deem-data/ArtiFact huggingface dataset:
Prins Bernhard in een jeep
Object type: photograph
Materials: photographic support
Techniques: photography
Location: netherlands
Artist: willem van der pol
Artist role: fotograaf
Subjects: utrecht, bernhard (prins der nederlanden), netherlands

Prins Bernhard ging meteen na de bevrijding van Noord-Oost Nederland op bezoek in diverse steden. [Baruch, Jet, 2006].
Riemgesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: belt buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

D-shaped with pointed side, ring with spindle and tongue, belt buckle.
Card Number 88, Kate Forsyth, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Design for a Knife Handle with the Sermon on the Mount
Object type: print ornament architecture
Date: 1580 – 1600
Techniques: embroidery, engraving
Artist: johann theodor de bry
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1561 – 1623
Subjects: hilts,grotesques,ornament,mythical creatures

Design for a knife handle with the Sermont on the Mount in a rectangle at center, on a blackwork background with grotesques. Above, a design for a finial with a two horses with fish tails above a putto mask. Flanking the central design, two blades engraved with Biblical texts below alternate finial designs. From a series of twelve plates.
Portret van Julius van Beyma
Object type: print
Date: 1668 – 1733
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: historical persons

Prent zonder dubbele omlijsting verschenen in: Fundatoris, curatorum et professorum celeberrimorum, aliorumque illustrium virorum, quorum gratia, favore cura, doctrinaque adademia Lugduno-Batava (...). Leiden: Pieter van der Aa, [ca. 1716].
High chest of drawers
Object type: high chest of drawer
Date: 1762 – 1765
Materials: brass, wood
Techniques: veneering
Culture: american
Location: united states

European artisans flocked to the British colonies and plied their knowledge of foreign fashions to suit the tastes of local patrons. This chest’s scrolled pediment with a figural finial bust resembles plates in The Gentlemen and Cabinet Maker’s Director (1754) by British craftsman Thomas Chippendale. Similarly, the serpent-and-swan motif on the bottom drawer is based on a design by London carver Thomas Johnson in A New Book of Ornaments (1762). As true of period portraiture, furnishings reveal colonists’ awareness of European trends. The owner of this chest would have neatly stowed their couture and household linens safely in its drawers.
Reading
Object type: print
Date: 1879 – 1887
Materials: chine, ink, ivory, paper
Techniques: lithograph, stumping
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Chess board
Object type: chessboard
Date: 1615 – 1868
Materials: earthenware, glaze
Techniques: polychrome
Culture: japanese
Straatweg met sleperskar; rechts huizen
Object type: drawing
Date: 1773 – 1843
Materials: paper, pencil
Artist: georges michel
Artist role: draughtsman
Artist dates: 1763 – 1843
Subjects: (farm) wagon, freight wagon, cart, street (+ city(-scape) with figures, staffage)

Een van 120 tekeningen, afkomstig uit een 19e eeuws album met tekeningen van Georges Michel.
War Hat (<i>Jingasa</i>)
Object type: war hat jingasa
Date: 1767 – 1833
Materials: copper, gold, hemp, iron, lacquer, wood
Culture: japanese
Location: japan
Waterpartij in het Haagse Bos
Object type: sketchbook leaf
Date: 1868 – 1868
Materials: paper, pencil
Location: the hague
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: lake, forest, wood, the hague

Blad 42 verso in een schetsboek met 45 bladen.
Cap
Object type: cap
Date: 1800 – 1800
Materials: silk
Culture: american
Portret van een onbekende man met baard
Object type: cabinet photograph
Date: 1890 – 1910
Materials: paper, cardboard
Techniques: collodion silver print
Location: amsterdam
Artist: jean daniel matthieu
Artist role: fotograaf
Artist dates: 1865 – 1926
Subjects: adult man, anonymous historical person portrayed
Pierced Globe
Object type: incense burner
Date: 1267 – 1333
Materials: brass, gold, silver
Techniques: chasing, inlay
Location: syria
Subjects: arabic

Designed as an incense burner, this globe once hung from a chain. Inside the hinged body is a small cup, slung on three rings (gimbals) to stabilize the burning coal or incense in the suspended container. The inscription bands do not name the object’s owner, but repeat a string of epithets lauding him.
Emblemata Novi Testamenti
Object type: print
Date: 1582 – 1593
Materials: paper
Techniques: etching, letterpress printing
Location: antwerp
Subjects: 'as a shepherd (the son of man) separates the sheep from the goats' (matthew 25:32), representation of last judgement, with the archangel michael weighing the souls (or dividing the blessed and the damned)
Inscriptions: inscription: ‘J.C. aujour du jugement dernier separe les boucs d'avec les brébis’

