deem-data/ArtiFact huggingface dataset:
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 450 – 430
Materials: terracotta
Culture: greek, attic

Part of the upper torso of a draped figure to right
Architectur der Niederlande
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: leipzig
Artist: Anonymous
Subjects: urban housing, middelburg

Afdruk uit: Krook, L. Architectur der Niederlande. Leipzig: Baumgärtner's Buchhandlung, 1894.
Beaker of Archaistic Design
Object type: beaker
Date: 1701 – 1800
Materials: stone
Culture: chinese
[The Wilderness Battlefield]
Object type: photograph
Date: 1866 – 1866
Techniques: albumen silver print, glass negative
Artist: g. o. brown
Artist role: artist
Artist nationality: american
Artist dates: 1860 – 1889
Subjects: american civil war

There is still much to learn about the role of the camera during the Civil War. One day we may know more about some of the war’s most intriguing field photographs: the macabre studies of skulls and unburied bones discovered by an unknown photographer in the Wilderness battlefield where Generals Robert E. Lee and Ulysses S. Grant had fought to a bloody draw in May 1864. It seems likely that these photographs date from the immediate postwar period, during cleanup operations. Printed from negatives that were probably unintentionally solarized during development in the field, the photographs appear illuminated by an unearthly light and are, in part, tonally reversed: the black sky becoming an appropriate symbol for the terrible place called Wilderness, second only to Gettysburg in the number of Union killed, wounded, and missing.
Tussenzetsel van kloskant met geometrisch zigzagpatroon
Object type: entre deux, tussenzetsel
Date: 1500 – 1699
Materials: linen
Techniques: lace
Location: flanders
Artist: Anonymous

Tussenzetsel van naturelkleurige kloskant met lichtere en iets donkerdere draden. Het geometrische patroon bestaat uit een zigzaglijn van steeds drie vierkantjes omhoog en drie omlaag. De vierkantjes zijn gemaakt in linnenslag, ze zijn stuk voor stuk omringd door een randje van kleine uitsparingen. De vlechtengrond is dichtgewerkt, de mazen zijn klein.
Rocaille lijst
Object type: ornament print
Date: 1731 – 1775
Materials: paper
Techniques: etching
Location: augsburg
Subjects: rocaille ornament, ornaments ~ art (+ framing decorations)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Rocaille omlijsting met bloemen, staande rechthoek. Uitgeversnummer 29.
The Actor Segawa Kikunojo III in an Unidentified Role
Object type: print
Date: 1778 – 1778
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Wonderbare spijziging
Object type: book illustration
Date: 1590 – 1590
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: multiplication of loaves and fishes for a multitude of four or five thousand people (matthew 14:13-21, 15:32-39; mark 6:32-44, 8:1-10; luke 9:10-17; john 6:1-14)
Inscriptions: collector's mark: Lugt 240

Prent afkomstig uit een onbekende Latijnse bijbel, mogelijk gedateerd 1590.
Plate 15: Hercules standing in a niche, wearing a lion skin and holding a club, viewed from behind, with his head turned to the left, from "Mythological Gods and Goddesses"
Object type: print
Date: 1526 – 1526
Techniques: engraving
Artist: giovanni jacopo caraglio
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1565
Subjects: weapons,hercules
Opstelling van acht sculpturen
Object type: photograph
Date: 1853 – 1858
Materials: photographic support
Techniques: albumen print
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: annotation: ‘Statuettes for the Art Union of London #10’

Deze foto maakt deel uit van een omslag met acht foto's, twee tekstbladen en een dekblad.
Card table
Object type: card table
Date: 1765 – 1765
Materials: wood
Techniques: veneering
Culture: american
Location: united states

