deem-data/ArtiFact huggingface dataset:
Tranquebar, Deens-India, Deense Aziatische Compagnie (DAC) op naam van koning Christiaan VII, royalin, 179[2]
Object type: coin
Date: 1792 – 1792
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: gekroond monogram van de koning. Keerzijde: waarde-aanduiding: 1 royalin in twee regels. Daaronder tussen jaartal gekroond ovaal Deens wapenschild. Gladde rand.
A Man Seated and Asleep
Object type: painting
Date: 1865 – 1865
Materials: oil, wood
Artist: giuseppe abbati
Artist role: artist
Artist nationality: italian
Artist dates: 1836 – 1868
Subjects: sleeping,men,portraits
Card Number 594, Miss Adelaide Datchon, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Handdoek van pellendamast
Object type: towel
Date: 1700 – 1800
Materials: linen
Techniques: weave
Location: northern netherlands

Handdoek van pellendamast. Effen banen met langs de zijden kleine vierkanten, kruisen elkaar. Op de kruispunten grote vierkanten. De ruimtes tussen de snijpunten zijn gevuld met lijnen en blokken. De randen zijn gestreept. De handdoek hoort bij twee handdoeken (BK-1977-355-A t/m BK-1977-355-C).
Deze Kunstplaat, voorstellende den aankomst van zijne Majesteit (Onzen tegenwoordigen Souverein) Willem den I. Koning der Nederlanden (...) te Scheveningen den 30 November 1813 / This plate representing the arrival of His Majesty, (Our present most Gracious Sovereign) (...)
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: aquatint, engraving, etching
Location: amsterdam
Subjects: berlin, william i of the netherlands, being welcomed ~ travelling, homage to a ruler, landing of william frederick i (1813)
Inscriptions: collector's mark: Lugt 2228

Aankomst van prins Willem Frederik op het strand van Scheveningen, 30 november 1813, om als soeverein vorst de regering van het land op zich te nemen. De prins staande in de boerenwagen. Op het strand begroet een enthousiaste menigte de prins. Onderaan de titels in het Nederlands en Engels, gescheiden door de wapens van de prins en van Groot-Brittannië. Bij de prent behoort een afzonderlijke verklaring.
Portret van Johann Rudolf Byss
Object type: print
Date: 1805 – 1861
Materials: paper
Techniques: lithograph
Subjects: painter, johann rudolf byss, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Hercules en Cerberus
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: etching
Location: antwerp
Subjects: (12) cerberus captured and carried away by hercules
Inscriptions: collector's mark: Lugt 240

Hercules staat met opgeheven knots voor Cerberus, de driekoppige hond die de ingang van de Hades bewaakt. Titel in het Latijn in ondermarge.
Berigt van Intekening
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: medal (considered as a piece of sculpture, regardless of its specific function)
Inscriptions: collector's mark: Lugt 2228

Spotprent in de vorm van een bericht van intekening op een (niet-bestaande) medaille ter ere van de terugkeer van de Amsterdamse patriotten uit Utrecht, 1787. Op de voorzijde worden de gewapende burgers verwelkomd bij herberg de Berebijt door een man in kamerjas en slaapmuts. Op de keerzijde wordt een gewapende burger gewiegd door P. Witmond. Aan weerszijden van de plaat een gedrukte beschrijving van de voorstellingen.
Charles V and Fedinand I (Dick-taler)
Object type: coin
Date: 1531 – 1531
Materials: silver
Artist: ulrich ursentaler
Artist role: artist
Artist nationality: austrian
Artist dates: 1508 – 1562
Block Statue of Neskhemenyu, son of Kapefha
Object type: block statue, neskhemnyu
Date: 400 – 301
Materials: pigment
Location: egypt
Subjects: men,hieroglyphs
Mandolin, from the Novelties series (N228, Type 4) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Calyx Krater (Mixing Bowl)
Object type: vessel
Date: 400 – 380
Materials: ceramic, terracotta
Location: basilicata
Artist: attributed to the perugia painter, now combined with the arnò painter

