deem-data/ArtiFact huggingface dataset:
De Grondt en Vloer vande Groote Burger Sael
Object type: print
Date: 1661 – 1661
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: map of the world, townhall, plan ~ architecture, star-chart, star map
Inscriptions: collector's mark: ‘16,28’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Stadhuis op de Dam. Onder de schaalstok: Fig. O.1. Rechtsonder: O.2.
Monastère de la Visitation de Paray-le-Monial ou vécut et mourut en odeur de sainteté la Bse Marguerite-Marie Alacoque
Object type: page
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Location: paray-le-monial
Artist: Anonymous
Subjects: cloisters ~ monastery
Two of Diamonds, No Match, from Harlequin Cards, 2nd Series (N220) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: playing cards

Playing cards issued as trade cards from the "Harlequin Cards, 2nd Series" (N220), issued in 1889 to promote Kinney Tobacco Company.
dubbele stuiver, noodmunt uit Breda, geslagen tijdens het beleg door Spinola
Object type: dubbele stuiver
Materials: copper
Techniques: striking
Location: breda
Artist: Anonymous
Subjects: genua, castelnuovo scrivia, veldheer, ambrogio spinola (markies de los balbases), breda, inname van breda (1625), tachtigjarige oorlog

enkelzijdige, ruitvormige noodmunt van Breda. Voorzijde: een stempel in ronde parelrand: opschrift boven jaartal, onderbroken door wapenschild. Keerzijde: blanco
Maffet Ledger: Drawing
Object type: drawing
Date: 1874 – 1881
Materials: crayon, graphite, paper, watercolor
Culture: cheyenne
Location: united states
Subjects: bow and arrow,men,horses
Kanpei's Wife Okaru
Object type: print
Date: 1806 – 1806
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Kasteel Groeneveld te Baarn
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: castle
Marie-Thérèse-Charlotte (1778–1851), Daughter of Louis XVI
Object type: painting, miniature
Date: 1795 – 1795
Materials: ivory
Artist: jacques joseph de gault
Artist role: artist
Artist nationality: french
Artist dates: 1738 – 1812
Subjects: profiles,women
Gazelle
Object type: photomechanical print
Date: 1900 – 1920
Materials: cardboard, paper
Techniques: rotogravure
Location: france
Artist: Anonymous
Subjects: card games, hoofed animals: gazelle
The Mirror
Object type: print
Date: 1904 – 1904
Materials: paper
Techniques: woodcut
Location: united states
Artist: helen hyde
Artist nationality: american
Artist dates: 1868 – 1919
Card Number 538, Lulu Hesse, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses
Horary Quadrant
Object type: quadrant
Date: 901 – 1000
Materials: brass
Techniques: casting, incising
Location: iran
Artist: muhammad ibn mahmud
Artist role: maker

This object was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Nap and His Friends in their Glory
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,napoleon i,skeletons,men,drinking,politics
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 600 – 468
Materials: terracotta
Culture: greek, attic

Black glaze fragment from an amphora
Mannen nabij een huis in Bandung
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: indonesia
Inscriptions: annotation: ‘61. In 't Bandoengsche’

Mannen nabij een huis, Bandoeng, Nederlands-Indië
Alphonse Daudet
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: france
Artist: eugène carrière
Artist role: artist
Artist nationality: french
Artist dates: 1849 – 1906
Statue dell'Abside e dei bracci trasversi
Object type: page
Date: 1879 – 1889
Materials: paper
Techniques: photograph
Location: milan
Subjects: parts of church interior: apse, church (exterior), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘Tavola No. 8.’
Terracotta fragment of a Genucilia plate
Object type: genucilia plate fragment
Date: 367 – 335
Materials: terracotta
Culture: etruscan, genucilia

Interior, part of the sakkos, hair, and face of a woman
Evening gloves
Object type: evening glove
Date: 1848 – 1848
Materials: leather
Culture: french
Hercules and Lion
Object type: medallion
Date: 1801 – 1900
Materials: copper, lead
Subjects: hercules,lions
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Exterior, two corners of a fluttering panther skin
Boerderij aan het water
Object type: print
Date: 1860 – 1935
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Prophet from a Throne of Solomon
Object type: panel
Date: 1390 – 1410
Materials: glass, paint, pigment
Culture: french or south netherlandish
Location: bourges or burgundy
Subjects: men

