deem-data/ArtiFact huggingface dataset:
Nude Reclining on Curtained Bed [Emma Hamilton (?)]
Object type: print
Materials: watercolor
Techniques: aquatint
Artist: adam buck
Artist role: artist
Artist nationality: irish
Artist dates: 1759 – 1833
Subjects: female nudes,beds
Theodoricvs V, Ab Exilio Ad Svos Redvx
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: cornelis visscher (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1628 – 1658
Subjects: dirk v (graaf van holland)
Inscriptions: collector's mark: Lugt 12

Proefdruk van de tiende prent uit de serie 'Graven en gravinnen van Holland, Zeeland en West-Friesland', bestaande uit 38 prenten.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, right hand of a draped male, holding a staff
Portret van Charles Maurice hertog van Talleyrand-Périgord
Object type: print
Date: 1825 – 1850
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: paris, politician, charles maurice hertog van talleyrand-périgord, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Taste
Object type: print
Date: 1601 – 1700
Techniques: engraving
Artist: gilles rousselet
Artist role: artist
Artist nationality: french
Artist dates: 1614 – 1686
Subjects: men,portraits
Portret van Charles François Dumouriez
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: haarlem
Subjects: cambrai, turville, generaal, minister, staatsman, diplomaat, charles françois dumouriez
Inscriptions: collector's mark: Lugt 2228

Portret van de Franse generaal Charles-François du Périer, markies Dumouriez. Op de plint zijn naam.
Zittende hengelaar
Object type: drawing
Date: 1700 – 1800
Materials: chalk, paper
Artist: Anonymous
Subjects: angling
Model of a Bowsprit Cap
Object type: demonstration model
Date: 1780 – 1840
Materials: brass, wood
Location: netherlands
Artist: Anonymous

Rechthoekig schild met beugels voor de geusstok; aan de achterkant zijn ogen voor de loopstagen en ander stagen en een blok aangebracht. Tegen de zijden zitten twee oren met gaten voor het lopend want van het kluifhout.
Amsterdam, Rembrandtsplein
Object type: ansichtkaart, prentbriefkaart
Date: 1911 – 1911
Materials: cardboard
Techniques: photograph, writing
Location: amsterdam
Subjects: square, place, circus, etc.
Inscriptions: number: ‘08 59966’, inscription: ‘Dr. Trenckler Co. Leipzig 1908. Ams. 230’
Plantage Caledonia
Object type: photograph
Date: 1911 – 1912
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: amsterdam, andries augustus boom, plantation, suriname

Andries Boom zittend met drie anderen op de trap van het huis op Plantage Caledonia, ca. 1911-1912. Onderdeel van het fotoalbum over het leven van de familie Gonggrijp in Suriname rond 1912.
Small covered winepot or teapot (similar to 1975.1.1714-15 and 1975.1.1717)
Object type: covered winepot or teapot
Date: 1662 – 1772
Materials: paste, porcelain
Techniques: painting, underglaze
Culture: chinese
Artist: chinese
Artist role: artist
Bildergallerie zu Cassel
Object type: photomechanical print
Date: 1870 – 1890
Materials: cardboard, paper
Techniques: photograph
Location: lübeck
Subjects: permanent exhibition, museum
Inscriptions: name: ‘Vosmaer’
Portrait of a Man
Object type: painting
Date: 1548 – 1548
Materials: oil, panel
Artist: lucas cranach (ii)
Artist role: print maker
Artist dates: 1515 – 1586
Subjects: historical persons not known by name
Inscriptions: signature and date: ‘1548’

