deem-data/ArtiFact huggingface dataset:
Portret van Steven Blankaart
Object type: print
Date: 1700 – 1731
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: middelburg
Inscriptions: collector's mark: Lugt 2228

Steven Blankaart, Nederlands dichter en geneesheer te Amsterdam, op vijftigjarige leeftijd.
Brushpot (bitong)
Object type: vessel
Materials: wood
Location: china

The artisan behind this rootwood brushpot ingeniously carved it into the form of twisted roots and knotted gnarls, allowing the object to reference its own materiality. During the late Ming Dynasty, objects made of rootwood began to gain popularity among literary elites in the Jiangnan region. This trend was linked to the emergence of elite woodcarvers in the area, along with an aesthetic that revered originality and the unconventional in art and crafts. Made to hold brushes used in painting and calligraphy, this object likely once adorned the table of a scholar.
Bottle
Object type: bottle
Date: 1601 – 1800
Materials: glass

During the Renaissance, Venetian glassmakers, working on the island of Murano, were celebrated across Europe for their fine and sparkling work. Called “cristallo” emulating the clarity of rock crystal, in the hands of the most skilled glassblowers the medium could be delightfully manipulated, variously stretched paper-thin flat, or playfully twisted, or blown into molds with spectacular patterns.
Portret van Frederik de Grote
Object type: print
Date: 1830 – 1899
Materials: paper
Techniques: lithograph
Location: germany
Subjects: berlin, frederick ii (king of prussia), historical persons, king
Gold earring with woman's head
Object type: earring with human head
Date: 300 – 101
Materials: gold
Culture: greek
Subjects: heads,women
Galvanoplastische reproductie van een kan met voorstellingen van de vier elementen uit de Popta-schat
Object type: ewer
Date: 1881 – 1881
Materials: copper, silver
Techniques: galvanoplasty
Location: london

Galvanoplastische reproductie van een kan. Op de basis gedreven voorstellingen van de vier elementen; op de buik Neptunus omringd door zeegoden. Het handvat heeft de vorm van een slang.
Design for Phaeton, no. 1012
Object type: drawing
Date: 1850 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Figuur en dier in een landschap
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Location: north brabant
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes, animals, the soldier; the soldier's life
Inscriptions: annotation: ‘28 sept Van de Weele/ Reicher/ Köhler/ geschreven’

Mogelijk een soldaat. Erachter een dier. Pagina 3 uit een schetsboek met 42 bladen.
De kinderen der zee
Object type: print
Date: 1861 – 1872
Materials: paper
Techniques: roulette, engraving
Location: amsterdam
Subjects: fisherman
Inscriptions: collector's mark: Lugt 2228

Een jonge visser doet een vissersmeisje een huwelijksaanzoek. In de hand houdt de man een ring. De prent maakt deel uit van de serie prenten 'De kinderen der zee'.
Gezicht op de Mauritspoort op het Binnenhof te Den Haag
Object type: photograph
Date: 1860 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: carl philip wollrabe
Artist role: fotograaf, musicus
Artist dates: 1812 – 1887
Subjects: gate, entrance
Inscriptions: inscription: ‘C.P. Wollrabe sen./ 's Hage’, inscription: ‘C.P. Wollrabe sen./ Photographe (...) 91 Boekhorststraat 91/ 's Hage’
Portret van Justus Lipsius
Object type: print
Date: 1675 – 1675
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: wesel
Subjects: justus lipsius, envy; 'invidia' (ripa) ~ personification of one of the seven deadly sins, ornament ~ medallion, historical persons, portrait of a writer, virtuousness; 'amor di virtù', 'attione virtuosa', 'guida sicura de' veri honori', 'virtù', 'virtù insuperabile' (ripa), fame; 'fama', 'fama buona', 'fama chiara' (ripa), honour, glory; 'ampiezza della gloria', 'gloria', 'gloria de prencipi', 'gloria & honore', 'honore', 'sublimatà della gloria' (ripa), discretion, modesty; 'discretione', 'modestia' (ripa), doctrine (+ personification)

Portret in medaillon. Aan weerszijden van het portret de personificaties Leer (Doctrina) en Deugd (Virtus). Boven het portret de personificaties Roem (Fama) en Heerlijkheid (Gloria). Onder het portret de personificatie Bescheidenheid (Modesta), die Nijd (Invidia) vertrapt. Met achtregelig vers in het Latijn onder het portret.
Saucer (part of a service)
Object type: saucer
Date: 1780 – 1785
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds,trees
Gouden zevenarmige kandelaar of menora
Object type: book illustration
Date: 1681 – 1746
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: 'menorah', golden seven-branched candlestick, kept in the tabernacle

