deem-data/ArtiFact huggingface dataset:
Staande vrouw en man met fez, op de rug gezien
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ standing), adult man (+ standing)

Blad 9 verso uit schetsboek XXIV met 10 bladen.
Doctor Botherum, The Montebank
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,children,men,women,dogs

A traveling botherum stands at center, attempting to entice the townspeople to purchase the elixirs he holds up. His attendants perform their share of the performance in the crowd.
Gezelschap drinkt thee aan tafel
Object type: photograph
Date: 1880 – 1940
Materials: photographic support
Techniques: collodion silver print
Artist: cornelia hendrika jonker
Artist dates: 1874 – 1924
Subjects: afternoon tea, anonymous historical persons portrayed in a group, in a group-portrait
Plan der Nieuwe Kerk te Amsterdam, ter gelegenheid der Inhuldiging van Z.M. Willem III. 12 Mei 1849
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: brussels, willem iii (koning der nederlanden), plan ~ architecture, installation of a ruler
Inscriptions: collector's mark: Lugt 2228

Plan van de Nieuwe Kerk te Amsterdam met de indeling van de zitplaatsen bij de inhuldiging van koning Willem III op 12 mei 1849.
Gibraltar. The Galleries
Object type: photomechanical print
Date: 1890 – 1906
Materials: cardboard, photographic process
Techniques: writing
Location: gibraltar
Artist: Anonymous
Subjects: rocks, sea
Inscriptions: poststempel, verso, gestempeld
Terracotta amphora (jar)
Object type: amphora, type a
Date: 470 – 460
Materials: terracotta
Culture: greek, attic
Artist: syracuse painter
Artist role: artist
Subjects: dionysus,nike

Obverse, Dionysos and satyr Reverse, Poseidon and Nike Among the artists active during the second quarter of the fifth century B.C., the Syracuse Painter was one of the last to decorate an amphora, a shape that had declined in popularity. The mouth of this example is exceptional for its slightly convex surface.
Mari ten Kate in zijn atelier in de Wilhelminastraat 14 in Den Haag
Object type: later print
Date: 1903 – 1903
Materials: paper
Techniques: gelatin silver print
Location: the hague
Subjects: the hague, painter, print maker, draughtsman, mari ten kate, painter at work, in his studio
Inscriptions: copyright notice: ‘World Copyright by W.M.A. Deppe, Bachlaan, 1 Naarden (Holland) telef. K 2959-5505’, inscription: ‘28A M. KATE WILHELMINASTRAAT 14 'S GRAVEHAGE/ 16 OCTOBER 1903’
Figures
Object type: figure
Date: 1701 – 1800
Materials: amber
Culture: chinese
Subjects: men
Landschap bij Pont-à-Celles met een klein gebouw aan het water
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: etching
Artist: jean théodore joseph linnig
Artist role: draughtsman, print maker
Artist dates: 1815 – 1891
Subjects: river, rowing-boat, canoe, etc., hut, cabin, lodge
Inscriptions: collector's mark: Lugt 2228
Portrait of Robert Dudley (1532-88), Earl of Leicester
Object type: painting
Date: 1609 – 1633
Materials: oil, panel
Artist: jan antonisz van ravesteyn
Artist role: draughtsman, painter
Artist dates: 1570 – 1657
Subjects: robert dudley (1st earl of leicester), historical persons
Inscriptions: inscription, upper left: ‘Comte de Lysester’

Military leaders of the Eighty Years War. These portraits were originally displayed at Honselaarsdijk, the palace built by Stadholder Frederick Henry and his wife Amalia in the 1620s near The Hague. In the style of European courts of the day, one of the palace rooms was lined with portraits of ancestors, relatives and celebrities past and present. Many of these personalities played a role in the Eighty Years War: members of the Nassau family and other commanders of the Dutch Republic's army, officers of the French and English allies and leading Spanish generals. A remarkable aspect is the number of foreigners who fought for the Dutch. The Republic's army enjoyed an international reputation and attracted young noblemen from abroad. For them, the war was a career opportunity.
Wall decoration with vegetal and geometric design
Object type: relief
Date: 501 – 600
Materials: plaster
Culture: sasanian
Location: mesopotamia

