deem-data/ArtiFact huggingface dataset:
Terracotta fragments of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

One fragment has part of the lower torso, buttocks, and part of the heel of a warrior to right, with a scabbard, wearing a chitoniskos, with his right arm bent, holding a spear; the right elbow of the warrior interrupts the panel border, which is comprised of degenerate ivy; two other fragments depict the bent arm, lower back, and buttocks of a warrior to left with a scabbard, wearing a chitoniskos, with his foot interrupting the panel border, which is comprised of degenerate ivy
Panel
Object type: panel
Date: 1750 – 1750
Materials: silk
Subjects: flowers,leaves
Footed jar with lug handles
Object type: jar, footed
Date: 3650 – 3500
Materials: stone
Location: egypt
Negen portretten van Winston Churchill
Object type: photomechanical print
Date: 1886 – 1954
Materials: paper
Techniques: rotogravure
Artist: Anonymous
Subjects: london, weekly, monthly, magazine, etc., historical persons, politician, e.g. party leader

Bladzijde uit 'Supplement to the Illustrated London News' van 27 november 1954 met negen portretten van Winston Churchill, van zijn jeugd tot en met zijn premierschap in de jaren 1940.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Parts of three kylix feet, the outer face is profiled at the bottom; underside unglazed
Brief aan Carel Vosmaer
Object type: letter
Date: 1881 – 1881
Materials: ink, paper
Techniques: pen, printing, writing
Location: leipzig
Artist: lourens alma tadema
Artist role: draughtsman, print maker
Artist dates: 1836 – 1912
Subjects: berlin, print maker, draughtsman, carel vosmaer, literature ~ arts
Coffin of Wah
Object type: coffin, wah
Date: 1981 – 1975
Materials: paint, wood
Location: egypt
Subjects: eyes,hieroglyphs,coffins

Wah's coffin was made of a coniferous wood (cedar or spruce) and painted yellow. Offering texts were written on the lid and around the upper edge of the box. A pair of eyes was also painted at the head end of the coffin's proper left side, as was customary in the Middle Kingdom.
Pin
Object type: pin
Date: 5000 – 2001
Materials: copper
Culture: iranian
Location: iran

This copper pin, which was likely used to fasten clothing, was excavated in 1937 at a prehistoric site in the vicinity of Nishapur in northeastern Iran. While Nishapur itself was founded by the Sasanian king Shapur I (reigned ca. A.D. 241-272), this pin shows that human habitation there goes back to the prehistoric period. Furthermore, the prehistoric pottery from Nishapur has close affinities with ceramic materials from Central Asia rather than with contemporary sites in Iran, meaning that in this period its inhabitants were likely culturally linked to their neighbors to the east. At the same time, Nishapur’s location on what later became known as the Great Khorasan Road suggests that it was part of the trade network that facilitated the import of precious stones such as lapis lazuli, carnelian and turquoise from Central Asia to Mesopotamia.
Fragment (voet) met rode scherf, in sgraffito-tekening een kop van een kameel, op de rug waarvan een naakte putto (?) zit, die zich aan zijn hals vasthoudt, op de achtergrond vertikale stippellijnen en restjes van okerkleurig glazuur
Object type: sherd
Date: 1200 – 1899
Materials: earthenware
Location: italy
Artist: Anonymous
Scène uit de opera De Kuiper
Object type: print
Date: 1768 – 1772
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: opera, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Opgedragen aan burgemeester Gerrit Gerritsz. Hooft, die in november 1767 overleed. Deze opera, die in 1768 voor het eerst elders in het Frans werd opgevoerd, ging echter pas in 1768 in Amsterdam in première onder de directie van Jacques Toussaint Neyts. De enige andere Gerrit Hooft die burgemeester is geweest was zijn vader, die reeds in 1717 was overleden.
Triomf van Bacchus, linkerhelft
Object type: print
Date: 1623 – 1676
Materials: paper
Techniques: etching
Location: antwerp
Subjects: triumph of bacchus; 'carro di bacco' (ripa)
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 2228

Optocht ter ere van de God Bacchus. De stoet arriveert bij een tempel ter ere van Bacchus. Saters dansen uitgelaten en anderen maken muziek of halen allerlei ongein uit. In het midden loopt een man op stelten. Linker deel van een prent bestaande uit twee platen.
Portret van Johann Aloys Schneider
Object type: print
Date: 1801 – 1844
Materials: paper
Techniques: engraving, etching
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Palazzo Pitti
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: florence
Artist: Anonymous
Subjects: hôtel, i.e. small palace in city
Inscriptions: number: ‘No. 1822’
Geloof
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: fides (faith) as roman personification