This turret-top card table, so called for its projecting rounded corners, descended in the Verplanck family along with four side chairs (39.184.3-.6), a tea table (39.184.11), and an upholstered settee (39.184.2) in the collection. As is typical of New York–made tables, this example has pronounced gadrooned edging that continues above the legs; cabriole legs with rounded, powerfully curved knees and ankles; and somewhat squashed claw-and-ball feet with small back talons.
Brief aan R. Engels
Object type: letter
Date: 1843 – 1843
Materials: ink, paper
Techniques: pen, writing
Location: cleves
Artist: barend cornelis koekkoek
Artist role: draughtsman, painter, print maker
Artist dates: 1803 – 1862
Subjects: painting (including book-illumination, miniature-painting), cologne
Inscriptions: seal, collector's mark: Lugt 2233, collector's mark
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1801 – 1900
Materials: gold alloy, gold, iron
Culture: japanese
Location: japan
Subjects: men
A shepherd holding a crook in his left hand and walking with a hill, a town and goats in the distance at left
Object type: print
Date: 1640 – 1640
Techniques: etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: goats,shepherds
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Exterior, part of head of wreathed youth to right; to the left of the youth's head, part of an inscription, a pi
Gezicht op het College Zeemanshoop aan de Prins Hendrikkade te Amsterdam
Object type: print
Date: 1833 – 1846
Materials: paper
Techniques: lithograph
Subjects: civic architecture; edifices; dwellings, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: III. Verschillende gestichten en instellingen / Hofjes: Zeemanshoop.
Klein Duimpje
Object type: print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: Anonymous
Subjects: tales and fairy tales: little thumbling
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen uit het sprookje van Klein Duimpje. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 365.
Gezichten op de Dom van Milaan
Object type: print
Materials: paper
Techniques: aquatint, etching
Location: italy
Artist: filippo naymiller
Artist role: print maker
Artist dates: 1804 – 1863
Subjects: interior of church
Inscriptions: collector's mark: Lugt 2228

Het interieur van de Dom van Milaan. Verscheidene figuren lopen rond in de kerk.
Chandelier
Object type: chandelier
Date: 1701 – 1800
Materials: glass
Techniques: cutting

Luxury items like this cut glass lighting fixture were regularly imported from England both before and after the Revolution to decorate the homes of well-to-do Americans.
Piece
Object type: piece
Date: 1775 – 1780
Materials: cotton
Subjects: flowers,leaves
Bead
Object type: bead
Date: 801 – 1900
Materials: glass
Location: egypt
Hizb (Litany) of An-Nawawi
Object type: non illustrated manuscript
Materials: gold, ink, paper, watercolor
Location: turkey
Artist: an-nawawi
Artist role: author
Artist nationality: syrian
Artist dates: 1233 – 1277

This Ottoman devotional manual, the Hizb al-Nawawi, is a later copy of a book of prayers written by the esteemed Mamluk scholar Muhiyi al-Din Abi Zakariya Yahya b. Sharaf b. Muri al-Nawawi (d. 1277). This particular copy was signed by the Ottoman court calligrapher Muhammad Amir on the fifteenth of Sha'ban, 1152 (November 17, 1739). This portable prayer book has all the qualities of a royal manuscript. The striking maroon binding has a border and central medallion tooled in gold protecting this delicate manuscript. The first folio is a spectacular gold-speckled burnished paper. The text hails the religious authority of al-Nawawi, the author, and informs the reader that the prayers contained within will protect him from the evils of supernatural beings (jinn) and humanity. The gold ink decorates the borders of the folios filled with vegetal and geometric motifs. The most spectacular segment of the manuscript is at the end. Gold-rimmed clouds filled with a black script are set on either side of a beautiful light blue or pink background decorating the last few folios: these clouds of text constitute the physical description of the Prophet Muhammad (hilye). As narrated by the Prophet's son-in-law and cousin, 'Ali, it is a calligraphic portrait of the Prophet. The Prophet's physical description calls upon his presence without his image being depicted pictorially.
Snuffbox
Object type: snuffbox
Date: 1738 – 1739
Materials: stone, enamel, gold
Artist: noel-charles laget
Artist role: maker
Artist dates: 1698 – 1789
Subjects: men

