials: paper, pencil
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: couple of lovers
Inscriptions: collector's mark: Lugt 2228
Glass jug
Object type: jug
Date: 1 – 100
Materials: glass
Culture: roman
Pilatus wast zijn handen in onschuld
Object type: print
Date: 1552 – 1552
Materials: paper
Techniques: woodcut
Location: nuremberg
Subjects: pilate washing his hands (in innocence)
Inscriptions: number: ‘181’

Gebruikt voor verschillende publicaties die werden gedrukt door Valentin Geißler tussen 1552 en 1560 te Neurenberg.
Portret van Regina Charlotta Loescher
Object type: print
Date: 1710 – 1733
Materials: paper
Techniques: engraving
Location: leipzig
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
Portret van James Low
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: etching, engraving
Location: middelburg
Artist: george kockers
Artist role: goldsmith, print maker
Subjects: rotterdam
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve naar rechts in een ovaal van de Engelsman James Low, predikant in onder andere Vlissingen, Middelburg en Rotterdam. Low is gekleed in ambtsgewaad en draagt een bef.
Portret van Friedrich von Motz
Object type: book illustration
Date: 1840 – 1855
Materials: paper
Techniques: stippling
Location: hildburghausen
Artist: johann conrad krüger
Artist role: artist, painter, print maker
Artist dates: 1733 – 1791
Subjects: knighthood order: teutonic order - insignia of a knighthood order, e.g.: badge, chain (with name of order), knighthood order (red eagle order), historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Prent uit: Meyer, Joseph. Das Grosse Conversations-Lexikon für die gebildeten Stände. Hildburghausen: Bibliographisches Institut, [1840-1855].
Voorzichtigheid (Prudentia)
Object type: print
Date: 1601 – 1652
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues

De gepersonifieerde Voorzichtigheid; een vrouwenfiguur met twee slangen in haar hand en een tweede gezicht op haar achterhoofd.