deem-data/ArtiFact huggingface dataset:
Verrijzenis van Christus
Object type: print
Date: 1702 – 1767
Materials: paper
Techniques: etching
Artist: jacob folkema
Artist role: draughtsman, print maker
Artist dates: 1692 – 1767
Subjects: christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers
Inscriptions: collector's mark: Lugt 240

Christus is opgestaan uit zijn graf en staat met een palmtak in zijn hand op een steen. Een aantal uit hun slaap ontwaakte bewakers kijkt verschrikt omhoog, anderen beschermen hun ogen tegen de verblindende stralen die Christus omringen.
Fukusa (Gift Cover)
Object type: textile
Materials: gold paint, ink, silk
Techniques: lining, painting, weave, stitching
Location: japan
Artist: saeki ganryô
Artist nationality: japanese
Artist dates: 1901 – 1925
Manieren van een onnatuurlijke dood sterven
Object type: book illustration
Date: 1514 – 1531
Materials: paper
Techniques: letterpress printing
Subjects: death by accident (non-violent death), violent death by mutilation or maiming, murder, violent death ~ fire, dying, violent death by lance, spear, violent death by starvation, death struggle, inquiet death; fear of death

Deze prent is gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
Bowl with Four Panels of Landscape Scenes
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, painting
Location: china
Necklace
Object type: necklace
Date: 1920 – 1920
Materials: silver
Culture: chinese, miao
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, seen from above, feet, with knees drawn up, of a figure reclining on a kline; Exterior, at the left, part of a leg?; feet of two males
Portret van Tavakoli
Object type: photograph
Date: 1900 – 1950
Techniques: aquarelle
Location: iran
Artist: Anonymous
Inscriptions: inscription: ‘Opschriften in farsi’
Magazin für Freunde des Guten Geschmacks der Bildenden und Mechanischen Künste, Manufakturen und Gewerbe, Band 2, No. 4
Object type: book
Date: 1796 – 1796
Techniques: etching, hand coloring
Artist: friedrich august leo
Artist role: publisher
Artist nationality: german
Subjects: architecture,doors
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of a circumscribed palmette and lower drapery of figure
Stadsrand
Object type: print
Date: 1929 – 1929
Materials: paper
Techniques: lithograph
Artist: henk henriët
Artist role: draughtsman, print maker
Artist dates: 1903 – 1945
Subjects: outskirts of city
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond een heuvel waarachter een huis staat. Op de achtergrond twee elektriciteitspalen.
Tarracotta oil lamp
Object type: lamp
Date: 40 – 100
Materials: terracotta
Culture: roman, cypriot

Loeschcke Type 4. Mold-made. Plain, concave discus with a band of concentric lines and grooves towards edge. Volutes flanking nozzle. Within impressed base ring, slightly concave base, with a central raised letter: I.
Bookmark "The Last Rose of Summer"
Object type: textile
Date: 1871 – 1871
Materials: textile, silk
Techniques: brocade
Location: coventry
Artist: thomas stevens
Artist nationality: english
Artist dates: 1828 – 1888
Inscriptions: Inscription:  T. Stevens Coventry  May 10, 1871; (words and music of "The Last Rose of Summer")
Vlucht naar Egypte
Object type: drawing
Date: 1775 – 1833
Materials: chalk, paper
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: the flight into egypt: mary, joseph, the child (and sometimes others) on their way; mary usually riding on an ass
Le chemise Russe
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: children,portraits
Portrait
Object type: page
Date: 1885 – 1901
Materials: paper
Techniques: four-color autotype
Location: paris
Subjects: historical persons - bb - woman, girl (child between toddler and youth)

Prent tegenover pagina 21 van Figaro-Illustré (Octobre 1900).
Portret van een jonge vrouw
Object type: photograph
Date: 1870 – 1900
Materials: cardboard
Techniques: carbon print
Location: amsterdam
Inscriptions: check stamp: ‘KOOLDRUK//WEGNER & MOTTU’

