deem-data/ArtiFact huggingface dataset:
Strange Devotion!, plate 66 from The Disasters of War
Object type: print
Materials: gilt, paper
Techniques: aquatint, burnishing, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: war

By depicting a skeleton in a glass coffin, possibly a reference to the Snow White fairy tale, Goya questioned the continued relevance of relics in the Roman Catholic faith. While the bowed heads of onlookers suggest that the box contains the body of an important saint, the donkey carrying it is one of Goya’s favorite embodiments of folly, underscoring the artist’s satirical intent.
Theater van schilderijen uit de collectie van Leopold Willem van Oostenrijk
Object type: titelprent, frontispice
Date: 1658 – 1658
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: vienna, leopold willem van oostenrijk (landvoogd der zuidelijke nederlanden), minerva as patroness, historical persons, art collector, coin, palette, picture, painting, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Stichtte het Museum te Brussel. Broeder van Keiz. Ferdinand III. 1614-1662’

Portret van Leopold Willem, aartshertog van Oostenrijk en landvoogd van de Zuidelijke Nederlanden, in een ovale lijst met zijn motto, op een pedestal met een opdracht aan hem in het Latijn, en daaronder een zesregelig lofdicht in het Latijn. Naast zijn portret staat Minerva als beschermster van de kunsten. Naast het pedestal schilderijen uit de collectie van Leopold Willem. Linksonder een verzameling munten, een boek met tekeningen en een muziekboek. Op de achtergrond een klassiek gebouw met mannenbusten. Midden onder genummerd: 1.
Spotprent op de ministers Rochussen en Van Hall, 1860
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: amsterdam, the hague, floris adriaan van hall, ramming, driving piles (~ building activities)
Inscriptions: collector's mark: Lugt 2228

Spotprent op de ministers F.A. van Hall en J.J. Rochussen die van alle kanten onder druk staan. De koppen van de twee ministers op een heipaal gehamerd door een heitoestel van de Grondwet, Publieke Opinie en Verslagen / Spoorwegen / Slavernij. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 27, 7 juli 1860.
Judas tempted to the betrayal
Object type: page
Date: 1868 – 1873
Materials: photographic support
Techniques: albumen print
Location: oberammergau
Artist: joseph albert
Artist role: printer, publisher
Artist dates: 1825 – 1886
Subjects: group of actors, troupe; actors on the stage, judas goes out to the chief priests, betrays christ and receives the reward (matthew 26:14-16; mark 14:10-11; luke 22:4-6)
Inscriptions: number: ‘Royal Photograph 14.’
Linnen servet van damastweefsel met pellenpatroon (motief III), geen zomen
Object type: dwaal
Date: 1690 – 1710
Materials: linen
Artist: Anonymous

Servet, damastweefsel met pellenpatroon met randmotief (motief III), met twee zelfkanten geweven, geen zomen.
Portret van Johann Hyacinth Kistemaker
Object type: print
Date: 1801 – 1834
Materials: paper
Techniques: stippling
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Sampler
Object type: sampler
Date: 1800 – 1800
Materials: linen, silk
Subjects: fruit,peacocks,flowers,angels
Kylix (Drinking Cup)
Object type: vessel
Date: 540 – 530
Materials: terracotta
Culture: greek
Location: polis

This is an example of the most popular type of wine cup in ancient Greece, the kylix. Rising from a round foot and a thin stem, the cup flares out to a wide bowl with two handles on opposite sides. In the decorative band around the lip of this cup, a human figure in Grecian dress is depicted in the company of a lion.
Cup with floral scrolls and flower sprays
Object type: cup
Date: 1775 – 1790
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: clignancourt
Inscriptions: mark: ‘LSX’

