deem-data/ArtiFact huggingface dataset:
David en Abigaïl
Object type: print
Date: 1505 – 1509
Materials: paper
Techniques: engraving
Location: low countries
Artist: lucas van leyden
Artist role: draughtsman, painter, print maker
Artist dates: 1494 – 1533
Subjects: meeting of david and abigail, who kneels before him
Inscriptions: collector's mark: Lugt 240, signature: ‘L’

Landschap met op de voorgrond David te paard met groep soldaten. In de verte Abigaïl te voet met lastdieren die voedsel dragen.
Landschap met windmolen aan het water, mogelijk Marken
Object type: print
Date: 1854 – 1921
Materials: paper
Techniques: drypoint, intaglio
Location: france
Artist: paul mathey
Artist role: print maker
Artist dates: 1844 – 1929
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), windmill in landscape
Inscriptions: collector's mark: Lugt 2228, watermark
Ryde Pier en Spencer Road
Object type: page
Date: 1897 – 1930
Materials: paper
Techniques: printing
Location: st helens
Artist: Anonymous
Subjects: travelling; tourism, pier, quay, wharf

Pagina 3 met 3 foto's van Ryde Pier en Spencer Road en een bijschrift. Onderdeel van Fotografische reisreportage van het eiland Wight.
Servet van pellendamast
Object type: napkin
Date: 1675 – 1700
Materials: linen
Techniques: weave
Location: netherlands

Servet van pellendamast. Het servet is gemerkt: KS. Bij het servet hoort een servet met invnr. BK-1980-112-B.
Amulet of the Seated Goddess Sekhmet
Object type: costume and accessory
Materials: ceramic, faience
Culture: egyptian
Location: egypt
Subjects: goddesses, lions
Cesare da Napoli
Object type: book illustration
Date: 1635 – 1635
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: naples, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘N21471 [...]’

Prent uit: Ritratti et elogii di capitani Illustri. Rome: Pompilio Totti en Andrea Fei, 1635, p. 249. Eerdere staat van prent in ieder geval ook gebruikt in: Ritratti di cento capitani illustri con li lor Fatti in guerra (…), Rome: Domenico Gigliotti, 1596. Latere staat van prent in ieder geval ook gebruikt in: Ritratti et elogii di capitani Illustri. Che ne'secoli moderni hanno gloriosamente guerreggiato. Rome: Filippo de'Rossi en Vitale Mascardi, 1646.
Damask
Object type: damask
Date: 1301 – 1400
Materials: silk
Culture: italian
Location: italy
Subjects: birds,flowers
Wisseling van de wacht voor Buckingham Palace
Object type: photograph
Date: 1906 – 1932
Materials: paper
Techniques: gelatin silver print
Location: london
Artist: Anonymous
Subjects: changing the guard
Inscriptions: inscription: ‘Changing of the guards.’
Fotoreproductie van een schilderij met fruitstilleven door Paul Cézanne uit de collectie Hoogendijk
Object type: photograph
Date: 1915 – 1915
Materials: paper, cardboard
Techniques: gelatin silver print
Location: the hague
Artist: johannes gerardus happel
Artist role: publisher
Artist dates: 1854 – 1928
Subjects: still life of related objects, picture, painting
Inscriptions: inscription: ‘Coll. Hoogendijk, J.G. Happel s'Hage Inv 15.163 688M’, collector's mark, inscription: ‘V. 623’, inscription: ‘15.163’
Portrait of Auguste Raffet
Object type: print
Date: 1857 – 1857
Materials: chine, paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
Stencil
Object type: stencil
Date: 1801 – 1900
Materials: paper
Culture: japanese
Subjects: leaves
Albumblad met zes foto’s van de autorace tussen Parijs en Madrid
Object type: album leaf
Date: 1903 – 1905
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: motorcar racing, france
Inscriptions: inscription: ‘Paris-Madrid (...) Mercedes’
Landschap met herder en vee
Object type: print
Date: 1761 – 1784
Materials: paper
Techniques: etching
Location: leiden
Artist: johannes janson
Artist role: draughtsman, painter, print maker
Artist dates: 1729 – 1784
Subjects: ass, donkey, pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 240

