deem-data/ArtiFact huggingface dataset:
Mountain Slope Aug 23 1885 (from Sketchbook X)
Object type: drawing
Date: 1895 – 1895
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: mountains

This sketchbook contains fifty-one drawings in graphite and ink, primarily of Pacific Northwest landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.1) of New England and Pennsylvania landscape and marine subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Brief aan Jan Veth
Object type: letter
Date: 1892 – 1892
Materials: ink
Techniques: pen, writing
Artist: martinus cornelis lebret
Artist role: verzamelaar
Artist dates: 1833 – 1894
Subjects: jozef israëls, johannes bosboom, rotterdam, george hendrik breitner, dordrecht, print maker, designer, jan veth, the hague, painter, draughtsman, willem maris, jacob maris, leiden, rembrandt van rijn, utrecht, antonie cornelis loffelt, albert verwey, amsterdam, abraham bredius, hermanus gijsbertus tersteeg, photography, cinematography, workshop, studio of the artist (in general), exhibition ~ art, historical persons (portraits and scenes from the life), voorburg
Inscriptions: collector's mark: ‘RPK’
Gebeurtenissen in en rond de tempel
Object type: print
Date: 1570 – 1574
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: ornament derived from architectural details

Architecturale titelprent voor een serie van 13 prenten met gebeurtenissen uit het Nieuwe Testament die zich afspelen in en rondom de tempel. Deze prent maakt deel uit van een album.
Wat moet gij worden
Object type: print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: carpenter, craft-production, skilled handiwork, working class, labourers, the soldier; the soldier's life, crafts and industries, merchant, salesman
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen van ambachtslieden en beroepen, zoals naaister, jager en timmerman. Onder elke voorstelling een vers. Genummerd rechtsboven: No. 205.
Emperor Freeing the Slave Androcles
Object type: print
Date: 1516 – 1517
Materials: paper
Techniques: engraving, printing
Location: italy
Artist: agostino dei musi

In Aesop's Fables, the escaped slave Androcles is thrown to a lion for the amusement of the emperor. Miraculoush, the beast greets him like a puppy instead of tearing him limb from limb. Androcles had once removed a thorn from the lion’s paw, and in gratitude the animal spares his life in the arena. The emperor is so touched by the story that he too spares Androcles’ life and sends the lion back to the wild. Agostino Veneziano may have used a drawing by Raphael as the model for this engraving. Its subject matter reflects the early-16th-century fascination with ancient literature and sculpture.
Reproductie van een gravure van een landschap met een gebouw
Object type: reproduction
Date: 1903 – 1908
Materials: paper
Techniques: photograph
Subjects: landscapes, façade (of house or building)
Inscriptions: inscription: ‘Made from an engraving/ Printed on whtie plate-paper, out of 22 x 28 - 80 lbs.’
Atjeh Drukkerij
Object type: photograph
Date: 1914 – 1914
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: banda atjeh
Artist: Anonymous
Subjects: dutch east indies, the
Inscriptions: inscription: ‘Ao 1914’

Gezicht op de Atjeh drukkerij te Banda Atjeh, 1914. Langs de weg bij de trap staat een auto geparkeerd. Foto opgeplakt op karton. Onderdeel van een groep van negen foto's over de Atjeh-drukkerij.
Model of a Miquelet Pistol
Object type: model of a miquelet pistol
Date: 1601 – 1700
Materials: brass, steel, wood
Culture: french
Location: france
The Martyrdom of Saint Andrew
Object type: print
Date: 1623 – 1623
Techniques: etching
Artist: claude vignon
Artist role: artist
Artist nationality: french
Artist dates: 1593 – 1670
Subjects: suffering,men,saints
Disk Brooch
Object type: brooch
Date: 600 – 600
Materials: gold, metal
Techniques: filigree, repoussé
Culture: langobardic
De rede van Tunis
Object type: drawing
Date: 1834 – 1893
Materials: paper, pencil
Artist: willem anthonie van deventer
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1893
Subjects: ship in the roads, roadstead
Stoplap van naturelkleurig linnen en roodbruine zijde op linnen.
Object type: stoplap
Date: 1768 – 1768
Materials: linen, silk
Techniques: embroidered
Location: netherlands

Stoplap van linnen en zijde op linnen. Het borduurwerk heeft de datering ANNO 1768.
Manuscript Leaf with the Annunciation from a Book of Hours
Object type: book of hour
Date: 1485 – 1490
Materials: gold, parchment, shell, paint
Culture: french
Location: france
Artist: jean bourdichon
Artist role: artist
Artist nationality: french
Artist dates: 1457 – 1521
Subjects: doves,virgin mary,archangel gabriel,annunciation

