deem-data/ArtiFact huggingface dataset:
Ewer
Object type: ewer
Date: 901 – 1100
Materials: earthenware
Techniques: incising
Location: iran

This ceramic ewer was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Strook katoen met kantborduurwerk met een geometrisch patroon van zeshoeken tussen ruiten en zigzag-schulpen
Object type: strip
Date: 1860 – 1880
Materials: cotton
Techniques: weave, embroidery
Location: amsterdam
Artist: c.i. bosch reitz-teding van berkhout
Artist role: kantwerkster

Strook naturelkleurige katoen met kantborduurwerk: Engels borduurwerk. Dicht op elkaar aansluitend geometrisch patroon met twee rijen ruiten gevormd door geborduurde rechte zigzag-banen. De onderste (derde) rij is gehalveerd waardoor zigzag-schulpen ontstaan. Tussen de banen met ruiten en de zigzag-schulpen worden langwerpige zeshoekige velden gevormd met in elke zeshoek een margriet met opengewerkte bloemblaadjes en een langgerekt spitsovaal bloemhart. In de zigzag-banen rijen met opengewerkte cirkeltjes en op elk kruispunt tussen alle velden staat een opengewerkt cirkeltje met naaldkantsteken erin.
Doos van J. Hauff & Co. voor glasnegatieven
Object type: box
Date: 1900 – 1910
Materials: cardboard, paper
Techniques: printing
Location: stuttgart
Inscriptions: inscription: ‘Groepen en/ portretten/ II’
Opening a Vein
Object type: print
Date: 1784 – 1786
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: illness,men,women
Spindle
Object type: spindle
Date: 1295 – 1070
Materials: wood
Location: egypt
Piazza della Signoria te Florence
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: piazza della signoria
Artist: Anonymous
Subjects: ornamental fountain, façade (of house or building), village square, place
Inscriptions: inscription: ‘MERKELBACH & CO., AMSTERDAM.’, inscription: ‘Florence fontein van Neptunus’
Drie fotomechanische prentbriefkaarten en een foto van bergen in de Savoie
Object type: ansichtkaart, prentbriefkaart
Date: 1908 – 1929
Materials: paper, cardboard
Techniques: photograph, gelatin silver print
Location: savoie
Subjects: mountains
Inscriptions: inscription: ‘Kodak Ltd., Den Haag’

Deze prenten en foto maken deel uit van een album.
Gent in Tall Hat Addressing Butcher
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: england
Artist: charles samuel keene
Artist nationality: british
Artist dates: 1823 – 1891
La Mode, 25 janvier 1849 : Chapeaux de M.mes Drouan (...)
Object type: fashion print
Date: 1849 – 1849
Materials: paper
Techniques: hand coloring, engraving
Location: paris
Subjects: ornamental parts of clothing (+ women's clothes), border, ribbon, braid (+ women's clothes), border, ribbon, braid (+ fur used for clothes), coat (+ women's clothes), mirror, head-gear (+ women's clothes), vase ~ ornament, fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), clock, container of ceramics: jar, jug, pot, vase, muff (+ fur used for clothes)
Inscriptions: title: ‘La Mode’, address: ‘Bureaux de La Mode, 25, R. du Helder’, caption: ‘Chapeau de M.mes Drouan & Marx B.t des Italiens, 35. Robes de M.e Soinard, rue Taitbout, N.o 13. Manteau & Fourrures de l'Orpheline, r. du Bac.11. Rubans & Passementerie de la Fileuse, r. du Bac, N.o 78.bis. Pendule de Théop. Sibou, Horloge pass.e Choiseul.46. Vases & Garniture de Cheminée d'Alph. Giroux & C.ie rue du Coq S.t Honoré. 7. Glace de Sougnier Miriotier de luxe rue de l'Echelle. 8. Chaussure de Dufossée. r. de la Paix. 22. Fauteuil de Luet, pas.e des Petites Ecuries 8. Envois divers de la M.on de C.on Lassalle & C.ie 35 r. Louis le Grand.’

