deem-data/ArtiFact huggingface dataset:
Aanbidding der herders
Object type: print
Date: 1604 – 1607
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: collector's mark: Lugt 240
Cat with image of Bastet on breast
Object type: figurine, cat
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: cats

Bastet was a powerful goddess of Lower Egypt, one who was protective and could bring about great prosperity. In zoomorphic form, she was represented as a cat and cats were considered sacred to her. As a cat, she is poised and alert, on guard against external forces. Like cat-headed Bastet statuettes, these seated cat statuettes often have special adornments. This figure has inset eyes for the addition of inlay and also wears an amulet on its chest. Cat statuettes were among some of the most common zoomorphic dedications of the Late and Ptolemaic Periods. Small statuettes would have been dedicated as offerings to temples or deposited in catacombs alongside cat mummies, as at the extensive catacombs at Bubastis and Saqqara. This example is somewhat large and hollow, and though it is now empty, it may once have held the remains of a small cat mummy.
Sculptuur van Minerva Pacifera in de Vaticaanse Musea, Italië
Object type: photograph
Date: 1863 – 1887
Materials: cardboard, paper
Techniques: albumen print
Location: vatican city
Artist: michèle mang
Artist role: fotograaf
Artist dates: 1840 – 1909
Subjects: (story of) minerva (pallas, athena), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘43.’
A Reconstruction of the Colosseum in Cross-Section
Object type: drawing
Date: 1704 – 1704
Materials: chalk, ink
Techniques: brush, incising, pen, wash
Location: italy
Artist: jan goeree
Artist role: artist
Artist nationality: dutch
Artist dates: 1670 – 1731
Subjects: buildings,men,portraits
Boterpot met deksel van faience met blauwe bloemen
Object type: lid
Date: 1750 – 1780
Materials: faience
Location: delft
Artist: Anonymous
Inscriptions: inscription: ‘F[..]/ 18 Dec 80/ f 1,50’

Boterpot met deksel van faience. Blauw beschilderd met bloemen.
The Presentation in the Temple
Object type: painting, icon
Date: 1400 – 1499
Materials: gold leaf, paint, wood
Artist: byzantine painter
Artist role: artist
Artist nationality: byzantine
Subjects: temples,women,christ,virgin mary,saints

The Hypapante is one of the Great Feasts of the Orthodox church. According to the Gospel of Luke (2:22–38), when Joseph (far left) and the Virgin (center) presented Christ in the temple for the rite of purification forty days after his birth, his divinity was immediately recognized by Simeon (right) and the prophetess Anna (left).
Portret van John Stol op de fiets
Object type: photograph
Date: 1900 – 1900
Materials: paper, cardboard, glass, metal, wood
Techniques: gelatin silver print
Artist: Anonymous
Subjects: bicycle racing, historical persons, bicycle
Inscriptions: inscription: ‘+/- 1900/ JOHN STOL’

Portret van de Nederlandse baanwielrenner John Stol.
Carlo Alberto/ Re di Sardegna
Object type: print
Materials: paper
Techniques: lithograph
Location: turin
Artist: b. brovetto
Artist role: print maker
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
Door Hinge
Object type: door hinge
Date: 1401 – 1500
Materials: iron
Culture: german
Dom Garcie de Navarre
Object type: print
Date: 1738 – 1738
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: (moliere) specific works of literature (with author, title), (lovers) kissing each other
Inscriptions: collector's mark: Lugt 2228

Een paar verwikkeld in een innige omhelzing kust elkaar. Vanachter een gordijn bespiedt een man hen. Scène uit het toneelstuk Dom Garcie de Navarre ou le Prince jaloux, van Molière.
Purse
Object type: purse
Date: 1820 – 1829
Materials: glass, metal, wool
Culture: german
Subjects: flowers
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic
Artist: painter of heidelberg 209
Artist role: artist

