deem-data/ArtiFact huggingface dataset:
Ritual Ewer
Object type: ewer
Date: 1201 – 1300
Materials: gilt bronze
Culture: japanese

This small gilt-bronze object may have served as a ritual vessel called a kundika in Sanskrit, which held water used during Buddhist ceremonies and is one of the eighteen implements Buddhist monks and nuns need in order to perform their duties. Most East Asian kundika take the shape of long-necked bottles, although some examples have short, bulbous bodies like this one. However, its shape and diminutive size are also reminiscent of a water dropper.
Gezicht op een gebouw met trapgevels
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: urban housing, decorated gable

Gezicht op een gebouw, mogelijk een dubbel pand, met twee trapgevels. Rechts twee geopende luiken. Blad 46 recto uit een schetsboek met 69 bladen vervaardigd in de omgeving van Delft, Rotterdam, Oudewater en Harlingen.
Generaloberst von Heeringen
Object type: photograph
Date: 1905 – 1910
Materials: paper
Techniques: gelatin silver print
Location: berlin
Artist: nicola perscheid
Artist role: fotograaf
Artist dates: 1864 – 1930
Subjects: portrait of opera-singer
Drie afbeeldingen van een vrouw die een zwaan voert, een zeilboot en een schipper en een vrouw voor een zeilboot op de oever van de Elbe
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: leipzig
Subjects: sailing-ship, sailing-boat, river bank (+ landscape with figures, staffage)
Inscriptions: inscription: ‘Originalaufnahmen von Wilh. Dreesen, Hof.-Photogr., Flensburg. 1894.’, number: ‘XXII.’

Deze prenten maken deel uit van een omslag met 126 prenten op 37 bladen en een tekstblad.
A Herb Market, from The Houghton Gallery
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: engraving, etching, mezzotint
Location: england
Artist: richard earlom
Artist role: engraver
Artist nationality: british
Artist dates: 1743 – 1822
Schilderij met voorstelling van een vrouw met opgeheven rechterarm
Object type: miniature
Date: 1850 – 1899
Materials: alloy, glass, gold, gouache, ivory, lead, paper, tin
Location: unknown
Artist: Anonymous

Schilderij met voorstelling van een vrouw met opgeheven rechterarm. De vrouw is ten halven lijve afgebeeld, gekleed in 18de-eeuwse dracht, bestaande uit een groene jurk met witte battisten omslagdoek en manchetten en bloemcorsage op de borst. Haar grijsblonde haren opgestoken met lint. Gevat in een ovale lijst van metaal in neo-klassicistische stijl met parel- en ribbelrand, bekroond door strik.
Table Model
Object type: table model
Date: 1770 – 1800
Materials: wood
Graave belegerd, door Prinse Maurits, in 't jaar 1602
Object type: book illustration
Date: 1753 – 1753
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: siege, grave

Prent uit: Wagenaar, Jan. Vaderlandsche historie (...). 21 dln. Amsterdam: Isaak Tirion, 1753, dl. 9, p. 120-121.
Spotprent op minister Heemskerk als markeur, 1886
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: politician, billiards

Spotprent op minister Heemskerk als markeur bij het biljartspel. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 27, 1886.
Jabot van naaldkant met serpentines
Object type: jabot
Date: 1675 – 1699
Materials: linen
Techniques: flat venetian
Location: venice
Artist: Anonymous

Jabot van naturelkleurige naaldkant: platte Venetiaanse kant. Op een spijlengrond staan spiraalranken met kleine knopvormige uiteinden symmetrisch ten opzichte van een staande middenas. In de rechte hoeken staat een groep met grote en kleinere driehoekjes.
The Prince of Tuscany and his chariots arranged around Mount Atlas in center, from "Il mondo festeggiante"
Object type: print
Date: 1661 – 1661
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: fountains,spectators,coat of arms,chariots
Distant Landscape with Tree in Foreground
Object type: drawing
Date: 1601 – 1700
Materials: chalk, paper
Techniques: printmaking
Artist: aureliano milani
Artist role: artist
Artist nationality: italian
Artist dates: 1675 – 1749
Subjects: landscapes,trees
Hooglandse kerk te Leiden
Object type: drawing
Date: 1648 – 1698
Materials: chalk, graphite, ink, paper
Techniques: brush, pen
Artist: gerrit berckheyde
Artist role: draughtsman, painter
Artist dates: 1638 – 1698
Subjects: church (exterior)
Sampler
Object type: sampler
Date: 1701 – 1800
Subjects: cranes,flowers
Ex libris van onbekend
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: the virgin mary, hacking and thrusting weapons: sword, the warrior martyr george (georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword
Ornitholoog in zijn studeerkamer
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: scholar in his study, birds, print, e.g.: engraving, etching, lithograph, cabinet of curiosities, 'kunst- und wunderkammer'
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt in: Buffon, Georges-Louis Leclerc Comte de. Naturgeschichte der Vögel [vertaald door:] Friedrich Heinrich Wilhelm Martini. Berlijn: Joachim Pauli, 1772, dl. 1.
Alabaster flask
Object type: flask with broad lip
Date: 334 – 201
Materials: gypsum
Culture: cypriot

