deem-data/ArtiFact huggingface dataset:
Unidentified Object
Object type: unidentified object
Date: 801 – 1000
Materials: bronze
Techniques: casting
Location: iran

This metal object was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Reproductie naar een foto, schilderij, tekening of prent
Object type: photograph
Date: 1860 – 1915
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Offerritueel
Object type: print
Date: 1645 – 1700
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: sacrifice ~ roman religion

Prent uit een reeks naar de gipsen reliëfs door Rafaël en uitgevoerd door zijn assistenten in de Vaticaanse Loggia.
Harpoon head
Object type: harpoon head
Date: 1000 – 300
Materials: bone
Culture: japanese

The Jōmon period is the earliest period in Japanese history, lasting from roughly 14,000 to 300 BCE. The Jōmon people were primarily hunter-gatherers, hunting land animals and gathering vegetables and nuts on the land as well as hunting and fishing at sea. Harpoon heads such as this one testify to the importance of seafood in the diets of some Jōmon communities, especially those close to the sea. Fish bones found at Jōmon archaeological sites indicate that the Jōmon hunted fish not only close to the shore but also farther out in the open sea, where larger fish could be caught. There is even evidence that the Jōmon ate pufferfish, a poisonous fish considered a delicacy in modern Japan.
Landscape with a Figure Carrying a Bundle of Branches, a Copice Behind, Two Cows in a Field at Left
Object type: print
Materials: ink
Techniques: aquatint, etching, printing
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Watch
Object type: watch
Date: 1822 – 1838
Materials: enamel, gold
Subjects: flowers,leaves
Brougham #3774
Object type: drawing
Date: 1882 – 1882
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Twee bladzijden met stalen van sierlijsten van goudkleurig metaalpapier en bijbehorend tabel
Object type: sample
Date: 1830 – 1830
Materials: gold leaf, ink, paper
Techniques: manufacturing, writing
Location: france
Artist: Anonymous
Subjects: ornaments ~ art, stag-hunting, flowers: rose, making toilet - aa - (for) women

Twee bladzijden met links 9 opgeplakte en met etiketten genummerde (78-84) stalen van sierlijsten van goudkleurig metaalpapier. Sierlijsten met figuratieve voorstellingen: rozen, eikenbladeren, jachtscène en een klassieke voorstelling van een vrouw verzorgd door haar dienstmeiden. Op de tegenoverliggende rechterbladzijde een tabel met de handgeschreven corresponderende specificaties (in code) per ornament. Onderdeel van het stalenboek geschonken door de dames Van Rijn, vermoedelijk van een Franse papierfabrikant van luxe papieren, of diens vertegenwoordiger in Nederland, ca. 1830.
Battery Park, New York City
Object type: photograph
Date: 1920 – 1930
Materials: glass
Techniques: autochrome process
Location: new york city
Artist: clifton r. adams
Artist role: fotograaf
Artist dates: 1890 – 1934
Subjects: city-view, and landscape with man-made constructions - ii - ideal landscapes
Bracelet
Object type: bracelet
Date: 401 – 600
Materials: silver
Location: iran

This bracelet is comprised of a slender ring of silver with flat terminals that curl back on themselves. The terminals flank a pin that connects them, running through three silver loops. The best parallels for this bracelet date to the 11th century A.D. However, the form could very well have originated earlier, in the Sasanian period.
Theatrum Passionis Christi
Object type: print
Date: 1580 – 1629
Materials: paper
Techniques: engraving
Location: unknown
Subjects: single instruments of the passion (with name), virtues (holding instruments of the passion) ~ hierarchy of angels
Inscriptions: collector's mark: Lugt 2228

Deze prent heeft tot 1966 deel uitgemaakt van een prentalbum met op de rug de titel: Print Boeck van Justus Sadeler. Bij aankoop in 1966 bevatte het album 32 prenten. 18 bladen met prenten zijn uit het album verwijderd en opgenomen in de collectie van het Rijksprentenkabinet. Zie voor dit album het gerelateerd object.
Bouvignes et Dinant
Object type: print
Date: 1839 – 1841
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: river, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Prent verschenen in: Van Hasselt, André. Voyage aux bords de la Meuse. Brussel: Société des Beaux-Arts, 1839-1841. Deze publicatie bevat 36 litho's.
Jager met geweer en jachthonden voor een huis
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: paris
Subjects: hunting dogs, hunter, firearms
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Maakt deel uit van een serie van twaalf prenten met verschillende figuren, uitgegeven door Langlois in Parijs.
William Smallwood
Object type: painting, miniature
Date: 1798 – 1798
Materials: ivory, watercolor
Culture: american
Artist: james peale
Artist role: artist
Artist nationality: american
Artist dates: 1749 – 1831
Subjects: boys,portraits

