deem-data/ArtiFact huggingface dataset:
Particuliere munt van 1 reaal op naam van San José C.R. [=Costa Rica]
Object type: real
Date: 1800 – 1900
Materials: copper
Techniques: striking
Location: costa rica

Koperen particuliere munt, bestemd voor koffie. Voorzijde: firma-aanduiding. Keerzijde: in twee regels aanduiding voor de bestemming: Escojida de café. Gladde rand.
Cross
Object type: cross
Date: 1301 – 1500
Materials: enamel, copper gilt, glass, stone
Techniques: enamel
Culture: italian
Subjects: cross
Tab
Object type: tab
Date: 1644 – 1911
Materials: silk
Culture: chinese
Subjects: animals,birds,flowers
Jar (Guan)
Object type: jar
Materials: earthenware, pigment
Culture: chinese
Honden met reclameteksten bij een collecte
Object type: newspaper clipping
Date: 1930 – 1940
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: advertising, adult man, historical persons, dog
Inscriptions: inscription: ‘Viervoetige Collectanten verleenen hun medewerking ten bate van de kas van/ "Hulp voor Onbehuisden", welke instelling vandaag in de hoofdstad een inzameling houdt.’

Deze prent maakt deel uit van een album.
Stoplap van veelkleurige zijde op linnen.
Object type: stoplap
Date: 1713 – 1713
Materials: linen, silk
Techniques: embroidered
Location: netherlands
Artist: Anonymous
Inscriptions: signature and date: ‘AB, 1713’

Stoplap van linnen gestopt met 11 stoppen in veelkleurige zijde. Gedateerd en gesigneerd: 1713, AB. Nederland, 1713.
The pupils of the Institute Pascareau are trying their new school uniform which makes them look a little like the great Napoleon and a lot like little newspaper boys, plate 25 from Professeurs Et Moutards
Object type: print
Materials: paper
Techniques: letterpress, lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Kruisiging van Christus
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Artist: antonie wierix (ii)
Artist role: draughtsman, print maker
Artist dates: 1555 – 1604
Subjects: crucified christ, with particular persons under the cross, longinus pierces christ's side with a lance
Inscriptions: collector's mark: Lugt 2228

Kruisdood van Christus op Golgota. Een soldaat steekt zijn lans in de zijde van Christus. Maria en Johannes treuren bij het kruis. Linksboven is nog de zon te zien in de duisternis. Na de kruisiging van Christus was er een zonsverduistering, een teken dat de hemel rouwde om zijn dood. In de marge een tweeregelig onderschrift in het Latijn.
Ein new getruckt model Büchli...Page 18, verso
Object type: book print ornament architecture
Date: 1529 – 1529
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Subjects: ornament

Published by Schoensperger, Augsburg. Title page, 45 pages of designs for weaving and embroidery, and 5 manuscript pages of weaver's notations at back.
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Two sections from a triple reeded handle from an oinochoe
Portret van Maximiliaan II Emanuel van Beieren
Object type: print
Date: 1679 – 1720
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: maximiliaan ii emanuel (keurvorst van beieren), armour, historical persons
Chryses Imploring the Help of Apollo, from Iliad, Book I
Object type: drawing and watercolor
Date: 1765 – 1766
Materials: chalk, paper
Location: sweden
Artist: johan tobias sergel
Artist nationality: swedish
Artist dates: 1740 – 1814
Inscriptions: No inscriptions recto; signed verso, l.r., brown ink, "Sergell"

This drawing by Sweden’s most important Neoclassical sculptor and draftsman depicts a scene from Homer’s Iliad, set during the Trojan War.
In the drawing, Chryses, a Trojan priest of Apollo, prays to Apollo for help after Agamemnon, the leader of the Greek army, has refused to return his kidnapped daughter. In response, Apollo inflicts a plague upon the Greeks. Agamemnon returns Chryses’s daughter, but demands Chryses’s second kidnapped daughter, who is held by Achilles, in exchange.
Portret van een man met een snor in een jas
Object type: carte de visite
Date: 1865 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Subjects: moustache, historical persons, neck-gear ~ clothing, clothing for the upper part of the body, family, relationship, descent, hairdress, decorations, honours (as symbols of the state, etc.), the hague
Inscriptions: address: ‘2. Willemstraat. La Haye.’

