deem-data/ArtiFact huggingface dataset:
Lam omringd door de evangelistensymbolen
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: the four symbols of the evangelists, 'the apocalyptic beasts', lamb
Inscriptions: collector's mark: Lugt 240
Square-Headed Bow Brooch
Object type: brooch
Date: 501 – 550
Materials: copper alloy, gilt
Techniques: silvered
Culture: langobardic
Nieuwe Nederlandsche kinderprenten
Object type: popular print
Date: 1865 – 1875
Materials: paper
Techniques: lithograph, letterpress printing
Location: amsterdam
Subjects: tales and fairy tales: little thumbling
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen uit het sprookje van Klein Duimpje. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 18.
Virgin and Child with the Monkey
Object type: print
Date: 1498 – 1498
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: birds,monkeys,madonna and child
Ornament with Shankha
Object type: ornament
Materials: gold
Culture: indonesian, javanese
Penning met het portret van Karel de Grote
Object type: book illustration
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: charlemagne (holy roman emperor), throne, medal (considered as a piece of sculpture, regardless of its specific function), knight
Inscriptions: collector's mark: Lugt 2228

Penning met het portret van Karel de Grote, Rooms keizer, op een troon, geflankeerd door engelen. Op de andere zijde Karel de Grote als ridder te paard.
Terracotta rim fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 540 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of an eyebrow and black glazed line from the outer edge of an eye
Reproductie van een gravure van een machine
Object type: reproduction
Date: 1887 – 1892
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: machines; parts of machines; tools and appliances
Inscriptions: inscription: ‘Uit Scholl. De Gids voor Machinisten door N. C. H. Verdam.’
Blaak met Zeevischmarkt
Object type: photograph
Date: 1940 – 1940
Materials: cardboard, photographic support
Techniques: photograph, gelatin silver print
Location: rotterdam
Subjects: non-combatants ~ war, devastated, ruined place or city (~ warfare), rotterdam, rotterdam blitz
Inscriptions: inscription: ‘Blaak met Zeevischmarkt’

Albumblad met twee prentbriefkaarten en een foto van de Blaak en vismarkt, voor en na het bombardement van Rotterdam. Onderdeel van het fotoalbum over de verwoestingen van Nederlandse steden en infrastructuur in het begin van de Tweede Wereldoorlog.
Lora Monti, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Vroege Christenen komen samen bij een begraafplaats
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the early christian churches, e.g. armenians, copts, syrians, (public) prayer, city-walls, churchyard, cemetery
Inscriptions: caption: ‘Godsdienstige byeenkomst op een Begraafplaats’, collector's mark: Lugt 2228, number: ‘7’

Proefdruk van een boekillustratie voor Arnold, Godfried. Waare afbeelding der eerste christenen. Amsterdam: Jacobus van Hardenberg, Barent Visscher en Jacobus van Nieuweveen, 1700, dl. 1.
Saucer with antiquities in panels on a ground of floral scrolls
Object type: kop en schotel, kop en schotel
Date: 1800 – 1899
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Schotel van porselein, beschilderd op het glazuur in blauw, rood, roze, turquoise, geel, roze en goud. Op het plat van de schotel een medaillon in een driehoek met servetwerk, daaromheen drie cartouches met antiquiteiten (fruitschaal met vingercitroen, vazen met pauwenveren en koraal, wierookbrander, scepter, objecten van een geleerde etc.) tegen een achtergrond van bloemranken. Een barst in de rand van de schotel. Famille rose.
Boslandschap met twee figuren
Object type: print
Date: 1739 – 1851
Materials: paper
Techniques: etching
Subjects: landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Boslandschap met rechts een figuur, leunend op een stok, in gesprek met een zittende figuur. Links een meer.
Musée de Bruxelles. L'Homme qui boit par C. Meunier
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: statues, paintings, etc. ~ objects of worship in roman religion, permanent exhibition, museum, brussels
Inscriptions: collector's mark: ‘AFE v S’
Head of a Harpokrates with a Blue Crown and Sidelock
Object type: head of a harpokrates with a blue crown and sidelock
Date: 332 – 330
Materials: limestone
Location: egypt

Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or unfinished way but are themselves finished objects constitute a special class of object. Guidelines like those for artists are often prominently exhibited as part of the object, although, in fact, many instances can be noted where the object simply could not serve as a suitable model for a traditional formal Egyptian representation. Personifications of kingship, figures that may represent the now emerging demigods Imhotep and Amenhotep Son of Hapu, and popular gods like Harpokrates or Isis, are heavily represented within the corpus. Taken together, the figures represented and the other features indicate the reliefs and sculptures of this class, sometimes called by Egyptologists "sculptor’s models / votives," were the material of a donation practice, perhaps connected with the prolific temple building of these centuries. Unfortunately there is little to illuminate us about the mechanics of such a donation practice.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of meander; Exterior, unidentified subject
Spits-Boeck Dienstich den Gout en Silversmeden om te Snijden en Drijven
Object type: print
Date: 1720 – 1730
Materials: paper
Techniques: etching
Subjects: ornaments ~ art, jeweller, goldsmith, silversmith
Inscriptions: collector's mark: Lugt 2228

Cartouche van vlechtwerk met zeven scènes van een goud- of zilversmid aan het werk. In de cartouche de serietitel. Links onder een beker, rechts onder een bokaal. Prentnummer 114.
Mannenkop
Object type: drawing
Date: 1848 – 1927
Materials: pencil, paper
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: head (human), piece of sculpture, reproduction of a piece of sculpture
Portret van Johannes Polyander van Kerckhoven
Object type: print
Date: 1611 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: leiden, theologian, historical persons
Koffiepot
Object type: miniature
Date: 1814 – 1898
Materials: silver
Location: netherlands
Artist: Anonymous

Bekervormige koffiepot met een s-vormig handvat en een deksel met knop. De wand van de pot is versierd met acanthusbladeren en rocailleornamenten in relief op een geruwde ondergrond. De koffiepot is gemerkt met een zwaardje. De koffiepot wordt bewaard als onderdeel van een koffie- en theetafel (BK-NM-11177-158).
Groepsportret van de familie Piek, knielend met Kodak No. 1 camera op de voorgrond is vermoedelijk Willem Frederik Piek Sr.
Object type: photograph
Date: 1889 – 1893
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: johanna margaretha piek
Artist role: fotograaf
Artist dates: 1870 – 1947
Subjects: willem frederik piek sr., family life, anonymous historical persons portrayed in a group, in a group-portrait, netherlands
One of a Pair of Wine Cups (Sakazuki) with Mice’s Wedding
Object type: wine cup
Date: 1801 – 1900
Materials: gold, gold foil, lacquer, silver
Techniques: maki
Culture: japanese
Subjects: houses,mice,trees
Gezicht uit het Huis van achteren tusschen de Stallingen door naer achteren / Vuë du derriere de la Maison entre les Ecuries vers le bout
Object type: print
Date: 1729 – 1732
Materials: paper
Techniques: engraving, etching
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: french or architectonic garden; formal garden, stall, stable, country-house
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Prent mogelijk uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in 100 heerlyke gezichten. Amsterdam: Jan Roman, s.a. Of uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in veele heerlyke gezichten. Amsterdam: Andries en Hendrik de Leth, s.a [1729-1732].
Glass openwork finger ring
Object type: ring
Date: 301 – 400
Materials: glass
Culture: roman

Translucent blue. Circular hoop made from two parallel rods with zigzag trail drawn around between them; circular flat bezel with thicker rounded edge. Bezel stamped with a female portrait head in profile to right with bun on back of head. Intact, but one open crack in one rod near junction with bezel; many pinprick and a few larger bubbles; dulling, pitting, and iridescent weathering. Blue ring of three interlaced glass threads and round bezel with head in relief.
Perseus met twee putti en Hercules, op de rug gezien
Object type: print
Date: 1520 – 1561
Materials: paper
Techniques: etching
Location: italy
Artist: battista franco
Artist role: draughtsman, painter, print maker
Artist dates: 1510 – 1561
Subjects: (story of) hercules (heracles), cupids: 'amores', 'amoretti', 'putti', (story of) perseus
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2641b

