deem-data/ArtiFact huggingface dataset:
Stadsgezicht bij maanlicht
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: tone lithography
Location: the hague
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Subjects: city-view in general; 'veduta', moonlight
Inscriptions: collector's mark: Lugt 2228

Een stad bij maanlicht met in de achtergrond een stompe toren. Rechts staan twee vrouwen onder een afdak bij een brandende kaars.
Portret van Antonio González Ruiz
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Artist: francisco muntaner moner
Artist role: painter, print maker
Artist dates: 1743 – 1805
Subjects: painter, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2482, collector's mark: Lugt 1606, collector's mark: Lugt 2228
Thesaurus novi Testamenti elegantissimis iconibus expressus continens historias atque miracula doni nostri Iesu Christi
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: tree of jesse: genealogical tree showing christ's ancestors, sprouting from jesse's loins, st. matthew writing the gospel, usually the angel present, dictating or assisting him, temptation and fall (scenes with both adam and eve)

De evangelist Matteüs zit op de grond en schrijft zijn evangelie. Naast hem geeft een engel aanwijzingen. Linksachter de zondeval en de boom van Jesse. Bovenin de boom van Jesse zit Maria met Kind. De boom wordt bekroond door Christus aan het kruis. Onder de voorstelling een tweeregelige tekst in het Latijn. Deze prent maakt deel uit van een album.
Ex libris van J. Lamoraal Wichers
Object type: bookplate
Date: 1937 – 1937
Materials: paper
Techniques: printing block
Location: netherlands
Subjects: flowers, horse, armorial bearing, heraldry
Inscriptions: inscription: ‘T. Bogtman - 1937’
Study of Drapery over the Knees of a Seated Figure
Object type: drawing
Date: 1472 – 1517
Materials: chalk
Techniques: highlighting, drawing
Artist: fra bartolomeo (bartolomeo di paolo del fattorino)
Artist role: artist
Artist nationality: italian
Artist dates: 1473 – 1517
Fragment en scherf lampetschotel uit V.O.C.-schip de 'Witte Leeuw'
Object type: washbowl
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Lampetschotel uit V.O.C.-schip de 'Witte Leeuw', 90% aanwezig. De scherf is glasachtig wit. Het glazuur is blauw getint en bladdert over gedeelten van de liprand af. De bodem is ongeglazuurd. De voetring is gefacetteerd en staat naar binnen. Er zijn meer dan 20 korrels ovenzand aangetroffen. De lip is geschulpt.
Coin
Object type: coin
Date: 401 – 1400
Materials: silver
Location: iran

This coin was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Vinger met een geïnfecteerde wond (osteomyelitis)
Object type: page
Date: 1874 – 1884
Materials: paper
Techniques: photograph
Subjects: infections and wounds
Inscriptions: inscription: ‘Observation XXVII.. Pl. A. / Osteite de la phalangette datant de 4 ans. / Mlle Duj...., 30 ans, de Courtrai. (...)’
Portret van Friedrich de la Motte Fouqué
Object type: print
Date: 1787 – 1833
Materials: paper
Techniques: stippling
Subjects: berlin, historical persons, officer, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Ceramic Fragment
Object type: ceramic fragment
Date: 1001 – 1200
Materials: earthenware
Techniques: luster painting
Location: egypt
Het Kweekschool voor de Zeevaart
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: civic architecture; edifices; dwellings, amsterdam

Onderste deel van een prent met meerdere stadsgezichten van Amsterdam.
Textile Fragment
Object type: textile fragment
Date: 201 – 300
Materials: linen, wool
Location: egypt
Spotprent
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: lithograph
Location: the hague

Spotprent . Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 26, 1876.
Landing Place, Ordnance Wharf, Balaklava
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: photography, salted paper print
Location: england
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: collected by hugh edwards
Madame de Simiane
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: paris, historical persons - bb - woman, ornament ~ medallion
Inscriptions: collector's mark: Lugt 2228
Dress
Object type: dress
Date: 1888 – 1888
Materials: silk, wool
Culture: british

The young bride of Andrew Carnegie celebrated her husband's heritage, after a wedding trip to Scotland and England, in wearing Scottish dress. Even while the skirt accords with the resolute shaping of 1880s high style, the additional drape across the hips recalls the fluid form of the kilt. Even its fringed edge confirms the haunting presence of the kilt for this is not only a dress about style of its time, but also about ancestry, ever echoing harsh Highlands ambience.
John Grove
Object type: print
Date: 1895 – 1895
Materials: ink, paper
Techniques: printing, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men,portraits
Portret van Ferdinand II
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: engraving
Subjects: vienna, ferdinand ii (duits keizer), historical persons, battle, ruler, sovereign, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Aquila Austriaca Das ist Historische Beschreibung und Abbildungen Aller Römischen Kaiser und Könige (...). Neurenberg: Paul Fürst, [1660].
Chessmen (32)
Object type: chessman
Date: 1801 – 1900
Materials: ivory
Subjects: men,chess,elephants,games

