deem-data/ArtiFact huggingface dataset:
Muiden in de 10e eeuw
Object type: history print
Date: 1865 – 1870
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: muiden, nederland tijdens de late middeleeuwen

Illustratie voor: J. van Lennep en W. Moll en J. ter Gouw, Nederlands geschiedenis en volksleven in schetsen, A.W. Sijthoff, Leiden ca. 1870. Staalgravures naar de schilderijen van de Historische Galerij der Maatschappij Arti en Amicitiae.
Polyphemus and Galatea
Object type: drawing
Date: 1701 – 1800
Materials: chalk, paper
Techniques: highlighting
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: male nudes,female nudes
Statuette of a hippo goddess, probably Taweret
Object type: statuette, taweret
Date: 332 – 330
Materials: faience
Location: egypt
Subjects: taweret,hippos,goddess

In all likelihood, this statuette represents the goddess Taweret, whose domain was the protection of pregnant women, especially during childbirth. Her menacing image, intended to frighten away demons and other deadly creatures, combines human, hippopotamus, crocodile, and lion attributes. The post on her head probably supported a metal crown in the shape of a sun disk, surmounted by either feathers or horns. The stylized symbol under her front paws can be best interpreted as the sa amulet. Although Taweret was worshipped in both secular and sacred settings, this statuette's almost perfect condition, exceptional craftsmanship, size, and iconography suggest that it was created for a temple—possibly for the "birth house" where this goddess was linked with Isis. In the past, the piece was identified as true glass. While it is difficult to identify the material precisely, pooling of glaze around the feet and the slightly grainy structure visible in a few places strongly argue for glassy faience. Possibly the overall form was created in a mold, but details of the head and extremities, which convey the deity's power and intimidating nature, must have been modeled by hand. The pale blue color of the glaze assists in assigning a Ptolemaic Period date.
De Brittenburg bij Katwijk
Object type: print
Date: 1579 – 1581
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Kustlandschap met plattegrond van de fundamenten van het Huis te Britten. Onderaan cartouches met teksten in het Latijn, enkele munten en andere vondsten.
Flügel Horn with Cornet in C
Object type: flügel horn with cornet in c
Date: 1890 – 1890
Materials: brass, nickel, silver
Culture: italian
Location: italy
Artist: giuseppe pelitti
Artist role: maker
Artist nationality: italian, born varese
Artist dates: 1811 – 1865
Albert, King of Saxony, from the Rulers, Flags, and Coats of Arms series (N126-1) issued by W. Duke, Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: kings,portraits,coat of arms,flags

Trade cards from the "Rulers, Flags, and Coats of Arms" series (N126-1), issued in 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type, pictured here, is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Petit Courrier des Dames, 1824, No. 221 : Redingotte en drap zephir (...)
Object type: fashion print
Date: 1824 – 1824
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: monocle, single lorgnette, neck-gear ~ clothing (+ men's clothes), trousers, breeches, etc. (pantalon) (+ men's clothes), coat (+ men's clothes), fashion plates, shoes, sandals (+ men's clothes), clothing for the upper part of the body (+ men's clothes), two-wheeled vehicle drawn by one animal, gloves, mittens, etc. (+ men's clothes)
Inscriptions: title: ‘Modes de Paris.’, address: ‘Rue Meslée No.25.’, caption: ‘Redingotte en drap zephir. Pantalon en satin de fil a raie.’, title: ‘Petit Courrier des Dames.’

Staande man gekleed in een 'redingote' van 'drap zephir'. Spanbroek van gestreepte 'satin de fil'. Geruite halsdoek. Accessoires: hoge hoed met opstaande smalle rand, lorgnet aan een koord, handschoenen, schoenen met puntige neuzen en sporen. Op de achtergrond een rijtuig met paard. Man, op de rug gezien, identiek gekleed. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Footless Cup or Lid
Object type: cup or lid
Date: 301 – 700
Materials: earthenware
Culture: coptic
Location: egypt
Wheellock Rifle
Object type: wheellock rifle
Date: 1640 – 1650
Materials: bone, wood, gold, steel
Culture: german
Location: germany
Artist: caspar spät
Artist role: steel-chiseler
Artist nationality: german
Artist dates: 1586 – 1716
Subjects: men,hunting,deer,dogs
Menukaart voor een diner op 24 mei 1898
Object type: text sheet
Date: 1898 – 1898
Materials: paper
Techniques: blind stamped, chromolithography, pen
Artist: Anonymous
Subjects: 43b311(+12)

