deem-data/ArtiFact huggingface dataset:
Bord
Object type: plate dish
Date: 1650 – 1680
Materials: earthenware, glaze
Techniques: painted
Location: delft
Artist: Anonymous

Rond bord van blauw beschilderde faience, met een geribde en geschulpte rand. Op het plat is een zittende figuur in een landschap geschilderd en op de rand twee zittende figuren. De beschildering is grof en vluchtig uitgevoerd.
Christ before Pilate: large plate
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: inscription: ‘First variation of the fist state (...) holds the reed’, inscription: ‘P. 1 (in een cirkel) 98’, signature and date: ‘Rembrandt f 1636 cvm privilege’, mark: Lugt 1880, inscription: ‘4 - 5 -’
Kimono
Object type: kimono
Date: 1920 – 1920
Materials: silk
Techniques: painting, weave
Location: japan
Artist: ito shoha
Inscriptions: seal: ‘Shoha’

Kimonos: Mirrors of a Man’s Life. The kimonos on view here afford a glimpse into the lives of Japanese men from around the 1910s to the 1950s, from childhood to adulthood. This was a period of great change for Japan, marked by increasing industrialization and political conflicts culminating in the Second World War. Life modernized, technology advanced, and people took up new hobbies. Traditionally, men’s outer clothing tended to be reserved and a solid colour. Clothes could nevertheless also be a medium for highly unusual depictions which, however, were not visible to everyone. While motifs adorned the exterior of children’s garments, they were hidden from view in those worn by adult men. The decoration was found on the inside: on a long under garment, or the lining of a jacket (haori). This concealed imagery divulges the lives of the owners at the beginning of the 20th century.

Childhood. A kimono marked events and stages in a man’s life. The kimonos on the top row (except the two everyday ones at either end) were worn by boys during the religious ceremony of miyamairi, namely an infant’s first visit to a Shinto shrine. This event followed a prescribed ritual and was an important and formative moment in the life of a Japanese man. Clothing for boys enveloped them in images that were to become part of their identity. The depictions included motifs that were considered gender and age appropriate: toys, manly hobbies, stories of heroic battles, technology, and so forth. Broader themes such as military conflicts and nationalism also filtered into children’s daily lives at an early stage. The textile designs of some kimonos combined traditional playthings with toy guns and tanks.

Adulthood. What does a kimono tell about its owner and his life? Some men chose subjects from classical culture, such as No or Kabuki theatre, while others preferred themes from contemporary life, such as gramophone records or the new popular sport of baseball. Thus, these garments were a canvas for personal choices, but also for political propaganda and nationalistic messages. Some representations are eccentric or even erotic. Others are more general and linked to political events. All aspects of a man’s inner life are touched on. Portraits of beautiful women and playful dogs contrast with images of war, celebrating victories in China. As these representations were under the outer garments, they remained hidden from the outside world and were thus seen only by the kimono’s owner and his intimates.
Portret van Johannes Cretschmar op 64-jarige leeftijd
Object type: print
Date: 1638 – 1693
Materials: paper
Techniques: engraving
Subjects: historical persons, lawyer, attorney at law
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de ondermarge.
Onthulling van het standbeeld van Rembrandt van Rijn te Amsterdam 1852
Object type: history medal
Date: 1852 – 1852
Materials: tin
Techniques: striking
Artist: moses cohen de vries junior
Artist role: diamantslijper, graveur, medailleur
Artist dates: 1807 – 1883

Tinnen penning, op de voorzijde het borstbeeld van Rembrandt naar links onder een stralende ster, met omschrift, op de keerzijde het onthulde standbeeld tussen 27 MEI en 1852, met omschrift.
Journal des Dames et des Modes, Costume Parisien, 20 mars 1817 (1635)
Object type: fashion print
Date: 1817 – 1817
Materials: paper
Techniques: engraving
Location: paris
Subjects: fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), neck-gear ~ clothing (+ women's clothes)

Luifelhoed van 'castor'. Japon van merinowol afgezet met pluche. platte schoenen met gekruiste banden en strikken. Proefdruk van een prent uit het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Portret van Eva en Jet Boelen
Object type: photograph
Date: 1875 – 1899
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: historical persons - bb - woman, mother and baby or young child, amsterdam
Inscriptions: address: ‘Warmoesstraat 147, Amsterdam.’

