deem-data/ArtiFact huggingface dataset:
Bowl (from a set of four)
Object type: bowl
Date: 1701 – 1800
Materials: pewter
Coffee Spoon
Object type: spoon
Date: 1795 – 1795
Materials: silver
Culture: american
Location: united states
Artist: david vinton
Artist role: maker
Artist nationality: american
Artist dates: 1774 – 1833
Afbeelding der Lykstatie van Zyn Doorl. Hoogh. Willem den IV.den Prinse van Oranje en Nassau &,&,&. over de Groote Markt te Delft, op den 4.den February 1752
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, willem iv (prins van oranje-nassau), cortege, funeral procession, delft
Inscriptions: collector's mark: Lugt 2228

Aankomst van de rouwstoet met de lijkwagen op de Grote Markt te Delft en de intocht in de Nieuwe Kerk. In de marge het onderschrift in Nederlands, Frans en Duits. Onderdeel van een serie van 41 platen van de begrafenisstoet van stadhouder Willem IV te Delft op 4 februari 1752.
Foundation peg
Object type: foundation peg
Date: 2600 – 2350
Materials: bronze
Culture: sumerian
Location: mesopotamia
Canopy from the tomb of Philip III (the Bold) of France (1245-1285)
Object type: tomb canopy
Date: 1297 – 1307
Materials: marble
Culture: french
Location: france
Artist: jean d'arras
Artist role: artist
Artist nationality: french
Artist dates: 1250 – 1350
Subjects: heads,men

The royal abbey was the burial church for the kings and queens of France. This elaborate architectural canopy was originally an integral part of the tom of Philip III, son of Louis IX (Saint Louis). Commissioned by Philip IV (the Fair) (1268–1314) for the embalmed body of his father, who died in 1285 while on a military crusade against Aragon, master sculptor Jean d’Arras made the tomb in black and white marble. A new approach to a tomb representation is here achieved with the effigy placed against a black marble slab with another relatively new feature, a canopy over the deceased that may be intended to signify heaven. A masterpiece of micro-architecture the refined interior vaults also includes a masked man and grotesque animals on the exterior. The effigy is still in the abbey; both it and the canopy were removed in the wake of the French Revolution in 1796.
Het Kindje Beschermd
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: closing, shutting the door, mother and baby or young child, house personnel, servants
Inscriptions: number: ‘11’, collector's mark: Lugt 2228

Proefdruk van illustratie uit: Luyken, Jan. Des menschen begin, midden en einde. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, p. 23.
Brief aan Jan Veth
Object type: letter
Date: 1905 – 1905
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: alphons diepenbrock
Artist role: componist
Artist dates: 1862 – 1921
Subjects: dordrecht, designer, jan veth, den bosch, antoon derkinderen, leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn, music, literature ~ arts, money
Inscriptions: collector's mark: ‘RPK’
'T Waelfde Deel of 'T Vervolgh van het Historisch Verhael aller gedenckwaerdiger geschiedeniss. die in Europa, als Duijtsland, Vranckrijck, Engeland (...) Nederland: in Asia (...) in Africa (...) in America (...) van Octobri des jaers 1626. tot April, des jaers 1627. voorgevallen zijn
Object type: print
Date: 1626 – 1627
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: copenhagen (city), christiaan iv (koning van denemarken en noorwegen), transporting of food ~ military service

Titelblad van Historisch verhael, band 4 (dl. 12), 1626-1627. Titelblad met twee voorstellingen. Boven een Spaanse aanslag op de Oude Pas (Zuid-Beveland tegenover Sluis). Onder de bevoorrading van Neuburg door de koning van Denemarken. In het midden een cartouche met de titel.
Man bij een ezel
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: ass, donkey, adult man (+ standing)

