deem-data/ArtiFact huggingface dataset:
Wine Container
Object type: vessel
Materials: bronze
Location: china

The bulging, curvilinear silhouette of this house-shaped wine container is emphasized by prominent, hooked flanges, which also accent the surface divisions created by sectional mold casting. The elements of surface decoration—high relief monster (taotie) masks, crested and plumed birds, and dragons with reverted heads are extravagantly shaped: Fringes with elaborate hooks and quills, their curves and coils extend and replicate to symmetrically fill the divided panels of the body and lid.

Identical dedicatory inscriptions cast within the interior of the base and lid read: "Rong zi [Son of Rong] made [this] precious sacrificial vessel." Such inscriptions, studied as historical documents as well as calligraphic art, contribute to our understanding of the chronology and patronage of ancient Chinese bronzes.
Terracotta fragment of a kylix: Band cup (drinking cup)
Object type: kylix fragment
Date: 560 – 550
Materials: terracotta
Culture: greek, attic

Exterior, nude youth running to right with his bent right arm behind him, and his left arm extended; around his upper left arm, a wreath; draped woman to right with her right arm extended behind her and her left arm extended in front of her, running towards a satyr, whose arms are extended at either side of him; palmette and tendril, with white dots around the heart; start of handle root
Nativity
Object type: print
Date: 1680 – 1743
Techniques: etching
Artist: robert van audenaerde
Artist role: artist
Artist nationality: flemish
Artist dates: 1663 – 1743
Subjects: angels,madonna and child,nativity
Design for a Mirror in the Form of a Horizontal Oval, Elevation
Object type: drawing
Date: 1734 – 1833
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: james wyatt
Artist role: artist
Artist nationality: british
Artist dates: 1746 – 1813
Subjects: mirrors
Vijf shilling, noodmunt van Karel I, koning van Engeland te Ormond geslagen van het door de ingezetenen opgebrachte zilver
Object type: vijf shilling
Date: 1642 – 1648
Materials: silver
Techniques: striking
Location: ireland
Artist: Anonymous
Subjects: london, karel i (koning van engeland)

Eenzijdige, ruitvormige zilveren noodmunt met afgeschuinde hoeken. Voorzijde: onderaan: in ronde stempel: grote letter V en kleine S binnen parelrand. Keerzijde: blanco. Crown.
Title page of the early guide to China, D' Historie ofte Beschrijvinghe van het groote Rijck China
Object type: book
Date: 1595 – 1595
Materials: paper
Techniques: printing
Location: hoorn
Subjects: willem barendsz., amsterdam, jacob van heemskerck, china

Boekje in bruin-rode losse (te kleine) perkamenten omslag, klein octaaf, in de vorm van een zakboekje. Het gaat over China, oudste Nederlandse editie, in Hoorn uitgegeven door Cornelis Claesz. Titel: "D' Historie ofte Beschrijvinghe van het groote Rijck van China". Eerst in Spaensch beschreven door M. Ian Gonzales van Mendoza, Monnick van d'oorden van S. Augustijn: ende nu uyt het Italiaenisch nieus in Nederlandtsche tale ghebracht...".
Wall near the door of the Taj Mahal, Agra, Uttar Pradesh, India
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: gelatin silver print
Location: agra
Artist: Anonymous
Subjects: agra
Inscriptions: annotation: ‘57. Taj. Mahal’
God toont Adam het paradijs
Object type: album leaf
Date: 1582 – 1593
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: god brings adam to paradise, garden of eden, paradise, the tree of knowledge of good and evil (whose fruit, usually apples or figs, brings death); the tree may be guarded by the serpent, tetragram (in roman or hebrew script) ~ symbol of god the father, old testament, creation of the animals ~ genesis

