deem-data/ArtiFact huggingface dataset:
Portret van Toni Kitzing
Object type: album leaf
Date: 1867 – 1880
Materials: cardboard, photographic support
Techniques: albumen print, hand coloring
Location: berlin
Artist: sophus williams
Artist role: publisher
Artist dates: 1835 – 1900
Subjects: adult woman
Inscriptions: name: ‘Phot. Loescher & Petsch’, annotation: ‘Toni Kitzing’, inscription: ‘Loescher & Petsch [...] Berlin / Atelier: / Leipziger-Strasse 132, / Eingang / im / Mittel-Portal.’, name: ‘Sophus Williams, Berlin.’
Fragment of a Chariot
Object type: architectural element
Materials: bronze
Location: china
Artist: Anonymous

This fragment is part of a chariot and served to connect the axle to the wheel. Adorned with the mask of a mythical animal known as a taotie, its distinctiveness lies in the presence of the eyes on either side. The impeccable artistry evident in both the casting and the carving of the bronze attests to the high status held by the chariot's owner.
Straatgezicht in Yokohama, Japan
Object type: photomechanical print
Date: 1870 – 1900
Materials: paper
Techniques: photograph, hand coloring
Location: yokohama
Artist: Anonymous
Subjects: city-view in general; 'veduta', street
Inscriptions: title

Deze prent maakt deel uit van een album.
Ontwerp voor een prijslijst
Object type: design
Date: 1900 – 1902
Materials: paper, pencil
Artist: ernst maximilian büttinghausen
Artist role: draughtsman
Artist dates: 1883 – 1929
Subjects: frame of painting, etc.

Zeer waarschijnlijk ontworpen voor het atelier van zijn vader Max Büttinghausen.
Portret van een zittende vrouw in noppenjapon
Object type: carte de visite
Date: 1864 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: groningen
Artist: johannes hinderikus egenberger
Artist role: draughtsman, print maker
Artist dates: 1822 – 1897
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman
Inscriptions: inscription: ‘J. H. EGENBERGER,/ GRONINGEN.’
Slot Zeist
Object type: book illustration
Date: 1828 – 1830
Materials: paper
Techniques: lithograph
Location: utrecht
Artist: johannes paulus houtman
Artist role: bookseller, print maker, printer, publisher
Artist dates: 1803 – 1845
Subjects: castle
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent uit: Mourot, M. Gezigten van buitenplaatsen en gebouwen gelegen tusschen de stad Utrecht en de Grebbe. Utrecht: Houtman, Johannes Paulus, 1828-1830.
Portret van Gerard ter Borch
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: deventer, painter, draughtsman, gerard ter borch (ii), cape, portrait, self-portrait of artist, historical persons (+ full length portrait)
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Kunstkronijk, nr. 37, 1875.
Monteith
Object type: metalwork
Date: 1685 – 1686
Materials: metal, silver
Location: london

Before the advent of modern refrigeration, wines could only be kept cool by storing them in well-insulated cellars, or in basins filled with ice and water. Monteiths, essentially large bowls with notched rims, were used to cool wine glasses. They first appeared in the 1680s, making this example one of the earliest of its kind. The notches were used to hang the foot of the glasses, with the bowls of the glasses dangling in the cool water. The term monteith is thought to be derived from an eccentric Scotsman named Monteith, who wore a coat with scalloped edges similar to the notches on this kind of bowl.

The monteith’s decoration features delicate chinoiserie elements (Western interpretations of Chinese-style motifs). Figures and birds are interspersed with textured panels where the silver has been repeatedly punched in imitation of shagreen, or sharkskin. The botanical ornaments on the panels are most likely bamboo. Although Chinese motifs were already popular on European furniture and textiles, this is a very early example of chinoiserie on silver. The images on the bowl were most likely influenced by the Chinese porcelain that the Dutch East India Company was importing into the European market.

