deem-data/ArtiFact huggingface dataset:
Gordijn van beschilderde zijde versierd met bloemen en vogels
Object type: silk textile
Date: 1750 – 1775
Materials: cotton, silk
Techniques: rib binding
Location: france

Gordijn van beschilderde zijde. Op een fijne witte ripszijde werd een contourtekening gedrukt en een beschildering in kleuren met de hand (?) aangebracht, waarvan het patroon bestaat uit een opgaande golvende vertakte en bloeiende stengel, waarop twee fazanten zijn gezeten en waaromheen zich een groene rank slingert. De bloemen zijn: lotus van rood en wit grote paarse en rozerode pioen, lotus van blauw en roze, paarse en rose anjer en fantasiebloemen in rose, paars, geel en bleu. De bladeren gelijken op die van chrysanten. Het gordijn bestaat uit twee banen. Het heeft langs de zijkanten korte en langs de onderkant lange franje, gestreept gekleurd van groen, zalmkleur, geel, blauw, wit en lichtbruin, beginnende als een galon met zigzag patroon en daarna geknoopt. Voering van fijne gekeperde lichtbruine katoen en 20e eeuwse shantung; onder de lange franje voering van wit satinet.
Portret van Christophorus Saxius
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Location: utrecht
Subjects: hoogleraar, christophorus saxius
Inscriptions: collector's mark: Lugt 2228

Portret van de hoogleraar Christophorus Saxius, ten halven lijve. Hij draagt een toga en leunt met zijn rechterarm op een steen met een opschrift in het Latijn. In de marge het wapenschild van de geportretteerde en een tienregelig onderschrift, in twee kolommen, in het Latijn. En een achtregelig gedicht in het Latijn.
Toul
Object type: album leaf
Date: 1638 – 1638
Materials: paper
Techniques: engraving, hand coloring
Location: the hague
Subjects: maps of cities

Prent uit: Tassin, Christophe. Les plans et profils de toutes les principales villes et lieux considérables de France (...). Parijs: Michel van Lochom, 1638, plattegrond nummer 10 in het deel 'Lorraine'.
Gezicht op de Hofvijver te Den Haag
Object type: opticaprent
Date: 1742 – 1801
Materials: cardboard, paint, paper, watercolor
Techniques: brush, cutting, etching, perforating
Location: germany
Subjects: parts of church exterior and annexes: chapel, canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage)

Mogelijk rechtsboven genummerd geweest: 263. Mogelijk linksonder genummerd geweest: 65.
De serie “Den Haag”, met het nummer 65, bevat vier prenten met de nummers 262-265, waarvan dit mogelijk nummer 263 is.
Liber Veritatis. Or a Collection of Two Hundred Prints, after the original designs of Claude le Lorrain (...)
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: london
Subjects: sailing-ship, sailing-boat, rocky coast
Inscriptions: date

Vanaf 1774 publiceerde John Boydell tweehonderd prenten naar het tekeningenboek Liber Veritatis van Claude Lorrain, in het bezit van de hertogen van Cavendish. Deze prenten werden vanaf 1777 in twee volumes gebundeld uitgegeven.
Christus verschijnt als tuinman aan Maria Magdalena (Noli me tangere)
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: mary magdalene kneeling before christ, who is usually represented as a gardener with a hoe and/or a spade; 'noli me tangere'

Maria Magdalena herkent de opgestane Christus, nadat ze hem voor tuinman had aangezien, en knielt voor hem. Christus is gekleed als tuinman. Hij zegt haar hem niet vast te houden. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Joh. 20. Deze prent maakt deel uit van een album.
Terracotta fragment of a pot
Object type: pot fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

