deem-data/ArtiFact huggingface dataset:
Bandontwerp voor: Max Glass, Het mysterie van den hartstocht (Das mysterium der Leidenschaft), 1923
Object type: study for binding design
Materials: ink, paper
Techniques: pen
Artist: henri verstijnen
Artist role: draughtsman, print maker
Artist dates: 1882 – 1940
Subjects: arm stretched forward, flame, mountains
Inscriptions: collector's mark: Lugt 2228a, signature: ‘H. Verstijnen’

Een jonge vrouw in een tuniek met korte mouwen staat in een berglandschap met bomen. De vrouw houdt haar rechterhand tegen haar borst en kijkt omhoog. In haar uitgestoken linkerhand steken vlammen op uit een steen. In de lucht vliegt een zwerm vogels.
Gezicht in Amsterdam, mogelijk in de buurt van het Leidseplein
Object type: sketchbook leaf
Date: 1900 – 1923
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, street (+ city(-scape) with figures, staffage)

Pagina 6 uit een schetsboek met 39 bladen.
Tile
Object type: tile
Date: 1620 – 1620
Materials: earthenware
Techniques: glazing
Subjects: flowers
The Night School
Object type: painting
Date: 1835 – 1835
Materials: oil, panel
Artist: george gillis haanen
Artist role: draughtsman, painter, print maker
Artist dates: 1807 – 1881
Subjects: lantern, being brought to school, first school-day, elementary school; class, form
Inscriptions: signature and date: ‘G.G. Haanen 1835’

Interieur van een avondschool. Een moeder met een lantaarn brengt haar zoontje naar school. In het midden de meester achter zijn lessenaar. Rechts leerlingen bij kaarslicht bezig met lezen. Links twee jongens bij een kachel.
Pole-vault: An exercise taken from the circus, from 'News of the day,' published in Le Charivari, March 9, 1870
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,women
Plate 30 from Blatt Baum und Landschafts Studien
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: lithograph
Location: sweden
Artist: lorenz ekemann alesson
Artist nationality: swedish
Artist dates: 1791 – 1828
Panel
Object type: panel
Date: 1601 – 1700
Materials: silk
Subjects: animals,birds
Wenteltrap in het Muiderslot
Object type: sketchbook leaf
Date: 1866 – 1868
Materials: paper, pencil
Location: muiden
Artist: isaac gosschalk
Artist role: draughtsman
Artist dates: 1838 – 1907
Subjects: flight of steps
Inscriptions: annotation: ‘schuine/ R/ Muiderslot’

Blad 64 recto uit een schetsboek met 67 bladen.
Pijpenkop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Gezicht op het IJ te Amsterdam
Object type: print
Date: 1822 – 1824
Materials: paper
Techniques: lithograph
Subjects: sailing-ship, sailing-boat, amsterdam
Inscriptions: collector's mark: Lugt 2228

Figuren in een zeilboot en twee roeiboten varen op het IJ. In de achtergrond liggen zeilschepen in de haven.
Wit servet van damast met geometrisch patroon
Object type: napkin
Date: 1800 – 1930
Materials: textile
Techniques: damask
Location: europe
Artist: Anonymous
Inscriptions: initials: ‘P’

BK-15446-13 t/m 16 en BK-2021-152 hebben hetzelfde ingeweven geometrische patroon.
Sample
Object type: sample
Date: 1767 – 1833
Materials: silk
Artist: jean françois bony
Artist role: designer
Artist nationality: french
Artist dates: 1760 – 1825
Subjects: flowers
Tower at the Lake's Horizon (Tour á L'Horizon d'un Lac)
Object type: print
Date: 1871 – 1871
Artist: jean-baptiste-camille corot
Artist role: artist
Artist nationality: french
Artist dates: 1796 – 1875
Subjects: landscapes,trees
The York Magician Transforming a Foot-Boy to a Captain
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men

The Duke of York stands at left dressed as a magician, in a fur cap and long gown holds out a wand inscribed "Petticoat Influence." A young man dressed as an officer, stands beneath the wand, while smoke or clouds rise from his feet. The Duke says: "By the Mystery of my Art, no more be a Foot-boy—but rise a Captain". The young man says: "Bless me how soon a foot-boy is turned to a Gentleman." This state lacks the order of the Magician star on the Duke's coat. For a state with the star, see 59.533.1303.
Portret van Lamoraal, graaf van Egmond
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: earl
Inscriptions: collector's mark: Lugt 240

