deem-data/ArtiFact huggingface dataset:
Fredericus Schenk LXI. Bisschop van Utregt
Object type: print
Date: 1681 – 1726
Materials: paper
Techniques: engraving, etching
Location: leiden
Artist: françois van bleyswijck
Artist role: draughtsman, print maker
Artist dates: 1671 – 1746
Subjects: archbishop, bishop, etc. (roman catholic), lamb bearing cross or banner, 'agnus dei' ~ symbol of christ, the vision of the lamb and the book with the seven seals
Inscriptions: collector's mark: Lugt 2228

Portret van Frederik Schenk van Toutenburg, aartsbisschop van Utrecht zittend op stoel terwijl zijn blik is gericht op verschijning van Lam Gods het boek met zeven zegels en kruisvaandel. Naast de aartsbisschop liggen zijn kruisstaf en mijter en voor een gordijn is zijn wapen weergegeven. Een scène op de achtergrond toont een kerkvergadering. Kniestuk in ovale omlijsting. Op verso staan twee kolommen Nederlandse tekst in gotisch schrift.
Stela of Four Women
Object type: stela, tekhnefer, intefankh, mesutnetjer tekhnefer, tanetib neferseresu
Date: 1802 – 1650
Materials: limestone, paint
Location: egypt

The inscription on this false-door stela lists four female individuals, who must correspond to the two adult women and two girls depicted in the scene below. The woman standing on the far right is probably Tekhnefer, born of Sitinheret, judging from the matching orientation of the figure and hieroglyphs that name Tekhnefer. The other adult standing on the far left is probably Intefankh, born of Hedjeret, the first personnel listed in the text above. As the names are generally listed in the order of age, the taller and therefore older girl standing in front of the pile of offerings is probably Mesutnetjer-tekhnefer, born of Dedetnub, and the younger girl behind her is probably Tanetib-neferseresu(?), born of Dedetnub. Sharing the same mother, who is not depicted on the stela, the two girls are apparently sisters, but their relationship to the two adults is unknown. Rendered in sunk relief, all four figures wear long sheath dresses. The two adult women have long hair, painted blue. The two girls have shaved their heads, painted red, except for single locks of hair with curled ends. Tekhnefer and Mesutnetjer-tekhnefer hold water lily blossoms up to their faces, and Tanetib-neferseresu(?) holds the same type of flower in her pendant hand, while Intefankh supports the latter’s arm. The pile of food offerings consists of bread loaves, various cuts of meat, green onions, and a bunch of grapes on a mat, as well as three pottery vessels containing beverages.
Studie van een mannelijk naaktmodel met de hand in een stellage, van onderen gezien, in het atelier van Jacques de Lalaing
Object type: photograph
Date: 1883 – 1914
Materials: photographic support
Techniques: albumen print
Location: brussels
Artist: jacques lalaing
Artist role: painter, sculptor
Artist dates: 1858 – 1917
Subjects: adult woman, the (nude) human figure; 'corpo humano' (ripa), artist (in general) working from nude model
Inscriptions: inscription: ‘[...]’
Christiaan Andriessen met twee vrouwen werk van Hoosting
Object type: drawing
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: drawing, sketch, interior of the house, candlestick
Inscriptions: inscription, inscription: ‘7 nov kijk dit is van Hoosting van Haarlem / 8 nov maar wat uurzullen wij dan daartoe neemen?’

Twee voorstellingen onder en boven. Bovenaan bekijkt Christiaan Andriessen met twee vrouwen werk van Hoosting.
Faience amulet plaque with several deities
Object type: amulet plaque, group of deity
Date: 1050 – 900
Materials: faience
Culture: egyptian or levantine

Amulet plaque, group of deities.
Gruss aus Berlin. Friedrich-Strasse mit der Passage
Object type: photomechanical print
Date: 1890 – 1903
Materials: cardboard
Techniques: photograph, lithograph, writing
Location: berlin
Subjects: buildings for performances, street
Inscriptions: postage stamp
Panel
Object type: panel
Date: 1601 – 1700
Materials: lace
Techniques: lace
Subjects: angels
Trade Card for Ashbury & Co., Printer
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Ecce Homo
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Bracelet
Object type: bracelet
Date: 1834 – 1866
Materials: metal, silk
Culture: american
Subjects: flowers
Vue Panoramique de Stamboul
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1920
Materials: cardboard
Techniques: lithograph
Location: constantinople
Artist: Anonymous
Subjects: temple, shrine ~ islam, mohammedanism, prospect of city, town panorama, silhouette of city
Gezicht op het Leidsebosje en de Koepelkerk te Amsterdam
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: park, church (exterior)
Inscriptions: annotation: ‘Leidse Bosje’
Wine Bottle with Flowers and Grasses
Object type: wine bottle
Date: 1601 – 1650
Materials: porcelain
Techniques: underglaze
Culture: japanese
Subjects: plants

