deem-data/ArtiFact huggingface dataset:
La chapelle de Notre-Dame au bois d'Argenteau : esquisses généalogique et historique sur l'ancienne seigneurie des terres libres d'Argenteau et Hermalle
Object type: book
Date: 1854 – 1854
Materials: cardboard, paper, textile
Techniques: printing, salted paper print
Location: liège
Artist: e. noblet
Artist role: publisher
Inscriptions: annotation: ‘[...]’, annotation: ‘AUG/ 1994’
Untitled (Chartres Cathedral, Pavillon de l'horloge)
Object type: photograph
Date: 1851 – 1852
Materials: paper
Techniques: paper negative
Location: france
Artist: henri le secq
Artist nationality: french
Artist dates: 1818 – 1882
Subjects: paris, writing, photography
Inscriptions: Inscribed recto, lower left, in black ink [?]: "h. LeSecq / Chartres"; unmarked verso
Gezicht op Spa met de genezende bron (linker blad)
Object type: print
Date: 1606 – 1628
Materials: paper
Techniques: etching
Location: antwerp
Subjects: mug, beaker, goblet, medicinal spring, village
Inscriptions: collector's mark: Lugt 240

Linker blad van een gezicht op de stad Spa met de weg naar de geneeskrachtige bron (la fonteyne sauvenier) aangeduid met de letter B. Linksonder in de inzet deelt een vrouw bij de reddende bron bekers water uit aan de mensen, die achter een houten hek staan te wachten. Onderaan in de marge twee tweeregelige verzen in het Latijn.
Path to Left of Walled Building Complex Amid Trees, from Twelve landscapes with Figures
Object type: print
Date: 1624 – 1624
Materials: paper
Techniques: etching
Location: netherlands
Artist: after gillis van scheyndel
Inscriptions: Numbered lower right: 7
Dead Toreador
Object type: print
Date: 1867 – 1868
Materials: paper
Techniques: aquatint, etching
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: men,death
Objecten uit Somalië uit de verzameling van Emil Riebeck, op de binnenplaats van het Kunstgewerbemuseum in Berlijn
Object type: photomechanical print
Date: 1884 – 1884
Materials: paper
Techniques: photograph
Location: berlin
Artist: hermann rückwardt
Artist role: fotograaf
Artist dates: 1845 – 1919
Subjects: permanent exhibition, museum
Inscriptions: number: ‘Format IV., No. 2406.’, number: ‘Taf. V.’, address: ‘Photographische Aufnahme und Lichtdruck von HERMANN RÜCKWARDT, Königl. Hof-Photograph, Berlin SW.(11,) Dessauerstr. 4.’

Deze prent maakt deel uit van een omslag met 21 prenten en 1 tekstblad.
Cape
Object type: textile
Date: 1850 – 1859
Materials: cotton
Techniques: treatment, embroidery, stitching
Location: england
Johan van Oldenbarnevelt knielt voor zijn onthoofding, 1619
Object type: print
Date: 1728 – 1728
Materials: paper
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: johan van oldenbarnevelt, maurice (prince of orange), on the scaffold or place of execution, violent death by beheading, the hague
Inscriptions: collector's mark: Lugt 1641, stamp

Johan van Oldenbarnevelt knielt voor zijn onthoofding op het Binnenhof te Den Haag op 13 mei 1619. Zijn knecht Jan Francken knielt aan zijn zijde op het schavot, een predikant houdt een gebed. Op het plein de verzamelde toeschouwers. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Rechtswezen.
Shoulao, God of Longevity
Object type: figure
Date: 1736 – 1795
Materials: porcelain
Culture: chinese
Subjects: gods
Horn
Object type: horn
Date: 1867 – 1900
Materials: ivory
Culture: tanzanian
Location: tanzania

Side-Blown Ivory Horn with figural and geometric decoration.
Il Perseo. Perseus
Object type: photograph
Date: 1861 – 1871
Materials: photographic support
Techniques: albumen print
Location: florence
Artist: giacomo brogi
Artist role: fotograaf
Artist dates: 1822 – 1881
Subjects: perseus beheading medusa, sculpture
Inscriptions: number: ‘Tavola XI.’
27e Cahier CC Cahier de 12 Flambeaux et Chandeliers de Table &c
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: chandelier, candelabrum
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Twee kandelaars, links met guirlandes en rechts met bladmotieven.
Scholar's rock
Object type: scholar's rock
Date: 1701 – 1900
Materials: limestone, wood
Culture: chinese
Huis van de heer Heinecken in Medan gezien door de poort
Object type: album leaf
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: medan
Artist: Anonymous
Subjects: rural housing, e.g. country-house, villa, cottage, gate, entrance

