deem-data/ArtiFact huggingface dataset:
Chiryu, Shuka Uma Ichi
Object type: print
Date: 1834 – 1834
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,horses
Portrait of a Mariano Abasolo
Object type: bust
Date: 1830 – 1830
Materials: wax
Culture: mexican
Location: mexico
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Butter dish with cover
Object type: butter dish with cover
Date: 1701 – 1800
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: flowers
Milk jug
Object type: milk jug
Date: 1842 – 1842
Materials: stoneware
Techniques: glazing
Artist: charles meigh
Artist role: designer
Artist nationality: british
Artist dates: 1835 – 1861
Subjects: men
Slag bij Rivoli
Object type: print
Date: 1796 – 1818
Materials: paper
Techniques: aquatint, etching
Location: france
Subjects: battle, mountains
Inscriptions: watermark, collector's mark: Lugt 2228
Personificatie van Italië met het wapen van de paus
Object type: album leaf
Date: 1673 – 1743
Materials: paper
Techniques: engraving
Location: rome
Subjects: 'cornucopia', horn of plenty, personifications of countries, nations, states, districts, etc., insignia of the pope, e.g. tiara
Inscriptions: collector's mark: Lugt 2228

Een console met een de vrouwelijke personificatie van Italië. Ze zit op een aardbol en heeft torens met een ster op haar hoofd. In haar rechterhand heeft ze een scepter en in haar linkerhand een hoorn des overvloeds. Links het wapenschild van de paus Sixtus V of paus Paulus II. De prent maakt deel uit van een album.
Souvenir spoon with view of Zurich and arms of Zurich
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, silver gilt
Subjects: coat of arms
Knoop
Object type: button
Date: 1590 – 1596
Materials: yarns
Techniques: braiding
Location: netherlands
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck
Fan
Object type: fan
Date: 1701 – 1800
Materials: mother of pearl, parchment
Subjects: men,women
Brief aan August Allebé
Object type: letter
Date: 1848 – 1888
Materials: ink, paper
Techniques: pen, writing
Artist: carel vosmaer
Artist role: draughtsman, print maker
Artist dates: 1826 – 1888
Subjects: amsterdam, print maker, draughtsman, august allebé, multatuli, historical persons (portraits and scenes from the life)
Portret van Johann Hartung
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: letterpress printing
Location: straatsburg
Artist: bernhard jobin
Artist role: printer, publisher
Artist dates: 1545 – 1593
Subjects: historical persons, portrait of a writer, book

Prent uit: Reusner, Nikolaus. Icones sive imagines virorum literis illustrium (...). Straatsburg: Bernhard Jobin, 1590, p. 368. Prent voor het eerst verschenen in de eerste editie van 1587. Prent mogelijk ook gebruikt in latere publicaties.
Slot op een heuvel
Object type: sketchbook leaf
Date: 1820 – 1896
Materials: paper, pencil, watercolor
Techniques: brush
Artist: kasparus karsen
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1896
Subjects: castle, walls ~ fortified city
Inscriptions: annotation: ‘[...]arburg aan de Rhijn/ een nassausche staatsgevangenis’

Tevens een studie van een verdedigingsmuur. Blad 25 recto uit een schetsboek met 68 bladen.
Saucer
Object type: saucer
Date: 1724 – 1725
Materials: enamel, gold, hard paste porcelain
Techniques: polychrome
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: coat of arms
Copy of The Good Samaritan Putting the Traveller on His Donkey, from The Parable of the Good Samaritan
Object type: print
Date: 1554 – 1554
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: buildings,men,donkeys

At left, the Good Samaritan lifts the limp body of the traveller onto the donkey. In the background at right, the inn with figures out front and a well. Plate 3 from a series of four engravings depicting Luke 10:30–35.
Raphael's Mistress
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: engraving
Location: london
Subjects: artist's model, sitter, mistress
Inscriptions: collector's mark: Lugt 240

