deem-data/ArtiFact huggingface dataset:
Gezicht op Goes
Object type: print
Date: 1657 – 1657
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter hendricksz. schut
Artist role: print maker
Artist dates: 1618 – 1660
Subjects: harbour, church (exterior), fortified city, windmill, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Speculum Zelandiae dat is een beschryvinge ofte afbeelding der steden, ambachts-heerlijckheden, dorpen castelen, ridderlijcke hofsteden, huysen en gebouwen gelegen inde eylanden en de graeflijckheyt van Zeelandt. Amsterdam: weduwe Ottens en Zoonen, s.a. [1719-1725].

Eerdere staat/staten van prent is/zijn gebruikt in eerdere uitgaven van 'Speculum Zelandiae' en in andere publicaties uitgegeven door Zacharias Roman en Nicolaes Visscher (I).

De eerste publicatie waarin de eerste staat van de huidige prent voorkomt dateert uit 1657.

Verwarring rondom de datering kan ontstaan door het feit de prenten uit 'Speculum Zelandiae' ook voorkomen in eerder uitgegeven publicaties, waar ze later in zijn ingebonden. Zo komen prenten uitgegeven door Roman/Visscher voor in sommige exemplaren van: Boxhorn, Marcus Zuerius van. Chroniick van Zeelandt (…). 2 delen. Middelburg: Zacharias Roman, 1644. De door weduwe (Joachim) Ottens en Zoonen uitgegeven prenten zijn later ingebonden in sommige exemplaren van: Smallegange, Mattheus. Nieuwe Cronyk van Zeeland (…). Middelburg en Amsterdam: Johannes Meertens en Abraham van Someren, 1696.
Welgestelde dame overnacht in een herberg
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, contrast between rich and poor, hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Storch, Heinrich. Gemählde von St. Petersburg. 2 dln. Riga: Johann Friedrich Hartknoch, 1794, dl. 1.
Congres Humanitaire te Brussel
Object type: history medal
Date: 1874 – 1874
Materials: bronze
Techniques: striking
Location: brussels
Artist: henri charles wurden
Artist role: medailleur
Artist dates: 1847 – 1908
Subjects: brussels

Bronzen penning in vorm van bloem, met vier ronde bladeren, afgewisseld door vier punten. Voorzijde: engel, staat met voet op ter aarde liggende duivel, gereed om hem met zwaard te doorboren binnen rand van vijftien wapenschilden; aan alle vier de zijden daarvan versieringen met kleine wapentropheen. Keerzijde: opschrift
Gezicht op het Nieuwe Yoshiwara
Object type: print
Date: 1770 – 1775
Materials: paper
Techniques: woodcut
Location: japan
Artist: utagawa toyoharu
Artist role: print maker
Artist dates: 1735 – 1814
Subjects: gate, entrance, screen, folding screen, street
Inscriptions: collector's mark: Lugt 2971

Kamerscherm waarop afbeelding van een gezicht op de toegangspoort van het Yoshiwara met daarachter de hoofdstraat, Nakanocho, vol met mensen met lantaarns in de hand; bij nacht.
Cape
Object type: cape
Date: 1882 – 1882
Materials: silk
Culture: american
David Rex
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: david (not in biblical context); possible attributes: crown, harp
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2773

Portret met buste van Koning David met harp in medaillon binnen rechthoekige omlijsting met ornamenten in de vorm van wilde dieren, een leeuw en beer, en een lam.
Portret van een onbekende man
Object type: print
Date: 1759 – 1819
Materials: paper
Techniques: etching
Location: london
Artist: pierre noël violet
Artist role: print maker
Artist dates: 1749 – 1819
Subjects: historical persons, adult man (+ front view)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘van G.L.’
Stad Leeuwarden
Object type: honorary medal
Date: 1836 – 1836
Materials: silver
Techniques: striking
Location: leeuwarden
Artist: tjeerd keikes
Artist role: medailleur
Artist dates: 1804 – 1886
Subjects: leeuwarden

Zilveren penning. Voorzijde: gezicht op stadhuis van Leeuwarden. Keerzijde: opschrift boven blanco veld binnen omschrift
Brief aan den heer A. Holtrop, commissaris van de Koning
Object type: letter
Date: 1837 – 1881
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes huybertus van hove bzn
Artist role: print maker
Artist dates: 1827 – 1881
Inscriptions: annotation: ‘[...]parfaite santé/ [...]/ den WelEgestrengen Heer A Holtrop/ Commissaris der Konings over/ het beheer der Koninklijk Schouburg/ [...]’

