deem-data/ArtiFact huggingface dataset:
The Castel Nuovo, at Naples
Object type: print
Date: 1857 – 1870
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: fortress, castle, naples
Inscriptions: monogram: ‘RJ’

Prent komt waarschijnlijk uit een Engelse krant tussen 1857 en 1870.
Shina sanju gakan - gekan
Object type: book
Date: 1920 – 1920
Materials: paper
Techniques: photograph, woodcut, letterpress printing
Location: tokyo
Inscriptions: date
Marble head of a female satyr
Object type: head of fauna
Materials: marble
Culture: greek
Subjects: heads,satyrs

Delicately modeled, with head thrown back and eyes half closed in ecstasy.
Xerxes
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: chess, persons from the old testament (not in biblical context, nor occurring in legendary/historical extensions included in division 71)
Inscriptions: inscription: ‘129’

De houtsnede wordt gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 62v.
Portrait of a Gentleman
Object type: painting, miniature
Date: 1810 – 1815
Materials: ivory, watercolor
Culture: american
Subjects: men,portraits
Portret van Jacob Hobein op 21-jarige leeftijd
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: middelburg
Subjects: knighthood order, historical persons (+ (full) bust portrait)
Inscriptions: : ‘Gedeponeerd.’, : ‘De ondergeteekende verklaren dat / deze plaat ter hunner steendrukkerij / gevestigd binnen Dordrecht gedrukt is. / Dordrecht den 16 Mei 1831 / Steuerwald & Comp’, : ‘Den ondergetekende verklaart / dat deze plaat bij hem is / uitgegeven. / Middelburg 16 meij 1831 / C.E. Schutters’

De geportretteerde draagt een ridderorde. Onder het portret zijn signatuur en titels.
Terracotta pitcher
Object type: oinochoe
Date: 750 – 725
Materials: terracotta
Culture: greek, attic

During the Geometric period, funerary customs in Athens reflected a taste for distinction and display involving oversize, high-quality vessels. Monumental vases, according to their various shapes, could be used as cinerary urns (for the ashes of the deceased), burial markers, ritual containers, and symbolic offerings expressing social status, social relationships, and gender. Characterized by a globular belly, a gracefully curved high neck and a single vertical handle, monumental pitchers, such as this one, were a new shape of the Late Geometric style in Athens. They were found in both men’s and women’s graves and may have been used in rituals involving water. The wide mouth is more suitable for washing than serving drinks. This vase is attributed to the Birdseed Painter, named after the diagonal row of dots painted along his birds’ necks.
Mercurius doodt Argus
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: etching
Location: italy
Subjects: (story of) mercury (hermes), mercury beheads argus
Inscriptions: collector's mark: Lugt 240

Mercurius snijdt met zijn zwaard het hoofd van de slapende Argus af. Juno zit met een pauw op wolken. In het landschap staan een os en een kudde bokken en schapen. Titel in het Latijn in ondermarge.
Portret van E. Groux
Object type: print
Date: 1843 – 1856
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: disabilities, deformations, historical persons (+ half-length portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde is met ontbloot bovenlijf afgebeeld zodat zijn aandoening, het ontbreken van het borstbeen, zichtbaar is. Onder zijn naam de naam van deze aandoening: fissura sterni congenita.
Twee voorstellingen uit de verhalen van Wilhelm Gottlieb Becker
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: consolation, literature, (lovers) embracing each other, 'symplegma', weeping, bedroom
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Becker, Wilhelm Gottlieb. Almanach und Taschenbuch zum geselligen Vergnügen von W. G. Becker für 1798. Leipzig: Voss und Comp., [1797].
Haarden met cartouche en vazen
Object type: ornament print
Date: 1686 – 1724
Materials: paper
Techniques: etching
Location: augsburg
Subjects: ornaments ~ art, fire-screen, vase ~ ornament, open hearth, fire-place, ornament ~ cartouche

