deem-data/ArtiFact huggingface dataset:
Harpoon head
Object type: harpoon head
Date: 1200 – 200
Materials: bone
Culture: japanese

The Jōmon period is the earliest period in Japanese history, lasting from roughly 14,000 to 300 BCE. The Jōmon people were primarily hunter-gatherers, hunting land animals and gathering vegetables and nuts on the land as well as hunting and fishing at sea. Harpoon heads such as this one testify to the importance of seafood in the diets of some Jōmon communities, especially those close to the sea. Fish bones found at Jōmon archaeological sites indicate that the Jōmon hunted fish not only close to the shore but also farther out in the open sea, where larger fish could be caught. There is even evidence that the Jōmon ate pufferfish, a poisonous fish considered a delicacy in modern Japan.
Hollow molding
Object type: frame
Date: 1801 – 1833
Culture: american
Utrecht
Object type: print
Date: 1742 – 1801
Materials: paper, watercolor
Techniques: brush, etching
Location: augsburg
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), church (exterior), townhall, street (+ city(-scape) with figures, staffage), parts of church exterior and annexes: tower

De serie “Utrecht”, met het nummer 72, bevat vier prenten met de nummers 291-294, waarvan dit nummer 292 is.
Das. / Taxus Melus. / Blaireau
Object type: drawing
Date: 1596 – 1610
Materials: paint, ink, paper, watercolor
Techniques: brush, pen
Location: prague
Artist: anselmus boëtius de boodt
Artist role: draughtsman
Artist dates: 1550 – 1632
Subjects: beasts of prey, predatory animals: badger

Das. Rechtsboven genummerd: 19. Linksboven de naam in acht talen. Onderdeel van het eerste album met tekeningen van viervoeters. Eerste van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Artillerie te velde
Object type: drawing
Date: 1868 – 1933
Materials: ink, paper, pencil
Techniques: pen
Artist: jan hoynck van papendrecht
Artist role: draughtsman, painter
Artist dates: 1858 – 1933
Subjects: land forces (+ artillery)
Vier stadsgezichten met een rivier
Object type: album leaf
Date: 1900 – 1915
Materials: paper, photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: city-view in general; 'veduta', river, travelling; tourism, france
Bust of an Official
Object type: bust, official
Date: 380 – 343
Location: memphite region
Subjects: sadness,men
Plate K: Election and Coronation of Emperor Maximilian II
Object type: print, fete, ornament architecture
Date: 1612 – 1612
Techniques: etching
Location: frankfurt
Artist: anonymous, german, 17th century
Artist role: publisher
Artist nationality: german
Artist dates: 1600 – 1700
Subjects: elections,fireworks,crowd

Holy Roman Emperor from July 25, 1565 – October 12, 1576. Coronations Prague: September 20, 1562 Frankfurt: November 24, 1562 Pressburg: September 8, 1563
Gezicht op het geruïneerde interieur van het klooster Koningsveld, 1573
Object type: book illustration
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: ruin of church, monastery, etc.
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 1, ill. 121.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Morning dress
Object type: morning dress
Date: 1840 – 1845
Materials: cotton
Culture: american
Plaque from a Reliquary Shrine
Object type: plaque
Date: 1150 – 1200
Materials: copper alloy, enamel, gilt
Techniques: enamel
Culture: german
Location: germany
Wandelende mensen en een portret
Object type: album leaf
Date: 1900 – 1925
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: europe
Subjects: adult woman, adult man
Inscriptions: name: ‘J Benade’

Albumblad met foto's van wandelende volwassenen en een kind, vermoedelijk in Zuid-Europa. Ook een portret van een vrouw met een bontkraag (een 'vos'). Onderdeel van Fotoalbum van een onbekende Nederlandse familie met connecties in Suriname en Nederlands-Indië (1).
Portret van Adolphe Belot
Object type: page
Materials: paper
Techniques: woodburytype
Location: france
Subjects: writer, poet, author
Inscriptions: number: ‘No 178’, inscription: ‘Du 12 au 18 Octobre 1876.’
Portret van Charles Auguste Frossard
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: letterpress printing, engraving
Location: leipzig
Subjects: commander-in-chief, general, marshal, historical persons, (military) uniforms
Inscriptions: stamp: ‘JVB’

Prent uit: Daheim: ein Deutsches Familienblatt mit Illustrationen 6 (1870), nr. 47, 20 augustus 1870, p. 745.
Portret van Aernout van Overbeke
Object type: print
Date: 1663 – 1699
Materials: paper
Techniques: engraving, etching
Location: antwerp
Artist: hendrik causé
Artist role: print maker
Artist dates: 1648 – 1699
Subjects: advocaat, admiraal, aernout van overbeke
Inscriptions: collector's mark: Lugt 2228
The Battlefield
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: etching
Location: netherlands
Artist: karel dujardin
Artist nationality: dutch
Artist dates: 1622 – 1678

