deem-data/ArtiFact huggingface dataset:
Vinaigrette
Object type: vinaigrette
Date: 1806 – 1806
Materials: silver
Artist: samuel pemberton iii
Artist role: maker
Artist nationality: british
Artist dates: 1771 – 1836

At least three generations of Samuel Pembertons worked as jewelers and silversmiths in Birmingham in the 18th and 19th centuries, either fathers and sons or extended family. The third lived from ca. 1771–1836 and considering the date letter of 1806, is the likely maker of this vinaigrette. From the mid-1770s until at least the 1820s, the Samuel Pemberton workshops were on Snow Hill, the heart of the jewelry and toy-making district. Whereas bright-cut foliate engraving and wrigglework typified much of their boxes and vinaigrettes, this item is elegantly plain. A vinaigrette was intended to hold a tiny sponge dipped in aromatic vinegar. Its interior is gilded to protect the silver from oxidation caused by the acidity of the vinegar. A hinged and decoratively pierced inner lid or grill kept the sponge in place while its perforations allowed the odor to waft through. A whiff of the vinegar might revive someone from a fainting spell. Such vinaigrettes were worn around the neck, on a chatelaine suspended from the waist, or carried in a pocket.
Portret van Cornelis Kruseman
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: amsterdam, draughtsman, cornelis kruseman, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent met tekst op verso gebruikt in: Immerzeel, Johannes. De levens en werken der Hollandsche en Vlaamsche kunstschilders. Den Haag: Johannes Christoffel van Kesteren, 1842, dl. 1, p. 138.
Sampler
Object type: sampler
Date: 1764 – 1764
Materials: cotton
Subjects: birds,deer,flowers
Design for Dog Cart or 2 Wheeler, no. 4163
Object type: drawing
Date: 1892 – 1892
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Seated Bodhisattva
Object type: votive plaque
Date: 701 – 800
Materials: gold
Culture: thai
Subjects: buddhism,bodhisattvas
Adolph Frederick IV, Duke of Mecklenburgh Strelitz
Object type: print
Date: 1765 – 1794
Materials: paper
Techniques: engraving, etching
Location: london
Artist: thomas simpson
Artist role: publisher
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Twee Franse pauken, veroverd in de slag bij Oudenaarde, 1708
Object type: drawing
Date: 1713 – 1720
Materials: paper
Techniques: drawing, writing
Location: northern netherlands
Artist: Anonymous
Subjects: military music, drum (musical instrument)

Twee Franse pauken, veroverd bij de slag bij Oudenaarde in 1708. In het boek met tekeningen van Franse vaandels, standaarden en pauken, veroverd tijdens de Spaanse Successieoorlog (1701-1713).
Dog
Object type: tomb figure
Date: 401 – 600
Materials: earthenware, pigment
Culture: chinese
Subjects: animals,tombs
Meisje rijdt op een kat over de daken
Object type: boekillustratie ontwerp
Date: 1887 – 1911
Materials: cardboard, ink, pencil
Techniques: pen
Artist: gust van de wall perné
Artist role: draughtsman, painter, print maker
Artist dates: 1877 – 1911
Subjects: roof (of house or building), full moon represented as face, cat
Inscriptions: collector's mark: Lugt 2228, :, monogram: ‘G.P’

Aan de hemel staat een volle maan in de vorm van een lachend gezicht.
Ewer
Object type: ewer
Date: 901 – 1100
Materials: earthenware
Techniques: glazing
Location: iran
Gezicht op de poel van Bethesda in Jeruzalem
Object type: page
Date: 1882 – 1892
Materials: paper
Techniques: photoaquatint
Location: jerusalem
Artist: Anonymous
Subjects: pond, pool
Portret van drie vrouwen in jurken met patronen
Object type: album leaf
Date: 1920 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: historical persons, forest, wood, adult woman (+ three persons)
Portret van Karel de Grote, keizer van het Heilige Roomse Rijk
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: charlemagne (holy roman emperor), historical persons, king

