deem-data/ArtiFact huggingface dataset:
Stedenmaagd van Culemborg in kasteelvertrek
Object type: titelblad, titelpagina
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Location: utrecht
Subjects: castle - aa - civic architecture: inside, city represented symbolically
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Vignet met een kasteelvertrek. Op een troon onder een baldakijn zit de stedenmaagd van Culemborg, in haar handen het wapenschild van de stad. Op een cartouche de titel in het Nederlands.
Plusieurs Deseings d'Autelz A la Romaine
Object type: print
Date: 1665 – 1665
Materials: paper
Techniques: etching
Location: paris
Subjects: altar with altar-piece
Inscriptions: date

Tirelprent voor een serie ontwerpen voor altaren op de Romeinse manier. Links een altaar met vrijstaande Korinthische zuilen. Rechts een altaar met een schilderij bekroond door een engel. Onderaan de plattegronden. Prent maakt deel uit van een album.
Portret van Hendrik IV, koning van Frankrijk
Object type: print
Date: 1750 – 1799
Materials: paper
Techniques: engraving
Subjects: hendrik iv (koning van frankrijk en navarra), historical persons, king
Petit enfant debout sur un cheval
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: paris
Subjects: child, child playing with animals, horse, stall, stable
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228a
Journal des Dames et des Modes, Costumes Parisiens, 20 juin 1832, (2993): Chapeaux de crêp (...)
Object type: fashion print
Date: 1832 – 1832
Materials: paper
Techniques: engraving, hand coloring
Subjects: clothing for the upper part of the body (shawl) (+ women's clothes), clothing for the upper part of the body: blouse (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), fan (+ women's clothes), parasol, sunshade (+ women's clothes)
Inscriptions: title: ‘Costumes Parisiens.’, address: ‘Journal des Dames Places de la Bourse 9’, caption: ‘Chapeaux de crèpe de M"me Millet-Canezou en tulle par M"Lavig(...). (...)e de gros de naples et Echarpe de mousseline cachemire des M"ins de M"Gage(...)’

Hoeden van crêpe van Millet. 'Canezou' van tule, door M Lavig(...).Japon van 'gros de naples' en een sjaal van 'mousseline cachemire' uit de winkels van M Gage(...). Verdere accessoires: waaier, handschoenen, platte schoenen met gekruiste banden en vierkante neuzen. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, Parijs, 1797-1839.
Qānūn
Object type: qānūn
Date: 1801 – 1900
Materials: wood
Culture: turkish
Location: turkey
Goblet
Object type: vessel
Materials: bronze
Location: china

This vessel, with a carefully balanced spout and pointed rim, was probably used to heat and pour wine during ceremonies of ancestor worship. The second character of the inscription, showing four footprints around a square, has been read by scholars as a family name.
Leeuwarden. Turfmarkt Kanselarij
Object type: photomechanical print
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph, lithograph
Location: leeuwarden
Artist: Anonymous
Subjects: façade (of house or building), street
Man Plowing (recto and verso)
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: brush, drawing, stumping, wash
Location: netherlands
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist nationality: dutch
Artist dates: 1838 – 1888
Portret van Johan van Oldenbarnevelt
Object type: print
Date: 1619 – 1650
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: crispijn van de passe (ii)
Artist role: draughtsman, print maker
Artist dates: 1594 – 1670
Subjects: the hague, johan van oldenbarnevelt
Inscriptions: collector's mark: Lugt 240

Portret van Johan van Oldenbarnevelt. Onder het portret een Hollands vers van acht regels waarin Van Oldenbarnevelt als martelaar en slachtoffer van Maurits' hoogmoed wordt geëerd. Het is onduidelijk of het portret is gegraveerd en uitgegeven door Crispijn de Passe de Oude of de Jonge. De toeschrijving in Hollstein aan de zoon wordt hier aangehouden. Wellicht gaat het portret terug op het schilderij van Michiel van Miereveld
Afgemeerde zeilboten
Object type: sketchbook leaf
Date: 1806 – 1843
Materials: paper, pencil
Artist: hendrik abraham klinkhamer
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1872
Subjects: sailing-ship, sailing-boat
Inscriptions: date: ‘5 Junij’

