deem-data/ArtiFact huggingface dataset:
Design for 4 seat Rockaway, no. 4008
Object type: drawing
Date: 1888 – 1888
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Studieblad met acht paarden
Object type: drawing
Date: 1891 – 1941
Materials: ink, paper, pencil
Techniques: pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: horse
Inscriptions: collector's mark: Lugt 2228
Beads
Object type: bead
Date: 900 – 801
Materials: glass, gold, stone
Culture: iranian
Location: iran
Twee ruiters bij een muur
Object type: print
Date: 1669 – 1717
Materials: paper
Techniques: etching
Location: unknown
Artist: dirk maas
Artist role: draughtsman, print maker
Artist dates: 1659 – 1717
Subjects: riding a horse, ass, or mule; rider, horseman, training of horses, riding-school, manège
Inscriptions: collector's mark: Lugt 240

Ruiter naar rechts in een landschap, rechts op de achtergrond een tweede ruiter bij een muur. Prent uit een serie van negen prenten met onderwerp de manege.
Relief with three men on a ramp
Object type: talatat, three men, ramp
Date: 1353 – 1336
Materials: limestone, paint
Peluw van blauw-wit gestreept linnen- en katoenweefsel
Object type: miniature
Date: 1690 – 1710
Materials: cotton, down, linen, silk
Location: amsterdam
Artist: Anonymous

Peluw van blauw-wit gestreept linnen- en katoenweefsel, omboord met een gevlochten koord, van lichtblauwe en bruine zijde, en (iets minder dan de helft) groene/bruin/witte zijde; gevuld met dons.
Leven en werken van Richard Wagner
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: lithography
Location: paris
Subjects: calamity, distress; 'calamità', 'calamità o miseria' (ripa), opera, one person praying
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: A. Jullien, Richard Wagner: sa vie et ses œuvres, Parijs 1886. Scène uit Wagners opera Rienzi, der Letzte der Tribunen (akte V).
Journal des Dames et des modes
Object type: fashion print
Date: 1804 – 1805
Materials: paper, ink, watercolor
Techniques: etching, hand coloring
Location: europe
Artist: Anonymous
Subjects: fashion plates
Inscriptions: collector's mark: Lugt 2228
Fragment (Border)
Object type: textile
Materials: textile, cotton, silk, thread
Techniques: embroidery, stitching
Location: morocco
Subjects: morocco
Brief aan Jan Veth
Object type: letter
Date: 1892 – 1892
Materials: ink, paper
Techniques: pen, writing
Artist: martinus cornelis lebret
Artist role: verzamelaar
Artist dates: 1833 – 1894
Subjects: painter, print maker, draughtsman, jozef israëls, dordrecht, amsterdam, designer, jan veth, art trade, art shop, painting (including book-illumination, miniature-painting), diseases, historical persons (portraits and scenes from the life), money, london
Inscriptions: collector's mark: ‘RPK’
Ballock Dagger
Object type: arm
Date: 1601 – 1633
Materials: copper, iron
Culture: scottish
Location: scotland
Vrouw zoekt kolen tijdens de Hongerwinter
Object type: photograph
Date: 1930 – 1950
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: emmy eugenie andriesse
Artist role: fotograaf
Artist dates: 1914 – 1953
Subjects: coal-bucket
Inscriptions: annotation: ‘WO II NEDERLAND’, annotation: ‘Archief exemplaar Na publicatie gelieve te retourneren aan ABC Press, Amsterdam-c n.z. voorburgwal’, annotation: ‘Emmy Andriesse, Amsterdam-c o.z. achterburgwal 192’
De vervallen Actionisten, hersteld, door den Triompheerden Arlequin
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: chariot, triumphal car

