deem-data/ArtiFact huggingface dataset:
De overgave van Hasselt, op den 8 Augustus 1831
Object type: print
Materials: paper
Techniques: lithograph
Location: breda
Subjects: william ii of the netherlands, berlin, frederik (prins der nederlanden), battle (+ land forces), surrender ~ war
Inscriptions: collector's mark: Lugt 2228, watermark, collector's mark: Lugt 2760

De overgave van de stad Hasselt aan de Nederlandse troepen onder bevel van de prins van Oranje, 8 augustus 1831. Gezicht op het slagveld met centraal op een heuvel de prins omringd door zijn staf, allen te paard. Rechts van hen een afvaardiging van de stad Hasselt onder leiding van de burgemeester om over de overgave van de stad te onderhandelen. Rechts prins Frederik tussen enkele officieren. Op de voorgrond wordt een gewonde militair verzorgd. Aan de linkerkant leden van de Leidsche Vrijwillige Jagers en de Jagers van Rookmaker.
Hoofd van Hercules met leeuwenvacht in brons boven een marmeren schouw
Object type: photograph
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Location: france
Artist: Anonymous
Inscriptions: annotation: ‘495. - Versailles - Le Musee - Salon de Guerre, motif de la cheminee (L.P. Phot).’

Onderdeel van een serie met betrekking tot het interieur van het paleis van Versailles met kroonluchters, deuren, portalen en meubelstukken.
Portret van Lodewijk XVIII van Frankrijk
Object type: print
Date: 1814 – 1824
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: paris, lodewijk xviii (koning van frankrijk), historical persons, king
Inscriptions: collector's mark: Lugt 2228
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, title page (recto)
Object type: book print ornament architecture
Date: 1610 – 1610
Techniques: woodcut
Artist: isabella catanea parasole
Artist role: designer
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: coat of arms

Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Antonio Fachetti, Rome. From top to bottom, and left to right: Title printed in black with arms of Cardona and Aragon underneath, presumably the arms of Ioana de Aragon y Cardona, to whom this book is dedicated.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, lower body of draped figure; end of fillet?; lower part of scabbard?
Kip met kuiken
Object type: print
Date: 1659 – 1741
Materials: paper
Techniques: etching
Location: paris
Artist: Anonymous
Subjects: fowl (cock, hen, chicken, etc.)
Inscriptions: collector's mark: Lugt 2228

Kopie in spiegelbeeld naar een prent uit de serie Dertien vogelsoorten van Albert Flamen.
Forearm Defense (Vambrace)
Object type: forearm defense vambrace
Materials: leather, steel
Culture: italian
Location: italy

This vambrace is a composite of three separate pieces (29.150.24, 29.150.64, and 29.150.116), assembled in 1935, that came from a large find of medieval armor discovered in 1840 in the ruins of the fortress of Chalcis, on the Greek island of Euboea (then a Venetian colony called Negroponte). The fortress had been captured and destroyed by the Turks in 1470. Now divided largely between the Ethnological Museum, Athens, and The Metropolitan Museum of Art, the Chalcis hoard contains many rare and unusual elements of fourteenth- and fifteenth-century armor. Of particular importance are the variety of headpieces and the many fragments of brigandines (armor for the torso constructed of small plates riveted to layers of fabric), some of which retain portions of their original velvet covering. The Chalcis armor provides a unique picture of the armament used in the Aegean, one of the easternmost military outposts of the Venetian empire.
Whale Oil Lamp
Object type: whale oil lamp
Date: 1825 – 1840
Materials: glass, lead
Techniques: glassblowing, pressed
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of a draped figure; part of a fillet
Man with a Beard
Object type: painting
Date: 1600 – 1889
Materials: canvas, oil
Artist: rembrandt
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: men,portraits

Though generally accepted by Rembrandt scholars until about 1940, this canvas was considered an eighteenth-century imitation by F. Schmidt-Degener in 1935. Supporting this view is the sketchy execution, which is superficially similar to that found in Rembrandt's "study heads" painted on a much smaller scale; the light chalk ground and the man's collar appears fancifully to adopt an older Dutch form. The palette, the loose brushwork, and the frontal presentation of the figure recall Rembrandt's style of about 1665. The date is inscribed on the picture, but the simple application of parallel brushstrokes, resulting in flat and insubstantial forms, the awkwardly abrupt contrasts of light and shade, and, finally, the absence of any convincing indication of personality or thought are entirely alien to the master's mature manner. Quite a few Rembrandt imitations and forgeries date from the eighteenth century in England, where this painting was first recorded in the collection of Sir William Knighton (died 1836)
Saucer
Object type: saucer
Date: 1780 – 1780
Materials: glaze, porcelain
Culture: japanese
Vooraanzicht van de kathedraal van Burgos
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: paper, pencil
Location: burgos
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: church (exterior)
Inscriptions: annotation: ‘Burgos’

