deem-data/ArtiFact huggingface dataset:
Halsketting met bloedkoraal
Object type: streeksieraad
Date: 1915 – 1917
Materials: gold, coral
Location: sloten
Artist: h.c.f. ruff
Artist role: jeweler

Halsketting van geregen bloedkoralen met een gouden slot. Het slot is gemerkt.
Design for a Sofa
Object type: drawing
Date: 1801 – 1833
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: couches
Juno
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: etching
Location: netherlands
Artist: abraham bloemaert
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1566 – 1651
Inscriptions: Lettered lower center: "A Bloem. fe.", lower left: "3", and lower right: "B. Bolsverd exc"
Spheroconical Vessel
Object type: vessel
Date: 801 – 1000
Materials: earthenware
Techniques: incising
Location: iran

This ceramic vessel was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Utrecht, dukaat, 1790
Object type: coin
Date: 1790 – 1790
Materials: gold
Techniques: striking
Location: utrecht

Gouden munt. Voorzijde: tussen jaartal staande ridder naar rechts. In rechterhand zwaard, in linkerhand pijlenbundel. Keerzijde: in versierd vierkant vijfregelig opschrift. Kabelrand.
Man Drawing from a Plaster Cast
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: drawing, art (+ artist studying classical remains)
Inscriptions: collector's mark: Lugt 240

A young man with weary eyes is seated at a table drawing a plaster cast of a woman by candlelight. The bust rests on a cushion, which in turn lies on a book. Learning how to draw inanimate three-dimensional objects was a phase in the training of pupils before they were allowed to draw from live models.
Johann Carl Heinrich von Zobel
Object type: print
Date: 1820 – 1850
Materials: paper
Techniques: lithograph
Location: leipzig
Artist: karl palzow
Artist role: print maker
Subjects: adult man, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Valentine - Mechanical - scene of barge, troubadours, Temple of Hymen
Object type: valentine
Date: 1875 – 1875
Materials: paper, ribbon
Techniques: chromolithography, cutting
Artist: anonymous, german, 19th century
Artist role: artist
Artist nationality: german
Artist dates: 1800 – 1899
Fan
Object type: fan
Date: 1750 – 1750
Materials: paper
Subjects: men,women
Panel
Object type: textile
Materials: textile, silk
Techniques: bookbinding, satin weave, weave
Location: france
Holy water stoup with angel's heads and flowering plants
Object type: holy water stoup
Date: 1750 – 1799
Materials: cobalt, glaze, stoneware
Techniques: firing, forming, relief, vitrification
Location: westerwald
Artist: Anonymous
Inscriptions: inscription: ‘IHS’

Wijwaterbak van steengoed met een halfrond bekken. Gedecoreerd in kobaltblauw. Op het bekken in reliëf gedrukt en opgelegd het kruis en het opschrift 'IHS', omgeven door engelenkoppen en bloeiende planten. De achterplaat tevens met een bloeiende plant. Westerwald.
Chattsworth 180 foot front
Object type: print
Date: 1707 – 1707
Materials: paper
Techniques: etching
Location: leiden
Subjects: castle
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Beeverell, James. Les Delices de la Grande Bretagne et de l'Irlande (...). Leiden: Pieter van der Aa, 1707.
Afternoon dress
Object type: afternoon dress
Date: 1885 – 1885
Materials: silk
Culture: american

The passementerie on this elegant dress is clearly influenced by the Arts and Crafts design aesthetic which was extremely popular 1880 and 1910. This is an excellent example of how a movement which is mostly based in architecture and interior design crept into clothing, showing the proponents' desire to live the style in its entirety. The bustle silhouette, although primarily associated with the second half of the 19th century, originated in earlier fashions as a simple bump at the back of the dress, such as with late 17th-early 18th century mantuas and late 18th- early 19th century Empire dresses. The full-blown bustle silhouette had its first Victorian appearance in the late 1860s, which started as fullness in skirts moving to the back of the dress. This fullness was drawn up in ties for walking that created a fashionable puff. This trendsetting puff expanded and was then built up with supports from a variety of different things such as horsehair, metal hoops and down. Styles of this period were often taken from historical inspiration and covered in various types of trim and lace. Accessories were petite and allowed for the focus on the large elaborate gowns. Around 1874, the style altered and the skirts began to hug the thighs in the front while the bustle at the back was reduced to a natural flow from the waist to the train. This period was marked by darker colors, asymmetrical drapery, oversize accessories and elongated forms created by full-length coats. Near the beginning of the 1880s the trends altered once again to include the bustle, this time it would reach its maximum potential with some skirts having the appearance of a full shelf at the back. The dense textiles preferred were covered in trimming, beadwork, puffs and bows to visually elevate them further. The feminine silhouette continued like this through 1889 before the skirts began to reduce and make way for the S-curve silhouette.
Portret van een onbekende man, aangeduid als Dirk de Groot
Object type: carte de visite
Date: 1888 – 1896
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Photographische/ ATELIERS/ C. J. L. Vermeulen/ Heerenstraat 6,/ Heiligenweg/ hoek Singel/ AMSTERDAM,/ Specialiteit in vergrootingen.’, inscription: ‘Dirk de Groot’
Standing Ceramic Figure Holding Disk
Object type: figure
Date: 301 – 500
Materials: ceramic
Culture: moche
Location: peru
Subjects: women
Integral tondo molding
Object type: frame
Date: 1434 – 1466
Materials: gilt, wood
Techniques: carving
Culture: sienese