Margarita is bekend als het schildersmodel en de minnares van Rafaël. Genummerd: 23. Tekst in het Engels en een wapenschild in de ondermarge.
Koharu of the Kinokuniya and Kamiya Jihei
Object type: print
Date: 1800 – 1800
Techniques: woodblock print, hashira
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Terracotta fragment of a kylix (drinking cup)?
Object type: kylix fragment
Date: 400 – 301
Materials: terracotta
Culture: greek or south italian or campanian

Interior, two helmeted warriors readying to throw spears, on top of a city wall; at the bottom left, another helmeted warrior?
Vijf dwaze maagden worden niet ontvangen door de heer
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving
Location: assendelft
Subjects: the wise virgins are let into the house with the bridegroom (christ); the foolish virgins are shut out
Inscriptions: collector's mark: Lugt 2228

De vijf dwaze maagden voor de toegangspoort van het huis van de bruidegom. Ze worden niet toegelaten. Boven de toegangspoort het Lam Gods. Op de achtergrond vullen de vijf dwaze maagden hun olielampen bij een marktkramer. De prent heeft een Latijns onderschrift.
Reverse cassetta mirror frame
Object type: frame
Date: 1950 – 1950
Materials: wood
Culture: southern italian
Twee ruiters in een landschap
Object type: drawing
Date: 1817 – 1880
Materials: paper, pencil
Artist: louis charles hora siccama
Artist role: draughtsman, print maker
Artist dates: 1807 – 1880
Subjects: riding a horse, ass, or mule; rider, horseman, landscapes (+ landscape with figures, staffage)

Op de voorgrond een man in het struikgewas, mogelijk een jager. Tekening op een blad met gestanste ornamentrand.
Berglandschap met rivier
Object type: print
Date: 1700 – 1730
Materials: paper
Techniques: etching
Location: germany
Artist: monogrammist meg
Artist role: print maker
Subjects: river, landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 971
View of the Bridge of Washerwomen at the Peasant House
Object type: print
Date: 1734 – 1766
Techniques: etching
Artist: quentin pierre chedel
Artist role: artist
Artist nationality: french
Artist dates: 1705 – 1763
Subjects: bridges,trees
Portret van Hendrik Casimir II, graaf van Nassau-Dietz
Object type: print
Date: 1681 – 1724
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: jacob gole
Artist role: print maker
Artist dates: 1660 – 1724
Subjects: the hague, hendrik casimir ii graaf van nassau-dietz

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Kist uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: strongbox
Materials: wood
Location: middelburg
Artist: Anonymous
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Houten complete geldkist met resten van ijzerbeslag en sloten, zeildoek en touw. Van deze kisten waren er drie aan boord van de Vliegend Hart waarin de contanten werden vervoerd die de Compagnie gebruikte voor de handel in Azië. De kist bevatte zakken zilver en goud, gestouwd met turf. chest, complete.
Fragment of a Frieze
Object type: frieze fragment
Date: 1001 – 1100
Materials: terracotta
Techniques: carving, painting
Location: iran

Found in the area around the Tepe Madrasa mosque in Nishapur, this terracotta panel features an octagonal pattern with a star at its center. Remains of pigment on the surface suggest that the background was colored with red and blue, while the geometric shapes in the foreground were shaded in white. Terracotta, usually in the form of bricks, was used as a decorative material throughout Iran before being replaced by glazed tiles. At Nishapur, many fragments of large panels of terracotta carved with different types of designs provide evidence of yet another form of architectural decoration.
Portret van Johan Georg III, keurvorst van Saksen
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons, hacking and thrusting weapons: sword, head-gear: hat, ruler, sovereign
Inscriptions: monogram: ‘W.H.’
Bowl of Fat
Object type: bowl, fig, foundation deposit, hatshepsut
Date: 1479 – 1458
Materials: pottery
Location: egypt
Goden van de landbouw
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: (story of) triptolemus
Inscriptions: collector's mark: Lugt 2542, collector's mark: Lugt 1379, collector's mark: Lugt 2228

