deem-data/ArtiFact huggingface dataset:
A Lacquered Letterbox
Object type: surimono
Date: 1798 – 1798
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: wooden container: barrel, cask, bucket

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Spearhead and Storage Case (清  矛頭)
Object type: spearhead and storage case
Date: 1601 – 1800
Materials: copper, cork, gold, leather, steel, wood
Culture: spearhead
Location: tibet

With its pure form and clean lines, this spearhead shows a level of quality and refinement usually reserved for the best sword blades and seldom found on spears or other staff weapons. At the base of its socket there is a braided ring realistically chiseled in high relief. Engraved just above it is a design of a mountains and waves, a symbol of longevity called the Islands of the Immortals.
Portret van Ernst Graf von Metternich
Object type: print
Date: 1727 – 1729
Materials: paper
Techniques: engraving
Location: regensburg
Subjects: ornament ~ medallion, armour, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Drawers without crotch
Object type: womenswear
Date: 1905 – 1915
Materials: textile
Location: amsterdam
Artist: Anonymous

From the moment the hoop skirt (crinoline) went out of fashion in Paris in the 1860s, Dutch women had their metal hoops bent backwards into an oval by the blacksmith. A long, slender silhouette with emphasis on the buttocks was now expected and so the bustle (tournure) began its rise, sometimes incorporated into a skirt but also as a loose piece fastened around the waist.
VOC, duit Zeeland, 1767
Object type: coin
Date: 1767 – 1767
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: gekroond wapenschild van Zeeland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Johan Huydecoper
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, mayor, joan huydecoper van maarseveen (i)
Inscriptions: collector's mark: Lugt 2228

Buste naar rechts van Joan Huydecoper I van Maarseveen, in een ovaal. Het portret rust op een plint waarop zijn naam en gegevens in vier regels in het Nederlands.
Le Prado
Object type: print
Date: 1890 – 1910
Materials: cardboard
Techniques: lithograph
Artist: Anonymous
Subjects: trees, public gardens, park (+ city(-scape) with figures, staffage), marseille
Tablecloth or Bedcover probably titled "Ragged Poppy"
Object type: textile
Date: 1902 – 1902
Materials: cotton
Techniques: weave, printing
Location: london
Artist: john scarratt rigby
Artist nationality: english
Artist dates: 1833 – 1914
Ornament, One of a Pair
Object type: ornament
Date: 1101 – 1300
Materials: glass, gold
Location: iran
Twee ramskoppen
Object type: print
Date: 1813 – 1813
Materials: paper
Techniques: etching
Artist: ignatius josephus van regemorter
Artist role: conservator, painter, print maker
Artist dates: 1785 – 1873
Subjects: ram
Inscriptions: date
Christ on the Cross
Object type: print
Date: 1586 – 1586
Techniques: engraving
Artist: antonius wierix, ii
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1555 – 1604
Subjects: women,christ,cross,crucifixion
P.e 1.a N.o 12662. VERONA - Basilica di S. Zeno Maggiore. (X e XI Secolo.)
Object type: photograph
Date: 1880 – 1895
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: florence
Subjects: church (exterior), tower (of house or building)
Inscriptions: number: ‘85.’
Lappenpop Susanna zittend op een stoel
Object type: drawing
Date: 1904 – 1906
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: (playing with) dolls, chair
Inscriptions: annotation: ‘SUSANNA’
Portret van Félicien Rops in zijn atelier
Object type: print
Date: 1875 – 1900
Materials: paper
Techniques: drypoint, intaglio
Artist: paul mathey
Artist role: print maker
Artist dates: 1844 – 1929
Subjects: draughtsman, félicien rops, print, e.g.: engraving, etching, lithograph, printing press, tools, implements of graphic artist, graphic artist
Inscriptions: dedication: ‘à monsr. H. Beraldi’, collector's mark: Lugt 4780, collector's mark: Lugt 230, collector's mark: Lugt 2228

De prent kan worden vergeleken met een schilderij met dezelfde voorstelling (Château Versailles MV 6146), waarop het atelier van de kunstenaar te zien is. Eerste staat van deze prent, met opdracht aan verzamelaar Henri Beraldi.
Nettenboetsters
Object type: print
Date: 1887 – 1889
Materials: paper
Techniques: drypoint, etching, intaglio
Location: netherlands
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: mending of fishing nets
Inscriptions: collector's mark: Lugt 2228

