deem-data/ArtiFact huggingface dataset:
Telemachus en Calypso spelend met een Amor
Object type: drawing
Date: 1783 – 1839
Materials: paint, ink, paper
Techniques: brush, pen
Artist: mattheus ignatius van bree
Artist role: draughtsman, print maker
Artist dates: 1773 – 1839
Subjects: telemachus and calypso

Telemachus en Calypso temidden van hun gezelschap spelend met een Amor.
Huis in de duinen bij Katwijk
Object type: print
Date: 1869 – 1902
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: dunes (sea not visible); in the dunes, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228, inscription: ‘2 épr.’

Huis in de duinen bij Katwijk. Rechts van het huis hoge gebogen bomen en een hooiberg.
Design for Landaulet, no. 3032
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Boetvaardige Maria Magdalena
Object type: album leaf
Date: 1500 – 1541
Materials: paper
Techniques: woodcut
Location: germany
Artist: anton von woensam
Artist role: print maker
Artist dates: 1500 – 1541
Subjects: the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

De boetvaardige Maria Magdalena knielt neer in een grot bij een geopend gebedenboek. Links op de voorgrond haar zalfpot. Prent maakt deel uit van een album.
Scarab Decorated with Symbol of Unification
Object type: scarab, sema tawy
Date: 1802 – 1670
Materials: faience, glaze
Location: egypt
Subjects: scarabs
Serie met karikaturale figuren
Object type: print
Date: 1620 – 1687
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: caricatures (human types), couple of lovers
Inscriptions: collector's mark: Lugt 240
Peasant Dancers
Object type: group
Date: 1735 – 1735
Materials: hard paste porcelain
Artist: johann friedrich eberlein
Artist role: modeler
Artist nationality: german
Artist dates: 1695 – 1749
Subjects: men,women,dancing,dancers
De geschiedenis van Jan Klaassen
Object type: print
Date: 1850 – 1881
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: leiden
Subjects: punch and judy, puppet and marionette show
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen over de poppenkastpop Jan Klaassen. Onder elke voorstelling een zesregelig vers. Genummerd rechtsboven: No. 201.
The Secret, from Mélodies de Désiré Dihau
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Standbeeld van een naakte jongeman
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: engraving, intaglio
Location: rome
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: rome, vincenzo giustiniani (1564-1637), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie bestaande uit 322 prenten van kunstwerken uit de collectie van Vincenzo Giustiniani die in twee volumes werd uitgegeven door Joachim von Sandrart in 1636 en 1637 (zie British Museum, inv.nr. 1851,1213.565). De serie bestaat uit prenten door verschillende kunstenaars zoals Cornelis Bloemaert, Theodore Matham, Pieter de Bailliu en Michel Natalis. Claude Mellan was verantwoordelijk voor 22 prenten van standbeelden en het 1631 gedateerde portret van Giustiniani.
Ribs-Shaped Plaque
Object type: foundation deposit plaque, rib, ramesses iv
Date: 1153 – 1147
Materials: faience
Location: egypt

Ramesses IV initiated several building projects and sent large expeditions to mining regions and quarries early on in his reign. His plans and ambitions were cut short by his death in the sixth year of his reign, but he had been able to complete and decorate his tomb in the Valley of the Kings. He also began work on a gigantic processional temple in Thebes, in which a number of intact foundation deposits were found with literally hundreds of plaques and other objects, like this plaque in the shape of ribs.
Brief aan Max Liebermann
Object type: letter
Date: 1903 – 1903
Materials: ink, paper, pencil
Techniques: pen, printing, writing
Location: arnhem
Artist: max liebermann
Artist role: draughtsman, print maker
Artist dates: 1847 – 1935
Subjects: the hague, painter, jozef israëls, dordrecht, amsterdam, designer, jan veth, bruno cassirer, berlin, print maker, draughtsman, max liebermann, jan kalff, photography, cinematography, historical persons (portraits and scenes from the life), printed matter
Inscriptions: collector's mark: ‘RPK’