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Candlestick
Object type: candlestick
Date: 1760 – 1760
Materials: stoneware
Techniques: salt glaze
Subjects: birds
Wild West: The Orator
Object type: print
Date: 1887 – 1887
Materials: ink, paper
Techniques: etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Creamer with cover (part of a service)
Object type: creamer with cover
Date: 1760 – 1760
Materials: hard paste porcelain
Artist: doccia porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1737 – 1896
Subjects: children,men,women
Gallerie des Modes et Costumes Français, 1778, K 59 : Demoiselle habillée en Caracot (...)
Object type: fashion print
Date: 1778 – 1778
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (caraco) (+ women's clothes), head-gear: cap (+ women's clothes), head-gear (bonnet) (+ women's clothes), fashion plates, skirt (+ women's clothes), piece of clothing covering the breast or décolleté (+ women's clothes), flowers: rose, bracelet, wristlet (+ women's clothes), necklace (+ women's clothes)
Inscriptions: address: ‘A Paris chez Esnauts et Rapilly rue St. Jacques a la Ville de Coutances. A.P.D.R.’, caption: ‘Demoiselle habillée en Caracot, coeffée d'un Bonnet à la Pouponne et en filet, orné de lisérés tigrés.’

Jonge ongetrouwde vrouw in caraco op een rok met falbala. Om de hals een fichu. Op het hoge kapsel een 'Bonnet à la Pouponne', ofwel een muts van filet versierd met gestippeld boordsel. Accessoires: geknoopt koord om de hals, armband, schoenen met hakken en rozetten. Prent uit serie K. 10e Cahier des Costumes Français, 4e Suite d'Habillemens à la mode, Gallerie des Modes et Costumes Français.
Ishiyakushi, section of sheet no. 10 from the series "Cutout Pictures of the Tokaido (Tokaido harimaze zue)"
Object type: print
Date: 1848 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Reproductie van een gomdruk van een huis in de Citadellstraße in Düsseldorf door Erwin Quedenfeldt
Object type: reproduction
Date: 1902 – 1907
Materials: paper
Techniques: autotype
Location: offenbach am main
Subjects: urban housing
The Actor Otani Hiroji III as Hata no Daizen Taketora Disguised as Shikishima Wakahei in the Play Juni-hitoe Komachi-zakura, Performed at the Kiri Theater in the Eleventh Month, 1784
Object type: print
Date: 1784 – 1784
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Portret van William Cole
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: engraving
Location: london
Subjects: historical persons, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228

Volgens O'Donoghue is de prent gebruikt in Cole's 'Treatise on Apoplexies', uit 1689.
Bachus
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: (story of) bacchus (dionysus), liber
Inscriptions: collector's mark: Lugt 10, collector's mark: ‘Hinloopen’, inscription, collector's mark: Lugt 11

Bacchus, staand in een nis, een drinkbeker in zijn rechterhand, zijn linkerhand bij de schouder van een kleine sater, die druiven eet. Deze prent is onderdeel van een serie van acht prenten van klassieke goden, gebaseerd op schilderingen van Polidoro da Caravaggio op de façade van een Romeins huis, door Goltzius in Rome gezien en nagetekend.
Mirror
Object type: mirror
Date: 1336 – 1573
Materials: bronze
Culture: japanese
Boerderij met rieten dak
Object type: sketchbook leaf
Date: 1828 – 1894
Materials: paper, pencil, watercolor
Techniques: brush
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: trees, landscapes, artist (in general) making preliminary designs, sketching, farm or solitary house in landscape

Pagina 3 recto uit een schetsboek met 54 bladen.
Fotoreproductie van (vermoedelijk) een schilderij van een veldslag van Franse soldaten
Object type: reproduction
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: battle
Liber Chronicarum
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: persons from the old testament (not in biblical context, nor occurring in legendary/historical extensions included in division 71)
Inscriptions: inscription: ‘23’

De houtsnede wordt gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 16v.
Figurine of a Seated Woman
Object type: figurine, seated woman
Date: 3450 – 3200
Materials: pottery
Location: egypt
Subjects: women
Hoedenpen met ronde bol van tijgeroog en pin van staal, voorzien van schuif
Object type: hatpin
Date: 1920 – 1950
Materials: steel, gemstone
Techniques: grinding
Location: netherlands
Artist: Anonymous

