deem-data/ArtiFact huggingface dataset:
The Magic Lantern
Object type: group
Date: 1760 – 1760
Materials: biscuit, paste, porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: boys,girls,lanterns

Works of art by the French artist François Boucher (1703–1770), who held the prestigious title of first painter to the king, served as a highly popular source of inspiration for artists working in a variety of media in the middle decades of the eighteenth century. Prints made after paintings by Boucher were widely circulated and provided artists with compositions that could be faithfully reproduced in smaller scale or adapted to three-dimensional porcelain sculpture. Works by Boucher served as the source not only for the painted scenes on vases and snuffboxes, but also for the porcelain figures which were listed as "Enfants Boucher" (Boucher Children) in the factory’s sales ledgers.
Stone Chisel
Object type: chisel
Date: 1501 – 1600
Materials: stone
Culture: maya
Location: guatemala
Peasant Family around the Fireplace
Object type: drawing
Date: 1650 – 1660
Materials: chalk, ink, paper, pencil
Techniques: brush, pen
Artist: adriaen van ostade
Artist role: draughtsman, painter, print maker
Artist dates: 1610 – 1685
Subjects: family group, especially parents with their child(ren), feeding a baby, communal rooms, family life at home, hearth and stove

A family is gathered about the hearth in a meagre interior. By the fire, the oldest of the girls is drying a cloth. The mother is sitting beside a cradle feeding porridge to the youngest, while father and son look on. It was a favourite theme of Adriaen van Ostade’s, and he often introduced tiny variations: there was evidently considerable demand for these depictions of this simple, yet contented family.
Schets van een paard en wagen
Object type: drawing
Date: 1871 – 1906
Materials: chalk, paper
Artist: pieter de josselin de jong
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1906
Subjects: (farm) wagon, freight wagon, cart
Reproductie van een tekening van een jongen die een personificatie van wijsheid een hoed opzet
Object type: page
Date: 1901 – 1906
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: wisdom; 'sapienza', 'sapienza humana', 'sapienza vera' (ripa) (+ personification), youth, adolescent, head-gear: hat
Inscriptions: monogram: ‘R. L.A.Sch’
Portret van een meisje
Object type: carte de visite
Date: 1863 – 1870
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: the hague
Artist: jacob hohmann
Artist role: fotograaf
Artist dates: 1833 – 
Inscriptions: annotation: ‘Voor nabestellingen worden alle negatieven bewaard.’, signature and address: ‘J. Hohmann/Photograaf/'s Gravenhage/Willemstraat 59’

Buste van meisje in donkere japon met wit boordje, driekwart naar rechts
Kostuums van de inwoners van Nederland en België
Object type: print
Date: 1825 – 1835
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: park, child, folk costume, regional costume, antwerp
Inscriptions: : ‘Déposé’

Van den Burggraaff wilde een serie (twintig afleveringen met telkens vier platen) uitgeven met kostuums uit alle provincies van Nederland en België onder de titel 'Costumes du peuple de toutes les provinces des Pays-Bas'. Hij begint met deze serie in 1825 en eindigt hiermee bij de dertiende aflevering in 1830. Omdat in 1830 België zicht afsplitst van Nederland geeft hij de prenten daarna apart uit onder de titels 'Costumes de peuple Hollandais' en 'Collection de costumes du peuple des provinces de la Belgique' (1835).
Binnenplaats van een klooster in Florence
Object type: stereograph
Date: 1890 – 1890
Materials: paper, cardboard
Techniques: gelatin silver print
Location: florence
Artist: Anonymous
Subjects: cloisters ~ monastery, courtyard
Inscriptions: number: ‘22.’
Jongen als straatventer met mand met koopwaren bij avond
Object type: print
Date: 1867 – 1886
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: carel lodewijk dake
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1918
Subjects: evening, street-trader
Inscriptions: collector's mark: Lugt 2228

Jongen als straatventer staat met een mand met koopwaren hangend aan zijn schouder voor een muur bij avond. In de mand brand een kaars welke het gelaat van de jongen van onderen belicht en waardoor er een grillige schaduw valt op de muur achter hem.
Portret van Garibaldi
Object type: photograph
Date: 1865 – 1867
Materials: cardboard, photographic support, watercolor
Techniques: albumen print, aquarelle
Location: england
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: annotation: ‘General Garibaldi’

