deem-data/ArtiFact huggingface dataset:
Bord, het plat beschilderd met een landschap met huizen
Object type: plate dish
Date: 1760 – 1770
Materials: earthenware, glaze
Techniques: painted
Location: bristol
Artist: Anonymous

Rond bord van beschilderde faience. Het bord heeft een lichtblauwe fond. Op het plat is in blauw een landschap met huizen geschilderd en op de rand witte bloemen. Bij het bord horen drie identieke borden (BK-NM-11334-A, BK-NM-11334-B en BK-NM-11334-D).
De Gracieuse, Geïllustreerde Aglaja, 1 november 1879, Suppl. No.1
Object type: fashion print
Date: 1879 – 1879
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: fashion plates, dress, gown (+ women's clothes)
Inscriptions: inscription: ‘DE GRACIEUSE, Geïllustreerde AGLAJA / (SUPPL. No. 1) Prijs per zes nummers f 1,375. 1 November 1879. Prijs per 6/no. met Album f 2,275. 18e (JAARGANG.)’

Prent uit het modetijdschrift De Gracieuse (1865-1936).
Sprinkhanenregen in Duitsland
Object type: history medal
Date: 1748 – 1748
Materials: silver
Techniques: striking
Location: germany
Artist: Anonymous
Subjects: germany
Card Number 320, Laura Burt, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Peter Scriverius
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: cornelis visscher
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1658
Inscriptions: Inscribed recto, in image, lower left:  "Corn. Vifcher fculpfit
P. Soutmanns Dirigente."; Inscribed recto, in image, lower right:  "P. Soutman pingebat, et excudebat Harlemi 1649.  Cum Priuilegio."
The Departure
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,donkeys,politics
Schets van een schouder
Object type: drawing
Date: 1510 – 1546
Materials: chalk, paper
Artist: giulio romano
Artist role: draughtsman, painter, print maker
Artist dates: 1499 – 1546
Portret van Justus Gottlieb Pfeil
Object type: print
Date: 1748 – 1767
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van een onbekende vrouw met kind op schoot
Object type: photograph
Date: 1855 – 1870
Materials: glass, metal
Techniques: ambrotype
Location: bradford
Artist: silas a. holmes
Artist role: fotograaf
Artist dates: 1820 – 1886
Subjects: historical persons - bb - woman, old woman, toddler (female)
Inscriptions: inscription: ‘S.Holmes, Photographer Bottom of Old Bowling Lane, Off Manch ester Road, Bradford’
Art - Goût - Beauté, Feuillets de l' élégance féminine, Novembre 1928, No. 99, 9e Année, p. 29
Object type: fashion print
Date: 1928 – 1928
Materials: paper
Techniques: hand coloring, lithograph, pochoir
Subjects: border, ribbon, braid (+ fur used for clothes), coat (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes)

Drie verschillende advertenties, onder andere voor schoenen, jurken en mantels. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Spoon
Object type: spoon
Date: 1660 – 1669
Materials: silver
Artist: hendrick jansen sympa
Artist role: maker
Artist dates: 1657 – 1669
Portrait d'Homme
Object type: reproduction
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Location: antwerp
Subjects: historical persons
Design for Vis-a-Vis Sleigh, no. 3865
Object type: drawing
Date: 1884 – 1884
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van een onbekende vrouw
Object type: cabinet photograph
Date: 1861 – 1890
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: adult woman
Inscriptions: name: ‘Albert Greiner Photograaf van wijlen Z.M. den Koning Willem III en H.M. de Koningin Weduwe Amsterdam Nieuwendijk 89. (...)’
[Ruins in a Garden]
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: gardens,ruins
Beroemde hervormers
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: engraving, letterpress printing
Location: the hague
Artist: hendrick hondius (i)
Artist role: draughtsman, print maker, publisher
Artist dates: 1573 – 1650
Subjects: weinsberg, bazel, theoloog, johannes oecolampadius
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Jacob Verheiden, Præstantium aliquot theologorum, qui rom. antichristum præcipuè oppugnarunt, effigies. Den Haag: Hendrick Hondius I en Den Haag: B.C. Nieulandt, 1602-1603. Tevens: Arnhem, J.Janssen, 1604.
Portret van Nicolas Ridley, bisschop van Londen
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, armorial bearing, heraldry

