deem-data/ArtiFact huggingface dataset:
Vrouw poseert met een muizenval in de hand naast een bed
Object type: tissue stereograph
Date: 1863 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring, perforating
Location: france
Subjects: adult woman, mouse trap, bedroom, france
Inscriptions: number: ‘6’
Generalife
Object type: album leaf
Date: 1906 – 1906
Materials: paper
Techniques: albumen print
Location: granada
Artist: c maufsaise
Artist role: fotograaf
Subjects: inner court of palace or 'hôtel'
Inscriptions: number: ‘60’
Rouw iris (Iris susiana)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: iris

Paarse rouw iris, Iris susiana. Genummerd rechtsboven: 199. Bovenaan de Latijnse naam. Onderdeel van het tweede album met tekeningen van bloemen en planten. Negende van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Gulliver Presented to the Queen of Babilary, Frontispiece to "The Travels of Mr. John Gulliver"
Object type: print
Techniques: engraving, etching
Artist: gerard vandergucht
Artist role: engraver
Artist nationality: british
Artist dates: 1696 – 1776
Subjects: queens,women
Four Petals from a Lotus Base
Object type: petal
Materials: gold
Culture: indonesian, javanese
Miyako Odori optreden in Japan
Object type: photograph
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Location: japan
Artist: Anonymous
Subjects: group dancing, japan
Portrait of Edgar Degas
Object type: print
Date: 1876 – 1876
Techniques: drypoint
Artist: marcellin desboutin
Artist role: artist
Artist nationality: french
Artist dates: 1823 – 1902
Subjects: men,portraits,artists

For his numerous informal portraits, such as this small profile of Edgar Degas, Desboutin preferred the directness of drypoint—a technique in which the artist directly scratches the image with a sharp needle, effectively drawing on the copper plate. With minimal lines, Desboutin skillfully created an intimate image of his friend, one of several known portraits of Degas by Desboutin. The two had a long-lasting and productive friendship, with Desboutin even encouraging Degas to try printmaking again in the mid-1870s, after more than a ten-year hiatus. In turn, Degas depicted Desboutin beside the actress Ellen Andrée in his now famous painting "In a Café (L'Absinthe)" of 1875–76 (Musée d'Orsay, Paris).
Plattegrond van de schansen ten noorden van Duinkerke, ca. 1701-1715
Object type: map
Date: 1706 – 1706
Materials: paper
Location: netherlands
Artist: samuel du ry de champdoré
Artist role: draughtsman, engineer
Artist dates: 1651 – 1729
Subjects: fortress, maps of separate countries or regions

Plattegrond van de schansen ten noorden van de stad Duinkerke, ca. 1701-1715. Onderdeel van een verzameling getekende plannen van versterkte plaatsen in Nederland en omringende landen ten tijde van de Spaanse Successieoorlog (deel C).
Flounce (Incomplete)
Object type: textile
Date: 1850 – 1875
Materials: silk
Techniques: lace
Location: england
Gezicht op een botanische tuin met varens in Sydney als reclame voor thee
Object type: photograph
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: advertising, ferns, tea (leaves), botanic garden, 'hortus botanicus'
Inscriptions: inscription: ‘USE THE VICTORY BLEND TEA.’, inscription: ‘View in the Botanical Gardens,/ SYDNEY.’
Half Nude Figure of a Man
Object type: print
Materials: paper
Techniques: etching
Location: united states
Artist: robert frederick blum
Artist nationality: american
Artist dates: 1857 – 1903
Armband
Object type: bracelet
Date: 1953 – 1960
Materials: gemstone, gold, mineral
Techniques: grinding
Location: zeist
Artist: gustav beran
Artist dates: 1912 – 2006
Inscriptions: maker's mark: ‘VK in ovaal’, alloy mark: ‘eikenblad 585’

Armband van zeven identieke scharnierende gouden schakels. Elke schakel heeft een almandien en een maansteen. De armband is voorzien van een baksluiting met een veiligheidsacht. Erbij hoort één losse schakel.
Buste van Maria van Guise
Object type: print
Date: 1669 – 1731
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: marie de lorraine (koningin van schotland)
Inscriptions: collector's mark: Lugt 2228

