deem-data/ArtiFact huggingface dataset:
Journal la Parisienne, juli 1878, No. 353, Pl. 90 : Toilettes de Madam (...)
Object type: fashion print
Date: 1878 – 1878
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: ear-rings (+ women's clothes), walking-stick, staff, cane (+ women's clothes), sports, etc. on land (+ out of doors (sports, games, etc.)), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), race-track, parasol, sunshade (+ women's clothes)
Inscriptions: title: ‘Journal la Parisienne’, address: ‘Rue des Filles S.t Thomas. 5. Paris’, caption: ‘Toilettes de Madame Laferrière, rue Lafitte.’

Twee vrouwen bij een paardenrenbaan, gekleed in japonnen. de linkervrouw draagt een lichtblauwe japon met sleep, lijfje en rok versierd met kant en donkerblauwe strikken. En een hoed met striklinten en versierd met bloemen. De rechtervrouw draagt een roze-wit gestreepte japon gegarneerd met breed band met zig-zag motief. In de hand een wandelstok, die ook als parasol kan worden gebruikt. Volgens het onderschrift zijn de japonnen van Madame Laferrière. Prent uit het modetijdschrift Journal la Parisienne (1868?-1880).
Piazza San Marco
Object type: painting
Materials: canvas, oil
Artist: canaletto
Artist role: artist
Artist nationality: italian
Artist dates: 1697 – 1768
Subjects: towers,cities,venice

The most famous view painter of eighteenth-century Venice, Canaletto was particularly popular with British visitors. This wonderfully fresh canvas depicts the city’s most emblematic location, the Piazza San Marco. Canaletto reduced the number of windows in the bell tower and extended the height of the flagstaffs, but otherwise he took few liberties. In fact, his meticulous documentation of a stage in the square’s paving between 1725 and 1727 helps date this painting.
Belated
Object type: print
Date: 1901 – 1901
Materials: paper
Techniques: woodcut
Location: united states
Artist: helen hyde
Artist nationality: american
Artist dates: 1868 – 1919
Drie apostelen Jakobus de Meerdere, Tomas en Jakobus de Mindere
Object type: print
Date: 1568 – 1568
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the apostle thomas; possible attributes: book, chalice, girdle, heart, lance or spear, scroll, square, stones, the apostle james the less, first bishop of jerusalem; possible attributes: book, fuller's club, scroll, the apostle james the great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword, the twelve apostles (as a group), usually with books or scrolls (not in biblical context) - ii - the apostles with matthias instead of judas iscariot
Inscriptions: collector's mark: Lugt 2228

De apostelen Jakobus de Meerdere, Tomas en Jakobus de Mindere met om hun hoofd een stralenkrans, gezeten tussen de wolken met hun attributen, respectievelijk staf, speer en knuppel. Onder elke apostel een deel van de Symbolum Apostolicum, de apostolische geloofsbelijdenis in het Latijn.
Screen and Lady's Work-Box
Object type: woodblock print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: peacocks,screens
Livre de Moresques, page 4 (recto)
Object type: book print ornament architecture
Date: 1546 – 1546
Techniques: woodcut
Location: france
Artist: francesco di pellegrino
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1552

This book of moresques reproduces designs by the Italian artist Francesco Pellegrino, first published in book form by the artist in Paris in 1530 under the title La Fleur de la Science de Pourtraicture. It is considered the first elaborate publication to introduce the exotic designs in Western Europe, although the ornament was known already through the import of textiles and other objects from the Near East. The publication of the ornament in books and prints immensely increased the interest of native artist and it soon became highly fashionable. Pellegrino’s designs were reordered and presented in compressed form in the Livre de Moresque, which appears to have been published first by Cornelis Bos in Antwerp in 1543. Gormont subsequently published the book in Paris in 1546, possibly with the consent of Bos, whom had spent some time in Paris after his expulsion from Antwerp in 1544, and had settled in Germany (Nuremberg) by 1546.
Portret van Jan Jacob Rochussen
Object type: print
Date: 1823 – 1853
Materials: paper
Techniques: etching, roulette
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: etten-leur, tweede kamerlid, gouverneur-generaal, minister van staat, minister van koloniën, jan jacob rochussen
Inscriptions: inscription: ‘J.J. Rochussen’, collector's mark: Lugt 12

