deem-data/ArtiFact huggingface dataset:
Decorated Sarcophagus with Arabesques, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1582 – 1582
Techniques: engraving, etching
Artist: giovanni ambrogio brambilla
Artist role: artist
Artist nationality: italian
Artist dates: 1575 – 1599
Subjects: ornament,peacocks,sheep,sarcophagus

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). .Originally volume 3, plate 2 in the scrapbook.
De Nieuwe of Uitrechtsche poort te Oudewater
Object type: print
Date: 1747 – 1747
Materials: paper
Techniques: engraving, etching
Subjects: bridge in city across river, canal, etc., city-gate
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent uit: Kinschot, Gasparus Rudolphus. Beschryving der stad Oudewater (...). Delft: Reinier Boitet, 1747, p. 22.
Servet van linnendamast met een bloemen- en kantpatroon
Object type: napkin
Date: 1725 – 1730
Materials: linen
Techniques: damask
Location: flanders

Wit linnendamasten servet, vlak volledig gevuld met verschillende bloemen, ananas, granaatappels met een slingered kantpatroon. Met geborduurd monogram: T.
Figure of a Duck
Object type: figure
Date: 206 – 220
Materials: pottery
Culture: chinese
Subjects: ducks
Tiroolse landschappen
Object type: print
Date: 1647 – 1692
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: column, pillar ~ architecture, landscapes in the temperate zone, landscape with bridge, viaduct or aqueduct, rural housing, e.g. country-house, villa, cottage, mountains

Gezicht op een berglandschap in Tirol, met op de voorgrond een zuil met gedenkteken. Temidden van de bergen en rotsen een brug, die naar een hut bij een stroom leidt. Rechts op de achtergrond de contouren van een stad. Prent uit een serie van acht prenten met Tiroolse landschappen.
Cidade de Loanda
Object type: photomechanical print
Date: 1876 – 1886
Materials: paper
Techniques: photograph
Location: luanda
Subjects: gulf, bay, city-view in general; 'veduta'
Joodse bruiloft in Marokko
Object type: print
Date: 1846 – 1853
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: wedding feast, wedding meal
Inscriptions: collector's mark: Lugt 2228

Binnenplaats met zittende mannen met tulbanden en een dansende vrouw.
Black-topped red ware jar with a climbing animal
Object type: jar, black topped, red ware, climbing animal
Date: 3700 – 3500
Materials: pottery
Location: egypt
Subjects: animals
Interieur van het Colosseum in Rome
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: colosseum
Artist: Anonymous
Subjects: theatre (building) - aa - open-air performances
FIRENZE Chiesa SS. Annunziata
Object type: photograph
Date: 1870 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: florence
Artist: Anonymous
Subjects: parts of church interior: nave
Inscriptions: negative number: ‘4282’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Genua, Florence en Venetië.
Courtesan District of Edo
Object type: print
Date: 1756 – 1829
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: chōbunsai eishi
Artist role: artist
Artist nationality: japanese
Artist dates: 1756 – 1829
Subjects: women
The Market at Gisors; Rue Cappeville
Object type: print
Date: 1894 – 1894
Materials: paper, ivory
Techniques: etching
Location: france
Artist: camille pissarro
Artist role: artist
Artist nationality: french
Artist dates: 1830 – 1903
The Microcosm of London, or London in Miniature, Vol. II
Object type: book
Date: 1808 – 1811
Techniques: aquatint, etching
Artist: william henry pyne
Artist role: author
Artist nationality: british
Artist dates: 1770 – 1843
Razor (Anniversary Tin)
Object type: decorative art
Date: 1850 – 1900
Materials: tin
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Miniature Bottle
Object type: bottle
Date: 1001 – 1500
Materials: copper, silver gilt
Culture: chancay or chimú
Location: peru
Portrait of Robert Graves, Printseller
Object type: print
Date: 1827 – 1827
Materials: steel
Techniques: printmaking, engraving
Artist: robert graves
Artist role: artist
Artist nationality: british
Artist dates: 1798 – 1873
Subjects: men,portraits

