deem-data/ArtiFact huggingface dataset:
Mary, Queen of Scots
Object type: print
Techniques: engraving
Location: england
Artist: thomas woolnoth
Artist role: artist
Artist nationality: british
Artist dates: 1785 – 1857
Subjects: portraits,women,mary queen of scots
Box
Object type: box
Date: 1818 – 1818
Materials: glass, paper
Subjects: men,profiles
Three Panels
Object type: panel
Date: 1367 – 1400
Materials: linen, metal thread, textile, silk, thread
Techniques: embroidery, relief
Culture: italian
Location: italy
Subjects: christ,madonna and child,adoration of the magi
Ebisu and Daikoku Celebrating the New Year Festival
Object type: drawing
Date: 1701 – 1900
Materials: ink, paper
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: food,men,fish
Prenten naar tekeningen van Claude Lorrain
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: london
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., cattle, flute, aulos, tibia - cc - out of doors, pastorals, arcadian scenes
Inscriptions: date

Vanaf 1774 publiceerde John Boydell tweehonderd prenten naar het tekeningenboek Liber Veritatis van Claude Lorrain, in het bezit van de hertogen van Cavendish. Deze werden vanaf 1777 in twee volumes gebundeld uitgegeven.
Shield Boss (Umbo)
Object type: shield bos umbo
Date: 601 – 700
Materials: copper alloy, gold, iron
Culture: western european, langobardic
Location: italy

Shield bosses were attached to the center of a circular wooden shield. This example, and another also in the Metropolitan Museum's collection (acc. no. 1984.184.1) are thought to have been made in northern Italy, the heart of the Langobardic Kingdom from the late sixth to the mid-eighth century. The majority of surviving Langobardic shield bosses are made of plain iron. Some, like these examples, are more richly decorated with engraved appliqués of gilt bronze. The crosses and fish that decorate this boss suggest that its owner was a Christian.
Fragment tuimelaar uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: tumbler
Date: 1700 – 1743
Materials: glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Base, fragm, circular, domed kick-up with pontil mark, everted sides, ribbed exterior. Tumbler.
S.O. Goenoengsari. Molenstation gezien vanaf de Zuid. 3 December 1926.
Object type: photograph
Date: 1912 – 1926
Materials: photographic support
Techniques: gelatin silver print
Location: east java
Artist: Anonymous
Subjects: colonial system, trade-company, factory-interior, machine shop, making the overground structures (~ building activities), (non-fruit) products of plants or trees: sugarcane
Inscriptions: inscription: ‘S.O. Goenoengsari. Molenstation gezien vanaf de Zuid. 3 December 1926.’

Inrichting van het molenstation met de nieuwe machines van Gebroeders Stork & Co. uit Hengelo. Javaanse bouwvakkers poserend op de machines, 3 december 1926. Onderdeel van het fotoalbum met foto's van de opbouw van de suikerfabriek te Goenoengsari op Oost-Java door de Handels Vereniging Amsterdam 1926-1927.
Tegeltableau met de Kruisiging
Object type: tile tableau
Date: 1600 – 1620
Materials: earthenware, glaze
Techniques: maiolica

Tegeltableau van negen tegels (3 x 3) met een veelkleurige (blauw, groen, bruin, oranje en paars) bijbelse voorstelling van Christus aan het kruis in een landschap met gebouwen op de achtergrond. Rond de voorstelling, een parellijst.
Portret van de theoloog Johannes Pappus op 43-jarige leeftijd
Object type: print
Date: 1591 – 1591
Materials: paper
Techniques: engraving
Location: augsburg
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Subjects: lindau im bodensee, straatsburg (frankrijk), theoloog, johannes pappus
Inscriptions: collector's mark: Lugt 2228
Portret van Jean Bureau
Object type: book illustration
Date: 1650 – 1689
Materials: paper
Techniques: engraving
Subjects: paris, commander-in-chief, general, marshal, historical persons, armorial bearing, heraldry
Inscriptions: inscription: ‘44f =’, collector's mark: Lugt 2228
Bedelaars en boeren
Object type: print
Date: 1634 – 1638
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: pieter jansz quast
Artist role: draughtsman, painter, print maker
Artist dates: 1605 – 1647
Subjects: walking-stick, staff, container made of plant material other than wood: basket, conversation, dialogue; conversation piece, beggar
Inscriptions: collector's mark: Lugt 2165

