deem-data/ArtiFact huggingface dataset:
De H. Nicolaas van Bari in de kunst. 36 prentbriefkaarten
Object type: wrapper
Date: 1928 – 1928
Materials: cardboard
Techniques: printing
Artist: Anonymous
Inscriptions: collector's mark: ‘AFE v S’

Het omslag is bedoeld voor 36 prentbriefkaarten. In dit exemplaar zijn 32 prentbriefkaarten aangetroffen.
In de omslag zit een tekst ingestoken met daarop een beschrijving van het leven van H. Nicolaas van Bari en een overzicht van de prentbriefkaarten.
A Soldier Standing, in Profile
Object type: print
Date: 1849 – 1849
Materials: ink, paper
Techniques: drypoint, etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: ducks,fish
Stump Speaking
Object type: print
Date: 1856 – 1856
Materials: ink, watercolor, paper
Techniques: aquatint, engraving, hand coloring, mezzotint
Location: united states
Artist: louis-adolphe gautier
Artist nationality: french
Artist dates: 1847 – 1876
Oranjelint Willem II
Object type: ribbon material
Date: 1840 – 1849
Materials: silk
Techniques: printing, weave
Location: netherlands
Subjects: the hague, william ii of the netherlands

Oranje lint waarop in het zwart het borststuk van een kalende man met ringbaard en in uniform (Willem II) is gedrukt.
Toilet Mirror
Object type: dressing glass
Date: 1828 – 1829
Materials: amalgam, glass, silver
Techniques: gilding
Location: brussels
Subjects: berlin, voorburg, marianne (prinses der nederlanden), standing figure - aa - female human figure, ornament ~ festoon, garland
Inscriptions: maker's mark, retailer's mark, alloy mark, assay office mark

When Princess Marianne married, her father King William I gifted her a magnificent toilet crafted in the Empire style, with figures based on antiquity. For this commission, the king engaged the best artisans in the southern Netherlands at the time: the goldsmith Dutalis in Brussels and the sculptor Royer from Mechelen. The set comprised a jewellery box, several gilded boxes, and this mirror as a showpiece.
Ex libris van André Vercammen
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: belgium
Artist: Anonymous
Subjects: andré vercammen
Jail Bird, from "The Comic Natural History of the Human Race"
Object type: print
Date: 1851 – 1851
Materials: watercolor
Techniques: lithograph
Artist: henry louis stephens
Artist role: artist
Artist nationality: american
Artist dates: 1824 – 1882
Gezicht op Rio dei Carmini te Venetië
Object type: stereograph
Date: 1850 – 1879
Materials: cardboard, photographic support
Techniques: albumen print
Location: venice
Artist: antonio perini
Artist role: fotograaf
Artist dates: 1830 – 1879
Subjects: canal, façade (of house or building), venice
Inscriptions: name: ‘STITUTO FOTOGRAFICO A.PERINI VENEZIA’

Gezicht op Rio dei Carmini, gezien vanaf de Chiesa dell 'Angelo Raffaele richting Fondamenta Briati.
Ontwerp voor een zilveren gesp
Object type: design
Date: 1910 – 1910
Materials: ink, pencil
Techniques: pen
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: buckle
Brief aan Andries Bonger
Object type: letter
Date: 1907 – 1907
Materials: ink, paper
Techniques: pen, printing, writing
Location: tonnerre
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: painter, print maker, vincent van gogh, amsterdam, andries bonger, applied arts, arts and crafts; industrial design, painting (including book-illumination, miniature-painting), switzerland
Collar
Object type: collar
Date: 1801 – 1900
Materials: linen
Culture: british
Young Clifford Finding the Body of his Father, from "L'Artiste"
Object type: print
Date: 1834 – 1834
Techniques: lithograph
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: animals,swords,men,fathers,death
Herinneringspenning bij het zilveren, vijfentwintigjarig huwelijk van koningin Juliana en prins Bernhard, 1962
Object type: draagpenning
Date: 1901 – 1962
Materials: silver, textile
Location: netherlands
Artist: Anonymous
Subjects: utrecht, bernhard (prins der nederlanden), amsterdam, willem drees, the hague, juliana of the netherlands, netherlands
Inscriptions: circumscription: ‘7 JANUARI 1937 1962’, inscription: ‘25 JB’

