deem-data/ArtiFact huggingface dataset:
Governor Church, Dakota Territory, from "Governors, Arms, Etc." series (N133-1), issued by Duke Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,coat of arms,flags

Trade cards from the "State Governors, Arms, Etc." sseries (N133-1), issued in an unnumbered set of 48 cards ca. 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type, pictured here, is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Evening cape
Object type: evening cape
Date: 1856 – 1860
Materials: silk
Culture: american or european
Canaletto-style frame
Object type: frame
Date: 1734 – 1766
Materials: wood
Culture: italian, veneto
Portret van Józef Chłopicki
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons
Book cover
Object type: book cover
Date: 1610 – 1620
Materials: silver, velvet
Subjects: sphinx,monkeys,adoration of the shepherds,annunciation

This exquisite openwork binding may have been created in Amsterdam, where the book of Psalms it contains was published. The scrolling grotesque decoration includes medallions with The Annunciation (front) and The Adoration of the Shepherds (back), while King David playing before Saul is engraved on the spine. This precious object eloquently illustrates the esteem in which Dutch Protestants held the hundred and fifty Psalms, oft-invoked of lament and praise.
Grisaille Panel with Foliate Pattern
Object type: panel
Date: 1320 – 1330
Materials: glass, metal, paint, pigment
Culture: french
Location: france

The five panels assembled here come from at least four different lancets of the choir windows at Saint-Ouen at Rouen. They incorporate three different patterns of stylized leaves and tendrils, one with silver-stained blossoms, and three different strapwork designs in four combinations. All are known to have originated in this glazing program. The botanical theme is continued in the border pattern and in three of the central bosses or fermaillets. The combination of grisaille, silver stain, and colored glass is typical of fourteenth-century French stained glass.
The Actors Sanogawa Ichimatsu I and Segawa Kikunojo I as lovers under an umbrella
Object type: print
Date: 1740 – 1749
Techniques: printmaking, woodblock print
Location: japan
Artist: ishikawa toyonobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1711 – 1785
Silver spiral
Object type: earring or spiral
Date: 1600 – 1050
Materials: silver
Culture: cypriot

With two turns. Of silver wire with two turns.
Netsuke of Daikoku and Bag
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: men,mice
Tiger
Object type: hanging scroll
Materials: ink, silk
Culture: japanese
Artist: gan ku
Artist role: artist
Artist nationality: japanese
Artist dates: 1749 – 1838
Subjects: tigers

Ganku became famous for his meticulously brushed paintings of tigers. He first studied Kano-style painting and then mastered the more naturalistic manner espoused by the Chinese painter Shen Nanpin (Shen Quan, 1682–1758) as well as by artists of the Maruyama-Shijō school. The more vigorous style he developed became a trademark of the Kishi school, of which he is considered the founder. This painting is signed with his alternative art name Utanosuke Ganku 歌楽助岸駒.
Rijke man met vrouw aan de arm, daarachter man met aankopen
Object type: print
Date: 1828 – 1830
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: adult woman, adult man, maid ~ house personnel
Inscriptions: inscription: ‘Paul Prouté, 74 Rue de Seine/ 30 Dec. 1964. N.F. 2,- (3 stuks)’, collector's mark: Lugt 2228
Bokaal, met een huis en twee heren en het opschrift: HET WELVAREN VAN DESE HOYSE
Object type: goblet
Date: 1725 – 1750
Materials: glass
Techniques: glassblowing
Location: germany
Artist: Anonymous