The flower pattern on this delicate bottle was painted with soft brushstrokes, resulting in a fluid appearance and pale coloring. The focus on an isolated motif from nature is characteristic of early Imari porcelain, a style that differed from Chinese porcelain, which would later have a profound effect on Japanese wares. This porcelain vessel would have been used as a wine bottle for sake, Japanese rice wine. It belongs to the category of early Imari, which is the first type of porcelain produced in Japan. Works considered early Imari were made from the 1610s to the 1660s. After this point, the style of Japanese porcelain changed drastically due to the stimulation of the industry by the Dutch East India Company, when it began to buy Japanese wares and export them to Europe.
Brief aan Jan Veth
Object type: letter
Date: 1900 – 1900
Materials: ink, paper
Techniques: pen, writing
Artist: alphons diepenbrock
Artist role: componist
Artist dates: 1862 – 1921
Subjects: jan veth, den bosch, amsterdam, painter, print maker, draughtsman, antoon derkinderen, printed matter
Inscriptions: collector's mark: ‘RPK’
Afbeeldingen van beroemde plaatsen in Tokyo- compleet
Object type: kaft
Materials: cardboard, paper
Techniques: woodcut
Location: japan
Artist: kobayashi kiyochika
Artist role: print maker
Artist dates: 1847 – 1915

Kaft van een album behorende bij tien prenten van Kobayashi Kiyochika met afbeeldingen uit Tokyo en omgeving.
Kasteel van Segovia
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: pencil
Location: segovia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: castle
Inscriptions: kleurnotitie, handgeschreven

Pagina 18 uit een schetsboek met 23 bladen.
Huis op een erf met gesloten hek
Object type: print
Date: 1770 – 1779
Materials: paper
Techniques: etching
Artist: louis gabriel moreau
Artist role: draughtsman, print maker
Artist dates: 1740 – 1806
Subjects: rural housing, e.g. country-house, villa, cottage, gate, entrance
Inscriptions: collector's mark: Lugt 2200, collector's mark: Lugt 2228

Een huis met twee figuren in een deuropening, op een erf afgesloten door een houten hek.
Portret van Alexander von Soiron
Object type: print
Date: 1840 – 1855
Materials: paper
Techniques: engraving
Location: hildburghausen
Artist: johann christian friedrich kühner
Artist role: artist, painter, print maker
Artist dates: 1774 – 1852
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent uit: Meyer, Joseph. Das Grosse Conversations-Lexikon für die gebildeten Stände. Hildburghausen: Bibliographisches Institut, [1840-1855].
Grève d' Azette, from the Beautiful Bathers series (N192) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: profiles,women

Trade cards from the "Beautiful Bathers" series (N192), issued in an unnumbered set of 20 cards in 1889 by Wm. S. Kimball & Co. to promote the company's Sweet Lavender, Old Gold, Black and Tan, and Hard Tack tobaccos.
Evening Bell at Ikegami (Ikegami no bansho), from the series "Eight Views in the Environs of Edo (Edo kinko hakkei no uchi)"
Object type: print
Date: 1837 – 1838
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 460
Materials: terracotta
Culture: greek, attic
Artist: tarquinia painter
Artist role: artist

