deem-data/ArtiFact huggingface dataset:
S. Apolline, vierge et martyre (St. Apollonia, Virgin and Martyr), February 9th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Feast Days of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,women,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Fanny McIntyre, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Design for a Cake Server
Object type: drawing
Date: 1913 – 1913
Materials: ink, pencil, paper
Techniques: pen
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: table-ware, cake, tart, pastry
Inscriptions: date: ‘1913’

The principles of designing ‘by system’ are evident in this design for a cake server. The basic shape is a triangle within which smaller circles and triangles define the proportions and dimensions of the design. The cake server is drawn life-size in front and side views, and a natural form unfolds from the tangle of geometric shapes.
Miss Langton, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Rapier with Scabbard
Object type: rapier with scabbard
Date: 1590 – 1590
Materials: leather, silver, steel
Culture: german, saxony
Location: germany

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Groepsportret met onder andere Albert Glaser, bij het 25-jarige jubileum in het paleis van de Sultan van Langkat
Object type: photograph
Date: 1919 – 1919
Materials: photographic support
Techniques: gelatin silver print
Location: tandjong poera
Artist: mikado
Artist role: fotograaf
Subjects: palace - aa - civic architecture: inside, historical persons, sumatra
Inscriptions: annotation: ‘Sultan van Langkat/ 25 Jahr Jubiläum/ 23.5.1919/ Emma [...] rechts von Tante Emma [...]’
Fragment of a Revetment
Object type: decorative art
Date: 100 – 100
Materials: glass
Techniques: mosaic glass
Culture: roman
Location: roman empire
Subjects: decoration

In ancient Rome, there was a high demand for colorful glass that could dazzle banquet guests alongside the expensive silver and gold serving wares meant to impress. Fragments like this one would have once been a part of larger mosaic dishes. The mosaic pattern was made by sagging molten glass into bowl-shaped molds, a technique used on many of these fragments is similar to millefiori, “thousand flowers” in Italian, a modern glass-making method in which tiny rods of colored glass are bundled together, wrapped in a sheet of glass, fused, and then thinly sliced to reveal swirls of a flower-like patterns. They were arranged side by side, sometimes together with bits of colored glass, and fused together with heat.
House with a Turret, rue de la Tixéranderie, Paris
Object type: drawing and watercolor
Date: 1852 – 1852
Materials: graphite, paper
Location: paris
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Inscriptions: Not signed
Binnenplaats gezien vanuit een passage
Object type: album leaf
Date: 1776 – 1776
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: courtyard, passage, italy

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 4, p. 648.
Fragment
Object type: fragment
Date: 1601 – 1800
Materials: silk
Miss Messine, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Summer
Object type: print
Date: 1601 – 1700
Techniques: engraving
Artist: jean couvay
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1663
Subjects: portraits,women,summer,tools
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 70 (verso)
Object type: album print ornament architecture
Date: 1615 – 1635
Materials: ink
Techniques: pen, wash
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Subjects: birds,flowers,leaves
De Heilige Hiëronymus in de wildernis
Object type: print
Date: 1500 – 1515
Materials: paper
Techniques: woodcut
Location: nuremberg
Subjects: st. jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast; a skull (and other 'vanitas' symbols), sometimes a scorpion and a snake beside him
Inscriptions: collector's mark: Lugt 240

Ronde voorstelling van de Heilige Hiëronymus, bij een boom geknield voor een boek en een crucifix, een steen in de hand. Achter hem ligt een leeuw.
Juglet
Object type: juglet
Date: 1050 – 950
Materials: terracotta
Culture: cypriot

One-handled flask with bands, and on each side a maltese cross.
Figure of Japanese man
Object type: figure
Date: 1879 – 1879
Materials: bone china, enamel, ivory, porcelain
Techniques: gilding
Artist: worcester factory
Artist role: maker
Artist nationality: british
Artist dates: 1751 – 2008
Subjects: men

After the end of the Flight, Barr & Barr ownership of the Worcester factory in 1840, the firm went through a succession of owners and mergers before falling under the ownership of Kerr & Binns in 1852. During the partnership, the factory sought to rebuild its former eighteenth-century reputation in porcelain and known for Renaissance-inspired designs. With the establishment of the Royal Worcester Porcelain Company in 1862, the company gradually gained recognition for its Japanese-inspired designs, which formed part of Japonisme, a collective fascination with Japan that took place in Europe and the United States following the opening of Japanese markets to the West by Commodore Perry in 1853.
1/16 roepie uit India van sjah Alam II, 1173-1221 [=1759-1806]
Object type: coin
Date: 1759 – 1806
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: in Arabische lettertekens in twee regels opschrift. Keerzijde: in Arabische lettertekens in drie regels opschrift.
Lead figure of a winged goddess, possibly Artemis Orthia
Object type: statuette of artemis orthia, winged, 8
Date: 634 – 501
Materials: lead
Culture: greek, laconian
Subjects: artemis,goddess

Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of Laconia; over one hundred thousand, dating from the seventh century B.C. to the Classical period, were dedicated to the goddess Artemis Orthia in Sparta.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, thighs and genitals of male to left
Portret van Johannes Oporinus
Object type: album leaf
Date: 1568 – 1587
Materials: paper
Techniques: letterpress printing
Subjects: printer, publishing, publisher (+ portrait of scholar, scientist), historical persons
Inscriptions: collector's mark: Lugt 240

Prent gebruikt in: Reusner, Nikolaus. Contrafacturbuch: ware und Lebendige Bildnussen etlicher weitberümbten unnd Hochgelehrten Männer in Teutschland (...). Straatsburg: Bernhard Jobin, 1587.
Portret van twee meisjes
Object type: carte de visite
Date: 1868 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Artist: eugene guérin
Artist role: fotograaf
Artist dates: 1845 – 
Subjects: historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: inscription: ‘Eugène Guérin/ Bruxelles. 32, Rue de Louvain’
Fotoreproductie van het schilderij 'Procession du boeuf Apis' door Frederick Arthur Bridgman
Object type: photomechanical print
Date: 1877 – 1882
Materials: paper
Techniques: woodburytype
Artist: frederick arthur bridgman
Artist role: painter
Artist dates: 1847 – 1928
Subjects: ritual practices ~ egyptian religion, ox
Crescent Ornament
Object type: ornament
Date: 501 – 700
Materials: metal
Culture: moche
Location: peru
Piece
Object type: piece
Date: 1801 – 1900
Subjects: leaves
Merenorth House, in the County of Kent, from Edward Hasted's "The History and Topographical Survey of the County of Kent", vols. 1-3
Object type: print
Date: 1777 – 1790
Techniques: engraving, etching
Artist: richard bernard godfrey
Artist role: artist
Artist nationality: british
Artist dates: 1728 – 1795
Subjects: animals,buildings,landscapes

Plate 20, vol. II. View of Mereworth House, belonging to the Earl of Westmorland. See 2014.599.1–.30 for comments.
Scarf
Object type: scarf
Date: 1701 – 1733
Materials: lace
Techniques: lace
Subjects: flowers
De Doelen te Monnikendam
Object type: drawing
Date: 1758 – 1793
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: isaac ouwater
Artist role: draughtsman, painter
Artist dates: 1748 – 1793
Subjects: city-view, and landscape with man-made constructions
Twee studenten, mogelijk op de campus van Denison University in Ohio
Object type: photograph
Date: 1910 – 1920
Materials: paper
Techniques: cyanotype
Location: granville
Artist: Anonymous
Subjects: student
Portret van Andrea Gritti
Object type: book illustration
Date: 1587 – 1587
Materials: paper
Techniques: letterpress printing
Location: basel
Subjects: venice, politician, historical persons, other sovereign: doge

Prent uit: Warhafftiger kurtzer Bericht von mannigerley Kriegs und anderen fürnemen (...). Bazel: Konrad Waldkirch, 1587, p. 292. Prent eerder verschenen in: Giovio, Paolo. Elogia virorum bellica virtute illustrium (...). Bazel: Peter Perna, 1575. Prent mogelijk ook gebruikt in latere publicaties.
Panel
Object type: panel
Date: 1567 – 1633
Materials: silk
Culture: chinese
Servet van linnendamast met de boom van Jesse
Object type: napkin
Date: 1600 – 1625
Materials: linen
Techniques: damask, weave
Location: netherlands
Inscriptions: mark: ‘KH 18’

Wit linnendamasten servet met de boom van Jesse. Het servet hoort bij vijf gelijke servetten (BK-1966-145-A t/m BK-1966-145-F).
Zelfportret
Object type: drawing
Date: 1889 – 1949
Materials: paper, pencil
Artist: herman moerkerk
Artist role: draughtsman
Artist dates: 1879 – 1949
Subjects: den bosch, haarlem, herman moerkerk, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Head of a Buddha
Object type: head
Date: 801 – 900
Materials: lacquer, stone
Techniques: gilding
Culture: cambodian
Subjects: heads,buddhism,buddha
Portret van Joachim Heller met boek
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, intaglio
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: moustache, historical persons, book
Inscriptions: number: ‘105’, collector's mark: Lugt 2228