Op de rug van de ezel een bord met de tekst 'entr'acte' om tijdens voorstellingen aan te geven dat de er pauze was. Blad 28 recto uit schetsboek XXII met 30 bladen.
Box for Personal Accessories (Tebako) with Decoration Based on a Poem from the Shinkokinshū
Object type: box
Date: 1633 – 1633
Materials: gold, silver
Techniques: maki
Culture: japanese
Artist: kōami chōjū (nagashige)
Artist role: artist
Artist nationality: japanese
Artist dates: 1599 – 1651
Compote
Object type: compote
Date: 1810 – 1825
Materials: glass
Techniques: glassblowing, engraving, molding
Culture: american
Location: united states
Artist: benjamin bakewell & co.
Artist role: maker
Artist dates: 1809 – 1813
Subjects: flowers

The rhythmic design of a band of leaves and daisies framed by stylized, berry-studded branches was one of the stock engraving patterns at the Bakewell factory.
La duchesse de Montpensier
Object type: print
Date: 1830 – 1850
Materials: paper
Techniques: engraving
Location: france
Subjects: paris, anne marie louise d' orléans (hertogin van montpensier), historical persons - bb - woman, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2228
La Grande Duchesse Marie des Jeunes Filles (The Great Duchess Marie des Jeunes Filles), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)
Object type: print
Date: 1614 – 1620
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

According to the inscription on the second state of the prints in this series, Callot's engravings are after designs by Matteo Rosselli. Mariette attributes the designs of the prints in the series to Rosselli, Bernardino Poccetti, and possibly Antonio Tempesta.
Machtsvertoon
Object type: cartoon
Date: 1833 – 1833
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: caricatures (human types), historical persons, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 538d, number: ‘559’

Prent mogelijk uit: Le Charivari 2 (1833), 13 februari 1833.
Coach #3133
Object type: drawing
Date: 1875 – 1875
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Coffee Pot
Object type: metalwork
Date: 1789 – 1790
Materials: silver, wood
Location: london
Artist: charles hougham
Terracotta fragment of a kylix: eye-cup  (drinking cup)
Object type: kylix fragment, eye cup
Date: 520 – 510
Materials: terracotta
Culture: greek, attic
Lint op rol, zwart satijn met één zijde voorzien van picots
Object type: braid
Date: 1890 – 1935
Materials: cardboard, paper, textile
Techniques: weave
Location: nijmegen
Inscriptions: number: ‘Pon 3356’

Lint op rol, zwart satijn met één zijde voorzien van picots.
Untitled
Object type: print
Materials: paper
Techniques: cutting, lithograph
Location: france
Artist: nicolas-michel paradis
Artist nationality: french
Artist dates: 1792 – 1820
Dragon Robe
Object type: dragon robe
Date: 1701 – 1800
Materials: silk
Culture: chinese
Subjects: dragons
Vergaderzaal van het Departe. Voorburg; Eglise Francaise de Voorburg (...)
Object type: print
Date: 1800 – 1850
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: church (exterior), voorburg
Antiquités de la Grande Grèce
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: etching
Location: italy
Subjects: torch, (human) skeleton, barracks, pompeii
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Gezicht in een soldatenkazerne te Pompeï. Drie skeletten liggen op de voorgrond. Een man met fakkel rent de ruimte uit. Tekst in het Italiaans in ondermarge. Genummerd linksboven: Vol. III., rechtsboven: Pl. CLVII.
The Gambler, plate five from In Dreams
Object type: print
Date: 1879 – 1879
Materials: paper, ink, ivory
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Terracotta fragment of a closed shape
Object type: undetermined closed shape
Date: 534 – 468
Materials: terracotta
Culture: greek, attic
Plate
Object type: plate
Date: 1730 – 1730
Materials: hard paste porcelain
Subjects: flowers,coat of arms
S. Salvatore (Chiavari). Basilica dei Fieschi
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: rotogravure
Location: chiavari
Artist: c. piaggio
Artist role: publisher
Subjects: church (exterior)
Night scene with soldiers chasing a fugitive (Mark XIV, 5-52)
Object type: drawing
Date: 1611 – 1674
Materials: gouache, ink
Techniques: brush
Artist: leonaert bramer
Artist role: artist
Artist nationality: dutch
Artist dates: 1596 – 1674
Subjects: soldiers,men,night
Liggende bizon
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: woodcut
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Subjects: hoofed animals: bison
Inscriptions: collector's mark: Lugt 2228, : ‘unicum Mesquita 1915’
Gezicht op de huizen aan het Rapenburg te Leiden, van de Groenmarkt (of Garenmarkt) tot de Sint Jacobsgracht, voorafgaand aan de ramp van Leiden, 1807
Object type: history print
Date: 1807 – 1807
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: façade (of house or building), leiden
Inscriptions: collector's mark: Lugt 2228