Portretbuste naar links van de politicus Jan Jacob Rochussen in galakleding.
Reproductie van een tekening van Assepoester die haar glazen muiltje verliest op het bal
Object type: photomechanical print
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: tales and fairy tales (with title)
Inscriptions: inscription: ‘No. 9./ Klokslag twaalf uur, Asschepoester verliest haar glazen muiltje.’

Deze prent maakt deel uit van een album.
Expulsion from Paradise
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: carbon print
A drunken man with a bottle at his side in a field
Object type: print
Date: 1880 – 1910
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: drunkenness,men
Mace
Object type: mace
Date: 1701 – 1900
Materials: copper, steel, wood
Culture: chinese
Location: china
Cicero overhandigt een boek aan een bode
Object type: print
Date: 1514 – 1531
Materials: paper
Techniques: letterpress printing
Subjects: (story of) cicero

Deze prent is gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
Schaatsende mensen op het ijs
Object type: photograph
Date: 1888 – 1888
Materials: paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912

Schaatsende mensen op het ijs bij ijsclub Utrecht. Met onderschrift: IJsclub Utrecht.
Ruïnes bij een dorp
Object type: print
Date: 1809 – 1899
Materials: paper
Techniques: lithograph
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2233, inscription: ‘Eerste proeven van lithografie in Nederland 1817’

De vroegst bekende proeven van lithografieën die werden ingediend bij de Koning ten behoeven van octrooi stammen uit 1809 en werden ingediend door Ludwig Plattner (1767-1842). Zie hiervoor: Marres-Schretlen, 1998.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, lower drapery of a male with a stick; lower back, right buttock and part of thigh of male to right
Portretten van Anna van Hannover, Willem V, prins van Oranje-Nassau, en Carolina, prinses van Oranje-Nassau
Object type: print
Date: 1751 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: william v (prince of orange), carolina (prinses van oranje-nassau), anna van hannover

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Glass bowl
Object type: bowl
Date: 34 – 33
Materials: glass
Culture: roman

Translucent blue. Rounded, slightly flaring vertical rim; sides tapering downward, then curved in to slightly concave bottom. Intact, but one internal crack across bottom; some pinprick bubbles; dulling and iridescence, patches of white and creamy brown weathering.
Woman Reading
Object type: print
Date: 1634 – 1634
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Panel
Object type: textile
Date: 1801 – 1900
Location: russia
Mirror with moon goddess and rabbit
Object type: mirror
Date: 701 – 900
Materials: bronze
Culture: chinese
Subjects: rabbits,goddess

Depicted on the back of this mirror is the goddess Chang’e who, according to Chinese folklore, flees to the moon after stealing the elixir of immortality from her husband, the brave warrior Hou Yi, who saved the earth by shooting down nine of the ten scorching suns. She resides on the moon with a toad and a rabbit who uses a pestle and mortar to grind the magical ingredients of the elixir.
Photographieën
Object type: stereograph
Date: 1910 – 1910
Materials: cardboard, paper
Techniques: gelatin silver print
Location: madura
Artist: frits freerks fontein fz.
Artist role: fotograaf
Artist dates: 1882 – 1928
Inscriptions: caption: ‘Batoewan bij Soemenep 1910’
River Scene
Object type: drawing
Date: 1645 – 1699
Materials: chalk, pencil
Artist: abraham rutgers
Artist role: artist
Artist nationality: dutch
Artist dates: 1632 – 1699
Subjects: houses,rivers,trees,boats
Portrait of a Man
Object type: painting
Date: 1481 – 1482
Materials: paint, wood
Artist: cosimo rosselli
Artist role: artist
Artist nationality: italian
Artist dates: 1440 – 1507
Subjects: men,portraits
Miniature tumbler cup
Object type: tumbler cup
Date: 1688 – 1689
Materials: silver
Artist: g. h.
Artist role: maker
Het opladen van een reiswagen
Object type: drawing
Date: 1827 – 1892
Materials: paper, pencil
Techniques: brush
Artist: everhardus koster
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1892
Subjects: preparations ~ travelling, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach
Trofee van Octavianus Augustus
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228

