deem-data/ArtiFact huggingface dataset:
Gehucht op de heide
Object type: print
Date: 1865 – 1902
Materials: paper
Techniques: etching, intaglio
Artist: emile de baré
Artist role: painter, print maker
Artist dates: 1855 – 1902
Subjects: landscapes, village
Inscriptions: collector's mark: Lugt 2228
Study for King's Mews, Charing Cross, from Microcosm of London
Object type: drawing and watercolor
Date: 1808 – 1808
Materials: graphite, paper
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
Portret van Wilhelmina, koningin der Nederlanden
Object type: photograph
Date: 1901 – 1901
Materials: cardboard, photographic support
Techniques: photography
Location: netherlands
Subjects: wilhelmina of the netherlands
Inscriptions: address: ‘Wegner & Mottu Rokin 138 Amsterdam.’

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Drie acteurs bij een kamerscherm
Object type: print
Date: 1847 – 1848
Materials: paper
Techniques: woodcut
Location: tokyo
Artist: utagawa kuniyoshi
Artist role: draughtsman, print maker
Artist dates: 1798 – 1861
Subjects: actor (on the stage), screen, folding screen

Acteur met zwaard in rechter hand, staand bij kamerscherm waarop afbeelding van arend op rots in zee met rode zon.
Gezicht op de Dam
Object type: photograph
Date: 1900 – 1950
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: square, place, circus, etc., diligence, omnibus, horse-tram, city-view in general; 'veduta'
Inscriptions: collector's mark: ‘7’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Dam (na 1835).
Portret van Andreas Vesalius
Object type: print
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: italy
Subjects: brussels, historical persons, physician, doctor

Prent uit: Versalius, Andreas. Andreae Vesalij Bruxellensis (...). Bazel: Jan Herpst, 1546.
The Month of February: Man Pruning a Tree
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: pen
Artist: erasmus hornick
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1501 – 1583
Subjects: men,trees,working
Zilveren rijder van de VOC uit Overijssel, 1737
Object type: silver rider
Date: 1737 – 1737
Materials: silver
Techniques: striking
Location: kampen

Zilveren munt. Voorzijde: geharnaste ridder met zwaard te paard naar rechts, waaronder gekroond wapenschild van Overijssel. Keerzijde: gekroond generaliteitswapenschild, waaronder cartouche, waarin monogram van de VOC. Jaartal in omschrift, boven kroon. Gladde rand.
Zeventigste verjaardag van professor Jan Bronner (Vereniging voor Penningkunst 1952, tweede penning)
Object type: medal
Date: 1952 – 1952
Materials: bronze
Techniques: casting
Artist: vincent pieter semeyn esser
Artist role: hoogleraar, medailleur
Artist dates: 1914 – 2004

Bronzen penning, op de voorzijde Bronner ten halven lijve in werkkleding met hamer en beitel, met omschrift, op de keerzijde de beeldhouwer en zijn leerling aan het werk, met omschrift, met verklaring.
Gezicht op het Stadhuis van Antwerpen
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: antwerp
Artist: Anonymous
Subjects: townhall, façade (of house or building)
Double Louis d’or of Louis XVI of France (b. 1754-93; r. 1774–1792)
Object type: coin
Date: 1786 – 1786
Materials: gold
Portret van Albertus Rusius
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: lithograph
Location: leiden
Artist: leendert springer (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1789 – 1871
Subjects: leiden, historical persons
Inscriptions: collector's mark: Lugt 2228

Proefdruk voor een prent uit: Springer, Leendert. Galerij van hoogleeraren aan de Hoogeschool te Leijden, naar de oorspronkelijke afbeeldsels op de Senaat-zaal aldaar berustende. Leiden: Springer, Leendert., s.a. [circa 1850].
De Garentwynder
Object type: book illustration
Date: 1718 – 1718
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Artist: cornelis van der sys
Artist role: publisher
Subjects: handicrafts, craftsman at work, materials ~ textile industry
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Prent oorspronkelijk verschenen in de 100-delige serie beroepsprenten van Jan en Caspar Luyken, getiteld: Het menselyk bedryf. S.l.s.n., 1694 (eerste druk). Daarna is de titel en het vers afgesneden. De prenten in diverse publicaties verschenen en gekopieerd. Huidige staat uit: Luyken, Jan en Caspar. Spiegel van het menselyk bedryf (...). Amsterdam: Cornelis van der Sys, 1718, p. 27. Prent waarschijnlijk ook gebruikt in eerdere (1704) en latere (1730, 1749, 1767) publicaties.
Tak met gedeeld blad
Object type: sketchbook leaf
Date: 1892 – 1901
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: plants (in general) (+ leaf)

