deem-data/ArtiFact huggingface dataset:
Dalziels' Bible Gallery: Illustrations from the Old Testament
Object type: portfolio
Date: 1881 – 1881
Materials: paper
Techniques: engraving
Artist: dalziel brothers
Artist role: engraver
Artist nationality: british
Artist dates: 1839 – 1893
Manuscript Leaf wtih Saint Dorothy, from a Book of Hours
Object type: book of hour
Date: 1500 – 1500
Materials: gold, ink, parchment, shell, paint
Culture: dutch
Location: netherlands
Subjects: women,saints,coat of arms

Dressed as a middle class woman with a book in her lap, Saint Dorothy appears at the beginning of a prayer in her honor. The coat of arms and motto ("God be kind to us, luck fails ever so often") at the bottom of the leaf are of an unidentified Flemish family.
Huilende dochter biedt tevergeefs haar excuses aan aan haar vader
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: paris
Subjects: father with daughter(s) (father-love), child (at home) - aa - girl
Inscriptions: check stamp: Lugt 1828b, collector's mark: Lugt 2760, collector's mark: Lugt 2166
Design for a Clock: Three Birds
Object type: drawing
Date: 1801 – 1900
Materials: gilt, gold, gouache, graphite, watercolor
Techniques: brush, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: clocks
Utrechtsche studenten-almanak voor het jaar 1883
Object type: book
Date: 1883 – 1883
Materials: paper, cardboard, linen
Techniques: albumen print, letterpress printing, lithograph
Location: utrecht
Artist: j. van druten
Artist role: publisher
Inscriptions: number: ‘450’
The communion of St. Jerome by Domenichino, Vatican
Object type: reproduction
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: the last communion of st. jerome: he is attended and supported by younger priests, one of whom is about to administer the sacrament; usually st. paula is present
Inscriptions: number: ‘8420’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Rome.
The Resurrection of Christ
Object type: plaquette
Date: 1601 – 1700
Materials: lead
Subjects: angels,christ
Nieuwe uitvindingen en ontdekkingen
Object type: print
Date: 1589 – 1593
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: invention, discovery ~ science and technology, workshop (+ men (labourers)), watchmaker, clockmaker
Inscriptions: collector's mark: Lugt 2228

Werkplaats waar uurwerken worden vervaardigd. Links twee klokkenmakers bezig aan een werkbank met het raderwerk. Middenvoor een klok met wijzerplaat. Op de achtergrond links wordt een oven gestookt; rechts hangen klokken aan de wand. De prent maakt deel uit van een negentiendelige serie over nieuwe uitvindingen en ontdekkingen.
Watch
Object type: watch
Date: 1751 – 1800
Materials: enamel, gold
Artist: abraham-louis bréguet
Artist role: maker
Artist nationality: swiss
Artist dates: 1747 – 1823
Subjects: human figures
Georges Clemenceau en oogarts Mayer
Object type: book illustration
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Subjects: paris, politician, eyeglasses, spectacles, spectacle-maker, optician
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Illustratie voor Georges Clémenceau, Au Pied du Sinaï, Henri Floury (uitgever), Parijs, april 1898, plaat 7. Lithografie uit de Regular book edition 1898, gedrukt in zwart op velijnpapier, oplage van 355 exemplaren met 11 verschillende illustraties (Wittrock 1985, p. 464).
Leven van Maria
Object type: print
Date: 1500 – 1504
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: stay of the holy family in egypt
Inscriptions: inscription: ‘Geoffreerd aan de Teken Akademie / der stadt Amsterdam / 1788 P...’