Drie vrouwen repareren visnetten aan de kust.
Letter Box with Design of Chrysanthemums and Autumn Grasses
Object type: letter box
Date: 1401 – 1500
Materials: gold, lacquer, silver
Techniques: maki
Culture: japanese
Dress
Object type: dress
Date: 1803 – 1803
Materials: silk
Culture: american
A Sailor Miss-taken!!
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: couples,men,women,sailors
Lelijk beest
Object type: sketchbook leaf
Date: 1875 – 1920
Materials: ink, paper
Techniques: pen
Location: netherlands
Artist: Anonymous
Subjects: dog

Een dochter straft de hond die haar in de neus had gebeten. Onderdeel van het schetsboek met humoristische tekeningen over het leven van een 'famille nombreuse'. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven.
Pull's ferry, Norwich
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Artist: j.w. hallam
Artist role: fotograaf
Subjects: ferry, village (+ city(-scape) with figures, staffage)
Opstelling van een prachtalbum in het Bayerisches Nationalmuseum te München
Object type: photograph
Date: 1876 – 1876
Materials: cardboard, paper, ink
Techniques: photograph
Location: bayerisches nationalmuseum
Artist: Anonymous
Subjects: book in which illustrations are essential, temporary exhibition, 'salon'
Inscriptions: inscription: ‘Deutsche Ausstellung in München 1876.’, number: ‘40.’
Man Seated; Sketch of a Pig's Head (from Sketchbook)
Object type: drawing
Materials: graphite, paper
Culture: american
Artist: francis william edmonds
Artist role: artist
Artist nationality: american
Artist dates: 1806 – 1863
Subjects: men,pigs

The execution of sketches and studies was a crucial part of Edmonds’s creative process. Many of his drawings exist as independent works--apparently never taken further--but many others represent an initial step in his conception for paintings. This sketchbook, which he began about 1838, includes both types of drawings of a variety of subjects.
Lobed saucer with flower spray and bird
Object type: platter
Date: 1670 – 1700
Materials: glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: arita
Artist: Anonymous

Gelobde schotel van porselein, beschilderd op het glazuur in blauw, rood, groen, geel, aubergine en zwart, met op de kop een vogel met chrysanttakken, op de schotel een vogel in een prunustak bij rotsen en water. Kop hoort waarschijnlijk niet bij schotel, gezien het verschil in de kleuren rood en geel. Kakiemon-stijl.
Indische mannen bij een waterwerk bij suikerfabriek Ngandjoek op Java
Object type: photograph
Date: 1925 – 1930
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: nganjuk
Subjects: sluice, weir, plantation, small canal, ditch, plants and herbs: sugarcane, sugar, dutch east indies, the

Onderdeel van Fotoalbum met opnames van vier suikerfabrieken op Java.
Halve peso of vijftig centavos (vier reaal) uit Chili, 1855
Object type: coin
Date: 1855 – 1855
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: omkijkende adelaar, vliegend naar links. Jaartal onderaan. Keerzijde: tussen twee samengebonden takken wapenschild, waarop pluim. Waarde-aanduiding: 50 C. onderaan. Kartelrand.
Silhouetportret van een onbekende man met lange krullende pruik
Object type: drawing
Date: 1794 – 1794
Materials: ink, paint, paper
Techniques: brush, pen
Artist: h. van kuyk
Artist role: draughtsman
Subjects: wig, historical persons not known by name
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Silhouetportretten.
Fret, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1760 – 1770
Materials: ink
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: ornament

Design for a fret with a Greek motif, not published in Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'.
Large vessel with stand
Object type: vessel or stand
Date: 201 – 400
Materials: stoneware
Culture: korean
Tot hoes vermaakt nachthemd
Object type: covering
Date: 1875 – 1925
Materials: textile
Location: europe
Artist: Anonymous