Hoedenpen met pin van staal en ronde bol van tijgeroog.
Fotoreproductie van een schilderij van Antonius Moncada die de opstandelingen ontvangt na zijn overwinning, door David Teniers en Jan van Kessel I
Object type: photograph
Date: 1865 – 1870
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: audition; ruler giving audience
Portret van Frederik Willem, keurvorst van Brandenburg
Object type: print
Date: 1616 – 1676
Materials: paper
Techniques: engraving
Artist: theodor matham
Artist role: draughtsman, print maker
Artist dates: 1605 – 1676
Subjects: berlin, frederik willem van brandenburg (i), sceptre, staff (symbol of sovereignty)
Inscriptions: collector's mark: Lugt 2228

Portret van Frederik Willem, keurvorst van Brandenburg met in zijn hand een scepter.
Adolphe Belot
Object type: photomechanical print
Date: 1874 – 1879
Materials: paper
Techniques: woodburytype
Artist: ferdinand mulnier
Artist role: painter
Artist dates: 1817 – 1891
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Galerie Contemporaine/ 126, boul. Magenta. - Paris./ (Né a La Pointe-a-Pître, en 1830)’
Slapende vrouw
Object type: print
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Subjects: piece of sculpture, reproduction of a piece of sculpture, female persons from classical history (+ full length)

Beeld van een liggende slapende vrouw. Op de sokkel het wapenschild van Vincenzo Giustiniani. Prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Macbeth and the Witches (Shakespeare, Macbeth, Act 1, Scene 1)
Object type: print
Date: 1770 – 1770
Techniques: engraving, etching
Artist: william woollett
Artist role: engraver
Artist nationality: british
Artist dates: 1735 – 1785
Subjects: shakespeare,men,women,witches,macbeth
Besnijdenis
Object type: print
Date: 1573 – 1573
Materials: paper
Techniques: engraving
Location: antwerp
Artist: philips galle
Artist role: print maker, publisher
Artist dates: 1537 – 1612
Subjects: circumcision of the christ-child by the priest in the temple (luke 2:21)
Inscriptions: watermark: ‘gotische letter P’

Onderdeel van een album met een titelprent en een serie van 50 prenten betreffende het leven en de passie van Christus.
Hanging
Object type: hanging
Date: 1701 – 1800
Materials: linen, silk
Techniques: embroidery
Location: uzbekistan
Subjects: flowers
Hoed van zwarte, gewatteerde ripszijde met opstaande rand aan de achterkant (zgn. relevé), versierd met zes roze rozen
Object type: womenswear
Date: 1948 – 1952
Materials: silk
Techniques: padding
Location: paris
Artist: elsa schiaparelli
Artist role: modeontwerper
Artist dates: 1890 – 1973
Inscriptions: mark: ‘Schiaparelli / place vendôme Paris’

Hoed van zwarte, gewatteerde ripszijde met opstaande rand aan de achterkant (zgn. relevé), versierd met zes roze rozen; drie onder de rand en drie tegen de bol.
Kettingsmid
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: smith, blacksmith, tools, aids, implements ~ crafts and industries: chain
Inscriptions: collector's mark: Lugt 2228, number: ‘10’

Illustratie uit: Weigel, Christoff. Abbildung Der Gemein-Nützlichen Haupt-Stände Von denen Regenten Und ihren So in Friedens- als Kriegs-Zeiten zugeordneten Bedienten an, biß auf alle Künstler Und Handwercker. Regenspurg 1698, p. 386.
Le Pari Gagné (The Winning Bet), from "Le Monument du Costume"
Object type: print
Date: 1789 – 1789
Techniques: engraving, etching
Artist: camligue
Artist role: etcher
Artist nationality: french
Artist dates: 1760 – 1860
Subjects: birds,balconies,men,women,dogs
Portret van Martin Luther
Object type: print
Date: 1667 – 1709
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann christoph boecklin
Artist role: print maker
Artist dates: 1657 – 1709
Subjects: priest, martin luther, historical persons, book - mm - book open
Inscriptions: collector's mark: Lugt 2228
Battaglia Polachi contra Turchi
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: etching, intaglio
Location: italy
Subjects: asiatic races and peoples: turks, battle (+ infantry), battle (+ cavalry, horsemen), europeans (with name)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 5k