This vase was painted by a Greek artist who immigrated to Etruria, where Greek vases were a popular commodity. The seventh of Herakles’s Twelve Labors is shown here. Charged with capturing a monstrous bull that was terrorizing the people of Crete, the hero wields his club against the ungainly creature, watched over by King Minos on the left, the gods Apollo and Athena above, and Hermes on the right.
Portret van een onbekende man
Object type: print
Date: 1820 – 1875
Materials: paper
Techniques: lithograph
Subjects: head-gear, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
L Asinus/ I Asino
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: rome
Subjects: ass, donkey
Inscriptions: number: ‘124’

Deze prent maakt deel uit van een reeks prenten van dieren door Antonio Tempesta. Bekend is dat een tweede staat (met nummering) van deze serie is uitgegeven door Giovanni Giacomo de' Rossi in 1650. Onbekend is wie de eerste staat heeft uitgegeven en wanneer.
Statuette belonging to a monkey orchestra
Object type: statuette
Date: 1745 – 1745
Materials: alabaster
Subjects: musical instruments,music,flutes,violins,monkeys

This statuette belongs to a monkey orchestra (1977.216.20–.33).
Russische kinderen, blootvoets bij huizen
Object type: photograph
Date: 1903 – 1904
Materials: photographic support
Techniques: gelatin silver print
Location: russia
Artist: joseph cheetham
Artist role: engineer
Subjects: child, barefoot, russia

Onderdeel van Fotoalbum van de Engelse familie Cheetham met opnames van hun verblijf in Rusland.
Zittende vrouwenfiguur
Object type: drawing
Date: 1642 – 1644
Materials: ink, paper
Techniques: pen
Artist: nicolas poussin
Artist role: draughtsman, painter
Artist dates: 1593 – 1665
Subjects: sitting figure - aa - female human figure
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Het grootste Oorlogs-schip / genaamt den Eendracht
Object type: print
Date: 1704 – 1757
Materials: paper
Techniques: colour, letterpress printing
Location: schiedam
Subjects: military vehicles (+ sailing-ships)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Blad met een grote voorstelling van een Hollands oorlogsschip op zee. Onder de afbeelding een zesregelig vers.
Plattegrond van Amsterdam met ontwerp voor de Vierde Uitleg
Object type: print
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: maps of cities, amsterdam
Inscriptions: collector's mark: Lugt 2228

Plattegrond van Amsterdam met ontwerp voor de Vierde Uitleg, in vogelvluchtperspectief. Linksboven de legenda 1-55. Rechtsboven de legenda 56-106. Oriëntatie: zuidzuidwest boven.
Portret van James Ussher
Object type: print
Date: 1673 – 1740
Materials: paper
Techniques: engraving, etching
Artist: johann georg seiller
Artist role: print maker
Artist dates: 1663 – 1740
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Krijgsgevangen Duitsers
Object type: photograph
Date: 1905 – 1945
Materials: photographic support
Techniques: photography
Location: netherlands
Artist: Anonymous
Subjects: prisoner of war (after the battle), netherlands

Duitse krijgsgevangenen bewaakt door Engelse? militairen. Links hoge Luftwaffe officier, naast hem militair van de geallieerden. Op de achtergrond krijgsgevangenen.
Vroedschapspenning van de stad 's-Hertogenbosch
Object type: council medal
Date: 1707 – 1710
Materials: silver
Techniques: striking
Location: den bosch
Artist: theodorus casparus van berckel
Artist dates: 1680 – 1734
Subjects: den bosch
Sint Antoniesluis, Amsterdam
Object type: print
Date: 1890 – 1946
Materials: paper
Techniques: etching, intaglio
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: lift-lock, canal lock
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Gezicht op Château Saint-Pierre in Saint-Julien-Beychevelle, Frankrijk
Object type: page
Date: 1862 – 1867
Materials: photographic support
Techniques: albumen print
Location: saint-julien-beychevelle
Artist: alfred danflou
Artist role: fotograaf, schrijver
Subjects: castle
Inscriptions: inscription: ‘Propriétaire: Mme. BONTEMPS-DUBARRY.’
Boot op het water
Object type: sketchbook leaf
Date: 1797 – 1838
Materials: paper, pencil
Artist: johannes christiaan schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1838
Subjects: sailing-ship, sailing-boat

