deem-data/ArtiFact huggingface dataset:
Candlestick
Object type: candlestick
Date: 1800 – 1815
Materials: silver
Culture: american
Location: united states
Artist: isaac hutton
Artist role: maker
Artist nationality: american
Artist dates: 1766 – 1855
Gezicht op Holyrood en Linlithgow Palace
Object type: album leaf
Date: 1875 – 1885
Materials: photographic support
Techniques: albumen print
Location: edinburgh
Artist: Anonymous
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), abbey, monastery, convent ~ roman catholic church, palace
Inscriptions: number: ‘289, J.V.’
Pierre de Moucheron (1508-67), his Wife Isabeau de Gerbier, their eighteen Children, their Son-in-Law Allard de la Dale and their first Grandchild
Object type: painting
Date: 1563 – 1563
Materials: oil, panel
Location: antwerp
Artist: Anonymous
Subjects: spinet, virginal, historical persons - bb - woman, family group, especially parents with their child(ren), historical persons, laid table: table-ware, table-decoration, etc.
Inscriptions: inscription: ‘Etatis Sue 55 1563 / Etatis sue 45’, inscription: ‘Omnia dat Dominus non habet ergo minus’, date: ‘1563’

The De Moucheron Family. Antwerp school, 1563. Pierre de Moucheron (1508-1567) and his wife Isabeau de Gerbier are surrounded by their children and grandchildren. Beside Pierre: his son-in-law and sons - oldest to youngest. The daughters are standing beside their mother, also oldest to youngest. Their ages are written above their heads. Pierre de Moucheron and his equally enterprising sons were active at the start of the Dutch Golden Age. Pierre founded a dynasty of Protestant merchants and ship owners. He ran a trading company in Antwerp. When the city fell to Spain in 1585, the firm moved to Middelburg. The towns of Zeeland and Holland profited immensely from the influx of wealthy refugees from the Southern Netherlands.
Miniature daybed (part of a set)
Object type: daybed
Date: 1690 – 1691
Materials: silver
Artist: george manjoy
Artist role: maker
Artist nationality: british
Artist dates: 1685 – 1685
Subjects: beds
The Fashion Magazine as Temptress
Object type: fashion print
Date: 1905 – 1905
Materials: paper
Techniques: lithograph
Location: paris
Artist: Anonymous
Subjects: dress, gown: day dress (+ women's clothes), dress, gown (robe de ville) (+ women's clothes), coat: overcoat (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), muff (+ women's clothes)
Inscriptions: title (false): ‘La Mode du Petit Journal: supplement, Nr. 43. - Dimanche 22 Octobre 1905’, caption (): ‘1. Vetement haute nouveauté. - 2. Toilette de ville’

The first fashion magazines were sold only by subscription. They have nondescript covers, with neither text nor image. This changed at the end of the 19th century when the publications came to be displayed in stands and shops. Publishers went to great lengths to entice potential buyers by means of attractive covers.
Speld uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pin
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Tools and instruments, sewing and sailmaking, pin; fragm of shaft with bow, id. NG 1980-27H844.
Loading a junk
Object type: photograph
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: shanghai
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Inscriptions: title: ‘Loading a junk’

Het inladen en bevoorraden van een jonk in de haven van Shanghai. Onderdeel van het fotoalbum van Dolph Kessler met opnamen die hij maakte tijdens zijn verblijf in Engeland en op een wereldreis die hij als secretaris van Henri Deterding (directeur Koninklijke Olie) ondernam naar Nederlands-Indië, Japan, China en de Verenigde Staten, tussen 1906 en 1908.
Graeciae pars septentrionalis
Object type: map
Date: 1721 – 1774
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 1641a, collector's mark: Lugt 2228
Bell
Object type: bell
Date: 500 – 300
Materials: bronze
Culture: thai
Kaart van Nederlands Oostindische bezittingen
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: daniël veelwaard (ii)
Artist role: print maker
Artist dates: 1796 – 1868
Subjects: maps of separate countries or regions, dutch east indies, the
Inscriptions: date
Goat
Object type: netsuke
Date: 1867 – 1900
Materials: glass, ivory
Culture: japanese
Subjects: goats
Proposal for Raising by 15 feet, Alumni Hall, Yale College, New Haven (elevation of facade)
Object type: drawing ornament architecture
Date: 1881 – 1881
Materials: graphite, ink
Techniques: pen, wash
Artist: alexander jackson davis
Artist role: artist
Artist nationality: american
Artist dates: 1803 – 1892
Subjects: buildings
Annie Somerville, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Javaanse vlinders
Object type: drawing
Materials: paper, pencil, watercolor
Techniques: brush
Location: jakarta
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: insects: butterfly, indonesia

