deem-data/ArtiFact huggingface dataset:
Plate XXI. Dulsie Bridge
Object type: text sheet
Date: 1801 – 1801
Materials: paper
Techniques: letterpress printing
Location: london
Artist: william miller
Artist role: bookseller, printer, publisher
Artist dates: 1769 – 1844
Subjects: schotland
Inscriptions: collector's mark: Lugt 2228

Tekstblad gebruikt in: Scotia Depicta; or the antiquities, castles, public buildings, noblemen (...). Londen: William Miller, 1801.
Portret van een man in het uniform van de Great Northern Railway
Object type: cabinet photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: nottingham
Subjects: railway-traffic, adult man
Inscriptions: name: ‘Phillips & Freckleton Chapel Ba[...] Nottingh[...]’, inscription: ‘Phillips & Freckleton photographers Chapel Bar Nottingham’
Untitled (Statue of Woman Reclining Atop a Sarcophagus)
Object type: photograph
Date: 1857 – 1857
Techniques: albumen print, photography
Location: scotland
Artist: robert macpherson
Artist role: artist
Artist nationality: scottish
Artist dates: 1811 – 1872
Subjects: collected by hugh edwards
Terracotta jug with relief ornament
Object type: jug
Date: 2500 – 1900
Materials: terracotta
Culture: cypriot

One-handled with relief ornament.
Oyster Plate
Object type: ceramic
Materials: enamel, porcelain
Techniques: gilding
Location: limoges
Artist: theodore russell davis
Artist nationality: american
Artist dates: 1840 – 1894
Subjects: oysters, dining, tableware
Inscriptions: Bottom marked: stamped in orange ink: "ABRIQUE PAR / HAVILAND & Co. / d'apres les dessins / DE" / black ink: "Theo: R. Davis" [script, underscored]; stamped in blue ink: "DESIGN PATENTED / AUGUST 10th 1880";  marked, light black ink: "H&Co." [double underscored].
Portret van de schilder Artus Wolfaerts
Object type: print
Date: 1616 – 1641
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: cornelis galle (i)
Artist role: print maker
Artist dates: 1576 – 1650
Subjects: antwerp, painter, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240
Toy Cart
Object type: cart
Date: 100 – 100
Materials: terracotta
Culture: indian
Subjects: shunga,carts,toys
Hoeve La Haye-Sainte
Object type: print
Date: 1820 – 1850
Materials: paper
Techniques: lithograph
Location: brussels
Artist: jean baptiste ambroise marcellin jobard
Artist role: print maker, publisher
Artist dates: 1792 – 1861
Subjects: landscape with monument, waterloo
Inscriptions: collector's mark: Lugt 2228

Gezicht op een weg langs het slagveld met de hoeve La Haye-Sainte en in de verte la Belle Alliance. Op de voorgropnd is op de weg een rijtuig gestopt zodat de passagiers de monumenten kunnen bezichtigen. Links het monument voor de gevallen Hannoveraanse militairen, rechts het monument voor kolonel Alexander Gordon. Rechtsboven genummerd: 12.
Netsuke of Demon
Object type: netsuke
Date: 1701 – 1800
Materials: wood
Culture: japanese
Subjects: demons
Handtekening van Hendrik Casimir II
Object type: document
Date: 1650 – 1700
Materials: ink, paper
Techniques: writing
Artist: hendrik casimir ii graaf van nassau-dietz
Artist role: stadhouder
Artist dates: 1657 – 1696
Subjects: the hague, hendrik casimir ii graaf van nassau-dietz

Handtekening in bruine inkt (van Hendrik Casimir II) op uitgeknipt blaadje papier. Gesigneerd: Fùrst zu Nassau.
Head and neck from a marble figure
Object type: head of a woman
Date: 2700 – 2500
Materials: marble
Culture: cycladic
Subjects: human figures,heads
Leeuwerik (Alaudidae)
Object type: drawing
Date: 1596 – 1610
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Subjects: song-birds: lark