Bij gebrek aan gegevens over de vervaardiger is voor de bepaling van de rechten van dit object gebruik gemaakt van de vervaardigingsdatum.
Johannes de Doper
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: series of scenes from the life of john the baptist, walking, mountains
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 5i, collector's mark: Lugt 2760

Johannes de Doper, wandelend op een pad in een berglandschap.
Herstelwerkzaamheden aan de doorgebroken Lekdijk bij 't Waal
Object type: print
Date: 1624 – 1640
Materials: paper
Techniques: etching
Location: netherlands
Subjects: dike-break, dry river, river bed
Inscriptions: inscription: ‘J 64’, collector's mark: Lugt 240

De doorgebroken noordelijke Lekdijk in 1624. Mannen met takkenbossen op hun rug lopend door de droge rivierbedding van de Lek. Boten zijn drooggelegd. Met takken wordt de Lekdijk hersteld. In de verte de kerktoren van 't Waal en de Domtoren van Utrecht.
Tempio della Tosse bij Tivoli
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: ruin of a building ~ architecture, landscape with ruins, temple, shrine ~ roman religion, tivoli
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Portret van missionaris en schrijver Paolo Segneri
Object type: print
Date: 1692 – 1762
Materials: paper
Techniques: engraving
Location: rome
Artist: girolamo rossi (ii)
Artist role: print maker
Artist dates: 1682 – 1762
Subjects: missionary, historical persons, portrait of a writer, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Vijf mannen schaatsen met elkaar
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: skates (winter sports)
Inscriptions: collector's mark: Lugt 4731, collector's mark: Lugt 2228

Prent is waarschijnlijk gebruikt in: Zindel, Christian Siegmund, Klopstock, Friedrich Gottlieb, Klein, Johann Adam. Der Eislauf oder das Schrittschuhfahren, ein Taschenbuch für Jung und Alt. Mit Gedichten von Klopstock, Goethe, Herder, Cramer, Krummacher etc: und Kupfern von J.A. Klein. Neurenberg: Friedrich Campe, 1825.
In de catalogus door C. Jahn. Das Werk von Johann Adam Klein : Maler und Kupferätzer zu München [...]. München: Montmorillonschen Kunsthandlung, 1863 is deze prent getiteld: Geschellschafts-Lauf.
Rij berken aan een weiland
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: etching, intaglio
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: meadow, pasture, trees: birch
Inscriptions: collector's mark: Lugt 2228
Geborduurd kleed of loper
Object type: runner
Date: 1820 – 1850
Materials: cotton, wool
Techniques: embroidered
Location: netherlands
Artist: Anonymous

Loper, geweven in wit blauw, bruin, mokka en geborduurd in rood, oranje, geel en zwart, met franje aan de uiteinden en gevoerd met geglansde blauwe katoen, doorgestikt.
Dancer
Object type: figure
Date: 1785 – 1785
Materials: hard paste porcelain
Artist: fulda pottery and porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1764 – 1789
Subjects: garlands,flowers,dancers
Extase
Object type: print
Date: 1922 – 1922
Materials: paper
Techniques: woodcut
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Inscriptions: signature and date: ‘mesquita 1922’

Staande naakte vrouw met geheven armen met naast haar twee gezichten.
Zeilschip op het water
Object type: photograph
Date: 1900 – 1910
Materials: photographic support
Techniques: daylight paper print
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, sea

Onderdeel van Familiealbum met onder meer foto's van Wijnhandel Kraaij & Co. Bordeaux-Amsterdam.
Offerings of Cain and Abel
Object type: embroidered picture
Date: 1667 – 1700
Materials: cardboard, silk
Artist: leonardus quesi
Artist role: maker
Artist nationality: french
Artist dates: 1650 – 1750
Subjects: animals,trees,abel,cain
Fragment
Object type: fragment
Date: 1725 – 1730
Materials: silk
Subjects: flowers,leaves
Terracotta rim fragments of kylikes(drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Five rim fragments with left half of handle patch
Buitenplaats met dronken gezelschap dat aan boord gaat van een trekschuit
Object type: print
Date: 1754 – 1764
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (descendants of) african emigrants, person migrating from africa (the netherlands), rural housing, e.g. country-house, villa, cottage, horn, trumpet, cornet, trombone, tuba - cc - out of doors, tow-boat, towing-barge, drunkenness, urination, house personnel, servants
Inscriptions: collector's mark: Lugt 2488