Portret van de Italiaanse generaal Giuseppe Garibaldi. Foto op albumblad in album met 68 foto's merendeels met geaquarelleerde randversieringen. Het zijn voornamelijk portretten op carte-de-visite formaat.
Plate 8: Ferdinand on horseback crossing the Alps; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'
Object type: print, fete, ornament architecture
Date: 1636 – 1636
Techniques: engraving
Location: antwerp
Artist: pieter de jode (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1606 – 1674
Subjects: spears,men,horses

On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp [1636], illustrate what the series looked like. The Metropolitan Museum of Art owns 34 plates from the set of 42.
Male nude lying on his side with his right arm behind his back
Object type: print
Date: 1635 – 1640
Techniques: etching
Artist: salvator rosa
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1673
Subjects: male nudes,plants
Brief aan August Allebé
Object type: letter
Date: 1918 – 1918
Materials: ink, paper
Techniques: pen, writing
Location: laren
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: august allebé, amsterdam, print maker, draughtsman, wally moes
Inscriptions: collector's mark: ‘RPK’
Titelpagina voor: Christian August Clodius, Odeum, 1784
Object type: titelblad, titelpagina
Date: 1784 – 1784
Materials: paper
Techniques: engraving, letterpress printing
Subjects: berlin, frederick ii (king of prussia), knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order), historical persons, emperor
Inscriptions: collector's mark: Lugt 2228

Prent uit: Clodius, Christian August. Odeum. Leipzig: Christian August Clodius, 1784.
Portret van een onbekende jongen in een kostuum
Object type: cabinet photograph
Date: 1906 – 1906
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: the hague
Artist: pierre j. dietz
Artist role: fotograaf
Artist dates: 1879 – 1959
Subjects: boy (child between toddler and youth), fantasy costume
Inscriptions: inscription: ‘Aan zijn Grootmoeder ter herinnering aan zijn 6den Verjaardag op 26 October 1906.’
[Frederic William Burton]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: men,portraits
Coat of Arms with Lion and Rooster
Object type: print
Date: 1503 – 1503
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528

Albrecht Dürer’s imaginary coat of arms is one of the Art Institute’s finest impressions, with a great delicacy of line and range of tonal values and textures. Though he produced a number of literal portraits as well as abstract family crests, Dürer’s over-the-top treatment of the flowing drapery, and the seemingly living symbols—crowing rooster, and lion rampant— on the crest and shield suggest the artist enjoyed taking a stale iconographic convention to its extremes.
Kylix, eye-cup fragment
Object type: kylix, eye cup fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic
Schlosshof von Rubein (Obermais)
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1929
Materials: cardboard
Techniques: four-color autotype
Location: munich
Artist: Anonymous
Subjects: plants; vegetation, inner court of palace or 'hôtel'
Boerderij tussen kale bomen
Object type: print
Date: 1875 – 1877
Materials: paper
Techniques: etching
Artist: wilhelm maria hubertus leibl
Artist role: print maker
Artist dates: 1844 – 1900
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Huis langs een weg te Delden
Object type: drawing
Date: 1886 – 1886
Materials: paper, pencil
Artist: johannes gijsbert vogel
Artist role: draughtsman, painter, print maker
Artist dates: 1828 – 1915
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 1181b, date and inscription: ‘Delden 86.’
S. Romain and S. Barulla (St. Romanus and St. Barula), November 18th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Pair of sheep
Object type: crèche figure
Date: 1701 – 1800
Materials: terracotta
Techniques: polychrome
Subjects: sheep
Den Grooten Emblemata Sacra, bestaande in meer dan vier hondert bybelsche figuren, zoo des Ouden als des Nieuwen Testaments
Object type: album leaf
Date: 1653 – 1654
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: initial

