deem-data/ArtiFact huggingface dataset:
Maria met kind
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: madonna: i.e. mary with the christ-child
Inscriptions: collector's mark: Lugt 2228

Maria, gezeten op de wolken, houdt met beide handen het Christuskind vast, dat op haar schoot staat.
Two Sketches of a Park
Object type: drawing and watercolor
Materials: graphite, paper
Location: france
Artist: pierre antoine mongin
Artist nationality: french
Artist dates: 1761 – 1824
Vijver in de tuinen van Paleis Het Loo
Object type: print
Date: 1694 – 1697
Materials: paper
Techniques: etching, hand coloring, lithography
Location: amsterdam
Subjects: french or architectonic garden; formal garden, garden pond
Inscriptions: collector's mark: Lugt 2228

Prent uit een serie van 71 prenten met Rijnlandschappen, gezichten op vorstelijke paleizen en stadsgezichten uit Den Haag en Amsterdam.
Ladle
Object type: metalwork
Date: 1865 – 1870
Materials: silver
Location: new york
Artist: wood & hughes
Inscriptions: marked at base of handle: "W&H"/"STERLING"/engraved at top of handle: "IL"
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: houses,trees
Cloelia on horseback crossing the Tiber
Object type: print
Date: 1540 – 1560
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: infants,women,horses
Venezia - altra veduta del Lido
Object type: photograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Subjects: façade (of house or building), quay
Inscriptions: number: ‘3115.’, number: ‘4.’
Disegni, et Abbozzi di Agostino Mitelli Intagliati Dal Figluolo di Lui Gioseppe Maria Mitelli
Object type: print
Date: 1644 – 1718
Materials: paper
Techniques: etching
Location: bologna
Subjects: ornaments ~ art, capital (~ column, pillar)

Twee ornamentele kapitelen. Het bovenste kapiteel met hoornen met vruchten. De prent maakt deel uit van een album.
Spring Landscape
Object type: painting
Date: 1901 – 2000
Materials: ink, silk
Techniques: painting
Culture: japanese
Artist: kawabata gyokushō
Artist role: artist
Artist nationality: japanese
Artist dates: 1842 – 1913
Subjects: mountains,landscapes
New England Country Seat
Object type: painting
Date: 1800 – 1820
Materials: oil, panel, wood
Location: new england
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1899
Subjects: landscapes, architecture
Portret van een oude vrouw met hoofddoek
Object type: print
Date: 1774 – 1808
Materials: paper
Techniques: etching
Location: netherlands
Artist: johan antoni kauclitz colizzi
Artist role: print maker
Artist dates: 1742 – 1808
Subjects: anonymous historical person portrayed alone - bb - woman
Inscriptions: collector's mark: Lugt 2227
Stamp seal
Object type: stamp seal
Date: 201 – 700
Materials: stone
Culture: sasanian
Location: iran or mesopotamia
Subjects: peacocks
Fragment bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: plate dish
Date: 1613 – 1613
Materials: porcelain
Location: shantou
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A dish. In the centre, a standing phoenix with a peony on the left and bamboo on the right. The walls have four oval medallions in diamond shaped frames filled with rosettes and separated by a parody of trigrams. Around the lip-rim is a band of key-fret under blue. The exterior is plain.
Driehonderdjarige herdenking van het wonder van de mishandelde misbroden te Brussel, rekenpenning van Theodore d'Elshout-Van Heusden, heer van Middelswale, magistraat van de schatkist van Brussel
Object type: jeton
Date: 1601 – 1670
Materials: copper
Techniques: striking
Location: brussels
Artist: Anonymous
Subjects: brussels

