deem-data/ArtiFact huggingface dataset:
Gezicht op de Ponte alle Grazie te Florence
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: florence
Artist: alphonse bernoud
Artist role: fotograaf
Artist dates: 1820 – 1889
Subjects: river, bridge
Inscriptions: number: ‘604’, inscription: ‘Ponte alle Grazie’, name: ‘ALPHONSE BERNOUD <BR />NAPLES Boschetto della Villa Reale. FLORENCE Sta. Maria in Campo, 434. LIVOURNE Via Vittorio Emanuele, No. 71.’
Lente
Object type: print
Date: 1721 – 1771
Materials: paper
Techniques: etching
Location: augsburg
Subjects: reading, making music; musician with instrument, spring, 'ver'; 'primavera' (ripa), garden fountain, aesculapian sign
Inscriptions: collector's mark: Lugt 2228

Drie figuren zitten in een tuin, zij lezen en maken muziek. Rondom een rocaille omlijsting. Links zit een vrouw met bloemenkrans en een esculaap. Rechts een fontein met putti en paarden. Op de voorgrond zitten vier figuren, de man links speelt op een doedelzak. Uitgeversnummer 13.
Terracotta pointed aryballos (oil flask)
Object type: lekythos
Date: 634 – 568
Materials: terracotta
Culture: etruscan, italo-corinthian

During the late eighth and much of the seventh century B.C., Corinthian pottery was widely exported . The major question is whether the contents or the ceramic was more important. On the Italian peninsula, especially in Etruria, local workshops produced imitations or adaptations, of which this is an example.
Servet van wit linnendamast
Object type: napkin
Date: 1600 – 1625
Materials: linen
Techniques: damask
Location: northern netherlands
Artist: Anonymous

Wit linnen damasten servet met Orpheus en de dieren.
Studie van de wortels van een boom
Object type: drawing
Date: 1848 – 1888
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: trees
Doodskist van Horatio Nelson, hertog van Bronte
Object type: print
Date: 1806 – 1810
Materials: paper
Techniques: aquatint, etching, hand coloring
Artist: Anonymous
Subjects: horatio nelson (hertog van bronte), historical persons, coffin
Atrium Heroicum
Object type: print
Date: 1600 – 1604
Materials: paper
Techniques: engraving
Location: augsburg
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Subjects: gottfried graaf van oettingen
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: D. Custos en M. Henning. Atrium heroicum Caesarum, regum aliorq. summatum ac procerum qui intra proximum seculum vixere, aut hodie supersunt, imaginib. Deel 1-4. Augsburg: D. Custos, 1600-1604.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, and shoulders of a draped woman to left, wearing a sakkos, chiton, and himation
Kind blazend op een fluit
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: 'music' of children
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie uit: Luyken, Jan. Des menschen begin, midden en einde. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, p. 35.
Wit paard bij een voerbak voor een boerderij
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: etching
Artist: hendrik jozef franciscus van der poorten
Artist role: draughtsman, print maker
Artist dates: 1789 – 1874
Subjects: trough, horse, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228, annotation: ‘1 etat’, annotation: ‘H v d Poorten 1ste druk’
Fragment (Dress Fabric)
Object type: textile
Date: 1701 – 1800
Materials: metal, silk
Techniques: brocade, satin weave, silvered, weave
Location: france
Onthoofding van James Scott hertog van Monmouth in Londen 1685
Object type: history medal
Date: 1685 – 1685
Materials: tin
Techniques: striking

Tinnen penning, deels gecorrodeerd, op de voorzijde het borstbeeld van Koning Jacobus naar rechts met omschrift, op de keerzijde twee engelen in de wolken die een kroon aanbrengen boven een monogram.
Walter H. Gerber, S.S., from Baseball strip cards (W575-2)
Object type: print
Date: 1921 – 1922
Techniques: photolithograph
Subjects: men,portraits,baseball,athletes

Walter (Wally) H. Gerber, Short Stop, from Baseball strip cards (W575-2). W575 is comprised of two separate distinct issues known as W575-1 and W575-2. W575-2: black and white printed photo of player. White borders. Blank back. Includes a replica signature over image. Known as "autograph on shoulder" series.
Suez II
Object type: photograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: dordrecht
Artist: henricus jacobus tollens
Artist role: painter
Artist dates: 1864 – 1936
Subjects: machine driven by steam, steamship, motorship (+ propulsion of vehicle, ship, etc. by steam), dredge, dredging machine
Inscriptions: name: ‘H.J. Tollens C. Hzn. Dordrecht’