Vier toelichtingen bij voorstellingen over de gelijkenissen van Christus, genummerd 82 tot en met 85. De tekst vangt aan met een gedecoreerde initiaal W. Het blad maakt deel uit van een album.
Gezicht op het Kasteel van Wijchen
Object type: photograph
Date: 1907 – 1907
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: wijchen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: castle, landscape with tower or castle
Inscriptions: annotation: ‘Kasteel te Wijchen achtergevel (G.)/ afgebrand Dec. 1906/ gephoto. Feb 1907’
Halfronde haarddeksteen met het wapenschild van Maurits van Nassau
Object type: haarddeksteen
Date: 1575 – 1600
Materials: earthenware
Techniques: printing, firing
Location: southern netherlands
Artist: Anonymous
Inscriptions: inscription: ‘AND AN’, inscription: ‘GM’

Halfronde haardsteen van gebakken aardewerk. Versierd met het gekroonde wapenschild van Maurits van Nassau, vastgehouden door twee leeuwen. Naast het schild de letters G(raaf) en M(aurits). Onder de leeuwen aan de ene zijde: AND. en aan de andere zijde AN.
Jar, goat relief
Object type: jar, goat relief
Date: 101 – 200
Materials: faience
Location: egypt
Subjects: goats
Broadsheet relating to the great skeleton of the Chin-Chun-Chan
Object type: print
Date: 1904 – 1904
Materials: metal, paper
Techniques: engraving, letterpress, lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: skeletons

The musical comedy (zarzuela) Chin-Chun-Chan: Chinese conflict in one act and three parts opened at Mexico City’s Teatro Principal on April 9, 1904. It conveyed anti-Chinese sentiments that emerged after President Porfirio Díaz allowed Chinese workers to enter Mexico through an 1899 treaty. Capitalizing on the play’s popularity, Vanegas Arroyo published this broadsheet describing the misfortunes of fictional working-class Mexicans. Blocks were often reused in his workshop; the skeletons on this double-sided sheet were created by three artists at different times. La zarzuela Chin-Chun-Chan: conflicto chino en un acto y tres cuadros se estrenó en el Teatro Principal de Ciudad de México el 9 de abril de 1904. Expresaba los sentimientos antichinos que afloraron en México cuando el presidente Porfirio Díaz permitió a los trabajadores chinos entrar en el país como resultado de un tratado suscrito en 1899. Aprovechando la popularidad de la obra, Vanegas Arroyo publicó este volante en el que se describían los infortunios de mexicanos ficticios de clase obrera. En el taller se reutilizaban constantemente los bloques: las calaveras elegantemente vestidas de esta lámina a doble cara fueron creadas por tres artistas en momentos diferentes.
Slag bij de Milvische brug (rechter middenblad)
Object type: print
Date: 1500 – 1599
Materials: paper
Techniques: engraving
Location: vatican city
Subjects: the battle of the milvian bridge (saxa rubra): st. constantine on horseback confronts maxentius; a cross appears in the sky with in fiery letters 'in hoc signo vinces' (the raised standards of the roman soldiers carry a cross or the chi-rho monogram), warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11

Gevechtsscène in een landschap: slag bij de Milvische brug. De soldaten van Constantijn in gevecht met de soldaten van Maxentius. Dode lichamen liggen op de grond. Soldaten te paard verdrinken in de rivier.
Bureau du Commissariat-général Russe, a l'Exposition
Object type: page
Date: 1880 – 1885
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: world fair, world exhibition, antwerp
Piece
Object type: piece
Date: 1805 – 1815
Materials: metal thread, silk
Surcoat (<i>Jinbaori</i>)
Object type: surcoat i jinbaori i
Date: 1866 – 1866
Materials: cotton, gold, silk, silver
Culture: japanese
Location: japan
Subjects: dragons
Diverse kerkelijke voorwerpen
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: etching
Location: vatican city
Subjects: ornaments ~ art, 'salvator mundi', making a blessing gesture; an orb in his hand or at his feet, angels
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een reeks van 100 ornamentprenten naar ontwerp van Giovanni Giardini.
Openwork Ornament
Object type: costume and accessory
Materials: jade
Location: china
Jupiter and Mercury in the House of Philemon and Baucis
Object type: print
Date: 1612 – 1612
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: hendrick goudt
Artist role: artist
Artist nationality: dutch
Artist dates: 1580 – 1648
Inscriptions: Lettered below image: "Iuppiter atque Hermes ... et sua dona rependunt. / HGoudt Palat. Comes, et Aur. Mil. Eques Nob. viro D. A Goudt patri suo Picture et oim insignium artium amatori D D 1612"
Kaart van het beleg van Aire, 1710
Object type: map
Date: 1710 – 1710
Materials: paper
Techniques: etching
Location: the hague
Subjects: johan willem friso (prins van oranje-nassau), john churchill (1e hertog van marlborough), siege, position war, maps of cities