Kop van porselein met een cilindrische wand en oor, beschilderd op het glazuur in blauw, rood, roze, groen, geel, paars en goud. Op de buitenwand enkele bloemtakken met daarboven twee elkaar kruisende bloemranken. Een decoratieve band op de rand. Stippen en bladmotieven op het oor. Gemerkt op de onderzijde met het monogram 'LSX'.
Memoirs of William West Medwin, with a few poems written by him
Object type: book
Date: 1882 – 1882
Materials: cardboard, leather, paper, photographic support
Techniques: albumen print, printing, marbled paper
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, and shoulders of filleted, bearded man
Twee schetsen van een zittende man
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: sitting figure
Inscriptions: collector's mark: Lugt 2228
S. Grégoire, taumaturge (St. Gregory, Thaumaturge), November 17th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Gelderse duit, 1783
Object type: duit
Date: 1783 – 1783
Materials: copper
Techniques: striking
Location: harderwijk

Koperen munt. Voorzijde: in drie regels D/GEL/RIAE, daaronder jaartal en muntmeesterteken. Keerzijde: gekroond Gelders wapenschild.
Typos da Quissama-mulher
Object type: photomechanical print
Date: 1876 – 1886
Materials: paper
Techniques: photograph
Location: quiçama
Subjects: anonymous historical person portrayed alone - bb - woman, necklace
Gezicht op Iona Abbey en St. Oran's chapel
Object type: photograph
Date: 1865 – 1875
Materials: photographic support
Techniques: albumen print
Location: iona
Artist: james valentine
Artist role: fotograaf
Artist dates: 1815 – 1880
Subjects: landscape with ruins, ruin of church, monastery, etc.
Inscriptions: inscription: ‘Iona cathedral, and St. Orans Chapel 779. J.V.’
Gezicht op de Nieuwezijds Voorburgwal
Object type: cabinet photograph
Date: 1881 – 1884
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: city-view in general; 'veduta', canal, townhall, the usual house or row of houses, street
Inscriptions: : ‘Boekhandel van / G.H.L. Winkelhagen / 7. Raamsteeg. 7. Amsterdam’, inscription: ‘Pijpenmarkt / voor de demping / neg. 13 x 18 : 303’, collector's mark: ‘14.59’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Verhulststraat (Johannes), Viaducten, Vierwindenstraat, Vinkenbuurt, Vinkenpad, Vinkenstraat, Vischsteeg, Vliegendesteeg, Voetboogstraat, Volewijk, Vondelstraat, Voorburgwal (N.Z.).
Telemachus Relates His Adventures to the Goddess Calypso, from The Adventures of Telemachus, Book 1
Object type: drawing and watercolor
Date: 1808 – 1808
Materials: board, chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: bartolomeo pinelli
Artist role: artist
Artist nationality: italian
Artist dates: 1781 – 1835

These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.
Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the hero’s search for his father. Fénelon invented further adventures for Telemachus, in which he undergoes many trials while accompanied by his tutor, Mentor, who is actually the goddess Minerva (the embodiment of wisdom) in human disguise. A scathing critique of autocratic government and a diatribe against war, the book denounces luxury and decadence and calls for the simplicity and equality Fénelon believed ancient Greece best exemplified.
Pinelli illustrated scenes from books 1–8 and one scene from book 18, and probably planned to illustrate more from the 24 books of the text. Throughout, he celebrates the heroic nude, displaying a deep knowledge of ancient Roman sculpture. His style, influenced by Jacques-Louis David and John Flaxman, is characterized by bold, almost cartoonish contours, monochromatic washes, and frieze-like arrangements of figures.