Blad 22 recto uit een schetsboek met 40 bladen.
Portret van een staande man met jas
Object type: carte de visite
Date: 1850 – 1877
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Artist: alphonse plumier
Artist role: fotograaf
Artist dates: 1819 – 1877
Subjects: standing figure, historical persons, coat, cape
Inscriptions: inscription: ‘Alph. Plumier/ photographie/ Passage St Hubert, 27, et rue d'Arenberg’
Christus en de Farizeeërs in de tempel
Object type: print
Date: 1620 – 1686
Materials: paper
Techniques: engraving, etching
Subjects: christ (in the temple) in debate with pharisees about the tribute to caesar (matthew 22:15-22; mark 12:13-17; luke 20:20-26)
Inscriptions: collector's mark: Lugt 240
Portret van Mateo de Moncada de Cardona
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: engraving
Location: vienna
Artist: elias widemann
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment with the upper body of a bearded man
Object type: head of dionysos
Date: 400 – 301
Materials: terracotta
Culture: greek, south italian, tarentine
Subjects: heads,men

The figure of whom this is a fragment probably represented a reclining banqueter. It is impossible to say whether he is a mortal or a god, specifically Dionysos. Of particular interest is the position of his head. Banqueters virtually always recline with their bodies to their right and often look in the same direction. The position of the head here suggests the presence of a figure to his left or the effect of the wine.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of basket; genitals and thighs of frontal male
Valley view and the Srikantha peak in the Himalayas, Uttarakhand, India
Object type: photograph
Date: 1863 – 1865
Materials: paper
Techniques: albumen print
Location: uttarakhand
Artist: samuel bourne
Artist role: fotograaf
Artist dates: 1834 – 1912
Subjects: dale, valley, mountain-range, snow peaks
Inscriptions: number: ‘1535’, name: ‘Bourne’, inscription: ‘1535/ 1535/ Wooded Valley Fuladaru/ with the Srikanta Peaks/ in the Distance’, inscription: ‘Samuel Bourne f750,-’
Handdwaal van wit linnen
Object type: towel
Date: 1640 – 1670
Materials: linen
Techniques: peeled fabric
Location: northern netherlands

Handdwaal van wit linnen. Pellen keper. Merk TC en ?
Oiso, Odawara, Hakone, Mishima, Numazu
Object type: print
Date: 1840 – 1840
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Subjects: men,mountains,trees
Herrnhutter Begrafenis II
Object type: photograph
Date: 1900 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: paramaribo
Artist: eugen klein
Artist role: fotograaf
Artist dates: 1869 – 1927
Subjects: congregatie, evangelische broedergemeente, paramaribo (stad)
Inscriptions: inscription: ‘Paramaribo / Herrnhutter Begrafenis II’

Begrafenis van Hernhutters van de Evangelische Broedergemeente te Paramaribo. Een stoet vrouwen in witte kleding lopend door een straat. Onderdeel van een groep van 44 foto's van Paramaribo, Suriname en Curaçao, ca. 1900-1905, opgeplakt op kartons en voorzien van opschriften.
Landschap met ruïne op de rotsen
Object type: print
Date: 1852 – 1855
Materials: paper
Techniques: lithograph
Location: paris
Subjects: landscape with ruins, rocks (+ landscape with figures, staffage), ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228a
Letter O: ornament
Object type: book illustration
Date: 1556 – 1556
Materials: paper
Techniques: letterpress printing
Location: zurich
Subjects: initial

Prent afkomstig uit: Bibel, die gantze, das ist alle Bücher alts und news Testaments (...). Zürich: Johann Froschauer, 1556.
Figure 56: Surprise
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: guillaume-benjamin-amand duchenne de boulogne
Artist role: artist
Artist nationality: french
Artist dates: 1806 – 1875
Subjects: men,portraits
Perrette, aux Cendrillons, ca 1822, Scène XIII (8)
Object type: fashion print
Date: 1822 – 1822
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: fashion plates
Inscriptions: caption: ‘PERRETTE, aux Cendrillons. Arrêtez, Mesdames...... Le Seigneur Guilleri a résolu d'épouser celle de vous qui pourra chausser cette Pantoufle. / Scène XIII.’, inscription: ‘M.lles Arsène rôle de PERRETTE-CENDRILLON, Minette rôle de NICOLE -, Betzy rôle de BLONDINE -, No. 261 et 262. Jenny rôle de SIMPLETTE -, Rivière rôle de CENDRILLON-L'AINÉE, et M.r Joly rôle de JOCRISSE - CENDRILLON, dans les six Pantoufles ou le Rendez-vous des Cendrillons; / Vaudeville.’, address: ‘A Paris, chez Martinet, Libraire, rue du Coq, No. 13 et 15.’
Vase Fragment
Object type: vase fragment
Date: 31 – 14
Materials: terracotta
Culture: roman
Subjects: altars,dancing,maenads