God toont Adam het paradijs en de boom der kennis van goed en kwaad (Gen. 2:16). Aan de hemel het tetragram als symbool van God de Vader. De prent maakt deel uit van een album.
Portret van een man, zittend aan een tafel
Object type: album leaf
Date: 1855 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: gorinchem
Artist: kornelis willem schorteldoek
Artist role: boekbinder, fotograaf
Artist dates: 1800 – 1885
Subjects: sitting figure, historical persons, table
Inscriptions: inscription: ‘SCHORTELDOEK/ PHOTOGRAAF/ GORINCHEM/ Groote Markt’
Maling (Horse Bell)
Object type: maling horse bell
Date: 1801 – 1900
Materials: metal
Culture: japanese
Location: japan
Network mosaic glass fragment
Object type: mosaic glass fragment
Date: 34 – 33
Materials: glass
Culture: roman
Strand
Object type: drawing
Date: 1850 – 1920
Materials: chalk, paper
Techniques: brush
Artist: piet schipperus
Artist role: draughtsman, print maker
Artist dates: 1840 – 1929
Subjects: beach
Teabowl
Object type: teabowl
Date: 1780 – 1780
Materials: clay, glaze
Techniques: inlay, underglaze
Culture: japanese
Vlucht naar Egypte
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: flight into egypt and miracles during the journey

Prent in: s.n. Aldernouwkeurigste verhandelinge der geschiedenissen van het Nieuw Testament (...). Antwerpen: Cornelis Marten Spanoghe, 1783, p. 18-19.
Vase (vase Duplessis) (one of a group of three)
Object type: vase
Date: 1752 – 1752
Materials: soft paste porcelain
Artist: vincennes manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 1756
Subjects: flowers
H. Claudius in gebed
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: engraving
Location: france
Subjects: (human) skull, saints, one person praying
Inscriptions: inscription: ‘presented to m[...] Rev.d R.G.P. Tiddeman M.A./ at Oxford Oct. 1853.’, collector's mark: Lugt 2228

Deze prent werd door Claude Guillois te Parijs gebruikt voor zijn thesis, zondag 29 juni 1670.
Knife and Fork with Sheath
Object type: metalwork
Date: 1667 – 1700
Materials: copper, ivory, leather, steel
Culture: european
Location: europe
Portret van François Arago
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: paris, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Galerie des contemporains illustres. Brussel: Ch. Hen, 1841.
Gezicht op Villefranche-sur-Mer, Frankrijk, met op de voorgrond een zeilschip
Object type: stereoscopic photograph
Date: 1860 – 1870
Materials: glass, paper
Techniques: slide
Location: villefranche-sur-mer
Subjects: sailing-ship, sailing-boat, prospect of city, town panorama, silhouette of city
Inscriptions: annotation: ‘859 Rade de Villefranche (Nice)’
Graanmaat van 2 liter
Object type: graanmaat
Date: 1803 – 1803
Materials: wood
Location: netherlands
Artist: Anonymous
Subjects: netherlands
Inscriptions: title: ‘Double litre a grain 1803’

Houten graanmaat van 2 liter met etiket.
Chasuble front
Object type: chasuble front
Date: 1501 – 1600
Materials: silk
Subjects: virgin mary
Mountain Landscape
Object type: handscroll
Date: 1644 – 1911
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: mountains,landscapes
Portret van een onbekende vrouw, mogelijk mevrouw Janze
Object type: print
Date: 1851 – 1883
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan hendrik hoffmeister
Artist role: print maker
Artist dates: 1823 – 1904
Subjects: flowers in a vase, historical persons - bb - woman (+ three-quarter length portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde zit naast een tafel met daarop een vaas met bloemen.
Oval Dish
Object type: ceramic
Date: 1834 – 1866
Materials: ceramic, earthenware
Techniques: glazing
Location: paris
Artist: school of bernard palissy
Portret van een onbekende vrouw
Object type: photograph
Date: 1880 – 1940
Materials: photographic support
Techniques: collodion silver print
Artist: cornelia hendrika jonker
Artist dates: 1874 – 1924
Subjects: historical persons - bb - woman
Spoon
Object type: spoon
Date: 1696 – 1696
Materials: silver
Artist: elizabeth hazelwood
Artist role: maker
Artist dates: 1688 – 1697
Kinderen voor de kraam van een prenthandelaar
Object type: titelprent, frontispice
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: paris
Artist: denis auguste marie raffet
Artist role: draughtsman, print maker
Artist dates: 1804 – 1860
Subjects: art dealer (+ graphic arts)
Inscriptions: collector's mark: Lugt 4780, collector's mark: Lugt 4779, collector's mark: Lugt 2228