Koperen penning. Voorzijde: met drie kronen gekroond tabernakel waarin drie hosties ten toon gesteld worden; daaronder strooit een hand uit wolken hosties binnen omschrift. Keerzijde: gehelmd wapenschild, geflankeerd door twee leeuwen binnen omschrift
Baltasar Carlos on horseback
Object type: print
Date: 1778 – 1778
Materials: ink
Techniques: drypoint, etching, printing
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: princes,horses
Portret van een vrouw met parasol, leunend op een balustrade
Object type: photograph
Date: 1885 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: adolphe zimmermans
Artist role: fotograaf
Artist dates: 1858 – 1922
Subjects: historical persons - bb - woman, balustrade, parasol, sunshade
Inscriptions: inscription: ‘ANVERS 1885./ (...)/ Adolphe Zimmermans/ Photographe./ De Riemerstraat No. 21./ La Haye.’
Abstracte compositie
Object type: print
Date: 1920 – 1920
Materials: paper
Techniques: lithograph
Artist: erich wichmann
Artist role: print maker
Artist dates: 1890 – 1929
Subjects: abstract, non-representational art
Inscriptions: collector's mark: Lugt 2228
Vertrek veerboot uit de haven van Enkhuizen
Object type: photomechanical print
Materials: cardboard
Techniques: writing
Location: koog aan de zaan
Artist: simon bakker jz.
Artist role: printer, publisher
Artist dates: 1873 – 1930
Subjects: harbour, ferry, steamship, motorship, enkhuizen
Inscriptions: postage stamp
View of the Lac d’Espingo and the Cirque d’Espingo in the Pyrenees
Object type: drawing and watercolor
Materials: graphite, paper, watercolor
Location: france
Artist: eugène-emmanuel viollet-le-duc
Artist nationality: french
Artist dates: 1814 – 1879
Inscriptions: Inscribed and dated lower left, in graphite: “Lacs glacés 21 août 65”; verso, center left, in graphite: “28.3 x 46.5”; lower left, in graphite: “Lacs glacés 21 août 55 / E. Viollet le Duc”
Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto Ve(nez)iano
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: hôtel, i.e. small palace in city, rome

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Basementen, gevonden bij opgravingen op de binnenplaats van het seminarie te Rolduc
Object type: photograph
Date: 1890 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: rolduc
Subjects: base (~ column, pillar)
Inscriptions: annotation: ‘Rolduc’, annotation: ‘Basementen en kapiteelen gevonden bij het doen van opgravingen op de binnenplaats van het Instituut te Rolduc oct 1890’
Negentien portretten van theologen en filologen
Object type: print
Date: 1687 – 1695
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: theologian, historical persons
Inscriptions: number: ‘a15’

Rechtsonder handgeschreven genummerd: a15.
Two teabowls (part of a service)
Object type: teabowl
Date: 1760 – 1760
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Baboon
Object type: amulet, baboon
Date: 200 – 200
Materials: stone
Location: egypt
Subjects: baboons
Grecian Couch
Object type: furniture
Date: 1825 – 1840
Materials: wood
Techniques: inlay
Location: new england
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: furniture
Ruit met een vogel op een tak met kersen
Object type: light window
Date: 1650 – 1675
Materials: glass, lead
Techniques: enamel painting
Artist: Anonymous
Subjects: birds

Een ruit met emailschildering van een vogel gezeten op een tak met kersen in overwegend blauw, grisaille en zilvergeel.
Column
Object type: column
Date: 1701 – 1800
Materials: marble

Blue John, also known as Derbyshire Spar, is a rare semi-precious mineral, which can be found only in Britain, primarily in Derbyshire. This neo-classical urn and columns are highly evocative of eighteenth-century British taste for hardstones fashioned into classical forms.
Carte-de-visite Portraits of Domestic Workers
Object type: photograph
Date: 1883 – 1887
Materials: cardboard, photographic support
Techniques: daylight paper print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘ALBERT GREINER/ Photograaf van wijlen Z.M. den/ Koning Willem III en H.M. de Koningin Weduwe./ AMSTERDAM/ (...) AMSTERDAM 1883 (...)/NIEUWENDIJK 89./ Specialiteit in Vergrootingen.’, inscription: ‘Overl/ Lina Hamming/ 92.. Amsterdam/ Buitengasthuis./ dochter v Bertus Hamming/ zoon v H. Hamming’

The woman in the upper left photograph is Lina Hamming, a domestic worker in Amsterdam. Hamming was one of thousands of women who worked in the households of wealthy families. We do not know the names of the other women, but we do know their occupation: domestic workers. They wore the characteristic white aprons and caps. The baskets and the dustpan and brush indicate their duties in the household.
Portret van een man
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: stockholm
Artist: gösta florman
Artist role: fotograaf
Artist dates: 1831 – 1900
Subjects: historical persons
Inscriptions: inscription: ‘Gösta Florman./ STOCKHOLM/ 28A Regeringsgatan 28 A./ Odeon.’
The Two Pantaloons Looking at Each Other, from The Caprices
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

In the 17th century, the word capriccio generally indicated a musical composition that thwarted listeners’ expectations with sudden changes in tempo, rhythm, or structure that appeared to be made according to the performer’s whim, or caprice. Jacques Callot borrowed the term to describe a series of etchings with a wide variety of diverting subjects including peasants, architectural sites, military maneuvers, and musicians. Among other motifs, he depicted two pairs of dancers frolicking and playing musical instruments and a shepherd playing a flute.
Vignet met bespotting van C.A. Klotz, 1761
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: ass, donkey, animals acting as human beings
Inscriptions: collector's mark: Lugt 2228

Een ezel balkt en bespeelt met zijn poot een lier. Vignet waarin de spot wordt gedreven met de Duitse geleerde Christian Adolph Klotz.
Ten Thousand Miles along the Yellow River
Object type: handscroll
Materials: gold, ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: rivers,maps

Given the constant threat of flooding from the Yellow River, the study and management of that river system was one of the highest priorities of the Qing court. This monumental map graphically illustrates the complexity of controlling the Yellow River's channel and its potential impact on the numerous towns and cities in its drainage area. Painted around the time that the Kangxi emperor (r. 1662–1722) engaged a team of Jesuit missionaries to conduct a comprehensive survey of his empire, the map reflects the highest level of indigenous mapmaking before the introduction of European techniques. Indeed, the map's appeal lies not in its cartographic accuracy but in its pictorial treatment of terrain features. To unroll the scrolls is to vicariously experience the drama of voyaging up the Yellow River from the East China Sea to the rapids of the Dragon Gate. The map merges panoramic landscape painting and cartography: waterways are rendered in a planometric fashion (that is, they lie flat on the picture surface); mountains are depicted frontally; and architecture, notably walled towns and cities, are shown as isometric projections. There is no consistent use of foreshortening, perspective, atmospheric distortion, or diminution of scale to suggest spatial recession. One may speak of the bottom or top of the composition, but there is no measurable distinction between the foreground and the far distance. Nevertheless, the map is visually coherent, and its seemingly unbounded view of vast expanses enables the viewer to grasp far more than the eye could see in reality.
Saint Florian
Object type: drawing and watercolor
Date: 1600 – 1610
Materials: ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: italy
Artist: attributed to alessandro turchi, called l'orbetto
Artist nationality: italian
Artist dates: 1578 – 1649
Verovering van Montmedy
Object type: history medal
Date: 1699 – 1703
Materials: bronze
Techniques: striking
Location: paris
Artist: jean mauger
Artist role: medailleur
Artist dates: 1648 – 1722
Subjects: lodewijk xiv (koning van frankrijk)

Bronzen penning. Voorzijde: borststuk jongeman (Lodewijk XIV) binnen omschrift. Keerzijde: op bergtop zegeteken van oorlogstuig met daarboven gekroond wapenschild binnen omschrift; afsnede: jaartal
De Rotterdammer Sloot te Amsterdam, gedempt in 1867
Object type: drawing
Date: 1870 – 1926
Materials: paint, ink, paper, pencil
Techniques: pen
Location: amsterdam
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: street
Sleep Escaping from the Wrath of Jupiter – "But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd" (Pope's Iliad, Book 14, line 293)
Object type: drawing
Date: 1793 – 1793
Materials: graphite, ink
Techniques: pen
Artist: john flaxman
Artist role: artist
Artist nationality: british
Artist dates: 1755 – 1826
Subjects: men
Saddle, Bridle, Bit, and Trappings
Object type: saddle, bridle, bit, and trapping
Date: 1701 – 1900
Materials: gold, iron, leather, metal thread, textile, tin, wood
Culture: moroccan
Location: morocco
Primrose et son poulain. Jument de race, appartenant au Duc de Grafton / Primrose und sein Füllen. Zucht Stute, dem Herzog von Grafton gehörig
Object type: print
Date: 1825 – 1827
Materials: paper
Techniques: lithograph
Location: paris
Subjects: horse, stall, stable
Inscriptions: collector's mark: Lugt 2228
Portret van William Young
Object type: page
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: carbon print, woodburytype
Subjects: functionaries and dignitaries (with name) ~ protestant churches
Self-Portrait; wearing a top hat facing left within a drawn frame (recto); two studies of his face (verso)
Object type: drawing
Date: 1797 – 1798
Materials: chalk, ink, paper
Techniques: pen
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: hats,men,self-portraits

