deem-data/ArtiFact huggingface dataset:
Design for Dog Cart or 2 Wheeler, no. 4000
Object type: drawing
Date: 1887 – 1887
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ontwerp voor een uitklaptafel met zijaanzicht en plattegronden onder beide aanzichten
Object type: drawing
Date: 1851 – 1851
Materials: graphite, ink
Techniques: drawing
Location: mainz
Artist: b. winghofer
Artist role: draughtsman
Inscriptions: signature and date: ‘Winghofer in Mainz 22 Sept. 1851’, size: ‘maatstaf’
Medallion with putti holding a cello
Object type: drawing
Date: 1851 – 1900
Materials: graphite, watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: cellos,putti
Beugeltas van zilver en zijden brokaat
Object type: beugeltas
Date: 1789 – 1789
Materials: silver
Techniques: brocade, forging
Location: rotterdam
Artist: Anonymous
Inscriptions: maker's mark: ‘I.V.I’, date letter: ‘G’, coat of arms, silver mark

Beugeltas van zilver en zijden brokaat. Hooggewelfde symmetrisch geschulpte beugel met grove gravering van een landschapje met molen en papegaaien. Zware rokhaak met een platte, geschulpte cartouche met papegaaien. Zilvermerken: dolfijn (=belastingstempel 1859-1893), G (jaarletter 1789) wapen (Rotterdam) en I.V.I. (=ongeidentificeerd meesterteken). Tas van zijdenbrokaat in zakmodel, met losse bloemtakken in grijs, goud, rose en aubergine op een creme en zilveren fond.
Theatrum pontificum, imperatorum, regum, ducum, principum, etc.
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Artist: pieter de jode (ii)
Artist role: draughtsman, print maker
Artist dates: 1606 – 1674
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van Ottavio Picolomini, ten halven lijve. Zijn linkerhand rust op zijn helm en in zijn rechterhand houdt hij een commandostaf. Het portret is gevat in een ovale omlijsting met vierkant randwerk met rozetten. In de marge een drieregelig onderschrift in het Latijn.
Ely Cathedral, from the Grammar School
Object type: photograph
Date: 1857 – 1857
Techniques: albumen silver print, glass negative
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: roads,cathedrals,men,carts
Angel sitting on a bracket
Object type: crèche figure
Date: 1751 – 1800
Materials: gilt, wood
Techniques: polychrome
Culture: ecuadorian
Location: peru
Uit het krijgsmansleven
Object type: popular print
Date: 1872 – 1883
Materials: paper
Techniques: letterpress printing, lithograph
Location: haarlem
Subjects: the soldier; the soldier's life, (military) uniforms
Inscriptions: collector's mark: Lugt 2760

Blad met 14 voorstellingen over soldaten, waaronder soldaten uit verschillende landen en in verschillende uniformen, de ruiterij, een legerkamp en een gewonde soldaat. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 40.
Gezicht op een molen vanaf de Rijnoever
Object type: drawing
Date: 1648 – 1671
Materials: ink, paper
Techniques: brush, pen
Artist: jan de bisschop
Artist role: draughtsman, print maker
Artist dates: 1628 – 1671
Subjects: windmill in landscape, windmill

Gezicht vanaf de westelijke Rijnoever ten zuiden van Katwijk aan de Rijn op de daar gelegen molen; op de achtergrond het Zand en de torenspits van Rijnsburg.
Twaalf gezichten op het verfijnde Edo
Object type: shunga
Date: 1770 – 1775
Materials: paper
Techniques: woodcut
Location: japan
Artist: isoda kôryûsai
Artist role: print maker
Artist dates: 1735 – 1790
Subjects: coitus, cohabiting, sexual intercourse
Viscountess Vilain
Object type: photograph
Date: 1857 – 1857
Techniques: glass negative, salted paper print
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
The return of the prodigal son
Object type: print
Date: 1711 – 1800
Materials: paper
Techniques: etching
Location: augsburg
Subjects: the parable of the prodigal son (luke 15:11-32)
Inscriptions: collector's mark: Lugt 4071, collector's mark: Lugt 2228, collector's mark: Lugt 2760

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Terracotta oil lamp
Object type: lamp
Date: 100 – 100
Materials: terracotta
Culture: greek or roman

Vessberg Type 11a. Mold-made, with ring handle. Plain, concave discus with central filling hole; broad, slightly sloping shoulder, decorated in relief with laurel sprays issuing from handle, with circle and large dot at front behind nozzle; stylized volutes on sides of angular nozzle; undefined, hollow base. Almost complete, but crack around front right side of top and left edge of nozzle missing; some limy encrustation on underside and base.
Two Women with Boy in Front of Powder Shop
Object type: print
Date: 1770 – 1771
Techniques: woodblock print
Location: japan
Artist: attributed to shiba kokan (suzuki harushige)
A pious woman, in bust-length, three-quarter view, with head raised to the upper right
Object type: drawing
Date: 1667 – 1733
Materials: chalk, paper
Artist: anonymous, italian, late 17th to early 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1650 – 1750
Studie, mogelijk van een dier
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: animals