Perseus met twee putti en Hercules, op de rug gezien. Rechterhelft van een versneden prent.
Portret van de poppendokter met hond op straat
Object type: photograph
Date: 1930 – 1940
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult man, historical persons, street, dog
Cover
Object type: cover
Date: 1501 – 1600
Materials: linen, metal thread, silk
Subjects: musical instruments,birds,men
Portret van twee kinderen met een poppenwagen met pop
Object type: cabinet photograph
Date: 1881 – 1903
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: max cosman
Artist role: fotograaf
Artist dates: 1852 – 1894
Subjects: (playing with) dolls, child (at home)
Inscriptions: name: ‘Photographisch Atelier Max Cosman Galerij 48 Amsterdam. De plaat blyft voor nabestelling bewaard. Specialiteit in vergrootingen.’
Bladzijde uit het fotoalbum van de familie Diepenbrock met 4 foto's van Alphons Diepenbrock en zijn omgeving
Object type: photograph
Date: 1918 – 1919
Materials: cardboard, photographic support
Techniques: photography
Location: amsterdam
Subjects: laren
Inscriptions: inscription

Bruin albumblad 25 van familiealbum van Alphons Diepenbrock.
Fragmentary terracotta rhyton (vase for libations or drinking)
Object type: rhyton in the form of a mule and ram head, fragmentary
Date: 460 – 450
Materials: terracotta
Culture: greek, attic
Artist: sotades painter
Artist role: artist
Subjects: donkeys,rams

Remains of two figures The predilection for vases in figural form continued throughout the fifth century B.C. During the middle of the century, the workshop of the Sotades Painter was the most active and creative source. Whereas head vases, occasionally with two heads conjoined, were popular in the 490s and 480s, the next generation of artists introduced the conceit of combining the heads of different animals, in this case, a donkey and a ram. The painted scene probably showed a satyr and a maenad.
Monastère Écuries. - Ensemble et détail des Auges
Object type: photomechanical print
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Location: france
Artist: Anonymous
Subjects: ruin of church, monastery, etc., stall, stable
Inscriptions: number: ‘Fig. VI et VII’
Standing Beauty
Object type: painting
Date: 1661 – 1673
Materials: gold, gold leaf, ink, paper
Location: japan
Artist: Anonymous

In this idealized depiction, a beautiful woman with a confident expression holds her kimono as she strides with purpose. The bold print of her garment—which features designs of large flowers, waves, and a square water-well motif near the bottom—was the height of fashion during the mid-17 th century. At this time, many paintings of individual beauties with blank backgrounds were produced for an eager urban market.
Apples
Object type: painting
Date: 1878 – 1879
Materials: canvas, oil
Artist: paul cézanne
Artist role: artist
Artist nationality: french
Artist dates: 1839 – 1906
Subjects: apples,still life
Portret van paus Innocentius II
Object type: print
Date: 1624 – 1624
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: historical persons, pope, armorial bearing, heraldry

Prent uit: Tempesta, Domenico. Vite et effigie di tutti li pontefici romani (...). Rome: Giacomo Crulli de Marcucci, 1624. Eerdere staat van prent voor het eerst verschenen in: Cavalieri, Giovanni Battista de'. Pontificum romanorum effigies (...). Rome: Domenico Basa en Francesco Zanetti, 1580. Prent ook gebruikt in latere publicaties.
Hoofd van een onbekende man met pet
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: etching, retroussage
Subjects: head-gear, adult man
Inscriptions: collector's mark: Lugt 2228
Cleopatra
Object type: inkwell
Date: 1500 – 1599
Materials: bronze
Artist: benvenuto cellini
Artist dates: 1500 – 1571

Circle of Benvenuto Cellini (1500 - 1572). Cleopatra. Bronze. Florence, c. 1550.
Bowl with cover
Object type: bowl with cover
Date: 1801 – 1900
Materials: glass
Two Peasants
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: engraving
Location: netherlands
Artist: attributed to jacob matham
Artist nationality: dutch
Artist dates: 1571 – 1631
Inscriptions: Lettered lower center: "HG. excud."
Bokaal met een driemaster en het opschrift: T''WELVAAREN VAN ONS VADERLAND
Object type: goblet
Date: 1725 – 1750
Materials: glass
Techniques: glassblowing
Location: germany
Artist: Anonymous

