deem-data/ArtiFact huggingface dataset:
Gezicht op het Horse Guards Building in Londen
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Artist: Anonymous
Subjects: façade (of house or building)
Inscriptions: number: ‘86’, inscription: ‘Horse Guards’
Portret van een staande vrouw met hoed en fiets
Object type: album leaf
Date: 1891 – 1928
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: utrecht
Artist: anton cornelis thomann
Artist role: fotograaf
Artist dates: 1873 – 1946
Subjects: historical persons - bb - woman, bicycle
Inscriptions: inscription: ‘Anton C. Thomann/ Utrecht/ Witte Vrouwe Singel 89 (...)’
Gezicht op een brug en een bij waterval slot Neuschwanstein in Beieren
Object type: photograph
Date: 1857 – 1886
Materials: paper, photographic support
Techniques: photography
Location: bavaria
Artist: joseph albert
Artist role: printer, publisher
Artist dates: 1825 – 1886
Subjects: waterfall, landscape with bridge, viaduct or aqueduct

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Frankrijk, Spanje, Italië, Duitsland, Zwitserland en Oostenrijk.
Gezicht op de Lauriergracht te Amsterdam
Object type: sketchbook leaf
Date: 1896 – 1901
Materials: chalk, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: face, canals, waters (in city), civic architecture; edifices; dwellings
Inscriptions: annotation: ‘maanlicht/ lumière’

Lauriergracht 7 en hoger. Mogelijk gezien vanaf brug 112 in de Prinsengracht naar Lijnbaansgracht. Verder een studie van een gezicht. Pagina 21 en pagina 22 uit een schetsboek met 37 bladen.
Gezicht op Mount Desert Island
Object type: page
Date: 1882 – 1887
Materials: paper
Techniques: photograph
Location: east lamoine
Artist: Anonymous
Subjects: island, landscapes
Houten paneel gedecoreerd met een portret, dolfijnen en bladmotieven
Object type: photograph
Date: 1875 – 1900
Materials: photographic support
Techniques: matte daylight collodion silver print
Artist: Anonymous
Subjects: dolphin ~ ornament - aa - stylized, ornament derived from plant forms
Inscriptions: collector's mark: ‘Kunstnijverheidschool Quellinus Amsterdam Frans Halsstraat 14.’, collector's mark: ‘Instituut voor kunst-nijverheidsonderwijs Gabriël Metsustraat No. 16, Amsterdam’, number: ‘XXXIX kat. 183 92’
Adam de Coster
Object type: drawing and watercolor
Materials: paper
Techniques: brush, wash
Location: belgium
Artist: after anthony van dyck
Het uitzeilen van de Spaanse vloot van Havanna in 1662
Object type: drawing
Date: 1662 – 1662
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: bonaventura peeters (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1614 – 1652
Subjects: harbour, sailing-ship, sailing-boat, navy (+ sailing-ships)
Radegonde, femme de Clotaire 1er
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Veduta del Palazzo del N: H: Priul (...)
Object type: print
Date: 1750 – 1760
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni francesco costa
Artist role: draughtsman, painter, print maker
Artist dates:  – 1773
Subjects: river, hôtel, i.e. small palace in city, gondola

Gezicht op Palazzo del N: H: Priuli aan de rivier de Brenta. Op het water vaart een gondel. Genummerd midden onder: L en rechtsonder: Tom: II. Deze prent maakt deel uit van een album.
Variarum protractionum (...)
Object type: ornament print
Date: 1555 – 1555
Materials: paper
Techniques: etching
Location: netherlands
Subjects: title-page, mask, mascaron ~ ornament
Inscriptions: date

Rechthoekig staand cartouche met titel in het centrale compartiment. Gearceerde achtergrond. Titelblad van serie die bestaat uit titelblad en 12 bladen met cartouches met citaten van klassieke schrijvers in een omlijsting van rolwerk met grotesken, mascarons en guirlandes.
Napoli (Costumi). Venditori di Maccheroni
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1910
Materials: cardboard
Techniques: autotype
Location: naples
Artist: Anonymous
Subjects: market, merchant, salesman, naples
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 400 – 368
Materials: terracotta
Culture: greek, attic
Artist: montlaurès painter
Artist role: artist

