deem-data/ArtiFact huggingface dataset:
Bonnet
Object type: bonnet
Date: 1812 – 1812
Materials: cotton
Culture: american
The Last Supper, from Das Plenarium
Object type: print
Date: 1517 – 1517
Techniques: hand coloring, woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: apostles,jesus,last supper
Achtergevel van de Santa Maria Maggiore te Rome
Object type: photograph
Date: 1880 – 1895
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: florence
Subjects: church (exterior), rome
Inscriptions: number: ‘7.’
Veue et Perspective de la Porte Nostre Dame de Nancy
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Artist: israël silvestre
Artist role: draughtsman, print maker, publisher
Artist dates: 1621 – 1691
Subjects: city-view, and landscape with man-made constructions, city-gate
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van dertien prenten.
Schön Neues Modelbuch (Page 26 recto)
Object type: book print ornament architecture
Date: 1597 – 1597
Techniques: etching
Artist: johann sibmacher
Artist role: designer
Artist nationality: german
Artist dates: 1590 – 1611
Subjects: ornament

Designed by Johann Sibmacher, German, active 1590-1611, published by Caimox, Nürmberg. Illustrated title signed CM and Jo. Sibmacher, 7 pages of text surrounded by decorative borders, and 35 pages of designs for weaving, embroidery, and cut-linen.
Adam en Eva bij boom van kennis van goed en kwaad in paradijs tijdens zondeval
Object type: print
Date: 1504 – 1536
Materials: paper
Techniques: engraving
Subjects: temptation and fall (scenes with both adam and eve)
Inscriptions: collector's mark: Lugt 240

Kopie in spiegelbeeld naar houtsnede van Albrecht Dürer.
Lood van de ruit van gebrandschilderd glas met de buste van een manspersoon in biddende houding
Object type: light window
Date: 1400 – 1450
Materials: lead
Location: southern netherlands
Artist: Anonymous
Hoofd van een man met een kuif
Object type: sketchbook leaf
Date: 1916 – 1916
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: head (human), lock of hair

Tevens studies van de hoofden van een man en jongen. Blad 37 recto uit een schetsboek met 72 bladen.
Portretten van Willem V van Oranje en Wilhelmina van Pruisen
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: the hague, william v (prince of orange), berlin, painter, draughtsman, wilhelmina of prussia (princess of orange), historical persons - bb - woman, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: Lugt 240

Deze prent is ook gebruikt als titelpagina voor een tekst van Formey getiteld 'Bouquet de Maximes'. Ter ere van het huwelijk van Willem V en Wilhelmina van Pruisen in 1767 gaf de Berlijnse boekhandelaar E. de Bourdeaux deze tekst uit in een almanak die een hanger gedragen kon worden.
Groet uit de Bilt
Object type: ansichtkaart, prentbriefkaart
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: velsen
Subjects: canals, waters (in village), restaurant
Naakte man, met de rechterhand op een stenen blok leunend
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the (nude) human figure; 'corpo humano' (ripa) (+ standing)
Inscriptions: stamp: Lugt 10, collector's mark: Lugt 2228
Begrafenis van aartshertog Albrecht, 1622
Object type: print
Date: 1623 – 1623
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: cornelis galle (i)
Artist role: print maker
Artist dates: 1576 – 1650
Subjects: brussels, albrecht aartshertog van oostenrijk, litter, coffin rest, cortege, funeral procession

