deem-data/ArtiFact huggingface dataset:
Incense burner (from set)
Object type: incense burner
Date: 1751 – 1800
Materials: copper alloy, enamel
Techniques: painting
Culture: chinese

Introduced from Europe, the technique of painted enamel was also commonly used by Chinese makers to decorate local wares, such as this incense set. Three-piece sets like this one appeared in China no later than the thirteenth century and included censers to burn small pieces of incense over burning charcoal. The box would have contained incense woods or balls, and the bottle would have held a pair of chopsticks and a spatula for handling the incense materials. (Set includes (81.1.638a–c, .642, .637a, b)
Paus Adrianus VI
Object type: history medal
Date: 1522 – 1523
Materials: bronze
Techniques: striking
Artist: Anonymous
Subjects: utrecht, rome, clergyman

Bronzen penning met gat erin. Voorzijde: borststuk man met muts binnen omschrift. Keerzijde: Paulus met zwaard en Petrus met sleutels; afsnede: opschrift
Collar
Object type: collar
Date: 1701 – 1733
Culture: french
Among the Daisies
Object type: photograph
Date: 1897 – 1897
Techniques: albumen print
Location: cincinnati
Artist: t.d. rust
Vase with flowers and poem
Object type: vase
Date: 1667 – 1733
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: flowers
Gewelf van de Henry VII Chapel in Westminster Abbey
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: westminster abbey
Artist: Anonymous
Subjects: parts of church interior: vault, parts of church interior: chapel
Inscriptions: number: ‘No. 200.’
Goblet
Object type: goblet
Materials: gilt bronze, glass

During the Renaissance, Venetian glassmakers, working on the island of Murano, were celebrated across Europe for their fine and sparkling work. Called “cristallo” emulating the clarity of rock crystal, in the hands of the most skilled glassblowers the medium could be delightfully manipulated, variously stretched paper-thin flat, or playfully twisted, or blown into molds with spectacular patterns.
Knipsel met artikel over Henri Piecks 'Buchenwald'
Object type: newspaper clipping
Date: 1944 – 1945
Materials: paper
Techniques: printing
Location: netherlands
Subjects: concentration camp

Krantenknipsel uit 'De Vlam' met een artikel door W. Bosma over de uitgave van Henri Piecks 'Buchenwald'.
Double-spouted pitcher with arms of the Antinori family
Object type: pitcher
Date: 1505 – 1515
Techniques: maiolica, glazing
Subjects: coat of arms

Storage vessels were among the most frequently produced maiolica wares in late medieval and Renaissance Italy. Made in fairly standard shapes, they were designed to fit with dozens of others on a shelf, often in a pharmacy or shop. Their handles therefore tend to fit within the vessel’s profile, and the cylindrical albarello type is generally narrower at the middle than at the top or bottom, making it easy to grip. Other common features include inscriptions indicating contents and flanged lips to help secure cloth or paper seals. The decoration, usually more elaborate on one side than the other, can sometimes link pieces to a known dispensary or specific workshop or artist.
Tapijt (?), vloeren en Egyptische motieven
Object type: watercolor
Date: 1835 – 1860
Materials: paper, pencil, watercolor
Techniques: brush
Location: vienna
Artist: franz jakob kreuter
Artist role: architect
Artist dates: 1813 – 1889
Subjects: ornaments ~ art, floor-covering
Inscriptions: inscription: ‘Ebenholz.Amaranth.Ahorn. [uitgevlakte woorden, daaronder:] Bois lesandre / Bibliothek der Koenigin / Empfang-Cabinet des Koenigs / 2’’9’’’ lang. 23’11’’breit 16’. 9’’16’’’ / lang 23’2’’ breit 15’ / Aegypt. Kapitael.’
Khamsa (Quintet) of Nizami of Ganja
Object type: illustrated manuscript
Materials: leather, paper
Location: iran
Artist: nizami
Artist role: author
Artist dates: 1141 – 1209
Subjects: men,hunting,horses
Ex libris van Johnny Køhler
Object type: bookplate
Date: 1958 – 1958
Materials: paper
Techniques: woodcut
Location: leipzig
Artist: hans rudolf schulze
Artist role: print maker
Artist dates: 1870 – 1951
Subjects: bony fishes
Inscriptions: workshop stamp: ‘Dr. Hans Schulze/ Leipzig - DDR/ woodcut 1958’
Christ in Limbo
Object type: print
Date: 1460 – 1465
Materials: ink, paper, watercolor
Techniques: brush, hand coloring, pen
Location: germany
Artist: Anonymous
Artist nationality: bavarian
Artist dates: 1400 – 1499

