deem-data/ArtiFact huggingface dataset:
Tetradrachm (Coin) Depicting the God Dionysos
Object type: coin
Date: 146 – 146
Materials: metal, silver
Culture: greek
Location: thasos
Subjects: mythological figures, gods (deities), heracles
Inscriptions: Reverse: ΗΡΑΚΛΕΟΥΣ ΣΩΤΗΡΟΣ ΘΑΣΙΩΝ Μ

Herakles was the consummate hero. Temples across Greece and South Italy were dedicated to him, the son of Zeus, and Romans, who knew him as Hercules, celebrated him as a role model. With brute force, determination, and just enough cleverness, Herakles completed his famous Twelve Labors to become immortal. Herakles is readily identifiable by his knobby club and lion’s skin. The latter refers to his First Labor, in which he killed a magical beast who was ravaging the town of Nemea. The lion’s invincible hide made him immune to weapons, so Herakles strangled him and took his pelt. Depictions of Herakles’s other Labors can be seen throughout the galleries.

Herakles can be identified on the back (reverse) of this coin by his attributes, the knobby club and the lion’s skin. The front (obverse) of this coin depicts the head of the god Dionysos, facing right, crowned with an ivy wreath.
Vier portretten van een man, voorstellende een dood tijdens een duel
Object type: photograph
Date: 1881 – 1886
Materials: paper
Techniques: albumen print
Artist: nicola tonger
Artist role: fotograaf
Artist dates: 1846 – 1917
Subjects: morphology of facial expression, duelling, death of human being
Inscriptions: number: ‘88 - 90’, number: ‘TAFEL XXV.’

Foto op negenenveertigste ongenummerde pagina na pagina 6.
Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects
Object type: album print ornament architecture
Date: 1800 – 1850
Materials: chalk, graphite, ink
Techniques: pen
Artist: charles percier
Artist role: designer
Artist nationality: french
Artist dates: 1764 – 1838
Subjects: buildings
Studie
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: pencil
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932

Pagina 7 uit een schetsboek met 23 bladen.
Aanbidding door Jozef en Maria
Object type: print
Date: 1661 – 1704
Materials: paper
Techniques: engraving
Location: paris
Subjects: adoration of the christ-child by mary and joseph
Inscriptions: collector's mark: Lugt 240
Pax et Felicitas Populorum
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: woodcut
Location: germany
Artist: Anonymous
Subjects: 'cornucopia', horn of plenty, justitia (justice) as roman personification, pax as roman personification
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Drukkersmerk gebruikt in: Hontheim, Johann Nikolaus von. De Statu Ecclesiae et Legitima Potestate Romani Pontificis. Frankfurt en Leipzig: s.n., 1770. Waarschijnlijk ook gebruikt in andere publicaties.
Automobielen in beweging
Object type: page
Date: 1893 – 1903
Materials: paper
Techniques: autotype
Subjects: automobile
Inscriptions: number: ‘Fig. 11. Fig. 12.’
Portret van een onbekende jongen, aangeduid H.R. Salmon
Object type: photograph
Date: 1865 – 1875
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: boy (child between toddler and youth), historical persons
The first Oriental head
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: signature and date: ‘Rembrandt geretuc 1635’, collector's mark: Lugt 240
Principale Porte d'entree au Palais de l'Alcazar a Séville
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: sevilla
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: gate, entrance
Inscriptions: number: ‘2475.’
Aanbidding door de herders
Object type: print
Date: 1535 – 1540
Materials: ink, paper
Techniques: pen
Location: venice
Subjects: city-view, and landscape with man-made constructions, adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: collector's mark: Lugt 240

Onder een afdak aanbidden de herders het Christuskind dat in een kribbe ligt. Bij het Kind staan Maria en Jozef. Links twee jongens en op de achtergrond een landschap.
Panel from Sultan Lajin's Minbar at the Mosque of Ibn Tulun, Cairo
Object type: panel
Materials: wood
Techniques: carving, inlay
Location: egypt