Interior, part of a draped symposiast reclining on a kline; behind the kline, resting against the wall, a knobby stick; Exterior of the largest fragment, symposiast with himation draped around upper left arm, elbow, waist, and legs, reclining on the ground, resting his back against two striped cushions; left hand and arm and part of torso of a second draped, reclining symposiast, holding a rhyton? in his left hand; a second fragment shows the head, neck, left shoulder, and frontal torso of a filleted symposiast reclining against a striped cushion; to the right, part of a draped symposiast; a third fragment depicts the back of the head, a bit of hair, chin, neck, right shoulder, extended right arm, frontal torso, and draped knee of a reclining symposiast; in the field, part of a lyre?; the fourth fragment shows part of the neck, right shoulder, part of the extended right arm, and frontal torso of a reclining symposiast; the fifth fragment shows knees or legs under drapery
Portrait of an Artist Sketching a Portrait Miniature
Object type: print
Date: 1799 – 1799
Materials: ink
Techniques: engraving, printing
Artist: franz jakob josef ignatz von predl
Artist role: artist
Artist nationality: german
Artist dates: 1759 – 1806
Subjects: men,artists
Tile
Object type: tile
Date: 1701 – 1800
Materials: earthenware
Techniques: glazing
Subjects: flowers
Charles van Laethem, negentiende intendant van de vaart van Brussel
Object type: jeton
Date: 1617 – 1617
Materials: copper
Techniques: striking
Location: antwerp
Artist: Anonymous
Subjects: charles van laethem, willebroekse vaart

Koperen penning. Voorzijde: gehelmd wapenschild binnen omschrift. Keerzijde: vier zeilschepen in sluis van Trois Fontaines binnen omschrift
Vierdaagse zeeslag, penning uit de verzuimde wachtboetes van de Amsterdamse schutterij vervaardigd en aan de wachthebbende schutters uitgedeeld
Object type: history medal
Date: 1666 – 1666
Materials: silver
Techniques: engraving, striking
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Zilveren penning. Voorzijde: de Manhaftigheid, afgebeeld als een Romeins soldaat met krans en wapenschild beschermt de Nederlandse leeuw binnen omschrift. Keerzijde: opschrift; randschrift
De zeven deugden
Object type: print
Date: 1559 – 1559
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, the (seven) acts of mercy
Inscriptions: collector's mark: Lugt 2228

De vrouwelijke personificatie van Liefde (Caritas) staat met twee kleine kinderen aan de hand ten midden van de werken van barmhartigheid. Rond haar worden de hongerigen gevoed, krijgen de dorstigen te drinken, worden de naakten gekleed, worden de gevangenen bezocht, worden de gasten ontvangen, worden de zieken verzorgd en worden de doden begraven. Onder de voorstelling een tweeregelige tekst in het Latijn.
Het ontploffen van de Eendracht tijdens de zeeslag bij Lowestoft, 1665
Object type: print
Date: 1782 – 1784
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: james stuart (hertog van york), jacob baron van wassenaer heer van obdam, battle (+ naval force), battle of lowestoft

Gebruikt als illustratie in: J.W. te Water, De vaderlandsche Historie van den heere J. Wagenaar, verkort, en met leerzaame aanmerkingen, ten dienste der Nederlandsche jeugd, 1784-1800, 4 delen. Dit nummer is een door het RPK toegevoegd nummer en staat niet in Frederik Muller, het werk waar de prent voor is gemaakt of uit afkomstig is, staat wel vermeld in Frederik Muller.
Terracotta vessel in the shape of a bent leg
Object type: vase in the form of a head and bent leg
Date: 550 – 500
Materials: terracotta
Culture: etruscan
Subjects: heads,legs
Portret van Petrus van Limburg Brouwer
Object type: print
Date: 1825 – 1850
Materials: paper
Techniques: lithograph
Subjects: dordrecht, scholar, philosopher, historical persons
German and Spanish Forts Near Bohemia Were Taken with Great Force Near Bohemia, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"
Object type: print
Date: 1659 – 1659
Techniques: etching
Location: italy
Artist: bartolomeo fenice (fénis)
Artist role: artist
Artist nationality: italian
Subjects: wars,soldiers,cannons,trees

This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.
Feeding cup
Object type: cup, feeding
Date: 1707 – 1708
Materials: silver
Artist: thomas holland i
Artist role: maker
Artist dates: 1707 – 1718
Their best friend
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1909
Materials: paper
Techniques: autotype
Location: london
Subjects: child, water-birds: duck
Inscriptions: inscription: ‘No. 62. Printed in Saxony.’
Tile
Object type: tile
Date: 1640 – 1660
Materials: earthenware
Techniques: glazing
Subjects: men,deer,fish,working
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, lower part of face and upper body of female figure to right, sphinx?
Memorabilivm Novi Testamenti in templo gestorvm icones tredecim elegantissimi ac ornatissimi
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: christ says to a paralytic man: 'rise, take up your pallet (bed)', the paralytic man is cured and walks away
Inscriptions: collector's mark: Lugt 2228

