deem-data/ArtiFact huggingface dataset:
[Dog]
Object type: photograph
Date: 1841 – 1849
Techniques: daguerreotype
Artist: bisson frères (louis-auguste bisson)
Artist role: fotograaf
Artist nationality: french
Artist dates: 1814 – 1876
Subjects: dogs

In announcing the daguerreotype process to the public in August 1839, even so eager a promoter as François Arago felt compelled to admit that the process was unlikely ever to serve for portraiture, owing to the length of exposure, which in bright summer sun lasted four-and-a-half to eleven minutes and in subdued winter light an hour or more. The free use of Daguerre's process, however, invited optical and chemical improvements that made portraiture feasible and widespread within a mere two years. Among those who enhanced the sensitivity of daguerreotype plates by new chemical means was Louis-Auguste Bisson, whose label on the verso of this work advertises "Daguerreotype portraits in shade, indoors, and in a few seconds, perfected." Even more than a standard portrait, this daguerreotype is a tour de force of instantaneity, for the panting dog, its tongue hanging out of its mouth, could neither be instructed to sit still nor be physically held in a metal neck brace, a common studio prop for immobilizing human sitters. This unassuming portrait of a pet, humorously presented as if in his doghouse, was made by Bisson for his childhood neighbor and surrogate sister Rosa Bonheur (1822-1899). After the death of her mother, eleven-year-old Rosa had been welcomed into the home of Mme Bisson, the mother of Louis-Auguste and his two brothers, and there she earned her first wages as an artist coloring the heraldic engravings of M. Bisson. By the time she was in her twenties Bonheur was a highly acclaimed painter of animal scenes. No doubt part of the vast menagerie that she kept at her house, this dog is presented by Bisson in a familiar--even familial--way rather than as a photographic study intended to aid the artist's work.
The Actor Iwai Hanshiro IV as Kitsune ga Saki Otama (?) in the Play Miyakodori Yayoi no Watashi (?), Performed at the Kiri Theater (?) in the Third Month, 1787 (?)
Object type: print
Date: 1787 – 1787
Techniques: woodblock print
Location: japan
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Bartholomeus Fersier, wandelend
Object type: drawing
Date: 1795 – 1813
Materials: paper, watercolor
Techniques: brush, pen
Artist: joannes pieter visser bender
Artist role: draughtsman, print maker
Artist dates: 1785 – 1813
Subjects: historical persons, haarlem

Bartholomeus Fersier, medicus te Haarlem, op zijn wandeling aan het Spaarne.
St. Philip and St. James the Less, from the series The Apostles
Object type: print
Date: 1401 – 1500
Techniques: engraving
Artist: master es
Artist role: artist
Artist nationality: german
Artist dates: 1445 – 1467
Subjects: cross,saints
Art - Goût - Beauté, Feuillets de l' élégance féminine, Février 1926, No. 66, 6e Année, p. 32
Object type: magazine
Date: 1926 – 1926
Materials: paper
Techniques: photography
Subjects: fashion plates

Advertenties voor verschillende producten. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Gezicht op de Beurs van Zocher te Amsterdam
Object type: price list
Date: 1845 – 1875
Materials: paper
Techniques: letterpress printing, printing block, engraving
Location: netherlands
Artist: Anonymous
Subjects: stock exchange, stock-market, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Gezicht op de Beurs van Zocher te Amsterdam met op verso een prijslijst voor verschillende wijnen en bubbelwijnen. Onderwerpsrubriek binnen de Atlas Amsterdam: Handel en Zeevaart: Hulpbeurs op de Dam en Beurs (Dam).
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, reclining symposiast holding lyre
Acanthus Scroll
Object type: drawing
Date: 1601 – 1700
Materials: graphite
Techniques: brush, wash
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: ornament,acanthus
Portret van Marino Grimani
Object type: print
Date: 1590 – 1640
Materials: paper
Techniques: engraving
Artist: giovanni orlandi
Artist role: print maker, printer, publisher
Subjects: venice, historical persons, politician, e.g. party leader
Card Number 578, Lillian Russell, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Beleg en inname van Deventer, 1591
Object type: print
Date: 1600 – 1601
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Subjects: improvised bridge, temporary bridge ~ military engineering, capture of city (after the siege), deventer

