deem-data/ArtiFact huggingface dataset:
Elf mannenhoofden met verschillende neuzen
Object type: titelprent, frontispice
Date: 1842 – 1880
Materials: paper
Techniques: tone lithography
Location: utrecht
Subjects: caricatures (human types), parts of the face: nose
Inscriptions: collector's mark: Lugt 2228

De koppen hebben allemaal een ander type neus. Links, de achterzijde van het omslag, een ornament met bloemen.
Kaart van de ingepolderde Beemster
Object type: map
Date: 1700 – 1702
Materials: paper
Techniques: engraving, hand coloring, lacquer
Location: northern netherlands
Artist: Anonymous
Subjects: maps of separate countries or regions, polder, reclaimed land, beemster

Kaart van de ingepolderde Beemster. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Deep dish
Object type: dish
Date: 1740 – 1750
Materials: hard paste porcelain
Subjects: flowers
Vrouw met mand zittend voor een boerderij te Rouveen bij Staphorst
Object type: print
Date: 1809 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: sitting figure, farm (building)
Inscriptions: collector's mark: Lugt 2228
Waterdrager
Object type: album leaf
Date: 1660 – 1660
Materials: paper
Techniques: etching, intaglio
Location: bologna
Artist: giuseppe maria mitelli
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1634 – 1718
Subjects: wooden container: barrel, cask, bucket, street-trader, carrying something with yoke, yoke, 'cris de paris', cries of london, etc.

Een man met een juk met twee emmers over zijn schouder. Italiaans vers in ondermarge. De prent maakt deel uit van een album.
Koning Willem I slaat het verzoek om uitlevering van Merlin af, 1829
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: hand coloring, lithograph
Location: brussels
Subjects: the hague, berlin, william i of the netherlands, paris, politician, ambassador
Inscriptions: collector's mark: Lugt 2228

De koning slaat het verzoek van de Franse ambassadeur om de uitlevering van Merlin aan Frankrijk af met de woorden 'La mer me l'a rendu ... Je le garde'. Met vierregelig onderschrift. Onderdeel van de serie van 24 platen met ontmoetingen met koning Willem I, verschenen onder de titel 'Les rencontres' in 1829-1830.
Clay bottle
Object type: bottle
Date: 1300 – 1101
Materials: faience
Culture: cypriot or levantine
Une vue de la Risle, a Pont-Audemer (Eure)
Object type: photomechanical print
Date: 1885 – 1895
Materials: paper
Techniques: photograph
Location: pont-audemer
Artist: g. robard
Artist role: fotograaf
Subjects: river, façade (of house or building)
Inscriptions: number: ‘Pl. VI.’
Portret van Thomas Tyldesley
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: etching
Location: london
Artist: john cochran
Artist role: painter, print maker
Subjects: commander-in-chief, general, marshal, historical persons, baton of general
Inscriptions: collector's mark: Lugt 2228

Prent is gebruikt in: Bain, Thomas. Lancashire and Cheshire, past and present (...). Glasgow, Edinburgh en Londen: William Mackenzie, 1836.
Morning dress
Object type: morning dress
Date: 1815 – 1818
Materials: cotton
Culture: british
Ornament JHdB 1835/1905
Object type: print
Date: 1900 – 1905
Materials: paper
Techniques: letterpress printing
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Inscriptions: collector's mark: Lugt 2228

Ornament met in de vier hoeken concentrische cirkels, in het midden een monogram.
Murthly on the Tay
Object type: print
Date: 1905 – 1905
Materials: paper
Techniques: drypoint, etching
Location: scotland
Artist: david young cameron
Artist role: draughtsman, print maker
Artist nationality: scottish
Artist dates: 1865 – 1945
Terracotta rim fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Exterior, upper right corner of an eye; head and bent right arm and raised hand of a bearded satyr to left
Bruidshart
Object type: bruidshart
Date: 1625 – 1674
Materials: silver
Location: friesland
Artist: Anonymous
Subjects: couple of lovers, profane heart symbolism ~ love
Inscriptions: inscription: ‘Aen Godes wedt, wy syn verbonden, Sonder dat, leven wy in sonden.’, inscription: ‘Ey lief ontfanckt myn brandych hardt, Dat u op trou gegeven wardt.’

