deem-data/ArtiFact huggingface dataset:
Views in China  Canton The Jetty
Object type: stereograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print, hand coloring
Location: unknown
Artist: felice beato
Artist role: fotograaf
Artist dates: 1825 – 1909
Subjects: kanton
Inscriptions: number: ‘8’, title: ‘Views in China / 7 / Canton. / The Jetty.’
Nu hebt gy van van alles hier / Speeld daar mede tot uw pleyzier
Object type: print
Date: 1725 – 1780
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: hunt ~ mammals, drum (musical instrument) - cc - out of doors

Blad met 11 voorstellingen van verschillende aard, waaronder voorstellingen van tamboers, jagers met honden die op een hert jagen en de Beurs van Hendrik de Keyser te Amsterdam. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: 70.
Suit
Object type: suit
Date: 1860 – 1869
Materials: cotton, wool
Culture: american
G 39. Poseidon (Neptunus), (op het eiland Milos gevonden). Nationaal Museum, Athene
Object type: photomechanical print
Date: 1890 – 1893
Materials: cardboard, paper
Techniques: photograph
Location: athens
Artist: Anonymous
Subjects: (story of) neptune (poseidon), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, number: ‘235’, title: ‘G 39. Poseidon (Neptunus), (op het eiland Milos gevonden)./ Nationaal Museum, Athene.’, check stamp: ‘Bristol/ L.M.’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze fotomechanische afdruk is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Infant's cap
Object type: cap
Date: 1801 – 1900
Materials: cotton, glass, ribbon

Modest but appealing, this infant's cap is carefully worked with tiny green glass beads on a cotton support. A flounce of machined lace would surround the infant's face, with cotton straps to tie under chin. Some yellowish staining suggests the cap has been worn and used.
Glass flask
Object type: flask
Date: 201 – 400
Materials: glass
Culture: roman

Translucent pale blue green. Everted tubular rim, folded over and in; funnel-shaped mouth; concave cylindrical neck; globular body; thick bottom with small central kick and pontil scar. Intact; some pinprick and larger bubbles, blowing striations; pitting, dulling, whitish weathering, and iridescence.
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora, tyrrhenian fragment
Date: 575 – 551
Materials: terracotta
Culture: greek, attic

Part of a palmette-lotus festoon
Ribbon
Object type: ribbon
Date: 1801 – 1900
Materials: silk
Statuette of Imenytirry in long kilt
Object type: statuette, striding man
Date: 1802 – 1640
Materials: stone
Location: egypt
Subjects: human figures
Young woman
Object type: cast
Materials: plaster
Techniques: casting
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: women
Man Holding Flower between Clasped Hands
Object type: album leaf
Date: 901 – 1000
Materials: ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
The Esquire's Intrusion, from "The Vicar of Wakefield"
Object type: print
Techniques: aquatint, etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,dogs,horses

The Vicar of Wakefield was written by Oliver Goldsmith between 1761–62, published in 1766, and later illustrated with twenty-four designs by Thomas Rowlandson in 1817.
Mortar
Object type: mortar
Materials: alloy, copper, copper alloy, iron, lead, nickel, patina, silver, tin, zinc
Culture: italian
Artist: alberghetti foundry
Artist role: artist
Portret van Joos de Damhouder
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: antwerp
Inscriptions: collector's mark: Lugt 2228

Andere staat prent gebruikt als boekillustratie in: Kok, Jacobus. Vaderlandsch woordenboek : met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796. Deel XI.
Border
Object type: textile
Date: 1700 – 1700
Materials: linen
Techniques: lace
Location: europe
Firenze.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: florence
Artist: Anonymous
Subjects: gate, entrance, balcony, façade (of house or building)
Inscriptions: collector's mark: Lugt 3937
Afternoon jacket
Object type: afternoon jacket
Date: 1895 – 1895
Materials: silk
Culture: french
Artist: augustine martin & company
Artist role: design house

