deem-data/ArtiFact huggingface dataset:
Cornelius van Bynkershoek
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: sphinx (lion/woman); 'sfinge' (ripa), symbols and allegories of jurisprudence
Inscriptions: collector's mark: Lugt 2228

Buste van Cornelis van Bynkershoek in een ovaal, tussen twee zuilen. Rechts een gordijn en op de voorgrond de personificatie van de rechtspraak, gezeten op de rug van een sfinx. Links op de voorgrond boeken over de rechtspraak, een lauwerkrans en een spiegel met een slang rond het handvat. Onder het portret zijn wapen en zijn naam en gegevens in vier regels in het Latijn.
Melkende boer en een koeienkop
Object type: sketchbook leaf
Date: 1887 – 1889
Materials: chalk, paper
Techniques: stumping
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: cow, milking

Pagina 32 uit een schetsboek met 27 bladen.
Nederlands-Indië, inlanders met manden langs weg
Object type: photograph
Date: 1895 – 1910
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: asiatic races and peoples (indonesians), historical persons, road, path, dutch east indies, the
Imagerie Artistique / Série 5
Object type: print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Subjects: types in 'commedia dell'arte': pierrot, tales and fairy tales, types in 'commedia dell'arte': harlequin
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen uit het verhaal van Pierrot die bij meneer en mevrouw Harlekijn gaat eten. Onder elke voorstelling een onderschrift. Genummerd linksboven: Série 5. - No. 2.
Rocky Landscape (Cape Flattery) (from Sketchbook X)
Object type: drawing
Date: 1885 – 1885
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: landscapes

This sketchbook contains fifty-one drawings in graphite and ink, primarily of Pacific Northwest landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.1) of New England and Pennsylvania landscape and marine subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Drumstick holder from a drummers belt plate
Object type: stick plate
Date: 1823 – 1823
Materials: copper
Location: netherlands
Artist: Anonymous

Stokplaat van messing voor tamboer-majoor
Undecorated painted bowl with straight sides
Object type: bowl
Date: 600 – 201
Materials: ceramic
Culture: paracas
Location: peru
Dagger (Katar)
Object type: decorative art
Date: 1701 – 1800
Materials: gold, steel
Location: india
Left Breastplate from a Brigandine
Object type: left breastplate from a brigandine
Date: 1400 – 1425
Materials: brass, steel, textile
Culture: italian
Location: italy

This left breastplate was once covered with textile.
Almanac
Object type: book
Date: 1828 – 1828
Location: france
Lead wreath of lotos buds
Object type: wreath, 6
Date: 600 – 401
Materials: lead
Culture: greek, laconian
Subjects: wreaths
Vrouw bekijkt prenten
Object type: print
Date: 1837 – 1855
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: coffee-pot, adolescent, young woman, maiden, print, e.g.: engraving, etching, lithograph
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De vrouw leunt op haar rechterarm. Voor haar op tafel een koffiepot, handschoenen en bloemen.
Portret van Johannes Philippus Pareus
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: etching
Subjects: johannes philippus pareus, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Bokaal met deksel, met een huis en twee heren en het opschrift: HET WELVAREN VAN DESE HOYSE
Object type: goblet
Date: 1725 – 1750
Materials: glass
Techniques: glassblowing
Location: northern netherlands
Artist: Anonymous

Bokaal met deksel. Conische voet met omgeslagen rand. Stam met drie holle knopen, overigens van dik glas. Op de kelk een huis en twee heren in 18de-eeuwse klederdracht tussen bloemkransen. Daarachter: HET WEL VAREN/ VAN DESE HOY/ SE. Op het deksel een bloementuil.
The Actors Ichimura Kamezo I as Urashima Taro and Takinaka Hidematsu I as Kanemoto Gozen in the play "Ichi no Tomi Seiwa Nendaiki," performed at the Ichimura Theater in the fifth month, 1746
Object type: print
Date: 1746 – 1746
Techniques: printmaking, woodblock print
Location: japan
Artist: torii kiyonobu ii
Artist nationality: japanese
Artist dates: 1725 – 1761
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Exterior, head and upper body of a wreathed youth wearing a himation, with his left hand raised; elbow of a second figure
Scenic Sites in the Qianlong Emperor’s Southern Inspection Tour
Object type: tapestry
Date: 1801 – 1900
Materials: ink, silk
Techniques: tapestry
Culture: chinese
Subjects: landscapes

These four tapestry hangings (13.220.134–.137) may be from a larger group depicting the scenic sites that the Qianlong Emperor (r. 1736–95) visited during his historic tours south of the capital. The inscriptions identify these four places as Forest of Springs (Quanlin), Pool of the Ancient School (Panchi), Guangyue Tower (Guangyuelou), and Wuwei Monastery (Wuweiguan), all now in Shandong Province. Aside from Guangyue Tower, the buildings at the other three sites have been destroyed, though the first two are known to have housed auxiliary palaces. The images on these panels are comparable to woodblock illustrations in Nanxun Shengdian, a book published in 1770 to memorize the emperor’s tours.
Horace Greeley, from the series Great Americans (N76) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men

