deem-data/ArtiFact huggingface dataset:
[Studio Portrait: Man Seated on Wooden Box ]
Object type: carte de visite
Techniques: albumen silver print
Artist: juan de la cruz palomino
Artist role: artist
Artist nationality: peruvian, active chile
Artist dates: 1860 – 1910
Subjects: men,portraits

The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 1850s and throughout the latter half of the century, these economical keepsakes depicting portraits of loved ones, celebrities, monarchs, and foreign types circulated en masse and spurred a veritable "cartomania." Collected in albums, traded among friends, and admired in drawing rooms, cartes put photography in the hands of virtually everyone, and thus offered a means of reflecting upon one’s own social standing in an ever-expanding world.
Compositie van veertien foto's van personen en onderwijs aan de Keizerlijke Militair-Medische Academie, gecombineerd met decoratie van medische instrumenten
Object type: photograph
Date: 1913 – 1913
Materials: cardboard, paper
Techniques: salted paper print
Location: sint-petersburg
Artist: v. sabelskij
Artist role: fotograaf
Subjects: medical instruments, historical persons not known by name
Zittende man naast een tafel
Object type: sketchbook leaf
Date: 1710 – 1772
Materials: chalk, paper
Artist: petrus johannes van reysschoot
Artist role: draughtsman, print maker
Artist dates: 1702 – 1772
Subjects: sitting figure, table

Blad 85 verso en 86 recto uit een schetsboek met 105 bladen.
One of a Pair of Yellow and Iron-Red 'Dragon' Bowls
Object type: vessel
Materials: enamel, iron, porcelain
Techniques: overglaze, painting, underglaze
Location: china
Zes munten met portretten van mannen en vrouwen uit de klassieke oudheid: letter L
Object type: print
Date: 1675 – 1680
Materials: paper
Techniques: engraving
Location: antwerp
Artist: richard collin
Artist role: print maker
Artist dates: 1627 – 1697
Subjects: coin
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Joachim von Sandrart, L'Academia Todesca della Architectura Scultura e Pittura oder Teutsche Academie der Edlen Bau-, Bild- und Mahlerey-Künste. Nürnberg: 1675-1680.
Ein new Modelbuch..., page 3 (verso)
Object type: book print ornament architecture
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Subjects: acanthus

Published by Johann Schӧnsperger the Younger, Zwickau. From top to bottom, and left to right: Design composed of 3 vertical columns. Left column is decorated with a pattern of horizontal hatch marks. Middle column is decorated with a series of coiling acanthus leaves. Right column is decorated with a curving white line.
Portretbustes van Romeinse keizers Marcus Aurelius en Commodus
Object type: print
Date: 1510 – 1562
Materials: paper
Techniques: engraving
Location: rome
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 11

Samen met RP-P-H-H-259 op één opzetvel geplakt.
Carpet (tapis)
Object type: carpet
Date: 1634 – 1666
Materials: wool
Techniques: cutting, weave
Artist: savonnerie manufactory
Artist role: manufactory
Artist dates: 1626 – 2050
Subjects: flowers

Until 1671 the manufactory known as Savonnerie occupied workshops not only at the Louvre but also at the site of a former soap factory at Chaillot—hence the name Savonnerie, from the French savon, or soap. Textiles created at both locations during the first half of the seventeenth century are generally known as Louis XIII carpets. They are small in size and display a wealth of floral ornament against a black ground. Despite their name, however, many of these exquisite rugs were actually woven early in the reign of Louis XIV, who nominally became king in 1643, a few months before his fifth birthday. This well-preserved example in the Museum’s collection may originally have been intended as a table carpet. Almost serving as a carpet within a carpet, the central field has a border edged with trompe l’oeil tassels that seem to hang down on all sides when the rug is placed on a rectangular table the size of the field. Decorating the central panel is a floral wreath enclosing a large bouquet, flanked at either narrow end by a stone pedestal on which a basket of flowers is placed. The outer border is embellished with bowls, baskets, and vases filled with fruit and flowers that alternate with floral bouquets, echoing motifs seen in contemporary paintings. The bright colors used for the profusion of naturalistic flowers give the carpet a particularly fresh and lively appearance. Among them is the striped or flamed tulip; its bulb commanded high prices, resulting in a frenzy of speculation called tulipomania during the 1630s. The blue and white bowls reflect the fashion for Chinese porcelain, a prized commodity imported to Europe by ships of the East India Companies. [Daniëlle Kisluk-Grosheide, 2010]
Gedicht ter nagedachtenis aan Elias Anne Borger
Object type: print
Date: 1820 – 1822
Materials: paper
Techniques: etching
Subjects: symbols of death
Inscriptions: collector's mark: Lugt 2228
Schildpad- en slangeneieren
Object type: drawing
Date: 1784 – 1784
Materials: ink, paper, pencil
Techniques: brush
Location: jakarta
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: tortoises, turtles (+ egg), snakes (+ egg)