Prent mogelijk uit: Schotanus, Christianus. De geschiedenissen kerckelyck ende wereldtlyck van Friesland (...). Amsterdam: Joost Pluymer, 1660.
Italie
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring
Location: venice
Artist: Anonymous
Subjects: parts of church exterior and annexes: campanile
Tafel met tussenblad
Object type: table
Date: 1894 – 1900
Materials: wood
Location: amsterdam
Artist: karel petrus cornelis de bazel
Artist role: draughtsman, print maker
Artist dates: 1869 – 1923

Tafel van eikenhout rustend op vier schuingestelde poten. Halverwege tussen de poten bevindt zich een vierkant tafelblad. Aan de bovenzijde worden de poten onderling verbonden door gebogen regels waarin zich vier laden bevinden. De laden hebben langs de randen een parelrand en zijn in het midden voorzien van een gesneden knop ingelegd met ebbenhout. Daarop rust het ronde tafelblad met een geprofileerde rand.
Pot van aardewerk, versierd in reliëf met gele citroenen en zwarte bladeren op een geelwitte fond
Object type: pot
Date: 1921 – 1925
Materials: earthenware
Techniques: slip technique
Location: karlsruhe
Artist: max laeuger
Artist role: ceramicist
Artist dates: 1864 – 1952
Inscriptions: inscription: ‘18 03 // Prof. Läuger // Baden // DL HV’, factory mark

Pot van aardewerk, bol van vorm, versierd in reliëf, in slibtechniek, met gele citroenen en zwarte bladeren op geelwitte fond.
Portret van Eugen Gura
Object type: print
Date: 1870 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons, portrait of opera-singer, opera-singer (male)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4100, collector's mark: Lugt 2760
Fan
Object type: fan
Materials: feather, metal, plastic
Culture: american or european
Architectuur in Nederland
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: enkhuizen
Artist: Anonymous
Subjects: weigh-house, enkhuizen

Afdruk uit: Krook, L. Architectur der Niederlande. Leipzig: Baumgärtner's Buchhandlung, 1894.
Jongen huilt bij een gebroken schaal
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching, hand coloring
Artist: Anonymous
Subjects: boy (child between toddler and youth), weeping
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Two designs for the decoration of ceilings with figures in clouds
Object type: drawing
Date: 1830 – 1897
Materials: cardboard, gold paint, graphite, paper, watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: women,putti
Muur
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Techniques: stumping
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: fence, wall, paling

Studie van een muur, mogelijk een stadsmuur. Blad 30 verso uit een schetsboek met 52 bladen vervaardigd in de omgeving van Kampen, Hattem, Hoorn en Zwolle.
Virgin and Child
Object type: painting
Date: 1460 – 1480
Materials: panel, paint
Artist: meester van san miniato
Artist role: painter
Subjects: madonna: mary standing (or half-length), christ-child close to her bosom

Madonna met kind. Halffiguur van Maria staande voor een muur bekleed met marmer met het Christuskind in de armen voor de borst. Het kind speelt met een vogeltje.
Cap
Object type: cap
Date: 1801 – 1900
Materials: cotton
Culture: french
Ships in Dull Weather
Object type: painting
Date: 1877 – 1877
Materials: canvas, oil
Artist: jacob maris
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1899
Subjects: sailing-ship, sailing-boat, lake
Inscriptions: signature and date: ‘J. Maris 77’

Landschap met uitgestrekte plassen en enkele schepen onder een grijze wolkendek.
The Brown Havannah Pine
Object type: print
Date: 1807 – 1807
Techniques: aquatint, hand coloring, printing, stippling
Artist: george brookshaw
Artist role: artist and publisher
Artist nationality: british
Artist dates: 1751 – 1823
Subjects: pineapples

