deem-data/ArtiFact huggingface dataset:
Columbus was de eerste (...)
Object type: book illustration
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: indigenous peoples of central america, historical events and situations
Inscriptions: collector's mark: Lugt 240

Christoffel Columbus komt met zijn vloot aan in Amerika. Een paar van zijn mannen richten een kruis op. Mogelijk is hier de aankomst op San Salvador (Guanahani) afgebeeld. Rechts de lokale bevolking, waarschijnlijk de Lucayan. Rechtsboven: IX.D.Pl.I. Rechtsonder: Bladz.22.
Peasant of the Alps
Object type: print
Techniques: etching
Location: london
Artist: henry william bunbury
Artist role: artist
Artist nationality: british
Artist dates: 1750 – 1811
Subjects: men,profiles

This image of a peasant, this comes from a set of twenty-four caricatures that Matthew and Mary Darly published in 1771. A husband-and-wife team, the Darlys developed a new British print genre--small etched caricatures of single figures against plain backgrounds, their identities indicated through dress, pose and a few props. Many of these works mocked the fashionable manners of contemporary London dandies called "macaronis," and the Darly's wares soon became known as macaroni prints no matter what their subjects. The implied Italian connection was in fact appropriate, since the basic form was inspired by Ghezzi's caricature drawings brought back from Rome by Grand Tourists. The form and subjects adapted by the Darlys tickled British tastes and broadened the scope of Ghezzi's works to include a range of social classes, known figures, and types. Bunbury was a skilled amateur artist who toured Europe in 1769.
Duval d'Epremesnil
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, historical persons
Inscriptions: collector's mark: Lugt 2228a
Christ, from "Christ, the Twelve Apostles and St. Paul"
Object type: print
Date: 1525 – 1576
Techniques: engraving
Artist: lambert suavius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1510 – 1576
Textile Sample Book
Object type: sample book
Date: 1867 – 1900
Subjects: flowers
Casino à Monaco
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: monaco
Artist: Anonymous
Subjects: casino
Inscriptions: number: ‘553.’
Gezicht op een fontein met vrouwen die vluchten
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: monumental adornments (in city)
Médînet-Abou (Thèbes), Constructions Postérieures - Deuxieme Cour - Galerie Nord-Ouest
Object type: photograph
Techniques: paper negative, salted paper print
Artist: félix teynard
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1892
Subjects: architecture,columns
Scaraboid seal
Object type: stamp seal
Date: 600 – 501
Materials: stone
Location: levant or syria
Tuning key
Object type: tuning key
Date: 500 – 201
Materials: bronze
Culture: chinese
Subjects: fish
The Carceri, plate 9
Object type: print
Date: 1748 – 1750
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Man met twee zuilen / Hert tussen de slangen
Object type: book illustration
Date: 1666 – 1666
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: karel ix (koning van frankrijk), snakes, hoofed animals: deer, column, pillar ~ architecture

Een embleem met twee voorstellingen. Boven een naakte man met twee zuilen op zijn schouders. Op de grond ligt een pijl en boog. Onder een landschap met een hert. Slangen bijten naar zijn poten. Het betreffen deviezen van koning Karel IX van Frankrijk.
Willem George Frederik (1774-99), prins van Oranje-Nassau. Jongste zoon van prins Willem V
Object type: painting, miniature
Date: 1795 – 1810
Materials: glass, ivory, metal
Location: germany
Artist: Anonymous
Subjects: willem george frederik (prins van oranje-nassau), prince, historical persons

Willem George Frederik (1774 - 99), Prince of Orange-Nassau, youngest son of Prince Willem V. German school, c. 1800. ivory.
Huizen van de familie (F.A.Th. ) Delprat en familie Maris
Object type: photograph
Date: 1886 – 1886
Materials: paper
Techniques: gelatin silver print
Location: the hague
Artist: theodore felix albert delprat
Artist role: politician
Artist dates: 1851 – 1932
Subjects: the hague
Inscriptions: inscription: ‘Loosduinse Vaart’, inscription: ‘woning Maris’, inscription: ‘P. Haverkorn van Rijswijk Den Haag 12 c. breed foto zorgvuldig bewaren en retour aan eigenaar’

Het huis van de familie (F.A.Th. ) Delprat in Den Haag aan Noordwest Buitensingel, ernaast het huis van de familie Maris.
The Compleat Work of Etchings by John Chalon / Oeuvre Complette des Eaux Fortes par Jean Chalon
Object type: album leaf
Date: 1802 – 1802
Materials: paper
Techniques: drypoint, etching
Location: london
Subjects: morphology of human expression (+ adult male (human being))
Inscriptions: collector's mark: ‘RIJKS / MUSM’, collector's mark: ‘B’
[Solar Eclipse from Caroline Island]
Object type: photograph
Techniques: gelatin silver print
Artist: h. a. lawrence
Artist role: artist
Artist nationality: british
Artist dates: 1880 – 1890
Subjects: sun,astronomy

