deem-data/ArtiFact huggingface dataset:
Plate 8: Arch of Drusus at the Porta S. Sebastiano in Rome (Arco di Druso alla Porta di Sebastiano in Roma), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"
Object type: print
Date: 1748 – 1748
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: arches,ruins,rome
Portret van predikant Johan Jacob le Sage ten Broek
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan gerard waldorp
Artist role: draughtsman, print maker
Artist dates: 1740 – 1808
Subjects: the hague, other memorial structures
Inscriptions: collector's mark: Lugt 2228

Gedenkzuil met het portet van predikant Johan Jacob le Sage ten Broek. Op de bovenkant van het monument een elfregelig lofdicht in het Nederlands, geflankeerd door twee putti. Op de piëdestal een tweeregelig Bijbelcitaat uit de Bergrede in het Nederlands.
Koeien en stieren
Object type: print
Date: 1657 – 1677
Materials: paper
Techniques: etching
Location: the hague
Artist: marcus de bye
Artist role: print maker
Artist dates: 1639 – 1688
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
Souvenir spoon with arms of Lyon
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, gilt, silver
Subjects: coat of arms
A View of the Potomac at Harpers Ferry
Object type: watercolor
Date: 1811 – 1813
Materials: gouache, paper, watercolor
Culture: american
Artist: pavel petrovich svinin
Artist role: artist
Artist nationality: russian
Artist dates: 1787 – 1839
Subjects: rivers,landscapes
Sketch of Landscape with Cathedral
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: john sell cotman
Artist role: artist
Artist nationality: british
Artist dates: 1782 – 1842
Nuova raccolta di cinquanta costumi de contorni di Roma
Object type: print
Date: 1819 – 1823
Materials: paper
Techniques: etching
Location: rome
Artist: bartolomeo pinelli
Artist role: draughtsman, print maker, sculptor
Artist dates: 1781 – 1835
Subjects: city-view, and landscape with man-made constructions, robber, folk costume, regional costume, giving water, feeding (cattle), drinking, mountains

Drie bandieten bij een waterput. Eén van hen drinkt uit de put, terwijl een ander zijn hoed gebruikt om uit te drinken. Twee stieren drinken ook uit de put. Op de achtergrond een bergachtig landschap. De prent maakt deel uit van een album.
Blad met bloemen en vruchten met over elkaar slingerende banden
Object type: wrapper
Date: 1700 – 1850
Materials: gold leaf, paint, paper
Techniques: relief print
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met bloemen en vruchten met over elkaar slingerende banden gevuld met bloemen, vruchten en andere motieven. Helft van een omslag.
King of Servia, from World's Sovereigns series (N34) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: kings,portraits,insignia

Trade cards from the "World's Sovereigns" series (N34), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Soldaat, dame en heer, van achteren
Object type: drawing
Date: 1653 – 1654
Materials: ink, paper, watercolor
Techniques: brush, calligraphy
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690

Soldaat, dame en een heer bij een moraliserend gedicht op de melodie van Petijte Roijael.
The Flagellation
Object type: painting
Date: 1301 – 1350
Materials: gold leaf, paint, wood
Culture: italian
Artist: master of forlì
Artist role: artist
Artist nationality: italian
Artist dates: 1300 – 1350
Subjects: men,women,christ
Vuursteenpistool
Object type: flintlock pistol
Date: 1770 – 1780
Materials: brass, iron, wood
Location: maastricht
Subjects: netherlands
Inscriptions: mark: ‘Formez, Mastricht’, mark: ‘B.F.’

Pistool met vuursteenslot, deel van koppel. Ronde loop. Een paar banden in reliëfwerk. Messing vizierkorrel, geen keep. Ronde slotplaat waarop: Formez, Mastricht. Lade enigszins bewerkt. Messing beslag. Zilveren reliëfversiering. Op de loop de letters F.M.[?]. Op de keep gemerkt B.F. [eigenaar].
Portret van Ulrich von Hutten
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: letterpress printing
Location: straatsburg
Artist: bernhard jobin
Artist role: printer, publisher
Artist dates: 1545 – 1593
Subjects: switzerland, armour, historical persons, writer, poet, author

