deem-data/ArtiFact huggingface dataset:
Journal des Dames et des Modes, Costumes Parisiens, 30 novembre 1832, (3036): Chapeau-béret (...)
Object type: fashion print
Date: 1832 – 1832
Materials: paper
Techniques: engraving, hand coloring
Subjects: coat (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), clothing for the upper part of the body (shawl) (+ fur used for clothes)
Inscriptions: address: ‘Journal des Dames Place de la Bourse 9.’, title: ‘Costumes Parisiens.’, caption: ‘Chapeau-béret en Crêpe orné de plumes- Robe de Velours Manteau de gros de naples par M.me Allin Barois’

Hoed of 'chapeau-béret' van crêpe versierd met veren. Japon met schapenboutmouwen van fluweel. Mantel van 'gros de naples' door Allin Barois. Verdere accessoires: oorbellen, stola, handschoenen, armbanden, zakdoek, waaier, schoenen met vierkante neuzen. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, Parijs, 1797-1839.
Heracleonas, Heraclii filius (...)
Object type: book illustration
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: utrecht
Subjects: historical persons, emperor

Prent uit: Bogaert, Abraham. De Roomsche monarchy, vertoont in de muntbeelden der westersche en oostersche keizeren (...). Utrecht: François Halma en Willem van de Water, 1697, p. 317. Eerste staat verschenen in een grotere prent met twaalf portretten, gedateerd 1695.
L'Abordage du Taccio (The Collision of Taccio), from "Les Combats de Quatre Galères" (The Battles of Four Galleys)
Object type: print
Date: 1601 – 1633
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: battles,ships
Study for “Madame Théodore Gobillard” (Yves Morisot)
Object type: drawing
Date: 1869 – 1869
Materials: graphite
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: portraits,women
Suikerriet in een inlandschen kampong. (Lampongsche districhten)
Object type: photomechanical print
Date: 1883 – 1894
Materials: paper
Techniques: photograph
Location: dutch east indies
Artist: Anonymous
Subjects: plants and herbs: sugarcane
Sepulchre of Vibius, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1551 – 1551
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: male nudes,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 51 in the scrapbook.
The Slums of Glasgow
Object type: photograph
Date: 1868 – 1877
Materials: cardboard, photographic support
Techniques: carbon print
Location: glasgow
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: adult man, lane, alley, glasgow
Inscriptions: number: ‘27.’

In the series Photographs of Old Closes, Streets, & c., Taken 1868-1877 Annan recorded the slums of Glasgow in 40 pictures just before they were razed to make way for new, clean, and better housing for labourers in the Scottish manufacturing city.
Kinderhoofden en grijnzend gezicht
Object type: poem
Date: 1895 – 1896
Materials: paper
Techniques: lithograph
Subjects: child, festivities on st. nicholas (eve) (december 5)
Inscriptions: collector's mark: Lugt 2228

Vijf lachende en verschrikt kijkende kinderhoofden. Bovenaan een donker grijnzend gezicht, mogelijk een masker of Zwarte Piet. Onderaan het sinterklaasvers: 'Maar o wee wat bittre smart, Kregen wij voor koek een gard'.
Gezicht op de Haringpakkerij, hoek Martelaarsgracht
Object type: drawing
Date: 1861 – 1899
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: johan martinus anthon rieke
Artist dates: 1851 – 1899
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc., boat propelled by man or animal
Inscriptions: inscription: ‘Haringpakkerij’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 2.
Liggende koeien in een weiland
Object type: sketchbook leaf
Date: 1862 – 1864
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: cow, meadow, pasture
Inscriptions: kleurnotitie, handgeschreven

Blad 2 verso uit een schetsboek met 65 bladen.
Lapis lazuli intaglio: Seated deity
Object type: intaglio
Date: 101 – 200
Materials: lapis lazuli
Culture: roman
Groepsportret van twee mannen en twee vrouwen in kostuum
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: boulogne-sur-seine
Artist: eugène huet
Artist role: fotograaf
Artist dates: 1839 – 
Subjects: adult man (+ two persons), stage costume, adult woman (+ two persons), anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘EH/ Photographie/ artistique/ E. Huet/ 24, Rue d'Aguesseau/ Boulogne/ (SEINE)/ Tous les clichés sont conservés.’
Portret van Joachim Lange
Object type: print
Date: 1734 – 1734
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: joachim lange, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Deutsche Acta Eruditorum (...). dl. 180. Leipzig: Johann Gottlieb Gleditsch, 1734.
The Peasant Carrying his Shovel on his Shoulder, from The Caprices
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Portret van Reinier Adriaensz. Pauw
Object type: print
Date: 1858 – 1860
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, mayor
Inscriptions: collector's mark: Lugt 2228