This jacket shows the standard silhouette of 1895 with the sleeves heavily puffed at the top and a form fitted bodice. The subtle color variations and intricate embroidery emphasize refinement.
Wapenschilden
Object type: titelprent, frontispice
Date: 1852 – 1852
Materials: paper
Techniques: tone lithography
Location: brussels
Artist: alexander schaepkens
Artist role: draughtsman, print maker
Artist dates: 1815 – 1899
Subjects: coat of arms (as symbol of the state, etc.)
Inscriptions: collector's mark: Lugt 2228

Het gekroonde wapen van Limburg omringd door drie wapenschilden, een open boek, een schilderspalet en een boekrol.
Heuvellandschap met marktplein
Object type: print
Date: 1745 – 1749
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: low hill country (+ landscape with figures, staffage), horse, market
Inscriptions: collector's mark: Lugt 2228

Mogelijk onderdeel van een serie 'Musée Français'.
Fotoreproductie van een architectonische tekening van een gebouw met daarin de verhoudingen en formaten vermeld
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: jean pierre emanuel lampué
Artist role: fotograaf
Artist dates: 1836 – 1924
Subjects: drawing, sketch, drawing, measuring, calculating, arch, archivolt ~ architecture, europe
Inscriptions: collector's mark: Lugt 3937, number: ‘22’, name: ‘PHOTOGRAPHIE LAMPUÉ 237, R. St. JAQUES, PARIS’
Paneling and Benches (Verso: sketch of a Desk)
Object type: drawing
Date: 1830 – 1830
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: architecture
Portret van een zittend meisje
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, toddler (female)
Portret van een onbekende vrouw in klederdracht
Object type: photograph
Date: 1840 – 1860
Materials: copper, glass, leather, velvet
Techniques: daguerreotype, hand coloring
Artist: Anonymous
Subjects: adult woman, historical persons
Teapot
Object type: teapot
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: human figures,trees
Netsuke of Small Gourd with Horse and Man
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: men,horses,gourds
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: gold alloy, iron, silver
Culture: japanese
Location: japan
Subjects: men,tigers
Landschappen, serie twee
Object type: print
Date: 1648 – 1705
Materials: paper
Techniques: etching
Location: france
Subjects: landscapes, washing and bathing
Inscriptions: collector's mark: Lugt 240

Landschap met schaars geklede wijzende vrouw, de voeten in het water, kijkend naar persoon staand tegen een boomstam. Derde prent uit de serie van zes
Portret van paus Pius IV
Object type: print
Date: 1632 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: rome, pius iv
Inscriptions: collector's mark: Lugt 2228

Portret van paus Pius IV, met zijn pauselijk wapen.
Stele of "Blessed Chrysaphios"
Object type: stele
Date: 201 – 1200
Materials: stone
Techniques: incising
Location: egypt

Funerary stelae from the Byzantine period in Egypt are thought to have been produced in quantity, then modified for individual use. Inscriptions were often added to identify the deceased.
Kinderstudien für Künstler : photographische Aufnahmen von Kindern im Alter bis zu zwei Jahren / von Fritz Ad. und Franz Becker
Object type: book
Date: 1903 – 1903
Materials: cardboard, leather, linen, paper
Techniques: photograph, marbled paper, printing, marbling
Location: berlin
Inscriptions: date: ‘AUG/ 1998’
Jar from the Burial of the Child Amenhotep
Object type: jar, marl, white washamenhotep
Date: 1479 – 1458
Materials: paint, pottery
Location: egypt

In the tomb of the child Amenhotep (36.3.153), six jars had been placed on either side of the coffin. The contents of the jars indicated that they had once held various liquids. Three of the jars (including 36.3.161. 36.3.164) are decorated with geometric patterns in red and black paint. One of the undecorated jars (36.3.162) still has its closure of linen cloth that covers the mouth andhas been tied in a square knot around the neck.
Stadsgezicht met toren bij huizen aan de kade
Object type: drawing
Date: 1828 – 1897
Materials: paper, pencil
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Cup
Object type: cup
Date: 1775 – 1775
Materials: soft paste porcelain
Artist: chantilly
Artist role: factory
Artist nationality: french
Subjects: flowers
Allegory of the Arts
Object type: group
Date: 1770 – 1770
Materials: hard paste porcelain
Artist: imperial porcelain manufactory
Artist role: manufactory
Artist nationality: austrian
Artist dates: 1744 – 1864
Subjects: drawing,male nudes
The Actors Nakamura Utaemon I as Seigen (right), and Ichikawa Komazo II as Shimizu Tonoinosuke Kiyoharu (left), in the Play Soga Moyo Aigo no Wakamatsu, Performed at the Nakamura Theater in the Third Month, 1769
Object type: print
Date: 1769 – 1769
Techniques: woodblock print
Location: japan
Artist: ippitsusai buncho
Artist nationality: japanese
Artist dates: 1755 – 1790
Bowl
Object type: bowl
Date: 801 – 900
Materials: earthenware
Techniques: drawing, underglaze
Location: iran