Twee geornamenteerde haarden. Links met een gekroond cartouche, twee vazen, twee kandelaars en een haardplaat met gekroonde initialen en globes met fleur-de-lis. Rechts met ionische pilasters, maskers, vazen, een ovaal medaillon en een haardplaat met rozet. Prent maakt deel uit van een album. Hoogstwaarschijnlijk gespiegelde kopie naar Frans origineel.
Les Principales Forteresses & Villes Fortes, d'Espagne, de France, d'Italie, de Savoië, d'Allemagne & des Païs-Bas (...) / Naaukeurige Afbeeldingen der Voornaamste Sterke Steden en Vestingen in Spanjen, Vrankryk, Italien, Savoyen, Duytsland en Nederlanden (...)
Object type: print
Date: 1702 – 1714
Materials: paper
Techniques: etching
Location: leiden
Subjects: maps of cities

Gekopieerd naar de Franse prenten in: Nicolas de Fer, Les forces de l'Europe, ou description des principales villes, avec leurs fortifications : dessignées par les meilleurs ingenieurs, particulierement celles ... de la France, dont les plans ont esté levez par M. de Vauban, Nicolas de Fer, Parijs 1693-1696, of andere voorbeelden.
Drie stellen in traditionele kostuums van Zwitsers, Turken en Oostenrijkers
Object type: print
Date: 1815 – 1858
Materials: paper
Techniques: engraving
Location: dusseldorf
Artist: Anonymous
Subjects: folk costume, regional costume, austria, switzerland
Inscriptions: collector's mark: Lugt 1641, stamp

Linksonder genummerd: No. 72. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Des menschen begin, midden en einde, Kinderprenten opgeplakt op karton.
Lugné-Poé, in Image
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Hugh Sleeping
Object type: drawing and watercolor
Date: 1847 – 1847
Materials: gouache, graphite, paint, paper, watercolor
Location: england
Artist: elizabeth murray
Artist nationality: english
Artist dates: 1815 – 1882
Carrie Behr, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Villa Tasca, dettaglio
Object type: photograph
Date: 1856 – 1914
Materials: paper
Techniques: albumen print
Location: palermo
Artist: giuseppe incorpora
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: garden
Inscriptions: number: ‘N. 213’
Vioolspelend meisje
Object type: print
Date: 1626 – 1626
Materials: paper
Techniques: engraving
Subjects: adolescent, young woman, maiden, violin, fiddle, head-gear: hat (+ women's clothes), one person playing an instrument
Inscriptions: collector's mark: Lugt 240

Een meisje speelt op een viool. Op het hoofd draagt zij een hoed met een roos. Het onderschrift identificeert haar als de verleidelijke Phyllis.
Caricature
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: human figures
A Riding House
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: Anonymous
De stad Gouda
Object type: print
Date: 1791 – 1793
Materials: paper
Techniques: etching, hand coloring
Subjects: city-view, and landscape with man-made constructions, cow, church (exterior), gouda
Inscriptions: collector's mark: Lugt 1641, stamp

Gezicht op Gouda, met vee op de voorgrond. Onderaan een zesregelig vers. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Buitenleven.
Vinaigrette
Object type: vinaigrette
Date: 1828 – 1828
Materials: silver
Artist: nathaniel mills
Artist role: maker
Artist nationality: british
Artist dates: 1746 – 1843

Nathaniel Mills, considered one of the finest boxmakers of Birmingham and certainly the most prolific, used flower, foliate and scrollwork surrounds for card cases, boxes (14.58.210) and vinaigrettes as seen here and 1983.575.40. Here, the base and cover are decorated with basket-weave engine-turning; the cover has a plate engraved with a name. The hinged silver-gilt grille has pierced and engraved floral scrolls. After Mills died in 1843, the family enterprise was successfully carried on by his sons Nathaniel ll, William and Thomas. The company of Nathaniel Mills & Sons was especially well-known for the "castle-top" boxes which depict British landmarks and were produced for travelers as souvenirs during the early days of the railways. A vinaigrette was intended to hold a tiny sponge dipped in aromatic vinegar. Its interior Is gilded to protect the silver from oxidation caused by the acidity of the vinegar. A hinged and decoratively pierced inner lid or grille kept the sponge in place while its perforations allowed the odor to waft through. A whiff of the vinegar might revive someone from a fainting spell. Such vinaigrettes were worn around the neck, on a chatelaine suspended from the waist, or carried in a pocket.
Figuren in de grote zaal in het kasteel van Versailles
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: chandelier, candelabrum, (decorated) ceiling, other rooms

