deem-data/ArtiFact huggingface dataset:
Portretten van Abraham Lion Zeelander en Anthony Oberman en twee tekenende kinderen
Object type: print
Date: 1812 – 1812
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: anthony oberman, abraham lion zeelander, drawing, children's games and plays, chair
Inscriptions: collector's mark: Lugt 2228

Bustes van de kunstenaars Abraham Lion Zeelander en Anthony Oberman aan weerszijden van een afbeelding van twee tekenende kinderen bij een stoel.
Allegorie op de geboorte van de prins van Oranje, 1748
Object type: drawing
Date: 1748 – 1748
Materials: paper
Location: northern netherlands
Artist: j.h. schilling
Artist role: militair
Subjects: william v (prince of orange), symbols, allegories of peace, 'pax'; 'pace' (ripa), 'historia'; 'historia' (ripa), fame; 'fama', 'fama buona', 'fama chiara' (ripa)
Inscriptions: signature: ‘fait en Quartier de Cantonnement à Asten le 6me Aôut 1748. par JHSchilling. Lieutenant au Regiment de Klinckowström Troupes des Sa Maj: le Roi de la Grand Bretagne et Electeur d'Hannovre’

Allegorie op de geboorte van Willem V, de graaf van Buren, prins van Oranje, 8 maart 1748. In een tempel schrijft de Geschiedenis de geboorte van de prins in haar boek, het nieuws van de geboorte wordt haar gebracht door de Faam. Op een voetstuk staat de Vrede met een hoorn van overvloed. Het dak van de tempel is versierd met rocaillemotieven. Voorstelling in een omlijsting met kleine gekleurde plaatjes van landschappen en wapentrofeeën.
Kokon meibutsu rui shū, Vol. 1 (examples of old textile designs)
Object type: illustrated book
Date: 1789 – 1789
Techniques: woodblock print
Culture: japanese
Palais de Justice la Ste. Chapelle. La Ste. Chapelle fut construite par St. Louis (Louis IX) de 1245 à 1248. La Grille fut posée en 1787
Object type: print
Date: 1890 – 1910
Materials: cardboard
Techniques: lithograph
Artist: Anonymous
Subjects: court building, church (exterior), city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Portret van Cornelis Apostool
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: amsterdam, print maker, draughtsman, cornelis apostool, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Entouragering met ovale hoep
Object type: ring
Date: 1770 – 1800
Materials: diamond, gold
Location: netherlands
Artist: Anonymous

Ring van goud. Met een ovaal sierstuk dat geheel bezet is met diamanten.
Schilder en graveur met de Dood
Object type: book illustration
Date: 1650 – 1650
Materials: paper
Techniques: etching
Subjects: engraver, etcher, personifications of death; 'morte' (ripa), dance of death; death together with one or more human beings, old man, painter at work, in his studio
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2228

Een schilder in zijn atelier achter zijn ezel, het portret schilderend van een poserende oude heer. Naast de schilder de Dood met lauwerkrans op het hoofd. Tegen de achterwand zit een graveur aan een tafel te werken. Een tweede gestalte van de Dood omhelst een vrouw.
Sampler
Object type: sampler
Date: 1701 – 1800
Materials: linen, silk
Subjects: human figures,birds,trees
King Edward I (1239–1307) and Queen Eleanor (1241–1290)
Object type: statuette
Date: 1790 – 1790
Materials: terracotta
Artist: charles rossi, r.a.
Artist role: artist
Artist nationality: british
Artist dates: 1762 – 1839
Subjects: kings,queens,men,women