In this preparatory drawing for the first print in the Caprichos (50.558.33), Goya wears the latest French fashions. Adopted by the emerging Spanish middle class in the 1790s, this style of dress served as a sign of both prosperous respectability and receptiveness to foreign influences. His expression suggests his critical stance toward the vices and errors he satirized in the images that followed in the Caprichos. The mannered way he represents himself—including the narrowed eyes and curved lips—also reflects his knowledge of popular and influential treatises on physiognomy and expression.
Gezicht op het Doelenhotel
Object type: print
Date: 1883 – 1899
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc., hotel, hostelry, inn
Inscriptions: collector's mark: ‘4-15’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Amstel van Doelensluis tot Blauwbrug.
Doosje van koper met portret van Gustaaf II Adolf van Zweden
Object type: box
Date: 1631 – 1650
Materials: copper
Techniques: casting, engraving
Location: northern netherlands
Inscriptions: inscription: ‘GUST.ADOLP.D-G.SVEC.GOT.WAND.REX.MPFDE.ET.CI’, inscription: ‘DEO.ET.VICTRICIBUS.ARMIS’, inscription: ‘WAT ISSER.MEDER VROHT <BR />DER.AERDEN.OM.TE <BR />WENSCHEN.ALS.LIEFDE <BR />DEN.HERE.ENDE.VREDE<BR />MIT.DE.MENSCHEN <BR />W A N L’

Achthoekig doosje van koper. De onderste helft gaat via een achthoekig vlak omgekeerd conisch omhoog in een scherpe lijn, waarna de bovenste helft met een scherpe bocht conisch toeloopt. De bovenzijde wordt afgesloten met een achthoekig deksel met daarop het portret Gustaaf II Adolf van Zweden in een ovaal medaillon. Op de onderzijde is een staande leeuw in een ovaal medaillon afgebeeld met schild en zwaard. Op de zijkanten is een tekst aangebracht temidden van enkele bloemen.
Bronze tripod and dinos (deep round-bottomed bowl)
Object type: tripod with lebes
Date: 525 – 475
Materials: bronze
Culture: etruscan

Tripods composed of solid cast rods with lion-paw feet and the foreparts of lions and ducks supporting a hammered collar were often produced at Vulci, one of the major bronze-working centers of the Etruscan world. A related but more ornate example (60.11.11) is on view nearby.
Vrouw en huilende jongen bij een kast
Object type: boekillustratie ontwerp
Date: 1880 – 1910
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: wardrobe, weeping, fruits
Inscriptions: collector's mark: Lugt 2228a

Een vrouw pakt iets uit een kast. Ze staat half naar een huilende jongen gekeerd. Op de grond naast de jongen ligt een stuk fruit.
Dead Man
Object type: drawing
Date: 1830 – 1891
Materials: chalk
Location: france
Artist: ernest meissonier
Artist role: artist
Artist nationality: french
Artist dates: 1815 – 1891
Subjects: men,death
Dish
Object type: dish
Date: 1781 – 1782
Materials: silver
Artist: charles-louis-auguste spriman (or spriment)
Artist role: maker
Artist dates: 1745 – 1825
Subjects: coat of arms
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: birds,flowers
Portret van de prentuitgever John Boydell, Esq.
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: london, print maker, draughtsman, publisher, john boydell, publishing, publisher (+ portrait of scholar, scientist), historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De geportretteerde is afgebeeld ten halve lijve zittend in een stoel met voor zich op tafel een prent en een prentalbum met opschrift.
Terracotta rim fragment of a kylix: Band cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Part of the head, chest, and forelegs of a lion to right
Plate 7 from Military Figures
Object type: print
Date: 1590 – 1590
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: heinrich ulrich
Artist role: draughtsman, painter, print maker
Artist nationality: german
Artist dates: 1572 – 1671
Inscriptions: Lettered upper center: "7" and below image: "Pellae hostiles euneos ego frango Sarissa" [sic]
Paskaart van Haïti, de Dominicaanse Republiek, Venezuela en Curaçao en Aruba
Object type: print
Date: 1684 – 1799
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: flowers, sailing-ship, sailing-boat, birds, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Paskaart van de zuidkust van Haïti, de zuidkust van de Dominicaanse Republiek, Curaçao, Aruba en een deel van de noordkust van Venezuela. Rechtsonder een inzet met een kaart van een haven. Middenonder de titel, het adres van de uitgever en de schaalverdeling, weergegeven in Duitse, Spaanse en Engelse of Franse mijlen. De gegevens zijn versierd met een jongen een twee engeltjes met bloemen.
Palazzi diversi nel'alma cità di Roma, et altre
Object type: album leaf
Date: 1638 – 1638
Materials: paper
Techniques: etching
Location: rome
Subjects: villa
Inscriptions: number: ‘21’, inscription: ‘Ende lib. No. 21. fol. 526 et 527/ Ende lib. No. 1. fol. 128. 129./ Ende lib. No. 2 fol. 42. 43 et 44.’