Buitenplaats met dronken gezelschap dat aan boord gaat van een trekschuit. Een man plast nog even tegen een muur. Aan boord blaast een zwarte jongen op een trompet.
Portrait of Francesco Bartolozzi, seated, holding a magnifying glass with printmaking tools and a plate on the desk behind him
Object type: print
Date: 1827 – 1827
Techniques: engraving, etching, stippling
Artist: luigi rados
Artist role: artist
Artist nationality: italian
Artist dates: 1773 – 1773
Subjects: men,portraits,artists
Relief plaque of cobra on a neb basket
Object type: sculptor's model votive, uraeus cobra on neb basket
Date: 400 – 30
Materials: limestone
Location: egypt
Subjects: snakes

Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or unfinished way but are themselves finished objects constitute a special class of object. Guidelines like those for artists are often prominently exhibited as part of the object, although, in fact, many instances can be noted where the object simply could not serve as a suitable model for a traditional formal Egyptian representation. Personifications of kingship, figures that may represent the now emerging demigods Imhotep and Amenhotep Son of Hapu, and popular gods like Harpokrates or Isis, are heavily represented within the corpus. Taken together, the figures represented and the other features indicate the reliefs and sculptures of this class, sometimes called by Egyptologists "sculptor’s models / votives," were the material of a donation practice, perhaps connected with the prolific temple building of these centuries. Unfortunately there is little to illuminate us about the mechanics of such a donation practice. This relief depicts the cobra on a basket from the king's Two Ladies name.
Copy of L'Homme Qui Court (The Running Man), from "Les Caprices" Series B, The Nancy Set
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: men
Necklace
Object type: necklace
Date: 1870 – 1870
Materials: diamond, enamel, gold
Artist: eugêne fontenay
Artist role: artist
Artist nationality: french
Artist dates: 1823 – 1887
Subjects: women

This gold chain has five oval enameled pendants depicting personifications of Europe and the Seasons. Each oval is framed in diamonds interspersed with long stylized palmette-shaped pendants, and forty-one leaf-shaped pendants, decorated with granulation and wirework suspended from alternately plain and coiled tubular links. The use of granulation and images of classical maidens, as well as the overall organization, demonstrate the designer's dependence upon ancient Greek gold jewelry for inspiration. Like the Castellani firm in Rome, Eugène Fontenay reproduced jewelry in ancient Greek, Roman, and other historical styles. However, not only did Fontenay copy period originals, he also took motifs from these styles and, with them, created original designs.
Armorial Trophy
Object type: drawing
Date: 1600 – 1800
Materials: graphite, ink
Techniques: brush, heightening, pen, wash
Artist: polidoro da caravaggio
Artist role: artist
Artist nationality: italian
Artist dates: 1494 – 1548
Subjects: shields,weapons,lions,trophies
Songs: "Ye gentle gates that fan the air..."
Object type: print
Date: 1822 – 1822
Techniques: etching
Artist: henry alken
Artist role: artist
Artist nationality: british
Artist dates: 1785 – 1851
Subjects: satire,men,women

One sheet of a series of satires, designed as a song book. Composed of vignette scenes, each scene illustrating in a humourous fashion a single line from a popular song of the day. The imagery derives from hunting, shooting and horses, scenes from domestic life, fashion, town and country life, military and naval life.
Study from Nature
Object type: painting
Date: 1835 – 1900
Materials: oil, paper
Culture: american
Artist: william stanley haseltine
Artist role: artist
Artist nationality: american
Artist dates: 1835 – 1900
Subjects: landscapes,plants
Portret van Menso Johannes Pijnappel
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: lithograph
Subjects: politician, historical persons, politician, e.g. party leader

Prent mogelijk uit: De Amsterdammer, weekblad voor Nederland (1886), 31 oktober 1886.
De begrafenisstoet van Frederik Hendrik (plaat  nr. 2), 1647
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: cortege, funeral procession
Inscriptions: collector's mark: Lugt 2228