The sitter and his brother (2006.235.134) were the sons of Lydia Hutchinson and Benjamin Smallwood of Washington.
Button or Bead or Spindle Whorl
Object type: button or bead or spindle whorl
Date: 801 – 1000
Materials: bone, paint
Techniques: incising, inlay
Location: iran
An Excavation Full of Teapots
Object type: teapot
Date: 1700 – 1725
Materials: earthenware
Techniques: firing
Location: delft
Artist: jacobus de caluwe
Artist role: plateelbakkerij
Artist dates:  – 1730
Inscriptions: mark

In the early 18th century, the Delft potter Jacobus de Caluwe experimented with innovative forms of teapots based on examples from Yixing. These teapots were excavated at the very site where De Caluwe had his factory. They exhibit a wide variety, ranging from traditional red stoneware items to new creations with glaze in different colours.
The Education of the Virgin
Object type: sculpture
Date: 1580 – 1580
Materials: paint, wood
Techniques: gilding, polychrome, polychromy, carved
Culture: german
Location: germany
Subjects: virgin mary, woman with children, devotion, christianity, christian subjects, religious figures, religious, religion, reading, education, book, child, woman
Portret van Jean de Rockisanne
Object type: print
Date: 1688 – 1733
Materials: paper
Techniques: engraving, etching
Artist: jean baptiste scotin (i)
Artist role: print maker
Artist dates: 1678 – 1740
Subjects: archbishop, bishop, etc. (roman catholic), historical persons, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228
Gedenkzuil voor Jean Luzac, 1807
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: grave, tomb, leiden
Inscriptions: collector's mark: Lugt 2228

Gedenkzuil opgericht in de Pieterskerk voor Jean Luzac, omgekomen bij de Leidse buskruitramp van 12 januari 1807.
Gezicht op de Borobudur tijdens de restauratie
Object type: photograph
Date: 1907 – 1911
Materials: paper, cardboard
Techniques: matte daylight collodion silver print
Location: borobudur
Artist: Anonymous
Subjects: temple, shrine ~ hinduism, buddhism, jainism, restoration of a work of art
Inscriptions: stamp: ‘Genootschap Architectura et Amicitia/ Amsterdam’
Brief aan Philip Zilcken
Object type: letter
Materials: ink
Techniques: pen, printing, writing
Location: new york city
Artist: samuel putnam avery
Artist role: verzamelaar
Artist dates: 1822 – 1904
Subjects: william macbeth, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Mordant
Object type: mordant
Materials: brass
Culture: german
Location: germany
Twee zittende konijnen
Object type: drawing
Date: 1887 – 1924
Materials: paper, pencil
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: rodents: rabbit
Inscriptions: number: ‘61’
Head
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: pier francesco mola
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1666
Tile
Object type: tile
Date: 1201 – 1300
Materials: stonepaste
Techniques: glazing, molding, painting
Location: iran

Tiles for architectural decoration for both interiors and exteriors used a combination of different geometrical shapes - crosses, intertwined squares, stars - to produce a varied and colorful effect. Rich and splendid surfaces were thus created, nowadays still visible on numerous buildings.
Koeien in een landschap
Object type: print
Date: 1788 – 1814
Materials: paper
Artist: jan kobell (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1778 – 1814
Subjects: cow
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een liggende en een staande koe bij een vervallen hek. Op de achtergrond staat een derde koe te grazen en zijn de contouren van een kerktoren te zien
Jar
Object type: jar
Date: 1101 – 1200
Materials: earthenware
Location: syria
Waterkant Albina
Object type: photograph
Date: 1891 – 1891
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: gomez burke
Artist role: fotograaf
Subjects: suriname
Inscriptions: inscription: ‘G.B. / Waterkant Albina.’

