deem-data/ArtiFact huggingface dataset:
The declaration of Damocles, from "News of the day"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,women
Ceiling on the North Side of Nakht's Offering Chapel
Object type: facsimile, nakht tt 52, ceiling
Materials: paper, paint
Location: egypt
Artist: norman de garis davies
Artist role: artist
Artist dates: 1865 – 1941
Henry Bradley Plant
Object type: bust
Date: 1874 – 1874
Materials: bronze
Culture: american
Artist: olin levi warner
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1896
Subjects: men,portraits

After studying in Paris, Warner returned to New York in 1872, and had difficulty earning a living as a sculptor. He decided to reapply for his old job as a telephone operator at the Southern Express Company in Augusta, Georgia. Upon hearing the artist's reasons for wanting employment, Henry Bradley Plant (1819-1899), the president of the company, commissioned Warner to execute this bust. The lively treatment of the face and hair, as well as the textured surface of the clothing reflect the sculptor's Beaux-Arts training.
New Lighthouse (from Sketchbook)
Object type: drawing
Materials: graphite, paper
Culture: american
Artist: john william casilear
Artist role: artist
Artist nationality: american
Artist dates: 1811 – 1893
Subjects: landscapes
Titelpagina voor een pamflet van Johannes Rothe, 1674
Object type: titelblad, titelpagina
Date: 1674 – 1674
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: william iii (prince of orange and king of england, scotland, and ireland)
Inscriptions: collector's mark: ‘Biblioth. Amstelaed. Vendidit’

Allegorische titelpagina voor een pamflet tegen Willem III van Johannes Rothe, 1674. Een groot beeld van stadhouder Willem III voor het Stadhouderlijk Kwartier op het Buitenhof te Den Haag wordt aanbeden door knielende burgers. Vanuit de hemel schieten bliksemschichten naar het beeld. Op het voetstuk van het standbeeld is geschreven: De Groote Afgodt van Hollant 1674. In het pamflet maakt de schrijver al melding van het voorgenomen huwelijk van Willem III met Maria Stuart, de dochter van de katholieke koning Jacobus II van Engeland.
Inwoners van Nazareth verdrijven Christus uit de stad
Object type: print
Date: 1581 – 1581
Materials: paper
Techniques: engraving
Location: cologne
Subjects: christ, having been chased out of nazareth, passes unharmed through the multitude
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond een ravijn met Christus naast Petrus. Rechts op het tweede plan de inwoners van Nazareth die Christus uitjouwen en uit hun stad drijven. Op de achtergrond links zet Christus zijn reis door Israël voort. De prent heeft een Latijns onderschrift met een Bijbeltekst (Luc. 4) en is de derde prent van een serie van vier.
Stoel met matten zitting, licht geholde rug en gebogen bovendorpel
Object type: furniture
Date: 1785 – 1800
Materials: wood
Techniques: caning
Location: northern netherlands
Artist: Anonymous

Stoel van iepen-, beuken- en kersenhout met een matten zitting. De voorpoten, het H-vormige kruis en de vier sporten zijn gedraaid; de voorpoten hebben een ingezwikte en afgeplatte voet. De rug is licht gehold, de bovendorpel gebogen, de middenbaan is voorzien van rechthoekige doorbrekingen.
Portrait of a Woman
Object type: painting, miniature
Date: 1790 – 1836
Materials: cardboard, glass, ivory, metal, watercolor, wood
Artist: joseph charles de haen
Artist role: draughtsman
Artist dates: 1777 – 1836
Subjects: historical persons not known by name - bb - woman

Portret van een vrouw. Buste, naar rechts. Onderdeel van de collectie portretminiaturen.
Lithographic Plates
Object type: lithographic plate
Date: 1850 – 1850
Techniques: lithograph
Culture: french
Location: france
Artist: alexandre désiré collette
Artist role: print maker
Artist nationality: french
Artist dates: 1814 – 1876
Subjects: musical instruments,men,musicians
Los patinadores (The Streetcleaners)
Object type: print
Date: 1890 – 1899
Materials: paper
Techniques: relief print
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Jared Ingersoll
Object type: print
Materials: paper
Techniques: etching
Location: united states
Artist: albert rosenthal
Artist nationality: american
Artist dates: 1863 – 1939
Bowl
Object type: bowl
Date: 901 – 1000
Materials: earthenware
Techniques: glazing
Location: turkmenistan
Subjects: birds
Thrush (one of a pair)
Object type: figure
Date: 1745 – 1746
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds
Vrouw te paard en soldaat
Object type: print
Date: 1495 – 1499
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: riding a horse, ass, or mule; rider, horseman, clothes, costume (+ women's clothes), head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), warfare; military affairs (+ mercenary troops, e.g.: lansquenets), clothes, costume (+ men's clothes), shoes, sandals, trousers, breeches, etc. (breeches) (+ men's clothes), clothing for the upper part of the body (doublet) (+ men's clothes), head-gear: hat (+ feathers used for clothes), helved weapons, polearms (for striking, hacking, thrusting): halberd
Inscriptions: monogram: ‘AD’, collector's mark: Lugt 2228a