Onderdeel van Familiealbum van H.W.F. Ligtenberg en L.M. Swart met 149 foto's en cartes-de-visite.
Landschap met bomen
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: autotype
Location: bradford
Subjects: trees, cat
Inscriptions: inscription: ‘(Block kindly lent by Messrs. Seeley & Co., Limited.)’, inscription: ‘SUPPLEMENT TO THE PRACTICAL PHOTOGRAPHER, APRIL 1st, 1890.’, monogram: ‘AGph.’
Studieblad met een kindergezicht, het gezicht van een oude man en een wijzende hand
Object type: print
Date: 1800 – 1885
Materials: paper
Techniques: etching
Subjects: child, old man, index finger forwards, pointing, indicating
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2610
Brief aan Philip Zilcken
Object type: letter
Date: 1906 – 1906
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: s. van baak
Subjects: the hague, painter, draughtsman, philip zilcken, the graphic arts
Inscriptions: collector's mark: ‘RPK’
Afbeeldinghe van d'eerste eeuwe der Societeit Iesv voor ooghen ghestelt door de Duyts-Nederlantsche Provincie der selver Societeyt.
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving
Location: antwerp

Uit serie van 38 cartouches, gedecoreerd met maskers, guirlandes van fruit en bloemen, schelpen en dieren.
T'arija
Object type: t'arija
Date: 1867 – 1900
Materials: clay
Culture: moroccan
Location: morocco

This slender vase-shaped drum is used in the spiritual music of the Aissawa and Daqqa polyrhythmic ensembles of Marrakech to accompany ritual dance.
Bust Portrait of Woman with Mirror
Object type: woodblock print
Date: 1796 – 1796
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: portraits,women,mirrors
Fragments from the Stela of the Chief Steward Henenu
Object type: stela, henenu
Date: 2030 – 2000
Materials: limestone
Location: egypt
Subjects: hieroglyphs
Schaapherder met kudde op de hei
Object type: print
Date: 1866 – 1897
Materials: paper
Techniques: etching
Location: brussels
Subjects: herd, flock
Inscriptions: collector's mark: Lugt 2228
The education of the Virgin, with Saint Anne and the Virgin Mary reading with two putti overhead and Saint Joachim behind them at left
Object type: print
Date: 1700 – 1750
Techniques: engraving
Artist: michel dossier
Artist role: artist
Artist nationality: french
Artist dates: 1684 – 1750
Subjects: saint anne,virgin mary,saints
Bangor in the County of Caernarvon, plate nine from Twelve Views in North Wales
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: aquatint, etching
Location: england
Artist: paul sandby
Artist role: draughtsman, print maker, publisher
Artist nationality: british
Artist dates: 1731 – 1809
Panel
Object type: panel
Date: 301 – 500
Materials: linen, wool
Techniques: weave
Location: egypt
William Hendrie, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women,jockeys

Trade cards from the "Racing Colors of the World" series (N22a), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. The series was published in two variations. N22a includes a white edge around the perimeter of each card and N22b does not.
Visitatie
Object type: print
Date: 1597 – 1656
Materials: paper
Techniques: etching
Artist: michiel le blon
Artist role: print maker
Artist dates: 1587 – 1656
Subjects: mary and elisabeth, both pregnant, embracing
Inscriptions: collector's mark: Lugt 240