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Auf dem Schlachtfelde
Object type: photograph
Materials: photographic support
Techniques: albumen print
Artist: eduard von grützner
Artist role: painter
Artist dates: 1846 – 1925
Subjects: the defeated (after the battle), specific works of literature, falstaff

Deze foto maakt deel uit van een omslag met zeven foto's, een titelblad met foto en een tekstblad.
Emperor Charles V (1500–1558) and his Son Philip II of Spain (1527–1598)
Object type: cameo
Date: 1550 – 1550
Materials: gemstone
Artist: leone leoni
Artist role: artist
Artist nationality: italian
Artist dates: 1504 – 1590
Subjects: men,profiles

This is a rare, possibly unique instance of a Renaissance cameo documented in the carver’s own words. The eminent Hapsburg court sculptor Leone Leoni wrote in 1550 from Milan to Cardinal Granvella, agent of Charles V in Brussels, that “a fantastic stone” inspired him to carve a double portrait of Charles and his son, Philip II, “the way a sculptor used to do for Caesar and Augustus. On the reverse I represented the Empress so beloved of the Emperor.” Isabella of Portugal, wife of Charles and mother of Philip, had died in 1539. Leoni estimated that his work had taken two months. He was perpetually busy with important projects and his attention cannot have been undivided, yet as the precious letter corroborates, he obviously took great care with the cameo’s execution. Jugate portraits, in which one profile overlaps another, were indeed invented by the ancient Romans. The object behind the heads here is a winged thunderbolt, borrowed from the imagery of Jupiter. The two men’s faces are livelier than Isabella’s; her likeness was modeled on a posthumous portrait, possibly painted by Titian. The chip at the top, while unfortunate does not diminish this jewel’s power.
Drie zeilboten met gestreken zeilen
Object type: sketchbook leaf
Date: 1797 – 1838
Materials: paper, pencil
Artist: johannes christiaan schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1838
Subjects: sailing-ship, sailing-boat

Op één van de drie boten staan en zitten vier mannen, mogelijk twee passagiers en twee bemanningsleden. Blad 10 recto uit een schetsboek met 44 bladen.
Conflict tussen Gomarus en Arminius
Object type: medal
Date: 1591 – 1610
Techniques: engraving
Location: unknown
Artist: Anonymous
Subjects: remonstranten en contraremonstranten
Inscriptions: : ‘wat baet Kaars / of Bril als ik / niet sien en / wil’

Naar een rekenpenning uit 1553 over het conflict tussen Calvijn en Servet, die tot de brandstapel werd veroordeeld
Zittende vrouw, naar rechts gewend en achterom kijkend
Object type: drawing
Date: 1560 – 1600
Materials: ink, paper
Techniques: brush, pen
Artist: giovanni antonio da pesaro
Artist role: draughtsman, painter
Artist dates: 1415 – 1478
Glazen kap van wandarm
Object type: lighting device
Date: 1820 – 1830
Materials: copper, glass, wood
Location: indonesia
Artist: Anonymous

De koperen ring aan de onderzijde van de hoge, open, glazen kap.
Armstoel van notenhout met S-vormige overhoeks geplaatste poten met snijwerk van bloemen en bladeren. Rug en zitting van gevlochten riet. Met los kussen.
Object type: seating furniture
Date: 1750 – 1775
Materials: wood
Location: france
Artist: Anonymous

Armstoel van notenhout (ameublement) met rug en zitting van gevlochten riet. De gestrekt S-vormige overhoeks geplaatste poten met profilering gaan zonder onderbreking in het zitraam over en zijn versierd met gestoken bloemen. Geschulpte voorregel met bloem- en bladwerk. Achterwaarts geplaatste armleggerstutten S-vormig; geholde armleggers eindigend in voluten. Bovenregel raam met gestoken voluten. Met los kussen. Zie ook: BK-16851-A t/m H.
Head of a Bearded Man Looking Right
Object type: drawing
Date: 1692 – 1692
Materials: chalk, gouache
Artist: mathais füssli the youngest
Artist role: artist
Artist nationality: swiss
Artist dates: 1671 – 1739
Subjects: heads,men
Geschiedenis van het Oude Testament
Object type: book illustration
Date: 1538 – 1538
Materials: paper
Techniques: woodcut
Location: switzerland
Artist: veit rudolf specklin
Artist role: print maker
Artist dates:  – 1550
Subjects: ruth gleaning