Amazone, op het kapsel met vlechten een muts met omgeslagen rand en grote struisveer. Zij draagt een japon met kopmouwen met splitten. De landsknecht met hellebaard, die naast het paard loopt, draagt een wambuis met knoopsluiting en mouwen met splitten, schaambedekking en beenlingen met een buidel. Aan zijn voeten schoenen met ronde neuzen en vetersluiting. Datering kleding: 1490-1500.
Brillenverkoper en een oude vrouw
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: etching, galvanization
Location: haarlem
Subjects: eyeglasses, spectacles, old woman, wandering or travelling merchant
Inscriptions: collector's mark: ‘RIJKS / MUSM’, collector's mark: ‘B’

Een brillenverkoper met een mand vol brillen staat voor het huis van een oude vrouw. Zij leunt op de onderdeur terwijl ze een bril krijgt aangereikt. Een kind met een mand kijkt toe. De prent maakt deel uit van een portefeuille en is met een andere prent op één albumblad gedrukt.
Prosopographia, sive virtutum, animi, corporis, bonorum externorum, vitiorum, et affectuum variorum delineatio
Object type: album leaf
Date: 1585 – 1590
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: labour
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Staande man gekleed in dierenhuid en vuurstenen in zijn handen. Aan zijn voeten een stierenkop en kruipende mieren. Links van de man een spade en een knuppel. Rechts drie bijenkorven. De bij en de mier zijn symbolen van vlijt en arbeid. Onder de voorstelling drie regels tekst in het Latijn. De prent maakt deel uit van een album.
Plate
Object type: plate
Date: 1751 – 1775
Materials: faience
Techniques: glazing
Subjects: butterflies,flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Portret van Marie van Saksen-Weimar-Eisenach
Object type: print
Date: 1827 – 1850
Materials: paper
Techniques: lithograph
Location: germany
Artist: Anonymous
Subjects: berlin, historical persons - bb - woman
Study of a Standing Male Nude
Object type: drawing and watercolor
Date: 1595 – 1596
Materials: board, chalk, paper
Location: italy
Artist: cavaliere d'arpino (giuseppe cesari)
Artist role: artist
Artist nationality: italian
Artist dates: 1568 – 1640
Inscriptions: Inscribed recto, lower left, in pen and brown ink (a 17th or 18th c. hand): "Jos. Arpina Roma"
Rijtuig wordt staande gehouden
Object type: print
Date: 1822 – 1863
Materials: paper
Techniques: lithograph
Subjects: traveller(s) attacked by robber(s), two-wheeled vehicle drawn by more than three animals, 'en route', traveller under way
Inscriptions: collector's mark: Lugt 2228

Twee ruiters met knallende zwepen omcirkelen het rijtuig met zes paarden ervoor. Mogelijk een overval. Links een man bij een paard.
Portrait of Mu’izz al-Mulk
Object type: illustrated single work
Date: 1610 – 1610
Materials: gold, paper, shell, watercolor
Location: india
Portrait of J.J. Guiffrey
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: etching
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Purse
Object type: purse
Date: 1767 – 1800
Materials: linen, metal, silk
Culture: european
Chartres Cathedral West Facade; Royal Portal, Central Bay
Object type: photograph
Date: 1854 – 1863
Techniques: albumen print
Location: france
Artist: bisson frères (louis-auguste bisson)
Artist role: fotograaf
Artist nationality: french
Artist dates: 1814 – 1876
Subjects: collected by hugh edwards, architecture
Tweede kast van horloge met de aanbidding der herders
Object type: pocket watch
Date: 1762 – 1762
Materials: copper, skin
Techniques: repoussé
Location: amsterdam
Inscriptions: duty mark: ‘V’, town mark, date letter: ‘C’, maker's mark, signature: ‘J.M. Juntes // Amsterdam’, inscription: ‘GLOIRE SOIT A DIEU/AUX LIEUX/TRES HAUTS & EN TERRE PAIX/ENVERS LES HOMMES/BONNE VOLONTE’, alloy mark