At the left, hanging in the field, the strap of an aryballos; at the right, part of a draped figure?
New Year's Decorations
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: ryuryukyo shinsai
Artist role: draughtsman, print maker
Artist nationality: japanese
Artist dates: 1764 – 1820
Verschillende voorstellingen
Object type: print
Date: 1828 – 1913
Materials: paper
Techniques: letterpress printing, line block, engraving
Location: amsterdam
Artist: Anonymous
Subjects: dancing, characters (human types), athletics, gymnastics
Inscriptions: collector's mark: Lugt 2760

Blad met 18 voorstellingen van verschillende aard, waaronder de vlucht van Hugo de Groot in de boekenkist, een man die gefouilleerd wordt en een groep mensen dansen rond een olielamp. Onder elke afbeelding een onderschrift. Onder de eerste afbeelding het onderschrift: Geld moet er wezen. Genummerd rechtsboven: No. 5.
Fotoreproductie van Je n'avais que 16 ans van François Antoine De Bruycker
Object type: photograph
Date: 1858 – 1863
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, kitchen-interior, picture, painting
Medicine spoon (?)
Object type: medicine spoon
Date: 1601 – 1700
Materials: silver
Artist: michael lamb
Artist role: maker
Artist dates: 1575 – 1635
Strolling Couple with a Dog
Object type: drawing
Date: 1820 – 1820
Materials: graphite, paper
Culture: french
Artist: gandolphe jean emile francis moutier
Artist role: artist
Artist nationality: french
Subjects: men,women,dogs
The Large Ecce Homo
Object type: print
Date: 1510 – 1510
Materials: paper
Techniques: engraving
Location: netherlands
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Reproductie van Vedette door Édouard Detaille
Object type: photomechanical print
Date: 1872 – 1877
Materials: paper
Techniques: woodburytype
Subjects: riding a horse, ass, or mule; rider, horseman, the soldier; the soldier's life, painting, drawing and the graphic arts
Inscriptions: inscription: ‘Galerie Contemporaine, Littéraire, Artistique/ 126, boulevard de Magenta, Paris’
Ierland, George III, 10 pence, 1805
Object type: coin
Date: 1805 – 1805
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: gelauwerd borstbeeld van de vorst naar rechts. Keerzijde: vijf-regelige waarde-aanduiding: Bank token ten pence Irish. Daaronder jaartal. Kabelrand.
Blad met strooipatroon van bloemtakje tussen stippenranken
Object type: printed paper
Date: 1750 – 1900
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met strooipatroon van bloemtakje tussen stippenranken. Helft van een omslag.
Carnelian ring stone
Object type: intaglio
Date: 1 – 100
Materials: gemstone
Culture: roman
Subjects: animals,boys,herakles

Herakles sitting on a rock holding his son Telephos.
Coin
Object type: coin
Materials: silver
Location: zaranj

This coin was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Portret van een onbekende man
Object type: frame
Date: 1880 – 1910
Materials: cardboard, glass, metal, paper, wood
Techniques: albumen print
Artist: johannes leonardus van der heijden
Artist role: fotograaf
Artist dates: 1856 – 1937
Subjects: adult man, anonymous historical person portrayed
Drawer handle and plate
Object type: drawer handle and plate
Date: 1460 – 1520
Materials: iron
Culture: german
Neighborhood Street in Rijswijk near The Hague
Object type: painting
Date: 1880 – 1923
Materials: canvas, oil, panel
Location: netherlands
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: public road
Inscriptions: signature: ‘G.H. Breitner’

Buurtje in Rijswijk. Gezicht door een straatje tussen huizen.
Huis te Nesse of De Nes te Linschoten
Object type: sketchbook leaf
Date: 1731 – 1731
Materials: ink, paper, pencil
Techniques: pen
Location: linschoten
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: castle
Inscriptions: date and inscription: ‘huis te Nes.cp.1731.’

