deem-data/ArtiFact huggingface dataset:
The Crown-Princess Margaret of Sweden
Object type: print
Date: 1914 – 1914
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Vrouw die op een stoel naast een wieg zit
Object type: print
Date: 1887 – 1920
Materials: paper
Techniques: aquatint, etching
Artist: albert roelofs
Artist role: print maker
Artist dates: 1877 – 1920
Subjects: cradle, crib, mother and child(ren), woman and child(ren) (family group)

De vrouw leunt met haar arm op de rand van de wieg.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Lower drapery of a male to right
Edwin Booth, from the Actresses and Celebrities series (N60, Type 1) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products
Object type: photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,actors

Trade cards from the "Actresses and Celebrities" series (N60), issued in 1887 to promote Little Beauties Cigarettes distributed by Allen & Ginter. There are two types of cards in the set. Type 1 cards have the brand name printed on front and Type 2 cards do not.
Rivierlandschap
Object type: drawing
Date: 1864 – 1864
Materials: paper, pencil
Ex libris van Cambridge University Library
Object type: bookplate
Date: 1715 – 1715
Materials: paper
Techniques: engraving, etching
Artist: john pine
Artist role: print maker, publisher
Artist dates: 1690 – 1756
Subjects: library, george i (koning van groot-brittannië en ierland), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Inlay, falcon with spread wings
Object type: plaque, falcon
Date: 100 – 100
Materials: glass
Location: egypt
Subjects: falcons

A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards. Such elements could also be used side by side to create repeating patterns. Or if the rod presented one half of an element or a scene that was symmetrical, such as a face, a tile and a reversed tile from the same rod could be put together to form a complete whole.
Portret van Bernhard von Zech
Object type: print
Date: 1713 – 1713
Materials: paper
Techniques: engraving
Location: leipzig
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Fragment
Object type: textile
Date: 1650 – 1700
Materials: textile, silk
Techniques: weave
Location: italy
Gezicht op de Zandhoek
Object type: drawing
Date: 1875 – 1975
Materials: chalk, paper
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, boat propelled by man or animal

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 19.
Grimacing Male Head, Bust of Girl
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: Anonymous
Artist nationality: Italian
Les pourtraits des souverains princes et comtes de Hollande
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: engraving
Artist: cornelis meyssens
Artist role: print maker
Artist dates: 1640 – 1673
Subjects: historical persons, head-gear: hat, ruler, sovereign, armorial bearing, heraldry
Penning op Prins Willem Frederik
Object type: history medal
Date: 1816 – 1834
Materials: iron
Techniques: casting
Location: brussels

IJzeren afgietsel van een penning, op de voorzijde het borstbeeld naar links van Willem Frederik, met omschrift, op de keerzijde het gekroonde Nederllandse wapen met dragers en banderol, binnen een versierde rand.
Musical snuffbox
Object type: musical snuffbox
Date: 1801 – 1900
Materials: diamond, enamel, gold
Subjects: flowers
Purse
Object type: purse
Date: 1800 – 1830
Materials: glass, paper, silk
Culture: mexican
Subjects: birds,dogs,trees

The key and heart imagery suggest this pocketbook has some association with romance, it may have been created to hold letters between a romantically involved couple. The pair of trees with birds standing atop, and dogs tied to their trunks appears to be an individual motif worked out by the maker. The pocketbook is part of the Mexican beadwork collection of over 600 pieces assembled by Elizabeth Morrow (1873-1955), mother of writer Anne Morrow Lindbergh, the wife of renowned aviator Charles Lindbergh. Morrow collected the objects between 1927 and 1930, when her husband, Dwight Morrow, Sr., served as U.S. ambassador to Mexico. She lent the collection to the Brooklyn Museum in 1938 and upon her death, her children donated it. A collection of 155 pieces of Mexican ceramics and other decorative arts were given to Amherst College, her husband's alma mater. Mrs. Morrow collected Mexican beadwork, along with other examples of colonial and native arts, to decorate their country home in Cuernavaca in order to promote a more peaceful image of that country through its works. The Morrows sought to overturn the perception of post-revolutionary Mexico as a violent and unstable nation by highlighting the richness and diversity of its colonial, folk, and contemporary art. Glass beads were originally imported to New Spain (Mexico) from Italian and Asian sources via Spanish colonial trade routes. By the early part of the nineteenth century, Spain had suffered the loss of almost all of its colonies and with the succeeding establishment of free trade British ships undertook the importation of beads to Mexico. Many of the design influences on the bags and cases in the collection came from Europe; patterns for beadwork designs came from contemporary fashion publications such as "La Dama Elegante."
Hairpin
Object type: hairpin
Date: 601 – 700
Materials: bronze
Culture: frankish
Location: germany
Kind met ganzen in een tuin op Sumatra
Object type: photograph
Date: 1914 – 1926
Materials: photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: water-birds: goose, infant, baby, sumatra