Stucco reliefs were commonly used to decorate the iwans and reception halls of elite Sasanian houses. Many examples were found in excavated houses in the Ctesiphon area including this fragment from Umm ez-Za’tir consisting of half palmettes above a line of concave pearls. Fragments of this design were found in several locations in the large open courtyard at Umm ez-Za’tir suggesting that the pattern ran across a large area. The use of molds to make stuccos allowed for the creation of large scale repetitive patterns such as geometric and vegetal motifs. The city of Ctesiphon was located on the east bank of the Tigris River, 20 miles (32 km) south of modern Baghdad in Iraq. It flourished for more than 800 years as the capital of the Parthians and the Sasanians, the last two dynasties to rule the ancient Near East before the Islamic conquest in the seventh century. Systematic excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the main palace (Taq-i Kisra), in a small fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. As part of the larger Ctesiphon Expedition, excavations were conducted at a small mound approximately 2 km east of the Taq-I Kisra. This mound was called Umm ez-Za’tir or Mother of Thyme. Excavations at the site exposed rooms associated with housing. Excavations conducted in the winters of 1928/1929 and 1931/1932 revealed the plan of a 6th century Sasanian house following the typical plan of a mix of square and elongated rooms. Iwans were found on the east and west walls which were decorated with stucco reliefs on the walls and on the arc
Ornamental Plate VI
Object type: print
Date: 1619 – 1619
Materials: paper
Techniques: engraving
Location: france
Artist: jacques hurtu
Suling (ring flute)
Object type: suling ring flute
Date: 1867 – 1900
Materials: bamboo, rattan
Culture: javanese, sunda
Location: indonesia
Landschappen tot voorbeelden voor jonge kunstoeffenaren
Object type: print
Date: 1809 – 1854
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: cornelis de kruyff
Artist role: draughtsman, print maker
Artist dates: 1774 – 1828
Subjects: container made of plant material other than wood: basket, plants and herbs: garlic, plants and herbs: cabbage
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een serie. Alle prenten zijn op dezelfde wijze rechtsboven genummerd. Linksonder: 'Te Amsterdam, bij Portman & Willink van den Bosch'. Rechtsonder: 'Warmoesstraat schuins over de Papenburgsteeg no. 34'. Midden onder: 'C. de Kruijf del.' Zie: RP-P-1892-A-16967 t/m RP-P-1892-A-16973.
Vase with cover (vase feuille de laurier) (one of a pair)
Object type: vase with cover
Date: 1770 – 1770
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: putti

This piece of Sèvres porcelain comes from the Hillingdon Collection, which was founded by Sir Charles Mills (1792–1880), a partner in the great firm of Glyn, Mills, Currie and Company, bankers to the British royal family. Tradition says that Sir Charles acquired the collection during a series of visits to France in the first half of the nineteenth century. Sir Charles’ son was created first Baron Hillingdon in 1886. In 1937, his descendants sold the collection to the well-known art dealers Duveen Brothers. Although various collectors, such as Calouste Gulbenkian and J. Paul Getty, were interested in buying the Hillingdon Collection, ultimately the majority of the artworks, including seventeen pieces of porcelain-mounted furniture, were acquired in 1947 by the cultural foundation that had been established by the American businessman and philanthropist Samuel H. Kress (1863–1955). Under the leadership of Samuel’s brother Rush H. Kress (1877–1963), the Samuel H. Kress Foundation gave these extraordinary objects to the Museum in 1958, making it the foremost repository in the world of Sèvres-mounted furniture. Additional pieces from the Hillingdon Collection are elsewhere on display in the Wrightsman Galleries.
Zeeland, halve zilveren dukaat, 1762
Object type: coin
Date: 1762 – 1762
Materials: silver
Techniques: striking
Location: middelburg

Zilveren munt. Voorzijde: staande geharnaste ridder naar rechts met zwaard in rechterhand en gekroond wapenschild van Zeeland aan lint in linkerhand. Keerzijde: tussen jaartal gekroond generaliteitswapenschild. Kabelrand.
The Adoration of the Shepherds
Object type: painting
Materials: canvas, oil
Artist: catena (vincenzo di biagio)
Artist role: artist
Artist nationality: italian
Artist dates: 1506 – 1531
Subjects: men,dogs,virgin mary,jesus,adoration of the shepherds,joseph