Het bezoek van Maria aan haar nicht Elisabet, vlak na de annunciatie. Maria en Elisabet omhelzen elkaar. De prent maakt deel uit van een twaalfdelige serie prenten met scènes uit het leven van Christus en de Maagd Maria.
John Murray
Object type: painting
Date: 1806 – 1806
Materials: canvas, oil
Culture: american
Artist: john trumbull
Artist role: artist
Artist nationality: american
Artist dates: 1756 – 1843
Subjects: men,portraits
Relief with Christ on the Mount of Olives, from the "Wittenberg Reliquaries"
Object type: print
Date: 1472 – 1553
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: men,angels,christ
Portret van Charles-Denis Bourbaki
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: lithograph
Location: paris
Subjects: commander-in-chief, general, marshal, historical persons, medals and other marks of military honour
Inscriptions: workshop stamp: Lugt 1090
Design for Altar Tabernacle
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink
Techniques: pen, drawing
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Subjects: tabernacles
Landschap met twee mannen bij een waterval
Object type: print
Date: 1764 – 1834
Materials: paper
Techniques: etching
Artist: sauveur legros
Artist role: print maker
Artist dates: 1754 – 1834
Subjects: waterfall
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Shirt of Willem Frederik (?)
Object type: menswear
Date: 1650 – 1650
Materials: linen
Techniques: lace
Location: southern netherlands
Artist: Anonymous
Subjects: william ii (prince of orange)

In the 17th century, an impeccably clean shirt stood for ‘cleanliness’ (hygiene) and was a status symbol, as clean linens required clear water and an extensive wardrobe. This shirt is decorated with wide flounces of bobbin lace, which only the wealthiest could have afforded. The presumed wearer, Willem Frederik, became Prince of Orange in 1645.
Gezicht op de Verkondigingskathedraal van het Kremlin in Moskou
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: moscow
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: inscription: ‘D.9.’, inscription: ‘l'Annonciation en Kremlin’
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two rim fragments from kylikes, each with part of the upper left corner of the handle patch
Heilige Eleëmon
Object type: print
Date: 1636 – 1670
Materials: paper
Techniques: engraving
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: male saints (with name)
Inscriptions: number: ‘65’, collector's mark: Lugt 240

De heilige Eleëmon zit onder een boom en geeft een bedelaar te eten. Prent uit een serie van 80 prenten en een titelprent met kluizenaars uit de 2e tot de 6e eeuw.
Scouts and Guides to the Army of the Potomac
Object type: photograph
Techniques: albumen print, photography
Location: united states
Artist: alexander gardner
Artist role: artist
Artist nationality: american, scottish
Artist dates: 1821 – 1882
Subjects: collected by hugh edwards, gardner's photographic sketch book
Het leven van Christus in de twaalf maanden
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: fruits and vegetables ~ ornament, the four symbols of the evangelists, 'the apocalyptic beasts'
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

In een rechthoekig kader de Latijnse titel van de serie. Het kader is versierd met landbouwornamenten die de vier seizoenen afbeelden. In elke hoek een van de evangelisten. Rechtsboven Marcus met de leeuw, linksboven Matteüs met de engel, linksonder Lucas met de os, rechtsonder Johannes met de arend. Dit is de titelprent van een serie over het leven van Christus uitgebeeld in de twaalf maanden van het jaar.
Mr. Prudhomme and young Adolph, from 'News of the Day,' published in Le Charivari, January 27, 1860
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,boys,men

Mr. PRUDHOMME: - My son, you must always remember this important day, when the walls of favorism have finally been torn down. Sooner or later, philosophy, the product of human reason will always demolish social barriers! Young Adolph: - Right Papa, but tell me... why are they being rebuilt a bit further down?
Portret van Pieter de Carpentier
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: antwerp, amsterdam, 'cornucopia', horn of plenty, trees: palm-tree (+ thorny twig), trees: olive-tree (+ sprig, twig)
Inscriptions: collector's mark: Lugt 964

Proefdruk voor illustratie in: Du Bois, J.P.I. Vies des gouverneurs généraux avec l'abrégé de l'histoire des établissemens hollandais aux Indes Orientales. Den Haag: Pierre de Hondt, 1763, p. 72.
Aangemeerde schuiten
Object type: sketchbook leaf
Date: 1886 – 1898
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: ships (in general), bridge in city across river, canal, etc.
Inscriptions: annotation: ‘de wind gaat langs de/ wal tusschen de [...]/ [...] schuiten zijn diep donker/ [...]/ De weg over de brug is/ [...]’