Karel Dujardin, like Jan Both, painted Italian views and made over 50 prints after he returned from Italy
in about 1652. In this print, the plundering troops inspect the dead or dying on an unspecified battlefield. It was extolled by the 20th-century English etcher Walter Sickert as "perhaps the etching of the world ... for clarity, concision and vivacity."
Oeuvres de Ph.pe Wouwermans Hollandois
Object type: print
Date: 1742 – 1742
Materials: paper
Techniques: engraving, etching
Location: france
Artist: jean moyreau
Artist role: print maker, publisher
Artist dates: 1690 – 1762
Subjects: riding-school, manège
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie van 89 prenten te dateren tussen ca. 1733-1762, naar het geschilderde oeuvre van Philips Wouwerman.
Dit betreft plaat 43.
From an Original Sketch of William Hogarth's in the Collection of Mr. Morrison
Object type: print
Techniques: etching
Artist: richard livesay
Artist role: artist and publisher
Artist nationality: british
Artist dates: 1750 – 1826
Subjects: skeletons,men
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, tortoiseshell sound box and arm of lyre?; part of left forearm and hand of figure
Landschap met een watermolen
Object type: drawing
Date: 1834 – 1911
Materials: ink, paper, pencil
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: watermill in landscape
De Keetpoort te Enkhuizen
Object type: drawing
Date: 1701 – 1759
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: city-gate, enkhuizen
The Arms of the Empire and of Nuremberg
Object type: print
Date: 1521 – 1521
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: swords,coat of arms
Portret van Johann Balthasar Gullmann
Object type: print
Date: 1697 – 1704
Materials: paper
Techniques: mezzotint
Artist: marc christoph steudner
Artist role: painter, print maker, sculptor
Artist dates: 1660 – 1704
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van een schilderij voorstellende een engel met luit
Object type: glasnegatief, glasplaatnegatief
Date: 1865 – 1900
Materials: glass
Techniques: collodion process
Artist: laurens lodewijk kleijn
Artist role: draughtsman, painter
Artist dates: 1826 – 1909
Subjects: picture, painting, angels

Onderdeel van groep glasnegatieven uit de nalatenschap van de schilder Laurens Lodewijk Kleijn, stillevens, portretten, zelfportretten en kunstreproducties.
Poniard, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: daggers,men

Trade cards from the "Arms of All Nations" series (N3), issued in 1887 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Verhaal met voorstellingen van moord en doodstraf (F. 107.)
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: death penalty, execution, murder, fighting
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166

Verhaal in acht scènes met enkele voorstellingen van moord en doodstraf. Onder andere van een man die van een paard valt, enkele mensen aan een galg en van een man die een vrouw in haar bed vermoordt. Linksboven: F. 107.
Fragment textiel
Object type: fragment
Date: 1661 – 1673
Materials: silk
Location: japan
Artist: Anonymous

Textielfragment, borduursel van witte oleanders en ruiten-motieven op okerkleurige zijde.
Kunstchromo
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1909
Materials: cardboard
Techniques: lithograph
Location: amsterdam
Subjects: obelisk, needle
Pylades & Orestes
Object type: cartoon
Date: 1797 – 1797
Materials: paper
Techniques: etching, hand coloring
Location: london
Subjects: the hague, william v (prince of orange), caricatures (human types), most important deeds: orestes avenging his father's death, political caricatures and satires, london
Inscriptions: collector's mark: Lugt 2228

During his years in England, the stadtholder enjoyed going on sightseeing trips and walks. As his vision deteriorated over time, he was often escorted by his personal secretary, Count Nassalin. This odd couple were routinely spotted on their frequent strolls through London’s streets. The title Pylades & Orestes refers to two inseparable friends from Greek myth.
Wine glass with a cockerel mating with a chicken
Object type: goblet
Date: 1725 – 1750
Materials: glass
Techniques: glassblowing
Location: northern netherlands
Artist: Anonymous

translation of inscription: May it always be so
Straat met figuren in Biskra
Object type: sketchbook leaf
Date: 1922 – 1922
Materials: paper, pencil
Location: biskra
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: africans, street (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

Pagina 50 uit een schetsboek met 31 bladen.
Vroedschapspenning van de stad Gouda
Object type: council medal
Date: 1706 – 1706
Materials: silver
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: leiden, floris v (graaf van holland en zeeland), jacoba of bavaria (countess of hainaut), gouda
Zelfportret van Isaac Israels
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: portrait, self-portrait of artist