Catena’s painting was inspired by the artists with whom he was in closest contact. First among these was his friend the great Venetian painter Giorgione, but there are also allusions in his work to Albrecht Dürer and Giovanni Bellini. Painted about 1520, the Adoration has great charm, but must have already seemed old-fashioned in its approach to composition and the handling of paint in light of the work of Titian.
Fishes Swimming
Object type: album leaf
Date: 1890 – 1892
Materials: ink, silk
Culture: japanese
Artist: seki shūkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1858 – 1915
Subjects: fish
(...).. Daar zat hij toen, met zo een vergenoegd gelaat (...) door de stallen heen bruischte
Object type: print
Date: 1802 – 1809
Materials: paper
Techniques: etching
Location: haarlem
Subjects: pipe ~ tobacco, stall, stable, weapons for striking a blow: club, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228

Prent als boekillustratie gebruikt in: Fokke Simonsz., Arend. London in een' boertigen stijl beschreeven. Deel III uit: Boertige Reis door Europa. 7 dln. Haarlem: François Bohn, 1802-1809.
Jasper Lentoid
Object type: seal, lentoid
Date: 1500 – 1400
Materials: jasper
Culture: minoan
Subjects: bulls

two couchant bulls, each with a double ax between its horns; Linear B signs between the bulls
Stephenson Memorial in Newcastle
Object type: photograph
Date: 1870 – 1880
Materials: paper, photographic support
Techniques: albumen print
Location: newcastle upon tyne
Artist: Anonymous
Subjects: monument, statue

Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Journal des Dames et des Modes, Costumes Parisiens, 1913, No. 122 : Toilette au goût Vénitien
Object type: fashion print
Date: 1913 – 1913
Materials: paper
Techniques: engraving, hand coloring, pochoir
Subjects: clothing for the upper part of the body (+ women's clothes), veil (+ women's clothes), coat (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), skirt (+ women's clothes)
Inscriptions: caption: ‘Toilette au goût Vénitien’, title: ‘Costumes Parisiens’

Vrouw in een 'toilette' naar Venetiaanse smaak (verkleedkleren?). Zij draagt een jas met bloemmotief, afgezet met bont. Halflange mouwen met omgeslagen manchetten en ondermouwen. Op het hoofd een hoed met doorzichtige sluier van kant(?). Prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914).
Glass ribbed bowl
Object type: bowl, ribbed
Materials: glass
Culture: roman

Translucent pale blue green. Vertical rounded rim; plain band around top of sides, tapering downwards, then bulging outward before curving in sharply to slightly concave bottom. On interior, two concentric grooves around bottom and small, broader circle at center; on exterior, seventy-six slightly slanting ribs of varying length and width, with tops ground off, arranged around bulging middle section of body. Intact; a few pinprick bubbles; some pitting, dulling, and iridescent weathering on exterior, most of interior covered with creamy weathering. Rotary grinding marks on interior and plain band around top of sides on exterior.
Romeinse triomfen
Object type: album leaf
Date: 1618 – 1618
Materials: paper
Techniques: engraving
Location: rome
Subjects: ceremonial procession, parade, pageant ~ installation of a ruler, priest ~ roman religion, musician, roman chariot, quadriga ~ triumph
Inscriptions: number: ‘109’, inscription: ‘lib. 1. fol. 16’

Processie van muzikanten, priesters met rokende wierook en de keizer tronend op een triomfwagen die wordt voortgetrokken door paarden. Titel in het Latijn in ondermarge. Prent maakt deel uit van een album.
Koning Edward ontvangt zijne vrienden
Object type: cartoon
Date: 1906 – 1906
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: vienna, wilhelm ii (keizer van duitsland), personifications of countries, nations, states, districts, etc., reception, cocktail party, political caricatures and satires

De Engelse koning Edward VII ontvangt op een receptie buitenlandse vorsten, links achter de planten smoezen de Duitse keizer Wilhelm II en de Oostenrijkse keizer Frans Jozef I met elkaar. Rechts probeert Marianne (Frankrijk) de Russische tsaar Nicolaas II te overreden om op de receptie te blijven.
Ruit met wapen met opschrift "A. van Zanten 1622"
Object type: light window
Date: 1622 – 1622
Materials: glass, lead
Techniques: leading
Location: low countries
Artist: Anonymous
Inscriptions: date