Conische voet met omgeslagen rand. Stam met drie holle knopen, overigens van dik glas. Op de kelk een huis en twee heren in 18de-eeuwse klederdracht tussen bloemkransen. Daarachter: HET WEL VAREN/ VAN DESE HOY/ SE. Op het deksel een bloementuil.
Standing Male Nude
Object type: drawing
Date: 1754 – 1754
Materials: chalk
Artist: franz august myldorfer
Artist role: artist
Artist nationality: austrian
Artist dates: 1750 – 1750
Subjects: male nudes
Textile Fragment
Object type: textile fragment
Date: 1601 – 1700
Materials: wool
Location: iran
Venus ontneemt Amor zijn pijl-en-boog
Object type: print
Date: 1550 – 1599
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: herms (garden ornaments), bath of venus, container of ceramics: jar, jug, pot, vase, venus punishing cupid
Inscriptions: collector's mark: Lugt 10, number: ‘3’, collector's mark: Lugt 11, collector's mark: ‘Hinloopen’

In een interieur zit de naakte Venus op de grond. In haar handen heeft zij de pijl-en-boog van Amor, die naast haar staat. Naast Venus een tafel met een ornamentale schenkkan. Links staat een herme.
Hondenrassen
Object type: print
Date: 1750 – 1820
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: dog
Inscriptions: collector's mark: Lugt 2228, watermark
Design for Park Phaeton, no. 3214
Object type: drawing
Date: 1876 – 1876
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Preken van de Vereenigde Doopsgezinde Gemeente in april 1851
Object type: text sheet
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: preaching (in general)
Inscriptions: collector's mark: Lugt 1641, stamp

Preken van de Vereenigde Doopsgezinde Gemeente in april 1851 in Amsterdam. Bij de preken staan de namen van de predikanten. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Godsdienst, Predikbeurtenlijstjes.
Hand eines Kindes
Object type: x ray photograph
Date: 1917 – 1917
Materials: paper, cardboard
Techniques: gelatin silver print
Location: wiesbaden
Artist: joseph friedrich bergmann
Artist role: publisher
Artist dates: 1849 – 1917
Subjects: arteries, hand, physiology and anatomy ~ circulatory system
Inscriptions: number: ‘8’

Foto afkomstig uit: Hildebrand, O., W. Scholz en J. Wieting. Das Arteriensystem des Menschen im stereoskopischen Röntgenbild, Sammlung von stereoskopischen Röntgenbildern aus dem Neuen Allgemeinen Krankenhaus Hamburg-Eppendorf. 4de druk. Wiesbaden: J.F. Bergmann, 1917.
VERONA - Chiesa di S. Giovanni in Fonte. Il Fonte battesimale. (1200.)
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: chiesa di san giovanni in fonte
Subjects: baptismal font, angels, sculpture (+ relief ~ sculpture)
Inscriptions: collector's mark: Lugt 3937, inscription: ‘R.B-. 14.’, number: ‘P.e I.a N.o 12704.’
Coupe sur la largeur de la même galerie
Object type: album leaf
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: gallery of sculptures, statues, sculptures in garden
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De serie 'Jardins anglo-chinois à la mode' verscheen in totaal in 21 zogeheten 'cahiers' (afleveringen). De huidige prent komt uit het vierde 'cahier'. Het Rijksmuseum Amsterdam bezit drie banden met daarin in totaal zes 'cahiers' van deze reeks. In de documentatie wordt verwezen naar een in de bibliotheek van het Rijksmuseum Amsterdam aanwezige facsimile van het complete werk.
Portret van een man, misschien een lid van de familie Collot d'Escury of Van Rappard
Object type: painting, miniature
Date: 1768 – 1768
Materials: glass, ivory, leather, metal, textile
Artist: joseph marinkel
Artist role: miniatuurschilder
Artist dates: 1732 – 1782
Subjects: anonymous historical person portrayed
Inscriptions: signature and date: ‘Marinkelle Pinx: 1768’

Joseph Marinkelle (1732 - 1782). Portrait of a man. Ivory,in a case of rayskin, lined with green velvet, 1768. Given by Jonkheer J.C. Martens van Sevenhoven, Almen 1972.
Drumsticks
Object type: stick plate
Date: 1817 – 1817
Materials: wood, ivory, silver
Location: netherlands
Artist: Anonymous