Blad 41 recto uit een schetsboek met 65 bladen.
Reticule
Object type: reticule
Date: 1767 – 1800
Materials: canvas, gilt
Techniques: embroidery
Subjects: flowers
Zittende figuren
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Subjects: sitting figure, sitting figure - aa - female human figure

Pagina 19 uit een schetsboek met 29 bladen.
Intocht van prins Willem Frederik te Amsterdam, 1813
Object type: print
Date: 1813 – 1814
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: the hague, william i of the netherlands, public festivities at other royal events, not meant or mentioned above, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', amsterdam, landing of william frederick i (1813)
Inscriptions: collector's mark: Lugt 2228

Intocht van prins Willem Frederik als Souverein Vorst te Amsterdam op 2 december 1813. De stoet met het rijtug met de prins rijdt door de Haarlemmerpoort de stad binnen. Langs de kant van weg juichende toeschouwers. Onder de titel een tweeregelig vers.
Amphora
Object type: amphora
Date: 507 – 323
Materials: terracotta
Culture: cypriot

Amphora with multiple handles and geometric decoration.
Two eagles, from 'Eagles'  (Les aigles)
Object type: print
Date: 1651 – 1651
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: eagles
500 Mark uit Duitsland, 1923
Object type: coin
Date: 1923 – 1923
Materials: aluminum
Techniques: striking
Location: berlin

Aluminium munt. Voorzijde: enkelkoppige adelaar. Keerzijde: waarde-aanduiding in twee regels, waaronder jaartal. Daaronder letter A. Kartelrand.
Henry Taylor. Author of "Philip Van Artevelde"
Object type: photograph
Date: 1864 – 1864
Techniques: albumen silver print, glass negative
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: men,portraits

Cameron’s photographs were not universally admired—especially by fellow photographers. Reviewing her submissions to the 1864 exhibition of the Photographic Society of Scotland, which included two portraits of Taylor, the Photographic Journal reported with a condescension that infuriated her: Mrs. Cameron exhibits her series of out-of-focus portraits of celebrities. We must give this lady credit for daring originality, but at the expense of all other photographic qualities. A true artist would employ all the resources at his disposal, in whatever branch of art he might practise. In these pictures all that is good in photography has been neglected, and the shortcomings of the art are prominently exhibited. We are sorry to have to speak thus severely on the works of a lady, but we feel compelled to do so in the interest of the art. Cameron dismissed the condemnation of the photographic establishment, writing later that it would have dispirited her “had I not valued that criticism at its worth,” basking instead in the positive judgment of artists and friends.
Collection de Meubles et Objets de Goût, vol. 3
Object type: book
Techniques: engraving, hand coloring
Location: france
Artist: pierre de la mésangère
Artist role: editor
Artist nationality: french
Artist dates: 1761 – 1831
Subjects: furniture

Volume 3 in a three volume set.
Draperie
Object type: sketchbook leaf
Date: 1751 – 1751
Materials: chalk, paper
Artist: lorenzo baldissera tiepolo
Artist role: draughtsman, print maker
Artist dates: 1736 – 1776
Subjects: drapery, draped garment, 'gewandgebung'

Bladzijde 87 uit een schetsboek met 158 bladzijden.
Mountain Landscape with Two Figures in Foreground
Object type: drawing and watercolor
Materials: chalk, crayon, paper
Location: france
Artist: after gaspard dughet
Subjects: landscapes
De School van Athene
Object type: print
Date: 1530 – 1582
Materials: paper
Techniques: engraving
Location: vatican city
Subjects: scholar, philosopher
Inscriptions: collector's mark: Lugt 240

Het fresco 'De School van Athene' door Rafaël in de Stanza della Segnatura in het Apostolisch paleis in het Vaticaan. Het toont een filosofenschool of agora waar beroemde Griekse filosofen en geleerden, zoals Aristoteles, Plato en Socrates, in groepjes staan te praten. Het is een uitbeelding van de filosofie en haar rationele zoektocht naar de Waarheid.
St. Francis (copy)
Object type: print
Date: 1512 – 1512
Techniques: hand coloring, woodcut
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545
Subjects: saint francis
Ornament uit Congo
Object type: page
Date: 1887 – 1892
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: sculpture
Mannenhoofden met hoeden
Object type: sketchbook leaf
Date: 1886 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head (human), head-gear: hat (+ men's clothes)

