deem-data/ArtiFact huggingface dataset:
Portret van een staande man met zijn hand rustend op een boek
Object type: carte de visite
Date: 1864 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Artist: louis désiré dupont
Artist role: fotograaf
Artist dates: 1825 – 1878
Subjects: standing figure, historical persons, book
Inscriptions: inscription: ‘PHOTOGRAPHIE INSTANTANÉE/ Mr & Me DUPONT/ PHOTOGRAPHES/ 67, Rue Neuve 67./ BRUXELLES/ Atelier de pose au premier./ Les Clichés étant toujours indéfiniment/ on peut toujours se procurer de nouvelles/ épreuves de Cartes & Portraits sans reposer’
Gezichten op Parijs
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: etching
Location: paris
Subjects: city-view in general; 'veduta', triumphal arch, paris
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie met 60 platen van monumenten, kathedralen en paleizen in Parijs.
Verloren zoon als varkenshoeder met varkens bij trog
Object type: print
Date: 1611 – 1632
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: pig, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., the parable of the prodigal son (luke 15:11-32)

Prent maakt deel uit van een serie van veertien prenten.
Vase fragment
Object type: vase fragment
Date: 670 – 330
Materials: terracotta
Culture: roman

Fragment of a green glazed vase.
Koor, Byzantijns kruis, hoofdaltaar en retabel van de basiliek van San Marco in Venetië
Object type: photograph
Date: 1860 – 1881
Materials: photographic support
Techniques: albumen print
Location: venice
Artist: carlo ponti
Artist role: fotograaf
Artist dates: 1820 – 1893
Subjects: parts of church interior
Inscriptions: check stamp: ‘Carlo Ponti Venezia’

Onderdeel van Topografisch album van Venetië 1881.
Landaulet #869
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Bearded Man in a Velvet Cap with a Jewelled Clasp
Object type: print
Date: 1637 – 1637
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: signature and date: ‘Rembrandt f 1637’, mark: Lugt 2228

The attire of these men leaves no doubt that they were intended as tronies. They wear berets, one of which is decorated with a cloak clasp, or a Polish fur cap (kutchma). In the print with the fur cap, the clasp simply adorns the man’s chest. The faces are sometimes so specifically rendered that they strike one as being portraits.
Twee mannen en een zittende vrouw in een heuvellandschap
Object type: sketchbook leaf
Date: 1874 – 1874
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: low hill country (+ landscape with figures, staffage)

Blad 3 recto uit een schetsboek met 47 bladen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, arm, drapery, and unidentified object
Kostuumprenten met figuren uit Rome en omgeving
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: etching
Location: rome
Artist: bartolomeo pinelli
Artist role: draughtsman, print maker, sculptor
Artist dates: 1781 – 1835
Subjects: city-view, and landscape with man-made constructions, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., head-gear: hat, folk costume, regional costume
Inscriptions: date

Deze prent maakt deel uit van een serie van 50 prenten. De serie bestaat uit kostuumprenten en voorstellingen van bandieten.
Portret van Jacob Cats
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: jacob cats (1577-1660), historical persons
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59. Prent volgens Ver Huell ook gebruikt in: Portraiten van eenige der vermaardste staatsmannen en zeehelden, als toevoeging op: Willem Tiberius Hattinga, Atlas van Zeeland. Amsterdam: Isaak Tirion, 1760.
Headdress
Object type: headdress
Date: 1840 – 1850
Materials: silk
Culture: american
Servet met Christus en de Samaritaanse vrouw
Object type: napkin
Date: 1650 – 1650
Materials: linen
Techniques: damask
Location: haarlem
Artist: quirijn jansz. damast
Artist role: mayor
Artist dates: 1580 – 1638
Subjects: christ and the woman of samaria: sitting at jacob's well he asks her for a drink from her jug

