deem-data/ArtiFact huggingface dataset:
Capelle en 't Huys te Mael-Stede
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: engraving, etching
Subjects: prospect of village, silhouette of village, castle, church (exterior)

Prent uit: Speculum Zelandiae dat is een beschryvinge ofte afbeelding der steden, ambachts-heerlijckheden, dorpen, castelen, ridderlijcke hofsteden, huysen en gebouwen gelegen inde eylanden en de graeflijckheyt van Zeelandt, bij een vergadert' door Nicolaus Visscher. S.l.: Nicolaes Visscher, [1662].

Verschillende staten van prenten zijn gebruikt in andere uitgaven van 'Speculum Zelandiae' en in andere publicaties uitgegeven door Zacharias Roman en Nicolaes Visscher (I).

Verwarring rondom de datering kan ontstaan door het feit dat de prenten uit 'Speculum Zelandiae' ook voorkomen in eerder uitgegeven publicaties, waar ze later in zijn ingebonden. Zo komen prenten uitgegeven door Roman/Visscher voor in sommige exemplaren van: Boxhorn, Marcus Zuerius van. Chroniick van Zeelandt (…). 2 dln. Middelburg: Zacharias Roman, 1644. De door weduwe (Joachim) Ottens en Zoonen uitgegeven prenten zijn later ingebonden in sommige exemplaren van: Smallegange, Mattheus. Nieuwe Cronyk van Zeeland (…). Middelburg en Amsterdam: Johannes Meertens en Abraham van Someren, 1696.
Jeanne, the Redhead, from "The Songs of Béranger"
Object type: print
Date: 1829 – 1829
Location: paris
Artist: françois-louis français
Artist role: designer
Artist nationality: french
Artist dates: 1814 – 1897
Knoop, plat en rond, van gedeeltelijk met goudverf beschilderd metaal met krulmotief, opengewerkt en gegraveerd
Object type: button
Date: 1880 – 1940
Materials: paint, metal
Techniques: embroidery, engraving, painting
Location: europe
Artist: Anonymous

Knoop, plat en rond, van gedeeltelijk met goudverf beschilderd metaal met krulmotief, opengewerkt en gegraveerd, met oog aan de achterzijde.
Les Quatre Saisons
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: harvest, summer ~ human activities (the four seasons of the year), fowl (cock, hen, chicken, etc.)
Inscriptions: collector's mark: Lugt 240

Oogstende figuren met twee mannen en een vrouw die een groep kuikens het veld uitjagen en hen proberen te vangen.
Gezicht op de trap van de Lodewijk XII vleugel van het Kasteel van Blois
Object type: page
Date: 1870 – 1875
Materials: paper
Techniques: woodburytype
Location: blois
Subjects: castle, staircase
Inscriptions: number: ‘PL. 17.’
Bronze centaur
Object type: statuette of a centaur hurling a stone
Date: 434 – 401
Materials: bronze
Culture: greek
Subjects: centaurs

During the fifth century B.C., centaurs appeared in many monumental representations, especially in Athens. The decoration of the Theseion included large wall paintings depicting not only Greeks fighting Amazons but also centaurs fighting Lapiths. The sculptures of the Parthenon featured centaurs as well. The boulder included in this work suggests that the source of inspiration was the myth of Kaineus, a Lapith invulnerable to man-made weapons, who could only be overcome by being beaten into the ground with trees and stones.
Panel
Object type: panel
Date: 1701 – 1733
Materials: wood
Subjects: faces,flowers
Fotografie Strauss Rotterdam. Grootste en mooiste inrichting. Bekend billijke prijzen. Artistieke afwerking
Object type: poster
Date: 1914 – 1914
Materials: paper
Techniques: lithograph
Artist: arnold van roessel
Artist role: print maker
Artist dates: 1883 – 1947
Landschappen
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: dusk, evening twilight, evening, hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 964

Twee figuren op een pad bij een herberg bij de vallende avond. Elfde prent van een serie van in totaal zestig prenten met landschappen, verdeeld over vijf delen van elk twaalf prenten.
Gulden van de VOC uit Utrecht, 1786
Object type: coin
Date: 1786 – 1786
Materials: silver
Techniques: striking
Location: utrecht

