deem-data/ArtiFact huggingface dataset:
Coin
Object type: coin
Materials: silver
Location: balkh

This coin was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Lion amulet
Object type: amulet, lion
Date: 1635 – 1458
Materials: faience
Location: egypt
Subjects: lions
Cameo glass medallion of a maenad
Object type: cameo medallion
Date: 1 – 100
Materials: glass
Culture: roman
Subjects: maenads

The maenad, one of the female followers of Dionysos, throws back her head as she performs a frenzied dance.
Chamber candlestick
Object type: chamber candlestick
Date: 1846 – 1847
Materials: silver
Spoon
Object type: spoon
Date: 1667 – 1733
Materials: silver
Sketch of a Tree Branch (from Sketchbook VII)
Object type: drawing
Date: 1886 – 1886
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: trees

This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Baby in bed bij de ouders huilt vader wakker
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: hearing, listening (one of the five senses), waking up, watching a sleeping child
Inscriptions: collector's mark: Lugt 2228, annotation: ‘2me etat; deux épreuves’
Wijding van de Levieten
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the levites are appointed to serve the priests
Inscriptions: collector's mark: Lugt 2233

Latere staat opgenomen in: Cunaeus, Petrus. De republyk der Hebreen, of gemeenebest der joden, 3 delen. Amsterdam: Wilhelmus Goeree, 1683, dl. 3, p. 76.
Portret van een jonge vrouw
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Prenten naar schilderijen door Philips Wouwerman
Object type: print
Date: 1755 – 1755
Materials: paper
Techniques: engraving, etching
Artist: jean moyreau
Artist role: print maker, publisher
Artist dates: 1690 – 1762
Subjects: barn, horse
Inscriptions: collector's mark: Lugt 240, inscription: ‘De Vlaamsche stal n: 79’

Maakt deel uit van een serie van 89 prenten te dateren tussen ca. 1733-1762, naar het geschilderde oeuvre van Philips Wouwerman. Dit betreft plaat 79.
Portret van Claus Schall
Object type: print
Date: 1778 – 1850
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: copenhagen (city), historical persons, composer at work
Inscriptions: collector's mark: Lugt 2228
After the Storm
Object type: painting
Date: 1870 – 1880
Materials: canvas, oil
Culture: american
Artist: albert bierstadt
Artist role: former attribution
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: rivers,landscapes
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, seated, nude youth to right, gesturing with his left hand to the youth standing in front of him, who has a white metal crown on his head, and whose left hand is on his hip; Exterior, the underside of the floor is decorated with concentric circles; the outer most band is in reserve, followed by a concave black band, bordered by chamfered edges, a thin band of reserve, a thin band of black glaze, and a wide band of reserve; a concave black glaze band is bordered by chamfered edges; the center area is in reserve with a thin black glaze ring, which has in the middle, a black glaze circle with a dot in the center
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, bent right arm, lower torso, genitals, and legs of male to right
Haak, plat met drie spijkergaten
Object type: hook
Date: 1590 – 1596
Materials: iron
Techniques: forging
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Haak, plat van vorm met drie spijkergaten.
The Actor Segawa Kikunojo II as the Courtesan Maizuru in the Play Furisode Kisaragi Soga, Performed at the Ichimura Theater in the Second Month, 1772
Object type: print
Date: 1772 – 1772
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Portret van Milada Dostálová, Miss Tsjecho-Slowakije 1930, reclame voor Club & Liga
Object type: photograph
Date: 1930 – 1930
Materials: paper
Techniques: gelatin silver print
Location: dresden
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Die schönsten/ Frauen der Welt/ dargestellt durch die Schön-/ heitsköniginnen aller Länder,/ finden Sie in 190 echten/ Bromsilber-Fotos, die nur den/ CLUB-und-LIGA-Packun-/ gen beiliegen. Eind prächtiges/ Sammel-Album erhalten Sie/ für 75 Pfennig vom Händler/ oder bei Einsendung von/ 75 Pfennig in Briefmarken/ von der Bilderstelle Lohse,/ Dresden A24, Nossener Str. 1./ Ges. gesch. Nachdruck verboten!’
Silhouetportret van Simon van Someren Brand
Object type: print
Date: 1800 – 1802
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: dordrecht
Inscriptions: collector's mark: Lugt 2228, number: ‘89.’