Zilveren penning aan draagring en oranje lint met rood-geel-blauwe strepen in het midden en geel-rode strepen aan de zijkanten, aan speld. Voorzijde: Juliana en Bernhard met anjer, met profiel naar links, binnen twee geschakelde ringen. Keerzijde: gekroonde 25 JB en aan de rand de datum 7 januari 1937 - 1962. Bijbehorend een wit doosje met aan de binnenkant blauw fluweel.
Design for Dog Cart or 2 Wheeler, no. 4175
Object type: drawing
Date: 1892 – 1892
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gezicht op het Hôtel des Invalides te Parijs gezien vanaf de wijk Vaugirard
Object type: print
Date: 1745 – 1775
Materials: paper, watercolor
Techniques: brush, etching
Location: france
Subjects: civic architecture; edifices; dwellings, street (+ city(-scape) with figures, staffage)
Inscriptions: watermark, collector's mark: Lugt 2166
Kaart van het zuidelijke deel van het hertogdom Brabant
Object type: map
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching, hand coloring
Subjects: maps of separate countries or regions, brabant
Inscriptions: collector's mark: Lugt 2228

Kaart van het zuidelijke deel van het hertogdom Brabant. Rechtsonder de titelcartouche, met links een voorstelling van een leger dat ten strijde trekt. Linksonder een kader met drie schaalstokken: 15 Mille Pas Geometriques de 60 au Degré / 5 Lieues de Brabant de 20 au Degré / 3 Lieues communes d'Allemagne de 15 au Degré. De kaart is voorzien van een gradenverdeling langs de randen.
Petrus Scriverius (1576–1660)
Object type: painting
Date: 1626 – 1626
Materials: oil, wood
Artist: frans hals
Artist role: artist
Artist nationality: dutch
Artist dates: 1582 – 1666
Subjects: men,portraits

Scriverius was a distinguished historian, poet, and scholar of classical literature. His wife, Anna van der Aar, was the daughter of a Leiden city councilman. In this pair of portraits Hals employs the scale, oval format, and illusionistic framing device that for several decades had been common in Dutch portrait prints. The male portrait alone was engraved in 1626, by Jan van de Velde II; impressions would have been sent to scholarly colleagues throughout Europe. The panels were retained as family keepsakes, in which Hals achieved the same vivid effects that he usually described on a much larger scale.
Reclining Female Nude
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: lying on one side, with uplifted upper part of the body and leaning on the arm - aa - female human figure

Ze ligt op haar zij en steunt op een arm. Blad 18 verso uit schetsboek LXI met 20 bladen.
Plate
Object type: plate
Date: 1796 – 1801
Materials: hard paste porcelain
Artist: imperial porcelain manufactory, st. petersburg
Artist role: manufactory
Artist nationality: russian
Artist dates: 1744 – 9999
Subjects: flowers,landscapes
Steniging van Zacharias
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the murder of zacharias
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Josephus, Flavius. Alle de Werken, 2 delen. Amsterdam: Pieter Mortier, 1704, dl. 1, p. 225.
Una Concepción (fragmento)
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1920
Materials: cardboard
Techniques: photograph
Location: sevilla
Artist: murillo
Subjects: mary (without the christ-child)
Inscriptions: collector's mark: ‘AFE v S’
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: flowers,trees
Terracotta rim fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 540 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of an eyebrow and bit of the black glazed line from the outer edge of an eye
Schapenkoppen en een interieur van een schaapskooi
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: sheep, stall, stable

Pagina 62 uit een schetsboek met 42 bladen vervaardigd rond de Ewijkshoeve.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, lower body of a woman wearing a chiton and a himation
Petit Courrier des Dames  1825 (299)
Object type: fashion print
Date: 1825 – 1825
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: fashion plates

Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Portret van Johan van Nijenborgh
Object type: print
Date: 1659 – 1659
Materials: paper
Techniques: engraving, letterpress printing
Location: groningen
Subjects: water-birds: swan, historical persons, writer, poet, author

Prent uit: Nijenborgh, Johan van. I.V. Nyenborchs hofstede met desselfs andere bedenckingen (...). Groningen: s.n., 1659.
Model of a Man Plowing
Object type: model, plowing, cattle, cow
Date: 1981 – 1885
Materials: wood
Techniques: painting
Location: egypt
Subjects: men,working,ox

The peasant, feet deep in the sodden ground, trudges behind the hook-shaped plow pulled by two oxen. Ancient Egyptian plows were made of wood and had the shape of a hook. It is not possible to turn the soil with such plows, they only serve to open the ground. The ultimate aim of this kind of plowing was, therefore, to place the seeds well into the soil. Texts appear to indicate that while a plow may have been the farmer's property, the oxen were leased by state or temple institutions. Egyptians believed that they also had to work in the fields in the afterlife; and this may be the reason why a model such as this was included in among burial equipment.
Twee vrouwen en een soldaat in uniform
Object type: print
Date: 1825 – 1829
Materials: paper
Techniques: lithograph
Location: paris
Subjects: adult woman, head-gear, the soldier; the soldier's life, (military) uniforms
Inscriptions: collector's mark: Lugt 964

Prent mogelijk verschenen in een onbekende serie uitgegeven door Moyon.
Flounce
Object type: textile
Date: 1801 – 1900
Materials: lace, linen, textile, thread
Techniques: embroidery, interlocking, weave, stitching
Location: germany
Zelfportret van Louis Moritz met zijn vrouw Anna Reijermans
Object type: drawing
Date: 1810 – 1810
Materials: paper, pencil
Artist: louis moritz
Artist role: draughtsman, painter, print maker
Artist dates: 1773 – 1850
Subjects: the hague, amsterdam, painter, print maker, draughtsman, louis moritz, annette reijerman, historical persons - bb - woman, historical persons, portrait, self-portrait of artist

De vrouw heeft een tekenmap op schoot en een tekenstift in de hand. Achter het paar een schildersezel.
Oceaanhaven Belawan
Object type: photograph
Date: 1922 – 1922
Materials: photographic support
Techniques: gelatin silver print
Location: belawan
Artist: Anonymous
Subjects: harbour, building-site, steamship, motorship
Inscriptions: inscription: ‘No 167 Motorschip "Kromhout"’, date: ‘6/6-22’

Het motorschip "Kromhout". Genummerd: 167. Onderdeel van de groep van losse foto's over de aanleg van de haven Belawan aan de kust voor Medan, Sumatra 1921-1922.
Wehrmachtsoldaten met Nederlandse familie
Object type: photograph
Date: 1909 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: raamsdonksveer
Artist: Anonymous
Subjects: occupier and civilians, occupation ~ war

Drie Duitse militairen met een Nederlandse familie, zeven mensen, staand in de deuropening. Twee militairen zitten
Profetessen van het Oude Testament
Object type: print
Date: 1588 – 1588
Materials: paper
Techniques: engraving
Location: haarlem
Artist: jacob matham
Artist role: draughtsman, print maker
Artist dates: 1571 – 1631
Subjects: female persons from the old testament (with name) (not in biblical context)
Inscriptions: collector's mark: Lugt 2228

De profetes Hannah, staand in een landschap.
Silenus gevangen door de Frygische dienaars onder koning Midas
Object type: print
Date: 1750 – 1811
Materials: paper
Techniques: etching, intaglio
Location: dresden
Subjects: silenus captured by the phrygian farmers
Inscriptions: collector's mark: Lugt 2228, annotation, collector's mark: Lugt 2760

