deem-data/ArtiFact huggingface dataset:
Portrait of Marie de Rabutin-Chantal, Marquise de Sévigné
Object type: drawing
Date: 1601 – 1700
Materials: chalk
Artist: claude lefèbvre
Artist role: painter, print maker
Artist nationality: french
Artist dates: 1632 – 1675
Subjects: portraits,women
Fragment of a Brocaded Silk
Object type: textile fragment
Date: 1601 – 1700
Materials: metal thread, silk
Techniques: brocade
Location: turkey
Subjects: flowers

Brocaded silks were among the most abundant textiles favored by the Ottomans. This rectangular fragment has been woven in the kemha technique using metal wrapped thread. A yellowish brown floral design organized vertically is set against a blue background. Black contours highlight and accentuate the repeating pattern. Some flowers in the upper part show remnants of red (now pink). The repertoire of motifs combines Chinese-inspired lotus flowers with classical Ottoman motifs, such as carnations, rosebuds, and tulips.
Cangiasi, A Holy Family
Object type: photograph
Date: 1855 – 1858
Materials: cardboard, paper, photographic support
Techniques: albumen print
Subjects: drawing, sketch

Fotoreproductie van tekening in 'The Reveley Collection of Drawings at Brynygwin', afb. 4.
Toilet van Batseba
Object type: print
Date: 1888 – 1891
Materials: paper
Techniques: etching
Location: netherlands
Artist: willem steelink (ii)
Artist role: draughtsman, print maker
Artist dates: 1856 – 1928
Subjects: bathsheba attended by servant(s)
Inscriptions: collector's mark: Lugt 2228

Een dienares kamt de haren van Batseba. Een oude vrouw knipt of veilt haar teennagels. Linksonder in de marge een wapenschild op een takje met bladeren.
Fragment of a Floor Mosaic with a Personification of Ktisis
Object type: mosaic fragment
Materials: glass, marble
Culture: byzantine
Subjects: men,women,cornucopia

The bejeweled woman, holding the measuring tool for the Roman foot, is identified by the restored Greek inscription as Ktisis, a figure personifying the act of generous donation or foundation. The man with a cornucopia, originally one of a pair flanking her, has the Greek inscription “good” by his head, half of a text that probably said, “good wishes.” The fragment, made of marble and glass tesserae (small pieces of colored material), is typical of the exceptional mosaics created throughout the Byzantine world in the 500s. The Metropolitan Museum, after acquiring the two figures independently, has restored them in accordance with a dealer’s photograph showing their original arrangement while in storage before separation.
Tempel van Saturnus, Rome, Forum Romanum, Italië
Object type: photograph
Date: 1900 – 1940
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: forum romanum
Inscriptions: inscription: ‘Tempel van Saturnus - Roma’

Tempel van Saturnus, Rome, Forum Romanum, Italië.
Muur van het Dabhoi fort
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: pencil
Location: gujarat
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: standing figure, walls ~ fortified city, sculpture
Inscriptions: annotation: ‘Dahboi Dabhoi’

De muur bevat ornamenteel beeldhouwwerk, dat onder andere olifanten uitbeeldt. Pagina 65 en 66 uit een schetsboek met 62 bladen.
Reticule
Object type: reticule
Date: 1801 – 1833
Materials: leather, metal, shell
Culture: french
Ruïnes van het Foro Civile in Pompeï
Object type: photomechanical print
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: landscape with ruins
Inscriptions: inscription: ‘No. 4./ Il Foro.’

Deze prent maakt deel uit van een album.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic

Two fragments with meanders on the interior, and part of the ground line on the exterior
Ewer
Object type: ewer
Date: 1601 – 1800
Materials: bronze
Location: india
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, aulos player wearing a himation, standing in front of a reclining symposiast, wearing a himation around his lower body and whose left arm is bent and resting on a cushion; Exterior, ground line
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, sandal; hair, neck, chin, right shoulder and arm seen from beneath chiton, of woman to right
Portret van een jongen
Object type: carte de visite
Date: 1870 – 1877
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: willem frederik vinkenbos
Artist role: fotograaf
Artist dates: 1831 – 1896
Subjects: historical persons, toddler (male)
Inscriptions: inscription: ‘WFV/ PHOTOGR. ATELIER/ W. F. VINKENBOS/ Kerkstraat No 21/ 's HAGE.’
Glass perfume bottle
Object type: bottle
Date: 101 – 300
Materials: glass
Culture: roman