Interior, on exergue, draped youth to right, with a spear, holding a phiale in his right hand; draped woman to left, holding an oinochoe in her right hand; Obverse, part of handle palmette and tendrils; legs, feet, and himation of a youth to right; drapery and feet of a woman? to left; part of a handle palmette and tendrils; Reverse, part of a handle palmette and tendrils; calves and feet of a male to right; calves and feet of a male with a stick
Peter and John healing the cripple at the gate of the temple
Object type: print
Date: 1659 – 1659
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: healing of a lame beggar at the beautiful gate of the temple by peter and john (acts 3 - 4:31)
Inscriptions: signature and date: ‘Rembrandt f. 1659’, collector's mark: Lugt 240

De voorstelling is gebaseerd op de tekst uit Handelingen 3:4-31.
Portret van Willem Joseph baron van Gendt
Object type: photomechanical print
Date: 1920 – 1930
Materials: paper
Techniques: photoaquatint
Location: berlin
Subjects: willem joseph baron van gendt, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 4925

Onder het portret zijn wapenschild en een achtregelig vers.
Censer
Object type: censer
Date: 1201 – 1300
Materials: copper, enamel, gilt
Techniques: enamel, engraving
Culture: french
Location: france
Portret van Nicolaas van Nieuwland
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: utrecht, archbishop, bishop, etc. (roman catholic), historical persons

Prent met tekst in boekdruk op verso gebruikt in: Heussen, Hugo Franciscus. Historia episcopatuum foederati Belgii (...). Leiden: Christiaan Vermey, 1719.
The Harvest
Object type: tapestry
Date: 1712 – 1728
Materials: silk, wool
Artist: urbanus leyniers
Artist role: maker
Artist nationality: flemish
Artist dates: 1674 – 1747
Subjects: men,women,dancing,horses,carts

Depicting a group of peasants dancing while others load a wagon with hay, this piece belonged to a set of genre tapestries loosely inspired by the paintings of David Teniers the Younger (1610–1690). During the late seventeenth and early eighteenth centuries, the Brussels workshops produced large numbers of these so-called Teniers tapestries from cartoons by artists like Jan van Orley and Augustin Coppens. Featuring genre figures in idealized landscapes, they provided a lighthearted contrast to the grander history and mythology tapestries then in vogue for the staterooms of European country houses. The tapestry is signed by the brothers Daniel and Urban Leyniers, who ran a highly successful partnership with Henry Reydams in Brussels from 1712.
Seven-Panel Buddhist Monk’s Vestment (Shichijō kesa) with Peony Arabesque
Object type: robe, priest's
Date: 1701 – 1800
Materials: gold, silk
Techniques: patterning, weave
Culture: japanese

The transmission of the Buddhist master’s vestment (kesa) to the disciple represents the transmission of the dharma (teaching), especially in Zen Buddhism. The only person able to recognize that the disciple is on the way to enlightenment (or has reached it) is the master, who has already experienced it. Kesa are treasured and associated with those who wore or owned them. Small, rectangular pieces of fabric are joined together to form one kesa. Many robes have been created from cut-up religious offerings, reflecting the idea that what is worthless in the secular world translates into the sacred in the Buddhist realm.
View of Leiden
Object type: drawing
Materials: chalk, paper
Techniques: brush
Artist: aelbert cuyp
Artist role: draughtsman, painter, print maker
Artist dates: 1620 – 1691
Subjects: leiden
Blanche Querrette, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Theatrum biblicum
Object type: print
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: christ points to or writes on the ground, pharisees bring a woman accused of adultery before christ (john 8:2-11)
Inscriptions: collector's mark: Lugt 2228

In de tempel brengen farizeeën een vrouw die op overspel betrapt is bij Christus. De farizeeën vragen wat Christus vindt van de wet van Mozes waarin staat dat zulke vrouwen moeten worden gestenigd. Christus schrijft met zijn vinger op de grond: degene die zonder zonde is moet de eerste steen maar werpen. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Joh. 8:3.
Celestial Attendant
Object type: figure
Date: 967 – 1000
Materials: bronze
Culture: indian
Subjects: deities
Gezicht op de Arc de Triomphe du Carrousel met het Louvre
Object type: photograph
Date: 1890 – 1898
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: edouard hautecoer
Artist role: publisher
Artist dates: 1847 – 1904
Subjects: triumphal arch, permanent exhibition, museum
Inscriptions: inscription: ‘494. - Paris. Le Louvre et l'arc du Carrousel. Ed. H., édit’, retailer's mark: ‘E. Hautecoeur/ Estampes Photographies/ 35 Avenue de l'Opéra, 35/ Paris’
Ornament Panels with Birds: Plate 7
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: netherlands
Artist: adrian muntink
Artist nationality: dutch
Artist dates: 1597 – 1617
Elettore Ecclesiastico
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Forum Romanum te Rome
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: etching
Artist: claude lorrain
Artist role: draughtsman, print maker
Artist dates: 1604 – 1682
Subjects: landscape with ruins (+ city(-scape) with figures, staffage), square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: date