Shipwrecked after many adventures, Telemachus is washed ashore on the island of Calypso, where his father, Ulysses, had been held unwillingly for seven years and has only recently departed. As she had with Ulysses, Calypso develops a passion for Telemachus. In this scene, he relates his adventures to the goddess and her court of nymphs.
Portrait of a Gentleman
Object type: painting, miniature
Date: 1820 – 1835
Materials: ivory, watercolor
Culture: american
Artist: edward crowell potter
Artist role: artist
Artist nationality: american
Artist dates: 1777 – 1877
Subjects: men,portraits
Corset cover
Object type: corset cover
Date: 1860 – 1860
Materials: cotton
Culture: american
The Full Moon at the Time of the Imo Harvest
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: houses,children,moon,hills,trees
Portret van Joos de Damhouder
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving
Artist: pieter de jode (ii)
Artist role: draughtsman, print maker
Artist dates: 1606 – 1674
Subjects: bruges, antwerp, historical persons, counsellor, portrait of a writer
Design for a Door Frame, for 37 Tavistock Place, London
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: doors
Op een mand zittend kind met een peer in zijn hand
Object type: drawing
Date: 1700 – 1799
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: Anonymous

Naast het kind staat een tweede mand met fruit.
Doopplechtigheid van Willem, Erf-prins van Oranje en Graaf van Buren enz. op den 11 April 1748
Object type: print
Date: 1750 – 1752
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: gerard sibelius
Artist role: print maker
Artist dates: 1734 – 1785
Subjects: william v (prince of orange), willem iv (prins van oranje-nassau), anna van hannover, baptism ~ protestant service
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: J.L. Schuer, Nederlands merkwaardigste gebeurtenissen sedert byna twee eeuwen. Amsterdam: Steven van Esveldt, 1752. Kopie naar de prent van Simon Fokke uit 1748, FMH 3929a.
Douze Portraits par William Nicholson
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Location: paris
Artist: henri floury
Artist role: publisher
Artist dates: 1862 – 1961
Subjects: historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De serie met lithografieën is gemaakt naar ontwerpen van houtsneden door William Nicholson.
Portret van een onbekende vrouw
Object type: photograph
Date: 1884 – 1893
Materials: cardboard, celluloid, paper
Techniques: albumen print
Location: paris
Artist: albert capelle
Artist role: fotograaf
Artist dates: 1854 – 
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘CÉLÉBRITÉS ARTISTIQUES/ CONTEMPORAINS/ PHOTOGRAPHIE/ ALEBRT CAPELLE/ D'ART/ PARIS/ 45, Rue Laffitte./ Tous les clichés sont conservés.’
Extract uit het Besluit van Zijne Koninklijke Hoogheid den Heere Prince van Oranje-Nassau, Souverein Vorst der Vereenigde Nederlanden
Object type: document
Date: 1814 – 1814
Materials: ink, paper
Techniques: printing, writing
Location: the hague
Artist: anton reinhard falck
Artist role: minister van koloniën, minister van nijverheid, minister van onderwijs, advocaat, secretaris-generaal
Artist dates: 1777 – 1843
Subjects: utrecht, brussels, anton reinhard falck
Inscriptions: date

Dubbelgevouwen blad papier, voorzijde bedrukt en beschreven, document waarbij H. C. Ten broeke tot Kapitein 1e Bataillon Infanterie wordt benoemd. Gesigneerd en gedateerd.
Portret van Georg Michael Laurentii
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: clergyman, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Laurentii, Georg Michael. Kurtze Erklärung des Evangelii St. Matthäi (...). Halle: Waisenhaus, 1720.
Variarum protractionum (...)
Object type: ornament print
Date: 1557 – 1557
Materials: paper
Techniques: etching
Location: netherlands
Subjects: title-page, ornament ~ cartouche
Inscriptions: date

Cartouche met daarin de titel. Tweede editie (1557) van serie cartouches met citaten van klassieke schrijvers in een omlijsting van rolwerk met grotesken, mascarons en guirlandes. Gearceerde achtergrond.
Vase
Object type: vase
Date: 1426 – 1435
Materials: cobalt, glaze, porcelain
Culture: chinese
Virgin in Glory with Saints including St. John at their Feet
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: after lazzaro tavarone
Plattegrond
Object type: sketchbook leaf
Date: 1905 – 1906
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: plan ~ architecture
Inscriptions: annotation: ‘[...]’

