deem-data/ArtiFact huggingface dataset:
Opera Nova Universali intitulata Corona di racammi, page 32 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Artist: giovanni andrea vavassore
Artist role: publisher
Artist nationality: italian
Artist dates: 1530 – 1573
Subjects: ornament

Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice. From top to bottom, and left to right: design composed of 2 vertical columns: left is illustrated with foliage pattern, and right is illustrated with linear geometric interlace pattern.
Twee staande figuren
Object type: drawing
Date: 1651 – 1761
Materials: paper, pencil
Techniques: brush
Artist: Anonymous
Doornenkroning van Christus
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: ornament ~ cartouche, the book of psalms, the crowning with thorns: soldiers with sticks place a thorny crown on christ's head and give him a reed (matthew 27:27-31; mark 15:16-20; john 19:2-3)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Twee soldaten duwen met stokken de doornenkroon op het hoofd van Christus. Een derde soldaat geeft hem de rietstengel. De voorstelling is gevat in een cartouche en geplaatst te midden van de in een knooppatroon gedrukte psalmtekst.
[Dedication Page 1]
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Lange rechte broek met metalen knopen (gemerkt: solide neuheit) van wit gebiesd blauw laken
Object type: menswear
Date: 1913 – 1913
Materials: textile, cotton
Location: the hague
Beslag
Object type: beslag
Date: 1400 – 1950
Materials: silver
Artist: Anonymous
Pius IX Pontifex Maximus
Object type: print
Date: 1876 – 1881
Materials: paper
Techniques: engraving
Subjects: rome
Inscriptions: collector's mark: Lugt 2228

Portretbuste van Paus Pius IX, gehuld in pauselijke kleding, ter gelegenheid van zijn dertigjarig jubileum als paus.
Berlin, Nollendorfplatz mit Hochbahn
Object type: photomechanical print
Date: 1905 – 1909
Materials: cardboard, photographic process
Techniques: writing
Location: berlin
Subjects: square, place, circus, etc., city-view, and landscape with man-made constructions, railway, train, station; shelter (railway, tramway)
Inscriptions: monogram: ‘A.S.B.’
Henri II de Lorraine, marquis de Mouy
Object type: print
Date: 1651 – 1651
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits
Schotel (zonder afbeelding)
Object type: object
Date: 1850 – 1949
Materials: ceramic
Artist: Anonymous
Armband met putti rijdend op een hond
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: amsterdam
Inscriptions: collector's mark: Lugt 1968
Ultima Cena
Object type: photomechanical print
Date: 1900 – 1930
Materials: paper
Techniques: photograph, lithograph
Subjects: the episode of the last supper
Inscriptions: number: ‘N. 71’, inscription: ‘R.R. GALLERIE E MONOMENTI DI LOMBARDIA/ MILANO’
Design for 4 Seat Sleigh, no. 3668
Object type: drawing
Date: 1881 – 1881
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Attack of the Turks
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: victor adam
Artist role: artist
Artist nationality: french
Artist dates: 1801 – 1866
Rocaille cartouche met man in harnas en riviergodin
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: river-gods, weapons, ornament ~ cartouche, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228

Rocaille cartouche met titel omringd door wapens en lansen. Links staat een man in harnas met zwaard, rechts zit een riviergodin. Detail van een kaart van de landgraafschappen Hessen-Kassel ten Hessen-Darmstadt te Duitsland.
Zes mannen in een interieur rondom een tafel bekijken rijkelijk vaatwerk
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: etching
Artist: jos ratinckx
Artist role: print maker
Artist dates: 1860 – 1937
Subjects: mug, beaker, goblet, interior ~ representation of a building, money-chest, treasure-chest, money-box
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1ste staat’

