deem-data/ArtiFact huggingface dataset:
Liggend luipaard, van voren gezien, de poten naar rechts
Object type: print
Date: 1657 – 1677
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: beasts of prey, predatory animals: leopard
Inscriptions: collector's mark: Lugt 2228

Liggend luipaard, van voren gezien, de poten naar rechts. Prent uit een serie van acht genummerde prenten met ''naar het leven'' getekende luipaarden, de reeks aan bindtouw.
Dubbelportret van twee onbekende vrouwen in een geschilderd decor
Object type: photograph
Date: 1911 – 1911
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman
Inscriptions: inscription: ‘Madame Chandine/ Rue du Chateau/ Lessi[...]’, inscription: ‘11-12/ 25 IV/ 1911/ LUIK’
De eerste foto genomen door Isabel Wachenheimer van haar kindermeisje, Engelberg en het zwembad te Schwerin, augustus 1935, Engelberg (Zwitserland)
Object type: photograph
Date: 1908 – 1935
Materials: paper, photographic support
Techniques: gelatin silver print
Location: switzerland
Subjects: the family travelling, on holiday, swimming (sport)
Inscriptions: inscription: ‘Engelberg Isabel's erste Aufnahme Aug 35. das ?’

Blad bevat drie foto's. Portret van het kindermeisje van de familie Wachenheimer door Isabel, gezicht op Engelberg en op het zwembad te Schwerin. Uit het album, half formaat, groen geaderd kartonomslag met koordbinding.
Heel in sandal, of Akhenaten or Nefertiti prostrate?
Object type: akhenaten or nefertiti prostrate, heel in sandal
Date: 1352 – 1336
Materials: limestone
Location: egypt
Le Joueur de Flageolet (The Flageolet Player), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)
Object type: print
Date: 1616 – 1622
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: musical instruments,men,mythical creatures,musicians
Roma Veduta del Fiume
Object type: photograph
Date: 1865 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: prospect of city, town panorama, silhouette of city, rome
Inscriptions: negative number: ‘16’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië (deel I).
Gezicht op Heer-Oudelands-Ambacht
Object type: print
Date: 1791 – 1793
Materials: paper
Techniques: etching, hand coloring
Subjects: heer-oudelands-ambacht
Inscriptions: stamp, collector's mark: Lugt 1641

Gezicht op Heer-Oudelands-Ambacht. Onderaan een vierregelig vers. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Buitenleven.
Gedeelte van de kasteelruïne te Batenburg
Object type: photograph
Date: 1906 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: batenburg
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: ruin of a dwelling, house, castle, etc.
Inscriptions: annotation: ‘Batenburg’, annotation: ‘Kasteel Batenburg (G.)’
Two Studies of a Dog: Lying Down and Rear View Standing (from Sketchbook)
Object type: drawing
Materials: graphite, paper
Culture: american
Artist: francis william edmonds
Artist role: artist
Artist nationality: american
Artist dates: 1806 – 1863
Subjects: dogs

The execution of sketches and studies was a crucial part of Edmonds’s creative process. Many of his drawings exist as independent works--apparently never taken further--but many others represent an initial step in his conception for paintings. This sketchbook, which he began about 1838, includes both types of drawings of a variety of subjects.
Louvois
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, françois-michel le tellier (markies de louvois), historical persons
Inscriptions: collector's mark: Lugt 2228a
Geschiedenis van Ruth en Boaz
Object type: print
Date: 1557 – 1591
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: ruth uncovers the feet of the sleeping boaz and lies down
Inscriptions: collector's mark: Lugt 2228

Boaz slaapt in een korenschuur. Ruth gaat 's nachts aan zijn voeteneinde liggen. In het ochtendgloren verlaat ze de schuur weer.
A Short History of General George B. McClellan, from the Histories of Generals series of booklets (N78) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits

Miniature booklets from the "Histories of Generals" series (N78), issued in a set of 50 booklets in 1888 to promote W. Duke Sons & Co. brand cigarettes. Each booklet consists of 16 pages with covers.
De Catechisatie
Object type: print
Date: 1867 – 1904
Materials: paper
Techniques: etching
Location: haarlem
Artist: carel lodewijk dake
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1918
Subjects: teacher and pupil, reading the bible or other religious books, education
Inscriptions: collector's mark: Lugt 2228
Hand guard
Object type: tsuba, zwaardstootplaat
Date: 1600 – 1900
Materials: iron, mother of pearl, gemstone
Location: japan
Artist: masatomo