Bergachtig landschap met een pad waarop een herder die zijn vee voortdrijft. Achter hem een herderin, zittend op een ezel. Vóór de lucht en vóór de bergen en stadsmuur links op de achtergrond.
Gordelhaak van verguld brons
Object type: gordelhaak
Materials: bronze
Techniques: gilding
Location: china
Artist: Anonymous

Pair of belt buckles in the form of stylized animals. Given by Mr and Mrs Van Beek.
Portret van Hector Ythier
Object type: photograph
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons
Fotoreproductie van een illustratie door Thomas Stothard voor Eens Christens reize naar de Eeuwigheid door John Bunyan
Object type: reproduction
Date: 1871 – 1881
Materials: paper
Techniques: woodburytype
Subjects: print, e.g.: engraving, etching, lithograph

Illustratie betreft Genade die bij een trap wordt geholpen door een man.
Collection wereld-tourist
Object type: stereograph
Date: 1903 – 1903
Materials: paper
Techniques: gelatin silver print
Location: haarlem
Artist: richard sochor
Artist role: painter
Artist dates: 1867 – 1925
Subjects: mountains
Inscriptions: address: ‘Parklaan 49/ HAARLEM/ (Holland)’, inscription: ‘Déposée.’, number: ‘205.’, monogram, inscription: ‘Deze stereo-foto's worden in den handel gebracht en en gros en/ en détail verkocht door de ......... (...)’
Twee voorstellingen over de menselijke invloed op het landschap
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Subjects: traffic and transport, cattle, man and (wild) animal, civic architecture; edifices; dwellings, landscapes - hh - ideal landscapes
Inscriptions: collector's mark: Lugt 2228

Prent uit: Basedow, Johann Bernhard. Kupfersammlung zu J.B. Basedows Elementarwerke für die Jugend und ihre Freunde (...). Berlijn en Dessau: s.n., 1774.
The Vision of Saint Benedict
Object type: drawing
Date: 1740 – 1740
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: francesco de mura
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1782
Subjects: dogs,angels,saints

Saint Benedict stands at the center of the composition, looking upward at an apparition of the Holy Trinity, while around the saint are gathered members of the male and female religious orders that follow his monastic rule, as well as lay men and women devoted to his cult. The drawing is a study with a number of variations for a ceiling fresco, signed by de Mura and dated 1740, at the center of the nave of the Neapolitan church of Saints Severino e Sossio. In the number and in the placement of the figures, an oil sketch at the Museo di Capodimonte in Naples is closer to the finished fresco than our drawing.
Brief aan Françoise W.M. Bonger
Object type: letter
Date: 1951 – 1951
Materials: ink, paper
Techniques: typewriting
Location: the hague
Artist: daniël françois lunsingh scheurleer
Artist dates: 1855 – 1927
Subjects: françoise w.m. bonger
Rapier
Object type: rapier
Date: 1600 – 1610
Materials: copper, steel, wood
Culture: german
Location: germany
Artist: peter tesche
Artist role: bladesmith
Artist nationality: german/solingen
Artist dates: 1625 – 1675

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Portret van Wilhelmina van Schijndel op bidprent
Object type: prayer card
Date: 1887 – 1887
Materials: cardboard, paper
Techniques: albumen print, letterpress printing
Location: heusden
Subjects: adult woman, historical persons, folk costume, regional costume
Inscriptions: inscription: ‘In uwe godvruchtige gebeden worden aanbevolen/ de Zielen van Zaliger/ Johannes van Dieten (...) en zijne Echtgenoote/ Wilhelmina van Schijndel (...) H.J. Wassen, Heusden.’
Vier gezichten op het labyrint van het Paleis van Versailles met fonteinen
Object type: print
Date: 1677 – 1677
Materials: paper
Techniques: etching
Location: paris
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: garden fountain, fables of aesop : use 85(...), labyrinth, maze ~ garden

Prenten uit: Perrault, Charles. Labyrinthe de Versailles. Parijs: Imprimerie Royale, 1677. Hierin staan veertig prenten van het labyrint in de tuin van het Paleis van Versailles met verschillende fonteinen gebaseerd op de fabels van Aesopus.
Terracotta fragment of a Nolan neck-amphora (jar)
Object type: neck amphora fragment
Date: 475 – 460
Materials: terracotta
Culture: greek, attic