Leeuwerik. Genummerd rechtsboven: 1. Onderdeel van het tweede album met tekeningen van vogels. Vierde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Man Carrying a Barrel of Wine, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 36
Object type: print
Date: 1660 – 1660
Techniques: etching
Artist: giuseppe maria mitelli
Artist role: artist
Artist nationality: italian
Artist dates: 1634 – 1718

This print is from a series of 41 plates depicting Bolognese professions. This print is from the unnumbered first state published by Giovanni Giacomo De Rossi (Bertarelli).
Vase with cover (part of a garniture)
Object type: vase with cover
Date: 1765 – 1770
Materials: soft paste porcelain
Artist: bow porcelain factory
Artist role: factory
Artist nationality: british
Artist dates: 1747 – 1776
Subjects: birds,flowers
Strook kloskant met gespleten tak en tulp
Object type: strip
Date: 1750 – 1750
Materials: linen
Techniques: lace
Location: southern netherlands
Artist: Anonymous

Strook naturelkleurige kloskant, Binche-kant. Op een traliegrond, een vijfgaatjesgrond, staat een met gevederde bladeren bezette spiraaltak. Een grote tulp, waarin een gespleten tak met twee bloempjes en een kleine druiventros wisselen elkaar af. De motieven zijn gemaakt in linnenslag en netslag met opengewerkte randjes. Als siergrond is spaarzaam een sneeuwvlokkengrond toegepast. Boven- en onderzijde van de strook zijn recht afgewerkt, waarbij de onderzijde is voorzien van picots.
Judith and Holofernes Dining
Object type: print
Date: 1526 – 1536
Techniques: engraving
Artist: georg pencz
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: holofernes,judith,dining
Miniature covered jar
Object type: jar
Date: 601 – 800
Materials: earthenware, glaze
Culture: chinese
Ichikawa Danjuro V in a Shibaraku Performance from the Play Mutsu no Hana no kata age
Object type: woodblock print
Date: 1786 – 1786
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Subjects: performance,theatre,men,actors
Tweehonderdjarig bestaan van het Amsterdams stadsschouwtoneel
Object type: history medal
Date: 1838 – 1838
Materials: silver
Techniques: striking
Location: utrecht
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: amsterdam

Zilveren penning. Voorzijde: opschrift boven bijenkorf, waaruit twee egelantiertakken spruiten, onderwapenschild aan lint binnen omschrift. Keerzijde: opschrift binnen omschrift
Reliëf met attributen van Cybele voor op piëdestal in de oostelijke galerij van het Stadhuis op de Dam
Object type: book illustration
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: 'cornucopia', horn of plenty, fruits and vegetables ~ ornament, agricultural implements, attributes of cybele
Inscriptions: collector's mark: Lugt 195

Prent gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Artus Quellinus (I), 1655.

Zie RP-P-AO-22-1-1 voor bijhorende titelpagina.
Zie RP-P-AO-22-1-2 voor bijhorend register.
Zie RP-P-AO-22-1A, RP-P-AO-22-1B, RP-P-AO-22-1C, RP-P-AO-22-1D-1, RP-P-AO-22-1D-2, RP-P-AO-22-1E, RP-P-AO-22-1F, RP-P-AO-22-1G, RP-P-AO-22-1H, RP-P-AO-22-1I, RP-P-AO-22-1K-1, RP-P-AO-22-1K-2, RP-P-AO-22-1K-3, RP-P-AO-22-1K-4, RP-P-AO-22-1K-5, RP-P-AO-22-1L-1, RP-P-AO-22-1L-2, RP-P-AO-22-1M-1, RP-P-AO-22-1M-2, RP-P-AO-22-1N-1, RP-P-AO-22-1N-2, RP-P-AO-22-1N-3, RP-P-AO-22-1N-4, RP-P-AO-22-1N-5, RP-P-AO-22-1O-1, RP-P-AO-22-1O-2, RP-P-AO-22-1O-3, RP-P-AO-22-1O-4, RP-P-AO-22-1P-1, RP-P-AO-22-1P-2, RP-P-AO-22-1P-3, RP-P-AO-22-1P-4, RP-P-AO-22-1Q-1, RP-P-AO-22-1Q-2, RP-P-AO-22-1Q-3, RP-P-AO-22-1Q-4, RP-P-AO-22-1R-1, RP-P-AO-22-1R-2, RP-P-AO-22-1R-3, RP-P-AO-22-1R-4, RP-P-AO-22-1S-1, RP-P-AO-22-1S-2, RP-P-AO-22-1S-3, RP-P-AO-22-1S-4, RP-P-AO-22-1S-5, RP-P-AO-22-1T-1 en RP-P-AO-22-1T-2 voor andere prenten uit deze publicatie.