Ovale tsuba aan beide zijden ingelegd met verschillende steensoorten die drie aubergines voorstellen; gesigneerd "masatomo".
Armlet for an Image with Crossed Vajras
Object type: ornament
Date: 1601 – 1900
Materials: amber, coral, diamond, gemstone, silver gilt, lapis lazuli, mercury, mother of pearl, pearl, shell
Culture: nepali

The crossed vajras at the center of this arm ornament indicate the cardinal directions, and a diamond marks the axis of the universe—a place of ultimate stability where the Buddha reached enlightenment. The gems, semiprecious stones, and coral convey ideas of purity and form a mosaic that evokes the heavens. On either side of the armlet in reddish coral are kirtimukhas, fierce faces that symbolize the relentless passage of time.
Renaissance-zaal met figuren
Object type: drawing
Date: 1600 – 1699
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: gallery (spacious corridor)
Rijtjeshuizen
Object type: sketchbook leaf
Date: 1820 – 1896
Materials: paper, pencil
Artist: kasparus karsen
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1896
Subjects: the usual house or row of houses

Blad 32 recto uit een schetsboek met 68 bladen.
Meat Platter
Object type: meat platter
Date: 1800 – 1830
Materials: porcelain
Culture: chinese
Location: china
Subjects: landscapes
[Nude Standing by Bed]
Object type: photograph
Date: 1854 – 1854
Techniques: albumen silver print, glass negative
Artist: auguste belloc
Artist role: artist
Artist nationality: french
Subjects: female nudes,beds
Female musician with drum
Object type: figure
Date: 501 – 700
Materials: earthenware, pigment
Culture: chinese
Subjects: musicians
Neu künstlich Modelbuch (page 28r)
Object type: book print ornament architecture
Date: 1598 – 1598
Techniques: woodcut
Artist: bernhard jobin
Artist role: publisher
Artist nationality: swiss
Artist dates: 1535 – 1597
Subjects: flowers

Published by Bernhard Jobin, Strassburg. Facsimile illustrated title page of 1579 edition, poem (2 pages), and 44 pages of designs.
Rialtobrug over het Canal Grande in Venetië met op de voorgrond een gondel
Object type: photograph
Date: 1870 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: venice
Artist: Anonymous
Subjects: bridge in city across river, canal, etc., gondola, venice
Inscriptions: negative number: ‘12’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Genua, Florence en Venetië.
Wehrmacht soldaat met twee Nederlandse vrouwen
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: hoek van holland
Artist: Anonymous
Subjects: occupier and civilians, occupation ~ war

Een oudere en een jongere Nederlandse vrouw poseren met een Duitse militair in een kamer. Op de voorkant staat: Mariechen en Piet.
Card 41, Chrysophanus Thoe, from the Butterflies series (N183) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,butterflies

Trade cards from the "Butterflies" series (N183), issued in a numbered set of 50 cards in 1888 by W.S. Kimball & Co.
Flounce
Object type: flounce
Date: 1660 – 1660
Materials: lace
Techniques: gros point, lace
Inscribed Lintel from the Tomb of the Overseer of Priests and Keeper of the Sacred Cattle Mereri, Describing His Exemplary Life
Object type: relief fragment, tomb of mereri
Date: 2100 – 2030
Materials: limestone
Location: egypt
Subjects: hieroglyphs

