deem-data/ArtiFact huggingface dataset:
The Fall of Richmond, Virginia, on the Night of April 2nd, 1865
Object type: print
Date: 1865 – 1865
Techniques: hand coloring, lithograph
Artist: currier & ives
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1907
Subjects: cities,bridges,american civil war,fire

This dramatic print recreates a key event in the final days of the American Civil War. The Confederacy’s capital of Richmond was a chief distribution center for weapons, supplies, and troops, and the city resisted repeated Union assaults before officially capitulating on April 3, 1865. Once Union General Ulysses S. Grant had taken nearby Petersburg, Jefferson Davis, the Confederate President, and his Cabinet evacuated Richmond by rail, instructing Confederate soldiers to set fire to warehouses and bridges as they left. The flames spread unchecked and devastated the city before being extinguished by Northern troops after the city surrendered. Currier & Ives’s lithograph shows Rebel soldiers and Richmond residents crossing the Mayo Bridge over the James River on the night of April 2nd, 1865, as storehouses burn and munitions explode in the background. The columned portico of the Confederate Capitol (right) is illuminated by the flames, and reflections on the river emphasize the fires’ visual impact. President Abraham Lincoln and his son Tad visited the smoldering city on April 4th. Several days later, after the Confederate General Robert E. Lee surrendered to Grant at Appomattox, Lincoln was assassinated by a Confederate sympathizer in Washington, D.C. The catastrophic scene here anticipates that dire chain of events. Nathaniel Currier, who established a successful New York-based lithography firm in 1835, produced thousands of hand-colored prints in various sizes that together create a vivid panorama of mid-to-late nineteenth century American life and its history. In 1857, Currier made accountant James Merritt Ives, his brother Charles's brother-in-law, a business partner; the firm was then renamed Currier & Ives. People eagerly acquired Currier & Ives lithographs, such as those featuring landscapes, rural and city views, hunting and fishing scenes, domestic life and numerous other subjects, as an inexpensive way to decorate their homes or business establishments.
Evening coat
Object type: evening coat
Date: 1888 – 1890
Materials: silk
Culture: french
Artist: maison pingat
Artist role: design house
Artist nationality: french
Artist dates: 1860 – 

Emile Pingat had a proclivity for designing carefully finished dresses and outerwear which made him one of the top three French fashion designers during the second half of the 19th century. Active between 1860 and 1896, Pingat was adroit at manipulating multiple textiles and trimmings into a cohesive and elevated garment. He was inspired by design elements of other cultures and often reinterpreted them into his own work, making them unique and intriguing. His elaborately decorated and impeccably tailored outwear was particularly sought after. One such garment is this monochromatic-themed coat which exemplifies Pingat's expert use of various materials and textures to create a visual liveliness and opulence. There is an overall richness and depth that shows his masterful attention to trimmings and textiles, from the crimped fabric down to the subtle chenille edging amongst the plush.
Vrachtauto en vliegtuig
Object type: photograph
Date: 1940 – 1945
Materials: paper, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: truck, van, aircraft, aeroplane, modern forms of military vehicles, germany

Albumblad met twee foto's van Duitse militairen bij een vrachtauto en bij het wrak van een neergestorte Duitse jager. Onderdeel van een fotoalbum over de diensttijd van Dieter Glitsch uit Hardegsen tijdens de Tweede Wereldoorlog en de jaren daarna.
Amstelredamum, nobile Inferioris Germaniae oppidum, ad recipiendos, ex omnib. mondi partibus, mercatores, recenter natum (…)
Object type: print
Date: 1618 – 1657
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: cologne
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), folk costume, regional costume, maps of cities, amsterdam
Inscriptions: collector's mark: Lugt 1641b
Isabel Wachenheimer met vriendinnetjes in de tuin, en Else Wachenheimer met onbekende vrouw in de tuin, september 1934-mei 1935, Duitsland
Object type: photograph
Materials: paper, photographic support
Techniques: gelatin silver print
Location: germany
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: else wachenheimer-moos, leiden, isabel wachenheimer-elon, family life at home, germany
Inscriptions: inscription: ‘Bühler= der Schwan= höhe Sept.34 Sybille u Dodo Mai 35’

