deem-data/ArtiFact huggingface dataset:
Ring with the Name of Pope Paul II (r. 1464–71)
Object type: ring
Date: 1464 – 1471
Materials: brass, gilt, glass
Subjects: eagles,lions,coat of arms

At the corners of the bezel are emblems of the four Evangelists, and on the sides are the shield of Paul II and that of the French crown. Papal rings may have been used at investitures or in establishing diplomatic credentials.
Toegangspenning tot de Hortus Medicus te Amsterdam 1696
Object type: history medal
Date: 1696 – 1699
Materials: brass
Techniques: casting
Inscriptions: inscription: ‘A.J. / Dagneaux / 1799’, circumscription: ‘HORTI MED AMSTEL LIBER INGRESSUS’, circumscription: ‘MAXIMUS AEGRIS AUXILIATOR ADEST’

Gegoten messing penning met op de voorzijde Aesculapius en op de keerzijde een altaar waarop het gekroonde stadswapen, een caduceus en cornucopiae waaruit kruidentakken, op naam van A.J. Dagneaux 1799
Captain Matsuzaki Bravely Fights at the Great Battle of Songhwan (Seikan no Gekissen, Matsuzaki Taii funyu no zu)
Object type: print
Date: 1894 – 1894
Techniques: woodblock print
Location: japan
Artist: migita toshihide
Artist nationality: japanese
Artist dates: 1863 – 1925
The Witch
Object type: print
Date: 1850 – 1850
Techniques: lithograph
Artist: henri-charles-antoine baron
Artist role: artist
Artist nationality: french
Artist dates: 1816 – 1885
Subjects: men,women,witches
Dutch Academy
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: painting,men,female nudes
Emblematic Scene
Object type: drawing
Materials: ink, oil, paper
Techniques: brush, pen, tinting
Artist: otto van veen
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1556 – 1629
Subjects: men,women
Rat on the Hammer of Daikoku
Object type: hanging scroll
Date: 1874 – 1942
Materials: linen, paper, wood
Location: japan
Artist: takeuchi seihô
Artist role: print maker
Artist dates: 1864 – 1942
Subjects: rodents: rat
Inscriptions: seal, signature: ‘Seíhô’

The rat is the constant companion of the god of wealth, Daikoku. It is often depicted with the god of good fortune’s attribute, the magical wooden hammer he uses to grant wishes. Seiho created a pleasing contrast between the saturated black and soft grey brushstrokes. These kinds of easily accessible, skilfully painted works were popular with a large audience.
Watervogels
Object type: print
Date: 1662 – 1742
Materials: paper
Techniques: mezzotint
Artist: john smith (prentmaker/ uitgever)
Artist role: print maker, publisher
Artist dates: 1652 – 1743
Subjects: water-birds
Inscriptions: collector's mark: Lugt 240
Tunnel "Das Urnerloch" [Schöllenen?] en brug over de Reuss, Gotthardpas, Zwitserland
Object type: photograph
Date: 1900 – 1925
Materials: cardboard, paper
Techniques: gelatin silver print
Location: switzerland
Subjects: switzerland
Inscriptions: inscription: ‘2073. Das URNERLOCH.’, inscription: ‘Gebr. Wehrli, Kilchberg, Zürich.’

Rechts van het diepe dal tussen steile rotsen is de ingang naar de 64-meter lange tunnel "Urnerloch" te zien, gebouwd tussen 20. 09. 1707 en 15.08. 1708. Over de rivier de Reuss is een lage brug te zien.
Gezicht in Amsterdam met wolkenlucht
Object type: sketchbook leaf
Date: 1885 – 1898
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: city-view, and landscape with man-made constructions, clouds, civic architecture; edifices; dwellings

Pagina 39 en pagina 40 uit een schetsboek met 32 bladen.
Quillon
Object type: ornament print
Date: 1597 – 1656
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: hacking and thrusting weapons: dagger (+ variant)
Glass alabastron (perfume bottle)
Object type: alabastron
Date: 534 – 401
Materials: glass
Culture: greek, eastern mediterranean

