deem-data/ArtiFact huggingface dataset:
Terracotta ladle-saucer or shovel
Object type: ladle saucer, or shovel
Date: 400 – 301
Materials: terracotta
Culture: cypriot

Open, wheel-made. Rounded rim to deep, flaring body, pinched together on one side into a projection, to which is added a solid handle with uneven join. Raised base ring, and uneven, flat base. Broken and repaired, with two chips in rim and most of handle missing.
Terracotta rhyton (vase for libations or drinking)
Object type: rhyton in the form of a sheep's head
Date: 350 – 300
Materials: terracotta
Culture: greek, south italian, apulian
Artist: patera-ganymede workshop
Artist role: artist
Subjects: eros,sheep

The rhyton is in the form of a sheep's head. On the cuff is Eros flying with a casket.
Cupboard
Object type: cupboard
Date: 1670 – 1700
Materials: wood
Culture: american
Location: united states

Early colonial cupboards were ordinarily built in two parts, with one or both units enclosed. The trapezoidal upper section of this cupboard has one central door, while the rectangular lower portion has two doors that open onto a single compartment with a shelf. The large, boldly carved midmolding on the shelf between the upper and lower sections conceals a hidden drawer.
Serpent King (Nagaraja) Emerging from a Lotus
Object type: sculpture
Date: 101 – 200
Materials: stone
Location: gandhara
Eight Hearts (red), from the Playing Cards series (N84) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: playing cards

Trade cards from the "Playing Cards" series (N84), issued in a set of 53 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes. The versos display a matching abstract floral pattern. The Joker and the Ace of Spades display an ad for Duke brand cigarettes. Besides Duke's Cigarettes, the same set of playing cards was also released to promote Turkish Cross Cut Cigarettes.
Kous van effen ivoorkleurige zijde met een enkele geborduurde pijl op de klink
Object type: stocking
Date: 1800 – 1820
Materials: silk
Techniques: embroidered, knitting

Kous van effen ivoorkleurige zijde met een enkele geborduurde pijl op de klink. Naad middenachter.
Wine Bottle
Object type: wine bottle
Date: 1780 – 1780
Materials: clay, enamel, glaze
Techniques: polychrome
Culture: japanese
Subjects: flowers
Book Harmonium
Object type: book harmonium
Date: 1801 – 1900
Materials: wood
Culture: french or german
Location: france or germany
Subjects: books,men

A book organ (or bible regal) was a popular type of small pipe organ that when folded up took the shape of a large book. This instrument takes that much older idea and updates it with a free reed harmonium in the 19th century. Technical description: Softwood case in form of four leather-bound folio size books, the cover and spines stamped with gold floral designs, and labeled on the spines: Traite des Pais Bas Tom I (II, III, IV); volume one hinges upward, revealing an engraving of the Supper at Emmaus glued beneath the lid; inside, a keyboard (oak levers, ebony naturals, ivory accidentals; compass F-c2) is at the front of the compartment, separated by a partition from a leather-covered (painted pink) reservoir behind, the reservoir (compressed by two springs and bearing a safety valve on top) mounted above a single fold feeder operated by a handle extending through the lower left rear side of the case; the boxwood handle terminates in the form of a seated lion holding a shield on which is carved an adz; a wind chest at the case bottom below the keyboard bears 32 flat-sided oak "bottles," the necks pointing down and serving as windways; on the left side of each "bottle" a single free reed riveted to a metal frame glued over an opening on the side, the bottles numbered consecutively in ink, no. 20 also stamped IX; wire stickers below the keys pierce a rack and enter the windchest to depress valves; the key dip is limited by a green fabric padded batten below the key fronts, but the keys also have leather bushed front pin holes, indicating that the cutdown keys originated in another instrument; the truncated key tails are individually parchment hinged to a back rail, and are numbered consecutively on the tail ends, and many bear non-consecutive Roman numerals stamped on the sides; the entire mechanism may be lifted out of the case, which may be older.
Zittende figuur op een paardenkar
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: sitting figure, (farm) wagon, freight wagon, cart

