deem-data/ArtiFact huggingface dataset:
Compositie
Object type: wood block
Date: 1897 – 1897
Materials: wood
Techniques: woodcut
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Armstoel (model knopstoel) van notenhout met gladde, gedraaide stijlen en dwarsregels, voorpoten en achterstijlen eindigend in fijn gedraaide knoppen
Object type: knopstoel
Date: 1690 – 1710
Materials: cardboard, linen, silk, fiber, wood
Location: amsterdam
Artist: Anonymous
Ovolo frame
Object type: frame
Date: 1690 – 1700
Materials: wood
Culture: italian
Twee reproducties van lampenkappen met glas en lood in bloemmotief
Object type: page
Date: 1904 – 1909
Materials: paper
Techniques: three-color autotype
Location: united states
Artist: Anonymous
Subjects: lighting; lamps, stained-glass artist

Prent op derde ongenummerde pagina na pagina 270.
Bibliotheek van Amsterdam
Object type: titelblad, titelpagina
Date: 1650 – 1650
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: reading, public library, amsterdam
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Lezende mannen aan tafel in de stads- en athenaeumbibliotheek van Amsterdam omstreeks 1650. Gebruikt als drukkersmerk door boekhandelaar en uitgever Lodewijk Spillebout.
Candlestick
Object type: candlestick
Date: 1840 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Imagerie Artistique / Série 15
Object type: popular print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Subjects: beasts of prey, predatory animals: tiger, bull, monkeys, apes, hunter, tales and fairy tales
Inscriptions: collector's mark: Lugt 2760, : ‘marque de fabrique / deposée’

Blad met 8 voorstellingen van de sterke jachtverhalen van Tartarin. Onder elke afbeelding een onderschrift. Genummerd linksboven: Série 15. - No. 15.
Plaque with Saint William of Bourges
Object type: plaque
Date: 1218 – 1225
Materials: copper, enamel, gilt
Techniques: enamel, engraving
Culture: french
Location: france
Subjects: men

Early in his career, and well before he became archbishop in 1205, William of Bourges was a hermit-monk at the abbey at Grandmont, near Limoges. It is fitting, therefore, that this plaque honoring him was created in the enamel technique for which Limoges was renowned.
Twee Franse vaandels veroverd in de slag bij Spierbach, 1703
Object type: drawing
Date: 1713 – 1720
Materials: paper
Techniques: drawing
Location: northern netherlands
Artist: Anonymous
Subjects: (military) flags and standards

Twee Franse vaandels veroverd in de slag bij Spierbach, 1703. In het boek met tekeningen van Franse vaandels, standaarden en pauken, veroverd tijdens de Spaanse Successieoorlog (1701-1713).
Callot dwarf (one of a pair)
Object type: figure
Date: 1720 – 1720
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men
Stadsmuur bij de Jan Roodenpoortstoren in Amsterdam, gezien van de stadszijde
Object type: print
Date: 1723 – 1723
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: bridge in city across river, canal, etc.

Prent uit: Willink, Daniël. Amsterdamsch buitensingel, nevens omleggende dorpen (...). Amsterdam: Andries van Damme, 1723, tussen p. 34-35.
Bottle
Object type: bottle
Date: 1750 – 1750
Materials: clay, glaze
Techniques: underglaze
Culture: japanese
Dr. Luthers Anfechtung auf seinem Pathmos, der Wartburg, 1522
Object type: print
Date: 1820 – 1857
Materials: paper
Techniques: lithograph
Location: germany
Artist: karl dietrich pirscher
Artist role: print maker
Artist dates: 1791 – 1857
Subjects: priest, martin luther, writing-table, writing-desk, historical persons, crucifix ~ personal devotion, human-shaped devil, banishment, exile
Inscriptions: collector's mark: Lugt 2228

De figuur links is een satan-figuur met bokkenpoot die onder de mantel uit komt. Luther noemde kasteel Wartburg zijn Patmos, naar de plek waar Johannes de Evangelist werd verbannen.
Zes voorbeelden van de beweging van een mug
Object type: page
Date: 1887 – 1892
Materials: paper
Techniques: autotype
Subjects: insects: mosquito
Inscriptions: inscription: ‘Analyse von Bewegungen mittels der Momentphotographie von Dr. Marey in Paris (...)’