Een ebbenhouten tromstok met ivoren knop. Stokken bezet met zilveren bussen.
Wien, Stefanskirche v. Franziskanerturm
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1930
Materials: paper
Techniques: gelatin silver print
Location: vienna
Subjects: church (exterior)
Inscriptions: inscription: ‘K.L.’
Fragment of onderdeel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1743 – 1743
Materials: wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Het VOC-schip De Hollandia is op de uitreis naar Indië vergaan op 13 juli 1743 nabij Bishop Rock, Scilly Eilanden.
Servet van linnendamast met schakelpatroon
Object type: napkin
Date: 1850 – 1899
Materials: linen
Techniques: damask
Inscriptions: : ‘O N 12’

Servet van linnendamast met schakelpatroon, gemerkt met bindgatletters O N 12.
Vrijheid. Gelijkheid. Broederschap. / Voor de stad. / Extract uit de Notulen van den Raad der Gemeente van Amsterdam
Object type: text sheet
Date: 1798 – 1798
Materials: ink, paper
Techniques: letterpress printing, pen
Location: amsterdam
Artist: Anonymous
Subjects: oude kerk
Inscriptions: collector's mark: ‘31.85’ Lugt 1641b

Inzake het ontslag van de Kerkmeester van de Oude Kerk te Amsterdam, Abraham Bredius. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Oude Kerk van buiten.
Tankard
Object type: tankard
Date: 1601 – 1633
Materials: silver gilt
Artist: i. b. (austrian)
Artist role: maker
Artist dates: 1600 – 1699
Subjects: birds,men,flowers
Amulet of the God Khnum
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: gods (deities), deities, ram
The Penitence of Saint John Chrysostom
Object type: print
Date: 1509 – 1509
Materials: paper
Techniques: engraving
Location: germany
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Boeddha op voetstuk
Object type: sculpture
Date: 1400 – 1600
Materials: wood
Techniques: gilding
Location: cambodia
Artist: Anonymous

Boeddha staande op een voetstuk; handen en een gedeelte van de armen ontbreken.
Ornamentele theepot
Object type: print
Date: 1780 – 1789
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: esdras heinrich mützenbecher, priest, martin luther, tea-pot; samovar
Inscriptions: collector's mark: Lugt 2228

Een ornamentele theepot met kraan, geschonken aan de heer Esdras Heinrich Mützenbecher door de Lutherse Kerk van Amsterdam. De theepot heeft twee medaillons met respectievelijk de portretten van Luther en Melanchthon. Op het kraantje het Lam Gods met een bijbel. Op het voetstuk een Nederlandse inscriptie.
Lekythos
Object type: lekythos
Date: 500 – 476
Materials: terracotta
Culture: greek, attic
Artist: haimon painter
Artist role: artist
Subjects: men,sphinx

Oeidpus (?), sphinx and two men.
Geboorte van Christus
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the three wise men meet at the crossroads
Inscriptions: collector's mark: Lugt 2228, number: ‘8’, caption: ‘Joy les Rois partis d'unpays eloigné et chargés depresents f'acheminents vers l'etable de Bethélhem’

De drie koningen ontmoeten elkaar op de weg naar Bethlehem. Een van hen wijst met zijn staf naar de ster die ze moeten volgen. De prent heeft een Latijns onderschrift met een Bijbeltekst.
Verzoeking van de H. Antonius
Object type: print
Date: 1790 – 1810
Materials: paper
Techniques: etching
Location: low countries
Subjects: st. antony abbot tormented by devils, attacking him on the ground or carrying him aloft
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2610

