deem-data/ArtiFact huggingface dataset:
Princes trop généreux (...)
Object type: cartoon
Date: 1839 – 1839
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: the (difficult) choice ~ courting - cc - women making choice, caricatures (human types)
Inscriptions: collector's mark: Lugt 2228a

Prent mogelijk uit: Le Charivari, 31 maart 1839.
Microscoop voor microfoto's
Object type: dutch viewer
Date: 1851 – 1887
Materials: brass, glass
Artist: Anonymous
Stam van een eikenboom
Object type: sketchbook leaf
Date: 1810 – 1868
Materials: paper, pencil, watercolor
Techniques: brush
Location: the hague
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: trees: oak
Inscriptions: annotation: ‘circa/ 2 [...]cm’

Blad 13 verso uit een schetsboek met 48 bladen.
View of Town Beside River
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: attributed to marco ricci
Artist nationality: italian
Artist dates: 1676 – 1729
Zeeslag bij Stromboli, 1676
Object type: print
Date: 1755 – 1811
Materials: paper
Techniques: etching
Artist: nicolas marie ozanne
Artist role: draughtsman, print maker
Artist dates: 1728 – 1811
Subjects: flushing, michiel adriaenszoon de ruyter, paris, battle (+ naval force), battle of stromboli

Zeeslag bij Stromboli op 8 januari 1676 tussen de vloot van de Republiek onder Michiel Adriaenszoon de Ruyter en een Franse vloot onder Abraham Duquesne. Gemerkt rechtsboven: Pl. VIII.
Een pistoolschot
Object type: page
Date: 1868 – 1878
Materials: photographic support
Techniques: albumen print
Subjects: riding a horse, ass, or mule; rider, horseman, battle
D'Inhaling van zyn Koninklyke Majesteyt van Groot Brittanie, Willem de III, binnen s'Gravenhage den 5 februari 1691 gedaan
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), triumphal arch

De intrede van de stoet met koning Willem III door de triomfbogen opgesteld bij het Buitenhof naar het Stadhouderlijk Kwartier, 5 februari 1691. Onder de plaat de legenda 1-12. Zonder het paginanummer.
Paperweight in the Shape of Embankment Baskets and Turtles
Object type: paperweight
Date: 1767 – 1833
Materials: porcelain
Techniques: underglaze
Culture: japanese
Subjects: turtles
VOC, kwart kroon, 1645
Object type: twaalf stuiver
Date: 1645 – 1645
Materials: silver
Techniques: striking
Location: batavia

Zilveren noodmunt. Voorzijde: naar beneden gericht zwaard met lauwerkrans. Jaartal in omschrift. Keerzijde: monogram van de VOC, waarboven waarde-aanduiding 12 st. Gladde rand.
Groteske verbeelding: diverse figuren, twee grote links in beeld, de een frontaal, de ander (met geloken oog) in profiel naar rechts
Object type: print
Date: 1912 – 1912
Materials: paper
Techniques: etching
Subjects: mask, mouth wide open, caricatures (human types)
Inscriptions: collector's mark: Lugt 2228

Links een omhoog kijkende figuur met een puntbaard. In het midden een kale figuur met gesloten ogen. Rechts een figuur met een baard en een gezicht met open mond.
Bowl
Object type: bowl
Date: 1801 – 1900
Materials: metal
Subjects: mythical creatures
Zonnebloemen
Object type: drawing
Date: 1856 – 1909
Materials: paper, pencil, watercolor
Techniques: brush
Artist: sientje mesdag-van houten
Artist role: draughtsman, painter
Artist dates: 1834 – 1909
Subjects: flowers: sunflower
Watersnood te Beesd, 1855
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: etching
Location: netherlands
Subjects: flood
Inscriptions: collector's mark: Lugt 2228

Het onder water staande dorp Beesd aan de Linge, 10 maart 1855. Onderdeel van de reeks van 24 prenten over de watersnood van maart 1855, door leden van het genootschap Arti et Amicitiae. Uitgave ten behoeve van de slachtoffers van de watersnood.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, three rim fragments with parts of circumscribed palmettes and tendrils
Kandelaar van zilver met vijfdelig gelede balusterstam op driehoekige voet op voluutpoten. Versierd met drie medaillons met Christus, Petrus en Ignatius
Object type: candlestick
Date: 1701 – 1701
Materials: silver
Techniques: gilding
Location: antwerp
Artist: jos hannekin
Artist role: silversmith
Inscriptions: mark

Six altar candlesticks. Silver. Antwerp, 1701, by Jos Hannekin.
Snaffle Bit
Object type: bit
Date: 1567 – 1633
Materials: metal alloy
Culture: german
Location: germany