Blad 50 recto uit een schetsboek met 78 bladen.
Cora Tanner as a Lady of France, 1794-1800, from the set Actors and Actresses, Second Series (N71) for Duke brand cigarettes
Object type: print
Date: 1888 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the "Actors and Actresses" Second Series (N71), issued in a set of 50 cards in 1888-90 to promote W. Duke Sons & Co. brand cigarettes.
Fotoreproductie van het schilderij Cléopatre & César door Jean-Léon Gérôme
Object type: photograph
Date: 1870 – 1884
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Subjects: (story of) cleopatra, (story of) c. julius caesar
Inscriptions: inscription: ‘Carte-Album No 206/ Goupil & Cie Éditeurs, Paris’, inscription: ‘J.L. Gérome/ Cléopatre & César’, stamp: ‘Akademische boekhandel/ van de firma/ Jacq Hazenberg Cornez./ Rapenburg Leiden’, check stamp: ‘Goupil & Cie’, collector's mark: ‘Vosmaer’

Het schilderij toont Cleopatra die het paleis is binnengesmokkeld in een tapijt en zich voor de ogen van Caesar presenteert.
Extra-Ordinaire Utrechtse Courant. Donderdag den 17 may. Ao. 1787. No. 7
Object type: newspaper
Date: 1787 – 1787
Materials: paper
Techniques: letterpress printing
Location: utrecht
Artist: Anonymous
Subjects: utrecht
Inscriptions: collector's mark: Lugt 2228

Aflevering nr. 7 van de Extra-Ordinaire Utrechtse Courant van 17 mei 1787 met een verslag van de begrafenis van Cornelis Govert Visscher (gesneuveld in het gevecht bij Vreeswijk op 9 mei) te Utrecht op 15 mei 1787. Blad gedrukt met zwarte rouwranden, tekst in twee kolommen, bovenaan een het stadswapen van Utrecht.
Textile Fragment
Object type: textile fragment
Date: 1701 – 1900
Materials: silk
Location: india
Onthulling van een globe
Object type: book illustration
Date: 1705 – 1705
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: fishes, globe
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Basnage, Jacobus. 't Groot waerelds tafereel, waar in de heilige en waereldsche geschiedenissen en veranderingen zedert de schepping des waerelds tot het uiteinde van de Openbaring van Joannes, worden afgemaalt, 3 delen. Amsterdam: Jacob Lindenberg, 1705.
Sf. Ngandjoek Watertoren
Object type: photograph
Date: 1925 – 1930
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: nganjuk
Subjects: plantation, water tower, plants and herbs: sugarcane, sugar, dutch east indies, the

Onderdeel van Fotoalbum met opnames van vier suikerfabrieken op Java.
Vase
Object type: vase
Date: 1701 – 1800
Materials: faience
Techniques: glazing
Artist: höchst manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1746 – 1796
Subjects: flowers
Portret van Dinah Félix
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: letterpress printing, engraving
Location: paris
Subjects: historical persons - bb - woman, portrait of actor, actress
Inscriptions: monogram: ‘ER [?]’

Prent uit: Le Monde Illustré 23 (1879), nr. 1163, 16 augustus 1879.
Ring van ijzer van de kanonneerboot No. 2 van J.C.J. van Speyk
Object type: ring
Date: 1831 – 1831
Materials: iron
Techniques: forging
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, antwerp, jan van speyk

On 5 October 1833 the amount raised by the lottery was announced. After costs the lottery made ? 6484,98. A total of 5723 tickets had been sold and 911 prizes awarded.
Paris. La Mairie du 1er Arrondissement et l'Église St. Germain l'Auxerrois
Object type: photograph
Date: 1887 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Subjects: square, place, circus, etc., diligence, omnibus, horse-tram, church (exterior), townhall
Inscriptions: inscription: ‘160 Paris. La Mairie du 1er Arrondissement et l'Église St. Germain l'Auxerrois. X. Phot.’