De doodskist gedragen onder een baldakijn in de begrafenisstoet. Rechts een lijst van de dragers in het Frans 1-26. Plaat LV in de serie van de begrafenis van aartshertog Albrecht van Oostenrijk te Brussel op 12 maart 1622.
Oude grafplaats van Rachel, volgens Nicolai. de Sepuler. Hebr. / Graf van Rachel, zo als men het hedendaags ziet. Volgens de Bruin en andere Reizigers
Object type: book illustration
Date: 1727 – 1727
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: historical grave forms, female persons from the old testament (not in biblical context), grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Het algemeen groot historisch, oordeelkundig, chronologisch, geografisch, en letterlyk naam- en woord-boek, van den gantschen H. Bijbel. Dienende tot de gedenk-stukken der Jooden en andere oudheden, ter opheldering der H. Schrift . Nu in't Nederduitsch overgezet, merkelyk vermeerdert, en met aanmerkingen verrykt, door Mattheus Gargon.' and it's additons: 'Byvogzel tot het algemeen groot . Naam- en woord-boek . En nu in zuiver Nederduitsch overgezet, merkelyk vermeerdert, en metv aanmerkingen verrykt, door Jakob van Ostade en Arn. Henr. Westerhovius.', by Augustines Calmet, published in Leiden, Amsterdam, by Samuel Luchtmans, R. & J. Wetstein en Smith 1725-1731. Deel II (1727), p. 218/219. De prenten in dit werk zijn vervaardigd door: A. de Putter, F. van Bleyswyk, M. Pool, Ph. van Gunst, e.a.
Mahakala
Object type: figure
Date: 800 – 900
Materials: stone
Location: central java
Artist: Anonymous

The second guard at a Shiva temple is Mahakala, who stands on Shiva’s left side. His demonic characteristics – wild hair, bulging eyes and open mouth, a fat body and curled-up toes – make him the opposite of the graceful Nandishvara. It is likely that his left hand once rested on a club. His index finger points downwards, towards worshippers entering the temple.
Death of Adonis
Object type: print
Date: 1540 – 1556
Techniques: etching
Artist: léon davent
Artist role: artist
Artist nationality: french
Artist dates: 1540 – 1556
Subjects: animals,spears,adonis,death
Portret van Jacob Dirksz. de Graeff
Object type: print
Date: 1749 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: mayor, historical persons
Inscriptions: collector's mark: Lugt 2228

Latere staat van deze prent is oorspronkelijk bedoeld als aanvulling op Jan Wagenaars ‘Vaderlandsche historie’* en was zo vanaf 1796 verkrijgbaar bij Johannes Allart te Amsterdam.

Voor de advertentie waarin Allart de 60 portretten en 7 platen, allen gegraveerd door Houbraken, ter aanvulling op Wagenaars ‘Vaderlandsche historie’ aanbiedt, zie RP-P-OB-77.766.

*Van dit werk zijn in de achttiende eeuw meerdere uitgaves verschenen, zoals:

Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden (…). 21 delen. Amsterdam: Isaak Tirion, 1749-1759.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: weduwe Isaak Tirion, 1770.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam, Leiden, Dordrecht en Harlingen: P. Schouten e.a., 1782.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: Johannes Allart, 1790-1796.
Medal Commemorating  the Marriage of James III and Princess Clementina, 1719
Object type: medal
Date: 1719 – 1719
Materials: bronze
Culture: british
Location: england
Artist: ottone hamerani
Artist role: artist
Artist dates: 1694 – 1768
Subjects: men,profiles,women
Trofee met zuil, toorts en pijlenkoker
Object type: print
Date: 1700 – 1800
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: ornaments ~ art
Inscriptions: collector's mark: Lugt 2228
Pair of gloves
Object type: glove
Date: 1626 – 1650
Materials: lace, leather, textile

In 1629, a Venetian ambassador sent a shopping list to his colleague who was stationed in England, requesting "three dozen of their white summer gloves, without any embroidery, as plain as possible, but cut and pointed, and above all let them be white and thin." These gloves, though white, relatively plain, and perforated at the palms—presumably for summer months—would not have pleased the ambassador with their still-lush details in silk on satin. Silver stems, dazzling with spangles, connect needlepoint leaves that have been individually outlined in pink. Yet they, like the above request, reveal how gloves—however luxurious—were purchased and owned in multiples, swapped in and out according to season, taste, and occasion. -Sarah Bochicchio, 2020
Portret van Johann Heinrich Posewitz
Object type: print
Date: 1661 – 1699
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2233

Met drieregelig onderschrift in het Latijn.
Paar oorhangers van zilver
Object type: ear ornament
Date: 1750 – 1850
Materials: silver
Artist: Anonymous