Bride's heart. Silver. Friesland, c. 1650.
Faust and Wagner, from Faust
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: france
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Man die een geweer laadt
Object type: sketchbook leaf
Date: 1874 – 1875
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: sitting figure, firearms: rifle

Blad 7 recto uit een schetsboek met 46 bladen.
Covered square bottle with flowers
Object type: bottle
Date: 1767 – 1800
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: flowers
Great Dane, from the Dogs of the World series for Old Judge Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: dogs

The "Dogs of the World" series of trading cards (N163) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The series of 50 cards depicts dogs of various breeds. The Metropolitan Museum of Art owns 23 of the series' 50 cards.
Portret van Frederik de Grote
Object type: print
Date: 1830 – 1899
Materials: paper
Techniques: lithograph
Location: berlin
Artist: Anonymous
Subjects: berlin, frederick ii (king of prussia), historical persons, garden buildings, (military) uniforms, windmill, king, dog
Inscriptions: monogram: ‘VH (?)’, collector's mark: Lugt 2228
Standing cup
Object type: standing cup
Date: 1800 – 1801
Materials: silver
Artist: naphtäli hart
Artist role: maker
Artist dates: 1734 – 1834

This stately ceremonial goblet was a gift to Frederica Sayers from her godmother for whom she was named, Princess Frederica of Prussia, wife of Prince Frederick Augustus, duke of York, the second son of King George II of Great Britain. Their coat of arms upon oval shields, with a prince's coronet above, face the viewer. The lion of England and the unicorn of Scotland support the royal arms. On the opposite side are engraved the initials F S, for Frederica Sayers, whose granddaughter gave the goblet to the Museum. The deep color of the gilding that covers the interior of the goblet is due to the presence of copper in the gold as an alloy. It was called "red gold" and was particularly popular in the nineteenth century. While the vase form of the goblet, with its calyx of convex flutes enclosing the lower half of the body, and the scoop-sided stem are Neoclassic features, the sharp curve of the bowl and the hexagonal base convey also a suggestion of the Gothic. Such dual references were not uncommon in silver design in the early years of the nineteenth century.
Design for a Very Large Cabinet, with Renaissance Ornament and Lamps
Object type: drawing
Date: 1801 – 1833
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: cabinets
Culemborgse duit, 1590
Object type: coin
Date: 1590 – 1590
Materials: copper
Techniques: striking
Location: culemborg
Artist: floris i van pallandt (graaf van culemborg)
Artist role: earl
Artist dates: 1537 – 1598

Voorzijde: gekroond wapenschild van de graaf van Culemborg. Keerzijde: binnen versierd vierkant opschrift in vier regels regels. Aan bovenkant van vierkant waarde-aanduiding P II [= 2 penningen].
Jar
Object type: jar
Date: 1101 – 1300
Materials: stonepaste
Techniques: molding, painting, underglaze
Location: syria
A Reconstruction of the Thermae of Nero (above) and a View of the Ruins (below)
Object type: drawing
Date: 1704 – 1704
Materials: chalk, ink
Techniques: brush, pen, wash
Location: italy
Artist: jan goeree
Artist role: artist
Artist nationality: dutch
Artist dates: 1670 – 1731
Subjects: buildings,ruins,men,profiles
Beeld van zittende naakte vrouw, van achteren
Object type: drawing
Date: 1657 – 1658
Materials: chalk, ink, paper
Techniques: brush
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667

Het afgietsel dat Moses heeft getekend was gebaseerd op een antieke sculptuur gerelateerd aan de 'Venus die haar sandaal omdoet' of waarschijnlijker aan het bronzen beeld van Giovanni da Bologna, 'Badende vrouw'.
Portret van Ambrogio Spinola
Object type: print
Date: 1688 – 1688
Materials: ink, paper
Techniques: engraving, pen, snipping
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)

Prent uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Afrikaanse muziekinstrumenten
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: drum (musical instrument), wind instruments, khoikhoi
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Picart, Bernard. Naaukeurige beschryving der uitwendige godtsdienst-plichten, kerk-zeden en gewoontens van alle volkeren der waereldt, deel IV. [Vertaald in het Nederlands door] Moubach, Abraham. Den Haag, Amsterdam, Rotterdam: Rutgert Alberts, Hermannus Uytwerf, Jan Daniel Beman, Isaac van der Kloot, 1727-1738.
Terracotta neck-amphora
Object type: neck amphora
Date: 710 – 710
Materials: terracotta
Culture: greek, attic
Subjects: birds,horses,chariots