Boekillustratie voor het eerst gebruikt in: Biblia Utriusque Testamenti iuxta Vulgatam Translationem, Lyon, M. en G. Trechsel (voor Hugo à Porta) 1538. Later in verschillende uitgaven opnieuw gebruikt. Deze prent vermoedelijk gebruikt in één van de uitgaven uitgegeven en/of gedrukt door Jean Frellon, Lyon.
Soldaat die zijn laadstok in de houder onder de loop van zijn roer schuift (nr. 29), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die met zijn linkerhand bij zijn linkerdijbeen een roer (een bepaald type vuurwapen) vasthoudt en met zijn rechterhand de laadstok in de houder onder de loop schuift (nr. 29), ca. 1600. Plaat 29 in de instructies voor het hanteren van de roer: Corte onderwysinghe op de figuerliicke afbeeldinghe, belanghende t'rechte ghebruyck des Roers. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, 's-Gravenhage, 1607. Krijgswezen rond 1600.
Ewer with Horsemen and Sphinxes
Object type: ewer
Materials: glaze, stonepaste
Techniques: gilding, overglaze, painting, polychrome
Location: iran
Subjects: sphinx,horses

A written source of the early 14th century informs us that at that time mina’i objects were no longer manufactured, and that some were kept "in townships and in shrines". This suggests that they were still held in high esteem, and partially explains the large number of intact mina’i objects known today, and the relatively few fragments found in archaeological excavations. The technique was laborious, and the lavish result was often enriched by gilding. On this mug, the painted and gilded scenes show a procession of courtly riders on the upper register and one of sphinxes on the lower register. Despite the reiteration of the figures, the overall depiction is enlivened by the opposite directions of the riders in respect to that of the sphinxes, by the movement of the running horses and that of the riders (one rider has his head turned back, others are striving to hold branches), and by the details of their garments.
Elf koppen
Object type: print
Date: 1922 – 1922
Materials: paper
Techniques: etching
Location: netherlands
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Subjects: caricatures (human types), head-gear: hat, dress, gown
Inscriptions: collector's mark: Lugt 2228
Landschap met wolkenlucht
Object type: sketchbook leaf
Date: 1886 – 1923
Materials: ink, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes, clouds
Inscriptions: workshop stamp: Lugt 291d

Pagina 26 uit een schetsboek met 19 bladen en 9 losse tekeningen.
Zieke vrouw
Object type: drawing
Date: 1897 – 1897
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, patient, sick person
Inscriptions: :, annotation: ‘La malade’, collector's mark: Lugt 2228, workshop stamp: Lugt 291d
Bell-shaped bowl from the 'Swellengrebel service' with a double crowned monogram and a border with floral scrolls
Object type: sugar box
Date: 1740 – 1740
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

De monogrammen 'MVA' en 'CHTD' staan voor Maurits van Aerden (1694-1746) en Constantia Helena ten Damme (1694-1772), getrouwd in 1716. Het servies is waarschijnlijk besteld ter ere van hun vijfentwingtigjarig huwelijksjubileum in 1741.
(Campen, Jan van & Hartkamp-Jonxis, Ebeltje, Aziatische weelde : VOC-kunst in het Rijksmuseum, Zutphen 2011, p. 78)
Begrafenisstoet van Willem van Oranje, blad 2
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: delft, william i (prince of orange), cortege, funeral procession

Lijkstatie met de zes trompetters, Gerard van Schoten en Paul Wytz met een paard met het wapen en De Grutere met het vaandel van Polanen-Breda. Blad 2 in de begrafenisstoet van Willem van Oranje, Delft 3 augustus 1584.
Piece
Object type: piece
Date: 1601 – 1700
Materials: silk
Techniques: compound weave
Culture: china or japan
Subjects: leaves
Portretten van Rudolf van Oostenrijk en Frans Jozef I Karel, keizer van Oostenrijk
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: historical persons, emperor, funerary ceremonial
Inscriptions: collector's mark: Lugt 2228