Tussen 1887 en ca. 1900 werkten Neurdein frères onder andere onder de naam 'X phot.'.
Uçetek Entari
Object type: robe
Date: 1801 – 1900
Materials: cotton, metal thread, silk
Techniques: embroidery
Location: turkey

The entari, or robe, was the main element of women’s dress in the Ottoman Empire, worn together with a chemise, or gömlek, and baggy trousers, or şalvar. Made for a woman with a very slight build, this entari is narrow with less fullness in the skirt than many other examples. The narrow dimensions allow a full appreciation of the complex silk and cotton fabric, with its repeating dark green stripe of a leaf design, separated by alternating black and maroon stripes of twisted lines, executed with extra warp threads. The dark green of the leaves are enlivened by embroidered centers of red or gold, with two sets of red centers for every set of gold. The embroidery would have been added as the fabric was woven, an extremely time-consuming and thus expensive process. Golden wrapped thread is used for some of the stripes. The structure of the garment is typical for Ottoman entaris, with a small stand-up collar, long sleeves open until the elbow, high slit on each side of the skirt and triangular pieces added to front opening and each side for added fullness. In this case, a single triangular panel has been added to each side, rather than two separate pieces for front and back. A tear on one side along the fold at the garment’s side resulting from the stress put on the fabric at the widest part of the garment indicates the weakness in this construction method. The straight edges of the entari are all finished with a knotted fringe made of metal-wrapped cord. The garment is lined with a coarse white cotton fabric, with a green striped fabric, related in concept but less elaborate than the entari fabric used to line the open sleeve ends. There are five buttons and loops at the upper bodice to hold the entari closed.
Dagger (Bichuwa)
Object type: dagger bichuwa
Date: 1601 – 1700
Materials: copper, steel
Culture: indian, thanjavur
Location: india
Armchair
Object type: armchair
Date: 1734 – 1766
Materials: wood, velvet
Techniques: carving, gilding, painting

The carved flower decoration of the top rail is continued on the back, where green foliage is painted on a light yellowish green background.
Band
Object type: band
Date: 1601 – 1633
Techniques: lace
Subjects: flowers

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Herdertaferelen
Object type: print
Date: 1763 – 1764
Materials: paper
Techniques: etching
Location: italy
Subjects: cow, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep
Inscriptions: collector's mark: Lugt 240

Een herder met een schaap en een geit in een landschap. Op de achtergrond rechts een grot.
Zelfportret van Jabes Heenck
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: etching, soft ground etching
Location: northern netherlands
Artist: jabes heenck
Artist role: draughtsman, print maker
Artist dates: 1752 – 1782
Subjects: the hague, leiden, print maker, draughtsman, jabes heenck, youth, adolescent
Inscriptions: collector's mark: Lugt 2760, inscription, collector's mark: Lugt 2228

Buste naar links van de schilder Jabes Heenck. In de linkerbovenhoek in spiegelschrift: aetatits 19.
Zeilschepen op een woelige zee
Object type: sketchbook leaf
Date: 1780 – 1848
Materials: chalk, paper, pencil, watercolor
Techniques: brush
Artist: martinus schouman
Artist role: draughtsman, painter
Artist dates: 1770 – 1848
Subjects: sailing-ship, sailing-boat, storm at sea

Blad 51 verso uit een schetsboek met 53 bladen.
Fragments of a terracotta kylix
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

a: interior. part of the leg of the table beneath the kline; exterior, part of a circumscribed palmette, with an elongated central frond, and lotus bud; draped woman to right, with her hair tied up in a fillet, wearing a chiton and himation b: interior, part of footstool; exterior, parts of two reserved lines
Remit titvr Iesvs ad Herondem
Object type: print
Date: 1586 – 1650
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: cornelis galle (i)
Artist role: print maker
Artist dates: 1576 – 1650
Subjects: christ before king herod; sometimes a gorgeous robe is brought (luke 23:8-11)
Inscriptions: collector's mark: Lugt 2228