Illustratie in: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. 5 delen, Amsterdam: Schleijer, J.F. 1840-1884, dl. 3.3, p. 87.
Dood van Rene Descartes
Object type: history medal
Date: 1669 – 1693
Materials: silver
Techniques: striking
Location: leiden
Artist: jan smeltzing (i)
Artist role: modelleur
Artist dates: 1656 – 1693
Subjects: rené descartes

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift tussen stralende zon en globe
Portret van Johannes Langer
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: theologian, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Portret van Abraham Everardus Simon Thomas
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde en een onderschrift in Latijn.
Le Tambourin
Object type: print
Date: 1788 – 1794
Techniques: aquatint, engraving, etching
Artist: charles melchior descourtis
Artist role: artist
Artist nationality: french
Artist dates: 1753 – 1820
Vue générale de Versailles
Object type: print
Date: 1803 – 1858
Materials: paper
Techniques: aquatint
Location: paris
Subjects: landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een verder onbekende genummerde serie.
Gezicht op het Oudezijds Huiszittenhuis te Amsterdam
Object type: book illustration
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: public welfare, poorhouse, canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage)

Prent uit: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeruige verhandelinge van desselfs eerste oorspronk uyt den Huyse (…). Amsterdam: Andries van Damme et al., 1726, tussen p. 474 en 475.
Veld van twintig tegels met landschappen
Object type: tile
Date: 1740 – 1800
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van twintig tegels (4 x 5) met blauw geschilderde landschappen in een cirkel. In de hoeken, een anjer.
Photography: its history, processes, apparatus, and materials
Object type: book
Date: 1899 – 1899
Materials: cardboard, linen, paper
Techniques: photograph, offset printed, photoaquatint, photogalvanography, photolithography, printing, woodburygravure, woodburytype
Location: london
Inscriptions: inscription: ‘ex libris SFJ’, inscription: ‘George W Carroll 14 Vernon Street Bury Lane’
Brief aan Philip Zilcken
Object type: letter
Date: 1890 – 1890
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Artist: françois pieter ter meulen
Artist role: painter
Artist dates: 1843 – 1927
Subjects: draughtsman, philip zilcken, drawing, printed matter
Inscriptions: collector's mark: ‘RPK’
A caricature figure (a carpenter?) with a toad on his nose, carrying various implements walking to the left
Object type: print
Date: 1640 – 1660
Techniques: engraving, etching
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: satire,walking
Portret van een onbekende vrouw in een zwarte jurk en een zwarte hoed
Object type: page
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Subjects: historical persons not known by name - bb - woman, head-gear: hat
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, lower drapery and feet of woman to right
Bead
Object type: bead
Date: 801 – 1000
Location: iran
Pompeiian Design for Paneling
Object type: drawing
Date: 1851 – 1900
Materials: graphite, watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Anna van Hannover (1709-59). Echtgenote van prins Willem IV
Object type: painting, miniature
Date: 1753 – 1760
Materials: glass, ivory, metal
Artist: gerrit kamphuysen
Artist role: miniatuurschilder
Subjects: the hague, anna van hannover, historical persons - bb - woman

Anna of Hanover, wife of William IV.
Statue of Seti I
Object type: statue, kneeling king, seti i
Date: 1294 – 1279
Location: northern upper egypt
Subjects: kings

Seti I, second king of Dynasty 19, was, like his father Ramesses I, very conscious of his role in establishing a new dynasty and restoring the power and stature of Egypt among its neighbors. He campaigned in the Levant and his battle reliefs decorate the exterior walls of the huge hypostyle hall that he added to the temple of Karnak. He also reopened the gold mines in the eastern desert and Nubia. He built a beautiful mortuary temple for himself at Abydos in which was carved the famous kinglist of Abydos, as well as a mortuary temple at Thebes. In the Valley of the Kings, he built one of the most beautifully carved and decorated tombs ever made there. This kneeling statue of the king shows him making offerings to Osiris and was probably intended for his temple at Abydos. The same high artistic standards that are seen in the reliefs of Seti I are evident in this statue and the face seems to be reminiscent of earlier kings of Dynasty 18 such as Thutmose III.
Crucifix
Object type: painting
Date: 1450 – 1450
Materials: gold leaf, paint, wood
Artist: attributed to giovanni antonio da pesaro
Artist role: artist
Subjects: christ,crucifixion
Portret van een staande man met hoed en tas met jachtgeweer in de hand
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: prague
Artist: hynek fiedler
Artist role: painter
Subjects: hunter, historical persons, firearms: rifle
Inscriptions: name: ‘Bla[.]a z[.]evah/ [...]’, inscription: ‘H. Fiedler/ Fotograf i malir/ v PRAZE/ Václavské námesti c. 783-II./ Matrice se zachová.’, annotation: ‘AK’
De moeder, vrouw en zoon van Reinier van Oldenbarnevelt smeken Maurits om genade, 1623
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: roulette, engraving
Location: netherlands
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: the hague, maurice (prince of orange)
Inscriptions: collector's mark: Lugt 2166