Een paar zilveren oorhangers. Versierd met 3 kleine steentjes waaraan 3 grotere stenen in een zetting hangen. Eén hanger heeft een losse steen.
Conversation Piece
Object type: painting
Date: 1851 – 1852
Materials: canvas, oil
Culture: american
Artist: lilly martin spencer
Artist role: artist
Artist nationality: american
Artist dates: 1822 – 1902
Subjects: interiors,infants,fathers,mothers,dolls

Born in England, Spencer immigrated to the United States in 1830. She began her career in Cincinnati, painting portraits and literary subjects, but after moving to New York in 1848, she struggled to find patrons for these works and soon turned her attention to painting scenes of domestic life. Working in a male-dominated art world, Spencer carved out space for herself by focusing on depictions of familial bliss, often drawing on her own experiences as a wife and mother. She also used her husband and children as models, including in this work, which is set in her family’s well-appointed parlor.
Portret van Karl Theodor von Dalberg
Object type: print
Date: 1810 – 1817
Materials: paper
Techniques: stippling
Location: germany
Artist: Anonymous
Subjects: priest, karl theodor von dalberg, archbishop, bishop, etc. (roman catholic), historical persons
The Forge
Object type: print
Date: 1861 – 1861
Materials: ink, paper
Techniques: drypoint, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men
Upper part of a statuette of the Mother of the Apis
Object type: bust, mother of the apis, headdress
Date: 664 – 200
Materials: faience
Location: egypt
Subjects: isis

The Apis bull was associated with the god Osiris and with Ptah, and with royal mythology. Isis, the wife of Osiris, was also mother of his son Horus who became the living king when Osiris became the dead king, symbolizing the chain of Osiris and Horus manifestations of the Egyptian king. In the Apis mythology, Isis was identified with the Mother of Apis. At Saqqara where the living Apis bull was regally housed and cared for, the cow who was his mother was likewise well tended. The Mother of Apis is usually identified by her long cow horns, which differ from that of Apis. Those are missing here, but may have been made in another material as part of a crown with two long feathers and inserted in the top of her uraeus modius. She nurses a child who would be the young Apis/Horus.
Vase
Object type: vase
Date: 1701 – 1733
Materials: glaze, porcelain
Culture: chinese
Section (Interior Elevation) of a Columbarium
Object type: drawing
Date: 1710 – 1727
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: pietro paolo coccetti (cocchetti)
Artist role: artist
Artist nationality: italian
Artist dates: 1710 – 1727
Subjects: architecture
Portret van keizer Leopold I
Object type: print
Date: 1674 – 1674
Materials: paper
Techniques: engraving
Artist: adriaen van bloemen
Artist role: draughtsman, painter
Artist dates: 1639 – 
Subjects: leopold i (keizer van duitsland), crown (symbol of sovereignty), armour, historical persons, weapons, banner, standard (as symbol of the state, etc.)
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Gualdo Priorato, Galeazzo. Historia di Leopoldo Cesare. 3 dln. Wenen: Johann Baptist Hacque, 1670-1674, dl. 3 [1674].
Portret van Hélène Fourment
Object type: print
Date: 1867 – 1874
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: historical persons - bb - woman, head-gear: hat (+ women's clothes), pearl; pearl necklace
Portret van Hanegreef
Object type: drawing
Date: 1808 – 1862
Materials: chalk, paper
Artist: henry scheffer
Artist role: draughtsman
Artist dates: 1798 – 1862
Subjects: historical persons
Bels priesters in de tempel
Object type: print
Date: 1720 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the priests of bel, with their wives and children, enter the temple through a hidden corridor and feast on the food during the night
Inscriptions: inscription: ‘Utrechts fundatie huijs’, collector's mark: Lugt 2228

De priesters van Bel eten het aan de god Bel geofferde voedsel. Ze komen en gaan door een geheime gang onder de tafel. Terwijl ze heimelijk het voedsel nemen, blijven hun voetstappen achter in de door Daniël op de grond gestrooide as. Onderaan in de marge een verwijzing naar de Bijbeltekst en de titel in het Grieks, Engels, Latijn, Duits, Frans en Nederlands.
Saucer-dish with horses in a landscape
Object type: dish
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark: ‘大 明 成 化 年 製’

