deem-data/ArtiFact huggingface dataset:
Drie kluchtspelers op drie verschillende glasplaten
Object type: lantern slide
Date: 1700 – 1790
Materials: glass, wood, oil
Techniques: painted
Location: netherlands
Artist: Anonymous
Inscriptions: label: ‘'Gebrandschilderde glazen. Collectie I.S. van der Schaaff, Baarn. Nummer 16 (zestien) inhoudende vier glazen, voorstellende vier kluchtspelers. Alle glazen zijn geheel ongeschonden en heel op 16 februarij 1886.'’

Drie ronde glazen in een houten vatting met handvat. Een vierde glaasje ontbreekt.Uiterst links:ontbreekt. Rechts daarvan: een kind geeft een volwassen man een pak slaag met een roe. Rechts daarvan: een man zit in een stoel met op zijn schoot een ingezwachtelde baby en in zijn rechterhand een spinklos. Uiterst rechts: een vrouw loopt met een sabel aangegord en een geweer over haar schouder.
Kalender 1904 12 lithografien door Th. v. Hoytema
Object type: print
Date: 1903 – 1903
Materials: paper
Techniques: lithograph
Location: hilversum
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: pig, taurus (zodiacal sign of april), full moon represented as face, plants and herbs: clover, piglet, suckling pig, april ~ other concepts
Inscriptions: collector's mark: Lugt 2228

Een varken en zes biggen lopen in een weide. In de ornamentrand klaverblad en bloemen. Onder de data een volle maan en het sterrenbeeld Stier. Bovenaan het blad een scheurlijn.
Portret van Simon van den Berg
Object type: print
Date: 1866 – 1928
Materials: paper
Techniques: etching
Location: netherlands
Artist: willem steelink (ii)
Artist role: draughtsman, print maker
Artist dates: 1856 – 1928
Subjects: print maker, simon van den berg, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Portret van de kunstenaar Simon van den Berg. Rechtsonder zijn handtekening.
Portret van Dirk V, graaf van Holland
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: (story of) hercules (heracles), historical persons, hacking and thrusting weapons: sword, ruler, sovereign, armorial bearing, heraldry

Prent mogelijk uit: Halma, François. Tooneel der Vereenigde Nederlanden, en onderhorige landschappen (...). 2 dln. Leeuwarden: Hendrik Halma, 1725, dl. 1, fol. 237. Eerdere staat van prent gebruikt in: Stoke, Melis. Hollandse jaar-boeken of rijm-kronijk van Melis Stoke. Behelsende de geschiedenissen des lands (...). Leiden: Johannes du Vivié en Isaak Severinus, 1699.
Cuneiform tablet: wool expenditures to personnel, Ebabbar archive
Object type: cuneiform tablet
Date: 626 – 605
Materials: clay
Culture: babylonian
Location: mesopotamia
Spouted jar
Object type: jar
Date: 300 – 1
Materials: ceramic
Culture: monte alban
Location: mexico

During the late first millennium B.C., fine grayware ceramics associated with the hilltop site of Monte Albán and its neighbors in the southern Mexico state of Oaxaca have their most significant manifestation in the vessel form known as a bridge-and-spout (or bridge-spout). The bodies of such vessels were elaborated on the front opposite the spout with raised images of what appear to be the deities venerated in the region. In this example, for instance, head, arms, and legs were worked in relief on the surface, transforming the body of the vessel into the body of the figure. The high-relief head, with its wrinkled face and extended lips, may relate to the deities known later in Mexico as the "old god," Huehuetotl, and Ehecatl, the "wind god."
Design for a Frieze: A Nude Man, Sea Creature, a Garland and Volutes, Small Head of Unicorn
Object type: drawing
Date: 1600 – 1630
Materials: chalk, ink
Techniques: pen
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: garlands,male nudes,unicorns
Studieblad met kinderen
Object type: sketchbook leaf
Materials: paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: child

