deem-data/ArtiFact huggingface dataset:
Optocht van Karel V met de paus te Bologna na zijn kroning to keizer, 1530
Object type: propagandaprent
Date: 1530 – 1536
Materials: paper
Techniques: etching
Location: mechelen
Artist: nicolaas hogenberg
Artist role: draughtsman, painter, print maker
Artist dates: 1500 – 1539
Subjects: ghent, charles v (holy roman emperor and king of spain), rome, festivities (+ parade, pageant, cavalcade ~ festive activities)

Prent in het album waarin zijn ingeplakt de 40 platen die achterelkaar samen het fries vormen van de optocht van Karel V met de paus Clemens VII te Bologna na zijn kroning tot keizer, 24 februari 1530.
Lobed Cup and Stand with Floral Sprays and Stylized Leaves
Object type: decorative art
Materials: stoneware
Techniques: carving, celadon glazed, incising, underglaze
Location: korea
Overcast Day
Object type: painting
Date: 1885 – 1900
Materials: canvas, oil
Artist: eduard karsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1941
Subjects: public road
Inscriptions: signature: ‘Ed. Karsen.’

Grijze dag. Gezicht op huizen gelegen achter een bomenrij en houten hek aan een vaart.
Schets van een landschap met enkele beesten
Object type: drawing
Date: 1867 – 1903
Materials: chalk, paper
Artist: piet meiners
Artist role: draughtsman, painter
Artist dates: 1857 – 1903
Head of a woman
Object type: frieze panel
Date: 1501 – 1533
Materials: paint, wood
Subjects: profiles,women

One of fourteen panels from a frieze (23.188.1–.14), each depicting a profile portrait bordered by a molding of dentils to simulate architecture.
Anti-Joodse spotprent
Object type: photomechanical print
Date: 1941 – 1941
Materials: paper
Techniques: autotype
Location: netherlands
Subjects: anti-semitism, political caricatures and satires
Inscriptions: collector's mark, collector's mark: Lugt 1641
Netsuke of Group of Figures
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: boys,monkeys
Portret van Friedrich Wilhelm van Saksen-Altenburg
Object type: print
Date: 1601 – 1601
Materials: paper
Techniques: engraving
Location: augsburg
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Inscriptions: collector's mark: Lugt 2228
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, right forearm, with hand holding spear; behind arm, part of branch with berries?
Een herinnering aan de Nederlandse gulden...
Object type: coin
Date: 1982 – 2002
Materials: bronze, nickel, paper, metal
Location: netherlands
Artist: bruno ninaber van eyben
Artist role: designer, jeweler, sculptor
Artist dates: 1950 – 
Subjects: beatrix (koningin der nederlanden), netherlands, europe
Inscriptions: inscription: ‘Een herinnering aan de Nederlandse gulden....<BR />Tot januari 2002 was de gulden onze nationale munteenheid. De gulden is ontstaan in de 14e eeuw, waarmee deze munteenheid een belangrijk deel uitmaakt van onze rijke vaderlandse geschiedenis. Voor vele generaties Nederlanders waren de guldenmunten een vertrouwd beeld in het dagelijkse leven, bijvoorbeeld ten tijde van de tachtigjarige oorlog (1568-1648), de glorietijd van de V.O.C. en de turbulente jaren van de Tweede Wereldoorlog. De guldenmunten zijn daarmee een tastbaar stukje geschiedenis om te koesteren en om door te geven aan toekomstige generaties Nederlanders.....’

Rond blikken doosje, gemaakt als een gulden uit 2001, waarin 6 Nederlandse munten: een vijfje (1988), een rijksdaalder (1986), een gulden (1982), een kwartje (2000), een dubbeltje (2001) en een stuiver (2000). Doosje heeft een los deksel, waarin een papiertje met opschrift. Gemaakt naar aanleiding van de overgang van gulden naar Euro.
Karel II, koning van Spanje, rekenpenning geslagen op last van de stad Brugge
Object type: jeton
Date: 1696 – 1696
Materials: copper
Techniques: striking
Location: antwerp
Artist: philippe roëttiers (ii)
Artist role: medailleur
Artist dates: 1640 – 1718
Subjects: karel ii (koning van spanje), bruges

