deem-data/ArtiFact huggingface dataset:
Mitts
Object type: mitt
Date: 1701 – 1725
Materials: silk
Culture: british
Subjects: flowers

An example of fine English embroidery, the design on these mitts is worked in a naturalistic style with the use of gradated color that adds depth and richness to the motifs. As an extra luxurious detail, the underside of the V-shaped extension, which would not have been visible, carries its own delicate floral embroidery.
Jennie Lee, from the Actors and Actresses series (N171) for Gypsy Queen Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: women,actresses,brooms

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Visitekaartje van drukkerij Éduard Reboux te Lille
Object type: visiting card
Date: 1850 – 1850
Materials: porcelainized cardboard
Techniques: lithograph
Location: lille
Artist: édouard-henri-joseph reboux
Artist role: print maker, printer
Subjects: prague, print maker, printer, alois senefelder, quill, tools, implements of graphic artist, still life of related objects, book
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Een opengeslagen boek omringd door verschillende objecten waaronder een portret van Alois Senefelder, een passer, een schilderspalet en een inktpot met ganzenveer.
Rembrandt's Mill
Object type: print
Date: 1823 – 1823
Techniques: printmaking, mezzotint
Artist: charles turner
Artist role: artist
Artist nationality: british
Artist dates: 1774 – 1857
Subjects: windmills,landscapes,boats

View of a landscape with a windmill on a hilltop above a river; at right a man is rowing a boat, while three figures on the left walk up a steep path and two others approach the river.
Portret van een vrouw, staand bij een stoel
Object type: album leaf
Date: 1893 – 1893
Materials: cardboard, photographic support
Techniques: albumen print
Location: bayswater
Subjects: historical persons - bb - woman, standing figure - aa - female human figure, chair
Inscriptions: annotation: ‘[...]/ [...] 1893’, inscription: ‘Miniature/ Painters/ Webster Bros/ 25, The Pavement,/ Clapham Common, s.w./ AND AT/ 4, Porchester Road,/ BAYSWATER. W./ No 6370’
Grafmonument voor een overleden vrouw
Object type: drawing
Date: 1795 – 1795
Materials: ink, paper
Techniques: brush, pen
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: pyramid (marking grave), grave-building, monumental tomb
Inscriptions: inscription: ‘Obiit XXV FEB MDCCCXCV / Hier rust uw deugdzame moeder / die gelovige christen / voor haar was de dood de overgang / ten eeuwigen leven.’

Grafmonument voor een overleden vrouw: piramide met sarcofaag en man met vijf kinderen.
Prentenalbum van Korin
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: woodcut
Location: edo
Subjects: water-birds: goose, flying
Kaart van de Zijpe- en Hazepolder (deel midden onder)
Object type: print
Date: 1665 – 1760
Materials: paper
Techniques: engraving
Location: gouda
Subjects: maps of separate countries or regions, cattle, farmers, polder, reclaimed land
Inscriptions: collector's mark: Lugt 2228

Deel (midden onder) van een kaart van de Zijpepolder.
Songs of Innocence: The Little Black Boy (second plate)
Object type: print
Materials: gold, ink, shell, watercolor
Techniques: etching, hand coloring, printing, relief
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: poetry,boys,men

Blake etched twenty-seven printing plates for Songs of Innocence in 1789, completing those for the Songs of Experience in 1794. He then printed and hand-colored copies of the combined sets over succeeding decades as patrons ordered them, each one visually distinct. Verse and image work together to celebrate poetic inspiration and reveal aspects of the divine as expressed through nature. The poetic voice is often that of a child, whose emotions range from delight to fear, with darker feelings usually resolved in the earlier Songs of Innocence by adult intervention. This first group of Songs was shaped by the heady early days of the French Revolution, when British liberals and radicals believed that true reform was imminent on both sides of the Channel. The artist Edward Calvert met Blake around 1825 and commissioned this copy of Songs of Innocence and of Experience soon thereafter. These richly decorated pages, with their deeply saturated hues and distinctive ornamental borders, reveal Blake’s late vision and the order is established by small red numbers at upper right. This copy of Songs was later the first work to be purchased by the Museum’s new Department of Prints in 1917, recommended by its distinguished curator William M. Ivins, Jr.
Sjerp M. 1815 met kwasten M. 1860, voor officieren leger (vrijwillige jagers?) schutterij of mariniers
Object type: sash
Date: 1815 – 1815
Materials: silk
Techniques: stitching, weave
Location: netherlands
Artist: Anonymous
Subjects: w.g. van der hoop