Prent op zevenendertigste ongenummerde pagina na pagina 520.
Een gedeelte van de heerlyckheyt van Maerseveen
Object type: print
Date: 1690 – 1691
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: envy; 'invidia' (ripa) ~ personification of one of the seven deadly sins, human-shaped devil, fame; 'fama', 'fama buona', 'fama chiara' (ripa), maps of cities, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 1641, collector's mark

Plaat linksboven. De plattegrond van een gedeelte van de heerlijkheid Maarsseveen. Een grote banderol met gezicht op Goudestein, een buitenplaats in de heerlijkheid Maarsseveen. Langs de rivier de Vecht wandelen verschillende paartjes en een herder. Op de rivier varen enkele bootjes en zwemmen zwanen. Op de achtergrond het buitenverblijf Goudenstein. Vanachter de banderol komt de allegorische figuur van Roem. Zij blaast op een trompet met een vaandel en verjaagt een duivel. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Kastelen en buitenplaatsen; prenten van bijzonder groot formaat.
Rgya-Gling
Object type: rgya gling
Date: 1801 – 1900
Materials: copper
Culture: tibetan
Location: tibet

Rgya-gling (shawm) may be used in temple orchestras or may alternate with dung-chens for the morning and evening calls from the monastery roof. Like other Tibetan wind instruments this double-reed example is played in pairs. The reed (not present) fits onto the thin metal tube (staple) atop the ornate metal pirouette (disk) that slips into the small end of the wooden tube. A monk takes the reed completely into his mouth and presses his lips against the disk provided above the pirouette's bulbous assemblage. Double-reed instruments like the European oboe used two reeds that are secured at their bases to produce a loud, penetrating and "nasal" sound.
Terracotta spindle whorl
Object type: spindle whorl
Date: 1900 – 1600
Materials: terracotta
Culture: cypriot
Vessel in the Form of a Figure with Geometric Face and Body Paint
Object type: vessel
Date: 500 – 200
Materials: ceramic, pigment
Culture: chupícuaro
Location: mexico
Subjects: people
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, upper torso in three-quarter view from the back, with bent right arm holding a spear or javelin
Chessmen (32) and board with box
Object type: chessman and box board
Date: 1701 – 1900
Materials: bronze, jade, marble, mother of pearl, onyx
Subjects: chess

The chessmen, which were cut on the lapidary's wheel from cylindrical shapes, are nonfigural except for the knight, which terminates in a horse's head, and the rook, which terminates in an elephant's head. The other pieces are balusterlike, the king, queen, and pawns being very similar in shape, diminishing in size. The bishops are spindle-like. The set showns a fusion of Hindu and European influences in a basic nonfigural set; the former in the displacement of the elephant as bishop and its identification with the rook. The horse head suggests English influence. The set was acquired in Bombay. A board that came with it has a molding and ball feet of gilt bronze, and squares of jade and striated onyx marble, each inlaid in the center with mother-of-pearl stars.
Dagdelen
Object type: print
Date: 1731 – 1788
Materials: paper
Techniques: etching
Location: augsburg
Artist: johann esaias nilson
Artist role: draughtsman, print maker, publisher
Artist dates: 1721 – 1788
Subjects: making music; musician with instrument, morning, pastorals, arcadian scenes, couple of lovers
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een herder staat voor een fantasiegebouw en blaast op een instrument. Zijn geliefde kijkt en luistert vanuit een raam met luik naar hem. Naast de herder ligt een rund. Uitgeversnummer LVIII.
Side Chair
Object type: side chair
Date: 1848 – 1848
Materials: wood
Culture: american
Location: united states
Artist: alexander jackson davis
Artist role: designer
Artist nationality: american
Artist dates: 1803 – 1892
Tankard
Object type: tankard
Date: 1801 – 1900
Materials: metal, silver

This electrotype is after a seventeenth-century original in Uspenski Sobor, Moscow, at the time of reproduction.
Johann Jacob Schüblers Siebende Ausgabe seines vorhabenden Wercks, Worinnen vorgestellet werden Neu-inventierte Sommer-Häuser, Garten-Cabinetten (...)
Object type: ornament print
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: bench, plants; vegetation, summer-house, arbour, garden-house (dutch: 'theekoepel'), interior of the house
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Interieur van een tuinhuis met bank en planten en kleine bomen in een nis, een venster en bovenop de galerij. In de ondermarge een drieregelige Duitse tekst.
Kaart van Nova Zembla, 1594
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Kaartje van de westkust van Nova Zembla, het gebied verkend tijdens de eerste reis in 1594. Bovenin een cartouche met twee vogels. Tegenover pagina 1 in: 'Warhafftige Relation. Der dreyen newen unerhörten seltzamen Schiffart so die Holländischen und Seeländischen Schiff....Anno 1594, 1595 und 1596 verricht' (1598).
Design for Two Fringed Curtains Handing from Rods (Verso: Sketches)
Object type: drawing
Date: 1801 – 1833
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: windows,curtains
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, head of a bald, bearded satyr to right
Allegorie op de kerstnacht
Object type: print
Date: 1864 – 1888
Materials: paper
Techniques: etching, intaglio
Artist: peter von halm
Artist role: print maker
Artist dates: 1854 – 1923
Subjects: christmas tree, story of the birth of christ (luke 2:1-20), stars, represented symbolically or allegorically
Inscriptions: collector's mark: Lugt 2228
Johanna le Gillon
Object type: painting
Date: 1670 – 1670
Materials: canvas, oil
Artist: jan de baen
Artist role: draughtsman, print maker
Artist dates: 1633 – 1702
Subjects: amsterdam, historical persons - bb - woman, lute, and special forms of lute, e.g.: theorbo
Inscriptions: signature: ‘J. de Baen f.’

Johanna le Gillon had herself portrayed holding a lute, her favourite instrument, showcasing her exceptional musical talent. The famous composer Constantijn Huygens sent her all manner of musical pieces for the lute. The portrait is still in its original gilt limewood frame, lavishly adorned with putti (cherubs) collecting roses, lush golden vines, and garlands. The fitting motto in the cartouche at the bottom reads: ‘A contented heart leads to great talent’.
Fragment
Object type: fragment
Date: 1701 – 1800
Materials: silk
Techniques: brocade, patterning, weave
Culture: japanese

This textile fragment features a pattern with a stylized fence or lattice and moonflowers (yūgao; literally, “evening faces”) of various colors against a white ground. Originally, it may have been part of a Noh theater costume. The moonflower plays a role in chapter 4 of The Tale of Genji, “The Lady of the Evening Faces.” Collecting textile samples as a kind of visual dictionary of motifs and a resource for technical analysis was common among Western collectors in Moore’s era.
Unfinished Mantle
Object type: textile
Materials: wool
Techniques: treatment, embroidery, weave, stitching
Culture: paracas
Location: peru
Le Messager des Modistes et des Salons, Modes de Paris, Journal Aglaja, avril 1857
Object type: fashion print
Date: 1857 – 1857
Materials: paper
Techniques: engraving, hand coloring
Location: haarlem
Subjects: clothing for the upper part of the body (mantelet) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), gloves, mittens, etc. (+ women's clothes)
Inscriptions: caption: ‘Propriété exclusive du Journal Aglaja publié par A. C. Krusmann à Harlem’, title: ‘Modes de Paris / Le Messager des Modistes et des Salons’

Twee vrouwen in een park: Links: zwarte schoudermantel afgezet met franjes. Roze japon met wijde strokenrok met wit/roze strepenmotief. Rechts: zwarte schoudermantel met strepenmotief en afgezet met bolletjes. Blauwe japon met wijde rok versierd met twee verticale witte banen met cirkelmotief. De prent werd opgenomen in Aglaja (1848-1864), maandboekje voor dames handwerken, uitgegeven door A. C. Kruseman.
Pair of ornaments
Object type: ornament
Date: 1701 – 1800
Materials: gilt bronze
Subjects: garlands,faces,flowers
Handled Jar Depicting Birds Catching Fish
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: peru
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, gold, iron
Culture: japanese
Location: japan
Subjects: dragonflies
Jeu de mail Flamand
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: village, ball games in which ball is hit or knocked with stick (individual play)
Inscriptions: collector's mark: Lugt 240

Mannen die een spel genaamd klossen of beugelen spelen.
Jersey
Object type: carte de visite
Date: 1871 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: jersey
Artist: thomas tibbles
Artist role: fotograaf
Artist dates:  – 1885
Subjects: village
Inscriptions: inscription: ‘The/ PIERSON PHOTOGRAPHIC STUDIO./ T. TIBLLES,/ PHOTOGRAPHER,/ 5, KING STREET,/ and Pierson Place,/ JERSEY./ Copies may always be obtaned.’
Park Lane
Object type: print
Date: 1904 – 1904
Materials: paper
Techniques: etching
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Plate
Object type: plate
Date: 1735 – 1795
Materials: faience
Techniques: glazing
Subjects: roses

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Portret van Frau Bleichröder
Object type: drawing
Date: 1874 – 1925
Materials: cardboard, chalk
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: historical persons
Act 11, Part 1: The Approach to the Night Attack (Juichidanme ichi, yochi oshiyose), from the series "The Revenge of the Loyal Retainers (Chushingura)"
Object type: print
Date: 1834 – 1839
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858

Hiroshige enhanced the dramatic impact of his series by expanding the final act into six separate scenes; the last three are not based on the kabuki play. This image has been described as the masterpiece of the series and depicts the (revenge of the) ronin on a very snowy, isolated evening starting their march on Kira’s home. The whole group crosses a bridge out of Kamakura (Edo) near Kira’s mansion. At the lower right, there is an escape boat (not seen in the play) that ensures, in the event of a counterattack by Kira’s supporters, that several ronin would be able to flee with the proof of Kira’s death.
Innocent XII (Pope, 1691–1700)
Object type: medal
Date: 1601 – 1700
Materials: bronze, patina
Artist: giovanni martino hamerani
Artist role: artist
Artist nationality: italian
Artist dates: 1646 – 1705
Subjects: profiles,popes
Portret van een zittende Indonesische vrouw met een Europese baby op schoot
Object type: album leaf
Date: 1857 – 1908
Materials: cardboard, photographic support
Techniques: albumen print
Location: java
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, infant, baby ~ the ages of man
Inscriptions: inscription: ‘WOODBURY & PAGE,/ PHOTOGRAPHERS/ JAVA.’
Plate 11: an attack on a city, horsemen in foreground, clouds of smoke and a cityscape in background, from "Troops, cannons, and attacks on towns" (Dessins de quelques conduites de troupes, canons, et ataques de villes)
Object type: print
Date: 1640 – 1640
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: cities,men,horses
The Parable of the Blind
Object type: drawing and watercolor
Date: 1589 – 1589
Materials: chalk, paper
Location: netherlands
Artist: andreas de la prieur de cambray
Artist nationality: flemish
Artist dates: 1567 – 1599
Predni cast nového pohrebniho vozu obce prazské, postaveného firmou P. Klubal a spol. v Praze
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: funeral carriages
Saint Paul preaching in Athens, after Raphael
Object type: print
Date: 1517 – 1520
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: men,saint paul
Verovering van de citadel van Antwerpen, ter ere van Lodewijk Filips, koning der Fransen
Object type: history medal
Date: 1832 – 1832
Materials: bronze
Techniques: striking
Location: france
Artist: jean pierre montagny
Artist role: sculptor
Artist dates: 1789 – 1862
Subjects: lodewijk filips i (koning van frankrijk)

Bronzen penning. Voorzijde: borststuk man met eikenkrans binnen omschrift. Keerzijde: gevleugelde Overwinning met lauwerkrans en palmtak, staande op wereldbol binnen omschrift.
Geduld (Patientia)
Object type: print
Date: 1540 – 1540
Materials: paper
Techniques: engraving
Location: frankfurt am main
Artist: hans sebald beham
Artist role: designer, draughtsman, print maker
Artist dates: 1500 – 1550
Subjects: patience; 'patienza' (ripa)
Inscriptions: collector's mark: Lugt 2228a