Exterior, youth to right with his himation draped across his torso and over his left shoulder; hand holding stick or staff of a male to left
Calligraphy
Object type: folding fan mounted a an album leaf
Date: 1558 – 1641
Materials: gold, ink, paper
Culture: chinese
Artist: fan yunlin
Artist role: artist
Artist nationality: chinese
Artist dates: 1558 – 1641
Subjects: calligraphy
Beaker
Object type: beaker
Date: 1764 – 1764
Materials: metal
Artist: john hoyland and co.
Artist role: maker
Tabula Moderna Indiae
Object type: print
Materials: paper
Techniques: woodcut
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Twee figuren, mogelijk Romeo en Julia
Object type: print
Date: 1850 – 1913
Materials: paper
Techniques: etching, intaglio
Artist: joseph paul steynen
Artist role: print maker
Subjects: romeo, juliet
Inscriptions: collector's mark: Lugt 2228

In de inventaris getiteld: Romeo en Julia.
In Chancery, George Godfrey and Joe Lannon, from the Boxing Positions and Boxers series (N266) issued by P. Lorillard Company to promote Red Cross Long Cut Tobacco
Object type: print
Date: 1893 – 1893
Techniques: color lithograph
Artist: p. lorillard company
Artist role: publisher
Artist nationality: american
Artist dates: 1760 – 2014
Subjects: men,boxing,athletes

Trade cards from the "Boxing Positions and Boxers" series (N266), issued in a set of 25 cards in 1893 by P. Lorillard Company to promote the brand's Red Cross Long Cut Tobacco.
Fanny Leyland
Object type: print
Date: 1874 – 1874
Materials: ink, paper
Techniques: drypoint
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Inscriptions: Signed with butterfly in plate, center left, an "F" (in reverse) in plate, upper center, and "Fanny Leyland" (the F incomplete) in plate, upper left
Squatter's Shanty, New York City, from the Habitations of Man series (N113) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: the giles company
Artist role: artist
Artist nationality: american
Artist dates: 1800 – 1900
Subjects: children,women,goats

Trade cards from the "Habitations of Man" series (N113), issued in a set of 25 cards in 1890 by W. Duke, Sons & Co., a branch of The American Tobacco Company, to promote Honest Long Cut Smoking and Chewing Tobacco.
Prometheus Taking Fire From Olympus
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: Ludovico Cardi, called Il Cigoli
Artist nationality: Italian
Artist dates: 1559 – 1613
Twee groepen mannen, vrouwen en kinderen
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: ink, paper, pencil
Techniques: pen
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: family group, especially parents with their child(ren)
Inscriptions: annotation: ‘[...] presse/ [...]ens’

Het blad is deels uit het schetsboek gescheurd.
Wine Glass
Object type: wine glass
Date: 1780 – 1825
Materials: glass, lead
Techniques: glassblowing, molding
Culture: american
Location: united states
Très Parisien, 1925,  No. 9, Pl. 11: Création BECHOFF - LA DAME EN NOIR
Object type: fashion print
Date: 1925 – 1925
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: ensembles of pieces of clothing (three piece suit) (+ women's clothes), neck-gear: collar (+ women's clothes), fashion plates
Inscriptions: caption: ‘11. - LA DAME EN NOIR. - D'une tres belle allure, ce trois-pièces de crêpe 'Bilitis' noir doublé de crêpe "Bilitis" blanc. Il se réchauffe d'un rien de fourrure au col et aux manches et fait une belle harmonie, très distinguée.’

