deem-data/ArtiFact huggingface dataset:
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Exterior, three fragments with parts of palmettes and tendrils
Chalice veil
Object type: chalice cover
Date: 1700 – 1700
Materials: metal thread, silk
Subjects: sun,flowers
String of 3 Beads
Object type: bead, string
Date: 600 – 600
Materials: glass
Location: egypt
Dressing gown
Object type: dressing gown
Date: 1834 – 1866
Materials: silk
Culture: american or european
Portret van een zittende Franse man met een pijp en een geruite broek, de krant 'L'Intransigeant' lezend
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: trousers, breeches, adult man, pipe ~ tobacco, newspaper, news-sheet, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Portret van Regino von Prüm
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: engraving, letterpress printing
Location: brussels
Subjects: abbot, historical persons
Inscriptions: collector's mark: Lugt 2233

Prent gebruikt voor: Bullart, Isaac. Académie des Sciences et Arts contenant les vies et éloges his. des hommes illustres qui ont excellé en ces professions depuis environ quatre siècles. Brussel: François Foppens, 1682. Het boek werd in 1682 eveneens in Amsterdam uitgegeven door de erfgenamen van Daniel Elzevier.
Ieder portret betreft een illustratie bij de biografie van een kunstenaar of geleerde.
De meeste portretten werden door Nicolas de Larmessin vervaardigd (162), 93 door De Boulonois en een derde door ongeïdentificeerde prentmakers.
Dit betreft een illustratie op p. 121, deel I.
Circular limestone incense burner
Object type: lamp, columnar
Date: 3900 – 100
Materials: limestone
Culture: cypriot

The incense burner is in the form of a spool or bobbin, the foot of which is slightly wider than the saucer.
Brief aan Isaac Israels
Object type: letter
Date: 1925 – 1925
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: amsterdam, painter, print maker, draughtsman, isaac israels, printed matter
Inscriptions: collector's mark: ‘RPK’
Miniature Pear-Shaped (Yuhuchun) Bottle
Object type: ceramic
Date: 1467 – 1533
Materials: cobalt, porcelain, pottery
Techniques: glazing, underglaze
Location: vietnam
Subjects: drinking, blue (color)
Arcadische landschappen
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: etching
Location: rome
Artist: abraham genoels
Artist role: draughtsman, print maker
Artist dates: 1640 – 1723
Subjects: trees, pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 240

Arcadisch landschap met bomen. Op de voorgrond drie vrouwen. De prent is deel van een serie van vier arcadische landschappen.
Pitcher
Object type: pitcher
Date: 1850 – 1860
Materials: diamond, glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Schoen, pump, van zwart satijn met puntneus en laag uitgesneden voorblad, versierd met pompoentjes van zwart zijden gaas met knoop met zeven namaak diamanten
Object type: womenswear
Date: 1915 – 1915
Materials: diamond, textile, silk
Location: brussels
Artist: Anonymous

Pump van zwart satijn. Puntneus. Uit één, laag uitgesneden (voor)blad. Matig hoge hak, middelzwaar, iets uitgehold. Gevoerd met wit glacéleer. Versierd met pompoentjes van zwart zijden gaas, waarop een zwart knoopje met zeven namaakdiamantjes.
Napoleon krijgt Elba, 1814
Object type: cartoon
Date: 1814 – 1814
Materials: paper
Techniques: etching, hand coloring
Location: netherlands
Artist: Anonymous
Subjects: paris, vienna, napoleon i (emperor of the french), collapsing building, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 2228

Spotprent op Napoleons verbanning naar Elba, mei 1814. Een klagende Napoleon moet de wereldbol laten vallen en krijgt in plaats daarvan het eiland Elba, dat hem door een kozak op een bordje wordt aangereikt. Rechts vertrekt de koning van Rome, de zoon van Napoleon, met keizerskroon, scepter, zwaard en mantel. Op de achtergrond een instortende tempel, mogelijk de koepel van het Hôtel des Invalides in Parijs. Met tweeregelig onderschrift.
Souvenir spoon with arms of Naples
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, silver gilt
Subjects: coat of arms
Finland, 50 Pennia, from the series Coins of All Nations (N72, variation 1) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: coins