De triomferende Harlekijn en de Actionisten. Harlekijn strooit vanuit een wagen waardeloze aandelen tussen de handelaren in de windhandel. Op de achtergrond Vianen aan de Lek. In het onderschrift een vers in 4 kolommen. Prent in de gebonden eerste uitgave (304 B 11) van Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Landende parachutisten
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: the hague
Artist: j. nolte
Artist role: fotograaf
Subjects: warfare; military affairs (+ during the battle), the hague, rotterdam blitz
Inscriptions: annotation: ‘Parachutisten bij Slierecht.’
Grand Piano
Object type: grand piano
Date: 1815 – 1820
Materials: wood
Culture: austrian
Location: austria
Artist: joseph böhm
Artist role: maker
Artist nationality: austrian
Artist dates: 1786 – 1850

Napoleon's second wife, Marie Louise, is believed to have owned this grand piano while she was grand duchess of Parma. The exotic elm veneer is enriched by mercury-gilt mounts depicting grapevines, acanthus, and Psyche at a tripod brazier; imperial eagles crown the legs and nameplate. The original griffin-shaped pedal support was lost during World War II. The instrument has a six octave range (seventy-three keys), the size that was customary at the time, around when Beethoven was composing his late piano works. Joseph Böhm, the builder of this sumptuous piano, was a member of Vienna's civic keyboard-maker's association. Technical description: Double-curved bentside with front ends of case incurved, Carpathian elm burl veneer over spruce (?) and beech, on 3 elm-veneered sinuous legs with new brass casters, legs surmounted by carved, gilt Napoleonic eagles and gilt molding, leg mounting blocks and case have gilt bronze mounts of scrolled foliate and floral motif, keywell veneered in dark-stained fruitwood with gilt brass leaf and lure mounts on either side of framed milk glass name plaque, 4-piece lid not veneered under main section, lid stick to lid, 2 brass lid hooks on bentside, hook eyes missing, pedal lyre a new replacement, lift pedal shifts action for una corda, right lifts damper, originally 3 other pedals, with some trapwork remaining on bottom of case, compass FF-f4 (73 keys), bone naturals, stained hardwood accidentals, Viennese action with brass Kapsels, pearwood shanks, maple heads, spruce key levers, adjustable escapement rail, spruce soundboard with grain parallel to spine, laminated beech bridge backpinned and notched, new dampers and damper rack and action cloth, leather-covered hammers, string gauges marked on bridge, maple pinblock veneered both sides, 2 iron gap spacers, soundboard stands free of belly rail, triple strung throughout.
Ornamenten met rolwerk
Object type: sketchbook leaf
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: ribbon, scroll, banderole ~ ornament

Mogelijk gevelversieringen. Blad 19 verso uit een schetsboek met 40 bladen.
Don't scream, stupid, plate 74 from Los Caprichos
Object type: print
Date: 1797 – 1799
Materials: paper
Techniques: aquatint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Bowl
Object type: bowl
Date: 1820 – 1820
Le Remouleur
Object type: print
Date: 1744 – 1781
Materials: paper
Techniques: etching
Artist: jean baptist leprince
Artist role: draughtsman, print maker
Artist dates: 1734 – 1781
Subjects: building activities, sharpening, grinding (industrial processes)
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘Douane Centrale. Exportation Paris’
Portret van Willem III, prins van Oranje-Nassau, koning van Engeland
Object type: print
Date: 1689 – 1731
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), knighthood order
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Borstbeeld van Willem III, prins van Oranje-Nassau, koning van Engeland. Hij draagt het ordeteken van de Kousenband.
Italiaans bergdorp
Object type: drawing
Date: 1924 – 1924
Materials: chalk, paper
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: prospect of village, silhouette of village
Inscriptions: collector's mark: Lugt 2228
Gelijkenis van de farizeeër en de tollenaar
Object type: print
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the praying pharisee and the repentant publican in the temple (luke 18:10-14)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Theatrum biblicum : hoc est historiae sacrae veteris et novi testamenti tabulis aeneis expressae. Opus praesentatissimorum huius ac superioris seculi pictorum atque sculptorum, summo studio conquisitum et in lucem editum. Amsterdam: Claes Jansz. Visscher, 1643.