Etui van haaienvel met verguld koperen spijkerkoppen.
The First Garments of the New Year (Kiso hajime), from the illustrated book "Colors of the Triple Dawn (Saishiki mitsu no asa)"
Object type: print
Date: 1787 – 1787
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Mlle. Boyer, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Design for 4 seat Phaeton, no top, no. 3051
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Teatro delle Nobili et Virtuose Donne..., page 9 (recto)
Object type: book print ornament architecture
Date: 1616 – 1616
Techniques: engraving, woodcut
Artist: isabella catanea parasole
Artist role: author
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: ornament

Written by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Mauritio Bona, Rome. From top to bottom, and left to right: Design composed of 2 horizontal registers. Top register is decorated with 3 rounded triangular motifs that are each ornamented with an 8-petaled flower in the center. Bottom register is decorated with 3 ornate 8-petaled flowers that are further surrounded by other floral motifs.
Kesa
Object type: textile
Materials: gold leaf, paper, silk
Techniques: bookbinding, lacquer, patterning, weave, satin weave
Location: japan
Snake bracelet
Object type: bracelet, snake
Materials: gold
Location: egypt

Snake jewelry was not limited to Egypt in the Ptolemaic and Roman Periods, and, in fact, was not a traditional Egyptian sort of jewelry before the Ptolemaic Period. Bracelets with animals, including snakes, appeared in Western Asia from about the eighth century BC, and spread to Greece in the fifth century BC, and came to Egypt mainly with the Ptolemaic Dynasty. In Greek culture there were certainly healing associations with snakes, but there may have been other assocations, too.
Ash, Sycamore and Oak, from The Park and the Forest
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: printmaking, lithograph
Location: england
Artist: james duffield harding
Artist role: draughtsman, painter, print maker
Artist nationality: english
Artist dates: 1798 – 1863
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 540 – 540
Materials: terracotta
Culture: greek, attic

From above the foot of an amphora, part of the band of upright lotus buds; below, tips of rays
A Short History: General John Logan, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: eagles,men,portraits,emblems,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
De Marseillaise te St. Petersburg gezongen
Object type: cartoon
Date: 1891 – 1891
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: instruments of torture, execution or punishment: scourge, personifications of countries, nations, states, districts, etc. (+ nation; national), political caricatures and satires, russia

De Russische tsaar Alexander III en zijn legerofficieren geselen het Russische (joodse?) volk. De tsaar staat hand in hand met Marianne (Frankrijk).
Oningevuld schema
Object type: manuscript
Date: 1809 – 1814
Materials: ink, paper
Techniques: pen
Location: bruges
Artist: joseph van huerne
Artist role: kunstliefhebber, mecenas, verzamelaar
Artist dates: 1752 – 1844

Oningevuld schema met drie kolommen. Onderdeel van het tweede album met tekeningen van viervoeters. Tweede van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Pont au Change
Object type: page
Date: 1839 – 1840
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: bridge in city across river, canal, etc.
Inscriptions: inscription: ‘PARIS DAGUERRÉOTYPÉ No. 18.’

Prent op negenenzestigste ongenummerde pagina.
Sauceboat
Object type: sauceboat
Date: 1740 – 1750
Materials: silver
Culture: american
Location: united states
Artist: elias boudinot
Artist role: maker
Artist nationality: american
Artist dates: 1706 – 1770