Pagina 22 uit een schetsboek met 30 bladen vervaardigd in Amsterdam.
Bottle vase with dragon
Object type: bottle vase
Date: 1701 – 1800
Materials: enamel, porcelain
Techniques: painting
Culture: chinese
Subjects: dragons
Miniatuur armstoel
Object type: furniture
Date: 1650 – 1650
Materials: textile, wood, silk
Location: northern netherlands
Artist: Anonymous

Armstoel van palissanderhout, met de oorspronkelijke bekleding van rood laken met een ingeperst patroon, afgezet met een geweven zijden band in rood en geel. De poten met kolomvormige geledingen staan op peervormige ballen. De achterstijlen eindigen in leeuwenkoppen met ringen. De ondersport is accolade-vormig geschulpt.
Swiss Cow-Keeper, from World's Smokers series (N33) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,smoking

Trade cards from the "World's Smokers" series (N33), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Printer's samples included in set, as well. The printer's sample cards are on thinner card stock and do not have any printed text.
Kalenderblad voor augustus 1901
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: c.a.j. van dishoeck
Artist role: publisher
Artist dates: 1863 – 1931
Subjects: flowers, ornaments ~ art, calendar, almanac, insects: bee

Kalenderblad voor augustus 1901 van de kalender 'Bloem en Blad', met een randdecoratie van bloemen en bijen.
Cupid with Youth and Luxury
Object type: print
Date: 1612 – 1612
Materials: ink, paper
Techniques: woodcut, letterpress
Location: netherlands
Artist: paulus moreelse
Artist role: draughtsman, painter, print maker
Artist nationality: dutch
Artist dates: 1571 – 1638
Inscriptions: Lettered along upper margin: "Aligerum trahit hic puerum lasciva Iuventas ... vinciat ira necis." and lower left: "PMorelse 1612"
Spotprent op verwerping van het Plan van Constitutie, 1797
Object type: print
Date: 1797 – 1798
Materials: paper
Techniques: etching
Location: netherlands
Subjects: other kinds of amusement, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228

Spotprent waarin het volk het verwerpen van het Plan van Constitutie op 8 augustus 1797 bespot. Op een muur is het Plan geplakt dat gelezen en beoordeeld wordt het gewone volk en de burgerij. Links een kijkdoos waarbij een flap papier dat opgetild kan worden en waaronder te lezen staat: 189e Plan v. Constitutie, Anno 1961. Met tweeregelig onderschrift.
Bird’s-eye View of Slot Schagen, Seen from the North
Object type: drawing
Date: 1646 – 1647
Materials: chalk, paper
Techniques: brush
Location: schagen
Artist: roelant roghman
Artist role: draughtsman, painter, print maker
Artist dates: 1627 – 1692
Subjects: castle, bird's eye view ~ representation of building
Beeld van Niobe aanbeden
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: etching
Location: rome
Subjects: statues, paintings, etc. ~ objects of worship (non-christian religions), (story of) niobe
Inscriptions: collector's mark: Lugt 240

Prent uit een reeks van vijf prenten over het leven van Niobe, die samen een fries vormen. Naar een fresco door Polidoro da Caravaggio op de façade van het Palazzo Milanesi te Rome.
Portret van een man met een baard en een das
Object type: photograph
Date: 1866 – 1900
Materials: cardboard, paper, photographic support
Techniques: daylight paper print
Location: netherlands
Artist: johan christiaan reesinck
Artist role: fotograaf
Artist dates: 1838 – 1922
Subjects: historical persons, neck-gear ~ clothing, clothing for the upper part of the body, hairdress, beard, netherlands
Inscriptions: address: ‘Zutphen Deventer’, address: ‘Zutphen Berkelkade B.300 Deventer Nieuwstraat 22’

Onderdeel van Fotoalbum van een Nederlandse familie met 168 cartes-de-visite en kabinetfoto's.
Audenaerde. Au bord de l'Escaut
Object type: ansichtkaart, prentbriefkaart
Date: 1981 – 1981
Materials: cardboard
Techniques: offset printed
Location: oudenaarde
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, river, church (exterior)

