deem-data/ArtiFact huggingface dataset:
Portret van twee jonge vrouwen in kostuum
Object type: album leaf
Date: 1895 – 1920
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Location: stockholm
Artist: hedvig rosendahl
Artist role: fotograaf
Artist dates: 1867 – 1929
Subjects: historical persons - bb - woman, adolescent, young woman, maiden (+ two persons), clothes, costume
Inscriptions: inscription: ‘Hedvig Rosendahls/ Atelier/ Stockholm/ Allm. Telef./ 42/ 10778/ Drotninggatan/ Allm. Telef./ & 51/ 11087/ Malmskilnadsgatan 48 c/ Allm. Tel. 6290./ Plåten förvaras för efterbeställning.’
Pietro Aretino
Object type: print
Date: 1649 – 1649
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: contemplation,men,portraits,profiles

Portrait of Pietro Aretino, bust-length, seated behind a parapet in three-quarter profile to right, supporting his chin with left hand in a contemplating pose; young laurel plant next to tree stump at right; after Titian.
Drie voorstellingen uit de geschiedenis van Polen
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: history, study; 'studiolo'; library, book, ruler, sovereign, index finger forwards, pointing, indicating, hunting accidents
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Historisch-genealogischen Kalender auf das Gemeinjahr 1797. Enthält die Geschichte von Polen (...). Berlijn: Johann Friedrich Unger, [1796].
Coupe #687
Object type: drawing
Date: 1860 – 1860
Materials: watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: scheveningen
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Portret van Jan Corneliszoon Meppel
Object type: book illustration
Date: 1858 – 1862
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: hoorn (north holland), jan corneliszoon meppel, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Jonge, J.C. de. Geschiedenis van het Nederlandsche zeewezen. Haarlem: Jonge, J.K.J. de, 1858-62.
Portret van Willem IV, prins van Oranje-Nassau
Object type: print
Date: 1725 – 1732
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: wolfgang philipp kilian
Artist role: artist, draughtsman, print maker
Artist dates: 1654 – 1732
Subjects: the hague, willem iv (prins van oranje-nassau)
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Fotoreproductie van een portret van een jonge vrouw
Object type: album leaf
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: youth, adolescent, anonymous historical person portrayed
Vest
Object type: vest
Date: 1850 – 1850
Materials: silk
Culture: american
Subjects: flowers
Zeegezicht met zeilboten
Object type: drawing
Date: 1899 – 1899
Materials: ink, paper, watercolor
Techniques: brush, letterpress printing, pen
Artist: hendrik willem mesdag
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1915
Subjects: sailing-ship, sailing-boat, sea (seascape)
Inscriptions: inscription: ‘BE[?] van Houten/ 23 febr 1899’

Tekening op een gepersonaliseerde kaart met linksboven de naam van Sientje Mesdag-van Houten.
Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: The Last Supper
Object type: painting
Date: 1495 – 1495
Materials: oil, panel, wood
Techniques: painting
Culture: french
Location: france
Subjects: century of progress, france, french, architecture, architecture, architechture, jug, basket, dog, towns, chair, table, figures, men, food, saints, interior, christianity, christian subjects, jesus, religious figures, religious scenes, religious, religion, biblical, altar, world's fairs, chicago world's fairs
Inscriptions: Inscribed: XOQEAESOFPV. / OI. (on hem of robe of disciple in front center); OT:ETAES (on hem of robe of disciple at far right)

This panel was once part of the altarpiece decorating the high altar of the Carthusian monastery at Thuison, outside of Abbeville in northern France. Four saints standing in niches were painted on the exterior of the altarpiece’s wings. When the wings were open, the interior of the altarpiece told the story of Christ’s Passion and Resurrection through painted narratives on the inside of the wings and painted and gilded carvings in the central shrine whose central subject was undoubtedly the Crucifixion. The carvings have not survived. The fronts and backs of the wings were sawn apart in the mid 19th century; all the wing panels except one narrative (The Entry into Jerusalem, Hermitage, Saint Petersburg) are in the Art Institute.

