deem-data/ArtiFact huggingface dataset:
Sculptuur van een adelaar op een voetstuk uit de Sint-Martinusbasiliek in Halle, opgesteld op een tentoonstelling over religieuze objecten uit de middeleeuwen en renaissance in 1864 in Mechelen
Object type: page
Date: 1864 – 1866
Materials: paper
Techniques: photolithography
Location: mechelen
Artist: joseph maes
Artist role: fotograaf
Artist dates: 1838 – 1908
Subjects: predatory birds: eagle, piece of sculpture, reproduction of a piece of sculpture (+ metals ~ arts), mechelen
Inscriptions: number: ‘-49’, number: ‘I [...]’, number: ‘1’
Pompadourtegel met rozet omgeven door granaatappels
Object type: pompadourtegel
Date: 1600 – 1625
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Pompadourtegel met een veelkleurige (blauw, oranje, groen en geel) geschilderde rozet omgeven door granaatappels en goudsbloemen binnen een vierpas. In de hoeken, vultechniek ornament.
Bruxelles. La Gare du Nord
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: brussels
Artist: Anonymous
Subjects: station; shelter (railway, tramway), city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), brussels
Souvenir aan de Bazaar te Haarlem / Juni 1886 / Dr. N. Beets
Object type: text sheet
Date: 1806 – 1886
Materials: paper
Techniques: lithograph
Location: haarlem
Subjects: haarlem, utrecht, nicolaas beets, advertising, souvenir (~ tourism)

Envelop met opdruk 'Souvenir aan de Bazaar te Haarlem' met daarin een opgevouwen blad met twee regels tekst, een aforisme, door Nicolaas Beets en het jaartal 1886.
Interieur van de Nieuwe Kerk gezien naar het koorhek
Object type: drawing
Date: 1786 – 1850
Materials: ink, paper, pencil, watercolor
Techniques: brush
Location: amsterdam
Subjects: interior of church, parts of church interior: choir
Inscriptions: collector's mark: Lugt 800a, inscription: ‘Gezigt in de Nieuwe Kerk / Ziende op het Choor’, signature: ‘H P. Schouten del. / G Lamberts term.’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 5.
Schaal op voet met bloemtakken
Object type: confiturenglas
Date: 1725 – 1750
Materials: glass
Techniques: glassblowing
Location: silesia
Artist: Anonymous

Platte voet, balustervormige, in facetten geslepen stam, vierlobbige, ovale kelk met vier bloemtakjes in rood, blauw, wit en verguld, langs de bovenrand een verguld biesje.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, two branches with leaves
Panel
Object type: panel
Materials: glass
Subjects: men,women
Uitgevouwen Klimax camera in verschillende standen
Object type: page
Date: 1907 – 1912
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: camera ~ photography
Piece
Object type: piece
Date: 1567 – 1633
Materials: cotton, linen
Subjects: animals,cross
Gold finger ring engraved with an image of Hermes
Object type: ring with hermes
Date: 334 – 301
Materials: gold
Culture: greek, south italian, tarentine
Subjects: male nudes,hermes

The broad oval bezel of this heavy gold ring is engraved with an intaglio showing the youthful messenger-god Hermes balancing on his left leg as he fastens a wing to his raised right foot. The god wears a short mantle that encircles his neck and hangs down his back. Winged sandals or boots are a standard attribute of Hermes, but it is unusual to find the wings attached to the figure's ankles rather than to some form of footwear. Since its first publication over a century ago, this ring has been associated with a notable sculptural type in monumental Greek sculpture, the Sandal-Binder Hermes, traditionally ascribed to the sculptor Lysippos. Echoes of this particular composition, showing the god tying or untying his winged sandal, appear in decorative arts as well, notably on coins of Sybrita, in Crete, dated to the late fourth century B.C. Our ring, however, can be stylistically grouped with a handful of accomplished late Classical gold rings from Magna Graecia, which is in fact the alleged findplace of our piece (Tarentum in southern Italy).
Italianate Landscape with Castle, Trees and Water in Foreground
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: france
Artist: school of nicolas poussin
Subjects: landscapes
Portret van D. Ragay
Object type: print
Date: 1819 – 1853
Materials: paper
Techniques: lithograph
Location: munich
Subjects: knighthood order, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een ridderorde in een knoopsgat van zijn jas. Onder het portret zijn familiewapen.
Jacoba van Beieren stelt zich aan het hoofd van de Hoeken, ca. 1430
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Location: netherlands
Subjects: jacoba of bavaria (countess of hainaut), battle, fighting in general, netherlands
Inscriptions: date

