deem-data/ArtiFact huggingface dataset:
In the Omnibus
Object type: print
Date: 1890 – 1891
Materials: paper
Techniques: aquatint, drypoint, printing, lithography
Location: united states
Artist: mary cassatt
Artist role: print maker
Artist nationality: american
Artist dates: 1844 – 1926
Subjects: children, transportation, women
Tegel met een blauw geschilderde pastorale voorstelling
Object type: tile
Date: 1680 – 1725
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Tegel met een blauw geschilderde pastorale voorstelling binnen een geschulpte cirkel omgeven door paars spatwerk. In de hoeken, een uitgespaarde hartvorm. Behorend bij een groep van 23 tegels.
Portret van Adolf van Nassau
Object type: print
Date: 1835 – 1899
Materials: paper
Techniques: lithograph
Location: karlsruhe
Subjects: adolf van nassau, huis nassau walramse linie
Inscriptions: collector's mark: Lugt 2228

Portret van Adolf. In de ondermarge zijn naam en titel.
Six Seat  Phaeton #4084
Object type: drawing
Date: 1890 – 1890
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Stenen gebouwen aan een rivier
Object type: print
Date: 1741 – 1799
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: jean joseph hanson
Artist role: painter, print maker
Artist dates: 1731 – 1799
Subjects: prospect of village, silhouette of village, landscape with bridge, viaduct or aqueduct, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Stenen gebouwen en torens aan een rivier waarover een stenen brug met twee bogen.
Portret van een onbekende man
Object type: print
Date: 1820 – 1899
Materials: paper
Techniques: lithograph
Location: germany
Artist: Anonymous
Subjects: adult man, historical persons, beard
Inscriptions: mark: Lugt 4100, collector's mark: Lugt 2228, collector's mark: Lugt 2760

Buste naar links, in uniform, met mantel.
Dish with figures
Object type: dish
Date: 1800 – 1912
Materials: cobalt, glaze, porcelain
Techniques: painting
Culture: japanese
Subjects: men
Ornament van bladranken en vogels
Object type: drawing
Date: 1791 – 1791
Materials: ink, paper
Techniques: brush, pen
Artist: johannes beretta
Artist role: draughtsman
Artist dates: 1779 – 1841
Portret van Pierre Joseph Versturme-Roegiers
Object type: print
Date: 1831 – 1877
Materials: paper
Techniques: etching
Artist: adolphe alexandre dillens
Artist role: draughtsman, painter, print maker
Artist dates: 1821 – 1877
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Christopher Love
Object type: print
Date: 1651 – 1652
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: london
Inscriptions: collector's mark: Lugt 2228

Portret van de Waalse predikant Christopher Love, in het preekgestoelte met een boek in zijn handen. Love werd in 1651 in Londen onthoofd. Onder het portret een vers van P. de Lange.
Profile Portrait of a Girl
Object type: drawing and watercolor
Materials: chalk, graphite, paint, paper, watercolor
Techniques: heightening, wash
Location: england
Artist: paul a. mulready
Artist nationality: english
Artist dates: 1827 – 1855
Berglandschap
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: lithograph
Artist: gottlob heinrich von rapp
Artist role: print maker
Artist dates: 1761 – 1832
Subjects: mountains (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Pickle Stand
Object type: pickle stand
Date: 1770 – 1772
Materials: soft paste porcelain
Culture: american
Location: united states
Artist: american china manufactory
Artist role: manufacturer
Artist nationality: american
Artist dates: 1770 – 1772

The form of this stand, which was intended to hold various comfits (sugared fruits or nuts) during the dessert course of a meal, was one of the most ambitious produced at the short-lived factory of Bonnin and Morris—America’s first successful porcelain factory. The Rococo style, emphasizing repeated shell motifs and asymmetrical painted floral sprays, was in vogue in America in the 1770s.
Many Horns, Blackfeet Sioux, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Trade cards from the "American Indian Chiefs" series (N36), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N36 reproduces the cards from N2 in a larger size.
Bouquet de Fleurs
Object type: photograph
Materials: paper
Techniques: gelatin silver print, photography
Location: france
Artist: hippolyte bayard
Artist role: artist
Artist nationality: french
Artist dates: 1801 – 1887
Subjects: collected by hugh edwards
Souvenir de la Tour Eiffel : [exposition universelle de 1889]
Object type: book
Date: 1889 – 1889
Materials: cardboard, paper
Techniques: photograph, printing
Location: paris
Arrowhead
Object type: arrowhead
Date: 601 – 700
Materials: bronze
Location: iran
Water Coupe
Object type: water coupe
Date: 1662 – 1722
Materials: glaze, porcelain
Techniques: incising
Culture: chinese
Avditvs
Object type: print
Date: 1590 – 1632
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: hearing, listening (one of the five senses), (story of) apollo (phoebus)
Inscriptions: collector's mark: Lugt 2228

Landschap met de vrouwelijke personificatie van het Gehoor, die een vedel bespeelt. Ze wordt vergezeld door een hert en gekroond door Apollo. Linksachter staat een paar dat toekijkt. In de marge, in twee kolommen, een onderschrift in het Latijn. Prent uit een serie van vijf met de vijf zintuigen.
Monstrous male figure
Object type: sculpture
Date: 2333 – 1668
Materials: mineral, gold, iron
Culture: bactria-margiana archaeological complex
Location: bactria-margiana or eastern iran
Subjects: men

In the world of the ancient Near East, images and beings that combined human and animal qualities were thought to possess supernatural powers. This small yet potent figure, with its human face and serpentine-scaled body, probably represents such a creature, enlivened and charged with magical efficacy whether propitious or demonic. The monstrous figure’s most enigmatic and distinctive features are the prominent scar across its face and the two holes pierced into its upper and lower lips. The scar may indicate that the figure was defaced, and the holes suggest that the lips may have been sealed, literally. Taken together, the scar and the sealed lips imply that the figure portrays a decommissioned being whose power is no longer operational. Having served its purpose, it may have been ritually muted and “killed.” The unusual form of composite construction used to create the figure, achieved by using tangs to join together several sections of differing materials and colors, further enhance its powerful effect. As is true of so many great works of art from the ancient Near East, the forcefulness of the rendering and the unsettling imagery work to make the figure appear much larger than its actual size.
Gezicht op de toren en het binnenplein van Kasteel IJsselstein
Object type: photograph
Date: 1867 – 1887
Materials: cardboard, paper
Techniques: albumen print
Location: utrecht
Artist: arnold nelius marinus johannes fock
Artist role: fotograaf
Artist dates: 1846 – 1901
Subjects: trees, castle
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Holland (vervolg.)
Pouch
Object type: pouch
Date: 1830 – 1860
Materials: cotton, glass, linen
Culture: american
Subjects: flowers
Inkstand
Object type: horlogestandaard
Date: 1750 – 1782
Materials: earthenware, glaze
Techniques: kiln, painted, polychromy
Location: delft
Subjects: landscapes in the temperate zone

Deksel van inktstel. Op een in opzet rechthoekig onderstuk bevindt zich in het midden een horlogehouder geflankeerd door kaarsenhouders in rocaillevormen. Het inktstel is geschilderd met een waterlandschap en de onderschotel met een schrijvende figuur omgeven door classicistische gebouwen. Op het deksel een Chinees (?), gekleed in kamerjas.
Issued Barley Instead of Wheat [first version] (John Beaver, Roman Military Punishments, 1725)
Object type: print
Date: 1725 – 1725
Techniques: etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: tents,military,men,punishment
Melpomene, from The Muses
Object type: print
Date: 1590 – 1620
Materials: paper
Techniques: engraving
Location: netherlands
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist nationality: dutch
Artist dates: 1564 – 1637
Inscriptions: Lettered upper center: "Crispian de Passe inventor excudit" and within image: "Melpomene" and "3"
The Net Menders
Object type: print
Date: 1899 – 1899
Materials: paper, parchment
Techniques: drypoint
Location: netherlands
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist nationality: dutch
Artist dates: 1858 – 1928
Cartouche met guirlandes onderaan
Object type: ornament print
Date: 1628 – 1628
Materials: paper
Techniques: engraving
Location: france

Midden boven hangt een mascaron met een knop op het hoofd en linten achter zich.
Twee tulpen met vlinder en twee waterjuffers
Object type: drawing
Date: 1637 – 1637
Materials: paint, parchment, pencil, watercolor
Techniques: brush
Artist: jacob marrel
Artist role: draughtsman, painter
Artist dates: 1614 – 1681
Subjects: insects: dragon-fly, insects: butterfly, flowers: tulip

De tekening maakt deel uit van een album.
Kwitantie voor Jan Willem van Borselen
Object type: ontvangstbewijs, kwitantie
Date: 1863 – 1863
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: jan willem van borselen
Artist role: draughtsman, print maker
Artist dates: 1825 – 1892
Subjects: drawing, money
Inscriptions: collector's mark: Lugt 2233
Congo Tales – The Two Nkééngé Sisters
Object type: photograph
Date: 2018 – 2018
Materials: glass, wood
Techniques: inkjet print
Location: congo
Artist: pieter henket
Artist role: fotograaf
Artist dates: 1979 – 
Subjects: congo

An ancient rainforest myth is part of the Congolese oral tradition. The tale tells of two infertile sisters who would become pregnant if they crossed the forest without glancing back. One sister turned around and gave birth to an ugly boy, the other to a beautiful girl. The first sister swapped babies and drowned her sibling and son, who continued to roam the riverbed like ghosts. With the help of the river crab, the river spirits released them and reunion followed.
Drachm of Bahram IV
Object type: coin
Date: 388 – 399
Materials: silver
Culture: sasanian
Location: iran
Subjects: kings,men

The coin’s obverse features the bust of the Sasanian king Bahram IV, who wears a crown with a diadem and one pair of wings, a single crenellation, a globe and two fillets. On the reverse, the king is depicted both to the right and the left of a flaming fire altar. Royal central authorities controlled all Sasanian mints and in general, the ruler is depicted on Sasanian coins with his individual crown. Coins for thirty-two Sasanian rulers are known and in addition to their significance for economic history, royal coin portraits enable the identification of depictions of kings on other media, such as stucco and rock reliefs and silver plates.
Laan bij Fort Vredeburg in Jogyakarta
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: jogjakarta
Artist: Anonymous
Subjects: fortress, dutch east indies, the

Onderdeel van Fotoalbum van een reis door de Verenigde Staten, Honolulu, Nederlands-Indië, Aden, Zanzibar en Zuidelijk Afrika.
John Buncle redt Miss Martha Tilston en Alithera Llandsoy
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: crossing a river, literature, carrying a person on one's back, night
Inscriptions: collector's mark: Lugt 2228

Een latere staat van deze prent is ook gebruikt in: Leben, Bemerkungen und Meinungen Johann Bunkels, nebst den Leben verscheidener merkwürdiger Frauenzimmer. 4 dln. Berlijn: Friedrich Nicolai, 1778. De Engelse uitgave verscheen tussen 1756-1766 onder de titel 'The life of John Buncle' en wordt meestal toegeschreven aan Thomas Armory. Chodowiecki etste in totaal 16 scènes voor dit werk.
Ecce Homo
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: christ alone (also called 'ecce homo')
Inscriptions: collector's mark: Lugt 2228

Christus met de doornenkroon en een mantel. (Joh. 19.5).
Etudes du Dessin
Object type: album leaf
Date: 1817 – 1817
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: françois joseph pfeiffer (ii)
Artist role: draughtsman, print maker
Artist dates: 1778 – 1835
Subjects: forest, wood
Inscriptions: signature: ‘F.P. Pfeiffer junior’, collector's mark: Lugt 2228

Rechts naast een boom staat een man op de rug gezien met de handen op de rug. Maakt deel uit van een prentalbum met een serie van zes boomstudies.
Ceres and Bacchus
Object type: drawing
Date: 1621 – 1621
Materials: ink
Techniques: pen
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Subjects: bacchus,ceres
The Arab Jeweler
Object type: painting
Date: 1882 – 1882
Materials: canvas, oil
Culture: american
Artist: charles sprague pearce
Artist role: artist
Artist nationality: american
Artist dates: 1851 – 1914
Subjects: jewelry,men,working,tools

Boston-born Charles Sprague Pearce belonged to the generation of American artists who increasingly settled in France in the post-Civil War years. Like that of his celebrated Parisian teacher, Leon Bonnat, Pearce explored a range of subjects throughout his successful expatriate career. A four-month excursion along the Nile in the early 1870s led to a particular interest in "exotic," or Orientalist themes, such as this ambitious portrayal of a native craftsman.
1/4 stuiver van Ceylon
Object type: coin
Date: 1783 – 1783
Materials: copper
Techniques: striking
Location: colombo

Koperen munt. Voorzijde: monogram van de VOC, waarboven letter C. Keerzijde: waarde-aanduiding ST, waarboven I/4 . Gladde rand.
Ezel beladen met twee ganzen en huisraad
Object type: print
Date: 1642 – 1669
Materials: paper
Techniques: etching
Artist: jan baptist de wael
Artist role: print maker
Artist dates: 1632 – 1669
Subjects: the family travelling, on holiday, ass, donkey, furniture and household effects
Inscriptions: collector's mark: Lugt 2228

Landschap met een familie op reis. De man draagt een doos met huisraad op zijn rug en trekt de beladen ezel voort. Zijn vrouw volgt met het kind op de arm.
Canal Scene with a Palazzo
Object type: drawing
Date: 1734 – 1766
Materials: chalk, gouache, ink, paper
Techniques: brush, incising, pen, transfer
Artist: johann wolfgang baumgartner
Artist role: artist
Artist nationality: german
Artist dates: 1712 – 1761
Subjects: buildings,men,women,canals,boats
Twee vechtende vrouwen
Object type: book illustration
Date: 1643 – 1643
Materials: paper
Techniques: engraving, letterpress printing
Location: the hague
Subjects: fighting
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

In een arena vechten twee vrouwen tegen elkaar met schild en degen, onder het toeziend oog van publiek. Bladzijde uit een boek met tekst op recto en verso.
Clermont-Ferrand. La Cathédrale
Object type: photomechanical print
Date: 1921 – 1930
Materials: cardboard
Techniques: photograph
Location: clermont-ferrand
Subjects: church (exterior)

Prentbriefkaart maakt deel uit van een album.
Pair of Bit Bosses
Object type: bit bos
Date: 1600 – 1600
Materials: copper alloy, enamel, gold
Culture: italian
Location: italy

This pair of bosses made of gilded bronze are decorated with enameled faux-filigree and a cherub's head in relief at the center. They were adorning both sides of a horse bit.
Orfévrerie
Object type: print
Date: 1859 – 1864
Materials: paper
Techniques: lithograph
Location: paris
Subjects: hacking and thrusting weapons: sword
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, one fragment has part of the lower torso and waist of a draped woman to right, with her arms extended in front of her; part of a second draped figure; a second fragment has, on the left, part of a draped figure; part of the lower torso, bent arm, with hand on hip, and part of the waist of a draped woman to right
Man met hoed en mand op de rug gezien
Object type: drawing
Date: 1700 – 1799
Materials: paper, watercolor
Techniques: brush
Location: netherlands
Artist: Anonymous
Landschap met drie figuren
Object type: print
Date: 1739 – 1780
Materials: paper
Techniques: engraving, etching
Location: venice
Subjects: landscapes
Inscriptions: collector's mark: Lugt 240
Glass lentoid bottle
Object type: bottle, lentoid
Date: 101 – 300
Materials: glass
Culture: roman

Colorless. Knocked-off rim, slightly folded out, over, and in on one side; funnel-shaped neck, tooled in around base; globular, flattened body; small, flat bottom, with trace of pontil scar. On one side, indented, eliptical grooves. Intact; pinprick bubbles; dulling, slight iridescence, and brownish enamel-like weathering.
Landschap met herders in storm
Object type: print
Date: 1673 – 1695
Materials: paper
Techniques: etching
Location: paris
Subjects: landscapes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., storm
Inscriptions: collector's mark: Lugt 240

