deem-data/ArtiFact huggingface dataset:
Hudson Towards Fishkill Landing, 1871 (from Sketchbook)
Object type: drawing
Date: 1870 – 1870
Materials: graphite, paper
Culture: american
Artist: daniel huntington
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1906
Subjects: mountains,trees

The leading portraitist in New York during the post-Civil War period--and president of the National Academy of Design from 1862 to 1870 and from 1877 to 1890--Daniel Huntington was a conservative painter, a man highly respected by his clients and colleagues throughout his long career. Although he traveled widely and frequently during the mid- and late nineteenth century, he shunned new artistic concepts and styles. As a staunch academician in technique and manner, Huntington understood that proper draftsmanship was at the core of accomplished painting. He sketched throughout the course of his life and his extant drawings number over a thousand. This page is from one of Huntington’s sketchbooks that contains forty-one drawings in graphite, some in a panorama format. The sketches are primarily of scenic locations in New York State including, Cornwall, Walton, and Mohonk subjects. Many of the drawings are dated 1871 and most are inscribed with the site represented.
Albumblad met drie prenten met twee geliefden, een schaal en het martelen van Felicitas van Rome
Object type: ornament print
Date: 1500 – 1599
Materials: paper
Techniques: engraving
Location: france
Subjects: (lovers) embracing each other, 'symplegma', martyrdom, suffering, misfortune, death of st. felicity, dish, plate, saucer, couple of lovers

Albumblad met drie uitgeknipte prenten: een voorstelling van een menigte die Felicitas van Rome levend kookt in een grote ketel, een ornamentele schaal op een hoge poot en een innig verstrengeld paar geliefden.
Document betreffende Willem Nicolaas Rose
Object type: document
Date: 1839 – 1871
Materials: ink, paper
Techniques: pen, writing
Artist: Anonymous
Subjects: willem nicolaas rose, architecture, rotterdam
Cover
Object type: cover
Date: 1701 – 1800
Materials: silk, wool
Techniques: embroidery
Subjects: men,music,deer,horses
Wat Moeder Gans vertelt, doet u deez' plaat aanschouwen, / Hoe Asschepoester met een koningszoon ging trouwen. / En hoe een looze kat, door streken fijn bedacht, / Haar armen meester heeft tot hogen rang gebragt
Object type: popular print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing
Location: den bosch
Artist: Anonymous
Subjects: tales and fairy tales (with title), tales and fairy tales: puss in boots
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen uit de sprookjes van Assepoester en de gelaarsde kat. Onder elke afbeelding een tweeregelig vers. Genummerd midden boven: No. 63.
Plate 17: Illustration to Canto XVII, from Torquato Tasso's "Gerusalemme liberata III"
Object type: print
Date: 1590 – 1630
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: tents,soldiers,bow and arrow,women,horses
Design for 2 Seat Sleigh, no. 3417
Object type: drawing
Date: 1878 – 1878
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Rekenpenning uit Dordrecht op het afslaan van bemiddeling door de Duitse Keizer 1596
Object type: jeton
Date: 1596 – 1596
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde het Paard van Troje in een brandende stad, met omschrift, op de keerzijde een soldaat op een wachttoren, met omschrift.
Noli me tangere
Object type: print
Date: 1586 – 1586
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: mary magdalene kneeling before christ, who is usually represented as a gardener with a hoe and/or a spade; 'noli me tangere'
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Volgens het opschrift op de prent naar ontwerp van Federico Zuccaro. Volgens de British Museum (zie: V,8.199) naar Giulio Clovio, evenals de bijna identieke prent door Cornelis Cort van 1567. Mogelijk heeft Goltzius naar de prent van Cort gewerkt.
Welch, Center Field, Philadelphia Athletics, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Diploma voor de Mutualité scolaire, Henegouwen
Object type: certificate
Date: 1897 – 1897
Materials: paper
Techniques: etching, intaglio
Subjects: bee-hive, sowing, henegouwen
Inscriptions: collector's mark: Lugt 2228, inscription: ‘2m etat; 1897; Deux epreuves’, mark: ‘Heijle[mans]’
Plate 32: Venus asking Jupiter for protection; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'
Object type: print, fete, ornament architecture
Date: 1636 – 1636
Techniques: engraving
Location: antwerp
Artist: johannes meursius
Artist role: publisher
Artist nationality: flemish
Artist dates: 1600 – 1699
Subjects: children,men,women,jupiter,venus

On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp [1636], illustrate what the series looked like. The Metropolitan Museum of Art owns 34 plates from the set of 42.
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 100
Materials: glass
Culture: roman

