deem-data/ArtiFact huggingface dataset:
Man met een hond wandelend langs een bosrand
Object type: print
Date: 1713 – 1768
Materials: paper
Techniques: etching
Location: switzerland
Subjects: landscape with bridge, viaduct or aqueduct, forest, wood, 'en route', traveller under way, dog
Inscriptions: collector's mark: Lugt 2228
Cours D'Architecture
Object type: ornament print
Date: 1691 – 1750
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: staircase, balcony
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Pagina 219, plaat 65D uit: Aviler, Charles Augustin d'. Cours d'architecture (...). Parijs: s.n., [1691-1750].
Omslagontwerp voor: Wendingen, 1918
Object type: print
Date: 1918 – 1918
Materials: paper
Techniques: lithograph
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: crystals, column, pillar ~ architecture, architect in non-work situation, architectural design or model
Inscriptions: collector's mark: Lugt 2228, inscription: ‘voor archief V.A.N.R.’

Een bebaarde man, mogelijk Hiram, de architect van de Tempel van Salomo in Jeruzalem, houdt een model van een tempel vast. Hij staat tussen twee pilaren in het midden van een kristal.
Vignet met harig object
Object type: vignette
Date: 1878 – 1940
Materials: paper
Techniques: woodcut
Artist: elias voet jr.
Artist role: jeweler, print maker
Artist dates: 1868 – 1940
Subjects: vignette
Inscriptions: collector's mark: Lugt 2228
A Kitchen
Object type: painting
Date: 1643 – 1643
Materials: oil, wood
Artist: hendrick martensz. sorgh
Artist role: artist
Artist nationality: dutch
Artist dates: 1609 – 1670
Subjects: food,kitchens,women,cats,fish,servants,cooking
Vase
Object type: vase
Date: 1901 – 1933
Materials: pottery
Culture: korean
Subjects: flowers
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 430 – 420
Materials: terracotta
Culture: greek, attic

Head, neck, shoulders, part of the frontal upper torso, and right hand, of a balding, bearded satyr to right
Startled Figure of a Soldier Seated on a Block
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, pen, drawing, wash
Artist: anonymous, spanish, school of seville, 17th century
Artist role: artist
Artist nationality: spanish
Artist dates: 1600 – 1700
Subjects: soldiers
Noord-Duitse kerk
Object type: photograph
Date: 1889 – 1889
Materials: paper, cardboard
Techniques: collodion silver print
Location: germany
Artist: friedrich albert schwartz
Artist role: fotograaf
Artist dates: 1836 – 1906
Subjects: church (exterior), germany
Inscriptions: inscription: ‘Noord Duitsche baksteen gothiek’, number: ‘1862’
Saint Jerome Penitent in the Wilderness (copy)
Object type: print
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: lions,saint jerome
Gezicht op de Nieuwe Vuilpoort te Dordrecht
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: engraving, etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc., bridge in city across river, canal, etc., city-gate

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Seal from the Imperial Palace, Peking
Object type: seal
Date: 960 – 1279
Materials: jade
Culture: chinese
Portret van Friedrich von Schiller
Object type: print
Date: 1805 – 1832
Materials: paper
Techniques: engraving
Subjects: friedrich von schiller, scholar, philosopher, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Harp Guitar
Object type: harp guitar
Date: 1827 – 1827
Materials: iron, wood, nickel, silver
Culture: french
Location: france
Artist: joseph laurent mast
Artist role: maker
Artist nationality: french
Artist dates: 1779 – 1830