Prent uit: Reusner, Nikolaus. Icones sive imagines virorum literis illustrium (...). Straatsburg: Bernhard Jobin, 1590, p. 368. Prent voor het eerst verschenen in de eerste editie van 1587. Prent ook gebruikt in latere publicaties.
Brief aan Philip Zilcken
Object type: letter
Date: 1894 – 1894
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: abraham preyer
Artist role: auctioneer
Artist dates: 1862 – 1927
Subjects: william macbeth, the hague, painter, draughtsman, philip zilcken, art trade, art shop, painting (including book-illumination, miniature-painting), exhibition ~ art, money, new york (city)
Inscriptions: watermark
Panel
Object type: textile
Date: 1860 – 1860
Materials: cotton
Techniques: weave, printing
Location: england
Nederlandsche Infanterie. Soldaat in kaserne tenue
Object type: print
Date: 1825 – 1827
Materials: paper
Techniques: hand coloring, lithograph
Location: brussels
Subjects: (military) uniforms
Inscriptions: collector's mark: Lugt 2228

Uniformvoorstelling van een soldaat van de infanterie in kazernetenue. Genummerd rechtsboven: Pl. 13. Onderdeel van de reeks van 53 platen van uniformen van de militairen van het Koninkrijk der Nederlanden in de periode 1820-1825.
Reconciliation, or the Return from Scotland
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,dogs

A bride holds a handkerchief to her eye and enters a room with her husband. A servant pulls out a chair for her, which a dog tries to jump on. Her parents are at right.
Cuneiform tablet: fragment of a dialogue document concerning a dowry conversion
Object type: cuneiform tablet
Date: 700 – 301
Materials: clay
Culture: achaemenid or babylonian
Location: mesopotamia
Punch Strainer
Object type: metalwork
Date: 1743 – 1760
Materials: silver
Location: boston
Artist: william simpkins
Subjects: dining, drinking
Inscriptions: Marked on each handle: W. Simpkins
Engraved on tip of one handle and on other handle: P / T • H

By the mid-18th century, fashionable society in American began to rival the gentry in Europe and England. Popular entertainment included afternoon punch, and proper equipage such as punch bowls, ladles, and strainers, which were fashioned out of silver, became a necessity for the affluent patron who wished to impress guests. Traditionally, punch was made from five ingredients: water, sugar, lemon or other fruit juices, spices, and sprits (usually rum).
Schreierstoren te Amsterdam
Object type: sketchbook leaf
Date: 1930 – 1930
Materials: ink, paper
Techniques: pen
Location: amsterdam
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: towers ~ fortified city

Blad 9 recto uit een schetsboek met 20 bladen.
Head of Aphrodite
Object type: head of aphrodite
Date: 146 – 30
Materials: paint, wax
Culture: egyptian or greek
Subjects: heads,aphrodite
Mandemakersgilde van Amsterdam, gildepenning van Heindrick Hartich
Object type: medal
Date: 1624 – 1624
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: opschrift. Keerzijde: twee letters M boven letter G
Clearing Weather at Awazu
Object type: print
Date: 1832 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: mountains,landscapes,boats

In the cartouche printed to resemble fine writing paper is the Japanese poem: Kumo narau arashi ni ho kite kiyaku fune mo sen fune mo nami no Awazu ni yoru Behind the stormy wind clearing away the clouds myriad ships gather on the waves at Awazu.
Groepsportret van vier kinderen staand in weide in Duitsland met op de achtergrond twee volwassenen
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: daylight paper print
Location: germany
Artist: Anonymous
Subjects: brothers or sisters (second degree family relationships), germany

Onderdeel van Fotoalbum van Carl Heinrich Fliegenschmidt, gevangenisdirecteur te Oslebshausen.
The Sphinx
Object type: page
Date: 1891 – 1901
Materials: paper
Techniques: autotype
Location: gizeh
Artist: Anonymous
Subjects: sphinx (lion/woman); 'sfinge' (ripa)
Cream pots with covers
Object type: cream pot with cover
Date: 1760 – 1760
Materials: soft paste porcelain
Artist: mennecy
Artist role: factory
Subjects: flowers
Jasje van beigebruine tafzijde, versierd met bruine zigzag band. Rond gesneden voorpanden. Ongevoerd.
Object type: coat
Materials: cotton, metal, silk
Techniques: braiding, casting, weave
Location: netherlands
Artist: Anonymous
Subjects: trijntje van leyden

