deem-data/ArtiFact huggingface dataset:
Bandontwerp voor: Max Rooses, De teekeningen der Vlaamsche meesters
Object type: drawing
Date: 1900 – 1915
Materials: paper, pencil
Artist: johann georg van caspel
Artist role: draughtsman, print maker
Artist dates: 1870 – 1928
Subjects: flowers ~ ornament
Inscriptions: collector's mark: Lugt 2228a
Portret van Frederik van Saksen-Altenburg
Object type: print
Date: 1610 – 1630
Materials: paper
Techniques: engraving
Artist: peter isselburg
Artist role: print maker
Artist dates: 1568 – 1630
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de marge.
Ring
Object type: ring
Date: 801 – 1100
Materials: silver
Location: iran
Blad met strooipatroon van rank met bladeren
Object type: printed paper
Date: 1800 – 1900
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760

Blad met strooipatroon van rank met eikenbladeren.
Portret van Johann Kaspar Horner
Object type: print
Date: 1833 – 1880
Materials: paper
Techniques: lithograph
Location: mulhouse
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Kleine tuin met een tulp, een narcis en een hyacint
Object type: print
Date: 1635 – 1694
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: dirck de bray
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1694
Subjects: flowers: tulip, flowers: narcissus, flowers: hyacinth
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Buddhist Divinity
Object type: figure
Date: 1710 – 1720
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men,buddhism
Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
Object type: print
Date: 1819 – 1821
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: united states
Artist: john hill
Artist role: etcher
Artist nationality: american, born england
Artist dates: 1770 – 1850
De rijke man en de Dood
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: etching
Location: antwerp
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: dance of death; death together with one or more human beings, (story of) heraclitus, the philosopher, (story of) democritus, the philosopher
Inscriptions: collector's mark: Lugt 2228

Een rijke man zit aan tafel omringd door kisten en zakken met geld. De Dood pakt munten van tafel en doet ze in een schaal. 25ste prent uit een reeks van 30 dodendansprenten; met een omlijsting met Democritus en Heraclitus.
Reverse Copy of La Factoria (The Factory), from "Les Caprices"
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Slippers
Object type: slipper
Date: 1790 – 1799
Materials: leather
Culture: british
Portret van Alexander von Humboldt
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Artist: Anonymous
Subjects: berlin, traveler, historical persons, biology (+ portrait of scholar, scientist)

Prent uit: Nederlandsch magazijn, ter verspreiding van algemeene en nuttige kundigheden. Amsterdam: gebroeders Diederichs, 1836.
Geschilderd ovaal portret van een vrouw met opgestoken haar
Object type: carte de visite
Date: 1863 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: carl rensing
Artist role: fotograaf
Artist dates: 1826 – 1898
Galerie des Artistes Contemporains. Théâtre de la Nation (Opéra)
Object type: print
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Spieghel der schrijfkonste
Object type: album leaf
Date: 1605 – 1605
Materials: ink, paper
Techniques: calligraphy, pen
Location: rotterdam
Artist: jan van de velde (i)
Artist role: painter
Artist dates: 1568 – 1623
Subjects: calligraphy

Kalligrafische tekening met het alfabet in vier regels kapitalen. De tekening maken deel uit van een album.
Portret van kanunnik Andrea Fossa
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: engraving, letterpress printing
Location: venice
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit de publicatie: Loredan, Giovan Francesco. Le glorie degli Incogniti. Venetië: Francesco Valvasense, 1647, p. 26.
Man met driehoekige cape en wandelstok
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Artist: jean pierre norblin de la gourdaine
Artist role: print maker
Artist dates: 1745 – 1830
Subjects: cape, walking-stick, staff
Inscriptions: date
Portret van Antoine Arnauld
Object type: print
Date: 1825 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, brussels, historical persons
Inscriptions: collector's mark: Lugt 2228
De Heer van St. Anna-Lands Hofstede genaamt Clingendaal by 's Graven-Hage: het groote Huis van agteren te zien
Object type: print
Date: 1710 – 1767
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: french or architectonic garden; formal garden, bird's eye view ~ representation of building, cupids: 'amores', 'amoretti', 'putti', armorial bearing, heraldry, country-house