Triptolemus, hulpje van Ceres de godin van de akkerbouw, loopt met een zeef en een dorsvlegel naar een schuur. Een draak staat naast hem.
Journal des Dames et des Modes, Costumes Parisiens, 1913, No. 101 : Costume de bain
Object type: fashion print
Date: 1913 – 1913
Materials: paper
Techniques: engraving, hand coloring, pochoir
Subjects: movement in water, crustaceans: crab (+ man and animal), head-gear: cap (+ women's clothes), fashion plates, dress, gown (+ women's clothes), in or beside the water (on the beach)
Inscriptions: caption: ‘Costume de bain’, title: ‘Costumes Parisiens’

Vrouw, staand in het water, gekleed in zwemkleding of badkleding. Zij houdt een krab ver van zich af. Prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914).
Tsaar Fedor Borissowitz sterft vergiftigd in de gevangenis, 1605 / Philips II, koning van Spanje wordt opgenomen in de hut van een arme boer, ca. 1560 / Wirich von Daun, graaf van Falkenstein, bij een watermolen door Spanjaarden vermoord, 1598 / Monniken uit een klooster nabij Linz worden in de Boerenoorlog aan de muren van hun klooster opgehangen, 1596
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: philip ii of spain, prison, jail, violent death by hanging, monk(s), friar(s), murder, cloisters ~ monastery, violent death by poison, watermill in landscape, farm (building) - aa - civic architecture: inside
Inscriptions: collector's mark: Lugt 2228

Prenten gebruikt als illustratie in: Gottfried, Johann Ludwig. Historische kronyck; vervattende een (...) beschrijvingh der aldergedenckwaerdigste geschiedenissen des weerelds, van den aenvangh der scheppingh tot (...) 1576 (2 delen). Leiden: Pieter van der Aa, 1698, dl. I, p. 149, 165, 79, 93
Study of a Standing Male Nude
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: pen
Artist: anonymous, netherlandish, 16th century
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1500 – 1600
Subjects: male nudes
Blue Morpho Butterfly on a Yellow Flower
Object type: drawing
Date: 1696 – 1696
Materials: paint, gouache, parchment
Artist: maria sibylla merian
Artist role: draughtsman, painter
Artist dates: 1647 – 1717
Subjects: flowers, insects: butterfly
Inscriptions: date, inscription: ‘'t schone Surinaamsche Capelle’
De Duno
Object type: print
Date: 1905 – 1905
Materials: paper
Techniques: lithograph
Location: doorwerth
Subjects: trees, pond, pool
Inscriptions: collector's mark: Lugt 2228
Dood van Dom Juan
Object type: print
Date: 1878 – 1879
Materials: paper
Techniques: drypoint, etching
Location: tours
Subjects: theatre, theatrical performance, hell and purgatory, sculpture, death of human being

Akte V, scène VI uit "Dom Juan" van Molière. Het standbeeld van de commandeur met aan zijn voeten de gestorven Dom Juan, omringd door bliksem en vuur.
Gezicht op het slot Drachenburg
Object type: cabinet photograph
Date: 1890 – 1890
Materials: cardboard, paper
Techniques: photograph
Location: dresden
Artist: Anonymous
Subjects: castle
Inscriptions: name: ‘Vosmaer’, name: ‘Ausgabe Römmler & Jonas In gleicher Ausgabe sind einzeln und im Album erschienen: Aachen Arth-Rigibahn (...)’, number: ‘724.’
Riviergezicht met molen
Object type: print
Date: 1842 – 1843
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: river, windmill in landscape
Inscriptions: collector's mark: Lugt 2228

