deem-data/ArtiFact huggingface dataset:
Fotoreproductie van het beeldhouwwerk De Bouwkunst door Louis Samain
Object type: photograph
Date: 1880 – 1887
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture, 'architectura', symbolic representations, allegories and emblems ~ architecture; 'architettura' (ripa)
Inscriptions: inscription: ‘Louis Samain’, collector's mark: Lugt 2228, inscription: ‘Bouwkunst/ 70/ 162’
Lambert Doomer (1622(?) - 1700). View of Cleves. British Museum
Object type: photomechanical print
Date: 1902 – 1930
Materials: cardboard
Techniques: color autotype
Location: london
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: collector's mark: ‘AFE v S’
Cann
Object type: cann
Date: 1785 – 1785
Materials: silver
Culture: american
Location: united states
Artist: joseph richardson jr.
Artist role: maker
Artist nationality: american
Artist dates: 1752 – 1831
Façade van pand te Utrecht
Object type: photograph
Date: 1909 – 1909
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: utrecht
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: façade (of house or building), utrecht
Inscriptions: annotation: ‘Muntgebouw te Utrecht/ 17 december 1909’
Four Panels
Object type: textile
Date: 1711 – 1712
Materials: gilt, metal, textile, silk
Techniques: bookbinding, brocade, damask, interlacings, satin weave, weave
Location: france
Gezicht op de Herenpoort te Leiden
Object type: book illustration
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: bridge, windmill, city-gate
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Prent ook gebruikt in: Rademaker, Abraham. Rhynlands fraaiste gezichten; vertonende alle deszelfs lustplaatzen, heeren-huizen en dorpen. Van halfwegen Haarlem en Leyden (…) / Les plus agréables vuës de Rhynland, representant toutes les maisons de plaisance, maisons seigneuriales & villages. Commençant à demilieu Haarlem & Leyden (…). Ansterdam: Leonard Schenk, 1732.
Studieblad, onder andere met een wandelend paar, katten en muizen
Object type: drawing
Date: 1904 – 1906
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: rodents: mouse, cat, walking, hoofed animals: elk

Tevens studies van een wandelend meisje en een eland.
Portret van een onbekende man
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: lithograph
Artist: ignaz fertig
Artist role: print maker
Artist dates: 1809 – 1858
Subjects: historical persons not known by name
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Gezicht op de Nieuwe Kerk te Den Haag
Object type: print
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Subjects: city-view, and landscape with man-made constructions, the place of worship and its equipment ~ christian churches, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, the hague

Mogelijk uitgegeven als onderdeel van een serie van veertien gezichten in Den Haag.

Zie ook RP-P-AO-12-34A, RP-P-AO-12-118-1, RP-P-AO-12-118-2, RP-P-AO-12-118-3, RP-P-AO-12-118-4, RP-P-AO-12-118-5, RP-P-AO-12-118-6, RP-P-AO-12-118-7, RP-P-AO-12-118-8, RP-P-AO-12-118-9, RP-P-AO-12-118-11, RP-P-AO-12-118-12, RP-P-AO-12-118-13, RP-P-2016-2145, RP-P-2016-2146, RP-P-2016-2147, RP-P-2016-2148, RP-P-2016-2149, RP-P-2016-2150 en RP-P-2016-2151.
Scarf
Object type: scarf
Date: 1801 – 1900
Materials: silk
Techniques: lace
Onze-Lieve-Vrouwekathedraal van Rouen en een uitzicht op Rouen
Object type: album leaf
Date: 1808 – 1871
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: church (exterior)

Deze pagina maakt deel uit van een album.
Twee zeilschepen
Object type: print
Date: 1887 – 1952
Materials: paper
Techniques: woodcut
Artist: chris van der windt
Artist role: print maker
Artist dates: 1877 – 1952
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228
Titelprent met parklandschap
Object type: titelprent, frontispice
Date: 1643 – 1643
Materials: paper
Techniques: engraving, etching
Subjects: drawing (+ artist at work), park
Inscriptions: collector's mark: Lugt 2228
Étampes - La Tour de Guinette
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1930
Materials: cardboard
Techniques: photograph
Location: etampes
Subjects: towers ~ fortified city
Inscriptions: collector's mark: ‘AFE v S’
Smoking jacket
Object type: smoking jacket
Date: 1837 – 1837
Materials: wool
Culture: european
Strong box
Object type: strong box
Materials: steel

