deem-data/ArtiFact huggingface dataset:
Geknielde figuur geeft brief aan vrouwelijke jager in aanwezigheid van Diana
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: (story of) diana (artemis), letter, envelope
Inscriptions: collector's mark: Lugt 2228

Prent uit: Urfé, Honoré d'. D'Astrea. Amsterdam: Lootsman, Theunis Jacobsz, 1644.
Prent afkomstig uit een plakalbum met titelprenten, ornamenten etc. op blauw papier in 1983 uit elkaar gehaald.
Border
Object type: textile
Date: 1601 – 1700
Materials: cord, linen, silk
Techniques: embroidery, embroidered, weave, stitching
Location: italy
Stadsgezichten uit Friesland
Object type: print
Date: 1702 – 1725
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Gezicht op de stad Bolsward waarboven een banderol met de naam en het wapen van de stad prijkt. In de marge staan twee regels tekst in het Nederlands, geheel rechtsonder gemerkt: 2. De prent maakt deel uit van een serie prenten met stadsgezichten op diverse steden in Friesland.
Bewegingsstudies van een paard
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: paper, pencil
Location: scheveningen
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: riding a horse, ass, or mule; rider, horseman, horse

Op één van de paarden zit een ruiter. Pagina 37 uit een schetsboek met 31 bladen.
Moeder en dochter zitten op het gras, Landgoed De Paauw
Object type: photograph
Date: 1913 – 1913
Materials: paper, photographic support
Techniques: photography
Location: netherlands
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Subjects: huize de paauw
Terracotta rim fragments of stemless kylikes (drinking cups)?
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Three black glazed rim fragments from stemless kylikes?
Portret van Johanna Geertruida Jonker
Object type: photograph
Date: 1911 – 1911
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: franz eiffert
Artist role: fotograaf
Artist dates: 1866 – 1929
Subjects: historical persons, amsterdam
Inscriptions: annotation: ‘[...] 1911’
Profile of Eva Gonzalès turned to the left
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: etching
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: profiles,women
Gezicht op het Tuilerieënpaleis
Object type: print
Date: 1845 – 1850
Materials: paper
Techniques: engraving
Location: paris
Subjects: palace, tuileries palace

Deze prent maakt deel uit van een omslag met 22 prenten op 22 bladen.
Zeeuwse kast, belijmd met verschillende houtsoorten, op gedraaide bolpoten en versierd met hermatlanten en -kariatyden, cherubs, cartouches en maskers
Object type: furniture
Date: 1650 – 1650
Materials: wood
Location: northern netherlands
Artist: Anonymous

Cabinet. Cedar and oak, veneered with various exotic woods. Netherlands (Zeeland?), c. 1650. Legacy of A.A. des Tombe, 1903.
A Goddess, possibly Uma
Object type: sculpture
Materials: bronze
Location: vietnam
Subjects: goddesses
Antiquissimum Gothorum Delubrum Ubsalense (...)
Object type: album leaf
Date: 1694 – 1694
Materials: paper
Techniques: etching
Subjects: uppsala

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
Bonheur du jour met onder- en middenblad en met terugspringend opzetstuk met twee deurtjes. Opengewerkte kroonlijst. Blad van wit marmer.Belijmd met verschillende houtsoorten
Object type: furniture
Date: 1785 – 1790
Materials: bronze, copper, glass, wood, marble, silk
Techniques: gilding
Location: paris
Artist: adam weisweiler
Artist role: furniture worker
Artist dates: 1744 – 1820

Bonheur du jour. Oak, veneered with satinwood and purplewood. Paris, c. 1790.
Bandontwerp voor: J. Aleida Nijland, Bloemlezing uit Guido Gezelle's gedichten, c. 1904-1940
Object type: study for binding design
Date: 1904 – 1940
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228a
Een kunstliefhebber en een kunstkenner
Object type: print
Date: 1811 – 1811
Materials: paper
Techniques: lithograph
Location: nuremberg
Subjects: criticizing and discussing art, art criticism, art collection, art gallery
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Herrn Diaconus Seidel. Der Herr Empfänger wird gebeten diesen ersten lithographischen Versuch des Senders nicht als einen Wurf der Wurst nach dem Sausacke zu betrachten.’, collector's mark: Lugt 2760