Twee vrouwen bij een schoorsteenmantel waarop twee vazen en een pendule. Volgens het onderschrift: hoeden van Drouan en Marx. Japonnen van Soinard. Mantel en bont van Orpheline. Linten en passementen van la Fileuse. 'Pendule de Théop.' van Sibou. Vazen en garnering van 'Cheminée d'Alph' van Giroux & Cie. Hieronder enkele regels reclametekst voor verschillende producten. Prent uit het modetijdschrift La Mode (1829-1855).
This is How it Happened, plate 47 from The Disasters of War
Object type: print
Materials: gilt, paper
Techniques: engraving, burnishing, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: war
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, feet and stick of youth; Exterior, handle palmette, woman with sakkos, chiton, and himation, gesturing with left hand; fillet, lower legs and drapery of figure
Armor plates
Object type: armor
Date: 734 – 601
Materials: bronze
Culture: assyrian
Location: mesopotamia
Gezicht op het Palace of Holyroodhouse en de ruïne van de abdij
Object type: page
Date: 1880 – 1890
Materials: photographic support
Techniques: albumen print
Location: holyrood abbey
Artist: Anonymous
Subjects: ruin of church, monastery, etc., landscape with tower or castle
Inscriptions: inscription: ‘Poulton's series.’
Collar
Object type: collar
Date: 1601 – 1700
Culture: italian
Gezicht op de achterkant van het Stadhuis op de Dam
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), church (exterior), townhall, street (+ city(-scape) with figures, staffage)

Huidige staat van prent ook gebruikt in: Fockens, Melchior. Beschrijving Der wijdt-vermaarde Koop-stadt Amstelredam, Van haar eerste beginselen, zedert den Jare 1203. oude Voorrechten, verscheyde Vergrootingenoude Voor-rechten, en verscheyde Vergrootingen (…). 3e druk. Amsterdam: Marcus Willemsz. Doornick, 1664. En in: Zesen, Philipp von. Beschrybung der Weidtberuhmde Kauf-Stadt Amstelredam / Beschreibung der Stadt Amsterdam darinnen von derselben ersten ursprunge bis auf gegenwartigen zustand (…). Amsterdam: Marcus Willemsz. Doornick, 1664.

Tweede bekende staat (met toevoeging Franse titel) ook gebruikt in: Domselaer, Tobias en Isaac Commelin. Beschryvinge van Amsterdam : haar eerste oorspronk uyt den huyze der heeren van Aemstel en Aemstellant (…). 6 delen. Amsterdam: Marcus Willemsz van Doornick, 1665.

Derde bekende staat (rechtsboven genummerd: 4) ook gebruikt in verschillende latere zeventiende- en achttiende-eeuwse publicaties.
Dish with a flower basket, flowering plants and diaper patterns
Object type: platter
Date: 1700 – 1724
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark

Schotel van porselein met een geschulpte rand, beschilderd op het glazuur in blauw, rood, groen, geel, aubergine, zwart en goud. Op het plat een bloemenmand in een medaillon; hieromheen een band met servetwerk onderbroken door bloemtakken in cartouches. De wand is verdeeld in acht vakken met bloeiende planten (lotus, chrysant, prunus, aster, pioen, prachtanjer, camelia). Op de rand servetwerk onderbroken door cartouches met bloemtakken. De achterzijde met drie bloemtakken. Gemerkt op de onderzijde met een artemisiablad in een dubbele cirkel. Enkele chips in de rand. Famille verte.
Mr. Gidony
Object type: photograph
Date: 1913 – 1913
Materials: paper, photographic support
Techniques: gelatin silver print
Location: switzerland
Subjects: else wachenheimer-moos, willy moos, tennis, lawn-tennis, historical persons, switzerland
Inscriptions: inscription: ‘Mr. Gidony / London . Russland.’

Albumblad met een foto van Mr. Gidony, bij het tennishuisje tijdens een tennistoernooi in 1913 in Waldhaus, Zwitserland. Onderdeel van het fotoalbum van Else Wachenheimer-Moos en haar broers Arthur en Willy Moos en anderen in de periode 1913-1918.
Staande vrouw, in profiel
Object type: sketchbook leaf
Date: 1930 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ standing)

Pagina 27 uit schetsboek XXXVIII met 45 pagina's.
Miyamairi ceremony
Object type: photograph
Date: 1887 – 1897
Materials: photographic support
Techniques: albumen print, hand coloring
Location: japan
Artist: Anonymous
Subjects: façade (of house or building), anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘Twenty-one days after the birth of a child this ceremony is performed, the papier-maché dogs being presented by friends.’
Watergraafsmeer, brandspuitpenning met no. 14
Object type: fire engine medal
Date: 1680 – 1800
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: watergraafsmeer

Messing penning. Voorzijde: zwaan met uitgespreide vleugels draagt wapenschild dat met lint om zijn nek hangt. Keerzijde: brandspuit onder leeg cartouche binnen slangerond; op zijde van brandspuit: cijfer 14
St. Pauls Cathedral, Macao
Object type: photograph
Date: 1869 – 1869
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Subjects: architecture,stairs,churches
Oude man met bontmuts en handen rustend op stok
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: etching
Artist: pieter barbiers (i)
Artist role: print maker
Artist dates: 1717 – 1780
Subjects: head-gear: cap (+ men's clothes), old man, fashion, clothing (+ fur used for clothes)
Inscriptions: collector's mark: Lugt 2228
Scarab Inscribed for Pharaoh Aya (I)
Object type: scarab, merneferre aya, good god, cartouche
Date: 1700 – 1676
Materials: stone
Techniques: glazing
Location: egypt
Subjects: cartouches,hieroglyphs,scarabs

This scarab is inscribed with a royal title and a cartouche encompassing the prenomen of pharaoh Aya (Dynasty 13, ca. 1700-1676 B.C.).
De begrafenisstoet van stadhouder Frederik Hendrik te 's-Gravenhage in 1647
Object type: print
Date: 1647 – 1651
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: the hague, frederick henry (prince of orange), cortege, funeral procession
Inscriptions: collector's mark: Lugt 2228

De begrafenisstoet van stadhouder Frederik Hendrik te 's-Gravenhage op 10 mei 1647. Plaat nr. 18 met een deel van de stoet met vaandeldragers en twee paarden, boven de personen staan hun naam en functie. Onderdeel van een serie van 30 platen en 20 tekstbladen, bedoeld om aan elkaar geplakt te worden.
Landschap
Object type: sketchbook leaf
Date: 1833 – 1841
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: landscapes
Inscriptions: kleurnotitie, handgeschreven in potlood

Blad 38 recto uit een schetsboek met 41 bladen.
Plate 3: Charles V Crowned Emperor entering Rome with the Pope, from the Triumphs of Charles V
Object type: print
Date: 1614 – 1614
Techniques: engraving, etching
Artist: cornelis boel
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1576 – 1621
Subjects: weapons,men,horses,popes
Inscribed Seal
Object type: seal
Date: 901 – 1100
Techniques: incising
Location: iran

Inscribed seals, used to validate documents or goods, were often worn on a string or chain. Some examples, whose inscriptions invoke God and no personal name, are believed to have doubled as talismans to provide protection to their bearers (although it has been argued that the religious formulas would have had no power until they were stamped and could be read forwards). Depending on the reading of this seal's inscription, it could fall into either category. One suggestion is that it is a common abbreviation of the phrase, "Rely on God;" another is that it reads, "Ali trusts in God", implying that the seal's owner was a man named 'Ali, or that he was Shi'i.
Mr. Chadband 'improving' a tough subject
Object type: book illustration
Date: 1853 – 1853
Materials: paper
Techniques: etching, letterpress printing, roulette
Location: london
Artist: hablot knight browne
Artist role: print maker
Artist dates: 1815 – 1882
Subjects: preaching (in general), living-room, parlour, sitting-room, person addressing a group, orator
Inscriptions: collector's mark: Lugt 2228

Prent uit: Dickens, Charles. Bleak House. Londen: Bradbury & Evans, 1853, p. 254.
Strook kloskant met klaverblaadjes
Object type: strip
Date: 1910 – 1910
Materials: linen
Techniques: lace
Location: netherlands
Artist: Anonymous

Op een grof mazenfond (vierkante maas) staat een rij van 'pailletten' en twee rijen van klaverblaadjes. De schulpjes zijn vlak en glad. Valenciennes-kant.
Russians Strolling
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa yoshifuji
Artist role: artist
Artist nationality: japanese
Artist dates: 1828 – 1887
Subjects: men,women
Kris with Sheath
Object type: kris with sheath
Date: 1501 – 1900
Materials: copper alloy, shell, silver, steel, wood
Culture: javanese
Location: indonesia
Limestone statue of a female lyre player
Object type: statue of a female lyre player in greek dress
Date: 3900 – 100
Materials: limestone
Culture: cypriot
Subjects: musical instruments,women

This work is distinguished by its size and the quality of execution.
Portrait of a Man, Possibly an Architect or Geographer
Object type: painting
Date: 1597 – 1597
Materials: copper, oil
Artist: peter paul rubens
Artist role: artist
Artist nationality: flemish
Artist dates: 1577 – 1640
Subjects: men,portraits

Thought to be Rubens’s earliest dated work, this oil on copper is one of the few known paintings by the artist completed before his departure from Antwerp for Italy in 1600 and attests to his sensitivity as a portraitist. The unknown gentleman holds a watch, an architect’s or draftsman’s square and a pair of dividers, a drafting tool. These may reference his profession, but the encased timepiece is a conventional allusion to mortality.
Brief aan Françoise W.M. Bonger
Object type: letter
Date: 1965 – 1965
Materials: ink, paper
Techniques: pen, typewriting, writing
Location: otterlo
Artist: Anonymous
Subjects: zaki el-hakim, françoise w.m. bonger, photography, cinematography
Design for Three Wrought Iron Window Guards
Object type: drawing
Date: 1851 – 1900
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Postbode bij plantage Accaribo
Object type: stereograph
Date: 1913 – 1930
Materials: glass
Techniques: photography
Location: suriname
Artist: theodoor brouwers
Artist role: amateurfotograaf
Artist dates: 1874 – 1932
Subjects: amsterdam, theodoor brouwers, plantation, suriname

In de periode 1911-1932 woonde op plantage Accaribo in Suriname de familie Brouwers van wie de foto's afkomstig zijn. Rond 1910 vond Theodoor Brouwers werk op plantage Accaribo. In 1929 werd hij eigenaar van de plantage. Op Accaribo werden in zijn tijd bananen geproduceerd en wat koffie.
Heimkehr beim Anzug des Gewitters
Object type: photomechanical print
Date: 1876 – 1881
Materials: paper
Techniques: photograph
Subjects: adolescent, young woman, maiden, youth, adolescent, interior ~ representation of a building, parents (first degree family relationships)
Portret van een onbekende vrouw, mogelijk mevrouw Mook
Object type: print
Date: 1851 – 1883
Materials: paper
Techniques: lithograph
Location: the hague
Artist: johan hendrik hoffmeister
Artist role: print maker
Artist dates: 1823 – 1904
Subjects: historical persons - bb - woman (+ half-length portrait)
Inscriptions: collector's mark: Lugt 2228

Volgens het inventarisboek is dit een portret van mevrouw Mook, onderwijzeres te Delft, evenals RP-P-1908-86.
Double-Sided Comb
Object type: comb
Date: 601 – 700
Materials: bone, iron
Culture: frankish
Location: germany
Bronze statuette of a centaur
Object type: statuette of a centaur
Date: 534 – 468
Materials: bronze
Culture: etruscan or italian
Subjects: centaurs

This small sculpture emanates considerable power through the treatment of the centaur's arms and legs, all in a position of maximum tension. The energy suffuses a form that is lithe and softly modeled. The figure is of a piece with its plinth, indicating that it may have been attached to a utensil.
Neu Inventierte auf die artigste Facon Sehr nutzliche Schild
Object type: ornament print
Date: 1712 – 1755
Materials: paper
Techniques: etching
Location: augsburg
Subjects: hearing, listening (one of the five senses), orpheus playing the lyre: trees and rocks move, beasts and birds are enchanted, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2228

