deem-data/ArtiFact huggingface dataset:
Fragment
Object type: textile
Materials: animal fiber, cotton, wool
Techniques: slit, tapestry weave, tapestry, weave
Location: peru
Subjects: fish, animals, abstract shapes, stepped motif

The theme of fish is often found in works of art made by the diverse peoples of ancient Peru. Numerous costal cultures embraced marine life, especially the abundance it provided as a primary source of food. In addition, the ocean was associated with the sacred underworld, with many aquatic animals serving as both predator—such as the killer whale—and prey. The centrality of the ocean is clearly expressed by this textile fragment displaying a school of fish. Rows of colorful abstract fish motifs are interspersed with stepped-fret designs, creating a visually rhythmic pattern and an expression of the sea's bounty.
Potplant
Object type: drawing
Date: 1873 – 1932
Materials: chalk, paper
Artist: wilhelmus johannes steenhoff
Artist role: draughtsman, print maker
Artist dates: 1863 – 1932
Subjects: ornamental plants
Dirck Hartogh dish
Object type: platter
Date: 1616 – 1616
Materials: tin
Techniques: casting, engraving, striking
Location: dirk hartog island
Artist: Anonymous
Subjects: amsterdam
Inscriptions: quality mark, quality mark, inscription and date: ‘1616 / DEN 25 OCTOBER / [I]S HIER AENGECOMEN HET SCHIP / DEENDRACHT VAN AMSTERDAM / DE OPPERKOPMAN GILLIS MIEBAIS / VAN LVICK SCHIPPER DIRCK HATICHS / VAN AMSTERDAM DE 27 DITO / TE SEIL GEGHN NA BANTVM / DE ONDER[KO]EPMAN IAN STINS / DE OPPR[S]TVIERMAN PIETR DOOKE / KES[S] VAN BIL’

‘Arrived here on 25 October 1616’ is the message of this flattened pewter dish. En route to Java, VOC captain Dirck Hartogh accidentally happened upon Australia’s west coast. Before sailing on he had the date, the ship’s name and destination, and the names of the most important crewmembers scratched into this dish. He nailed it to a pole, where it hung exposed to the elements until another Dutch captain found and took it along close to 80 years later.
Button or Bead
Object type: button or bead
Date: 801 – 1000
Materials: bone, paint
Techniques: incising, inlay
Location: iran
Glass hexagonal bottle
Object type: bottle, hexagonal, with bird
Date: 25 – 50
Materials: glass
Culture: roman

Translucent cobalt blue Rim folded out, round, and in, then pressed into flaring mouth; cylindrical neck with concave band below rim; downward sloping shoulder; hexagonal body with vertical sides, then cup-shaped below; low base with rounded edge and flat but uneven bottom. Mold seams run from near top of neck, down sides, and meet off-center on bottom. Decoration in relief in three registers: on shoulder, six downturned rays or pointed petals; on body, six rectangular panels, each decorated at top with a triangular pediment, framed at sides with posts or slender columns, and bordered below by a plain band; in each panel, a different bird perched on or flying over a nest or rock; above the base, twenty-seven upturned tongues. Complete except for weathering holes in shoulder and top of body; pitting, severe weathering, and some patches of brilliant iridescence.
"Re": The Imperial Huntsman, from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)"
Object type: print
Date: 1772 – 1773
Techniques: woodblock print, koban
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Zicht op een stad aan het water
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: drypoint, etching, intaglio
Location: france
Artist: ignace-joseph de claussin
Artist role: print maker
Artist dates: 1766 – 1844
Subjects: lake, outskirts of city
Inscriptions: collector's mark: Lugt 2228, watermark
Female Dancer with a Fan
Object type: hanging scroll
Materials: ink, paper
Culture: japanese
Subjects: fans,women,dancers
Design for Phaeton, no. 545
Object type: drawing
Date: 1850 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Karl von Biorn Bonde
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: wig
Inscriptions: collector's mark: Lugt 2228

De Zweedse senator graaf Karl von Biorn Bonde. Hij draagt een lange krulpruik.
The Robbers
Object type: photograph
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: robbery
Inscriptions: inscription: ‘Registered.’
Else Wachenheimer-Moos en twee onbekende vrouwen met hoeden op voor een hek bij een grote betonnen constructie met bomen op de achtergrond
Object type: photograph
Date: 1908 – 1932
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: else wachenheimer-moos

Else Wachenheimer-Moos (rechts) en twee onbekende vrouwen met hoeden op voor een hek bij een grote betonnen constructie met bomen op de achtergrond.
De nachtwacht
Object type: fair print
Date: 1868 – 1868
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: night patrol, pleasure fair and circus, amsterdam

Kermisprent van de Amsterdamse nachtwacht (ratelwacht), 14 september 1868. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Portret van Ernst van Oostenrijk
Object type: print
Date: 1596 – 1596
Materials: paper
Techniques: engraving, etching
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: vienna, brussels, historical persons, regent, substitute ruler; viceroy
Inscriptions: number: ‘1589.’