Driedelig ensemble van zwarte en witte crêpe "Bilitis", afgezet met wit bont. Prent uit het modetijdschrift Très Parisien...La Mode, Le Chic, L'Élégance (1920-1936)
Decorated Folio
Object type: folio
Date: 1501 – 1800
Materials: gold, ink, paper, watercolor
Location: iran

This unfinished page has been fabricated by use of a stencil, which was used to create the undulating floral and arabesque motifs in gold and black around the perimeter of the page. The craftsman has further adorned this folio with bands of dyed blue and orange paper outlining the central void. Pages like this originally framed paintings, drawings, or samples of calligraphy, which would have been included in an album or manuscript. This part of the page illustrates how folios were built up with layers of paper.
The Actors Matsumoto Koshiro IV as Ukita Sakingo and Sawamura Sojuro III as the ghost of the courtesan Takao, in the play "Ominaeshi Sugata no Hatsuaki," performed at the Nakamura Theater, 1788
Object type: print
Date: 1788 – 1788
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Wandelstok van gevernist hout met platte koperen knop, waarin opgerolde plattegrond Parijs
Object type: walking stick
Date: 1889 – 1889
Materials: copper, metal, paper, ink, wood
Techniques: cutting, printing, striking, varnishing
Location: paris
Artist: g. dreyfus
Artist role: publisher
Subjects: paris
Inscriptions: name: ‘G. Dreyfus, 32 Rue de Paradis, Paris’, mark: ‘Déposée CANNE PLAN. G.D.’

Wandelstok van gevernist hout versierd met platte koperen knop en metalen rand, voorzien van opgerolde plattegrond. Model: recht en taps toelopend. Verdeeld in drie delen die d.m.v. een schuifverbinding en kopspijkers aan elkaar verbonden zijn. In het middelste deel een 26 cm lange verticale gleuf van 5 mm breed, waarin de stoffen plattegrond is opgerold. De metalen punt onder aan de stok ontbreekt. Versiering: in de gleuf wordt met een veer een bedrukt en geglansd stuk katoen opgerold dat aan beide zijden meerkleurige is bedrukt. Aan de ene kant is de plattegrond van de "Exposition Universelle de 1889" gedrukt en aan de andere kant die van de stad Parijs. Onderaan de kaarten het adres: G. Dreyfus, 32 Rue de Paradis, Paris. Merk: Déposée Canne Plan. G.D.
Oiwa (Oiwa-san), from the series "One Hundred Ghost Tales (Hyaku monogatari)"
Object type: print
Date: 1831 – 1832
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849

This pale-skinned head emerging from a worn paper lantern is a depiction of Oiwa, a character from Yotsuya Kaidan, a famous Japanese ghost play (kaidan mono). In the story Oume, a woman who wants to steal Oiwa’s husband, sends her a topical poison disguised as a face cream. The poison immediately scars Oiwa, and her eye begins to droop, as seen in the center of the image here. When she realizes the deception, Oiwa becomes hysterical and accidentally kills herself. After her death, she seeks revenge on not just Oume but also her husband and others. The inscription on the lantern begs us to pray for her soul.

The Art Institute’s collection boasts one of the most well-preserved and appreciated editions of Katsushika Hok usa i’s One Hundred Ghost Tales series (1831–32). The artist apparently planned to produce a full hundred images, but the series was not completed and only five prints are known. The title refers to a game in which people would gather at night to tell scary stories, putting out a candle after each tale until the room was completely dark. These small-format works feature a bright-blue color made possible by Berlin blue pigment (often called “Prussian blue”), which had become affordable shortly before their production. Although this hue may seem cheery to us, Hokusai’s original audience would have associated it with death and the occult.
Portret van Giovan Battista Savello
Object type: print
Date: 1646 – 1647
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: ranks in the army, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent uit: Ritratti et elogii di capitani Illustri. Che ne'secoli moderni hanno gloriosamente guerreggiato. Rome: Filippo de'Rossi en Vitale Mascardi, 1646, p. 300. Prent ook gebruikt in dezelfde editie van 1647. Eerdere staat van prent in ieder geval ook gebruikt in: Ritratti et elogii di capitani Illustri. Rome: Pompilio Totti en Andrea Fei, 1635.
Portret van Aegidius Strauch
Object type: print
Date: 1666 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: theologian, historical persons, mathematics (+ portrait of scholar, scientist)

Met drieregelig onderschrift in het Latijn.
Landschap met twee reiswagens voor een herberg
Object type: print
Date: 1751 – 1799
Materials: paper
Techniques: etching
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, inn, coffee-house, public house, etc.
Inscriptions: collector's mark: Lugt 2228