Blad 30 verso uit een schetsboek met 33 bladen en 10 losse tekeningen.
Sleeveless Jacket
Object type: jacket, sleeveless
Date: 1801 – 1900
Materials: metal, silk, velvet
Culture: chinese
Subjects: cranes

The roundels on this sleeveless velvet jacket incorporate the crane, an auspicious symbol of longevity, and have an outer border of interlocking circles, representing an endless string of coins. This garment was appropriately worn for birthday celebrations. The presence of a stand-up collar suggests a late Qing date for the piece.
Shiva as Lord of Dance (Nataraja)
Object type: figure
Date: 1001 – 1100
Materials: copper alloy
Culture: indian
Subjects: dancing,shiva

As a symbol, Shiva Nataraja is a brilliant invention. It combines in a single image Shiva's roles as creator, preserver, and destroyer of the universe and conveys the Indian conception of the never-ending cycle of time. Although it appeared in sculpture as early as the fifth century, its present, world-famous form evolved under the rule of the Cholas. Shiva's dance is set within a flaming halo. The god holds in his upper right hand the damaru (hand drum that made the first sounds of creation). His upper left hand holds agni (the fire that will destroy the universe). With his lower right hand, he makes abhayamudra (the gesture that allays fear). The dwarflike figure being trampled by his right foot represents apasmara purusha (illusion, which leads mankind astray). Shiva's front left hand, pointing to his raised left foot, signifies refuge for the troubled soul. The energy of his dance makes his hair fly to the sides. The symbols imply that, through belief in Shiva, his devotees can achieve salvation.
Portret van Lodewijk de Vrome
Object type: book illustration
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: utrecht
Subjects: france, historical persons, emperor

Prent uit: Bogaert, Abraham. De Roomsche monarchy, vertoont in de muntbeelden der westersche en oostersche keizeren (...). Utrecht: François Halma en Willem van de Water, 1697, p. 341. Eerste staat verschenen in een grotere prent met twaalf portretten, gedateerd 1695.
Cruet
Object type: cruet
Date: 1701 – 1800
Materials: glass, pewter
Embroidered Trimmings for a Woman's Ao (Short Coat)
Object type: costume and accessory
Materials: ink, textile, silk
Techniques: embroidery, embroidered, satin weave, stitching, weave
Culture: han chinese
Location: china
Subjects: floral motifs, landscape, butterflies, floral, fashion, trees, rocks
Covered Jar
Object type: covered jar
Date: 2500 – 2500
Materials: earthenware
Culture: chinese
Maria overhandigt het Christuskind aan Franciscus
Object type: print
Date: 1597 – 1597
Materials: paper
Techniques: engraving
Location: italy
Subjects: cherubs, i.e. children's heads with wings, angels, the virgin mary handing over the infant christ to st. francis of assisi
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240

Te midden van engelen overhandigt Maria het Christuskind aan de knielende heilige Franciscus van Assisi. Op de grond ligt een boek. Opdracht, wapenschild en Latijnse tekst in twee kolommen in ondermarge.
Watch
Object type: watch
Date: 1820 – 1830
Materials: enamel, gold
Subjects: flowers
Paneel met opengewerkt symmetrisch ornament van acanthusranken met bloemen en putti en in het midden een adelaar op bloem
Object type: furniture
Date: 1650 – 1699
Materials: wood
Location: enkhuizen
Artist: Anonymous
Ear Ornament with Ram's Head
Object type: ear ornament
Materials: gold
Culture: indonesian, javanese
Subjects: rams
Chest (petaca)
Object type: petaca
Date: 1772 – 1772
Materials: fiber, iron, leather, rattan
Techniques: chasing, embroidery
Culture: new spain
Location: mexico
Artist: Anonymous
Artist role: artist

This embroidered leather chest (petaca) from 18th-century New Spain is among the finest and best preserved examples among the handful that survive. It is of exceptional historical importance as the only work of its type whose date and place of origin can be reliably established on the basis of documentation. The Spanish word petaca, derives from the náhuatl petlacalli, a type of covered storage basket. Like Aztec petlacalli, the underlying structures of New Spanish petacas are woven like baskets. In imitation of chests imported from Spain, they are covered in leather and fitted with forged iron hardware. Local artisans in Mexico mastered Spanish leatherworking techniques and often adopted styles of ornamentation that were rooted in the Hispano-Islamic traditions of Andalucia. The finest petacas feature a type of embroidered decoration known as piteado, executed in pita or ixtle (thread made from maguey fiber). This example is unique among known New Spanish petacas in its use of multicolored embroidery. Petacas were made for the safe storage and transport of valuables, especially clothing and other textiles. They frequently draw upon the same decorative repertory of human, animal, and floral motifs found in other luxury items made for domestic use in New Spain. This example features a conspicuous iron lock and is embellished with figural motifs that evoke elite tastes and privileges, leisure activities, and courtship rituals. The petaca is associated with a category of artworks from Mexico linked to the tornaviaje, that is, the return voyage to Spain. This group includes not only New World exotica prized by European elites, but domestic furnishings and luxury goods that were taken to Spain for personal use by returning merchants, ecclesiastics and colonial officials. Like most surviving petacas, the present one was preserved in a European collection, suggesting that its owner may not have been a permanent resident in Mexico, but a Spaniard who returned to his native country after living and prospering abroad. By virtue of its use as a travel chest, the petaca is explicitly connected to the mobility of people and goods, not only within Mexico, but in the larger Spanish world. This richly decorated chest and the valuables it once held under the protection of lock and key exemplified the wealth of New Spain and signaled the economic and social status of the person who owned it.
Stad Utrecht, duit, 1751
Object type: coin
Date: 1751 – 1751
Materials: copper
Techniques: striking
Location: utrecht