Links twee studies van een kind op een kinderstoel. Pagina 39 en pagina 40 uit een schetsboek met 28 bladen.
Guatsetto - Mestolino, plate 5 from Balli di Sfessania
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving, etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Vue des ouvrages de peinture des artistes vivans. Exposés au Museum Central des Arts en l'an VIII de la R.F.
Object type: print
Date: 1800 – 1801
Materials: paper
Techniques: etching
Location: paris
Subjects: permanent exhibition, museum, picture, painting, 'gemalte galerie'
Inscriptions: inscription: ‘4 planches Bf [...]/ f 3800-’, collector's mark: Lugt 2228, collector's mark: Lugt 2760, : ‘Déposé à la Bibliothèque Nationale’

Monsaldy maakte verschillende gezichten op galerijen gedurende de Eerste Franse Republiek. Deze prent maakt deel uit van een vierdelige serie met gezichten op de schilderijengalerijen in het Musée du Louvre (Muséum central des arts de la République) van 1800-1801 (l'An IX).
Reliëf van een heilige en een Korinthisch kapiteel van de San Marco in Venetië
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: photograph
Location: venice
Subjects: capital (~ column, pillar) (+ classical art), piece of sculpture, reproduction of a piece of sculpture, corinthian order ~ architecture
Inscriptions: number: ‘P.4.’, number: ‘P5.’, number: ‘280’

Deze prenten maken deel uit van een omslag met 58 prenten op 50 bladen.
Clarissa Storrs
Object type: painting, miniature
Date: 1795 – 1795
Materials: ivory, watercolor
Culture: american
Artist: william verstille
Artist role: artist
Artist nationality: american
Artist dates: 1757 – 1803
Subjects: portraits,women

Clarissa Storrs married Jeremiah Atwater in 1802.
Figuurstudies, mogelijk vrouwen die aan het werk zijn
Object type: drawing
Date: 1880 – 1882
Materials: chalk, paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman
Baptism of Christ
Object type: print
Techniques: aquatint, etching
Artist: francesco rosaspina
Artist role: artist
Artist nationality: italian
Artist dates: 1762 – 1841
Subjects: christ,cross,baptism of christ
Portret van kolonel Dentsch
Object type: sketchbook leaf
Date: 1848 – 1854
Materials: paper, pencil
Artist: christian heinrich gottlieb steuerwald
Artist role: draughtsman, print maker
Artist dates: 1802 – 1874
Subjects: historical persons (portraits and scenes from the life)
Inscriptions: annotation: ‘Kolonel Dentsch’

Blad 6 recto uit een schetsboek met 58 bladen.
Pop, voorstellende een kind in een wikkelkleed
Object type: doll
Date: 1700 – 1799
Materials: linen, wax, wool
Location: amsterdam
Artist: Anonymous
Toegangskaart uit archief Philip Zilcken
Object type: admission ticket
Materials: ink, paper
Techniques: pen, printing, writing
Artist: samuel putnam avery
Artist role: verzamelaar
Artist dates: 1822 – 1904
Subjects: new york (city), samuel putnam avery, the hague, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
The Garden of Eden
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Man en vrouw aan de maaltijd
Object type: print
Date: 1826 – 1886
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: dirk jurriaan sluyter
Artist role: draughtsman, print maker
Artist dates: 1811 – 1886
Subjects: middelburg, paris, eating and drinking
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 12, check stamp: ‘François Buffa & Fils Fournisseurs du Roi’

Een man en een vrouw zitten aan een gedekte tafel. De man grijpt naar een glas, de vrouw staat op het punt zichzelf uit een kruik iets in een hoge glas te schenken. Op tafel staat een bord met een ham, met een homp brood erbij. Onder de prent het wapenschild van Jan Willem, baron Huyssen van Kattendijke.
Laatste Oordeel
Object type: print
Date: 1638 – 1658
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: last judgement
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11

Christus zit tronend als rechter op een wolk in de hemel bij het Laatste oordeel. Hij maakt een spreekgebaar en wordt omringd door engelen, koningen, kerkvaders en zijn apostelen. Boven hem vliegt de duif van de Heilige Geest en ligt God met de wereldbol op een wolk. Onder de engelen worden vrouwen en mannen door allerlei duivels en beesten aangevallen en meegevoerd naar de hel. Voorstelling bestaande uit twee delen.
Zuilengalerij van het theater aan Place Stanislas te Nancy
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Location: paris
Subjects: colonnade
Inscriptions: inscription: ‘Place Stanislas/ Péristyle du théatre (...)’

