deem-data/ArtiFact huggingface dataset:
Stadsgezicht
Object type: drawing
Date: 1945 – 2005
Materials: ink, paper
Techniques: pen
Artist: dirkje kuik
Artist role: print maker
Artist dates: 1929 – 2008
Subjects: city-view in general; 'veduta' - ii - ideal city
Inscriptions: inscription: ‘niet.’, inscription: ‘marge tek. [?]’

Geabstraheerd stadgezicht met verticale en horizontale lijnen.
The Fisherman's Family
Object type: painting
Date: 1887 – 1887
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: pierre puvis de chavannes
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1898
Subjects: families, sleep, rocks, nature, mother, flowers, fisherman, fathers, elderly, clouds, boats, babies, plaid, mysteries/fantasies, water, women, children, men, century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed lower left: P. Puvis de Chavannes 1887
Fotoreproductie van een illustratie door Thomas Stothard voor Eens Christens reize naar de Eeuwigheid door John Bunyan
Object type: reproduction
Date: 1871 – 1881
Materials: paper
Techniques: woodburytype
Subjects: print, e.g.: engraving, etching, lithograph

Illustratie betreft een gezelschap aan de oever van een rivier.
Dish from Tutankhamun's Embalming Cache
Object type: dish
Date: 1336 – 1327
Materials: mineral, pottery
Techniques: wash
Location: egypt
The Abandonded Gold Mine, California, No. 650 from the series "American Scenery"
Object type: photograph
Date: 1860 – 1890
Techniques: albumen print
Location: united states
Artist: c. l. pond
Artist nationality: american
Artist dates: 1860 – 1890
Hairpin finial
Object type: hairpin finial
Date: 1600 – 1046
Materials: bone
Culture: chinese
Subjects: birds
Coffer or chest key
Object type: coffer or chest key
Date: 1501 – 1600
Materials: iron
Triomf van de liefde
Object type: plaque
Date: 1700 – 1700
Materials: silver
Location: augsburg
Artist: albrecht biller
Artist role: plaquettemaker

Groot ovaal reliëf, omgeven door een dubbel geslingerde rand, waarin rozetten. oorspronkelijk het middenstuk van een met zilver beslagen tafel. Op een schelpvormige zegewagen is een liefdespaar gezeten, voortgetrokken aan festoenen door een vrouw en drie knaapjes. De geliefde wordt door een achter haar staande putto, die een palmtak draagt gekroond, terwijl een zwevende putto de man met bloemen bestrooit. Naast hem een figuur met tamboerijn. Achter de wagen drie dansende vrouwen voor een tempelfragment. rechts op een piedestal Venus en Amor.
Kracht (Fortitudo)
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: fortitude, 'fortitudo' ~ one of the four cardinal virtues
Inscriptions: collector's mark: Lugt 2228

Twee prenten uit deze serie zijn vervaardigd door J. Saenredam, de resterende vijf door J. Matham.
Portret van een staande vrouw
Object type: album leaf
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: nijmegen
Artist: matthieu van hout
Artist role: fotograaf
Artist dates: 1857 – 1942
Subjects: historical persons - bb - woman, standing figure - aa - female human figure
Inscriptions: inscription: ‘Nijmegen’
Christening cap
Object type: christening cap
Date: 1801 – 1833
Materials: cotton, glass, linen
Culture: european
Fonds de Quareux
Object type: page
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Subjects: dale, valley, river
Paarden op straat
Object type: drawing
Date: 1873 – 1886
Materials: chalk, paper
Location: loosduinen
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: horse, street
Inscriptions: collector's mark: Lugt 2228, workshop stamp: Lugt 291d
Actress holding out pleated skirt, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Snake Dance at Walpi
Object type: playing card
Date: 1900 – 1900
Materials: paper
Techniques: autotype
Location: los angeles
Artist: adam clark vroman
Artist role: fotograaf
Artist dates: 1856 – 1916
Subjects: arizona

