deem-data/ArtiFact huggingface dataset:
Portret van Jacques Amproux de Lorme
Object type: print
Date: 1658 – 1658
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: historical persons

Prent uit: Rochefort, Charles de en Louis de Loinvilliers de Poincy. Histoire naturelle et morale des Iles Antilles de l'Amerique. Rotterdam: Arnout Leers, 1658.
Hekken met bloemmotieven en zon
Object type: print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: fence, wall, paling, sun represented as face, wheel, etc., flowers ~ ornament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Drie smeedijzeren hekken met bloemmotieven en de zon als een gezicht. Prentnummer 352.
Glass mosaic bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment (of shallow bowl?) Translucent deep purple, pale greyish blue appearing green, opaque white and yellow. Flat, ground-off rim; sharply slanting, almost straight side, then curving in at bottom. Mosaic pattern formed from polygonal sections of two canes: one in a purple ground with a circle of white dots around a central white dot, and the other in a streaky blue and white ground around a rosette pattern of purple rods outlined in yellow, with a central white rod surrounded by a purple circle. Polished exterior; pitting and weathering of surface bubbles on exterior; dulling, deep pitting, and creamy weathering on interior, rim, and jagged edges.
Spotprent op het ontslag van minister Engelvaart, 1871
Object type: cartoon
Date: 1871 – 1871
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: director, producer ~ the stage

Spotprent op het ontslag van Minister van Oorlog Engelvaart tijdens de behandeling van de begroting. Engelvaart vertelt op het toneel aan het publiek dat het toneelstuk niet doorgaat. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 49, 1871.
Schilderijen in de koninklijke kunstcollecties te Dresden
Object type: print
Date: 1750 – 1757
Materials: paper
Techniques: etching
Location: france
Artist: pierre aveline
Artist role: print maker, publisher
Artist dates: 1654 – 1722
Subjects: the building of the ark, and the embarkation (genesis 7:5-9)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Maakt deel uit van de 'Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde', verschenen in twee delen in 1753 en 1757, met in totaal 100 prenten naar schilderijen in de koninklijke kunstcollecties te Dresden.
Octagonal Box
Object type: box
Materials: bone, copper alloy, gilt, ivory, wood
Techniques: polychromy
Culture: spanish
Nederlands Indië, 1/10 gulden, 1857
Object type: coin
Date: 1857 – 1857
Materials: silver
Techniques: striking
Location: utrecht
Artist: willem iii (koning der nederlanden)
Artist role: koning
Artist dates: 1817 – 1890

Zilveren munt. Voorzijde: tussen waarde-aanduiding 1/10 G gekroond rijkswapenschild. Boven kroon landsaanduiding en onder wapenschild jaartal. Keerzijde: tweeregelig Maleis opschrift in Arabische tekens, waaromheen omschrift in het Javaans. Kartelrand.
Portretten van nobele juristen
Object type: print
Date: 1566 – 1566
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons

Prentserie voor het eerst uitgegeven te Rome door Antonio Lafreri in 1566. Serie waarschijnlijk opnieuw uitgegeven door Petri de' Nobili rond 1584-1585.
Voltaire
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: engraving
Location: france
Artist: etienne ficquet
Artist role: print maker
Artist nationality: french
Artist dates: 1719 – 1794
Landschap met bomenrij
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: berlin
Subjects: trees, landscapes
Inscriptions: inscription: ‘Das Atelier des Photographen.’
Eye Bead
Object type: bead
Materials: glass
Culture: chinese
Hotel Royal Hughes's, rue de l'ecu te Boulogne-sur-Mer
Object type: adrespenning
Date: 1850 – 1880
Materials: brass
Techniques: striking
Artist: Anonymous
Subjects: boulogne-sur-mer

Messing tienhoekige penning. Voorzijde: opschrift binnen omschrift. Keerzijde: opschrift binnen omschrift.
Amuletic Inlay of the God Bes Dancing
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: gods (deities)
Plantentuin, Buitenzorg.
Object type: album leaf
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: s lands plantentuin
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, botanic garden, 'hortus botanicus'