Zevende prent uit de serie 'Veldslagen door verschillende volkeren', bestaand uit een titelprent en dertien prenten.
Sword
Object type: sword
Date: 1701 – 1900
Materials: bone, textile, horn, lead
Culture: indonesian
Location: indonesia
Portret van Johannes Calvijn
Object type: photomechanical print
Date: 1854 – 1854
Materials: paper
Techniques: letterpress printing, printing block
Location: leipzig
Subjects: historical persons

Prent uit: Bechstein, Ludwig. Zweihundert deutsche Männer in Bildnissen und Lebensbeschreibungen. Leipzig: Balthasar Wigand, 1854.
Germans Eating Sour-Krout
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Mars steekt zijn zwaard in de vlammen voor een tempel (bovenste deel)
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: engraving
Artist: françois de poilly (i)
Artist role: print maker, publisher
Artist dates: 1622 – 1693
Subjects: (story of) mars (ares), (story of) minerva (pallas, athena), plutus (god of wealth), son of ceres and iasion, (story of) memnon, son of aurora, philosophy, prudentia (prudence) as roman personification
Inscriptions: collector's mark: Lugt 240

These van Pierre Bernard de Sayve de la Motte.
Kreupele met vliegengif, 1796
Object type: cartoon
Date: 1795 – 1796
Materials: paper
Techniques: etching
Location: netherlands
Artist: pieter van woensel
Artist role: print maker
Artist dates: 1747 – 1808
Subjects: wooden leg, person with a physical disability, pedlar

Spotprent van een man met een houten been en krukken, mogelijk een oorlogsinvalide veteraan, die een fles met vliegengif omhoog houdt waar een zwerm vliegen op af komt. Illustratie in Pieter van Woensels almanak 'De Lantaarn voor 1796'.
Coin of Ptolemy  II from a Ptolemaic hoard
Object type: coin, ptolemy ii
Materials: bronze
Location: egypt
Subjects: birds,coins

A hoard of 162 Ptolemaic coins that contained issue of Ptolemy II, III, and IV, but apparently no later king, was discovered in a jar buried in a pit in front of a large Ptolemaic tomb in Thebes. Accumulations of coins were not usually burial offering; these coins were likely buried in order to be hidden by someone who failed to return to recover them. The dates of the coins suggest they may have been hidden at the time of a major native uprisings in the north and in the south at the end of Ptolemy IV's reign and into the reign of Ptolemy V. The uprising lasted in the south of the country for 20 years from 206-186 B.C., and saw the establishment of nativer rulers Herwennefer and Ankhwennefer. It is reasoned that the uprising was a response to excessive taxation and manpower demands for Ptolemaic wars in Syria.
Nederland, 2½ gulden voor Nederlands-Indië, 1943 D
Object type: coin
Date: 1943 – 1943
Materials: silver
Techniques: striking
Location: denver
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: hoofd naar links. Keerzijde: tussen waarde-aanduiding 2½ G gekroond rijkswapenschild. Linksonder wapenschild palmboom en rechtsonder letter D [=Denver]. Jaartal onderaan in omschrift. Randschrift.
Heilige Familie
Object type: print
Date: 1640 – 1678
Materials: paper, parchment
Techniques: engraving
Location: antwerp
Subjects: holy family (alone), 'trinitas terrestris'

De Heilige Familie, boven Christus zweeft de duif van de Heilige Geest. Eén prent uit prentalbum met negentien devotionele prenten op perkament.
Blad uit serie met cartouches
Object type: ornament print
Date: 1642 – 1642
Materials: paper
Techniques: etching
Location: paris
Subjects: ornament ~ cartouche
Inscriptions: watermark

Achtste prent uit een serie van twaalf met kopieën naar een serie met cartouches. Cartouche gedecoreerd met twee maskers. Twee banderollen op cartouche.