Prent mogelijk voor: Hoet, Gerard, Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament, en andere boeken, bij de Heilige Schrift gevoegt, door Hoet, Houbraken, en Picart getekent en van de beste meesters in koper gesneden en met beschrijvingen uitgebreid, 3 delen, 's-Gravenhage, Pieter de Hondt, 1728
Victor Hugo
Object type: bust
Date: 1867 – 1900
Materials: bronze
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,portraits
Portret van keizer Maximiliaan II
Object type: print
Date: 1749 – 1749
Materials: paper
Techniques: etching
Subjects: vienna, maximiliaan ii (keizer van heilige roomse rijk), ornament ~ medallion, historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)

Prent waarschijnlijk uit: Meteren, Emanuel van. Historie van de oorlogen en geschiedenissen der Nederlanden (...). Gorinchem: Nicolaas Goetzee, Breda: Willem Goetzee, 1749. Latere staat gebruikt in editie uit 1786.
An Indefatigable Author Or an Idea in the Night
Object type: print
Date: 1707 – 1797
Materials: paper
Techniques: aquatint, etching
Location: london
Subjects: ink-well, author, poet writing, manservant, footman
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Naast de auteur staat een slaperige bediende met een kaars in zijn hand.
Twee paarden en een veulen
Object type: drawing
Date: 1926 – 1928
Materials: ink, paper, pencil
Techniques: pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: horse
Inscriptions: collector's mark: Lugt 2228
Kalenderblad voor januari 1899
Object type: calendar leaf
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Subjects: foliage, tendrils, branches ~ ornament
Inscriptions: collector's mark: Lugt 2228

In 1898 vervaardigden Gerrit Willem Dijsselhof, Carel Adolph Lion Cachet en Theo Nieuwenhuis samen een kalender voor het jaar 1899. Dijsselhof nam het ontwerp van de maanden januari, april, juli en oktober op zich.
Francis Minot
Object type: photomechanical print
Date: 1870 – 1875
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons, physician, doctor, professor
Cupid in a Medallion
Object type: tapestry
Date: 1758 – 1774
Materials: silk, wool
Techniques: tapestry
Location: paris
Inscriptions: signature: ‘Neilson.éx’

To furnish a room, complete tapestry ensembles in this style would be designed. This hanging is part of a series that King Louis XVI presented to Prince Henry of Prussia.
Portret van Ladislav Révai
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: engraving
Location: vienna
Artist: elias widemann
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Gezicht op (vermoedelijk) de Franse kust met zeilboot, huizen en mensen op het strand
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: daylight paper print
Location: france
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, beach, ships, boats on land, beached, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Sir Gawin Carew
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, gold, iron, silver
Culture: japanese
Location: japan
Subjects: flowers
Two Figures with Docked Boats near Windmill
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: hendrick frans de cort
Artist nationality: flemish
Artist dates: 1742 – 1810
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 480
Materials: terracotta
Culture: greek, attic

Exterior, bit of handle patch and area of handle attachment
Biarritz
Object type: photograph
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Location: biarritz
Artist: Anonymous
Subjects: coast

Onderdeel van Reisalbum met foto's van Zuid-Afrika, Madeira, Portugal, Frankrijk en Duitsland.
Kous van witte nylon met ingebreid ster-patroon in reliëf en brede boord
Object type: sportkous
Date: 1960 – 1960
Materials: plastic
Techniques: knitting
Location: western europe
Artist: Anonymous

Sportkous van witte nylon met ingebreid ster-patroon in reliëf. Naadloos, enkelvoudige boord met rolelastiek.
Two overdoor panels with vases
Object type: tapestry panel
Materials: silk, wool
Artist: jacques germain soufflot
Artist role: designer
Artist nationality: french
Artist dates: 1713 – 1780
Subjects: flowers

The Tapestry Room from Croome Court, Worcestershire, the seat of the Earls of Coventry, was begun in 1763 and finished in 1771. The sixth Earl of Coventry (1722–1809) commissioned these tapestries for Croome Court from Jacques Neilson's workshop at the Royal Gobelins Manufactory in Paris in August 1763. Portraying scenes from classical myths symbolizing the elements, the medallions are based on designs by François Boucher. The set was delivered and in place by June 1771. The group was the first using this design to be woven with a crimson background and it may have been the first made specifically to extend around four walls of a room without architectural frames.
Terracotta statuette of a bear holding an oil lamp
Object type: statuette of a bear holding lamp
Date: 301 – 700
Materials: terracotta
Culture: roman
Subjects: bears