Trijnte van Leyden werd in 1855 geboren en overleed op 10-jarige leeftijd. Haar kleren en enkele persoonlijke bezittingen zijn - ter nagedachtenis aan haar voortijdig overlijden - bewaard gebleven en verefd. Trijntje's oudere zuster Guurtje was de grootmoeder van de schenkster, mevrouw Wilhelmina Buys. Van Leyden komt van haar moeders kant.
Project for an Altar
Object type: drawing
Date: 1601 – 1700
Materials: graphite, ink
Techniques: brush, pen, drawing, wash
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: altars
Portret van Johannes de Haart
Object type: drawing
Date: 1850 – 1850
Materials: chalk, paper
Artist: gijsbertus craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1810 – 1895
Subjects: utrecht, painter, print maker, johannes de haart, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Sampler
Object type: textile
Date: 1824 – 1824
Materials: linen, silk
Techniques: embroidery, weave
Location: united states
Artist: elizabeth moss
Artist dates: 1824 –
Portret van Théophile-Adolphe Manoury
Object type: photomechanical print
Materials: paper
Techniques: woodburytype
Location: france
Subjects: portrait of opera-singer
Inscriptions: inscription: ‘Journal Hebdomadaire paraissant le Jeudi, Du 5 ai 11 Avril 1877’, number: ‘Numéro 203’
Package of disorganized animal remains adorned with a seated Thoth
Object type: mummy, animal, ibis headed god appliqué
Date: 332 – 330
Materials: linen
Techniques: dyeing
Location: egypt
Subjects: mummies

Animal cults The Egyptians considered certain individual animals to be living manifestations of a god, such as, since earliest times, the Apis bull . Those individuals were duly mummifed when they died and buried for eternal life, then replaced by another single living manifestation. During the first millennium BC, many multiples of animals associated with certain gods were specially raised in temple precincts as simultaneous avatars of that god and then mummified in large contingents and deposited in catacombs for eternal life. The ancient perception of these multiples, the evolution of the practice in this direction, and variations within the practice are not easily accessible to us. But the hundreds of thousands of often elaborately prepared animal mummies found in catacombs and other locales testify to its ancient resonance. Animal mummies Research on animal mummies has shown that the majority of mummies found at the large animal cemetery sites are pre-adults who were purposely killed for use. Some of the mummies are actually ‘substitute’ mummies containing only a few bones or feathers or possibly just sticks or sand. Recently a review of the museum's animal mummies and their x-rays was conducted in consultation with an expert in their study, and brought to light a number of interesting points. In this particular case the wrappings include an elaborate applique of the ibis-headed Thoth with anthropomorphic form seated on a throne, while the contents are some bones but no organized animal mummy.
De twaalf maanden
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: april; 'aprile' (ripa) (+ with signs or personifications of the planets), april ~ other concepts
Inscriptions: collector's mark: Lugt 240

Joachim van Sandrart gaf de prenten naar zijn schilderijen van de twaalf maanden, de dag en de nacht, zelf uit in 1645. Zij werden vervaardigd door verschillende graveurs: Theodor Matham, Reinier van Persijn, Jonas Suyderhoef, Jeremias Falck, Cornelis van Dalen (II) en Albert Haelwegh.
Kasteel Rechteren
Object type: print
Date: 1854 – 1861
Materials: paper
Techniques: tone lithography
Artist: jacob jan van der maaten
Artist role: draughtsman, print maker
Artist dates: 1820 – 1879
Subjects: castle, strolling
Inscriptions: collector's mark: Lugt 2228

Uitgegeven in: Lennep, J. van, Merkwaardige Kasteelen in Nederland. Amsterdam, G. W. Tielkemeijer: 1854-1861.
Sachet. Edmond. 27 ans, né à Mézières (Ardennes). Typographe. Anarchiste. 1/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Fencing - Master, from the Occupations for Women series (N166) for Old Judge and Dogs Head Cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: women,fencing