A half-length figure seated, resting his left elbow on a fabric covered ledge, holding a 17th century print. Based on a portrait by John Hoppner. A later state of the engraving at the British Museum includes text below the image that reads: "Robert Grave, Engraved by his son from a Picture by J. Hoppner, Esqr., R.A., 1809."
Creamer
Object type: cream pot
Date: 1880 – 1890
Materials: glass
Techniques: pressed
Location: england
Sculptuur van Jan Pietersz. Coen bij de ingang aan het Damrak van de Beurs van Berlage te Amsterdam
Object type: photograph
Date: 1903 – 1903
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: batavia, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: stamp: ‘Rijksmuseum/ Amsterdam’
Koens gedenkdag 1587 - 8 Januari - 1887
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: hoorn (north holland)

Spotprent bij de 300ste gedenkdag van Jan Pietersz. Coen, 1587-1887. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 2, 1887.
Zilveren rijder van West-Friesland
Object type: coin
Date: 1728 – 1728
Materials: silver
Location: hoorn
Artist: jan knol
Artist role: mintmaster
Artist dates: 1715 – 1751

Voorzijde: geharnaste ruiter, naar links, hierboven gekroond wapen. Geheel binnen omschrift: MON : FOED : BELG : PRO : WESTF : INUSUM : SOCIET : IND : ORIENT :. Keerzijde: generaliteitswapen tussen 2 staande leeuwen, Geheel binnen omschrift: CONCORDIA RES PARVAE CRESCUNT . 1728.
Wine pot
Object type: wine pot
Date: 1882 – 1882
Materials: silver, silver gilt
Culture: american
Location: united states
Artist: dominick & haff
Artist role: maker
Artist nationality: american
Artist dates: 1872 – 1872
Subjects: flowers

Dominck & Haff produced a diverse range of magnificently crafted silver and was an influential and defining force in the American silver industry. The exquisite ornament on this wine pot, in the form of a Greek askos, reveals the hand of a masterful chaser, likely the same craftsman who chased the silver and silver-gilt tureen retailed by Shreve, Crump and Low (2011.115). Exceptional among Dominick & Haff’s oeuvre, the small group of objects associated with this virtuosic chaser are some of the finest examples of American Aesthetic movement silver known.
Der Comoediant
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching
Subjects: comedy
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Sancta Clara, Abraham à. Etwas für Alle, das ist: Eine kurtze Beschreibung allerley Stands- Ambts- und Gewerbs-Persohnen (...), 3 delen (1699-1733). Würtzburg: Martin Frantz Hertz, 1711, dl. III, p. 105. Het betreft hier de tweede druk van deel III.
Bruggetje over een sloot langs een bosrand
Object type: drawing
Date: 1870 – 1923
Materials: paper
Techniques: brush
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: plants; vegetation, landscape with bridge, viaduct or aqueduct
Inscriptions: number: ‘T 133’
Sampler
Object type: sampler
Date: 1601 – 1650
Materials: linen, metal thread, silk
Subjects: flowers
Sari
Object type: costume and accessory
Date: 1965 – 1965
Materials: metal thread
Techniques: brocade, weave
Location: india
Subjects: paisley, palmette
Hippomenes and Atalanta, from 'Game of Mythology' (Jeu de la Mythologie)
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,women
Het Huis ter Does 1620
Object type: print
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: castle, fisherman
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 94.
Landscape
Object type: drawing
Date: 1890 – 1890
Materials: cardboard, paper, pastel
Culture: american
Artist: john henry twachtman
Artist role: artist
Artist nationality: american
Artist dates: 1853 – 1902
Subjects: landscapes
Bilder aus dem Altjüdischen Familienleben
Object type: photograph
Date: 1866 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: frankfurt am main
Subjects: 'seder' (home service for 'pesah')
Inscriptions: inscription: ‘Vervielfältigung vorbehalten./ Grösse II - Deponirt - Blatt 5.’
The Scold, with News of Olivia
Object type: print
Techniques: aquatint, etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: interiors,men,women,dogs,drinking