Gezicht aan de Waterkant te Albina, op straat en voor een huis staan verschillende personen. Onderdeel van het fotoalbum Souvenir de Voyage (deel 4), over het leven van de familie Dooyer in en rond de plantage Ma Retraite in Suriname in de jaren 1906-1913.
Double-Chambered Vessel Depicting a Figure and Trophy Heads
Object type: vessel
Date: 500 – 800
Materials: ceramic, pigment
Location: nievería
Artist: nievería
Titelprent: Livre de Divers Ornements D'orfevrerie
Object type: ornament print
Date: 1673 – 1673
Materials: paper
Techniques: engraving
Subjects: ornaments ~ art, foliage ~ ornament, title-page, jeweller, goldsmith, silversmith
Inscriptions: signature: ‘J.L. Durant sculps.’, date: ‘1673’, collector's mark: Lugt 2228, signature: ‘fait par Jean Mussard Orfevre’, collector's mark: Lugt 2760, privilege: ‘avec privilege’, collector's mark: Lugt 190

Titelprent van een serie van zes bestaande uit een krans van gebladerde ranken met een bloem met daarboven de tekst. Onderaan zijn voorstellingen van edelsmeden. Links- en rechtsboven in de hoeken zijn nog twee ornamentele versieringen.
Terracotta fragment of a pot; unglazed on the inside
Object type: pot fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Bent right arm and part of the upper torso of a draped figure to right
Kunstenaar aan het werk in de natuur
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: etching
Location: netherlands
Artist: pierre louis dubourcq
Artist role: draughtsman, painter, print maker
Artist dates: 1815 – 1873
Subjects: working situations of artist - bb - out of doors
Inscriptions: collector's mark: Lugt 12

Omslag voor map met vijf etsproeven. In een landschap zit een kunstenaar onder de bescherming van een parasol te werken naar de natuur. Met een florale rand van varen en klimop.
Bed curtain
Object type: bed curtain
Date: 1701 – 1800
Materials: linen
Two sheets with geometric patterns
Object type: print
Date: 1701 – 1800
Techniques: relief print
Artist: Anonymous
Artist role: artist
Band
Object type: band
Date: 1501 – 1600
Techniques: embroidery
Bowl
Object type: bowl
Date: 1301 – 1400
Materials: earthenware, glaze
Techniques: painting, underglaze
Location: iran
Subjects: mythical creatures,leaves
Prentbriefkaart met 9 portretten van Cléo de Mérode en andere actrices/danseressen [?], gecomponeerd als domino-steen
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: paris
Artist: reutlinger
Artist role: fotograaf
Subjects: actrice, cléo de mérode
Inscriptions: inscription: ‘<BR />[…] CARTE POSTALE […]’, inscription: ‘REUTLINGER / PARIS / S.I.P.’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, head and right shoulder of filleted youth to left
Gold crescent-shaped earring
Object type: earring, crescent shaped
Date: 500 – 100
Materials: gold
Culture: cypriot
Vissersinterieur met treurend koppel bij een lege wieg
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: engraving, etching
Location: belgium
Artist: françois de meersman
Artist role: print maker
Artist dates: 1830 – 1905
Subjects: death of a child, cradle, crib
Inscriptions: annotation: ‘3eme état’, collector's mark: Lugt 2228
Landschap met een water in de omgeving van Bagnères-de-Bigorre
Object type: album leaf
Date: 1880 – 1910
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: trees, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: annotation: ‘Bagnères-de-Bigorre/ [...]’
Elevation of the Cross
Object type: drawing
Date: 1577 – 1668
Materials: ink, paper
Techniques: highlighting, pen, wash
Artist: alessandro tiarini
Artist role: artist
Artist nationality: italian
Artist dates: 1577 – 1668
Subjects: men,christ,cross,crucifixion
Kalebassen en fuchsia
Object type: print
Date: 1888 – 1934
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: flowers, fruits: gourd
Inscriptions: collector's mark: Lugt 2228
Allegory of Transience  (Quis Evadet?)
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: engraving
Location: netherlands
Artist: workshop of hendrick goltzius
Inscriptions: Lettered lower center: "HGoltzius excud. / Quis evadet? / Momento brevis haec ... coelica turba suum"
Portret van Eugénie, keizerin van Frankrijk
Object type: print
Date: 1840 – 1866
Materials: paper
Techniques: hand coloring
Location: berlin
Subjects: sevilla, historical persons
Inscriptions: check stamp: ‘F. Sala & Co. / Kunst-Verlag / Berlin’, collector's mark: Lugt 2228
Moscou
Object type: page
Materials: photographic support
Techniques: albumen print
Location: zagorsk
Artist: Anonymous
Subjects: russian orthodox church, monastic orders, monastic life ~ roman catholic church
Saint Sebastian in a Landscape
Object type: drawing
Date: 1467 – 1500
Materials: ink
Techniques: pen
Artist: ferrara
Artist role: artist
Artist dates: 1470 – 1499
Subjects: men,saint sebastian

