deem-data/ArtiFact huggingface dataset:
Bacchus en Pan
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: engraving
Location: haarlem
Artist: jan frederik christiaan reckleben
Artist role: print maker
Artist dates: 1819 – 1879
Subjects: (story of) bacchus (dionysus), liber, (story of) pan - infancy, upbringing
Inscriptions: date

Voor een landschap staat Bacchus met een tros druiven en een drinkschaal in de hand. Naast hem staat Pan als kind met een druiventros. In de hoeken van de omlijsting zijn twee saters en diverse drankglazen weergegeven.
Grand Théâtre (Havre)
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: theatre (building), façade (of house or building)
Inscriptions: number: ‘404.’
Portrait of a Man, Said to Be Arnold Franz
Object type: painting, miniature
Date: 1600 – 1729
Materials: parchment
Artist: hans holbein the younger
Artist role: artist
Artist nationality: german
Artist dates: 1497 – 1543
Subjects: men,portraits
French Commode Table, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1753 – 1753
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: tables

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XLIV in the 1754 and 1755 editions, renumbered as plate LXV in the 1762 edition.
Tripod Vessel
Object type: vessel
Date: 200 – 200
Materials: alabaster, stone
Culture: mixtec
Location: oaxaca
Sparrows and poppies
Object type: print
Date: 1850 – 1859
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portret van Isabella Clara Eugenia, infante van Spanje
Object type: book illustration
Date: 1661 – 1663
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: infante van spanje isabella clara eugenia, neck-gear: collar (+ women's clothes), pearl; pearl necklace (+ women's clothes)
Inscriptions: collector's mark: Lugt 240

Busteportret van Isabella Clara Eugenia, met plooikraag. Haar kapsel is versierd met parels en edelstenen. Het portret is gevat in een rechthoekige omlijsting met een motto in het Latijn. In de marge het wapenschild van de geportretteerde en een vijfregelig onderschrift in het Frans. Prent uit een boek waarin 54 prenten met portretten.
Collage van uitgeknipte prenten
Object type: collage visual work
Date: 1870 – 1870
Materials: paper
Techniques: engraving
Location: paris
Artist: Anonymous

Collage van uitgeknipte prenten. Onderdeel van een album met 18 bladen, aan beide zijden beplakt met uitgeknipte prenten, vermoedelijk afkomstig uit 19e-eeuwse tijdschiften.
From the Girls and Children series (N65) promoting Richmond Gem Cigarettes for Allen & Ginter brand tobacco products
Object type: print
Date: 1886 – 1886
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: girls

Trade cards from the "Girls and Children" series (N65), issued ca. 1886 to promote Virginia Brights, Richmond Gem, Richmond Straight Cut No. 1, and Opera Puffs Cigarettes, all distributed by Allen & Ginter Tobacco Manufacturers.
Card Number 385, Maud Nixon, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Portret van Hendrik Tollens
Object type: print
Date: 1830 – 1836
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: rotterdam, hendrik tollens, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228, inscription: ‘l. ?. voorzichtig behandelen. Den Heere L. van Bakkruid. Backs te Amsterdam. 031T.’, : ‘Gedeponeerd.’
Portret van een moeder met kind
Object type: album leaf
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Subjects: mother and baby or young child
Inscriptions: inscription: ‘Photographie Parisienne/ 36, Rue Fossé-aux-Loups/ (Place de la Monnaie)/ Bruxelles’
Gezicht op een kerk
Object type: drawing
Date: 1627 – 1690
Materials: ink, paper, pencil

Waarschijnlijk een vroege tekening van een van de Ter Borch kinderen.
Lapis lazuli intaglio: Harpocrates in a papyrus boat
Object type: intaglio
Date: 101 – 200
Materials: lapis lazuli
Culture: roman
Subjects: birds,boats

Harpocrates seated on a lotus flower in papyrus boat; ibis on one end of boat, on the other a dog-headed figure.
Portret van Johan Ludvig Runeberg
Object type: print
Date: 1849 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Weteringpoort in Amsterdam
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: windmill, city-gate
Inscriptions: collector's mark: Lugt 1641b

