deem-data/ArtiFact huggingface dataset:
Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!)
Object type: print
Date: 1811 – 1811
Techniques: engraving, burnishing, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: corpses,men
Woman with broom and coin ("The Parable of the Lost Piece of Silver")
Object type: figure
Date: 1780 – 1780
Materials: earthenware
Techniques: glazing
Artist: ralph wood the younger
Artist role: maker
Artist nationality: british
Artist dates: 1748 – 1795
Subjects: women
Ex libris van S.H. Gorter-Hertz
Object type: bookplate
Date: 1903 – 1903
Materials: paper
Techniques: printing block
Location: netherlands
Artist: jan h.l. hanau
Artist role: draughtsman, print maker
Artist dates: 1864 – 1925
Subjects: floral interlace ~ ornament
Inscriptions: collector's mark: Lugt 2165
Gezicht op de Hartenstraat te Amsterdam
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, street
Inscriptions: annotation: ‘Hartestraat [sic]’

Gezicht op de Hartenstraat te Amsterdam. Vooraan een vrouw. Pagina 31 uit een schetsboek met 22 bladen vervaardigd te Amsterdam.
Xiangru (Jp: Shojo), from the series "Meng Qiu (Jp: Mogyu)"
Object type: print
Date: 1821 – 1821
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, wreathed youth with a himation draped around his back, and over his extended left arm
Portret van Filips IV koning van Spanje
Object type: print
Date: 1610 – 1633
Materials: paper
Techniques: engraving
Location: haarlem
Artist: willem outgertsz. akersloot
Artist role: print maker
Artist dates: 1600 – 1651
Subjects: filips iv (koning van spanje), historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 2228

Portret van Filips IV koning van Spanje met wapenrusting en ketting van de Orde van het Gulden Vlies, in ovale ornamentlijst met randschrift. Op de lijst een kroon. Onderschrift in cartouche.
Portret van Karel Frederik van den Berg
Object type: passport photograph
Date: 1938 – 1938
Materials: photographic support
Techniques: photography
Location: amsterdam
Subjects: batavia, karel frederik van den berg
Inscriptions: inscription: ‘K.F. van den Berg / volgens pasfoto / 23 mei 1938 / den Haag’

Verso een pasfoto van dezelfde opname met fragmenten van blauwe stempels.
Ingang van de sultan Hassan-moskee, Caïro
Object type: photograph
Date: 1888 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: cairo
Artist: jean pascal sébah
Artist role: fotograaf
Artist dates: 1872 – 1947
Subjects: gate, entrance, temple, shrine ~ islam, mohammedanism, mosque-madrasa of sultan hassan
Inscriptions: check stamp: ‘Bristol/ L.M.’, number: ‘13’, title: ‘E 39. Moskee van Sultan Hassan (ingang). Caïro.’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Pilasterdecoratie met dieren
Object type: ornament print
Date: 1645 – 1645
Materials: paper
Techniques: etching
Location: london

Bladrank met bloemen, waartussen van beneden naar boven de volgende dieren te zien zijn: een steigerend paard, een leeuw, een hond en een adelaar. Blad uit serie bestaande uit een titelblad en negen ongenummerde bladen.
Jonge vrouw met takkenbos
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: trees (+ bundle of twigs, faggot), adolescent, young woman, maiden, forest, wood

Voorstudie voor de ets 'Jonge vrouw met takkenbos'. ca. 1886.
Brief aan Philip Zilcken
Object type: letter
Date: 1881 – 1909
Materials: ink, paper
Techniques: pen, writing
Location: blaricum
Artist: jan de waardt
Artist role: draughtsman
Artist dates: 1871 – 1909
Subjects: painter, draughtsman, philip zilcken, illustration ~ printed matter, book, belgium
Inscriptions: collector's mark: ‘RPK’
Terracotta fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 540 – 520
Materials: terracotta
Culture: greek, attic

