deem-data/ArtiFact huggingface dataset:
Vertooning der lykstatie van zyne Doorluchtigste Hoogheid, prins Willem den IVden, op de Groote Markt te Delft
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, willem iv (prins van oranje-nassau), cortege, funeral procession
Inscriptions: date
Vase with birds and flowers
Object type: vase
Date: 1801 – 1900
Materials: enamel
Techniques: painting, polychrome
Culture: chinese
Subjects: birds,flowers
Soldiers Exercising Horses Near River
Object type: drawing and watercolor
Date: 1785 – 1785
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: france
Artist: jacques françois joseph swebach
Artist role: artist
Artist nationality: french
Artist dates: 1769 – 1823
One hundred pictures of Great Tokyo in the Shōwa era
Object type: print
Date: 1902 – 1931
Materials: paper
Techniques: woodcut
Location: japan
Artist: koizumi kishio
Artist dates: 1893 – 1945
Inscriptions: signature: ‘Koizumi Kisio.’, signature: ‘泉’, signature: ‘小泉癸巳男’

Een gezicht op de enorme rode poort van de drukbezochte Sensō-tempel in Asakusa, Tokyo. Zichtbaar door de opening van de poort zijn rijen winkeltjes die bekend staan als 'nakamise'. In september 1928 begon Koizumi Kishio aan zijn ambitieuze plan om honderd landschapsprenten met scènes in Tokyo volledig zelf te ontwerpen, hiervan zelf de drukblokken te snijden en zelf de prenten te drukken. De aanleiding voor het project was grote verandering die Tokyo onderging door de verwoestende Grote Kantō-aardbeving van 1923 en de wederopbouw die daarop volgde. Kishio maakt een bewuste verwijzing naar de bekende serie ‘Honderd beroemde gezichten op Edo’ door Utagawa Hiroshige (1797–1858), met prenten van locaties in Edo—de oude benaming voor Tokyo. Kishio toont overwegend moderne gebouwen, instituten en mensen die de tijdsgeest van de jaren 1920 en 1930 weerspiegelen. Sommige prenten onthullen daarentegen een nostalgische blik op overblijfselen uit het oude Edo.
Kishio verkocht de prenten aan de hand van een abonnement met een limiet van vijftig leden, die elke maand een of twee prenten zouden ontvangen. Het project begon met negen abonnementen, maar al na de tweede maand werden meerdere daarvan opgezegd en slechts vier mecenassen bleven lid tot en met de voltooiing van de serie. Hij bracht het honderdste ontwerp uit in 1937. Zijn leermeester Ishii Hakutei schreef een inleiding in 1938 die Kishio verwerkte tot een prent en toevoegde aan de set. Tussen 1939 en 1940 maakte hij nog eens negen extra ontwerpen. Met acht van deze ontwerpen verving hij oudere nummers uit de serie, mogelijk omdat hij niet tevreden was met de composities. Uiteindelijk lukte het Kishio om tien complete sets te verkopen aan de shin hanga-uitgever Watanabe Shōzaburō en liet hiervoor speciale houten dozen maken. Deze prent behoort tot een van die tien sets.
Private, Cavalry, United States Army, 1799, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
The Quack
Object type: print
Date: 1610 – 1685
Techniques: etching
Artist: adriaen van ostade
Artist role: artist
Artist nationality: dutch
Artist dates: 1610 – 1685
Subjects: boys,men,women
Portretten van Bernardus Knipperdolling, Klaus Störtebeker en een onbekende man
Object type: print
Date: 1700 – 1850
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: pirate, corsair, buccaneer, historical persons, merchant, salesman
Inscriptions: collector's mark: Lugt 2228
Tojaku (or Kakitsuta), from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Les abus du mariage
Object type: text sheet
Date: 1641 – 1641
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Inscriptions: date

Waarschuwing op vijf pagina's: pagina 4. Het blad maakt deel uit van een album.
Capstan, from the Novelties series (N228, Type 5) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Italian
Object type: piece
Date: 1873 – 1873
Materials: silk
Artist: owen jones
Artist role: designer
Artist nationality: british
Artist dates: 1809 – 1874