Onderdeel van fotoalbum met opnames van de familie Bergsma in Tandjong Poera en Rantan Pandjang (Sumatra).
A Drop Too Much, from the Jokes series (N87) for Duke brand cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920

Trade cards from the "Jokes" series (N81), issued in a set of 50 cards in 1890 to promote W. Duke Sons & Co. brand cigarettes.
Bust of St. Joseph in an Oval
Object type: print
Date: 1600 – 1688
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: portraits,saints
Portret van Johann Ruland
Object type: print
Date: 1623 – 1623
Materials: paper
Techniques: engraving
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Rechtsboven het portret zijn wapenschild, onder het portret een zesregelig vers.
Anthony John "Tony" Mullane, Pitcher, Cincinnati, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Old Man with Beard, Fur Cap, and Velvet Cloak
Object type: print
Date: 1631 – 1631
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Eucharistie
Object type: book illustration
Date: 1765 – 1803
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: the episode of the last supper
Inscriptions: collector's mark: Lugt 2228

Prent uit: onbekend boek, dl. 9, p. 211.
Pair of firedogs
Object type: firedog
Date: 1760 – 1760
Materials: gilt bronze
Conch Shell
Object type: conch shell
Date: 200 – 400
Materials: shell
Culture: monte alban
Location: mexico
Subjects: heads
A Partridge and Small Game Birds
Object type: painting
Date: 1650 – 1659
Materials: canvas, oil
Artist: jan fyt
Artist role: artist
Artist nationality: flemish
Artist dates: 1611 – 1661
Subjects: birds,still life

This small game piece is a mature work by Fyt, whose subtle description of textures—especially in feathers—recalls Dutch still lifes more than works by his Antwerp teacher, Frans Snyders (1579–1657). The popularity of seventeenth-century Dutch and Flemish painting in eighteenth-century France influenced painters as diverse as Chardin and Fragonard.
Portret van Erasmus
Object type: print
Date: 1526 – 1526
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: rotterdam, desiderius erasmus, historical persons
Inscriptions: number: ‘1215’

Portret van Erasmus, schrijvend, staande aan een lezenaar bij een tafel waarop een vaas met bloemen staat. Achter de tafel een tablet aan de wand met Latijnse tekst.
Holy Men Travelling to the Buddhist Heaven
Object type: handscroll
Date: 1368 – 1911
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: birds,men,dragons,buddhism
Borer
Object type: metalwork
Date: 1746 – 1746
Materials: brass, ivory, wood
Location: germany
Glass bowl in the form of a shell
Object type: bowl
Date: 301 – 350
Materials: glass
Culture: roman

Colorless with pale green tinge. Flaring, knocked-off rim with shallow S-shaped collar below; body with circular circumference and rounded bottom. Body formed into the shape of a marine bivalve mollusc (scallop) in relief with eleven ribs radiating from a deep ocellus or umbone in a fan pattern ; ribs become broader and have rounded ends below collar around rim; the ocellus is flanked to either side by a hemispherical bulge. Below the rim is a faint wheel-abraded line. Broken and repaired, with some internal cracks; pinprick and larger bubbles; faint weathering and iridescence. Bowls made in in silver, bronze, and semiprecious stone and shaped to resemble a large seashell became popular in the Hellenistic period. Glass examples were also produced in early Roman imperial times, some cast and others mold-blown. This bowl belongs to a group found mainly on the Rhine and Danube frontiers that is dated to the fourth century A.D.
A Rake's Progress, Plate 8
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: interiors,men,women,violins,dogs,cross
Band
Object type: band
Date: 1701 – 1900
Materials: cotton, linen
Ewer
Object type: ewer
Date: 1685 – 1686
Materials: silver
Artist: p. k., london
Artist role: maker
Artist dates: 1683 – 1686
Subjects: birds,men
Heuvellandschap met bomen
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: charcoal, paper
Artist: hermannus adrianus van oosterzee
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1933
Subjects: low hill country