Onderdeel van Album met foto's van Batavia en van de zusters Ursulinen.
Gezicht op een offertempel in een bebost gebied
Object type: page
Date: 1892 – 1897
Materials: paper
Techniques: photograph
Artist: christiaan johan neeb
Artist role: arts, fotograaf, officier
Artist dates: 1860 – 1925
Subjects: trees, places and objects of worship ~ non-christian religions, indonesia
Musket
Object type: lontslotwapen
Date: 1625 – 1650
Materials: brass, iron, wood
Techniques: cutting, forging, striking
Location: netherlands
Artist: Anonymous
Inscriptions: mark: ‘niet leesbaar’, mark: ‘NM’, number: ‘B.L. 12’

Musket, probably made in the Netherlands, second quarter 17th century.
Watersnood op het Kattenburgerplein te Amsterdam, 1775
Object type: print
Date: 1775 – 1776
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: noach van der meer (ii)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1822
Subjects: rescue work during a flood, dike-break, the flood of 14-18 november 1775
Inscriptions: collector's mark: Lugt 2228

Huidige staat van prent (evenals eerste bekende staat) ook gebruikt in: Hering, Johan Hendrik. Bespiegeling over Neêrlandsch waternood, tusschen den 14den. en 15den. nov: MDCCLXXV. 2 delen. Amsterdam: weduwe Jacobus Loveringh & Johannes Allart, 1776, dl. 1.

Voor eerste bekende staat zie RP-P-OB-23.507.
Voor derde bekende staat zie RP-P-OB-23.505.
Panorama of the district known as Egypt, east of Swellendam, seen from the south
Object type: panorama
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Inscriptions: annotation

Oorspronkelijk in omslag van roodkleurig halfleer en roodgemarmerd plat, dorso met ribben en goudopdruk; 71 x 99 x 6 cm.
Gorge de Trient, Vernavaz
Object type: cabinet photograph
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Location: switzerland
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: dale, valley, switzerland
Inscriptions: number: ‘6337’, name: ‘Frith's Cabinet Series Switzerland’
Jar fragment, Ahmose-Nefertari
Object type: jar fragment, ahmose nefertari
Date: 1525 – 1504
Materials: stone
Location: egypt
Jan Lutma, Goldsmith
Object type: print
Date: 1656 – 1656
Materials: ink, paper
Techniques: drypoint, etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669

Among his most moving portraits in any medium, Rembrandt’s depiction of friend and peer Jan Lutma suggests the intimacy of the two artists’s relationship through Lutma’s unassuming posture. Rembrandt showed him in a moment of contemplation, holding a sculptured figure in his right hand and presumably reflecting on the value of his work.
Portretten van beroemde Italiaanse schilders
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: italy
Artist: monogrammist ip (italië)
Artist role: print maker
Subjects: draughtsman, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van ten minste negen portretten van beroemde Italiaanse schilders.
Gezicht op een moskee of tempel in de woestijn
Object type: drawing
Date: 1660 – 1712
Materials: ink, paper
Techniques: brush, pen
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: desert, temple, shrine ~ islam, mohammedanism, temple, shrine ~ non-christian religions
Plate 64 from "Los Caprichos": Bon voyage (Buen Viage)
Object type: print
Date: 1799 – 1799
Techniques: aquatint, engraving, burnishing, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828

A group of witches and demons flies through the night sky on the batlike wings of a monstrous creature. These hideous figures have been interpreted as the embodiment of vices let loose, under the cover of darkness, in the domain of ignorance. The blurring of the creatures that emerge from or disappear into the velvety layers of aquatint of the background lends the scene a nightmarish quality.
Sleutel
Object type: key
Date: 1500 – 1600
Materials: iron

"Venetiaansche sleutel" met roos in de ronde greep., bekroond door een oogje. De schacht voorbij de baard eindigt in een eenvoudige profilering.
Falling Leaves, Allegory of Autumn
Object type: painting
Date: 1872 – 1872
Materials: canvas, oil
Artist: hugues merle
Artist role: artist
Artist nationality: french
Artist dates: 1823 – 1881
Subjects: children,female nudes,autumn,allegory