Trade cards from the "Coins of All Nations" (N72), issued in a set of 50 cards in 1889 to promote W. Duke Sons & Co. brand cigarettes. There are two variations within the series. Version one (variation 1) maintains a white background on the cards and the second version (variation 2) displays a shaded background.
Portret van een jongen, staand bij een stoel
Object type: photograph
Date: 1865 – 1866
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Artist: pierre chargois
Artist role: fotograaf
Subjects: standing figure, historical persons
Inscriptions: inscription: ‘Pierre Chargois/ 26, rue de l'Ecuyer/ Bruxelles’
Plate (tondino)
Object type: plate
Date: 1530 – 1530
Techniques: maiolica, glazing
Culture: italian
Subjects: musical instruments,putti,drinking
Livre de Moresques, page 2 (verso)
Object type: book print ornament architecture
Date: 1546 – 1546
Techniques: woodcut
Location: france
Artist: francesco di pellegrino
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1552
Subjects: ornament
Snuffbox
Object type: snuffbox
Date: 1755 – 1756
Materials: gold
Artist: jean frémin
Artist role: artist
Artist nationality: french
Artist dates: 1738 – 1786
Subjects: flowers
String of 4 beads
Object type: bead, string
Materials: glass
Location: egypt
Vase in the Form of a Tropical Plant with Bird and Deity
Object type: sculpture
Date: 1887 – 1888
Materials: clay, gold, stoneware
Techniques: modeling, painting, carved
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Subjects: vase, bird, diety, gods (deities), plants, sculpture
Inscriptions: Signed: PGo 60

In I886 Paul Gauguin was invited to design artistic pottery with the well-known ceramist Ernest Chaplet. Rather than simply decorating premade vessels, Gauguin chose to model his own unconventional forms by hand, jokingly calling them his “monstrosities.” Here the wide lip and distinctive shoulder of the vase echo the shape of the tall plant on its surface, while the protruding leaves on its sides suggest handles yet have no utilitarian function. Gauguin decorated this vase with a mix of motifs, including a goose drawn from the artist’s paintings of Brittany and a Cambodian deity copied from a photograph of a sculpture near Angkor Wat.
Direct architectural work in three printings
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: three-color autotype
Subjects: villa
Inscriptions: collector's mark: ‘Worcester Public Library/ Victoria Institute’

Prent op vijfde ongenummerde pagina na pagina 64.
Wine pot with cover
Object type: wine pot with cover
Date: 1867 – 1900
Materials: enamel, glaze, porcelain
Culture: japanese
Artist: kitei
Artist role: artist
Artist nationality: japanese
Subjects: human figures,animals
Duit van de stad Utrecht, 1781. Afslag in zilver
Object type: coin
Date: 1781 – 1781
Materials: silver
Techniques: striking
Location: utrecht

Zilveren munt. Voorzijde: gekroond stedelijk wapenschild, gehouden door twee leeuwen met in afsnede dubbele lijn, waaronder een versierde accolade met een grote schelp. Keerzijde: opschrift in twee regels, waaronder jaartal. Jaartal met Arabische 1. Afslag in zilver. Kabelrand.
Sphere
Object type: sphere
Date: 1501 – 1600
Materials: stone
Culture: mexican
Location: mexico
Tendanda via est qua me quoque possim tollere humo–Virgil, Geor:
Object type: print
Techniques: etching
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: men,dogs,donkeys,hot air balloons,caricature
Portret van een onbekende man
Object type: print
Date: 1870 – 1886
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: historical persons not known by name
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 2141c
Portret van Leonardus Groenewegen
Object type: print
Date: 1675 – 1699
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: predikant, leonardus groenewegen
Inscriptions: collector's mark: Lugt 2228