Small perfume bottle Colorless with pale greenish tinge. Rim folded out, over, and in; flaring mouth; concave, cylindrical neck; sloping shoulder with rounded corners; roughly squared body with indented sides; pushed-in bottom with kick. Intact; many pinprick bubbles; pitting and brilliant iridescence, with some dulling and creamy weathering.
Chinees gezin bij een overkapping omringd door begroeiing
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: landscapes, chinese, pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 2228
Kaart van Oost-Vlaanderen
Object type: print
Date: 1677 – 1720
Materials: paper
Techniques: engraving, etching, hand coloring
Artist: Anonymous
Subjects: maps of separate countries or regions, ghent

Kaart van Oost-Vlaanderen. In een balk boven de kaart, in het midden, de titel. Links hiervan een legenda. Rechts van de titel twee schaalstokken: 1 1/2 Gemeene Duytsche Mijlen van 15 in een Graad / 2 Fransche Mylen ofte Uren Gaans van 20 in een Graad. De kaart is voorzien van een coördinaten-net en een gradenverdeling.
Kunsten en Wetenschappen, decoratie op de Noordermarkt, 1795
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: specific aspects, allegorical aspects of minerva; minerva as patroness, festivities on events of national importance (+ festive decoration ~ festive activities), equality, equity, fairness, righteousness; 'equalità', 'equità', 'giuditio giusto', 'ordine dritto e giusto', 'ugualità' (ripa) (+ symbolical representation of concept), alliance with france (1795)

Kunsten en Wetenschappen, allegorische decoratie opgericht op de Noordermarkt te Amsterdam bij het Alliantiefeest op 19 juni 1795. Minerva zittend in de wolken met schietlood (Gelijkheid) boven een krans en vuur. Bovenaan Apollo spelend op de lier. Illustratie in het Bataafsche revolutie- en alliantie almanach voor 1796.
Gezicht op straat met versieringen, vermoedelijk in Stockholm
Object type: cabinet photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: stockholm
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, street
Inscriptions: inscription: ‘Cabinet Fotografi’, inscription: ‘Stockhom’
Schepping van de wereld
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: creation of man; the garden of eden (genesis 1:26 - 2)
Inscriptions: collector's mark: Lugt 2228

De zesde scheppingsdag: God schept Eva, terwijl Adam op de grond ligt te slapen. Op de achtergrond God de Vader en Adam. Adam wijst op de dieren. Naar de Bijbeltekst in Gen. 1:26-31.
Cabin Boy Hauling the Tow-Rope or Hauling by Rope
Object type: drawing
Date: 1862 – 1862
Materials: graphite, ink, paper
Techniques: pen
Artist: charles-françois daubigny
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1878
Subjects: boys,boats
De moord op de gebroeders De Witt en twee portretten, 1672
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: dordrecht, cornelis de witt, the hague, politician, johan de witt, mutilation of the corpse, lynching, attempt, political murder, violent death, being killed; being mishandled and maltreated; seeking death (+ death by lynching)

Portretten van Johan en Cornelis de Witt boven een gecombineerde voorstelling van de moord, het slepen van de lichamen naar de wip en de verminking van de lijken, 20 augustus 1672.
Coverlet
Object type: coverlet
Date: 1829 – 1829
Materials: textile, cotton, wool
Culture: american
Artist: Anonymous
Artist role: maker

