deem-data/ArtiFact huggingface dataset:
Collins, Left Field, Brooklyn Bridegrooms, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Fotoreproductie van een schilderij, voorstellende de capitulatie van het Franse leger te Metz tijdens de Frans-Pruisische oorlog
Object type: page
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Artist: étienne dujardin-beaumetz
Artist role: painter
Artist dates: 1852 – 1913
Subjects: capitulation, the defeated before the victor, surrender ~ war
Portret van Luis de Zúñiga y Requesens
Object type: book illustration
Date: 1636 – 1646
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: brussels, mayor, luis de zúñiga y requesens, historical persons

Prent uit: Scriverius, Petrus. Corte historische beschryvinghe der Nederlandtsche oorlogen (...). Amsterdam: Broer Jansz., 1646. Of uit een eerdere editie (1636).
The Virgin and Child in the Enclosed Garden
Object type: print
Date: 1606 – 1606
Techniques: engraving
Artist: jan (johannes) wierix
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1549 – 1615
Rübeland i. H. Hermannshöhle
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1907
Materials: cardboard
Techniques: photograph
Location: rübeland
Subjects: stalactitic cave
Inscriptions: date

Prentbriefkaart maakt deel uit van een album.
Yushima
Object type: print
Date: 1802 – 1853
Materials: paper
Techniques: woodcut
Location: japan
Artist: utagawa kuniyoshi
Artist role: draughtsman, print maker
Artist dates: 1798 – 1861
Subjects: walking-stick, staff, adult man, housing

Het spook Nanakusa kan Chohan met wandelstok in geel tenue met in zijn hand een grote wandelstok. Op de achtergrond het populaire restaurant Yushima in Edo.
Handelsetiket met een roos en een kroon
Object type: handelsetiket
Date: 1681 – 1740
Materials: paper
Techniques: woodcut
Location: haarlem
Artist: isaac vincentsz. van der vinne
Artist role: draughtsman, print maker
Artist dates: 1665 – 1740
Subjects: crown (symbol of sovereignty), flowers: rose, vignette
Inscriptions: collector's mark: Lugt 240
Gebr. Hoogerhuis
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: the hague
Artist: willem van konijnenburg
Artist role: draughtsman, painter, print maker
Artist dates: 1868 – 1943
Subjects: prison, jail, justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Kroniek 3 (1897), 28 november 1897.
The Actor Nakamura Tomijuro I as the Chinese Hero Kan'u in the Play Hatsu Akebono Niwatori Soga, Performed at the Morita Theater in the First Month, 1772
Object type: print
Date: 1772 – 1772
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Amorous Couple
Object type: print
Date: 1701 – 1733
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
Subjects: boys,couples,men,women,smoking

A man and a woman sit on the veranda of a teahouse smoking long pipes. Their intimate exchange draws the attention of an errand boy who turns his head on his way past with a load of books. The depiction of amorous couples is a popular theme in ukiyo-e prints. The inclusion of this youthful observer introduces a note of curiosity mixed with envy, while indicating that the scene is taking place in public.
Elmire en de metselaar
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: scaffold (~ building activities), literature, mason at work
Inscriptions: collector's mark: Lugt 2228

Elmire had gezworen om nooit meer te trouwen. Wanneer ze toch met een man in het huwelijk treedt neemt ze zich voor om, indien het huwelijk gelukkig is, een ziekenhuis te stichten. Al snel na het begin van de bouw moet ze het project stop zetten omdat haar man haar heeft verlaten. Dit gebeurt haar driemaal achter elkaar, waarna ze het opgeeft. Op deze scène is Elmire in gesprek met een metselaar voor het ziekenhuis in aanbouw. Rechtsboven genummerd: 4.
The Cloisters Apocalypse
Object type: apocalypse
Date: 1330 – 1330
Materials: gold, ink, leather, parchment, silver, paint
Techniques: bookbinding
Culture: french
Location: france
Subjects: angels,virgin mary,adoration of the magi,annunciation,apocalypse,visitation