The future king Edward’s young bride Eleanor tenderly embraces his outstretched arm, sucking poison from his bicep in an act of selfless devotion after a Muslim assassin feebly stabbed the prince with a poisoned dagger during the Ninth Crusade in 1272. The subject of Eleanor’s heroism, taken from English legend, is apocryphal (Edward’s life was in fact saved by an English doctor) and yet it remained an irresistible episode of historical melodrama for late Rococo artists in the final decades of the eighteenth-century. In this deftly modeled terracotta sketch, Charles Rossi has transported the medieval legend to ancient Greece. Edward cuts a handsome figure as a youthful classical prince. At ease in the care of his female companion, Edward’s rippling flesh – exposed entirely but for his genitals, covered by drapery - invites the viewer’s gaze from the contours of his well-defined pectorals to the graceful extension of his wounded left arm, clutched by his bride. By point of contrast, Eleanor is presented as a demure Grecian maiden, her drooping body obscured by her classicizing tunic. A swift and energetic first sketch for a marble group (now lost), this terracotta nonetheless contains an extraordinary degree of tenderness and human pathos. King Edward I and Queen Eleanor dates to Rossi’s early period when his style was still deeply informed by the art of Canova. The composition’s original source was likely a painting by Angelica Kauffman, exhibited at the Royal Academy in 1776 and subsequently distributed in an engraving by William Wynne Ryland. However, a nearer source can be found in the work of the neoclassical sculptor John Deare, whose composition for a marble relief of the subject was first exhibited at the Royal Academy in 1788.
Zanguleh (zangula)
Object type: zanguleh zangula
Date: 1850 – 1889
Materials: metal, wood
Culture: iranian or persian
Location: iran
Portret van Heinrich Wilhelm Campe
Object type: print
Date: 1811 – 1882
Materials: paper
Techniques: engraving
Location: milan
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Gezicht op Florence
Object type: page
Date: 1900 – 1905
Materials: paper
Techniques: photoaquatint
Location: florence
Subjects: city-view in general; 'veduta'
Inscriptions: number: ‘Tafel VIII’
Teapot
Object type: teapot
Date: 1765 – 1765
Materials: enamel, stoneware
Techniques: salt glaze
Subjects: flowers
Portret van Willem I Frederik, koning der Nederlanden
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: charles howard hodges
Artist role: draughtsman, painter, print maker
Artist dates: 1764 – 1837
Subjects: william i of the netherlands, knighthood order
Inscriptions: date

Portret van Willem I, souverein vorst der Verenigde Nederlanden, later koning der Nederlanden. Gedecoreerd met de ster van de Orde van de Kousenband.
Shabti of Khabekhnet
Object type: shabti, khabekhnet
Date: 1279 – 1213
Materials: limestone, paint
Location: egypt
Interieur met vrouw en kinderen bij een karnton
Object type: watercolor
Date: 1854 – 1914
Materials: chalk, paper, watercolor
Techniques: brush
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: mother and baby or young child, churning
“Akebonoya” waka poem
Object type: hanging scroll
Date: 1601 – 1633
Materials: gold, ink, paper
Culture: japanese
Artist: hon'ami kōetsu
Artist role: artist
Artist nationality: japanese
Artist dates: 1558 – 1637

Against an extravagant design of chrysanthemums and mist rendered in gold flakes and gold dust, the most famous calligrapher of his age, Hon’ami Kōetsu, has inscribed a single waka (31-syllable court verse) by Minamoto no Michiteru (Koga Michiteru, 1187-1248), a high-ranked courtier-poet of ancient times, whose poems, including the one cited here, were included in distinguished imperially sponsored anthologies such as the New Collection of Japanese Poems Ancient and Modern (Shin kokin wakashu). Evoking the autumn season in the capital, the verse here reads: 曙や川瀬の波のたかせ舟 くだすか人の袖の秋きり Akebono ya kawase no nami no takasebune kudasu ka hito no sode no akikiri At the break of dawn a skiff rides the rapids of the river, as the boatman’s sleeves drift in the autumn mist. (Trans. John T. Carpenter) This example of a waka on a gorgeously decorated shikishi (poem card) serves as a textbook example of Kōetsu’s distinctive hand. While manifesting the calligrapher’s brilliant sense of spacing, it shows off his alacrity at creating ligatures between clusters of two of three characters—that injects a new rhythm of reading to the poem. Characteristic of Kōetsu’s handwriting, extremely simple characters such as the possessive particle no 乃or hito 人( [boat]man) are inscribed boldly to make them stand out. At the same time, to create a sense of variation, the calligrapher employs an exceedingly complex variant form of the particle no濃 at the bottom of the third column—the way he inscribes this character became one of his trademark idiosyncracies.
Landschap met rivier tussen rotsen
Object type: drawing
Date: 1785 – 1837
Materials: paint, ink, paper
Techniques: brush, pen
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Obélisque du Prince Charles
Object type: photograph
Date: 1904 – 1909
Materials: photographic support
Techniques: gelatin silver print
Artist: coppin-goisse
Artist role: printer
Subjects: trees, obelisk, needle
Zittende figuur en een dierenkop
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: animals, sitting figure (+ sideview, profile)