Translucent pale blue. Rim folded out, over, and in, with flattened upper surface; cylindrical neck with broad horizontal tooling indent around base; piriform body; broad, flat bottom. Intact; many pinprick bubbles; dulling, pitting, and brilliant iridescence on exterior, soil encrustation and patchy weathering on interior.
Portret van C. Timm
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: historical persons not known by name
Inscriptions: collector's mark: Lugt 2233

Portret van een verder onbekende man met de naam C. Timm.
Cross Section of a Baroque Church or Chapel with a Bell-shaped Roof
Object type: print
Date: 1650 – 1725
Materials: ink
Techniques: pen, wash
Subjects: churches,cross

Cross section of a Baroque church or chapel, showing details of the constructrion. The cross section of the walls reveils dense brick work and the cross section of the bell-shaped roof shows the wooden support structure, which reaches all the way into the vase that crowns the building. The interior of the building is characterized by a simple altar with a crucifix, flanked by columns in the Composite order on either side. Below the cross section, a scale has been added.
Belfield Hall
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: architecture,buildings
Plate 4: Bertoldo stuffed in a sack, from "Bertoldo, Bertoldino, and Cacasenno"
Object type: print
Date: 1705 – 1715
Techniques: etching
Artist: giuseppe maria crespi
Artist role: artist
Artist nationality: italian
Artist dates: 1665 – 1747
Groteske figuren
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: cat, caricatures (human types), (family) meal, dog
Inscriptions: collector's mark: Lugt 240

Drie groteske mannen en twee lelijke vrouwen zitten rond een tafel en nuttigen een maaltijd. Op de voorgrond een vechtende hond en kat.
Necklace
Object type: necklace
Date: 201 – 1200
Materials: gemstone
Location: egypt
Hara, from the series "Fifty-three Stations [of the Tokaido] (Gojusan tsugi)," also known as the Figure Tokaido (Jinbutsu Tokaido)
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Ter Gedachtenis / uitgereikt aan ieder der ondervermelde mannen, die op 12/13 januari 1891, den tocht van Stavoren naar Enkhuizen te voet over het ijs, waarmede de Zuiderzee bedekt was, volbracht hebben, een tocht, welke sedert 1829 door niemand is ondernomen
Object type: text sheet
Date: 1891 – 1891
Materials: paper
Techniques: letterpress printing
Location: workum
Artist: simon brandenburgh
Artist role: printer
Subjects: ice ~ freezing weather, severe winters, enkhuizen
Inscriptions: collector's mark: Lugt 1641, collector's mark

Verklaring over de voettocht van zeven mannen over het ijs de bevroren Zuiderzee van Stavoren naar Enkhuizen, 12-13 januari 1891. Opgesteld en ondertekend door de burgemeesters van beide plaatsen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Spel en Vermaak; IJsvermaak, Strenge winters.
Vue doptique representant la Salle des Festins dans les Jardins de Versailles
Object type: print
Date: 1700 – 1799
Materials: cardboard, paint, paper, watercolor
Techniques: brush, cutting, etching, perforating
Artist: Anonymous
Subjects: garden, garden fountain, ornamental plants
Portret van Johann Georg Meusel
Object type: book illustration
Date: 1790 – 1790
Materials: paper
Techniques: engraving
Artist: eberhard siegfried henne
Artist role: print maker
Artist dates: 1759 – 1828
Subjects: historical persons, professor
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Allgemeine deutsche Bibliothek. Berlijn en Stettin: Friedrich Nicolai, 1790, dl. 95.
Landschap met rivier en mensen op een brug
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Subjects: river, bridge
Schotel
Object type: platter
Date: 1809 – 1814
Materials: porcelain
Techniques: painted
Location: nieuwer-amstel

Schotel veelkleurig beschilderd met een vogel op een tak. Gemerkt: Amstel in zwart en ingegrift A en K.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1905 – 1905
Materials: cardboard, ink
Techniques: pen, writing
Location: haarlem
Artist: anton l. koster
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1937
Subjects: willy martens, the hague, painter, draughtsman, philip zilcken, the graphic arts, exhibition ~ art, new york (city), venice
Inscriptions: collector's mark: ‘RPK’
Nieuwjaarswens van pater A. Duijvestijn
Object type: photomechanical print
Date: 1950 – 2000
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: christmas (ecclesiastical feast), new year's eve (december 31)
Kapiteel van de Kathedraal van Chartres
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: chartres
Artist: adolphe giraudon
Artist role: publisher
Artist dates: 1849 – 1929
Subjects: capital (~ column, pillar), sculpture (+ relief ~ sculpture)
Inscriptions: number: ‘T 1310’, collector's mark: ‘RIJKS-NORMAALSCHOOL voor TEEKENONDERWIJZERS AMSTERDAM’
Assistant Adjutant-General, United States Army, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,profiles,generals