Gezicht op de gevels van de huizen aan het Rapenburg te Leiden, van de Groenmarkt (of Garenmarkt) tot de Sint Jacobsgracht. Situatie voor de ontploffing van het kruitschip op 12 januari 1807. Met een lege marge.
Hat
Object type: hat
Date: 1884 – 1884
Materials: silk, wool
Culture: american
Artist: frederick loeser & company
Artist role: department store
Artist nationality: american
Artist dates: 1860 – 9999
Au bord de la Veule
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: etching
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: river, forest, wood
Inscriptions: collector's mark: Lugt 2228
88a Hoekstuk van Prambanantempels
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: jogjakarta
Artist: Anonymous
Subjects: indonesia
Inscriptions: number: ‘15’, annotation: ‘88a Hoekstuk van Prambanantempels’

Hoekstuk van een tempel van Prambanan bij Jogyakarta, Nederlands-Indië
Lady and Gentleman in front of Two Curtains
Object type: tapestry
Date: 1510 – 1525
Materials: silk, wool
Culture: south netherlandish
Subjects: men,women
Schets van een staande man met een meisje
Object type: drawing
Date: 1660 – 1693
Materials: paper, pencil
Artist: jan verkolje (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1650 – 1693
Subjects: standing figure, girl (child between toddler and youth)
Ontwerpen voor cartouches
Object type: print
Date: 1682 – 1729
Materials: paper
Techniques: etching
Subjects: trophy ~ battle, war, ornament ~ cartouche, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent maakt deel uit van een serie van zes prenten.
Hindustani and Javanese Indentured Labourers at the Accaribo Plantation
Object type: photograph
Date: 1916 – 1930
Materials: photographic support
Techniques: photography
Location: suriname
Artist: theodoor brouwers
Artist role: amateurfotograaf
Artist dates: 1874 – 1932
Subjects: amsterdam, theodoor brouwers, plantation, suriname
Inscriptions: inscription

Both Javanese and Hindustani contract labourers work on the Accaribo Plantation. Their homes are located on the edge of the plantation. They often develop close ties and exchange cultural traditions. While their parents work, the two young Hindustani girls look after the little ones, assuming great responsibility at an early age.
Nieuwjaars-, Heil- en Zegenwensch (...) 1850. Door de Brandblusschers en Brandstof-Bezorgers der Stad Haarlem
Object type: print
Date: 1849 – 1850
Materials: paper
Techniques: letterpress printing
Location: haarlem
Artist: Anonymous
Subjects: fire-department, fire-brigade, street, haarlem
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens van de Haarlemse brandblussers en brandstofbezorger voor het jaar 1850. De brandweer rukt uit met een brandspuit om een brand in enkele panden aan een gracht te blussen. Met een vers in twee kolommen.
Portrait of a man in court robes with fur surcoat
Object type: hanging scroll
Date: 1767 – 1833
Materials: ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men,portraits

