deem-data/ArtiFact huggingface dataset:
Sleighs, Series 1
Object type: album
Date: 1882 – 1893
Materials: gouache, ink, watercolor
Techniques: bookbinding
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Reis van prins Bernhard naar West-Indië (Vereniging voor Penningkunst 1950, eerste penning)
Object type: history medal
Date: 1950 – 1950
Materials: bronze
Techniques: striking
Artist: pol dom
Artist role: painter, print maker, sculptor
Artist dates: 1885 – 1978

Bronzen penning, op de voorzijde Bernhard half naar links met verrekijker, op de achtergrond een oorlogsschip, met omschrift, op de achtergrond tien regels tekst.
Moses presenting the tablets of law
Object type: window
Date: 1532 – 1532
Materials: glass
Artist: valentin bousch
Artist role: artist
Artist nationality: french
Artist dates: 1514 – 1541
Subjects: men,women,moses

This window comes from a series of seven windows made for the choir of the Benedictine priory church of Saint-Firmin in Flavigny-sur-Moselle in the Lorraine region of France. The windows had been commissioned by the prior, Wary de Lucy (1510–1557) from Valentin Bousch, a glass painter in Metz who had already worked on a number of important projects including Metz cathedral. Bousch was occupied by the Flavigny-sur-Moselle project in the early 1530s. Three of the extant monumental windows from the series each bear a date (1531, 1532 and 1533). Bousch was one of the most significant master glaziers in north-eastern France in the sixteenth century and has long been recognized as an important participant in the stylistic and technical developments of the Northern Renaissance. Together, the windows presented a Biblical narrative reflecting the story of humanity, starting with the Creation and Fall of Man (until recently in a private collection, Langley, British Columbia), then consecutively depicting the Deluge (MMA 17.40.2a–r), Moses presenting the tablets of Law (MMA 17.40.1a–r), the Nativity or Annunciation at the east end (lost), the Crucifixion (Saint Joseph's church, Stockbridge, Mass.), the Resurrection or the Supper at Emmaus (lost) and, finally, the Last Judgement (lost). Decorative consoles at the base of each window (not currently on view) depict the arms of Savigny and Craincourt, Wary de Lucy's forbearers. In these windows, Valentin Bousch rejected traditional compartmentalization, instead treating each composition like an enormous painted or carved retable, with trompe l'œil architectural frames. Brilliant hues of colored glass are combined with painted areas of grisaille and silver-stain on clear glass. The windows provide an early example of daring virtuoso glass-cutting to achieve sharp and sinuous contours. As a group, the windows are remarkable because of their nuanced modeling, their vitality of composition, lifelike features and the contrast of exquisite landscape details (like those in the Moses window) with dramatic dynamism (most skilful in the Deluge window).
Humayun's Tomb, Delhi, India
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: gelatin silver print
Location: delhi
Artist: Anonymous
Subjects: mausoleum
Inscriptions: number: ‘35.’, inscription: ‘53. Humayun's tomb in Delhi.’
Fotoreproductie van (vermoedelijk) een prent van Louise de Coligny, echtgenote van prins Willem I
Object type: carte de visite
Date: 1860 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: louise de coligny, historical persons, styles of hairdress - aa - ~ women, clothing for the upper part of the body, neck-gear: collar

Onderdeel van Fotoalbum met 29 foto's van Nederlandse vorsten.
Portret van een onbekende man
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: knighthood order, hacking and thrusting weapons (with name), historical persons
Inscriptions: collector's mark: Lugt 2228

De geportretteerde is frontaal afgebeeld en leunt met zijn rechterarm op een tafel. Hij draagt een militair kostuum met epauletten, decoraties en een sabel.
Breda
Object type: photograph
Date: 1940 – 1943
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: breda
Artist: Anonymous
Subjects: the soldier; the soldier's life, public road

Albumblad met zes foto's van de samensteller van het album, met vader en moeder en poserend op straat, sommige foto's in Breda. Onderdeel van het fotoalbum Duitse bezetting van Nederland.
The Omval
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: omval, de
Inscriptions: signature and date: ‘Rembrant. 1645’, collector's mark: Lugt 2398, collector's mark: Lugt 1681, collector's mark: ‘1883’ Lugt 1610, collector's mark: Lugt 1454 c, collector's mark: Lugt 1606, collector's mark: Lugt 2228 a, collector's mark: Lugt 2482, collector's mark: Lugt 2529

Rembrandt’s contemporaries would have instantly recognized the spot depicted in this print. This piece of land was called The Omval, after a ruin once located there. On the other side of the Amstel River is the dike near the Watergraafsmeer. Underneath a finely detailed pollard willow, Rembrandt depicted a man lovingly placing a wreath of flowers on a woman’s head.
Southwark Fair
Object type: print
Date: 1734 – 1734
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: musical instruments,entertainment,horses,crowd,flags
Portret van Granville Leveson-Gower, 1e hertog van Granville
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: letterpress printing, engraving
Subjects: historical persons, diplomacy, diplomat

