deem-data/ArtiFact huggingface dataset:
Liège
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: photograph
Location: liège
Subjects: hotel room, interior of the house, liège
Inscriptions: inscription: ‘114, Rue Féronstrée, 114/ Hôtel de M. E. BRAHY-PROST/ petit salon Louis XVI’, number: ‘PLANCHE 6’

Deze prent maakt deel uit van een omslag met 89 prenten en 5 tekstbladen.
De Opstanding van Christus
Object type: drawing
Materials: ink, paper
Techniques: brush, pen
Artist: nicolaas hogenberg
Artist role: draughtsman, painter, print maker
Artist dates: 1500 – 1539
Inscriptions: inscription: ‘bovenaan genummerd: ..426; onderaan een onleesbaar geworden opschrift’
Male figure
Object type: male figure
Date: 200 – 200
Materials: ceramic
Culture: nayarit
Location: mexico
Artist: ixtlán del río artist(s)
Artist role: artist
Subjects: men
Scene from the Life of the Buddha
Object type: hanging scroll
Date: 1401 – 1433
Materials: gold, ink, silk
Culture: japanese
Subjects: men,buddhism,bodhisattvas,buddha

After Shakyamuni, the historical Buddha, was enlightened, he became a wandering teacher, delivering the message that life is suffering from which one can be released through spiritual cultivation and compassionate behavior toward all living things. This painting, from a set of eight depicting milestones in the life of the Buddha, illustrates the conversion of King Bimbisara at Vulture Peak. The Buddha is shown in deified form seated on a lotus pedestal, with his right hand raised in the gesture that indicates teaching. The lotus pedestal symbolizes the purity of Buddhist wisdom, which grows like a lotus flower from the muddy waters of delusion. All of nature—clouds, streams, and mountains—seems to emanate from his glowing figure to manifest the teaching. Heavenly beings fly from above to hear him as he sits surrounded by followers from all realms of existence. His monastic followers stand behind haloed bodhisattvas, enlightened beings who, like the Buddha in his former lives, remain in the world to help others reach enlightenment. Armored figures of the Four Guardian Kings, who protect the teaching throughout the four quarters, flank King Bimbisara and his attendants. Tiny golden wheels above their heads symbolize the Dharma, the Buddhist Law.
Interieur met vrouw en kind bij een wieg
Object type: drawing
Date: 1836 – 1896
Materials: paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: adult woman, interior of the house, infant, baby ~ the ages of man
Portret van een staande vrouw bij een stoel
Object type: photograph
Date: 1880 – 1940
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: charlottenburg
Subjects: historical persons - bb - woman, chair
Inscriptions: inscription: ‘Waaren-/ Kaufhaus/ Jacob Gebrüder/ Nachfl./ Wilmersdorfer-Str. 56/ Charlottenburg./ Visit.v.M. 1,89 pr.Dtz.an - Cabinet v.M. 4,80 pr.Dtz.an./ Postkarten M 1,20 pr.Dtz./ für 1 Person./ Gruppen und Vergrösserungen./ Aufnahmen finden täglich von 9-6 Uhr statt./ Sonntags von 10 Uhr ab geöffnet.’, number: ‘98258’
Fragment of a Dish
Object type: fragment
Date: 701 – 1000
Materials: earthenware
Techniques: glazing
Location: iraq

This ceramic fragment was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this fragment attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Fête Champêtre. Watteau
Object type: photomechanical print
Date: 1902 – 1930
Materials: cardboard
Techniques: rotogravure
Location: glasgow
Artist: jean antoine watteau
Artist role: draughtsman, print maker
Artist dates: 1684 – 1721
Subjects: permanent exhibition, museum, picture, painting
Rivierlandschappen
Object type: print
Date: 1650 – 1690
Materials: paper
Techniques: etching
Location: paris
Subjects: low hill country, landscape with bridge, viaduct or aqueduct, river (+ landscape with figures, staffage)
Inscriptions: : Lugt 240