As part of a daily cycle of prayers in honor of the Virgin, Matins is habitually illustrated by an Annunciation, with the angel Gabriel announcing to Mary that she will bear the infant Jesus. Inhabitual, however, are details of this composition by Jean Bourdichon of Tours, the foremost illuminator to the court of France during the reigns of Louis XI, Charles VIII, Louis XII, and Francis I (1461-1547). Despite his magnificent wings, the angel appearing from the right with crossed arms seems less a heavenly apparition than a confidant. However, it is the golden light suffusing the scene that conveys an otherworldly aspect. Originally the image would have been framed by a floral border, partly visible at the upper left and upper right, and by the opening words of the prayers.
Sjabloon met vlinder
Object type: template
Date: 1884 – 1952
Materials: paper
Techniques: cutting, snipping
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: insects: butterfly
Reproductie van Le compliment door Jules Worms
Object type: page
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Subjects: family, relationship, descent, interior of the house, painting, drawing and the graphic arts
Inscriptions: inscription: ‘Worms/ Galerie Contemporaine/ Ludovic Baschet, éditeur./ 126 boul. Magenta.’
Coastal scenery
Object type: print
Date: 1801 – 1830
Materials: paper
Techniques: etching
Location: england
Artist: edward william cooke
Artist role: print maker
Artist dates: 1811 – 1880
Subjects: housing, rowing-boat, canoe, etc., road, path
Inscriptions: collector's mark: Lugt 2165
Brief aan Philip Zilcken
Object type: letter
Date: 1906 – 1906
Materials: ink, paper
Techniques: pen, writing
Artist: amy bridge
Artist role: designer, draughtsman, painter
Artist dates: 1867 – 1930
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: monogram: ‘AB’, collector's mark: ‘RPK’
Sweetmeat dish or tray
Object type: sweetmeat dish or tray
Date: 1760 – 1760
Materials: stoneware
Techniques: salt glaze
Subjects: playing cards
Speelbord van het nieuwe vrij schuttersspel
Object type: print
Date: 1800 – 1825
Materials: paper
Techniques: hand coloring, lithograph
Artist: Anonymous
Subjects: board-games
Inscriptions: stamp, collector's mark: Lugt 1641

Een werpspel met in een cirkel 16 vakken waarvan 14 met afbeeldingen van personages uit de opera: "der Freischütz""van Von Weber, één vak met zeven kogels en één met een duif. In het midden een afbeelding van de "Wolfsschlucht'. Onder het spel de spelregels. Linksonder het spel: No. 77. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Spel en vermaak, Gezelschapsspel II, Ganzenbord en dergelijke.
Wolkenstudie
Object type: drawing
Date: 1920 – 1920
Materials: chalk, paper
Techniques: brush
Artist: adolf le comte
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1921
Subjects: clouds
Sculptuur van Hermafroditus
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: rome
Subjects: (story of) apollo (phoebus), (story of) hermaphroditus, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘14’

Beeld van een mannelijk naakt met een arm boven het hoofd. In de inscriptie wordt deze figuur geïnterpreteerd als Hermaphroditus, maar de figuur lijkt sterk op het type Apollo Lyceus. Prent maakt deel uit van een album.
Figure of a Seated Musician
Object type: figure
Date: 206 – 220
Materials: pottery
Culture: chinese
Subjects: human figures

The musical instruments depicted among this group of pottery figures (36.12.1, .2, .10–.13, .16) are typical of those used in popular music of the Han period (206 B.C.–A.D. 220). The instruments all had long histories, having existed for centuries, in the case of the zither, or millennia, in the case of the flute (now missing from the figure of the flutist).
Basle, part I, plate 5 from "Liber Studiorum"
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: buildings,cities,bridges,boats

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a wooden bridge spanning the Rhine at Basle in Switzerland. Cathedral spires rise above rooftops and the sun breaks through clouds over the river. The letter "A" in the upper margin indicates Turner's category of Architectural landscape.
Hope
Object type: painting, miniature
Date: 1800 – 1805
Materials: gold, ivory, pearl, watercolor
Culture: american
Subjects: women
Terracotta fragment of a stemless kylix (drinking cup)
Object type: stemless kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the bowl of a stemless kylix; the inside is sheared; part of the foot is preserved; it is profiled; the outer edge is reserved; the resting surface is sheared; the inner wall of the foot is glazed; the underside has miltos
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, upper torso, in three-quarter view, and genitals and legs of male, in profile to left, with himation draped around back
The combat. By Wouvermans
Object type: page
Date: 1861 – 1871
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: battle
De herhaling van gebeurtenissen
Object type: print
Date: 1954 – 1954
Materials: paper, watercolor
Techniques: brush, etching
Location: amsterdam
Artist: pieter holstein
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1934 – 
Inscriptions: edition: ‘11/40’, title: ‘DE HERHALING VAN GEBEURTENISSEN’, signature and date: ‘p. holstein '54’