Emmerbaggermolen Suez II. Op het schip de bedrijfsnaam: Firma A.F. Smulders, Sliedrecht. Foto geplakt op karton met technische informatie over het schip in Duits, Frans, Spaans en Engels. Onderdeel van de map met 44 foto's van baggerschepen van de firma A. Bos & J.P. Heijblom te Dordrecht.
Earring
Object type: earring
Date: 501 – 700
Materials: copper alloy, gilt
Culture: frankish
Location: northern france
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, torso, seen in three-quarter view, genitals, and thighs of male with himation draped over left arm
Oosterpark met spelende kinderen in de sneeuw
Object type: print
Date: 1922 – 1922
Materials: chalk, paper
Techniques: etching
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: playing with snow and ice, parts of church exterior and annexes: tower
Inscriptions: annotation: ‘15a/ 11-'76 [in getekende driehoek]’

Op de achtergrond de toren van de Muiderkerk. Uitzicht vanuit het woonhuis van Witsen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, woman wearing a chiton with her arms extended in front of the ithyphallic male
Fan
Object type: fan
Date: 1701 – 1733
Materials: ivory
Subjects: animals,women,carriages
Het vertrek van Waldersee uit China
Object type: cartoon
Date: 1901 – 1901
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: china, politician, historical persons, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 2 juni 1901.
Wax model for the bust of a child
Object type: model
Date: 1715 – 1715
Materials: wax
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: faces,infants
Kanna funnen i Mug House
Object type: page
Date: 1891 – 1893
Materials: paper
Techniques: autotype
Location: vienna
Artist: gustaf nordenskiöld
Artist role: fotograaf, schrijver
Artist dates: 1868 – 1895
Subjects: container of ceramics: jar, jug, pot, vase
Inscriptions: number: ‘Fig. 73.’
Portret van onbekende man
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: lithograph
Artist: f. poisson
Artist role: print maker
Subjects: historical persons not known by name
Inscriptions: inscription: ‘Felix Mendelssohn Bartholdy’, collector's mark: Lugt 2228

Portret is mogelijk van G.L. Andersen of Felix Mendelssohn Bartholdy
XIIeme Vue d'Italie. Le Bas
Object type: print
Date: 1701 – 1800
Artist: joseph vernet
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1789
The Bewitched Groom
Object type: print
Date: 1544 – 1544
Materials: paper
Techniques: woodcut
Location: germany
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545
Molen en lage woningen aan een plas
Object type: print
Date: 1876 – 1910
Materials: paper
Techniques: lithograph
Artist: alphonse stengelin
Artist role: painter, print maker
Artist dates: 1852 – 1938
Subjects: lake, windmill in landscape
Inscriptions: collector's mark: Lugt 2228

Linksonder een remarque met een geitenkop.
Design for Omnibus or Wagonette, no. 3929
Object type: drawing
Date: 1884 – 1884
Materials: ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Prenten-magazijn voor de jeugd
Object type: popular print
Date: 1847 – 1847
Materials: paper
Techniques: letterpress printing, engraving
Location: purmerend
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen uit het leven van Johannes Henricus Nieuwold. Boven elke afbeelding een titel, onder elke afbeelding een achtregelig vers. Genummerd rechtsboven: No. 20.
Gondolas, Grand Canal, Venice
Object type: drawing and watercolor
Materials: chalk, paint, paper, watercolor
Location: united states
Artist: robert frederick blum
Artist nationality: american
Artist dates: 1857 – 1903
Overwoekerde ruïne van Mulgrave Castle in Whitby
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: albumen print
Location: whitby
Artist: poulton
Artist role: fotograaf
Subjects: ruin of a dwelling, house, castle, etc.
Inscriptions: number: ‘9877’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Engeland en Frankrijk.
Allegorie op de bedrieglijke vredesvoorstellen in 1598
Object type: print
Date: 1598 – 1598
Materials: ink, paper
Techniques: etching, pen
Location: northern netherlands
Artist: Anonymous
Subjects: delft, william i (prince of orange), the hague, maurice (prince of orange), fernando álvarez de toledo (3rd duke of alba), brussels, peace negotiations

Allegorische voorstelling tegen de vredesvoorstellen in het jaar 1598. In de centrale voorstelling de personificatie van de Overheerde Provintien, met Janushoofd in monnikspij met olijftak staande voor de Hollander met de Nederlandse Leeuw. Links wordt Anneken van den Hove te Brussel levend begraven wordt (1597), rechts de Nederlandse Leeuw met enkele schapen in de Hollandse Tuin. Op de achtergrond de aanslagen op prins Maurits in 1594 door Michien Renichon of Pierre du Four en in 1598 door Pieter Panne. Bovenaan aparte cartouches met kleine scènes met: de tirannie onder de hertog van Alva, een muis knaagt de touwen door waarmee de Nederlandse Leeuw aan de zuil van de Inquisitie is gebonden, de vrije Nederlandse Leeuw wil geen halsband meer om, de moord op Willem van Oranje in 1584 en de valse vredesvoorstellen aan koningin Elizabeth I met op de achtergrond de Spaanse Armada van 1588. Bij de prent een afschrift van de bijbehorende tekst overgenomen van een ander exemplaar, 4 kolommen in het Nederlands.
Piece
Object type: piece
Date: 1767 – 1900
Materials: silk
Culture: japanese
Baef Schol-bex en Spruyt Vroegh-bedorven
Object type: print
Date: 1612 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: head-gear, farmers
Inscriptions: collector's mark: Lugt 700, collector's mark: Lugt 240

