deem-data/ArtiFact huggingface dataset:
Design for T-Cart, no. 3264a
Object type: drawing
Date: 1876 – 1876
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
De schelpenvisser
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: drypoint, intaglio
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: shell fishery, beach
Inscriptions: annotation: ‘Ets van J. Th. Toorop/ ten behoeve van "Te huizen voor arme schoolgaande kinderen"’, collector's mark: Lugt 1713a, collector's mark: Lugt 2228
Wisteria
Object type: drawing
Date: 1874 – 1945
Materials: ink, paper
Techniques: brush, pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: flowers: lupin
Plum Vase (Maebyeong) with Clouds, Cranes, and Children Motifs
Object type: vessel
Materials: ceramic glaze, glaze, stoneware
Techniques: inlay
Location: korea
Subjects: children, green (color), clouds, cranes, birds, animals, trees, plants, bamboo

Celadon or green-glazed stoneware is one of the greatest achievements of Korea’s Goryeo dynasty. Goryeo potters absorbed Chinese techniques and surpassed that country’s examples by further refining a technique known as sanggam. The time-consuming and complex process of sanggam involves carving a motif, then filling it with white and/or red clay (which turns black after firing) before applying the final bluish-green glaze. This vase is decorated with two large oval-like frames containing a scene of children playing in a bamboo garden, and a motif of cranes flying through clouds, symbolizing a wish for fertility and longevity.
Hercules and Cacus
Object type: print
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: soldiers,women,hercules
River scene, Java
Object type: photomechanical print
Date: 1870 – 1875
Materials: cardboard
Techniques: woodburytype
Location: java
Artist: walter bentley woodbury
Artist role: fotograaf
Artist dates: 1834 – 1885
Subjects: river, java
Inscriptions: inscription: ‘Asia’, inscription: ‘Woodbury photo.’
Tusk with figurative relief
Object type: tusk
Date: 1880 – 1890
Materials: ivory
Culture: kongo
Location: cabinda
Artist: vili-kongo artist(s)
Artist role: artist

This tusk is one of numerous carved ivories produced by Kongo artists for foreign consumption in the second half of the nineteenth century. The scenes carved in relief portray the brutality of Belgian colonial activities in the Kongo. Chained figures are marched forward by men brandishing rifles. Elsewhere, scenes depict men beaten with knives and the butts of rifles, emphasizing the violent and dehumanizing practices employed by Belgian officials. The portrayal of both slave caravans and ivory porters, many of whom were also enslaved, on this tusk evokes the interdependence between these two commercial endeavors.Vividly illustrating these abuses, this ivory and others like it actively protest against the catastrophes of colonialism by capturing, recording, and circulating these scenes locally and abroad. This tusk can be specifically dated to the early 1880s. In the middle register, a suit worn by a European figure sitting at a table reflects fashion trends from that period. Notably, the trans-Atlantic slave trade was outlawed in 1850, but human trafficking continued for several decades. Moreover, the Belgian colonial period in the Kongo is remembered for its brutality and violence against indigenous, black populations. English missionary Alice Seeley Harris photographed the brutal conditions of forced labor, enslavement, and exploitation at least as late as 1905.
Albumblad met 11 plakplaatjes
Object type: album leaf
Date: 1880 – 1910
Materials: paper
Techniques: chromolithography
Artist: Anonymous
Subjects: cut flowers; nosegay, bunch of flowers, children's games and plays

Albumblad met 11 plakplaatjes van boeketten en kinderen, centraal een buste van een elegante dame. Onderdeel van het plakboek met 38 bladen gevuld met plakplaatjes, poesieplaatjes en uitgeknipte en ingeplakte fragmenten van prenten. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Varia.
Frederik VI, koning van Denemarken, noodmunt van twee skilling
Object type: coin
Date: 1810 – 1810
Materials: copper
Techniques: striking
Location: denmark
Artist: Anonymous
Subjects: copenhagen (city)