After the weak Eighth Dynasty, no pharaoh claimed to rule over the whole country. Historians call the ensuing phase of Egyptian history the First Intermediate Period. At the root of the decline in political cohesion were serious economic problems. The ancient Near East underwent climatic changes at this time, and Egypt became increasingly arid. Particularly low annual flooding of the Nile exacerbated the situation. Credit for the eventual recovery goes to local leaders, who dealt with the difficulties region by region and instituted new methods of irrigation. Eventually, two major power centers emerged: a northern center governed from Herakleopolis Magna (Ehnasya el-Medina) just south of the Fayum entrance (Dynasties 9 and 10), and a southern center based at Thebes in Upper Egypt (Dynasty 11). Both entities managed to gain the allegiance of neighboring regions, and the Nile Valley became politically split in half, with the border fluctuating to the south and north of Abydos. Dendera was in the Abydos region and evinces shifting allegiences. Mereri's titles indicate he had roles of some importance in the cult of Hathor of Dendera, including responsibility for the clothing for attiring the cult image. He built a very large mud brick mastaba at the site. The eastern facade had an autobiographical frieze as a cornice. The entrance, surmounted by an inscribed architrave, led via a passage decorated with relief into a long rectangular room where there were thirteen niches with stelae. An inner offering room held the owner's false door. On the north side of the mastaba an entrance accessed the burial chamber through a vaulted tunnel. This fragment is part of the architrave, not all parts of which are in this museum, wherein Mereri states that he has behaved properly and also been active on behalf of his lord: "I appointed a person according to how proper he was. I was one who acted for his lord in the form of an excellent heir. I overthrew his enemies in reality: this is not an empty [gravestone] boast!"
Jupiter, from 'Game of Mythology' (Jeu de la Mythologie)
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: jupiter
Portret van Frans I van Frankrijk
Object type: print
Date: 1539 – 1539
Materials: paper
Techniques: hand coloring
Location: antwerp
Artist: hans liefrinck (i)
Artist role: print maker
Artist dates: 1518 – 1573
Subjects: frans i van valois-angoulême (koning van frankrijk)
Inscriptions: date

Frans I, koning van Frankrijk, borststuk achter vensterbank, binnen twee rondbogen achter elkaar. In het midden bovenaan het gekroonde Franse wapen, onder de borstwering in gesneden letters de titel en jaartal. Pendant van portret van Eleonora van Frankrijk.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Interior, meander and cross pattern; Exterior, hind legs and tail of a horse, draped figure behind horse, in front of horse, leg or drapery of another figure
Stadsgezicht met markt voor stadspoort
Object type: print
Date: 1660 – 1699
Materials: paper
Techniques: etching
Subjects: market, city-gate
Inscriptions: collector's mark: Lugt 240

Stadsgezicht met stad aan rivier waar marktkooplieden hun waren verkopen bij een stadspoort. Op de markt wordt onder andere fruit en vis verkocht en staat een stadsomroeper op een ton voor een groep toehoorders. Op de rivieroever worden vissersboten uitgeladen.
Landschap met zittende man met hond
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: antwerp
Artist: frans wouters
Artist role: draughtsman, painter, print maker
Artist dates: 1612 – 1659
Subjects: landscapes in the temperate zone, landscape with tower or castle
Inscriptions: collector's mark: Lugt 514, collector's mark: Lugt 2165
Hagia Irene en Hagia Sophia te Istanboel
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: istanbul
Artist: charles gaudin
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘306’
Nijenrode Castle on the Vecht near Breukelen
Object type: painting
Date: 1660 – 1686
Materials: oil, panel
Artist: jacobus storck
Artist role: draughtsman, painter
Artist dates: 1641 – 1712
Subjects: sailing-ship, sailing-boat, castle, river, vecht
Inscriptions: signature: ‘J. Storck’

Het kasteel Nijenrode aan de Vecht bij Breukelen. Een jacht ligt bij het kasteel aangemeerd. Op het water van de Vecht een schuit en een roeiboot, links een trekschuit.
Daken
Object type: sketchbook leaf
Date: 1910 – 1910
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: roof (of house or building), civic architecture; edifices; dwellings, amsterdam

Pagina 85 uit een schetsboek met 45 bladen.
Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678)
Object type: painting
Date: 1635 – 1635
Materials: oil, wood
Artist: peter paul rubens
Artist role: artist
Artist nationality: flemish
Artist dates: 1577 – 1640
Subjects: boys,couples,men,portraits,self-portraits,women,parrots,family

The artist, his wife Helena, and one of their sons appear within an idealized version of the garden at the mansion Rubens built in his native city of Antwerp. The leather strap across Rubens’s chest alludes to his right, as a nobleman, to carry a sword, while the rhyming ribbon tied across his son’s chest playfully positions him as his father’s heir. There was a nearly forty-year age gap between Rubens and his second wife, whom contemporaries widely recognized as his muse and model. The juxtaposition of her plump and pearlescent young hand with his ruddy and weathered one emphasizes both their physical disparities and their physical connection. This painting was seized by the Nazis from baron Édouard de Rothschild in Paris and restituted to him in 1946.
Handkerchief
Object type: handkerchief
Date: 1867 – 1900
Materials: lace, linen
Techniques: lace, weave

