deem-data/ArtiFact huggingface dataset:
Band
Object type: band
Date: 501 – 800
Materials: linen, wool
Techniques: weave
Location: egypt
Yokohama Foreigners in the Sitting Room of a Merchant Ship
Object type: print
Materials: ink, panel, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa (gountei) sadahide
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1873
Citadel-medaille met lakzegel op lint
Object type: medal
Date: 1832 – 1832
Materials: bronze, lacquer, textile
Techniques: forging, lacquer, striking, weave
Location: netherlands
Artist: Anonymous
Subjects: strijd om de citadel van antwerpen (1832)
Inscriptions: name: ‘CITADEL VAN ANTWERPEN’, : ‘Gekroonde W’, : ‘DECEMBER 1832’

Citadel-medaille met blauw lint waarop een rood lakzegel. Het blauwe lint is van textiel waarop zich een rood lakzegel bevindt. De medaille is rond en bronskleurig met een verhoogde rand. In het midden staat de citadel van Antwerpen gegraveerd. Op de andere zijde staat een gekroonde W met daaronder de tekst DECEMBER 1832 omgeven door een laurwerkrans. De medaille zit bevestigd aan een draagoog.
Two designs for watch-cases
Object type: drawing
Date: 1765 – 1780
Materials: ink, paper
Techniques: brush, pen
Location: paris
Artist: Anonymous
Subjects: watch
Inscriptions: collector's mark: Lugt 3893

The watch-cases were intended to be executed in enamelled gold, probably set with rubies and diamonds. An enamel picture could be mounted at the centre. These are probably presentation drawings. A goldsmith or merchant would show them to prospective clients for them to choose a pattern.
Portret van Franz Liszt
Object type: print
Date: 1852 – 1889
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: willem linnig (ii)
Artist role: print maker
Artist dates: 1842 – 1890
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Design for a Sofa with Foliate Ornament
Object type: drawing
Date: 1801 – 1833
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: ornament,couches
Portrait of a Noble
Object type: album leaf
Materials: gold, ink, paper, watercolor
Location: iran
Subjects: birds,men,portraits
Brief aan Philip Zilcken
Object type: letter
Date: 1911 – 1930
Materials: ink, paper
Techniques: pen, writing
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: the hague, painter, draughtsman, philip zilcken, painting (including book-illumination, miniature-painting), workshop, studio of the artist (in general)
Inscriptions: collector's mark: ‘RPK’
Portret van Koning Willem II
Object type: print
Date: 1840 – 1876
Materials: paper
Techniques: lithograph
Location: groningen
Artist: johannes hermanus van de weijer
Artist role: print maker, printer, publisher
Artist dates: 1817 – 1889
Subjects: william ii of the netherlands, historical persons (+ (full) bust portrait), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Onder het portret het wapen van de familie Oranje Nassau.
Tempel van Apollo te Pompeï
Object type: photograph
Date: 1880 – 1895
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: florence
Subjects: ruin of a building ~ architecture, temple, shrine ~ non-christian religions, pompeii
Inscriptions: number: ‘69.’
George Cruikshank, calling card
Object type: print, calling card
Date: 1830 – 1878
Techniques: engraving
Artist: Anonymous
Artist role: artist

F. C. Schang donated 64 artists’ calling cards to The Met between 1977 and 1989. The calling cards are housed in an album that also includes Schang’s collection of stamps and other related ephemera. Calling cards derived from a custom, originating in England, in which messages were inscribed on the backs of playing cards. Cards made for the express purpose of sharing hand-written messages were manufactured beginning in the eighteenth century; by the early-nineteenth century, calling cards had become a popular means for sending well wishes, holiday greetings, condolences, and messages of courtship.
Portret van Etienne François de Choiseul in architecturale lijst
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: etienne françois de choiseul, mouldings ~ architecture, official; civil servant; functionary (in general), historical persons, diplomacy, diplomat
Inscriptions: collector's mark: Lugt 240
Amulet pendant, genii
Object type: amulet pendant, genius
Date: 332 – 330
Materials: gold
Location: egypt
Deksel van terrine, beschilderd met vlinders en insecten
Object type: lid
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht

Deksel van porselein, veelkleurig beschilderd met vlinders en insecten.
View of Nuremberg, to the east, left plate
Object type: print
Date: 1552 – 1552
Techniques: etching
Artist: hanns lautensack
Artist role: artist
Artist nationality: german
Artist dates: 1515 – 1566
Subjects: human figures,buildings,cities
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1701 – 1750
Materials: copper, iron
Culture: japanese
Location: japan
Terracotta fragment of a kylix: Cassel cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Exterior, below the rim, band of tongues, alternating with red and black; three black glazed lines; top of a palmette with a tendril
Ensemble
Object type: ensemble
Date: 1885 – 1889
Materials: silk
Culture: french
Whetstone of Baki
Object type: whetstone, baki
Date: 1504 – 1447
Materials: stone
Location: egypt
Vrouw bij het Waterpaleis te Jogyakarta
Object type: album leaf
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: jogjakarta
Artist: Anonymous
Subjects: palace

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Textile Design with Vertical Undulating Garlands of Stylized Daisies with Pearls and Leaves over a Stippled Background
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of vertical undulating garlands of stylized daisies of light tan color with offsetting scrolls of pearls and pairs of leaves made with dots of light tan color with offsetting leaves rendered with dark reddish-brown stipples over a light tan ground with stipples of dark reddish-brown color. The pearls are colored with white; the pistils of the flowers are colored alternatingly with orange and purple.
Groepsportret met Go, Dolph en Jan Kessler bij het vertrek met de trein
Object type: photograph
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Subjects: official

Groepsportret bij het vertrek met de trein. Onderdeel van het fotoalbum van Dolph Kessler met opnamen die hij maakte tijdens zijn verblijf in Engeland en op een wereldreis die hij als secretaris van Henri Deterding (directeur Koninklijke Olie) ondernam naar Nederlands-Indië, Japan, China en de Verenigde Staten, tussen 1906 en 1908. Midden op de foto, naast de trein, staat John Heijning.
Echo
Object type: painting
Date: 1874 – 1874
Materials: canvas, oil
Artist: alexandre cabanel
Artist role: artist
Artist nationality: french
Artist dates: 1823 – 1889
Subjects: female nudes,nymphs

In Greek mythology, the beautiful nymph Echo is cursed by the goddess Hera and can only repeat the last words said to her. Unable to communicate with the man she loves, Echo retreats to the mountains and pines away until just her voice remains. This painting depicts the nymph with her mouth agape and her hands at her ears as if startled by reverberating sounds. The mannered elegance and polished handling of the figure epitomize the style promoted by the influential French Académie des Beaux-Arts. Nineteenth-century critics often deemed such idealized portrayals of the nude unconvincing, but many viewers preferred them to more realistic depictions, which seemed shockingly indecorous.
Herders en ruiter bij koeien aan het water
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: engraving, etching
Subjects: cow, morning, river bank, herd, flock
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Daden en gewoontes’

Herders met kudde koeien in ochtendlandschap bij een rivier.
Schetsboek met 58 bladen
Object type: sketchbook
Date: 1879 – 1885
Materials: chalk, charcoal, leather, paper, pencil, watercolor
Techniques: brush, pen
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: landscapes, inn, coffee-house, public house, etc., historical costume
Inscriptions: collector's mark: Lugt 2228

Schetsboek bestaande uit 58 bladen met voornamelijk figuurstudies van personen in historisch kostuum en cafébezoekers en enkele landschappen.
Accurata. Delineatio. Praelii. Hochstetensis. quo. Ingenti. Gallorum. et. Batavorum. (...) / Representation Exacte de la Fameuse Bataille de Hochstet, dans laquelle les Hauts Alliez ont remporté (...) 1704. le 13. d'Aout
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching, hand coloring
Location: northern netherlands
Subjects: paris, vienna, eugenius van savoye, john churchill (1e hertog van marlborough), battle (+ land forces)