Dancing maenad beside altar with relief decoration.
Dagger with a Handle in the Form of a Male Figure
Object type: dagger
Date: 500 – 300
Materials: bronze
Culture: vietnamese
Subjects: daggers,men
Fotoreproductie van een schilderij van een gezelschap met pianist
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: listening to music
Inscriptions: annotation: ‘Beethoven en Mozart/ 940.’
Joint Landscape
Object type: handscroll
Materials: ink, paper
Culture: chinese
Artist: shen zhou
Artist role: artist
Artist nationality: chinese
Artist dates: 1427 – 1509
Subjects: landscapes

Shen Zhou, the quintessential Ming scholar-amateur painter, preferred to live in retirement rather than risk the vicissitudes of government service. He devoted much of his later life to an exploration of the brush style of the fourteenth-century recluse-painter Wu Zhen. Shen's painting epitomizes the scholar-amateur tradition of self-expression; by depicting the interior world of the mind and heart, it embodies the essence of Chinese artistic striving. The painting's imagery is about private places: secluded dwellings hidden in the heart of the landscape. Shen's calligraphic brushwork, like handwriting, subtly conveys the writer's mind and personality. Shen's most ambitious landscape composition—the scroll is over fifty-six feet long—it shows the artist systematically reinterpreting Wu Zhen's brush idiom while striving for a new compositional monumentality. The painting remained incomplete at Shen Zhou's death. In 1546 it was rediscovered by Shen's illustrious pupil Wen Zhengming, who added finishing touches. Wen's inscription recounts: "The composition was already fully realized, but the dotting and washing had not been completed. I, his student, have now finished it. But consider my clumsy effort, how could I add to this 'sable tail'!"
Our Quarters Calcutta
Object type: drawing
Date: 1875 – 1875
Materials: ink
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: doorways,interiors,men,women,pianos
Twee studies van een man, mogelijk museumdirecteur Adriaan Pit
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: nijmegen, adriaan pit, adult man, anonymous historical person portrayed

Pagina 57 uit een schetsboek met 29 bladen.
Vrouw bij een buste van Jan Hendrik van Kinsbergen
Object type: print
Date: 1781 – 1816
Materials: paint, paper
Techniques: brush, etching, pen
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: jonkheer jan hendrik van kinsbergen, statues, sculptures in garden, trunked animals: elephant, water-birds
Inscriptions: collector's mark: Lugt 2228

Een vrouwenfiguur in een klassiek gewaad bij een buste van Jan Hendrik van Kinsbergen op een sokkel. Op de achtergrond een olifant en een vogel.
Bellona  overwint Afgunst
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: engraving
Location: france
Subjects: envy; 'invidia' (ripa) ~ personification of one of the seven deadly sins, bellona (enyo)
Inscriptions: collector's mark: Lugt 240

Bellona met speer en olijventak zit op de overwonnen personificatie van de Afgunst, herkenbaar aan het slangenhaar.
Portret van Filips II te paard
Object type: print
Date: 1539 – 1556
Materials: paper
Techniques: hand coloring
Location: antwerp
Subjects: philip ii of spain, equestrian state-portrait, historical persons
Inscriptions: address: ‘Ghedruct Thantwerpen op de Lombaerde veste by my Hans Liefrinck Formsnijder’, number: ‘35’

Filips II (1527-1598), zoon en opvolger van Karel V, geboren in Spanje, voor het eerst in de Nederlanden in 1549 bij zijn feestelijke intrede in Antwerpen. Ruiter in harnas op een gepantserd paard in galop naar links. Zijn wapen met de Orde van het Gulden Vlies linksboven.
Terracotta kantharos (drinking cup with two high handles)
Object type: kantharos
Date: 734 – 668
Materials: terracotta
Culture: greek, attic
Subjects: horses