Tekst in het Duits in de ondermarge. Prent maakt deel uit van een album.
Triomf van Christus (derde deel)
Object type: print
Date: 1568 – 1629
Materials: paper
Techniques: woodcut
Location: italy
Artist: andrea andreani
Artist role: print maker, printer
Artist dates: 1558 – 1629
Subjects: sibyls, banner, standard (as symbol of the state, etc.)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240

Deze prent maakt onderdeel uit van een fries bestaande uit acht houtsneden die samen de Triomf van Christus vormen, gemerkt met letters A-H.
Plate 22: Basket vendor
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: simon guillain ii
Artist role: artist
Artist nationality: french
Artist dates: 1618 – 1718
11th dragoons advance guard, from Souvenirs d’Italie: Expédition de Rome
Object type: print
Date: 1854 – 1854
Materials: chine, paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
Lotus Cup
Object type: vessel
Materials: porcelain, stoneware
Location: china
Artist: chen mingyuan

The body of this cup is crafted to resemble a lotus leaf, which gracefully rests upon feet in the shape of lotus pods. Ingeniously, the stems of these pods extend from the cup’s base to its side, forming an artful yet functional handle. The surface of the cup is embellished with delicately carved patterns, which contribute to the overall sense of realism while showcasing the luscious color and texture of the Yixing stoneware. Bearing the seal of Chen Mingyuan, a renowned potter of Yixing stoneware active in the Kangxi period, this lotus-shaped cup exemplifies the artist’s celebrated talent for transforming clay into enchanting, lifelike wonders.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, reserve line
Gezicht op een dorp aan een rivier
Object type: print
Date: 1764 – 1834
Materials: paper
Techniques: etching
Artist: sauveur legros
Artist role: print maker
Artist dates: 1754 – 1834
Subjects: outskirts of village, parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Ingrain carpet border piece
Object type: carpet
Date: 1880 – 1880
Materials: wool
Culture: american
Portret van Cornelius van Velzen op 50-jarige leeftijd
Object type: print
Date: 1746 – 1746
Materials: paper
Techniques: engraving, etching
Location: groningen
Subjects: theologian, historical persons, professor
Inscriptions: stamp: ‘Mr. J. Nanninga Uitterdijk Advocaat Kampen’

Onder het portret een tienregelig onderschrift in het Latijn en een tienregelig vers in het Nederlands, in twee kolommen.
H. Gregorius trekt zich terug in een grot
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: cave, grotto, pope gregory the great; possible attributes: dove, emperor trajan
Inscriptions: collector's mark: Lugt 2228
One of a Pair of Boxes in the Shape of Ducks
Object type: box
Date: 1701 – 1800
Materials: glass, ivory, mother of pearl, wood
Culture: chinese
Subjects: ducks
Pocketbook
Object type: pocketbook
Date: 1790 – 1800
Materials: leather
Heilige Martinus deelt zijn mantel met een bedelaar
Object type: print
Date: 1704 – 1765
Materials: paper
Techniques: etching
Location: southern netherlands
Subjects: st. martin divides his cloak (i.e. the charity of st. martin): he is usually shown on horseback, cutting his cloak with his sword, or putting part of the cloak round the shoulders of a beggar who kneels beside him
Inscriptions: inscription: ‘Illustrissimo [...] de Steen’, collector's mark: Lugt 240

Vanaf zijn paard snijdt de Heilige Martinus (Sint Maarten) met zijn zwaard zijn mantel in tweeën, om een deel aan een bedelaar te geven. Onder de afbeelding drie regels tekst.
Aanhef gericht aan boekverkoper Nourse te Londen
Object type: document
Date: 1730 – 1764
Materials: ink, paper
Techniques: pen
Location: bath
Artist: ralph allen
Artist role: ondernemer
Artist dates: 1693 – 1764
Inscriptions: collector's mark: Lugt 2228

Waarschijnlijk is deze aanhef uitgeknipt uit een groter geheel. In de negentiende-eeuwse beschrijving wordt de schrijver geïdentificeerd als Ralph Allen, ondernemer en magistraat te Bath. De boekverkoper is waarschijnlijk de boekhandelaar John Nourse, hij was gevestigd 138 Strand te Londen. Op verso is een achttiende-eeuws fragment geplakt dat volgens de latere beschrijving betrekking heeft op de politicus John Elwes (1714-1789).
Portret van Nicolaas Fontanus
Object type: print
Date: 1604 – 1670
Materials: paper
Techniques: engraving
Location: unknown
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van de dichter Nicolaas Fontanus. In de marge de naam en functie van de geportretteerde in het Latijn. Daaronder een vierregelig lofdicht in het Latijn.
Portret van Leonard Pieter Versteeg
Object type: drawing
Date: 1915 – 1935
Materials: chalk, paper
Artist: Anonymous
Subjects: waalwijk, painter, leonard pieter versteeg, portrait, self-portrait of artist
Pilgrim Bottle
Object type: pilgrim bottle
Date: 1567 – 1633
Materials: enamel, copper gilt
Culture: chinese
Subjects: flowers
Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon
Object type: print
Date: 1816 – 1816
Techniques: aquatint, engraving, burnishing, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,women,bulls

The most extraordinary bullfighting episode that Goya might have witnessed is undoubtedly that depicted here, the death by goring of the mayor of Torrejón in the bullring at Madrid. While the circumstances and the identity of the actual victim are unclear, similar accidents were documented in 1790 and 1801. The diminutive figure watching in the background resembles Goya. This bystander’s attentive yet detached expression, compared with the other figures’ looks of horror, might allude to the creative distance that separates artist from subject.
Noh Mask: Ō-Tobide
Object type: netsuke
Date: 1767 – 1833
Materials: gold, wood
Techniques: lacquer
Culture: japanese
Subjects: masks
Gezicht op de Monumentale Begraafplaats van Staglieno, Genua
Object type: photograph
Date: 1907 – 1935
Materials: glass
Techniques: gelatin glass negative
Location: genoa
Artist: Anonymous
Subjects: churchyard, cemetery
Red Friend
Object type: hanging scroll
Date: 1601 – 1700
Materials: ink, paper
Culture: chinese
Artist: lan ying
Artist role: artist
Artist nationality: chinese
Artist dates: 1585 – 1664

Strangely faceted rocks—thought of as miniature mountains—have been treasured by collectors since the Tang dynasty (618–907). This portrait of a rock called Red Friend is painted without surrounding garden elements, freeing the viewer to imagine its setting.
32 foto's van Wilhelmina der Nederlanden in chronologische volgorde
Object type: ansichtkaart, prentbriefkaart
Materials: paper
Techniques: gelatin silver print, hand coloring
Location: the hague
Subjects: print maker, wilhelmina of the netherlands, queen
Inscriptions: number: ‘1288’
Portret van een zittende vrouw
Object type: photograph
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: ireland
Artist: edward bradford
Artist role: fotograaf
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman
Inscriptions: inscription: ‘Instantaneous portraits of children/ a successful specialty/ Artist Photographer (...) Edward Bradford/ Studio/ Railway Road/ Dalkey’
Tool
Object type: tool
Date: 5000 – 2001
Materials: stone
Culture: iranian
Location: iran

This flint tool was excavated in 1937 at a prehistoric site in the vicinity of Nishapur in northeastern Iran. While Nishapur itself was founded by the Sasanian king Shapur I (reigned ca. A.D. 241-272), this flint shows that human habitation there goes back to the prehistoric period. Furthermore, the prehistoric pottery from Nishapur has close affinities with ceramic materials from Central Asia rather than with contemporary sites in Iran, meaning that in this period its inhabitants were likely culturally linked to their neighbors to the east. At the same time, Nishapur’s location on what later became known as the Great Khorasan Road suggests that it was part of the trade network that facilitated the import of precious stones such as lapis lazuli, carnelian and turquoise from Central Asia to Mesopotamia.
A Seabeach
Object type: print
Date: 1830 – 1830
Materials: ink, paper
Techniques: mezzotint
Location: england
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881