Servet van linnendamast met Christus en de Samaritaanse vrouw bij de put. Middenveld: het symmetrische patroon vertoont van onder naar boven twee taferelen: 1 Christus en de Samaritaanse vrouw bij de put, waarboven een katrol. Een vogeltje boven het hoofd van de vrouw. 2 Twee discipelen komen met een mand met brood uit een stad, waarvan de poort geopend is. Onder deze voorstelling de tekst IOAN IIII. Staande randen: een enkele slingerrand waartussen vogels en bloemen. Het servet heeft geen liggende randen.
Schaduwbeelden
Object type: print
Date: 1875 – 1903
Materials: paper
Techniques: letterpress printing, lithograph
Location: haarlem
Subjects: sevilla, the hague, gijsbert karel graaf van hogendorp, paris, cologne, amsterdam, joost van den vondel, cow, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 8 schaduwbeelden van onder andere portretten van historische figuren, koeien en Turkse soldaten. Genummerd rechtsboven: No. 72.
Le Nord contemporain
Object type: magazine
Date: 1882 – 1882
Materials: linen, paper
Techniques: decorated paper, printing, woodburytype
Artist: Anonymous
Inscriptions: date: ‘apr 1999’
Bedouin, A Sheik's Daughter, from Types of Nationalities (N240) issued by Kinney Bros.
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women

Trade cards from the "Types of Nationalities" series (N240), issued in 1890 to promote Kinney Tobacco Company. Each card is meant to be folded into thirds. Unfolded the card displays a figure from a particular nationality. Folded, the same figure is portrayed smoking a Kinney Brothers Cigarette.
Amusements of Kabuki Actors of the “Third Floor” [Dressing Room], by Shikitei Sanba 俳優三階興
Object type: illustrated book
Date: 1801 – 1801
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa toyokuni i 歌川豊国一世
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Subjects: men,flowers,leaves,actors
Portret van Tommaso Stigliani
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: engraving
Location: italy
Artist: ottavio mario leoni
Artist role: draughtsman, print maker
Artist dates: 1578 – 1630
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Ontwerp voor een boekband met bloemmotief
Object type: design
Date: 1874 – 1945
Materials: charcoal, paper, pencil
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: book-cover, binding, flowers ~ ornament
Piece
Object type: piece
Date: 1601 – 1700
Materials: silk
Techniques: compound weave
Culture: china or japan
Subjects: dragons
Three Water Carriers at the Shore
Object type: print
Date: 1743 – 1812
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Subjects: women
Studies en annotaties
Object type: sketchbook leaf
Date: 1903 – 1903
Materials: pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘Het huis ten dijke/ Pieterburen [...]/ Stichtsche Glas[...]/ Utrecht/ Kromme Nieuwe Gracht/ Utrecht/ Lenoble &’

Pagina 4 uit een schetsboek met 32 bladen.
Road Leading to a Stable and a Barn, from Master of the Small Landscape Series
Object type: print
Date: 1560 – 1560
Materials: paper
Techniques: engraving
Location: netherlands
Artist: johannes van doetecum and lucas van doetecum
Artist nationality: netherlandish
Artist dates: 1528 – 1605
Brief aan Johannes Tiberius Bodel Nijenhuis
Object type: letter
Date: 1825 – 1825
Materials: ink, paper
Techniques: pen, writing
Location: utrecht
Artist: jan willem van musschenbroek
Artist role: griffier, schrijver
Artist dates: 1802 – 1878
Subjects: amsterdam, leiden, publisher, johannes tiberius bodel nijenhuis, physicist, drawing, the graphic arts, anonymous historical person portrayed, diseases, art collecting
Inscriptions: watermark, seal
Palermo Monreale. De Cathedraal
Object type: photograph
Date: 1893 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: palermo
Artist: giuseppe incorpora
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: monreale

Het interieur van de domkerk in Monreale.
Oorlogsschade in Zeeland
Object type: album leaf
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: riding, cycling (recreation), father with son(s) (father-love), outing, pleasure trip, bicycle, devastated, ruined place or city (~ warfare), middelburg
Inscriptions: inscription