Zelfde staat van prent ook gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Frederik de Wit, 1665.
Latere staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).
Cosmetic Box (mayudzukuri-bako) with Pine, Bamboo, Plum, and Tokugawa Family Crest on Wood-Grain Ground
Object type: box
Date: 1701 – 1733
Materials: foil, gold, lacquer, silver, wood
Techniques: hiramakie, inlay, lacquer, maki-e
Culture: japanese
Subjects: flowers,trees

This two-tiered cosmetics box would have contained an inner tray with several smaller boxes—now missing—for items such as facial powder, combs, and mirrors. The lid's structure, typical of those found on eyebrow cosmetic boxes, is similar to the decorative paper wrappings for precious items. The exquisite maki-e (decoration in gold and/or silver sprinkled powder) decoration shows the "Three Friends of Winter"—pine, bamboo, and plum—a popular pattern of auspicious motifs that originated in China. The decoration, set on an elegant background in imitation of woodgrain, is executed with several types of gold and silver maki-e, decorative techniques such as metal inlay, line drawing, metal foil application, geometric metal foil cuttings, and several other time-consuming lacquer techniques. The metal fittings take the form of a pine. The background technique, the application of the relief gold powder sprinkling, and the very fine details are evidence that the wedding set to which this eyebrow cosmetics box belonged was ordered for the wealthiest and most powerful family of the Edo period: the shogun family. The crest of the Tokugawa family is depicted on the box.
Portret van Cornelis Pronk
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: etching
Location: haarlem
Subjects: amsterdam, painter, draughtsman, cornelis pronk, historical persons, tools, implements of painter, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Met vierregelig onderschrift in het Nederlands.
Design for a Monumental Candelabrum
Object type: drawing
Date: 1765 – 1765
Materials: ink
Techniques: brush, pen, wash
Artist: james byres
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1733 – 1817
Subjects: candelabra
Discussion of Buddhist Principles by Tettō Gikō
Object type: hanging scroll
Date: 1467 – 1500
Materials: ink, paper
Culture: japanese
Artist: ikkyū sōjun
Artist role: artist
Artist nationality: japanese
Artist dates: 1394 – 1481
De Vergooding der Roomsche Koningen en Keyzeren
Object type: book illustration
Date: 1686 – 1686
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ritual practices ~ roman religion, predatory birds: eagle, violent death by burning at the stake; pyre
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Aysma, Joannes. Het ryck der goden, onder den eenige waare God, 2 delen. Amsterdam: Timotheus ten Hoorn, 1686, dl. I, p. 173.
Terracotta fragment of a mastoid (drinking cup with narrow base) or a kyathos (cup-shaped ladle)
Object type: mastoid or kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Black glaze fragment with a bit of reserve
Beschrijving van de medaille op de gelukkige aankomst van koning Willem III bij Oranjepolder, 1691
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), medal (considered as a piece of sculpture, regardless of its specific function)