Exterior, part of an eye with a red pupil
Scarab
Object type: scarab, lion headed sakhmet, cat headed bastet
Date: 1295 – 1070
Materials: faience
Location: egypt
Subjects: hieroglyphs,scarabs,goddess

The underside of this scarab depicts two standing feline-headed goddesses. Both heads seem to be that of a lioness. They stand opposite each other and each holds a papyrus scepter in front. The goddess on the left has a rearing cobra on her head, while the one on the right shows a sundisk with a cobra. In the center above them is a sundisk and below them is a neb-hieroglyph. Several goddesses are known that can be depicted with a lion’s head and a sundisk and/or uraeus. The identification of these two goddesses is therefore unclear.
Jérusalem, Chemin de Beit-Lehem
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: landscapes
Rank Badge with Crane
Object type: rank badge
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: cranes
GUATONUM QUAESTUS LONGE EST UBERRIM, ARTI
Object type: print
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: fraudulence, swindling, existence and modes of existence (+ emblematical representation of concept), dishonesty, falsety
Inscriptions: collector's mark: Lugt 240, inscription: ‘GUATONUM QUAESTUS LONGE EST UBERRIM, ARTI’, number: ‘40’

Een lopende man draagt een brandende toorts en een emmer water. Zijn kleding is aan zijn ene zijde anders dan aan zijn andere kant (mi-partie); hij draagt stokken waaraan vossenstaarten hangen over zijn schouder. Aangezien "Fuchsschwanz" in het Duits, naast vossenstaart tevens flikflooierij betekent, en ook de bijbehorende tekst (in het boek) van vleierij spreekt, moet de man met de vossenstaarten waarschijnlijk als een flikflooier worden beschouwd. Op de achtergrond een man die een heer een vossenstaart voorhoudt.
Mug
Object type: mug
Date: 1800 – 1800
Materials: porcelain
Culture: chinese
Location: china
Portret van Anthony van Leeuwenhoek
Object type: print
Date: 1680 – 1723
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: delft, physicist, anthony van leeuwenhoek, ornament ~ medallion, historical persons, science and technology (+ portrait of scholar, scientist)
Lord Gray
Object type: drawing and watercolor
Materials: chalk, charcoal, paper
Techniques: heightening
Location: england
Artist: benjamin robert haydon
Artist role: artist
Artist nationality: british
Artist dates: 1786 – 1846
Portret van een moeder met kind
Object type: cabinet photograph
Date: 1892 – 1892
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: leiden
Artist: hendrik jonker
Artist role: fotograaf
Artist dates: 1846 – 1932
Subjects: mother and child(ren), woman and child(ren) (family group)
Inscriptions: annotation: ‘[...]/ 10 Aug 1892’, inscription: ‘H. Jonker/ Leiden/ Apothekersdijk No7’
Amsterdam, Koninklijk Paleis
Object type: photograph
Date: 1880 – 1895
Materials: photographic support
Techniques: albumen print
Location: dam
Artist: Anonymous
Subjects: diligence, omnibus, horse-tram, palace, monument, statue, square, place, circus, etc. (+ city(-scape) with figures, staffage), royal palace of amsterdam
Inscriptions: inscription: ‘Hendrik Groote Kalverstraat 43, Amsterdam. Photographic stores. Views from Holland. Photographs from ancient and modern dutch Paintings. Fines ans most complete Collection.’

Onderdeel van Fotoalbum met opnames van het centrum van Amsterdam en reclameteksten voor winkels en bedrijven.
Landschoot. Edouard. 27 ans, né le 6/8/67 à Paris. Bijoutier. Anarchiste. 2/7/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Beaker
Object type: beaker
Date: 1701 – 1800
Materials: glass, silver
Subjects: men,profiles
The Archbishop of Brindisi
Object type: print
Date: 1536 – 1536
Techniques: engraving
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
Portret van Michelozzo di Bartolomeo
Object type: book illustration
Date: 1568 – 1568
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: sculptor, michelozzo di bartolomeo, historical persons, portrait, self-portrait of artist

