deem-data/ArtiFact huggingface dataset:
Commode Table and Candlestands, in Chippendale Drawings, Vol. I
Object type: ornament architecture
Date: 1761 – 1761
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: commodes

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate LXXI in the third edition of 1762, but created as early as 1761 according to the Act of Parliament on the print itself.
Capstone Hill and Parade
Object type: photomechanical print
Date: 1900 – 1920
Materials: paper
Techniques: autotype
Location: ilfracombe
Artist: Anonymous
Subjects: (high) hill
Victorien Sardou (French playwright, 1831-1908)
Object type: photograph
Date: 1876 – 1876
Materials: paper
Techniques: photography, woodburytype
Location: france
Artist: ferdinand j. mulnier
Artist nationality: french
Artist dates: 1860 – 1890
Subjects: collected by hugh edwards, paris, contemporaine littéraire
Teapot Depicting Aurora in a Chariot
Object type: ceramic
Date: 1780 – 1780
Materials: earthenware, enamel
Techniques: glazing, polychrome
Location: leeds
Rabbit and Fish
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: shiko

This print was made in the year of the rabbit, and the animal has a minor role on the print surface: as a part of the decoration on the packaging of a child’s fishing game. The fishing game came in a simple package printed with a pattern of waves. The title on the package reads Haru no umi, literally the “Ocean of Spring,” or, in this context, “New Year’s Ocean.” The object of the game was to hook the large red sea bream, a traditional New Year delicacy, with the small fishing pole provided. The game was probably played at New Year’s, when everyone took a break from work and spent their time eating, visiting, and playing.
Fan
Object type: fan
Date: 1830 – 1839
Materials: ivory, silk, silver
Culture: american
Subjects: women
Portret van Johannes IX van Leubus
Object type: print
Date: 1682 – 1732
Materials: paper
Techniques: engraving
Subjects: ornament ~ medallion, historical persons, armorial bearing, heraldry

Met onderschrift in het Latijn en tekst in het Latijn rondom het portret.
Cris de Paris
Object type: print
Date: 1736 – 1736
Materials: paper
Techniques: etching
Location: paris
Subjects: street-trader, 'cris de paris', cries of london, etc.
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een twaalfdelige serie met straatverkopers naar ontwerp van Boucher en in prent gebracht door Le Bas en Ravenet.
Decorated Folio with Kufic Inscription
Object type: folio
Date: 1701 – 1900
Materials: gold, ink, paper, watercolor
Location: iran

The decorative motifs on this section of a folio were most likely created using a stencil, which the artist then embellished by adding pigments and very minute and fine details. Pages like this would originally have framed paintings, drawings, or samples of calligraphy, which would have been included in an album or manuscript. This part of the page illustrates how folios from Islamic manuscripts were built up with layers of paper, pasted upon one another.
Portret van Daniel Kraus
Object type: print
Date: 1820 – 1860
Materials: paper
Techniques: lithograph
Subjects: historical persons, organization, functionaries and dignitaries in churches and in related institutions
Inscriptions: collector's mark: Lugt 2228
Fles van melkglas met blauwe emailverf beschildering, imitatie Chinees porselein; model knobbelfles op standring, met bloem tuilen op buik en bolvormige verdikking van hals.
Object type: bottle
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous

Fles van melkglas met blauwe emailverf beschildering, imitatie Chinees blauw porselein; model knobbelfles op standring, met bloemtuilen op buik en bolvormige verdikking van de hals.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, draped figure with stick or staff
Mexican News
Object type: print
Date: 1851 – 1851
Techniques: engraving, etching
Artist: alfred jones
Artist role: engraver
Artist nationality: american
Artist dates: 1819 – 1900
Subjects: men,reading,newspapers

On a hotel porch, a man reads news of the Mexican-American War to a listeners who react with astonishment, elation, or concern. Seated slightly apart, a pensive Black man rests on the steps, accompanied by a child, as a woman above peers out a window. Based on Woodville's painting "War News from Mexico (1848; Crystal Bridges Museum of American Art), this print was created for distribution to members of the American Art-Union. The institution boasted nearly nineteen thousand subscribers at its height in 1849–50. For an annual fee of five dollars, subscribers received a fine, large engraving, and were entered in a lottery that distributed original artworks. The Art-Union aimed to educate the public about contemporary American art and had an impressive distribution network that reached members in every state. They encouraged the creation of a national market for landscapes, genre paintings and small bronze sculptures, but flourished for a limited period. No lottery took place in 1851 and the institution dissolved in 1852–53.
Omphale figure
Object type: amulet, omphale figure
Date: 100 – 300
Materials: faience
Location: egypt
Subjects: women