Kleurtekening van zeven Javaanse vlinders en motachtigen. Op ware grootte. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 1 (1808), p. 145.
Buste van Psyche
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: etching
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: psyche
Inscriptions: collector's mark: Lugt 2228, annotation: ‘1er état tiré à 3 exempl’
Brayette
Object type: brayette
Date: 1501 – 1600
Materials: steel
Culture: german
Location: germany

From about the third century B.C. through the early fourteenth century A.D., mail, also called chain mail, was the predominant and most effective type of body armor known in Europe. From about the mid-fifteenth century onward, mail was used in conjunction with full plate armor to fill the gaps between plates. Separate mail sleeves were made to be worn with a cuirass (breastplate and backplate); shaped panels of mail called gussets, covered the armpits or the crooks of the elbows and were attached to arming jackets, garments specially tailored to be worn under armor; and mail breeches, called brayettes or pairs of paunces, could be worn by men fighting on foot.
Fabel van de spin en de zwaluw
Object type: book illustration
Date: 1665 – 1665
Materials: paper
Techniques: etching
Location: london
Subjects: song-birds: swallow, fables, spiders
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Ogilby, John. The Fables of Aesop Paraphras'd in Verse: Adorn'd with Sculpture and Illustrated with Annotations. Londen: John Ogilby, 1665 en 1668.
Het Koninglijke Pavilloen Welgeleegen, gebouwd door den Heere Hope - in den Jaare 1786, bij Haarlem / Le Pavillon Royale Welgeleegen - bati par le Sieur Hope - l'An 1786 - prês de Haarlem
Object type: print
Date: 1824 – 1830
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: netherlands
Subjects: haarlem
Inscriptions: inscription: ‘Het Koninglijke Pavilloen Welgeleegen, gebouwd door den Heere Hope - in den Jaare 1786, bij Haarlem / Le Pavillon Royale Welgeleegen - bati par le Sieur Hope - l'An 1786 - prês de Haarlem / chez E: Maaskamp à Amsterdam’

Gezicht op Paviljoen Welgelegen aan de rand van de Haarlemmerhout te Haarlem, ca. 1825. Gebouwd voor de Amerikaanse bankier Henry Hope in 1789. Onderdeel van een plaatwerk uit ca. 1824-1825 met 74 (ongenummerde) platen van de belangrijkste topografische gezichten en verschillende zeden en gewoonten in het Verenigd Koninkrijk der Nederlanden.
Private, Louisville Legion, Kentucky, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: soldiers,firearms,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Fotoreproductie van een schilderij van een gezelschap in een landschap door Jan Wijnants en Johannes Lingelbach
Object type: page
Date: 1864 – 1874
Materials: paper
Techniques: albumen print
Artist: julius hahn
Artist role: fotograaf
Subjects: picture, painting, landscapes (+ landscape with figures, staffage)
Box
Object type: box
Date: 618 – 907
Materials: earthenware, glaze
Culture: chinese
Deities Chakrasamvara and Vajravarahi in Ritual Embrace (Yab-Yum)
Object type: sculpture
Date: 1501 – 1600
Materials: bronze
Location: nepal
Isabel Wachenheimer in gestreepte jurk voor huizenrij, april-mei 1935
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon

Isabel Wachenheimer in gestreepte jruk voor huizenrij.
Textile sample
Object type: textile sample
Date: 1900 – 1900
Materials: silk
Artist: Anonymous
Artist role: designer
Subjects: roses
Fibula, boat-shaped type
Object type: fibula, boat shaped type
Date: 800 – 701
Materials: bronze
Culture: italic

The bow is hollow and open on the underside. Its outer surface is decorated with incised lines.
Een serie van tien prenten voor de Honchôren
Object type: surimono
Date: 1822 – 1822
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: plants and herbs: peony, actor (on the stage)
Inscriptions: collector's mark, passe-partout, bottom left, printed: JABdH with a rooster., collector's mark, verso, stamped: Lugt 2228

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Terracotta rim fragment of a kylix: eye-cup (drinking cup)?
Object type: kylix fragment
Date: 530 – 510
Materials: terracotta
Culture: greek, attic
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: links "La Musique" door Elias Robert en rechts "Les Beaux-Arts" door Henri-Charles Maniglier
Object type: photograph
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘34 en 22’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 2.
Dwarsdoorsnede van het Palazzo Carrega-Cataldi te Genua
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: hôtel, i.e. small palace in city - aa - civic architecture: inside, section ~ architectural design or model

