deem-data/ArtiFact huggingface dataset:
Tobacco box
Object type: tobacco box
Date: 1781 – 1781
Materials: brass, copper
Subjects: men

This box is oblong with rounded ends. The lid has openwork decoration in brass against a copper ground. A harlequin and two smaller musicians in the background are surrounded by pierced scroll and fretwork decoration. The underside shows a dancing woman surrounded by the same pierced scroll and fretwork ornament. Inscribed on front edge of cover, I. W. B.; dated 1781 on front side, among leaf scrolls. The initials and date were probably added at a later time. With lined rims. The brass sides are engraved with leaf scrolls, the decoration of the rounded ends consists of small squares. Two openwork tobacco boxes were sold at Christie’s in Amsterdam: on May 24, 1985, lot 368, and on September 12-13, 1985, lot 352.
Exterieur van de basiliek van Santa Maria della Salute in Venetië
Object type: photograph
Date: 1870 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: venice
Artist: Anonymous
Subjects: parts of church interior: dome, church (exterior), venice
Inscriptions: negative number: ‘23’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Genua, Florence en Venetië.
Bowl with translucent flower scrolls
Object type: bowl
Date: 1900 – 1936
Materials: glaze, porcelain
Techniques: embroidery, firing, turning, vitrification
Location: dehua
Artist: Anonymous

Wijde kom van porselein, bedekt met een doorschijnend wit glazuur. De wanden zijn opengewerkt (ajourwerk) met bloemranken, waarover de glazuur is aangebracht. Blanc de Chine.
Schrijvende vrouw aan een tafel
Object type: photomechanical print
Date: 1886 – 1896
Materials: paper
Techniques: autotype
Location: france
Subjects: handwriting, writing as activity, adult woman, table
Inscriptions: inscription: ‘Imprimerie et librairie Gauthier-Villars et fils, 55, Quai des Grands-Augustins, a Paris.’
Afrika
Object type: print
Date: 1709 – 1709
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: africa represented allegorically; 'africa' (ripa), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 240

Standbeeld in de tuinen van Versailles. De vrouwelijke personificatie van Afrika, gekroond met koralen, een boog in de hand. Aan haar voeten een leeuw. In de marge een onderschrift in het Frans.
The triangular or lesser Forum - Restoration
Object type: page
Date: 1890 – 1895
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: civic architecture; edifices; dwellings, pompeii
Portret van Godefroid Hotton
Object type: print
Date: 1650 – 1674
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, functionaries and dignitaries ~ episcopal protestant churches
Inscriptions: collector's mark: Lugt 240
Earring
Object type: earring
Date: 601 – 700
Culture: japanese
De Centraale  Vergadering. in 's Hage op de zaal van den Ouden Doelen
Object type: print
Date: 1803 – 1805
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: national government, politics
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: P.A. Loosjes. Vaderlandsche historie, vervattende de geschiedenissen, der Vereenigde Nederlanden (...). Ten onmiddelyken vervolge van Wagenaar's Vaderlandsche historie. Amsterdam: Johannes Allart, dl. 34 (1805).
Designs for Decorations in the Throne Room, Royal Palace, Milan
Object type: drawing
Date: 1808 – 1808
Techniques: wash
Artist: anonymous, italian, 19th century
Artist role: artist
Artist nationality: italian
Artist dates: 1800 – 1900
Subjects: birds,emblems
St. Joseph
Object type: textile
Date: 1801 – 1900
Location: germany
Man with a Turban
Object type: drawing
Date: 1833 – 1898
Materials: graphite
Artist: félicien rops
Artist role: artist
Artist nationality: belgian
Artist dates: 1833 – 1898
Subjects: men,portraits
Terracotta lekythos (oil flask)
Object type: lekythos
Date: 440 – 430
Materials: terracotta
Culture: greek, attic
Artist: painter of the new york hypnos
Artist role: artist
Subjects: men

