deem-data/ArtiFact huggingface dataset:
Constance Queniaux
Object type: photograph
Date: 1860 – 1860
Techniques: albumen silver print, glass negative
Artist: andré-adolphe-eugène disdéri
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1889
Landschap met stad tegen een heuvel
Object type: print
Date: 1550 – 1580
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228a

Landschap met rechts een stad tegen de heuvel aan gebouwd. Kasteeltuin met pergola's en gracht eromheen op de voorgrond. Links enkele bomen; op het tweede plan links lage huisjes en een kerk.
Box
Object type: decorative art
Date: 1789 – 1789
Materials: wood
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1799
Subjects: furniture
A moving scene on the road to Slane
Object type: cartoon
Date: 1830 – 1830
Materials: paper
Techniques: etching, hand coloring
Location: england
Subjects: george iv (koning van het verenigd koninkrijk), moving (house), wheelbarrow, political caricatures and satires

De Conyngham familie verhuist van Windsor Castle naar Slane Castle, 1830. De ronde Lady Conyngham, maîtresse van koning George IV, duwt een kruiwagen beladen met spullen, Lord Conyngham loopt achter haar met een grote zak op zijn hoofd. Ze worden door een vrouw en vodden nageroepen.
Herdenkingsbijeenkomst Duitse inval in Nederland op de resten der Ned. Kerk te Austin Friars, Londen 1941
Object type: watercolor
Date: 1941 – 1941
Materials: glass, paper, pencil, watercolor, wood
Techniques: brush
Location: london
Artist: anton abraham van anrooy
Artist dates: 1870 – 1949
Subjects: london
Inscriptions: date
The Baptism of Christ in the River Jordan
Object type: print
Date: 1510 – 1510
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533

Lucas van Leyden’s inverted staging of Christ’s baptism differs significantly from the Martin Schongauer engraving seen nearby. While Schongauer placed the important action in front of a rocky landscape, Lucas concealed it in a forest grove, instead emphasizing the onlookers and the small child at the bottom, who gestures toward Christ. Lucas often used this pictorial device to reset expectations about the subject of his prints, lingering on the costumes and characterizations in the foreground. Here, his avoidance of haloes, heavenly hosts, and the anachronistic volume consulted by Schongauer’s John turn the baptism into a more commonplace event.
Scarab of King Sekhemre Sewadjtawy Sebekhotep
Object type: scarab, sebekhotep iii
Date: 1748 – 1741
Materials: stone
Location: egypt
Torii in de sneeuw
Object type: print
Date: 1900 – 1910
Materials: paper
Techniques: woodcut
Location: tokyo
Subjects: song-birds: crow, non-christian religions (including institutions, customs and antiquities)
Inscriptions: collector's mark: Lugt 2228

Met sneeuw bedekte Japanse tempelpoort (torii), waarop een kraai. In de achtergrond een besneeuwde pagode tussen bomen.
La Saison, 16 Avril 1894, Pl. 1051, 23e année : Toilette de promenad (...)
Object type: fashion print
Date: 1894 – 1894
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: bow (ornamental part of clothing) (+ women's clothes), border, ribbon, braid (+ women's clothes), clothing for the upper part of the body: blouse (+ women's clothes), neck-gear ~ clothing (bertha) (+ women's clothes), coat (+ women's clothes), head-gear (straw hat) (+ women's clothes), fashion plates, skirt (+ women's clothes), parasol, sunshade (+ women's clothes)
Inscriptions: caption: ‘Toilette de promenade en cachemire. Jupe cloche et blouse garnie en berthe. Empiècement et manchettes de faille plissée. Ruché de faille au bas de la jupe. Grande écharpe. Chapeau rond garni de dentelles, de noeuds, de velours et de roses. Châle de gaze. Mantelet de promenade, style &lt;Empire&gt;. En drap léger, avec empiècement et partie-manteau arrangée en plis profonds. Guipure, recouvrant l'empiècement et les manchettes et descendant en pointes profondes au épaules et devant. Grand noeud serré par une boucle. Chapeau de paille orné de ruban velours et de piquets de petites baies. Ombrelle de soie changeante.’, caption: ‘PARIS. - Parfumerie Oriza, de L. Legrand, fr des Cours de Russie et d'Italie, 11, place de la madeleine (anct 207, rue Saint-Honoré). - Roullier drères, fts, 27, rue du 4 Septembre, tissus lainages, et soieries hautes nouveautés. - Corset Anne d'Autriche et Ceinture-Régente, de la M.on de Vertus, 12, rue Auber.’, title: ‘XXVIIE ANNÉE / La Saison / 16 AVRIL 1894.’