Pagina 44 uit een schetsboek met 30 bladen.
Portretten van Düsseldorfse kunstenaars
Object type: print
Date: 1853 – 1854
Materials: paper
Techniques: lithograph
Location: dusseldorf
Subjects: painter, johann wilhelm schirmer, adult man, historical persons, portrait, self-portrait of artist, beard
Inscriptions: collector's mark: Lugt 2228

De serie 'Bildnisse Düsseldorfer Künstler' is van 1853-1854 uitgegeven in drie delen met elk vier portretten.
Zilveren huwelijk van G. Kulenburg en A.M. Franszen (algemene huwelijkspenning met inscriptie) 1757
Object type: history medal
Date: 1757 – 1757
Materials: silver
Techniques: engraving, striking
Artist: martinus holtzhey
Artist role: medailleur, muntmaker
Artist dates: 1697 – 1764
Inscriptions: inscription: ‘G. KULENKAMP. V.D.M. Amstm. / en / A.M. FRANSZEN / Getrouwd 1 Decembrs. / 1752.’

Zilveren penning, op de voorzijde een gesluierde vrouw offerend boven een altaar waarop DANK / BAARHEID / XXV binnen een slangenrond, in een landschap met twee monumenten, met omschrift, in de afsnede 'T SILVERE FEEST / GEVIERD waaronder gegraveerd "1757", op de keerzijde twee brandende harten onder een kroon tussen liefdessymbolen, met omschrift, onderaan een doek met inscriptie.
[Two Young Men, One Embracing the Other]
Object type: tintype
Date: 1880 – 1889
Techniques: tintype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Limb with garment fringe, pleating
Object type: limb with garment, pleating
Date: 1353 – 1336
Materials: limestone
Location: egypt
Pension Tersenghi/ Palermo/ Via Lincoln 83
Object type: photograph
Date: 1901 – 1901
Materials: photographic support
Techniques: writing
Location: palermo
Artist: Anonymous
Subjects: street, hotel, hostelry, inn
Project for a work table
Object type: drawing
Date: 1833 – 1898
Materials: graphite, ink
Artist: félicien rops
Artist role: artist
Artist nationality: belgian
Artist dates: 1833 – 1898
Subjects: tables
Ojime
Object type: ojime
Date: 1801 – 1900
Materials: metal
Culture: japanese
[Sculptures of Cain, a Hunter Defending his Family, the Massacre of the Innocents, and Allegorical Figures of the First Whisper of Love]
Object type: photograph
Date: 1859 – 1859
Techniques: albumen silver print, glass negative
Artist: philip henry delamotte
Artist role: artist
Artist nationality: british
Artist dates: 1821 – 1889
Subjects: sculpture,male nudes,female nudes
Echtpaar omringd door gebeurtenissen uit het verleden
Object type: print
Date: 1836 – 1867
Materials: paper
Techniques: tone lithography
Location: leiden
Subjects: student life, arm in arm (lovers)
Inscriptions: collector's mark: Lugt 2228

