deem-data/ArtiFact huggingface dataset:
Bandontwerp voor een boek gepubliceerd door dr. P. Kieft
Object type: drawing
Date: 1884 – 1952
Materials: ink, pencil
Techniques: brush
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Inscriptions: collector's mark: ‘R:MVS.’

Het betreft mogelijk het boek: Goethe, J.W. von. Egmont: Ein Trauerspiel. Zutphen: W.J. Thieme & Cie (Deutsche Bücherei herausgegeben von dr. P. Kieft), c. 1930. Of het ontwerp is gebruikt voor de uitgave is niet bekend.
Portret van dominee James Lapslie
Object type: cartoon
Date: 1793 – 1793
Materials: paper
Techniques: etching
Artist: john kay
Artist role: print maker
Artist dates: 1742 – 1826
Subjects: glasgow, bible, insects: bee, functionaries and dignitaries (with name) ~ protestant churches, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228, collector's mark, inscription: ‘Rev.d Mr. Lampsley of Campsey’, collector's mark: Lugt 4779

Op een grasveld staat dominee James Lapslie. Aan beide voeten draagt hij laarzen met sporen, waarmee hij op een geopende bijbel staat. In zijn linkerhand houdt hij het door hemzelf geschreven boek: "Essay on the management of Bees", om zijn hoofd vliegt een zwerm bijen.
The Circumcision
Object type: painting
Date: 1511 – 1511
Materials: oil, wood
Artist: giovanni bellini
Artist role: artist
Artist nationality: italian
Artist dates: 1424 – 1516
Subjects: men,women,virgin mary,jesus,circumcision,joseph,priests

The picture was produced in Bellini's workshop and follows a cartoon by the master. In the most distinguished example of the composition, in the National Gallery, London, the figures are shown with slight variations against a dark, neutral background instead of a landscape. The present picture has been attributed to Vincenzo Catena, but the resemblances to his work are superficial. The picture has been badly overcleaned. In consequence, the forms look schematic.
The Canal: Morning
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: alphonse legros
Artist role: artist
Artist nationality: french and british
Artist dates: 1837 – 1911
Harper's Weekly: A Journal of Civilization, Volume VII For the Year 1863
Object type: book
Date: 1863 – 1863
Materials: paper, wood
Techniques: engraving
Location: united states
Artist: Harper and Brothers
Artist nationality: American
Artist dates: 1833 – 1942
Paardenhoofd met hoofdstel met oogkleppen
Object type: print
Date: 1815 – 1860
Materials: paper
Techniques: printmaking, etching
Location: utrecht
Artist: abraham hendrik winter
Artist role: painter, print maker
Artist dates: 1800 – 1861
Subjects: horse
Inscriptions: collector's mark: Lugt 2228

Paardenhoofd naar links met een hoofdstel met oogkleppen.
Two Standing Turks
Object type: drawing
Date: 1820 – 1863
Materials: graphite
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Wine Cup
Object type: cup
Date: 1800 – 1800
Materials: silver
Culture: american
Location: united states
Artist: joseph foster
Artist role: maker
Artist nationality: american
Artist dates: 1760 – 1839

By the end of the eighteenth century the traditional bell-shaped wine cup on baluster stem had evolved into an even more restrained model. Here, the ovoid body, horizontal ribbed ornament, and bright-cut engraving reflect the neoclassical idiom. Tall, cylindrical stems on stepped, circular bases and domed covers with acorn finials accentuate the verticality and dignity of this vessel and its mate (33.120.232a, b), which were made around 1800 for Boston’s Brattle Street Church. The mark of Joseph Foster, the pair's maker, appears on a considerable quantity of Boston-area church plate.
Groepsportret van Jagatjit Singh en zijn gevolg in Europa
Object type: page
Date: 1893 – 1893
Materials: photographic support
Techniques: carbon print
Location: europe
Artist: Anonymous
Subjects: ruler, sovereign, house personnel, servants
Inscriptions: inscription
Stela of the Vizier Neferrenpet
Object type: stela, vizier neferrenpet
Date: 1279 – 1213
Materials: limestone
Location: egypt