Huidige staat van prent ook gebruikt in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam, Pieter Schenk (I), s.a. [1710-1711]. En in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam, Barent Greve, s.a. [1757-1766].* *In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
Jozef wordt door zijn broers verkocht aan kooplieden bij de put
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: joseph is sold for twenty pieces of silver
Inscriptions: collector's mark: Lugt 2228

Prent uit serie van zes prenten met het verhaal van Jozef. De serie is geïnspireerd op een vergelijkbare reeks van Lucas van Leyden.
Zwemmende eend
Object type: print
Date: 1923 – 1924
Materials: paper
Techniques: woodcut
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: water-birds: duck
Inscriptions: collector's mark: Lugt 2228
Stucco Fragment
Object type: fragment
Date: 701 – 1200
Materials: plaster
Techniques: carving, painting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Caryatid Facing Right
Object type: drawing
Date: 1534 – 1566
Materials: chalk, ink, drawing material
Techniques: brush, pen, wash
Artist: pirro ligorio
Artist role: artist
Artist nationality: italian
Artist dates: 1512 – 1583
Subjects: caryatids
Le Petit Chaperon Rouge
Object type: print
Date: 1867 – 1867
Materials: paper
Techniques: letterpress printing, engraving
Location: paris
Subjects: tales and fairy tales: little red riding-hood, beasts of prey, predatory animals: wolf
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Les contes de Perrault’

Prent gedrukt in een krant of tijdschrift met op verso diverse advertenties. Prent gebruikt in: Perrault, Charles. Les contes de Perrault. Parijs: J. Hetzel, 1867.
Vos (Reinaert), beer (Bruun), kat (Tybeert) en raaf (Tiecelijn) bij galg
Object type: boekillustratie ontwerp
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: fable of reynard the fox

Ontwerp voor: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910.
The Champion Single Sculls (Max Schmitt in a Single Scull)
Object type: painting
Date: 1871 – 1871
Materials: canvas, oil
Culture: american
Artist: thomas eakins
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1916
Subjects: bridges,men,rowing,rivers

Returning to Philadelphia from Europe in 1870, Eakins began a series of representations of the sport of sculling, a subject for which he is uniquely identified. This is the first major work in that series of paintings and watercolors. It is believed to commemorate the victory of Max Schmitt (1843–1900), an attorney and skilled amateur rower, in an important race on the Schuylkill River in October 1870. Also an avid rower, Eakins depicted himself pulling the oars of a scull in the middle distance.
Vaas van Sèvres-porselein
Object type: vase
Date: 1849 – 1849
Materials: metal, porcelain
Location: france

Two vases. Porcelain with gilt bronze mounts. Sèvres, 1849. On loan from H.R.H. Princess Juliana of the Netherlands.
Christ in Gethsemene
Object type: print
Date: 1801 – 1833
Techniques: lithograph
Artist: ferdinand piloty
Artist role: artist
Artist nationality: german
Artist dates: 1786 – 1844
Subjects: angels,christ
Part of a confessional grille
Object type: confessional grille part
Date: 1629 – 1629
Materials: iron
Landschap met een visser
Object type: album leaf
Date: 1748 – 1806
Materials: paper
Techniques: etching
Artist: edward edwards
Artist role: painter
Artist dates: 1738 – 1806
Subjects: landscapes (+ landscape with figures, staffage), fisherman

Prent maakt deel uit van een serie van 51 prenten, bestaande uit twee delen met landschappen (36 prenten) en figuren en portretten (15 prenten), voor het eerst uitgegeven in Londen in 1790.
In 't Jaar 1666
Object type: design
Date: 1789 – 1810
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: battle (+ naval force)

Een zeeslag, waarschijnlijk de Vierdaagse Zeeslag, 11-14 juni 1666.
Studieblad met gebouwen
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: castle, rowing-boat, canoe, etc., civic architecture; edifices; dwellings, tower (of house or building)