Zilveren munt. Voorzijde: tussen waarde-aanduiding 1 G gekroond generaliteitswapenschild, waaronder monogram van de VOC. Keerzijde: Nederlandse maagd met speer, waarop vrijheidshoed, leunend op een bijbel op een altaar. Jaartal in afsnede. Kabelrand.
Teapot
Object type: teapot
Date: 1810 – 1820
Materials: silver
Culture: american
Location: united states
Artist: william b. heyer
Artist role: maker
Artist nationality: american
Artist dates: 1804 – 1822
Tracery Arcade from the Great South Window of Canterbury Cathedral
Object type: architectural tracery
Date: 1426 – 1435
Materials: stone
Culture: british
Location: england
Artist: master mason stephen lote
Artist role: artist

These fragments once outlined a panel of stained glass in the "Great South Window" of the south transept of Canterbury Cathedral. Consistent with medieval practice, the two sides of the arch were carved in distinct though complementary ways. The side facing the interior of the church consists of three undulating courses of molding. The exterior, which exhibits the stress and repairs expected from centuries of exposure to the elements, displays a simpler faceted molding. Various marks related to construction appear on the ends of stone that are now exposed. These range from simple incisions to a mason’s mark in the shape of a cross.
Funeral effigy of Henry IV, King of France
Object type: print, fete, ornament architecture
Date: 1610 – 1610
Techniques: etching
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Subjects: kings,coat of arms

Effigy of Henry IV displayed after his assassination. The King is in full regalia, on a canopy bed, surrounded by candlesticks. Inscription below image has been trimmed from print.
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 575 – 551
Materials: terracotta
Culture: greek, attic

At the top, a band of tongues, alternating with red and black; below, ivy from the panel ornament
Mr. Hayden Coffin
Object type: carte de visite
Date: 1880 – 1940
Materials: cardboard, photographic support
Techniques: woodburytype
Location: london
Subjects: london, advertising, historical persons
Inscriptions: inscription: ‘Walery/ London./ Permanent Photo./ COPYRIGHT,/ Waterlow & Sons, L(...).’
Landschap met rivier en rotsen
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: etching, lithography
Location: netherlands
Subjects: river
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Landschap met een rivier en rotsen rechts. Op de voorgrond een herder met zijn vee.
Cauchemar
Object type: drawing
Date: 1848 – 1927
Materials: paper, pencil
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Messenheft uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: knife handle
Date: 1700 – 1743
Materials: copper, wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knife, handle deformed: unclassifiable; fragm, sim. NG 1980-27H1678, ferrule, id. NG 1980-27H426.
Peter Scriverius
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: cornelis visscher
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1658
Inscriptions: Inscribed recto, in image, lower left:  "Corn. Vifcher fculpfit
P. Soutmanns Dirigente."; Inscribed recto, in image, lower right:  "P. Soutman pingebat, et excudebat Harlemi 1649.  Cum Priuilegio."

Peter Scriverius, a renowned poet and scholar, provided verses to accompany Hendrik Goltzius’s portrait Frederik de Vries (1923.1068). Here Scriverius himself appears in the fifth portrait of a series of prints depicting four famous Dutchmen (Quatuor Personae), for which he wrote celebratory Latin poems. Dutch translations appear below several of these sheets, assuring a wider audience for the prints. Cornelis Visscher’s lively engravings feature illusionistic twists in the helmet, baton, and book that extend into the viewer’s space.
Cobra amulet
Object type: amulet, cobra
Date: 400 – 30
Materials: glass
Location: egypt
Subjects: snakes

Starting in the later Late Period and continuing through the Ptolemaic Period, a type of glass amulet cast by pressing the glass into a shallow open mold appears. The back was left rough, and the amulets may look ragged because glass overflowed the mold around the edges. The earlier amulets are monochrome, bi- or multicolor amulets supplement the repertoire during the Ptolemaic Period. Most are clearly funerary amulets, presumably meant to be wrapped between the bandages of the mummy where the presence of the amulet would do its job irrespective of its degree of finish.
Kobenhavn, Nygade
Object type: ansichtkaart, prentbriefkaart
Date: 1909 – 1909
Materials: cardboard
Techniques: photograph, hand coloring, writing
Location: copenhagen
Subjects: street, copenhagen (city)
Inscriptions: number: ‘Eneret No. 554’
Roebel uit Rusland van tsaar Nikolai I, 1830
Object type: coin
Date: 1830 – 1830
Materials: silver
Techniques: striking
Location: sint-petersburg

