deem-data/ArtiFact huggingface dataset:
Portret van Frans I, keizer van Oostenrijk
Object type: print
Date: 1804 – 1835
Materials: paper
Techniques: stippling
Location: germany
Artist: Anonymous
Subjects: frans ii (rooms-duits keizer), historical persons, emperor
Portret van Johannes Baptista Montanus
Object type: print
Date: 1550 – 1650
Materials: paper
Techniques: engraving
Subjects: historical persons, physician, doctor (+ portrait of scholar, scientist)

Met vierregelig onderschrift in het Latijn. Rechtsboven: Pag. 158.
Visitekaartje aan Philip Zilcken
Object type: visiting card
Date: 1867 – 1930
Materials: cardboard
Techniques: printing
Location: bussum
Artist: annette f. gunning
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
The Angel sounding the Sixth Trumpet, from the Apocalypse
Object type: print
Techniques: engraving
Artist: jean duvet
Artist role: artist
Artist nationality: french
Artist dates: 1485 – 1561
Subjects: swords,trumpets,angels,apocalypse
Vrouw en ondeugend kind
Object type: print
Date: 1765 – 1770
Materials: paper
Techniques: woodcut
Location: japan
Artist: suzuki harunobu
Artist role: print maker
Artist dates: 1725 – 1770
Subjects: adult woman, partially clothed, child (at home)

Naakte vrouw met openvallende ochtendjas, lopend naar kind zittend bij geplukte bloemen; op de veranda een pot met bloemen waarachter een gezicht op de tuin. Gedicht langs de bovenkant van de prent.
The Nymph of Fontainebleau
Object type: painting
Date: 1550 – 1574
Materials: oil, wood
Artist: french (fontainebleau) painter
Artist role: artist
Artist nationality: french
Subjects: books,fruit,heads,reading,dragons,nymphs,putti,diana,dogs,lions,monkeys,flowers,landscapes,trees,urns,lyres
Collar
Object type: collar
Date: 1801 – 1900
Materials: cotton
Culture: french
Portret van Guy de Sève de Rochechouart, bisschop van Arras
Object type: print
Date: 1606 – 1679
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: bisschop, abt, guy de sève de rochechouart
Inscriptions: collector's mark: Lugt 240
Bain-froid Chevrier (Chevrier's cold bath establishment, or The School Baths, Paris)
Object type: print
Date: 1864 – 1864
Techniques: etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: buildings,boats,paris
Portret van een man en twee vrouwen met hoeden
Object type: frame
Date: 1855 – 1900
Materials: glass, iron, metal, paper
Techniques: ferrotyping
Artist: Anonymous
Subjects: historical persons - bb - woman, historical persons, head-gear: hat
Inscriptions: inscription: ‘Erinnerung an den Drachenfels’
Gezicht op een kraterbekken in de zee bij Totoya
Object type: page
Date: 1885 – 1899
Materials: paper
Techniques: photograph
Location: boston
Subjects: island, ocean
Inscriptions: number: ‘Plate 67.’, name: ‘The Heliotype Printing Co. Boston’, name: ‘Max Agassiz, Photo’
Naakte man gezeten op kist waarop gevulde zakken
Object type: print
Date: 1732 – 1780
Materials: paper
Techniques: engraving, etching
Artist: pierre etienne moitte
Artist role: print maker
Artist dates: 1722 – 1780
Subjects: 'cornucopia', horn of plenty, luggage, travel requisites, the (nude) human figure; 'corpo humano' (ripa), container of textile material: bag, sack, beasts of prey, predatory animals: wolf
Inscriptions: collector's mark: Lugt 2228

Mogelijk een mannelijke personificatie van een werelddeel of stad.
Gezicht op villa's, mogelijk aan een kust of oever in Frankrijk
Object type: photograph
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: rural housing, e.g. country-house, villa, cottage, france

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.
Portret van Pierre Séguier op 51-jarige leeftijd
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: engraving
Location: paris
Subjects: paris, pierre séguier, historical persons
Inscriptions: collector's mark: Lugt 2228, number: ‘62.’