Prent uit: Scudéry, Madeleine de. Conservations nouvelles sur divers sujets, dédiées au Roy. Parijs: Claude Barbin, 1684.
Landscape with a Cottage and a Haybarn
Object type: print
Date: 1641 – 1641
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: houses,landscapes
Seated Guanyin
Object type: sculpture
Materials: porcelain
Location: china
Portret van Tootje Wassink in een tuin
Object type: photograph
Date: 1934 – 1934
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman, netherlands
Inscriptions: inscription: ‘Tootje 1934’
Overlijden van Paus Pius IX 1878
Object type: history medal
Date: 1878 – 1878
Materials: bronze
Techniques: striking
Location: brussels
Artist: hart (stempelsnijder)
Artist role: die cutter

Bronzen penning, op de voorzijde het borstbeeld van Pius half naar rechts, met omschrift, op de keerzijde een lang kruis met aan weerszijden in kleine letters vijf coupletten van een gedicht en bovenaan een banderol.
Steamboat "Sylvan Dell"
Object type: stereograph
Date: 1872 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Artist: christian petersen
Artist role: fotograaf
Subjects: ships (in general), new york (city)
Inscriptions: inscription: ‘Yo deseo obtener millones de Sellos de Correo/ usados de differéntes paises (obsolétos igual que nuevos)/ en cambio por Vistas Estereoscopias, Albums, Curiosidades,/ Aparatos Fotográfico, Relojes de Música, &c.’
Suit
Object type: suit
Date: 1825 – 1825
Materials: silk
Culture: american
Nice. Vue prise du Casino
Object type: stereograph
Date: 1904 – 1904
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: nice
Subjects: city-view in general; 'veduta', bridge
Inscriptions: inscription: ‘NPG’, number: ‘68’
Textile Fragment
Object type: textile fragment
Date: 1801 – 1833
Materials: linen, metal thread, silk
Techniques: embroidery, weave
Location: turkey
Subjects: leaves
Battersea Reach
Object type: print
Date: 1863 – 1863
Materials: ivory, paper
Techniques: drypoint, etching
Location: england
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Laoco[(...)] Vaticano, Roma
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: vatican museums
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: laocoon and his twin sons are strangled by two serpents during the preparations for a sacrifice
Inscriptions: inscription: ‘Rome: Vaticaan: Laocoon’
Studie, mogelijk van een paard bij een poort
Object type: sketchbook leaf
Date: 1887 – 1891
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: gate, entrance, horse
Inscriptions: kleurnotitie, handgeschreven

Pagina 17 en pagina 18 uit een schetsboek met 17 bladen.
Silhouetportret van Johannes Bosboom
Object type: cut paper
Date: 1819 – 1845
Materials: ink, paint, paper
Techniques: brush, snipping
Artist: elisabeth alida haanen
Artist role: draughtsman, print maker
Artist dates: 1809 – 1845
Subjects: the hague, painter, johannes bosboom, historical persons, portrait, self-portrait of painter
Inscriptions: number: ‘13943’, number: ‘8’, inscription: ‘Jhs. Bosboom’, collector's mark: ‘Ex-libris van Beresteyn’, inscription: ‘Schilder’, inscription: ‘D. 1343’

Met onder het portret de handtekening van de geportretteerde.
Fandango, from National Dances (N225, Type 1) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,dancing,dancers

Trade cards from the series "National Dances" (N225), issued in 1889 to promote Kinney Brothers Cigarettes for Kinney Tobacco Company. There were two card variations issued within the series. Type 1 cards display a white border around the edges whereas Type 2 have no border.
Afternoon dress
Object type: afternoon dress
Date: 1900 – 1900
Materials: silk
Culture: french
Artist: jeanne hallée
Artist role: design house
Artist nationality: french
Artist dates: 1870 – 1924

Jeanne Hallée was a fine French couturier during the Belle Époque and garments from this house are fairly rare. This dress, with its fine pintucking and exaggerated high collar, is a beautiful example of the style of the era.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Exterior, hand of draped figure resting on the lower back of male to right?
Omslag voor negen prentbriefkaarten met gezichten van het Zomerpaleis in Peking
Object type: photomechanical print
Date: 1974 – 1974
Materials: cardboard
Techniques: offset printed
Location: beijing
Subjects: palace, lake, bridge
Inscriptions: date
Cup with Plum Blossoms
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, underglaze
Location: china
Huwelijksaankondiging aan Philip Zilcken
Object type: wedding announcement
Materials: cardboard
Techniques: printing
Location: france
Artist: Anonymous
Subjects: paris, print maker, alexandre louis marie charpentier, sculptor, elisa beetz, the hague, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Teatro delle Nobili et Virtuose Donne..., page 7 (recto)
Object type: book print ornament architecture
Date: 1616 – 1616
Techniques: engraving, woodcut
Artist: isabella catanea parasole
Artist role: author
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: acorns