Koperen munt. Voorzijde: gekroond stedelijk wapenschild, gehouden door twee leeuwen met in afsnede dunne lijn, waaronder een versierde accolade met een grote schelp. Keerzijde: opschrift in twee regels, waaronder jaartal. Jaartal met Romeinse I.
Chasse, XIIIe siècle
Object type: page
Date: 1882 – 1887
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: relics (and reliquaries), the abbess gertrude of nivelles; possible attributes: book, pastoral staff, crown, cup, demon, mouse or mice, model of church or hospital, palm, (healing) well
Inscriptions: inscription: ‘CHASSE de Ste.-Gertrude (...)’, inscription: ‘CHASSES. - PL. 2.’, monogram: ‘JJvY’
Piece
Object type: piece
Date: 1701 – 1800
Materials: gold, silk
Subjects: flowers,leaves
Bowl with mythical Thai figures
Object type: bowl
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Vijfentwintigjarig bestaan van het Nederlandsch Genootschap tot Zedelijke Verbetering van Gevangenen 1849
Object type: history medal
Date: 1849 – 1849
Materials: bronze
Techniques: striking
Location: utrecht

Bronzen penning, op de voorzijde zes regels tekst met omschrift, op de keerzijde acht regels tekst binnen een lauwerkrans.
Driehonderdjarig bestaan van de Universiteit van Leiden 1875 (curatorenpenning)
Object type: history medal
Date: 1875 – 1875
Materials: bronze
Techniques: striking
Location: brussels
Artist: karel wiener
Artist role: medailleur
Artist dates: 1831 – 1888

Bronzen penning, op de voorzijde de Wijsheid als staande vrouw met fakkel, met links en rechts rechtopstaande tekst, op de keerzijde acht regels tekst.
De heilige Franciscus getroost door een musicerende engel
Object type: print
Date: 1595 – 1595
Materials: paper
Techniques: engraving
Location: italy
Subjects: an angel playing the violin appears to st. francis of assisi; francis perhaps on his sickbed, deathbed, or meditating in the open air
Inscriptions: collector's mark: Lugt 240

Naar een schilderij door Francesco Vanni. Het schilderij bevindt zich in Museo Rizzi te Sestri Levante. Een getekende voorstudie voor de prent door Agostino Carracci bevindt zich in de Staatsgalerie Graphische Sammlung te Stuttgart.
Ceres
Object type: print
Date: 1564 – 1564
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: (story of) ceres (demeter)

Ceres de godin van de akkerbouw bij de graanoogst. Ceres knielt bij een hoop met korenaren met een sikkel in de hand.
Inkt- en pennenkoopman
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Subjects: ink-well, street-trader, pencil
Inscriptions: collector's mark: Lugt 2228

Een koopman lopend met een stok in zijn hand. Hij heeft een vaatje onder zijn rechterarm, en houdt met zijn rechterhand inktkokers en pennen vast, die aan een koord hangen.
Monmouth wordt door Feversham verslagen, 1685
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: rotterdam, london, battle (+ land forces)

De hertog van Monmouth wordt in een veldslag bij Sedgemoor door Feversham verslagen, 6 juli 1685. Plaat C in de serie 'Engelants schouwtoneel' over de Glorious Revolution en gebeurtenissen uit de voorafgaande jaren 1685-1689 (eerste deel). Met onderschriften in het Nederlands en Frans.
Twee rozen
Object type: print
Date: 1920 – 1920
Materials: paper
Techniques: lithograph
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Inscriptions: signature: ‘jessurun de mesquita’

Twee witte rozen en gebladerde tak tegen donkere achtergrond.
Nederlandsche Courant, 26 juli 1784
Object type: newspaper
Date: 1784 – 1784
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: newspaper, news-sheet