Figuur in ijslandschap met verrekijker, uiterst links en rechts een wolf (half weergegeven).
Spotprent over Europese afpersing van niet-westerse landen
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: master ~ enslaved person, money-chest, treasure-chest, money-box, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228

De mannen houden de man vast bij zijn oren. In zijn armen heeft zij een spaarpot met daarop de woorden: batig saldo. Onder de prent het citaat: "Je geld of... Neen, je leven kan je wel houden.!" Deze prent werd uitgegeven bij De Lantaarn.
Schön newes Modelbuch (Page 5r)
Object type: book print ornament architecture
Date: 1608 – 1608
Techniques: woodcut
Artist: sigismundus latomus
Artist role: publisher
Artist nationality: german
Artist dates: 1599 – 1632
Subjects: ornament

Published by Sigismundus Latomus, Frankfurt a.M. Illustrated and hand-colored title page, 94 pages of designs for lace and embroidery.
Paris. Cimétière du Père-Lachaise. Monument aux Morts, par A. Bartholomé
Object type: photomechanical print
Date: 1904 – 1906
Materials: cardboard
Techniques: photograph
Location: paris
Artist: Anonymous
Subjects: monument, statue, cemetery, park-like burying ground
Verklaring van het Monument op de Algemeene Vrede, gesloten in den jare 1814
Object type: text sheet
Date: 1814 – 1814
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: vrede van parijs (1814)
Inscriptions: collector's mark: Lugt 2228

Tekstblad met een verklaring van de voorstelling van de prent met de allegorie op de eerste Vrede van Parijs, 30 mei 1814.
Titelpagina voor: Europische Mercurius, Vierde Stuk, Eerste Deel: Behelzende de ses Eerste Maenden van het Jaer 1693
Object type: titelblad, titelpagina
Date: 1693 – 1693
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: (story of) minerva (pallas, athena), (story of) mercury (hermes), battle, ships (in general) - cc - more than one ship, earthquake

Titelpagina voor: Europische Mercurius, behelzende al het voornaamste 'tgeen, zo omtrent de zaaken van staat als oorlog (...) is voorgevallen (...). Vierde Stuk, begrypende (...) het jaar 1693. Amsterdam: Timotheus ten Hoorn, 1693.
Gold and beryl earring
Object type: earring with eros and vase pendant
Date: 200 – 1
Materials: gold
Culture: cypriot
Subjects: eros

These items, all found on Cyprus, reflect styles and tastes that were prevalent throughout the Hellenistic world, notably in the use of Eros figures, animals and brightly colored gemstones.
Sword guard (<i>Tsuba</i>) Depicting Swallowtail Butterflies (揚羽蝶図鐔)
Object type: sword guard tsuba
Date: 1800 – 1870
Materials: bronze, silver alloy, gold, metal alloy
Culture: japanese
Location: japan
Subjects: butterflies
Giuseppe Ceracchi
Object type: painting
Date: 1792 – 1792
Materials: oil, wood
Culture: american
Artist: john trumbull
Artist role: artist
Artist nationality: american
Artist dates: 1756 – 1843
Subjects: men,portraits

After returning to the United States from London in 1789, Trumbull spent five years traveling up and down the Eastern Seaboard taking “heads” from life, mainly of statesmen and military officers. These exquisite works, which were preparatory to history paintings, stand out for their sensitive characterization and coloristic brilliance. The brushwork is fluid, with impastos and transparent glazes that produce contrasting textures. Trumbull’s portrait of the Italian sculptor Giuseppe Ceracchi (1751–1801) was probably painted in Philadelphia in 1792. The ambitious Neoclassical sculptor had come to the United States to raise funds for a proposed monument to American liberty.
Design for Stanhope Phaeton, no. 3172a
Object type: drawing
Date: 1875 – 1875
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Panel
Object type: textile panel
Date: 1434 – 1466
Materials: linen, silk
Culture: italian
Vrouw met sjaal over de arm, andere vrouw in luisterende houding, Frankrijk
Object type: photograph
Date: 1902 – 1902
Materials: paper, photographic support
Techniques: daylight paper print
Location: france
Artist: Anonymous
Subjects: hearing, listening (one of the five senses), adult woman, france

Onderdeel van Fotoalbum van een legeroefening in Zuidwest-Frankrijk in 1902.
Cord
Object type: cord
Date: 1801 – 1900
Materials: metal thread, silk
Carpet
Object type: carpet
Date: 1551 – 1600
Materials: cotton, silk, wool
Techniques: asymmetrically knotted pile
Location: afghanistan
Subjects: flowers
Textile Fragments
Object type: textile fragment
Date: 1635 – 1635
Materials: gold leaf, silk, velvet
Location: india
Taler uit het bisdom Olmutz van Karel III Jozef van Lotharingen, 1711
Object type: coin
Date: 1711 – 1711
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: borstbeeld van de bisschop naar rechts. Keerzijde: op gekruiste bisschopstaf en zwaard dubbelkoppige gekroonde adelaar met gespreide vleugels, waarboven kroon. Op de adelaar een kruis, waarop een ovaal samengesteld wapenschild. Jaartal rondom de kroon bovenaan in het omschrift. Kartelrand.
Fragment
Object type: textile
Date: 601 – 800
Materials: silk
Location: sicily
Disegni varii
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: etching
Location: venice

