deem-data/ArtiFact huggingface dataset:
Gezicht op buitenplaats Frankendael en een gezicht op de Maliebaan
Object type: book illustration
Date: 1725 – 1768
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: 'maille' (ball game), public road, country-house, amsterdam
Inscriptions: check stamp: ‘Archief Ministerie van Oorlog Afdeeling Genie’

Prent gebruikt in: Niedek, Mattaeus Brouërius. Het verheerlykt Watergraafs- of Diemermeer by de stadt Amsterdam (...). Amsterdam: Andries en Hendrik de Leth, 1725. Of in: Niedek, Mattaeus Brouërius. Het verheerlykt Watergraafs- of Diemermeer by de stadt Amsterdam (...). Amsterdam: Pieter Jan Entrop, 1768.
Een gezelschap van Bisschoppen die op een gastmaal by nacht zich met drank overladen / Wellustige Bisschoppen by dage hunne dronkenschap uytslaapende
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the early christian churches, e.g. armenians, copts, syrians, day from sunrise to sunset, carousal, drinking-bout, orgy, archbishop, bishop, etc. (roman catholic), drunkenness, sleeping on the ground, night
Inscriptions: collector's mark: Lugt 2228

Twee voorstellingen op een plaat. Boven: rondom een langwerpige tafel een groep vroegchristelijke bisschoppen. Ze doen zich te goed aan drank en eten. Onder: enkele dronken bisschoppen slapen hun roes uit in een slaapvertrek.
Dubbele kraag van kloskant met berg en dal-lijn
Object type: collar
Date: 1740 – 1740
Materials: linen
Techniques: lace
Location: southern netherlands
Artist: Anonymous

Op een fijne traliegrond, een Mechelse grond (ook wel ijsgrond genoemd), staat een symmetrisch patroon. Binnen een gerekte schulprand van gelobde bladeren en roosjes staan drievoudige bloemtakken ter weerszij van een bladrozet onder een 'berg-en dal'-lijn. Deze begrenst twee gehalveerde ruitvormige medaillons met een rastervulling van kruisbloempjes. Het smalle strookje van de kraag vertoont een lopend patroon van een bloemrank tussen omega-vormige gelobde ranken. Mechelse kant.
Portret van een vrouw
Object type: album leaf
Date: 1892 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Subjects: historical persons - bb - woman
Inscriptions: number: ‘6385’, inscription: ‘Atelier Herz/ Amsterdam/ Prinsengracht 458/ b./d. Leidschestraat’
Gezicht op de Waag te Gouda
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: gouda
Artist: Anonymous
Subjects: weigh-house
Inscriptions: annotation: ‘Gouda!’
Riemgesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: belt buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

D-shaped with pointed side, ring, id. NG-1980-27-H-384, belt buckle.
Valance with Chigi coat of arms
Object type: valance
Date: 1634 – 1666
Materials: cotton, gilt, linen, silk, velvet
Techniques: cutting, weave
Culture: italian
Subjects: coat of arms
Gezicht op het koor van de Grote Kerk te Oosthuizen
Object type: photograph
Date: 1910 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: oosthuizen
Subjects: church (exterior)
Inscriptions: annotation: ‘Koor Ned. Herv. Kerk/ Aug 1910/ Oosthuizen’
Portret van Georg Martin Raidel
Object type: print
Date: 1741 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons
Stoel van Henriëtte Roland Holst - van der Schalk
Object type: armchair
Date: 1700 – 1799
Materials: velvet, wood
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, henriëtte roland holst-van der schalk

Stoel van Henriëtte Roland Holst - van der Schalk. Houten armstoel bekleed met rood reliëffluweel. Bekleding heeft bloem- en bladmotieven.
Portret van Maria II Stuart
Object type: print
Date: 1688 – 1711
Materials: paper
Techniques: mezzotint
Location: amsterdam
Subjects: london, maria ii stuart (koningin van engeland, schotland en ierland)

Portret van Maria II met een kroon in een ovaal. In de ondermarge haar naam, haar titel en zes regels Nederlandse tekst.
Decorated Initial "P" with Flowers from a Manuscript
Object type: drawing and watercolor
Materials: ink, paint, parchment
Techniques: cutting
Culture: european
Location: europe
Gezicht op het kasteel te Spijk (Lingewaal)
Object type: print
Date: 1762 – 1822
Materials: paper
Techniques: etching
Artist: hermanus petrus schouten
Artist role: draughtsman, painter, print maker
Artist dates: 1747 – 1822
Subjects: spijk (lingewaal)
Inscriptions: collector's mark: Lugt 2228