Voorzijde: borststuk man binnen omschrift. Keerzijde: gekroond wapenschild tussen waardeaanduiding binnen omschrift
Relief of Queen Neferu having her hair done
Object type: relief, female attendant, neferu
Date: 2051 – 2030
Materials: limestone, paint
Location: egypt

Several of the monuments created for the wives of Mentuhotep II include scenes showing aroyal woman having her hair dressed. These two small fragments come from a comparable depiction in Neferu’s tomb. For other reliefs from the tomb of Neferu, see 31.3.1 and 26.3.353*.
Tobacco box with scenes from life of Jonah
Object type: tobacco box
Date: 1701 – 1800
Materials: brass, copper, silver
Subjects: men,apostles,ships

The box is a long octagon. Four episodes from the story of Jonah are combined into one scene on the lid. In the upper left corner Jonah ignores God's order and refuses to go to Nineveh. At the lower left he boards a ship. In the center Jonah dives overboard; the fish close by is about to swallow him. In the foreground at the right Jonah crawls ashore. The inscription reads: De geschiedenisse van Jonas 2 (The history of Jonah 2). The underside illustrates Jonah preaching among the people of Nineveh in an elaborate architectural setting. It is inscribed: Jonas preekt tot nenive jona 1·2·3 (Jonah preaches to Nineveh, Jonah 1.2.3). The rims are lined and the edges molded. The front and back of the box's sides are engraved with ten apostles and two evangelists, each in an interior or outdoor scene, and each flanked by his name. On the front side, from left to right, they are: Peeterus (Peter) with a key; Jacobus (James Major) with a traveling staff; Joannes (John) writing with a ship and a lamb; Andreas (Andrew) with a ship and a fish; Philipus (Philip) with a herd of sheep; Tomas (Thomas) with a book and a cross. On the back, from left to right, are: Bartoloz (Bartholomew) with an animal; Mateus (Matthew) writing with an angel; Jacobi (James Minor) with a book; Zimon (Simon) with a bird; Juda (Judas) with a book; and Lucas (Luke) standing. At the short ends, inscribed between two stars is: De 12 apostelen / van christus (The twelve apostles / of Christ). This box's scheme of illustration is unusually ambitious: see the discussion of it in the text above.
Flying Putto Supporting a Crown
Object type: drawing
Date: 1652 – 1726
Materials: chalk
Artist: anton domenico gabbiani
Artist role: artist
Artist nationality: italian
Artist dates: 1652 – 1726
Subjects: male nudes
The Defeat of the Cormorants
Object type: drawing
Date: 1648 – 1653
Materials: chalk
Artist: louis testelin
Artist role: artist
Artist nationality: french
Artist dates: 1615 – 1655
Subjects: birds,men,fish
Portret van een meisje, staand bij een stoel
Object type: album leaf
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: vigo
Artist: r. buck
Artist role: fotograaf
Subjects: historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: inscription: ‘R. Buck/ Vigo’
The Three Travellers at the Foot of High Rock
Object type: print
Date: 1621 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: human figures,buildings,trees
Budapest. New-York Palota / New-York-Palais
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: budapest
Artist: Anonymous
Subjects: edifice, e.g.: public building, department store
Beaker with Prunts and Metal Rings
Object type: glass
Date: 1600 – 1625
Materials: glass, metal
Culture: german
Location: germany
Pijpenkoppen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark: crowned 91; 1hsm1.
Portret van Lucas Merens
Object type: print
Date: 1828 – 1843
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘L. Merens Syn h. t. Ses’
Boots
Object type: boot
Date: 1835 – 1835
Materials: cotton, leather
Culture: french

