deem-data/ArtiFact huggingface dataset:
Untitled (Cruikshank letter with sketches of horse head)
Object type: drawing and watercolor
Date: 1812 – 1878
Materials: graphite, ink, paper, watercolor
Techniques: pen
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Staande figuren in lange gewaden
Object type: sketchbook leaf
Date: 1849 – 1917
Materials: pencil
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: standing figure, clothes, costume (+ women's clothes)

Blad 5 verso uit een schetsboek met 35 bladen.
Genova Casa di A. Doria
Object type: photograph
Date: 1870 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: genoa
Artist: Anonymous
Subjects: stone tablet in façade, palace

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië en Zuid-Frankrijk.
Bowl
Object type: bowl
Date: 1101 – 1300
Materials: glaze, stonepaste
Techniques: painting
Location: syria
Subjects: birds
Study for Bow Street Office, from Microcosm of London
Object type: drawing and watercolor
Date: 1808 – 1808
Materials: graphite, paper
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
Rouwklacht bij het overlijden van Willem V, 1806
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: the hague, william v (prince of orange), monument, statue
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Rouwklacht op het overlijden van prins Willem V op 9 april 1806. Bovenaan een gedenkzuil met grafschrift. Rouwvers in 27 coupletten in drie kolommen. Binnen een dubbele rouwrand. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Vorstelijke lijkstaties.
Landschappen (A-F)
Object type: print
Date: 1780 – 1840
Materials: paper
Techniques: etching
Location: netherlands
Artist: carel lodewijk hansen
Artist role: draughtsman, painter, print maker
Artist dates: 1765 – 1840
Subjects: landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Portret van Joseph Banks
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: stippling
Location: london
Subjects: london, joseph banks, botany (+ portrait of scholar, scientist), historical persons, scholar, philosopher (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228
Reproductie naar schilderij van Willem Witsen van een portret van een vrouw
Object type: photograph
Date: 1860 – 1915
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Fragmenten kogel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: bullet ammunition
Date: 1700 – 1743
Materials: iron
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Spiegel van vermaardheid
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: kortrijk
Subjects: (story of) juno (hera), crocodiles: crocodile, mirror, story of ahab, son of omri, king of israel, isis, herod (not in biblical context), reflection (in a mirror), anointing the ruler (during coronation)
Inscriptions: collector's mark: Lugt 2228

Boekillustratie uit Jan David, Duodecim Specula Deum, Antwerpen, 1610.
Temple of Artemis, Sardis (134. Sardes. 1843. T. de Cybèle.)
Object type: photograph
Date: 1843 – 1843
Techniques: daguerreotype
Artist: joseph-philibert girault de prangey
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1892
Subjects: columns,ruins

Girault’s view isolates two unfinished columns topped with curvilinear Ionic volutes, which still survive today. Sardis (now Sart) was the capital of the ancient kingdom of Lydia, where a large temple to the goddess Cybele, known as Artemis to the Greeks, was begun during the third century B.C. but never completed.
Chest
Object type: chest
Date: 1663 – 1680
Materials: wood
Culture: american
Location: united states
Artist: william searle
Artist role: maker
Artist dates: 1611 – 1667

The richest and most vigorous early colonial carving is that associated with the work of William Searle (1634–1667) and Thomas Dennis (1638–1706) of Ipswich. Paired leaves, with a naturalistic, three-dimensional quality rare in American furniture of the period, dominate the panels of this chest; the panels are carved in the popular seventeenth-century design of a stalk of flowers and leaves emerging from an urn, of which only the opening is indicated here. Searle and Dennis came from Devonshire, England, where a tradition of florid carving, using many of the motifs seen on this chest, flourished in the early seventeenth century.
F. J. Parcerisa, la cathédrale de Burgos (au Musée National)
Object type: album leaf
Date: 1856 – 1863
Materials: paper
Techniques: albumen print
Location: madrid
Subjects: church (exterior)
Inscriptions: number: ‘610.’
Man brengt een toost uit op Pepita
Object type: boekillustratie ontwerp
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: hans borrebach
Artist role: draughtsman
Artist dates: 1903 – 1991
Subjects: alcoholic drinks, chair
Inscriptions: :, collector's mark: Lugt 2228a, signature: ‘HANS./ BORREBACH’, annotation: ‘3/ blz 22/ "Petertje", zei hij dan, "op het welslagen dan/ van de heele onderneming en vooral/ op je groote toekomstige succes!’