Gezicht op het kasteel en de kerk te Spijk (Lingewaal). Rechtsboven genummerd "10".
Hiratsuka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"
Object type: print
Date: 1806 – 1806
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Overlijden van Tsaar Peter I de Grote 1725
Object type: history medal
Date: 1725 – 1725
Materials: tin
Techniques: striking

Tinnen penning, op de voorzijde het borstbeeld van Tsaar Peter de Grote naar rechts met omschrift, op de keerzijde Tsaar Peter op een wolk ten hemel gevoerd, waaronder de tronende gekroonde Tsarina naast een tafel met globe en scepter, op een strand met symbolen van handel, zeevaart en krijgskunst, schepen op de achtergrond, met omschrift en afsnedetekst.
Mlle. Cicene, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Karikatuur van Lodewijk Filips I, koning van Frankrijk als gipsen beeld
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, lodewijk filips i (koning van frankrijk), caricatures (human types), historical persons, sculpture, political caricatures and satires

Prent gepubliceerd in: La Caricature, 2 oktober 1834, nr. 204, pl. 427.
Chiyoda Castle (Album of Women)
Object type: print
Date: 1895 – 1895
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: women,boats
Cup and saucer (part of a set of four)
Object type: cup and saucer
Date: 1765 – 1765
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Subjects: men,women,trees
Fragment van wit satijn, waarop gekleurde zijden bloemen
Object type: embroidery
Date: 1400 – 1950
Materials: silk
Techniques: embroidered
Location: netherlands
Artist: Anonymous

Fragment wit zijdeweefsel, met veelkleurig borduurwerk. Het fragment bestaat uit drie aaneengenaaide fragmenten. Op het fragment zijn drie veelkleurige bloemtakken geborduurd.
Wine-pitcher
Object type: wine pitcher
Date: 1736 – 1795
Materials: jade
Culture: chinese
Waistcoat panels
Object type: waistcoat
Date: 1780 – 1780
Materials: silk
Subjects: flowers
Jérusalem, Enceinte du Temple, Piscine probatique, 1
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture,buildings,ruins

In this transverse view of an ancient reservoir, new plant life overtakes the rolling topography. Salzmann arrived in Jerusalem New Year’s Day 1854. By day he studied the city; at night he prepared negatives at the Franciscan monastery where he stayed. When six weeks of torrential rain interrupted this work, he dressed, in his words, "like an Eskimo," struggling in the piercing cold to adjust the delicate photographic chemistry in a new environment. After the rain had ceased, he observed that "strange vegetation had started to sprout" all over the city, adding to its otherworldly character.
Portret van Flavio Gioja
Object type: print
Date: 1764 – 1810
Materials: paper
Techniques: etching
Artist: pierre gabriel langlois
Artist role: print maker
Artist dates: 1754 – 1810
Subjects: amalfi, historical persons, seaman
Inscriptions: collector's mark: Lugt 2228
Dottyville Again
Object type: drawing and watercolor
Date: 1899 – 1899
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: philipp william may
Artist nationality: english
Artist dates: 1864 – 1903
Noach verlaat de ark
Object type: print
Date: 1544 – 1580
Materials: paper
Techniques: engraving
Location: italy
Subjects: the disembarkation ~ story of noah (genesis 8:18 - 9:17)
Inscriptions: collector's mark: Lugt 10, collector's mark: ‘Hinloopen’, collector's mark: Lugt 11