Blad 11 verso uit een schetsboek met 37 bladen.
Design for a Monumental Altar, Plate 'p' from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'
Object type: album print ornament architecture
Techniques: etching
Artist: jacob gottlieb thelot
Artist role: engraver
Artist nationality: central european
Subjects: altars

Ornament print with a design for a monumental altar. The altar is still Baroque in its overall structure but the pediment is decorated with some rocaille ornaments and floral garlands. Five cherubs are seated on the pediment. The floorplan for the altar is depicted directly below the elevation. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.
Portretschets van onbekende
Object type: preparatory study
Date: 1875 – 1895
Materials: ink, paper, pencil
Techniques: pen
Location: netherlands
Artist: johan michaël schmidt crans
Artist role: draughtsman, print maker
Artist dates: 1830 – 1907
Subjects: political caricatures and satires, historical persons not known by name, netherlands

Schets van een onbekende man, waarschijnlijk een kamerlid. Voorstudie voor politieke spotprent.
Ground Plan for a Catafalque for Louis, Dauphin of France, d. 1711
Object type: drawing
Date: 1711 – 1711
Materials: ink
Techniques: pen, wash
Artist: giuseppe galli bibiena
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1756
Subjects: architecture
Design for Cabriolet or Victoria, no. 3577
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Twee foto's van de kathedraal van Gloucester en de kerk van Grasmere
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: cyanotype
Location: england
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: inscription: ‘Glouster Cathedral./ Grasmere Church.’

Deze foto's maken deel uit van een album.
Eßzimmer
Object type: photomechanical print
Date: 1903 – 1903
Materials: cardboard, paper
Techniques: woodburytype
Location: berlin
Subjects: chimney-piece, mantelpiece, dining-room, berlin
Inscriptions: check stamp: ‘Johannes Lüpke/ Berlin/ 1903’
The Monument, London
Object type: ansichtkaart, prentbriefkaart
Date: 1902 – 1930
Materials: cardboard
Techniques: photograph
Location: london
Artist: Anonymous
Subjects: monument, statue, street
Beleg van La Rochelle, september 1627-oktober 1628 (randwerk, deel middenonder)
Object type: print
Date: 1628 – 1631
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: gaston jean-baptiste hertog van orléans, historical persons, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 240

Zestiende deel (randwerk, deel middenonder) van een prent van het beleg van het hugenotenbolwerk La Rochelle in de jaren 1627 en 1628, dat werd uitgevoerd in opdracht van de Franse koning door het Franse leger onder aanvoering van kardinaal Richelieu. Op dit blad een portret van de broer van Lodewijk XIII, Gaston, in ovaal met randschrift, omgeven door een kroon en militaire attributen.
Doortocht door de Rode Zee
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: with his people safe on the shore, moses raises his hands and causes the water to return; pharaoh's army perishes in the water (red sea)
Inscriptions: collector's mark: Lugt 240

Het volk van Israël staat veilig aan de overkant, nadat het door de Rode Zee is getrokken. Mozes heft zijn staf om het water terug te laten vloeien. Farao en zijn leger worden verzwolgen in de golven.
Coin Depicting the God Ares
Object type: coin
Date: 306 – 281
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Dubbelportret van een man en een vrouw
Object type: print
Date: 1650 – 1800
Materials: paper
Techniques: mezzotint
Subjects: head-gear
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Dubbelportret van een onbekende vrouw met een veer in het haar en een ontblote borst en een onbekende man met een gepluimde baret.
Stad Amsterdam
Object type: armenloodje
Date: 1586 – 1586
Materials: lead
Techniques: striking
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Loden penning. Voorzijde: wapenschild in bladerkrans. Keerzijde: twee ineengeslagen handen uit wolken houden gezamelijk anker vast; links onder: jaartal
Interieur van de suikerfabriek van de firma Deichmann & Vom Rath
Object type: watercolor
Date: 1885 – 1885
Materials: paper, pencil, watercolor
Techniques: brush
Artist: ernst witkamp
Artist role: draughtsman, print maker
Artist dates: 1854 – 1897
Subjects: industries ~ food, drink, stimulants, sugar
Inscriptions: date: ‘85’
Mirror
Object type: mirror
Date: 1701 – 1733
Materials: wood
Techniques: carving, gilding
Case with tray and drawers (part of a set)
Object type: case with tray and drawer
Date: 1848 – 1849
Materials: leather, silk
Artist: ibm, al, etc.
Artist role: maker