On May 6, 1883, a dramatic total eclipse plunged the Sun into darkness for nearly six minutes. Several expeditions of prominent astronomers from the United States, Great Britain, France, and Italy convened on Caroline Island, a remote coral atoll in the middle of the Pacific Ocean, to observe and document the event. During the two weeks before the eclipse, the teams set up several makeshift observatories in canvas tents, as well as numerous free-standing telescopes, spectroscopes, and other astronomical instruments. Lawrence and Woods, British astronomers who sailed with the American mission on the U.S.S. Hartford, collected spectrographic data and recorded the eclipse with eleven cameras simultaneously. Among the images they captured was this striking view of the totality.
Programma voor de opvoering van de Gijsbrecht van Aemstel in de Amsterdamse Schouwburg op 9 januari 1860
Object type: programma, programmaboekje
Date: 1860 – 1860
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: cologne, joost van den vondel, (vondel, gijsbrecht van aemstel) specific works of literature (with author, title)
Inscriptions: collector's mark: Lugt 2228

Programma voor de opvoering van de Gijsbrecht van Aemstel in de Amsterdamse Schouwburg op 9 januari 1860. Rolverdeling voor de Gijsbrecht en het navolgende stuk 'De bruiloft van Kloris en Roosje'.
Box
Object type: box
Date: 1860 – 1860
Materials: gilt bronze, metal thread, silk, wood
Techniques: lining, veneering
Artist: alphonse giroux & cie., paris
Artist role: maker
Artist dates: 1775 – 1848

Displaying star-shaped parquetry and gilt-bronze mounts, this elegant coffer harks back to eighteenth-century traditions. The firm established by Alphonse Giroux (1775/76–1848)—a tabletier, or dealer in luxury goods—was known for its high-quality objects such as glove boxes, caskets for weddings and baptisms, gifts for the New Year, and small pieces of furniture in a variety of styles. In the tradition of eighteenth-century marchands merciers, Giroux and his sons probably did not make any of the offered wares themselves but commissioned them from a variety of artists.
Fragment
Object type: textile
Date: 1725 – 1775
Materials: silk
Techniques: patterning, weave
Location: england
Portret van Charles de Crequi
Object type: print
Date: 1636 – 1667
Materials: paper
Techniques: engraving, etching
Artist: michel lasne
Artist role: print maker
Artist dates: 1590 – 1667
Subjects: historical persons
Studioportret van (vermoedelijk) een gezin
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1907
Materials: photographic support
Techniques: gelatin silver print
Location: hungary
Artist: Anonymous
Subjects: studio ~ photographer, family group, especially parents with their child(ren), anonymous historical persons portrayed in a group, in a group-portrait
Reglement en verklaring / van het / Spel / genaamd / De weg des levens
Object type: text sheet
Date: 1838 – 1865
Materials: cardboard, paper
Techniques: letterpress printing, lithograph
Location: delft
Subjects: board-games of chance, board-games
Inscriptions: collector's mark: Lugt 2760
Studie van het kopsborststuk van een kreeft
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: crustaceans: lobster
Inscriptions: number: ‘895’, number: ‘27’
Studies van een epitaaf en een geestelijke
Object type: schetsblad
Date: 1827 – 1891
Materials: paper, pencil
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Pearl Revare, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Kudde geiten bij een poort
Object type: print
Date: 1781 – 1786
Materials: paper
Techniques: transfer, print drawing
Location: amsterdam
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscape with ruins, goat
Inscriptions: collector's mark: ‘RIJKS / MUSM’, collector's mark: Lugt 2725

Een herder met een kudde geiten bij een poort. Op de achtergrond cipressen. De prent ligt los in een album, zie blad 39.
Pilasterfestoen met eekhoorn, fruit, bloemen, bladeren en maïs tussen galerij en Burgerzaal in het Stadhuis op de Dam
Object type: print
Date: 1655 – 1665
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: hubert quellinus
Artist role: print maker
Artist dates: 1619 – 1687
Subjects: fruits: pine-cone, fruits and vegetables ~ ornament, townhall, ornament ~ festoon, garland, rodents: squirrel
Inscriptions: collector's mark: ‘16,61’ Lugt 1641b

Prent gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Artus Quellinus (I), 1655.