Blad met twee ruitvormige beschrijvingen van de beide zijden van de medaille op de gelukkige van de sloep met koning Willem III bij Oranjepolder in Zuid-Holland, 31 januari 1691.
Portret van de Augustijn Johannes Cools
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: monastic orders, monastic life ~ roman catholic church
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor: C. Curtius, Virorum illustrium ex ordine Eremitarum D. Augustini elogia , Antwerpen: J. Cnobbaert, 1636.
My Dove (Valentine)
Object type: drawing and watercolor
Date: 1850 – 1859
Materials: paper
Techniques: collage, cutting, embossing
Location: england
Artist: david mossman
Artist nationality: english
Artist dates: 1825 – 1901
Gezicht in een boerendeel
Object type: watercolor
Date: 1779 – 1858
Materials: paper, watercolor
Techniques: brush
Artist: hendrik van der burgh
Artist role: draughtsman, print maker
Artist dates: 1769 – 1858
Edge
Object type: textile
Date: 1801 – 1900
Materials: cotton
Techniques: embroidery, weave
Location: france
Lantern (one of a pair)
Object type: lantern
Date: 1723 – 1735
Materials: enamel, porcelain
Techniques: painting
Culture: chinese
Subjects: flowers
David Wijnkoop en de Russische beer
Object type: cartoon
Date: 1916 – 1925
Materials: ink, paper
Techniques: pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: personifications of countries, nations, states, districts, etc. (+ nation; national), political caricatures and satires
Inscriptions: inscription: ‘David - Sovjetruiter / David: O, zoo! ... maar gevaarlijk als ie begint te bokken.’

De Nederlandse communist David Wijnkoop, hoofdredacteur van het dagblad De Tribune, klimt op de Russische beer. Ontwerp voor een politieke spotprent.
Portret van koningin Wilhelmina met parasol in een tuin
Object type: album leaf
Date: 1898 – 1898
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, historical persons - bb - woman, queen, parasol, sunshade
Inscriptions: date: ‘16/7-1898’
Writing Box (Suzuribako) with Landscape Design
Object type: writing box
Date: 1801 – 1900
Materials: foil, gold, lacquer, silver
Techniques: maki-e
Culture: japanese
Subjects: birds,landscapes,trees
Bloemmotieven op een geel fond
Object type: drawing
Date: 1918 – 1918
Materials: paper, pencil
Techniques: brush
Artist: theo colenbrander
Artist role: draughtsman
Artist dates: 1841 – 1930
Subjects: unidentifiable plant forms ~ ornament
Inscriptions: date: ‘gereed 24 Juni 18’
Herinneringen aan Afrika
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228
Sacra cesarea Maesta
Object type: print
Date: 1668 – 1670
Materials: paper
Techniques: etching
Location: mantua
Subjects: vienna, leopold i (keizer van duitsland), opera, opera house
Inscriptions: collector's mark: Lugt 2166, inscription: ‘Inners des Operazaale bei den Vermalung des Kaizer Leopold I’

In het concertgebouw van Wenen wordt de opera 'Il Pomo d'Oro' opgevoerd voor het hof van Leopold I in Wenen ter ere van de verjaardag van de keizerin Margaretha Theresia van Spanje
(1668). De keizerlijke familie zit vooraan. Op de voorgrond een rij soldaten. De prent heeft een Italiaans onderschrift.
Schrijvende vrouw bij het raam
Object type: print
Date: 1838 – 1904
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: christoffel bisschop
Artist role: draughtsman, print maker
Artist dates: 1828 – 1904
Subjects: candlestick (+ extinguishing; extinguished light, lamp, candle), mirror, writing and letters, lute, and special forms of lute, e.g.: theorbo, plants and herbs: ivy

