deem-data/ArtiFact huggingface dataset:
Het Gebed voor de maaltijd
Object type: print
Date: 1635 – 1645
Materials: paper
Techniques: engraving
Location: danzig
Subjects: devotion, piety; 'divotione' (ripa), prayer at table, saying grace, humility; 'humiltà' (ripa), the poor
Inscriptions: collector's mark: Lugt 240

Een gezin bestaande uit vader, moeder en drie kinderen zit met gevouwen handen rond een gedekte tafel in een sober vertrek. De twee jongste kinderen staan. Op de voorgrond liggen gebruiksvoorwerpen: een houten kuip, een ketel, een kruik, een wijnvat en een zeef. Op de achtergrond zit een man, op de rug gezien, op een omgekeerde mand bij de haard. Onder de afbeelding een gedicht in het Nederlands.
Schön newes Modelbuch (Page 78r)
Object type: book print ornament architecture
Date: 1608 – 1608
Techniques: woodcut
Artist: sigismundus latomus
Artist role: publisher
Artist nationality: german
Artist dates: 1599 – 1632
Subjects: ornament

Published by Sigismundus Latomus, Frankfurt a.M. Illustrated and hand-colored title page, 94 pages of designs for lace and embroidery.
Bead
Object type: bead
Date: 901 – 1300
Culture: mixtec
Location: mexico
Sr. Creswell Levinz Knt.
Object type: print
Date: 1701 – 1703
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons, magistracy, judges
Inscriptions: collector's mark: Lugt 2228
Pair of tables
Object type: table
Date: 1750 – 1750
Materials: wood
Techniques: veneering
Portret van Anna Maria van Schurman
Object type: print
Date: 1836 – 1899
Materials: paper
Techniques: lithograph
Location: the hague
Artist: j.b. clermans
Artist role: print maker
Subjects: cologne, print maker, draughtsman, anna maria van schurman, historical persons - bb - woman
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Portretten, Portretten van bijzondere personen.
Study of Reverence for the Quadrille of the Lancers, plate 380 from Actualités
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Ax blade
Object type: ax blade
Date: 1550 – 1458
Materials: copper alloy
Location: egypt
Bald headed man in profile right: the artist's father (?)
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: leiden, can hook
Inscriptions: collector's mark: Lugt 2228, monogram and date: ‘RHL 1630’, mark: Lugt 174, inscription: ‘Deux tetes d'Homes... No 270 (Gersaint nummer)’, inscription: ‘C. 15150’
Ruïnes van de orillon Coehoorn en de lunetten Zeeland en Utrecht
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: fortress, landscape with ruins, bergen op zoom
Inscriptions: collector's mark: Lugt 2228

Muller geeft aan dat de prenten door Simon Fokke in 1772 naar de tekeningen van Pronk uit 1748 zijn vervaardigd. In de Collecties Thuis in Brabant (collecties in Brabantse musea en archieven) is een ontwerptekening (met inv.nr.: BC-Tha oai:tha.uvt.nl:709121) voor een prent in de serie bewaard met de annotatie: Hoogstraat. na t Leven geschest (sic) door C.Pronk 1748. opgetekent door S. Fokke 1772.
Knielende figuur in het interieur van de Mendoet Tempel op Java
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil, watercolor
Techniques: brush
Location: java
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: temple, shrine ~ hinduism, buddhism, jainism, kneeling figure, interior ~ representation of a building, statues, paintings, etc. ~ objects of worship (hinduism, buddhism, jainism)

Pagina 17 uit een schetsboek met 67 bladen.
Crucifix
Object type: crucifix
Date: 1470 – 1490
Materials: iron, wood
Techniques: gilding, polychromy
Location: north brabant
Artist: Anonymous
Inscriptions: inscription, on the banderole on the left quatrefoil: illegible, inscription, on the banderole on the right quatrefoil: illegible, inscription, on the Titulus Crucis, painted: ‘INRI’, inscription, on the banderole on the quatrefoil at the top: illegible, inscription, on the banderole on the trefoil at the bottom: illegible

Master of Koudewater (?) (active c. 1460 - c. 1480). Crucifix. Walnut and oak, with some original polychromy. 's-Hertogenbosch, c. 1470.
van links naar rechts: De Procureur, de Landbouwkundige, de Gouverneur, de Adjudant
Object type: photograph
Date: 1912 – 1913
Materials: paper, photographic support
Techniques: gelatin silver print
Location: curacao
Artist: Anonymous
Subjects: plantation, (non-fruit) products of plants or trees: sisal

