deem-data/ArtiFact huggingface dataset:
Antieke medailles
Object type: photograph
Date: 1849 – 1859
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: medal (considered as a piece of sculpture, regardless of its specific function)
Inscriptions: number: ‘6’, name: ‘A. Cadart 3. Rue St. Fiacre Paris Editeur’
Affiche waarin Sotheby's reclame maakt voor het bieden per nummer
Object type: poster
Date: 1990 – 1990
Materials: paper
Techniques: mechanical printing
Subjects: gesture-language, art sale, auction
Inscriptions: collector's mark: Lugt 2228

Affiche met een illustratie uit het tijdschrift Punch uit 1933 met daarop negen manieren om tijdens een veiling een bod uit te brengen. Deze zijn door Sotheby's vervangen door een bord met een nummer.
Gevlochten broche van goud met roze toermalijn
Object type: brooch
Materials: gold, gemstone
Techniques: braiding, faceting
Location: netherlands
Artist: Anonymous
Inscriptions: maker's mark, alloy mark: ‘oud eikenblad’

Gevlochten broche van goud met roze toermalijn voorzien van een kanonsluiting.
Card Number 43, Vernona Jarbeau, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Christus aan het kruis
Object type: print
Date: 1676 – 1755
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: christ preaching or teaching (in general), creation of eve, temptation and fall: adam and eve in paradise (after the fall) (genesis 3:8-21), the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)
Inscriptions: collector's mark: Lugt 2228

Christus aan een T-vormig kruis. Langs beide kanten van het kruis twee voorstellingen. De twee bovenste verwijzen naar de schepping van de mens en de val van Adam en Eva. De twee onderste naar de leer van Christus. Onder het kruis een cartouche met een Nederlandse tekst:'Den mensch erstelt tot het leven door de doodt ons heere Iesu Christi'
Sketches of Roman Soldiers
Object type: drawing
Date: 1842 – 1885
Materials: ink
Techniques: pen
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Subjects: soldiers,weapons,horses
Serie 6: Nederlandse Gebeurtenissen, 1571-1576
Object type: album leaf
Date: 1576 – 1578
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: antwerp, siege, position war

Beleg van Zierikzee door de Spanjaarden onder Mondragon. Ondanks een geslaagde poging van de schepen van de prins om de stad van proviand te voorzien geeft de stad zich over op 29 juni 1576. Gezicht op de ommuurde stad met de posities van de belegerende Spaanse troepen en de Spaanse schepen en de schepen van de prins. Met onderschrift van 10 regels in het Duits. Linksonder genummerd: 105. De prent maakt deel uit van een album.
Bust of Crowned and Adorned Buddha
Object type: sculpture
Date: 1501 – 1800
Materials: bronze
Location: myanmar
Time, Apollo and the Seasons
Object type: print
Date: 1662 – 1662
Techniques: etching
Artist: claude lorrain (claude gellée)
Artist role: artist
Artist nationality: french
Artist dates: 1604 – 1682
Subjects: bow and arrow,women,apollo
Samples (2)
Object type: sample
Date: 1834 – 1866
Materials: silk
"'Umar Walks around Fulad Castle, Meets a Foot Soldier and Kicks Him to the Ground", Folio from a Hamzanama (The Adventures of Hamza)
Object type: folio from an illustrated manuscript
Date: 1570 – 1570
Materials: textile, gold, ink, paper, watercolor
Location: india
Artist: kesav das
Artist role: artist
Artist nationality: indian
Artist dates: 1545 – 1630
Subjects: castles,soldiers,men,trees

The Hamzanama recounts the fable of Hamza, an uncle of the Prophet Muhammad who was a legendary defender of the faith. This painting illustrates an episode involving 'Umar, a spy loyal to Hamza, who learns of a secret tunnel into Fulad castle from the soldier whom he has bested. It comes from a multivolume, large-scale copy of the text made for the emperor Akbar that took approximately fifteen years to complete. Unlike most books, its paintings were probably meant to be held up for an audience while a storyteller recited the text.
Narwa-Thor
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: berlin
Artist: louis gothe
Artist role: fotograaf
Subjects: triumphal arch
Inscriptions: inscription: ‘Ansichten von St. Petersburg.’, number: ‘102.’
Kaartspelende mannen in een bar
Object type: print
Date: 1930 – 1930
Materials: paper
Techniques: lithograph
Artist: henk henriët
Artist role: draughtsman, print maker
Artist dates: 1903 – 1945
Subjects: cat, inn, coffee-house, public house, etc., playing-cards
Inscriptions: collector's mark: Lugt 2228