The firm of Nicholls & Plincke was founded by members of the relatively large community of English silversmiths and craftsmen working in Saint Petersburg. After 1840 it was one of the most important retailers of luxury items before Carl Fabergé overshadowed all competitors. Several contemporary Saint Petersburg newspapers praised the high-quality products of the magasin anglais Nicholls & Plincke. According to the donor's family tradition, this rare set with more than fifty items bearing the monogram CMI was "originally made for and used by Colin Macrae Ingersoll [1819–1903], when he accompanied his father, Ralph Isaacs Ingersoll [1788–1872], to the Court of Czar Alexander II of Russia, where the latter served President [James Knox] Polk [1795–1849] as Minister Plenipotentiary from 1846 to 1848. . . . The family story has always been that [the set and case were] made for stagecoach travel in Russia." Plain silver objects—like the ewer and the cup of this set—with simple outlines and restrained forms inspired silversmiths of the modern era. Only the elaborate cartouche framing the monogram indicates that the set was made in the early Victorian period.
Königliches Theater, Wiesbaden, Duitsland
Object type: photograph
Date: 1896 – 1896
Materials: cardboard, paper
Techniques: collodion silver print
Location: wiesbaden
Inscriptions: inscription: ‘112. Kgl. Theater. // Mondel & Jacob, Inh. G. Jacob, Hof-Photh. Wiesbaden: 1896.’

Aanzicht op het Königliche Theater, met een park, en een man in uniform op de voorgrond, Wiesbaden, Duitsland.
Lithyalin Scent Bottle
Object type: glass
Date: 1830 – 1830
Materials: glass, marble
Techniques: glassblowing, cutting, gilding, stain
Location: bohemia
Artist: workshop of friedrich egerman
Tentoonstelling van voorwerpen van kunst en nijverheid door Friezen vervaardigd 1844
Object type: history medal
Date: 1844 – 1844
Materials: bronze
Techniques: striking
Location: leeuwarden
Artist: tjeerd keikes
Artist role: medailleur
Artist dates: 1804 – 1886

Bronzen penning, op de voorzijde het gekroonde wapen van Friesland met omschrift, op de keerzijde elf regels tekst tussen samengestrikte lauwertakken.
Portret van een jonge vrouw
Object type: photograph
Date: 1850 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: emile tourtin
Artist role: fotograaf
Subjects: adolescent, young woman, maiden, historical persons
Inscriptions: inscription: ‘Peinture & Photographie d'Art/ Emile Tourtin/8, Bould des Italiens/ Mon Robert Houdin/ Paris/ (...)’
Liefdestaferelen
Object type: print
Date: 1827 – 1829
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: historical persons, lovers; courting, flirting
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Serie bestond in eerste instantie uit achttien prenten maar is later uitgebreid, onduidelijk naar hoeveel prenten precies.
Statue of Standing Warrior on a Pedestal
Object type: drawing and watercolor
Materials: ink, iron, paper
Techniques: brush, pen, wash
Location: italy
Artist: attributed to giovanni battista castello, called il bergamasco
Artist nationality: italian
Artist dates: 1509 – 1569
Inscriptions: Inscribed recto, lower center on pedestal, in pen and brown ink: "ABERTO / SPINULA" (?); inscribed verso, lower left, in graphite: "Bernardo Castello"; lower left, in graphite: "...7 . 9bre 1829-"
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1900 – 1900
Materials: cardboard, ink
Techniques: pen, writing
Location: meerssen
Artist: willem van konijnenburg
Artist role: draughtsman, painter, print maker
Artist dates: 1868 – 1943
Subjects: leiden, philip zilcken, drawing, photography, cinematography
Inscriptions: collector's mark: ‘RPK’
Fragment tuimelaar uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: drinking glass
Date: 1700 – 1743
Materials: glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Base, fragm, circular, flat, straight sides. Tumbler.
Gezicht op Café Polderhuis vanaf het Rijksmuseum
Object type: photograph
Date: 1885 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', inn, coffee-house, public house, etc.
Inscriptions: annotation: ‘Rijksmuseum/ toren’