Silhouetportret van predikant Simon van Someren Brand. Onder het portret een vierregelig vers in het Nederlands.
Vignetten met buitentaferelen
Object type: print
Date: 1620 – 1686
Materials: paper
Techniques: etching
Location: france
Artist: nicolas cochin
Artist role: print maker
Artist dates: 1610 – 1686
Subjects: landscapes, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt')
Gezicht op de Marekerk te Leiden
Object type: photograph
Date: 1879 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: leiden
Artist: jan goedeljee
Artist role: fotograaf
Artist dates: 1824 – 1905
Subjects: church (exterior), leiden
Inscriptions: annotation: ‘De Marekerk’, inscription: ‘J. Goedeljee (...) Leiden/ Hoogewoerd 160/ naby de Plantage’, inscription: ‘J. Goedeljee/ Leiden/ 82’
Saint Anthony, a staff in his right hand, from "Piccoli Santi" (Small Saints)
Object type: print
Date: 1500 – 1527
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: musical instruments,boars,saint anthony
Overmeestering van de Franse linies en inname van Bouchain
Object type: history medal
Date: 1711 – 1711
Materials: bronze
Techniques: striking
Location: london
Subjects: london, anna stuart (koningin van engeland en schotland)

Bronzen penning. Voorzijde: borststuk vrouw met lauwerkrans binnen omschrift. Keerzijde: knielende Franse soldaat overhandigt zijn zwaard, geweer en kroon aan vrouw met speer en schild in handen, zittend op wereldbol temidden van stapel wapentuig, op achtergrond de veroverde stad binnen omschrift; afsnede: opschrift.
Portret van Peter Storck op 73-jarige leeftijd
Object type: print
Date: 1627 – 1627
Materials: paper
Techniques: engraving
Subjects: gloves, mittens, etc., historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Gezicht op Kleef
Object type: sketchbook leaf
Materials: chalk, paper
Location: cleves
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: city-view, and landscape with man-made constructions, landscapes with waters, waterscapes, seascapes (in the temperate zone), cleves
Inscriptions: date and inscription: ‘Cleve/ 18 Aug’

Blad 30 verso en 31 recto uit een schetsboek met 44 bladen.
Kaas maken in Noord-Holland
Object type: print
Date: 1861 – 1869
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: dairy products, cheese
Inscriptions: collector's mark: Lugt 1641, signature: ‘C.’, stamp, stamp

Prent mogelijk uit: Brill, Hendrik Johannes. Karel en Willem op reis door Nederland: de noordelijke provinciën. Tiel: weduwe D.R. van Wermeskerken, 1861. Of uit: Nederlandsch museum: geschied- en letterkundige merkwaardigheden, natuurbeschrijvingen, aardrijkskundige bijzonderheden, historische en romantische verhalen. Amsterdam: J.H. Laarman, 1869.
Views of London
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Artist: Anonymous
Subjects: railway, tramway; rack railway, london
Inscriptions: number: ‘6.’, number: ‘79. N. 4 t 7’
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1667 – 1700
Materials: copper, gold, iron
Culture: japanese
Location: japan
Subjects: flowers
Zonder geld door 't land te wandlen, / Is als zonder waaren, handlen. / Let dus, leezer! op de munt, / Daar gij veel voor koopen kunt
Object type: popular print
Date: 1794 – 1804
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: coin
Inscriptions: collector's mark: Lugt 2760

Blad met 17 voorstellingen van oude Nederlandse munten, voor- en keerzijde. Boven elke voorstelling de naam en waarde van de munt, eronder een tweeregelig vers. Genummerd rechtsboven: G.
Stamp Seal Inscribed for Amenhotep I
Object type: stamp seal, amenhotep i
Date: 1525 – 1504
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs
Gezichten op Rome
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: ruin of a building ~ architecture, landscape with ruins, villa, temple of hercules victor, tivoli
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Johannes de Doper wijst Herodes en Herodias terecht
Object type: print
Date: 1580 – 1600
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: john the baptist reproaches herod (herod antipas) and herodias
Inscriptions: collector's mark: Lugt 240

Johannes de Doper staat met opgeheven armen voor Herodes en Herodias. Achter hem zijn nog enkele figuren te zien. Onder de voorstelling bevindt zich een tweeregelige, Latijnse tekst met de beschrijving van de scène uit Marc. 6
Gedenkplaat bij de 300-jarige viering van de inneming van Den Briel, 1572-1872
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: hand coloring, lithograph
Location: amsterdam
Subjects: brielle, delft, william i (prince of orange), capture of city (after the siege)
Inscriptions: stamp, collector's mark: Lugt 1641

