deem-data/ArtiFact huggingface dataset:
Garden of Selvia, Syracuse, Sicily
Object type: photograph
Date: 1846 – 1846
Techniques: paper negative, salted paper print
Artist: george wilson bridges
Artist role: artist
Artist nationality: british
Artist dates: 1788 – 1864
Subjects: gardens,men,landscapes

The monk’s gesture of prayer in this image by George Wilson Bridges is a touchstone of stillness against the impressive landscape and vegetation that rise up behind him. Bridges was an Anglican reverend and friend of William Henry Fox Talbot, the inventor of the calotype (paper negative), who instructed him on the method before it was patented. Bridges was also one of the earliest photographers to embark upon a tour of the Mediterranean region; he wrote to Talbot that he conceived of the excursion both as a technical mission to advance photography and as a pilgrimage to collect imagery of religious sites.
Pendant
Object type: pendant
Date: 1551 – 1600
Materials: enamel, gold, pearl, gemstone
Marriage of Victoria and Albert
Object type: medal
Date: 1840 – 1840
Materials: silver
Artist: benjamin wyon
Artist role: maker
Artist nationality: british
Artist dates: 1802 – 1858
Subjects: princes,profiles,coat of arms
Portret van de rechtsgeleerde Adolph Ypeij
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: etching
Location: amsterdam
Artist: ludwig gottlieb portman
Artist role: print maker
Artist dates: 1772 – 1828
Subjects: leeuwarden, adolph ypeij
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van een tekening van jhr. Pieter van Loon
Object type: photograph
Date: 1863 – 1873
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Study for Share Certificates in a Fraudulent Franco-Californian Company, No. 1
Object type: print
Date: 1855 – 1855
Materials: paper
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Toelichting bij een schilderij
Object type: album leaf
Date: 1777 – 1778
Materials: paper
Techniques: letterpress printing
Location: the hague

Tekstblad met een Nederlandstalige toelichting op een prent met een afbeelding van een lijst met een schilderij over de hoofdman van Kafarnaüm die Christus om hulp smeekt. Het schilderij is in omtrek getekend met behulp van een grafometer. Het tekstblad maakt deel uit van het boek: A.G. Eckhardt, Beschryving van een algemeenen graphometer, 1778.
Sheet with overall pattern of rosettes
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
The test of fire, the monk Peter, the disciple Saint John Gualbert, passing through the flames from two pyres unharmed, from "Frontispiece and four scenes from the life of Saint John Gualbert" (Frontispice et quatre vignettes pour une vie de Saint Jean Gualbert)
Object type: print
Date: 1640 – 1640
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: spectators,fire,saints
Val van de giganten
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: engraving
Location: rome
Subjects: the giants buried beneath volcanoes

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 290.
Flounce
Object type: flounce
Date: 1601 – 1700
Techniques: lace
Subjects: flowers
Portret van Willem de Clercq
Object type: print
Date: 1829 – 1845
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: henricus wilhelmus couwenberg
Artist role: draughtsman, print maker
Artist dates: 1814 – 1845
Subjects: directeur, letterkundige, willem de clercq
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Uitgeversstempel Frans Buffa en Zonen, Amsterdam’
Heilige Marcus schrijft zijn Evangelie
Object type: print
Date: 1501 – 1580
Materials: paper
Techniques: engraving
Location: italy
Subjects: st. mark the evangelist writing the gospel, usually a (winged) lion present, mark (marcus) the evangelist, and bishop of alexandria; possible attributes: book, (winged) lion, pen and inkhorn, scroll
Inscriptions: collector's mark: Lugt 240

De heilige Marcus schrijft zijn Evangelie. Hij zit bij een zuil, met in zijn rechterhand een pen en in zijn linkerhand een tablet. Bij zijn voeten ligt een gevleugelde leeuw.
Zeegezicht in een cartouche
Object type: book illustration
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: paris
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: dolphin ~ ornament, sea (seascape)

Prent gebruikt voor: Félibien, André. Devises pour les tapisseries du Roy, où sont représentez les quatre éléments et les quatre saisons de l'année (...). Parijs: Imprimerie Royale, 1670.
Cup and saucer with the Chinese story of Sima Guang
Object type: cup and saucer
Date: 1700 – 1730
Materials: enamel, glaze, hard paste porcelain
Subjects: children,men,women

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Candlestick (one of a pair)
Object type: candlestick
Date: 1730 – 1730
Materials: silver gilt
Nieuwe Rijnbrug bij Koblenz, Duitsland
Object type: photograph
Date: 1860 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: koblenz
Artist: Anonymous
Subjects: bridge
Inscriptions: inscription: ‘ZE cr’
Portret van Carol I, koning van Roemenië
Object type: photomechanical print
Date: 1938 – 1938
Materials: paper
Techniques: letterpress printing, rotogravure
Location: london
Subjects: historical persons, king
Inscriptions: date