A rich border region north of Paris, Picardy was a possession of the Burgundian Netherlands in the mid-15th century, becoming part of France in 1477. Its painters were strongly influenced by artists from the neighboring provinces of the Low Countries, among them Rogier van der Weyden and Simon Marmion.
Antique Chair
Object type: drawing
Date: 1775 – 1780
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: jacques-louis david
Artist role: draughtsman, painter
Artist dates: 1748 – 1825
Subjects: villa montalto
Inscriptions: inscription, recto, lower centre, pen and black ink: ‘a la Villa negroni’, collector's mark, verso, centre, to the right: Lugt 2228, collector's mark, recto, lower right, pen and brown ink: ‘J.D.’ 1437, collector's mark, recto, lower right: Lugt 3893, collector's mark, recto, lower right, pen and brown ink: ‘ED.’ Lugt 839

The famous painter David drew this well-known chair from Roman antiquity during his sojourn in Rome. He made use of it when at a later time he wished to depict authentic furniture in his history paintings with subjects from Roman times. David himself also designed furniture in a severe classical style.
Virgin and Child Supported by Angels
Object type: statuette
Date: 1510 – 1520
Materials: paint
Techniques: gilding
Culture: german
Location: germany
Subjects: angels,madonna and child
Nacht voor het examen
Object type: cartoon
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: nightmare, examination ~ university, activities of devil(s), student life, leiden

Slapende student in de nacht voor het examen lastig gevallen door figuren uit een nachtmerrie. Professor C.J. van Assen schijnt met een licht in het gezicht van de student, achter hem de pedel en lachende duivels. Spotprent in de studentenalmanak van de Universiteit van Leiden van het jaar 1844.
Statuette of Psyche
Object type: statuette of psyche
Date: 7000 – 330
Materials: terracotta
Subjects: psyche
Landschap met twee figuren in de schaduw van een heuvel
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: etching
Artist: hendrik jozef franciscus van der poorten
Artist role: draughtsman, print maker
Artist dates: 1789 – 1874
Subjects: farm or solitary house in landscape, mound, verge
Inscriptions: collector's mark: Lugt 2228
Man in een schildersatelier
Object type: album leaf
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: volendam
Artist: george hidderley
Artist role: fotograaf
Subjects: adult man, historical persons, workshop, studio ~ painter
Crow on a Bamboo Branch
Object type: album leaf
Date: 1887 – 1887
Materials: ink, silk
Culture: japanese
Artist: kawanabe kyōsai 河鍋暁斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1831 – 1889
Subjects: birds,bamboo
Javaanse kris
Object type: kris
Date: 1500 – 1900
Materials: diamond, iron, nickel, gold alloy
Techniques: pamo technique
Location: java
Artist: Anonymous

Kris, lemmet in pamor-techniek,de ganja met goud geïncrusteerd voorzover het de zijvlakken betreft (floralistisch ornament), op bovenvlak zeven diamantjes.
Ils ont peur de l'eau..., from Actualités, published in Le Charivari, May 11, 1859
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men
Cup
Object type: cup
Date: 1601 – 1700
Materials: glaze, stonepaste
Techniques: luster painting
Location: iran
Design for the Frame of a Mirror or Fire Screen (recto); Various Sketches (verso)
Object type: drawing
Date: 1672 – 1725
Materials: chalk, ink
Techniques: pen
Artist: giovanni battista foggini
Artist role: artist
Artist nationality: italian
Artist dates: 1652 – 1725
Subjects: cartouches,mirrors
Twee gestileerde vrouwelijke figuren met klok in de hand
Object type: drawing
Date: 1868 – 1913
Materials: chalk, paper, pencil
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Girl of the Yoshiwara
Object type: photomechanical print
Date: 1882 – 1892
Materials: paper
Techniques: autotype
Location: tokyo
Artist: Anonymous
Subjects: adult woman, folk costume, regional costume
Gezicht op een school in de Jansstraat te Haarlem
Object type: photograph
Date: 1873 – 1888
Materials: cardboard, photographic support
Techniques: albumen print
Location: jansstraat
Subjects: elementary school; class, form (+ building ~ education, tuition), street
Inscriptions: annotation: ‘Haarlem St. Jansstraat/ school in 1888 afgebroken’, annotation: ‘School, St. Jansstraat/ in 1888 afgebroken/ Haarlem’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, hand holding a diskos
Jonge vaandeldrager
Object type: print
Date: 1658 – 1706
Materials: paper
Techniques: mezzotint
Subjects: standard-bearer, flag-bearer
Inscriptions: collector's mark: Lugt 2228
Netsuke of a Seated Hare
Object type: netsuke
Date: 1767 – 1833
Materials: horn, wood
Culture: japanese
Artist: minkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1816
Subjects: rabbits
Conversion of St. Paul (recto); Man Seen from Back (verso)
Object type: drawing and watercolor
Materials: chalk, ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: italy
Artist: after giovanni antonio da pordenone
Ontwerp voor een advertentie voor Van Houten's Chocolade
Object type: design
Date: 1884 – 1952
Materials: chalk, paper, pencil
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: chocolate (solid), folk costume, regional costume
Inscriptions: collector's mark: ‘R:MVS.’

