deem-data/ArtiFact huggingface dataset:
Coat
Object type: coat
Date: 1860 – 1896
Materials: silk
Culture: french
Artist: maison pingat
Artist role: design house
Artist nationality: french
Artist dates: 1860 –
Divers paisages
Object type: titelprent, frontispice
Date: 1630 – 1660
Materials: paper
Techniques: etching
Location: paris
Subjects: louis de crévant (hertog van humières), ornament ~ cartouche, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Cartouche met Franse tekst, bekroond door wapenschild. Dit is de titelprent voor een serie van 19 prenten met landschappen.
Vuursteenpistool
Object type: flintlock pistol
Date: 1880 – 1880
Materials: brass, bronze, iron, wood
Techniques: engraving, relief
Location: london
Artist: Anonymous
Subjects: netherlands
Inscriptions: mark: ‘London’, mark: ‘E.L.G.’

Vuursteenpistool, deel van koppel, met ronde gladde loop, onderbroken door drie profielbanden met aan het einde van de loop een messing vizierkorrel en aan het begin de naam 'LONDON' gegraveerd. Houten lade met ingekerfde bladmotieven. IJzeren ronde slotplaat met gegraveerde voorstellingen van vaandels en bladeren, links op de slotplaat de letters 'E.L.G.' in staan gegraveerd. Houten kolf met ingekerfde bladmotieven en een kolfplaat van messing waar bladeren in staan gegraveerd. Messing beslag op de linkerkant van de lade. Trekkerbeugel is van messing waarvan de uiteinden de vorm van een blad hebben. IJzeren trekker. De laadstok is van hout met een kop van messing.
Gloves
Object type: glove
Date: 1601 – 1700
Materials: leather, metal thread, silk
Culture: british

During the seventeenth century, elaborately embroidered gloves were commissioned to be made as presents for distinguished visitors, patrons, and heads of state. Their status as purely decorative objects, rather than practical everyday wear, has resulted in the survival of an unusually large number of gloves of this type.
Portret van een man in een jas met een hoofddeksel
Object type: carte de visite
Date: 1857 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: java
Subjects: studio requisites ~ photographer, head-gear, historical persons, clothing for the upper part of the body, family, relationship, descent, coat, cape, java
Inscriptions: address: ‘Java’

Onderdeel van Familiealbum van H.W.F. Ligtenberg en L.M. Swart met 149 foto's en cartes-de-visite.
God met cherubijnen in wolken
Object type: print
Date: 1710 – 1766
Materials: paper
Techniques: etching
Subjects: cherubs, i.e. children's heads with wings, god the father
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Mannen op een plein voor een rijtuig (vermoedelijk) te Frankrijk
Object type: stereograph
Date: 1855 – 1860
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: adult man, passenger carriage

RP-F-F06465 is een ander exemplaar van dezelfde foto.
Gezicht op Kasteel Oudaan te Breukelen
Object type: print
Date: 1773 – 1792
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: castle, bridge, kasteel oudaan

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 7, 8 of 9 (weduwe Isaak Tirion, 1773-1774), ill. 34. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 7, 8 of 9, ill. 34.

Uit welke druk het huidige exemplaar precies komt is niet na te gaan.
Leeuw
Object type: photograph
Date: 1888 – 1888
Materials: cardboard, photographic support
Techniques: albumen print
Artist: ottomar anschütz
Artist role: fotograaf
Artist dates: 1846 – 1907
Subjects: beasts of prey, predatory animals: lion
Inscriptions: annotation: ‘N.’, collector's mark: ‘RIJKS-NORMAALSCHOOL-VOOR-TEEKENONDERWIJZERS-AMSTERDAM’, number: ‘Lw.11’, name: ‘Ottomar Anschütz Lissa (Posen) 1888.’
In nomine Patris et Filii et Spiritus Sancti, amen
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2233

Een horizontale, rechthoekige titelband met links de tekst 'Trinitas Unitas' in een cirkel versierd met plantmotieven.
Baron Henri Leys
Object type: medallion
Date: 1801 – 1900
Materials: brass, gilt, silver
Artist: leopold wiener
Artist role: artist
Artist nationality: belgian
Artist dates: 1823 – 1891
Subjects: men,profiles
Notitie
Object type: sketchbook leaf
Date: 1858 – 1858
Materials: paper, pencil
Location: sainte-maure
Artist: gerrit postma
Artist role: draughtsman
Artist dates: 1819 – 1894
Inscriptions: annotation: ‘a St Maure’