Standbeeldbuste van Marie de Lorraine en Guise, koningin van Schotland en latere regentes van Schotland. Het beeld staat op een voetstuk met een Frans gedicht over haar leven.
Ex libris van Veit Bauer
Object type: bookplate
Date: 1935 – 1935
Materials: paper
Techniques: engraving
Location: austria
Artist: karl haselböck
Artist role: print maker
Subjects: veit bauer
Dish
Object type: dish
Date: 1818 – 1846
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: enoch wood & sons
Artist role: maker
Artist nationality: british
Artist dates: 1818 – 1846
Subjects: waterfalls
Staande man met de hand op de heup
Object type: sketchbook leaf
Date: 1710 – 1772
Materials: chalk, paper
Artist: petrus johannes van reysschoot
Artist role: draughtsman, print maker
Artist dates: 1702 – 1772
Subjects: hand on the hip

Blad 53 recto uit een schetsboek met 105 bladen.
De Eilands-Kerk
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), church (exterior), rowing-boat, canoe, etc., market-hall
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (…). Amsterdam: Isaak Tirion, 1765, dl. 2.
Gezicht op huis Bolenstein aan de Vecht
Object type: print
Date: 1745 – 1774
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: castle, river, maarssen, vecht

Prent gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten (...). Amsterdam: Isaac Tirion,1745-1774.
Enquêteformulier ingevuld door Henri Grégoir
Object type: manuscript
Date: 1840 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Subjects: painter, henri grégoir
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Baden-Baden
Object type: drawing and watercolor
Materials: graphite, paper
Location: germany
Artist: christian grabau
Artist nationality: german
Artist dates: 1810 – 1874
Portret van John Law
Object type: cartoon
Date: 1720 – 1720
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: ornament ~ medallion, historical persons

Met vierregelig spotgedicht in het Frans onder het portret, en tekst in het Frans rondom het portret. Hij heeft een vel papier met een regel uit Psalm 45.2 in zijn hand. Onder het portret staat 'Quinquenpoix', verwijzend naar de locatie van John Laws aandelenhandel: Rue Quincampoix te Parijs. Onder het portret ook een wapenschild met paard dat munten schijt.
Portret van Friedrich Ragstat von Weile
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving
Subjects: historical persons

Prent mogelijk uit: Weile, Friedrich Ragstat von. Klaar en duidelyk vertoog; volgens d'aanbiddelyke huishoudinge Gods (...). Den Haag: Pieter van der Burg, 1720.
Pair of keyhole escutcheons
Object type: keyhole escutcheon
Date: 1801 – 1900
Materials: gilt bronze
Corset
Object type: corset
Date: 1880 – 1880
Materials: bone, cotton, metal
Culture: american
Frontispiece for El Moghreb al Aksa by Edmond Picard
Object type: print
Date: 1889 – 1889
Materials: paper, ink, ivory
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Carpet Fragment
Object type: carpet fragment
Date: 801 – 1000
Materials: wool
Location: egypt
Votive cone with cuneiform inscription of Lipit-Eshtar
Object type: cuneiform cone
Date: 1934 – 1924
Materials: clay
Culture: isin-larsa
Location: mesopotamia

Votive cones are one type of royal foundation deposit, objects that were buried in the walls and beneath the floors of important buildings during construction to sanctify the site and to create a historical memory of the ruler and his achievements. Hidden from view, these inscribed objects were meant to be found during later restorations. The shape of the votive cones are reminiscent of earlier foundation pegs (imagined to pin down the ground plan of a building), but provide additional space for an inscription with their cylinder-like thickness. This clay cone was inscribed with a dedication of Lipit-Eshtar, who ruled the city of Isin in southern Mesopotamia ca. 1934-1924 B.C. The cuneiform inscription is written in Sumerian, which by Lipit-Eshtar’s day was a historic language – no longer spoken – that was mostly used for scholarly and religious texts. This cone was probably created for the construction of a temple (the E-ninisa, "House of Justice") at Namgarum, which, according to the inscription, was built after the king "established justice in Sumer and Akkad". Justice was a primary concern for kings in the Isin-Larsa and Old Babylonian Period, as known from the famous example of the Stele of Hammurabi, a monument depicting the ruler as the king of justice. This inscription, predating Hammurabi’s monument by a century and a half, shows the early emphasis placed on providing justice for the governed people. Elsewhere on this cone, Lipit-Eshtar refers to himself as a shepherd, plowman, and caretaker, metaphors of kingship that also convey the responsibility of kings to care for their subjects.
Paarden
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: etching
Location: utrecht
Subjects: horse, sitting on the ground, dog
Inscriptions: collector's mark: Lugt 240