Een heuvelachtig landschap met een rivier. Op de voorgrond twee rustende wandelaars, gezeten op de oever van de rivier. Op de achtergrond en dorp met een brug. De prent maakt deel uit van een serie van rivierlandschappen.
Brief aan Philip Zilcken
Object type: letter
Date: 1895 – 1895
Materials: ink, paper
Techniques: pen, writing
Artist: e. voûte
Subjects: renée hélène laure zilcken, helène lambertine hauzeur, the hague, painter, draughtsman, philip zilcken, passions, emotions, affections, diseases
The Long Gallery, Louvre
Object type: print
Date: 1894 – 1894
Materials: ink
Techniques: printing, stumping, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: museums,interiors
Gold Weight: Janus Bird
Object type: weight
Date: 1701 – 1900
Materials: brass
Culture: akan
Location: ghana
Subjects: birds
Het Huis te Loevestein op de rechter syde
Object type: book illustration
Date: 1711 – 1774
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: castle, loevestein castle

Prent ook gebruikt in: Smids, Ludolf. Schatkamer der Nederlandsse oudheden; of woordenboek, behelsende Nederlands steden en dorpen, kasteelen, sloten en heeren huysen (…). Amsterdam: Pieter de Coup, 1711, tussen p. 208 en 209.

Het is ook mogelijk dat deze prent uit de tweede (1737) of derde (1774) druk komt, of uit een uitgave met alleen de prenten: Nederlandsche oudheden, bestaande in zestig verbeeldingen (...) gelegen in Holland, 't Sticht van Utrecht en Gelderland enz. Amsterdam: Hendrik Bosch, 1721.
Five-piece garniture with landscapes in panels
Object type: kaststel
Date: 1700 – 1700
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Vijfdelig kaststel van porselein bestaande uit twee bekervazen en drie dekselvazen. Beschilderd in onderglazuur blauw met landschappen in lotusvormige cartouches. Blauw-wit.
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 200
Materials: glass
Culture: roman

Colorless. Rim folded out, over, and in; broad mouth; cylindrical neck with slight bulge towards bottom and tooling around base; elongated piriform body with almost straight sides; concave bottom. Intact; some bubbles; deep weathering and pitting; brilliant iridescence.
Cushion
Object type: cushion
Date: 1634 – 1666
Materials: canvas, metal thread, silk
Subjects: birds,women,flowers
Eenjarig jubileum van de Franse Revolutie op de Champ-de-Mars
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: paris
Subjects: military parade, pageant, commemoration, jubilee
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie getiteld 'La Révolution française depuis l'ouverture des États géneraux jusquáu 9 Brumaire' met vijftien prenten naar schilderijen met als onderwerp de eerste dagen van de Franse Revolutie. De serie werd verschillende malen uitgegeven, aanvankelijk onder de titel 'Les principales journées de la Révolution'. Voor meer informatie zie IFF 18e siècle, dl. 11, p. 291.
Openbaring van Johannes op Patmos
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: alkmaar
Subjects: john (writing) on the island of patmos, possibly the eagle beside him
Inscriptions: number: ‘207’

Johannes de evangelist schrijft op het eiland Patmos zijn openbaringen in een boek. Hij kijkt omhoog naar de hemel naar een verschijning van Christus. Naast Johannes zit de adelaar. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst. Deze prent maakt deel uit van een album.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of head of youth to right
Console table (one of a pair)
Object type: console table
Date: 1765 – 1770
Materials: marble, wood
Techniques: carving, gilding
Kimono
Object type: kimono
Date: 1920 – 1940
Materials: silk
Techniques: weave
Location: japan
Artist: Anonymous

Kimonos: Mirrors of a Man’s Life. The kimonos on view here afford a glimpse into the lives of Japanese men from around the 1910s to the 1950s, from childhood to adulthood. This was a period of great change for Japan, marked by increasing industrialization and political conflicts culminating in the Second World War. Life modernized, technology advanced, and people took up new hobbies. Traditionally, men’s outer clothing tended to be reserved and a solid colour. Clothes could nevertheless also be a medium for highly unusual depictions which, however, were not visible to everyone. While motifs adorned the exterior of children’s garments, they were hidden from view in those worn by adult men. The decoration was found on the inside: on a long under garment, or the lining of a jacket (haori). This concealed imagery divulges the lives of the owners at the beginning of the 20th century.

