deem-data/ArtiFact huggingface dataset:
Gevel van een kerk (vermoedelijk) te Venetië
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: venice
Artist: Anonymous
Subjects: church (exterior), façade (of house or building), venice
Inscriptions: number: ‘29’, inscription: ‘Fontaine et Eglise de San-Marcelo’
The Farm Yard with the Cock, plate 17 from Liber Studiorum
Object type: print
Materials: ivory, paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
The Sphynx and Great Pyramid
Object type: photograph
Techniques: albumen print
Location: england
Artist: francis frith
Artist role: publisher
Artist nationality: english
Artist dates: 1822 – 1898
Inscriptions: Inscribed recto, on image, lower left, in black ink: "Frith. E. No. 71 1857"; printed recto, on mount, lower right, below image, in black ink: "Frith. Photo. 1857."; printed recto, on mount, lower center, below image, in black ink: "THE SPHYNX AND GREAT PYRAMID / Geezeh."; inscribed recto, on mount, lower left, sideways, in graphite: "Plate 1"; inscribed verso, on mount, upper right, in graphite: "27"; stamped and inscribed verso, on mount, along right edge, sideways, in black ink: "WITHBRAWN [stamped] 9358 [inscribed]"; inscribed verso, on mount, lower right, upside-down, in graphite: "10 [illegible] 14 g. Prof. [illegible] F. Gurley"
Galleria Giustiniana del Marchese Vincenzo Giustiniani II
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving
Location: rome
Subjects: vincenzo giustiniani (1564-1637), piece of sculpture, reproduction of a piece of sculpture, sacrifice ~ non-christian religions
Inscriptions: collector's mark: Lugt 2228

Romeins bas-reliëf van een man, op een ligbank, met een schaal in de hand. Een ram wordt naar hem toe geleidt. Midden onder het wapenschild van Vincenzo Giustiniani. Prent uit een publicatie met reproductieprenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Ceintuurgesp van zilver en koper
Object type: buckle
Date: 1850 – 1900
Materials: copper, glass, silver
Artist: Anonymous

Ceintuurgesp van zilver en koper, geheel bezet met geslepen kleurloos en rood glas.
Filippo Neri ziet Maria het dak van de Santa Maria in Vallicella dragen
Object type: print
Date: 1630 – 1641
Materials: paper
Techniques: engraving
Artist: luca ciamberlano
Artist role: painter, print maker, publisher
Artist dates: 1570 – 
Subjects: rome, clergyman, the founder of the congregation of the oratory (oratorians) philip neri; possible attributes: lily, rosary
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Filippo Neri ziet Maria voorkomt dat het dak van de oude kerk van de Santa Maria in Vallicella ineenstort (1576). Prent nr. 26 in een serie van 44 prenten met scènes uit het leven van de heilige Filippo Neri.
Two Putti
Object type: painting
Date: 1490 – 1510
Materials: oil, panel, paint, wood
Techniques: painting
Location: italy
Artist: matteo di giovanni
Artist nationality: italian
Artist dates: 1430 – 1495
Subjects: putti, weapons, quiver, nudes, coat of arms, children, birds, bird, babies, arrow
Inscriptions: Inscribed: TVT [...] DIRI F (on quiver)
Mucius Scaevola Burning His Hand
Object type: print
Date: 1475 – 1538
Techniques: engraving
Artist: albrecht altdorfer
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1538
Subjects: men,fire
Man's Paper Garment
Object type: paper robe
Date: 1801 – 1900
Materials: paper, silk
Techniques: damask
Culture: japanese

Japanese paper, known for its strength and softness, has the added advantage of being very warm. In the process of making paper clothing, sheets of handmade paper are first joined into large sheets (some of the joins are visible in this example), which are then treated with strengthening agents like persimmon juice. The points of stress in this garment are reinforced with silk patches that also create an arresting design.
Design for 4 Seat Sleigh, no. 4112
Object type: drawing
Date: 1890 – 1890
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
39 keys from the collection of Emmanuel Vita Israël
Object type: key
Date: 1200 – 1400
Materials: bronze