Leonardus Groenewegen, predikant te Amsterdam.
Benediktijnessen
Object type: print
Date: 1857 – 1864
Materials: paper, pencil
Techniques: lithograph
Location: haarlem
Artist: david van der kellen (1827-1895)
Artist role: draughtsman, print maker
Artist dates: 1827 – 1895
Subjects: nun(s), monastic orders, monastic life: benedictines, conversation, dialogue; conversation piece

De nonnen staan in een interieur en praten met elkaar. Een van hen heeft de handen in elkaar gevouwen.
Gezicht op het Ter Kamerenbos te Brussel
Object type: page
Date: 1875 – 1880
Materials: photographic support
Techniques: albumen print
Location: ter kamerenbos
Artist: Anonymous
Subjects: river mouth, estuary, forest, wood (+ landscape with figures, staffage)
Armchair (fauteuil)
Object type: armchair
Date: 1701 – 1725
Materials: wood
Techniques: carving, tapestry
Artist: aubusson
Artist role: factory
Artist dates: 1665 – 9999
Subjects: animals,birds,flowers
Balboekje van ivoor in de vorm van een brisé-waaier, met potloodje
Object type: brisé fan
Date: 1890 – 1900
Materials: copper, graphite, ivory, wood
Techniques: casting, cutting
Location: netherlands
Artist: Anonymous
Angel Playing a Lute
Object type: sculpture
Date: 1450 – 1500
Materials: clay
Location: utrecht
Artist: Anonymous
A Metal Street Lamp, Boulevard St. Martin
Object type: drawing
Date: 1880 – 1880
Materials: ink
Techniques: pen
Artist: richardson ellson & co.
Artist role: artist
Subjects: lamps
Brief aan Ina van Eibergen Santhagens-Waller
Object type: letter
Date: 1878 – 1938
Materials: ink, paper
Techniques: pen, writing
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: haarlem, print maker, ina van eibergen santhagens-waller, amsterdam, henriëtte roland holst-van der schalk, applied arts, arts and crafts; industrial design, diseases, paris
Inscriptions: collector's mark: ‘RPK’, watermark
Kaart van de Nederlanden
Object type: map
Date: 1700 – 1702
Materials: paper
Techniques: engraving, etching, hand coloring, lacquer
Location: northern netherlands
Subjects: maps of separate countries or regions, low countries

Kaart van de zeventien provincies van de Noordelijke en Zuidelijke Nederlanden. Omringd door zeventien plattegronden en gezichten op steden. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Twee vechtende mannen
Object type: album leaf
Date: 1660 – 1660
Materials: paper
Techniques: etching
Location: paris
Subjects: farmers, fist-fight

Deze prent maakt deel uit van een album.
Titelpagina voor: Aules Persius Flaccus en Lucio Giovanni Scoppa, Satyrae, 1523
Object type: titelblad, titelpagina
Date: 1520 – 1520
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: ornamental decoration ~ printed matter, book, device (trade-mark of printer or publisher)
Inscriptions: collector's mark: ‘educuni folia [...] bibliotheca remensis’, inscription: ‘Coll. Remens. Societ. Jesu catalogo inscriptus / Collegii Remensis Societatis [...] Jesu [...]’

Een drukkerswerkplaats (drukkersvignet van de Parijse drukker Jodocus Badius), omgeven door een ornamentele rand.
Woman Seated in Armchair Wiping Her Left Armpit
Object type: statuette
Materials: bronze
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: women