Schaal van porselein met ronde wand, beschilderd in onderglazuur blauw. Op het plat vier paarden in een landschap met rotsen en een boom; de achterzijde met vier galopperende paarden in een landschap met rotsen en een boom. Gemerkt op de onderzijde met het zes-karaktermerk van keizer Chenghua in een dubbele cirkel. Blauw-wit.
Miniatuurportet van een onbekende jonge vrouw
Object type: photograph
Date: 1851 – 1870
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: anonymous historical person portrayed - bb - woman
Ronde buidel van okergele shantungzijde, waaromheen een vierkant vlak van geborduurde groen-grijze geruwde wol versierd met tijgeroog kralen
Object type: purse
Date: 1910 – 1920
Materials: silk, gemstone, wool
Techniques: embroidered, turning, weave
Location: netherlands
Artist: Anonymous
Inscriptions: circumscription: ‘'no 23', tasch. / draaqmotief / nog verder opgevoerd'’, name: ‘'Van Reesema', 'Nierstrasz' en 'NVDW'’, circumscription: ‘'Namaak verboden. Beschermd door de auteurswet'.’

Ronde buidel van okergele shantungzijde, waaromheen een vierkant vlak met uitwaaierende punten van geborduurde groen-grijze geruwde wol, gevoerd met okergele zijde. De vier punten zijn aan de bovenrand van de buidel vastgezet, met aan ieder uiteinde een tijgeroog kraal. De wol is versierd met kleine regelmatig verspreide punten en een geborduurde rand in goudgele en bruine vloszijde. In het midden een vierpuntige ster, waarbinnen een geborduurde cirkel in groen en bruin en een halfronde glazen kraal. Aan de punten van de ster een machinaal geborduurde lijn van ronde bruine dan wel langgerekte goudgele stippen, die uitkomt in de punten van het wollen vlak. Langs de rand van de tas een strook van gehaakte cirkels waar een dubbel goudgeel gedraaid koord doorheen geregen is, waarmee de tas gesloten kan worden. De tas is ongevoerd.
Drie staande mannen
Object type: print
Date: 1668 – 1671
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: mark (marcus) the evangelist, and bishop of alexandria; possible attributes: book, (winged) lion, pen and inkhorn, scroll
Inscriptions: collector's mark: Lugt 2228

afkomstig uit: Paradigmata graphices variorum artificum : voor-beelden der teken-konst van verscheyde meesters, Hagae-Comitis, (2e of latere editie)
Veduta e prospetto del palazzo nel giardino
Object type: print
Date: 1653 – 1691
Materials: paper
Techniques: etching
Location: rome
Subjects: garden, palace, ornamental fountain, tivoli

Genummerd rechtsonder: 4. De prent maakt deel uit van een album.
The Ill-Assorted Couple
Object type: print
Date: 1496 – 1496
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528

The intersection of commerce with the seamy side of love inspired this secular Dürer engraving. The title refers to the difference in age between two would-be lovers, here seated outside in an intentionally isolated spot. In this popular Renaissance genre, lascivious elderly men attempt to grope beautiful courtesans who hold out for a second purse or steal the rest of their conquest’s belongings. Alternately, toothless crones stroke young men who hope to inherit everything on becoming widowers. Love is on offer to the highest bidder in a mercenary transaction that is anything but courtly.
Hanging Lamp with a Hand Holding a Cross
Object type: chandelier
Materials: copper alloy
Culture: byzantine
Subjects: hands,cross

The flowerlike terminals of the lamp arms held glass vessels full of oil. The hand was probably an offering for a cure as suggested by the large Greek inscription on the cross, “Christ help [me],” and by the inclusion of healing saints. “Saints Kosmas and Damianos be praised” is inscribed over the twin medical saints whose medical kits are at the base. The other figures are Saint Stephen at the center, flanked by Saints Paul (left) and Peter (right), with the Virgin and Child enthroned above.
Gezicht op het Piazza del Popolo te Rome
Object type: photograph
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: obelisk, needle, church (exterior), village square, place
Inscriptions: number: ‘289.’