The iconography of this vase is emphatically martial. On the neck, a warrior appears between two horses; on the body is a procession of chariots. Armed warriors, chariots, and horses are the most familiar iconography of the Geometric period. Whether these images reflect a real world of military threat and conflict, or refer to the heroic deeds of ancestors, is a longstanding debate in studies of Geometric art.The painted decoration is enhanced by snakes added in clay. Snakes are traditionally associated with death because they can burrow under the ground and periodically shed their skin, a sign of renewal. This neck-amphora belongs to a group of eight terracotta vases (10.210.1-.8) that are said to be from Athens. Despite the absence of archaeological record, they were probably found together in a tomb. Such groups are well attested in excavated burials. Moreover, the iconography of the two neck-amphorae, particularly the one with the mourning women on the neck, is appropriate for a funerary purpose. The group displays stylistic changes that occurred from about 730-700 BCE, a time of artistic innovation that resulted in the end of the formal precision of the Geometric style and the rise of the exuberant Protoattic style.
Eagle pendant
Object type: pendant
Date: 700 – 1550
Materials: gold
Culture: veraguas
Location: panama
Artist: veraguas artist
Artist role: artist
Subjects: eagles
Breukelen. Gemeentehuis Boom en Bosch met park. Vroegere woning van Engel de Ruyter
Object type: ansichtkaart, prentbriefkaart
Date: 1913 – 1950
Materials: cardboard
Techniques: photograph, writing
Location: breukelen
Subjects: townhall, villa
Solitudo Sive Vitae Patrum Eremicolarum
Object type: print
Date: 1583 – 1588
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: anchorite, hermit, male saints (with name)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240

De H. Abraham als kluizenaar in een hutje. Hij leest uit een bijbel en heeft een rozenkrans vast. Achter hem zijn nicht, de H. Maria van Edessa. Op de achtergrond wandelt een monnik.
Octagonal jar with cover
Object type: covered bowl
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: animals
Two Hearts (red), from the Playing Cards series (N84) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: playing cards

Trade cards from the "Playing Cards" series (N84), issued in a set of 53 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes. The versos display a matching abstract floral pattern. The Joker and the Ace of Spades display an ad for Duke brand cigarettes. Besides Duke's Cigarettes, the same set of playing cards was also released to promote Turkish Cross Cut Cigarettes.
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Back of the head, left shoulder, and part of the upper torso of a draped male to left; part of a palmette
XIVe Cahier de l'Oeuvre de La Londe O Rosettes de Plafonds avec leurs Profils
Object type: ornament print
Date: 1784 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: rosette ~ ornament, tendrils ~ ornament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Rozet met bloemmotief, ranken en randen met bladmotieven. Daaronder het profiel van de rozet.
Lijst en aantekeningen van het grafisch werk van Jan Veth in het Rijksprentenkabinet
Object type: manuscript
Date: 1927 – 1927
Materials: ink, paper, pencil
Techniques: pen, writing
Artist: Anonymous
Subjects: print room, dordrecht, painter, print maker, draughtsman, designer, jan veth, the graphic arts
Inscriptions: collector's mark: Lugt 2233
Guisarme
Object type: guisarme
Date: 1501 – 1600
Materials: brass, steel, textile, wood
Culture: italian
Location: italy
Portret van een onbekende vrouw in een tuin
Object type: photograph
Date: 1920 – 1950
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman, garden
Robe à l'anglaise
Object type: robe à l'anglaise
Date: 1785 – 1789
Materials: silk
Culture: french
Stad Luik, penning uitgereikt voor moed en toewijding
Object type: honorary medal
Date: 1828 – 1828
Materials: bronze
Techniques: striking
Location: liège
Artist: léonard jéhotte
Artist role: print maker
Artist dates: 1772 – 1851
Subjects: liège

Bronzen penning. Voorzijde: blanco veld onder eikekrans binnen omschrift. Keerzijde: opschrift
The Ascension
Object type: print
Date: 1460 – 1465
Materials: ink, paper, watercolor
Techniques: brush, hand coloring, pen
Location: germany
Artist: Anonymous
Artist nationality: bavarian
Artist dates: 1400 – 1499

