deem-data/ArtiFact huggingface dataset:
Ovaal portret van Laurens Jansz. Coster
Object type: drawing
Date: 1771 – 1808
Materials: ink, paper
Techniques: brush, pen
Artist: jacques kuyper
Artist role: draughtsman, print maker
Artist dates: 1761 – 1808
Subjects: haarlem, historical persons
Vrouw met hoofdtooi, mogelijk een revuedanseres
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman, female dancer

Blad 20 verso uit schetsboek XV met 22 bladen.
Pand op Wijnstraat 69 te Dordrecht
Object type: photograph
Date: 1908 – 1908
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: wijnstraat
Subjects: urban housing, façade (of house or building)
Inscriptions: annotation: ‘Wijnstraat 69/ genaamd "de onbeschaamde"/ Oct. 1908/ Dordrecht’
Inlay fragment, collar design
Object type: inlay fragment
Date: 100 – 100
Materials: glass
Location: egypt

A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards.
Staande vrouw met een hoed
Object type: sketchbook leaf
Date: 1890 – 1890
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: standing figure

Blad 5 verso uit een schetsboek met 38 bladen.
Handelingen van de apostelen
Object type: album leaf
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: peter and john lay hands on believers in samaria, so that they may receive the holy ghost (acts 8:14-17), philip preaching (in samaria) (acts 8:4-25)

De apostelen Petrus, Johannes en Filippus trekken naar Samaria en genezen daar zieken en bezetenen. Op de voorgrond leggen de drie hun handen op gelovigen. Door de handoplegging van de apostelen raken zij vervuld van de Heilige Geest. Die daalt neer in de gedaante van een duif. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Hand. 8:14. Deze prent maakt deel uit van een album.
Ilias
Object type: album leaf
Date: 1805 – 1805
Materials: paper
Techniques: etching
Subjects: (story of) juno (hera), sunset

Prent maakt onderdeel uit van een serie met 39 prenten over de Ilias, geschreven door Homerus.
Statuette of Beset (Besis)
Object type: statuette, beset besis
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: women
Altar Back
Object type: religious ritual object
Date: 1801 – 1900
Materials: cord, fiber, gold, metal, textile, silk, silver
Techniques: appliqué, embroidery, lining, weave, stitching
Location: france
Les images presque de tous les empereurs
Object type: page
Date: 1557 – 1557
Materials: paper
Techniques: woodcut, etching, letterpress printing
Location: antwerp
Subjects: emperor

Portret van keizer Justinus II, op een munt met randschrift. De prent maakt deel uit van een boek over de keizers vanaf Julius Caesar tot en met Karel V en zijn broer Ferdinand.
A spring Idyl
Object type: photograph
Date: 1887 – 1887
Materials: cardboard, paper
Techniques: photoaquatint
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist dates: 1856 – 1936
Inscriptions: signature: ‘P.H. Emerson.’
Portret van Friedrich Konrad Müller
Object type: print
Date: 1864 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Side Chair
Object type: side chair
Date: 1730 – 1760
Materials: wood
Culture: american
Location: united states
Pair of Sword-Grip Ornaments (Menuki)
Object type: pair of sword grip ornament menuki
Date: 1743 – 1801
Materials: copper, silver alloy, gold
Culture: japanese
Location: japan
Subjects: elephants
Familie aan een sterfbed
Object type: print
Date: 1808 – 1873
Materials: paper
Techniques: etching
Location: germany
Subjects: deathbed, family life
Inscriptions: collector's mark: Lugt 2228
Manuscript Leaf with Initial E, from an Antiphonary
Object type: antiphonary
Date: 1426 – 1450
Materials: ink, metal leaf, parchment, paint
Culture: german
Location: germany
Melpomene, Muse of Tragedy, plate 8 from Parnassus Biceps
Object type: print
Date: 1601 – 1601
Materials: paper
Techniques: engraving
Location: frankfurt an der oder
Artist: johann theodor de bry
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1561 – 1623
Inscriptions: Lettered: Io. Theo. de brÿ fe (lower left); 8 (upper right)

In Greek mythology, the nine Muses governed the arts and music. Melpomene, in the print on the left, was the protector of tragedy; her counterpart Thalia, Muse of comedy and bucolic poetry, is visible on the right (see 1920.2043). Each Muse holds a mask—a tragic mask for Melpomene, a comic one for Thalia. The duality of tragedy and comedy as manifested in these two deities brings to mind the universally recognizable image of the laughing and weeping faces used to symbolize theater today.
Boating by a Willow Bank
Object type: fan mounted a an album leaf
Date: 1201 – 1300
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: rivers,landscapes,boats

