deem-data/ArtiFact huggingface dataset:
Silver drinking cup
Object type: kylix
Date: 100 – 100
Materials: gold, silver
Culture: roman

These cups are an unusual variant among silver vessels of the Republican period, combining as they do Hellenistic Greek elements (the handle palmettes) with Roman traits (the form of the handles as well as the treatment of the interiors of the bowls).
Cherubs
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: highlighting, pen, stumping
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: infants
Bead
Object type: bead
Date: 701 – 1300
Materials: quartz
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Numismata virorum illustrium ex Barbadica gente
Object type: album leaf
Date: 1673 – 1743
Materials: paper
Techniques: engraving
Location: rome
Subjects: audition; ruler giving audience - bb - female ruler, medal (considered as a piece of sculpture, regardless of its specific function), graces (charites), generally three in number; 'gratie' (ripa), friendship; 'amicitia' (ripa)
Inscriptions: collector's mark: Lugt 2228

Voetstuk in de vorm van een cartouche. Daarop een medaillon met op de voorzijde het portret van Girolamo Barbarigo. Op de achterkant wordt een Venetiaanse afvaardiging ontvangen door keizer Frederik III, staande onder een baldakijn. Rond het voetstuk de personificatie van de Vriendschap, uitgebeeld met de Drie Gratiën. Als groep staan zij zo opgesteld dat beide buitenste figuren in het gezicht te zien zijn en de middelste juist niet. Hun attributen zijn een dobbelsteen, mirtetak en roos. De prent maakt deel uit van een album.
Vier foto's van verschillende roeiploegen in actie
Object type: album leaf
Date: 1916 – 1917
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: rowing facing backward, pulling, rowing, canoeing, etc. (sport)
Inscriptions: caption: ‘A. Schot/ Thoel Larsen/ Carpenter Alty/ Posno/ Seas-heat!!/ Triton-Laga/ Meerkamp/ v Rooyen/ Hornan?’

Deze foto's maken deel uit van een album.
Coalville, Weber Valley, Utah
Object type: photograph
Date: 1868 – 1869
Techniques: albumen print
Location: united states
Artist: andrew j. russell
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: collected by hugh edwards
Gezicht op het nieuwe ziekenhuis op Ellis Island, New York, bestemd voor migranten
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Location: new york city
Artist: Anonymous
Subjects: (descendants of) european emigrants to america, hospital, diseases
Vase
Object type: vase
Date: 1401 – 1600
Materials: glaze, stoneware
Culture: vietnamese
Distant View of Akasaka Reservoir from Kinokuni Slope (Kinokunizaka Akasaka Tameike enkei), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Vijftien vazen en potten, vermoedelijk een kaststel
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: container of ceramics: jar, jug, pot, vase, ornamenting, decorating ~ applied arts, europe
Inscriptions: collector's mark: Lugt 3937, number: ‘XXI[...]’
Holy Family in an Interior
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: holy family,cross
Berglandschap
Object type: glasnegatief, glasplaatnegatief
Date: 1907 – 1935
Materials: glass
Techniques: gelatin glass negative
Location: europe
Artist: Anonymous
Subjects: mountains, europe
Stole
Object type: textile
Date: 1870 – 1879
Materials: silk
Techniques: lace
Location: england
Portret van Hendrick Cornelisz. Loncq
Object type: print
Date: 1676 – 1676
Materials: paper
Techniques: engraving, etching
Artist: ignatius lux
Artist role: draughtsman, print maker
Artist dates: 1649 – 1713
Subjects: hendrick cornelisz. loncq
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Bos, Lambert van den. Leeven en daden der doorluchtighste zee-helden en ontdeckers van Landen (...). Amsterdam: Jan Claesz. ten Hoorn en Jan Bouman, 1676. Latere staat gebruikt in editie uit 1683.
[Commodore Matthew Calbraith Perry]
Object type: photograph
Date: 1856 – 1858
Techniques: glass negative, salted paper print
Artist: mathew b. brady
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1823 – 1896
Subjects: men,portraits