Portret van een jonge vrouw, met een jurk met kant bestikte jurk, zilveren dunne ketting.
The Negroes and the Puppets, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1847
Subjects: men,puppets
Oude vrouw met dienblad
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: etching
Artist: willem geets
Artist role: print maker
Artist dates: 1838 – 1919
Subjects: old woman, salver, dog
Inscriptions: collector's mark: Lugt 2228

Prent uit: Bergmann, Anton. Ernest Staas, advocaat: schetsen en beelden. Gent: Hoste, Den Haag: Martinus Nijhoff, [1874-1875].
Portret van Petrus van Limburg Brouwer
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: leiden
Artist: johann peter berghaus
Artist role: print maker, printer
Artist dates: 1810 – 1870
Subjects: dordrecht, historical persons
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een met bond afgezette jas en een brede hoge kraag.
Terrine met deksel, van verguld zilver, rustend op vier poten. Verticaal geleed vat in holle en bolle vakken. Deksel overeenkomstig geleed, met geprofileerde knop. Versiering van bandwerk. Met bijbehorende onderschotel
Object type: tureen
Date: 1732 – 1733
Materials: silver
Techniques: gilding
Location: augsburg
Artist: christian drentwett (i)
Artist role: silversmith
Inscriptions: mark

Terrine. Verguld zilver. Augsburg, ca. 1732 - 1733, door Christian Drentwett I.
Retour des Galeres
Object type: print
Date: 1720 – 1754
Materials: paper
Techniques: engraving, etching
Artist: jacques rigaud
Artist role: draughtsman, painter, print maker
Artist dates: 1681 – 1754
Subjects: shipyard, shipdock, trireme, galley
Inscriptions: collector's mark: Lugt 240
Design for 2 seat Phaeton, no. 3097
Object type: drawing
Date: 1875 – 1875
Materials: gouache, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Earring
Object type: earring
Date: 675 – 725
Materials: silver
Culture: frankish

Hoop earrings with polyhedral beads, derived from late Roman jewelry, remained fashionable among Frankish women from the 400s through the 700s. Many are delicate pieces, their beads decorated with garnets or precious stones. Others, often with the least imposing beads, impress by their large hoops and distinctive closures.
Portret van Hendrik V, koning van Engeland
Object type: print
Date: 1694 – 1756
Materials: paper
Techniques: engraving, etching
Artist: george vertue
Artist role: print maker, publisher
Artist dates: 1684 – 1756
Subjects: historical persons, king
Inscriptions: collector's mark: Lugt 2228
Sewing Desk
Object type: furniture
Date: 1860 – 1870
Materials: wood
Location: new hampshire
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: furniture

The Shakers, members of a Protestant sect who lived in celibate, agriculturally oriented communal cooperatives, are best known for their simple yet elegant furniture. By the mid-19th century, they gained a notable reputation for excellent craftsmanship, which enabled them to turn their cottage furniture industry into a major enterprise. The use of rectilinear lines, lack of ornamentation, and emphasis on function characterize simple and restrained Shaker furniture. This particular desk was intended to store sewing implements and provide a work surface for sewing endeavors. The replacement of the rear panel indicates that the desk may have been arranged back-to-back with an identical desk, a concept in keeping with the communal living and working environments central to the Shaker belief system.
Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing, 25 februari 1896
Object type: invitation
Date: 1802 – 1896
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: criticizing and discussing art, art criticism, circle, club of artists, collecting and exhibiting products of the fine arts, gate, entrance
Inscriptions: collector's mark: Lugt 2228

Poort van de Bruntskameren op bolwerk Lepelenburg, Utrecht. Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing op 25 februari 1896 van de portefeuille van de firma Caramelli.
Portret van Wilhelmina, koningin der Nederlanden, en Hendrik van Mecklenburg-Schwerin
Object type: ansichtkaart, prentbriefkaart
Date: 1926 – 1926
Materials: paper
Techniques: rotogravure
Location: leiden
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, hendrik (prins der nederlanden (1876-1934))

