deem-data/ArtiFact huggingface dataset:
Gesprek tussen Aleksandr Mensjikov en Concino Concini
Object type: print
Date: 1708 – 1730
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: paris, conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2228

Prent uit het tijdschrift: S.n. Maandelyksche berichten uit de andere waerelt; of de spreekende dooden. Amsterdam: Ratelband, weduwe Johannes, augustus 1730.
Prent afkomstig uit een plakalbum met titelprenten, ornamenten etc. op blauw papier in 1983 uit elkaar gehaald. Volgens een notitie op verso zat de prent op p. 112 van dit album.
A Lady Seated
Object type: print
Date: 1893 – 1893
Materials: ink, paper
Techniques: brush, lithograph, scraping
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Medaillon met Dido in een rolwerk omlijsting
Object type: ornament print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching, intaglio
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: (story of) dido, scrollwork, strapwork ~ ornament, mask, mascaron ~ ornament, ornament derived from plant forms
Inscriptions: number: ‘95’, collector's mark: Lugt 2228
Opstanding
Object type: sketchbook leaf
Date: 1841 – 1841
Materials: paper, pencil
Artist: Anonymous
Subjects: christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Blad 2 recto uit een schetsboek met 33 bladen.
Schiller's lied van de klok
Object type: book
Date: 1879 – 1879
Materials: cardboard, linen, paper
Techniques: albumen print, letterpress printing, engraving
Location: leiden
Inscriptions: inscription: ‘Jo v.d. Wal.’, stamp: ‘Joh. A. Pieterse/ AMSTERDAM.’
Designs for Two Gothic Style Chairs
Object type: drawing
Date: 1801 – 1900
Materials: graphite, watercolor
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: chairs
New York life insurance co. New Home, Office building, New York
Object type: album leaf
Date: 1928 – 1928
Materials: paper
Techniques: four-color autotype
Artist: Anonymous
Subjects: skyscraper, new york (city)
Inscriptions: number: ‘28230’
Zuilen van de Dorische orde
Object type: album leaf
Date: 1714 – 1714
Materials: paper
Techniques: etching
Location: paris
Subjects: doric order ~ architecture

Prenten uit: Leclerc, Sébastien (I). Traité d'architecture. Parijs: Pierre François Giffart, 1714.
Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 19 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Artist: domenico da sera
Artist role: publisher
Artist nationality: french
Artist dates: 1500 – 1599
Subjects: ornament

Published by Domenico da Sera Lyons. From top to bottom, and left to right: Design composed of 2 horizontal registers. Top register is decorated with a pattern of overlapping squares; each square frames a quatrefoil motif in the center. Bottom register is decorated with a pattern of white diamonds or octagons that are inscribed with "IHS" or other letters.
Der Artzt
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching
Subjects: quack, charlatan, mountebank, 'saltimbanco'
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Sancta Clara, Abraham à. Etwas für Alle, das ist: Eine kurtze Beschreibung allerley Stands- Ambts- und Gewerbs-Persohnen (...), 3 delen (1699-1733). Würtzburg: Martin Frantz Hertz, 1711, dl. III, p. 926. Het betreft hier de tweede druk van deel III.
Diverse onderwerpen
Object type: album leaf
Materials: photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: adult woman, laying flowers or wreath on grave, child, historical persons, bedroom

Groepsportret bij een woning op 45 Rue d'Elbeuf te Rouen, een vrouw bij een waterput te Criccietch, een portret van een jongen en een vrouw, het interieur van de slaapkamer van M. Ord en twee vrouwen, S. Ord en G. A. Fryer, bij het graf van Maria Ord. Deze pagina maakt deel uit van een album.
Interieur van de rooms-katholieke schuilkerk Het Boompje te Amsterdam
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: interior of church, altar
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: R.K. Gemeenten: Begijnhof t/m Petrus en Paulus.
Le Magasin de Meubles
Object type: print
Date: 1878 – 1904
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery

Een venster met gedrapeerde gordijnen in de Lodewijk XVI-stijl. Voor het venster staat een zitmeubel. Prent uit 72e Livraison.
Gezicht op slot Ållonö
Object type: album leaf
Date: 1690 – 1690
Materials: paper
Techniques: etching
Location: stockholm
Subjects: housing
Inscriptions: date