Above the meander, lower drapery and feet of a male to left, wearing a himation
Figures a la mode dédiées à M. le Duc de Bourgogne
Object type: print
Date: 1715 – 1720
Materials: paper
Techniques: etching
Subjects: skirt (underskirt) (+ women's clothes), skirt (+ women's clothes), head-gear: fontange (+ women's clothes), dress, gown: manteau (+ women's clothes), sleeves (+ women's clothes), clothing for the upper part of the body (with name) (+ women's clothes)

Dame naar links, fontangemuts op het hoofd, opengeklapte vouwwaaier in de handen. Ze is gekleed in een 'manteau' met sleepje. No. 3 uit de serie Figures à la mode.
Man met maliënkolder
Object type: print
Date: 1884 – 1885
Materials: paper
Techniques: etching, intaglio
Artist: willem de zwart
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1931
Subjects: historical persons, knight
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 733
"The Old Snake Tells the Tale of Biting the Ascetic's Son by Mistake", Folio from a Kalila wa Dimna
Object type: folio from an illustrated manuscript
Date: 1526 – 1550
Materials: ink, paper, watercolor
Location: india
Subjects: boys,men,snakes

This manuscript contains seventy-eight paintings and many text folios telling the famous tales of the jackals Kalila and Dimna. Based on the book of ancient Indian animal fables, the Panchatantra written by Vidyapati (Bidpai), the stories spread all over the Middle East where they became wildly popular. This manuscript has a strong flavor of Mamluk Egypt in the figure styles and bold drawings, with hints of Ottoman tulips and Safavid turbans. However, the burnt orange palette and darkly-inked lines have led to an attribution to Sultanate Gujarat where it is suggested this manuscript was copied from an Egyptian original. Its life in India is also attested by a Devanagari inscription at the end, although the rest of the Arabic text is written in a strong, left-leaning naskh-like script.
Bashlik
Object type: bashlik
Date: 1860 – 1869
Materials: metal thread, wool
Culture: european
Plate
Object type: plate
Date: 1720 – 1750
Materials: faience
Techniques: glazing
Subjects: birds,boys,girls,boats

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Sectie S - Directiekeet (binnenkamer)
Object type: photograph
Date: 1905 – 1910
Materials: photographic support
Techniques: photography
Location: suriname
Artist: augusta curiel
Artist role: fotograaf
Artist dates: 1873 – 1937
Subjects: jacob evert wesenhagen, railway, tramway; rack railway, suriname
Inscriptions: inscription: ‘Sectie S - Directiekeet (binnenkamer). / Kamer van Gouvernements arts Jacob Evert Wesenhagen ... Op piano portretten v.l.n.r resp. zijn vrouw Marie Anna Paulina ... dochter Frida ... zoon Wilhelm Martin’

Kamer van Jacob Evert Wesenhagen in de directiekeet in sectie S. Foto in het fotoalbum over de aanleg van de Lawaspoorweg in Suriname in de jaren 1903-1912. Onderdeel van een groep objecten afkomstig van de familie Wesenhagen in Suriname.
Interieur van de hoofdwacht van de schutterij op de Botermarkt bij nacht
Object type: print
Date: 1750 – 1793
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: hendrik van hilten
Artist role: draughtsman, print maker
Subjects: pipe ~ tobacco, card games, playing-cards, guard duty, keeping sentry, night
Inscriptions: collector's mark: Lugt 2228

Gezicht op het interieur van de hoofdwacht van de schutterij op de Botermarkt te Amsterdam bij nacht, met enkele figuren bij kaarslicht.
Gipsmodel voor beeldhouwwerk op zolderverdieping van het Pavillon Richelieu van het Palais du Louvre door Pierre Louis Rouillard
Object type: photograph
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: permanent exhibition, museum, ornamenting, decorating ~ applied arts, paris, tuileries palace
Inscriptions: number: ‘406’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 1.
Modellen van beeldhouwwerken voor een prijsvraag uitgeschreven door het Rijksmuseum Amsterdam, 1880
Object type: reproduction
Date: 1880 – 1887
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: symbolic representations, allegories and emblems ~ the graphic arts, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘Fr. Camp te Roermond’, collector's mark: Lugt 2228, inscription: ‘de graveerkunst?/ 57’
Fragment, pellen met patroon 'molenwiek'
Object type: tablecloth
Date: 1600 – 1675
Materials: linen
Location: northern netherlands
Artist: Anonymous
Inscriptions: mark: ‘K’