Een trofee van Octavianus Augustus. Een gebeeldhouwd reliëf met een vrouwelijke figuur omgeven door harnas en schilden. Titel en tekst in ondermarge.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: copper, iron
Culture: japanese
Location: japan
Subjects: leaves
White
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: flowers,tea ceremony
Vise
Object type: vise
Date: 1701 – 1733
Materials: steel
Snuff bottle
Object type: snuff bottle
Date: 1801 – 1900
Materials: jade
Culture: chinese
Interieur van de uitgebrande Hervormde Kerk te Haastrecht
Object type: photograph
Date: 1896 – 1900
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: haastrecht
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: interior of church
Inscriptions: annotation: ‘Het inwendige van de in Dec. 1896 uitgebrande Kerk der Ned. Herv. gem./ Haastrecht’, annotation: ‘Haastrecht (Z.H.)/ 't inwendige van de in Dec 1896 uitgebrande kerk der Ned Herv gem.’
Bread Stamp
Object type: stamp
Date: 500 – 900
Materials: ceramic
Techniques: firing
Culture: byzantine

When pressed into a loaf of uncooked bread, the stamp would have left the mark “Jesus Christ Victorious.” Bread identified by such stamps was used for the consecrated bread in the Divine Liturgy (Eucharist).
Landaulet #185
Object type: drawing
Date: 1850 – 1870
Materials: graphite, ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gildepenning van het Smedengilde te Utrecht.
Object type: medal
Date: 1642 – 1642
Materials: copper
Techniques: striking
Location: utrecht
Artist: Anonymous
Subjects: utrecht

Koperen penning. Voorzijde: gekroonde voorslaghamer tussen letters V en R en jaartal. Keerzijde: opschrift onder wapenschild
Fotoalbum (leeg)
Object type: photograph album
Date: 1860 – 1900
Materials: cardboard, leather, metal, paper
Techniques: color on snow
Artist: Anonymous
Inscriptions: collector's mark: ‘DIENST/ VERSPREIDE/ RIJKSKOLLEKTIES/ (...) A 891’

Fotoalbum met dertig pagina's met op iedere pagina naast elkaar twee met gepreegde rand omkaderde passe-partouts voor cartes-de-visite.
Censer in Form of a Sparrow Atop a Rice Rick
Object type: censer
Date: 1700 – 1700
Materials: glaze, stoneware
Culture: japanese
Subjects: birds,censers
Verschillende voorstellingen
Object type: popular print
Date: 1862 – 1882
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: man and animal (+ animal(s) attacking), kitchen, tales and fairy tales, tales and fairy tales (with title)
Inscriptions: collector's mark: Lugt 2760

Blad met 11 afbeeldingen van verschillende onderwerpen, bedoeld om uit te knippen en in te kleuren. Weergegeven zijn onder meer een moeder en kind op een sofa, vier taferelen van Blauwbaard, een jongen die vlucht voor een ezel en een kind bij een keukenkast met borden. Genummerd rechtsboven: No. 8.
Zakdoek van batist waarop borduurwerk met een man die achter zijn paard aan rent
Object type: womenswear
Date: 1850 – 1850
Materials: linen
Techniques: lace, embroidered, weave, embroidery
Location: england
Artist: Anonymous

