deem-data/ArtiFact huggingface dataset:
Oor van een pot uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: stoneware
Location: westerwald
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Stoneware, Rhenish, Westerwald, pot; of handle, sim. NG 1980-27H2624r.
Drie ribben van de walvis, 1827
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: brussels
Artist: jean baptiste ambroise marcellin jobard
Artist role: print maker, publisher
Artist dates: 1792 – 1861
Subjects: herman kessels, swimming mammals: whale (+ dying animal; death of animal; dead animal)

Drie ribben van de walvis. Illustratie in een publicatie over de walvis gestrand op 4 november 1827 bij Oostende. De walvis was eigendom van H. Kessels en J. Dubar.
Long neck vase with tubular handles
Object type: vase
Date: 1201 – 1300
Materials: copper alloy
Culture: chinese

This vase’s design foreshadows the revolutionary interpretations of archaic bronzes in the thirteenth century. While the tubular handles and overall shape have roots in ancient bronze ritual wine containers, its elongated neck is inspired by Song ceramics. The four bladelike lappets also derive from ancient bronzes, but they exist as independent motifs that float free of the vessel shape. Covered in a brownish-black patina, the vase evokes the appeal of the remote past.
Side chair
Object type: side chair
Date: 1740 – 1760
Culture: american
Location: united states
Sugar Bowl
Object type: sugar bowl
Date: 1795 – 1795
Materials: silver
Culture: american
Location: united states
Artist: david vinton
Artist role: maker
Artist nationality: american
Artist dates: 1774 – 1833
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: linen, silk
Culture: mexican
Location: mexico
Farnese Palace Interior, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1560 – 1560
Techniques: engraving, etching
Artist: Anonymous
Artist role: artist
Subjects: architecture,palaces,interiors,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 50 in the scrapbook.
Callot dwarf
Object type: figure
Date: 1710 – 1719
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Portret van een vrouw met muts en medaillon
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: historical persons - bb - woman, pendant, trinket, 'breloque', old woman, head-gear: cap
Velsen 1630
Object type: print
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: prospect of village, silhouette of village, church (exterior), ruin of church, monastery, etc.

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 1, ill. 49 en 50.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Dish depicting the Trojan Horse
Object type: dish
Date: 1534 – 1566
Techniques: maiolica, glazing
Subjects: trojan war,children,men,horses
Aanbidding door de herders
Object type: print
Date: 1590 – 1637
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: collector's mark: Lugt 2228

Maria zit naast het Christuskind, achter haar staat Jozef. De herders scharen zich in aanbidding om hen heen. Engelen kijken toe vanuit de hemel. Op de achtergrond de verkondiging aan de herders. In de marge een achtregelig onderschrift, in twee kolommen, in het Latijn.
Portrait of Mr. Renton (from Sketchbook)
Object type: drawing
Date: 1870 – 1870
Materials: graphite, paper
Culture: american
Artist: daniel huntington
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1906
Subjects: men

The leading portraitist in New York during the post-Civil War period--and president of the National Academy of Design from 1862 to 1870 and from 1877 to 1890--Daniel Huntington was a conservative painter, a man highly respected by his clients and colleagues throughout his long career. Although he traveled widely and frequently during the mid- and late nineteenth century, he shunned new artistic concepts and styles. As a staunch academician in technique and manner, Huntington understood that proper draftsmanship was at the core of accomplished painting. He sketched throughout the course of his life and his extant drawings number over a thousand. This page is from one of Huntington’s sketchbooks that contains forty-one drawings in graphite, some in a panorama format. The sketches are primarily of scenic locations in New York State including, Cornwall, Walton, and Mohonk subjects. Many of the drawings are dated 1871 and most are inscribed with the site represented.
Hollands Arcadia, of de vermaarde rivier den Amstel
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view in general; 'veduta', river, hotel, hostelry, inn, boat propelled by man or animal

Prent waarschijnlijk uit: Tijsens, Gijsbert. Hollands Arcadia, of de vermaarde rivier den Amstel (...) naar 't léven getekend en in 't ligt gebragt door Abraham Rademaker (...). Amsterdam: Leonardus Schenk, 1730.
Box for Square Calligraphy Paper (shikishi-bako) with a Bugaku Helmet on Checkered Ground
Object type: writing box
Date: 1701 – 1800
Materials: gold, gold foil, lacquer, wood
Techniques: hiramakie, lacquer, maki-e
Culture: japanese
Sword (Parang Pandit) with Scabbard
Object type: sword parang pandit with scabbard
Date: 1701 – 1900
Materials: brass, silver, steel, wood
Culture: dyak
Location: borneo
Colorless glass ring stone
Object type: intaglio
Date: 1 – 100
Materials: glass, paste
Culture: roman
Subjects: men

