deem-data/ArtiFact huggingface dataset:
Piece
Object type: piece
Date: 1750 – 1750
Materials: metal thread, silk
Subjects: flowers,leaves
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, seven fragments with part of ground line
Icon of the Virgin and Child, Hodegetria variant
Date: 1201 – 1300
Materials: paint, wood
Culture: byzantine or crusader
Location: egypt
Artist: byzantine or crusader
Artist role: artist
Artist nationality: byzantine or crusader
Subjects: madonna and child

This intimate variant of the Byzantine Virgin Hodegetria (She who shows the Way) and the Virgin Eleousa (Virgin of Tenderness) icon types embodies the cross-cultural currents of the thirteenth century when Crusader artists coming East from Italy, France, England, and elsewhere in Europe met artists of the Byzantine tradition of the Orthodox Church. The exquisite faces of the Virgin and Child are typical of Byzantine icons in style. The Virgin’s pensive gaze recognizes the future suffering of her son as in Hodegetria icons. Christ’s upturned face would be nestled against the Virgin’s neck in an Eleousa icon in a gesture of tenderness. By distancing the Child, the artist has created a new variant of the Hodegetria type where the Virgin becomes a nurturing mother as she points to her infant son as the path to salvation. The Child’s hand on his shoulder may refer to where the cross would later rest as he carried it to his Crucifixion.
The Essentials of Rebirth in the Pure Land (Ojōyōshū)
Object type: illustrated book
Date: 1790 – 1790
Materials: ink, paper
Techniques: woodblock print
Culture: japanese

This set of illustrated books reproduces a medieval text known as the Ojōyōshū, written by the Buddhist monk Genshin (942–1017) in the late 900s. Genshin’s treatise includes startling descriptions of the various hells into which a sinner could be reborn and explains Pure Land practices that ensured rebirth in paradise. One powerful technique, nenbutsu, involves the visualization or recitation of Amida’s name. The monk’s teachings exerted major influence on later followers of Amida and Pure Land Buddhism.
Fishing Boats at Granville
Object type: drawing and watercolor
Date: 1851 – 1852
Materials: chalk, crayon, graphite, paper
Techniques: drawing, scraping, stumping
Location: france
Artist: théodore rousseau
Artist role: artist
Artist nationality: french
Artist dates: 1812 – 1867
Portret van Maria von Hohenzollern-Sigmaringen
Object type: print
Date: 1882 – 1882
Materials: paper
Techniques: etching
Artist: jean baptiste pierre michiels
Artist role: print maker
Artist dates: 1821 – 1890
Subjects: brussels, print maker, maria van hohenzollern-sigmaringen (gravin van vlaanderen), adult woman, historical persons, pearl; pearl necklace
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Epreuve signée et approuvée par la Comtesse de Flandre’
Plan de Luxembourg ville forte capitale du duché de même nom (...)
Object type: print
Date: 1721 – 1725
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: fortified city, maps of cities
Inscriptions: collector's mark: ‘DEPOT GENERAL DES FORTIFICATIONS’, collector's mark: ‘ARCHIVES HOLLANDAISES’

Vestingplattegrond van Luxemburg. Rechtsboven de titelcartouche. Linksonder een schaalstok: Echelle de deux cens Toises.
Workum van de waterzy
Object type: book illustration
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: river, church (exterior), windmill, prospect of city, town panorama, silhouette of city, woudrichem
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 161.
Meine ersten Nadel Versuche: eine Folge von 28 Blättern
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: etching
Location: vienna
Artist: marie anna fischer
Artist role: print maker
Artist dates: 1782 – 1844
Subjects: river, trees: pine, boat propelled by man or animal
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Boven een rivierlandschap met een man in een punter. Onder een landschap met dennenbomen en twee vrouwen bij een hek.
Tabaksdoos zonder deksel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: box
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Tobacco box; fragm, lid, squashed, oval (hinge originally five-lugged).
Portret van Joannes Hagius
Object type: print
Date: 1600 – 1624
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: delft, historical persons, physician, doctor, armorial bearing, heraldry

Prent met tekst op verso gebruikt in: Hagius, Joannes. Den lusthof der medecijnen (...). Dordrecht: Isaac Jansz. Canin, 1616.
Fragments of a cart or chariot, crossed cylinders
Object type: chariot fragment, crossed cylinder
Date: 500 – 480
Materials: bronze
Culture: etruscan

Large collection of bronze and iron attachments once belonging to a chariot.
Lion's head terminal
Object type: terminal
Date: 900 – 801
Materials: bronze
Culture: iranian
Location: iran
Subjects: lions
De zondeval
Object type: print
Date: 1500 – 1550
Materials: paper
Techniques: woodcut
Location: germany
Artist: hans springinklee
Artist role: print maker
Artist dates:  – 1540
Subjects: eve simultaneously offers some of the fruit to adam and takes some more from the serpent (or the tree)
Inscriptions: collector's mark: Lugt 2228
Deksel, wit, met blauwe biezen en peervormige dekselknop
Object type: lid
Date: 1860 – 1890
Materials: creamware
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: check stamp: ‘P. REGOUT // MAASTRICHT // 16 X’