Childhood. A kimono marked events and stages in a man’s life. The kimonos on the top row (except the two everyday ones at either end) were worn by boys during the religious ceremony of miyamairi, namely an infant’s first visit to a Shinto shrine. This event followed a prescribed ritual and was an important and formative moment in the life of a Japanese man. Clothing for boys enveloped them in images that were to become part of their identity. The depictions included motifs that were considered gender and age appropriate: toys, manly hobbies, stories of heroic battles, technology, and so forth. Broader themes such as military conflicts and nationalism also filtered into children’s daily lives at an early stage. The textile designs of some kimonos combined traditional playthings with toy guns and tanks.

Adulthood. What does a kimono tell about its owner and his life? Some men chose subjects from classical culture, such as No or Kabuki theatre, while others preferred themes from contemporary life, such as gramophone records or the new popular sport of baseball. Thus, these garments were a canvas for personal choices, but also for political propaganda and nationalistic messages. Some representations are eccentric or even erotic. Others are more general and linked to political events. All aspects of a man’s inner life are touched on. Portraits of beautiful women and playful dogs contrast with images of war, celebrating victories in China. As these representations were under the outer garments, they remained hidden from the outside world and were thus seen only by the kimono’s owner and his intimates.
Ornament
Object type: ornament
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
"Ich Kenn' Dich Alter Nicht"
Object type: reproduction
Materials: photographic support
Techniques: albumen print
Artist: eduard von grützner
Artist role: painter
Artist dates: 1846 – 1925
Subjects: king, specific works of literature, falstaff

Deze foto maakt deel uit van een omslag met zeven foto's, een titelblad met foto en een tekstblad.
Pair of dishes
Object type: dish
Date: 1880 – 1880
Materials: gilt, hard paste porcelain
Techniques: enamel
Artist: royal porcelain manufactory, berlin
Artist role: manufactory
Artist nationality: german
Artist dates: 1763 – 9999
Subjects: butterflies,flowers
Silver bowl
Object type: bowl
Date: 3200 – 2200
Materials: silver
Culture: cycladic

With a band of linear decoration.
Isshu gin = zilveren 1 shu van het keizerrijk Japan, uit het Kaie tijdperk
Object type: coin
Date: 1846 – 1853
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: twee naar elkaar toegewende bloem-motieven, waartussen waarde-aanduiding: 1, aangegeven door een liggende streep rechts en links het letterteken voor bu. Keerzijde: binnen rechthoek onder elkaar geplaatste tekens met rechtsboven het teken voor het tenpo tijdperk.
Portret van kardinaal Pietro Corsini
Object type: print
Date: 1739 – 1784
Materials: paper
Techniques: etching
Location: italy
Subjects: cardinal, historical persons
Inscriptions: inscription: ‘Corsini / 285’, collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks portretprenten van onbekende omvang. De prenten zijn gemaakt door meedere prentmakers, onder wie Francesco Allegrini en Carlo en Raimondo Faucci.
Inlay, satyr
Object type: inlay, face
Date: 100 – 100
Materials: glass
Location: egypt

A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards. Such elements could also be used side by side to create repeating patterns. Or if the rod presented one half of an element that was symmetrical, such as a face, a tile and a reversed tile from the same rod could be put together to form a complete whole.
Shoes
Object type: shoe
Date: 1780 – 1780
Materials: silk
Culture: american
Vase
Object type: vase
Date: 1750 – 1750
Materials: enamel, faience
Techniques: relief
Culture: japanese
Subjects: men
Gezicht op het huis van Huygens aan het Plein te Den Haag
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: the hague, constantijn huygens (i), urban housing
Inscriptions: collector's mark: Lugt 2228