Onderdeel van Fotoalbum van de familie Boelen.
Child's Head With Flowers
Object type: print
Date: 1897 – 1897
Materials: ink, paper
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Portret van Charles Tilstone Beke en zijn vrouw Emily Beke
Object type: page
Date: 1853 – 1867
Materials: photographic support
Techniques: albumen print
Artist: ernest edwards
Artist role: fotograaf
Artist dates: 1837 – 1903
Subjects: traveler, geography
Inscriptions: name: ‘Photographed by Ernest Edwards, 20, Baker Street. W.’
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

One black glazed rim fragment and one black glazed wall fragment from kylikes
Portret van een onbekende vrouw met een fiets
Object type: frame
Date: 1900 – 1909
Materials: paper, cardboard, glass, metal
Techniques: gelatin silver print
Location: london
Artist: frederick wiedhofft
Artist role: fotograaf
Artist dates: 1853 – 
Subjects: adult woman, bicycle, anonymous historical person portrayed - bb - woman, london
Inscriptions: inscription: ‘Day & electric light studios/ F. Wiedhofft/ Art Photographer/ (...) London./ Established 1879.’, inscription: ‘Yours/ sincerely/ Ethel’
Painting easel, from the Novelties series (N228, Type 3) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Landschap met vrouw en kind op een pad
Object type: print
Date: 1865 – 1910
Materials: paper
Techniques: etching, intaglio
Artist: louis adolphe jacobs
Artist role: painter, print maker
Artist dates: 1855 – 1929
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228
Slag aan de Granicus (linker- en rechterkant)
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: battles of alexander
Inscriptions: inscription: ‘K.d. 12’, collector's mark: Lugt 1838, inscription: ‘RD 57’, collector's mark: Lugt 240

Linker- en rechterkant van een prent gedrukt van drie platen.
Classis Hispanica celeberrima quae anno celeberrimo MDLXXXVIII inter Galliam Britan[n]iamq. venit & peryt
Object type: history print
Date: 1593 – 1645
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: battle (+ naval force), english channel

Ondergang van de Spaanse Armada of Onoverwinnelijke vloot, tussen 31 juli en 12 augustus 1588. Spaanse schepen in het Kanaal tussen Dover en Calais in gevecht met Engelse schepen. In het midden enkele branders, rechts op de voorgrond Engelse soldaten aan de Engelse kust. Bovenin de plaat de titel, in het onderschrift 4 regels in het Latijn.
Terracotta oil lamp
Object type: lamp
Date: 101 – 200
Materials: terracotta
Culture: roman