Grote voorstelling van de slag bij Höchstädt (slag bij Blenheim) met een overwinning van de Geallieerden op de Fransen, 13 augustus 1704. Op de voorgrond prins Eugenius en de hertog van Marlborough, met de duc de Tallard gevangen zittend in de koets van Marlborough. Met onderschrift in het Latijn en Frans.
Letter
Object type: hanging scroll
Date: 1820 – 1828
Materials: ink, paper
Culture: japanese
Artist: rai san’yō 頼山陽
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1832

This letter was brushed by the celebrated Confucian scholar Rai San’yō, who also established a reputation as a poet of Chinese verse, calligrapher par excellence, and Nanga painter. In 1811 he left the Hiroshima Domain, where his father had a prominent post, to become an itinerant scholar, and eventually settled in Kyoto, where he established an academy devoted to the study of Chinese classics. He also devoted himself to composing Chinese poetry and to writing the manuscript of Unofficial History of Japan (Nihon gaishi 日本外史), a revisionist history of Japan that reasserted the importance of the prerogatives or the imperial family. Throughout his career, San’yō built an extensive network of noted intellectuals, poets and painters of the day, and many collaborative inscribed paintings survive. His calligraphies, including letters such as this one, have always been cherished by collectors and widely published. This letter, addressed to San’yō’s son, Rai Itsuan 頼聿庵 (1801–1856), requests funds to cover the cost of carving woodblocks needed to publish a book of the collected writings of San’yō’s father, Rai Shunsui 頼春水 (1746–1816). Shunsui served as a Confucian scholar-official in the Hiroshima domain until his death in 1816. After Shunsui’s death, San’yō immersed himself in collating and editing his father’s poems and essays. He sought to publish them so they might be preserved for posterity. Because San’yō had left the domain, his son Itsuan succeeded to Shunsui’s position as a Confucian scholar-official in Hiroshima. The letter mentions “the cost of carving woodblocks.” Although San’yo does not specify what book he wanted to publish, the timing suggests that it was for his father’s collected writings, which were published in 1828 under the title Shunsui’s Posthumous Writings (Shunsui ikō 春水遺稿).
Collar
Object type: collar
Date: 1835 – 1835
Materials: cotton
Culture: french
Piekenier
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: troop movements, transportation, helved weapons, polearms (for striking, hacking, thrusting): pike, private soldier
Inscriptions: collector's mark: Lugt 240

Een man in militaire uitdossing (een piekenier), ten voeten uit, op de linkerzijde gezien, een zwaard aan zijn gordel, een stokwapen (piek of lans) in zijn rechterhand. Op de achtergrond een heuvelachtig landschap waarin een troep soldaten marcheert. Onder de voorstelling twee regels tekst in Latijn. Deze prent is onderdeel van een serie van 12 genummerde prenten van militairen, ten voeten uit weergegeven tegen een landschappelijke achtergrond waarin krijgshandelingen verricht worden, en met een tweeregelig Latijns onderschrift.
Dagger (Khanjar)
Object type: dagger khanjar
Date: 1701 – 1900
Materials: gold, jade, gemstone, steel
Culture: indian, deccan or mughal
Location: india
S. Zenon et Ses Compagnons (St. Zeno and His Companions), June 23rd, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Vue du Divan et du Palais du Gouverneur, à Syout
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,palaces

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Three Nude Figures
Object type: drawing and watercolor
Materials: graphite, paper
Location: united kingdom
Artist: john brown
Artist nationality: scottish
Artist dates: 1752 – 1787
Sutra Cover
Object type: textile
Materials: gold leaf, ink, paper, textile, silk
Techniques: bookbinding, interlacing, lacquer, painting, weave, satin weave
Location: china
Covered Vase
Object type: vase
Date: 1800 – 1800
Materials: porcelain
Culture: chinese
Location: china
Subjects: landscapes
Le paysan au labour
Object type: photomechanical print
Date: 1883 – 1888
Materials: cardboard, paper
Techniques: photograph
Location: brussels
Subjects: rolling ~ soil cultivation
Inscriptions: inscription: ‘Concours de négatifs. Médaille de Bronze.’
Bedrijfsterrein van distilleerderij Delizy & Doistau Fils in Pantin met paardenkarren, loods en vaten
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: pantin
Artist: Anonymous
Subjects: factory-building, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, courtyard, alcoholic drinks