Koperen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: wapenschild, geflankeerd door leeuw en beer
Woman's Overcoat
Object type: woman's overcoat
Date: 1867 – 1900
Materials: metal thread, silk
Culture: japanese
Subjects: birds
Michigan Southern Railroad Passenger Depot
Object type: photograph
Date: 1873 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Location: chicago
Subjects: railway-traffic, advertising
Inscriptions: address: ‘AYRES &amp; WATSON,/ Photographers, 113 Lake Street, Chicago.’, inscription: ‘(...)’
Landscape with a House near a Bridge over a River
Object type: drawing
Materials: ink, paper
Techniques: pen
Artist: albert meyeringh
Artist role: artist
Artist nationality: dutch
Artist dates: 1645 – 1714
Subjects: houses,bridges,rivers,landscapes,trees
Gevelsteen met afbeelding en opschrift: ANNO
Object type: gable stone
Date: 1400 – 1950
Materials: stone
Location: netherlands

Staande rechthoek waarbinnen een cartouche met boven een staande rechthoekige vorm (stempel of kussen?) en daaronder het opschrift ANNO.
Huizen tegen een bergwand, vermoedelijk in de Auvergne
Object type: photograph
Date: 1902 – 1902
Materials: paper, photographic support
Techniques: gelatin silver print
Location: auvergne
Artist: delizy
Artist role: manufacturer
Subjects: prospect of village, silhouette of village

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Ritual Wine Beaker (Gu)
Object type: wine beaker
Date: 1034 – 1001
Materials: bronze
Culture: chinese

This elaborate set of wine vessels provides an idea of the splendor of Shang and early Zhou ritual ceremonies. The set is said to have come from a tomb uncovered in 1901; shortly thereafter, it entered the collection of Duan Fang, a senior Manchu official and one of the preeminent antiquarians of the late Qing period. The pieces vary in style and execution. Although eleven of the vessels are inscribed, only one grouping shares identical inscriptions: the two wine containers, or you (nos. 2, 3) and the tall wine container, or zun (no. 4). A second grouping has largely comparable inscriptions: the spouted water vessel, or he (no. 5) and one cup, or zhi (no. 11). A partial reconstruction of the set’s arrangement in the tomb may be established from corrosion outlines on the three principal vessels—the two wine containers, or you, and the central tall wine container, or zun—that were etched onto the surface of the altar table. The diagram shows a hypothetical arrangement of the remaining vessels around the major pieces. Even if this is accepted as the original grouping, the disparate inscriptions and vessel styles remain unexplained. Created around the time of the Zhou conquest of the Shang, and clearly by different foundries, the pieces of the set may represent the accumulated wealth of a family shrine. 青銅禁 1. Ritual Altar Table (Jin) (24.72.1) 青銅帶座卣 2. Ritual Wine Container (You) (24.72.2a-c) 青銅卣 3. Ritual Wine Container (You) (24.72.3a, b) 青銅尊 4. Ritual Wine Container (Zun) (24.72.4) 青銅盉 5. Spouted Ritual Water Vessel (He) (24.72.5a, b) 青銅觶 6. Ritual Wine Cup (Zhi) (24.72.6) 青銅斚 7. Ritual Wine Container (Jia) (24.72.7) 青銅斗 8. Ritual Ladle (Dou) (24.72.8) 青銅爵 9. Ritual Wine Vessel (Jue) (24.72.9) 青銅觚 10. Ritual Wine Beaker (Gu) (24.72.10) 青銅觶 11. Ritual Wine Cup (Zhi) (24.72.11) 青銅觶 12. Ritual Wine Cup (Zhi) (24.72.12) 青銅角 13. Ritual Wine Vessel (Jiao) (24.72.13) 青銅觶 14. Ritual Wine Cup (Zhi) (24.72.14)
't Leven van Adam en Eva / in 't paradys / met hare kinderen
Object type: print
Date: 1760 – 1767
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: craft-production, skilled handiwork, expulsion of adam and eve from paradise (genesis 3:22-24), old testament, crafts and industries
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van verhalen uit het Oude Testament en voorstellingen van ambachten en bezigheden. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: 6.
Specimen
Object type: specimen
Date: 1801 – 1900
Techniques: crochet
Subjects: flowers
Portret van Sukhjivan Khan
Object type: indian miniature
Date: 1760 – 1770
Materials: paint, gouache, paper
Techniques: brush
Location: jammu
Artist: Anonymous

