deem-data/ArtiFact huggingface dataset:
10 stotinki uit Bulgarije van prins Alexander I, 1881
Object type: coin
Date: 1881 – 1881
Materials: bronze
Techniques: striking

Bronzen munt. Voorzijde: op versierde gekroonde mantel door twee leeuwen met vanen als schildhouders gehouden gekroond wapenschild. Keerzijde: tussen twee samengebonden takken waarde-aanduiding in twee regels, waaronder jaartal. Gladde rand.
Standing cup
Object type: standing cup
Date: 1867 – 1900
Materials: glass
Heiligen van Beieren I
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving, etching
Location: munich
Subjects: st. boniface is killed by the sword near dokkum in frisia; he tries in vain to protect himself with a bible
Inscriptions: collector's mark: Lugt 240

Op de voorgrond wordt de H. Bonifatius en zijn volgelingen door de Friezen vermoord. Op de achtergrond zijn tent in Dokkum. De prent heeft een Latijns onderschrift en is de 28ste prent van een 60-delige serie met als onderwerp de heiligen van Beieren.
Berlin. National-Denkmal
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: berlin
Artist: Anonymous
Subjects: berlin, wilhelm i (keizer van duitsland), monument, statue
Drie staande figuren, de voorste draagt emmers
Object type: drawing
Date: 1612 – 1649
Materials: chalk, ink, paper
Techniques: brush
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Twaalf maanden
Object type: print
Date: 1568 – 1568
Materials: paper
Techniques: engraving
Location: france
Artist: etienne delaune
Artist role: draughtsman, goldsmith, print maker
Artist dates: 1519 – 1583
Subjects: aries (zodical sign of march), march and its 'labours' (+ with zodiacal signs)
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een twaalfdelige serie van de twaalf maanden met tekens van de dierenriem, in ovale vorm. In de collectie van het Rijksmuseum bevindt zich de complete serie.
Sphinx of Hatshepsut
Object type: sphinx, hatshepsut, maned
Date: 1479 – 1458
Materials: limestone, plaster
Location: egypt
Subjects: women,sphinx

The reconstructed sections of this sphinx have been cast from an almost identical, but more complete companion piece now in Cairo. The two small limestone sphinxes may have been on either side of the entrance to the upper terrace of Hatshepsut’s mortuary temple at Deir el-Bahri. The head of this sphinx differs markedly from Hatshepsut’s large sphinxes in which the human head wears the royal nemes-headcloth (see 31.3.166 and 31.3.167). Instead, this example was fashioned according to a type of sphinx bet known from the Middle Kingdom during the reign of Amenemhat III (ca. 1859-1813 B.C.). In this sphinx, the only human element is the face which is surrounded by a lion's mane. Remains of pigment show that the face was painted yellow, the color used for women in Egyptian Art.
Diogenes
Object type: print
Date: 1615 – 1647
Materials: paper
Techniques: engraving
Location: paris
Subjects: scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228
Gipsafgietsel van een schouw in het Musée des monuments français te Parijs
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: palais du trocadéro
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: open hearth, fire-place, permanent exhibition, museum, sculpture (+ relief ~ sculpture)
Inscriptions: name: ‘KUNSTBOEKHANDEL <BR />J. A. G. DE LEUR <BR />PHOTOGRAAF - UITGEVER <BR />HUIGENSPARK, 40b. <BR />DEN HAAG.’, number: ‘No. 1233.’, name: ‘MIEUSEMENT <BR />PHOTOGRAPHE’, inscription: ‘Jean Bullant’, collector's mark: Lugt 3937, inscription: ‘MONUMENTS HISTORIQUES’
Prenten-magazijn voor de jeugd
Object type: popular print
Date: 1850 – 1850
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: grave
Inscriptions: collector's mark: Lugt 2760

Na voltooiing van de acht jaargangen van de reeks 'Prenten-magazijn voor de jeugd' in 1850 heeft Jan Schuitemaker al deze prenten heruitgegeven en omgenummerd als nr. 1 t/m 192. De oorspronkelijke jaargang wordt telkens nog vermeld rechtsonder op de prent. Binnen de jaargangen zijn prenten van hetzelfde thema in clusters van vier achter elkaar gezet.
Penningen in versierde lijsten
Object type: print
Date: 1647 – 1682
Materials: paper
Techniques: etching
Location: france
Artist: simon de la boissière
Artist role: print maker
Artist dates: 1637 – 1682
Subjects: medal (considered as a piece of sculpture, regardless of its specific function)
Uitnodiging voor de opening van de tentoonstelling 'Victor Brauner'
Object type: photomechanical print
Date: 1950 – 1950
Materials: paper, watercolor
Techniques: brush, printing block
Location: paris
Artist: Anonymous
Subjects: paris, painter, victor brauner, portrait, self-portrait of artist
Inscriptions: address: ‘Mr. D.C. Roell Conservateur en chef des Muséen de l'Etat Amsterdam Hollande’, postage stamp: ‘R[epublic] F[rançaise] 5F’, : ‘Paris 72. 16 V 50 10.45 R. de l'Ouest’