Long termed Baubo figures, figures of a woman with legs raised to expose her genitals have recently been identified as Ompahle. Omphale was a figure of Greek mythology whose liaison with Herakles gave her power over the womb and the travails of childbirth and, by extension, over rebirth after death.
Publius Horatius vrijgesproken
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: stippled etching
Location: utrecht
Subjects: horatius is tried, but acquitted after an appeal by his father
Inscriptions: collector's mark: Lugt 2228

Publius Horatius heeft zijn zuster Horatia gedood en is vervolgens aangeklaagd en veroordeeld voor hoogverraad. Op voorspraak van zijn vader wordt hij vrijgesproken. Zijn vader wijst de volksvergadering op de wapenrusting van de Curiatii, die aan een pilaar is opgehangen.
Path to the Right of a Field, from Landscapes
Object type: print
Date: 1610 – 1630
Materials: paper
Techniques: etching
Location: netherlands
Artist: esaias van de velde
Artist role: draughtsman, painter, print maker
Artist nationality: dutch
Artist dates: 1587 – 1630
Inscriptions: Lettered upper left: "Esaias. Vanden. Velde. fecit. I. P. Berendrecht excud. Haerlemensis."; and upper center: "1".
Fragment of an Inscribed Slab
Object type: fragment
Date: 501 – 700
Materials: limestone
Techniques: incising
Location: egypt

In the 500s Apa (Father) Jeremias founded a Coptic monastery at Saqqara, the ancient Egyptian necropolis (cemetery) of the city of Memphis, near the oldest pyramids. He and the earliest monks lived in tombs at the site. As the monastery grew, several grand churches with lavish decoration were built, as well as many chapels, public buildings, and complexes of cells (rooms) for each monk. The monastery continued to grow after the Arab conquest with materials from early Byzantine tomb structures being reused for additional monastic structures. Inscriptions record prayers to numerous holy figures. Sculptural elements from Saqqara are often carved with deeply undercut patterns to intensify the play of light and shadow and to mask the solidity of the architecture. This sculptural style was popular throughout the Byzantine world in the 500s.
Familie met lam bij een huis
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: letterpress printing, engraving
Location: london
Subjects: lamb, buying and selling, family life at home

Prent uit: The Art Journal (1855), 1855, p. 144.
Panel with Hunting Scenes
Object type: casket plaque
Date: 1350 – 1350
Materials: ivory
Culture: french
Location: france
Subjects: castles,women,hunting,deer,horses

The stag hunt, one of the principal secular themes of the Middle Ages, is here eloquently portrayed in ivory. The action begins at the left with hounds and hunters on horseback departing the castle. In a wooded setting women lure falcons, while the hunter has shot an arrow at the stag as hounds torment it; finally, as the stag seeks relief from the waters of a fountain, the hunter delivers the coup de grace with his sword. In medieval poetry such courtly themes were also regarded allegorically as the hunt for love. The panel originally formed the back of an exceptionally large casket (now lost). The casket is known from an eighteenth- century engraving that shows the conclusion of the hunt, with the stag's head being presented to courtly figures. As key examples of secular ivory carving in Paris during the time of Charles V (1338-1380), the images are rendered with crisp, graphic carving that creates rich surface and spatial effects commensurate with the finest luxury works of the city. Joining the celebrated secular ivories from the Morgan collection, this panel and three others illustrated here enable the Museum to offer an unparalled glimpse of the secular spirit of the high Middle Ages.
Het kasteel Geerestein
Object type: drawing
Date: 1730 – 1730
Materials: ink, paper
Techniques: brush, pen
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: castle
Box with Scenes from the Romance, “The Chatelaine de Vergy”
Object type: box
Date: 1320 – 1340
Materials: ivory, wood
Culture: french
Location: france
Subjects: weapons,couples,men,women
Religious Festival in Northern France, possibly Normandy
Object type: drawing and watercolor
Date: 1820 – 1820
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: england
Artist: john coney
Artist nationality: english
Artist dates: 1786 – 1833
Hoedenspeld van imitatie-schildpad, ingelegd met wit metaal
Object type: hatpin
Date: 1900 – 1900
Materials: tortoise shell, metal
Techniques: cutting, forging, inlay
Location: netherlands
Artist: Anonymous

