deem-data/ArtiFact huggingface dataset:
Portret van Oliver Cromwell
Object type: print
Date: 1724 – 1724
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: london, oliver cromwell, armour
Inscriptions: collector's mark: Lugt 2228

Prent als illustratie gebruikt in: Burnet, Gilbert. Histoire des dernières révolutions d'Angleterre, deel I. Den Haag: Jean Neaulme, 1725.
Twee spelende jongens
Object type: drawing
Date: 1867 – 1923
Materials: chalk, paper
Location: netherlands
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: children's games and plays
[Civil War View]
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: thomas c. roche
Artist role: artist
Artist nationality: american
Artist dates: 1826 – 1895
Subjects: towers,american civil war
Gezicht op het Hancock House te Boston
Object type: photograph
Date: 1849 – 1854
Materials: photographic support
Techniques: salted paper print
Location: washington street
Artist: john adams whipple
Artist role: fotograaf
Artist dates: 1822 – 1891
Subjects: façade (of house or building)
Inscriptions: workshop stamp: ‘Whipple's patent/ crystalotype/ Washington st. Boston’, annotation: ‘Hancock House Boston/ an original sun picture’
Schuur of hut met rieten dak tussen de bomen
Object type: boekillustratie ontwerp
Date: 1900 – 1940
Materials: ink, paper, pencil
Techniques: pen
Artist: c. goes
Artist role: draughtsman
Subjects: barn, trees
Inscriptions: signature: ‘CLAERGOES’, collector's mark: Lugt 2228a, :
Catherine II, Russia, from Leaders series (N222) issued by Kinney Bros.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women

Trade cards from the "Leaders" series (N222), a set of 25 cards issued in 1888 to promote Kinney Tobacco Company.
Fotoreproductie van een fresco te Pompeï van halfnaakte vrouw
Object type: reproduction
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: (almost) naked ~ ascetic life, painting, drawing and the graphic arts, pompeii
Le vacarme dans l'Ecole
Object type: print
Date: 1798 – 1871
Materials: paper
Techniques: etching
Subjects: teacher and pupil, mischievous child (at school)
Inscriptions: collector's mark: Lugt 2228, : ‘Déposé à la Direction’
Rijtjeshuis met een tuitgevel en torenspits
Object type: sketchbook leaf
Date: 1905 – 1905
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: façade (of house or building), tower (of house or building)

Blad 3 recto uit een schetsboek met 27 bladen.
Appliqué Figure of Christ
Object type: appliqué figure
Date: 1201 – 1300
Materials: gilt copper, enamel
Techniques: enamel
Culture: french
Location: france
Subjects: christ
The New Metamorphosis, Plate 6: The Story of Cupid and Psyche
Object type: print
Date: 1724 – 1724
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: cupid,psyche
Scepter
Object type: scepter
Date: 601 – 700
Materials: bronze, iron
Culture: indian
Subjects: faces
Vitae passionis et mortis Jesu Christ
Object type: print
Date: 1590 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: story of christ stilling the storm on the sea of galilee (matthew 8:23-27; mark 4:35-41; luke 8:22-25)
Inscriptions: collector's mark: Lugt 240

Prent uit: Joannes Bourgois, Vitae passionis et mortis Jesu Christi Somini nostri mysteria, Antwerpen Hendrick Aertssens, 1622, afb. 24
Allemagne
Object type: stereograph
Date: 1860 – 1865
Materials: cardboard, paper
Techniques: albumen print
Location: baden-baden
Artist: hippolyte jouvin
Artist role: fotograaf
Artist dates: 1825 – 1889
Subjects: square, place, circus, etc., monument, statue
Inscriptions: number: ‘N. 337’
Portret van vijf jonge vrouwen met hoed
Object type: photograph
Date: 1860 – 1900
Materials: metal
Techniques: ferrotyping
Artist: Anonymous
Subjects: historical persons - bb - woman, adolescent, young woman, maiden (+ five persons), head-gear: hat
Plattegrond van Antwerpen met stadsgezicht
Object type: area plan
Date: 1707 – 1757
Materials: paper
Techniques: engraving, etching, hand coloring
Location: augsburg
Artist: matthaeus seutter (iii)
Artist dates: 1678 – 1757
Subjects: maps of separate countries or regions, fortified city, maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial), prospect of city, town panorama, silhouette of city, antwerp

