deem-data/ArtiFact huggingface dataset:
Gezicht op De Nederlandsche Bank aan de Oude Turfmarkt 127-129  te Amsterdam
Object type: sketchbook leaf
Date: 1900 – 1900
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: civic architecture; edifices; dwellings

Pagina 83 en pagina 84 uit een schetsboek met 46 bladen.
Young America Making His Mark
Object type: print
Date: 1840 – 1849
Techniques: lithograph
Artist: anonymous, american, 19th century
Artist role: artist
Artist nationality: american
Artist dates: 1800 – 1900
Subjects: boys,men
Dr. Syntax and the Superannuated Fox Hunters
Object type: drawing
Date: 1820 – 1820
Materials: graphite, paper
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,dogs
Turtle amulet
Object type: amulet, turtle
Date: 2150 – 1950
Materials: bone, ivory
Location: egypt
Gezicht op een woning aan een weg in Nederlands-Indië
Object type: photograph
Date: 1920 – 1930
Materials: paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: klaas kleiterp (i)
Artist role: arts, officier
Artist dates: 1892 – 1943
Subjects: rural housing, e.g. country-house, villa, cottage, dutch east indies, the

Onderdeel van Fotoalbum van de familie Kleiterp-Vermeulen met opnames van Nederlands-Indië.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Exterior, rim fragment with volute from handle ornament
Papyrus fragments from the Book of the Dead of the Scribe Roy
Object type: papyrus, funerary, book of the dead, scribe roy
Materials: ink, papyrus
Location: egypt
Subjects: hieroglyphs

These fragments come from a Book of Coming Forth by Day, commonly known as a Book of the Dead, dedicated to a scribe named Roy. This official lived during the late 18th or early 19th century, likely during the reign of Haremhab or later. Said to have been found with a heart scarab (21.2.19-Deaccessioned) and a double ba-bird amulet (21.2.20), the papyrus from which these fragments come would have been buried with Roy, meant magically to assist him with his journey to the afterlife and his eternal existence there as one of the blessed dead.
Ondersteuningsframe voor de crusher
Object type: photograph
Date: 1907 – 1936
Materials: photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: colonial system, machines; parts of machines; tools and appliances, factory-interior, machine shop (+ labourers ~ crafts, industries, agriculture), (non-fruit) products of plants or trees: sugarcane, java

Ondersteuningsframe voor de crusher voor een canecutterinstallatie, vervaardigd in 1936 voor de Suikerfabriek Ketanggoengan-West, ten zuidwesten van Brebes. Onderdeel van de multomap met foto's van machines van de N.V. Machinefabriek Braat te Soerabaja bestemd voor de Nederlandse suikerindustrie op Java, uit de periode 1917-1938.
Dish
Object type: platter
Date: 1700 – 1715
Materials: earthenware, glaze
Location: delft
Artist: Anonymous
Subjects: chinese (+ other cultural aspects)

Schotel van faïence. Veelkleurig beschilderd.
Man met verband om het hoofd
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Serpent-Halo
Object type: print
Date: 1890 – 1890
Materials: paper, ink, ivory
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Hollandse penning van Floris V, 1256-1296
Object type: penny
Date: 1256 – 1258
Materials: silver
Techniques: striking
Location: dordrecht
Artist: floris v (graaf van holland en zeeland)
Artist dates: 1254 – 1296

Zilveren munt. Voorzijde: hoofd met gravenmuts naar rechts. Keerzijde: lang dubbellijnig kruis.
Landschap met bomen
Object type: sketchbook leaf
Materials: paper, pencil
Artist: alexander shilling
Artist role: draughtsman, print maker
Artist dates: 1859 – 1937
Subjects: trees

Blad 61 recto uit een schetsboek met 91 bladen.
Designs for the Decoration of the Jaw and Profile of the Cock of a Firearm
Object type: drawing
Date: 1795 – 1805
Materials: ink, paper, pencil
Techniques: wash
Culture: french
Location: france
Artist: nicolas noël boutet
Artist role: designer
Artist nationality: french
Artist dates: 1761 – 1833
Subjects: ornament
Covered goblet
Object type: goblet
Date: 1788 – 1788
Materials: glass
Techniques: glassblowing, engraving
Culture: american
Location: united states
Artist: new bremen glass manufactory
Artist role: maker
Artist dates: 1784 – 1795
Subjects: coat of arms