Hoedenspeld van imitatie-schildpad, ingelegd met wit metaal. Platte ronde knop met inlegwerk in een cirkel, waarin een zeshoek.
Den Turk helpen!
Object type: print
Date: 1854 – 1876
Materials: paper
Techniques: tone lithography
Location: amsterdam
Subjects: asiatic races and peoples: turks, fighting
Inscriptions: check stamp: ‘Boek-papierhandel J.C. Loman Jr Amsterdam’, collector's mark: Lugt 2228

Twee mannen rechts houden hun gebalde vuisten omhoog, de man links wijst met zijn vinger omhoog en houdt een zwaard in zijn hand. Ondertussen vertrappen de drie mannen een Turkse man met tulband.
Gil Blas vertelt zijn stervende vader dat hij een beter mens is geworden
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: etching
Location: berlin
Subjects: literature, dying, father and son(s) (family group), visiting the sick in hospital, gripping someone by the hand or the wrist; clasped hands
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor 'Gil Blas de Santillane' van Alain-René Lesage. Een latere staat gebruikt in: Almanac de Gotha (...). Gotha: C. W. Ettinger, 1784.
Omlijsting met tekst
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: decoration of printed matter, historical persons
Inscriptions: collector's mark: Lugt 2228
Horn
Object type: gweh horn
Date: 1867 – 1900
Materials: horn
Culture: burmese
Location: myanmar

Horns fitted with a vibrating reed on their sides are found in Southeast Asia and are known by several names Kwai and among the Karen gweh (Myanmar), sneng (Cambodia), tödiap (Vietnam). Probably originally used in warfare and as alarms, they may be used in rituals and funerals. The pitch may be controlled by opening or closing the thumb hole or adjusting the larger opening with the hand.
Spear
Object type: spear
Date: 1701 – 1900
Materials: brass, wood
Culture: malayan
Location: malaysia
Gezicht op de Lijnbaansgracht
Object type: print
Date: 1879 – 1950
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: anna elisabeth batelt
Artist role: draughtsman, painter, print maker
Artist dates: 1869 – 1921
Subjects: city-view in general; 'veduta', canal, the usual house or row of houses, street
Inscriptions: collector's mark: ‘9B174’ Lugt 1641b, signature: ‘Lijnbaansgracht / A.E. Batelt’, inscription: ‘Legaat Joh. M. Coffeng. 1966’

Onderwerpsrubriek binnen de Atlas Amsterdam: 2e Laurierdwarsstraat (Vuile Weespad), Leidschegracht, Leidschekade, Leidscheplein, Leidschestraat, v. Lennepkade, Lijnbaansgracht, Lauriergracht, Leliedwarsstraat, Leliegracht, Lindengracht, Lombardsteeg, Looiersgracht, Looiersstraat (Nieuwe), Leidekkerssteeg.
Gezicht op het Prinsenhof
Object type: drawing
Date: 1768 – 1768
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', façade (of house or building)
Inscriptions: collector's mark: Lugt 2786a, inscription: ‘Princen-hof tot Amsterdam.1768.’, number: ‘31’
De nieuwe kolfbaan in het Congres van Flora, te Haarlem
Object type: print
Date: 1919 – 1919
Materials: paper
Techniques: letterpress printing, engraving
Subjects: 'kolf' (ball game), haarlem
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Spel en vermaak, Oud-Hollandsch volksspel, Kolven.
Christus neemt afscheid van Maria
Object type: print
Date: 1502 – 1506
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: christ taking leave of mary, usually mary magdalene present
Inscriptions: collector's mark: Lugt 240

Maria knielt met van verdriet vertrokken gezicht voor Christus, die afscheid van haar neemt. Twee vrouwen (Martha en Maria Magdalena) staan achter Maria. Op de achtergrond een burcht of stad. Op versozijde gedrukte Latijnse tekst. Deze prent is onderdeel van een serie van 20 prenten, bestaand uit een titelprent en 19 prenten met scènes uit het leven van Maria.
Portret van Christiaan Immerzeel
Object type: print
Date: 1841 – 1842
Materials: paper
Techniques: engraving
Artist: coenraad hamburger
Artist role: draughtsman
Artist dates: 1809 – 1891
Subjects: the hague, print maker, christiaan immerzeel, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Inhoudpagina voor: Vaderlandsche Kermisvreugd vertoond in acht kunstplaaten geteekend en gegraveerd door K.F. Bendorp, met toepasselijke Vaersjes door R. Arends, H. de Haas en Compagnie (uitgever) Dordrecht 1782
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: letterpress printing
Inscriptions: collector's mark: Lugt 2760