Christus loopt op sabbat langs het bad van Betzata waar veel zieken liggen. Hij geneest een zieke man die vervolgens weer kan lopen en met zijn slaapmat wegloopt. De omstanders kijken hem verbaast naar.
Testen van een wals
Object type: photograph
Date: 1931 – 1937
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: java
Artist: Anonymous
Subjects: other motor-vehicles not meant or mentioned above, java

Albumblad met zes foto's van het testen van een wals. Onderdeel van een fotoalbum met foto's van machines en constructies van de N.V. Machinefabriek Braat te Soerabaja, Soekaboemi en Tegal uit de periode 1931-1937.
Hakone Sanmaibashi ame
Object type: print
Date: 1880 – 1882
Materials: paper
Techniques: woodcut, nishiki e
Location: tokyo
Subjects: rain, bridge, 'en route', traveller under way
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De Sanmai brug met enkele reizigers tijdens zware regen; op de achtergrond een boom en verschillende huizen. Boven de titel staat vermeld wanneer de schets voor de prent gemaakt is: begin juli om vier uur s`middags.
Fotoreproductie van een fresco van de heilige Barbara, geschilderd door Jacopo Palma in de Chiesa di Santa Maria Formosa, Venetië
Object type: reproduction
Date: 1910 – 1910
Materials: paper
Techniques: color carbon print
Location: venice
Artist: Anonymous
Subjects: the virgin martyr barbara; possible attributes: book, cannon(ball), crown, cross, chalice with wafer, dioscuros (her father), peacock feather, sword, torches, mason's tools, tower
Inscriptions: inscription: ‘1187J Venezia S. Barbara Palma il Vecchio’, monogram: ‘IR’, check stamp: ‘Brogi/ [...]nze’
Berglandschap met dorp aan water
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: lisette wesmael
Artist role: print maker
Artist dates: 1861 – 1953
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), mountains
Inscriptions: collector's mark: Lugt 2228
Shipyard in Connecticut (from Sketchbook)
Object type: drawing
Date: 1858 – 1916
Materials: graphite, ink, paper
Culture: american
Artist: henry ward ranger
Artist role: artist
Artist nationality: american
Artist dates: 1858 – 1916
Subjects: houses

This sketchbook contains thirty-one undated drawings in graphite and ink of Noank and Lyme, Connecticut subjects. Beginning in 1899, Ranger became a leading member of the artists’ colony at Old Lyme, Connecticut, where a group of painters influenced by the Barbizon and impressionist styles gathered in the summer at the home of Florence Griswold. Ranger later acquired a country home in Noank, on Long Island Sound, near New London, Connecticut, and did much of his sketching there.
The blind piper crossing the stream
Object type: reproduction
Date: 1870 – 1875
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: print, e.g.: engraving, etching, lithograph
Wine glass cooler (seau à verre)
Object type: wine cooler
Date: 1750 – 1750
Materials: soft paste porcelain
Artist: vincennes manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 1756
Subjects: houses,trees

In 1745 the Vincennes factory was granted a royal privilege that allowed the factory to decorate porcelain with painted figures and gilding. As this privilege also prohibited the other French soft-paste porcelain factories from using similar decoration, Vincennes was given a significant advantage that insured its success.
De knecht van Elia ziet een kleine regenwolk
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: caspar luyken
Artist role: draughtsman, print maker
Artist dates: 1672 – 1708
Subjects: the servant reports he has seen a small cloud ~ story of elijah
Inscriptions: collector's mark: Lugt 2228, number: ‘136’

Illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. I.
one of a series of twelve on the Insurrection of the Batavians against the Romans "
Object type: painting
Date: 1600 – 1613
Materials: oil, panel
Artist: otto van veen
Artist role: draughtsman, painter
Artist dates: 1556 – 1629
Subjects: negotiations for truce on a demolished bridge, non-aggressive activities of julius claudius civilis