Sjerp van oranje koordzijde, in Egyptisch vlechtwerk, (het geheel verfletst), met gaten. Aan beide zijde kwasten met franje in dito zijde. Sjerp werd geknoopt. Aan een der zijden leren label met nummer 27 en etiket met tekst: Majoor W.G. v.d. Hoop.
Ruined Buildings near a River Bank, plate 9 from Quatrieme suite de paysages dessinés et grave a l’eau-forte par Moreau (Fourth Series of Landscapes Drawn and Etched by Moreau)
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: france
Artist: louis gabriel moreau
Artist role: artist
Artist nationality: french
Artist dates: 1740 – 1806

Many artists saw etching as a counterpart to drawing that would allow them to strengthen their draftsmanship. To create an etching, a metal plate is covered with wax. The artist draws through the wax with a sharp metal tool to expose the plate before submerging it in acid, which removes the metal. The artist then fills the recessed lines with ink and transfers the image to paper.
Because the etching process is more involved than drawing directly on paper, it forces artists to slow down and embrace a distinctly different visual language. Louis Gabriel Moreau, for instance, is well known for his romantic landscapes in gouache and watercolor. He also produced 69 etchings in his career. He executed these intimate scenes in a direct style, embodying a realism not present in his other work.
Model of an Ordinary Jack Screw
Object type: demonstration model
Date: 1780 – 1807
Materials: brass, iron, wood
Location: netherlands
Artist: Anonymous

Model van een gewone dommekracht, versierd met beslag. Het model wordt bediend met een zwengel. Aan de andere kant zit een krik en bovenop een T-vormige krik. Het mechaniek, dat werkt met een wormschroef, is aan het gezicht onttrokken; aan de voorkant zit een kijkgaatje. Aan de zijden twee handvaten.
Frontispice voor: The Universal Songster, vol. I (1825)
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: etching
Location: london
Artist: george cruikshank
Artist role: painter, print maker
Artist dates: 1792 – 1878
Subjects: political caricatures and satires

Illustratie genomen uit een uitgave van: The Universal Songster, or Museum of Mirth: the most complete, extensive and valuable collection of ancient and modern songs in the English language, vol. I., Jones & Co: Londen, eerst verschenen in 1825.
De Goude Kleederen des Hoogen Priesters
Object type: book illustration
Date: 1682 – 1682
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: high priest ~ hierarchy of priests
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Cunaeus, Petrus. De republyk der Hebreen, of gemeenebest der joden, 3 delen. Amsterdam: Wilhelmus Goeree, 1682, dl. 1, p. 166.
Stoplap van veelkleurige zijde op linnen.
Object type: stoplap
Date: 1803 – 1803
Materials: linen, silk
Techniques: embroidered
Location: netherlands
Inscriptions: date

Stoplap met veelkleurig borduurwerk. Het borduurwerk bestaat uit het jaartal ANNO 1803 en een vierkant waarbinnen de initialen CVC.
Promotieprent voor Joannes Baptista a Pfeiffersberg (blad voor rechtsonder)
Object type: print
Date: 1699 – 1699
Materials: paper
Techniques: engraving
Location: rome
Artist: arnold van westerhout
Artist role: print maker
Artist dates: 1651 – 1725
Subjects: insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 240

Deel van een processie waarin onder meer een kroon wordt overhandigd aan August II van Polen. In de ondermarge een negentienregelig vers in het Latijn ter gelegenheid van de promotie van Joannes Baptista a Pfeiffersberg.
Zeeslag
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: battle (+ naval force)