"Italian" is one of the rare textiles by Owen Jones. Fewer than thirty of his textile designs are known to exist, and they all date to the early 1870s. This silk textile typifies Jones' predilection for formal, repeating patterns, in contrast to the naturalistic, three-dimensional floral designs found on many Victorian furnishing fabrics. Jones, who was trained as an architect, is probably best known as the author of The Grammar of Ornament, first published in 1856. The book provided thirty-seven principles of design and an ambitious survey of decorative motifs from cultures around the world. It was intended to serve as inspiration and guide for designers in all facets of the decorative arts, and was influential throughout the second half of the nineteenth century.
[Tomb of Kogin Baba]
Object type: photograph
Techniques: albumen silver print
Artist: luigi pesce
Artist role: artist
Artist nationality: italian
Artist dates: 1818 – 1891
Subjects: architecture,tombs
Portret van een vrouw met een jurk
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: studio requisites ~ photographer, historical persons, hairdress, dress, gown

Onderdeel van Fotoalbum van een Nederlandse familie met 168 cartes-de-visite en kabinetfoto's.
14th Street Theatre
Object type: drawing
Date: 1940 – 1940
Materials: paper, watercolor
Artist: perkins harnly
Artist role: artist
Artist nationality: american
Artist dates: 1901 – 1986
Subjects: theatre
Single Spout Portrait Head Bottle
Object type: bottle
Date: 201 – 600
Materials: ceramic, pigment
Culture: moche
Location: peru
Subjects: heads
Terracotta fragment of an undetermined shape
Object type: undetermined shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from an undetermined shape
Portret van Filips II, hertog van Orléans
Object type: print
Date: 1723 – 1723
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: filips ii (hertog van orléans), armour, adult man, historical persons
Inscriptions: inscription: ‘Philips hertog van (...)/ No. 2397/ van Hisch XVIII G7’

Linksboven: 1723.II.Deel. Rechtsboven: Pag. 257.
Drie gezichten op en uit het ouderlijk huis van Charlotte Boelen-Matthes aan Keizersgracht 756 in Amsterdam
Object type: album leaf
Date: 1911 – 1911
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: charlotte alida boelen-matthes (lot)
Artist role: amateurfotograaf
Artist dates: 1889 – 
Subjects: urban housing, garden, canals, waters (in city)

Deze foto's zijn onderdeel van een album.
Studieblad, onder andere met figuren
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, adult man
Inscriptions: annotation: ‘[...]’

Pagina 11 uit een schetsboek met 29 bladen.
Prentjesdruk van Épinal
Object type: popular print
Date: 1902 – 1902
Materials: paper
Techniques: colour, letterpress printing, lithograph
Location: epinal
Artist: Anonymous
Subjects: prince, fairy, tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen uit het verhaal van Maria, de dochter van de tovergodin. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 34.
Ira B. Wheeler, Jr.
Object type: page
Date: 1876 – 1881
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult man
Argenteus (Coin) Portraying Emperor Diocletian
Object type: coin
Materials: metal, silver
Culture: roman
Location: roman empire
Inscriptions: Obverse: DIOCLETIANVS AVG
Reverse: X C V I

The front (obverse) of this coin portrays the head of emperor Diocletian, laureate and facing to the right. The back (reverse) depicts a laurel wreath and inscription. X C V I on the back refers to the reformed silver coinage after 295 CE. The inscription is for the number "96," meaning 96 silver coins to the pound was Diocletian's reformed currency. However, it was often struck well under that weight.
Sheet with overall stripe and dot pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
John W. Randolph
Object type: page
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Subjects: historical persons
Judit
Object type: print
Date: 1585 – 1589
Materials: paper
Techniques: engraving
Subjects: judith with holofernes' head and the sword, holofernes beheaded by judith with his own sword; the maidservant may be keeping watch, female persons from the old testament (with name) (not in biblical context), judith (one of the nine worthiest women)
Inscriptions: collector's mark: Lugt 2228