German glassmaker John Frederick Amelung (1741/2–1798) opened a glasshouse in western Maryland in 1787, responding to America's desire for economic independence from Britain and the need to develop domestic manufactures. Within a few years, he was producing a variety of window glass, bottles, and tableware at his New Bremen factory. Some of Amelung's products feature elaborate engraved decoration in the Germanic style. This example is signed by the factory and is the earliest dated example known. Engraved with the arms of Bremen, Germany, and the inscription, "Old Bremen Success and the New Progress / New Bremen Glassmanufactory 1788 / North America State of Maryland," this goblet, or pokal, was found in Germany and may have been presented by Amelung to his German investors as a triumphant toast to his successful American glass factory.
Thesaurus sacrarum historiaru[m] veteris testame[n]ti, elega[n]tissimis imaginibus expressu[m] excelle[n]tissimoru[m] in hac arte viroru[m] opera: nu[n]c primu[m] in luce[m] editus
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the construction of the temple of solomon, male persons from the old testament (with name) (not in biblical context), david (not in biblical context); possible attributes: crown, harp, david beheads goliath with a sword, solomon (not in biblical context); possible attributes of solomon: crown, sceptre, sword, saul kills himself with a sword

De koningen Saul, met speer in de hand, David, met harp in de hand en Salomo. Op de achtergrond belangrijke gebeurtenissen uit hun leven. Links de dood van Saul: hij stort zich in zijn eigen zwaard. Achter David is te zien hoe hij Goliat onthoofdt. Salomo wijst op de bouw van de tempel. Onder de voorstelling toelichtingen in het Latijn. Deze prent maakt deel uit van een album.
A Suffolk Shrimper "Coming Ashore"
Object type: photograph
Techniques: photogravure
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Subjects: collected by hugh edwards, pictures of east anglian life, seat of war in the crimea
Duit van de VOC uit Holland, 1734
Object type: coin
Date: 1734 – 1734
Materials: copper
Techniques: striking
Location: dordrecht

Koperen munt. Voorzijde: gekroond wapenschild van Holland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
The Bell Ringer, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Bospad
Object type: sketchbook leaf
Date: 1823 – 1894
Materials: paper, pencil
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: forest path or lane

Pagina 11 recto uit een schetsboek met 37 bladen.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1801 – 1900
Materials: copper, gold alloy, gold, silver
Culture: japanese
Location: japan
Subjects: flowers
Amer Mahomed Yakoob Khan, Ruler of Afghanistan, from the Savage and Semi-Barbarous Chiefs and Rulers series (N189) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: men,profiles

Trade cards from the "Savage and Semi-Barbarous Chiefs and Rulers" series (N189), issued in an unnumbered set of 50 cards in 1888 by Wm. S. Kimball & Co.
Brief aan Cornelius Gerardus 't Hooft
Object type: letter
Date: 1903 – 1903
Materials: ink, paper
Techniques: pen, writing
Location: augsburg
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: rotterdam, george hendrik breitner, jacob willem hubert berden, pierre joseph hubert cuypers, abraham bredius, dordrecht, amsterdam, painter, draughtsman, cornelis gerardus 't hooft, sculpture, architecture, money
Inscriptions: watermark, collector's mark: ‘RPK’
The Crusaders Reach Jerusalem (from a set of Scenes from Gerusalemme Liberata)
Object type: tapestry
Materials: silk, wool
Artist: domenico paradisi
Artist role: designer
Artist nationality: italian
Artist dates: 1689 – 1721
Subjects: buildings,soldiers,horses

Commissioned by Cardinal Pietro Ottoboni, a great-nephew of Pope Alexander VIII, this was part of a massive series, heroic in scale as well as narrative, of fifteen tapestries depicting the romanticized version of the Christians’ First Crusade into Jerusalem recounted in Tasso’s sixteenth-century epic poem, Gerusalemme Liberata (Jerusalem Delivered). As the crusaders reach the city of Jerusalem, two of the Christian leaders kneel in the foreground, both in Classical armor with garments of red, blue and yellow. The younger man is presumably Godfrey of Bouillon. Other mounted men in gray armor are seen behind. Rising in the background on the right are the walls of Jerusalem.
Beker, zich naar boven toe verwijdend, met ingestoken bodem
Object type: miniature
Date: 1675 – 1699
Materials: glass

Beker van helder kleurloos glas, zich naar boven toe verwijdend, met ingestoken bodem.
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of the frieze from the top of the panel of an amphora, with a palmette-lotus chain; start of handle root
Portret van János Simor
Object type: print
Date: 1873 – 1900
Materials: paper
Techniques: lithograph
Subjects: cardinal, adult man, historical persons
Inscriptions: inscription: ‘Ungaru-Portraits-Mappe/ (2 exemplare)/ LB XXVI 3487 Simor/ X/89 RLI/ à m H,-’