Een herder scheidt de schapen van de bokken. Links op de achtergrond enkele gebouwen met een poort. Christus troont op de wolken en velt het laatste oordeel. De doden worden door engelen naar de hemel geleid of naar de hel gevoerd (Mat. 25). Met een motto in het Latijn boven de voorstelling en een vierregelig onderschrift in het Latijn onder de prent. De prent maakt deel uit van een album.
Cobb's Hill, Lookout in Distance
Object type: photograph
Date: 1864 – 1864
Techniques: albumen silver print, glass negative
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: american civil war,rivers
Dress
Object type: dress
Date: 1865 – 1865
Materials: cotton, metal, silk
Culture: american

The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple layers of petticoats which, due to weight and discomfort, were supplanted by underskirts comprised of graduated hoops made from materials such as baleen, cane and metal. The fashions during this time allowed the textiles to stand out because of the vast surface areas of the skirt and a relatively minimal amount of excess trim.
Penton Hook
Object type: print
Date: 1864 – 1864
Techniques: drypoint, etching
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Subjects: boys,fishing,rivers
Four Seasons (Spring)
Object type: figure
Date: 1753 – 1755
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: women,flowers,leaves
Panel
Object type: textile panel
Materials: silk
Culture: french or italian
Gezichten op Château de Vaux-le-Vicomte
Object type: print
Date: 1681 – 1724
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Subjects: french or architectonic garden; formal garden, garden cascade

Gezicht op de kleine cascades in de tuinen van Château de Vaux-le-Vicomte. In het midden trappen. Prent maakt deel uit van een album.
Terracotta rim fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Exterior, part of the eyebrow and outer corner of an eye; above, a vine
Sun and Plum Branches
Object type: album leaf
Date: 1807 – 1868
Materials: lacquer, paper
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Subjects: sun,plants
[Two Boys Playing at the Creek, July 4, 1883]
Object type: photograph
Date: 1883 – 1883
Techniques: albumen silver print
Artist: thomas eakins
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1916
Christus aan het kruis
Object type: print
Date: 1512 – 1516
Materials: paper
Techniques: woodcut
Location: freiburg
Artist: hans baldung grien
Artist role: draughtsman, print maker
Artist dates: 1484 – 1545
Subjects: crucified christ with mary, john, and mary magdalene
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 240

Christus hangt aan het kruis op de berg Golgotha, uit de steekwond in zijn zij stroomt bloed. Rechts van het kruis staat Maria in gebed, zij zakt door haar knieën en wordt ondersteund door Johannes. Links, achter het kruis, knielt Maria Magdalena terwijl zij treurt en de tranen van haar gezicht veegt.
Heilige Meliton, Heilige Firminus, Heilige Gregorius I de Grote, Heilige Euphrasia van Constantinopel (11-13 maart)
Object type: print
Date: 1632 – 1636
Materials: paper
Techniques: etching
Location: nancy
Subjects: female saints (with name), st. gregory the great leading a procession during the plague in rome; the archangel michael with drawn sword appears above the mausoleum of hadrian, male saints (with name)
Inscriptions: collector's mark: Lugt 240

Blad met vier ovale voorstellingen, elk met opschrift en datum in het Latijn: linksboven de Heilige Meliton die een kind op zijn rug draagt, rechtsboven de Heilige Firminus met een staf en een boek in de handen, linksonder de Heilige paus Gregorius de Grote die een engel bij de Engelenburcht in Rome ziet, rechtsonder de Heilige Euphrasia die al biddend een demon of duivel vertrapt. Deze prent is onderdeel van een serie prenten met voorstellingen van de heiligen en de christelijke feestdagen van het jaar. Er zijn steeds vier scènes van één plaat op één blad gedrukt. Inclusief bijbehorend titelblad en frontispice gaat het in totaal om 124 platen (490 voorstellingen). De drie platen met de laatste 12 scènes (de veranderlijke christelijke feestdagen) zijn in de derde staat versneden tot 12 kleine plaatjes, en met een apart titelblad uitgegeven.
Roma (dintorni)
Object type: photomechanical print
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph
Location: italy
Subjects: ox (+ labourers ~ crafts, industries, agriculture), rome
Keizerrijk Frankrijk, Napoleon III, centime,1854 A
Object type: centime
Date: 1854 – 1854
Materials: bronze
Techniques: striking
Location: paris