The monteith is marked with the initials D.B., a silversmith who has not yet been identified. At one time, the piece belonged to the earls of Wiltshire in England; it later entered the collection of the American financier J. P. Morgan.
Duinlandschap
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: printmaking
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: dunes (sea not visible); in the dunes
Inscriptions: collector's mark: Lugt 2228

Twee wandelaars lopen op een pad door de duinen. Een derde wandelaar rust uit. Hij zit met zijn hond op de grond en kijkt naar een groep bomen.
At a sale of Pictures
Object type: print
Date: 1792 – 1818
Materials: paper
Techniques: aquatint, etching
Artist: john nixon
Artist role: draughtsman, painter, print maker
Artist dates: 1750 – 1818
Subjects: head-gear: tricorn, art collecting, art sale, auction
Inscriptions: collector's mark: Lugt 4779, number: ‘103/ 206’, collector's mark: Lugt 2228

Een man met een bril en een driehoekige hoed, een catalogus in zijn hand.
Portret van Julien Offray de la Mettrie
Object type: print
Date: 1739 – 1791
Materials: paper
Techniques: engraving
Artist: johanna dorothea sysang
Artist role: print maker
Artist dates: 1729 – 1791
Subjects: berlin, historical persons
Inscriptions: collector's mark: Lugt 2228, number: ‘87’
Portret van Johann Friedrich Wilhelm Jerusalem
Object type: print
Date: 1752 – 1799
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: theologian, historical persons
Earring, baule type
Object type: earring, baule type
Date: 700 – 401
Materials: gold
Culture: etruscan
Verzameling van de belangrijkste manoeuvres bij het stierenvechten
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching, hand coloring
Location: spain
Artist: luis fernández noseret
Artist role: print maker
Artist dates: 1793 – 1828
Subjects: bull, bullfight, dog
Inscriptions: inscription: ‘1341/ a’, collector's mark: Lugt 2228

Titelprent met drie stierenvechters (torero's). Een picador zit met een lans in de hand. Naast hem ligt een mand vol banderillas. Een stierenvechter met rode cape staat te roken. Een derde zit op de grond met twee honden.
Shrine in pagoda, Yangon, Myanmar
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: yangon
Artist: philip adolphe klier
Artist role: fotograaf
Artist dates: 1845 – 1911
Subjects: birma
Inscriptions: inscription: ‘Burmes Shrine Modern 502/ P. Klier Rangoon’, number: ‘4.’

In het midden zit een persoon te bidden.
Walking ensemble
Object type: walking ensemble
Date: 1874 – 1874
Materials: silk
Culture: french
The flute player ('Het Uilenspiegeltje')
Object type: print
Date: 1711 – 1800
Materials: paper
Techniques: etching
Subjects: flute, aulos, tibia - cc - out of doors
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Meanwhile They Keep on Insisting that She Has Never Been Better, plate 183 from Actualités
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Heilige Rochus van Montpellier in een landschap met hond
Object type: print
Date: 1608 – 1650
Materials: paper
Techniques: etching
Subjects: the confessor and pilgrim roch(us) (rocco, rock) of montpellier; possible attributes: angel (with ointment box or spoon), dog (sometimes with loaf), (pointing at) plague-spot on thigh, pilgrim's shell, staff, hat and wallet
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Maakt deel uit van een serie van negentien prenten van heiligen.
Recueil de Croquis à l'usage des petits enfants
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: paris
Subjects: print, e.g.: engraving, etching, lithograph, child, street-trader
Inscriptions: annotation: ‘1822/ no. 1’, collector's mark: Lugt 2228

Een jongen en een meisje met schooltassen onder hun arm kijken naar een jonge prentverkoper die op de grond zit, zijn rug tegen de muur geleund. Naast hem staat zijn voorraad uitgesteld met een bordje: "tout éta 2 sou".
Rams' Skulls
Object type: drawing and watercolor
Materials: chalk, crayon, paper
Techniques: brush, wash
Location: england
Artist: george hayter
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1871
Portret van Frederik Hendrik van de Palts
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: engraving, etching
Location: france
Artist: Anonymous
Subjects: prince, historical persons, neck-gear: collar (+ lace used for clothes)
Inscriptions: inscription: ‘Hij verloor ongelukkig het leven op/ het Haarlemmer-meer, worden het schip/ in het welk hij met zijnen Vader naar/ Amsterdam toog, ten Jare 1629 (...) Zie J. Wagenaar. Vaderl. Hist. D. XI:/ bl. 112 en bijvoegs.’
Misaka Pass in Kai Province (Kai Misakagoe), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)"
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, head, upper torso in profile, part of shield and spear of warrior to left
Arm van een kaarsenkroon in twee hoogten
Object type: chandelier
Date: 1650 – 1675
Materials: brass
Techniques: screwed, turning
Location: amsterdam
Artist: Anonymous