Hypnos (Sleep) and Thanatos (Death) transporting the body of a dead youth Despite the incomplete and damaged condition of the vase, it is remarkable for the sensitivity of the drawing and for the preserved polychromy.
Voorstellingen van de incarnaties van de Indiase god Vishnu en verering van Ixora
Object type: print
Date: 1722 – 1722
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: ritual practices ~ hinduism, buddhism, jainism
Inscriptions: collector's mark: Lugt 2228

Blad met twee voorstellingen van incarnaties uit het hindoeïsme en de verering van Ixora. Boven: De Indiase god Vishnu komt tien keer op aarde, in tien verschillende gedaantes, om de wereld te redden. Hier voorgesteld respectievelijk de negende en tiende incarnatie: Boeddha en Kalki. Onder: Interieur van een tempel waar het beeld van de god Ixora in de gedaante van een pilaar wordt vereerd. Onder de voorstellingen een onderschrift in het Frans. Rechtsboven genummerd: 103.
Portret van een meisje, staand bij een tafel
Object type: album leaf
Date: 1868 – 1868
Materials: cardboard, photographic support
Techniques: albumen print
Location: cherbourg
Subjects: historical persons - bb - woman, girl (child between toddler and youth), table
Inscriptions: inscription: ‘PORTRAITS ARTISTIQUES/ Maison Rideau/ 38, Quai de Caligny, 38/ CHERBOURG/ on obtiendra de semblables cartes/ en renvoyant une épreuve.’, annotation: ‘Rideau’, annotation: ‘André [..] le 12 Juin/ 1862 [...] 17 Marz/ 1869-/ photographié/ le 28 [...]/ 1868’
A crowd forming a circle; page 42 from the "Images of Spain" album (F)
Object type: drawing
Date: 1812 – 1820
Materials: chalk, ink
Techniques: brush, wash
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: crowd
P.A.M. Pertat
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching
Subjects: amsterdam, politician, historical persons, politician, e.g. party leader

Prent maakt deel uit van een grotere prent die later is verknipt. Prent gebruikt in: Rogge, Cornelis. Geschiedenis der staatsregeling, voor het Bataafsche volk. Amsterdam: Johannes Allart, 1799.
Plate
Object type: plate
Date: 1880 – 1888
Materials: amber, glass
Techniques: glassblowing
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Ewe and Lamb
Object type: print
Date: 1641 – 1678
Techniques: etching
Artist: karel dujardin
Artist role: artist
Artist nationality: dutch
Artist dates: 1622 – 1678
Subjects: sheep
Sard ring stone
Object type: ring
Date: 1 – 100
Culture: roman
Subjects: women

Portrait bust of a young woman in profile The hairstyle, with a "French roll" on top of the head and a small chignon at the back, was in fashion during the Augustan period and occurs on coins of Octavia and Fulvia.
Henrietta Fort
Object type: print
Date: 1670 – 1670
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: buildings,soldiers

View of Henrietta Fort in Tangier from lower down the slope, with two soldiers looking over the rock on the winding road in foreground at left, others seen outside a small building on the coast at right
Tafellaken van linnendamast met wapens
Object type: tablecloth
Date: 1682 – 1682
Materials: linen
Techniques: damask, weave
Location: northern netherlands
Artist: Anonymous
Inscriptions: mark

Wit linnen damasten tafellaken met druivenranken en het wapen Nassau-Van Beijeren Schagen en ingeweven de datering 1682.
The Seven Sages of the Bamboo Grove (Chikurin shichiken), from the series "A Set of Ten Famous Numbers for the Katsushika Circle (Katsushikaren meisu juban)"
Object type: print
Date: 1828 – 1828
Techniques: woodblock print, surimono
Location: japan
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Piece
Object type: piece
Date: 1765 – 1765
Materials: cotton, linen
Artist: bromley hall printworks
Artist role: manufactory
Artist nationality: english
Artist dates: 1694 – 1823
Subjects: birds,flowers,leaves
Shri Shri Durga
Object type: print
Date: 1885 – 1895
Materials: chromolithograph, paper
Culture: indian or west bengali