Before becoming sultan, Husam al-Din Lajin spent a year in hiding at the dilapidated Ibn Tulun Mosque. He vowed to renovate the mosque someday, and an enormous minbar was the result, dismantled in the late 19th century and dispersed in several museum collections. A copy based on a traveler's drawing now stands in the mosque.
Sacred Eye Amulet
Object type: amulet, wedjat eye
Date: 1390 – 1352
Materials: faience
Location: egypt
Subjects: eyes
Kloof van Trient in het kanton Valais, Zwitserland
Object type: photograph
Date: 1860 – 1890
Materials: paper
Techniques: albumen print
Location: wallis
Artist: Anonymous
Subjects: ravine, chasm, abyss, canyon, brook, bridge
Tivoli, plate four from Views and Buildings of Italy
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: lameau
Artist nationality: french
Artist dates: 1803 – 1822
Dinner dress
Object type: dinner dress
Date: 1880 – 1880
Culture: american
Reisnotities en berekeningen
Object type: sketchbook leaf
Date: 1875 – 1875
Materials: paper, pencil
Artist: george clausen
Artist role: draughtsman
Artist dates: 1852 – 1912
Inscriptions: annotation: ‘[...]’

Blad 38 recto uit een schetsboek met 38 bladen.
Animal Ornament
Object type: ornament
Date: 501 – 700
Materials: copper
Culture: moche
Location: peru
Subjects: animals
Teef met puppies
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: etching
Location: amsterdam
Artist: pauwels van hillegaert
Artist role: painter, print maker
Artist dates: 1596 – 1658
Subjects: dog
Inscriptions: collector's mark: Lugt 240

Teef met puppies bij een hondenhok achter een schutting. Vijfde prent van een serie van acht prenten met voorstellingen van honden.
Triumph. prix d'honneur. Anvers 1884
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: etching, intaglio
Location: antwerp
Artist: louis van engelen
Artist role: print maker
Artist dates: 1856 – 1940
Subjects: dog
Inscriptions: collector's mark: Lugt 2228
Portret van Hendrik, prins van Pruisen
Object type: print
Date: 1740 – 1775
Materials: paper
Techniques: engraving
Location: germany
Artist: gustav andreas wolfgang (1692-1775)
Artist role: print maker
Artist dates: 1692 – 1775
Subjects: berlin, friedrich heinrich ludwig van pruisen, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 358, number: ‘O. 286’
Fürst Gortschakoff. General d. Artillerie, Oberbefehlshaber der russ. Armee in den Donaufürsten thümern
Object type: print
Date: 1830 – 1863
Materials: paper
Techniques: tone lithography
Location: berlin
Subjects: mikhail dmitrievich gorchakov, moustache, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 2141c
de Avondpost; dagblad voor stad en land
Object type: newspaper
Date: 1898 – 1898
Materials: paper
Techniques: printing
Location: the hague
Subjects: print maker, wilhelmina of the netherlands, netherlands

Eén van een serie kranten, nrs. 4056 t/m 4073, van "de Avondpost" met berichten over de inhuldiging van koningin Wilhelmina 1898.
Vertical Band from a Tunic
Object type: textile fragment
Date: 601 – 700
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: women,lions

This shoulder band was once inserted in a Coptic tunic. Tapestry-woven on a red ground, a haloed female is depicted along with vases, palmettes, and lions. The leaflike feet of the female is a characteristic stylization in this period. Like most Coptic textiles, this band probably was unearthed from a burial site in Egypt.
Landschap met bomen langs een rivier
Object type: print
Date: 1850 – 1883
Materials: paper
Techniques: drypoint, etching, intaglio, roulette
Artist: jerôme tuyttens
Artist role: painter, print maker
Subjects: water course
Inscriptions: collector's mark: Lugt 2228

Sterfdatum van de prentmaker is onbekend. Daarom is voor de bepaling van de rechten van dit object gebruik gemaakt van de verwervingsdatum Rijksmuseum Amsterdam.
Salt Box
Object type: metalwork
Date: 1800 – 1800
Materials: pewter
Location: germany
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, head, neck, and shoulder of filleted youth wearing a petasos; behind bridge of nose, either proper right eye of youth or eye of another; two letters of an inscription, ES
Caricatured Liberian, 1 Cent, from the series Coins of All Nations (N72, variation 1) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,coins