Karikaturen van een kunstliefhebber en een kunstkenner kijkend naar een schilderij in een schildersatelier.
Fotoreproductie van een krantenfoto van koningin Wilhelmina der Nederlanden met haar dochter kroonprinses Juliana en kleindochters prinses Beatrix en prinses Irene in Londen
Object type: reproduction
Date: 1944 – 1944
Materials: paper
Techniques: gelatin silver print
Location: london
Artist: Anonymous
Subjects: print maker, wilhelmina of the netherlands, beatrix (koningin der nederlanden), the hague, juliana of the netherlands, crown princess, queen, princess
Inscriptions: inscription: ‘H.M. de Koningin na Haar tocht per vliegtuig over den Oceaan naar Canada […]/ met Haar dochter, Princes Juliana, en […] Beatrix en Irene.’, inscription: ‘Mimosa’
The Broad Bridge
Object type: print
Date: 1878 – 1878
Materials: ink, paper
Techniques: scraping
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Portret van Willem I, prins van Oranje
Object type: print
Date: 1657 – 1707
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: william i (prince of orange)
Inscriptions: collector's mark: Lugt 2228

Prent gedrukt van twee platen. Portret van Willem I, prins van Oranje. Onder het portret een vers van zes regels in het Nederlands van G. Brandt. Omlijsting met allegorische figuren en symbolen.
Saucer-dish in the shape of a flower with bleu poudré and panel decoration
Object type: platter
Date: 1700 – 1724
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Schotel van porselein met ronde, gelobde wand en geschulpte rand in de vorm van een bloem, beschilderd in onderglazuur blauw en op het glazuur blauw, rood, groen, geel, aubergine, zwart en goud met een vakdecoratie. Op het plat een medaillon met rivierlandschap met paviljoen, rotsen en bomen; de wand is gemodelleerd in acht bloembladeren afwisselend gevuld met een bloemtak en vlinder in goud op een bleu poudré (poederblauw) grond en een bloemtak op een rots met vlinder op ene witte grond. Bleu poudré met famille verte.
Portret van een man en een vrouw
Object type: carte de visite
Date: 1875 – 1899
Materials: cardboard, photographic support
Techniques: albumen print
Location: bremen
Artist: jean baptiste feilner
Artist role: fotograaf
Artist dates: 1844 – 1912
Subjects: historical persons - bb - woman, historical persons
Inscriptions: inscription: ‘Jean Baptiste Feilner/ Hofphotograph Sr. Königl. Hoheit d. Erbgrofsherzogs v. Oldenburg/ HANNOVER/ Georgstr. 25./ BREMEN/ Richtweg 6b. Parterre./ OLDENBURG/ Rosenstr. 29./ BORKUM./ BRAUNSCHWEIG/ südliche Wilhelmstr. 88./ EMDEN.’
Lea Castle, Worcestershire, View in the Great Hall, Looking West
Object type: drawing
Date: 1816 – 1816
Materials: watercolor
Artist: john carter
Artist role: artist
Artist nationality: british
Artist dates: 1748 – 1817
Subjects: balconies,houses,interiors
Verhoging van een driehoek met onderaan een gezicht op een paleis
Object type: book illustration
Date: 1669 – 1669
Materials: paper
Techniques: etching
Location: paris
Subjects: palace, planimetry, geometry

Prent toegevoegd aan: Pratique de la géometrie, sur le papier et sur le terrain. Avec un nouvel ordre et une méthode particulière. Parijs: Thomas Jolly, 1669.
Limestone head of a beardless male with a helmet of Greek type
Object type: head of a votary, inscribed
Date: 400 – 301
Materials: limestone
Culture: cypriot
Subjects: heads,men

The small helmeted head is beardless. He has a smiling face, pointed chin, lidless eyes, and smooth ears. The inscription on the helmet, composed of five syllabic signs, is difficult to interpret.
Jupiter en Semele
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: jupiter wooing semele
Inscriptions: collector's mark: Lugt 2228, number: ‘93’

Prent maakt deel uit van een serie bestaande uit zeven prenten met de verschillende liefdes van Jupiter.
Overlijden van George Canning 1827
Object type: history medal
Date: 1827 – 1827
Materials: brass
Techniques: striking
Location: birmingham
Artist: thomas wells ingram
Artist role: die cutter
Artist dates: 1799 – 1844