Merle, a friend and sometime rival of Bouguereau, was known for the sentimental images of contented rustic families that he regularly exhibited at the annual Salons. In this painting from 1872, Merle tried his hand at a loosely mythological scene of a languid young woman in the guise of Fall. Catharine Lorillard Wolfe bought the melancholic picture from the New York branch of the art gallery Goupil & Co. on February 21, 1873, while still in mourning for her father. A critic who saw the work in Wolfe’s home remarked, "Here, under russet foliage, a ripe beauty passes…. Nearby, disguised so much in shadow as to be almost invisible, little Love is running away; for this bereavement of affection is the plague of life’s Autumn, as love’s importunity is the plague of its Spring."
1/2 VOC-stuiver van koper uit 1826
Object type: coin
Date: 1826 – 1826
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: dutch east indies, the
Inscriptions: inscription: ‘Jacques Schulman / Numismaat / Keizersgracht 448 / Amsterdam-C.’, inscription: ‘NEDERL / INDIE / 1826 / S’, inscription: ‘1/2 St’

Koperen 1/2 stuiver van de VOC uit Nederlands-Indië uit 1826. Voorzijde: opschrift. Keerzijde: een gekroond wapen met leeuw erin en links ervan staat 1/2, rechts ervan staan de letters St. Het muntje zit in een vierkant envelopje met opschrift.
Isabel Wachenheimer met schort en jurk op een bergweg bij de Trübsee, in augustus 1935
Object type: photograph
Date: 1908 – 1935
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon
Inscriptions: date: ‘Aug.35. 93’

Isabel Wachenheimer met schort en jurk op een bergweg bij de Trübsee.
Engelants schouwtoneel, verbeeldende het vlugte van Jacobus II, Koning van Groot Brittanyen etc. met desselfs aankomst in Yrlant en verdere voorvallen, I Deel
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: jacobus ii (koning van engeland en schotland), flight of ruler from adversary

De vlucht van koning Jacobus II bij nacht uit het paleis van Whitehall Londen, 20 december 1688. Bezittingen worden in een roeibootje geladen. Genummerd rechtsboven: 143. Plaat K in de serie 'Engelants schouwtoneel' over de Glorious Revolution en gebeurtenissen uit de voorafgaande jaren 1685-1689 (eerste deel). Met onderschriften in het Nederlands en Frans.
Fragment of an Icon with Scenes from the Life of Christ
Object type: icon fragment
Date: 1101 – 1200
Materials: stone
Culture: byzantine
Subjects: crowd

Details on this fragment allow us to identify events from Christ's life. From the left: the Last Supper; the Washing of the Feet; the Agony in the Garden; and the Kiss of Judas and Christ's Arrest by Roman soldiers.
Staande man kijkt naar de opkomende zon
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: standing figure, sailing-ship, sailing-boat, sunrise, dog
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Prent waarschijnlijk uit: Zedekundig prentgeschenk aan de jeugd. Edam en Hoorn: Rolff en Vermande, 1822.
Portret van Lodewijk Gonzaga, hertog van Nevers en Rethel in een ovale lijst
Object type: print
Date: 1642 – 1704
Materials: paper
Techniques: engraving
Artist: guillaume vallet
Artist role: print maker
Artist dates: 1632 – 1704
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Portret van Pierre Roques
Object type: print
Date: 1746 – 1746
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Saurin, Jacques. Betrachtungen über die Wichtigsten Begebenheiten des Alten und Neuen Testament. Fortgesetzet von Herrn Peter Roques, Pastor bey der Französischen Gemeinde in Basel. Rostock: Johann Christian Koppe, 1746.
Twilight
Object type: sculpture
Materials: bronze, copper alloy, metal, patina
Location: new york city
Artist: olin levi warner
Artist nationality: american
Artist dates: 1844 – 1896
Subjects: people, portraits

Olin Levi Warner was one of the first Americans to study sculpture in Paris, enrolling at the École des Beaux-Arts in 1869, when the focus of training for contemporary sculptors shifted from Italy to France. Twilight is perhaps the earliest example of an ideal subject by the artist, who also sculpted portraits. Balancing her weight on her toes, the partially draped female figure draws a veil over her head, signifying the approach of night. With her arms wrapped above and below her face, this personification of twilight’s fleeting moments is surrounded by a sense of mystery.
The Deposition from the Cross
Object type: drawing
Date: 1537 – 1550
Materials: ink
Techniques: pen
Artist: domenico campagnola
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1564
Subjects: men,christ,cross,crucifixion,ladders