De prent verwijst naar de vernietiging van de gildeschatten in 1794.
Trekpoppen
Object type: pantin
Date: 1827 – 1894
Materials: paper
Techniques: colour, letterpress printing
Location: schaarbeek
Subjects: types in 'commedia dell'arte', puppet
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van verschillende trekpoppen om uit te knippen, van figuren uit de Commedia dell'arte. Genummerd linksboven: 35.
Portrait of a Young Man
Object type: painting
Date: 1530 – 1539
Materials: oil, wood
Artist: bronzino (agnolo di cosimo di mariano)
Artist role: artist
Artist nationality: italian
Artist dates: 1503 – 1572
Subjects: men,portraits
Gezelschap in een danszaal met grote kroonluchters
Object type: drawing
Date: 1750 – 1849
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: night-club, dance-hall, ball, formal dance, inn, coffee-house, public house, etc., group dancing, amsterdam

Gezelschap in een danszaal met grote kroonluchters in het speelhuis de Pijl. Speelhuis De Pijl was het voornaamste speelhuis van Amsterdam. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Uitspanningslokalen, Nacht- en danshuizen.
Opgejaagde zwaan vliegt in de melkton en het meelvat
Object type: album leaf
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: water-birds: swan, toddler - aa - girl
Inscriptions: date

Deze prent maakt deel uit van een album.
Les Petits Buveurs de Lait (The Little Milk Drinkers)
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: children,dogs,drinking
Auditorium Building, Chicago, Illinois, Plaster Details with Electric Lights
Object type: architectural drawing
Date: 1887 – 1887
Materials: board, paper
Location: chicago
Artist: adler and sullivan
Belt Clasp
Object type: buckle
Date: 200 – 101
Materials: bronze, iron, silver
Techniques: inlay
Culture: celtic
Location: spain

This bronze and silver buckle is unusual in that both its top and bottom plaque are preserved, along with remains of the iron rivets used to attach it to a leather belt. Small figurines show warriors wearing similar clasps, suggesting this was designed for use by a soldier. It is typical of a type of buckle produced in the central plain region of the Iberian Peninsula, where silver is found in the Sierra Morena mountains. In design it is closely related to engraved examples of artwork in Andalusia in the southwest of Spain, a province that strongly influenced the artistic development of the rest of Iberia. Opposing spirals were a popular motif in Celtic art and were often combined with concentric circles on buckles such as this one. The design was created by carving out a pattern on a bronze panel, and then hammering a thin sheet of silver into the indentations.
Cancellation sheet, fragments of ten woodblocks from Intimacies
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: woodcut
Location: france
Artist: félix edouard vallotton
Artist role: print maker
Artist nationality: french, born switzerland
Artist dates: 1865 – 1925
Paris. La Basilique de Montmartre
Object type: photomechanical print
Date: 1904 – 1906
Materials: cardboard
Techniques: autotype
Location: paris
Artist: Anonymous
Subjects: funicular railway, church (exterior)
L'Espagne, cintre du salon de la Paix sur l'arcade de la Galerie
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: personifications of countries, nations, states, districts, etc., weapons, private festivities, merry company - aa - in the open air, 'fête champêtre', tapestry, beasts of prey, predatory animals: lion, cupids: 'amores', 'amoretti', 'putti'

Prent uit: Massé, Jean Baptiste. La Grande Galerie de Versailles, et les deux salons qui l'accompagnent, peints par Charles le Brun premier peintre de Louis XIV, dessinés par Jean- Baptiste Masse peintre et conseiller de l'Academie royale de peinture & sculpture; et gravés sous ses yeux par les meilleurs maitres du tems. Parijs: Imprimerie Royale, 1752.
Bowl with cover and tray
Object type: bowl with cover and tray
Date: 1720 – 1730
Materials: soft paste porcelain
Artist: saint-cloud factory
Artist role: factory
Artist nationality: french
Artist dates: 1693 – 1766
Plate 26 from Blatt Baum und Landschafts Studien
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: lithograph
Location: sweden
Artist: lorenz ekemann alesson
Artist nationality: swedish
Artist dates: 1791 – 1828
Pair of Women's Earrings
Object type: costume and accessory
Date: 1801 – 1900
Materials: silver
Culture: tibetan
Location: tibet
Samurai and Wakashu (Male Youth)
Object type: hanging scroll
Date: 1701 – 1733
Materials: ink, silk
Culture: japanese
Artist: miyagawa isshō
Artist role: artist
Artist nationality: japanese
Artist dates: 1689 – 1780

