deem-data/ArtiFact huggingface dataset:
Stone Mason's Chisel
Object type: chisel, bronze or copper
Date: 2051 – 2000
Materials: bronze, copper alloy
Techniques: hammering
Location: egypt
Salver
Object type: salver
Date: 1701 – 1800
Materials: pewter
Artist: jean charton the elder
Artist role: maker
Artist dates: 1695 – 1778
Subjects: coat of arms
Plate 15: Rivers and goddesses, with floating islands, from "The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke" (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc)
Object type: print
Date: 1664 – 1664
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: women,rivers,shells,goddess,musicians
Strook naaldkant met tulp en rozentak in medaillons
Object type: strip
Date: 1850 – 1860
Materials: linen
Techniques: lace
Location: alençon
Artist: Anonymous

Strook naturelkleurige naaldkant: Alençon-kant. Patroon met een repetitief motief van medaillons op een fijne zeshoekige maasgrond, die bovenin is bezaaid met moesjes. In de medaillons om en om een tulp en een rozentak. De buitenrand van de medaillons bestaat uit veelsoortige bloemen en bladeren die naar onder toe groter worden. Aan weerszijden van de grootste bloem onderaan een acanthusblad. Verschillende siergronden in de ruitvormige ruimtes tussen de acanthusbladeren en in een enkele bloem. Langs de onderrand bloemen, blaadjes die schulpen vormen. De bovenzijde is afgezet met een rand kloskant.
Dienstmeisje
Object type: drawing
Date: 1884 – 1931
Materials: chalk, paper
Artist: martin monnickendam
Artist role: draughtsman, painter, print maker
Artist dates: 1874 – 1943
Subjects: maid ~ house personnel
Hollands Arcadia, of de vermaarde rivier den Amstel
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view in general; 'veduta', river, inn, coffee-house, public house, etc., boat propelled by man or animal

Prent waarschijnlijk uit: Tijsens, Gijsbert. Hollands Arcadia, of de vermaarde rivier den Amstel (...) naar 't léven getekend en in 't ligt gebragt door Abraham Rademaker (...). Amsterdam: Leonardus Schenk, 1730.
Mr Johan Herman de Lange van Wijngaarden (1759-1818). Schepen van Haarlem
Object type: pastel
Date: 1800 – 1820
Materials: parchment
Artist: charles howard hodges
Artist role: draughtsman, painter, print maker
Artist dates: 1764 – 1837
Subjects: gouda, the hague, historical persons

Charles Howard Hodges (1764 - 1837). Jacob Carel Abbema and his second wife, Isabella Maria Smissaert. Pastels, c. 1813.
Keizersgracht (la maison aux têtes)
Object type: photograph
Date: 1855 – 1860
Materials: paper
Techniques: albumen print
Location: amsterdam
Artist: pieter oosterhuis
Artist role: draughtsman, print maker
Artist dates: 1816 – 1885
Subjects: urban housing
Inscriptions: inscription: ‘La maison aux têtes, sur le Keizersgracht.’
Sarah, from The Wives of the Patriarchs
Object type: print
Date: 1597 – 1597
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacob matham
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1631
Inscriptions: Lettered lower right: "HG. Inventor."; and below image: "Effoeto sterilis quanvis ... numine natum. C. Schoneus."
Terracotta fragment of a lekanis (covered dish)
Object type: lekanis fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Below the rim, part of a zigzag band and two red glazed lines
Copies after the 'Livre contenant passement de moresques' (plate 8)
Object type: album print ornament architecture
Date: 1801 – 1900
Techniques: etching
Artist: jacques androuet du cerceau
Artist role: artist
Artist nationality: french
Artist dates: 1510 – 1585
Subjects: female nudes

Modern album containing 19 etchings with moresque designs after the French artist Jacques Androuet Du Cerceau.
Phiale, miniature
Object type: phiale, miniature
Date: 300 – 101
Materials: terracotta
Culture: etruscan
Portret van Frederik I. van Valckenborch
Object type: print
Date: 1656 – 1722
Materials: paper
Techniques: mezzotint
Artist: georg fennitzer
Artist role: print maker
Artist dates: 1646 – 1722
Subjects: antwerp, painter, historical persons, portrait, self-portrait of painter, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: Lugt 2228
Bok, staande op bergplateau
Object type: dierfiguur
Date: 1800 – 1899
Materials: wood
Techniques: cutting, painted
Location: germany
Artist: Anonymous

