deem-data/ArtiFact huggingface dataset:
Inname van Carthagena door Admiraal Vernon en Chaloner Ogle 1741
Object type: history medal
Date: 1741 – 1741
Materials: brass
Techniques: striking

Verguld messing penning, op de voorzijde Vernon en Ogle staand, met omschrift en afsnedetekst, op de keerzijde de vloot voor de haven van Cartagena met zijn kastelen, met omschrift.
Terracotta lekythos (oil flask)
Object type: lekythos
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

The application of glaze to an Attic shape effectively articulates the various parts and gives it a formal, finished appearance. Attic black-figured and black-glazed lekythoi persisted well after the introduction of the red-figure technique about 530 B.C.
Titi.P.Combo
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: christiaan benjamin nieuwenhuis
Artist role: publisher
Artist dates: 1863 – 1922
Subjects: locomotive, railway wagon, landscape with bridge, viaduct or aqueduct, railway, train, sumatra

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Vijf putti met boeken en een harp in een boot geduwd door een man
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: book, cupids: 'amores', 'amoretti', 'putti', boat propelled by man or animal
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228
La zolfatara
Object type: photograph
Date: 1857 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: pozzuoli
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: volcano, pozzuoli
Inscriptions: number: ‘6136.’
Begroeiing met bloemen
Object type: drawing
Date: 1915 – 1915
Materials: chalk, paper
Techniques: pasting
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: garden pond, public gardens, park

Mogelijk in het Kurpark te Wiesbaden. Tekening maakt deel uit van een album.
Roben Waterfall at Mount Oyama (Oyama Roben no taki)
Object type: print
Date: 1818 – 1820
Techniques: woodblock print
Location: japan
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Hat
Object type: hat
Date: 1801 – 1900
Materials: feather, glass, metal, paint, paper, silk, stone
Culture: chinese
Allée of Chestnut Trees
Object type: painting
Date: 1878 – 1878
Materials: canvas, oil
Artist: alfred sisley
Artist role: artist
Artist nationality: british
Artist dates: 1839 – 1899
Subjects: rivers,trees

In the 1860’s, Sisley met Pissarro, Monet, Bazille, and Renoir, with whom he brought forth the practice of painting directly from nature. Exhibiting with the Impressionists, as they were formally named at the time of their independent exhibition in Paris in 1874, Sisley enjoyed short-lived but considerable success during the 1870’s. While residing in Sèvres with his wife and children, Sisley painted this view of a curved pathway lined with chestnut trees in full bloom. The pathway follows a bend in the Seine, lending the viewer access across the pictorial space. The weather is pleasant, the sky a crisp pale blue, and the grass bending softly in the wind. Unlike other Impressionists who returned to their studios in their later careers, Sisley remained outdoors, painting from his sketches rendered in the countryside.
Dress
Object type: dress
Date: 1805 – 1810
Materials: cotton
Culture: french
Hier hebt gy weer tot uw playsier // Veel klugten na de nieuwste zwier
Object type: print
Date: 1782 – 1793
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: proverbs, sayings, etc.

Blad met 30 verbeeldingen van spreekwoorden. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: 89.
Holy Water Stoup (Bénitier)
Object type: metalwork
Date: 1701 – 1800
Materials: pewter
Location: belgium
Portret van Heinrich XX, vorst van Reuss
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: dresden
Subjects: adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228
Limestone inscribed fragment
Object type: statue base
Date: 3900 – 100
Materials: limestone
Culture: cypriot

Staue base dedicated "To the god, Apollo."
Texten, gepredikt te Amsterdam, in de Gereformeerde Nederduitsche, Walsche, Engelsche, als ook in de Luthersche en Herstelde Luthersche, Remonstranten, en de Vereenigde Doopsgezinde kerken
Object type: list
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: preaching (in general)
Inscriptions: collector's mark: Lugt 1641b

Rechtsboven genummerd: No. 3. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Predikbeurtenlijsten 1814, 1867.
Vrouw zwaait met zakdoek
Object type: photograph
Date: 1904 – 1905
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman, handkerchief
Inscriptions: inscription: ‘No. 2./ Groet.’
Profile Sketch of Young Girl (from Sketchbook)
Object type: drawing
Date: 1860 – 1860
Materials: graphite, paper
Culture: american
Artist: john quincy adams ward
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1910
Subjects: girls,profiles