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Barber's basin
Object type: barber's basin
Date: 1740 – 1770
Materials: hard paste porcelain
Subjects: fruit

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Untitled (Portrait of Two Women, Two Men, and One Girl)
Object type: photograph
Date: 1857 – 1857
Techniques: daguerreotype, photography
Location: united states
Artist: charles h. williamson
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits, families, family, people, portrait, portraits: child subject, portraits: female subject, portraits: male subject, portraits: multiple subjects
Terugkeer van Vulcanus met Bacchus
Object type: book illustration
Date: 1616 – 1616
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: vulcan's return to the olympus with bacchus and his train (+ variant)

Bacchus in zijn door luipaarden getrokken wagen, vergezelt Vulcanus die achterstevoren op een ezel gezeten terugkeert naar de Olympos waar Juno en Jupiter hem verwelkomen. Onder de wolken het eiland Lemnos, waar hij terecht kwam toen hij door Jupiter van de Olympos was gegooid. Boekillustratie voor: Lof-sanck van Bacchus, 1616.
Bronze torso from an equestrian statue wearing a cuirass
Object type: torso from an equestrian statue wearing a cuirass
Date: 200 – 200
Materials: bronze
Culture: greek or roman
Subjects: armor

The pose of this fragmentary torso suggests that the figure, who wears a short cape and an ornate cuirass of Hellenistic type, was originally riding a rearing horse, the left hand holding the reins while the right wielded a weapon. Dynamic equestrian bronze statues have a long tradition in Hellenistic and Roman art, stemming from Lysippos' famous group showing Alexander the Great on horseback, which commemorates the Macedonian leader's first major victory over the Persians at the Granikos River. The Romans sometimes adopted cuirasses of Hellenistic type. This fact, the widespread popularity of the equestrian statue as a public monument in antiquity, and the dearth of preserved examples hamper close dating of the torso. Technical and stylistic considerations lean toward a somewhat provincial, likely Roman, workshop. The cuirass is decorated with two running friezes in high relief. Arimaspians, a legendary tribe from the distant north, combat griffins in the upper frieze. Sea griffins, dolphins, and palms decorate the lower one. Such potent imagery alludes to victory and the heroic valor of this tribe from across the sea, on the fringes of the world. In Roman times, imagery of Arimaspians was sometimes linked to the Parthians.
Horizontal Panel with a Bird, from "Varii Generis Opera Aurifabris Necessaria"
Object type: print
Date: 1600 – 1600
Techniques: engraving
Artist: paul birckenhultz
Artist role: artist
Artist nationality: german
Artist dates: 1561 – 1639
Subjects: birds,flowers

Ornamental frieze with a large bird with out-stretched wings at center, surrounded by scrolling tendrils. The bird holds the end of a tendril in its long, straight beak. From a series of six plates with horizontally hatched backgrounds. According to Berliner, the backgrounds of the plates in this series were further darkened at a later date.
Portable diptych sundial
Object type: portable diptych sundial
Date: 1780 – 1821
Materials: wood, paper
Artist: david beringer
Artist role: maker
Artist dates: 1756 – 1821
Valley of Tay, from Kinnoul Hill
Object type: photograph
Date: 1875 – 1885
Materials: photographic support
Techniques: albumen print
Location: kinnoull hill
Artist: Anonymous
Subjects: dale, valley, river
Inscriptions: number: ‘338, J.V.’
Klok gedecoreerd met Antoon van Dyck door la Maison Pape et Compagnie
Object type: photograph
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: clock
Inscriptions: number: ‘No 1’
Witte jurk
Object type: doll's clothing
Date: 1850 – 1920
Materials: textile
Location: netherlands
Artist: Anonymous
Portret van Irene With met geit
Object type: photograph
Date: 1920 – 1935
Materials: paper
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: amsterdam, adult woman, historical persons, goat, germany
Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 21 (recto)
Object type: book print ornament architecture
Date: 1527 – 1527
Techniques: woodcut
Artist: willem vosterman
Artist role: printer
Artist nationality: netherlandish
Subjects: ornament