Prent als bijvoegsel van: The Illustrated London News, 3 december 1938.
Teapot
Object type: teapot
Date: 1730 – 1735
Materials: hard paste porcelain
Artist: vienna
Artist role: manufactory
Subjects: chinoiserie,men,flowers
The Haystack
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: england
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Card Number 215, Ada Richmond, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Têtes de la Vierge et du Christ
Object type: reproduction
Date: 1872 – 1877
Materials: paper
Techniques: woodburytype
Location: antwerp
Subjects: 'portraits' of mary, 'portraits' of christ
Inscriptions: inscription: ‘(Musée d'Anvers)/ Pl. IX. Déposé.’
Band
Object type: band
Date: 301 – 400
Materials: linen, wool
Techniques: weave
Location: egypt
Birth Glass
Object type: glass
Date: 1750 – 1750
Materials: glass
Location: netherlands
The Bagpiper
Object type: print
Date: 1817 – 1817
Techniques: etching
Artist: johann christoph erhard
Artist role: artist
Artist nationality: german
Artist dates: 1795 – 1822
Subjects: men,bagpipes,musicians
Na den slag aan de Modderrivier
Object type: cartoon
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: war, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 10 december 1899.
Bust of a woman
Object type: cameo
Date: 1801 – 1900
Materials: onyx
Subjects: portraits,women,female nudes
Peasant Woman
Object type: drawing and watercolor
Date: 1837 – 1837
Materials: graphite, paper
Location: france
Artist: louis adolphe hervier
Artist nationality: french
Artist dates: 1818 – 1879
Karelsbrug gezien richting Malá Strana, Praag
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Subjects: city-view in general; 'veduta', bridge
Inscriptions: number: ‘No 410’
Mauguin, député
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: paris
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 3693
Staande boer met pijp en spade
Object type: drawing
Date: 1766 – 1815
Materials: chalk, paper, pencil
Artist: jacob van strij
Artist role: draughtsman, painter, print maker
Artist dates: 1756 – 1815
Subjects: agricultural implements: spade, postures of the human figure
Inscriptions: signature: ‘J. v S’
Buckle
Object type: buckle
Date: 7000 – 330
Materials: bronze
Pelerine met liggende kraag met franjes van witte piqué, versierd met soutache en franjes.
Object type: outerwear
Date: 1880 – 1890
Materials: textile
Location: amsterdam
Artist: Anonymous

Pelerine, Baby pelisse van piqué met soutache.
Kandelaber op ronde voet. Uit de stam ontspringen twee gebogen armen
Object type: candelabrum
Date: 1905 – 1920
Materials: silver

Two candelabra. Silver. Vienna, c. 1905 - 1920, by J.C. Klinkosch.
Tobit toont barmhartigheid
Object type: print
Date: 1564 – 1568
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: blessed are the merciful, the piety of the old tobit (tobit 1:10-22)
Inscriptions: collector's mark: Lugt 2228

Tobit toont barmhartigheid door de doden naar behoren te begraven. Links geven Tobit en zijn vrouw Anna eten, drinken en kleding aan de armen. Rechts bezoekt Tobit een gevangene. Prent maakt deel uit van een serie over de acht zaligsprekingen van Christus en illustreert de zaligspreking: Zalig de barmhartigen. In de rechter benedenhoek deze tekst uit Mat. 5:7 in het Latijn. Onderaan in de marge een vers in het Latijn over de zaligspreking en de voorstelling.
De vrouw met de haspel
Object type: print
Date: 1781 – 1822
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Artist: hermanus fock
Artist role: conservator, draughtsman, painter, print maker
Artist dates: 1766 – 1822
Subjects: fan
Inscriptions: collector's mark: Lugt 2228

Een vrouw met een grote hoed en een waaier in haar linker hand. Met haar rechter wijsvinger maakt ze een spreekgebaar.
Broche 'Florence'
Object type: brooch
Date: 1870 – 1890
Materials: gold, pearl
Location: england
Artist: Anonymous

