deem-data/ArtiFact huggingface dataset:
Paardenrace
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: london
Subjects: horse-racing, race-track, jockey, england
Bowl
Object type: bowl
Date: 1271 – 1368
Materials: glaze, stoneware
Culture: chinese
Illustratie voor het toneelstuk Het mislukt bedrog van F.W. Gotter
Object type: drawing
Date: 1791 – 1791
Materials: ink, paper
Techniques: brush, pen
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: (scenes from) specific works of literature (with author, title)

De doode Oom!; illustratie voor het toneelstuk `Het mislukt bedrog' van F.W. Gotter. Verschenen in Amsterdam 1791.
Livre de Toutes sortes de feüilles Servant a L'orphevrerie
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: pedlar, ornament derived from plant forms
Inscriptions: date

Boeket voor goud- en zilversmeden met bloemen, gestileerde bladeren en peulvruchten. Met een spottende verbeelding van een Spanjaard, bij wie er een nare lucht uit zijn mond en achterste komt.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: linen
Techniques: embroidery
Culture: mexican
Location: mexico
Mythological Figure: Achilles with Lionskin (recto); Sketches of Figures (verso)
Object type: drawing and watercolor
Date: 1601 – 1700
Materials: chalk, graphite, ink, paper
Techniques: brush, pen, wash
Location: france
Artist: Anonymous
Artist dates: 1601 – 1700
Mouw van wit katoen bedrukt met paarse bladertakken
Object type: sleeve
Date: 1825 – 1850
Materials: cotton, metal
Techniques: printing
Location: netherlands
Artist: Anonymous

Mouw van een vrouwenjak van wit katoen bedrukt met paarse bladertakken.
Street Scene in the Springtime
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: fans,swords,men,women
Ewer
Object type: ewer
Date: 1201 – 1400
Materials: earthenware
Techniques: luster painting
Location: iran
Kruis met bloemen en een lint met de tekst 'Christ has risen'
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: flowers, cross as symbol of christ
Inscriptions: inscription: ‘William Luks/ London’, inscription: ‘W.L. copyright London’
Proddy over de sergeant
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: etching
Location: london
Subjects: political caricatures and satires

Proddy speelt de avonturen van sergeant Scales na, tot groot vermaak van zijn toehoorders. Illustratie voor een uitgave van "St James's, or the Court of Queen Anne" van Ainsworth, 1844.
HIGH STREET, AND TOWN HOUSE.
Object type: photograph
Date: 1880 – 1890
Materials: photographic support
Techniques: platinum process
Location: dundee
Subjects: townhall, exterior ~ representation of a building, street (+ city(-scape) with figures, staffage)
Humpen
Object type: glass
Date: 1596 – 1596
Materials: glass
Location: germany
Gezicht op het strand en de boulevard van Scheveningen
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, cutting, hand coloring, perforating
Location: scheveningen
Artist: Anonymous
Subjects: beach (as place of recreation), four-wheeled vehicle drawn by one animal, avenue, boulevard, promenade, esplanade
Inscriptions: number: ‘6’, number: ‘9’
Arcanorum contemplatio
Object type: album leaf
Date: 1582 – 1593
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the new jerusalem

Johannes de Evangelist schrijft op Patmos aan zijn Openbaring. God de Vader op zijn troon tussen de wolken geeft hem een visioen over het nieuwe Jeruzalem (Apoc. 21). De prent maakt deel uit van een album.
Man in zeventiende eeuwse kledij, staand in een deuropening
Object type: print
Date: 1838 – 1885
Materials: paper
Techniques: drypoint, etching
Location: the hague
Artist: jan gerard smits
Artist role: draughtsman, print maker
Artist dates: 1823 – 1910
Inscriptions: collector's mark: Lugt 2228
Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia"
Object type: print
Date: 1816 – 1816
Techniques: aquatint, engraving, burnishing, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,bulls

16.4.2 ; 16.4.3; 16.4.4; are all on paper with No. 1 watermark. Under microscopic examination it is clear that the lines and aquatint are finer than in the impressions from the MMA complete set (21.19.1-33) printed on paper that appears to be uniformly Serra make, even when the watermark is not present.
Two hounds, plate 23 from "Various Animals" (Diversi Animali)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: dogs
Stam van de Reuzen Berk in het Willem Anne Bos bij Voorst
Object type: photograph
Date: 1900 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Inscriptions: signature: ‘foto R. Tepe’, title: ‘Stam van den Reuzen Berk in het Willem Anne Bosch onder Voorst Weiss Birkenstamm im Wilhelm Anna Wald im Voorst (Holland)’
Schip met giften
Object type: print
Date: 1815 – 1882
Materials: paper
Techniques: woodcut
Location: japan
Artist: matsukawa hanzan
Artist role: print maker
Artist dates: 1805 – 1882
Subjects: ships (in general), cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet)