Prent waarschijnlijk uit: Vasari, Giorgio. Le Vite de' più eccellenti pittori, scultori, e architettori da Cimabue insino a' tempi nostri. Florence: Giunti, 1568.
Portret van Pierre Séguier
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving
Location: paris
Subjects: pierre séguier, official; civil servant; functionary (in general), historical persons, politician, e.g. party leader

Prent waarschijnlijk uit: Dreux du Radier, Jean-François. L'Europe illustré, contenant l'histoire abregée des souverains, des princes, des prélats, des ministres, (...). Parijs: Jean-Luc Nyon, 1777, dl. 3.
Geschiedenis van Jona
Object type: print
Date: 1566 – 1566
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: the prophet jonah withdraws from nineveh; he builds a booth and while enjoying the shade of a plant (gourd or vine) which god made grow for him, he awaits the destiny of the city
Inscriptions: date

Jona zit op een rots boven de stad Nineve en wacht tot God de stad zal vernietigen. God heeft een wonderboom voor hem laten groeien, zodat hij in de schaduw kan zitten. Op de wolken verschijnt God. Onder de voorstelling een verklarende tekst in het Latijn. Deze prent maakt deel uit van een album.
Portret van Johann Philipp Orth
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Artist: johann andreas benjamin nothnagel
Artist role: print maker
Artist dates: 1729 – 1804
Subjects: historical persons
Inscriptions: collector's mark: Lugt 240
Dozen met elastieken van Eberhard Faber
Object type: photograph
Date: 1915 – 1935
Materials: paper
Techniques: gelatin silver print, hand coloring
Location: springfield
Subjects: writing accessories
Inscriptions: stamp: ‘Paramount/ Commercial Studios/ 145 Chestnut St./ Springfield - Mass.’, number: ‘272’
Tankard
Object type: eating drinking utensil
Date: 1725 – 1725
Materials: porcelain, silver
Techniques: gilding, painted
Location: meissen
Inscriptions: maker's mark: ‘EA’, date letter: ‘A’, number: ‘70.’, town mark

Initially the workers at Meissen were barely capable of decorating porcelain. Undecorated porcelain objects were thus sent to Augsburg – 500 kilometres away! – where specialized Hausmaler (independent painters) applied gold ornamentation to them. This type of gold chinoiserie decoration is called Goldchinesen. The gold has been worked with an agate burin to give the scenes greater depth.
Ballet at the Paris Opéra
Object type: drawing and watercolor
Date: 1877 – 1877
Materials: paper, pastel
Techniques: drawing
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: dancers, leisure, work, women
Inscriptions: Signed recto, lower left, in white pastel: "Degas"