Communion bread came in different shapes in Renaissance Europe, and this variety is particularly clear from depictions of the Last Supper, when Christ symbolically offers his body to his disciples. In this metalcut series on the life of Christ, the shape of the bread—the traditional Bretzel, or pretzel—betrays that the prints were made in Bavaria. While the handwritten text on the verso of the adjoining sheet in the booklet (once comprising nineteen metalcuts) does not mention the pretzel, it is handcolored in a warm, doughy yellow. A similar glow suffuses the head-on Sudarium at center, an unusually abstract inclusion for an image of the Passion.

The fifteen metalcuts, or "dotted prints," that form this Passion suite constitute one of the most complete block books in existence. It is possible that the series at one time included as many as nineteen images, each exquisitely hand-colored with the biblical text inscribed on the reverse. The stars, shells, and other repeating patterns were produced by hammering metal punches, such as those used by goldsmiths and armorers, into the soft metal plates.
Terracotta fragments of skyphoi (deep drinking cups)
Object type: skyphos fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Two fragments with parts of palmettes with tendrils
Paardenhoofd
Object type: print
Date: 1831 – 1904
Materials: paper
Techniques: drypoint, etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: horse
Inscriptions: collector's mark: Lugt 2228
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 530 – 510
Materials: terracotta
Culture: greek, attic

Interior, part of the reserved tondo; Exterior, the rim fragment has a helmeted, bearded warrior to right wearing a corselet, with his bent left arm raised, and his hand holding a spear; the second fragment has legs; below, three sections of ornament; the top, has a band of ribbon; the middle, has dots; the third has rays
Design for A Female Term Carrying a Vase (recto); Sketch of Draped Male (verso)
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: female nudes,vases
Pillow with Peonies
Object type: pillow
Date: 1101 – 1300
Materials: stoneware
Culture: chinese
Subjects: peonies
Allie Redpath, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Convicts
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: horace vernet
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1863
Gezicht op een van de stadspoorten van Buren
Object type: drawing
Date: 1750 – 1750
Materials: ink, paper
Techniques: brush, pen
Artist: pieter jan van liender
Artist role: print maker
Artist dates: 1727 – 1779
Subjects: city-gate, buren
Helena
Object type: photomechanical print
Date: 1875 – 1885
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: (lovers) kissing each other, (scenes from) specific works of literature: goethe, faust
The Fire-Eater Slung His Victim Across His Pony
Object type: painting
Date: 1900 – 1900
Materials: canvas, oil
Location: new york
Artist: frederic remington
Artist nationality: american
Artist dates: 1861 – 1909
Inscriptions: Signed, lower right: "Frederic Remington"
Samuel verschijnt aan Saul bij de heks van Endor
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: saul and the witch of endor (1 samuel 28:3-25)
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een prent welke is opgenomen als illustratie in: Historiae Celebriores Veteris Testamenti. Christoph Weigel, 1708.
Gezicht op een straat in een bergdorp
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: maria van hohenzollern-sigmaringen (gravin van vlaanderen)
Artist role: print maker
Artist dates: 1845 – 1912
Subjects: village street, mountains
Inscriptions: collector's mark: Lugt 2228
Commemorating Marriage of Napoleon and Marie Louise
Object type: medal
Date: 1810 – 1810
Materials: gold
Artist: johann baptist harnisch
Artist role: artist
Artist nationality: austrian
Artist dates: 1785 – 1833
Subjects: men,profiles,women
A Civita Castellana
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: rome
Subjects: landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Behorend tot een set van 72 'Mahlerisch-radirte Prospecte von Italien', waarvoor de kunstenaar 24 prenten maakte. Albert Christoph Dies (1755-1822) en Johann Christian Reinhart (1761-1847) maakten eveneens 24 platen, in opdracht van Jean Fréderic Frauenholz.
Bronzen Eeuw
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: the bronze age, 'aetas aenea'; characterized by minerva and building activities