Blad 26 verso uit schetsboek LXIV met 29 bladen.
Food warmer
Object type: food warmer
Date: 1760 – 1760
Materials: hard paste porcelain
Artist: doccia porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1737 – 1896
Subjects: flowers,coat of arms
Louis XVI
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: charles clément bervic
Artist nationality: french
Artist dates: 1756 – 1822
Molded Vessel in the Form of a Mother and Child
Object type: figural vessel
Date: 1101 – 1300
Materials: glaze, stonepaste
Techniques: molding, painting
Location: iran
Subjects: infants,mothers,women

This object in the shape of a woman cradling a baby belongs to a large assemblage of ceramic figurines, whose original purpose is enigmatic. Its lower part was left devoid of the turquoise glaze probably to avoid sticking with other objects stacked in the kiln. One can see there the black pigment painted directly on the body. Despite it unrefined appearance, the painted decoration quite precisely defines the details of the figures, such as the woman’s headdress, braids, and cross-hatched breasts. The marks painted on her cheeks follow a Central Asian iconography and are probably related to apotropaic rituals. They might represent tattoos or scars really practiced by women, as charms or applied as a form of facial adornment.
Case (Inrō) with Design of Woman in Building Looking at a Stag (obverse); Two Men By a River with Rocks and Waterfall (reverse)
Object type: inrō
Date: 1801 – 1900
Materials: wood, enamel, ivory, lacquer
Culture: japanese
Subjects: men,women,deer
Jar decorated with auspicious characters amid plants
Object type: pot
Date: 1567 – 1600
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: flowers,trees

This pot features four auspicious characters: fortune (fu 福), longevity (shou 壽), peace (ning 寧), and health (kang 康). Rendered in a highly stylized format, the characters are set as a part of vibrant pine trees, bamboo, and plum blossoms. Known as “Three Friends of Winter,” this plant combination symbolizes the lofty virtue of resilience.
Collection Nilsson - Nouvelle Série
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Empereur de Russie/ Impératrice Impératrice douairière Grand-Duc Michel/ Gde Desse Marie Wladimirowna Gde Desse Constantin Gd Duc Constantin/ Famille du Grand-Duc Constantin/ Grande-Duchesse Hélène Wladimirowna’, number: ‘No 185’
Portret van Nicolas Malebranche
Object type: print
Date: 1823 – 1826
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
La serenissima Dogaressa dal suo palazzo...Bucintoro from Habiti d'huomeni et donne Venetiane
Object type: print
Date: 1610 – 1610
Techniques: engraving
Artist: giacomo franco
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1620
Subjects: musical instruments,men,flags,ships,venice
Carpet Fragment
Object type: carpet fragment
Date: 1201 – 1333
Materials: wool
Techniques: pile
Location: turkey

This fragment, one of the oldest surviving examples of Turkish carpet weaving, is related to a group of early carpets found in mosques of central Anatolia. Originally, the pattern consisted of rows of dark blue hexagons, one of which is still partially visible here.
Star-Shaped Tile
Object type: tile
Date: 1201 – 1300
Materials: cobalt, glaze, stonepaste
Techniques: luster painting
Location: iran
Subjects: leaves
Brief aan Philip Zilcken
Object type: letter
Date: 1864 – 1919
Materials: ink, paper
Techniques: pen, writing
Artist: grada hermina marius
Artist role: painter
Artist dates: 1854 – 1919
Subjects: the hague, painter, draughtsman, philip zilcken, illustration ~ printed matter, book, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’
Zoutvat, veelkleurig beschilderd met Deutsche Blumen, insekten en vruchten
Object type: eating drinking utensil
Date: 1750 – 1760
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: factory mark

Ovaal zoutvat van beschilderd porselein. Het zoutvat heeft een ingesnoerde wand. De rand is versierd met het Neuozier-patroon in reliëf en de beschildering bestaat uit Deutsche Blumen, insekten en vruchten. Het zoutvat hoort bij een servies (BK-17474-1 t/m BK-17474-253). Het zoutvat is gemerkt.
Collection Bardini
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Location: florence
Artist: Anonymous
Subjects: sink, basin, permanent exhibition, museum
Portret van Wilhelmina, koningin der Nederlanden
Object type: photograph
Date: 1882 – 1883
Materials: paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands
Inscriptions: collector's mark: Lugt 2233