Gebruikt als illustratie in: J.J. Orlers, Den Nassauschen Lauren-Crans: Beschrijvinghe ende af-beeldinge van alle de victorien ... die Godt Almachtich de ... Staten der Vereenichde Nederlanden verleent heeft, deur het wijs ende clouck beleyt des Hooch-ghebooren Fursts Maurits van Nassau, J.J. Orlers en H. van Haestens, Leiden 1610, fol. 80/81.
Sceau de Majesté de Charles V (1365)
Object type: page
Date: 1869 – 1879
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: coat of arms (symbol of sovereignty), coin, ruler, sovereign
Inscriptions: inscription: ‘No 63 de l'Inventaris de la Collection des sceaux des Archives nationales.’

Boven de kopzijde met een afbeelding van koning Karel V van Frankrijk, onder de muntzijde met een wapenschild met Franse lelies.
Straat in Yokohama met aan het einde 101 traptreden
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: yokohama
Artist: Anonymous
Subjects: rickshaw, sloping street; street with steps or stairs, street (+ city(-scape) with figures, staffage)
Inscriptions: negative number: ‘439’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Japan.
Portret van Antonius Heinsius
Object type: print
Date: 1792 – 1808
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, anthonie heinsius
Inscriptions: collector's mark: Lugt 2228
Sir Thomas Strange
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Naaukeurige afbeelding van de wydvermaarde koopstadt Amsterdam / Amstelaedami. Emporii. Totius. Europae. Celeberrimi. Nova. Et. Accuratissima. Delineatio
Object type: area plan
Date: 1726 – 1750
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: Anonymous
Subjects: maps of cities, amsterdam
Inscriptions: collector's mark: Lugt 195

Plattegrond in vogelvluchtperspectief. Langs de bovenkant de titel. Linksonder de legenda A-Z, a-z, a-n en 1-116. Rechtsonder de legenda 117-258 en de legenda van de bolwerken 1-26. Daarboven een schaalstok: Scale van 2000 Amsterdamsche Voeten. Oriëntatie: zuidzuidwest boven.
Gezicht op Hyères
Object type: photograph
Date: 1896 – 1896
Materials: photographic support
Techniques: albumen print
Location: hyères
Artist: étienne neurdein
Artist role: publisher
Artist dates: 1832 – 1918
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘225 Hyères - Vue Générale N.D. Phot.’
Fotoreproductie van een schilderij van een stierengevecht
Object type: photograph
Date: 1850 – 1884
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: bullfight
Inscriptions: inscription: ‘PHOTOGRAPHIE GOUPIL & Cie/ PARIS, 19, Bd Montmartre./ LONDRES - LA HAYE - BERLIN - NEW YORK’, inscription: ‘Breveté S.G.D.G.’
Portret van een vrouw met lange halsketting
Object type: carte de visite
Date: 1856 – 1889
Materials: cardboard, photographic support
Techniques: albumen print
Location: groningen
Artist: benjamin sanders
Artist role: fotograaf
Artist dates: 1841 – 1889
Subjects: historical persons - bb - woman, necklace
Inscriptions: inscription: ‘B. Sanders/ Photographe/ Groningen/ Nieuwe Ebbingestraat./ Deze Portretten kunnen/ steeds nabesteld worden.’
Markt
Object type: print
Date: 1924 – 1924
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: willem de zwart
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1931
Subjects: village, market
Inscriptions: collector's mark: Lugt 2228
Portret van Filips Willem, prins van Oranje-Nassau
Object type: drawing
Date: 1796 – 1849
Materials: chalk, paper
Artist: albertus brondgeest
Artist role: draughtsman, print maker
Artist dates: 1786 – 1849
Subjects: buren, filips willem (prins van oranje), historical persons
Het aanhouden der prinsesse
Object type: book illustration
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: berlin, draughtsman, wilhelmina of prussia (princess of orange), patriot (revolutionary)

Prent uit: Fokke, J. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd. Amsterdam: Johannes Allart, 1791, dl. 17, tussen p. 252 en 253.
Atlas van Fouquet
Object type: print
Date: 1770 – 1783
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: church organ, interior of church, grave digger

