deem-data/ArtiFact huggingface dataset:
[Railroad Wipers]
Object type: photograph
Techniques: glass negative, salted paper print
Artist: Anonymous
Artist role: artist
Subjects: men,portraits

This elegant group portrait of a team of laborers comes from an album assembled by a Belgian businessman involved in an enterprise to build railways in Peru. A Captain Hendrickx worked in South America in the mid-1850s and 1860s and presumably acquired this photograph on his travels. Although the photograph is not annotated, a clue to the subjects' occupation may reside in the clean folded towel that each man possesses. This evidence suggests that the crew were "wipers," a common profession in the early years of the railroad. As soon as a locomotive arrived in a station or roundhouse, a team of wipers thoroughly rubbed down the engine. But where was the photograph made? Hendrickx's now-disassembled album contained at least two other early salt prints-views of Nashville, Tennesssee, and St. Louis, Missouri-and thus the scene could possibly be in North America. Or in Peru, for that matter: the first railroad built in South America was constructed between Callao and Lima for the profitable guano trade. However, a careful examination of the photograph suggests otherwise. The men's hair styles, distinctive straw hats, and white collarless shirts strongly suggest Brazil as the location, possibly the city of Rio de Janeiro, where the first railroad in the country was inaugurated in 1854.
Carved Architectural Panel in the 'Beveled Style'
Object type: door panel
Date: 867 – 900
Materials: wood
Techniques: carving
Location: egypt

The increasing mobility of artisans and objects in the ninth and tenth centuries led to the adoption of new styles and techniques across a vast geography. This Egyptian panel is an example of the so-called "beveled" style, a modern term indicating a distinctively slanted relief, an absence of negative space, and repeated patterns of vegetal forms. The style is first located in ninth century Iraq, at Samarra, and soon thereafter also in Egypt, reflecting the cosmopolitanism of the culture and visual language of this time and space. This symmetrical, highly stylized design is also found on wood, stone, glass, and other media.
Paris en Helena vluchten per boot
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: letterpress printing, engraving
Location: london
Subjects: the arrival of paris and helen at troy, the abduction of helen and some of her companions: paris carries them off by sea, and takes a part of the palace-treasure with him
Inscriptions: collector's mark: Lugt 2228

Prent uit: The Art Journal 4 (1855), p. 236.
Reinier Claeszen gooit de lont in het kruit, 1606
Object type: print
Date: 1810 – 1812
Materials: paper
Techniques: etching
Location: netherlands
Subjects: self-sacrifice, death in the service of a higher purpose - ee - death not certain; wounded person

De vice-admiraal van Zeeland, Reinier Claeszen gooit na een tweedaagse slag tegen een Spaanse overmacht de lont in het kruit en laat zijn reddeloze schip de lucht in vliegen, 7 oktober 1606. Met onderschrift van 2 regels in het Nederlands.
Altar frontal
Object type: altar frontal
Date: 1701 – 1800
Materials: metal thread, silk
Subjects: flowers
Ring: Bezel inscribed "Happy New Year"
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: hieroglyphs
Inscriptions: "Happy New Year."
Jas. T. Powers, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Boerenwoning en molen in het landschap
Object type: print
Date: 1873 – 1881
Materials: paper
Techniques: etching, intaglio
Subjects: windmill in landscape, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

De etsen naar de schilderijen van Frédéric Van de Kerkhove werden na zijn dood door zijn vader en zuster gemaakt en uitgegeven in twee reeksen. De eerste werd in 1877 uitgegeven door het Journal des Beaux-Arts et de la Littérature: Cahier de 25 Eaux-fortes d'après Frédéric van de Kerkhove, gravées par son père et sa sœur. De tweede reeks van 126 etsen, ook in 1877, werd in Parijs uitgegeven bij A. Lévy onder de titel Cent eaux-fortes gravées par J. Van de Kerkhove d'après les tableaux de Frédéric Van de Kerkhove, mort en 1873 à l'âge de 10 ans et 11 mois.
Twickenham Church
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: etching
Location: england
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Chimney-Piece Set in the Corner of a Room, from Nouvelles Cheminées Faittes en Plusieur en Droits de la Hollande et Autres Prouinces, part of Œuvres du Sr. D. Marot
Object type: print collection ornament architecture
Techniques: etching
Location: netherlands
Artist: daniel marot the elder
Artist role: artist
Artist nationality: french
Artist dates: 1661 – 1752

