deem-data/ArtiFact huggingface dataset:
Penning der Westzijde Borger Compagnie te Batavia
Object type: history medal
Date: 1702 – 1702
Materials: copper, silver
Techniques: silvering
Artist: Anonymous

Verzilverde koperen penning. Reproductie. Voorzijde: trom met vaandel, pieken, handbus, lans en trofee. Daaronder een ringkraag en bovenaan een degen met de punt door een lauwerkrans (het wapen van Batavia). Keerzijde: West/ zijde Bate/ Borgr Comp/ A° 1702.
Design for a Stage Set: Solomon Receiving the Queen of Sheba under a Baldacchino, with Fantastical Architecture and a Gardenscape
Object type: drawing
Date: 1728 – 1778
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: carlo galli bibiena
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1778
Subjects: stage design
Cesarea regina
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: queen, empress, etc. (wife of a ruler)
Inscriptions: inscription: ‘135’

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 155r.
[Manor House with Two Towers Seen from Grounds]
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: architecture,houses
Dress
Object type: dress
Date: 1868 – 1868
Materials: silk
Culture: british
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Unidentified subject; below, black glazed lines alternating with thin bands of reserve; at the bottom, black glaze
Drie personen in een roeiboot op de Amstel
Object type: album leaf
Date: 1916 – 1916
Materials: paper
Techniques: matte daylight collodion silver print
Location: amstel
Artist: Anonymous
Subjects: river, rowing-boat, canoe, etc.
Inscriptions: caption: ‘Met de Salamander op den Amstel’
Round Room Bank
Object type: drawing and watercolor
Date: 1807 – 1807
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
The Morning Coffee
Object type: figure
Date: 1755 – 1755
Materials: hard paste porcelain
Artist: höchst manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1746 – 1796
Subjects: men
Stamp seal and modern impression: birds of prey, one subduing caprids
Object type: stamp seal
Date: 2000 – 1668
Materials: stone
Culture: assyrian
Location: central anatolia
Subjects: birds
Portret van Teresia Constantia Phillips
Object type: photomechanical print
Date: 1725 – 1774
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: adult woman, column, pillar ~ architecture, historical persons
Rekenpenning uit Middelburg voor de Staten van Wacheren op het vergaan van de Spaanse Vloot bij Kaap Finsteren 1596
Object type: jeton
Date: 1596 – 1596
Materials: copper
Techniques: striking

Koperen penning met spijkergat, op de voorzijde het eiland Walcheren, met omschrift, op de keerzijde een walvis, met omschrift.
Saucer with ornamental borders
Object type: platter
Date: 1800 – 1820
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: europe
Artist: Anonymous
Inscriptions: mark: ‘6 of 9’

Schotel van porselein, beschilderd op het glazuur in rood, groen en goud. Op het plat een dubbel gouden medaillon. De wand is verdeeld in drie banden: de onderste groen, de middelste met gouden krulwerk en de bovenste met een doorlopende, gouden bloemrank tegen een rode achtergrond. Gouden rand. Gemerkt op de onderzijde met 6 of 9.
Teabowl
Object type: teabowl
Date: 1801 – 1900
Materials: pottery
Culture: japanese
Veelkleurig beschilderde pijpenslee
Object type: pijpenslee
Date: 1760 – 1800
Materials: faience
Techniques: kiln, painted, polychromy
Location: delft
Artist: Anonymous
Inscriptions: collector's mark: ‘collection J.F. Loudon’

Pijpeslee met gebogen rug en geschulpte randen aan de zijkanten, veelkleurig beschilderd met waterlandschappen en een herder.
Sarasvati, Goddess of Wisdom, Holding a Book and a Water Pot
Object type: sculpture
Date: 901 – 1000
Materials: copper alloy, gilt, stone
Location: kathmandu valley
Bell in the form of Bes
Object type: music, bell, be
Date: 332 – 330
Materials: metal
Location: egypt
Subjects: bes
Haarlem. Stadhuis
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: autotype
Location: leipzig
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, townhall, haarlem
Gezicht op Pelm
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Location: pelm
Subjects: villa
Inscriptions: monogram: ‘BX’
Head of Staff
Object type: staff head
Date: 1801 – 1900
Materials: copper alloy, glass, metal, wood
Culture: italian
Location: venice (?)
Subjects: lions
Neptunusfontein
Object type: print
Date: 1707 – 1707
Materials: paper
Techniques: etching
Location: netherlands
Artist: sieuwert van der meulen
Artist role: draughtsman, print maker
Artist dates: 1683 – 1730
Subjects: (story of) neptune (poseidon), french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2228

