deem-data/ArtiFact huggingface dataset:
Eerste Moderne Internationale Tentoonstelling van schilderijen beeldhouwwerk grafische kunst met medewerking Boeatan afd. Vereeniging Oost & West voor Indische kunst kunsthijverheid en industrie
Object type: poster
Date: 1923 – 1923
Materials: paper
Techniques: lithograph
Location: the hague
Artist: chris lebeau
Artist role: draughtsman, print maker
Artist dates: 1878 – 1945
Subjects: musician, violin, fiddle, female dancer, painter in non-work situation, sculptor in non-work situation, exhibition ~ art
Inscriptions: collector's mark: Lugt 2228

Tussen de letters vier figuren: linksboven een schilder met palet, rechtsboven een beeldhouwer, linksonder een violist en rechtsonder een danseres.
De bewoonde boom in de tuin van Villa Pratolino
Object type: ornament print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: italy
Artist: stefano della bella
Artist role: draughtsman, print maker
Artist dates: 1610 – 1664
Subjects: trees, garden, climbing up a tree
Inscriptions: collector's mark: Lugt 240

De zogenaamde bewoonde boom in de tuin van Villa Pratolino, de villa van Francesco I de'Medici. Een wenteltrap gaat omhoog in een grote oude boom, waardoor mensen eenvoudig in de boom kunnen klimmen. Rondom de boom rustende figuren op muurtjes.
Siege Helmet
Object type: siege helmet
Date: 1601 – 1700
Materials: leather, steel
Culture: french
Location: france
Christ Teaching
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: circle of ludovico cardi, called il cigoli
Voorbeelden voor de landschapstekenaar
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Artist: max josef wagenbauer
Artist role: print maker
Artist dates: 1774 – 1829
Subjects: landscape with tower or castle

Onderdeel van een tweedelige serie waarvan het tweede deel bestaat uit een titelprent en twaalf voorstellingen van takken, bladeren, bomen en landschappen.
Roundel
Object type: roundel
Date: 601 – 800
Materials: linen, wool
Techniques: weave
Location: egypt
1. Engelsche Gentille. 2. jenelle met dobbelbloemen / 1. 2. Lygnis agrestis multiflora. / 1. oeuillet d'angleterre. 2. aeuillete a fleur double
Object type: drawing
Date: 1596 – 1610
Materials: paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: carnation

Twee soorten anjers. Rechtsboven genummerd: 114. Met de Latijnse naam. Onderdeel van het tweede album met tekeningen van bloemen en planten. Negende van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Fragment of a Bowl
Object type: ceramic fragment
Date: 801 – 900
Materials: earthenware, glaze
Techniques: polychrome
Location: iran
Half-pint decanter
Object type: pint decanter
Date: 1850 – 1870
Materials: diamond, glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Band
Object type: band
Date: 1801 – 1833
Materials: cotton, silk
Techniques: embroidery
Location: morocco
Subjects: flowers
Kwitantie voor Hendrik Jacobus Scholten
Object type: ontvangstbewijs, kwitantie
Date: 1863 – 1863
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: hendrik jacobus scholten
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1907
Subjects: drawing, money
Inscriptions: collector's mark: Lugt 2233
Plum Branch
Object type: hanging scroll
Materials: ink, paper
Culture: korean
Artist: yi yu-won
Artist role: artist
Artist nationality: korean
Artist dates: 1814 – 1888
Subjects: trees
Page from the Mustard Seed Garden Manual of Painting
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: chinese
Artist: wang gai
Artist role: artist
Artist nationality: chinese
Artist dates: 1645 – 1710
Subjects: mountains,landscapes
Serie 3: Franse Godsdienstoorlogen, 1559-1573
Object type: history print
Date: 1565 – 1573
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: massacre ~ war

