deem-data/ArtiFact huggingface dataset:
Zeeslag bij Beachy Head, 1690
Object type: book illustration
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: battle (+ naval force), battle of beachy head
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Histoire de Guillaume III. roi d'Angleterre (...) prince d'Orange, 3 delen. Amsterdam: Pieter Mortier, 1703, dl. II, p. 78.
Jug with the coat of arms of Amsterdam and the d'Ombret family
Object type: jug
Date: 1590 – 1620
Materials: engobe, glaze, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: raeren
Artist: jan emens mennicken
Artist role: potter
Inscriptions: inscription: ‘IENDVR+POVR+DVRER+DEIDERRICH+DOMBRE+ANO:1589’, inscription: ‘AMSTER/ EE 85’

Kruik van steengoed op hoge voet met een bolvormig lichaam en wijde, geribde nek. Het C-vormige oor is bevestigd aan de nek en de schouder. Profielen op de voet. Bedekt met een bruine engobe. Op de buik in reliëf drie gedrukte en opgelegde medaillons met een wapen. In het midden het gekroonde wapen van Amsterdam met het opschrift 'AMSTER' en 'EE 85'. Aan weerszijden hiervan het wapen van de familie d'Ombret (Luik) met het randschrift 'IENDVR+POVR+DVRER+DEIDERRICH+DOMBRE+ANO:1589'. Raeren.
M. Léonce Rommelaere
Object type: page
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: ghent, brussels, léonce rommelaere, historical persons
Inscriptions: inscription: ‘Fondateur de l'Association belge de Photographie/ 1839-1887’, inscription: ‘BULLETIN DE L'ASSOCIATION BELGE DE PHOTOGRAPHIE’
Zittend mannelijk naakt, op de rug gezien (3e prijs 1792)
Object type: drawing
Date: 1792 – 1792
Materials: chalk, paper
Artist: hermanus fock
Artist role: conservator, draughtsman, painter, print maker
Artist dates: 1766 – 1822
Subjects: sitting figure (+ nude human being)
St Barbara
Object type: figure
Date: 1470 – 1470
Materials: wood
Techniques: gilding, polychromy
Subjects: the virgin martyr barbara; possible attributes: book, cannon(ball), crown, cross, chalice with wafer, dioscuros (her father), peacock feather, sword, torches, mason's tools, tower

These three statues come from the monastery of Mariënwater in Koudewater (near ‘s Hertogenbosch). They are attributed to a sculptor who probably worked in the seclusion of the monastery. This would account for the rather old-fashioned, static and expressionless appearance of his work.
Voorstellingen uit Vergilius' Bucolia
Object type: print
Date: 1703 – 1767
Materials: paper
Techniques: etching
Artist: jacob folkema
Artist role: draughtsman, print maker
Artist dates: 1692 – 1767
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 240

Omringd door hun vee voeren de twee herders Tityrus en Meliboeus in de buitenlucht een gesprek. Deze illustratie is vervaardigd bij het eerste gedicht uit Vergilius' Bucolica.
Portret van een jongeman
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘Lowthian Bros 144&146 Freeman St/ Grimsby’
Toy spoon
Object type: toy spoon
Date: 1801 – 1833
Materials: silver
Landschap met rivier bij zonsondergang
Object type: print
Date: 1862 – 1913
Materials: paper
Techniques: aquatint, etching
Artist: alphonse stengelin
Artist role: painter, print maker
Artist dates: 1852 – 1938
Subjects: river, sunset
Inscriptions: collector's mark: Lugt 2233

Landschap met links een stuk land met een hooiberg en drie grote bomen, in het water een roeiboot en enkele zeilboten.
Scarab Inscribed Hatshepsut United with Amun
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs

During the 1926-1927 excavation season, the Museum's Egyptian Expedition uncovered three foundation deposits along the eastern enclosure wall of Hatshepsut's funerary temple at Deir el-Bahri in Western Thebes. Among the contents were 299 scarabs and stamp-seals. Sixty-five of these are now in the Egyptian Museum, Cairo, and the rest were acquired by the Museum in the division of finds. Among the inscriptions on the bases of these scarabs and seals are examples of every title Hatshepsut held, from the time she was "king's daughter" during the reign of her father, Thutmose I; through the time she was queen of her half-brother, Thutmose II; and during her co-reign with her nephew/step-son, Thutmose III. On the base of this scarab, Hatshepsut's personal name (Hatshepsut) is written with the phrase "united with Amun," thus linking her with the principal god of Thebes whom she claimed as her father. This augmented personal name, enclosed in a cartouche, appears as the last element of her full titulary as king: King of Upper and Lower Egypt, Hatshepsut-united-with-Amun.
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Culture: japanese
Subjects: birds
Vase
Object type: vase
Date: 1801 – 1900
Materials: pottery
Artist: haviland & co.
Artist role: factory
Artist nationality: american and french
Artist dates: 1864 – 1931
Subjects: women,fauns
Cup
Object type: cup
Date: 2000 – 1600
Materials: terracotta
Culture: cypriot

Horned handle and vertical bands.
Hoddu (Xalam)
Object type: hoddu xalam
Date: 1867 – 1900
Materials: skin, wood
Culture: fulbe
Location: mali
Melkkan uit het koffie- en theeservies 'Saxonia'
Object type: eating drinking utensil
Date: 1904 – 1904
Materials: porcelain, chemical
Techniques: painted
Location: meissen
Artist: otto eduard voigt
Artist role: keramiekontwerper
Artist dates: 1870 – 
Inscriptions: model number: ‘U 153’, mark: ‘61’, factory mark

Parts of a tea and coffee service. Porcelain. Meissen, Königlich Sächsische Porzellanmanufaktur, 1904, designed by Otto Eduard Voigt.
Betrokkenen bij de rechtszaak over de moord op Fualdès in 1818
Object type: print
Date: 1816 – 1839
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a

Antoine Bernardin Fualdès werd op 19 maart 1817 vermoord te Rodez. Deze moord leidde in 1818 tot een rechtszaak die de geschiedenis in zou gaan als een van de beroemdste justitiële affaires van de negentiende eeuw (de 'Affaire Fualdès').
Lazarus and the Rich Man
Object type: painting
Date: 1661 – 1661
Materials: canvas, oil
Artist: barent fabritius
Artist role: draughtsman, painter, print maker
Artist dates: 1624 – 1673
Subjects: the rich man (dives) is feasting, while poor lazarus is starving at the gate (dogs licking lazarus' sores) (luke 16:19-31)

De rijke man en de arme Lazarus. De parabel van de rijke man en Lazarus verbeeld in drie taferelen in een interieur. In het midden de rijke man aan een maaltijd, de bedelaar wordt bij de deur verjaagd. Links sterft de rijke man en wordt zijn ziel door duivels gehaald, rechts Lazarus rustend in de schoot van Abraham in de hemel. Het doek maakt deel uit van een reeks van parabels geschilderd voor de Lutherse kerk in Leiden (zie ook nrs. SK-A-2958 en SK-A-2959).
Bohemia, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: coat of arms,flags

Trade cards from the set, "Flags of All Nations," Series 2 (N10), issued in 1890 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Intérieur de l'enceinte du Temple de Baalbek (Héliopolis)
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,ruins

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Shoes
Object type: shoe
Date: 1870 – 1879
Materials: silk
Culture: french
Artist: hellstern and sons
Artist role: designer
Artist nationality: french
Lamellar Armor (<i>byang bu'i khrab</i>)
Object type: lamellar armor i byang bu'i khrab i
Date: 1501 – 1700
Materials: iron, leather
Culture: tibetan
Location: tibet

Featured prominently in imagery of dharma protectors and legendary heroes, and often included among votive offerings to wrathful deities, Tibetan lambellar armor has several distinct features. The body forms a sleeveless robe made from twelve or more rows of iron lamellae joined by an intricate pattern of leather laces. Its distinct waist results from the lamelae of that row being bent in a subtle curve. Some armors have shoulder defenses, and a few have full sleeves. The coat opens down the front, and the back of the skirt is split vertically by a seam at either side. Sometimes trimmed with silk brocade, the majority have a simple border at the base of the skirt consisting of narrow flaps of thick leather.
Watch
Object type: metalwork
Date: 1834 – 1866
Materials: enamel, metal
Techniques: enamel
Location: austria
Portret van Jean-Baptiste Rousseau
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: engraving, letterpress printing
Location: london
Subjects: paris, brussels, jean baptiste rousseau (1669-1741), director, producer ~ the stage, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: The Biographical Magazine: Containing Portraits & Characters of Eminent (...). Londen: Harrison & Co., 1794.
Cradle Carved in Boxwood. Rogers
Object type: photograph
Date: 1851 – 1851
Materials: photographic support
Techniques: salted paper print
Location: london
Subjects: cradle, crib, london
Heilige met een lantaarn, een kruis en een boek
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: saints
Inscriptions: collector's mark: Lugt 2228