Plattegrond van Antwerpen met gebouwen in vogelvluchtperspectief. Rechtsboven de titelcartouche. Linksboven een legenda 1-7. Onder de plattegrond een gezicht op Antwerpen vanaf de Schelde met linksboven een legenda 1-15 met daarnaast het wapen van Brabant, en rechtsboven een legenda 16-30 met daarnaast het wapen van het markgraafschap Antwerpen.
Scherf van rossigbakkend aardewerk, aan de bovenzijde voorzien van blauw glazuur, waarop in bruin een ruit en gestildeerde bleomvormen zijn geschilderd, en een gele streep
Object type: sherd
Date: 1600 – 1650
Materials: earthenware, glaze
Techniques: maiolica
Location: northern netherlands
Artist: Anonymous
Het Vijf-en-Twintigjarig ambtsfeest van Revd. J. Chambers
Object type: photomechanical print
Date: 1911 – 1911
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: historical persons, church (exterior), interior of church, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Object bestaat uit drie bladen met fotomechanische afdrukken op pagina 164-167. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Gebouwen diverse gemeenten: Episcopale Gemeente.
Theater figure
Object type: figure
Date: 1750 – 1752
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: women
Karel V, Duits keizer, bereidt zich voor op de oorlog tegen Maarten van Rossum, rekenpenning ten behoeve van Mr. Claes van Essche, lid van
Object type: jeton
Date: 1542 – 1542
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: charles v (holy roman emperor and king of spain), holland

Koperen penning. Voorzijde: portret van Karel V met kroon, rijksappel in linkerhand en zwaard over rechterschouder binnen omschrift. Keerzijde: leeuw met vaandel in klauw, zittend in Hollandse tuin boven letters M en C, aan weerszijden van ruit binnen omschrift
Academiegebouw te Groningen
Object type: print
Date: 1850 – 1865
Materials: paper
Techniques: tone lithography
Location: groningen
Subjects: university
Inscriptions: collector's mark: Lugt 2228

Het (tweede) Academiegebouw te Groningen, gebouwd in 1850. Op het plein voor het gebouw lopen figuren en twee mannen te paard.
Standing animal amulet
Object type: necklace, bead
Date: 2600 – 2500
Materials: ceramic
Culture: sumerian
Location: mesopotamia
Subjects: animals
Godt verzacht
Object type: print
Date: 1582 – 1582
Materials: textile
Techniques: engraving
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: neck-gear ~ clothing (with name), historical persons
Inscriptions: signature and date: ‘HGoltzius fecit. 1582’, collector's mark: Lugt 240

Portret van een man met grote plooikraag, ten halven lijve. Niet geheel duidelijk wie hier is afgebeeld: Hans Felbbier of Jacob Gyscher. Randinscriptie rondom het ovaal.
Shoes
Object type: shoe
Date: 1910 – 1910
Materials: leather
Culture: american
Sluiting van het drievoudige verbond tussen Engeland, Frankrijk en de Republiek
Object type: jeton
Date: 1596 – 1596
Materials: silver
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: netherlands, france, england

Zilveren penning. Voorzijde: drie soldaten, voorstellende de drie verdragspartners, staande rond altaar met opschrift binnen omschrift. Keerzijde: soldaat, wijzend met stok op bord met opschrift, hangend aan zuil binnen omschrift.
Beker met vier vliegen
Object type: cup
Date: 1815 – 1815
Materials: glass
Techniques: gilding, glassblowing
Location: vienna
Artist: anton kothgasser
Artist role: porseleinschilder
Artist dates: 1769 – 1851

Vlakke bodem. Cylindervormig lichaam, beschilderd met vier vliegen. Onder de vergulde bovenrand een band van witte rozetten en stippen.
Afternoon dress
Object type: afternoon dress
Date: 1876 – 1878
Materials: silk
Culture: american