Vrouw in een wandelkostuum van kasjemier. Uitlopende rok en blouse versierd met berthe. Op de stoel ligt een ronde hoed versierd met kant, strikken, fluweel en rozen. Sjaal van tule. Andere vrouw in een 'mantelet' of jas om mee te wandelen in de 'Empire' stijl. Middenvoor een grote strik met gesp. Op het hoofd een strohoed versierd met fluweel lint. Parasol van changeantzijde. Op de achtergrond twee dezelfde figuren, op de rug gezien. Onder de voorstelling enkele regels reclametekst voor verschillende producten. Prent uit het modetijdschrift La Saison (1867-1902).
Marrongezin uit het dorp Gansee
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘2. / Boschnegergezin uit Gansé op Kwakoegron. (zie 4G4)’

Marrongezin uit het dorp Gansee staande voor een huis te Kwakoegron, de man houdt zijn hand op een houten roeispaan. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Tuin van het Palais-Royal te Parijs
Object type: stereograph
Date: 1860 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: charles gérard
Artist role: fotograaf
Subjects: french or architectonic garden; formal garden
Inscriptions: inscription: ‘Jardin du palais royal’, inscription: ‘Photographie C. G. à Paris.’
Dode vogel
Object type: print
Date: 1894 – 1913
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: laurent verwey van udenhout
Artist role: print maker
Artist dates: 1884 – 1913
Subjects: birds (+ disease and death of animal(s))
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Loopgraaf van de Boeren uit de Tweede Boerenoorlog in Zuid-Afrika
Object type: stereograph
Date: 1901 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: south africa
Subjects: trenches
Inscriptions: number: ‘190’, name: ‘Works and Studios Sun Sculpture trade mark Arlington N.J. Littleton N.H. Washington D.C.’
Netsuke in the form of a holy man with a drum and staff
Object type: netsuke
Date: 1700 – 1900
Materials: wood
Location: japan
Artist: Anonymous

Taoistische heilige (sennin) met trommel en staf. Gepolychromeerd hout.
Eugen Wachenheimer, zittend in een tuin in Baden-Baden, 1913
Object type: photograph
Date: 1913 – 1913
Materials: photographic support
Techniques: gelatin silver print
Location: baden-baden
Artist: Anonymous
Subjects: eugen wachenheimer

Eugen Wachenheimer, zittend in een tuin in Baden-Baden.
Portret van Gherardo del Fora
Object type: print
Date: 1568 – 1650
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: historical persons, portrait, self-portrait of painter

Prent uit een onbekende editie van: Vasari, Giorgio. Le Vite de' più eccellenti pittori, scultori, e architettori da Cimabue insino a' tempi nostri. S.l.s.n., [1568]. De prent is met een andere omlijsting gebruikt in de editie uit 1568, en mogelijk in de editie uit 1647.
Fragment of a terracotta neck-amphora (jar)
Object type: neck amphora, fragmentary
Date: 515 – 515
Materials: terracotta
Culture: greek, attic
Artist: euphronios
Artist role: artist

Head of a satyr holding a bunch of grapes Although little of the decoration is preserved, the satyr's mannerliness is suggested by his delicate fingers and impeccable beard and moustache. Euphronios' use of added clay for the grapes indicates his interest in special surface effects.
Twee broches en een vaas
Object type: ornament print
Materials: paper
Techniques: engraving
Location: amsterdam

In het midden staat een vaas bezet met edelstenen met een hoog boeket met bloemen, geflankeerd door twee grote broches met een gesloten kroon.
Tableau de distribution installé à bord de la balancelle du laboratoire Arago
Object type: photomechanical print
Date: 1890 – 1900
Materials: paper
Techniques: autotype
Location: laboratoire arago
Subjects: post, telegraph and telephone; means of communication
Inscriptions: number: ‘Fig. 36.’
Les Halles de Paris
Object type: cabinet photograph
Date: 1870 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: market-hall
Inscriptions: number: ‘441.’, inscription: ‘Passage des Princes Paris.’
Sluithaak uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: clasp
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Locks, fastenings and accessories, clasp; eroded: flate plate, rectangular, one semicircular end with vertical pierced projection underneath, raised lug at other end.
Portret van Mélanie Waldor als Gulnare uit Le Corsaire
Object type: book illustration
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons, slavery; serfs and enslaved persons, portrait of actor, actress, stage costume - cc - female
Inscriptions: check stamp: Lugt 470b, collector's mark: Lugt 2228a