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Luster Jar with Medallions and Peacock-Eye Pattern
Object type: jar
Date: 901 – 1000
Materials: earthenware
Techniques: luster painting
Location: iraq

Embodying different technical and stylistic variations that European and North American collectors appreciated in the early twentieth century, this jar shows how in the ninth century, Iraqi potters used new technologies to respond to coeval poetics of wonder. The sheen of these vessels' luster-painted surface (obtained with metallic pigments) would have inevitably changed according to the intensity and direction of the light source while holding and moving them, creating an unpredictable and varied experience for the beholder. Such shifts of color and iridescence, termed abū qalamūn in contemporary Arabic sources, respond to expectations of wonderment (‘ajab) found in written descriptions of encountering natural or human-made marvels. The so-called peacock-eye pattern of the jar’s shoulder and base would have lent itself well to such aesthetics.
Fotoreproductie van een beeldhouwwerk met twee figuren uit de zeventiende eeuw door Ernst Pfeifer
Object type: photograph
Date: 1880 – 1887
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture, painter in non-work situation
Inscriptions: collector's mark: Lugt 2228, inscription: ‘17 eeuw uit No A12411/ 99/ 159’, inscription: ‘E. Pfeiffer’
Ewer
Object type: ewer
Date: 1710 – 1710
Materials: soft paste porcelain
Techniques: underglaze
Artist: antoine pavie
Artist role: maker
Artist dates: 1703 – 1727
Subjects: birds
Straatmuzikant met draailier
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: etching
Subjects: hurdy-gurdy player
Inscriptions: collector's mark: Lugt 2228
Collar
Object type: collar
Date: 1851 – 1875
Materials: silk
Culture: maltese

A good example of Maltese lace, the leaf and tulip pattern emerging from intricate Maltese cross ground in this piece is effective and visually appealing.
Serpent (tunjo)
Object type: figure
Date: 901 – 1600
Materials: gold
Culture: muisca
Location: colombia
Subjects: serpents

Depictions of snakes are frequent among the many animal tunjos the Muisca people made as offerings. They are often shown with whiskered heads, as on these examples. Lakes were believed to be inhabited by mythical ancestors in the form of snakes that required offerings. One well-known ritual during which tunjos were offered to Lake Guatavita, north of Santa Fé de Bogotá, gave rise to the famous legend of "El Dorado" (The Gilded Man). Sixteenth-century Spaniards recount that, before taking office, each Muisca ruler was covered from head to toe in gold dust and conveyed on a raft to the middle of the lake. There, he threw quantities of gold objects into the water as offerings to the gods. In the centuries since the conquest in the 1530s, countless lives and great fortunes have been lost in attempts to recover the treasures from Lake Guatavita. One, undertaken at the end of the sixteenth century, cut a great notch into the mountain on one side of the lake in an effort to drain it. Many gold objects and other offerings, including an emerald the size of a hen's egg, were recovered from the edges of the lake bed. Many such efforts have followed, but the central zone of the lake remains untouched. In 1965, the Colombian government declared the lake a cultural heritage site and placed it under legal protection.
Green birds and hydrangeas
Object type: print
Date: 1830 – 1839
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Jubeljaar afgekondigd door paus Julius III
Object type: history medal
Date: 1550 – 1550
Materials: silver
Techniques: striking
Location: rome
Artist: giovan giacomo bonzagni
Artist dates: 1507 – 1565
Subjects: paus, julius iii

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: Porta Santa met opschrift binnen omschrift; afsnede: opschrift
Landscape with Ruined Monuments, from Vedute
Object type: print
Date: 1735 – 1744
Materials: paper
Techniques: etching
Location: italy
Artist: canaletto
Artist role: artist
Artist nationality: italian
Artist dates: 1697 – 1768

Curiously, Canaletto never printed either of these energetic capriccio landscapes (depictions of fantastic architecture or ruins) individually. Instead, they exist only as a pair on a single sheet (for the right half, see 1922.1381.14). While both images include fictional antiquarian architectural elements, it is not known why the artist combined them. Perhaps it was their mirrored compositions: when placed side by side, both images slope inward toward a church that straddles the margin between the plates and connects the two scenes.
Gezicht op een landschap
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Subjects: landscapes
Inscriptions: monogram: ‘Dr A Co’
Cairo-railway Station
Object type: photomechanical print
Date: 1907 – 1930
Materials: cardboard
Techniques: lithograph
Location: cairo
Artist: Anonymous
Subjects: station; shelter (railway, tramway)
Portret van Pierre du Moulin
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: étienne desrochers
Artist role: print maker, publisher
Artist dates: 1668 – 1741
Subjects: minister ~ government, historical persons
Inscriptions: collector's mark: Lugt 2228