Gezicht op het Plein in Den Haag met links het huis van Constantijn Huygens.
Interieur van het Pantheon te Rome
Object type: photograph
Date: 1852 – 1862
Materials: photographic support
Techniques: gelatin silver print
Location: pantheon
Artist: Anonymous
Subjects: interior of church
Inscriptions: number: ‘88.’
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1925 – 1925
Materials: cardboard, ink
Techniques: pen, writing
Location: laren
Artist: adriaan pit
Artist role: print maker
Artist dates: 1860 – 1944
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Portret van Moritz Retzsch
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: paris
Subjects: moritz retzsch, historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret een facsimile van de handtekening van de geportretteerde.
Verhaal van Amor en Psyche
Object type: print
Date: 1530 – 1560
Materials: paper
Techniques: engraving, intaglio
Location: rome
Subjects: cupid and psyche as lovers
Inscriptions: collector's mark: Lugt 11, number: ‘24’, collector's mark: Lugt 10, collector's mark: ‘Hinloopen’

Amor en Psyche op bed als geliefden. Links een open raam en op de voorgrond de boog en pijlenkoker van Amor. Italiaanse tekst in twee cartouches in ondermarge. Tweemaal genummerd linksonder: 9.
Christus met engelen in de wildernis na de verzoeking
Object type: print
Date: 1705 – 1732
Materials: paper
Techniques: etching
Location: paris
Subjects: 'command these stones to become loaves of bread' ~ temptation of christ in the wilderness
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie met zestig prenten met als thema het leven van Christus.
Jar and cover
Object type: jar with cover
Date: 1850 – 1850
Materials: porcelain
Techniques: underglaze
Culture: japanese
Subjects: turtles
Leer deez' spreuken te geleiden, / Kind'ren in uw hoofd en hart / Welligt na verloop van tijden, / Hoedt het voor, of troost in smart
Object type: print
Date: 1827 – 1894
Materials: paper
Techniques: colour, letterpress printing
Location: schaarbeek
Subjects: proverbs, sayings, etc.
Inscriptions: collector's mark: Lugt 2760

Blad met 36 verbeeldingen van spreekwoorden en gezegden. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 103.
Portret van een onbekend meisje
Object type: photograph
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Artist: auguste blanche
Artist role: fotograaf
Artist dates: 1818 – 1866
Subjects: girl (child between toddler and youth), anonymous historical person portrayed
Inscriptions: address: ‘Rue des Aveugles/ & Place du Musée/ ANVERS’
Mensen op een stijger
Object type: photograph
Date: 1807 – 1889
Materials: cardboard, paper
Techniques: gelatin silver print
Subjects: norway
Inscriptions: number: ‘31’

De afdruk van de foto is rond, het papier vierkant.foto gemaakt met Nr. 1 Kodak Camera
Exterieur van het stadhuis van Bonn
Object type: photograph
Date: 1877 – 1877
Materials: paper, photographic support
Techniques: albumen print
Location: bonn
Artist: Anonymous
Subjects: townhall, façade (of house or building)

Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Chessmen (32)
Object type: chessman
Date: 1767 – 1800
Materials: ivory
Subjects: chess,games

The kings, rajahs, are in elaborate howdahs with double domes and projecting awnings held by two inclined poles, a form of howdah that was still used in the early nineteenth century. The minister (queen) is in an open howdah, but shaded by an umbrella. The original symbolism has been lost in this set, as is evident by the introduction of a lion on the British side in lieu of the elephant (bishop) and a rhinoceros on the Indian side - a peculiar innovation though the animal does exist in India. A cavalryman correctly acts as knight on the British side, and a cameleer with drawn sword, incorrectly, on the Indian side. The camel often appears in Indian chess sets in the position of the bishop, but not as the knight. The rooks are crenellated towers, with a soldier holding a flag on top. The pawns are standing soldiers, the British with muskets, the Hindus with long spears and round shields. The set, obviously, was not made for playing purposes.
Decree of the commune: General liquidation, from "Rent issues"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,hands
Gezicht op de Dom van Florence
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: florence
Artist: Anonymous
Subjects: parts of church exterior and annexes: dome, church (exterior), façade (of house or building)
Inscriptions: number: ‘Serie IX No. 20’, inscription: ‘De Jong Cacao’
Portret van een vrouw in een geruite rok op een terras
Object type: album leaf
Date: 1920 – 1920
Materials: cardboard, paper, photographic support
Techniques: daylight paper print
Location: netherlands
Artist: Anonymous
Subjects: adult woman, historical persons, skirt, terrace, netherlands