Deze prent maakt deel uit van een omslag met 103 prenten op 101 bladen en een titelblad.
Vuë du Long Pont et d'une partie de la Bourse a Amsterdam
Object type: print
Date: 1775 – 1779
Materials: paper
Techniques: etching, hand coloring
Location: augsburg
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc., market-hall
Inscriptions: collector's mark: ‘12-46’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Rokin, Rotterdammersloot, Rozengang, Rozengracht, Rozenstraat, Rusland, Rustenburgerstraat, Ruysdaelkade, Ruysdaelstraat, Ruyterkade (de), Ruyterweg (Admiraal de).
Box with eighty-one game counters
Object type: box with cover
Date: 1760 – 1760
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: playing cards,games

The card game l’Hombre was a fashionable pastime in the eighteenth century, and special boxes were created at the Meissen porcelain manufacture to hold the necessary counters. Five playing cards decorate the lid; the one on top, which represents the King of Hearts, is based on a French deck of cards made for the German market by Claude Valentin of Lyon about 1650. For the Ace of Spades, the painter used an original card bearing the Saxon tax stamp that was imposed on all imported playing cards. The different counters were stored in four small individual boxes, now missing.
Designs for Three Friezes with Hunting Themes, plate 9 from "Decorative friezes and foliage" (Ornamenti di fregi e fogliami)
Object type: print
Date: 1645 – 1650
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: dogs,rabbits
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Right halves of six kylix handles
Culling Tea
Object type: photograph
Date: 1869 – 1869
Techniques: albumen silver print, glass negative
Artist: lai afong
Artist role: artist
Artist nationality: chinese
Artist dates: 1839 – 1890
Subjects: portraits,women,working,tea
De Volksbeweging en de Czar
Object type: cartoon
Date: 1905 – 1905
Materials: paper
Techniques: autotype
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: (person) in fetters, not imprisoned, giants, colossi, political caricatures and satires

Een woeste reus, het Russische volk, ontwaakt en verbreekt zijn ketens, op de achtergrond vlucht de Russische tsaar Nicolaas II weg. Naar aanleiding van het uitbreken van de Revolutie van 1905 op 22 januari.
Embroidery sample for a man’s suit
Object type: sample
Date: 1785 – 1785
Materials: thread, wool
Carpet
Object type: textile
Date: 1875 – 1900
Materials: wool
Techniques: cutting, weave
Location: turkey
Seated Buddha
Object type: figurine
Date: 601 – 800
Materials: brass, copper, silver
Techniques: inlay
Culture: indian
Subjects: kashmir,buddhism,buddha
Circe Giving a Drink to Ulysses's Companions
Object type: print
Date: 1540 – 1545
Techniques: etching, heightening
Artist: antonio fantuzzi
Artist role: artist
Artist nationality: italian
Artist dates: 1537 – 1545
Subjects: men,women,mythical creatures,boats
Fotoalbum (leeg)
Object type: photograph album
Date: 1860 – 1900
Materials: cardboard, ivory, linen, metal, paper, silk
Techniques: color on snow
Artist: Anonymous
Inscriptions: collector's mark: ‘DIENST/ VERSPREIDE/ RIJKSKOLLEKTIES/ (...) A 752’

