deem-data/ArtiFact huggingface dataset:
Fragment from the Base of a Bowl
Object type: decorative art
Date: 1201 – 1400
Materials: glaze, terracotta
Techniques: glazing
Culture: byzantine
Location: thessaloniki

Fragments of Byzantine pottery preserve decorative motifs that were placed on the base of each pot’s interior. They represent a range of geometric and abstract floral motifs - such as the intricate linear design preserved on this fragment- that were created by cutting through the white slip, or glaze, to reveal the red earthenware beneath. This technique of engraved slipware is known as sgraffitto. Color washes in a range of greens and browns were then placed over the incised decoration. First developed in the eleventh century, this combination of sgraffitto and color washes remained a defining feature of fine Byzantine pottery for several centuries.

Later Byzantine pottery such as this circulated throughout the eastern Mediterranean. Over time, it competed with an increasing number of imported ceramics of Italian, Islamic, and even Chinese origin. The technique and decorative motif seen here continued to be used in regions of Greece, Anatolia, and the Balkans during the Ottoman Empire (15th–20th century), thereby outlasting the Byzantine Empire itself, which ended in 1453.
July, from The Twelve Months of the Year
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist nationality: dutch
Artist dates: 1593 – 1641
Inscriptions: Lettered upper center: "Iulius" and lower right: "7"
Vrede van Breda
Object type: tobacco box
Date: 1667 – 1667
Materials: silver
Location: amsterdam
Artist: Anonymous
Subjects: personifications of countries, nations, states, districts, etc., symbols, allegories of peace, 'pax'; 'pace' (ripa), signing of peace treaty, concluding the peace

De ovale doos heeft een scharnierend deksel, en is versierd met ovale medaillons. Op de voorzijde is de Hollandse Maagd aangebracht die de Nijd vertrapt, op de keerzijde de Vrede, omgeven door de wapens van het koninkrijk Engeland en de Republiek, rondom zijn, gevat in kwabmotieven, zeeslagen afgebeeld. In de binnenzijde is een stopper voor een pijp aangebracht.
Negen getekende portretten van de samenzweerders tegen Mauritis in 1623
Object type: historieplaat
Date: 1715 – 1795
Materials: paper
Location: netherlands
Artist: tako hajo jelgersma
Artist role: draughtsman, painter
Artist dates: 1702 – 1795
Subjects: hoorn (north holland), (revolutionary) plot, conspiracy

Portret van Cornelis Geesteranus, één van de samenzweerders tegen Maurits in 1623. Borstbeeld in ovaal, naar rechts. Met randschrift in het Nederlands. Op het blad onder het opgeplakte portret een handgeschreven levensbeschrijving van de afgebeelde persoon.
Portrait of Delacroix
Object type: photograph
Date: 1853 – 1853
Techniques: salted paper print
Artist: victor laisné
Artist role: artist
Artist nationality: french
Artist dates: 1807 –
Architectuurstudies en een reliëf uit een huis aan het Leidsplein te Amsterdam
Object type: sketchbook leaf
Date: 1900 – 1923
Materials: chalk, paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: piece of sculpture, reproduction of a piece of sculpture (+ stone ~ arts), architectural detail
Inscriptions: annotation: ‘Steen in de huisjes Leidsche Plein’

Architectuurstudies en een reliëf, mogelijk een gevelsteen, van een huis aan het Leidsplein te Amsterdam. Pagina 2 uit een schetsboek met 39 bladen.
Chaise de Canne / Fauteuil en Cabriolet / Chaise de Canne
Object type: ornament print
Date: 1745 – 1775
Materials: paper
Techniques: engraving
Location: paris
Subjects: chair
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee stoelen met een geruite bekleding en een stoel met armleuningen en een gestreepte bekleding.
Dragon voor sabel beredenen, vermoedelijk voor schutters te paard van Amsterdam 1830-1839
Object type: porte epée
Date: 1830 – 1839
Materials: leather
Location: netherlands
Artist: Anonymous
Subjects: amsterdam