With the absence of ornament and the depiction of the figures against a light, unglazed background, the decoration of this kantharos represents a distinct style within the Geometric norm.
Figuren in een textielwerkplaats aan het werk
Object type: print
Date: 1746 – 1788
Materials: paper
Techniques: woodcut
Location: haarlem
Artist: hendrik numan
Artist role: draughtsman, print maker, publisher
Artist dates: 1736 – 1788
Subjects: textile industry and clothing industry
Inscriptions: collector's mark: Lugt 240
Vitellius tazza
Object type: tazza
Materials: gilt silver
Subjects: human figures,battles,soldiers

Before beginning to chase the low-relief scenes on the tazze, each goldsmith would work out his composition on paper. He then transferred the design to the dish by pricking: with the paper pressed against the surface, he used a pointed tool to prick tiny dots along the outlines of the composition, punching through the paper and into the silver. In the third scene of this tazza, these marks are still visible in the contours of the architecture and landscape, especially in the lines of the riverbank. Scene one 1 Vitellius is hailed as emperor by his soldiers (although Galba still rules in Rome) (A.D. 69) 2 The soldiers carry Vitellius around the villages. He brandishes a sword, which once belonged to Julius Caesar, given to him in honor of his new role Scene two 1 During the civil war that commences after Otho murders Galba (A.D. 69), Vitellius divides his forces into two 2 The troops sent to challenge Otho receive a good omen: an eagle flies slowly in front of them Scene three 1 Vitellius receives another omen: a rooster lands on his shoulder and then stands on his head while he is giving legal judgments at a tribunal in Vienna Scene four 1 Vitellius enters Rome, dressed in a military uniform and surrounded by his men (A.D. 69) 2 He is greeted by the sound of trumpets played in his honor
Portret van Adolph Occo II
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: augsburg, historical persons

Prent mogelijk uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
60 jaar receptie
Object type: photograph
Date: 1950 – 1970
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Xylofoonspelers
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: other percussion instruments, the audience ~ art performance

Vooraan mogelijk een toeschouwer. Blad 24 verso uit schetsboek LXV met 27 bladen.
Ontwerp voor illustratie voor In Holland staat een huis: silhouet van de man die de knecht betrapt
Object type: drawing
Date: 1884 – 1917
Materials: paint, paper, pencil
Techniques: brush
Artist: nelly bodenheim
Artist role: designer, draughtsman, print maker
Artist dates: 1874 – 1951
Subjects: 83(van looy, in holland staat een huis)
Terracotta rim fragment of a kylix: Band cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Exterior, top of a palmette with black and red fronds
Colonna Traiana eretta dal senato, e popolo Romano all' imperatore Traiano Augusto nel suo foro in Rom (...)
Object type: album leaf
Date: 1637 – 1691
Materials: paper
Techniques: etching
Location: france
Subjects: triumphal column with helical friezes

Deze prent maakt deel uit van een reeks van 128 prenten(+ titelprent) (alleen de 119 prenten met details van het grote fries zijn genummerd) met voorstellingen van de Zuil van Trajanus.
Twee mannen met paarden bij een hooischuur
Object type: photograph
Date: 1920 – 1950
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: barn, hay-stack
Inscriptions: stamp: ‘[...]1 2/ Service’
Thomas à Kempis geknield voor Maria met het Christuskind
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: priest, thomas à kempis, madonna: mary sitting or enthroned, the christ-child in her lap (or in front of her bosom) (mary sometimes represented half-length), theologian, book
Inscriptions: collector's mark: Lugt 2228

Thomas à Kempis knielt in aanbidding voor Maria en het Christuskind. Aan zijn knieën een opengeslagen boek. Op de achtergrond een gezicht op een landschap met een kerk, en meer naar de voorgrond Thomas à Kempis in een grot. De prent heeft een bovenschrift in het Latijn. In de marge de biografische gegevens van de geportretteerde in het Latijn.
Portret van Hendrik Spilman
Object type: print
Date: 1743 – 1800
Materials: paper
Techniques: brush
Location: amsterdam
Artist: pieter louw
Artist role: draughtsman, print maker
Artist dates: 1725 – 1800
Subjects: haarlem, print maker, hendrik spilman, head-gear: hat (+ men's clothes), portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