The rooks are elephants with circular towers on their backs surmounted by flags; a mahout sits on the elephant's head. The elephants are carved in a curiously wooden manner, far less skillfully than the horses with which the Chinese were familiar. The bases are deeply undercut to form an open design of flowers and leaves. Chinese ivory sets are often carved with great skill and furnished with ornamental bases, some, like these, being foliated. In others carved balls are incorporated in the baluster support or movable concentric balls. These sets were made as gifts for foreigners, or for sale to them, and well-known foreign personages were incorporated into many of them. Others, such as this, consist entirely of Chinese figures, usually with some of the characteristics of the Manchu dynasty, which reigned throughout the nineteenth century and on to 1912. It has been suggested that some of these sets represent Chinese versus Mongols, but the iconographical details here do not bear out the suggestion-it is a fanciful opposition.
Priest's Robe (Shichijō)
Object type: robe, priest's
Date: 1573 – 1592
Materials: metal thread, silk
Culture: japanese
Twee figuren op een brug
Object type: print
Date: 1827 – 1828
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: Anonymous
Subjects: bridge, landscapes (+ landscape with figures, staffage), farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Twee mannen in gesprek op een burg over een rivier. Links in de achtergrond een boerderij.
Ontwerptekening voor een kamerwand
Object type: drawing
Date: 1763 – 1826
Materials: paint, paper, pencil
Techniques: brush, pen
Artist: abraham van strij (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1753 – 1826
Subjects: wall-covering

De tekeningen van Abraham van Strij zijn op een later moment ingevoegd in het album met tekeningen van Jurriaan Andriessen.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of a palmette and tendrils, and, part of the handle
Bronze statuette of a young woman
Object type: statue of a young woman
Date: 534 – 501
Materials: bronze
Culture: etruscan
Subjects: women

This statue, perhaps the best-known Etruscan figural bronze in the Museum's collection, was produced at one of the major bronze working centers, probably Vulci or Chiusi. The artist was clearly inspired by archaic Greek korai, votive statues of young women, a connection especially noticeable in the typical frontal pose with right hand extended and left hand holding the garment. However, the sculptor was not especially concerned about the accurate depiction of costume. The Greek himation (cloak), for example, is misrepresented. The folds so prominently visible from the front are absent on the back of the statue, perhaps an indication that the artist was looking at a two-dimensional source such as a relief sculpture or vase painting rather than a sculpture in the round. In any case, he clearly was more interested in rich surface embellishment than in realistic rendering of drapery and produced a wealth of engraved details in the hair, jewelry, sewn seams, decorated hems, and drapery folds. The pointed shoes (calcei repandi), here elaborately rendered with meticulously detailed laces and floral ornament, are distinctively Etruscan. The figure's left foot is a modern restoration.
Isabel Wachenheimer voert duiven op de Odeonsplatz, juli 1931-februari 1932, München
Object type: album leaf
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: munich
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: leiden, isabel wachenheimer-elon, family life at home, feeding wild animals
Inscriptions: inscription: ‘Odeonsplatz’

Blad bevat een foto. Alle foto's van Isabel Wachenheimer (als jong meisje). Uit het album, half formaat, crèmekleurig stofomslag met koordbinding met banenmotief.
Portret van een staande vrouw met witte muts met linten, bij een kruk en tafeltje
Object type: photograph
Date: 1860 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: adult woman, historical persons, head-gear: cap
Inscriptions: inscription: ‘Bordeaux’
Morning cap
Object type: morning cap
Date: 1805 – 1810
Materials: cotton
Culture: british
Skirt band
Object type: skirt band
Date: 1601 – 1700
Materials: cotton, silk
Lucas de evangelist
Object type: print
Date: 1500 – 1700
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: st. luke writing his gospel, inspiratory figure present, e.g.: angel(s), dove, hand of god, mary, st. luke writing his gospel, usually a (winged) ox present
Inscriptions: collector's mark: Lugt 2228