The goddess Durga, wielding an array of weapons in her ten arms, slays the buffalo demon Mahisha, who now reveals himself in human form. Durga plunges a trident (trisula) into his chest, whilst her lion mount (vahana) mauls his arm. To her left stands Lakshmi who holds two flowers while on the right stands Saraswati holding a vina. Dancing in the lower left is Ganesha with his rat vehicle at his feet, while to the right Skanda sits astride his peacock. All is staged on a dais supported with lion-feet and framed by a decorative arch on fluted columns. An inset painted panel evokes Victorian architectural decoration in the academic manner, but with Hindu deities replacing classical philosophers and muses.
The Colosseum, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Location: rome
Artist: Anonymous
Artist role: artist
Subjects: ruins,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 58 in the scrapbook.
Portret van Heinrich Wedel
Object type: print
Date: 1809 – 1870
Materials: paper
Techniques: letterpress printing
Location: germany
Artist: Anonymous
Subjects: berlin, historical persons, medals and other marks of military honour
Inscriptions: collector's mark: ‘JVB’

Prent uit: Daheim, nr. 50, september 1870.
Tile Fragment
Object type: tile fragment
Date: 1334 – 1434
Materials: stonepaste
Techniques: glazing
Location: uzbekistan
Hercules en Waarheid
Object type: print
Date: 1737 – 1737
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: coenraad de putter
Artist role: print maker
Subjects: (story of) hercules (heracles), (story of) juno (hera), blasphemy, gorgons, truth; 'verità' (ripa), sun represented as face, wheel, etc., janus' head, two-faced head, (story of) midas
Inscriptions: collector's mark: Lugt 2228

Hercules heeft verscheidene figuren geketend: Koning Midas (de man met de ezelsoren), Juno, een van de gorgonen, Janus (de man met twee gezichten), de personificatie van Kwaadsprekerij met haar blaasbalg en een andere figuur. Hij toont de geketende aan de personificatie van Waarheid, de naakte figuur op een wolk met een palmtak in de hand met de zon achter haar.
Fan
Object type: fan
Date: 1725 – 1750
Materials: gilt, paint, paper, pearl
Subjects: women,female nudes
Bowl
Object type: bowl
Date: 1301 – 1400
Materials: glaze, stonepaste
Techniques: underglaze
Location: egypt
Textile Fragment
Object type: textile fragment
Date: 908 – 932
Materials: linen, silk
Techniques: embroidery, weave
Location: egypt
Subjects: arabic
Spittoon
Object type: spittoon
Date: 1700 – 1800
Materials: metal alloy
Techniques: amalgam gilded, casting
Location: tonkin
Artist: Anonymous
Subjects: verenigde oostindische compagnie, vietnam, kanton

Kwispedoor met vergulde voet en een trompetvormige mond en een zwart gelakte bolle buik versierd met drie cartouches in relief, voorstellende pagodes en een figuur in een boot temidden van een traditioneel Chinees landschap met bomen, vogels en een vlinder. De binnenzijde van de mond is gegraveerd met fruit, bloemen en vogels.
Verkoper van wijn
Object type: album leaf
Date: 1660 – 1660
Materials: paper
Techniques: etching
Location: bologna
Artist: giuseppe maria mitelli
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1634 – 1718
Subjects: wooden container: barrel, cask, bucket, carrying something in basket, bag, rucksack, etc., wine ~ alcoholic drinks, street-trader, 'cris de paris', cries of london, etc.

