deem-data/ArtiFact huggingface dataset:
Rivierlandschap bij Buitenzorg
Object type: photograph
Date: 1880 – 1883
Materials: photographic support
Techniques: albumen print
Location: buitenzorg
Artist: Anonymous
Subjects: river bank, river (+ landscape with figures, staffage)

Onderdeel van Reisalbum met opnames van bezienswaardigheden in Egypte, Nederlands-Indië, Singapore en Ceylon.
Prayer Rug with Triple Arch Design
Object type: carpet
Date: 1767 – 1800
Materials: wool
Techniques: pile
Location: turkey

Prayer rugs or "seccade" carpets were among the most popular rugs woven in Anatolia. Common features are the characteristic niche design evoking the mihrab or prayer niche and the smaller size that makes such carpets suitable for individual use. Departing from classical Ottoman court carpets, distinct designs and styles were created over time in villages and smaller towns of Anatolia, which explains the existence of a variety of types. This example from Ladik, near Konya in central Turkey shows a stylized niche with a triple arch – each arch shaped in triangles. Curiously, the columns were omitted by the weaver and instead replaced with a pair of stylized vegetal motif shaped as a lozenge, each one hanging as a pendant below the tree-like pattern inserted between the arches. Large carnation fill the top and stand out from whitish ground on top that contrasts with the deep red ground of the niche.
Virgin and Child
Object type: painting
Date: 1520 – 1520
Materials: oil, paint, panel, wood
Techniques: painting
Location: belgium
Artist: workshop of adriaen isenbrant
Artist nationality: netherlandish
Artist dates: 1485 – 1551
Subjects: virgin and child/madonna and child, buildings, building, pond, water, figures, men, foliage, trees, religion, religious scenes, religious figures, religious, christianity, christian subjects, landscape, woman with children, children, woman, jesus, virgin mary, century of progress, world's fairs, chicago world's fairs
Dish
Object type: dish
Date: 1451 – 1500
Materials: earthenware, glaze
Techniques: luster painting
Culture: spanish
Joseph Reed
Object type: print
Materials: paper
Techniques: etching
Location: united states
Artist: de lay glover
Artist nationality: american
Artist dates: 1832 – 1863
Boerenkermis
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: etching
Location: london
Subjects: inn, coffee-house, public house, etc., one pair dancing; man and woman dancing as a couple, farmers, bagpipe, musette - cc - out of doors, drinking
Inscriptions: collector's mark: Lugt 2228

Prent 33 uit: Ottley, William Young. A collection of thirty-nine facsimiles, rare etchings, by celebrated painters of the Italian, Dutch and Flemish schools. Londen: 1828.
Song of One Year
Object type: folding fan mounted a an album leaf
Materials: gold, ink, paper
Culture: chinese
Artist: tang yin
Artist role: artist
Artist nationality: chinese
Artist dates: 1470 – 1524
Naaktstudies van een jongetje
Object type: drawing
Date: 1787 – 1808
Materials: ink, paper
Techniques: brush
Location: skälsebo
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: standing figure, toddler (male), standing figure (canon, proportions)

Schematische academische figuurstudies van een jongetje, gezien van verschillende kanten. Gekopieerd uit een voorbeeldboek.
Portret van Luca Gaurico
Object type: print
Date: 1669 – 1669
Materials: paper
Techniques: engraving
Artist: jean jacques boissard
Artist dates: 1528 – 1598
Subjects: rome
Inscriptions: collector's mark: Lugt 2228