Prent waarschijnlijk uit: Meteren, Emanuel van. Historia, Oder Eigentliche und warhaffte Beschreibung aller fürnehmen Krigshändel (…). S.l.s.n., 1596. Of uit: Meteren, Emanuel van. Historia unnd Abcontrafeytungh fürnemlich der Niderlendischer Geschichten und Kriegßhendelen. S.l., s.n., 1596, dl. 2. Nogmaals, met boekdruk op verso, uitgegeven in: Meteren, Emanuel van. Historia Belgica Nostri Potissimum Temporis Belgii (…). S.l., s.n., 1598, 1610.
Lopende man in oosterse kleding
Object type: sketchbook leaf
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: asiatic races and peoples, adult man, walking
Inscriptions: kleurnotitie, handgeschreven

Met baard en van voren gezien. Pagina 5 uit een schetsboek met 54 bladen
Sand shaker with blue dots
Object type: inkstand
Date: 1750 – 1799
Materials: glaze, paint, stoneware
Techniques: firing, forming, turning, vitrification
Location: westerwald
Artist: Anonymous

Zandstrooier van steengoed met een cilindervormig lichaam en uitstekende rand om in de houder te hangen. Beschilderd met blauwe stippen. Westerwald.
Reproductie van een prent naar een tekening van een paar die de man ontdekt die hen begluurd heeft
Object type: photomechanical print
Date: 1880 – 1880
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: lovers spied upon
Inscriptions: collector's mark: Lugt 2228, collector's mark:

Martial Potémont maakte etsen naar de tekeningen van Fragonard, die zich bevonden in een manuscript in de collectie van de verzamelaar Eugène Paillet. Rouquette bood hem aan de tekeningen zo exact mogelijk in prent te laten brengen door Martial Potémont: dit resulteerde in een serie van 57 etsen. Vervolgens werden deze gereproduceerd door middel van heliogravure. Deze omslag betreft een editie voor de letter, "Eau forte pure", de 1e staat van 3 waar men uit kon kiezen bij deze serie.
Aardrijkskundige Beeldengalerij, verzameld door M.J. Broekhuijsen, Hoofd eener school te Amsterdam
Object type: stereograph
Date: 1905 – 1905
Materials: paper, cardboard
Techniques: collodion silver print
Location: amsterdam
Subjects: niagara falls
Square Plaque
Object type: plaque
Date: 300 – 200
Materials: copper, gilt
Techniques: hammering
Culture: vicús
Location: peru
25-jarig huwelijk Pieter Volmer en Antje Grevingh 1767
Object type: history medal
Date: 1767 – 1767
Materials: silver
Techniques: engraving, pressing
Location: amsterdam
Artist: johan george holtzhey
Artist role: mintmaster
Artist dates: 1726 – 1808
Inscriptions: inscription: ‘HIER TORST DE MIN/ DOOR TROV EN VLYT/ DE SEYSE VAN DEN GRYSEN TYT,/ EN LEYD HEM MET EEN BLYDEN/ GEEST/ DE SUYL VOORBY VAN 'T ZILV'RE FEEST/ TERWYL DIT WEL VEREENIGT PAAR,/ HUN HERTEN OP HET DANK-ALTAAR/ OPOFFEREN TOT DANKBAARHEYT/ EN SMEEKEN D' OPPERMAIESTEYT/ DAT ZY DIE 'T SILVRE FEEST BELEVEN/ HET GOUDE FEEST OOK/ MOGEN GEVEN.’, edge inscription: ‘PIETER VOLMER EN ANTJE GREVINGH GETROUWT 19 APRIL 1742. 'T ZILVRE FEEST GEV. 1767. (ster)’, circumscription: ‘DUS BLOEIT DE TROU - VAN MAN EN VROU’, signature: ‘L’

Zilveren penning, op de voorzijde een altaar versierd met ooievaar waarop twee brandende harten, waarachter een gevleugeld knaapje met zeis die de Tijd geleidt door een tuin, van een monument waarop XXV naar een waarop L, onder het stralende oog Gods, met omschrift, op de keerzijde dertien regels tekst boven een ornament van gekruisde palmtakken, een toorts en samengedrukte handen binnen een slangerond, in de rand een gelegenheidsgravure.
Spanje, koning Philips III, 16 maravedis,1663 M
Object type: coin
Date: 1663 – 1663
Materials: copper
Techniques: striking
Location: madrid