In de verte een brug. Pagina 9 en pagina 10 uit een schetsboek met 21 bladen.
Pitcher
Object type: pitcher
Date: 1800 – 1900
Materials: earthenware
Culture: american
Xie Zhen (Ryotoda Kaichin), from the series "One Hundred and Eight Heroes of the Popular Water Margin (Tsuzoku Suikoden goketsu hyakuhachinin no hitori)"
Object type: print
Date: 1827 – 1830
Techniques: woodblock print
Location: japan
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Bowl
Object type: bowl
Date: 500 – 201
Materials: ceramic
Culture: paracas
Location: peru
Plate
Object type: plate
Date: 1634 – 1733
Materials: glass
Techniques: glassblowing
Culture: italian
Captain Matthew Webb, Swam from Dover, England to Calais, France, from World's Champions, Series 2 (N29) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,athletes

Trade cards from "World's Champions," Series 2 (N29), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Teapot
Object type: teapot
Date: 1662 – 1722
Materials: porcelain
Culture: chinese
Man met opengesperde mond
Object type: sketchbook leaf
Date: 1848 – 1854
Materials: paper, pencil
Artist: christian heinrich gottlieb steuerwald
Artist role: draughtsman, print maker
Artist dates: 1802 – 1874
Subjects: mouth slightly open

Blad 57 verso uit een schetsboek met 58 bladen.
Janvier
Object type: print
Date: 1670 – 1742
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: the twelve months (especially personifications); 'mese in generale' (ripa), tapestry, january; 'gennaro' (ripa)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Maakt deel uit van een twaalfdelige serie met personificaties van de twaalf maanden. Mogelijk betreft de prentmaker een lid van de familie Bonnart.
Wedjat Eye Amulet
Object type: amulet, wedjat eye
Date: 2150 – 1950
Materials: gemstone
Location: southern upper egypt

One of the most popular amulets in ancient Egypt, the wedjat eye represents the healed eye of the god Horus. It depicts a combination of a human and a falcon eye, since Horus was often associated with a falcon. Its ancient Egyptian name, wedjat, means "the one that is sound (again)." In Egyptian mythology Horus’ eye was injured or stolen by the god Seth and then restored by Thoth. The wedjat eye embodies healing power and symbolizes rebirth. An amulet in this shape was thought to protect its wearer and to transfer the power of regeneration onto him or her. It was used by the living as well as for the dead. This wedjat eye can be dated to the late Old Kingdom to early Middle Kingdom due to its shape.
Mise-en-carte (Point-paper)
Object type: drawing and watercolor
Date: 1787 – 1787
Materials: gouache, ink, paper
Techniques: drawing
Location: france
Artist: germain frères
Verovering van Gibraltar door een Engels-Nederlandse vloot, 1704
Object type: album leaf
Date: 1707 – 1720
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Subjects: battle (+ naval force)

Prent uit: Schouwburg van den oorlog, beginnende van Karel den II. tot op koning Karel den III. : bestaande in IX historische figuren op een olifants blad, als veldslagen, belegeringen te water en te lande, met de voornaamste vestingen. Amsterdam: Pieter Schenk, 1709.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, bearded man with himation draped over left arm, right hand holding staff, in front of him a goal post; three letters of an inscription
Wierookvat gedecoreerd met knorren
Object type: censer
Date: 1700 – 1800
Materials: brass
Techniques: brazing, casting, embroidery, riveted
Location: southern netherlands
Artist: Anonymous

De onderdelen zijn uit plaatwerk gedreven, met uitzondering van de schakelkettingen en gegoten knop. De ronde met dertien knorren versierde kuip is op een verhoogde achthoekige voet geklonken. Kuip en deksel zijn voorzien van drie paar ogen. Het deksel heeft de vorm van een ronde torenbekroning, waarvan de lantaarn, die o.a. met uitgesneden rankwerk is versierd, op het bolle opengewerkte met negen lobben versierde onderstuk is gebraseerd. Het bolle midden van de ringdrager is op vele plaatsen hersteld. De kettingen zijn vernieuwd.
Dn. Carlos
Object type: print
Date: 1833 – 1850
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
[Advertisement for Sarony's Photographic Studies]
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print, glass negative, lithograph
Artist: napoleon sarony
Artist role: draughtsman, painter
Artist nationality: american, born canada
Artist dates: 1821 – 1896
Subjects: portraits,women,advertisements
Gevel van de Bibliothèque Impériale in het Palais du Louvre
Object type: album leaf
Date: 1857 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: permanent exhibition, museum, façade (of house or building), public library, paris, tuileries palace