De serie met omslag werd samengesteld door Jan van der Hoeven (Leiden 1834 - Rotterdam 1900). Van der Hoeven was mede oprichter van het Sophia-Kinderziekenhuis in Rotterdam en was als heelmeester verbonden aan het stedelijk ziekenhuis aldaar.
Twee Franse mannen staand bij een schildersezel in een tuin
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: head-gear: bowler hat, adult man, umbrella, easel, head-gear: top hat, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Necktie
Object type: necktie
Date: 1869 – 1869
Culture: american
Proportiestudie van een meisje
Object type: drawing
Date: 1812 – 1861
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: anatomy (non-medical), standing figure (canon, proportions) - aa - female human figure, child (at home) - aa - girl
Sleeve Band
Object type: sleeve band
Date: 1767 – 1800
Materials: metal thread, silk
Culture: chinese
Subjects: birds
Portret van een zittend meisje
Object type: carte de visite
Date: 1865 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: zwolle
Artist: franz wilhelm heinrich deutmann
Artist role: fotograaf
Artist dates: 1840 – 1906
Subjects: sitting figure - aa - female human figure, girl (child between toddler and youth)
Inscriptions: inscription: ‘Deutmann/ Zwolle’
San Francisco
Object type: print
Date: 1855 – 1856
Materials: ivory, paper
Techniques: drypoint, etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Portret van Ch. Doorman-Van Thiel, zittend
Object type: album leaf
Date: 1859 – 1879
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: the hague
Artist: jan rudolf frederik nievergeld
Artist role: docent, fotograaf
Artist dates: 1826 – 1898
Subjects: adult woman, historical persons - bb - woman, dress, gown, the hague
Inscriptions: address: ‘'s Hage, Z.O. Buitensingel, 228.’

Onderdeel van Fotoalbum van de families Matthes, Doorman en Van Thiel.
Violin
Object type: violin
Date: 1669 – 1669
Materials: wood
Culture: italian
Location: italy
Artist: nicolò amati (cremona 1596–1684 cremona)
Artist role: maker
Artist nationality: italian

The violins of Nicolò Amati (1596–1684), the preeminent violin maker of the Amati family of instrument builders, were known for their elegant design, responsiveness, and sweet sound, although they lacked the strength of violins by later makers such as Antonio Stradivari and Guarneri "del Gesù." Nicolò Amati single-handedly carried on the Cremonese tradition of fine violin making after famine and disease in the years around 1630 had wiped out virtually all of the top violin makers in both Cremona and nearby Brescia; not surprisingly, violins from this period are very rare. Amati's many students included Andrea Guarneri, Giovanni Battista Rogeri, and possibly Antonio Stradivari, among others. This heavily-used instrument was modernized in the middle of the nineteenth century to meet the changing needs of players. Around that time, a painted decoration was added to the back and ribs. The painted and gilt dedication on the ribs reads: PREMIER PRIX [DÉ]CERNÉ á PAUL JULIEN CONSERVATOIRE NATIONAL DE M[USIQUE]. This inscription indicates that the violin was a prize awarded to the child prodigy Paul Julien (b. 1841) after he won first prize at the Paris Conservatory in 1850. In 1977, the violin was refitted to the present setup with a shorter fingerboard and gut strings by the Dutch luthier Fred J. Lindeman. This setup more closely resembles the state of the violin before its nineteenth century restoration.
Bowl
Object type: vessel
Materials: porcelain
Location: china
Torenwachters Nieuwjaarswensch, opgedragen aan de Inwoners van Amsterdam, Zuider Kerkstoren
Object type: print
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: parts of church exterior and annexes: tower

Nieuwjaarswens van de torenwachters van de Zuiderkerkstoren te Amsterdam. Bovenaan een gezicht op een kerktoren. Daaronder centraal een gedicht in twee kolommen. Aangeboden door de torenwachters: J.P. Richard en J.P. Richard. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Watch
Object type: watch
Date: 1800 – 1830
Materials: enamel, garnet, gold, steel
Artist: firm of esquivillon frères
Artist role: maker
Artist dates: 1795 – 1805
Subjects: roses,leaves
Poland, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags
Kindertekening met gezichten en profil
Object type: drawing
Date: 1853 – 1880
Materials: paper, pencil
Location: netherlands
Artist: Anonymous
Subjects: face, parts of the face: nose
Tripod Cylindrical Jar (Lian or Zun) with Creatures Amid Hills, Bear-Shaped Feet
Object type: vessel
Materials: earthenware, glaze, lead
Location: china