Vanaf 1760 gaf Pierre Fouquet stadsgezichten van Amsterdam naar tekeningen van verschillende kunstenaars uit. Deze prenten werden aanvankelijk los verkocht. Later werden ze samengebonden verkocht in verschillende volgordes en aantallen in:

(1). Afbeeldingen van de wyd-vermaarde koopstad Amsterdam benevens des zelvs voornaamste gebouwen en gezigten alle naar het leeven getekend / Receuil des edifices les plus considerables et des plus belles vues, de la fameuse ville d'Amsterdam, dessinées d'après nature. Amsterdam: Pierre Fouquet, 1778-1783. Deze 'uitgave' bestond waarschijnlijk alleen uit een titelblad en inhoudsopgave van de tot dusver 100 uitgegeven prenten, die de koper zelf aan zijn of haar reeds verzamelde prenten kon toevoegen. De hoeveelheid en volgorde van prenten verzameld onder deze titel verschilt dus sterk.
(2). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam, met derzelver beknopte beschryvingen. 2 dln. Amsterdam: Daniël Jean Changuion en Petrus den Hengst [in opdracht van Pierre Fouquet], 1783.

Ook werden er door verschillende uitgevers tussen 1788 (Amsterdam: Petrus Conradi) en 1805 (Amsterdam: Evert Maaskamp) heruitgaven gepubliceerd.
Compartmented pendant with a bull's head
Object type: pendant
Date: 3100 – 2900
Materials: silver
Culture: proto-elamite
Location: iran
Subjects: bulls
Statuette of an Ibis Head
Object type: sculpture
Materials: bronze
Culture: egyptian
Location: egypt
Tiger Lying in the Desert
Object type: print
Date: 1846 – 1846
Techniques: drypoint, etching, roulette
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: tigers,deserts
Philip of France, Duke of Anjou (1640–1701)
Object type: medal
Date: 1655 – 1655
Materials: bronze
Subjects: shields,swords,horses
Standing cup with cover
Object type: standing cup with cover
Date: 1745 – 1750
Materials: glass
Shallow dish with high relief figures of Isis and falcon-headed Horus
Object type: dish, isi and horus
Materials: stone
Location: egypt
Subjects: horus,isis

The interior of this shallow bowl is carved with the busts in high relief of a hawk-headed deity crowned with a sun disk and horns and a female figure, both resting on the petals of a lotus flower in low relief. The female may be Isis, identified by the knot in her garment, with Horus in his falcon rather than his child form. The space around the central device is fluted, and the rim is adorned with laurel wreaths whose tips meet above the heads of the figures. The exterior is ornamented with a four-petalled rosette surrounded by a rope pattern, laurel wreaths, and grape vines. Small dishes of this type were particularly popular in Upper Egypt during the Roman period. There is little to assist in determining the date, but the feathered neck of the Horus figure suggests disintegration of pharaonic conventions for combining animal and human figures.
Droevig geval in de Willemstad 1793
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: civilians during bombardment
Inscriptions: date

Een man met een klein kind worden getroffen door een Franse granaat. Op de achtergrond het stadhuis en de Koepelkerk. Tijdens het beleg van Willemstad door het Franse leger 27 februari - 15 maart 1793. Genummerd rechtsboven: XXXII.Dl.pl.IV.
Berglandschap met landweg, vermoedelijk in Zwitserland
Object type: stereograph
Date: 1860 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: dornach
Artist: Anonymous
Subjects: road, path, mountain-range, snow peaks
Inscriptions: number: ‘6’
Rietgedekte hut met twee schoorstenen
Object type: print
Date: 1855 – 1904
Materials: paper
Techniques: drypoint, etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: cottage
Inscriptions: collector's mark: Lugt 2228
French Machinery
Object type: photograph
Date: 1855 – 1855
Techniques: glass negative, salted paper print
Artist: charles thurston thompson
Artist role: fotograaf
Artist nationality: british
Artist dates: 1816 – 1868
Subjects: men,industry,machines

This celebration of progress--iron and glass architecture and steam engines shown in powerful perspective--records the displays in the Palace of Industry at the 1855 Universal Exposition in Paris. This world's fair of art and technology was the French response to the gauntlet thrown down by the British at the 1851 Great Exhibition of the Works of Industry of All Nations in the Crystal Palace in London.
Table fork
Object type: table fork
Date: 1812 – 1812
Materials: silver, steel
Engel reikt man in verdrinkingsnood de hand
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: lithograph
Location: paris
Subjects: drowning, shipwrecked person, angels
Inscriptions: collector's mark: Lugt 2228

