deem-data/ArtiFact huggingface dataset:
Tafel, twee kaarsenhouders en een spiegel
Object type: page
Date: 1870 – 1870
Materials: paper
Techniques: woodburytype
Location: paris
Subjects: mirror, table, candlestick
Inscriptions: number: ‘477 478 479’, name: ‘De Goupil & Cie Imp. Photoglytique Paris’
Painted textile with birds among flowers
Object type: painted textile
Date: 907 – 1125
Materials: gold, ink, silk
Culture: chinese
Berkenmeier met het opschrift: Ik help de Dorstige
Object type: berkenmeier
Date: 1650 – 1700
Materials: glass
Techniques: diamond point engraving, glassblowing
Location: northern netherlands
Artist: Anonymous

Ingestoken ziel. Uit een draad gesponnen voet, van boven open stam, bezet met twee rijen platte braamnoppen, die naar binnen ingedrukt zijn. Trechter-vormige kelk, die van de stam wordt gescheiden door een geknepen draad. Op de kelk is in Italiaanse letters gecalligrafeerd 'Ik help de Dorstige'.
Charette devant l'entrée d'un abri au toit de chaume
Object type: photograph
Date: 1850 – 1853
Techniques: paper negative, salted paper print
Artist: Anonymous
Artist role: artist
Subjects: wagons
Fragment steekpasser uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: divider
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Divider; fragment, semicircular ring, id. NG 1980-27H1171, eroded.
Natuurkundige instrumenten van F.W. Funckler
Object type: photograph
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Location: netherlands
Artist: fredrich wilhelm funckler
Artist role: instrument maker
Artist dates: 1836 – 1886
Subjects: physics and mechanics
Teapot
Object type: metalwork
Date: 1773 – 1773
Materials: metal, silver, silver gilt, wood
Location: saint petersburg
Artist: johann köpping
Portrait of Willem van Outhoorn, Governor General of the Dutch East Indies
Object type: painting
Date: 1691 – 1704
Materials: canvas, oil
Artist: david van der plas
Artist role: draughtsman, painter, print maker
Artist dates: 1647 – 1704
Subjects: batavia, willem van outhoorn
Inscriptions: signature: ‘D. vr Plaes’, inscription: ‘Wilhem van Outshoorn, Gouver.r Gener.l van India.’

Portraits of the governors general. At the head of the VOC administration in Asia was the governor general, the chairman of the East Indies Council, which met in Batavia. The Council's assembly chamber at the Castle in Batavia was the focal point of Dutch power. Along the walls hung the portraits of all the past governors general, symbolising the continuity of the Dutch presence. Smaller copies at the Company's offices in the Netherlands represented the VOC's power in Asia. The copies displayed here probably come from the VOC's Rotterdam Chamber. Some of the portraits from the series that hung in Batavia are displayed above in the VOC gallery that circles this room.

Pieter Both, 1610-1614
Gerard Reynst, 1614-1615
Laurens Reael,1615-1619
Jan Pietersz Coen, 1619-1623 and 1627-1629
Pieter de Carpentier, 1623-1627
Jacques Specx, 1629-1632
Hendrick Brouwer, 1632-1636
Antonio van Diemen, 1636-1645
Cornelis van der Lijn, 1645-1650
Karel Reiniersz, 1650-1653
Joan Maetsuycker, 1653-1678
Rycklof van Goens, 1678-1681
Cornelis Speelman, 1681-1684
Johannes Camphuys, 1684-1691
Willem van Outshoorn, 1691-1704
Abraham van Riebeeck, 1709-1713
Christoffel van Swoll, 1713-1718
Hendrick Zwaardecroon, 1718-1725
Mattheus de Haan, 1725-1729

The portrait of Joan van Hoorn, 1704-1709, is missing.
Landscape with a square tower
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: signature and date: ‘Rembrandt f 1650’, collector's mark: Lugt 2228, inscription: ‘C. 8932’
[Sanford Robinson Gifford]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: soldiers,men,portraits
Piece
Object type: piece
Date: 1785 – 1785
Materials: cotton, linen
Subjects: flowers,leaves
Portret van een man
Object type: photograph
Date: 1867 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: robert jefferson bingham
Artist role: printer
Artist dates: 1824 – 1870
Subjects: historical persons
Inscriptions: inscription: ‘Bingham/ Médaille de 1rs classe/ 1855-1862-1867/ Inventeur du procédé collodion/ Rue de Larochefoucauld, 58/ Paris’
Sullivan, Left Field, Chicago, from the Gold Coin series (N284) for Gold Coin Chewing Tobacco
Object type: baseball card
Date: 1887 – 1887
Techniques: color lithograph, drawing
Artist: d. buchner & co., new york
Artist role: publisher
Artist nationality: american
Artist dates: 1850 – 1900
Subjects: men,baseball,athletes