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Gimp
Object type: gimp
Date: 1834 – 1866
Old man's head
Object type: page
Date: 1889 – 1894
Materials: paper
Techniques: autotype
Subjects: historical persons
Gezicht op de Westerkerk te Amsterdam
Object type: print
Date: 1693 – 1694
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), sailing-ship, sailing-boat, church (exterior), rowing-boat, canoe, etc., canals, waters (in city), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Huidige staat van prent ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, desselfs eerste oorspronk uyt den Huyse (…). 2 delen. Amsterdam: Abraham Wolfgang, Gillis Janssonius van Waesberge, Johannes Janssonius van Waesberge II, weduwe Dirk Boom I, Hendrick Boom en Rembertus Goethals, 1693. En in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. Amsterdam: weduwe Aart Dircksz Oossaan, 1694.

Latere staat ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. 2e druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe A. van Aaltwyk en Hermanus Uytwerf, 1726.
Engelse boogspanner
Object type: boogspanner
Date: 1500 – 1600
Materials: iron, fiber, wood
Techniques: forging, riveted, turning

Boogspanner bestaande uit twee ijzeren, deels getordeerde, draaiarmen met houten grepen en twee ijzeren katrollen. Dergelijke spanners waren betrekkelijk eenvoudig van de kruisboog los te koppelen. De spanner werd voor het schot van de zuil (het houten centrale deel) afgenomen.
The Urchin
Object type: print
Date: 1868 – 1868
Techniques: printmaking, lithograph
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: boys
Coin
Object type: coin
Date: 270 – 275
Materials: copper alloy
Culture: roman
Subjects: men,profiles
Berglandschap met bomen
Object type: print
Date: 1613 – 1695
Materials: paper
Techniques: etching
Subjects: trees, mountains
Inscriptions: collector's mark: Lugt 240

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Capital with Leaves
Object type: capital
Date: 201 – 1200
Materials: stone
Techniques: carving
Location: egypt
Stadsplein met een fontein
Object type: sketchbook leaf
Date: 1877 – 1932
Materials: chalk, paper
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: anatomy (non-medical), ornamental fountain, street

De fontein ligt aan een laan. Tevens enkele figuurstudies. Pagina 28 en 29 uit een schetsboek met 32 bladen.
Gates of Paradise
Object type: print
Date: 1798 – 1798
Techniques: engraving
Location: italy
Artist: feodor ivanovich kalmuk
Artist role: artist
Artist nationality: russian
Artist dates: 1765 – 1832
Subjects: battles,soldiers,spears,swords,horses
York Minster-The Choir, looking East
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: york cathedral
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: parts of church interior: choir
Inscriptions: name: ‘G. W. Wilson, Photographer, Aberdeen.’, number: ‘No. 372.’
Mr. W. M. Oatts
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons

Prent op vierde ongenummerde pagina na pagina 223.
Verloren zoon neemt afscheid van zijn vader
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: low countries
Subjects: leave-taking and departure of the prodigal son
Inscriptions: date

De verloren zoon staat op het punt om zijn ouderlijk huis te verlaten en neemt afscheid van zijn vader, die met twee mannen in gesprek is. Achter hem houdt een jonge man zijn paard vast. Rechts staan nog twee figuren in de deuropening van een kasteel. Uit Luc. 15.
Portret van Jan van der Meersch
Object type: print
Date: 1766 – 1833
Materials: paper
Techniques: engraving
Subjects: advocaat, jan van der meersch
Inscriptions: collector's mark: Lugt 2228

Portretbuste van de advocaat Jan van der Meersch, op zevenenzestigjarige leeftijd. Onder het portret een vijfregelig vers.
Anklet with Spheres on Top
Object type: anklet
Date: 500 – 300
Materials: bronze
Culture: vietnamese
33e Cahier II Cahier de Poëles, Piedestaux, Athéniennes et Frises
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: monument, statue
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Links een monument met twee sfinxen en een medaillon. In het midden een monument met putti, een vaas en een Bacchusbuste. Rechts een monument met medaillon en ramskoppen.
Heft van verguld zilver, met uiteinde in de vorm van ronde knop. Versiering in email-cloisonné. Op zijkant gegraveerd: Hendrickie Verbeeck/Stil van tong : en gau in hooren.
Object type: haft
Date: 1600 – 1625
Materials: silver
Techniques: gilding
Location: northern netherlands
Artist: Anonymous