Life-size color-printed representations of fruits in a series titled "Pomona Britannica" (Fruits of Britain) crowned George Brookshaw’s career. The series included tropical varieties such as pineapples, together with grapes, peaches and cherries with all specimens shown grown near London at Hampton Court, Kensington Palace and gardens belonging to the Prince of Wales at Blackheath. Brookshaw began as a successful painter and japanner of furniture for wealthy clients then switched course and became a botanical draftsman, teacher and publisher of instructional manuals. Issued between 1804 and 1812, the plates in "Pomona Britannica" demonstrate a well-honed aesthetic sense with fruits often placed against dark grounds and delicately colored. Stipple engraving is here combined with the relatively new tonal process of aquatint.
Vrouw met waterpotten
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: woodcut
Location: japan
Subjects: fan

Waaierprent; vrouw in gestreepte kimono, van opzij gezien, met op haar rug een dichte waaier waarop patroon van chrysanten, kijkend in de richting van twee potten met golvenpatroon, waaronder roze bloemen.
Hercules Leaning on a Club
Object type: statuette
Date: 1601 – 1700
Materials: bronze
Subjects: male nudes,hercules
Twee mannen te paard in een bos
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: printing block
Location: yosemite valley
Subjects: adult woman, forest, wood, horse
Cuneiform tablet: hire contract
Object type: cuneiform tablet
Date: 545 – 545
Materials: clay
Culture: babylonian
Location: mesopotamia
Reproductie van een prent van Balthasar Berckenrode met de binnenplaats van de Abdij te Middelburg
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: middelburg
Subjects: abbey, monastery, convent ~ roman catholic church, courtyard, abbey garden
Terracotta oil lamp
Object type: lamp
Date: 201 – 300
Materials: terracotta
Culture: roman

Vessberg Type 18. Unpierced handle. Mold-made. Discus: horse facing left with one foreleg raised, wearing harness on body; around edge of discus, narrow wreath. Two filling holes above horse's back and between forelegs. On horizontal shoulder, stylized vines with many grapes. Undefined, concave base. Body complete, but most of handle missing.
Laden Donkeys and Men Plowing, Tomb of Djari
Object type: facsimile, djari tt 366, plowing, donkey
Date: 2050 – 2000
Materials: ink, paper
Location: egypt
Artist: unknown copyist
Artist role: artist
Subjects: men,cows,donkeys,working
Vase
Object type: vessel
Date: 1 – 100
Materials: glass
Culture: roman
Location: italy
Rivierlandschap met twee figuren onder een boom
Object type: print
Date: 1818 – 1882
Materials: paper
Techniques: etching
Artist: anthonie jacobus van wijngaerdt
Artist role: print maker
Artist dates: 1808 – 1887
Subjects: river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Ewer
Object type: ewer
Date: 1830 – 1840
Materials: silver
Culture: american
Location: united states
Artist: thomas fletcher
Artist role: maker
Artist nationality: american
Artist dates: 1787 – 1866

Vessels for dispensing beverages such as water, beer, cider, and wine became increasingly popular during the first half of the nineteenth century. This handsome ewer, replete with cast, chased, and die-stamped ornament, is marked by Fletcher, who had founded, together with his partner Sidney Gardiner (1787–1827), the preeminent American silversmithing firm of the era. A preparatory drawing for the ewer survives in the Metropolitan Museum’s collection.
New Year's Day at Ogi-ya brothel
Object type: print
Date: 1811 – 1811
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Side Chair
Object type: side chair
Date: 1815 – 1820
Materials: wood
Culture: american
Location: united states
Artist: john finlay
Artist role: maker
Artist dates: 1796 – 1833
Subjects: griffins