Trade cards from the "Coins of All Nations" (N72), issued in a set of 50 cards in 1889 to promote W. Duke Sons & Co. brand cigarettes. There are two variations within the series. Version one (variation 1) maintains a white background on the cards and the second version (variation 2) displays a shaded background.
Shirt
Object type: shirt
Date: 1801 – 1900
Materials: linen
Design for Vis-à-vis/ Barouche, no. 210
Object type: drawing
Date: 1850 – 1870
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Bowl
Object type: bowl
Date: 1701 – 1733
Materials: feather, glaze, porcelain
Culture: chinese
Panel (Dress Fabric)
Object type: textile
Date: 1701 – 1800
Materials: silk
Techniques: painting, weave
Location: china
Subjects: fashion
[Construction Site]
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print, glass negative
Artist: louis lafon
Artist role: artist
Artist nationality: french
Artist dates: 1870 – 1899
Subjects: architecture,industry

The urbanization projects of nineteenth-century France called on photography to record not only the ornamental details of a building’s exterior but also the progression of its construction. Lafon mastered this type of industrial imagery, a pursuit for which he was awarded a medal at the 1874 exhibition of the Société française de photographie. This photograph succinctly captures the construction of a building that integrated modern techniques of iron and steel-frame construction with traditional materials like brick masonry. In addition to showing the progress of construction, the image offers a striking tableau of modern labor. Tradesmen in dark clothing perch atop the razor-thin beams and cut dramatic silhouettes against the sky, while unskilled laborers cloaked in loose white smocks fidget and sway almost irreverently along wooden scaffolding, indicating the seconds-long exposure of Lafon’s large wet-plate camera. Left of center, in a tailored jacket and short-brimmed hat, an onsite engineer appears to handle a rolled-up drafting sheet that, like Lafon’s photograph, would reveal the building’s path from initial scheme to final shape.
Fragment
Object type: fragment
Date: 1801 – 1833
Materials: canvas
Stand (part of a set)
Object type: stand
Date: 1740 – 1770
Materials: hard paste porcelain
Subjects: flowers
Man met kinderen ontvangt geld terwijl een man een decreet omhoog houdt
Object type: print
Date: 1514 – 1531
Materials: paper
Techniques: letterpress printing
Subjects: sealing wax, parents with their children, money-lender, usurer

Deze prent is gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
Lyk-staetsie van zyne doorluchtigste Hoogheid den Heere Willem [IV] Carel Hendrik Friso, Prince van Orange en Nassau (...) gehouden den IV Februari 1752
Object type: print
Date: 1754 – 1755
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: the hague, willem iv (prins van oranje-nassau), cortege, funeral procession, delft

Aankomst van de rouwstoet met de lijkwagen op de Grote Markt te Delft en de intocht in de Nieuwe Kerk. In de marge het onderschrift in Nederlands, Frans en Engels. Onderdeel van een serie van 41 platen van de begrafenisstoet van stadhouder Willem IV te Delft op 4 februari 1752. Ongenummerd. In de gebonden uitgave van 1755.
Landschap met vee en een melkmeid
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: cow, goat, milkmaid, dog
Inscriptions: collector's mark: Lugt 2610, collector's mark: Lugt 2228, collector's mark: Lugt 2925a

In een landschap staan enkele koeien, geiten en een hond. Daarachter staat een melkmeid met een juk op haar schouders.
Ezels op een weg
Object type: photomechanical print
Date: 1915 – 1920
Materials: paper
Techniques: rotogravure
Location: beijing
Subjects: ass, donkey, road, path
Ovale fantasielandschappen
Object type: print
Date: 1650 – 1655
Materials: paper
Techniques: etching
Location: paris
Subjects: landscapes, (high) hill, 'en route', traveller under way, rocks
Inscriptions: collector's mark: Lugt 240