Messing penning, op de voorzijde het portret van Canning naar links met omschrift, op de keerzijde een grafmonument met urn en sluier, met omschrift en afsnedetekst.
Portret van Lukas Gernler
Object type: print
Date: 1675 – 1711
Materials: paper
Techniques: engraving
Location: basel
Subjects: historical persons
Whispers of love
Object type: reproduction
Date: 1893 – 1898
Materials: paper
Techniques: three-color autotype
Artist: lucius rossi
Artist role: painter
Artist dates: 1846 – 1913
Subjects: angel(s) represented as child(ren)

Prent op derde ongenummerde pagina na pagina 52.
Gift Cloth (Fukusa)
Object type: gift cloth
Materials: silk
Culture: japanese
Subjects: birds,butterflies,flowers
Vriendengroep in het Van Stolkpark en in Villa Helma in Den Haag, rechtsboven een groepsportret van onbekende militairen
Object type: photograph
Date: 1914 – 1915
Materials: paper, cardboard
Techniques: gelatin silver print
Location: the hague
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: park, the soldier; the soldier's life, friends, anonymous historical persons portrayed in a group, in a group-portrait

Deze foto's zijn onderdeel van een album.
Abklatsch van de potloodtekening op blad 13 recto
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper
Techniques: printmaking

Blad 12 verso uit schetsboek XVI met 32 bladen.
Rajão
Object type: rajão
Date: 1867 – 1900
Materials: wood
Culture: portuguese
Location: portugal
Artist: augusto merciano da costa
Artist role: maker
Artist nationality: portuguese
Subjects: fish

This folk instrument from the Portuguese island of Madeira typically had five strings, but this example has only four. Da Costa’s unusual rajão is built in the shape of a fish. The instrument was popular with Portuguese sailors, who took it around the world. They introduced the rajão to native Hawaiians, and it inspired the creation of the ukulele.
Woman with Staff and Phrygian Cap
Object type: drawing and watercolor
Date: 1787 – 1787
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: germany
Artist: heinrich anton melchior
Artist nationality: german
Artist dates: 1771 – 1796
A Man Holding a Crop
Object type: print
Date: 1629 – 1629
Techniques: etching
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Subjects: men,portraits
Haven van Livorno
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: etching
Location: livorno
Subjects: ferdinando i de' medici, harbour, dock labourer, ships (in general), slavery; serfs and enslaved persons, piece of sculpture, reproduction of a piece of sculpture, merchant, salesman
Inscriptions: collector's mark: Lugt 240

Zicht op de haven van Livorno met het standbeeld van Ferdinand I, groothertog van Toscane, met op de hoeken de beelden van de vier tot slaaf gemaakte 'Moren' (I Quattro Mori). Op de kade bevinden zich handelaren, havenarbeiders en zeelieden. Links en rechts twee achterkanten van aangemeerde schepen.
Scent bottle in the form of a hunter
Object type: scent bottle
Date: 1740 – 1740
Materials: porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: firearms,men
Gezicht op de zijkant van de verzakte Eerste Muiderpoort in Amsterdam
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: city-gate
Inscriptions: collector's mark: Lugt 1641b

Sloop van de verzakte Muiderpoort te Amsterdam, gezien vanaf de Plantage. Op de voorgrond volgen toeschouwers het begin van de sloopwerkzaamheden, 1 februari 1769. Onderwerpsrubriek binnen de Atlas Amsterdam: Poorten, verzamelbladen, H. Ingezakte Muiderpoort.
Jenny
Object type: print
Date: 1940 – 1941
Techniques: lithograph
Artist: dox thrash
Artist role: artist
Artist nationality: american
Artist dates: 1893 – 1965
Subjects: portraits,women
Kudde schapen in een rivier
Object type: print
Date: 1646 – 1663
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: river, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., forest, wood, sheep
Inscriptions: collector's mark: Lugt 2228

Rechts een bospad door een glooiend landschap. Links in de verte waadt een herder met zijn kudde schapen door een rivier.
New York, to Estimate its Present Grandeur Look at our 50 Illustrations of the City in Color...and acquaint your Friends with the actual features of the Metropolis of America.
Object type: print
Date: 1850 – 1900
Techniques: hand coloring, engraving
Artist: charles magnus & company
Artist role: publisher
Artist nationality: american
Artist dates: 1854 – 1880
Subjects: train stations,cities,trains,new york city
Pair of candlesticks
Object type: candlestick
Date: 1745 – 1746
Materials: silver
Artist: thomas gilpin
Artist role: maker
Artist dates: 1730 – 1773