De evangelist Lucas schrijft zijn evangelie aan een tafel. Hij ontvangt inspiratie van de Heilige Geest, die als een duif door het raam komt binnenvliegen. Rechts ligt de os. In het raam een visioen van Christus aan het kruis. Achter in de kamer een schildersezel, palet, schildersstok en hoed.
Aangespoelde beenderen
Object type: book illustration
Date: 1809 – 1810
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Subjects: bones in general (human body), gelderland
Inscriptions: collector's mark: Lugt 2228

Plaat gemaakt voor: H. Ewijk, Platen en kaarten behorende tot het geschiedkundig verslag der dijkbreuken en overstroomingen, langs de rivieren in het Koningrijk Holland, voorgevallen in louwmaand MDCCCIX. Amsterdam, J. Allart en J. Ruys, 1809.
Studie, mogelijk van een landschap met bebouwing
Object type: sketchbook leaf
Date: 1886 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: landscapes in the temperate zone

Blad 16 recto uit schetsboek LV met 21 bladen.
Silver ore lump
Object type: silver ore lump
Date: 2333 – 2001
Materials: silver
Location: mesopotamia
Groepsportret van vijf onbekende vrouwen (van wie één achter een camera) en twee mannen voor een ruïne in Italië of Frankrijk
Object type: photograph
Date: 1885 – 1885
Materials: paper
Techniques: gelatin silver print
Subjects: camera ~ photography, landscape with ruins, anonymous historical persons portrayed in a group, in a group-portrait, italy, france
Aanneming van Stadswerken
Object type: cartoon
Date: 1899 – 1899
Materials: paper
Techniques: letterpress printing, line block
Location: netherlands
Subjects: personification of a city, town-patron(ess), dice-games
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Bestrating, bruggen, wegen.
Achterzijde van het stadhuis te Doesburg
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Location: doesburg
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: townhall
Inscriptions: annotation: ‘Doesburg/ de achterzijde v/h raadhuis’, annotation: ‘Z’
Far Side of the Moon at Apolune
Object type: photograph
Date: 1967 – 1967
Materials: photographic print
Artist: national aeronautics and space administration (nasa)
Artist role: artist
Artist nationality: american
Subjects: moon,astronomy

This photograph was made as part of the Lunar Orbiter program, a series of five unmanned spacecraft launched into orbit around the Moon in 1966 and 1967. Each spacecraft was equipped with a sophisticated imaging system provided by Eastman Kodak, which consisted of a dual-lens camera, film processing and handling units, and a readout scanner for transmitting the images back to Earth. The main purpose of the program was to select lunar landing sites for NASA’s manned Apollo Missions. Over the course of one year, the Lunar Orbiters photographed 99 percent of the Moon’s surface, producing more than 2,000 images of unprecedented clarity and precision. After the film was processed on board the spacecraft, it was scanned in strips and transmitted to Earth via radio. Technicians at Eastman Kodak in Rochester, New York, created the final images by transferring the strips onto sheets of large-format film, from which prints were produced. This print comes from the collection of George Keene, an optical engineer who headed the team responsible for reconstructing the Lunar Orbiter images in Rochester.
Card 860, May Ten Broeck, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 2), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1801 – 1833
Materials: gold alloy, gold, silver
Culture: japanese
Location: japan
Anna de Belocca
Object type: photomechanical print
Materials: paper
Techniques: woodburytype
Location: france
Subjects: portrait of opera-singer
Inscriptions: number: ‘No 127’, inscription: ‘Du 21 au 27 Octobre 1875’
Berlin. Siegesallee
Object type: ansichtkaart, prentbriefkaart
Date: 1901 – 1903
Materials: cardboard
Techniques: photograph, writing
Location: berlin
Artist: Anonymous
Subjects: monument, statue, avenue, boulevard, promenade, esplanade
Inscriptions: postage stamp
Glass mosaic ribbed bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Body fragment. Translucent purple and opaque white. Convex curving side tapering downward. Marbled mosaic pattern formed from sections of a single cane in purple ground with white rods; on exterior, single pronounced vertical rib with rounded outer edge. Polished interior; pitting of surface bubbles on interior; dulling and patches of creamy iridescent weathering on exterior and jagged edges, with one large weathered surface bubble on rib.
Offering tray (talam)
Object type: tray
Date: 1101 – 1400
Materials: copper alloy
Culture: indonesian