Upon Degas's death in 1917, more than 150 figurative sculptures were found in his studio. Most were made of fragile wax, clay, and plastiline (a wax- and oil-based modeling material). Many had deteriorated. Only a few were preserved in copies that had been cast from them in plaster. Except for the wax Little Fourteen-Year-Old Dancer (Washington: NGA) none of these sculptures had been publicly exhibited during the artist’s lifetime. Although Degas had not favored reproducing his sculptures in more permanent materials, his heirs authorized that copies be cast in bronze in order to preserve the compositions and to sell them as finished works. Paul-Albert Bartholomé, a sculptor and Degas's longtime friend, prepared 72 of the figures for casting, a process executed by the distinguished Paris foundry A.-A. Hébrard et Cie. The quality of the Degas bronzes was tightly controlled and their edition was limited. Only twenty-two editions of the series of 72 figures were cast. Each bronze within the series was assigned a number from one to seventy-two. The first twenty editions were assigned a letter from A-T. In most cases these numbers and letters were incised on the individual bronzes. The series of 72 bronzes was completed before May 1921 when it was exhibited in Paris. Edition A, comprising the first and best casts of the series, was reserved for the important Impressionist collector Mrs. H. O. Havemeyer. She later acquired the first bronze cast of the Little Fourteen-Year-Old Dancer (lettered A, but not numbered), which had been omitted from the initial series. In 1929 Mrs. Havemeyer bequeathed Little Fourteen-Year-Old Dancer and 70 of the 72 Edition A Degas bronzes to the Metropolitan Museum of Art. Degas made many drawings and pastels of similar figures of women unselfconsciously combing their hair or washing and drying themselves. A charcoal drawing in the Von der Heydt-Museum in Wuppertal, Germany, depicts a woman in an identical position, seated next to a bathtub. The drawing is thought to date from about 1895. Working on a small scale, which prompted visitors to the artist's studio to compare his figures to dolls, Degas modeled the original sculpture from which this bronze was cast in wax. The cork incorporations in the wax are still visible on the back of the sculpture, which is now in the National Gallery of Art in Washington, D.C.
“Indeed, I don't know what they looked like at Austerlitz, but they could hardly have looked any better,” plate 7 from Coquetterie
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Portret van Louis de Beaupoil de Saint-Aulaire
Object type: book illustration
Date: 1820 – 1821
Materials: paper
Techniques: engraving, roulette
Location: paris
Artist: ambroise tardieu
Artist role: print maker, printer
Artist dates: 1788 – 1841
Subjects: paris, politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Prent uit: Tardieu, Ambroise. Portraits des députés, écrivains et pairs constitutionnels, défenseurs invariables de la charte et de la loi des élections du 5 février 1817. Parijs: Tardieu, Ambroise, 1820-1821.
Deer and Tree Against Sunset
Object type: drawing
Date: 1810 – 1875
Materials: watercolor, paper
Artist: antoine-louis barye
Artist role: artist
Artist nationality: french
Artist dates: 1795 – 1875
Subjects: deer,trees,evening
Scarab Inscribed for Menkheperenre (Thutmose III)
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs
Lochemse Courant
Object type: newspaper
Date: 1945 – 1945
Materials: ink, paper
Techniques: printing
Location: lochem
Subjects: netherlands
Inscriptions: inscription: ‘LOCHEMSE COURANT / Van de slagvelden / Over driehonderd kilometer woedt de slag bij den Rijn’

Krant van 4 pagina's over de slag bij de Rijn, de geallieerde vredesorganisatie en bevattende artikelen over oorlog en oorlogvoering, de oorsprong van het woord 'paard', twee verhalen en plaatselijk nieuws.
Postzegel uit archief Jan Veth
Object type: postage stamp
Date: 1924 – 1924
Materials: ink, paper
Techniques: printing
Artist: Anonymous
Subjects: wilhelmina of the netherlands, dordrecht, painter, print maker, draughtsman, designer, jan veth, historical persons (portraits and scenes from the life), dutch east indies, the
Inscriptions: collector's mark: ‘RPK’
Mandala of Chandra, God of the Moon
Object type: thangka
Date: 1367 – 1433
Materials: textile
Culture: nepali
Subjects: geese,buddhism,bodhisattvas,buddha,chariots

The center of this mandala depicts the moon god Chandra flanked by two female archers who shoot arrows of light to drive away the darkness. Chandra holds two lotuses and rides a chariot pulled by seven geese, an arrangement that parallels depictions of the sun god Surya, whose chariot is pulled by horses. Surrounding the central tableau are the nine planetary deities, which includes another depiction of Chandra. Across the top of the painting are the five directional buddhas (tathagatha) flanked by bodhisattvas at either end. The bottom register is divided into three panels that depict, from left to right, a ceremony, a group of musicians and dancers, and a group of patrons. Worship of the moon god Chandra was popular in Nepali Buddhism in the fifteenth and sixteenth centuries, although it appears to have declined thereafter.
Huizen in de Oosterparkstraat te Amsterdam
Object type: sketchbook leaf
Date: 1887 – 1891
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, street
Inscriptions: annotation: ‘huizen. Oosterparkstraat’