Zwartwit tekening van twee soorten eieren. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 2 (1808), p. 88.
Schotel
Object type: platter
Date: 1750 – 1800
Materials: earthenware, glaze
Techniques: painted
Location: delft
Inscriptions: inscription: ‘[...]/ 970/ Ar(?) pot/ [...] st’, mark: ‘figuratief teken klauw/ 490’

Ronde schotel van blauw beschilderde faience, met een geschulpte rand en versierd met het reigerpatroon. De schotel is gemerkt met de merken van de plateelbakkerij De Porceleijne Claeuw.
Slag bij Nieuwpoort
Object type: print
Date: 1855 – 1861
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: maurice (prince of orange), battle (+ land forces), battle of nieuwpoort
Inscriptions: collector's mark: Lugt 2228

Strijdtafereel tijdens de slag bij Nieuwpoort, 2 juli 1600. In het midden van het strijdgewoel prins Maurits te paard, wijst met zijn zwaard naar rechts.
Mechanical Rowel Spur
Object type: spur
Date: 1701 – 1800
Materials: copper alloy, metal alloy
Culture: german
Location: germany

This unique mechanical spur was attached to the left side of the horse and actioned by the rider by means of a cord or leather strap attached to the loop and passing over the brass roller which projects on a flat piece of metal. The rider would pull the strap causing the neck and its rowel to move to the right and roll against the horse's flank. The V-shaped spring restores it in its position when the pressure is released. The purpose of this spur is uncertain. It might have been used by a lady on a side saddle, though this it would have been strange, since using a regular spur on her left foot would have been easier. Maybe this mechanical spur, of which no other example is known, was used by a rider with an amputated left leg.
Jeanne and Regena
Object type: photograph
Date: 1917 – 1917
Techniques: gelatin silver print
Artist: morton schamberg
Artist role: artist
Artist nationality: american
Artist dates: 1881 – 1918
Subjects: girls,portraits,women
Neptune
Object type: drawing and watercolor
Date: 1701 – 1800
Materials: ink, paper
Techniques: pen
Location: italy
Artist: Anonymous
Artist nationality: italian
Artist dates: 1700 – 1799
L'ameublement / Collection simple
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery

Twee vensters met gedrapeerde gordijnen, in de Lodewijk XVI-stijl en de empirestijl. . Prent uit 293e Livraison.
Hedendaags Frankrijk
Object type: print
Date: 1856 – 1874
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: city-view, and landscape with man-made constructions, city-gate
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a plastic vase
Object type: plastic vase fragment
Date: 434 – 368
Materials: terracotta
Culture: etruscan

Part of the forehead, right eyebrow and eye, right cheek, and nose from a plastic head vase
Legend-Liet van Marquis d'Ancre / ende de ghevanckenisse syn Vrou
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: vocal popular music, newspaper, news-sheet, paris
Inscriptions: title: ‘Legend-Liet van Marquis d'Ancee / ende ghevanckenisse van syn Vrou’, collector's mark: Lugt 2228, address: ‘Ghedruckt t Amsterdam by Broer Jansz. op de Nieu-zijds kolck. Anno 1617’, date: ‘Anno 1617’, collector's mark: Lugt 2760

De moordaanslag op de Italiaanse staatsman Concino Concini op 24 april 1617 in Parijs. Ets met legenda waaronder lied in twee kolommen in boekdruk (op de wijs van 'Lieve Dochter vol van jeughden).
Deksel van decoratief object: man met fles in hand, op ton
Object type: decoratief object
Date: 1760 – 1790
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: delft
Artist: Anonymous
Inscriptions: inscription: ‘no 8’, collector's mark: ‘collection JF Loudon’