Kaart van het beleg van Aire door de Geallieerden onder prins Leopold I van Anhalt-Dessau, belegerd vanaf 11 september en ingenomen op 8 november 1710. Rechtsonder een inzet met het beleg van Saint-Venant in 1710. Genummerd rechtsonder: Tom. II. No. 49. Illustratie in het tweede deel van : [Jean] du Mont, Oorlogskundige beschryving van de veldslagen en belegeringen, der drie ... wydvermaarde krygsoversten... den Prins Eugenius van Savoye, den ... Hertog van Marlborough, en den Prins van Oranje en Nassau-Vriesland, in de editie van 1729. Dit tweede deel is hoofdzakelijk gewijd aan de daden van de hertog van Marlborough en prins Johan Willem Friso.
Vlag van Spanje
Object type: drawing
Date: 1667 – 1670
Materials: ink, paper, watercolor
Techniques: brush, pen
Location: france
Artist: Anonymous
Subjects: flag, colours (as symbol of the state, etc.), spain
Inscriptions: number: ‘39 / XXXVII / 37’

Vlag van Spanje. Witte vlag met het gekroonde wapen van het Spaans-Habsburgse koningshuis en waaromheen het ordeteken van het Gulden Vlies. Vlag op vlaggensteng en mastvoet. Afgebeeld op folio 20r. Onderdeel van een vlaggenboek met vlaggen uit Europa, Noord-Afrika, Nabije en Verre Oosten.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of right arm, torso, and left hand of male with himation draped around waist
Étui
Object type: étui
Date: 1750 – 1756
Materials: gold
Portret van een man met een hand in zijn jas gestoken
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: germany
Artist: Anonymous
Subjects: coat, historical persons
Inscriptions: annotation: ‘Karl Sch[ät]ze, onkel’
Glass cameo: Eros holding a torch
Object type: cameo
Date: 100 – 300
Materials: glass
Culture: roman
Subjects: eros

Eros holding an inverted flaming torch.
Ontwerp voor Almanakprent: Aantrekkingskracht van Leyden in Junij 1850
Object type: design
Date: 1836 – 1888
Materials: ink, paper, pencil
Techniques: pen
Artist: carel vosmaer
Artist role: draughtsman, print maker
Artist dates: 1826 – 1888
Subjects: names of organizations, companies, trade unions, etc., university, historical events and situations, leiden
Architectuurstudies
Object type: sketchbook leaf
Date: 1887 – 1920
Materials: paper, pencil
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: stile, post, doorjamb, architectural detail

Mogelijk onder andere een kozijn. Pagina 30 uit een schetsboek met 12 bladen.
Don Quichot en Sancho Panza (?)
Object type: drawing
Date: 1800 – 1900
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: don quixote, sancho panza
Koning Willem I (Vereniging voor Penningkunst 1928, eerste penning)
Object type: history medal
Date: 1928 – 1928
Materials: bronze
Techniques: striking
Artist: huib luns
Artist role: draughtsman, print maker
Artist dates: 1881 – 1942

Bronzen penning, op de voorzijde het borstbeeld van Willem I half van rechts, op de keerzijde een tekstlint waarachter een mercuriusstaf met -hoed, een drietand met dolfijn en een hamer met een gevleugeld tandrad, met omschrift, met verklaring.
Duit van de VOC uit Holland, 1791
Object type: coin
Date: 1791 – 1791
Materials: copper
Techniques: striking
Location: dordrecht