Een man vaart in een roeiboot over een rivier langs een stadsmuur waarbij rechts een huis en molen.
Kiezelmarmer in oranje, zwart, blauw en roze
Object type: marbled paper
Date: 1700 – 1850
Materials: paint, paper
Techniques: marbling
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2760
Landscape with a Figure Herding Cattle to Water
Object type: print
Materials: ink
Techniques: aquatint, etching, printing
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
The Promenade on the Boulevard
Object type: drawing and watercolor
Date: 1760 – 1760
Materials: chalk, gouache, paper
Techniques: brush, heightening, wash
Location: france
Artist: gabriel de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1724 – 1780

Gabriel de Saint-Aubin is prized today for his evocation of 18th-century Parisian society. This glimpse of personnages de qualité (as the work was once titled) relates to one of the very few paintings known by him and captures fashionable life around 1760. The black chalk underdrawing includes ruled lines mapping the perspective of the boulevard, reflecting the artist’s role as a professor in an architecture academy.
Portret van een man
Object type: carte de visite
Date: 1870 – 1882
Materials: cardboard, iron
Techniques: ferrotyping
Artist: Anonymous
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Hammond's Victoria Cartes de visite/ taken and finished in a few minutes. (...)’
Portret van René Descartes
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: rené descartes, scholar, philosopher, historical persons

Prent mogelijk uit: Bibliotheca chalcographica. IX pars. Heidelberg: Johannes Ammon, 1654.
Strip
Object type: strip
Date: 1834 – 1866
Techniques: lace

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Mannen in klederdracht langs de haven in Volendam
Object type: photograph
Date: 1900 – 1910
Materials: photographic support
Techniques: salted paper print
Location: volendam
Artist: george hidderley
Artist role: fotograaf
Subjects: adult man, folk costume, regional costume

Was oorspronkelijk los ingevoegd in album RP-F-2002-105
Portrait of a Man
Object type: painting
Materials: oil, panel
Subjects: neck-gear ~ clothing (with name), anonymous historical person portrayed
Inscriptions: date, centre left: ‘A.º 1619’, inscription, centre left: ‘Ætatis 54’

Portret van een man, ten halven lijve naar rechts, om de hals een plooikraag.
To Commemorate the Jubilee of the Maison Christofle, 1842–92
Object type: plaquette
Date: 1893 – 1893
Materials: bronze
Techniques: casting, silvered
Artist: louis-oscar roty
Artist role: artist
Artist nationality: french
Artist dates: 1846 – 1911
Subjects: men,women,trees
Twee figuren met zwaarden bij twee zwarte mannen
Object type: book illustration
Date: 1820 – 1820
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: amsterdam
Subjects: torch, africans, hacking and thrusting weapons: sword
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Boekillustratie voor: De heldin Antoinette Berg, in: Museum Des Buitengewonen En Wondervollen,: behelzende Ware Gebeurtenissen Uit Onzen Leeftijd. Amsterdam: C.L. Schleijer, 1820.
Vijf ramskoppen en een schapenkop
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: etching
Location: netherlands
Artist: albertus verhoesen
Artist role: draughtsman, painter, print maker
Artist dates: 1806 – 1881
Subjects: ram
Inscriptions: collector's mark: Lugt 2228

Vijf ramskoppen en een schapenkop, weergegeven in verschillende posities.
Portret Victor Hugo
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: drypoint, etching
Artist: auguste rodin
Artist role: draughtsman, print maker
Artist dates: 1840 – 1917
Subjects: paris, victor hugo

Kop naar rechts, met baard, schuin van onderen gezien.
Omslagontwerp voor: Cornelis Veth, Sport en spel in de kunst (Winter), 1916
Object type: drawing
Date: 1916 – 1916
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: snow, trees: pine
Inscriptions: collector's mark: ‘R:MVS.’