Prent maakt deel uit van een reeks prenten (+ titelprent) van beroemde gebouwen in Rome en elders.
A Court-cap on a Stand
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: blind stamped, woodcut, polish
Location: japan
Subjects: head-gear

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Brief aan Philip Zilcken
Object type: letter
Date: 1927 – 1927
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: françois thiébault-sisson, the hague, philip zilcken, criticizing and discussing art, art criticism, drawing, painting (including book-illumination, miniature-painting), workshop, studio of the artist (in general), exhibition ~ art
Inscriptions: collector's mark: ‘RPK’

Krantenknipsel RP-D-1982-43-IMEL-DOC.10 is verstuurd als bijlage bij deze brief.
Two Women in a Storm
Object type: print
Date: 1764 – 1772
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: women,rain,umbrellas

The two young women in Harunobu's print are on their way to a bathhouse in the rain. The woman in front carries a bathrobe and a towel, an important clue about where they are going. Harunobu often enhances the narrative quality of his work with such a humorous touch.
Gezicht op het Alhambra in Granada
Object type: photograph
Date: 1851 – 1890
Materials: paper
Techniques: albumen print
Location: granada
Artist: Anonymous
Subjects: fortress
Inscriptions: inscription: ‘Alhambra/ Granada’
Ostrakon with Liturgical Text
Object type: ostrakon
Date: 600 – 600
Materials: ink, pottery
Culture: coptic
Location: egypt
Subjects: coptic
Plate 4: a peasant with a donkey on a riverbank, a woman walking towards him with a vase on her head, and a reclining figure at right in the foreground, from 'Landscapes in the manner of Gaspar Dughet'
Object type: print
Date: 1700 – 1725
Techniques: etching
Artist: franz joachim beich
Artist role: artist
Artist nationality: german
Artist dates: 1665 – 1745
A Snip in a Rage
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,cats,beds,scissors
Portret van een onbekende jonge vrouw
Object type: glasnegatief, glasplaatnegatief
Date: 1865 – 1900
Materials: glass
Techniques: collodion process
Artist: laurens lodewijk kleijn
Artist role: draughtsman, painter
Artist dates: 1826 – 1909
Subjects: anonymous historical person portrayed - bb - woman

Onderdeel van een groep glasnegatieven uit de nalatenschap van de schilder Laurens Lodewijk Kleijn, met stillevens, portretten, zelfportretten en kunstreproducties.
Christ's Entry into Jerusalem
Object type: print
Date: 1500 – 1500
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: master of the strache altar
The Resurrection
Object type: print
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,christ,resurrection
Verraad van Judas
Object type: album leaf
Date: 1629 – 1629
Materials: paper
Techniques: letterpress printing
Location: antwerp
Subjects: christ's prayer in the garden of gethsemane during the night, christ makes himself known; the soldiers fall to the ground ~ the kiss of judas

De prent is afkomstig uit een van de uitgaven van P.J. Paets uit Amsterdam. De prent wordt voor het eerst gebruikt in: Der Zielen Lust-hof. Leuven, I.Jacbosz voor P.J. Paets [= Amsterdam, P.J. Paets], 1629.
De voorstelling is gekopieerd naar een prent van Hieronymus Wierix voor: Nadal, Jerónimo. Evangelicae Historiae Imagines. Antwerpen, M. Nutius, 1593.