The Apocalypse, or Book of Revelation, was, according to European medieval tradition, written by John the Evangelist during his exile on the Greek island of Patmos. The opening chapters recount God’s instructions to the bishops of the seven churches in Asia Minor. The following chapters describe John’s extraordinary account of events to come at the end of time. The colorful illustrations of this manuscript bring these dream-like prophecies to life. A partly effaced coat of arms within the book suggests that it was created for an aristocratic couple in Normandy, the wife apparently a member of the de Montigny family. [Please note that some images of this manuscript are not in order.]
Zaal met schutters in verschillende monteringen
Object type: costume print
Date: 1787 – 1787
Materials: paper
Techniques: etching, hand coloring
Location: northern netherlands
Artist: Anonymous
Subjects: (military) uniforms (+ citizen soldiery, civil guard, citizen militia), patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Zaal met 35 schutters in de verschillende monteringen (uniformen) van schutterijen en burgerkorpsen in Nederland in 1787. Op een tafel liggen kaarten die worden bestudeerd. Tegen de achterwand een spiegellijst. Bij alle personen staan de namen van hun korpsen geschreven.
Colonnette from a Reliquary Shrine
Object type: colonnette
Date: 1175 – 1200
Materials: copper alloy, enamel, gilt
Techniques: enamel
Culture: german
Location: germany
Subjects: eagles,reliquaries
Sunset
Object type: drawing
Date: 1850 – 1850
Materials: paper, pastel
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: landscapes

Around 1849–50, Delacroix became captivated by the challenge of capturing the light effects of cloud formations and chose pastel to convey his impressions. While he used the medium throughout his career, the sky studies constitute his largest cohesive group in pastel. Delacroix’s sensitive analysis of color is evident both in the drawing and in a corresponding description of a sunset in his journal: "The gray of the clouds in the evenings verges on blue; the clear parts of the sky are bright yellow or orange. . . . The greater the contrast, the more brilliant the effect." He noted making such a drawing "with an eye to my ceiling," likely referring to his recent commission for the Apollo Gallery in the Louvre, which ultimately featured radiating sunbeams surrounding the central figure.
Portret van Vincenzo Carlo Barzizza
Object type: print
Date: 1740 – 1780
Materials: paper
Techniques: engraving
Location: italy
Artist: dionigi valesio
Artist role: painter, print maker
Artist dates: 1730 – 1780
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Couch-Bed
Object type: furniture
Materials: fiber, wood
Techniques: weave
Location: china
Vrouw met hoofddoek, ten halven lijve
Object type: drawing
Date: 1811 – 1873
Materials: paper, pencil
Techniques: brush
Artist: pieter van loon
Artist role: draughtsman
Artist dates: 1801 – 1873
Op het jaergetyde van Mejuffer Juffr. Henriëtte Elizabeth de With, beroemtste dichteresse, geviert binnen Utrecht op den 16den van Hoimaent des jaers 1715
Object type: text sheet
Date: 1715 – 1715
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: hendrik van der mark
Artist role: dichter
Subjects: birthday, writer, poet, author, fame ~ writer, 'poeta laureatus'
Inscriptions: collector's mark, collector's mark: Lugt 1641

Blad met een gedrukte vers in twee kolommen ter gelegenheid van de verjaardag van de Utrechtse dichteres Henriëtte Elizabeth de With op 16 juli 1715. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Nieuwjaars- en kermiswenschen.
Halve tafel met ovaal blad en schraagvormige poten die eindigen in klauwen van koper
Object type: furniture
Date: 1800 – 1815
Materials: copper, wood
Location: dutch east indies
Artist: Anonymous

Grote tafel van ijzerhout met een ovaal blad dat uit twee delen bestaat. De poten bestaan uit vier schraagvormige steunen, eindigend in koperen klauwen; ieder der steunen draagt twee gecanneleerde korte zuilen, waar het blad op steunt. De steunen worden paarsgewijs verbonden door een gelede zuilvormige dwarsregel, geplaatst tussen huizen versierd met rozetten.
Achilles met lijk van Hector achter zijn zegewagen
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Subjects: hector's body, tied to achilles' chariot, is dragged around the city

