deem-data/ArtiFact huggingface dataset:
Portret van een onbekende vrouw
Object type: photograph
Date: 1873 – 1920
Materials: cardboard, photographic support
Techniques: platinum process
Location: madrid
Artist: m. huerta
Artist role: fotograaf
Subjects: adult woman, anonymous historical person portrayed - bb - woman
Inscriptions: inscription: ‘M. Huerta. Telefono 878. Madrid.’
Un Lièvre au Déboulé
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Artist: maurice bucquet
Artist role: fotograaf
Artist dates: 1860 – 1921
Subjects: hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), rodents: rabbit
Inscriptions: inscription: ‘Bulletin du Photo-Club de Paris’, inscription: ‘Procédé Boussod et Valadon’
"The Ox Shanzabeh Left Behind, Grazing in the Territory of the Lion King", Folio from a Kalila wa Dimna
Object type: folio from an illustrated manuscript
Date: 1526 – 1550
Materials: ink, paper, watercolor
Location: india
Subjects: animals,birds,flowers

This manuscript contains seventy-eight paintings and many text folios telling the famous tales of the jackals Kalila and Dimna. Based on the book of ancient Indian animal fables, the Panchatantra written by Vidyapati (Bidpai), the stories spread all over the Middle East where they became wildly popular. This manuscript has a strong flavor of Mamluk Egypt in the figure styles and bold drawings, with hints of Ottoman tulips and Safavid turbans. However, the burnt orange palette and darkly-inked lines have led to an attribution to Sultanate Gujarat where it is suggested this manuscript was copied from an Egyptian original. Its life in India is also attested by a Devanagari inscription at the end, although the rest of the Arabic text is written in a strong, left-leaning naskh-like script.
Four Gospels in Armenian
Object type: gospel
Date: 1434 – 1435
Materials: gold, leather, paper, paint
Techniques: bookbinding, stamping
Culture: armenian
Subjects: men,angels,christ,virgin mary,nativity

Illuminated manuscripts are among the finest works of Armenian art as the "Word" has been the primary focus of veneration in the Armenian Church since its founding in the early fourth century. In the fifteenth century under Mongol domination in the region of Khizan near Lake Van (now in Turkey), Armenian artists developed the dramatic narrative style of illumination seen here. Colophons, notations in the text, identify this gospel as written by the scribe Margar for the Monastery of St. George at Mokk’ at the order of Bishop Sion. As it typical for Armenian gospels, the illuminations of the life of Christ are grouped at the beginning of the text before the Canon Tables with an evangelist’s portrait introducing each gospel.
Husbands Always Make Me Laugh: Really my son-in-law
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: lithograph
Location: france
Artist: paul gavarni
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1866
Sheet 4: Men carrying trophies at left, trumpeters at right, from "The Triumph of Julius Caesar"
Object type: print
Date: 1599 – 1599
Techniques: hand coloring, woodcut
Artist: andrea andreani
Artist role: artist
Artist nationality: italian
Artist dates: 1558 – 1629
Subjects: musical instruments,men,cows,trophies

This print is from a scrapbook (album) containing woodcuts and chiaroscuro prints. It was presumably taken apart when it was acquired by The Met in 1922. On the front page of the volume there appeared a statement that this collection was made by the poet Samuel Rogers (1763-1855) and then bought by Angela Coutts (1816-1906) in memory of him at the sale of the collection at his house (28 April – 20 May, 1856). #1615a Rogers Sale. #146 Burdett Coutts Sale (Sotheby’s, May 1922). The prints from the original album have the range 22.73.3-1–22.73.3-161.
Groep mannen bekijkt een projectie
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: film projector, adult man
Inscriptions: inscription: ‘Fig. 2’
Clippers
Object type: clipper
Date: 1501 – 1600
Materials: steel
Samian Sibyl
Object type: drawing and watercolor
Date: 1630 – 1630
Materials: chalk, graphite, paper
Location: france
Artist: claude vignon
Artist role: artist
Artist nationality: french
Artist dates: 1593 – 1670
Buste van Marcus Vipsanius Agrippa
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: etching, intaglio
Artist: arthur sterck
Artist role: print maker
Artist dates: 1868 – 1897
Subjects: campania, chest, bust, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228, annotation: ‘1ere epreuve d'état’
Design for a Monumental Altar, Plate f from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'
Object type: album print ornament architecture
Techniques: etching
Artist: johann michael leüchte
Artist role: artist
Artist nationality: german
Subjects: altars,men,lambs