Bronzen munt. Voorzijde: hoofd van de keizer naar links. Jaartal onderaan. Keerzijde: op bundel, waaruit bliksemschichten, staande, naar rechts kijkende adelaar met gespreide vleugels, waaronder de letter A [=Parijs]. Waarde-aanduiding onderaan in omschrift. Gladde rand.
Heuveltje
Object type: print
Date: 1876 – 1911
Materials: paper
Techniques: etching, intaglio
Artist: adolphe p.h j. van weezel errens
Artist role: print maker
Artist dates: 1866 – 1939
Subjects: low hill country, trees, landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228
Amid These Wilds, I Wander in Despair (valentine)
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: embossing, hand coloring, lithograph
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Fringe
Object type: textile
Date: 1601 – 1800
Materials: silk
Techniques: cutting, weave
Location: italy
Portrait of Susanna Lunden, sister of Helena Fourment
Object type: print
Date: 1769 – 1769
Techniques: mezzotint
Artist: william pether
Artist role: artist and publisher
Artist nationality: british
Artist dates: 1733 – 1821
Subjects: portraits,women
Portret van Johann Wilhelm Baur
Object type: book illustration
Date: 1662 – 1662
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: antwerp
Subjects: painter, print maker, draughtsman, johann wilhelm baur, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

Prent uit: Bie, Cornelis de. Het gulden cabinet vande edele vry schilder-const. 3 dln. Antwerpen: Joannes Meyssens en Juliaen van Montfort, 1662, dl. 1, p. 113.
La farce est jouée
Object type: cartoon
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: paris
Subjects: puppet and marionette show (+ artist at work)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Le Réveil, journal des sciences, de la littérature, des moeurs, théâtres et beaux-arts (1822), nr. 117, 25 november 1822.
[Dead Stag]
Object type: photograph
Date: 1857 – 1857
Techniques: salted paper print
Artist: horatio ross
Artist role: artist
Artist nationality: british, born scotland
Artist dates: 1801 – 1886
Subjects: deer,death

Far better known in his day as an athlete and a sportsman than as a photographer, Ross excelled in deerstalking and was judged the finest shot in Scotland. Keen on the challenge of pitting his knowledge, stamina, and experience against the deer's superior senses of smell, sight, and hearing, Ross brought to his sport an intimate knowledge of the terrain, a practiced ability to judge distance, and an exceptional attentiveness in observation–just the qualities needed when he took to the Highland countryside with a camera in place of his rifle.
Glass mosaic bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Translucent purple, blue, and opaque white. Convex curving side. Composite mosaic pattern formed from polygonal sections of two canes: one in a purple ground with an outer circle of white dots and a central circle in blue outlined with white spokes; the second similar but with a central circle in blue outlined in white and a central white dot. Polished exterior; pitting of surface bubbles on exterior; iridescent weathering on interior and jagged edges.
Kous van effen witte katoenen tricot, met boord van ajour pauwenverenmotief en geschulpte rand
Object type: childrenswear
Date: 1830 – 1840
Materials: cotton
Techniques: embroidery, knitting
Location: netherlands
Artist: Anonymous
Inscriptions: initials: ‘'A M'’

Kous van effen witte katoenen tricot, met boord van ajour pauwenverenmotief in verticale banen en geschulpte rand. Naad middenachter. Gemerkt met initialen in ajour: 'A M'.
Galerij in de kerk van Oosterend uit 1554
Object type: print
Date: 1870 – 1875
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: interior of church

Illustratie in: Friesche Oudheden. Afbeeldingen van merkwaardige voorwerpen van Wetenschap en Kunst, gevonden in de archieven, kerken, kasteelen, terpen enz. van Friesland, Leeuwarden 1875. Niet in Frederik Muller; door het RPK toegevoegd nummer.
Portret van Gottlieb Gaudlitz
Object type: print
Date: 1745 – 1767
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: bookshelves, historical persons, the bible as a book
Inscriptions: collector's mark: Lugt 2228
Portret van koning Karel XII
Object type: print
Date: 1692 – 1728
Materials: paper
Techniques: engraving, etching
Artist: charles louis simonneau
Artist role: print maker
Artist dates: 1645 – 1728
Subjects: historical persons
Inscriptions: collector's mark: Lugt 240
Inname van Hattem, 1786
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: capture of city (after the siege)

Illustratie voor: J. Fokke. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd. Amsterdam: Johannes Allart, 1783-1795, 25 delen. deel XVI pl. XI.
De twaalf maanden
Object type: print
Date: 1698 – 1702
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: cancer (zodiacal sign of june), landscape symbolizing june, june; 'giugno' (ripa), cow, june and its 'labours', sheep, carrying something with yoke, milkmaid, milking
Inscriptions: collector's mark: Lugt 2228

