deem-data/ArtiFact huggingface dataset:
Plate 24: The Advance Guard of the New Roman Troops Turned Back, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Object type: print
Date: 1611 – 1611
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: bridges,wars,men,horses
Overtocht van de Franse troepen over de Waal in januari 1795
Object type: print
Date: 1795 – 1841
Materials: paper
Techniques: etching
Subjects: the defeated (after the battle)
Inscriptions: collector's mark: Lugt 2228

De gehavende soldaten steken te voet en te paard de bevroren rivier over. Geschut wordt op wagens mee gevoerd.
Broadsheet showing the perpetrators of the crime on Profesa Street on their way to San Juan de Ulua
Object type: print
Date: 1891 – 1891
Materials: metal, paper
Techniques: engraving, letterpress
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,boats
Fragment kloskant met kruisjes tussen zeven horizontale lijnen
Object type: fragment
Date: 1875 – 1899
Materials: silk
Techniques: lace
Location: cluny
Artist: Anonymous

Fragment zwarte kloskant, Cluny-kant. Het betreft een rechthoekig fragment, dat aan alle zijden onafgewerkt is. Het fragment vertoont een siergrond met zeven dunne rechte lijnen, met op korte en regelmatige afstand min of meer hartvormige motiefjes. Tussen de rechte lijnen in worden deze motiefjes met elkaar verbonden door kruisjes tussen gebogen dwarslijntjes. In het centrum van elk kruisje staat een opengewerkt vierkantje. De rechte, gebogen en kruisende lijnen betreffen vlechtjes. De hartvormige motiefjes zijn gemaakt in linnenslag. Aan één van de langere zijden is een opgewerkte cirkel te zien, waarin in bladvormige vormslag een kruisje is gemaakt.
Portret van Jacob Cornelis van Marken
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
On the Beach, Dieppe
Object type: painting
Date: 1864 – 1864
Materials: oil, wood
Artist: eugène boudin
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1898
Subjects: men,women,dogs,beaches

The changing skies of France's Channel coast and the fashionable crowds on the resort beaches were Boudin's lifelong subjects. These pictures were avidly collected, ensuring the artist's success. In 1863 he commented: "They love my little ladies on the beach, and some people say that there's a thread of gold to exploit there."
Portret van een man met snor en vlinderstrik
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, celluloid, photographic support
Techniques: albumen print
Location: frankfurt am main
Artist: carl g. kesseler
Artist role: fotograaf
Subjects: moustache, historical persons
Inscriptions: inscription: ‘(...)/ Anerkennungs/ DIPLOM/ WIEN 1875/ Carl G. Kesseler/ Hof-Photograph/ in/ Frankfurt am Main/ Eschersheimer Landstrasse No 5/ Die Platte bleibt zum Nachbestellen reservirt.’
Bust of Robert Fulton
Object type: bust
Date: 1859 – 1859
Materials: plaster
Location: france
Artist: pierre joseph chardigny
Artist role: maker
Artist dates: 1794 – 1866
Subjects: men,portraits
Marchands de Taamieh / Taamieh salers
Object type: photomechanical print
Date: 1907 – 1930
Materials: cardboard
Techniques: photograph
Location: egypt
Subjects: street-trader
Gezicht op de Blauwpoort te Dordrecht
Object type: print
Date: 1900 – 1920
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: clifford addams
Artist role: painter, print maker
Artist dates: 1876 – 1942
Subjects: gate, entrance, street (+ city(-scape) with figures, staffage), dordrecht
Inscriptions: collector's mark: Lugt 2760, inscription: ‘Doorway, Dordrecht, 25’, collector's mark: Lugt 2228
Luchon, Cascade du Parisien
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: pyrenees
Artist: charles paul furne
Artist role: publisher
Artist dates: 1824 – 1875
Subjects: waterfall
Inscriptions: number: ‘No 20.’
Portret van Trijntje Schaver
Object type: carte de visite
Date: 1907 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Trijntje/ Schaver/ get. met Klaas Okkinga’, inscription: ‘Fotogr./ Atelier/ de Jong/ Nieuwestad 53./ LEEUWARDEN/ HEERENVEEN/ SNEEK/ Vergrootingen naar elk Portret/ DE PLAAT BLIJFT VOOR NABESTELLING BEWAARD/ 1907.’
Under the Lamp ("Once upon a midnight dreary..."), from The Raven (Le Corbeau)
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: lithography
Location: france
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Inscriptions: Signed recto, in plate, lower left, below image: "E. M."
Female Figure with Cherubs
Object type: drawing
Date: 1701 – 1800
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: women
Necklace
Object type: necklace
Date: 1801 – 1900
Materials: silver
Culture: chinese
Slag bij Kassel
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: engraving, etching
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: battle
Terracotta rim fragment of an open shape
Object type: undetermined open shape
Date: 600 – 301
Materials: terracotta
Culture: unknown fabric

