deem-data/ArtiFact huggingface dataset:
Cup
Object type: cup
Date: 1730 – 1735
Materials: hard paste porcelain
Artist: vienna
Artist role: manufactory
Subjects: birds,men,insects,flowers
Husking Bee, Island of Nantucket
Object type: painting
Date: 1876 – 1876
Materials: canvas, oil
Location: nantucket island
Artist: eastman johnson
Artist role: artist
Artist nationality: american
Artist dates: 1824 – 1906
Subjects: landscapes, animals
Inscriptions: Signed recto, bottom-left, in brown paint: "E. Johnson / 1876".

Eastman Johnson painted this composition in 1876, 100 years after the founding of the United States. The centennial fostered a sense of nostalgia among some residents as industrialization and urban growth rapidly transformed the nation. Husking Bee, Island of Nantucket depicts a seasonal gathering on the rural Massachusetts island. Community members work together to shuck corn and ready the harvest, a traditional activity that was far removed from daily life for many in the late 19th century. Johnson employed a warm palette and loose brushwork to describe this agrarian subject, presenting an uncomplicated vision of cooperation and closeness to the land.
Plate
Object type: plate
Date: 1701 – 1733
Materials: porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: birds,flowers
Kelkglas met een portret van Willem V
Object type: goblet
Date: 1775 – 1798
Materials: glass
Techniques: glassblowing, engraving
Location: northern netherlands
Artist: david wolff
Artist role: glasgraveur
Artist dates: 1732 – 1798
Subjects: the hague, william v (prince of orange), berlin, painter, draughtsman, wilhelmina of prussia (princess of orange)
Inscriptions: inscription

Portrait of Stadholder William V, c. 1775 - 1798. Given by B. van der Star, 1836.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Two parts of feet type C; one is misfired
Ex libris van W.C. v.d. Kuylen
Object type: bookplate
Date: 1850 – 1950
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: historical costume, caduceus (staff with two snakes, attribute of mercury), merchant shipping, shipping trade, trade, commerce and finance
bowl with a stylised duck among floral scrolls
Object type: bowl
Date: 1100 – 1299
Materials: earthenware, glaze
Techniques: cutting, firing, turning, vitrification
Location: garrus
Artist: Anonymous

Kom van aardewerk bedekt met engobe van witte slib waaruit de decoratie is gesneden. Op de bodem een eend; de binnenwand met een brede band bloemranken.
Helmet in the Shape of a Sea Conch
Object type: helmet in the shape of a sea conch
Date: 1601 – 1700
Materials: gold, iron, silver
Culture: japanese
Location: japan
Habiti antichi, et moderni di tutto il mondo...
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: pendant, trinket, 'breloque' (+ women's clothes), veil (+ women's clothes), neck-gear: collar (+ women's clothes), fashion plates, dress, gown (+ women's clothes), clothing for the upper part of the body (with name) (+ women's clothes)

Adellijke jongedame uit Florence, gekleed in een rok met horizontale banen, die tot op de grond valt, met een lang, puntig lijfje. Kraag (bavero) met kant. Brede sluier van zijde. Gouden keten met hanger. (eigenlijke titel: 'Nobile Firentina”)
Disk Brooch
Object type: brooch
Date: 601 – 700
Materials: copper alloy, glass, gold, paste
Techniques: silvered
Culture: anglo-saxon
Het gecompliceerde huwelijk (prent)
Object type: print
Date: 1698 – 1750
Materials: paper
Techniques: etching
Location: haarlem
Subjects: parents with their children, family group, especially parents with their child(ren), garden, historical persons, parents (first degree family relationships), nijmegen

In een tuin voor een klassiek portaal zit een man naast zijn jonge vrouw temidden van hun zes zonen. Onder de voorstelling vier regels Nederlandse tekst die de relatie tussen de vrouw en de jongens/heren in de voorstelling in de vorm van een raadsel benoemt. Uit de bijbehorende, op een apart blad gedrukte tekst wordt duidelijk hoe de verhoudingen in deze Nijmeegse familie Brakel precies liggen.
Card 7, Steve Taylor, from the Prizefighters series (N269) issued by P. Lorillard Company to promote Mechanics Delight Long Cut Tobacco
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: p. lorillard company
Artist role: publisher
Artist nationality: american
Artist dates: 1760 – 2014
Subjects: men,portraits,boxing,athletes