The Amsterdam apothecary and art collector Emmanuel Vita Israël. He donated his collection, comprising keys dating from Roman antiquity to the 19th century, to the Koninklijk Oudheidkundig Genootschap (Royal Antiquarian Society) in 1937. Vita Israël claimed that his key collection had grown more or less by accident: being one of the few collectors of keys, dealers automatically made their way to him.
Chimneypiece from the Tapestry Room from Croome Court
Object type: chimneypiece
Date: 1760 – 1760
Materials: lapis lazuli, marble
Artist: joseph wilton
Artist role: maker
Artist nationality: british
Artist dates: 1722 – 1803

Lancelot "Capability" Brown (1718–1783) was responsible for the plan of the grounds at Croome Court and for the design of the house, which was his first essay in architecture. Parts of the interior were executed from Brown's designs between 1751 and 1760, when Robert Adam (1728–1792) replaced him as architect of Lord Coventry. The Tapestry Room was on the main floor of the house, facing the south, and lay behind the two windows on the far side of the columnar portico, as shown in the painting of 1758 by Richard Wilson (1714–1782). Adam's pen-and-ink design for the ceiling is dated January 1763, the year the plasterwork was carried out by Joseph Rose (1746–1799). The names of the other craftsmen who worked on the architectural elements of the room are recorded in the building and furnishing accounts for the house, which have survived. The carving of the window and door frames, baseboard, and chair rail was executed by Sefferin Alken (act. 1744–83). The lapis lazuli tablet in the chimneypiece entabulature was provided by Joseph Wilton (1722–1803); John Wildsmith (act. 1746–69) carved the marble chimneypiece itself in 1760. The oak floor is the original and was laid down at the Museum following a diagram made while it was still in situ. The Tapestry Room from Croome Court, Worcestershire, the seat of the Earls of Coventry, was begun in 1763 and finished in 1771. The sixth Earl of Coventry (1722–1809) commissioned these tapestries for Croome Court from Jacques Neilson's workshop at the Royal Gobelins Manufactory in Paris in August 1763. Portraying scenes from classical myths symbolizing the elements, the medallions are based on designs by François Boucher. Portraying scenes from classical myths symbolizing the elements, the medallions are based on designs by François Boucher. The set was delivered and in place by June 1771. The group was the first using this design to be woven with a crimson background and it may have been the first made specifically to extend around four walls of a room without architectural frames.
Portret van Hubertus Johannes van Mook, minister van koloniën
Object type: photograph
Date: 1940 – 1945
Materials: photographic support
Location: london
Subjects: france, hubertus johannes van mook, london

Portret van Hubertus Johannes van Mook (1894-1965), minister van koloniën. Na de Japanse inval vluchtte Van Mook uit Nederlands-Indië naar Australië en ging van daar naar Londen. In Londen werd hij de Nederlandse minister van Koloniën. Het lijnennet op de foto is aangebracht door kunstenaar Cor Visser. Op de achterkant van de foto staan aantekeningen met potlood.
Portret van een jonge man met vlinderstrik
Object type: album leaf
Date: 1890 – 1890
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: edam
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘Photographische/ Ateliers/ J. Siewers & Zoon/ Edam/ Hilversum./ Specialiteit in vergrootingen.’
Landschap met een tuinhuis voor een boom
Object type: print
Date: 1812 – 1832
Materials: paper
Techniques: etching
Location: hamburg
Artist: andré paul de beurs-stiermans
Artist role: print maker
Artist dates: 1802 – 1832
Subjects: landscapes, garden buildings
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of the calf and foot of a male to right
Apollo vilt Marsyas
Object type: print
Date: 1636 – 1670
Materials: paper
Techniques: engraving
Artist: crispijn van de passe (ii)
Artist role: draughtsman, print maker
Artist dates: 1594 – 1670
Subjects: punishment of marsyas: he is flayed by apollo
Inscriptions: collector's mark: ‘Hinloopen’, number: ‘42’, annotation: ‘Marsias van Apollo gevilt. lib. 6.’