This well-preserved pair of ankle boots represents a form of daytime footwear prevalent in both the United States and Europe from the 1830s through the 1860s. A style known as gaiter boots, they imitated the delicate appearance of slender slippers paired with gaiters of a contrasting material. Narrowly cut, they gave the impression of a small foot, which aligned with prevailing ideals of beauty and femininity linking delicacy not only to elegance, but to gentility. As hemlines rose in the 1830s, and the foot and ankle became a visible focus of attention, such shoes would have conveyed the impression of dainty features, and by extension refinement and respectability. Etiquette manuals and popular ladies’ magazines in Europe and America promoted this style of footwear as an essential fashion accessory, perfectly in line with expected standards of propriety and good taste.
Musée de Cluny. Façade, côté de la Chapelle (XVe siècle)
Object type: photomechanical print
Date: 1920 – 1932
Materials: cardboard
Techniques: photograph, writing
Location: paris
Artist: Anonymous
Subjects: permanent exhibition, museum
Inscriptions: postage stamp
"Again, Madame, whether you do or do not want to divorce, you are perfectly free"
Object type: print
Date: 1832 – 1832
Techniques: lithograph
Artist: j. j. grandville
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1847
Subjects: men,women,roosters
November
Object type: print
Date: 1625 – 1700
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: november and its 'labours', sagittarius (zodiacal sign of november), slaughtered ox or pig
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Menselijke bezigheden in de maand november. Landschap met rechts een man die een varken slacht. Linksboven het sterrenbeeld Boogschutter.
Vier figuren met hoofddeksels, in profiel
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head-gear, the (nude) human figure; 'corpo humano' (ripa) (+ standing)

Pagina 13 uit schetsboek XLII met 32 pagina's.
Portret van Anton I, koning van Portugal
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving, letterpress printing
Location: delft
Subjects: paris, historical persons, ruler, sovereign

Prent uit: Clerck, Nicolaes de. Tooneel der keyseren en[de] coningen van christenryck sedert den onderganck van het Griecks keyserdom. Delft: Nicolaes de Clerck, 1615, p. 114.
Portret van een man met een bril
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: eyeglasses, spectacles, historical persons, neck-gear ~ clothing, clothing for the upper part of the body

Onderdeel van Fotoalbum van een Nederlandse familie met 168 cartes-de-visite en kabinetfoto's.
Battle of the Combined Venetian and Dutch Fleets against the Turks in the Bay of Foya, 1649
Object type: painting
Date: 1656 – 1656
Materials: canvas, oil
Artist: abraham beerstraten
Artist role: draughtsman
Subjects: battle (+ sailing-ships), netherlands, italy, venice
Inscriptions: signature and date: ‘AB 1656’

Zeeslag van de verenigde Venetiaanse en Nederlandse vloten onder bevel van Giacomo Riva tegen de Turken in de Baai van Foja, 12 mei 1649. Links de gewapende Nederlandse koopvaarder 'Madonna della Vigna'.
Nicolas Chrystin, bourgeois d'Anvers
Object type: print
Date: 1605 – 1650
Techniques: etching
Artist: jean morin
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1650
Subjects: men,portraits
Jongen en politieman op een straat
Object type: drawing
Date: 1887 – 1916
Materials: ink, paper, pencil
Techniques: pen
Artist: willem pothast
Artist role: draughtsman, print maker
Artist dates: 1877 – 1916
Subjects: boy (child between toddler and youth), policeman, constable, street (+ city(-scape) with figures, staffage)
Inscriptions: signature: ‘W. Pothast.’, collector's mark: Lugt 2228

Een politieman staat op straat bij een poort. Met een lantaarn schijnt hij op het gezicht van een jongen.
Karikatuur van Antoine Pauwels
Object type: cartoon
Date: 1837 – 1837
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: machine driven by steam, caricatures (human types), adult man, historical persons, rebus
Inscriptions: inscription: ‘Pauwels, chimiste - le premier qui ait donné le gaz aux Parisiens’