Isshō created a rare Ukiyo-e-school painting of a young man and an older man. At left is a gender ambiguous young male Kabuki actor, or wakashu. At right is an older suitor trying to seduce him by grasping his sleeve. The young man's kerchief is a called a yarō bōshi, worn by wakashu actors after shaving their foreheads, a mark of coming of age. Onnagata (adult male Kabuki actors who played female roles) through the Edo period also wore such kerchiefs. The composition parodies the “armor pulling” (kusazuri biki) scene from Soga Brothers vendetta plays in which the older warrior Asahina tugs at the armor of the impetuous young Soga Gorō tugs at the lappers of his brother Asaina’s armor to stop him from going fool heartedly into a confrontation he cannot survive.
VOC, ½ duit Holland, 1759. Afslag in zilver
Object type: coin
Date: 1759 – 1759
Materials: silver
Techniques: striking
Location: dordrecht

Zilveren munt. Voorzijde: gekroond wapenschild van Holland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Kabelrand.
Gogenkin
Object type: gogenkin
Date: 1801 – 1900
Materials: silk, wood
Culture: japanese
Location: japan
Study for the Archangel Gabriel
Object type: drawing
Date: 1601 – 1700
Materials: chalk, graphite
Techniques: heightening
Artist: nicolas mignard
Artist role: artist
Artist nationality: french
Artist dates: 1606 – 1668
Subjects: archangel gabriel
Portret van Pepijn (II) van Herstal
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: armour, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Prent gebruikt in: Meyssens, C. Les pourtraits des souverains princes et comtes de Hollande. Antwerpen: J. Meyssens, 1662.
Op de frontispiece wordt Richard Collin specifiek genoemd als graveur van de wapenschilden op de prenten in deze uitgave.
Vue générale prise du Mamelon Vert
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: cauterets
Artist: Anonymous
Subjects: city-view in general; 'veduta', mountains
Portret van Ary Scheffer
Object type: print
Date: 1811 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: dordrecht, painter, print maker, draughtsman, sculptor, ary scheffer, historical persons, portrait, self-portrait of painter, tools, implements of painter
Portret van Jehan de Casembroot
Object type: print
Date: 1650 – 1695
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: anthony van zijlvelt
Artist role: print maker
Artist dates: 1637 – 1715
Subjects: vilvoorde, raadsheer, jehan de casembroot
Inscriptions: collector's mark: Lugt 240

Portret van Jehan de Casembroot, raadsheer en secretaris van Lamoraal graaf van Egmond. Rechtsboven zijn wapenschild.
The Old Bachelor's Valentine (valentine)
Object type: print
Date: 1860 – 1870
Materials: ivory, paper
Techniques: engraving
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Ex libris van D.F.S.
Object type: bookplate
Date: 1887 – 1927
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: the hague, daniël françois scheurleer
Inscriptions: inscription: ‘D.F. Scheurleer / W.v. Konijnenburg’
Gerard van Nevers en Euryant
Object type: print
Date: 1841 – 1843
Materials: paper
Techniques: lithograph
Location: paris
Subjects: couple of lovers, knight
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 1397c, check stamp: Lugt 3903
Nymphs in a Wooded Grove
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: spain
Artist: juan cristobal
Artist nationality: spanish
Artist dates: 1584 – 1594
Engelenkoor
Object type: book illustration
Date: 1898 – 1898
Materials: paper
Techniques: letterpress printing
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: angels singing, making music, string instruments (plucked)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Vondel, Joost van den. Lucifer. [Vertaald uit het Nederlands door] Leonard Charles van Noppen. New York en Londen: Continental Publishing Co., 1898.
Fragment
Object type: fragment
Date: 1801 – 1833
Techniques: lace
Subjects: flowers
Design for Painted Wall Paneling, Deepdene, Dorking, Surrey
Object type: drawing ornament architecture
Date: 1875 – 1879
Materials: gouache, watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
De verzoeking van de H. Antonius
Object type: print
Date: 1660 – 1670
Materials: paper
Techniques: etching
Location: southern netherlands
Subjects: temptations of st. antony abbot
Inscriptions: collector's mark: Lugt 240

