deem-data/ArtiFact huggingface dataset:
Forward Deck of the Great Eastern Cleared for the First Attempt to Grapple for the Lost Cable, August 11th, 1865
Object type: drawing
Date: 1865 – 1866
Materials: gouache, graphite, watercolor
Artist: robert charles dudley
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1909
Subjects: men,ships,transatlantic cable

One of the 19th century's great technological achievements was to lay a telegraphic cable beneath the Atlantic, allowing messages to speed back and forth between North America and Europe in minutes, rather than ten or twelve days by steamer. An initially successful attempt in 1858, led by Cyrus W. Field and financed by the Atlantic Telegraph Company, failed after three weeks. Two working cables were finally laid in July and September 1866, the result of repeated efforts by the indefatigable Field, a cadre of engineers, technicians, and sailors, two groups of financial backers, and significant help from the British and United States navies. Dudley documented the process in a series of watercolors and oils, this example showing preparations to retrieve the cable lost overboard on August 2, 1865. Repeated grappling failed at this time but, the next summer, the Great Eastern managed to find and raise the cable, then lay it on to Newfoundland. In 1892 Field donated art works by Dudley, commemorative medals, memorabilia, and specimens of cable to the Museum.
Miniature mug
Object type: mug
Date: 1720 – 1730
Materials: silver
Artist: david clayton
Artist role: artist
Artist nationality: british
Artist dates: 1659 – 1719
Germaanse offerplaats
Object type: print
Date: 1865 – 1870
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: sacrifice ~ germanic and scandinavian religions, netherlands
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: J. van Lennep en W. Moll en J. ter Gouw. Nederlands geschiedenis en volksleven in schetsen. Leiden: A.W. Sijthoff, [ca. 1870]. Staalgravures naar de schilderijen van de Historische Galerij der Maatschappij Arti en Amicitiae.
Mademoiselle V. . . in the Costume of an Espada
Object type: painting
Date: 1862 – 1862
Materials: canvas, oil
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: women,bulls,horses
Portret van de schilder Jacob van Mosscher
Object type: print
Date: 1821 – 1879
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: jonkheer isaac lambertus cremer van den berch van heemstede
Artist role: print maker
Artist dates: 1811 – 1879
Subjects: neck-gear ~ clothing (with name)
Inscriptions: inscription: ‘Jaques de Mosscher, Pieter. Naar de zwarte kunstprent J. van Ravesteyn pinx J Stolker fec et exudit’, collector's mark: Lugt 2228

De geportretteerde is afgebeeld in een ovaal en draagt een hoed en een plooikraag.
A group of five heads with other studies
Object type: drawing
Date: 1830 – 1844
Materials: graphite
Artist: theodor richard edward von holst
Artist role: artist
Artist nationality: british
Artist dates: 1810 – 1844

The drawing represents a row of five heads that include young men, a woman, and two older bearded men wearing hats. Below are studies of a hand, and twisting figures. The imagery has not been connected to a particular source, but romantic literary and fantastic subjects predominate in Von Holst’s oeuvre, often insprired by Virgil, Dante, Shakespeare, Victor Hugo, and Goethe. Von Holst’s precocious talent was recognized by Thomas Lawrence, who bought a drawing from the youth when the latter was ten years old. After taking lessons from Henry Fuseli, Von Holst entered the Royal Academy Schools at the age of fourteen in 1824. Fuseli remained a strong influence stylistically and the works of the two artists have often been confused. In 1959, an album assembled by John Welch Etherington Rolls (1807-1870) appeared at auction containing drawings by both artists, and subsequent research allowed a core group to be securely ascribed to Von Holst, the present sheet among them.
A Long Story
Object type: print
Techniques: etching
Artist: henry william bunbury
Artist role: artist
Artist nationality: british
Artist dates: 1750 – 1811
Subjects: satire,men,dogs,servants
Two Views of Dutch East India Company Trading Posts: Lawec in Cambodia and Banda in the Southern Moluccas
Object type: painting
Date: 1662 – 1663
Materials: linen, oil
Artist: johannes vinckboons
Artist role: draughtsman, print maker
Artist dates: 1616 – 1670
Subjects: island, locations for trading
Inscriptions: inscription: ‘Neyra.’