Heft van verguld zilver. Het uiteinde wordt bekroond met een rond knopje. De 2 zijden zijn versierd met motieven in cloisonné émail. Op de zijkant gegraveerd: Hendrickie Verbeeck / Stil van tong : en gau in hooren.
Hall Chair
Object type: furniture
Date: 1900 – 1900
Materials: wood
Location: buffalo
Artist: charles rohlfs
Artist nationality: american
Artist dates: 1853 – 1936
Subjects: chicago, furniture
Inscriptions: Stamped twice, once in red and once in black, on front apron within a bow saw: "R"

The son of a New York cabinetmaker, Charles Rohlfs spent his early years working as a designer of cast-iron stoves and furnaces while pursuing an acting career in his spare time. In 1884 he married the novelist Anna Katharine Greene and moved with her to Buffalo, where he took up woodworking after being unable to afford high-quality furniture. What began as a personal venture had become a commercial endeavor by 1898. The first of Rohlfs’s exhibitions to receive national attention was held at Chicago’s Marshall Field and Company department store. Among the many items for sale was a hall chair similar to this example, which calls to mind the dramatically attenuated furniture of the Scottish architect-designer Charles Rennie Mackintosh.
Bij Noordwijk
Object type: print
Date: 1909 – 1909
Materials: paper
Techniques: etching, intaglio
Artist: johannes henrichs
Artist role: print maker
Artist dates: 1882 – 1954
Subjects: bridge, street
Inscriptions: collector's mark: Lugt 2228

Een brug naast een weg bij Noordwijk. Op de achtergrond een duin.
David and Goliath
Object type: print
Date: 1520 – 1527
Techniques: woodcut
Artist: ugo da carpi
Artist role: artist
Artist nationality: italian
Artist dates: 1480 – 1532
Subjects: battles,men,david

Early chiaroscuro woodcuts involved printing with two or more woodblocks, each in a different hue, to attain light and dark tonal values similar to those achieved in wash drawings. Ugo da Carpi was the first Italian artist to use this technique. He claimed to have invented a new way to print in "light and dark" (chiaro et scuro), though German artists had started experimenting with similar woodcuts several years prior. To protect his "invention," the Venetian Senate granted Ugo an exclusive privilege in 1516, and he also received a papal privilege in 1518. In this print, Ugo used three blocks—a keyblock inked in black for the outlines and two tone blocks inked in different shades of green. The subject is based on a design by Raphael, whose name appears alongside Ugo’s at the bottom of the woodcut.
Wilde on Us. Something To "Live Up" To in America (published in "Harper's Bazar," June 10, 1882)
Object type: print
Techniques: relief print
Artist: thomas nast
Artist role: artist
Artist nationality: american, born germany
Artist dates: 1840 – 1902
Subjects: boots,men,caricature

This is a proof of a wood engraving published in Harper's Bazar. Oscar Wilde dressed in a velvet suit with knee breeches, points to work boots and a straw hat lettered "The Picturesque Miners in the Rocky Mountains." His pockets are stuffed with moneybags, and sunflowers grow from a column capital behind. More sunflowers and a lily grows from another pair of boots. A hat resting on a cudgel is labeled "For Sun & Rain." Graffiti on the wall behind depicts men fighting, a bottle of liquor, and roosters, with buildings labeled "Mudville." Nast depicts Wilde is in his familiar lecturing garb surrounded by lilies and sunflowers and with money bulging from his pockets. During a lecture tour of America, Wilde visited Leadville, Colorado on April 13, 1882 and there spoke to silver miners.
Meiping vase with human figures
Object type: vase
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: men
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: johanna bauer-stumpff, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Aubouin apportant des livres aux Princes
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: lodewijk van frankrijk (hertog van bourgondië), filips v (koning van spanje), court ceremonial, court etiquette, book-shop, bookseller
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Bij het aanbieden van een boek aan Lodewijk van Bourgondië, maakt boekhandelaar Abouin een dusdanig diepe buiging dat de hertog er niet in slaagt het boek aan te pakken. Dit tot hilariteit van diens jongere broers, Philips van Anjou en Karel van Berry.
Netsuke of Demon
Object type: netsuke
Date: 1801 – 1900
Materials: ivory, wood
Techniques: inlay
Culture: japanese
Subjects: demons
Terracotta oil lamp
Object type: lamp
Date: 101 – 200
Materials: terracotta
Culture: roman