Een fontein van Neptunus op zijn wagen omringd door waterspuwende tritons. In de tuin enkele figuren. De voorstelling wordt omlijst door zuilen. Midden boven een monogram met de letter M. Op de vensterbank een tapijt en een pauw.
Twee mannen voor een grote boom
Object type: print
Date: 1631 – 1653
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: gillis van scheyndel (i)
Artist role: draughtsman, print maker
Artist dates: 1595 – 1660
Subjects: trees, (traveller) resting in the open air, forest, wood
Inscriptions: collector's mark: Lugt 2228

Op een pad voor een grote boom bevinden zich twee mannen, de een zit en de ander leunt op zijn wandelstok. Op de achtergrond een bosrand. De prent maakt deel uit van een serie van zeven landschappen.
Seated Girl with Muff
Object type: drawing and watercolor
Materials: chalk, graphite, paper
Techniques: brush, drawing, stumping, wash
Location: england
Artist: kate greenaway
Artist role: artist
Artist nationality: british
Artist dates: 1846 – 1901
Octagonal plate with the arms of the Boynton and Topham family
Object type: plate dish
Date: 1740 – 1760
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: label: ‘Boynton Collection/ no. 1029’, inscription: ‘VIRTUS RADIX HONORIS’

The two figures in the background are the lovers Cui Yingying and Zhangsheng, who are reunited here after an unhappy period. Their misfortune was caused by a general intent on forcing Yingying to marry him. To save her, a letter from Zhangsheng was delivered to another general, who came to her rescue.
Het Corvershof te Amsterdam
Object type: print
Date: 1723 – 1748
Materials: paper
Techniques: engraving, etching
Subjects: alms-house (dutch: 'hofje'), public welfare, key, french or architectonic garden; formal garden, gate, entrance, gardening, dog, old-people's home
Inscriptions: collector's mark: Lugt 195

Gezicht op de achterkant en een deel van de tuin van het Corvershof aan de Nieuwe Herengracht te Amsterdam. Links op de achtergrond het hek naast het Diaconie Oude Vrouwen- en Mannenhuis aan de Nieuwe Herengracht. Op de voorgrond staat en man met een sleutelbos in zijn hand. Links van hem een hondje, rechts van hem twee wandelende mannen. In het midden van de laan rechts zijn twee tuinmannen aan het werk. Onderdeel van een serie prenten van het in 1723 in gebruik genomen Corvershof, bestemd voor oudere echtparen van Nederduits Gereformeerde (later Hervormde) huize.
De vier elementen
Object type: print
Date: 1590 – 1600
Materials: paper
Techniques: engraving
Location: cologne
Subjects: water (one of the four elements)
Inscriptions: collector's mark: Lugt 240

Een visser met een mand vis aan een strand. Onder de voorstelling twee versregels in het Nederlands. Deze prent is onderdeel van een serie prenten van de vier elementen.
Sugar Bowl
Object type: ceramic
Date: 1810 – 1820
Materials: stone, stoneware
Location: hanley
Artist: hackwood, dimmock & co.
Artist nationality: english
Artist dates: 1807 – 1827
Venezia. Ponte di Rialto
Object type: photomechanical print
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph
Location: venice
Artist: Anonymous
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), canal
Désapointement du 23 Juillet 1828
Object type: cartoon
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: southern netherlands
Artist: Anonymous
Subjects: balloon flight (sport), brussels
Inscriptions: collector's mark: Lugt 2228

Teleurgestelde bezoekers in het Parc Royal te Brussel waar mej. Elisa Garnerin bekend maakt dat haar ballonvaart niet doorgaat wegens ongunstig weer, 23 juli 1828 . De vrouw doet haar aankondiging staande bovenop een trap.
Slijpsteen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: whetstone
Date: 1700 – 1743
Materials: stone
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Hone; fragm, one end broken: split longitudinally, flat underside, rectangular in section, rounded end with circular hole.
Plaque with Head
Object type: plaque
Date: 601 – 900
Materials: gold
Culture: chinese
Subjects: heads