kleding: hemd met hoog opstaande gesmokte kraag. Op het hoofd een bonnet zonder rand, waaronder kort geknipte haren. Heller draagt een snor.
Messenheftring uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: ferrule
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Mythical animal
Object type: figurine
Date: 1701 – 1800
Materials: jade
Culture: chinese
Subjects: mythical creatures
Voorgevel van de Sint-Pietersbasiliek te Vaticaanstad
Object type: photograph
Date: 1875 – 1907
Materials: photographic support
Techniques: gelatin silver print
Location: sint-pietersplein
Subjects: church (exterior)
Inscriptions: number: ‘4195’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Italië.
Interior of a Drawing Room
Object type: drawing
Date: 1838 – 1838
Materials: watercolor
Artist: anonymous, italian, 19th century
Artist role: artist
Artist nationality: italian
Artist dates: 1800 – 1900
Subjects: interiors,chairs,tables,mirrors
Dodenprocessie
Object type: book illustration
Date: 1558 – 1619
Materials: paper
Techniques: etching
Location: the hague
Subjects: charles v (holy roman emperor and king of spain), dance of death; death together with one or more human beings, cortege, funeral procession, other divisions into classes (~ society), mummy, death's head, skull (symbol of death), brussels
Inscriptions: collector's mark: Lugt 2228

Dodendans: linkerplaat. Van links naar rechts staan groepen mummies die de geestelijkheid en de koningen voorstellen. Op de grond voor de groepen liggen de symbolen van hun stand. Verspreid over de voorgrond liggen symbolen van vergankelijkheid zoals doodshoofden en slangen.
Portret van een onbekende vrouw
Object type: photograph
Date: 1859 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: brussels
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: address: ‘27, rue d l'Ecuyer,/ entrée par la porte cochère,/ BRUXELLES.’
Design for a Coat of Arms Partially Covered in Drapery
Object type: drawing
Date: 1672 – 1725
Materials: chalk, graphite
Artist: giovanni battista foggini
Artist role: artist
Artist nationality: italian
Artist dates: 1652 – 1725
Subjects: coat of arms
Jar
Object type: jar
Date: 1625 – 1625
Materials: porcelain
Techniques: painting, underglaze
Culture: japanese
Subjects: trees
Titelpagina voor: K. Westerbaen, Algemeene Histori, 1751
Object type: titelblad, titelpagina
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Location: utrecht
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: asiatic races and peoples, chinese, africans, 'historia'; 'historia' (ripa), native peoples of the americas, white races and peoples
Inscriptions: collector's mark: Lugt 2228

Geschiedenis schrijft in haar boek. Een vrouw toont haar een vel waarop de in het boek geschreven volken staan opgesomd. Bij haar zitten putti, één met in de hand een medaillon met het portret van Totila, koning van de Ostrogoten. Op de achtergrond mensen uit verschillende werelddelen.
Profeet Amos onderwijst
Object type: print
Date: 1645 – 1646
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: pieter jacobsz. paets
Artist role: publisher
Artist dates: 1587 – 1667
Subjects: amos, the herdsman of tekoa, prophesies at bethel (amos 1-2)

De prent werd gemaakt voor de uitgaven van P.J. Paets uit Amsterdam. Ze komt in ieder geval voor in: Bibels Tresoor ofte der zielen lusthof. Amsterdam, P.J. Paets, 1646. Mogelijk ook in: Historien ende Prophetien. [Amsterdam], P.J. Paets, 1645.
Nablûs-General view of the town
Object type: page
Date: 1861 – 1866
Materials: photographic support
Techniques: albumen print
Location: palestine
Artist: francis bedford
Artist role: print maker
Artist dates: 1815 – 1894
Subjects: city-view in general; 'veduta'
Inscriptions: number: ‘Plate 29.’, inscription: ‘Photographed by Francis Bedford during the Tour in the East on which by Command he accompanied His Royal Highness The Prince of Wales’
Frankrijk, Derde Republiek, centime,1878 A
Object type: centime
Date: 1878 – 1878
Materials: bronze
Techniques: striking
Location: paris

Bronzen munt. Voorzijde: portret van een vrouw met krans en diadeem naar links.Jaartal onderaan. Keerzijde: binnen twee samengebonden takken waarde-aanduiding in twee regels, waaronder de letter A [=Parijs]. Gladde rand.
Title Page, from Landscapes with Biblical and Mythological Scenes
Object type: print
Date: 1558 – 1558
Materials: paper
Techniques: letterpress
Location: netherlands
Artist: hieronymus cock
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1510 – 1570
Inscriptions: Lettered: "Variae variarum regionum typographicae adumbrationes in publicum pictorum usum a Hieronymo Cock delineatae in aes incisae et aedirae. / Veelderleye ordinantien van lantschappen, met syne historien daer in gheoridineert, wt den ouden ende nieuwen testamente, Ende sommighe lustige Poeteryen, seer bequaem voer Schilders, ende andere liefhebbers des consten: Nu eerst nieu in de printe ghebracht, ende gemaect by Ieronymus Cock Schilder ... 1558."
Celery Vase
Object type: celery vase
Date: 1870 – 1890
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: challinor, taylor and company
Artist role: maker
Artist nationality: american
Artist dates: 1866 – 1891
Square Dish
Object type: dish
Date: 1736 – 1795
Materials: enamel
Techniques: painting
Culture: chinese
Subjects: vessels
The Stump (after Ruisdael)
Object type: painting, miniature
Date: 1815 – 1815
Materials: copper
Techniques: enamel
Culture: american
Artist: william russell birch
Artist role: artist
Artist nationality: american, born england
Artist dates: 1755 – 1834
Subjects: landscapes,trees
Design for a Carpet
Object type: drawing
Date: 1801 – 1900
Materials: gouache, ink
Techniques: pen
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: ornament,flowers
Isola Tolta in Vicenza
Object type: print
Date: 1744 – 1787
Materials: paper
Techniques: etching
Location: italy
Artist: cristoforo dall acqua
Artist role: draughtsman, print maker
Artist dates: 1734 – 1787
Subjects: parts of church exterior and annexes: campanile, square, place, circus, etc., city-view, and landscape with man-made constructions, hôtel, i.e. small palace in city
Inscriptions: collector's mark: Lugt 2228