Gezicht op Café Polderhuis vanaf het Rijksmuseum. Het café lag op de hoek van de Stadhouderskade de Ruysdaelkade.
The Creation of Adam who reclines at left and touching the hand of God
Object type: print
Date: 1570 – 1615
Techniques: engraving
Artist: cherubino alberti (zaccaria mattia)
Artist role: artist
Artist nationality: italian
Artist dates: 1553 – 1615
Subjects: male nudes,adam
Portret van de schilder Jan Davidsz. de Heem
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, painter, jan davidsz. de heem, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240
Gezicht op boten aan het Damrak te Amsterdam
Object type: sketchbook leaf
Date: 1903 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, ships (in general), canals, waters (in city), parts of church exterior and annexes: tower

Gezicht op boten aan het Damrak te Amsterdam. In de verte de toren van de Oude Kerk. Pagina 88 uit een schetsboek met 46 bladen vervaardigd te Amsterdam en Haarlem.
blad van het "Neu Grotesken Buch" 1610
Object type: print
Date: 1573 – 1610
Materials: paper
Techniques: etching
Location: germany
Artist: christoph jamnitzer
Artist role: draughtsman, goldsmith, print maker
Artist dates: 1563 – 1618

Op de console zitten rug aan rug twee kinderen. Een derde ligt op hun schouders met zijn benen omhoog. Hij heeft een brandende kaars in zijn mond. Blad uit een serie vlakdecoraties met grotesken, cartouches, ovalen, mascarons, putti en fantastische wezens. De serie bestaat uit drie titelbladen, twee tekstbladen met de opdracht en het voorwoord en 60 bladen, verdeeld over drie boeken.
The Forge–Passage du Dragon
Object type: print
Date: 1894 – 1894
Materials: ink, paper
Techniques: printing, stumping, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: windows
Border or flounce
Object type: border or flounce
Date: 1601 – 1700
Materials: linen
Techniques: lace
Subjects: flowers
Kostuums
Object type: costume print
Date: 1603 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: brooch, agraffe, clasp (+ women's clothes), cape (+ men's clothes), head-gear (boogmuts) (+ women's clothes), head-gear: hat (+ men's clothes), clothes, costume (+ women's clothes), neck-gear ~ clothing (with name) (+ women's clothes), skirt (+ women's clothes), sleeves: cuffs (+ women's clothes), shoes, sandals (+ men's clothes), clothes, costume (+ men's clothes), neck-gear: collar (+ men's clothes), trousers, breeches, etc. (breeches) (+ men's clothes), clothing for the upper part of the body (doublet) (+ men's clothes), sleeves (+ women's clothes), clothing for the upper part of the body (with name) (+ women's clothes), netherlands
Inscriptions: signature: ‘Ian Vanden Velde fecit’, number: ‘1’, collector's mark: Lugt 964, address: ‘CVisscher excudebat.’

kleding man: hoed met cilindervormige bol / gladde waaiervormige kraag / mantel met siermouwen / tot knie reikende wijde pofbroek / kniebanden met grote strik / lage schoenen met hak en striksluiting. Vrouw: diadeemmutsje / open lubbenkraag / nauwe mouwen met trechtervormige ponchetten / strak puntlijf met rozet / opengeslagen rok
Protest tegen het communisme 1848
Object type: history medal
Date: 1848 – 1848
Materials: brass
Techniques: striking