One of the nineteenth century’s most innovative artists, Edgar Degas often combined traditional techniques in unorthodox ways. In Ballet at the Paris Opéra, the artist creatively joined the monotype technique, rarely used in his time, with the fragile medium of pastel. Described as “the powder of butterfly wings,” pastel was the perfect medium to illustrate the onstage metamorphosis of spindly young dancers into visions of beauty as perfect and short-lived as butterflies. This work, executed on one of the widest monotype plates ever used by the artist, bears Degas’s characteristically cropped forms and odd vantage points, which effectively convey the immediacy of the scene. The view is from the orchestra pit, with the necks of the double basses intruding into the dancers’ zone. The central dancer is in fifth position, en pointe, but the random placement of the corps de ballet, with the dancers’ free-flowing hair, suggests a rehearsal rather than a performance. The Paris Opéra was the official school of the first state-supported ballet, the Académie Royale de Danse, created in 1661.
Portret van Franz Ernst, Reichsgraf von Platen-Hallermund
Object type: print
Date: 1723 – 1767
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: adult man, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Brief gericht aan George Hendrik Breitner betreffende zijn benoeming tot ridder in de Orde van Leopold
Object type: letter
Date: 1895 – 1895
Materials: ink, paper
Techniques: printing, letterpress printing
Location: antwerp
Subjects: rotterdam, amsterdam, painter, print maker, draughtsman, george hendrik breitner, distribution of awards ~ art contest
Field Marshal the Duke of Wellington, K.G.
Object type: print
Date: 1803 – 1827
Materials: paper
Techniques: etching
Location: london
Subjects: walmer castle, arthur wellesley of wellington, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 12
Amstelredam
Object type: map
Date: 1609 – 1612
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial), amsterdam
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Guicciardini, Lodovico. Description de touts les Pays-Bas, autrement appellez la Germanie Inferieure, ou Basse Allemagne. Amsterdam: Cornelis Claesz., 1609. Of uit latere edities (en vertalingen) van 1609 en 1612, uitgegeven door Abraham Maire en Willem Janszoon Blaeu.
Vlakken met esdoornbladeren en berkenscheuten
Object type: page
Date: 1887 – 1897
Materials: paper
Techniques: photograph
Location: austria
Artist: Anonymous
Subjects: foliage, tendrils, branches ~ ornament
Inscriptions: number: ‘78.’
Voorschoote 1640
Object type: print
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: riding a horse, ass, or mule; rider, horseman, prospect of village, silhouette of village, cow, farmers - aa - female farmer, farmer's wife, church (exterior), voorschoten
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 1, ill. 110.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Rappelés avec enthousiasme!.., from Les Comédiens de Société, published in "Le Charivari"
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: performance,satire,theatre,men,women,spectators
Go en Boelie Kessler in de Kuhstall in Saksen
Object type: photograph
Date: 1910 – 1910
Materials: paper
Techniques: gelatin silver print
Location: saxony
Artist: johan herman kessler (jan)
Artist dates: 1892 – 1978
Subjects: the hague, hermann johannes kessler (boelie), cave, grotto
Inscriptions: number: ‘8’
Christ Carrying the Cross, from the Circular Passion
Object type: print
Date: 1509 – 1509
Techniques: engraving
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: men,women,christ,cross
Ooievaar
Object type: drawing
Materials: paint, ink, paper
Techniques: brush, pen
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: shore-birds and wading-birds: stork
Inscriptions: collector's mark: Lugt 2228a

Ontwerp voor: Knappert, Emilie C. Kijkjes in de plantenwereld. Loman & Funke: Amsterdam, 1893.
Gezicht op de Sint Urbanuskerk te Bovenkerk met op het water een zeilscheepje
Object type: print
Date: 1805 – 1887
Materials: paper
Techniques: etching
Location: nieuwer-amstel
Artist: elias stark
Artist role: draughtsman, print maker
Artist dates: 1849 – 1933
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2228

Gezicht op de St. Urbanuskerk te Bovenkerk met op de voorgrond op het water een zeilscheepje en zwanen.
Cloudy mountains
Object type: hanging scroll
Date: 1684 – 1684
Materials: ink, silk
Culture: chinese
Artist: fa ruozhen
Artist role: artist
Artist nationality: chinese
Artist dates: 1613 – 1696
Subjects: mountains,landscapes

Fa Ruozhen is known for his fantastical mountainscapes permeated with clouds. This imposing landscape, painted in 1684 when the artist was seventy-two years old and still in his prime, is an exceptionally well-realized composition by this important scholar-artist of the early Qing dynasty. While most of Fa's paintings are on paper, this work is executed on silk, which suggests that it was intended for an important recipient. Like a great cumulonimbus cloud, the landscape billows upward in roiling layers of earth punctuated by misty vales harboring half-concealed groves of trees. The composition is conceived in the classic "three distances" manner, with foreground trees and piled-up boulders giving way to a ridge line in the middle ground that is in turn overshadowed by distant rugged peaks. But Fa flattened forms and compressed distances to maximize the verticality of his restless landscape. Aided by the stream that meanders through the mountains, the judiciously placed passages of mist and cloud sustain the illusion of separation between the three distances, giving depth and mass to the agitated outcrops.
Portret van Pietro Bembo
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: paris
Subjects: venice, rome, cardinal, historical persons, book