De S-vormige arm is aan de stamzijde voorzien van een nok met een opening om deze met een pin in de standring te kunnen vastzetten. Bij de stam is de arm op het eind versierd met een gestileerde dolfijnenkop en met twee krullen, waarvan de vormgeving aan het kwabornament is ontleend. Naar buiten toe eindigt de arm in een verdikking, waarin een van een schroefdraad voorzien gat is aangebracht ter bevestiging van de kaarsenhouder met de vetvanger. De arm is met behulp van hetzelfde model gegoten als de overige armen van de krans en heeft dezelfe grootte. De kaarsenhouder heeft een ronde zich naar boven toe versmallende en in een uitstekende rand overgaande vaasvorm op balustervoet met een van een schroefdraad voorzien eind, waarin onderaan het centergat. De vetvanger is aan de bovenkant naar het midden toe één keer verdiept. Aan de onderkant is zij geprofileerd op de rand en rond het gat op het enigszins bolvormige midden. De vetvanger heeft telkens zijn eigen grootte en is met behulp van hetzelfde model gegoten als de overige vetvangers van deze krans. De pin is voorzien van een knop in vaasvorm.
Dit is de tweede arm van de onderste standring, genummerd op de nok met de letter B.
Perzië, ten tijde van Fateh Ali sjah, 1212-1250 [=1798-1835], dubbele falus, Isphahan
Object type: coin
Date: 1798 – 1835
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: rund en paard naar rechts, waaromheen versiering. Keerzijde: in Arabische lettertekens in drie regels muntplaats-aanduiding. Geslagen te Isphahan.
Portret van Louis-Emmanuel de Valois, hertog van Angoulême
Object type: print
Date: 1653 – 1688
Materials: paper
Techniques: etching
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Dancer Fastening the String of Her Tights
Object type: statuette
Materials: bronze
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: female nudes,dancers
Miniature jar
Object type: jar
Date: 900 – 801
Materials: ceramic
Culture: iranian
Location: iran
Bowl
Object type: bowl
Date: 1701 – 1800
Materials: hard paste porcelain

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Plate 26  from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar)
Object type: print
Date: 1810 – 1810
Techniques: engraving, burnishing, drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,women

After Napoleon's invasion of Spain in 1807 and 1808 brought about the abdication of the Spanish king, violent protests against the French erupted in Madrid. The uprising of May 2, 1808, marked the start of the armed Spanish resistance, which dragged on in guerrilla warfare until 1814. During the war, Goya documented his horror and outrage at the atrocities committed by soldiers and patriots in his series of 80 prints 'The Disasters of War'. Never before had a story of man's inhumanity been told so compellingly, every episode reported with compassion, honesty and respect for the victims. Not until 1863, thirty-five years after Goya's death, was the first of seven posthumous editions of the Disasters published by Spain's Royal Academy, which in 1862 purchased all eighty etched copperplates.
The Major's Daughter (from "Once a Week," June 21, 1862)
Object type: print
Techniques: engraving
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: women,ships

In 1862 Whistler designed four wood engravings for the London periodical "Once a Week." Many of his Pre-Raphaelite friends were illustrating poems and short stories at this moment and the decade proved to be the start of a new flowering of British illustration. Founded in 1859, "Once a Week" supported the movement and was known as a "journal of the younger men." Whister's image responds to a story centered on a young Engliswoman, Clara Vinrace, who joins her parents in India and falls in love with an older man. Here she sits wistfully on the deck of a steamship as it departs for England.
Temples of the Rio Virgin, from the series "Utah"
Object type: photograph
Date: 1859 – 1862
Techniques: albumen print
Location: united states
Artist: charles roscoe savage
Artist role: fotograaf
Artist nationality: american, born england
Artist dates: 1832 – 1909
Apothecary jar (albarello)
Object type: albarello
Date: 1601 – 1700
Techniques: maiolica, glazing
Culture: italian
Subjects: coat of arms
Terracotta fragments of lekanides (covered dishes)?
Object type: lekanis fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic

Three fragments from lekanides?, each with two red glazed lines
Side table (one of a pair)
Object type: side table
Date: 1740 – 1740
Materials: wood, marble

This table and its mate (55.141.2a, b) were formerly at Conington Castle, Huntingdonshire.
Portret van een baby
Object type: carte de visite
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: willy dose
Artist role: fotograaf
Subjects: historical persons, infant, baby
Inscriptions: inscription: ‘(...)/ Willy Dose/ Atelier für mo/ derne bildnisse/ Bremen/ Wall 117/ (...)’
Flowers and Hunting Scene, from Livre Nouveau de Fleurs...
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: etching
Location: france
Artist: nicolas cochin
Artist role: artist
Artist nationality: french
Artist dates: 1610 – 1686
Fragment of a Hunting Scene
Object type: facsimile, mentuherkhepeshef tt 20, hunting, antelope, arrow
Materials: paper, paint
Artist: norman de garis davies
Artist role: artist
Artist dates: 1865 – 1941

This facsimile painting copies a fragment of a hunting scene in the tomb of Mentuherkhepeshef (TT 20) in the Dra Abu el-Naga cemetery of WesternThebes. The original painting is now in the Egyptian Museum, Cairo (JE 43367a, b). This portion of the hunting scenes shows parts of two arrows and the head of an antelope.
Kyoto, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"
Object type: print
Date: 1806 – 1806
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Stroomversnelling in het Bodetal
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bodetal
Subjects: dale, valley, rapids
Inscriptions: number: ‘6.’, inscription: ‘NPG’
Study of a young man bending forward to kiss a hand, for the painting "The Departure of the Prodigal Son"
Object type: drawing
Date: 1862 – 1863
Materials: graphite, paper
Techniques: heightening
Artist: james tissot
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1902
Subjects: faces,hands,men,profiles
An Allegory of Lyric Poetry
Object type: drawing
Date: 1811 – 1811
Materials: chalk
Techniques: heightening, drawing, stumping
Artist: marie gabrielle capet
Artist role: artist
Artist nationality: french
Artist dates: 1761 – 1818
Plate 5: The Doge in the Bucintoro Departing for the Porto di Lido on Ascension Day, from 'Ducal Ceremonies and Festivals' (Le Feste Ducali)
Object type: print
Date: 1766 – 1766
Techniques: engraving, etching
Artist: giovanni battista brustolon
Artist role: artist
Artist nationality: italian
Artist dates: 1712 – 1796
Subjects: venice

The main feature of this print is the state barge (bucintoro) that was used annually on Ascension Day to transport the doge to a ceremony that symbolically wedded Venice to the Adriatic Sea. The vessel was 120 feet long and 26 feet high. The doge’s throne was in the stern, and at the prow was a figure holding scales representing Justice. The larger print shown adjacent to this one demonstrates the opulence of the procession. In 1798 the French general Napoleon ordered the barge destroyed, a symbolic act to celebrate his conquering of Venice. This print is from a series of twelve "Ducal Ceremonies and Festivals" (Le Feste Ducali).
Portret van de doopsgezinde predikant Jan Willemsz.
Object type: print
Date: 1736 – 1743
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: predikant, arts, jan willemsz.
Inscriptions: collector's mark: Lugt 2228

Portret van de doopsgezinde predikant Jan Willemsz. In het kader een vierregelig lofdicht in het Nederlands.
Rustende herder met vee
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: etching
Location: rome
Artist: francesco londonio
Artist role: print maker
Artist dates: 1723 – 1783
Subjects: cow, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., goat, herd, flock
Inscriptions: date