Written by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Mauritio Bona, Rome. From top to bottom, and left to right: Design composed of 4 horizontal registers. First register is decorated with curving vines with dotted leaves. Second register is decorated with 2 curving vines with 3-sided leaves. Third register is decorated with 2 intertwining vines forming heart-shapes around leaves. Fourth register is decorated with curving vines of leaves and acorns.
Massacre of the English by Revolting Hindus
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: lithograph
Location: france
Artist: gustave doré
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Tekst bij putti met bokkenwagen
Object type: print
Date: 1842 – 1900
Techniques: writing
Artist: Anonymous
Inscriptions: collector's mark

Handgeschreven tekst in Duits, behorende bij putti met bokkenwagen van Johannes Gronsveld.
Etsen door E. Edwards
Object type: print
Date: 1748 – 1806
Materials: paper
Techniques: etching
Artist: edward edwards
Artist role: painter
Artist dates: 1738 – 1806
Subjects: head (human), adult man

Prent maakt deel uit van een serie van 51 prenten, bestaande uit twee delen met landschappen (36 prenten) en figuren en portretten (15 prenten), voor het eerst uitgegeven in Londen in 1790.
Schoorsteenval van bedrukt katoen, strak, zonder plooien, genaaid op bandje
Object type: val
Date: 1690 – 1710
Materials: cotton
Location: amsterdam
Artist: Anonymous

Schoorsteenval van bedrukt katoen met een gestileerd motief van gestippelde vierkante vakjes waarin ster, in bruinrood op witte achtergrond. Val (strak, zonder plooien, genaaid op bandje) boven haard.
Staand mannelijk naakt, met stok, naar links
Object type: drawing
Date: 1874 – 1925
Materials: chalk, paper
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Gezicht bij de Via Appia nuova
Object type: drawing
Date: 1895 – 1895
Materials: paper, pencil
Artist: carel vosmaer
Artist role: draughtsman, print maker
Artist dates: 1826 – 1888
Subjects: city-view, and landscape with man-made constructions, italy
Terracotta fragment of an olpe (jug)
Object type: olpe fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic
Portret van keizer Maximiliaan I
Object type: print
Date: 1849 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: maximilian i (holy roman emperor), historical persons
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van een fresco, voorstellende Christus verschijnt als tuinman aan Maria Magdalena (noli me tangere)
Object type: page
Date: 1870 – 1880
Materials: paper
Techniques: woodburytype
Location: padua
Artist: Anonymous
Subjects: mary magdalene kneeling before christ, who is usually represented as a gardener with a hoe and/or a spade; 'noli me tangere', angels
Aanslag door Jean Châtel op Hendrik IV, 1594
Object type: print
Date: 1594 – 1612
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: paris, hendrik iv (koning van frankrijk en navarra), violent death by quartering, attempt, political murder

Aanslag door Jean Châtel op Hendrik IV, 27 december 1594. In een interieur steekt Châtel de koning met een mes. Op de achtergrond wordt Châtel gevierendeeld. Met onderschrift van 12 regels in het Duits en 1 regel in het Frans. Linksonder genummerd: 302. De prent maakt deel uit van een album.
Portret van Alessandro Farnese, landvoogd van de Nederlanden en hertog van Parma en Piacenza
Object type: text sheet
Date: 1614 – 1614
Materials: paper
Techniques: engraving, letterpress printing
Location: the hague
Subjects: rome, alessandro farnese (landvoogd van de nederlanden en hertog van parma en piacenza), historical persons, regent, substitute ruler; viceroy