De heilige Antonius zit in een grot geknield achter een rots en leest zijn gebedsboek, terwijl boze geesten hem belagen. Rechts een monster met een bezemsteel.
Chartres. Enfants de la Maîtrise Notre-Dame de Chartres, sortant de la Cathédrale
Object type: photomechanical print
Date: 1903 – 1930
Materials: cardboard
Techniques: photograph
Location: chartres
Subjects: leaving the church after service, church (exterior)
Inscriptions: collector's mark: ‘AFE v S’
Wolken boven huizen en een mast van een zeilschip
Object type: sketchbook leaf
Date: 1900 – 1931
Materials: chalk
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: city-view, and landscape with man-made constructions, clouds, parts of ship's exterior: mast

De pagina is over het midden gescheurd. De schets van de mast zit los.
Verscheyde schoone en vermaakelyke gezigten in de Hofstede van Clingendaal gelegen by 's Gravenhage
Object type: print
Date: 1682 – 1726
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2228

Gezicht op de grasperken tussen de metershoge groene galerijen of berceau aan de zuidkant van Huis Clingendael te Den Haag. In het midden een standbeeld van Amor. In de tuin wandelen elegante figuren.
Lof op de Deugdzame Huisvrouw
Object type: print
Date: 1555 – 1555
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, the book of proverbs (with book chapter:verse), feeding the hungry, 'esuriens cibatur' ~ one of the (seven) acts of mercy, clothing the naked, 'nudus vestitur' ~ one of the (seven) acts of mercy, ideal wife
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De deugdzame vrouw deelt brood uit aan de armen. Een van de bedelaars is de personificatie van Naastenliefde. Op de achtergrond kleedt de deugdzame vrouw de naakten. De prent is gebaseerd op Spreuken 31:20: 'Haar handen strekt zij uit naar de behoeftigen,
ze geeft de armen hulp'. De afbeelding heeft een Duits onderschrift en maakt deel uit van een zesdelige prentserie die de bezigheden van de deugdzame huisvrouw looft.
Portret van een moeder met twee kinderen
Object type: cabinet photograph
Date: 1887 – 1919
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Subjects: adult woman, mother and child(ren), woman and child(ren) (family group)
Inscriptions: number: ‘1906.’
Pop op een stoel naast een kist
Object type: drawing
Date: 1880 – 1930
Materials: ink, pencil
Techniques: pen
Artist: Anonymous
Subjects: (playing with) dolls, chest, coffer, chair
Inscriptions: collector's mark: Lugt 2228a, :, signature: ‘J.A.K.’, annotation: ‘Febr. Pag. 1.’, number: ‘117’

Een lappenpop met een baard en puntmuts met een ster zit op een stoel naast een geopende kist.
Heilige familie met Johannes de Doper
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: etching
Location: utrecht
Subjects: holy family with john the baptist (as child)
Inscriptions: collector's mark: Lugt 2228

Illustratie voor J.P. van der Kellen, Le peintre graveur hollandais et flamand, Utrecht: 1866.
Schwarzwald. Feldbergerhof a.d. Feldberg
Object type: photomechanical print
Date: 1889 – 1905
Materials: cardboard
Techniques: lithograph
Location: schwarzwald
Artist: Anonymous
Subjects: street
Feestplaat ter ere van de geboorte van Beatrix, koningin der Nederlanden, op 31 januari 1938
Object type: photomechanical print
Date: 1938 – 1938
Materials: paper
Techniques: rotogravure
Location: netherlands
Subjects: utrecht, bernhard (prins der nederlanden), beatrix (koningin der nederlanden), the hague, juliana of the netherlands

Feestplaat ter ere van de geboorte van Beatrix op 31 januari 1938. In het midden elf regels Nederlandse tekst. Midden boven twee wapens met een leeuw en portretten van Juliana en Bernhard, elk in een ovaal. Geheel in een geornamenteerde omlijsting. Pagina uit 'Weekblad Panorama'.
Chasuble
Object type: chasuble
Date: 1720 – 1720
Materials: metal thread, silk
Subjects: flowers
La seigneurie d'Over-yssel subdivisée en trois parties Sallant, Twente, et Drente (...)
Object type: map
Date: 1693 – 1693
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: coat of arms (as symbol of the state, etc.), peat-cutting, maps of separate countries or regions, fisherman
Inscriptions: collector's mark: Lugt 195