De H. Antonius zit geknield voor een altaarsteen waarop een crucifix, een zandloper, een doodshoofd en een stapel boeken. Duivel- en monsterachtige wezens trekken hem aan zijn kleed en belagen hem op allerlei manieren. Voor hem het varken. Achter hem een fraai geklede dame die hem een glas wijn aanbiedt. Een oude vrouw met duivelsvleugels probeert hem te verleiden naar haar om te kijken. Boven in de grot een vliegend duiveltje dat een kakebeen bespeelt.
Finestra finta sulla Facciata della Chiesa
Object type: photograph
Date: 1864 – 1881
Materials: cardboard, paper
Techniques: albumen print
Location: pavia
Artist: giacomo brogi
Artist role: fotograaf
Artist dates: 1822 – 1881
Subjects: parts of church exterior and annexes: portal
Inscriptions: inscription: ‘Brogi’, number: ‘4619.’
Zuiderzeewerk
Object type: print
Date: 1932 – 1932
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: digging (industrial process), sea, zuiderzee
Inscriptions: collector's mark: Lugt 2228
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, reserved rim fragment
Fotoreproductie van een tekening van een jonge verloofde vrouw door Johannes Christiaan d'Arnaud Gerkens
Object type: reproduction
Date: 1858 – 1863
Materials: paper
Techniques: albumen print
Subjects: adolescent, young woman, maiden
Servet met gestrooide bloemen, vruchten en vogels
Object type: napkin
Date: 1651 – 1651
Materials: linen
Techniques: damask
Location: netherlands
Artist: Anonymous
Inscriptions: date

Servet van wit linnendamast met gestooide bloemen en vruchten met vogels.
Sepolcro dell'ammiraglio Nelson
Object type: print
Date: 1805 – 1837
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: horatio nelson (hertog van bronte), grave, tomb, monument, statue
Inscriptions: collector's mark: Lugt 12

Het grafmonument voor Horatio Nelson door de Italiaanse beeldhouwer Antonio Canova. Tekst en opdracht in het Italiaans in ondermarge.
VOC, duit stad Utrecht,1746
Object type: coin
Date: 1746 – 1746
Materials: copper
Techniques: striking
Location: utrecht

Koperen munt. Voorzijde: op balk, waaronder guirlande, geplaatst, door twee leeuwen gehouden gekroond wapenschild van de stad Utrecht. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Bord, beschilderd met een versje: Tinne borden zijn niet goet // Om dat mense schuuren moet  ... Een bord dat wel geschilderd // is
Object type: plate dish
Date: 1740 – 1755
Materials: faience
Location: delft
Artist: Anonymous

Bord van faience. Blauw beschilderd met een versje en een gedecoreerde rand. Het versje luidt: Tinne borden zijn niet goet // Om dat mense schuuren moet // Maar een bord van porcelijn // Word van 't wassen wit en rein // Daarom set vrij op den dis // Een bord dat wel geschilderd // is.
Portret van Johan Hendrik Beucker Andreae
Object type: photograph
Date: 1870 – 1885
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: the hague, adult man, historical persons
Inscriptions: inscription: ‘J.H. Beucker Andreae./ Kapitein ter Zee 1850-1933.’
Seated Figure, Three Men in Group, Kneeling Woman from Rear, Kneeling Woman from Rear (from Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: graphite, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: men,women
Chasuble
Object type: chasuble
Date: 1634 – 1666
Materials: silk
Techniques: brocade, weave
Subjects: flowers