Blad 14 verso uit een schetsboek met 52 bladen.
Twee kreeften
Object type: houtblok kopshout
Date: 1887 – 1924
Materials: wood
Techniques: woodcut
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
The Albert Memorial, Asia
Object type: ansichtkaart, prentbriefkaart
Date: 1902 – 1930
Materials: cardboard
Techniques: photograph
Location: germany
Subjects: asia represented allegorically; 'asia' (ripa), monument, statue, trunked animals: elephant
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, drapery and calf of figure
Limestone statuette of a seated Zeus Ammon
Object type: statuette of zeus ammon
Date: 400 – 301
Materials: limestone
Culture: cypriot
Subjects: zeus

Figure with ram's horns, seated on high-backed throne, the arms formed by rams.
Johan Hulshout (1623–1687)
Object type: painting
Materials: oil, wood
Artist: pieter van slingelandt
Artist role: artist
Artist nationality: dutch
Artist dates: 1640 – 1691
Subjects: men,portraits
Wineglass
Object type: wineglass
Date: 1601 – 1700
Materials: glass
Subjects: human figures
Pair of candlesticks with gods and the Labours of Hercules
Object type: candlestick
Date: 1550 – 1600
Materials: copper, gold
Location: limoges
Artist: jean court
Artist role: emailleschilder
Subjects: most important deeds of hercules: the twelve labours

Represented on the round base of the candlesticks are the labours of the Greek hero Hercules, alternating, with depictions of Greek gods.
Bishop's Gloves
Object type: glove
Date: 1701 – 1725
Materials: metal, silk
Subjects: flowers
Zeeslag bij Doggersbank, 1781
Object type: print
Date: 1781 – 1781
Materials: textile
Techniques: engraving, etching
Location: rotterdam
Artist: mathias de sallieth
Artist role: print maker
Artist dates: 1749 – 1791
Subjects: the hague, johan arnold zoutman, hyde parker, battle (+ naval force)
Inscriptions: collector's mark: Lugt 2228

De Nederlandse en Engelse tijdens de zeeslag bij Doggersbank op 5 augustus 1781 tussen de Nederlandse vloot onder schout-bij-nacht Johan Zoutman en de Engelse vloot onder vice-admiraal Hyde Parker. In de marge alleen een trofee. Onderdeel van een serie van drie platen van de Zeeslag op de Doggersbank, in proefdruk vóór de letter op satijn.
Illustraties vaderlandse geschiedenis
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: piracy, zuiderzee
Inscriptions: collector's mark: Lugt 240

Voorstelling uit de vaderlandse geschiedenis. Grote Pier maakt met zijn piraterij de Zuiderzee onveilig. Overvallen en plunderen van schepen op het water onder leiding van de piraat Grote Pier.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, part of heel of foot of a male with a stick or spear
Panel (Possibly from trousers)
Object type: textile
Date: 1675 – 1725
Materials: silk
Techniques: brocade
Location: iran
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Subjects: buildings,flowers
Portret van Johannes Hus
Object type: print
Date: 1831 – 1877
Materials: paper
Techniques: lithograph
Artist: frédéric charles wentzel
Artist role: print maker, publisher
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Alex. Rypinski. Jean Klott. Lucien Plater. Alex. Pagowski
Object type: book illustration
Date: 1832 – 1839
Materials: paper
Techniques: lithograph
Location: paris
Subjects: painter, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Straszewicz., Joseph. Les polonais et les polonaises de la révolution du 29 novembre 1830, ou Portraits des personnes qui ont figuré dans la dernière guerre de l'indépendance polonaise, avec les fac-simile de leur signature, lithographiés sur dessins originaux, par les artistes les plus distingués: MM. Grévedon, Maurin, Vigneron, Belliard, Devéria, Bazin, Desmadryl, Lecler, Desmaisons, Rutowski, officier polonais, etc,. etc., accompagnés d'une biographie pour chaque portrait. Parijs: Catherine-Anaïs Pinard, 1832.
Of uit: Straszewicz., Joseph. Les polonais et les polonaises de la révolution du 29 novembre 1830. Biographie des personnes qui ont figuré dans la dernière guerre de l'indépendance polonaise, avec les fac-simile de leur signature, ornée de 30 portraits lithographiés sur dessins originaux, par les artistes les plus distingués: MM. Grévedon, Maurin, Vigneron, Belliard, Devéria, Bazin, Desmadryl, Lecler, etc., etc.. Parijs: s.n., 1839.
Portret van Charles Mordaunt
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: earl, adult man, historical persons, (military) flags and standards