De vrouw heeft een ganzenveer in haar hand. Op de tafel voor haar staan een karaf, een kistje en schrijfgerei. In de gewelfde ruimte achter haar staan een kastje, een spiegel met een gedoofde kaars ervoor, een stoel en een luit. Bij het raam staat een pot met klimop. De vrouw draagt een muts met sleep en een met bont afgezette mantel.
The Actor Onoe Matsusuke I
Object type: print
Date: 1763 – 1763
Techniques: printmaking, woodblock print
Location: japan
Artist: torii kiyomitsu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1785
Brief aan jonkheer Hendrik Teding van Berkhout (1879-1969)
Object type: letter
Date: 1932 – 1932
Materials: cardboard, ink
Techniques: pen, writing
Artist: bertha van hasselt
Artist role: print maker
Artist dates: 1878 – 1932
Subjects: leiden, hendricus petrus bremmer, haarlem, amsterdam, jonkheer hendrik teding van berkhout (1879-1969), the graphic arts, historical persons (portraits and scenes from the life), money

De prenten onder gerelateerd object worden genoemd in de brief.
Baluster
Object type: baluster
Date: 1701 – 1750
Before the Black Sun of Melancholy, Lenore Appears, plate two from To Edgar Poe
Object type: print
Date: 1882 – 1882
Materials: paper, ink, ivory
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, seated woman to right, wearing a sakkos and himation facing a youth wearing a himation; in the field, in between them, a pair of sandals; Obverse, draped male to left; draped male with right arm extended, and shod feet; handle palmette with tendrils and lotus bud; Reverse, lower drapery and feet of male to right, with a stick; buttocks, legs, and feet of a draped figure to right, seated on a rock; toes of left foot and drapery of a figure to left
Le Combat des Sections d'Infantrie (The Battle of the Sections of Infantry), from "La Guerre d'Amour" (Guerra d'Amore) (War of Love)
Object type: print
Date: 1615 – 1615
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Kwitantie voor Carel Lodewijk Dake
Object type: ontvangstbewijs, kwitantie
Date: 1886 – 1886
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: carel lodewijk dake
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1918
Subjects: amsterdam, painter, print maker, draughtsman, carel lodewijk dake, money
Inscriptions: collector's mark: Lugt 2233
Oceaanhaven Belawan
Object type: photograph
Date: 1922 – 1922
Materials: photographic support
Techniques: gelatin silver print
Location: belawan
Artist: Anonymous
Subjects: harbour, building-site
Inscriptions: annotation: ‘No. 188 idem 187’, date: ‘17/8-22’

Het opspuiten van zand. Genummerd: 188. Onderdeel van de groep van losse foto's over de aanleg van de haven Belawan aan de kust voor Medan, Sumatra 1921-1922.
Clarence #521
Object type: drawing
Date: 1850 – 1870
Materials: ink
Techniques: hand coloring, lithograph
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Design for the decoration of a ceiling
Object type: drawing
Date: 1851 – 1900
Materials: ink, watercolor, paper
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ceilings
Wandindelingen
Object type: print
Date: 1748 – 1753
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: rocaille ornament, panelling, open hearth, fire-place
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Wandindeling met een schouw en drie panelen met rocaille omlijstingen. De twee panelen links en rechts met pastorale scènes zijn voor de helft zichtbaar. Uitgeversnummer 137.
Copy of Le Jeu de Paume sur la Place Sainte-Croix, a Florence (The Tennis Game at the Piazza Santa Croce, in Florence), from "Les Caprices"
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Portret van Johann Georg von Schmidt auf Altenstadt
Object type: print
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: sphinx (lion/woman); 'sfinge' (ripa), (story of) mercury (hermes), historical persons, piece of sculpture, reproduction of a piece of sculpture, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Voorgevel van de schouwburg aan het Leidseplein te Amsterdam, 1774
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: theatre (building), amsterdam
Inscriptions: date

Prent uit: Witte, Jacob Eduard de. Afbeeldingen van den schouwburg te Amsterdam. Amsterdam: Johannes Smit, 1774.