Fotoalbum met vijftig pagina's met ieder een met gepreegde rand omkaderde passe-partout voor een carte-de-visite. De passe-partouts zijn afwisselend ovaal en rechthoekig van vorm.
Disk
Object type: disk
Date: 1 – 200
Materials: jade
Culture: chinese
Canapé et chaise longue
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Wolf and Fox Hunt
Object type: painting
Date: 1616 – 1616
Materials: canvas, oil
Artist: peter paul rubens
Artist role: artist
Artist nationality: flemish
Artist dates: 1577 – 1640
Subjects: men,women,hunting,foxes,horses,wolves
Handkerchief
Object type: handkerchief
Date: 1825 – 1850
Materials: linen
Culture: french
Subjects: flowers
Portret van Justus Jacob Leibnitz
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: historical persons, book
Inscriptions: number: ‘10’

Prent waarschijnlijk uit: Würfel, Andreas. Diptycha ecclesiae Sebaldianae (...). Neurenberg: Christoph Melchior Roth, 1756.
Phaeton #804
Object type: drawing
Date: 1850 – 1870
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Milk Jug
Object type: ceramic
Date: 1765 – 1780
Materials: earthenware
Techniques: glazing
Location: staffordshire
Hampton Court Palace from the Thames
Object type: photomechanical print
Date: 1915 – 1930
Materials: cardboard
Techniques: autotype
Location: london
Artist: Anonymous
Subjects: river, palace, thames
Ulysses Before Circe, Mercury Behind
Object type: drawing and watercolor
Date: 1766 – 1766
Materials: chalk, paper
Location: italy
Artist: gaetano gandolfi
Artist role: artist
Artist nationality: italian
Artist dates: 1734 – 1802
Inscriptions: Inscribed verso, upper left, in pen and black ink: "450 NF"; lower left, in pen and brown ink, on label: "Originale / di Gaetano Gandolfi / Maestro dell Academia / Clementina di Bologna (original by Gaetano Gandolfi, member of the Accademia Clementina of Bologna)"

In this scene, Gaetano Gandolfi illustrated the moment from Homer’s epic poem the Odyssey when the hero violently confronts the enchantress Circe, who has transformed his men into swine. In the left foreground, several of Circe’s hybrid victims seem to be in the process of transforming back into men, while behind Ulysses the god Mercury ascends through an arch.

The drawing is a tour de force of compositional invention and technical skill, alive with energy and balletic form. Gandolfi’s expert use of the uncolored paper to express dramatic lighting in particular gives the work a kind of radiance.
The Crooked Stoop (Old Tom's Chop House) (from Scenes of Old New York)
Object type: print
Date: 1870 – 1870
Techniques: etching
Artist: henry farrer
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1903
Subjects: doorways,men
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Black glaze rim fragment of a skyphos with a horizontal handle and part of the handle patch; the inside is misfired
Fragment
Object type: textile
Date: 1575 – 1600
Materials: silk
Techniques: bookbinding, interlacing, patterning, weave
Location: italy
Parallelle lijnen trekken door een gegeven punt met onderaan schermende mannen
Object type: book illustration
Date: 1669 – 1669
Materials: paper
Techniques: etching, letterpress printing
Location: france
Subjects: planimetry, geometry, fencing (sport)

Prent uit: Pratique de la géometrie, sur le papier et sur le terrain. Avec un nouvel ordre et une méthode particulière. Parijs: Thomas Jolly, 1669.
Strook naaldkant met dubbele verticale spiralen
Object type: strip
Date: 1775 – 1795
Materials: linen
Techniques: lace
Location: unknown
Artist: Anonymous

Strook naturelkleurige naaldkant: Alençon-kant. Repetitief motief van dubbele verticale spiralen en een strooimotief van bloemen en stippen op een fijne zeshoekige maasgrond. Een horizontaal kronkelende lijn met strikjes en cirkeltjes loopt op ongeveer driekwart van de bovenrand door het patroon heen. De bovenzijde is afgezet met een rand kloskant. De onderrand wordt gevormd door een horizontale spiraal met daaronder een gepicoteerde boogjesrand. De ruimte tussen de spiraal en de boogjes is opgevuld met een siergrond.
The Apple Pickers
Object type: relief
Materials: bronze
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: human figures