Opgenomen in: Ernst Braun, Max Liebermann: Briefe 1902-1906, Baden-Baden: Deutscher Wissenschafts-Verlag, 2013, Band 3, p. 123-124.
Kuipersgilde van Delft, gildepenning met no. 14
Object type: medal
Date: 1682 – 1682
Materials: copper
Techniques: engraving
Location: delft
Artist: Anonymous
Subjects: delft

Koperen penning. Voorzijde: zittende kuiper met grote bijl in geheven rechterhand binnen omschrift. Keerzijde: dissel en passer; daartussen jaartal boven cijfer 14 binnen omschrift
Bronze portrait bust of a Roman matron
Object type: portrait bust resembling agrippina the elder
Date: 20 – 50
Materials: bronze
Culture: roman
Subjects: portraits,women

This bust of a private individual has often been taken to represent one of the emperor Augustus’s descendants, notably his granddaughter Agrippina the Elder, whose hairstyle is closely imitated here. It provides a good illustration of the way in which official images of the emperor and his family influenced Roman private portraits. The bust may have been a dedication, possibly set up in a shrine within the family house.
Adoration of the Magi
Object type: plaquette
Date: 1467 – 1533
Materials: bronze
Artist: moderno (galeazzo mondella)
Artist role: artist
Artist nationality: italian
Artist dates: 1467 – 1528
Subjects: jesus,adoration of the magi
Allegory of Science
Object type: frieze ornament
Date: 1785 – 1790
Materials: gilt bronze
Artist: françois rémond
Artist role: maker
Artist nationality: french
Artist dates: 1747 – 1812
Subjects: children

Depicting children symbolizing astronomy, this plaque was probably intended as frieze ornament for a piece of furniture. Jean-Henri Riesener (1734-1806) and other cabinetmakers working in the Neoclassical style used this kind of delightful allegorical scenes to embellish secretaries, commodes and tables. The lugs on the back are for invisible attachment from the rear.
Scarab with the Name of the Overseer of Craftsmen and Carpenters, Qenamun
Object type: scarab, qenamun
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Medal Issued by the Swiss Cantons on the Birth of Princess Claude of France (1547–1575)
Object type: medal
Date: 1547 – 1547
Materials: silver
Artist: hans jacob stampfer
Artist role: maker
Artist dates: 1505 – 1579
Subjects: coat of arms
Design for 2 seat Phaeton, no. 3010
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Landscape (from McGuire Scrapbook)
Object type: drawing
Date: 1839 – 1839
Materials: graphite, ink, paper
Culture: american
Artist: charles antoine colomb hubert (born gengembre)
Artist role: artist
Artist nationality: american
Artist dates: 1790 – 1863
Subjects: landscapes,trees
Hak van een schoenzool uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: shoe
Date: 1700 – 1743
Materials: leather, wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Shoe; fragm, heel with pins, sim. NG 1980-27H2232.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1701 – 1800
Materials: silver alloy, gold
Culture: japanese
Location: japan
Subjects: men
Terracotta bowl fragment
Object type: vase fragment
Date: 15 – 35
Materials: terracotta
Culture: roman
Subjects: female nudes,satyrs
Sociëteit, woning en Chinese kamp van de Banka-tinwinning te Blinjoe
Object type: photograph
Date: 1914 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, mining, village street, working class, labourers, villa
Inscriptions: inscription

Albumblad met drie foto's van de sociëteit, een woning en het Chinese kamp van de Banka-tinwinning te Blinjoe. Onderdeel van het fotoalbum aangeboden aan Robert Julius Boers bij zijn vertrek naar Nederland in 1919 door het personeel van de Banka-tinwinning.
Portret van Filips II van Frankrijk
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Miss Ada Rehan (Viola)
Object type: photomechanical print
Date: 1880 – 1890
Materials: paper
Techniques: photoaquatint
Location: london
Subjects: portrait of actor, actress
Trepidarium in Pompeï
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: italy
Subjects: public baths, pompeii
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Gezicht in een trepidarium, een warme centrale ruimte in een thermen, in Pompeï. Onderschrift in het Italiaans in ondermarge. Genummerd linksboven: Vol. VI., rechtsboven: Pl. CLXVII.
Water bij Deli-Toewa op Sumatra
Object type: album leaf
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: river, sumatra

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Portret van een onbekend meisje
Object type: page
Date: 1900 – 1905
Materials: paper
Techniques: two-color autotype
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: inscription: ‘F. IX.’, inscription: ‘Margaret by Robert Demachy’
Fragment
Object type: textile
Date: 1601 – 1700
Materials: silk
Techniques: embroidery, embroidered
Location: italy
Fender
Object type: fender
Date: 1850 – 1850
Materials: iron
Culture: american or british
Location: england
Geschilderd raam in de Oudshoornse Kerk te Oudshoorn
Object type: photograph
Date: 1899 – 1899
Materials: cardboard, photographic support
Techniques: albumen print
Location: oudshoorn
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church-window, e.g. rose-window
Inscriptions: annotation: ‘Geschilderd glas in de Ned Herv kerk te Oudshoorn (Z.H.)/ Juli 1899’, annotation: ‘Geschilderd glas 3 in de N.H. Kerk Juli 1899/ Oudshoorn’, annotation: ‘Admiraliteit W. Friesland 1670’
Couse of the Bodyguard of Archduke Ferdinand III of Austria (1578–1637)
Object type: couse
Date: 1600 – 1615
Materials: steel, wood
Culture: german
Location: germany
König-Ludwigs Album
Object type: print
Date: 1850 – 1859
Materials: paper
Techniques: tone lithography
Location: munich
Subjects: inn, coffee-house, public house, etc., landscapes (+ landscape with figures, staffage), festivities, shooting with bow and arrow, archery (~ games of skill)
Inscriptions: check stamp: ‘Piloty&Loehle, München’, collector's mark: Lugt 2228, : ‘Mit gesetzl Schutze gegen Nachbildung’

Prent afkomstig uit de serie 'Album Seiner Majestät des Königs Ludwig I. von Bayern', verschenen in verschillende afleveringen. De prenten gaan terug op het album dat Lodewijk I van Beieren op 9 oktober 1850 kreeg overhandigd van verschillende kunstenaars.
Duc D'amuale
Object type: photograph
Date: 1876 – 1878
Materials: paper
Techniques: photography, woodburytype
Location: france
Artist: appert
Artist nationality: french
Artist dates: 1800 – 1899
Subjects: collected by hugh edwards, paris, contemporaine littéraire
Brief aan Philip Zilcken
Object type: letter
Date: 1923 – 1923
Materials: ink
Techniques: pen, writing
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: leiden, painter, print maker, draughtsman, rembrandt van rijn, amsterdam, abraham bredius, philip zilcken, antwerp
Inscriptions: collector's mark: ‘RPK’
Terracotta saucer-shaped lamp
Object type: lamp, saucer shaped
Date: 400 – 301
Materials: terracotta
Culture: cypriot

Wheel-made with edge folded in to form a narrow wick rest; convex-curving rim, with tapering lip; deep, sloping, open body; raised base ring, and rough, slightly concave base. Intact.
Zegen-zang, / Op de allervoortreffelykste en gelukkigste hooge huwelyks-verbintenissen (...)
Object type: print
Date: 1781 – 1800
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: karel van brunswijk-wolfenbüttel, berlin, the hague, wilhelmina frederica louisa (koningin der nederlanden), bride and groom in wedding-dress, (civil) marriage ceremonies, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2228

Huwelijk van Carel Georg August, erfprins van Brunswijk, en Frederica Louisa Wilhelmina, prinses van Oranje Nassau, waaromheen twee erezuilen en twee vignetten. Onder de afbeelding een vers in vier kolommen.
Gezicht in een park of tuin, met madeliefjes in het gras (voorgrond), een rood bloeiende struik en bomen
Object type: color slide
Date: 1907 – 1930
Materials: glass
Techniques: autochrome process, slide
Location: netherlands
Artist: adolphe burdet
Artist role: fotograaf
Artist dates: 1860 – 1940
Garden scene
Object type: album leaf
Date: 1867 – 1867
Materials: ink, paper
Culture: chinese
Artist: wu tao
Artist role: artist
Artist nationality: chinese
Artist dates: 1840 – 1895

