deem-data/ArtiFact huggingface dataset:
Snuffbox
Object type: snuffbox
Date: 1748 – 1748
Materials: silver, soft paste porcelain
Artist: saint-cloud factory
Artist role: factory
Artist nationality: french
Artist dates: 1693 – 1766
Subjects: rabbits,flowers

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Christuskind helpt Jozef met zagen
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: joseph and the christ-child ~ daily life in nazareth, household occupations of mary
Inscriptions: collector's mark: Lugt 2228

Het Christuskind is samen met zijn vader Jozef aan het zagen. Twee engelen op de voorgrond tillen een balk op. Maria is garen aan het spinnen. In de marge een zesregelig onderschrift, in twee kolommen, in het Latijn.
Wheel-shaped pendant
Object type: pendant
Date: 601 – 900
Materials: metal
Culture: alanic
Location: caucasus
Ferdinand I
Object type: print
Date: 1815 – 1864
Materials: paper
Techniques: lithograph
Subjects: prague, ferdinand i (keizer van oostenrijk), historical persons, emperor
Inscriptions: collector's mark: Lugt 2228
Groete uit Stompwijk
Object type: ansichtkaart, prentbriefkaart
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: stompwijk
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, canals, waters (in village), street
Box
Object type: box
Date: 1601 – 1700
Materials: silver, shell
Subjects: profiles
Passage Saint-Paul in Parijs
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: etching, intaglio
Artist: martin monnickendam
Artist role: draughtsman, painter, print maker
Artist dates: 1874 – 1943
Subjects: passage, paris
Inscriptions: collector's mark: Lugt 2228

Gezicht op een binnenplaats. Links hangen twee paraplu's aan een gevel.
The Abuses of the Law, Plate 7
Object type: print
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: weapons,men,women
Uitbarsting van de vulkaan Kelud, ca. 1820-1850
Object type: drawing
Date: 1850 – 1950
Materials: chalk, paper, pencil
Location: indonesia
Artist: Anonymous
Subjects: eruption (of volcano)
Inscriptions: collector's mark: Lugt 2228

De mensen in angst tijdens de vulkaanuitbarsting van de Kelud. Onderdeel van een groep van twaalf losse bladen uit een schetsboek met tekeningen over het leven van Coenraad Laurens Coolen, evangelist op Oost-Java, ca. 1820-1850. Elk blad heeft een tekening op de rechterhelft, met een onderschrift in het Indonesisch.
A Road Bordered by Trees, a City in the Background
Object type: print
Date: 1622 – 1625
Materials: paper
Techniques: aquatint, lift ground etching
Location: amsterdam
Artist: hercules segers
Artist role: draughtsman, painter, print maker
Artist dates: 1589 – 1640
Subjects: city-view in general; 'veduta', fringe, edge of the wood

Pad langs bosrand. In de verte een stad met twee kerktorens, dit zou Amersfoort kunnen zijn.
Portret van Friedrich von Schiller
Object type: print
Date: 1805 – 1824
Materials: paper
Techniques: engraving
Subjects: friedrich von schiller, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Eva und die Zukunft (Rad.-Werk  III)
Object type: print
Date: 1898 – 1898
Techniques: etching
Location: germany
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Subjects: corpses,male nudes,female nudes,hills,trees
Werken van Hercules
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the twelve labours of hercules: second series
Inscriptions: collector's mark: Lugt 2228

Hercules steelt de gouden appelen uit de tuin van de Hesperiden. Met zijn knots verslaat hij de serpent Ladon die de ingang van de tuin bewaakt. Op de achtergrond is hij te zien hoe hij de appelen van de boom plukt.
Portret van Sarah Bernhardt
Object type: photomechanical print
Date: 1874 – 1879
Materials: paper
Techniques: woodburytype
Subjects: sculptor, sarah bernhardt, adult woman, historical persons
Inscriptions: signature: ‘[...]’
Stirrup Spout Bottle with Seated Figure
Object type: bottle
Date: 401 – 700
Materials: ceramic
Culture: moche
Location: peru
Subjects: human figures
Old Annapolis, Francis Street
Object type: painting
Date: 1876 – 1876
Materials: canvas, oil
Culture: american
Artist: francis blackwell mayer
Artist role: artist
Artist nationality: american
Artist dates: 1827 – 1899
Subjects: buildings,streets,carts
Console
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: architectural detail
Hairpin with Head formed as Melon, with Melon Blossoms, Foliage, and Small Melons
Object type: costume and accessory
Materials: gold
Techniques: chasing, hammering, repoussé
Location: china
Boulanger-Blondin
Object type: cartoon
Date: 1888 – 1888
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: historical persons, tight-ropewalker, political caricatures and satires