Speelkaart uit doosje met 53 speelkaarten met afbeeldingen in autotypie van Native Americans. De inhoud bevat een complete set speelkaarten inclusief joker.
Brief aan Philip Zilcken
Object type: letter
Date: 1881 – 1881
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: edmond de goncourt
Artist role: draughtsman, painter
Artist dates: 1822 – 1896
Subjects: the hague, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Bust of a Man Lighting a Match
Object type: print
Date: 1701 – 1833
Techniques: etching
Artist: baron dominique vivant denon
Artist role: artist
Artist nationality: french
Artist dates: 1747 – 1825
Subjects: men
Os en kameel
Object type: print
Date: 1738 – 1767
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: hoofed animals: camel, cow
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met 2 voorstellingen van een os (in de tekst aangeduid als een gilde-os) en een dromedaris (in de tekst aangeduid als een kameel). Onder elke afbeelding een onderschrift.
Band
Object type: textile
Location: peru
Le Mariage de la Ste. Vierge (The Marriage of the Virgin), January 22nd, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Feast Days of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: virgin mary,joseph,marriage of the virgin

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Twee oosterse mannen, borstbeelden
Object type: drawing
Date: 1833 – 1891
Materials: paper, pencil
Techniques: brush
Artist: théodule augustin ribot
Artist role: draughtsman, painter, print maker
Artist dates: 1823 – 1891
Subjects: asiatic races and peoples, old man
Pad langs een beek in Lustleigh
Object type: album leaf
Date: 1899 – 1899
Materials: paper, photographic support
Techniques: albumen print
Location: lustleigh
Artist: james valentine
Artist role: fotograaf
Artist dates: 1815 – 1880
Subjects: prospect of village, silhouette of village, road, path

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Engeland en Frankrijk.
The Punt
Object type: print
Date: 1861 – 1861
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Inscriptions: Signed in plate, lower left: "Whistler"; inscribed in plate, lower center: "London. Published December 1st. 1861, by Day & Son, Lith. to the Queen.";  in plate, lower right: "J. Whistler"; in plate, upper right: "PL.7."
Tattare d'Usbec from playing cards "Jeu d'Or"
Object type: print
Date: 1700 – 1799
Techniques: etching, hand coloring
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: men,portraits,playing cards,mathematics
Tureen with cover (part of a set)
Object type: tureen with cover
Date: 1760 – 1760
Materials: faience
Techniques: glazing
Artist: pierre chapelle ii
Artist role: draftsman
Artist dates: 1684 – 1760
Subjects: flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, at the left, frond from a palmette?; part of buttock and thigh of male with right hand over genitals; behind him, an unidentified object
Oeuvre van Antoine Watteau
Object type: print
Date: 1726 – 1735
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: vocal music, singing
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie van 271 platen naar schilderijen door Watteau, verdeeld over drie delen, gecoördineerd door Jean de Jullienne en uitgegeven in Parijs tussen 1726 en 1735. Sommige platen werden reeds tijdens Watteau's leven gemaakt. Dit betreft plaat 93.
Piece
Object type: piece
Date: 1775 – 1785
Materials: cotton
Subjects: flowers
Trois Amours dont un tient une flèche (Three Loves, one of which holds an arrow), from Premiere Livre de Groupes d'Enfans (First Book of Groups of Children)
Object type: collection ornament architecture
Date: 1702 – 1760
Techniques: engraving, etching
Artist: pierre alexandre aveline
Artist role: artist
Artist nationality: french
Artist dates: 1702 – 1760
Subjects: cupid
Portret van Andreas Vesalius
Object type: print
Date: 1676 – 1676
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: brussels, scholar, philosopher, historical persons, physician, doctor

Prent waarschijnlijk uit: Helvétius, Johann Friedrich. Microscopium physiognomiae medicum (..). Amsterdam: Janssonius Waesberge, 1676, p. 142-143.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Exterior, head and upper torso of a bearded man to left, wearing a tunic; part of a spear; unidentified object; in the background, vines
Gezicht op het Rookhuis in Antwerpen
Object type: book illustration
Date: 1847 – 1847
Materials: paper
Techniques: etching
Subjects: city-view in general; 'veduta', antwerp
Inscriptions: collector's mark: Lugt 2228
Portrait of the Artist's Daughter Agata Dolci
Object type: drawing
Date: 1676 – 1680
Materials: chalk, paper
Artist: carlo dolci
Artist role: artist
Artist nationality: italian
Artist dates: 1616 – 1687
Subjects: girls,portraits