Gekopieerd naar de prent in: Jean Tortorel et Jacques Perrissin, Premier volume contenant quarante tableaux ou Histoires diverses qui sont memorables touchant les Guerres, Massacres et Troubles advenus en France en ces dernieres annees : le tout recueilly selon le tesmoignange de ceux qui y ont esté en personne et qui les ont veus : lesquels sont pourtraits à la vérité, Genève ca. 1570. Bibliotheek Rijksmuseum: 329 A 2, pl. 11.
Biface, commonly referred to as a hand ax
Object type: biface, hand ax
Materials: stone
Location: egypt
Sadie Martinot, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products
Object type: photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actresses and Celebrities" series (N60), issued in 1887 to promote Little Beauties Cigarettes distributed by Allen & Ginter. There are two types of cards in the set. Type 1 cards have the brand name printed on front and Type 2 cards do not.
Twee putti bij gehelmd wapenschild
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: the all-seeing eye, triangle with eye ~ symbol of god the father, cupids: 'amores', 'amoretti', 'putti', armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Twee putti bij een gehelmd wapenschild met de beeltenis van drie vogels. Rechts knielt een putto met ineengevouwen handen voor het schild. Links houdt een tweede putto een boek open waarop een bundel licht, afkomstig van het Alziend oog, valt.
Man of Sorrows and Two Studies of Heads
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink
Techniques: brush, drawing, pen
Artist: anonymous, flemish, 17th century
Artist role: artist
Artist nationality: flemish
Artist dates: 1600 – 1700
Subjects: heads,sadness,men,christ
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1800 – 1800
Materials: copper, gold alloy, iron
Culture: japanese
Location: japan
Christ Blessing
Object type: painting
Date: 1311 – 1311
Materials: gold leaf, paint, wood
Artist: segna di buonaventura
Artist role: artist
Artist nationality: italian
Artist dates: 1298 – 1331
Subjects: books,christ

This panel was the pinnacle of an unidentified altarpiece. Its softly modeled forms were inspired by Duccio, with whom Segna must have worked. The gold striations derive from Byzantine icons and indicate the sacred character of the figure.
Feest aan boord van een schip
Object type: photograph
Date: 1908 – 1915
Materials: cardboard, photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: navy (+ motor ships), private festivities, merry company, suriname

Gezelschap jonge mannen en vrouwen tijdens een feest aan boord van H.M. Pantserdekschip 'Utrecht', vermoedelijk tijdens Nieuwjaar. Onderdeel van een groep foto's van de familie Boom-Gonggrijp in Suriname.
Metamorfosen van Ovidius
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: etching
Location: italy
Subjects: arethusa is turned into a fountain when pursued by the handsome hunter alpheus (pausanias v 7, 2)
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 150 prenten (+ titelprent) met voorstellingen van de Metamorfosen van Ovidius.
Man zadelt paard op
Object type: print
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: barn, saddling and bridling
Inscriptions: collector's mark: Lugt 2228

In een stal zadelt aan man zijn paard op. Rechts hangen twee pistolen, op de grond liggen zijn trompet en harnas.
Le Précepteur inutile
Object type: print
Date: 1729 – 1790
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: teacher and pupil
Inscriptions: collector's mark: Lugt 2228
Fragment
Object type: textile
Date: 1450 – 1500
Materials: cotton, gold foil, silk, velvet
Techniques: cutting, patterning, weave, voiding
Location: italy
Utrechtse maskerade van 1851: Gouden Eeuw 1650-1675
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: hand coloring
Location: utrecht
Subjects: students' pageant, costumes used in pageants, utrecht
Inscriptions: stamp, collector's mark: Lugt 1641

Prent uit een serie van acht prenten en acht zangen van de maskerade van de Utrechtse studenten, 25 juni 1851. De maskerade verbeeldt in taferelen acht episodes uit de vaderlandse geschiedenis.
Plate
Object type: plate
Date: 1651 – 1700
Materials: earthenware
Techniques: glazing
Subjects: roosters

The simply made plate was produced in a mold, and its bright green glaze was achieved in a single firing. This popular technique, originally practiced in Spain by Muslim craftsmen, was often used for much larger, quasi-architectural objects such as baptismal fonts. In this case, the form of the plate follows a metalwork style often seen in Portugal.
St.-Pétersbourg. Monument de Pierre le Grand
Object type: photomechanical print
Date: 1904 – 1930
Materials: cardboard
Techniques: photograph
Location: sint-petersburg
Subjects: peter i de grote (tsaar van rusland), emperor, monument, statue

Boven de Franse titel staat de titel in het Russisch.
A Big Hit, from the Talk of the Diamond set (N135) issued by Duke Sons & Co., a branch of the American Tobacco Company
Object type: print, baseball card
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men

Trade cards from the "Talk of the Diamond" series (N135), issued in an unnumbered set of 25 cards in 1888 by W. Duke Sons & Co., a branch of the American Tobacco Company, to promote Honest Long Cut Tobacco.
Piriform Jar of Rennefer
Object type: jar, piriform, rennefer
Date: 1504 – 1447
Materials: stone
Location: egypt
Brighton, from the Beautiful Bathers series (N192) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women

Trade cards from the "Beautiful Bathers" series (N192), issued in an unnumbered set of 20 cards in 1889 by Wm. S. Kimball & Co. to promote the company's Sweet Lavender, Old Gold, Black and Tan, and Hard Tack tobaccos.
Illustrated Frontispiece to the Sutra of Enlightenment through the Accumulation of Merit and Virtue, the So-called Jingoji Sutra
Object type: handscroll
Date: 1150 – 1185
Materials: gold, paper, silver
Techniques: dyeing
Culture: japanese
Subjects: buddhism,bodhisattvas,buddha