Printed by Willem Vosterman. From top to bottom, and left to right: Design composed of 4 horizontal registers that are printed upon a black background. First register is decorated with a pattern characterized by diamonds with a trefoil motif attached to the outside of their top and bottom corners. Second register is decorated with an angular linear pattern. Third register is decorated with a pattern characterized by diamonds with a group of 3 acorns attached to the outside of their top and bottom corners. Fourth register is decorated with a pattern of sideways flowers.
Incense Burner
Object type: incense burner
Date: 1667 – 1733
Materials: brass
Culture: chinese
Low Bowl
Object type: vessel
Materials: clay, stoneware
Techniques: celadon glazed, inlay, underglaze
Location: korea
Twee zeilschepen en een roeiboot
Object type: print
Date: 1654 – 1748
Materials: paper
Techniques: etching
Location: netherlands
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 12

Rustig water met twee zeilschepen en een roeiboot. In de verte een aantal boten en de contouren van een stad. Rond de voorstelling een dubbele rand.
De tocht van Overste van Daalen door de Gajo-, Alas- en Bataklanden
Object type: book
Date: 1905 – 1905
Materials: leather, linen, paper
Techniques: bookbinding, printing
Location: amsterdam
Subjects: dutch east indies, the

265 pp van geschept papier in linnen band met leer versterkte rug en hoeken. Goud op snee. Met 29 foto's en 5 kaarten, Opschrift; 2de blad (handgeschreven): 'No. 5 der Weelde-uitgaaf / (get) J. C. Dalmeyer'.
Vis-à-vis/Brett  #3062
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ceramic Vessel in the Form of a Seated Man
Object type: vessel
Date: 501 – 1300
Materials: ceramic
Culture: rio napo
Location: ecuador
Subjects: men
Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme aussi les Cartes des Côtes de France et d'Espagne
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: san marcoplein, spaanse successieoorlog

Gezicht op de Piazza San Marco te Venetië. Plaat nr. 377 in deel XVI van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne uit 1726, dit tweede deel met 271 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Rechtsonder is het nummer 49 met de pen doorgekrast.
Zulu Warrior with Ox-hide Shield
Object type: photograph
Techniques: albumen print, glass negative
Culture: african
Location: south africa
Artist: nicolaas henneman
Artist role: artist
Artist nationality: dutch
Artist dates: 1813 – 1898
Paard
Object type: sketchbook leaf
Date: 1902 – 1914
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: horse

Paard. Pagina 51 uit een schetsboek met 46 bladen vervaardigd te Noord-Holland en Utrecht.
Portret van de schilder Anthony van Dyck
Object type: album leaf
Date: 1630 – 1641
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, london, painter, print maker, draughtsman, anthony van dyck, portrait, self-portrait of painter

Deze prent maakt deel uit van een album.
Portretten van kardinalen
Object type: print
Date: 1759 – 1788
Materials: paper
Techniques: etching
Location: italy
Artist: antonio capellan
Artist role: print maker
Artist dates: 1735 – 1788
Subjects: cardinal, historical persons
Inscriptions: inscription: ‘1759’, collector's mark: Lugt 2228
Inname van Winnersburg door de hertog van Guldenleeuw
Object type: history medal
Date: 1676 – 1676
Materials: silver
Techniques: striking
Artist: Anonymous
Subjects: earl

Zilveren penning met gat erin. Voorzijde: plattegrond van de vesting binnen omschrift. Keerzijde: leeuw met bijl op een pilaar met opschrift
Landschap met vrouw en jongetje op een landweg
Object type: drawing
Date: 1700 – 1800
Materials: gouache, paper
Techniques: brush