Ornament print with a design for an altar in a late Baroque style, with a large architectural reliquary on the altar table crowned by the figure of the lamb of God and flanked by two spiral columns. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.
Bronze, Postumus, 258 A.D., from the Ancient Coins series (N180) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: men,coins

Trade cards from the "Ancient Coins" series (N180), issued in 1888 by W.S. Kimball & Co.
Dame de la cour Francaise XVI Siècle. sous Francois I
Object type: costume print
Date: 1840 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: the hague
Artist: elias spanier
Artist role: print maker, printer
Artist dates: 1821 – 1863
Subjects: historical costume

Vrouw in historisch kostuum van een hofdame aan het hof van Frans I, 16e eeuw. Voorstelling toegevoegd aan het plaatwerk over het gekostumeerd bal gehouden op het paleis van de prins van Oranje (de latere koning Willem III) in Den Haag op 26 februari 1845.
Captain Burnsby of the Grenadier Guards
Object type: photograph
Date: 1855 – 1855
Techniques: glass negative, salted paper print
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: wars,soldiers,men,horses
Scarab
Object type: scarab, thutmose iii
Date: 1479 – 1425
Materials: faience
Location: egypt
Subjects: scarabs
Shabti of Petosiris, son of Djedhor
Object type: shabti
Date: 360 – 300
Materials: faience
Location: egypt
Blad met onduidelijk patroon
Object type: brocade paper
Date: 1700 – 1820
Materials: gold leaf, paint, paper
Techniques: relief print
Location: germany
Artist: Anonymous

Fragment van een blad met een moeilijk leesbaar patroon.
The metal nature if the thread stitch, the wood nature of Kotojigeta (Itodasan no kinsei, Kotojigeta no mokusei).
Object type: print
Date: 1825 – 1830
Materials: paper
Techniques: woodcut, nishiki e
Location: japan
Artist: utagawa kunisada (i)
Artist role: print maker
Artist dates: 1786 – 1865
Subjects: public baths
Mahler feest Amsterdam, 1995
Object type: medal
Date: 1995 – 1995
Materials: plastic, silver, velvet
Location: netherlands
Inscriptions: inscription: ‘Mahlerfeest / Mei 1995 / HET CONCERTGEBOUW’, inscription: ‘Mahlerfeest’, circumscription: ‘MAHLER - FEEST * AMSTERDAM - MEI 1920 *’

Zilveren penning geslagen ter ere van het Mahler feest, gehouden te Amsterdam mei 1995 in het Concertgebouw. Voorzijde: man met profiel naar links met omschrift. Keerzijde: modern ontwerp met opschrift. In plastic blauw doosje met opschrift, binnenzijde blauw fluweel. Met zilvercertificaat. Met bijbehorende doos NG-2001-17-P-2.
Schetsboek met 46 bladen
Object type: sketchbook
Date: 1845 – 1891
Materials: cardboard, chalk, paper, pencil, watercolor
Techniques: brush
Location: the hague
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: city-view, and landscape with man-made constructions, monk(s), friar(s), interior of church, the hague
Inscriptions: collector's mark: Lugt 2228a

De volgende bladen uit het schetsboek zijn blanco: 3(V), 4(V), 6(V), 11(V), 16(V), 18(V), 23(V), 24(V), 25(V), 26(R), 27(V), 28(R), 34(R), 35(R), 40(R), 41(R), 45(R) en 46(R).
Newel post
Object type: glass
Date: 1801 – 1900
Materials: glass
Location: clichy
Oostelijke vesting, achterzijde
Object type: page
Date: 1898 – 1898
Materials: paper
Techniques: collodion silver print
Location: corfu
Artist: johannes lodewijk heldring
Artist role: fotograaf, predikant, schrijver
Artist dates: 1852 – 1923
Subjects: fortress
Tile with water flowers in a canal
Object type: tile, palace of ramesses ii, water flower
Date: 1279 – 1213
Materials: faience
Location: egypt
Subjects: flowers