Bok, staande op een bergplateau, gesneden uit blank esdoornhout.
Hoogstraten. Praalgraf van A. de Lalaing en E.V. Culenberg, stichters der kerk van Sinte Katharina (...)
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1913
Materials: cardboard
Techniques: photograph
Location: brussels
Subjects: grave, tomb, interior of church
Portret van August Friedrich Ferdinand von Kotzebue
Object type: print
Date: 1805 – 1844
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: number: ‘53'3’, collector's mark: Lugt 2228
Het ontzet van Kamerijk door de hertog van Anjou, 1581
Object type: album leaf
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: paris, françois-hercule de valois (hertog van anjou), rome, alessandro farnese (landvoogd van de nederlanden en hertog van parma en piacenza), raising the siege with outside assistance, relief

Prent waarschijnlijk uit: Le Clerc, Jean. Geschiedenissen der Vereenigde Nederlanden, sedert den aanvang van die Republyk tot op den Vrede van Utrecht in 't jaar 1713 en het Tractaat van Barriere in 't jaar 1715 gesloten. Amsterdam: Zacharias Chatelain, 1730, dl. 1, p. 132-133.

Eerdere staat gebruikt in: Bor, Pieter Christiaensz. Oorsprongk, begin, en vervolgh der Nederlandsche Oorlogen (...). Amsterdam: weduwe van Joannes van Someren, Abraham Wolfgangh, Hendrick en Dirk Boom, 1684, dl. 2, p. 286.

Eerdere staat ook gebruikt in: Groot, Hugo de. Nederlandtsche Jaerboeken en Historien sedert het jaer MDLV tot het jaer MDCIX (...). Amsterdam: weduwe Joannes van Someren, Abraham Wolfgang en Hendrick en Dirk Boom, 1681, p. 76-77.
Portrait of a man and a woman
Object type: photograph
Date: 1870 – 1900
Materials: metal
Techniques: ferrotyping
Location: united states
Artist: Anonymous
Sailing Among the Hebrides, from Boswell's Tour of the Hebrides
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Design for 6 seat Rockaway, no. 3191a
Object type: drawing
Date: 1876 – 1876
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Cosmetic Container
Object type: vessel
Date: 301 – 400
Materials: glass
Techniques: glassblowing
Location: mediterranean region
Subjects: beauty
Card Number 213, Marie Burroughs, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Preekstoel in de Grote Kerk te Drachten
Object type: photograph
Date: 1910 – 1915
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: grote kerk
Artist: Anonymous
Subjects: interior of church, pulpit, ambo, chancel
Inscriptions: inscription: ‘5717 neg. no 16971’, inscription: ‘Drachten. Preekstoel in N.H. kerk Oct. 1915’, annotation
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic
Temple de Débôd, Parembole de l'Itinéraire d'Antonin; Nubie, plate 86 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie
Oordeel van Salomo
Object type: print
Date: 1717 – 1756
Materials: paper
Techniques: engraving, etching
Subjects: solomon gives verdict; he commands a soldier to divide the living child in two
Inscriptions: collector's mark: Lugt 240
Vijf stuivers, noodmunt van Mainz, geslagen tijdens het beleg door de geallieerden
Object type: vijf sol
Date: 1793 – 1793
Materials: copper
Techniques: striking
Location: mainz
Artist: Anonymous
Subjects: mainz, beleg van mainz, franse revolutie, eerste coalitie-oorlog

Voorzijde: roedebundel met bijl, bekroond met vrijheidsmuts binnen eikekrans en omschrift. Keerzijde: waardeaanduiding binnen omschrift
Schoorsteenveger
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: woodcut
Subjects: handicrafts ~ maintenance and repair (with name of trade or profession)
Inscriptions: annotation: ‘A monsieur Roger Marx/ H Guérard’, collector's mark: Lugt 2228
Judith wordt opgenomen bij het klooster in Tours
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: france, history, nun(s), cloisters ~ monastery
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Königl. Grossbritanischer Historischer Genealogischer Calender für 1796 (...). Lauenburg en Franfurt am Main: Johann Georg Berenberg en Jaegerschen Buchhandlung, [1795].
Terracotta fragments of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