Aan de voorzijde twee keer drie verticale oprijgjes en een rand met geschulpt kant
Ko no Morono (Taka no Mronao) in the Play Chushingura
Object type: print
Techniques: woodblock print
Location: japan
Artist: utagawa kunisada i (toyokuni iii)
Bokaal met de Middelweg (de huidige Middenweg) te Diemen
Object type: goblet
Date: 1768 – 1768
Materials: glass
Techniques: glassblowing, grinding
Location: amsterdam
Artist: simon jacob sang
Artist role: glasgraveur
Artist dates: 1720 – 1786
Subjects: amsterdam
Inscriptions: inscription: ‘RENATA FLOREAT EX UNDIS’, signature and date: ‘Jacob Sang, // Fec: Amsterdam // 1768’

Facetgeslepen, conische voet met geschulpte rand. Facetgeslepen balustervormige stam met drie knopen. Trechtervormige kelk met facetgeslepen, afgeronde onderzijde. Gewelfd, geprofileerd deksel met een puntige knop samengesteld uit twee facetgeslepen knopen. Op de kelk, in een cartouche van voluten en schuimkragen, is een gezicht op de Middelweg (de huidige Middenweg) te Diemen weergegeven, gezien vanaf de kruising van de Ringdijk en de Outewalerbrug. Op de kruising, aan het begin van de weg, staat een tolhek met het wapen van de stad Amsterdam op de linker pijler en een onleesbare tekst op de rechter. Beide pijlers worden bekroond door een lantaarn en staan naast een wachthuis. Achter het hek is een rechthoekig plein met het Rechthuis aan de rechterzijde en een rij huizen aan de linkerzijde. Aan beide zijden van de weg staat een rij bomen. Boven de voorstelling, binnen de cartouche, staat de tekst: RENATA FLOREAT. Op de keerzijde een vergelijkbare cartouche met daarin een voorstelling van een meer omgeven door een rietkraag. Hierboven de tekst: EX UNDIS. Het glas is gesigneerd op de onderzijde van de voet: Jacob Sang, // Fec: Amsterdam // 1768,.
Seianus, prefect onder keizer Tiberius, wordt mishandeld en gewurgd, 31 v.C.
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: violent death, being killed; being mishandled and maltreated; seeking death
Inscriptions: number: ‘5’, collector's mark: Lugt 2228

Proefdruk van illustratie uit: Bos, Lambert van den. Treur-toonneel der doorluchtige mannen, of Op- en ondergang der grooten, 3 delen. Amsterdam: Jan Claesz ten Hoorn, 1698, dl. I.
Piece
Object type: piece
Date: 1601 – 1800
Materials: silk
Culture: japanese
Coin with Gemini Zodiac Sign
Object type: coin
Materials: silver
Location: india
Subjects: zodiac

This coin bears a Gemini symbol found on the other objects in the collection, but it was not created for talismanic purposes. This sign instead corresponds to the month in which it was minted. In his memoirs, the Mughal emperor Jahangir recorded his inspired idea for the unusual design of this and other coins depicting the signs of the zodiac.
Galerie de l'Association internationale pour de progrès des sciences sociales : portrait avec notice biographique / [Edouard Sève]
Object type: book
Date: 1864 – 1864
Materials: paper, photographic support
Techniques: albumen print, lithograph, printing
Location: brussels
Artist: édouard sève
Artist role: schrijver
Inscriptions: annotation: ‘Brabant’, annotation: ‘[...]’
Portret van Jodocus Herwiga Elizareon als Bacchus
Object type: caricature
Date: 1843 – 1904
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan hendrik hoffmeister
Artist role: print maker
Artist dates: 1823 – 1904
Subjects: (story of) bacchus (dionysus), liber, historical persons (+ full length portrait)
Inscriptions: collector's mark: Lugt 2760, stamp: ‘J. H. H.’, dedication: ‘Den Wel. Ed. Heer / A. D. Schinkel / van zijnen vriend, J. H. H.’, collector's mark: Lugt 2228