Typografische kaart met twee gekleurde penseelstreken. Met de tekst: 'Cahiers d'Art 14, Rue du Dragon, Paris-VI. Victor Brauner du 19 mai au 12 juin 1950. Vernissage le vendredi 19 mai a 16 h.'. Op de achterzijde geadresseerd.
Pair of panels
Object type: panel
Date: 1701 – 1733
Materials: gilt, wood
Subjects: women
Vetustae Ruinae et Venustissimae aliquot Regiones
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: skates (winter sports), public road
Inscriptions: collector's mark: Lugt 964, collector's mark: Lugt 698

Schaatsers op het ijs en boeren op een weg bij huizen. Achtste prent van een serie van zestien.
Portret van prinses Wilhelmina, staand in Friese klederdracht
Object type: photograph
Date: 1892 – 1893
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: the hague, wilhelmina of the netherlands, folk costume, regional costume (+ women's clothes), child, ruler, sovereign - bb - female ruler, netherlands

Onderdeel van Fotoalbum met opnames van prinses Wilhelmina als kind tot aan haar inhuldiging in 1898.
Straat met een figuur op een ezel en een kameel
Object type: sketchbook leaf
Date: 1904 – 1904
Materials: paper, pencil
Location: cairo
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: riding a horse, ass, or mule; rider, horseman, hoofed animals: camel, street (+ city(-scape) with figures, staffage)

Vermoedelijk een straat in Caïro. Pagina 14 uit een schetsboek met 56 bladen.
Maps: Projections
Object type: print
Materials: paper
Techniques: engraving
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Geschubde man neemt twee ruiters aan de teugels mee en drie gevleugelde vrouwen
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: etching
Artist: friedrich brentel
Artist role: painter, print maker
Artist dates: 1580 – 1651
Subjects: private soldier (+ cavalry, horsemen), good and bad behaviour, moral qualities (opposing concepts), monsters of mixed human and animal shape; 'mostri' (ripa), performance in the open air (pleasure fair), caduceus (staff with two snakes, attribute of mercury)
Inscriptions: annotation: ‘63’

Tekst in het Duits op de rug en de schilden. Deze prent maakt deel uit van een album.
Portret, mogelijk van Alfons V van Aragón
Object type: print
Date: 1640 – 1700
Materials: paper
Techniques: engraving, etching
Artist: monogrammist il (graveur)
Artist role: print maker
Subjects: naples, historical persons, king
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Lower drapery and feet of a woman to right, wearing a chiton and himation; below, a meander
Chalice Cover
Object type: textile
Date: 1801 – 1900
Materials: textile, silk
Techniques: embroidery, lining, stitching
Location: italy
Portret van een onbekende vrouw
Object type: photomechanical print
Date: 1889 – 1899
Materials: paper
Techniques: autotype
Location: france
Subjects: anonymous historical person portrayed - bb - woman
Landschap met een bruggetje en een vrouw in een bootje
Object type: drawing
Date: 1795 – 1795
Materials: chalk, paper
Techniques: brush
Artist: johannes jelgerhuis
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1836
Figuren bij een circustent met vlag
Object type: sketchbook leaf
Date: 1881 – 1885
Materials: pencil
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: anatomy (non-medical), circus tent (outside)

Mogelijk bevinden de figuren zich aan het strand. Achterste schutblad uit een schetsboek met 26 bladen.
Speelbord voor ganzenbord met bloemen
Object type: print
Date: 1796 – 1899
Materials: paper
Techniques: hand coloring, letterpress printing, lithograph
Location: epinal
Artist: Anonymous
Subjects: goose-game, board-games of chance, board-games