Gemaakt voor: J.J. Boissard, Icones virorum illustrium doctrina &c eruditione praestanti um contines. Frankfurt am Main: de Bry, 1597-1599. Opnieuw gebruikt in: J.J.Boissard, Bibliotheca chalcographica, hoc est Virtute et eruditione clarorum Virorum Imagines. Heidelberg: Clemens Ammon, 1669 (te herkennen aan de toegevoegde signatuur in de rechter onderhoek: E).
Schetsboek met 73 bladen
Object type: sketchbook
Date: 1935 – 1936
Materials: cardboard, chalk, ink, linen, paper, pencil
Techniques: pen
Location: venice
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: ships (in general), folk costume, regional costume, street (+ city(-scape) with figures, staffage), venice, amsterdam
Inscriptions: factory mark: ‘SKETCHER'S/ NOTE BOOK/ SERIES A 42/ containing 80 leaves of good white paper./ MANUFACTURED BY/ GEO. ROWNEY & CO., LONDON, W., ENGLAND/ SIZE No. 2- 8 1/2 x 5 1/2 inches./ Dimensions de l'album 14 x 10 cm.’, collector's mark: Lugt 2228a

Schetsboek bestaande uit 73 bladen met voornamelijk stadsgezichten, landschappen en figuren, deels gemaakt tijdens een bootreis, vermoedelijk de reis van Vreedenburgh naar het Midden-Oosten via Italië en Egypte in 1936. Tevens enkele Amsterdamse stadsgezichten en ontwerpen voor een affiche voor Jachthaven S. van Dijk in Oud-Loosdrecht. Op de voor- en achterzijde van het schetsboek potloodstudies.
Pendant
Object type: pendant
Date: 201 – 700
Materials: copper, stone
Culture: sasanian
Location: iran
Vrijstaande villa met toren in een boomrijke omgeving
Object type: sketchbook leaf
Date: 1862 – 1867
Materials: paper, pencil, watercolor
Techniques: brush
Artist: isaac gosschalk
Artist role: draughtsman
Artist dates: 1838 – 1907
Subjects: country-house

Blad 4 recto uit een schetsboek met 58 bladen.
Portret van Anna Dorothea van Sachsen-Weimar
Object type: print
Date: 1680 – 1739
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: johann christoph sartorius
Artist role: print maker
Subjects: historical persons - bb - woman, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Patch box
Object type: patch box
Date: 1750 – 1750
Materials: gold, hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: faces
Abstracted human figure
Object type: abstracted human figure
Date: 1981 – 1640
Materials: clay
Location: egypt
View of Darjeeling and Himalayas
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: mountains,landscapes,clouds
Fighting Lions
Object type: sculpture
Materials: bronze
Culture: american
Artist: william rimmer
Artist role: artist
Artist nationality: american, born england
Artist dates: 1816 – 1879
Subjects: lions

Rimmer was always fascinated by lions; he drew, painted, and sculpted them. While he may have known the lions depicted in paintings by Théodore Gericault and Eugène Delacroix, he was almost surely influenced by the work of French animal sculptor Antoine-Louis Barye. Rimmer’s colleague William Morris Hunt had introduced Barye’s sculpture to Boston collectors in the 1860s, so Rimmer likely knew his realistic statuettes of battling beasts, at the very least through engravings. "Fighting Lions" portrays a male and female lion locked in combat, an angry, turbulent mass of interlocked forms. Rimmer’s intimate knowledge of animal anatomy is evident, especially in his rendering of the straining muscles beneath the rippling, activated surface. In his writings, he frequently returned to the motif of animals caught in epic battles, symbolically connecting to moral chaos. Notably, the genders of the lions may have been a pointed reference to the ongoing struggles for women’s rights, of which Rimmer was a vocal supporter.
Portrait Miniature of the Marquis de Lafayette
Object type: painting, miniature
Date: 1770 – 1800
Materials: paper
Location: france
Subjects: men,portraits,profiles,marquis de lafayette
The Entry into Jerusalem;  Christ riding on a donkey towards an arched city gate; an elderly man spreads out his cloak on the road, from "The Passion of Christ", after Dürer
Object type: print
Date: 1500 – 1534
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: men,donkeys,christ
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Part of a foot type C with part of the stem
Juglet
Object type: juglet
Date: 1050 – 950
Materials: terracotta
Culture: cypriot