This formidable steel strongbox is reinforced with an armature of the same material. Its elaborate locking mechanism, consisting of nine bolts and various leaf-shaped shields, offered the owner a safe storage place for his valuables. Corresponding to the eyes along the rim of the lid, the two pendant hasps in front allowed the use of additional padlocks. Nuremberg and the neighboring town of Augsburg were major metal-producing centers where armorers, locksmiths, and founders made arms and armor as well as useful wares such as locks, caskets, and strongboxes.
Veld van vier tegels met vogels
Object type: tile
Date: 1640 – 1660
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van vier tegels (2 x 2) elk met een veelkleurige (blauw, groen, geel, oranje en paars) vogel op een tak. In de hoeken, een ossenkop.
Prosp. der Kirche und Nunnen Clost: S. Elisabeth In der Gassen du Temple
Object type: album leaf
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching, hand coloring
Location: frankfurt am main
Subjects: church (exterior)

Prent origineel vervaardigd als boekillustratie voor: Zeiller, Martin. Topographia Galliae, oder Beschreibung und Contrafaitung der vornehmbsten und bekantisten Oerter in dem mächtigen und grossen Königreich Frankreich, 13 delen. Frankfurt am Main: Caspar Merian, 1655-1661. De prent werd voor het eerst gepubliceerd in deel 1: Topographia Galliae, 1655.
Helmet crest
Object type: mask
Date: 1830 – 1855
Materials: copper, iron, pigment, wax, wood
Culture: kom
Location: cameroon
Artist: grassfields artist
Artist role: artist
Subjects: hands,heads

With its name translating to "assistant to the fon" or "father of the country," the Kwifon regulatory society serves as a counterbalance to the authority of the supreme ruler. Its independent lodges settle disputes, administer justice, and act as a stabilizing force during moments of transition. Kwifon’s masks are among the most feared and beloved in the northwestern Grassfields. Their demeanor ranges from menacing to jovial, with individual masks sometimes exhibiting both "hot" (angry) and "cool" (placid) traits. During festivals that ensure the protection of the land and its people, they are accompanied by an orchestra of iron bells and other sacred instruments. Given the popularity of the masks, Kwifon sometimes licenses their replication to local lineage groups. Isolated from their performance contexts and stripped of their costumes, the glossy, iron-blackened dance crests become difficult to identify.
Heilige Franciscus Xaverius
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Subjects: the jesuit missionary francis xavier; possible attributes: cross, crucifix, flaming heart, indian, lily, torch
Inscriptions: collector's mark: Lugt 240

Prent naar schilderij van Peter Paul Rubens.
Portret van Frans van Assisi van Bourbon
Object type: print
Date: 1846 – 1847
Materials: paper
Techniques: lithograph
Location: paris
Artist: Anonymous
Subjects: historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), king
Architecte Armenien, plate 88 from "Recueil de cent estampes représentent differentes nations du Levant"
Object type: print
Date: 1714 – 1715
Techniques: engraving, etching
Artist: jean baptiste vanmour
Artist role: artist
Artist nationality: french
Artist dates: 1671 – 1737
Subjects: men
Liggende varkens
Object type: sketchbook leaf
Date: 1846 – 1882
Materials: paper, pencil
Techniques: stumping
Location: netherlands
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: pig

Liggende varkens. Blad 42 uit een schetsboek met 91 bladen.
Gezicht op Amersfoort
Object type: print
Date: 1692 – 1714
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: thomas doesburgh
Artist role: print maker
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 195
Figure of a Striding Man
Object type: figure of a striding man
Date: 1650 – 1550
Materials: stone
Location: egypt