There was a long tradition of carving alabaster vessels in Cyprus, reflecting early Egyptian influence. This shape finds a parallel in core-formed glass alabastra, two examples of which are 91.1.1393 and 17.194.795.
Vessel in form of horned quadruped
Object type: vessel
Date: 700 – 550
Materials: ceramic
Culture: iranian
Location: iran, luristan
Subjects: animals

This vessel takes the shape of a horned animal, probably a bull. It has four cylindrical legs and a similar neck, with a conical snout and horns. It also has small conical ears and large, flat eyes with raised pupils. A tubular handle connects its shoulders to its hindquarters, and there is a round pouring hole in its chest. This vessel was excavated at Chekka Sabz (also spelled Chigha Sabz, meaning ‘green mound’) in the Pish-i Kuh (‘before the mountain’) region of Luristan in western Iran. It was found in a buried cache of objects which included two Neo-Elamite cylinder seals, two vessels in the form of human figures, and at least three other bull-shaped vessels. The seals date to the 8th-6th centuries B.C., and the pottery found with them, including this vessel, likely date to the same period. Although probably a small village in the Bronze Age, by the Iron Age Chekka Sabz had been reduced to a campsite, perhaps used by pastoralists as they transitioned between summer and winter pastures. The cache seems to have been buried in haste, and it is clear that whoever buried the objects did not, or could not, return to recover them. The human figures from Chekka Sabz have their hands clasped before them. This pose is attested in Elamite art, where it appears to be the proper gesture to make in the presence of a god. Thus these figures probably represent attentive worshippers, and were likely meant to be offerings. The same is probably true of this vessel.
Oranjelint
Object type: ribbon material
Date: 1725 – 1750
Materials: silk
Techniques: printing, weave
Location: netherlands
Subjects: the hague, william v (prince of orange), berlin, draughtsman, wilhelmina of prussia (princess of orange)

Lint met ingeweven stermotieven en een drietal opgedrukte voorstellingen: - Oranjeboom. - Pruissische adelaar met boven het hoofd een tak met oranje-appelen. - Nederlandse vlag met om de stok lauwerkrans. Op de achtergrond een lans met vrijheidshoed om de punt. De voorstellingen zijn van elkaar gescheiden door oranje-appelen. Opschrift: VIVE LE PRINCE ET LA PRINCESSE D'ORANGE.
Vues de Hollande. Rotterdam
Object type: stereograph
Date: 1859 – 1865
Materials: cardboard, paper
Techniques: albumen print
Location: rotterdam
Artist: pieter oosterhuis
Artist role: draughtsman, print maker
Artist dates: 1816 – 1885
Subjects: zoo (as place of recreation)
Inscriptions: number: ‘No. 227’
Hungarian Horseman
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: etching
Location: italy
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664

Florentine by birth, della Bella worked extensively for the Medici family before going to Rome around 1638. A prolific graphic artist, he later traveled to Paris before returning to Florence around 1650.
Vase in the form of an archaic wine vessel (gu)
Object type: vase
Date: 1567 – 1633
Materials: enamel
Techniques: enamel
Culture: chinese
Madonna con Bambino Raffaello Borghese
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Subjects: drawing, sketch, madonna: i.e. mary with the christ-child
Inscriptions: number: ‘No. 147’, collector's mark: ‘VOSMAER’
Terracotta fragment of a bell-krater (bowl for mixing wine and water)
Object type: bell krater fragment
Date: 470 – 460
Materials: terracotta
Culture: greek, attic

Woman to right, with her long hair tied in a fillet, wearing a peplos
Incroyables et Merveilleuses, 1817, Merveilleuse, No. 31: Toilette de Spectacle.
Object type: fashion print
Date: 1817 – 1817
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: gloves, mittens (long gloves) (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), 'merveilleuse', fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: title: ‘Paris. Merveilleuse. No. 31.’, caption: ‘Toilette de Spectacle.’