Blad 4 verso uit een schetsboek met 34 bladen.
Twee muilezels
Object type: drawing
Date: 1632 – 1653
Materials: chalk, paper
Techniques: brush
Artist: karel du jardin
Artist role: draughtsman, painter, print maker
Artist dates: 1626 – 1678
Inscriptions: signature: ‘K.DV.IARDIN.fe’

Ontwerp voor een ets in een serie uit 1652-1653.
Strook kloskant met aaneenschakeling van vijf verschillende bladeren
Object type: strip
Date: 1700 – 1799
Materials: linen
Techniques: lace
Location: flanders
Artist: Anonymous

Strook naturelkleurige kloskant, oudvlaamse kant. Het zich herhalende patroon bestaat uit een aaneenschakeling van vijf verschillende bladeren. Eén blad wordt door een ovaaltje oversneden. De motieven zijn met elkaar verbonden door een traliegrond, een vijfgaatjesgrond. De motieven zijn gemaakt in linnenslag met opengewerkte randjes, twee van de blaadjes hebben een netslagvulling. Eén van de vijf bladeren is teruggebogen, waaronder een siergrond is toegepast, een sneeuwvlokkengrond. De bovenzijde is recht afgewerkt. De flauw geschulpte onderzijde komt voort uit het patroon en is afgewerkt met picots.
Beautiful Woman
Object type: hanging scroll
Date: 1701 – 1733
Materials: ink, paper
Culture: japanese
Artist: kaigetsudō dohan
Artist role: artist
Artist nationality: japanese
Artist dates: 1710 – 1716
Subjects: women

Kaigetsudō's vision of female beauty, though well received, was quite bold compared to that of his contemporaries. Statuesque figures colorfully dressed in striking patterns were the perfect foil for grand sweeps of his brush. This physically substantial femininity stands in stark contrast to the willowy figures favored by Suzuki Harunobu (1724–1770), a contemporary ukiyo-e artist who was also popular.
La Walse, from Le Bon Genre
Object type: print
Materials: paper
Techniques: engraving, hand coloring
Location: france
Artist: Unknown French Artist
Artist nationality: French
Salon de la Paix in het Tuilerieënpaleis, Parijs
Object type: tissue stereograph
Date: 1858 – 1858
Materials: cardboard, paper
Techniques: albumen print, hand coloring, perforating
Location: paris
Artist: florent grau
Artist role: manufacturer
Subjects: palace - aa - civic architecture: inside, tuileries palace
Inscriptions: number: ‘6’, inscription: ‘Déposé a Paris’, inscription: ‘de’
Weidelandschap met hooiwagen en windmolen
Object type: drawing
Date: 1800 – 1900
Materials: paper, pencil
Techniques: brush
Subjects: meadow, pasture, windmill in landscape
Ebisu geeft meisje haar bal terug
Object type: print
Date: 1770 – 1775
Materials: paper
Techniques: woodcut
Location: japan
Artist: masunobu
Artist role: print maker
Subjects: fence, wall, paling, ball games, representations ~ gods, demi-gods, heroes, etc. (hinduism, buddhism, jainism)

Meisje, staand bij schutting, haar hand ophoudend voor de bal die de geluksgod Ebisu, staand op ladder, voor haar uit de tuin heeft gehaald. De decoratie boven Ebisu, een touw waaraan dennentakken en langoustine zijn bevestigd, duidt op Nieuwjaar.
Fragment of a coffin
Object type: coffin
Date: 734 – 701
Materials: bronze
Culture: assyrian
Location: iran
Fichu
Object type: fichu
Date: 1801 – 1900
Techniques: lace
Posthuis bij een stenen brug in Perzië
Object type: photograph
Date: 1880 – 1895
Materials: paper, photographic support
Techniques: albumen print
Location: iran
Artist: antoine sevruguin
Artist role: fotograaf
Artist dates: 1840 – 1933
Subjects: post-office, bridge, persia
Inscriptions: negative number: ‘414’