Bokaal van helder, kleurloos en rood glas, met een gegraveerde voorstelling van een driemaster en het opschrift: T''WELVAAREN VAN ONS VADERLAND. In de stam rode draden.
Un coup de vent
Object type: photomechanical print
Date: 1881 – 1891
Materials: paper
Techniques: autotype
Location: france
Subjects: storm, head-gear: top hat
Inscriptions: inscription: ‘Me voilà (...) le 'vitrarius' Ponsin.’, number: ‘1. (...) 6.’, inscription: ‘Photographic comicalities’
Sprinkler
Object type: sprinkler
Date: 1701 – 1900
Materials: glass
Techniques: glassblowing
Location: iran
Terracotta footed dish
Object type: footed dish
Date: 700 – 501
Materials: terracotta
Culture: lydian

The local pottery of Lydia (in present-day western Turkey) is known primarily from excavations at Sardis, the region’s capital city. Sardis was an important center of cross-cultural interactions between the Greeks on the Ionian coast to the west and the Phrygians to the east. The footed dish, a Lydian specialty, was made in a local monochrome style referred to as "grey ware," which flourished during the seventh and early sixth centuries B.C.
Denarius (Coin) Portraying Emperor Antoninus Pius
Object type: coin
Date: 160 – 160
Materials: metal, silver
Culture: roman
Location: roman empire
Subjects: goddesses
Inscriptions: Obverse: ANTONINVS AVG  PIVS  P P  TR  P XXIII
Reverse: PACI  AVG  COS IIII

The front of this coin portrays the emperor Antoninus Pius, wearing a crown of laurels and facing right.

On the back, the goddess of peace is depicted standing and holding branches.
England, Ireland & Scotland
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: tone lithography
Location: london
Subjects: interior of church
Inscriptions: collector's mark: Lugt 2228

De serie werd aanvankelijk uitgegeven door Sinnett (Londen) en Ducollet (Parijs) in 1847. In 1855-1856 verscheen een heruitgave en vervolg van de serie bij Gambart (Londen) en Bulla (Parijs).
The Tomb of Agamemnon
Object type: drawing
Date: 1787 – 1787
Materials: gouache, ink
Techniques: brush, heightening, pen, wash
Location: france
Artist: louis jean desprez
Artist role: artist
Artist nationality: french
Artist dates: 1743 – 1804
Subjects: opera,tombs

Trained as an architect, the French artist Desprez was appointed by King Gustav III of Sweden in 1784 as the head stage designer for the Royal Opera in Stockholm. This drawing relates to the sets Desprez made for the Swedish opera Electra, which premiered at Drottningholm Castle on July 22, 1787. The scene of Agamemnon’s interment is in the prologue, which opens with Electra and Orestes plotting to avenge their father’s murder. Desprez’s rendering is cloaked in gloom, with torches and censers dramatically lighting the architecture from below.
One from a Set of Five Soba Cups with Chrysanthemum Design
Object type: soba cup
Date: 1615 – 1868
Materials: porcelain
Techniques: underglaze
Culture: japanese
Nisshin kaisen Daikosan oki daigekisen: Dai Nihon kaigun daishôri no zu
Object type: polyptych
Date: 1894 – 1894
Materials: paper
Techniques: woodcut
Location: japan
Subjects: battle (+ naval force), ships (in general) - cc - more than one ship
Inscriptions: date

De overwinning van Japan bij de Slag van de Gele Zee, ook bekend als de zeeslag nabij Dagushan, gaf Japan controle over het gehele Gele Zee gebied. Het Japanse vlaggenschip was de Matsushima, samen met twaalf andere oorlogsschepen. Op 17 september 1894 won de Japanse vloot de zeeslag na vijf uur strijden, meerdere Chinese schepen vergingen maar geen enkel Japans schip sneuvelde. Linkerdeel van een zesluik.
Terracotta fragments of undetermined shapes
Object type: undetermined shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Seven burnt black glazed fragments from undetermined shapes
Zes prenten uit Tasso's 'Gierusalemme liberata (...)' en tien prenten uit Marino's 'L'Adone, poeme heroico (...)'
Object type: print
Date: 1678 – 1678
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: (story of) adonis, militant proselytizing: religious war, crusade, etc.