Behoort waarschijnlijk tot een serie portretten, grotendeels door Etienne Desrochers, getiteld: 'Recueil de portraits de personnes qui se sont distinguées tant dans les Armes que dans Belles-Lettres et les Arts, comme aussi la famille royale de France et autres cours étrangères'. De serie werd initieel uitgegeven door Desrochers en aangekondigd in 'Mercure' in mei 1726, p. 985. Echter was Desrochers reeds enkele jaren eerder begonnen met het uitgeven van de serie. Na de dood van Desrochers werd de serie voortgezet door Gilles Edme Petit. Een latere staat werd uitgegeven door Jean François Daumont in Parijs.
Theseus and the Centaur Bianor
Object type: statuette group
Materials: bronze
Artist: antoine-louis barye
Artist role: artist
Artist nationality: french
Artist dates: 1795 – 1875
Subjects: theseus,centaurs
Jérusalem, partie occidentale des murailles
Object type: photograph
Date: 1849 – 1851
Techniques: salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Cylinder seal
Object type: cylinder seal
Date: 1900 – 1501
Materials: lapis lazuli
Culture: babylonian
Location: mesopotamia
Salver
Object type: salver
Date: 1710 – 1712
Materials: silver
Artist: david king
Artist role: maker
Artist dates: 1688 – 1738
Subjects: birds,coat of arms
Francis Davis Millet
Object type: sculpture
Date: 1879 – 1879
Materials: bronze
Culture: american
Artist: augustus saint-gaudens
Artist role: artist
Artist nationality: american
Artist dates: 1848 – 1907
Subjects: men,profiles
Portret van de jurist François Pinsson DesRiolles
Object type: print
Date: 1605 – 1680
Materials: paper
Techniques: engraving
Location: paris
Subjects: schrijver, jurist, françois pinsson desriolles
Inscriptions: collector's mark: Lugt 2228
Portret van Peter Steven Schull
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Subjects: historical persons, portrait of a writer

Prent waarschijnlijk uit: Schull, Petrus Steven en Jacob Cornelis van Rijneveld. Boog-ontspanning. Dordrecht: Johannes van Houtrijve, 1835.
Twee paarden en honden in een stal
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: tone lithography
Subjects: barn, dog
Inscriptions: collector's mark: Lugt 2228
Dup…, plate 171 from Célébrités de la Caricature
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: printmaking, hand coloring, lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Dorische zuilen
Object type: print
Date: 1581 – 1581
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: doric order ~ architecture

Prent uit: Vredeman de Vries, Hans. Architectura oder Bauung der Antiquen auss dem Vitruvius, waellches sein funff Collummen orden, (...). Antwerpen: Gerard de Jode en Gerard Smits, 1581. Prent eerder verschenen in de 1577-editie.
Fragment veelkleurig zijdeweefsel
Object type: fragment
Date: 1750 – 1775
Materials: silk
Techniques: brocade, gadrooning, weave
Location: france
Artist: Anonymous

Een fragment. Grond van roze zijde met lichtere strepen, slingers van witte bloemen en gekleurde boeketten. Opmerking: De twee hoeken zijn afgesneden. Let op de regelmatige foutjes bij de blauwe bouquetjes (kan wijzen op Jacquardw).
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, left forearm and part of hand of figure
Staande vrouw
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ standing)

Ze staat mogelijk in een smalle ruimte. Blad 18 verso uit schetsboek LVII met 29 bladen.
Gloves
Object type: glove
Date: 1767 – 1833
Materials: leather
Culture: italian
Tussenzetsel van kloskant met drie rijen vierkantjes
Object type: strip
Date: 1900 – 1900
Materials: linen
Techniques: lace
Location: russia
Artist: Anonymous

Tussenzetsel van naturelkleurig kloskant: stropkant. Het zich herhalende en geometrische patroon bestaat uit drie rijen vierkantjes in linnenslag met opengewerkte randjes. Boven- en onderzijde van de strook zijn recht afgewerkt.
The Triumph of the Eucharist, Christ as the Man of Sorrows supported by two angels standing in a chalice
Object type: print
Date: 1550 – 1600
Techniques: woodcut
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: angels,christ,chalices