'Merveilleuse' in een 'toilette de Spectacle'. Zij draagt een japon met korte pofmouwen, die bij de zoom is versierd met twee banden en franjes. Accessoires: hoed versierd met struisveren, sjaal met aan de uiteinden franjes, lange handschoen, platte schoenen met strik en band over de wreef. De prent maakt deel uit van een serie van 33 modeprenten, gegraveerd door George Jacques Gatine, Parijs, 1810-1818.
Wapenschild met leeuw
Object type: print
Date: 1455 – 1503
Materials: paper
Techniques: engraving
Location: bocholt
Artist: israhel van meckenem
Artist role: print maker
Artist dates: 1440 – 1517
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Wapenschild met een klimmende leeuw erop. Daaromheen bladmotieven en (nog) een leeuw. Onder het schild 'bocholt' in gotische letters.
Four Pieces for Obi (?)
Object type: piece
Date: 1801 – 1900
Culture: japanese
Subjects: flowers
Paarden, hondenkoppen, een herder en een landschap
Object type: endleaf
Date: 1840 – 1840
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., horse, landscapes (+ landscape with figures, staffage), dog
Inscriptions: date and inscription: ‘J. Tavenraat/ Rotterdam./ 1840’

Voorste schutblad uit een schetsboek met 33 bladen.
John Taylor Johnston (1820–1893)
Object type: painting
Date: 1880 – 1880
Materials: canvas, oil
Artist: léon bonnat
Artist role: artist
Artist nationality: french
Artist dates: 1833 – 1922
Subjects: men,portraits
Round watch with key in original red leather case
Object type: watch
Date: 1767 – 1800
Materials: gilt bronze, leather, steel

Spanning from the mid-eighteenth century to the beginning of the nineteenth, this group of clocks recently given to the museum by Jayne Wrightsman reflect the sophistication of French clockmaking towards the close of the ancien régime. In the mid-eighteenth century, France was the most important location for the creation of clocks and, particularly, their cases. French clockmakers were willing to eliminate pieces of a clock’s mechanics that many clockmakers in other countries refused to remove, which allowed their machinery to take up less space. And although similar clocks were created in both England and France, the French versions are far rarer. In the eighteenth century, Cartel clocks and watches became more popular in France, as did clocks that hosted groups of statues, encouraging clockmakers to create the least intrusive mechanics possible. The result is the extremely detailed decorative cases seen in this collection, which demonstrate Jayne Wrightsman’s refined understanding of French horology
Box with portrait of a woman said to be Mrs. Bates (1755–1811) as Flora
Object type: box, painting
Date: 1811 – 1812
Materials: diamond, enamel, gold, ivory
Artist: alexander james strachan
Artist role: maker
Artist nationality: british
Artist dates: 1817 – 1842
Subjects: portraits,women

Inserted in the lid of the box, and with its hinged cover, is a portrait on ivory of the concert singer Sarah Harrop Bates (1755-1811) as Flora in about her twentieth year by the miniaturist Richard Cosway (1742-1821).
Document Sealing With the Throne Name of Amenhotep III
Object type: sealing, lion, per kheper
Date: 1390 – 1352
Materials: mud
Location: egypt
Garden View of House of the Seven Gables, Built 1668. Salem. Mass.
Object type: photomechanical print
Date: 1945 – 1960
Materials: cardboard
Techniques: lithograph
Location: boston
Artist: Anonymous
Subjects: garden, exterior ~ representation of a building
Duit van de VOC uit Zeeland, 1748
Object type: coin
Date: 1748 – 1748
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: gekroond wapenschild van Zeeland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Andernach am Rein von Hamerstein aus
Object type: print
Materials: ink, paper
Techniques: etching, writing
Location: gottingen
Subjects: 'album amicorum', 'stammbuch', river (+ landscape with figures, staffage), city-view in general; 'veduta' (+ city(-scape) with figures, staffage)
Inscriptions: tekst, verso, handgeschreven

Handgeschreven tekst in het Duits op het verso.
Mercurius en Argus
Object type: print
Date: 1618 – 1628
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: moyses van wtenbrouck
Artist role: painter, print maker
Artist dates: 1590 – 1647
Subjects: io is petted by inachus, her father, and by her sisters
Inscriptions: collector's mark: Lugt 240

