deem-data/ArtiFact huggingface dataset:
La Vera Perfettione del Disegno di varie sorti di recami, page 22 (verso)
Object type: book print ornament architecture
Date: 1567 – 1567
Techniques: woodcut
Artist: giovanni ostaus
Artist role: publisher
Artist nationality: italian
Artist dates: 1507 – 1607
Subjects: birds,peacocks,dogs,flowers,vines

Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice. From top to bottom, and left to right: Design composed of 4 horizontal registers. First register is decorated with an alternating pattern of a 4-petaled flower and circular interlace motif. Second register is decorated with an alternating pattern of a diamond-shaped interlace motif and a heart-shaped leaf. Third register is decorated with a curving vine of flowers and leaves, amongst which are birds and a dog. Fourth register is decorated in the center with a flower that has twisting and coiling vines of leaves, upon which a bird and peacock are perched.
A skeleton dressed as a military figure (vignette for the feast of the dead)
Object type: print
Date: 1890 – 1910
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: skeletons
Address-card of the printseller, Rochoux
Object type: print
Date: 1855 – 1855
Techniques: etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: horses
Christ and the Women on the Staircase
Object type: print
Date: 1541 – 1544
Techniques: etching
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: stairs,women,christ

In Mariette Album, folio 18, bottom right
Portret van een man in een lange jas en een vrouw in een jurk
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: enschede
Artist: e. steffen
Artist role: fotograaf
Subjects: studio requisites ~ photographer, historical persons, neck-gear ~ clothing, clothing for the upper part of the body, hairdress, dress, gown, coat, cape
Inscriptions: address: ‘Enschedé’

Onderdeel van Fotoalbum van een Nederlandse familie met 168 cartes-de-visite en kabinetfoto's.
Carpet
Object type: carpet
Materials: wool
Techniques: pile
Location: turkey
Zaltbommelse duit
Object type: coin
Date: 1591 – 1591
Materials: copper
Techniques: striking
Location: zaltbommel

Koperen munt. Voorzijde: klimmende leeuw met zwaard naar links. Keerzijde: in lauwerkrans opschrift: stadsnaam in drie regels.
Horlogekasten: deksels en zijkanten
Object type: print
Date: 1661 – 1726
Materials: paper
Techniques: engraving
Location: amsterdam
Drinking cup
Object type: cup
Date: 1000 – 1
Materials: limestone
Location: iran or mesopotamia
Subjects: animals
Fotoreproductie van Am Strande
Object type: album leaf
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: adult man, child, rowing-boat, canoe, etc., painting, drawing and the graphic arts
Inscriptions: number: ‘.2901’, annotation: ‘[...]’
Caryatid: Rose and Blue
Object type: drawing and watercolor
Date: 1912 – 1914
Materials: crayon, graphite, ink, paint, paper, watercolor
Techniques: pen
Location: italy
Artist: amedeo modigliani
Artist nationality: italian
Artist dates: 1884 – 1920
Inscriptions: Signed recto, lower left, in pen and black ink: "Modigliani"
Head of a Fourth Dynasty King in a White Crown
Object type: head of a fourth dynasty king in a white corwn
Date: 2575 – 2465
Materials: limestone, paint

This small royal head wearing a white crown probably originates from a depiction of a Fourth Dynasty king either seated or standing. The date is indicated by the long inner canthi extending onto the bridge of the nose, the shape of the white crown, cheeks that are broad at the sides of the head, and the low, natural brow. It either originates from a royal pyramid temple or was a donation to a temple dedicated to one of the deities of the Egyptian pantheon.
Brougham #3478
Object type: drawing
Date: 1878 – 1878
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Cranequin (Winder) for a Sporting Crossbow
Object type: arm
Date: 1550 – 1600
Materials: cord, iron, ivory, wood
Culture: german
Location: germany
Clip van schede uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: clip bevestigingsmiddel
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Portret van Nicolas de Condorcet boven de dood van Condorcet in de gevangenis
Object type: print
Date: 1794 – 1818
Materials: paper
Techniques: aquatint, etching
Subjects: politician, prison, jail, historical persons
Inscriptions: collector's mark: Lugt 2228
Rust op de vlucht naar Egypte
Object type: print
Date: 1622 – 1648
Materials: paper
Techniques: etching
Location: italy
Artist: simone cantarini
Artist role: draughtsman, print maker
Artist dates: 1612 – 1648
Subjects: the flight into egypt: mary, joseph, the child (and sometimes others) on their way; mary usually riding on an ass
Inscriptions: collector's mark: Lugt 11, collector's mark: ‘Hinloopen’, collector's mark: Lugt 10

De Heilige Familie rust in een landschap tijdens de vlucht naar Egypte. Het Christuskind ligt op schoot bij Maria. Op de achtergrond rechts slaapt Jozef.
Eene Hollandsche kust
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: coast, netherlands
Inscriptions: collector's mark: Lugt 2228, : ‘Gedeponeerd.’