Titelprent van het 'Album lithographique 1834', bestaande uit een titelprent en twaalf prenten.
Portret van Inigo Jones
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: london
Subjects: london, inigo jones, historical persons, portrait, self-portrait of architect
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Mand met vruchten
Object type: print
Date: 1767 – 1780
Materials: paper
Techniques: etching, rocker stamped, roulette
Location: netherlands
Subjects: fruit
Inscriptions: collector's mark: Lugt 240
Davenport Sisters, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Wenlock
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: alfred capel cure
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1896
Subjects: architecture
Studies van schapen
Object type: drawing
Date: 1821 – 1891
Materials: chalk, paper
Artist: guillaume anne van der brugghen
Artist role: draughtsman, print maker
Artist dates: 1812 – 1891
Subjects: sheep
Trimming
Object type: trimming
Date: 1750 – 1775
Materials: metal, silk
Culture: french
Unfinished Design for a Choir Book: Initial with Scene of Christ Entering the Temple.
Object type: drawing
Date: 1408 – 1411
Materials: ink, drawing material, parchment
Techniques: brush, pen, wash
Artist: lorenzo monaco (piero di giovanni)
Artist role: artist
Artist nationality: italian
Artist dates: 1370 – 1425
Subjects: temples,christ

Wound around the initial "D" is a complex ornamental design of exquisitely rendered naturalistic flowers, and a portion of musical notation is visible at upper right. Within the capital "D" is a figural scene depicting Christ entering the Temple. This very early, extremely rare, and carefully constructed drawing by Lorenzo Monaco was intended for an illuminated manuscript which was left unfinished, without color, and which was to be included as one of the pages of the famous choir books for the church of Santa Maria degli Angeli in Florence. The sinuous, elegant figures seen here are beautiful examples of the late Gothic style. The drawing dates from a time when Italian artists were just beginning to use paper and parchment for a creative exploration of ideas. Lorenzo Monaco was the greatest master of early-fifteenth-century Florentine illumination, and his working process in this drawing is revelatory, especially in that he drew the figural scene inside the initial with greater expressive spontaneity, modeling the forms with wash, but simply outlined the large foliage ornament with meticulous precision. (Carmen C. Bambach)
Panel
Object type: textile
Date: 1849 – 1849
Materials: textile, silk
Techniques: weave, satin weave
Location: spitalfields
Subjects: flowers
Portret van Godfried Thomas
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: wig
Inscriptions: collector's mark: Lugt 2228

Godfried Thomas, arts te Neurenberg. Hij draagt een pruik.
Portret van Léopold Joseph Renauldin
Object type: book illustration
Date: 1818 – 1832
Materials: paper
Techniques: engraving, roulette
Location: france
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228

Prent uit: Journal complémentaire du Dictionnaire des sciences médicales. Parijs: Panckoucke, Charles Louis Fleury, 1818-1832.
Ladies Amusement: Or, The Whole Art of Japanning Made Easy
Object type: book print ornament architecture
Date: 1760 – 1760
Techniques: engraving, etching, hand coloring
Location: england
Artist: jean pillement
Artist role: artist
Artist nationality: french
Artist dates: 1728 – 1808
Fragment van een kom van witbakkend aardewerk, met aan de binnen- en buitenzijde een drukdecor met bloemen in blauw
Object type: fragment
Date: 1500 – 1899
Materials: earthenware, glaze
Drie schetsen voor illustraties in Hoe de vogels aan een koning kwamen
Object type: drawing
Date: 1873 – 1917
Materials: chalk, ink, paper
Techniques: pen
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: birds

Voorstudie voor prent in 'Hoe de vogels aan een koning kwamen'.
The Three Graces, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1500 – 1534
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: female nudes,trees

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 72 in the scrapbook.
Spotprent met grappige uitspraken van Haagse dienstboden, 1861
Object type: cartoon
Date: 1861 – 1861
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: house personnel, servants, the hague
Inscriptions: collector's mark: Lugt 2228