Deze prentbriefkaart is een reproductie van een oudere prentbriefkaart.
Fan-shaped dish
Object type: dish
Date: 1725 – 1730
Materials: enamel, glaze, hard paste porcelain
Techniques: painting
Artist: vienna
Artist role: manufactory
Subjects: flowers
Les Cosaques en Bonne Fortune
Object type: cartoon
Date: 1814 – 1815
Materials: paper, watercolor
Techniques: engraving, etching, hand coloring
Location: france
Subjects: soldiers and civilians
Inscriptions: collector's mark: Lugt 2228
Fransche troepen
Object type: print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 2 horizontale rijen met voorstellingen van Franse militairen. Genummerd rechtsboven: no 14.
Putti spelend met een zakdoek
Object type: print
Date: 1645 – 1701
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: games using special objects (marbles, top, hoop, etc.), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Een groep spelende putti in een landschap. Een van de putti pakt een zakdoek van de grond, terwijl deze een ander wegduwt.
Vase with geese
Object type: vase
Materials: stoneware
Culture: american
Location: united states
Artist: artus van briggle
Artist role: designer
Artist nationality: american
Artist dates: 1869 – 1904
Subjects: ducks

Artus Van Briggle began his career in ceramics at the Rookwood Pottery, but because of respiratory issues, moved to Colorado, where, with his wife Anna Van Briggle, he established his own pottery in Colorado Springs in 1901. The Van Briggles and some other designers produced models from which molds were made, and the vases were then slip-cast in multiple forms. They were particularly noteworthy for their glazes in satiny soft textures in unusual colors, sometimes one or more combine on a single piece. Like many American artists, Artus Van Briggle had traveled to and studied in Paris in the late 1890s and was much influenced by not only the artistic ceramics he saw there, but much of the French art that was on exhibition. Van Briggle’s early work often exhibits the stylistic characteristics of the Art Nouveau, especially in the sinuous curves of the stems on his floral-decorative vases. Although most of the Van Briggle designs feature plant forms, this is a departure in displaying the heads and necks of geese. However, they are treated in a similar manner—the birds’ heads as the blossoms and the slender necks as the sinuous stems.
Portret van een onbekende jonge vrouw met brief
Object type: photograph
Date: 1855 – 1870
Materials: glass, leather, metal, velvet, wood
Techniques: ambrotype
Artist: Anonymous
Subjects: adolescent, young woman, maiden, historical persons not known by name - bb - woman, letter, envelope
Portret van Augustus Hermannus Francke
Object type: print
Date: 1729 – 1731
Materials: paper
Techniques: engraving, etching
Location: berlin
Artist: johann georg wolfgang
Artist role: graveur
Artist dates: 1662 – 1744
Subjects: bookshelves, theologian, historical persons, book

Prent waarschijnlijk uit: Francke, August Hermann. Erklärung der Psalmen Davids. Halle: Waisenhausdruckerei, 1730, dl. 1. Of uit het tweede deel uit 1731.
Portret van Bavius Voorda
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: symbols and allegories of jurisprudence
Inscriptions: number: ‘No. 168’, collector's mark: Lugt 2228

Prent gebruikt in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd Ie-XXVste deel. Amsterdam: Johannes Allart, 1783-1795. Deel XXI.
Why Born Enslaved!
Object type: bust
Materials: marble
Artist: jean-baptiste carpeaux
Artist role: artist
Artist nationality: french
Artist dates: 1827 – 1875
Subjects: women,female nudes,slaves

This bust is perhaps the most well-known nineteenth-century sculpture of an enslaved Black figure. A virtuosic display of artistic achievement, the composition was modeled after an unidentified woman whose features Carpeaux recorded in exquisite detail. Yet this bust is not a portrait. Rather, it depicts the Black figure as an enslaved and racialized "type." Created twenty years after the abolition of slavery in the French colonies (1848), the sculpture was debuted in Paris in 1869 under the title Négresse, a term that reinforces the fallacy of human difference based on skin color. The subject’s resisting pose, defiant expression, and accompanying inscription – "Pourquoi Naître Esclave!" (Why Born Enslaved!) – convey an antislavery message. However, the bust also perpetuates a Western tradition of representation that long saw the Black figure as inseparable from the ropes and chains of enslavement. The present bust is one of only two known versions carved in marble.
Landschap met figuren en knotwilgen
Object type: sketchbook leaf
Date: 1825 – 1829
Materials: paper, pencil
Techniques: brush
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: trees: willow, landscapes (+ landscape with figures, staffage)
Inscriptions: annotation: ‘Weerts’, number: ‘1/ 0091’

Blad 5 recto uit een schetsboek met 95 bladen.
Saucer (part of a service)
Object type: saucer
Date: 1775 – 1775
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: men,working,ships
Asymmetric Pediform Hafted Ax with Eye
Object type: hafted ax
Date: 500 – 300
Materials: bronze
Culture: vietnamese or thai
Portret van Matthäus Lang von Wellenburg
Object type: book illustration
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: matthäus lang von wellenburg, cardinal, historical persons, insignia of cardinal, e.g. hat, mantle