Sommige mannen roken. Rechts op de voorgrond kijkt een kat toe.
Portret van Josephus Scaliger op 66-jarige leeftijd
Object type: print
Materials: paper
Techniques: engraving
Location: leiden
Artist: bartholomeus willemsz. dolendo
Artist role: print maker
Artist dates: 1560 – 1626
Subjects: filoloog, geleerde, josephus scaliger
Inscriptions: collector's mark: Lugt 2228

Portret van de Leidse geleerde Josephus Scaliger op 66-jarige leeftijd, in ovaal met randschrift. Op de achtergrond zijn wapen. Onder het portret een Latijns vers getekend D.H.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

On the top of the rim, pendant lotus buds; on the overhang, ivy
Medieval Silver Cup
Object type: drawing
Date: 1870 – 1900
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: lions,cups
Hadleigh Castle Near the Nore
Object type: print
Materials: paper
Techniques: mezzotint
Location: england
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Snuff Bottle with Two Eagles
Object type: snuff bottle
Date: 1767 – 1833
Materials: stone, jade
Culture: chinese
Subjects: eagles
Verzameling van arabesken, met de Vaticaanse loggia's
Object type: album leaf
Date: 1802 – 1802
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: ornament ~ arabesque, garland, wreath, cupids: 'amores', 'amoretti', 'putti', ornament derived from plant forms

Doordat dit album bestaat uit meerdere, deels eerder uitgegeven prentreeksen, is de datering niet consequent. Het geheel is op de titelpagina gedateerd op 1802. Deze reeks is niet afzonderlijk gedateerd.
De serietitel voor het gehele werk is "Recueil d'arabesques, contenant les loges du Vatican". De andere serietitel is de titel van de specifieke reeks binnen het geheel.
Studie, mogelijk van een stadsgezicht
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: city-view, and landscape with man-made constructions, amsterdam
Inscriptions: kleurnotitie, handgeschreven

Pagina 24 uit een schetsboek met 15 bladen.
Portret van een onbekende vrouw
Object type: photograph
Date: 1881 – 1901
Materials: cardboard, paper
Techniques: albumen print
Location: den bosch
Artist: carel frederik cordes
Artist role: fotograaf
Artist dates: 1851 – 1927
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: address: ‘'s Bosch/ aan de Parade/ Haarlem/ Groote Houtstraat.’, inscription: ‘Bijzondere inrichting voor vergrootingen/ (...)’
Christus en dertien apostelen
Object type: print
Date: 1616 – 1636
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: nicolaes ryckmans
Artist role: print maker
Artist dates: 1595 – 
Subjects: the apostle james the great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword
Inscriptions: collector's mark: Lugt 240
De luistervink
Object type: print
Date: 1888 – 1891
Materials: paper
Techniques: etching
Location: netherlands
Artist: willem steelink (ii)
Artist role: draughtsman, print maker
Artist dates: 1856 – 1928
Subjects: putting a finger to the lips, 'silentium'; 'silentio' (ripa), (lovers) caressing each other, eavesdropper
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk gebruikt in: Oude kunst in Nederland : etsen van Wilm. Steelink, naar schilderijen uit de kabinetten van A. Bredius, A.J. Enschedé, J.P. Six, P.H. Siz, H.A. Steengracht van Duivenvoorde, Victor de Stuers en andere verzamelingen. Amsterdam: Van Holkema & Warendorf, 1888-1891.
Eerste Atax
Object type: photograph
Date: 1909 – 1909
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: automobile
Inscriptions: stamp, collector's mark: Lugt 1641

