deem-data/ArtiFact huggingface dataset:
De aanstaande Zondagsrust van de Barbiers te Amsterdam
Object type: cartoon
Date: 1889 – 1889
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: shaving, being shaved, barber, barbershop, political caricatures and satires, amsterdam

Verschillende humoristische scènes die het gevolg zijn van de nieuwe wet dat barbiers in Amsterdam niet meer na 12 uur hun klanten mogen scheren.
Nouveau Livre
Object type: print
Date: 1682 – 1731
Materials: paper
Techniques: etching
Location: paris
Subjects: mask, mascaron ~ ornament, garden vase

Prent maakt deel uit van een serie van zes prenten.
Voorgevel van een paleis, mogelijk Huis Huguetan aan het Lange Voorhout te 's-Gravenhage
Object type: drawing
Date: 1725 – 1775
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: palace, façade (of house or building), exterior ~ architectural design or model
Inscriptions: collector's mark: Lugt 2228, number: ‘733/ 272/ 405’
Brisé fan
Object type: brisé fan
Date: 1870 – 1889
Materials: silk, shell
Culture: french
VI Cahier des Menuisiers
Object type: print
Date: 1758 – 1820
Materials: paper
Techniques: engraving, etching
Location: augsburg
Artist: johann thomas hauer
Artist role: print maker
Artist dates: 1748 – 1820
Subjects: altar
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Ontwerp voor een altaar in interieur. Trappen leiden naar het altaar waarop een kruisbeeld staat. Daarboven vier zwevende engelen. Bekroond door een duif in stralenkrans met drie engelenhoofden.
Kanaal in een dorp met links Tobias en de engel
Object type: print
Date: 1586 – 1630
Materials: paper
Techniques: engraving
Inscriptions: : Lugt 240
Coolen trekt de ploeg, ca. 1820-1850
Object type: drawing
Date: 1850 – 1950
Materials: chalk, paper, pencil
Location: indonesia
Artist: Anonymous
Subjects: coenraad laurens coolen, oost-java
Inscriptions: collector's mark: Lugt 2228

Coolen trekt net als een karbauw de ploeg. Onderdeel van een groep van twaalf losse bladen uit een schetsboek met tekeningen over het leven van Coenraad Laurens Coolen, evangelist op Oost-Java, ca. 1820-1850. Elk blad heeft een tekening op de rechterhelft, met een onderschrift in het Indonesisch.
Rivier de Aare
Object type: print
Date: 1763 – 1785
Materials: paper
Techniques: etching
Subjects: river
Inscriptions: collector's mark: Lugt 2228

Mogelijk afkomstig uit de serie van 43 prenten met Zwitserse landschappen, uitgegeven door J. Yntema te Amsterdam in 1785.
Brief aan Philip Zilcken
Object type: letter
Date: 1896 – 1898
Materials: ink, paper
Techniques: pen, printing, writing
Location: paris
Subjects: paul verlaine, the hague, philip zilcken
Inscriptions: collector's mark: ‘RPK’
The Noon Recess
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Visser
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: etching
Location: paris
Artist: nicolaes van haeften
Artist role: draughtsman, painter, print maker
Artist dates: 1653 – 1715
Subjects: farmers
Inscriptions: collector's mark: Lugt 2228

Man ten halven lijve met een stok over zijn schouder waaraan twee vissen hangen.
Design for a Decorative Wall Panel with Profile Portraits, and a Study for a Column
Object type: drawing
Date: 1801 – 1900
Materials: ink, watercolor, paper
Techniques: pen
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: men,profiles
Fotoreproductie van (vermoedelijk) een schilderij, voorstellend de Hemelvaart van Maria
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: the assumption of mary ('assumptio corporis'): she is borne into heaven by angels

Onderdeel van Reisalbum met opnames van kunstwerken en bezienswaardigheden in Italië, Griekenland en Frankrijk.
Pendant in the form a lion's head
Object type: pendant in the form of a lion's head
Date: 400 – 301
Materials: gold
Culture: greek
Subjects: lions
Cover
Object type: cover
Date: 1701 – 1800
Materials: linen
Subjects: women,flowers
Standing Female Nude
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, watercolor
Techniques: brush
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: standing figure - aa - female human figure