The popularity of black in the second half of the nineteenth century was stimulated by the introduction of chemical dyes of that color in the 1860s. While tasteful and timeless, black remained associated with death and the garb of the widow—a woman often imagined as dangerously independent and alluring. Appropriate for third-stage mourning, this black silk faille dress blurs the distinction between mourning and fashion, and its original use remains unknown. Cut with princess seams, the dress forms the tight, smooth fit over the hips that epitomized late 1870s fashions.
Tankard
Object type: tankard
Date: 1801 – 1900
Materials: enamel, gold, quartz, silver gilt
Zittend mannelijk naakt, van voren gezien (3e prijs 1779)
Object type: drawing
Date: 1779 – 1779
Materials: chalk, charcoal, paper
Artist: hendrik louw
Artist role: draughtsman
Subjects: sitting figure (+ nude human being)
Seascape
Object type: fan mounted a an album leaf
Date: 1368 – 1644
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: seascapes,boats
The Death of  Sophonisbe, Queen of Numidia
Object type: painting
Date: 1816 – 1816
Materials: canvas, oil
Artist: benjamin wolff
Artist role: draughtsman, painter
Artist dates: 1758 – 1825
Subjects: death of sophonisbe: she receives from a servant a cup of poison sent to her by masinissa
Inscriptions: signature and date: ‘Wolff f 1816’

De dood van Sophonisba, koningin van Numidië. Sophonisba neemt de gifbeker in ontvangst, naast haar knielt een dienaar (zie ook SK-A-659).
Portret van Hendrik Danielsz. Hooft
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, mayor, hendrik danielsz. hooft, book, wig
Inscriptions: date

Hendrik Danielsz. Hooft, burgemeester van Amsterdam zit in een stoel en houdt een rol papier vast. Hij draagt een pruik en een brede bef. In de marge twee kolommen met tekst met daar tussen een met lauwerkrans gekroond wapen waaronder twee fasces, een vrijheidshoed en een schild.
Soup tureen with cover and stand
Object type: soup tureen with cover and stand
Date: 1806 – 1808
Materials: silver
Artist: paul storr
Artist role: maker
Artist nationality: british
Artist dates: 1771 – 1844
Subjects: coat of arms

This serene, imposingly large object shows the superb craftsmanship and personal style of Paul Storr before he joined the firm of Rundell, Bridge & Rundell in 1807. He is sometimes called the last of the goldsmiths. He was apprenticed to Andrew Fogelberg, a Swedish silversmith working in London, and his early work often reflected the elegant austerity of his master. In 1796, he set up his workshop and sale premises in Air Street, a turning off Piccadilly, and soon had a large and fashionable clientele. In 1807, however, Philip Rundell persuaded him to take charge of his workshop in Dean Street not far from Piccadilly but in Soho, an artists' and artisan's district. While the form of the soup tureen is entirely European, all the decorative elements are taken from classical sources—lions' head finials below the handles, edgings of convex flutes (gadroons), acanthus leaves on the handles of the underdish, and the very Roman large beading that finishes the edge of the raised platform at the center of the underdish. The feet are an eclectic combination of lions' paws, water leaves, a quarter anthemion, and a plain architectural scroll. The engraved arms are for Robert Walter Stewart, eleventh Baron Blantyre (1775–1830).
Slapende Pifferaro
Object type: watercolor
Date: 1863 – 1863
Materials: paper, watercolor
Techniques: brush
Artist: taco jan scheltema
Artist role: draughtsman
Artist dates: 1831 – 1867
Subjects: bagpipe, musette, one person with musical instrument, not playing
Inscriptions: date: ‘1863’
Chicago, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Gezicht op de Seine, verschillende bruggen en vermoedelijk de Quai de l'Hôtel-de-Ville in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: bridge in city across river, canal, etc., paris
Inscriptions: inscription: ‘Vue sur les Sept Ponts (Paris) 1862-1864.-1867-1881-1883.-1887.-1889.’
Martyrdom of Saint Andrew, plate three from The Martyrdoms of the Apostles
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Opname der Salzburger emigranten in Nederland
Object type: history medal
Date: 1733 – 1733
Materials: silver
Techniques: striking
Subjects: drievuldigheidskerk, breskens, opname der salzburger emigranten in nederland
Figuur leunend op een stenen pilaar met initialen en Maria op de wolken
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: engraving, etching, lithography
Location: netherlands
Subjects: madonna: i.e. mary with the christ-child, leaning figure, dog

Op de wolken zit een vrouw met een kind op schoot en een palmtak in de hand. Wellicht Maria met Christuskind. Naast haar een jongen met een hond, een staande jongen met vogel in de armen en een geknielde jongen. Onder een gelauwerde figuur met palmtak leunend op een stenen monument met initialen. Deze prent maakt deel uit van een album.
Penning met een wapen met daarop een leeuw
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.), coin
Inscriptions: collector's mark: Lugt 240