De Franse generaal en minister Georges Boulanger, een man in uniform met vele militaire onderscheidingen, als de koorddanser Charles Blondin balancerend boven een brug in een stad. In de handen een balanceerstok Revolutie - Reactie. Op de voorgrond een juichende menigte. Op de achtergrond schimmen van de nederlagen van keizer Napoleon III bij Sedan en Napoleon Bonaparte bij Waterloo. Rechtsonder een inzet met een zanger.
The Ceremonial Sake (Konrei sakazuki), the fourth sheet of the series "Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)"
Object type: print
Date: 1769 – 1769
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Wedding Procession of Mary and Joseph
Object type: drawing and watercolor
Materials: ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: italy
Artist: giotto di bondone
Tureen with cover
Object type: tureen with cover
Date: 1750 – 1760
Materials: faience
Techniques: glazing
Artist: paul hannong
Artist role: factory owner
Artist dates: 1755 – 1759
Subjects: eagles,flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
De Gouden Eeuw
Object type: print
Date: 1636 – 1670
Materials: paper
Techniques: engraving
Subjects: the golden age, 'aetas aurea'; men live happily, gathering fruits under the reign of saturn
Inscriptions: collector's mark: ‘Hinloopen’, number: ‘2’, annotation: ‘Aetas aurea/ de gulde eeuw’

Deze incomplete serie, bestaande uit 77 van de in totaal 85 prenten met scènes uit Ovidius' Metamorfosen, werd in 1709 samen met Ovidius-illustraties van Tempesta, Goltzius en Le Pautre in één album, Schijnvoet nummer 43, ingebonden. In de negentiende eeuw werd deze band weer uit elkaar gehaald.
Portret van Anna-Lisa Hwasser met een hond
Object type: album leaf
Date: 1860 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Artist: matheus hansen
Artist role: fotograaf
Subjects: historical persons, girl (child between toddler and youth), dog
Inscriptions: inscription: ‘Maths Hansen/ Kongl Hof-Photograf/ Drottninggatan No. 5/ Stockholm’, annotation: ‘Anna-Lisa Hwasser/ [...] 1861/ Elise & Daniel/ Hwaser’
Spice Box
Object type: metalwork
Date: 1761 – 1763
Materials: metal, silver
Location: augsburg
Landschap met bomen langs een vaart
Object type: drawing
Date: 1848 – 1888
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Blad uit Album dedié à mes enfants et mes amis (1868) met opgeplakte foto's van brandspuiten van de firma's  Regout en Beduwe
Object type: photograph
Date: 1868 – 1868
Materials: cardboard, photographic support
Techniques: albumen print
Location: maastricht
Artist: Anonymous
Subjects: fire-extinguishing equipment

Brandspuit nummer 5 van de firma Regout op een blad met foto's van nog vijf andere brandspuiten afkomstig uit een album. Franse tekst onderaan het blad beschrijft de brandspuiten en de voordelen van het gebruik.
Liber Chronicarum
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: emperor, king
Inscriptions: inscription: ‘77’

Een bloemkelk met een koning. Hij heeft een rijksappel en scepter in zijn handen. De voorstelling is onderdeel van de opeenvolging keizers in de Liber Chronicarum. De tekst identificeert de man als keizer Constantijn VI. De prent maakt deel uit van een album.
Artefact van ijzer uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: artifact
Materials: iron
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, bar(-shaped) fragments; fragm, eroded, broken: octagonal in section (oblique corners).
Bodice
Object type: bodice
Date: 1815 – 1815
Materials: cotton
Culture: american or european
The Alhambra
Object type: book
Date: 1894 – 1894
Materials: paper
Techniques: photoaquatint
Location: new york city
Artist: washington irving
Artist role: schrijver
Artist dates: 1783 – 1859
Inscriptions: inscription: ‘Compliments of your friends june 26-1900 A.L. G.B. A.B. S.R. A.R.’
Landschap studiën zesde levering
Object type: print
Date: 1829 – 1830
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: low hill country, river, watermill in landscape
Inscriptions: collector's mark: Lugt 2228