Albumblad met vier foto's van oorlogsverwoestingen in Zuid-Beveland en Middelburg en van het stadhuis van Goes. Onder de foto's uitgeknipte papiertjes met getypte opschriften. Onderdeel van het eerste fotoalbum met foto's van de twee fietstochten van vader en zoon door Nederland in september 1939 en juli 1940 en een autotrip met het gezin door Nederland, België en Luxemburg in juni 1949.
Christus en de heilige Catharina van Siena
Object type: print
Date: 1588 – 1588
Materials: paper
Techniques: engraving
Location: italy
Subjects: the virgin and dominican tertiary, catherine of siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata, adult christ together with apostles, evangelists, saints, etc.
Inscriptions: collector's mark: Lugt 240

De heilige Catharina van Siena knielt voor Christus. Christus legt een hand op haar schouder. Op de voorgrond liggen een lelietak en een boek.
Portret van Adelaide Detchon
Object type: page
Date: 1882 – 1892
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: portrait of actor, actress, female singer
Inscriptions: inscription: ‘57 & 61, Elbury Street, London.’
Gezicht in vogelvlucht op het Sint-Geertruidenklooster te Amsterdam
Object type: print
Date: 1729 – 1729
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: abbey, monastery, convent ~ roman catholic church

Prent verschenen in: Long, Isaak Le. Historische beschryvinge van de Reformatie der stadt Amsterdam. Amsterdam: Johannes van Septeren, 1729.
Portret van Amadeus I, koning van Spanje
Object type: print
Date: 1870 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons, ruler, sovereign
Limestone statue of a man holding a mask in the form of a bull's head
Object type: statue of a man
Date: 350 – 301
Materials: limestone
Culture: cypriot
Subjects: masks,men,bulls

From the Late Bronze Age onward bull's heads played a role in certain religious rituals on Cyprus. Actual skulls with openings at the back to be worn as masks, terracotta bull's heads, and figures wearing bull's heads as masks have been found on the island, suggesting that some deity was worshiped in this manner. This statue probably represents a priest holding such a mask, which he would have worn during some solemn rite, perhaps for a god associated with fertility.
Study of a Standing Female Saint
Object type: drawing
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Artist: peter paul rubens
Artist role: artist
Artist nationality: flemish
Artist dates: 1577 – 1640
Subjects: women,saints
Armchair
Object type: armchair
Date: 1855 – 1855
Materials: leather, velvet, wood
Culture: american
Location: united states
Artist: gustave herter
Artist role: maker
Artist nationality: german (stuttgart, principality of württemberg)
Artist dates: 1830 – 1898

This stately armchair is thought to have come from Belvoir, a Gothic villa built in the 1850s in Yonkers, New York, for the tobacco merchant Christian H. Lilienthal. It likely was used in the library, a room for which the Gothic style was favored. A period photograph of the library records furniture identified as the work of Gustave Herter, suggesting the German-born craftsman may have created this chair. The pierced-trefoil back, pointed arches, and crockets borrow directly from Gothic architecture. During this period of profound industrial and cultural change, designers and consumers looked to historical styles such as the Gothic to inform new aesthetic sensibilities. Christian H. Lilienthal was newly wealthy and of Jewish descent. Belvoir, with its impressive castellated exterior and lavish Gothic interior, could be seen as an attempt by the family to gain acceptance to the elite echelons of New York society, using a style favored by its members. Gustave Herter was one of the most highly regarded New York City cabinetmakers from the 1860s to 1880s, and his work certainly would have helped Lilienthal make a statement about his wealth and social standing.
Overstroomd landschap, nr. 21
Object type: print
Date: 1827 – 1857
Materials: paper
Techniques: etching, intaglio, roulette
Location: amsterdam
Artist: jacobus sörensen
Artist role: painter, print maker
Artist dates: 1812 – 1857
Subjects: the flood and destruction of mankind ~ story of noah (genesis 7:10 - 8:17), river
Inscriptions: collector's mark: Lugt 2228