Bij de prent is een losse notitie opgezet. Daarin wordt beschreven dat deze prent van Jodocus Herwiga Elizareon, professor theologie in Utrecht, werd gemaakt nadat hij zijn studenten had aangespoord lid te worden van het 'matigheids genootschap'. De prent werd onder vrienden van de geportretteerde verspreid, daarvan getuigt ook de opdracht op de voorkant van de prent.
Textile Fragment
Object type: textile fragment
Date: 1801 – 1833
Materials: linen, metal thread, silk
Techniques: embroidery, weave
Location: turkey
Subjects: flowers
Shoes
Object type: shoe
Date: 1859 – 1859
Materials: leather, metal, wood
Culture: american
Wheat Field
Object type: drawing
Materials: graphite, ink, paper
Techniques: pen
Artist: vincent van gogh
Artist role: artist
Artist nationality: dutch
Artist dates: 1853 – 1890
Subjects: landscapes
Lappet
Object type: lappet
Date: 1710 – 1720
Materials: linen
Culture: flemish
Old Testament Title Sheet in: Historie des Ouden en Nieuwen Testaments
Object type: titelblad, titelpagina
Date: 1700 – 1700
Materials: paint, paper
Techniques: brush, engraving, hand coloring
Location: amsterdam
Subjects: faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues

The so-called Mortier Bible contains 429 illustrations of the Old and New Testament. More than twenty designers and engravers were involved in the massive project. This copy contains more than 100 additional prints, including proofs and hand-coloured prints by master colourist Dirk Jansz van Santen. The gold stamped bindings were used exclusively for deluxe editions by the Amsterdam publisher Pieter Mortier.
Reproductie van een schilderij van de dag van de doden in Pisa door P.A. Cot
Object type: photomechanical print
Date: 1876 – 1877
Materials: paper
Techniques: woodburytype
Location: paris
Subjects: all saints' day, historical persons not known by name - bb - woman, grave, tomb, mother and baby or young child
Inscriptions: inscription: ‘Procédé Woodbury’
Vase with cover (vase des âges) (one of a pair)
Object type: vase
Date: 1788 – 1788
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: interiors,men,women,dogs

Two vases des âges in the Museum's collection are among the most significant pieces of Sèvres porcelain in a large and distinguished collection. Both vases represent the first or largest size of the vase des âges, measuring 19-1/2 inches high. This model was produced in three sizes, and the type of busts that serve as decorative handles varied according to size, with busts of bearded men found on examples of the first size. Both of the Museum's vases are decorated with a dark blue (beau bleu) ground, an elaborate figural scene (mignature) on the front reserve, and a back reserve depicting a large floral arrangement in a vase on a marble top. The two vases are decorated with identical patterns of gilding, composed predominantly of garlands of laurel leaves and elongated scrolls that encircle the neck and frame the oval reserves. Each vase bears the painter's mark of Charles-Nicolas Dodin (active at Sèvres 1754–1803) and the gilder's mark of Henri-Martin Prévost (active at Sèvres 1757–97). The vases appear to be further linked by the fact that not only is the primary reserve of each derived from a print after Jean-Michel Moreau (1741–1814), known as Moreau le jeune, but also because the prints in question were published as part of Moreau's Seconde Suite d'Estamptes, pour servir à l'Histoire des Modes et du Costume. However, the date-letters on the undersides of the bases indicate that thye were made six years apart. One vase (86.7.2a, b) is marked with the date letters 'ee' for the year 1782, while the other (86.7.1a, b) is marked with two 'll's, the date-letters for 1788.
Portret van kardinaal Giorgio Doria
Object type: print
Date: 1743 – 1750
Materials: paper
Techniques: engraving
Location: italy
Subjects: cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Head of a bearded, warrior lying supine on the ground, wearing a corselet; below, a meander pattern
Chalice veil (Poteriokalumma)
Object type: chalice cover
Date: 1701 – 1800
Materials: metal thread, silk
Subjects: leaves
Gezicht op de Dom van Milaan
Object type: photograph
Date: 1860 – 1865
Materials: cardboard, paper, photographic support
Techniques: albumen print
Subjects: dom
Inscriptions: signature: ‘Fotografia Artistica P. Pozzi Milano’
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic
Feline-Headed Girdle, Anklets, and Bracelets of Princess Sithathoryunet
Object type: feline headed girdle, anklet, bracelet, sithathoryunet view jewelry
Date: 1887 – 1813
Materials: gemstone, gold
Location: egypt
Subjects: sithathoryunet-jewelry