Prent uit: The Universal Magazine of Knowledge and Pleasure 28 (1761).
Gallerie des Modes et Costumes Français, 1778, O 79 : Monarque juste et Bienfaisant (...)
Object type: fashion print
Date: 1778 – 1778
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: head-gear: tricorn (+ men's clothes), clothing for the upper part of the body (vest) (+ men's clothes), ensembles of pieces of clothing (habit à la française) (+ men's clothes), fashion plates, shoes, sandals (+ men's clothes), trousers, breeches, etc. (breeches) (+ men's clothes), stockings, socks (+ men's clothes), sleeves (+ men's clothes), king
Inscriptions: inscription: ‘14e Cahier de Costumes Français.8e Suite d'Habillemens et Modes en 1778. 1er. Cahier pour le 1er Volume.’, address: ‘A Paris chez Esnauts et Rapilly rue S. Jacques à la Ville de Coutances.A.P.D.R.’, title: ‘Monarque juste et bienfaisant’, caption: ‘Vêtu simplement de l'habit Français de velours cerise brodé autour; les paremens et la veste étoffe d'or brodés comme l'habit avec des paillettes d'or de diverses couleurs.’

Lodewijk XVI als rechtvaardig en weldoend vorst, gekleed in een 'habit à la Française' van kersenrood fluweel versierd met borduurwerk. De manchetten en het vest zijn van goudkleurige stof en op dezelfde manier geborduurd als de jas met pailletten van verschillende kleuren goud. Blauwe sjerp en op de borst het kruis van de koninklijke en militaire Orde van de H. Lodewijk. Verdere accessoires: driekantige steek met knoop en lis, (sier)degen, schoenen met rode hakken en gespen. Prent uit serie O. 14e Cahier de Costumes Français, 8e Suite d'Habillemens à la mode en 1778, Gallerie des Modes et Costumes Français.
Friezen
Object type: ornament print
Date: 1650 – 1666
Materials: paper
Techniques: etching
Location: paris
Hengsel
Object type: hengsel
Date: 1400 – 1950
Materials: iron
Location: italy

Hengsel met cirkelvormig ornament. Afkomstig van een Noord Italiaanse of Zuid Duitse kist.
Brug over de Oude Maas bij Spijkenisse
Object type: photograph
Date: 1901 – 1907
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: den bosch
Subjects: bridge, building-site
Inscriptions: date
The Departure of Charles II of England from Scheveningen, 2 June 1660
Object type: painting
Date: 1660 – 1701
Materials: canvas, oil
Artist: cornelis beelt
Artist role: painter
Artist dates: 1640 – 1702
Subjects: london, karel ii (koning van engeland), departure ~ travelling
Inscriptions: signature: ‘K. Beelt’

Het vertrek van Karel II, koning van Engeland, vanuit Scheveningen op 2 juni 1660 naar Engeland. Op het strand heeft zich een grote menigte verzameld. Links de koetsen waarmee het koninklijke gezelschap is gearriveerd. Rechts de kerk en andere gebouwen van Scheveningen.
Sofa, in Chippendale Drawings, Vol. I
Object type: drawing ornament architecture
Date: 1759 – 1759
Materials: ink
Techniques: wash
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: couches

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse on the bottom half of plate XXIX in the third edition of 1762, but created as early as 1759 according to the Act of Parliament on the print itself.
Reisverslag van begin september 1880
Object type: sketchbook leaf
Date: 1880 – 1880
Materials: pencil
Location: hammerfest
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: hammerfest, nova zembla expedities 1880
Inscriptions: annotation: ‘Hammerfest - Zondagmorgen / Berg beklommen Lowie / Cal. en Sailor, daarna / in de kerk gegaan waar / dienst was [...]’

