deem-data/ArtiFact huggingface dataset:
Rupie voor Duits Oost Afrika op naam van keizer Wilhelm II, 1890
Object type: coin
Date: 1890 – 1890
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: borstbeeld van keizer Wilhelm naar links met helm, waarop adelaar. Keerzijde: wapenschild van de Deutsch-Ostafikanische Gesellschaft, met in afsnede jaartal. Waarde-aanduiding onderaan.
Urania, from The Muses
Object type: print
Date: 1590 – 1620
Materials: paper
Techniques: engraving
Location: netherlands
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist nationality: dutch
Artist dates: 1564 – 1637
Inscriptions: Lettered upper center: "Crispian de Passe inventor excudit." and within image: "Urania" and "9"
Portret van Louise de Coligny
Object type: print
Date: 1840 – 1884
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: louise de coligny, neck-gear: collar (+ women's clothes)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Prent uit: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. Amsterdam: J.F. Schleijer, 1840-1884.
Brugge. Chapelle de S.Sang
Object type: photograph
Date: 1850 – 1900
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: bruges
Feestelijkheden bij het bezoek van Maria de' Medici aan Amsterdam in 1638
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: francesco i de' medici, cologne, maria de' medici, ferdinand i van habsburg (duits keizer), 'tableau vivant', triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', blessing the married couple, (civil) marriage ceremonies, amsterdam
Inscriptions: inscription: ‘Eerste Vertoning van de Triumf-Boogh, op 't Rockin, verbeelende, het Huwelyk van François van Medicis, en Johanna van Oostenryk Vader en Moeder van Maria de Medicis’, collector's mark: Lugt 2228, collector's mark: Lugt 195

Prent ook gebruikt in:* Baerle, Caspar van. Medicea hospes, sive descriptio publicae gratulationis, qua Serenissimam, Augustissimamque Reginam, Mariam de Medicis (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1638. En in: Baerle, Caspar van. Marie de Medicis, entrant dans Amsterdam : ou, histoire de la reception faicte à la Reyne Mere du Roy tres-Chrestien (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1638. En in: Baerle, Caspar van en Joost van den Vondel. Blyde inkomst der allerdoorluchtighste koninginne, Maria de Medicis t' Amsterdam. Vertaelt uit het Latijn (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1639.

* Doorgaans zijn de prenten in de bovengenoemde publicaties rechtsonder genummerd (van de huidige prent is dat de derde bekende staat). Maar er zijn ook exemplaren waarin eerdere, ongenummerde, staten van de prenten (van de huidige prent de eerste en tweede bekende staat) zijn ingebonden.
Portret van een proefpersoon tijdens elektrostimulatie: 'un vieillard'
Object type: photograph
Date: 1860 – 1862
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: guillaume benjamin amand duchenne
Artist role: fotograaf, medicus
Artist dates: 1806 – 1875
Subjects: face, physiology and anatomy ~ nervous system, neurology, physiology and anatomy, old man, morphology of facial expression, physiognomy, experiment, test ~ science and technology, france

Ongenummerde pagina met foto 21 uit Mécanisme de la physionomie humaine ou analyse électro-physiologique de l'expression des passions (Atlas).
Alexander
Object type: print
Techniques: etching, letterpress
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Tiraz Fragment
Object type: textile fragment
Materials: linen, silk
Location: egypt
Subjects: arabic
The Smith's Yard
Object type: print
Date: 1895 – 1895
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Chateau de Blois (escalier de François 1er)
Object type: page
Date: 1859 – 1869
Materials: photographic support
Techniques: salted paper print
Location: blois
Artist: Anonymous
Subjects: staircase
Portret van Victor de Persigny
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Location: paris
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228a
Handschoen van wit leer met ingesneden crèmekleurige zijden kap, waarop borduurwerk van gouddraad met zoetwaterpareltjes, veelkeurige zijde
Object type: glove
Date: 1600 – 1625
Materials: leather, gold thread, pearl, silk, silver, thread
Techniques: embroidered
Location: northern netherlands
Artist: Anonymous