Onderdeel van Fotoalbum met portretten vervaardigd door Nederlandse studio's waaronder automaatfoto's.
Handle for rope for lowering coffin
Object type: coffin rope handle
Date: 1070 – 945
Materials: wood
Location: egypt

Discovered in the pit of MMA 60, this is one of three wooden rods with rounded ends, slightly larger at the ends than in the middle. This stick and 25.3.178 seem to have made a pair; 25.3.176 is slightly shorter. These rods may have been used as handles on ropes by the ancient undertakers to lower the inner coffins into the outer coffins, or for lowering an entire set of coffins into place.
Exterieur van het Monte Carlo Casino
Object type: photograph
Date: 1870 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: monaco
Artist: étienne neurdein
Artist role: publisher
Artist dates: 1832 – 1918
Subjects: casino
Inscriptions: negative number: ‘518’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië en Frankrijk.
Servet van pellendamast
Object type: napkin
Date: 1700 – 1750
Materials: linen
Techniques: weave
Location: netherlands

Servet van pellendamast. Het servet is gemerkt: AOH. Bij het servet hoort een servet met invnr. BK-1980-114-B.
Cuneiform tablet impressed with seals: administrative document inscribed in Achaemenid Elamite
Object type: cuneiform tablet
Date: 500 – 500
Materials: clay
Culture: achaemenid
Location: iran
Grazende koe naar links
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: etching
Location: amsterdam
Artist: wouter johannes van troostwijk
Artist role: draughtsman, painter, print maker
Artist dates: 1782 – 1810
Subjects: cow
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Gezicht op Château Batailley in Pauillac, Frankrijk
Object type: photograph
Date: 1862 – 1867
Materials: photographic support
Techniques: albumen print
Location: pauillac
Artist: alfred danflou
Artist role: fotograaf, schrijver
Subjects: castle
Inscriptions: inscription: ‘propriétaire: M. ALPHEN.’
Ex libris van Paul Braus
Object type: bookplate
Date: 1869 – 1949
Materials: paper
Techniques: printing block
Location: germany
Subjects: ear of corn, beasts of prey, predatory animals: lion, armorial bearing, heraldry
Wachtende mensen op een station van de plaats Pao-Ting-Fou, China
Object type: photograph
Date: 1907 – 1907
Materials: paper
Techniques: collodion silver print
Location: baoding
Artist: jan adriani
Artist role: fotograaf
Subjects: station; shelter (railway, tramway), 'en route', traveller under way
Inscriptions: inscription: ‘Mevrouw Adriani/ Utrecht’
Binnenplaats van het Paleis op de Koudenberg
Object type: album leaf
Date: 1660 – 1660
Materials: paper
Techniques: etching
Subjects: city-view in general; 'veduta', tournament, joust, tilt, brussels

Het hof van Brussel, oftewel het Paleis op de Koudenberg. Op de voorgrond 'Die Warande' met twee herten, daarachter een steekspel met ridders. De prent maakt deel uit van een album.
Portret van Sigismund Friedrich Khevenhüller
Object type: print
Date: 1723 – 1723
Materials: paper
Techniques: engraving
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: historical persons

Prent mogelijk uit: Die Europäische Fama, Welche den gegenwärtigen Zustand der vornehmsten Höfe entdecket. Keulen: s.n., 1723, dl. 267.
Reproductie naar een foto van Willem Witsen
Object type: photograph
Date: 1860 – 1915
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: the hague, willem kloos
Prospectus Altaris sub Canonizationis Solemniis SS Jacobi à Marchia et Francisci Solani Ordinis Minorum Erecti Antverpiae in Ecclesia FF Minorum Recollectorum
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: naples, fixed altar, antwerp

Altaar ter gelegenheid van de heiligverklaring van de franciscanen Jacobus de Marchia en Franciscus Solanus in 1726, opgericht in de kerk van de franciscaner minderboeders te Antwerpen. Met onderschrift van 5 regels in het Latijn.