This dark blue indigo wool and undyed white cotton double cloth coverlet is woven in one wide panel with two sets of warps and two sets of wefts, creating an identical pattern on both sides with the two colors reversed. It features six large floral medallions in the center, and edges are surrounded by a border of eagles, with stars and three leaf clovers above them. The eagles alternate with spired buildings and two Masonic columns surmounted by globes and the traditional Masonic square and compass symbol. In between the large motifs, there are tiny repeating figures of a goat, a man in a top hat, and a monkey in the traditional pose of the spinning monkey. The monkey and goat sit at the feet of the eagles on the narrow ends, and the small man appears at the bottom of the Masonic columns on the long ends. The name "MARY KEATOR" the woman for whom the coverlet was made, is woven four times across the head and foot ends of the coverlet, both forward and reverse. All four corners have the woven inscription: AGRICUL/ TURE & MAN/ UFACTURES/ ARE THE FOUND/ ATION OF/ OUR INDE/ PENDENCE./ JULY 4. 1829 The coverlet’s design, commonly known as the "Agriculture & Manufactures" pattern, was one of the most popular found in the neighboring counties of Orange, Dutchess, Ulster, and Delaware in mid-New York State. Several variations of the design are known, which generally fall into three categories. At first glance, this coverlet seems nearly identical to two other examples in the Museum’s collection: 25.127 and 67.33. However, all three have pattern variations that are due to individual weavers changing the pre-punched manufactured cards that, when attached to the loom, helped create the pattern. These changes may have been made in order to identify or "brand" the coverlets to their particular workshop. The group that our new acquisition falls into are for the most part dated between 1825 and 1830, and are distinguished by the appearance of the three small figures (monkey, goat and man) hidden in the borders. The names found on this type of coverlet have usually been traced to Dutchess County. However, Mary Keator (d.1851), the first owner of this coverlet, lived her whole life in Roxbury, Delaware County, NY. This points to several possible conclusions—either Mary had her coverlet made in relatively far-off Dutchess County, or the original weaver of the small figured coverlets let another weaver copy his cards, or he gave his cards to a Delaware County weaver, or moved to Delaware County himself. No matter what the circumstances, it is a boon to the American Wing textile collection that we now have examples of all three variations of this iconic early nineteenth century New York coverlet design.
Fondslijst Pellerin & Cie.
Object type: fondslijst
Date: 1902 – 1902
Materials: paper
Techniques: letterpress printing, lithograph
Location: epinal
Inscriptions: collector's mark: Lugt 2760

Roze blad met de fondslijst van Pellerin & Cie. te Epinal, gedateerd februari 1902. Op de lijst worden 132 prenten genoemd.
Vrouw met muts en profil
Object type: print
Date: 1920 – 1920
Materials: paper
Techniques: etching
Location: groningen
Artist: marius holleman
Artist role: draughtsman, print maker
Artist dates: 1878 – 1926
Subjects: head-gear: hat
Inscriptions: collector's mark: Lugt 2228
Inname van Memingen door Maximiliaan II Emanuel, keurvorst van Beieren
Object type: history medal
Date: 1702 – 1702
Materials: silver
Techniques: striking
Location: nuremberg
Artist: philipp heinrich müller
Artist role: medailleur
Artist dates: 1654 – 1719
Subjects: maximiliaan ii emanuel (keurvorst van beieren)

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: Memingen in gedaante van vrouw met kroon bukt voor keurvorst van Beieren om hem sleutels van stad aan te bieden binnen omschrift, boven opschrift
Apron
Object type: apron
Date: 1801 – 1900
Materials: metal thread, wool
In de Mallegatsluis, Gouda
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: gouda
Subjects: lift-lock, canal lock, bridge in village across river, canal, etc., steamship, motorship, gouda
Ukiyo goshiki awase
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: woodcut
Location: tokyo
Artist: utagawa kunisada (i)
Artist role: print maker
Artist dates: 1786 – 1865
Subjects: adult woman, tools, aids, implements ~ crafts and industries: knife, preparation of food
Groep leden van het Amsterdamsch Studenten Corps aan tafel op een rondvaartboot
Object type: photograph
Date: 1806 – 1897
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: nicolaas schuitvlot
Artist role: fotograaf
Artist dates: 1859 – 1947
Subjects: passenger liner, students' organization, adult man (+ more than eight persons), laid table: table-ware, table-decoration, etc., netherlands
Cover of a coffeepot with stylized floral motifs
Object type: coffee service
Date: 1900 – 1905
Materials: paint, plastic
Location: paris
Artist: maurice dufrêne
Artist role: designer
Artist dates: 1876 – 