Evoking the scenery of Hangzhou's West Lake, this painting shows a gentleman being paddled across a placid inlet between a profusion of water lilies and a shore lined with willows. The composition recalls that of Li Jie's Fisherman's Lodge at Xisai of about 1170. As the boat glides through the silvery moonlight, stillness reigns on the cool, scented water. The simplicity of the painting recalls the spare imagery of a Tang-dynasty (618–907) quatrain: Willows still by a lotus bank, A boat drifts slowly by. Ahead, tall grass, blue distant hills, White moon in golden sky.
Amsterdam. Paleis v. Volksvlijd
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1920
Materials: cardboard
Techniques: four-color autotype
Location: amsterdam
Subjects: palace
Tulip and a Poppy
Object type: watercolor
Date: 1763 – 1825
Materials: paper, watercolor
Techniques: brush
Artist: willem van leen
Artist role: draughtsman, print maker
Artist dates: 1753 – 1825
Subjects: flowers: tulip, flowers: poppy
Actress wearing fur coat and muff, from Stars of the Stage, Second Series (N130) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1891 – 1891
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actors
Pyxis (Container for Personal Objects)
Object type: vessel
Date: 730 – 720
Materials: ceramic, terracotta
Culture: greek
Location: athens
Subjects: horses, animals, containers

Ceramic vessels decorated with repetitive linear designs were so popular during the 8th and 7th centuries BC that the term Geometric applies to both the style and the time period (800–600 BC). The body of this container is decorated with popular ornamentations, among them Greek key pattern, or meanders, as well as checkerboard patterns, dotted and crosshatched lozenges, and chevrons.

The handle of this vase takes the form of horses standing side by side, suggesting a team for a four-horse chariot. Ownership of horses was an important indicator of financial status, since only the wealthy could afford to possess and train them.
Six Animals, including lions, a tiger, a leopard, a griffin, and a goat
Object type: print
Date: 1530 – 1561
Techniques: engraving, etching
Artist: battista franco
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1561
Subjects: griffins,goats,leopards,lions,tigers
Elk diertje heeft zijn pleziertje
Object type: popular print
Date: 1881 – 1881
Materials: paper
Techniques: lithograph, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: animals
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen over dieren die mensen in problemen brengen. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 96.
Column Base
Object type: base
Date: 1267 – 1333
Materials: marble
Culture: french
Portret van een zittende jongeman, aangeduid als Edwin Venous
Object type: photograph
Date: 1857 – 1857
Materials: glass, metal, velvet, wood
Techniques: ambrotype
Location: oxford
Artist: bracher
Subjects: sitting figure, historical persons, youth, adolescent
Inscriptions: annotation: ‘Edwin Venous/ at about/ 19’
Portret van L. Vroom
Object type: print
Date: 1832 – 1873
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: handkerchief, historical persons (+ (full) bust portrait), the bible as a book
Inscriptions: collector's mark: Lugt 2228

De geportretteerde heeft een opengeslagen bijbel in zijn linkerhand, in zijn rechterhand heeft hij een zakdoek. Hij draagt een bef en, onderaan zijn vest, een klein rond sieraad, vergrootglas of zakhorloge. Onder het portret de signatuur van de geportretteerde.
Design for Landaulet (unnumbered)
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Kaïn doodt Abel
Object type: book illustration
Date: 1530 – 1530
Materials: paper
Techniques: hand coloring
Location: low countries
Subjects: the killing of abel: cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon, book in which illustrations are essential

Kaïn slaat zijn broer Abel dood met het kaakbeen van een ezel. Prent maakt deel uit van een boek.
Helmet in the Shape of a Crouching Rabbit
Object type: helmet in the shape of a crouching rabbit
Date: 1601 – 1700
Materials: gold, iron, lacquer, leather, silk, silver
Culture: japanese
Location: japan
Subjects: rabbits
Noord-Frankrijk
Object type: album leaf
Materials: paper, photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: the family travelling, on holiday, outing, pleasure trip
Inscriptions: inscription

Albumblad met vier foto's onderweg in Noord-Frankrijk, o.a. bij Sedan. Onder de foto's uitgeknipte papiertjes met getypte opschriften. Onderdeel van het tweede fotoalbum met foto's van familievakanties in Nederland, België, Luxemburg en Frankrijk in 1950-1951.
Goudleren koffer met koperen randen
Object type: suitcase
Date: 1600 – 1625
Materials: brass, gilt leather, leather
Artist: Anonymous