From 1609 the East India Company was sailing to Lawec, near Phnom Penh. There the company purchased provisions, such as rice, butter, pork, and lard, for Batavia. Banda supplied mace and nutmeg. In 1621, Governor-General Coen punished the island for trading with other countries: all fifteen thousand islanders were killed or driven away. The ‘slaughterer of Banda’ founded nutmeg parcels, heavily guarded by forts.
Writing Box with Birdcage
Object type: writing box
Date: 1801 – 1900
Materials: gold, lacquer, mother of pearl, silver
Techniques: hiramakie, inlay, maki-e
Culture: japanese
Subjects: birds,dragons
Crocuta crocuta (Spotted hyena)
Object type: dierstudie
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Inscriptions: annotation: ‘Mannetjes Hy[a]ena, aan de Caap genoemt tyger wolf / [dan datum en signatuur] /doodgeschoo[r?]ten leggende geteekent. door hottentotten genaamt t'hòeka [onderstreept] de eerste syllabe met / [gaat rechts verder] een klappende slag te gelyk uitsprekende / links : lang van snuit tot begin der staart viervoet, / nogthans niet volwassen’, signature and date: ‘den Caap den 3 of 1(?) July 1777 R:J. Gordon’

Een mannetjeshyena, ook genaamd tijgerwolf, op de rechterflank gezien.
Saint John
Object type: statuette
Date: 1700 – 1700
Materials: terracotta
Subjects: birds,saint john the evangelist
Koeien en schapen
Object type: print
Date: 1657 – 1677
Materials: paper
Techniques: etching
Location: the hague
Artist: marcus de bye
Artist role: print maker
Artist dates: 1639 – 1688
Subjects: cow
Inscriptions: collector's mark: Lugt 2166
De ziel wijst naar de sterrenhemel
Object type: print
Date: 1798 – 1837
Materials: ink, paper
Techniques: brush, etching
Location: netherlands
Subjects: stars in the firmament, christ and the soul

Een knielende man, de personificatie van de ziel, wijst naar de sterrenhemel. Deze prent verbeeldt een detail van een tekening van Jan Luyken getiteld: Jezus en de ziel beschouwen de sterrenhemel.
Spring (Le Printemps)
Object type: print
Date: 1742 – 1762
Techniques: engraving, etching
Artist: simon francis ravenet, the elder
Artist role: artist
Artist nationality: french
Artist dates: 1706 – 1774
Subjects: women
De rijke man en de arme Lazarus
Object type: print
Date: 1767 – 1780
Materials: paper
Techniques: etching, hand coloring
Location: netherlands
Artist: bernhard schreuder
Artist role: print maker
Artist dates:  – 1780
Subjects: the rich man (dives) is feasting, while poor lazarus is starving at the gate (dogs licking lazarus' sores) (luke 16:19-31)
Inscriptions: collector's mark: Lugt 2228

De rijke man staat in zijn deuropening en kijkt neer op Lazarus, die op de grond zit en wiens zweren door de honden worden gelikt.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, framing border of tondo; Exterior, tendril; part of draped male
The "Doria" Carpet
Object type: carpet
Date: 1601 – 1700
Materials: metal thread, silk
Techniques: asymmetrically knotted pile, brocade
Location: iran

This carpet is one of a pair; its counterpart is in the Carpet Museum in Tehran. The field pattern of both carpets is identical, and a balanced design is achieved when the two carpets are placed end‑to‑end. Both carpets are examples of the "Polonaise" type, so called for a nineteenth-century misattribution of this type of carpet to Poland rather than Iran. This group, distinguished by a silk pile and metallic brocading, is now known to have been made during and after the reign of Shah 'Abbas I in workshops in Isfahan, Yazd, and Kashan.
Silhouetportret van Hendrik Daniël van Hoorn
Object type: book illustration
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: amsterdam, politician, historical persons, politician, e.g. party leader

Prent uit: Rogge, Cornelis. Geschiedenis der staatsregeling, voor het Bataafsche volk. Amsterdam: Johannes Allart, 1799.
Maart
Object type: print
Date: 1918 – 1918
Materials: paper
Techniques: woodcut
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: march; 'marzo' (ripa), flowers: columbine
Inscriptions: collector's mark: Lugt 2228
Stad Rostock, 1/16 Reichsthaler, 1628
Object type: zestiende rijkstaler
Date: 1628 – 1628
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: griffioen naar links. Keerzijde: waarde-aanduiding in drie regels, waaronder jaartal.
Leven, passie en wederopstanding van Christus
Object type: print
Date: 1582 – 1671
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich ulrich
Artist role: draughtsman, painter, print maker
Artist dates: 1572 – 1671
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)
Inscriptions: number: ‘38. - 64.’, collector's mark: Lugt 240
Winged Dragon (one of five medallions from a coffret)
Object type: medallion
Date: 1110 – 1130
Materials: gilt copper, enamel
Techniques: enamel
Culture: french
Location: france
Subjects: dragons