Blad 15 verso 16 recto uit een schetsboek met 23 bladen.
The Jewel River of Plovers in Mutsu Province (Mutsu Chidori no Tamagawa), from an untitled series of Six Jewel Rivers
Object type: print
Date: 1785 – 1785
Techniques: woodblock print
Location: japan
Artist: rekisentei eiri
Artist nationality: japanese
Artist dates: 1781 – 1818
Titelpagina met ranken, vogels en een wapenschild
Object type: print
Date: 1511 – 1511
Materials: paper
Techniques: letterpress printing
Subjects: vine, ornamental birds, title-page, armorial bearing, heraldry

Afkomstig uit: Natalibus, Petrus de. Catalogus Sanctorum. Straatsburg: Martinus Flach, 1513.
Met twee stroken tekst in boekdruk op het opzetblad geplakt.
Schelp tegen zwart fond
Object type: drawing
Date: 1867 – 1935
Materials: paper
Techniques: brush
Artist: maurits van der valk
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Subjects: molluscs (+ shell, snail-shell etc.)
Piece
Object type: piece
Date: 1770 – 1770
Materials: cotton, linen
Subjects: human figures,houses,cows,trees
The British lion
Object type: reproduction
Date: 1900 – 1900
Materials: paper
Techniques: photolithography
Location: england
Artist: géza vastagh
Artist role: painter
Artist dates: 1866 – 1919
Inscriptions: collector's mark
Ko-Tze
Object type: ko tze
Date: 1867 – 1900
Materials: wood
Culture: chinese
Location: china
Fortuna in rolwerk omlijsting
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching, intaglio
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: fortuna as roman personification
Inscriptions: collector's mark: Lugt 240
L'Actrice en scène
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: aquatint, drypoint
Artist: jean françois raffaëlli
Artist role: print maker
Artist dates: 1850 – 1924
Subjects: adult woman
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Bidprentjes
Object type: print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: series of scenes from the life of christ, passion of christ
Inscriptions: collector's mark: Lugt 2760

Blad met 20 ovale bidprentjes met voorstellingen uit het leven van Christus, waaronder de geboorte van Christus, het Laatste Avondmaal en de hemelvaart van Christus. Onder elke afbeelding een onderschrift in het Nederlands en in het Frans. Genummerd rechtsonder: No. 72.
Gezicht vanaf een heuvel op een huisje aan de golf van Arcachon
Object type: drawing
Date: 1876 – 1876
Materials: paper, pencil, watercolor
Techniques: brush
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: coast, france
Inscriptions: inscription: ‘Arcachon’, signature and date: ‘Allebé, 27 août 1876’
Luster Bowl with Four Camels
Object type: bowl
Date: 901 – 1000
Materials: earthenware, glaze
Techniques: luster painting
Location: iraq
Subjects: camels

Luster-painted bowls made in Abbasid Iraq often featured representations of birds, mythical beasts, human beings, and vegetal patterns. This example’s playful depiction of camels is a rare departure from the typical iconographic repertory. The medallion layout and the repeating design of the camels with palanquins on their backs lend a sense of dynamism to the piece, almost as if the artist wanted to show the beasts proceeding in a caravan.
Beker met een Hollandse
Object type: cup
Date: 1750 – 1800
Materials: glass
Techniques: gilding, glassblowing
Location: bohemia
Artist: Anonymous

Two beakers. Wheel engraving with a Russian and a Dutch woman. Bohemia, c. 1750 - 1800. A.J. Enschedé bequest, 1896.
Zes foto's van een reis met de S.Y. Sapphire naar Spitsbergen
Object type: album leaf
Materials: paper
Techniques: gelatin silver print
Subjects: j. tooth, london, mary russell, politician, gulf, bay, taking photographs - cc - out of doors, passengers ~ ship