Design for a chimney-piece set at an angle in the corner of a room in which several paintings are hung and half of a door is seen at left. The chimney-piece has an arched cornice, with a clock at top and a mirror below, flanked by busts. From a group of five prints belonging to a series of six plates with designs for chimneys shown in context and with additional decorations.
Lit à la Chinoise (Chinese Bed), from Nouvelle iconologie historique (part III, series marked 'G')
Object type: print ornament architecture
Techniques: engraving, etching
Artist: jean charles delafosse
Artist role: artist
Artist nationality: french
Artist dates: 1734 – 1789
Subjects: beds

Design for a canopy bed decorated with Chinese figures. The bed is presented from the side and is characterized by a baldachin-shaped canopy crowned by a plume of feathers.
Ypres, le Palais de Justice
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1918
Materials: cardboard
Techniques: autotype
Location: ieper
Artist: Anonymous
Subjects: court building, city-view, and landscape with man-made constructions
Brief aan Philip Zilcken
Object type: letter
Date: 1887 – 1887
Materials: ink, paper
Techniques: pen, writing
Location: brussels
Artist: catharina alberdingk thijm
Artist role: schrijver
Artist dates: 1848 – 1908
Subjects: the hague, draughtsman, philip zilcken, painting (including book-illumination, miniature-painting), printed matter
Inscriptions: collector's mark: ‘RPK’
Scenes of burning camps of Syphax and Hasdrubal
Object type: relief
Date: 1601 – 1700
Materials: iron
Subjects: soldiers,shields,spears,horses
Gezicht op de Melkmarkt in Neurenberg
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: city-view in general; 'veduta', market, milk
Inscriptions: collector's mark: Lugt 2228

Deze prent behoort tot een serie van Neurenbergse stadsgezichten gemaakt door Johann Adam Delsenbach. Het Rijksmuseum heeft zestien prenten uit deze reeks in bezit, waarvan de laatste is voorzien van nummer 24. Het is onduidelijk uit hoeveel prenten de originele serie bestaat.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Exterior, head of youth with himation draped over his head; behind him a column capital?
Sleepy Hollow
Object type: page
Date: 1886 – 1891
Materials: paper
Techniques: autotype
Location: wales
Artist: Anonymous
Subjects: meadow, pasture
Fries met bloemenranken en drie vogels
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous

De middelste vogel is een haan met een slangenstaart en gespreide vleugels.
A Sporting Character
Object type: drawing and watercolor
Date: 1754 – 1796
Materials: ink, paper, paint, watercolor
Techniques: brush, pen
Location: scotland
Artist: attributed to david allan
Artist nationality: scottish
Artist dates: 1744 – 1796
Gezicht op het Nieuwezijds Huiszittenhuis te Amsterdam
Object type: print
Date: 1765 – 1782
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: poorhouse, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Afdruk van de volledige plaat ook gebruikt in: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (…). Amsterdam: Isaak Tirion, 1765, dl. 2. En in: Verzameling der fraaiste gezigten van Amsterdam in negen en zeventig afbeeldingen. Amsterdam en Harlingen: Petrus Conradi en Volkert van der Plaats, 1782. Zie KOG-AA-1-37-99.
Staande heer, op de rug gezien, leunend over een hek
Object type: drawing
Date: 1763 – 1833
Materials: chalk, paper
Artist: jordanus hoorn
Artist role: draughtsman
Artist dates: 1753 – 1833
Plate
Object type: plate
Date: 1825 – 1825
Materials: earthenware
Culture: british
Location: england
Subjects: fruit,flowers
Portret van Johann, graaf van Aldringen
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: engraving, etching, letterpress printing
Artist: Anonymous
Subjects: thionville, landshut, bevelhebber, johann rijksgraaf van aldringen
Damoiselle Angloise allant par la Ville
Object type: costume print
Date: 1662 – 1662
Materials: paper
Techniques: etching
Location: paris
Subjects: neck-gear ~ clothing (neckerchief) (+ women's clothes), neck-gear: collar (+ women's clothes), fashion plates, skirt (+ women's clothes), sleeves: cuffs (+ women's clothes), dress, gown (+ women's clothes), sleeves (+ women's clothes), clothing for the upper part of the body (with name) (+ women's clothes), england
Inscriptions: collector's mark: Lugt 240

