deem-data/ArtiFact huggingface dataset:
Prenten naar tekeningen van Claude Lorrain
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: etching
Location: london
Subjects: harbour, city-view, and landscape with man-made constructions - ii - ideal landscapes, sea (seascape), ships (in general) (+ getting in; mounting; embarkation), the pilgrimage of st. ursula and her companions to rome
Inscriptions: date

Vanaf 1774 publiceerde John Boydell tweehonderd prenten naar het tekeningenboek Liber Veritatis van Claude Lorrain, in het bezit van de hertogen van Cavendish. Deze prenten werden vanaf 1777 in twee volumes gebundeld uitgegeven.
Wine Container
Object type: vessel
Materials: bronze
Location: china

Exuberant, crested birds that encircle the central and lower zones of this vessel, together with jagged vertical flanges, display the new flamboyance of Western Zhou design. Around the neck, rising blades exhibit spreading cicada-like forms and the suggestion of monster masks. The surface of this vessel is of silvery color with patches of azurite blue and malachite green encrustations. The base is inscribed "Jian made (this) precious sacrificial vessel."
Eugène Isabey
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: lithograph
Location: france
Artist: jean-baptiste isabey
Artist nationality: french
Artist dates: 1767 – 1855
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 100
Materials: glass
Culture: roman

Small perfume bottle Translucent pale blue green, with purple streaks. Rim folded out, over, and in, with beveled upper surface; cylindrical neck, with tooling marks around base; convex sloping shoulder with prominent tooling marks below; squat bulbous body; slightly concave bottom. Broken and repaired around body, with one jagged hole; pinprick bubbles; heavy pitting, some dulling, and brilliant iridescent weathering.
Portret van Georg Emerich
Object type: print
Date: 1675 – 1748
Materials: paper
Techniques: engraving, hand coloring
Location: görlitz
Subjects: mayor, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Portret van Ludwig Buchhorn
Object type: print
Date: 1800 – 1860
Materials: paper
Techniques: lithograph
Subjects: berlin, painter, print maker, ludwig buchhorn, historical persons, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228
Portret van een staande jonge vrouw
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: chemnitz
Subjects: adolescent, young woman, maiden, historical persons - bb - woman, standing figure - aa - female human figure
Inscriptions: inscription: ‘Photographisches/ Atelier/ von/ F. Jordan & Co./ in/ CHEMNITZ/ Zwickauerstrasse 1,/ im Garten der Nicolai-Apotheke.’
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Top of head and part of forehead of a youth to left, with a wreath, in added white
Gezicht op de Nieuwezijds Voorburgwal met het oude postkantoor
Object type: drawing
Date: 1854 – 1854
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: willem jodocus mattheus engelberts
Artist role: draughtsman, print maker
Artist dates: 1809 – 1887
Subjects: post-office, city-view in general; 'veduta', canal, bridge in city across river, canal, etc., street
Inscriptions: signature and date: ‘WJM Engelberts ad viv del 1854.’, inscription: ‘Dezelde tek. bevindt (...) verkocht voor f14300’

Onderwerpsrubriek binnen de Atlas Amsterdam: Posterijen en telegrafie.
Josia viert Pesach
Object type: print
Date: 1522 – 1522
Materials: paper
Techniques: woodcut
Subjects: the animals are killed and roasted over fire; other offerings are boiled in pots and cauldrons ~ josiah celebrating the passover
Inscriptions: collector's mark: Lugt 240

Mogelijk een kopie van een prent van Hans Holbein de jongere. Niet uit de Icones historiarum Veteris Testamenti van 1538. Deze kopie mogelijk uit: Biblia sacra iuxta vulgatam. Parijs: Jean Benoît, 1552. Ook aanwezig in de Herzog August Bibliothek: http://diglib.hab.de?grafik=graph-res-d-326-1.
Patiënt lijdend aan de huidziekte 'psoriasis annulata'
Object type: page
Date: 1870 – 1881
Materials: paper
Techniques: photograph, hand coloring
Location: new york city
Subjects: skin and venereal diseases, adult man, back
Galleria Giustiniana del Marchese Vincenzo Giustiniani I
Object type: album leaf
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Subjects: (story of) apollo (phoebus), piece of sculpture, reproduction of a piece of sculpture

