deem-data/ArtiFact huggingface dataset:
The firework display called 'Girandola' at the Castello Sant'Angelo in Rome
Object type: print
Date: 1579 – 1579
Techniques: engraving, etching
Artist: giovanni ambrogio brambilla
Artist role: artist
Artist nationality: italian
Artist dates: 1575 – 1599
Subjects: castles,fireworks,crowd
Opstandige schapen. (Christelijke ontevredenheid over de afstemming der Bakkerswet)
Object type: cartoon
Date: 1912 – 1912
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: the hague, jonkheer alexander frederik de savornin lohman, amsterdam, utrecht, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., political caricatures and satires

Premier Heemskerk en kamerlid De Savornin Lohman als herders die, gezeten bij een kampvuur, een deel van hun kudde schapen ziet weglopen. In de lucht de jaren 1909-1913.
Wedding shoes
Object type: wedding shoe
Date: 1875 – 1875
Materials: leather
Culture: american or european
Elm
Object type: page
Date: 1858 – 1869
Materials: photographic support
Techniques: albumen print
Location: elm
Artist: Anonymous
Subjects: parts of church interior: aisle, interior of church
Merchant of Plaster Figures
Object type: print
Date: 1822 – 1822
Techniques: lithograph
Artist: carle vernet
Artist role: artist
Artist nationality: french
Artist dates: 1758 – 1836
Grijs gebeitste en gelakte lijst
Object type: frame
Date: 1982 – 1982
Materials: wood
Techniques: lacquer
Location: unknown
Artist: Anonymous

Gladde, grijs gebeitste en gelakte lijst. Aan de achterkant bevinden zich schroeven die in het spieraam van het schilderij.
Ball gown
Object type: ball gown
Materials: silk
Culture: french
Artist: house of paquin
Artist role: design house
Artist nationality: french
Artist dates: 1891 – 1956
Extatisch visioen van Paulus
Object type: print
Date: 1625 – 1725
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: paul's ecstatic vision: he is borne aloft by (three) angels (2 corinthians 12:1-3)
Inscriptions: collector's mark: Lugt 2228
Roma. Via Appia Nuova. Acquedotti di Claudio
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: autotype
Location: rome
Artist: Anonymous
Subjects: landscape with bridge, viaduct or aqueduct
De verloren zoon (linkerblad)
Object type: print
Date: 1596 – 1760
Materials: paper
Techniques: engraving
Location: leiden
Subjects: the parable of the prodigal son (luke 15:11-32)
Inscriptions: inscription: ‘graece metanoia [...] na berouw. Zie verder hier achter’ Opmerking heeft betrekking op een woord in het onderschrift., collector's mark: Lugt 2228a

Linkerdeel van een voorstelling op twee bladen van een gezelschap dat zich in de buitenlucht vermaakt met eten, drinken, muziek en vrijages. Op de achtergrond is te zien hoe een man weggejaagd wordt uit een gebouw. Onder de voorstelling de eerste vier regels van een achtregelig Latijns gedicht.
Herder en herderin bij een waterbron
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: etching
Location: amsterdam
Artist: derk anthony van de wart
Artist role: draughtsman, painter, print maker
Artist dates: 1767 – 1824
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., garden fountain, container made of plant material other than wood: basket, pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 2228

Een herder zit naast een herderin met een ontblote borst. Zijn hand rust op haar hand. Naast haar ligt een herdersstaf naast een mand. Ze leunt op de fontein achter haar.
Bronze statuette of a veiled and masked dancer
Object type: statuette of a veiled and masked dancer
Date: 300 – 101
Materials: bronze
Culture: greek
Subjects: women,dancers