The Vicar of Wakefield was written by Oliver Goldsmith between 1761–62, published in 1766, and later illustrated with twenty-four designs by Thomas Rowlandson in 1817.
Boerin uit Buiksloot
Object type: costume print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: folk costume, regional costume

Figuur in klederdracht. De vrouw slaapt op een stoel. De prent heeft een titel in het Frans en in het Nederlands.
View of Castle Te Blotinghe, near The Hague
Object type: drawing
Date: 1646 – 1692
Materials: chalk
Techniques: brush, wash
Location: netherlands
Artist: roelant roghman
Artist role: artist
Artist nationality: dutch
Artist dates: 1627 – 1692
Altar of the Heavens
Object type: drawing and watercolor
Materials: ink, paper, watercolor
Techniques: brush, heightening, wash
Location: france
Artist: dominique papety
Artist nationality: french
Artist dates: 1815 – 1849
Funerary Cone
Object type: cone, round, surer, royal scribe, fanbearer
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Pendant
Object type: pendant
Date: 201 – 1200
Materials: bronze
Location: egypt
Fork
Object type: fork
Date: 1801 – 1900
Materials: silver gilt
Subjects: men
Brief aan Philip Zilcken
Object type: letter
Date: 1903 – 1903
Materials: ink, paper
Techniques: pen, printing, writing
Location: contrexéville
Artist: abraham bredius
Artist role: kunsthistoricus, museumdirecteur
Artist dates: 1855 – 1946
Subjects: painter, print maker, draughtsman, vincent van gogh, carel vosmaer, leiden, rembrandt van rijn, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Hippopotamus, from Quadrupeds series (N41) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: hippos

Large trade cards from the "Quadrupeds" series (N41), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N41 reproduces the cards from N21 in a larger size.
Portret van Otto Balthasar von Thun
Object type: print
Date: 1775 – 1824
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons
Esopus in Europa
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: spaanse successieoorlog

Titelblad voor het pamflet: Byeenkomst der Moogendheden in het Hof van den Leeuw, 1701. Bijeenkomst van de leeuw met de eenhoorn (Engeland), olifant (Denemarken), beer (Zweden), adelaar (keizerrijk) en een kat (Holland) waarin de trouweloosheid van de tijger (Frankrijk) wordt besproken.
Watch
Object type: watch
Date: 1815 – 1830
Materials: garnet, gold, silver, steel
Artist: firm of bordier frères
Artist role: maker
Artist dates: 1820 – 1830
Subjects: flowers,leaves
Fotoreproductie van een prent naar een schilderij door James Northcote, voorstellend een scene uit Koning Jan door William Shakespeare
Object type: page
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: specific works of literature
Inscriptions: number: ‘Ph. XLII. 167’

Te zien is akte IV, scene 1 met Arthur I, de hertog van Bretagne en Hubert de Burgh.
Variae architecturae formae
Object type: album leaf
Date: 1601 – 1601
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: jug and basin; wash-basin, interior of the house, bed

Interieur met een bed met baldakijn in de hoek en op de voorgrond een waterbassin met fontein. Boven de fontein een beeld van een minnekozend paar. De prent maakt deel uit van een album.
Maurits behaalt de overwinning bij de slag bij Nieuwpoort, 1600
Object type: print
Date: 1775 – 1791
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Artist: mathias de sallieth
Artist role: print maker
Artist dates: 1749 – 1791
Subjects: the hague, maurice (prince of orange), battle (+ land forces), battle of nieuwpoort
Inscriptions: collector's mark: Lugt 2228

De slag bij Nieuwpoort, 2 juli 1600. Op de voorgrond links prins Maurits te paard, omgeven door soldaten en officieren, de gevangen genomen Franciscus van Mendoza wordt naar de prins geleid. Op de achtergrond woedt de veldslag.
Vijzel met opschrift HENRICK TER HORST ME FECIT DAVENTRIAE ANNO 1631
Object type: mortar
Date: 1631 – 1631
Materials: bronze
Techniques: casting
Location: deventer
Artist: henrick ter horst
Artist dates: 1600 – 1680
Inscriptions: inscription: ‘HENRICK.TER.HORST.ME.FECIT.DAVENTRIAE.ANNO.1631.’