Karikatuur van Antoine Pauwels, met vleugels op zijn rug en zijn haar in een puntige kuif. Hij steekt uit het dak van een gebouw. Op het dak twee stoommachines. Onder een Franse rebus met een kan/pot, de letter W, een vleugel en de letter S. De oplossing is een fonetische variant van zijn achternaam: [pot]W[aile]S.
Portret van een man
Object type: carte de visite
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: harlingen
Artist: benjamin van der heide
Artist role: fotograaf
Artist dates: 1837 – 1928
Subjects: historical persons
Inscriptions: inscription: ‘Photgrpahie van B. van der Heide/ Harlingen/ Bekroond op de Tentoonstelling van Nijverheid/ te Harlingen 1871’
Staten van Utrecht
Object type: jeton
Date: 1587 – 1587
Materials: copper
Techniques: striking
Location: utrecht
Artist: Anonymous
Subjects: utrecht

Koperen penning. Voorzijde: gehelmd wapenschild onder vaas met bloemen binnen omschrift. Keerzijde: wapenschild op versierd cartouche, omgeven door vier wapenschilden binnen omschrift
Portret van Anna Maria van Schurman
Object type: print
Date: 1648 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: print maker, anna maria van schurman, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240

Portret van Anna Maria van Schurman, staand ten halven lijve voor draperie naast uitzicht op Domtoren te Utrecht in ovale omlijsting. Rond het ovaal attributen als een globe, luit en teken- en schildersmaterialen. Onder de lijst een blad met een vers vastgehouden door twee kleine engelen.
Zittende naakte man, zijn hoofd met zijn hand ondersteunend
Object type: drawing
Date: 1756 – 1797
Materials: chalk, paper
Techniques: brush
Location: netherlands
Artist: hendrik willem schweickhardt
Artist role: draughtsman, painter, print maker
Artist dates: 1746 – 1797
Fotoreproductie van een schilderij van Antonius Moncada en zijn leger die de opstandelingen verdrijven door David Teniers en Jan van Kessel I
Object type: photograph
Date: 1865 – 1870
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: unsuccessful revolution or revolt, suppression of revolutionary activity
Allegory of Virtues and Vices at the Court of Charles V
Object type: relief
Date: 1522 – 1522
Techniques: gilding
Artist: hans daucher
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1538
Subjects: tents,men,women,horses,processions
Plan van Bergen op Zoom
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: hand coloring, lithograph
Location: utrecht
Artist: johannes paulus houtman
Artist role: bookseller, print maker, printer, publisher
Artist dates: 1803 – 1845
Subjects: maps of cities, gunpowder disaster, bergen op zoom
Inscriptions: collector's mark: Lugt 2228

Plattegrond van Bergen op Zooom waarop de schade is aangegeven aangericht door de ontploffing in de kruitmagazijn van laboratorium Stoelemat te Bergen op Zoom, 29 maart 1831. Delen van de kaart met kleuren aangegeven. Met in vier kolommen de legenda 1-63, A-Z en AA-DD.
Vest met ronde hals, okselgaten en 13 knopen en knoopsgaten, van rode gebrocheerde zijde met noppen; lange mouwen en rug grotendeels van bruin geglansd linnen (?).
Object type: menswear
Date: 1740 – 1760
Materials: linen, silk
Techniques: brocade
Artist: Anonymous
Silhouetportret van François Zacharias Ermerins
Object type: print
Date: 1848 – 1862
Materials: paper
Techniques: hand coloring, lithograph
Location: zwolle
Subjects: middelburg, historical persons, professor
Inscriptions: : ‘Gedeponeerd.’, collector's mark: Lugt 2228

Met facsimile handtekening van de geportretteerde.
Part (bottom right) of a ceiling decoration with Diana and her companions as the principal representation
Object type: painting
Date: 1676 – 1682
Materials: canvas, oil, paint
Artist: gerard de lairesse
Artist role: draughtsman, painter, print maker
Artist dates: 1641 – 1711
Subjects: (story of) diana (artemis)