Ganzenbordspel met een spiraal met vakken genummerd van 1 tot en met 63. In alle vakken voorstellingen, zoals van ganzen, gebouwen, dieren en menselijke figuren. Middenin spelregels in het Frans. Linksonder een jongen en meisje met bekers in hun hand waarmee de dobbelstenen worden geschud. In de overige hoeken bloemenornamenten. Rechtsboven genummerd: No 1713. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Spel en vermaak, Gezelschapsspel II, Ganzenbord en dergelijke.
Amphoriskos (Container for Oil)
Object type: vessel
Date: 500 – 368
Materials: glass
Techniques: forming
Culture: eastern mediterranean
Location: rhodes
Subjects: vessels
Bay Scene (from Sketchbook)
Object type: drawing
Date: 1890 – 1890
Materials: graphite, paper
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Studio delle virtuose Dame, page 23 (recto)
Object type: book print ornament architecture
Date: 1597 – 1597
Techniques: woodcut
Artist: isabella catanea parasole
Artist role: designer
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: ornament

Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Antonio Fachetti, Rome. From top to bottom, and left to right: Design composed of 4 horizontal registers. First register is decorated with a wavy vine of flowers. Second register is decorated with squares ornamented with an alternating pattern of 'X's and floral motifs. Third register is decorated with squares ornamented with a pattern of thorny flowers. Fourth register is decorated with the same pattern as that of the second register.
Ontwerp voor een vignet
Object type: design drawing
Date: 1775 – 1775
Materials: graphite, ink, paper
Techniques: brush, pen
Artist: clément pierre marillier
Artist role: draughtsman, print maker
Artist dates: 1740 – 1808
Inscriptions: signature and date, recto, lower centre, pen and brown ink: ‘c. p. marillier. inv. 1775.’, collector's mark, verso, lower right: Lugt 2228, collector's mark, recto, lower right: Lugt 421
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: leiden
Artist: floris verster
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1927
Subjects: james abbott mcneill whistler, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Portret van een onbekende man en vrouw
Object type: semi enamel
Date: 1898 – 1903
Materials: cardboard, celluloid, paper
Techniques: albumen print
Location: zierikzee
Artist: michiel david wessels
Artist role: fotograaf
Artist dates: 1860 – 1928
Subjects: adult woman, adult man, anonymous historical person portrayed
Inscriptions: inscription: ‘M.D. Wessels./ Zierikzee./ Poststraat.’
Portret van Jan Bart
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: duinkerke, kapitein-ter-zee, jan bart
Inscriptions: inscription: ‘Jean Bart 5 d. p. 2.’, collector's mark: Lugt 240

Latere staat prent gebruikt als boekillustratie in: Kok, Jacobus. Vaderlandsch woordenboek : met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796. Deel V.
Paris
Object type: statue
Materials: marble
Artist: antonio canova
Artist role: artist
Artist nationality: italian
Artist dates: 1757 – 1822
Subjects: male nudes,paris

One of the great Neoclassical sculptor Canova's most famous compositions represents Paris judging which of the three goddesses, Juno, Minerva, or Venus, was the most beautiful. Reputedly the most handsome mortal, Paris wears the Phrygian cap characteristic of the region of present-day Turkey, where he lived. His calm pose and serene gaze give no hint of the aftermath of the moment; once he bestowed the golden apple held behind his back upon Venus and received her bribe of Helen, wife of Menelaus, the disastrous Trojan War ensued. Canova carved the first version of this subject for Joséphine de Beauharnais between 1808 and 1812; it is now in the Hermitage Museum, Saint Petersburg. Another was made for Prince Ludwig of Bavaria and is now in Munich. This version was recorded as unfinished in Canova's studio at his death in 1822. Together with a Venus (acc. no. 2003.21.1), it was completed by the sculptor's assistants the following year and sold to the third marquess of Londonderry in late 1826 or early 1827 by Canova's half-brother Giovanni Battista Sartori. Prior to their acquisition, Londonderry had seen the marbles in Canova's Roman studio when passing through the Eternal City after representing British interests at the Congress of Vienna.
Lost: Souvenir of Auvergne
Object type: painting
Date: 1848 – 1901
Materials: canvas, oil
Artist: august friedrich albrecht schenck
Artist role: artist
Artist nationality: danish
Artist dates: 1828 – 1901
Subjects: sheep
Bonaire
Object type: print
Date: 1860 – 1862
Materials: paper
Techniques: lithograph, hand coloring, lacquer
Location: netherlands
Subjects: colonial system, sailing-ship, sailing-boat, prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage)