Platte leren lus, gewit met pijpaarde. Bevestigd aan een platte gewitte leren kwast met vlechtwerk, waarboven een plat leren knoop.
Cour des Ateliers
Object type: photograph
Date: 1880 – 1880
Techniques: albumen silver print, glass negative
Artist: louis lafon
Artist role: artist
Artist nationality: french
Artist dates: 1870 – 1899
Subjects: architecture,buildings
Portrait of a woman with four children, depicted as Caritas
Object type: painting
Date: 1650 – 1678
Materials: canvas, oil
Artist: jürgen ovens
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1678
Subjects: charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, historical persons not known by name - bb - woman, mother and baby or young child

Portret van een vrouw met vier kinderen, voorgesteld als Caritas, de Liefde. Zittend aan de voet van een boom, een naakt kind op schoot, rechts een meisje met een bloemen.
Vier evangelisten
Object type: book illustration
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: st. luke writing his gospel, usually a (winged) ox present
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als illustratie in: Const-toonneel, inhoudende de beschrijvinghe ende XL. Heerlijcke afbeeldindinghen: Onses Heeren Jesu Christi, met sijne apostelen, ende evangelisten, midtsgaders de hooft-deuchden ende ondeuchden. Ende ten laetsten de seven planeten. In coper gesneden door Johannis Wierix. De beschrijvinge is (...). Delft: Nicolaes de Clerck, 1609.
Portret van August Ludwig von Schlözer
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: stippling
Location: gottingen
Artist: heinrich schwenterley
Artist role: print maker
Artist dates: 1749 – 1815
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Ionic Entablature, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1528 – 1528
Techniques: engraving
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
Subjects: architecture

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally plate 30, volume 2.
Bottle with a reed boat and paddler
Object type: bottle
Date: 900 – 1375
Materials: ceramic, pigment
Techniques: firing
Culture: lambayeque, sicán
Location: peru
Artist: lambayeque (sicán) artist(s)
Artist role: artist
Libye, from "Jeu de la Géographie"
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: human figures,bow and arrow
Benserade leest een brief voor
Object type: print
Date: 1841 – 1910
Materials: paper
Techniques: drypoint, etching
Location: paris
Subjects: reading to somebody
Inscriptions: collector's mark: Lugt 2228
Njoftjanja fontan
Object type: photograph
Date: 1890 – 1900
Materials: photographic support
Techniques: albumen print
Location: baku
Artist: Anonymous
Subjects: derrick ~ oil
Inscriptions: number: ‘2923’

De spuitende oliefontein op de foto is niet realistisch en vermoedelijk door retouches aangebracht.
Engeland in Zuid-Afrika
Object type: cartoon
Date: 1901 – 1901
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: african peoples (zulus), war, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 11 augustus 1901.
Portrait
Object type: photomechanical print
Date: 1889 – 1899
Materials: paper
Techniques: autotype
Subjects: adult man
The Martyrdom of St. Peter, plate 7 from "Les Tableaux de Rome, Les Eglises Jubilaires" (The Paintings of Rome, The Churches Jubilee)
Object type: print
Date: 1607 – 1611
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Visitatie
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: engraving
Location: venice
Subjects: visitation (possibly joseph and/or zacharias present) (luke 1:39-56), meeting
Inscriptions: collector's mark: Lugt 240

Het bezoek van Maria aan haar nicht Elisabet. Jozef en Zacharias zijn ook aanwezig.
Pair of Ear Ornaments with Winged Runners
Object type: earflare
Date: 400 – 700
Materials: gold, shell
Culture: moche
Location: peru
Subjects: birds,running
Mud Brick Stamped with the Name and Titles of Senenmut
Object type: cone, brick, davy 88, senenmut, tt 71, double granary, amun, hatshepsut
Date: 1479 – 1458
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Fragment
Object type: fragment
Date: 1701 – 1800
Materials: metal thread, silk
Subjects: flowers
Broad Pear-Shaped Jar
Object type: vessel
Materials: cobalt, stoneware
Techniques: glazing
Location: china
Cromwell dispersing the long parliament
Object type: photomechanical print
Date: 1875 – 1885
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: london, oliver cromwell, debate, discussion (~ parliament)
Ex libris van Jean-Jacques Costard de Bursard
Object type: bookplate
Date: 1774 – 1774
Materials: paper
Techniques: woodcut
Location: france
Artist: Anonymous
Subjects: standing figure, beasts of prey, predatory animals: lion, weapons for striking a blow: club, armorial bearing, heraldry, man (showing himself) undressed, quasi-nude
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Friezen met vogels
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: birds