János Simor (1813-1891), bisschop van Raab. Buste naar links.
Kinderportret
Object type: drawing
Date: 1877 – 1913
Materials: chalk, paper
Artist: cornelis spoor
Artist role: draughtsman
Artist dates: 1867 – 1928
Subjects: anonymous historical person portrayed alone, girl (child between toddler and youth)
Standing cup
Object type: standing cup
Date: 1700 – 1750
Materials: glass
Mitts
Object type: mitt
Date: 1850 – 1869
Materials: cotton
Culture: american
Leven van prins Willem I
Object type: print
Date: 1865 – 1875
Materials: paper
Techniques: letterpress printing, lithograph
Location: amsterdam
Subjects: philip ii of spain, delft, william i (prince of orange), charles v (holy roman emperor and king of spain)
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen over het leven van Willem I. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 51.
Matrona Suizzera
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Household Stories from the Collection of the Brothers Grimm
Object type: book
Date: 1882 – 1882
Techniques: engraving
Location: england
Artist: jacob ludwig carl grimm
Artist role: author
Artist nationality: german
Artist dates: 1785 – 1863
Subjects: cranes,sleeping,men,women,lutes,cats,dogs,flowers,allegory
An Excusable Error. Chickens thinking they have found the cage where they spent their early childhood, plate 21 from La Crinolomanie
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879

This lithograph focuses on the outlandish crinoline fashion, which lasted about a decade. Among other activities, Daumier’s exuberant crinolines destroy gardens, sweep up street trash, and catch their wearers in high winds and turnstiles. While this plate comes from the Actualités series, it has also been catalogued under the topic La crinolomanie (Crinoline Mania). This sheet and others by Daumier play on the support garment’s incongruous approximation of the human form. Daumier’s images stress that these contraptions, whether cage- or basket- like, were functionally useless.
Reclining Shepherdess with a Flock of Sheep and Goats
Object type: drawing
Date: 1700 – 1700
Materials: graphite, ink, parchment
Techniques: brush
Artist: simon van der does
Artist role: draughtsman, painter
Artist dates: 1653 – 1763
Brooch
Object type: brooch
Date: 1850 – 1850
Materials: gemstone, gold, pearl
Culture: american or european
Portret van Elisabeth Ludovika van Beieren
Object type: print
Date: 1811 – 1856
Materials: paper
Techniques: engraving, etching
Location: berlin
Artist: ludwig buchhorn
Artist role: painter, print maker
Artist dates: 1770 – 1856
Subjects: historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a closed shape
Object type: undetermined closed shape
Date: 600 – 501
Materials: terracotta
Culture: etruscan, etrusco-corinthian

Panther to left; in the background, rosettes
Landscape
Object type: hanging scroll
Date: 1701 – 1900
Materials: ink, paper
Culture: chinese
Artist: dong gao
Artist role: artist
Artist nationality: chinese
Artist dates: 1740 – 1818
Tapijtwerker
Object type: book illustration
Date: 1718 – 1718
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: cornelis van der sys
Artist role: publisher
Subjects: handicrafts, craftsman at work, tapestry weaver, gobelin maker
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Prent oorspronkelijk verschenen in de 100-delige serie beroepsprenten van Jan en Caspar Luyken, getiteld: Het menselyk bedryf. S.l.s.n., 1694 (eerste druk). Daarna is de titel en het vers afgesneden. De prenten in diverse publicaties verschenen en gekopieerd. Huidige staat uit: Luyken, Jan en Caspar. Spiegel van het menselyk bedryf (...). Amsterdam: Cornelis van der Sys, 1718, p. 167. Prent waarschijnlijk ook gebruikt in eerdere (1704) en latere (1730, 1749, 1767) publicaties.
Brief aan August Allebé
Object type: letter
Date: 1848 – 1882
Materials: ink, paper
Techniques: pen, writing
Location: leiden
Artist: alexander hugo bakker korff
Artist role: draughtsman
Artist dates: 1824 – 1882
Subjects: amsterdam, print maker, august allebé, painter, johannes hubertus leonardus de haas, education, tuition of the artist (in general), money
Hanging
Object type: hanging
Date: 1667 – 1733
Materials: canvas
Landau #1078
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Waistcoat
Object type: waistcoat
Date: 1760 – 1770
Materials: cotton, silk
Culture: french
Subjects: flowers