Portret van Sukhjivan Khan volgens opschrift op verso.
Side Chair
Object type: side chair
Date: 1865 – 1870
Materials: brass, wood, mother of pearl
Culture: american
Location: united states
Artist: léon marcotte
Artist role: maker
Artist nationality: french
Artist dates: 1824 – 1887
Dish
Object type: dish
Date: 1101 – 1200
Materials: glaze, stonepaste
Techniques: carving, incising, painting, polychrome
Location: syria
Subjects: birds

The white‑bodied stonepaste introduced into Syria by potters from Egypt after ca. 1075 was a perfect medium for this technique, which involves carving the body in a way that prevented the colorants from running into each other. Formerly attributed to Iran, recent evidence suggests instead a Syrian origin for this so‑called Laqabi ware.
Duit van de VOC uit Zeeland, 1745
Object type: coin
Date: 1745 – 1745
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: gekroond wapenschild van Zeeland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Brief van Michiel Adriaenszoon de Ruyter 8 januari 1667
Object type: letter
Date: 1667 – 1667
Materials: ink, paper
Techniques: pen
Location: amsterdam
Artist: michiel adriaenszoon de ruyter
Artist role: admiraal
Artist dates: 1607 – 1676
Subjects: flushing, michiel adriaenszoon de ruyter, rotterdam
Inscriptions: signature: ‘michiel Ad ruijter’, date: ‘de 8e. Jann : 1667’, inscription: ‘Edele mogende heeren....’

Handgeschreven brief van Michiel Adriaenszoon de Ruyter van 8 januari 1667 gericht aan de heren van de admiraliteit van Rotterdam betreffende de arrestatie van een kwartiermeester. Aan één kant beschreven.
Boccacio bemiddelt in een discussie
Object type: miniature
Date: 1470 – 1470
Materials: paint, parchment
Techniques: brush
Location: loire
Subjects: giovanni boccaccio

De lotgevallen van edele mannen en vrouwen: Boccacio bemiddelt in een discussie. Gebaseerd op Bocciacio's 'Des cas des nobles hommes et femmes' (De lotgevallen van edele mannen en vrouwen).
Three Orientals Conversing
Object type: drawing
Date: 1645 – 1645
Materials: ink, paper
Techniques: pen
Location: amsterdam
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: asiatic races and peoples

In Rembrandt’s time, Amsterdam was an extremely cosmopolitan trade centre. Rembrandt was very interested in foreign types, especially in what have long been termed ‘Orientals’. For him, they probably represented biblical figures. He was especially intrigued by their faces and exotic clothing. He recorded them so that he could make the biblical scenes in his paintings and etchings as authentic as possible.
Covered Reliquary
Object type: reliquary
Date: 1 – 100
Materials: bronze
Culture: gandhara
Subjects: gandhara
Portret van Filips II, koning van Spanje
Object type: photomechanical print
Date: 1870 – 1877
Materials: paper
Techniques: photoaquatint
Subjects: philip ii of spain, adult man, historical persons
Benedict XIV (Pope 1740–58)
Object type: medal
Date: 1742 – 1742
Materials: bronze
Artist: ottone hamerani
Artist role: artist
Artist dates: 1694 – 1768
Subjects: profiles,popes
Caught
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: horace vernet
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1863
Subjects: dogs, animals
Saint Mary Magdalen Penitent
Object type: print
Date: 1585 – 1585
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: mary magdalene

Goltzius’s elegant engraving of Mary Magdalen is one of his earliest prints to reflect the influence of Bartholomeus Spranger, the court painter to Rudolf II, whose work he was introduced to in 1583. Goltzius depicts several episodes from Magdalen’s life; her interactions with Christ and the moments that led to her becoming a penitent following his death. She is shown half kneeling in a rocky landscape, her hand on a skull, and weeping as she reads from her prayer book. In the foreground is a small but lavishly decorated jar holding the ointment she used to anoint Christ’s feet when he was dining with the Pharisee. In the background atop mount Golgotha, she can be seen again, kneeling at the foot of Christ on the Cross. Partially nude, her drapery wrapped stylishly around her, Mary Magdalen has the exaggerated proportions characteristic of Northern Mannerist art. She appears to be almost weightless, her torso angled slightly back and her left leg barely touching the ground. Her pose echoes a drawing of the Magdalen by Spranger, now in the Musée des Beaux-Arts et Archéologie, Besançon, but is not a direct copy.
Pine of Success and Oumayagashi, Asakusa River (Asakusagawa Shubi no matsu Oumayagashi), No.61 from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1856 – 1856
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Kindermuts van linnen en Binchekant; gemerkt: S
Object type: childrenswear
Date: 1740 – 1760
Materials: linen
Techniques: lace
Location: netherlands
Artist: Anonymous