Een herder met een staf, zittend op een steen, naast een liggende koe. Achter hen een jongen. Links vier rustende geiten. Op de achtergrond een ruïne.
Essempio di recammi, page 20 (verso)
Object type: book print ornament architecture
Date: 1530 – 1530
Techniques: woodcut
Artist: giovanni antonio tagliente
Artist role: author
Artist nationality: italian
Artist dates: 1465 – 1528
Subjects: fruit,flowers,acorns

Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and left to right: Design covers 2 pages and is composed of 3 horizontal registers. Top register is illustrated with a long branch from which various flowers, fruit (olives, grapes, oranges, pears), acorns, and leaves grow. Middle and bottom registers are decorated with same Moresque pattern.
Udàmalóre (ceremonial sword)
Object type: sword
Date: 1601 – 1800
Materials: plant material, ivory, wood
Techniques: inlay
Culture: yoruba
Location: nigeria
Artist: ijebu-yoruba artist
Artist role: artist
Subjects: human figures,birds

This opulent ivory sword is an udamalore, literally a "sword of the well-born." It was carried by a high-ranking chief of Owo, a Yoruba state in present-day Nigeria that rose to regional power in the eighteenth century. Worn on the hip, it indicated the power and status of its bearer at public ceremonies and celebrations. Consisting of a figurative handle and a curved, openwork blade, this udamalore is a stunning example of the works created at this celebrated ivory-carving center. The human head that constitutes the pommel displays a delicate coiffure of repeated chevrons, while the eyes are augmented with dark inlaid wood. The solid base of the blade is decorated with two knot patterns, while the openwork section depicts an Owo chief in ceremonial dress, wearing his own udamalore horizontally on the left hip. The space around the figure is pierced, but the sword's gently curved outline is maintained by delicate bands of ivory. In his right hand, the chief holds a curved sword, while a bird perches on his left hand and pecks at his crown. The upraised sword is an uda, used in combat, while the bird refers to the protective spiritual power associated with elderly Yoruba women. In combination, these emblems suggest a ruler who is physically and spiritually equipped to face all the challenges he may confront.
Portret van Pierre d'Ailly
Object type: print
Date: 1713 – 1763
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: cardinal, scales, insignia of cardinal, e.g. hat, mantle, the new tables of the law (exodus 34)
Inscriptions: collector's mark: Lugt 2228

Portret van Pierre d'Ailly, Frans theoloog en kardinaal van Kamerijk (Cambrai). Onder de omlijsting een weegschaal waarop aan de ene kant de tafelen der wet en aan de andere kant de attributen van een kardinaal en bisschop.
KLM-bemanningsleden van de 'Pelikaan'
Object type: photograph
Date: 1933 – 1933
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: airborne traffic, aviation, pilot, flight crew, travelling; tourism

Albumblad met een foto van drie bemanningsleden van de 'Pelikaan', het KLM-toestel dat in december 1933 in een recordtijd van vier dagen Kerst- en nieuwjaarspost van Amsterdam naar Batavia bracht. Onderdeel van Herdenkingsalbum van de Indië-lijn van de KLM, deel I.
Screen Panel from Set of Six
Object type: screen panel
Date: 1767 – 1833
Materials: silk
Culture: chinese
Subjects: trees,carts
Schaatsryden op den Amstel / Admiraalschap zeylen op den Amstel
Object type: book illustration
Date: 1730 – 1730
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), sailing-ship, sailing-boat, sailing (sport), winter sports, skates (winter sports), canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Bruin, Claas en Ludolph Smids. Kleefsche en Zuid-Hollandsche arkadia, of Dag-verhaal van twee reizen (…). Vermeerdert met printverbeeldingen. 2e druk. Amsterdam: Evert Visscher, 1730, tussen p. 124 en 125.
Thesaurus novi Testamenti elegantissimis iconibus expressus continens historias atque miracula doni nostri Iesu Christi
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)

Christus, gekleed in een lendendoek en vastgebonden aan een pilaar, wordt door soldaten geschopt en gegeseld. Onder de voorstelling een vierregelig vers in het Latijn. Deze prent maakt deel uit van een album.
Lago di Garda. Riva
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard, photographic process
Location: riva del garda
Artist: Anonymous
Subjects: ships (in general), lake, mountains