Blad 45 verso uit een schetsboek met 110 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Apotheose van Isis
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: engraving, etching
Location: france
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: suffering, misfortune of isis - apotheosis, deification of non-christian god or goddess
Hand met gespreide vingers
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: fingers spread out
Inscriptions: watermark: ‘Holland’

Blad 2 verso uit schetsboek IV met 27 bladen.
Side Chair
Object type: side chair
Date: 1760 – 1775
Materials: wood
Culture: american
Location: united states

With its perfect proportions, elegantly integrated crest and splat design, and unsurpassed carving, this is perhaps the best of all Philadelphia Chippendale chairs. The splat pattern, its dominant figure-eight motif flowing from the crest rail, is a free adaptation from plate 16 of the third edition of Thomas Chippendale's Gentleman and Cabinet-Maker's Director (1762) (see 1982.1133).
Tweetal Russische vrouwen werken op het land
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Location: berlin
Artist: alexis mazourine
Artist role: fotograaf
Artist dates: 1846 – 1918
Subjects: cultivation ~ agriculture (+ women (labourers))
Vestibule in het Stadhuis van Manchester
Object type: page
Date: 1877 – 1877
Materials: photographic support
Techniques: albumen print
Location: manchester
Artist: j. mcleod
Artist role: fotograaf
Subjects: townhall, vestibule, hall
Inscriptions: title: ‘The Public Hall’
Tureen
Object type: ceramic
Date: 1760 – 1760
Materials: ceramic, porcelain, soft paste porcelain
Location: worcester
Schaal met twaalf gedreven cartouches
Object type: dish
Date: 1600 – 1600
Materials: silver
Techniques: gilding
Location: germany
Artist: Anonymous
Inscriptions: mark: ‘GB’, mark: ‘MAF’

Ewer and basin. Silver-gilt. Germany?, c. 1600. The scenes of Mercury and Argus on the ewer and of Diana and Callisto and Callisto and Juno on the basin are based on compositions by Paulus van Vianen. On the basin the arms of Brabazon Ponsonby, Earl of Bessborough (1679-1758) and his first wife, Sarah Margetson. Gift of the Committee for Photographic Sales.
Brief aan de commissie van de Tentoonstelling van Levende Meesters in Utrecht
Object type: letter
Date: 1848 – 1848
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: jacobus hendricus johannes nooteboom
Artist role: draughtsman, painter, sculptor
Artist dates: 1811 – 1878
Subjects: painting (including book-illumination, miniature-painting), exhibition ~ art, money
Inscriptions: collector's mark: Lugt 2233
Filippus
Object type: print
Date: 1500 – 1550
Materials: paper
Techniques: woodcut
Location: germany
Artist: Anonymous
Subjects: the apostle philip; possible attributes: book, cross, dish with snake, lance, scroll, stone, sword

De apostel Filippus met een kruis in zijn linkerhand. Prent maakt deel uit van een album.
Chain
Object type: chain
Date: 1368 – 1644
Materials: jade
Culture: chinese
Camposanto. Infanzia e primi prodigi di Mosè. (Benozzo Gozzoli)
Object type: photograph
Date: 1857 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: florence
Artist: benozzo gozzoli
Artist role: draughtsman, painter, sculptor
Artist dates: 1421 – 1497
Subjects: picture, painting
Inscriptions: number: ‘No. 11380’, collector's mark: ‘VOSMAER’
Medal of honour awarded to Mrs J.M. van Gelder-Nijhoff for bequeathing her husband’s collection of medals to the Dutch state
Object type: medal
Date: 1877 – 1877
Materials: silver
Techniques: striking
Location: utrecht
Artist: johan philip mathias menger
Artist role: medailleur
Artist dates: 1845 – 1905
Subjects: brussels, willem iii (koning der nederlanden)

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift binnen krans van eikeloof en omschrift
Sugar sifter
Object type: sugar sifter
Date: 1801 – 1833
Materials: silver
A mortar without a carriage lying on the ground to the right, soldiers firing cannons creating clouds of smoke in the background, from "Equipment needed for Fortification" (Recueil de diverses pièces très nécessaires à la fortification)
Object type: print
Date: 1638 – 1643
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: human figures,fortification,cannons
Fierce as staring Ajax from this seat...
Object type: print
Date: 1787 – 1787
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,dogs
The entry of the Count of Brionne: in the upper image, the count stands on a shipdeck in the guise of Jason, with mermaids and tritons playing musical instruments in the water below; at lower left, the Golden Fleece hangs in a tree above a recumbent dragon; at lower right, a winged figure of Fame plays two trumpets from a rocky outcrop, from "Le Combat a la Barrière"
Object type: print
Date: 1627 – 1627
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: triton,jason,dragons,mermaids,ships
Schnee und Nebel
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Subjects: road, path, snow
Openwork Ring
Object type: ring, openwork
Date: 1070 – 712
Materials: faience
Location: egypt
Te Buren 1719
Object type: book illustration
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior), buren
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 266.
Singalezen op olifant. Diverse Singalezen.
Object type: drawing
Date: 1712 – 1785
Materials: ink, paper, pencil
Techniques: brush
Location: ja-ela
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: trunked animals: elephant