Voor een vervallen gebouw zit Maria naast enkele engelen te spinnen, terwijl ze met de voet het bedje waarin het Christuskind ligt laat wiegen. Achter haar werkt Jozef aan een trog, geholpen door putti. Deze prent is onderdeel van een serie van 20 prenten, bestaand uit een titelprent en 19 prenten met scènes uit het leven van Maria.
Exterieur van het trappenhuis van het Kasteel van Blois
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print, photography
Location: blois
Artist: Anonymous
Subjects: castle, façade (of house or building)
Inscriptions: inscription: ‘Blois, escalier francois’
Opening van de Cloaca Maxima, Rome
Object type: photograph
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: robert macpherson
Artist role: fotograaf
Artist dates: 1814 – 1872
Subjects: sewers
Inscriptions: check stamp: ‘R. Macpherson/ Rome’, number: ‘154’
Rug
Object type: rug
Date: 1601 – 1700
Materials: cotton, metal thread, silk
Portret van Elisabeth Stuart
Object type: reproduction
Date: 1885 – 1913
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: london, historical persons - bb - woman, queen, pearl; pearl necklace
Inscriptions: collector's mark: Lugt 2228
Virgin Mary and St. John the Evangelist Beholding a Vision of the Cross Held by Two Angels
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: germany
Artist: christoph schwarz
Artist role: draughtsman
Artist nationality: geman
Artist dates: 1545 – 1592
Journal des Luxus und der Moden 1788, Band III, T.33
Object type: fashion print
Date: 1788 – 1788
Materials: paper
Techniques: etching
Location: weimar
Subjects: fashion plates

Prent uit het modetijdschrift Journal des Luxus und der Moden, uitgegeven door Friedrich Justin Bertuch en Georg Melchior Kraus, Weimar, 1786-1826.
Convivio delle Belle Donne, page 14 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Location: italy
Artist: nicolò zoppino
Artist role: publisher
Artist nationality: italian
Artist dates: 1478 – 1544
Subjects: ornament

Published by Nicolo Zoppino, Italian, active 16th century, Venice, designed by Matteo da Treviso, Italian, active 16th century. From top to bottom, and left to right: Design composed of 2 vertical columns. Left column is wider and is decorated with intertwining vines, some of which form heart-shapes, and others have leaves with eyes. Right column is narrower and is decorated with a pattern of serpentine creatures whose tails wrap around each other's.
Soldaten met schoppen
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: digging (industrial process), agricultural implements: spade, the soldier; the soldier's life, threatening behaviour, challenging
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk gebruikt in: Muller, Johan Frederik Lodewĳk, César Auguste P. Weissman de Villez. Leven en karakterschets van Alexander den Macedoniër : benevens mengelingen van onderscheiden aard. Amsterdam: Frederik Kaal, 1829.
Study for Medallions, in Tacitus "Tibère, ou Les Six Premiers Livres des Annales", Book III, Vol. 2
Object type: drawing and watercolor
Date: 1768 – 1768
Materials: graphite, paper
Techniques: incising, transfer
Location: france
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Trade Card for J. H. Bonnell & Co., Print Ink Seller
Object type: print, trade card
Date: 1801 – 1900
Techniques: lithograph
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Gold Belt Mount (Miscast and Unfinished)
Object type: belt mount
Materials: gold
Techniques: casting
Culture: avar

The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively cast. Some show no signs of use, while others are quite worn. The Avars The Avars were a nomadic tribe of mounted warriors from the Eurasian steppe. The Byzantine emperor Justinian negotiated with them in the sixth century to protect the Empire’s northern border along the Black Sea. Emboldened by their subjugation of numerous tribes, they unsuccessfully attempted to seize the Empire’s capital, Constantinople. They remained a scourge of both Byzantium and the Western kingdoms until Charlemagne defeated them through a series of campaigns in the 790s and early 800s. All the money and treasure that the Avars had been years amassing was seized, and no war in which the Franks have ever engaged . . . brought them such riches and such booty. Up to that time the Avars had passed for a poor people, but so much gold and silver was found . . . that one may well think that the Franks took justly from the Avars what the Avars had formerly taken unjustly from other nations. — Einhard (ca. 770–840), biographer of the Frankish ruler Charlemagne, early 800s The Vrap Treasure Tribute payments from the Byzantine Empire and war booty provided the Avars with enormous amounts of gold and silver. Avar goldsmiths created work of exceptionally high quality and were counted among the Avars’ ruling class. This ensemble of objects, all found together in Vrap, in present-day Albania, would seem to attest to the wealth of the Avars. Why this varied group was brought together remains a mystery. Some scholars have suggested that these objects were part of a treasure belonging to an Avar chief; others have speculated that they were the materials of an Avar artist. Others question whether an Avar metalsmith made them at all and assert these objects to be the products of a provincial Byzantine artist.
Het Frans-Bataafse leger verjaagt de Russen en Engelsen bij Castricum en Beverwijk op 6 oktober 1799
Object type: print
Date: 1799 – 1803
Materials: paper
Techniques: etching
Location: netherlands
Subjects: warfare; military affairs (+ during the battle)
Inscriptions: collector's mark: Lugt 2228