Beeld van de god Apollo met een lier in zijn hand. Zijn haar wordt bij elkaar gehouden met een haarband. Op de basis het wapenschild van Vincenzo Giustiniani. Prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Woman's Wedding Shoe
Object type: woman's wedding shoe
Date: 1867 – 1933
Materials: glass, leather, metal thread, textile
Culture: chinese
Budapest. Dunapart Corsoval / Donau-Kai mit Corso
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: vienna
Artist: Anonymous
Subjects: canals, waters (in city), quay, steamship, motorship
View of Meudon Landscape seen from Paris (Vue du Paysage de Meudon du coté de Paris), from the series Le Château de Meudon
Object type: print
Date: 1730 – 1740
Materials: paper
Techniques: etching
Location: france
Artist: jacques rigaud
Artist role: artist
Artist nationality: french
Artist dates: 1681 – 1754
Gezicht op de Dom van Lund
Object type: photograph
Date: 1915 – 1960
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: protestant churches and denominations
Inscriptions: number: ‘L. J. 1893.’
Gezicht op een hotel te Luzern
Object type: album leaf
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: lucerne
Artist: Anonymous
Subjects: city-view in general; 'veduta', hotel, hostelry, inn
Fauchard
Object type: fauchard
Date: 1567 – 1600
Materials: steel, wood
Culture: italian
Location: italy
Knife Box
Object type: knife box
Date: 1765 – 1795
Materials: wood
Techniques: veneering
Culture: american
Location: united states
Artist: lewis fueter
Artist role: maker
Artist dates: 1766 – 1775
Gezicht op een kamp op het strand van het Timsahmeer, Egypte
Object type: stereoscopic photograph
Date: 1869 – 1869
Materials: glass
Techniques: slide
Location: ismailia
Subjects: lake, tent-camp
Inscriptions: number: ‘10012’
Broadside detailing a religious procession for Saint John and Saint Ana, multiple figures dancing and celebrating
Object type: print
Date: 1900 – 1913
Materials: paper
Techniques: letterpress, lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Bezoek aan de Folies Bergère te Parijs, 1936
Object type: album leaf
Materials: paper, photographic support
Techniques: gelatin silver print
Location: paris
Artist: Anonymous
Subjects: soccer, football (early names: soule, choule, cholle), outing, pleasure trip, vaudeville, variety-show, hotel, hostelry, inn, paris
Inscriptions: inscription: ‘Eenige opnamen uit de revue in de Folies-Bergère’

Albumblad met een toegangskaartje en vier foto's van een bezoek aan de Folies Bergère te Parijs, 12 januari 1936. Op 11 januari 1936 vertrekt de samensteller van het fotoalbum naar Parijs om daar op 12 januari een voetbalwedstrijd tussen Frankrijk en Nederland bij te wonen (Nederland wint met 6-1). Onderdeel van het reisalbum van de familie Van den Broek 1935-1937.
Openbare preek in het veld, 1566
Object type: history print
Date: 1782 – 1784
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: sermon ~ protestant service

Openbare preek in het veld, 1566. Hagenpreek buiten de stad: een predikant sprekend onder een boom, toehoorders zittend op de grond.
The Proscribed Royalist
Object type: print
Techniques: printmaking, engraving
Artist: william henry simmons
Artist role: engraver
Artist nationality: british
Artist dates: 1811 – 1882
Subjects: men,women,trees

A young Puritan woman looks anxiously over her shoulder as she hands food to a Royalist soldier hiding in a hollow oak. He is on the run after the 1651 defeat of Charles II’s troops at Worcester, the last major battle of the English Civil War. The suggestion that the two are star-crossed lovers echoes Bellini’s I Puritani—an opera that Millais likely saw at Covent Garden before completing The Proscribed Royalist (1853; The Andrew Lloyd Weber Collection). The publication of this reproductive print in 1858 testifies to the success of his conception. Simmons skillfully mixed etching, mezzotint, and stipple to contrast the textures of smooth skin and fabric, rough bark and dappled foliage. As a former member of the recently disbanded Pre-Raphaelite Brotherhood, Millais continued to make nature studies to underpin the physical and emotional immediacy of his subjects.
Geloof (Fides) met een portret in medaillon van Christoph Christian Sturm
Object type: print
Date: 1786 – 1790
Materials: paper
Techniques: etching
Location: hamburg
Subjects: augsburg, fides (faith) as roman personification, torch, theologian, ornament ~ medallion, historical persons, cupids: 'amores', 'amoretti', 'putti'