Uncommonly refined and gemlike in its painterly finesse, this stained-glass fragment with a prophet is related stylistically to the work of André Beauneveu (1335–1401/3), a gifted sculptor, painter, and illuminator from the South Lowlands, who was employed by King Charles V of France; Louis de Mâle, comte de Flandres; Philippe le Hardi, duc de Bourgogne; and Jean, duc de Berry, among others. A close parallel to the figure style—particularly to the treatment of the hair and facial features—may be seen in the prophets depicted in the psalter of Jean, duc de Berry (Bibliothèque Nationale de France, ms. Français 13091), illuminated by Beauneveu about 1386 in either Paris or Bourges. A more striking comparison can be made to the limestone standing prophet wearing an apronlike mantle, probably executed by Beauneveu himself shortly after 1392 for the Sainte-Chapelle in the palace of Bourges. Although Beauneveu also designed stained glass for the Sainte-Chapelle, which was completed by 1408, it appears to have no direct connection to the present glass fragment, notwithstanding certain formal and stylistic analogies. The itinerant career of Beauneveu and his collaboration with other artists working for the same patrons make it difficult to localize the origins of the Cloisters' prophet. The original context of the present figure is uncertain, but prophets in architectural settings were standard in several iconographic arrangements, such as that of the Throne of Solomon, as described in 3 Kings 10:18–20.
Design for the decoration of a ceiling with urns, swags, and portrait medallions in the four corners
Object type: drawing
Date: 1830 – 1897
Materials: ink, watercolor, paper
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ceilings
Watermolen
Object type: photograph
Date: 1907 – 1935
Materials: glass
Techniques: autochrome process
Location: netherlands
Artist: Anonymous
Subjects: watermill, watermill in landscape, netherlands
S.E. le mquis. de Mataflorida, président de la régence d'Espagne
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Location: paris
Subjects: sevilla, politician, historical persons
Inscriptions: collector's mark: Lugt 2228
Schets van klimop
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: plants and herbs: ivy
Stone, St. Louis, American League, from the White Border series (T206) for the American Tobacco Company
Object type: baseball card
Date: 1909 – 1911
Techniques: lithography
Artist: american tobacco company
Artist role: publisher
Subjects: men,portraits,baseball,athletes

Trade cards from "White Border" series (T206), issued 1909-11 to promote sixteen brands of cigarettes and loose tobacco distributed by the American Tobacco Company.
Everzwijnen in een bos
Object type: print
Date: 1846 – 1887
Materials: paper
Techniques: etching
Location: france
Artist: auguste andré lançon
Artist role: print maker
Artist dates: 1836 – 1887
Subjects: hoofed animals: boar, forest, wood
Inscriptions: collector's mark: Lugt 2228
Basket of fruit
Object type: crèche accessory
Date: 1701 – 1800
Materials: wax
Subjects: fruit

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Case (Inrō) with Design of Mountain Landscape and Geese Flying
Object type: inrō
Date: 1701 – 1800
Materials: gold, iron, metal, silver
Techniques: relief
Culture: japanese
Subjects: mountains,landscapes
Paul en Virginia
Object type: stereograph
Date: 1855 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: sculpture, couple of lovers
Inscriptions: check stamp: ‘Cheapside 54’

Twee hoofdfiguren uit het boek Paul and Virginia van Jacques-Henri Bernardin de Saint-Pierre.
Vogels
Object type: print
Date: 1598 – 1602
Materials: paper
Techniques: engraving
Location: antwerp
Artist: adriaen collaert
Artist role: draughtsman, print maker
Artist dates: 1560 – 1618
Subjects: shore-birds and wading-birds: heron, pond, landscape with tower or castle (+ city(-scape) with figures, staffage), other birds: kingfisher
Inscriptions: collector's mark: Lugt 2228

Een ijsvogel (Alcedo atthis) en een blauwe reiger (Ardea cinerea) in een vijver. op de achtergrond een vesting. De prent maakt deel uit van een serie met vogels als onderwerp.
Amsterdamse gemeenteraad en raadslid Roelof Kuipers
Object type: newspaper clipping
Date: 1902 – 1902
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Subjects: amsterdam, utrecht, politician, jacob nicolaas van hall, surabaya, the hague, mayor, politician, e.g. party leader, political caricatures and satires
Inscriptions: collector's mark: Lugt 1641b, inscription: ‘October 1902’