Prent naar tekening van Jan Anthonie Langendijk. Prent uit serie van vier prenten met de Oorlog van het Frans-Bataafse leger tegen de Russen en Engelsen in 1799.
De ledige kruik
Object type: print
Date: 1651 – 1655
Materials: paper
Techniques: etching
Location: haarlem
Artist: adriaen van ostade
Artist role: draughtsman, painter, print maker
Artist dates: 1610 – 1685
Subjects: inn, coffee-house, public house, etc., drinking
Inscriptions: collector's mark: Lugt 2610, collector's mark: Lugt 2228a

Enkele gebaren van de mannen in deze voorstelling dragen een negatieve betekenis. De man die in de lege kruik kijkt is een kannekijker ofwel een dronkaard. Het gebaar van de staande man achter hem, met zijn hand verstopt achter zijn hemd, werd in verband gebracht met luiheid.
Seated Girl, in Profile to the Right
Object type: drawing
Date: 1656 – 1656
Materials: chalk, graphite, paper
Techniques: drawing
Artist: cornelis saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1681
Subjects: sitting figure - aa - female human figure, girl (child between toddler and youth)
Elevated New York
Object type: photograph
Date: 1920 – 1930
Materials: paper
Techniques: gelatin silver print
Location: new york city
Artist: Anonymous
Subjects: railway, train
Afbeelding van den Gouden Kop, aan den Heer C. de Witt, vereert
Object type: print
Date: 1777 – 1821
Materials: paper
Techniques: etching
Location: netherlands
Subjects: dordrecht, the hague, cornelis de witt, sailing-ship, sailing-boat, cup, alcoholic drinks, raid on the medway
Inscriptions: collector's mark: Lugt 1641, collector's mark
Summer (Estate), represented as a robed woman bearing a horn of plenty, a spandrel-shaped composition from "The Four Seasons"
Object type: print
Date: 1570 – 1615
Techniques: engraving
Artist: cherubino alberti (zaccaria mattia)
Artist role: artist
Artist nationality: italian
Artist dates: 1553 – 1615
Subjects: women
Schutzhöhle im Wildkar
Object type: page
Date: 1876 – 1876
Materials: paper
Techniques: autotype
Location: vienna
Subjects: mountain-top, peak, hut, cabin, lodge
Inscriptions: number: ‘XIV.’
Textile Fragment
Object type: textile fragment
Date: 1301 – 1500
Materials: wool
Location: egypt
Subjects: birds
Penning met letter K
Object type: medal
Date: 1650 – 1850
Materials: lead
Techniques: casting
Artist: Anonymous

Eenzijdige loden ovale penning. Voorzijde: letter K binnen cirkel en bladerkrans. Keerzijde: blanco
Mongoose (ichneumon) on a papyrus-shaped pillar
Object type: figurine, ichneumon
Date: 664 – 630
Materials: bronze
Location: egypt
Subjects: animals
Fragment
Object type: fragment
Date: 1501 – 1600
Materials: metal thread, silk
Subjects: leaves
Arcade in bosrijke omgeving
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: engraving
Subjects: forest, wood - hh - ideal landscapes, landscape with monument - ii - ideal landscapes, garden buildings, arcade ~ architecture
Inscriptions: collector's mark: Lugt 2228

Dit is de tweede prent uit een serie met rechtsboven de tekst 'Cah. 19.'.
Landscape with a Hunting Party
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink
Techniques: brush, pen, wash
Location: germany
Artist: barend cornelis koekkoek
Artist role: artist
Artist nationality: dutch
Artist dates: 1803 – 1862
Subjects: men,party,hunting,horses,landscapes
Virgin of the Immaculate Conception
Object type: plaquette
Date: 1600 – 1600
Materials: gilt bronze
Subjects: virgin mary
Deel van een gipsafgietsel van de graftombe van hertog François II
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: sculpture (+ plaster ~ arts), audacity, temerity; 'audacia' (ripa) (+ personification), grave, tomb, beasts of prey, predatory animals: lion, france
Inscriptions: inscription: ‘Michel Colombe’, inscription: ‘MONUMENTS HISTORIQUES’, number: ‘No. 1244.’, name: ‘MIEUSEMENT<BR />PHOTOGRAPHE’, collector's mark: Lugt 3937
Ruit met evangelist met speer en bijbel
Object type: light window
Date: 1700 – 1800
Materials: glass, lead, pigment
Techniques: leading
Artist: Anonymous

Ruit met evangelist met speer en bijbel.
Vasa a se inventa atq. studii causa delin. et incisa
Object type: ornament print
Date: 1746 – 1746
Materials: paper
Techniques: etching
Artist: jacques francois joseph saly
Artist role: print maker, sculptor
Artist dates: 1717 – 1776
Subjects: ram's head ~ ornament, panpipes, clarinet, bassoon, oboe, shawm, garden vase

De instrumenten zijn een panfluit en een klarinet, met daaronder bellen. Deze prent maakt deel uit van een album.
Sweetmeat Dish
Object type: glass
Date: 1750 – 1750
Materials: glass, gemstone
Location: bohemia
Le Goût du Jour, 1920, Pl. 5 : Corsage; rûchers et boutons (...).
Object type: fashion print
Date: 1920 – 1920
Materials: paper
Techniques: engraving, hand coloring, pochoir
Location: paris
Subjects: ornamental parts of clothing (+ women's clothes), button (+ women's clothes), embroidery (ornamentation) (+ women's clothes), fashion plates, dress, gown (+ women's clothes), letter, envelope
Inscriptions: title: ‘Le Goût du Jour’, caption: ‘Corsage; rûchers et boutons de satin. Robe velours a trois volants festonnés, broderies soie crème.’

Lijfje met ruches en knopen van satijn. Jurk van fluweel met drie gerimpelde stroken met geschulpte zoom en borduurwerk van crèmekleurige zijde. Brief in de hand. Prent uit het modetijdschrift Le Goût du Jour (1920-1922).
Model of an Anchor
Object type: demonstration model
Date: 1845 – 1845
Materials: brass
Location: united kingdom

Model van het stokanker van Porter. De armen draaien om een as in het gevorkte eind van de schacht; de hoek van de armen is kleiner dan gewoonlijk en de handen zijn voorzien van een hoorn aan de buitenkant. De ankerstok kan door het gat van de schacht geschoven worden en parallel aan de schacht. Aan het uiteinden van de schacht zit een harp, bij het kruis een ketting en om de schacht heen een dubbele schalm. Schaal 1:10 (schatting).
Covered vessel
Object type: covered vessel
Materials: bronze
Culture: chinese
Design for Pony Phaeton, no. 3245a
Object type: drawing
Date: 1876 – 1876
Materials: ink
Techniques: pen, wash
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Nicolas Germain Cady
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Subjects: historical persons
Portret van Christian Fürchtegott Gellert
Object type: print
Date: 1801 – 1858
Materials: paper
Techniques: engraving
Location: germany
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Portrait of Sayyid Amir Khan
Object type: illustrated album leaf
Date: 1651 – 1700
Materials: gold, ink, paper, watercolor
Location: india
Subjects: men,profiles
Portret van Madeleine de Lamoignon
Object type: print
Date: 1687 – 1707
Materials: paper
Techniques: engraving
Location: paris
Subjects: madeleine de lamoignon
Inscriptions: collector's mark: Lugt 240

Portret van Madeleine de Lamoignon (1609-1687) met hoofddoek en boek in haar linker hand. Afgebeeld in ovale omlijsting met tekst en wapen, waaronder een console.
H.M. Koningin Juliana verlaat de Nieuwe Kerk na de eedsaflegging / A'dam, 6 Sept. 1948
Object type: photograph
Date: 1948 – 1948
Materials: paper
Techniques: gelatin silver print
Location: utrecht
Artist: Anonymous
Subjects: utrecht, bernhard (prins der nederlanden), the hague, juliana of the netherlands, installation of a ruler - bb - female ruler, historical persons - bb - woman, historical persons

Koningin Juliana en prins Bernhard verlaten na de inhuldiging de Nieuwe Kerk te Amsterdam op 6 september 1948.
Koba. Koeliewoningen
Object type: photograph
Date: 1907 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, miner, minerals and metals: tin, working class, labourers, mine
Inscriptions: label: ‘Koba. Koeliewoningen’

Kampement met woningen voor de Chinese contractarbeiders van de Banka-tinwinning te Koba. Op straat een groepje Chinese kinderen. Onderdeel van het fotoalbum over de Banka-tinwinning, ca. 1907-1919.
Ilbaekken og Møllehaugen
Object type: page
Date: 1896 – 1897
Materials: paper
Techniques: photograph
Location: trondheim
Artist: wilhelm dreesen
Artist role: fotograaf
Artist dates: 1840 – 1926
Subjects: low hill country, river, housing
Half Foolish Face
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: faces,men
Studioportret van An Kessler bij een tafel op jeugdige leeftijd
Object type: carte de visite
Date: 1889 – 1889
Materials: paper, photographic support
Techniques: photography
Location: the hague
Artist: kameke
Artist role: painter
Jack "Peach Pie" O'Connor, Catcher, Cleveland, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Glass jug
Object type: jug
Date: 301 – 400
Materials: glass
Culture: roman

Translucent pale blue green; handle, foot ring, and trails in same color. Rounded, vertical rim; funnel-shaped neck at top, then cylindrical, expanding slightly downwards; pushed-in horizontal shoulder; bulbous body; outsplayed coiled foot ring, applied as an irregular oval shape; kick in bottom, with thick pontil scar; three-ribbed strap handle, applied as a large pad with tooling indent across inside and short claws on outside, drawn up and slightly outwards, then turned in horizontally, folded up, down and onto top of neck over trails, with thumb rest projecting above rim. Thick trail wound once around top of neck; a finer trail applied to neck and wound up in a spiral three times, ending under thick trail; another trail wound in a spiral around middle of neck over the other, forming a short cross pattern; a third finer trail wound once around outer edge of shoulder. Intact, except for part of second finer trail; bubbles, a few glassy inclusions, and blowing striations; dulling, some pitting, small patches of weathering, and areas of brilliant iridescence.
Servet met patroon van diverse vruchten
Object type: napkin
Date: 1800 – 1900
Materials: linen
Techniques: damask
Artist: Anonymous
Inscriptions: label: ‘R.M. A'dam’, mark: ‘36’, monogram: ‘TvBF’

Servet van linnendamast met patroon van diverse vruchten en bloemen op het middenveld.
The actor Segawa Kikunojo and a young woman kicking a ball
Object type: print
Techniques: woodblock print
Location: japan
Artist: utagawa toyokuni i 初代 歌川 豊国
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Armor scale
Object type: armor scale
Date: 664 – 332
Materials: bronze
Location: egypt
(He is reading a letter) “A date, could it be from the cute Mme Giraud?? Yes, but it could also come from her husband who wants to pinch me…,” plate 8 from Coquetterie
Object type: print
Materials: paper
Techniques: letterpress, lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Ineenstorting van het huis van een Spaanse gezant
Object type: drawing
Date: 1696 – 1698
Materials: ink, paper
Techniques: brush, pen
Artist: caspar luyken
Artist role: draughtsman, print maker
Artist dates: 1672 – 1708
Subjects: holy mass (divine service, especially of roman catholic church), collapsing building, accidental death by falling objects, historical events and situations, london

Ineenstorting van het huis van een Spaanse gezant te Londen tijdens een katholieke mis. Ontwerp voor een prent.
Kolowrat-Ring No. 10, Wohnhaus der Frau C. Hoffmann
Object type: photograph
Date: 1860 – 1869
Techniques: albumen print
Location: austria
Artist: Anonymous
Artist nationality: austrian
Artist dates: 1800 – 1899