Het schilderij van Reni bevindt zich in de collectie van de Alte Pinakothek te München. Deze incomplete serie, bestaande uit 77 van de in totaal 85 prenten met scènes uit Ovidius' Metamorfosen, werd in 1709 samen met Ovidius-illustraties van Tempesta, Goltzius en Le Pautre in één album, Schijnvoet nummer 43, ingebonden. In de negentiende eeuw werd deze band weer uit elkaar gehaald.
Gathering spring flowers
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Ontwerp voor een kamerversiering: een paneel met attributen van Jupiter
Object type: design
Date: 1767 – 1823
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: abraham meertens
Artist role: draughtsman
Artist dates: 1757 – 1823
Subjects: (other) ornaments derived from objects, attributes of jupiter
Handkerchief
Object type: handkerchief
Date: 1801 – 1900
Materials: cotton, linen
Subjects: flowers
Anne-Sophie Herbert, comtesse de Carnarvon
Object type: print
Date: 1605 – 1650
Techniques: etching
Artist: jean morin
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1650
Subjects: portraits,women
Building
Object type: drawing
Date: 1536 – 1614
Materials: ink, drawing material
Techniques: brush, pen, wash
Artist: cesare nebbia
Artist role: artist
Artist nationality: italian
Artist dates: 1536 – 1614
Subjects: buildings,men,ladders
Les Tuileries
Object type: stereograph
Date: 1851 – 1871
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Subjects: palace, tuileries palace
Inscriptions: retailer's mark: ‘222, rue de Rivoli/ en face le Jardin des Tuileries./ Lecocq-Frêne/ Estampes Photographies/ Plans et Guides pour Voyageurs/ Vues pr Stéreoscopes.’, number: ‘25’
Zeilschip JW Star
Object type: sketchbook leaf
Date: 1797 – 1838
Materials: paper, pencil
Artist: johannes christiaan schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1838
Subjects: sailing-ship, sailing-boat

Naast het schip ligt een tweede schip voor anker. Blad 49 verso uit een schetsboek met 65 bladen.
Kindertaferelen
Object type: print
Date: 1825 – 1829
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Artist: Anonymous
Subjects: walking, hiking (recreation), reading, child, child playing with animals
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen over het kinderleven, waaronder een moeder en dochter wandelend, twee kinderen lezend op een bankje, een meisje met een kat en een jongetje met een hond.
Landschappen met koeien
Object type: print
Date: 1645 – 1701
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: cow, river, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 240
Portret van Amalia van Solms
Object type: print
Date: 1634 – 1634
Materials: paper
Techniques: etching
Location: low countries
Artist: jan gillisz. van vliet
Artist role: draughtsman, painter, print maker
Artist dates: 1600 – 1668
Subjects: the hague, amalia of solms-braunfels
Inscriptions: collector's mark: Lugt 2228, inscription: ‘N. 6510 very rare I gave for the pair £ 1,,11,,6’, inscription: ‘P. mariette 1661’

Portret van Amalia met in haar linkerhand een waaier. In de ondermarge vier regels Nederlandse tekst.
Fragment
Object type: textile
Date: 1501 – 1600
Materials: silk, velvet
Techniques: cutting, weave
Location: italy
Subjects: chevrons
Console table
Object type: console table
Date: 1734 – 1766
Materials: marble, wood
Techniques: carving, gilding
Flute
Object type: wind instrument
Date: 1808 – 1814
Materials: wood, brass, ivory
Location: london
Inscriptions: stamp: ‘Button and Whittaker’