Zwartwitte penseeltekening en potloodschetsen van een olifant met mensen op zijn rug. De Singalezen dragen lendedoeken en tulbanden. Onderdeel uit het schetsboek van Jan Brandes, dl. 2 (1808), p. 133.
Tablet
Object type: tablet
Date: 1736 – 1795
Materials: alabaster
Culture: chinese
Subjects: men
Page from the Mustard Seed Garden Manual of Painting
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: chinese
Artist: wang gai
Artist role: artist
Artist nationality: chinese
Artist dates: 1645 – 1710
Subjects: trees

In 1679, the author Li Yu published a primer for aspiring landscape painters called the Mustard Seed Garden Manual of Painting, and he commissioned the versatile painter Wang Gai to provide designs for the illustrations. The first edition features volumes on the components of landscape painting—trees, rocks, and human figures—with instructions on how to draw different types of each. It also includes two volumes of landscapes in the styles of old masters, which show readers how to transform what they have learned into their own historically minded compositions. The manual transmitted the fashion for studying old masters' styles beyond the rarified elite circles that had given rise to the practice, and it went on to become the most widely used introduction to painting not only in China, but in Korea and Japan as well. Subsequent editions added flowers as a subject and expanded sections on human figures. It remains in use today across the world.
A Pond near Nangis
Object type: painting
Date: 1880 – 1895
Materials: canvas, oil
Artist: paul-désiré trouillebert
Artist role: artist
Artist nationality: french
Artist dates: 1829 – 1900
Subjects: landscapes,boats
Fotoreproductie van een gegraveerd portret van Sir Francis Leopold McClintock, scheepskapitein bij de Royal Navy
Object type: photograph
Date: 1857 – 1862
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: london, historical persons, commander-in-chief, admiral
Dye House at Konya-cho, Kanda
Object type: print
Date: 1857 – 1857
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: textiles

In Hiroshige's day, anybody who knew Edo could recognize the city's three most prominent landmarks: distant Mount Fuji, Chiyoda Castle, and Nihon Bridge. Thus, the inclusion of the castle nestled in the townscape and Mount Fuji on the horizon leaves no doubt that this is an Edo scene. But while these features were de rigueur in depictions of the capital, positioning the viewpoint amid the windblown textiles of a dyer's drying platform was Hiroshige's innovation. He views Edo from Konya-cho, a street in the tradesmen's section of town where all the professional cloth dyers were clustered. The strips of cloth hanging in the wind are to be cut into tenugui (or towels), which men tie around their heads during the autumn festival. Thus, we know that autumn is depicted here and that the festival is near at hand. Again, cropping is used to thrust the dynamic forms of the foreground subject matter virtually on top of the viewer. The juxtaposition of various sizes of textiles, hanging like banners, lends an animated sense of rhythm to the composition. A small bird flying by itself in the middle of the sky adds a piquant touch.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, left upper arm and part of torso of male to right; above arm, a lambda
Raven Rattle
Object type: rattle
Date: 1840 – 1840
Materials: ivory, wood
Culture: haida
Location: canada
Subjects: musical instruments,birds
Milk pitcher
Object type: milk pitcher
Date: 1770 – 1780
Materials: earthenware
Culture: british
Location: england
Subjects: men,women
Evening dress
Object type: evening dress
Materials: silk
Culture: american
Portret van een vrouw met een baby op schoot
Object type: photograph
Date: 1885 – 1914
Materials: photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: mother and child(ren), woman and child(ren) (family group), france

Onderdeel van Fotoalbum met familiefoto's.
Bowl of Sand
Object type: bowl, fig, foundation deposit, hatshepsut
Date: 1479 – 1458
Materials: pottery
Location: egypt