The outstanding quality of this bleached linen handkerchief is evident in both the plain-weave central area and the border made in the Binche bobbin lace technique. The warp and weft threads of the central section were spun remarkably thin, with a low Z twist. The fibers are perfectly aligned parallel to each other, contributing to the exceptional quality of this fabric. A stronger thread, created by plying two highly twisted threads, was used for the lace.
Achtzig Jahr
Object type: print
Date: 1675 – 1675
Materials: paper
Techniques: etching
Location: zurich
Artist: conrad meyer (i)
Artist role: painter, print maker, publisher
Artist dates: 1618 – 1689
Subjects: sleeping in chair, human life and its ages (young, adult, old, etc.)
Vier figuren in een herberginterieur
Object type: print
Date: 1663 – 1702
Materials: paper
Techniques: etching
Artist: marcellus laroon
Subjects: vomiting, embracing each other, kissing, inn, coffee-house, public house, etc., pipe ~ tobacco
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Drie mannen en een vrouw in een herberginterieur. Er wordt gedronken, gezoend en, als gevolg van te veel drank, overgegeven.
A Swiss Foot Soldier
Object type: drawing
Date: 1501 – 1533
Materials: ink
Techniques: pen
Artist: niklaus manuel deutsch
Artist role: artist
Artist nationality: swiss
Artist dates: 1484 – 1530
Subjects: soldiers,swords,men
Ganesha
Object type: mask
Date: 1700 – 1750
Materials: textile, wood
Techniques: polychrome
Culture: indian, southern, tamil nadu, thanjavur district
Subjects: ganesha

Ganesha, the elephant-headed son of Shiva and Parvati, does not have a role in the Hiranyakashipu story, but his presence on stage brings auspiciousness to the event. He appears before all such performances to ensure their success and provides a prelude to the main narrative. The articulated trunk and ears (now lost) would have given the actor who wore this mask a lively and endearing stage presence.
Design for a Frieze with Roman Trophies
Object type: drawing
Date: 1800 – 1900
Materials: ink
Techniques: wash
Artist: anonymous, italian, 19th century
Artist role: artist
Artist nationality: italian
Artist dates: 1800 – 1900
Subjects: trophies
Mystical Diagram (Yantra)
Object type: painting
Date: 1801 – 1900
Materials: textile, watercolor
Location: rajasthan
David Receiving the Hallowed Bread from Alchimelek
Object type: drawing and watercolor
Date: 1725 – 1734
Materials: chalk, ink, paper
Techniques: brush, heightening, pen, wash
Location: italy
Artist: gaspare diziani
Artist nationality: italian
Artist dates: 1689 – 1767
Strook kloskant met grillig omlijste cartouche en drielobbig motief
Object type: strip
Date: 1700 – 1799
Materials: linen
Techniques: lace
Location: mechelen
Artist: Anonymous

Strook naturelkleurige kloskant: Mechelse kant. Het zich herhalende patroon bestaat uit een aaneenschakeling van een trapeziumvormig cartouche met een grillige omlijsting en een grillig langgerekt drielobbig motief. De motieven liggen tegen de onderrand aan en de cartouches vullen bijna de gehele strook tot aan de bovenzijde. Ze zijn met elkaar verbonden door een fijne maasgrond. De motieven zijn gemaakt in linnenslag met dikkere en glimmende contourdraden. Er is een siergrond met grovere mazen toegepast in de cartouches. Boven- en onderzijde zijn recht afgewerkt met langs de onderzijde picots.
Portret van econoom Antonio Zanon
Object type: print
Date: 1875 – 1909
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: venice, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Ludwig Georg Christoph von Schlammersdorf
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Tottenham Church
Object type: painting
Date: 1825 – 1835
Materials: canvas, oil
Artist: british painter
Artist role: artist
Artist nationality: british
Trionfo Di Virtu. Libro Novo..., page 2 (recto)
Object type: book print ornament architecture
Date: 1563 – 1563
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588