Early Baroque draftsmen refined red-and-black chalk drawing to achieve exquisite, naturalistic, and chromatic effects in portraits and figure studies: the Florentine painter and draftsman Carlo Dolci was an extraordinary practitioner of this technique. The combined use of red and black chalk was perfected by Florentine seventeenth-century artists and frequently employed in Italy and France in the next century by artists such as François Boucher (1703-1770), who may well have owned this drawing. Dolci described an octagon around the portrait, suggesting that the drawing may have been preparatory for a painting in that shape.The drawing in the Metropolitan Museum of Art appears to date from the last years of the artist's life, when he was housebound and barely painting after repeated bouts of melancholia. Agata was the youngest of Dolci's seven daughters, and may have been an artist like her better-known elder sister, Agnese Dolci (d. in 1689). The date of this exquisite portrait can be established by several clues. Agata was still recorded as a young girl ("fanciulla piccola") in her father's will of May 23, 1685 (Archivio di Stato, Florence, Notarile, no. 20596, fol. 3302/37), and she was previously portrayed by Dolci at the age of four on a drawing now in Cambridge datable between 1667-70 (Fitzwilliam Museum inv. 904*3, fol. 4r, inscribed "Agata di Anni 4"). On the Metropolitan Museum drawing the girl appears to be older, approximately ten years old, thus suggesting a date of execution around 1676-80. Agata is here formally dressed, and wears a coral necklace, an apotropaic symbol. According to David Scrase (Italian Drawings at the Fitzwilliam Museum, Cambridge 2011, p. 222) a further portrait of Agata can be recognized in the young girl drawn by Dolci on the sheet now in Los Angeles (The J. Paul Getty Museum, inv. 83.GB.374). (Furio Rinaldi, 2014)
Programma voor de voorstelling 'Thaïs' door de Académie Nationale de Musique et de Danse
Object type: programma, programmaboekje
Date: 1935 – 1935
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: opera
Inscriptions: date

Programma van 36 pagina's met op het omslag een man en een vrouw staand aan een balkon. Binnenin een tekst over het toneelstuk in het Frans en Engels, evenals portretten van de acteurs en advertenties.
St. Paul's Chapel, New York, from "Scenes of Old New York"
Object type: print
Date: 1877 – 1877
Techniques: etching
Artist: henry farrer
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1903
Subjects: chapels,cemeteries,new york city
Borobudur, gezien vanuit het noordwesten
Object type: photograph
Date: 1872 – 1872
Materials: paper
Techniques: albumen print
Location: java
Artist: kassian céphas
Artist role: fotograaf
Artist dates: 1845 – 1912
Subjects: temple, shrine ~ hinduism, buddhism, jainism
Inscriptions: inscription: ‘Båråboedoer 1872/ no 70’
March to the Camp
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: soldiers,men,women,drinking
Vier fotoreproducties van prenten van zwaardgevesten
Object type: reproduction
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: anthropomorphic ornament, ram's head ~ ornament, hacking and thrusting weapons: sword, mask, mascaron ~ ornament, europe
Inscriptions: name: ‘C. PINI FIRENZE’, number: ‘392’, number: ‘393’, number: ‘113’, collector's mark: Lugt 3937, number: ‘394’, number: ‘395’

Linksboven (392) een prent van een zwaardgevest met fantasiewezens, linksonder (394) een prent van een zwaardgevest met hondenkoppen, rechtsboven (393) een prent van een zwaardgevest met menselijke figuren, rechtsonder (395) een prent voorstellende een zwaardgevest met menselijke figuren en acanthusbladeren.
Portret van Dr. P.J.H. Cuypers (1827-1921)
Object type: painting
Date: 1885 – 1918
Materials: canvas, oil
Location: netherlands
Artist: thérèse schwartze
Artist role: draughtsman, painter, print maker
Artist dates: 1851 – 1918
Subjects: draughtsman, pierre joseph hubert cuypers, portrait, self-portrait of architect

Portret van de architect Pierre Joseph Hubert Cuypers (1827-1921), gezeten achter een bureau, de handen op een opengeslagen boek.
Zacharias aanschouwt de menora
Object type: print
Date: 1705 – 1705
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: seven lamps ~ 'menorah'
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Cunaeus, Petrus. La republique des Hebreux, 3 delen. Amsterdam: Pieter Mortier, 1705, dl. II, p. 230.
Lion's Head and Sketch of a Lion
Object type: drawing and watercolor
Date: 1860 – 1870
Materials: chalk, charcoal, graphite, paper
Techniques: drawing, stumping
Location: france
Artist: charles edmé saint-marcel-cabin
Artist role: draughtsman
Artist nationality: french
Artist dates: 1819 – 1890