Broche van goud met cursieve letters "Florence" op een pijl, geheel bezet met kleine zaadparels, voorzien van een brochering met een haaksluiting. Geen verantwoordelijkheidstekens.
“- Isn't he cute like that, Dodore... with a little bit of cleaning up, he is just not the same child any more!...,” plate 37 from Les Bons Bourgeois
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Korenmolenaarsgilde van Amsterdam, gildepenning van A.F. van Wijk
Object type: medal
Date: 1832 – 1832
Materials: copper
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Koperen penning. Voorzijde: korenmolen. Keerzijde: opschrift
see 57.180.158
Object type: see 57. 180. 158
Date: 1353 – 1336
Materials: quartzite
Location: egypt
Portret van Rudolf von Cham
Object type: print
Date: 1665 – 1712
Materials: paper
Techniques: engraving
Artist: johannes meyer (ii)
Artist role: print maker
Artist dates: 1655 – 1712
Subjects: mayor, burgomaster, other non-personal regalia, e.g. mayor chain, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Onderaan de ovale omlijsting genummerd: 19.
Clarence # 752
Object type: drawing
Date: 1850 – 1870
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van een vrouw, aangeduid als Schouten
Object type: carte de visite
Date: 1864 – 1865
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: johannes frederik hulk
Artist role: draughtsman, painter
Artist dates: 1829 – 1911
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: address: ‘AMSTERDAM/ ROKIN E 167.’, inscription: ‘Schouten/ Kerkstraat/ tot 27 juni/ 78’, inscription: ‘ATELIER REMBRANDT./ H.’
Madonna and Child
Object type: print
Techniques: mezzotint
Artist: valentine green
Artist role: engraver
Artist nationality: british
Artist dates: 1739 – 1813
Subjects: madonna and child,virgin mary,jesus
Pyramiden von Gizeh
Object type: photomechanical print
Date: 1911 – 1919
Materials: paper
Techniques: three-color autotype
Location: stuttgart
Artist: Anonymous
Subjects: hoofed animals: dromedary, sphinx (lion/woman); 'sfinge' (ripa), pyramid (historical grave form)
Inscriptions: inscription: ‘Chromoplast-Bild’, title: ‘Pyramiden von Gizeh.’, number: ‘No. 200’, inscription: ‘Die meisten ägyptischen Pyramiden - Gräber/ der Pharaonen - liegen am Ostabhang der (...)’, inscription: ‘Warenzeichen/ No. 142 123’, inscription: ‘D. R. G. M./ No. 437 756’
Piece
Object type: piece
Date: 1767 – 1800
Materials: silk
Subjects: flowers,plants,leaves
Venus en Adonis
Object type: print
Date: 1673 – 1695
Materials: paper
Techniques: etching
Location: paris
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), venus trying to prevent adonis from going hunting, dog
Inscriptions: annotation: ‘Copie’, collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Ostracon with a donkey
Object type: ostracon, figured, donkey, grid
Date: 1479 – 1458
Materials: ink, limestone
Location: egypt
Subjects: donkeys
The Town Hall, struck by a Boer Shell during the siege, Ladysmith, South Africa
Object type: stereograph
Date: 1901 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: ladysmith
Subjects: townhall
Inscriptions: number: ‘170’, name: ‘Works and Studios Sun Sculpture trade mark Arlington N.J. Littleton N.H. Washington D.C.’
Calendar (part of a set)
Object type: calendar
Date: 1851 – 1851
Materials: gilt bronze
Artist: asprey
Artist role: purveyor
Artist nationality: british
Artist dates: 1781 – 9999

The set (1982.88.1–.8) was shown at the Crystal Palace exhibition in 1851. Except for the paper knife, each piece is engraved underneath with Asprey's name and address and the words Exhibition 1851.
Fragment
Object type: fragment
Date: 1567 – 1600
Materials: silk
Subjects: leaves
University of North Carolina, Chapel Hill (distant perspective and plan of grounds)
Object type: drawing ornament architecture
Date: 1850 – 1858
Materials: graphite, ink, watercolor
Artist: alexander jackson davis
Artist role: artist
Artist nationality: american
Artist dates: 1803 – 1892
Subjects: architecture,schools
Incense box
Object type: incense box
Date: 1701 – 1733
Materials: lacquer
Culture: japanese
Subjects: flowers
Silver tassel
Object type: tassel
Date: 1601 – 1900
Materials: metal, silk
Culture: european
Blade
Object type: knife
Date: 1501 – 1600
Materials: stone
Culture: mexican
Location: mexico
Belt Buckle
Object type: belt buckle
Date: 601 – 700
Materials: copper, iron, silver
Techniques: inlay
Culture: frankish
Studio d'architettura civile
Date: 1725 – 1725
Location: italy
Artist: filippo vasconi
Artist role: author
Artist nationality: italian
Artist dates: 1687 – 1730
As many Figures, Dancing doth propose, As waves roll on the Sea, when tempest toss (Phrynichus, the Tragedian)
Object type: print
Materials: ink
Techniques: etching, printing
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,dancing,musicians
The Last Supper, the interior of a classical building with Christ and his apostles seated at a table
Object type: print
Date: 1660 – 1681
Techniques: engraving
Artist: françois spierre
Artist role: artist
Artist nationality: french
Artist dates: 1639 – 1681
Strip
Object type: strip
Date: 1801 – 1900
Techniques: lace
Subjects: flowers
Interieur van een ruimte in het Alhambra te Granada, Spanje
Object type: photograph
Date: 1914 – 1937
Materials: photographic support
Techniques: gelatin silver print
Location: alhambra
Artist: f. linares
Artist role: publisher
Artist dates: 1870 – 1937
Subjects: fortress, palace, stuccoeing, interior ~ representation of a building
Inscriptions: number: ‘29’
Plate (tagliere)
Object type: plate
Date: 1525 – 1530
Techniques: maiolica, glazing
Culture: italian
Subjects: putti
Fourth Sheet in a Series of Four Featuring Chinese Depictions
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: Anonymous