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Gezicht op de ruïnes van de abdij van Clare
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: etching
Location: london
Subjects: abbey, monastery, convent ~ roman catholic church, landscape with ruins
Inscriptions: date

Prent verschenen in: Grose, Francis. The antiquities of Ireland. Londen: S. Hooper, 1795, dl. 2.
Dorpsbewoners voor een hut, Afrika
Object type: photograph
Date: 1880 – 1900
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: afrika
Section of Border from Thanka (Religious Picture)
Object type: religious ritual object
Date: 1701 – 1800
Materials: silk
Techniques: bookbinding, interlacing, patterning, weave
Culture: manchu
Location: china
J. Eager Howard
Object type: print
Materials: paper
Techniques: etching
Location: united states
Artist: Anonymous
Artist nationality: likely american
Artist dates: 1800 – 1899
Blad met banenpatroon van uitgespaarde bloemen en sierlijst
Object type: printed paper
Date: 1700 – 1850
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Blad met banenpatroon van uitgespaarde bloemen en sierlijst. Mogelijk gebruikt als omslag.
Blik rode verf met kwast
Object type: boekillustratie ontwerp
Date: 1913 – 1970
Materials: paint, paper, pencil, watercolor
Techniques: brush
Artist: hans borrebach
Artist role: draughtsman
Artist dates: 1903 – 1991
Subjects: brushes ~ implements of painter, colours, pigments, and paints, container of metal: bucket, can, canister, drum, tin
Inscriptions: annotation: ‘[...] vignet Avk’, collector's mark: Lugt 2228a

Op een open blik met rode verf ligt een kwast waar verf vanaf druipt.
Brief aan Jan Willem Pieneman, voorzitter van Arti et Amicitiae
Object type: letter
Date: 1843 – 1843
Materials: ink, paper
Techniques: pen, writing
Location: brussels
Subjects: painting (including book-illumination, miniature-painting), exhibition ~ art, the hague, amsterdam

Brief bevat geschreven kopie van het antwoord van Jan Willem Pieneman aan Adèle Kindt.
Feeding Cup
Object type: cup, feeding
Date: 1850 – 1700
Materials: faience, paint
Location: egypt
Subjects: lions,snakes,turtles
Liggend vrouwelijk naakt, leunend op een arm
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: lying figure - aa - female human figure

De andere hand ligt op haar bovenbeen. Blad 12 recto uit schetsboek XV met 22 bladen.
Omslag voor: Beesten Studien door J. Kobell naar Paul Potter
Object type: print
Materials: paper
Techniques: lithograph
Location: rotterdam
Inscriptions: date
Spotprent op het bedrog van de firma C. de Bruyn & Zonen, 1834
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: fraudulence, swindling, scales, industries ~ food, drink, stimulants, sugar
Inscriptions: collector's mark: Lugt 2228

Spotprent op het bedrog met een valse weegschaal van de firma C. de Bruyn & Zonen, 1834. De firma bezat de eerste stoomsuikerraffinaderij aan de Lijnbaansgracht in Amsterdam. Op 8 januari 1834 werden zij betrapt op het gebruik van een balans waarvan een arm was verlengd. Centraal de valse balans hangend aan de stoomwolken die uit de fabriek 'De Vijf Gebroeders' komen en waarop kisten met suiker worden gewogen. Rechts C. de Bruyn met zijn twee zoons. In de wolken een bijbelcitaat.
Standing Bodhisattva Avalokiteshvara (Guanyin)
Object type: figure
Date: 618 – 907
Materials: gilt bronze
Culture: chinese