Ward, a student of Henry Kirke Brown, became known as the "Dean of American Sculpture." This page is from a sketchbook, which provides an intimate look at the artist’s working methods. Ward’s sketches include several classically influenced figures mingled with American Indians on horseback as well as a number of bison.
Triomf van Mordechai
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Location: london
Subjects: mordecai's triumph: mordecai, mounted on the king's horse, is led through the city by haman (esther and ahasuerus may be looking on from the palace)
Inscriptions: collector's mark: Lugt 2228
20 para uit Turkije van sultan Abdul Medjid, regeringsjaar 17  [=1855]
Object type: coin
Date: 1855 – 1855
Materials: copper
Techniques: striking
Location: constantinople

Koperen munt. Voorzijde: tughra met rechts daarvan takje met bladeren. Onder tughra regeringsjaar-aanduiding: 17. Keerzijde: binnen omschrift in Arabische letters waarde-aanduiding: 20. In omschrift muntplaats-aanduiding: Constantinopel en aanduiding jaar van aantreden: 1255 [=1839].
Principes van het tekenen naar de natuur, deel zeven
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: printmaking, etching
Location: france
Subjects: drawing, sketch, arms, legs
Inscriptions: collector's mark: Lugt 2228
La plage près West Kapelle
Object type: print
Date: 1889 – 1902
Materials: paper
Techniques: drypoint, intaglio
Location: netherlands
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: sailing-ship, sailing-boat, beach
Inscriptions: collector's mark: Lugt 2228, number: ‘330’

Mogelijk vermeld in: Storm van 's-Gravesande, Charles. Catalogue des eaux-fortes et lithographies. New York: s.n., 1903, of in een onbekende latere uitgave van het manuscript. Vermoedelijk vermeld als catalogusnummer 330.
The Aqua Claudia in Rome
Object type: drawing
Date: 1809 – 1812
Materials: graphite, paper, watercolor
Techniques: brush
Location: italy
Artist: josephus augustus knip
Artist role: draughtsman, painter, print maker
Artist dates: 1777 – 1847
Subjects: ruin of a building ~ architecture, landscape with ruins
Inscriptions: inscription: ‘Aqueduc de l' eau Claudiane / à Rome’

Scattered throughout the ancient city centre of Rome are the remains of the Aqua Claudia. Constructed in the 1st century AD, this aqueduct provided drinking water to large parts of the city. Knip drew the spot where the aqueduct is built over an old city gate not far from the basilica of Santi Giovanni e Paolo.
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: bussum
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: the hague, painter, draughtsman, philip zilcken, venice
Inscriptions: collector's mark: ‘RPK’
The thirtieth Annual report of the Board of Water Commissioners of the city of Hartford to the Court of Common Council for the year ending March 1, 1884
Object type: book
Date: 1884 – 1884
Materials: paper, photographic support
Techniques: albumen print, printing
Location: hartford
Jug with the coat of arms of England
Object type: jug
Date: 1576 – 1576
Materials: glaze, stoneware, tin
Techniques: firing, forming, relief, turning, vitrification
Location: siegburg
Artist: anno knütgen
Subjects: armorial bearing, heraldry, england
Inscriptions: date: ‘15 76’

The neck of the jug is embellished with an angel bearing the arms of England. The body is decorated twice with the arms of Salentin von Isenburg-Grenzau (Archbishop of Cologne) between two rampant lions. There does not seem to be any connection between the English and the Cologne coats of arms; the potter simply used the templates available to him in the workshop.
Portret van een kind
Object type: album leaf
Date: 1930 – 1930
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: child, historical persons
Notities
Object type: endleaf
Date: 1890 – 1946
Materials: chalk, ink, paper, pencil
Techniques: pen
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Inscriptions: factory mark: ‘SKETCHER'S/ NOTE BOOK/ SERIES A 42/ containing 80 leaves of good white paper./ MANUFACTURED BY/ GEO. ROWNEY & CO., LONDON, W., ENGLAND/ SIZE No. 1- 5 1/2 x 4 inches./ Dimensions de l'album 28 x 21 cm.’, retailer's mark: ‘FIRMA A.J. van der LINDE/ AMSTERDAM, ROZENGRACHT 38, TEL.N 6111/ SCHILDER-EN TEEKENBEHOEFTEN’, collector's mark: Lugt 2228a, annotation: ‘[...]’