Een bedelaarster, met een mand om haar arm, is in gesprek met een bedelaar die op een stok leunt. Op de achtergrond twee landlopers. De prent maakt deel uit van een serie van zesentwintig prenten met bedelaars en boeren.
Funerary Figure of Hapy
Object type: funerary figure, hapy
Date: 400 – 30
Materials: wood
Techniques: painting
Location: middle egypt
Sapientissima praescientia
Object type: print
Date: 1582 – 1593
Materials: paper
Techniques: etching, letterpress printing
Location: antwerp
Subjects: signs in nature and in the sky prophesying the destruction of jerusalem (luke 21:25)
Inscriptions: inscription: ‘J.C. pleurant sur Jérusalem, et annoncant la prochaine destruction de cette ville’

Jeruzalem is door legertroepen omsingeld. Christus voorspelde dat bij deze aanblik de verwoesting van de stad nabij is (Luc. 21). Linksonder legt een man hout op het vuur en staat een vrouw in een pot te roeren. Rechtsonder twee poepende mannen op hun hurken. Met een motto in het Latijn boven de voorstelling en een vierregelig onderschrift in het Latijn onder de prent. De prent maakt deel uit van een album.
Fabriek
Object type: photograph
Date: 1886 – 1886
Materials: photographic support
Techniques: albumen print
Location: jogjakarta
Artist: kassian céphas
Artist role: fotograaf
Artist dates: 1845 – 1912
Subjects: the hague, colonial system, plantation, smoke-stack, factory-building

Gebouwen van een fabriek. Onderdeel van het fotoalbum aangeboden aan J.M. Pijnacker Hordijk bij zijn vertrek uit Jogyakarta in 1886.
Pictures of Famous Horses Yesterday and Today
Object type: illustrated book
Date: 1615 – 1868
Materials: ink, paper
Culture: japanese
Artist: unidentified artist
Artist role: artist
Subjects: men,horses
Seal, duck
Object type: seal, duck
Date: 1492 – 1479
Materials: stone
Techniques: glazing
Location: egypt
Subjects: ducks
Lago di Garda. Punta San Vigilio
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: lake garda
Artist: Anonymous
Subjects: prospect of village, silhouette of village, lake
Diversi capricci
Object type: print
Date: 1632 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep, horse
Inscriptions: collector's mark: Lugt 240
Versailles, Grand Trianon, Coin de Parc
Object type: photograph
Date: 1901 – 1901
Techniques: albumen print
Location: france
Artist: jean-eugène-auguste atget
Artist nationality: french
Artist dates: 1857 – 1927
Subjects: collected by hugh edwards
The Cavern of Brigands, from The Caprices
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Terracotta fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 540 – 520
Materials: terracotta
Culture: greek, attic

Exterior, part of the top of an eye, in added white; above, a vine
A Lady with Three Servants, from the series "A Brocade of Eastern Manners (Fuzoku Azuma no nishiki)"
Object type: print
Date: 1783 – 1784
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
[Commisssary Depot, Rocky Face Ridge, Whitfield County, Georgia]
Object type: photograph
Date: 1864 – 1865
Techniques: albumen silver print, glass negative
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: american civil war,men
Family Group
Object type: drawing and watercolor
Materials: chalk, paper, lead, pigment
Techniques: drawing, heightening, stumping
Location: france
Artist: Anonymous
St. Malo. La Digue par gros temps
Object type: photomechanical print
Date: 1932 – 1940
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: city-view, and landscape with man-made constructions, tidal wave, coast
Bottle
Object type: bottle
Date: 501 – 700
Materials: glass
Techniques: glassblowing
Location: syria
Gezicht vanaf de Waalseilandsgracht op de Montelbaanstoren en enkele huizen aan de Oude Waal
Object type: print
Date: 1912 – 1912
Materials: paper
Techniques: aquatint, etching
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: urban housing, sailing-ship, sailing-boat, bridge in city across river, canal, etc., tower (of house or building)
Inscriptions: annotation: ‘derde staat’
Title page to "Amoenissimi Aliquot Locorum in divertis Provincys"
Object type: print
Date: 1643 – 1644
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Schedel en beenderen
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: etching
Location: antwerp
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: (human) skull, bones in general (human body)
Inscriptions: collector's mark: Lugt 240
Portret van Jan Baptist van Bisthoven
Object type: print
Date: 1630 – 1677
Materials: paper
Techniques: engraving
Location: antwerp
Artist: adriaen lommelin
Artist role: print maker
Artist dates: 1618 – 1675
Subjects: rector, jezuïet, jan baptist van bisthoven
Inscriptions: inscription: ‘R.P. Joannes Baptista De Bishoven _ e Societate Jesu’, collector's mark: Lugt 240