Prent maakt mogelijk deel uit van een serie van 200 prenten. Deze serie is onder de titel 'A Collection of two hundred original etchings' voor het eerst uitgegeven door J.M. Greery in 1816.
Alberta Gallatin, from the Actresses series (N190) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: lithography
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N190), issued in 1889 by Wm. S. Kimball & Co.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of draped figure with extended arm
Lago di Garda. Torbole
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard, photographic process
Location: zurich
Artist: Anonymous
Subjects: prospect of village, silhouette of village, lake, mountains
A young peasant woman and her child sitting side saddle atop a horse in center, another peasant woman to right, holding a large bag in her left arm, plate 14 from "Diversi capricci"
Object type: print
Date: 1644 – 1647
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: children,women,horses
Binnenkant van een stal
Object type: sketchbook leaf
Date: 1828 – 1894
Materials: paper, pencil, watercolor
Techniques: brush
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: barn, artist (in general) making preliminary designs, sketching

Pagina 47 verso uit een schetsboek met 54 bladen.
Morpeth North, part IV, plate 21 from "Liber Studiorum"
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: towns,men,women,horses

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a town in Northumberland. At right, scaffolding supports a man whitewashing a wall near sidewalk vendors. At left, a road crosses a stone bridge, with a ruined tower standing above lower buildings. The letter "A" in the upper margin indicates Turner's category of Architectural landscape.
Kingfisher and Lotus
Object type: hanging scroll
Materials: ink, silk
Culture: chinese
Artist: jin zhang
Artist role: artist
Artist nationality: chinese
Presentiepenning van het Metselaars-, timmerlieden- en leidekkersgilde te Groningen, voor timmerlieden, 1768
Object type: medal
Date: 1768 – 1794
Materials: brass
Techniques: engraving
Inscriptions: inscription: ‘Beerent / Geerts / 1794’

Rond messing plaatje gegraveerd op de voorzijde een passer en een winkelhaak, op de keerzijde drie regels tekst, op naam van Beerent Geerts 1794
Portret van Friedrich Heinrich Ferdinand Emil Kleist von Nollendorf
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: engraving
Location: berlin
Artist: carl schulin
Artist role: print maker
Subjects: berlin, historical persons
Inscriptions: collector's mark: Lugt 2228
Desk screen with landscape
Object type: desk screen
Date: 1767 – 1800
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: landscapes
Terracotta fragment of a pot; glazed on the inside
Object type: pot fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of the upper torso and arm of a draped figure to right
Sparrow on camellia branch
Object type: print
Date: 1847 – 1852
Techniques: woodblock print, koban
Location: japan
Artist: utagawa hiroshige ii (shigenobu)
Funerary relief
Object type: funerary relief
Date: 148 – 148
Materials: limestone, paint
Location: syria
Subjects: portraits,women