Voorste schutblad uit een schetsboek met 71 bladen.
Ruiterportret van Willem I Frederik, koning der Nederlanden
Object type: print
Date: 1815 – 1899
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: berlin, william i of the netherlands

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Werkzaamheden bij een boekverkoper
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: etching, letterpress printing
Location: haarlem
Subjects: shop, store, counter ~ shop, book, proverbs, sayings, etc.
Inscriptions: collector's mark: Lugt 1641, stamp

Embleem bij het motto: Schijn bedriegt. Onderaan een zevenregelige tekst in het Nederlands. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in engeren zin. Volksleven. Zinnebeeldige voorstellingen uit het volkleven op serieprenten. Maanden en diversen (allegorieën).
Notities en berekeningen
Object type: sketchbook leaf
Date: 1935 – 1936
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Inscriptions: factory mark: ‘SKETCHER'S/ NOTE BOOK/ SERIES A 42/ containing 80 leaves of good white paper./ MANUFACTURED BY/ GEO. ROWNEY & CO., LONDON, W., ENGLAND/ SIZE No. 2- 8 1/2 x 5 1/2 inches./ Dimensions de l'album 14 x 10 cm.’, annotation: ‘f 1.05/ [...]alt/ Va[...]laan 2a/Boklinsch:I/ 1.20 -6.50 [...]’, collector's mark: Lugt 2228a

Voorste schutblad uit een schetsboek met 73 bladen.
Study of a Fire Urn
Object type: drawing
Date: 1770 – 1790
Techniques: brush, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: eagles,lions,fire,urns
Glass perfume bottle
Object type: candlestick perfume bottle
Date: 101 – 300
Materials: glass
Culture: roman

Candlestick unguentarium. Colorless with greenish tinge. Rounded rim, pressed into sides of flaring mouth; tall cylindrical neck, flaring downward; sides of wide, flat body expanding sharply outward; broad, pushed-in bottom. Two concentric, wheel-cut (?) lines on body immediately below neck. Intact; pinprick and elongated bubbles; deep pitting and brilliant iridescence with patches of cramy brown weathering.
Uchishiki (Altar Cloth)
Object type: religious ritual object
Materials: paper, textile, silk, thread
Techniques: cutting, gilding
Location: japan
H.M.S. Sultan, from the Naval Vessels of the World series (N226) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: navy,ships

Trade cards from the "Naval Vessels of the World" series (N226), issued in 1889 to promote Kinney Tobacco Company.
"Zal Expounds the Mysteries of the Magi", Folio 87v from the Shahnama (Book of Kings) of Shah Tahmasp
Object type: folio from an illustrated manuscript
Date: 1525 – 1525
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: poetry,men

The Shahnama made for the Safavid ruler Shah Tahmasp (r. 1524–76) is the most luxurious sixteenth‑century copy of this poem about the legendary kings of Iran. It took more than twenty years to complete and involved two generations of the best Safavid artists, including Qadimi, painter of the scene here, who worked on many projects for Shah Tahmasp. In this painting, the hero Zal seeks advice on his wish to marry Rudaba from the wise Magi, seated at the foot of his throne.
Giottino (c. 1324-?). De H. Nicolaas plaatst den ontvoerden knaap voor zijn ouders - Assisi, onderkerk van den H. Franciscus
Object type: ansichtkaart, prentbriefkaart
Date: 1928 – 1928
Materials: cardboard
Techniques: rotogravure
Location: assisi
Artist: Anonymous
Subjects: interior of church, picture, painting
Inscriptions: collector's mark: ‘AFE v S’
Lijst van hout
Object type: frame
Date: 1900 – 1979
Materials: metal, wood
Location: unknown
Artist: Anonymous
Inscriptions: label: ‘Bewaarneming mevrouw Mees-Verwey / Santpoort, 1950’, : ‘RH.17’
Portret van Karl von Rotteck
Object type: print
Date: 1828 – 1853
Materials: paper
Techniques: engraving
Location: hildburghausen
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
[Portrait of T'sow-Chaoong]
Object type: photograph
Date: 1845 – 1847
Techniques: daguerreotype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits

Boston’s short-lived Chinese Museum, which opened on September 8, 1845, and closed in 1847, was created on the heels of the Treaty of Wanghia, a diplomatic agreement between the United States and China. An experiment in cultural understanding, the museum attempted to illuminate Chinese character and institutions with the help of two Cantonese cultural ambassadors: the poet and music teacher, Le-Kaw-hing; and the “Writing Master,” T’sow-Chaoong, who is pictured here. Elegantly posed beside a porcelain vase of cut flowers, T’sow-Chaong holds a fan in one hand and a daguerreotype in the other; these attributes, in addition to his long fingernails, emphasize his status as a gentleman and scholar. At the museum, he demonstrated calligraphy and provided visitors, including the poet Emily Dickinson, with calling cards on which he wrote their names in Chinese symbols.
Christus aan het kruis, met Maria, Johannes, Maria Magdalena en soldaten
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: crucified christ with mary, john, and mary magdalene
Inscriptions: collector's mark: Lugt 2228

Prent naar schilderij van Anthony van Dyck. Opvallend verschil met voorgaande staten is het verwijderen van de hand van Johannes welke ruste op de schouder van Maria, zie Luijten 1999, p. 226.
Waalse gemeente van Leiden
Object type: armenloodje
Date: 1758 – 1758
Materials: lead
Techniques: striking
Location: leiden
Artist: Anonymous
Subjects: leiden

Loden penning. Voorzijde: naar rechts varend schip, beschenen door zon; afsnede: jaartal. Keerzijde: twee gekruiste sleutels tussen letters P en W
Kerk van St. Omer, avondmaalspenning met no. 4
Object type: avondmaalspenning
Date: 1600 – 1800
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: saint-omer

Koperen penning. Voorzijde: wapenschild. Keerzijde: monogram.
Vrouwelijke Beroepen en Bedrijven / Proza
Object type: print
Date: 1850 – 1860
Materials: paper, watercolor
Techniques: hand coloring, letterpress printing, lithograph
Location: amsterdam
Artist: Anonymous
Subjects: lace-making, peat-cutting (+ women (labourers)), spinning (manufacture of yarn) (+ women (labourers)), flax (material ~ textile and clothing industry) (+ women (labourers)), merchant, salesman - bb - women engaged in trade and commerce, laundering, (other forms of) needlework, e.g.: crocheting, knitting, embroidering, milkmaid, home sewing; repair of clothes
Inscriptions: collector's mark, collector's mark: Lugt 1641

Boekje van zestien bladzijden met acht illustraties van vrouwelijke beroepen aangeduid als: de vlasspinster, de borduurster, de mosselvrouw, de wasvrouw, de modemaakster, de kantwerkster (ingekleurd), de melkvrouw en de turftonster. Met begeleidende tekst. Gebonden in een groene omslag. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Beroep en bedrijf. Vrouwelijk beroep en bedrijf: Varia en kinderprenten.
De arts als mens
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: engraving, letterpress printing
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: physician, doctor
Inscriptions: caption: ‘Jamq Machaonia magis...tolle malum’, number: ‘3’, caption: ‘Als nu den Crancken...vrientschap scheyden’, collector's mark: Lugt 240, signature: ‘HG. excud.’

In een huis zit een man bij de haard naast zijn bed, familieleden zorgend om hem heen. Een arts zit pratend naast hem. In het vertrek daar rechts naast is te zien wat er gebeurd is met de man sinds zijn val (zie de eerste twee prenten van de serie): zijn hoofdwond is verzorgd en hij heeft op krukken gelopen. Op de voorgrond nogmaals de arts, staand te midden van boeken en medische instrumenten. Onder de voorstelling gegraveerde Latijnse en Griekse teksten en (buiten de plaatrand maar op hetzelfde blad) een gedrukte Nederlandse tekst, waarin wordt uitgelegd dat de arts als een gewoon mens wordt behandeld als de zieke bijna genezen is. Deze prent is onderdeel van een serie van vier prenten waarop verbeeld is hoe de arts beschouwd en gewaardeerd wordt tijdens zijn bezoek aan een zieke: bij binnenkomst als een god, na de eerste hulp als een engel, bij genezing als een mens en wanneer er betaald moet worden als een duivel.
Ely Cathedral: Southwest Transept into Nave
Object type: photograph
Date: 1891 – 1891
Materials: glass
Location: england
Artist: frederick h. evans
Artist role: fotograaf
Artist nationality: english
Artist dates: 1853 – 1943
A Parade of Courtesans
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: sumizuri, woodblock print
Location: japan
Artist: hishikawa moronobu