Trade cards from the "Prizefighters" series (N269), issued in 1887 by P. Lorillard Company to promote the brand's Mechanics Delight Long Cut Tobacco.
Vers op de verovering van Coevorden op 30 december 1672
Object type: text sheet
Date: 1672 – 1673
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Subjects: bohemen, karl rabenhaupt (baron von sucha), coevorden, verovering van coevorden

Blad met een vers van twintig regels op de verovering van Coevorden op 30 december 1672 door de troepen onder leiding van Karl Rabenhaupt op de troepen van de bisschop van Munster. Het vers is gesigneerd door J. Wybrants
Portret van John Rainolds
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: clergyman, historical persons

Prent mogelijk uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Tweede gesticht van de strafkolonie Veenhuizen, huismunt geslagen op last van de Maatschappij van Weldadigheid ter waarde van tien cent
Object type: monetary token
Date: 1818 – 1859
Materials: zinc
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: maatschappij van weldadigheid, veenhuizen

Zinken munt. Voorzijde: opschrift boven waardeaanduiding. Keerzijde: opschrift V 2
Faith
Object type: figure
Date: 1770 – 1780
Materials: earthenware
Techniques: glazing
Artist: ralph wood the elder
Artist role: maker
Artist nationality: british
Artist dates: 1715 – 1772
Subjects: women,cross
Design for Park Phaeton, no. 113
Object type: drawing
Date: 1850 – 1874
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Hendrik Herman van den Berg
Object type: carte de visite
Date: 1889 – 1889
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: lo oij nam
Artist role: painter
Subjects: batavia, amsterdam, hendrik herman van den berg
Inscriptions: name: ‘LO OIJ NAM / PHOTOGRAAF EN PORTRET-SCHILDER’, inscription: ‘Henk 1889 / 12 jaar’
Groepsportret van mannen en vrouwen voor een huis
Object type: photograph
Date: 1890 – 1910
Materials: photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: adult woman, adult man, civic architecture; edifices; dwellings, anonymous historical persons portrayed in a group, in a group-portrait
Jeanne Gonzales Painting in the Garden
Object type: print
Date: 1885 – 1885
Materials: paper
Techniques: aquatint, drypoint, roulette
Artist: henri charles guérard
Artist role: artist
Artist nationality: french
Artist dates: 1846 – 1897
Subjects: painting,gardens,women
The Lost Piece of Silver (The Parables of Our Lord and Saviour Jesus Christ)
Object type: print
Date: 1864 – 1864
Techniques: engraving
Artist: sir john everett millais
Artist role: artist
Artist nationality: british
Artist dates: 1829 – 1896
Subjects: women,candles,brooms

It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, "I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light—each Parable I illustrate perhaps a dozen times before I fix [the image]." After completing a design, Millais transferred it to a woodblock coated with Chinese white for skilled engravers to carve. Finally, he reviewed proofs and final adjustments were made before the final printing. The Parable of the Lost Piece of Sliver (Luke:15:8-10), tells of a woman with ten coins who loses one, then diligently searches for it. Pre-Raphaelite ideals shaped the combination of detailed naturalism and down-to-earth imagery to produce a work distinctly different than most religious art of the period.
Nîmes (Gard). Les Arènes Romaines
Object type: ansichtkaart, prentbriefkaart
Date: 1930 – 1950
Materials: photographic support
Techniques: photography
Location: nîmes
Artist: Anonymous
Subjects: amphitheatre
Christening robe
Object type: christening robe
Date: 1860 – 1870
Materials: cotton, mother of pearl
Culture: french
The Battle of Pharsalus and the Death of Pompey
Object type: painting
Date: 1455 – 1455
Materials: paint, panel
Techniques: painting
Location: italy
Artist: workshop of apollonio di giovanni
Artist nationality: italian
Artist dates: 1415 – 1465
Subjects: battles, roman, classical, horses, horse, violence, death, soldiers, boats, water, history, historical figures
Portret van Joachim Jungius
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: scholar, philosopher, historical persons, mathematics