Deze prent werd uitgegeven als bijvoegsel bij De Amsterdammer op 2 februari 1889.
Bundle of Model Mats from the Foundation Deposit for Hatshepsut's Tomb
Object type: mat, model
Date: 1479 – 1458
Materials: fiber, papyrus
Location: egypt

These model mats were among the objects discovered in a foundation deposit in front of the tomb of Hatshepsut (KV 20) in the Valley of the Kings. For more information on this deposit, see 30.8.6.
Titelpagina voor: Het Leven van Willem George Fredrik, dl. I (1802)
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: the hague, willem george frederik (prins van oranje-nassau), grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 2166

Gegraveerde titelpagina met titel en allegorisch vignet met graftombe van prins Frederik. Illustratie in het vierdelige Leven van Willem George Fredrik (1802-1803).
The Actor Matsumoto Koshiro III as Kikuchi Hyogo Narikage in the Play Katakiuchi Chuko Kagami (Vendetta: A Model of Loyalty and Filial Duty), Performed at the Nakamura Theater from the Fifth Day of the Sixth Month, 1770
Object type: print
Date: 1770 – 1770
Techniques: woodblock print
Location: japan
Artist: ippitsusai buncho
Ettore, Side View, from Oeuvre de Canova
Object type: print
Date: 1817 – 1817
Materials: ink, paper
Techniques: engraving, etching
Location: italy
Artist: pietro bonato
Artist role: artist
Artist nationality: italian
Artist dates: 1765 – 1820
Abraham
Object type: statuette
Date: 1701 – 1800
Materials: glass
Subjects: abraham
Schön newes Modelbuch (Page 100r)
Object type: book print ornament architecture
Date: 1608 – 1608
Techniques: woodcut
Artist: sigismundus latomus
Artist role: publisher
Artist nationality: german
Artist dates: 1599 – 1632
Subjects: ornament

Published by Sigismundus Latomus, Frankfurt a.M. Illustrated and hand-colored title page, 94 pages of designs for lace and embroidery.
The Laundress
Object type: painting
Date: 1877 – 1879
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: pierre auguste renoir
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1919
Subjects: women, portrait, portraits: female subject, labor, interior, basket, textile, woman, work, portraits
Inscriptions: Inscribed lower left: Renoir

Pierre-Auguste Renoir’s model for The Laundress was Nini Lopez, whom he painted regularly between 1874 and 1880 in his scenes of modern life. He made this canvas shortly after completing the illustrations for Émile Zola’s L’Assommoir (The Drunkard), a gritty novel about the downfall of a laundress in the brutal and degrading world of working-class Paris. Unlike those illustrations , this painting lacks any portrayal of backbreaking labor or social oppression. Renoir chose instead to visually reference the 19th-century stereotype of laundresses being promiscuous, signaled in this and other contemporary depictions of such figures by the sleeve slipping off the shoulder. This young woman appears artfully disheveled and rosy-cheeked as she tends to the laundry in her affluent employer’s home, standing next to a basket of linens and a stove used to heat irons.
Terracotta skyphos (deep drinking cup)
Object type: skyphos
Date: 350 – 350
Materials: terracotta
Culture: greek, attic
Subjects: women,eros,satyrs,baskets

Obverse, seated woman, holding openwork processional basket and accompanied by two other women, Eros, and satyr Reverse, seated woman with standing servant, Eros, and satyr Openwork baskets of this type holding implements of sacrifice were carried by women in religious processions. The presence of a satyr and Eros on both sides of this vase suggests that the festival being celebrated is the Anthesteria. On the second day of this important Attic celebration devoted to Dionysos, the god of wine, he was united in marriage in a secret ritual to the wife of a high honorary official of Athens. It was apparently also a popular time for weddings in the city, and the seated woman on the back of this vase may be a bride being prepared for marriage. The basket and details of jewelry are in slight relief and gilded.
[Stag Trophy Head, Killed by Ned Ross]
Object type: photograph
Date: 1858 – 1858
Techniques: albumen silver print
Artist: horatio ross
Artist role: artist
Artist nationality: british, born scotland
Artist dates: 1801 – 1886
Subjects: skulls,deer,trophies