Een Nederlandse driemaster voor de kust van Bonaire. Onderdeel van het plaatwerk 'Gezigten uit Neerland's West-Indien'.
Deel van de rand van een kaart van Suriname (linkerdeel)
Object type: print
Date: 1737 – 1737
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: j.g. de la croix
Artist role: painter, print maker
Subjects: coat of arms (as symbol of the state, etc.), sailing-ship, sailing-boat, indigenous peoples of south america, slavery; serfs and enslaved persons, crustaceans: crab, ornament derived from plant forms, armorial bearing, heraldry, suriname

Twee Surinaamse mannen flankeren een wapen samengesteld uit de wapens van Amsterdam, de WIC en de familie Sommelsdijck. Fragment van een rijkversierde rand rondom een kaart van Suriname.
Sr. Edward Hawke
Object type: print
Date: 1747 – 1765
Materials: paper
Techniques: mezzotint
Location: london
Subjects: edward hawke (1e baron hawke), historical persons, commander-in-chief, admiral
Inscriptions: collector's mark: Lugt 240
Relief with two royal male figures
Object type: talatat, two royal male figure
Date: 1353 – 1336
Materials: limestone, paint
Location: egypt
Subjects: men

This relief depicts the torsos of two figures, a larger one on the left and a smaller one on the right. The figure on the right is clearly a male, and the figure on the left must also be a male because the angle of the garment ridges identify it as the male wrapped kilt. The clothing along with the intimacy of the grouping thus indicate two male members of the Amarna royal family are depicted. Given the size differential of the two figures, it is perhaps more likely that Smenkhare and Tutankhaten as brothers (?) are depicted, rather than Akhenaten and Smenkhkare as coregents.
Passage of Matter Through Matter
Object type: cabinet card
Techniques: albumen silver print, glass negative
Artist: charles williams
Artist role: artist
Artist nationality: british
Subjects: rings
Heuvellandschap aan de Maas
Object type: sketchbook leaf
Date: 1840 – 1841
Materials: paper, pencil
Location: meuse
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: city-view, and landscape with man-made constructions, low hill country
Inscriptions: annotation: ‘Maas’

Blad 29 recto uit een schetsboek met 41 bladen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, in field, bag with marbles?; bit of chin, back, in three-quarter view, bent left arm with himation draped around forearm and lower body, and bent right arm with hand on hip, of youth
Vase
Object type: ceramic
Date: 1810 – 1810
Materials: earthenware
Techniques: glazing
Culture: staffordshire potteries
Location: staffordshire
Ewer
Object type: ewer
Date: 1801 – 1900
Materials: stone
Artist: josiah wedgwood
Artist role: maker
Artist nationality: british
Artist dates: 1730 – 1795
Sparrows in a Plum Tree
Object type: hanging scroll
Materials: ink, silk
Culture: japanese
Artist: nagasawa rosetsu 長澤蘆雪
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1799
Subjects: birds,trees

A common topic in Japanese bird-and-flower painting, sparrows and blossoming plum branches evoke the beginning of spring, which according to the lunar calendar would begin in early February. Rosetsu fills the composition with a profusion of twigs that abruptly twist and turn. The calculated disorder of the plum branches finds its echo in the numerous sparrows, many of which the artist painted in slight variations of similar poses. Birds or other animals that gaze straight towards the viewer, almost as if they wanted to enter into direct communication with the human observer (such as the pair of sparrows on the lowermost branch), are a visual strategy that Rosetsu employed in many of his paintings, for instance in the diptych of hanging scrolls of cranes, also in the collection of the Metropolitan Museum of Art (2011.572.2a, b). The inclusion of a rose bush strikes one as unusual, as this flower is not a subject matter commonly found in early modern Japanese painting.
Fotoreproductie van een geschilderd portret van Johann Sebastian Bach door Carl Jaeger
Object type: cabinet photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: historical persons, portrait of composer, picture, painting
Inscriptions: annotation: ‘J. S. Bach/ 1685 - 1750’, name: ‘Jäger pinx. Désposé Registered. Fr. Bruckmann pho[...]’
Landschappen met mythologische en bijbelse voorstellingen
Object type: print
Date: 1550 – 1650
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: the flight of daedalus and icarus
Inscriptions: collector's mark: Lugt 2228

Icarus valt halsoverkop uit de lucht, zijn vader Daedalus vliegt een stukje verderop en ziet het ongeluk gebeuren. Op het land kijken boeren en herders omhoog naar de vallende Icarus.
Covered Box
Object type: vessel
Materials: lacquer, wood
Techniques: carving
Location: china
Bowl with peony design
Object type: bowl
Date: 1401 – 1600
Materials: iron, stoneware
Techniques: painting, underglaze
Culture: thai