Blad bevat zes foto's. Alle foto's van Else Wachenheimer-Moos (in lichte kleding), onbekende vrouw (in witte kleding), Isabel Wachenheimer (met blond haar) en twee onbekende meisjes (met donker haar). Uit het album, half formaat, groen geaderd kartonomslag met koordbinding.
Pier Base
Object type: base
Date: 1130 – 1140
Materials: stone
Culture: french
Location: france
Debat met de sadduceeën en de farizeeën
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: pharisees and sadducees opposing christ

De prent is afkomstig uit een van de uitgaven van P.J. Paets uit Amsterdam. Ze wordt voor het eerst gebruikt in: Der Zielen Lust-hof. Leuven, I.Jacbosz voor P.J. Paets [= Amsterdam, P.J. Paets], 1629.
De voorstelling is gekopieerd naar een prent van Adriaen Collaert voor: Nadal, Jerónimo. Evangelicae Historiae Imagines. Antwerpen, M. Nutius, 1593.
Charity Begins at Home
Object type: print
Techniques: hand coloring, mezzotint
Location: england
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800
Subjects: infants,men,women

A thin woman dressed in rags and carrying a baby on her back begs for alms from a stout and well-dressed parson. City buildings are shown behind. The date and publisher's name are found on an impression of this print at the British Museum.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, head, neck, left shoulder, and hands of draped youth playing aulos
Vase
Object type: vase
Date: 1800 – 1900
Materials: porcelain
Culture: chinese
Location: china
Subjects: human figures
Glass jar with two handles
Object type: jar, handled
Date: 301 – 500
Materials: glass
Culture: roman

Translucent yellow green; handles in same color. Outsplayed rim, with rounded lip and, below, hollow, overhanging fold; short, tapering neck; narrow shoulder with rounded edge; bulbous side, tapering downwards; broad bottom with kick and central pontil scar; two rod handles, dropped on to edge of shoulder in large pads, drawn up, folded in and down, and trailed on to overhang and rim, ending above lip. Intact; few bubbles; dulling, patches of creamy weathering, and iridescence.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, seated draped figure to right?
VENEZIA-BASILICA DI S. MARCO DUE CAPITELLI NELL ABSIDE.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: st. mark's basilica
Artist: Anonymous
Subjects: capital (~ column, pillar), sculpture (+ relief ~ sculpture)
Inscriptions: number: ‘P.e 1.a N.o 15452.’, collector's mark: ‘RIJKS-NORMAALSCHOOL VOOR TEEKENONDERWIJZERS-AMSTERDAM’
Fossiele beenderen van een oeros, gevonden tijdens de watersnood, 1809
Object type: book illustration
Date: 1809 – 1809
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: netherlands
Subjects: fossil animals

Prent waarschijnlijk uit een deel van: Ewijk, Hendrik. Geschiedkundig verslag der dijkbreuken en overstroomingen, langs de rivieren in het Koningrijk Holland, voorgevallen in louwmaand MDCCCIX. 3 dln. Amsterdam: Johannes Allart en Jacobus Ruys, 1809.
Mrs. Charles Willson Peale (Rachel Brewer)
Object type: painting, miniature
Date: 1790 – 1790
Materials: ivory, watercolor
Culture: american
Artist: charles willson peale
Artist role: artist
Artist nationality: american
Artist dates: 1741 – 1827
Subjects: portraits,women