Een wapen met daarop een leeuw met een kroon in een cirkel met randschrift.
Statuti dell'ordine de' Cavalieri di Santo Stefano
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: etching
Location: florence
Subjects: fortitude, 'fortitudo' ~ one of the four cardinal virtues, justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, asiatic races and peoples: turks, title-page, monument, statue, military orders, e.g.: knights templars, knights of malta, teutonic knights ~ roman catholic church
Inscriptions: collector's mark: Lugt 2228a

Latijnse tekst op een doek, bevestigd aan een monument met personificaties van rechtvaardigheid en kracht, en een dame met een vaandel en schild waarop het kruis van de Maltezer Ridders. Aan de voet van het monument wapentuig en Turkse gevangenen.
Obi with “Whose Sleeves?” (Tagasode) Pattern
Object type: obi
Date: 1801 – 1850
Materials: metal thread, silk
Techniques: patterning, weave
Culture: japanese
Subjects: robes

A masterpiece of complex brocade weaving, this brightly colored obi, or sash, has a repeat pattern of kosode hung from silken cords. It evokes the traditional Tagasode (or "whose sleeves?") screen paintings of the Momoyama period (1568–1615), intended to pique interest in the woman who wore such evocative robes.
Kandelaar van messing
Object type: candlestick
Date: 1450 – 1500
Materials: brass
Techniques: casting, riveted, turning
Location: northern netherlands
Artist: Anonymous

Het voorwerp is samengesteld uit twee delen: de voet en de stam met kaarsenhouder. Zij zijn gegoten en daarna afgedraaid. De hoge geprofileerde konische voet is bovenaan voorzien van een opstaande rand, waardoor hij tevens als vetvanger dienst kan doen. Op het kegelvormige middendeel is de stam geklonken en vervolgens aan de onderkant afgedraaid. De stam, die met vier knopen is versierd en waarvan één iets groter is, gaat bovenaan over in een geprofileerde cylindervormige houder met twee rechthoekige openingen. Voet en houder zijn met rillen versierd.
Tegel met portret van een man met plooikraag
Object type: tile
Date: 1580 – 1625
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous
Subjects: neck-gear ~ clothing (with name), anonymous historical person portrayed

Tegel met een veelkleurig (blauw, oranje, geel en groen) portret van een man met hoed en plooikraag binnen een kwadraat met in de hoeken, ornament in vultechniek.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Interior, parts of two black glazed lines from the tondo border; Exterior, reserve lines
Gezicht op een kerk en een begraafplaats in Stoke Poges
Object type: photomechanical print
Date: 1866 – 1876
Materials: paper
Techniques: woodburytype
Location: stoke poges
Subjects: church (exterior), churchyard, cemetery
Cuneiform tablet case impressed with cylinder seal, for cuneiform tablet 86.11.248a: receipt of straw
Object type: cuneiform tablet case
Date: 2040 – 2040
Materials: clay
Culture: neo-sumerian
Location: mesopotamia
Set of four armchairs (fauteuils en cabriolet)
Object type: armchair
Date: 1750 – 1760
Materials: wood
Techniques: carving, gilding

The flowing curvilinear silhouette of this armchair, one of a set of four, places it firmly in the middle of the eighteenth century. The continuous curve of the back extends into the legs, rails, and arms with a grace epitomizing the Rococo style. Possibly part of a larger set, the chairs are unstamped and the maker remains unknown. The chairs are not identical but display small differences in their carved decoration: the sprays of flowers at the top of the back and at the center of the front seat rail vary from one to another. The carved flowers, leaves, and scrolls on the outer back indicates that these chairs are sièges courants, which could be moved about and placed informally in the center of the room as opposed to sièges meublants, which remained formally arranged against the walls.
Plate 16: Robert Macaire matrimonial agent, from 'Caricaturana,' published in Les Robert Macaires
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women

Mr. Gobard, may I have the honor of presenting you Madame De St. Bertrand, widow of the Great Army, who possesses a very considerable fortune and Mademoiselle Eloa de Wormspire, daughter of the celebrated Baron de Wormspire, to whom the great man has bequeathed an income of 50 thousand pounds in his testament... As these ladies are burning with desire to make your acquaintance, I invited them to dine at your home this evening. You'll take us to the opera and we'll have a nice evening... Mr. Gobard, I must warn you that these ladies harbor certain intentions towards you...
Brief aan Françoise W.M. Bonger
Object type: letter
Materials: ink, paper, pencil
Techniques: pen, printing, typewriting, writing
Location: new york city
Subjects: françoise w.m. bonger, art trade, art shop, painting (including book-illumination, miniature-painting), art collecting
Inscriptions: watermark
Fragment of a Bowl
Object type: decorative art
Date: 100 – 100
Materials: glass
Techniques: mosaic glass
Culture: roman
Location: italy
Subjects: decoration