Prent maakt onderdeel uit van een serie met 39 prenten over de Ilias, geschreven door Homerus.
Terracotta lekythos (oil flask)
Object type: lekythos
Date: 500 – 500
Materials: terracotta
Culture: greek, attic
Subjects: herakles

Herakles fighting Kyknos; on the shoulder, Herakles and the Lion
Flintlock Alarm-Trap Pistol
Object type: arm
Date: 1800 – 1800
Materials: steel
Culture: french
Location: france
Beeckesteyn, lustplaats van den wel Ed. Gestr. Heer Mr. Jacob Boreel (...) / Beeckesteyn, maison de campagne de monseigneur Mr. Jacob Boreel (...)
Object type: area plan
Date: 1772 – 1772
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: french or architectonic garden; formal garden, armorial bearing, heraldry, country-house
Inscriptions: collector's mark: Lugt 2228
A Happy Marriage Symbolized by the Golden Sparrow
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: polychrome, woodblock print
Culture: chinese
Subjects: women,trees,chairs
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1854 – 1910
Materials: ink, paper
Techniques: pen, writing
Artist: willem maris
Artist role: draughtsman, painter
Artist dates: 1844 – 1910
Subjects: publisher, art trade, art shop, drawing
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2233

Brief gedateerd 'vóór augustus 1873 (?)' in latere hand.
Modèles de voitures Louis XV
Object type: print
Date: 1740 – 1758
Materials: paper
Techniques: engraving
Location: paris
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach
Inscriptions: collector's mark: Lugt 2228

Prenten RP-P-1949-744A t/m K zijn aan elkaar gebonden.
Jug
Object type: jug
Date: 600 – 480
Materials: terracotta
Culture: cypriot

Handle and spout, bands and tongue-pattern.
Berit
Object type: print
Date: 1905 – 1905
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Traveling case
Object type: traveling case
Date: 1580 – 1585
Materials: brass, leather
Techniques: gilding
Artist: bartholomew newsam
Artist role: maker
Artist nationality: british
Artist dates: 1487 – 1587

Bartholomew Newsam is the earliest known native English maker of small domestic clocks, yet his few surviving works are remarkably similar to French clocks. In this example, the cylindrical gilded-brass case contours to the shape of the movement contained inside: the perforated dome of the upper section follows the form of an interior bell. The leather and gilded-brass outer case, which protected the clock during travel, has a special opening at the top for easy access to the dial.
Portret van Osmond Tearle in de rol van King John
Object type: photomechanical print
Materials: paper
Techniques: photoaquatint
Subjects: historical persons, portrait of actor, actress
Inscriptions: inscription: ‘(KING JOHN.)’

Prent op tweede ongenummerde pagina na voorblad.
Het Rokin, gezien naar de Munt
Object type: drawing
Date: 1785 – 1785
Materials: chalk, paper
Techniques: brush
Artist: jacob cats (1741-1799)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1799
Subjects: public road
Inscriptions: inscription: ‘Gezigt op het Rokin naar het Haegsche-Rotterdamsche Veer a.d. Munt (?)’

Gezicht op het Rokin naar het Haagsche-Rotterdamse Veer aan de Munt.
Diverse gezichten op kerken, kastelen en steden
Object type: print
Date: 1631 – 1661
Materials: paper
Techniques: etching
Location: france
Subjects: city-view, and landscape with man-made constructions, ornamental fountain
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van zeven prenten.
Portret van Georg Kanler
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons

Prent mogelijk uit: Rothscholtz, Friedrich. Icones virorum omnium ordinum eruditione: omnique item genere et varietate artium de republica litteraria et speciatim de Academiis et Gymnasiis (...). Neurenberg: erven Johann Daniel Tauber, 1725.
Figuren in een interieur
Object type: sketchbook leaf
Date: 1879 – 1885
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: anatomy (non-medical), interior of the house
Inscriptions: annotation: ‘Ela[...] het AHusch[...]’