Deze foto's maken deel uit van een album.
Suit
Object type: suit
Date: 1804 – 1814
Materials: metal thread, silk
Culture: french
Shawl
Object type: shawl
Date: 1840 – 1840
Materials: silk, wool
Culture: russian
Vase
Object type: vase
Date: 1601 – 1700
Materials: clay, glaze
Culture: japanese
The Assumption of the Virgin (recto); Architectural Notations (verso)
Object type: drawing
Date: 1680 – 1744
Materials: chalk, ink
Techniques: pen
Artist: lorenzo de' ferrari
Artist role: artist
Artist nationality: italian
Artist dates: 1680 – 1744
Subjects: angels,virgin mary,assumption of the virgin
Wit-lichtblauwe hyacint
Object type: watercolor
Date: 1746 – 1811
Materials: paper, watercolor
Techniques: brush
Artist: vincent jansz. van der vinne
Artist role: draughtsman, print maker
Artist dates: 1736 – 1811
Subjects: flowers: hyacinth
Inscriptions: inscription: ‘V:v.Vinne. Pinxit’
Portret van Hidde Heeremiet
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: wiskundige, boekhouder, hidde heeremiet
Inscriptions: collector's mark: Lugt 2228

Volgens Van Someren prent gebruikt in: Jan Hendrik Trieper (Jr.), Lofrede op Hidde Heeremiet, in leven secretaris der Maatschappij: Felix Meritis: uitgesproken op den 11den october 1821, te Amsterdam in genoemde Maatschappij. M. Westerman, 1823.
Cup and saucer with the portrait of Maria van Hohenzollern-Sigmaringen
Object type: kop en schotel, kop en schotel
Date: 1867 – 1867
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, relief, turning, vitrification
Location: berlin
Artist: a. ambronn
Artist role: painter
Inscriptions: mark: ‘scepter met adelaar in medaillon en KOENIGL. PORZELLAN MANUFAKTUR/ S/ D’, signature: ‘A. Ambronn’, mark: ‘scepter met adelaar in medaillon en KOENIGL. PORZELLAN MANUFAKTUR/ M’, inscription: ‘NICHTS OHNE GOTT’

Two cups and saucers with portraits of Philip, Count of Flanders, and Maria von Hohenzollern-Sigmaringen. Porcelain. Berlin, Königliche Porzellan Manufaktur, ca. 1867.
Allegorische voorstelling met getroonde vrouw in harnas
Object type: print
Date: 1677 – 1690
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: jupiter, usually in the shape of a white bull, abducts europa and carries her across the water

Allegorische voorstelling met getroonde vrouw in harnas en vrijheidshoed op haar staf. Aan haar voeten een leeuw met zwaard en boek. Achter haar de letters SPQV (een verwijzing naar Venetië?).
Fragment
Object type: fragment
Date: 1801 – 1900
Subjects: birds,flowers,leaves
At the Bull Fight, Spain
Object type: photograph
Date: 1905 – 1922
Materials: photographic support
Techniques: gelatin silver print
Location: spain
Artist: Anonymous

Arena voor stierengevechten in Valencia of Barcelona.
Omgevallen boom aan de bosrand
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: etching
Location: netherlands
Artist: pierre louis dubourcq
Artist role: draughtsman, painter, print maker
Artist dates: 1815 – 1873
Subjects: trees
Inscriptions: collector's mark: Lugt 2228
Gedicht op het portret van Dirk Langendijk door J.B. Scheffer
Object type: poem
Date: 1805 – 1805
Materials: ink, paper
Techniques: pen, writing
Artist: gerard van nijmegen
Artist role: draughtsman, painter, print maker
Artist dates: 1735 – 1808
Subjects: dirk langendijk, johan bernard scheffer, drawing, painting (including book-illumination, miniature-painting), historical persons (portraits and scenes from the life)
Inscriptions: watermark
Antieke kan
Object type: print
Date: 1856 – 1897
Materials: paper
Techniques: engraving
Artist: henri charles guérard
Artist role: print maker
Artist dates: 1846 – 1897
Subjects: jar, jug (used as drinking-vessel)
Inscriptions: collector's mark: Lugt 2228
Border
Object type: border
Date: 1701 – 1800
Techniques: lace
Subjects: angels
Gezicht op het fort van de Bastille vanuit de Rue Saint-Antoine
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching, hand coloring
Location: frankfurt am main
Subjects: fortress

Prent origineel vervaardigd als boekillustratie voor: Zeiller, Martin. Topographia Galliae, oder Beschreibung und Contrafaitung der vornehmbsten und bekantisten Oerter in dem mächtigen und grossen Königreich Frankreich, 13 delen. Frankfurt am Main: Caspar Merian, 1655-1661. De prent werd voor het eerst gepubliceerd in deel 1: Topographia Galliae, 1655.