This brilliantly conceived and handsomely executed chair derives its broad, deeply curved crest tablet from the ancient Greek klismos form, and its turned front legs from Roman prototypes. During the James Madison administration (1809–17), the architect Benjamin Latrobe designed a suite of painted furniture for the White House in the latest Grecian style. Although the suite was destroyed in a fire in 1814, drawings for it bearing Latrobe’s instructions to the Baltimore fancy chair makers John and Hugh Finlay still exist and provide the basis for this chair's attribution. Originally part of a larger set, this chair was once used by Arunah S. Abell, founder of the "Baltimore Sun," in his country house "Wood bourne." The Metropolitan owns four chairs (65.167.5, .6, .8, .9) from the set. Others are in the collections of the High Museum, Atlanta; the Baltimore Museum of Art; and the Munson Williams Proctor Institute, Utica, New York.
Tempel van de Bataafse Vrijheid, 1795
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: jan gerritsz. visser
Artist role: print maker, publisher
Artist dates: 1745 – 1821
Subjects: the hague, johan arnold zoutman, herman willem daendels, politician, joan derk van der capellen tot den pol, paris, jan willem de winter, freedom, liberty; 'libertà' (ripa) (+ abstract concept represented by female figure)
Inscriptions: collector's mark: Lugt 2228

Allegorie op de Vrijheid, 1795. De Bataafse Vrijheid treedt uit een open tempel om de Franse troepen, die over het ijs aankomen, te verwelkomen. Aan de zuilen van de tempel hangen portretten van verdienstelijke Patriotten. De zetel van de Nationale Conventie is leeg. Rechts wordt de zuil met een ridder door bliksem getroffen en valt om. Slavernij, Hoogmoed, Gierigheid en Valsheid vluchten.
Speldenkussen met onder- en bovenblad van ivoor
Object type: pin cushion
Date: 1825 – 1875
Materials: ivory, velvet
Techniques: cutting
Location: china
Artist: Anonymous

Speldenkussen met onder- en bovenblad van ivoor. De bladen hebben een geschulpte rand, waarin ter decoratie een rij eenvoudige gaatjes zijn geboord; daarbinnen Chinese dames bij een tafel in een landschap. Het kussen van (verkleurd) rood fluweel.
Under the Snow, No. 240 from the series "Wayside Gems"
Object type: photograph
Date: 1870 – 1889
Techniques: albumen print
Location: wisconsin
Artist: henry hamilton bennett
Artist role: artist
Artist nationality: american, born canada
Artist dates: 1843 – 1908
Fichu van naturelkleurige zijde, driehoekig en langs twee zijden afgezet met passement van gouddraad
Object type: fichu
Date: 1740 – 1760
Materials: gold thread, silk
Techniques: embroidered, weave
Location: netherlands
Artist: Anonymous

Fichu van naturelkleurige zijde, driehoekig en langs twee zijden afgezet met passement van gouddraad. Model: langs twee zijden is met stiksteken (machinaal?) langs de onafgewerkt zijde een strook passement gezet. Aan de lange zijde is met onregelmatige stiksteken een zoom vastgezet. Versiering: in de punt een gestapeld ornament met blad- en bloemmotieven. Het passement is afgezet met een franje van gesloten lussen.
Portret van Francis Bret Harte
Object type: photomechanical print
Date: 1881 – 1891
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: portrait of a writer
Inscriptions: inscription: ‘57 & 61, Elbury Street, London.’
Amduat Papyrus Inscribed for  Tiye
Object type: papyrus, funerary, tiye
Date: 975 – 945
Materials: ink, papyrus
Location: egypt
Subjects: animals,women,hieroglyphs,snakes

The lady Tiye, a singer in the cult of the god Amun-Re, commissioned this papyrus for her burial, believing that its contents would assist her in entering the afterlife. She has chosen a style that includes little text; instead, her papyrus condenses complex mythological conceptions into abbreviated scenes. The vignette on the right shows Tiye standing before Osiris, principal god of the Netherworld (Duat). At center right, she worships the sun god in the form of a ram, and at center left she stands over an offering table holding a tray of unguent jars, apparently directed toward the various inhabitants of the Duat depicted on the left.
Terracotta cup-skyphos (drinking cup)
Object type: skyphos
Date: 334 – 301
Materials: terracotta
Culture: greek, south italian, apulian, gnathian