Opaque white, with handles in same color; trails in translucent purple. Broad, flat rim-disk; short cylindrical neck; narrow rounded shoulder; straight-sided body with slight upward taper; convex bottom; below shoulder, two large vertical ring handles with vestigial knobbed tails applied over trail decoration. One trail attached at edge of rim-disk; another applied to neck and wound down in spiral, then tooled into a close-set zigzag pattern around middle of body; below this, a third trail wound twice horizontally around lower body. Broken and repaired, with parts of lower body missing; dulling and pitting. These glass vessels with opaque white bodies and purple threads have been found throughout the Greek world, but most examples are from cemeteries and sanctuaries in the eastern Mediterranean.
Gezicht op het Royal Oak Hotel in Betws-y-Coed, Wales
Object type: album leaf
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Location: bettws-y-coed
Artist: Anonymous
Subjects: exterior ~ representation of a building, hotel, hostelry, inn
Inscriptions: inscription: ‘Bettus-y-Coed (Wales)/ 1’
Reckheimse duit van Ferdinand van Aspremont-Lynden (1636-1665)
Object type: coin
Date: 1636 – 1665
Materials: copper
Techniques: striking
Location: rekem
Artist: heer van reckheim

Koperen munt. Voorzijde: versierd wapenschild. Keerzijde: binnen een krans drie-regelig opschrift. Muntplaatje uitgebroken.
Side Table
Object type: furniture
Date: 1745 – 1745
Materials: wood, marble
Location: england
Subjects: furniture
Gin Jug
Object type: tap
Date: 1750 – 1750
Materials: brass
Location: japan
Artist: Anonymous

Jeneverkruik in de vorm van een man zittende op een ton met glas en fles in de hand, blauw beschilderd. Uit de ton steekt een koperen kraantje. Het hoofd is los en dient als stop.
Interieur van en gezicht op de Beurs van Zocher te Amsterdam
Object type: photomechanical print
Date: 1903 – 1903
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: stock exchange, stock-market, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Handel en Zeevaart: Hulpbeurs op de Dam en Beurs (Dam).
Twee portretten van Anna Maria Lars Bilto en Margarite Larsdatter
Object type: page
Date: 1870 – 1880
Materials: paper, photographic support
Techniques: albumen print
Subjects: head-gear, adult woman (+ front view)
Inscriptions: number: ‘Tavola XXX.’

Links een vooraanzicht van Anna Maria Lars Bilto, rechts een vooraanzicht van Margarite Larsdatter.
Shipwreck
Object type: drawing
Date: 1801 – 1848
Materials: graphite, paper
Culture: american
Artist: thomas cole
Artist role: artist
Artist nationality: american
Artist dates: 1801 – 1848
Subjects: landscapes,trees

This small graphite drawing is one of at least three with this title included in the same 1977 gift, all assumed to be products of a meeting of the Sketch Club, founded in 1827 by New York artists who gathered monthly to fashion individual compositions on an agreed-upon theme. In this Shipwreck, it is unsurprising that Cole, a landscapist who seldom painted marines, barely suggested the titular subject of the drawing in the vague smoke and skein of seabirds rising from the water in the distance and the possible presence of a lifeboat at right. More characteristically, he emphasized the terrestrial forms of boulder and tree in the foreground setting off the sea, which has long since swallowed the ill-fated vessel.
Tempel van Minerva Medica te Rome
Object type: drawing
Date: 1600 – 1699
Materials: paper, pencil
Techniques: brush
Artist: Anonymous
Subjects: ruin of a building ~ architecture, temple, shrine ~ roman religion, rome
Mr. Gaspar Fagel
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving, etching, pen
Location: amsterdam
Subjects: the hague, politician, gaspar fagel
Inscriptions: inscription: ‘geb. 1629 overl. 1688/ Scheltema, D I bl. 340’, collector's mark: Lugt 2228

Prent ook gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
Kluwenhouder, opgebouwd uit C-voluten versierd met bladeren, schuim- en rocaillemotieven en bloemen
Object type: textile working equipment
Date: 1775 – 1775
Materials: silver
Location: amsterdam
Artist: dirk froger
Artist role: silversmith
Artist dates: 1708 – 1780
Inscriptions: maker's mark, duty mark, date letter: ‘Q’, town mark