Portret van Jan Baptist van Bisthoven, Jezuïet en rector van het college te Aalst.
Lijstje met prijzen voor meubels
Object type: document
Date: 1900 – 1910
Materials: paper, pencil
Artist: gust van de wall perné
Artist role: draughtsman, painter, print maker
Artist dates: 1877 – 1911
Inscriptions: collector's mark: Lugt 2228
De ,, Notre Dame" te Parijs, ,,Portaal van de Maagd"
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: parts of church exterior and annexes: portal
Inscriptions: inscription: ‘CWN.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, inscription: ‘Gothische Kunst - Frankrijk.’
Gezicht op buitenplaats Stadwijk te Voorschoten
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: trees, farm or solitary house in landscape, voorschoten
Inscriptions: stamp, : ‘Gedeponeerd’, collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Holland.
The Two Men on the Hill
Object type: print
Date: 1621 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: men,hills,landscapes,trees
Portrait of two men with muskets from the Sepah Afridi tribe of Kohat, Khyber Pakhtunkhwa, Pakistan
Object type: page
Date: 1861 – 1861
Materials: photographic support
Techniques: albumen print
Location: kohat
Artist: Anonymous
Subjects: firearms: rifle, human races; peoples; nationalities
Inscriptions: inscription, inscription: ‘MULLIK MORAD & AHMEDSHERE./ SIPAH AFREEDEES./ SOONNEE MUSSULMANS./ KOHAT.’, number: ‘(249)’
Wine glass in the shape of a post horn
Object type: trick glass
Date: 1725 – 1775
Materials: glass
Techniques: glassblowing
Location: bohemia
Artist: Anonymous
Subjects: messenger

Bokaal. Radgravure met een ommuurde stad en een ruiter met een posthoorn. Bohemen, ca. 1700 - 1800.
Dish
Object type: dish
Date: 1849 – 1858
Materials: earthenware
Culture: american
Location: united states
Artist: lyman, fenton & co.
Artist role: maker
Artist nationality: american
Artist dates: 1849 – 1849
Reproductie van de ets Abraham verstoot Hagar en Ismaël door Rembrandt van Rijn
Object type: page
Date: 1877 – 1878
Materials: paper
Techniques: photoaquatint
Location: paris
Subjects: the banishment of hagar and ishmael (genesis 21:9-21)
Inscriptions: inscription: ‘Héliogravure et imprimerie Amand-Durand Paris’
Manuscript Illumination with the Annunciation in an Initial R, from a Gradual
Object type: gradual
Date: 1300 – 1300
Materials: gold, ink, parchment, paint
Culture: upper rhenish
Location: switzerland
Subjects: doves,virgin mary,annunciation

Here, the letter “R” opens the Introit, or entrance hymn, “Rorate caeli de super” (Drop down dew, you heavens, from above), sung on the Feast of the Annunciation. This feast day was one of the most important in the Church calendar, celebrating the Archangel Gabriel’s announcement to the Virgin Mary that she would be the mother of Jesus. That moment is exquisitely illustrated on this leaf, which was cut from a Dominican choir book. Probably painted by the nuns of the convent of Sankt Katharinenthal, the figures of the Archangel and the Virgin are pictured against a burnished gold background. The Virgin lifts both hands as the dove of the Holy Ghost whispers in her ear. The detailed refinement of the figures’ faces, the elongated sway of their bodies, and the intimate scale of the scene are characteristic of a number of related cuttings, all thought to come from the same manuscript.
Seal Impression, Coat of Arms
Object type: seal impression
Date: 1101 – 1600
Materials: paper, wax
Culture: dutch or south lowlands
Subjects: coat of arms
A Young Prince
Object type: painting
Date: 1820 – 1820
Materials: canvas, oil
Location: iran
Subjects: princes,men,portraits,hookah