The "Occupations for Women" series of trading cards (N166) was issued by Goodwin & Company in 1887 to promote Old Judge and Dogs Head Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series, as well as three duplicate cards.
Les quatre evangélistes, miniatures tirées d'un ms. Grec du Xe Siècle
Object type: print
Date: 1859 – 1864
Materials: paper
Techniques: chromolithography
Location: paris
Subjects: the four evangelists ~ other themes, painting (including book-illumination, miniature-painting)
Inscriptions: name: ‘Lavril del./ Thurvanger Lith’
Covered footed vessel
Object type: vessel
Date: 567 – 600
Materials: earthenware
Techniques: relief
Culture: chinese
Design for a Two-Handled Platter
Object type: drawing
Date: 1845 – 1855
Materials: ink, watercolor
Techniques: pen
Artist: alfred henry forrester [alfred crowquill]
Artist role: artist
Artist nationality: british
Artist dates: 1804 – 1872
Subjects: flowers,dishes
Omslag voor 21 prentbriefkaarten met gezichten uit Tunesië
Object type: wrapper
Date: 1900 – 1950
Materials: cardboard, paper
Techniques: lithograph, writing
Artist: Anonymous
Portret van een onbekende vrouw in kostuum
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Subjects: adult woman, historical persons
Inscriptions: inscription: ‘Autotypie nach dem Verfahren von W. Weissenberger in St. Petersburg von Tilgmann's/ Aktiengeschaft für Buch- und Steindruckerei/ sammt Chemiegraphie in Helsingfors.’
Hairpin
Object type: hairpin
Date: 1368 – 1644
Materials: gold
Culture: chinese
Jonge vrouw die een emmer vult
Object type: drawing
Date: 1848 – 1888
Materials: chalk, paper
Techniques: brush
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Herder Coridon
Object type: print
Date: 1600 – 1700
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: flute, aulos, tibia - cc - out of doors, pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 2228

De herder Coridon bespeelt de fluit en probeert zo zijn geliefde Sylvia te vleien. Onder de voorstelling een vierregelig vers in het Nederlands.
Presbytery of Dumbarton
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits,reading
Portret van Cornelis Pietersz. Hooft
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, mayor, cornelis pietersz. hooft, mayor, burgomaster, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Portraiten van vermaarde persoonadien, dienende tot een aanhangsel op de Vaderlandsche historie. Amsterdam: Isaak Tirion, 1761.
Thomas Martyn
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: london
Subjects: botany (+ portrait of scholar, scientist), historical persons
Inscriptions: collector's mark: Lugt 2228
Borstplaat van een harnas met versieringen
Object type: breastplate
Date: 1525 – 1575
Materials: copper, metal
Techniques: etching
Location: europe
Artist: Anonymous

Borstplaat, ijzer, blank, uit drie delen gemaakt, de randen van de hals- en armuitsnijdingen zijn bekabeld, rondgeflenst en aan de binnenkant van de borstplaat geklonken. Aan weerzijden van de van de halsuitsnijding onder de rand aangeklonken ijzeren gespen. Rechte middengraat die eindigt in een kleine uitstulping boven de buikkraag. Onder de randen van de borstplaat is een versieringen te zien van verschillende vormen en dieren. Behalve de middengraat nog zes parallel lopende stroken die versierd zijn met diverse, vermoedelijk, bijbelse figuren. Onder de halsuitsnijding versieringen van een rond figuur die door twee engelen met aan weerzijden verschillende dieren. In het midden twee cirkels waarin het hoofd van een man en het hoofd van een vrouw worden afgebeeld. De cirkels worden gedragen door twee engelen figuren. Hieronder is een vrouw figuur te zien die een kruis vasthoudt met beide handen. Op de strook links van deze ets een figuur die een schaal vast heeft waar een hoofd op ligt. Rechts een vrouw figuur die haar rok licht omhoog trekt. Kleinere figuren staan op de overige stroken. De buikkraag is aan de borstplaat geklonken met geelkoperen klinknagels, de randen zijn licht verbogen. De binnenkant is zwart geverfd.
Snuffbox
Object type: snuffbox
Date: 1736 – 1737
Materials: gold
Artist: jean ducrollay
Artist role: maker
Artist dates: 1709 – 1760
Subjects: portraits,women,landscapes
Waterlandschap met roeiboot
Object type: print
Date: 1831 – 1904
Materials: paper
Techniques: drypoint, etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2228
Salle des Colonnes, hôtel de Ville, Paris
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper
Techniques: albumen print, cutting, hand coloring, perforating
Location: paris
Subjects: palace - aa - civic architecture: inside
Inscriptions: inscription: ‘4,-’
[Wisconsin Landscape]
Object type: photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: henry hamilton bennett
Artist role: artist
Artist nationality: american, born canada
Artist dates: 1843 – 1908
Subjects: roads,landscapes,carriages
Ploegende boeren
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: vincent laurensz. van der vinne (ii)
Artist role: draughtsman, print maker
Artist dates: 1686 – 1742
Subjects: agricultural implements: plough, ploughing
Inscriptions: collector's mark: Lugt 240