Vessels like this are often called "hill jars" since many have conical covers shaped in rising peaks. "Squatting-bear" feet and monster-mask ring handles are common features. This jar has been mold-impressed in two relief bands depicting hills populated with real and imaginary creatures. Wispy elflike figures are associated with immortals (xian), who were thought to dwell in mountain paradises. Such relief designs provide intriguing evidence of early landscapes painted on more perishable paper and silk.
Fotoreproductie van een schilderij, voorstellende een portret van Richard Owen
Object type: page
Date: 1881 – 1891
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: zoology
Inscriptions: inscription
Binnenplaats van een versterkt kasteel met obelisk, troepen in het gelid
Object type: drawing
Date: 1800 – 1900
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: alphonse jean baptiste vien
Artist role: draughtsman
Artist dates: 1814 – 1874
Subjects: fortress, castle, fantastic architecture, unrealistic architectural fantasies
Hercules Fighting the Centaurs
Object type: print
Date: 1577 – 1577
Techniques: engraving
Artist: master pm
Artist role: artist
Artist nationality: german
Artist dates: 1550 – 1600
Subjects: female nudes,hercules,centaurs
Het Welfsel vande Krygs-raets Sael
Object type: print
Date: 1661 – 1661
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: interior ~ architectural design or model, townhall, council of war
Inscriptions: collector's mark: ‘16,39A’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Stadhuis op de Dam. Rechtsonder: Z.
N.H. Groote Kerk Koorbank Dordrecht
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: dordrecht
Artist: Anonymous
Subjects: parts of church interior: choir
Inscriptions: caption: ‘N.H. Groote Kerk/ Koorbank/ Dordrecht’
Kaart van het beleg van Lille, 1708
Object type: map
Date: 1709 – 1709
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: paris, vienna, eugenius van savoye, fortress, siege, position war, lille

Plattegrond van de versterkingen van Lille (Rijssel), belegerd vanaf 22 augustus door de Geallieerden onder prins Eugenius van Savoye. Bovenaan een voetstuk met de titel en legenda A-Z in het Frans. Onderdeel van een gebundelde verzameling van plannen van veldslagen en steden vermaard in de Spaanse Successieoorlog.
Serie van vijftien prenten over het Huis ter Nieuburch in Rijswijk en de vredesonderhandelingen, 1697
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: palace
Inscriptions: collector's mark: Lugt 2228

Gezicht op het Huis ter Nieuburch in Rijswijk, oostzijde. In het onderschrift de twee titels in het Frans en Nederlands. Onderdeel (prent 3) van de serie van vijftien prenten over het Huis ter Nieuburch in Rijswijk en de daar gehouden vredesonderhandelingen resulterend in de Vrede van Rijswijk gesloten op 20 september 1697.
Zegelring met Gotische letters
Object type: ring
Date: 1000 – 1900
Materials: copper
Techniques: engraving
Artist: Anonymous

Ring met ovalen zegelstempel waar in een parelrand enkele letters in spiegelschrift staan. Aan weerszijden van de stempel op de ring enkele gekruiste krassen.
Heroen-Saal. Statue des Mercurius.
Object type: photograph
Date: 1863 – 1898
Materials: cardboard, paper
Techniques: albumen print
Location: munich
Subjects: (story of) mercury (hermes), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: ‘Vosmaer’, number: ‘3.’
Berks County Almshouse, 1880
Object type: painting
Date: 1880 – 1880
Materials: gold paint, oil, zinc
Culture: american
Artist: john rasmussen
Artist role: artist
Artist nationality: american
Artist dates: 1828 – 1895
Subjects: eagles,buildings,factories,farms

A house painter from Reading, Pennsylvania, Rasmussen was influenced by the works of Charles Hofmann, a fellow resident of the public poorhouse in Shillington, Berks County, Pennsylvania. Rasmussen was committed for alcoholism in 1879 and stayed at the facility until the end of his life. Painted on a heavy sheet of zinc, this aerial view provides a detailed and accurate image of the buildings and grounds of the institution within a central oval. Rasmussen included genre details such as townspeople passing on the road and residents and workers at the almshouse. At the four corners are views of the area’s factories and farmlands seen in summer, winter, spring, and fall.
Plattegrond van Aire, 1710
Object type: map
Date: 1710 – 1710
Materials: paper
Techniques: etching
Location: brussels
Subjects: maps of cities

Plattegrond van de versterkingen om de stad Aire en het Fort St. François, belegerd en ingenomen door de Geallieerden in 1710. Rechtsonder een cartouche met de legenda A-S in het Frans. Onderdeel van een gebundelde verzameling van plannen van veldslagen en steden vermaard in de Spaanse Successieoorlog.
Comforts of Bath, Plate 12
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,dogs
Sketches of Five Busts
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: gerard de lairesse
Artist role: artist
Artist nationality: dutch
Artist dates: 1641 – 1711
Phaëton en Apollo
Object type: print
Date: 1720 – 1733
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: phaethon asks apollo (sol) for the chariot of the sun, (story of) aurora (eos); 'aurora' (ripa), father time, man with wings and scythe, gods of the winds
Inscriptions: collector's mark: Lugt 2228