De eerste Atax in Amsterdam. De Atax was een elektrische auto die vaak werd ingezet in de steden. Uiteindelijk werd de Atax eruit geconcurreerd door de benzineauto die harder ging. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Vervoermiddelen te land.
Lamp
Object type: lamp
Date: 800 – 601
Materials: ceramic
Culture: assyrian
Location: mesopotamia
Letterontwerp 'Nescio'
Object type: drawing
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: handwriting, writing as activity

Deze tekening is een ontwerp voor de titel van het bandontwerp voor: Nescio. Dichtertje, de uitvreter en titaantjes. Haarlem: Johannes Henricus de Bois, 1918.
Fan
Object type: fan
Date: 1867 – 1867
Materials: silk
Culture: french
Subjects: flowers
Zalmans prenten
Object type: popular print
Date: 1869 – 1882
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: animals, beasts of prey, predatory animals: panther, horse, beasts of prey, predatory animals: hyena, trunked animals: elephant, dog, beasts of prey, predatory animals: fox
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen van dieren, zoals een panter, een hyena, een olifant en een vos. Onder elke voorstelling een onderschrift. Genummerd midden boven: XIII.
Chaitya in the Karli caves near Mumbai, Maharashtra, India
Object type: photograph
Date: 1870 – 1890
Materials: paper
Techniques: gelatin silver print
Location: karli
Artist: Anonymous
Subjects: temple, shrine ~ hinduism, buddhism, jainism, cave, grotto

Deze foto toont de chaitya (het heiligdom) van de grootste van een groep grotten in Karli, in de West-Indiase deelstaat van Maharastra. Deze grot is van oorsprong boeddhistisch en wordt geassocieerd met een van de scholen van het vroege boeddhisme, genaamd Mahāsāṃghika. Op deze foto ziet men de stoepa, uit 120 n. Chr., met een parapluvormig deksel dat zeldzaam is onder deze grotten. Buiten de grot ligt een hindoetempel voor de godin Ekvira van de Koli, de vissers.
Grand' Place, Brussels
Object type: print
Date: 1887 – 1887
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Servet van linnen met pellenpatroon
Object type: napkin
Date: 1734 – 1734
Materials: linen
Techniques: peeled fabric
Location: northern netherlands

wit linnen servet met pellen patroon, merk AVG 38 en 1734
Landschappen
Object type: print
Date: 1648 – 1672
Materials: paper
Techniques: etching
Location: paris
Artist: albert flamen
Artist role: draughtsman, print maker
Artist dates: 1620 – 1691
Subjects: landscapes, dog
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2161

Op een pad tussen hoge bomen loopt een man met een aangelijnde hond. Naast het pad enkele koeien bij een klein huis.
Hemelvaart van Maria (linker deel)
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: etching
Location: parma
Subjects: the assumption of mary ('assumptio corporis'): she is borne into heaven by angels, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Putti tussen wolken. Linksonder een banderol met opdracht in het Italiaans.
Salon met tafel en panelen
Object type: print
Date: 1753 – 1782
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: panelling, table, communal rooms
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ontwerp en plattegrond van een salon met twee panelen met figuren in waterlandschappen, in het midden staat een geornamenteerde tafel.
Begrafenis van Syntax
Object type: print
Date: 1805 – 1821
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: london
Subjects: cortege, funeral procession, church (exterior), mourning the dead
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Combe, William. The Third Tour of Doctor Syntax, in Search of a Wife: A Poem. Londen: Rudolph Ackermann, 1821.
Portret van Edward Bickersteth
Object type: print
Date: 1815 – 1849
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons
Kerkvaders in beraad over de onbevlekte ontvangenis
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: (immaculate) conception of mary represented symbolically, doctors (fathers) of the church, tetragram (in hebrew script) ~ jewish religion
Inscriptions: collector's mark: Lugt 2228
The Betrayal of Christ, from The Large Passion
Object type: print
Date: 1510 – 1510
Materials: ink, paper
Techniques: printing, woodcut
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Spring
Object type: print
Date: 1857 – 1857
Materials: chine, paper
Techniques: drypoint, etching
Location: france
Artist: charles françois daubigny
Artist nationality: french
Artist dates: 1817 – 1878
Parading Courtesan
Object type: hanging scroll
Date: 1767 – 1800
Materials: ink, silk
Culture: japanese
Artist: momokawa shikō
Artist role: artist
Artist nationality: japanese
Subjects: women