Christus wordt door twee soldaten voorgeleidt voor koning Herodes. Zesde prent uit een serie van 13, met voorstellingen uit het lijdensverhaal van Christus.
Portret van Jan Fredrik Helmers
Object type: print
Date: 1797 – 1836
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: philippus velijn
Artist role: print maker
Artist dates: 1787 – 1836
Subjects: amsterdam, jan frederik helmers, eyeglasses, spectacles
Inscriptions: collector's mark: Lugt 2228

Portret van Jan Fredrik Helmers, dichter en koopman te Amsterdam.
Nose ornament
Object type: nose ornament
Date: 500 – 100
Materials: gold
Culture: salinar
Location: peru
Artist: salinar artist(s)
Artist role: artist
Portret van Martin Beer
Object type: print
Date: 1671 – 1720
Materials: paper
Techniques: engraving, etching
Subjects: theologian, maps, atlases, historical persons, book, studying a map
Lillie Linfield, from the Actresses series (N246), Type 2, issued by Kinney Brothers to promote Sporting Extra Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actresses" (N246), issued ca. 1890 by Kinney Brothers Tobacco to promote Sporting Extra Cigarettes. There are two types of cards in the series, varying by size.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic

Interior, leg and part of seat of chair, and rear of draped figure
Reproductie van een prent van vijf gedecoreerde hoeken uit het Theatrum Orbis Terrarum van Abraham Ortelius
Object type: reproduction
Date: 1875 – 1880
Materials: paper
Techniques: photolithography
Location: antwerp
Subjects: decoration of printed matter
Inscriptions: monogram: ‘JJvY’, inscription: ‘LITT. E. - PL. 8’, inscription: ‘ÉCOINÇONS tirés du (...)’
Handelsetiket van Stoom-meel en broodfabriek De Voorzorg Firma F.C. Smith
Object type: handelsetiket
Date: 1867 – 1894
Materials: paper
Techniques: lithograph
Subjects: factory-building, amsterdam
Inscriptions: stamp, collector's mark: Lugt 1641

Handelsetiket van Stoom-meel en broodfabriek De Voorzorg Firma F.C. Smith. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Koophandel, Veilingen, Makelaardij en Verzekeringswezen, Oude adreskaarten van winkels en fabrieken, reclame.
Little Girl
Object type: drawing
Date: 1873 – 1873
Materials: graphite
Artist: félicien rops
Artist role: artist
Artist nationality: belgian
Artist dates: 1833 – 1898
Subjects: girls
Beggar Seated on a Bank
Object type: print
Date: 1630 – 1630
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Jupiter en Semele
Object type: design
Date: 1683 – 1733
Materials: ink, paper
Techniques: brush, pen
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: jupiter kills semele by coming to her with his lightning and thunderbolts
Virgin and Child
Object type: plaque
Materials: copper
Techniques: appliqué, casting, enamel, engraving, gilding, relief
Culture: french
Subjects: madonna and child
Border
Object type: textile
Date: 1401 – 1500
Materials: fiber, gilt, gold, linen, metal, textile, silk
Techniques: bookbinding, interlacings, patterning, satin weave, weave
Location: italy
Subjects: flowers
Portret van een man
Object type: album leaf
Date: 1905 – 1914
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: j. tobie
Artist role: fotograaf
Subjects: adult man, historical persons
Inscriptions: name: ‘J. Tobie 26 Canal au Sucre/ Anvers’, inscription: ‘Potographie/ J. Tobie/26 Canal au Sucre/ Anvers’
The Poetess Ono no Komachi, from the series "Six Immortal Poets (Rokkasen)"
Object type: print
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Eglise de la Sorbonne
Object type: print
Date: 1808 – 1849
Materials: paper
Techniques: lithograph
Location: paris
Artist: de ligny
Artist role: drukkerij
Subjects: church (exterior), paris
Inscriptions: collector's mark: Lugt 2228

In de inventaris getiteld: Vues principales de Paris. Reeks van 28 nummers. Met adres van Décrounau. Jules David, van Marke, Noël en Victor Adam. De prent is mogelijk onderdeel van een serie.