Gebrandschilderde ruit met wapen met opschrift A. van Zanten 1622, in grisaille en rood. Het wapen wordt gehouden door een vrouwenfiguur. Onder het wapen een op een schelp blazende meermin.
Doos horend bij een bronzen penning
Object type: box
Date: 1861 – 1861
Materials: cardboard, velvet
Location: utrecht
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: haarlem

Leren vierkante doosje met koperen sluiting. Binnenzijde bekleedt met rood fluweel.
Penning met een embleem en de namen van Engelse koningen
Object type: print
Date: 1702 – 1714
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous
Subjects: london, anna stuart (koningin van engeland en schotland), globe, abstract ideas and concepts (+ emblematical representation of concept), compass, king, seal (symbol of sovereignty)
Inscriptions: number: ‘28’

Ontwerp van een ronde penning met, in zeven concentrische cirkels, de namen van Engelse koningen en hun regeringsjaren, beginnende bij koning Hendrik II en eindigend bij koningin Anna Stuart. In het midden van de penning een embleem met een wereldbol en drie kompassen. Het motto van het embleem luidt: "Semper Eadem".
Stela of Amenhotep Adoring the Rising and Setting Sun
Object type: stela, amenhotep, rising and setting sun
Date: 1427 – 1400
Materials: paint, stone
Location: egypt
Subjects: human figures,hieroglyphs
Sword with Scabbard
Object type: sword with scabbard
Date: 1801 – 1900
Materials: brass, cord, lacquer, silver, steel, metal, wood
Culture: taiwanese
Location: taiwan
Penseel behorende bij suzuribako
Object type: suzuribako
Date: 1850 – 1900
Materials: lacquer, wood
Location: japan
Artist: Anonymous
Fotoreproductie van een prent naar een schilderij door Thomas Kirk, voorstellend een scene uit Titus Andronicus door William Shakespeare
Object type: photograph
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: specific works of literature
Inscriptions: number: ‘Ph. LXXIII. 291’

Te zien is akte IV, scene 1 met Lucius die wordt achtervolgd door Lavinia.
Flask
Object type: vessel
Date: 201 – 300
Materials: glass
Techniques: glassblowing
Culture: roman
Location: syria
Hemelkaart met de noordelijke sterrenbeelden
Object type: print
Date: 1721 – 1728
Materials: paper
Techniques: engraving
Location: london
Subjects: zodiac; the twelve zodiacal signs together, star-chart, star map

Hemelkaart van de noordelijke sterrenbeelden. De positie van de sterren is gebaseerd op de sterrencatalogus van Halley (in feite overgenomen van Flamsteed). De kaart is voorzien van een rooster en gradenverdelingen. In de hoeken van de kaart uitleg van de astronomie.
La Maison de ville de Lewarde / Het Stadhuijs van Leuwaerden
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Subjects: townhall

Latere staat onder andere verschenen in: Histoire Generale des Pais bas Contenant la Description des XVII Provinces. Brussel: Francois Foppens, 1720.
Aqua Antoniniana en waterwegen van de Thermen van Caracalla te Rome
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: ruin of a building ~ architecture, landscape with bridge, viaduct or aqueduct, public baths
Inscriptions: collector's mark: Lugt 2228

Blad met twee voorstellingen van Romeinse bouwwerken. Boven: gezicht op een poort ingebouwd in het aquaduct Aqua Antoniniana. Enkele reizigers op de onder de poort doorlopende Via Appia Antica. Genummerd linksboven: Tav. XIX. Genummerd rechtsboven: Fig. I. Titel en verklarende lijst met letters in ondermarge. Onder: schematische weergave van de waterwegen van de Thermen van Caracalla te Rome. Genummerd rechtsboven: Fig. II. Verklarende lijst met letters in ondermarge.
Op de wijsheid van Koning Willem I 1830
Object type: history medal
Date: 1830 – 1830
Materials: bronze
Techniques: striking
Artist: brandt

Bronzen penning, op de voorzijde Minerva staand bij een altaar waarop de afbeelding van Willem I, met omschrift en afsnedetekst, op de keerzijde zeven regels tekst tussen samengestrikte eikentakken.
Dress
Object type: dress
Date: 1828 – 1830
Materials: cotton
Culture: american
St. George's Chapel, Windsor Castle
Object type: photomechanical print
Date: 1902 – 1930
Materials: cardboard
Techniques: photograph
Location: windsor
Artist: Anonymous
Subjects: castle, garden, church (exterior) - qq - small church, chapel
Putto
Object type: crèche figure
Materials: terracotta
Subjects: putti