Prent uit: Meteren, Emanuel van. Historie der Nederlandscher ende haerder na-buren oorlogen ende geschiedenissen (...). Den Haag: Hillebrant Iacobsz. van Wouw, 1614. Prent ook gebruikt in: Meteren, Emanuel van. Historie der Nederlandscher ende haerder na-buren oorlogen ende geschiedenissen (...). Den Haag: weduwe en erfgenamen van Hillebrant Iacobsz. van Wouw, 1623.
Man en vrouw voor een woning
Object type: album leaf
Date: 1895 – 1910
Materials: photographic support
Techniques: daylight paper print
Artist: Anonymous
Subjects: historical persons, housing, dutch east indies, the
Tom Jones detects the Philsopher in Black Molls Bed Chamber, "The History of Tom Jones, a Foundling"
Object type: print
Date: 1792 – 1792
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: interiors,men,female nudes
Mouw van witte tule met strooipatroon
Object type: sleeve
Date: 1875 – 1910
Materials: fiber
Location: europe
Artist: Anonymous

De tule is gerimpeld aan een witte strook gezet.
The Actors Sanogawa Ichimatsu I as Oshichi and Nakamura Kumetaro I as Kichisaburo in the play "Izu Kosode Shobai Kagami," performed at the Nakamura Theater in the second month, 1751
Object type: print
Date: 1751 – 1751
Techniques: printmaking, woodblock print
Location: japan
Artist: ishikawa toyonobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1711 – 1785
Ruitertafereel op Koninklijke Houtvesterij Het Loo: gezelschap bij gedekte tafels bij een landhuis
Object type: album leaf
Date: 1900 – 1925
Materials: photographic support
Techniques: gelatin silver print
Location: het loo
Artist: Anonymous
Subjects: hunting, chase, hunting-ground, rural housing, e.g. country-house, villa, cottage, eating and drinking

Onderdeel van Fotoalbum van de heer Brams, opperhoutvester van koningin Wilhelmina op Koninklijke Houtvesterij Het Loo.
Cuneiform tablet: quittance for a loan in silver
Object type: cuneiform tablet
Date: 2000 – 1801
Materials: clay
Culture: assyrian
Location: anatolia

Kültepe, the ancient city of Kanesh, was part of the network of trading settlements established in central Anatolia by merchants from Ashur (in Assyria in northern Mesopotamia) in the early second millennium B.C. Travelling long distances, and often living separately from their families, these merchants traded vast quantities of goods, primarily tin and textiles, for Anatolian copper and other materials. Although the merchants adopted many aspects of local Anatolian life, they brought with them Mesopotamian tools used to record transactions: cuneiform writing, clay tablets and envelopes, and cylinder seals. Using a simplified version of the elaborate cuneiform writing system, merchants tracked loans as well as business deals and disputes, and sent letters to families and business partners back in Ashur. At Kültepe, thousands of these texts stored in household archives were preserved when fire destroyed the city in ca. 1836 B.C. Because the tablets document the activities of Assyrian merchants, they provide a glimpse into the complex and sophisticated commercial interactions that took place in the Near East during the beginning of the second millennium B.C. This tablet documents the discharge from debt for a silver loan owed to Ashur-taklaku. The cuneiform text, which reads from left to right, indicates that the loan of silver has been paid, and any further claims are void. Witnesses are listed in the text, and their seals appear on the clay envelope or case which contained the tablet (MMA 66.245.16b).
Panorama d'Amsterdam
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: tone lithography
Location: amsterdam
Subjects: prospect of city, town panorama, silhouette of city, amsterdam
Inscriptions: collector's mark: Lugt 2228

De stad is vanaf het IJ gezien. In het bovenste profiel zijn de Beurs, het Damrak, het Paleis op de Dam, de Nieuwe Kerk, de Texelse Kade, Rijn & IJssel Maatschappij, de Nieuwe Stadsherberg, de Haringpakkerij en de Oude Jachthaven afgebeeld. Het tweede profiel daaronder gaat door met de Lutherse Kerk, het Singel, de Haarlemmerboom, het Droogbak, de Westerkerk en het Westerdok. Beiden profielen zijn rechtsboven genummerd.
Man en een vrouw met een zak etenswaren op straat
Object type: photomechanical print
Materials: paper
Techniques: photograph
Subjects: adult woman, adult man, container of textile material: bag, sack
Inscriptions: inscription: ‘Concours de negatifs/ 1886.’, inscription: ‘Bulletin de l'Association belge de photographie’
Fan
Object type: costume and accessory
Date: 1801 – 1900
Materials: paper, pearl
Techniques: gilding, painting
Location: france