Prent mogelijk uit: Larrey, Isaac de. Histoire d'Angleterre, d'Écosse, et d'Irlande (...). Rotterdam: Reinier Leers, 1697.
Figure
Object type: figure
Date: 500 – 300
Materials: bronze
Culture: unknown
Kinderkopje, naar links
Object type: drawing
Date: 1874 – 1925
Materials: chalk, paper, pencil
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: anonymous historical person portrayed alone
Retabel van de Kathedraal van Ely
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: ely cathedral
Artist: william russell sedgfield
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: altar with dossel (dorsal), 'reredos', altar-screen, retable, parts of church interior: choir
Inscriptions: inscription: ‘Sedgfield's English Scenery.’, number: ‘418’, inscription: ‘Hills Ely’
Exterieur van het Comediegebouw van Soerabaja
Object type: album leaf
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: theatre (building), surabaya

Onderdeel van Herinneringsalbum met foto's van Soerabaja.
Twenty-three drawings for "Le Voyage en bateau"
Object type: drawing
Date: 1861 – 1862
Materials: graphite, ink, paper
Techniques: pen
Artist: charles-françois daubigny
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1878
Man in tropenkleding te paard op een berghelling
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, dutch east indies, the

Onderdeel van familiealbum Nederlands-Indië.
Paysage d'après nature
Object type: page
Date: 1878 – 1883
Materials: paper
Techniques: photolithography
Location: paris
Artist: Anonymous
Subjects: forest path or lane
Restello
Object type: frame
Date: 1501 – 1533
Materials: gilt, wood, paint
Techniques: carving
Culture: italian
Subjects: griffins

Essentially a tabernacle with decorative relief panels, this carved and gilt mirror frame is structurally similar to a type of tabernacle frame made for private devotional images in Venice and the Veneto during the first third of the sixteenth century. The present mirror is a modern replacement. Holes in the base molding, now plugged, evidently held hooks for hanging combs and brushes. Mirror frames of this type must have been common at one time, though surviving examples are relatively rare. The Lehman example is decorated with polychrome and pastiglia (applied ornament of gesso). Detached candelabrum-style columns support imposts punched with a scale pattern and a dentilated cornice with blue recesses. The base of the frame is supported on consoles above a relief panel in the form of an antependium, which is carved with acanthus leaves around a shield. The top and sides of the frame are similarly extended with relief panels of summary griffins, acanthus, and vine leaves against a punched ground. The entablature and predella friezes are filled with pressed pastiglia ornament.
Bruidsjapon van crème charmeuse zijde met lange sleep, sluik model met kleine v-hals en achtersluiting met lange rij stofknoopjes
Object type: wedding dress
Materials: silk
Location: amsterdam
Subjects: the hague, amsterdam

Oorspronkelijk zouden de rug en de sleep van de jurk versierd worden met een strook kant van een albe, een erfstuk uit de familie in bezit van mw. Six-Bosch Reitz. Brief C.I. Six, d.d. 26-05-1939:' De bruid had een bouwsel van echte oranje bloesem op het hoofd, hetgeen helaas wat te hoog en te zwaar uitgevallen was. De mooie oude Vlaamsche kant (BK-1991-13?), die Mama haar gaf had de naaister per see op de sluier willen gebruiken, dit was jammer want het maakte weinig effect en sneed ons door de ziel toen wij die arme kostbare oude kant telkens met de sluier over de grond zagen slepen. De jurk zelf voldeed wel veel beter met de waas van de sluier er over heen, dan op de receptie.' (Archief Six)
Ruiters
Object type: print
Date: 1686 – 1710
Materials: paper
Techniques: etching
Location: augsburg
Subjects: private soldier (+ cavalry, horsemen), (military) camp with tents

Onderdeel van in totaal 37 prenten door Georg Conrad Bodenehr naar Georg Philip Rugendas I. Deze prent maakt onderdeel uit van serie 'B', bestaand uit acht prenten met ruiters.
Photographs
Object type: scrapbook
Date: 1899 – 1900
Materials: cardboard, linen, paper, photographic support
Techniques: gelatin silver print
Location: south africa
Artist: Anonymous
Subjects: warfare; military affairs
Inscriptions: name: ‘D. Wentholt’

Fotoalbum in groenzwarte linnen band met op het voorplat de titel in gouddruk en in reliëf. De schutbladen zijn van beige papier. Op het eerste schutblad is met de hand een naam geschreven: D. Wentholt. Het album bevat 12 bladen met 23 foto's in passe-partouts en 1 los aangetroffen afdruk. Het zijn opnames gemaakt tijdens de Tweede Boerenoorlog (1899-1902), voornamelijk in de jaren 1899/1900, van vluchtelingen, manschappen, krijgsgevangenen, slachtoffers, materieel en verwoestingen.
Model of a Bell-Shaped Lamp Stand
Object type: lamp stand model
Date: 1 – 200
Materials: earthenware, glaze
Culture: chinese
Subjects: human figures,birds,carriages
Actress with mandolin, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,mandolins,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Bowl
Object type: bowl
Date: 1737 – 1737
Materials: silver
Subjects: flowers
Portret van een vrouw
Object type: album leaf
Date: 1895 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: bremen
Artist: hans rupprecht
Artist role: fotograaf
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Görlitz 1895/ Hans Rüpprecht/ Photogr. Atelier/ Bremen/ Osterhorsteinweg No49/ vis-à-vis der Mozartstr.’
Fodina ferrea Danmorensis – A Danish Iron Mine (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...,"  London, 1724, vol. II, pl. 35)
Object type: print
Date: 1723 – 1724
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: maps