Deksel van aardewerk, behorend bij een koffie- en theeservies, wit, met blauwe biezen en peervormige dekselknop.
Guimpe van kloskant met boterbloempjes
Object type: guimpe
Date: 1910 – 1910
Materials: linen
Techniques: lace
Location: belgium
Artist: Anonymous

Guimpe van naturelkleurige kloskant: duchesse-kant. Rechthoekig model met iets verbrede uiteinden. De achtergrond, half traliegrond, half vlechtengrond, is door een boogjeslijst verdeeld. Op de traliegrond staan enige los gestrooide takjes met besjes en een randje van 'boterbloempjes' aan stengeltjes.
Poppenhemelbed met bloemslingers op witte fond. Behangen met geruite gordijnen. Met inhoud.
Object type: canopy bed
Date: 1600 – 1699
Materials: textile, linen, wood, silk
Techniques: napping, painted
Location: northern netherlands
Artist: Anonymous

Poppenhemelbed van eikenhout, op een wit fond beschilderd met bloemslingers en groene biezen, behangen met geel geruite gordijnen. De balusterpoten dragen huizen en geleding. Het hoofdeinde is accoladevormig geschulpt. De regels zijn betimmerd met groen-wit gestreepte singelbanden. De hemel rust op vier ronde hoekstijlen ("fourposter"). Textilia: een groot en een klein kussen, drie slopen (wit, rood geruit, blauw-wit gestreept) en een deken (aan de bovenkant met een blauw/roze/wit gestreept bloemenmotief).
Mercantile Junks at Canton
Object type: photograph
Date: 1869 – 1869
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Subjects: boats
Bottle with a thistle medallion
Object type: bottle
Date: 1675 – 1676
Materials: stoneware
Techniques: salt glaze
Artist: john dwight
Artist role: maker
Artist nationality: british
Artist dates: 1635 – 1703
Subjects: coat of arms

John Dwight was the first Englishman to successfully produce salt-glazed stoneware, for which he obtained a patent in 1672. While still a student at Oxford, Dwight worked with scientists Robert Hooke and Robert Boyle, and began to experiment with ceramics. In addition to producing sculptural ceramics, Dwight’s Fulham Pottery produced vessels that emulated Rhenish bellarmine jugs. Dwight took legal actions against many of his competitors, but despite his efforts, salt-glazed stoneware was produced by other British potteries in Lambeth, Nottingham, Bristol, and Staffordshire. John Dwight’s role in producing and marketing British salt-glazed stoneware speaks to the rise of entrepreneurship in the British ceramic industry. Dwight bottles with "loyal" British medallions are extremely rare, and demonstrate how Dwight transformed a German form into something essentially British. Typically there would be three medallions featured: the Badge of England, flanked by the Arms of Ireland and the Badge of Scotland. Having an example with only the Badge of Scotland makes this piece extremely unusual, and this bottle represents the first example of John Dwight’s pottery in the Museum’s collection.
Mary, Queen of Scots, on the morning she suffered Death in Fotheringhay Castle
Object type: print
Materials: steel
Techniques: etching, mezzotint
Location: england
Artist: george dawe
Artist role: artist
Artist nationality: british
Artist dates: 1781 – 1829
Subjects: queens,women,mary queen of scots
Design for Ceiling, Hôtel Hope
Object type: drawing
Date: 1867 – 1867
Materials: gouache, ink, watercolor
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ornament,ceilings
Koperen knoop, glad en bol model, met daarop bevestigd een W onder een kroon
Object type: clothing
Date: 1880 – 1948
Materials: copper
Location: utrecht
Artist: Anonymous
Inscriptions: mark: ‘PARREE & ZONEN UTRECHT’

Koperen knoop, glad en bol model, met daarop bevestigd een W onder een kroon. Aan de achterzijde een oog.
John Payne Todd
Object type: painting, miniature
Date: 1817 – 1817
Materials: ivory, watercolor
Culture: american
Artist: joseph wood
Artist role: artist
Artist nationality: american
Artist dates: 1778 – 1830
Subjects: men,portraits

The sitter (1792-1852) was the firstborn son of John Todd Jr. (?-1793) and Dolley Payne (later Dolley Madison).
Young Man Playing Flute as Three Girls Watch
Object type: print
Date: 1782 – 1782
Techniques: woodblock print, hashira
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Kahn. Rodolphe. 43 ans, né le 15/1/51 à Lyon (Rhône). Courtier de commerce. Anarchiste. 8/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Preek van Christus voor de tempel
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: christ is teaching in the temple in the middle of the feast of tabernacles
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel II. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Necklace
Object type: necklace
Date: 1801 – 1900
Materials: cotton, stone
Culture: tibetan