Communion bread came in different shapes in Renaissance Europe, and this variety is particularly clear from depictions of the Last Supper, when Christ symbolically offers his body to his disciples. In this metalcut series on the life of Christ, the shape of the bread—the traditional Bretzel, or pretzel—betrays that the prints were made in Bavaria. While the handwritten text on the verso of the adjoining sheet in the booklet (once comprising nineteen metalcuts) does not mention the pretzel, it is handcolored in a warm, doughy yellow. A similar glow suffuses the head-on Sudarium at center, an unusually abstract inclusion for an image of the Passion.

The fifteen metalcuts, or "dotted prints," that form this Passion suite constitute one of the most complete block books in existence. It is possible that the series at one time included as many as nineteen images, each exquisitely hand-colored with the biblical text inscribed on the reverse. The stars, shells, and other repeating patterns were produced by hammering metal punches, such as those used by goldsmiths and armorers, into the soft metal plates.
Khamsa (Quintet) of Nizami of Ganja
Object type: illustrated manuscript
Date: 1401 – 1500
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: nizami
Artist role: author
Artist dates: 1141 – 1209
Subjects: men,women,hunting,camels,horses

By the end of the fifteenth century, manuscripts of Persian poetry typically were written in a script known as nasta'liq, an elegant, flowing form of calligraphy. This manuscript is somewhat unusual in its archaizing use of the more rectilinear naskh script. Nevertheless, the paintings of this manuscript are stylistically akin to those found in manuscripts produced in Shiraz during the reign of Sultan Khalil Aq Quyunlu (d. 1478), suggesting that it was copied under an earlier patron, but illustrated in the Aq Quyunlu period.
Gezicht op een waterval te Italië
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: italy
Artist: Anonymous
Subjects: waterfall
Bottle
Object type: vessel
Date: 1 – 300
Materials: glass
Techniques: glassblowing
Culture: roman
Location: syria
Mr. D.J. Canter Camerling Raad in de Vroedschap enz, te Haarlem
Object type: print
Date: 1766 – 1833
Materials: paper
Techniques: etching, engraving
Artist: jan kobell (i)
Artist role: draughtsman, print maker
Artist dates: 1756 – 1833
Subjects: haarlem
Inscriptions: collector's mark: Lugt 2228

Portretbuste van Daniël Jacobus Canter Camerling, burgemeester te Haarlem.
Hemidrachm (Coin) Depicting the God Zeus Amarios
Object type: coin
Date: 191 – 146
Materials: metal, silver
Culture: greek
Location: greece

The front (obverse) of this coin depicts the head of Zeus Amarios, facing to the right. On the back (reverse) is a monogram symbol of the Achaean League within a laurel wreath.

Zeus Amarios, along with Demeter Panachaia, were the protecting deities of the Achaean League, which was first formed in the fifth century BCE as a confederation of Greek city-states in the Peloponnese of Greece. Temples to both deities were situated side by side at Aegium, in the northwestern Peloponnese, where the main assemly of the League held its meeting. A second Achaean League was established in 280 BCE but was later conquered and dissolved by the Romans in 146 BCE.
Allegorische titelpagina met het portret van schrijver Edward Simson
Object type: titelblad, titelpagina
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: (story of) minerva (pallas, athena), eternity, 'aeternitas'; 'eternità','eternità o perpetuità' (ripa), truth; 'verità' (ripa), symbolic representations, allegories and emblems ~ poetry; 'poesia' (ripa), pyramid (historical grave form), 'historia'; 'historia' (ripa), fame; 'fama', 'fama buona', 'fama chiara' (ripa), father time, man with wings and scythe
Inscriptions: number: ‘139’, collector's mark: Lugt 2228

Minerva zit naast Geschiedenis en kijkt over haar schouder mee naar het boek waarin zij schrijft. Geschiedenis kijkt op naar drie allegorische vrouwfiguren (Waarheid, Poëzie en een derde figuur). Achter hen Vader Tijd, Faam en een tweehoofdige figuur die met een beitel een inscriptie slaat in een piramide. In de lucht vliegen vier putti, met eeuwigheidsymbolen in de handen, die het portret van schrijver Edward Simson meevoeren.
Portret van Ambrosius, hertog van Hornes en Bassigny
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: armour
Inscriptions: collector's mark: Lugt 2228
Laken. Merk: kroon WG10 en jaartal 1738 en B.
Object type: beddenlaken, laken object
Date: 1725 – 1786
Materials: linen
Location: northern netherlands
Artist: Anonymous