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
Spoon
Object type: metalwork
Date: 1800 – 1800
Materials: silver
Location: nantucket island
Artist: benjamin bunker
Inscriptions: Inscribed on back of handle in script: "Peter Folger/to/Peter Ewer/born 15 March/1800"; maker's mark "BB" in Roman capitals in square, struck twice on handle
Gezicht op de poorten van Havana
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: tone lithography
Location: cuba
Subjects: diligence, omnibus, horse-tram, city-view, and landscape with man-made constructions, city-walls, city-gate
Inscriptions: collector's mark: Lugt 2228
Sampler
Object type: sampler
Date: 1735 – 1735
Materials: linen
Apparel for a vestment woven with figurative repeat design of Seraphim and IHS Christogram in glories
Object type: clothing
Date: 1401 – 1600
Materials: linen, metal thread, silk
Pin, eyelet type
Object type: pin, eyelet type
Date: 7000 – 330
Materials: bronze
Mida sept 1933
Object type: photograph
Date: 1933 – 1960
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: adriaan bijl
Artist role: fotograaf
Artist dates: 1874 – 1967
Subjects: drawing, historical persons - bb - woman, girl (child between toddler and youth), netherlands
Inscriptions: title: ‘Mida sept 1933’, annotation: ‘Reproductie van nagelaten werk van Han van der Kop’
Coin
Object type: coin
Materials: copper
Location: qumis

This coin was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Oilette
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1908
Materials: cardboard
Techniques: writing
Location: berlin
Subjects: church (exterior)
Marie Touchet, dame d'Entrague
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Terracotta trick vase
Object type: jug with female head
Date: 750 – 600
Materials: terracotta
Culture: cypriot
Subjects: heads,women

The spout and neck are in the form of a woman's head. The "trick" in the vase consists of a hole in the underside of the foot. When the opening was unplugged, the contents of the vase would flow out.
Table knife
Object type: table knife
Date: 1501 – 1600
Materials: mother of pearl, silver, steel
Pillowcase
Object type: pillowcase
Date: 1701 – 1800
Materials: linen, silk
Subjects: birds
Galopperend paard voor een koets
Object type: sketchbook leaf
Date: 1895 – 1900
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: animal traction, animal-drawn vehicle (carriage etc.), galloping horse

Voorop de koets zit een man met een zweep. Blad 14 verso uit een schetsboek met 19 bladen.
Horizontal Landscape with the remains of the Nymphaeum, mistakenly identified as the Temple of Minerva Medica in Rome, from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'
Object type: book print ornament architecture
Date: 1554 – 1554
Techniques: etching
Artist: lambert suavius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1510 – 1576
Subjects: ruins,landscapes,plants

Horizontal plate with a depiction of the remains of a Nymphaeum, historically mistaken for the Temple of Minerva Medica in Rome. The building is depicted as seen from the South, from what is now the Via Giovanni Giolitti. Its foundations are partially burried and the building is covered in plants. The dome of the building is more complete in this depiction than in its modern-day state of preservation. This is congruous with other sixteenth and seventeenth depictions of the building, suggesting that this depiction if based on an in situ obervation of the structure. 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' is a print series published by Gerard de Jode, containing depictions of buildings from Classical Antiquity, set in stylized landscapes. The plates in the series can be divided in two groups: seventeen plates are landscape scenes, which contain ruines of identifiable buildings. Fifteen plates stand out from these atmospheric landscapes, and can be identified as close (sometimes reversed) copies after an Italian print series, previously attriputed to the Master G. A. with the Caltrop, and first published in Rome between 1530 and 1550. The prints also depict buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states.
Hertenjacht met twee ruiters
Object type: print
Date: 1710 – 1763
Materials: paper
Techniques: etching
Artist: jan peeter verdussen
Artist role: print maker
Artist dates: 1700 – 1763
Subjects: riding a horse, ass, or mule; rider, horseman, stag-hunting, hunting dogs
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Twee ruiters tijdens een hertenjacht in een landschap. Op de voorgrond twee honden.
The Meeting of the Magi
Object type: sculpture
Date: 1475 – 1477
Materials: wood
Techniques: cutting, polychromy
Location: utrecht
Artist: adriaen van wesel
Artist role: sculptor
Artist dates: 1415 – 1490
Subjects: the three wise men meet at the crossroads, den bosch

These figures were part of a large altar in the chapel of the Confraternity of Our Lady in ‘s Hertogenbosch. This was a highly innovative altar, with its lively, expressive scenes and figures. Five fragments are arranged here in their original order. The adoration of the newborn Child (now missing) by the Virgin, Joseph and the angels was at the very centre of the altar.
Pissend paard
Object type: print
Date: 1624 – 1661
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: horse
Inscriptions: collector's mark: Lugt 2228a

Landschap met op de voorgrond een pissend paard. Op de achtergrond in het midden zit een man, rechts staat een tweede paard.
Geschiedenis van het Romeinse Rijk
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: etching
Location: rome
Artist: bartolomeo pinelli
Artist role: draughtsman, print maker, sculptor
Artist dates: 1781 – 1835
Subjects: (story of) coriolanus, veturia, mother of coriolanus (one of the nine worthiest women), coriolanus (c. or cn. marcius) is met by his wife volumnia (alternatively called vergilia) with their two small sons, and his mother veturia (alternatively called volumnia); they entreat him not to fight any more
Inscriptions: inscription: ‘Vetturia de macht kennende welke zij steeds over haren zoon Coriolanus gehad had, ontwapent hem en bevrijdt aldus / Rome van het groot gevaar waarin het verkeerd had.’, collector's mark: Lugt 2228