Juno laat de koe (Io) bewaken door de reus Argus. Argus knielt voor Juno. Scène uit Ovidius’ Metamorfosen (Met. I, 624).
Saint Jerome
Object type: print
Date: 1500 – 1599
Materials: paper
Techniques: engraving
Location: netherlands
Artist: raphael de mey
Plaque with Adoration of the Shephards
Object type: plaque
Date: 1401 – 1500
Materials: copper, enamel
Techniques: painting
Culture: french
Location: france
Artist: monvaerni
Artist role: artist
Subjects: angels,christ,adoration of the shepherds
Rectangular writing box with decoration of clouds and cranes
Object type: box
Date: 1601 – 1700
Materials: gold, lacquer
Techniques: engraving, painting
Culture: japanese or ryukyuan
Portret van paus Leo X
Object type: book illustration
Date: 1587 – 1587
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: leo x, historical persons, pope, armorial bearing, heraldry

Prent uit: Ciccarelli, Antonio. Le vite de Pontefici di Antonio Ciccarelli (...). Rome: Domenico Basa, 1587. Prent voor het eerst verschenen in: Cavalieri, Giovanni Battista de'. Pontificum romanorum effigies (...). Rome: Domenico Basa en Francesco Zanetti, 1580. Prent ook gebruikt in latere publicaties.
Gezicht op de Hervormde Kerk te Hei- en Boeicop
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, photographic support
Techniques: albumen print
Location: hei- en boeicop
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘N.H. Kerk/ Maart 1904/ Hoeikop en Boeikop’, annotation: ‘Hei & Boeikop (Z.H.)/ N.H. kerk/ Maart 1904’
Iris ad Somnum missa
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: letterpress printing
Location: frankfurt am main
Subjects: iris visits hypnos on alcyone's behalf, scrollwork, strapwork ~ ornament

Illustratie bij de Metamorfosen van Ovidius, afkomstig uit de publicatie: Posthius, Johannes. Tetrasticha in Ovidii metam. Frankfurt am Main: Georg Rab en Sigmund Feyerabend en erven Weigand Han, 1569. De voorstellingen en ornamentranden van deze boekillustraties zijn van twee aparte blokken gedrukt. Beide werden afzonderlijk van elkaar ook gebruikt voor andere publicaties, en de ornamentranden werden eveneens binnen deze publicatie meerdere keren gebruikt.
Lime-Kiln in Stormy Weather, from Six Landscapes
Object type: print
Date: 1613 – 1640
Materials: paper
Techniques: etching
Location: netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist nationality: dutch
Artist dates: 1593 – 1641
Inscriptions: Lettered lower right: "5"
Portret van Gustav Struve
Object type: print
Date: 1840 – 1855
Materials: paper
Techniques: engraving, etching
Artist: johann georg nordheim
Artist role: print maker
Artist dates: 1804 – 1853
Subjects: vienna, politician, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit: Conversations-Lexikon für die gebildeten Stände, voor het eerst uitgegeven tussen 1840-1855.
Portret van Gregor Queck
Object type: print
Date: 1648 – 1663
Materials: paper
Techniques: engraving
Subjects: flowers, historical persons
Inscriptions: collector's mark: Lugt 2228
The Crucifixion
Object type: triptych or diptych panel
Date: 1345 – 1374
Materials: gold leaf, paint, wood
Artist: allegretto di nuzio
Artist role: artist
Artist nationality: italian
Artist dates: 1315 – 1374
Subjects: crucifixion
Spoon
Object type: spoon
Date: 1769 – 1770
Materials: silver gilt
Artist: nicolas collier
Artist role: maker
Artist dates: 1733 – 1833
Gezicht op een markt
Object type: sketchbook leaf
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: market, amsterdam
Inscriptions: annotation: ‘markt/ 's nachts’

Pagina 4 uit een schetsboek met 32 bladen.
Brief aan Christiaan Immerzeel
Object type: letter
Date: 1842 – 1842
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: johannes philippus lange
Artist role: print maker
Artist dates: 1810 – 1849
Subjects: the hague, christiaan immerzeel, leiden, philippus velijn, distribution of awards ~ art contest, the graphic arts, anonymous historical person portrayed, education, tuition of the artist (in general), historical persons (portraits and scenes from the life), paris, amsterdam
Gezicht op rivier met boten
Object type: print
Date: 1888 – 1889
Materials: paper
Techniques: etching
Artist: théodore roussel
Artist role: print maker
Artist dates: 1847 – 1926
Subjects: canals, waters (in city)
Inscriptions: dedication: ‘To Hetty / Th R’, collector's mark: Lugt 2228
De Vesuvius
Object type: drawing
Date: 1834 – 1893
Materials: paper, pencil
Artist: willem anthonie van deventer
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1893
Subjects: volcano, italy, mount vesuvius
Lithophane
Object type: lithophane
Date: 1834 – 1866
Materials: porcelain
Subjects: human figures,horses,seascapes
Postiglione Germanico
Object type: cartoon
Date: 1772 – 1772
Materials: paper
Techniques: etching, hand coloring
Location: london
Subjects: caricatures (human types), europeans: germans (+ caricatured), dog, whip
Inscriptions: collector's mark: Lugt 2228