This Italian-woven silk exemplifies the conspicuous adaptation of a foreign design in a European-made fabric. The colorful stylized tulips and carnations arranged in rows of alternating diagonals imitate the more elegantly stylized floral silks and velvets of Safavid Iran. The design is augmented by the use of a number of colors of silk thread, arranged in no obvious pattern, for the flowers—a characteristic Safavid weaving technique intended to make a small repeat pattern appear more complex. The coat of arms embroidered on the cope links it to the Gradenigo family of Venice.
Amulet of a Heart
Object type: costume and accessory
Materials: glass
Culture: egyptian
Location: egypt
Subjects: anatomy, heart shape
Dagger (Pesh-kabz) with Sheath
Object type: dagger pesh kabz with sheath
Date: 1701 – 1900
Materials: enamel, quartz, silver, steel, velvet, wood
Culture: indian, mughal
Location: india
Lekythos
Object type: lekythos
Date: 500 – 468
Materials: terracotta
Culture: greek, attic
Artist: class of athens 581
Artist role: artist
Subjects: musical instruments,dionysus,silenus,maenads,rabbits

Silen with krotala, Dionysos seated right, a maenad with feet right but head turned back, a silen left; on shoulder, two hares running right.
Covered ewer with powder blue and panels in reserve with flower sprays and birds
Object type: flagon
Date: 1700 – 1724
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Deksel van schenkkan van porselein, beschilderd in onderglazuur blauw en op het glazuur rood, groen, geel, aubergine, zwart en goud. Bedekt met bleu poudré (poederblauw) en vier decoratieve banden in goud. Bleu poudré met famille verte.
Vee en dorpsgezicht met een molen
Object type: sketchbook leaf
Date: 1909 – 1909
Materials: chalk, paper
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: cow, windmill in landscape (+ city(-scape) with figures, staffage)
Inscriptions: date: ‘1909’, label: ‘Size of this sketch book, 7 x 4 1/2 in./ Dimensions de l'album/ Grösse dieses Skizzenbuches/ 18 x 11 cm.’, collector's mark: Lugt 2228, factory mark: ‘Sketch book,/ series 30./ Containing 40 Leaves of "Cartridge" Paper./ Winsor & Newton, Ltd.,/ London, W.’, retailer's mark: ‘W.M. Stam/ Schilder- en/ Teekenbehoeften./ Papestraat 15/ Den Haag’

Links vee, mogelijk koeien, van achteren gezien. Rechts een dorpsgezicht met een molen. Voorste schutblad uit een schetsboek met 31 bladen.
H. Simon Zelotes
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: column, pillar ~ architecture, the apostle simon zelotes (or simon the canaanite); possible attributes: book, saw, scroll
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De heilige Simon Zelotes staat, op de rug gezien, tussen twee zuilen in een architecturale omlijsting. In zijn hand houdt hij een zaag. Op de achtergrond een gezicht op een heuvelachtig landschap. In het kader onderaan een onderschrift in het Latijn.
Le biographe
Object type: book
Date: 1880 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print, printing
Location: paris
Curb Bit
Object type: bit
Date: 1601 – 1633
Materials: metal alloy, tin
Culture: german, saxony
Location: germany
Reproductie van een geschilderd landschap van Constantinus Cornelus Huysmans
Object type: photomechanical print
Date: 1878 – 1883
Materials: paper
Techniques: photograph
Subjects: landscapes, historical persons, painting, drawing and the graphic arts
Inscriptions: number: ‘No. 136’
Embroidery
Object type: embroidery
Date: 1774 – 1792
Materials: metal thread, silk
St Jerome reading
Object type: print
Date: 1634 – 1634
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: st. jerome as hermit in a landscape, reading
Inscriptions: signature: ‘Rembrandt f.’, date: ‘1634’, mark: Lugt 2228 a, mark: ‘CdE Geneve (in een cirkel) doublet’
Corpus of Christ Crucified
Object type: sculpture
Date: 1400 – 1425
Materials: limestone
Techniques: carved
Culture: german
Location: germany
Subjects: crucifixions, christian subjects, christianity, figure, jesus, man, religion, religious, religious figures
Manchu Woman's Shoe
Object type: manchu woman's shoe
Date: 1867 – 1933
Materials: silk, wood
Culture: chinese