Prent waarschijnlijk uit: Aubert-Aubert du Petit-Thouars, Louis Marie. Cours de phytologie ou de botanique générale (...). Parijs: Pierre Gueffier, 1819.
Schotel van veelkleurig beschilderd majolica
Object type: platter
Date: 1575 – 1610
Materials: earthenware, glaze
Techniques: maiolica, painted, polychromy
Location: netherlands
Artist: Anonymous

Ronde schotel van veelkleurig beschilderde majolica. Op het plat is binnen een dubbele cirkel een hond op een grond geschilderd. De rand is beschilderd met een blauw-witte ruit (schaakbordmotief).
Aanbidding der herders
Object type: print
Date: 1548 – 1548
Materials: paper
Techniques: etching
Location: haarlem
Subjects: adoration of the christ-child by the shepherds; mary and joseph present

Maria en Jozef zitten geknield voor de kribbe. Herders komen het Christuskind aanschouwen. Boven de kribbe vliegt een engel met een lauwerkrans. De prent is deel van een dertigdelige serie met prenten over de zondeval en Christus' passie.
Jan van Leyden koning tot münster
Object type: print
Date: 1648 – 1678
Materials: paper
Techniques: engraving, etching
Artist: samuel van hoogstraten
Artist role: draughtsman, painter, print maker
Artist dates: 1627 – 1678
Subjects: leiden, head-gear (with name)
Inscriptions: collector's mark: Lugt 2165

Buste van een man met baard en bontmuts op. De titel suggereert dat het Jan van Leyden, koning van Münster moet voorstellen.
Dome, Francfort, from Facsimiles of Sketches made in Flanders and Germany
Object type: print
Date: 1833 – 1833
Materials: chine, ivory, paper
Techniques: lithograph
Location: england
Artist: samuel prout
Artist role: artist
Artist nationality: british
Artist dates: 1783 – 1852
Buildwas Abbey from N.W.
Object type: photomechanical print
Date: 1867 – 1877
Materials: paper
Techniques: photograph
Location: buildwas
Subjects: ruin of church, monastery, etc.
Zeehaven
Object type: drawing
Date: 1813 – 1866
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: antonie waldorp
Artist role: draughtsman, painter, print maker
Artist dates: 1803 – 1866
Subjects: sailing-ship, sailing-boat, sea (seascape)
Pendant
Object type: pendant
Date: 201 – 1200
Materials: mother of pearl
Location: egypt
Subjects: horses
Hand guard
Object type: tsuba, zwaardstootplaat
Date: 1700 – 1900
Materials: copper
Location: japan
Artist: Anonymous
Christus in debat met Farizeeën
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: christ (in the temple) in debate with pharisees about the tribute to caesar (matthew 22:15-22; mark 12:13-17; luke 20:20-26)
Inscriptions: collector's mark: Lugt 2228

Christus is in gesprek met de Farizeeën over de vraag of het geoorloofd is belasting aan de keizer te betalen. Een van de Farizeeën, toont Christus een penning.
Vase
Object type: vase
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states
Subjects: grapes

Named in reference to the ancient marble quarry on the Greek island of Parros, parian has higher proportion of feldspar than conventional porcelain, resulting in a vitrified biscuit body that resembles white statuary marble. Stylish and affordable, parian statuary and hollowware were extremely popular household ornaments in the mid-nineteenth century. This vessel and its mate (47.90.61) was likely made by the United States Pottery Company, which exhibited parian to great acclaim at the 1853 Crystal Palace Exhibition in New York.
Dress
Object type: dress
Date: 1850 – 1859
Materials: cotton
Culture: american
Parrying Poniard
Object type: arm
Date: 1620 – 1630
Materials: brass, steel, wood
Culture: german
Location: germany
Ingenieur Jetten bij zijn auto
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo
Inscriptions: inscription: ‘Jetten op het punt in zijn autotje te stappen om naar het werk te gaan: ik was toen een beetje ziek daarom ben ik zoo in elkaar gedrukt.’