Kopie naar prent die deel uitmaakt van de 50-delige serie met Europese klederdrachten, getiteld "Aula Veneris".. De prent maakt deel uit van de 28-delige serie (excl. titelprent) met voorstellingen van vrouwen in verschillende klederdrachten, getiteld "Livre curieux contenant la naifue representations des habits des femmes des diverses parties du Monde (...), 1662".
Portret van een onbekende man
Object type: page
Date: 1900 – 1905
Materials: paper
Techniques: two-color autotype
Subjects: historical persons, old man
Inscriptions: inscription: ‘I. VI.’, inscription: ‘Portrait by Giacomo Grosso’
Plinth detail
Object type: plinth
Date: 1701 – 1800
Materials: gilt, wood
Tea Spoon
Object type: spoon
Date: 1780 – 1790
Materials: silver
Culture: american
Location: united states
Artist: paul revere jr.
Artist role: maker
Artist nationality: american
Artist dates: 1734 – 1818
Hanger, wapenvormig, met monogram en twee portretten van onbekende mannen
Object type: pendant jewelry
Date: 1880 – 1910
Materials: paper, glass, metal
Techniques: albumen print
Artist: Anonymous
Subjects: anonymous historical person portrayed
Kloosterleven in emblemen
Object type: print
Date: 1621 – 1635
Materials: paper
Techniques: etching, letterpress printing
Location: nancy
Subjects: predatory birds: eagle
Inscriptions: collector's mark: Lugt 240

Voorstelling van een adelaar die al vliegend een veer laat vallen. Boven en onder deze prent Latijnse en Franse teksten in boekdruk. Dit blad is onderdeel van de embleemserie 'Kloosterleven in emblemen'. De tweede staat van deze serie behelst naast een geïllustreerde titelpagina en 26 emblemen nog een titelpagina en een blad met opdracht, beide in boekdruk zonder afbeelding.
Unterschiedliche neüe Inventionen von Geschmuckh, Zierathen und Galanterien
Object type: print
Materials: paper
Techniques: etching
Location: vienna

In het midden is een stofomslag afgebeeld, gedecoreerd met een trofee van de passieinstrumenten. Bovenaan bevindt zich het handvat van een waaier. Blad 3 uit serie van 8 bladen met ontwerpen voor juwelen met parels en edelstenen. Tweede editie.
Month cup of the eleventh month with a narcissus and a poem
Object type: cup
Date: 1700 – 1724
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark: ‘大 清 康 熙 年 製’