Prent waarschijnlijk uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Sheet with four borders with abstract designs
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Gezicht op de Neude te Utrecht
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: city-view in general; 'veduta', village square, place, utrecht

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Pair of Coffee Spoons
Object type: metalwork
Date: 1790 – 1812
Materials: metal, silver
Techniques: cutting, engraving, repoussé
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1899
Subjects: spoon, eating, dining
Inscriptions: Monogram front, each, bottom-middle, on handle, engraved: "MI"; maker's mark back, each, bottom-middle, on handle, stamped: "IS [in a rectangle].
Drie vrouwen aan de waterkant
Object type: print
Date: 1920 – 1935
Materials: paper
Techniques: lithograph
Artist: ker xavier roussel
Artist role: draughtsman, print maker
Artist dates: 1867 – 1944
Subjects: lake, adult woman (+ two persons)
Inscriptions: collector's mark: Lugt 2760, inscription: ‘140.-’, collector's mark: Lugt 2228, check stamp: Lugt 1195a, signature: ‘K. X Roussel.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic

Exterior, extended right forearm with hand holding stick
Heart Scarab of Ramesses
Object type: scarab, ramesses ii
Date: 1295 – 1070
Materials: stone
Location: egypt
Subjects: hieroglyphs,scarabs
Job's Evil Dreams
Object type: print
Date: 1825 – 1826
Techniques: engraving
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,snakes
William J. Frey, Left Field, St. Joseph Clay Eaters, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
To all appearances, it was a hand of flesh and blood just like my own
Object type: print
Date: 1896 – 1896
Techniques: lithograph
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Subjects: hands
Opstanding van Christus
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: resurrection of christ
Inscriptions: collector's mark: Lugt 2228

Christus staat in stralenkrans met kruisvaandel na opstanding uit zijn graf en engelen houden de deksel van zijn graftombe vast. Soldaten deinzen verschrikt naar achteren en in de gang van de grot naderen de drie heilige vrouwen.
Griekse redenaar
Object type: page
Date: 1855 – 1860
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: person addressing a group, orator
Ceremonie lijkverbranding.
Object type: photograph
Date: 1890 – 1915
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: indonesia
Artist: Anonymous
Inscriptions: title: ‘Ceremonie lijkverbranding.’

Ceremoniële crematie op Bali waarbij de lichamen worden verbrand in zelfgebouwde houten torens.
Amulet Case
Object type: amulet case
Date: 1801 – 1900
Materials: gold
Location: india

This gold and coral amulet case is decorated with a variety of vegetal and figural forms. The body is chiseled in relief in eight rows, comprised of alternating human faces, bird and floral motifs. The elongated shape of the amulet alludes to a form that would have held rolled up pieces of paper inscribed with holy words. This ornament was formerly in the collection of American artist and designer Lockwood de Forest (1850–1932) who purchased many items while traveling in India between 1879–1881. He collected many different examples of jewelry from India, including several of the same type. Today, his assemblage in the Met serves as a near-comprehensive study collection of Indian jewelry from the late nineteenth century.
Ewer (Schnabelkanne)
Object type: ewer
Date: 1595 – 1595
Materials: pewter, stoneware
Techniques: glazing
Artist: theodor de bry
Artist role: decorator
Artist nationality: netherlandish
Artist dates: 1528 – 1598
Subjects: faces,female nudes
Oproer op het Walenplein te Amsterdam, 1755
Object type: print
Date: 1755 – 1757
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior), interior of church, murder, street-fights, riots
Inscriptions: collector's mark: Lugt 2228

Aanslag in de Waalse Kerk van een fanatieke bakkersknecht op de predikant François tijdens de dienst en het oproer op het Walenplein te Amsterdam.Twee voorstellingen op een plaat. Onder elke voorstelling een tweeregelig onderschrift.
Vase with Aesthetic Japonisme birds
Object type: vase
Date: 1879 – 1879
Materials: bone china
Artist: minton(s)
Artist role: maker
Artist nationality: british
Artist dates: 1793 – 2001
Staande figuur op hakken met in zijn linkerhand zijn hoed, terwijl hij zijn rechterhand omhoog houdt
Object type: drawing
Date: 1936 – 1940
Materials: paper, pencil
Artist: henk henriët
Artist role: draughtsman, print maker
Artist dates: 1903 – 1945
Subjects: standing figure, head-gear
Inscriptions: collector's mark: Lugt 2228

Deze tekening is mogelijk een ontwerp voor een illustratie bij het boek 'Gargantua en Pantagruel' van François Rabelais.
Double-crocodile pendant
Object type: pendant
Date: 950 – 1100
Materials: gold
Techniques: casting
Culture: coclé, macaracas
Location: panama
Artist: coclé (macaracas) artist
Artist role: artist
Jupiter and Ganymede, from "Game of Mythology" (Jeu de la Mythologie)
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: eagles,jupiter