Prent uit: Sichem, Christoffel van (II). 'tSchat der zielen, dat is: Het geheele leven ons Heeren Iesu Christi. Amsterdam: Pieter Jacobsz. Paets, 1648.
Portrait of a Woman
Object type: painting
Date: 1670 – 1700
Materials: canvas, oil
Artist: jan van haensbergen
Artist role: painter, print maker
Artist dates: 1642 – 1705
Subjects: historical persons not known by name - bb - woman

Portret van een jonge vrouw, kniestuk zittend. Rechts een gordijn. links (een voorstelling van?) twee figuren in de tuin.
Terracotta plate
Object type: plate
Date: 350 – 325
Materials: terracotta
Culture: greek, south italian, apulian
Artist: painter of bari 1180
Artist role: artist
Subjects: heads,women
Centerpiece
Object type: centerpiece
Date: 1815 – 1815
Subjects: male nudes
Het Huis Nettelhorst, bij Lochem
Object type: watercolor
Date: 1825 – 1879
Materials: paper, watercolor
Techniques: brush
Artist: christianus hendricus hein
Artist role: draughtsman, print maker
Artist dates: 1815 – 1879
Subjects: castle
Brief aan Jan Veth
Object type: letter
Date: 1892 – 1892
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: dordrecht, painter, jan veth, drawing, exhibition ~ art, antwerp
Inscriptions: collector's mark: ‘RPK’
Palm Tree, Nassau
Object type: watercolor
Date: 1898 – 1898
Materials: graphite, watercolor, paper
Culture: american
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: beaches,palms,wind

This watercolor, composed vertically to accentuate the towering height of the central palm, visualizes the approach of circular storm clouds. Wind whirls around the tree, whose branches bend to the right. Conversely, the red flag in the background—raised by the lighthouse keeper to signal a coming hurricane or squall—blows in the opposite direction. By picturing these contrary winds, Homer contemplates the types of complex meteorological effects he would later thematize in The Gulf Stream (The Metropolitan Museum of Art, 06.1234).
Detail van een kast met twee deurtjes geornamenteerd met plantmotieven en dierenkoppen en in het midden een nis-vorm
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: europe
Artist: Anonymous
Subjects: ornament ~ hybrid animals, cupboard, ornament derived from plant forms, amsterdam
Inscriptions: collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, number: ‘XXXVIII’
Kop-en-schotel
Object type: miniature
Date: 1775 – 1775
Materials: silver
Location: amsterdam
Artist: Anonymous
Inscriptions: maker's mark

Trechtervormige theekop op een schotel. De schotel heeft een opstaande rand, is onversierd en gemerkt: mt.= Voet 430. De theekop is langs de bovenrand gegraveerd en is niet gemerkt. De kop en schotel worden bewaard als onderdeel van een theeservies (BK-NM-11177-142. Het theeservies heeft in het totaal twaalf kop en schotels die gelijk zijn aan dit exemplaar.
Blenheim Palace Sarcophagus: Bacchanale with Lion's Head
Object type: drawing and watercolor
Date: 1549 – 1553
Materials: ink, paper
Techniques: pen
Location: italy
Artist: girolamo da carpi (girolamo sellari)
Artist role: artist
Artist nationality: italian
Artist dates: 1501 – 1556
Inscriptions: Inscribed recto, upper right, in pen and brown ink: "Girolimo da Carpi"
Standing Buddha
Object type: figure
Date: 801 – 900
Materials: bronze
Culture: korean
Subjects: buddhism,buddha
Gezicht op Brussel (middelste deel)
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: filips iv (koning van spanje), armour (+ weapons), hoofed animals: deer, justitia (justice) as roman personification, church (exterior), fortified city, prospect of city, town panorama, silhouette of city, brussels
Inscriptions: collector's mark: Lugt 195

