deem-data/ArtiFact huggingface dataset:
Proefslag voor een gouden dukaat
Object type: gouden dukaat
Date: 1849 – 1849
Materials: copper
Techniques: striking
Location: utrecht

Afslag van een gouden dukaat - zonder omschrift op de voorzijde - op een koperen plaatje
Half Model of a Schooner Gunboat
Object type: half model
Date: 1780 – 1820
Materials: wood
Techniques: polychromy
Location: netherlands
Artist: Anonymous
Inscriptions: label, bottom right: ‘401’ former inventory label

Gepolychromeerd mallenmodel (stuurboord). Gewrongen spiegel, hol wulf, geen details van het hek, geen zijgalerij; recht roer met vierkante roerkoning. Zeeg naar beide einden oplopend, één barkhout en één reehout. Geen sporen van het tuig. Gepiekt rondspant.
Departure of David the Shepherd from the House of His Father (Partenza di David pastore dalla casa paterna)
Object type: print
Date: 1743 – 1763
Techniques: etching
Artist: pietro monaco
Artist role: artist and publisher
Artist nationality: italian
Artist dates: 1707 – 1772
Subjects: men,donkeys,sheep,david,shepherds
Portret van Jean Vincent Capronnier de Gauffecourt
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: historical persons, printer
Inscriptions: collector's mark: Lugt 240
Amulet of Khnum
Object type: amulet, khnum
Date: 332 – 330
Materials: faience
Location: egypt

The four small figures of Isis, Khnum, Horus, and Nephthys and Khnum (26.7.883–26.7.886) are probably mummy amulets.
Arrowheads, needles, hooks and harpoons
Object type: arrowhead, needle, hook and harpoon
Date: 1000 – 300
Materials: bone
Culture: japanese

These implements—an arrowhead, fishhooks, needle, and harpoon—were skillfully carved from bone, a material worked by Japanese artisans since Paleolithic times. They were found in the Obara Shell Mound at Ofunato Bay in Iwate Prefecture. According to information gleaned from shell mounds, or middens, the people of the Jōmon period relied on a variety of strategies to obtain food. The large number of fishhooks, fashioned with and without barbs, together with the rich array of marine remains found in these rubbish heaps since very early times indicate that some fifty species of fish and shellfish constituted an essential dietary staple. Toggle-head harpoons, a later innovation, facilitated the hunting of sea mammals. Attaching a line to the toggle allowed the hunter to draw in his prey once the toggle had broken away from the harpoon shaft. Further evidence gathered from these refuse dumps suggests that the Jōmon people also relied heavily on nuts, collected most actively in the autumn, and hunted animals, notably wild boar and deer.
Design for Two Vases
Object type: drawing ornament architecture
Date: 1770 – 1785
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: cranes,flowers,leaves,vases
Coupe #1049
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Georg Friedrich Schnaderbach
Object type: print
Date: 1701 – 1707
Materials: paper
Techniques: engraving
Location: halle an der saale
Subjects: berlin, historical persons
Inscriptions: collector's mark: Lugt 2228
Needle case
Object type: needle case
Date: 1601 – 1700
Materials: bronze
Subjects: women
Harness Fitting with Zoomorphic Motif
Object type: harness fitting
Date: 300 – 201
Materials: bronze
Techniques: gilding
Culture: north chinese
Subjects: animals
Sadie Pfeifer, a Cotton Mill Spinner, Lancaster, South Carolina
Object type: photograph
Date: 1908 – 1908
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: lewis wickes hine
Artist role: fotograaf
Artist nationality: american
Artist dates: 1874 – 1940
Subjects: collected by hugh edwards