This intense scene of grief portrays the body of the dead Christ (just taken down from the Cross) dramatically foreshortened in the foreground and a group of mourners gathering around to prepare his body for burial. At upper left, the distorted corpse of one of the thieves who was crucified with Christ is seen actually being detached from his cross, and the action vividly conveys to the viewer the brutality of such an execution. Domenico Campagnola was the adopted son of the Venetian painter and printmaker Giulio Campagnola (ca. 1482-after 1515) and the drawing's highly expressive, graphic manner of parallel hatching and cross-hatching of shadows with the pen also seems typical of Campagnola's masterful prints. First published by Hans Tietze in 1949 (see here 'References' for full bibliography), this study for a 'Deposition' is an outstanding example of the draftsmanship of Domenico , who was one of the leading graphic artists in Titian's circle. Although he was also a painter, Campagnola was much more accomplished as a printmaker and draftsman, especially during the 1520s, when the examples of Giorgione, Titian, and Domenico's mentor Giulio Campagnola were fresh in his mind. In this sheet, the artist constructed an elaborate and dynamic composition in a manner that recalls contemporary prints by Baldung in its asymmetry, expressionistic gestures and facial characterizations, and lack of concern for accurate spatial perspective. It is among the boldest and most ambitious compositions that Campagnola attempted and-although the handwriting is Titianesque-it displays a welcome individualism of form and expression rarely found in his work. In its lively pen strokes and dramatic composition it is among the most impressive drawings by the artist.
Référence des portraits contemporains
Object type: magazine
Date: 1900 – 1904
Materials: paper
Techniques: photograph, printing
Location: paris
Soup Plate
Object type: soup plate
Date: 1818 – 1846
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: enoch wood & sons
Artist role: maker
Artist nationality: british
Artist dates: 1818 – 1846
Subjects: animals,rivers,boats
Effigies Nomina et Cognomina S.D.N. Alexandri Papae VII et RR. DD. SRE. Cardd (...).
Object type: album leaf
Date: 1658 – 1658
Materials: paper
Techniques: engraving
Location: rome
Subjects: girolamo buonvisi, cardinal

Portret van kardinaal Girolamo Buonvisi. Linksboven het wapen van paus Alexander VII en rechtsboven het wapen van de kardinaal. Onderaan een onderschrift in het Latijn. De prent maakt deel uit van een album.
Ice Cavern, White Mountains, New Hampshire, U.S.
Object type: stereograph
Date: 1859 – 1859
Materials: cardboard, paper
Techniques: albumen print
Location: london
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: stalactitic cave, icicle
Inscriptions: number: ‘No. 136’, : ‘This group (...) therein." Bryant.’
Washington. Harewood Hospital
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: hospitals,american civil war,horses,wagons
Friezen
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: etching
Location: london
Subjects: ornament ~ cartouche, flowers in a vase, ornament ~ festoon, garland, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Een fries met links een zittende putto met een bloemenvaas, in het midden een fruitguirlande en rechts een halve cartouche met masker.
Portret van Johannes Leonardus Wolterbeek
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: functionaries and dignitaries ~ protestant churches
Inscriptions: company name: ‘Frans Buffa & Zonen / Amsterdam / Uitgevers’, collector's mark: Lugt 2228

Portret van de predikant Johannes Leonardus Wolterbeek op 85-jarige leeftijd, buste in ovaal naar rechts.
Zuilen waarop de geschiedenis van Pluto en Proserpina
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving
Location: rome
Subjects: rome, vincenzo giustiniani (1564-1637), (story of) proserpina (persephone, core), libera, column, pillar ~ architecture, (story of) pluto (hades), dis pater, orcus, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘126’, collector's mark: Lugt 2228

Romeinse zuilen waarop de geschiedenis van Pluto en Proserpina. Midden onder het wapenschild van Vincenzo Giustiniani. Prent uit een publicatie met reproductieprenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Gevelsteen met afbeelding en opschrift: T OPREGTE TAPPEYT HUYS 1743.
Object type: gable stone
Date: 1743 – 1743
Materials: stone
Location: netherlands
Inscriptions: date