(Marty) Sullivan, Left Field, Chicago, trade card from the "Gold Coin" series (N284), issued by D. Buchner in 1887 to promote Gold Coin Chewing Tobacco. In the American Card Catalog, Burdick refers to the series as "Leading Baseball Players, Police Inspectors and Captains, Jockeys, and Actors." The images in this series do not always represent the specific athletes named.
The Outdoor Market, from Village Festivals
Object type: textile
Date: 1775 – 1789
Materials: silk, wool
Techniques: interlocking, slit, weave
Location: france
Artist: after a design by étienne jeaurat
Artist dates: 1699 – 1789
Heilig Grafkerk te Jeruzalem
Object type: print
Date: 1698 – 1700
Materials: paper
Techniques: etching, hand coloring, lithography
Location: delft
Subjects: interior of church
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Illustratie voor: Bruyn, Cornelis de. Reizen van Cornelis de Bruyn, door de vermaardste deelen van Klein Asia. Delft: Hendrik van Kroonevelt, 1698. De Nederlandse editie is lang geleden uit elkaar gehaald.
Plate
Object type: plate
Date: 1750 – 1770
Materials: faience
Techniques: glazing
Artist: veuve perrin factory
Artist role: factory
Subjects: insects,roses

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Door knocker
Object type: door knocker
Date: 1501 – 1600
Materials: iron
Grazende stier
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: etching
Location: netherlands
Artist: pieter gerardus van os
Artist role: draughtsman, painter, print maker
Artist dates: 1776 – 1839
Subjects: bull
Inscriptions: collector's mark: Lugt 2228
Portret van Maria II Stuart
Object type: print
Date: 1695 – 1724
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob gole
Artist role: print maker
Artist dates: 1660 – 1724
Subjects: london, maria ii stuart (koningin van engeland, schotland en ierland), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Portret van Maria II in een ovaal van lauwerbladen en oranjetakken. Daar omheen een aantal allegorische objecten en figuren. Midden boven haar wapen met een kroon, gedecoreerd met de Kousenband en het devies van de Orde van de Kousenband. Op een voetstuk haar geboortejaar, sterfjaar en haar naam en titels. In de ondermarge twee kolommen met elk twee regels Franse tekst.
Chasuble
Object type: textile
Date: 1601 – 1700
Materials: linen, silk
Techniques: cutting, treatment, embroidery, weave, stitching
Location: england
Drie pelgrims
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: Anonymous
Subjects: pilgrim(s)

Drie pelgrims op bedevaart. Onderdeel van het modelboek Enchiridion artis pingendi, fingendi & sculpendi met 108 figuren bedoeld voor beginnende schilders, beeldhouwers en prentmakers.
Handle or Ornament or Tool
Object type: handle or ornament or tool
Date: 801 – 1000
Materials: bone
Techniques: carving
Location: iran
H. Bruno geknield in een grot
Object type: print
Date: 1608 – 1856
Materials: paper
Techniques: engraving
Subjects: the founder of the order of the carthusians, bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s), cave, grotto
Inscriptions: collector's mark: Lugt 2228

Deze druk met opdracht, maar zonder privilege betreft volgens Anatole de Montaiglon en Mariette, p. 386, nr. 60, een moderne druk, waarbij het opschrift opnieuw lijkt te zijn gegraveerd. Zie ook IFF 17e siècle, p. 63. Waarschijnlijk betreft dit echter een kopie.
Broadside with 48 views of notable houses in Barcelona
Object type: print
Date: 1861 – 1861
Techniques: engraving
Artist: josé noguera
Artist role: artist
Artist nationality: spanish
Artist dates: 1800 – 1900
Subjects: houses
Gondelier boomt een gondel langs gevels aan het Canal Grande in Venetië
Object type: print
Date: 1914 – 1919
Materials: paper
Techniques: aquatint, etching
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: canals, waters (in city), gondola, venice
Inscriptions: annotation: ‘épreuve d'essai’