Aan de achterzijde van het plein zijn de Santa Maria dei Miracoli en de Santa Maria in Montesanto te zien.
Portret van Nicolas Bertin
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: engraving, etching
Subjects: paris, painter, nicolas bertin, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240
Hexagonal Tile
Object type: tile
Date: 1401 – 1500
Materials: stonepaste
Techniques: painting, underglaze
Location: egypt
Subjects: birds

The design of this tile was strongly influenced by Chinese models, in both composition and color. The Egyptian taste for blue-and-white botanical designs was filtered through Iranian versions from the Ilkhanid period (1256–1353). It is known that Iranian artists moved westward at the beginning of the fifteenth century.
Gezicht op de kloostergangen van Mont Saint-Michel
Object type: album leaf
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: abbey, monastery, convent ~ roman catholic church, cloisters ~ monastery
Inscriptions: negative number: ‘197’

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.
Schoorsteenval met het familiewapen Spiegel (fragment)
Object type: schoorsteenfries
Date: 1624 – 1644
Materials: linen, silk, wool
Techniques: tapestry

Mantelpiece drape with the Spiegel arms. Tapestry. Wool and silk. Netherlands, ca. 1610 - 1640.
Voorwerpen van huiden of voorwerpen bekleed met huid en twee zadelmakers
Object type: print
Date: 1870 – 1880
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: leather industry, manufacture of leather, saddle
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en verkeer, Beroep en bedrijf, Mannelijk, Bewerkers van het leder.
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: clouds
Cylinder seal and modern impression: hero grasping two antelopes by their hind legs
Object type: cylinder seal
Date: 1300 – 1201
Materials: stone
Culture: assyrian
Location: iran, luristan
Subjects: animals,men

Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography. The modern impression of the seal is shown so that the entire design can be seen. This seal shows a male figure grasping two long-horned animals, each suspended by one rear leg. He wears a short belted garment and a helmet surmounted by a lobe-like projection. In the field are an eight-pointed star and a crescent moon. In three weeks of excavation at Surkh Dum, Erich Schmidt and the Holmes Expedition to Luristan uncovered a circular mud-brick structure with a platform in the center, perhaps a sanctuary or shrine. The building contained a wealth of objects of bronze, ivory, bone, faience, and ceramic, as well as about two hundred cylinder and stamp seals, most dating from the ninth to the eighth century B.C. Some of the objects, however, were heirlooms of considerably earlier date. In spite of its brevity, the excavation at Surkh Dum is important for having uncovered objects from a settlement site rather than from one of the cemeteries more commonly found in Luristan.
De Dodendans
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: etching
Subjects: personifications of death; 'morte' (ripa), dance of death; death together with one or more human beings
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2228

Prent uit: Meyer, Rudolph. Sterbenspiegel, das ist sonnenklare Vorstellung menschlicher Nichtigkeit durch alle Ständ und Geschlechter (...). Zürich: J.J. Bodmer, 1650.
S-Shaped Brooch
Object type: brooch
Date: 601 – 700
Materials: copper alloy, gemstone
Culture: frankish
Vijfentwitigjarig jubileum van Victor de Stuers als referendaris voor kunsten en wetenschappen 1875-1900
Object type: history medal
Date: 1900 – 1900
Materials: bronze
Techniques: striking
Location: utrecht
Artist: ludwig jünger
Artist role: medailleur
Artist dates: 1857 – 1908

Bronzen penning, op de voorzijde het borstbeeld van De Stuers met omschrift, op de keerzijde een gehelmd wapenschild met windhonden als dragers op loofwerk, met omschrift.
Matrona Spagnuola
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Portret van twee meisjes
Object type: carte de visite
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: historical persons - bb - woman, girl (child between toddler and youth) (+ two persons)
Clara Pilvois
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: andré-adolphe-eugène disdéri
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1889
Romeinse ruïnes en kustlandschappen (serie 1)
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior), rome
Inscriptions: collector's mark: Lugt 2228

Links de kerk Trinità dei Monti in Rome. Daarnaast andere gebouwen en geboomte. Prent maakt deel uit van een serie Romeinse ruïnes en kustlandschappen naar een prentserie van Willem van Nieulandt.