The nomadic communities of Central Asia used such plaques to embellish clothing and horse trappings. As these nomadic cultures herded animals and were constantly moving, their artistic production was expressed in portable objects that marked the wearer’s status and wealth. The outstanding preservation of these fragile ornaments suggests they were used in conjunction with burials, where the body was aggrandized with valuable textiles and augmented with gold. Although it is difficult to date and place these objects geographically, their presence in Central Asia and has a long, established history.
Abklatsch van de houtskooltekening op blad 39 verso
Object type: sketchbook leaf
Date: 1822 – 1880
Materials: paper
Techniques: printmaking
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880

Blad 40 recto uit een schetsboek met 45 bladen.
Portret van drie vrouwen, leunend op een boomstronk en staand bij een balustrade
Object type: album leaf
Date: 1880 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: dordrecht
Artist: hendrik boonstoppel
Artist role: fotograaf
Artist dates: 1854 – 1924
Subjects: balustrade, adult woman (+ three persons), anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘Photographie/ H. Boonstoppel/ DORDRECHT/ over het Postkantoor.’
Fragment of Woman's Trousering
Object type: trousering
Date: 1801 – 1900
Materials: silk
Location: iran
Subjects: flowers
Saint Ambrose in His Study
Object type: relief
Date: 1500 – 1500
Materials: paint, wood
Culture: spanish
Location: spain
Subjects: men,reading
Portret van Pierre François Charles Augereau, maarschalk van Frankrijk
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: stippled etching
Location: amsterdam
Artist: ludwig gottlieb portman
Artist role: print maker
Artist dates: 1772 – 1828
Subjects: paris, politician
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als illustratie in: Tafereelen van de staatsomwenteling in Frankrijk, deel 24, p. 222. Amsterdam: Johannes Allart, 1807.
Mathematicus
Object type: print
Date: 1740 – 1822
Materials: paper
Techniques: engraving
Location: italy
Subjects: drawing (mathematics), compasses, mathematics
Inscriptions: collector's mark: Lugt 240

Een mathematicus die geconcentreerd met een passer een figuur opmeet op het vel papier dat hij in zijn handen heeft.
Erepoorten I-III te Den Haag, 1747
Object type: print
Date: 1766 – 1766
Materials: paper
Techniques: etching
Location: the hague
Artist: albertus frese (de jonge)
Artist role: draughtsman, painter
Artist dates: 1714 – 1788
Subjects: the hague, willem iv (prins van oranje-nassau), triumphal arch

Blad met de erepoorten genummerd I-III. Los blad oorspronkelijk onderdeel van het plaatwerk Nette afbeelding en ampele beschrijving der eere-poorten uit 1766 met voorstellingen van de erepoorten en triomfbogen opgesteld te Den Haag tijdens de feestelijkheden rond de intrede van prins Willem IV als stadhouder van Holland en West-Friesland op 6 juni 1747.
Glass mosaic fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Thin-walled rim fragment. Semi-opaque greyish blue, translucent deep purple, opaque white and yellow. Vertical, beveled rim; almost straight side, tapering downward. Mosaic pattern formed from polygonal sections of a single cane in a purple ground outlined in white and surrounded by an irregular blue band, a yellow circle in a purple ground with a central white rod; on interior, horizontal cut band below rim. Polished exterior; pitting and weathering of surface bubbles; dulling, pitting, and creamy weathering on interior, rim, and edges. Cut down into a triangle with rounded corners.
Card Table
Object type: card table
Date: 1815 – 1820
Materials: brass, wood
Culture: american
Location: united states
Four Seasons shawl
Object type: shawl
Date: 1834 – 1866
Materials: silk, wool

A shawl was a required fashion accessory during much of the nineteenth century. In the early 1800s long, rectangular, stolelike examples, hand-woven in India with boteh (pine cone) or paisley patterned end panels, were coveted for use with Empire-style dresses. This style was followed by the square shawl and then, with the introduction of wider skirts, by "plaids"—a term used not to describe the pattern but to connote a very large and long shawl, usually ten feet by five feet. Stylistically, this shawl demonstrates both a "four seasons" layout—in which the ground color is different in each of the quadrants—and an organization a la pivot, indicating the manner in which the vegetation swirls around a central point. The design for the shawl is probably French, but it may have been purchased by a Scottish manufacturer and jacquard-woven in Paisley. [Alice Zrebiec, 1995]
The Boss Fighter, "I knockt the stuffin' out of Billy, anyhow," from the Terrors of America set (N136) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1888 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: boys