Portret van Wilhelmina en Hendrik. Rechts het getal '25'. In de ondermarge twee regels Nederlandse tekst. Vervaardigd ter gelegenheid van het 25-jarig huwelijksjubileum van Wilhelmina en Hendrik in 1926.
Penningen met het portret van Filips II en Maria I
Object type: print
Date: 1723 – 1723
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: philip ii of spain, london, historical persons, coin, horse, coast

Prent met tekst op verso gebruikt in: Loon, Gerard van. Beschryving der Nederlandsche Historipenningen (...). Den Haag: Christiaan van Lom, Isaac Vaillant, Pieter Gosse, Rutger Alberts en Pieter de Hondt, 1723, dl. 1.
Verzet tegen het besluit van Filips II, koning van Spanje om de plakaten en de inquisitie te handhaven, rekenpenning van Vianen, ter ere van Hendrik van Brederode
Object type: jeton
Date: 1565 – 1565
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: hendrik van brederode (heer van vianen), vianen

Koperen penning. Voorzijde: arm, die zwaard in vlammen houdt binnen omschrift. Keerzijde: kop van everzwijn boven brandend Bourgondisch kruis, omringd door vlammen binnen omschrift
Prawning
Object type: photograph
Techniques: photogravure
Location: england
Artist: b. gay wilkinson
Artist nationality: english
Artist dates: 1857 – 1927
Fotoreproductie van een prent van een portret van een onbekende vrouw
Object type: photograph
Date: 1853 – 1858
Materials: photographic support
Techniques: salted paper print
Subjects: historical persons not known by name - bb - woman
Inscriptions: inscription: ‘Duch. No 347. col. V. Sestich’

Foto op vijfde ongenummerde pagina na pagina 142.
Enkele takken met rozen
Object type: drawing
Date: 1800 – 1900
Materials: chalk, paper, watercolor
Techniques: brush
Artist: cornelia brondgeest
Artist role: draughtsman
Subjects: flowers: rose
Portret  van Joseph Ambroise de Crumpipen
Object type: print
Date: 1830 – 1840
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: knighthood order, historical persons, wig, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een pruik en een bef van een doorzichtige stof met bloemmotieven. Op zijn borst draagt hij een ridderorde. Onder het portret zijn signatuur, naam en familiewapen.
Portret van een onbekende jongen met een mand met eenden en ander gevogelte
Object type: carte de visite
Date: 1870 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: singapore
Artist: august sachtler
Artist role: fotograaf
Subjects: merchant, salesman, historical persons not known by name
Inscriptions: monogram: ‘A.S.’, inscription: ‘Singapore’, signature: ‘A. Sachtler photographer Singapore’, title: ‘Kippen koopman Singapore’
Straatgezicht in Kanton met aan weerszijden winkelpuien
Object type: photograph
Date: 1903 – 1908
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: guangdong
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Inscriptions: title: ‘Main street in Canton’

Straatgezicht in Kanton met aan weerszijden winkelpuien. Onderdeel van het fotoalbum van Dolph Kessler met opnamen die hij maakte tijdens zijn verblijf in Engeland en op een wereldreis die hij als secretaris van Henri Deterding (directeur Koninklijke Olie) ondernam naar Nederlands-Indië, Japan, China en de Verenigde Staten, tussen 1906 en 1908.
Frisia, sev, de Viris
Object type: print
Date: 1618 – 1620
Materials: paper
Techniques: etching, letterpress printing
Location: friesland
Artist: pieter feddes van harlingen
Artist role: painter, print maker, publisher
Artist dates: 1586 – 1623
Subjects: ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Asinga Ascon, vierde prins der Friezen. Staande ten voeten uit, zwaard in de hand. Op de achtergrond de rivier Flevus Hellius. In een ornamentale omlijsting. Illustratie, met tekst op achterzijde, afkomstig uit het boek: Frisia seu de viris rebusque Frisiae illustribus libri duo.
Portret van Johannes Rotlöben op 48-jarige leeftijd
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: engraving
Location: hamburg
Subjects: historical persons
Inscriptions: date

Met biografische gegevens rondom het portret en onderschrift in het Latijn.
Fragmenten riemgesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: belt buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

D-shaped with pointed side, fragm ring, id. NG 1980-27H384, belt buckle.
Ceremoniële kledij van een Engelse hertog
Object type: print
Date: 1617 – 1677
Materials: paper
Techniques: etching
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: clothes for special purposes, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 654

De prent maakt deel uit van een negendelige serie met ceremoniële kledij van de Engelse adel. De prent (eerste staat) werd als onderdeel van bovengenoemde serie mogelijk door Thomas Jenner opgenomen onder de titel 'The Creation Robes of the Nobility in 9-Plates' in zijn 'A Catalogue of Severall Bookes', 1662. Hollar werkte naar ontwerpen uit Richard Glover's 'Nobilitas politica vel civilis', Londen, 1608.
Ready to leave for the Eternal City, from Souvenirs d’Italie: Expédition de Rome
Object type: print
Date: 1850 – 1850
Materials: chine, paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
Ink tablet inscribed “Melodious Harp Studio”
Object type: ink tablet
Date: 1801 – 1900
Materials: gilt, wood
Techniques: bookbinding
Culture: chinese
Artist: jian guzhai
Artist role: artist
Artist nationality: chinese

This ink tablet is from a sixty-four-tablet set (30.76.216–.279) commissioned by the Jiaqing emperor from the Studio for Appreciating the Antique (Jiangu Zhai) manufactory of the Wang Jinsheng family in Huizhou, Anhui Province. Each ink tablet commemorates a hall or pavilion in one of the imperial gardens. Each site’s name is written in gilt characters on one side; a view of the site is presented on the other. Such inks were purely decorative and not intended for use.
Beelden in de tuin van het Achilleion op Corfu
Object type: photograph
Date: 1895 – 1905
Materials: paper, photographic support
Techniques: albumen print
Location: corfu
Artist: Anonymous
Subjects: garden, piece of sculpture, reproduction of a piece of sculpture

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Griekenland en Egypte.
St. Jerome Instructing his Disciples in the Desert, plate 11 from "Les Tableaux de Rome, Les Eglises Jubilaires" (The Paintings of Rome, The Churches Jubilee)
Object type: print
Date: 1607 – 1611
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saint jerome,cross
Betooging voor Algemeen Kiesrecht te Amsterdam of Altijd achteraan
Object type: photomechanical print
Date: 1910 – 1910
Materials: paper
Techniques: letterpress printing, line block
Location: netherlands
Subjects: voorschoten, the hague, politician, fishing net, politician, e.g. party leader, fisherman, political caricatures and satires, amsterdam
Inscriptions: date: ‘De Amsterdammer 2 Oct. 1910’, collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kiesverenigingen, Politieke partijen.
Village Road with a Farm and Sheds, from the series, The Small Landscapes (Multifariarum Casularum)
Object type: print
Date: 1559 – 1561
Techniques: etching
Artist: johannes van doetecum i
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1528 – 1605
Subjects: human figures,roads,farms,villages,landscapes
Portrait of a Woman in a Turban
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: jean antoine laurent
Artist nationality: french
Artist dates: 1763 – 1832
Personificaties van Moed (Fortitudo) en Roem (Gloria) te paard met twee soldaten en een embleem van twee gelauwerde harten met oren en ogen op rotsen
Object type: album leaf
Date: 1618 – 1618
Materials: paper
Techniques: etching
Subjects: riding a horse, ass, or mule; rider, horseman, fortitude, 'fortitudo' ~ one of the four cardinal virtues - mm - triumph, heart symbolism, private soldier, performance in the open air (pleasure fair), honour, glory; 'ampiezza della gloria', 'gloria', 'gloria de prencipi', 'gloria & honore', 'honore', 'sublimatà della gloria' (ripa)