Groepsfoto bij het bezoek van de gouverneur Nuijens aan de sisalplantage Mount Pleasant op Curaçao. Onderdeel van het fotoalbum uit ca. 1912-1913 met 92 foto's van de plantages Peperpot en Dordrecht in Suriname en Mount Pleasant op Curaçao.
Chinese Junks Sampans, Shanghai River
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
CERTOSA DI PAVIA - Particolare della seconda finestra binata della facciata.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: pavia
Artist: Anonymous
Subjects: church-window, e.g. rose-window, church (exterior), angels
Inscriptions: collector's mark: Lugt 3937, number: ‘8250.’
Flower Market, Brussels
Object type: print
Date: 1887 – 1887
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Inscriptions: Signed with butterfly recto, lower left tab, in graphite and in plate, center right; inscribed verso, upper center, in graphite: “4”; lower left, in graphite: “P0165”; lower left, in graphite: “…-01-mww”
Christ in the House of Martha and Mary
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: belgium
Artist: raphael sadeler i
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1560 – 1628
Inscriptions: Lettered lower left: "M. de Vos inven. Raphael Sadler scalp. et excud. anno 1584"; and below image: "Martha Martha solicita es ... Lucae X."
Death of St. Cecilia
Object type: print
Date: 1599 – 1605
Techniques: engraving
Artist: hieronymus wierix
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1553 – 1619
Subjects: women,angels,christ,saints,death
Panel
Object type: panel
Date: 1867 – 1900
Materials: metal thread, ribbon, silk
Subjects: garlands,flowers
"Portrait of a Noble in Gauzy White Costume", Folio from the Davis Album
Object type: illustrated album leaf
Date: 1667 – 1700
Materials: gold, ink, paper, watercolor
Location: india
Subjects: swords,men,profiles

This unidentified nobleman is dressed in the fashion of the Jahangir period when the double patka (sash) came into vogue. However, the treatment of the dark ground and figure suggest that it is from a later moment in the seventeenth century, based on an earlier model.
Goddess Kali
Date: 1880 – 1885
Materials: glaze, watercolor
Techniques: hand coloring, lithograph, printing
Culture: west bengali

Kali, the supreme embodiment of female power (shakti), is a manifestation of the goddess Parvati, Shiva’s loving wife, and is particularly worshipped in Bengal as the premier goddess of the sakta cult. Her vengeful and blooded form came to embody all that Europeans in India came to most fear—and misunderstand—in Hindu society. Kali embodies power over time and is often described as the Destroyer of Time, embodying the natural forces of destruction. She is typically represented standing on the prostrate figure of her husband, Shiva, who here is seen lying in a charnel ground, his trident and drum abandoned. Ghostly images of the dead and their tormentors emerge from the smokey mists. The male gods Brahma and Vishnu appear in the billowing clouds as witnesses to the goddess’s display of supreme power. Kali, youthful and beautiful, wields a bloodied cusp-bladed sword designed for the decapitation of sacrificial buffalo. She is here adorned with the human heads severed from their bodies and strung into a grotesque garland. She holds a freshly severed head in her lower hand. The goddess is four armed, and the palm of each hand is stained red from her bloody work. Female devotees stain their hands with henna today to achieve this effect. Kali’s apron is composed of severed arms, her ears are adorned with corpses that serve as macabre ornaments. A forehead eye signals her omnipresence and a lolling red tongue her fearful countenance.
Chime of Thirteen Bells for Christ Church, Cambridge, Massachusetts
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Bruges. Hôtel de Ville et Panorama
Object type: photomechanical print
Date: 1913 – 1930
Materials: cardboard
Techniques: photograph
Location: brussels
Subjects: square, place, circus, etc., townhall, prospect of city, town panorama, silhouette of city, bruges
Eme Lascells, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Portrait of a Man (Mirabeau, 1749–1791)
Object type: medallion
Date: 1701 – 1800
Materials: gilt, glass, silk, wax, wood
Subjects: men,profiles
Stop van karaf in de vorm van een adelaarskop
Object type: bung
Materials: glass, silver
Techniques: engraving, gilding, glassblowing
Location: germany
Artist: Anonymous

De afneembare kop fungeert als stop. Kop IS gegraveerd met schubben; de staart, nek en kop met veren.
Portret van Jacobus van Miggrode
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: middelburg
Inscriptions: collector's mark: Lugt 2228