Goudleren koffer met gebombeerde deksel, nieuwe koperen randen.
Beliani
Object type: photomechanical print
Date: 1863 – 1873
Materials: paper
Techniques: photograph
Location: london
Artist: Anonymous
Subjects: adult man
Inscriptions: number: ‘No. 26’
Martyrdom of Bishop Saint
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: brush, wash
Location: italy
Artist: ercole procaccini, the younger
Artist nationality: italian
Artist dates: 1520 – 1595
Rosette Brooch
Object type: brooch
Date: 550 – 650
Materials: foil, garnet, gilt silver, glass, pearl, silver gilt
Culture: frankish

Garnets, worked in the cloisonné technique, featured prominently in the luxury jewelry of the Franks. Jewelers would solder small compartments arranged in geometric patterns onto the surface of a metal disk. In those cells, or cloisons, they would place a textured piece of gold foil, which would show through the thin translucent garnet that would then be set on top.
Set of Five Camellia-Shaped Side Dishes (Mukōzuke) with Camellia Patterns
Object type: vessel
Date: 1701 – 1800
Materials: enamel, stoneware
Techniques: overglaze, polychrome
Culture: japanese
Artist: ogata kenzan
Artist role: artist
Artist nationality: japanese
Artist dates: 1663 – 1743

These vividly colored small side dishes (mukōzuke) were created to enhance the beauty of the food served in them. The entire surface of each vessel was coated in white slip, covered in transparent glaze, and fired. Stencil paper in the shape of camellia flowers was then laid on the surface of each dish to keep the blossoms white while green enamel was brushed on. This application technique derived from stencil dyeing used in textile art.
Christ addressing a group of women seated and standing on steps
Object type: print
Date: 1541 – 1544
Techniques: etching
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: women,christ
Portret van Thomas Cranmer
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons

Prent waarschijnlijk uit: Larrey, Isaac. Histoire d'Angleterre, d'Ecosse (...). Rotterdam: Reinier Leers, 1697, dl. 4.
Karamono-Style Flower Basket (Hanakago)
Object type: basket
Materials: bamboo, rattan
Culture: japanese
Artist: hayakawa shōkosai i
Artist role: artist
Artist nationality: japanese
Artist dates: 1815 – 1897

Shōkosai is believed to be the first master basket craftsman to sign his name to his compositions. This would also have verified that his Chinese-inspired (karamono) works were made by a Japanese individual. He concentrated mainly on tea utensils, reflecting the needs of participants in the period’s thriving sencha tea culture. Of the varied bamboo works Moore collected, most were made in the Osaka-Kyoto region around 1870–90, in the Chinese style, and relate to the sencha tea tradition or ikebana flower arranging.
De Aankomeling
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: children's games and plays, index finger forwards, pointing, indicating
Inscriptions: number: ‘46’, collector's mark: Lugt 2228

Proefdruk van illustratie uit: Luyken, Jan. Des menschen begin, midden en einde. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, p. 95.
Twee voorstellingen uit Der kleiner Cäsar
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: parting, leave-taking (of lovers), gripping someone by the hand or the wrist; clasped hands, dog
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Coventry, Francis. Der kleine Cäsar (...). 2 dln. Leipzig: Dykischen Buchhandlung, 1782, dl. 1.
Bloem en Fruit Studien (...) 3de aflevering
Object type: print
Date: 1820 – 1833
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: flowers
Inscriptions: collector's mark: Lugt 2228

Links boven genummerd 9de Lev. Onderdeel van een omslag met in totaal zevenenzeventig lithografieën van bloemen en fruit.
Jérusalem, Via Dolorosa, Reste antique
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture
Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki)
Object type: handscroll
Date: 1267 – 1300
Materials: gold leaf, ink, paper
Techniques: cutting, kirikane
Culture: japanese
Subjects: men,mythical creatures

An ancient Shinto belief that the unpredictable, calamitous forces of nature are animated by tormented human spirits (onryō) underlies the legendary origin of the Kitano Tenjin shrine, dedicated to Sugawara Michizane (845–903). Michizane was a distinguished scholar, poet, and statesman who died in exile, having been slandered by enemies at court. After his death, a series of extraordinary natural disasters and plagues caused the untimely deaths of his detractors. In an attempt to appease his vengeful spirit, he was posthumously pardoned and promoted to high office, but the disasters continued. In 942, Michizane’s spirit revealed his wish to be honored at a shrine dedicated to the thunder god in the northwestern section of the capital. He was deified as Tenjin, an ancient god of agriculture and patron of the falsely accused. Later, perhaps because poems were offered to him at the shrine, he came to be venerated as the Shinto god of literature and music. Among the more than thirty extant sets of handscrolls recounting Michizane’s life and the events leading to the establishment of the Tenjin cult, this version is second in age and quality only to the early thirteenth-century treasure in the main Kitano Tenjin shrine in Kyoto. The minister who had slandered Michizane took ill. He had a Buddhist monk chant mantras to dispel his sickness. When the monk did so, two blue dragons came out of the minister’s ears and announced Michizane’s intent to avenge his wrongful exile and death. Shortly thereafter, the minister fell dead. Despite the unpleasant event depicted in the scene, the scroll’s painter included a nicely executed painting-within-a painting of an early type of yamato-e (Japanese-style painting) landscape screen favored by the well-to-do. The rectilinear shapes on two of the panels are meant to indicate beautifully decorated papers, with poems praising the landscape in fine calligraphy. According to legend, Michizane was not born of human parents but miraculously appeared one day as a grown boy of five or six years of age in the garden of a courtier-scholar. The boy declared this courtier to be his father. The scene is depicted here, on the verandah of the courtier’s mansion. Ladies of the residence peek out at the curious pair. Though the related text is missing, the next painting here shows Michizane as a young man composing a poem at the request of the emperor. His foster father, himself a celebrated poet, looks on proudly.
Grand oboe
Object type: grand oboe
Date: 1650 – 1650
Materials: wood, brass