In een ovale omlijsting loopt een wandelaar op een pad langs een grote rotspartij.
Landschapsstudies door Paulus Lauters
Object type: print
Date: 1839 – 1840
Materials: paper
Techniques: lithograph
Location: paris
Subjects: trees, walking-stick, staff, carrying something in basket, bag, rucksack, etc., landscapes (+ landscape with figures, staffage)
Vase
Object type: vase
Date: 1701 – 1800
Materials: ceramic glaze, glaze, porcelain
Culture: chinese
Terracotta pitcher with lid
Object type: oinochoe with lid
Date: 730 – 730
Materials: terracotta
Culture: greek, attic

The large pitcher (jug) belongs to a group of eight terracotta vases (10.210.1-.8) that are said to be from Athens. Despite the absence of archaeological record, they were probably found together in a tomb. Such groups are well attested in excavated burials. Moreover, the iconography of the two neck-amphorae, particularly the one with the mourning women on the neck, is appropriate for a funerary purpose. The group displays stylistic changes that occurred from about 730-700 BCE, a time of artistic innovation that resulted in the end of the formal precision of the Geometric style and the rise of the exuberant Protoattic style. The pitcher is one of the earliest pieces of the group, as indicated by its strictly geometric painted decoration. Characterized by a globular belly, a gracefully curved high neck and a single vertical handle, monumental pitchers were a new shape of the Late Geometric style in Athens. It was the main shape produced by the so-called Workshop of Athens 706, to which this piece is attributed.
Sheet with overall pattern of circles and ovals
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Bartmann (bearded-man) jug with three medallions
Object type: jug
Date: 1598 – 1610
Materials: cobalt, engobe, glaze, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: frechen
Artist: Anonymous
Subjects: double-headed eagle, beard
Inscriptions: inscription: ‘CEASAR AVG PM TR IMP P [...] CLAUDIU[...]’, date: ‘1598’

Kruik (baardmankruik) van steengoed op standvlak met een bolvormig lichaam en smalle, korte nek. Het getordeerde, C-vormige oor is bevestigd aan de nek en de schouder. Profielen op de nek. Bedekt met een bruine engobe en kobaltblauw. Op de buik driemaal een groot, gedrukt en opgelegd medaillon in reliëf. Het middelste medaillon toont een wapen met een dubbele adelaar, de datum '1598' en een cartouche met een onleesbaar opschrift. Het wapen wordt gedragen door leeuwen. Aan weerszijden hiervan een medaillon met een portret van een keizer met elk het randschrift 'CEASAR AVG PM TR IMP P [...] CLAUDIU[...]'. Tussen de grote medaillons twee kleine met een wapen. Over de schouders een rechthoekig vak met een wapen geflankeerd door leeuwen en krulwerk. Op de nek, doorlopend op de schouder, een baardman. Frechen.
Esemplario di lavori, page 8 (recto)
Object type: book print ornament architecture
Techniques: bookbinding, inlay, woodcut
Location: italy
Artist: nicolò zoppino
Artist role: publisher
Artist nationality: italian
Artist dates: 1478 – 1544
Subjects: ornament

Published by Nicolo Zoppino, Italian, active 16th century, Venice. From top to bottom, and left to right: Design composed of 2 horizontal registers: top illustrated with clovers framed by group of 4 small white diamonds, and bottom illustrated with clovers framed by group of 9 small white diamonds.
Het zinkende schip Holland, 1781
Object type: design
Date: 1781 – 1788
Materials: ink, paper
Techniques: brush, pen
Location: northern netherlands
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: sailing-ship, sailing-boat, battle (+ naval force), shipwreck