Waistcoats and vests of the 18th and 19th centuries served as a layer protection and ornamentation during a period in fashion when the coat was intended to be left open in the front. The color was often chosen to complement the suit and covered in imaginative embroideries, heavily woven patterns or shiny satins made to draw the eye. The style of the neck, the length and the hem treatment fluctuated as the tastes changed from over-sized coats of the early 18th century to narrow tightly fitted coats of the late 18th century and onward. The embroidery on this vest is particularly attractive, from the inventive floral sprigs composed of different flowers down to the dot border being reflected in the bull's-eye motif of the buttons. Overall this is a charming remnant of 18th-century men's wear.
The Little Barge, Chelsea
Object type: print
Date: 1888 – 1889
Materials: paper
Techniques: etching
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926
Handelingen van de apostelen
Object type: print
Date: 1591 – 1600
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the stoning of stephen; the witnesses lay down their clothes at saul's feet, stephen preaching (and baptizing), ananias, rebuked by peter, falls down and dies between his gifts, peter questioning sapphira, who then dies too

Twee voorstellingen op een albumblad. Links de dood van Ananias en Saffira. Vooraan ligt het lichaam van Ananias op de grond naast zijn geldbuidel. Voor hem staat Petrus, die Ananias met woorden geselde, omdat hij een deel van de opbrengst uit de verkoop van zijn bezit ten behoeve van de armen had achtergehouden, waarna Ananias stierf. Omstanders, onder wie enkele apostelen, kijken toe. Op de achtergrond ondergaat Saffira, Ananias' vrouw, hetzelfde lot. In de verte worden de lichamen weggedragen. Op de rechter voorstelling preekt Stefanus. Hij draagt een dalmatiek en wordt omringd door verontwaardigde toehoorders. In de verte wordt hij gestenigd. Onder beide voorstellingen een tweeregelig onderschrift in het Latijn. De prenten maken deel uit van een album.
Design for Cast-iron Grate with Green Metal Surround
Object type: drawing
Date: 1814 – 1814
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: benjamin dean wyatt
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1850
Subjects: ornament
Reeskonter tusschen 2 Armiaen en 3 Calviniste over het punt van haer edele heere de witten ende prins gesinte tot amsterdem
Object type: cartoon
Date: 1756 – 1759
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: dordrecht, cornelis de witt, the hague, politician, johan de witt, william iii (prince of orange and king of england, scotland, and ireland), animals (+ animals mating), quarrel, argument, fighting, amsterdam
Inscriptions: collector's mark: Lugt 2228

Spotprent op de strijd tussen arminianen en calvinisten over de geboeders De Witt en de prinsgezinden te Amsterdam, waarschijnlijk ca. 1758. Arminianen en calvinisten gaan rond een tafel in een tuin met elkaar op de vuist, reden zijn de afwijkende meningen over de strijd tussen de gebroeders De Witt en de prins in 1672. Links wordt een toekijkende geit gedekt door een stier. Onder de prent een vers in 3 kolommen.
Covered cup with Chinese figures and inscriptions in panels
Object type: covered cup
Date: 1800 – 1899
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark: ‘大 清 道 光 年 製’

Deksel van kop van porselein met een getrapte wand, beschilderd op het glazuur in blauw, rood, roze, groen, geel, zwart en goud. De deksel met dezelfde soort decoratie als de kop, met andere cartouches en personen. De deksel gemerkt met het zegelmerk van keizer Daoguang (?). Famille rose.
Diana and Acteon
Object type: drawing
Date: 1778 – 1778
Materials: chalk, charcoal, paper
Techniques: heightening, stumping
Artist: françois andré vincent
Artist role: artist
Artist nationality: french
Artist dates: 1746 – 1816
Subjects: men,diana,dogs,trees
Weg van "Ma retraite" naar de stad
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

De weg van de plantage Ma Retraite naar Paramaribo. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
42e Cahier
Object type: print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: foliage ~ ornament, other architectural details (console), ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Zij- en vooraanzicht van een console met bladmotieven en een guirlande. Daaronder een tablet met eierlijst en guirlande. Prentnummer 248.
The Actor Nakamura Tomijuro I as Lady Hangaku (Hangaku Gozen) in the Play Wada-gassen Onna Maizuru, Performed at the Nakamura Theater in the Seventh Month, 1777
Object type: print
Date: 1777 – 1777
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Uithangbord met patriottische voorstelling
Object type: uithangteken, uithangbord
Date: 1796 – 1796
Materials: paint, wood
Techniques: gilding, polychromy, carving
Location: netherlands
Subjects: low countries, batavian republic
Inscriptions: inscription: ‘SUPER FINE FINE’, inscription: ‘VREY.HEYD / BLEY.HEYD /GELEYK.HEYD / BROEDERSCAP / GE.MAKT.DWVR’

Houten gepolychromeerd vierkant plankje met voorstellingen en opschriften in plat reliëf. Onder opschrift vrijheid, blijheid etc. Voorstelling v.l.n.r. hond, man met driekleur naast vrijheidsboom, de Hollandse maagd met staf en hoed, leeuw met zwaard en pijlenbundel en meer.