De figuur van Christus is gekopieerd naar een prent van Adriaen Collaert naar ontwerp van Maerten de Vos. De tempel is gekopieerd naar een prent van de gebroeders van Doetechum naar ontwerp van Gerard van Groeningen.
Portret van mezzosopraan Berthe Seroen
Object type: photograph
Date: 1900 – 1935
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: mechelen, amsterdam, historical persons - bb - woman, female singer
Funerary Cone of the Overseer of Works of Montu Nebwa
Object type: cone, nebwa, overseer of work, montu
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs

This cone has the impression of a stamp seal inscribed for a man named Nebwa who was overseer of works of the god Montu, lord of Armant. For a drawing of this impression see http://www.funerarycones.com/, number 511.
St. Peter Resucitating Tabitha, plate 3 from "Les Tableaux de Rome, Les Eglises Jubilaires" (The Paintings of Rome, The Churches Jubilee)
Object type: print
Date: 1607 – 1611
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Newes Modelbuch in Kupffer  (Page 27r)
Object type: book print ornament architecture
Date: 1604 – 1604
Techniques: etching
Artist: johann sibmacher
Artist role: artist
Artist nationality: german
Artist dates: 1590 – 1611
Subjects: ornament,peacocks

Designed by Johann Sibmacher, German, active 1590-1611. 2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs.
Enkhuizen. Stavoornsch Poortje
Object type: photomechanical print
Date: 1909 – 1912
Materials: cardboard
Techniques: photograph
Location: enkhuizen
Subjects: city-gate, clothes, costume, enkhuizen
W.J.A. Jonckbloet Hist. Patr. Elog Prof. 1854-1864
Object type: carte de visite
Date: 1860 – 1864
Materials: paper
Techniques: albumen print
Location: utrecht
Artist: johannes hinderikus egenberger
Artist role: draughtsman, print maker
Artist dates: 1822 – 1897
Subjects: historical persons (portraits and scenes from the life)
Inscriptions: name: ‘W.J.A. Jonckbloet Hist. Patr. Elog Prof. 1854-1864’
Side chair
Object type: side chair
Date: 1860 – 1870
Materials: wood
Techniques: gilding
Culture: american
Location: united states
Artist: herter brothers
Artist role: maker
Artist nationality: american
Artist dates: 1864 – 1906
ANDROMEDA
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: perseus kills the sea monster (or turns it into stone by showing it the gorgon's head) to release andromeda; sometimes her parents cepheus and cassiopea watch the scene, sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster), ornament ~ cartouche
Inscriptions: number: ‘2’, title: ‘ANDROMEDA’

Cartouche met Perseus die, gezeten op het paard Pegasus, het zeemonster bestrijdt. Rechts Andromeda geketend aan de rots. Ovaal cartouche in omlijsting van figuren en zeemonsters tegen gearceerde achtergrond.
Gezicht op het Pesthuis (Buitengasthuis) bij Amsterdam
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: public welfare, hospital, prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage)

Prent uit: Dapper, Olfert. Historische beschryving der stadt Amsterdam: waer in de voornaemste geschiedenissen (na een kort verhael van gansch Hollant en d'omleggende dorpen (…). Amsterdam: Jacob van Meurs, 1663.

De tweede staat van de prent heeft een toegevoegde Franse titel.
Broodpenning van de Gereformeerde Diaconie te Amsterdam 1777
Object type: alms token
Date: 1777 – 1777
Materials: copper, tin
Techniques: striking
Inscriptions: circumscription: ‘VERGENOEGD EN DANKBAAR’, circumscription: ‘GEREFORMEERD DIACONIE BROOD’