Portret van een man met een lange baard, de handen in elkaar op de buik
Double-Animal Pendant
Object type: pendant
Date: 501 – 800
Materials: gold
Culture: conte
Location: panama
Subjects: animals
Een rat in de maan
Object type: print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: jules maurel
Artist role: print maker
Subjects: mischief-making play, full moon represented as face, rodents: rat, telescope
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen over twee kwajongens die een rat in een telescoop stoppen. Een man die erdoor naar de maan kijkt denkt dat er leven is op de maan. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 137.
Amulet: Cat with 3 Kittens
Object type: amulet, cat
Date: 664 – 332
Materials: faience
Location: egypt
Subjects: cats
Column of Cornish Granite. Cheesewring Company
Object type: photograph
Date: 1851 – 1851
Materials: photographic support
Techniques: salted paper print
Location: london
Artist: hugh owen
Artist role: fotograaf
Artist dates: 1808 – 1897
Subjects: column, pillar ~ architecture, london
Border
Object type: textile
Date: 1700 – 1700
Materials: linen
Techniques: lace
Location: france
Vier putti bij een vaas (achtergrond en hoogsels)
Object type: print
Date: 1767 – 1780
Materials: paper
Techniques: printing
Location: netherlands
Artist: bernhard schreuder
Artist role: print maker
Artist dates:  – 1780
Inscriptions: collector's mark: Lugt 2228
La Cheminée
Object type: page
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Location: kortrijk
Artist: Anonymous
Subjects: chimney-piece, mantelpiece
Inscriptions: inscription: ‘Salle Échevinale de Courtrai.’

Prent op laatste pagina van boek. De rest van de pagina's van het boek ontbreekt.
Etude
Object type: print
Materials: paper
Techniques: printing, lithograph
Location: paris
Subjects: female sex; woman
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Verschenen in album met tien originele prenten als supplement bij tijdschrift: L'Epreuve, editie nr. 12, 1895, prent nr. 2.
Maniple
Object type: maniple
Date: 1695 – 1695
Materials: metal thread, silk
Subjects: flowers
Gezicht op de lange vijver van buitenplaats Watervliet
Object type: print
Date: 1729 – 1732
Materials: paper
Techniques: engraving, etching
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: garden pond, country-house
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Prent mogelijk uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in 100 heerlyke gezichten. Amsterdam: Jan Roman, s.a. Of uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in veele heerlyke gezichten. Amsterdam: Andries en Hendrik de Leth, s.a [1729-1732].
Saint Joseph and the Christ Child
Object type: statuette group
Date: 1651 – 1700
Materials: wood
Artist: nicolaas van der veken
Artist role: artist
Artist nationality: flemish
Artist dates: 1637 – 1709
Subjects: christ,saint joseph

In the Baroque era the Jesuits promoted the veneration of Christ's earthly father as an active, youthful parent and regarded him as a model to be imitated by husbands and fathers. Artists were encouraged to help the faithful imagine aspects of Joseph's life missing from the scant descriptions in the Gospels, such as this elegantly tender portrayal of him protecting the Child.
Gietmal uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: flask
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Tools and instruments, lead casting, mould; countermould, eroded: oblong with straight sides, curved, relieved cast design on convex side, eroded (large central boss), on the reverse handle fitting and inscription NG-1979-192-H-3074.
Gretchen neemt afscheid
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, kneeling figure, kneeling on both knees - aa - female human figure, human figure at (open) window, seen from inside
Inscriptions: collector's mark: Lugt 2228

Scène afkomstig uit een serie van 24 voorstellingen. Serie ook gebruikt in: Hippel, Theodor Gottlieb von. Lebensläufe nach Aufsteigender Linie nebst Beylagen A, B, C. 3 dln. Berlijn: Christian Friedrich Voß, 1778-1781.
Hab.t de la Turquie, from the playing cards (for quartets) "Costumes des Peuples Étrangers"
Object type: print
Date: 1700 – 1799
Techniques: etching, hand coloring
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: men,profiles,women
A Worldly-Wise Man
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,profiles
Man die een beschermlaag aanbrengt op een plaat voor een fotomechanische afdruk
Object type: page
Date: 1922 – 1932
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: print, e.g.: engraving, etching, lithograph, photographic apparatus
Inscriptions: number: ‘Fig. 187.’
Zelfportret, april 1942
Object type: drawing
Date: 1904 – 1942
Materials: paper, pencil
Location: amsterdam
Artist: cor van teeseling
Artist role: draughtsman, sculptor
Artist dates: 1915 – 1942
Subjects: amsterdam, sculptor, cor van teeseling, historical persons, prisoner in cell or locked place, portrait, self-portrait of draughtsman, netherlands
Inscriptions: date