Dwarsfluit van buxushout met ivoren ringen en zes messing kleppen. De kop bestaat uit twee delen, waarvan er één de stemschuif is. Stemming a= 450 Hz.
Ferdinand vertelt Lady Milford dat hij een burgermeisje lief heeft
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, ornament ~ medallion (+ framing decorations), conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor Friedrich von Schiller 'Kabale und Liebe'. Latere staat gebruikt voor: Königl. Grossbrit. Genealogischer Kalender auf das Jahr 1786. Lauenburg: J. G. Berenberg, 1785.
Borders
Object type: border
Date: 1701 – 1733
Techniques: lace
Subjects: flowers
Habito di Norvegia
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Art - Goût - Beauté, Feuillets de l' élégance féminine, Mars 1932, No. 139, 12e Année, p. 24
Object type: magazine
Date: 1932 – 1932
Materials: paper
Techniques: photography
Subjects: veil (+ women's clothes), head-gear: beret (+ women's clothes), fashion plates

Vijf vrouwenhoofden met verschillende cloches (pothoeden) en baretten van Blanche et Simone, Gaby Mono, Marcelle Roze en Marthe Rivière, genummerd 6 tot en met 10. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Louisa W. Dixon
Object type: painting, miniature
Date: 1833 – 1833
Materials: ivory, watercolor
Culture: american
Artist: william lewis
Artist role: artist
Artist nationality: american
Artist dates: 1788 – 1839
Subjects: portraits,women

The sitter (1814-?) was the daughter of Thomas Dixon of Cambridge, Massachusetts. The portrait was a gift to Lazarus M. Goldsmith.
Franz Steger
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: lithograph
Subjects: historical persons, portrait of opera-singer
Inscriptions: collector's mark: Lugt 2228
Blomberg i. L. Weinbergstraβe
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph, lithograph
Location: blomberg
Artist: Anonymous
Subjects: street
Aardbeving: gezicht op de Oude Kerk te Amsterdam, 18 september 1692
Object type: drawing
Date: 1779 – 1781
Materials: ink, paper, pencil
Techniques: brush, pen
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: church (exterior), earthquake

Ontwerptekening voor illustratie in: Jacobus Kok, Amsteldamsche jaarboeken, behelzende de merkwaardigste geschiedenissen, welken, zo binnen de stad als daaromtrent, zijn voorgevallen, sedert haare eerste beginselen, tot op den tegenwoordigen tijd ... / Bijeengebragt door Jacobus Kok, 3 dln., J.B. Elwe, Amsterdam 1781.
Flask
Object type: flask
Date: 1701 – 1900
Materials: glass
Techniques: glassblowing, tooling
Location: iran
Portret van Johannes Eck op 43-jarige leeftijd
Object type: print
Date: 1580 – 1650
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
U.S. Gunboat at Kingston Gap
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: american civil war,rivers,ships
Shawl
Object type: shawl
Date: 1801 – 1900
Materials: fiber

This shawl was knit in geometric patterns with thread made of fine cashmere goat fibers, which have a diameter of 12 to 20 micrometers, as indicated by microscopic examination of the fiber. In order to withstand the knitting process and daily wear, the thread was highly twisted during its spinning and plying. The small diameter of the fiber explains the shawl's fine quality and silk texture.
Ornamenten
Object type: sketchbook leaf
Date: 1916 – 1916
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: ornaments ~ art
Inscriptions: annotation: ‘[...]’

Blad 22 verso uit een schetsboek met 72 bladen.
Portret van Bernard de Montgaillard
Object type: print
Date: 1628 – 1750
Materials: paper
Techniques: engraving
Artist: j.b. lefils
Artist role: print maker
Subjects: priest, priest (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228
Design for a Title Page(?): Rocks and Animals
Object type: drawing
Date: 1767 – 1800
Techniques: brush, heightening, wash
Artist: joseph martin nideröst
Artist role: artist
Artist nationality: swiss
Artist dates: 1778 – 1801
Subjects: birds,owls,trees
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 77 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601

Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. From top to bottom, and left to right: Design is of a series of triangular and rectangular shapes. Each shape is ornamented with a different pattern characterized by floral motifs, foliage, figural representations, and other linear motifs. There is an inscription (some of which is illegible) printed in white along the top and bottom edge of the design.
Tray
Object type: tray
Date: 1801 – 1900
Materials: lacquer
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Plaque with Dragons Design
Object type: covering and hanging
Materials: jade
Location: china
Piece
Object type: piece
Date: 1700 – 1700
Materials: metal thread, silk
Subjects: flowers