Koperen munt. Voorzijde: borstbeeld van de koning naar rechts. Jaartal bovenaan in omschrift. Keerzijde: gekroond samengesteld wapenschild. Rechts daavan waarde-aanduiding: 16, links daarvan letter M [=Madrid].
Parabola V. Virginum Typis Aen: Expressa.
Object type: print
Date: 1589 – 1611
Materials: paper
Techniques: engraving
Location: cologne
Subjects: neck-gear ~ clothing (with name) (+ men's clothes), bed with tester, sleeves, one pair dancing; man and woman dancing as a couple, the wise and the foolish virgins ~ parable of christ (matthew 25:1-13), neck-gear: collar (+ women's clothes), dress, gown (+ women's clothes), trousers, breeches, etc. (breeches) (+ men's clothes), sleeves (+ women's clothes), lovers; courting, flirting, more than one musician with instrument, private festivities, merry company
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2161

In een vertrek een elegant gezelschap, minnend, musicerend en dansend. De vrouw linksvoor is gekleed in een overkleed met puntlijf* en platte kanten kraag, schouderkleppen* en loshangende siermouwen*. De man rechts draagt eveneens loshangende siermouwen. Kniebroek* gestrikt bij de knie.
Portret van Jean-Marie Bonnassieux (1810-1892), Frans beeldhouwer
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: carbon print
Location: paris
Artist: mulnier
Artist role: fotograaf
Inscriptions: number: ‘AKIV6//1310.’, inscription: ‘Mulnier Carbonprint 1870's’, inscription: ‘BONNASSIEUX’, inscription: ‘Cliché MULNIER, boulevard des Italiens, 25.’, inscription
Brief aan Max Wilhelm Carl Weber en Anne Antoinette Weber-Van Bosse
Object type: letter
Date: 1916 – 1916
Materials: cardboard, ink
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: anne antoinette weber-van bosse, drawing, painting (including book-illumination, miniature-painting)
Inscriptions: monogram: ‘AA’
Landschap met twee ruiters en een kasteel
Object type: print
Date: 1616 – 1680
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni francesco grimaldi
Artist role: draughtsman, print maker
Artist dates: 1606 – 1680
Subjects: riding a horse, ass, or mule; rider, horseman, city-view, and landscape with man-made constructions, landscapes, castle
Inscriptions: collector's mark: Lugt 2228

Landschap met een kasteel op een heuvel. Twee ruiters te paard rijden over een weg richting het kasteel.
Zeeuwse dubbele stuiver, 1737
Object type: coin
Date: 1737 – 1737
Materials: silver
Techniques: striking
Location: middelburg

Zilveren munt. Voorzijde: tussen waarde-aanduiding 2 S gekroond wapenschild van Zeeland. Keerzijde: opschrift in drie regels, waarboven muntteken burcht tussen twee rozetten en waaronder jaartal.
Rockaway #464
Object type: drawing
Date: 1860 – 1860
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portrait of an unknown man and woman from the Holeya community of Kodagu, Karnataka, India
Object type: photograph
Date: 1865 – 1875
Materials: photographic support
Techniques: albumen print
Location: kodagu
Artist: g. richter
Artist role: fotograaf
Subjects: human races; peoples; nationalities
Inscriptions: inscription: ‘HOLEYAS./ HINDOOS./ COORG.’, number: ‘429.’
Scent bottle
Object type: scent bottle
Date: 1760 – 1760
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: fruit
Groepsportret van het gezin van Philip Kohnstamm, met An Kessler en Margaretha, Dinah, Dolph, Johanna en Max Kohnstamm
Object type: photograph
Date: 1925 – 1925
Materials: paper, cardboard
Techniques: gelatin silver print
Location: wassenaar
Artist: Anonymous
Subjects: physicist, amsterdam, dinah kohnstamm, historical persons
Droom van Paris
Object type: print
Date: 1500 – 1553
Materials: paper
Techniques: woodcut
Artist: wolfgang huber
Artist role: draughtsman, print maker
Artist dates: 1490 – 1553
Subjects: the dream of paris
Inscriptions: collector's mark: Lugt 240