Een meisje in klederdracht draagt een dienblad met chocolade.
Steniging van de Heilige Stefanus
Object type: print
Date: 1739 – 1765
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: ernst ludwig creite
Artist role: print maker
Subjects: the stoning of stephen; the witnesses lay down their clothes at saul's feet, trinity in which god the father and christ are represented as persons, the holy ghost as dove
Inscriptions: collector's mark: Lugt 2228

Stefanus ligt op de grond en wordt door verscheidene mannen gestenigd. Rechts de muren van de stad Jeruzalem. In de achtergrond de Heilige Drievuldigheid. De prent heeft een Latijns en een Frans onderschrift.
Vrouw bij kaarslicht
Object type: print
Date: 1744 – 1817
Materials: paper
Techniques: aquatint, etching
Location: france
Artist: françois philippe charpentier
Artist role: print maker
Artist dates: 1734 – 1817
Subjects: adult woman, candle
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘"School voor de grafische vakken te Utrecht"’
View Near Albury
Object type: print
Date: 1645 – 1645
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: horses,rivers,landscapes

Near Albury; church spire and roof of house with fence emerging among trees near river Tillingbourne at right; two horsemen riding down lane between walls to the water at left
Rufus Choate
Object type: photograph
Date: 1850 – 1850
Techniques: daguerreotype
Artist: southworth and hawes
Artist role: photography studio
Artist nationality: american
Artist dates: 1843 – 1863
Subjects: books,men,portraits

Rufus Choate (1799-1859), one of America's most capable lawyers and statesmen, served in both the state and federal government and was known for his classical orations. It is not surprising that Southworth & Hawes, whose studio adjoined Choate's law office, asked him to pose. Only after repeated requests from the photographers, who promised the sitting would take only fifteen minutes, did the busy lawyer agree. On the appointed day, Choate posed four or five times with the appropriate props-a law book and a bust of an orator-before rushing back to his client-filled office. Choate's famous wild locks, disheveled clothing, and haggard features are recorded in this faithful portrait of an overworked man who frequently suffered from debilitating headaches yet was driven by a prodigious nervous energy and an intense love of his profession.
Afbeelding der Vreugdebedryven en Plegtigheden die by de aankomst en gedurende het verblyf (...) Willem (...) en zyne Gemaalinne (...) zyn voorgevallen te Amsterdam, op maandag, den 30 Mey, en eenige volgende dagen, des jaars 1768
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, william v (prince of orange), berlin, painter, draughtsman, wilhelmina of prussia (princess of orange), public festivities on the occasion of royal events (+ eating and drinking ~ festive activities), townhall, celebration meal, feast, banquet
Inscriptions: collector's mark: ‘17.19’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Stadhuis, van binnen: Groote zaal, Raadkamer, Schepenkamer, Troonzaal, Mozeszaal, Zitkamer.
Box
Object type: box
Date: 1644 – 1911
Materials: shell
Culture: chinese
Subjects: houses,trees
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1800 – 1800
Materials: gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: trees
Repos de la Vierge
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: johann georg wille
Artist role: draughtsman, print maker
Artist dates: 1715 – 1808
Subjects: holy family, and derived representations
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een serie van onbekende omvang naar Nederlandse en Duitse schilderijen. Op sommige prenten staat linksboven aangegeven welk nummer in de serie het betreft.
Portret van een jonge man in kostuum met staf, aangeduid als J. Veder
Object type: carte de visite
Materials: cardboard, photographic support
Techniques: albumen print
Location: leiden
Artist: antonius joannes van der stok
Artist role: fotograaf
Artist dates: 1862 – 1941
Subjects: walking-stick, staff, historical persons, historical costume
Inscriptions: name: ‘J. Veder./ 221.’, inscription: ‘Ant. J. van der Stok/ PHOTOGRAPHE/ Leiden Rapenburg 13.’
Ligstoel
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: armchair, seat, hangings and drapery, bedroom