Handschoenen van wit leer met ingesneden crèmekleurige zijden kap, waarop borduurwerk met vruchten, bloemen, hoorn des overvloeds en vogels van gouddraad met zoetwaterpareltjes, veelkeurige zijde en zilveren lovers, gevoerd met roze zijde. Aan het uiteinde van de kap elk drie eikeltjes van gouddraad met zijden bandjes.
Hoofd van een jongen, rechts naar beneden kijkend
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: etching
Location: london
Artist: thomas worlidge
Artist role: print maker
Artist dates: 1700 – 1766
Subjects: boy (child between toddler and youth)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Portret van Correggio
Object type: print
Date: 1779 – 1843
Materials: paper
Techniques: stippling
Subjects: painter, print maker, draughtsman, correggio, historical persons, portrait, self-portrait of painter, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228
Portret van Ramón María Narváez y Campos, hertog van Valencia
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk afkomstig uit de Almanach de Gotha, 1851.
Base of a situla
Object type: situla fragment
Date: 1279 – 1213
Materials: silver
Location: egypt
Portretten van koningen, koninginnen, prinsen en prinsessen
Object type: print
Date: 1559 – 1559
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: paris
Inscriptions: collector's mark: Lugt 151, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Portret van Frans II, koning van Frankrijk, ten halven lijve naar rechts met een bevelhebberstaf in zijn hand, rechts op de achtergrond een helm, in een ovale lijst met randschrift in het Latijn.
Les Cothurnes
Object type: photograph
Date: 1861 – 1867
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: shoes,feet
Portret van een onbekende vrouw
Object type: photograph
Date: 1869 – 1876
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: leonard ten hagen
Artist role: fotograaf, graveur
Artist dates: 1838 – 1876
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: address: ‘Rozengr: by/ de Prinsengr:/ E. E. 6/ AMSTERDAM’
Les pyramides, vues de Gîzèz
Object type: print
Date: 1912 – 1912
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: desert, pyramid (marking grave)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
The Abbey Farm
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: alphonse legros
Artist role: artist
Artist nationality: french and british
Artist dates: 1837 – 1911
Frontal Plate from a Shaffron (Horse's Head Defense)
Object type: frontal plate from a shaffron horse's head defense
Date: 1501 – 1700
Materials: gold, iron, silver
Culture: tibetan
Location: tibet
Portret van kardinaal Vincenzo Petra
Object type: print
Date: 1724 – 1762
Materials: paper
Techniques: engraving
Location: italy
Subjects: naples, rome, cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228
Havengezicht
Object type: drawing
Date: 1700 – 1800
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: harbour
Pipa (琵琶 )
Object type: pipa
Date: 1801 – 1900
Materials: wood
Culture: chinese or japanese
Location: china
Arrowhead ? with tang
Object type: arrowhead with tang
Date: 7000 – 330
Materials: iron
Bal met pluim van vrijwillige schutter te paard van Amsterdam ca.1831
Object type: plume
Date: 1831 – 1831
Materials: hair, metal, fiber, wool
Location: netherlands
Artist: Anonymous
Subjects: amsterdam

Bal van rode wol met houten kern, gezet op wit metalen draad. Door de kern loopt een wit metalen draad, waarop een rode paardenharen staart is gemonteerd, vastgezet met rood touw en wol rond aan het staart, rood wollen geknoopte koker. De pluim wordt met blauwe wol bijeengehouden.
Seated Old Man with Crutch
Object type: drawing and watercolor
Materials: fiber, ink, paper
Techniques: brush, pen, wash
Location: switzerland
Artist: hans heinrich meyer
Artist nationality: swiss
Artist dates: 1760 – 1832
Portret van Joseph Joachim met viool
Object type: album leaf
Date: 1875 – 1890
Materials: paper
Techniques: photoaquatint
Subjects: historical persons, violin, fiddle, portrait of composer
Marbled glass perfume bottle
Object type: perfume bottle
Materials: glass
Culture: roman