Blad 8 verso uit schetsboek VI met 33 bladen.
Picture
Object type: textile
Date: 1810 – 1830
Materials: cotton, paper, velvet
Techniques: embossing, painting
Location: united states
Subjects: chicago
Stamp seal (bell-shaped with loop handle) with animal
Object type: stamp seal
Date: 800 – 601
Materials: alloy, bronze, copper
Culture: urartian
Location: urartu
Subjects: animals
Portret van William Cowper
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: engraving
Location: london
Subjects: william cowper, historical persons
Inscriptions: date
Attendant Bodhisattva Seishi
Object type: statuette
Date: 1167 – 1300
Materials: crystal, gold leaf, gold paint, lacquer, wood
Techniques: inlay
Culture: japanese
Subjects: buddhism,bodhisattvas,buddha

Amida Nyorai (Sanskrit: Amitabha Tathagata), the Buddha of Limitless Light, sits upon a lotus pedestal at the center of the altar. His hands form a mudra of meditation. His benevolent gaze, directed toward the devotee below, is symbolic of his boundless compassion. Amida is flanked by his attendant bodhisattvas (kyōji ), Kannon (Sanskrit: Avalokiteshvara) at right, and Seishi (Sanskrit: Mahasthamaprapta) at left, and is escorted by flying celestial beings. This sculptural configuration, known as an Amida Triad, or Amida-sanzon in Japanese, is a visualization of the Welcoming Descent (raigō) of Amida, who descends to this world with his heavenly retinue to provide salvation for all believers who have called upon his name. When a believer dies, Amida and his retinue venture to this world to rescue the deceased.
Agate Lentoid
Object type: seal, lentoid
Date: 1400 – 1375
Materials: stone
Culture: minoan
Subjects: goats,lions
A Woodland Study
Object type: drawing and watercolor
Date: 1856 – 1856
Materials: gouache, graphite, ivory
Techniques: brush, scraping, wash
Location: england
Artist: samuel palmer
Artist role: artist
Artist nationality: british
Artist dates: 1805 – 1881

An English Romantic painter who was best known for his visionary landscapes, Palmer may have created this monochromatic watercolor as a preparatory study for a print. It can be related to 13 delicate etchings made by the artist in the early 1850s. The watercolor was created with graphite underdrawing, over which several brown and black washes were laid down and then heightened by opaque white paint. To emphasize the contrast between light and dark, Palmer scraped pigment off the drawing as the final phase in this considered and complex artistic process.
Flower vase
Object type: flower vase
Date: 1662 – 1722
Materials: jade
Culture: chinese
Subjects: flowers
Kandelaar van zilver met stam in de vorm van een gekronkelde boomstam met drie slingerende takken met ovale bladeren en kaarsenhouder in bloemkroon.
Object type: candlestick
Date: 1784 – 1784
Materials: silver
Location: dordrecht
Inscriptions: mark

Kandelaar van zilver. Uit een bladrozet rijst een kronkelende boomstam, die zich verdeelt in drie slingerende takken met ovale bladeren. De kaarsenhouder is gevat in een bloemkroon.
Design for Landaulet, no. 764
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Tobias en de engel nemen afscheid van Tobit en Anna
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: tobias taking leave of his parents; anna mourns her son's departure, the angel raphael tells tobias to cut the fish to pieces
Inscriptions: collector's mark: Lugt 2228

Tobias en de engel Rafaël nemen afscheid van Tobias' ouders Tobit en Anna. Rechtsachter Tobias en de engel bij de rivier de Tigris waar Tobias het hart, de lever en de gal van de gevangen vis verwijderd en meeneemt. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Tobit 5:24.
Boeddhistisch tempelcomplex in Indonesië, mogelijk de Borobudur
Object type: photograph
Date: 1921 – 1921
Materials: paper
Techniques: gelatin silver print
Location: central java
Artist: Anonymous
Subjects: temple, shrine ~ hinduism, buddhism, jainism
Kalabsha tempelruïne in Nubië, Egypte
Object type: tissue stereograph
Date: 1858 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring
Location: nubia
Artist: Anonymous
Subjects: temple, shrine ~ egyptian religion, ruin of a building ~ architecture
Inscriptions: number: ‘110’, monogram: ‘E.L.’
Reeks van Groteske Figuren
Object type: print
Date: 1604 – 1616
Materials: paper
Techniques: engraving
Location: paris
Subjects: ornament ~ grotesque