Prent oorspronkelijk bedoeld voor: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
Dresser
Object type: dresser
Date: 1700 – 1800
Materials: wood
Culture: american
Location: united states
Composition for a Spandrel
Object type: drawing
Date: 1501 – 1600
Materials: chalk
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: men,women
Trépied par Gouthières
Object type: print
Date: 1866 – 1866
Techniques: etching
Artist: jules-ferdinand jacquemart
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1880
Vloot schepen van de Kriegsmarine
Object type: album leaf
Date: 1940 – 1943
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: navy (+ motor ships), occupation ~ war, netherlands

Albumblad met een foto van een vloot schepen van de Kriegsmarine op zee. Onderdeel van een klein album van de Kriegsmarine in Nederland.
An Amsterdam bookstall
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: hand coloring, engraving
Subjects: book-stall, kiosk
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Twee weesmeisjes en een man met een hoge hoed bekijken het aanbod van een boekverkoper. Waarschijnlijk de Botermarkt in Amsterdam.
Reproductie van een foto van een portret van Charles Vermeire
Object type: print
Date: 1853 – 1858
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: politician, historical persons
Inscriptions: inscription: ‘Représentant,/ Elu par l'arrondissement de Termonde./ Secrétaire de la Chambre des Représentants./ (session 1857-1858.)’
Mercurius en Battus
Object type: print
Date: 1699 – 1699
Materials: paper
Techniques: engraving
Location: england
Artist: Anonymous
Subjects: mercury and battus; battus is bribed with a heifer as hush-money, dog
Inscriptions: collector's mark: Lugt 2228

Gebruikt als frontispice in: Theokritou ta evriskomena. Theocriti quæ extant cum graecis scholiis notis et indicibus. Oxoniae : E Theatro Sheldoniano, impensis Sam. Smith, & Benj. Walford, 1699.
Border
Object type: textile
Date: 1750 – 1800
Materials: lace, linen
Techniques: lace
Location: italy
Portret van Marten Pepijn
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Subjects: artist, adult man, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2233, check stamp: Lugt 2581, collector's mark: Lugt 1377
Aangemeerde zeilboot bij een steiger
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: sailing-ship, sailing-boat, pier, quay, wharf

Blad 36 recto uit een schetsboek met uit 75 bladen.
Fotoreproductie van een tekening van Bolsover Castle met ruiters door David Cox
Object type: photograph
Date: 1863 – 1873
Materials: photographic support
Techniques: albumen print
Location: derbyshire
Subjects: riding a horse, ass, or mule; rider, horseman, drawing, sketch, castle
Judith with the Head of Holofernes
Object type: print
Date: 1440 – 1600
Techniques: woodcut
Artist: israhel van meckenem
Artist role: artist
Artist nationality: german
Artist dates: 1435 – 1503
Subjects: heads,women,horses,holofernes,judith
Très Parisien (...)La Mode Le Chic L'Élégance 1925, Numéro 10, 1925-6e Année
Object type: magazine
Date: 1925 – 1925
Materials: paper
Techniques: letterpress printing, pochoir
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: dress, gown: day dress (+ women's clothes), fashion plates
Inscriptions: address: ‘Direction artistique: G.-P. Joumard’, title: ‘Très Parisien...La Mode Le Chic L'Élégance 1925, Numéro 10, 1925-6e Année’, : ‘Créations Lucien Lelong’

Très Parisien: acht pagina's tekst in boekdruk met afbeeldingen over nieuwe mode-ideeënen. 18 prenten met modellen in pochoir techniek, vijf pagina's met gedetailleerde schetsen en beschrijvingen van de getoonde ontwerpen en drie pagina's advertenties. In omslag in pochoir techniek. (Creaties van Lucien Lelong)
Portret van Hermann von Keyserling
Object type: print
Date: 1922 – 1922
Materials: paper
Techniques: etching
Artist: richard hoelscher
Artist role: painter, print maker
Artist dates: 1867 – 1943
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Walrus Ivory Animal
Object type: figure
Date: 901 – 1600
Materials: ivory
Culture: inuit
Location: canada
Subjects: animals
Portret van een man, mogelijk C.F. van Schagen
Object type: drawing
Date: 1883 – 1943
Materials: chalk, paper
Artist: louis stutterheim
Artist role: draughtsman, painter
Artist dates: 1873 – 1943
Subjects: historical persons not known by name
Inscriptions: signature: ‘L.S.’
Portretten van afgevaardigden bij de Vrede van Westfalen
Object type: print
Date: 1648 – 1650
Materials: paper
Techniques: engraving
Subjects: governmental and representative bodies, historical persons
Inscriptions: collector's mark: Lugt 2228
Saltcellar
Object type: saltcellar
Date: 1780 – 1825
Materials: glass, lead
Techniques: glassblowing, molding
Culture: american
Location: england
Diverses Pieces de Serruriers, page 11 (recto)
Object type: album print ornament architecture
Date: 1663 – 1663
Techniques: engraving
Artist: jean berain
Artist role: artist
Artist nationality: french
Artist dates: 1640 – 1711
Subjects: grotesques,ornament,dogs,rabbits,vines

Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is for a lock plate and is in the shape of a rectangle. At the top of the design is a frieze decorated with coiling vines of leaves, flowers, and grotesque figures. Below this frieze is a key hole ornamented with a flower at the top, which is surrounded by foliage and grotesque elements. A rabbit sits at the top of where two vines intertwine.
Jardinière
Object type: jardinière
Date: 1753 – 1795
Materials: faience
Techniques: glazing
Artist: fidelle duvivier
Artist role: decorator
Artist nationality: french
Artist dates: 1740 – 1796
Subjects: men,women,trees

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Palais du Roi Grand-Duc de Luxembourg (Ancien Hôtel-de-Ville)
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: autotype
Location: luxembourg city
Artist: Anonymous
Subjects: palace
Lendensloop
Object type: lendensloop
Date: 1820 – 1870
Materials: linen
Location: northern netherlands
Een van vier zoutvaten
Object type: salt condiment vessel
Date: 1803 – 1803
Materials: silver
Techniques: casting, metalworking
Location: the hague
Artist: francois marcus simons
Artist role: silversmith
Artist dates: 1750 – 1828

Dinner service. Silver, parcel gilt. The Hague, 1803 and 1804, by François Simons. The Government of the Batavian Republic presented this service to I.J.A. Gogel (1765 - 1821) in 1804 in recognition of his financial services to the country. Gogel was a prominent patriot, minister of finance under King Louis Napoleon and subsequently financial advisor to King
Side chair (one of a pair)
Object type: side chair
Date: 1780 – 1780
Materials: velvet, wood
Techniques: carving, painting

One of a pair of elegant and light side chairs in the neoclassical style. Each with a shaped back framing a pierced lyre-form splat over a horseshoe shaped seat upholstered in green velvet. The chairs are supported on fluted round tapering legs. Chairs with lyre-shaped backs became quite fashionable during the late eighteenth century continued to remain popular in the nineteenth century. Although this pair is unsigned, identical chairs were made by Georges Jacob (1739–July 5, 1814), one of the most prominent Parisian menuisiers. Given their scale, this pair may have been used in one of the smaller private rooms or possibly in a music salon. They were part of the model collection of woodwork, paneling and seat furniture of Maison Leys, a successful decorating business, located at the Place de la Madeleine in Paris. Since 1885 the business was directed by Georges Hoentschel who installed the collection in 1903 in a museum-like display at Boulevard Flandrin, Paris. Three years later, Hoentschel sold the collection to J. Pierpont Morgan who gave the side chairs with the rest of the decorator’s seventeenth and eighteenth century objects to the Metropolitan Museum of Art in 1907.
Georg III Thurzo of Bethlendorf
Object type: print
Date: 1607 – 1607
Materials: paper
Techniques: engraving, etching
Location: belgium
Artist: aegidius sadeler (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1568 – 1629
Koetsier
Object type: drawing
Date: 1780 – 1833
Materials: chalk, paper
Location: netherlands
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: hearse, funeral car
Inscriptions: collector's mark: Lugt 1641, collector's mark

Een koetsier op de bok van een lijkwagen. Zittende man op de rug gezien. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Des Menschen Begin, Midden en Einde. Begrafenissen, aansprekers, doodgravers, enz.
Portret van C.H.D. Buys Ballot
Object type: carte de visite
Date: 1860 – 1880
Materials: paper
Techniques: albumen print
Location: utrecht
Subjects: utrecht, physicist, historical persons (portraits and scenes from the life)
Inscriptions: name: ‘C.H.D Buijs Ballot math. prof. 1847 - 18’

Hoogleraar in de faculteit Wis- en Natuurkunde aan de universiteit van Utrecht
Design for Park Phaeton or Chariotte, no. 749
Object type: drawing
Date: 1850 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
La Russie a l'exposition
Object type: page
Date: 1885 – 1901
Materials: paper
Techniques: four-color autotype
Subjects: world fair, world exhibition

