deem-data/ArtiFact huggingface dataset:
Design for Wagon, no. 935
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Selina Hastings, hertogin van Huntingdon
Object type: print
Date: 1731 – 1775
Materials: paper
Techniques: mezzotint
Artist: richard houston
Artist role: print maker
Artist dates: 1721 – 1775
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Lamp
Object type: lamp
Date: 500 – 401
Materials: terracotta
Culture: greek, attic
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: noordwijk
Artist: jan de waardt
Artist role: draughtsman
Artist dates: 1871 – 1909
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Laatste Avondmaal
Object type: print
Date: 1595 – 1645
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: werner van den valckert
Artist role: draughtsman, painter, print maker
Artist dates: 1580 – 1627
Subjects: last supper (in general) (matthew 26:21-35; mark 14:18-31; luke 22:3, 22:15-23; john 13:21-38)
Inscriptions: collector's mark: Lugt 240

Christus toont het gezegende brood aan de apostelen. Naast hem Johannes de Evangelist.
Fragment of a Bowl
Object type: fragment
Date: 1301 – 1400
Materials: stonepaste
Techniques: glazing
Location: iran
Subjects: birds
La Mode, 9 novembre 1839 : Chapeau de velours de Me Lassall (...)
Object type: fashion print
Date: 1839 – 1839
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: canopy, baldachin, coat (+ fur used for clothes), coat (+ women's clothes), open hearth, fire-place, fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), flowers in a vase, muff (+ fur used for clothes), chair
Inscriptions: title: ‘La Mode’, address: ‘à Paris, 28, Rue Taitbout ( Chaussée d'Antin ). / à Londres, cercle des Etrangers, 225, Picadilly / Leipzig, Emil Güntz ( Zu Europa's Salon).’, caption: ‘Chapeau de velours de M.e Lassalle, Robe de Gagelin Opigez, manteau doublé d'hermine de Kirchhoff, St. honoré, Cheminée à Lambrequin de la maison de Commission lassale, 28 Tailbout, Potiche de Toy rue du montblanc, Chaise de Maigret r. Vivienne.’

Hoed van fluweel van Me Lassalle. Japon van Gagelin. Mantel gevoerd met hermelijn van Kirchhoff. Mof van hermelijn. Open haard met baldakijn 'de la maison de Commission Lassale'. Vaas met bloemen van Toy. Stoel van Maigret. Prent uit het modetijdschrift La Mode (1829-1855).
Windybank
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: architecture,houses
Portret van een vrouw met muts
Object type: photograph
Date: 1873 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: groningen
Artist: friedrich julius von kolkow
Artist role: fotograaf
Artist dates: 1839 – 1914
Subjects: historical persons - bb - woman, head-gear: cap
Inscriptions: inscription: ‘WERELD-TENTOONSTELLING/ WEENEN/ VERDIENST-MEDAILLE/ (...) Fr. Jul. von Kolkow/ Hof-Photograph/ Z.K.H. Prins Hendrik der Nederlanden./ Groningen.’, annotation: ‘Moeder Bil[...]’
Portret van Siegmund Ebersbach
Object type: print
Date: 1712 – 1725
Materials: paper
Techniques: mezzotint
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Gezicht op het Amstel Hotel
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: river, hotel, hostelry, inn

Onderdeel van Leporelloalbum met 12 foto's van Amsterdam.
Lake Winnisook, Catskills
Object type: photomechanical print
Date: 1893 – 1893
Materials: paper
Techniques: photograph
Location: new york
Subjects: lake
Portret van Valentino Mastrozzi
Object type: print
Date: 1801 – 1805
Materials: paper
Techniques: engraving
Location: rome
Artist: carlo antonini
Artist role: print maker
Artist dates: 1749 – 1835
Subjects: rome, clergyman, historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van Kardinaal Valentino Mastrozzi in een ovaal. Boven twee wapenschilden. Onder het portret een kader met tekst in het Latijn.
Art-Goût-Beauté, 1924 (ca.) : Mon Amie.- Robe en velours (...)
Object type: fashion print
Date: 1924 – 1924
Materials: paper
Techniques: engraving, letterpress printing, pochoir
Artist: Anonymous
Subjects: dress, gown (afternoon dress) (+ women's clothes), fashion plates, dress, gown (+ women's clothes)
Inscriptions: title: ‘Art-Goût-Beauté’, caption: ‘Mon Amie. - robe en velours noir et tunique en crêpe "Inclination"A.G.B. blanc. / Création Drecoll / Miarka. - robe dáprès-midi en mousseline écossaise et crêpe de chine noir, brodée de perles de couleurs. / Création Jenny’