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Pendant with a Triton Riding a Unicorn-like Sea Creature
Object type: pendant
Date: 1870 – 1895
Materials: gemstone, gold, pearl
Techniques: enamel
Artist: reinhold vasters
Artist role: designer
Artist nationality: german
Artist dates: 1827 – 1909
Subjects: triton,unicorns

With the exception of the links of the chain, an additional molding separating the two bands of decoration on the base, and the unicorn’s horn, this jewel is identical to one in a design in the Victoria and Albert Museum, London (inv. No. E 2818-1919), by Reinhold Vasters of Aachen. The design was included among the nineteenth-century Renaissance-style jewels and jewelry designs in that museum’s exhibition Princely Magnificence: Court Jewels of the Renaissance, 1500–1630. It is illustrated in the exhibition catalogue,[1] where it was noted that the base of a jewel in the same exhibition lent by Lord Astor of Hever was made from the design for the lower part of the base of the jewel in the drawing.[2] The same jewel was illustrated in the catalogue of the collection of Frederick Spitzer, where it was identified as an Italian work of the sixteenth century.[3] The variation in quality and variety of media found in objects known to have been made from Vasters’s designs indicate that a number of craftsmen were employed in carrying them out. Although many of the designs are accompanied by directions for their execution, and nearly all the directions are written in German, many of the objects made from them were sold by Frederick Spitzer in Paris. Some of them, at least, may have been executed there. It seems possible on the evidence provided by this jewel to question whether all designs were in fact executed under Vasters’s supervision. The creature in the drawing for this jewel is without a horn. Vasters probably intended it to be a hippocampus, but the identity of the finished figure is confused by the addition of the horn to its forehead, and one wonders whether the resulting sea-going unicorn might have been the whim of the goldsmith who executed the design. [Clare Vincent, The Jack and Belle Linsky Collection in the Metropolitan Museum of Art, New York, 1984, pp. 194–95, no. 114.] Footnotes: [1] Princely Magnificence: Court Jewels of the Renaissance, 1500–1630 (exhib. cat.), London, Victoria and Albert Museum, 1980, p. 140, fig. HG4, pp. 139–40, no. HG4. [2] Ibid., p. 138, fig. H20. [3] F. Spitzer, La Collection Spitzer: Antiquité, moyen-âge, renaissance, Paris, III (1891), p. 152, no. 56.
Shield (<i>Sipar</i>)
Object type: shield i sipar i
Date: 1767 – 1900
Materials: gold, iron, steel, velvet
Culture: persian
Location: iran
Titelpagina voor: E. M. Post, 'Voor Eenzaamen', 1789
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: reading, candle
Inscriptions: collector's mark: Lugt 240

Proefdruk van titelpagina voor: Post, Elisabeth Maria. Voor eenzaamen. Amsterdam: Johannes Allart, 1789.
Bust of a Pole, from "Drawing Basics" (I principii del disegno)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,portraits
He[t fo]rtres hammenhiel van keijs te zien.
Object type: drawing
Date: 1710 – 1710
Materials: paint, paper
Techniques: brush
Location: sri lanka
Artist: cornelis steiger
Artist role: draughtsman
Subjects: fortress, sri lanka
Inscriptions: : ‘He[t fo]rtres hammenhiel van keijs te zien.’

Het fort Hammenhiel op Ceylon. Onder (beschadigd): He[t fo]rtres hammenhiel van keijs [het eiland Kayts] te zien.
De Kryg-raets Sael ten Oosten. Komende boven Schepens kamer, tegen de Grote Burgersael aen
Object type: book illustration
Date: 1661 – 1661
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: interior ~ architectural design or model, weapons, fama as roman personification, townhall, interior ~ representation of a building, council of war, coat of arms (as symbol of the state, etc.) (+ province; provincial)
Inscriptions: collector's mark: Lugt 195

De oostelijke wand van de Krijgsraadzaal in het Stadhuis op de Dam te Amsterdam, voorzien van decoraties. Deze zaal bevond zich boven de Schepenzaal. Onder de titel een schaalstok: 50 Voet Maet. Rechtsonder gemerkt: X.