In het midden staat een uil, rechtsonder zit een hop. Blad 9 uit serie van 12 genummerde bladen.
Jonge vrouw gezeten op een bed
Object type: print
Date: 1813 – 1874
Materials: paper
Techniques: etching, roulette
Artist: gustave wappers
Artist role: draughtsman, painter, print maker
Artist dates: 1803 – 1874
Subjects: adult woman, bed
Inscriptions: collector's mark: Lugt 2228
Vignetten
Object type: print
Materials: paper
Techniques: engraving
Location: paris
Artist: Anonymous

Vignet. Het medaillon wordt aan weerskanten vastgehouden door een putto, wiens bovenlichaam ontspruit uit een bladrank. In het medaillon staan twee gekruiste palmbladeren, een ster en een halve maan. Een van 18 bladen.
Tentoonstellings spel
Object type: map
Date: 1883 – 1883
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: Anonymous
Subjects: goose-game, (annual) fair, trade fair
Inscriptions: collector's mark: Lugt 2228

Spel naar aanleiding van de Wereldtentoonstelling van 1883, de Internationale Koloniale en Uitvoerhandel Tentoonstelling op het Museumplein te Amsterdam achter het Rijksmuseum. Ganzenbordspel met spiraal met afbeeldingen van de diverse paviljoens op de tentoonstelling. Op het middenveld de titel. De spelregels rechtsonder.
Wandindeling met panelen
Object type: print
Date: 1748 – 1753
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: rocaille ornament, panelling
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Wandindeling met twee panelen met pastorale scènes, met rocaille omlijsting. Op de voorgrond een met rocailles versierde tafel. Uitgeversnummer 135.
Sealing
Object type: sealing
Date: 2030 – 1640
Materials: clay
Location: egypt
Subjects: ankh
Fotoreproductie van een prent van het Herculesmonument met de grote cascaden bij Schloss Wilhelmshöhe
Object type: photograph
Date: 1860 – 1885
Materials: cardboard, photographic support
Techniques: collodion silver print
Subjects: trees, garden cascade
Inscriptions: annotation: ‘Willemshöhe’, inscription: ‘Cassel [...] Wollemhöhe’
Study of a thistle
Object type: drawing
Date: 1822 – 1822
Materials: gouache, graphite, paper, watercolor
Artist: james sowerby
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1822
Subjects: flowers,leaves

The Sowerbys were an English family of naturalists, collectors, artists, and publishers who offered the public, amateur and professional alike, a large selection of important, original, illustrated works on natural history. James Sowerby, who drew this striking image of a thistle, founded the dynasty and is known for his illustrative work in the thirty-six volumes of James Smith's English Botany (1790-1814). For his pupils and other "Young Beginners" he wrote An Easy Introduction to Drawing Flowers according to Nature.
Giovanni Fieschi, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence)
Object type: print
Date: 1611 – 1619
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Portret van aartshertog Karel Jozef van Oostenrijk
Object type: print
Date: 1670 – 1674
Materials: paper
Techniques: engraving
Location: vienna
Subjects: linz, bisschop, karel jozef van oostenrijk
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk gebruikt in: Gualdo Priorato, Galeazzo. Historia di Leopoldo Cesare, (...). 3 dln. Wenen, Giovanni Battista Hacque, 1670-1674.
The Ferry
Object type: print
Date: 1649 – 1649
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: towns,dogs,horses,boats