In 1906 the National Child Labor committee hired Lewis Hine, already known for his photographs of immigrant families arriving on Ellis Island and steelworkers in Pittsburgh, to document scenes of child labor. In a South Carolina cotton mill, Hine discovered 48-inch-tall Sadie Pfeifer and photographed her directly next to the dangerous machinery that she faced each day. Though she is bathed in light, her small form is nearly overwhelmed by the rows of spools in front of her, their repeating forms evoking the monotonous, mechanical nature of factory work. Hine's images originally appeared in periodicals, posters, and booths at anti-child labor conventions. In 1914, 35 states ruled to prohibit the employment of children under the age of 14 and to require an 8-hour workday for individuals under 16. These photographs, therefore, represent one of the first instances of photography helping to enact social change.
Duit van Nederlands Indië,1818
Object type: coin
Date: 1818 – 1818
Materials: copper
Techniques: striking
Location: surabaya
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Koperen munt. Voorzijde: tussen waarde-aanduiding 5 1/16 G. gekroond generaliteitswapenschild. Keerzijde: tweeregelig opschrift, waarboven muntteken en waaronder jaartal. Gladde rand.
Gezicht op het Muntplein met de Munttoren
Object type: photograph
Date: 1890 – 1939
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Artist: cornelis johannes steenbergh
Artist role: fotograaf
Artist dates: 1859 – 1939
Subjects: square, place, circus, etc., tramway, tram, tower, clock tower ~ monumental adornment, city-view in general; 'veduta'
Inscriptions: collector's mark: ‘10,24’ Lugt 1641b, signature: ‘foto. C. Steenbergh / Overtoom 21.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Maagdelievenstraat, Markenplein, Marnixstraat, Martelaarsgracht, Meeuwenlaan, Mennonietenpad, Meijerplein (Jonas Daniël), Mozes en Aäronstraat, Muidergracht, Muntplein.
Kinderen leren een poes dansen, bekend als ‘De dansles’
Object type: print
Date: 1804 – 1877
Materials: cardboard, paper
Techniques: photolithography
Location: munich
Subjects: cat, children playing musical instruments, child playing with animals, dog
Inscriptions: : ‘registrered / déposé’, collector's mark: Lugt 1641, stamp

Een groep kinderen probeert een kat te laten dansen; een voorstelling bekend als 'De dansles'. De kinderen zitten rond een tafel, een meisje speelt op een fluit, de hond blaft. Boven kijkt een man door een raampje toe, rechts hangt een luit aan de muur. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Piece
Object type: piece
Date: 1775 – 1775
Materials: metal thread, silk
Fotoreproductie van een tekening, voorstellende een portret van Jan Amos Comenius boven een globe en boeken
Object type: page
Date: 1891 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: amsterdam, book, writer, poet, author, globe
Beschryvinge vande begraefnisse van (...) Walraven, Heere tot Brederoede, Vry-Heere van Vianen (...) Gedaen binnen der stede van vianen den XXIX Januari. Ano. 1615
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: cortege, funeral procession

De begrafenisstoet met de kist (plaat 9). De lijkkist gedragen door jonge edelen. Onderdeel van de serie prenten van de begrafenisoptocht van Walraven van Brederode, heer van Vianen, op 29 januari 1615 te Vianen.
Allegorie op het jubileum van Nederlands Vrijheid, 1748
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: symbols, allegories of peace, 'pax'; 'pace' (ripa), freedom, liberty; 'libertà' (ripa)
Inscriptions: collector's mark: Lugt 2228

Allegorie op het 100-jarig jubileum van Nederlands Vrijheid, 1648-1748. De personificatie van Nederlands Vrijheid, afgebeeld met hoed op stok, de Nederlandse leeuw en vaandel van prins Willem IV, ontvangt de personificatie van de Eeuw die uit de wolken is afgedaald. Boven de troon staan bustes van de stadhouders, aan de voeten van de Vrijheid ligt de tijdens de opstand verslagen vijand: de katholieke kerk.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, unidentified subject; below, parts of two reserved lines
Mozaïekvloer met waakhond in huis te Pompeï, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: pompeii
Artist: Anonymous
Subjects: floor-covering, watch-dog, dog watching, pompeii
Inscriptions: number: ‘11’, number: ‘69.’, inscription: ‘Cave Canem, mozaiek’
Cupid Astride an Eagle
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: giulio pippi, called giulio romano, after
Achteroverliggende naakte jongeman
Object type: drawing
Date: 1554 – 1628
Materials: paper, oil
Techniques: brush
Artist: jacopo palma (il giovane)
Artist role: draughtsman, painter, print maker
Artist dates: 1544 – 1628
Portret van de predikant Gerard Johan Nahuys
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: utrecht, leiden
Inscriptions: collector's mark: Lugt 240
Gold earring with clustered spheres and pyramidal granulation
Object type: earring
Date: 101 – 300
Materials: gold
Culture: roman