Illustratie voor J.P. van der Kellen, Le peintre graveur hollandais et flamand, Utrecht: 1866.
Gezicht op een huis bij de Ringdijk
Object type: drawing
Date: 1919 – 1919
Materials: chalk, paper
Location: amsterdam
Artist: tinus de jongh
Artist role: print maker
Artist dates: 1885 – 1942
Subjects: city-view in general; 'veduta', road, path, the usual house or row of houses
Inscriptions: collector's mark: Lugt 800a, signature and date: ‘TinusdeJongh 1919’, inscription: ‘Gezicht op het (...) ruim 95 jaar’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 33.
Vick's floral guide for 1877
Object type: book
Date: 1877 – 1877
Materials: cardboard, paper, textile
Techniques: albumen print
Location: rochester
Artist: james vick
Artist role: publisher
Inscriptions: date: ‘SEPT/ 2003’, inscription: ‘$195/ F/ 374/ E/ 19’
Portret van twee zittende meisjes
Object type: carte de visite
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: medemblik
Artist: roelof loots
Artist role: fotograaf
Artist dates: 1814 – 1898
Subjects: girl (child between toddler and youth)
Inscriptions: inscription: ‘Photographie van R. Loots/ Medemblik’, number: ‘67’
Portret van Cornelis Danckerts de Ry op 73-jarige leeftijd
Object type: print
Date: 1634 – 1674
Materials: paper
Techniques: engraving
Subjects: historical persons, compasses, portrait, self-portrait of architect
Courant-Ombrengers Kermis-Wensch (...) 1854
Object type: fair print
Date: 1854 – 1854
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: pleasure fair and circus, amsterdam
Inscriptions: collector's mark: Lugt 2228

Kermisprent namens de ombrengers van couranten (krantenbezorgers) te Amsterdam, 11 september 1854. Bovenaan een medaillon met een gezicht op de kermis op de Botermarkt. Onderaan een gedicht in drie kolommen. Van de courantombrenger: J. van den Elsakker.
Badplaats
Object type: print
Date: 1887 – 1930
Materials: paper
Techniques: drypoint, engraving
Location: france
Artist: jean emile laboureur
Artist role: draughtsman, print maker
Artist dates: 1877 – 1943
Subjects: beach (as place of recreation)
Inscriptions: check stamp: Lugt 1195a, collector's mark: Lugt 2228
Portrait of the Artist's Brother (John Inman?)
Object type: watercolor
Date: 1825 – 1835
Materials: ivory, watercolor
Culture: american
Artist: henry inman
Artist role: artist
Artist nationality: american
Artist dates: 1801 – 1846
Subjects: men,portraits
Panorama des Alpes
Object type: page
Date: 1890 – 1894
Materials: paper
Techniques: photograph
Location: antwerp
Subjects: world fair, world exhibition, façade (of house or building)
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, seated, draped youth; youth with right hand on hip, with his himation draped over his left shoulder, and around his back and lower body; Exterior, foot and stick; feet to left; stick; feet
Athenian red-figured Kantharos
Object type: ansichtkaart, prentbriefkaart
Date: 1920 – 1950
Materials: cardboard
Techniques: photograph
Location: boston
Artist: Anonymous
Subjects: (story of) jupiter (zeus), container of ceramics: jar, jug, pot, vase
Vrouw reikt omhoog naar de takken van een appelboom
Object type: print
Date: 1908 – 1909
Materials: chalk, paper
Techniques: etching, intaglio
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: farmers - aa - female farmer, farmer's wife, farm or solitary house in landscape, hanging the wash to dry
Isabel Wachenheimer, Engelse Tuinen, München, september 1930
Object type: photograph
Date: 1909 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: munich
Artist: Anonymous
Subjects: isabel wachenheimer-elon

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
De vier elementen
Object type: print
Date: 1588 – 1592
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: air (one of the four elements)
Inscriptions: collector's mark: Lugt 2228a

Voorstelling van het element lucht in de vorm van een naakte man met vleugels op het hoofd, gezeten op wolken. Op de achtergrond een aantal valkeniers met hun honden bezig met de jacht. Bovenin de voorstelling het woord 'Aer' (lucht). Onder de voorstelling twee regels tekst in Latijn. Deze prent is onderdeel van een serie van de vier elementen, elk verbeeld door een personificatie, achter wie figuren handelingen uitvoeren die geassocieerd worden met het betreffende element. Elke voorstelling heeft een tweeregelig Latijns onderschrift.
Gezicht op een schouw in Oud-Holland tijdens de Wereldtentoonstelling voor het Hotel- en Reiswezen in 1895
Object type: drawing
Date: 1894 – 1895
Materials: ink, paper, pencil
Techniques: pen
Location: amsterdam
Artist: evert breman
Artist role: architect
Artist dates: 1859 – 1926
Subjects: city-view in general; 'veduta', open hearth, fire-place, village
Inscriptions: signature: ‘EvertBreman’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 27.
Coin
Object type: coin
Materials: silver
Location: arrajan?