Mathew Brady was a skilled daguerreotypist, having learned the technical aspects of the process from the American pioneers of the medium, Samuel Morse and John Draper. Other qualities, however, set him apart from competing daguerreotypists who operated in New York in 1844, the year that Brady opened his first studio: artistry in his sense of lighting and in the way he posed his sitters; a personal manner that set his clientele at ease in sumptuously appointed quarters; and a frankly elitist conception of both the business and the social mission of this most democratic medium. Early on Brady set himself the task of photographing the nation's leading figures--presidents and military men, business leaders and stars of the stage, writers and artists. Each daguerreotype of a man or woman of mark, displayed in the studio's reception room, attracted new clients and bore witness to the skill, art, and social standing of "Brady of Broadway" as much as it did to the taste and station of the sitter. Sometimes coaxing notable personalities to sit before his camera with the offer of a free daguerreotype from among the several he would make at a single sitting, Brady amassed an impressive collection of portraits. Keen on distributing his pictures of luminaries to a wider audience, Brady published in 1850 "The Gallery of Illustrious Americans," a finely executed series of twelve prints copied from his daguerreotypes by the French-born lithographer Francis D'Avignon. Another way to reproduce daguerreotypes for public sale was provided in the mid-1850s by the introduction in America of collodion-on-glass negatives, or wet plates. Indeed, some of Brady's early daguerreotype portraits are now known only through salted paper print copies. Soon the glass negative and paper print replaced the daguerreotype altogether as the means by which Brady gathered and distributed the faces of his time. Here, the imposing figure of Commodore Matthew Perry (1794-1858), whose quasi-military diplomatic mission of 1852-54 opened Japan to the West, commands the viewer's attention. The Old Bruin, as the sailors called him, was photographed in dress uniform toward the end of his life, his nearly fifty years of Navy service weighting his features like the epaulettes on his shoulders.
Mal Lui Veut Mal Lui Tourne Dit Le Bonne Homme Richard
Object type: print
Date: 1780 – 1780
Techniques: engraving
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: satire,american revolution,men,cows,lions,ships,politics
Le Turc Vu de Face, La Main Droite Posée sur la Hanche (Front View of the Turk, Right Hand Placed on Hip), plate 3 from "Varie Figure" (Various Figures)
Object type: print
Date: 1620 – 1620
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Karnak. Pylone de Ptolomee
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: animals,architecture,ruins,men,women
Portret van Lodewijk XVIII van Frankrijk
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: lithograph
Location: paris
Subjects: lodewijk xviii (koning van frankrijk), historical persons
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 2760
Carved Bead
Object type: bead
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: dragons
Chinese boekverkoper
Object type: drawing
Date: 1800 – 1899
Materials: paint, ink, paper
Techniques: brush, pen, snipping
Artist: Anonymous
Subjects: chinese, book-shop, bookseller
Inscriptions: watermark

Drie mannen rond een tafel met daarop een opengeslagen boek. Rechts twee mannen.
Strijd van Don Clarazel met de pop, die de reus Dardanel op de vuurspuwende draak voorstelt
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: battle, fighting in general, dragon, knight, giants, colossi
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Verdier, Gilbert Saulnier du (vert. Heinsius, Nicolaas junior). Don Clarazel de Gontarnos, ofte den buiten-spoorigen dolenden ridder, 2 delen. Amsterdam: Johannes Broersz en Nathanael Holbeex, 1697, dl. 1.
Dobbelende kinderen
Object type: print
Date: 1835 – 1899
Materials: paper
Techniques: etching
Location: munich
Subjects: child, dice-games
Inscriptions: collector's mark: Lugt 2228, number: ‘18’
Pair of Shoe Buckles
Object type: metalwork
Date: 1776 – 1800
Materials: iron, leather, steel
Techniques: cutting
Location: england
Netsuke of Tiger Lying on a Mat
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: tigers
Stalles, XVIe siècle
Object type: photomechanical print
Date: 1882 – 1887
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: bench, parts of church interior: choir
Inscriptions: monogram: ‘JJvY’, inscription: ‘STALLES en bois (...)’, inscription: ‘STALLES. - PL. 6.’
100 Afbeeldinge der voornaamste gebouwen van Amsterdam
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: city-view, and landscape with man-made constructions, church (exterior), canals, waters (in city), bridge in city across river, canal, etc.
Inscriptions: collector's mark: ‘31.69’ Lugt 1641b, inscription: ‘Uit: Gezigten der stad Amsterdam en derzelver voornaamste gebouwen (1702-1715?)’

Prent mogelijk uit: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Pieter Schenk (I), s.a. [1710-1711]. Of uit: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Barent Greve, s.a. [1757-1766]. In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
Abraham's Sacrifice (recto and verso)
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: pen
Location: italy
Artist: attributed to giuseppe passeri
Artist nationality: italian
Artist dates: 1654 – 1714
Canapé, fauteuil en stoel
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Een canapé, fauteuil en een stoel. Prent uit 292e nummer (livraison).
Snuffbox
Object type: snuffbox
Date: 1766 – 1766
Materials: enamel, gold, porcelain
Artist: philippe ernst schindler (the younger)
Artist role: artist
Artist dates: 1723 – 1793
Subjects: profiles,women
Mary, Queen of Scots
Object type: print
Techniques: engraving
Location: england
Artist: jean rabel
Artist role: artist
Artist nationality: french
Artist dates: 1540 – 1603
Subjects: queens,portraits,women,mary queen of scots
Group Composition from Fantasia Enchained
Object type: drawing and watercolor
Date: 1873 – 1875
Materials: chalk, charcoal, paper
Techniques: drawing, stumping
Location: hungary
Artist: adolf hiremy-hirschl
Artist nationality: hungarian
Artist dates: 1860 – 1933
Seated bird figurine
Object type: statuette of a bird dove
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: birds