Zakdoek van naturelkleurige batist met borduurwerk - witwerk - en rondom een rand kloskant: Valenciennes-kant. Vierkant model met afgeronde hoeken door de strook kant die bij de hoeken geplooid is aangezet. Het batist is langs elke zijde in het midden geborduurd met palmetbladeren omringd door sterk krullende ijle ranken en aan beide zijden geflankeerd door een langerekt golvend lint. In elk van twee tegenover elkaar liggende hoeken is een vergelijkbaar gebouwtje geborduurd: een gloriette met pilaren, een trap en hoge deuren. In de andere twee hoeken zijn tafereeltjes geborduurd met mensen, dieren en bomen. In de ene hoek vliegt een papegaai. De vogel kijkt naar een herderin met haar koe, schaap en geit. In de andere hoek rent een man met zijn twee honden achter een gezadeld paard aan. Hij houdt één hand op zijn billen. De rand kloskant heeft een zich herhalend patroon dat bestaat uit een pluimbloem aan een steel met drie bladeren. Langs de onderzijde ligt een aaneenschakeling van drie verschillende soorten bloemen, waarvan de gebogen stelen de schulpenrand vormen. De motieven zijn gemaakt in linnenslag met opengewerkte randjes en fijne uitsparingen. Ze zijn met elkaar verbonden door een traliegrond: een vierkante Valenciennes-grond. De schulpenrand is afgewerkt met picots.
Box
Object type: box
Date: 601 – 700
Materials: wood
Techniques: carving
Location: egypt
Shepherd
Object type: figure
Date: 1775 – 1780
Materials: hard paste porcelain
Artist: zurich pottery and porcelain factory
Artist role: factory
Artist nationality: swiss
Artist dates: 1763 – 9999
Subjects: men,shepherds
Terracotta plaque
Object type: relief of phrixos
Date: 450 – 450
Materials: terracotta
Culture: greek, melian
Subjects: men,rams

Phrixos carried over the sea by a ram Phrixos and his sister, Helle, were threatened with death by their stepmother, the wife of King Athamas who ruled part of Thessaly. They escaped thanks to a ram with a golden fleece. It was carrying them to Kolchis, the region east of the Black Sea, when Helle drowned in the straits connecting the Sea of Marmara with the Aegean Sea; the straits became known as the Hellespont. This fine relief plaque shows Phrixos alongside the ram and holding its horns, as fish cavort in the sea below.
Interieur van de Sint Olofskapel te Amsterdam
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: interior of church
Inscriptions: collector's mark: ‘32-11’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Oudezijds Kapel.
The Entombment (from Scenes from the Passion of Christ)
Object type: relief
Date: 1501 – 1533
Materials: stone
Culture: french
Location: france
Subjects: christ,mary magdalene,virgin mary,entombment
Sampler
Object type: textile
Date: 1801 – 1900
Materials: linen, silk, wool
Techniques: embroidery
Location: germany
Portret van Karel III, hertog van Bourbon
Object type: book illustration
Date: 1776 – 1776
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: armour, historical persons, hacking and thrusting weapons: sword

Prent uit: Desormeaux, Joseph-Louis-Ripault. Histoire de la Maison de Bourbon. Parijs: Imprimerie Royale, 1776, dl. 2.
Portraits of Surinamese Girls
Object type: painting, miniature
Date: 1805 – 1805
Materials: ivory, metal, paint, wood
Techniques: gilding
Location: suriname
Artist: Anonymous
Subjects: historical persons - bb - woman, suriname

We may not know the identities of these women, but their status is apparent from their clothing, jewellery, and the existence of portraits depicting them. They must have been free women who held positions in Surinamese society. One of them wears a white-cotton angisa, a headscarf folded in a special way. It was worn by enslaved women as well as free women of colour.
Terracotta statuette of a female votary carrying a hydria
Object type: statuette of a female votary carrying a hydria
Date: 434 – 301
Materials: terracotta
Culture: cypriot
Subjects: women