Klokvormige kop van porselein, beschilderd in onderglazuur blauw en op het glazuur blauw, rood, groen, geel en zwart. Maandkopje van de elfde maand met op de buitenwand een narcis en een tweeregelig gedicht afgesloten door het zegelmerk 'shang', waardering. Gemerkt op de onderzijde met het zes-karaktermerk van keizer Kangxi in een dubbele cirkel. Porselein met emailkleuren.
Repoussé Tiger Claw Pendant
Object type: pendant
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Espartero, duc de la Victoire et de Morella
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: lithograph
Location: paris
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Huwelijk van Willem V met Wilhelmina Frederica Sophia van Pruisen te Berlijn
Object type: history medal
Date: 1767 – 1767
Materials: silver
Techniques: striking
Location: utrecht
Artist: jan willem marme
Artist role: medailleur
Artist dates:  – 1826
Subjects: the hague, william v (prince of orange), berlin, painter, draughtsman, wilhelmina of prussia (princess of orange)
Pair of Lappets (Joined)
Object type: costume and accessory
Materials: cotton
Techniques: lace
Location: ireland
Burning Maple Leaves to Heat Sake
Object type: print
Date: 1768 – 1768
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
[Countess de Castiglione, from Série des Roses]
Object type: photograph
Date: 1895 – 1895
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: fans,portraits,women
Menselijke schedel met een afwijking
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: (human) skull, diseases
Big Tupper Lake
Object type: page
Date: 1891 – 1891
Materials: paper
Techniques: photograph
Location: new york
Subjects: lake
Inscriptions: number: ‘Plate XIV.’
Duodecim Specula Deum
Object type: book illustration
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: st. martin divides his cloak (i.e. the charity of st. martin): he is usually shown on horseback, cutting his cloak with his sword, or putting part of the cloak round the shoulders of a beggar who kneels beside him, mirror, founder of the order of friars minor (franciscans), francis(cus) of assisi; possible attributes: book, crucifix, lily, skull, stigmata, private worship and religious study, trunked animals: elephant (+ animals used symbolically), shearing (sheep), portable altar (+ christ), portable altar (+ mary)
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond twee gelovigen. Ze knielen voor een spiegeldiptiek, die de reflectie van Christus en Maria toont. In de achtergrond toonbeelden van devotie: de heilige Maarten en de heilige Franciscus die hun mantels aan bedelaars geven en een olifant als teken van wijsheid.. De prent heeft een Latijns onderschrift: 'Lucet, et inflammat, Specvlvm exemplaris honesti; Virtutem alterius si cupis esse tuam'. Onderaan een legende van de scènes die op de afbeelding alfabetisch genummerd zijn. De prent is deel van een twaalfdelige serie (X uit XII prenten) met als onderwerp twaalf spiegels waarmee de mens God probeert te zien.
Bowl
Object type: bowl
Date: 1701 – 1900
Materials: copper
Location: india
Subjects: flowers
Saucer with the arms of the Kikkert family
Object type: platter
Date: 1777 – 1778
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

In het centrum van de schotel en op de buitenzijde van de kop in een medaillon het wapen van de familie Kikkert. Het wapen heeft een rode keper met boven een kikker en twee sterren en onder een ster. Het helmteken is een ster en het dekkleed bestaat uit bladranken in ijzerrood. Het medaillon is versierd met strooibloemen, blauwe linten en twee groene palmtakken.
Hieromheen zijn vier bloemtakken afgebeeld. Op de rand in de binnenzijde van zowel de kop als de schotel is een band in groen en goud.
Textile Sample Book
Object type: sample book
Date: 1862 – 1862
Subjects: flowers
Zeden en gewoonten van Parijs
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: adult man ( + one person)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Paul Pronté, 74 Rue de Seine/ 30 Dec. 1964. NF 5.-’
Fragmenten van Nederlandsche kleederdragt, gebruiken, enz. Naar de natuur geteekend en gelithographieerd door C. Andriessen
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: folk costume, regional costume, bird in a cage
Inscriptions: collector's mark: Lugt 2228, collector's mark:

Blad met figuren: drie figuren zittend op stoelen, de man links blaast op een trompet. Onderdeel van een serie van zes bladen met figuurstudies van Nederlandse klederdrachten, straatfiguren en gebuiken, 1833.
The Colors of Spring (Haru no iro) 春の色
Object type: illustrated book
Materials: ink, paper, pigment
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro 喜多川歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: bridges,towns,rivers
Interieur van het Colosseum te Rome
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: ruin of a building ~ architecture, theatre (building) - aa - open-air performances
Errinnerungen
Object type: photograph
Date: 1807 – 1889
Materials: cardboard, paper
Techniques: gelatin silver print
Subjects: wilhelm ii (keizer van duitsland), norway
Inscriptions: number: ‘21’