Prent oorspronkelijk bedoeld als boekillustratie voor: Spinniker, Adriaan. Leerzaame zinnebeelden. Haarlem: [boekverkoper] Isaak van der Vinne (I) en Amsterdam: [drukker] Johannes Krelius, 1714. Later gebruikt als boekillustratie in: Spinniker, Adriaan. Vervolg der leerzaame zinnebeelden, : spiegel der boetvaardigheid en genade en eenige Stichtelyke gezangen. Haarlem: Jan Bosch, 1758.
Twee handen
Object type: sketchbook leaf
Date: 1710 – 1772
Materials: chalk, paper
Artist: petrus johannes van reysschoot
Artist role: draughtsman, print maker
Artist dates: 1702 – 1772
Subjects: hand

Blad 88 verso uit een schetsboek met 105 bladen.
Precision & Speed
Object type: photomechanical print
Date: 1904 – 1909
Materials: paper
Techniques: autotype
Location: new york city
Artist: Anonymous
Subjects: advertising, tools, implements of printer
Maria Magdalena doet afstand van wereldse ijdelheden
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: paris
Subjects: the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: collector's mark: Lugt 240

Maria Magdalena, zittend aan haar toilet, kijkt met betraande ogen op naar lichtstralen vanuit de hemel. Ze neemt afstand van alle wereldse ijdelheden door haar juwelen en mantel af te werpen. Aan haar voeten ligt een juwelenkistje. Onder de voorstelling vier regels tekst in Latijn.
Cover
Object type: cover
Date: 1667 – 1700
Materials: silk, wool
Techniques: embroidery
Location: iran
Allegorie op de macht van Lodewijk XIV
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: engraving
Location: paris
Subjects: lodewijk xiv (koning van frankrijk)
Inscriptions: collector's mark: Lugt 240

Prent uit twee delen. Koning Lodewijk XIV, in Romeins tenue, vertrapt een monster terwijl de personificatie van Onsterfelijkheid hem kroont en Vrede hem aan de hand neemt. Een engel met een vlag wijst op wapenuitrusting, vastgebonden aan een palmboom. De tekst op het uitgerolde doek geeft de hoofdpunten uit een filosofisch tractaat van J.B. Colbert de Croissy.
Netsuke of Goat
Object type: netsuke
Date: 1701 – 1800
Materials: ivory
Culture: japanese
Subjects: goats
Bell with Bull with Chain
Object type: bell
Date: 901 – 1100
Materials: bronze
Culture: indonesian, javanese
Subjects: musical instruments,bulls
De heilige Hieronymus in zijn studeervertrek
Object type: drawing
Date: 1560 – 1580
Materials: paint, ink, paper
Techniques: brush, pen
Two sheep, one shown frontally in a reclining position with its legs folded underneath the body, to the right a standing sheep shown from behind in three-quarters view, a grassy field below them and beyond
Object type: print
Date: 1655 – 1655
Techniques: etching
Artist: karel dujardin
Artist role: artist
Artist nationality: dutch
Artist dates: 1622 – 1678
Subjects: sheep
Coin Depicting an Eagle
Object type: coin
Date: 320 – 250
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Schepen op het strand, vermoedelijk bij Saint Valery sur Somme
Object type: photograph
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, rural housing, e.g. country-house, villa, cottage

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.