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning, Huisraad, Zilverwerk.
Vorst en zijn gemalin ontvangen een groep onderdanen die met geschenken komen
Object type: drawing
Date: 1830 – 1830
Materials: paper, pencil
Location: kangra
Artist: Anonymous
Inscriptions: inscription: ‘.’
Goblet
Object type: drinking glass
Date: 1550 – 1575
Materials: gold
Location: milan
Artist: Anonymous
Subjects: diana (luna) visiting the sleeping endymion, jupiter, in the shape of a swan, and leda, apollo pursuing the nymph daphne (as yet not metamorphosed)

Mythological amorous couples are portrayed on the bowl of this goblet: Apollo and Daphne, Diana and Endymion, and Leda and Jupiter. These depictions are virtually identical to ones on a dish signed by the famous Milanese lapidary Francesco Tortorino. He was employed by
Emperor Maximilian II in 1569.
Hollantsche Boerin
Object type: print
Date: 1750 – 1850
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: farmers - aa - female farmer, farmer's wife, folk costume, regional costume
Inscriptions: collector's mark: Lugt 1641, collector's mark

Staande vrouw, een Hollandse boerin, mand aan de arm, bij een hek. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: De Kleeding, Volkskleederdracht.
Edward J. Young
Object type: photomechanical print
Date: 1870 – 1875
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons, writer, poet, author
Portret van Veit Dietrich
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: theologian, historical persons

Prent mogelijk uit: Würfel, Andreas. Diptycha ecclesiae Sebaldianae (...). Neurenberg: Christoph Melchior Roth, 1756.
Landscapes and poems
Object type: album
Date: 1601 – 1633
Materials: gold, ink, paper, textile
Culture: chinese
Artist: dong qichang
Artist role: artist
Artist nationality: chinese
Artist dates: 1555 – 1636
Subjects: mountains,landscapes

Miffed that his tutor ranked him below his cousin because of inferior calligraphy, Dong Qichang at the age of sixteen dedicated himself to a study of the great calligraphers of the past. By the end of the century, he had become the most influential calligrapher of his age. Although Dong championed the aesthetic of monochromatic ink styles, he indulged in decorative effects in this album, using gold flecked paper with occasional mineral colors for the paintings and choosing a satin ground for his sleek cursive script. Each of the eight leaves, except number seven, is an homage to a past master paired with excerpts from Tang-dynasty landscape poetry. Despite the broad range of styles Dong imitated, the landscapes are remarkably similar to one another and reflect Dong's own intellectual approach to painting most of all.
Gezicht op het Piazza di San Giovanni in Laterano te Rome
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: piazza di san giovanni in laterano
Artist: Anonymous
Subjects: square, place, circus, etc., church (exterior)
Jesus before Annas
Object type: print
Date: 1644 – 1652
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: books,interiors,men,dogs,jesus,allegory

Jesus is dragged from the left towards a Cardinal enthroned in a niche at the upper right. A small dog is seated at bottom center.
Limestone statuette of a beardless male votary with a wreath of leaves
Object type: statuette of a votary
Date: 400 – 301
Materials: limestone
Culture: cypriot
Subjects: men,wreaths

Young male figure leaning on column.
Fan leaf with scene of a young lady being crowned with a flower wreath
Object type: print
Date: 1801 – 1900
Techniques: lithograph
Artist: anonymous, spanish, 19th century
Artist role: artist
Artist nationality: spanish
Artist dates: 1800 – 1900
Formulieren voor bordeelbezoek
Object type: photograph
Materials: paper, plastic
Techniques: photography
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, tonny van renterghem, berlin, fritz kahlenberg, brothel, occupation ~ war, netherlands

Kopieën van de voor- en achterkant van een formulier voor een bordeelbezoek voor soldaten van de Wehrmacht.
Prosopographia, sive virtutum, animi, corporis, bonorum externorum, vitiorum, et affectuum variorum delineatio
Object type: album leaf
Date: 1585 – 1590
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: 'obedienza verso dio' (ripa), obedience; 'obedienza' (ripa)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een vrouw buigt nederig haar hoofd. In haar linkerhand heeft ze een scepter, op haar rechterarm een Crucifix. Christus gehoorzaamde zijn Vader door te sterven voor de Mensheid. Onder de voorstelling twee regels tekst in het Latijn. De prent maakt deel uit van een album.
Terracotta oil lamp
Object type: lamp
Date: 670 – 330
Materials: terracotta
Culture: roman
Subjects: male nudes,goats