Zelfportret van Cor van Teeseling, april 1942. Cor van Teeseling driekwart afgebeeld, zijn hoofd naar links gewend.
How to Pluck a Goose
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,playing cards

A young officer playing the card game Cassino with three elderly expert females is the "goose" being plucked in this print. The women wear fashionable high-waisted dresses and feathered turbans, and the partners, at left and right, make genteel exclamations over the officer’s bad luck. Having already collected "a bumper," or unopposed string of eight tricks, they are about to conclude the game as the woman in spectacles displays a "great casino" (the ten of diamonds) and achieves the winning count of eleven. In Britain, decorum prevented women from visiting public gaming establishments, but allowed them to play for money in private. While the elderly players in Rowlandson’s print mask their skill with a veneer of gentility, the work reflects the widespread approbation aimed at women who enriched themselves by acting like male sharpers.
Fragment
Object type: textile
Materials: wool
Techniques: embroidery, weave
Culture: coptic
Location: egypt
Treatise on Painting
Object type: handscroll
Date: 960 – 1300
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Portret Lettie van Lier-van Wijk, mannequin van Hirsch, in japon zittend
Object type: photograph
Date: 1920 – 1930
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Subjects: historical persons (portraits and scenes from the life) - bb - woman
Inscriptions: annotation: ‘Lettie van Lier-van Wijk, mannequin van Hirsch’
Card Number 15, cut-out from banner advertising the Opera Gloves series (G29) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: gloves,women

Series G29 presents cut-outs from a tobacco advertising banner issued by Allen & Ginter between 1885 and 1890. Citing Burdick's "The American Card Catalog": "Banners are paper hangers with a metal binding at top and bottom edges. The popular size was about 30 inches long but a few measured over five feet in length...The tobacco firms were prolific advertisers using a constant procession of banners, especially to publicize their current insert card sets...The usual design illustrates the card pictures [from the series inserted into tobacco packaging] with a large appropriate center picture." Many consumers would cut up banners in order to "collect" the whole series of cards at once. Although series G29 is not listed in Burdick's "The American Card Catalog," he included notes in his own edition of the book, now included in the collection at the Metropolitan Museum, labeling the series as G29. They are included not as the original banner, but as cut-outs affixed to an album. Each card in the series is numbered and depicts a leather opera glove holding a portrait of a woman. The original banner advertised Richmond Straight Cut Number 1 Cigarettes issued by Allen & Ginter as a branch of the American Tobacco Company. In 1890, the American Tobacco Company purchased Allen & Ginter, as well as many of the large American cigarette manufacturers.
Gezicht op Koblenz aan de Mozel
Object type: drawing
Date: 1871 – 1871
Materials: pencil, paper
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: city-view in general; 'veduta'
Komt nu Jongens hier in siet / Voor twee duyten minder niet
Object type: popular print
Date: 1761 – 1765
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: 'mundus inversus', the reversed world, the topsy-turvy world, 'le monde bestourné', fables
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Blad met 20 voorstellingen van fabels. Onder elke afbeelding een tweeregelig vers. Genummerd midden boven: 31.
Portal of St. Germain-des-Prés
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: etching
Location: united states
Artist: donald shaw maclaughlan
Artist role: painter, print maker
Artist nationality: american, born canada
Artist dates: 1876 – 1938
Waternimf Venus Acidalia
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: engraving
Location: antwerp
Artist: philips galle
Artist role: print maker, publisher
Artist dates: 1537 – 1612
Subjects: other specific aspects of venus (with name)
Inscriptions: collector's mark: Lugt 2228

De riviergodin Venus Acidalia, gezeten op een stenen blok. De prent maakt deel uit van een zeventiendelige serie over stroom- en waternimfen.
Portret van de Duitse generaal-kwartiermeester Erich Ludendorff in zijn werkkamer
Object type: photograph
Date: 1918 – 1918
Materials: paper
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons, germany
Inscriptions: inscription: ‘1a. De Duitsche Generaal-kwartiermeester Ludendorff.’, inscription: ‘Erich Ludendorff 1865-1937’, number: ‘1a’
Portret van Johann Friedrich Polack
Object type: print
Date: 1755 – 1755
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: bookshelves, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Traditionele kleding van over de hele wereld rond 1580
Object type: costume print
Date: 1581 – 1581
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: asiatic races and peoples: turks, private soldier, commander-in-chief, general, marshal, clothes, costume (+ men's clothes), officer, shooting with bow and arrow, archery (~ games of skill)
Inscriptions: caption: ‘Janissären ...Türhütter der Janischären...ein Türchicher waghalB freijrfüz...ein bogenschiz bediender des Sultans’, collector's mark: Lugt 2228