The practice of using crèche figures to restage religious events reached the height of its complexity and artistic excellence in eighteenth-century Naples, and the Metropolitan Museum of Art’s group of Neapolitan crèche is one of the finest and most complete survivals of the art form. The ensemble consists of characters traditional to eighteenth-century Italian Christmas holiday customs. The Nativity, featuring the holy family, shepherds and their flocks, and a host of angels and cherubs is joined by the procession of the three Magi, townspeople, colorful peasants, individuals from the Mediterranean shores, and animals. The figures have articulated bodies of tow and wire with polychromed terracotta heads, and are all in partially distressed condition. These vibrant characters are further brought to life by a wide-ranging set of cloth, embroidery, leather, wicker, wax, and silver accessories. Many of these, such as the figures’ luxurious costumes, baskets of fruit, and gilt censers are original, and represent forms traditional to the rural areas around Naples during this period.
Enquêteformulier ingevuld door Kasparus Karsen
Object type: questionnaire
Date: 1840 – 1840
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Subjects: painter, draughtsman, kasparus karsen
Inscriptions: watermark, inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
The Prisoner
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: france
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Terugkeer naar Jogyakarta
Object type: photograph
Date: 1949 – 1949
Materials: paper, photographic support
Techniques: photography
Location: jogjakarta
Artist: Anonymous
Subjects: outing, pleasure trip, the soldier off duty

Albumblad met zes foto's die waarschijnlijk de opmars naar Jogyakarta laten zien. De foto's betreffen een militaire colonne met wagens onderweg, een wagen die van de weg is geraakt, een ossenwagen, militairen bij een trein, een straatbeeld van Semarang of Jogyakarta en het tempelcomplex Borobudur met vier soldaten die op de trap van een stoepa poseren.
Preface
Object type: page
Date: 1790 – 1790
Materials: paper
Techniques: woodcut
Location: edo
Inscriptions: date

Eerste en tweede pagina uit het boek Fugenzo van Utamaro. Ingeplakt: een handgeschreven notitie van de verzamelaar Edmond de Goncourt.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic

Interior, billeting with bit of meander
Small stone axe
Object type: celt
Date: 5000 – 2001
Materials: stone
Culture: greek neolithic
Gezicht op een winkel met mashrabiyavensters in de Arabische wijk in Caïro
Object type: photograph
Date: 1870 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: cairo
Subjects: shop, store
Inscriptions: number: ‘No 616’
La Robe Rouge
Object type: print
Date: 1894 – 1894
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
La Vieille aux Chats (The Old Woman with Cats), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Object type: print
Date: 1623 – 1623
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Kaart van het beleg van Huis te Gennep (tekstblad), 1641
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: delft, frederick henry (prince of orange)

Tekstblad bij de kaart van Gennep met het Huis te Gennep en omgeving, belegerd en veroverd door het Staatse leger onder Frederik Hendrik, 6 juni - 27 juli 1641. Tekst in 2 kolommen in het Frans. Onderdeel van een ensemble bestaande uit een titel in 4 stroken, de 4 platen uit het atelier van Visscher, de 4 bladen van het vertrek van het garnizoen door Nolpe en 7 tekstbladen.
Fragment
Object type: fragment
Date: 1501 – 1700
Materials: linen, silk
Rustic Vigniettes
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: aquatint, etching
Location: london
Subjects: tools and machines ~ building, wooden container: barrel, cask, bucket
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Pyne, William Henry. Microcosm: or, a picturesque delineation of the arts, agriculture, manufactures, &c. of Great Britain. Londen: William Henry Pyne & John Claude Nattes, 1806.
Illustrated book
Object type: illustrated book
Date: 1701 – 1800
Materials: ink, paper
Culture: japanese
Artist: tsurusawa tansaku
Artist role: artist
Artist dates: 1797 – 1797
Subjects: horses
Fragments from a Glass Vessel
Object type: glass vessel fragment
Date: 1201 – 1300
Materials: glass
Culture: crusader
The Dead Tree
Object type: print
Date: 1640 – 1640
Techniques: etching
Artist: laurent de la hyre
Artist role: artist
Artist nationality: french
Artist dates: 1606 – 1656
Subjects: trees