This portrait depicts a middle-aged man in court robes topped by a sumptuous fur coat. Building on both Chinese and European precedents, the artist shaded the face to suggest three-dimensional volume; the glistening white dot in the eye, suggesting moistness, is a purely European convention adopted by the artist during a time when images from abroad were becoming more widely available in China. The man sits before a screen painted with a floral rebus, or multipart visual pun: magnolia (yulan 玉蘭), crab apple (haitang 海棠), and peony (nicknamed fugui 富貴) combine to mean “fortune in the jade hall” (yutang fugui 玉堂富貴), a wish for riches and honor. With such an auspicious background, this portrait was likely made for a milestone birthday; after the death of the sitter, it could have been repurposed for veneration in the ancestral shrine.
Shirt
Object type: shirt
Date: 1808 – 1808
Materials: linen
Culture: spanish
Gezicht op de Eiffeltoren
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: étienne neurdein
Artist role: publisher
Artist dates: 1832 – 1918
Subjects: tower, clock tower ~ monumental adornment, eiffel tower
Inscriptions: inscription: ‘43/ N.D. Phot.’, retailer's mark: ‘VUES DE PARIS/ F. HELAINE/ 206, Rude de Rivoli/ PARIS/ Monocles-Graphoscopes’
Portret van Antoine François de Fourcroy
Object type: print
Date: 1782 – 1833
Materials: paper
Techniques: stippling
Artist: friedrich jügel
Artist role: print maker
Artist dates: 1772 – 1833
Subjects: paris, politician, chemistry (+ portrait of scholar, scientist), historical persons
Inscriptions: collector's mark: Lugt 2228
Schoorsteenmantel met een reliëf van een vrouw die putti de borst geeft
Object type: design drawing
Date: 1790 – 1810
Materials: graphite, paper
Techniques: brush, pen
Location: rome
Artist: lorenzo cardelli
Artist dates: 1733 – 1794
Inscriptions: signature: ‘Cardelli’, inscription, inscription: ‘Q’, watermark

Schoorsteenmantel met een reliëf van een vrouw die putti de borst geeft, twee ovale reliëfs van naakte kinderen, en bladranken met halffiguren en vogels, met daaronder een plattegrond, en boven de mantel een reliëf van twee gehelmde ruiters en een zwevende geveugelde vrouwenfiguur.
Mitts
Object type: mitt
Date: 1850 – 1850
Materials: silk
Culture: italian
Vijf portretten van een jongen, waarvan één met hoed
Object type: album leaf
Date: 1915 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: saint louis
Subjects: boy (child between toddler and youth), historical persons, head-gear: hat
Inscriptions: inscription: ‘Laurello Studio,/ 618-620 Olive St.,/ St. Louis, Mo.’
Cover of a tureen with the coat of arms of Hendrik Peter Godfried Quack and Isabella Gertraud von Carnap
Object type: service set
Date: 1790 – 1800
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: paris
Artist: Anonymous

Deksel van een terrine van porselein met een opstaand handvat, beschilderd op het glazuur met goud. Versierd met het alliantiewapen van Hendrik Peter Godfried Quack en Isabella Gertraud von Carnap en een bloemrank. Gouden band op de rand. Het handvat is in de vorm van twee bladranken.
Giraffe piano
Object type: pianoforte
Date: 1820 – 1830
Materials: wood
Location: amsterdam
Wensbrief met voorstelling van het oplaten van een luchtballon
Object type: print
Date: 1750 – 1850
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: balloon (aviation)
Titelpagina voor "La Mere Coquette", in: P. Quinault, Le theatre, deel II, 1697
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: before the street-fight
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor het toneelstuk "La Mere Coquette" in deel II van: Quinault, Philippe. Le theatre, 2 delen. Amsterdam: Antoine Schelte, 1697.
Square Flask
Object type: square flask
Date: 1701 – 1800
Materials: enamel, porcelain
Culture: japanese
Subjects: human figures,flowers
De vorst van eenen dag
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: the hague
Artist: michel mourot
Artist role: draughtsman, print maker
Artist dates: 1803 – 1847
Subjects: bruges, philip iii the good, mending, repairing ~ clothes, shoes, sandals
Inscriptions: collector's mark: Lugt 2228