Verbeelding van het leven tijdens de Bronzen Eeuw: mannen bouwen een groot gebouw. Op de voorgrond de godin Minerva. Voor haar staat een jongen met een bundel steekwapens. Onder de voorstelling twee keer twee regels Latijnse tekst. Deze prent is onderdeel van een serie van 52 prenten die verhalen uit Ovidius' Metamorfosen verbeelden. Deze serie valt uiteen in drie genummerde reeksen: twee van 20 prenten en één van 12 prenten. Deze prent behoort tot de eerste reeks.
Eyn Newe kunstlich moetdelboech alle kunst
Object type: book print ornament architecture
Date: 1532 – 1532
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: men,women,coat of arms

Published by Peter Guentel, Cologne. The only recorded copy (incomplete) of Peter Guentel's second edition of this model book. Illustrated title page and 31 pages of designs. The first edition of this second book of Peter Guentel appeared in 1529 according to Lotz who records 2 complete copies- 24 leaves, sigs. a - f 4. Althought incomplete, this is the only recorded copy of the second edition. A number of the patterns are copied fom the second edition of Schonsperger's first book (Lotz 1 b) after Schonsperger had abandoned printing on only one half of the page. Several more were adaptations of patterns in Schonspereger's last book (Lotz 5) drawn by Anton Woensam von Worns according to Lotz as are also the scrolling leaves and flowers and renaissance ornament on the verso of the title, leaves 2 - 5. Among the missing leaves are 3 pp. of alphabet, based on Schonsperger's and the arms of Cologne attr. to von Worms which are in the 1544 Guentel in MMA (22.84.1). 16 leaves (should be 24), Sigs: (a)-d 4. The Paris ed. B.A. copy: a 3 - b -f 4 Lesoufache 318. This is undoubtedly the Berg copy sold at auction Feb. 1922, the dealers writing in the front is taken from the Berg cat. description. Book catalogue page describing this volume in German loose in back (prior to 1924?), tyepwritten carbon copy of notes concerning this volume tipped in at front of book. Bound in blind stamped brown leather, spine stamped and gilded. Additional notes on pattern sources in graphite on back flyleaf verso.
Dansend gezelschap
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: etching
Subjects: more than one couple dancing
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Ernst en Boert voor de XIXde Eeuw, of Almanach van beschaafde kundigheden voor 1801. Amsterdam: W. van Vliet en J. van der Hey, [1800].
Collage van portretten van onbekende kinderen
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: photograph
Location: munich
Subjects: historical persons - bb - woman, historical persons
François de Vicq, Burgomaster of Amsterdam for several Terms from 1697on
Object type: painting
Date: 1670 – 1670
Materials: canvas, oil
Artist: gerard ter borch (ii)
Artist role: draughtsman, painter
Artist dates: 1617 – 1681
Subjects: mayor, burgomaster, historical persons
Inscriptions: signature, date and inscription: ‘AETATIS 24 1670 GTB’

Zie SK-A-2418 voor het schilderij van zijn echtgenote Aletta Pancras (1649-1707) en BI-1887-1463-87 voor de tekening naar dat schilderij. Zie BI-1887-1463-88 voor de tekening naar het geschilderde portret van zijn schoonmoeder Petronella de Waert (1628-1709), dat zich nu in de collectie van het Museo del Prado bevindt. Het portret zijn schoonvader Nicolaes Pancras (1622-1678) zit in de collectie van de Kunsthalle Hamburg.
Weg door een bamboebos
Object type: photograph
Date: 1887 – 1897
Materials: photographic support
Techniques: albumen print, hand coloring
Location: japan
Artist: Anonymous
Subjects: forest path or lane
Shirt
Object type: shirt
Date: 1865 – 1865
Materials: cotton
Culture: french
Grafmonument voor Philippe Pot te Dijon
Object type: photomechanical print
Date: 1857 – 1870
Materials: cardboard, paper
Techniques: photolithography
Location: france
Subjects: grave-building, monumental tomb
Inscriptions: inscription: ‘19y’, title: ‘Tombeau de Philippe-Pot, à Dijon,/ Chez Mr. Le Comte de Vesvrotte/ Bourgogne’, number: ‘2’

Het grafmonument werd tijdens de Franse Revolutie gestolen en stond in de negentiende eeuw in verschillende tuinen in Dijon. Sinds 1899 wordt het grafmonument tentoongesteld in het Louvre.
Brief aan anoniem
Object type: letter
Date: 1807 – 1807
Materials: ink, paper
Techniques: pen, writing
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: the graphic arts
Inscriptions: watermark
Bekende Tijdgenooten naar het leven geschetst
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: amsterdam, politician, nicolaas gerard pierson, historical persons (+ (full) bust portrait)

Portret van minister Nicolaas Gerard Pierson. In de serie 'Bekende Tijdgenooten', nr. XXVIII.
Drie vrouwen op een gracht, mogelijk de Prinsengracht te Amsterdam
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman, street (+ city(-scape) with figures, staffage)

Pagina 38 en pagina 39 uit schetsboek XXXVII met 52 pagina's.
Portret van een onbekende man staand voor een huis
Object type: photograph
Date: 1930 – 1960
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons not known by name
Heiligen van de maand juni
Object type: book illustration
Date: 1687 – 1687
Materials: ink, paper, pencil
Techniques: etching, pen
Location: paris
Subjects: saints, june ~ other concepts
Inscriptions: inscription: ‘Juin.’

Prenten gebruikt voor: Giraud, L'Abbé. L'invocation et l'imitation des saints pour tous les jours de l'année. Parijs: Gérard Audran, 1687, 4 vols. Deze prenten staan ook wel bekend als de 'Saints d'Audran', zie IFF 17e siècle dl. 9, p. 118-119, nr. 1796-2174.
Zeilboot voor Dordrecht
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: etching, intaglio
Location: netherlands
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: sailing-ship, sailing-boat, windmill in landscape, prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage), dordrecht
Inscriptions: collector's mark: Lugt 2228

Een zeilboot ligt in het water voor Dordrecht. Links op de achtergrond een roeiboot met vijf roeiers.
Gezichten op Kasteel Heemstede in de provincie Utrecht
Object type: print
Date: 1706 – 1719
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: french or architectonic garden; formal garden, pergola, artificial grotto in garden, statues, sculptures in garden
Inscriptions: collector's mark: Lugt 2228

Vier voorstellingen. Linksboven: laan met beelden in de tuin van Kasteel Heemstede. In de laan ruiters en wandelaars. Linksonder: begroeide bogen over een laan in de tuin van Kasteel Heemstede. Rechtsboven: begroeide galerijen in de tuin van Kasteel Heemstede. Mannen en vrouwen wandelen onder de pergola's. Rechtsonder: de boomgaard met aan het einde van de laan een grot.
Op de bloei van kunsten en wetenschappen 1829
Object type: history medal
Date: 1829 – 1829
Materials: bronze
Techniques: striking
Location: brussels
Artist: adolphe jouvenel
Artist dates: 1798 – 1867

Bronzen penning, op de voorzijde het portret van Koning Willem I naar rechts met omschrift, op de keerzijde Minerva met gespreide armen tussen een onafgewerkte torso en een hemelglobe, met omschrift.
Saint Silvester Gozzolini
Object type: painting, part of a polyptych
Date: 1320 – 1329
Materials: gold leaf, paint, wood
Artist: segna di buonaventura
Artist role: artist
Artist nationality: italian
Artist dates: 1298 – 1331
Subjects: men,angels,saints
Kaart ter attentie van het 50-jarige bestaan van luchthaven Schiphol
Object type: photomechanical print
Date: 1970 – 1970
Materials: paper
Techniques: letterpress printing, printing block
Location: netherlands
Artist: Anonymous
Subjects: schiphol
Inscriptions: inscription: ‘Aangeboden door/ de Directie van de/ N.V. Luchthaven/ Schiphol ter/ gelegenheid van het/ vijftig-jarig bestaan/ van Schiphol/ (...)’
Box-board for chess and backgammon and boxes (2)
Object type: box board and box
Date: 1801 – 1900
Materials: horn, ivory
Subjects: chess
Interieur van het Crystal Palace, Sydenham
Object type: stereograph
Date: 1862 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Inscriptions: inscription: ‘CRYSTAL PALACE. / 47. VIEW IN THE RENAISSANCE COURT.’
Miniature Ballcourt
Object type: ornament
Date: 1501 – 1600
Materials: stone
Culture: mexican
Location: mexico
Haardsteen met voorstelling van een leeuwenkop in een medaillon
Object type: hearthstone
Date: 1400 – 1950
Materials: earthenware

Haardsteen met voorstelling van een leeuwenkop in een medaillon. Op de hoeken hoornen van overvloed.
Leonard en Gertrude worden warm onthaald
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: berlin
Subjects: politician, parents with their children, being welcomed ~ travelling, interior of the house
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Pestalozzi, Johann Heinrich. Léonard et Gertrude ou Les moeurs villageoises, telles qu'on les retrouve à la ville & à la cour. Berlijn: George Jacques Decker, 1783.
Untitled (Three Men and Horse-Drawn Carriage)
Object type: photograph
Date: 1856 – 1856
Techniques: daguerreotype
Location: united states
Artist: Anonymous
Artist nationality: french
Artist dates: 1800 – 1899
Subjects: lundberg collection, dogs, horse-drawn carriage, horses, landscapes, urban life
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, right arm and hand of figure
Mucius Scevola
Object type: print
Date: 1765 – 1855
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: gaius mucius scaevola before porsena: he thrusts his right hand into the flames (the body of the king's secretary who erroneously had been killed instead of porsena may be seen lying on the ground)
Inscriptions: collector's mark: Lugt 240
Palm Tree
Object type: drawing
Date: 1836 – 1923
Materials: gouache, graphite, paper
Culture: american
Artist: elihu vedder
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1923
Subjects: palms,trees
Laurea Calloana
Object type: print
Date: 1639 – 1641
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Subjects: brussels, landvoogd der zuidelijke nederlanden ferdinand van oostenrijk, float ~ triumph, battle (+ land forces), roman chariot, quadriga ~ triumph, antwerp

De triomfwagen van Kallo gebouwd ter viering van de overwinning van het Spaanse leger op het Staatse leger bij Fort Kallo op 21 juni 1638 en gebruikt in de jaarlijkse Ommegang. Met het vierspan paarden en de eerste allegorische figuren op de kar. Linksboven een hangend kleed met een voorstelling van de veldslag en een portret van Ferdinand. Linkerhelft van een voorstelling op twee bladen. Blad nr. 43 in een geheel van 43 platen die de uitgave van de beschrijving van de intocht van de Kardinaal Infant Ferdinand van Oostenrijk te Antwerpen op 17 april 1635 als de nieuwe landvoogd voor de Spaanse Nederlanden illustreren.
Standing cup with cover
Object type: standing cup with cover
Date: 1760 – 1760
Materials: glass
Jupiter en Callisto - Apollo en Daphne
Object type: lid
Date: 1700 – 1725
Materials: stone
Artist: jan pieter van baurscheit (ii)
Artist role: draughtsman
Artist dates: 1699 – 1768
Zes mannenhoofden van verschillende menselijke rassen
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: head (human), human races, peoples and nationalities (other than prehistoric or extinct)
Mantle
Object type: mantle
Date: 1860 – 1860
Materials: linen
Culture: maltese
Ein new getruckt model Büchli...Page 22, verso
Object type: book print ornament architecture
Date: 1529 – 1529
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Subjects: ornament

Published by Schoensperger, Augsburg. Title page, 45 pages of designs for weaving and embroidery, and 5 manuscript pages of weaver's notations at back.
Don Quichotte (Don Quixote) (Furnishing Fabric)
Object type: textile
Date: 1785 – 1785
Materials: cotton
Techniques: weave, printing
Location: france
Brief aan Sjoerd Kuperus
Object type: letter
Date: 1941 – 1941
Materials: ink
Techniques: pen, writing
Artist: jac. p. thijsse
Artist role: bioloog, onderwijzer, schrijver
Artist dates: 1865 – 1945
Subjects: print maker, draughtsman, sjoerd kuperus, illustration ~ printed matter, book, printed matter
Inscriptions: collector's mark: ‘RPK’
Le Bonheur du Jour ou Les Graces à la Mode
Object type: fashion print
Date: 1924 – 1924
Materials: paper
Location: paris
Subjects: sunbathing (on the beach), fashion plates, parasol, sunshade
Inscriptions: date

Uit serie Le Bonheur du Jour ou Les Graces à la Mode.
Animal Ornament
Object type: ornament
Date: 501 – 700
Materials: gilt copper
Culture: moche
Location: peru
Subjects: birds
Fabels van Aesopus
Object type: book illustration
Date: 1665 – 1665
Materials: paper
Techniques: etching
Location: london
Subjects: ass, donkey, (story of) jupiter (zeus), fables, attributes of jupiter: eagle
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2610

Een ezel, op wiens rug huiden zijn gelegd, went zich tot Jupiter op de wolken. Rechts een leerlooier aan het werk. Op de achtergrond een bepakte ezel. Illustratie van een fabel van Aesopus.