Priest pouring a libation at an altar.
David Rex
Object type: print
Date: 1582 – 1635
Materials: paper
Techniques: engraving
Location: low countries
Subjects: frequently used ornamental compositions, david (one of the nine worthies)

Koning David, een beroemde veldheer uit het Oude Testament, bespeelt de harp in een landschap. Hij maakt deel uit van De Negen Besten. Op de achtergond zijn overwinning op Goliat. Onder de voorstelling een vers in het Latijn. De voorstelling is gevat in een omlijsting met krulornamenten en verschillende dieren zoals een kat die naar een muis loert, apen en konijnen waarop twee jongens jagen. Deze prent maakt deel uit van een album.
Gezicht op schepen in de haven van Saint-Tropez
Object type: photograph
Date: 1899 – 1899
Materials: paper, photographic support
Techniques: gelatin silver print
Location: saint-tropez
Artist: delizy
Artist role: manufacturer
Subjects: sailing-ship, sailing-boat, harbour (+ view ~ vehicle, ship, etc.), steamship, motorship

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Twee studies van een groep vrouwen
Object type: drawing
Date: 1600 – 1699
Materials: paper
Techniques: brush
Artist: joseph de coster
Artist role: draughtsman
Fotoreproductie van het schilderij The Death of Major Peirson, 6 January 1781 door John Singleton Copley
Object type: reproduction
Date: 1871 – 1881
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: battle, picture, painting
Tsaar Nicolaas II en Frankrijk
Object type: cartoon
Date: 1899 – 1899
Materials: paper
Techniques: line block
Location: england
Artist: edward linley sambourne
Artist role: draughtsman
Artist dates: 1844 – 1910
Subjects: personifications of countries, nations, states, districts, etc., deep-sea diving, political caricatures and satires

Tsaar Nicolaas II van Rusland als portier wil wel de Franse maagd maar niet haar partner de diepzeeduiker (onderzee torpedoboot) toelaten tot het bal. Politieke spotprent uit het Engelse satirische tijdschrift Punch, 1899.
Card 429, Miss Carey, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,profiles,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Bust of a Roman emperor, probably Emperor Caius Caesar
Object type: cameo medallion
Date: 1701 – 1800
Artist: josiah wedgwood
Artist role: factory
Artist nationality: british
Artist dates: 1730 – 1795
Subjects: profiles

The subject is intended to be a likeness of Caius Caesar, called Caligula (b. 12 A.D., emperor 37–41), but cannot be certainly a likeness since the portraits of the emperors of this period are all very similar in appearance.
Gezicht op Middelhoek aan de Vecht
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: etching
Subjects: river, rural housing, e.g. country-house, villa, cottage, vecht

Prent uit: De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende. Amsterdam: Wed. Nicolaes Visscher, 1719.
Panels from a Funerary Couch (Guanchuang)
Object type: religious ritual object
Materials: limestone
Location: china

These stone panels were originally assembled to enclose the back and short sides of a low, couchlike platform that held a coffin in a tomb. This “funerary couch” was probably supported along the front and back by two long stone slabs, each elevated on rectangular feet. Such a coffin platform may also have been partially enclosed in front by two stones carved to resemble gate towers, making the couch resemble the walled enclosure of a villa or a city.

The original order of the Art Institute stones is not certain. Their present sequence is based on their relative lengths and pictorial compositions as well as on the alignment of the iron hinges. The left and right stones—one including a bullock cart, the other a horse with decorative trappings—may each have formed one short side of the funerary couch. The two stones between them—depicting scenes of figures under canopied platforms or umbrellas (both symbols of high status)—together may have formed the back of this structure. As reconstructed, these scenes present a symmetrical composition that is bracketed at either end by figures facing inward. Such linear drawings in stone enable us to imagine the appearance of early horizontal scroll paintings.

Eight framed figural compositions are engraved into the inner surface of these smoothly polished stones. The figures’ proportions and clothing are characteristic of early sixth-century Chinese styles, as known from datable tomb figurines, stone carvings, and rare surviving paintings. Except for the bearded gentlemen and those wearing baggy trousers and small “official” caps, with or without projecting wings, most of these figures seem to depict women. Not all figures, however, can be clearly distinguished as to sex, since long robes with wide collars, high sashes, and flowing sleeves were worn by aristocratic men and women alike, who also shared a hairstyle of upswept side buns. These figures are grouped in stagelike settings—hills, mountains, trees and bushes with decorative foliage patterns, and windblown cloudbands—which suggest what early pictorial landscapes may have looked like.
Portret van Georg von Mecklenburg-Strelitz
Object type: print
Date: 1808 – 1868
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Vermoedelijk afkomstig uit: Almanach de Gotha.
De Bataafse oorlogen tegen de Romeinen
Object type: print
Date: 1611 – 1612
Materials: paper
Techniques: etching, letterpress printing
Location: southern netherlands
Subjects: battle, the soldier; the soldier's life, retreat of the defeated