This unusual instrument six single strings like a guitar, but has several body features like a harp. The unusual spruce soundboard is reminscient of that of a harp, but faces forward and is parallel to the strings, instead of sitting perpendicular to the strings as on a pedal harp. Behind the soundboard is a cylindrical body made of bent maple. The body is stained green and has two oval sound holes. The wide, lower end of the body rests on a flat plate that allows the instrument to stand on its own. The harp-like column measures 88.5 cm in height and is fluted. At the top is a circular cornice. The six strings of the harp pass over a scalloped fingerboard with seventeen inlaid frets of nickel silver. At the top, the strings are attached to iron pins with square heads that require a special wrench to be tuned. On the soundboard, the strings terminate with a pin bridge, with hitch pins defining the end of the sounding length. Though the instrument has only 6 neck strings, as a standard guitar, labelling it a "harp guitar" due to its form is only natural. Additional provenance comes from a second instrument labelled "Mast-fils" (son of J. L. Mast) where the son actually included four additional floating strings, as in the true harp guitar. The instrument is pictured in a 1910 auction catalog of the collection of one Baron de Léry, where it is listed as ""Tres curieuse harpe-guitare Empire de Mast fils, a Toulouse" (Very curious Empire harp-guitar by Mast’s son, in Toulouse). As the term seems too specific for the auction company to have invented it themselves, it is perhaps probable that this form of guitar - whether strung with 6 strings or additional strings - was named the "Empire harp-guitar" by its maker. (Gregg Miner, 2021)
St John of the Cross
Object type: print
Techniques: engraving, etching
Artist: jean audran
Artist role: artist
Artist nationality: french
Artist dates: 1667 – 1756
Landschap met boerenhuizen
Object type: print
Date: 1890 – 1933
Materials: paper, ink
Techniques: drypoint, etching
Artist: arend boer
Artist role: print maker
Artist dates: 1880 – 1933
Subjects: village
Inscriptions: collector's mark: Lugt 2760, signature: ‘A. Boer’, collector's mark: Lugt 2228

Dorpsweg met boerenhuizen en twee lopende figuren.
Isabel Wachenheimer in de tuin van de woning van Willy Moos, Bellevue 62, Hamburg, maart-april 1935
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: hamburg
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon

Isabel Wachenheimer in de tuin van de woning van Willy Moos, Bellevue 62.
Card Number 165, Emma Corson, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Omgeving van Alexandrië
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Inscriptions: caption: ‘In de omstreken van Alexandrië’

Een gesluierde vrouw met een waterkruik en een man met twee kinderen op zijn arm lopen door de palmentuin.
Vrouw in venster
Object type: print
Date: 1778 – 1823
Materials: paper
Techniques: etching
Artist: johannes christiaan janson
Artist role: draughtsman, painter, print maker
Artist dates: 1763 – 1823
Subjects: human figure at (open) window, seen from outside - aa - feigned window
Inscriptions: collector's mark: Lugt 240
De krabbers in de katoenververij
Object type: drawing
Date: 1868 – 1892
Materials: charcoal, paper
Artist: anthon gerhard alexander van rappard
Artist role: draughtsman, print maker
Artist dates: 1858 – 1892
Subjects: dyeing of cloth, cotton (material ~ textile industry)
Bruxelles. Grand'place (Maisons des Corporations)
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1906
Materials: cardboard
Techniques: photograph
Location: brussels
Artist: Anonymous
Subjects: square, place, circus, etc., market, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Portret van Jean-Antoine Letronne
Object type: print
Date: 1830 – 1861
Materials: paper
Techniques: lithograph
Location: france
Subjects: paris, eyeglasses, spectacles, history and archaeology (+ portrait of scholar, scientist), historical persons
John Carteret, 2nd Earl of Granville (1690–1763)
Object type: medal
Date: 1744 – 1744
Materials: bronze
Artist: jacques-antoine dassier
Artist role: artist
Artist nationality: swiss
Artist dates: 1715 – 1759
Subjects: men,profiles
Headdress
Object type: headdress
Date: 1790 – 1810
Materials: cotton, glass, metal, pearl, silk
Culture: russian

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. Headdresses, or kokoshniks had the greatest abundance of ornamentation of any type of garment in Russia. They were most often made of damask woven with gilt metallic threads or velvet with gold embroidery. The wealthy peasant class often decorated their kokoshniks with pearls and gemstones. The maker of this bridal headdress employed traditional design motifs such as the tree of life on the back caul, the goddess, the confronting birds on the front panel symbolizing good luck, as well as the bride's initials. It was collected in the Kaluga Province on the Oka River, where freshwater pearls were abundant. The pearl forehead ruffle is woven so finely that is moves like fabric. The caul of the headdress is so heavily embroidered that the red velvet ground is nearly invisible. The quality of workmanship and materials combined with the elaborateness of this piece suggest the bride was from a wealthy and important family.
Cat Statuette intended to contain a mummified cat
Object type: statuette, cat
Date: 332 – 330
Materials: bronze
Location: egypt
Subjects: cats