Pagina 39 uit een schetsboek met 58 bladen.
Portret van Margaretha II van Henegouwen
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: etching
Location: haarlem
Subjects: historical persons - bb - woman, crown (symbol of sovereignty) - bb - female ruler, armorial bearing, heraldry

Prent waarschijnlijk uit: Langendijk, Pieter. De Graaven van Holland, in jaardichten beschreven door Pieter Langendijk. Verrijkt met alle de beeldtenissen dier prinsen, naauwkeurig getekend naar de echte aloude tafereelen of de zaal van't raadhuis der stad Haarlem. Haarlem: J. Bosch, 1745, dl. 2.
Tankard
Object type: ceramic
Date: 1810 – 1810
Materials: earthenware
Techniques: glazing
Location: staffordshire
Brief aan Philip Zilcken
Object type: letter
Date: 1879 – 1930
Materials: ink, paper
Techniques: pen, printing, writing
Location: paris
Artist: lugné-poe
Artist role: acteur, theaterdirecteur, theatervormgever
Artist dates: 1869 – 1940
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Van Stössel naar Sarah Bernhardt?
Object type: cartoon
Date: 1906 – 1906
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: wilhelm ii (keizer van duitsland), paris, sarah bernhardt, knighthood order, political caricatures and satires

Kanselier Von Bülow toont de Duitse keizer Wilhelm II het ordeteken teruggestuurd door Stössel (mogelijk Anatoly Stössel). De keizer stelt voor om de onderscheiding dan maar door te sturen naar Sarah Bernhardt.
Hert
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: hoofed animals: deer
Inscriptions: collector's mark: Lugt 2228
Design for Landau, No. 4098
Object type: drawing
Date: 1890 – 1890
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Palatina-style frame
Object type: frame
Date: 1701 – 1733
Materials: wood
Culture: italian
Sideboard of Carved Walnut. Fourdinois.
Object type: photograph
Date: 1851 – 1851
Materials: photographic support
Techniques: salted paper print
Location: london
Subjects: shelves, rack, sideboard, london
Buddha with Attendants on Mythical Animal
Object type: sculpture
Materials: stone
Location: thailand
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic
Artist: lewis painter
Artist role: artist

Figure extending a young boy (Oenopion?), whose left arm is extended, towards Dionysos, who wears a patterned chiton, and holds a thrysos in his right hand; above the youth's head, part of an inscription, [K]ALOS
Cincinnatus at the Plough
Object type: plaquette
Date: 1434 – 1466
Materials: bronze
Artist: filarete (antonio di pietro averlino)
Artist role: artist
Artist nationality: italian
Artist dates: 1400 – 1469
Subjects: men,working,ox

Filarete was the earliest Renaissance maker of bronze plaquettes after his own designs, byproducts of his work on the bronze double door of Saint Peter's Basilica in Rome (ca. 1433–45). The door's main reliefs have Christian subjects, but its borders contain figures and myths from classical antiquity. This energetic scene shows the reluctant Roman dictator Cincinnatus, who preferred the rewards of farming to the highest state honors. Only two other examples are known (Staatliche Münzsammlung, Berlin; and Musée du Louvre, Paris).
Utrechtse maskerade van 1876 (zevende plaat)
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: chromolithography
Location: amsterdam
Subjects: earl, charles the bold (duke of burgundy), students' pageant, costumes used in pageants, commemoration of the founding of a university, utrecht
Inscriptions: collector's mark: Lugt 2228

Zevende en laatste deel van de optocht. Onderdeel van een serie van zeven platen plus titelprent en verklaring van de gecostumeerde optocht georganiseerd door de studenten van de Utrechtse Hogeschool ter viering van de 48e lustrum op 27 juni 1876. De optocht stelt voor de intocht van Karel te Stoute te Zutphen op 4 augustus 1473.
Gevangenneming van Gelderse soldaten, 1507
Object type: print
Date: 1780 – 1795
Materials: paper
Techniques: etching
Location: netherlands
Subjects: prisoner of war (after the battle), netherlands