Japon van zwart fluweel en tuniek van Drecoll. Middagjapon van mousseline van Jenny. Prent uit het modetijdschrift Art-Goût-Beauté (1920-1933).
The Chinese dead on a road N. of the Lungmeaoutsuy forts, on the E. Coast of Wei-Hai-Wei
Object type: page
Date: 1895 – 1895
Materials: paper
Techniques: photograph
Location: shandong
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: the corpse, public road
Inscriptions: inscription: ‘The men were either shot down or burnt to death.’, inscription: ‘Expedition to Wei-Hai-Wei.’
Lely frame
Object type: frame
Date: 1700 – 1710
Materials: wood
Culture: british
Design for Cabriolet or Victoria, no. 4159
Object type: drawing
Date: 1892 – 1892
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
The Perilous Situation of Major Mony, When He Fell into the Sea with His Balloon on the 23rd of July, 1785, Off the Coast of Yarmouth; Most Providentially Discovered and Taken Up by the Argus Sloop, After Having Remained in the Water During Five Hours
Object type: print
Techniques: mezzotint
Artist: john murphy
Artist role: engraver
Artist nationality: irish
Artist dates: 1778 – 1817
Subjects: men,seas,hot air balloons

This mezzotint depicts a dramatic incident of 1785, when Major Mony, a pioneering aeronaut, ascended in a hot-air balloon before 40,000 spectators in Norwich, a city northeast of London. A faulty valve prevented him from making a controlled landing and, after flying for nearly two hundred miles, he crashed just off the Isle of Wight, where he spent five hours in the water before being rescued. (The first manned balloon flight had taken place in France only two years before, and accidents, some fatal, were not uncommon.) Murphy, the engraver, who specialized in nighttime subjects, used the velvety qualities of mezzotint to enhance the drama of the scene. Here, the Major skillfully keeps himself afloat with his partially inflated balloon, while a small rowboat approaches in the background. The balloon lines crossing the picture plane accentuate the impression that the viewer is in the water alongside the protagonist.
Kaiserlicher Winterpalast, von der Seite. 2.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-petersburg
Artist: louis gothe
Artist role: fotograaf
Subjects: palace
Inscriptions: number: ‘15.’, inscription: ‘Ansichten von St. Petersburg.’
Ceiling Design with Figures along a Lozenge-Shaped Balustrade (recto); Alternative Design with Groups of Figures along a Lozenge-Shaped Window (verso)
Object type: drawing
Date: 1628 – 1674
Materials: ink, paper
Techniques: brush, wash
Location: netherlands
Artist: leonaert bramer
Artist role: artist
Artist nationality: dutch
Artist dates: 1596 – 1674
Cuffs
Object type: cuff
Date: 1776 – 1800
Materials: glass, metal, mother of pearl, pearl, silk, stone
Culture: russian

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg.
Buste van mannelijk naakt met snor, driekwart naar rechts
Object type: drawing
Date: 1868 – 1940
Materials: chalk, paper
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Portret van David d'Angers, pseudoniem van Pierre-Jean David
Object type: print
Date: 1820 – 1830
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: paris, sculptor, pierre jean david d'angers, portrait, self-portrait of sculptor, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Ontwerptekeningen voor de prentenserie De Zeven Hoofdzonden
Object type: design
Date: 1551 – 1551
Materials: ink, paper
Techniques: brush, pen
Artist: heinrich aldegrever
Artist role: draughtsman, print maker
Artist dates: 1502 – 1561
Subjects: lust, luxury, 'luxuria'; 'lussuria' (ripa) ~ personification of one of the deadly sins

Compleet: acht ontwerpen aanwezig in RPK.
Portret van Michael Stephan Radziejowski
Object type: print
Date: 1686 – 1686
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: clergyman, archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: date

Prent mogelijk uit: Theatrum Europaeum (...). Frankfurt am Main: erven Matthäus Merian I, 1702. Of een latere publicatie (1717).
Upper part of the marble stele (grave marker) of Kallidemos
Object type: grave stele of kallidemos, upper part
Date: 350 – 325
Materials: marble
Culture: greek, attic