Trade cards from the "Terrors of America" series (N136), issued in a set of 50 cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The original lithographs for the series were created by Knapp & Company, N.Y. This is the second time that Duke released the "Terrors of America" series. The cards of the first set (N88) are smaller than N136 cards.
Sauceboat
Object type: sauceboat
Date: 1815 – 1815
Materials: silver
Culture: american
Location: united states
Artist: anthony rasch
Artist role: maker
Artist nationality: american
Artist dates: 1804 – 1858
Subjects: snakes

These commanding sauceboats, fashioned in the French Empire taste, are marked by Rasch, a Bavarian-born Philadelphia silversmith. They are among the most sophisticated silver vessels produced in the United States in the early nineteenth century and are distinguished by their bold ornamental scheme, which includes magnificent cast serpent handles and ram’s-head spouts. The engraved armorials are those of the Milligan family of Maryland.
Straatgezicht bij een protestantse kerk op Ambon
Object type: album leaf
Date: 1900 – 1920
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: ambon
Artist: Anonymous
Subjects: church (exterior), street (+ city(-scape) with figures, staffage), dutch east indies, the

Onderdeel van Reisalbum met foto's van Ambon.
Bruiloft van Cloris en Roosje
Object type: print
Date: 1752 – 1761
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter tanjé
Artist role: draughtsman, print maker
Artist dates: 1706 – 1761
Subjects: violin, fiddle, dancing at wedding feast - dd - out of doors
Inscriptions: collector's mark: Lugt 2228

Cloris en Roosje dansen op hun bruiloft. Op de verhoging twee vioolspelers, van wie de vrouw het glas heft. Rechts de feestgangers en een man, die vanaf een ton een toespraak houdt. Onderaan in de marge het wapenschild van en een opdracht aan Jan Jacob de Bruyn, die het originele schilderij in zijn verzameling had. Scène uit het zangspel De bruiloft van Cloris en Roosje.
Cammarus. Le Homard
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: crustaceans: lobster
Inscriptions: collector's mark: Lugt 240
Plegtigheid van het overgeeven der vaandels enz. aan het execitie genootschap tot nut der schuttery (...)
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: windmill, guard duty, keeping sentry
Inscriptions: collector's mark: Lugt 2228

Het excercitieterrein van de schutterij in Amsterdam, bij de Stadhouderskade ter hoogte van de latere P.C. Hooftstraat. Twee vaandels worden overgegeven aan het Excercitiegenootschap Tot Nut der Schutterij, 1786.
Zelfportret van Jacob Perkois
Object type: drawing
Date: 1766 – 1804
Materials: chalk, paper
Artist: jacob perkois
Artist role: draughtsman, print maker
Artist dates: 1756 – 1804
Subjects: middelburg, print maker, draughtsman, jacob perkois, historical persons, portrait, self-portrait of artist
Vessel in the Form of a Llama and Attendant Figures
Object type: vessel
Date: 1200 – 1450
Materials: ceramic
Techniques: burnishing, modeling
Culture: chimú-inca
Location: peruvian north coast
Subjects: people, animals, procession, ritual, llama
Nicolaaskerk te Kortgene
Object type: sketchbook leaf
Date: 1910 – 1923
Materials: chalk, paper
Location: kortgene
Artist: alexander shilling
Artist role: draughtsman, print maker
Artist dates: 1859 – 1937
Subjects: church (exterior)
Inscriptions: annotation: ‘kortgene’

Blad 25 recto uit een schetsboek met 26 bladen.
Voltooide houten brug
Object type: photograph
Date: 1903 – 1913
Materials: photographic support
Techniques: photography
Location: north sumatra
Artist: Anonymous
Subjects: arnhem, the hague, albertus dominicus laman trip, building activities, traffic by road or path with motor-vehicle, landscapes in tropical and sub-tropical regions, road, path, bridge

