deem-data/ArtiFact huggingface dataset:
Heilige Franciscus Xaverius
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Subjects: the jesuit missionary francis xavier; possible attributes: cross, crucifix, flaming heart, indian, lily, torch
Inscriptions: collector's mark: Lugt 2228

De heilige Franciscus Xaverius kijkt in aanbidding naar de hemel. Onder de voorstelling staat een tekst in het Latijn over de verdiensten van de heilige.
Portret van Henri de la Rochejaquelein
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: earl, historical persons
Inscriptions: collector's mark: Lugt 2228a
Flounce
Object type: textile
Date: 1875 – 1900
Materials: cotton, lace
Techniques: lace
Location: belgium
Ornement symbolique en bronze
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: hinduism, buddhism, jainism
Inscriptions: inscription: ‘haut 0.50/ (Garuda et Nâga)’, collector's mark: ‘Société d'Emulation de l'Ain/ Bourg/ Bibliothèque’, inscription: ‘Pl. XXV’
Kat en muis
Object type: print
Date: 1834 – 1890
Materials: paper
Techniques: etching, intaglio
Artist: charles verlat
Artist role: painter, print maker
Artist dates: 1824 – 1890
Subjects: cat and mouse
Inscriptions: collector's mark: Lugt 2228

Kat besluipt een muis, die zich achter een bezem verbergt.
'De Laan na Ceres, tegen over 't Beeld van Phaunus'', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld
Object type: book print ornament architecture
Techniques: engraving, lithography
Location: amsterdam
Artist: carel allard
Artist role: publisher
Artist nationality: dutch
Artist dates: 1648 – 1709
Subjects: men,women

Depiction of one of the walking lanes beyond the statue of Ceres across from the statue of Faunus in the gardens of the Loo Palace. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century.
Centrifugehuis van suikerfabriek Meritjan te Kediri op Java
Object type: album leaf
Date: 1925 – 1930
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: kediri
Subjects: plantation, factory-interior, machine shop, storing in sacks ~ harvest, plants and herbs: sugarcane, sugar, dutch east indies, the

Onderdeel van Fotoalbum met opnames van vier suikerfabrieken op Java.
Grafmonument van toneelspeler en schouwburgdirecteur Jan Herman Albregt
Object type: photograph
Date: 1900 – 1910
Materials: photographic support
Techniques: daylight paper print
Artist: Anonymous
Subjects: grave, tomb, amsterdam

Onderdeel van Familiealbum met onder meer foto's van Wijnhandel Kraaij & Co. Bordeaux-Amsterdam.
Rapallo. Monasterio di Val Christi
Object type: photomechanical print
Date: 1893 – 1905
Materials: cardboard
Techniques: photograph, lithograph, writing
Location: rapallo
Subjects: landscapes in the temperate zone, ruin of church, monastery, etc.
Wet van den 29sten september 1815, No. 49 Houdende instelling van de Orde van de Nederlandse Leeuw
Object type: brochure
Date: 1849 – 1849
Materials: paper
Techniques: printing, sewing
Location: netherlands
Subjects: netherlands

Twee pagina's dubbel bedrukte tekst (de wet op de instelling van de orde van de Nederlandse Leeuw) met titelpagina genaaid in blanco kaftje.
Adelaar met konijn
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: etching
Location: france
Subjects: predatory birds: eagle, rodents: rabbit
Inscriptions: collector's mark: Lugt 2228
Tricorne
Object type: tricorne
Date: 1701 – 1800
Culture: american or european
Portret van August Philipp von Mergenthal
Object type: print
Date: 1713 – 1757
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: bookshelves, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Bottle
Object type: bottle
Date: 1001 – 1050
Materials: glass
Techniques: glassblowing, cutting
Location: iran

This glass bottle was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Kardinaal Wolsey door de koning weggestuurd
Object type: book illustration
Date: 1843 – 1843
Materials: paper
Techniques: etching
Location: england
Artist: george cruikshank
Artist role: painter, print maker
Artist dates: 1792 – 1878
Subjects: political caricatures and satires

Kardinaal Thomas Wolsey door koning Hendrik VIII weggestuurd. Illustratie uit een uitgave van "Windsor Castle", van William Ainsworth (1843).
Twaalf vergrotingen van lymfocyten
Object type: photomechanical print
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Subjects: blood
Inscriptions: number: ‘Photo. 101. (...) Photo. 112.’, number: ‘Pl. XV.’
Vier seizoenen voorgesteld door vier kinderen
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: seasons of the year (esp. personifications); 'stagione', 'le quattro stagione dell'anno' (ripa), seasons of the year represented by scenes showing human activities, usually in a landscape
Inscriptions: collector's mark: Lugt 2228