Gezicht op landhuis Clingendael in vogelvlucht. Midden boven een door putti geflankeerde wimpel en het wapenschild van de familie Doublet(h). Onder in de marge de legenda 1-18. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Holland.
Landschap met watermolen en man met hond
Object type: print
Date: 1796 – 1849
Materials: paper
Techniques: etching
Location: netherlands
Artist: albertus brondgeest
Artist role: draughtsman, print maker
Artist dates: 1786 – 1849
Subjects: watermill, watermill in landscape
Inscriptions: collector's mark: Lugt 2228
Portret van Pieter Melvill van Carnbee
Object type: print
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: dordrecht, the hague, naval officer, pieter melvill van carnbee, historical persons
Inscriptions: collector's mark: Lugt 2228
Ornamentele versiering met schildersbenodigdheden
Object type: ornament print
Date: 1766 – 1766
Materials: paper
Techniques: engraving, etching
Artist: p. baretti
Artist role: print maker
Subjects: ornaments ~ art
Inscriptions: number: ‘6’

Ingeplakte prent met ornamentele versiering met schildersbenodigdheden. Prent maakt deel uit van een album.
Vase with flowers and rocks
Object type: vase
Date: 1667 – 1733
Materials: cobalt, glaze, porcelain
Techniques: painting, underglaze
Culture: chinese
Een engel wijst naar een wandelaar op de smalle weg
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the way to destruction is broad and the gate is wide; the way to life is narrow and the gate is straight ~ doctrine of christ on love, etc. (matthew 7:13-14; luke 13:24)
Inscriptions: number: ‘182’, collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. I.
Ceres
Object type: statuette
Materials: bronze
Artist: niccolò roccatagliata
Artist role: artist
Artist nationality: italian
Artist dates: 1593 – 1636
Subjects: ceres

Ceres holds a sheaf of wheat in her outstretched arms and wears a helmet decorated with leaves. The bronze statuette entered The Met with its pair, Hercules Carrying His Club (cat. 68B). The figures have opposing contrappostos—she sways gently to her proper right, he to his left—and likely topped andirons, as they have long iron rods plugged into their bases. With their rough surfaces and minimal detail, both are probably serial casts of models designed by Nicolò Roccatagliata.[1] Another Ceres, poorly executed but with more distinct facial features and a slightly different posture, can be found in the Szépművészeti Múzeum, Budapest, where it is assigned to Roccatagliata.[2] A better version in the Galleria Estense, Modena, has been attributed to Girolamo Campagna.[3] Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. See Planiscig 1921, p. 620, figs. 694, 696–98. 2. Inv. 5313; see Balogh 1975, vol. 1, p. 177, no. 236, with other examples. 3. See Salvini 1948; P. Rossi 1968, p. 47.
Paul Sandel in zijn stoomboot met op de achtergrond de Sandelbrug en op de voorgrond twee Chinese bedienden, Tandjong Poera, Langkat Sumatra
Object type: photograph
Date: 1890 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: bindjai
Subjects: tandjong poera
Edge of a Wood
Object type: painting
Date: 1850 – 1850
Materials: canvas, oil
Artist: théodore caruelle d'aligny
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1871
Subjects: forests,landscapes

In this study, tonality and the dispersal of light are emphasized at the expense of detail. Aligny developed this distinctive approach to painting and drawing from nature in the 1820s, first alongside his companion Camille Corot in Italy and later in the Forest of Fontainebleau in his native France. The view seen here may have been sketched in the park of the château of Mortefontaine near Senlis, northeast of Paris, which Aligny visited in 1850 and 1851.
Voetenbank van filigrein
Object type: miniature
Date: 1700 – 1799
Materials: silver
Techniques: filigree
Location: netherlands
Artist: Anonymous
Subjects: bench, footstool