This pair of candlesticks forms a set with 69.252.1, .2 and 1971.120.1, .2.
Portret van Thomas Killigrew
Object type: print
Date: 1868 – 1868
Materials: paper
Techniques: etching
Artist: charles john watson
Artist role: print maker
Artist dates: 1846 – 1927
Subjects: london, court jester, court fool, historical persons
Inscriptions: collector's mark: Lugt 2228
Heiwerker op het land
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: building-site (+ men (labourers))
Inscriptions: kleurnotitie, handgeschreven

Pagina 42 uit een schetsboek met 49 bladen.
Microscopische weergave van rhamnus purshianus
Object type: page
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Subjects: microscope (+ scientific research)
Inscriptions: number: ‘XV’
Vase
Object type: vase
Materials: earthenware, glaze
Techniques: firing, relief, turning, vitrification
Location: china
Artist: Anonymous

During the Han Dynasty ritual bronzes decreased in importance and pottery funerary objects took their place as grave goods. Such pottery greatly resembled its bronze prototypes and even imitated their handles. On the decorative band around the body of this vase is a hunting scene with leaping animals and hunters.
Saucer
Object type: saucer
Date: 1795 – 1795
Materials: porcelain
Culture: chinese
Location: china
Dress
Object type: dress
Materials: cotton
Culture: french
Portret van een meisje met halskettingen
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman, girl (child between toddler and youth), necklace
Schetsen voor een tafelstuk met mannelijke en vrouwelijke figuren
Object type: design drawing
Date: 1835 – 1845
Materials: graphite, paper
Location: paris
Artist: jean-jacques feuchère
Artist role: draughtsman, painter
Artist dates: 1807 – 1852
Subjects: centre-piece, epergne, 'surtout', 'milieu-de-table'
Moeder spreekt haar kind vermanend toe
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: correction of naughty children, mother and baby or young child
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie uit: Luyken, Jan. Des menschen begin, midden en einde. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, p. 45.
Plant
Object type: book illustration
Date: 1883 – 1927
Materials: paper
Techniques: wood engraving, letterpress printing
Location: london
Subjects: plants; vegetation

Prent uit: Jane en Ann Taylor. Little Ann and other poems. Londen: George Routledge & Sons, [1883], p. 22. Of een latere uitgave.
Plate 7, from "Friezes with Birds, Flowers and Meandering Wreaths and Scrolls"
Object type: ornament architecture
Date: 1600 – 1617
Techniques: etching
Artist: theodor bang
Artist role: artist
Artist nationality: german
Artist dates: 1606 – 1606
Subjects: birds,flowers

Frieze made up out of two parts. The upper tier is a narrow horizontal frieze with a symmetrical decorative pattern made up out meandering stylized vegetal rinceaux. Below is a wider field with rinceaux running along the upper border and two sides. In the middle is a motif with two flowers and simple strapwork. On either side of this motif, a bird is placed on a seperate rinceau. The birds are turned away from each other, but are looking back to meet each other’s gaze over their wings.
Jar
Object type: jar
Date: 5600 – 5400
Materials: ceramic, paint
Culture: hacilar
Location: southwestern anatolia

In western Asia, people discovered how to make pottery during the period known as the "Pottery Neolithic," beginning about 6900 B.C. For several millennia, pottery was made by hand, since the potter's wheel was invented only in the fourth millennium B.C. The colors, shapes, and decorations of pottery vary from culture to culture and often small pieces of distinctive broken pottery (sherds) help archaeologists identify the dates and cultural affiliations of archaeological sites. The site from which this ceramic vessel comes has not been identified. However, the geometric decorative pattern in red paint on cream slip (a thin coating of special clay) is characteristic of the site of Hacilar in Turkey in the Chalcolithic period. In the previous Neolithic period, the pottery at Hacilar was brown- or red-slipped and then polished with a piece of stone or bone before being placed in the kiln; in the Chalcolithic, lively painted decoration was introduced. The pottery at Hacilar was made within the walled village in workshop areas devoted to the production of ceramics. Excavation did not yield kilns, but they are assumed to have been located outside the village. This jar, although handmade, is thin-walled and gracefully shaped, with a wide, tall neck and carinated body. The red paint creates wavy lines on the neck in reserve (the slip underneath forms the main design), while the body is painted with a solid hanging triangle framed by parallel lines.
Mrs. Cotton II
Object type: print
Date: 1901 – 1901
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Visitekaartje van H.M. Fletcher, boekhandelaar te Londen
Object type: print
Date: 1950 – 1996
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: book-shop, bookseller
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Will send you a third / card when I get a / book to quote you / yours BF’