Blad 6 recto uit een schetsboek met 51 bladen.
De smidse van Vulcanus
Object type: print
Date: 1599 – 1662
Materials: paper
Techniques: engraving
Location: italy
Subjects: vulcan in his smithy
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 789a

Een groep mannen aan het werk in de smidse van Vulcanus. Op de achtergrond een groep vrouwen. Middenboven een banderol met de tekst: Arma acri facienda viro.
Twee figuren bij het water in het bos
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: haarlem
Artist: adrianus serné
Artist role: print maker
Artist dates: 1773 – 1853
Subjects: forest, wood
Inscriptions: collector's mark: Lugt 2228
Camées artistiques
Object type: magazine
Date: 1880 – 1883
Materials: linen, paper
Techniques: printing, woodburytype
Artist: félix jahyer
Artist role: journalist, redacteur
Artist dates: 1834 –
Lofty Scholar among Streams and Mountains, in the manner of Juran
Object type: hanging scroll
Date: 1667 – 1700
Materials: ink, paper
Culture: chinese
Artist: wang jian
Artist role: artist
Artist nationality: chinese
Artist dates: 1609 – 1677
Subjects: mountains,landscapes,pavilions

The Orthodox school master Wang Jian seldom painted figures or architecture. In this painting, however, Wang, who claims in his inscription to have been inspired by a work of the same title by Juran (act. ca. 960–95), has depicted a scholar seated in a handsome two-story studio overlooking an expanse of river. The idea of a mountain retreat also recalls Wang Wei's (699–759) Wangchuan Villa. The mountain forms, made with round "hemp-fiber" texture strokes and rich "alum-head" moss dots, are characteristic of the Juran brush idiom as interpreted by the Yuan master Wu Zhen (1280–1354). By executing the round arcs of these strokes in a rhythmical manner, Wang Jian invented the undulating compositional movements that his pupil Wang Hui (1632–1717) developed into the so-called dragon-vein principle.
Christus, Maria en de apostelen
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Subjects: the apostle andrew; possible attributes: book, x-shaped cross, fish, fishing-net, rope, scroll, crucifixion of andrew: he is undressed and tied to the cross, calling of peter and andrew; they are called away from their fishing-boat (matthew 4:18-20; mark 1:16-18)
Inscriptions: number: ‘11’, collector's mark: ‘Hinloopen’, collector's mark: Lugt 11

De heilige Andreas met boek, vis en Andreaskruis. Op de achtergrond rechts de heilige Andreas vissend in een boot op zee. Op de achtergrond links de kruisiging van de heilige Andreas.
Siena
Object type: print
Date: 1905 – 1905
Materials: paper
Techniques: printmaking, etching
Location: united states
Artist: donald shaw maclaughlan
Artist role: painter, print maker
Artist nationality: american, born canada
Artist dates: 1876 – 1938
Death
Object type: statuette
Date: 1634 – 1666
Materials: pigment, wood
Subjects: skeletons,horses,death

Astride a skeletal steed and outfitted with a quiver of arrows, this figure of Death grips a bow in one hand and points with the other, seemingly singling out the next victim on a battlefield. Death’s plumed turban may be an exoticized reference to the Ottoman Empire, as this statuette was made during a period of heightened military conflict between the Habsburg rulers of the Holy Roman Empire and their Ottoman counterparts. Safely at home, a European collector examining this sculpture near their Kunstkammer would be reminded of the very imminent and violent danger of death at the hands of a long-standing enemy.
Vrouw met kind
Object type: print
Date: 1865 – 1936
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: nicolaas van der waay
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1936
Subjects: mother and child(ren), woman and child(ren) (family group)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Coral-Glazed Vase
Object type: vessel
Materials: glaze, porcelain
Location: china
Twee prostituées en een oude koppelaarster, gekleed volgens de Venetiaanse mode ca. 1580
Object type: costume print
Materials: paper
Techniques: engraving
Artist: bartolomeo grassi
Artist role: publisher
Subjects: belt, girdle, waistband, courtesan, hetaera, whore, prostitute, madam (brothel scene)
Inscriptions: number: ‘5’

Prent nr. 6 uit album 'Dei veri ritratti degl'habiti di tvtte le parti del mondo intagliati in rame per opra di Bartolomeo Grassi', 1585.
Landschap met liggende koe
Object type: print
Date: 1780 – 1851
Materials: paper
Techniques: etching
Artist: pieter janson
Artist role: draughtsman, print maker
Artist dates: 1765 – 1851
Subjects: cow
Inscriptions: collector's mark: Lugt 2228