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
La Vera Perfettione del Disegno di varie sorti di recami, page 16 (verso)
Object type: book print ornament architecture
Date: 1567 – 1567
Techniques: woodcut
Artist: giovanni ostaus
Artist role: publisher
Artist nationality: italian
Artist dates: 1507 – 1607
Subjects: grapes,dragons,flowers,vines

Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice. From top to bottom, and left to right: Design composed of 4 horizontal registers that are printed upon a grid. First register is decorated with a curving grape vine. Second register is decorated with coiling grape vines, amongst which are dogs. Third register is decorated in the center with a pot of flowers that is flanked on either side by a dragons and coiling vines of flowers. Fourth register is decorated in the center with an urn that is flanked on both sides by a composite man and plant creature that transforms into a coiling vine of flowers.
Textile Featuring Arabic Inscriptions
Object type: textile fragment
Date: 1101 – 1200
Materials: linen, silk
Techniques: weave
Location: egypt
Subjects: arabic

While it might be difficult to reconstruct the original appearance of this fragmentary tapestry-woven textile, the decorative style places it within the corpus of surviving textiles of the late Fatimid period, which is characterized by the use of golden yellow and red to create complex braided designs as seen on the top. Also representative of this late period is the shift towards the use of stylized inscriptions rendered in a cursive script. Although truncated, the Arabic inscription in the four bands on the right begins with, "In the name of God, the Merciful and Compassionate, There is no God but God;" while the two bottom lines contain a repetition of the phrase, "Victory is from God."
O contemporaneo
Object type: photograph
Materials: paper, photographic support
Techniques: albumen print, printing
Artist: alfred fillon
Artist role: fotograaf
Artist dates: 1825 – 1881
Subjects: historical persons - bb - woman

Op de voorpagina bevindt zich een portret van Lucinda Simões.
Proserpine, from The Deities
Object type: print
Date: 1588 – 1590
Materials: ink, paper
Techniques: woodcut
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Elie Metchnikoff
Object type: photomechanical print
Date: 1882 – 1970
Materials: paper
Techniques: autotype
Subjects: paris, historical persons, biology (+ portrait of scholar, scientist)
Secretaires
Object type: ornament print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: ornamental cupboard
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee geornamenteerde hoekkasten, rechts met bloemmotieven. Prentnummer 59.
Blad met ruitenpatroon met uitgespaard takje en overhoekse uitgespaarde stip
Object type: printed paper
Date: 1750 – 1900
Materials: paper, wax
Techniques: printing block
Artist: Anonymous
Subjects: ornament ~ geometric motifs, ornament derived from plant forms

Blad met ruitenpatroon met uitgespaard takje als veldvulling en overhoekse uitgespaarde stippen. Onderaan een fragment van een zegel in rood lak. Gebruikt als omslag.
Panorama of Venice from the Bacino di San Marco, Including the Project for the Proposed Teatro Manin
Object type: drawing
Date: 1788 – 1793
Materials: ink
Techniques: pen, wash
Artist: francesco guardi
Artist role: artist
Artist nationality: italian
Artist dates: 1712 – 1793
Subjects: buildings,canals,boats,venice

This large panorama bearing a dedication to Ludovico Manin, the last Doge of Venice, was probably intended for engraving, a fact which explains its relatively high degree of finish. The drawing was likely intended to mark the initiation of a theater (inserted at left center) in honor of the Doge. As history would have it, Teatro Manin was never built, and Ludovico Manin fared no better. On May 12, 1797, he surrendered the government of the Venetian Republic to the forces of Napoleon Bonaparte, ending a millennium of republican independence. On either side of the dedication tablet bearing the Doge’s coat of arms Guardi offers a key to the buildings with corresponding numbers in the drawing. Topographic exactitude was important in this instance as a context for the prominently sited theater to come.
Boerderij tussen bomen bij Delden
Object type: drawing
Date: 1886 – 1886
Materials: chalk, paper
Location: delden
Artist: johannes gijsbert vogel
Artist role: draughtsman, painter, print maker
Artist dates: 1828 – 1915
Subjects: forest, wood, farm (building)
Inscriptions: date
Zo mans- als vrouwen-werk, van kunstenaars, ambachtsliên, / En winkeliers, kunt gy, ô kinderen! hier zien
Object type: popular print
Date: 1770 – 1788
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: handicrafts and industries
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van ambachten voor mannen en vrouwen. Onder elke afbeelding een vierregelig vers. Genummerd: No. 128.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Thick band of red glaze; below, rays
Gezicht op Annapolis en twee gezichten op een honkbalwedstrijd (vermoedelijk) van kadetten van de United States Naval Academy
Object type: page
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: new york city
Artist: edward h. hart
Artist role: publisher
Subjects: city-view in general; 'veduta', baseball
Tekst over de geschiedenis van het Damrak
Object type: newspaper clipping
Date: 1916 – 1916
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: city-view in general; 'veduta', façade (of house or building)
Inscriptions: collector's mark: ‘7’ Lugt 1641b, name: ‘J.H. Rössing’