Passengers embarking on a ferry boat, others walking up the riverbank; a rider holding another horse on a lead in foreground at right, conversing figures and horse-drawn cart in front of a building behind; bridge and houses in background at left; after Jan Brueghel
Ruche, dessinée d'après nature dans le Jardin de Medecine d'Amsterdam
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: bee-hive, insects: bee
Inscriptions: collector's mark: Lugt 2228

Prent bedoeld voor: Chomel, Noel. Dictionnaire oeconomique, contenant divers moïens d'augmenter son bien, et de conserver sa santé. Amsterdam: Johannes Covens en Cornelis Mortier, 1732.
The Russian Ball – In the Supper Room (from "Harper's Weekly," Vol. VII)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: men,women,drinking
Gezicht op de Maas bij Dordrecht bij avond
Object type: print
Date: 1851 – 1902
Materials: paper
Techniques: drypoint
Location: netherlands
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: river, evening, prospect of city, town panorama, silhouette of city, dordrecht
Inscriptions: number: ‘404’, collector's mark: Lugt 2228

Mogelijk vermeld in: Storm van 's-Gravesande, Charles. Catalogue des eaux-fortes et lithographies. New York: s.n., 1903, of in een onbekende latere uitgave van het manuscript. Vermoedelijk vermeld als catalogusnummer 404.
Een moeder doodt en eet haar kind op
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: mother and baby or young child, the massacre of the innocents
Inscriptions: collector's mark: Lugt 2228

In een vertrek biedt een vrouw vier soldaten een bord, met daarop het hoofd en de handen van haar kind, als maaltijd aan. Een gedeelte van het kind heeft ze reeds zelf gegeten. Deze prent is een illustratie bij het eenentwintigste hoofdstuk van het zesde boek van 'Alle de werken van Flavius Josephus'.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the center of a kylix with part of the stem
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 460
Materials: terracotta
Culture: greek, attic
Artist: tarquinia painter
Artist role: artist

Interior, youth to right carrying a sack? over his left shoulder; in his right hand, pail and short stick; at the right, structure on a low base with torus molding
Candlestand
Object type: candle stand
Date: 1750 – 1800
Materials: wood
Culture: american
Location: united states
Handwerkende Cato van Houten en lezende Marie Anna van Houten in het huis aan de Riouwstraat 6, te Den Haag
Object type: drawing
Date: 1872 – 1950
Materials: chalk, paper, watercolor
Techniques: brush
Artist: barbara elisabeth van houten
Artist role: draughtsman, print maker
Artist dates: 1862 – 1950
Subjects: girl (child between toddler and youth), living-room, parlour, sitting-room, male sex; man, the hague
Inscriptions: inscription: ‘Cato en Marjan’
Vest
Object type: vest
Date: 1867 – 1933
Materials: cotton, silk
Piece
Object type: piece
Date: 1601 – 1700
Materials: silk
Techniques: compound weave
Culture: chinese
Subjects: leaves
Sardonyx ring stone
Object type: cameo
Date: 1 – 100
Materials: gemstone
Culture: roman
Subjects: portraits,women

Portrait of a woman, perhaps Antonia, wife of Nero Drusus.
Lint van crèmekleurig gaas van 15 meter
Object type: braid
Date: 1900 – 1915
Materials: textile, silk
Location: nijmegen
Heilige Familie
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: engraving
Location: rome
Subjects: holy family, and derived representations, landscape with ruins
Inscriptions: collector's mark: Lugt 240

Jozef en Maria knielen naast het Christuskind voor een ruïne in een landschap. Opdracht en kardinaalswapen in ondermarge.
Landschap met bebouwing
Object type: sketchbook leaf
Date: 1886 – 1908
Materials: paper, pencil
Location: north holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes, clouds, rural housing, e.g. country-house, villa, cottage
Inscriptions: kleurnotitie, handgeschreven

Pagina 24 uit een schetsboek met 46 bladen vervaardigd te Amsterdam, Haarlem en Antwerpen.
Bald Old Man with a Short Beard
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: collector's mark: Lugt 240