Studieblad met gebouwen. Boven twee personen in een roeiboot voor een kasteel of buitenplaats. Blad 23 verso uit een schetsboek met 41 bladen.
Head of a Bodhisattva
Object type: head
Date: 501 – 700
Materials: clay
Culture: chinese
Subjects: heads,buddhism,bodhisattvas

The delicate modeling of the hair and face provide a sense of the sophisticated sculptural production at Rawak. Early photographs show that this bodhisattva originally had an elaborate topknot, suggestive of the figure of the future Buddha Maitreya. This bodhisattva also had flowers in his hair, earrings, and an elaborate halo embellished with multiple Buddha images (similar to 30.32.33 and 30.32.44). The use of unfired red clay is a technical feature shared with late Afghan Buddhist imagery.
Mold for Umbel of Cornflower Pendant
Object type: mold, umbel of cornflower
Date: 1353 – 1336
Materials: pottery
Location: egypt
Pelerine
Object type: pelerine
Date: 1830 – 1830
Materials: silk
Culture: british
Woman with a flute
Object type: figure
Date: 1755 – 1755
Materials: soft paste porcelain
Artist: longton hall
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1760
Subjects: women,flutes
Les jambes
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: feet
Bracelet (Bangle) Fragment
Object type: bracelet, bangle, fragment
Date: 3100 – 2649
Materials: stone
Location: egypt

Flint bangles such as this one are mainly found in burials. The deceased often wore multiple bangles together, on one or both forearms. These items were in use for a relatively short time, only during the Early Dynastic period, and most examples date specifically to the First Dynasty. They were made through a combination of flaking and grinding. Flint bangles were extremely difficult to produce and demonstrate the exceptionally high degree of expertise achieved by Egypt’s flint knappers. They also show that Ancient Egyptians used flint for personal adornment and display, not just to make implements needed for utilitarian and subsistence purposes.
Knife-Spoon
Object type: knife spoon
Materials: bronze
Culture: chinese, northeast
Portret van een man, een vrouw en een kind in een interieur
Object type: album leaf
Date: 1900 – 1915
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: christiaan otto roelofs
Artist role: fotograaf
Artist dates: 1882 – 1970
Subjects: family group, especially parents with their child(ren), historical persons, interior of the house
Hulpgeroep van Israëlieten gehoord door God de Vader
Object type: print
Date: 1645 – 1646
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: pieter jacobsz. paets
Artist role: publisher
Artist dates: 1587 – 1667
Subjects: god looking upon the israelites

De prent werd gemaakt voor de uitgaven van P.J. Paets uit Amsterdam. Ze komt in ieder geval voor in: Bibels Tresoor ofte der zielen lusthof. Amsterdam, P.J. Paets, 1646. Mogelijk ook in: Historien ende Prophetien. [Amsterdam], P.J. Paets, 1645.
Pier Table
Object type: pier table
Date: 1750 – 1790
Materials: wood
Culture: american
Location: united states
Foto van Isabel Wachenheimer en drie onbekende personeelsleden van de KLM op een rij, overbelicht
Object type: photograph
Date: 1947 – 1955
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon
Inscriptions: number: ‘2130/34’

Foto van Isabel Wachenheimer en drie onbekende personeelsleden van de KLM op een rij, overbelicht.
Carte particuliere des environs de Maestricht, partie de Liege, Faucquemont, et Pays d'Outre-Meuse
Object type: map
Date: 1708 – 1712
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: marine charts
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Table des cartes des Pays Bas et des frontières de France, avec un recueil des plans des villes, sièges et battailles données entre les hauts alliés et la France. Brussel: Eugene Henry Fricx, 1712.