Illustratie gebruikt in: J.F. Martinet, Het vereenigd Nederland, J. Allart, Amsterdam 1788, p. 94/95.
The Vanity of Women: Masks and Bustles
Object type: engraving
Date: 1600 – 1600
Materials: paper
Techniques: engraving
Culture: dutch
Artist: maerten de vos
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1532 – 1603
Subjects: masks
Parasol
Object type: parasol
Date: 1860 – 1869
Materials: ivory, metal, silk, fiber
Culture: french
The Entombment, from The Passion
Object type: print
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered lower left: "1596 HG / 11"
Nederlandse gebouwen in Batavia
Object type: photograph
Date: 1900 – 1900
Materials: paper
Techniques: photography
Location: batavia
Subjects: dutch east indies, the, batavia

Eén van zes foto's (zwart-wit) van Nederlandse gebouwen en de Chinese wijk in Batavia (Jakarta), Nederlands-Indië. Merken; achterzijde: stempel: 'chef van den oudheidkundige dienst' en wapen van Nederland. Opmerking: zie NG-1009-A t/m F.
A Short History of General Garfield, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,profiles,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Medal:  Self-portrait
Object type: medal
Materials: bronze, copper alloy, patina
Artist: alfonso ruspagiari
Artist role: artist
Artist dates: 1521 – 1576
Subjects: men,self-portraits

The obverse shows a half-length, frontal self-portrait with the sitter’s head turned left and holding a syrinx in his right hand; the reverse is incused. This very painterly medal could have been made at the occasion of Ruspagiari’s appointment as superintendent of the mint at Reggio nell’Emilia in 1571. The age of the sitter is about forty-five so the medal may date to about 1566.The composition was based on a drawing of a female bust attributed to Lelio Orsi (Galleria Estense, Modena), which Ruspagiari could have transformed into a self-portrait. By doing so he deliberately played with his sexual identity, possibly intending himself to be seen as an uomo universale shaped after Plato’s androgyne. The drawing may have been made by Orsi after the medal. The weak aftercast may date to the eighteenth or nineteenth century.
Fan
Object type: fan
Date: 1785 – 1785
Materials: glass, gold thread, ivory, parchment, silk, silver
Subjects: men,women
Ewer and Basin
Object type: print
Date: 1862 – 1862
Techniques: etching
Artist: jules-ferdinand jacquemart
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1880
Landschappen met Bijbelse, mythologische scènes en jachttaferelen
Object type: print
Date: 1582 – 1586
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: river, tetragram (in roman or hebrew script) ~ symbol of god the father, the dream of jacob: while sleeping on the ground with a stone for pillow jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with god at the top of the ladder, tortoises, turtles (+ ornamental variants of animals), flowers ~ ornament
Inscriptions: collector's mark: Lugt 2228

Landschap met een rivier. Op de voorgrond links de slapende Jakob. Hij droomt dat engelen vanuit de hemel via een ladder omhoog en omlaag klimmen. Boven in de wolken het tetragram. De prent heeft een ornamentlijst met bloemen en schildpadden. Hij maakt deel uit van een vierentwintigdelige serie van landschappen met Bijbelse, mythologische scènes en jachttaferelen.
Zeeuwse halve zilveren dukaat, 1786
Object type: coin
Date: 1786 – 1786
Materials: silver
Techniques: striking
Location: middelburg