Inscribed below the molding, Kallidemos, the son of Kalliades The back of the stele was cut down in modern times. The akroterion is decorated with a double palmette flanked by two half palmettes, all rising from spiral tendrils set in a bed of acanthus leaves. Bell-like flowers are suspended from the volutes of the central palmette, and a four-petaled flower is carved at the top. The simple shaft is decorated with double eight-petaled rosettes.
Petrus ontvangt de sleutels van Christus
Object type: print
Date: 1780 – 1851
Materials: paper
Techniques: engraving, etching
Location: mechelen
Subjects: christ gives the keys of heaven to peter, mission of peter ('pasce oves meas'): christ pointing to a lamb, peter perhaps with keys in his hands
Inscriptions: collector's mark: Lugt 2228

Petrus knielt voor de opgestane Christus en ontvangt van hem de sleutels. Links twee schapen, die verwijzen naar de opdracht, die Christus na zijn dood bij zijn verschijning aan Petrus gaf: 'Weid mijn lammeren' (Joh. 21:15-17). Drie discipelen kijken toe.
Double Goblet with Acanthus-Leaves
Object type: print
Date: 1500 – 1538
Techniques: etching
Artist: albrecht altdorfer
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1538
Subjects: goblets
Pair of candlesticks
Object type: candlestick
Date: 1706 – 1707
Materials: silver
Artist: thomas merry i
Artist role: maker
Artist dates: 1701 – 1724
Le Phénix se Brulant (The Phoenix is Burning), plate 7 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Object type: print
Date: 1621 – 1635
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
The Charleston Hotel
Object type: photograph
Date: 1867 – 1900
Techniques: albumen print
Location: charleston
Artist: s.t. souder

Text printed on reverse of stereocard:

No. 8. THE CHARLESTON HOTEL, CHARLESTON, S. C.
The building, on the left with a double colonade, is the CHARLESTON HOTEL. It is situated on the East side of Meeting Street, occupying the entire front of the square, bounded on the North by Pinckney and on the South of Hayne street. It was built in 1838, by a company of gentleman, Col. Jacob Small, of Baltimore, being the contractor. Soon after it was finished, the ever memorable Conflagration of April, 1838, occurred, which laid it in ruins. It was re-built and opened in 1841, since which time it has stood as a monument of the wisdom of its projectors, and an ornament of the City of Charleston. It very properly ranks among the first Hotels in America, not only in the manner of its conduct, but as regards its situation and fine appearance. Its situation between two streets, gives it a fine circulation of air, making it exceedingly pleasant and desirable during the heated term of summer. Its dimensions are, 150 feet front, by about 200 feet deep. It contains 175 rooms. One of the great attractions of this Hotel is its fine double colonade, which adds materially to its comforts, as well as to its architectural appearance.
Charles W. "Lefty" Marr, Right Field, Cleveland, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,profiles,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Gezicht op de Houtgracht in Amsterdam
Object type: cabinet photograph
Date: 1860 – 1883
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: canals, waters (in city)
Inscriptions: annotation: ‘Voormalige houtgracht-gedempt/ in 1883’
Head of a Buddha (Study Collection)
Object type: head
Date: 1901 – 2000
Materials: stone
Culture: indonesian, javanese
Runner
Object type: runner
Date: 1501 – 1700
Materials: silk, thread
Subjects: flowers
Effigies
Object type: print
Date: 1729 – 1731
Materials: paper
Techniques: engraving
Location: vatican city
Subjects: rome, cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit een reeks van onbekende omvang met portretten van kardinalen. De prenten werden vanaf 1657 vervaardigd in opdracht van uitgever Giovanni Giacomo de’ Rossi, waarna de productie werd voortgezet onder leiding van zijn opvolgers Domenico de’ Rossi en Lorenzo Filippo de’ Rossi, en tenslotte onder leiding van de Calcographia R.C.A.
Gezicht op de hoek naast la Grosse horloge te Rouen
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: clock, street
Inscriptions: number: ‘N0. 907’, collector's mark: Lugt 3937
Portret van Bernhard Walther Marperger
Object type: book illustration
Date: 1724 – 1746
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: theologian, ornament ~ medallion, historical persons

Met onderschrift in het Duits. Linksboven: II. Th. Rechtsboven: p. 595.
Terracotta fragment of a fish plate
Object type: fish plate fragment
Date: 400 – 301
Materials: terracotta
Culture: greek or south italian