De begrafenisstoet van stadhouder Frederik Hendrik te 's-Gravenhage op 10 mei 1647. Plaat nr. 2 met een deel van de stoet, boven de personen staat hun functie. Onderdeel van een serie van 30 platen en 20 tekstbladen, bedoeld om aan elkaar geplakt te worden.
Fort op het eiland Sao Thomé
Object type: print
Date: 1747 – 1780
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jacob van der schley
Artist role: draughtsman, print maker
Artist dates: 1715 – 1779
Subjects: verenigde oostindische compagnie, sao tomé

Gebruikt als illustratie in: A.F. Prévost, Histoire générale des voyages, ou Nouvelle collection de toutes les relations de voyages par mer et par terre ..., 25 dln 1747-1780, Den Haag: Pieter de Hondt.
Terracotta mask in the shape of the head of a fox, dog, or bat
Object type: mask of a bat, fox, or dog on medallion
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: masks

The mask is handmade. It has a flaring, bell-shaped neck and pellet eyes.
Monk (lower register); verso:  Drapery Study for a Bishop (lower register); (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Object type: drawing
Date: 1801 – 1900
Materials: chalk, paper
Artist: isidore pils
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1875
Subjects: monks
Cup
Object type: cup
Date: 1867 – 1900
Materials: ivory, jade
Culture: chinese
Windsor Castle
Object type: ansichtkaart, prentbriefkaart
Date: 1902 – 1930
Materials: cardboard
Techniques: photograph
Location: windsor
Subjects: castle, garden
Slant-top desk
Object type: slant top desk
Date: 1734 – 1766
Materials: leather, wood
Techniques: stain
Artist: jean-baptiste i. tuart
Artist role: maker
Artist dates: 1700 – 1767
Alteratie van Amsterdam, 26 mei 1578
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: theodoor koning
Artist role: print maker
Artist dates: 1748 – 1829
Subjects: dam, stadhuis van amsterdam (14e eeuw-1652), alteratie van amsterdam

Alteratie van Amsterdam, 26 mei 1578. Het Spaansgezinde stadsbestuur en de roomse geestelijkheid worden gedwongen te vertrekken, op de kade bij de Dam stappen zij in gereed staande boten.
Portret van Johann Bernhard von Fünfkirchen
Object type: print
Date: 1603 – 1603
Materials: paper
Techniques: engraving
Location: prague
Subjects: johann bernhard von fünfkirchen
Inscriptions: collector's mark: Lugt 240

Johann Bernhard von Fünfkirchen was een Protestantse vrijheer. Portret op 33-jarige leeftijd. De prent heeft een Latijns onderschrift.
Halberd of Emperor Matthias (reigned 1612–19)
Object type: halberd
Materials: steel, wood
Culture: german
Location: germany
Subjects: eagles

This halberd is signed with the initials BS and HRM, perhaps of the decorators. It was carried by the bodyguards of the Holy Roman Emperor Matthias (reigned 1612–19).
Amago buyuden
Object type: print
Techniques: woodblock print
Location: japan
Artist: hosai shugetsu
Artist nationality: japanese
Artist dates: 1880 – 1890
Gold hoop with picrolite stone in gold setting
Object type: ring with bead
Date: 600 – 401
Materials: gold, stone
Culture: cypriot

Large, flat bead of pale steatite.
Report to the Radcliffe trustees, on the transfer of the Radcliffe Library to the Oxford University Museum / by Henry W. Acland
Object type: book
Date: 1861 – 1861
Materials: paper, photographic support
Techniques: albumen print, marbled paper, lithograph, printing
Artist: henry w. acland
Artist role: arts, bibliothecaris, professor
Artist dates: 1815 – 1900
Inscriptions: annotation: ‘Mounted/ photograph/ £35’, date: ‘APR/ 1997’
Spieghel der schrijfkonste
Object type: ornament print
Date: 1605 – 1605
Materials: paper
Techniques: engraving
Location: rotterdam
Subjects: calligraphy

Schrijfvoorbeeld met de aanhef: A mon singul[ier] amy, et tres-cher comp[frere] Ill[ustre] Nicolas Roo-Claes. Daaronder in een andere letter een initiaal Y en zeven regels tekst in het Frans: Y a il chose ... De tekst is omlijst door krulwerk. De prent maakt deel uit van een album.
De redevoeringen van Keizer Wilhelm te Karlsruh en te Mainz
Object type: cartoon
Date: 1904 – 1904
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: wilhelm ii (keizer van duitsland), personifications of countries, nations, states, districts, etc., restaurant (+ waiter, waitress, etc.), restaurant, political caricatures and satires