A magnificently attired woman adjusts one of the hairpins keeping in place her double-bunned hyōgo-mage hairstyle. The array of hair ornaments and the elaborate layers of her richly colored robes declare her to be an oiran, or a highly ranked courtesan of the Yoshiwara pleasure quarters. The inscription by the artist quotes the Rinzai Zen monk Takuan Sōhō (1573–1645), weaving in famous Zen sayings: Buddha tried to sell religious law; Our founding patriarch [Bodhidharma] tried to sell the Buddha; We, monks of the Final Age of the Law, try to sell our founding patriarch. And you sell your five-foot-tall body to allay the passions of mankind. “Form is none other than emptiness; emptiness is none other than form” “Willows are green, and flowers crimson”
Coffin of Teti
Object type: coffin, teti, rectangular
Date: 1550 – 1458
Materials: mortar, paint, plaster, wood
Location: egypt
Subjects: coffins
Piece
Object type: piece
Date: 1601 – 1700
Materials: metal thread, silk
Brief aan Jan Veth
Object type: letter
Date: 1896 – 1896
Materials: ink, paper
Techniques: pen, writing
Location: ede
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: designer, jan veth, willem kloos, passions, emotions, affections
Inscriptions: watermark, collector's mark: ‘RPK’
Mirandors meesteres, de markiezin, met haar minnaar ontdekt
Object type: book illustration
Date: 1695 – 1695
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: staircase, falling
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Heinsius, Nicolaas jr. Den vermakelyken avanturier, ofte De wispelturige, en niet min wonderlyke levens-loop van Mirandor, 2 delen. Amsterdam: Pieter van Amsterdam, 1695, dl. I.
Fragment
Object type: textile
Date: 1701 – 1900
Materials: textile, silk
Techniques: brocade, weave
Location: france
Subjects: botanical/floral
Ostracon with hieratic inscription
Object type: ostracon, hieratic
Date: 1295 – 525
Materials: ink, limestone
Location: egypt
Dice
Object type: dice
Date: 801 – 1000
Materials: bone
Techniques: incising
Location: iran
Subjects: dice

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Decanter
Object type: decanter
Date: 1820 – 1840
Materials: glass, lead
Techniques: glassblowing, molding
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Aanmerende vissersboot bij een kade, mogelijk in Enkhuizen
Object type: sketchbook leaf
Date: 1900 – 1931
Materials: chalk
Location: enkhuizen
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: lighthouse, lightship, sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone), quay, enkhuizen

Op de achtergrond zijn een vuurtoren op de kade en enkele zeilschepen op zee te zien. Blad 19 recto uit een schetsboek met 55 bladen.
Clarence # 743
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Pieter de Riemer
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: knighthood order, historical persons, physician, doctor
Inscriptions: check stamp
Portret van een onbekend jong meisje met dienblad
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: autotype
Subjects: serving-dish, platter, historical persons - bb - woman
In Semita Justitiae
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, assemblies of the gods in the air, possibly on the clouds, angels
Inscriptions: collector's mark: Lugt 230
Vergadering te Orléans, 1561
Object type: history print
Date: 1570 – 1570
Materials: paper
Techniques: etching, letterpress printing
Location: france
Artist: jacques tortorel
Artist role: print maker
Subjects: karel ix (koning van frankrijk)
Inscriptions: date

Vergadering van de drie standen te Orléans, januari 1561. In aanwezigheid van de koning, zijn moeder en de hertog van Guise. In het onderschrift de legenda A-X en tekstje van 6 regels in het Frans. Ongenummerd.
Staande geit, naar rechts
Object type: drawing
Date: 1775 – 1833
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: goat
Portret van een onbekende vrouw in klederdracht uit Oostenrijk
Object type: photograph
Date: 1876 – 1886
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: folk costume, regional costume, anonymous historical person portrayed - bb - woman
Box for Writing Implements with Design of Kimono on Rack and Incense Burner
Object type: writing box
Date: 1801 – 1900
Materials: gold, lacquer, silver
Culture: japanese
Subjects: flowers
Iron baluster (one of a pair)
Object type: baluster
Date: 1780 – 1780
Materials: brass, iron