Part of a conch, fin, and other marine life
Fourberies de femmes en matière de sentiment (2)
Object type: cartoon
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Location: paris
Artist: paul gavarni
Artist role: draughtsman, print maker
Artist dates: 1804 – 1866
Subjects: standing figure, the (difficult) choice ~ courting - cc - women making choice, one lover waiting for the other
Inscriptions: collector's mark: Lugt 2228a

De vrouw houdt de mannen aan het lijntje: ze heeft met allemaal, zonder dat ze het van elkaar weten, op dezelfde tijd een afspraak gemaakt.
Praalboog voor het huis van B. Mauritz, 1751
Object type: book illustration
Date: 1753 – 1753
Materials: paper
Techniques: engraving, etching
Location: middelburg
Subjects: the hague, willem iv (prins van oranje-nassau), decoration and illumination of streets, squares, etc. (~ triumphal entry, etc.) (+ festive decoration ~ festive activities), flushing
Inscriptions: collector's mark: Lugt 2228

Praalboog aangebracht voor het huis van Bernard Mauritz, een raad en oudschepen van Vlissingen en rentmeester van de stadhouder. Praalboog ontworpen en beschilderd door Jan Huis, schilder te Middelburg. Onderdeel van de illustraties van de inhuldiging van Willem IV als erfheer van Vlissingen op 5 juni 1751.
Drie putti met een guirlande
Object type: print
Date: 1705 – 1804
Materials: paper
Techniques: aquatint, etching
Artist: Anonymous
Subjects: ornament ~ festoon, garland, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228
Indiër met een olifant bij een poort
Object type: sketchbook leaf
Date: 1924 – 1925
Materials: paper, pencil, watercolor
Techniques: brush
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: arch, archivolt ~ architecture, trunked animals: elephant, street (+ city(-scape) with figures, staffage)

Pagina 93 uit een schetsboek met 87 bladen.
Locomotief met aanhangwagens op een sokkel
Object type: photograph
Date: 1878 – 1890
Materials: photographic support
Techniques: albumen print
Location: darlington
Artist: Anonymous
Subjects: monument, statue, steam locomotive

Op een gemetselde sokkel staat een stoomlocomotief met een tender voor water en brandstof en een wagon. Daaronder is in steen de tekst uitgehouwen: 'S.&D.R. No. 1. 1825.'. Dit verwijst naar de Locomotion No. 1., de eerste locomotief die reed op het traject van de Stockton and Darlington Railway (S.&D.R.) en gebouwd werd door George Stephenson (1781-1848). Onderdeel van Reisalbum Europese steden, vermoedelijk Zweeds.
Man achter een bureau, lezend in een krant
Object type: book illustration
Date: 1858 – 1858
Materials: paper
Techniques: gillotage
Location: paris
Subjects: print, e.g.: engraving, etching, lithograph, art dealer, art collecting
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228, collector's mark: Lugt 4780

Prent gebruikt in: Les Toquades illustrées par Gavarni. Étude de moeurs par Ch. de Bussy. Parijs: P. Martinon en G. de Gonet, [1858], na p. 8. Nummer drie uit een serie van twintig prenten.
Lucidario di Recami, page 6 (verso)
Object type: book print ornament architecture
Date: 1564 – 1564
Techniques: woodcut
Location: italy
Artist: iseppo foresto
Artist role: designer
Artist nationality: italian
Artist dates: 1520 – 1580
Subjects: flowers

Designed by Iseppo Foresto, published by Jeronimo Calepino, 1564. From top to bottom, and left to right: Design composed of 2 vertical columns. Left column is wider and is decorated with central floral element in the shape of heart, which is flanked on either side by another flower. Right column is narrower and is decorated with a curving vine of flowers.
Jong stel, de vrouw met hoed met veren, op een bankje in een park, de man die haar begluurde wordt door de andere man met zijn wandelstok geslagen, , fotoverhaal 4
Object type: photograph
Date: 1899 – 1899
Materials: paper
Techniques: photography
Location: amsterdam
Artist: gerard aalbersberg (us)
Artist role: amateurfotograaf, arts, chirurg, gynaecoloog
Artist dates: 1870 – 1934
Jobs voorspoed hersteld en de val van Satan
Object type: album leaf
Date: 1825 – 1825
Materials: paper
Techniques: engraving, etching
Location: london
Artist: william blake
Artist role: print maker
Artist dates: 1757 – 1827
Subjects: job's prosperity restored; the last part of his life (job 42:10-17), the fall of satan, fall of lucifer
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie van 21 prenten. Er bestaan 150 afdrukken van de serie met daarop 'proof'.