Een man loopt door een straat met een groot houten wijnvat op zijn rug. Italiaans vers in ondermarge. De prent maakt deel uit van een album.
Man fotografeert een vrouw
Object type: photograph
Date: 1900 – 1950
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman, taking photographs, adult man, historical persons
Inscriptions: inscription: ‘GC/ CP/ Ser 900/2’
Fantasiemarmer in bruin, groen en geel op bruin papier
Object type: marbled paper
Date: 1900 – 2000
Materials: paint, paper
Techniques: marbled paper
Artist: Anonymous
New York High Buildings and River Front
Object type: ansichtkaart, prentbriefkaart
Date: 1898 – 1900
Materials: paper
Techniques: autotype
Location: new york city
Subjects: city-view, and landscape with man-made constructions, river, new york (city)
Inscriptions: number: ‘177.’, inscription: ‘Dr. Heer. O. Bergman Wir[...]ummerdijk Leeuwarden Holland’
Fragment kom uit V.O.C.-schip de 'Witte Leeuw'
Object type: bowl
Date: 1613 – 1613
Materials: porcelain
Location: shantou
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A bowl with an unglazed ring. The unglazed ring shows traces of glaze. The central motive has been blemished because of another bowl having been placed on it.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of basket hanging on wall
Terracotta oil lamp
Object type: lamp
Date: 201 – 250
Materials: terracotta
Culture: roman

Loeschcke Type 8. Unpierced handle. Mold-made. Discus: rosette encircled by impressed herring-bone wreath. On shoulder: herring-bone wreath. On base, in Greek letters: ЄPMIA/[N]O.
Heuvelachtig landschap met rivier en hengelaar
Object type: print
Date: 1619 – 1685
Materials: paper
Techniques: etching
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: river, (high) hill, angling
Inscriptions: collector's mark: Lugt 2228

Anonieme prent, van dezelfde hand als RP-P-1880-A-4452.
Plate
Object type: plate
Date: 1788 – 1788
Materials: faience
Techniques: glazing
Artist: levavasseur
Artist role: manufactory
Artist nationality: french
Artist dates: 1715 – 1825
Subjects: birds,flowers,trees

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Visitekaartje aan Philip Zilcken
Object type: visiting card
Date: 1890 – 1890
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: brussels
Artist: louise stratenus
Artist role: schrijver, vertaler
Artist dates: 1852 – 1908
Subjects: amsterdam, catharina alberdingk thijm, leiden, maria zubli-van den berch van heemstede, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Handschoen van wit kalfsleer en sluiting met vier parelmoeren knopen
Object type: glove
Date: 1900 – 1950
Materials: leather, mother of pearl
Location: western europe
Artist: Anonymous

Linker handschoenen van wit kalfsleer en sluiting met vier parelmoeren knopen. Kort model, waarschijnlijk van oorsprong lang en later afgeknipt.
Terracotta phiale (libation bowl)
Object type: phiale
Date: 234 – 168
Materials: terracotta
Culture: greek, calenian or campanian or south italian
Subjects: horses,chariots

Frieze of chariots with divinities.
Ceremonial Knife (Tumi)
Object type: knife
Date: 1101 – 1500
Materials: copper
Culture: chimú
Location: peru

The Moche people of northern Peru (first–seventh century) were among the first to use copper, often with the addition of arsenic to harden the metal and improve the quality of the cast. Moche metalworkers hammered most of their precious metals—gold and silver—into objects of sheet metal, but many works in copper were cast by the lost-wax technique. The Chimú people, who made this ceremonial knife, inherited the rich cultural and artistic traditions developed by the earlier Moche. Clearly a ritual object, indicated by the delicate, projecting details and attractive silhouette, the knife has a semicircular blade. The flat undulating shaft is embellished with circles in relief; stylized birds project from its sides. At the top is a human head wearing a headdress with mushroom shapes. The detailed facial features—wide staring eyes and open mouth framed by age wrinkles—give the face a startled look. The holes in the earlobes once held ornaments. The object is cast of a copper/arsenic alloy; its surface is now covered with copper corrosion developed over many centuries of burial.
Frankrijk in oorlog met Pruisen 1870
Object type: history medal
Date: 1870 – 1870
Materials: brass
Techniques: striking