Prent komt uit een onbekende publicatie, waarschijnlijk uit oktober 1902. Een vergelijkbare prent werd later gepubliceerd in: Geïllustreerd zondagsblad voor katholieken, november 1902.
Portret van Filips IV, koning van Spanje
Object type: print
Date: 1656 – 1666
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: filips iv (koning van spanje), adult man, historical persons, knighthood order of the golden fleece

Prent waarschijnlijk uit: Brachelius, Johannes Adolphus. Historia nostri temporis, dat is geschiedenis onses tijdts (…). Rotterdam: Andries van Hoogenhuysen, 1656. Of uit de editie van 1659 of 1666.
Design for wallpaper featuring rinceaux and carouches framing figures
Object type: drawing
Date: 1830 – 1897
Materials: gouache, paper
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: human figures,cartouches
Welcoming Descent of Amida Buddha and Twenty-five Bodhisattvas
Object type: hanging scroll
Date: 1668 – 1668
Materials: gold, ink, silk
Culture: japanese
Subjects: bodhisattvas,buddha

According to Pure Land Buddhist belief, Amida Buddha (Amitabha) welcomes devotees to his paradise, the Western Pure Land, where they can achieve perfect spiritual development. Paintings such as this one, which represent Amida descending to meet the faithful at the moment of death, attended by a host of bodhisattvas, are known as raigō-zu ("welcoming descent pictures"). According to the inscription on the back of this work, it was commissioned by Oikawa Zen'emon, a resident of the eastern outskirts of the capital of Edo (now Tokyo), to commemorate his wife's death in 1668. She is depicted in the lower right corner, being received by the holy retinue, which will transport her to the Pure Land. The inscription suggests that both knobs of the scroll's lower roller bar contain cremated human remains, including those of Mrs. Oikawa. The metal roller knobs are designed with small windows that allow visual access to the relics.
Gezicht op La Madeleine in Parijs
Object type: stereograph
Date: 1860 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: parts of church exterior and annexes: façade
Inscriptions: inscription: ‘Madeleine Paris’
Mlle. Renain, Paris, from the Actors and Actresses series (N171) for Gypsy Queen Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses
Kerchief
Object type: kerchief
Date: 1790 – 1810
Materials: cotton
Culture: american
Exposition Universelle de 1878
Object type: photograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: world fair, world exhibition, chandelier, candelabrum, paris
Inscriptions: number: ‘276’
Elisabetta Gonzaga, Duchess of Urbino
Object type: medal
Date: 1401 – 1500
Materials: lead
Artist: adriano fiorentino (adriano di giovanni de' maestri)
Artist role: artist
Artist nationality: italian
Artist dates: 1450 – 1499
Subjects: men,profiles,women
La Galerie Nouvelle de la Bibliotheque Vaticane a Rome avec les corniches ornees des vases Etrusiens
Object type: opticaprent
Date: 1722 – 1758
Materials: paper
Techniques: etching, hand coloring
Location: paris
Artist: nicolas jean baptiste poilly
Artist role: print maker, publisher
Artist dates: 1712 – 1758
Subjects: public library
Inscriptions: collector's mark: Lugt 4780, collector's mark: Lugt 2228

De kasten zijn versierd met pauselijke wapens. Bovenop staan Etruskische vazen. Op de voorgrond mensen aan een leestafel. In de galerij lopen geestelijken en leken.
Sculptuur van de rivier de Nijl
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: italy
Subjects: piece of sculpture, reproduction of a piece of sculpture, personification of river nile; 'nilo' (ripa)
Inscriptions: number: ‘24’

Beeld van de riviergod de Nijl met als attributen een hoorn met vruchten, een sfinx, krokodillen en kleine jongetjes. Titel in het Latijn linksboven. Prent maakt deel uit van een album.
Chamberlain's key with the monogram of Maximilian I Joseph, King of Bavaria
Object type: key
Date: 1806 – 1826
Materials: bronze, steel
Techniques: gilding

Functional and highly decorative, gilt bronze was used throughout the eighteenth-century interior. Ranging from hearth fittings and lighting to furniture mounts and hardware for door and windows. This key has a gilt-bronze bow with an openwork monogram formed by the letters M and J; it was a chambelain’s key with the monogram of Maximilian I Joseph, King of Bavaria (r. 1806–1826).
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, head and upper torso, in three quarter view, of a youth to right, looking back over his right shoulder, with his bent left arm in front of him, holding a round object (a rock?; Centauromachy?)
Uri
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: scrollwork, strapwork ~ ornament, (military) standard-bearer
Inscriptions: number: ‘145’, collector's mark: Lugt 2228