This figure can be identified as Bodhisattva Avalokiteshvara by his iconic attribute, the water flask in his left hand and the willow branch in his right hand. The date on the pedestal is to be read when clearer images are available.
Geboortekaart (deels uitgeknipt) van een jongen geboren op 4 december 1939 te Java, zoon van de heer en mevrouw J.E. Moltzer-Van Mens
Object type: birth announcement
Materials: paper
Techniques: printing
Location: java
Artist: Anonymous
Subjects: further education (+ pupil), further education, confinement, birth, java

Onderdeel van Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel II (1930-1949).
Het ongeluk van graaf Stanislaw Potocki, 1678
Object type: print
Date: 1678 – 1678
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: jan iii sobieski (koning van polen), shipwreck, mechelen

Monument met vier scènes van het ongeluk dat de graaf Stanislaw Potocki treft op 27 juli 1678. Linksboven zeilt het schip met haar passagiers uit Mechelen, rechts ontploft het schip nabij Willebroek, linksonder probeert iedereen zich te redden, rechts de ongeschonden graaf staande te midden van gewonden en doden. Achter het monument allegorische figuren, bovenaan het wapen van Potocki. Onder de scènes opschriften in het Latijn.
Die Kettenbrücke zu Hameln
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: engraving
Location: rinteln
Subjects: bridge

Deze prent maakt deel uit van een omslag met drie prenten.
Profiel van Rotterdam
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: tone lithography
Location: amsterdam
Subjects: prospect of city, town panorama, silhouette of city, rotterdam
Inscriptions: collector's mark: Lugt 2228

De stad is vanaf de Maas gezien. In het bovenste profiel zijn de Boompjes, de Oost-Indische Compagnie, de Israël Kerk, Hotel Pays Bas, de Zuiderkerk en de Stoomboot op Londen afgebeeld. Het tweede profiel daaronder gaat door met de Lutherse Kerk, de Rooms Katholieke Kerk, de Boompjes en het Bolwerk. Beiden profielen zijn rechtsboven genummerd.
Binnenhof van het Stadhuis van Manchester
Object type: page
Date: 1877 – 1877
Materials: photographic support
Techniques: albumen print
Location: manchester
Artist: j. mcleod
Artist role: fotograaf
Subjects: townhall, courtyard
Inscriptions: title: ‘The Cooper Street Courtyard’
Portret van een onbekende man, mogelijk een jachtopziener
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: louise danse
Artist role: painter, print maker
Artist dates: 1867 – 1948
Subjects: anonymous historical person portrayed alone
Inscriptions: annotation: ‘garde chasse’, annotation: ‘1er état’, collector's mark: Lugt 2228
Een onrustige droom
Object type: print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Subjects: other movable toys, tales and fairy tales, dream
Inscriptions: collector's mark: Lugt 2760

Blad met 10 voorstellingen van kleine Frans die droomt dat zijn speelgoedpaard tot leven komt. Onder elke voorstelling een onderschrift. Genummerd linksboven: Série 1. - No. 11.
Distaff (?)
Object type: distaff
Date: 201 – 500
Materials: wood
Culture: coptic
Location: egypt
Portret van een onbekende man in militair uniform, mogelijk een lid van de familie Onnen-van den Berg
Object type: carte de visite
Date: 1885 – 1914
Materials: paper, cardboard
Techniques: collodion silver print
Artist: r. schütz
Artist role: fotograaf
Subjects: anonymous historical person portrayed
Inscriptions: inscription: ‘Photografisch Atelier/ "Helios"/ Schütz en Co.’
Bloementuin, het andere deel
Object type: page
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: arnhem
Subjects: flowers

Prent uit: Passe, Crispijn van de (II). Hortus floridus in quo rariorum & minus vulgarium florum icones ad vivam veramque formam. Arnhem: Johannes Janssonius, 1617.
Foremost in the Envious Race
Object type: drawing and watercolor
Date: 1885 – 1885
Materials: board, gouache, graphite, paint, watercolor, wood
Location: united states
Artist: will hicock low
Artist nationality: american
Artist dates: 1853 – 1932