This fragment of a small, well-carved votive stela depicts Neferrenpet offering to Ptah of the Valley of the Queens and another deity. Naferrenpet, who was Vizier during the last decade of the reign of Ramesses II, wears the long, high waisted kilt characteristic of his office, and his head is shaved in the priestly manner as he performs the ceremony.
S. Lodovicus rex fra[n]cie
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: saints, king
Inscriptions: inscription: ‘225’

Een bloemkelk met een koning. Hij heeft een scepter en een rijksappel in de handen. Om zijn hoofd een nimbus. De tekst identificeert de man als Lodewijk IX van Frankrijk, bijgenaamd de Heilige. De prent maakt deel uit van een album.
Blad met banenpatroon van zeshoekig vorm met bloemmotief over een fond van fijnvertakte ranken
Object type: printed paper
Date: 1800 – 1900
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760

Blad met horizontaal banenpatroon van zeshoekachtig vorm met bloemmotief over een fond van fijnvertakte ranken.
Beardless man in a fur cloak and cap: bust
Object type: print
Date: 1631 – 1668
Materials: paper
Techniques: etching
Subjects: head-gear (with name), adult man, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 4071, :, collector's mark: Lugt 2228, collector's mark: Lugt 2760

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Inhuldiging van Koningin Wilhelmina 1898
Object type: history medal
Date: 1898 – 1898
Materials: silver
Techniques: striking
Artist: bart van hove
Artist role: sculptor
Artist dates: 1850 – 1914

Zilveren penning, op de voorzijde het borstbeeld van Wilhelmina naar links met omschrift, op de keerzijde de Nederlandse Maagd met speer, een leeuw aan haar voeten, drukt de hand van de nieuwe koningin, met afsnedetekst.
Floral print
Object type: floral print
Date: 1800 – 1800
Materials: linen
Subjects: animals,birds,flowers,leaves
Grace Hill for Edwin C. Litchfield, Brooklyn, New York (front elevation)
Object type: drawing ornament architecture
Date: 1854 – 1854
Materials: graphite, ink, paper, watercolor
Artist: alexander jackson davis
Artist role: artist
Artist nationality: american
Artist dates: 1803 – 1892
Subjects: architecture,houses

Davis' greatest Italianate villa, Grace Hill, is now the headquarters of the New York City Department of Parks and Recreation, in Prospect Park, Brooklyn. The original stucco has been removed from the house, and many of the interior details, including the elaborately painted ceiling murals, have been lost. Davis also designed a coach house, greenhouse, and chicken house for the property, none of which are extant.
[Study for "Two Ways of Life"]
Object type: photograph
Techniques: gelatin silver print, glass negative
Artist: oscar gustav rejlander
Artist role: artist
Artist nationality: british, born sweden
Artist dates: 1813 – 1875
Subjects: female nudes
Groepsportret van een onbekend gezelschap met tennisrackets en een bord met de tekst "Hurry-Up"
Object type: photograph
Date: 1890 – 1910
Materials: paper, cardboard
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: tennis, lawn-tennis, anonymous historical persons portrayed in a group, in a group-portrait
Stad Amsterdam, loodje met no. 991
Object type: tax token
Date: 1894 – 1894
Materials: copper
Techniques: striking
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

eenzijdig, ruitvormig loodje met holle zijden, aan bovenzijde afgeschuinde hoeken en gat, en aan onderzijde afgeronde hoeken. Voorzijde: gekroond wapenschild tussen jaartal boven cijfer 991. Keerzijde: blanco
Goblet
Object type: glass
Date: 1760 – 1760
Materials: glass
Location: england
Stanhope Gig # 3334
Object type: drawing
Date: 1877 – 1877
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Kaart van Friesland en een deel van Groningen, Drenthe en Overijssel
Object type: map
Date: 1697 – 1721
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Artist: pieter mortier (i)
Artist role: publisher
Artist dates: 1661 – 1711
Subjects: maps of separate countries or regions, groningen (province)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 19

Prent ook gebruikt in: Atlas nouveau contenant toutes les parties du monde (...). Amsterdam: Pieter Mortier I, ca. 1697-1721.