The numerous old men that Rembrandt etched in his early years in Leiden will have regularly posed for him while seated in a chair. This is rarely visible in his prints, but is so in this one. The shabbily attired old man with a patchy beard and bony hands stands out slightly against the large armchair in which he sits. This chair lends him an air of near biblical grandeur.
Kgl. Bayer. Nationalmuseum. Saal 22. Dachauer Saal
Object type: ansichtkaart, prentbriefkaart
Date: 1901 – 1901
Materials: cardboard
Techniques: photograph
Location: munich
Subjects: permanent exhibition, museum
Inscriptions: date
Stamp seal
Object type: stamp seal
Date: 201 – 700
Materials: quartz
Culture: sasanian
Location: iran
Subjects: scorpions
Vrouw met opengesneden borsttumor
Object type: page
Date: 1874 – 1884
Materials: paper
Techniques: photograph
Subjects: tumours - aa - female human figure
Inscriptions: inscription: ‘Observation I. - Pl. B. - Cancer du sein. / Le caustitique a détruit la region du mamelon./ C'est à ce moment de l'opération (...)’

Onderdelen 2 tot en met 6 vormen een leporello.
Portret van Jan Fresemann Viëtor
Object type: print
Date: 1851 – 1883
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan hendrik hoffmeister
Artist role: print maker
Artist dates: 1823 – 1904
Subjects: historical persons (+ three-quarter length portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde heeft zijn hoed in zijn rechterhand. Onder het portret zijn signatuur.
The Vijverberg, The Hague, in Winter, with Prince Maurits and his Retinue in the Foreground
Object type: painting
Date: 1618 – 1618
Materials: oil, panel
Artist: adam van breen
Artist dates: 1584 – 1642
Subjects: delft, frederick henry (prince of orange), maurice (prince of orange), skates (winter sports), canals, waters (in city)
Inscriptions: signature and date, at bottom right: ‘A. v. Breen 1618’

Tegen de achtergrond van de Haagse hofvijver passeert Maurits met zijn lijfwacht en gevolg. De figuur rechts naast hem is zijn jongere broer en opvolger Frederik Hendrik. Direct achter hen staan de belangrijkste hofdienaren. Allen dragen elegante, modieuze kleding. De rijk geklede vrouw links is mogelijk Maurits’ geliefde Margaretha van Mechelen.
Boerenerf met hooimijt
Object type: sketchbook leaf
Date: 1645 – 1646
Materials: chalk, paper
Artist: pieter moninckx
Artist role: draughtsman
Artist dates: 1606 – 1686
Subjects: hay-stack, farm (building)

Blad 35 recto uit een schetsboek met 39 bladen.
Manual for a Belt to Prevent Seasickness
Object type: print
Date: 1860 – 1860
Materials: paper, wax
Techniques: lithograph
Location: belgium
Subjects: department of the navy, brussels
Inscriptions: date

Afbeelding van een leren riem tegen zeeziekte. Op de riem vier emblemen. Onder de afbeelding een gedrukte beschrijving in het Frans van de werking van de riem. Op de achterzijde handgeschreven notities met de datum 20 februari 1860 en de naam van de uitvinder 'Alphonse L.E. Mosselman' en resten van zegellak.
Peapod
Object type: peapod
Date: 1755 – 1755
Materials: enamel, soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784

During the Red Anchor period (1752-1758), the Chelsea porcelain manufactory celebrated nature through the rustic depiction of vegetables, flowers, and insects on its soft-paste porcelain wares, demonstrating a move away from the strict copying of both Continental and Asian examples. Though trompe-l’oeil porcelain food was the specialty of the factories of northeastern France such as Niderviller and Strasbourg, Chelsea endowed its examples such as this peapod with a charming rustic quality. Fake fruit and vegetables such as this piece would have made a charming addition to lavish place settings at the table.
Buste van een jongen
Object type: sketchbook leaf
Date: 1906 – 1907
Materials: chalk, paper
Techniques: stumping
Location: wijk bij duurstede
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: boy (child between toddler and youth)

Pagina 4 en pagina 5 uit een schetsboek met 25 bladen.