Ingenieur Jetten staande bij zijn auto om naar zijn werk te gaan. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Venray. Groote straat
Object type: ansichtkaart, prentbriefkaart
Date: 1930 – 1950
Materials: cardboard
Techniques: photograph, writing
Location: the hague
Artist: Anonymous
Subjects: church (exterior), street
Ute Braves, of the Kah-poh-teh band, Northern New Mexico, in "full dress", No. 40 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Object type: photograph
Date: 1874 – 1874
Techniques: albumen print
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards, geographical explorations and surveys
Six Horses
Object type: drawing
Date: 1624 – 1663
Materials: ink
Techniques: pen
Artist: francesco allegrini
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1679
Subjects: horses
A Course of Water-Colour Painting with Twenty-Four Coloured Plates from Designs by R. P. Leitch
Object type: book
Date: 1886 – 1886
Techniques: lithograph
Artist: richard principal leitch
Artist role: author
Artist nationality: british
Artist dates: 1826 – 1882

Leitch was a watercolorist and illustrator whose father, William Leighton Leitch, served Queen Victoria and her daughters as drawing-master for almost twenty years. This popular manual went through nine editions and was aimed at amateurs, its progressive approach likely influenced by the senior Leitch’s extensive teaching experience.
Diverses figures
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: paris
Subjects: adult woman, muff, garden
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Maakt deel uit van een serie van twaalf prenten met verschillende figuren, uitgegeven door Langlois in Parijs.
Het lijk van de Leidse patriot, emeritus remonstrantse predikant P. van den Bosch te Zoetermeer mishandeld, november 1787
Object type: drawing
Materials: ink, paper
Techniques: brush, pen
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: historical persons, the corpse, street-fights, riots, historical events and situations
Jar and Stand, Tomb of Nakht
Object type: facsimile, nakht tt 161, jar and stand
Date: 1390 – 1352
Materials: paper, paint
Location: egypt
Artist: charles k. wilkinson
Artist role: artist
Artist dates: 1897 – 1986
Glass pyxis (box with lid)
Object type: pyxis with lid
Date: 67 – 100
Materials: glass
Culture: roman

Both lid and pyxis in translucent deep honey brown. Lid slightly domed with rounded edge to downward flaring sides; plain, rounded rim. Slightly inverted, rounded rim to pyxis, with recessed band below; vertical sides, tapering slightly downwards, with rounded edge to flat bottom; slight tooling indent on bottom. On exterior of lid, two fine concentric grooves, and very small circle at center. On exterior of pyxis, raised ledge at base of band below rim, and halfway down side another raised horizontal line flanked by a groove above and below. Intact; some pinprick and large bubbles, with striations; dulling, pitting, and slight iridescent weathering. Rotary grinding marks on interior of lid and on exterior and interior of pyxis. The lid fits but does not sit on the raised ledge below the rim of the pyxis.
Prancing horse
Object type: figure
Date: 1780 – 1780
Materials: earthenware
Techniques: glazing
Artist: ralph wood the younger
Artist role: maker
Artist nationality: british
Artist dates: 1748 – 1795
Subjects: horses
Dagger
Object type: dagger
Date: 1801 – 1900
Materials: iron, ivory, steel
Culture: indian
Location: india
Fotografien
Object type: photograph album
Date: 1885 – 1920
Materials: paper, cardboard, leather, textile
Techniques: photograph
Artist: Anonymous
Subjects: city-view in general; 'veduta', lake, railway, train, mountains, germany, switzerland
Inscriptions: inscription: ‘Fotografien’, inscription: ‘Div./ Zwitserland’