Far better known in his day as an athlete and a sportsman than as a photographer, Ross excelled in deerstalking and was judged the finest shot in Scotland. Keen on the challenge of pitting his knowledge, stamina, and experience against the deer's superior senses of smell, sight, and hearing, Ross brought to his sport an intimate knowledge of the terrain, a practiced ability to judge distance, and an exceptional attentiveness in observation–just the qualities needed when he took to the Highland countryside with a camera in place of his rifle.
Studies
Object type: sketchbook leaf
Date: 1898 – 1902
Materials: pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923

Pagina 31 uit een schetsboek met 42 bladen.
Vrede tussen Japan en Rusland in 1905
Object type: drawing
Date: 1905 – 1905
Materials: ink, paper, pencil
Techniques: brush, pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: new york (city), politician, signing of peace treaty, concluding the peace, political caricatures and satires

Vrede gesloten tussen Japan en Rusland met het Verdrag van Portsmouth in 1905 waarmee een eind wordt gemaakt aan de Russisch-Japanse Oorlog. Sergei Witte en Komura Jutarō schudden elkaar de hand, op de achtergrond kijkt Theodore Roosevelt als vredesengel toe. Ontwerp voor een politieke spotprent.
Portrait of a Man
Object type: drawing
Date: 1666 – 1724
Materials: chalk
Artist: benedetto luti
Artist role: artist
Artist nationality: italian
Artist dates: 1666 – 1724
Subjects: men,portraits
Force
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Location: france
Artist: Anonymous
Subjects: head (human), strength, power; 'fortezza', 'fortezza d'animo e di corpo', 'fortezza del corpo congiunta con la generosità dell'animo', 'fortezza & valore del corpo congiunto con la prudenza & virtù del animo', 'forza' (ripa)
Inscriptions: collector's mark: Lugt 2228

Buste van een man. Genummerd rechtsboven buiten plaatrand: PL. IV. P. 124.
Bell Dangle
Object type: bell
Date: 1401 – 1566
Materials: bronze
Techniques: casting
Culture: peruvian
Location: peru
Subjects: musical instruments
Gezicht op de kerk van de Gereformeerde Gemeente onder het Kruis te Amsterdam
Object type: drawing
Date: 1879 – 1879
Materials: ink, paper
Techniques: pen
Location: amsterdam
Artist: Anonymous
Subjects: church (exterior), canals, waters (in city)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Gebouwen diverse gemeenten: Gereformeerde Gemeente onder het Kruis.
Fragment of lace
Object type: fragment
Date: 1801 – 1900
Techniques: lace
Solidus of Justinian II (685-95)
Object type: solidus
Date: 692 – 695
Materials: gold
Culture: byzantine
Location: constantinople

Christ first appears on coins of Justinian II, shown as Pantokrator, Ruler of All. The Empire's gold coins set an artistic and monetary standard for the Mediterranean world throughout most of Byzantine history. By the middle Byzantine period, a ruler portrait appeared on one side, with a religious icon on the other. Inscriptions were in either Greek, the official language of the Empire, or Latin, its original official language. The images reflected the artistic currents of their times.
Redevoering van Frederik Willem IV te Berlijn
Object type: print
Date: 1840 – 1850
Materials: paper
Techniques: lithograph
Subjects: berlin, frederik willem iv (koning van pruisen), staircase, person addressing a group, orator
Inscriptions: collector's mark: Lugt 2228
De nieuwe verkeerde wereld
Object type: print
Date: 1830 – 1892
Materials: paper
Techniques: colour, letterpress printing
Location: zaltbommel
Artist: jacob plügger
Artist role: print maker
Artist dates: 1795 – 1871
Subjects: 'mundus inversus', the reversed world, the topsy-turvy world, 'le monde bestourné', animals acting as human beings
Inscriptions: collector's mark: Lugt 2760

Blad met 25 voorstellingen van de verkeerde wereld, waar onder andere dieren zich als mensen gedragen. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 58.
Vat met drinkebroer, behorend bij meiwijnvat van steengoed
Object type: vessel
Date: 1740 – 1760
Materials: brass, cork, earthenware, glaze, tin
Location: delft
Artist: Anonymous

Drinkebroer, behorend bij meiwijnvat van steengoed met tinnen tap.
Variae campestru fantasiae a Hermano van Suanevelt invent et in lucem edita (...)
Object type: print
Date: 1650 – 1655
Materials: paper
Techniques: etching
Subjects: landscapes, sitting on the ground
Inscriptions: collector's mark: Lugt 2228

In een ovale omlijsting zitten twee figuren langs een pad onder een boom.