Paris zit te slapen en droomt terwijl Mercurius de drie godinnen Minerva, Venus en Juno naar hem toebrengt om een oordeel te geven over wie de mooiste vrouw is.
Kerchief (Pañuelo)
Object type: kerchief
Date: 1801 – 1850
Materials: fiber, linen
Gezicht op de watervallen bij Tivoli
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: lazio
Subjects: waterfall, tivoli
Inscriptions: number: ‘No. 72.’
Elevation and Floorplan of a Neoclassical Confessional
Object type: ornament architecture
Date: 1760 – 1780
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, central european, 18th century
Artist role: artist
Artist nationality: central european
Artist dates: 1700 – 1800
Nice. Une ménagère faisant son marché
Object type: stereograph
Date: 1904 – 1904
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: nice
Subjects: going to the market, market
Inscriptions: number: ‘45’, inscription: ‘NPG’
Varia tormentorum et supplicioru crudelium (...)
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Subjects: violent death ~ maltreatment, torture, torture
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 47 prenten (+ titelprent) met voorstellingen van martelmethoden. Deze prenten zijn in een andere editie gebruikt als illustraties voor Antonio Gallonio's 'Trattato degli Instrumenti di Martirio e delle Varie Maniere di Martoriare Usate dai Gentili contro Christiani' (Rome, Ascanio en Girolamo Dongangeli, 1591).
Decanter with stopper
Object type: decanter with stopper
Date: 1767 – 1800
Materials: glass
Portret van Paul Verlaine
Object type: book cover
Date: 1893 – 1893
Materials: paper
Techniques: drypoint, intaglio
Location: berlin
Subjects: paris, paul verlaine, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Deze prent is gebruikt in: Verlaine, Paul. Quinze jours en Hollande. Den Haag: Maison Blok, 1893.
Chesapeake, from the Dogs of the World series for Old Judge Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: dogs

The "Dogs of the World" series of trading cards (N163) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The series of 50 cards depicts dogs of various breeds. The Metropolitan Museum of Art owns 23 of the series' 50 cards.
Ovale omlijsting
Object type: ornament print
Date: 1760 – 1820
Materials: paper
Techniques: etching
Location: bremen
Subjects: ornaments ~ art (+ framing decorations)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Tegen een muur hangt een ovale omlijsting, aan de bovenzijde met rozen omringd.
Heart-shaped snuffbox
Object type: snuffbox
Date: 1765 – 1770
Materials: copper
Techniques: enamel
Subjects: bow and arrow
Earring
Object type: earring
Date: 601 – 700
Materials: copper alloy
Culture: frankish
Location: germany
Graf van Antius Lupus; buiten Romen
Object type: print
Date: 1675 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: low hill country, grave, tomb
Inscriptions: collector's mark: Lugt 2228
Portret van een meisje, zittend aan een tafel
Object type: photograph
Date: 1865 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, girl (child between toddler and youth), table
Inscriptions: inscription: ‘A & E SEELEY,/ ISLINGTON GREEN, N.’, date: ‘1865’
Gebouw met een toren aan een waterkant
Object type: sketchbook leaf
Materials: chalk, paper
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: fence, wall, paling, landscapes with waters, waterscapes, seascapes (in the temperate zone), city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Inscriptions: date: ‘4 Sept.’

Op de voorgrond staan twee figuren bij een hek aan het water. Blad 14 verso en 15 recto uit een schetsboek met 41 bladen.
Overwinning van Rusland op Zweden in de slag bij Kalisch 1706
Object type: history medal
Date: 1706 – 1706
Materials: tin
Techniques: striking

Ovalen tinnen penning, op de voorzijde het borstbeeld van Tsaar Peter de Grote naar rechts met omschrift, op de keerzijde de Tsaar te paard half naar rechts onder de hand Gods met lauwerkrans, op de achtergrond vechtende soldaten, met omschrift en afsnedetekst.
The Genius of Caricature, and his Friends, celebrating the completion of the Second Volume of the Caricature Magazine in the Temple of Mirth
Object type: print
Techniques: etching
Artist: george murgatroyd woodward
Artist role: artist
Artist nationality: british
Artist dates: 1765 – 1809
Subjects: men,women,dining,drinking,caricature

At a celebratory dinner, the "Genius of Caricature" sits at the head wearing a harlequin suit and offering a toast, with "Lilliputians" around the table. An arch at the back is lettered: "Mirth Admit Me of Thy Crew" (a quote from Milton's L'Allegro) and the walls are hung with images from the magazine, each titled below. A toast master holds a lettered banner that reads: "Mr Tegg, M' Tegg,! You're at home to a peg, Volume two is now fairly completed Then to Cheapside repair, Ye who spurn at dull care, And with, Wit, Fun, & Frolic be treated With Woodward we'll laugh, And with Rowlandson quaff, And drown every Folly absurd, Here's a toast to the brim My gay children of Whim, Success to their Volume the Third"
Afgemeerde zeilboot bij Zeeburg
Object type: print
Date: 1884 – 1887
Materials: paper
Techniques: drypoint, intaglio
Location: netherlands
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228