Zie RP-P-AO-22-1-1 voor bijhorende titelpagina.
Zie RP-P-AO-22-1-2 voor bijhorend register.
Zie RP-P-AO-22-1A, RP-P-AO-22-1B, RP-P-AO-22-1C, RP-P-AO-22-1D-1, RP-P-AO-22-1D-2, RP-P-AO-22-1E, RP-P-AO-22-1F, RP-P-AO-22-1G, RP-P-AO-22-1H, RP-P-AO-22-1I, RP-P-AO-22-1K-1, RP-P-AO-22-1K-2, RP-P-AO-22-1K-3, RP-P-AO-22-1K-4, RP-P-AO-22-1K-5, RP-P-AO-22-1L-1, RP-P-AO-22-1L-2, RP-P-AO-22-1M-1, RP-P-AO-22-1M-2, RP-P-AO-22-1N-1, RP-P-AO-22-1N-2, RP-P-AO-22-1N-3, RP-P-AO-22-1N-4, RP-P-AO-22-1N-5, RP-P-AO-22-1O-1, RP-P-AO-22-1O-2, RP-P-AO-22-1O-3, RP-P-AO-22-1O-4, RP-P-AO-22-1P-1, RP-P-AO-22-1P-2, RP-P-AO-22-1P-3, RP-P-AO-22-1P-4, RP-P-AO-22-1Q-1, RP-P-AO-22-1Q-2, RP-P-AO-22-1Q-3, RP-P-AO-22-1Q-4, RP-P-AO-22-1R-1, RP-P-AO-22-1R-2, RP-P-AO-22-1R-3, RP-P-AO-22-1R-4, RP-P-AO-22-1R-5, RP-P-AO-22-1S-1, RP-P-AO-22-1S-2, RP-P-AO-22-1S-3, RP-P-AO-22-1S-5, RP-P-AO-22-1T-1 en RP-P-AO-22-1T-2 voor andere prenten uit deze publicatie.

Zelfde staat van prent ook gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Frederik de Wit, 1665.
Latere staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).
Rivier met boten aan de waterkant
Object type: print
Date: 1890 – 1946
Materials: paper
Techniques: etching, intaglio
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: sailing-ship, sailing-boat, river, rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Design for Pony Phaeton, no. 3991
Object type: drawing
Date: 1887 – 1887
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Annie Lewis, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Hospital Steward, United States Army, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,profiles

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Glass mosaic inlay fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Deep purple, appearing reddish brown, and opaque white. Flat, roughly rectangular revetment plaque. Marbled mosaic pattern in purple ground with multiple white rods. Chipped at all four corners; polished upper side; pitting of surface bubbles; thick creamy weathering on underside and edges. The glass imitates Egyptian porphyry.
Koepeldecoraties door Correggio in de S. Giovanni Evangelista in Parma
Object type: print
Date: 1609 – 1660
Materials: paper
Techniques: etching
Location: parma
Artist: giovanni battista vanni
Artist role: print maker
Artist dates: 1599 – 1660
Subjects: (single) apostle, unspecified, angels
Inscriptions: collector's mark: Lugt 240

Prent uit een reeks van 8 prenten naar de koepeldecoraties door Correggio in de S. Giovanni Evangelista in Parma.
Close Helmet for the Tourney
Object type: close helmet for the tourney
Materials: brass, leather, steel
Culture: austrian
Location: austria
Artist: daniel hopfer
Artist role: designer
Artist nationality: german
Artist dates: 1471 – 1536

The ornament on the comb is copied from a design by the Augsburg printmaker and armor etcher Daniel Hopfer (ca. 1470–1536), whose published prints were very influential in the development of a recognizably Augsburg style of armor decoration, which was emulated in Innsbruck and elsewhere in Austria and South Germany.
Fan
Object type: fan
Date: 1834 – 1866
Materials: bone, paper
[Large Figures on the North Porch, Chartres Cathedral]
Object type: photograph
Date: 1852 – 1852
Techniques: paper negative, salted paper print
Artist: henri-jean-louis le secq
Artist role: artist
Artist nationality: french
Artist dates: 1818 – 1882
Subjects: sculpture,architecture,men,women

Seen obliquely from the eye level of a cathedral visitor, the portal sculptures in Henri Le Secq's photograph appear disengaged from their stone support. The figures' corporeality is animated by sharp focus and by their position between shadowed columns and a blur of moving foliage. Le Secq's inspired photography of French cathedrals won critical praise and government support, because he demonstrated the new medium's capacity to provide detailed and accurate records. This photograph, made in 1852, is also an eloquent poem about the passage of time and the life of art, ideas resonant in an age that clung to Romantic notions of the fragment even as it embarked on archaeological investigation and restoration. This melding of the objective and the personal in architectural photography made Henri Le Secq a central figure in the small group of French photographers who pioneered the aesthetics of the new medium.
T. Gesicht
Object type: print
Date: 1638 – 1665
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: eyeglasses, spectacles, sight, looking (one of the five senses), owls
Inscriptions: collector's mark: Lugt 2228