Landschap met liggende koe naar rechts, van achter gezien. Vóór de lucht en de achtergrond.
Bowl
Object type: bowl
Date: 1101 – 1300
Materials: stonepaste
Techniques: glazing
Location: iran
Subjects: fish
G. Pacheto, President of Bolivia, from the Rulers, Flags, and Coats of Arms series (N126-2) issued by W. Duke, Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,coat of arms,flags

Trade cards from the "Rulers, Flags, and Coats of Arms" series (N126-2), issued in 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type, pictured here, is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Opwekking van de dochter van Jaïrus en de vermenigvuldiging van de broden en de vissen
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: raising of the daughter of jairus, who is lying in bed (matthew 9:18-19, 9:23-26; mark 5:21-24, 5:35-43; luke 8:40-42, 8:49-56), christ and apostles distribute bread and fish among the multitude
Inscriptions: collector's mark: Lugt 2228, number: ‘88’

Deze prent maakt deel uit van een serie bestaande uit 27 genummerde prenten. De prenten tonen steeds twee evangelische scènes boven elkaar. Alle voorstellingen behalve de bovenste van de eerste prent zijn eveneens afzonderlijk genummerd.
Spoon holder
Object type: spoon holder
Date: 1878 – 1881
Materials: brass, wood, silver
Artist: christopher dresser
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1834 – 1904

In his long and varied career, Christopher Dresser was an ornamentalist, a lecturer in botany, and a designer of silver, ceramics, glass, furniture, and textile patterns. Like his contemporary William Morris (1834–1896), he believed that it took an artist, not just a craftsman, to create good design. However, unlike Morris, who shunned industrial production, Dresser had his designs manufactured by firms scattered between London and Glasgow. Although this spoon holder has not been traced to a particular design by Dresser, it is typical of the streamlined models produced for him by Hukin & Heath. Like much of Dresser's output for Hukin & Heath, as well as for Elkington's and James Dixon & Sons, other silversmithing and electroplating firms, the spoon holder (spoon warmer or egg coddler) reflects Dresser's penchant for Japanese metalwork. The simple form with applied legs and feet expresses an economy in manufacture, and the modest material adheres to Dresser's desire to produce well-designed, affordable objects. The straight ebony handle and "crow's feet," elements that Dresser frequently employed, reflect his dependence upon Japanese prototypes for aesthetic direction.
Mannen bij een bak met wandelstokken
Object type: titelblad, titelpagina
Date: 1895 – 1895
Materials: paper
Techniques: letterpress printing, lithograph
Location: netherlands
Artist: Anonymous
Subjects: walking-stick, staff, stock exchange, stock-market
Inscriptions: signature: ‘Ficot (?)’, collector's mark: Lugt 1641b

Titelpagina voor: De Zondagscourant van het Ochtendblad De Courant 2 (1895), nr. 69, 24 februari 1895.
Coronation Ribbon
Object type: textile
Date: 1761 – 1761
Materials: gilt, silk, thread
Techniques: brocade, weave
Location: england
Subjects: propaganda, coat of arms, royalty
Vangen van kikkers
Object type: book illustration
Date: 1730 – 1730
Materials: paper
Techniques: engraving, etching
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: tailless amphibians: frog, catching animals, night
Inscriptions: collector's mark: Lugt 2233

Twee mannen staan in een rivier bij nacht. Eén van hen houdt een brandende fakkel in de hand terwijl de ander de kikkers met zijn blote handen probeert te vangen. Details in de voorstelling zijn met letters aangeduid die vermoedelijk bij een legenda horen.
Bowl
Object type: bowl
Date: 801 – 1000
Materials: earthenware, glaze
Techniques: incising, polychrome
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Annotaties
Object type: sketchbook leaf
Date: 1907 – 1909
Materials: chalk, paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘Hirsch-Apotheke/ München/ Goethestrasse/ Curellapulver’, annotation: ‘A. Brans/ Gem. Watergraafsmeer/ bij Letselerbrug[?]’, annotation