Koperen munt. Voorzijde: gekroond wapenschild van Holland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Venus mourning Adonis, who lies on the ground at left with his dogs behind him
Object type: print
Date: 1631 – 1631
Techniques: etching
Artist: willem panneels
Artist role: artist
Artist nationality: flemish
Artist dates: 1600 – 1632
Subjects: adonis,venus,swans,dogs
A Windy Corner
Object type: photograph
Techniques: photogravure
Location: england
Artist: b. gay wilkinson
Artist nationality: english
Artist dates: 1857 – 1927
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of upper torso and extended arms of male with jumping weights; one letter of an inscription, K
Louwerse's kinderprenten
Object type: popular print
Date: 1882 – 1905
Materials: paper
Techniques: letterpress printing, printing block, engraving
Location: the hague
Subjects: crew ~ ship, seaman, parts of ship's exterior: mast, seaman: sailor
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van zeelieden. Tussen de afbeeldingen versjes in boekdruk. Genummerd rechtsboven en linksonder: No. 18.
Winter Landscape with Skaters and Fishermen
Object type: drawing
Date: 1647 – 1647
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: jan van goyen
Artist role: artist
Artist nationality: dutch
Artist dates: 1596 – 1656
Subjects: windmills,men,skating,landscapes,winter

Known for tonal, monochromatic landscape paintings in his later years, the Haarlem artist Jan van Goyen made hundreds of chalk drawings from nature in his travels throughout Holland, the Southern Netherlands, and the area around Cleve. Although many of these scenes ultimately informed his paintings, rarely were they directly preparatory. This winter view of 1647 appears to have no painted corollary and the site has not been identified.
Geziicht op landhuis De Wildbaan, Driebergen, met sneeuw
Object type: photograph
Date: 1903 – 1907
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Marshall Field & Company Model Factory, Chicago, Illinois, Roof Plan
Object type: architectural drawing
Date: 1900 – 1905
Materials: ink, linen
Location: chicago
Artist: d. h. burnham & co.
Artist nationality: american
Artist dates: 1891 – 1912
Subjects: chicago, office buildings, plan, urban planning
Dish of an etagere with bouquets and flower sprays
Object type: service set
Date: 1839 – 1839
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: paris

De grootste schaal van een étagère van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, geel, paars, zwart en goud. Versierd op de voor- en achterzijde met boeketten van verschillende bloemen en strooibloemen. Vanuit de gelobde, gouden rand, gemodelleerde bladranken, aangezet met goud.
Disk Brooch
Object type: brooch
Date: 500 – 700
Materials: copper alloy, glass, gold, paste
Culture: frankish
Constantinus VI cu[m] Irene matre (...)
Object type: book illustration
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: utrecht
Subjects: historical persons, emperor

Prent uit: Bogaert, Abraham. De Roomsche monarchy, vertoont in de muntbeelden der westersche en oostersche keizeren (...). Utrecht: François Halma en Willem van de Water, 1697, p. 337. Eerste staat verschenen in een grotere prent met twaalf portretten, gedateerd 1695.
Désagrémens de la chasse à courre
Object type: print
Date: 1825 – 1827
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: hunting, chase
Inscriptions: collector's mark: Lugt 2228
Diverses Pieces de Serruriers, page 16 (recto)
Object type: album print ornament architecture
Date: 1663 – 1663
Techniques: engraving
Artist: jean berain
Artist role: artist
Artist nationality: french
Artist dates: 1640 – 1711
Subjects: ornament,acanthus

Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is in the shape of a rectangle that consists of 4 separate sections. The first section is of a design for a balustrade, which is ornamented with various geometric shapes and fleurs-de-lis. The second section is illustrated with coiling acanthus leaves. The third section is decorated with a design for a slanted balustrade. The fourth section is decorated with a single acanthus leaf in the shape of a sideways 'S', which terminates on the left side with a bird's head.
Man and Two Women (Henderson Ledger Artist B)
Object type: drawing
Date: 1882 – 1882
Materials: ink, paper, pencil
Culture: arapaho
Location: united states
Artist: frank henderson
Artist role: artist
Artist nationality: native american
Artist dates: 1862 – 1885
Subjects: men,women,horses