De gegoten ronde vijzel verbreedt zich naar boven toe, heeft een hoge uitkragende en geprofileerde rand en een geprofileerde voet, welke hoger is aangebracht dan de onderkant van het voorwerp. Op de rand in Latijnse majuskels het opschrift HENRICK TER HORST ME FECIT DAVENTRIAE ANNO 1631 met interpuncties bestaande uit een ruit (zeven keer) en uit drie ruitjes. De wand wordt boven het midden in tweeën gedeeld door een scherp geprofileerde rib. Het bovenste fries is opgebouwd uit driepasbogen, waaraan om en om druiventros en wingerdblad hangen. Het onderste fries vertoont door een cartouche omgeven druiventrossen, geflankeerd door twee naakte vrouwenfiguren met o.a. een tak in de hand. De cartouche loopt uit in gestileerd rankenwerk van twee voluten, waarin o.a. druiventrossen zijn opgenomen. Het gehele motief wordt nog geen twee keer herhaald. Aan de onderkant wordt het fries afgesloten door een gestileerde gewonden parel- en koordrand.
Schepen aan de Schinkel
Object type: print
Date: 1867 – 1903
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: maurits van der valk
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Subjects: harbour, sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228
Evangelist Marcus
Object type: print
Date: 1534 – 1534
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: mark (marcus) the evangelist, and bishop of alexandria; possible attributes: book, (winged) lion, pen and inkhorn, scroll
Inscriptions: collector's mark: Lugt 240

Prent afkomstig uit een onbekende publicatie.
Kraaiende haan
Object type: drawing
Date: 1934 – 1936
Materials: ink, paper
Techniques: brush
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: (cohen, van anarchist tot monarchist) specific works of literature (with author, title), fowl (cock, hen, chicken, etc.) (+ male animal)

Ontwerp voor een boekband voor: Cohen, Alexander. Van anarchist tot monarchist. Amsterdam: De Steenuil, 1936.
Cup with a Seated Figure
Object type: vessel
Date: 500 – 1450
Materials: ceramic
Techniques: burnishing, modeling
Culture: chimú or moche
Location: peruvian north coast
Subjects: people, hairstyles, offering
Thomas Holles Duke of Newcastle
Object type: print
Date: 1745 – 1765
Materials: paper
Techniques: mezzotint
Location: london
Subjects: london, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 240
Maria met kind aanbeden door een geestelijke
Object type: print
Date: 1652 – 1666
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: madonna (i.e. mary with the christ-child) accompanied or surrounded by others
Inscriptions: collector's mark: Lugt 240
Portret van Felix Brennwald
Object type: print
Date: 1665 – 1712
Materials: paper
Techniques: engraving
Artist: johannes meyer (ii)
Artist role: print maker
Artist dates: 1655 – 1712
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Onderaan de ovale omlijsting genummerd: 24.
Hoofd van een vrouwelijke heilige of van Maria
Object type: drawing
Date: 1440 – 1478
Materials: paper
Artist: hugo van der goes
Artist role: draughtsman, painter
Artist dates: 1440 – 1482
Subjects: 'portraits' of mary, female saints
Relief fragment: siege of a city by Assyrian troops
Object type: relief
Date: 704 – 681
Materials: alabaster, gypsum
Culture: assyrian
Location: mesopotamia
Subjects: bow and arrow,shields,spears,men