Zilveren munt. Voorzijde: dubbelkoppige adelaar met gespreide vleugels, met op zijn borst een wapenschild en op zijn staart versierselen. Boven de adelaar een kroon. Waarde-aanduiding en jaartal in het omschrift. Keerzijde: binnen twee samengebonden takken onder een kroon opschrift in vier regels. Daaronder de letters S, P en B in Cyrillisch schrift. Randschrift.
Alcazar de Sevilla, interior del Salón de Embajadores
Object type: photograph
Date: 1880 – 1900
Materials: paper
Techniques: albumen print
Location: sevilla
Artist: rafael garzón
Artist role: publisher
Artist dates: 1863 – 1923
Subjects: palace - aa - civic architecture: inside
Inscriptions: number: ‘No 1.058.’
Le monde photographié
Object type: book
Date: 1863 – 1863
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, printing
Location: paris
Solitudo Sive Vitae Patrum Eremicolarum
Object type: print
Date: 1583 – 1588
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: male saints (with name), herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., anchorite, hermit, sheep
Inscriptions: collector's mark: Lugt 240

De H. Malchus van Chalcis. Hij bidt terwijl hij schapen hoedt. Op de achtergrond een hutje in het landschap met zijn vrouw, die gescheiden van haar man als non leeft.
Drie rijk geklede kinderen met kersen in een venster
Object type: print
Date: 1741 – 1780
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: child, human figure at (open) window, seen from outside, fruits: cherry
Inscriptions: collector's mark: Lugt 2228
Hoedenveer in zwart
Object type: hoedenveer
Date: 1925 – 1935
Materials: feather
Location: netherlands
Artist: Anonymous

Hoedenveer in zwart, met afbuigende punt.
Twee gevleugelde fabeldieren met paardenhoofden en ornamenten met bladmotief
Object type: book illustration
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: foliage ~ ornament, fabulous animals ~ hoofed animals

Deze prent is gebruikt als ornament in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Portret van Karel Dujardin
Object type: print
Date: 1827 – 1828
Materials: paper
Techniques: tone lithography
Location: netherlands
Subjects: amsterdam, venice, painter, print maker, draughtsman, karel du jardin, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

Naar een zelfportret door Karel Dujardin uit 1662. Onder het portret zijn naam.
Portrait of Mir Bhodo and Mir Mahomed Hussun with an assitant, Sindh, Pakistan
Object type: page
Date: 1862 – 1872
Materials: photographic support
Techniques: albumen print
Location: sindh
Artist: henry charles baskerville tanner
Artist role: fotograaf
Artist dates: 1835 – 1898
Subjects: ruler, sovereign, human races; peoples; nationalities
Inscriptions: number: ‘281.’, inscription: ‘MEERS BHODO AND MAHOMED HUSSUN./ WITH ATTENDANT./ SHAHWANEER TALPOORS./ SHEEA MUSSULMANS./ SIND.’
Kolf van een radslotgeweer
Object type: photograph
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: hoofed animals: deer, firearms
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Op de kolf staat een ruiter te paard bij een geschoten hert. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Krijgswezen, Wapens.
[Blind Man and His Reader]
Object type: photograph
Date: 1850 – 1850
Techniques: daguerreotype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits

Little is known about this enigmatic portrait except that the young reader holds a copy of the New York Herald. Known for its prurient interest in scandal and crime, as well as its pioneering use of the telegraph and railroad to gather news, the newspaper, launched in 1835, had the largest circulation of any daily in the United States. One wonders what was in the news the day this photograph was made. The outbreak of the Mexican-American war in 1846? The discovery of gold in California in 1848? Or perhaps an article from Brighton, England, on Dr. W. Moon's system (1847) of raised type that allowed the blind to read with their fingers? Moon type, as it was known, pre-dated by more than twenty years the universal adoption in 1869 of Louis Braille's system (1834) of raised points.
Portret van Martin Luther
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: letterpress printing, engraving
Location: germany
Artist: Anonymous
Subjects: priest, martin luther, theologian, historical persons