Prent uit een serie van 36 prenten met koppen van boeren en boerinnen.
Venezia, Cavalli di S. Marco
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: albumen print
Location: venice
Artist: Anonymous
Subjects: sculpture
Inscriptions: number: ‘47.’
Portret van Carl Theodor Welcker
Object type: book illustration
Date: 1840 – 1855
Materials: paper
Techniques: etching, engraving
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit: Conversations-Lexikon für die gebildeten Stände, voor het eerst uitgegeven tussen 1840-1855.
Benjamin Franklin
Object type: painting, miniature
Date: 1794 – 1794
Materials: parchment, watercolor
Culture: french
Location: france
Artist: joseph siffred duplessis
Artist role: artist
Artist nationality: french
Artist dates: 1725 – 1802
Subjects: benjamin franklin,men,portraits
Voorne Caart-boeck / Caartboeck van Voorne
Object type: print
Date: 1701 – 1729
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions, water-birds: swan, farmers, sheep, polder, reclaimed land, fisherman
Inscriptions: collector's mark: Lugt 19

Deze kaart is onderdeel van het zogenaamde 'Voorne Caart-boeck' / 'Caartboeck van Voorne', dat bestaat uit een titelpagina (zie RP-P-1942-347), drie algemene kaarten (van Oost-, West- en Zuid-Voorne)* en dertig detailkaarten. Het kaartboek werd vervaardigd in opdracht van de Staten van Voorne en werd in 1701 uitgegeven. Een deel van de koperplaten is bewaard gebleven en in de negentiende en twintigste eeuw gebruikt voor herdrukken.

*Over de naam Voorne kan verwarring ontstaan omdat de betekenis door de eeuwen heen is veranderd. Vroeger stonden de (voormalige) eilanden Voorne, Goeree en Overflakkee – allen historisch gezien onderdeel van het Land van Voorne – bekend als respectievelijk Oost-, West- en Zuid-Voorne.

Afdrukken van de drie algemene kaarten, waaronder deze kaart, zijn ook gebruikt in: Alkemade, Cornelis van en Pieter van der Schelling. Beschryving van de Stad Brielle, en den lande van Voorn (…). Rotterdam: Philippus Losel, 1729.
Portret van Jan Beukelszoon van Leiden
Object type: print
Date: 1613 – 1617
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: leiden, orb (symbol of sovereignty; sphere with cross on top), sceptre, staff (symbol of sovereignty)
Inscriptions: collector's mark: Lugt 1967, collector's mark: Lugt 2228

Portret van Jan Beukelszoon van Leiden, leider en zelfuitgeroepen koning van de wederdopers in Münster. Om zijn hals een ketting, onder de arm een scepter en in zijn handen een bijbel en een pamflet. Rechtsboven een gekroonde rijksappel, doorboord met twee zwaarden. Onderaan een vierregelig vers in het Latijn.
Teapot
Object type: teapot
Date: 1734 – 1766
Materials: wood, silver
Artist: i.m.p.
Artist role: maker
Subjects: coat of arms