Ontwerptekening voor illustratie in: P.A. Loosjes. Vaderlandsche historie, vervattende de geschiedenissen, der Vereenigde Nederlanden [...]. Ten onmiddelyken vervolge van Wagenaar's Vaderlandsche historie. Dl. 3. Amsterdam: J. Allart, 1788.
Brush holder
Object type: brush holder
Date: 1801 – 1833
Materials: lacquer
Autumn Moon on the Tama River
Object type: print
Date: 1838 – 1838
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,rivers,moon,trees,boats
Franse etsen uit 1874
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: lake
Inscriptions: collector's mark: Lugt 2760, collector's mark: ‘AFE v S’, collector's mark: Lugt 2228
Piece
Object type: piece
Date: 1601 – 1700
Techniques: lace
Kaiserliches Findelhaus.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-petersburg
Artist: louis gothe
Artist role: fotograaf
Subjects: foundling-hospital
Inscriptions: inscription: ‘Ansichten von St. Petersburg.’, number: ‘28.’
Bewening
Object type: print
Date: 1600 – 1700
Materials: paper
Techniques: etching
Location: low countries
Artist: Anonymous
Subjects: preparations for christ's entombment, bearing of christ's body to the grave, lamentation over the dead christ by his relatives and friends (christ usually without crown of thorns)
Inscriptions: watermark, collector's mark: Lugt 2228, collector's mark: ‘DOUBL./ R.P.K.’

De gestorven Christus wordt het graf ingedragen en beweend door onder andere engelen, Maria, Johannes en Maria Magdalena. Rechts staat een man met een schaal met spons in de handen. Op de grond liggen de passiewerktuigen: spijkers en doornenkroon. Een putto toont de Veronicadoek.
Dish (one of a graduated set of seven)
Object type: dish
Date: 1741 – 1742
Materials: silver
Artist: paul de lamerie
Artist role: maker
Artist nationality: british
Artist dates: 1688 – 1751
Pie Dish
Object type: pie dish
Date: 1803 – 1867
Materials: earthenware
Culture: american
Location: united states
Artist: hervey brooks
Artist role: maker
Artist nationality: american
Artist dates: 1779 – 1873
Trommel inden voorgevel
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: print maker, jacob eduard de witte, theatre (building), architectural design or model, surface decorations ~ architecture
Inscriptions: collector's mark: Lugt 2228

Het fronton in de voorgevel, medaillon met spelende putti. Onderdeel van een reeks van veertien platen van de nieuwe Schouwburg te Amsterdam, 1774.
Laan in een landschap met bomen
Object type: sketchbook leaf
Date: 1841 – 1853
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: trees, landscapes, forest path or lane

Blad 2 recto uit een schetsboek met 87 bladen.
Saucer with an inscription and date
Object type: platter
Date: 1842 – 1842
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, relief, turning, vitrification
Location: europe
Artist: Anonymous
Inscriptions: mark: ‘zwaard of f’, inscription: ‘UIT ERKENTENIS VAN J.A en J.G DIEHL 1842’

Schotel van porselein, beschilderd in zwart en goud. De voorzijde van de schotel is grotendeels bedekt met gouden banden. Op het plat is een medaillon uitgespaard met daarin het opschrift 'UIT ERKENTENIS VAN J.A en J.G DIEHL 1842'. Gemerkt op de onderzijde met een zwaard of f.
Gezicht op een huizenrij in een stad
Object type: drawing
Date: 1600 – 1699
Materials: chalk, ink, paper
Techniques: brush, pen
Subjects: urban housing, street
Portret van Christian Mentzel
Object type: book illustration
Date: 1724 – 1724
Materials: paper
Techniques: engraving, etching
Location: berlin
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit: Acta Medicorum Berolinensium, in Incrementum Artis & Scientiarum collecta & digesta. Volumen IV. Berlijn: Gottfried Gedicke, 1724.
Portret van Jacob Friedrich Ludovici
Object type: print
Date: 1722 – 1722
Materials: paper
Techniques: engraving
Location: leipzig
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Deutsche Acta Eruditorum (...). dl. 83. Leipzig: Johann Gottlieb Gleditsch, 1722
Lamp
Object type: lamp
Date: 601 – 1100
Materials: earthenware
Location: palestine
Ovoid covered jar with powder blue and panels in reserve with lanscape, flower basket and antiquities
Object type: covered jar
Date: 1700 – 1724
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous