deem-data/ArtiFact huggingface dataset:
Sestertius (Coin) Portraying Emperor Domitian
Object type: coin
Date: 88 – 88
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP CAES DOMIT AVG GERM P  M  TR  P 
     VIII  CENS PER PP
Reverse: COS XIIII  LVD  SAEC SVF P D   S  C

This coin commemorates Emperor Domitian's celebration of the Ludi Saeculares (Secular Games) in Rome in 88 CE. The front (obverse) of the coin portrays the head of the emperor Domitian, facing right. On the back, Domitian is shown seated on a low platform inscribed SVF P D, reaching out to a standing citizen, who extends his hand; a child stands between them with hands raised and a tetrastyle temple is shown in the background. The scene depicts the distribution of suffimenta (materials for the ritual purification of private homes) at a tetrastyle temple.
Interieur van een amfitheater
Object type: album leaf
Date: 1550 – 1550
Materials: paper
Techniques: etching
Location: rome
Subjects: theatre (building) - aa - open-air performances, representation of real building (either existing or having existed)
Inscriptions: date

Genummerd rechtsboven: Pag. 61. Titel boven de voorstelling. De prent maakt deel uit van een album.
On Brothers Water, Cumbria
Object type: drawing
Date: 1764 – 1828
Materials: chalk, graphite, paper
Artist: thomas sunderland
Artist role: artist
Artist nationality: british
Artist dates: 1744 – 1828
Subjects: landscapes
[The Reading Establishment]
Object type: photograph
Date: 1846 – 1846
Materials: paper, photographic print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: photography,men

The widespread distribution of large editions of photographic prints was the promise of Talbot's negative-positive process and its principal advantage over the contemporaneous French daguerreotype. In early 1844, in an effort to encourage the mass production of paper photographs, Talbot supported Nicolaas Henneman, his former valet, in the creation of the first photographic printing firm, situated in the town of Reading. It was there that prints for The Pencil of Nature were produced. The activities of the Reading establishment are shown here: Talbot, operating the camera at the center, makes a portrait, while at the right Henneman photographs a sculpture of the Three Graces. Other employees copy an engraving, stand attentively with a second camera back-loaded with sensitized paper, attend the racks of glass frames in which negatives and photographic paper are sandwiched for printing in sunlight, and adjust a device likely intended to aid focusing.
Gezicht op de Apenberg en de monding van de Padang-rivier, Padang
Object type: photograph
Date: 1891 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: padang
Artist: christiaan benjamin nieuwenhuis
Artist role: publisher
Artist dates: 1863 – 1922
Subjects: gulf, bay, river mouth, estuary
Inscriptions: inscription: ‘Foto’

Deze foto zat oorspronkelijk in prentenkabinet RP-F-AA3192.
Bottle
Object type: bottle
Date: 1067 – 1133
Materials: paste
Techniques: carving, glazing, molding
Location: iran
Leven van Maria in emblemen
Object type: print
Date: 1625 – 1629
Materials: paper
Techniques: etching
Location: paris
Subjects: open fire (in general)
Inscriptions: collector's mark: Lugt 240

Voorstelling van een man die met een stok een houtvuurtje opport. Dit blad is onderdeel van de embleemserie 'Leven van Maria in emblemen'. De eerste staat van deze serie behelst naast een titelpagina en 26 emblemen ook drie bladen met lofzangen op Maria in boekdruk zonder afbeelding.
Embroidered map sampler
Object type: sampler
Date: 1767 – 1833
Materials: silk
Techniques: embroidery
Subjects: flowers,maps

Working an embroidered maps such as this sampler became part of a young girl’s education, starting in the 1770s, and continuing until about the 1840s. The map of England and Wales was so popular that printed versions were available to be stitched, which slightly reduces the potential for learning geography, while retaining the importance of practicing neat embroidery. The additional flourish of the floral garland is a charming feature. Other embroidered maps of geographical features were produced, from individual towns and counties, to the entire world in two hemispheres.
Overwinningen van koning Willem III, 1690
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: william iii (prince of orange and king of england, scotland, and ireland), siege, position war

Beleg en inname van de stad Bonn door troepen onder koning Willem III, 10 oktober 1689. Onderdeel van een serie van overwinningen van koning Willem III in 1690.
Diana Presiding over Navigation and Fishing, from Seven Planetary Gods
Object type: print
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan saenredam
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1607
Inscriptions: Lettered lower left: "7." and below image: "Vasta procellosi mihi ... lumine cursus."
Miniature double gourd-shaped vase with flower sprays
Object type: vase
Date: 1675 – 1724
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Miniatuur kalebasvormige vaas van porselein, beschilderd in onderglazuur blauw. Op de buik een bloeiende plant (aster) en twijgjes. Op de nek twee bloemtakken. Blauw-wit.
Portret van Magdalena de Corbie en Jean Grauchet
Object type: book illustration
Date: 1733 – 1733
Materials: paper
Techniques: etching
Location: paris
Subjects: historical persons - bb - woman, historical persons, armorial bearing, heraldry

Prent uit: Montfaucon, Bernard de. Les monumens de la Monarchie Françoise (...). Parijs: Julien-Michel Gandouin en Pierre-François Giffart, 1733, dl. 5.
Piece
Object type: piece
Date: 1644 – 1911
Materials: silk
Culture: chinese
Christus aan het kruis (1e prijs 1784)
Object type: drawing
Date: 1784 – 1784
Materials: chalk, paper
Artist: hendrik louw
Artist role: draughtsman
Subjects: standing figure (+ nude human being), specific types of crucified christ (in non-narrative context)
Manuscript Painting with Hindu Tantric Scene Depicting Two Fish
Object type: painting
Date: 1800 – 1820
Materials: ink, paper, watercolor
Culture: indian, kangra, punjab hills
Subjects: men,women,fish,rivers,boats
Part of a Left Forearm Defense (Vambrace)
Object type: part of a forearm defense vambrace
Date: 1450 – 1470
Materials: steel
Culture: italian
Location: italy

This is part of a large find of medieval armor discovered in 1840 in the ruins of the fortress of Chalcis, on the Greek island of Euboea (then a Venetian colony called Negroponte). The fortress had been captured and destroyed by the Turks in 1470. Now divided largely between the Ethnological Museum, Athens, and The Metropolitan Museum of Art, the Chalcis hoard contains many rare and unusual elements of fourteenth- and fifteenth-century armor. Of particular importance are the variety of headpieces and the many fragments of brigandines (armor for the torso constructed of small plates riveted to layers of fabric), some of which retain portions of their original velvet covering. The Chalcis armor provides a unique picture of the armament used in the Aegean, one of the easternmost military outposts of the Venetian empire.
Cte. de Beaumont
Object type: photograph
Date: 1860 – 1865
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: paris
Subjects: earl, studio requisites ~ photographer, trousers, breeches, walking-stick, staff, moustache, historical persons, shoes, sandals, hairdress, coat, cape, head-gear: top hat, paris
Inscriptions: address: ‘8, Boulevart des Italiens Paris’

Onderdeel van Fotoalbum met 28 cartes-de-visite van Franse personen.
Plate
Object type: plate
Date: 1794 – 1794
Materials: hard paste porcelain
Artist: imperial porcelain manufactory
Artist role: manufactory
Artist nationality: austrian
Artist dates: 1744 – 1864
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, nose, mouth, chin, part of neck, and extended right arm of draped? youth to left
Portret van Heinrich Simon
Object type: print
Date: 1835 – 1899
Materials: paper
Techniques: lithograph
Location: magdeburg
Artist: Anonymous
Subjects: historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Wilhelmina van Pruisen
Object type: portretmedaillon
Date: 1782 – 1782
Materials: bone, wood, porcelain
Techniques: cutting, firing, inlay
Location: england
Artist: johann heinrich schepp
Artist role: sculptor
Artist dates: 1736 – 1811
Subjects: berlin, painter, draughtsman, wilhelmina of prussia (princess of orange), historical persons - bb - woman
Inscriptions: inscription: ‘WEDGEWOOD’
Plate
Object type: plate
Date: 1822 – 1836
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: joseph stubbs
Artist role: maker
Artist dates: 1819 – 1836
Subjects: birds,landscapes
Chain of the Veere Chamber of Rhetoric
Object type: keten
Date: 1530 – 1530
Materials: silver
Techniques: gilding
Subjects: the annunciation: mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)
Inscriptions: : ‘In reinder jonste groeiende’

In the late Middle Ages, many Dutch towns witnessed the emergence of societies of amateur orators and poets, the so-called rederijkers (derived from the French word rhétoriqueur, or ‘rhetorician’). This ceremonial chain was worn by the dean of Missus Scholieren, the chamber of rhetoric in Veere. It is one of the oldest rhetorician chains to have survived.
Marie Jansen, from the Actors and Actresses series (N171) for Gypsy Queen Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses
Vrees
Object type: album leaf
Date: 1585 – 1590
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: rodents: hare, fear, dread; 'paura', 'timidità o timore', 'timore' (ripa)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een jongen rent weg met een haas in zijn armen terwijl hij achterom kijkt. De haas is een vreesachtig dier dat wegrent bij de minste beweging. Onder de voorstelling twee regels tekst in het Latijn. De prent maakt deel uit van een album.
Vase
Object type: vase
Date: 1867 – 1900
Materials: hard paste porcelain
Subjects: men,dragons

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Bookcover with Christian Themes
Object type: bookbinding
Date: 1834 – 1866
Materials: board
Techniques: lacquer, painting
Location: iran
Subjects: children,men,women

The technique of painting on pasteboard under lacquer varnish has been utilized in Persian bookbinding from at least the fifteenth century. Originating in China, the technique was transmitted to Iran as a result of the expanded contacts with China during the Timurid hegemony. However, painters, and not bookbinders, were responsible for the adoption of the technique and its development in sixteenth- and seventeenth-century Safavid Iran. Lacquer painting for book covers gained greater popularity during the Zand and Qajar periods, which also coincides with a gradual decline in the production of leather binding. The bookbinding here reflects the pervasive influence of European art on Persian painting in this period. Stylistically, the European impact is evident in the gradations application of color, the modeling of figures and objects, the observation of the rules of perspective, the use of shading, as well as the atmospheric effects. Thematically, biblical scenes were inspired by the availability of European models in the form of devotional prints or paintings. The book cover is probably by a Qajar artist in the circle of Najaf Ali.
Netsuke of a South Sea Islander
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: men
Opera Selectiora
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: etching
Location: venice
Subjects: the healing of the wrathful son: a young man who had cut off his leg in remorse after kicking his mother, had it miraculously restored by st. antony of padua
Inscriptions: number: ‘29’, collector's mark: Lugt 240, inscription: ‘Mirakel van [...] tot Padua’

In een landschap laat de H. Antonius van Padua op wonderbaarlijke wijze het been van een op de grond gelegen jongeman weer aangroeien. De jongeman sneed zijn voet in een aanval van berouw af nadat hij zijn moeder had geschopt. Verschillende omstanders kijken toe hoe dit mirakel zich voltrekt. De prent maakt deel uit van een 53-delige serie prenten naar schilderijen van Titiaan en Veronese.
Gevangen landschap in overdadig zonlicht
Object type: print
Date: 1976 – 1976
Materials: paper
Techniques: aquatint, intaglio
Artist: harrie a. gerritz
Artist role: draughtsman, painter, print maker
Artist dates: 1940 – 
Subjects: landscapes in the temperate zone, receiver, fence
Inscriptions: dedication: ‘voor Piet’, inscription: ‘PC’, collector's mark: Lugt 2228
Man leunt op een muur
Object type: print
Date: 1650 – 1800
Materials: paper
Techniques: mezzotint
Artist: Anonymous
Subjects: head-gear
Inscriptions: collector's mark: Lugt 2228

Een man met hoed op en kort manteltje om leunt met zijn arm op de halfhoge muur waar hij naast staat.
Aanbidding der herders
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een prent welke is opgenomen als illustratie in: Historiae Celebriores Veteris Testamenti. Christoph Weigel, 1708.
Pectoral Disk (Patena)
Object type: pectoral disk
Date: 701 – 1200
Materials: gold
Culture: coclé, macaracas
Location: panama
Saint Luke Painting the Virgin
Object type: print
Date: 1507 – 1507
Techniques: woodcut
Artist: hans burgkmair
Artist role: artist
Artist nationality: german
Artist dates: 1473 – 1531
Subjects: painting,men,angels,madonna and child,saints
Grotesque Borders for Rooms & Halls
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,dogs,carts

Three strips arranged horizontally with various scenes.
General Tamichi, from the series A Mirror of Famous Japanese Generals
Object type: print
Date: 1880 – 1880
Techniques: woodblock print
Location: japan
Artist: tsukioka yoshitoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1839 – 1892

This print depicts the ghost of Tamichi, a 4th-century hero who had been buried near Japan’s northern frontier. During a raid tribes tried to loot his tomb, only to find that it was protected by a giant poisonous snake.

Known for his prints of historical figures, wars, legends, and social customs, Tsukioka Yoshitoshi is often considered the last master of ukiyo-e (pictures of the floating world), a Japanese art style that flourished from the 17th to the 19th centuries. He produced his first signed print when he was 14 and became an independent artist at age 20.
Landschap met bomen en beek in een storm
Object type: print
Date: 1901 – 1901
Materials: paper
Techniques: drypoint
Artist: robert charles goff (1837-1922)
Artist role: painter, print maker
Artist dates: 1837 – 1922
Subjects: brook (+ landscape with figures, staffage), storm on land
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, annotation: ‘Storm driven’
Folio Decorated with Marbling
Object type: folio
Date: 1701 – 1800
Materials: ink, pigment
Techniques: marbling
Location: iran

This unfinished page has been decorated with marbling, which involves the use of viscous pigments to ornament the surface of the paper. Known as "abru" in Persian and "ebru" in Turkish, this decorative technique is most commonly found on pages framing samples of calligraphy or poetry destined for display in an album. This part of the page illustrates how folios in Islamic albums and manuscripts could comprise layers of decorative framing paper as well as pasted text and picture segments.
Canary and wisteria
Object type: print
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portret van Charles Auguste de Goyon de Matignon
Object type: print
Date: 1838 – 1841
Materials: paper
Techniques: engraving, etching, roulette
Location: france
Subjects: paris, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: s.n. Galeries historiques de Versailles. Parijs: Charles Gavard, 1838-1841.
Twee vrouwen wringen samen wasgoed uit
Object type: stereograph
Date: 1852 – 1858
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: adult woman
Inscriptions: inscription: ‘co/ 5005’
Portret van Hendrik graaf van den Bergh
Object type: print
Date: 1610 – 1651
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: historical persons
Inscriptions: collector's mark: Lugt 240

Portretbuste met het hoofd naar links, blootshoofds, in een harnas, in een ovale lijst. In de marge een Latijns onderschrift van vier regels: Illustrissimus Excellentissimusq., Dominus D. Henricus Comes vanden Berge [...].
Behangsel, paneel, met voorstelling uit "Les Amours de Psyche": Psyche op in rotsen uitgehouwen trap, in grisailletinten
Object type: interieuronderdeel
Date: 1816 – 1816
Materials: paper, wood
Techniques: printing
Location: paris

Paneel van op papier "geschilderd" behangsel met een voorstelling uit "Les Amours de Psyche", uitgevoerd in grisailletinten. Voorafgegaan door een visser bestijgt Psyche een in de rotsen uitgehouwen trap. Rechts kijken twee vrouwen op het tafereel neer; links een vergezicht. Gedrukt door Joseph Dufour. Zie tevens: BK-16121.
Oude man kijkt met het hoofd in zijn handen naar een zandloper en wandklokken
Object type: print
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Subjects: scenes symbolizing 'vanitas', clock

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.

Deze prent is ook gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
Denarius (Coin) Depicting the Goddess Roma
Object type: coin
Date: 136 – 136
Materials: metal, silver
Culture: roman
Location: roman empire
Subjects: chariots

The front (obverse) of this coin depicts the head of Roma facing right witha winged helmet. The back (reverse) depicts the god Jupiter standing in a quadriga (four-horse chariot) galloping to the right, holding a sceptre and launching a thunderbolt.

The denarius, introduced in 211 BCE, was the principal silver coin of Rome for five hundred years. The profile
head of the goddess Roma—the personification of Rome—was the most popular image depicted on silver denarii in the second and first centuries BCE.
Medallion with Varlet with Horn and Hound
Object type: medallion
Date: 1240 – 1260
Materials: copper, enamel, gilt
Techniques: enamel, engraving
Culture: french
Location: france
Subjects: boys,horns,dogs
Doopvont van de Oude Kerk in Ermelo
Object type: sketchbook leaf
Date: 1863 – 1863
Materials: paper, pencil
Location: ermelo
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: baptismal font
Inscriptions: annotation: ‘Ermelo’, date: ‘27 July 63’

Doopvont van de Oude Kerk in Ermelo. Blad 19 uit een schetsboek met 55 bladen vervaardigd op de Veluwe en in Noord-Duitsland.
Kelkglas met tweemaal het gekroonde monogram AVA tussen palmtakken
Object type: goblet
Date: 1700 – 1725
Materials: glass
Techniques: glassblowing

Platte voet met omgeslagen rand. Korte balusterstam. Conische kelk met twee maal hetzelfde gekroonde monogram AVA tussen palmtakken. Op de voet een bladkrans.
Snuff bottle with stopper
Object type: snuff bottle with stopper
Date: 1736 – 1795
Materials: jade, gemstone
Culture: chinese
Vijver met drie beelden aan de rand, Marmada, Lombok
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: lombok
Artist: Anonymous
Inscriptions: annotation: ‘4) Marmada } Lombok’
Restanten van Cleopatra's tempel in Armant
Object type: page
Date: 1857 – 1857
Materials: paper
Techniques: albumen print
Location: armant
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: temple, shrine ~ egyptian religion, ruin of a building ~ architecture
Young Woman Writing or Drawing
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: attributed to elisabetta sirani
Artist nationality: italian
Artist dates: 1638 – 1665
The Andelys
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: france
Artist: paul signac
Artist role: print maker
Artist nationality: french
Artist dates: 1863 – 1935
Gezicht op de Tower of London
Object type: stereograph
Date: 1900 – 1940
Materials: cardboard, paper, ink
Techniques: color autotype
Location: london
Artist: Anonymous
Subjects: castle
Inscriptions: number: ‘972.’, number: ‘47.’
Five Butterflies and a Moth, from Diversae Insectorum...Figurae
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Pinecone cup
Object type: cup
Date: 1501 – 1550
Techniques: maiolica, glazing
Subjects: pinecones

This footed cup takes the form of a large pinecone. Its shiny surface is the result of lustering, a complicated technique involving multiple firings and the application of metal oxides to the glazed earthenware. Although the brown color may seem plain at first glance, the refined yet imaginative shape and masterful use of luster make this an extraordinarily accomplished example of Renaissance maiolica.
Fotoreproductie van een tekening van Rafaël, de verdrijving van Adam en Eva uit het paradijs
Object type: reproduction
Date: 1852 – 1857
Materials: paper
Techniques: albumen print
Location: windsor castle
Subjects: expulsion of adam and eve from paradise (genesis 3:22-24)
Bottle
Object type: bottle
Date: 1801 – 1900
Materials: clay, glaze
Techniques: overglaze
Culture: japanese
Enseigne d'un Marchand de Chevaux
Object type: photograph
Materials: paper
Techniques: gelatin silver print, photography
Location: france
Artist: hippolyte bayard
Artist role: artist
Artist nationality: french
Artist dates: 1801 – 1887
Subjects: collected by hugh edwards
Boaz en Ruth
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: ruth in the field of boaz (ruth 2:3-17)
Inscriptions: collector's mark: Lugt 2228

Boaz, met baard en tulband, instrueert zijn maaiers om Ruth, met in haar handen een bundel korenaren, goed te behandelen. Scène uit het bijbelverhaal Ruth: 2.