Ruiter op monster in de vorm van een soort oloifant. Rechts een monster met een lans en een buidel op zijn rug, waarop een kip zit. No. 2 serie van 7 bladen
Mercurius en Natura geven hun gaven aan het Talent
Object type: titelblad, titelpagina
Date: 1634 – 1634
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: 'natura' (allegorical figure or scene; or as diana of ephesus, with many breasts); 'natura' (ripa), (story of) mercury (hermes), talent (+ personification)
Inscriptions: collector's mark: Lugt 240

Om een altaar staan drie figuren. Mercurius, als vertegenwoordiger van de Kunsten, geeft penselen aan een gevleugelde geni die achter het altaar staat. Rechts staat de personificatie van de Natuur, een vrouw met meerdere borsten en een bloemenkrans. Ze houdt de hand van de gevleugelde figuur vast. De gevleugelde man staat voor het Talent dat kan putten uit de kunsten en de natuur.
Cylinder seal with animal husbandry scene
Object type: cylinder seal
Date: 900 – 701
Materials: stone
Culture: assyrian
Location: mesopotamia
Subjects: animals
Toledo, vista del patio del Alcazar
Object type: photograph
Date: 1863 – 1883
Materials: paper
Techniques: albumen print
Location: toledo
Artist: juan laurent
Artist role: publisher
Artist dates: 1816 – 1896
Subjects: courtyard
Inscriptions: inscription: ‘Es propiedad./ Déposé.’, number: ‘1768.’
Orgel van de kathedraal van Toledo
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: paper, pencil
Location: toledo
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: church organ, interior of church, toledo cathedral
Inscriptions: annotation: ‘zie foto’

Pagina 35 uit een schetsboek met 30 bladen.
Length of block printed linen
Object type: piece
Date: 1501 – 1600
Materials: linen
Subjects: flowers
Design for an Elaborate Barrel-Vaulted Chapel
Object type: drawing
Date: 1481 – 1536
Materials: graphite, ink
Techniques: pen
Artist: baldassarre tommaso peruzzi
Artist role: artist
Artist nationality: italian
Artist dates: 1481 – 1536
Subjects: architecture,chapels
Une chèvre et quatre moutons
Object type: print
Date: 1701 – 1800
Materials: ink
Techniques: printmaking, etching, printing
Location: france
Artist: gilles demarteau
Artist role: artist
Artist nationality: french
Artist dates: 1722 – 1776
Oosters tapijt
Object type: oriental rug
Date: 1700 – 1900
Materials: wool
Location: yagcibedir

Oosters tapijt, medaillonkleed. In het blauwe zeshoekig midden staat een concentrische ruit, omgeven door haken en stengels met rozetbloemen. In het hart een kruisvormige sterbloem. Knoop: Ghiordes knoop.
A manual of the art of bookbinding : containing full instructions in the different branches of forwarding, gilding, and finishing : also, the art of marbling book-edges and paper, the whole designed for the practical workman, the amateur, and the book-collector
Date: 1856 – 1856
Location: united states
Artist: james bartram nicholson
Artist role: author
Artist dates: 1820 – 1901

Contains 7 leaves of color marbled paper samples. Reference: Hunter, D. Papermaking, history and technique (2nd ed.), page 600.
Rokende vulkaan in Nederlands-Indië
Object type: photograph
Date: 1895 – 1905
Materials: paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: eruption (of volcano), dutch east indies, the