This "Madonna and Child" by Sano di Pietro (1405-1481) retains its original frame carved in one with the panel. The molding is proportionally rather deep for the scale of the painting. The alternating blue and gilt blocks of the dentil that encircle the Virgin and Child like a halo of stars are due to the intervention of the restorer/faker Icilio Federico Joni, who described this panel and its companion in his biography of 1936. An identical roundel framed the "Stigmatization of Saint Francis" by Sano di Pietro, also owned by Giulio Grisaldi del Taia and then F. Mason Perkins in the early twentieth century. The companion roundel has since disappeared.
Marta leidt Maria Magdalena naar Christus
Object type: print
Date: 1520 – 1525
Materials: paper
Techniques: engraving
Location: italy
Artist: marcantonio raimondi
Artist role: print maker
Artist dates: 1470 – 1534
Subjects: martha meets christ at the gate of bethany
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent naar ontwerp van Giulio Romano voor een niet bewaard gebleven fresco in de S. Trinità dei Monti, Rome.
Brief aan Jan Veth
Object type: letter
Date: 1909 – 1909
Materials: ink, paper
Techniques: pen, writing
Artist: wally moes
Artist role: draughtsman, print maker
Artist dates: 1856 – 1918
Subjects: painter, designer, jan veth, the hague, drawing, painting (including book-illumination, miniature-painting), historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’
Landscape
Object type: handscroll
Date: 1854 – 1854
Materials: ink, paper
Culture: chinese
Artist: wu yun
Artist role: artist
Artist nationality: chinese
Artist dates: 1811 – 1883
Bloemenkleed, DAGHESTAN, KARABAGH of ZUID-SHIRWAN
Object type: oriental rug
Date: 1880 – 1900
Materials: wool
Techniques: ghiordes knot
Location: dagestan
Artist: Anonymous

Bloemenkleed, Daghestan, Karabagh of Zuid-Shirwan. Middenveld: het veld is door een rasterwerk in lichtgeel in blauwe ruiten opgedeeld waarin bruin gerande sterren staan die S-diagonaalsgewijs per kleur zijn gerangschikt in wit, turkooisgroen, rood en okergeel. Het gele raster heeft rode omtrekken en ruitjes op de knooppunten. Randen: drievoudig. De middelste en breedste is in witte vierkanten verdeeld met binnen achthoekjes staande sterren. De binnen- en buitenzomen zijn gelijk, met donkerrood fond met losse rozetbloemen.
Bow Brooch
Object type: brooch
Date: 467 – 533
Materials: silver gilt
Culture: alemannic

The bow brooch was a component of many Germanic women’s dress. In Frankish territory brooches were generally worn in pairs, as decorative elements on a strap hanging from the belt. The bow refers to the bend or curve that links two terminals.
Rockaway #486a
Object type: drawing
Date: 1850 – 1870
Materials: ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Box with Design of Pine, Bamboo, and Cherry Blossom
Object type: box
Date: 1801 – 1900
Materials: gold, lacquer
Techniques: maki
Culture: japanese
Subjects: trees
Fragment
Object type: textile
Date: 1325 – 1375
Materials: animal substrate, gilt, linen, silk
Techniques: bookbinding, brocade, interlacing, patterning, weave
Location: italy
Inscriptions: Inscription: Grifone
Winters berglandschap met een huis
Object type: photomechanical print
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Location: berlin
Artist: Anonymous
Subjects: rural housing, e.g. country-house, villa, cottage, snow, mountains
Inscriptions: inscription: ‘Fig. 4’
Marie Wens étant brulée la bouche fermée avec un vis, son fils vient chercher cette vis pour en garder le souvenir, Ao. 1573 / Maritge Wens werd zu Antorf mit zugeschraubten maul verbrent darnach kompt ihr sohn die schraube suchen zur gedachtnus, Ao. 1573
Object type: print
Date: 1683 – 1685
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: antwerp, violent death by burning at the stake; pyre, persecution of heretics