Gold earrings with mulberry ornament.
Ostrich hunt, from 'Animal hunts' (Chasses à différents animaux)
Object type: print
Date: 1654 – 1654
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: birds,men,hunting,dogs,horses
European Sibyl, from the series of Sibyls
Object type: print
Date: 1530 – 1530
Techniques: woodcut
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: swords,sibyl
Théâtre Italien (Gioacchino Rossini, 1792–1868)
Object type: drawing
Date: 1821 – 1821
Materials: chalk, graphite
Techniques: brush, transfer, wash
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: men,women,acrobats

The reverse side of this caricature of the Italian composer Rossini is covered in red chalk, providing evidence of its transfer to the lithographic stone. The commentary that accompanied the print in the French daily "Le Miroir" poked fun at Delacroix for publishing it anonymously, while complimenting his drawing as one of "uncommon boldness" that was "biting and witty." Although he did not sign his satirical prints, they demonstrate Delacroix’s early objection to the dominance of the neoclassical aesthetic. His later work extended the same protest stylistically.
Apollo als herder van koning Admetus
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: (story of) apollo (phoebus), herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., musician - cc - out of doors, (story of) admetus
Inscriptions: collector's mark: Lugt 2228

Tekst in het Engels in de ondermarge. Genummerd: 10.
Christus en de overspelige vrouw
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Location: paris
Subjects: christ points to or writes on the ground
Inscriptions: collector's mark: Lugt 240

Christus buigt zich voorover en schrijft met zijn vinger iets op de grond, voor de voeten van een vrouw die door soldaten aan hem voorgeleid is. Deze prent is onderdeel van een reeks van tien prenten met voorstellingen uit het Nieuwe Testament, waaraan na Callots dood een titelprent is toegevoegd.
Charles de Gonzague, Duc de Nevers, attached letter
Object type: print
Date: 1501 – 1700
Techniques: etching
Artist: thomas de leu
Artist role: artist
Artist nationality: french
Artist dates: 1560 – 1620
Bell
Object type: bell
Date: 1801 – 1900
Materials: iron
Culture: fulani

The foot-like projections on either side of the bell's mouth resemble a frog, especially when viewed from the open end, symbolism which may be associated with fertility. This bell is externally struck with a beater.
Limestone head of a female votary
Object type: head of a woman
Date: 34 – 1
Materials: limestone
Culture: cypriot
Subjects: heads,women

Like the omission of a wreath for male figures, the absence of the veil could indicate a date at the end of the Hellenistic period, as proposed by Joan Connelly (“mid–late first century B.C.”). The head was turned slightly to its right. There is a fold of skin on the neck. The small mouth is closed, but the expression hints at a smile.
Study of a Seated Male Nude
Object type: drawing
Date: 1767 – 1900
Materials: chalk
Location: germany
Artist: philipp otto runge
Artist role: artist
Artist nationality: german
Artist dates: 1777 – 1810
Subjects: male nudes
Possibly a Pilaster with a Pattern of Guilloche and Palm Leaves
Object type: pilaster
Date: 501 – 700
Materials: stone
Techniques: carving, relief
Location: egypt
Seal with a Seated Lion
Object type: figure
Date: 1801 – 2000
Materials: ivory
Culture: chinese
Subjects: lions
Gevechtscène met ruiters, rechts Jael en Sisera
Object type: drawing
Date: 1500 – 1600
Materials: ink, paper
Techniques: brush, pen
Subjects: story of jael and sisera
Saucer with a bouquet and flower sprays
Object type: service set
Date: 1800 – 1849
Materials: glaze, paint, porcelain
Techniques: firing, forming, turning, vitrification
Location: vienna
Inscriptions: mark: ‘schild/ A/ 38/ 21/ 87’