The complex motion of this dancer is conveyed exclusively through the interaction of the body with several layers of dress. Over an undergarment that falls in deep folds and trails heavily, the figure wears a lightweight mantle, drawn tautly over her head and body by the pressure applied to it by her right arm, left hand, and right leg. Its substance is conveyed by the alternation of the tubular folds pushing through from below and the freely curling softness of the fringe. The woman's face is covered by the sheerest of veils, discernible at its edge below her hairline and at the cutouts for the eyes. Her extended right foot shows a laced slipper. This dancer has been convincingly identified as one of the professional entertainers, a combination of mime and dancer, for which the cosmopolitan city of Alexandria was famous in antiquity.
Coronation of the Virgin, with the Martyrdom of Saint Lawrence
Object type: drawing and watercolor
Date: 1570 – 1570
Materials: chalk, gouache, ink, ivory, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: italy
Artist: federico zuccaro (zuccari)
Artist role: artist
Artist nationality: italian
Artist dates: 1540 – 1609
Inscriptions: Inscribed recto, lower center, in pen and brown ink: "Frederico Zucchero"; lower right, in pen and brown ink: "1570 d"; verso, upper left on mount [on sticker], in black crayon: "050 (?)/14"; upper center on mount, in graphite: "No. 20"; lower center on mount, in graphite: "3"
Dead Mother, plate ten from On Death, Part II
Object type: print
Date: 1889 – 1889
Materials: ink, paper
Techniques: printmaking, etching
Location: germany
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Subjects: mothers, children, babies, death
Terracotta fragment of a mastoid (drinking cup with narrow base) ?
Object type: mastoid fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic
Spring Rain Collection (Harusame shū), vol. 1: “Books from Kanazawa Library” (Kanazawa Bunko) and “Foreign Cat of Shōmyōji Temple” (Shōmyōji no kara neko), from the series History of Kamakura (Kamakura shi)
Object type: woodblock print
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: animals

Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups as a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month. Themes of surimono are often erudite, frequently alluding to Japanese literary classics in both texts and images. As on the print on the facing page, the inspiration for this design was a chronicle of Kamakura. Both places alluded to in the title are in nearby Yokohama, which served as the eastern gateway of the ancient military capital. Both the Kanazawa Library and the Shōmyōji Temple, founded in the thirteenth century, remain in use today.
Scarab Finger Ring
Object type: ring with scarab
Date: 1981 – 1802
Materials: gemstone, copper
Location: egypt
Subjects: scarabs

The scarab (kheper) beetle was one of the most popular amulets in ancient Egypt because the insect was a symbol of the sun god Re. This association evolved from the Egyptians' misunderstanding of the scarab's life cycle. An adult beetle lays its eggs inside a ball of dung, which is then buried underground. When the young beetles hatch, the only portion of this process easily visible to an observer is the beetle emerging fully developed from a dung ball, a seemingly magical event. Thus, the Egyptian word for scarab translates as "to come into being." The scarab forms food balls out of fresh dung using its back legs to push the oversized spheres along the ground toward its burrow. The Egyptians equated this process with the sun's daily cycle across the sky, believing that a giant scarab moved the sun from the eastern horizon to the west each day, making the amulet a potent symbol of rebirth. The earliest scarab amulets appeared in the First Intermediate Period (ca. 2124 B.C.). During the Middle and New Kingdoms, they often were used as seals as well as amulets (ca. 2030–1070 B.C.). Scarabs remained common amulets in the Late Period (ca. 712–332 B.C.), and were still in use in Greek and Roman times (332 B.C.–364 A.D.).
Woman Looking over Her Shoulder
Object type: print
Date: 1540 – 1545
Techniques: etching
Artist: antonio fantuzzi
Artist role: artist
Artist nationality: italian
Artist dates: 1537 – 1545
Subjects: women
Nakayama Tomisaburo
Object type: print
Date: 1800 – 1800
Techniques: woodblock print
Location: japan
Artist: enkyo
Artist nationality: japanese
Artist dates: 1749 – 1803
Bottle with Four Handles
Object type: vase
Date: 1801 – 1900
Materials: glass
Techniques: glassblowing
Location: iran

By the beginning of the 16th century, Venice became the leading producer and exporter of fine glass wares and many such products became fashionable in Persia. These styles and techniques influenced local production, and factories were created in Shiraz producing wares that rivaled the imports from abroad. These types of wares–with a flared mouth and bulbous body– were produced in vivid blues and greens, illustrating the range of colors employed by glassmakers in the 18th and 19th centuries. This bottle may have been used to decant or store wine, or perhaps as a base of a water pipe. Such vessels were admired for their graceful shapes and often were decoratively displayed within niches of private and public buildings in Tehran, Isfahan, and Shiraz.
Ornament met edelstenen en hemelglobe
Object type: book illustration
Date: 1597 – 1667
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: ornamental decoration ~ printed matter, book