This scroll bears a large rectangular Jingo-ji seal in red ink below the title, indicating that it once belonged to the set of more than five thousand sutra scrolls known as the Jingo-ji sutras. The retired emperor Toba (1103–1156) commissioned the transcription of these sutras about 1149. His son Goshirakawa (1127–1192) continued the project and dedicated it to Jingo-ji temple in Kyoto in 1185.
Design for Landau, No. 3886
Object type: drawing
Date: 1884 – 1884
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta fragment of a Little Master cup (drinking cup)
Object type: kylix fragment
Date: 575 – 551
Materials: terracotta
Culture: greek, attic

Interior, red glazed line; thin band of reserve; five black glazed lines
Portretten van kardinalen met twee wapenschilden
Object type: print
Date: 1658 – 1679
Materials: paper
Techniques: engraving
Location: italy
Subjects: rome, cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit een reeks van onbekende omvang met portretten van kardinalen. De prenten werden vanaf 1657 vervaardigd in opdracht van uitgever Giovanni Giacomo de’ Rossi, waarna de productie werd voortgezet onder leiding van zijn opvolgers Domenico de’ Rossi en Lorenzo Filippo de’ Rossi, en ten slotte onder leiding van de Calcographia R.C.A.
Relief Plaque Depicting the God Horus as a Falcon
Object type: architectural fragment
Materials: limestone
Culture: egyptian
Location: egypt
Subjects: goddesses, gods (deities)

Horus, shown as a falcon or a falcon-headed man, was one of the most important gods of the Egyptian pantheon. First appearing about 3000 B.C. Horus continued to be revered through the Ptolemaic and Roman periods. Each Egyptian king was considered to be the “Living Horus on Earth.” The king would often wear a double crown, which symbolized rule over both Northern and Southern Egypt. Here Horus is shown wearing such a crown,confirming the king’s shared identity with the god. Behind Horus is the disk of the sun, protected by a uraeus, a snake symbolizing royalty, from which hangs an ankh, the sign for life.
Glass perfume bottle
Object type: bottle
Date: 101 – 300
Materials: glass
Culture: roman

Small perfume bottle Colorless with pale greenish tinge. Rim folded out, over, and in; flaring mouth; cylindrical neck; horizontal shoulder with sloping edges and corners; roughly squared body with deeply indented sides; pushed-in bottom, with slight traces of pontil mark. Intact; pinprick bubbles; some dulling, creamy weathering covering most surfaces, with some patches of iridescence.
Gemma pretiosa della virtuose donne, page 18 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Artist: isabella catanea parasole
Artist role: designer
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: ornament

Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca.1625, published by Gugliemo Facciotti, Rome. From top to bottom, and left to right: Design composed of 2 horizontal registers. Top register is decorated with an alternating pattern of tall trees and a small foliage motif. Bottom register is divided into 3 sections by what appears to be a zigzagging line that has been cut at each point to form 3 separate lines; in between each line is a foliage element.
Standbeeld van Laurens Jansz. Coster
Object type: print
Date: 1801 – 1851
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: haarlem, monument, statue
Inscriptions: collector's mark: Lugt 2228
Bas-reliëf aan de kerk van Saint-Gilles-du-Gard
Object type: papiernegatief
Date: 1852 – 1852
Materials: paper
Techniques: paper negative
Location: saint-gilles-du-gard
Artist: charles nègre
Artist role: fotograaf
Artist dates: 1820 – 1880
Subjects: sculpture
Portret van Piero de Ponte
Object type: print
Date: 1643 – 1659
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, military orders, e.g.: knights templars, knights of malta, teutonic knights ~ roman catholic church

Prent mogelijk uit: Baudoin, Jean. Histoire des chevaliers de l'ordre de s. Jean de Hierusalem (...). Parijs: Jacques Dallin, 1643. Of uit: Baudoin, Jean. Histoire des chevaliers de l'ordre de s. Jean de Hierusalem (...). Parijs: Thomas Jolly, 1659.
Fisherwomen
Object type: drawing
Date: 1882 – 1882
Materials: chalk, charcoal, graphite, paper
Culture: american
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: women
Tekst bij het portret van Willem IV, prins van Oranje-Nassau
Object type: text sheet
Date: 1747 – 1747
Materials: paper
Techniques: letterpress printing
Location: rotterdam
Subjects: the hague, willem iv (prins van oranje-nassau)
Inscriptions: inscription: ‘N. Smithof’, collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Onderschotel van veelkleurig beschilderde faience
Object type: platter
Date: 1759 – 1804
Materials: faience
Location: delft
Artist: hendrik van hoorn
Artist role: eigenaar plateelbakkerij
Inscriptions: mark: ‘19’