Spotprent met grappige uitspraken van Haagse dienstboden. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 12, 23 maart 1861.
Mrs. Samuel Gardiner
Object type: painting
Date: 1763 – 1763
Materials: canvas, oil
Culture: american
Artist: william johnston
Artist role: artist
Artist nationality: american
Artist dates: 1732 – 1772
Subjects: portraits,women,flowers
Park van Metternich met een jachthut
Object type: sketchbook leaf
Date: 1808 – 1869
Materials: paper, pencil
Location: marienbad
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: low hill country, hunting-seat, hunting lodge, 'rendez-vous de chasse', 'jagdschloss', marienbad
Inscriptions: date and inscription: ‘26 aug 69/ heerlijke toon n/m 5/uur/ HEGER/ h[...]’

Blad 31 verso en 32 recto uit een schetsboek met 48 bladen.
Mount Goten, from the illustrated book "Statue of Fugen (Fugen-zo)"
Object type: print
Date: 1790 – 1790
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Sketches of Tigers and Men in 16th Century Costume
Object type: drawing and watercolor
Date: 1828 – 1829
Materials: fiber, graphite, ink, iron, paper, paint, watercolor
Techniques: pen
Location: france
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Studies of three skeleton, from the 'Principios para estudiar el Nobilísimo y Real arte de la Pintura' (Madrid 1693)
Object type: print
Date: 1693 – 1693
Techniques: etching
Artist: josé garcía hidalgo
Artist role: artist
Artist nationality: spanish
Artist dates: 1645 – 1717
Subjects: skeletons
Twee ornamentele randen en een rijtuig
Object type: album leaf
Date: 1817 – 1817
Materials: paper
Techniques: etching
Location: italy
Artist: pietro ruga
Artist role: print maker
Subjects: ornaments ~ art, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, passenger carriage

Prent maakt deel uit van een reeks van 100 prenten (+ titelprent) met ontwerpen voor religieuze en profane voorwerpen.
Portret van Raimondo Montecuccoli
Object type: book illustration
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: vienna
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Hormayr zu Hortenburg, Joseph freiherr von. Oesterreichischer Plutarch; oder Leben und Bildnisse aller Regenten und der berühmtesten Feldherren, Staatsmänner, Gelehrten und Künstler des österreichischen Kaiserstaates. 20 dln. Wenen: A. Doll, 1807-1815, dl. 14, p. 28.
Necklet (Musi)
Object type: necklet
Date: 1601 – 1900
Materials: gold
Location: india
Portret van Barthold Hinrich Brockes
Object type: print
Date: 1759 – 1815
Materials: paper
Techniques: engraving, etching
Artist: heinrich pfenninger
Artist role: print maker
Artist dates: 1749 – 1815
Subjects: barthold hinrich brockes, historical persons, writer, poet, author
Relief fragment showing fishing scene
Object type: relief, fishing scene
Date: 2575 – 2465
Materials: limestone
Location: egypt
Subjects: men,fishing,fish

Fishing in the Nile river was a scene commonly depicted in ancient Egyptian tombs. In this relief, from the tomb of an Old Kingdom official, several men are shown pulling in a large fishing net that is mainly still in the water. The net itself is depicted below and features several trapezoidal floaters that kept the top close to the water’s surface. Caught in the net are many different types of fish. They are depicted in such detail that their species can be determined—see for example the so-called elephant-nose fish with their typical elongated and rounded snouts (at the bottom right and the fifth fish from the left).
Bowl with birds and flower sprays
Object type: bowl
Date: 1670 – 1690
Materials: glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: arita
Artist: Anonymous

Japanese porcelain with decoration in the Kakiemon style. Set of four cups c. 1700 - 1725.
Bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: plate dish
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: fishes

A plate with a flattened rim. A four-sided scalloped medallion with rui heads and radial panels and diaper patterns. A central decoration of two fish (carp) among weeds. Panels decorated with peaches and symbols.
Portret van Hieronymus van Beverningk
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: mezzotint
Subjects: gouda, leiden, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent voor het eerst gebruikt in: Quiter, Hermann Hendrik. Icones legatorum (...). Nijmegen: s.n., 1679.
Ontwerp voor titelpagina voor: Aloude Staat der Verenigde Nederlanden
Object type: drawing
Date: 1782 – 1784
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: engelbertus matthias engelberts
Artist role: draughtsman, print maker
Artist dates: 1731 – 1807
Subjects: symbols of particular nations, states, districts, etc., netherlands