Onderdeel (rechtsonder) van een plafondschildering van vijf delen met als hoofdvoorstelling Diana en haar gezellinnen, geschilderd voor de 'grote zaal' van Paleis Soestdijk.
Animal Locomotion, Plate 174
Object type: photograph
Date: 1887 – 1887
Techniques: photograph
Location: england
Artist: eadweard muybridge
Artist role: artist
Artist nationality: british and american
Artist dates: 1830 – 1904
Dal met begroeide bergen
Object type: drawing
Date: 1834 – 1911
Materials: chalk, paper, watercolor
Techniques: brush
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: mountains
Piece
Object type: piece
Date: 1770 – 1770
Materials: cotton, linen
Subjects: birds,flowers,trees,carriages
Terracotta fragment of an open shape
Object type: underdetermined open shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Part of the bowl and foot of an open shape; the outer edge of the foot is glazed; the resting surface and underside of the vase is also glazed
Portret van Friedrich Carl von Savigny
Object type: print
Date: 1842 – 1868
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: carl mayer
Artist role: print maker
Artist dates: 1798 – 1868
Subjects: berlin, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk afkomstig uit de Almanach de Gotha.
Carnelian ring stone
Object type: intaglio
Date: 100 – 300
Materials: gemstone
Culture: roman
Subjects: profiles,hermes

Bust of Hermes wearing chlamys.
Bust of Piet Hein
Object type: figure
Date: 1636 – 1636
Materials: terracotta
Location: amsterdam
Artist: hendrick de keyser (ii)
Artist role: sculptor
Artist dates: 1613 – 1665
Subjects: delfshaven, historical persons (+ (full) bust portrait)
Inscriptions: date, reverse side collar, incised in the wet clay: ‘1636’

Piet Hein fought in the Netherlands, the Mediterranean Sea, Asia, Africa, and America as a seaman. But he only becomes truly famous when he captures the Spanish Silver Fleet off the coast of Cuba in September 1628. For the Spanish the loss of that fleet is a financial catastrophe and for the Dutch Republic, quite the opposite, a tremendous triumph. Hein becomes enormously popular among the Dutch and is honoured everywhere. Just a year later, Hein dies in a skirmish with privateers from Ostend in the English Channel.
Dress
Object type: dress
Date: 1875 – 1875
Materials: cotton
Culture: american or european
Beschrijving van de lijkkist van koning Willem II, 1849
Object type: manuscript
Date: 1849 – 1849
Materials: paper
Techniques: pen
Location: netherlands
Artist: Anonymous
Subjects: william ii of the netherlands
Inscriptions: collector's mark: Lugt 2228

Handgeschreven beschrijving van de lijkkist van koning Willem II, bij zijn begrafenis op 4 april 1849 te Delft.
The Queen of Cyprus, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence)
Object type: print
Date: 1611 – 1619
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Bloemen
Object type: sketchbook leaf
Date: 1892 – 1901
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: flowers

Blad 15 verso uit een schetsboek met 51 bladen.
Bemanningsleden aan boord van een schip, het glas heffend
Object type: album leaf
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: paulo robin
Artist role: fotograaf
Subjects: crew ~ ship, drinking, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: name: ‘Paulo Robin’, inscription: ‘Photographia/Brazileira/ 96 Rua de S. José, 96/ (Antiga do Parto)/ Rio de Janeiro’, inscription: ‘A.L. B.te S.C.D.G.’
Vase of Flowers
Object type: drawing and watercolor
Materials: graphite, paper
Location: france
Artist: pierre auguste renoir
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1919
Inscriptions: Dated recto, lower right, in graphite: Mai 1857
Johannes op Patmos (?)
Object type: drawing
Date: 1700 – 1800
Materials: oil, paper
Techniques: brush
Artist: Anonymous
Subjects: john (writing) on the island of patmos, possibly the eagle beside him
Aanval op de stadt Hattem den 5de September 1786
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: bombardment
Inscriptions: collector's mark: Lugt 2228

Beschieting van de stad Hattem door de stadhouderlijke troepen, 5 september 1786.
De vapeurs
Object type: book illustration
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: lunatic asylum, mental home, conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2228

Een welgestelde man, die last heeft van opvliegers, is in gesprek met een man in het dolhuis. Illustratie bij het verhaal 'De vapeurs' uit 'Fabelen voor de Nederlandsche jeugd'.