Ontwerp voor: Borrebach, Hans. Een hart klopt voor Pepita. Roman voor oudere meisjes. Amsterdam: Veen, 1948.
Leda with the Swan and Hercules as a Child, from "The Labors of Hercules"
Object type: print
Date: 1550 – 1550
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: hercules,leda,swans
Tilemakers
Object type: print
Date: 1803 – 1803
Materials: paper
Location: england
Artist: thomas barker
Artist role: artist, painter
Artist nationality: english
Artist dates: 1769 – 1847
De inkomst te Amsterdam van Lodewijk Napoleon op 20 April 1808
Object type: drawing
Date: 1808 – 1808
Materials: paper, pencil
Techniques: brush, pen
Location: netherlands
Artist: jan anthonie langendijk dzn
Artist role: draughtsman, print maker
Artist dates: 1780 – 1818
Subjects: louis napoleon (king of holland), public festivities at other royal events, not meant or mentioned above, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', festivities on events of national importance, installation of a ruler, amsterdam

Feestelijke inkomst van Lodewijk Napoleon als koning van Holland te Amsterdam, 20 april 1808. Optocht van twee koetsen met escorte, op straat veel juichende toeschouwers. Gezien vanuit de Nieuwe Amstelstraat. Rechts de Portugees-Israëlitische Synagoge (thans Mr. Visserplein), rechts vooraan de Grote Synagoge (Nieuwe Amstelstraat).
An April Fool
Object type: drawing and watercolor
Materials: board, graphite, ink, paper
Techniques: pen
Location: england
Artist: philipp william may
Artist nationality: english
Artist dates: 1864 – 1903
Driemonds gesigt door de Laan, na de ingang vande Moes-Tuin / Veüe de Driemonds, vers l'entrée du Jardin Potager
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: french or architectonic garden; formal garden

Prent voor het eerst gebruikt in: Leth, Andries de. De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende (...). Amsterdam: Weduwe Nicolaus Visscher, 1719. Prent mogelijk uit: Brouërius van Nidek, Matthaeus. De Vechtstroom, van Utrecht tot Muiden (...). Amsterdam: H. Gartman, W. Vermandel en J.W. Smit, 1790.
Amulet of squatting baboon
Object type: amulet, baboon
Date: 525 – 30
Materials: glass
Location: egypt
Subjects: baboons

Starting in the later Late Period and continuing through the Ptolemaic Period, a type of glass amulet cast by pressing the glass into a shallow open mold appears. The back was left rough, and the amulets may look ragged because glass overflowed the mold around the edges. The earlier amulets are monochrome, bi- or multicolor amulets supplement the repertoire during the Ptolemaic Period. Some of the amulets can be specifically tied to spells of the Book of the Dead – for example, acc. no. 17.194.2526 – and most are clearly funerary amulets, presumably meant to be wrapped between the bandages of the mummy where the presence of the amulet would do its job irrespective of its degree of finish.
Extended Front Landaulet (unnumbered)
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Een Europeesch-Aziatische en een Europeesch-Afrikaansche alleenheerscher
Object type: cartoon
Date: 1906 – 1906
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: leopold ii (koning der belgen), africans, political caricatures and satires, whip

De Russische tsaar Nicolaas II klaagt dat hij met zijn kleine zweep niet genoeg effect bereikt. De Belgische koning Leopold II, uitgedost als een Afrikaanse krijger, laat hem zien dat hij met een lange zweep als de sjambok de inwoners van een Afrikaans dorp angst kan aanjagen.
Laken. Merk: kroon G7 en jaartal 1773.
Object type: beddenlaken, laken object
Date: 1773 – 1773
Materials: linen
Location: northern netherlands
Artist: Anonymous

Laken van wit linnen, merk kroon G7 en jaartal 1773
Gold earring with winged figure (one of a pair)
Object type: earring with human figure
Date: 100 – 1
Materials: gold
Culture: greek
Subjects: animals,eros

These items, all found on Cyprus, reflect styles and tastes that were prevalent throughout the Hellenistic world, notably in the use of Eros figures, animals and brightly colored gemstones.
Gauntlets of Mail
Object type: gauntlet of mail
Date: 1601 – 1700
Materials: gold, steel
Culture: hungarian
Location: hungary