Phaëthon smeekt de zonnegod Apollo, om een dag in de zonnewagen te mogen rijden. Apollo spreidt zijn handen boven het hoofd van zijn zoon. Links houden mannen de paarden voor de zonnewagen in toom. Aurora, de godin van de dageraad, vliegt midden boven met haar toorts. Rechts Vader Tijd met zijn zeis, Ceres met korenaren, en de Uren met bloemen in de handen. Linksonder de Vier Winden. Naar het schilderij in de Chambre des Muses in het Hôtel Lambert. Prent maakt deel uit van een serie prenten naar de schilderijen in het Hôtel Lambert te Parijs.
Fragment
Object type: textile
Date: 1675 – 1700
Materials: velvet
Techniques: cutting
Location: italy
Kaart van het voorgestelde kanaal tussen Utrecht en de Zuiderzee, 1720
Object type: map
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: financial panic, maps of separate countries or regions, utrecht
Inscriptions: collector's mark: Lugt 19

Kaart in twee delen van het voorgestelde kanaal te graven tussen Utrecht en de Zuiderzee. Voor dit project werd in 1720 geld ingezameld. Rechtsonder een schaalstok: Schaal van 1000 Stightse roeden. Prent 6 in de serie Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Gezicht op de dom van Mainz
Object type: photograph
Date: 1900 – 1911
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: mainz
Subjects: church (exterior), parts of church exterior and annexes: tower
Inscriptions: number: ‘8009’, number: ‘3587’
Liggende kat
Object type: drawing
Date: 1880 – 1882
Materials: paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: cat
Inscriptions: collector's mark: Lugt 2228, workshop stamp: Lugt 291d
Illustratie voor: Arend Fokke Simonsz., De graveur, behelzende eene beknopte handleiding tot de daktylioglyphia, of graveerkunst, 1796
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: woodcut
Location: dordrecht
Artist: jan oortman (sr.)
Artist role: print maker
Artist dates: 1753 – 1823
Subjects: print, e.g.: engraving, etching, lithograph, graphic artist, engraving
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Fokke Simonsz., Arend. De graveur, behelzende eene beknopte handleiding tot de daktylioglyphia, of graveerkunst. Dordrecht: Abraham Blussé & Zoon, 1796. Houtsnede afkomstig uit hoofdstuk acht van Fokke Simonsz's publicatie; een hoofdstuk over de techniek van het houtgraveren.
Titelpagina voor: Relation du naufrage d'un vaisseau hollandais, nommé Terschelling vers la côte de Bengale, Amsterdam: 1681
Object type: titelblad, titelpagina
Date: 1681 – 1681
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: weduwe jacob van meurs
Artist role: publisher
Subjects: title-page
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Titelpagina voor: [Frans Jansz van der Heiden], Relation du naufrage d'un vaisseau hollandois, nommé Ter Schelling, vers la côte de Bengala. Amsterdam, wed. Jacob van Meurs, 1681.
Gezicht op de Oudezijds Kolk en de Kolksluis gezien naar de Oudekerkstoren
Object type: drawing
Date: 1862 – 1924
Materials: gouache, paper, pencil
Techniques: brush
Location: amsterdam
Artist: johannes christiaan karel klinkenberg
Artist role: draughtsman, painter
Artist dates: 1852 – 1924
Subjects: city-view in general; 'veduta', canal, parts of church exterior and annexes: spire, bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 800a, signature: ‘Klinkenberg’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 9.
Richarda in het klooster
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: history, nun(s), ruler, sovereign - bb - female ruler, cloisters ~ monastery
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Almanac de Gotha pour l'anneé 1793. Gotha: C. W. Ettinger, [1792].
Habitus et cultus Matronarum Nobilu et Rusticarum apud Batauos
Object type: costume print
Date: 1619 – 1623
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: folk costume, regional costume, yoke, europeans (with name)
Inscriptions: collector's mark: Lugt 240

Boeren meisje uit Edam. Naast haar een juk met houten tobbe.
Heating vessel
Object type: heating vessel
Date: 801 – 900
Materials: bronze
Culture: chinese
Subjects: birds
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, lower calves of male; Exterior, part of leg of quadruped or leg of stool?
Triple-back chair settee
Object type: chair settee
Date: 1785 – 1785
Materials: wood