This little figure, broken mid-calf, has a squat, rectangular head capped by a bagwig, thin arms, and large fisted hands. He wears a shendyt-kilt. He belongs to a group of similarly posed, small figurines made for lower-level members of Egyptian society, who had the means to commission modest artworks either for their burial places or as temple donations.
Portret van Christiaan V, koning van Denemarken en Noorwegen
Object type: print
Date: 1656 – 1666
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: copenhagen (city), historical persons, king

Prent waarschijnlijk uit: Brachelius, Johannes Adolphus. Historia nostri temporis, dat is geschiedenis onses tijts (…). Rotterdam: Andries van Hoogenhuysen, 1656. Prent ook gebruikt in latere edities (1659, 1666).
Le chapeau à brides
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
Vijftien etsen opgedragen aan Joshua Reynolds
Object type: print
Date: 1712 – 1778
Materials: paper
Techniques: etching
Location: london
Subjects: looking in the mirror; contemplation of own beauty, book - mm - book open, satyr(s) (in general), index finger forwards, pointing, indicating
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De vrouw lacht richting een kind met spiegel en een sater, die op de rand van een altaar zitten.
The Tribute Money
Object type: reproduction
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Artist: hanns hanfstaengl
Artist role: print maker
Artist dates: 1820 – 1885
Subjects: christ, picture, painting
Washing
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: aquatint, etching
Location: london
Subjects: laundering
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Pyne, William Henry. Microcosm: or, a picturesque delineation of the arts, agriculture, manufactures, &c. of Great Britain. Londen: William Henry Pyne & John Claude Nattes, 1806.
Georges Mareschal
Object type: print
Date: 1736 – 1763
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Johannes Geiler
Object type: print
Date: 1685 – 1707
Materials: paper
Techniques: engraving
Location: straatsburg
Artist: a.d. dannegger
Artist role: print maker
Subjects: coat, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Portret van Wolfgang Ludwig Andreae
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: wolffgang ludwig andreae, historical persons, book
Inscriptions: inscription: ‘Andreae W L 122’

Prent uit: Würfel, Andreas. Diptycha ecclesiae Sebaldianae (...). Neurenberg: s.n., 1756.
Vest
Object type: vest
Date: 1900 – 1900
Materials: silk
Culture: american
La Mode, 5 juillet 1834, Pl. 385 : Chapeau en paille de riz (...)
Object type: fashion print
Date: 1834 – 1834
Materials: paper
Techniques: hand coloring, engraving
Location: paris
Subjects: ear-rings (+ women's clothes), cut flowers; nosegay, bunch of flowers, embroidery (ornamentation) (+ women's clothes), clothing for the upper part of the body (mantelet) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), fan (+ women's clothes), couch, sofa, settee, bracelet, wristlet (+ women's clothes)
Inscriptions: address: ‘L'Administration est Rue du Helder, 25.’, title: ‘La Mode.’, caption: ‘Chapeau en paille de riz orné de plumes - robe de mousseline brodée à mantille de tulle.’

Hoed van 'paille de riz' versierd met veren. Japon van geborduurde mousseline met 'mantille' van tule. Verdere accessoires: oorbellen, armbanden om beide polsen, waaier, platte schoenen met banden en vierkante neuzen. Prent uit het modetijdschrift La Mode (1829-1855).
Sweetly Breaths the Vernal Spring (valentine)
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: hand coloring, lithograph
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Birds and Flowers
Object type: screen
Date: 1601 – 1700
Materials: ink, panel, silk
Culture: japanese
Artist: kano tan'yū
Artist role: artist
Artist nationality: japanese
Artist dates: 1602 – 1674
Subjects: birds,flowers