Interieur van de boekhandel met op de grond stapels boeken. Achter een van de stapels staat een man, waarschijnlijk de eigenaar, Bill Fletcher.
Allegorie op het Christendom
Object type: text sheet
Date: 1630 – 1630
Materials: paper
Techniques: etching, letterpress printing
Location: rothenburg
Subjects: a pregnant woman, clothed with the sun and standing on the moon, appears; she is threatened by a red dragon with a long tail and seven heads - gg - mary as the apocalyptic woman, christian doctrine
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Tekst in het Latijn in de voorstelling, rondom de wijntakken en het anker, en in boekdruk boven de plaatrand.
Glass goblet
Object type: goblet
Date: 301 – 600
Materials: glass
Culture: roman

Translucent light blue. Rounded and thickened rim with slight inward lip; funnel-shaped body with slightly concave sides, then turned in horizontally to applied solid stem; tooled out, splayed, circular foot; concave bottom with pontil scar at center. Intact; some pinprick and larger bubbles; dulling and faint iridescent weathering.
A son strangling his mother while people try to pull him off
Object type: print
Date: 1880 – 1910
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,mothers
Skirt panel
Object type: skirt panel
Date: 1701 – 1750
Materials: linen, wool
Subjects: roses
Titelpagina voor:  'Waereld vol Stryd', 1706
Object type: titelblad, titelpagina
Date: 1706 – 1706
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: earth, world as celestial body, crying, shouting, father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228

De wereldbol wordt geflankeerd door twee huilende kinderen en een wenende vrouw. Op de achtergrond de oude en de nieuwe tijd.
Studie
Object type: sketchbook leaf
Date: 1803 – 1840
Materials: paper, pencil
Artist: s. altmann
Artist role: painter, print maker
Artist dates: 1822 – 1890
Inscriptions: date and inscription: ‘Dit Boek behoort aan S. Altmann/ 's Gravenhage den 1 Maart 1840’, collector's mark: Lugt 22281

Voorste schutblad uit een schetsboek met 24 bladen.
Portret van Andreas Morell
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: etching
Artist: rudolf füssli (der jüngste)
Artist role: print maker
Artist dates: 1737 – 1806
Subjects: plants; vegetation, herms (garden ornaments), ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Füssli, Johann Kaspar. Geschichte Und Abbildung der besten Mahler in der Schweitz. Zürich: David Gessner, 1755-1757.
Brief aan Philip Zilcken
Object type: letter
Date: 1896 – 1896
Materials: ink, paper
Techniques: pen, writing
Location: wiesbaden
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: vincent van gogh, the hague, amsterdam, print maker, draughtsman, marius bauer, hermanus gijsbertus tersteeg, philip zilcken, the graphic arts, illustration ~ printed matter, book, printed matter
Inscriptions: watermark, collector's mark: ‘RPK’
Banzuiin Chōbei, from the series Story of Brocades of the East in the Floating World (Azuma no hana ukiyo kōdan - Banzuiin Chōbei)
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: tsukioka yoshitoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1839 – 1892
Subjects: swords,men,drinking
Portret van Edme Aubertin
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228
Foto en collageboek 'De Verborgen Camera'
Object type: album leaf
Date: 1942 – 1945
Materials: paper, plastic
Techniques: photomechanical printing process
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, tonny van renterghem, berlin, fritz kahlenberg, underground movement, partisans, historical persons, netherlands

Blad met portretten en namen van Nederlanders die trachtten verzetsgroepen te infiltreren en informatie doorspeelden aan de Duitsers.
Amsterdam - Rijksmuseum
Object type: photomechanical print
Date: 1890 – 1895
Materials: cardboard, paper
Techniques: photograph
Location: buiksloot
Subjects: permanent exhibition, museum, exterior ~ representation of a building
Inscriptions: number: ‘No. 2.’