Laken van wit linnen, merk kroon WG 10 en jaartal 1738 en B
Saint Sebastian
Object type: print
Date: 1401 – 1500
Techniques: engraving
Artist: master of the playing cards
Artist role: artist
Artist nationality: german
Artist dates: 1425 – 1450
Subjects: soldiers,bow and arrow,men,trees,saints

Only two early impressions of this print are known. Its technique, consisting of strongly outlined forms modeled with light evenly traced parallel strokes, approaches that employed in drawings of this period. The print has traditionally been assigned to the Master of the Playing Cards, an artist probably active in Alsace, though the rather unstable poses and the muddled formation of the small hill on the left have led some scholars to question the attribution. The overall polished technique and details such as the naturalistic rendering of the saint's chest suggest that the engraver, if not the master himself, was certainly an accomplished artist closely familiar with his work. As in the Master's more securly attributed prints, the technique approaches that found in contemporary drawings--strongly outlined forms modeled with extremely fine parallel strokes. These thin, sharp, and slightly fuzzy lines were probably created with a drypoint stylus rather than a burin, the tool more typically associated with engraving, which produces slightly broader and more tapered lines. Saint Sebastian, a frequent subject of prints from this period, was regarded as one of the main guardian saints against the plague.
Evening ensemble
Object type: evening ensemble
Date: 1875 – 1875
Materials: silk
Culture: french
Artist: house of worth
Artist role: design house
Artist nationality: french
Artist dates: 1858 – 1956
Don Quichot verlaat begeleid door de Dwaasheid zijn huis om dolend ridder te worden
Object type: print
Date: 1691 – 1767
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: don quixote, sancho panza
Inscriptions: collector's mark: Lugt 240
Piazza di Spagna, column of the blessed Virgin and Propaganda college
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: column, pillar ~ architecture, façade (of house or building), square, place, circus, etc. (+ city(-scape) with figures, staffage)

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Rome.
Fragmentary Plate with Engraved Designs
Object type: fragmentary plate
Date: 801 – 900
Materials: glass
Techniques: glassblowing, engraving
Location: syria

The striking blue color of this plate was achieved by adding cobalt to the glass fabric, and its surface has been engraved with various patterns arranged in concentric registers around a central roundel. The circular hole at the center indicates the place where a foot was once attached. This plate is important evidence of the active glass trade from west to east during the ninth and tenth centuries. Probably made in Syria, it was imported to Nishapur where it was found in the prosperous Tepe Madrasa section of the city. The fact that six dishes of this type were found in the crypt of the Famen Temple in China demonstrates the far eastern reaches of the trade routes that passed through Nishapur. Furthermore, the evidence from this temple, whose crypt was sealed in 874, provides an ante quem date for our plate.
Pendant with Zoomorphic Motif
Object type: pendant
Date: 1801 – 2000
Materials: gold
Culture: indonesian
Prenthandelaar met viool omringd door vier prenten
Object type: wrapper
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Artist: eugène hippolyte forest
Artist role: print maker
Artist dates: 1808 – 1866
Subjects: ahasverus, the wandering jew, genoveva, the graphic arts, violin, fiddle, (story of) romulus and remus, godfrey of bouillon
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

De prenten tonen: Godfried van Bouillon die een beker bouillon drinkt, Romulus en Remus die vissen op sardines (een persiflage op de Sabijnse maagdenroof), de Wandelende Jood en een jager die tijdens de achtervolging van een aangeschoten hert Genoveva van Brabant met haar kind tegenkomt.
Wine jug (one of a pair)
Object type: wine jug
Date: 1680 – 1680
Materials: faience
Techniques: glazing
Subjects: cupid,horses,chariots

This jug and its mate (1985.181.2) are decorated with scenes from classical mythology. Here, Europa, a princess of Phoenicia, is carried off to Crete by Zeus, disguised as a very tame and beautiful bull. This event was thought to explain the origins of the name "Europe" for the landmass west of Crete.