Gaius Marcius Coriolanus wordt ontwapend door zijn moeder Veturia. Links een groep treurende vrouwen en kinderen. Rechts het leger van Coriolanus.
Portret van Gottfried Bönigke
Object type: print
Date: 1717 – 1733
Materials: paper
Techniques: engraving
Location: halle an der saale
Subjects: gottfried bönigke, historical persons
Inscriptions: collector's mark: Lugt 2228
Zie, leezer! hier verscheidenheid / Van bouwmans nutten arrebeid, [(...)]
Object type: popular print
Date: 1794 – 1804
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: gerrit oortman
Artist role: print maker
Artist dates: 1781 – 1822
Subjects: farmers, agriculture, cattle-breeding, horticulture, flowerculture, etc.
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van het werk van de boer in landbouw en veeteelt. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: D.
The Night School
Object type: painting
Date: 1660 – 1665
Materials: oil, panel
Artist: gerard dou
Artist role: draughtsman, painter
Artist dates: 1613 – 1675
Subjects: candle, elementary school; class, form
Inscriptions: signature: ‘GDou’

Light and dark, virtue and vice are juxtaposed here. Bathed in bright candlelight, a girl earnestly recites her lesson, while in the shadows the schoolmaster admonishes a boy. In the foreground, a second pupil, candle in hand, helps another with his schoolwork.
The candlelight here symbolizes reason.
Schotel, veelkleurig beschilderd met Deutsche Blumen, insekten en vruchten
Object type: eating drinking utensil
Date: 1750 – 1760
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: factory mark

Ovale schotel van beschilderd porselein, met een hoge opstaande geschulpte rand, versierd met het Neuozier-patroon in reliëf. Twee vlak naar buiten springende gedeelten van de rand vormen de oren; deze zijn gewelfd en afgezet met een gouden blokrand. De schotel is beschilderd met Deutsche Blumen, insekten en vruchten. De schotel is gemerkt en hoort bij een servies (BK-17474-1 t/m BK-17474-253).
"Rustam Blames Kai Kavus for the Death of Siyavush", Folio 202v from the Shahnama (Book of Kings) of Shah Tahmasp
Object type: folio from an illustrated manuscript
Date: 1525 – 1530
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: men

The news of the death of Siyavush causes lamentation at the Iranian court and in Zabulistan, where Rustam swears to avenge his murder. After a period of mourning, Rustam journeys with his army to the court of Kai Kavus. First, he reproaches the shah for listening to Sudaba and allowing Siyavush to go to Turan. Next, he drags Sudaba out of her chambers and stabs her to death. After seven days of mourning, he issues the call to battle and departs with the army for Turan.
Dom van Milaan
Object type: photograph
Date: 1898 – 1898
Materials: photographic support
Techniques: albumen print
Location: italy
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: date
Schoorsteenmantel met drie spiegels
Object type: ornament print
Date: 1680 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: mirror, chimney-piece, mantelpiece
Inscriptions: number: ‘3’

Schoorsteenmantel met een gedeeltelijk gebogen tablet boven een ovale spiegel. Op het tablet staan, aan weerszijden van een Chinees beeld, twee Chinese vazen. Daarboven hangen twee spiegellijsten. Aan de zijkanten hangen drie consoles met Chinees porselein.
Forum Romanum
Object type: drawing
Date: 1861 – 1904
Materials: paper, pencil
Artist: thomas cool
Artist role: draughtsman, painter
Artist dates: 1851 – 1904
Subjects: landscape with ruins, rome
Imagerie Artistique / Série 10
Object type: popular print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Subjects: animals (+ stuffed animal), theft, tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen uit het verhaal van de boze veldwachter en de opgezette marmot. Onder elke afbeelding een onderschrift. Genummerd linksboven: Série 10. - No. 19.
Magnificat anima mea Dominum (mijn ziel prijst de heer)
Object type: print
Date: 1724 – 1724
Materials: paper
Techniques: engraving, etching
Subjects: mary magnifying the lord ('magnificat')
Inscriptions: collector's mark: Lugt 2228

Maria staat op een trede voor een tempel, de armen opgeheven. Boven haar hoofd een stralenkrans en engelen in een wolk. Met omstanders.
A forbidden swimming pleasure, from 'The bathers,' published in Le Petit Journal pour Rire, August 6, 1864
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,bathing
Gun Shield
Object type: arm
Date: 1544 – 1544
Materials: fiber, hemp, iron, steel, textile, wood, wool
Culture: italian
Location: italy