Inhoudpagina voor: Vaderlandsche Kermisvreugd vertoond in acht kunstplaaten geteekend en gegraveerd door K.F. Bendorp, met toepasselijke Vaersjes door R. Arends, H. de Haas en Compagnie (uitgever) Dordrecht 1782
Veldslang
Object type: cannon
Date: 1400 – 1500
Materials: iron
Techniques: forging
Location: netherlands
Artist: Anonymous
Subjects: dordrecht

Smeedijzeren kanon bestaande uit een aantal staven in buisvorm tegen elkaar gelegd en in het vuur aaneengesmeed. Ter versteviging zijn ijzeren ringen aangebracht. Op de buitenkant van de voorste ring een eenvoudige kabelversiering. Aan de voorzijde van deze ring zijn putten geslagen. Aangesmede ijzeren lus. Aan de achterzijde is een kogel ingeslagen. Gemerkt.
The Trinity
Object type: painting
Date: 1701 – 1800
Materials: oil, tin
Culture: spanish colonial
Subjects: christ,god the father
Covered Potpourri Jar
Object type: potpourri jar
Date: 1883 – 1890
Materials: porcelain
Culture: american
Location: united states
Artist: ott and brewer
Artist role: maker
Artist nationality: american
Artist dates: 1871 – 1893
Subjects: flowers

The potpourri jar incorporated an eclectic mix of stylistic references typical of the period in which it was made. The cover is pierced and decorated in gold in an Islamic pattern; the sponged gold clouds and applied lotus blossoms are Japanesque.
Portret van Simon Boitet
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving, etching
Location: middelburg
Artist: george kockers
Artist role: goldsmith, print maker
Subjects: wig
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve naar links van Simon Boitet, docent en predikant te Middelburg. Boitet, staande voor een boekenkast, draagt een batterijpruik en een bef. Onder het portret een drieregelig onderschrift met zijn naam en titels.
Interieur van de Tempel van Horus in Edfu
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: edfu
Subjects: temple, shrine ~ egyptian religion
Inscriptions: negative number: ‘1045’

Onderdeel van Reisalbum met 80 foto's van Egypte.
Basin with lotus pond
Object type: basin
Date: 1467 – 1500
Materials: enamel, porcelain
Culture: chinese
Subjects: birds,lotuses

Known as fahua (literally designs with borders), ceramics such as this one share a visual similarity with cloisonné enamel. A white clay paste (or slip) is used to create the outlines of motifs and then filled in with brightly colored enamels. Produced in both north (Shanxi) and south (Jingdezhen) China, fahua ware gained popularity in the late fifteenth to the sixteenth century, slightly later than cloisonné. This elegant work was designed as a small fish bowl or container for paper scrolls on a scholar’s desk.
Ververs- of St. Lucasgilde van 's-Hertogenbosch, gildepenning met no. 36
Object type: medal
Date: 1796 – 1796
Materials: brass
Techniques: engraving
Location: den bosch
Artist: Anonymous
Subjects: den bosch

Messing ovale penning aan draagoog. Voorzijde: staande St. Lucas met aureool, schrijvend in boek; aan zijn voeten liggende os en ververskuip, waar kwast in staat. Keerzijde: gekroond palet boven cijfer 36 binnen omschrift
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 530 – 510
Materials: terracotta
Culture: greek, attic
Val van batist voor een toilettafel
Object type: val
Date: 1800 – 1920
Materials: textile
Location: netherlands
Artist: Anonymous

Batisten val voor een toilettafel in een boudoir (inv.nr. BK 1980-789f).
Portret van een man met baard
Object type: photograph
Date: 1868 – 1871
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: hendrik ede bontjes
Artist role: fotograaf
Artist dates: 1832 – 1896
Subjects: historical persons, beard
Inscriptions: inscription: ‘Photographisches Atelier van H.E. Bontjes/ Binnen-Amstel/ Tuscchen de Amstelstraat/ en Heerengracht/ P44/ Hooimarkt’
Garrus-Ware Bowl
Object type: bowl
Date: 1101 – 1300
Materials: earthenware, glaze
Techniques: carving
Location: iran

This bowl belongs to a group known as Garrus ware, named after a district southwest of the Caspian Sea, where examples were reportedly found. It epitomizes one of the most typical Garrus ware designs: vegetal motifs within interlaced frameworks. The design is carved through the creamy slip coating the body, exposing the reddish earthenware, to which darkening agents are applied. Finally the whole piece is covered with the transparent glaze.
Leeuw met leeuwin
Object type: print
Date: 1655 – 1690
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 240