Deksel van een koffiekan van kunststof met een opstaand handvat, beschilderd in groen en rood. Op de deksel, doorlopend op het handvat, gestileerde bloemtakken. De deksel is een kunststof vervanging voor het origineel. Naar ontwerp van Maurice Dufrêne, vervaardigd voor La Maison Moderne, mogelijk door Le Parthénon, Parijs.
Vois-tu, mon vieux..... relativement à l'Égypte on ne pourra jamais percer l'Isthme de Suez.... si j'étais à la place de Mr. de Lesspes, je sais bien ce que je ferais!....., from Naïvetés, published in Le Charivari, November 23, 1859
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men
Statuette of Reniseneb
Object type: statuette of reniseneb
Date: 1850 – 1650
Materials: paint, wood
Location: egypt

This small wooden sculpture depicts a young girl. Her youth is signified through the braided lock on the side of her head, which was customary for children in ancient Egypt. Underneath her tight-fitting dress her body is clearly shown. Her arms were made as separate pieces; on her left side is still the ancient peg that served to attach her now missing left arm. The high quality of the piece is apparent in the delicate modelling of the facial features. The figurine is inserted into a separately made rectangular base. On its top are three lines of a hieroglyphic inscription, which gives her name as Reniseneb, and also mentions her mother, Wesermut.
Garnier. Auguste. 34 ans, né à Périgny (Côte-d'Or). Journalier. Anarchiste. 2/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Cahier d'études eau-fortes originales et inédites
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: drypoint, etching, intaglio
Location: brussels
Subjects: court jester, court fool, buffoon (in general) (german: 'schalksnarr'), little people
Inscriptions: collector's mark: Lugt 2228

Prent uit: Rops, Félicien (red.), Cahier d'études eaux-fortes originales et inédites. Brussel: Felix Callewaert père, 1875. Het betreft hier een afgesneden blad.
Lente
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: etching
Location: brussels
Subjects: spring ~ human activities (the four seasons of the year) (+ with scenes showing human occupations ~ seasons and months), expulsion of adam and eve from paradise (genesis 3:22-24), milking

De prent is vervaardigd naar het schilderij van Bassano dat zich in de collectie van het Kunsthistorisches Museum te Wenen bevindt (inventarisnummer GG_4303). David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.
Governor Foraker, Ohio, from "Governors, Arms, Etc." series (N133-1), issued by Duke Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: monuments,men,portraits,coat of arms,flags

Trade cards from the "State Governors, Arms, Etc." sseries (N133-1), issued in an unnumbered set of 48 cards ca. 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type, pictured here, is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Edo komon-monogire tebikaecho
Object type: textile sample book
Date: 1801 – 1900
Techniques: dyeing
Culture: japanese
Gezicht van de St. Olofs of Oudezyds Kapel van binnen, te Amsterdam
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: interior of church
Inscriptions: collector's mark: Lugt 2228
Leonhardus Hutterus (...)
Object type: book illustration
Date: 1673 – 1673
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Spizel, Gottlieb. Templum honoris reseratum (...). Augsburg: Gottlieb Göbel, 1673. In de publicatie is het portret gedrukt zonder omlijsting.
Ree
Object type: print
Date: 1876 – 1937
Materials: paper
Techniques: woodcut
Artist: jacobus gerardus veldheer
Artist role: draughtsman, print maker
Artist dates: 1866 – 1954
Subjects: hoofed animals: deer
Inscriptions: annotation: ‘Ree/ gesneden in/ peren-langs/ door/ J.G. Veldheer’, collector's mark: Lugt 2760, collector's mark: Lugt 2228
Presentiepenning van het Weversgilde te Middelburg, 1621
Object type: medal
Date: 1621 – 1621
Materials: brass
Techniques: casting
Inscriptions: inscription, inscription: ‘19’