De maand juni. Op de voorgrond een melkmeisje naast twee schapen. Ze draagt een juk met een kan melk. Op de achtergrond melkt een boer een koe. De prent heeft een Duits onderschrift van vier regels over de maand juni.
Underwear
Object type: underwear
Date: 1801 – 1900
Materials: bamboo, cotton
Culture: chinese
Christus voor Pilatus
Object type: book illustration
Date: 1629 – 1629
Materials: paper
Techniques: letterpress printing
Location: antwerp
Subjects: christ before pontius pilate (matthew 27:11-26; mark 15:2-15; luke 23:2-7, 23:13-25; john 18:28 - 19:16), pilate in debate with the jews

De prent is afkomstig uit een van de uitgaven van P.J. Paets uit Amsterdam. De prent wordt voor het eerst gebruikt in: Der Zielen Lust-hof. Leuven, I.Jacbosz voor P.J. Paets [= Amsterdam, P.J. Paets], 1629.
De voorstelling is gekopieerd naar een prent van Hieronymus Wierix voor: Nadal, Jerónimo. Evangelicae Historiae Imagines. Antwerpen, M. Nutius, 1593.
Twee vrouwen die elkaars hand vasthouden, naar klassiek voorbeeld
Object type: sketchbook leaf
Date: 1815 – 1852
Materials: ink, paper, pencil
Techniques: pen
Artist: jonkvrouw elisabeth kemper
Artist role: draughtsman
Artist dates: 1799 – 1871
Subjects: postures and gestures of arm(s) and hand(s) in relation to another person, female persons from classical history (+ belonging to greek history)

De vrouwen dragen beiden een chiton. Eén vrouw legt haar arm op de schouder van de ander. Verbeelding van de vriendschap. Blad 14 recto uit een schetsboek met 94 bladen.
Bulletin / Association belge de photographie
Object type: book
Date: 1901 – 1906
Materials: paper
Techniques: printing, engraving
Siena - Accademia di Belle Arti. La Madonna col figlio e Santi (Neroccio di Bart. Landi)
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: siena
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: collector's mark: ‘AFE v S’
Sheet with overall grid pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Mishandeling van gereformeerden bij Vaals, 1764
Object type: history print
Date: 1793 – 1793
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: persecution of believers
Inscriptions: collector's mark: Lugt 2228

Mishandeling van gereformeerden door katholieken te Vaals en in drie andere nabij gelegen dorpen, januari 1764. Een roomse priester moedigt aan tot de mishandeling.
Jug
Object type: jug
Date: 634 – 501
Materials: terracotta
Culture: etruscan

Two handles and flaring lip; undecorated.
Dawn at Isawa in Kai Province (Kōshū Isawa no akatsuki), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: houses,horses,rivers,volcanoes,dawn

As the sun rises on the horizon, flushing the sky with a soft pink haze, travelers depart for a long journey. Passing through dark streets and past houses shut to the early-morning sky, the entourage slowly winds its way toward the bridge that will deliver them across the river toward Fuji.
Saint Anthony of Padua
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Artist: anonymous, spanish, 17th century
Artist role: artist
Artist nationality: spanish
Artist dates: 1600 – 1700
Subjects: angels,saint anthony
Design for Omnibus or Wagonette, no. 3269a
Object type: drawing
Date: 1876 – 1876
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Unguent Vase of Queen Kiya
Object type: vase, kiya, inscribed
Date: 1353 – 1323
Materials: stone
Location: egypt

The inscription on this small unguent jar is of historical interest because the three columns at the right record one of the few clear writings of the titulary of Akhenaten's little-known secondary queen, Kiya. The hieroglyphs were once filled with Egyptian blue, traces of which remain.
Riviergezicht met hengelaars
Object type: print
Date: 1823 – 1883
Materials: paper
Techniques: drypoint, etching
Location: utrecht
Artist: hermanus jan hendrik van rijkelijkhuysen
Artist role: painter, print maker
Artist dates: 1813 – 1883
Subjects: river, church (exterior), rowing-boat, canoe, etc., trees: willow, farm or solitary house in landscape, water-birds: duck, fisherman
Inscriptions: collector's mark: Lugt 2228

Een rivier met aan de waterkant enige huizen en twee hengelaars. Op de voorgrond een groep eenden en twee knotwilgen. Op de achtergrond de contouren van een kerk.
Satyrs Abducting Nymphs
Object type: drawing
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: françois jean sablet
Artist role: artist
Artist nationality: french
Artist dates: 1745 – 1819
Subjects: nymphs,satyrs,trees
Adoration of the Shepherds; Stoning of Saint Stephen
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: Anonymous
Artist nationality: italian
Artist dates: 1600 – 1699