deem-data/ArtiFact huggingface dataset:
Oliver Cromwell (Protector 1653–58)
Object type: half crown coin
Date: 1658 – 1658
Materials: silver
Subjects: men,profiles,coins,coat of arms

The supplies of bullion brought to Europe from the New World in the sixteenth and seventeenth centuries caused inflation, and in response new coinage was issued with a wider range of denominations. Gold coins like the sovereign, with the value of one pound, twenty shillings, first appeared in 1489. It was replaced by the unite in 1604 and by the guinea in 1663. Initially minted in gold, the crown was also produced in silver from 1551, with standardized dimensions similar to other European coins.
Gezicht op de berg Fuji te Japan
Object type: page
Date: 1882 – 1892
Materials: paper
Techniques: photograph
Location: japan
Subjects: extinct volcano
Kop
Object type: drawing
Date: 1840 – 1880
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: caricatures (human types)
Inscriptions: collector's mark: Lugt 2228
Groot Paleis in het Kremlin van Moskou
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: moscow
Artist: Anonymous
Subjects: palace
Graduated Background, Lighted from Right
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: photography
Portret van Jean Le Rond d'Alembert
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: etching
Subjects: paris, historical persons, adult man (+ sideview, profile)
Inscriptions: collector's mark: Lugt 2228
Roeiboten in de Blauwe Grot te Capri
Object type: stereograph
Date: 1894 – 1894
Materials: cardboard, photographic support
Techniques: albumen print
Location: washington d.c.
Subjects: rowing-boat, canoe, etc., cave, grotto
Inscriptions: name: ‘Sold only by Underwood & Underwood New York, London, Toronto-Canada, Ottawa-Kansas’
Tsukudajima in Musashi Province (Buyō Tsukudajima), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: mountains,boats,islands

In the foreground a large boat laden with cotton bales moves toward the tiny island of Tsukuda. The boat's shape repeats that of Fuji, creating the rhyming of form so common to Hokusai's style. Other, smaller boats fill the water, giving viewers a sense of the daily life surrounding Tsukuda.
Genius rijdend op een Griffioen
Object type: postage stamp
Date: 1914 – 1914
Materials: paper
Techniques: photochemical processes
Artist: Anonymous
Subjects: griffin (lion/eagle); 'griffo' (ripa), world fair, world exhibition, 'genio' (ripa)
Inscriptions: collector's mark: Lugt 2228

Postzegel uitgegeven ter gelegenheid van de Internationale Tentoonstelling voor Boeknijverheid en Grafiek (Internationale Ausstellung für Buchgewerbe und Graphik) gehouden te Leipzig in 1914.
Bedcover (Princess Feather or Ostrich Plume Quilt)
Object type: textile
Date: 1850 – 1850
Materials: cotton
Techniques: appliqué, treatment, weave, printing
Location: united states
Buckle
Object type: buckle
Date: 409 – 711
Materials: bronze
Culture: visigothic
Study for the Marriage at Cana
Object type: drawing and watercolor
Date: 1688 – 1688
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: giuseppe maria crespi
Artist role: artist
Artist nationality: italian
Artist dates: 1665 – 1747
Empress's Twelve-Symbol Robe
Object type: robe, emperor's 12 symbol
Date: 1867 – 1933
Materials: silk
Culture: chinese
Subjects: dragons
Jackal Inlay
Object type: inlay, jackal
Date: 664 – 630
Materials: glass
Location: egypt
Subjects: jackals

This inlay of a recumbent jackal was found with the shrine inlay on which it originally would have perched. This jackal likely represented either Anubis, the chief god of embalming, or Wepwawet, the "Opener of the Ways" who escorted the deceased into the underworld.
Salamacis en Hermaphroditus
Object type: print
Date: 1600 – 1647
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: moyses van wtenbrouck
Artist role: painter, print maker
Artist dates: 1590 – 1647
Subjects: story of hermaphroditus and salmacis, hermaphroditus and salmacis changed into a hermaphrodite: at the prayer of the fountain-nymph salmacis, who holds the bathing hermaphroditus closely embraced, their bodies fuse (ovid, metamorphoses iv 373)
Inscriptions: collector's mark: Lugt 240