Deze prent maakt deel uit van een album.
Hoofd van een fronsende man
Object type: print
Date: 1820 – 1830
Materials: paper
Techniques: lithograph
Location: paris
Subjects: frowned eyebrows, adult man (+ sideview, profile)
Inscriptions: collector's mark: Lugt 2166
Pilaster
Object type: pilaster
Date: 1601 – 1700
Materials: marble, wood
Techniques: carving, gilding, painting
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Exterior, head, neck, and shoulder of a wreathed male to right
Gallerie des Modes et Costumes Français, 1778, J 53 : Bourgeoise élégant (...)
Object type: fashion print
Date: 1778 – 1778
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (+ women's clothes), walking-stick, staff, cane (+ women's clothes), head-gear (bonnet) (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), skirt (+ women's clothes), fan (+ women's clothes), dress, gown: robe à la polonaise
Inscriptions: caption: ‘Bourgeoise élégante se promenant à la Campagne, vétue en Polonoise du matin avec un Bonnet d'un nouveau goût.’, address: ‘A Paris chez Esnauts et Rapilly rue St. Jacques, à la Ville de Coutances. A.P.D.R.’

Een elegante burgervrouw, wandelend op het platteland. Zij draagt een 'robe à la Polonaise' voor de ochtend, waarover een mantelet van tafzijde met capuchon. Op het hoog opgekamde kapsel een 'Bonnet à l'Ameriquaine' ('volgens de nieuwste smaak') . Waaier in de rechter-, wandelstok met linten in de linkerhand. Verdere accessoires: armbanden, ring, chatelaine en schoenen met hakken en rozetten. Prent uit serie J. 9e Cahier des Costumes Français, 3e Suite d'Habillemens à la mode, Gallerie des Modes et Costumes Français.
Fibula
Object type: fibula
Date: 900 – 701
Materials: bronze
Culture: italic, villanovan
Design for Vis-à-vis, no. 380
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Crib
Object type: crib
Date: 1840 – 1847
Materials: wood
Techniques: veneering
Culture: american
Artist: d. phyfe & son
Artist role: maker
Artist nationality: american
Artist dates: 1840 – 1847
Bomen
Object type: photograph
Date: 1880 – 1930
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: trees
Marmeren buste van een vrouw
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: engraving, etching
Artist: ernest haets
Artist role: print maker
Subjects: chest, bust - aa - female human figure
Inscriptions: annotation: ‘premiere épreuve d'etat’, collector's mark: Lugt 2228

Sterfdatum prentmaker onbekend. Derhalve zijn voor bepaling van de rechten van dit object de vervaardigings- en verwervingsdatum aangehouden.
Een evangeliserende geestelijke te paard
Object type: print
Date: 1683 – 1733
Materials: paper
Techniques: engraving, etching
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: preaching (in general)
Inscriptions: collector's mark: Lugt 2228, number: ‘3.’

Landschap met een geestelijke te paard, omringd door toehoorders. Hij predikt het evangelie en de mensen knielen voor hem in aanbidding.
The prompter, from 'News of the day,' published in Le Charivari, February 7, 1870
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,reading,crowd
Den hollandse Boer over de 25ste penning
Object type: poem
Date: 1775 – 1800
Materials: ink, paper
Techniques: writing
Artist: Anonymous

Op blauw-achtig papier geschreven gedicht van acht regels: "Wat Bliksem.......Ex Tempore". Schimpdicht op de 25ste Penning en het Huis van Oranje.
Vechtende mannen
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: woodcut
Location: japan
Artist: utagawa kunitsuna
Artist role: print maker
Artist dates: 1805 – 1868
Subjects: hacking and thrusting weapons: sword (+ during the battle)

Twee samoerai, vechtend met zwaarden; links- en rechtsboven pijnboomtakken.
Eerste scène: Florence
Object type: print
Date: 1637 – 1637
Materials: paper
Techniques: etching
Location: italy
Subjects: set, scenery ~ stage, stage costume, the ballet, ballet performance, backdrop, actor (on the stage)
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks prenten met scènes uit het liberetto 'Le Nozze degli Dei Favola...' door Giovanni Carlo Coppola, ter ere van het huwelijk van Ferdinando II de' Medici en Vittoria della Rovere op 8 juli 1637.
Pair of Bottles
Object type: glass
Date: 1801 – 1900
Materials: glass, metal
Location: united states
Piece
Object type: piece
Date: 1601 – 1800
Materials: silk
Techniques: brocade
Culture: japanese
Gezichten op Emmerik aan de Rijn, 1736
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: etching
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 240

Twee gezichten op de Duitse stad Emmerik, gelegen aan de Rijn. Op de voorgrond landerijen met vee en boeren. Twee voorstellingen van één plaat.
Portret van Christiaan Anthonie Ver Huell
Object type: drawing
Date: 1850 – 1859
Materials: paper, pencil
Artist: alexander ver huell
Artist role: draughtsman, print maker
Artist dates: 1822 – 1897
Subjects: historical persons
Portrait of Martha Washington
Object type: silhouette
Date: 1798 – 1798
Materials: linen
Techniques: cutting
Artist: eleanor parke custis
Artist role: artist
Artist nationality: american
Subjects: portraits,profiles,women