Prent tegenover pagina 24 van Figaro-Illustré (December 1900).
Twee foto's van zeiljacht Quo Vadis en Philippus van Ommeren
Object type: photograph
Date: 1936 – 1936
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: rotterdam, crew ~ ship, sailing-ship, sailing-boat, historical persons
Inscriptions: inscription: ‘De Hr. Phs. van Ommeren/ eigenaar Quo Vadis’, inscription: ‘Zeilen op de Quo Vadis 17 Mei/ 1936’

Deze foto's maken deel uit van een album.
Twee reizigers in een berglandschap
Object type: sketchbook leaf
Date: 1696 – 1696
Materials: chalk, paper
Artist: hendrick van beaumont
Artist role: draughtsman
Subjects: mountains (+ landscape with figures, staffage)

Blad 77 recto uit een schetsboek met 91 bladen.
Marriage A-la-Mode, Plate I
Object type: print
Techniques: engraving, etching
Artist: gérard jean-baptiste scotin
Artist role: engraver
Artist nationality: french
Artist dates: 1698 – 1755
Subjects: men,women
Bladen afkomstig uit Schetsboek van 165-1651
Object type: drawing
Date: 1650 – 1651
Materials: chalk, paper
Techniques: brush
Artist: jan van goyen
Artist role: draughtsman, painter
Artist dates: 1596 – 1656
Subjects: public road, cleves
Centaur
Object type: figurine of a centaur
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: centaurs

Figurines of centaurs are popular in Cypriot art and are often found as offerings in sanctuaries, which suggests that they had some religious significance.
Wild Turkey, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: turkeys

Trade cards from the "Game Birds" series (N13), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Portret van Maria Favart
Object type: page
Date: 1874 – 1884
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: charles reutlinger
Artist role: publisher
Artist dates: 1816 – 1880
Subjects: female singer
Landschap in de Kempen
Object type: page
Date: 1900 – 1905
Materials: paper
Techniques: collo-autotype
Location: kempen
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: inscription: ‘B. I.’, inscription: ‘A rainy day in the Campine by R. Ickx’
Small Child in a Sling
Object type: vase fragment, child in a sling
Date: 1427 – 1295
Materials: faience
Location: egypt
Subjects: children

This fragment shows a small child being carried in a cloth sling. It was probably part of a figure vase depicting a seated or standing woman carrying the child high on her back.
Awabi (Ear-Shell) and Various Shells
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Subjects: fish,shells
Gezicht op het Pavillon Richelieu van het Musée du Louvre in Parijs
Object type: stereograph
Date: 1850 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: permanent exhibition, museum
Inscriptions: inscription: ‘Pavillon Richelieu Nouveau Louvre’, number: ‘14.’, name: ‘Banselin Opticien Ft R.Bonaparte.5’
Chain of Alps from Grenoble to Chamberi, plate 49 from Liber Studiorum
Object type: print
Materials: paper
Techniques: etching, mezzotint
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851

J. M. W. Turner is known primarily as a painter, but demonstrated his passion for landscape through printmaking in this mezzotint, which comes from a series of 71 prints called Liber Studiorum (Book of Studies). Turner categorized the types of landscape with a lettering system at the top of each sheet: A (Architectural), H (Historical), M (Marine or Mountainous), P (Pastoral), and the more obscure EP (Epic Pastoral). The play of light and shade on the water, mountains, fields, and distant views exemplifies Turner’s approach to landscape as an emotive interpretation of reality rather than a topographically accurate one. He chose to use mezzotint, an engraving process that creates tonal gradations similar to the effects of oil painting, to emphasize these light and dark effects.
Gezicht op de een grote vijver bij Kasteel Rosendael
Object type: print
Date: 1675 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: garden pond
Inscriptions: collector's mark: Lugt 2228
Lodewijk XIV flauwgevallen na het nieuws over het verlies van Barcelona, 1706
Object type: cartoon
Date: 1706 – 1706
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: lodewijk xiv (koning van frankrijk), paris, clergyman, madame de maintenon, solar eclipse, political caricatures and satires

Lodewijk XIV flauwgevallen na het nieuws over het verlies van Barcelona. Madame de Maintenon en père La Chaise proberen hem te wekken. Bovenaan de zonsverduistering op 12 mei 1706 tijdens het verlies van Barcelona. Met verzen in het Nederlands. Onderdeel van een reeks van 19 spotprenten op de Fransen en bondgenoten uit het jaar 1706.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, lower drapery of figure and part of knobby stick