In medieval Javanese Hindu ritual, large metal offering trays were regularly employed for the preparation of ritual utensils and paraphernalia. The term used in Old Javanese is tahas, and they are referred to in modern Javanese and Indonesian as talam. Both variant terms can be sourced to the Tamil word for the same utensil, tattam. Fragmentary bronze trays of this type, together with other metal temple utensils, have been excavated from a mid-10th century shipwreck in the Java Sea in the past decade, affirming their antiquity. The traditions and ritual practices of Central Java (8th to 10th century) were largely preserved in the following centuries in the Hindu-Buddhist centres of East Java, up to the coming of Islam in the 15th century. This offering tray has an upturned and beveled rim and in the centerfield, an engraved design of a flowering vase of plenty (purnaghata). The swelling body of the vase evokes fecundity, and lush lotus stems with two magnificent blooms fill the upper space, bracketing the vase. The purnaghata stands on a presentation stand represented as open lotus petals. Framing this central image are three bands of decoration consisting of simple chiseled patterns, the central one serrated to likely suggest the radiating sun.
La Table
Object type: print
Date: 1860 – 1914
Materials: paper
Techniques: etching
Subjects: cake, tart, pastry, laid table: table-ware, table-decoration, etc.
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233

Op een gedekte tafel staan verschillende voorwerpen bekend uit zeventiende-eeuwse stillevens zoals glazen, een nautilusbeker, een tinnen kan en een pastei gedecoreerd als een pauw. Voor de tafel staat een houten bank.
Square Piano
Object type: square piano
Date: 1814 – 1814
Materials: wood, metal, textile
Culture: american
Location: united states
Artist: babcock, appleton and babcock
Artist role: maker
Artist nationality: american

Alpheus Babcock was a Boston piano maker who later moved to Philadelphia. He is most famous for his invention of a cast iron frame for his square piano, which he patented in 1825. The cast iron frame would become the standard for pianos of all types and sizes. Alpheus established his first company in 1809 along with his brother Lewis. In 1811, he partnered with the builder Thomas Appleton, who is best known for his pipe organs, including an example from 1830 that is also in the collection of The Metropolitan Museum. This beautiful example comes from the period of the partnership of the Babcock brothers with Appleton, predating the invention of the cast iron frame. Technical description: This square piano has a rectangular body with stained mahogany veneer and six screw-on reeded legs, four in the front and two in the rear. The keyboard is to the left of the center of the instrument and there are the compass is five and a half octaves (FF-c4) with ivory topped natural keys and ebony accidentals. Three drawers (2 small ones on either side of a larger in-curved drawer) below the keyboard have floral wreath, brass mounts and pulls. A single pedal lefts all of the dampers. In the center of the nameboard is written "Babcock, Appleton, & Babcock / Boston" with a cornucopia on either side. At the ends of the nameboard are floral openwork designs. The lid is supported by a single prop stick that is connected to the folding music desk.
Pitcher
Object type: pitcher
Date: 1820 – 1840
Materials: glass
Techniques: glassblowing, engraving
Culture: american
Location: united states
Subjects: eagles
Studie voor een jonge vrouw
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: anonymous historical person portrayed alone
Inscriptions: collector's mark: Lugt 2228a

Studie van een jonge vrouw in een jurk: links een zittende jonge vrouw met opgestoken haar, rechts een staande jonge vrouw met los haar en uitgestoken rechterhand.
Platbodems op het strand
Object type: print
Date: 1823 – 1863
Materials: paper
Techniques: lithograph
Subjects: sailing-ship, sailing-boat, sea (seascape), ships, boats on land, beached
Inscriptions: collector's mark: Lugt 2228
Cuneiform tablet: fragment of an account
Object type: cuneiform tablet
Date: 2600 – 2350
Materials: clay
Culture: sumerian
Location: mesopotamia
Wall Design with a Trompe l'Oeil Balcony Overlooking a Mountainous Harbor
Object type: drawing
Date: 1801 – 1900
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: balconies,fountains,mountains
Interieur van een zaal van het Dogepaleis te Venetië, Italië
Object type: photograph
Date: 1852 – 1893
Materials: cardboard, paper
Techniques: albumen print
Location: venice
Artist: carlo ponti
Artist role: fotograaf
Artist dates: 1820 – 1893
Subjects: palace, interior of the house
Inscriptions: inscription: ‘Venetie Doge Paleis’, number: ‘II’, inscription: ‘Doge’, collector's mark: ‘RIJKS SCHOOL VOOR KUNSTNIJVERHEID/ GROEP’, inscription: ‘Ponti (t)’
Gildepenning van Poulus Ickes Hobbekees
Object type: medal
Date: 1689 – 1689
Materials: brass
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: harlingen

Messing penning. Voorzijde: vogel, zittend op ton onder monogram van letters P, H en K. Keerzijde: opschrift. Een onbekend gilde.
Elbow, with garment
Object type: elbow, with garment
Date: 1353 – 1336
Materials: limestone
Location: egypt