Linksboven cartouche met titel, het wapen van Overijssel, een visser en een turfsteker. Rechtsboven legenda en vijf schaalstokken: Milles pas geometriques ou milles d'Italie, Lieües communes d'Allemagne en nog drie andere. Gradenverdeling langs de randen.
Portret van Marie Anne de la Trémoille
Object type: print
Date: 1662 – 1693
Materials: paper
Techniques: engraving, etching
Artist: philipp kilian
Artist role: print maker
Artist dates: 1628 – 1693
Subjects: rome, historical persons, diplomacy, diplomat
Taperstick
Object type: taperstick
Date: 1890 – 1890
Materials: silver
Flounce (Possibly From an Alb)
Object type: textile
Date: 1701 – 1750
Materials: lace, linen
Techniques: lace
Location: italy
Bridge and Cows, part I, plate 2 from "Liber Studiorum"
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: bridges,cows,landscapes

Turner distilled his ideas about To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe cows standing in a shallow water near a rustic wooden bridge, with trees shading the scene and two pairs of figures on the bank. The print demonstrates Turner's mastery of eighteenth-century picturesque and interest in Gainsborough's soft-ground etchings, with the "P" in the upper margin indicating the category of Pastoral landscape.
Pallaz (ou Pellaz). Péronne. 28 ans, née le 11/8/66 à Aix-les-Bains (Savoie). Cuisière. Anarchiste. 8/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: portraits,women,documents

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1880 – 1880
Materials: ink
Techniques: pen, writing
Location: the hague
Artist: mari ten kate
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1910
Subjects: publisher
Inscriptions: collector's mark: Lugt 2233
Gustavmarmer in bruin op groen
Object type: sprinkled paper
Date: 1900 – 2000
Materials: lacquer, paint, paper
Techniques: marbled paper
Artist: Anonymous
Terracotta statuette of Eros seated and holding a duck
Object type: statuette of eros holding duck
Date: 300 – 201
Materials: terracotta
Culture: cypriot
Subjects: ducks,eros

The figurine is mold-made and hollow. The back is handmade, rounded, and pared. There is a round vent in the back at chest level.
Vieillard assis près d'un chéminée
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: etching
Artist: rodolphe bresdin
Artist role: draughtsman, print maker
Artist dates: 1822 – 1885
Subjects: old man
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Roundel
Object type: roundel
Date: 301 – 400
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: leaves
Vernietiging Der Oude Constitutie/ Botermarkt
Object type: design
Date: 1795 – 1795
Materials: chalk, ink, paper
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: the hague, william v (prince of orange), the old government and its supporters (after revolution), envy; 'invidia' (ripa) ~ personification of one of the seven deadly sins, political caricatures and satires, festivities on events of national importance (+ festive decoration ~ festive activities), alliance, league, union, foedus, amsterdam, alliance with france (1795)

De Nijd staande met brandende toorts bij het rad van de Aristocratie. Bovenop een buste van prins Willem V. Op de achtergrond vluchtende burgers. Niet gebruikt ontwerp voor de decoratie "Vernietiging der oude Constitutie" op de Botermarkt te Amsterdam bij het Alliantiefeest op 19 juni 1795.
Valentine - Mechanical scene, couple riding in a coach drawn by goats.
Object type: valentine
Date: 1875 – 1875
Techniques: chromolithography, cutting, gilding
Artist: Anonymous
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1899
Gezicht op een bosweg
Object type: photomechanical print
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Subjects: road, path, forest, wood
Love and Good Will, I Bear to Thee (Valentine)
Object type: drawing and watercolor
Date: 1830 – 1830
Materials: paper
Techniques: collage, embossing
Location: united states
Artist: Anonymous
Artist nationality: american or english
Artist dates: 1800 – 1899