The standing female figurine, carrying a hydria on her head, is mold-made and solid. The back is handmade, flat at the top, and concave from the level of the chest to the broken bottom edge.
Colossus Monarchicus Statua Danielis
Object type: print
Date: 1727 – 1782
Materials: paper
Techniques: etching, hand coloring
Location: augsburg
Subjects: daniel (not in biblical context); possible attributes: phrygian bonnet, lion(s), ram, chronology, history, mis-shapen animals; monsters
Inscriptions: collector's mark: Lugt 2228

Op het kolossale standbeeld van Daniël is een tijdlijn geschreven van de monarchieën. Het beeld is gemaakt van verschillende materialen die de tijdperken symboliseren: goud, zilver, brons etc.
Eaux Fortes Nouvelles
Object type: titelprent, frontispice
Date: 1878 – 1878
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: production of printed matter, book-production
Inscriptions: collector's mark: Lugt 2228, watermark, collector's mark: Lugt 2760, collector's mark: ‘AFE v S’
Bottle (gineva)
Object type: bottle
Date: 1701 – 1900
Materials: glass
Panel
Object type: textile
Date: 1711 – 1713
Materials: gilt, metal, silk
Techniques: bookbinding, brocade, interlacings, weave, silvered
Location: france
Children Seated on a Hillside with a Racquet
Object type: drawing
Date: 1801 – 1900
Materials: chalk, pastel
Artist: charles-emmanuel serret
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1900
Subjects: children,landscapes
Staande vrouw bij een baby in doopjurk
Object type: carte de visite
Date: 1803 – 1861
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, historical persons, infant, baby
Inscriptions: date: ‘Marzo '61’, inscription: ‘A.L. B.te S.C.D.G.’
De geschiedenis van Jakob en Esau
Object type: print
Materials: paper
Techniques: engraving
Location: unknown
Subjects: ornament ~ cartouche, cradle, crib, birth of the twins: jacob clutches esau's heel
Inscriptions: caption: ‘Esau vendit ius primogenitorum rubro pulte jacob fratri suo.’, collector's mark: Lugt 2228

Ornament voor een schotelrand. Bovenste helft: Jakob en Esau zitten voor een huis op de grond. Esau eet zijn bord linzensoep, waarmee hij zijn eerstgeboorterecht aan zijn broer Jakob verkoopt. Onderschrift in Latijn in cartouche.
The Skiff near the Pierced Rock
Object type: print
Date: 1621 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: human figures,landscapes,boats
Landschap met tropische vegetatie als palmen
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, paper
Techniques: gelatin silver print
Artist: Anonymous
Frieze with Children Supporting the Bust of an Emperor Surrounded by Foliate Scrolls
Object type: print ornament architecture
Date: 1539 – 1539
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: men,putti

Ornamental design with a central medallion containing a crowned, right-facing emperor. The medallion is supported and flanked by two putti with fruit and flower-bearing scrolls on the left and right ends of the band.
Saint John on Patmos
Object type: print
Date: 1470 – 1491
Techniques: engraving
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Subjects: birds,trees,madonna and child,saints
Drie soldaten te paard met getrokken pistool
Object type: sketchbook leaf
Date: 1874 – 1876
Materials: paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: division of armed forces (+ during the battle), division of armed forces (+ cavalry, horsemen), firearms
Inscriptions: signature: ‘G.H. Breitner’, workshop stamp: Lugt 291d
Portrait of a Lady
Object type: painting, miniature
Date: 1810 – 1810
Materials: ivory, watercolor
Culture: american
Subjects: portraits,women
Decorated ware bowl illustratiing spirals
Object type: bowl, spiral
Date: 3850 – 2960
Materials: paint, pottery
Location: egypt
Town Hall, Calcutta
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: buildings,cities,carriages
The Entombment, plate fourteen from Stations of the Cross
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804