Translucent blue and opaque white. Rim folded out, over, and in, and smoothed into sides of flaring mouth; short, cylindrical neck, expanding downwards to join imperceptibly with ovoid body; flattened, slightly concave bottom. Numerous trails applied to gather and marvered into surface, forming an irregular way pattern extending from rim to bottom. Intact; some bubbles; deep pitting, dulling, and patches of iridescence and creamy white weathering. Oval blue and white blown glass marbled perfume bottle.
Optocht te Haarlem, 1872 (plaat 9)
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: chromolithography
Location: haarlem
Subjects: festivities on events of national importance (+ parade, pageant, cavalcade ~ festive activities), costumes used in pageants, haarlem

Feestelijke optocht gehouden te Haarlem tijdens de Aprilfeesten op 1 april 1872 ter gelegenheid van het 300-jarige onafhankelijkheid van Nederland. Negende plaat met de groepen genummerd 64-65. Onderdeel van de serie van twaalf aaneen geplakte bladen.
Amsterdam
Object type: print
Date: 1836 – 1850
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: Anonymous
Subjects: interior of church, pulpit, ambo, chancel
Inscriptions: collector's mark: Lugt 1641b

Rechtsboven genummerd: 7. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Nieuwe Kerk van binnen.
Bijeenkomst in Zuid-Afrika
Object type: album leaf
Date: 1920 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Location: south africa
Artist: karel frederik van den berg
Artist dates: 1873 – 1948
Subjects: meeting
Tomb chapel of Raemkai: west wall, offering bearers
Object type: relief, tomb chapel, raemkai, offering bearer
Date: 2446 – 2389
Materials: limestone, paint
Location: egypt
Subjects: men

The vertical column of blocks here comes from the south end of the west wall, and forms the outermost jamb of the False Door (see 08.201.1e).
Christ falling on the road to Calvary, from two plates
Object type: print
Techniques: engraving, etching
Artist: giovanni battista fontana
Artist role: artist
Artist nationality: italian
Artist dates: 1524 – 1587

The large etching that is printed from two plates depicts the different stages of Christ’s procession to Calvary. He falls in the center under the weight of the cross. At left Saint Veronica who approaches Christ to wipe his face, leads a group of women including the Virgin. Above preparations are underway to raise the crosses. Large sixteenth century prints are often trimmed on all sides. In this case the margins are intact and along the left side we see the Fontana testing his tools through laying down lines (parallel and crosshatched) and even including a small engraved head in the upper left, a wonderful demonstration of working process. The print is dedicated to the Prior of the church of the Trinità in Venice, Pierto Lippomani.
Textile sample
Object type: textile sample
Date: 1900 – 1900
Materials: silk
Artist: Anonymous
Artist role: designer
Subjects: roses,leaves
Coffee Cup and Saucer
Object type: ceramic
Date: 1804 – 1813
Materials: enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Culture: british
Location: worcester
København. Parti af Ørstedsparken
Object type: photomechanical print
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph, lithograph
Location: copenhagen
Artist: Anonymous
Subjects: public gardens, park (+ city(-scape) with figures, staffage), garden pond, copenhagen (city)
Staircase balustrade from Chesterfield House, London
Object type: staircase balustrade
Date: 1747 – 1747
Materials: pigment, iron
Techniques: gilding

Part of the grand staircase installed at Chesterfield about 1747, this belongs stylistically to the baroque tradition of ironworking.
Christiaan Andriessen zit te tekenen
Object type: drawing
Date: 1805 – 1805
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: print maker, draughtsman, christiaan andriessen, drawing, sketch, workshop, studio ~ painter
Inscriptions: signature: ‘J Andriessen’, inscription: ‘29 Mai werkende aan I Cicisbei’

Dagboekblad uit het getekende dagboek dat Christiaan Andriessen bijhield van 1805 tot en met 1808.
Carpet (Ushak double-ended prayer rug)
Object type: textile
Date: 1601 – 1700
Materials: wool
Techniques: cutting, weave
Location: romania