Blad 5 verso uit schetsboek LXI met 20 bladen.
Kelkglas met het wapen van de familie Van Heemskerk en het monogram WGM
Object type: goblet
Date: 1761 – 1761
Materials: glass
Techniques: glassblowing
Location: northern netherlands
Artist: Anonymous

Watergraafsmeer Polder Board, c. 1761. On loan from the Koninklijk Oudheidkundig Genootschap.
SEVILLE- Mosque part of the Cathedral.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Subjects: church (exterior), façade (of house or building)
Inscriptions: number: ‘No. 319.’, name: ‘Frank M. Good's Spain’
Design for 4 seat Phaeton, no top, no. 3110a
Object type: drawing
Date: 1875 – 1875
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Bracelet
Object type: bracelet
Date: 101 – 400
Materials: gold
Culture: roman
Fan box
Object type: fan box
Date: 1801 – 1900
Materials: paper, silk, wood
Subjects: butterflies,flowers
Portret van Jacques Urlus
Object type: photomechanical print
Date: 1900 – 1915
Materials: paper
Techniques: photoaquatint
Location: netherlands
Artist: Anonymous
Subjects: historical persons, portrait of opera-singer

Prent komt uit een onbekende publicatie.
White cross-lined ware beaker with hippos
Object type: beaker, hippo
Date: 3650 – 3500
Materials: paint, pottery
Location: egypt
Subjects: hippos
Pavement tiles
Object type: pavement tile
Date: 1501 – 1600
Materials: earthenware
Techniques: glazing

Polychrome tiles had long been made in Spain in the cuerda seca (dry cord) technique, dating to the Muslim Almohad dynasty, in which colors were kept from running together during firing by a line of grease drawn between them. This method was not always successful, however, as the blurred outlines in some of these tiles indicate.
IJsvermaak: de maand januari en het element lucht
Object type: print
Date: 1623 – 1653
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: pieter nolpe
Artist role: draughtsman, print maker
Artist dates: 1613 – 1653
Subjects: ice-sailing (winter sports), sleigh, sledge (non-sport), ice ~ freezing weather, skates (winter sports), sledge, sleigh (winter sports), severe winters, small sleigh (winter sports)
Inscriptions: collector's mark, collector's mark: Lugt 1641

Op het ijs vermaken mensen zich met kolven, rijden in een slede en ijszeilen. Links verzamelen mensen zich bij een uitspanning. Zonder het onderschrift. Prent uit een serie van verschillende maanden, die eveneens een element of seizoen verbeelden. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Spel en Vermaak; IJsvermaak, Riviergezichten.
Textile Fragment
Object type: textile fragment
Date: 201 – 400
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: human figures
Buffoon and Two Women
Object type: print
Date: 1541 – 1541
Techniques: engraving
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Bowl
Object type: bowl
Date: 1101 – 1300
Materials: glaze, stonepaste
Techniques: luster painting
Location: iran
Subjects: human figures
Netsuke in the Shape of a Lion with a Ball
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: lions
Verschillende kledingstukken voor Keizer Wilhelm II
Object type: print
Date: 1916 – 1916
Materials: paper
Techniques: lithograph
Subjects: wilhelm ii (keizer van duitsland), head-gear, boots, clothes, costume

Karikaturale weergave van de kledingopties die Keizer Wilhelm II tot zijn beschikking heeft, waaronder rijlaarzen, broek, jagershoed en berenmuts. Prent maakt deel uit van een album.
Plate
Object type: plate
Date: 1368 – 1644
Materials: porcelain
Culture: chinese
Subjects: deer,leaves,trees
Sample
Object type: sample
Date: 1700 – 1900
Materials: cotton, linen
Techniques: weave
Culture: american
Location: united states
Decorated Border
Object type: drawing
Date: 1830 – 1862
Materials: gouache, watercolor
Artist: freeman gage delamotte
Artist role: artist
Artist nationality: british
Artist dates: 1813 – 1862
Subjects: flowers
Ludovico Gonzaga III (1414–1478)
Object type: medal
Date: 1447 – 1447
Materials: bronze
Artist: pisanello (antonio pisano)
Artist role: artist
Artist nationality: italian
Artist dates: 1395 – 1455
Subjects: men,horses
Portret van Cornelis van der Geest
Object type: print
Date: 1630 – 1641
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: cornelis van der geest, historical persons
The Actor Osagawa Tsuneyo II as Oiso no Tora in the Play Gohiiki no Hana Aikyo Soga, Performed at the Kawarazaki Theater in the First Month, 1794
Object type: print
Date: 1794 – 1794
Techniques: woodblock print
Location: japan
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Van Dyck. Le Christ au tombeau. Musée d'Anvers
Object type: reproduction
Date: 1858 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Subjects: christ's body lying on the ground