Messing penning met niet-doorbord draagoog, op de voorzijde een rode vlag waarop een doodshoofd tussen een toorts en een bijl, met omschrift, op de keerzijde acht regels tekst boven een monogram in een parelcirkel.
Firenze. Museo Nazionale. L'Arcangiolo annunziante; Scuola Pisana, XIII Sec.
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: photographic support
Techniques: photography
Location: florence
Artist: Anonymous
Subjects: sculpture, angels
Inscriptions: collector's mark: ‘AFE v S’
Pauromama / Vreugdenberg
Object type: book illustration
Date: 1669 – 1669
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: inn, coffee-house, public house, etc., mountains, japan
Inscriptions: collector's mark: Lugt 2228

Een Japans schip met daarop de Nederlandse delegatie, voorafgegaan door een kleine boot met daarin Nederlanders die op trompetten blazen, arriveert bij de berg Pauromama in Japan. Een legenda linksboven duidt enkele plaatsen op de prent.
Rembrandtsplein
Object type: panoramic photograph
Date: 1890 – 1931
Materials: paper
Techniques: albumen print, gelatin silver print
Location: amsterdam
Subjects: harbour, square, place, circus, etc., house combined with shop
Inscriptions: inscription: ‘gebouw Handelsinlichtingen aan Damrak/ daarachter bouwwerk van Jacob van Campen’, date: ‘± 1900’

Deze foto's maken deel uit van een album.
Groep mensen rond een vlag
Object type: visiting card
Date: 1870 – 1909
Materials: cardboard, pencil
Techniques: printing
Location: netherlands
Artist: sientje mesdag-van houten
Artist role: draughtsman, painter
Artist dates: 1834 – 1909

Tekening op een visitekaartje van Sientje Mesdag-Van Houten.
Djîzeh (Nécropole de Memphis), Pyramide de Chéphren
Object type: photograph
Techniques: paper negative, salted paper print
Artist: félix teynard
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1892
Subjects: architecture,pyramids
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, eye, nose, chin, and part of upper torso of draped youth
The Falcon's Bath
Object type: tapestry
Date: 1400 – 1415
Materials: wool
Techniques: tapestry
Culture: south netherlandish
Subjects: birds,falcons,men,women,flowers

This recently discovered tapestry depicting courtly figures training a falcon is in remarkably good condition. At the center of the tapestry, four luxuriously dressed figures are gathered in front of a rose trellis and flowering turf bench. The lady and the gentleman in the foreground, attended by courtiers behind them, are encouraging the falcon to bathe in the basin of water between them. Four additional figures at the corners, set against a flowering, or millefleurs ground, are also busy training falcons.
Helmet
Object type: helmet
Date: 1601 – 1800
Materials: iron, silver
Culture: korean
Location: korea
Portret van François Broussais
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons, physician, doctor
Glass bowl
Object type: bowl, patella
Date: 1 – 33
Materials: glass
Culture: roman

Opaque jade green. Horizontal rim with rounded outer edge; convex curving side to hemispherical body with uneven exterior surface; flat bottom inside outsplayed base ring with rounded edge. Intact, except for one small weathered chip in rim; pitting of pinprick bubbles, dulling on interior and on bottom inside base ring; creamy brown weathering and iridescence on interior. Rotary grinding marks on interior and bottom.
Fotoreproductie van risqué onderwerp, tekening van een orgie
Object type: photograph
Date: 1900 – 1900
Materials: paper
Techniques: cyanotype
Location: united states
Artist: Anonymous
Subjects: scabrous scenes, pornography, carousal, drinking-bout, orgy - cc - out of doors, group-sex, promiscuity, fantasies of a world of free love
Inscriptions: inscription: ‘we/ are all/ working/ for the/ rising/ generation’
Yomut Main Carpet
Object type: carpet
Date: 1767 – 1800
Materials: cotton, wool
Location: western turkmenistan

This carpet was likely woven by a member of the Yomut tribe of Central Asia. The staggered motifs seen in the carpet’s field are known as guls (flowers); the nomadic textiles and carpets of Central Asia often display guls that are unique to a particular tribal group. The guls seen here take the form of octagons with serrated edges, each of which encloses a smaller octagon with a small central floral motif; it is the particular design of this gul that makes it attributable to the Yomut Turkmen nomads.