Tinnen penning met brede koperen plug, op de voorzijde een vrouw zittend naast een schaap, een duif op haar hoofd en een juk om haar nek, met omschrift, op de keerzijde twee broden op een beklede tafel, met omschrift, in afsnede 1777, met instempeling B op de voorzijde.
Interieur van een zaal in Kasteel Cannenburgh te Vaassen
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: kasteel cannenburgh
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: castle, living-room, parlour, sitting-room
Inscriptions: annotation: ‘Q/ Kasteel Cannenburg/ Vaassen (G.)/ gezicht in één der zalen/ gem. Epe’
Two Sinhalese men with bales of cinnamon
Object type: sketchbook leaf
Date: 1662 – 1662
Materials: ink, paper
Techniques: brush
Location: sri lanka
Artist: esaias boursse
Artist dates: 1631 – 1672
Subjects: (non-fruit) products of plants or trees: cinnamon, asiatic races and peoples (with name), 41d232(...) skirt (lungi), carrying something with yoke, sri lanka
Stryd tuszen de Smullende Bubbel Heeren, en de aanstaande Armoede
Object type: cartoon
Date: 1600 – 1633
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: strife of lent and carnival

Spotprent met de strijd tussen Vastenavond en Vasten geplaatst in de context van de Windhandel van 1720. Strijd tussen twee personen op strijdwagens getrokken door kinderen. Links Vastenavond, aangekleed met keukeninstrumenten, wild en gevogelte, drinkglazen en kannen. Zij en haar aanhangers dragen verwijzingen naar de actiehandel. Rechts Vasten, aangekleed met vissen en krakelingen, verwijst naar de aanstaande armoede. In het onderschrift een vers in vijf kolommen, gedrukt van een aparte plaat. Prent in de gebonden eerste uitgave (304 B 10) van Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Drie portretten van Joost van den Vondel
Object type: photograph
Date: 1867 – 1867
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: franz wilhelm deutmann
Artist role: fotograaf
Artist dates: 1809 – 1895
Subjects: amsterdam, joost van den vondel, letter, envelope
Inscriptions: stamp: ‘F.W. Deutmann hofphotograaf Amsterdam’, title: ‘DRIE PORTRETTEN / VAN / JOOST VAN DEN VONDEL. / ALS JONGELING / DOOR H. GOLTZIUS. / ALS GRIJSAARD EN IN ZIJN LAATSTE LEVENSJAREN, / DOOR PH. DE KONINGH. / NAAR TEEKENINGEN BERUSTENDE IN HET KABINET / VAN DEN HEER / JACOB DE VOS, JBZN. / EN / DOOR HEM DEN FEESTGENOOTEN AANGEBODEN.’

(Reznicek 1961, N 49 d (huidige verblijfplaats onbekend), Gerson 1936, nrs. 276 en 278, collectie Rijksprentenkabinet/Rijksmuseum, inv.nrs. RP-T-1884-A-367 resp. RP-T-1884-A-384).. onzeker: titel suggereert feestelijke gebeurtenis: op 18/10/1867 werd het standbeeld in het (latere) Vondelpark onthuld
Ceramic Fragment
Object type: fragment
Date: 1301 – 1400
Materials: stonepaste
Techniques: painting, underglaze
Location: egypt
Subjects: flowers
Gipsmodellen voor gevelversieringen aan de Cour Visconti van het Palais du Louvre
Object type: photograph
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: permanent exhibition, museum, ornamenting, decorating ~ applied arts, paris, tuileries palace
Inscriptions: number: ‘747 (beide)’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 3.
Courant-ombrengers Nieuwjaars-Wensch (...) 1866
Object type: print
Date: 1865 – 1866
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens namens de ombrengers van couranten (krantenbezorgers) te Amsterdam voor het jaar 1866. Bovenaan twee scènes uit de Verenigde Staten, met links de kerk Mission San Luis Rey de Francia in Californië, rechts een boerderij in Ohio. Onderaan een gedicht in drie kolommen. Van de courantombrenger: B.J. de Beer.
Portret van een vrouw, vermoedelijk Christiane Charlotte van Württemberg (1694-1729)
Object type: painting, miniature
Date: 1710 – 1730
Materials: glass, ivory, metal
Location: germany
Artist: Anonymous
Subjects: christiane charlotte von württemberg-winnental