Langwerpige voetenbank van filigrein op vier poten. De voetenbank is gemerkt: zwijnskop. De voetenbank is een onderdeel van een ameublement bestaande uit: 1 tafel (BK-NM-11177-88), 1 bank (BK-NM-11177-89), 6 stoelen (BK-NM-11177-92 t/m BK-NM-11177-97) en nog een voetenbank (BK-NM-11177-91).
Applicatie van Brussels naaldkant in de vorm van een vlinder
Object type: applicatie textiel
Date: 1900 – 1914
Materials: linen
Techniques: lace
Location: belgium
Artist: Anonymous

Applicatie van naturelkleurige Brusselse naaldkant, in de vorm van een vlinder. Het lijf van de vlinder is dichtgewerkt, de dubbele vleugels zijn afgezet met open cirkels en versierd met gestileerde bloemen. De vlinder behoort tot een serie van in totaal 4 objecten waarin de ontwikkeling om te komen tot dit eindproduct gedemonstreerd worden.
Plate
Object type: plate
Date: 1430 – 1470
Materials: earthenware
Techniques: glazing
Culture: spanish
Location: spain
Subjects: insignia

This plate is emblazoned with the coat of arms of the Morelli family of Florence, and must have belonged to a large table service. This large plate, called in contemporary documents a tayador or tallador, could have been used as a trencher for carving or a salver for serving meats or other foods. Examples of matching services have only rarely survived, although documents indicate great numbers were made for both the domestic and the export markets. In a receipt dated 1454, the widow of Don Pedro Buyl, overlord of the Manises lusterware factories, received payment of 6000 gueldos (roughly equivalent to $360,000 in 2016) as a tithe on the potters’ goods destined for the export market. These wares leaving Grao, the port of Valencia, destined for Mediterranean markets, generally were transported by ships of Mallorcan registry. For this reason, lusterware, and later all glazed earthenware, became known as majolica. The holes in the plate, which appear on the majority of large serving dishes, may be explained by the firing process in which the plates were hung in a reducing kiln to avoid marring the glaze by contact with other objects being fired at the same time. The ivy pattern rendered completely in copper luster became an increasingly popular decorative motif toward the end of the century as potters more literally imitated the surface sheen of precious metalwork.
Madonna and Child with Saint Catherine of Siena and a Carthusian Donor
Object type: painting
Date: 1411 – 1424
Materials: gold, paint, wood
Culture: italian
Artist: italian, lombard (probably pavia)
Artist role: artist
Artist nationality: italian, lombard (probably pavia)
Subjects: men,madonna and child,saint catherine

The Virgin, portrayed as the Madonna of Humility, is seated on a tiled pavement, surrounded by incised golden rays. The Virgin presents the Christ Child to Saint Catherine of Siena and a kneeling monk, who probably represents the donor. A Dominican nun, Saint Catherine bears a sheaf of lilies symbolizing her chastity. The halo around her head is that of a beata, suggesting that this painting was produced prior to her canonization in 1461. The kneeling figure is a monk of the Carthusian order and possibly represents Stefano Maconi, who was a companion of Saint Catherine and associated with her cult. Maconi served as prior of the Carthusian monastery of Pavia near Milan between 1411 and 1424. The panel has been associated with Cristoforo Moretti, a Cremonese painter who worked in Milan in the first half of the fourteenth century, and Giorgio de Mangano, a painter documented as working at the Carthusian monastery of Pavia between 1426 and 1434, and has affinities with the style of Donato de' Bardi, as well as Milanese illuminators of the mid-fifteenth century.
Hertog van Wellington
Object type: history medal
Date: 1813 – 1815
Materials: copper
Techniques: striking
Location: england
Artist: Anonymous
Subjects: walmer castle, arthur wellesley of wellington

Koperen penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: Britannia met schild, speer en roos; op achtergrond schip op zee binnen omschrift
Schoolmeester
Object type: print
Date: 1650 – 1694
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: dirck de bray
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1694
Subjects: teacher and pupil
Inscriptions: collector's mark: Lugt 2228