Judit met het hoofd van Holofernes in de ene, het zwaard in de andere hand. Op de achtergrond de scène waarin zij de legeraanvoerder in zijn tent het hoofd afhakt, terwijl haar dienstmaagd op wacht staat. Rechtsonder gemerkt: No. 116.
Abrahams reistogten uit Ur na Canaan
Object type: wensbrief
Date: 1780 – 1780
Materials: ink, paper
Techniques: calligraphy, etching, pen
Location: netherlands
Artist: Anonymous
Subjects: story of abraham
Inscriptions: collector's mark: Lugt 2760, inscription: ‘Kers brief / Aan myn beminde / oom en meu / Toe 't ziele zaligmakend licht ...’

Wensbrief met beschreven cartouche binnen een decoratief kader met voorstellingen van de reizen van Abraham. Handgeschreven bericht in kalligrafie (Kerstbrief) door Lourens Outkoop aan zijn oom en meu. Genummerd rechtsonder: No. 33.
Lottie Seymour, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Scherven van martavanen uit V.O.C.-schip de 'Witte Leeuw'
Object type: martavaan
Date: 1613 – 1613
Materials: glaze, porcelain, stoneware
Location: southeast asia
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A jar. This jar has a short, straight, upright neck with a flattened, everted lip. The ears are connected by an incised band of about 1 cm wide. The clay is grey. The olive coloured glaze is still present. There is an applied band of pearls 4 cm beneath the ears. The glazed lip is slightly damaged as another piece of ceramic ware has been placed upon the jar during firing.
Length
Object type: length
Date: 1800 – 1800
Materials: cotton
Professor Max Müller
Object type: photomechanical print
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: scholar, philosopher, historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Bezoek aan een inlands dorp
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Bezoek aan een inlands dorp door een groep Nederlanders waaronder het echtpaar Jetten. Foto op een bladzijde van een los albumblad. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 11 (verso)
Object type: book print ornament architecture
Date: 1554 – 1554
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: ornament

Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd, Wallis & Lloyd, British, active London after 1821. From top to bottom, and left to right: Design composed of 2 vertical columns printed upon a grid. Left column is decorated with an interlace pattern forming an octagon containing a vase at the center of the column. Right column is decorated with alternating pattern of interlace motifs and hexagonal shapes.
Broche van gouddraad met bloem met hart van bloedkoraal
Object type: brooch
Date: 1940 – 1950
Materials: gold thread, coral
Location: den bosch
Artist: carel theulings
Artist role: juwelier
Inscriptions: alloy mark: ‘(oud) eikenblad’, maker's mark: ‘CT4’

Ronde broche van gouddraad in twee kleuren met bloem met hart van bloedkoraal voorzien van een kanonsluiting. In de broche zijn twee bloedkoralen verwerkt.
ex "Kurtz" Violin
Object type: violin
Date: 1560 – 1560
Materials: wood, paint
Techniques: gilding
Culture: italian
Artist: andrea amati
Artist role: maker
Artist nationality: italian
Artist dates: 1505 – 1578