In 1829 en 1830 gaf Koekkoek, samen met Daiwaille, zes cahiers uit met ieder zes prenten getiteld Landschapstudiën. Deze werden gebruikt in het tekenonderwijs. Vijftien jaar later werd deze reeks, in een andere samenstelling nogmaals uitgegeven door Meyer en Comp in Amsterdam. Zie: De Bruyn Kops, 1963.
Card Number 117, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Plate 144: The Immortalization of Romulus (Romulus Martis interceßione deitate a Ioue domatur), from Ovid's 'Metamorphoses'
Object type: print
Date: 1606 – 1606
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: eagles,men
De Generale Grond vant Gebouw ent Eyland
Object type: ornament print
Date: 1687 – 1693
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: plan ~ architecture

Plattegrond van buitenplaats De Nes of Realeneiland te Vreeland. Het voor de Amsterdamse familie Reaal in 1687 gebouwde buitenhuis lag op een eiland in de Vecht.
Rondreizende verkoper van landkaarten
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: letterpress printing, engraving
Location: the hague
Artist: Anonymous
Subjects: maps, atlases, book, street-trader
Inscriptions: collector's mark: Lugt 4780

Prent afkomstig uit: Hollandsch Penning-Magazijn voor de Jeugd. Den Haag: S. de Visser en Zoon, 1839, p. 413.
Doornenkroning van Christus
Object type: book illustration
Date: 1648 – 1648
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: the crowning with thorns: soldiers with sticks place a thorny crown on christ's head and give him a reed (matthew 27:27-31; mark 15:16-20; john 19:2-3)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Sichem, Christoffel van (II). 'tSchat der zielen, dat is: Het geheele leven ons Heeren Iesu Christi. Amsterdam: Pieter Jacobsz. Paets, 1648.
Prent uit: Biblia sacra dat is De geheele Heylighe Schrifture bedeylt in 't Out en Nieu Testament. Amsterdam: Pieter Jacobsz. Paets, 1657.
Saucer
Object type: saucer
Date: 1832 – 1832
Materials: hard paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Portret van een vrouw
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Artist/ Photographers/ Lowthian Bros/ Art Studio/ GRimsby/ (...)’
Portret van Catharina de Grote
Object type: print
Date: 1762 – 1785
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: catharina de grote, historical persons - bb - woman, emperor - bb - female ruler
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Echtpaar Berti Hoppe en Herman Besselaar in het bos te Gorssel
Object type: photograph
Date: 1909 – 1932
Materials: cardboard, paper, photographic support, plastic
Techniques: gelatin silver print
Location: gorssel
Subjects: historical persons - bb - woman, historical persons, forest, wood

Vijf foto's gemaakt tijdens hun vakantie in Oost-Nederland in september 1932. Deze pagina maakt deel uit van een album.
Bespotting van de Rooms-Katholieke Kerk, naar aanleiding van het Concilie van Trente
Object type: satirical medal
Date: 1543 – 1543
Materials: silver
Techniques: striking
Location: cologne
Artist: friedrich hagenauer
Artist role: medailleur
Artist dates: 1499 – 1546

Zilveren penning met gat erin. Voorzijde: in elkaar overlopende kop van kardinaal (boven) en nar (onder) binnen omschrift. Keerzijde: bisschop met kelk en vrouw met kaars en boek, ruggelings met elkaar verbonden binnen omschrift
Portretten van prominente figuren
Object type: print
Date: 1642 – 1678
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: historical persons, emperor, king
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een grootschalige serie met portretten van prominente figuren. Binnen de serie bevindt zich een sectie getiteld 'Les Augustes Représentations De tous les Roys De France depuis Pharamond Iusqu'à Louys XIIII'.
De serie werd respectievelijk uitgegeven door Pierre Bertrand, door zijn weduwe en door De Larmessin zelf.
Portret van Eduard van York
Object type: print
Date: 1750 – 1766
Materials: paper
Techniques: etching
Artist: thomas worlidge
Artist role: print maker
Artist dates: 1700 – 1766
Subjects: london, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
L'Espaignol
Object type: costume print
Date: 1615 – 1625
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: neck-gear ~ clothing (with name) (+ men's clothes), veil (+ women's clothes), europeans: spaniards (+ costume), coat (+ men's clothes), head-gear: hat (+ men's clothes), clothes, costume (+ women's clothes), hacking and thrusting weapons: sword, sleeves: cuffs (+ women's clothes), dress, gown (+ women's clothes), shoes, sandals (+ men's clothes), clothes, costume (+ men's clothes), folk costume, regional costume, lute, and special forms of lute, e.g.: theorbo, trousers, breeches, etc. (breeches) (+ men's clothes), spain
Inscriptions: collector's mark: Lugt 240