This fine painting of a young prince, possibly Muhammad Mirza Qajar (r. 1834–48), was originally displayed in a niche in a palace or pavilion as part of an overall architectural program. It would have hung alongside portraits of the ruler, princes, images of harem beauties, and still-life paintings. The painting is rendered in the refined style of the early nineteenth century that combined attention to detail and patterning characteristic of Persian painting with European conventions, mediums, and techniques.
Variae Architecturae formae (...)
Object type: print
Date: 1560 – 1562
Materials: paper
Techniques: etching
Location: antwerp
Subjects: architectural representations in general, parts of church interior: nave, parts of church interior: choir

Gezicht in het schip en het koor van een kerk. In de hoeken in elkaar gevlochten banden. Deze prent maakt deel uit van een album.
Fragment (Border)
Object type: textile
Materials: cotton, silk
Techniques: embroidery, stitching
Location: morocco
Subjects: morocco
Vest van katoenen piqué, met een geborduurde rand van grote gekleurde bloemen van wol (crewelwork)
Object type: menswear
Date: 1700 – 1750
Materials: cotton, textile
Techniques: embroidery
Location: england
Artist: Anonymous

Vest van katoenen piqué, met een geborduurde rand van grote gekleurde bloemen van wol (crewelwork). Geen kraag, knopen tot aan de hoogte van de zak. Grof linnen gespleten rug met bandsluiting. Voering van linnen. (Onderjas ?)
Handelaren en Mercurius naast het wapen van Holland
Object type: print
Date: 1716 – 1761
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter tanjé
Artist role: draughtsman, print maker
Artist dates: 1706 – 1761
Subjects: hoofed animals: camel, trade-company, (story of) mercury (hermes), ships (in general)
Inscriptions: collector's mark: Lugt 240

Monument met het wapen van Holland, geflankeerd door handelaren en Mercurius. Op de achtergrond kamelen en een schip. Op de voorgrond schapen, een ton en andere handelswaar. Handelsetiket voor Ter Borch & Du Sart te Amsterdam.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

At the shoulder, a band of tongues; below, back of the head of a filleted youth to left; top of a palm tree; the panel ornament is comprised of ivy
Kasteel de Haar. Poortgebouw
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1930
Materials: paper
Techniques: collodion silver print
Location: haarzuilens
Subjects: castle, gate, entrance
Inscriptions: monogram: ‘M.R.A. U.’
Maiden
Object type: statuette
Date: 1585 – 1594
Materials: bronze
Artist: barthélemy prieur
Artist role: artist
Artist nationality: french
Artist dates: 1536 – 1611
Subjects: women

These are the most widely replicated of Prieur’s statuettes. There is an implicit contrast between social types, that of the fashionable gentleman holding gloves (see 64.101.1565) and that of the simple but chic countrywoman lifting her skirt while offering an apple (in some cases a basket is slung over her same left arm). The dancing forms as well as the red translucent lacquer patination were generically inspired by Giambologna and his followers in Florence.
Netsuke of Mouse on a Mushroom
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: mice
The Entombment
Object type: relief
Date: 1401 – 1450
Materials: alabaster, paint
Techniques: gilding
Culture: british
Location: england
Subjects: men,angels,christ,mary magdalene,virgin mary,entombment
Zie daar, o jeugd! u weêr onthaald, / Het geld, dat gy er voor betaalt, / op schilderyen van ons leven; / Zal goed verstand voor intrest geeven
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: musician at work, craft-production, skilled handiwork, the soldier; the soldier's life, barber, barbershop, crafts and industries
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van ambachtslieden en beroepen, zoals soldaat, kapper en hoefsmid. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 184.
Eindstreep van een schaatswedstrijd met publiek
Object type: page
Date: 1900 – 1905
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: crowd, mob, skates (winter sports), ice ~ state of water, norway
Les trois Saintes Femmes allant visiter le Saint Sépulcre
Object type: photograph
Date: 1848 – 1853
Materials: photographic support
Techniques: salted paper print
Subjects: the holy women (the three maries) on their way to or at the tomb, to anoint christ's body
De Zionistische beweging
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: the jews, jewish life, political caricatures and satires, jewish religion and culture
Inscriptions: date

Spotprent op de oprichting van de Zionistische Beweging in 1897. Koning David staande op de muren van Jeruzalem. Onderaan een citaat uit Psalm 74.
Stenen vaas met bloemen
Object type: print
Date: 1717 – 1732
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: flowers: tulip, flowers in a vase
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, address: ‘Gedrukt bij / Wilhelm. Engelb. Köning / op de Agterb. Wal tot Amsterdam / met privilege van de Ed. Gr. M.H. Graven van Holland’