Pagina 15 uit een schetsboek met 19 bladen.
Fragment of a Bowl
Object type: decorative art
Date: 1501 – 1700
Materials: ceramic
Culture: byzantine or islamic or ottoman
Location: byzantine empire
Kelkglas met een fluitspelende jongen in gezelschap van een meisje en jongen
Object type: goblet
Date: 1760 – 1780
Materials: glass
Techniques: glassblowing, grinding, engraving
Location: the hague
Artist: meester alius

Conische voet. Rechte, facetgeslepen stam. Trechtervormige, aan de onderzijde afgeronde kelk. Op de kelk, in een landschap met bomen, een op een bank zittend jongen en meisje. De jongen houdt een blad muziek in de hand. Het meisje kijkt over z'n schouder mee. Achter hen een fluit spelende jongen. Aan weerszijden bomen.
Dom zu Trier. Chorgestühl (1725)
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: trier
Artist: Anonymous
Subjects: interior of church, parts of church interior: choir
Etser bij lamplicht
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: etching, intaglio
Location: paris
Subjects: engraver, etcher, artist at work, in his workshop
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Maakt deel uit van een zesdelige serie, getiteld: Six Eaux-fortes, dessinées et gravées par F. Bonvin, Peintre. De eerste staat werd in 1861 door Bonvin uitgegeven in Parijs.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: silk
Subjects: birds,women
Beroemde gebouwen in Rome en daarbuiten
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: etching
Location: vatican city
Subjects: hôtel, i.e. small palace in city, façade (of house or building)
Inscriptions: number: ‘19’, inscription: ‘Ende lib. no. 23. fol. 257 et 811/ Ende lib. No. 22. [...] fol. 70...’

Prent maakt deel uit van een reeks prenten (+ titelprent) van beroemde gebouwen in Rome en elders.
Blinde bedelaar
Object type: copper plate
Date: 1924 – 1932
Materials: copper
Techniques: etching
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Portretten naar Anthony van Dyck door Joannes Meyssens uitgegeven
Object type: print
Date: 1650 – 1670
Materials: paper
Techniques: etching
Location: antwerp
Subjects: frances stuart (gravin van portland)
Inscriptions: collector's mark: Lugt 240

De prent maakt deel uit van een zevendelige serie portretten naar Anthony van Dyck, uitgegeven door Joannes Meyssens.
Miss Fisher, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Portret van een man en vrouw en drie kinderen op een oprit
Object type: photograph
Date: 1912 – 1913
Materials: paper
Techniques: gelatin silver print
Location: london
Artist: liesbeth overhoff
Artist role: fotograaf
Artist dates: 1895 – 1969
Subjects: family group, especially parents with their child(ren), historical persons, garden approach, garden drive
Figure of Official
Object type: figure
Date: 960 – 1279
Materials: pottery
Culture: chinese
Subjects: men
King Bird of Paradise, from Birds of the Tropics series (N38) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Birds of the Tropics" series (N38), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes. This series is a physically larger version of the "Birds of the Tropics" set (N5), including the corresponding small card design with other pictorial matter added.
[Man in Loincloth with Strands of Beads]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Gold oktadrachm of Ptolemy IV Philopator
Object type: oktadrachm
Date: 221 – 204
Materials: gold
Culture: greek, ptolemaic
Subjects: men,profiles,coins

head of Ptolemy III, Euergetes/double cornucopiae minted in Alexandria, Egypt Gold and silver were the primary raw materials for Hellenistic coinage of intrinsic value. The Ptolemies had access to abundant gold from the mines in Nubia, but most silver had to be imported to Egypt from farther afield. Consequently, the Ptolemies placed greater importance on gold coinage, producing some of the finest gold issues of Hellenistic times, examples of which you see here.
Capri la Marina Grande
Object type: photograph
Date: 1880 – 1920
Materials: paper, photographic support
Techniques: albumen print
Location: capri
Artist: Anonymous
Subjects: harbour, capri, isola di
Inscriptions: negative number: ‘2004’