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Stoke-by-Nayland
Object type: painting
Date: 1810 – 1811
Materials: canvas, oil
Artist: john constable
Artist role: artist
Artist nationality: british
Artist dates: 1776 – 1837
Subjects: landscapes
Beaker
Object type: beaker
Date: 1801 – 1833
Materials: glass
Artist: anton kothgasser
Artist role: decorator
Artist nationality: austrian
Artist dates: 1769 – 1851
Subjects: birds,moon,landscapes

The German inscription on this painted beaker reads “Inseparable / Only by you and with you,” a dedication to romantic love and undying loyalty. The landscape echoes this sentiment: under a full moon, two trees shelter a pair of nuzzling turtledoves.
La Pratique de l'Aiguille, page 72 (recto)
Object type: book print ornament architecture
Date: 1605 – 1605
Techniques: woodcut
Artist: matthias mignerak
Artist role: author
Subjects: ornament

Written by Matthias Mignerak, title page engraved by Pierre Firens, French, born Paris 1641, dedicated to Marie de Medici, Florence 1575-1642 Cologne, published by Jean Le Clerc, Paris. From top to bottom, and left to right: Design composed of 2 friezes of lace patterns that are printed upon a solid black background. Both friezes are decorated with patterns characterized by a series of linear and geometric motifs. In particular, top frieze is ornamented with 3 rounded triangular motifs that sit upon heart-shapes bases.
Twee reliëfs van sarcofagen, voorstellend Lazarus bij een vijgenboom en Christus en Petrus bij de haan
Object type: page
Date: 1867 – 1877
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: the raising of lazarus ('lazarus, come out'), sarcophagus, decorating 'en relief', appliquéing, cock on column ~ instruments of the passion
Inscriptions: inscription: ‘The fig tree - Lazarus- tombs. Christ and S. Peter with the cock’
Deventer. Spoorbrug
Object type: photograph
Date: 1940 – 1940
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: deventer
Artist: arnoldus vrauwdêunt
Artist role: graficus
Subjects: obstructions, barricades (defensive measures), railway, tramway; rack railway, bridge, projectiles, explosives, etc., netherlands, deventer
Inscriptions: inscription: ‘Deventer. Spoorbrug’

Albumblad met twee foto's van het opblazen van de spoorbrug bij Deventer op 10 mei 1940, in een poging om de opmars van het Duitse leger te bemoeilijken. Onderdeel van het fotoalbum over de verwoestingen van Nederlandse steden en infrastructuur in het begin van de Tweede Wereldoorlog.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, back of head of a filleted youth to left
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, legs, drapery, and part of spear or staff of male to left
Teapot with flowers, floral scrolls and antiquities in panels
Object type: lid
Date: 1800 – 1899
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Deksel van theepot van porselein, beschilderd op het glazuur in blauw, rood, roze, geel, zwart en goud. Een band met puntige motieven, daarboven een band met servetwerk, uitgespaarde bloemranken in een blauwe grond met grote bloemen (o.a. pioen, lotus) afgebeeld. Famille rose.
Indonesiërs en Europeanen en buffels bij onbekend evenement in Nederlands-Indië
Object type: photograph
Date: 1916 – 1918
Materials: photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: cattle, festivities, dutch east indies, the

Onderdeel van Familiealbum met foto's van een familie in de voormalige kolonie Nederlands-Indië en van een suikerfabriek in Purworejo.
Uitnodiging voor de '45e Algemeene Vergadering der Nederlandsche Maatschappij ter bevordering der 'Pharmacie'' in 1896
Object type: photomechanical print
Date: 1896 – 1896
Materials: paper
Techniques: printing block
Location: the hague
Artist: Anonymous
Subjects: fancy letters
Inscriptions: date

Typografische kaart met de tekst: '45e Algemeene Vergadering der Nederlandsche Maatschappij ter bevordering der 'Pharmacie' te houden op Woensdag 1 en Donderdag 2 Juli 1896 te Alkmaar. Den Heer', waarna een naam met de hand geschreven is. Boven deze tekst nog ruimte voor een nummer, waar het cijfer 9 is ingevuld. Rechtsboven op de kaart is 'f 7,-' geschreven.
Glass alabastron (perfume bottle)
Object type: alabastron
Date: 534 – 401
Materials: glass
Culture: greek, eastern mediterranean