Afkomstig uit een van de uitgaven van P.J. Paets uit Amsterdam.
Four Pieces of Brigandine Armor
Object type: brigandine
Date: 1701 – 1900
Culture: chinese
Location: china
Gezicht op Rolandseck, het eiland Nonnenwerth en Drachenfels aan de Rijn
Object type: sketchbook leaf
Date: 1860 – 1865
Materials: paper, pencil
Location: nonnenwerth
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: city-view, and landscape with man-made constructions, landscapes with waters, waterscapes, seascapes (in the temperate zone), mountains
Inscriptions: annotation: ‘rolandseck nonnenwerth Drachenfels’

Blad 6 recto uit een schetsboek met 55 bladen.
Portret van twee Japanse vrouwen en een man met parasol
Object type: carte de visite
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman, historical persons, umbrella
Inscriptions: number: ‘187’
Frederick the Wise and John the Constant of Saxony
Object type: print
Date: 1509 – 1509
Techniques: engraving
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: men,portraits
Terracotta fragment of krater (deep bowl)
Object type: krater fragment
Date: 400 – 301
Materials: terracotta
Culture: greek or south italian

Lower part of a draped woman, wearing a chiton and himation
Notable South Australians
Object type: book
Date: 1885 – 1885
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, lithograph, printing
Location: adelaide
Group of tassels
Object type: tassel
Date: 1601 – 1700
Materials: linen
Demonstratie van de slangbrandspuiten bij het Stadhuis op de Dam, ca. 1750
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: etching
Location: england
Subjects: amsterdam, painter, print maker, draughtsman, jan van der heyden, fire-extinguishing equipment

Demonstratie van de slangbrandspuiten bij het Stadhuis op de Dam, ca. 1750. Vanaf de gevel wordt een straal water op de Dam gespoten. Behoort tot de bijprenten bij het Brandspuitenboek van Jan van der Heyden.
Coin Portraying Emperor Constantine I
Object type: coin
Date: 307 – 337
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: CONSTANTINVS IVN NOB C
Reverse: PROVIDENTIAE CAESS
In exergue: SNK (S)?

The front (obverse) of this coin portrays the emperor Constantine I, facing right.

On the back (reverse), a gateway is depicted with two towers and a star in between.
The Good Thief
Object type: drawing
Date: 1470 – 1480
Materials: charcoal, gouache
Techniques: highlighting
Artist: anonymous, italian, ferrarese, 15th century
Artist role: artist
Artist nationality: italian
Artist dates: 1400 – 1500
Subjects: men
Study for the House of Lords
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
Ontwerp voor een kast voor de 70ste verjaardag van de prins-regent Luitpold van Beieren (1812-1912)
Object type: drawing
Date: 1891 – 1891
Materials: cardboard, chalk, paper
Techniques: drawing
Location: munich
Artist: joseph von kramer
Artist dates: 1841 – 1908
Inscriptions: signature: ‘I Kr. Schaal met 1 2 3 4 5 6 7 8 9 10.’, inscription: ‘FAC. II / O. Hz 1179 / Entwurf für den Prinz Regenten Schrank zu dessen 70. Geburtstagsfeste. 1891. / Josef von Kramer.’, collector's mark: ‘Münchner Künstlergenossenschaft’ Lugt 3256
Willem I door Balthasar Gerards vermoord, Delft 10 juli 1584
Object type: drawing
Date: 1753 – 1753
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: delft, william i (prince of orange), violent death ~ elements, historical persons, attempt, political murder, historical events and situations
Inscriptions: date: ‘1753’

Prent waar deze tekening naar is gemaakt ook gebruikt in: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden […]. 21 delen. Amsterdam: Isaak Tirion, 1749-1759, dl. 7 (1752).
Church of the French Protestants (Eglise Français du Saint Esprit), New York (section and plan)
Object type: drawing ornament architecture
Date: 1831 – 1834
Materials: graphite, ink, watercolor
Artist: alexander jackson davis
Artist role: artist and architect
Artist nationality: american
Artist dates: 1803 – 1892
Subjects: architecture,churches
Table orrery
Object type: lunarium
Date: 1800 – 1808
Materials: brass, ivory, wood
Techniques: gilding
Location: amsterdam
Artist: hartog van laun
Subjects: amsterdam