Inscription: (at right) 1 Alas! Tadmur, 2 wife of 3 Mokimu, son of 4 Nurbel, 5 the craftsman. 6 Died the 7 29th day (at left) 8 of Siwan, 9 in the year 10 459. Transliteration: 1 ḥbl tdmr 2 ʾtt 3 mqymw br 4 nwrbl 5 ʾmnʾ 6 mytt yw!m 7 20+5+4 8 bsyw!n 9 šnt 4.[100] 10 +40+10+5+2 This relief is a type of funerary monument characteristic of the prosperous caravan city of Palmyra during the first three centuries A.D. Reliefs with a representation of the deceased and a short identifying inscription were used to seal burial niches in elaborately decorated communal tombs; those with a half-length or bust format became prevalent sometime after A.D. 65. The relief depicts the upper body of a woman dressed in a draped garment who faces directly towards the viewer. Her hair is covered by a turban-like headdress, worn over a diadem that covers her forehead. Curls of hair can be seen at the temples, where it is gathered up over the diadem and under the headdress, while long, wavy locks fall to either side of her neck, reaching the shoulders. She wears a long veil over her head, covering the left arm and leaving only the hand exposed. The right forearm is bare and the hand draws a looped fold of the veil over the chest from the left side. Her expression is serene, and her gaze does not meet the viewer’s but looks far into the distance. The iris and pupil of the eye are marked by incised concentric circles, and the eyebrows are indicated by modeled ridges. Her small, thin-lipped mouth is framed by softly modeled cheeks. An inscription in Palmyrene Aramaic, visible over both shoulders, gives her name and her husband’s name, and records her date of death. The months of the Palmyrene calendar were based on the earlier Babylonian calendar, while the years were reckoned according to the Seleucid era, which began in 312 B.C.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, greaved leg of warrior holding drapery in his right hand; legs of a crouching male
Le pont des bâteaux sur le Rhin à Coblenz
Object type: stereograph
Date: 1867 – 1868
Materials: cardboard, paper
Techniques: albumen print
Location: koblenz
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: river, pontoon bridge, prospect of city, town panorama, silhouette of city
Inscriptions: inscription: ‘(Registered)’, number: ‘22’
Knielende man bij een graftombe
Object type: print
Date: 1689 – 1730
Materials: paper
Techniques: engraving, etching
Location: naples
Subjects: rome, jacopo sannazaro, adult man, historical persons, grave, tomb, kneeling figure
Inscriptions: collector's mark: Lugt 2228

Bij een graftombe in een kerk of kapel knielt een man, mogelijk Jacopo Sannazaro. Onder de voorstelling een tweeregelig onderschrift in het Nederlands en de pagina-aanduiding 295. Rechtsboven: Pag. 250.
Filosofen zoeken in het zand van de arena naar het poeder van de steen der wijzen
Object type: book illustration
Date: 1700 – 1750
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: wisdom, 'sapientia' ~ one of the seven gifts of the soul
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Bonaventure Des Perriers, Jean. Cymbalum mundi, ou Dialogues satyriques sur differens sujets. Amsterdam P. Marchand, 1711. Ook in latere edities van hetzelfde werk gebruikt.
Leven van Sint Nicolaas / Vie de Saint Nicolas
Object type: popular print
Date: 1866 – 1902
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: the bishop nicholas of myra (or bari); possible attributes: anchor, boat, three golden balls (on a book), three purses, three children in a tub, three maidens, festivities on st. nicholas (eve) (december 5)
Inscriptions: collector's mark: ‘Edw. Ipers / Oever 27, / Antwerpen.’, collector's mark: Lugt 2760

Blad met 12 voorstellingen over het leven van Sint Nicolaas. Onder elke afbeelding een vierregelig vers in het Nederlands en een tweeregelig vers in het Frans. Genummerd midden boven: N. 25.
Le château Ganne, à Saint-Clair la Pommeraye, près le pont d'ouilly (arrondissement de Falaise)
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: letterpress printing, engraving
Location: paris
Subjects: landscape with tower or castle
Inscriptions: inscription: ‘L'Illustration 26 sept. 1856’

Prent uit: L'Illustration, Journal Universel, 26 september 1856.
IIe Volume De l'Oeuvre de J. Ch. Delafosse (...)
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: torch, vase ~ ornament, grave, tomb
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een tombe met een bucranium, fakkels en een vaas op een voetstuk.
Portret van Tommaso Aldrovandini
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: painter
Balance scale
Object type: scale balance
Date: 1845 – 1855
Materials: brass, marble, steel
Culture: american
Location: united states
Artist: henry n. hooper and company
Artist role: maker
Artist nationality: american
Artist dates: 1830 – 1868
Corset
Object type: corset
Materials: leather, linen, silk, wood
Culture: french
Breiende oude vrouw
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: sitting figure (+ old female (human being)), knitting