Een man, op de rug gezien, zit op de grond te midden van vijf honden. Links een ruiter en een man te voet met honden.
Brooch
Object type: brooch
Date: 1701 – 1800
Materials: diamond, gold
Vase
Object type: vase
Date: 1900 – 1900
Materials: earthenware
Culture: american
Location: united states
Artist: george e. ohr
Artist role: maker
Artist nationality: american
Artist dates: 1857 – 1918

In many ways George Edgar Ohr was the quintessential Arts and Crafts potter, combining artistic vision with extraordinary skill with his hands. Working in the seaside resort town of Biloxi, Mississippi, he dug the clay, processed and prepared it, threw the shape on the wheel, altered the piece according to his vision, mixed and applied his own glazes, fired the kiln, created his own style of advertising, and took his wares on the road. Ohr’s personal mantra was “no two alike,” and he was as eccentric as his work was individualistic, with its manipulated forms on ultra-thin thrown vessels, crimping, ruffling, off-centering, and twisting, to create unprecedented forms for the 1890s. To these forms, he applied his own completely new and unusual glazes, applied by sponging, splashing, and spattering, resulting in works that in many ways anticipated the abstract art movements that would find form decades later. This vase combines several of Ohr’s trademarks in its ruffled rim and manipulated body as well as its exuberant complex handles reminiscent of Venetian glass goblets, and the unusual dark bluish-black glaze flecked with silver. This vase is from the Robert A. Ellison Jr. Collection of American art pottery donated to the Metropolitan Museum in 2017 and 2018. The works in the collection date from the mid-1870s through the 1950s. Together they comprise one of the most comprehensive and important assemblages of this material known. The unparalleled work of George E. Ohr is well represented in the collection. Ellison was an early admirer, collector, and scholar of Ohr’s work and has written extensively on the artist.
Gold Buckle
Object type: buckle
Date: 501 – 700
Materials: gold, metal
Culture: byzantine or langobardic
Brussel opnieuw opgebouwd na het Franse bombardement
Object type: history medal
Date: 1696 – 1696
Materials: silver
Techniques: striking
Location: gotha
Artist: christian wermuth
Artist role: medailleur
Artist dates: 1661 – 1739
Subjects: brussels
Vuursteenpistool
Object type: flintlock pistol
Date: 1680 – 1690
Materials: iron, wood
Techniques: cutting, engraving
Location: blégny
Artist: g. de trois fontaines
Artist role: geweermaker, pistoolmaker
Inscriptions: mark, inscription: ‘G.DE.TROIS // FONTAINE’
Omringd door soldaten en Afrikanen omhelzen een man en vrouw elkaar
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: africans, embracing each other, kissing, the soldier; the soldier's life, trees: palm-tree
Inscriptions: collector's mark: Lugt 240

Proefdruk van een prent die mogelijk ook gebruikt is als illustratie in: Brandes, J.C. De Schipbreuk.
Container with Figures under an Arcade
Object type: container
Date: 1801 – 1900
Materials: ivory
Culture: european
Subjects: men
Kwitantie voor Johan Philip van der Kellen
Object type: ontvangstbewijs, kwitantie
Date: 1889 – 1889
Materials: ink
Techniques: pen, writing
Artist: henri wouters
Artist role: draughtsman, print maker
Artist dates: 1866 – 1935
Subjects: print room, utrecht, print maker, draughtsman, johan philip van der kellen, the graphic arts, art collecting, money
Kaart van de omgeving van Saint-Malo, ca. 1693-1695
Object type: map
Date: 1693 – 1695
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: fortress, maps of separate countries or regions

Kaart van de omgeving van de Franse stad Saint-Malo. Onderdeel van het derde deel (1695) van het prentwerk waarin gebundeld zijn de acht delen van Les forces de l'Europe uitgegeven tussen 1693-1697. Het prentwerk bestaat uit 175 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog. Titel en opschriften in het Frans.
GIGNITVR EX NIMIO SIC FOEDA SVPERBIA LVXV 1601
Object type: ornament print
Date: 1601 – 1601
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2542