Miniature amphora with straight and wavy lines.
Dorpsgezicht
Object type: print
Materials: paper
Techniques: etching
Location: the hague
Artist: jan gerard smits
Artist role: draughtsman, print maker
Artist dates: 1823 – 1910
Subjects: outskirts of village
Inscriptions: collector's mark: Lugt 2228

Op een landweg naar een dorpje met links een boerderij en rechts een kerkje staan twee vrouwen te praten. Op de voorgrond liggen enkele boomstammen.
Kamieniec Podolski Ville Forte des Estats de Pologne, et de la Haute Podolie (...)
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: etching
Location: france
Subjects: maps of cities
Inscriptions: date

Plattegrond van de stad Kamjanets-Podilsky. Onderdeel van het tweede deel (1693) van het prentwerk waarin gebundeld zijn de acht delen van Les forces de l'Europe uitgegeven tussen 1693-1697. Het prentwerk bestaat uit 175 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog. Titel en opschriften in het Frans.
Graf van een officier, Nederland
Object type: cabinet photograph
Date: 1870 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: netherlands
Artist: pieter wilhelmus roemer
Artist role: fotograaf
Artist dates: 1838 – 1924
Subjects: gravestone, tombstone, cemetery, park-like burying ground, netherlands
Inscriptions: inscription: ‘Photographie Artistique/ van/ P.W. Roemer (...) De plaat blijft ter nabestelling bewaard.’, collector's mark: ‘Vosmaer’
Dalmatic
Object type: dalmatic
Date: 1534 – 1566
Materials: metal thread, silk
Standing cup with cover (Hanap)
Object type: standing cup with cover
Date: 1801 – 1900
Materials: metal, silver
Portret van François de la Noue
Object type: text sheet
Date: 1614 – 1614
Materials: paper
Techniques: engraving, letterpress printing
Location: the hague
Subjects: commander-in-chief, general, marshal, historical persons

Prent uit: Meteren, Emanuel van. Historie der Nederlandscher ende haerder na-buren oorlogen ende geschiedenissen (...). Den Haag: Hillebrant Iacobsz. van Wouw, 1614.
Portretten van ambassadeurs van de Vrede van Munster
Object type: print
Date: 1648 – 1664
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: ambassadeur, staatsman, barthold van gent, vrede van münster
Inscriptions: collector's mark: Lugt 2228

Buste naar rechts van Barthold van Gent, heer van Meynerswijck in een ovaal. Onder het portret zeven regels in het Latijn. Prent uit een serie portretten van ambassadeurs betrokken bij het vredesverdrag van Munster.
Gewicht van sluitgewicht uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: weight scale component
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Weight, cupweight, cup; id. NG 1980-27H2775, corroded together, no marks legible.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, toes of left foot; Exterior, right foot of figure riding a dolphin? to right
Papal Benediction, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving, etching
Artist: Anonymous
Artist role: artist
Subjects: buildings,men,women,horses,crowd,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 68 in the scrapbook.
May, from "Album of Rustic Subjects"
Object type: print
Date: 1859 – 1859
Techniques: engraving
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Jabot van batist met witwerk en haakwerk
Object type: jabot
Date: 1910 – 1920
Materials: cotton, linen
Techniques: crochet, embroidered, embroidery
Location: netherlands
Artist: Anonymous

Jabot met twee slippen, waarvan de bovenste de kortste is, met witwerk versierd. Het patroon heeft op de bovenste slip driemaal een dubbele slinger tussen oprijgen en rondom vrij brede gehaakte schulpen. Op de onderste slip zijn vijf dikke knopen gezet en de rand is versierd met oprijgen en kleine gehaakte punten.
Corps de Garde van Hollandsche Officiers / Corps de Garde des Officiers Hollandois
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maps of separate countries or regions, in the guard-room, 'kortegaard', officer, dog
Inscriptions: collector's mark: Lugt 1641, collector's mark
Terracotta fragment of an oinochoe (jug)?
Object type: oinochoe fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of the mouth of an oinochoe; below, on the neck, ivy leaves and korymboi
Potomac Round Point, Washington D.C., Circular Pool Plan Sketch
Object type: architectural drawing
Date: 1909 – 1909
Materials: graphite, paper, pencil
Location: washington
Artist: d. h. burnham & co.
Artist nationality: american
Artist dates: 1891 – 1912
Lezende vrouw voor een venster
Object type: print
Date: 1900 – 1925
Materials: paper
Techniques: woodcut
Artist: shodo yukawa
Artist role: print maker
Artist dates: 1868 – 1955
Subjects: reading, book
Inscriptions: collector's mark: Lugt 2228
Sir J. Astley, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women,jockeys