One fragment has, below, the rim, ivy; at the left, ear of a horse; ears, top of the face, mane, and part of the neck of a frontal horse; part of the mane and right ear of a horse to right; a second fragment has the legs of horses and part of a chariot wheel to right; at the bottom right, tails of horses?; a third fragment has parts of five horse legs and two tails; a fourth fragment has part of the head, chest, and shoulder of a harnessed horse to right; head and upper body of a helmeted warrior to left, with a round shield; a fifth fragment has an unidentified subject
Portret van Childerik II, koning van Austrasië
Object type: print
Date: 1825 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk gebruikt voor: Rois et reines de France: depuis l'origine de la monarchie jusqu'à nos jours. 3 dln. Parijs: veuve Delpech, 1833-1840. En/of voor: Iconographie française ou recueil des portraits des personnages les plus illustres qui ont paru en France depuis François premier jusqu'à la fin du règne de Louis XVI (…). Parijs: veuve Delpech, 1828. En/of voor: Iconographie française ou choix de deux cents portraits d'hommes et de femmes qui se sont acquis en France, depuis le règne de Charles VII jusqu'à la fin de celui de Louis XVI (…). Parijs: veuve Delpech, 1840.

Mogelijk komt de prent ook voor in eerdere en/of latere publicaties uitgegeven door veuve Delpech of haar opvolger Rosselin.
Scarab with the Throne Name of Amenhotep III
Object type: scarab, nebmaatre, amenhotep iii
Date: 1390 – 1352
Location: egypt
Subjects: hieroglyphs,scarabs
Gezicht op een visser aan de kust
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Location: berlin
Artist: Anonymous
Subjects: coast, fisherman
Inscriptions: monogram: ‘MR/ &Co’
Panel
Object type: textile
Culture: chancay
Location: peru
Washerwomen
Object type: print
Date: 1773 – 1773
Techniques: etching
Artist: jean jacques de boissieu
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1810
Subjects: ruins,women,cows,washing
Omtrek van een hand en studie van een hoofd
Object type: drawing
Date: 1812 – 1861
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: postures and gestures of arms and hands in general, postures of the head
Study for Common Council Chamber, Guild Hall, from Microcosm of London
Object type: drawing and watercolor
Date: 1808 – 1808
Materials: graphite, paper
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
H. Basilius van Caesarea, kerkvader
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: giving alms or other charity, e.g.: handing out food, basil the great (basilius magnus), bishop of caesarea; possible attributes: dove, (column of) fire
Inscriptions: number: ‘9’, collector's mark: Lugt 2228

Proefdruk van illustratie uit: Cave, William. Apostolische oudheden, of Het leven (...) der heylige apostelen, 3 delen. Utrecht: François Halma en Willem van de Water (I), 1698, p. 311.
Interieur van de Sint-Nicolaaskerk in Kalkar
Object type: page
Date: 1870 – 1880
Materials: photographic support
Techniques: albumen print
Location: kalkar
Artist: friedrich brandt
Artist role: fotograaf
Artist dates: 1823 – 1891
Subjects: interior of church, parts of church interior: choir
Sampler
Object type: sampler
Date: 1830 – 1830
Materials: canvas, silk, wool
Subjects: dogs,flowers
Langsdoorsnede van het Palazzo Carrega-Cataldi te Genua
Object type: album leaf
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: hôtel, i.e. small palace in city - aa - civic architecture: inside, section ~ architectural design or model

Deze prent maakt deel uit van een album.
Vûe du Canal proche de Haerlem
Object type: print
Date: 1745 – 1750
Materials: paper
Techniques: etching
Location: paris
Subjects: sailing-ship, sailing-boat, canal, night ~ landscape (sometimes titled 'nox'), haarlem
Inscriptions: collector's mark: Lugt 1641, stamp

Aan het water staan huizen en op het water liggen schepen en boten. Op de voorgrond staat een man met een stok in het water. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Zee- en Riviervisscherij.
Bodhisattva Guanyin
Object type: figure
Date: 1401 – 1600
Materials: brass
Culture: chinese
Subjects: buddhism,avalokiteshvara

Bodhisattvas are usually adorned as royalty, with heavy jewelry, layered silk robes, and elaborate headdresses. At the center of Guanyin’s crown sits a cross-legged Buddha, the celestial Buddha Amitabha of the Western Paradise, from whose forehead Guanyin is said to have first emerged. The vase in Guanyin’s hands often appears in depictions of the bodhisattva in two special forms: White-Robed and Water-Moon Guanyin.
De zeer eerwaerde heer Lukas Ahuys
Object type: print
Date: 1734 – 1737
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: bookshelves, historical persons, functionaries and dignitaries ~ episcopal protestant churches, book, crucifix ~ personal devotion, armorial bearing, heraldry
Design of the Side Elevation for the Casino of the Villa Patritj [Patritii] at Porta Pia
Object type: drawing
Date: 1710 – 1727
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: pietro paolo coccetti (cocchetti)
Artist role: artist
Artist nationality: italian
Artist dates: 1710 – 1727
Subjects: architecture,buildings
Integrated vessel model with four jars
Object type: pot, quadruple, nespekashuty
Date: 664 – 610
Materials: lead
Location: egypt