Exemplaar van de krant 'Nederlandsche Courant' van 26 juli 1784. Enkelbladig, beide zijden bedrukt. Bovenaan een vignet met de Vrijheid en Mercurius. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Officieele Nieuwsbladen.
Kop van een bok
Object type: print
Date: 1796 – 1856
Materials: paper
Techniques: etching
Location: vaassen
Artist: reinierus albertus ludovicus baron van isendoorn à blois
Artist role: print maker
Artist dates: 1786 – 1856
Subjects: he-goat, billy-goat
Inscriptions: collector's mark: Lugt 2228
Keizer Otto I de Grote
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: emperor, king
Inscriptions: inscription: ‘37’

Een koning met rijksappel en scepter, ten voeten uit. De voorstelling is onderdeel van de opeenvolging keizers in de Liber Chronicarum. De tekst identificeert de man als keizer Otto I de Grote. De prent maakt deel uit van een album.
Vijfenzeventigste verjaardag van Maurits Cornelis van Hall, voorzitter van de arrondissementsrechtbank te Amsterdam 1856
Object type: history medal
Date: 1856 – 1856
Materials: bronze
Techniques: striking
Artist: samuel cohen elion
Artist dates: 1815 – 1880

Bronzen penning, op de voorzijde het borstbeeld van Van Hall naar links met omschrift, op de keerzijde zeven regels tekst.
Buckle Loop
Object type: loop
Date: 500 – 700
Materials: copper alloy
Techniques: silvered
Culture: frankish
Location: germany
The Arch of Constantine, Rome, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1514 – 1536
Techniques: engraving
Location: roman
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
Subjects: architecture,arches,capitals,columns,men,mythical creatures,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 82 in the scrapbook.
Bracelet: Portuguese Heads and Mudfish
Object type: bracelet
Date: 1701 – 1900
Materials: brass, copper alloy
Culture: edo period
Location: nigeria
Subjects: heads,fish
Vrouwengezicht in een ovaal
Object type: print
Date: 1750 – 1806
Materials: paper
Techniques: etching
Artist: johann rudolph schellenberg
Artist role: print maker
Artist dates: 1740 – 1806
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780
Portret van een vrouw met een blouse met opstaande kraag
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: adult woman

De vrouw draagt tevens een hoed en een lange halsketting. Blad 13 recto uit een schetsboek met 53 bladen.
View of the City with the Louvre, etc., taken from Pont Marie, from A Selection of Twenty of the Most Picturesque Views in Paris
Object type: print
Date: 1802 – 1802
Materials: ink, paper
Techniques: aquatint, printing, etching
Location: united kingdom
Artist: thomas girtin
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1802
Two Containers (Deux nécessaires)
Object type: print
Date: 1525 – 1600
Techniques: engraving
Artist: rené boyvin
Artist role: artist
Artist nationality: french
Artist dates: 1525 – 1598
Townsend's Monthly Selection of Parisian Costumes, 1838, No. 703 : Bonnet en tull (...)
Object type: fashion print
Date: 1838 – 1838
Materials: paper
Techniques: engraving, hand coloring
Location: london
Subjects: head-gear: turban (+ women's clothes), gloves, mittens (mitaines) (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), apron (+ women's clothes)
Inscriptions: caption: ‘Bonnet en tulle, Tablier en pou de soie. / Turban en Chaly Robe d'organdi / Turban de Tulle. Robe en poult de soie’

In het bovenste kader zeven verschillende luifelhoeden en een muts. In het onderste kader drie vrouwen, van links naar rechts: muts van tule en schort van 'pou de soie'. Mitaines. Tulband van 'chaly'. Japon van organdie. Tulband van tule. Japon van 'poult de soie'. Prent uit het modetijdschrift Townsends Monthly Selection of Parisian Costumes (London 1823-1888).
Gezicht op Huis Kostverloren
Object type: print
Date: 1725 – 1803
Materials: paper
Techniques: etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: city-view in general; 'veduta', river, rural housing, e.g. country-house, villa, cottage, road, path, bridge, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: ‘5’ Lugt 1641b, inscription: ‘de poort / is gebouwd / tusschen 1610 en / 1630’

Prent mogelijk uit: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 1, ill. 1.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Fragment koperen steel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: helve
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, shafts; cylindrical, moulded with ring-shaped bands, flat top with short spindle, flat base with flattened tenon.
Finial
Object type: finial
Date: 1001 – 1200
Materials: bronze, silver
Techniques: casting, incising, inlay
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Fragment of a Toilet Dish with Cartouches of Amenhotep III
Object type: fragment of a dish
Date: 1390 – 1352
Materials: faience
Location: egypt