Black glazed rim fragment from an open shape; the top of the rim is flat and glazed
Bladzijde uit het fotoalbum van de familie Diepenbrock met 3 foto's van Alphons Diepenbrock en zijn omgeving
Object type: photograph
Date: 1909 – 1920
Materials: cardboard, photographic support
Techniques: photography
Location: netherlands
Subjects: amsterdam, alphons diepenbrock, netherlands

Bruin albumblad 47 van familiealbum van Alphons Diepenbrock.
Le pauvre jeune homme
Object type: print
Date: 1802 – 1802
Techniques: engraving, etching
Artist: marguerite eléonore lingée
Artist role: artist
Artist nationality: french
Artist dates: 1773 –
Montecassino. Biblioteca Monastica
Object type: photomechanical print
Date: 1906 – 1910
Materials: cardboard
Techniques: photograph
Location: terni
Artist: Anonymous
Subjects: abbey, monastery, convent ~ roman catholic church, study; 'studiolo'; library
Plate with Jacob Is Shown Joseph’s Coat
Object type: plate
Date: 1560 – 1575
Techniques: maiolica, glazing
Artist: gironimo tomasi
Artist role: artist
Artist nationality: italian
Artist dates: 1502 – 1602
Subjects: men

The scene is based on a woodcut in an illustrated Bible published in Lyons in 1553 and republished in Italian in 1554. Similar work was done in Urbino, Pesaro, and Lyons itself. The more meager quality of the tin glaze suggests Venice as the probably place of manufacture of this example.
Bronze sesterius of Philip I
Object type: sestertius
Date: 244 – 249
Materials: bronze
Culture: roman
Subjects: men,profiles

IMP M IVL PHILIPPVS AVG, draped bust of emperor/FIDES EXERCITVS S C, four standards Rome
The Hop Gatherers
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: england
Artist: thomas stothard
Artist role: artist
Artist nationality: british
Artist dates: 1755 – 1834
Portrait of Seated Man; Bust of Contemplative Dante; Child Leaning on a Woman's Lap (from Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: contemplation,children,men,portraits
The married mouse
Object type: book illustration
Materials: paper
Techniques: wood engraving
Location: london
Subjects: rodents: mouse, container of textile material: bag, sack, beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2228

Prent uit: The baby's own Aesop being the fables condensed in rhyme. Londen: Routledge & Sons, 1887. Of een latere uitgave.
Tripod vessel
Object type: vessel
Date: 350 – 450
Materials: ceramic
Culture: teotihuacan
Location: mexico
Artist: teotihuacan artist(s)
Artist role: artist
Gezicht op markt, s'Hertogenbosch
Object type: ansichtkaart, prentbriefkaart
Date: 1913 – 1930
Materials: cardboard
Techniques: photograph
Location: rotterdam
Subjects: city-view, and landscape with man-made constructions, market
Bronze distaff
Object type: rod, dipping
Date: 1 – 100
Materials: bronze
Culture: roman

The distaff was used for spinning wool into thread.
Les abus du mariage
Object type: album leaf
Date: 1641 – 1641
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: initial
Inscriptions: date

Engelstalig voorwoord op twee pagina's: pagina 1. Met de aanhef: To the judicious reader. De tekst vangt aan met een gedecoreerde initiaal E. Het blad maakt deel uit van een album.
Kinderportretten en een portret van een jonge vrouw
Object type: photograph
Date: 1880 – 1920
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: child, household chores, trade games, imitative games, imitating adults

Drie portretten van kinderen met het opschrift Geels& Co. Amsterdam Utrecht & 's Gravenhage en een portret van een jonge vrouw met een mattenklopper. Deze pagina maakt deel uit van een album.
Standing Attendant (Tomb Figurine)
Object type: sculpture
Materials: pigment, wood
Techniques: polychrome
Location: china

In Chu tombs, wood sculptures of men and women were placed in compartments surrounding the coffin. Natural weathering has accentuated the elegant attenuation of these figures. Some were constructed with separate forearms and hands, now lost, that were tenoned into small holes in their sleeves.
Covered Sugar Bowl
Object type: sugar bowl
Date: 1835 – 1835
Materials: glass
Culture: american
Location: united states
Ruiterportret van Willem II, koning der Nederlanden
Object type: print
Date: 1815 – 1861
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: the hague, william ii of the netherlands

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Schepen voor anker in de haven van Colombo
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Inscriptions: caption: ‘Colombo Harbour’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, right hand of a symposiast playing kottabos; in the field, hanging on the wall, a basket; Exterior, chiton and legs of a maenad to left; right calf, foot, and tail of a satyr to right
Strijdende soldaten te paard
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: etching
Location: italy
Subjects: military service, warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: ‘Hinloopen’, number: ‘6’