Overstroomd rivierenlandschap met ontwortelde bomen. Mannen met kruiwagens lopen in de richting van een gat in de dijk. Op de achtergrond een dorpje en een kerk. Genummerd '21'.
Beker met oor, het lichaam cilindrisch met verticale ribbels
Object type: miniature
Date: 1675 – 1699
Materials: glass
Location: haarlem
Artist: Anonymous

Beker van helder kleurloos glas, cilindrische van vorm, verticaal geribd, met verbrede naar binnen gestoken bodem, en aangezet oor eindigend in krul.
Nieuwe curieuse snaaken en aardige pourtraitten
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Subjects: types in 'commedia dell'arte', human types
Inscriptions: collector's mark: Lugt 2760

Blad met 20 medaillons met portretten van populaire figuren, onder wie Tetjeroen, Aesopus en Hans Ulrich. Onder elke afbeelding een tweeregelig vers, boven elke afbeelding de naam van de geportretteerde. Genummerd rechtsboven: No. 250.
Ex libris van Martin Flersheim
Object type: bookplate
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: germany
Artist: hans thoma
Artist role: painter, print maker
Artist dates: 1839 – 1924
Subjects: sailing-ship, sailing-boat, sitting figure - aa - female human figure, book, temple, shrine ~ greek religion
Study of the Crescent Moon in "The Ship"
Object type: drawing and watercolor
Date: 1875 – 1875
Materials: gouache, watercolor, paper
Location: england
Artist: william holman hunt
Artist role: artist
Artist nationality: english
Artist dates: 1827 – 1910
Javaanse krijger
Object type: drawing
Date: 1779 – 1785
Materials: paper, pencil
Location: batavia
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: asiatic races and peoples (indonesians), the soldier; the soldier's life, java

Javaanse krijger met zwaard, schild, en kris op de rug. Op de achtergrond geweerschutters.
Apostelen delen brood uit aan de menigte, boven op een berg zit Christus
Object type: print
Date: 1706 – 1706
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: christ and apostles distribute bread and fish among the multitude
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Schabaalje, Jean Philipsz. De vermeerderde lust-hof des gemoeds. Amsterdam: Jan Rieuwertsz. (II) en Barent Visscher, 1706, p. 361.
Portret van een familie in een tuin
Object type: photograph
Date: 1900 – 1920
Materials: cardboard, paper, photographic support
Techniques: daylight paper print
Artist: Anonymous
Subjects: three generations (family group)
Misty Landscape
Object type: hanging scroll
Date: 1801 – 1833
Materials: ink, paper
Culture: japanese
Artist: kano school
Artist role: artist
Artist nationality: japanese
Artist dates: 1476 – 1559
Subjects: landscapes
Isabel Wachenheimer drie maanden oud met haar moeder Else Wachenheimer-Moos, een onbekende verpleegster en twee onbekende mensen, september 1928
Object type: photograph
Date: 1909 – 1928
Materials: paper, photographic support
Techniques: gelatin silver print
Subjects: else wachenheimer-moos, leiden, isabel wachenheimer-elon, family life at home, mother and baby or young child, infant, baby
Inscriptions: inscription: ‘Ende September//mit Schur's in Garten’

Albumblad met twee foto's. Foto links, Isabel Wachenheimer; foto rechts, onbekende man (links), onbekende vrouw (2e van links), onbekende verpleegster (midden), Isabel Wachenheimer (2e van rechts), Else Wachenheimer-Moos (1e van rechts). Onderdeel van het fotoalbum met foto's van Isabel Wachenheimer als kind (1928-1931).
Westindische tabak, II
Object type: print
Date: 1882 – 1882
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: nederlandse antillen, curaçao