This tile once decorated the palace of Ramesses II in Piramesse, which he made into one of the greatest royal cities of ancient Egypt. Thanks to the royal favor and its strategic location, Piramesse soon became an important international trade center and a cosmopolitan metropolis, boasting a harbor, a military base, and temples dedicated to various gods like Amun-Re-Harakhty-Atum, Seth, Astarte, etc. Poems were written in the city's praise, and its name, which translates as "The House of Ramesses, Beloved of Amun, Great of Victories" when fully written, came to us through the Old Testament as ‘Raamses.’ The tiles bear the names of Seti I, Ramesses II and later Ramesside kings, who renovated the palace and changed its decoration through the reigns. New tiles were made, and the old tiles may be have been dismantled and buried together. Based on the tiles, we can still reconstruct quite a number of the features of the palace that are now completely lost, including throne podiums, steps, windows of appearance, and faience sculptures. Pastoral and domestic scenes, including this pool liberally stocked with fish and waterfowl and ringed with papyrus and other marsh plants, are assumed to come from the private apartments of the Egyptian palace.
H. Catharina van Alexandrië
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: rome
Subjects: the virgin martyr catherine of alexandria; possible attributes: book, crown, emperor maxentius, palm-branch, ring, sword, wheel, martyr(s) (often with palm-branches) - qq - female martyr
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 73 prenten (+ titelprent) met voorstellingen van Romeinse martelaressen.
Staande blaffende hond, naar links
Object type: drawing
Date: 1823 – 1823
Materials: chalk, paper, pencil
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: dog
Grain serving vessel (Gui)
Object type: vessel with lid
Date: 900 – 801
Materials: bronze
Culture: chinese
Twee cartelklokken met gevleugelde figuur en kippen
Object type: print
Date: 1758 – 1820
Materials: paper
Techniques: etching
Location: paris
Subjects: clock, fowl (cock, hen, chicken, etc.), fabulous beings with wings
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ontwerpen voor twee cartelklokken. De klok links wordt gedragen door een gevleugelde figuur wiens benen in bladeren overlopen. Twee kippen flankeren de rechterklok.
Inscribed Fragment of Vase
Object type: vase, inscription, glass
Date: 1390 – 1352
Materials: glass
Location: egypt
Shawl
Object type: shawl
Date: 1834 – 1866
Materials: silk
Culture: american
Mina
Object type: print
Date: 1820 – 1850
Materials: paper
Techniques: etching, roulette
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Two wall sconces (Bras de cheminée)
Object type: wall light sconce
Date: 1761 – 1761
Materials: enamel, gilt bronze, gold, soft paste porcelain
Techniques: polychrome
Artist: jean-claude duplessis
Artist role: modeler
Artist nationality: french
Artist dates: 1695 – 1774
Assumption of the Virgin
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: domenico piola
Artist role: artist
Artist nationality: italian
Artist dates: 1627 – 1703
Offer van Abraham
Object type: print
Date: 1590 – 1637
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the sacrifice of isaac (genesis 22)
Inscriptions: collector's mark: Lugt 2228

Abraham heft zijn zwaard om zijn zoon Isaak, die met de handen vastgebonden voor het altaar knielt, te doden. Een engel houdt hem tegen en wijst naar een ram die geofferd kan worden. In de marge een vierregelig onderschrift in het Latijn.
Portret van Catharina I, keizerin van Rusland
Object type: print
Date: 1725 – 1780
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: keizerin, catharina i (keizerin van rusland)
Inscriptions: collector's mark: Lugt 2228

Pendant van het portret van Peter I de Grote, tsaar van Rusland (RP-P-OB-67.704).
Armorial panel
Object type: armorial panel
Date: 1667 – 1700
Materials: glass
Subjects: flowers
Boy Triton
Object type: fountain statuette
Date: 1710 – 1710
Materials: gilt, lead
Artist: leonardus quesi
Artist role: maker
Artist nationality: french
Artist dates: 1650 – 1750
Subjects: boys,triton
Gezicht op de ruïne van het kasteel van Bicêtre
Object type: print
Date: 1630 – 1657
Materials: paper
Techniques: etching
Location: france
Subjects: ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11, number: ‘3’