This full-cheek bit has simple articulated canons, arched for giving more comfort to the tongue. The snaffle bit is the simplest type of horse bit, and has an effect on the bars (part of the horses’ jaw without teeth) and the corners of the lips. The rings on the sides would serve to hang the bit on the headstall and attach the reins. The cheekpieces press on the side of the mouth when a rein is pulled, helping indicating the direction to the horse and keeping the rings from pulling through the horse's mouth. According to contemporary equestrian manuals, this bit was probably used as a racing bit. It is virtually identical to some bit used until today.
Drie eenden bij een sloot
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Location: berlin
Artist: j.h. mühlbach
Artist role: fotograaf
Subjects: small canal, ditch, water-birds: duck
Portret van Johann Welser
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving, etching, letterpress printing
Subjects: mayor, coat of arms (as symbol of the state, etc.), historical persons, counsellor, merchant, salesman
Inscriptions: collector's mark: Lugt 2228

Deze prent is oorspronkelijk ontworpen voor: Kilian, Lucas. Imp. Caes. Caroli V.S.A. Decreto et auspiciis (...) formis expressi MDCXXIV. Augsburg: Lucas Kilian, 1624.
De prent komt uit een publicatie die is samengesteld door Johann Michael Roth en is rond 1700 voor het eerst uitgegeven in Augsburg onder de titel ‘Wahrhaffte Bildnüsse aller des Heil: Röm: Reichs Freyen Stadt Augspurg, Herren Stadt-Pfleger’. Hierin heeft een prent 1755 als datum, waar de datering van deze prent op is gebaseerd. De laatste editie van dit boek is in 1806 verschenen.
Brazilian Tanager, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Song Birds of the World" series (N23), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Drie varkens
Object type: drawing
Date: 1632 – 1678
Materials: chalk, paper
Artist: karel du jardin
Artist role: draughtsman, painter, print maker
Artist dates: 1626 – 1678
The Second War in Gueldres, from The Triumphal Arch of Maximilian I
Object type: print
Date: 1515 – 1517
Materials: ink, paper
Techniques: printing, woodcut
Location: germany
Artist: school of albrecht dürer
Artist nationality: german
Artist dates: 1471 – 1528

These two prints (1939.251 and 1939.252) come from a triumphal series honoring Holy Roman Emperor Maximilian I overseen by Albrecht Dürer; the massive project was produced from some 195 woodblocks. These two scenes of the emperor’s early military successes depict pikemen in action against mounted horsemen, with standard bearers carrying the Burgundian flag moving in with troops from the right. Maximilian died in 1519, just after this, his largest and most complicated work of propaganda on paper, was completed.
Hydrangeas
Object type: stencil
Date: 1801 – 1900
Materials: paper
Culture: japanese
Subjects: flowers
Eve
Object type: print
Date: 1896 – 1896
Materials: ink, paper
Techniques: drypoint, etching
Location: france
Artist: albert besnard
Artist role: draughtsman, print maker
Artist nationality: french
Artist dates: 1849 – 1934
Portret van een meisje met pop in de hand, staand op een houten bank
Object type: carte de visite
Date: 1903 – 1909
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: alkmaar
Artist: willem hooijer
Artist role: fotograaf
Artist dates: 1855 – 1939
Subjects: historical persons - bb - woman, (playing with) dolls, toddler (female)
Inscriptions: inscription: ‘W. Hooijer/ Alkmaar/ Oudegracht 205.’
Oosters tapijt
Object type: oriental rug
Date: 1800 – 1900
Materials: wool
Location: south persia
Artist: quli ghani

Oosters tapijt van geknoopte wol waarvan het middenveld versierd is met rijen boteh's samengesteld uit kleurige bloemen en bladeren, tegen een blauw fond. Drie randen waarvan de middelste versierd is met bloemen. Moeilijk leesbare inscriptie, vertaald als de signatuur van een Quashghai wever: "het werk van Quli Ghani".
Tan Aldrach
Object type: page
Date: 1859 – 1859
Materials: paper, photographic support
Techniques: albumen print, printing
Location: wales
Subjects: dale, valley
Inscriptions: number: ‘Stereograph No. 14.’
Grutto
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: printing, engraving, lithography
Location: netherlands
Subjects: birds

Deze prent maakt deel uit van een album.
Opleggen!
Object type: cartoon
Date: 1911 – 1911
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: the hague, politician, voorschoten, the right to vote, the compulsory vote, skates (winter sports), political caricatures and satires