Rocaille cartouche met een scène van Orpheus met lauwerkrans en lier in een boslandschap. Om hem heen zitten wilde dieren die naar zijn muziekspel op de lier luisteren. Prentnummer 57.
Coronation of William IV
Object type: medal
Date: 1831 – 1831
Materials: silver
Artist: william wyon
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1851
Subjects: men,profiles
Wisselbrief voor Alberto Caramelli
Object type: letter
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Subjects: utrecht, alberto caramelli, money
Inscriptions: collector's mark: Lugt 2233
Portret van Johannes Steenmeijer
Object type: print
Date: 1854 – 1859
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: amsterdam, arnhem, historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Terracotta fragment of a lekanis lid (covered dish)
Object type: lekanis lid fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic

Fragment of the lid of a lekanis, with the tip of one ray; below, a thin line of red glaze
Dutch Ironclad Wodan
Object type: photograph
Date: 1876 – 1877
Materials: paper
Techniques: photography
Location: netherlands
Artist: Anonymous
Subjects: netherlands
Inscriptions: inscription, top centre: ‘Zr Ms STOOMKANONNEERBOOTEN / TIJPE “WODAN”’, inscription, bottom centre: ‘CHRISTIE NOLET EN DE KUIJPER / FABRIKANTEN / DELFSHAVEN.’

De Wodan, lang 27.86 m, werd in 1876-1877 door Christie, Nolet & De Kuijper in Delfshaven gebouwd gebouwd. Zij was voorzien van een 23 cm kanon, twee kanons van 3.7 cm en een revolverkanon van 3.7 cm. De bewapening werd gewijzigd tot een kanon van 12 cm in 1907; afgevoerd en ingericht tot brandstofbergplaats in 1924.
Vrouwen met hoeden
Object type: sketchbook leaf
Date: 1895 – 1898
Materials: ink, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adolescent, young woman, maiden (+ positions (of the human figure)), adult woman (+ positions (of the human figure)), head-gear: hat (+ women's clothes)
Inscriptions: : ‘zwart’

Pagina 4 uit een schetsboek met 21 bladen.
Sheet with overall floral pattern on green background
Object type: print
Date: 1767 – 1866
Techniques: relief print
Artist: Anonymous
Artist role: artist
Terracotta fragment of a pot; glazed on the inside
Object type: pot fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Lower part of a chitoniskos of a warrior with a shield and spear
Nederland, gulden, 1843
Object type: coin
Date: 1843 – 1843
Materials: silver
Techniques: striking
Location: utrecht
Artist: william ii of the netherlands
Artist role: koning
Artist dates: 1792 – 1849

Zilveren munt. Voorzijde: borstbeeld naar links. Keerzijde: tussen waarde-aanduiding 1 G gekroond rijkswapenschild. Jaartal boven kroon. Randschrift.
Needle
Object type: needle
Date: 201 – 700
Materials: bronze
Culture: sasanian
Location: iran
[Plasterer in Oilskin Hat]
Object type: ambrotype
Techniques: ambrotype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Afternoon dress
Object type: afternoon dress
Date: 1883 – 1883
Materials: silk, wool
Culture: american
Procession of Carriages Carrying Booty: Page from a Dispersed Bhagavata Purana Manuscript
Object type: folio
Date: 1640 – 1650
Materials: ink, paper, watercolor
Culture: indian
Subjects: men,camels,carriages,ox

This scene of recovered booty relates to one of the many battles recounted in the Bhagavata Purana. In this page (from the same manuscript as 1977.450.1), the storytelling elements have given over to patterned foliage populated with carriages bearing chests, guards, and attendants riding camels. The intent is decorative, and no real attempt has been made to relate the figures to one another; it almost recalls the type of repeating pattern found in block-printed textiles.
Portret van Albrecht van Pruisen
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: ansbach, tapiau (oost-pruisen), hertog, albrecht van brandenburg-ansbach (hertog van pruisen)
Coin Depicting the Goddess Tyche
Object type: coin
Date: 253 – 268
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Vase
Object type: vase
Date: 1644 – 1911
Materials: glass
Culture: chinese
Mary Mills, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Boomgroep
Object type: print
Date: 1851 – 1887
Materials: paper
Techniques: drypoint
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: groups of trees
Inscriptions: collector's mark: Lugt 2228