deem-data/ArtiFact huggingface dataset:
Brief aan August Allebé
Object type: letter
Date: 1902 – 1902
Materials: ink, paper
Techniques: pen, writing
Location: brussels
Artist: johannes hubertus leonardus de haas
Artist role: draughtsman, painter
Artist dates: 1832 – 1908
Subjects: august allebé, amsterdam, print maker, draughtsman, paul joseph constantin gabriël, the hague, abraham kuyper, diseases
Abraham Receiving the Three Angels
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: etienne delaune
Artist role: artist
Artist nationality: french
Artist dates: 1518 – 1583
Dish
Object type: dish
Date: 1801 – 1900
Materials: earthenware
Techniques: glazing
Subjects: birds,flowers
Brief aan Jan Veth
Object type: letter
Date: 1922 – 1922
Materials: ink, paper
Techniques: pen, writing
Location: leiden
Artist: johan huizinga
Artist dates: 1872 – 1945
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, paris, applied arts, arts and crafts; industrial design
Inscriptions: collector's mark: ‘RPK’, watermark
Portretten van bekende historische figuren
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving
Location: france
Subjects: karel iv hertog van lotharingen, historical persons, armorial bearing, heraldry
Inscriptions: number: ‘46.’, collector's mark: Lugt 2228

Maakt deel uit van een serie portretten getiteld 'Tableaux historiques ou sont gravez les Illustres François et Etrangiers de l'un et l'autre sexe (...)', voor het eerst uitgegeven in 1652 door Daret. Een tweede staat werd uitgegeven door Boissevin en een derde door Jollain.
Congress Hall Bridge, Sartoga, N.Y.V
Object type: photograph
Date: 1875 – 1899
Techniques: albumen print
Location: saratoga springs
Artist: baker & record, photographers
Bosgezicht met twee hout sprokkelende vrouwen
Object type: print
Date: 1845 – 1846
Materials: paper
Techniques: lithograph
Location: paris
Subjects: forest, wood
Inscriptions: collector's mark: Lugt 2228a
The Politcal Hydra
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,politics
Net fragment
Object type: net fragment
Date: 1295 – 1070
Location: egypt
Madras, India, Engelse Oostindische Compagnie (EIC), dudu of 10 cash, 1706
Object type: coin
Date: 1706 – 1706
Materials: copper
Techniques: striking
Location: chennai

Koperen munt. Voorzijde: merk van de EIC, met de letters G,C en E. Keerzijde: tussen twee golvende lijnen jaartal: 1706. Gladde rand.
Mercury standing holding a cadecus in his right hand, a lyre in his left
Object type: print
Date: 1536 – 1540
Techniques: etching
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: musical instruments,animals,mercury
Pareerplaat van een degen uit het wrak van de Oostindiëvaarder Hollandia
Object type: sword
Date: 1700 – 1743
Materials: brass
Artist: Anonymous
Alcoves a la Romaine
Object type: print
Date: 1657 – 1716
Materials: paper
Techniques: etching
Location: paris
Subjects: death of germanicus caesar: he is lying on his deathbed, his wife agrippina grieving at his bedside, and his friends swearing to avenge his death

Alkoof met Germanicus liggend op een bed met daarboven draperieën en engelen met lauwerkrans. Rondom staan treurende soldaten. Rechts onder 3 genummerd.
Twilight Moon at Ryōgoku Bridge
Object type: print
Date: 1797 – 1858
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: houses,bridges,moon,trees,boats
Lege lijst
Object type: frame
Date: 1880 – 1900
Materials: cardboard, glass, textile, wood
Artist: Anonymous
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: ghent
Artist: albert baertsoen
Artist role: draughtsman, print maker
Artist dates: 1866 – 1922
Subjects: the hague, painter, philip zilcken, temporary exhibition, 'salon', ghent
Inscriptions: collector's mark: ‘RPK’
Reproduction of a Sarmatian collar
Date: 1801 – 1900

Electrotyping is a chemical process used historically to make high quality reproductions of works of art. During the Victorian era, one of the main producers was Elkington & Co. of Birmingham. They were licensed by the South Kensington Museum of London (now the Victoria & Albert Museum) to produce replicas of objects from royal treasuries and museums across Europe. The electrotypes approved by the Department of Science and Art, a British governmental agency, carry Messrs. Elkington’s mark in the form of an official stamp in metal. This modern electrotype is a copy of a gold collar in the Hermitage Museum, St. Petersburg. The original was found in 1864 in the Khokhlach kurgan (burial mound) in the vicinity of Novocherkassk, one of the largest cities of the Don region. It was part of a group of precious objects – a crown, collars, ornaments, cups, flacons or perfume-boxes – known as the “Treasure of Novocherkassk” and thought to be the burial of an elite Sarmatian woman in the first century A.D. Sarmatian objects are decorated with animal imagery comparable to the earlier Scythian “animal style” and frequently enhanced with colored inlays. The hinged collar is three rings, joined by a band of lozenges and disks originally set with turquoise. On the upper edge are two pairs of lions facing each other. In the nineteenth century, many museums collected copies of ancient and historical works of art with the aim of presenting outstanding works to a broader public and to serve as inspiration for artists and manufacturers. The Metropolitan Museum of Art, founded in 1870, began to acquire electrotypes in its first decade. In 1883, Henry Marquand, a collector and early patron of the Museum, funded a large purchase from Elkington & Co. of nearly three hundred pieces. Today, these works are part of many departments in the Museum and along with plaster casts reflect the history of collecting and the role of the museum as a locus for the teaching of art history.
Portret van Wilhelm Friedrich Hufnagel
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving
Artist: georg christoph schmidt
Artist role: print maker
Artist dates: 1740 – 1811
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Creamer
Object type: cream pot
Date: 1800 – 1850
Materials: gemstone, glass
Techniques: glassblowing
Culture: american
Location: united states
Portret van de Heer Schutte
Object type: photograph
Date: 1910 – 1930
Materials: cardboard, paper
Techniques: carbon print
Location: amsterdam
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Inscriptions: annotation: ‘... Schutte, Atelier J. Merkelbach’
Portret van Guillaume-Thomas François Raynal
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: paris
Inscriptions: collector's mark: Lugt 2228

Portretbuste van de Franse schrijver Guillaume-Thomas François Raynal. Onder het portret een plaquette met een vierregelige tekst.
De zeven planeten serie B
Object type: print
Date: 1597 – 1597
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: (story of) mercury (hermes), mercury (planet)

Mercurius, met in zijn hand een caduceus en op zijn hoofd een gevleugelde hoed (petasus). Rechts van hem het astronomische symbool voor zijn planeet. Staand in een ovaal cartouche met bovenaan de twee tekenen van de dierenriem: Tweelingen en Maagd.
Gathering Seaweed at Omori in Shinagawa (Shinagawa, Omori, meisan nori tori), section of sheet no. 1 from the series "Cutout Pictures of the Tokaido Road (Tokaido harimaze zue)"
Object type: print
Date: 1848 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Legend of Ganymede
Object type: plaquette
Date: 1567 – 1633
Materials: bronze
Artist: guglielmo della porta
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1577
Subjects: male nudes,dogs
The Second Ichikawa Monnosuke as a Man of High Rank Standing in the Snow
Object type: woodblock print nishiki e
Date: 1786 – 1787
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: men,snow,actors
Book cover with overall red floral pattern
Object type: print
Date: 1701 – 1800
Techniques: relief print
Artist: Anonymous
Artist role: artist
Uitbreiding van het Binnengasthuis te Amsterdam. Gebouw tot verpleging van 100 kraamvrouwen
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: Anonymous
Subjects: edifice, e.g.: public building, department store

Prent uit: Bouwkundige Bijdragen 25 (1879).
Rectangular box with double dragons
Object type: covered box
Date: 1573 – 1620
Materials: cobalt, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: dragons
Pietà
Object type: sculpture
Date: 1700 – 1725
Materials: metal, silver
Techniques: casting, carved
Culture: german
Location: germany
Subjects: christian subjects, biblical, christianity, death, jesus, mother, mother and child, mothers, mourning, religion, religious, religious figures, religious scenes, sons, virgin and child/madonna and child, virgin mary
Pair of Tassets (Thigh Defenses) Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Object type: pair of tasset thigh defense for the tilt
Materials: gold, paint, steel
Culture: german
Location: germany
Artist: kunz lochner
Artist role: armorer
Artist nationality: german
Artist dates: 1510 – 1567
A Lock on the Stour
Object type: print
Date: 1830 – 1830
Techniques: mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: rivers,landscapes

In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Emperor Heraclius Denied Entry into Jerusalem
Object type: painting
Date: 1470 – 1470
Materials: oil, panel, paint, wood
Techniques: painting
Culture: dutch
Location: netherlands
Subjects: king, angels, cross, dog, eagles, figure, gates, heraldry, horse, horses, landscape, man, men, nobility, shields, soldiers, spears, wall

This panel recounts the adventures of the Byzantine emperor Heraclius, who rescued the True Cross and returned it to Jerusalem after its capture by Chosroës, king of Persia. These scenes were probably part of an extended narrative on an altarpiece dedicated to the Holy Cross, a relic that was much venerated in the Middle Ages.

In this scene, the emperor brings the True Cross back to Jerusalem in triumph. However, an angel bars his way, pointing out the vanity of his procession in comparison to Christ’s humble entry into the city. Only when the emperor dismounted and approached in humility was he allowed to enter, a scene that was no doubt once part of the sequence. Here the emperor is identifiable by the double-headed eagle, which was an emblem of both the Holy Roman emperor of the day and past emperors.
Moedige Onnozelheid door Themis gekroond
Object type: book illustration
Date: 1707 – 1707
Materials: paper
Techniques: engraving
Location: rotterdam
Subjects: the hague, johan van oldenbarnevelt, themis
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Wilde dieren bedreigen Palamedes (of Johan van Oldenbarnevelt), de personificatie van moedige onnozelheid, die een document met zegels toont. Themis, de godin van het recht, bekroont hem met een lauwerkrans. Onder de voorstelling een vierregelige Nederlandse vers.
Portret van Johann Dreykorn
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: engraving, etching
Artist: ambrosius gabler
Artist role: print maker
Artist dates: 1762 – 1834
Subjects: bookshelves, ornament ~ medallion, historical persons, book, abstract ideas and concepts (+ emblematical representation of concept)
Inscriptions: collector's mark: Lugt 2228
Harpspeler, naar een voorbeeld uit de twaalfde eeuw na Christus
Object type: sketchbook leaf
Date: 1892 – 1901
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: harp
Inscriptions: annotation: ‘Harp speler/ XII’

Blad 25 verso uit een schetsboek met 51 bladen.
Titelpagina voor: David Jacob van Lennep en Hendrik Harmen Klijn, Hulde aan de nagedachtenis van Jean Henri van Swinden, 1824
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, amsterdam, physicist, jean henri van swinden, grave, tomb, mourning the dead
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Titelpagina voor: Lennep, David Jacob van en Klijn, Hendrik Harmen. Hulde aan de nagedachtenis van Jean Henri van Swinden. Amsterdam: Covens, Cornelis en Meyerm Pieter, 1824.
Miser purse
Object type: costume and accessory
Date: 1850 – 1850
Materials: silk, steel
Techniques: crochet, cutting, stitching
Location: france
Porringer
Object type: porringer
Date: 1800 – 1800
Materials: silver
Culture: american
Location: united states
Artist: saunders pitman
Artist role: maker
Artist nationality: american
Artist dates: 1732 – 1804
Onderdeel van een kast geornamenteerd met een plantmotief, mogelijk mais
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: europe
Artist: Anonymous
Subjects: cupboard, ornament derived from plant forms, europe
Inscriptions: collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, number: ‘XXXVIII’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’
Bronze statuette of Mercury
Object type: statuette of hermes
Date: 1 – 200
Materials: bronze
Culture: roman
Subjects: mercury

Mercury, the god of commerce, wears a winged petasos on his head and holds a money pouch in his right hand.
Portret van Moritz Hieronymus Lochner
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: mezzotint
Location: nuremberg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Oude Testament onderwerpen
Object type: drawing
Date: 1558 – 1558
Materials: ink, paper
Techniques: brush, pen
Artist: karel van mander (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1548 – 1606
Subjects: pharaoh's dreams ~ story of joseph
Portret van Johannes Hoze
Object type: print
Date: 1768 – 1817
Materials: paper
Techniques: engraving
Artist: johann heinrich lips
Artist role: draughtsman, painter, print maker
Artist dates: 1758 – 1817
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228
Monster-Headed Male Deity with Consort
Object type: sculpture
Date: 901 – 1100
Materials: bronze
Culture: indonesian, javanese
Subjects: monsters,deities
Tivoli, maecena's villa with view over the Campagna bringing in the Dome of St. Peter's
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: tivoli
Artist: Anonymous
Subjects: villa, waterfall (+ landscape with figures, staffage), temple of hercules victor, tivoli

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Rome.
Portrait of a Man
Object type: painting
Date: 1648 – 1648
Materials: canvas, oil
Artist: cornelis jonson van ceulen the elder
Artist role: artist
Artist nationality: dutch
Artist dates: 1593 – 1661
Subjects: men,portraits
Crucifix
Object type: metalwork
Date: 1700 – 1735
Materials: bronze, gilt bronze, lapis lazuli
Location: naples
Figure of a standing man
Object type: figure
Date: 601 – 800
Materials: earthenware, glaze, pigment
Culture: chinese
Subjects: men
Koorbanken in de Grote Kerk te Dordrecht, gezien vanaf de zijkant
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: grote of onze-lieve-vrouwekerk
Artist: Anonymous
Subjects: interior of church, seats of the clergy, choir-stalls
Inscriptions: inscription: ‘neg. no 14468 foto no 6684’, annotation, inscription: ‘Dordrecht. Z. H. Ned. Herv. Kerk Choorbanken.’
Gezicht op de dom van Palermo
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: palermo
Artist: a. tagliarini
Artist role: fotograaf
Subjects: square, place, circus, etc., church (exterior)
Inscriptions: number: ‘171’
De luie Hendrik
Object type: print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Subjects: mischief-making play, bad behaviour, tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 5 voorstellingen van twee kwajongens Hendrik en George, die een streek uithalen. Ze binden met een touw een pan aan een kar vast, waardoor de inhoud van de pan op straat komt te liggen. Onder elke afbeelding een onderschrift. Genummerd linksboven: Série 9. - No. 9.
Leb Vernünftig, denk aufs Künftig
Object type: bookplate
Date: 1860 – 1860
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: building-site
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Herder en herderin met geiten
Object type: print
Date: 1611 – 1611
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: boëtius adamsz. bolswert
Artist role: print maker
Artist dates: 1580 – 1633
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 240

Prent uit serie met veertien prenten zogenaamde Pastoralen naar ontwerp van Abraham Bloemaert.
Panel
Object type: textile
Materials: textile, silk
Techniques: bookbinding, interlacing, patterning, satin weave, weave
Location: france
Subjects: men, animals, lions, bees, swans, coat of arms, royalty
Figurines
Object type: decoratief object
Date: 1680 – 1720
Materials: earthenware
Location: delft
Artist: Anonymous

Delft potters used the same moulds for figures in red stoneware as they did for those in the better-known blue-and-white earthenware. These figurines demonstrate how Chinese forms were reimagined in an independent way. The model for these figures may have been the Buddhist deity Arhat, only here reinterpreted and moulded in Dutch clay.
Shabti Box
Object type: shabti box, miya, singer of thoth
Date: 1295 – 1070
Materials: gesso, paint, wood
Location: egypt

This shabti box appears to have been made for the burial of a woman, judging from the image on the front. The lid, which is inscribed for a Singer of Thoth named Miya, is from another box.
Storage Bag
Object type: storage bag
Date: 1801 – 1900
Materials: glass, silk
Location: iran
Parred
Object type: handelsetiket
Date: 1681 – 1740
Materials: paper
Techniques: woodcut
Location: haarlem
Artist: isaac vincentsz. van der vinne
Artist role: draughtsman, print maker
Artist dates: 1665 – 1740
Subjects: ornamental birds: parrot, vignette
Inscriptions: collector's mark: Lugt 240

Een papegaai in een cirkel met randschrift.
Tête-à-Tête
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: edvard munch
Artist role: print maker
Artist dates: 1863 – 1944
Subjects: painter, adult woman, historical persons, pipe ~ tobacco
Inscriptions: collector's mark: Lugt 2228

De man in de prent is de Noorse schilder Karl Jensen-Hjell.
Design for Opera Bus (French?)
Object type: drawing
Date: 1880 – 1880
Materials: gouache, ink, watercolor
Techniques: pen
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Plate IV, from Rules for Drawing Caricaturas
Object type: print
Techniques: etching
Artist: francis grose
Artist role: author
Artist nationality: british
Artist dates: 1731 – 1791
Subjects: men,profiles,women
Generàl gesigt van het schone Perk van Sorgvliet
Object type: print
Date: 1721 – 1774
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: johannes jacobsz van den aveele
Artist role: print maker
Artist dates: 1655 – 1727
Subjects: park, dune coast, plan, map of garden, french or architectonic garden; formal garden, labyrinth, maze ~ garden, the hague

Vogelvluchtaanzicht van het landgoed Zorgvliet te Den Haag. Op de achtergrond de duinen en de zee, rechts de badplaats Scheveningen (L). In het park zijn de oranjerie (31), het Catshuis (24), de Parnassusberg (8) en het doolhof (59) goed te herkennen. Met een legenda van 1-60 en A-M.
Ein new getruckt model Büchli...Page 17, recto
Object type: book print ornament architecture
Date: 1529 – 1529
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Subjects: ornament

Published by Schoensperger, Augsburg. Title page, 45 pages of designs for weaving and embroidery, and 5 manuscript pages of weaver's notations at back.
Vues d'Italie et de France
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: etching
Location: france
Subjects: fortifications, military engineering, mountains
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een serie van zestien prenten, deels ongenummerd.
Plattegrond van Amsterdam, 1544
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maps of cities, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (…). Amsterdam: Isaak Tirion, 1760, dl. 1.