Loeschcke Type 8. Mold-made, with large ring handle. Discus: plain, shallow tear-drop shape, with a single central filling hole, and a small funnel-shaped channel to nozzle and wick hole. On the broad, horizontal shoulder, a row of impressed leaves. Two crescent-shaped projections on edge at sides. Undefined, slightly hollow base. Complete, except for one large hole in base. The weathered edges suggest that the hole made have been made deliberately in antiquity.
Oud muurtje in Rochefort
Object type: photograph
Date: 1935 – 1935
Materials: paper
Techniques: gelatin silver print
Location: rochefort
Artist: gerrit elink schuurman
Artist role: fotograaf
Artist dates: 1876 – 1953
Subjects: housing
Madrid al Fresco
Object type: drawing and watercolor
Date: 1903 – 1903
Materials: board, charcoal, paper, pastel
Techniques: heightening
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Ornament: Love Token
Object type: ornament
Date: 206 – 220
Materials: jade
Culture: chinese
Panel (Depicting Christ Entering Jerusalem)
Object type: textile
Date: 1601 – 1700
Materials: linen, wool
Techniques: bookbinding, interlacings, patterning, weave
Location: denmark
Portret van een vrouw staand bij een stoel
Object type: carte de visite
Date: 1880 – 1911
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: berlin
Artist: wilhelm kersten
Artist role: fotograaf
Subjects: historical persons - bb - woman, standing figure - aa - female human figure
Inscriptions: inscription: ‘W. Kersten/ Berlin W/ Krausenstr. 35’, inscription: ‘Globus Atelier/ Berlin W/ Leipziger-str 132/ 137’
Marguerite Ziemer, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Fotoreproductie van schilderij van een stel in Tiroler dracht door Edward Young
Object type: photograph
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Subjects: folk costume, regional costume, picture, painting
Portret van Christoph I Fürer von Haimendorf
Object type: print
Date: 1595 – 1628
Materials: paper
Techniques: engraving
Location: germany
Subjects: armour, historical persons
Inscriptions: collector's mark: Lugt 2228
Gold earrings
Object type: earring, boat shaped
Date: 400 – 268
Materials: gold
Culture: etruscan

The general shape of these earrings resemble a cluster of grapes. With repoussé and granulation attached to a plate.
Portret van Ferdinand Frederik van Anhalt-Köthen
Object type: print
Date: 1818 – 1830
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: historical persons
Piece
Object type: piece
Date: 1801 – 1900
Materials: silk
Culture: japanese
Subjects: gates,houses
Gezicht op de achterzijde van het Escorial
Object type: print
Date: 1694 – 1737
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: abbey, monastery, convent ~ roman catholic church, exterior ~ representation of a building

Prent uit: Theatrum Hispaniæ, exhibens regni urbes, villas ac viridaria magis illustria. Het aanmerkelykste en voortreffelykste in Spanjen (...). Amsterdam: Pieter van den Berge, ca. 1694-1737.
Gezicht op de Sint-Antonius Abtkerk te Mook
Object type: photograph
Date: 1906 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: mook
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘R.K. Kerk te Mook (L.)/ juni 1906’, annotation: ‘Mook L’
Plattegrond en verdeling van percelen van het Gasthuis Land op de Heilige Weg te Amsterdam
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving, writing
Artist: a. koning
Subjects: plan ~ architecture, merchant, salesman
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Plattegrond en verdeling van percelen van het Gasthuis Land op de Heilige Weg in Amsterdam. De namen van de makelaars die de percelen verkopen zijn doorgestreept. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Koophandel, Veilingen, Makelaardij en Verzekeringswezen. Kamers te huur.
Plate
Object type: ceramic
Date: 1703 – 1703
Materials: earthenware
Techniques: glazing
Location: staffordshire
Court train
Object type: court train
Date: 1860 – 1869
Materials: bronze, glass, silk
Culture: french
Portret van Erasmus
Object type: print
Date: 1526 – 1526
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: rotterdam, desiderius erasmus, historical persons
Inscriptions: date

Portret van Erasmus, schrijvend, staande aan een lezenaar bij een tafel waarop een vaas met bloemen staat. Achter de tafel een tablet aan de wand met Latijnse tekst.
Barbe (one end)
Object type: barbe
Date: 1701 – 1733
Techniques: lace
Gerard de Lairesse peintre Liegeois
Object type: print
Date: 1655 – 1689
Materials: paper
Techniques: engraving, etching, roulette
Location: liège
Subjects: liège, amsterdam, painter, print maker, draughtsman, gerard de lairesse, tools, implements of painter, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