Filips de Goede treft Willem van Nieuwen, een schoenmaker, dronken aan in het bos. Hij besluit een grap met hem uit te halen door hem mee te nemen naar het paleis om hem daar zijn roes uit te laten slapen. De hofhouding doen hem geloven dat hij de vorst is. Na het avondmaal valt Willem dronken in slaap en hij wordt teruggebracht naar zijn eigen huis en ontdaan van de vorstelijke kleding. De volgende dag wordt hij wakker in zijn schoenwinkel denkt hij dat hij heeft gedroomd. Dan ziet hij een geschenk van Filips de Goede, een aantal flessen drank.
Boerin uit Staphorst
Object type: drawing
Date: 1896 – 1898
Materials: paper, watercolor
Techniques: brush, hand coloring
Location: netherlands
Artist: johan martinus anthon rieke
Artist dates: 1851 – 1899
Subjects: farmers - aa - female farmer, farmer's wife, clothes, costume (+ women's clothes), folk costume, regional costume
Inscriptions: collector's mark: Lugt 1641, collector's mark

Boerin uit Staphorst, in haar zondagse kleding. Tekening vervaardigd voor de tentoonstelling over Nederlandse klederdrachten gehouden in het Stedelijk Museum te Amsterdam in september 1898. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: De Kleeding, Volkskleederdracht, Overijssel.
Vienna: From Schönbrunn (Wien: Aus Schönbrunn)
Object type: print
Date: 1908 – 1908
Techniques: lithograph
Artist: urban janke
Artist role: artist
Artist nationality: austrian
Artist dates: 1887 – 1914
Subjects: gardens,children,men,women
Portretten van acteurs van Parijse theaters
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Location: paris
Subjects: stage costume, portrait of actor, actress
Inscriptions: collector's mark: Lugt 2228a

Mascarille is een personage uit de komedie 'L'Étourdi' of 'Les Contretemps', geschreven door Molière in 1655. Opgevoerd door het Théâtre Français in Parijs in 1823.
[Three Women,Two Men, and a Child on a Picnic]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: franz antoine
Artist role: artist
Artist nationality: austrian
Artist dates: 1815 – 1886
Subjects: children,men,women,picnics
Le Niveau Nationale (The National Level)
Object type: print
Date: 1789 – 1789
Techniques: etching
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: satire,french revolution,men
Derde gesticht van de kolonie Veenhuizen, huismunt huismunt van twintig cent, geslagen op last van de Maatschappij van Weldadigheid
Object type: monetary token
Date: 1818 – 1859
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: maatschappij van weldadigheid, veenhuizen
Bronze military diploma fragment
Object type: military diploma fragment
Date: 113 – 114
Materials: bronze
Culture: roman
Subjects: documents

These discharge papers were issued by the Emperor Trajan to sailors on a warship, a quadrireme, in the imperial fleet based in Misenum on the Bay of Naples. The ship may have formed part of the flotilla that escorted the emperor from Italy to the East for the Parthian War (A.D. 114–117).
Vertelling van de herder Melibaeus, pagina 3
Object type: text sheet
Date: 1641 – 1641
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Inscriptions: date

Vertelling van de herder Malibeaus op vier pagina's: pagina 3. Het blad maakt deel uit van een album.
Boat-shaped palette
Object type: palette, boat shaped
Date: 3900 – 3500
Location: egypt
Wie procedeert, moet schaamteloos, geduldig en rijk zijn
Object type: print
Date: 1597 – 1597
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: patience; 'patienza' (ripa), litigation, legal proceedings, lawsuit, 'pecunia' (ripa), indecency, impudence; 'sfacciatigine' (ripa)
Inscriptions: collector's mark: Lugt 2228a

Een procederende man (Litigator) loopt een trap op met twee zaken in de handen en achter zich drie vrouwen die zakken dragen met in het Latijn de opschriften 'Schaamteloosheid', 'Geduld' en 'Geld'. Uitvoerig onderschrift in Nederlands, Duits en Latijn. Deze prent is onderdeel van een serie van acht prenten over hebzucht, bedrog en procederen.
Afslaan van de aanval op de twee kanonneerboten, 1831
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: small groups in single combat in place of battle (+ naval force)
Inscriptions: collector's mark: Lugt 2228

Het afslaan van de aanval door Belgische militairen op de twee aan lager wal geraakte Nederlandse kanonneerboten, 7 augustus 1831. Onderdeel van een serie van drie platen.