Deze kaart is een Amsterdamse kopie, uitgegeven door Pieter Mortier I, van een Franse kaart uitgegeven door Alexis Hubert Jaillot. Mortier verkreeg in 1690 van de Staten van Holland en West-Friesland voor vijftien jaar het privilege om kopieën van de Franse Jaillot kaarten uit te geven. Mortier graveerde deze kaarten waarschijnlijk zelf.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of lower torso and bent leg with greave of warrior
Altar Cloth
Object type: altar cloth
Date: 1673 – 1681
Materials: silk
Culture: japanese
Heilige Bernardus Tolomei
Object type: print
Date: 1576 – 1624
Materials: paper
Techniques: engraving, intaglio
Location: italy
Subjects: madonna accompanied by saint(s)
Inscriptions: collector's mark: Lugt 240

De heilige Bernardus Tolomei, stichter van de orde van de Olivetanen. In de lucht Maria met het Christuskind op een wolkenpartij. In haar hand draagt Maria het symbool van de Olivetanen. Rechts een doorkijk naar het klooster op Monte Oliveto. Opdracht en Latijnse tekst in ondermarge.
Collection des tableaux en gouache et des dessins de Salomon Gessner. Gravés à l'eau forte par Guil. Kolbe
Object type: print
Date: 1811 – 1811
Materials: paper
Techniques: etching
Subjects: enjoying nature, rural housing, e.g. country-house, villa, cottage, brook, pergola, pastorals, arcadian scenes

Deze prent is gemaakt voor een serie uit 1811 getiteld: Collection des tableaux en gouache et des dessins de Salomon Gessner. Gravés à l'eau forte par Guil. Kolbe. De gehele serie is in het bezit van het RMA onder inv. nr. RP-P-2005-184.
Portret van Godard van Reede
Object type: print
Date: 1757 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: godard van reede, ornament ~ medallion, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (...). Amsterdam: Isaak Tirion, 1757, dl. 17. Of uit een latere editie uit 1770, 1782 of 1795, zie ook Van Someren.
Ruitvormige cartouche met een citaat van Bias
Object type: ornament print
Date: 1556 – 1556
Materials: paper
Techniques: woodcut
Location: netherlands
Inscriptions: number: ‘107’

De cartouche hangt dwars in de omlijsting van rolwerk. In het rolwerk zitten bovenaan twee figuren. In de linker en rechter onderhoek zit een vrouw met een baby. Blad hoort bij 15 bladen met titelblad afkomstig uit een serie van 24 bladen. Houtsneden.
Napoleon en zijn vrienden in hun glorie, 1813
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: london
Subjects: napoleon i (emperor of the french), banquet of elegant company (+ toast at meal, banquet), death as skeleton, devil(s) and demons
Inscriptions: collector's mark: Lugt 2228

Spotprent op Napoleon, 1813. Aan een tafel zitten Napoleon, zijn broer Jozef, de Dood en de Duivel. Napoleon wil een toast uitbrengen en met de anderen drinken op het succes van plundering en moord. Jozef Bonaparte zit er enigszins beteuterd bij met het hoofd in de handen. In het onderschrift vier verzen namens de vier hoofdpersonen in de voorstelling. Bij de prent behoort een afzonderlijke verklaring.
Karel van Neder-Lotharingen en Adelheid in een kerker
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: letterpress printing
Location: antwerp
Artist: jan molijns
Artist role: print maker, publisher
Artist dates: 1498 – 
Subjects: historical persons, prisoner in cell or locked place
Inscriptions: collector's mark: Lugt 2228

Prent uit: Dit is die afcoemste ende genalogie der hertoghen ende hertoginnen van Brabandt, (...). Antwerpen: Jan Molijns, 1565.
Verdrag van Toledo tussen Karel V, Duits keizer en Frans I, koning van Frankrijk, rekenpenning ten behoeve van Gerrit van Renoy, auditeur van de rekenkamer van Holland
Object type: jeton
Date: 1539 – 1539
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: frans i van valois-angoulême (koning van frankrijk), charles v (holy roman emperor and king of spain), holland