Tafellaken van wit linnen met een pellenpatroon in keper z.g. 'molenwiek', merk K.
Vestiaria coccinea (Iiwi or Scarlet Hawaiian honeycreeper)
Object type: album leaf
Date: 1778 – 1778
Materials: chalk, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: john webber
Artist role: draughtsman
Artist dates: 1750 – 1793
Inscriptions: signature and date: ‘Jon Webber del. 1778’, annotation: ‘Vogel uit de Zuid Zee. / van Capitein Cook / anno 1780. / wiens vederen aldaar So hoog geschat Worden. op verso: uit de Zuidzee / door Capt Cook.’

De Kardinaalhoningeter komt niet voor in Zuidelijk Afrika; waarschijnlijk aan Gordon geschonken door James Cook, tijdens zijn bezoek aan de Kaap in 1780. John Webber begeleidde 'Captain Cook' op zijn derde ontdekkingsreis door de Zuidzee.
Christus onderwijst zijn discipelen
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: christ explaining his doctrine to the apostles and disciples
Medaillonkleed, KAZAK
Object type: oriental rug
Date: 1800 – 1900
Materials: wool
Techniques: ghiordes knot
Location: kazakhstan

Medaillonkleed, Kazak. Middenveld: helderrood fond met een dubbele gele mihrab met witte rand. Binnendecor van zachtgroene panelen, waarop X- en T-haken. Randen: drievoudig; alle even breed. De middelste is goudgeel, waarop achthoeken staan in lichtgroen, rood, ultramarijn en wit, waarbinnen sterren. De binnen- en buitenranden zijn gelijk en vertonen een ultramarijnblauw fond.
Soldaat bij een herberg
Object type: drawing
Date: 1853 – 1860
Materials: ink, paper, pencil
Techniques: brush
Location: netherlands
Artist: joannes carolus alberdingk thijm (jan)
Artist role: pater, schrijver
Artist dates: 1847 – 1926
Subjects: inn, coffee-house, public house, etc., the soldier; the soldier's life
Ideal Pastoral Life
Object type: print
Materials: paper
Techniques: woodcut
Location: england
Artist: edward calvert
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1883
Portret van een onbekende dame, mevrouw Sainctelette
Object type: print
Date: 1878 – 1878
Materials: paper
Techniques: drypoint, etching
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: anonymous historical person portrayed alone - bb - woman
Inscriptions: annotation: ‘Tirer a 2 exemplaires AD’, collector's mark: Lugt 2228, annotation: ‘2me état’, annotation: ‘Mme Sainctelette’
The Long Gallery, Louvre
Object type: print
Date: 1894 – 1894
Materials: ink, parchment
Techniques: stumping, lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Traditioneel bruidspaar op Sumatra
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Inscriptions: number: ‘10b’

Bruidspaar zittend op een rieten mat, Sumatra (?), Nederlands-Indië. Naast het bruidspaar een man, een vrouw en een man met een parasol
People Fleeing a Burning City
Object type: print
Date: 1501 – 1600
Techniques: etching
Artist: anonymous, french, school of fontainebleau, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: children,men,women,dogs,fires
Amulet
Object type: necklace, bead
Date: 100 – 1
Materials: lapis lazuli
Location: indus region
Maria aanbidt het slapende Christuskind
Object type: print
Date: 1595 – 1600
Materials: paper
Techniques: engraving
Location: venice
Subjects: adoration of the christ-child by mary, mary kneeling (on the ground), the christ-child in front of her
Inscriptions: collector's mark: Lugt 240, number: ‘14 o.’