Maakt deel uit van een onbekende serie, waarschijnlijk van gezichten op ruïnes van het kasteel van Bicêtre. In de collectie van het Rijksmuseum bevinden zich drie prenten uit deze vermoedelijke serie.
Portret van prinses Wilhelmina
Object type: cabinet photograph
Date: 1885 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: arnhem
Artist: carel eduard westerborg
Artist role: fotograaf
Artist dates: 1842 – 1916
Subjects: print maker, wilhelmina of the netherlands, crown princess, historical persons
Inscriptions: inscription: ‘koningin Wilhelmina/ 1885’, address: ‘EUS: BUITEN SINGEL 1.’
Priester omarmt monstrans met doodshoofd
Object type: print
Date: 1724 – 1724
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob gole
Artist role: print maker
Artist dates: 1660 – 1724
Subjects: fat (human type), priest (roman catholic), ostensorium, monstrance, monk(s), friar(s), (aspects of) christian religion or the church (as institution) ridiculed, criticized, or caricaturized, (human) skeleton
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een dikke priester omarmt een monstrans in de vorm van een skelet. De prent is deel van een 50-delige serie met als onderwerp de misbruiken van de katholieke geestelijkheid.
Heilige Fabiola van Rome als kluizenares
Object type: book illustration
Date: 1590 – 1612
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: anchorite, hermit, female saints
Inscriptions: collector's mark: Lugt 2228

Prent uit: Sacra Eremus Ascetriarum, Hendrik Aertssen, Antwerpen 1619. Prent uit de serie van vijfentwintig kluizenaressen in deze uitgave. In 1612 verscheen de ongebonden editie maar op basis van de gewijzigde opschriften en samenstelling van de serie kluizenaars wordt aangenomen dat de prenten van de uitgave 1619 ook in 1612 of iets daarvoor gedrukt werden. De serie kluizenaressen bleef vrijwel ongewijzigd in de ongebonden uitgave van 1612, dit compliceert de datering van de losse bladen in de collectie van het RMA, zie Roethlisberger 1993, p. 171-175. Door de aanwezigheid van Franse tekst op het verso kunnen we vaststellen dat dit blad afkomstig is uit de Antwerpse uitgave van 1619.
Heer knielend voor een dame
Object type: poem
Date: 1654 – 1654
Materials: ink, paper, watercolor
Techniques: brush, calligraphy
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690

Heer knielend voor een dame naast een liefdesklacht zonder aangegeven melodie.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, unidentified subject; Exterior, feet of figure to right; lower drapery and feet of a second figure
25 portretten van Polaire, Eve Lavallière, Fernande Dulac, Grancey, Manuel en Saulnay
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: number: ‘No 189’
Beschrijving van Jan Hannema, alias admiraal Tom Pouce
Object type: manuscript
Date: 1849 – 1878
Materials: ink, paper
Techniques: pen
Artist: Anonymous
Subjects: jan hannema, portrait of actor, actress
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin. Volksleven. Volksfeesten. Kermistypen, wondermenschen en dergelijken.
Hurlingham
Object type: print
Date: 1879 – 1879
Materials: ink, paper
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: boats
Studies van een kind in een kinderstoel
Object type: drawing
Date: 1779 – 1858
Materials: paper
Techniques: brush
Artist: hendrik van der burgh
Artist role: draughtsman, print maker
Artist dates: 1769 – 1858
Subjects: baby-chair
Cte. Bouët Willaumez, contre-amiral, commandant le flotte de siège
Object type: print
Date: 1857 – 1878
Materials: paper
Techniques: lithograph
Location: new york city
Subjects: historical persons, commander-in-chief, admiral
Inscriptions: inscription: ‘24 april 1808 (...)’, workshop stamp: Lugt 1090
Tray with Scene from the Tale of Genji
Object type: tray
Date: 1601 – 1633
Materials: gold, lacquer, mother of pearl
Techniques: inlay, maki
Culture: japanese
Subjects: human figures

The size, geometric motifs, and extensive use of pearl shell suggest that this tray may have been intended for trade to Europe. The imagery, however, derives from the Tale of Genji, one of Japan’s most famous literary works. Written by Lady Murasaki Shikibu (ca. 978–ca. 1014), this lengthy book traces the customs of the aristocratic society and the tumultuous love life of Hikaru Genji, a distant member of the imperial family. The tray illustrates a moment when Genji (seated in the cart and not visible) passes by a former illicit lover while traveling. Both are assailed by bittersweet memories as they glimpse each other in passing.
Dress
Object type: dress
Date: 1878 – 1878
Culture: american
Trimming
Object type: trimming
Date: 1701 – 1900
Liège. Eglise Sainte-Véronique
Object type: ansichtkaart, prentbriefkaart
Date: 1897 – 1906
Materials: cardboard
Techniques: photograph
Location: liège
Artist: Anonymous
Subjects: square, place, circus, etc., church (exterior), liège
Lago di Lugano. Morcote
Object type: photomechanical print
Date: 1905 – 1920
Materials: cardboard, photographic process
Location: morcote
Artist: Anonymous
Subjects: church (exterior), lake
Top hat
Object type: top hat
Date: 1820 – 1820
Materials: raffia, silk
Culture: french
Portret van Federigo Meninni
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: naples
Subjects: naples, historical persons