Vergelijk bloemenvazen van L. Schenk, P. Schenk en P. Mortier exc.
Brief aan Philip Zilcken
Object type: letter
Date: 1867 – 1911
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: sculptor, henri teixeira de mattos, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Naam en adres
Object type: sketchbook leaf
Date: 1858 – 1858
Materials: paper, pencil
Artist: bastiaan de poorter
Artist role: painter, print maker
Artist dates: 1813 – 1880
Inscriptions: address: ‘Bilders/ Prinsegracht bij de/ Kruis[...] 478’

Blad 17 verso uit een gecombineerd album amicorum en schetsboek met in totaal 39 bladen.
Portret van George Hamilton-Gordon, graaf van Aberdeen
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: london, politician, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit de Almanach de Gotha, 1845.
Portret van Charles de Bourbon, graaf van Soisson
Object type: print
Date: 1755 – 1765
Materials: paper
Techniques: engraving
Location: paris
Subjects: earl, historical persons
Inscriptions: collector's mark: Lugt 2228

Mogelijk prent uit: Dreux du Radier, Jean-François. L'Europe illustré, contenant l'histoire abregée des souverains, des princes, des prélats, des ministres, (...) en Europe: dans le XVe. siècle compris, jusqu'à présent. Parijs: Michel Odieuvre en André-François Le Breton, 1755-1765, dl. 3.
Gipsmodel voor beeldhouwwerk op het Palais du Louvre: "La Gloire et l'Immortalité" door Augustin Alexandre Dumont
Object type: photograph
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘524’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 2.
Bovenlichaam van een man met pet, vermoedelijk een visser
Object type: sketchbook leaf
Date: 1908 – 1927
Materials: chalk, paper
Location: france
Artist: gerrit van blaaderen
Artist role: draughtsman
Artist dates: 1873 – 1935
Subjects: head-gear: cap, fisherman

Blad 18 verso uit een schetsboek met 33 bladen.
Lady at her Breakfast
Object type: group
Date: 1737 – 1744
Materials: hard paste porcelain
Artist: vienna
Artist role: manufactory
Subjects: food,men,women,drinking,servants

Chocolate was often consumed at breakfast, usually in the privacy of the bedroom or dressing room. Here, a servant is presenting the beverage to a woman in a dressing gown; there are also sweet Savoy biscuits on the table. Chocolate was considered healthy, particularly for the stomach and the voice, and its consumption was permitted even during the fasting days of Lent, provided it was served without milk or eggs.
Mark uit Duitsland, Saksen, 1921
Object type: coin
Date: 1921 – 1921
Materials: porcelain
Techniques: casting

Porseleinen pseudomunt. Voorzijde: schip met volle zeilen op zee, waarboven jaartal. Keerzijde: binnen versiering waarde-aanduiding in twee regels. Daaromheen land-aanduiding. Gladde rand.
Cuneiform tablet case impressed with five cylinder seals, for cuneiform tablet 66.245.21b: court deposition
Object type: cuneiform tablet case
Date: 2000 – 1801
Materials: clay
Culture: assyrian
Location: anatolia
Fotoreproductie van een deel van een schilderij van de aankomst van Karel V in Antwerpen door Hans Makart
Object type: reproduction
Date: 1878 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: vienna
Subjects: woman (showing herself) undressed, quasi-nude, being welcomed ~ travelling, ruler, sovereign
Inscriptions: inscription: ‘VERVIELFÄLTIGUNG VORBHELATEN. 254. DEPOSÉ. REGISTERED.’
Utrechtse maskerade van 1881 (zevende plaat)
Object type: print
Date: 1881 – 1881
Materials: paper
Techniques: chromolithography
Location: utrecht
Subjects: vienna, matthias van oostenrijk (rooms-duits keizer), students' pageant, costumes used in pageants, commemoration of the founding of a university, utrecht
Inscriptions: collector's mark: Lugt 2228

Zevende plaat met een deel van de optocht. Onderdeel van de serie van zeven platen plus titelprent en verklaring van de gekostumeerde optocht door de studenten van de Utrechtse Hogeschool op 28 juni 1881 bij de viering van het 245-jarig bestaan van de Hogeschool. Voorgesteld is de intocht van aartshertog Matthias in Brusssel op 18 januari 1578.