Sauceboats, usually made in pairs, were popular dining accessories in eighteenth-century America. This example’s mate is in the Philadelphia Museum of Art.
Earring
Object type: earring
Date: 1200 – 801
Materials: bronze
Culture: iranian
Location: iran
Double Capital
Object type: capital
Date: 1267 – 1333
Materials: marble
Culture: french
Location: france
Cloture, XVIIIe Siècle
Object type: page
Date: 1881 – 1889
Materials: paper
Techniques: photograph, photolithography
Location: dordrecht
Subjects: interior of church
Inscriptions: inscription: ‘CLOTURE en cuivre (...)’, inscription: ‘COTURES. PL. 3.’, monogram: ‘JJvY’
Bowl or Patera
Object type: bowl or patera
Date: 1801 – 1900
Materials: gold
Culture: european
Subjects: men,women
Artikel over het ziekenhuis van de Gereformeerde Ziekenverpleging te Amsterdam
Object type: article
Date: 1904 – 1904
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: hospital, ward; room (in hospital)
Inscriptions: signature: ‘Gos.’, collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: V. Ziekenhuizen: Burgerziekenhuis - Boerhaavekliniek - Gasthuis der Ned. Ver. tegen Vallende Ziekte - Diaconessenhuis Keizersgracht - Diaconessenhuis Overtoom - Gereformeerde Ziekenverpleging.
Fragment of a Statue
Object type: relief fragment
Date: 201 – 700
Materials: clay
Culture: central asian
Subjects: hands
Vignet met een putto met een lauwerkrans
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: garland, wreath, vignette, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240
Haardsteen met voorstelling van een Franse lelie met bladranken
Object type: hearthstone
Date: 1575 – 1600
Materials: earthenware
Techniques: printing, firing
Location: southern netherlands
Artist: Anonymous

Haardsteen met voorstelling van een Franse lelie met bladranken.
Saucer with a mythological scene with Venus, Cupid and Minerva
Object type: platter
Date: 1740 – 1760
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Schotel van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, geel, zwart en goud. Op de voorzijde in de wolken is Venus afgebeeld, gezeten in een wagen die wordt getrokken door twee duiven. Voor haar staat Cupido, die zijn pijlen naar beneden richt. Beneden staat Minerva, beschermster van de kunsten, wetenschappen, handwerk en krijgsgodin. Met een schild en een lans in haar handen beschermt zij een soldaat, slapend in een landschap, tegen de pijlen van Cupido. Europese voorstelling in emailkleuren.
The Adoration of the Shepherds
Object type: drawing
Date: 1599 – 1599
Materials: gouache, ink
Techniques: heightening, pen, wash
Artist: gerrit pietersz. sweelink
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1566 – 1612
Subjects: animals,women,adoration of the shepherds
Maria
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Location: paris
Subjects: mary (without the christ-child)
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 2760
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1601 – 1700
Materials: copper alloy, gold, iron
Culture: japanese
Location: japan
Subjects: fans
Het sneuvelen van graaf Floris I
Object type: print
Date: 1839 – 1841
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: violent death, being killed; being mishandled and maltreated; seeking death, attempt, political murder

Illustratie voor: J.P. Arend, Algemeene geschiedenis des vaderlands, Amsterdam, 5 delen, 1840-1882, dl. 2.1, p. 71.
Paard en wagen aan een oever bij een zeilschip
Object type: watercolor
Date: 1839 – 1839
Materials: paper, watercolor
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: animal traction, animal-drawn vehicle (carriage etc.), dune coast, sailing-ship, sailing-boat
Inscriptions: date: ‘1839 -’

Met enkele figuren rondom de boot en op de kar. Blad 2 recto uit een schetsboek met 37 bladen.
Belt hook
Object type: belt hook
Date: 400 – 201
Materials: bronze, gold, lapis lazuli, lead, silver
Techniques: inlay
Culture: chinese

This sumptuous example of late Zhou inlay work is ornamented with depictions of mythical animals. Some of the inlay and the hook portion are missing.
Portret van Gerard Jacob Georg Bacot
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: engraving, etching
Subjects: the hague, historical persons
Inscriptions: date

Prent uit: Wagenaar, Jan. Vaderlandsche historie, (...). Amsterdam: Johannes Allart, 1786-1809. dl. 22.
Scene in the Cripple Creek mining region
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: cripple creek
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Religieus draagteken Driekoningen
Object type: history medal
Date: 1700 – 1850
Materials: brass
Techniques: striking
Inscriptions: inscription: ‘S 3 REGE / CASP MELCH/ BALT ORAT / PRO NOB NO / ETEN HORA / MORT NOS / AMEN’

Rechthoekig penninkje van messingblik met draagoog, op de voorzijde de aanbidding der wijzen, op de keerzijde zeven regels tekst.
Bonneville, plate 64 from Liber Studiorum
Object type: print
Materials: ivory, paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Teapot
Object type: teapot
Date: 1901 – 2000
Materials: stoneware
Culture: chinese
Knight, Death, and the Devil
Object type: print
Date: 1513 – 1513
Materials: ink, paper
Techniques: engraving, printing
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528