The cat was the sacred animal of the goddess Bastet, a great and benevolent Egyptian goddess. For the Egyptians, the goddesses Bastet and Sakhmet were two aspects of divine power. Sakhmet, the lioness, represented dangerous, potentially destructive forces. Bastet, the feline of the house, incorporated the benevolent aspects of a deity that could be pacified by rituals. In Bastet's honor, mummified cats, sometimes in impressive bronze or wooden containers, were donated at her temples, of which the most important were located at Bubastis and Saqqara. The mummies were then buried within her temple precincts. This statue was the container for a mummified cat. Clearly this is not an ordinary cat. Its pierced right ear once held a gold ring (now lost), and suspended from its incised necklace is a wedjat-eye pendant. An impression of majesty is created by the cat's erect and dignified pose and the alert expression of the eyes. The sleek muscles and long graceful legs convey a sense of controlled power. Cats were first domesticated by the Egyptians in the Middle Kingdom for their mouse-hunting abilities. By New Kingdom times they had also become household companions. In tomb scenes they frequently appear seated beneath the chairs of their owners or on sporting boats in the Nile marshes, where they flush out birds for their masters.
Petrus met de sleutel van het Koninkrijk der Hemelen
Object type: print
Date: 1742 – 1770
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara
Inscriptions: collector's mark: Lugt 240

Titelpagina met allegorische voorstelling van Petrus. Links staat Petrus op een voetstuk met de sleutel van het Koninkrijk der Hemelen in zijn hand. Een gesluierde vrouw is neergeknield bij het voetstuk om er een opschrift in te beitelen. Rechts in de verte staat een tempel waar in nissen beelden zijn geplaatst.
Dieren
Object type: print
Date: 1578 – 1596
Materials: paper
Techniques: etching
Location: ansbach
Artist: stephan herman
Artist role: print maker, publisher
Subjects: horse, mule
Inscriptions: collector's mark: Lugt 2542

Onderdeel van een serie van tien prenten van dieren.
The Château and the Cathedral
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: france
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
The Smoker (Le Fumeur)
Object type: print
Date: 1866 – 1867
Materials: paper
Techniques: etching
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: men,smoking
Water Basin (Jian)
Object type: vessel
Materials: bronze
Location: china
Britse soldaat schopt Boerenvrouw
Object type: page
Date: 1901 – 1901
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: horrors of war, the soldier; the soldier's life, political caricatures and satires

Prent maakt deel uit van een tijdschrift met spotprenten op de Tweede Boerenoorlog. Met vierregelig onderschrift: ....... ik moet hulde brengen aan de spreekwoordelijke galanterie van den Engelschen soldaat ... (Officieel rapport van Lord Roberts).
The Two Gladiators
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Twaalfjarige Christus in de tempel
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ's dispute with the doctors in the temple; he counts his arguments on his fingers

Prent maakt deel uit van een prentbijbel.
Leven van Maria in emblemen
Object type: cognizance
Date: 1625 – 1629
Materials: paper
Techniques: etching
Location: paris
Subjects: river
Inscriptions: collector's mark: Lugt 240

Voorstelling van de rivier de Nijl die in Egypte buiten haar oevers treedt en zo het land vruchtbaar maakt. Dit blad is onderdeel van de embleemserie 'Leven van Maria in emblemen'. De eerste staat van deze serie behelst naast een titelpagina en 26 emblemen ook drie bladen met lofzangen op Maria in boekdruk zonder afbeelding.
Gezelschap in een vissershaven
Object type: lantern slide photographic
Date: 1898 – 1898
Materials: glass, paper
Techniques: gelatin silver transparency
Location: netherlands
Artist: machiel gerrit george suyver
Artist role: fotograaf
Artist dates: 1872 – 1933
Subjects: the hague, print maker, wilhelmina of the netherlands, harbour

Damrak te Amsterdam met versierde vissersschepen ter gelegenheid van de inhuldiging van koningin Wilhelmina.
Gold earring with head of a bull
Object type: earring with head of bull
Date: 1400 – 1050
Materials: gold
Culture: cypriot

Most of the raw materials for Cypriot jewelry came from the East. Gold became plentiful in the Late Bronze Age, when Syria and Egypt were the primary sources. This earring is a Cypriot creation, an ornament in the form of a bull's head.
Terracotta fragments of pots; unglazed on the inside
Object type: pot fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Parts of tendrils from the ornament?
de REGTEN van den KEIZER JUSTINIAAN in vier boeken
Object type: print
Date: 1705 – 1705
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: macedonië, constantinopel, keizer, justinianus i (keizer van het byzantijnse rijk)