Langs de kust zitten figuren bij boten op het strand.
Portret van Philipp Konrad Spiegel zum Diesenberg
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: engraving
Location: vienna
Artist: elias widemann
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Untitled
Object type: photograph
Date: 1865 – 1865
Techniques: tintype
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits
Bijschrift op de afbeelding van den Leydschen burgemeester Pieter Adriaensz. van de Werf
Object type: text sheet
Date: 1774 – 1774
Materials: paper
Techniques: letterpress printing
Location: leiden
Subjects: pieter adriaansz. van der werff, beleg van leiden

Tekstblad gebruikt in: Joannes Le Francq van Berkhey, Het verheerlĳkt Leyden, bĳ het tweede eeuwgetĳde van deszelfs heuchlĳk ontzet. Leiden: H. Coster, Heyligert en Hoogenstraaten boekverkopers, 1774.
Zittende figuur
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: sitting figure

Blad 4 verso uit een schetsboek met 41 bladen.
Portret van Vespasianus op medaillon
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: (story of) the emperor vespasian
Inscriptions: collector's mark: Lugt 2228

Portret met buste van keizer Vespasianus op medaillon in rechthoekige omlijsting met ornamenten. Op rand van medaillon titel en naam van keizer. In de marge onder twee regels in Duits over de wijze waarop de keizer om het leven kwam.
Kop met riviergezicht
Object type: cup
Date: 1809 – 1814
Materials: porcelain
Techniques: painted
Location: nieuwer-amstel

Kop versierd met een man en vrouw in een veelkleurig rivierlandschap. Langs de randen en oor een gouden rand. Gemerkt: Amstel.
Plattegrond van Plassendale
Object type: area plan
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: Anonymous
Subjects: maps of cities

Plattegrond van Plassendale met gebouwen in vogelvluchtperspectief. Door Plassendale heen loopt het kanaal Brugge-Oostende, waarlangs men van het binnenland van Gent naar Oostende kon varen. Boven, in het midden, de titel. Rechtsonder een cartouche met legenda a-f. Links hiervan een schaalstok: Schale van 75 Roeden.
Saint Bartholomew
Object type: statuette
Date: 1738 – 1738
Materials: marble
Artist: pierre legros ii
Artist role: artist
Artist nationality: italian, born france
Artist dates: 1666 – 1719
Subjects: men,saints

This statuette was copied after an engraving by Francesco Aquila of Legros's statue, executed between 1705 and 1712 that forms part of the celebrated series of marble Apostles in San Giovanni in Laterano, Rome.
Concilie van Trente
Object type: medal
Date: 1545 – 1563
Materials: silver
Techniques: casting
Location: unknown
Artist: Anonymous
Subjects: concilie van trente

Penning over het Concilie van Trente: paus boven keizer.
Jonge heer wordt voorgesteld aan een jonge dame
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: introducing, evening meal, dinner, supper, picture, painting
Inscriptions: collector's mark: Lugt 240

Illustratie uit: Richardson, Samuel. Geschiedenis van Karel Grandison. Amsterdam: Johannes Allart, 1797-1802.
Yvette Guilbert Taking a Bow, from Yvette Guilbert
Object type: print
Date: 1898 – 1898
Materials: paper, stone
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Capture of a Cayman Waterton's Ride upon an Essequebo Alligator
Object type: page
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: crocodiles: alligator
Inscriptions: number: ‘30’
Portret van Marie Louise van Oostenrijk, keizerin der Fransen
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: stippling
Location: vienna
Subjects: vienna, marie louise van oostenrijk (keizerin der fransen), historical persons - bb - woman, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228
Spiegel ontwerp
Object type: print
Date: 1704 – 1762
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: ornaments ~ art, rocaille ornament
Inscriptions: signature: ‘Joh Georg Merz exc. Aug V.’, privilege: ‘Cum Pr. Sac. Cas. Maj.’, number: ‘3’, signature: ‘J. B. Hattinger sculpsit’

Ontwerp voor een ovale spiegel met rocaille ornamenten, bloemen en een engelen kopje. Prent maakt deel uit van een album.
W.J.M. Barry, Hammer Throw, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: lithography
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,profiles,athletes

Trade cards from "World's Champions," Second Series (N43), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Notitie
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: ink, paper
Techniques: pen
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Inscriptions: annotation: ‘[...]’