De pogingen om algemeen kiesrecht te bereiken in Nederland en België voorgesteld als een schaatswedstrijd. De Belgische politieke partijen werken goed samen en rijden voorop maar onder de Nederlanders, Treub, Troelstra en Borgesius, is geen samenwerking.
Gezicht op de Stadhouderskade
Object type: print
Date: 1847 – 1891
Materials: paper
Techniques: etching
Location: amsterdam
Artist: johan conrad greive
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1891
Subjects: amsterdam
Inscriptions: collector's mark: Lugt 2228

De Stadhouderskade met rechts de Ferdinand Bolstraat. Op de voorgrond de oever van de Amstel met een boot.
Gezicht op de Oostpoort, te Delft
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: etching, intaglio
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: city-gate
Inscriptions: date
Plate XXII. Eglinton Castle
Object type: text sheet
Date: 1801 – 1801
Materials: paper
Techniques: letterpress printing
Location: london
Artist: william miller
Artist role: bookseller, printer, publisher
Artist dates: 1769 – 1844
Subjects: ayrshire
Inscriptions: collector's mark: Lugt 2228

Tekstblad gebruikt in: Scotia Depicta; or the antiquities, castles, public buildings, noblemen (...). Londen: William Miller, 1801.
Drie Zwitsers
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: europeans (with name)
Inscriptions: collector's mark: Lugt 2228

Twee Zwitserse mannen schudden elkaar de hand, waarbij er een zijn andere hand opsteekt. Een derde man kijkt toe. Zij staan bij een voetstuk, waarop de titel van het boek weergegeven staat, met daaronder het impressum.
Portret van Carel Gerard Hultman
Object type: print
Date: 1807 – 1849
Materials: paper
Techniques: aquatint, etching
Artist: etienne bouchardy
Artist role: print maker
Artist dates: 1797 – 1849
Subjects: den bosch, carel gerard hultman, historical persons, lawyer, attorney at law

Dit portret werd volgens het opschrift vervaardigd met behulp van een physionotrace, waarmee de contouren van een gezicht op een stuk papier konden worden overgebracht.
Scalloped dish with hedges, bamboo, prunus and hoo-bird
Object type: plate dish
Date: 1670 – 1690
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: japan
Artist: Anonymous

Cup and saucer, c. 1700 - 1725.
Twee heersers bij een ronde tempel
Object type: print
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: peace negotiations

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Zie hier een moedig volk, ten dienst van 't vaderland, / Getrouw voor hunnen vorst, en vrolyk in hun strand
Object type: print
Date: 1842 – 1866
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: weapons, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van militairen met wapens en instrumenten. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 44.
Kanagashira and Karei Fish, from the series Uozukushi (Every Variety of Fish)
Object type: woodblock print
Date: 1830 – 1839
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: fish
Raptvs Helenae
Object type: print
Date: 1510 – 1550
Materials: paper
Techniques: engraving
Location: germany
Artist: hans sebald beham
Artist role: designer, draughtsman, print maker
Artist dates: 1500 – 1550
Subjects: the abduction of helen and some of her companions: paris carries them off by sea, and takes a part of the palace-treasure with him
The Weeping Burgher (Andrieu d'Andres)
Object type: statuette
Materials: bronze, patina
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: sadness,men

This is a reduced version of one of the figures of the monumental group The Burghers of Calais (see 1989.407), modeled between 1884 and 1885 and unveiled at Calais in 1895. Rodin sought to represent varying degrees of heroism and grief in The Burghers of Calais. While some figures embody stoic self-sacrifice, others succumb to fear. This figure, unable to disguise his emotional distress, externalizes the suffering of his brethren by grasping his bowed head with massive, outstretched hands.
Dice
Object type: dice
Date: 801 – 1000
Materials: bone, ivory, paint
Techniques: incising, inlay
Location: iran
Subjects: dice

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
The Thames
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Location: london
Artist: john h. gear
Artist role: fotograaf
Artist dates: 1864 – 1946
Subjects: city-view in general; 'veduta', river, sailing-ship, sailing-boat (+ two persons ~ traffic and transport)
Inscriptions: collector's mark: ‘Worcester Public Library/ Victoria's Institute’

Prent op zesde ongenummerde pagina na pagina 56.
E.-M.-J. Prévinaire
Object type: photograph
Date: 1860 – 1865
Materials: photographic support
Techniques: albumen print
Subjects: louvain, politician, historical persons
Inscriptions: inscription: ‘Vade Mecum 1864’, inscription: ‘Membre Fondateur et Trésorier de l'Association Internationale/ pour le Progrès des Sciences Sociales, etc., etc.’, number: ‘XI’
Vase fragment
Object type: vase fragment
Date: 700 – 601
Materials: terracotta
Culture: greek, attic
Heilige Columbanus
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: male saints (with name)
Inscriptions: inscription: ‘117’