The figurine is handmade and hollow. Its wings are closed, it has pellet ears, and very short stumps below the breast for legs.
Bell with Seated Male Holding Vajra
Object type: bell
Date: 901 – 1100
Materials: bronze
Culture: indonesian, javanese
Spaanse acht reaal uit Mexico met kloppen Soemenep en 235
Object type: coin
Date: 1732 – 1819
Materials: silver
Techniques: casting
Location: madura
Artist: Anonymous
Subjects: mexico

Zilveren munt in ruwe rechthoekige vorm. Voorzijde: gekroond Spaans wapenschild. Jaartal in omschrift. Keerzijde: in een veelpas kruis met in de hoeken wapens van Castilië en Leon. Op uiteinden twee kloppen: Soemenep en 235 [=A.H. 1235=1819]
Fragment pijpensteel
Object type: fragment
Date: 1600 – 1800
Materials: clay
Location: netherlands
Artist: Anonymous

Fragment pijpensteel met 6 zigzaglijnen rondom. Van de opgravingen op de Hofstede Arentsburg 1827-1831 onder toezicht van Professor Reuvens.
Offering tray (talam)
Object type: tray
Date: 1101 – 1400
Materials: copper alloy
Culture: indonesian

In medieval Javanese Hindu ritual, large metal offering trays were regularly employed for the preparation of ritual utensils and paraphernalia. The term used in Old Javanese is tahas, and they are referred to in modern Javanese and Indonesian as talam. Both variant terms can be sourced to the Tamil word for the same utensil, tattam. Fragmentary bronze trays of this type, together with other metal temple utensils, have been excavated from a mid-10th century shipwreck in the Java Sea in the past decade, affirming their antiquity. The traditions and ritual practices of Central Java (8th to 10th century) were largely preserved in the following centuries in the Hindu-Buddhist centres of East Java, up to the coming of Islam in the 15th century. This offering tray has an upright rim and engraved designs limited to a central medallion. The central motif is a conch shell (sankha) emerging from a foliate ground. Framing this central motif are three bands of simple decoration with the serrated central band, likely representing the rays of the sun. The conch shell device was widely invoked in Hindu Javanese settings associated with the worship of Vishnu, with whom a number of Majapahit kingdom rulers (12th–15th centuries) closely associated themselves.
Matigheid (Temperantia)
Object type: print
Date: 1587 – 1637
Materials: paper
Techniques: engraving
Subjects: temperance, 'temperantia'; 'temperanza' (ripa) ~ one of the four cardinal virtues

De gepersonifieerde Matigheid; een vrouwenfiguur giet uit een kan vloeistof in een glaasje. Op de achtergrond een heuvelachtig rivierlandschap.
Jardinière
Object type: design drawing
Date: 1830 – 1850
Materials: paint, ink, paper
Techniques: aquarelle
Inscriptions: inscription: ‘HEINRICH JENNY’

Hangende jardinière in de vorm van een blauwe mand met een rode opstand.
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1873 – 1873
Materials: ink, paper
Techniques: pen, writing
Location: rotterdam
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: copenhagen (city), publisher, the hague, william ii of the netherlands, music, money, amsterdam
Inscriptions: collector's mark: Lugt 2233
Bezoek aan Parijs
Object type: album leaf
Date: 1905 – 1932
Materials: cardboard, paper, photographic support, plastic
Techniques: gelatin silver print
Location: paris
Subjects: obelisk, needle, square, place, circus, etc. (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage), paris

Vijf foto's gemaakt tijdens de vakantie van Berti Hoppe en Herman Besselaar naar Parijs in mei 1932. In de bijschriften worden Place de la Concorde en Avenue de l'Opéra vermeld. Deze pagina maakt deel uit van een album.
Gezicht op Battle Abbey
Object type: page
Date: 1870 – 1875
Materials: photographic support
Techniques: albumen print
Location: battle
Artist: wm. e. thorpe
Artist role: fotograaf
Subjects: abbey, monastery, convent ~ roman catholic church
Portret van een vrouw, mogelijk Maria Anna Carolina van Oostenrijk
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: lithograph
Location: vienna
Subjects: adult woman, historical persons, ornaments, jewels
Inscriptions: collector's mark: Lugt 2228
Dish with stylised flower scrolls, flower sprays and animals
Object type: platter
Date: 1700 – 1724
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: label: ‘8’, label: ‘6. 14/4/05’