Prent uit een boek over zestiende-eeuwse kleding rond 1580. Vier soldaten uit het Ottomaanse leger. Alle vier zijn anders gekleed. Van links naar rechts: een janitsaarse officier (elitesoldaat) met een bijl, een janitsaarse generaal met een staf, een buitenlandse schildwacht met een bijl en een zwaard en een boogschutter in dienst van de sultan. De prent heeft een Latijns onderschrift.
Brief aan Andries Bonger
Object type: letter
Date: 1912 – 1912
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: odilon redon
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1916
Subjects: arï redon, amsterdam, haarlem, publisher, johannes henricus de bois, andries bonger, joris-karl huysmans, drawing, painting (including book-illumination, miniature-painting), printed matter
Studiebeelden en fragmenten
Object type: print
Date: 1808 – 1814
Materials: paper
Techniques: etching
Subjects: johannes kinker, amsterdam, historical persons
Inscriptions: date

Deze prent maakt deel uit van een album.
Embroidered sampler
Object type: sampler
Date: 1698 – 1698
Materials: linen, silk
Subjects: human figures,flowers

Samplers from Friesland, in the northwest of the Netherlands, are characterized chiefly by alphabets and tree of life motifs. The sampler also features pierced and crowned hearts, checkerboards, and brides and grooms- motifs typical of samplers from other regions of the Netherlands as well. The letters VM are most likely the initials of the sampler’s maker. The dates 1667, 1692, 1697, and 1698 usually below images of trees and brides and grooms, perhaps to commemorate the births or marriages of family members.
Child's Apron (Made from a Cover)
Object type: costume and accessory
Date: 1875 – 1900
Materials: lace, linen
Techniques: lace, cutting, embroidery, weave, stitching
Location: italy
Ernte
Object type: photomechanical print
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Subjects: harvest
Inscriptions: inscription: ‘Berlin’, monogram: ‘BX’
Seven Ravens, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Chessmen (32)
Object type: chessman
Date: 1801 – 1900
Materials: ivory
Subjects: chess,elephants,horses,lions
"Westward Ho!/Pioneer" pattern cordial glass
Object type: glass
Date: 1876 – 1876
Materials: glass
Location: philadelphia
Artist: gillinder and sons
Artist role: maker
Artist nationality: american
Artist dates: 1861 – 1930
Ex libris van Thomas Wray
Object type: bookplate
Date: 1750 – 1849
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, extended right arm holding a lyre?; in field, wax tablets
Terracotta fragment of a bell-krater (bowl for mixing wine and water)
Object type: bell krater fragment
Date: 450 – 430
Materials: terracotta
Culture: greek, attic

Toes of right foot of a figure to right; right foot and toes of left foot of a figure to left; below meander
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1904 – 1904
Materials: cardboard, ink
Techniques: pen, writing
Location: stonehouse
Artist: ernestine hadkinson
Artist dates: 1863 – 1928
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Het uitgaan van de Philips fabriek
Object type: photograph
Date: 1950 – 1960
Materials: photographic support
Techniques: gelatin silver print
Location: eindhoven
Subjects: factory-building, labourers returning home
Inscriptions: number: ‘A18444’

Stadsgezicht met stroom fietsers. Op één van de gebouwen op de achtergrond staat "Philips Radio"
Doorjamb from a Temple of Ramesses II
Object type: door jamb, temple of ramesses ii
Date: 1279 – 1213
Materials: granite
Location: egypt
Subjects: amun