Noach en zijn familie verlaten samen met de dieren de ark. Op de voorgrond lopen beren, zwijnen, leeuwen, stekelvarkens en geiten. Boven vliegt een grote groep vogels.
1 Januarij 1849 / Asch-Karremans Nieuwjaarswensch
Object type: print
Date: 1848 – 1849
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Artist: dirk wijbrand tollenaar
Artist role: print maker
Artist dates: 1808 – 1858
Subjects: public road - ii - ideal city, garbage collection, amsterdam
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens namens de askarrenmannen (karrenman of vuilnisman) te Amsterdam voor het jaar 1849. Gezicht op de Dam te Amsterdam met de Beurs van Zocher en het Commandantshuis. Tussen het publiek de vuilnismannen met hun kar. Onderaan een gedicht in twee kolommen. Namens J. Farjon, de askarreman van wijk no. 19.
Sugar Spoon
Object type: metalwork
Date: 1850 – 1860
Materials: metal, silver
Techniques: cutting, repoussé
Location: boston
Artist: don carlos ayer
Artist nationality: american
Artist dates: 1813 – 1868
Subjects: spoon
Inscriptions: Mark back, top-middle, on handle, stamped: "D.C.AYER [in rectangle]"; mark back, middle, on handle, stamped: "BOSTON [in rectangle]"; inscribed front, bottom-middle, on handle, engraved: "A.C. Young".
Gezicht op de Echo Rock bij de Fountains Abbey nabij Ripon
Object type: page
Date: 1851 – 1856
Materials: photographic support
Techniques: albumen print
Location: fountains abbey
Subjects: rock-formations (+ landscape with figures, staffage)
Stove plate with the royal arms of George II
Object type: stove plate
Date: 1750 – 1750
Materials: iron
Subjects: coat of arms
Relief Fragment Depicting Merettetiiyet with Offerings
Object type: architectural fragment
Materials: limestone, pigment
Techniques: relief
Culture: egyptian
Location: saqqara
Subjects: funerary art, cartouches, cows, food, hieroglyphs, oxen, women
Inscriptions: Inscriptions across panel: "The Beloved Lady of (King) Teti Comes"; the revered in the presence of Anubis, him who is upon his mountain, the embalmer, Merettetiyiyet."; "
1000 loaves of bread, 1000 jars of beer, 1000 oxen, 1000 geese, for the revered one, Merettetiyiyet"; "lassoing an ox".

This pair of panels (along with 1910.224) was part of a painted offering niche designed for a woman named Meret-Teti-iyet. The fragmentary upper scenes depict people bringing offerings to sustain her in the afterlife. Meret-Teti-iyet sits behind piles of food at the bottom of each panel, facing approaching visitors. On this panel, she holds a closed lotus blossom on her lap; on the other one, she sniffs an open lotus flower. The lotus, which opens with the rising sun and sinks beneath the water at night, was a symbol of renewal and rebirth in ancient Egypt.
Mlle. Naretti, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Portret van Friedrich Hoffmann
Object type: print
Date: 1665 – 1721
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Slingerglas met trompetvormige kelk
Object type: goblet
Date: 1750 – 1775
Materials: glass
Techniques: glassblowing

Slingerglas met conische voet en rechte, licht concave stam. In de stam een meervoudige opaak witte slinger rond een dubbele witte spiraal, overgaand in een trompetvormige kelk.
Zittende oude man
Object type: drawing
Date: 1812 – 1812
Materials: chalk, paper
Artist: charles-abraham chasselat
Artist role: painter, print maker
Artist dates: 1782 – 1843
Inscriptions: signature and date: ‘Ch. Chasselat del. 1812.’, inscription: ‘Le Belisaire Borghese’

Kopie naar een antiek beeld van een zittende oude man; "Le Belisaire Borghese".
Hendrik Vanderstock, algemeen schatmeester van de stad Antwerpen, rekenpenning geslagen op last van de stad Antwerpen
Object type: jeton
Date: 1619 – 1619
Materials: copper
Techniques: striking
Location: antwerp
Artist: Anonymous
Subjects: antwerp

Koperen penning. Voorzijde: Fortuin, staande op gevleugelde bol, aan weerszijden aangevallen door een stormwind, een furie en een gedrocht binnen omschrift. Keerzijde: burcht onder twee handen binnen krans van rozetakken en omschrift
Tunic Fragment with Button Closure
Object type: tunic fragment
Date: 401 – 800
Materials: linen, wool
Techniques: weave
Location: egypt