De Lente met bloemenkrans zit in het midden, linksachter de Zomer met korenschoof, rechts de Herfst die vruchten draagt en de Winter die zich warmt aan een vuur.
Silver situla (pail) with swinging handles
Object type: situla with swinging handle
Date: 600 – 501
Materials: silver
Culture: east greek

The shape and decoration of this situla find parallels in the art of the Achaemenids, a Persian dynasty that conquered most of Asia Minor during the sixth century B.C.
Figuurstudies
Object type: sketchbook leaf
Date: 1887 – 1891
Materials: paper, pencil
Subjects: adult woman, adult man
Inscriptions: kleurnotitie, handgeschreven

Pagina 23 uit een schetsboek met 83 bladen.
Jozef legt dromen van de farao uit
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: joseph interpreting pharaoh's dreams
Inscriptions: collector's mark: Lugt 2228

Prent uit serie van zes prenten met het verhaal van Jozef. De serie is geïnspireerd op een vergelijkbare reeks van Lucas van Leyden.
Angel
Object type: crèche figure
Date: 1767 – 1833
Materials: silk, wood
Techniques: polychrome
Subjects: angels
Night (The Four Times of Day)
Object type: print
Techniques: engraving
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: buildings,men,women,fire,night
De politieke partijen na de Verkiezingen
Object type: cartoon
Date: 1901 – 1901
Materials: paper
Techniques: autotype
Location: amsterdam
Subjects: voting, election, personifications of countries, nations, states, districts, etc., public wash house, fighting, political caricatures and satires

De Nederlandse politieke partijen als vechtende wasvrouwen, na de Tweede Kamerverkiezingen van juni 1901. De Nederlandse Maagd maakt zich zorgen.
Landschap met twee vrouwen bij de waterkant
Object type: print
Date: 1648 – 1705
Materials: paper
Techniques: etching
Location: france
Subjects: landscapes
Inscriptions: collector's mark: Lugt 2228

Landschap met staande vrouw kijkend naar zittende vrouw bij mand. Op de achtergrond een rivier en een bergdorp.
Twee dames zittend in de tuin voor de villa Quisisana te Vlissingen (?)
Object type: drawing
Date: 1905 – 1905
Materials: ink, paper
Techniques: pen
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: flushing
Schippers op een stoomboot en gezicht op een vloot in de baai van Ajaccio
Object type: album leaf
Materials: paper
Techniques: gelatin silver print
Location: ajaccio
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: crew ~ ship, gulf, bay, steamship, motorship
Inscriptions: inscription: ‘de vloot in de baai’
Staande vrouw en zittende jongen
Object type: drawing
Date: 1803 – 1843
Materials: paper, pencil
Artist: pieter van loon
Artist role: draughtsman
Artist dates: 1801 – 1873
Af-beelding van de Buyten Amstel, des zoomers /  Af-beelding van de Buyten Amstel, des winters
Object type: print
Date: 1767 – 1793
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: g.n. garama
Artist role: houtsnijder
Subjects: city-view, and landscape with man-made constructions, amsterdam
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, inscription: ‘D Dou[...]e [...]95 / Tjeerds’

Blad met 2 voorstellingen. Boven een gezicht op de Amstel en Amsterdam in de zomer met boten en zwemmers. Onder een gezicht op de Amstel en Amsterdam met schaatsers en boten varend in een opengebroken vaargeul. Onder elke afbeelding de titel. Genummerd linksboven: No. 155.
Toneeldecor met engelen aan de nachtelijke hemel
Object type: print
Date: 1663 – 1674
Materials: paper
Techniques: etching
Location: vienna
Subjects: set, scenery ~ stage, night
Inscriptions: collector's mark: Lugt 2228
Design for a Tabernacle, Plate 3 from the series 'Tabernacle'
Object type: album print ornament architecture
Techniques: etching
Artist: franz xavier habermann
Artist role: artist
Artist nationality: german
Artist dates: 1721 – 1796
Subjects: tabernacles,ornament

Ornament print with a design for a tabernacle in frontal elevation. The tabernacle is built up out of C-volutes and is decorated with rocaille ornaments. The structure has a deep central niche, and is crowned by a baldachin of rocaille ornaments. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.
Christ on the Cross
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: attributed to sebastiano conca
Artist nationality: italian
Artist dates: 1680 – 1764
Courtesans Beneath a Wisteria Arbor (Fuji dana shita no yūjo tachi)
Object type: print
Date: 1795 – 1795
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: fans,women,leaves
Cover
Object type: cover
Date: 1730 – 1750
Materials: linen
Techniques: lace
Kampen. Canal du Burgel
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, cutting, hand coloring, perforating
Location: kampen
Artist: Anonymous
Subjects: canals, waters (in city)
Inscriptions: number: ‘3’, number: ‘9’
Dertien ontwerpen voor zwaard- en dolkhandvatten
Object type: ornament print
Materials: paper
Techniques: etching
Location: vienna
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Exterior, hand and unidentified object
Huldiging van den hertog van Anjou
Object type: print
Date: 1780 – 1795
Materials: paper
Techniques: etching
Location: netherlands
Subjects: françois-hercule de valois (hertog van anjou), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', antwerp

Gebruikt als illustratie in: J. Fokke, Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd, Johannes Allart, Amsterdam 1783-1795, 25 delen, dl. V, pl. V.
The Two
Object type: print
Date: 1916 – 1916
Techniques: etching
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Subjects: male nudes,female nudes
Alkmaar, brandspuitpenning van spuit 3 met no. 94
Object type: medal
Date: 1680 – 1800
Materials: brass
Techniques: casting, engraving
Location: alkmaar
Artist: Anonymous
Subjects: alkmaar

Messing penning. Voorzijde: gekroond wapenschild, geflankeerd door twee leeuwen boven cartouche met cijfer No. 3. Keerzijde: brandpuit onder cartouche met op kop geplaatst cijfer 94 binnen slangerond
Cope
Object type: cope
Date: 1534 – 1566
Materials: silk
Beads, 4
Object type: bead, 4
Date: 670 – 330
Materials: glass
Culture: roman
View of a Riverbank
Object type: drawing
Date: 1672 – 1672
Materials: paper, pencil
Techniques: brush
Subjects: river, river bank
Inscriptions: date: ‘de 8/25 1672’
Kruis en halve maan met daarin de woorden 'De czaar en de sultan'
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: moon as celestial body, specific forms of the cross
Approbatio in De Boodts herbarium van 1640
Object type: text sheet
Date: 1640 – 1640
Materials: ink, paper
Techniques: letterpress printing
Location: bruges
Artist: h. waghenaers
Artist role: censor

Approbatio of goedkeuring in: Anselmi Boëtii de Boot I.C. Brugensis & Rodolphi II. Imp. Roman. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Onderdeel van het album met bladen en platen uit De Boodts herbarium van 1640. Het twaalfde van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II.
Man with an Ax
Object type: drawing and watercolor
Date: 1893 – 1894
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Inscriptions: Inscribed recto, lower center, in graphite: "2"
Gezicht op het Palais de la Bourse, oftewel het Palais Brongniart in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: façade (of house or building), exchange, bourse
Inscriptions: inscription: ‘La Bourse’
Frontal Portrait from the Waist Up of Maxime Gorki
Object type: print
Date: 1905 – 1905
Materials: paper, ivory
Techniques: lithograph
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Maria met het Christuskind en Anna bij een wieg
Object type: print
Date: 1506 – 1538
Materials: paper
Techniques: engraving
Location: germany
Artist: albrecht altdorfer
Artist role: draughtsman, print maker
Artist dates: 1480 – 1538
Subjects: 'anna selbdritt', i.e. anna, mary and christ-child close together, cradle, crib

Maria met het Christuskind op de arm. De heilige Anna voorovergebogen over de wieg.
Van twee op een akker werkende personen wordt één aangenomen en de ander verlaten
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: ploughing
Inscriptions: number: ‘100’, collector's mark: Lugt 2228

Proefdruk van illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. II.
Man in a broad-brimmed hat
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: collector's mark: Lugt 1962, monogram and date: ‘RHL 1638’, collector's mark: Lugt 2228
Fotoreproductie van een man op de top van een berg
Object type: reproduction
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: mountain climbing, mountaineering, mountain-top, peak, adult man
Inscriptions: annotation: ‘Charles, guide de Ramond, au Pyrénées’
Half Model of a Merchantman
Object type: builder's model
Date: 1780 – 1820
Materials: wood
Techniques: polychromy
Location: netherlands
Artist: Anonymous
Inscriptions: inscription, top centre, on a rectangular black label: ‘KOOPVAARDIJFRE- / GAT, LANG 110 Vt.’, label, bottom right: ‘971’ former inventory label

Gepolychromeerd mallenmodel (stuurboord) van een driemaster. Geen dekken of geschutpoorten aangegeven. Het model heeft een reling. Gewrongen spiegel, hol wulf, geen details van hek of zijgalerij; recht roer met vierkante roerkoning. Zeeg naar voren en naar achter oplopend, één barkhout en één reehout. Gepiekt rondspant. Schaal ca. 1:40 (afgeleid).
Card Number 161, Lena Thibaut, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-5), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fifth subset, N145-5. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Berggezicht/Mont Blanc/Alpen [?]
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: france
Artist: t.h. cladwell
Artist role: publisher
Subjects: alpen
Inscriptions: check stamp: ‘T.H. Cladwell//London’, check stamp: ‘FBF’, caption: ‘EXCURSIONS DIRICÉE PAR A. BALMAT’, stamp: ‘Bisson frères’

Berggezicht vanuit een hoog standpunt/berg.
Bottoms-up cup or stirrup cup (Sturzbecher)
Object type: bottom up cup or stirrup cup
Date: 1550 – 1570
Materials: stoneware
Techniques: salt glaze
Subjects: men

Clay enabled a spontaneity of modeling impossible for goldsmiths; stoneware objects could be made quickly and at a fraction of the cost of metal ones. The potter turned this vessel on a wheel to manipulate its basic form, pressing on the separately made head, arms, and other details; the glaze was applied so hastily its trickles are discernable. Traditionally, a departure would be marked by a farewell or Godspeed toast drunk in honor of Saint Gertrude, patron of travelers. "Bottoms-up" (or stirrup) cups are associated with this ceremony. With no base to be set down upon, they are intended to be used on horseback and the liquid downed in a gulp. [Elizabeth Cleland, 2017]
Bonchurch
Object type: album leaf
Materials: cardboard, paper
Techniques: albumen print
Location: bonchurch
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Subjects: riding a horse, ass, or mule; rider, horseman, street
Gierigheid
Object type: print
Date: 1626 – 1626
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: covetousness; 'avaritia' (ripa) ~ personification of one of the seven deadly sins, jewel-box, money
Inscriptions: collector's mark: Lugt 240

Een oude vrouw zit bij het licht van een kandelaar haar geld te tellen. Links op tafel een buidel, rechts een juwelendoosje. Met tweeregelig Latijns onderschrift.
Open plek tussen de bomen
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: trees
Inscriptions: monogram: ‘AM’

Blad 9 verso en 10 recto uit een schetsboek met 33 bladen.
Boerenwoning, schuur en hooischuur buiten Zwolle
Object type: sketchbook leaf
Date: 1631 – 1633
Materials: ink, paper
Techniques: pen
Location: zwolle
Artist: gerard ter borch (ii)
Artist role: draughtsman, painter
Artist dates: 1617 – 1681
Subjects: hay-stack, farm (building)
Inscriptions: number: ‘16..17.’

Het blad is rechtsboven genummerd: 16/17, voor en na het blad zijn bladen uit het schetsboek gehaald.
Teabowl
Object type: vessel
Materials: fur, glaze, stoneware
Location: china
Nightcap
Object type: nightcap
Date: 1801 – 1900
Materials: cotton
Culture: american
Kang Rug
Object type: kang rug
Date: 1701 – 1733
Materials: cotton, wool
Culture: chinese
Vrede van Luneville, ter ere van Napoleon Bonaparte, premier consul van Frankrijk
Object type: history medal
Date: 1801 – 1801
Materials: silver
Techniques: striking
Location: amsterdam
Artist: johan george holtzhey
Artist role: mintmaster
Artist dates: 1726 – 1808
Subjects: napoleon i (emperor of the french)

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: knots, waar jonge spruit uitgroeit binnen eikenkrans en omschrift
Portret van Hubert Korneliszoon Poot
Object type: print
Date: 1797 – 1836
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: delft, hubert kornelisz. poot, paper (writing material)
Inscriptions: collector's mark: Lugt 2228

Portret van Hubert Korneliszoon Poot, dichter en landbouwer te Abtswoude. In zijn hand een rol papier.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: copper, gold alloy, gold
Culture: japanese
Location: japan
Subjects: dragonflies
Cap
Object type: cap
Date: 1813 – 1813
Materials: cotton
Culture: american
Djirdjeh, Mosquée en Ruines Sur le Bord du Nil
Object type: photograph
Techniques: paper negative, salted paper print
Artist: félix teynard
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1892
Subjects: architecture,towers,mosques