A curious and seemingly impractical invention, this gun shield was one of at least 66 recorded in the Tower of London. They were commissioned or purchased for military use by Henry VIII from an Italian merchant, Giovanbattista of Ravenna, around 1544. The king must have been fascinated by its novelty. Revolutionary for its time, the shield is fitted with a breach (backend)-loading matchlock pistol that was designed to accept a preloaded steel cartridge into the chamber. To fire, the gunner had to hold the shield with his left forearm, aim through the protective grill, and pull a lever holding a smol- dering match with his right hand. The body of the shield was constructed of plywood covered in hemp padding and wool, which can be seen at the back.
Landschap met een vrouw knielend bij enkele geiten
Object type: sketchbook leaf
Date: 1849 – 1917
Materials: paper, pencil
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: kneeling figure (+ female (human being) (not to be used where -aa- is prescribed)), goat, landscapes (+ landscape with figures, staffage)

Blad 18 verso uit een schetsboek met 35 bladen.
Portret van een onbekende man met baard
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: etching
Location: low countries
Artist: monogrammist bvh
Artist role: print maker
Subjects: anonymous historical person portrayed alone
Inscriptions: collector's mark: Lugt 2228
Huiselijke werkzaamheden
Object type: print
Date: 1648 – 1650
Materials: paper
Techniques: engraving
Location: netherlands
Artist: geertruydt roghman
Artist role: print maker
Artist dates: 1625 – 1657
Subjects: polishing (~ cleaning the house), kitchen-utensils, kitchen, cleaning (the house), maid ~ house personnel, kitchen-maid, kitchen servant
Inscriptions: collector's mark, collector's mark: Lugt 1641

Een vrouw, op de rug gezien, bezig met het poetsen van een koperen schotel. Om haar heen diverse reeds gepoetste voorwerpen, zoals een emmer, een hangijzer, een rooster, een tang, schotels, enz. Rechtsonder genummerd: 5. De prent maakt deel uit van een serie van vijf prenten met huiselijke werkzaamheden. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Beroep en bedrijf. Vrouwelijk beroep en bedrijf. Dienstboden.
Vogels in vlucht
Object type: sketchbook leaf
Date: 1920 – 1920
Materials: chalk, paper
Techniques: stumping
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: birds (+ animal(s) moving in the air)

Vogels in vlucht. Blad 20 verso uit een schetsboek met 21 bladen.
Coast Scene
Object type: drawing
Date: 1634 – 1733
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: willem van de velde (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1633 – 1707
Subjects: hills,ships
Portret van Anna van Hannover
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: mezzotint
Location: leeuwarden
Artist: rienk jelgerhuis
Artist role: draughtsman, print maker
Artist dates: 1729 – 1806
Subjects: the hague, anna van hannover, pearl; pearl necklace (+ women's clothes)

Ook gebruikt als illustratie in: Bosch, Johannes van den. De heeren stadhouderen van Vriesland, zedert den jare acht-hondert. Leeuwarden: Abraham Ferwerda en G.Tresling, 1770.
Preekstoel van de Nieuwe Kerk te Amsterdam
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: nieuwe kerk
Artist: henri de louw
Artist role: fotograaf
Artist dates: 1851 – 1944
Subjects: parts of church interior, pulpit, ambo, chancel
Inscriptions: collector's mark: Lugt 3937, name: ‘Henri de Louw, Hofphot. Delft.’, annotation
Terracotta kylix: lip-cup (drinking cup)
Object type: kylix, lip cup
Date: 560 – 550
Materials: terracotta
Culture: greek, attic
Artist: nearchos
Artist role: artist
Subjects: sirens

Interior, siren Exterior, obverse and reverse, inscription: Nearchos made me Nearchos was a potter and painter active during the second quarter of the sixth century B.C. His major preserved works include the aryballos (oil flask) displayed nearby. The incisive characterization of figures and a predilection for color are important features of his style. His signature on lip-cups attests to his activity into the middle of the century.
Mother-of-pearl shell adornment
Object type: ornament
Date: 601 – 900
Materials: shell
Culture: alanic
Location: caucasus
Hortus floridus
Object type: book illustration
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: arnhem
Subjects: flowers

Prent uit: Passe, Crispijn van de (II). Hortus floridus in quo rariorum & minus vulgarium florum icones ad vivam veramque formam. Arnhem: Johannes Janssonius, 1617.
Gezicht op verschillende poorten op en in de omgeving van het Binnenhof
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: lithograph
Location: the hague
Artist: h.c. susan chzn
Artist role: publisher
Subjects: gate, entrance, national government
Achter het postkantoor te Oosterbeek
Object type: drawing
Date: 1865 – 1865
Materials: paper, pencil
Techniques: brush
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: oosterbeek
Inscriptions: signature: ‘A Mauve f’, inscription: ‘achter 't postkantoor Oud. Oosterbeek’