Made for the European elite, these illustrations were meant to portray the ‘exotic’ Far East. They contributed to the Eurocentric image of China. Additionally, they played a role in the subsequent craze for Chinoiserie: decorations featuring all kinds of, often inaccurate, ‘Chinese’ elements. This accurate illustration of an enlightened Buddha was later also adapted in Delftware.
Drie fotoreproducties van tekeningen van mannen
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, paper, pigment
Techniques: carbon print
Location: europe
Artist: Anonymous
Subjects: sitting figure, working class, labourers, tools, aids, implements ~ crafts and industries: pickaxe, europe

Links een gravende man met een schop, midden een zittende man op een stoel, rechts een man met een pikhouweel.
Ioannes Sleidan[9] HI
Object type: book illustration
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Artist: jean jacques boissard
Artist dates: 1528 – 1598
Subjects: historical persons, diplomacy, diplomat
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Boissard, Jean Jacques. Icones quinquaginta virorum illustrium doctrina & eruditione praestantium ad vivum effictae. 4 dln. Frankfurt am Main: s.n., 1597-1599. Mogelijk ook gebruikt in latere edities. Latere staat van prent verschenen in: Boissard, Jean Jacques. Bibliotheca chalcographica. 8 dln. Frankfurt am Main: Johannes Ammon, 1650-1652. Ook gebruikt in latere edities.
Bead
Object type: decorative art
Materials: glass
Techniques: embroidery
Location: china

The earliest examples of Chinese glass include polychrome beads like these, in which superimposed layers of different colors create eye-like motifs. Rich in lead and barium, these beads are chemically distinct from those of soda-lime glass made in Greek and Roman workshops of the eastern Mediterranean and western Asia, rare examples of which have been discovered in north and northwest China. Those foreign imports inspired Chinese craftsmen to create their own polychrome beads. Their burial contexts—strung together with jades to form pendant sets, or inlaid into bronze objects such as mirrors and garment hooks—indicate that Chinese patrons easily integrated these new creations into traditional art forms.
Card 312, Patti, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Hugo Cardinalis
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: cardinal
Inscriptions: inscription: ‘226’

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 213r.
Gezicht de Rue des Tanneurs te Metz
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: photograph
Location: metz
Artist: charles bernhoeft
Artist role: publisher
Artist dates: 1859 – 1933
Subjects: urban housing, canals, waters (in city), street (+ city(-scape) with figures, staffage)

Deze prent maakt deel uit van een omslag met 100 prenten.
Container for Bulbs
Object type: container
Date: 1201 – 1333
Materials: ceramic glaze, glaze, stoneware
Culture: chinese

Most likely used to grow narcissus for the New Year, this elegant container is an interesting Longquan vessel in a shape more commonly associated with the Jun wares of north China. It illustrates the complex interactions between different kilns found in Chinese ceramics from the eleventh to the early fourteenth century.
Kelkglas met twee ineengeslagen handen en het opschrift: AMITIE
Object type: goblet
Date: 1725 – 1750
Materials: glass
Techniques: glassblowing
Location: northern netherlands
Artist: Anonymous

Klokvormig gewelfde voet met omgeslagen rand. Balusterstam met een knoop. Conische kelk met afgeronde bodem. Op de kelk met twee handen tussen takken en daarboven in een banderol: "AMITIE".
Bebaarde oude man met muts
Object type: print
Date: 1748 – 1795
Materials: paper
Techniques: drypoint, etching
Location: northern netherlands
Artist: jan chalon
Artist role: print maker
Artist dates: 1738 – 1795
Subjects: head-gear: cap (+ men's clothes), morphology of human expression (+ old male (human being))
Inscriptions: collector's mark: Lugt 924

Oude man met baard. Hij draagt een muts en heeft zijn hand in zijn jas gestoken. Buste naar links.