On discus in high relief: naked male figure (Dionysus?) lying full length on an ornate couch, with right arm raised behind his head and left arm dropping down over edge of the couch; at either end of the couch, two small goats, facing inward, standing on rocky outcrops; at top, behind figure a pedum and rectangular object; single filing hole at bottom center under couch. Narrow continuous shoulder decorated with close-set diagonal lines. Volutes flanking large nozzle. Raised base ring with incised Greek letters at center: AT. Broken, with front of nozzle missing and surface loss to left side of body. Red slip.
Vier afbeeldingen van mannen in kostuum, afgebeeld twee trawanten, een wild zwijn jager en een vaandeldrager
Object type: photomechanical print
Date: 1876 – 1881
Materials: paper
Techniques: photograph, hand coloring
Artist: Anonymous
Subjects: stage costume

Deze prenten maken deel uit van een omslag met 86 prenten op 78 bladen en 11 tekstbladen.
Portret van een man
Object type: carte de visite
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: pieter johannes duyshart
Artist role: fotograaf
Artist dates:  – 1889
Subjects: adult man, historical persons
Inscriptions: inscription: ‘P.J. Duyshart, Photographer/ Duke Street/ Chelmsford (...)’
Brief aan Christiaan Kramm
Object type: letter
Date: 1858 – 1858
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: h. hilleveld hzn
Artist role: kunsthandelaar
Subjects: amsterdam, adrianus david hilleveld, dordrecht, painter, print maker, draughtsman, sculptor, ary scheffer, cornelis kruseman, utrecht, christiaan kramm, art trade, art shop, the graphic arts, painting (including book-illumination, miniature-painting), money
Inscriptions: collector's mark: Lugt 2233
Edging
Object type: edging
Date: 1600 – 1600
Techniques: embroidery
Zeeslag bij Kaap La Hogue, de Fransen verslagen door de vloot van Engeland en Holland
Object type: copy
Date: 1692 – 1692
Materials: bronze
Techniques: striking
Location: amsterdam
Subjects: william iii (prince of orange and king of england, scotland, and ireland), london, maria ii stuart (koningin van engeland, schotland en ierland)
Passagieren
Object type: print
Date: 1935 – 1935
Materials: paper, ink
Techniques: linocut
Artist: tinus van doorn
Artist role: painter, print maker
Artist dates: 1905 – 1940
Subjects: passengers ~ ship
Inscriptions: inscription: ‘MARIA’

Een matroos met een pijp in zijn mond naast een vrouw met een sigaret, gestileerd weergegeven, op de achtergrond een boot en huizen.
The actor Ichikawa Sadanji I as Watonai
Object type: print
Date: 1883 – 1883
Techniques: woodblock print
Location: japan
Artist: toyohara kunichika
Artist role: artist
Artist nationality: japanese
Artist dates: 1835 – 1900
Country Fair
Object type: print
Date: 1762 – 1762
Techniques: etching
Artist: pierre charles lévesque
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1812
Subjects: children,men,women,daily life

Fairs and outdoor pastimes were also favored subjects in the work of Boucher, Saint-Aubin’s teacher. In Boucher’s vision, they were pastoral fantasies, set in idyllic Italianate landscapes or foreign lands. In the work of Saint-Aubin, with its genesis in his habit of strolling and sketching, these subjects were not fictional inventions, but scenes from his own time, his own city.
Christus in de hof van Getsemane
Object type: album leaf
Date: 1563 – 1567
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: agony of christ; three (or eleven) apostles sleeping, christ's prayer in the garden of gethsemane during the night, agony of christ: to comfort him one or more angels appear to christ with chalice and/or cross

Christus bidt in de hof van Getsemane en vraagt aan God of deze beker aan hem voorbij mag gaan. In een wolk verschijnt een engel met een beker en een kruis. Op de voorgrond slapen Petrus, Johannes en Jacobus. Op de achtergrond leidt Judas een groep soldaten door de poort naar binnen. Onder de voorstelling een verklarende tekst in het Latijn. Deze prent maakt deel uit van een album.
Coin Depicting the Goddess Tyche
Object type: coin
Date: 253 – 268
Materials: bronze, copper alloy, metal
Culture: roman
Location: rome
Boerin uit Doornspijk
Object type: drawing
Date: 1896 – 1898
Materials: paper, watercolor
Techniques: brush, hand coloring
Location: netherlands
Artist: johan martinus anthon rieke
Artist dates: 1851 – 1899
Subjects: farmers - aa - female farmer, farmer's wife, clothes, costume (+ women's clothes), folk costume, regional costume, gelderland
Inscriptions: collector's mark, collector's mark: Lugt 1641