From about the third century B.C. through the early fourteenth century A.D., mail, also called chain mail, was the predominant and most effective type of body armor known in Europe. From about the mid-fifteenth century onward, mail was used in conjunction with full plate armor to fill the gaps between plates. Separate mail sleeves were made to be worn with a cuirass (breastplate and backplate); shaped panels of mail called gussets, covered the armpits or the crooks of the elbows and were attached to arming jackets, garments specially tailored to be worn under armor; and mail breeches, called brayettes or pairs of paunces, could be worn by men fighting on foot.
Buitenspelen als goede vorm van onderwijs
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: children's games and plays (+ out of doors (sports, games, etc.))
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Salzmann, Christian Gotthilf. Taschenbuch zur Beförderung der Vaterlandsliebe. Auf das Jahr 1801 (...). Schnepfenthal: s.n., 1801.
Fertility Figure
Object type: decorative art
Date: 1801 – 1900
Materials: textile, fiber, glass
Culture: sotho, southern sotho
Subjects: fertility

Figures like this one, made of wood, gourds, sinew, or fibers and decorated with beads, were cherished possessions for Southern Sotho women. Bridegrooms presented them to their brides to celebrate shared intentions to build a family. Women used the beaded figures to promote and honor fertility, and they would also hang them in a place of respect in the family home to be enjoyed as an object of artistry and colorful beauty.
Glass astragal (knucklebone)
Object type: astragal
Date: 300 – 101
Materials: glass
Culture: greek

Translucent blue green. Shaped like the knucklebone of a sheep or goat. Solid with continuous mold seam along sides and ends. Intact; pinprick bubbles, dulling and patches of soil encrustation. In antiquity, one of the most popular games of chance was played with astragaloi, knucklebones of sheep and goats. They could be used like dice or like jacks, thrown in the air and caught on the back of the hand. Knucklebones have been found in tombs where they must have been intended to help the deceased while away endless time.
Rivierlandschap met toren
Object type: copper plate
Date: 1926 – 1926
Materials: copper
Techniques: etching
Artist: antoon derkzen van angeren
Artist role: draughtsman, print maker
Artist dates: 1878 – 1961
The Prodigal Son Changes His Clothes
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: men,women,dressing
Design for Window
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: pen
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: arches,windows
Koorhekken
Object type: ornament print
Materials: paper
Techniques: etching
Location: france

Het koorhek is bekroond met een wapentrofee en een keizersbuste. Uit derde editie.
Les débardeurs
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Location: paris
Artist: paul gavarni
Artist role: draughtsman, print maker
Artist dates: 1804 – 1866
Subjects: mask, fashion, clothing, adult woman
Inscriptions: collector's mark: Lugt 964, check stamp: Lugt 3855

Prent gebruikt voor: Le Charivari, 3 augustus 1840.
On the Street, plate nine from A Life
Object type: print
Date: 1884 – 1884
Materials: paper, ivory
Techniques: aquatint, etching, stippling
Location: germany
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Brief aan Jan Veth
Object type: letter
Date: 1896 – 1896
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: jacob pieter moltzer
Artist role: jurist
Artist dates: 1850 – 1907
Subjects: painter, draughtsman, designer, jan veth, photography, cinematography, the graphic arts, painting (including book-illumination, miniature-painting), historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’
Fotoreproductie van een gravure naar Hoop door Rafaël in het Vaticaan
Object type: page
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues
Gipsmodellen voor versieringen op de Bibliothèque Impériale van het Palais du Louvre
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: permanent exhibition, museum, ornamenting, decorating ~ applied arts, paris, tuileries palace
Inscriptions: number: ‘376 en 336’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 4.
Kris with Sheath
Object type: kris with sheath
Date: 1501 – 1900
Materials: brass, ivory, silver, steel, wood
Culture: minangkabau
Location: malaysia
München. Neues Nationalmuseum
Object type: photomechanical print
Date: 1885 – 1905
Materials: cardboard
Techniques: photograph
Location: munich
Subjects: permanent exhibition, museum
Nederlands Indië tijdens Brits bestuur, 1/2  stuiver Java, 1814, ruwe nabootsing uit Zuid-Borneo
Object type: coin
Date: 1814 – 1820
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: imitatie van: tussen waarde-aanduiding 1/2 St monogram van de Engelse Oostindische Compagnie. Daarboven letter b. Keerzijde: eenregelig opschrift, waaronder jaartal. Boven opschrift geïmiteerd muntteken en onder jaartal geïmiteerd muntmeesterteken.
Christus bezwijkt voor tweede keer tijdens de kruisdraging
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: letterpress printing
Location: antwerp
Subjects: second fall ~ christ carrying the cross
Inscriptions: collector's mark: Lugt 2228

Prent uit: Andries, Judocus. Perpetua crux sive passio Jesu Christi. Antwerpen: Cornelis Woons, 1649.
De joodse man
Object type: book illustration
Date: 1486 – 1488
Materials: paper
Techniques: woodcut
Location: germany
Artist: erhard reuwich
Artist role: painter, print maker
Artist dates: 1445 – 1505
Subjects: banker, the jews, jewish life
Inscriptions: collector's mark: Lugt 2228

Illustratie voor het boek van Bernhard von Breidenbach, Reise ins Heilige Land. Een man in traditionele joodse kledij zittend bij een tafel, een geldbuidel in zijn rechterhand. Hij wijst naar de jongeman die voor hem staat. Boven de prent een tweeregelige tekst in het Nederlands.
Charles V
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: anne claude philippe de tubières, comte de caylus
Artist role: artist
Artist nationality: french
Artist dates: 1692 – 1765
Faith, Hope, and Charity
Object type: print
Techniques: engraving, etching
Artist: dominique barrière
Artist role: artist
Artist nationality: french
Artist dates: 1610 – 1678
Subjects: putti,angels,globes

Charity sits with two putti holding a coin and a rose, at left; Hope sits on a cloud holding an anchor, at right; Faith stands behind Hope, hands raised in prayer, looking upward towards an angel sitting on a globe, at center, and gesturing upward with right hand.
Poort of Ingang van 't St. Joris Hof te Amsterdam / Vuë du Portail de l'Hotel de St. George a Amsterdam
Object type: print
Date: 1769 – 1804
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: alms-house (dutch: 'hofje'), leprosarium, gate, entrance, courtyard
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Atlas van de stad Amsterdam (...) / Atlas de la ville d'Amsterdam (...). Amsterdam: Reinier (II) Ottens, Pieter Yver, Johannes Smit, Frederik Willem Greebe, Albert van der Kroe en Jan Christiaan Sepp, 1769, dl. 3. Of uit: Elwe, Jan Barend. Atlas van de wereldberoemde koopstad Amsteldam (...). Amsterdam: Jan Barend Elwe, 1804.
Moreschi di granata
Object type: costume print
Materials: paper
Techniques: engraving
Artist: bartolomeo grassi
Artist role: publisher
Subjects: europeans: spaniards (+ costume), spindle, clothes, costume (+ men's clothes)
Inscriptions: number: ‘28’

Prent nr. 29 uit album 'Dei veri ritratti degl'habiti di tvtte le parti del mondo intagliati in rame per opra di Bartolomeo Grassi', 1585.
The Madame B Album
Object type: drawing and watercolor
Date: 1870 – 1870
Materials: ink, watercolor
Techniques: albumen silver print, drawing
Location: france
Artist: marie-blanche hennelle fournier
Artist nationality: french
Artist dates: 1831 – 1906
Kerchief from Tutankhamun's Embalming Cache
Object type: kerchief, tutankhamun
Date: 1336 – 1327
Materials: linen
Location: egypt

In December 1907 Theodore M. Davis, a wealthy American who was funding excavations in the Valley of the Kings, discovered a small pit near the tomb of Seti I. Inside the pit were approximately a dozen large sealed whitewashed storage jars (09.184.1). Among other things, the jars contained bags of natron (a kind of salt), pieces of linen with hieratic inscriptions dated to Years 6 and 8 of a king named Tutankhamun (throne name Nebkheperure). At the time, almost nothing was know about Tutankhamun, and Davis declared that he had discovered the king's tomb. Davis received a number of the jars and their contents in the division of finds and, in 1909, he gave most of his share to the Metropolitan Museum. It was only later that Herbert Winlock, the field director of the Museum's excavations at Thebes, realized that the natron and linen were embalming refuse from the mummification of Tutankhamun. Worn linen sheets and clothing were used for wrapping and padding mummies. Linens that weren't actually used for mummification were sometimes buried in embalming caches. Three mended and laundered head cloths (09.184.217–.219) found in Tutankhamun's embalming cache were originally identified as kerchiefs worn by guests at the king's funerary meal. We now believe that they were part of the leftover embalming linen. This blue kerchief, dyed with indigo, is quite small and may have belonged to Tutankhamun when he was a child. Whether it was worn by Tutankhamun or not, examples of dyed linen from ancient Egyptian times are extremely rare, making this a very precious object. Two of the kerchiefs were made for adults (09.184.218, .219); the third is child-size (09.184.217).
Towel
Object type: towel
Date: 1801 – 1900
Materials: cotton, linen
Subjects: men,dogs,horses
Relief fragment
Object type: relief
Date: 601 – 800
Materials: plaster
Culture: sasanian or islamic
Location: mesopotamia