Deksel van decoratief object van veelkleurig beschilderde faïence.
Krab (Cancer)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, lacquer, paper, pencil, watercolor
Techniques: brush, pen
Subjects: crustaceans: crab

Krab. Genummerd rechtsboven: 7. Daaronder de naam in tien talen. Onderdeel van het zesde album met tekeningen van vissen, schelpen en insekten. Zesde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Gezicht op de stad Amsterdam vanaf het IJ, met vrouw en man gekleed volgens de destijdse mode van Amsterdam
Object type: print
Date: 1683 – 1689
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: city-view in general; 'veduta', river, clothes, costume (+ women's clothes), clothes, costume (+ men's clothes), ships (in general) - cc - more than one ship, amsterdam
Inscriptions: collector's mark: ‘I’ Lugt 1641b

Prent mogelijk uit: Allard, Carel. Orbis habitabilis oppida et vestitus. Des bewoonden waerelds steden en dragten. Amsterdam: Carel Allard, 168X.
Compiegne. Raadhuis
Object type: photograph
Date: 1850 – 1880
Materials: photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: compiègne
[E.B. Jones]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: men,portraits
Handpiek, fragment bestaande uit kling en een gedeelte van stok
Object type: pike
Date: 1590 – 1596
Materials: iron, wood
Techniques: cutting, forging
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Handpiek, fragment bestaande uit een kling van ijzer en een gedeelte van de stok.
Maanden van het jaar
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months', adult man (+ standing)
Inscriptions: collector's mark: Lugt 2228
Powder Horn
Object type: powder horn
Date: 1775 – 1775
Materials: horn, wood
Culture: colonial american
Location: united states

This powder horn is engraved with a map of Boston, a gun and a running animal among others.
Plattegrond van het eiland Dieuw of Diewij aan de Koromandelkust, India
Object type: area plan
Date: 1675 – 1725
Materials: gouache, ink, paint, paper, watercolor
Techniques: drawing
Location: deccan
Artist: Anonymous
Subjects: adrianus canter visscher, maps of separate countries or regions

Plattegrond van het eiland Dieuw of Dieuwij aan de Koromandelkust, India, met daarop een rivierdelta en verschillende nederzettingen met namen.
Cup
Object type: cup
Date: 1730 – 1730
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: fruit

Nowhere is Meissen's sensitivity to the kakiemon style more evident than in these beautifully realized pieces, which, like their Japanese prototypes, were owned by Augustus II, elector of Saxony and king of Poland.
The Smoke and Clouds Unfolding and Folding
Object type: ink tablet
Date: 1867 – 1933
Materials: ink
Culture: chinese
Artist: jian guzhai
Artist role: artist
Artist nationality: chinese
Subjects: dragons,pavilions

This ink tablet is from a sixty-four-tablet set (30.76.216–.279) commissioned by the Jiaqing emperor from the Studio for Appreciating the Antique (Jiangu Zhai) manufactory of the Wang Jinsheng family in Huizhou, Anhui Province. Each ink tablet commemorates a hall or pavilion in one of the imperial gardens. Each site’s name is written in gilt characters on one side; a view of the site is presented on the other. Such inks were purely decorative and not intended for use.
Pilaster base
Object type: pilaster base
Date: 1467 – 1533
Materials: marble

Similar pilasters are found on Roman funeral monuments.
Portret van Maria Christina van Oostenrijk
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: wilhelmus cornelis chimaer van oudendorp
Artist role: print maker
Artist dates: 1822 – 1873
Subjects: vienna, maria christina van oostenrijk (1742-1798), historical persons - bb - woman