Trade cards from the "Great Americans" series (N76), issued in a set of 50 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes. There are two variations of the Beecher card, one where he faces left and one where he faces right. This is the left-facing variation.
Spoon
Object type: spoon
Date: 1601 – 1700
Emperor Matthias
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: engraving
Location: belgium
Artist: aegidius sadeler (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1568 – 1629
Inscriptions: Lettered lower center: "Divo Matthiae Caes. August. ac Germaniae Hungar. Bohem. ..." and below image: "Sac. Caes. eiusdem Mai sculptor Egidius Sadeler ad vivum delineavit et in devoti animi signum D. D. Pragae anno Christiano MDCXIIII"
De lichtzinnige jeugd
Object type: print
Date: 1542 – 1546
Materials: paper
Techniques: woodcut
Location: amsterdam
Subjects: adversity, misfortune, bad luck; 'fortuna infelice', 'infortunio' (ripa), youth, adolescent, (person) in fetters, not imprisoned, frivolity

Vierde blok, onderdeel van een fries van vier blokken. Jongeman geketend door "ongeluck", en "quade fortuin" wordt hem toegeblazen. Naast hem een raadsheer als vertegenwoordiger van de aardse gerechtigheid.
Saint James's Vision of the Virgin of the Pillar
Object type: painting
Date: 1750 – 1750
Materials: canvas, oil, paint
Techniques: painting
Location: spain
Artist: antonio gonzález velásquez
Artist nationality: spanish
Artist dates: 1723 – 1794
Subjects: saints, religious scenes, religious figures, religious, christianity, christian subjects, women, men, people, figures, angels, column, virgin mary
Brussel Tentoonstelling. 1935. "Oud Brussel"
Object type: photograph
Date: 1935 – 1935
Materials: paper
Techniques: gelatin silver print
Location: brussels
Artist: gerrit elink schuurman
Artist role: fotograaf
Artist dates: 1876 – 1953
Subjects: world fair, world exhibition, lantern, brussels
Mittwoch from Sieben Gegenden aus Salzburg und Berchtesgaden Geordnet nach den sieben Tagen der Woche, verbunden durch zwey allegorische Blätter (Seven Places in Salzburg and Berchtesgaden, Arranged According to the Seven Days of the Week)
Object type: print
Date: 1800 – 1841
Materials: board, gilt, paper, ribbon, stone
Techniques: lithograph, painting, printing
Artist: (johann heinrich) ferdinand olivier
Artist role: artist
Artist nationality: german
Artist dates: 1785 – 1841
Subjects: buildings,men,hills,trees
De Munstersche Vrede beëedigd door de Spaansche en Staatsche Gevolmagtigden, in 't jaar 1648
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: signing of peace treaty, concluding the peace
Inscriptions: collector's mark: Lugt 2228

Het beëdigen van de Vrede van Munster op 15 mei 1648, in de grote zaal of Friedenssaal van het stadhuis te Munster. De afgevaardigden staan rond een tafel en leggen met opgestoken hand de eed af.
Portret van (vermoedelijk) een acteur in kostuum
Object type: cabinet photograph
Date: 1885 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: adolphe zimmermans
Artist role: fotograaf
Artist dates: 1858 – 1922
Subjects: portrait of actor, actress
Inscriptions: inscription: ‘Adolphe Zimmermans (...) Médaille d'Anvers 1885.’, inscription: ‘Marie’
Passionis et resurrectionis
Object type: print
Date: 1590 – 1632
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)
Inscriptions: collector's mark: Lugt 2228

Christus, op lendendoek na naakt en vastgebonden aan een pilaar, wordt door soldaten gegeseld. Op de achtergrond Pilatus. In de marge een onderschrift in het Latijn. Prent uit een serie van vijftien met de passie van Christus.
Border (Fragment)
Object type: textile
Date: 1725 – 1775
Materials: lace, linen
Techniques: lace
Location: belgium
Carpet
Object type: textile
Date: 1775 – 1800
Materials: wool
Techniques: cutting, weave
Location: turkey
Funerary Cone of the Scribe Wadjmose
Object type: cone, davy 348, wadjmose, scribe, second prophet
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs

This cone has the impression of a stamp seal inscribed for a man named Wadjmose who was scibe of the second phophet (priest) of the god Amun. For a drawing of this impression see http://www.funerarycones.com/, number 348. The Museum's excavation team uncovered forty cones of this type in the courtyard of TT 39, the tomb of Puyemre. In the division of finds, three, including this one and cones 15.10.32-.33 were given to the Metropolitan Museum of Art.
Brief aan Max Wilhelm Carl Weber en Anne Antoinette Weber-Van Bosse
Object type: letter
Date: 1911 – 1911
Materials: ink, paper
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: the hague, painter, jozef israëls, dordrecht, jan veth, anne antoinette weber-van bosse, anonymous historical person portrayed, diseases, berlin
Fotoreproductie van een prent van een gezicht op Godesberg
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: landscapes, landscape with tower or castle (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘Godesberg’
Portret van Franz Kohlbrenner
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: engraving
Location: augsburg
Artist: jacob andreas fridrich (ii)
Artist role: print maker
Artist dates: 1714 – 1779
Subjects: bookshelves, historical persons, portrait of a writer, letter, envelope, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Wedijver tussen Fortuin en de Liefde
Object type: print
Date: 1778 – 1785
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: fortune and misfortune, (story of) cupid, amor (eros), couple of lovers
Inscriptions: collector's mark: Lugt 2228

Latere staat bij: Gellert, Christian Fürchtegott. Fabelen en vertelsels. 3 dln. Amsterdam: Pieter Meyer, 1772-1774. De prenten bij deze publicatie werden later uitgegeven. De exemplaren uitgegeven door de weduwe Jacobus Loveringh & Johannes Allart tussen 1777 en 1778, de exemplaren uitgegeven door alleen Johannes Allart tussen 1778 en 1785.
Mug
Object type: mug
Date: 1770 – 1771
Materials: silver
Artist: john langlands
Artist role: maker
Artist dates: 1725 – 1825
The Third Segawa Kikunojo as Hisamatsu Standing on the Bank
Object type: print
Date: 1795 – 1795
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Subjects: men,actors
Gezicht op het Paleis op de Dam
Object type: carte de visite
Date: 1850 – 1915
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: square, place, circus, etc., city-view in general; 'veduta', palace, royal palace of amsterdam
Inscriptions: collector's mark: ‘15,67’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Stadhuis, als Paleis, op de Dam, van Buiten.
Sol coronat uit Sicilië van Frederik III van Aragon, 1296-1337
Object type: coin
Date: 1296 – 1337
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: binnen een veelpas het wapenschild van Aragon. Keerzijde: binnen een vierpas omkijkende adelaar met gespreide vleugels.
Glass jar
Object type: jar
Date: 201 – 400
Materials: glass
Culture: roman

Translucent streaky yellow green; trails in same color. Rim folded out, round, and in; broad neck, tapering downwards; globular body; kick in bottom with pontil scar. Trails applied to bottom and drawn up across body forming nine irregular vertical loops; another trail applied below rim and wound down in a spiral five times, ending over tops of loops. Intact; many bubbles and some inclusions; dulling, iridescence, and slight weathering on exterior, patches of encrustation and brown weathering with iridescence on interior. Yellow, with horizontal threads on neck and shoulder and vertical loops on body.
The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Object type: painting
Date: 1455 – 1460
Materials: gold, paint, wood
Artist: giovanni di paolo (giovanni di paolo di grazia)
Artist role: artist
Artist nationality: italian
Artist dates: 1398 – 1482
Subjects: men,angels,saint john the baptist,annunciation
Mary, Queen of Scots
Object type: print
Date: 1818 – 1818
Techniques: engraving
Location: england
Artist: charles picart
Artist role: artist
Artist nationality: british
Artist dates: 1750 – 1850
Subjects: portraits,women,mary queen of scots
The riding lesson
Object type: book illustration
Date: 1889 – 1889
Materials: paper
Techniques: letterpress printing, engraving
Location: london
Subjects: riding a horse, ass, or mule; rider, horseman, coast (+ landscape with figures, staffage)