Trade cards from the "Racing Colors of the World" series (N22b), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. The series was published in two variations. N22a includes a white edge around the perimeter of each card and N22b does not.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Obverse, draped youth to left, seen from the back, with arms extended, holding a skyphos in his left hand; Reverse, draped youth, bending to right, holding a skyphos in his right hand; vertical handle
Overlijden van generaal Desaix in de veldslag bij Marengo 1800
Object type: history medal
Date: 1800 – 1800
Materials: copper
Techniques: striking
Artist: h. auguste
Artist role: die cutter

Bronzen penning, op de voorzijde het borstbeeld van Desaix met omschrift en afsnedetekst tussen samengestrikte lauwertakken, op de keerzijde zeven regels tekst.
Vertoning van de Gekroonde Vrede, 1648
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: symbols, allegories of peace, 'pax'; 'pace' (ripa), theatre, theatrical performance, festivities on events of national importance

Vertoning van de Gekroonde Vrede. Onderdeel van de vertoningen opgevoerd op 23 juni 1648 op de Schouwburg te Amsterdam naar aanleiding van het sluiten van de Vrede van Munster. De eerste voorstelling toont de aankomst van de triomfwagen van de Vrede met de Rechtvaardigheid en de kroning van de Vrede door twee putti. In het onderschrift een vers van 4 regels in het Nederlands.
Nose ornament
Object type: nose ornament
Date: 500 – 800
Materials: gold, silver
Culture: moche
Location: peru
Artist: moche artist(s)
Artist role: artist
Nude Couple Embracing
Object type: drawing
Date: 1780 – 1827
Materials: watercolor
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: couples,male nudes,female nudes
Columbine and Pantaloon
Object type: group
Date: 1738 – 1738
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men,women
Gezicht op Madrid
Object type: page
Date: 1888 – 1898
Materials: paper
Techniques: photograph
Location: madrid
Subjects: city-view in general; 'veduta'
The arrival of Henri III of France at the Lido in Venice in 1574
Object type: print
Date: 1591 – 1591
Techniques: engraving, etching
Artist: Anonymous
Artist role: artist
Subjects: canals,ships,venice

Following his brother’s death in May 1574, Henri III of France returned from Poland to France to claim the crown, traveling via Venice, where the triumphal arch shown here was raised to welcome him. The arch was designed by the architect Andrea Palladio (1508–1580) and based on the ancient Arch of Septimius Severus in Rome. It led onto a loggia set up on the Lido that was decorated with paintings by leading artists Jacopo Tintoretto (1519–1594) and Paolo Veronese (1528–1588). The members of each guild in Venice prepared a ship decorated to reflect their profession; fifteen of the most important are identified here with small inscriptions. This print was made in 1591, some seventeen years after the event—demonstrating how the visit, regarded as a state occasion, was seen as worthy of memorialization.
Portrait of a Young Man in Three-Quarter View Looking over His Left Shoulder
Object type: drawing
Date: 1601 – 1700
Materials: chalk, paper
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: men,portraits
Louise Balfe as "Sweet Peas," from the series Fancy Dress Ball Costumes (N73) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the "Fancy Dress Ball Costumes" series (N73), issued in a set of 50 cards in 1889 to promote W. Duke Sons & Co. brand cigarettes.
Snowy Landscape
Object type: hanging scroll
Date: 1550 – 1550
Materials: gold, ink, mica, paper
Techniques: wash
Culture: japanese
Artist: toki tōbun
Artist role: artist
Artist nationality: japanese
Artist dates: 1502 – 1582
Subjects: landscapes