Met een vierregelig onderschrift in het Duits.
Damesschoenspanner van metaal
Object type: shoe stretcher
Date: 1940 – 1940
Materials: metal
Location: western europe
Artist: pedor
Artist role: schoenenfabrikant

Linkerschoenspanner van metaal, op de wreef het merk pedor lady gestempend.
Bronze statuette of a team of horses
Object type: statuette of a horse team
Date: 800 – 701
Materials: bronze
Culture: greek
Subjects: horses

Statuette of a horse team with a perforated base.
Two Costume Designs or Portrait Types
Object type: collection ornament architecture
Date: 1785 – 1790
Materials: gouache, graphite
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: portraits,women

Page with two round portraits painted in red tones. The left portrait shows a woman gazing towards the left. She wears a corseted dress with a fichu tucked into her bodice. In her arms she holds a fur muff with a bow. She has a large bonnet with feathers, bows. The woman in the right portrait is turned towards the right but looks over her shoulder in the direction of the viewer. She wears a fur stole around her neck and has a tall hat with feathers, leaves, and a veil attached to the back. In between the two round portraits are graphite sketches of three shoes with buckles and ribbons.
Spring in France
Object type: painting
Date: 1890 – 1890
Materials: canvas, oil
Location: france
Artist: robert william vonnoh
Artist nationality: american
Artist dates: 1858 – 1933
Subjects: landscapes
Inscriptions: Signed l.r.: "Vonnoh 1890"

Robert Vonnoh was among the first American painters to explore Impressionism. He received his formative artistic training in Boston and headed to Paris in the early 1880s for further instruction. By the late 1880s, Vonnoh had settled in Grez-sur-Loing, a rural area outside of Paris that attracted a growing colony of artists who worked outdoors. Here, using a brilliant palette, broken brushstrokes, and unblended colors, Vonnoh captured the budding vegetation and warming sunlight of a spring day. Intense greens, peaches, and lavenders convey the dappled light and shadows of a winding road at right. The fence posts marking the edge of the yard and white linens hanging from a nearby tree highlight the scene’s domestic setting.
Ontwerp voor een kandelaber
Object type: design drawing
Date: 1765 – 1775
Materials: chalk, ink, paper
Techniques: brush, pen
Location: paris
Artist: Anonymous
Inscriptions: inscription: ‘596 Cab Sp’, collector's mark: Lugt 420, inscription: ‘B. Toro. Cab de Spengler No 595 [sic]’, number: ‘596’

Ontwerp voor een kandelaber in de vorm van een reukvaas met twee zittende Nereïden die elk een hoornvormige driearmige kandelaber dragen.
Waterdrager
Object type: print
Date: 1629 – 1630
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: street-trader, wandering or travelling merchant, porter, bearer, merchant, salesman, paris
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie van twaalf prenten met straatverkopers en dienstverleners, uitgegeven door Jean Leblond (I) tussen 1629-1630 te Parijs.
Lace Design
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: pen, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: flowers,leaves
Brougham #3024
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gezicht op de buitenplaats Middenhoek aan de Vecht
Object type: book illustration
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: river (+ landscape with figures, staffage), country-house, vecht
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Prent mogelijk uit: Leth, Andries de. De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende (...). Amsterdam: Weduwe Nicolaus Visscher, 1719.
Of uit: Brouërius van Nidek, Matthaeus. De Vechtstroom, van Utrecht tot Muiden (...). Amsterdam: H. Gartman, W. Vermandel en J.W. Smit, 1790.
The actor Ichikawa Danjuro IV as Shinozuka Goro Sadatsuna in the play "Ume Momiji Date no Okido," performed at the Ichimura Theater in the eleventh month, 1760
Object type: print
Date: 1760 – 1760
Techniques: printmaking, woodblock print
Location: japan
Artist: torii kiyonobu ii
Artist nationality: japanese
Artist dates: 1725 – 1761
Portrait of a Man
Object type: painting
Date: 1550 – 1560
Materials: oil, paint, panel
Techniques: painting
Location: france
Artist: corneille de lyon
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1533 – 1575
Subjects: portraits: male subject, men, man, portraits: european subject, portrait