De nimf Salmacis reikt naar Hermaphroditus, die haar probeert af te weren, voordat zij hem zou omhelzen en ze volgens de mythe zouden versmelten tot een tweeslachtig wezen. Ze zitten aan de rand van een bosmeer. Scène uit Ovidius’ Metamorfosen (Met. II, 341-357).
Arendina van den Berg met haar twee zoons in een meer bij Mangli, Wonosobo in Midden-Java, en een gezicht op de Borobudur
Object type: photograph
Date: 1921 – 1921
Materials: paper, cardboard
Techniques: gelatin silver print
Location: central java
Artist: karel frederik van den berg
Artist dates: 1873 – 1948
Subjects: norbert van den berg (1901-1972), amsterdam, willem jacob van den berg, arendina charlotte marie van den berg-geertsema, temple, shrine ~ hinduism, buddhism, jainism, swimming (movement in water)

Deze foto's zijn onderdeel van een album.
Drie fotoreproducties van een publicatie door de Arundel Society met schilderijen van Jan van Eyck en Masaccio
Object type: photograph
Date: 1859 – 1869
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: book, painting (including book-illumination, miniature-painting)
Inscriptions: inscription: ‘first annual publications. twentieth year (1868).’
Scarab: Falcon with Cobra and Ma’at Feather
Object type: costume and accessory
Materials: glaze, stone
Techniques: glazing
Culture: egyptian
Location: egypt
Subjects: hieroglyphs, falcons, feathers, insects, serpents, snakes
Bronze furniture attachments with silver inlay
Object type: furniture attachment
Date: 100 – 33
Materials: bronze, silver
Culture: greek or roman
Subjects: leaves

The bars must have formed part of the frame of a couch. They are ornately decorated with a vegetal design of olive or laurel branches in silver inlay.
Feria IIII. Cinervm
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: antwerp
Artist: karel van mallery
Artist role: print maker, publisher
Artist dates: 1571 – 1635
Subjects: 'when you fast, ... your fasting may not be seen by men' (matthew 6:16-18), christ's sermon on the mount (matthew 5-7)
Inscriptions: collector's mark: Lugt 2165

De huichelaar, met een duivel boven het hoofd, laat zien dat hij aan het vasten is. De gelovige, met een engel boven het hoofd, heeft zijn gezicht ingewreven met olie waardoor niemand merkt dat hij aan het vasten is. Ze staan voor een dorre en een bloeiende boom, vermoedelijk een verwijzing naar Mat. 7:17: "Zo draagt elke goede boom goede vruchten, maar een slechte boom draagt slechte vruchten." Bij verschillende elementen uit de voorstelling staan letters die corresponderen met de legenda in de marge.
Dressing table mirror
Object type: dressing table mirror
Date: 1887 – 1911
Materials: mother of pearl, silver gilt
Artist: andré aucoc
Artist role: maker
Artist dates: 1825 – 1925
"The Derelict" or "The Lost Boat"
Object type: woodcut, print
Date: 1916 – 1916
Techniques: woodcut
Culture: american
Location: united states
Artist: arthur wesley dow
Artist role: artist
Artist nationality: american
Artist dates: 1857 – 1922
Subjects: landscapes,boats

This woodblock print distills Dow’s mature vision as printmaker and theorist. The artist knew the marshlands near Ipswich, Massachusetts, intimately and used the receding curves of a waterway to shape this composition. Abstracted forms allow a stranded foreground boat to be linked visually with distant haystacks and hills along the horizon. A comparison of the working proof (2016.406.1), printed in a cooler color scheme on semi-translucent paper, with this finished version attests to Dow’s ongoing penchant for experimentation. In the final print, the yellow sky, still water, and the boat’s extended reflection suggest early morning, while vibrant tonal contrasts throughout the image reveal his interest in color as an expressive tool.
Page of Calligraphy
Object type: non illustrated single work
Date: 1601 – 1633
Materials: gold, ink, paper, watercolor
Location: india
Artist: muhammad husain kashmiri
Artist role: calligrapher
Artist nationality: indian
Artist dates: 1535 – 1635
Subjects: calligraphy
Strip
Object type: strip
Date: 1501 – 1600
Materials: linen, silk
Subjects: human figures,animals,flowers
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic
Artist: veii painter
Artist role: artist