Illustratie voor: J. Fokke, Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd, Johannes Allart, Amsterdam 1783-1795, 25 delen, dl. III, pl. III (?). Staat met de letter.
Hameau de Pêcheurs (Hamlet of Fishermen)
Object type: print
Date: 1849 – 1849
Techniques: etching
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Portret van een naakte vrouw in een beek
Object type: stereograph
Date: 1873 – 1910
Materials: cardboard, paper
Techniques: autotype
Artist: Anonymous
Subjects: woman (showing herself) undressed, quasi-nude, anonymous historical person portrayed
Mm. de Ségur
Object type: photograph
Date: 1874 – 1874
Materials: paper
Techniques: photography, woodburytype
Location: france
Artist: caret caret
Artist nationality: french
Artist dates: 1800 – 1899
Subjects: collected by hugh edwards, paris, contemporaine littéraire
Cauliculi frame
Object type: frame
Date: 1701 – 1733
Materials: wood
Culture: italian
Venus
Object type: statuette
Date: 1701 – 1800
Materials: bronze, wood
Artist: massimiliano soldani
Artist role: artist
Artist nationality: italian
Artist dates: 1656 – 1740
Subjects: venus

This statuette is a reduced version of the famous Venus de’ Medici, the ancient marble unearthed in Rome in the 1630s and transferred to Florence in 1677 for installation in the Tribuna of the Uffizi along with other notable sculptures and paintings.[1] The composition circulated in bronze reductions during the eighteenth century, its popularity owing much to replications by Massimiliano Soldani, and it is not surprising that our figure has at times been linked to him. In addition to original compositions (see cat. 145), Soldani was known for bronze versions of notable sculptures, both antique and “old master,” of which now at least twenty different models have been documented.[2] He produced at least three large-scale bronze Venus de’ Medicis, and several statutettes of the subject have been associated with him.[3] Soldani achieved a soft, fleshy corporeality in bronze absent from his marble output, and his bronze versions after the antique are animated by deft personal touches. Lacking such flourishes, our Venus must be considered a derivative cast. The omission of the small cupid playing atop the dolphin at Venus’s left, present on all the known Soldani Venus de’ Medici casts, also signals a more generic manufacture. The inexpert modeling, graceless pose, and disproportionate limbs point to a run-of-the-mill production for Grand Tour visitors, one that nonetheless reflects the vogue for reductions of antique statuary and their reinterpretations by the great eighteenth-century sculptors. -JF Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. See Haskell and Penny 1981, pp. 56–60, for the sculpture’s popularity in seventeenth-century Florence. 2. These include ancient sculptures but also works by Giambologna, Jacopo Sansovino, Cellini, and Michelangelo. See C. Avery 1976 and, for the most recent list, Warren 2010, p. 225 n. 7. 3. Princely Collections of Liechtenstein, Vienna, SK537, commissioned in 1695 by Prince Johann Adam Andreas I von Liechtenstein (see Kugel 2008, p. 104, no. 25); Blenheim Palace, Oxfordshire, commissioned by the duke of Marlborough (see Ciechanowiecki 1973); Nelson-Atkins Museum, Kansas City, F73-3. For Venus de’ Medici statuettes attributed to Soldani, see C. Avery 1976, p. 166, fig. 1, and Christie’s, London, July 5, 2006, lot 245.
Vier lofdichten op de politicus Joan Derk van der Capellen tot den Pol
Object type: text sheet
Date: 1787 – 1787
Materials: paper
Techniques: letterpress printing
Subjects: politician, joan derk van der capellen tot den pol
Inscriptions: collector's mark: Lugt 2228

Lofdichten behorend bij het portret van de politicus Joan Derk van der Capellen tot den Pol (RP-P-1903-A-23375B).