Een schoolmeester zit achter zijn tafel in een klaslokaal. Om hem heen zijn leerlingen aan het werk.
Ragotin s'en fuit nud dans un rosier
Object type: print
Date: 1705 – 1772
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: (scarron, roman comique) specific works of literature (with author, title), shrubs: rose-bush
Inscriptions: collector's mark: Lugt 240
Jonge onbekende vrouw die in het gras ligt
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Subjects: adolescent, young woman, maiden
Inscriptions: monogram: ‘drAco’
Adam en Eva
Object type: print
Date: 1529 – 1529
Materials: paper
Techniques: woodcut
Subjects: adam and eve (not in biblical context)
Inscriptions: collector's mark: Lugt 240

Eerste prent in een reeks van mogelijk tien.
Edelman met twee monniken
Object type: print
Date: 1781 – 1782
Materials: paper
Techniques: etching
Location: bern
Subjects: monk(s), friar(s), nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2228

Prent uit: Les Nouvelles de Marguerite, reine de Navarre. Bern: la nouvelle Société Typographique, 1780-1781.
Portretten van Johannes Oecolampadius en Philipp Melanchthon
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: historical persons (portraits and scenes from the life)
Inscriptions: annotation: ‘Johannus Oecolampadius/ is geweest een uit geloo[...] monik uit de/ order van de H: Brigitta 1531,/ Philippus Melanthon/ geboren 1497 gestorven 1560’

Blad 29 verso uit een schetsboek met 52 bladen.
Kaart van de natuurlijke haven van Puerto de Pasajes, ca. 1702
Object type: print
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of separate countries or regions

Kaart van de natuurlijke haven van Puerto de Pasajes aan de Spaanse Noordkust bij San Sebastian. Plaat nr. 276 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in de plaat in het Frans.
Paste paper with brown pattern
Object type: print
Date: 1701 – 1800
Materials: paper, paste
Artist: Anonymous
Artist role: artist
Kapel van Huis Isselt op de grens van Soest en Amersfoort
Object type: sketchbook leaf
Date: 1731 – 1731
Materials: ink, paper, pencil
Techniques: brush, pen
Location: soest
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: church (exterior)
Inscriptions: date and inscription: ‘IJsselt. 1731 CP.’

Blad 48 verso en 49 recto uit een schetsboek met 78 bladen.
Small cabinet
Object type: cabinet
Materials: wood
Techniques: carving
Culture: italian
Subjects: masks,caryatids
Twaalf genretaferelen met vermakelijkheden
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: paris
Subjects: blindfold games, interior of the house
Inscriptions: collector's mark: Lugt 2228

Een andere staat van deze prent is rechtsboven genummerd '8'.
Titelpagina uit: De Post van den Neder-Rhijn, dl. VIII, 1786
Object type: titelblad, titelpagina
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: freedom, liberty; 'libertà' (ripa) (+ abstract concept represented by female figure), alliance with france (1785)
Inscriptions: collector's mark: Lugt 2228

Titelpagina van het patriotische tijdschrift De Post van den Neder-Rhijn, dl. VIII, 1786. Uitgeknipt vignet met een allegorische voorstelling met de Vrijheid staande naast een monument met opschrift: Alliantie met Vrankryk. MDCCLXXXV. Op de alliantie tussen de Republiek en Frankrijk, 10 november 1785.
Mantle
Object type: mantle
Date: 1835 – 1835
Materials: silk
Culture: french
Washing the White Elephant
Object type: hanging scroll
Materials: ink, paper
Culture: chinese
Artist: chen zi
Artist role: artist
Artist nationality: chinese
Artist dates: 1634 – 1711
Subjects: elephants

Chen Zi bore both the gift and the burden of being trained by his father Chen Hongshou, one of the most original figure painters ever to wield a brush. The junior Chen was taught to work in an identifiable style with a known market, but the shadow of his father’s accomplishment enveloped him, stifling further growth. This work shows Chen Zi’s competence in producing the exaggerated, caricatured figures for which his father was known, but it also reveals a stiffness that set in through the years of pursuing his father’s legacy. The subject is a play on words with Buddhist significance: “to wash the elephant” (saoxiang) is a homophone for “sweeping away attachments,” a key goal of Buddhist practice.
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Techniques: brocade
Culture: japanese
Subjects: leaves
Spain and Portugal in Europe, from "Court Game of Geography"
Object type: print
Date: 1838 – 1855
Techniques: engraving, hand coloring
Artist: william and henry rock
Artist role: publisher
Artist nationality: british
Artist dates: 1821 – 1884
Subjects: playing cards,maps
Twee stadsgezichten
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: urban housing, canals, waters (in city), street