De kluwenhouder bestaat uit een beugel met aan de onderzijde twee oogjes, waarin een pen past die in twee bladvormige asymmetrische vleugels eindigt, waarvan er één afschroefbaar is. Aan de bovenzijde van de beugel is een draaibaar verbindingsstuk bevestigd met daaraan een oogje, waarin het oog van een grote schakel past. De haak is weer met een groot oog aan deze schakel bevestigd. De haak verbreedt zich naar het afgeronde uiteinde en heeft aan de voorzijde een opgelegd sierstuk. De beugel, de schakel en het sierstuk op de haak, alle opengewerkt en asymmetrisch, zijn opgebouwd uit C-voluten versierd met bladeren, schuim- en rocailleranden en bloemen waaronder rozen. Het open verbindingsstuk tussen beugel en schakel bestaat uit twee geschulpte voluten verbonden door een geprofileerde balk. De haak is boven het sierstuk gegraveerd met C-voluten met bladeren en traliewerk.
Stands op de fancy-fair in het Paleis voor Volksvlijt ten bate van de slachtoffers van de watersnood van 18 februari 1881
Object type: print
Date: 1881 – 1881
Materials: gouache, paper, pencil
Techniques: brush, lithograph, pen
Subjects: flood, poster
Inscriptions: date: ‘FancyFair 18 Feb 81.’

Onderwerpsrubriek binnen de Atlas Amsterdam: 1881-1886.
Ring with Notched Circle
Object type: ring
Date: 701 – 1200
Materials: gold
Techniques: casting
Culture: indonesian, central java
Studies
Object type: sketchbook leaf
Date: 1908 – 1908
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Inscriptions: annotation: ‘[...]’

Blad 17 verso uit een schetsboek met 25 bladen.
Portret van Gerard baron van Swieten
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: leiden, vienna
Inscriptions: collector's mark: Lugt 240

Portret van Gerard baron van Swieten, medicus en hoogleraar te Leiden en Wenen.
Scarab Inscribed with Hieroglyphs
Object type: scarab, hieroglyph, sa, nefer, lotus stem
Date: 1850 – 1640
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs

The scarab is inscribed with a symmetric arrangement of hieroglyphs, not meant to form words but chosen instead for their positive meaning. Such compositions are particularly prevalent on design scarabs of the late Middle Kingdom (late Dynasty 12–Dynasty 13, ca. 1850 –1640 B.C.). They serve as models for the wide array of variations seen on Egyptian scarabs of the Second Intermediate Period (Dynasty 14–17, ca. 1640–1550 B.C.) and on Canaanite scarabs (Middle Bronze Age IIB-IIC, ca. 1700–1500 B.C.).
Salt Spoon
Object type: spoon
Date: 1775 – 1800
Materials: silver
Culture: american
Location: united states
Artist: daniel van voorhis
Artist role: maker
Artist nationality: american
Artist dates: 1751 – 1824
Ontwerpen voor twee glas in loodramen met bloemornamenten
Object type: drawing
Date: 1907 – 1930
Materials: ink, pencil, paper, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: Anonymous
Subjects: flowers ~ ornament
Inscriptions: collector's mark: ‘R:MVS’
The Soldier's Farewell (from McGuire Scrapbook)
Object type: drawing
Date: 1859 – 1859
Materials: graphite, ink, paper
Techniques: letterpress
Culture: american
Artist: emanuel leutze
Artist role: artist
Artist nationality: german american
Artist dates: 1816 – 1868
Subjects: soldiers,firearms,women,dogs
H. Joris en de H. Cecilia
Object type: album leaf
Date: 1660 – 1660
Materials: paper
Techniques: etching
Location: antwerp
Subjects: the virgin martyr cecilia of rome; possible attributes: falcon, musical instruments, organ, wreath of roses and lilies, female saints, the warrior martyr george (georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword

David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.
Groepsportret van een gezelschap op rotsen, Verenigde Staten
Object type: album leaf
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Subjects: rock-formations, anonymous historical persons portrayed in a group, in a group-portrait, united states of america
Vaten en planken aan de oever van de rivier
Object type: print
Date: 1631 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: sports, games ~ animals

Rivierlandschap met uitzicht op een kerk. In een roeiboot halen twee personen een visnet binnen. Op de oever van de rivier, bij een huis, liggen enkele planken en vaten.
Card 465, Miss Mayall, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Augustus
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: harvest festivities, august and its 'labours'
Inscriptions: collector's mark: Lugt 2228