Schotel, famille verte, met decoratie van twee bloemtakken binnen een jui-rand, met in vier uitgespaarde vakken twee maal een kraanvogel en tweemaal een hert, afgewisseld met vlakken gevuld met bloemen en vogels op groen met zwart gespikkelde grond.
Portret van H.W. Mouton met boek
Object type: print
Date: 1877 – 1950
Materials: paper
Techniques: etching
Artist: barbara elisabeth van houten
Artist role: draughtsman, print maker
Artist dates: 1862 – 1950
Subjects: utrecht, engineer, reading, youth, adolescent
Inscriptions: collector's mark: Lugt 2228
Kabuki Actor Ōtani Oniji III as Yakko Edobei
Object type: print
Date: 1794 – 1794
Materials: ink, mica, paper
Techniques: woodblock print
Culture: japanese
Artist: tōshūsai sharaku
Artist role: artist
Artist nationality: japanese
Artist dates: 1794 – 1795
Subjects: men,actors

Ōtani Oniji III is depicted here in the role of a samurai’s manservant from the play The Colored Reins of a Loving Wife (Koi nyōbō somewake tazuna). The actor’s leering face, shown in three-quarter view, his bristling hair, and his groping outstretched hands capture the ruthless nature of this wicked henchman. Sharaku was able to capture the essential qualities of Kabuki characters but also reveal the personalities of the actors who were famous for performing them.
Herder met vee op een houten brug
Object type: print
Date: 1630 – 1663
Materials: paper
Techniques: etching
Artist: anthonie waterloo
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1690
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., cattle, landscape with bridge, viaduct or aqueduct, landscapes with waters, waterscapes, seascapes (in the temperate zone), horse, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Een houten brug leidt naar een huis, dat verscholen ligt tussen de bomen. Op de brug drijft een herder te paard vee voort. Linksboven is de letter h te zien.
Roof van Cephalus
Object type: print
Date: 1634 – 1679
Materials: paper
Techniques: etching
Location: antwerp
Subjects: dog, quadriga, helved weapons, polearms (for striking, hacking, thrusting): javelin, cephalus and aurora
Inscriptions: collector's mark: Lugt 240

Een gevleugelde Aurora daalt neer op Cephalus om hem mee te voeren, haar wagen met vier paarden - de quadriga - geleid door een putto staat te wachten in de wolken. Voor Cephalus ligt zijn speer en pijlenkoker, naast hem zijn honden.
Tijdgenoten
Object type: print
Date: 1829 – 1840
Materials: paper
Techniques: engraving
Location: hildburghausen
Artist: friedrich wagner
Artist role: painter, print maker
Artist dates: 1801 – 1850
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Fr. Jos. / n. 1795 1828 Prof Philosphie [...] = 1833’

Afkomstig uit de portretserie 'Zeitgenossen', uitgegeven tussen 1829 en circa 1840. Mogelijk in latere staten nog gebruikt in de series Conversations-Lexicon en Walhalla.
Waterpot (Suichū)
Object type: waterpot
Materials: stoneware
Techniques: polychrome
Culture: japanese

This modern-looking waterpot is decorated with whirlpool motifs applied in colorful overglazes; further embellishments include cloudlike patterns and stylized snowflake-shaped motifs. These likely appealed to Moore, whose work features spirals, clouds, and abstracted floral motifs.
Portret van Peter Mintert
Object type: print
Date: 1701 – 1759
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: georg daniel heumann
Artist role: print maker
Artist dates: 1691 – 1759
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Twee jonge vrouwen in een tuin, links Wiesje Merkus
Object type: album leaf
Date: 1908 – 1912
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: wiesje merkus, adolescent, young woman, maiden, netherlands
Vial of lavender pigment
Object type: item used in making cloisonné enamel
Date: 1867 – 1933
Culture: japanese
Munchener platen
Object type: print
Date: 1843 – 1920
Materials: paper
Techniques: letterpress printing, engraving
Location: germany
Subjects: travelling; tourism, departure ~ travelling
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van mensen die op reis zijn. Onder elke afbeelding een onderschrift. Genummerd midden onder: Nro. 48. Genummerd rechtsboven: 48.
Ontwerp voor een sieraad met de initialen H.S.
Object type: design
Date: 1874 – 1932
Materials: paper, pencil
Techniques: brush
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: ornaments, jewels
Blad 37 uit Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel I (1921-1929)
Object type: album leaf
Materials: paper
Techniques: printing, writing
Location: the hague
Artist: Anonymous
Subjects: further education (+ pupil), further education, the hague

Twee pagina's met gegevens van de deelnemers aan de 13e driemaandelijkse cursus van 21 september tot en met 18 december 1925, stamboeknummers 170 tot en met 174. Onderdeel van Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel I (1921-1929).
Kling voor ruiterdegen
Object type: knife
Date: 1550 – 1900
Materials: iron
Artist: Anonymous
Subjects: netherlands

Kling voor ruiterdegen met opschrift: SAHAGOM en afbeelding van een lopend dier (wolfskling).