Een leeuw en een leeuwin draaien rondjes om elkaar heen. De leeuw laat zijn tanden zien. Prent uit een serie van vier prenten met voorstellingen van leeuwen naar Pieter Paul Rubens.
Het Koninklijk gezin naar de wintersport in St. Anton. H.M. de Koningin tijdens het skien
Object type: photograph
Date: 1955 – 1955
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Subjects: the hague, juliana of the netherlands
Inscriptions: annotation: ‘Het Koninklijk gezin naar de wintersport in St. Anton H.M. de Koningin tijdens het skien’
Dish
Object type: dish
Date: 1830 – 1830
Materials: glass
Culture: american
Location: united states
Charger
Object type: metalwork
Date: 1632 – 1632
Materials: pewter
Location: klodzko
Artist: balthasar dauman
Portret van een man met snor
Object type: carte de visite
Date: 1872 – 1884
Materials: cardboard, photographic support
Techniques: albumen print
Location: hamburg
Artist: emilie bieber
Artist role: fotograaf
Artist dates: 1810 – 1884
Subjects: moustache, historical persons
Inscriptions: inscription: ‘Die Platte bleibt für Nachbestellung aufbewahrt./ E. BIEBER/ K. HOF-PHOTOGRAPH/ HAMBURG/ NEUER JUNGFERNSTIEG 20. I ETAGE./ (...)/ Nach umstehenden Bilde fertige ich Copien vom kleinsten Format/ bis zur völligen Lebensgrösse an.’, annotation: ‘Willy Ba[...] †’
De Ware Burger. Zondags-Blad.Anno 1849. Donderdag 22 Maart. Nomm. 12
Object type: proclamation
Date: 1849 – 1849
Materials: paper
Techniques: letterpress printing
Location: voorburg
Artist: v.h. sterck
Artist role: printer
Subjects: willem iii (koning der nederlanden)
Inscriptions: collector's mark: Lugt 2228

Exemplaar van de krant De Ware Burger van 22 maart met de publicatie van de eerste proclamatie uitgevaardigd door koning Willem III bij zijn terugkeer uit Engeland in Den Haag op 21 maart 1849. Blad met zwarte rouwranden bedrukt op beide zijden.
The Sea at Bognor
Object type: print
Date: 1895 – 1895
Materials: ink, paper
Techniques: etching
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926

Roussel was a pioneer in color etching in Britain, and this series of trial proofs illustrates his creative process. For many of the proofs, colored ink was painted onto the plate and then apparently printed without using a press. The completed version of this soft ground etching was among a set of nine color prints first exhibited in 1899. Roussel also made a painting of the same view of sky, sea, and shore at Bognor Regis, located on the southern coast of England.
Coffeepot
Object type: coffeepot
Date: 1797 – 1809
Materials: silver gilt
Artist: martin-guillaume biennais
Artist role: maker
Artist nationality: french
Artist dates: 1764 – 1843
Subjects: birds

This coffeepot came from the Borghese service.
Portret van Johan, vrijheer van Paffenrode
Object type: print
Date: 1674 – 1674
Materials: paper
Techniques: etching
Location: gorinchem
Artist: jan van haensbergen
Artist role: painter, print maker
Artist dates: 1642 – 1705
Subjects: maastricht, cuirass, adult man, historical persons, baton of general
Inscriptions: inscription: ‘Johan Vryheer Van Paffenrode Geb. Gesneuveld in de Verdediging van Maastricht 1673./ Witzen Geijsbeek Woordenb:’, collector's mark: Lugt 2228

Op het blad is een kopie van de signatuur van Jan van Haensbergen geplakt.
Vittoria
Object type: reproduction
Date: 1880 – 1885
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman

Foto op losse plaat tegenover pagina 12.
Fragment of necklace chain
Object type: fragment, necklace chain
Date: 1981 – 1802
Materials: gold
Location: egypt
Pruisen-Brandenburg, koning Friedrich II, groschen, 1782
Object type: vierentwintigste taler
Date: 1782 – 1782
Materials: silver
Techniques: striking
Location: berlin

Zilveren munt. Voorzijde: tussen jaartal gekrond monogram van de koning. Keerzijde: boven twee gekruiste takken waarde-aanduiding: 24 einen Thaler in drie regels, waaronder letter A. Gladde rand.
Bottle
Object type: bottle
Date: 1770 – 1830
Materials: earthenware
Culture: american
Location: united states