Messing penning met oog en draagring, op de voorzijde een vrouwenportret naar rechts met omschrift, op de keerzijde negen regels tekst met omschrift.
Time Holding a Nude Woman, a Putto at Right
Object type: drawing
Date: 1696 – 1770
Materials: chalk, ink, drawing material
Techniques: brush, drawing, pen, wash
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: female nudes,putti
Glass Fragment
Object type: glass fragment
Date: 801 – 900
Materials: glass
Location: iraq
Brug in aanbouw in Frankrijk, met op de voorgrond een duiker
Object type: photograph
Date: 1883 – 1886
Materials: photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: bridge, building-site, france

Onderdeel van Album van een Franse amateurfotograaf met opnames van familie, militairen, industrie, landschappen en bezienswaardigheden in Frankrijk.
Zeeslag bij Kaap La Hogue, de Fransen verslagen door de vloot van Engeland en Holland
Object type: history medal
Date: 1692 – 1692
Materials: silver
Techniques: striking
Location: nijmegen
Artist: jan boskam
Artist dates: 1687 – 1708
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland)

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: zeeslag met een zinkend Frans schip en een schip dat in de lucht vliegt op de voorgrond vlucht de Franse haan voor een leeuw en een eenhoorn die de drietand grijpen binnen omschrift; afsnede: opschrift
Jar with the emblem of the Order of Saint Augustine
Object type: jar
Date: 1575 – 1600
Materials: cobalt, glaze, porcelain
Techniques: painting
Subjects: birds,eagles,peacocks
Achterkant van een tak van een framboosstruik
Object type: drawing
Date: 1815 – 1830
Materials: paper, watercolor
Techniques: brush, drawing
Location: netherlands
Artist: eelke jelles eelkema
Artist dates: 1788 – 1839
Seitei kacho
Object type: print
Date: 1916 – 1916
Materials: paper
Techniques: woodcut
Location: tokyo
Subjects: birds
Gezicht op de Arc de Triomphe in Parijs
Object type: stereograph
Date: 1855 – 1860
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: triumphal arch
Inscriptions: inscription: ‘Arc de l'Etoile’, number: ‘14.’
Picture of Men and Women from all nations (Bankoku danjo jinbutsu zue)
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa yoshiiku
Artist role: artist
Artist nationality: japanese
Artist dates: 1833 – 1904
Subjects: men,women,elephants,horses
De twaalf maanden
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: june ~ other concepts
Inscriptions: collector's mark: Lugt 240

Uit een serie van twaalf prenten, de verbeelding van de maand juni. Natuurlandschap met op de achtergrond een kasteel.
Atjeh, Sumatra, sultan Ala ed-din Mansoer II, kasja, AH  1260 (1844)
Object type: coin
Date: 1844 – 1844
Materials: tin
Techniques: casting
Location: aceh

Tinnen munt. Voorzijde: drieregelig opschrift in Arabische lettertekens. Keerzijde: drieregelig opschrift in Arabische lettertekens, waaronder jaartal in Islamitische jaartelling
Le Diable a Paris. . . Paris et Les Parisiens, Vol. I
Object type: book
Date: 1845 – 1845
Techniques: engraving
Location: france
Artist: antoine-alphée piaud
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1867
Studieblad met dieren en figuren
Object type: drawing
Date: 1849 – 1949
Materials: paper, pencil
Artist: Anonymous
Subjects: animals, postures of the human figure
Piece
Object type: do not use this record duplicate of 09. 13. 18a d
Date: 1801 – 1900
Materials: silk
Techniques: weave
Culture: chinese
Subjects: dragons
H. Franciscus van Assisi ontvangt de stigmata
Object type: print
Date: 1598 – 1690
Materials: paper
Techniques: etching
Location: antwerp
Subjects: st. francis of assisi in ecstasy
Inscriptions: collector's mark: Lugt 240

De heilige Franciscus van Assisi knielt op een berg, waar hij de stigmata ontvangt.