Upon Degas's death in 1917, more than 150 figurative sculptures were found in his studio. Most were made of fragile wax, clay, and plastiline (a wax- and oil-based modeling material). Many had deteriorated. Only a few were preserved in copies that had been cast from them in plaster. Except for the wax Little Fourteen-Year-Old Dancer (Washington: NGA) none of these sculptures had been publicly exhibited during the artist’s lifetime. Although Degas had not favored reproducing his sculptures in more permanent materials, his heirs authorized that copies be cast in bronze in order to preserve the compositions and to sell them as finished works. Paul-Albert Bartholomé, a sculptor and Degas's longtime friend, prepared 72 of the figures for casting, a process executed by the distinguished Paris foundry A.-A. Hébrard et Cie. The quality of the Degas bronzes was tightly controlled and their edition was limited. Only twenty-two editions of the series of 72 figures were cast. Each bronze within the series was assigned a number from one to seventy-two. The first twenty editions were assigned a letter from A-T. In most cases these numbers and letters were incised on the individual bronzes. The series of 72 bronzes was completed before May 1921 when it was exhibited in Paris. Edition A, comprising the first and best casts of the series, was reserved for the important Impressionist collector Mrs. H. O. Havemeyer. She later acquired the first bronze cast of the Little Fourteen-Year-Old Dancer (lettered A, but not numbered), which had been omitted from the initial series. In 1929 Mrs. Havemeyer bequeathed Little Fourteen-Year-Old Dancer and 70 of the 72 Edition A Degas bronzes to the Metropolitan Museum of Art. Although called The Apple Picker in 1921 when the founder A.A. Hébrard cast the relief in bronze, the work was probably intended by Degas to serve as a funerary decoration. The central figure of a girl eating an apple is in fact seated on a sarcophagus. It has been suggested that the subject may originally have been connected with the death in 1880 of Marie Fevre, the daughter of Degas's sister Marguerite.
Röntgenopnamen van een duim en een portefeuille met onder andere een schaar, een sleutel en een kroontjespen
Object type: page
Date: 1886 – 1896
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: x-ray examination
Inscriptions: number: ‘Fig. 18. Fig. 19. G. 8’
Bracelet fragment
Object type: bracelet fragment
Date: 1981 – 1640
Materials: faience
Location: egypt
Kerkinterieur met kerkgangers
Object type: titelblad, titelpagina
Date: 1651 – 1651
Materials: paper
Techniques: drypoint, engraving
Location: amsterdam
Subjects: interior of church, religious instruction of laity, e.g. sunday school
Inscriptions: collector's mark: Lugt 240

In een kerk vindt een catechisatie plaats. De kerkgangers luisteren aandachtig naar de prediker Johannes Beeltsnyder. Twee vrouwen met kleine kinderen verlaten de kerk om de les niet te verstoren. Links zit een jongetje op een hoge houten afsluiting van de preekstoel.
Spectacles and Telescope with Cases
Object type: woodblock print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: telescopes
Glass mosaic fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Translucent blue; turquoise blue layered with yellow and appearing green, opaque white, yellow, and brick red. Flat bottom with upward curve along one edge. Striped mosaic pattern with bands in blue, blue backed with red and appearing very dark blue, blue layered with white appearing opaque pale blue, and green. Pinprick bubbles; polished exterior; pitting of surface bubbles on exterior; dulling and creamy iridescent weathering on interior and jagged edges.
Klong mēng (ฆ้องเหม่ง)
Object type: klong mēng ฆ องเหม ง
Date: 1867 – 1900
Materials: brass, wood
Culture: thai
Location: thailand

Handheld hanging gongs like this may be used as a signaling device and in traditional processions.
My Dream
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: etching
Location: france
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
O Passeio Publico / Promenade
Object type: print
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: square, place, circus, etc., park
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘T’
Coffin of Khnumnakht
Object type: coffin, khnumnakht
Date: 1850 – 1750
Materials: paint, wood
Subjects: eyes,hieroglyphs,goddess,coffins
Personificatie van de winter
Object type: print
Date: 1733 – 1755
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: adult woman, winter, 'hyems'; 'inverno' (ripa)
Inscriptions: collector's mark: Lugt 2228