Prent uit: Gleanings from the Graphic. Londen: George Routledge & Sons, 1889. Dit werk is een bundel van diverse illustraties die eerder verschenen in verschillende jaargangen van het Engelse weekblad 'The Graphic'. De bundel is na het overlijden van Randolph Caldecott uitgegeven.
Portret van Alexander Thiele
Object type: print
Date: 1752 – 1803
Materials: paper
Techniques: engraving, etching
Subjects: alexander thiele, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Livre de vases
Object type: album leaf
Date: 1682 – 1729
Materials: paper
Techniques: etching
Location: france
Subjects: fabulous animals (sometimes wrongly called 'grotesques'); 'mostri' (ripa), ornament ~ medallion, vase ~ ornament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Ngonge
Object type: ngonge
Date: 1867 – 1900
Materials: iron
Culture: congolese
Location: democratic republic of the congo
Bekende tijdgenooten
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: ferdinand hart nibbrig
Artist role: draughtsman, painter, print maker
Artist dates: 1866 – 1915
Subjects: haarlem, archbishop, bishop, etc. (roman catholic), historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Verschenen in het bijvoegsel van: De Amsterdammer, Weekblad voor Nederland, 9 augustus 1896.
Gezicht op een moestuin met een kerktoren op de achtergrond
Object type: album leaf
Date: 1920 – 1940
Materials: photographic support
Techniques: daylight paper print
Location: netherlands
Artist: george hidderley
Artist role: fotograaf
Subjects: garden, parts of church exterior and annexes: tower
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of meander; Exterior, part of upper torso and buttocks of male with himation draped around waist and buttocks; part of draped woman to right
The Mountains of Husband and Wife (Onyo imoseyama) 阥阦妹背山
Object type: illustrated book
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai 葛飾北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: heads,men,women
Waterpoort in Alkmaar van binnen gezien
Object type: print
Date: 1831 – 1835
Materials: paper
Techniques: lithograph
Location: alkmaar
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, city-gate
Inscriptions: collector's mark: Lugt 2228

Op een deur rechts van de poort staat: 'brandspuit no. 5'. Rechts worden twee paarden uit een stal geleid naar een rijtuig.
Regtspleging van Oldenbarnevelt
Object type: drawing
Date: 1710 – 1720
Materials: ink, parchment, watercolor
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: the hague, johan van oldenbarnevelt, caricatures (human types), bad, corrupt judge, owls, political caricatures and satires

Spotprent van Johan van Hemert, rechter van Van Oldenbarnevelt; uil met plooikraag om en op de borst een wapen, in krans van bloemen en bladeren. Daaronder cartouche waarin naam en daarboven nr. 22. Behorende bij serie aquarellen in boek.
Rivierlandschap met rotspartij en rustende man
Object type: print
Date: 1624 – 1661
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 240
Castrum, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1581 – 1581
Techniques: engraving
Artist: giovanni ambrogio brambilla
Artist role: artist
Artist nationality: italian
Artist dates: 1575 – 1599
Subjects: architecture,fortification,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 91 in the scrapbook.
Glass fragments of bowl decorated with mosaic fish
Object type: dish or plaque fragment
Date: 1 – 300
Materials: glass
Culture: roman
Subjects: fish

The fragments depict life-like fish swimming in a river, lake, or pool, indicated by the blue glass background. It is uncertain whether they belong to a plate or a panel since they are now warped out of shape.
Portrait of Eduard Wallis (1621-1684)
Object type: painting
Date: 1652 – 1652
Materials: oil, paint, panel
Artist: johannes verspronck
Artist role: painter
Artist dates: 1600 – 1662
Subjects: historical persons
Inscriptions: signature and date, lower left, on the back of the chair (‘ver’ ligated): ‘Joh C. verSpronck f an° 1652’

The Haarlem textile merchant Eduard Wallis presents himself with one arm akimbo, a fashionable pose that was the epitome of self-assurance. Here he wears his own merchandise, very costly black-dyed cloth, the high-quality woollen fabric of the time. Wallis was married to Maria van Strijp, who also hailed from a well-to-do textile family. With their union, they consolidated their standing in the Haarlem cloth trade.
Ring with Ogee Centre
Object type: ring
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Bowl Depicting Band of Abstract Beans or Seeds
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: peru
The Actor Nakamura Utaemon I as a Monk under a Willow Tree
Object type: woodblock print nishiki e
Date: 1726 – 1792
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: men,trees,actors
Jade Inlay
Object type: inlay
Date: 1501 – 1600
Materials: jade
Culture: mexican
Location: mexico
Man valt tussen twee stoelen
Object type: print
Date: 1595 – 1610
Materials: paper
Techniques: engraving
Location: netherlands
Artist: gillis van breen
Artist role: print maker
Artist dates: 1550 – 1622
Subjects: proverbs, sayings, etc., chair, the (difficult) choice ~ courting
Inscriptions: inscription: ‘Soo wie veel aenslaet, en weynich verstaet, moet bevoelen / hoe men is te pas, te sitten in das, tusschen twee stoelen.’, collector's mark: Lugt 2228, collector's mark: Lugt 1967

Een man valt tussen twee stoelen. Zijn vrouw probeert hem weer op te helpen. Verbeelding van het spreekwoord "tussen twee stoelen in de as zitten", over het niet kunnen kiezen tussen twee mogelijkheden.
St. Francis of Assisi
Object type: print
Date: 1638 – 1638
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: saint francis,cross,praying
Handkerchief
Object type: handkerchief
Date: 1801 – 1900
Materials: lace, silk
Techniques: lace
Skirt of a Dress Pattern
Object type: textile
Date: 1810 – 1810
Materials: cotton, textile, thread
Techniques: embroidery, weave, stitching
Location: france
Bette Howett, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.