This carpet, generally known as a "Ushak double-ended prayer rug," was derived from the classical prayer carpet. It uses the niche motif, in a repeated version. It is a typical example of the adaptation of a sixteenth-century design element to the tastes of the seventeenth century.
Newfoundland, Two Dollars, from the series Coins of All Nations (N72, variation 2) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,coins

Trade cards from the "Coins of All Nations" (N72), issued in a set of 50 cards in 1889 to promote W. Duke Sons & Co. brand cigarettes. There are two variations within the series. Version one (variation 1) maintains a white background on the cards and the second version (variation 2) displays a shaded background.
Pauwel du Pont
Object type: photomechanical print
Date: 1872 – 1877
Materials: cardboard, paper
Techniques: photograph
Location: antwerp
Artist: joseph maes
Artist role: fotograaf
Artist dates: 1838 – 1908
Subjects: draughtsman, paulus pontius, historical persons
Inscriptions: inscription: ‘1603. - 1658.’

Deze prent maakt deel uit van een omslag met 150 prenten en een katern met een lijst van afbeeldingen.
Portret van Willem I, prins van Oranje
Object type: photograph
Date: 1850 – 1930
Materials: photographic support
Techniques: photography
Location: netherlands
Artist: Anonymous
Subjects: william i (prince of orange)
Inscriptions: collector's mark: Lugt 1097

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Singel te Amsterdam
Object type: print
Date: 1731 – 1746
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan schenk
Artist role: draughtsman, print maker
Artist dates: 1698 – 1752
Subjects: sailing-ship, sailing-boat, (bowling a) hoop, dog
Inscriptions: collector's mark: Lugt 2228

Gezicht op een gedeelte van het Singel te Amsterdam. Aan de kade van de gracht liggen verschillende schuiten. Op de kant zijn mensen te zien, waaronder een man met een paard en een kind met een hoepel. In de lucht een banderol met tekst en twee putto met het wapen van Amsterdam.
Gezicht op gevonden bouwfragmenten bij verbouwing van een pand aan de Lijnbaansgracht
Object type: photograph
Date: 1931 – 1931
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', building-site
Inscriptions: inscription: ‘Bouwfragmenten, gevonden / in (...) bij het Spiegelplein’, collector's mark: ‘9.170’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: 2e Laurierdwarsstraat (Vuile Weespad), Leidschegracht, Leidschekade, Leidscheplein, Leidschestraat, v. Lennepkade, Lijnbaansgracht, Lauriergracht, Leliedwarsstraat, Leliegracht, Lindengracht, Lombardsteeg, Looiersgracht, Looiersstraat (Nieuwe), Leidekkerssteeg.
Ancient Ruins in the Cañon de Chelle, N.M. In a niche 50 feet above present Cañon bed.
Object type: photograph
Date: 1873 – 1873
Techniques: albumen print
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards
Inscriptions: Stamped recto, on album page, upper center, in black ink: "[War Department insignia]"; printed recto, on album page, upper left, in black ink: "Geographical & Geological Explorations & Surveys West of the 100th. Meridan."; recto, on album page, upper right, in black ink: "Expedition of 1873.-Lieut. Geo. M. Wheeler, Corps of Engineers, Commanding."; recto, on album page, lower left, below image, in black ink: "T. H. O'Sullivan, Phot."; recto, on album page, lower right, below image, in black ink: "No. 10."; recto, on album page, lower center, below image, in black ink: "ANCIENT RUINS IN THE CAÑON DE CHELLE, N.M. / In a niche 50 feet above present Cañon bed."; unmarked verso