This relief fragment depicts part of an Assyrian assault on a fortified city. Two spearmen with crested helmets and round shields climb a ladder at the city wall, while beneath them ranks of Assyrian archers fire upward toward defenders (not preserved in this fragment). The Assyrian army, the great military power of its time in the Near East, was extremely effective in siege warfare and the taking of cities, and multiple depictions of sieges in reliefs such as this capture many of the technologies and tactics they employed. As well as the use of specialist ladder and spear teams with covering fire as depicted here, Assyrian reliefs depict examples of battering rams and siege engines, the undermining of walls, and even actions taken by the defenders such as pouring hot water or oil or attempting to sabotage siege engines. Drawings from the nineteenth century excavations at Nineveh indicate the original location of this fragment in the Southwest Palace, Sennacherib’s (r. 704–681 B.C.) "Palace Without Rival," where it formed part of a military campaign taking place in a wooded and hilly country whose depiction probably filled the entire room. As was typical, the reliefs showed not only the sieges and military actions themselves but also their aftermath, with the taking of prisoners, livestock, and booty, and the counting of enemy soldiers’ heads – a common ancient approach to recording the casualties of battle. The reliefs are those of Sennacherib, the original builder of the palace, and are thought to depict events from his second major military campaign as king, in 702 B.C., which texts describe as taking place against multiple enemies in the central Zagros Mountains in western Iran. This area, and specifically the route through the mountains, was strategically important to the Assyrians as it controlled access to a key trade route east – what in later times would become known as the Great Khorasan Road.
Galleria Giustiniana del Marchese Vincenzo Giustiniani I
Object type: print
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Subjects: piece of sculpture, reproduction of a piece of sculpture, (story of) flora

Standbeeld van Flora, gekleed in klassiek gewaad, een diadeem in het haar. In haar linkerhand draagt zij bladeren, met haar rechterhand houdt zij haar kleed vast. Op de basis het wapenschild van Vincenzo Giustiniani. Prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Portret van paus Gregorius III
Object type: book illustration
Date: 1595 – 1595
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: historical persons, pope, armorial bearing, heraldry

Prent uit: Cavalieri, Giovanni Battista de'. Effigies pontificum romanorum cum eorum vitis (...). Rome: Bartolomeo Bonfadino, 1595. Prent voor het eerst verschenen in: Cavalieri, Giovanni Battista de'. Pontificum romanorum effigies (...). Rome: Domenico Basa en Francesco Zanetti, 1580. Prent ook gebruikt in latere publicaties.
Mary
Object type: crèche figure
Subjects: virgin mary

The practice of using crèche figures to restage religious events reached the height of its complexity and artistic excellence in eighteenth-century Naples, and the Metropolitan Museum of Art’s group of Neapolitan crèche is one of the finest and most complete survivals of the art form. The ensemble consists of characters traditional to eighteenth-century Italian Christmas holiday customs. The Nativity, featuring the holy family, shepherds and their flocks, and a host of angels and cherubs is joined by the procession of the three Magi, townspeople, colorful peasants, individuals from the Mediterranean shores, and animals. The figures have articulated bodies of tow and wire with polychromed terracotta heads, and are all in partially distressed condition. These vibrant characters are further brought to life by a wide-ranging set of cloth, embroidery, leather, wicker, wax, and silver accessories. Many of these, such as the figures’ luxurious costumes, baskets of fruit, and gilt censers are original, and represent forms traditional to the rural areas around Naples during this period.
Twaalf platen van de aankomst en inhuldiging van Willem I in Brussel en de slagen bij Quatre-Bras en Waterloo in 1815
Object type: print
Date: 1825 – 1826
Materials: paper
Techniques: aquatint, etching
Location: brussels
Subjects: the hague, berlin, william i of the netherlands, ceremonial procession, parade, pageant ~ installation of a ruler, brussels
Inscriptions: workshop stamp: ‘JLVB’, collector's mark: Lugt 2228

Optocht van koning Willem I na de inhuldiging op het Koningsplein bij de kerk Sint-Jacob-op-Koudenberg te Brussel op 21 september 1815. De koning lopend in de stoet onder een baldakijn. Onderaan de titels in het Nederlands en Frans gescheiden door het wapen van koning Willem I. Onderdeel van een serie platen van de aankomst en inhuldiging van Willem I in Brussel.
Statue robe
Object type: statue robe
Date: 1501 – 1533
Materials: linen, metal thread, silk
Subjects: angels,cross,coat of arms