Afkomstig uit een serie met de twaalf maanden. Deze serie werd op een plaat geëtst. Een latere staat van deze serie werd gebruikt in: Königl. Großbrit. Churf. Braunschw. Lüneb. Genealogischen Kalender, auf das Jahr 1778. Lauenburg: Johann Georg Berenberg.
Statue equestre
Object type: photomechanical print
Date: 1876 – 1883
Materials: paper, photographic process
Location: paris
Artist: léon vidal
Artist role: fotograaf
Artist dates: 1833 – 1906
Subjects: equestrian statue
Inscriptions: inscription: ‘12e livraison’, inscription: ‘Musée National du Louvre Galerie d'Apollon’, inscription: ‘15 Quai Voltaire. Paris.’
Ruin of a Palace Facade [Palatium M. Agrippa] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'
Object type: book print ornament architecture
Date: 1554 – 1554
Techniques: etching
Artist: lambert suavius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1510 – 1576
Subjects: architecture,arches,palaces

Frontal view of the façade of a palace, said to be that of Emperor Marcus Agrippa. The rusticated façade consists of three stories crowned by an attica with arches and small round windows. The façade is divided in four bays each with a window or door open to the exterior. Double Doric pillars flank the windows. Along the sides and top of the building damage is visible. It is not clear whether this rendition is based on a specific building in Rome, or whether the printmaker relied on his own imagination, based on a description of the palace in an historic source. This print and several others in this series published by Gerard de Jode were copied after a group of Italian architectural prints, previously attriputed to the Master G. A. with the Caltrop, and first published in Rome between 1530 and 1550. The prints depict buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states.
Hercules Preventing the Centaurs from the Rape of Hippodameia, from The Labors of Hercules
Object type: print
Date: 1550 – 1550
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: female nudes,hercules,centaurs
February
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Pendant (one of a pair)
Object type: pendant
Date: 1451 – 1500
Materials: silver gilt, niello, silver
Subjects: reliquaries

There is no firm evidence about the original purpose of this type of niello pendant, but theories range from betrothal gifts (those with double portraits) to portable reliquaries (those with religious motifs).
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, part of chlamys; one letter of an inscription, O
Polypodium Phegopteris. Polypodium Dryopteris. Polypodium Calcareum
Object type: photograph
Date: 1867 – 1877
Materials: photographic support
Techniques: albumen print
Location: england
Artist: sydney courtauld
Artist role: botanicus, fotograaf, schrijver
Artist dates: 1840 – 1899
Subjects: ferns
Inscriptions: inscription: ‘Plate XV. One-third natural size.’
Seven of Spades, The Witches Ride, from Harlequin Cards, 2nd Series (N220) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: playing cards

Playing cards issued as trade cards from the "Harlequin Cards, 2nd Series" (N220), issued in 1889 to promote Kinney Tobacco Company.
Saint Jerome in the Wilderness
Object type: print
Date: 1591 – 1591
Techniques: engraving, etching
Artist: annibale carracci
Artist role: artist
Artist nationality: italian
Artist dates: 1560 – 1609
Subjects: men,saint jerome

Annibale Carracci was one of the most important artists working in Italy during the late sixteenth and early seventeenth centuries. Together with his cousin Ludovico and his brother Agostino, he played a critical role in what has been labelled 'the reform of painting'. While the corpus of Annibale's prints is small (twenty-two known designs can be securely attributed to him), they were influential and illustrate the aesthetic aims to combine northern Italian naturalism with central Italian principles of design (known as disegno). Trained to use the burin by his brother Agostino, a professional engraver, Annibale soon turned to etching, a technique that allowed him to emulate the quick, fluid pen strokes of his drawings. Here the immediacy of the medium contributes to the expressive intensity of the representatoin of Saint Jerome, who, in the midst of his self-mortification, experiences a divine vision.
Women in a Mansion
Object type: print
Date: 1780 – 1801
Techniques: woodblock print
Location: japan
Artist: katsukawa shuncho
Artist role: artist
Artist nationality: japanese
Artist dates: 1781 – 1795
Ingang van de voormalige Latijnse School op Kruisstraat 28 te Hoorn
Object type: photograph
Date: 1893 – 1893
Materials: cardboard, photographic support
Techniques: albumen print
Location: kruisstraat
Subjects: gate, entrance
Inscriptions: annotation: ‘Hoorn (N.H.)/ Ingang der voormalige latijnsche school/ Kruisstraat 28/ Nov. 1893’, annotation: ‘Ingang der voormalige Latijnsche school. Kruisstraat 28/ Nov. 1893/ Hoorn’
Flask
Object type: glass
Date: 1860 – 1875
Materials: glass
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Inscriptions: Embossed with eagle design
Christ and the Woman of Samaria
Object type: plaquette
Date: 1501 – 1600
Materials: gilt bronze
Artist: peter flötner
Artist role: artist
Artist nationality: german
Artist dates: 1485 – 1546
Subjects: women,christ
Theatrum pontificum, imperatorum, regum, ducum, principum, etc.
Object type: print
Date: 1638 – 1651
Materials: paper
Techniques: engraving
Artist: pieter de jode (ii)
Artist role: draughtsman, print maker
Artist dates: 1606 – 1674
Subjects: karel ix (koning van frankrijk), historical persons, king
Inscriptions: collector's mark: Lugt 2228