The blue and green beasts, locked in battle and compressed into these circular medallions, are emblematic of goldsmiths’ work created at Conques under the patronage of Abbot Boniface (r. 1107–after 1121). On a similar box still at Conques, an inscription proudly proclaims: “In all respects, the coffrets of Conques demonstrate brilliant workmanship.”
Vissers langs de Tiber te Rome, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: castle, river, church (exterior), bridge in city across river, canal, etc., fisherman

Op de achtergrond zijn de Engelenburcht, Engelenbrug en de Sint-Pietersbasiliek te zien.
Mansportret, waarschijnlijk een zelfportret
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: rotterdam, amsterdam, painter, print maker, draughtsman, george hendrik breitner, anonymous historical person portrayed
Inscriptions: annotation: ‘Wijnandt[?] het bruin[?]/ [...]/ Amsteldijk/ A.M. Gorter/ 346 Nassaukade’

Pagina 81 uit een schetsboek met 41 bladen.
Ex libris van Amato De Leghe
Object type: bookplate
Date: 1750 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Study of Cupid (from Sketchbook)
Object type: drawing
Date: 1860 – 1860
Materials: graphite, paper
Culture: american
Artist: john quincy adams ward
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1910
Subjects: cupid

Ward, a student of Henry Kirke Brown, became known as the "Dean of American Sculpture." This page is from a sketchbook, which provides an intimate look at the artist’s working methods. Ward’s sketches include several classically influenced figures mingled with American Indians on horseback as well as a number of bison.
Chinese Poem on the Autumn Moon by Hanshan
Object type: hanging scroll
Date: 1760 – 1760
Materials: ink, paper
Culture: japanese
Artist: baisaō
Artist role: artist
Artist nationality: japanese
Artist dates: 1675 – 1763

Baisaō, an Ōbaku Zen monk whose name literally means “the old man who sells tea,” played a key role in popularizing sencha, a Chinese style of steeped tea. Drawing on the calligraphy tradition established by his Chinese predecessors, he developed a bold, dynamic, yet flowing style. Here, he inscribed a famous verse by Hanshan, an eccentric monk of eighth-century China, which had become popular among Japanese tea adepts: 吾心似秋月 碧潭清皎潔 無物堪比倫 教我如何説 My heart is like the autumn moon, shining clean and clear in the green pool. Nothing in existence rivals it, instructing me on how to preach. —Adapted from Burton Watson
Fontein met twee mannen die een draak vasthouden
Object type: ornament print
Materials: paper
Techniques: etching
Location: augsburg
Maria met het Christuskind
Object type: print
Date: 1680 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob gole
Artist role: print maker
Artist dates: 1660 – 1724
Subjects: madonna: mary sitting or enthroned, the christ-child in her lap (or in front of her bosom) (mary sometimes represented half-length)
Inscriptions: collector's mark: Lugt 240

Het Christuskind zit bij Maria op schoot. Zijn hoofd en linkerhand rusten op haar borst.
Un monsieur tenant à prouver qu'il peut en même temps chanter et toucher du piano (...)
Object type: cartoon
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Location: paris
Subjects: male singer, caricatures (human types), pianoforte
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 17 februari 1852.
Man Sitting and Woman Carrying a Fish
Object type: print
Date: 1701 – 1750
Techniques: etching, stippling
Artist: martin engelbrecht
Artist role: artist
Artist nationality: german
Artist dates: 1684 – 1756
Subjects: chinoiserie,men,women,fish,trees
Augustus Peter "Gus" Alberts, Shortstop, Milwaukee, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Verschillende schepen en stadsgezichten van Amsterdam, tweede deel
Object type: print
Date: 1652 – 1654
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Subjects: ships (in general)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1494, collector's mark: Lugt 462, collector's mark: Lugt 1227