De titel staat in een cartouche met bovenop een haan. Titelblad uit serie van 10 bladen met verticale panelen vol bladranken, figuren en dieren.
Onderboezem in Paleis Noordeinde
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: engraving
Location: the hague
Gezicht op Ambachtsheerlijkheid Nieuwer-Amstel
Object type: drawing
Date: 1775 – 1825
Materials: paper, pencil, watercolor
Techniques: brush
Artist: dirk abraham clemens
Artist role: draughtsman
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc., country-house
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Holland (vervolg.)
Kohl Jar with the Lid Tied in Place and Kohl Stick
Object type: kohl jar, stick
Date: 1492 – 1473
Materials: cord, wood, linen, stone
Location: egypt
Gezicht op Edinburgh
Object type: print
Date: 1845 – 1899
Materials: paper
Techniques: engraving
Location: edinburgh
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van een landkaart van de Golf van Napels
Object type: photograph
Date: 1872 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: marine charts
Inscriptions: collector's mark: ‘VOSMAER’
Margarteha van Oostenrijk, landvoogdes der Nederlanden, rekenpenning van de raad van Financiën
Object type: jeton
Date: 1529 – 1529
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: brussels, mechelen

Koperen penning. Voorzijde: bloeiende margrieten binnen omschrift. Keerzijde: gekroond wapenschild, omhangen met orde van Gulden Vlies binnen omschrift
Madame de Pompadour
Object type: photomechanical print
Date: 1871 – 1881
Materials: paper
Techniques: woodburytype
Location: france
Artist: Anonymous
Subjects: paris, print maker, madame de pompadour, historical persons - bb - woman (+ full length portrait), forest, wood
't Graf van Heemskerck / Tombeau de l'Admiral Heemskerk
Object type: book illustration
Date: 1665 – 1665
Materials: ink, paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Subjects: jacob van heemskerck, battle (+ naval force), grave-building, monumental tomb
Inscriptions: inscription: ‘Uit: Domselaer, Amsterdam. 1665. 4<sup>e </sup>bladz. 54 en 55’, collector's mark: ‘31.134A/B’ Lugt 1641b

Gesneuveld tijdens de zeeslag tussen de Staatse en Spaanse vloten in de baai van Gibraltar op 25 april 1607 en begraven op 8 juni 1607. Onderaan een voorstelling van de zeeslag bij Gibraltar. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Oude Kerk van binnen.
Folios from a Qur'an Manuscript
Object type: folio from a non illustrated manuscript
Date: 383 – 993
Materials: gold, ink, paper
Location: iran
Subjects: qur'an,calligraphy

The first centuries in the copying of the Qur’an witnessed a succession of changing styles in the manuscript’s calligraphy, decoration, and format. This Qur’an shows many of the changes taking place in the medieval period. Whereas earlier Qur’ans were made of parchment and inscribed in a relatively simple kufic script, this manuscript was created of paper and of an angular script known as "new style script". The folios belong to the last volume of a four-part Qur’an manuscript, other folios of which provide the date of AH Ramadan 383 / AD October–November 993 and indicate that it was copied in the Iranian city of Isfahan. In both its medium and calligraphy, these folios reveal the increasing cultural pull of the eastern edge of the Islamic world, a decided shift from the earlier, Mediterranean- focus of the first Islamic centuries.
Hannover, Beguinenthurm
Object type: reproduction
Date: 1905 – 1930
Materials: cardboard
Techniques: lithograph
Location: leipzig
Subjects: towers ~ fortified city, canals, waters (in city)
Muur en poort van het Dabhoi fort
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: pencil
Location: gujarat
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: flags flown from a mast, arch, archivolt ~ architecture, walls ~ fortified city
Inscriptions: annotation: ‘x olifant/ xx [...]’

Pagina 97 uit een schetsboek met 62 bladen.
Belt Buckle
Object type: belt buckle
Date: 601 – 700
Materials: gemstone, iron, niello, silver
Culture: frankish
Location: france
Kompas- en zeilmakersgilde van Amsterdam, gildepenning van Harmanus Wilde
Object type: medal
Date: 1747 – 1747
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning, v.z:zeil. Keerzijde:kompas binnen omschrift.
Fragment of painted ware
Object type: sherd
Date: 1 – 100
Materials: ceramic
Culture: nabataean
Location: levant