Deze zestien prenten maken deel uit van een album.
Bottle vase
Object type: bottle vase
Date: 1701 – 1733
Materials: copper, glaze, porcelain
Culture: chinese
Bronze statuette of a Lar
Object type: statuette of a lar
Date: 1 – 200
Materials: bronze
Culture: roman
Subjects: women

The lar familiaris was a household deity that protected the members of the family, ensuring their health and prosperity. From the time of Augustus onward, the lararium (a small shrine found in every Roman house) contained two lares, each with the same attributes of a rhyton (drinking vessel) and patera (offering dish).
Friesland, kwart florijn, 1601
Object type: coin
Date: 1601 – 1601
Materials: silver
Techniques: striking
Location: leeuwarden
Subjects: friesland

Voorzijde: tussen waarde-aanduiding: 7 ST edelman met muts naar rechts. In rechterhand zwaard. Jaartal in omschrift. Keerzijde: op kort gebloemd kruis gekroond wapenschild van Friesland.
Justice
Object type: print
Date: 1499 – 1499
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: swords,lions,scales
Lamp
Object type: lamp
Date: 901 – 1100
Materials: stonepaste
Techniques: glazing
Location: iran

This small oil lamp represents the most common type of ceramic lamp found during the Metropolitan Museum’s excavations at Nishapur. Its characteristics include a rounded body with a ring-shaped handle and an elongated "spout" used to hold the wick. With the introduction of the firmer stonepaste ceramic fabric in the late eleventh century, the pinching of the spouts of these lamps becomes more pronounced. This lamp type is also attested in metal and has been found at sites throughout northeastern Iran. The popularity of this shape archaeologically distinguishes the Iranian plateau from Mesopotamia, Khuzistan and Syria, where the antique "slipper lamp" and an open, bowl-shaped form predominate in both ceramic and metal lamps. Research suggests that in the Islamic world, the first experimentations with technologies related to stonepaste occurred in ninth-century Iraq where quartz-based slips were applied to the surfaces of lead-glazed earthenware vessels. True stonepaste was probably perfected in Egypt during the tenth and eleventh centuries and then spread to Syria and Iran where it flourished at multiple centers of production.
Terracotta alabastron in the form of a woman
Object type: alabastron in the form of a woman
Date: 600 – 501
Materials: terracotta
Culture: east greek

The upper third of the vase is modeled as a bust of a kore. A chiton and veil cover her head and shoulders. The left arm rests at her side while the right holds a bird close to her chest.
Boek met figuren en tuingezichten
Object type: miniature
Date: 1690 – 1710
Materials: gold, leather, paper
Location: amsterdam
Artist: Anonymous

Boek met figuren en tuingezichten. Ingebonden in leer met goudopdruk.
Bracelet
Object type: costume and accessory
Date: 1301 – 1500
Materials: glass
Culture: islamic
Netsuke of Qilin with a Ball
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: mythical creatures
Reproductie van Forêt de Fontainebleau door Auguste Allongé
Object type: page
Date: 1883 – 1888
Materials: paper
Techniques: woodburytype
Location: paris
Subjects: forest, wood, painting, drawing and the graphic arts
Inscriptions: inscription: ‘Lefevre - Photographie’
Bloeiende tak met seringen tegen egale achtergrond
Object type: photograph
Date: 1900 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Subjects: flowers: lilac
Inscriptions: : ‘Sering / ....... / bloeiende tak / uit Aalsmeer’, signature: ‘R Tepe / foto’
Leuven. Kerk van St. Pieter. "Sakristie". Verwoest in Augustus 1914
Object type: ansichtkaart, prentbriefkaart
Date: 1914 – 1930
Materials: cardboard
Techniques: autotype
Location: leuven
Artist: Anonymous
Subjects: parts of church interior: sacristy
Qur'an Manuscript
Object type: non illustrated manuscript
Date: 867 – 933
Materials: gold, ink, leather, parchment, watercolor
Techniques: bookbinding, tooling
Location: syria
Subjects: qur'an

This is the second volume of a thirty-part Qur’an meant to be read over the course of a month. It is typical of early Qur’ans, but includes some embellishments not found in earlier, more austere copies, such as red vowel marks, rosettes every ten verses, and double-page illuminations at the beginning and end of the book. These compositions in gold are important precursors to what would evolve into a major aspect of Qur’an decoration.
Verkondiging aan de herders
Object type: print
Date: 1574 – 1637
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: annunciation of christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air
Inscriptions: inscription: ‘nog’

De aankondiging van de geboorte van Christus aan de herders door de engel Gabriël. De herders kijken verschrikt naar de nachtelijke hemel waar de engel Gabriël verschijnt met een banderol met een boodschap. In de marge een vierregelig onderschrift, in twee kolommen, in het Latijn.