Onderschrift: La foi dans le coeur de l'homme (...).
Disegni diversi inventati e delineati da Giovanni Giardini da Forlì
Object type: ornament print
Date: 1714 – 1714
Materials: paper
Techniques: etching
Location: vatican city
Subjects: chalice, christ, cupids: 'amores', 'amoretti', 'putti', sacrifice
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een reeks van 100 ornamentprenten naar ontwerp van Giovanni Giardini.
Sweet Fishes of the Nagara River, with Baskets and Flowers
Object type: woodblock print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: fish,flowers,baskets
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, draped figure to right, with bent right arm holding staff or spear
Schetsboek XL met 40 pagina's
Object type: sketchbook
Date: 1875 – 1934
Materials: pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman, in or beside the water (on the beach)
Inscriptions: collector's mark: Lugt 2228

Pagina's 6, 8, 19, 30 t/m 33, 35, 37 en 39 zijn blanco en daarom niet beschreven.
Zábradli a svitlina pro schodiste musea král. Ceského
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: staircase, lantern
Servet van wit linnendamast
Object type: napkin
Date: 1708 – 1709
Materials: linen
Techniques: damask
Location: flanders

Wit linnen damasten servet met de verovering van Lille en het inschrift "PRINCEPS EVGENIUS INSVLAS DEBELLAVIT 1708".
Portrait of a Lady
Object type: painting, miniature
Date: 1810 – 1815
Materials: ivory, watercolor
Culture: american
Subjects: portraits,women
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Head and upper torso of a draped woman to right; in the background, vines
The English Lakes
Object type: stereograph
Date: 1854 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: buttermere
Subjects: lake, mountains
Inscriptions: name: ‘London Stereoscopic Company 54 Cheapside’, number: ‘L N3.’
Gezicht op Salzburg
Object type: photograph
Date: 1865 – 1865
Materials: paper, photographic support
Techniques: albumen print
Location: drievuldigheidskerk
Artist: Anonymous
Subjects: river, waterfall, church (exterior), travelling; tourism, parts of church exterior and annexes: tower

Onderdeel van Fotoalbum van een reis door Zwitserland, Oostenrijk en Duitsland door de Nederlandse familie Derkinderen.
Djinn 1937, No. 8002 Karemy en No. 8003 Cariciosa
Object type: fashion print
Date: 1937 – 1937
Materials: paper
Techniques: hand coloring, lithograph
Artist: Anonymous
Subjects: ensembles of pieces of clothing (two piece suit) (+ women's clothes), coat (+ women's clothes), head-gear (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), skirt (+ women's clothes), dress, gown (+ women's clothes), belt, girdle, waistband (+ women's clothes)
Inscriptions: caption: ‘8000 carolina Ceinture 1063 (Voir page 4 du catalogue) / 8001 Rica-Tipa’, caption: ‘8002 Karemy / 8003 Cariciosa’

Twee verschillende ensembles, genaamd Karemy (8002) en Cariciosa (8003). 8002: bruine jas op een geruite jurk in bruin/geel/rood. Gele hoed en sjaal. Bruine schoenen met strikken. 8003: Geruite jas in groentinten, met overslag, gesloten met vijf grote knopen. Bij de manchetten twee idem knopen. Donkergroene rok. Rode sjaal en hoed. Tweekleurige schoenen met hakken en strikken. Verso: twee ensembles, genaamd Carolina (8000) met ceintuur (1063) en Rica-Tipa (8001). De modeprent komt uit een catalogus.
Gezigt van de Leidse Vaart
Object type: print
Date: 1762 – 1763
Materials: paper
Techniques: etching
Location: haarlem
Artist: cornelis van noorde
Artist role: draughtsman, print maker
Artist dates: 1731 – 1795
Subjects: canal, bridge, haarlem