Opaque white, with handles in same color; trails in translucent purple. Broad, flat rim-disk with tooling marks on upper surface; short cylindrical neck; narrow rounded shoulder; straight-sided body with slight upward taper; convex bottom; below shoulder, two vertical ring handles with knobbed tails applied over trail decoration. One trail attached at edge of rim-disk; another applied on neck and wound down in spiral on upper body, then tooled into a zigzag pattern around middle of body; below this, a third fine trail wound twice horizontally around body. Intact, but internal cracks around lower body; pitting of surface bubbles, patches of limy encrustation, and faint iridescent weathering.
Songs of Experience: London
Object type: print
Materials: gold, ink, shell, watercolor
Techniques: etching, hand coloring, printing, relief
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: poetry,children,men

Blake’s Songs of Experience contains twenty-seven pages. The artist etched the printing plates in 1794, expanding the scope of his earlier Songs of Innocence. He then printed and hand-colored copies of the combined sets over succeeding decades as patrons ordered them, each one visually distinct. Verse and image work together to celebrate poetic inspiration and reveal aspects of the divine as expressed through nature, but the tone of the later Songs of Experience is dark, even despairing. Children experience inexplicable cruelty at the hands of adults and the poet offers neither rescue nor resolution. These works were shaped by the later stages of the French Revolution, which was marked by regicide, the Terror, and repression of radical thinkers in Britain. The artist Edward Calvert met Blake around 1825 and commissioned this copy of Songs of Innocence and of Experience soon thereafter. These richly decorated pages, with their deeply saturated hues and distinctive ornamental borders, reveal Blake’s late vision, and the order is established by small red numbers at upper right. This copy of Songs was later the first work to be purchased by the Museum’s new Department of Prints in 1917, recommended by its distinguished curator William M. Ivins, Jr.
Portret van Johann Dieckmann
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: engraving
Artist: christian fritzsch
Artist role: print maker
Artist dates: 1695 – 1769
Subjects: theologian, historical persons
Patriotten verlaten de Neude te Utrecht, 1787
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: etching, intaglio
Location: utrecht
Artist: johannes jelgerhuis
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1836
Subjects: putting the enemy to flight - hh - being put to flight, fleeing (+ citizen soldiery, civil guard, citizen militia), square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2233

Chaos op de Neude te Utrecht in de nacht van 15 op 16 september 1787 als de patriotse schutterijen het plein en de stad ontvluchten wegens de naderende Pruisische troepen.
Robert James "Bob" Gilks, Pitcher, Cleveland, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Shabti of Tjenet-ipet
Object type: funerary object
Materials: faience, terracotta
Culture: egyptian
Location: egypt
Inscriptions: The Osiris Tjenet-ipet
Oversteek van de Haukeliseterpas
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: vienna
Subjects: mountain climbing, mountaineering, mountain-range, snow peaks
Inscriptions: number: ‘12’
Portret van een zittende vrouw met boek in de hand
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: arnstadt
Artist: r. finzel
Artist role: fotograaf
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman
Inscriptions: inscription: ‘Photogr. Anstalt von R. Finzel,/ ARNSTADT i/THÜRINGEN.’
Gezicht op de Kostverlorenvaart gezien vanaf Baarsjesweg, hoek Chasséstraat
Object type: drawing
Date: 1906 – 1927
Materials: chalk, paper
Location: amsterdam
Artist: anthonie van teijn
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1943
Subjects: sailing-ship, sailing-boat, city-view in general; 'veduta', canal, street
Inscriptions: inscription: ‘de Baarsjes’, collector's mark: Lugt 800a, signature: ‘VanTeyne’, inscription: ‘De Kostverlorenvaart. gezien (...) Juni 1927 / vanEck’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 30.
Textile with Partial Pattern of Crane Roundel and Squares
Object type: piece
Date: 1615 – 1868
Materials: silk
Techniques: brocade, weave
Culture: japanese
Pin
Object type: pin
Date: 670 – 330
Materials: bronze
Culture: roman
Boslandschap met een bruggetje, Barendrecht
Object type: drawing
Date: 1876 – 1876
Materials: chalk, paper
Location: barendrecht
Artist: johannes gijsbert vogel
Artist role: draughtsman, painter, print maker
Artist dates: 1828 – 1915
Subjects: meadow, pasture
Inscriptions: date
Maria als Mater Dolorosa
Object type: print
Date: 1642 – 1698
Materials: paper
Techniques: mezzotint
Artist: bernard vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1632 – 1698
Subjects: 'mater dolorosa'
Inscriptions: collector's mark: Lugt 240

Deze prent is de pendant van Hollstein nr. 3 door dezelfde prentmaker.
M Alkoven
Object type: ornament print
Date: 1745 – 1775
Materials: paper
Techniques: engraving
Location: paris
Subjects: built-in bedstead (dutch: 'bedstee')
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Plattegrond en vooraanzicht van een alkoof met gordijnen en een bed met medaillon met vrouwenportret. Aan weerszijden van de alkoof rocaille panelen en een afbeelding van een landschap.
Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo)
Object type: print
Date: 1810 – 1810
Techniques: burnishing, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,death