Eleanor Custis, known as "Nelly," was the granddaughter of Martha Washington and adopted stepdaughter of George Washington (Nelly Custis’s paternal grandfather was Daniel Parke Custis, Martha Washington’s first husband). Custis grew up at Mount Vernon, George and Martha Washington’s estate, then moved with the family in 1789 to the seat of government in New York following the election that made her step-grandfather the first president of the United States. A year later, the family moved to Philadelphia, where they would remain until Washington’s retirement from office in 1797. The art courses that Custis took while living in New York and Philadelphia likely included silhouette-cutting instruction, priming her to render this hollow-cut silhouette portrait of her grandmother, in which the negative profile was cut from board and placed atop a black fabric support. Custis created a silhouette portrait of George Washington that is also in The Met's collection (see accession number 79.6).
Fragment of Ewer
Object type: fragment
Date: 701 – 1300
Materials: earthenware
Techniques: glazing
Location: iran
Study
Object type: print
Date: 1878 – 1878
Materials: ink, paper
Techniques: lithograph, scraping
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Don Luigi's Baggage Seized by Four Lazzaroni
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men
Peasant costume fragment
Object type: costume fragment
Date: 1701 – 1900
Materials: linen, wool
Huizen aan het water bij Kortenhoef
Object type: drawing
Date: 1889 – 1889
Materials: chalk, paper
Artist: johannes gijsbert vogel
Artist role: draughtsman, painter, print maker
Artist dates: 1828 – 1915
Subjects: prospect of village, silhouette of village, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: date and inscription: ‘Kortenhoef 89’, collector's mark: Lugt 1181b
Servet van linnendamast met een kantpatroon
Object type: napkin
Date: 1725 – 1730
Materials: linen
Techniques: damask, weave
Location: northern netherlands

Wit linnendamasten servet met z.g. kantpatroon, merk kroon IAVG 16.
Pitcher
Object type: pitcher
Date: 1879 – 1882
Materials: earthenware
Artist: christopher dresser
Artist role: maker
Artist nationality: british, scottish
Artist dates: 1834 – 1904
Portret van twee meisjes
Object type: carte de visite
Date: 1892 – 1892
Materials: cardboard, photographic support
Techniques: albumen print
Location: unknown
Inscriptions: name: ‘BATAVIA / KOENE & CO / AMSTERDAM / ALKMAAR.’, name: ‘Koene & Co’, date: ‘1892’
Courtesan watching her maids roll a snowball
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: woodcut
Location: japan
Artist: shiba kôkan
Artist role: print maker
Artist dates: 1747 – 1818
Handschrift betreffende de familie De Hooghe
Object type: manuscript
Materials: ink, paper
Techniques: pen, writing
Artist: Anonymous
Subjects: haarlem, painter, print maker, draughtsman, goldsmith, romeyn de hooghe, painting (including book-illumination, miniature-painting), ghent, amsterdam
Inscriptions: collector's mark: Lugt 2233, watermark
Gezicht op het Pesthuis (Buitengasthuis) bij Amsterdam
Object type: print
Date: 1663 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: public welfare, hospital, prospect of city, town panorama, silhouette of city, amsterdam
Inscriptions: collector's mark: Lugt 195

Huidige staat van prent ook gebruikt in: Dapper, Olfert. Historische beschryving der stadt Amsterdam: waer in de voornaemste geschiedenissen (na een kort verhael van gansch Hollant en d'omleggende dorpen (…). Amsterdam: Jacob van Meurs, 1663.* En in: Zesen, Philipp von. Beschreibung der Stadt Amsterdam: darinnen von derselben ersten Ursprunge bis auf gegenwärtigen Zustand (…). Amsterdam: Joachim Nosche, 1664.

* In sommige exemplaren van deze uitgave komt de huidige staat van de prent voor. In andere exemplaren is een latere staat ingebonden, waarop boven de Nederlandse een Franse titel is toegevoegd.
Panpipes
Object type: panpipe
Date: 1801 – 1900
Culture: bolivian
Location: bolivia
Oude Schans en de Montelbaanstoren in Amsterdam
Object type: print
Date: 1909 – 1909
Materials: paper
Techniques: etching, intaglio
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: city-view, and landscape with man-made constructions, tower, clock tower ~ monumental adornment, canals, waters (in city)
Inscriptions: watermark

Verschenen als frontispice in de catalogus Etsen en aquarellen W. Witsen, uitgegeven ter gelegenheid van een tentoonstelling bij Van Wisselingh in maart-april 1909.
Double Capital
Object type: capital
Date: 1267 – 1333
Materials: marble
Culture: french
Location: france
Subjects: leaves