Portret van een vrouw, vermoedelijk Christiane Charlotte van Württemberg (1694-1729). Buste, aanziend. Onderdeel van de collectie portretminiaturen.
Symington, Paisley, and Glasgow
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Eerste draaierij
Object type: photograph
Date: 1908 – 1908
Materials: photographic support
Techniques: photography
Location: surabaya
Artist: Anonymous
Subjects: colonial system, factory-interior, machine shop, machines; parts of machines; tools and appliances, java
Inscriptions: date

Gezicht in de fabriekshal met de eerste draaierij geïnstalleerd in 1904. Hier in beeld na de electrificatie in 1908. Onderdeel van de multomap met foto's van machines van de N.V. Machinefabriek Braat te Soerabaja, Soekaboemi en Jogyakarta, uit de periode 1908-1942.
Portret van een zittende man
Object type: carte de visite
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: victor lapouge
Artist role: fotograaf
Subjects: sitting figure, historical persons
Inscriptions: inscription: ‘LAPOUGE/ PHOTOGRAPHE/ RUE MONTORGE. 12’
Half sovereign of Edward VI
Object type: half sovereign
Date: 1549 – 1550
Materials: gold
Subjects: kings,profiles,coat of arms

The supplies of bullion brought to Europe from the New World in the sixteenth and seventeenth centuries caused inflation, and in response new coinage was issued with a wider range of denominations. Gold coins like the sovereign, with the value of one pound, twenty shillings, first appeared in 1489. It was replaced by the unite in 1604 and by the guinea in 1663. Initially minted in gold, the crown was also produced in silver from 1551, with standardized dimensions similar to other European coins.
Franciscus Modius Brugensis IC. poeta
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: engraving, letterpress printing
Artist: jean jacques boissard
Artist dates: 1528 – 1598
Subjects: bruges, franciscus modius, historical persons, portrait of a writer, writer, poet, author
Inscriptions: collector's mark: Lugt 2228

Prent uit: Boissard, Jean Jacques. Icones quinquaginta virorum illustrium doctrina & eruditione praestantium ad vivum effictae. 4 dln. Frankfurt am Main: s.n., 1597-1599, dl. 4, p. 6. Mogelijk ook gebruikt in latere edities. Latere staat van prent verschenen in: Boissard, Jean Jacques. Bibliotheca chalcographica. 8 dln. Frankfurt am Main: Johannes Ammon, 1650-1652. Ook gebruikt in latere edities.
Judith, illustration to "Biblesche figuren ofte afbeeldingen..." by Hendrik Jansen van Barrefelt, called Hiel
Object type: print
Techniques: etching
Artist: peeter van der borcht
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1530 – 1608
Subjects: buildings,men,women,judith
Jar
Object type: jar
Date: 1800 – 1900
Materials: earthenware
Culture: american
Man met paard, genaamd Savernake, voor een boerderij
Object type: page
Date: 1894 – 1915
Materials: photographic support
Techniques: albumen print
Artist: h. schnaebeli
Artist role: fotograaf
Subjects: adult man, historical persons, horse
An Irish Howl [Owl]!
Object type: print
Techniques: lithograph
Artist: john doyle
Artist role: artist
Artist nationality: irish
Artist dates: 1797 – 1868
Subjects: satire,men,owls
Plate
Object type: plate
Date: 1845 – 1845
Techniques: transfer
Artist: george phillips, longport
Artist role: factory
Subjects: buildings,flowers,trees
Card 649, Miss Emerson, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Attendez-moi sous l'orme
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: fence, wall, paling, adult woman (+ two persons)
Inscriptions: collector's mark: Lugt 2228
Standbeeld van Hercules en Telephos
Object type: print
Date: 1550 – 1550
Materials: paper
Techniques: engraving
Location: rome
Subjects: (story of) hercules (heracles), piece of sculpture, reproduction of a piece of sculpture, (story of) commodus the roman emperor
Inscriptions: collector's mark: Lugt 2228

Standbeeld van keizer Commodus als Hercules. Hercules is naakt en zwaargebouwd. Hij draagt zijn leeuwenhuid als mantel. Op zijn linkerarm zit zijn zoon Telephos. Het beeld staat nu in het Vaticaans museum. De prent heeft een Latijns onderschrift.