Gezicht op het Isola Tolta in Vicenza. Verklarende lijst met nummers en titel in cartouche in ondermarge.
Twee bladen met banenpatroon van bladeren en strepen met punten
Object type: wrapper
Date: 1750 – 1900
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Twee bladen met horizontaal banenpatroon van bladeren en strepen met punten. Met etiket met opschrift: 'P. Haesebroeck ... criminalibus.' Twee losse helften van een omslag.
Lion-headed goddess suckling the king
Object type: lion headed goddess suckling the king
Date: 707 – 664
Materials: faience
Location: egypt or nubia

This complex open-work pendant depicts a lion-headed goddess suckling a small standing figure. The goddess wears a tripartite wig topped by a double crown and a long, tight dress. A lion ruff frames her face. She sits on an elaborate throne, which features a winged cobra with a sun disk on its side. While protectively extending her proper left arm around a small figure standing in front of her, her proper right hand reaches to her breast to suckle this person. From larger depictions we know that this is the king.
Fish net needle
Object type: fish net needle
Date: 1295 – 1070
Materials: ivory
Location: egypt
Huy. - Le Bethléem (Huy)
Object type: reproduction
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: brussels
Subjects: church (exterior)
The Church of Saint-Gervais Seen From the Ramparts at Geneva
Object type: drawing and watercolor
Materials: chalk, graphite, paper
Techniques: heightening
Location: europe
Artist: Anonymous
Artist nationality: european
Artist dates: 1600 – 1800
Fragments
Object type: fragment
Date: 1301 – 1500
Materials: earthenware, glaze
Techniques: coloring, incising
Location: egypt
Elegant gathering in a garden
Object type: hanging scroll
Date: 1401 – 1600
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist

In a garden setting backed by a dramatically shaped and pitted rock, two gentlemen gather for elegant pursuits. As the guest reads lazily at the table, his host turns to admonish the attendants in some aspect of service. Around them are the accoutrements of the elegant gathering: an inkstone, books, scrolls of painting and calligraphy, and a zither (qin), in case musical inspiration should strike.
Corset
Object type: corset
Date: 1840 – 1849
Materials: cotton
Culture: american or european
Jongens/ey siet dees Vryasie aan / van Crelis en Maertje van Ossaan
Object type: popular print
Date: 1738 – 1767
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: courting
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Blad met 16 voorstellingen van de vrijage van de arme Krelis en Maartje van Oostzaan. Onder elke afbeelding een tweeregelig vers.
Fragmenten handvat van een lamp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: handle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Handkerchief
Object type: handkerchief
Date: 1850 – 1860
Materials: cotton
Culture: french
Quodlibet with Goldfinch
Object type: print
Date: 1767 – 1800
Materials: paper, watercolor
Techniques: brush, etching, hand coloring
Location: germany
Artist: christian gottlob winterschmidt
Artist nationality: german
Artist dates: 1755 – 1809

This illusionistic, hand-colored German etching presents several of the most popular and ephemeral printmaking products—genre pictures, maps, playing cards, religious texts, and wall calendars—tacked to a wall with paste or daubs of wax. Prints mounted in this manner were used for decorating, devotion, entertainment, or study, and the practice is depicted in fifteenth- and sixteenth-century paintings of the interiors of taverns and private homes. Renaissance viewers even used them on ceilings, furniture, or more portable supports such as boards, boxes, and fabric. This late-eighteenth-century work suggests that the practice continued long after.
Putto
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: drawing, stumping
Location: italy
Artist: lodovico carracci
Artist nationality: italian
Artist dates: 1555 – 1619
The Wheel, plate fourteen from The Large Miseries of War
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: gerrit lucasz van schagen
Artist role: print maker, publisher
Artist nationality: dutch
Artist dates: 1642 – 1690