Julius Civilis wordt in de strijd tegen de Romeinen gedwongen af te stijgen van zijn paard en zwemmend de rivier over te steken. Het leger van Civilis moet ook terugtrekken. Onderschrift in het Nederlands en in het Latijn.
Page from Ein new kunstlich Modelbuch...(Page 13r)
Object type: book print ornament architecture
Date: 1544 – 1544
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550

Published by Peter Guentel, Cologne. Illustrated title page, architectural border on reverse of title page, 99 pages of designs, arms of Cologne on last page (Merlos 1063.477, Van Worms).
Portret van Prof. Diederik Johannes Korteweg
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Artist: theo molkenboer
Artist role: draughtsman, print maker
Artist dates: 1871 – 1920
Subjects: den bosch, amsterdam, moustache, historical persons, professor
Inscriptions: collector's mark: Lugt 2228
Figuren tussen wapens en vazen
Object type: print
Date: 1583 – 1638
Materials: paper
Techniques: etching
Location: italy
Subjects: sitting figure, weapons, slavery; serfs and enslaved persons, ornament ~ cartouche, prisoner of war (after the battle)
Inscriptions: collector's mark: Lugt 240

Titelprent bij een reeks van vijf prenten.
Plate
Object type: plate
Date: 1840 – 1854
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: william ridgway & co.
Artist role: maker
Artist nationality: british
Artist dates: 1834 – 1854
Sarusato, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Oude vrouw met parasol, lopend langs de kust
Object type: photograph
Date: 1955 – 1970
Materials: paper
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Subjects: old woman, walking, parasol, sunshade
Rkangling
Object type: rkangling leg bone flute
Date: 1801 – 1900
Materials: bone, copper, thread
Culture: tibetan
Location: tibet
Subjects: mythical creatures

The thighbone of a lama priest is the original form of the metal trumpets in this case. A single rkang-gling ('leg bone flute') is used with a pellet drum to escape epidemics. Pairs signal the entry of ritual dancers, and perform rituals connected with fierce deities. The head of a chu-srin (Sanskrit: makara), a sea monster or a dragon, often provides a decorative metalwork bell. When the rkang-gling is made of metal, bosses decorated with trefoils cover the joints where the sections of cooper and/or silver tube are joined. The trefoil, a three cusped design, is an emblem of power and authority and is used as the head of a scepter. The chu-srin and dragon are associated with water and rain and may decorate the rkang-gling.
Isabel Wachenheimer als medewerker van KLM met collega's op de toegangstrap naar een vliegtuig
Object type: photograph
Date: 1947 – 1956
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: buchenwald

Isabel Wachenheimer (5e van links) en collega's.
Tafellaken
Object type: tablecloth
Date: 1700 – 1799
Materials: linen
Techniques: peeled fabric
Location: netherlands

Wit linnen tafellaken met een pellen patroon en randen rondom, merk BS 3 WH 2oonl.
Verovering van Temesvar
Object type: history medal
Date: 1716 – 1716
Materials: silver
Techniques: striking
Location: antwerp
Artist: philippe roëttiers (ii)
Artist role: medailleur
Artist dates: 1640 – 1718
Subjects: vienna, charles vi (holy roman emperor)

Zilveren penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: gezicht op stad Temesvar aan rivier binnen omschrift
Hilly Landscape near Gauchy, Aisne, Hauts-de-France
Object type: drawing
Date: 1667 – 1667
Materials: chalk, paper
Techniques: brush
Location: gauchy
Artist: josua de grave
Artist role: draughtsman
Artist dates: 1645 – 1712
Subjects: prospect of village, silhouette of village, gauchy
Tooneel Decoratief
Object type: print
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: mother and son(s) (family group), group of actors, troupe; actors on the stage
Inscriptions: collector's mark: Lugt 2228

Lambert Melisz trekt zijn moeder zittend op een slee voort over een bevroren plas. In de achtergrond brandt het door de Spanjaarden bezette dorp Westzaan. Onderdeel van een omslag met een serie van zeven lithografieën van operascènes opgevoerd in de stadsschouwburg te Amsterdam.
Bijbelsche geschiedenissen uit het Oude Testament
Object type: popular print
Date: 1871 – 1908
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: samson grinding in prison (in a treadmill), ruth and naomi in bethlehem (ruth 2:1-2), hannah's prayer and song of thankfulness, old testament, othniel conquers debir, and receives caleb's daughter achsah to wife
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van verhalen uit het Oude Testament. Kaleb en zijn dochter, Simson in de gevangenis, Boaz en Ruth en Hanna's gebed. Onder elke afbeelding de bijbehorende Bijbeltekst. Genummerd linksboven: No. 12.
Former Dandies from the time of the Directory, plate 7 from Tout Ce Qu'on Voudra
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Entrance to Black Cañon, Colorado River
Object type: photograph
Date: 1871 – 1871
Techniques: albumen print
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards
Piece
Object type: piece
Date: 1701 – 1733
Materials: metal thread, silk
Subjects: flowers,leaves