Gedenkplaat van de inneming van Den Briel op 1 april 1572 bij de viering van 300 jaar Nederlandse vrijheid 1572-1872. Centraal het rammen van de poort door de watergeuzen onder Lumey. Links een watergeus, rechts een edelman. Bovenaan portretten van Willem van Oranje en Willem Bloys van Treslong. Onderaan drie kleine scènes met centraal Koppenstok die klopt op de poort van Den Briel. Bij de prent behoort een losse verklaring. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin. Volksleven. Openbare feesten. Vorstelijke intochten, (Illuminaties, vuurwerken en dergelijke, openbare feesten).
Panthéon Charivarique
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Artist: alcide joseph lorentz
Artist role: print maker
Artist dates: 1813 – 1889
Subjects: berlin, paris, giacomo meyerbeer, historical persons, portrait of composer
Inscriptions: : ‘TIMBRE ROYAL 3c. / Seine.’, collector's mark: Lugt 2228

Prent uit: Le Charivari 203 (1842), vrijdag 22 juli, 1842, 11e jaargang.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Left calf and foot of a male to left; lower drapery and foot of woman wearing a chiton and himation; the panel ornament is comprised of a vertical line with dots; above the foot, rays
Magasin des Modes Nouvelles Françaises et Anglaises, 20 septembre 1787, Pl. 1
Object type: fashion print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (+ women's clothes), walking-stick, staff, cane (+ women's clothes), dress, gown: redingote (+ women's clothes), head-gear (+ women's clothes), fashion plates, skirt (+ women's clothes), piece of clothing covering the breast or décolleté (fichu) (+ women's clothes)

Staande vrouw gekleed in een gestreepte redingote met geschulpte zoom. Zij draagt een fichu van tule, gestreept lijfje en een rok met geschulpte zoom. Gerimpelde manchetten. Accessoires: grote gestreepte hoed met lint en sluier(?), wandelstok van bamboe, chatelaines(?). De prent maakt deel uit van het 31e Cahier, 2e année, uit de serie Magasin des Modes Nouvelles Françaises et Anglaises. De serie bestaat uit 172 modeprenten, uitgegeven door Buisson, Parijs, 20 novembre 1786 - 21 décembre 1789.
Portret van Ismael Mengs
Object type: print
Date: 1740 – 1808
Materials: paper
Techniques: engraving, etching
Subjects: copenhagen (city), painter, ismael mengs, historical persons, portrait, self-portrait of artist
Grotesken met Diana en gevleugelde vrouwfiguur
Object type: ornament print
Date: 1700 – 1725
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: ornament ~ grotesque, (story of) diana (artemis), abstract ideas and concepts (+ clothed with wings)
Inscriptions: collector's mark: Lugt 2233

Drie pilasters met grotesken en diverse mythische figuren en scènes.
Overlijdensbericht betreffende Willem Linnig (I)
Object type: overlijdensbericht, overlijdensadvertentie
Date: 1885 – 1885
Materials: paper
Techniques: printing
Location: antwerp
Artist: b.j. mees
Artist role: printer
Subjects: antwerp, print maker, willem linnig (i)
Beelden van sfinxen met ramskoppen bij de Tempel van Karnak
Object type: sketchbook leaf
Date: 1919 – 1919
Materials: chalk, paper, watercolor
Techniques: brush
Location: luxor
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: temple, shrine ~ egyptian religion, sculpture

Pagina 15 uit een schetsboek met 18 bladen.
Mandala of the Bodhisattva Monju (Manjushri) of the Eight Syllables
Object type: hanging scroll
Date: 1201 – 1300
Materials: gold, gold leaf, ink, silk
Culture: japanese
Subjects: buddhism,bodhisattvas,buddha,manjushri

This intricate painting served a central role in an Esoteric Buddhist ritual intended to prevent natural disasters and illness. The primary deity, the bodhisattva Monju (Manjushri in Sanskrit), appears in the middle of the central white orb. Immediately surrounding him are eight Sanskrit letters written in gold, representing the eight sounds of the incantation at the heart of this ritual as well as Monju’s eight youthful messengers. Four protective, wrathful deities known as Wisdom Kings appear just outside this most sacred sector of the mandala. The twenty-four subsidiary deities who occupy the outermost band consist of eight bodhisattvas, eight celestials (corresponding to the ordinal and cardinal directions of the compass), and their eight concubines, for a total of thirty-seven deities across three sectors of the painting.
Tankard
Object type: tankard
Date: 1707 – 1707
Materials: gilt, silver
Artist: johann georg eben
Artist role: maker
Artist dates: 1610 – 1710
Subjects: faces,men,profiles

Inscribed on the front of the tankard: Johann Grave* Elisabeth Berens 1707 and Wenn Lieb und Fried sich Küssen, wird unglück weichen müssen (When Love and Peace kiss, misfortune must give way). Johann Grave was a customs official in Riga.
Portret van een man
Object type: print
Date: 1574 – 1637
Materials: paper
Techniques: engraving
Location: unknown
Artist: simon van de passe
Artist role: print maker
Artist dates: 1595 – 1647
Inscriptions: collector's mark: Lugt 2228
Jérusalem, Village de Siloam, Vue générale
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture,villages