This instrument is a unique example of a transitional stage in the development of the oboe. It is probably identical with the grand hoboy à une clef that is mentioned in a source of 1650 in which it is pictured. It was pitched like the later oboe d’amore in b-natural and had a key for a, but not yet twinned finger holes.
VIIe Cahier de l'Oeuvre G Cahier de Portes, Corniches et Entablements decorés, aves les profils
Object type: print
Date: 1784 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: ornaments ~ art (+ framing decorations), door
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Vooraanzicht en profiel van een geornamenteerde deurlijst met vlechtwerk en acanthusbladeren.
De Ontdekte Schijndeugd: de geveinsde droefheid van Geertruy
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter tanjé
Artist role: draughtsman, print maker
Artist dates: 1706 – 1761
Subjects: weeping, comedy, postures and gestures of index finger and middle finger, waving farewell ~ departure on a journey
Inscriptions: collector's mark: Lugt 240

Geertruy veinst verdriet als ze haar man Filibert, die op zakenreis gaat, gedag zegt. Filibert heeft zojuist van zijn knecht Joris, die achter hem loopt, vernomen dat Geertruy hem met zijn neef bedriegt. De dienstmeid Bely bespot Filibert als bedrogen echtgenoot door twee vingers als horentjes bij haar hoofd te houden. Scène uit het toneelstuk De Ontdekte Schijndeugd, van David Lingelbach.
Showing Off
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,dogs,horses

A man at right falls head first from a horse which is falling on its head, while a dog lunges at it. Another rider at left slips from the saddle holding the animal's head.
Reproductie van een titelpagina met Bijbelse voorstellingen
Object type: page
Date: 1876 – 1881
Materials: paper
Techniques: photolithography
Location: antwerp
Subjects: title-page
Inscriptions: inscription: ‘FRONTISPICE de la Bible (...)’, monogram: ‘JJvY’, inscription: ‘LITT. S. AVRIL 1881. PL. 1’
Two men and a woman playing cards at a table, one man pressing his nose toward the woman's forehead, from a series of ten scenes of musicians and couples dancing, drinking, playing music, and playing cards
Object type: print
Date: 1535 – 1562
Techniques: engraving
Artist: virgil solis
Artist role: artist
Artist nationality: german
Artist dates: 1514 – 1562
Subjects: men,women,playing cards
Grafmonument voor Engelbrecht II, graaf van Nassau-Dillenburg-Breda, 1504
Object type: print
Date: 1824 – 1847
Materials: paper
Techniques: lithograph
Location: breda
Artist: f.p. sterk
Artist role: publisher
Subjects: brussels, interior of church, grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 963, collector's mark: Lugt 2166

Grafmonument voor Engelbrecht II in de Prinsenkapel van de Onze-Lieve-Vrouwekerk te Breda, overleden op 31 mei 1504. Links staat een figuur. In de ondermarge een regel Nederlandse tekst. Losse verklarende tekst in boekdruk.
Pair of Pine Tree Shillings
Object type: coin
Date: 1663 – 1682
Materials: silver
Location: boston
Artist: john hull
Inscriptions: Inscribed on obverse: IN MASATHVSETTS
Inscribed on reverse: NEW ENGLAND.AN DOM
Inscribed in center: 1652/ XII

In 1652 the General Court of Massachusetts called upon John Hull and Robert Sanderson to establish the first local mint in the state. To prevent counterfeiting of the new currency, a design of a pine tree within a double-bead ring, enclosing the words IN MASATHVSETS on one side and NEW ENGLAND AN DOM on the other, was stamped on the coins. Although the coins were produced every year until 1682, all were stamped with the date of the founding of the mint: 1652.