Prent uit: Gimma, Giacinto. Elogj accademici della Società degli Spensierati di Rossano (...). Napels: Carlo Troise, 1703, p. 121.
Lago di Garda
Object type: photograph
Date: 1925 – 1935
Materials: paper
Techniques: gelatin silver print
Location: torbole
Artist: s. pozzini
Artist role: publisher
Subjects: prospect of village, silhouette of village, lake, mountains
Elevation of an Italianate interior, including steps and an upper  loggia decorated in composite columns
Object type: drawing
Date: 1830 – 1897
Materials: ink, watercolor, paper
Techniques: heightening, pen, wash
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: columns,stairs,interiors
Temperance (Die Mesikait), from "The Seven Virtues"
Object type: print
Date: 1498 – 1531
Techniques: woodcut
Artist: hans burgkmair
Artist role: artist
Artist nationality: german
Artist dates: 1473 – 1531
Subjects: women
Fontein van Amphitrite op Place Stanislas te Nancy
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Location: paris
Subjects: square, place, circus, etc., (story of) amphitrite, ornamental fountain
Inscriptions: inscription: ‘Place Stanislas/ Fontaine d'Amphitrite, par Guibal, 1755/ Grilles de Jean Lamour’

Deze prent maakt deel uit van een omslag met 103 prenten op 101 bladen en een titelblad.
Girls Entertained by Performers, from the illustrated book Flowers of the Four Seasons
Object type: woodblock print
Date: 1801 – 1801
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: performance,women,actors

Theatrical performances are paradigms of people watching other people. There is a division of roles as well as a division of space. The actors move about a prescribed area, while the audience remains passively confined to another. This structure is reflected in ukiyo-e prints in which viewers are often physically separated from the objects of their gaze. They look down from balconies, peer through blinds and windows, and peek from behind screens and curtains. In this print, from a book illrstrated by Utamaro, young women, in imitation of courtly customs, watch traveling performers through the bamboo blinds of a folding screen. the unusual side view places us at a point equidistant from the audience and the performers. Since both groups are partially obscured by screens, Utamaro relegates us to the position of an outside observer. A courtesan in an elegant dress stands between the two groups. The cranes and the cloud in the screen behind her complete a circle that connects her with the performers, but the cascading folds of her robe unite with the dress of a seated girl, perhaps indicating a dual role on her part of entertaining and being entertained.
Portret van vermoedelijk een geestelijke met een embleem van rode kruis op zijn mouw en tas
Object type: cabinet photograph
Date: 1914 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: eindhoven
Artist: arn. van der heijden
Artist role: fotograaf
Artist dates: 1894 – 1966
Subjects: adult man, organization, functionaries and dignitaries in roman catholic church; clergy in general
Inscriptions: inscription: ‘En Moi, choi [...]né [...]’
Bottle
Object type: glass
Date: 1750 – 1800
Materials: glass, metal
Techniques: enamel, glassblowing, tooling
Location: central europe
Chamber candlestick
Object type: chamber candlestick
Date: 1760 – 1762
Materials: silver
Artist: david herbert
Artist role: maker
Artist dates: 1717 – 1773
Fotoreproductie van tekening Landschap met koeien bij bomen
Object type: photograph
Date: 1875 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: picture, painting
Inscriptions: inscription: ‘Naar tekening met houtskool’
Saint-Germain-en-Laye. La Gare, vue prise du Château
Object type: photomechanical print
Date: 1903 – 1918
Materials: cardboard
Techniques: photograph
Location: saint-germain-en-laye
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, station; shelter (railway, tramway)
Tea bowl
Object type: tea bowl
Date: 1101 – 1300
Materials: fur, glaze, stoneware
Culture: chinese
Vrede van Nijmegen
Object type: history medal
Date: 1678 – 1700
Materials: bronze
Techniques: striking
Location: paris
Subjects: lodewijk xiv (koning van frankrijk), nijmegen

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: gevleugelde Mercuriusstaf en bliksemschichten binnen omschrift; afsnede: jaartal.
The pancake woman
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Subjects: pancakes
Inscriptions: signature and date: ‘Rembrandt f. 1635’, inscription: ‘Coppier’