Ontwerp voor titelpagina voor: E.M. Engelberts, De aloude staat en geschiedenissen der Vereenigde Nederlanden, Johannes Allart, Amsterdam 1784-1799.
Portret van een onbekende man in stukken geknipt als reclame voor Kahn Bros kleermakers in Louisville, Verenigde Staten van Amerika
Object type: photograph
Materials: paper
Techniques: gelatin silver print
Location: louisville
Artist: Anonymous
Subjects: montage, cutting ~ film, historical persons not known by name
Inscriptions: mark: ‘Kahn Bros Louisville/ tailors that satisfy’, inscription: ‘I'm "all cut-up" on/ your account./ Told the "Boss" I'd go to/ pieces if I didnt get ORDERS/ from you - and I did./ (over) Larry/ Business Booster’, : ‘Louisville, KY./ OCT 13/ 7 30 PM/ 1911’
Gezicht op Treseburg
Object type: stereograph
Date: 1904 – 1904
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: harz
Subjects: river
Inscriptions: number: ‘12.’, inscription: ‘Neue Photographische Gesellschaft A.-G., Steglitz-Berlin 1904.’
Gezicht op de wetering richting de Stadlanderbrug
Object type: book illustration
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: detached house in city, rowing facing backward, pulling, poling, punting, bridge in city across river, canal, etc., windmill

Prent uit: Tijsens, Gijsbert. Hollands Arcadia, of de vermaarde rivier den Amstel (...) naar 't léven getekend en in 't ligt gebgragt door Abraham Rademaker (...). Amsterdam: Leonardus Schenk, 1730.
Cup (part of a service)
Object type: cup
Date: 1770 – 1770
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Portrait of Willem I (1533-84), Prince of Orange, called William the Silent
Object type: painting
Date: 1632 – 1632
Materials: canvas, oil
Artist: michiel jansz van mierevelt
Artist role: draughtsman, painter
Artist dates: 1567 – 1641
Subjects: delft, william i (prince of orange), historical persons
Inscriptions: inscription, centre right, on the piece of paper: ‘Ζεύ μὴ λάθοι σε τώνδ᾽ ὂς αἲτιος ϰαϰών’, signature, centre right: ‘Faciem huius ad principale Cornely / de Vischer fecit A. a Miereveld.’

Portret van Willem I, prins van Oranje, genaamd Willem de Zwijger. Kniestuk, staand, de handen in de mantel gestoken.
Zolderkamer
Object type: drawing
Date: 1867 – 1909
Materials: paper
Techniques: brush
Artist: george washington schwartze
Artist role: draughtsman
Artist dates: 1857 – 1909
Subjects: attic, loft
Titelpagina voor: J. du Roure, Cartesiaanse reden-konst, 1683
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: deathbed, training of dogs, the soul going to its last destination
Inscriptions: collector's mark: Lugt 2228

Een jonge en oude man zitten aan tafel en aanschouwen een opzittend hondje. Hierachter huilen een vrouw en kind bij het sterfbed van een man die zijn laatste adem (en ziel) uitblaast.
Meijer's prenten
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: lithograph, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: animals, birds, handicrafts ~ maintenance and repair (with name of trade or profession), the soldier; the soldier's life, fruits: cherry
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van verschillende aard, waaronder voorstellingen van dieren, kinderen die hout sprokkelen, soldaten en een schoorsteenveger. Onder enkele afbeeldingen een onderschrift. Genummerd rechtsboven: No. 16.
Two Maoris
Object type: print
Date: 1896 – 1897
Materials: ink, paper, watercolor
Techniques: printing, woodblock print
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Inscriptions: Not signed
Sutra Cover
Object type: textile
Materials: textile, silk
Techniques: bookbinding, interlacing, patterning, weave
Location: china