Deze prent maakte waarschijnlijk deel uit van een serie uitgegeven door Soetens et Fils omstreeks 1838, opgedragen aan de Prins van Oranje. In de 'Prospectus en Inteekenlijst' stond vermeld dat het zal bestaan uit een onbepaald aantal portretten, waarvan er drie of vier per maand verschijnen. Zie Van Someren.
Water, plate three from The Four Elements
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist nationality: dutch
Artist dates: 1593 – 1641
Opgedragen aan al de verantwoordelijken
Object type: photograph
Date: 1914 – 1914
Materials: paper
Techniques: photography
Location: antwerp
Artist: arthur verbeek
Artist role: fotograaf
Subjects: netherlands, belgium
Bald old man with a short beard, in profile right
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: collector's mark: Lugt 240, inscription: ‘23’
Portret van Johann Georg Gölgel
Object type: print
Date: 1686 – 1686
Materials: paper
Techniques: engraving
Artist: jakob von sandrart
Artist role: print maker, publisher
Artist dates: 1630 – 1708
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Woelig water voor de haven van Hamburg
Object type: drawing
Date: 1907 – 1907
Materials: chalk, paper
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: harbour, germany
Inscriptions: date: ‘1907’
Verschillende ornamenten
Object type: ornament print
Date: 1820 – 1820
Materials: paper
Techniques: etching
Location: paris
Subjects: ornaments ~ art, piece of sculpture, reproduction of a piece of sculpture

Ornamentprent met verschillende ornamenten, rechts een staande jongen. Onderdeel (7e. Cah. f.le 1) van het prentalbum met twee series van in totaal 138 ornamentprenten door Beauvallet en Normand, 'Fragmens d'Ornemens dans le Style Antique'.
Gezicht op de Nieuwezijds Voorburgwal
Object type: cabinet photograph
Date: 1884 – 1909
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: andreas theodorus rooswinkel
Artist role: fotograaf
Artist dates: 1838 – 1909
Subjects: city-view in general; 'veduta', the usual house or row of houses, street
Inscriptions: inscription: ‘49 Nieuwe Zijdsvoorburgwal’, collector's mark: ‘14.30B’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Verhulststraat (Johannes), Viaducten, Vierwindenstraat, Vinkenbuurt, Vinkenpad, Vinkenstraat, Vischsteeg, Vliegendesteeg, Voetboogstraat, Volewijk, Vondelstraat, Voorburgwal (N.Z.).
Ne intuearis vinum quando flauescit (...)
Object type: print
Date: 1614 – 1654
Materials: paper
Techniques: etching

Uit serie van 14 bladen met schalen, kommen en kistjes.
Paris - Notre-Dame - Tympan du portail du Jugement (portail central) / Central portal of the Judgment (tympan)
Object type: photomechanical print
Date: 1903 – 1930
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: decorated gable, church (exterior)
Inscriptions: collector's mark: ‘AFE v S’
Buste van Seneca
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: piece of sculpture, reproduction of a piece of sculpture, (story of) seneca
Inscriptions: collector's mark: Lugt 240

Buste van Seneca. Prent uit een serie van twaalf prenten met antieke bustes, waarvan vier door Lucas Vorsterman I en acht door Boëtius Adamsz. Bolswert.
II./ Met Antisol
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: writing-table, writing-desk

Prent twee van veertien prenten na pagina 241.
Judgement of Paris and Blindman's Bluff (Furnishing Fabric)
Object type: textile
Date: 1785 – 1795
Materials: cotton
Techniques: weave, printing
Location: england
Subjects: propaganda
Groote centrale sapvanger systeem "de Haan" in bewerking
Object type: album leaf
Date: 1916 – 1924
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: colonial system, factory-interior, machine shop, machines; parts of machines; tools and appliances, java

Albumblad met een foto van een onderdeel van een machine. Vervaardigd door Machinefabriek Braat. Onderdeel van het fotoalbum Machinefabriek Braat Soerabaia-Djocja-Tegal, ca. 1916-1924.
Les Polichinels
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: children's games and plays, puppet and marionette show
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Jardins Anglo-Chinois 4e cahier
Object type: print
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: obelisks (garden ornaments), castle, garden buildings
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De serie 'Jardins anglo-chinois à la mode' verscheen in totaal in 21 zogeheten 'cahiers' (afleveringen). De huidige prent komt uit het vierde 'cahier'. Het Rijksmuseum Amsterdam bezit drie banden met daarin in totaal zes 'cahiers' van deze reeks. In de documentatie wordt verwezen naar een in de bibliotheek van het Rijksmuseum Amsterdam aanwezige facsimile van het complete werk.
Abraham verlaat Haran
Object type: print
Date: 1638 – 1658
Materials: paper
Techniques: engraving, etching
Artist: cornelis visscher (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1628 – 1658
Subjects: abraham starts out for the land of canaan with sarah, lot and his belongings
Inscriptions: collector's mark: Lugt 2228