Andrea Amati is credited with creating the first instruments of the violin family. HIs contributions included standardizing elements that are common on violins today including the f-shaped soundholes, the scroll, and the use of four strings. Amati established the proportions of the violin and built violas and cellos in order to have en entire ensemble of violin-type instruments. Amati built his instruments using an internal mold, which contributed to a high-consistency in his final instruments. Andrea was also the first of the Cremonese school of luthiers and the standard for the work of those who followed for the next two centuries including his two sons, his grandson Nicolò, members of the Guarneri family, Antonio Stradivari, and others. The maple back and sides of The Met's violin are decorated with the Latin couplet "Quo unico propugnaculo stat stabiq[ue] religio" (By this bulwark alone religion stands and will stand). The back of the instrument is decorated with fleurs-de-lis in the corners, a geometric design with floral ornamentation between the upper bouts, and a few traces of pigment in the middle of the back where there is presumed to have been a coat of arms. Similarities between the decoration on the Museum's violin and that on a violetta by Andrea Amati in the collection of the Musée de la Musique in Paris has led to speculation that the violin was part of a set of instruments presented upon the marriage of Philip II of Spain to Elisabeth of Valois in 1559. The decoration found on the violetta in Paris has a more clearly defined coat of arms for the Spanish king, who took the daughter of Catherine de' Medici as his third wife. Certificates: Stradivari Bicentennial, 1937 Emil Herrmann, February 27, 1941 Frederick W. Oster, February 1, 1999 Description: One-piece maple back of medium figure descending left to right; the ribs of similarly figured maple; the scroll and pegbox of unfigured maple grafted onto a modern neck, the top of fine to medium grain spruce in two pieces; traces remain of the original varnish and oil-gilded and red-painted decoration including a geometric design on ribs and back and a Latin motto on ribs, repeated on the back, and a retouched foliage ornament on back of pegbox (gilding slightly retouched, elsewhere as well) protected by later varnish, golden-brown overall; modern ebony fingerboard, ornamentally carved pegs and tailpiece, tailpiece button, saddle nut, and bridge, and internal modifications including a modern soundpost and bass bar
Das zeitalter der Reformation
Object type: photograph
Date: 1860 – 1870
Materials: photographic support
Techniques: albumen print
Location: berlin
Subjects: reformation (roman catholic church vs. protestantism), wall-covering
Inscriptions: number: ‘859.’
Boulder on top of Cliff, at foot of the Doorway, No. 18 from the series "Devil's Lake and Vicinity"
Object type: photograph
Date: 1870 – 1908
Techniques: albumen print
Location: wisconsin
Artist: henry hamilton bennett
Artist role: artist
Artist nationality: american, born canada
Artist dates: 1843 – 1908
Square
Object type: square
Date: 1801 – 1900
Techniques: lace
Wappen des Printzens von Wallis
Object type: book illustration
Date: 1746 – 1746
Materials: paper
Techniques: engraving, hand coloring, letterpress printing
Location: nuremberg
Artist: Anonymous
Subjects: unicorn, beasts of prey, predatory animals: lion (+ heraldic animals), armorial bearing, heraldry

Prent uit: Der durchlauchtigen Welt (...) Geschichts-Geschlechts- und Wappen-Kalender (...). Neurenberg: erven Christoph Weigel, 1746.
Graftombe van Willem I, prins van Oranje, 1623
Object type: print
Date: 1678 – 1680
Materials: paper
Techniques: etching
Location: low countries
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: delft, william i (prince of orange), grave-building, monumental tomb
Inscriptions: inscription: ‘Catafalque & Tombe élevée à Delft a la gloire de Guillaume de Nassau Prince d'Orange / No. 21’

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Deze staat ter voorbereiding voor gebruik als illustratie in: J. le Clerc, Geschiedenissen der Vereenigde Nederlanden, sedert den aanvang van die Republyk tot op den Vrede van Utrecht in 't jaar 1713 en het Tractaat van Barriere in 't jaar 1715 gesloten, Z. Chatelain, Amsterdam 1730, 3 delen. Staat vóór de letter.
Pair of dishes with scenes from Romance of the Three Kingdoms
Object type: dish
Date: 1367 – 1400
Materials: lacquer
Techniques: carving
Culture: chinese

The narrative scenes on this pair of dishes probably derive from woodblock-print illustrations of the popular Chinese historical novel, Romance of the Three Kingdoms (Sanguo Yanyi). One vignette depicts General Liu Bei and his two sworn brothers at the house of Zhuge Liang, the scholar and strategist who helped Liu win many battles and found the Shu State during the Three Kingdoms period (220–65). The scene on the other dish has yet to be identified.
Staande man en verschillende gezichten
Object type: drawing
Date: 1936 – 1940
Materials: paper, pencil
Artist: henk henriët
Artist role: draughtsman, print maker
Artist dates: 1903 – 1945
Subjects: face, caricatures (human types), standing figure (canon, proportions)
Inscriptions: collector's mark: Lugt 2228