Zilveren munt. Voorzijde: staande geharnaste ridder naar rechts met zwaard in rechterhand en gekroond wapenschild van Zeeland aan lint in linkerhand. Keerzijde: tussen jaartal gekroond generaliteitswapenschild. Kabelrand.
Vest met drie zakken, 6 zwarte knopen met goud oosters tafereel en revers van geelbruine wol met ingeweven bloem- en bladmotief en gekleurd paislymotief binnen vierkanten
Object type: waistcoat
Materials: cotton, wool
Artist: Anonymous
Ceremonial Cloth with Pattern of Elephants and Tigers
Object type: religious ritual object
Date: 1801 – 1900
Materials: silk
Techniques: dyeing, weave, resist
Location: india
Portret van Willem V, prins van Oranje-Nassau
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: william v (prince of orange), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain
Inscriptions: collector's mark: Lugt 240

Portret van Willem V. In zijn rechterhand een commandostaf. Op de achtergrond een leger en een vloot. Op de voorgrond een aantal allegorische objecten, waaronder boeken en een wereldbol.
Afscheid van Tobias
Object type: print
Date: 1580 – 1596
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: tobias taking leave of his parents; anna mourns her son's departure

De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
Landschap
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: meadow, pasture
Inscriptions: collector's mark: Lugt 240

Prent naar schilderij van Peter Paul Rubens. Hollstein beschrijft een serie kleine landschappen onder de nrs. 305 t/m 325 maar deze prenten zijn niet als reeks vervaardigd. In de collectie van het RMA bevinden zich vier verschillende staten van deze prent waarvan drie met een steeds afwijkend adres van de Antwerpse uitgever Gillis Hendricx. Dit blad is vervaardigd voor de gestoffeerde staten. Sporen van het Gillis Hendricx adres op deze plaat zijn nog zichtbaar op twee andere drukken in de collectie, in de marge rechtsonder een fragment met de laatste letters van het woord excudit (vergelijk RP-P-BI-2639 en RP-P-H-H-2171). En de eerste letters van de naam P.P. Rubens (vergelijk RP-P-BI-2639). Hieruit kunnen we opmaken dat het hier beschreven blad gedrukt is voor de andere staten in de collectie.
Figure of St. Andrew seated in a Landscape
Object type: drawing
Date: 1616 – 1668
Materials: chalk, ink, paper
Techniques: pen, drawing
Artist: antonio del castillo y saavedra
Artist role: artist
Artist nationality: spanish
Artist dates: 1616 – 1668
Subjects: men,landscapes,saints
Miniature kettle with stand
Object type: kettle with stand
Date: 1701 – 1800
Materials: silver
Boerenhoeve
Object type: drawing
Materials: paper, pencil
Techniques: brush
Artist: j. van eck
Subjects: farm (building)
Brandslangringen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: firehose
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fire engine, firehose; fragm: rings, partly squashed, some fragm of (le) hose, firehose.
Zeilboot
Object type: sketchbook leaf
Date: 1797 – 1838
Materials: paper, pencil
Artist: johannes christiaan schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1838
Subjects: sailing-ship, sailing-boat

Blad 24 verso uit een schetsboek met 65 bladen.
Voor-Gevel van 'T Amsterdams Stadt Huys
Object type: print
Date: 1655 – 1737
Techniques: engraving
Location: amsterdam
Artist: hubert quellinus
Artist role: print maker
Artist dates: 1619 – 1687
Subjects: stadhuis van amsterdam (1655-1808)
Inscriptions: collector's mark: Lugt 2228

Mogelijk illustratie voor: Hubertus Quellinus en Artus Quellinus, Prima [-secunda] pars praecipuarum effigierum ac ornamentorum, amplissimae curiae Amstelredamensis (...), Amsterdam, 1655 - 1668.
Afgemeerd zeilschip op een kalme zee
Object type: sketchbook leaf
Date: 1830 – 1860
Materials: paper, pencil
Artist: albertus van beest
Artist role: draughtsman, print maker
Artist dates: 1820 – 1860
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)