Keizer Wilhelm II alleen zittend aan een tafeltje wordt bediend door ober Bernhard von Bülow. Aan een ander tafeltje zitten de andere grote mogendheden gezellig samen met Marokko, de Franse minister van Buitenlandse Zaken Delcassé spreekt, wijzend naar de Duitse keizer, tot de Franse president Loubet.
Afternoon dress
Object type: afternoon dress
Date: 1892 – 1892
Materials: cotton, silk
Culture: french
Artist: house of worth
Artist role: design house
Artist nationality: french
Artist dates: 1858 – 1956

Worth was known for including historical references from his research and this dress is an exceptional example of his skill. This dress combines 17th-century and neoclassical references into a beautiful cohesive finished product. The sleeves, slashing and Vandyke edging refers to dress of the 17th century. The sleeves in particular were known as Marie sleeves, inspired by Marie de'Medici (1575-1642). Alongside these sleeves are the empire waist and beadwork decorations referencing earlier 19th-century designs. Charles Frederick Worth was born in England and spent his young adulthood working for textile merchants in London while researching art history at museums. In 1845 he moved to Paris and worked as a salesman and a dressmaker before partnering with Otto Bobergh to open the dressmaking shop, Worth and Bobergh, in 1858. They were soon recognized by royalty and major success followed. In 1870 Worth became the sole proprietor of the business. At his shop, Worth fashioned completed creations which he then showed to clients on live models. Clients could then order their favorites according to their own specifications. This method is the origin of haute couture. Worth designed gowns which were works of art that implemented a perfect play of colors and textures created by meticulously chosen textiles and trims. The sheer volume of the textiles he employed on each dress is testimony to his respect and support of the textile industry. Worth's creative output maintained its standard and popularity throughout his life. The business continued under the direction of his sons, grandsons and great-grandsons through the first half of the twentieth century. Jean-Philippe Worth began as an assistant to his father, Charles Frederick Worth, in 1875. Gradually he was allowed to create his own designs and when his father died in 1895, he became the lead designer for the house. He was praised for making elaborate artistic gowns with intricate trimmings on unique textiles, much like his father had before him. Although the House of Worth was still favored by royalty and celebrities through the turn of the century, their styles were no longer the forefront of French fashion after 1900. Around 1910 Jean-Philippe limited his design work to important orders and hired his nephew, Jean-Charles Worth, as the new lead designer before leaving the company entirely after World War I.
Portret van twee mannen
Object type: album leaf
Date: 1860 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: krommenie
Artist: klaas van vliet
Artist role: draughtsman, painter
Artist dates: 1841 – 1917
Subjects: historical persons not known by name
Inscriptions: inscription: ‘Photographisch Atelier/ K. van Vliet Wz./ Krommenie’
Remissionem peccatorum
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Subjects: life and acts of simon zelotes, the apostle simon zelotes (or simon the canaanite); possible attributes: book, saw, scroll, martyrdom and death of simon zelotes: he is sawn in two, or beaten to death
Inscriptions: collector's mark: Lugt 240

De heilige Simon met zaag en boek. Op de achtergrond links wordt Simon doormidden gezaagd en geslagen met een stok. Op de achtergrond rechts stuurt Simon slangen achter zijn vervolgers aan.
Imperial Court Robe
Object type: robe, imperial court
Date: 1662 – 1722
Materials: silk
Culture: chinese
Subjects: dragons
Man in Green Robe
Object type: glass
Date: 1701 – 1800
Materials: glass, metal
Techniques: lampwork
Location: france
München v. Rathausturm aus
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1909
Materials: cardboard
Techniques: lithograph, writing
Location: munich
Subjects: church (exterior), townhall
Chasuble front
Object type: chasuble front
Materials: velvet

This garment is almost certainly a dealer's composite object, assembled towards the end of the nineteenth century to meet the demands of the lively antiques' market. Though resembling a priestly chasuble, it is unconventionally large and combines a very low quality, thin and relatively modern, patched velvet with a much older set of embroideries. The embroideries have been very heavily restored, indeed the saint figures (Saints Paul and Barbara on the front; the Virgin Mary, Saints Peter and Lucy on the reverse) may have been cut out of a historic textile and reapplied onto modern, embroidered niches designed in pastiche Renaissance style.