Prent uit: Dreux du Radier, Jean-François. L'Europe illustré, contenant l'histoire abregée des souverains, des princes, des prélats, des ministres, (...) en Europe: dans le XVe. siècle compris, jusqu'à présent. Parijs: Michel Odieuvre en Jean-Luc Nyon, 1755-1765, dl. 5.
Portret van Johannes Albertus Hoekstra
Object type: print
Date: 1793 – 1840
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: johannes albertus hoekstra, historical persons
Inscriptions: collector's mark: Lugt 2228
Veil
Object type: veil
Date: 1601 – 1700
Materials: linen, metal thread
Techniques: embroidery
Subjects: coat of arms
Plattegrond van Tournai, ca. 1702
Object type: map
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: paris
Subjects: fortress, maps of cities

Plattegrond van de verdedigingswerken om de stad Tournai (Doornik). Plaat nr. 75 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in de plaat in het Frans.
The Victory of the Scipios at Illiturgo from Historiae romanae decades (Roman History), Plate 49 from Woodcuts from Books of the 15th Century
Object type: print
Materials: paper
Techniques: letterpress, woodcut
Location: italy
Artist: monogrammist f
Inscriptions: Signed recto upper left corner, in illustration block: “F”
Engels-Franse oorlog, penning van de rekenkamer van Vlaanderen te Rijssel, ter ere van Karel V, Duits keizer
Object type: jeton
Date: 1545 – 1545
Materials: copper
Techniques: striking
Location: flanders
Artist: Anonymous
Subjects: ghent, charles v (holy roman emperor and king of spain), lille

Koperen penning. Voorzijde: portret van Karel V met kroon, rijksappel in linker- en zwaard in rechterhand tussen jaartal binnen omschrift. Keerzijde: vuurslag, waaraan orde van Gulden Vlies hangt, op Bourgondisch kruis onder tweekoppige adelaar, geflankeerd door en boven wapenschild binnen omschrift
Portretten van beroemde Italianen met wapenschild in ondermarge
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks portretprenten van onbekende omvang. De prenten zijn gemaakt door meedere prentmakers, onder wie Francesco Allegrini en Carlo en Raimondo Faucci.
Bowl
Object type: bowl
Date: 1401 – 1600
Materials: earthenware
Techniques: glazing
Subjects: birds
Coin Portraying Emperor Arcadius
Object type: coin
Date: 383 – 408
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse:  ... ARCADI ...

On the front (obverse) of this coin the emperor Arcadius is portrayed, facing right.
On the back (reverse), the goddess Victory is shown crowning the emperor.
Thisbe berooft zichzelf van het leven
Object type: print
Date: 1618 – 1655
Materials: paper
Techniques: etching
Subjects: thisbe kills herself with pyramus' sword (the scene may be represented near a fountain)
Inscriptions: collector's mark: Lugt 240

Thisbe stort zich in Pyramus' zwaard, nadat zij haar geliefde stervend aantrof bij de fontein. De besmeurde sluier die leidde tot het misverstand ligt achter haar.
The Drummond Children
Object type: painting
Date: 1808 – 1809
Materials: canvas, oil
Artist: sir henry raeburn
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1756 – 1923
Subjects: boys,girls,portraits,horses

Six-year-old George Drummond is shown on his pony, the object of admiring gazes from his foster brother and sister. George became a member of the family bank, married, had four children, and died at age 49. By contrast, by 1821, his father had taken up a life of gambling and dissipation, abandoned his wife and children, and was living with the wife of a naval officer. The preeminent painter of the Scottish Enlightenment, Raeburn was particularly gifted at naturalistic depictions of children.
Fotoreproductie van Sibille met kolom door Lambert van Noort
Object type: photograph
Materials: photographic support
Techniques: albumen print
Location: brussels
Subjects: sibyls
One acacia seed bead
Object type: bead, acacia
Date: 1878 – 1840
Materials: gold
Location: memphite region
Dubbelportret van een paar
Object type: cabinet photograph
Date: 1909 – 1909
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Artist: Anonymous
Subjects: fan, couple of lovers
Inscriptions: : ‘Souvenir affectueux à ma cher Amie Eva, Julie, 28 Décembre 1909’
[Wilton House with Palladian Bridge by Morris]
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print, paper negative
Artist: Anonymous
Artist role: artist
Subjects: architecture,bridges
De trap des ouderdoms
Object type: print
Date: 1831 – 1854
Materials: paper
Techniques: letterpress printing
Location: haarlem
Subjects: the ages of man represented by a staircase, human life divided into stages
Inscriptions: collector's mark: Lugt 2228