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 146r.
Earring
Object type: earring
Date: 300 – 101
Materials: silver
Culture: parthian
Location: iran (?)
Subjects: animals
Censer
Object type: censer
Date: 1800 – 1800
Materials: clay, glaze
Techniques: relief
Culture: japanese
Artist: hozan
Artist role: artist
Kaart van de grietenij Hemelumer Oldephaert en Noordwolde
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: engraving
Location: friesland
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228

Linksboven het wapen van Hemelumer Oldephaert en Noordwolde. Rechtsoven cartouche met titel en bestuurlijke informatie over de grietenij, daaronder legenda. Helemaal onderaan twee schaalstokken: Milliare Germanicum commune / Een gemene Duytsche myle, Hora itineris / Een uyre gaens - van 1400 konings roeden voor een uyre gaens.
Violin Bow
Object type: violin bow
Date: 1845 – 1845
Materials: wood, hair, ivory, mother of pearl, silver
Culture: french
Location: france
Artist: dominique peccatte
Artist role: maker
Artist nationality: french
Artist dates: 1810 – 1874

Peccatte was born in Mirecourt, France, but moved to Paris in 1826 to join the violin workshop of Jean-Baptiste Vuillaume. In 1836, he went to to work for Francois Lupot, taking over that business when Lupot died in 1838. He returned to Mirecourt in 1847 and retired from bow making in 1872. Description: Round pernambuco stock, head faced with ivory, ebony frog inlaid with mother-of-pearl, silver button. Frog and screw button not original; stick repaired in two places (William Salchow, April 1977).
The Dog Barber
Object type: print
Techniques: etching
Location: london
Artist: henry william bunbury
Artist role: artist
Artist nationality: british
Artist dates: 1750 – 1811
Subjects: men,dogs,scissors

This underfed Frenchman, ready to groom a hapless poodle, comes from a set of twenty-four caricatures that Matthew and Mary Darly published in 1771. A husband-and-wife team, the Darlys developed a new British print genre--small etched caricatures of single figures against plain backgrounds, their identities indicated through dress, pose and a few props. Many of these works mocked the fashionable manners of contemporary London dandies called "macaronis," and the Darly's wares soon became known as macaroni prints no matter what their subjects. The implied Italian connection was in fact appropriate, since the basic form was inspired by Ghezzi's caricature drawings brought back from Rome by Grand Tourists. The form and subjects adapted by the Darlys tickled British tastes and broadened the scope of Ghezzi's works to include a range of social classes, known figures, and types. "The Dog Barber," showing a foreign tradesman, was designed by the skilled amateur Henry William Bunbury.
Fort Sumpter
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: fortification,american civil war
Snuff Bottle
Object type: snuff bottle
Date: 1801 – 1900
Materials: porcelain
Culture: chinese
Subjects: houses
Portret van Maria Elisabeth Wiessner
Object type: print
Date: 1650 – 1699
Materials: paper
Techniques: engraving
Artist: c. ottenhofer
Artist role: print maker
Subjects: plants (in general), harvest, crown (symbol of sovereignty), (public) prayer, historical persons - bb - woman, courtly love, christ
Inscriptions: collector's mark: Lugt 2228
Sherd
Object type: sherd
Date: 2700 – 2500
Materials: ceramic
Culture: iranian
Location: iran

This sherd is made of a buff clay, with brown painted decoration. It is typical of Namazga IV ceramics from Turkmenistan, dating to ca. 2700-2500 B.C. It was excavated in 1937 at a prehistoric site in the vicinity of Nishapur in northeastern Iran. While Nishapur itself was founded by the Sasanian king Shapur I (reigned ca. A.D. 241-272), this sherd shows that human habitation there goes back to the prehistoric period. Furthermore, the prehistoric pottery from Nishapur has close affinities with ceramic materials from Central Asia rather than with contemporary sites in Iran, meaning that in this period its inhabitants were likely culturally linked to their neighbors to the east. At the same time, Nishapur’s location on what later became known as the Great Khorasan Road suggests that it was part of the trade network that facilitated the import of precious stones such as lapis lazuli, carnelian and turquoise from Central Asia to Mesopotamia.
Card Number 112, Fay Templeton, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Wherry on the Yare, Cantley
Object type: photomechanical print
Date: 1878 – 1883
Materials: paper
Techniques: photoaquatint
Location: cantley
Artist: george christopher davies
Artist role: fotograaf, geoloog
Artist dates: 1849 – 1922
Subjects: sailing-ship, sailing-boat, river