Panels such as this—with its extraordinary patterns in long repeats—were called "bizarre" by the Danish scholar Slomann, who believed they were made in India. Most scholars consider them an exotic phase in the history of European silk weaving.
Hat
Object type: hat
Date: 1870 – 1870
Materials: wool
Culture: american
Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae
Object type: album leaf
Date: 1569 – 1573
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: tetragram (in roman or hebrew script) ~ symbol of god the father, activities of devil(s), 'thy kingdom come' ~ the lord's prayer

Mannen en vrouwen proberen zich te ontdoen van de ketenen waarmee de duivel, die op een wereldbol zit, hen vasthoudt. Ze bidden tot God. Rechtsboven in de wolken het tetragram van God de Vader. Illustratie van de tweede regel van het Onze Vader gebed: Laat uw koninkrijk komen. Onder de voorstelling dit gedeelte van het Onze Vader in het Latijn en een verwijzing naar de Bijbeltekst in Mat. 6:10. Deze prent maakt deel uit van een album.
Allegorie op de geboorte van de prins van Oranje, 1748
Object type: print
Date: 1748 – 1748
Materials: textile
Techniques: engraving
Location: northern netherlands
Artist: gerrit sibersma
Artist role: print maker
Subjects: william v (prince of orange), charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues
Inscriptions: collector's mark: Lugt 2228

Allegorie op de geboorte van Willem V, de graaf van Buren, prins van Oranje, 8 maart 1748. Interieur met links de Vrijheid en de Wijsheid, rechts de Liefde op de troon, centraal twee putti met een embleem met de Oranjeboom.
Pamela, or; Virtue Rewarded
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: engraving, etching
Location: england
Subjects: pleading, interior of the house, male literary characters (pamela)
Inscriptions: date

Maakt deel uit van een serie van twaalf prenten naar schilderijen door Joseph Highmore uit 1744, gebaseerd op de Engelse zedenroman "Pamela, or; Virtue rewarded" geschreven door Samual Richardson en gepubliceerd in 1740-1741.
Pamela is een jonge dienstbode die in haar brieven haar ouders op de hoogte houdt van haar avonturen. Als haar meesteres sterft komt ze onder de hoede van de zoon des huizes, graaf Belfart, die haar vergeefs probeert te verleiden. Uiteindelijk trouwt hij haar alsnog.
Beaker
Object type: beaker
Date: 1687 – 1688
Materials: gilt, silver
Artist: c.c., viborg, denmark
Artist role: maker
Subjects: flowers
Landscape
Object type: hanging scroll
Date: 1909 – 1909
Materials: ink, paper
Culture: chinese
Artist: wu shixian
Artist role: artist
Artist nationality: chinese
Artist dates:  – 1916
A Nymph Bathing, Moonlight
Object type: print
Date: 1890 – 1900
Materials: paper
Techniques: aquatint, drypoint, etching
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926
Bloemenvaas
Object type: print
Date: 1771 – 1816
Materials: paper
Techniques: etching, roulette
Location: haarlem
Subjects: flowers in a vase
Inscriptions: signature and date: ‘r.o. : H. Schwegman sculps. l.o. : J. van Huysum del.’, collector's mark: Lugt 2228

Een vaas met bloemen, waaronder pioenrozen. Op de plint ligt een rozentak.
Bottle
Object type: bottle
Date: 1701 – 1800
Materials: stone
Culture: chinese
The Governess
Object type: print
Date: 1739 – 1739
Techniques: engraving
Artist: bernard lepicié
Artist role: artist
Artist nationality: french
Artist dates: 1698 – 1755
Subjects: hats,boys,women,toys
Gezicht op Loreto
Object type: album leaf
Date: 1642 – 1642
Materials: paper
Techniques: colour, etching
Location: paris
Subjects: city-view, and landscape with man-made constructions, church (exterior), city-walls

Prent maakt deel uit van een reeks van twaalf prenten van gezichten op antieke en moderne monumenten in Rome.

De prent is langs de bovenrand van de voorstelling afgescheurd. De voorstelling is aan de bovenzijde aangevuld met een geschilderde lucht.