Ontwerp met een besneeuwde dennenboom in een cirkel en ornamenten.
Portret van Christoph Franz von Hutten
Object type: print
Date: 1724 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: archbishop, bishop, etc. (roman catholic), historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233
Ex libris van Six van Hillegom
Object type: bookplate
Date: 1850 – 1901
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, draughtsman, horse, beasts of prey, predatory animals: lion, armorial bearing, heraldry
Plate 8 from "The Disasters of War" (Los Desastres de la Guerra): 'It always happens' (Siempre sucede)
Object type: print
Date: 1810 – 1810
Techniques: drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: human figures,horses,death
Design for Landau, No. 3076
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Watson and the Shark
Object type: painting
Date: 1778 – 1778
Materials: canvas, oil
Culture: american
Artist: john singleton copley
Artist role: artist
Artist nationality: american
Artist dates: 1738 – 1815
Subjects: fear,men,male nudes,fish,boats

Copley painted this rapid study for "Watson and the Shark" from his first rendering of the iconic work—now in the National Gallery of Art, Washington—in preparation for successive versions, found in the collections of the Detroit Institute of Arts and the Museum of Fine Arts, Boston. It depicts the future Lord Mayor of London, Brook Watson, who, as a teenager, lost his leg to a shark while swimming in Havana harbor in 1749. A Black sailor forms the apex of the composition, holding a rope for the victim who later famously defended the slave trade in the West Indies. Copley’s dramatic depiction of an ordinary man in the midst of an extraordinary event of unresolved peril in the Atlantic World revolutionized British-American history painting.
Candlestick with Madonna and Child
Object type: glass
Date: 1835 – 1840
Materials: gilt bronze, glass
Location: bohemia
Artist: bohemia, czech republic
Artist dates: 1831 –
Silver Fir Tree at Dunkeld
Object type: stereograph
Date: 1870 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: dunkeld
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: trees: fir
Inscriptions: number: ‘No. 784.’
Kaart van het Graafschap Holland en Utrecht (plaat 33)
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: engraving, etching
Subjects: maps, atlases, wijk bij duurstede, buren, asperen
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een kaart samengesteld uit 40 bladen. Waarschijnlijk gaat het om de grootste kaart van Holland uit de zeventiende-eeuw. De kaart is uitgegeven in verschillende edities, deze kaart uit 1639 is de eerste editie.
Gezicht op de Amstel bij herberg het Kalfje
Object type: print
Date: 1708 – 1740
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: matthijs pool
Artist role: print maker
Artist dates: 1676 – 1740
Subjects: sailing-ship, sailing-boat, castle, river, hotel, hostelry, inn, boat propelled by man or animal
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 195

Prent gebruikt in: Pool, Matthijs. Verscheyde gesigten van de vermaarde rievier de buyten Amstel van de stadt Amsterdam, tot het dorp Ouwerkerk (…) / Plusieurs veuës et perspectives de la fameuse riviére de Buyten-Amstel depuis Amsterdam jusqu'au village d'Ouwerkerk (…). Amsterdam: Matthijs Pool, z.j. [1708-1740].
Stempelkaart Elfstedentocht 1986
Object type: map
Date: 1986 – 1986
Materials: cardboard
Techniques: printing

Rechthoekige kartonnen kaart, met aan de bovenzijde een gaatje. Aan de achterzijde geplastificeerd, op naam van D. Kessler, no. 14797. Met lijst van elf plaatsnamen, waarachter stempels en doorgangstijden. Aan de achterzijde een kaart van Friesland met de route van de Elfstedentocht.
Brief van Petrus Loosjes, Haarlem 17 december 1811
Object type: letter
Date: 1811 – 1811
Materials: ink, paper
Location: haarlem
Artist: petrus loosjes
Subjects: peter i de grote (tsaar van rusland)
Inscriptions: date
Presumed portrait of Jacques-René Hébert
Object type: bust
Date: 1790 – 1795
Materials: terracotta
Artist: joseph chinard
Artist role: artist
Artist nationality: french
Artist dates: 1756 – 1813
Subjects: men

This bust, initially acquired as a portrait of the radical pamphleteer, Jacques-René Hébert, nicknamed Père Duchesne, is now believed to depict an unidentified young revolutionary. The informality of the tousled hair contrasts with the classically inspired herm cut of the bust.