Interior, part of the shaft of a goal post; drapery and feet of male; Exterior, three hooves?; at the far right, part of the foot? of a figure to right
Heerde, Huize "Het Veen"
Object type: photograph
Date: 1929 – 1938
Materials: paper
Techniques: gelatin silver print, writing
Location: heerde
Subjects: villa
Inscriptions: postage stamp
Third Series, St. Paul, Minnesota
Object type: photograph
Date: 1860 – 1909
Materials: cardboard, photographic support
Techniques: albumen print
Location: saint paul
Artist: charles a. zimmerman
Artist role: fotograaf
Artist dates: 1844 – 1909
Subjects: warehouse (~ harbour), freight vessel, container of textile material: bag, sack
Inscriptions: number: ‘00147’, number: ‘292’
Bronzen portaal van de dom van Monreale
Object type: photograph
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Location: monreale
Artist: giuseppe incorpora
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: parts of church exterior and annexes: portal
Groups of cattle, drawn from nature by T.S. Cooper 1839
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: tone lithography
Location: london
Subjects: cow, ram
Inscriptions: collector's mark: Lugt 2228
The Royal Family
Object type: group
Date: 1761 – 1761
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: children,men,women,family

This group was probably made to commemorate the 1761 marriage of George III of England and Princess Charlotte of Mecklenburg-Strelitz.
Les toits d'Ostende
Object type: print
Date: 1903 – 1903
Materials: paper
Techniques: etching
Artist: james ensor
Artist role: print maker
Artist dates: 1860 – 1949
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2228
Vase
Object type: vase
Date: 1801 – 1900
Materials: stone
Culture: chinese
Allegorie op het katholieke geloof
Object type: print
Date: 1695 – 1736
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ with chalice, and bread or host, the four symbols of the evangelists, 'the apocalyptic beasts', the twelve apostles (as a group), usually with books or scrolls (not in biblical context), diadem, tiara, the annunciation: mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Prent in: s.n. Aldernouwkeurigste verhandelinge der geschiedenissen van het Nieuw Testament (...). Antwerpen: Cornelis Marten Spanoghe, 1783, p. 1.
Moeder met spelende kinderen
Object type: drawing
Date: 1836 – 1896
Materials: chalk, paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: adult woman, interior of the house, mother and child(ren), woman and child(ren) (family group)
Kapje met groene en zwarte veren
Object type: headcap
Date: 1948 – 1948
Materials: feather, textile
Location: england
Artist: Anonymous

Ronde hoed met groene en zwarte veren. Uit de rand steekt een pluim van zwarte veren.
Portret van Petrus Antonius Kervel en de Sint-Petruskerk te Leiden
Object type: print
Date: 1835 – 1871
Materials: paper
Techniques: lithograph
Location: leiden
Artist: leendert springer (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1789 – 1871
Subjects: gouda, historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de biografische gegevens van de geportretteerde en de door hem gestichte en in 1835 gebouwde Sint-Petruskerk.
Hangslot met sleutel
Object type: padlock
Date: 1400 – 1950
Materials: iron

Hangslot, zeer samengesteld, met sleutel. Gemerkt.
Terracotta Banquet Group
Object type: terracotta group
Date: 300 – 101
Materials: terracotta
Culture: greek
Subjects: men,women,eros,drinking,couches

A nuptial banquet takes place on a lavishly decorated and furnished couch (kline). The man reclining at the far right raises a wine jug, while the female, seated at the front edge of the couch, once played a lyre. Two child Erotes join the young couple and all participants are crowned with ivy leaves and wreaths. Exceptional for its three-dimensionality, ornate style and preservation of polychromy, this group visualizes the semantic overlap in Greek thought and art between the bridal and the death kline and the role of lyre music as expression of marital love.
Portret van een onbekend bruidspaar
Object type: cabinet photograph
Date: 1870 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: paris
Subjects: studio requisites ~ photographer, bride and groom in wedding-dress
Inscriptions: name: ‘Anthony's Paris 54, Faubourg du Temple, 54 (...)’
Microscopische weergave van zoethout
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Subjects: microscope (+ scientific research)
Inscriptions: number: ‘VII’
Hatchet
Object type: hatchet
Date: 1902 – 1902
Materials: jade
Culture: german
Cylinder seal
Object type: cylinder seal
Date: 3100 – 2900
Materials: faience
Location: mesopotamia or iran
Les Métiers
Object type: print
Date: 1632 – 1632
Materials: paper
Techniques: engraving, etching
Subjects: making toilet, bed with tester, moustache, barber, barbershop
Inscriptions: collector's mark: Lugt 240

In een slaapvertrek met links een beslapen hemelbed friseert een barbier de snor van een man met behulp van een ijzer. De man zit met een laken om op een stoel. Rechts staat een lakei bij een tafel waarop scharen, kammen en ander kappersgerei. Aan de muren gobelins en een schilderij van Zeus en Danae.
Koninklijke graven te Thailand
Object type: album leaf
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: thailand
Artist: Anonymous
Subjects: grave-building, monumental tomb, thailand
Inscriptions: number: ‘66’, annotation: ‘Graven van koningen in Siam’
View of the roadstead of Singapore
Object type: photograph
Date: 1880 – 1883
Materials: photographic support
Techniques: albumen print
Location: singapore
Artist: Anonymous
Subjects: harbour (+ view ~ vehicle, ship, etc.), singapore
Inscriptions: title: ‘Singapour _ Rade _’