This sheet is evidence of Andrea Mantegna’s influence on artists in Ferrara. The pose of Saint Sebastian and the winding road at left are derived from his paintings of the same subject (now in Paris and Vienna). Also reminiscent of Mantegna is the sculptural form of the saint’s body, with its careful attention to anatomical detail. Other features, however, such as the squarish face and narrow limbs of the figure, are typical of Ferrarese painting of the period.
Copper Half Shekel, 4 A.D., from the Ancient Coins series (N180) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: coins

Trade cards from the "Ancient Coins" series (N180), issued in 1888 by W.S. Kimball & Co.
Portret van André Rivet
Object type: print
Date: 1637 – 1676
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: andré rivet

Portret van André Rivet, hoogleraar te Leiden.
Nise Murasaki Inaka Genji (A Fake Murasaki and a Rural Genji)
Object type: book
Date: 1801 – 1900
Techniques: printing
Location: japan
Artist: ryūtei tanehiko
Artist nationality: japanese
Artist dates: 1783 – 1842
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic

Interior, part of an inscription, HO [PAIS KALOS]; Exterior, bent leg, drapery, and left hand of male to right
Piece
Object type: piece
Date: 1801 – 1900
Materials: cotton, silk
Culture: japanese
Vluchtende figuren
Object type: print
Date: 1945 – 2006
Materials: paper, ink
Techniques: lithograph
Artist: aat verhoog
Artist role: print maker
Artist dates: 1933 – 
Subjects: flight, running away; pursuing
Inscriptions: edition: ‘4/8’, signature: ‘Aat Verhoog’

Drie gedeformeerde naakte rugfiguren; de linker in blauw tegen een zwart fond, de andere twee in bruin en wit.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Part of the calf and heel of the foot of a woman to right; below, five glazed lines
Vrouw weegt het innerlijke tegen het uiterlijke af
Object type: album leaf
Date: 1514 – 1531
Materials: paper
Techniques: letterpress printing
Subjects: balance, equilibrium (+ symbolical representation of concept), judgment of conduct

Deze prent is gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
limb fragment with faint garment pleats
Object type: limb, garment
Date: 1353 – 1336
Materials: quartzite
Location: egypt
Guildford
Object type: drawing and watercolor
Date: 1877 – 1877
Materials: graphite, paper
Location: netherlands
Artist: hendrik pieter koekkoek
Artist nationality: dutch
Artist dates: 1843 – 1890
Oberland Bernois
Object type: stereograph
Date: 1860 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: dornach
Artist: Anonymous
Subjects: obere grindelwaldgletsjer, grindelwald
Inscriptions: number: ‘No 3286.’
Le Pompe: Opera Nova, page 10 (recto)
Object type: book print ornament architecture
Date: 1557 – 1557
Techniques: woodcut
Artist: giovanni battista & marchio sessa
Artist role: publisher
Artist nationality: italian
Subjects: ornament

Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design composed of 6 horizontal registers. Each register is decorated with a different pattern and consists of vertical elements that advance upward from their horizontal base.
Heidelberg gezien vanaf een brug over de Neckar
Object type: photograph
Date: 1903 – 1903
Materials: photographic support
Techniques: gelatin silver print
Location: heidelberg
Artist: Anonymous
Subjects: castle, prospect of city, town panorama, silhouette of city, ruin of a dwelling, house, castle, etc.
Inscriptions: number: ‘306’

Onderdeel van Fotoalbum met opnames van Heidelberg en Schloss Heidelberg.
Portret van Frans II Josef Karel, Rooms-Duits keizer
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: engraving
Location: stuttgart
Subjects: vienna, frans ii (rooms-duits keizer), historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2233

Tekst in het Latijn op de sokkel onderaan.
Portret van een onbekende jongen
Object type: carte de visite
Date: 1879 – 1881
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: dirk niekerk
Artist role: fotograaf
Artist dates: 1824 – 1881
Subjects: boy (child between toddler and youth), historical persons
Inscriptions: inscription: ‘(...)/ Amsterdam 1977/ D. NIEKERK/ Photograaf van Wijlen/ Z.K.H. Prins Hendrik der Nederlanden/ Baangracht tusschen/ Leidsche Plein en/ Kruisstraat/ 248./ AMSTERDAM.’
Studies van korenbloemen
Object type: drawing
Date: 1887 – 1924
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: flowers: cornflower