Bear holding a lamp, standing on hind legs and tail.
Bronze, Servius Sulpicius Galba, 68 A.D., from the Ancient Coins series (N180) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: men,coins

Trade cards from the "Ancient Coins" series (N180), issued in 1888 by W.S. Kimball & Co.
Bowl
Object type: bowl
Date: 701 – 900
Materials: stone
Techniques: carving
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Triumphal arch erected by the foreign merchants of Vienna for the marriage of Joseph I in 1699; from 'Entwurff einer historischen Architectur ...'
Object type: print, fete, ornament architecture
Date: 1699 – 1699
Techniques: engraving
Artist: johann adam delsenbach
Artist role: artist
Artist nationality: german
Artist dates: 1687 – 1765
Subjects: architecture,arches,horses
Portret van Christoph Conrad Schmid
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Landscape with the Healing of the Blind
Object type: print
Date: 1601 – 1601
Materials: paper
Techniques: engraving
Subjects: swamp, inland marsh, fens, healing of a man born blind: christ touches his eyes with an 'ointment' of dust and spittle (john 9)
Inscriptions: collector's mark: Lugt 2228

This print was made after the adjacent drawing of 1601. This engraving and the other prints in the series must have been popular among art buyers. Besides vivid and richly contrasted impressions, grey and dull ones have also been preserved: proof that the copper plates were run through the press hundreds of times.
Dress
Object type: dress
Date: 1879 – 1880
Materials: silk
Culture: french
Nemesis and Themis
Object type: drawing
Date: 1734 – 1833
Materials: chalk, gouache, ink
Techniques: heightening, pen, wash
Artist: nicolai abraham abildgaard
Artist role: artist
Artist nationality: danish
Artist dates: 1743 – 1809
Subjects: women
Fujimigahara in Owari Province (Bishū Fujimigahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: men,trees,working

By framing Fuji and the cooper in the interior of the large barrel, Hokusai effects an intimate dialogue between the iconic mountain and the sinewy man. The juxtaposition of Fuji and the cooper lends a religious overtone to the man's honest labor and existence.
Roma
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: palace, staircase, rome
Inscriptions: number: ‘1038.’, collector's mark: ‘VOSMAER’
Mountainside with Fallen Tree
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: brush, wash
Location: germany
Artist: wilhelm friedrich gmelin
Artist role: print maker
Artist nationality: german
Artist dates: 1760 – 1820
Hautbois de Poitou
Object type: hautbois de poitou
Date: 1800 – 1875
Materials: wood
Culture: french
Location: france
Portret van Adriaan van Cattenburgh
Object type: print
Date: 1725 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: rotterdam, adriaan van cattenburgh, historical persons
Covered Vase
Object type: vase
Date: 1736 – 1795
Materials: porcelain
Culture: chinese
Location: china
Subjects: flowers,landscapes
Gevangenneming en wegvoering van Christus
Object type: print
Date: 1624 – 1624
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: christ is dragged through the brook cedron
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240, collector's mark: Lugt 699

Christus, geketend met touwen en kettingen, wordt 's nachts door een groep soldaten door een beek gevoerd. Onder de voorstelling twee tweeregelige verzen in het Latijn.
Jelly Glass
Object type: jelly glass
Date: 1785 – 1825
Materials: glass, lead
Techniques: glassblowing, molding
Culture: american or british
Location: england
"Emperor Babur Receiving a Visitor", Folio from a Baburnama (The Book of Babur)
Object type: folio from an illustrated manuscript
Date: 1590 – 1590
Materials: gold, ink, paper, watercolor
Location: pakistan
Subjects: men

The memoirs of Babur, founder of the Mughal Empire, were translated from the original Turki into Persian under the patronage of Babur’s grandson Akbar, who held a strong interest in the history and literary culture of his empire. In this scene, Babur stands as a visitor bows before him. Courtiers and attendants wear daggers in their sashes that provide a record of courtly fashions and accessories of the time. The fly whisk in the hand of an attendant, the carpet on which the figures stand, and the tent overhead also provide a glimpse into the opulent settings of royal life.
Octagonal box with cipher of John Campbell, 2nd Duke of Argyll
Object type: box
Date: 1716 – 1716
Materials: gilt silver
Artist: james fraillon
Artist role: maker
Artist dates: 1706 – 1728