The instrument-maker Hartog van Laun designed a table orrery – a mechanical device to show the relative positions and movements of the sun, earth, moon and planets. He used the instrument for his own lectures, but he achieved true success with it only when the Amsterdam professor Jan Hendrik van Swinden fully explained it at the Felix Meritis Society in 1802 and published articles about it.
De tempel Salomon / Die in Jerusalem ston
Object type: print
Date: 1725 – 1780
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: city-view, and landscape with man-made constructions, temple of solomon (1 kings 5-9; 2 chronicles 2-7)
Inscriptions: collector's mark: Lugt 2760

Blad met 2 voorstellingen. Boven een voorstelling van de tempel van Salomo. Onder een zicht op de stad Jeruzalem. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: **18.
Portret van R.P. Ducoudray S.J.
Object type: carte de visite
Date: 1871 – 1871
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Subjects: priest (roman catholic)
Inscriptions: address: ‘31, Rue de Sevres’

Onderdeel van Herdenkingsalbum van rooms-katholieke geestelijken gevallen tijdens de Commune van Parijs.
Interieur met een zittend meisje op een stoel
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: charcoal, paper
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: sitting figure, girl (child between toddler and youth), interior of the house, chair

Blad 32 recto uit een schetsboek met 43 bladen.
Veduta degli avanzi delle Terme Diocleziane, e Massimian (...) (onder)
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: city-view, and landscape with man-made constructions, ruin of a building ~ architecture, church (exterior), public baths
Inscriptions: collector's mark: Lugt 2228

Blad met twee voorstellingen van Romeinse Thermen. Boven: gezicht op resten van de Thermen van Trajanus (op prent geïdentificeerd als Thermen van Titus). Genummerd rechtsboven: Tav. XXVIII Fig. I. Titel en verklarende lijst met letters in ondermarge. Onder: gezicht op restanten van de Thermen van Diocletianus met links een kerk. Genummerd linksboven: Fig. II. Titel in ondermarge.
Straatlantaarn aan een weg
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: street lighting

Blad 36 recto uit een schetsboek met 53 bladen.
Man's Coat
Object type: costume and accessory
Date: 1780 – 1789
Materials: textile, silk, thread
Techniques: compound weave, embroidery, embroidered, lace, stitching, weave
Location: france
Subjects: fashion, floral motifs, flowers

Men’s formal clothing in the late 18th and early 19th centuries was often made of textured silk fabric with rich floral embroidery. A coat such as this would have had matching knee breeches and a coordinating vest called a waistcoat.
Textile Fragment
Object type: textile fragment
Date: 1701 – 1800
Materials: metal thread, silk
Techniques: brocade
Location: india
Subjects: flowers
Jonge koopman bij drie kinderen
Object type: drawing
Date: 1770 – 1770
Materials: chalk, ink, paper
Techniques: pen
Artist: marcellus laroon (ii)
Artist role: draughtsman
Artist dates: 1679 – 1774

Een jonge koopman met een mand met koeken, bij een drietal kinderen.
Stoffer van palissanderhout en varkenshaar
Object type: whisk broom
Date: 1676 – 1676
Materials: wood, silk
Location: amsterdam
Artist: Anonymous

Stoffer van palissanderhout en varkenshaar. De stoffer heeft een ronde rug, aan onderzijde en schuin oplopende voorkant ingezet met haar. De korte gedraaide steel met profielen en balusters. Om de knop restanten van een roze zijden lint.
Cornet
Object type: cornet
Date: 4600 – 3600
Materials: ceramic
Culture: ghassulian
Location: levant
Christening blanket
Object type: christening blanket
Date: 1725 – 1725
Materials: silk
Subjects: flowers
Kvaesthusbroen
Object type: stereograph
Date: 1873 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: copenhagen
Subjects: ships (in general) - cc - more than one ship, pier, quay, wharf, copenhagen (city)
Inscriptions: address: ‘BREDGADE (NORGESGADE) No. 21 KJÖBENHAVN’
Untitled (Portrait of a Standing Boy)
Object type: photograph
Date: 1848 – 1848
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portrait, male, boys, portraits, portraits: child subject
Saucer (part of a set)
Object type: saucer
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: landscapes