De Amsterdamse uitgever Claes Jansz. Visscher (II) produceerde vanaf de jaren ’30 van de zeventiende eeuw grote Bijbelse prenten op zogenaamd royaal-formaat papier (ca. 480 x 580 mm). Na zijn dood in 1652 zette zijn zoon Nicolaes Visscher (I) het bedrijf voort en zo ook de uitgave van Royaalbijbelprenten. Toen Nicolaes in 1679 overleed nam zijn zoon Nicolaes Visscher (II) het bedrijf over en gaf kort hierna, omstreeks 1680, een fondslijst uit. Hierin worden 130 prenten met Bijbelse voorstellingen op royaalpapier beschreven (zie documentatie J. van der Waals). Complete prentbijbels op royaal-formaat werden door vader en zoon Nicolaes Visscher uitgegeven onder de titel Historiae Sacrae Veteris et Novi Testamenti. De bladen werden echter ook los verkocht en konden worden gecombineerd met Royaalbijbel-prenten van andere uitgevers. Verschillende Amsterdamse uitgevers brachten namelijk ook bijbelprenten op royaal-formaat uit, onder wie Clement de Jonghe en Cornelis Danckerts. De door de firma Visscher uitgegeven prenten zijn veelal vervaardigd door anonieme prentmakers naar voorbeeld van verschillende zestiende- en zeventiende-eeuwse Bijbelse prenten en prentreeksen. Veelal moesten de composities worden aangepast aan het grotere en langgerekte royaal-formaat. Daarnaast zijn er ook grote bladen van bekende prentmakers zoals Jan van Londerseel, Pieter Nolpe, Jacques de Gheyn (II) en Jan Harmensz. Muller opgenomen in de categorie ‘Bybelsche Figuren, op Royaal-bladen’ in de fondslijst van Visscher.

Prent mogelijk gebruikt in: Historiae Sacrae Veteris et Novi Testamenti (Royaalbijbel). Amsterdam: Nicolaes Visscher (I) en (II), [1652-1702]. Zie exemplaar British Museum.

In de fondslijst van Nicolaes Visscher II (ca. 1680) wordt deze prent niet genoemd.
Family of Deer under a Tree
Object type: drawing and watercolor
Date: 1790 – 1844
Materials: graphite, paint, paper, watercolor
Location: england
Artist: attributed to robert hills
Artist nationality: english
Artist dates: 1769 – 1844
Kanton Bazel, ½ batzen, 1809
Object type: coin
Date: 1809 – 1809
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: binnen twee samengebonden takken wapenschild. Keerzijde: binnen twee samengebonden takken in twee regels waarde-aanduiding, waaronder jaartal. Gladde rand.
Twee hoeden
Object type: sketchbook leaf
Date: 1890 – 1900
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: head-gear: hat (+ men's clothes)

Pagina 53 uit een schetsboek met 33 bladen.
Broadsheet about a thief named Malvado Ignacio Parra, who is shown on horseback holding a sword
Object type: print
Date: 1900 – 1913
Materials: paper
Techniques: letterpress, lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: swords,men,horses
Arthur Earle of Essex
Object type: print
Date: 1660 – 1742
Materials: paper
Techniques: etching
Location: london
Subjects: historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 240
Frontispiece, from Othello
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: drypoint, engraving, etching, roulette
Location: france
Artist: théodore chassériau
Artist nationality: french
Artist dates: 1819 – 1856
Monument ter ere van Johann Christian Anton Theden
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons, physician, doctor, monument, statue, fowl (cock, hen, chicken, etc.), (story of) aesculapius (asclepius), father time, man with wings and scythe
Inscriptions: date

Met links van het monument Tijd en rechts Asclepius en een man met een haan, mogelijk Mercurius.
Ansichten von Deutschland / Berlin und Potsdam
Object type: stereograph
Date: 1868 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: monument, statue
Inscriptions: number: ‘No. 96’
Vliegen
Object type: sketchbook leaf
Date: 1892 – 1901
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: insects: fly

Blad 17 verso uit een schetsboek met 51 bladen.