De moeder, vrouw en zoon van Reinier van Oldenbarnevelt zitten bij prins Maurits aan een tafel en smeken om genade voor Reinier van Oldenbarnevelt, één van de ter dood veroordeelde samenzweerders, maart 1623.
Maria als Mater Dolorosa
Object type: print
Date: 1870 – 1889
Materials: paper
Techniques: chromolithography, hand coloring
Location: wissembourg
Subjects: mary with the instruments of the passion - ff - 'mater dolorosa', head or bust
Inscriptions: collector's mark: Lugt 2233
Fête Bachante
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: engraving
Location: paris
Artist: pieter willem van megen
Artist role: print maker
Artist dates: 1750 – 1785
Subjects: (story of) bacchus (dionysus), liber, satyr(s) (in general), glass, rummer
Inscriptions: collector's mark: Lugt 240

Bacchus heft zijn drinknap. Hij draagt een kroon van druiven en wingerdbladeren op zijn hoofd en een geitenhuid om zijn schouders. Achter hem een druiven etende sater. Op de achtergrond een berglandschap. De bovenhoeken van de lijst zijn versierd met de hoofden van saters, de onderhoeken met drinkglazen.
Swept frame
Object type: frame
Date: 1870 – 1900
Materials: wood
Culture: french
Portret van prins Frederik Otto
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: fruits: apple, gloves, mittens, etc., book, armorial bearing, heraldry
Inscriptions: number: ‘22. - 43,b.’, collector's mark: Lugt 240

Portret van prins Frederik Otto. Hij heeft een appel en een paar handschoenen in de hand. In de bovenhoeken twee wapenschilden. In het kader een achtregelig onderschrift, in twee kolommen, in het Latijn.
Pectoral with bovine head crowned with disk, horns and feathers
Object type: pectoral, bovine headed god, apis, mother of apis
Date: 664 – 200
Materials: gemstone, metal
Location: egypt
Bit Boss
Object type: bit bos
Date: 1670 – 1670
Materials: copper alloy
Culture: french
Location: france
Subjects: apollo

The pierced decoration of this bit boss displays the head of Apollo in the center of a trophy of arms, flags, cannons, masks, flowers and fruits, with a plumed helmet adorned with a lion's head emerging at the top. These elements are arranged in such a way that they are radiating from the central head, visually recalling Louis XIV's emblematic Apollonian sun. Bit bosses were ornamental elements decorating both sides of a horse bit. A more luxurious version of the design of this boss was used for bits that were part of an equestrian gift sent by Louis XIV of France to King Charles XI of Sweden in 1673, now preserved in the Royal Armory of Stockholm.
Gezicht vanaf Pozzuoli op de baai van Napels
Object type: sketchbook leaf
Date: 1811 – 1830
Materials: paper, pencil
Location: pozzuoli
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: gulf, bay, pozzuoli, ischia, isola d'
Inscriptions: date and inscription: ‘capo di Miseno/ Porte di Caligula/ Bacoli/ Ischia/ epomeo Baia/ Pozzuoli/ 15 Nov 30’

Blad 9 verso uit een schetsboek met 26 bladen.
Friuli Spear
Object type: arm
Date: 1540 – 1560
Materials: brass, steel, velvet, wood
Techniques: gilding
Culture: italian
Location: italy
Man in een stoel in een bibliotheek
Object type: print
Date: 1881 – 1936
Materials: paper
Techniques: drypoint, etching
Subjects: bookshelves, study; 'studiolo'; library, lectern ~ reading
Inscriptions: collector's mark: Lugt 4780, collector's mark: Lugt 2228

Een man zit met een boek in zijn handen diep weggezakt in een luie stoel voor het raam. Aan weerszijden van het raam boekenkasten, een lessenaar met een boek op de voorgrond.
Regeeringsproclamatie
Object type: text sheet
Date: 1918 – 1918
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: netherlands
Inscriptions: collector's mark: Lugt 2228