Panels such as this—with its extraordinary patterns in long repeats—were called "bizarre" by the Danish scholar Slomann, who believed they were made in India. Most scholars consider them an exotic phase in the history of European silk weaving.
The Hundred Birds
Object type: handscroll
Date: 1368 – 1911
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: birds,cranes
Boeket met klaprozen
Object type: ornament print
Date: 1760 – 1760
Materials: paper
Techniques: etching
Location: london
Subjects: cut flowers; nosegay, bunch of flowers
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent is onderdeel van een serie van zes of zeven.
Gouden fanam uit Mysore  in India van Tipu Sultan,1791
Object type: coin
Date: 1791 – 1791
Materials: gold
Techniques: striking

Gouden munt. Voorzijde: het Arabische letterteken voor H. Keerzijde: in Arabische lettertekens in twee regels aanduiding muntplaats:Patan [=Seringapatam]. Bovenaan jaartal: 1219 AM [=1791], geschreven van rechts naar links.
Album van tien gelithographieerde schetsen, voorstellende Tooneelen van de Verwoesting, Aangerigt door den storm van 28 mei 1860 in het 's Gravenhaagsche Bosch, te Scheveningen, enz.
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: storm on land

Omgewaaide bomen aan de Jacobalaan, na de storm. Onderdeel van het album met tien losse steendrukken in een papieren omslag met voorstellingen van de schade aangericht door de 'Pinksterstorm' van 28 mei 1860 in het Haagse Bos en omgeving.
Catskill, 1864 (from Sketchbook)
Object type: drawing
Date: 1864 – 1864
Materials: graphite, paper
Culture: american
Artist: thomas hewes hinckley
Artist role: artist
Artist nationality: american
Artist dates: 1813 – 1896
Subjects: landscapes,trees

Hinckley painted landscapes chiefly as a background to his portraits of wild and domesticated animals. This sketchbook (1992.373.1 recto–.27) contains thirty-four drawings in graphite and watercolor and appears to have been filled during a tour that the artist probably began near the Delaware Water Gap and extended north into the Catskill Mountains and Adirondacks of New York State. Few of the drawings in this book, however, can be linked to Hinckley’s known paintings after 1864, and the majority of them represent not merely selected motifs, but discrete compositions that often assume the character of engraved vignettes.
Ontwerp voor een bureau met een vitrineopstand, versierd met marqueterie van landschappen
Object type: drawing
Date: 1760 – 1770
Materials: graphite, ink, watercolor
Location: germany
Artist: Anonymous
Inscriptions: watermark: ‘[..]HON[IG] onder bijenkorf (?) en wapen onder een lelie.’, size
Vases de verre à ornementations filigraniques
Object type: reproduction
Date: 1859 – 1864
Materials: paper
Techniques: photolithography
Location: paris
Subjects: glass, rummer
Inscriptions: name: ‘Phot. Berthier/ Procédé Poitevin’
Watch
Object type: watch
Date: 1601 – 1700
Materials: enamel, metal
Artist: abraham yver
Artist role: maker
Artist dates: 1620 – 1680
Vue instantanée de la colonne de la Bastille, No 2, Paris
Object type: stereoscopic photograph
Date: 1860 – 1870
Materials: glass, paper
Techniques: slide
Location: paris
Subjects: square, place, circus, etc., triumphal column with helical friezes
Inscriptions: number: ‘16 bis’
Portret van Eleonora Bos met poes
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: drypoint, etching
Location: antwerp
Artist: gerard jan bos
Artist role: print maker
Artist dates: 1860 – 1943
Subjects: eleonora bos
Inscriptions: collector's mark: Lugt 2228
Two Loves, one of which holds a crown
Object type: print
Date: 1727 – 1760
Techniques: engraving, etching
Location: france
Artist: pierre alexandre aveline
Artist role: artist
Artist nationality: french
Artist dates: 1702 – 1760