Peale painted this miniature of his first wife and another version just after her death. Both are based on an earlier, unlocated oil painting from 1771. Rachel Brewer (1744-1790) bore Peale eleven children, including the artists Raphaelle (q.v.), Rembrandt (1778-1860), and Rubens (1784-1865).
Nijmegen. Markt
Object type: photomechanical print
Date: 1913 – 1930
Materials: cardboard
Techniques: rotogravure
Location: rotterdam
Subjects: square, place, circus, etc., church (exterior), weigh-house
Design for a Male National Costume
Object type: drawing
Date: 1809 – 1809
Materials: ink, paper
Techniques: pen
Artist: johann andreas boerner
Artist role: artist
Artist nationality: german
Artist dates: 1785 – 1862
Subjects: men
Mr. Pierce
Object type: painting, miniature
Date: 1843 – 1843
Materials: ivory, watercolor
Culture: american
Artist: augustus fuller
Artist role: artist
Artist nationality: american
Artist dates: 1812 – 1873
Subjects: men,portraits
Jonge vrouw wuift vanuit raam
Object type: tissue stereograph
Date: 1868 – 1868
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring, perforating
Location: berlin
Artist: florent grau
Artist role: manufacturer
Subjects: waving farewell ~ departure on a journey
Inscriptions: inscription: ‘DÉPOSÉ A PARIS’
Mother and Children in Summer Night
Object type: drawing
Date: 1701 – 1900
Materials: ink, paper
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: children,infants,mothers
Dubbelportret van Luitardus en Guntramus van Habsburg
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van 58 prenten. Het meerendeel van de prenten bevat portretten van 74 leden van het Oostenrijkse Huis, naar tekeningen door Francesco Terzio, die deels getekend zijn naar de 28 levensgrote bronzen beelden die rond de cenotaaf van Maximiliaan I in de Hofkirche te Innsbruck staan.
Wapenboek met stadswapens van Hollandse steden
Object type: miniature
Date: 1672 – 1672
Materials: paper, parchment
Artist: johannes jacobsz van den aveele
Artist role: print maker
Artist dates: 1655 – 1727

Boek, gebonden in roze gekleurd perkament (z.g. splitsel binding), snede groen-bruin gespat; vele katernen van 2 bladen, gevormd door uitgeknipte en deels aan een kim of plakstrook van het vooraf aan de blad aangehechte, ingekleurde stadswapens: Hollandsche Steden (23 stuks).
De Jonge stier van P. Potter
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: bull, cow, sheep, song-birds: lark
Inscriptions: collector's mark: Lugt 2233

In een landschap bij twee bomen staat een stier en ligt een koe. Daarnaast een schaap, een lam en een bok. Achter de bomen een man. Verderop een weiland met koeien. Op de voorgrond een kikker en in de lucht een vogel. Naar het schilderij van Paulus Potter in het Mauritshuis in Den Haag. Midden onder de prijs van de prent: 75 cents.
Biddend meisje
Object type: drawing
Date: 1930 – 1935
Materials: pencil, paper
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: girl (child between toddler and youth), kneeling figure, holy communion ~ protestant service
Swiss Dagger with Scabbard
Object type: arm
Date: 1556 – 1556
Materials: bronze, steel, velvet, wood
Culture: swiss
Location: europe
Buste van een oude man
Object type: print
Date: 1631 – 1633
Materials: paper
Techniques: etching
Location: leiden
Subjects: old man
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 2228
Phoenix Ornament
Object type: ornament
Date: 960 – 1279
Materials: silver gilt, gemstone
Culture: chinese
Subjects: phoenix
Views of the Surroundings of Haarlem (Beschryvinge ende lof der stad Haerlem in Holland. In rijm bearbeyd: ende met veele oude ende nieuwe stucken buyten dicht uyt verscheyde kroniken, handvesten, brieven, memorien ofte geheugenissen ende diergelijke schriften verklaerd ende bevestigd)
Object type: print
Date: 1628 – 1628
Techniques: engraving, etching
Artist: claes jansz. visscher (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1586 – 1652
Amy & Essie Dillwyn; TSM Meggie & Mary
Object type: photograph
Date: 1861 – 1861
Techniques: albumen silver print, salted paper print
Artist: john dillwyn llewelyn
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1810 – 1882
Subjects: girls,infants,mothers,women
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, drapery and stick of a male
Les Fourchettes Chinoises, from En Chine, published in Le Charivari, December 27, 1858
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men
Bijeenkomst van het Leger des Heils in de volkszaal Emmanuël in de Gerard Doustraat te Amsterdam
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: assembly-room, the synagogue (as building and place of worship ~ jewish religion), salvation army
Inscriptions: collector's mark: ‘35-83’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: R.K. Gemeenten: Leger des Heils.
Cup
Object type: vessel
Date: 1 – 100
Materials: glass
Techniques: glassblowing
Location: mediterranean region