De afdruk van de foto is rond, het papier vierkant. foto gemaakt met Nr. 1 Kodak Camera
Tatekawa in Honjō (Honjō Tatekawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: buildings,men,working
Varken, kippen en konijnen bij een schuur
Object type: print
Date: 1833 – 1879
Materials: paper
Techniques: etching, intaglio
Artist: auguste numans
Artist role: print maker
Artist dates: 1823 – 1883
Subjects: barn, pig, fowl (cock, hen, chicken, etc.), rodents
Inscriptions: collector's mark: Lugt 2228
Portret van Carl Friedrich Heinrich Graf von Wylich und Lottum
Object type: book illustration
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: germany
Subjects: berlin, commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Genealogisches Taschenbuch der deutschen gräflichen Häuser auf das Jahr 1837. Gotha: Justus Perthes, 1837.
Facsimile, Winlock's Tomb 5
Object type: facsimile
Date: 1567 – 1482
Materials: paper, paint
Location: egypt
Artist: unknown copyist
Artist role: artist
Matilda Few
Object type: painting, miniature
Date: 1787 – 1844
Materials: ivory, watercolor
Culture: american
Artist: nathaniel rogers
Artist role: artist
Artist nationality: american
Artist dates: 1788 – 1844
Subjects: portraits,women

The sitter was the daughter of William Few and Catherine Nicholson of Georgia.
Mountain Stream on a Summer Day
Object type: hanging scroll
Materials: ink, paper
Culture: japanese
Artist: nakabayashi chikutō
Artist role: artist
Artist nationality: japanese
Artist dates: 1776 – 1853
Subjects: bridges,waterfalls,mountains

Born in Nagoya, the son of a doctor, Nakabayashi Chikutō moved to Kyoto in 1803 with fellow artist and friend Yamamoto Baiitsu (1783–1856) to join the circle of the philosopher-artist-poet Rai San’yō (1780–1832). After studying Chinese literati theory and technique, he developed a personal style that incorporated elements derived from the work of Chinese scholar-artists. In his inscription following the title of this painting, he notes that he modeled the work after the paintings of the Yuan-dynasty Chinese master Gao Kegong (1248–1310). Here, within a solid, centralized composition Chikutō created a sense of drama using intricate details that form lively patterns of dashlike brushwork. During the final years of his career, Chikutō withdrew to a studio on the outskirts of Kyoto, where he led a reclusive existence.
The First Nakamura Nakazo as a Samurai
Object type: woodblock print nishiki e
Date: 1770 – 1770
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: swords,men
[Studio Portrait: Seated Group portrait of Ten Indigenous people]
Object type: carte de visite
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist

The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 1850s and throughout the latter half of the century, these economical keepsakes depicting portraits of loved ones, celebrities, monarchs, and foreign types circulated en masse and spurred a veritable "cartomania." Collected in albums, traded among friends, and admired in drawing rooms, cartes put photography in the hands of virtually everyone, and thus offered a means of reflecting upon one’s own social standing in an ever-expanding world.
Paard uit Napels
Object type: print
Date: 1578 – 1582
Materials: paper
Techniques: engraving
Location: florence
Artist: philips galle
Artist role: print maker, publisher
Artist dates: 1537 – 1612
Subjects: don juan van oostenrijk, horses and kindred animals, naples
Inscriptions: number: ‘81’, collector's mark: Lugt 2228

Een Napolitaner paard, in profiel. Het steigert. De prent heeft een Latijns onderschrift en maakt deel uit van het tweede deel van een 39-delige serie over de paardenrassen uit Koninklijke stallen van Don Juan van Oostenrijk.
We Will Civilize those Fellows... with Time
Object type: print
Date: 1836 – 1837
Materials: paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
Gezicht op het Maagdenhuis te Amsterdam
Object type: print
Date: 1824 – 1825
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: orphanage, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Tableau des Principales Vues des Palais et Édifices (...). Amsterdam: Evert Maaskamp, [1824-1825].

Eerdere staat van deze prent (zonder Franse titel) ook gebruikt in: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, [1786-1792]. Alle prenten uit deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.