Mélanie Waldor in de rol van Gulnare, een Perzische tot slaaf gemaakte vrouw die een hoofdrol speelt in het ballet Le Corsaire.
Gezicht op Parliament Square met de Big Ben klokkentoren van het Houses of Parliament te Londen
Object type: lantern slide photographic
Date: 1900 – 1906
Materials: glass
Techniques: gelatin silver transparency
Location: london
Artist: Anonymous
Subjects: square, place, circus, etc., tower, clock tower ~ monumental adornment, façade (of house or building)
Reproductie (autochroom) van het altaarstuk De aanbidding van het Lam Gods door Hubert en Jan van Eyck, opgesteld in de Sint-Baafskathedraal, Gent
Object type: photograph
Date: 1934 – 1934
Materials: cardboard, glass
Techniques: autochrome process
Location: ghent
Artist: Anonymous
Looking Glass
Object type: looking glass
Date: 1700 – 1720
Materials: glass, wood
Techniques: veneering
Culture: american
Location: england
Footed Bowl
Object type: bowl
Date: 1850 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
The Pantheon, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: architecture,buildings,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 20 in the scrapbook.
Prijspenning van de Koninglijke Vereeniging Flora te Brussel 1822
Object type: history medal
Date: 1822 – 1822
Materials: tin
Techniques: pressing
Location: brussels
Artist: joseph pierre braemt
Artist role: print maker
Artist dates: 1796 – 1864

Afslag in tin van het voorzijdestempel, met Flora staand tegen een zuil, met omschrift en afsnedetekst.
Lamp
Object type: lamp
Date: 801 – 1000
Materials: stone
Techniques: carving
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Châsse van de H. Ursula in het Hospitaal van St. Jan te Brugge
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: etching
Location: brussels
Artist: charles onghena
Artist role: print maker
Artist dates: 1806 – 1886
Subjects: the virgin martyr ursula of cologne; possible attributes: arrow, banner with red cross, cloak of ermine, crown, ship, relics (and reliquaries)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Delepierre, Octave en Auguste Voisin. La Châsse de St. Ursule. Brussel: Société des Beaux-Arts, [1841].
Drinking Vessel (Hanap; one of a pair)
Object type: drinking vessel
Date: 1320 – 1360
Materials: enamel, silver, silver gilt
Culture: french
Location: france

Hanaps, or drinking vessels for wine, are frequently mentioned in 14th-century inventories. Few have survived, however, as silver plate was often melted down to realize funds for the owner. Wine, customarily diluted throughout the Middle Ages, was poured to the top of the boss and then water was added to the flare of the bowl, roughly in the proportion of four to one.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Exterior, bent right arm and part of upper thighs of male with himation draped around right elbow
Meisje biedt een paard water aan
Object type: drawing
Date: 1900 – 1930
Materials: ink, paper, pencil
Techniques: pen
Artist: langenus
Artist role: draughtsman
Subjects: girl (child between toddler and youth), glass, rummer, horse
Inscriptions: signature: ‘Langenus.’, collector's mark: Lugt 2228, :

Twee mannen staan voor een paard. Naast hen staat een meisje in een matrozenpak. Ze houdt een glas water op voor het paard.
Portret van Dagobert II, koning van Frankrijk
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons, king, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Covered box
Object type: covered box
Date: 1736 – 1795
Materials: enamel
Techniques: painting
Culture: chinese
Subjects: human figures,buildings,bridges,hills,trees
Panel
Object type: panel
Date: 1701 – 1800
Materials: silk
Subjects: flowers
Schaal
Object type: book illustration
Date: 1883 – 1927
Materials: paper
Techniques: wood engraving, letterpress printing
Location: london
Subjects: dish, plate, saucer

Prent uit: Jane en Ann Taylor. Little Ann and other poems. Londen: George Routledge & Sons, [1883], p. 57. Of een latere uitgave.
Satyr standing on a stage and pointing downward toward an audience, two jesters gesticulate at lower left
Object type: print
Date: 1755 – 1755
Techniques: etching
Artist: pierre hutin
Artist role: artist
Artist nationality: french
Artist dates: 1720 – 1763
Subjects: men,women,spectators,satyrs
Tetradrachm (Coin) Depicting Arethusa
Object type: coin
Date: 474 – 450
Materials: metal, silver
Culture: greek
Location: greece

The front (obverse) of this coin depicts the head of Arethusa facing to the head, her head circled by dolphins. On the back (reverse) is a charioteer with a winged Nike flying above to crown horses with a wreath.