This coin was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
PERSEUS
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: netherlands
Artist: abraham de bruyn
Artist role: print maker, publisher
Artist dates: 1540 – 1587
Subjects: ornament ~ grotesque, ornament ~ cartouche, the wedding-feast of perseus and andromeda is interrupted by phineus, a former suitor; a fight ensues
Inscriptions: number: ‘4’, signature: ‘ADB’, title: ‘PERSEUS’

Ovaal Cartouche in ornamentomlijsting met grotesken en twee gevleugelde paarden, tegen een gearceerde achtergrond. In het cartouche de huwelijksmaaltijd van Perseus en Andromeda, die wordt verstoord door Phineus.
Twee mannen in een deuropening
Object type: photograph
Date: 1900 – 1930
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult man (+ two persons), historical persons, head-gear: top hat
Portret van Germain-François Poullain de Saint-Foix
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: engraving, etching
Subjects: rennes, schrijver, germain-françois poullain de saint-foix
Inscriptions: collector's mark: Lugt 2228

Portretbuste in ovaal naar rechts van Germain-François Poullain de Saint-Foix, blootshoofds. Om zijn hals hangt een lint met het kruis van de orde van de Heilige Geest. De massieve ovale lijst is versierd met takken en een lint en staat op een sokkel waarop de naam van de geportretteerde en een Latijnse spreuk staat. Rechts van het portret zijn een zeilschip, een pot met schrijfveer en een Maltezer kruis aan een ketting afgebeeld. Geheel op de voorgrond aanschouwt een putto met bloemenmand drie duiven die voor hem staan. Rechts op de grond ligt een masker.
Willem en Maria uitgeroepen tot koning en koningin van Engeland, 1689
Object type: book illustration
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: william iii (prince of orange and king of england, scotland, and ireland), maria ii stuart (koningin van engeland, schotland en ierland), crier (~ proclamation of laws), oral spreading of news, town crier, london
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Pers, Dirck Pietersz. Romeynschen adelaer, waer in de loffelĳcke en lasterlĳcke daden der Romeynsche koningen, en keyseren, verhandelt werden, 3 delen. Utrecht: Jurriaen van Poolsum, 1689, fol. 828. Deze prent is ook genummerd FMH 2696 als illustratie voor: Lambert van den Bosch, Het leven en bedryf van Willem de Darde, Jan Claesz ten Hoorn, Amsterdam 1694, 4 delen.
Female Warrior crushing a Satyr
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink, paper
Techniques: heightening, pen, wash
Artist: anonymous, 16th century
Artist role: artist
Artist dates: 1500 – 1600
Subjects: women,satyrs
Bead with Royal Name
Object type: bead, cartouche, royal
Date: 1153 – 712
Materials: faience
Location: egypt

An elongated faience bead inscribed with the throne name "King of Upper and Lower Egypt, Lord of the Two Lands, Usermaatre-Setepenre." Ten kings bore this name: Ramesses IV (Dyn. 20); Amenemope (Dyn. 21); Osorkon II, Sheshonq III/IV, and Pami (Dyn. 22); Pedubaste I, Osorkon III, Takelot III, Rudamun, and Iuput II (Dyn. 23).
The Noda Jewel River in Mutsu Province (Mutsu Noda), from the series "Six Jewel Rivers in the Various Provinces (Shokoku Mu Tamagawa)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Mre. Jean Law con.er du roy en tous ces con.ils controleur gnal des finances
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: econoom, john law, windhandel van 1720

Portret van John Law, staande ten voeten uit, op de achtergrond een tuin met fontein. In het onderschrift een vierregelig vers in het Frans. Blad in de gebonden vierde uitgave (304 B 12) van Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Madhu Madhavi ragini
Object type: indian miniature
Date: 1670 – 1690
Materials: paper
Techniques: brush
Location: bikaner
Artist: Anonymous
Inscriptions: inscription: ‘.’

Een vrouw voor een paleis vlucht naar binnen voor het onweer buiten. De voorstelling is omlijst door een bruine rand, afgezet met goud in zwarte kaderlijnen en een brede bladrand bespikkeld met goud.
Martyrdom of Saint John the Evangelist, from "The Little Apostles" (Les Petits Apôtres)
Object type: print
Date: 1632 – 1632
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: saint john the evangelist
Ziet kindren! hier tot uw genoegen, Al weêr iets fraais; kiest wel bedaard, / En wilt u dan naar 't ambagt voegen, Of kunstwerk, dat u voordeel baart
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Artist: johan noman
Artist role: printer, publisher
Artist dates:  – 1833
Subjects: diamond polisher, diamond cutter, craft-production, skilled handiwork, painter at work, in his studio, baker, crafts and industries
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van ambachtslieden en beroepen, zoals diamantslijper, hoedenmaker, kuiper en bakker. Onder elke voorstelling een vierregelig vers. Genummerd rechtsboven: No. 219.
Leadership Shirt
Object type: shirt
Date: 1860 – 1865
Materials: feather, hair, pigment, silk, skin
Techniques: tanning
Culture: arikara
Location: united states
Dirk with Sheath
Object type: dirk with sheath
Date: 1650 – 1700
Materials: steel, wood
Culture: french
Location: france
Subjects: adam,eve