De cartouche wordt geflankeerd door twee sirene-achtige figuren met manden op hun hoofd. Blad afkomstig uit serie van 8 bladen met cartouches in een omlijsting van rolwerk met grotesken, guirlandes en mascarons.
Fotoreproductie van een prent naar een schilderij door Robert Smirke, voorstellend een scene uit Naar het u bevalt door William Shakespeare
Object type: photograph
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: specific works of literature
Inscriptions: number: ‘Ph. XXVIII. 111’

Te zien is een verbeelding van akte II, scene 7; Seven Ages Of Man.
Plicht
Object type: drawing
Date: 1908 – 1926
Materials: paper, pencil
Techniques: pen
Location: netherlands
Artist: j. bretschneider
Artist role: draughtsman
Inscriptions: collector's mark: Lugt 2228

Ontwerptekening voor een allegorische spotprent, augustus 1926. Een man in antieke kleding staat op het punt om zijn zwaard te trekken om te verhinderen dat een (mogelijk Joodse) man sieraden uit een doosje steelt. Links knielt een halfnaakte vrouw die de soldaat smeekt om in te grijpen. Achter de figuren in het rook van een altaar de gestalte van een wijzende man.
Moses Brought to Pharaoh's Daughter (Exodus 2:10)
Object type: print
Techniques: engraving
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: children,men,women,crocodiles,moses
Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een tentoonstelling van reproducties, 13 mei - 1 juni 1908
Object type: invitation
Date: 1905 – 1908
Materials: paper
Techniques: lithograph
Location: utrecht
Artist: johannes moesman
Artist role: draughtsman
Artist dates: 1859 – 1937
Subjects: criticizing and discussing art, art criticism, circle, club of artists, collecting and exhibiting products of the fine arts
Inscriptions: collector's mark: Lugt 2228

Blad met tekst met versierde initiaal. Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een tentoonstelling van reproducties naar oude Nederlandse schilderkunst, 13 mei - 1 juni 1908.
Geometrische figuren
Object type: album leaf
Date: 1650 – 1650
Materials: ink, paper, pencil
Techniques: pen
Location: low countries
Artist: Anonymous
Subjects: planimetry, geometry
Textile with Blossoming Cherry Branches and Lattice
Object type: piece
Date: 1615 – 1868
Materials: metal thread, silk
Techniques: brocade, patterning, weave
Culture: japanese
Subjects: flowers
Cypraecassis testiculus shell from the wreck of the Dutch East India ship Witte Leeuw
Object type: cypraecassis testiculus
Date: 1613 – 1613
Materials: shell
Artist: niet van toepassing
Subjects: verenigde oostindische compagnie, sint-helena

Schelp uit V.O.C.-schip de 'Witte Leeuw'.
Tile
Object type: tile
Date: 1701 – 1800
Materials: earthenware
Techniques: glazing
Subjects: bridges,boats
Ostrakon with the Fragments of Two Letter to Apa Cyriacus
Object type: ostrakon
Date: 600 – 600
Materials: ink, pottery
Culture: coptic
Location: egypt
Utrecht. Biltstraat b. d. Halte Bilt Station
Object type: ansichtkaart, prentbriefkaart
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: utrecht
Artist: Anonymous
Subjects: station; shelter (railway, tramway), street
A Cottage in the Dutchy of Cornwall
Object type: print
Date: 1822 – 1822
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: houses,men,women,horses,pigs
Bekeringen van zondaars
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ and the woman of samaria: sitting at jacob's well he asks her for a drink from her jug, christ resting at jacob's well, after having sent his disciples to sychar, utilitarian, public pump or water fountain
Inscriptions: inscription: ‘La Samaritaine quitte Jesus Christ (...)’, collector's mark: Lugt 2228

Christus rust bij de Jakobsbron, nadat hij zijn discipelen naar de stad heeft gestuurd. Links vertrekken zij richting de stad. Een Samaritaanse vrouw komt om water te putten en spreekt met Christus. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Joh. 4.
Gebeurtenissen uit het leven van Christus
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving, hand coloring
Location: alkmaar
Subjects: entry into jerusalem: people spreading their clothes before christ on the ass, and waving palm branches (matthew 21:1-11, 21:14-16; mark 11:1-11; luke 19:28-40; john 12:12-19)
Inscriptions: number: ‘105’, serial number: ‘1’