Schotel, onderdeel van een servies beschilderd met veelkleurige bloemboeketten en strooibloemen. Merken (niet voor alle schotels, bk-1956-63-34/40, gelijk): o.a. in paars het getal 14; ingegrift de getallen 42 en/of 808,818. In onderglazuur blauw een wapenschild met twee dwarsbalken.
Bandontwerp voor: Almanak van het Amsterdamsch Studenten Corps, 1896
Object type: study for binding design
Date: 1896 – 1896
Materials: paper
Techniques: printing
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: ornament ~ combination of straight and curved lines, flowers ~ ornament

Bandontwerp voor: Almanak van het Amsterdamsch Studenten Corps. 66e jaargang. S.l.s.n., 1896.
Coffin of Nemtiemsaf
Object type: coffin, entemaemsaf, nemtiemsaf
Date: 1802 – 1640
Materials: paint, wood
Location: egypt
Subjects: coffins

The four black-painted coffins in gallery 109 are decorated with bands of inscription containing spells from the Coffin Texts. The eyes of Horus painted at the head end of the left side are enclosed in panels with a cavetto cornice on top. Two examples (31.3.429a, b; 31.3.430a, b) have a false door panel beneath the eyes, and a third (31.3.431) has a false door and a polychrome dado. On this coffin, which is inscribed for a priest named Nemtiemsaf "(the god) Nemti is his protection", the bands of inscription have a yellow background.
Returning Sails at Otomo (Otomo kihan), from the series "Eight Views of Kanazawa (Kanazawa hakkei)"
Object type: print
Date: 1835 – 1836
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Getroonde Neptunus met nereïden en tritons
Object type: print
Date: 1608 – 1650
Materials: paper
Techniques: etching
Artist: pierre brebiette
Artist role: draughtsman, print maker
Artist dates: 1598 – 1650
Subjects: (story of) neptune (poseidon), triton(s), nereids, daughters of nereus; sea-nymphs
Inscriptions: collector's mark: Lugt 240
Needlework Panel
Object type: textile
Date: 1667 – 1700
Materials: linen, metal thread, pearl, silk
Techniques: embroidery, embroidered
Location: portugal
Subjects: gardens, animals, english garden, foliage, hunting, landscapes, musical instruments, musicians, plants, trees
After the Tornado
Object type: watercolor
Date: 1811 – 1813
Materials: gouache, graphite, watercolor, paper
Culture: american
Artist: pavel petrovich svinin
Artist role: artist
Artist nationality: russian
Artist dates: 1787 – 1839
Subjects: landscapes
Dominique Zampieri
Object type: album leaf
Date: 1777 – 1777
Materials: paper
Techniques: engraving
Location: paris
Subjects: naples, painter, draughtsman, domenichino, historical persons, portrait, self-portrait of painter

Prent uit: Dreux du Radier, Jean-François. L'Europe illustré, contenant l'histoire abregée des souverains, des princes, des prélats, des ministres, (...) en Europe: dans le XVe. siècle compris, jusqu'à présent. 6 dln. Parijs: Jean-Luc Nyon, 1777, dl. 6.

Eerdere delen van dit boek zijn uitgegeven door Odieuvre & Breton tussen 1755 en 1765. Een tweede editie kwam uit in 1775 en het laatste, uitgeven door Jean-Luc Nyon, in 1777.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 4, p. 634.
Portret van een militair
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: nový jicín
Artist: august thiry
Artist role: fotograaf
Subjects: historical persons, (military) uniforms
Inscriptions: inscription: ‘Fotografisches Atelier von August Thiry in Neutitschein No. 687’, annotation: ‘Berchtesgaden’
Hecta (Coin) Depicting the Goddess Demeter
Object type: coin
Date: 400 – 350
Materials: alloy, gold, metal, silver
Location: greece

The front (obverse) of this coin depicts the head of goddess Demeter facing right, veiled and crowned with grain; her hair is rolled at the brow and she wears a circular earring. The back (reverse) of the coin depicts a tripod lebes, with 3-ring handles from 2 of which hang knotted taenia.