Portret van de kunstenaar Gerard de Lairesse. De ovale omlijsting is versierd met een strik. Onder de lijst liggen enkele schildersbenodigdheden, onder andere een schildersstok en enkele penselen.
Gourd-Shaped Rosewater Sprinkler with Buddhist Utensils, Plum, and Peony Flowers
Object type: vessel
Materials: porcelain
Techniques: painting, underglaze
Location: china
The Seige of Alessandria Begins, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"
Object type: print
Date: 1659 – 1659
Techniques: etching
Location: italy
Artist: bartolomeo fenice (fénis)
Artist role: artist
Artist nationality: italian
Subjects: battles,soldiers,horses,crowd,flags

This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.
Gevar, Hialte en Hother plotten de moord op Rolf Krage
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: copenhagen (city), (revolutionary) plot, conspiracy, shaking hands, 'dextrarum junctio', night, closed door
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Ewald, Johannes. Johannes Ewald's samtlige Skrifter. 4 dln. Kopenhagen: Christian Gotlob Proft, 1781-1791.
Gevleugelde vrouw met putto en leeuw
Object type: print
Materials: paper
Techniques: aquatint, engraving, etching
Location: france
Artist: Anonymous
Subjects: beasts of prey, predatory animals: lion - ff - fabulous animals (sometimes wrongly called 'grotesques'); 'mostri' (ripa), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228
Tripod incense burner with Buddhist auspicious symbols
Object type: incense burner
Date: 1767 – 1833
Materials: enamel, jade, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Entrance to Black Cañon, From Above
Object type: photograph
Date: 1871 – 1871
Techniques: albumen silver print, glass negative
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
William Ashley "Billy" Sunday, Center Field, Pittsburgh, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Figures des Contes de La Fontaine
Object type: reproduction
Date: 1880 – 1880
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: adult woman, tapestry
Inscriptions: collector's mark:, collector's mark: Lugt 2228

Martial Potémont maakte etsen naar de tekeningen van Fragonard, die zich bevonden in een manuscript in de collectie van de verzamelaar Eugène Paillet. Rouquette bood hem aan de tekeningen zo exact mogelijk in prent te laten brengen door Martial Potémont: dit resulteerde in een serie van 57 etsen. Vervolgens werden deze gereproduceerd door middel van heliogravure. Deze omslag betreft een editie voor de letter, "Eau forte pure", de 1e staat van 3 waar men uit kon kiezen bij deze serie.
Spotprent op het bedrog van de firma C. de Bruyn & Zonen, 1834
Object type: cartoon
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: fraudulence, swindling, scales, industries ~ food, drink, stimulants, sugar
Inscriptions: collector's mark: Lugt 2228

Spotprent op het bedrog met een valse weegschaal van de firma C. de Bruyn & Zonen, 1834. De firma bezat de eerste stoomsuikerraffinaderij aan de Lijnbaansgracht in Amsterdam. Op 8 januari 1834 werden zij betrapt op het gebruik van een balans waarvan een arm was verlengd. Centraal de valse balans hangend aan de stoomwolken die uit de fabriek 'De Vijf Gebroeders' komen en waarop kisten met suiker worden gewogen. Rechts C. de Bruyn met zijn twee zoons. In de wolken een bijbelcitaat.
Dish with cover
Object type: dish with cover
Date: 1734 – 1734
Materials: hard paste porcelain
Artist: vienna
Artist role: manufactory
Subjects: animals,men,flowers
Geseling van Christus door soldaten
Object type: print
Date: 1623 – 1660
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)
Inscriptions: collector's mark: Lugt 240

Prent naar ontwerp van Abraham van Diepenbeeck.
Westerbouwing, Nederland
Object type: stereograph
Date: 1905 – 1905
Materials: paper, cardboard
Techniques: collodion silver print
Location: amsterdam
Subjects: westerbouwing
Réunion des Tuileries au Louvre, album 1
Object type: scrapbook
Date: 1854 – 1857
Materials: cardboard, leather, paper, photographic support, textile
Techniques: engraving, salted paper print, writing
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: permanent exhibition, museum, paris, tuileries palace