Politieke spotprent waarin de Minister van Koloniën een pijp met West-Indische tabak rookt. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 4, 1882.
Fabel van de sater en de boer
Object type: drawing
Date: 1694 – 1766
Materials: paper
Techniques: brush, pen
Artist: matthijs balen (1684-1766)
Artist role: draughtsman, painter, print maker
Artist dates: 1684 – 1766
Subjects: the satyr and the peasants; according to aesop: the satyrs and the peasant (meal, blowing to cool food, etc.)
Design for a Door Frame
Object type: print
Date: 1565 – 1570
Techniques: etching
Artist: jacques androuet du cerceau
Artist role: artist
Artist nationality: french
Artist dates: 1510 – 1585
Iconographie de l'Institut Royal de France
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228a
Paille de blé (coupe horizontale, gross +- 2000 fois)
Object type: micro opname
Date: 1851 – 1853
Materials: cardboard, paper
Techniques: salted paper print
Location: france
Artist: auguste adolphe bertsch
Artist role: fotograaf
Artist dates: 1813 – 1871
Subjects: agricultural products and by-products: straw, france
Inscriptions: number: ‘33’
Hidden silhouette of George Washington near his tomb at Mount Vernon
Object type: print
Date: 1801 – 1900
Techniques: lithograph
Artist: anonymous, american, 19th century
Artist role: artist
Subjects: tombs,george washington
Paste paper with brown design
Object type: print
Date: 1701 – 1800
Materials: paper, paste
Artist: Anonymous
Artist role: artist
Small Bird on a Crepe Myrtle Branch
Object type: hanging scroll
Date: 1850 – 1859
Materials: ink, silk
Culture: japanese
Artist: tsubaki chinzan
Artist role: artist
Artist nationality: japanese
Artist dates: 1801 – 1854
Subjects: birds,trees

At a time when the ukiyo-e tradition was emphasizing scenes of contemporary life in the urban world, nanga or "southern pictures," inspired by Chinese painting of the Ming and Qing dynasties, offered a retreat into the unhurried world of nature and art. Tsubaki Chinzan shows us a formal yet abbreviated landscape, where just two softly rendered boughs of the myrtle tree open their delicate foliage to embrace the rising moon, partially obscured by clouds. The evening mood invites contemplation and quietude, in an intimate moment shared with a tiny bird who is nestled securely among the spring foliage.
Earring with discs and pyramids
Object type: earring with disc and pyramid
Date: 7000 – 330
Materials: gold
Serie 6: Nederlandse Gebeurtenissen, 1571-1576
Object type: album leaf
Date: 1574 – 1578
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: siege, position war, haarlem

Kaart van de stad Haarlem en het omringend gebied met de legerplaatsen van de belegerende Spaanse troepen van Don Frederik. Boven schepen van Alva en de prins van Oranje op het water van het Haarlemmermeer. Het beleg ving aan op 11 december 1572. Met onderschrift van 16 regels in het Duits. Linksonder genummerd: 85. De prent maakt deel uit van een album.
Portret van Filips van Marnix, heer van Sint-Aldegonde
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: brussels, politician, filips van marnix van sint-aldegonde
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
Pot
Object type: vase, tall
Date: 664 – 332
Materials: pottery
Location: egypt
Dress
Object type: dress
Date: 1860 – 1869
Materials: silk, wool
Culture: american
Ex libris van Bartos Gyula
Object type: bookplate
Date: 1934 – 1934
Materials: paper
Techniques: linocut
Location: hungary
Artist: lászló bartos
Artist role: print maker
Artist dates: 1902 – 1943
Subjects: william shakespeare, theatre, theatrical performance
F. Duret
Object type: print
Date: 1851 – 1907
Materials: paper
Techniques: drypoint, engraving, etching
Location: paris
Subjects: paris, sculptor, françois-joseph duret, portrait, self-portrait of sculptor, historical persons
Inscriptions: collector's mark: Lugt 2228