Deze prent maakt deel uit van een reeks van 9 prenten (+ titelprent) met gevechtsscènes. Antonio Tempesta maakte ook een eerdere serie met gevechtsscènes van 10 prenten (+titelprent).
Twee jongens plukken peren
Object type: drawing
Date: 1915 – 1935
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: d. viel
Artist role: draughtsman
Subjects: fruits: pear, orchard
Inscriptions: signature: ‘D Viel.’, :, collector's mark: Lugt 2228

In een tuin houdt een jongen een ladder vast die tegen de stam van een perenboom leunt. Bovenaan de ladder staat een jongen die peren plukt. Op de grond rond de boom liggen peren. In de tuin staat een meisje.
Gezicht op de Oude Schans en de Montelbaanstoren met op de voorgrond de Kikkerbilsluis
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: sluice, weir, hand-cart, towers ~ fortified city, canals, waters (in city)

Onderdeel van Leporelloalbum met 12 foto's van Amsterdam.
A country excursion during the beautiful month of May. “– Courage... Adelaïde it's just another league to go,” plate 308 from Actualités
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Portret van Laurentius Wolfgang Woytt op 37-jarige leeftijd
Object type: print
Date: 1709 – 1711
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: theologian, historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228

Met zesregelig onderschrift in het Duits.
The flight into Egypt, with the Holy Family in a boat
Object type: print
Date: 1730 – 1750
Techniques: engraving
Artist: pietro monaco
Artist role: artist and publisher
Artist nationality: italian
Artist dates: 1707 – 1772
Pagina 128 van fotoboek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.)
Object type: photograph
Date: 1924 – 1925
Materials: paper, photographic support
Techniques: printing
Location: sumatra
Artist: j.w. meyster
Artist role: fotograaf
Artist dates: 1887 – 1945
Subjects: field filled with a crop, plants; vegetation, (non-fruit) products of plants or trees: rubber, measuring, sumatra

Boekpagina met een foto van een Indische man die roselle (Hibiscus sabdariffa) meet op een proefaanplant van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.) te Polonia. Onderdeel van een fotoboek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.).
Spotprent op de hervorming van de rechterlijke organisatie, 1873
Object type: cartoon
Date: 1873 – 1873
Materials: paper
Techniques: lithograph
Location: arnhem

Spotprent op het waarschijnlijk mislukken van de plannen voor de hervorming van de rechterlijke organisatie. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 21, 1873.
Portret van een zittende vrouw
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: stroud
Artist: o.c. smith
Artist role: fotograaf
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman
Inscriptions: inscription: ‘O. C. SMITH/ LANDSDOWN/ STROUD/ NEGATIVES KEPT - COPIES CAN ALWAYS BE HAD’
Side table
Object type: side table
Date: 1872 – 1872
Materials: brass, gilt, wood
Artist: edward william godwin
Artist role: designer
Artist nationality: british
Artist dates: 1833 – 1886

This table, designed by Edward William Godwin around 1872, demonstrates the ideals characteristic of the Aesthetic movement in Britain from the 1860s to 1880s. The overall composition of the table, with its attenuated lines and asymmetrical organization of stretchers and posts, creates a rhythm of horizontal and vertical elements that echo Asian as well as traditional English influences. Another example of this table was made in about 1871 for Godwin's wife, the actress Ellen Terry, and was used in their home. Among the first of the Victorian architect-designers to furnish in the Japanese style, Godwin began his career as a Gothic revivalist and disciple of John Ruskin. However, by the early 1860s, Godwin became a passionate admirer of the arts of Japan and one of the leaders of the Aesthetic movement along with James Abbott McNeill Whistler and Oscar Wilde. The elegantly linear design of the table reflects Godwin's knowledge of Japanese art and its principles. Godwin may have had first-hand knowledge of Japanese furniture or he may have been familiar with Aimé Humbert's Le Japon illustré (1870), which illustrates many types of Japanese furnishings. On Godwin's table, the fretlike arrangement of rails and posts is also reminiscent of the latticework found on Chinese and Japanese furnishings and architecture. The use of metal corner and side braces that also embellish the object is indicative of Japanese design. Not only did Godwin appreciate Asian design but he also had a fondness for mid- to late eighteenth-century English furniture. The table's attenuated lines, drop leaves, and fluting are all common characteristics found on tables of the Georgian period. Interestingly, some of the aesthetic values associated with Georgian furniture are shared by Japanese furniture, such as attention to wood grain, linearity, and the avoidance of ponderous forms. This blending and reinterpretation of Godwin's primary sources used for the table are novel yet characteristic of the Aesthetic movement. For Godwin, his work was a means of artistic and spiritual expression, as he explained in 1873: "I look upon all my work as Art Work. A building is to me as a picture to a painter or a poem to a poet."
Animal head carved in the round
Object type: furniture element
Date: 800 – 601
Materials: ivory
Culture: assyrian
Location: mesopotamia
Subjects: dogs