Een kindermuts van linnen en kloskant. in drie maten en gemerkt S. Model. Handgenaaid. Brede voorpas met de zoom tot op het midden daarvan. Hoefijzervormige bol. Aangenaalde vetertjes vormen busjes voor het achterste bantje. Slechts met één kinnebandje, dat terzijde wordt gespeld. e. Kant. Binche-kloskant met rechte picotrand, foud van spinnen en een slingerende rank met 'knots'-vormige bladeren.
Eight Views of Xiao and Xiang
Object type: album
Date: 1835 – 1835
Materials: ink, paper
Culture: chinese
Artist: pan simu
Artist role: artist
Artist nationality: chinese
Artist dates: 1756 – 1842
Studie
Object type: sketchbook leaf
Date: 1916 – 1916
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Inscriptions: annotation: ‘vi[...]di[...]de/ Roose g[...]rt’

Mogelijk spieren. Blad 55 verso uit een schetsboek met 72 bladen.
Doornsede van een bloembol
Object type: page
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: plants; vegetation
Elswoutshoek te Overveen
Object type: drawing
Date: 1801 – 1801
Materials: chalk, ink, paper, watercolor
Techniques: brush, pen
Artist: pieter gerardus van os
Artist role: draughtsman, painter, print maker
Artist dates: 1776 – 1839
Subjects: city-view, and landscape with man-made constructions, rural housing, e.g. country-house, villa, cottage
Riviergezicht aan de Vecht
Object type: drawing
Date: 1636 – 1687
Materials: chalk, graphite, ink, paper
Techniques: pen
Artist: jacob esselens
Artist role: draughtsman, print maker
Artist dates: 1626 – 1687
Subjects: vecht
Hamburg. Rathaus
Object type: reproduction
Date: 1905 – 1930
Materials: cardboard
Techniques: color autotype
Location: nuremberg
Subjects: townhall
Temple of Venus and Cupid, plate twelve from the Ruins of Rome
Object type: print
Materials: paper
Techniques: aquatint, hand coloring
Location: england
Artist: m. dubourg
Artist nationality: english
Artist dates: 1786 – 1838
Portret van Rutger Jan Schimmelpenninck
Object type: print
Date: 1834 – 1891
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: rutger jan schimmelpenninck (1761-1825)
Inscriptions: collector's mark: Lugt 2228

Portret van de rechtsgeleerde en raadspensionaris van de Bataafse republiek Rutger Jan Schimmelpenninck.
Oosterse man kijkt uit nieuwsgierigheid in een kast naar een hostiekelk waar als straf een vlam uit slaat
Object type: book illustration
Date: 1710 – 1710
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: bread, host (+ variant), head-gear: turban, flame
Inscriptions: collector's mark: Lugt 240

Illustratie uit: Abraham a Sancta Clara. Heilsames Gemisch Gemasch, das ist: Allerley seltsame und verwunderliche Geschichten (...). Neurenberg: Christoph Weigel, 1710, p. 182.
Portret van Maria Lucia Steuerwald
Object type: drawing
Date: 1848 – 1848
Materials: paper, pencil
Artist: christian heinrich gottlieb steuerwald
Artist role: draughtsman, print maker
Artist dates: 1802 – 1874
Subjects: historical persons

Portret van Maria Lucia Steuerwald, zuster van de kunstenaar.
Portret van Mr. F. Sickinga
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: historical persons
Afwijzing van de soevereiniteit over de Verenigde Nederlanden door Engeland en Frankrijk
Object type: jeton
Date: 1585 – 1585
Materials: copper
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: greenwich, richmond (surrey), koningin, elizabeth i tudor (koningin van engeland), tachtigjarige oorlog
Inscriptions: circumscription: ‘SPRETA AMBROSIA VERCITOR FENO 1585’, circumscription: ‘MACTE ANIMI ROSA NECTARE IMBVTA’

Koperen penning. Voorzijde: twee mannen eten hooi met een ezel en een paard binnen omschrift. Keerzijde: zittende vrouw, voorstellende Elisabeth, koningin van Engeland, geeft rozen aan twee Staatse afgezanten binnen omschrift.
Timpani hammers
Object type: element of musical instrument
Date: 1800 – 1893
Materials: wood, wool
Artist: Anonymous