Initially affordable only among the wealthy, glass was used in ancient Rome as containers for oils, perfume, and tablewares. The variety of glass-making techniques reveals the changing tastes and fashions over the centuries. During the 1st century CE, cast glass was a novel form that was a luxury for the Roman household, but by the end of the century, the innovation of blown glass allowed for less labor-intensive and less expensive production, which meant people of lesser means could afford it. Blown glass became so popular it nearly supplanted ceramic and even bronze wares in the home.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from a kylix with part of the stem, with an ancient repair
Huis aan een weg in een heuvellandschap
Object type: drawing
Date: 1788 – 1841
Materials: chalk, paper
Artist: abraham johannes ruytenschildt
Artist role: draughtsman
Artist dates: 1778 – 1841
Subjects: landscapes, road, path, farm or solitary house in landscape
Ex libris van Gino Sabattini
Object type: bookplate
Date: 1937 – 1937
Materials: paper
Techniques: printing block
Location: bologna
Artist: Anonymous
Subjects: gino sabattini, tower, clock tower ~ monumental adornment, church (exterior), prospect of city, town panorama, silhouette of city
Inscriptions: inscription: ‘da una incisione del 1541 / (1937)’
Glass Fragment
Object type: fragment
Date: 1501 – 1600
Materials: glass, lead
Culture: south netherlandish
Ce qui représente la mer au peuple..., from "Croquis Parisiens"
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: crowd
Drie mannen op een vissersboot
Object type: sketchbook leaf
Date: 1797 – 1838
Materials: paper, pencil
Artist: johannes christiaan schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1838
Subjects: crew ~ ship, sailing-ship, sailing-boat

Blad 15 recto uit een schetsboek met 44 bladen.
Signaling Baton (<i>Saihai</i>) and Storage Box
Object type: signaling baton i saihai i and storage box
Date: 1701 – 1800
Materials: gold, lacquer, leather, paper, silk, silver, wood
Culture: japanese
Location: japan
Aangemeerde boten aan het Damrak in Amsterdam
Object type: print
Date: 1906 – 1906
Materials: paper
Techniques: aquatint, etching, intaglio
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: city dwellers, canals, waters (in city), boat propelled by man or animal
Inscriptions: inscription: ‘épreuve d'essai état definitif’, collector's mark: Lugt 2228

Aanlegsteiger met boten aan het Damrak. Daarachter de ingang van de Karnemelksteeg.
Hulp uit USA
Object type: documentary photograph
Date: 1946 – 1947
Materials: photographic support
Techniques: photography
Location: rotterdam
Subjects: rotterdam

Kranen uit de USA worden ingezet bij het herstel van de Rotterdamse haven. Deze kraan is aan de kade bezig met het ruimen van puin, met aan zijn linkerzijde een gereed liggende vrachtschip met zand en aan de rechterzijde een grote hoeveelheid puin. Tegen de achtergrond van de rivier en daarachter aan de horizon een woonwijk.
Figuren in roei- en zeilschepen
Object type: sketchbook leaf
Date: 1808 – 1864
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc., hay-stack
Inscriptions: date and inscription: ‘Meer in de boot met Sebel 2/8 64.’

Onder andere een figuur in een roeiboot met een hooibaal. Blad 9 recto uit een schetsboek met 98 bladen.
Secretary and bookcase
Object type: secretary and bookcase
Date: 1795 – 1810
Materials: wood
Culture: american
Location: united states