Twee koopvaardijschepen op zee vlak bij land. Links De Parel, een Oost-indiëvaarder en rechts De Dubbele Arend, een West-indiëvaarder.
The Bird's Nest
Object type: print
Materials: paper
Techniques: engraving
Location: england
Artist: charles knight
Artist role: print maker
Artist nationality: english
Artist dates: 1743 – 1826
Groot en goed
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: letterpress printing, engraving
Location: purmerend
Subjects: baptism, christening ceremony ~ the first of the seven sacraments, family life at home, printed edition of musical score

Blad met muziekstuk 'De mannelijke leeftijd' en 5 voorstellingen: Klaas en Marie treden in den echt, Klaas en Marie met hun eerste kind ten doop, het gelukkige huisgezin, Klaas met zijn zoon aan het werk en Klaas ontvangt een aanstelling tot burgemeester. Onder de voorstellingen diverse coupletten van het muziekstuk. Genummerd rechtsboven: No. 179, linksonder: (8.).
Gen. French, the British Phil. Sheridan, reviewing Victoria Mounted Rifles (Modder River Heroes), S. Africa
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: south africa
Subjects: firearms: rifle, the soldier; the soldier's life
Inscriptions: number: ‘236’, name: ‘Works and Studios Sun Sculpture trade mark Arlington N.J. Littleton N.H. Washington D.C.’
Private, Cadet Corps, 13th Regiment, National Guard of the State of New York, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: soldiers,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Brief aan Christiaan Kramm
Object type: letter
Date: 1840 – 1840
Materials: ink, paper
Techniques: pen, writing
Location: mechelen
Artist: jan frans pluys
Artist role: sculptor
Artist dates: 1810 – 1873
Subjects: draughtsman, christiaan kramm, applied arts, arts and crafts; industrial design, money
Inscriptions: collector's mark: Lugt 2233
Gezicht op het Buikslotermeer
Object type: drawing
Date: 1850 – 1950
Materials: paint, paper, pencil
Techniques: brush
Location: amsterdam
Artist: Anonymous
Subjects: village, lake, windmill in landscape
Inscriptions: collector's mark: Lugt 800a, inscription: ‘Buiksloter Meer’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 35.
Portret van vrouw in ovaal
Object type: photograph
Date: 1896 – 1896
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Inscriptions: inscription: ‘Nijmegen / 1896’, date: ‘1896’
Amulet illustrating a baboon in a boat
Object type: amulet, baboon
Date: 304 – 30
Materials: faience
Location: egypt
Subjects: boats,baboons
Man met een voorwerp, naar links
Object type: drawing
Date: 1876 – 1886
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult man (+ sideview, profile)
Inscriptions: collector's mark: Lugt 2228
Esemplario di Lauori..., page 9 (verso)
Object type: book print ornament architecture
Techniques: woodcut
Location: venice
Artist: giovanni andrea vavassore
Artist role: publisher
Artist nationality: italian
Artist dates: 1530 – 1573
Subjects: ornament

Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore (Giovanni's brother), Italian, active 16th century. Reissued by Macmillan & Co., British, London and New York. From top to bottom, and left to right: Design composed of 3 horizontal registers. Top register is illustrated with a ship. Middle register is illustrated with a griffon and a man carrying a pale on a stick. Bottom register is illustrated with a seated man, a centaur holding a bow and arrow, and 3 birds (2 flying and 1 on the ground).
Bloeiende staf van Aäron
Object type: drawing
Date: 1545 – 1545
Materials: ink, paper
Techniques: pen
Artist: Anonymous
Subjects: aaron's rod has sprouted, flowered and produced ripe almonds
Münster i. W. Rathaus. Friedenssaal mit Wandvertäfelung von 1577
Object type: photograph
Date: 1905 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: berlin
Subjects: townhall, interior of the house
Dubbele akelei en appel
Object type: album leaf
Date: 1600 – 1604
Materials: paper
Techniques: engraving
Location: cologne
Subjects: fruits: apple, flowers: columbine, botany
Inscriptions: collector's mark: Lugt 2228