Wu Tao was one of the leading literati landscape painters of the late nineteenth century. In this album leaf, Wu applied his eye for landscape to the curated world of the garden, using saturated washes of light indigo and sienna to depict a tranquil scholar’s retreat.
Bracelet
Object type: bracelet
Date: 3850 – 2960
Materials: stone
Location: egypt
Zittende man
Object type: titelprent, frontispice
Date: 1635 – 1669
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: farmers
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een man zit op een rotsblok, een stok naast hem, de ogen wat opgeslagen naar boven.
Gateway from Abbey Square Middleburg
Object type: photograph
Date: 1912 – 1912
Materials: photographic support
Techniques: gelatin silver print
Location: middelburg
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.), abbey, monastery, convent ~ roman catholic church, gate, entrance, travelling; tourism, middelburg

Onderdeel van Fotoalbum van de excursie naar Nederland van de Britse amateurfotografenvereniging P.C.U.K.
Ornamental Plume
Object type: ornament
Date: 200 – 400
Materials: gold
Culture: pukara
Location: peru
Rudolf van Olden (1746-1813). Raad- en rekenmeester van prins Willem V
Object type: painting, miniature
Date: 1780 – 1800
Materials: glass, hair, ivory, metal
Artist: leonardus temminck
Artist role: print maker
Artist dates: 1753 – 1813
Subjects: william v (prince of orange)
Inscriptions: signature: ‘LT’

Leonardus Temminck (1753 - 1813). Rudolf van Olden (1746 - 1813), Councillor and Treasurer, later Paymaster of Prince Willem V. Ivory.
Schetsboek met 40 bladen
Object type: sketchbook
Date: 1876 – 1924
Materials: cardboard, chalk, linen, paper, pencil
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: ornaments ~ art
Inscriptions: annotation: ‘van N. voor Rus/ 16.40’, retailer's mark: ‘L.S. KREPEL, AMSTERDAM,/ Van der Helststraat 60.’

De volgende bladen uit het schetsboek zijn blanco: 1(V) t/m 7(V), 8, 9(R) t/m 31(R) en 33(R) t/m 40(R).
Damalix. Émile, Auguste. 37 ans, né à St-Claude (Doubs). Charpentier. Anarchiste. 19/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Glass jar
Object type: jar
Materials: glass
Culture: roman

Translucent blue green. Rounded, flaring, tubular rim, folded out and down, forming collar around neck; broad globular body; bottom pushed in to form hollow foot ring. On body, twenty-two projecting roughly vertical ribs of differing lengths and shapes (some almost straight, others sinuous). Intact, except for one chip in rim and another chip on one of ribs; some bubbles and many surface scratches; slight dulling and pitting on exterior, thick yellow brown weathering and brilliant iridescence covering most of interior. Ribbed jar.
Twee vensters met gordijnen
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery

Twee vensters met gedrapeerde gordijnen. Prent uit 289e Livraison.
Seated Maitreya
Object type: figure
Date: 701 – 900
Materials: bronze
Culture: burmese
Subjects: buddhism,bodhisattvas,maitreya
Eight-Plate Helmet
Object type: helmet
Date: 701 – 1000
Materials: copper alloy, iron, leather
Culture: tibetan
Location: tibet

A forerunner of the classic Tibetan eight-plate style, this helmet appears to be the earliest extant helmet, and possibly the earliest piece of metal armor with clearly distinguishable Tibetan characteristics. It includes a unique combination of features found on various forms of segmented helmets with riveted construction, which were in use across Eurasia from about the fourth century onward. Features specific to later Tibetan helmets are the basic eight-plate construction, the subtly cusped edges of the outer plates of the helmet bowl, and the distinctively Tibetan form of the plume finial.
Tile Panel
Object type: tile panel
Date: 1501 – 1700
Materials: stonepaste
Techniques: painting, underglaze
Location: syria
Portret van een onbekende vrouw
Object type: photograph
Date: 1920 – 1940
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: anonymous historical person portrayed - bb - woman
Gezicht op het Ötztal nabij Sölden, Oostenrijk
Object type: stereograph
Date: 1863 – 1865
Materials: cardboard, paper
Techniques: albumen print
Location: ötztal
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: mountain meadow, alp, mountains
Inscriptions: number: ‘37’