Blad 7 recto uit een schetsboek met 46 bladen.
Gekroonde buste van Carolus Linnaeus
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: carl linnaeus, landscapes, crowning with laurel
Inscriptions: collector's mark: Lugt 2228
Les Deux Pélerins (The Two Pilgrims), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Object type: print
Date: 1623 – 1623
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Lapland, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1886 – 1886
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "Natives in Costume" series (N16), issued in 1886 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Crutch Dagger (Zafar Takieh, "Cushion of Victory") with Sheath
Object type: crutch dagger zafar takieh with sheath
Date: 1701 – 1900
Materials: gemstone, gold, jade, silver, steel
Culture: indian, mughal
Location: india
Demi-Monde I 56
Object type: album
Date: 1858 – 1868
Materials: glass
Techniques: albumen silver print
Artist: andré-adolphe-eugène disdéri
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1889
Subjects: portraits,women
The Cumaean Sibyl
Object type: print
Date: 1516 – 1516
Techniques: engraving
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
River Landscape with Daedalus and Icarus
Object type: print
Date: 1595 – 1595
Techniques: etching
Artist: simon novellanus
Artist role: artist
Artist dates: 16 – 16
Subjects: rivers,landscapes,boats
Candlestick
Object type: candlestick
Date: 1190 – 1200
Materials: copper, enamel, gilt
Techniques: enamel, engraving
Culture: french
Location: france
Group of Six Reclining Nude Women (Nymphs Bathing) (recto); Sketch of a Leg (verso)
Object type: drawing
Date: 1529 – 1566
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: taddeo zuccaro
Artist role: artist
Artist nationality: italian
Artist dates: 1529 – 1566
Subjects: female nudes,nymphs,bathing

This graceful composition exhibits Taddeo's characteristically fluid line, which renders the forms at once animated, convincingly three-dimensional, and elegantly ornamental. The sheet is a preliminary study for a group of six bathing nymphs that appear on a second, more finished drawing in the Museum’s collection (acc. no. 56.219.3) featuring a circular design with Diana, goddess of hunt, and her nymphs. It has been suggested that the design was part of a projected series of majolica illustrating the activities of Diana and would have preceded Taddeo's well-known commission to design a set of majolica for the king of Spain in 1562. Taddeo's final design for this composition is recorded in a drawing at the Musée du Louvre, Paris (inv. 9030).
Portret van Carl Gerd von Ketelhodt
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: engraving
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Diverse dieren
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: etching
Subjects: meadow, pasture, horse
Inscriptions: collector's mark: Lugt 2228

In een weide in een landschap staat een paard, terzijde gezien, te grazen. Deze prent maakt deel uit van een tiendelige serie over diverse dieren.
D' Oude St Antonis Poort nu de Waegh
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: city-gate, weigh-house, canals, waters (in city) (+ city(-scape) with figures, staffage), parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 1641b

Prent uit: Domselaer, Tobias en Isaac Commelin. Beschryvinge van Amsterdam: haar eerste oorspronk uyt den huyze der heeren van Aemstel en Aemstellant (…). 6 dln. Amsterdam: Marcus Willemsz van Doornick, 1665.

Eerdere staat van prent ook gebruikt in: Fockens, Melchior. Beschrijving Der wijdt-vermaarde Koop-stadt Amstelredam, Van haar eerste beginselen, zedert den Jare 1203. oude Voorrechten, verscheyde Vergrootingenoude Voor-rechten, en verscheyde Vergrootingen (…). 3de druk. Amsterdam: Marcus Willemsz. Doornick, 1664. En in: Zesen, Philipp von. Beschrybung der Weidtberuhmde Kauf-Stadt Amstelredam / Beschreibung der Stadt Amsterdam darinnen von derselben ersten ursprunge bis auf gegenwartigen zustand (…). Amsterdam: Marcus Willemsz. Doornick, 1664.