De maagd Maria aanbidt het slapende Christuskind.
Het trekken van een loterije
Object type: print
Date: 1750 – 1820
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: raffle, lottery
Inscriptions: collector's mark, collector's mark: Lugt 1641

Een loterij in een interieur waarbij de loten uit twee bussen getrokken worden door een jongen. Mannen zitten links, vrouwen rechts. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Spel en Vermaak; Loterij.
Beaker with lozenge-shaped prunts
Object type: knobbelbeker
Date: 1600 – 1650
Materials: glass
Techniques: façon de venise, glassblowing
Location: netherlands
Artist: Anonymous

Glas à la façon de Venise. Ingestoken bodem. Cilindervormig lichaam in mal geblazen met ruitvormige knobbels, staat op drie blauwe pootjes in vorm van braamnoppen.
The artist Jean Duvet in the guise of St. John the Evangelist, sitting at a desk
Object type: print
Date: 1546 – 1555
Techniques: engraving
Artist: jean duvet
Artist role: artist
Artist nationality: french
Artist dates: 1485 – 1561
Subjects: birds,men,women,saint john the evangelist,boats

Jean Duvet was a French goldsmith, engraver, and festival designer who worked in the provincial cities of Langres and Dijon. He began his career as a printmaker by copying the prints of the Italian artist Marcantonio Raimondi. He assimilated these influences and also the work of other artists such as the prints of Albrecht Dürer and the etchings of Fontainebleau. In doing so Duvet developed a highly personal manner of engraving, seen to best advantage in his famous 'Unicorn' and 'Apocalypse' series to which this print belongs. The abstract and visionary qualities of Duvet's style are evident here in the rhythmic repetition of forms such as the verticals of the buildings and tree trunks; in the fine, short lines that cover the surfaces of every object to create a shimmering effect; and in the discrepancies of scale, evident in the juxtaposition between the massive Saint John, the tiny fishermen, the floating Fates, and the disproportionately large swimmer who emerges from beneath the bridge. The weary Evangelist closes his eyes and rests his head on his hand. He points to his completed labors, the Book of the Apocalypse. On the table beside the book rests an engraver's burin and a tablet inscribed with the words: 'Jean Duvet Goldsmith of Langres aged 70 made these histories 1555.' It is clear that the aged man—Saint John is usually depicted much younger—doubles as a representation of the artist himself, and that the harbingers of death that appear in the image allude to the artist and the Evangelist. One of the most poignant of these symbols is the swan who, having broken the golden chain of life, approaches with an arrow in his beak. The swan, an allusion to Duvet's name (which means 'down'), was said to sing most sweetly before death. Clearly Duvet regarded this series as his swansong. The inscription above the swan reads: 'The Fates are pressing, already sight fails, the mind remains victorious, and the great work is completed.'
Christus geneest een melaatse
Object type: print
Date: 1536 – 1536
Materials: paper
Techniques: woodcut
Subjects: christ healing lepers

Prent afkomstig uit: Evangelia und Epistel. Neurenberg: Hans Guldenmund, 1536.
Gezicht op Arnhem met de Eusebiuskerk, de St. Janskerk, de St. Walburgskerk en de St. Janspoort
Object type: drawing
Date: 1729 – 1729
Materials: ink, paper
Techniques: brush, pen
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: church (exterior), prospect of city, town panorama, silhouette of city, arnhem
Inscriptions: inscription: ‘tot aarnhem / 26 juny 1729 X / aarnhems of groote kerk / st. jans / st. walburg / janspoort / de sabelspoort’
Magic Mirror with Image of the Buddha Amida
Object type: mirror
Date: 1801 – 1900
Materials: bronze
Culture: japanese
Subjects: buddha

This mirror, a Buddhist icon, conceals an image of the Buddha Amida (Sanskrit: Amitābha) emanating forty-eight rays of light, one for each of the vows he made as a bodhisattva. The image is only revealed under special lighting conditions. The back of the mirror bears the six-character phrase “Namu Amida Butsu” (Hail the name of Amida Buddha). Mirrors of this type are called “magic mirrors,” or makyō in Japanese. Made in China from very early on, they also became popular in Japan for both religious and secular use.
Bottle
Object type: bottle
Date: 1601 – 1800
Materials: earthenware
Techniques: glazing
Location: iran
Netsuke of Double-Gourd Shape
Object type: netsuke
Date: 1801 – 1900
Materials: lacquer
Culture: japanese
Subjects: insects
Watch stand
Object type: watch stand
Date: 1760 – 1760
Materials: wood
Subjects: dragons,roosters,monkeys