Staande rechthoek met zijkanten van voluten en acanthusbladeren, waarop het opschrift T OPREGTE TAPPEYT HUYS 1743. Bij de steen (KOG-ALS-165-1) hoort een steen in de vorm van een cartouche van voluten, waarbinnen een kroon (KOG-ALS-165-2). Verfresten.
Landschap met koe
Object type: print
Date: 1780 – 1851
Materials: chalk, paper
Techniques: etching
Artist: pieter janson
Artist role: draughtsman, print maker
Artist dates: 1765 – 1851
Subjects: cow
Inscriptions: collector's mark: Lugt 2228

Landschap met koe, van voren. Rechts op de voorgrond een struik.
Knoop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: button
Date: 1700 – 1743
Materials: gold
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knoop. Button; (1) flat base with moulded rim (1.7d), loop-shank, domed stone setting.
Untitled Trial Lithograph
Object type: print
Date: 1900 – 1900
Materials: ink, paper
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 100
Materials: glass
Culture: roman

Small perfume bottle Translucent deep honey yellow. Unworked rim; flaring mouth; cylindrical neck, slightly convex and tooled in around base; piriform body; flattened bottom. Complete, except for chips in rim; one large crack from rim to body; some pinprick bubbles; dulling and faint iridescence; patches of black, enamel-like weathering on interior.
Portret van Hendrik Kern, hoogleraar wijsbegeerte en letteren en rector magnificus van de Universiteit Leiden 1879-1880
Object type: page
Date: 1878 – 1879
Materials: paper
Techniques: albumen print
Location: leiden
Subjects: historical persons, professor
Inscriptions: signature: ‘H. Kern’
Mr. Ladew and party "wrecking". Viscaya
Object type: photograph
Materials: paper
Techniques: platinum process
Location: santiago
Artist: Anonymous
Subjects: joseph harvey ladew sr., gulf, bay, historical persons, shipwreck
Allegorie op de zijde-industrie in Amsterdam met de Stedenmaagd die balen zijde ontvangt
Object type: drawing
Date: 1720 – 1725
Materials: paper
Techniques: brush, pen
Artist: nicolaas verkolje
Artist role: draughtsman, painter, print maker
Artist dates: 1673 – 1746
Subjects: armorial bearing, heraldry, silk (material ~ textile industry)

Allegorie op de zijde-industrie in Amsterdam: de Stedenmaagd, geflankeerd door Wijsheid en Koophandel, ontvangt balen zijde. In de cartouche, onder: de stroomgoden van Amstel en IJ; boven: putti met het wapen van de familie De Neufville en attributen van de zijdeweverij. Ontwerp voor een etiket.
Hatchet
Object type: hatchet
Date: 1902 – 1902
Culture: french
Cape May, from the Fancy Bathers series (N187) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women

Trade cards from the "Fancy Bathers" series (N187), issued in an unnumbered set of 50 cards in 1889 by Wm. S. Kimball & Co.
Brief aan Jan Veth
Object type: letter
Date: 1900 – 1900
Materials: ink, paper
Techniques: pen, writing
Location: florence
Artist: etha fles
Artist role: print maker
Artist dates: 1857 – 1948
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, italy
Inscriptions: collector's mark: ‘RPK’
Portret van Johann Theodor Caspars
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons

Prent mogelijk uit: Theatrum Europaeum. Frankfurt am Main: erven Matthäus Merian I, 1652, dl. 6.
Double-Sided Pendant with Scenes from the Lives of Saint Francis and of Christ
Object type: costume and accessory
Date: 1601 – 1700
Materials: antler, enamel, glass, gold, paper, pearl, shell, silk, wood
Culture: german or austrian
Location: austria
Panchrestographie & Poecilographie
Object type: book
Techniques: engraving
Location: france
Artist: jean de beaugrand
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Portret van Jean André Fleury
Object type: photomechanical print
Date: 1844 – 1844
Materials: paper
Techniques: letterpress printing, line block
Location: france
Subjects: historical persons, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: monogram: ‘J.L.’

Prent uit: L'Illustration 3 (1844), nr. 78, 24 augustus 1844.
Two Designs for Tombs
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: tombs
Portret van een man, zittend aan een tafel
Object type: photograph
Date: 1855 – 1880
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: sitting figure, historical persons, table