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Statue of Niobe and her Worshippers, with Apollo and Diana and other Figures, after Polidoro da Caravaggio
Object type: print
Date: 1543 – 1547
Techniques: etching
Artist: anonymous, school of fontainebleau
Artist role: artist
Artist dates: 1500 – 1600
Subjects: men,women,apollo,diana,praying

Forms a complete composition with 51.501.622b.
Frauen-Liebe und Leben
Object type: page
Date: 1880 – 1880
Materials: photographic support
Techniques: albumen print
Artist: hugo hirsch
Artist role: publisher
Subjects: adult woman, garden, adult man, historical costume
Inscriptions: number: ‘6.’, name: ‘Photog. und Verlag v. H. Hirsch, Berlin, N Christinenstr. 36 & 37’
Miniature Glass Bottle
Object type: bottle
Date: 801 – 900
Materials: glass
Techniques: glassblowing
Location: iran

No direct evidence for the production of glass was revealed during the Nishapur excavations, although we assume that glass objects were in fact made in Nishapur, especially the utilitarian vessels found in quantity in the Sabz Pushan neighborhood. Miniature bottles like this have been found in large numbers in many excavations. Originally they may have been closed with stoppers made of soft materials that no longer survive, and used to hold liquids or powders.
Fragment from a Frieze with Acanthus-Leaf Wheels
Object type: frieze fragment
Date: 501 – 600
Materials: limestone
Techniques: carving, relief
Location: egypt
Personificaties van Eer en Kunst in een roeiboot
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: pegasus, the winged horse, symbolic representations, allegories and emblems ~ art; 'arte' (ripa), father time, man with wings and scythe, honour, glory; 'ampiezza della gloria', 'gloria', 'gloria de prencipi', 'gloria & honore', 'honore', 'sublimatà della gloria' (ripa)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Twee putti trekken de boot waarin Eer en Kunst zitten op de oever. Eer wijst Kunst op Vader Tijd die in de lucht vliegt. Op de achtergrond vliegt Pegasus. De voorstelling is gevat in een ornamentele omlijsting.
Gezicht op het voormalige Agnietenklooster te Utrecht
Object type: photograph
Date: 1902 – 1902
Materials: cardboard, photographic support
Techniques: albumen print
Location: utrecht
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: cloisters ~ monastery, utrecht
Inscriptions: annotation: ‘Utrecht (U.)/ Voormalig st. Agnietenklooster thans militair gebouw/ gedeelte grenzende a/d kerk/ juni 1902’, annotation: ‘Utrecht’
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Ten handle root fragments from DvB 9.2
Spitsen
Object type: print
Date: 1615 – 1700
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: Anonymous

Tegenzijdige kopie van prent met objectnummer RP-P-1898-A-20102.
Toren van het stadhuis van Kampen
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, photographic support
Techniques: albumen print
Location: kampen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: townhall
Inscriptions: annotation: ‘Kampen Raadhuis/ spits v.d. toren aan de oostzijde/ april 1904’, annotation: ‘Stadhuis/ Kampen’
Portret van Pasquier Quesnel
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theoloog, pasquier quesnel
Inscriptions: collector's mark: Lugt 2228

Pasquier Quesnel, Frans theoloog en Jansenist, wijzend op het opengeslagen evangelie van Johannes. Portret ten halven lijve naar rechts in een ovaal met randtekst. Onderaan in de marge een vierregelig vers.
The Virgin with arms crossed over her chest looking at the sleeping infant Christ, in an oval frame, after Reni
Object type: print
Date: 1770 – 1834
Techniques: engraving
Artist: ephraim gottlieb krüger
Artist role: artist
Artist nationality: german
Artist dates: 1756 – 1834
Subjects: sleeping,christ,virgin mary

After a painting by Reni. Verso is not visible as print is laid to another sheet of paper.