Deze tekening is mogelijk een ontwerp voor een illustratie bij het boek 'Gargantua en Pantagruel' van François Rabelais.
Lace
Object type: lace
Date: 1867 – 1900
Materials: linen
Culture: european
Quoerendo, de lustplaets van den hr. Louis Renard, tusschen de Schulpbrug (...) / Quoerendo, maison de plaisance de monsr. Louis Renard pres (...)
Object type: print
Date: 1725 – 1768
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: french or architectonic garden; formal garden, country-house, amsterdam
Inscriptions: check stamp: ‘Archief Ministerie van Oorlog Afdeeling Genie’

Prent gebruikt in: Niedek, Mattaeus Brouërius. Het verheerlykt Watergraafs- of Diemermeer by de stadt Amsterdam (...). Amsterdam: Andries en Hendrik de Leth, 1725. Of in: Niedek, Mattaeus Brouërius. Het verheerlykt Watergraafs- of Diemermeer by de stadt Amsterdam (...). Amsterdam: Pieter Jan Entrop, 1768.
Al-Sayeda Zainab moskee in Caïro
Object type: photograph
Date: 1870 – 1900
Materials: paper
Techniques: albumen print
Location: cairo
Artist: peridis
Artist role: fotograaf
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘N 303’
Schip op zee in een onweersbui
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, storm at sea

Boekillustratie voor: Lambert van den Bos, Batavias, of Batavische Aeneas, Amsterdam, Jacob Lescaille, 1648
Portret van een onbekende baby
Object type: carte de visite
Date: 1900 – 1914
Materials: paper, cardboard
Techniques: gelatin silver print
Location: koog aan de zaan
Subjects: anonymous historical person portrayed, infant, baby
Reflection in Lake at Misaka in Kai Province (Kōshū Misaka suimen), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: houses,lakes,mountains,trees,boats

Thirty-six Views of Mount Fuji depicts the mountain in every season and type of weather and from different perspectives. This view of Mount Fuji and its reflection in the placid lake can be seen from Misaka Pass, reached by the Isawa road, which branches off the main road to Edo. Hokusai balanced the composition by placing the mountain slightly to the right and its reflection to the left. The lone fisherman in his boat enhances the serenity. Ironically, the reflection of Mount Fuji shows a snow-capped peak, an element missing from the mountain itself. The two views of the mountain perhaps represent two seasons, with the traditional and more familiar view being the image in the water. This pictorial trick encourages the viewer to focus on the reflection
Mrs. Jacob Hurd and Child
Object type: painting
Date: 1762 – 1762
Materials: canvas, oil
Culture: american
Artist: william johnston
Artist role: artist
Artist nationality: american
Artist dates: 1732 – 1772
Subjects: children,portraits,mothers,women
Roepie uit India van de Engelse Oostindische Compagnie (EIC) op naam van koning William IV, 1835
Object type: coin
Date: 1835 – 1840
Materials: silver
Techniques: striking
Location: mumbai

Zilveren munt. Voorzijde: hoofd van koning William IV naar rechts. Op halsafsnede geen aanduiding. Keerzijde: tussen twee samengebonden takken in twee regels waarde-aanduiding: one rupee, waaronder in Arabische lettertekens in een regel waarde-aanduiding. Onderaan jaartal. Kartelrand.
Deurornament van Tjandi Kalasan, nabij Jogyakarta
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Inscriptions: number: ‘89a’

Deurornament van Tjandi Kalasan, nabij Jogyakarta, Nederlands-Indië
Portret van Frederik Willem III van Pruisen
Object type: print
Date: 1814 – 1815
Materials: paper
Techniques: etching
Location: paris
Artist: noël françois bertrand
Artist role: print maker
Artist dates: 1785 – 1852
Subjects: berlin, frederik willem iii koning van pruisen, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228