This lovely tunic fragment features an intact neck flap with a button closure; both the button and the loop are made of undyed linen. The fine linen ground is embellished with alternating clusters of thick and thin self-bands (ornamental bands of multiple, undyed weft threads). The delicate clavi feature brilliant red pomegranates and blossom sprays bordered by leaves on a red ground. Red dyes, frequently found in textiles from Egypt, were derived from a variety of sources, including safflower, wild and cultivated madder, and scale insects including kermes, cochineals, and several species that produce a scarlet resinous secretion called lac. These dyestuffs were dried for use and were thus easily stored and transported.
Environs d'Annecy - L'Arly
Object type: stereoscopic photograph
Date: 1893 – 1920
Materials: glass
Techniques: gelatin silver transparency
Location: paris
Artist: Anonymous
Subjects: brook, mountains
Inscriptions: number: ‘27620’
Très Parisien, 1925, No. 11, Pl. 18.- IL NEIGE
Object type: fashion print
Date: 1925 – 1925
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: ear-rings (+ women's clothes), dress, gown: evening dress (+ women's clothes), coat (evening coat) (+ women's clothes), fashion plates
Inscriptions: caption: ‘18. - IL NEIGE. - Cet ensemble du soir est d'une originalité jolie. Il est en velours chiffon, froncé à la taille, où le manteau s'incruste de velours noir.’

Ensemble (japon en mantel) voor de avond van 'velours chiffon'. Prent uit het modetijdschrift Très Parisien...La Mode, Le Chic, L'Élégance (1920-1936)
Atrophie musculaire progressive myélopathique
Object type: page
Date: 1896 – 1901
Materials: paper
Techniques: photograph
Location: nancy
Artist: Anonymous
Subjects: crooked, bent person, man (showing himself) undressed, quasi-nude
Inscriptions: number: ‘Fig. 1 (...) Fig. 4’, number: ‘Planche 1.’
Zwart steigerend paard
Object type: print
Date: 1675 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: training of horses
Inscriptions: collector's mark: Lugt 240

Een man doet een dressuurproef met een paard. Het dier steigert naar rechts.
Headdress Frontlet
Object type: headdress frontlet
Date: 1880 – 1890
Materials: paint, shell, wood
Culture: tsimshian
Location: canada
Dresden, Kath. Hofkirche vom Zwingerwall gesehen
Object type: photograph
Date: 1907 – 1907
Materials: paper
Techniques: albumen print
Location: dresden
Artist: rudolph tamme
Artist role: fotograaf
Artist dates: 1835 – 
Subjects: square, place, circus, etc., church (exterior), monument, statue
Inscriptions: check stamp: ‘F & O Brockmann's Nachf./ R. Tamme/ Dresden 1907’, title: ‘10. Dresden, Kath. Hofkirche/ vom Zwingerwall gesehen’
Female Head
Object type: drawing
Date: 1601 – 1700
Materials: chalk
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: heads,portraits,women

When this charming study of a young woman with downcast eyes and loosely flowing tresses entered the Museum's collection more than a century ago, it was believed to be the work of an artist active in Rome in the seventeenth century; later opinion inclined toward the Bolognese school. A definitive attribution remains to be formulated, but a likely possibility is Giulio Cesare Procaccini, an early Baroque painter active in Bologna and Milan. The physiognomy of the woman, with her averted gaze, shadowed, vaguely smiling aspect, and serene, elusive expression, is analogous to Procaccini's standard female "type." Among various examples that could be cited in this context, the Madonna in the artist's Holy Family in the Nelson-Atkins Museum of Art, Kansas City, is particularly close to the woman in the Metropolitan's drawing.
Puppy
Object type: hanging scroll
Date: 1601 – 1633
Materials: ink, paper
Culture: japanese
Artist: studio of tawaraya sōtatsu 俵屋宗達工房
Artist role: artist
Artist nationality: japanese
Artist dates: 1570 – 1640