These five pieces made from gold and amethyst create a set with powerful magical properties. All of the elements focus on feline imagery, which can be related to protection and guardianship. The princess likely wore them during a religious ritual or state ceremony. The feline heads on the girdle contain small pellets that would have made a gentle tinkling sound when the princess walked or danced. One head forms a cleverly constructed clasp.
Annotaties
Object type: endleaf
Date: 1907 – 1909
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: address: ‘M. Meys, Boulogne s/ Mer/ [...] couleurs [...]/ wo 20 juin 08’, annotation: ‘2.35 geheele breedte lijst hoogte lijst/ Damrak/ doek 190 x 106. hoogte 152-/ Dansavond 265 breed. 198 hoog lijst’, annotation: ‘[...] Concarneau’

Aantekeningen. Pagina 92 uit een schetsboek met 46 bladen vervaardigd te Antwerpen, Gent en Amsterdam.
Gezicht op de Koraku-en tuinen in Tokyo, Japan
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: tokyo
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: garden
Inscriptions: inscription: ‘Plate XI.’
Portret van Emanuel Philibert, hertog van Savoye
Object type: print
Date: 1595 – 1596
Materials: paper
Techniques: engraving
Location: italy
Artist: johann sadeler (i)
Artist role: print maker
Artist dates: 1550 – 1600
Subjects: emanuel filibert (hertog van savoye), fortitude, 'fortitudo' ~ one of the four cardinal virtues, prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Emanuel Philibert, hertog van Savoye. Portret in ovale cartouche met rechts de personificatie Kracht (Fortitudo) en links de personificatie Voorzichtigheid (Prudentia). Boven het portret het wapen van Savoye met het motto: 'Te cum discordia concors'. Onder het portret gevangenen.
Annie Pixley, from the Actors and Actresses series (N171) for Gypsy Queen Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Voorbeelden voor de landschapstekenaar
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Artist: max josef wagenbauer
Artist role: print maker
Artist dates: 1774 – 1829
Subjects: trees

Onderdeel van een tweedelige serie waarvan het tweede deel bestaat uit een titelprent en twaalf voorstellingen van takken, bladeren, bomen en landschappen.
Galloon
Object type: galloon
Date: 1601 – 1800
Horse Trapping
Object type: horse trapping
Date: 1701 – 1900
Materials: silver
Location: india
Technical Drawing of the Sliding Door for the Dining Room at Lyndhurst for George Merritt, Tarrytown, New York
Object type: drawing ornament architecture
Date: 1866 – 1866
Materials: graphite, ink, watercolor
Techniques: pen
Artist: alexander jackson davis
Artist role: artist
Artist nationality: american
Artist dates: 1803 – 1892
Subjects: doors
Soba cup
Object type: soba cup
Date: 1751 – 1800
Materials: porcelain
Techniques: underglaze
Culture: japanese
Ontwerp voor het borduurwerk op een theemuts
Object type: drawing
Date: 1886 – 1954
Materials: paper
Techniques: brush
Artist: johanna quirina van regteren altena
Artist dates: 1876 – 1954
Madonna and Child Enthroned
Object type: painting, part of an altarpiece
Date: 1472 – 1472
Materials: gold leaf, paint, wood
Artist: carlo crivelli
Artist role: artist
Artist nationality: italian
Artist dates: 1457 – 1495
Subjects: madonna and child

These three panels are from an altarpiece painted for a Dominican church in the Marchigian town of Ascoli Piceno. It is possible that the child was originally shown reaching for a flying bird, his frequent attribute. The cracked marble dais is a recurrent feature of Crivelli's work. On it are two pears, symbolic of the Fall of Man, and a fly, conceivably an emblem of Satan. Crivelli loved visual tricks, and the shadow cast by the fly gives a disturbingly realistic quality. Saint George (fourth century) is shown in contemporary, fifteenth-century armor with the dragon he slew. For more information about these paintings, including a reconstruction of the altarpiece, visit metmuseum.org.
Portret van Johann Moritz Hoffmann
Object type: print
Date: 1711 – 1713
Materials: ink, paper
Techniques: pen
Subjects: historical persons
Inscriptions: inscription, collector's mark: Lugt 2228
Spieghel der schrijfkonste
Object type: print
Date: 1605 – 1605
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: calligraphy
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Folio E2r met een beschrijving en een schrijfvoorbeeld van de Fraktuer Letter, getiteld: Fondement vande Fractur Letter. Het blad maakt deel uit van een album.