Gevleugelde vrouw als personificatie van Geduld (Patientia) zittend met een lam in haar armen terwijl de duivel handenwrijvend toekijkt. De deugd krijgt van twee engelen een lauwerkrans op het hoofd geplaatst.
Impost Capital with Acanthus Leaf Decoration
Object type: capital
Date: 1134 – 1166
Materials: limestone
Techniques: polychromy
Culture: french
Location: france
Subjects: leaves

This capital, and the one to the right with paired birds peeking through acanthus leaves and pecking at its seeds, resemble sculpture in the crypt of the royal abbey of Saint-Denis, north of Paris. As the burial place of French kings, Saint-Denis enjoyed unrivaled prestige; artistic innovations adopted there resonated throughout the region and indeed, throughout France. The choir of the abbey constructed under Abbot Suger is often considered the first example of a new architectural style, known today as Gothic. In the wake of the French Revolution, sculpture and building materials from a number of monuments were sent to Saint-Denis for storage; these pieces may, therefore, come from another church in the area.
St. Peter
Object type: print
Date: 1501 – 1600
Techniques: etching
Artist: master f. p.
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: saint peter

In Mariette Album, folio 87 middle third
Fragment van schot en slot
Object type: lock
Date: 1400 – 1950
Materials: bronze
Location: rome
Cheap Fish of St. Giles's
Object type: photograph
Date: 1881 – 1881
Techniques: photography, woodburytype
Location: scotland
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Fotoreproductie van een portret van Benoît Jouvin
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: journalist, reporter, historical persons
Inscriptions: inscription: ‘Figaro-Album/ Jouvin/ d'après Legé et Bergeron Phot.’
Pin
Object type: hairpin
Date: 601 – 700
Materials: copper alloy
Culture: frankish
Location: northern france

Pins were used to secure a veil or to hold a hairstyle in place. Most were made simply of copper alloy, sometimes tinned to look like silver, but some were elaborate objects, showcasing an array of metalsmithing techniques.
Aanslag van de Zweden op Kopenhagen en vrede van Kopenhagen tussen Denemarken en Zweden, ter ere van Frederik III, koning van Denemarken
Object type: copy
Date: 1660 – 1660
Materials: silver
Techniques: striking
Location: denmark
Artist: Anonymous
Subjects: frederik iii (koning van denemarken en noorwegen), copenhagen (city)

Zilveren ovale penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: hand uit wolken met opschrift DAN hakt hand met opschrift SWED in tweeen, die naar kroon grijpt boven opschrift, binnen omschrift.
Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 9 (verso)
Object type: book print ornament architecture
Techniques: woodcut
Artist: domenico da sera
Artist role: publisher
Artist nationality: french
Artist dates: 1500 – 1599

Published by Domenico da Sera Lyons. From top to bottom, and left to right: Design is decorated with a pattern of diamonds formed by 2 intertwining lines. In the center of each diamond is an elaborate floral element inscribed with "IHS".
Portret van Maria Sabina Kress von Kressenstein
Object type: print
Date: 1657 – 1722
Materials: paper
Techniques: mezzotint
Artist: georg fennitzer
Artist role: print maker
Artist dates: 1646 – 1722
Subjects: historical persons - bb - woman, gloves, mittens, etc., head-gear: hat
Inscriptions: collector's mark: Lugt 2228
Ringkiezelmarmer in blauw en bruin
Object type: wrapper
Date: 1700 – 1850
Materials: paint, paper
Techniques: marbled paper
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2760

Ringkiezelmarmer in blauw en bruin. Gebruikt als omslag.
Portret van kolonel Louis Henri Fourgeoud
Object type: print
Date: 1777 – 1829
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: switzerland, landscapes in tropical and sub-tropical regions - kk - ideal landscapes, colonial system, compass
Inscriptions: collector's mark: Lugt 2228

Portret ten voeten uit van kolonel Louis Henry Fourgeoud, staande in een heuvelachtig landschap met palmbomen. Fourgeoud draagt een geweer, een degen en een kompas en leunt op zijn wandelstok. Op de achtergrond figuren met wapens en manden.