Onderdeel van Reisalbum van H. Dunlop met foto's van bezienswaardigheden in Perzië, Schotland, Duitsland, Rusland, China en Canada.
Bismarckmonument op de Augustinerplatz in Keulen
Object type: photomechanical print
Date: 1880 – 1895
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: monument, statue, cologne

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in België, Duitsland en Noorwegen.
Wet day on the boulevard
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: berlin
Artist: alfred stieglitz
Artist role: fotograaf
Artist dates: 1864 – 1946
Subjects: umbrella, street
Inscriptions: monogram: ‘MR&C’
Decorated capital and base in the Temple of Jupiter, Rome, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1537 – 1537
Techniques: engraving
Artist: monogrammist g.a. with the caltrop
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1535
Subjects: capitals

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). .Originally volume 2, plate 8 in the scrapbook.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, head, neck, and shoulders of wreathed, bearded male with himation at left shoulder, vomiting?; Exterior, part of right calf and foot of male in front of an unidentified object
Staande hond
Object type: print
Date: 1582 – 1585
Materials: paper
Techniques: engraving
Location: italy
Artist: agostino carracci
Artist role: draughtsman, painter, print maker
Artist dates: 1557 – 1602
Subjects: dog
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Koppen van twee mannen, een vrouw en een kind
Object type: print
Date: 1749 – 1849
Materials: paper
Techniques: printmaking, etching
Subjects: drawing, sketch, head (human)
Inscriptions: collector's mark: Lugt 2228

Onbekend tot welk deel van 'Principes du Dessin d'après Nature' deze prent behoort.
Plein met fontein en torens in Salers
Object type: photograph
Date: 1903 – 1903
Materials: paper, photographic support
Techniques: gelatin silver print
Location: salers
Artist: delizy
Artist role: manufacturer
Subjects: prospect of village, silhouette of village

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Untitled
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: matthew white ridley
Artist nationality: english
Artist dates: 1837 – 1888
Portret van echtpaar Hendrik van Oranje-Nassau en Maria Elisabeth Louise Frederika van Pruisen
Object type: album leaf
Date: 1878 – 1879
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: hendrik (prins der nederlanden), historical persons - bb - woman, historical persons
Inscriptions: retailer's mark: ‘papierhandel/ J. Meeussen & zoon/ Korte Poten 32/ Den Haag’
Vase with Bamboo, Auspicious Symbols, and Military and Civilian Figures in a Landscape
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, painting
Location: china
The Flagellation
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: ubaldo gandolfi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1781
Psyche verlicht met haar lamp de slapende Amor
Object type: drawing
Date: 1640 – 1645
Materials: chalk, paper
Artist: simone cantarini
Artist role: draughtsman, print maker
Artist dates: 1612 – 1648
Subjects: sleeping; unconsciousness
Openbaring van Johannes op Patmos
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: death and hell are cast into the lake of fire, the judge on the great white throne, an angel with a key and a chain binds the dragon (satan) and casts him into the pit

Hemel met God de Vader, zittend op troon, omringd door de opgestane doden. Tegenover hem staat een engel met een open boek. Op de achtergrond wordt iedereen die niet in het boek van het leven blijkt te staan in de vuurpoel gegooid (de tweede dood). De duivel, na duizend jaar weer bevrijd, wordt in de poel van vuur en zwavel geworpen. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Op. 20. Deze prent maakt deel uit van een album.
Kostverlorenvaart, Amsterdam
Object type: print
Date: 1888 – 1931
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: ships (in general), canals, waters (in city)

Varende schepen op de Kostverlorenvaart in Amsterdam. Op de achtergrond het silhouet van een molen.
Portret van Johann Gottfried von Herder
Object type: print
Date: 1779 – 1829
Materials: paper
Techniques: stippled etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228