Halte bij een herberg. Bij een herberg rusten reizigers en paarden tijdens hun reis. Rechts een wagen met passsagiers. De paarden krijgen te drinken.
Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme aussi les Cartes des Côtes de France et d'Espagne
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: etching
Location: leiden
Subjects: barcelona, spaanse successieoorlog

Gezicht op de Spaanse stad Barcelona. Plaat nr. 426 in deel XVII van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne uit 1726, dit tweede deel met 271 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in het Frans. Rechtsonder sporen van het weggepolijste nummer: 262.
Cuneiform tablet: messenger tablet
Object type: cuneiform tablet
Date: 2034 – 2034
Materials: clay
Culture: neo-sumerian
Location: mesopotamia
Part of a Padlock
Object type: padlock
Date: 1301 – 1500
Materials: iron
Culture: european
Gezichten in en om de stad Danzig
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view, and landscape with man-made constructions, bourgeoisie, middle class, citizens, burghers, townhall, ornamental fountain, village square, place
Inscriptions: collector's mark: Lugt 2228

Deze prent behoort tot een serie van veertien prenten betreffende de stad Danzig. Verklarende legenda onder de prent.
Sand Shaker
Object type: sand shaker
Date: 1750 – 1780
Materials: earthenware
Culture: mexican
Location: mexico
Box
Object type: box
Date: 1351 – 1400
Materials: brass, silver
Techniques: engraving, inlay
Location: egypt or syria

A series of intertwined cartouches run around this small brass box: four circular and four oblong. Two of the oblong cartouches contain Arabic inscriptions set within a dense vegetal background. The use of lotus flowers can be seen in the other two oblong cartouches and in a more stylized form in two of the circular cartouches. The remaining two circular cartouches are decorated with a knot terminating in four flower buds, perhaps lotus blossoms. Above the cartouches, the lip of the box, which is convex in profile, is simply ornamented with a geometric zigzag design. Much of the silver inlay has been lost, obscuring the original sharply contrasting lines in silver and brass and decreasing the clarity of the ornament. The fine stippling, which would have held the silver sheets in place, and the black outline have been preserved well. The interior is decorated with a circular motif of fishes, similar in style to a bowl in the collection (91.1.534). The box is designed in characteristic Mamluk style but the slightly crude execution of the design and the illegibility of the calligraphy might indicate that it was made for a less wealthy patron
Hat
Object type: hat
Date: 1501 – 1600
Materials: metal thread, silk
Culture: italian
Kinuta, from the series "One Hundred No Dramas (Nogaku hyakuban)"
Object type: print
Date: 1898 – 1903
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Starling, from the Birds of America series (N37) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Birds of America" series (N37), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N37 reproduces the cards from N4 in a larger size.
Fan
Object type: fan
Date: 1730 – 1730
Materials: ivory
Subjects: men,women
Portret van de schilder Jozef Cornelius Correns, halffiguur
Object type: carte de visite
Date: 1861 – 1861
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Artist: joseph dupont
Artist role: fotograaf
Artist dates: 1818 – 1901
Subjects: antwerp, painter, draughtsman, jozef cornelius correns, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: inscription: ‘Correns (Joseph)/ peintre né à Anvers/ en 1814 Elève de l'ac dernier Royal et de M. Mathieu von Brée’, inscription: ‘ETABLISSEMENT PHOTOGRAPHIQUE/ de/ J. DUPONT/ Place de Meir 32/ ANVERS/ Maison fondée en 1853’
Portret van Georg Jacob Friedrich Meister
Object type: print
Date: 1775 – 1840
Materials: paper
Techniques: engraving
Artist: ernst ludwig riepenhausen
Artist role: print maker
Artist dates: 1765 – 1840
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, name
Veuë de la Grotte et Cascade de Ruel
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: etching
Location: paris
Subjects: french or architectonic garden; formal garden, artificial grotto in garden, garden cascade
Inscriptions: collector's mark: Lugt 2228
Teapot
Object type: teapot
Date: 1745 – 1745
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: chickens
De in de tempel opgesloten Joodse priesters trachten zich voor het paasfeest van offerdieren te voorzien
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: fourth book of the maccabees (4 maccabees)
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie uit: Josephus, Flavius. XX. boeken van de oude geschiedenissen der joden, 4 delen. Amsterdam: Barent Visscher, Willem de Coup, Willem van Lamsveld, Andries van Damme, 1698, dl. II.
Chiyoda Castle (Album of Women)
Object type: print
Date: 1895 – 1895
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: women,trees
Perfume Sprinkler (Qumqum)
Object type: perfume sprinkler
Date: 1001 – 1266
Materials: glass
Techniques: glassblowing
Location: syria