To escape the unwanted attentions of the river god Alpheus, the nymph Arethusa swam under the sea to the island of Sicily, where she found sanctuary. Arethusa’s path was said to explain the freshwater spring that miraculously bubbled into the nymph’s pool and that still exists in Syracuse. When this coin was issued, Syracuse was one of the most powerful cities in the Mediterranean basin. Local civic pride was emboldened by a series of ambitious tyrants, who enlarged the city’s territory and also encouraged the arts.
Stirrup Spout Vessel with Fineline Bird Warrior Motifs
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Culture: moche
Location: peruvian north coast
Portret van een meisje met een strik in het haar
Object type: sketchbook leaf
Date: 1911 – 1924
Materials: paper, pencil
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: smiling, girl (child between toddler and youth)
Inscriptions: date: ‘- 4 nov 24 -’

Pagina 25 uit een schetsboek met 34 bladen.
Shoes
Object type: shoe
Date: 1740 – 1759
Materials: leather, silk
Culture: british
Lobed Bowl
Object type: bowl
Date: 701 – 833
Materials: gold, silver
Culture: indonesian, javanese
Fragment of Appliqué with Cloud Motif
Object type: fragment
Materials: gold
Culture: indonesian, javanese
Staande jongen in oosters kostuum
Object type: sketchbook leaf
Date: 1936 – 1936
Materials: paper, pencil
Location: maghreb
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: boy (child between toddler and youth), marriage, married couple, 'matrimonium'

Blad 31 recto uit een schetsboek met 73 bladen.
Driekeizerjaar in Duitsland 1888
Object type: history medal
Date: 1888 – 1888
Materials: bronze
Techniques: striking
Inscriptions: circumscription: ‘UNSER SCHMERZ UND STOLZ’

Bronzen penning met verwijderd draagoog, op de voorzijde de geconjugeerde portretten van Wilhelm I, Frederik III en Wilhelm II, met omschrift, op de keerzijde de burgt Hohenzollern op een beboste berg, met bovenaan omschrift.
Studie van drie gezichten
Object type: drawing
Date: 1750 – 1820
Materials: chalk, paper, pencil
Artist: Anonymous
Subjects: standing figure, standing figure - aa - female human figure, dress, gown
Towel
Object type: textile
Date: 1801 – 1900
Materials: linen
Techniques: embroidery, weave, stitching
Location: russia
Ceremonial Skirt Cloth (dodot)
Object type: religious ritual object
Date: 1667 – 1800
Materials: cotton
Techniques: dyeing, weave, resist
Location: india
Squared Jar with Cover (Fanghu)
Object type: jar with cover
Date: 206 – 220
Materials: earthenware, pigment
Culture: chinese
Koning Numa vindt de heilige bron van de nimf Egeria
Object type: book illustration
Date: 1790 – 1790
Materials: paper
Techniques: engraving, letterpress printing
Location: brussels
Subjects: naiads, river- and spring-nymphs; usually carrying an urn; 'naiadi, ninfe de' fiumi' (ripa), spring, source of river or stream, male literary characters (with name)
Inscriptions: collector's mark: Lugt 2228

Koning Numa knielt voor de heilige bron van de nimf Egeria en vraagt luidop of hij van het water mag drinken. Met een Frans onderschrift.
Cup with hoo birds
Object type: cup
Date: 1670 – 1700
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: arita
Artist: Anonymous
Inscriptions: label: ‘Collectie Westendorp/ 32’

Ronde kop van porselein, beschilderd op het glazuur in blauw, rood, groen, geel, zwart en goud met een een paar hoo-vogels, een in de lucht en een op een rots met een bloemtak. Binnen op de bodem een rozet binnen een dubbele cirkel in rood en goud. Oud label op de onderzijde met 'Collectie Westendorp/ 32'. Kakiemon-stijl.
Portret van Lorenz Oken
Object type: print
Date: 1799 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Vijftigjarige viering van de onafhankelijkheid van Nederland te Rotterdam
Object type: history medal
Date: 1863 – 1863
Materials: tin
Techniques: striking
Location: the hague
Subjects: rotterdam

Tinnen penning. Voorzijde: Nederlandse maagd met in rechterhand verbroken ketens en in linkerhand gekroond wapenschild staat tussen liggende leeuw met pijlenbundel en wimpel met opschrift in bek, en mercuriusstaf, rad, bijenkorf en bijen; op achtergrond schip op zee. Keerzijde: opschrift binnen eikekrans
Vase
Object type: ceramic
Date: 1775 – 1800
Materials: earthenware, enamel
Techniques: polychrome, glazing
Location: ludwigsburg
Inscriptions: Mark: interlaced C's above O in underglaze blue