Pagina 24 uit een schetsboek met 17 bladen.
Sword with Scabbard
Object type: sword with scabbard
Date: 1701 – 1900
Culture: indo-chinese
Location: india
Gezicht op het vliegkamp Soesterberg. - De fabriek en de hangars
Object type: photomechanical print
Date: 1905 – 1911
Materials: cardboard
Techniques: writing
Location: soesterberg
Artist: Anonymous
Subjects: factory-building, airfield, airport, hangar
Inscriptions: postage stamp
Portret van Paulus Potter
Object type: album leaf
Date: 1718 – 1721
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: paulus potter, historical persons, portrait, self-portrait of painter

Prent uit: Houbraken, Arnold. De groote schouburgh der Nederlantsche konstschilders en schilderessen (...). 3 dln. Amsterdam: Antonina Houbraken, 1721, dl. 2, p. 126.
Op de volledige prent staat een portret van Jacob van der Does, maar is hier afgesneden.
De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 3, p. 413.
Corset
Object type: corset
Date: 1872 – 1872
Materials: bone, cotton, metal
Culture: american
Artist: crotty & richards
Artist role: manufacturer
Fellow-subjects
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: line block
Location: england
Artist: edward linley sambourne
Artist role: draughtsman
Artist dates: 1844 – 1910
Subjects: personifications of countries, nations, states, districts, etc., political caricatures and satires
Inscriptions: date

John Bull verwelkomt de Boerengeneraals bij hun terugkeer uit Nederland in Zuid-Afrika. Spotprent uit het Engelse satirische tijdschrift Punch, 27 augustus 1902.
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of a kantharos, seen in profile; two vines
Bird-Shaped Container (zun)
Object type: vessel
Materials: bronze
Location: china

Animal-shaped vessels are the rarest of all Shang ritual bronzes. This creature is a fascinating blend of alert poise and solemn dignity. Whereas the scaled pattern on the neck and tail of this bird suggests feathers, other details are fantastic rather than anatomical. A dragon in profile and a coiled serpent embellish each wing; monster masks crown the head as well as the removable lid on the bird's back.
Koetsen en een boot bij de Tentoonstelling voor Nationale Nijverheid en Kunst in het Paleis voor Volksvlijt, Amsterdam
Object type: stereograph
Date: 1866 – 1866
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: paleis voor volksvlijt
Inscriptions: stamp: ‘JDB’, label: ‘Boek & Kunsthandel Jan D. Brouwer, Kalverstraat E, Nº 37 Amsterdam.’
Eagle Point, Yosemite
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: mountains,landscapes
Twee fotoreproducties van tekeningen van een schouw en een sokkel
Object type: reproduction
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: open hearth, fire-place, pedestal of a piece of sculpture (perhaps in the form of a herm), other nereids (or sea-nymphs), leaning figure, europe
Inscriptions: number: ‘180’, number: ‘55’, number: ‘181.’, name: ‘C. PINI FIRENZE’, collector's mark: Lugt 3937

Boven (180) een tekening van een schouw met Nereïden en zeewezens, onder (181) een tekening van een sokkel met leunende figuren.
Speelbord tempel van het geluk
Object type: gameboard
Date: 1816 – 1816
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: animals
Inscriptions: stamp, collector's mark: Lugt 1641

Spiraalvormig bordspel met vakken genummerd van 1 tot en met 74. Op het middenveld een voorstelling van een tempel aan zee, die in de spelregels De Tempel van 't Geluk wordt genoemd. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Spel en vermaak, Gezelschapsspel II, Ganzenbord en dergelijke.