Aantekeningen. Pagina 91 uit een schetsboek met 46 bladen vervaardigd te Antwerpen, Gent en Amsterdam.
Gezicht op de Benschopperpoort in IJsselstein
Object type: drawing
Date: 1750 – 1850
Materials: ink, paper
Techniques: brush, drawing, pen
Artist: Anonymous
Subjects: city-gate
Man met geweer zit op dode leeuw
Object type: print
Date: 1823 – 1873
Materials: paper
Techniques: lithograph
Artist: célestin françois nanteuil
Artist role: print maker
Artist dates: 1813 – 1873
Subjects: lion hunt, hunter, firearms: rifle, beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 964
Fragment van brandslangring uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: firehose
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fire engine, firehose; fragments, id. NG-1975-20-H-1271-a, squashed corroded.
Overlijden van Joan Bax, genaamd van Heerentals, gouverneur van Kaap de Goede Hoop en Mauritius
Object type: family medal
Date: 1678 – 1678
Materials: silver
Techniques: striking
Location: dutch east indies
Artist: Anonymous
Subjects: cape of good hope

Medal. Silver, in 1678 struck to mark the death of Joan Bax van Heerenthals. Joan Bax van Heerenthals served as governor of the Cape of Good Hope and Mauritius from 1676 until his death in 1678. The VOC had a settlement on the island of Mauritius in the Indian Ocean as well.
Shabti coffin fragment of Queen TIaa
Object type: shabti coffin fragment, queen tiaa
Date: 1400 – 1390
Materials: faience
Location: egypt
Vergulde lijst met gesneden en opengewerkte ornamenten.
Object type: frame
Date: 1800 – 1899
Materials: gold leaf, wood
Techniques: cutting, gilding

vergulde schilderijlijst met houtgesneden ornamenten
Rectangular vase with animal masks
Object type: vase
Date: 1801 – 1900
Materials: glaze, marble, porcelain
Culture: chinese
Earring with pendants of birds
Object type: earring with pendant of bird
Date: 400 – 301
Materials: gold
Culture: greek
Subjects: birds
Portret van David Hendrik baron Chassé
Object type: print
Date: 1828 – 1843
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: david hendrik baron chassé, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2282
Head of a Horse
Object type: handle
Date: 1101 – 1133
Materials: earthenware
Culture: central asian
Subjects: horses
Border
Object type: textile
Materials: linen, wool
Techniques: slit, tapestry weave, tapestry, weave
Location: egypt
Terracotta fragment of a bell-krater (bowl for mixing wine and water)
Object type: bell krater fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Left thigh, genitals, and a bit of the right thigh of a male to right, with a chlamys
Portrait of Baroness Gudin, née Margareth Louis Hay
Object type: drawing
Date: 1842 – 1842
Materials: graphite
Artist: franz xaver winterhalter
Artist role: artist
Artist nationality: german
Artist dates: 1805 – 1873
Subjects: portraits,women
Design for T-Cart, no. 3378
Object type: drawing
Date: 1877 – 1877
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Decapitator plaque
Object type: ornament
Date: 500 – 800
Materials: shell, metal
Culture: moche
Location: peru
Artist: moche artist(s)
Artist role: artist
Subjects: weapons,heads,men
Admiraliteit in de haven van Algiers
Object type: stereograph
Date: 1857 – 1863
Materials: cardboard, paper
Techniques: albumen print
Location: algiers
Artist: Anonymous
Subjects: harbour, commander-in-chief, admiral
Inscriptions: monogram: ‘LM’, inscription: ‘A 11’
Portret van Holle & Lamberts
Object type: carte de visite
Date: 1860 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: unknown
Inscriptions: date: ‘Lily Holle + / Lamberts’, name: ‘BATAVIA / KOENE & CO / AMSTERDAM / ALKMAAR.’, inscription: ‘Voor Lietje en / ...’, name: ‘Koene & Co’
View of Grand Cañon walls, near mouth of Diamond River. From water line to first shelf 1.500 feet; from shelf to top of table 3.500 feet. Distance from point of view to top of walls 3 miles, No. 6 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Object type: photograph
Date: 1871 – 1871
Techniques: albumen print
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards, geographical explorations and surveys
Vlakdecoraties en grafmonumenten / Veelderleij niewe inventien (...)
Object type: ornament print
Date: 1557 – 1557
Materials: paper
Techniques: etching
Location: netherlands
Subjects: grave, tomb

Op een sokkel met een vooruitspringende middenrisaliet staat een dubbel gelede wand, gedecoreerd met figuren en grotesken, ter weerszijden van een nis. In de nis een sarcofaag op een voetstuk, gedragen door drie kariatiden. Op het deksel zit een vrouw met een tablet. Middenonder in cartouche: BEATI QUI IN / DOMINI MORI / UNTUR. Hoort bij serie bestaande uit een titelblad, een tekstblad en 14 bladen met grotesken met rolwerk, saters, guirlandes, trofeeën, dieren en fantasiewezens.