These colossal blocks come from a large gateway erected in commemoration of one of Ramesses II's royal jubilees. Two offering scenes are set one above the other. In the upper scene Ramesses II is depicted presenting drink offerings to Amun-Rein the form of Kamutef, "Bull of his Mother," who was identified with the fertility god Min. In the lower scene the king is making a prayer for offerings to Ptah-Tatanen, the patron of the royal jubilee. The right side is inscribed with the names and titles of Ramesses II. At the bottom of the doorjamb Ramesses III, a Twentieth Dynasty king, has roughly incised his own cartouches. The blocks were discovered in 1912-1913 by the Museum's Egyptian Expedition where they had been reused in the foundations of a gargantuan temple undertaken by Ramesses IV in the Asasif valley. The temple was laid out over the eastern part of the causeways of Mentuhotep and Thutmose III, leaving uncovered only the causeway to Hatshepsut's Deir el Bahri temple. The construction was continued by Ramesses IV's two successors, but never completed. Ramesses IV seems to have sought to reemphasize the Theban ritual landscape, and the Asasif temple may have been understood as a monumental bark station for the visit of Amun's bark to the Deir el Bahri temple during the Beautiful Festival of the Valley.
Cavalerie in een veld in Frankrijk
Object type: album leaf
Date: 1902 – 1902
Materials: paper, photographic support
Techniques: daylight paper print
Location: france
Artist: Anonymous
Subjects: land forces (+ cavalry, horsemen), manoeuvre ~ military training, france

Onderdeel van Fotoalbum van een legeroefening in Zuidwest-Frankrijk in 1902.
Bernard Alfred Quaritch
Object type: photograph
Date: 1913 – 1913
Materials: paper
Techniques: printing
Artist: Anonymous
Subjects: book-shop, bookseller
Inscriptions: collector's mark: Lugt 2228
Telegraphic Love
Object type: drawing and watercolor
Materials: charcoal, gouache, paint, paper, watercolor
Techniques: heightening
Location: england
Artist: hablot knight browne
Artist role: print maker
Artist nationality: english
Artist dates: 1815 – 1882
Watch
Object type: watch
Date: 1650 – 1650
Materials: gilt brass, silver, steel
Artist: denis bordier
Artist role: maker
Artist nationality: swiss
Artist dates: 1629 – 1708
Dagger with Sheath
Object type: dagger with sheath
Date: 1701 – 1900
Materials: steel, wood
Culture: indonesian
Location: indonesia
Gezicht op een baai op Java
Object type: print
Date: 1869 – 1869
Materials: paper
Techniques: lithograph, hand coloring
Location: dutch east indies
Artist: johan conrad greive
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1891
Subjects: gulf, bay (+ landscape with figures, staffage), landscapes in tropical and sub-tropical regions, java
Inscriptions: collector's mark: Lugt 2228

De prent maakt deel uit van een omslag met een tekstblad en 24 losse prenten.
Gezicht op de Pont Neuf in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: animal traction, animal-drawn vehicle (carriage etc.), bridge in city across river, canal, etc.
Inscriptions: number: ‘No. 28’, inscription: ‘1862 (no 145 [..] refer suis [...] fête [...] du 25 juinr 1863’
Standing Figure
Object type: figure
Date: 3000 – 1001
Materials: ceramic
Culture: valdivia
Location: ecuador
Vier beroepen naar Het Menselyk Bedryf
Object type: lantern slide
Date: 1700 – 1790
Materials: glass, wood
Techniques: enamel painting
Location: netherlands
Artist: Anonymous
Inscriptions: label: ‘'Gebrandschilderde glazen. Collectie I.S. van der Schaaff, Baarn. Nummer 2 (twee) inhoudende vier glazen, voorstellende vier ambachten, ongeschonden en heel op 18 februarij 1886.'’

Vier glazen in een houten vatting met handvat. Uiterst links: 'een koperslager', met geheven hamer, gezeten op een kruk. Rechts daarvan: 'een mandemaker', op de grond gezeten. Rechts daarvan: 'een lijndraijer', staande aan een lijnbaan. Uiterst rechts: 'een zeijlmaker', staande achter een tafel. Alle afbeeldingen tegen een zwarte achtergrond.
Abklatsch van de krijttekening op pagina 23
Object type: sketchbook leaf
Date: 1897 – 1899
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 22 uit een schetsboek met 17 bladen.