De prentmaker, tekenaar en schilder Hendrik Spilman. Hij laat zijn over elkaar gevouwen handen op zijn wandelstok rusten.
Buffalo-Headed Vajrabhairava, a Wrathful form of Bodhisattva Manjushri
Object type: sculpture
Date: 1401 – 1500
Materials: bronze
Culture: tibetan
Location: tibet
Rinaldo en Armida
Object type: print
Date: 1724 – 1724
Materials: paper
Techniques: engraving, etching
Subjects: rinaldo, armida
Inscriptions: collector's mark: Lugt 2228
Het vroege leven van Maria
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: circumcision of the christ-child by the priest in the temple (luke 2:21)
Inscriptions: collector's mark: Lugt 2228

Deze prent is onderdeel van een serie van zes prenten met scènes uit het vroege leven van Maria. Die worden de 'Meesterstukken' genoemd, omdat Goltzius er het werk van verschillende illustere voorgangers in heeft nagebootst.
Puerta del Juicio-the Entrance to the Enclosure of the Alhambra
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: photoaquatint
Location: granada
Artist: Anonymous
Subjects: gate, entrance
Narumi stofpatronen, deel twee
Object type: book
Date: 1883 – 1883
Materials: paper
Techniques: woodcut
Location: nagoya
Inscriptions: collector's mark: ‘Rijksschool voor kunstnijverheid’ Lugt 3937
100. Un Iwân, à Damas
Object type: lithograph
Date: 1843 – 1843
Techniques: lithograph
Artist: joseph-philibert girault de prangey
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1892

Joseph-Philibert Girault de Prangey was an artist, architectural historian, archaeologist, and pioneer photographer. He first came to prominence in the 1830s for several studies of medieval Islamic architecture in Spain and Italy, which were illustrated with prints made after his drawings and watercolors. He subsequently learned the daguerreotype process and, in 1842, pursued his research on a three-year photographic excursion around the eastern Mediterranean. He returned to France in early 1845 with one thousand daguerreotypes, including the earliest surviving photographs of Greece, Egypt, Turkey, Syria, and Jerusalem, and among the first daguerreotypes depicting Italy. The twenty-two lithographs included in this set of Monuments arabes form part of a larger, unrealized project to publish and disseminate many more of his daguerreotype views, which he carefully stored and archived as an essential part of his archaeological fieldwork.
Double Chambered Bottle
Object type: bottle
Date: 1301 – 1500
Materials: ceramic
Culture: inca
Location: peru
Subjects: human figures
Vase
Object type: ceramic
Date: 1850 – 1850
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 – 
Inscriptions: Mark: "WEDGWOOD" and "T" impressed
Bomen tegen een berg
Object type: sketchbook leaf
Date: 1865 – 1913
Materials: paper, pencil
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: trees, mountains

Blad 6 recto uit een schetsboek met 68 bladen.
Mummy braces bearing the name of Painedjem
Object type: mummy brace, painedjem, menkheperre
Date: 1070 – 889
Materials: dye, leather
Location: egypt

This set of leather braces, embossed with the name Painedjem, would have been put around the neck and crossed on the chest of the mummy.
Pendant
Object type: pendant
Date: 500 – 600
Materials: copper alloy, glass
Culture: frankish
Location: germany
Gezicht op de Noorderkerk te Amsterdam
Object type: book illustration
Date: 1693 – 1694
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), church (exterior), market

Prent uit: Commelin, Caspar. Beschryvinge van Amsterdam, desselfs eerste oorspronk uyt den Huyse (…). Amsterdam: Abraham Wolfgang et al., 1693.
Of uit: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). Amsterdam: weduwe Aart Dircksz Oossaan, 1694.

Latere staat van de prent werd gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). Amsterdam: Andries van Damme et al., 1726. Zie voor deze staat: RP-P-2018-4000.
Louis-François de la Baume de Suze
Object type: print
Date: 1656 – 1656
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits,cross
Souvenir spoon with view of Turin
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, gilt, silver
Subjects: buildings,roads,coat of arms
To J. van der Linde Jr every good wish, Gloria Swanson
Object type: photograph
Date: 1929 – 1946
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons - bb - woman, portrait of film actor, film actress
Inscriptions: inscription: ‘Gloria Swanson, Queen Kelly 1929... Madame sans gene’
Tiziano Vecellio (1477-1576). De H. Nicolaas (gedeelte) - Rome, Pinacoteca Vaticana
Object type: photomechanical print
Date: 1928 – 1928
Materials: cardboard
Techniques: rotogravure
Location: milan
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: collector's mark: ‘AFE v S’