Proclamatie door de regering bij de demobilisatie van het Nederlandse leger na afloop van de Eerste Wereldoorlog in 1918. Tekstblad bedrukt op één zijde.
Grazend schaap naar rechts
Object type: print
Date: 1792 – 1810
Materials: paper
Techniques: etching
Location: amsterdam
Artist: wouter johannes van troostwijk
Artist role: draughtsman, painter, print maker
Artist dates: 1782 – 1810
Subjects: sheep
Inscriptions: collector's mark: Lugt 2228
Portrait of a Lady
Object type: painting, miniature
Date: 1795 – 1795
Materials: ivory, watercolor
Culture: american
Artist: lawrence sully
Artist role: artist
Artist nationality: american
Artist dates: 1769 – 1804
Subjects: portraits,women
Tool ? Nail cleaner ?
Object type: tool nail cleaner
Date: 670 – 330
Materials: bronze
Culture: roman
St. Augustine
Object type: print
Techniques: engraving, etching
Artist: nicolas pitau
Artist role: artist
Artist nationality: french
Artist dates: 1670 – 1724
Subjects: men,saints
Crested pheasant
Object type: figure
Date: 1755 – 1755
Materials: soft paste porcelain
Artist: derby porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 1785
Subjects: pheasants
Bactrian Camel, from the Animals of the World series (T180), issued by Abdul Cigarettes
Object type: print
Date: 1881 – 1881
Techniques: color lithograph
Artist: abdul cigarettes
Artist role: publisher
Artist nationality: american
Artist dates: 1881 – 1881
Subjects: camels
Slippers
Object type: slipper
Date: 1892 – 1892
Materials: leather
Culture: american
Artist: rosenbloom's
Artist role: department store
Artist nationality: american

The so-called "Juliet" (or its masculine incarnation, the "Romeo") with high front and back and low V at the sides, introduced in the early 1890s, was a one of the standard slipper cuts at the turn of the 19th century. This early example in red kid features long curving points which have been exaggerated to a comical extent. The whimsical design and loose fit indicate that this was intended as a domestic slipper. An almost identical example is preserved in the Peabody Essex Museum (cat#134,743).
False-necked jar
Object type: false necked jar
Date: 1050 – 900
Materials: terracotta
Culture: cypriot
Predikbeurten bij de herstelde Evangelisch Luthersche Gemeente
Object type: text sheet
Date: 1854 – 1854
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: hersteld evangelisch-lutherse kerk
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Ev. Lutherse Gemeente: Herst. Ev. Luth. Gemeente.
Paard in galop en twee mannen- en één vrouwenkop
Object type: sketchbook leaf
Date: 1864 – 1880
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: head (human), adult woman, adult man, galloping horse

Blad 14 verso uit een schetsboek met 98 bladen.
Hell Hounds Rallying Round the Idol of France
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,napoleon i,demons,politics
Gezicht op een plein in Zell am See
Object type: photograph
Date: 1950 – 1960
Materials: photographic support
Techniques: gelatin silver print
Location: zell am see
Subjects: square, place, circus, etc., advertising
Inscriptions: inscription: ‘Zell am See, Stadtplatz’, number: ‘25293’
Iconographie
Object type: print
Date: 1630 – 1641
Materials: paper
Techniques: etching
Location: low countries
Subjects: antwerp, paul de vos, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240

Portret van Paul de Vos met onderschrift PAVLVS DE VOS PICTOR
Fables choisies, mises en vers
Object type: book
Date: 1755 – 1755
Materials: paper, wood
Techniques: bookbinding, engraving, etching, letterpress
Location: france
Artist: jean-baptiste oudry
Artist role: artist
Artist nationality: french
Artist dates: 1686 – 1755
Tray (part of a service)
Object type: tray
Date: 1759 – 1759
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Dressing Glass
Object type: dressing glass
Date: 1790 – 1800
Materials: wood
Techniques: lacquer
Culture: chinese
Location: china
De oprichting van de koperen slang (rechter helft)
Object type: print
Date: 1646 – 1700
Materials: paper
Techniques: engraving
Subjects: the brazen serpent (numbers 21:4-9)
Figurine
Object type: sculpture
Date: 700 – 601
Materials: ceramic
Culture: assyrian
Location: mesopotamia
Prison Scene
Object type: drawing and watercolor
Materials: chalk, graphite, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: vincenzo dal re
Portret van William Kenrick
Object type: print
Date: 1766 – 1766
Materials: paper
Techniques: etching
Artist: thomas worlidge
Artist role: print maker
Artist dates: 1700 – 1766
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Nummer 5 in de catalogus van Worlidges prenten die zijn weduwe in 1767, na het overlijden van Worlidge, opstelde.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, four horse hooves to right; bent leg of a male to right; in the background, a vine
Gibraltar, 2 quartos, 1818
Object type: coin
Date: 1818 – 1818
Materials: copper
Techniques: striking

Koperen particuliere munt. Voorzijde: zittende leeuw naar links, in rechterklauw sleutel. Keerzijde: kasteel, waaronder jaartal. waarde-aanduiding in omschrift. Kabelrand.
Carriage boots
Object type: carriage boot
Date: 1880 – 1895
Materials: fur, silk
Culture: french
They Loose Dogs on the Bull, plate 25 from The Art of Bullfighting
Object type: print
Materials: paper
Techniques: aquatint, burnishing, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: dogs, animals