Boerin uit Doornspijk, Gelderland, onderweg naar de markt. Tekening vervaardigd voor de tentoonstelling over Nederlandse klederdrachten gehouden in het Stedelijk Museum te Amsterdam in september 1898. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: De Kleeding, Volkskleederdracht, Gelderland.
Zeilschepen op zee
Object type: sketchbook leaf
Date: 1825 – 1875
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: petrus johannes schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1865
Subjects: sea (seascape)

Blad 23 recto uit een schetsboek met 44 bladen.
Ondermouw van tule met kanten boord
Object type: womenswear
Date: 1935 – 1935
Materials: lace, fiber
Techniques: lace
Location: western europe
Artist: Anonymous

Ondermouw van tule en kant. Glad model mouw waaraan aangezet een afhangende machinale geschulpte strook kant, versierd met bloemen.
Knootwilgen in zomertooi
Object type: photograph
Date: 1900 – 1930
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Inscriptions: signature: ‘foto / R Tepe’, signature: ‘Knootwilgen [sic] / in zomertooi’
De dood van de rijke man en van Lazarus
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: antwerp
Artist: johannes wierix
Artist role: draughtsman, print maker
Artist dates: 1549 – 1618
Subjects: lazarus dies: his soul is carried into abraham's lap by angels, dives dies; his soul is brought into hell by devils
Inscriptions: collector's mark: Lugt 2165

De rijke man ligt op zijn sterfbed. Familie en vrienden treuren om de dode. Duivels nemen de ziel van de rijke man mee naar de hel. Op de achtergrond is te zien hoe de ziel van Lazarus door een engel naar de hemel wordt meegenomen. Bij verschillende elementen uit de voorstelling staan letters die corresponderen met de legenda in de marge.
Bowl
Object type: bowl
Date: 1723 – 1735
Materials: enamel, porcelain
Culture: chinese
Subjects: flowers
Annotatie
Object type: endleaf
Date: 1887 – 1888
Materials: chalk, paper
Inscriptions: annotation: ‘Egyptian’

Pagina 88, vrij schutblad, uit een schetsboek met 43 bladen.
Flower Pot with Stand
Object type: decorative art
Date: 1890 – 1900
Materials: earthenware
Location: strasburg
Artist: Anonymous
Artist nationality: american
Artist dates: 19 – 20
Tekst van de zangstukken bij het programma voor een concert in Felix Meritis op 8 december 1882
Object type: programma, programmaboekje
Date: 1882 – 1882
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: the hague, johannes verhulst, listening to music, large group of musicians, orchestra
Inscriptions: collector's mark, collector's mark: Lugt 1641

Gedrukte tekst van de zangstukken, behorende bij het programma voor het Tweede Concert door het orkest onder leiding van Johannes Verhulst, in Felix Meritis te Amsterdam op 8 december 1882. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Muziek en muziekinstrumenten: Varia.
Masquerader (one of a pair)
Object type: figure
Date: 1745 – 1745
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: masks,men

This model of a porcelain figure wearing a black tricorne hat, a white half mask, and a long robe trimmed with bows is commonly identified as the Avvocato, or lawyer, one of the secondary cast of characters comprising the Comédie Italienne. However, it has been pointed out recently that neither the costume nor the pose of this figure refers to the legal profession and that the figure should more accurately be called "The Masquerader."[1] His hat, mask, and cloak reflect a costume typically worn by both men and women in Venice during Carnival and at the masquerade balls popularized by the Carnival that were common throughout Europe by the mid-eighteenth century. The mask, usually made of papier mâché, granted the wearer anonymity, and the long robe, known as a domino, hid clothing that normally conveyed the wearer's social status. This effective disguise allowed for an escape from the etiquette that customarily governed social occasions. As masked balls and performances of the Comédie Italienne were highly popular at the Dresden court, it is not surprising that porcelain figures representing these entertainmentswere produced by the Meissen factory in sizable quantities. These figures were intended primarily as decoration for the dessert table, and they had their origins in the sugar sculptures of the two preceding centuries, that also had been created to ornament the dining table. It is notable that this particular example of The Masquerader is marked on the base with the initials K.H.C., for Königliche Hof Conditorei, indicating that it originally belonged to the Saxon Court Pantry, which organized both the food and decoration for the royal table. [Jeffrey H. Munger, 2009] Footnotes: [1] Meredith Chilton, Harlequin Unmasked: The Commedia dell'Arte and Porcelain Sculpture (New Haven, 2001), p. 58.
De moeder, vrouw en zoon van Reinier van Oldenbarnevelt smeken Maurits om genade, 1623
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: roulette, engraving
Location: netherlands
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: the hague, maurice (prince of orange)
Inscriptions: collector's mark: Lugt 2228