Deze prent is afgesneden van een prent met daarop drie voorstellingen. In zijn geheel is deze prent ook gebruikt in: Vervolg der aangenaame gezichten van Haarlem. Haarlem: Jan Bosch, 1762. En in: Verzaameling van zes-en zestig aangenaame gezichten in de vermakelyke landsdouwen van Haarlem, nieuwlings naar 't leeven getekend door de beroemde konstenaars H. Spilman en C.V. Noorde, nevens eene afbeelding van het laatst angelegde bosch in het Haarlemsche Hout. Haarlem: Jan Bosch, 1763.
Sluitring van een gevest uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sluitring
Date: 1700 – 1743
Materials: fiber
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Hilt, washer sim. NG 1980-27H2686, flat.
[View of Houses on Hillside, Chattanooga, Tennessee]
Object type: photograph
Date: 1864 – 1864
Techniques: albumen silver print, glass negative
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: cities,american civil war,landscapes
Figuurstudies
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: london
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: postures of the human figure, postures of the human figure - aa - female human figure

Pagina 21 en pagina 22 uit schetsboek XXXV met 36 pagina's.
Zittende man in een boot
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: sitting figure, rowing-boat, canoe, etc.

De man draagt een pak en hoed. Mogelijk een zelfportret van de kunstenaar. Tevens een studie van een kop van een man met een pet. Blad 14 recto uit een schetsboek met 45 bladen.
Portrait of Shun'oku Myōha
Object type: hanging scroll
Date: 1383 – 1383
Materials: gold, ink, silk
Culture: japanese
Artist: unidentified artist
Artist role: artist
Subjects: poetry,men,portraits
Figure fragment
Object type: sculpture
Date: 101 – 200
Materials: ceramic
Culture: parthian
Location: mesopotamia

During the Sasanian era many elite houses were richly decorated with stucco reliefs and other decoration. This small clay fragment of a female figure may have been used as a household decoration. Purchased by the Ctesiphon Expedition and attributed to the house at Ma’aridh I, this ceramic example finds parallels with the stucco reliefs of dancers and musicians excavated at the Ma’aridh houses. The city of Ctesiphon was located on the east bank of the Tigris River, 20 miles (32 km) south of modern Baghdad in Iraq. It flourished for more than 800 years as the capital of the Parthians and the Sasanians, the last two dynasties to rule the ancient Near East before the Islamic conquest in the seventh century. Systematic excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the main palace (Taq-i Kisra), in a small fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir.
Foro civile. (Pompei.)
Object type: photograph
Date: 1860 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: pompeii
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: square, place, circus, etc., excavation ~ archaeology, volcano
Inscriptions: number: ‘5302’

Onderdeel van Fotoalbum met opnames van opgravingen in Pompeï door Giorgio Sommer.
Musici en dansende paren
Object type: tissue stereograph
Date: 1855 – 1872
Materials: cardboard, paper, photographic support
Techniques: albumen print, cutting, hand coloring, perforating
Location: paris
Subjects: more than one couple dancing
Gaius Popillius Laenas trekt cirkel om Antiochus
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: etching
Location: rome
Artist: bartolomeo pinelli
Artist role: draughtsman, print maker, sculptor
Artist dates: 1781 – 1835
Subjects: history
Inscriptions: collector's mark: Lugt 2228, inscription: ‘C. Popillius (als gezant gezonden naar Antiochus, Koning van Syrië, trok - toen deze vorst hem gezegd had over het antwoord te zullen nadenken - met een stokje een kring om laatstgenoemde, en verbood hem dezen te verlaten, alvorens / hem het antwoord gegeven te hebben voor den Romeinschen Senaat.’

Gaius Popillius Laenas trekt een cirkel om Antiochus en verbiedt hem de cirkel te verlaten voordat hij een vraag beantwoord heeft. Romeinse en Syrische soldaten kijken toe.
The Fire
Object type: print
Techniques: mezzotint
Artist: louis philibert debucourt
Artist role: artist
Artist nationality: french
Artist dates: 1755 – 1832
Subjects: windows,infants,women,fire
Handelaar op straat in Frans-Indochina
Object type: stereoscopic photograph
Date: 1893 – 1920
Materials: glass
Techniques: gelatin silver transparency
Location: paris
Artist: Anonymous
Subjects: street-trader, street
Inscriptions: number: ‘No 131.703’
Portret van Karel X van Frankrijk
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a