This deep bowl is a handsome example of the characteristic iron-decoration stoneware ceramics produced at the Si Satchanalai kilns in north-central Thailand. The central design shows a stemmed flower in bloom surrounded by flourishes of leaves. An extended version of the same motif appears as a continuous design in the cavetto with a cloud-chain border on the rim. The painted décor is in an iron-rich solution beneath a clear glaze, tinged green by the presence of iron. In its fluid brushwork painting, the design emulates Chinese blue-and white porcelains of the later fifteenth century.
The Horseback Rider in the Gorge
Object type: print
Date: 1801 – 1900
Techniques: etching
Artist: johann christoph erhard
Artist role: artist
Artist nationality: german
Artist dates: 1795 – 1822
Subjects: horses,trees
Frank van den Berg, twee dagen oud
Object type: album leaf
Date: 1912 – 1912
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: frank willem van den berg (1912-1998), historical persons, infant, baby
Inscriptions: inscription: ‘Frank Willem oud 2 dagen/ 26 nov. 1912’
Afbeeldinge van het dorp Schevelinge volgens een oude schilderye hangende op het stadthuys in s'Gravenhage
Object type: history print
Date: 1730 – 1799
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: flood, high tide, village

Gezicht op het dorp Scheveningen getroffen door een overstroming door een vloedgolf op Allerheiligen, 1 november 1570. Hierbij werden 128 huizen verwoest en verdronken 3 personen. Met onderschrift van 4 regels in het Nederlands.
Heilige Familie op de terugweg uit Egypte
Object type: print
Date: 1584 – 1623
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: holy family, and derived representations
Inscriptions: collector's mark: Lugt 240

Jozef, Maria en het Christuskind zijn samen met een dienstmeid en een ezel op de terugweg uit Egypte.
Greta Garbo
Object type: ansichtkaart, prentbriefkaart
Date: 1920 – 1950
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Subjects: new york (city)
Inscriptions: annotation: ‘Metro Goldwyn Mayer reproduction interdite / 500 Edison Ross’
Gate Lodge for Amos G. Hull, Newburgh, New York (front elevation)
Object type: drawing ornament architecture
Date: 1849 – 1849
Materials: graphite, ink, paper, watercolor
Artist: alexander jackson davis
Artist role: artist
Artist nationality: american
Artist dates: 1803 – 1892
Subjects: architecture,buildings

Among the designs Davis created for Dr. Hull are the gatehouse and gate seen here and a watch turret, all in the Norman Romanesque style. The gatehouse and gate were demolished in the 1960s; the watchtower still exists. The Norman Romanesque villa that stands at the crest of the hill in this drawing was never built.
Portret van Anna van Saksen
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: dresden, anna van saksen
Inscriptions: date

Portret van Anna in een ovaal met randschrift. Rondom ligt een aantal allegorische objecten.
Portret van Daniel Höschel op 46-jarige leeftijd
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: engraving
Subjects: augsburg, philology (+ portrait of scholar, scientist), historical persons
Inscriptions: collector's mark: Lugt 2233

Tekst in het Latijn in de omlijsting, in de ondermarge en een regel in het Grieks in de bovenmarge.
Duchess of Kent
Object type: photograph
Date: 1860 – 1869
Techniques: albumen print
Location: france
Artist: antoine françois jean claudet
Artist role: fotograaf
Artist nationality: french
Artist dates: 1797 – 1867
The Sacrifice of Iphigenia
Object type: snuffbox
Date: 1755 – 1760
Materials: copper, enamel
Artist: charles de la fosse
Artist role: artist
Artist nationality: french
Artist dates: 1636 – 1716
Temptation of Saint Anthony
Object type: drawing and watercolor
Materials: chalk, ink, ivory, paper
Techniques: brush, pen, wash
Location: italy
Artist: pietro della vecchia
Artist role: draughtsman
Artist nationality: italian
Artist dates: 1605 – 1678
Brief aan Philip Zilcken
Object type: letter
Date: 1891 – 1891
Materials: ink
Techniques: pen, writing
Location: amsterdam
Artist: eduard karsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1941
Subjects: marinus van der maarel, amsterdam, print maker, marius bauer, adriaan pit, martinus mouton, the hague, painter, draughtsman, philip zilcken, money
Inscriptions: collector's mark: ‘RPK’