Bovenstaande publicate kent meerdere drukken waarbij datum onveranderd is gebleven.
Straat in Zuid-Europa of Noord-Afrika met fruit- en groenteverkoop onder een poort
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: gate, entrance, street, fruits, vegetables and fruit; still life of vegetables and fruit
Portret van Luis de Zúñiga y Requesens
Object type: book illustration
Date: 1614 – 1614
Materials: paper
Techniques: engraving, letterpress printing
Location: the hague
Subjects: mayor, luis de zúñiga y requesens, historical persons

Prent uit: Meteren, Emanuel van. Emanuels Van Meteren Historie der Neder-landscher ende haerder Na-buren oorlogen ende geschiedenissen (...). Den Haag: Hillebrant Jacobsz. van Wouw I, 1614.
Violin Sicilien?
Object type: violon sicilien
Date: 1867 – 1900
Materials: bamboo
Culture: european
Portret van Paul Gottlieb Werlhof
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: mezzotint
Location: augsburg
Subjects: paul gottlieb werlhof, rocaille ornament, historical persons
Inscriptions: collector's mark: Lugt 2228

Latere staat van deze prent gebruikt voor: Brucker, Jacob. Bildersal heutiges Tages lebender und durch Gelahrheit berühmter Schrifftsteller. Augsburg: Johann Jacob Haid, 1748.
Een man en een kind aan de waterkant
Object type: print
Date: 1823 – 1883
Materials: paper
Techniques: etching
Location: utrecht
Artist: hermanus jan hendrik van rijkelijkhuysen
Artist role: painter, print maker
Artist dates: 1813 – 1883
Subjects: prospect of village, silhouette of village, river, trees: fir, father and child(ren), man and child(ren) (family group)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485

Aan de rand van een rivier lopen een man en een kind. Rechts een heuvel met sparren en op de achtergrond een dorp.
Minerva and Achilles
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: john flaxman
Artist role: artist
Artist nationality: british
Artist dates: 1755 – 1826
Vrouw leunend op een onderdeur
Object type: print
Date: 1803 – 1842
Materials: paper
Techniques: etching
Location: the hague
Artist: anthonie willem hendrik nolthenius de man
Artist role: draughtsman, print maker
Artist dates: 1793 – 1842
Subjects: adolescent, young woman, maiden, divided door, upper part opened, leaning figure
Inscriptions: collector's mark: Lugt 2228

Een vrouw, op de rug gezien, leunend op een onderdeur.
Kunstenaar zittend achter een ezel
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: ink, paper, pencil
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: artist at work, in his workshop
Inscriptions: annotation: ‘55/ 59’

De man draagt een lange jas, hoed en heeft een palet in zijn linkerhand. Op de achtergrond is een deel van een interieur zichtbaar. Mogelijk een zelfportret. Blad 1 recto uit een schetsboek met 18 bladen.
Oude man met een stok
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: etching
Artist: willem linnig (i)
Artist role: print maker
Artist dates: 1819 – 1885
Subjects: walking-stick, staff, old man
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Beads
Object type: bead
Date: 701 – 1300
Materials: glass
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Bengal Tiger
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: printmaking, lithograph
Location: france
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: cats, animals

Delacroix’s largest pair of pendant prints features a monumental lion (1927.1646) and a regal tiger (seen here), presented in a kind of face-off. Ancient Roman games regularly pitted Barbary lions and Bengal tigers against each other. Into the late 19th century, they were still made occasional enemies for entertainment and profit, as in one heavily wagered bout to the death in India. While this particular big cat may appear passive compared with the ravening lion, the tiger usually triumphed in these showdowns.
Pitcher
Object type: glass
Date: 1701 – 1800
Materials: glass
Location: venice
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Fifteen black glazed rim fragments from kylikes
Wachthuis aan de Bospoort in Bergen op Zoom
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: barracks, guard duty, keeping sentry, bergen op zoom

Prent uit: Utrechtsche studenten almanak voor het jaar 1832. Utrecht: J. van Schoonhoven en N. van der Monde, 1832, p. 100-101.
Neue Pinakothek, München, Duitsland
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Inscriptions: inscription: ‘Neue Pinakothek München’

Aanzicht van links vóór op de Neue Pinakothek. Dit museum voor tegenwoordig 18e en 19e-eeuwse kunst werd in 1853 door Lodewijk I gesticht, die daar, evenals in de tegenover liggende Alte Pinakothek, zijn kunstverzameling aan de openbaarheid wilde tonen. In WO II volledig verwoest en gesloopt. Tussen 1975-1981 is de Neue Pinakothek herbouwd naar ontwerp van Alexander Freiherr von Branca.