Prent waarschijnlijk uit: Scherr, Johannes. Geschichte der deutschen Literatur. Leipzig: Otto Wigand, 1854.
Coffee service
Object type: coffee service
Date: 1773 – 1773
Materials: enamel, gilt, silver, wood
Artist: johan henrik blom
Artist role: maker
Artist nationality: finish
Artist dates: 1705 – 1805

The service (47.51.1–.5) is thought to have been given by Empress Catherine II to Count Pyotr Rumiantsev, governor of the Ukraine and leader of the victorious Russian forces in the war with Turkey (1768–74). Enamel portraits on the utensils depict the imperial line from Peter the Great to Catherine II to her son, later Paul I. Facing are: Catherine II on the coffeepot, the empress Elizabeth on the teapot, the empress Anna on the bowl, Peter III on the cream jug, and Catherine I on the sugar-box lid. The shape and decoration recall silver utensils made in northern Germany, especially Berlin. German silver was highly esteemed in Russia, where a large German artistic community had influenced the transmission of Western forms since the time of Peter the Great. The goldsmith, born in Vyborg at the Gulf of Finland, might also have spent time in northern Germany during his journey years.
Rekenpenning uit Brussel voor het Bureau van Financien 1674
Object type: jeton
Date: 1674 – 1674
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde een gekroond vonkend vuurijzer op een andreaskruis, met omschrift, op de keerzijde het gekroonde Spaanse wapenschild omhengen met de keten van het Gulden Vlies, met omschrift.
Corset
Object type: corset
Date: 1780 – 1780
Materials: leather, linen, wool
Culture: american
A Drummer
Object type: drawing
Date: 1601 – 1633
Techniques: pen
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: human figures,drums,musicians
Tunic
Object type: tunic
Date: 650 – 1000
Materials: animal fiber, cotton
Culture: wari
Location: andean region
Artist: wari artist
Artist role: artist
A Persian Man
Object type: drawing
Date: 1675 – 1725
Materials: paper, watercolor
Location: netherlands
Artist: Anonymous
Subjects: asiatic races and peoples, persia
Inscriptions: annotation: ‘Een Persiaen’

Een Pers omet leren laarzen, een paars-wit gestreepte kaftan, met een geel/witte sjaal om zijn middel. Op zijn hoofd draagt hij een wit/gele tulband.
Ontwerp voor een uitgeversvignet van H. Meulenhoff
Object type: design
Date: 1905 – 1905
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: fence, wall, paling, windmill
Inscriptions: collector's mark: ‘R:MVS.’

Molen op een pad met aan weerszijden een bomenrij. Op de voorgrond een hek.
Taking up the Eel-Net
Object type: photograph
Date: 1886 – 1886
Techniques: platinum print
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Kreuznach. Alte Nahebrücke
Object type: photomechanical print
Date: 1906 – 1906
Materials: cardboard
Techniques: photograph, lithograph, hand coloring, writing
Location: wiesbaden
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, canals, waters (in city), bridge in city across river, canal, etc.
Inscriptions: date
Onyx Vessel
Object type: vessel
Date: 901 – 1600
Materials: marble, onyx
Culture: mexican
Location: mexico
Falcon Box with Wrapped Contents
Object type: falcon, mummy, chest
Date: 600 – 30
Materials: feather, linen, wood
Techniques: gilding, painting
Location: middle egypt
Subjects: falcons
Hoofd van een vrouw met gesloten ogen
Object type: print
Date: 1924 – 1924
Materials: paper
Techniques: lithograph
Artist: simon moulijn
Artist role: draughtsman, print maker
Artist dates: 1866 – 1948
Subjects: adult woman, eyes closed
Inscriptions: collector's mark: Lugt 2228
Cabinet, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1754 – 1754
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: cabinets

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XCIV in the 1754 and 1755 editions, renumbered as plate CXXIV in the 1762 edition.
Monks Chanting
Object type: print
Date: 1795 – 1795
Techniques: drypoint, etching, roulette
Artist: jean jacques de boissieu
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1810
Subjects: reading,monks
Titelprent voor: Johannes Immerzeel jr, De blindeman, 1812
Object type: titelprent, frontispice
Date: 1812 – 1812
Materials: paper
Techniques: etching
Location: delft
Subjects: garden, blind, blindness, weeping
Inscriptions: stamp, collector's mark: Lugt 1641