Prent maakt deel uit van een serie van veertien prenten met voorstellingen van vaandeldragers met vaandels van de Zwitserse kantons.
Water Filter
Object type: water filter
Date: 901 – 1200
Materials: earthenware
Location: egypt
Subjects: elephants
Triptych with the Lamentation
Object type: painting
Date: 1515 – 1520
Materials: oil, panel
Artist: jan jansz mostaert
Artist role: draughtsman, painter
Artist dates: 1465 – 1553
Subjects: christ's body lying on the ground (+ donor(s), supplicant(s), whether or not with patron saint(s))
Inscriptions: coat of arms, outer left wing: a gold star with two gold lozenges above and one gold lozenge below, on a red field, coat of arms, outer right wing: a red squirrel with two black hunting horns above and one black hunting horn below, on a gold field, date, on the outer wings: ‘Anno 15(7?)7’

Drieluik met de bewening. Op het middenpaneel de bewening van Christus in een landschap. Het lichaam van Christus ligt tegen de knie van Maria. Om haar heen de heilige vrouwen, Johannes, Jozef en een monnik. De bewening is een vrije kopie naar het schilderij van Geertgen tot Sint Jans in Wenen. Op de binnenzijde van het linker zijpaneel een knielende stichter met de heilige Petrus. Op de binnenzijde van het rechter zijpaneel de knielende stichteres met de heilige Paulus. Op de buitenzijde van de zijpanelen de wapens van stichter (de familie Speyart van Woerden) en zijn vrouw.
Portret van Karel Lodewijk, keurvorst van de Palts
Object type: print
Date: 1692 – 1692
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons

Prent mogelijk uit: Happel, Eberhard Werner. Historia Moderna Europae (...). Leipzig: Matthäus Wagner, 1692.
Jonge kunstenaar loopt weg van huis
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: pen lithography
Location: berlin
Artist: adolph menzel
Artist role: draughtsman, painter, print maker
Artist dates: 1815 – 1905
Subjects: elopement, running away, artist (in general)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Jongeman aan het werk in een schoenmakerswerkplaats, waar zijn tekeningen verbrand worden. Op de scène ernaast klimt hij uit een zolderraam en loopt weg van huis.
Salesman's Sample
Object type: textile
Date: 1780 – 1790
Materials: textile, silk, velvet
Techniques: embroidery, cutting, embroidered, weave, stitching
Location: france
Subjects: flowers, pink (color), green (color), blue (color), foliage
Hairpin with Vine Scroll, with Melons, Star-shaped Leaf, and Blossoms
Object type: costume and accessory
Materials: gold
Techniques: chasing, hammering, repoussé
Location: china
Domino adjuvante sufficit parva manus
Object type: print
Date: 1582 – 1593
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: those who lap water by putting their hand to their mouth are separated from those who kneel down to drink the water ~ selection of gideon's men, tetragram (in roman or hebrew script) ~ symbol of god the father, old testament

Links op een berg verschijnt God aan Gideon. Het tetragram staat symbool voor God de Vader. Daaronder beveelt Gideon zijn manschappen water te drinken. Driehonderd man likken het water op met hun tong en de overigen knielen om te drinken. De mannen die knielen om het water te drinken worden naar huis gestuurd (Recht. 7:4). De prent maakt deel uit van een album.
Munitissimae urbis ac arcis Tornacensis, Gallice, Tournay (...)
Object type: area plan
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of separate countries or regions, fortified city, maps of cities, siege
Inscriptions: collector's mark: Lugt 195

Plattegrond van de stad Doornik tijdens het beleg van 1709, met gebouwen in vogelvluchtperspectief. Rechtsonder de titelcartouche met daarboven het wapen van Doornik. Linksonder een inzet met een kaart van de omgeving van Doornik, met daarop de linies van het beleg. Hierboven een kader met twee schaalstokken: Schale van 50 Roeden / 100 Vadem 100 Toises.
Dish
Object type: dish
Date: 1715 – 1715
Artist: john simpson iii
Artist role: maker
Artist dates: 1685 – 1775