De prenten in deze tweede staat gebruikt als illustratie voor: Theatre des martyrs, depuis la mort de J. Christ jusqu'à present (...). = Schau-buhne der Martyrer, P. van der Aa, Leiden ca. 1715, nr. 95. De prenten zijn oorspronkelijk vervaardigd voor en eerst gebruikt in: T.J. van Bragt, Het bloedig tooneel, of Martelaers spiegel der doops-gesinde of weereloose christenen, 1685.
Table knife
Object type: table knife
Date: 1701 – 1800
Materials: silver, steel
Verklede en geschminkte deelnemers aan een optocht
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: public festivities at birth of royal persons, dutch east indies, the

Onderdeel van familiealbum Nederlands-Indië.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, hand holding unidentified object; torso and part of left thigh of frontal male, with himation
Snuff Bottle
Object type: snuff bottle
Date: 1736 – 1795
Materials: coral, crystal
Techniques: painting
Culture: chinese
Subjects: men,horses
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 450 – 450
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, part of draped male to right; stick or staff; draped male to left
Portret van een vrouw
Object type: carte de visite
Date: 1872 – 1879
Materials: cardboard, photographic support
Techniques: albumen print
Location: leeuwarden
Artist: hendrik anthonie karel ringler
Artist role: draughtsman
Artist dates: 1846 – 1879
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘H.A.K. Ringler/ Weststraat bij het Zaailand/ Leeuwarden’
Portret van Friedrich August Stüler
Object type: print
Date: 1863 – 1892
Materials: paper
Techniques: etching
Location: leipzig
Subjects: friedrich august stüler, historical persons, portrait, self-portrait of architect
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: ‘Franz Radestom [?]’
Essais de gravure a l'eau forte
Object type: print
Date: 1820 – 1864
Materials: paper
Techniques: etching, roulette
Artist: alexandre calame
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1864
Subjects: deciduous forest, mountains
Inscriptions: collector's mark: 2760, collector's mark: Lugt 2228
Perseus and Andromeda, study for The Doom Fulfilled
Object type: drawing and watercolor
Date: 1875 – 1875
Materials: board, gold paint, gouache, paint, watercolor
Location: england
Artist: sir edward burne-jones
Artist role: artist
Artist nationality: british
Artist dates: 1833 – 1898
Twaalf profeten
Object type: album leaf
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: daniel (not in biblical context); possible attributes: phrygian bonnet, lion(s), ram - other activities, relationships, etc. of male persons from the old testament, david as prophet, with crown and scroll, groups of prophets, usually holding books or scrolls (isaiah, jeremiah, ezekiel, daniel, hosea, joel, amos, obadiah, jonah, micah, nahum, habakkuk, zephaniah, haggai, zechariah, malachi), elijah (not in biblical context); possible attributes: scroll and flaming sword

De profeten David, Daniël en Elia staan naast elkaar in een landschap. Koning David met kroon en harp, Daniël met staf en naast hem een bok, Elia met zwaard en een knielend kind naast zich. Onder de voorstelling toelichtingen in het Latijn. Prent maakt deel uit van een album.
Brown Ink Inscription (Crossed Out) (from Sketchbook)
Object type: drawing
Date: 1811 – 1893
Materials: ink, paper
Techniques: pen
Culture: american
Artist: john william casilear
Artist role: artist
Artist nationality: american
Artist dates: 1811 – 1893
Spearhead
Object type: spearhead
Date: 500 – 300
Materials: bronze
Culture: vietnamese, dong son culture
The Apple Bee
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L’estampe originale
Object type: print
Date: 1894 – 1894
Materials: ink, paper
Techniques: lithograph
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Pottery Fragment
Object type: fragment
Date: 301 – 700
Materials: earthenware
Culture: coptic
Location: egypt
Venus and Mars discovered by Apollo, from "The Loves of the Gods"
Object type: print
Date: 1531 – 1560
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: apollo,mars,venus,horses
Salie en tamme kastanje
Object type: album leaf
Date: 1600 – 1604
Materials: paper
Techniques: engraving
Location: cologne
Subjects: fruits: chestnut, trees: willow, botany
Inscriptions: collector's mark: Lugt 2228