Links de titelpagina en rechts de eerste afbeelding met twee verdrietige zussen die elkaar vasthouden. Achter hen een man die niet kan zien. Onderaan de tekst: En twee ongelukkige zusters zinken in elkanders armen. Rechtsonder genummerd: bl. 116. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), Het begin der 19de eeuw. Mannen en vrouwen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, nose, mouth, beard of Dionysos wearing a garment with buttoned sleeves; to left, grapes?
Rue Kormar a Suez
Object type: photograph
Date: 1870 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: suez
Subjects: locations for trading
Inscriptions: number: ‘No 230’
L'Epreuve
Object type: print
Materials: paper
Techniques: etching
Location: paris
Subjects: printer, tools, implements of printer
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Verschenen in album met tien originele prenten als supplement bij tijdschrift: L'Epreuve, maart 1895, prent nr. 8
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Old man to left, wearing a patterned garment; to the right of the old man, part of a figure?; to the left of the old man, part of a spear?
Marsyas
Object type: statuette
Date: 1801 – 1900
Materials: bronze
Subjects: male nudes

The figure, while not a satyr (no tail), is meant to be Marsyas, Apollo’s foe, playing double panpipes (now lost), which were secured by the leather strap at his mouth. It derives from an ancient composition widely copied since the fifteenth century. The Medici owned bronze examples, one called the “Nude of Fear” (Ignudo della Paura), no doubt seen as a representation of that emotion because it seemed caught in the act of recoiling.[1] There is no consensus on a small host of reproductions that run a wide gamut in composition and facture. Some have prompted ambitious attributions. John Pope-Hennessy ventured to assign the most sculptural piece—a vital, rangy example now in the Bargello—to Donatello himself, and Verrocchio has also been wrongly proposed.[2] The best of a wirier type with fuller hair are in the Bargello and the Galleria Estense, Modena.[3] Our specimen, derived from another model in the Bargello and like it also sometimes labeled Pollaiuolo,4 does not measure up to any of these. While it has figured in prestigious collections and exhibitions, Anthony Radcliffe rightly warned (orally) against quattrocento origins. One saw what he meant as soon as he spoke, and the piece has not been exhibited since. The back muscles are impossibly twisted and grooved, and the whole surface was systematically but inarticulately and monotonously hammered over. No patina has built up. -JDD Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. Müntz 1888, p. 79. 2. Pope-Hennessy 1977; Ciaroni 2007, no. 24. 3. Bode and Draper 1980, pls. XCV, XCVI. For the many pictorial uses to which the model was put, see Middeldorf 1958. 4. See Ragghianti Collobi 1949, p. 52, cat. 15, and letters of expertise from Leo Planiscig in 1950 supporting the Pollaiuolo attribution (ESDA/OF).
Cover
Object type: cover
Date: 1701 – 1800
Materials: metal thread, silk
Techniques: brocade
Location: iran
Gezicht op de Aventijn in Rome, met de kerk van S. Saba, Abbate
Object type: drawing
Date: 1761 – 1817
Materials: chalk, ink, paper
Techniques: brush, pen
Subjects: church (exterior), rome

Tekening uit een groep tekeningen van landschappen en stadsgezichten in Italië (Rome, Tivoli, Civita Castellana en Pozzuoli).
Portret van Mathieu Molé of Pierre de Seguier
Object type: print
Date: 1600 – 1667
Materials: paper
Techniques: engraving
Subjects: mathieu molé, paris, pierre séguier, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 151
Medaille voor trouwe dienst bij de landmacht
Object type: history medal
Date: 1830 – 1861
Materials: bronze
Techniques: striking

Bronzen penning met bal zonder draagring, op de voorzijde sierletter W op gekroonde mantel, op de keerzijde het gekroonde Nederlandse wapenschild te midden van militaire attributen, met omschrift.
Dodendans
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: etching
Location: antwerp
Subjects: (story of) hercules (heracles), (story of) minerva (pallas, athena), dance of death; death together with one or more human beings, ruler, sovereign - bb - female ruler
Inscriptions: collector's mark: Lugt 2228

De keizerin wandelt met haar hofdames in begeleiding van de Dood. Zevende prent uit een reeks van 30 dodendansprenten; met een omlijsting met Minerva en Hercules.