This carved ivory head was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. It depicts an animal with a long, narrow snout, mouth open and tongue extended, and large eyes that would have been inlaid with materials in contrasting colors. A tenon at the back of the head would likely have been used to attach the head to the animal’s body, perhaps carved out of another piece of ivory or a different material. Carved ivory pieces such as this were widely used in the production of elite furniture during the early first millennium B.C. They were often inlaid into a wooden frame using joinery techniques and glue, and could be overlaid with gold foil or inlaid to create a dazzling effect of gleaming surfaces and bright colors. The piece may have represented a dog, as the nose resembles that of a canine rather than the broader snout of a sheep or goat, and the deep-set eyes face forward rather than to the sides, indicating the animal was a hunter. Dogs rarely appear in the decoration of the carved ivory furniture and small luxury objects collected by the Assyrian kings. However, dogs are fairly common in the art of ancient Mesopotamia in other contexts, and are shown as a wide range of types, including thick-necked guard dogs wearing collars (see 1989.233 in the Metropolitan’s collection), small dogs with curled tails associated with the healing goddess Gula, and hunting dogs resembling the modern saluki. This ivory head most closely resembles the latter. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
Needle Rock op de Quiraing op Skye
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: skye
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: rock-formations
Inscriptions: number: ‘895.’
Sugar tongs
Object type: tongs
Date: 1772 – 1772
Materials: silver
Culture: american
Location: united states
Artist: myer myers
Artist role: maker
Artist nationality: american
Artist dates: 1723 – 1795
Goblet
Object type: goblet
Date: 1600 – 1600
Materials: stone, gold
Location: bohemia
Artist: Anonymous
Subjects: (story of) diana (artemis)

Bokaal van bergkristal en een montuur van goud met email. Rondom versierd in mat slijpwerk met een voorstelling van Diana en Actaeon.
Christ driving the money changers from the temple
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: purification of the temple ('first' and 'second'): christ driving the money-changers from the temple with a whip (matthew 21:12-13; mark 11:15-17; luke 19:45-46; john 12:12-19)
Inscriptions: inscription: ‘12 St’, collector's mark: Lugt 240
Bergen in Tirol
Object type: sketchbook leaf
Materials: ink, paper, pencil
Techniques: brush
Location: tirol
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: mountains
Inscriptions: annotation: ‘Tyrol’

Blad 1 recto uit een schetsboek met 47 bladen.
Marble statue of Aphrodite
Object type: statuette of aphrodite, capitoline type
Date: 1 – 200
Materials: marble
Culture: roman
Subjects: aphrodite

Roman copy or adaptation of a Greek statue of the 3rd century B.C. known as the Capitoline Aphrodite The Aphrodite of Knidos created by Praxitiles in the fourth century B.C. was the first major nude statue of the goddess. A number of other important works showing her without clothing were created in the following centuries. In this popular statue type, Aphrodite stands with both hands shielding her body in a gesture of modesty.
Motto Clasp
Object type: clasp, heart sign
Date: 1878 – 1805
Materials: gold, stone
Location: memphite region

The hieroglyphs read "may the heart(s) of the two gods [Horus and Seth?] be content."
Ladoration des Rois
Object type: print
Date: 1705 – 1732
Materials: paper
Techniques: etching
Location: france
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie met zestig prenten met als thema het leven van Christus.
Reference sealing
Object type: reference sealing
Date: 1961 – 1954
Materials: mud
Location: egypt

Small lumps of clay were often used to seal goods or documents. They are called sealings. On one side they often bear an impression of the seal used, while another side can show an impression of the object itself or of its closing mechanism (such as a string). This lump of clay bears a seal impression, but its conical shape suggests that it was never attached to an object. It can therefore be identified as a reference sealing, which was used to verify the authenticity of sealings that were attached to documents or goods. Or it could have been used as proof of authorization for certain dealings. This reference seal was found together with two others (25.3.267a, c) and a third one (26.3.282) was discovered in another area of the same tomb. The reference sealing here shows an impression from the same seal as 26.3.282 that reads "Storehouse of Hathor."
Glass Fragment
Object type: fragment
Date: 1401 – 1600
Materials: glass, metal
Culture: french
Portrait of a lady
Object type: cameo
Materials: stone, gold
Subjects: profiles,women
Writing Brush
Object type: writing brush
Date: 1368 – 1644
Materials: lacquer, wood
Culture: chinese
Landgoed of park
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons, public gardens, park, france