The six paintings on silk bring together bird-and-flower paintings of the celebrated Edo Kano painter Tan’yū and two of his most talented pupils: his nephew Kano Naonobu and the female painter Kiyohara Yukinobu. The master painted the two central panels, Naonobu the ones immediately to the right and left of his teacher’s, and Yukinobu the outermost ones. Tan’yū is credited with reviving the fortunes of the Kano studio, and moved from Kyoto to Edo (where the Tokugawa Shogunate was based) in 1614. Along with Tan’yū, Naonobu was considered one of the top Kano painters of the early Edo period. In 1630, he was summoned to Edo by the Shogun, and established the Kobikichō branch of the Kano studio. Yukinobu, perhaps the most talented female painter of the Edo period, is said to have been a daughter of Tan’yū’s niece and the celebrated painter Kusumi Morikage (ca. 1620–1690). Like her father, she reworked conventional themes from Muromachi ink painting in a personal manner. Sometime in the late nineteenth or early twentieth century, the paintings were mounted together on the present screen, which features wood panels with ornate openwork carving.
Land of Benjamin (from Sketchbook)
Object type: drawing
Date: 1904 – 1904
Materials: graphite, paper
Culture: american
Artist: mary newbold sargent
Artist role: artist
Artist nationality: american
Artist dates: 1826 – 1906
Subjects: houses,landscapes
Aflaatbrief
Object type: document
Date: 1754 – 1754
Materials: ink, parchment
Techniques: colour, engraving, writing
Location: rome
Artist: francesco manzoni
Artist role: print maker
Dining Hall, Asylum
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: interiors,women,dining
Fonteinen met putti en meermannen
Object type: print
Date: 1672 – 1686
Materials: paper
Techniques: etching
Location: paris
Subjects: merman, ornamental fountain, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Twee fonteinen op een blad. Boven: Een fontein met een globe rustend op een mand met bloemen. Op de globe zit een putto met een bloemenmand. Rondom zitten zes putti met pijl en boog op dolfijnen. Onder: Een fontein in schelpvorm gedragen door zes meermannen. Op de schelp het gekroonde wapen van Frankrijk.
Fan leaf of Aurora after the fresco by Guercino
Object type: print
Date: 1796 – 1796
Techniques: engraving, etching
Artist: guercino (giovanni francesco barbieri)
Artist role: artist
Artist nationality: italian
Artist dates: 1591 – 1666
Octagonal Ceiling Design with Putti and Birds
Object type: drawing ornament architecture
Date: 1701 – 1800
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, dutch, 18th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1700 – 1800
Subjects: birds,architecture,ornament,putti
Nederlandse scheepswerf
Object type: print
Date: 1847 – 1891
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: johan conrad greive
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1891
Subjects: tools, aids, implements ~ crafts and industries, coat of arms (as symbol of the state, etc.) (+ nation; national), measuring-instruments, colours, pigments, and paints, shipbuilding industry, ship-model
Inscriptions: collector's mark: Lugt 2228

Het wapen van Nederland met zijn devies, een kroon en twee leeuwen. Daar omheen meerdere objecten uit de scheepsbouw, waaronder meetinstrumenten, gereedschap, verf en scheepsmodellen.
Brief aan Héloïse Bernard-Bodin
Object type: letter
Date: 1878 – 1941
Materials: ink, paper
Techniques: pen, writing
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: héloïse bernard-bodin

Brief gedateerd 10 Avril door schrijver, 97 [omcirkeld] ou 98 in latere hand.
Wijnfles uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: wine bottle
Date: 1700 – 1743
Materials: glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Wine bottle, continental production, onion-shaped, mouth missing; (1) eroded (16h, belly 15d, base 11d), tcs-kick-up.
Satire op het machtsmisbruik van de rooms-katholieke geestelijkheid
Object type: drawing
Date: 1527 – 1541
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: bernard van orley
Artist role: draughtsman, painter
Artist dates: 1487 – 1542
Subjects: entrance of hell as monstrous mouth (of leviathan), (aspects of) christian religion or the church (as institution) ridiculed, criticized, or caricaturized, abuses of the clergy, e.g. simony
Journal des Demoiselles, 1857, 25e année, No. 7
Object type: fashion print
Date: 1857 – 1857
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (+ women's clothes), cut flowers; nosegay, bunch of flowers, gloves, mittens (short gloves) (+ women's clothes), skirt (crinoline skirt) (+ women's clothes), head-gear (fanchon) (+ women's clothes), dolls for adults, fashion plates, bracelet, wristlet (+ women's clothes)
Inscriptions: address: ‘Paris, Boulevart des Italiens, 1.’, address: ‘Bruxelles Desterbecq Passage S.t Hubert Galerie de la Reine 7 / Amsterdam Desterbecq Nieuwendijk Over St Nicolas Straat’, title: ‘Journal des Demoiselles’