De prent is gebruikt voor De Jode's serie Theater van portretten (zie New Hollstein), tussen 1638 en 1651 uitgegeven onder de titel 'Theatrum Principum, Ducum et Comitum (...)' en 'Theatrum pontificum, imperatorum, regum, ducum, principum, etc.'
Betaalpenning van 50 cents van de Coöperatieve Winkelvereeniging Eendracht Maakt Magt te Hilversum
Object type: history medal
Date: 1875 – 1900
Materials: brass
Techniques: printing

Rond messing plaatje met inwaartse instempelingen (ster) / 50 C
Het Gezigt van Indramago boven Beuijtenzorg binen op t' Pleijn, met desselfs Speelheuijs, Water Fonteijne en Bruggen
Object type: drawing
Date: 1770 – 1770
Materials: ink, paper
Techniques: brush, pen
Location: buitenzorg
Artist: johannes rach
Artist role: draughtsman
Artist dates: 1720 – 1783
Subjects: river, landscapes in tropical and sub-tropical regions
Inscriptions: date

Gezicht op Indramago bij Buitenzorg. Gezicht op een pleintje, linksonder een schutting met opening waarin enkele figuren, op de voorgrond man die paard bestijgt en vier groepjes figuren met parasollen. Achter het plein rivier met bruggen en fonteinen.
Tobias geneest zijn blinde vader
Object type: print
Date: 1737 – 1803
Materials: paper
Techniques: etching
Location: germany
Artist: franz sigrist
Artist role: print maker
Artist dates: 1727 – 1803
Subjects: the healing of tobit: tobias puts the gall of the fish on his father's eyes
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 2827

Voor een antieke poort of ingang van een huis zit de blinde Tobias op een stoel. De jonge Tobias staat naast hem en smeert het geneesmiddel op zijn vaders ogen. Rechts op de voorgrond leunt de engel over een muurtje en kijkt toe. Rechtsboven gedrukt nummer XXVIII.
Na výstavních cestách
Object type: reproduction
Date: 1891 – 1893
Materials: paper
Techniques: autotype
Location: prague
Subjects: public festivities, temporary exhibition, 'salon'
André-Eugéne Pirson
Object type: page
Date: 1853 – 1858
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: brussels, politician, historical persons
Inscriptions: inscription: ‘Représentant,/ Elu par l'arrondissement de Tournay.’
Le Lutrin. Chant Second.
Object type: print
Date: 1717 – 1717
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: tools, implements of sculptor: mallet, walking-stick, staff, tools, aids, implements ~ crafts and industries: axe, night
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt als illustratie in: Boileau, Nicolas. Oeuvres de Nicolas Boileau Despréaux. Deel I, voorafgaand aan p. 343. Amsterdam: David Mortier, 1718.
Design for a Lady's Tomb
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: human figures,tombs
Christ Meets his Mother, plate four from Stations of the Cross
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Blade
Object type: knife
Date: 2030 – 1640
Materials: stone
Location: egypt
Priest's Robe
Object type: robe, priest's
Date: 1701 – 1900
Materials: metal thread, silk
Culture: japanese
Subjects: birds
Preparatory Study for Plate 41 in "Maisons de plaisance," Vol. II
Object type: drawing
Date: 1701 – 1800
Materials: chalk
Artist: jacques françois blondel
Artist role: artist
Artist nationality: french
Artist dates: 1705 – 1774
Subjects: birds,flowers