Omslag met dertien foto's en 35 lichtdrukken op 42 kartonnen bladen. Van de foto's zijn er zes daglichtgelatinezilverdrukken en zeven daglichtcollodiumzilverdrukken. Van vier lichtdrukken is de fotograaf J. Jullien, van de andere foto's en lichtdrukken is de maker onbekend. Twaalf lichtdrukken zijn uitgegeven door Photoglob en zeven door de Gebrüder Wehrli.
Jar of Egyptianizing type
Object type: jar
Date: 700 – 601
Materials: alabaster
Culture: assyrian
Location: mesopotamia
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of torso, bent left arm with hand on hip, hand and part of forearm of a second figure
Drie mannen in een boot
Object type: print
Date: 1823 – 1883
Materials: paper
Techniques: drypoint, etching
Location: utrecht
Artist: hermanus jan hendrik van rijkelijkhuysen
Artist role: painter, print maker
Artist dates: 1813 – 1883
Subjects: river, church (exterior), rowing-boat, canoe, etc., farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Riviergezicht met drie mannen in een boot en aan de waterkant twee woningen. Op de achtergrond de contouren van een kerk.
Fotoreproductie van een geschilderd portret van Wilhelm II van Duitsland
Object type: reproduction
Date: 1902 – 1910
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: wilhelm ii (keizer van duitsland), historical persons, emperor
Twee voorstellingen uit de verhalen van Wilhelm Gottlieb Becker
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: on fire, ablaze, pilgrim(s), kneeling figure, interrupted meeting, lovers caught by surprise
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor de verhalen 'Die glückliche Rettung' en 'Adelwold und Emma' in: Becker, Wilhelm Gottlieb. Almanach und Taschenbuch zum geselligen Vergnügen von W. G. Becker für 1799. Leipzig: Voss und Comp., 1798.
Pine-Scented Wind, the Harmony of a Lute
Object type: painting
Date: 1752 – 1752
Materials: ink, silk
Location: japan
Artist: kō fuyō
Artist nationality: japanese
Artist dates: 1722 – 1784
't Spin-huys
Object type: book illustration
Date: 1663 – 1663
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: prison, jail, gate, entrance, workhouse, penal camp, penitentiary, chain gang
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Dapper, Olfert. Historische beschryving der stadt Amsterdam (…). Amsterdam: Jacob van Meurs, 1663. Bij sommige exemplaren van deze uitgave werd een eerdere staat ingebonden waarop boven de Nederlandse titel geen Franse staat.
On the Veranda
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: boys,women,genre scene

In this genre scene, a woman standing on a veranda bends over and dips water to wash her hands. The young boy amuses himself with a toy while his mother prepares herself for a busy day of housework—the mother calm and composed, the child moving about restlessly. With a touch of humor, Harunobu, inventor of the nishiki-e, or multicolor print, placed a monochrome screen painting inscribed with his signature within this polychrome print.
Journal des Dames et des Modes, Costumes Parisiens, 1914, No. 141
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: engraving
Subjects: head-gear: toque (+ women's clothes), birds (+ man and animal), coat (+ fur used for clothes), coat (+ women's clothes), fashion plates, feeding wild animals

Vrouw in japon van lichtbruine 'duvetyn'. Mantel of 'paletot' afgezet met vossenbont. Zij is bezig de vogels te voeren. Proefdruk van een prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914). Op de prent met tekst staat: Robe de satin pékiné à volants de nansouk.
Twee foto's van een vrouw en kinderen op het strand
Object type: photograph
Date: 1895 – 1910
Materials: paper
Techniques: collodion silver print
Location: zandvoort
Artist: Anonymous
Subjects: beach (as place of recreation), adult woman, child and nature (games and plays)

Deze foto's maken deel uit van een album.
Fragment
Object type: textile
Date: 1501 – 1600
Materials: silk, velvet
Techniques: cutting, weave, voiding
Location: italy
Priester in een toga
Object type: print
Date: 1927 – 1927
Materials: paper
Techniques: woodcut
Artist: l. fritz
Artist role: print maker
Subjects: priest (roman catholic)
Inscriptions: collector's mark: Lugt 2228