Twee vrouwen bij een tuintafel waarop een modepop. Links: gestippeld lijfje met wijd uitlopende mouwen op een wijde gestreepte rok. Rechts: tweedelige japon met streepmotief. Poffende ondermouwen. Accessoires: fanchon, armbanden, korte handschoenen, waaier(?). Prent uit het modetijdschrift Journal des Demoiselles (1833 -1922).
Waistcoat
Object type: waistcoat
Date: 1720 – 1720
Materials: silk
Culture: british
Tweehonderdjarig bestaan van de Universiteit te Utrecht 1836 (curatorenpenning)
Object type: history medal
Date: 1835 – 1835
Materials: bronze
Techniques: striking
Location: utrecht
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879

Bronzen penning, op de voorzijde Minerva met speer en schild waarop het wapen van de Utrechtse akademie, met omschrift en afsnedetekst, op de keerzijde negen regsl tekst tussen een samengestrikte lauwer- en klimoptak.
Portret van Salomon Gessner
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: painter, salomon gessner, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Departing Storm
Object type: print
Date: 1829 – 1829
Techniques: mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: landscapes,clouds

View of a country landscape over which departing clouds reveal a rainbow. In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project. 2b is not a proof recognized in the Shirley catalogue raisonné. Rather, the Metropolitan Museum of Art's copy of Shirley contains handwritten notations regarding a second proof.
Portret van Federico da Montefeltro
Object type: book illustration
Date: 1735 – 1735
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons

Prent waarschijnlijk uit: Notzingen, Jacob Schrenck von. Armamentarium Heroicum Ambrasianum. Innsbruck: Johannes Agricola, 1735.
Huwelijk van Filips IV, koning van Spanje en Maria Anna, aartshertogin van Oostenrijk
Object type: jeton
Date: 1649 – 1649
Materials: copper
Techniques: striking
Location: belgium
Artist: Anonymous
Subjects: filips iv (koning van spanje), vienna, maria anna van oostenrijk (koningin van spanje), lille

Koperen penning. Voorzijde: naar elkaar gewende borststukken van man en vrouw onder twee ineen geslagen handen binnen omschrift. Keerzijde: wapenschild in cartouche binnen omschrift.
San Giorgio
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Holland, duit, 1763. Afslag in zilver
Object type: coin
Date: 1763 – 1763
Materials: silver
Techniques: striking
Location: dordrecht

Zilveren munt. Voorzijde: binnen omheining staande leeuw met vrijheidshoed op speer. Keerzijde: opschrift: provincienaam in drie regels, daaronder jaartal. Kabelrand.
Ondervraging van een Japanse commandant
Object type: photograph
Date: 1946 – 1946
Materials: photographic support
Techniques: photography
Location: dutch east indies
Subjects: dutch east indies, the

Na de Japanse overgave zijn de geallieerden aangekomen op Timor. Een Japanse commandant wordt ondervraagd door Nederlandse militairen.
Portret van de vijf kinderen van de fotograaf (Sacha, Renée, Dorothée, Thelma, en Irène) met een nanny
Object type: photograph
Date: 1910 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Inscriptions: annotation: ‘Barroness R. van Tuyll van Serooskerken. / Rubensstraat 63 / Amsterdam. / Holland.’, annotation: ‘Irène / Baby / Nanny / Renée / Thelma / Sacha’, signature and date: ‘H. Pauw v. Wieldrecht 6/11:1910.’
Oilette
Object type: photomechanical print
Date: 1905 – 1912
Materials: cardboard
Techniques: color autotype
Location: england
Subjects: river, quadrangular pyramid
Panorama van Jeruzalem, gezien vanaf de Olijfberg
Object type: photograph
Date: 1890 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: ottoman empire
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Inscriptions: stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, title: ‘S 4. A.B.C. Panorama van Jeruzalem, van den Olijfberg gezien’, number: ‘298./ 299./ 300.’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).