De prent is langs de bovenrand van de voorstelling afgescheurd. Het bovenste gedeelte is hoger opgeplakt, zodat de lucht hoger is geworden en het formaat van de voorstelling past bij de andere groot formaatvoorstellingen in het album. De voorstelling is aan de bovenzijde aangevuld met een geschilderde lucht.
Frontispiece to A Gustave Flaubert (To Gustave Flaubert)
Object type: print
Date: 1889 – 1889
Materials: paper, ink, ivory
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Window Seat
Object type: window seat
Date: 1837 – 1837
Materials: wood
Culture: american
Location: united states
Artist: duncan phyfe
Artist role: maker
Artist nationality: american, born scotland
Artist dates: 1770 – 1854

In the early nineteenth century, designers and furniture makers embraced a revival of Classical prototypes from ancient Greek and Roman architecture and decorative arts, like this taboret (or stool). The curule form, or ogee-crossed stretcher base, plays on a Classical folding stool (sella curulis) often used by Roman magistrates which was popularly adapted by nineteenth-century French and English designers. Designs for taborets with curule bases appear in well-known publications from the period like Pierre de La Mésangère's Collection de Meubles et Objets de Goût (1820–1831) and the London fashion journal, Ackerman’s Repository of Arts. This taboret is part of an expansive suite of seating furniture attributed to the workshop of cabinetmaker Duncan Phyfe (see 66.221.1–.10 and 1972.264.1–.2). It was made to furnish the New York City townhouse, belonging to the lawyer Samuel A. Foot, located at 678 Broadway which had been completed in 1837. In 1847 the Foot family relocated to Geneva, New York, and sold the Broadway house to Foot's nephew, Thomas A. Davies. The Phyfe suite was likely moved to the family's new dwelling, a palatial Grecian-style villa named Mullrose (extant, though altered). The furniture came to the museum through Foot’s descendants.
Strook kloskant met anjer en peervormige bloem tussen hartjeswaaiers
Object type: strip
Date: 1725 – 1749
Materials: linen
Techniques: lace
Location: southern netherlands
Artist: Anonymous

Strook naturelkleurige kloskant, Binche-kant. Het zich herhalende en doorlopende patroon bestaat uit een golvende bladrank, die de vorm van de schulpen bepaald. Onder en boven de golftoppen bevinden zich om en om een waaier met hartjes, een peervormige bloem, een hangende anjer en een peervormige bloem met een vierlobbig rozetbloempje in de top. De motieven zijn met elkaar verbonden door netslagvullingen. De motieven zijn gemaakt in linnenslag met uitsparingen en opengewerkte randjes. Boven de hangende anjer is een siergrond met sneeuwvlokken toegepast. De geschulpte onderzijde is voorzien van picots. De bovenzijde is recht afgewerkt.
Line in Front of the Butcher Shop
Object type: print
Date: 1870 – 1871
Materials: paper
Techniques: etching, printing
Location: france
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883

As a member of the National Guard during the Prussian siege of 1870, Edouard Manet witnessed the misery of wartime Paris. He wrote, "[The] butcher shops open only three times a week, and there are queues in front of their doors from four in the morning, and the last in line get nothing." The abstract patterns of arrayed umbrellas in this print recall the work of the Japanese printmaker Utagawa Hiroshige. The bayonet rising above the umbrellas, however, reveals the military presence required to control the hungry crowd.
Wineglass
Object type: wineglass
Date: 1701 – 1833
Materials: glass
Jar
Object type: jar
Date: 6000 – 5400
Materials: ceramic
Culture: hacilar
Location: southwestern anatolia
String of Carnelian Beads and Poppy Pendants
Object type: necklace, bead
Date: 1981 – 1295
Materials: gemstone
Location: egypt
Panel
Object type: panel
Date: 1701 – 1800
Materials: lace
Techniques: gros point, lace
Subjects: flowers,leaves
Glass trumpet
Object type: trumpet
Date: 1700 – 1900
Materials: glass
Location: europe
Artist: Anonymous

Gladde, rondgebogen geribde buis, uitlopend in een klokvormige geribde klankbeker; aan de smalle zijde een uitgebogen mondstuk. Groen glas.