De prenten RP-P-2012-24-1 t/m 61 waren oorspronkelijk als serie samengebonden. De naaigaten op de bladen zijn nog zichtbaar. Het betreft de reeks getiteld: Cognoscite lilia, bestaande uit een titelprent en 60 gravures met 119 genummerde weergaven van planten, bloemen en vruchten, versierd met rinceaux en kleine voorstellingen van dieren. Het gaat om proefdrukken van deze reeks gravures, voor de opschriften en, deels, voor de nummering. Op enkele prenten zijn de nummers met de hand aangebracht. Op de titelprent ontbreekt nog het adres van Crispijn de Passe en Hans Woutneel. De titel is hoogstwaarschijnlijk gegraveerd door Matthias Quad. Deze werkte voor De Passe in Keulen tot 1604. De reeks moet in dit jaar of daarvoor tot stand zijn gebracht. In ieder geval voor 1608, aangezien de uitgever Hans Woutneel in of voor dat jaar overleed. In ieder geval voor 1608, aangezien de uitgever Hans Woutneel in of voor dat jaar overleed. De gravures worden door Ilja Veldman en Anthony Griffiths beschouwd als eigenhandig werk van Crispijn de Passe I.
Een van de prenten uit de reeks ontbreekt (nr 21-22) en is vervangen door een ingekleurde afdruk uit een latere uitgave (RP-P-2012-24-61), die onder de titel Altera Pars is opgenomen in de Hortus Floridus, uitgegeven door Crispijn de Passe I en die verder bestaat uit platen van Crispijn de Passe II. De prenten afkomstig uit deze uitgave zijn op de verso voorzien van tekst in boekdruk. De vervangende prent maakte geen deel uit van de gebonden serie aangezien dit blad als enige geen naaigaten heeft.

Een deel van de planten, bloemen en vruchten in de Cognoscite lilia gaat terug of is gebaseerd op een reeks aquarellen van Jacques LeMoyne uit circa 1580 en uit 1585, nu in het Victoria and Albert Museum en de British Museum (zie P. Hulton, Jacques LeMoyne, Londen 1977, dl 1, p. 156-162 en p. 165-173).
Man on Horseback
Object type: drawing and watercolor
Materials: graphite, paper
Location: france
Artist: alphonse marie adolphe de neuville
Artist nationality: french
Artist dates: 1835 – 1885
Robinson, Catcher, Philadelphia Athletics, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
The Parthenon
Object type: painting
Date: 1880 – 1880
Materials: canvas, oil
Culture: american
Artist: vincent g. stiepevich
Artist role: artist
Artist nationality: american
Artist dates: 1841 – 1911
Subjects: buildings
"Plymouth Rock"
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Journal des Dames et des Modes, Costumes Parisiens, 1838, (3538): Robe de satin violet (...)
Object type: fashion print
Date: 1838 – 1838
Materials: paper
Techniques: engraving, hand coloring
Artist: Anonymous
Subjects: ear-rings (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), book, interior of the house, fan (+ women's clothes), necklace (+ women's clothes)
Inscriptions: address: ‘Reu de Helder 14 / M. Seguin a Library, 12, Regent Street London.’, inscription: ‘Pantalon sans ceinture a sous pieds Cambrés / Collet Schall / Bonnet gothique sans pattes / Corsage d'un robe Polonaise ajustant sans nervures’, caption: ‘Robe de Satin violet: Robe de Crêpe bleu ruchée de tulle, façons de M.me Hucher, 14, r. S.te Anne; Chapeau de satin d'Herbault; Coiffure de Giraux,6,r. Lepelletier.’, title: ‘Costumes Parisiens. / Journal des Dames & des Modes.’, title: ‘Journal des Dames. Rue Helder, 14.’

Twee vrouwen in een interieur. Links: japon van satijn. Luifelhoed van satijn van Herbault. Accessoires: collier, handschoenen, ceintuur, schoen met puntige neus. Rechts: japon van crêpe versierd met ruches van tule, door Hucher. 'Coiffure' van Giraux. Accessoires: oorbel in het rechteroor, collier, waaier, handschoenen, schoen met vierkante neus. Verso: patronen van onder andere een vest, lange broek, muts en een lijfje van een 'robe Polonaise'.
De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, Parijs, 1797-1839.
Rembrandt
Object type: print
Materials: paper, steel
Techniques: engraving
Location: united states
Artist: Anonymous
Artist nationality: American or British
Artist dates: 1800 – 1899
Talleyrand
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, charles maurice hertog van talleyrand-périgord, historical persons
Inscriptions: collector's mark: Lugt 2228a