De prenten RP-P-2012-24-1 t/m 61 waren oorspronkelijk als serie samengebonden. De naaigaten op de bladen zijn nog zichtbaar. Het betreft de reeks getiteld: Cognoscite lilia, bestaande uit een titelprent en 60 gravures met 119 genummerde weergaven van planten, bloemen en vruchten, versierd met rinceaux en kleine voorstellingen van dieren. Het gaat om proefdrukken van deze reeks gravures, voor de opschriften en, deels, voor de nummering. Op enkele prenten zijn de nummers met de hand aangebracht. Op de titelprent ontbreekt nog het adres van Crispijn de Passe en Hans Woutneel. De titel is hoogstwaarschijnlijk gegraveerd door Matthias Quad. Deze werkte voor De Passe in Keulen tot 1604. De reeks moet in dit jaar of daarvoor tot stand zijn gebracht. In ieder geval voor 1608, aangezien de uitgever Hans Woutneel in of voor dat jaar overleed. In ieder geval voor 1608, aangezien de uitgever Hans Woutneel in of voor dat jaar overleed. De gravures worden door Ilja Veldman en Anthony Griffiths beschouwd als eigenhandig werk van Crispijn de Passe I.
Een van de prenten uit de reeks ontbreekt (nr 21-22) en is vervangen door een ingekleurde afdruk uit een latere uitgave (RP-P-2012-24-61), die onder de titel Altera Pars is opgenomen in de Hortus Floridus, uitgegeven door Crispijn de Passe I en die verder bestaat uit platen van Crispijn de Passe II. De prenten afkomstig uit deze uitgave zijn op de verso voorzien van tekst in boekdruk. De vervangende prent maakte geen deel uit van de gebonden serie aangezien dit blad als enige geen naaigaten heeft.

Een deel van de planten, bloemen en vruchten in de Cognoscite lilia gaat terug of is gebaseerd op een reeks aquarellen van Jacques LeMoyne uit circa 1580 en uit 1585, nu in het Victoria and Albert Museum en de British Museum (zie P. Hulton, Jacques LeMoyne, Londen 1977, dl 1, p. 156-162 en p. 165-173).
American Oyster Catcher, from the Game Birds series (N40) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds,boats

Trade cards from the "Game Birds" series (N40), issued in 1888-90 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N40 reproduces the cards from N13 in a larger size.
Station Standerton
Object type: photograph
Date: 1900 – 1900
Materials: paper
Techniques: photography
Location: south africa
Artist: a. happe
Artist role: bediende, fotograaf
Subjects: vaalbank, president, paul kruger, zuid-afrika, boerenoorlog
Statue fragment
Object type: statue fragment
Date: 1981 – 1640
Location: egypt
Deur van het Baptisterium in Florence
Object type: page
Date: 1861 – 1871
Materials: photographic support
Techniques: albumen print
Location: florence
Artist: giacomo brogi
Artist role: fotograaf
Artist dates: 1822 – 1881
Subjects: church (exterior), gate, entrance
Inscriptions: number: ‘Tavola V.’
Stylized Figure Pendant
Object type: pendant
Date: 401 – 1000
Materials: gold
Culture: international style
Location: panama
Subjects: faces
Album met het oeuvre van Dominique Vivant Denon
Object type: book
Date: 1873 – 1873
Materials: cardboard, leather, paper
Techniques: bookbinding, marbled paper, letterpress printing, photochemical processes
Location: paris
Subjects: head (human), boy (child between toddler and youth), historical persons, don quixote, beggar
Inscriptions: number: ‘232-1’, watermark, collector's mark: Lugt 948a

Album met 117 fotomechanische reproducties van prenten op 161 bladen met in totaal zes vrije schutbladen, en een ex libris op één van de vrije schutbladen. Het album bevat reproducties, waarschijnlijk heliogravures, van prenten uit het oeuvre van Denon, verdeeld over twee delen. Dit album betreft deel 1. De reproducties zijn in het album geplakt, gebonden en er los in gelegd. Dit album betreft nummer 3 uit een oplage van 48.
School in Perzië
Object type: photograph
Date: 1880 – 1895
Materials: paper, photographic support
Techniques: albumen print
Location: iran
Artist: antoine sevruguin
Artist role: fotograaf
Artist dates: 1840 – 1933
Subjects: reading, elementary school; class, form, persia

Onderdeel van Reisalbum van H. Dunlop met foto's van bezienswaardigheden in Perzië, Schotland, Duitsland, Rusland, China en Canada.
Trade card
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900