Op een stoel zit een man met bril op naar een uil te kijken die voor hem op een stok zit. De prent maakt deel uit van een zesdelige serie prenten met voorstellingen van de vijf zintuigen (ongenummerde titelprent).
Genretaferelen
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: etching
Location: netherlands
Artist: gillis van scheyndel (i)
Artist role: draughtsman, print maker
Artist dates: 1595 – 1660
Subjects: pedlar, carrying something in basket, bag, rucksack, etc.
Inscriptions: collector's mark: Lugt 1641, collector's mark

Een man met een muts en op de rug een grote mand loopt naar rechts. Op de achtergrond een heuvel. De prent maakt deel uit van een serie van 32 prenten met genretaferelen. Rechtsonder genummerd: 4. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Mannelijk beroep en bedrijf: Marskramers, straatventers, straatslijpers, bedelaars, straatvertooningen enz.
Comb with a giraffe
Object type: comb, giraffe
Date: 3900 – 3500
Materials: ivory
Location: egypt
Subjects: giraffes
Spotprent op George IV, 1792
Object type: cartoon
Date: 1792 – 1792
Materials: paper
Techniques: etching, hand coloring
Location: london
Subjects: george iv (koning van het verenigd koninkrijk), fat (human type), toothpick, eating and drinking
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Spotprent op de Prince of Wales, de latere koning George IV, 1792. De prins maakt zijn tanden schoon met een vork, na een flinke maaltijd.
Frog Pendant
Object type: pendant
Date: 1001 – 1600
Materials: gold
Techniques: casting
Culture: chiriqui
Location: panama
Subjects: frogs
Portret van Jefferson Davis
Object type: carte de visite
Date: 1855 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: new york city
Artist: mathew benjamin brady
Artist role: fotograaf
Artist dates: 1823 – 1896
Subjects: historical persons, politician, e.g. party leader
Inscriptions: number: ‘8’, name: ‘Jefferson Davis’, inscription: ‘Published by/ E&H.T. ANTHONY/ 501 Broadway./ New York./ FROM/ PHOTOGRAPHIC NEGATIVE/ in/ BRADY'S/ National Portrait Gallery’, annotation: ‘Jefferson Davis 1808/89/ Pres. Z-Am Staten/ (foto Brady)’
Leeuwen
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: the hague
Subjects: beasts of prey, predatory animals
Inscriptions: collector's mark: Lugt 240
Model of an Ironclad Monitor
Object type: ship model
Date: 1868 – 1868
Materials: brass, paint, fiber, wood
Techniques: polychromy
Location: glasgow
Subjects: tijger (schip)
Inscriptions: inscription, on a rectangular brass label: ‘MODEL OF ARMOUR-CLAD TURRET MONITOR "DE TYGER" / SCALE OF 1/4 INCH 1 FOOT / [followed by measurements] / R. NAPIER & SONS. GLASGOW.’

The monitor is a product of the American Civil War, named after the first ship of this type. The vessel’s characteristic feature was its low deck on which a large central cannon was installed for a maximum field of fire. The Tijger was built for the Royal Netherlands Navy at the Scottish ship-yard Napier & Sons. Monitors were designed to protect river estuaries and other stretches of inland waterways.
Nocturne
Object type: print
Materials: chine, ink, ivory, paper
Techniques: scraping
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Emperor's Jifu (Semiformal Court Robe)
Object type: textile
Materials: cotton, gilt, gold leaf, metal, paper, textile, silk
Techniques: bookbinding, damask, embroidery, interlacing, lacquer, painting, patterning, weave, satin weave, tapestry weave, stitching
Culture: manchu
Location: china
Portret van Senaatslid Francis B. Spinola
Object type: photograph
Date: 1858 – 1859
Materials: photographic support
Techniques: salted paper print
Location: new york
Artist: d.t.t. davie
Artist role: publisher
Subjects: politician, e.g. party leader, upper house, senate
Inscriptions: inscription: ‘Frank Spinola’
Tapestry Border Fragment
Object type: border fragment
Date: 901 – 1400
Materials: animal fiber
Culture: peruvian
Location: peru
Subjects: human figures
Landschappen, klein formaat
Object type: print
Date: 1603 – 1641
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: landscape with bridge, viaduct or aqueduct, gate, entrance, windmill in landscape, skates (winter sports), 'kolf' on the ice, small sleigh (winter sports)
Inscriptions: collector's mark: Lugt 240

Kolfspelers en schaatsers op het ijs nabij de Haarlemse Zijlpoort. Aan de horizon zijn twee molens te zien. Eerste prent uit een serie van zes.
Gezicht te Antwerpen
Object type: drawing
Date: 1870 – 1870
Materials: paper, pencil, watercolor
Techniques: brush
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: public road, antwerp
Inscriptions: annotation: ‘Tête de Flandre’