Een trap des ouderdoms: een parentrap. Op de treden van de trap, in de vorm van een brug, staan mannen en vrouwen in de leeftijd van 0 tot 100 jaar. Onder de brug een cartouche met vers. Aan weerszijden van de voorstelling een gordijn. Genummerd rechtsboven: No. 1.
Gezicht in Amsterdam, mogelijk in de De Clercqstraat
Object type: sketchbook leaf
Date: 1906 – 1923
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, street

Gezicht in Amsterdam, mogelijk in de De Clercqstraat. Pagina 26 uit een schetsboek met 46 bladen vervaardigd in Amsterdam en Haarlem.
Terracotta fragment of a pot; glazed on the inside
Object type: pot fragment
Date: 450 – 440
Materials: terracotta
Culture: greek, attic

Head, neck, right shoulder, and part of the upper torso of warrior looking to left
Judith Addressing the Elders of Bethulia, plate three from The Story of Judith and Holofernes
Object type: print
Date: 1564 – 1564
Materials: paper
Techniques: engraving
Location: netherlands
Artist: philip galle
Artist nationality: flemish
Artist dates: 1537 – 1612

Since the Renaissance the biblical story of the wily widow Judith’s slaying of the Assyrian general Holofernes appeared in a multitude of artworks. Yet rarely has the narrative been shown in full. These Philip Galle engravings tell much more of the story, from the hatching of the diabolical Assyrian plot to conquer the Israelites to the moment Holofernes’s body is discovered. The members of the prolific Galle family of printmakers were effective at translating Maarten van Heemskerck’s heroically muscular style into print.
Visitekaartje van drukker Jean Lots te Brussel
Object type: visiting card
Date: 1842 – 1842
Materials: porcelainized cardboard
Techniques: lithograph
Location: brussels
Subjects: tools, implements of painter, book in which illustrations are essential - mm - book open
Inscriptions: collector's mark: Lugt 2228

In het midden een opengeslagen boek met op de rechterpagina een afbeelding van een ruiter op een bospad. Daaromheen onder anderen een schilderspalet en een medaillon met het portret van Hippocrates.
Portret van Ernst, aartshertog van Oostenrijk
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: engraving, letterpress printing
Location: the hague
Subjects: vienna, brussels, armour, historical persons, knighthood order of the golden fleece

Prent uit: Meteren, Emanuel van. L'Histoire des Pays-Bas (...). Den Haag: Hillebrant Jacobsz. van Wouw, 1618. Prent vermoedelijk ook gebruikt in andere edities van Emanuel van Meterens 'Nederlantsche Historien'.
Gezicht op molen De Jager aan de Middenweg
Object type: drawing
Date: 1872 – 1907
Materials: chalk, paper, watercolor
Techniques: brush
Location: amsterdam
Artist: hobbe smith
Artist role: painter
Artist dates: 1862 – 1942
Subjects: city-view in general; 'veduta', road, path, windmill in landscape
Inscriptions: stamp: ‘J. van Eck.’, collector's mark: Lugt 800a, signature: ‘HobbeSmith’, inscription: ‘de Jager / Middenweg / Molen de Jager / Middenweg’, inscription: ‘75-96 / schilderij (...) veiling Roos / f780’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 28.
Cassapanca
Object type: cassapanca
Date: 1551 – 1575
Materials: wood
Subjects: female nudes

Carved walnut furniture was highly prized and sought after to adorn Florentine palaces. This piece did double service—used for seating and for storage. Its Italian name, cassapanca, translates as "chest-bench."
Faire le grand tour du monde
Object type: print
Date: 1943 – 1958
Materials: paper, ink
Techniques: aquatint, etching
Artist: aat verhoog
Artist role: print maker
Artist dates: 1933 – 
Inscriptions: edition: ‘3/10’, signature: ‘Aat Verhoog’