Blad 68 verso uit een schetsboek met 69 bladen.
Palette Depicting a Pair of Mud Turtles
Object type: palette, mud turtle
Date: 3650 – 3500
Location: egypt
Subjects: turtles
Jean François Bodin (1776–1829), French civil-servant and historian
Object type: medallion
Date: 1828 – 1828
Materials: bronze
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
't Magazin oft pac-huys der loffelycker penn-const
Object type: text sheet
Date: 1616 – 1616
Materials: paper
Techniques: letterpress printing
Location: the hague
Artist: david roelands
Artist role: kalligraaf, onderwijzer, schoolmeester
Artist dates: 1572 – 
Subjects: initial
Inscriptions: date

Tekstblad met een extract uit de tekst van het privilege verleend door de Staten Generaal aan David Roelands voor het boek getiteld: t'Magazin oft pac-huys, gedateerd 6 december 1616. De tekst begint met een gedecoreerde initiaal D. Het tekstblad maakt deel uit van een album.
Gezicht op de Hunsrück
Object type: print
Date: 1694 – 1697
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: low hill country, river
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Admirandorum quadruplex spectaculum / delectum, pictum, et aeri in cisum, per Johannem van Call. Amsterdam: Pieter Schenk (I), ca. 1694-1697.
Stags in Woods
Object type: print
Date: 1850 – 1850
Techniques: etching
Artist: charles-françois daubigny
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1878
Subjects: cows,forests,landscapes
Haven van Almelo
Object type: sketchbook leaf
Date: 1803 – 1860
Materials: paper, pencil, watercolor
Techniques: brush
Location: almelo
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: sailing-ship, sailing-boat, pier, quay, wharf (+ view ~ vehicle, ship, etc.)
Inscriptions: date and inscription: ‘Almelo 10 Maart 1860’, signature: ‘HValkenburg’

In de haven liggen zeilschepen aangemeerd. Op de kade liggen goederen en staat een groep vrouwen of meisjes in een kring. Blad 30 recto uit een schetsboek met 77 bladen.
Work Box
Object type: decorative art
Materials: gilt, ivory, metal, silk, wood
Techniques: lacquer
Location: china
Saucer
Object type: saucer
Date: 1740 – 1740
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: flowers
Bord
Object type: plate dish
Date: 1750 – 1780
Materials: faience
Location: delft
Inscriptions: mark: ‘figuratief teken bijltje’

Bord van faience, uit de serie de 12 maanden. Voorstellende de maand december. Afgebeeld zijn: de houthakkers, met de tekst: Dezember.
Vrouw en jongen in de wolken
Object type: print
Date: 1881 – 1934
Materials: paper, pencil
Techniques: woodcut
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: (showing oneself) undressed, quasi-nude, clouds
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166

Een naakte vrouw en jongen, beiden gedeeltelijk bedekt door de mantel van de vrouw. Om hen heen verschillende wolken. De vrouw draagt een bloemenkrans in haar golvende haar, mogelijk stelt ze een genius voor.
Portret van Georg Herwegh
Object type: print
Date: 1841 – 1899
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons, writer, poet, author
Brief aan de gewone leden en buitenleden van Arti et Amicitiae
Object type: letter
Date: 1853 – 1853
Materials: ink, paper
Techniques: printing
Location: amsterdam
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: abcoude, amsterdam, painter, draughtsman, jan willem pieneman
Inscriptions: collector's mark: Lugt 2233
Voetwassing van Petrus
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: christ washes peter's feet
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Luyken, Jan. Bybel printen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1712, p. 33.
Comb
Object type: comb
Date: 1826 – 1826
Materials: plastic
Culture: american
Gezicht op het interieur van de kerk van Drancy met het monument voor de familie Ladoucette, na de verwoesting door de Commune van Parijs
Object type: page
Date: 1871 – 1872
Materials: photographic support
Techniques: albumen print
Location: drancy
Artist: alphonse-justin liébert
Artist role: fotograaf, marinier
Artist dates: 1827 – 1914
Subjects: ruin of a building ~ architecture, parts of church interior, monument, statue
Inscriptions: number: ‘(No. 89)’, address: ‘31, Rue St. Lazare’
Uitdrukkingen en gezegden
Object type: popular print
Date: 1689 – 1720
Materials: paper
Techniques: colour, engraving
Location: amsterdam
Subjects: proverbs, sayings, etc.
Inscriptions: collector's mark: Lugt 2760