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië, Zwitserland en Nederlands-Indië.
Tapijt of sprei
Object type: page
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: blanket, carpet, rug
Gezicht op de Nicolaasbrug in Sint-Petersburg
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-petersburg
Artist: Anonymous
Subjects: bridge in village across river, canal, etc.
Inscriptions: inscription: ‘American Views.’
Scherf van een wijnfles uit het wrak van de Oostindiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: glass
Techniques: green glass
Artist: Anonymous
Design for a Textile or Wallpaper
Object type: drawing and watercolor
Materials: graphite, paint, paper
Techniques: painting
Location: vienna
Coat-of-Arms Symbolic of the City of Paris with the motto: It Rocks But Does Not Sink
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: woodcut
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: coat of arms
Valentine
Object type: valentine
Date: 1880 – 1880
Materials: lace, paper
Techniques: chromolithography, embossing, gilding, open work
Artist: Anonymous
Artist role: artist
George Frederick Watts, R.A.
Object type: photograph
Date: 1893 – 1893
Techniques: photogravure
Location: england
Artist: henry herschel hay cameron
Artist role: fotograaf
Artist nationality: english
Artist dates: 1852 – 1911
Subjects: collected by hugh edwards, lord tennyson and his friends
Newhaven Boys
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: boys
Portret van een meisje, leunend op de leuning van een stoel
Object type: album leaf
Date: 1881 – 1881
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: pierre petit
Artist role: fotograaf
Artist dates: 1832 – 1909
Subjects: historical persons - bb - woman, girl (child between toddler and youth), chair
Inscriptions: inscription: ‘EXPOSITION UNIVERSELLE 1867/ Pierre Petit/ PHOTOGRAPHE DE LA COMon IMPERIALE/ DU ROI DE PRUSSE/ DE L'EPISCOPAT/ DU Gd DUC DE BADE/ DES LYCÉES IMPÉRIAUX/ &.&.&.&.&./ 31, Place Cadet./ PARIS’, annotation: ‘Pierre Petit’
Sofa
Object type: sofa
Date: 1790 – 1805
Materials: wood
Techniques: inlay
Culture: american
Location: united states
Soetendale
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: prospect of village, silhouette of village, garden, gate, entrance, orchard, armorial bearing, heraldry, country-house
Inscriptions: collector's mark: Lugt 2228

Gezicht op de buitenplaats Soetendale, gelegen tussen Grijps- en Serooskerke op Walcheren, in vogelvluchtperspectief. Boven in het midden een banderol met de titel en daaronder links het wapen van eigenaar Johan Steengracht en rechts dat van zijn echtgenote Barbara Veth. Rechtsboven gemerkt: Pag. 672. No. 2.
Cup with a putto on clouds
Object type: service set
Date: 1785 – 1785
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: germany
Inscriptions: mark: ‘ooievaar’

Kop (koffiekop) van porselein met een C-vormig oor, beschilderd op het glazuur in roze (camaïeu) en goud. Op de buitenwand een putto zittend op een tak op een wolk. Om de voorstelling strooibloemen in goud. De binnenrand met een gedraaide band, waaraan guirlandes en bloemtakken hangen. Gouden lijn op de voet en gouden rand. Gemerkt op de onderzijde met de ooievaar.
Piece
Object type: piece
Date: 1774 – 1793
Materials: silk
Subjects: flowers,leaves
Staande degen met schede voor zee-officieren M 1824
Object type: sword
Date: 1824 – 1843
Materials: brass, iron, leather, mother of pearl, wood
Techniques: engraving, gilding
Subjects: netherlands
Inscriptions: monogram: ‘S & K’

Staande degen voor zee-officieren M 1824. De kling gedeeltelijk geblauwd, verguld gegraveerd, een zijde inscriptie van gekroonde W en de letters F en K. Het gevest van messing en op de stootplaat twee gekruiste ankers. De greep is met parelmoer bekleed. Met zwart houten schede met messing banden en haak. De steekplaat is afgebroken, gesigneerd. Gedragen door vice-admiraal A.A. Buijskes.
Brief aan Jeannette Bouman-Stuyling de Lange
Object type: letter
Date: 1900 – 1900
Materials: ink, paper
Techniques: pen, writing
Location: katwijk aan zee
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928