Kleding man: grof geplooide molensteenkraag en grof grplooide grote manchetten. Kniebroek met gestrikte kniebanden. Schoenen met kleine hak en grote rozet op de wreef. Kleding vrouw: Kapje met lange sluier, vierkant decolleté met kantversiering, manchetten met kant, puntvormig lijfje. Overkleed met passement en bloemmotieven. Ceintuur. Open vouwwaaier.
Furniture leg (?) with a recumbent lion supporting a deity
Object type: furniture leg
Date: 900 – 801
Materials: ivory
Culture: iranian
Location: iran
Subjects: lions

Excavations at Hasanlu in Iran yielded a large number of carved ivory fragments, many in a distinctive style found only at this site, which probably decorated wooden furniture or were used as small precious objects such as boxes. The citadel at Hasanlu was attacked and destroyed around 800 B.C., most likely by military forces of the powerful state of Urartu, centered in present-day Armenia, eastern Turkey, and northwestern Iran. In the fire that destroyed the citadel, many objects were crushed and shattered. The blackened appearance of most of the Hasanlu ivories is due to their exposure to high temperatures at the time of the citadel’s destruction. This large sculpted piece of ivory was probably either a furniture leg or a handle to an implement. At top are the feet of a deity who stands on the back of a roaring lion, carved in the round. The section directly below this is missing, leaving the tang that attaches this piece to the one below it exposed. A cylindrical segment shows three male figures carved in relief. Two of them face right, approaching a third at the right side of the scene who faces them. All are shown with head and legs in profile and torso in front view. The round holes drilled for the eyes once held inlays. The central figure is bearded, unlike the other two, and drinks from a vessel held in his right hand. The meaning of the scene is mysterious, but a mace, shown head downward between the central figure and the figure he faces, suggests peaceful intent. The base is extensively damaged.
La France
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: paris
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 1397c
Oinochoe
Object type: oinochoe
Date: 700 – 501
Materials: terracotta
Culture: etruscan
Elephant Figurine
Object type: figurine, elephant
Date: 3700 – 3450
Materials: pottery
Location: egypt
Subjects: elephants
Bandontwerp voor: Johanna Spyri, Arthur en Squirrel, c. 1888-1893
Object type: drawing
Date: 1888 – 1893
Materials: cardboard, ink, paper, pencil
Techniques: pen
Artist: willem steelink (ii)
Artist role: draughtsman, print maker
Artist dates: 1856 – 1928
Subjects: flowers: violet
Inscriptions: collector's mark: Lugt 2228, :, annotation: ‘pag 389’, signature: ‘WILM. Steelink/ del.’

Leeg kader met op de achtergrond viooltjes.
Terracotta fragment of a stamnos (jar)
Object type: stamnos fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

At the left, bit of drapery?; unidentified object; below, ground line
An Eruption of Mount Vesuvius
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
[James Baker Pyne]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: men,portraits
Pohled ze ,,slechtické tridy''
Object type: page
Date: 1891 – 1893
Materials: paper
Techniques: autotype
Location: prague
Subjects: façade (of house or building), temporary exhibition, 'salon'
Schiffbrücke und Dom Cöln
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: cologne
Subjects: pontoon bridge, quay, cologne
Brutaalheid
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: good and bad behaviour, moral qualities
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Kleinen Taschen Calender auf das gemeine Jahr 1785 (...). Berlijn: S.n., 1784.
Gezicht op de Loreley bij Sankt Goarshausen
Object type: stereoscopic photograph
Date: 1860 – 1890
Materials: cardboard
Techniques: slide
Location: sankt goarshausen
Artist: ferrier père-fils et soulier
Artist role: publisher
Subjects: mountains
Inscriptions: number: ‘6737’
Glass pendant shaped like a jar
Object type: pendant
Date: 201 – 400
Materials: glass
Culture: roman
Met alle stralen onder de hoogste spanning wordt water gegeven
Object type: photograph
Date: 1932 – 1933
Materials: photographic support
Techniques: gelatin silver print
Location: lampung
Artist: Anonymous
Subjects: fire-fighting, firemen, police

Onderdeel van Herinneringsalbum voor F.J. Junius, vertrekkend resident van Lampong (Zuid-Sumatra).
Kremlin van Moskou
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: etching, intaglio
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: city-walls
Inscriptions: collector's mark: Lugt 2228

Een gedeelte van de muur van het Kremlin. Op de voorgrond figuren met paarden en op de achtergrond een kathedraal.