Onderdeel van Album met 191 foto's van een reis naar en door Zuid-Afrika.
Saucer
Object type: saucer
Date: 1825 – 1825
Materials: earthenware
Culture: british
Location: england
Subjects: flowers
Cylinder seal
Object type: cylinder seal
Date: 500 – 201
Materials: stone
Culture: achaemenid
Location: iran
Subjects: bow and arrow,men,hunting,deer
Vrijwilligers en een drumband in Shanghai voor het diamanten jubileum van Victoria van het Verenigd Koninkrijk
Object type: photograph
Date: 1897 – 1897
Materials: photographic support
Techniques: albumen print
Location: shanghai
Artist: w.r. kahler
Artist role: fotograaf
Subjects: drum (musical instrument), commemoration, jubilee
De Vertooningen, gedaan binnen Amsterdam, op de Eeuwige Vreede, en Vryheit. Den 5. Juny, 1648
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Subjects: dam, viering van de vrede van munster te amsterdam
Inscriptions: collector's mark: Lugt 2228

Tekstblad bij de prent van het toneel met drie van de zes zinnebeeldige vertoningen die op de Dam zijn opgevoerd ter ere van de Vrede van Munster op 5 juni 1648. Gedrukte tekst in drie kolommen.
Gezicht op een onbekende vrouw die een schilderij ophangt
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Location: berlin
Artist: gustav eduard bernhard trinks
Artist role: fotograaf
Subjects: adult woman, picture, painting, historical persons not known by name
Inscriptions: monogram: ‘MR&C’
Portret van een militair in uniform
Object type: photomechanical print
Date: 1899 – 1940
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: adult man, historical persons, (military) uniforms
Spiraalkammarmering in rood, geel, blauw en groen
Object type: marbled paper
Date: 1700 – 1850
Materials: paint, paper
Techniques: marbled paper
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2760

Spiraalkammarmering in rood, geel, blauw en groen. Gebruikt als omslag.
Three Sketches of Seated Figures
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: brush, wash
Location: europe
Artist: Anonymous
Panel from a Skirt
Object type: textile
Date: 1820 – 1830
Materials: cotton, textile, silk
Techniques: embroidery, weave, stitching
Location: united states
Subjects: fashion
The Ill-Assorted Couple
Object type: print
Date: 1495 – 1495
Materials: paper
Techniques: engraving
Location: germany
Artist: israhel van meckenem the younger
Artist nationality: german
Artist dates: 1440 – 1503
Gevelsteen met opschrift ANNO.
Object type: gable stone
Date: 1736 – 1736
Materials: stone
Location: netherlands

Cartouche met krullen, voluten en acanthusbladeren, waarbinnen een ovaal waarbinnen het opschrift ANNO. De rechter bovenhoek is afgebroken. Bij de steen hoort een steen (KOG-ALS-149-1) met D Hollandse Hoedemakerij en een steen (KOG-ALS-149-3) met 1736.
Afternoon dress
Object type: afternoon dress
Date: 1880 – 1880
Materials: silk
Culture: american

The nuances and contrasts between the plain faille against the subtly figured aubergine and cream silk are particularly effective on this gown. The train in particular shows interesting contrasts. Using that kind of detail on the train shows the level of awareness and scrutiny under which the design of the dress would be under. This particular form of dress, with the very tight bodice which is almost indecent, is fairly rare since it was a short lived trend. The bustle silhouette, although primarily associated with the second half of the 19th century, originated in earlier fashions as a simple bump at the back of the dress, such as with late 17th-early 18th century mantuas and late 18th- early 19th century Empire dresses. The full-blown bustle silhouette had its first Victorian appearance in the late 1860s, which started as fullness in skirts moving to the back of the dress. This fullness was drawn up in ties for walking that created a fashionable puff. This trendsetting puff expanded and was then built up with supports from a variety of different things such as horsehair, metal hoops and down. Styles of this period were often taken from historical inspiration and covered in various types of trim and lace. Accessories were petite and allowed for the focus on the large elaborate gowns. Around 1874, the style altered and the skirts began to hug the thighs in the front while the bustle at the back was reduced to a natural flow from the waist to the train. This period was marked by darker colors, asymmetrical drapery, oversize accessories and elongated forms created by full-length coats. Near the beginning of the 1880s the trends altered once again to include the bustle, this time it would reach its maximum potential with some skirts having the appearance of a full shelf at the back. The dense textiles preferred were covered in trimming, beadwork, puffs and bows to visually elevate them further. The feminine silhouette continued like this through 1889 before the skirts began to reduce and make way for the S-curve silhouette.
Gezicht op een voet met droog gangreen
Object type: photograph
Date: 1865 – 1870
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: skin and venereal diseases, foot, medical research, branches of medicine
Inscriptions: inscription: ‘Revue photographique/ des hopitaux/ Planche XVII.’
Limestone funerary monument with a seated woman
Object type: grave stele of a woman
Date: 200 – 1
Materials: limestone
Culture: cypriot
Subjects: women