Mogelijk staan de harten met ogen en oren voor het verschil tussen het uiterlijk en het innerlijke of zijn een verwijzing naar Efeziërs 1:18, waarin het openstellen van het hart de verlichte zienswijze is.
Deze prent is onderdeel van een serie.
The Red Curtain
Object type: print
Date: 1907 – 1907
Materials: paper
Techniques: woodcut
Location: united states
Artist: helen hyde
Artist nationality: american
Artist dates: 1868 – 1919
Enraged Vicar
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,gardens,men,women,hunting,dogs,horses
Design of a Perspective projection for an Urn
Object type: drawing
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: flaminio innocenzo minozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1735 – 1817
Subjects: urns
Cambyses punishing the unjust judge Sisamnes
Object type: print
Date: 1630 – 1680
Techniques: etching
Artist: rombout eynhoudts
Artist role: artist
Artist nationality: dutch
Artist dates: 1613 – 1680
Subjects: children,men,women,dogs,punishment
Arcadian Landscape with a Sacrificial Feast
Object type: painting
Date: 1700 – 1749
Materials: copper, oil
Artist: jan van huysum
Artist role: draughtsman, painter
Artist dates: 1682 – 1749
Subjects: pastorals, arcadian scenes, altar
Inscriptions: signature and date: ‘Jan V. Huysum fecit’

These two scenes are painted on copper, a support that allowed Van Huysum to achieve a remarkably smooth and shiny result. Depicted are Arcadian, or idyllic, landscapes, with temples and figures from Classical antiquity. They are small gems intended for an art lover’s collection.
Fragment of a Band with Scenes from the Vintage
Object type: band fragment
Date: 301 – 600
Materials: linen, wool
Location: egypt

This band (clavus) probably decorated a tunic. At one end a curly-haired youth harvests grapes with a sickle. A woman drinks from a vessel at the opposite end. The man and woman are separated by a bust-length figure in a medallion. Such figures are common in late antique art. In some instances, the busts personify the seasons or the earth and represent the abundance of nature. Other images, like the one seen here, are generic and may have been intended to protect the wearer or to attract good fortune and prosperity.
A Friendly Visit
Object type: print
Techniques: etching, stippling
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,napoleon i,skeletons,men,devil,politics
Fotoreproductie van een prent van een portret van een onbekende man
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: cyanotype
Artist: Anonymous
Subjects: historical persons not known by name
Allegorie op de helden van de slag bij Waterloo, 1815
Object type: print
Date: 1815 – 1820
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Subjects: the hague, william ii of the netherlands, walmer castle, arthur wellesley of wellington, fame; 'fama', 'fama buona', 'fama chiara' (ripa), battle (+ land forces), alliance, league, union, foedus, waterloo
Inscriptions: collector's mark: Lugt 2228

Allegorie op de overwinning van de bondgenoten in de Slag bij Waterloo op 18 juni 1815. Centraal een zuil waaraan de portretten van Wellingon , Blücher en de prins van Oranje. Onderaan de zuil een voorstelling van de slag bij Waterloo van 18 juni 1815. In de lucht blaast de Faam op haar bazuin. Rechts bij de zuil staat de Eendracht die wijst naar de portretten van de drie helden, aan haar voeten de Nederlandse leeuw. Vooraan op de grond wapens en huisraad en een bundel papier gemerkt 'op 't kasteel van Laken', linksachter de veroverde reiskoets van Napoleon. Met drieregelig onderschrift.
Fotoreproductie van een prent, voorstellende een gezicht op het Canal Grande te Venetië, met op de achtergrond de San Geremia
Object type: photomechanical print
Date: 1882 – 1892
Materials: paper
Techniques: photoaquatint
Location: venice
Artist: Anonymous
Subjects: church (exterior), canals, waters (in city)
Inscriptions: title: ‘Grand Canal, Church of San Geremia and entrance to the Canareggio’