Briefkaart gericht aan Mevrouw J. Bouman, Geb Stuylingh de Lange, Villa Val di Rena, Scheveningen.
Coin
Object type: coin
Date: 1301 – 1400
Materials: copper
Location: nishapur
Redshouldered Buzzard
Object type: photograph
Date: 1871 – 1876
Materials: paper, photographic support
Techniques: albumen print
Artist: william notman
Artist role: fotograaf
Artist dates: 1826 – 1891
Subjects: collection of animals, predatory birds: buzzard
Inscriptions: number: ‘PLATE XI’, inscription: ‘Copy Right Secured for Canada & U.States’
Portret van Caspar Alexandri
Object type: print
Date: 1665 – 1665
Materials: paper
Techniques: engraving, etching, intaglio
Location: germany
Artist: matthias van sommer
Artist role: draughtsman, print maker
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Volgens Hollstein werd de prent gebruikt voor de publicatie: Sommer, Matthias van. Hasce Omnium Electorum. Regensburg: s.n., 1667. Alhoewel op de titelpagina van de publicatie het jaar 1667 wordt vermeld, zijn meerdere prenten later gedateerd. Waarschijnlijk werd de publicatie pas in 1671 daadwerkelijk uitgegeven.
Rowel Spur (Left)
Object type: spur
Date: 1501 – 1533
Materials: copper alloy, iron
Culture: german
Location: germany

Around 1400, the length of the rowel spurs’ necks started to increase in western Europe, some examples extending even as long as the rider’s foot in the 15th century. At this period, the elevated war saddles and the very specific riding style, with long stirrup leathers and legs extended forward, had the consequence of taking away the rider’s feet from the horse’s flank. Thus, these long necks gave them easier access without having to disturb the rider’s position too much. As the riding position changed at war in the first decades of the 16th century, such long necks were not needed anymore. However, they were kept in use for jousting, for which the medieval riding style survived a bit longer.
Terracotta fragments of stemless kylikes (drinking cups)?
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Three black glazed fragments from stemless kylikes?; lipped inside
Ptah
Object type: statuette, ptah
Date: 664 – 630
Materials: metal
Location: egypt

This statuette depicts Ptah, the chief god of Egypt's capital city Memphis and master craftsman of the gods. He is easy to identify by his tight-fitting cap, straight beard (different from the usual curved divine beard on other gods), and enveloping mummiform garment. The garment has a stiff upper edge along the back of the neck, a feature that occurs with some regularity also on Osiris statuettes, but its meaning is unclear. He is richly adorned with a broad collar and bracelets, and he carries a scepter. Ptah was a benevolent and approachable god, characteristics that may have inspired his devotees to dedicate numerous representations of him in the Late and Ptolemaic Periods.
The Painter's Daughter Mary (1750–1826)
Object type: painting
Date: 1834 – 1866
Materials: canvas, oil
Artist: thomas gainsborough
Artist role: artist
Artist nationality: british
Artist dates: 1727 – 1788
Subjects: girls,portraits
Terracotta mold fragment
Object type: mold fragment
Date: 101 – 200
Materials: terracotta
Culture: roman

This fragment has all the salient characteristics of a mold used to manufacture a relief bowl: faint horizontal striations indicating it was wheel made; incised designs on a concave surface; and no trace of glaze.
La Hollande Méridionale. Scheveningue
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print, hand coloring
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: folk costume, regional costume (+ men's clothes), europeans (with name), fisherman, netherlands
Inscriptions: inscription: ‘Uitgave van A. JAGER, Water 110 te Amsterdam.’

Deze foto maakt deel uit van een omslag met 48 foto's op 12 bladen.
Joseph Explaining His Dreams to His Brothers
Object type: drawing and watercolor
Materials: ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: italy
Artist: attributed to nicholas béatrizet
Artist nationality: french
Artist dates: 1507 – 1565
Stad aan een rivier
Object type: drawing
Date: 1874 – 1925
Materials: charcoal, paper
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: river, prospect of city, town panorama, silhouette of city
Evangelistensäule Kapitelle li über A.5.6.
Object type: album leaf
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: bamberg
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: number: ‘80’