In ancient Rome, there was a high demand for colorful glass that could dazzle banquet guests alongside the expensive silver and gold serving wares meant to impress. Fragments like this one would have once been a part of larger mosaic dishes. The mosaic pattern was made by sagging molten glass into bowl-shaped molds, a technique used on many of these fragments is similar to millefiori, “thousand flowers” in Italian, a modern glass-making method in which tiny rods of colored glass are bundled together, wrapped in a sheet of glass, fused, and then thinly sliced to reveal swirls of a flower-like patterns. They were arranged side by side, sometimes together with bits of colored glass, and fused together with heat.
Begrafenis van de Delftsche academie, 30 juni 1864
Object type: print
Date: 1864 – 1866
Materials: paper
Techniques: drypoint, etching
Subjects: university, funerary ceremonial, delft
Inscriptions: collector's mark: Lugt 2228

Illuminatie van een huis te Delft, middernacht van 30 juni op 1 juli 1864. Een groep studenten verzameld voor een verlicht huis aan een gracht. Boven de deur van het huis een bord met het opschrift 'Akademia VIVAT P - S'. Bij de naamsverandering van de Delftsche Akademie in de Delftsche Polytechnische School.
Brief aan Max Wilhelm Carl Weber en Anne Antoinette Weber-Van Bosse
Object type: letter
Date: 1920 – 1920
Materials: ink
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: anne antoinette weber-van bosse, amsterdam, agnieta cornelia gijswijt, painter, print maker, draughtsman, jan mankes
Lead ornament, possibly imitating jewelry
Object type: pin, 3
Date: 600 – 401
Materials: lead
Culture: greek, laconian

Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of Laconia; over one hundred thousand, dating from the seventh century B.C. to the Classical period, were dedicated to the goddess Artemis Orthia in Sparta.
Portret van Modesta à Puteo
Object type: book illustration
Date: 1644 – 1644
Materials: paper
Techniques: engraving, letterpress printing
Location: padua
Subjects: historical persons - bb - woman, portrait of a writer

Prent uit: Tomasini, Giacomo Filippo. Elogia virorum literis & sapientia illustrium ad viuum expressis imaginibus exornata. Padua: Sebastiano Sardi, 1644.
Vest
Object type: vest
Date: 1885 – 1890
Materials: cotton
Culture: british
Jan Cornelis Sylvius, Preacher (reverse copy)
Object type: print
Techniques: etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: men,portraits
The Guarded Nymph Near-Smiling on the Green
Object type: drawing and watercolor
Date: 1885 – 1885
Materials: gouache, paint, watercolor, paper
Location: united states
Artist: will hicock low
Artist nationality: american
Artist dates: 1853 – 1932
P.I.N. 5818 Roma Amfiteatro flavio o colosseo (A.D. dell 72 all' 80).
Object type: photograph
Date: 1893 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Subjects: colosseum
String of 12 Eye Beads
Object type: necklace, bead
Date: 600 – 201
Materials: glass
Location: egypt

Mosaic glass beads had long been popular in Egypt. The period of large intercontinental empires beginning about 500 BC initiated a period of widespread trade of these small items. These are all modern stringings; most ancient stringing patterns are lost as the string decays.
Portret van Guilielmus Damasus Lindanus
Object type: book illustration
Date: 1732 – 1735
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: Anonymous
Subjects: dordrecht, ghent, cherubs, i.e. children's heads with wings, archbishop, bishop, etc. (roman catholic), ornament ~ medallion, historical persons, armorial bearing, heraldry

Prent waarschijnlijk uit: Sanderus, Antonius. Flandria Illustrata (...). Den Haag: Christiaan van Lom, 1732, dl. 1. Of uit de latere druk uit 1735.
The Judgement of Zaleucus
Object type: painting
Date: 1605 – 1610
Materials: oil, paint, panel, wood
Techniques: grisaille, painting
Location: netherlands
Artist: otto van veen
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1556 – 1629
Subjects: violence, towns, townscapes, people, men, figure, figures, soldiers, weapons, spears, public