Paukenstokken van hout. Horend bij drie paukenstokken (BK-NM-11430-125-A t/m BK-NM-11430-125-D).
Washing the White Elephant
Object type: painting
Materials: ink, paper
Location: china
Artist: attributed to qian xuan
Artist nationality: chinese
Artist dates: 1235 – 1305
Serving tray, from the Novelties series (N228, Type 4) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,trays

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Paté d'Anguille
Object type: drawing
Materials: chalk
Techniques: drawing
Artist: nicolas lancret
Artist role: artist
Artist nationality: french
Artist dates: 1690 – 1743
Subjects: men,women,tables

This drawing appears to be preparatory for a print credited to Nicolas Lancret in the 'Suites d'Estampes Nouvelles pour les Contes de La Fontaine', a series of thirty-eight prints illustrating La Fontaine's Tales, engraved 1736-43 by Larmessin (in collaboration with Schmidt, Tardieu, Filloeul, Legrand, Aveline and Sornique) after Lancret, Pater, Eisen, Boucher, Le Clerc, Le Mesle, Le Lorrain and Vleughels. In this set, also known as 'Suite Larmessin', Larmessin engraved twenty-two plates: twelve after Lancret, four after Boucher, four after Vleughels and two after Le Clerc. The style, however, does not suggest the hand of Lancret. It is possible that the initial sketch was done by another artist connected to the project, perhaps Sebastien Le Clerc the Younger (1676-1763).
Kistje met deksel en ringen aan de zijkant
Object type: print
Date: 1614 – 1654
Materials: paper
Techniques: etching

De voorzijde van het kistje is gedecoreerd met een lege cartouche en bladranken. Uit serie van 14 bladen met schalen, kommen en kistjes.
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Head and neck of a youth to right, playing the aulos
Plate
Object type: plate
Date: 1800 – 1830
Materials: earthenware
Culture: british
Location: england
Artist: barker and till
Artist role: maker
Artist dates:  – 9999
Subjects: flowers
La Pratique de l'Aiguille, page 62 (recto)
Object type: book print ornament architecture
Date: 1605 – 1605
Techniques: woodcut
Artist: matthias mignerak
Artist role: author
Subjects: flowers

Written by Matthias Mignerak, title page engraved by Pierre Firens, French, born Paris 1641, dedicated to Marie de Medici, Florence 1575-1642 Cologne, published by Jean Le Clerc, Paris. From top to bottom, and left to right: Design is printed upon a grid and is decorated with 4 squares that are each ornamented with a different 4-petaled flower motif, which are all further framed within a larger square.
Titelpagina voor: Zollikofer, Johannes. Neueröffneter Weyhrauch-Schatz (...) S.l., s.n., 1691-1861.
Object type: titelblad, titelpagina
Date: 1717 – 1717
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: draughtsman, jan pietersz. zomer, print, e.g.: engraving, etching, lithograph, historical persons, art dealer

Waarschijnlijk het titelblad van één van de uitgaves van: Zollikofer, Johannes. Neueröffneter Weyhrauch-Schatz (...) S.l.s.n., 1691-1861.
Beroemde vrouwen uit het Nieuwe Testament
Object type: print
Date: 1661 – 1726
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: christ's feet are anointed by mary (magdalene), the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Maria Magdalena, huilend, met in haar hand een kruik met balsemolie. Op de achtergrond zalft zij de voeten van Christus wanneer hij te gast is bij Simon de Farizeeër. De prent heeft een Latijns onderschrift en maakt deel uit van een prentserie met beroemde vrouwen uit het Nieuwe Testament
Coast of Yorkshire, Near Whitby, part V, plate 24 from "Liber Studiorum"
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: mountains

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Say here added mezzotint to define rough seas pounding a dark, rocky stretch of Yorkshire coast where stranded passengers from a wrecked ship appeal for help to figures on shore, and men wade into a sheltered foreground cove. A lighthouse punctuates the skyline and the letter "M" in the top margin indicates Turner's category of Marine landscape.
Boerenkar staande voor een boerderij
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Zuidlaarder Courant
Object type: newspaper
Date: 1939 – 1939
Materials: paper
Techniques: printing
Location: zuidlaren
Subjects: netherlands

Krant over de geboorte van prinses Irene, nr 13 van de 42ste jaargang van de Zuidlaarder Courant, 8 pp. waarvan pp. 5 t/m 8 op oranje papier.