Het oorspronkelijke schilderij hangt in het Museum voor Schone Kunsten te Antwerpen.
Waterval van de rivier Citarum in Lagadar
Object type: stereograph
Date: 1900 – 1935
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: malang
Artist: neville keasberry
Artist role: fotograaf
Artist dates: 1866 – 1944
Inscriptions: inscription: ‘Stereoscopische Fotografie’, signature: ‘Neville Keasberry, Malang (Java)’, title: ‘S 3 No 34. De waterval van de Tjitaroem te Lagadar, Preanger.’
Suit
Object type: suit
Date: 1858 – 1858
Materials: wool
Culture: american
Reproductie naar schilderij van Willem Witsen van een portret van een man
Object type: photograph
Date: 1860 – 1915
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Theekop met veelkleurig bloemendecor
Object type: tea cup
Date: 1930 – 1940
Materials: earthenware, chemical
Techniques: painted
Location: england
Artist: clarice cliff
Artist role: ceramicist
Artist dates: 1899 – 1972
Inscriptions: mark: ‘HAND PAINTED, BIZARRE by CLARICE CLIFF, WILKINSON Ltd, ENGLAND, gestempeld in zwart’

Theekop van aardewerk, veelkleurig beschilderd met bloemendecor. Onderdeel van theeservies.
Zelfportret
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: etching
Artist: joseph hartogensis
Artist role: painter, print maker
Artist dates: 1822 – 1865
Subjects: den bosch, painter, print maker, joseph hartogensis, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Laan in Soerabaja met links het Militair Hospitaal
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: hospital, forest path or lane, surabaya

Onderdeel van Herinneringsalbum met foto's van Soerabaja.
Zeslobbige schotel van email met een voorstelling van Maria met Kind
Object type: bowl
Date: 1600 – 1650
Materials: copper
Techniques: enamel, gilding
Location: limoges
Artist: jean limosin
Artist role: emailleschilder, emailleur
Subjects: madonna: i.e. mary with the christ-child
Inscriptions: inscription: ‘.Mater. Dei.’

Zeslobbige schotel versierd met email. In het midden in grisaille tegen een zwarte achtergrond Maria met Kind. De zeslobbige, opstaande rand is versierd met bladranken en bloemen in de kleuren geel, rood en blauw.
Gedenkteken voor Jan van der Roest
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: haarlem, faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, serpent ouroboros, other memorial structures
Inscriptions: collector's mark: Lugt 2228

Een monument voor predikant en schrijver Jan van der Roest met daarop zijn silhouetportret omringd door een slang die zich in de staart bijt. Het Geloof wijst op de hemel, het kruis staat naast haar. Een putto treurt en wijst op een opengeslagen bijbel met een verwijzing naar Op. 14:13. Onder de voorstelling een vierregelig vers in het Nederlands.
8500 Meter boven Amsterdam
Object type: photomechanical print
Date: 1907 – 1907
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: flying mammals: bat, city-view in general; 'veduta', exploration, expedition, voyage of discovery, parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 1641b

Object bestaat uit drie bladen, in een bruine omslag geplakt. Fotomechanische afdrukken op pagina 699-704. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Herinneringen aan hervormde predikanten.
The Kitchen
Object type: print
Date: 1858 – 1858
Materials: ink, paper
Techniques: etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Inscriptions: Signed on the reserved tab, in graphite, with the butterfly and inscribed “imp”; inscribed verso, lower left, in graphite: “a47537  rx-  071RIVO”; lower center, in graphite: “W47  #16”
Alms box
Object type: alms box
Date: 206 – 220
Materials: stoneware
Culture: chinese
Portret van professor Adriaan Kluit
Object type: print
Date: 1787 – 1828
Materials: paper
Techniques: stippled etching
Location: unknown
Artist: ludwig gottlieb portman
Artist role: print maker
Artist dates: 1772 – 1828
Subjects: dordrecht, leiden
Inscriptions: collector's mark: Lugt 2228
Très Parisien, 1923, No 1: CHATAIGNE. - Manteau de velours...
Object type: fashion print
Date: 1923 – 1923
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: border, ribbon, braid (+ women's clothes), border, ribbon, braid (+ fur used for clothes), coat (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)
Inscriptions: caption: ‘CHATAIGNE. - Manteau de velours pain brûlé, garni de castor et de petites bouclettes de rubans disposées en motifs, et dans toute la longueur de la fermeture.’, title: ‘Très Parisien / No 1. - 1923’

Mantel van bruin fluweel, gegarneerd met beverbont. Prent uit het modetijdschrift Très Parisien (1920-1936).
Le Chateau de Cartes
Object type: print
Date: 1712 – 1772
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: other children's games, (playing with) dolls, playing-cards, games using special objects (marbles, top, hoop, etc.)
Inscriptions: collector's mark: Lugt 2233