Is naar alle waarschijnlijkheid gebaseerd op de Palazzi Businelli en Lanfranchi aan de San Polo-zijde van het Canal Grande.
Ludovicus XIV, Franciae et Navarrae rex
Object type: print
Date: 1824 – 1827
Materials: paper
Techniques: lithograph
Location: munster
Artist: christian espagne
Artist role: print maker, printer
Artist dates: 1794 – 1838
Subjects: lodewijk xiv (koning van frankrijk), historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Bildnisse der beim westfälischen Friedensschluß zu Münster und Osnabrück versammelt gewesenen Gesandten. Münster: Christian Espagne, [1824-1827]. Deze publicatie bevat een onbekend aantal lithografieën, die in afleveringen verschenen als illustratie bij de tekst.
Cantle Plate
Object type: cantle plate
Date: 1565 – 1575
Materials: gold, steel
Culture: german
Location: germany
Kwak (Nycticorax nycticorax)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Location: delft
Artist: elias verhulst
Artist role: draughtsman
Artist dates: 1565 – 1601
Subjects: shore-birds and wading-birds: night heron

Kwak. Genummerd rechtsboven: 31. Met de Latijnse en Duitse naam. Onderdeel van het derde album met tekeningen van vogels. Vijfde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Haarkam van imitatie schildpad met gladde, paraboolvormige rug, vier tanden
Object type: comb
Date: 1800 – 1825
Materials: celluloid, plastic
Techniques: filing, polish, pressing, sawing
Location: netherlands
Artist: Anonymous

Haarkam van imitatie schildpad met gladde, paraboolvormige rug waarin twee banen in reliëf. Vier tanden.
Konijnen
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: rodents: rabbit

Blad 21 recto uit een schetsboek met 44 bladen.
Cap crown
Object type: cap crown
Date: 1734 – 1766
Techniques: lace
Subjects: flowers
Tablespoon
Object type: tablespoon
Date: 1701 – 1733
Materials: silver gilt
Subjects: women
Terracotta rim fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment, eye cup
Date: 525 – 515
Materials: terracotta
Culture: greek, attic

Exterior, part of eyebrow and eye with red pupil and an oculus consisting of black, red, and black bands
Het Plegtig Bezoek van Z.M. den Koning en zyne Doorluchtige Familie, bij en in het voormalige eenvoudige verblijf van C'Zaar Peter den Grooten, te Zaandam, op den 22 September 1831
Object type: print
Date: 1833 – 1833
Techniques: printmaking, lithograph
Location: netherlands
Subjects: anna paulowna romanowa, william i of the netherlands, william ii of the netherlands, berlin, frederik (prins der nederlanden), wilhelmina frederica louisa (koningin der nederlanden), public festivities at other royal events, not meant or mentioned above
Inscriptions: collector's mark: Lugt 2228, : ‘Gedeponeerd. 1833’

Bezoek van koning Willem I met zijn familie aan het voor een bezoek aan het Tsaar Peterhuisje te Zaandam op 22 sepetember 1831. Het gezelschap met de koning en koningin en de twee prinsen met hun vrouwen staande voor het huis.
Titelpagina voor: Adriaen Loosjes Pz, Maurits Lijnslager, Eene Hollandsche Familiegeschiedenis uit de XVII eeuw, 1852
Object type: titelblad, titelpagina
Date: 1852 – 1852
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: reading, conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Titelpagina voor: Loosjes Pz, Adriaen. Maurits Lijnslager, Eene Hollandsche Familiegeschiedenis uit de XVII eeuw. Haarlem: Kruseman, Arie Cornelis, 1852.
Armor for Heavy Cavalry with Matching Shaffron (Horse's Head Defense)
Object type: armor for heavy cavalry with matching shaffron horse's head defense
Date: 1600 – 1600
Materials: gold, leather, steel, textile
Culture: french
Location: france