A group of courtesans parade with servants carrying umbrellas. The print appears to depict a typical scene in the Yoshiwara pleasure quarters of Edo. However, a figure on the left is identified as one of the legendary Soga brothers, 12th-century heroes whose story of valor is retold in countless Kabuki plays. It is possible that this print may depict a scene from an unidentified Soga brothers drama.
Fotoalbum van het huis en gezin van Lucas Jonker in Bussum
Object type: scrapbook
Date: 1890 – 1915
Materials: paper, textile
Techniques: gelatin silver print
Location: bussum
Subjects: adult man, interior of the house, family life at home
Inscriptions: inscription: ‘Jonker, Bussum’

Plakboek met negen foto's op acht bladen, zonder bijschriften. De foto's zijn gemaakt in de huiselijke kring van de familie van Lucas Jonker te Bussum, waarschijnlijk door een professionele fotograaf van Fotografisch Atelier Brinklaan. Een van de foto's, een portret van Jonker gemaakt door Koene & Büttinghausen, bevindt zich los in het album.
Twee stoelen
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Two Men Holding Boulder over Prostrate Man with Manacles
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: pen
Location: belgium
Artist: possibly after victor honoré janssens
Souvenir du Japon vues d'après nature avec texte par le comte de Lijnden
Object type: titelprent, frontispice
Date: 1862 – 1862
Materials: paper
Techniques: lithograph
Location: the hague
Artist: carl wilhelm mieling
Artist role: print maker, printer
Artist dates: 1815 – 1903
Subjects: japan
Inscriptions: date
Stela of Dedu
Object type: stela, dedu, sitsobek
Date: 2000 – 1952
Materials: limestone, paint
Location: egypt
Subjects: men,women,hieroglyphs

The two lines of inscription at the top of this rectangular stela indicate that the monument belongs to a man named Dedu, born of Seni, and his wife Sitsobek, born of Nefret. In the center of the large scene, Dedu is shown striding forward over the ground line that is painted in three colors like a wall dado. He holds a long walking stick in one hand and carries a shorter stave with an upturned end in the other. His jet black hair is short, he sports a small goatee on his chin, and he wears an ornate broad collar, bracelets, and a short kilt with a triangular front panel. Sitsobek stands to the left, placing one hand on her husband’s shoulder and holding a mirror with a papyrus-shaped handle in the other. Her long tripartite hair is as black as Dedu’s, and she is shown wearing a green close-fitting dress with a single shoulder strap. A broad collar, bracelets, and anklets complete her attire. In front of Dedu and Sitsobek are food offerings, starting at the bottom with a large pottery beaker capped with a conical stopper and placed on a low stand, which is painted in a mottled pattern perhaps to imitate diorite. Above the vessel are a plucked duck and a green table laden with loaves of bread and various cuts of meat. Although the items appear to float vertically, they are meant to be seen as arranged side by side. The low flat raised relief style seen on this stela is characteristic of the period of transition between Dynasty 11 and Dynasty 12.
Piece
Object type: piece
Date: 1451 – 1500
Materials: metal thread, silk
Subjects: cross

The coat-of-arms of the Galilei family of Florence is represented by the small ladder with three rungs under the cross in the center of the velvet. Along the bottom is part of a scroll that, if complete, appears to have read "Benedetto Ghalilei." This velvet, with its particularly lavish use of gold metal thread and the incorporation of the cross, may have been used in a set of ecclesiastical vestments for a family chapel.
Verones. Moises Salvado del Nilo
Object type: photomechanical print
Date: 1910 – 1950
Materials: cardboard
Techniques: autotype
Location: madrid
Subjects: permanent exhibition, museum, picture, painting
Pont d'Orio in the North of Italy
Object type: drawing and watercolor
Date: 1800 – 1800
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: united kingdom
Artist: Anonymous
Artist nationality: british
Artist dates: 1700 – 1899
Langwerpige sjaal van wit katoen met ingeweven zijden strepen en versierd met een rand van licht- en donkergroene takken, elk met zes beige en roodgerande zilveren bloemen
Object type: scarf
Date: 1800 – 1900
Materials: cotton, silk, thread
Techniques: embroidered, weave
Location: turkey
Artist: Anonymous

Langwerpige sjaal van wit katoen met ingeweven zijden strepen en versierd met een rand van licht- en donkergroene takken, elk met zes beige en roodgerande zilveren bloemen. Franjes langs de korte zijde. Mogelijk bruidskleding, een bruidshoofddoek.