Prent uit: Thevet, André. Les vrais pourtraits et vies des hommes illustres grecz, latins et payens (...). Parijs: weduwe Jacques Kerver en Guillaume Chaudière, 1584, dl. 2, f. 517.
Machiavelli
Object type: book illustration
Date: 1807 – 1807
Materials: paper
Techniques: etching
Location: london
Subjects: politician, historical persons, politician, e.g. party leader, scholar, philosopher (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228

Prent uit: The Historic Gallery of Portraits and Paintings (...). Londen: Vernor, Hood & Sharpe, 1807, dl. 1.
Portret van Ludwig von Siegen
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: engraving
Location: gouda
Artist: reinier van persijn
Artist role: draughtsman, painter, print maker
Artist dates: 1614 – 1668
Subjects: print maker, ludwig von siegen
Inscriptions: collector's mark: Lugt 2228

Portret van Ludwig von Siegen, een Duitse soldaat, eronder zijn devies in het Latijn.
Portret van Peter I de Grote, tsaar van Rusland
Object type: print
Date: 1725 – 1780
Materials: paper
Techniques: engraving, etching
Subjects: peter i de grote (tsaar van rusland)
Inscriptions: signature: ‘C. de Moor ... pinxit / D. Onder de Linden Excudit / J. Houbraken Sculps. 1752’, inscription: ‘PETRUS DE 1ste // bygenaamd den Grooten, // KEIZER VAN RUSLAND.’

Pendant van het portret van Portret van Catharina I, keizerin van Rusland (RP-P-1906-2397).
Vrouw met een kind in een kelderkamer
Object type: print
Date: 1867 – 1874
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: girl (child between toddler and youth), interior of the house, container of metal: bucket, can, canister, drum, tin
Inscriptions: collector's mark: Lugt 2228

Een vrouw met een kind in een kelderkamer met tegelvloer. Een jonge vrouw reikt een klein meisje een kan met deksel. Links en rechts doorkijkjes naar andere kamers. In de kamer rechts staat het venster open, bij het raam een stoel met kussen, aan de muur een schilderij met een mansportret.
Portret van Peter Friedrich Ludwig von Oldenburg
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: oldenburg
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Fox with Staff (Hakuzōsu)
Object type: hanging scroll
Date: 1848 – 1848
Materials: ink, paper
Culture: japanese
Artist: eiraku hozen
Artist role: artist
Artist nationality: japanese
Artist dates: 1795 – 1854
Subjects: foxes

A Kyoto potter with close ties to the literati in his city and a similar taste for Chinese styles, Hozen was known for his highly colored wares and for his use of gold. A different side of his urbanity comes through in this rather personal painting, perhaps tempered by the business failures he experienced in his later years. A few economic brush strokes create the figure of a fox-priest, the protagonist in the comic kyōgen play The Fox Trapper (Kirigitsune). The enigmatic poem cautions: Beware of those who have renounced the world although they wear the robes of priests at heart they are foxes still.
Gezicht op een zeewering bij Westkapelle op Walcheren
Object type: album leaf
Date: 1883 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: westkapelle
Artist: carl emil mögle
Artist role: fotograaf
Artist dates: 1857 – 1934
Subjects: dikes, levee, sea
Inscriptions: inscription: ‘C. E. MÖGLE/ PHOTOGRAAF/ ROTTERDAM’
Roof Tile End
Object type: roof tile end
Date: 206 – 9
Materials: earthenware
Culture: chinese
Subjects: birds

These two roof tiles (with 18.56.30) are decorated with animals that symbolize two of the four cardinal directions: the White Tiger of the West and the Red Bird of the South.
Portret van Willem I, prins van Oranje
Object type: print
Date: 1872 – 1908
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: delft, william i (prince of orange)
Inscriptions: collector's mark: Lugt 2166

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Stamp seal (two-tiered bell with loop handle) with monster
Object type: stamp seal
Date: 800 – 601
Materials: alloy, bronze, copper
Culture: urartian
Location: urartu