Decorated with stylized grapes; interior, impressed palmettes and rouletting.
Vio Norton, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Ebstorf
Object type: drawing
Date: 1680 – 1680
Materials: ink, paper
Techniques: pen
Artist: constantijn huygens (ii)
Artist role: draughtsman
Artist dates: 1628 – 1697
Subjects: prospect of village, silhouette of village, watermill in landscape
Inscriptions: date: ‘4.Oct.1680’
Portret van keizer Karl VII Albrecht en Maria Amalia van Oostenrijk
Object type: print
Date: 1722 – 1735
Materials: paper
Techniques: engraving, etching
Artist: joseph mörl
Artist role: print maker
Artist dates:  – 1735
Subjects: vienna, brussels, karel vii albrecht (duits keizer), attributes of hercules (with name), historical persons - bb - woman, historical persons, palace, wig, armorial bearing, heraldry, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 2228

Tussen de twee bustes van de geportretteerden zit een kind met symbolen van soevereiniteit. Het familiewapen staat onder het kind en een leeuwenhuid waarop tekst. Beide bustes krijgen erboven een lauwerkrans gehouden. In de achtergrond het paleis Nymphenburg.
Prentbriefkaart aan Philip Zilcken
Object type: ansichtkaart, prentbriefkaart
Date: 1867 – 1930
Materials: cardboard, ink
Techniques: woodcut, pen, writing
Location: paris
Artist: j. fujikawa
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
t Huis te Middelaar
Object type: book illustration
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: 'en route', traveller under way, dog
Inscriptions: inscription: ‘Nederlandsche en Cleefsche Oudheeden en Gezigten. Het Huis te Middelaar in het quartier van Nimwegen 't gedeelte van Gelderlandt, digte bij de Stadt Gennip bij de Maasstroom’

Prent uit: Rademaker, Abraham, en Matthaeus Brouërius van Niedek, en Isaac Le Long. Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen. Amsterdam: Willem Barents en Antoni Schoonenburg, 1727-1733, ill. nr. 299.
Reproductie van een tekening van een groep paarden met ruiters en honden die even rust nemen tijdens de jacht
Object type: photomechanical print
Date: 1905 – 1906
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, hunting, chase, hunting dogs, resting
Inscriptions: inscription: ‘No. 5./ 'n Oogenblik rusten.’

Deze prent maakt deel uit van een album.
Wooden Pier, Honfleur Port
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: johan barthold jongkind
Artist role: artist
Artist nationality: dutch
Artist dates: 1819 – 1891
Relief from the tomb of Bakenrenef, wall from small room with texts and niches
Object type: relief, tomb of bakenrenef
Date: 664 – 610
Materials: limestone, paint
Location: egypt
Subjects: hieroglyphs

For Curatorial Interpretation of this group of reliefs, see 11.150.50a–d-related.
Kraag van gesteven katoen met staande boord en twee omslagpunten met in witwerk korenaren en -ranken
Object type: womenswear
Date: 1875 – 1900
Materials: cotton
Techniques: embroidered, embroidery
Location: western europe
Artist: Anonymous

Kraag van katoen, staande boord met twee omslagpunten. Op koord en omslagen zijn ranken met korenaren geborduurd. In de driehoek een korenbloem.
Ruin of an Amphitheatre at Pouzzoles (Kingdom of Naples), plate 9 from Oeuvres de A. Calame
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: printmaking, lithograph
Location: switzerland
Artist: alexandre calame
Artist role: artist
Artist nationality: swiss
Artist dates: 1810 – 1864

Ruin of an Amphitheater at Pouzzoles (Kingdom of Naples) was made after a lost 1845 sketch by the painter and engraver Alexandre Calame. Created during the middle of Calame’s trip to Italy, this image depicts a plainly dressed hermit standing amidst a large ruin and quietly reading a book, perhaps the Bible. Calame, a Calvinist, employed the grandiose ruins of the amphitheater as an evocation of God’s power over man.
Vintage Dance, from National Dances (N225, Type 1) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: dance,women,dancers

Trade cards from the series "National Dances" (N225), issued in 1889 to promote Kinney Brothers Cigarettes for Kinney Tobacco Company. There were two card variations issued within the series. Type 1 cards display a white border around the edges whereas Type 2 have no border.