Onderwerpsrubriek binnen de Atlas Amsterdam: Damrak, Damstraat, Doelensluis, Doelenstraat (Nieuwe), Driehoekstraat, Droogbak, Duvelshoek, Dijkstraat en Korte -.
On the Baulks
Object type: photograph
Date: 1887 – 1887
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Slippers
Object type: slipper
Date: 1850 – 1875
Materials: leather
Culture: american

While many house and bedroom slippers of the mid-19th century are at least in part homemade, there were common manufactured types as well. This pair of boy's bedroom slippers is a miniature version of one of the standard men's types. It features an attractive cutout border at the throat in contrasting color and texture of leather, which is nicely set off with white topstitching. The cut of these slippers, with the front and back in separate pieces curving down to the sole at the center, is called "d'Orsay" after Alfred Guillaume Gabriel, Count d'Orsay (1801–1852), a French amateur artist and dandy, who popularized the style.
Length of velvet
Object type: length
Date: 1501 – 1600
Materials: silk

This design was traditionally worn by senators of the Venetian Republic.
Nederlandsche Staats-Courant. Donderdag 22 Maart. No. 69*. 1849
Object type: newspaper
Date: 1849 – 1849
Materials: paper
Techniques: letterpress printing
Location: the hague
Subjects: brussels, willem iii (koning der nederlanden)
Inscriptions: collector's mark: Lugt 2228

Exemplaar van de Nederlandse Staatscourant van 22 maart 1849, met de proclamatie van koning Willem III. Blad met zwarte rouwranden bedrukt op één zijde. Bovenaan een vignet met het rijkswapen.
Openbaare Optogt der flagellanten, of geesselslagers, in Spanje, Italie, enz.
Object type: print
Date: 1752 – 1789
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: flagellants ~ ascetic life, self-castigation ~ ascetic life, procession ~ christian religion
Inscriptions: collector's mark: Lugt 2228

Landschap met processie van flagellanten. Dit waren gelovigen die zichzelf ritueel geselden.
Glass jug
Object type: jug
Date: 1 – 200
Materials: glass
Culture: roman

Translucent light blue green, with same color handle. Rim folded out, over, and in, with beveled upper surface; cylindrical neck; squat, globular body; small, slightly uneven bottom; ribbed handle applied in large pad with claws to upper part of body, drawn up and outward, then folded in and attached in neck below rim with vertical, flat thumb rest above. Intact; many bubbles; some iridescence and weathering on exterior, soil encrustation on interior of neck and iridescent weathering on inside of body.
Antoine de Locquenghien, zesentwintigste intendant van de vaart van Brussel
Object type: jeton
Date: 1629 – 1629
Materials: copper
Techniques: striking
Location: brussels
Artist: Anonymous
Subjects: antoine de locquenghien, willebroekse vaart

Koperen penning. Voorzijde: gehelmd wapenschild binnen omschrift. Keerzijde: schip voor sluis; daarboven houdt een hand een rijksappel binnen omschrift
Fragment of a limestone group of wrestlers
Object type: statuette of a dwarf in egyptian style, wrestling
Date: 600 – 501
Materials: limestone
Culture: cypriot
Subjects: men

The figure, whose short torso is painted red, leans forward, with his weight on his advanced left leg.
Textile Fragment
Object type: textile fragment
Date: 401 – 600
Materials: wool
Techniques: weave
Location: egypt
Subjects: birds
Vier Turkse mannen met tulbanden en een Afrikaanse man in profiel
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching, intaglio
Artist: stefano della bella
Artist role: draughtsman, print maker
Artist dates: 1610 – 1664
Subjects: asiatic races and peoples: turks, africans, head-gear: turban
Inscriptions: collector's mark: Lugt 240
Pair of Mitten Gauntlets
Object type: armor
Date: 1530 – 1530
Materials: leather, steel
Culture: german
Location: germany
Staande man met spullen over zijn schouder en onder zijn arm
Object type: drawing
Date: 1700 – 1799
Materials: chalk, paper
Techniques: brush
Location: netherlands
Artist: Anonymous
Chinoiserie
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: france
Artist: jean pillement
Artist role: artist
Artist nationality: french
Artist dates: 1728 – 1808