De moeder, vrouw en zoon van Reinier van Oldenbarnevelt zitten bij prins Maurits aan een tafel en smeken om genade voor Reinier van Oldenbarnevelt, één van de ter dood veroordeelde samenzweerders, maart 1623.
Musical Bow
Object type: musical bow
Date: 1867 – 1900
Materials: bamboo
Culture: south african
Location: south africa
Groepsportret van een in het wit gekleede groep mannen in kostuum voor het vredespaleis in Den Haag
Object type: photograph
Date: 1900 – 1940
Materials: paper
Techniques: gelatin silver print
Subjects: anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: title: ‘Daniël de Lange met het koor uit Point Loma (Californië) dat tijdens het Vredescongres in Den Haag concerteerde’, stamp: ‘Haagsch Illustratie en Persbureau, Hofwyckstraat 34, telefoon 7230 's Gravenhage.’
Cap
Object type: cap
Date: 1830 – 1830
Materials: cotton
Culture: american
Subjects: flowers
Europa and the Bull
Object type: group
Date: 1701 – 1900
Materials: biscuit, porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: women,bulls
Ex libris van D.J. de Muinck
Object type: bookplate
Date: 1941 – 1941
Materials: ink, paper
Techniques: drawing, pen
Location: netherlands
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: manufacturer, sailing-ship, sailing-boat, armorial bearing, heraldry
Inscriptions: inscription: ‘Niet uitgevoerd ontwerp (verg. no. 55)’, inscription: ‘Cliché = hoogte 8 cm/ Niet uitvoeren’
Collier met hanger van imitatieschildpad
Object type: pendant jewelry
Date: 1930 – 1932
Materials: tortoise shell
Techniques: cutting
Location: netherlands
Artist: willem van laar

Collier met ronde opengewerkte hanger van imitatieschildpad. De hanger heeft een gespiegelde pauwendecoratie.
Standing female figurine
Object type: statuette of a woman
Date: 1390 – 1186
Materials: pottery
Location: egypt
Subjects: women
Jar
Object type: vessel
Date: 601 – 800
Materials: glass
Culture: islamic
Location: syria
Ontzet van Leiden, 1574
Object type: album leaf
Date: 1574 – 1576
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: brussels, raising the siege with outside assistance, relief, leiden, the hague, delft

Het ontzet van Leiden op 3 oktober 1574. Troepen van de prins varen over de ondergelopen polders van Delft langs Den Haag naar Leiden, onder bevel van admiraal Louis de Boisot. Spaanse belegeraars vluchten vanuit hun stellingen. Met onderschrift van 10 regels in het Duits. Genummerd: 24. De prent maakt deel uit van een album.
Prijspenning van de Maatschappij tot Nut van 't Algemeen op naam van Dirk Lub 1831
Object type: medal
Date: 1831 – 1831
Materials: copper
Techniques: printing, striking
Inscriptions: inscription: ‘VOOR EDELMOEDIGE DADEN’, circumscription: ‘EERPRYS DER MAATSCHAPPY’, circumscription: ‘TOT NUT VAN 'T - ALGEMEEN’, inscription: ‘AAN / DIRK / LUB / DEN 9den AUGUSTUS / 1831.’

Bronzen penning, op de voorzijde Minerva onder een boom die een boek overhandigt aan een jongeling, met omschrift, in afsnede een gekroond wapenschildje van de Generaliteit op eikentakken, op de keerzijde een inscriptieruimte tussen samengestrikte eikentakken, met omschrift, met randinscriptie VOOR EDELMOEDIGE DADEN.
Screen Panel from Set of Six
Object type: screen panel
Date: 1767 – 1833
Materials: silk
Culture: chinese
Subjects: human figures,houses
Mlle Jeanne Maubourg
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: adult woman, historical persons