Boven een stadsgezicht met een boot op een kanaal. Op de kade staat een figuur. Onder een gezicht op een straat. Blad 63 recto uit een schetsboek met 69 bladen vervaardigd in de omgeving van Delft, Rotterdam, Oudewater en Harlingen.
Pair of feet (?)
Object type: foot
Date: 1601 – 1800
Materials: gilt bronze
Subjects: leaves
Versierde initialen
Object type: print
Date: 1556 – 1556
Materials: paper
Techniques: letterpress printing
Location: zurich
Subjects: initial, ornament derived from plant forms

Prent afkomstig uit: Bibel, die gantze, das ist alle Bücher alts und news Testaments (...). Zürich: Johann Froschauer, 1556.
Marble column with base and capital
Object type: column
Date: 117 – 138
Materials: marble
Culture: roman

The capital belongs to the Roman composite order, in which the volutes of the Ionic order are at the top and the rows of acanthus fronds of the Corinthian order are below. This combination gave the capital greater height and, together with the narrow vertical fluting of the column, lent the architecture a graceful and delicate appearance.
Omslag voor: Gezichten in Florence
Object type: wrapper
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: paris
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage)
Portret van abt Théofiel Reyn
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: photograph
Subjects: brussels, historical persons
Glass flask
Object type: flask
Date: 101 – 300
Materials: glass
Culture: roman

Colorless. Thick rim, with vertical outer edge, angular upper lip, and pressed into sides of flaring mouth; funnel-shaped neck, then expanding downwards to join large piriform body; pushed-in bottom with central kick. Intact; many bubbles, some very large; dulling, soil encrustation, and limy weathering. Colorless pear-shaped blown glass vase with flaring lip.
Two-handled cup
Object type: cup
Date: 1720 – 1720
Materials: glass
Subjects: firearms,hunting,pigs
Portret van een vrouw
Object type: photograph
Date: 1880 – 1930
Materials: photographic support
Techniques: gelatin silver print
Artist: fontis
Artist role: publisher
Subjects: adult woman, historical persons
Inscriptions: annotation: ‘Huge embrasse beau/ Marie & Geo’
Design for a Chandelier
Object type: drawing
Date: 1701 – 1800
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: chandelier
Apparel
Object type: clothing
Date: 1501 – 1533
Materials: linen, metal thread, silk
Subjects: faces,infants,men,women,coat of arms
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 460
Materials: terracotta
Culture: greek, attic

Exterior, head of youth to right
Het Dorp Nieukerk
Object type: print
Date: 1742 – 1784
Materials: paper
Techniques: etching
Location: haarlem
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: sailing-ship, sailing-boat, church (exterior)
Inscriptions: collector's mark: Lugt 2228
Nederland, ½ cent, 1878
Object type: coin
Date: 1878 – 1878
Materials: bronze
Techniques: striking
Location: utrecht
Artist: willem iii (koning der nederlanden)
Artist role: koning
Artist dates: 1817 – 1890

Bronzen munt. Voorzijde: in een veld rijkswapen. Jaartal onderaan in omschrift. Keerzijde: binnen twee samengebonden oranjetakken waarde-aanduiding ½ cent. Kartelrand.
Celestial Beauty (Apsara) in Adoration
Object type: sculpture
Materials: stone
Location: vietnam
Wandtapijt met bloemen en bladeren
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Location: florence
Artist: Anonymous
Subjects: flowers, tapestry
Inscriptions: number: ‘Pl. 86’
Titelpagina voor: Eduard Young, 'De roemzucht', 1793
Object type: titelblad, titelpagina
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: devil(s) and demons, harp, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Titelpagina voor: Young, Eduard. De roemzucht; in zeven hekeldichten. Amsterdam: Pieter Meyer (erven) & Gerrit Warnars, 1793.