This long-necked glass bottle with a ring-shaped body would have been used for disseminating rosewater or another aromatic substance mixed with water. Rosewater was used for cooking and as a perfume to be sprinkled on guests at the end of a meal. The production of such sprinklers in Syria from the late eleventh to the mid-thirteenth century reflects another aspect of courtly manners in which attractiveness in all its forms was prized.
Koopman aan schrijftafel
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving
Location: dordrecht
Subjects: commercial traveller, symbols of particular nations, states, districts, etc., merchant, salesman
Inscriptions: collector's mark: Lugt 2228

Vertrek met een koopman, zittend achter een schrijftafel. Hij wordt omringd door kooplieden uit allerlei landen. Linksonder twee putti die het wapenschild van de Republiek der Zeven Verenigde Nederlanden vasthouden.
Gezicht in het Colosseum met op de voorgrond een monnik
Object type: drawing
Date: 1779 – 1779
Materials: chalk, paper
Techniques: brush, pen
Location: rome
Artist: jean grandjean
Artist role: draughtsman, print maker
Artist dates: 1752 – 1781
Subjects: ruin of a building ~ architecture, landscape with ruins
Inscriptions: signature: ‘Jn GrandJean f[ec; afgesneden] / int Coliseo Roma / 1779’
Ruïnes
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscape with ruins, landscape with tower or castle, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 240

Een zittende herder bij een ruïne van een toren in een landschap. Zestiende prent uit een serie van twintig.
Portable equatorial sundial
Object type: portable equatorial sundial
Date: 1772 – 1790
Materials: brass
Artist: lorenz gräsl
Artist role: maker
Artist nationality: german
Artist dates: 1740 – 1805
Subjects: sundials
Lot verlaat Sodom
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the destruction of sodom and gomorrah: lot and his family flee to zoar, carrying their belongings; an angel may be showing the way (genesis 19:24-29)
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11

Lot verlaat met zijn familie de stad Sodom, de dochters dragen hun bezittingen. Lot wordt de weg gewezen door twee engelen. Illustratie van het Bijbelverhaal in Genesis 19:24-29.
The Resurrection
Object type: relief sculpture
Date: 1401 – 1500
Materials: alabaster, gold
Techniques: polychromy
Culture: british
Location: england
Subjects: men,christ,resurrection

The Resurrection, referring to the moment at which Christ rises from his tomb, was a popular scene in medieval religious art. Traditionally, soldiers are shown fast asleep around the tomb, oblivious to the miracle occurring in their midst. Often, the armor and weapons of the soldiers are accurate representations of what was worn and used in the place and period in which an artwork was created. Bashford Dean (1867–1928), founding curator of the Department of Arms and Armor, formerly owned this alabaster relief. As part of his large private collection of arms and armor, Dean eagerly sought out and acquired works of art, which he called documents, if they accurately depicted historical armor and weapons.
Bij een eeuwfeest
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: the hague, constantijn huygens (i), historical persons
Inscriptions: collector's mark: Lugt 2228

Ovaal portret van Constantijn Huygens, omgeven door een kader met Latijnse tekst. Onder zijn portret het familiewapen.
Fragment of a Necklace
Object type: costume and accessory
Date: 201 – 300
Materials: gold
Culture: roman
Location: roman empire
Subjects: beauty, rituals

The stylized bird forms seen here in repeating pairs were a popular motif in 3rd century Rome, and many similair works have been excavated at a wide array of European sites; though their significance beyond the decorative is yet unknown.
Apron
Object type: apron
Date: 1876 – 1900
Materials: cotton, silk, wool
Portret van Rochus Otto Manderup Heinrich zu Lynar
Object type: print
Date: 1846 – 1857
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228