The island of Lesbos was famous for its writers, including the poets Alcaeus and Sappho, and for its cult of Demeter, the goddess of agriculture. Visitors could bring their questions to Demeter’s temple, where an oracle answered them by reading cobwebs. In an unusual show of cooperation, the two rival cities of Mytilene and Phocaea agreed to share a mint, which produced this beautiful coin showing the island’s patron goddess crowned with a wreath of grain.
Albrechtsgasse No. 3, Portal am Wohnhause des Friedrich Ritter von Schey
Object type: photograph
Date: 1860 – 1869
Techniques: albumen print
Location: austria
Artist: Anonymous
Artist nationality: austrian
Artist dates: 1800 – 1899
Königliche Villa bei Berg
Object type: page
Date: 1870 – 1875
Materials: paper
Techniques: photograph
Location: stuttgart
Subjects: villa
Iris
Object type: watercolor
Date: 1792 – 1861
Materials: paper, pencil, watercolor
Techniques: brush
Artist: georgius jacobus johannes van os
Artist role: draughtsman, painter, print maker
Artist dates: 1782 – 1861
Subjects: flowers: iris
Cyrus, Ne a Captiva Caperetur, Pantheam fugiendo vicit
Object type: print
Date: 1677 – 1677
Materials: paper
Techniques: engraving, etching
Location: vatican city
Subjects: (story of) cyrus king of persia
Inscriptions: collector's mark: Lugt 11, collector's mark: ‘Hinloopen’

Naar een fresco door Pietro da Cortona in de Sala di Venere in Palazzo Pitti te Florence. De prent maakt deel uit van een reeks van 15 ongenummerde prenten.

Deze prent maakte oorspronkelijk deel uit van liber nr. 22 van de Atlas van Rome, uit de collectie Hinloopen. In dit album waren een aantal prentreeksen naar bekende zeventiende eeuwse frescoseries bijeengebonden. In 1709 heeft Schijnvoet op last van de burgemeesters van Amsterdam de collectie herordend. De prenten uit liber 22 kwamen terrecht in Schijnvoet boek nr. 10. De laatst gedateerde reeks in het album is gedateerd 1691. Het album moet dus na deze datum gebonden zijn. De band is in de Rijksakademietijd uit elkaar gehaald. De marges van de prenten zijn bij het opbergen in het Rijksprentenkabinet vaak drastisch afgesneden. Van een aantal series waren de prenten teruggeslagen om in het album te passen. (Zie: Waals, Jan van der. De prentschat van Michiel Hinloopen. 's-Gravenhage: SDU uitgeverij, 1988, pp. 173-174.)
Groepsportret van zes leden van de familie Vermeulen en een hond in een tent in de duinen
Object type: album leaf
Date: 1910 – 1915
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: dunes (sea not visible); in the dunes, family life, other dwelling types, dog
Inscriptions: annotation: ‘Oma, moeder, Greet, 2 broertjes’
Friezen met dieren, insecten en vogels tussen bladranken
Object type: ornament print
Date: 1611 – 1625
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: michiel le blon
Artist role: print maker
Artist dates: 1587 – 1656
Subjects: foliage ~ ornament, fruits and vegetables ~ ornament, insects
Snuffbox with still life
Object type: snuffbox
Date: 1765 – 1770
Materials: copper, enamel
Subjects: birds,fruit
Studies
Object type: endleaf
Date: 1854 – 1914
Materials: chalk, paper, pencil
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: anatomy (non-medical)
Inscriptions: annotation: ‘53 x 67 1/2/ W. Dijkman/ blaricum/ oost end.’

Achterste schutblad uit een schetsboek met 43 bladen.
St.-Pétersbourg. Cathédrale des Sts Pierre et Paul
Object type: photomechanical print
Date: 1904 – 1930
Materials: cardboard
Techniques: photograph
Location: sint-petersburg
Subjects: church (exterior)

Boven de Franse titel staat de titel in het Russisch.
Tête de femme III
Object type: print
Date: 1913 – 1913
Materials: paper
Techniques: drypoint
Location: netherlands
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: head (human) - aa - female human figure
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 5i, collector's mark: Lugt 2228