In 1871 Timothy O’Sullivan, an experienced outdoor photographer, was recruited to contribute to a survey of the American Southwest with goals of assessing the native population, selecting sites for future military installations and railways, identifying mineral and other resources, and clarifying the border with Mexico. Working with cartographers and natural scientists, O’Sullivan documented lands unexplored by non-Native Americans, providing highly detailed photographs such as this image of Canyon de Chelly in northwestern northeastern Arizona, which had been continuously inhabited by the Anasazi and Navajo for nearly 5,000 years. Here O’Sullivan depicted the White House ruins, the striations of the canyon wall, and two small figures below, conveying the site’s monumental character. Although O’Sullivan’s famously sparse views are considered by some as forerunners to the modernist aesthetic of the early 20th century, such documents were likely intended only to imitate the graphic simplicity of maps and charts.
Plate 49: A Landlord, from 'Caricaturana,' published in Les Robert Macaires
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: children,boys,men,women
Paardenkar met een man en een kind in een tuin in Frankrijk
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: two-wheeled, animal-drawn vehicle, adult man, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Clavichord
Object type: clavichord
Date: 1701 – 1800
Materials: wood
Culture: german
Location: germany
Artist: johann heinrich gräbner
Artist role: maker
Artist nationality: german
Artist dates: 1700 – 1777

Clavichords were built as far back as the early fifteenth century, and perhaps earlier. This most personal, simplest, and quietest of European keyboard instruments was the perfect vehicle for music pedagogy, keyboard practice, and composition throughout its 400-year history. The action of the clavichord is relatively simple: the finger depresses a key which, working as a lever, causes its opposite end to rise so that a metal tongue (or tangent) hits a metal string, causing it to resonate. When the key is released, the string is damped. The clavichord is very quiet compared to the harpsichord or piano because of the inefficiency of its sound production, with the tangent hitting the string at the end of its resonating length, rather than in the middle. The tangent mechanism, however, allows a player to achieve a range, albeit narrow, of louder and softer tones as well as special effects like bebung, a form of vibrato, so that the clavichord was and is valued for its intimate expressiveness. Earlier clavichords were fretted, that is, a single string might be used to create several different notes, depending on where a tangent struck it. Unfretted clavichords, with a single note per string, came into use in the late seventeenth century. Technical description: Fretted clavichord, European walnut case without legs, drawer extending full width under bottom has leather-hinged lid opening to reveal compartments for paper, ink bottles, etc., with remnants of marbled paper lining, lid support ribbon secured to sliding lid of compartment left of keyboard, fabric-backed music rack hinged into dust panel over strings, separate small panel with large central hole covers front C-e soundboard area, nameboard includes recessed panel that springs up to form music rest at front of rack, C-e³ double-strung, triple-scored ebony naturals with arcade fronts (note letters scratched on heads), pear accidentals topped with ivory, typically carved and lead-weighted basswood key levers numbered beneath, tuning pins identified by inked letters on paper strip, original rack pins and tangents of brass (some pins replaced), brass hardware, fretting in pairs except for Ds and As and bottom octave. (Laurence Libin, 1985)
Case (Inrō) with Design of Deer and Lanterns at Kasuga Shrine
Object type: inrō
Date: 1800 – 1800
Materials: coral, gold, lacquer, pewter, silver, wood
Techniques: carving, maki
Culture: japanese
Artist: yamada school
Artist role: artist
Subjects: deer,lanterns
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 434 – 401
Materials: terracotta
Culture: etruscan
Berglandschap met een houten beltoren
Object type: sketchbook leaf
Materials: ink, paper, pencil
Techniques: pen
Location: gerlos
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: carillon, chimes - cc - out of doors, mountains
Inscriptions: kleurnotitie, handgeschreven in potlood

Blad 11 verso uit een schetsboek met 47 bladen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, part of head of bearded, wreathed satyr with thrysos; Exterior, bent arms with drapery above right elbow, genitals, and legs of male to right
De visitatie
Object type: print
Date: 1514 – 1518
Materials: paper
Techniques: engraving
Location: low countries
Artist: lucas van leyden
Artist role: draughtsman, painter, print maker
Artist dates: 1494 – 1533
Subjects: mary and elisabeth, both pregnant, embracing
Inscriptions: collector's mark: Lugt 240
Alexander de Grote steekt de rivier de Ister over
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: crossing a river, (story of) alexander the great, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 9 prenten, die ook gebruikt werden als illustraties voor Francesco Patrizi's Paralleli militaro, ne'quali si fa paragone delle Milizie antiche, in tutte le parti loro, con lemoderne, Luigi Zanetti: Rome, 1594.