One of the best-preserved French armors dating from the reign of Henry IV (1589–1610), this example demonstrates the French preference for completely gilt armors. It retains its original yellow silk helmet lining and red leather straps sewn with metallic thread. Matching this armor are a shaffron (defense for the horse's head), also in the Metropolitan Museum's collection (acc. no. 27.177.2), and a saddle, now in the Musée de l'Armée, Paris. In spite of its rich decoration, this armor was intended for use in battle. It was made at a time when the lance had been abandoned by the heavily armored cavalry in favor of a pair of pistols kept in holsters at the front of the saddle. The presence of hand firearms on the battlefield led to the increasing weight of armors such as this and the gradual discarding of elements like the defenses for the lower legs.
Allegory, plate one from Love
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: maurice denis
Artist role: print maker
Artist nationality: french
Artist dates: 1870 – 1943

These 12 prints come from Love, a series of color lithographs that form a disjointed narrative about a woman who experiences love, although it is unclear if she is falling in love with a man, nature, or her faith. Each soft and dreamlike image is paired with a caption of fragmented poetry that serves as its title, but these phrases do not directly describe their corresponding images. Maurice Denis, who was also a writer, crafted these puzzling yet evocative captions to add layers of meaning through the interplay of text and image.
Kop van een lapjeskat, van voren, met gesloten ogen
Object type: drawing
Date: 1819 – 1819
Materials: chalk, paper, pencil
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: cat
Gezelschap zittend op een binnenplaats (aangeduid als 'La Charpenterie'), vermoedelijk bij een landhuis of kasteel in Frankrijk
Object type: photograph
Date: 1903 – 1903
Materials: paper, photographic support
Techniques: gelatin silver print
Location: france
Artist: delizy
Artist role: manufacturer
Subjects: courtyard, plants and herbs: ivy, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Portret van een onbekende vrouw
Object type: print
Date: 1883 – 1913
Materials: paper
Techniques: etching, intaglio
Artist: georges montenez
Artist role: print maker
Artist dates: 1873 – 1930
Subjects: adult woman, historical persons, head-gear: cap
Inscriptions: collector's mark: Lugt 2228, inscription: ‘2 epréuves’
Viscera figure with jackal head (Duamutef)
Object type: four son of horus, duamutef, jackel headed
Date: 1000 – 945
Materials: mud, wax
Location: egypt

A set of four roughly-made figures (25.3.156a–d) were found inside the mummy of Nesitaset. Each figure represents one of the Four Sons of Horus, the deities who both embodied and protected the internal organs. Nesitaset's organs had been removed, divided into seven packages, dessicated, wrapped in linen, and placed back in the body. This figure represents the jackal-headed Duamutef, usually seen as the guardian of the stomach..
Apothekerspot, veelkleurig beschilderd
Object type: apothecary jar
Date: 1560 – 1625
Materials: earthenware, glaze
Techniques: maiolica, painted, polychromy
Location: netherlands
Artist: Anonymous

Concaaf cilindrische pot van veelkleurig beschilderde majolica, op een voet en met een ingesnoerde hals. De pot is beschilderd met blauwe horizontale lijnen en in het midden een mangaan paarse band. De kleuren lijken te zijn doorgelopen.
Portret van Louis Gallait
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: painter, print maker, draughtsman, louis gallait, adult man, historical persons, book - mm - book open, interior of the house
Inscriptions: collector's mark: Lugt 2228

Prent verschenen in: Baugniet, Charles. Les artistes contemporains: portraits lithographiés d'après nature, accompagnés de notices sur la vie et les ouvrages de chacun d'eux. Brussel: De Wasme-Pletinckx, [1836-1840].
Dish with immortals playing weiqi
Object type: dish
Date: 1425 – 1436
Materials: lacquer
Techniques: carving
Culture: chinese
Subjects: flowers,trees

Lotus-shaped dishes like this one were produced primarily during the short reign of the Xuande emperor. While two of the figures wear scholars’ clothing, the short cape of leaves adorning the shoulders of the man seated at center right identifies him as a Daoist immortal. He and one scholar play a chess-like game (weiqi) by moonlight—a common motif in Chinese art and literature.
Vrouw met een gitaar en een andere vrouw die luistert
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: pierre-ambroise richebourg
Artist role: fotograaf
Artist dates: 1810 – 1875
Subjects: 'tableau vivant', cithern, mandolin, guitar, balalaika, europe
Mirror
Object type: mirror
Date: 1601 – 1700
Materials: glass
Het Logement: de Doelen
Object type: photograph
Date: 1860 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: towers ~ fortified city
Seated Female Figure
Object type: figure
Date: 500 – 300
Materials: bronze
Culture: indonesian
Subjects: women
Portret van Adolphe Crémieux
Object type: print
Date: 1836 – 1899
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: politician, historical persons
Indiërs badend in de Ganges
Object type: sketchbook leaf
Date: 1924 – 1925
Materials: paper, pencil, watercolor
Techniques: brush
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: flight of steps, river, bathing (movement in water), asiatic races and peoples: indians