This early Georgian octagonal silver-gilt toilet box was made by the Huguenot silversmith James Fraillon (active 1706-1727/28) and engraved with an elaborate cipher: a double 'JA', which stands for John Argyll, i.e. John Campbell, 2nd Duke of Argyll (1680-1743) a highly significant military commander who fought French in the War of the Spanish Succession and the Jacobites at the Battle of Sheriffmuir.
Cylindrical Bowl with Dragons Chasing a Flaming Pearl
Object type: vessel
Materials: enamel, porcelain
Techniques: incising, overglaze
Location: china
L'Assedio della città di Herlem in Hollanda
Object type: print
Date: 1573 – 1573
Materials: paper
Techniques: etching
Location: rome
Artist: antonio lafreri
Artist role: publisher
Artist dates: 1512 – 1577
Subjects: siege, position war, haarlem

Overzicht van het beleg van de stad Haarlem in vogelvluchtperspectief. Op de voorgrond en bovenaan de legerplaatsen van de Spaanse troepen. Bovenaan wapens van het Duitse keizerrijk en Haarlem.
Oorlog tusschen Vrankryk / en Spanjen in 't jaar 1823 / Guerre entre la France et / l'Espagne, en l'an 1823
Object type: popular print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: warfare; military affairs (+ cavalry, horsemen)
Inscriptions: collector's mark: Lugt 2760

Blad met 3 horizontale rijen met voorstellingen van figuren uit de oorlog tussen Spanje en Frankrijk in 1823. Boven: de Spaanse koning met zijn generaals. Midden: de Hertog van Angoulême met zijn soldaten te paard. Onder: generaal Midas met zijn soldaten te paard. Onder elke voorstelling een tweeregelig vers in het Nederlands en in het Frans. Genummerd rechtsonder: No. 45.
S. van Milligen
Object type: photograph
Date: 1893 – 1896
Materials: cardboard, paper
Techniques: photograph
Location: amsterdam
Subjects: historical persons, netherlands
Inscriptions: annotation: ‘phot. Deutmann & Zn / Lichtdr. Emirik & Binger, Haarlem’, annotation: ‘S. van Milligen’

H. Viotta, Onze hedendaagsche toonkunstenaars, 1893-1896, Wrsch. plaat uit deze uitgave
Wijnand Otto Jan Nieuwenkamp op de achtersteven van zijn woonboot 'De Zwerver'
Object type: photograph
Date: 1902 – 1910
Materials: cardboard, paper
Techniques: gelatin silver print
Location: dusseldorf
Artist: emil friderici
Artist role: fotograaf
Subjects: amsterdam, print maker, draughtsman, wijnand otto jan nieuwenkamp, historical persons, ships (in general)
Inscriptions: collector's mark: Lugt 2233
Sulmona. Corso Ovidio
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph
Location: sulmona
Artist: Anonymous
Subjects: church (exterior), square, place, circus, etc. (+ city(-scape) with figures, staffage)
Portret van David Wijnkoop
Object type: print
Date: 1929 – 1929
Materials: paper, ink
Techniques: woodcut
Artist: meijer bleekrode
Artist role: draughtsman, painter, print maker
Artist dates: 1896 – 1943
Subjects: politician
Inscriptions: monogram and date: ‘MB '29’, title: ‘Wijnkoop’, signature: ‘MBleekrode’

Kop van een man met een puntbaard en een bril, en profil, gestileerd weergegeven.
Ex libris van Katalin Székely
Object type: bookplate
Date: 1932 – 1932
Materials: paper
Techniques: printing block
Location: budapest
Subjects: fantastic plants, fabulous vegetation, book, gardening
Inscriptions: inscription: ‘1932/ No. 73’, workshop stamp: ‘Fecit/ Révész Kornél/ Budapest’

Ex libris maakt deel uit van omslag met 64 ex libris op 34 losse opzetvellen, een catalogus en een tekstblad.
Palais de la Légion d'honneur in Parijs
Object type: print
Date: 1839 – 1840
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: palace
Inscriptions: inscription: ‘PARIS DAGUERRÉOTYPÉ No. 41.’

Prent op honderddrieënzestigste ongenummerde pagina.