Woman seated, with folded hands, wearing tunic, cloak, and veil.
Vessel with Handle
Object type: vessel
Date: 500 – 101
Materials: ceramic, pigment
Culture: paracas
Location: peru
Piece
Object type: piece
Date: 1501 – 1600
Materials: canvas, silk
Louis XV
Object type: bust
Date: 1756 – 1756
Materials: soft paste porcelain
Artist: tournai
Artist role: factory
Artist nationality: belgian
Subjects: men
Plaque of George Washington
Object type: painting
Date: 1770 – 1800
Materials: enamel
Location: england
Subjects: george washington,profiles
Chasuble
Object type: chasuble
Date: 1567 – 1600
Materials: metal, silk

The Christian monograms IHS (Jesus Hominum Salvator- Jesus, Savior of Mankind) and MAR (possibly signifying Maria- the Virgin Mary) decorate cartouches on this Chasuble- tabard-like clothing intended to be worn by a Roman Catholic priest when officiating church services. Though from a distance the design is elegant, closer inspection reveals the central band to be ornamented with simple yellow satin silk appliqués, sewn onto the velvet ground. The shadows on the illusionistic strapwork are even executed in paint. The green velvet ground- though old- has been patched and repurposed at an unknown date from a different garment.
Ritual Conch Shell Trumpet (Dung-Dkar)
Object type: ritual conch shell trumpet dung dkar
Date: 1801 – 1900
Materials: coral, shell, silver
Culture: tibetan
Gezicht op de Haringpakkerstoren te Amsterdam
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: tower, clock tower ~ monumental adornment, canals, waters (in city) (+ city(-scape) with figures, staffage)

Prent uit: Commelin, Caspar. Beschryvinge van Amsterdam, desselfs eerste oorspronk uyt den Huyse (…). Amsterdam: Abraham Wolfgang et al., 1693.
Of uit: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). Amsterdam: weduwe Aart Dircksz Oossaan, 1694.

Latere staat gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). Amsterdam: Andries van Damme et al., 1726.
De Rogstekers van Weert, ca. 1650
Object type: cartoon
Date: 1675 – 1720
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: caricatures (human types)

De Rogstekers van Weert, ca. 1650. Spotprent waarin allerlei verschillende dwazen in het plaatsje Waert (Weert in Limburg) ten strijde trekken tegen (het denkbeeldige gevaar van) een dode rog. In het midden een grote rog, waarop een kanon wordt afgevuurd. Rechtsachter een molen; linksachter een boom waaraan een klok die wordt geluid. Over het hele blad talloze figuren met verschillende attributen en verklarende teksten. In drie hoeken langere verzen.
Portret van Jan Weissenbruch in zijn atelier
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Subjects: painter, print maker, jan weissenbruch
Inscriptions: collector's mark: Lugt 2228

Portret van Jan Weissenbruch aan een tafel in zijn atelier. Aan de rechterzijde een figuur.
Landscape:  House on Wooded Hill
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: pen
Location: germany
Artist: Anonymous
Candlestick with Shade
Object type: candlestick and shade
Date: 1790 – 1790
Materials: glass, silver
Location: england
Muil van zwart leer met lage hak en ronde neus, hoog voorblad met perforaties en inkervingen in streepdessin
Object type: mule shoe
Date: 1600 – 1650
Materials: fiber
Techniques: perforating
Location: northern netherlands
Artist: Anonymous

Een paar vrouwenmuilen van zwart leer, links en rechts gelijk. Lage hak ronde neus, vrij smalle, getailleerde zool. Hoog voorblad met perforaties en inkervingen.