Hogarth made this print early in his career to illustrate a travel book by the French author Aubry de La Mottraye. It represents sections of a Danish iron mine in Arboga.
Portret van Dirck Volckertsz. Coornhert
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: engraving
Artist: michiel le blon
Artist role: print maker
Artist dates: 1587 – 1656
Subjects: gouda, print maker, dirck volckertsz. coornhert
Inscriptions: collector's mark: Lugt 2228

Portret opgenomen in: Coornhert, Dirck Volckertsz. Ethica. Zede-kunst dat is wel-levens kunste. Amsterdam: s.l.s.n. 1630.
Lege koets getrokken door vier paarden
Object type: sketchbook leaf
Date: 1840 – 1860
Materials: paper, pencil
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: riding a horse, ass, or mule; rider, horseman, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach

Tevens studies van een ruiter en mannen. Blad 23 verso uit een schetsboek met 38 bladen.
Komeet, waarschijnlijk komeet Halley
Object type: print
Date: 1700 – 1800
Materials: paper
Techniques: engraving, etching, hand coloring
Location: northern netherlands
Artist: Anonymous
Subjects: comet
Inscriptions: collector's mark: Lugt 2228
Terracotta fragments of stemless kylikes (drinking cups)
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Interior, two fragments with part of the single reserve line framing the tondo
Verschil in transport in Frankrijk
Object type: cartoon
Date: 1837 – 1837
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Subjects: hand-cart, contrast between rich and poor, political caricatures and satires, dog, france
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘Timbre Royal Seine’

Prent uit: Le Charivari 6 (1837), nr. 238, 14 september 1837.
Tentoonstelling het Hollandsche Interieur, 1931
Object type: poster
Date: 1931 – 1931
Materials: paper
Techniques: printing block
Location: amsterdam
Artist: Anonymous
Subjects: lace, collection, exhibition, show, amsterdam
Inscriptions: collector's mark: Lugt 1641, stamp

Affiche voor de tentoonstelling over het Hollandse Interieur van de achttiende eeuw in het Rijksmuseum. Gehouden tussen 15 maart en 3 mei in 1931. De tentoonstelling is ingericht door het Koninklijke Oudheidkundig Genootschap en de Vereeniging het Kantsalet. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Tentoonstellingen.
Liber Chronicarum
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: rome, pope
Inscriptions: inscription: ‘149’

Een bloemkelk met een paus. Hij draagt een tiara en heeft een opengeslagen boek en een staf met dubbel kruis in zijn handen. De voorstelling is onderdeel van de opeenvolging pausen in de Liber Chronicarum. De tekst identificeert de man als Innocentius VII. De prent maakt deel uit van een album.
Nederlandse vrouwen- en mannenkostuums, 1622
Object type: costume print
Date: 1622 – 1622
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: dirk eversen lons
Artist role: print maker
Artist dates: 1599 – 1686
Subjects: transport of building materials, hand-cart, dress, gown (+ women's clothes), building-site
Inscriptions: collector's mark: Lugt 240

Kleding: vilthoed met grote opgeslagen rand. Kleine schouderkleppen. Plat kraagje met randversiering, opgeslagen rok. Schort. Hoog gesloten lijfje met knoopsluiting en nauwe mouwen. Schoenen met ronde neus, platte hak en vetersluiting. Hoewel kleding van boerenvrouw; toch verschillende modeverschijnselen gevolgd.
Toscanella. Facciata della chiesa di S. Maria Maggiore (sec. IX)
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph
Location: italy
Subjects: church (exterior)
1st Regiment, Volunteer Southrons, Mississippi Militia, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
St. John the Baptist Holding the Lamb
Object type: print
Date: 1517 – 1517
Techniques: woodcut
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545
Subjects: lambs,saint john the baptist