Blad met 16 uitbeeldingen van uitdrukkingen en gezegden, waaronder "Dees beschijt de galgh", "Schijn bedriecht" en "Dees heeft twee witte voeten". Onder elke afbeelding een onderschrift. Gemerkt midden: T.
Drie bedelaars bij een boom
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: engraving, intaglio
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: crutches, beggar
Inscriptions: collector's mark: Lugt 2166

Twee mannen en vrouwen in her en der gescheurde kleding bij een boom. Zowel de staande als de zittende man ondersteunt zich met krukken. De zittende man houdt zijn hand op. De vrouw heeft een kleine rieten mand in haar hand.
Handkerchief
Object type: handkerchief
Date: 1876 – 1900
Materials: cotton
Culture: french
As (Coin) Portraying Emperor Trajan
Object type: coin
Date: 98 – 99
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP CAES NERVA TRAIAN AVG GERM P M
Reverse: TR POT COS II   S C

The front (obverse) of this coin portrays the head of Emperor Trajan, facing to the right. On the back (reverse), Victory strides to the left.
The Amusements of Private Life
Object type: print
Date: 1747 – 1747
Techniques: engraving
Artist: louis surugue
Artist role: artist
Artist nationality: french
Artist dates: 1686 – 1762
Subjects: books,interiors,women,spinning wheel
Glass jar
Object type: jar
Date: 301 – 600
Materials: glass
Culture: roman

Translucent cobalt blue; trail in opaque white. Thickened, rounded rim, tooled into a trefoil shape with upward projecting spout; tooled outward bulge in body on opposite side to spout below rim; sack-shaped body; concave bottom, with faint trace of pontil mark. Single trail wound horizontally ten or more times around body below rim. Intact; many pinprick and larger bubbles; slight dulling and faint iridescence.
Landschap
Object type: sketchbook leaf
Date: 1915 – 1916
Materials: paper, pencil
Location: netherlands
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes
Inscriptions: kleurnotitie, handgeschreven

Pagina 17 uit een schetsboek met 43 bladen.
Granietmarmer in rood, bruin en blauw
Object type: marbled paper
Date: 1900 – 2000
Materials: lacquer, paint, paper
Techniques: granite marble
Artist: Anonymous
Don Quichot lezend in een ridderroman
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: bookshelves, reading, armour, book - mm - book open, don quixote
Inscriptions: collector's mark: Lugt 2228

Eerste prent van een serie van twaalf scènes die het verhaal van Don Quichot door Miguel de Cervantes Saavedra illustreren. De scènes werden op een plaat geëtst. Deze serie werd ook gebruikt in: 'Almanac Genealogique pour l'an 1771'.
Four Saints (recto); Two Saints, Seated Madonna, and Kneeling Figure (verso)
Object type: drawing
Date: 1375 – 1400
Materials: gouache, ink
Techniques: highlighting, pen
Artist: anonymous, italian, probably umbrian, 14th century
Artist role: artist
Artist nationality: italian
Artist dates: 1375 – 1400
Subjects: madonna,saints

One of the earliest Italian drawings in The Met collection, this thin and fragile sheet once formed part of a late medieval model book. Such volumes contained repertories of carefully ordered motifs that could be studied and copied by members of a workshop, aiding in the instruction of young apprentices and ensuring a common style across hands. This page presents four principal figures in varying poses: a seated saint, a standing saint, the Virgin Mary cradling the Christ Child, and a figure who prays on one knee. Rather than invent new forms, artists could repurpose these exempla in compositions for works in other media, such as paintings. That the drawing has suffered significantly speaks to its use as an essential working tool and to the vicissitudes of collecting.
Pijpenkop met stuk steel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark: crowned 57; 2hsm1.