Onderdeel van Reisalbum met opnames van bezienswaardigheden in Egypte, Nederlands-Indië, Singapore en Ceylon.
October
Object type: print
Date: 1608 – 1618
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: landscape symbolizing october, river, landscape with bridge, viaduct or aqueduct, scorpio (zodiacal sign of october), rain
Inscriptions: collector's mark: Lugt 964

Een rivierlandschap met figuren op een landweg in de regen, voorstellende de maand oktober. In het midden een houten brug. Rechts een huis met een man in een wijnkuip. Onderaan het astrologische symbool van het sterrenbeeld schorpioen. Prent uit een serie van twaalf.
Kasteel van Châteaubriand met meer te Combourg
Object type: photograph
Date: 1850 – 1859
Materials: photographic support
Techniques: albumen print
Location: combourg
Artist: taylor
Artist role: fotograaf
Subjects: castle, lake
Inscriptions: number: ‘79’
Panel
Object type: panel
Date: 1573 – 1620
Materials: paint, silk
Culture: chinese
Subjects: birds,flowers
Design for a Chair Back Cover with an Ornamental Frame Formed by a Garland of Leaves and Flowers with an Interlacing Ribbon that Forms a Bow from which a Crown Motif with Monogram Hangs
Object type: drawing ornament architecture
Date: 1870 – 1900
Materials: watercolor
Artist: anonymous, french, 19th century
Artist role: designer
Artist nationality: french
Artist dates: 1800 – 1900

Rectangular sheet of paper with a design for a chair back cover from the second half of the nineteenth century, inspired on the style of Louis XVI, forming part of the Neo-Classical Revival that took place in France and Britain from the 1850s on. The style was part of the Classical and Renaissance Revival that took place from about 1850, where the interest on the art and architecture from Ancient Rome and the 15th and 16th centuries was propelled by archaeological discoveries in Greece, Italy and Egypt. Through this style, Classical and Renaissance pieces of art and design were reinterpreted in a variety of forms and motifs, and classical figures, scrolling decorations, strapwork, and grotesques and moresques, became central element in design. This Revival was characterized by the use of design motifs that alluded to Classical Antiquity, including vases and trophies with pastoral attributes, classical figures and cameos, a mixture of real and fantastic figures, and swags and festoons. These swags and festoons comprised garlands of fabric and ribbon, as well as thin bundles and garlands of flowers and husks colored with pastels. The scale of this design is clearly not true to life and it is not unlikely that this drawing was made for a sample book of an upholsterer, to be shown to the customer as one of many different styles to choose from. The design is made up of an ornamental frame formed by a garland of small leaves and flowers with a ribbon of blue color with yellow highlights interlacing around it, forming a bow at the top center of the frame, from which a crown motif with a monogram with hanging garlands hangs over a pastel yellow ground. The crown motif and two scrolling acanthus leaves that lie on the frame below it, are rendered with shades of yellow and ocre to simulate a gold finish; the crown is also adorned with stones of carmine color, possibly to simulate rubies. The design presents two options for the monogram: at first sight, a monogram in the same tone of pastel yellow as the inside of the frame contains a monogram made from a thin garland of tiny leaves and flowers; this monogram is on a tiny piece of paper pasted on one side over the design, and when it is lifted it reveals a blue frame with a simple monogram in pastel yellow. The ribbon is colored with blue and yellow, the leaves with green, and the flowers with shades of red, orange and pink. The outside of the frame is colored with magenta.
Blad met twee portretten van Johann Gottfried Seume en een afbeelding van zijn borstbeeld
Object type: sheet
Date: 1850 – 1900
Materials: paper
Techniques: letterpress printing, snipping, engraving
Subjects: historical persons, portrait of a writer
Inscriptions: number: ‘8’, signature: ‘Hartmann. Gel.’
Prà della Valle: the right half of the square of Prà della Valle in Padua, with the Colleggio Universitario at right
Object type: print
Date: 1735 – 1746
Techniques: etching
Artist: canaletto
Artist role: artist
Artist nationality: italian
Artist dates: 1697 – 1768
Vase
Object type: vase
Date: 1901 – 1933
Materials: clay
Culture: korean
Vuursteenjachtgeweer
Object type: jachtgeweer
Date: 1690 – 1690
Materials: iron
Techniques: printing, cutting, embroidery, engraving, striking
Inscriptions: signature: ‘IAM.KRANS A MAESTRiCHT’, mark