A rocky landscape of boulders and twisting pines dominates the curved surface of the fan painting. A distant landscape of towering peaks is partially obscured by a mist of gold wash, and in the foreground a small peasant hut is visible on the right, two boatmen on the water on the left. The composition is representative of the type of landscape image popular among Japanese ink painters of the late Muromachi period, who took as models both Chinese Southern Song dynasty academy paintings of the thirteenth century and later Chinese academic paintings of the Ming dynasty. The artist’s brushwork is characterized by a nervous, jagged line, but the handling and placement of the pictorial elements—generally weighted on the right side of the composition—the use of outlines, ink dots, and the overall theme of the image indicate that he had studied ink painting technique and was familiar with ink landscape paintings by Chinese artists, or perhaps Japanese copies of them. Little is known about the artist Tōbun, except that he may have traveled extensively throughout the country around the time the Ashikaga shogunate came to a close, in the early 1570s. Although known as an ink painter, he also produced works in the native yamato-e mode, and was, in addition, a poet.
De zieke vrouw
Object type: print
Date: 1860 – 1900
Materials: paper
Techniques: etching
Location: amsterdam
Artist: johannes arnoldus boland
Artist role: print maker
Artist dates: 1838 – 1922
Subjects: feeling pulse or heart-beat
Inscriptions: collector's mark: Lugt 2228

Coll. de la Faille. Reproductie van een schilderij uit de collectie van het Rijksmuseum Amsterdam, SK-C-230.
Tea Spoon
Object type: spoon
Date: 1800 – 1830
Materials: silver
Culture: american
Location: united states
Artist: joel sayre
Artist role: maker
Artist nationality: american
Artist dates: 1778 – 1818
Pair of corner shelves
Object type: corner shelf
Date: 1760 – 1760
Materials: wood
Artist: bernard ii van risenburgh
Artist role: maker
Artist dates: 1696 – 1767
Subjects: flowers,furniture

Consists of three segmental shelves, with shaped fronts linked at back by a central vertical support, triangular in section, and along outside edges by elaborately pierced C-scrolls, alternately concave and convex, that join with central support at top and bottom; shelves of different sizes, smallest at bottom, largest in middle; distance between upper and middle shelves is greater than that between lower and middle; central support, with shaped ends, veneered on front with tulipwood inlaid with pendants of flowers and leaves in end-cut kingwood; pierced C-scrolls veneered on the front and sides with tulipwood.
Portret van een zittende vrouw
Object type: cabinet photograph
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman
Standing Crowned and Jeweled Buddha
Object type: statue
Date: 1101 – 1300
Materials: gesso, gold leaf, lacquer, wood
Culture: burmese
Subjects: buddhism,buddha
Terracotta fragment of a dish?
Object type: fragment of a dish
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from a dish?
Briefkaart aan Willem Bogtman
Object type: postcard
Date: 1926 – 1926
Materials: cardboard, ink
Techniques: pen, writing
Location: zundert
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: haarlem, willem bogtman, applied arts, arts and crafts; industrial design
The Punt
Object type: print
Date: 1861 – 1861
Materials: chine, ivory, paper
Techniques: printmaking, drypoint, etching
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men,smoking,rivers,boats
Vase (Hu) with Horizontal Bands, Loop Handles, and Lionlike Medallions
Object type: religious ritual object
Materials: stoneware
Techniques: molding, underglaze
Location: china
Waterval
Object type: page
Date: 1868 – 1878
Materials: paper
Techniques: photograph
Location: hamburg
Subjects: waterfall
Inscriptions: inscription: ‘Specimen of permanent print by Messrs. Strumper & Co., Hamburg’
Untitled Valentine (Red and White Flowers)
Object type: drawing and watercolor
Date: 1850 – 1850
Materials: gold, paper, watercolor
Techniques: collage, embossing
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899