A master of the woodcut, Baldung was the most important artist to emerge from the studio of the greatest innovator in the medium, Albrecht Dürer. The intensity of this image is typical of Baldung's work. Encircled by a vibrant radiating halo, the saint as well as the Lamb of God in his lap confront the viewer with their direct stares. Baldung focused on the single figure of John the Baptist rather than setting the saint in a landscape, as was more common at the time. The saint occupies nearly all of the sheet; in fact his toes nearly protrude past the borderline. The large saint with a brilliant halo was no doubt inspired by Dürer's small engravings of monumental Madonnas engraved in 1519.
Lord Clinton
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Netsuke of Demon
Object type: netsuke
Date: 1767 – 1800
Materials: brass, bronze, wood, ivory
Techniques: inlay
Culture: japanese
Subjects: demons
Portret van een onbekende man
Object type: print
Date: 1600 – 1918
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: neck-gear ~ clothing, historical persons not known by name
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2233
Girl with Fan
Object type: print
Date: 1750 – 1770
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: masafusa
Artist role: artist
Artist nationality: japanese
Artist dates: 1750 – 1770
Subjects: fans,women
De Passie
Object type: print
Date: 1597 – 1667
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)
Inscriptions: collector's mark: Lugt 240

Christus is vastgebonden aan een pilaar en wordt door twee mannen geslagen met een takkenbos en een gesel. Op de voorgrond bindt een man een bos takken bijeen.
Visor for a Bascinet
Object type: visor
Date: 1430 – 1450
Materials: steel
Culture: italian
Location: italy

This is part of a large find of medieval armor discovered in 1840 in the ruins of the fortress of Chalcis, on the Greek island of Euboea (then a Venetian colony called Negroponte). The fortress had been captured and destroyed by the Turks in 1470. Now divided largely between the Ethnological Museum, Athens, and The Metropolitan Museum of Art, the Chalcis hoard contains many rare and unusual elements of fourteenth- and fifteenth-century armor. Of particular importance are the variety of headpieces and the many fragments of brigandines (armor for the torso constructed of small plates riveted to layers of fabric), some of which retain portions of their original velvet covering. The Chalcis armor provides a unique picture of the armament used in the Aegean, one of the easternmost military outposts of the Venetian empire.
El cancionero popular, hoja num. 12 (The Popular Songbook, Sheet No. 12)
Object type: print
Materials: paper
Techniques: relief print
Location: mexico
Artist: Anonymous
Artist nationality: mexican
Artist dates: 1800 – 1899
Tea Jar
Object type: tea jar
Date: 1780 – 1780
Materials: clay, enamel, glaze, gold
Culture: japanese
Subjects: flowers
Maria, Johannes en anderen onder het kruis
Object type: drawing
Date: 1500 – 1599
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: crucified christ with mary, john, and mary magdalene
Hat
Object type: hat
Date: 1801 – 1900
Materials: fiber
Culture: american or european
Rattery Church, East End and the new Vicarage House
Object type: drawing and watercolor
Materials: graphite, paper
Location: united kingdom
Artist: Anonymous
Figure of bodhisattva Guanyin
Object type: figure
Date: 1701 – 1900
Materials: glaze, ivory, porcelain
Culture: chinese
Subjects: buddhism,bodhisattvas
Zes munten met portretten van mannen en vrouwen uit de klassieke oudheid en de mythologie: letter Q
Object type: print
Date: 1675 – 1680
Materials: paper
Techniques: engraving
Location: antwerp
Artist: richard collin
Artist role: print maker
Artist dates: 1627 – 1697
Subjects: coin
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Joachim von Sandrart, L'Academia Todesca della Architectura Scultura e Pittura oder Teutsche Academie der Edlen Bau-, Bild- und Mahlerey-Künste. Nürnberg: 1675-1680.
Sallet
Object type: sallet
Date: 1470 – 1480
Materials: steel
Culture: german
Location: switzerland
Artist: hans blarer the younger
Artist role: armorer
Artist nationality: german
Artist dates: 1453 – 1483

During the fifteenth century, the city of Basel, which became part of the Swiss Confederation in 1501, was a thriving center for armor making. Despite this fact, almost no armor from Basel can be identified today. The maker's mark on this helmet allows it to be recognized as the only known surviving helmet made by an armorer of Basel. It also demonstrates that armor from Basel could be of comparable quality to that from such well-known centers as Innsbruck, Augsburg, and Nuremberg, examples of which are also displayed in gallery 373.
Guide to Peeblesshire and adjacent county, including St. Mary's Loch and the Grey Mare's Tail
Object type: book
Date: 1881 – 1881
Materials: linen, paper, photographic support
Techniques: albumen print, printing
Location: peebles
Artist: james watson
Artist role: printer
Inscriptions: bookplate: ‘ex libris SFJ’, annotation: ‘Apr 1981’, annotation: ‘[...] 301-’