Derde bekende staat (rechtsboven genummerd: 40) ook gebruikt in verschillende latere zeventiende- en achttiende-eeuwse publicaties.
Portret van de violist Charles de Beriot
Object type: print
Date: 1806 – 1829
Materials: paper
Techniques: lithograph
Artist: maxim gauci
Artist role: print maker
Artist dates: 1774 – 1854
Subjects: louvain, historical persons
Ichikawa Danjūrō V as Kūdo no Suketsune, and Nakamura Rikō as Oiso no Tora
Object type: woodblock print nishiki e
Date: 1701 – 1800
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: swords,actors
Gezicht op herberg het Wapen van Amsterdam
Object type: print
Date: 1826 – 1839
Materials: paper
Techniques: lithograph
Artist: j.b. clermans
Artist role: print maker
Subjects: hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: ‘HIST: TOPOGR: ATLAS [..]R [..]M: AMSTERDAM’
Beaker with cover
Object type: beaker with cover
Date: 1730 – 1730
Materials: glass
Subjects: coat of arms
Pair of spoons
Object type: spoon
Date: 1701 – 1800
Materials: pewter
Kôm-Ombou (Ombos), Vue Générale des Ruines
Object type: photograph
Techniques: paper negative, salted paper print
Artist: félix teynard
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1892
Subjects: architecture,ruins
Pittoreske wandelingen
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: riding a horse, ass, or mule; rider, horseman, asking the way, prospect of village, silhouette of village (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228a
Buckle
Object type: buckle
Date: 1501 – 1533
Materials: ivory
Culture: french
Location: france
Aanleg van het Viaur Viaduct in Frankrijk door de Societé de Construction des Battignolles, 16 februari 1901
Object type: photograph
Date: 1901 – 1901
Materials: photographic support
Techniques: cyanotype
Location: france
Artist: Anonymous
Subjects: viaduct, making the overground structures (~ building activities)
Inscriptions: date

Op de achterzijde een potloodschets van een deel van de brug.
Glass hexagonal bottle
Object type: bottle, hexagonal, with bird
Date: 25 – 50
Materials: glass
Culture: roman

Opaque white. Rim folded out, round, and in, then pressed into flaring mouth; misshapen cylindrical neck; downward sloping shoulder; hexagonal body with vertical sides, then cup-shaped below; low base with rounded edge and slightly indented bottom. Mold seams run from base of neck, down sides, and meet at center of bottom. Decoration in relief in three registers: on shoulder, six downturned rays or pointed petals; on body, six rectangular panels, each decorated at top with a triangular pediment flanked by prominent but indistinct round objects, framed at sides with posts or slender columns, and bordered below by an egg-and-dart band; in each panel, a different bird perched on or flying over a nest or rock; above the base, twenty-seven upturned tongues (nine in each segment of mold). Intact; pitting, dulling, and thick creamy weathering. This bottle belongs to a type known as the Bird Series because the figures depicted in the pedimented panels appear to be birds perched on or flying over a nest or rock. It is a relatively rare type, although several of the surviving examples are made (as here) in opaque white glass.
Family Resting
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie waterloo
Artist role: artist
Artist nationality: dutch
Artist dates: 1609 – 1690
Portret van Sidonius Apollinaris
Object type: book illustration
Date: 1584 – 1584
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: lyon, historical persons, book

Prent uit: Thevet, André. Les vrais pourtraits et vies des hommes illustres grecz, latins et payens (...). Parijs: weduwe Jacques Kerver en Guillaume Chaudière, 1584, dl. 2, f. 487.
Standing Angel Brandishing a Sword
Object type: drawing
Date: 1590 – 1590
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: ferraù fenzoni
Artist role: artist
Artist nationality: italian
Artist dates: 1562 – 1645
Subjects: swords,angels
Cylinder seal with monsters or animals
Object type: cylinder seal
Date: 800 – 601
Materials: faience
Culture: assyrian
Location: iran
Beleg van Luxemburg door de Fransen, noodmunt van tweeenzeventig asses
Object type: siege coin
Date: 1795 – 1795
Materials: silver
Techniques: striking
Location: luxembourg city
Artist: Anonymous
Subjects: luxemburg (stad), franse revolutie, eerste coalitie-oorlog, beleg van luxemburg

Voorzijde: waardeaanduiding boven cijfer 13 in eikekrans. Keerzijde: opschrift
Armchair
Object type: armchair
Date: 1805 – 1815
Materials: wood
Culture: american
Location: united states
Artist: duncan phyfe
Artist role: maker
Artist nationality: american, born scotland
Artist dates: 1770 – 1854
Studioportret van een onbekende man op een rieten strandstoel
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1920
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: studio ~ photographer, adult man, chair