De huidige titel is door het Rijksmuseum overgenomen van het Instituut Collectie Nederland.
Terracotta fragment of an amphora (jar)?
Object type: amphora fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic

Black glaze fragment from an amphora?
Alabaster alabastron (perfume vase)
Object type: alabastron
Date: 500 – 301
Materials: alabaster
Culture: cypriot

The alabastron has two vertical pierced lugs above a short trapezoidal tab in low relief. The neck is short and the lip convex.
The Knifegrinder
Object type: print
Date: 1671 – 1671
Materials: paper
Techniques: etching
Location: netherlands
Artist: adriaen van ostade
Artist role: artist
Artist nationality: dutch
Artist dates: 1610 – 1685
Op haar rug liggende naakte vrouw, een arm om haar rechterknieholte
Object type: book illustration
Date: 1948 – 1948
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Subjects: woman (showing herself) undressed, quasi-nude

Prent uit: Lucianus van Samosata. Dialogues des Courtisanes. [Vertaald uit het Grieks door] Charles Astruc. Parijs: s.n., 1948, p. 77.
Design for 4 seat Phaeton, no top, no. 3277a
Object type: drawing
Date: 1876 – 1876
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Thesaurus sacrarum historiarum veteris testamenti (...)
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: giving the thirsty to drink, 'sitiens potatur' ~ one of the (seven) acts of mercy - vv - christ present
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Jai eu soif et vous m'avez donné a boire’, number: ‘87’

Een man schenkt uit een kruik drinken aan de dorstigen, die kommen en kruiken ophouden. Achter de man staat Christus. Op de achtergrond wordt eveneens drinken uitgedeeld. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst.
Straat in San Remo
Object type: carte de visite
Date: 1860 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: san remo
Artist: celestino degoix
Artist role: fotograaf
Artist dates: 1825 – 1902
Subjects: street
Inscriptions: inscription: ‘C. Degoix/ fotografo/ brevettato/ da S.M. il Re d'Italia/ Via Carlo Felice/ No. 10/ Genova/ N. 381./ C. Degoix - Fotografo a Genova’
Glass bead
Object type: bead
Date: 670 – 330
Materials: glass
Culture: roman
Fisherman's Shield
Object type: textile
Date: 1645 – 1645
Materials: silk
Techniques: embroidery, satin weave
Location: germany
Cross on the Route from Clermont to Royal
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: printmaking, lithograph
Artist: eugène isabey
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1886
Subjects: cross

This is from the series of prints Eugène Isabey made for the 'Auvergne' chapter of the book 'Voyages pittoresques et romantiques dans l'ancienne France'.
Box for Tooth Black with Design of Saltmaking Hut on the Shore (Suma no ura)
Object type: box
Date: 1401 – 1500
Materials: gold, lacquer
Techniques: maki
Culture: japanese
Subjects: houses,trees
Jan Asselijn, painter
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: amsterdam, jan asselijn, portrait, self-portrait of painter
Inscriptions: inscription: ‘Asselijn, alias Krabbetie’, mark: Lugt 2228, inscription: ‘No 177’, inscription: ‘2 - 2 .’, mark: Lugt 2632, signature and date: ‘Rembr / f 16’, inscription: ‘Rembrant’, inscription: ‘1887’, inscription: ‘3 fl’
Gazette du Bon Ton, 1920 - No. 8, Pl. XXXVII: "Longchamp" / Brocart
Object type: fashion print
Date: 1920 – 1920
Materials: paper
Techniques: printing, letterpress printing, photochemical processes
Location: geneva
Subjects: textile fabric, cloth (+ plan, design ~ production), fashion plates, horse-racing