Fotoalbum in groen leren omslag. Op de voor- en achterzijde prijkt het wapenschild van de Franse keizer Napoleon III, in de hoeken zijn monogram. Op de rugband wordt de titel vermeld en het deelnummer. De schutbladen zijn van groen changeant met een randversiering van Franse lelies in gouddruk. Het album bevat 113 bladen met goud op snee die elk één of twee foto's bevatten. Het album maakt deel uit van een ensemble van vier waarmee de bouw van het nieuwe Louvre tussen 1854 en 1857 stap voor stap werd gedocumenteerd in opdracht van de Franse regering. De albums werden als representatie-exemplaren aangeboden aan de keizer, bevriende staatshoofden, ministers (zoals het exemplaar van het Rijksmuseum) en bibliotheken. Er werden 36 van dergelijke sets samengesteld, elk met ongeveer 550 foto's. Slechts vier ensembles zijn bewaard gebleven.
Portret van Paulus Moreelse
Object type: print
Date: 1605 – 1612
Materials: paper
Techniques: engraving
Location: leiden
Artist: willem isaacsz. van swanenburg
Artist role: print maker
Artist dates: 1580 – 1612
Subjects: utrecht, painter, print maker, draughtsman, paulus moreelse, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Paulus . Mooreelsen . / pictor ...ius ultrajectensis’

Portret van de schilder Paulus Moreelse met baard en een brede kraag.
Gebombardeerd Rotterdam
Object type: photograph
Date: 1909 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: rotterdam
Artist: Anonymous
Subjects: devastated, ruined place or city (~ warfare), rotterdam, rotterdam blitz

Rotterdam enige maanden na het bombardement. Links staat nog een vrijwel onbeschadigd flatgebouw. Op achterzijde staat: Rotterdam im Sept. 1940
Laatste Avondmaal (linker deel)
Object type: print
Date: 1680 – 1694
Materials: paper
Techniques: etching
Location: france
Subjects: the eucharist ~ the fourth of the seven sacraments, institution of the eucharist, i.e. christ showing or blessing bread (host) and/or wine (matthew 26:26-27; mark 14:22-23; luke 22:19-20; john 13:26; 1 corinthians 11:23-25)
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van zeven prenten.
Kogel
Object type: page
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Location: liège
Artist: edouard magis
Artist role: fotograaf
Artist dates: 1828 – 1906
Subjects: ammunition
Inscriptions: number: ‘Planche 15.’, inscription: ‘Carabines de guerres systèmes Fougeroux’
Interior of the Dilwara Temple at Mount Abu, Rajasthan, India
Object type: photomechanical print
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: photograph
Location: mount abu
Artist: Anonymous
Subjects: rajasthan
Inscriptions: annotation: ‘68. Tempel te Dilwarra bij Mount Abu.’
Wapenschild van Rudolf II van Habsburg, Duits keizer
Object type: print
Date: 1576 – 1649
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: vienna, rudolf ii van habsburg (duits keizer), knighthood order of the golden fleece, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 789a
Embroidered darning sampler
Object type: sampler
Date: 1769 – 1769
Materials: canvas, metal thread, silk
Subjects: human figures
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, unidentified subject
In the Mountains of Izu Province (Izu no sanchu), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)"
Object type: print
Date: 1858 – 1858
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Persoon die geschoren wordt, Le Figuig
Object type: album leaf
Date: 1927 – 1927
Materials: paper, photographic support
Techniques: gelatin silver print
Location: figuig
Artist: a.g.a. van eelde
Artist role: engineer
Artist dates: 1862 – 1950
Subjects: shaving, being shaved
Inscriptions: number: ‘19.’
Lot and his Daughters
Object type: painting
Date: 1600 – 1650
Materials: copper, metal, oil, paint
Techniques: painting
Location: germany
Artist: school of johann liss
Artist nationality: german
Artist dates: 1597 – 1631
Subjects: fathers, wine, cave, religious scenes, religious figures, religious, religion, old testament, biblical, trees, wilderness, nature, families, women, woman, man, men, daughters