In 1613, the Dutch parliament (States General) commissioned Otto van Veen to paint twelve paintings depicting the revolt of the Batavians against the Romans in AD 69 and 70. These were displayed in Binnenhof, the central government building in The Hague. In the early years of the Dutch Republic, many compared their own revolt against Spain to the Batavian uprising.
Cap
Object type: cap
Date: 1840 – 1870
Materials: cotton, wool
Caesar riding on his chariot, from "The Triumph of Caesar"
Object type: print
Date: 1504 – 1504
Techniques: woodcut
Artist: jacob of strasbourg
Artist role: artist
Artist dates: 1494 – 1530
Subjects: soldiers,julius caesar,women,chariots
Sword Guard (<i>Tsuba</i>)
Object type: sword guard tsuba
Date: 1601 – 1800
Materials: iron, silver
Culture: japanese
Location: japan
Het afkondigen der Vreede in Algiers, zynde op den 8 Sept: 1726. geslooten tussen de Heere Staten Genl: en de regering van die Stadt
Object type: print
Date: 1726 – 1727
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: proclamation of peace
Inscriptions: collector's mark: Lugt 2228

Dit nummer is een door het RPK toegevoegd nummer en staat niet in Frederik Muller, het werk waar de prent voor is gemaakt of uit afkomstig is, staat wel vermeld in Frederik Muller. Gebruikt als illustratie in: Schouwtoneel van den oorlog ..., J. Roman, Amsterdam 1727.
Brisé fan
Object type: brisé fan
Date: 1870 – 1890
Materials: bone, metal, mother of pearl, silk
Culture: chinese
Fragment of an orphrey
Object type: orphrey
Date: 1451 – 1500
Materials: metal thread, silk
Idealisten II en verdere Kanttekeningen
Object type: print
Date: 1923 – 1923
Materials: paper
Techniques: lithograph
Artist: erich wichmann
Artist role: print maker
Artist dates: 1890 – 1929
Subjects: caricatures (human types)
Inscriptions: collector's mark: Lugt 2228

Langwerpige geabstraheerde figuur met een muts.
Putti and Coat of Arms
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: gerard de lairesse
Artist role: artist
Artist nationality: dutch
Artist dates: 1641 – 1711
Horn
Object type: horn
Date: 1867 – 1900
Materials: wood
Culture: mayumba
Location: congo
Artist: mayumba people
Artist role: maker
Artist nationality: congo
The Lovers
Object type: illustrated single work
Materials: gold, ink, paper, watercolor
Location: iran
Artist: riza-yi 'abbasi
Artist role: artist
Artist nationality: iranian
Artist dates: 1540 – 1660
Subjects: couples,men,women

The artist Riza‑yi 'Abbasi revolutionized Persian painting and drawing with his inventive use of calligraphic line and unusual palette. He painted The Lovers toward the end of a long, successful career at the Safavid court. The subject of a couple entwined reflects a newly relaxed attitude to sensuality introduced in the reign of Shah Safi (r. 1629–42). Here the figures are inextricably bound together, merged volumes confined within one outline.
Omslag Fragmenten van Nederlandsche kleederdragt
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: curtain ~ stage, head-gear: cap, folk costume, regional costume, amsterdam
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Christiaan Andriessen / van Stolk 5898 / verk. Andriessen Amsterdam / R. W. P. de Vries 17 Febr 1903 / n. 198’, collector's mark: Lugt 2760

Voor een vaandel staan maskers op een plank, daarnaast hangen een jurk en een pak. Rondom het vaandel staan en liggen gebruiksvoorwerpen. Bovenin het vaandel het wapen van Amsterdam. Onderdeel van een serie van zes bladen met figuurstudies van Nederlandse klederdrachten, straatfiguren en gebuiken, 1833.
Reclame voor een stoomlocomotief van Brooks Locomotive Woks in Dunkirk, New York
Object type: photograph
Date: 1869 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: advertising, steam locomotive, new york
Inscriptions: inscription: ‘(...)’
Berglandschap op West-Java bij Malangbong, bovenaan een hut
Object type: drawing
Date: 1816 – 1846
Materials: chalk, paper
Location: west java
Artist: adrianus johannes bik
Artist role: draughtsman, print maker
Artist dates: 1790 – 1872
Inscriptions: inscription: ‘g.Melambong’

Berglandschap op West-Java bij Malangbong; bovenaan een schets van een gedeeltelijk open hut met beddengoed op de vloer.