The combined desk and bookcase, with a fitted secretary drawer, the front of which drops down to provide a writing surface, offered an efficient means of conducting correspondence, managing household accounts, and storing a family’s books. Because they were a symbol of education and literacy, secretary bookcases were sometimes located in public rooms such as parlors or entry halls, where they could be on full display for visitors.
Portret van Balthasar Rittershausen op 65-jarige leeftijd
Object type: print
Date: 1602 – 1602
Materials: paper
Techniques: engraving, etching
Subjects: theologian, historical persons, lawyer, attorney at law
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de marge.
Johann Jacob Schüblers Siebende Ausgabe seines vorhabenden Wercks, Worinnen vorgestellet werden Neu-inventierte Sommer-Häuser, Garten-Cabinetten (...)
Object type: ornament print
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: garden fountain, summer-house, arbour, garden-house (dutch: 'theekoepel'), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Een geornamenteerd tuinhuis met putti en wapenschild. De deur van het tuinhuis is geopend en biedt een doorkijk naar een tuin met fontein in de achtergrond. Op de voorgrond twee fonteinen. In de ondermarge een drieregelige Duitse tekst.
Alice Sanson, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Cuneiform cylinder: inscription of Nebuchadnezzar II commemorating the reconstruction of Etemenanki, the ziggurat at Babylon
Object type: cuneiform cylinder
Date: 604 – 562
Materials: clay
Culture: babylonian
Location: mesopotamia
Standbeeld (mogelijk Garibaldi) en gezicht vanaf het water (Genua?)
Object type: photograph
Date: 1895 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: genoa
Artist: Anonymous
Subjects: tourism, monument, statue

Albumblad met twee foto's, mogelijk van Genua. Onderdeel van een fotoalbum van een reis door Italië, ca. 1900.
Portret van Constance van Arles
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Design for a Rattle and Whistle (recto); Crude Sketches of an Equine Animal and a Figure in Exotic Costume (verso)
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink, drawing material
Techniques: pen
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: human figures,musical instruments,animals
Portret van Frans Alexander van den Berg
Object type: cabinet photograph
Date: 1880 – 1914
Materials: cardboard, photographic support
Techniques: albumen print
Location: salzburg
Artist: carl ellinger
Artist role: fotograaf
Subjects: batavia, amsterdam, frans alexander van den berg
Inscriptions: name: ‘Ellinger, vorm. Bertel & Pietzner.’, name: ‘Carl Ellinger / vorm. Bertel & Pietzner / K. u K. Hof- und Kammer-Photographen / Salzburg / Schwarzstrasse No. 9’, inscription: ‘F. A. van den Berg’
Length
Object type: length
Date: 1825 – 1850
Materials: cotton
Overlijdensportret van Adam Friedrich Oeser
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: painter, sculptor, adam friedrich oeser, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Vrouw met een emmer
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: wooden container: barrel, cask, bucket, adult woman
Inscriptions: inscription: ‘Supplement to "The Practical Photographer," Dec. 1st, 1890.’

Prent op zesde ongenummerde pagina na pagina 294.
Vue de l'Ile Barbe sur la Saône à Lyon
Object type: print
Date: 1824 – 1856
Materials: paper
Techniques: lithograph
Location: paris
Subjects: island (+ landscape with figures, staffage), river (+ landscape with figures, staffage), lyon
Inscriptions: check stamp: ‘D U [...]’, collector's mark: Lugt 2228a
Springtime
Object type: ansichtkaart, prentbriefkaart
Date: 1931 – 1960
Materials: photographic support
Techniques: photography
Location: baltimore
Subjects: meadow, pasture, adult woman (+ sitting), dress, gown
Ontwerp voor een boekomslag voor een werk van Bilderdijk en Zwier van Haren
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: chalk, ink, paper, watercolor
Techniques: brush, pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: book-cover, binding
Inscriptions: annotation: ‘Jhr ONNO ZWIER VAN HAREN/ Mr WILLEM BILDERDIJK/ AAN MR Jaco[...]/ Moltst’

Blad 13 recto uit een schetsboek met 44 bladen.
Portrait of a Stallion
Object type: illustrated album leaf
Date: 1701 – 1800
Materials: ink, paper
Location: iran
Subjects: horses

This powerful stallion with its oddly drawn head and broad forehead deviates from the sixteenth– and seventeenth–century norm of Persian steeds with long, elegant necks and large hindquarters. Instead it conforms to the eighteenth century images of the dappled grey horse of Nadir Shah, the Zand ruler who sacked Delhi in 1739 and led many campaigns against the Ottomans. This horse has the same small nostrils and ears as Nadir Shah's horse.
Trouwe dienst bij de marine
Object type: insignia
Materials: bronze
Techniques: striking
Artist: Anonymous

Bronzen draagteken aan draagoog en draagring. Voorzijde: gekroonde hermelijnen mantel; daarop letter W. Keerzijde: gekroond wapenschild op twee gekruiste ankers binnen omschrift.