Christus rijdt op een ezel Jeruzalem binnen. De menigte zwaait met palmtakken en legt kleden en mantels voor hem op de grond. Achter Christus lopen zijn apostelen. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Mat. 21:1. Deze prent maakt deel uit van een album.
Portaal van de Basílica de Nuestra Señora del Coro te San Sebastian
Object type: album leaf
Date: 1880 – 1910
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: parts of church exterior and annexes: portal
Inscriptions: annotation: ‘Espagne/ San Sebastian Eglise Santa-Maria’
Heuvelachtig landschap, mogelijk te Gambar met de vulkaan De Kloet
Object type: sketchbook leaf
Materials: paper, pencil
Location: east java
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: (high) hill, volcano

Blad 30 uit een schetsboek met 75 bladen vervaardigd te Nederlands-Indië.
Portrait of the Stadholder Frederik Hendrik (1584-1647), Prince of Orange
Object type: painting
Date: 1670 – 1670
Materials: canvas, oil, paint
Subjects: delft, the hague, frederick henry (prince of orange), armour, historical persons

Portret van Frederik Hendrik, prins van Oranje. Staande, ten halven lijve, in wapenrusting met commandostaf in de rechterhand. Kopie naar het origineel in het Prado te Madrid.
Tray
Object type: tray
Date: 1601 – 1700
Materials: lacquer
Culture: chinese
Flask
Object type: flask
Date: 801 – 900
Materials: glass
Techniques: cutting, glassblowing
Location: iran

Several examples of this shape were excavated, including the body of a miniature carafe and a rare cobalt blue example, mold-blown with an all-over decoration of half-palmettes. This example, with its facet-cut neck and plain horizontal lines on the body, somehow recalls the approach to the decoration of Nishapur's wheel-thrown unglazed ewers.
Tureen with flower sprays and two vertical scroll handles
Object type: tureen
Date: 1725 – 1849
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: china
Artist: Anonymous

Deksel van terrine van porselein, beschilderd in onderglazuur blauw en op het glazuur rood en goud. Vier bloemtakken en twee bloemtakken in een medaillon afgebeeld; op de rand servetwerk afgewisseld met een bloemtak in een cartouche. Chinees Imari.
Standing Cup and Cover Supported by an Enchained Turk
Object type: cup
Date: 1705 – 1711
Materials: stone, diamond, enamel, garnet, gold, jade, paint, gemstone, silver gilt
Culture: german
Subjects: animals,men,hunting,coat of arms

This domed cup supported by the figure of a bearded Turk is richly decorated in many precious materials worked in a variety of techniques. The carved alabaster figure, enchained in jewels, bears a jade cup and cover surmounted by an elaborate finial. Pierced gold hunting figures, trophies, classical statues, birds, and beasts radiate from the center of the cup and lid, all enframed in garlands and blossoms. Eight chalcedony male and female busts, some with rose diamonds, rubies, and enameled coronets, encircle the cup and its base. The finial has a circular medallion of chalcedony and gold that displays the double eagle of the Habsburg empire. The coat of arms of three ecclesiastical electors appears on the opposite side of the medallion. The front and back of the cup also display the arms of electors: Brandenburg, Hanover, Bohemia, and Sachsen, Pfalz, Bayern, respectively. The base is jade with pierced gold ornament, the whole enriched with cameos, rubies, and rose diamonds. The nine electoral arms in the cup's decorative scheme suggest that the piece was made at the turn of the eighteenth century, as an official gift to be presented on the occasion of an imperial election in Frankfurt am Main. It was there that Holy Roman Emperors were elected and crowned. Indeed, as so many specialists were called upon to complete the cup, it was certainly made in a prosperous town like Frankfurt, where the finest goldsmiths flourished. The cup's style of decoration would suggest that it was made and held in readiness for the crowning of Charles VI as Holy Roman Emperor (r. 1711-40). Casting the supporting figure as a Turk, enslaved and encumbered, signifies the proud imperial defeat of the Turks at the close of the seventeenth century.
Portret van William Burkitt
Object type: print
Date: 1749 – 1784
Materials: paper
Techniques: engraving
Artist: johann friedrich schleuen
Artist role: print maker
Artist dates: 1739 – 1784
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Stereofoto van het persen van druiven
Object type: page
Date: 1882 – 1892
Materials: paper
Techniques: photograph
Location: drôme
Artist: adolphe louis donnadieu
Artist role: wetenschapper
Artist dates: 1840 – 1911
Subjects: pressing grapes, landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘(Anneyron, Drôme) Septembre 1890’, inscription: ‘Pl. XIV’