Loeschcke Type 8. Mold-made, with ring handle. Deep concave discus with central filling hole surrounded by three raised concentric circles and a band of lines and grooves around edge. On broad, slanting shoulder, an irregular pattern of impressed leaves. Large wick hole. Raised base ring, and a broad, slightly concave base. Complete, except for one hole in discus towards base of handle.
Ferdinand Dujardin
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Subjects: ranks in the army, historical persons
Inscriptions: date
Governor Buckner, Kentucky, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,profiles,coat of arms,flags,carriages

Trade cards from the "State Governors, Arms, Etc." sseries (N133-2), issued in an unnumbered set of 48 cards ca. 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type, pictured here, is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Brander, behorend bij komfoor, afgerond rechthoekig, geribd
Object type: burner
Date: 1843 – 1843
Materials: silver
Location: amsterdam
Artist: andreas roeloffs
Artist role: silversmith
Artist dates: 1800 – 1862
Inscriptions: maker's mark, date letter, alloy mark

De afgerond rechthoekige standring van het komfoor (A) is met de brede, geribde, ovale bovenrand verbonden door middel van vier licht gebogen, spits toelopende stangetjes. De bovenrand rust op drie S-vormig gebogen poten waarvan het bovenste verbrede gedeelte geribd is. Vanaf de achterzijde van de poten rijzen drie gebogen verbindingsstukken op naar de ronde houder voor de losse brander (B). Deze bestaat uit een komvormig lichaam met een iets uitstekende, gewelfde, zich verjongende hals. De houder voor de lont past in een grote ronde opening in de bovenzijde.
Johan Maurits van Nassau tweehonderdvijftig jaar overleden (Vereniging voor Penningkunst 1929, tweede penning)
Object type: history medal
Date: 1929 – 1929
Materials: bronze
Techniques: striking
Artist: chris van der hoef
Artist role: ceramicist, draughtsman, sculptor
Artist dates: 1875 – 1933

Bronzen penning, op de voorzijde het gekroonde wapenschild van Johan Maurits op de versierselen van twee ridderorden, met omschrift, op de keerzijde een GWC-monogram met omschrift, met verklaring.
Caracol, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Vue de l'Arc de Triomphe, à Paris, et des quartiers environnants, prise en ballon libre à 500 mètres d'altitude
Object type: photomechanical print
Date: 1886 – 1886
Materials: paper
Techniques: photoaquatint
Subjects: square, place, circus, etc., city-view in general; 'veduta'

Prent op ongenummerde pagina tegenover pagina 86.
The Child's Bath
Object type: painting
Date: 1893 – 1893
Materials: canvas, oil
Techniques: painting
Location: france
Artist: mary cassatt
Artist role: print maker
Artist nationality: american
Artist dates: 1844 – 1926
Subjects: people, domestic scenes, emotions, portraits, water, women, children, everyday life (genre), fashion
Inscriptions: Signed recto, bottom-left, on floor, in blue paint:  "Mary Cassatt".

The Child’s Bath is a tender portrayal of familial closeness, a subject that Mary Cassatt explored throughout her career. The caregiver’s cheek brushing the child’s shoulder, her encircling embrace, and the child’s pudgy hand on her knee suggest an emotional bond between the two.

Captivated by a large exhibition of Japanese prints in Paris in 1890, Cassatt set out to produce a series of color prints influenced by Japanese aesthetics. She then continued her investigation across media, culminating in this bold composition, with its dramatically flattened picture plane, decorative patterning, and bright palette.