Onderdeel van het stadsgezicht van de tweede uitgave (1748) van een wandkaart van Brussel, getiteld 'Bruxella nobilissima Brabantiae civitas restauratum ano 1748'. Deze wandkaart bestond uit een plattegrond (gedrukt van zes platen, zie: RP-P-AO-17-73) met daaronder of daarboven dit stadsgezicht (gedrukt van drie platen, zie: RP-P-AO-17-74), met langs de zijkanten een beschrijving van de stad en gezichten op gebouwen. De eerste uitgave verscheen in 1640 onder de titel 'Bruxella nobilissima Brabantiae civitas ano 1640'.
Piece
Object type: piece
Date: 1801 – 1900
Materials: metal thread, silk
Culture: japanese
Subjects: human figures,animals
Portret van Marcus Antonius Montanus
Object type: print
Date: 1579 – 1615
Materials: paper
Techniques: engraving
Location: augsburg
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Subjects: arts, marcus antonius montanus
Inscriptions: collector's mark: Lugt 2228
Portret van Merovech, koning der Franken
Object type: book illustration
Date: 1588 – 1588
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: crown (symbol of sovereignty), sceptre, staff (symbol of sovereignty), historical persons, king

Prent voor het eerst gebruikt in: Cronica Breve de i fatti illustri de're di Francia, con le loro effigie dal naturale cominciando da Faramondo (...). Venetië: Bernardo Giunti, 1588. Prent in ieder geval ook gebruikt in de editie van 1590 en mogelijk ook in een Franse uitgave van 1597.
Gezicht op een kamer in Slot Velthurns bij Bressanone, Italië
Object type: photomechanical print
Date: 1886 – 1891
Materials: paper
Techniques: photoaquatint
Location: vienna
Subjects: castle - aa - civic architecture: inside
Inscriptions: number: ‘10.’, inscription: ‘Déposé.’

Deze prent maakt deel uit van een omslag met dertig prenten en drie tekstbladen.
Brief aan Philip Zilcken
Object type: letter
Date: 1891 – 1891
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: j. doorman
Artist dates:  – 1913
Subjects: venice, print maker, fernand desmoulin, the hague, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Suit
Object type: suit
Date: 1776 – 1800
Materials: cotton, silk, wool
Culture: european
Paris-Instantané
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring, perforating
Location: paris
Subjects: four-wheeled vehicle drawn by one animal, façade (of house or building), street, tuileries palace
Inscriptions: monogram: ‘H.N.’
Salome
Object type: drawing
Date: 1910 – 1915
Materials: cardboard, chalk
Location: netherlands
Artist: frans stamkart
Artist role: print maker
Artist dates: 1874 – 1947

Because of its biblical subject matter, this drawing by Frans Stamkart can be characterised as Symbolist art. However, the characterisation applies less to the technique, for which Stamkart developed an unorthodox approach of erasing certain passages in chalk. As a result, a soft light seems to break through behind the figure, giving shimmering edges to the swirling clouds, gown and veils.
Een Aino uit het Eiland Jesfo
Object type: print
Date: 1811 – 1811
Materials: paper
Techniques: engraving, etching, hand coloring
Location: haarlem
Subjects: asiatic races and peoples
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Krusenstern, A.J. von. Reize om de wereld, gedaan in de jaren 1803, 1804, 1805 en 1806, op bevel van Alexander den Eersten, keizer van Rusland. Tweede deel. Haarlem: Loosjes, Adriaan Pietersz., 1811.
Iris
Object type: drawing
Date: 1741 – 1795
Materials: chalk, paper, watercolor
Techniques: brush
Artist: cornelis van noorde
Artist role: draughtsman, print maker
Artist dates: 1731 – 1795
Subjects: flowers: iris
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic

Interior, head and upper torso of bearded man with himation draped over head and body; Exterior, feet and bit of drapery of figure to right
Priest's Stole
Object type: stole, priest's
Date: 1673 – 1681
Materials: metal thread, silk
Culture: japanese
Reconstruction of  Geometric Decoration
Object type: tile, panel, spiral, faience
Date: 1390 – 1352
Materials: faience, gold paint, plaster
Location: egypt
Spinning Cloth, Preparing Tea Leaves, Preparing Silk
Object type: painting
Date: 1801 – 1833
Materials: paper
Location: china
Purse
Object type: purse
Date: 1801 – 1833
Materials: steel
Culture: french
The Willard elm, Deerfield
Object type: photomechanical print
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Location: united states
Subjects: trees: elm, façade (of house or building)
Inscriptions: number: ‘XV.’
Maison de feu l'abbé Pajeau hors la barriere de Ruilly dite la folie Pajeau
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: cultivation of (ornamental) garden, plan, map of garden, lay-out of garden
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De serie 'Jardins anglo-chinois à la mode' verscheen in totaal in 21 zogeheten 'cahiers' (afleveringen). De huidige prent komt uit het eerste 'cahier'. Het Rijksmuseum Amsterdam bezit drie banden met daarin in totaal zes 'cahiers' van deze reeks. In de documentatie wordt verwezen naar een in de bibliotheek van het Rijksmuseum Amsterdam aanwezige facsimile van het complete werk.
Vessel
Object type: vessel
Date: 1801 – 1900
Materials: bronze
Culture: japanese
Subjects: animals
Gezicht op de Église Saint-Sulpice
Object type: page
Date: 1845 – 1850
Materials: paper
Techniques: engraving
Location: paris
Subjects: church (exterior)

Prent op achtentwintigste ongenummerde pagina na titelpagina. Prent gemaakt naar daguerreotypie.
Brief aan anoniem
Object type: letter
Date: 1843 – 1843
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: jan adriaan antonie de lelie
Artist role: draughtsman
Artist dates: 1788 – 1845
Subjects: haarlem, nicolaes pietersz berchem, painting (including book-illumination, miniature-painting)
Plate with Shou Lao (the God of Longevity), Attendant, and Deer
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze
Location: china
Fragment of a Floral Inlay
Object type: decorative art
Materials: glass
Culture: egyptian or roman
Location: italy
Subjects: floral

In ancient Rome, there was a high demand for colorful glass that could dazzle banquet guests alongside the expensive silver and gold serving wares meant to impress. Fragments like this one would have once been a part of larger mosaic dishes. The mosaic pattern was made by sagging molten glass into bowl-shaped molds, a technique used on many of these fragments is similar to millefiori, “thousand flowers” in Italian, a modern glass-making method in which tiny rods of colored glass are bundled together, wrapped in a sheet of glass, fused, and then thinly sliced to reveal swirls of a flower-like patterns. They were arranged side by side, sometimes together with bits of colored glass, and fused together with heat.
Les Singuliers et Nouveaux Portraicts... page 55 (recto)
Object type: book print ornament architecture
Date: 1588 – 1588
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: ornament

Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top to bottom, and left to right: Design is printed upon a grid and is decorated with a pattern of vertical zigzagging lines that frame an alternating geometric pattern on the inside.
Valentine makers' scrapbook
Object type: scrapbook
Date: 1834 – 1866
Materials: gilt, ink, paper, watercolor
Techniques: cutting
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Visitekaartje aan Philip Zilcken
Object type: visiting card
Date: 1832 – 1904
Materials: ink, paper
Techniques: pen, printing, writing
Artist: samuel putnam avery
Artist role: verzamelaar
Artist dates: 1822 – 1904
Subjects: the hague, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Virgin Standing on Clouds Holding a Scapular in Her Left Hand
Object type: drawing
Date: 1675 – 1741
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: giovanni antonio pellegrini
Artist role: artist
Artist nationality: italian
Artist dates: 1675 – 1741
Subjects: virgin mary
Servet van linnen met pellenpatroon
Object type: napkin
Date: 1400 – 1950
Materials: linen
Techniques: peeled fabric
Location: northern netherlands

Wit linnendamasten servet met pellenpatroon, merk kroon IS en 96.
Jupiter en 1899
Object type: photomechanical print
Date: 1899 – 1900
Materials: paper
Techniques: autotype
Subjects: jupiter (planet)
Inscriptions: inscription: ‘5e année. Pl. VI.’
Tripod bowl
Object type: bowl
Date: 600 – 1100
Materials: ceramic
Culture: classic veracruz
Location: mexico
Artist: los tuxtlas artist(s)
Artist role: artist
Lijst met houtsnijwerk
Object type: frame
Date: 1880 – 1920
Materials: wood
Techniques: cutting
Artist: Anonymous
Portret van een onbekende jongen
Object type: photograph
Date: 1880 – 1900
Materials: paper, cardboard, glass, metal
Techniques: collodion silver print
Artist: Anonymous
Subjects: boy (child between toddler and youth), anonymous historical person portrayed