Keizer Justinianus, op sokkel, met weegschaal en lans in handen en hond aan de voeten, wordt omringd door personificaties van de werelddelen Europa, Afrika, Azië en Amerika. Onderaan ligt een naakte geketende man met een gevleugelde kroon op en een klein dier op z'n been.
Paint Roller
Object type: paint roller
Date: 3500 – 3500
Materials: pottery
Culture: thai
Fragment pijpenkop
Object type: pipe
Date: 1750 – 1780
Materials: clay
Location: alphen aan den rijn
Artist: Anonymous
Subjects: directeur, hoogleraar, caspar jacob christiaan reuvens

Fragment pijpenkop. Van de opgravingen op de Hofstede Arentsburg 1827-1831 onder toezicht van Professor Reuvens.
La Vertu aux prises avec le vice
Object type: print
Date: 1796 – 1799
Materials: paper
Techniques: engraving, etching
Subjects: figure representing a virtue vs. a vice, satyr(s) (in general)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Zeven zonden
Object type: print
Date: 1636 – 1700
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: purse, money-bag, balance, equilibrium, greed, covetousness, cupidity; 'cupidità' (ripa), old woman, coin
Inscriptions: collector's mark: Lugt 2228

Een oude vrouw houdt een weegschaal vast. Ze kijkt naar de munt in haar rechterhand. Op de tafel voor haar ligt een zak met geld, enkele losse munten en een kistje. Links boven haar liggen enkele boeken op een plank. Onder de voorstelling bevindt zich een vierregelig, Nederlandstalig gedicht.
Portret van Jacob Epstein
Object type: print
Date: 1909 – 1909
Materials: paper
Techniques: drypoint
Artist: francis dodd
Artist role: print maker
Artist dates: 1874 – 1949
Subjects: new york (city), london, sculptor, jacob epstein, portrait, self-portrait of sculptor (+ artist in non-work situation), historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Design for Red Curtains with Gold Fringes and a Gold and White Pediment
Object type: drawing
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: curtains
Rue de la Lingerie, de la rue Berger
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: charles marville
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1879
Landau #833
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Monk
Object type: glass
Date: 1700 – 1750
Materials: glass, metal
Techniques: lampwork
Location: france
Visser aan de Kralingsche Veer
Object type: sketchbook leaf
Date: 1908 – 1934
Materials: chalk, paper
Location: rotterdam
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: rain, fisherman
Inscriptions: date and inscription: ‘Bij "Kralingsche Veer"/ 14.8.34.’

De man zit op de oever in de regen. Pagina 35 uit een schetsboek met 60 bladen.
Maart, landschap met een regenbui
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: engraving
Location: the hague
Subjects: landscape symbolizing march
Inscriptions: stamp: 963, collector's mark: Lugt 1641

Landschap met op de voorgrond boeren die land bewerken en hout sprokkelen en ruiters op een weg. In het verschiet een stad en bergen. Er valt regen uit donkere wolken. Verbeelding van de maand Maart. Prent uit een serie van de twaalf maanden. Onderaan een vierregelig vers in twee kolommen in het Latijn. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in engeren zin. Volksleven. Zinnebeeldige voorstellingen uit het volkleven op serieprenten. Maanden en diversen (allegorieën).
Portret van Bertholet Flémalle en Gerard de Lairesse
Object type: album leaf
Date: 1718 – 1721
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: bertholet flémalle, liège, amsterdam, painter, print maker, draughtsman, gerard de lairesse, historical persons, portrait, self-portrait of painter

Prent uit: Houbraken, Arnold. De groote schouburgh der Nederlantsche konstschilders en schilderessen (...). 3 dln. Amsterdam: Antonina Houbraken, 1721, dl. 3, p. 110. Prent mogelijk ook gebruikt in een eerdere (1718) publicatie.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 187.
Man seated with a musical instrument, seen from behind
Object type: print
Date: 1842 – 1881
Techniques: engraving
Artist: andrei franzowitsch belloli
Artist role: artist
Artist nationality: italian
Artist dates: 1822 – 1881
Two lidded vases
Object type: decoratief object
Date: 1730 – 1735
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: number: ‘181’, factory mark: ‘AR’, number: ‘184.’

Meissener Porzellan Manufaktur
after prints by Charles François Silvestre (1667–1738)
Meissen, c. 1730–1735
hard-paste porcelain