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 4.
Gezicht op St Luke's Church te Liverpool
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: liverpool
Artist: henry sampson
Artist role: fotograaf
Subjects: church (exterior), street
Inscriptions: name: ‘H. Sampson, Photographer, Southport.’
Close Helmet
Object type: close helmet
Date: 1560 – 1560
Materials: copper alloy, leather, steel
Culture: german
Location: germany
Artist: wolfgang grosschedel
Artist role: armorer
Artist nationality: german
Artist dates: 1517 – 1562

Grosschedel, Landshut’s most renowned armorer of the mid-sixteenth century, fulfilled many commissions for both the German and the Spanish branches of the Hapsburg family. The decoration of this helmet is very similar to that of a large garniture made by Grosschedel for King Philip II of Spain (1513–1579) about 1560. It also resembles the decoration on a large series of armors that Grosschedel and others made for Emperor Ferdinand I (1503–1564) and his son, Maximilian II (1527–1576, Emperor from 1564) for use in a large tournament held in Vienna in 1560. It is not known to which commission the helmet originally belonged.
Gardener
Object type: toy
Date: 1765 – 1765
Materials: soft paste porcelain
Artist: derby porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 1785
Subjects: men,gardeners
Wapenboek
Object type: ordinary of arm
Date: 1690 – 1710
Materials: leather, paper
Location: amsterdam
Artist: Anonymous
Bow Case, Quiver, and Belt (gzhu shubs dang mda' shubs)
Object type: bow case, quiver, and belt gzhu shubs dang mda' shubs
Date: 1401 – 1700
Materials: gold, iron, leather, pigment, wood
Culture: mongolian or tibetan
Location: mongolia

Matching sets of bow case, quiver, and belt of this relatively early type are very rare. The few examples that exist in museum collections were acquired mostly in the early twentieth century. Both the bow case and the quiver are covered densely with decoration executed in black lines and golden brown shellac (now darkened with age), employing a method very similar to the technique found on some Tibetan leather arm defenses and horse armor. They are also fitted with domed bosses of pierced and chiseled iron damascened with gold and decorated with dragons, scrollwork, and blossoms. These bosses relate closely to the ironwork seen on Tibetan swords, saddle plates, and other objects.
Portret van Philippe Quinault
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Pike
Object type: pike
Date: 1600 – 1600
Materials: steel, wood
Culture: italian
Location: italy
Relief fragment possibly from the tomb of Mereri
Object type: relief fragment 47, tomb of mereri
Date: 2100 – 2090
Materials: limestone
Location: egypt

One of 45 relief fragments from Dendera, possibly from the tomb of the Overseer of Priests and Keeper of the Sacred Cattle, Mereri.
Portret van David Theodosius Lehmann
Object type: print
Date: 1713 – 1748
Materials: paper
Techniques: engraving
Location: dresden
Artist: moritz bodenehr
Artist role: print maker
Artist dates: 1665 – 1749
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Aanbidding van het Gouden Kalf
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: the people dance around the golden calf ~ exodus
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een prent welke is opgenomen als illustratie in: Historiae Celebriores Veteris Testamenti. Christoph Weigel, 1708.
–By God, Catherine.... –Monsieur, this Zouave is a healer... it's just for my health!, from 'News of the day,' published in Le Charivari, September 18, 1867
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women
Vue a Zaandam
Object type: stereograph
Date: 1873 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: zaandam
Artist: Anonymous
Subjects: windmill in landscape
Inscriptions: inscription: ‘40’
Twee onbekende Japanse meisjes in traditionele kleding
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: adolescent, young woman, maiden, folk costume, regional costume
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, back of head, left ear, neck, and left shoulder of youth to left; in the field, a suspended band; Exterior, toes of left foot and stick; right foot and drapery of figure to right