The ensemble (1982.60.248–.251) is an assembled one, although one cup and saucer, both painted with riverscapes, are a fairly close match and are by the same hand. The xecond cup, also by the same artist, depicts an architectural landscape on one side, a winter skating scene opposite. On the saucer is a garden pavilion painted by a different artist. One cover is a modern replacement. The porcelain is of the Böttger type. Similar cups and saucers are dated 1720–25 by Rückert,[1] but a slightly later date is suggested here by the incipient romanticism of the decoration. It is to be noted that, of the several known examples of cups of this model and decoration, the finials of the covers of all but these are in the form of a three-branched twig. Footnote: [1] Rainer Rückert, Meissener Porzellan, 1710–1810 (exhib. cat.), Munich, Bayerisches Nationalmuseum, 1966, cat. no. 130.
Aanbidding der koningen
Object type: plaque
Date: 1625 – 1650
Materials: bronze
Techniques: casting
Location: netherlands
Artist: Anonymous

Ronde, bronzen plaquette. Links Maria met het Kind, Jozef en de oudste koning, die voor haar geknield ligt. Meer naar rechts de tweede en achter de groep op het tweede plan de Morenkoning. Op de voorgrond links en, iets verder naar de diepte rechts, knielende figuren van de rugzijde gezien.
Textile Fragment
Object type: textile fragment
Date: 201 – 400
Materials: linen, wool
Techniques: embroidery, weave
Location: egypt
The Triumph of Chastity
Object type: print
Date: 1480 – 1490
Techniques: engraving
Artist: francesco rosselli
Artist role: artist
Artist nationality: italian
Artist dates: 1448 – 1527
Subjects: women,cupid,chariots
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1896 – 1896
Materials: cardboard, ink
Techniques: pen, writing
Location: naples
Artist: vittorio pica
Artist role: criticus
Artist dates: 1864 – 1930
Subjects: renée hélène laure zilcken, the hague, painter, draughtsman, philip zilcken, photography, cinematography, naples, holland
Inscriptions: collector's mark: ‘RPK’
Onze katten
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

Twee katten op een tafeltje, huisdieren op het balkon van het huis (van de familie Doijer?) in de Oranjestraat te Paramaribo. Rechts een staande vrouw. Onderdeel van het fotoalbum Souvenir de Voyage (deel 2), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Dabbous (zarf or darb)
Object type: dabbous zarf or darb
Date: 1867 – 1900
Materials: metal, wood
Culture: turkish
Location: turkey

A rattle used in special ceremonies by the al-Rifa'i dervish order.
Gezicht op de Gotthardpas
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Location: gotthard pass
Artist: stephen thompson
Artist role: fotograaf, schrijver
Artist dates: 1831 – 1893
Subjects: landscapes (+ landscape with figures, staffage), mountains
Inscriptions: inscription: ‘I. The valley of the Reuss’
The actor Ichikawa Udanji I as Sugawara no Michizane in the play "Shinrei Sugawara Jikki," performed at the Haruki Theater in the fourth month, 1883
Object type: print
Date: 1883 – 1883
Techniques: woodblock print
Location: japan
Artist: toyohara kunichika
Artist role: artist
Artist nationality: japanese
Artist dates: 1835 – 1900
Nissaka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)
Object type: print
Date: 1837 – 1842
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Broche van zilver en bloedkoraal
Object type: jewellery
Date: 1925 – 1935
Materials: coral, silver
Location: amsterdam
Artist: fons reggers
Artist role: jeweler
Artist dates: 1886 – 1962

In de vorm van een gestileerd plantaardig motief versierd met twee kleine ronde koralen en 1 pegelvormige.
Twee fotoreproducties van prenten van Griekse zuilen
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: cyanotype
Artist: Anonymous
Subjects: doric order ~ architecture, ionic order ~ architecture
Inscriptions: inscription: ‘Ionic/ Doric’, number: ‘2054/ 2051’

Deze foto's maken deel uit van een album.
Actors Ichikawa Danjuro IX as Nasu no Yoichi Munetaka and Nakamura Fukusuke IV as Tamamushi Gozen
Object type: print
Date: 1885 – 1885
Techniques: woodblock print
Location: japan
Artist: toyohara kunichika
Artist role: artist
Artist nationality: japanese
Artist dates: 1835 – 1900