Onderschotel in de vorm van een blad. Horend bij een terrine van aardewerk in de vorm van een pompoen.
Openen van de geldbussen te Kampen
Object type: history medal
Date: 1666 – 1666
Materials: silver
Techniques: striking
Location: kampen
Artist: jacob ridder
Artist role: medailleur
Subjects: kampen

Zilveren penning. Voorzijde: gezicht op stad Kampen aan haven. Keerzijde: gekroond wapenschild geflankeerd door twee leeuwen binnen omschrift
Duitse militairen in kamp Mühlberg
Object type: photograph
Date: 1943 – 1945
Materials: photographic support
Techniques: gelatin silver print
Location: muhlberg
Artist: dick w.b. van maarseveen
Artist role: fotograaf
Artist dates: 1905 – 1990
Subjects: the hague, dick w.b. van maarseveen

Duitse militairen exerceren bij de ingang van kamp Mühlberg. Onderdeel van een groep foto's gemaakt door Dick van Maarseveen in het Duitse krijgsgevangenenkamp Stalag IV B in Mühlberg in de periode 1943-1945.
Mislukte aanslag op 's-Hertogenbosch, 1585
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: battle, den bosch

Mislukte aanslag door het Staatse leger onder bevel van graaf Hohenlohe op 's-Hertogenbosch, 19 januari 1585. Op de voorgrond vlucht de graaf van Hohenlohe te paard, in de stad worden de indringers verjaagd. Met onderschrift van 4 regels in het Latijn. Bedrukt op achterzijde met tekst in het Latijn.
Portions of a Jousting Half Armor
Object type: portion of a jousting half armor
Materials: leather, steel
Culture: german
Location: germany
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, left foot and unidentified subject
Verschillende voorstellingen
Object type: print
Date: 1828 – 1913
Materials: paper
Techniques: letterpress printing, line block, engraving
Location: amsterdam
Artist: Anonymous
Subjects: human sacrifice ~ non-christian religions, characters (human types), travelling; tourism, crafts and industries
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van verschillende aard, waaronder een een reuzenbeeld gevuld met menselijke offers, een kuiper aan het werk en een Engelse Lord op reis. Onder elke afbeelding een onderschrift. Onder de eerste afbeelding het onderschrift: Hij maakt het zich gemakkelijk. Genummerd rechtsboven: No. 18 (doorgestreept en verbeterd in 23, in potlood).
Twee stadia van de vlucht van een ooievaar
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: autotype
Subjects: shore-birds and wading-birds: stork (+ animal(s) in motion; positions, expressions of animals)
Inscriptions: inscription: ‘Supplement to "The Practical Photographer," Dec. 1st, 1890.’, monogram: ‘AG ph’, number: ‘St 60/ 84’

Prenten op negende ongenummerde pagina na pagina 294.
Verschillende voorstellingen
Object type: popular print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: children's games and plays, dancing, skates (winter sports), masquerade, masked ball, the show; fair and circus performers
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van circusartiesten, ijsvermaak, dansende en spelende kinderen en van een gemaskerd bal. Onder elke voorstelling een twaalfregelig vers in drie kolommen. Genummerd rechtsonder: 117.
Bijbelsche aardrijkskunde
Object type: print
Date: 1866 – 1871
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Artist: Anonymous
Subjects: plants; vegetation, piece of sculpture, reproduction of a piece of sculpture, shoes, sandals, trees: palm-tree
Inscriptions: collector's mark: Lugt 2760

Blad met 10 voorstellingen van voorwerpen, planten, Egyptische sculptuur en de Sinaïwoestijn. Onder elke afbeelding een onderschrift. Genummerd linksboven: No. 7.
San Francisco de Paula
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: the hermit and founder of the (franciscan) minim friars, francis of paola; possible attributes: inscription 'charitas' on breast, discipline, skull, staff, angels
Inscriptions: collector's mark: Lugt 2228
Coming Through the Rye
Object type: sculpture
Materials: bronze
Culture: american
Artist: frederic remington
Artist role: artist
Artist nationality: american
Artist dates: 1861 – 1909
Subjects: firearms,men,horses

"Coming through the Rye” was inspired by the artist's own illustrations, one published in "Century Magazine" in October 1888 and the other in “Harper’s Weekly” in December 1889. Four mounted cowboys, pistols raised aloft, keep a steady pace in a tight, boisterous group. The Metropolitan’s bronze is almost certainly a posthumous, unauthorized cast done by Roman Bronze Works.