Stofpatroon met bloemen en scénes van paarden en jockeys bij Longchamp. De stof is ontworpen door Raoul Dufy. en gemaakt door de bekende zijdefabrikant Bianchini Férier, bij wie Dufy tussen 1912 en 1928 als ontwerper in dienst was. Mede door deze samenwerking werd hij een van de belangrijkste stofontwerpers van de 20ste eeuw. De prent maakt deel uit een serie van vier ontwerpen voor meubelstoffen, getiteld: 'Toiles de tournon lampas, brocarts et brocatelles.' Planche XXXVII uit Gazette du Bon Ton 1920, No. 8. Uitleg over de stoffen op pagina "Explication des Planches".
Vrouw kijkt naar Marrons in een boot
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: Anonymous
Subjects: rowing-boat, canoe, etc., suriname

Onderdeel van fotoalbum van een onbekende Nederlandse familie met opnames van Suriname, Europa en Nederlands-Indië.
Case (Inrō) with Design of Magician Handaka Sonja Seated beneath Tree (obverse); Karako Pointing at Dragon in Sky (reverse)
Object type: inrō
Date: 1801 – 1900
Materials: gold, lacquer, metal, silver
Techniques: fundame, hiramakie, inlay
Culture: japanese
Subjects: men,dragons,trees
Delft. Poort Bagijnhof
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: delft
Subjects: alms-house (dutch: 'hofje'), city-gate
Militairen en burgers bij auto's op een plein in Frankrijk, mogelijk bij een kazerne
Object type: photograph
Date: 1902 – 1902
Materials: paper, photographic support
Techniques: daylight paper print
Location: france
Artist: Anonymous
Subjects: square, place, circus, etc., land forces, automobile, france

Onderdeel van Fotoalbum van een legeroefening in Zuidwest-Frankrijk in 1902.
[Album Containing Photographs, Engravings, Drawings, and Publications Pertaining to Alexandre Dumas]
Object type: photograph
Techniques: glass negative, salted paper print
Artist: félix nadar
Artist role: artist
Artist nationality: french
Artist dates: 1820 – 1910
Subjects: men,portraits

Félix Tournachon first met Alexandre Dumas (1802-1870) in the 1820s, when the young author brought manuscripts to his father, Victor Tournachon, to publish. After admiring Dumas's swashbuckling historical dramas at school, Félix became his friend in the 1840s, a period when he was working as a journalist, novelist, and caricaturist with the nom de plume Nadar. In 1855 the two men dreamed of writing a play together, but eventually they collaborated only on this portrait, made in November of that year. Seated casually, his hands folded comfortably on his cane, Dumas addressed Nadar with a jovial vivacity suggesting the camaraderie that was their wont. His lively expression surely owes something to the interest he took in his friend's conversation, but it also derives from Nadar's uncanny ability to draw from his sitters their most characteristic expressions. He avowed that although anyone could learn to photograph in a single session, what could not be taught was "a feel for light" and a quick intuition for "the moral comprehension of one's subject . . . which permits the most familiar and favorable resemblance, the intimate one."
Madeira
Object type: photograph
Date: 1885 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: madeira
Artist: Anonymous
Subjects: fortress

Onderdeel van Album met 191 foto's van een reis naar en door Zuid-Afrika.
Canary and wisteria
Object type: print
Date: 1843 – 1847
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portret van Engelbert François van Berckel
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons, book
Inscriptions: collector's mark: Lugt 2228

Prent uit: Loosjes, Petrus. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden (...) ten vervolge van Wagenaars historie. Amsterdam: Johannes Allart, 1787, dl. 2.
Den wech des eeuwich levens
Object type: print
Date: 1620 – 1623
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the life of man
Inscriptions: collector's mark: Lugt 2228

Voor een rond kerkgebouw zijn personen weergegeven die de kerk representeren zoals Christus en geestelijken. Twee engelen nemen de kerk tegen aanvallen van ongelovigen of goddelozen in bescherming. Een duivel breekt de globe. De tekst bij deze illustratie in het boek spoort de lezer aan om zich te ontfermen over de kerk en haar te beschermen met godvruchtigheid.
Wilhelmina en Dootje van Zijll de Jong in een tuin
Object type: photograph
Date: 1930 – 1935
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, the hague, wilhelmina van zijll de jong, garden, sisters (second degree family relationships), netherlands
Ochtendkapsel
Object type: book
Date: 1903 – 1919
Materials: paper
Techniques: woodcut, letterpress printing
Location: tokyo
Inscriptions: date