Salzmann recorded the entire town of Siloam in a single view. Framed by bands of earth and sky, the village appears as striations of stones embedded in a steep hill. Seemingly as vacant as Bethlehem (pictured in the plate at left), this town, too, drew Salzmann’s attention for its associations with biblical sites—in particular, the healing waters of the Pool of Siloam.
Corset
Object type: corset
Date: 1901 – 1901
Materials: silk
Culture: american
Artist: b. altman & co.
Artist role: department store
Artist nationality: american
Artist dates: 1865 – 1990
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, lower drapery and shod feet of male to left; Exterior, genitals and legs of a male to right; stick; genitals and legs of a male lunging to right
Portretten van vier leden van het Lagerhuis van de staat New York
Object type: page
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Location: united states
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life) (+ head (and shoulders) (portrait))
Inscriptions: annotation, number: ‘488’

Linksboven Timothy W. Jackson, rechtsboven Elisha Martin Johnson, linksonder Morris R. Jones, rechtsonder Minor T. Jones.
Nisshin gekisen teikoku daishôri
Object type: triptych
Date: 1894 – 1894
Materials: paper
Techniques: woodcut, polish
Location: japan
Subjects: battle, (military) standard-bearer, (military) flags and standards
Inscriptions: label

Een Japanse generaal grijpt naar de vlaggenstok van een Chinese soldaat, vanaf links stormen de Japanse soldaten richting het gevecht.
Antwerp
Object type: print
Date: 1625 – 1677
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: bridges,rivers,landscapes
Thomas van Aquino vernielt het pratende beeld van Albertus Magnus
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: thomas van aquino, cologne, albertus magnus, destruction, automaton
Inscriptions: collector's mark: Lugt 4779, annotation: ‘dertigjaarige arbeid van Albertus Magnus door zijn leerling vernield’, collector's mark: Lugt 2228, collector's mark: Lugt 4780

Volgens de overlevering zou Albertus Magnus een pratend beeld hebben gemaakt dat zou zijn vernield door zijn leerling, Thomas van Aquino. Rechts komt Albertus Magnus zijn studeerkamer uit, links staat Thomas van Aquino met een stok in zijn hand naast de resten van het beeld.
View of Rome: Number 12
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: françois collignon
Artist nationality: french
Artist dates: 1609 – 1657

Collignon studied for a period of time in the work­shop of Jacques Callot, and imitated the works of his master as well as those of Israel Silvestre and Stefano della Bella. He worked in Rome for a period and was also involved in the print market.
Bottle, Fighting Figures
Object type: bottle
Date: 1101 – 1500
Materials: ceramic
Culture: chimú
Location: peru
Subjects: mythical creatures
Gallerie des Modes et Costumes Français, 1785, nr. 25, nr. 50, Kopie naar H 45 : Bourgeoise se promenant avec sa fill (...)
Object type: fashion print
Date: 1785 – 1785
Materials: paper
Techniques: engraving, hand coloring
Artist: pierre gleich
Artist role: print maker
Subjects: skirt (+ girls' clothes), gloves, mittens (long gloves) (+ women's clothes), walking-stick, staff, cane (+ girls' clothes), apron (+ girls' clothes), head-gear (+ girls' clothes), neck-gear ~ clothing (+ girls' clothes), clothing for the upper part of the body (mantelet) (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, skirt (+ women's clothes), dress, gown (+ women's clothes), neck-gear ~ clothing (+ women's clothes)
Inscriptions: caption: ‘Bourgeoise se promenant avec sa fille, elle est vétue d'une étoffe de Soie comme croisée á petites fleurs, et sa fille de buras garni de rubans.’, caption: ‘a Paris chez l'Auteur.’

Burgervrouw, wandelend met haar dochter aan de hand. Zij draagt een kleine schoudermantel versierd met strikken op een japon van zijde met bloemmotief. Accessoires: muts met slippen, om de hals een koord of lint, lange handschoenen, waaier, schoenen met gespen. Het meisje draagt een japon met vierkante hals, de rok versierd met linten. Gestreept sierschort. Accessoires: hoed versierd met lint, om de hals een gerimpeld lint (collerette), wandelstok met lint en schoenen. Kopie naar H 45 uit serie H. 8e Cahier de Costumes Français, 2e Suite d'Habillemens de Femmes à la mode, Gallerie des Modes et Costumes Français.