Published by Matteo Pagano, Italian, 1515-1588, Venice. From top to bottom, and left to right: Design divided into 2 horizontal sections. Top section is decorated with the alphabet printed in a black curvilinear script; some letters are repeated and others are left out. Bottom section is decorated with the alphabet printed in white; some letters are repeated and others are left out.
Advertentie voor edelsmid A.D. Verschuur
Object type: advertisement
Date: 1848 – 1884
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: anthonie daniël verschuur, book, angels, container of precious metal
Inscriptions: collector's mark: Lugt 2233

Een engel houdt een laken op, met daarop de tekst: 'A.D. Verschuur Amsterdam Damrak no. 137. Fabriek en Magazijnen van gouden, zilveren, diamantwerken. Contant 5%'. Daarvoor objecten en gereedschap uit de edelsmederij.
Incense Burner
Object type: vessel
Materials: stoneware
Techniques: glazing
Location: china
Drie pioenrozen met narcis in boeket
Object type: print
Date: 1679 – 1702
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: cut flowers; nosegay, bunch of flowers, flowers: peony, flowers: narcissus
Inscriptions: collector's mark: Lugt 2228

Rechtsonder genummerd: A4. Tussen de pioenrozen en de narcis takjes met kleinere bloemen.
Woman with Vase of Lilies
Object type: illustrated single work
Date: 1551 – 1600
Materials: gold, paper, watercolor
Location: iran
Subjects: women,lilies
Ontwerp voor een tapijt met geometrisch patroon
Object type: drawing
Date: 1924 – 1924
Materials: cardboard, paint, paper
Techniques: brush
Location: amsterdam
Artist: dirk verstraten
Artist role: designer
Artist dates: 1892 – 1946
Subjects: ornament ~ geometric motifs
Inscriptions: number: ‘12’, inscription: ‘J.O.I.’, collector's mark: ‘R:MVS’
Caart van de stad Rotterdam (...)
Object type: album leaf
Date: 1694 – 1695
Materials: paper
Techniques: colour, etching
Subjects: rotterdam

Twee voorstellingen op een albumblad. Boven een gezicht op het stadhuis van Rotterdam aan de Hoogstraat. Onder een gezicht op de Sint-Laurenskerk aan het Grote Kerkplein. Rechtsboven de letters A en B. De prenten zijn onderdeel van de kaart van Rotterdam door Johannes de Vouw en maken deel uit van een album.
Plaat van tin met afdrukken van ornamenten
Object type: plate
Date: 1750 – 1800
Materials: tin
Location: northern netherlands
Artist: Anonymous

Ronde plaat van tin met afslagen ornamenten voor tinnen objecten.
Lying Out of It, from the Jokes series (N87) for Duke brand cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920

Trade cards from the "Jokes" series (N81), issued in a set of 50 cards in 1890 to promote W. Duke Sons & Co. brand cigarettes.
Man neemt horde
Object type: glasnegatief, glasplaatnegatief
Date: 1882 – 1890
Materials: glass, paper
Techniques: gelatin glass negative
Location: france
Artist: étienne-jules marey
Artist role: fotograaf
Artist dates: 1830 – 1904
Subjects: movements of the human body, adult man
Inscriptions: inscription: ‘Ma 21’

Bij de negatieven zijn ook de duplicaatnegatieven en moderne afdrukken die voor de boekpublicatie vervaardigd zijn.
Funerary Cone the Cup-Bearer Neferperet
Object type: cone, davy 213, neferperet, cup bearer, king
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Diverses Sciences, l'Architecture
Object type: ornament print
Date: 1745 – 1755
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, symbolic representations, allegories and emblems ~ science, 'scientia'; 'scienza', 'studio' (ripa), 'architectura', symbolic representations, allegories and emblems ~ architecture; 'architettura' (ripa)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Links een trofee met attributen behorende bij diverse wetenschappen zoals een globe, telescopen en meetinstrumenten. Rechts een trofee met attributen behorende bij architectuur zoals een plattegrond, een basement en meetinstrumenten.
Beaker with Bands of Geometric Motifs
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: nazca valley
Textile Design with a Vermicular Pattern and Pearls over a Dotted Background
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of a vermicular pattern rendered with stipples of dark reddish-brown color and decorated with pearls of white color over a dotted background of dots of dark reddish-brown color over a light tan base.