Op de achtergrond de trap die naar de rivier leidt. Pagina 25 uit een schetsboek met 23 bladen.
Twee bronzen inktpotten in het South Kensington Museum te Londen
Object type: page
Date: 1869 – 1876
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: ink-well
Inscriptions: number: ‘Plate XIX.’, number: ‘No. 2089. '55. (...) '61’, inscription: ‘Inkstand (...) Century.’
Het huis Den Ham, bij Vleuten
Object type: drawing
Date: 1744 – 1744
Materials: ink, paper
Techniques: brush, pen
Artist: jan de beijer
Artist role: draughtsman, print maker
Artist dates: 1703 – 1780
Subjects: castle, vleuten
Coffee urn
Object type: coffee urn
Date: 1733 – 1733
Materials: silver
Artist: tijmon suyk
Artist role: maker
Artist dates: 1699 – 1754

The tapering cylindrical coffeepot that was popular in Europe and Britain was also used in the Netherlands. When silver was to be employed for the serving of coffee, however, the Dutch preferred the coffee urn, which could have from one to three spouts. Many surviving Dutch silver coffee urns are ambitious in design and rich in execution, suggesting that they were intended for an affluent clientele. This example reflects the lingering popularity in the Netherlands of the Louis XIV style, seen here in the decorative motifs of acanthus leaves, tassels, and interlaced scrollwork.
Miniature Painted Bowl
Object type: bowl
Date: 1401 – 1533
Materials: ceramic, pigment
Culture: mexica, aztec
Location: mexico
Portret van Johann Ludwig von Erlach
Object type: print
Date: 1620 – 1650
Materials: paper
Techniques: engraving
Location: straatsburg
Subjects: jean louis d' erlach, historical persons
Inscriptions: collector's mark: Lugt 2228
Apostel Jakobus de Mindere
Object type: print
Date: 1712 – 1786
Materials: paper
Techniques: engraving
Location: venice
Subjects: the apostle james the less, first bishop of jerusalem; possible attributes: book, fuller's club, scroll
Inscriptions: collector's mark: Lugt 2228

In de literatuur worden alleen de twaalf apostelen samen als serie geteld. Maar uit de collectie van het Rijksmuseum kunnen we opmaken dat de serie uit ten minste 19 prenten en een titelprent bestond.
Saucer (part of a service)
Object type: saucer
Date: 1760 – 1765
Materials: hard paste porcelain
Artist: nymphenburg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Subjects: women,flowers,trees
Lübeck. Heiligengeist-Hospital
Object type: photomechanical print
Date: 1911 – 1911
Materials: cardboard
Techniques: color autotype
Location: lübeck
Subjects: hospital
Inscriptions: date
String of 12 Eyed Beads
Object type: necklace, bead
Date: 601 – 1000
Materials: glass
Location: egypt
Enkele voltooide gebouwen in een gebouwencomplex
Object type: photograph
Date: 1914 – 1919
Materials: photographic support
Techniques: gelatin silver print
Location: medan
Artist: Anonymous
Subjects: detached house in city, representation of real building (either existing or having existed), architecture

Enkele voltooide gebouwen op een bouwterrein met een groep gebouwen, waarschijnlijk te Medan. Foto in het fotoalbum van het Nederlandse architectenbureau en aannemersbedrijf Bennink en Riphagen te Medan in de jaren ca. 1914-1919.
Handschoen van donkerbruin glacéleer
Object type: glove
Date: 1960 – 1960
Materials: leather
Location: amsterdam
Artist: Anonymous

Linker handschoen, van bruin glacéleer. Model: kort, met omgezoomde entree. Geen versieringsnaden. Amsterdam, ca. 1960.
Man staand bij het paard Pet
Object type: photograph
Date: 1899 – 1899
Materials: cardboard, photographic support
Techniques: cyanotype
Location: united states
Artist: Anonymous
Subjects: horse
Inscriptions: date: ‘Mar 21, 1901’, inscription: ‘"Pet" our horse 1899’