Gegoten messing penning, op de voorzijde een gekroonde weversspoel tussen twee vlasplanten onder een ereboog op twee zuilen, onderaan het jaartal 1621, op de keerzijde een klein wapenschild Middelburg waarnaast gegraveerd 19, boven een versierde rechthoekige ruimte waarin oorspronkelijke tekst is weggeslepen en vervangen door de inscriptie 34
Livre de Moresques, page 9 (verso)
Object type: book print ornament architecture
Date: 1546 – 1546
Techniques: woodcut
Location: france
Artist: francesco di pellegrino
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1552
Subjects: ornament

This book of moresques reproduces designs by the Italian artist Francesco Pellegrino, first published in book form by the artist in Paris in 1530 under the title La Fleur de la Science de Pourtraicture. It is considered the first elaborate publication to introduce the exotic designs in Western Europe, although the ornament was known already through the import of textiles and other objects from the Near East. The publication of the ornament in books and prints immensely increased the interest of native artist and it soon became highly fashionable. Pellegrino’s designs were reordered and presented in compressed form in the Livre de Moresque, which appears to have been published first by Cornelis Bos in Antwerp in 1543. Gormont subsequently published the book in Paris in 1546, possibly with the consent of Bos, whom had spent some time in Paris after his expulsion from Antwerp in 1544, and had settled in Germany (Nuremberg) by 1546.
Poorter Eed van Cornelis Jansz
Object type: document
Date: 1703 – 1703
Materials: ink, paper
Techniques: pen
Location: amsterdam
Artist: pieter van loon (1667-1716)
Artist role: bewindhebber, secretaris
Artist dates: 1667 – 1716
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), bourgeoisie, middle class, citizens, burghers, amsterdam
Inscriptions: signature: ‘Geelvinck’, check stamp, signature: ‘Accordeert met zijn Principaal/ (was getr) J. Ploos van Amstel/ Nots.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Poorterbriefjes.
In venetia & altrove
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Titelpagina voor: Redenvoering en feestzang, ter gelegenheid der vyf-en-twintigste verjaaring van de oprichting des genootschaps onder de zinspreuk: Concordia et libertate, 1773
Object type: titelblad, titelpagina
Date: 1773 – 1773
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: amsterdam
Inscriptions: collector's mark: Lugt 2228

Titelblad voor de uitgave van de redevoering en feestzang ter gelegenheid van het 25-jarig jubileum van het Genootschap Concordia et Libertate in 1773. Allegorisch vignet op de redevoering uitgesproken op 26 oktober 1773 in de Oude Doelen te Amsterdam. Landschap met piramide, op de voorgrond een zittende vrouw leunend op een afgebroken zuil met attributen van de kunsten en wetenschappen, hierbij ook twee engeltjes en een tweeregelig onderschrift.
Cosa fatta capo ha
Object type: bookplate
Date: 1850 – 1950
Materials: paper
Techniques: printing block
Location: italy
Artist: Anonymous
Subjects: armorial bearing, heraldry
Reception des Venetiens par les Magistrats d'Anvers
Object type: page
Date: 1892 – 1892
Materials: paper
Techniques: photograph
Location: antwerp
Artist: joseph maes
Artist role: fotograaf
Artist dates: 1838 – 1908
Subjects: public festivities (+ parade, pageant, cavalcade ~ festive activities), antwerp
Inscriptions: inscription: ‘De Vrije Kunst.’, inscription: ‘De Verbroedering.’, inscription: ‘L'ARBRE CROISSANT DE LIERRE. - DE GROEIENDE BOOM VAN LIER.’, number: ‘Pl. VIII.’, inscription: ‘LA FLEUR D'ALLEGRESSE DE BERG-OP-ZOOM. - DE VREUGDEBLOEM VAN BERGEN-OP-ZOOM.’
Humanistische wetenschapper met wetenschappelijke instrumenten
Object type: print
Date: 1516 – 1516
Materials: paper
Techniques: etching
Subjects: rotterdam, desiderius erasmus, science and technology, scholar, philosopher

Prent afkomstig uit: Erasmus, Desiderius. Morias enkomion (...). Bazel: Johann Rudolf Genath, 1676.
De prenten hierin zijn naar tekeningen die Hans en Ambrosius Holbein maakten voor de theoloog Oswald Myconius in diens uitgave van de Moriae encomium (Lof der Zotheid) van 1516.