Koperen penning. Voorzijde: adelaar en haan, ieder onder eigen kroon binnen omschrift. Keerzijde: vogels, geleid door een ooievaar boven monogram, bestaande uit letters G en R binnen omschrift
Sutra Cover
Object type: textile
Materials: cardboard, gold leaf, ink, paper, silk
Techniques: backing, lacquer, painting, patterning, weave, printing
Location: china
Veerschipper, 1840-1841
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: engraving
Location: the hague
Artist: henry brown
Artist role: print maker
Artist dates: 1816 – 1870
Subjects: crew ~ ship, professional clothes, standing figure, at the helm (manoeuvering), head-gear: hat, ferry, traffic on the water
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: De Nederlanden : karakterschetsen, kleederdrachten, houding en voorkomen van verschillende standen : tekst van de meest geachte schrijvers : met gravuren van Henry Brown naar teekeningen van de voornaamste Nederlandsche kunstenaars. Den Haag: Nederlandsche Maatschappij van Schoone Kunsten, 1841. Zie ook BI-B-FM-124-0.
Jug (Bartmann jug)
Object type: jug
Date: 1625 – 1750
Materials: engobe, glaze, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: frechen
Artist: Anonymous

Kruik (baardmankruik) van steengoed op standvlak met een bolvormig lichaam en smalle nek. Het C-vormige oor is bevestigd aan de nek en de schouder. Profielen op de nek en, doorlopend op de schouder, een gedrukte en opgelegde baardman in reliëf. Frechen.
Jan Asselijn, painter
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: amsterdam, draughtsman, jan asselijn, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Magnifique épreuve (...) Collection Wilson’, collector's mark: ‘W’ Lugt 2592, signature and date: ‘Rembr / f 16’, inscription: ‘Haring 81’
Allegorie met het portret van Anthony van Leeuwenhoek
Object type: book illustration
Date: 1718 – 1718
Materials: paper
Techniques: etching
Location: delft
Subjects: delft, anthony van leeuwenhoek, city-view, and landscape with man-made constructions, column, pillar ~ architecture, ornament ~ medallion, historical persons, compasses, globe, midas given ass's ears: apollo gives midas ass's ears as punishment for preferring pan in the musical contest between apollo and pan (ovid, metamorphoses xi 174), angels
Inscriptions: collector's mark: Lugt 2228

Een engel met een loftrompet houdt het portret van Van Leeuwenhoek in medaillon vast. Een vrouw met bloemenkrans wijst een andere vrouw met passer op haar hoofd (personificatie van de Landmeting of Aardrijkskunde) op een aardbol die half verscholen gaat onder een doek. Linksachter een geblinddoekte Midas met ezelsoren.
Cabriolet # 4148
Object type: drawing
Date: 1891 – 1891
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Kop van een jongen
Object type: sketchbook leaf
Date: 1895 – 1895
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: head (human)

Blad 9 verso uit een schetsboek met 11 bladen.
Panel
Object type: textile
Date: 1601 – 1800
Materials: cotton
Techniques: weave, printing
Location: india
Interieur met moeder, kinderen en een man
Object type: drawing
Date: 1836 – 1896
Materials: chalk, paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: boy (child between toddler and youth), family group, especially parents with their child(ren)

Interieur met moeder, kinderen en een man in de deuropening. Verso: jongetje op een stoel met hoed in de hand.
Het Gouvernementsplein in Paramaribo met centraal het Departement van Financiën
Object type: photograph
Date: 1907 – 1908
Materials: cardboard, photographic support
Techniques: photography
Location: paramaribo
Artist: Anonymous
Subjects: square, place, circus, etc.

Gouvernementsplein met het Hof van Justitie, het Departement van Financiën met Nederlandse vlag en de Secretarie. Onderdeel van een groep foto's van de familie Boom-Gonggrijp in Suriname.
Design for Landau, No. 3052
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Rocky Landscape with a Village and a Tall Tower
Object type: print
Date: 1623 – 1625
Materials: paper
Techniques: etching, intaglio
Location: amsterdam
Artist: hercules segers
Artist role: draughtsman, painter, print maker
Artist dates: 1589 – 1640
Subjects: landscape with other man-made constructions not mentioned above, e.g.: graveyards, playgrounds, etc., rocks