Dutch-born painter Corneille de Lyon employed a limited selection of colors to great effect in this small painting. The textured, green background accentuates the subject’s velvety black outfit, lace collar, pale skin, and bristly beard. Corneille specialized in this stylized type of small, finely painted precious portraiture, working primarily for the court and bourgeois elite of 16th-century Lyon, France, where he lived most of his life. The sitter’s exaggerated proportions direct the viewer’s attention to his head and thus to his quiet yet self-assured expression. His confident posture and expensive clothes, along with the exceptional reputation of his portraitist, speak to his high social status.
Landschap met een boom en koepels van een moskee
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: city-view, and landscape with man-made constructions, trees, temple, shrine ~ islam, mohammedanism
Inscriptions: kleurnotitie, handgeschreven

Onder de boom enkele figuren. Pagina 25 uit een schetsboek met 56 bladen.
Mre. Antoine Arnauld
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: engraving
Location: france
Subjects: writing-table, writing-desk, theologian, historical persons
Inscriptions: collector's mark: Lugt 240
Gezicht op het gebouw van het genootschap Liefdadigheid naar Vermogen aan de Kloveniersburgwal
Object type: photomechanical print
Date: 1915 – 1915
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: tower, clock tower ~ monumental adornment, city-view in general; 'veduta', canal, street
Inscriptions: collector's mark: ‘9.96’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kadijksplein, Karthuizerkerkhof, Kattegat, Kattenburg, Kapelsteeg O.Z., Enge Kerksteeg, Kerkstraat, Kinkerstraat, Kolk O.Z., Koningsplein, Kromboomsloot [Krom Boomssloot], Kostverlorenkade, Kwakersdwarspad, Kalverstraat, Keizersgracht (v.d. Brouwersgracht – Amstel), Klerensloot (Gedempte), Klimopstraat, Kloveniersburgwal, Kraansluis.
Ex libris van onbekend
Object type: bookplate
Date: 1750 – 1900
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: garland, wreath, armorial bearing, heraldry, beasts of prey, predatory animals: fox
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Intermezzo (from the series A Love)
Object type: print
Date: 1887 – 1903
Techniques: engraving, etching
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Subjects: male nudes
Terracotta fragment of a pot; unglazed on the inside
Object type: pot fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Right hip, buttock, right thigh, and bit of the left thigh of a male to right
Vier mannen, gekleed volgens de  mode in Duitsland, ca. 1580
Object type: costume print
Date: 1581 – 1581
Materials: paper
Techniques: engraving
Artist: abraham de bruyn
Artist role: print maker, publisher
Artist dates: 1540 – 1587
Subjects: europeans: germans (+ women), europeans: germans (+ men), europeans: germans (+ costume), clothes, costume (+ men's clothes)
Inscriptions: number: ‘11’

Links twee vrouwen uit Silezië; rechts een man en een vrouw uit Bohemen. Prent uit het boek 'Omnium pene Europae, Asiae, Aphricae atque Americae gentium habitus...', 1581. De prent maakt deel uit van een album.
Design for Cabriolet or Victoria, no. 3757a
Object type: drawing
Date: 1882 – 1882
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, unidentified subject; calf and part of foot of male
Cow
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: attributed to thomas girtin
Artist nationality: english
Artist dates: 1775 – 1802
Gras, struikgewas en bomen
Object type: drawing
Date: 1944 – 1990
Materials: ink, paper
Techniques: brush
Artist: kees stoop
Artist role: draughtsman
Artist dates: 1929 – 2019
Inscriptions: signature: ‘KEES STOOP’

Gras, struikgewas en bomen, opgezet in korte toetsen.
Leonard Aretin
Object type: print
Date: 1700 – 1755
Materials: paper
Techniques: engraving, etching
Location: france
Artist: c. mathey
Artist role: print maker
Subjects: historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Elbow Defense (Couter)
Object type: elbow defense couter
Date: 1430 – 1440
Materials: steel
Culture: italian
Location: italy

This is part of a large find of medieval armor discovered in 1840 in the ruins of the fortress of Chalcis, on the Greek island of Euboea (then a Venetian colony called Negroponte). The fortress had been captured and destroyed by the Turks in 1470. Now divided largely between the Ethnological Museum, Athens, and The Metropolitan Museum of Art, the Chalcis hoard contains many rare and unusual elements of fourteenth- and fifteenth-century armor. Of particular importance are the variety of headpieces and the many fragments of brigandines (armor for the torso constructed of small plates riveted to layers of fabric), some of which retain portions of their original velvet covering. The Chalcis armor provides a unique picture of the armament used in the Aegean, one of the easternmost military outposts of the Venetian empire.
Shadow player
Object type: shadow player
Date: 1801 – 1900
Materials: cord, skin
Culture: chinese
Subjects: women