The softness and calm seen in this rendering of an adorable puppy would become a hallmark of Rinpa ink painting modes used to render animals or Buddhist and Daoist sages. The effect is in distinct contrast to the brightly colored compositions on floral or arboreal themes for which Sōtatsu and his successors Ogata Kōrin in the eighteenth century and Sakai Hōitsu in the nineteenth century became famous. The pale and seemingly hazy outlines of this monochrome ink painting may at first appear to have been brushed in a rather casual manner, but closer examination reveals the artist’s verve and expert brush control. The legs, paws and mouth have been indicated with full, moist lines, employing the tarashikomi technique—a hallmark of the Rinpa school—in which ink or sometimes colors are applied while the painting surface is still damp, causing them to blur and merge with the previous layers of ink or color. Sōtatsu had many followers both during his lifetime and in subsequent generations, all of whom created similar ink paintings, sometimes based on copies that Ogata Kōrin made in the eighteenth century. In this case, the “I’nen” seal used lines up with other early examples, and the skill of the brushwork allows us to date this work to the early seventeenth century and attribute to an unknown painter who had worked with Sōtatsu while he was still alive and active. A similar ink painting from a private collection in Japan features Sōtatsu’s signature and his Taisenken seal and could have served as a model for works such as this. The “I’nen” seal is usually found on screens and hanging scrolls of flowers and plants in the early Rinpa style, but it occasionally appears on ink paintings.
Man with Torch at Temple Door, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Object type: print
Techniques: engraving
Location: rome
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: male nudes
Orchideeën
Object type: album leaf
Date: 1895 – 1895
Materials: paper
Techniques: woodcut
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: flowers: orchid
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een album.
Reisalbum Nederlands-Indië, Egypte en Engeland
Object type: scrapbook
Date: 1885 – 1910
Materials: cardboard, linen, photographic support
Techniques: albumen print, photograph
Location: dutch east indies
Subjects: dutch east indies, the, england
Inscriptions: annotation: ‘86 fotos 34 Ned Indië/ 9 Penang/ 9 Suez Kanaal/ 6 Engeland/ 2 Duitse Oorlogsschepen/ 3 Duitsland/ 25 Ned Indië’

Fotoalbum met 70 pagina's met in totaal 86 foto's. Het album bevat voornamelijk opnamen gemaakt in Nederlands-Indië maar ook enkele opnamen uit Egypte en Newcastle. Bevat foto's van de Lombokexpeditie in 1894.
Tea Bowl
Object type: vessel
Materials: fur, glaze, iron, stoneware
Techniques: overglaze
Location: china

Song dynasty potters achieved unprecedented refinement in iron-rich, chocolate brown stonewares with lustrous dark glazes. This bowl's "hare's fur" effect was formed naturally when an iron-rich slip was applied to the rim of the glazed surface. During firing, gravity pulled particles of this slip downward into the bowl, creating feathery streaks.

The much-admired style of this piece originated at kilns in southeastern Fujian province, which specialized almost exclusively in conical tea bowls. These bowls fit perfectly in cupped hands and visually intensified the milky froth of white tea, brewed from young tea leaves that were steamed, baked, press-molded into cakes, reground to a fine powder, and then blended and whipped with boiling water. This type of blackware is popularly designated temmoku, the Japanese name of a mountain in south China and the site of a Buddhist monastery where Japanese monks treasured such bowls for tea-drinking rituals.
Charleston, U.S.N., from the Famous Ships series (N50) for Virginia Brights Cigarettes
Object type: photograph
Date: 1895 – 1895
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: ships

Trade cards from the "Famous Ships" series (N50), issued in 1895 by Allen & Ginter to promote Virginia Brights Cigarettes. Full series consists of 48 unnumbered cards.
Gezicht op de Leliegracht
Object type: photomechanical print
Date: 1908 – 1908
Materials: paper
Techniques: letterpress printing
Location: haarlem
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, the usual house or row of houses, bridge in city across river, canal, etc.
Inscriptions: collector's mark: ‘9.153’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: 2e Laurierdwarsstraat (Vuile Weespad), Leidschegracht, Leidschekade, Leidscheplein, Leidschestraat, v. Lennepkade, Lijnbaansgracht, Lauriergracht, Leliedwarsstraat, Leliegracht, Lindengracht, Lombardsteeg, Looiersgracht, Looiersstraat (Nieuwe), Leidekkerssteeg.
Design for a Ceiling Decoration with Chinoiserie Scenes
Object type: drawing
Date: 1720 – 1760
Materials: watercolor
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: birds,chinoiserie,ornament,men

Design for the trompe l'oeil decoration of a ceiling with architectural elements in a late Baroque/early Rococo vocabulary. Only a quarter of the ceiling is represented with the exception of the central niche at lower right, which has been completed in order to display the full figure group that fills the niche. The figures and attributes are inspired by Asian examples and fall into the genre generally referred to as chinoiseries. In combination with the architectural elements this likely suggests a dating in the second quarter of the eighteenth century. The location for which this ceiling design was intended is unknown.
Brief aan Jan Veth
Object type: letter
Date: 1875 – 1925
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, the hague, hendrik enno van gelder, painting (including book-illumination, miniature-painting), exhibition ~ art
Inscriptions: collector's mark: ‘RPK’