De slotplaat is eenvoudig in reliëf gebeiteld met ranken en voorzien van een signatuur. De loop heeft een ijzeren vizierkorrel. De wortelnotenhouten kolf is eenvoudig gesneden en gebrandmerkt met twee vissen boven een gestempelde 4 achter de trekkerbeugel. Het ijzeren beslag bestaat onder meer uit vier laadstokkokers, een schroefplaat in de vorm van een zeeslang, een ajour bewerkte, gekroonde duimplaat omlijst door ranken en een teenplaat onderop de greep met verstrengelde ranken eindigend in een drieblad.
Openbare School, St. Jacobi Parochie.
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1919
Materials: photographic support
Techniques: photography, writing
Location: sint jacobiparochie
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, further education
Inscriptions: poststempel, verso, gestempeld
Portret van Lucia Wilhelmina Piek-Jolles naast een onbekende vrouw in een gondel in Venetië, achterin de gondelier
Object type: photograph
Date: 1889 – 1893
Materials: paper
Techniques: gelatin silver print
Location: venice
Artist: johanna margaretha piek
Artist role: fotograaf
Artist dates: 1870 – 1947
Subjects: amsterdam, historical persons, gondola, venice
Nederlands familiealbum met 68 foto's
Object type: slip in album
Date: 1860 – 1880
Materials: cardboard, leather, metal, paper, photographic support
Techniques: albumen print, carbon print
Location: haarlem
Subjects: historical persons - bb - woman, child, historical persons
Inscriptions: collector's mark: ‘DIENST/ VERSPREIDE/ RIJKSKOLLEKTIES/ (...) A 1035’

Fotoalbum met in totaal 68 foto's op 18 pagina's. Iedere pagina bevat 4 cartes-de-visite in met gepreegde rand omkaderde passe-partouts. Niet alle passe-partouts in het album zijn gevuld. Afgebeeld zijn portretten van leden van een familie, mogelijk gerelateerd aan de familie Van Braam van de albums RP-F-F00663, RP-F-F00664 en RP-F-F00665. Op de eerste albumbladen zijn door verzamelaar L.J. Hartkamp namen van en aantekening over de geportretteerden geschreven. De familienamen Meyer, Bletz en Kerkhoff zijn vermeld. De cartes-de-visite kunnen niet uit het album worden gehaald, waardoor van slechts 3 foto's de fotograaf bekend is, te weten de Nederlandse fotografen H.Ph.J. Schuiten, L.R. Werner en Binger's.
Pendant
Object type: pendant
Date: 201 – 700
Materials: stone
Culture: sasanian
Location: iran
Gilt terracotta statuette of a goat
Object type: statuette of a goat
Date: 1400 – 1301
Materials: gold, terracotta
Culture: mycenaean
Subjects: goats

More naturalistic than most terracotta and bronze animals of this period. The body is molded with considerable observation of nature.
Studieblad, onder andere met een vogel
Object type: sketchbook leaf
Date: 1876 – 1924
Materials: paper, pencil
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: birds

Mogelijk ornamenten of (mechanische) constructies. Blad 12 verso uit een schetsboek met 40 bladen.
Box
Object type: box
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states
Subjects: lambs
Woven sample
Object type: sample
Date: 1850 – 1850
Materials: silk, wool
Techniques: damask, weave
Culture: british
Location: england
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Five black glazed rim fragments from kylikes
Portret van politicus Marc-René de Voyer de Paulmy d'Argenson
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: engraving
Location: paris
Subjects: venice, paris, marc-rené de voyer de paulmy d’argenson markies d' voyer, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent mogelijk gebruikt voor de publicatie: Turpin, François-Henri en Vincenzo Vangelisti. La France Illustre ou Le Plutarque Français. Parijs: s.n., 1775-1790.
Internationale Ausstellung von Jagd- und Luxus-Hunden zu Frankfurt a. M. 1891
Object type: page
Date: 1891 – 1891
Materials: paper
Techniques: photograph
Location: frankfurt am main
Subjects: dog
Inscriptions: inscription: ‘I. Preis. Drulla. Besitzer : A. Schad, Tuttlingen.’, number: ‘Cat.-No. 1087.’