Chaise longue voor de slaapkamer. Prent uit 262e Livraison.
Tak met appels
Object type: photograph
Date: 1900 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Inscriptions: annotation: ‘bovenzyde / Bismarck Appel / vruchtdragende tak / kolombreedte’, signature: ‘foto / R Tepe’
Ignatius van Loyola knielt voor Christus als de Goede Herder
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: rome, clergyman, the virgin mary, christ as good shepherd, the founder of the jesuit order, ignatius of loyola; possible attributes: book (with 'ad majorem dei gloriam'), demon, dragon under feet, flames, flaming heart, globe, ihs monogram, skull (with crown), tears in eyes, torch, the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2542

Ignatius van Loyola knielt met gevouwen handen voor Christus die een lam op zijn rug draagt. Christus wordt geflankeerd door Petrus en Maria. In de marge een tweeregelig onderschrift in het Latijn.
Daoist Immortal Tekkai
Object type: netsuke
Date: 1767 – 1833
Materials: wood
Culture: japanese
Artist: chikusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1767 – 1833
Subjects: men,daoism
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of meander; Exterior, part of architecture?; part of arm?, genitals, lower torso, and legs of male
Boerenbedrieger met bladen met manoeuvres, ca. 1798-1803
Object type: trompe l'oeil
Date: 1798 – 1803
Materials: paper
Techniques: writing
Location: netherlands
Artist: hendrik van der poth
Artist role: draughtsman
Subjects: 'trompe l'oeil', manoeuvre ~ military training, delft

Boerenbedrieger of trompe-l'oeil bestaande uit tien bladen papier met plattegronden van manoeuvres van de Bataafsche Gewapende Burgermacht te Delft, ca. 1798-1803.
Terracotta fragment of a pelike (jar)
Object type: pelike fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Bit of the top of the head of figure; above, part of the upper band of the panel ornament: diagonal, addorsed, circumscribed palmettes
Antsiva
Object type: antsiva
Date: 1867 – 1900
Materials: shell
Culture: malagasy
Location: madagascar
Subjects: shells
Dodendans
Object type: print
Date: 1927 – 1927
Materials: paper
Techniques: lithograph
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: court jester, court fool, devil(s) and demons, dance of death; death together with one or more human beings
Inscriptions: collector's mark: Lugt 2228

Een groep van vier dansende figuren, waaronder een skelet in een pak en een nar. Boven hen twee gevleugelde duivels, waarvan één de armen zo houdt alsof hij met pijl en boog schiet. Links op de voorgrond een hond.
Wandbank, rustend op drie gestoken consoles, eindigend in leeuwenklauwen.
Object type: furniture
Date: 1600 – 1650
Materials: wood
Location: northern netherlands
Artist: Anonymous

Eikenhouten wandbank rustend op drie grof gestoken consoles, eindigend in leeuwenklauwen.
Twee boeren zittend aan een tafel
Object type: print
Date: 1623 – 1686
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: pipe ~ tobacco, glass, rummer, cupboard
Inscriptions: collector's mark: Lugt 240

Twee boeren zitten aan een tafel. De een heft een glas, de ander houdt een pijp in de hand. Op de achtergrond een vrouw op de rug gezien.
Piece
Object type: piece
Date: 1501 – 1600
Materials: hemp, silk
Lamp
Object type: lamp
Date: 1501 – 1700
Materials: earthenware, glaze
Location: iran

This object was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Verdedigingswerk met trap (The Keep) van het kasteel van Carisbrooke
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: albumen print
Location: carisbrooke castle
Artist: Anonymous
Subjects: castle, gate, entrance, permanent fortifications

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Engeland en Frankrijk.