De vrouw zit in een stoel met een tafel en een bol wol naast haar op de grond. Blad 5 recto uit een schetsboek met 16 bladen.
Magdalen Chapel
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: interiors,chapels
Portret van Georges Duhamel
Object type: print
Date: 1931 – 1966
Materials: cardboard
Techniques: lithograph
Subjects: paris, historical persons, portrait of a writer
Inscriptions: inscription: ‘Georges Duhamel./ Hôte d'Honneur/ du "Pen Club"/ [...]/ [...] Marthe Antoine Gérardin’
Head of a Male Deity (Deva)
Object type: sculpture
Materials: terracotta
Location: thailand
Zittende man met hoed en kan
Object type: album leaf
Date: 1641 – 1664
Materials: paper
Techniques: etching
Artist: cornelis pietersz. bega
Artist role: draughtsman, painter, print maker
Artist dates: 1631 – 1664
Subjects: head-gear, adult man

Prent maakt mogelijk deel uit van een serie van 200 prenten. Deze serie is onder de titel 'A Collection of two hundred original etchings' voor het eerst uitgegeven door J.M. Greery in 1816.
Onze hedendaagsche letterkundigen
Object type: book
Date: 1883 – 1887
Materials: cardboard, leather, linen, paper
Techniques: printing, woodburytype
Inscriptions: bookplate: ‘Barend van den Kieboom zijn boek’, date: ‘NOV 1994’, annotation: ‘2 dln’
Gezicht op de kathedraal van Metz en een brug over de Moezel
Object type: page
Date: 1865 – 1875
Materials: photographic support
Techniques: albumen print
Location: metz
Artist: c. holt
Artist role: fotograaf
Subjects: city-view, and landscape with man-made constructions, church (exterior), bridge in city across river, canal, etc.
Inscriptions: number: ‘[...]7’
Naar uw oordeel moet gy denken, / Kindren! in dit prentgestel, / Op het geen gy u ziet schenken, / Maar onthoud de lessen wel
Object type: print
Date: 1715 – 1813
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: reading, child, bad behaviour, good behaviour, human life divided into stages
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen over het kinderleven. Onder elke afbeelding een achtregelig vers. Genummerd rechtsboven: No. 83.
Woman and Dog
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: giovanni angelo canini
Artist nationality: italian
Artist dates: 1609 – 1666
Covered Jar
Object type: covered jar
Date: 1901 – 2000
Materials: glaze, pottery
Culture: chinese
Tumbler
Object type: tumbler
Date: 1855 – 1875
Materials: glass
Techniques: glassblowing, silvered
Woman’s robe decorated with crane medallions
Object type: robe
Date: 1801 – 1900
Materials: silk
Techniques: tapestry
Culture: chinese
Subjects: cranes

Each of the round medallions on this robe features a red-crowned crane, a symbol of longevity, carrying in its beak a lingzhi fungus, another symbol of long life. These are surrounded by a ring of bottle gourds (good fortune and professional success) and bats (good fortune). Worn on a special occasion, this robe would have virtually glowed with auspicious meaning.
Gezicht op het Oost-Indisch Zeemagazijn na de instorting
Object type: drawing
Date: 1822 – 1829
Materials: chalk, ink, paper
Techniques: brush, pen
Location: amsterdam
Artist: gerrit lamberts
Artist role: bookseller, draughtsman, print maker
Artist dates: 1776 – 1850
Subjects: large-scale structure for storage, e.g.: warehouse, depot, silo, city-view in general; 'veduta', canal, bridge in city across river, canal, etc., ruin of a dwelling, house, castle, etc.
Inscriptions: inscription: ‘N4 de Oost: Compagnie van het Zuyder huys’, signature: ‘G.Lamberts.ad.viv.’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 20.
Ex libris van J. Pinto Baratag
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: portugal
Subjects: birds, insects: beetle
Portretten van beroemde Europese geleerden
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: aalst, secretaris, cornelis grapheus
Inscriptions: collector's mark: Lugt 2228

Portret van Cornelis Grapheus, stadssecretaris van Antwerpen en humanist. Buste naar links. Genummerd C4. De prent heeft een Latijns onderschrift en maakt deel uit van een serie van beroemde Europese geleerden.