The resting head of this sizable lion and the inset detail of his full body suggest that the artist was sketching from life. The rich textures of the chalk highlights and the overall detail reveal that the sleeping pose was no accident, and that the drawing was in fact made in the only moment the animal remained still enough to be captured on paper.
Panel (Bed Curtain)
Object type: textile
Date: 1701 – 1800
Materials: linen, silk
Techniques: embroidery, weave, stitching
Location: náxos
Fibula, fragment
Object type: fibula, fragment
Date: 7000 – 330
Materials: amber

Rectangular-pierced with 5 holes and 5 grooves on one side.
Annunciatie
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: haarlem
Subjects: the annunciation: mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel II. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Portret van een jonge vrouw
Object type: photograph
Date: 1861 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Marktscène met mannen en vrouwen
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: woodcut
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: market
Inscriptions: collector's mark: Lugt 2228

Rechts een marktkraam met uitgestalde waren. Boven de hoofden van de marktbezoekers de doeken van de marktkramen en het loof van bomen.
Putti in a Circle Dance with a Dog
Object type: relief sculpture
Date: 1700 – 1700
Materials: ivory
Techniques: cutting
Location: dusseldorf
Inscriptions: inscription, on the reverse, in pencil/ink

Ovaal reliëf van dansende putti, samen met een bijbehorend reliëf maken de putti een rondedans.
L'Enfance
Object type: print
Date: 1744 – 1744
Techniques: engraving
Artist: jean-joseph baléchou
Artist role: artist
Artist nationality: french
Artist dates: 1716 – 1764
Subjects: boys,men,reading
Part of a small block with parts of names of the Aten and Akhenaten preserved on two adjacent sides
Object type: small block, name of akhenaten, nefertiti, aten
Date: 1353 – 1336
Materials: quartzite
Location: egypt
Subjects: hieroglyphs
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, Nike with chiton and himation with hands holding fillet (fillet is missing); Obverse, handle palmette, lower drapery and feet of youth with striped scepter, bearded man with himation, sitting on a chair and holding a staff in his left hand, bearded man with himation; petasos on back, handle palmettes, handle; Reverse, drapery and foot of figure; bearded man with chiton and himation holding striped scepter in right hand
Portret van Wilhelm I van Duitsland
Object type: print
Date: 1871 – 1888
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: berlin, wilhelm i (keizer van duitsland), historical persons, ranks ~ rulers, sovereigns
Cup (part of a service)
Object type: cup
Date: 1770 – 1770
Materials: hard paste porcelain
Artist: frankenthal porcelain manufactory
Artist role: manufactory
Artist nationality: german
Subjects: birds,trees
Willem Frederik, prins van Oranje-Nassau, souverein vorst
Object type: insignia
Date: 1813 – 1813
Materials: cardboard, silver
Techniques: embroidery, striking
Location: netherlands
Artist: Anonymous
Subjects: the hague, berlin, william i of the netherlands

Eenzijdig zilveren ovaal opengewerkt draagteken, met kabelrand onder kroon, beplakt met oranje karton. Voorzijde: borststuk man binnen omschrift. Keerzijde: blanco
Slag bij de Milvische brug (derde deel)
Object type: print
Date: 1637 – 1637
Materials: paper
Techniques: etching
Artist: pierre scalberge
Artist role: print maker
Artist dates: 1592 – 1640
Subjects: the battle of the milvian bridge (saxa rubra): st. constantine on horseback confronts maxentius; a cross appears in the sky with in fiery letters 'in hoc signo vinces' (the raised standards of the roman soldiers carry a cross or the chi-rho monogram)
Inscriptions: collector's mark: Lugt 240
Deur van Veerkade 15 te Den Haag
Object type: photograph
Date: 1903 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: door, the hague
Inscriptions: annotation: ‘'s Gravenhage (Z.H.)/ huis Veerkade 15/ afgebroken & geph./ april 1903’, annotation: ‘Huis Veerkade no. 15/ April 1903/ 's Gravenhage’, collector's mark: ‘R:MUS.’ Lugt 2228
Portret van Charles-Joachim Colbert de Croissy
Object type: print
Date: 1733 – 1738
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons

In de bladen die het portret omkransen de biografie van de geportretteerde.
Terrein van mijn en fabriek te Moengo
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Terrein van de mijn en fabriek te Moengo. Foto op een bladzijde van een los albumblad. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Vertrouwlijk gesprek
Object type: print
Date: 1746 – 1799
Materials: paper
Techniques: engraving, etching
Subjects: pipe ~ tobacco, interior of the house, conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2228
Fan
Object type: fan
Date: 1701 – 1800
Materials: foil, glass, metal, mother of pearl, paper
Subjects: children,men,women,puppets