This print is from a scrapbook (album) containing woodcuts and chiaroscuro prints. It was presumably taken apart when it was acquired by The Met in 1922. On the front page of the volume there appeared a statement that this collection was made by the poet Samuel Rogers (1763-1855) and then bought by Angela Coutts (1816-1906) in memory of him at the sale of the collection at his house (28 April – 20 May, 1856). #1615a Rogers Sale. #146 Burdett Coutts Sale (Sotheby’s, May 1922). The prints from the original album have the range 22.73.3-1–22.73.3-161.
Portret van een meisje, staand op een stoel
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: helsinki
Artist: fr. schulz
Artist role: fotograaf
Subjects: historical persons - bb - woman, toddler (female), standing figure - aa - female human figure, chair
Inscriptions: inscription: ‘Fr. Schulz/ HELSINGFORS/ 24 Vestra Henriksgatan 24/ Pläten förvaras.’
A Visit to Cockney Farm
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Design for Pony Phaeton, no. 3581
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Jug
Object type: jug
Date: 507 – 323
Materials: terracotta
Culture: cypriot

Jug with spout, black slip, and body painted as a face with eyes.
Funerary Cone of the Overseer of the Prophets of Onuris Min
Object type: cone, min, circular impression, overseer, onuris
Date: 1479 – 1425
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Portret van een zittende man met sik
Object type: cabinet photograph
Date: 1905 – 1905
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Location: brussels
Artist: ferdinand buyle
Artist role: fotograaf
Artist dates: 1872 – 1950
Subjects: sitting figure, historical persons, beard
Inscriptions: dedication: ‘A mon excellent ami H[...] Van H[..]re/ souvenir affectueux/ [Jan] Chau[.]ette des[...]/ Bruxelles 3 Janvier 1905’, inscription: ‘Ferd. Buyle/ 104, Marché-aux-Herbes/ Bruxelles.’
The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice (Industry and Idleness, plate 9)
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: men,women
Dorp met spoorlijn, West-Sumatra
Object type: photograph
Date: 1891 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: sumatera barat
Artist: christiaan benjamin nieuwenhuis
Artist role: publisher
Artist dates: 1863 – 1922
Subjects: village, railway, train, sumatera barat (province)
Inscriptions: inscription: ‘Foto’

Deze foto zat oorspronkelijk in prentenkabinet RP-F-AA3192.
Putti met het wapen van het Lucas Gilde
Object type: drawing
Date: 1574 – 1651
Materials: chalk, ink, paint, paper
Techniques: brush, pen
Artist: abraham bloemaert
Artist role: draughtsman, painter, print maker
Artist dates: 1566 – 1651
Subjects: coat of arms of guild of st. luke, cupids: 'amores', 'amoretti', 'putti'
Mrs. Henry Hill (Anna Barrett)
Object type: painting
Date: 1765 – 1770
Materials: linen, paper, pastel
Location: united states
Artist: john singleton copley
Artist nationality: american
Artist dates: 1738 – 1815
Subjects: fashion, people, portraits

In 2006 the Art Institute of Chicago was lucky enough to acquire John Singleton Copley's pastel Henry Hill (2006.83), the companion to Mrs. Henry Hill (Anna Barrett) which has been in the collection since 1959. Both pastels retain their original Rococo-style frames. They may have been carved by the Boston cratsman John Welch, who created many of Copley's Rococo frames, the type the artist used most frequently for his American portraits. The frame on Mrs. Henry Hill was gilded, as this was generally appropriate for the Rococo style; however, recent scholarship has revealed that a few Copley frames, like that of Henry Hill, were painted black. Thus, these portraits present two different ways that Copley's frames might have been finished.
Fragment of the marble stele (grave marker) of a hoplite (foot soldier)
Object type: grave stele fragment
Date: 525 – 515
Materials: marble
Culture: greek, attic
Subjects: soldiers,horses,chariots,legs

This grave marker commemorated a soldier, who was shown facing right, holding a spear. His lower legs, protected by greaves (shin guards), are preserved. The scene in the panel below shows a warrior mounting a quadriga (four-horse chariot), while his charioteer holds the reins. Such vehicles were used by the Mycenaean Greeks of the second millennium B.C. and are described by Homer in the Iliad and the Odyssey. By the Archaic period, quadrigas were no longer used in daily life. They were driven in competition, however, for the most prestigious events at Greek games were chariot races. This scene may have been intended to recall a victory of the deceased in the apobates race in which an armed runner jumped on and off a chariot, or it may evoke the family's aristocratic lineage by depicting a legendary hero departing for the Trojan War. The panel is carved in extremely low relief; the many planes were originally differentiated with red and black paint. The greaves and spear of the large-scale figure were painted blue; the background was red. Traces of red, blue, black, and green remain on the interlaced curved lines that decorate the border of the shaft.
Abklatsch van de krijttekening op pagina 54
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: paper
Techniques: printmaking
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Pagina 55 uit schetsboek XXXII met 92 pagina's.