Satire op postiljons. Een Duitse postiljon staat een pijp te roken. Hij draagt een jas met een dubbelkoppige adelaar op de mouw. Verder draagt hij een hoorn aan een koord aan zijn zijde en heeft hij een zweep in zijn rechterhand. Hij staat voor een trap met een hond aan zijn zijde.
Armchair
Object type: armchair
Date: 1766 – 1766
Materials: wood
Culture: american
Location: united states
Artist: thomas affleck
Artist role: maker
Artist nationality: american
Artist dates: 1740 – 1795

Imagine the great comfort this chair provided with its wide seat, reclined back, and plush padding on the arm rests and seat. The sturdy, straight mahogany legs carved with stylized Gothic arches and Chinese fretwork speak to the influence of Rococo designs published in 1762 by Thomas Chippendale—most closely to plate 19 for a "French chair." This armchair relates to a suite commissioned by John Penn (1729–1795), grandson of the founder of Pennsylvania, William Penn, and the last governor of the colony before the American Revolution.
Bandontwerp voor: M.C. Nieuwbarn, Antoon van Dijck: de mensch en de meester, twintig photogravures naar zijne meest beroemde werken, 1903
Object type: print
Date: 1904 – 1904
Materials: paper
Techniques: line block
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: antwerp, london, painter, print maker, draughtsman, anthony van dyck, coat of arms (as symbol of the state, etc.), ornament derived from animal forms, beasts of prey, predatory animals: lion, france, england
Inscriptions: annotation: ‘Bij hoofdstuk 3. halve grootte [doorgekrast]. lijncliché. 10 cm breed’, collector's mark: Lugt 2228

Twee leeuwen houden een uitgerold blad vast waarop 'Antoni van Dijck' staat. Onderaan drie lege wapenschilden met daaronder de plaatsen Frankrijk, Antwerpen en Engeland. Bovenaan een leeg wapenschild met eronder Genua.
Design for Border of a Shield
Object type: drawing
Date: 1801 – 1900
Materials: gouache, ink, paper
Techniques: brush, pen
Artist: anonymous, german, 19th century
Artist role: artist
Artist nationality: german
Artist dates: 1800 – 1899
Subjects: battles,soldiers,shields,weapons,horses
Roma. Interno della Chiesa di S. Clemente
Object type: ansichtkaart, prentbriefkaart
Date: 1931 – 1931
Materials: photographic support
Techniques: photography
Location: rome
Artist: Anonymous
Subjects: interior of church
Inscriptions: date
Mariko, from the series Tokaidō (popularly known as the Reisho Tokaidō)
Object type: print
Date: 1840 – 1840
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: houses,trees,snow
Letter
Object type: album leaf
Date: 1592 – 1652
Materials: gold, ink, paper
Culture: chinese
Artist: wang duo
Artist role: artist
Artist nationality: chinese
Artist dates: 1592 – 1652

This letter, written in Wang Duo's middle age, shows him still practicing the model style of Wang Xizhi (303–361). Wang's brush moves at different speeds, often slowing down to change direction and giving his well-articulated characters a sense of restrained energy that also recalls the writing of Mi Fu (1052–1107). The text describes Wang's impressions of an opera to a friend who was a composer.
Karakusa moyo hinagata
Object type: book
Date: 1884 – 1884
Materials: paper
Techniques: woodcut
Location: tokyo
Inscriptions: name: ‘Joh. E. van Nierop’, collector's mark: Lugt 2166
Oranje geeft Bossu te Hoorn zijn zwaard terug, 1573
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: delft, william i (prince of orange), antwerp, earl, hoorn (north holland)

Illustratie voor: J. Nomsz, Willem de eerste, of de grondlegging der Nederlandsche vryheid. : In vier en twintig zangen, Erven van David Klippink, Amsterdam 1779. Staat vóór de letter. Groep van vier proefdrukken in de oorspronkelijke omslag van de uitgevers J. Smit en Zoon en W. Vermandel te Amsterdam, 1781 (de derde uitgave).