With the importation into Europe of tea from the Far East, coffee from the near East, and chocolate from the Americas, special vessels for the brewing and serving of these new beverages were required. At first all three of these beverages were regarded as medicinal which limited their popularity and only gradually did these drinks gain acceptance in the home. Tea drinking was introduced in France toward the end of the seventeenth century. By 1687 silver pots for the serving of tea are listed in the inventory of Louis XIV’s plate. Very few such early French teapots are known to survive other than one marked by the silversmith I.C., Paris of 1699/1700, also in the Met’s collection (48.187.78) In fact, silver teapots are not as common in France as compared to Great Britain, for instance. This mid-eighteenth-century pear-shaped teapot, is hallmarked in Lille but not dated. The body and lid are divided into eight vertical panels with alternately flat and convex surfaces. The teapot has several unusual features: the spout ends in a spaniel’s head, while the ebony handle is carved in the form of a Black Figure. The teapot was part of the thematic collection of James Hazen Hyde (1876-1959) consisting of allegorical representations of the Four Parts of the World. Upon his father’s death in 1899, the twenty-three-year-old Hazen Hyde inherited the majority interest in the Equitable Life Assurance Society, then the largest insurance company in the world. False accusations leading to a major Wallstreet scandal which forced him to resign from the company and relocate to France where he began to focus on collecting depictions of The Four Quarters of the World. During his extensive travels, he amassed works on paper, paintings, textiles, ceramics, glass, and precious metal objects evidencing this theme. Pursuant to his Will, his holdings were distributed to four New York Institutions including the Metropolitan Museum of Art.
Gezicht op een Europese nederzetting en een buitenwijk in Taipei
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: urban housing, pig, rural housing, e.g. country-house, villa, cottage
Plaque with dragon, pheasant, quail, and other birds amidst bamboo and plum blossom
Object type: plaque
Date: 1867 – 1900
Materials: ivory, pigment
Culture: chinese
Subjects: birds,dragons,peacocks
Broiling or toasting fork
Object type: fork
Date: 1601 – 1700
Materials: iron
Art - Goût - Beauté, Feuillets de l' élégance féminine, Juin 1932, No. 142, 12e Année, p. 23
Object type: magazine
Date: 1932 – 1932
Materials: paper
Techniques: hand coloring, lithograph, photography, pochoir
Artist: henri rouit
Artist role: publisher
Subjects: dress, gown (robe de sport) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ girls' clothes)

Twee creaties van D'Aine-Montaillé en kinderkleding van Fairyland. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Card 915, Maude Branscombe, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 2), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Harmonica
Object type: harmonica
Date: 1895 – 1895
Materials: metal, wood
Culture: german
Location: germany
Artist: ch. weiss
Artist role: maker
Artist nationality: german

Since their invention around 1830, harmonicas have been folk instruments. Though different variants were developed, including chromatic, bass, tremolo, chord, and octave harmonicas, the simple diatonic harmonica, with ten or fourteen double holes, is still commonly used. It uses blow and draw, and can be pitched in C, G, or any other key. Harmonicas are best suited for slow, simple melodies that express the player's feelings. In America, the harmonica became the portable and inexpensive instrument of choice for the cowboy, the gold miner, and the blues and country musician, often accompanied by banjo or guitar. This one is marketed as a "trio Harp," with two reeds per tone.
Getuigschriften van Eugen Wachenheimer
Object type: bewijs
Materials: paper

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Brief aan Philip Zilcken
Object type: letter
Date: 1923 – 1923
Materials: ink, paper
Techniques: pen, writing
Location: nice
Artist: jeanne erlich
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Hat ihm schon!
Object type: cartoon
Date: 1830 – 1880
Materials: paper
Techniques: lithograph
Location: germany
Artist: Anonymous
Subjects: adult man, devil(s) and demons, container of glass: bottle, jar, vase, umbrella
Oude man
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: drypoint, etching
Location: northern netherlands
Artist: jan chalon
Artist role: print maker
Artist dates: 1738 – 1795
Subjects: head-gear: hat (+ men's clothes), morphology of human expression (+ old male (human being))
Inscriptions: collector's mark: Lugt 2228

Een oude man met baard en een hoed. Buste naar rechts.
Fragment stop van vaatwerk uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: vessel
Date: 1700 – 1743
Materials: glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Vessel part, stopper; fragm, id. NG 1979-527H, finial broken off.
Enterrement, Cochinchine
Object type: photograph
Date: 1866 – 1866
Techniques: albumen silver print, glass negative
Artist: emile gsell
Artist role: artist
Artist nationality: french
Artist dates: 1838 – 1879
Subjects: men,burials
Dancing Ganesha
Object type: figure
Date: 1201 – 1300
Materials: bronze
Culture: nepali
Subjects: dancing,ganesha,hinduism
Portret van Joseph Adam von Taufkirch auf Guttenberg
Object type: print
Date: 1715 – 1797
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: joseph anton zimmermann
Artist role: draughtsman, print maker
Artist dates: 1705 – 1797
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Staande cavalier met stok, achter hem een hond
Object type: costume print
Date: 1633 – 1665
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: warfare; military affairs (+ cavalry, horsemen), clothes, costume (+ men's clothes), dog
Inscriptions: collector's mark: Lugt 2228

De prent maakt deel uit van een tiendelige serie prenten met voorstellingen van cavaliers en welgestelde vrouwen, gekleed volgens de Nederlandse mode ca. 1625-1630.
Gregorius secundus
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: rome, pope
Inscriptions: inscription: ‘73’

Een bloemkelk met een paus. Hij draagt een tiara en heeft een opengeslagen bijbel en een staf met een dubbel kruis in zijn handen. De voorstelling is onderdeel van de opeenvolging pausen in de Liber Chronicarum. De tekst identificeert de man als Gregorius II. De prent maakt deel uit van een album.