Na de expedities naar de Gajo- en Alaslanden o.l.v. Van Daalen (eerste tocht in 1901), werd hij in 1903 belast met voorbereiding van permanente vestiging van Nederlands gezag. Aanleg van een weg van de Noordkust naar het binnenland was hierbij van groot belang. Deze zgn. Gajoweg werd aangelegd tussen 1903 en 1914, van Bireuen aan de kust naar Takinguen aan het bergmeer Danau Lauttawar, totale lente 104 km.
Man met bolhoed en een gearmd paar, op de rug gezien
Object type: sketchbook leaf
Date: 1886 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head-gear: bowler hat, adult man (+ back view), walking arm in arm

Blad 11 verso uit schetsboek LXIV met 29 bladen.
Group of Standing Female Saints (the Holy Virgins)
Object type: drawing
Date: 1500 – 1700
Materials: chalk, ink
Techniques: pen
Artist: anonymous, italian, 16th to 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1700
Subjects: women,saints

This drawing entered the Met's collection with an incorrect attribution to Sodoma, which had been scribbled on the backing of the original sheet. A new attribution has been proposed to Filippo di Benedetto Paladini (ca. 1544-ca. 1614), one of the last Tuscan Mannerist painters, who worked in Malta between 1590 and 1595 (Vita Segreto, written communication, 9/2/2012). Dr. Segreto, who is publishing this rather finished drawing in her monograph on the artist, has also suggested that it represents the rare subject of the Holy Virgins, which had special meaning in religious art commissioned by patrons connected with the Jesuit order. The style and technique of the drawing certainly agree with those of Florentine late Mannerist draftsmen. Some of the previous ideas about the drawing's authorship have included "Lombard school, ca. 1600," as written on the mount by Willam Griswold. Some years ago, I suggested in a note on the mount, "Florentine, perhaps close to Giovanni da San Giovanni?" (Carmen C. Bambach)
Stole
Object type: stole
Date: 1776 – 1800
Materials: linen
Culture: french
Trap
Object type: photograph
Date: 1900 – 1920
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: amsterdam

Foto op bruin albumblad 56 van familiealbum van Alphons Diepenbrock.
Tulip and Iris
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: etching, hand coloring
Subjects: insects: butterfly, flowers: tulip, flowers: iris
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Bloemenstudie van een tulp en een iris, links vliegt een vlinder. De prent maakt deel uit van een serie prenten met voorstellingen van diverse bloemen.
Terracotta fragment of a kylix (drinking cup) or a skyphos (deep drinking cup)?
Object type: kylix or skyphos fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Below the rim, red frond from a palmette
Gezicht op het Foundling Hospital te Londen
Object type: print
Date: 1751 – 1751
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Location: england
Subjects: hospital
Inscriptions: collector's mark: Lugt 2233

De serie “Londen” bevat 52 prenten met de nummers 1-52, waarvan dit nummer 38 is.
Orange. (Arc de Triomphe)
Object type: print
Date: 1829 – 1840
Materials: paper
Techniques: aquatint, etching, lithography
Location: france
Subjects: triumphal arch, landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Nieuwer Amstel, brandspuitpenning met no. 61
Object type: fire engine medal
Date: 1680 – 1800
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: nieuwer-amstel

Messing penning. Voorzijde: wapenschild binnen bladertakken; op bovenste balk van wapenschild: opschrift W 5 N 6. Keerzijde: brandspuit onder cartouche met cijfer 61 binnen slangerond
Dress
Object type: dress
Date: 1832 – 1835
Materials: cotton
Culture: american

This transitional style indicates the aesthetic of its period. The large gigot sleeves were popular from the early 1830s through 1836 when they began to diminish to the tightly fitted sleeves of the following period. This type of sleeve was generally supported by whalebone or down filling. Another indication of its transitional disposition is the waist height and the full bell-shaped skirts. The rich color and lively pattern is engaging and in line with the mode of the day. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple layers of petticoats which, due to weight and discomfort, were supplanted by underskirts comprised of graduated hoops made from materials such as baleen, cane and metal. The fashions during this time allowed the textiles to stand out because of the vast surface areas of the skirt and a relatively minimal amount of excess trim.
Dish with Pomegranates
Object type: dish
Date: 1634 – 1666
Materials: cobalt, enamel, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: pomegranates,leaves