Integrated model vessels, that is, several small vessels on a slab created as a unit, were found in tombs of Dynasty 26 and perhaps early Dynasty 27 tombs. The vessels on a given slab were of one type, but different slabs or tables might hold different types of vessels, from beakers, to rounded nemset jars, to others. These heavy-bottomed jars of lead may represent deshret jars; these normally had rounded bottoms but may have been flattened here to fit on a slab. Faience is the most frequent material, but stone and a few other metal examples are known. Although long mysterious and variously classified and named, a recent study has collected these integrated model vessels and proposes that they are models invented in the Late Period to represent the sets of jars that are visible in representations of Opening of the Mouth ceremonies in New Kingdom tomb paintings (see Pairy's painting 35.101.3, far left of the lower register), in Book of the Dead vignettes, and on temple walls. These representations often show the sets of like jars along with other Opening of the Mouth implements alongside a wooden box. And, indeed, in a few known cases where archaeological information is available, these integrated vessel models of the Late Period were also associated with a long-legged wooden box whose contents had a definite ritual emphasis. Nespekashuty had a second integrated vessel model, also of lead, holding nine jars. That one is in the Egyptian Museum, Cairo. His integrated vessel models seem to be the earliest examples known so far, plus among the very few sets known from Thebes as the type is better attested in the Memphite region. Both were found in the inner, niched, room of his tomb. Because the tomb was so frequently reused and disturbed, it is not possible to know whether a box was associated.
Study Models of Parts of the Body
Object type: model
Date: 1560 – 1570
Materials: terracotta
Techniques: molding
Location: florence
Artist: johan gregor van der schardt
Artist role: sculptor
Artist dates: 1530 – 1581

This group of small models of parts of the body are carefully copied after famous sculptures, in particular by Michelangelo, in Florence and Rome. They came from the workshop of the Nijmegen sculptor Johan Gregor van der Schardt, who had a successful career in Italy, Nuremberg, and Copenhagen. They are extremely rare examples of the, in part autograph, study material of a 16th-century sculptor.
Mill Near Brighton
Object type: print
Date: 1829 – 1829
Techniques: drypoint, mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: windmills

View of a mill in a stormy landscape. In the bottom left foreground, a woman approaches the mill. In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Patriotten verlaten de Neude te Utrecht, 1787
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: etching
Location: utrecht
Artist: johannes jelgerhuis
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1836
Subjects: putting the enemy to flight - hh - being put to flight, fleeing (+ citizen soldiery, civil guard, citizen militia)
Inscriptions: collector's mark: Lugt 2228

Chaos op de Neude te Utrecht in de nacht van 15 op 16 september 1787 als de patriotse schutterijen het plein en de stad ontvluchten wegens de naderende Pruisische troepen. Zie de pendant.
Portret van Hendrik van Wijn
Object type: book illustration
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: Anonymous
Subjects: the hague, draughtsman, hendrik van wijn, historical persons, lawyer, attorney at law

Prent waarschijnlijk uit: Jonge, J.C. de. Henrik van Wyn als geleerde en staatsman geschetst. Den Haag en Amsterdam: Gebroeders van Cleef, 1832.
Hippopotamus figurine
Object type: figurine, hippopotamus
Date: 1981 – 1640
Materials: faience, glaze
Location: egypt
Subjects: hippos
Desk
Object type: desk
Date: 1787 – 1787
Materials: wood
Culture: american
Location: united states
Design for a Chalice
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, netherlandish, late 16th century
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1550 – 1600
Subjects: chalices
Gabrielle, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products
Object type: photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actresses and Celebrities" series (N60), issued in 1887 to promote Little Beauties Cigarettes distributed by Allen & Ginter. There are two types of cards in the set. Type 1 cards have the brand name printed on front and Type 2 cards do not.
Seal
Object type: seal
Date: 960 – 1279
Materials: jade
Culture: chinese
Subjects: dragons