Prent uit: The Illustrated London News, [1856].
Drie terracotta sculpturen van een vrouw, twee vrouwen en een oude vrouw
Object type: page
Date: 1852 – 1857
Materials: paper
Techniques: photolithography
Location: paris
Subjects: piece of sculpture, reproduction of a piece of sculpture (+ clay, sand, etc. ~ arts), old woman, adult woman (+ two persons)
Inscriptions: number: ‘1. 2. 3.’, number: ‘XV.’
Cholera Nostras
Object type: drawing
Date: 1909 – 1909
Materials: ink, paper, pencil
Techniques: pen
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: fabulous animals (sometimes wrongly called 'grotesques'); 'mostri' (ripa)
Toilet Vase
Object type: toilet vase
Date: 501 – 600
Materials: bone, ivory
Location: egypt
Plates
Object type: metalwork
Date: 1892 – 1892
Materials: pewter
Location: france
Artist: jules-paul brateau
Subjects: mythology, neptune
St. Joseph
Object type: crèche figure
Date: 1751 – 1800
Materials: silver gilt, terracotta, fiber, metal
Techniques: polychrome
Artist: salvatore di franco
Artist role: maker
Artist dates: 1700 – 1799
Subjects: men,saints

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Vechtvliet de plaets van den H. Raadsh. W. van den Broek, naer (1) Hofwerk siende / Vechtvliet la place du Conseil: le S. G. van den Broek, regardant vers (1) Hofwerk
Object type: book illustration
Date: 1719 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: river (+ landscape with figures, staffage), country-house, vecht
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Prent mogelijk uit: Leth, Andries de. De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende (...). Amsterdam: Weduwe Nicolaus Visscher, 1719.
Of uit: Brouërius van Nidek, Matthaeus. De Vechtstroom, van Utrecht tot Muiden (...). Amsterdam: H. Gartman, W. Vermandel en J.W. Smit, 1790.
Pars Amphitheatri Vespasiani Imp vulgo il Colisaeo dicti
Object type: print
Date: 1613 – 1661
Materials: paper
Techniques: etching
Location: netherlands
Subjects: ruin of a building ~ architecture, landscape with ruins
Inscriptions: collector's mark: Lugt 240

Prent naar ontwerp van Cornelis van Poelenburch. Prent uit serie van negen prenten met Romeinse ruïnes.
Portret van kardinaal Lorenzo Corsini, de latere paus Clemens XII
Object type: print
Date: 1725 – 1771
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: rome, clemens xii, historical persons, pope
Inscriptions: collector's mark: Lugt 2228
Left Stirrup
Object type: stirrup
Date: 1401 – 1433
Materials: iron
Culture: german
Location: germany

The purpose of the asymmetrical shape of this stirrup was to accommodate the foot better and giving the rider more comfort and stability. The front of the suspension bar was adorned with a plaque, now lost.
Toren ter nagedachtenis aan keizer Wilhelm I, Grunewald
Object type: photomechanical print
Date: 1899 – 1901
Materials: paper
Techniques: autotype
Location: grunewald
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment
Inscriptions: title: ‘Grunewald. Kaiser Wilhelm-Turm’, inscription: ‘Zaterdag den 10de Aug 1901’

Deze fotomechanische afdruk maakt deel uit van een album.
Parti in grande restaurati de' Trofei de Ottaviano Augusto (Restored detail of the Trophy of Octavian Augusto)
Object type: print
Date: 1753 – 1753
Techniques: etching
Artist: francesco piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1758 – 1810
Subjects: animals,helmets,male nudes,axes
Gold Weight: Geometric
Object type: weight
Date: 1701 – 1900
Materials: brass
Culture: akan
Location: ghana
Turkey, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from the "Types of All Nations" series (N24), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Vertrek van de Engelse en Russische troepen uit Den Helder, 1799
Object type: print
Date: 1799 – 1801
Materials: paper
Techniques: etching
Subjects: navy (+ after the battle), navy (+ sailing-ships), beach, den helder
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Dirk Langendijk ad vivum fecit’, collector's mark: Lugt 151

Engelse en Russische troepen maken zich op voor het vertrek uit Den Helder, 1799. Strandgezicht met militairen. Zeilschepen liggen voor anker, roeiboten varen af en aan.
Boy and Dog
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: aquatint, etching
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: boys,dogs
A skeleton covered with a sheet crying in a cemetery, from a broadside entitled ' Calavera llorando el hueso'
Object type: print
Date: 1880 – 1910
Techniques: lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: skeletons,skulls,cross,burials
Marmeren vaas met reliëf in de Galleria degli Uffizi te Florence
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: galleria degli uffizi
Artist: Anonymous
Subjects: container of ceramics: jar, jug, pot, vase, sculpture (+ relief ~ sculpture)
Inscriptions: collector's mark: ‘INSTITUUT VOOR KUNST-<BR />NIJVERHEIDSONDERWIJS<BR />GABRIËL METSUSTRAAT No. 16.<BR />AMSTERDAM’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL <BR />QUELLINUS<BR />AMSTERDAM<BR />FRANS HALSSTRAAT 14.’, inscription: ‘Grieksche Kunst. <BR />Marmeren pronkvaas (...) Krater .’, inscription: ‘CWN.’
Border tile
Object type: tile
Date: 1601 – 1633
Materials: earthenware
Techniques: glazing
Subjects: deer
Portret van Johann August Ephraim Goeze
Object type: print
Date: 1759 – 1791
Materials: paper
Techniques: engraving
Artist: eberhard siegfried henne
Artist role: print maker
Artist dates: 1759 – 1828
Subjects: theologian, historical persons

Prent mogelijk uit: Allgemeine deutsche Bibliothek. Berlijn en Stettin: Friedrich Nicolai, 1791.
Ruined abbeys and castles of Great Britain and Ireland second series
Object type: book
Date: 1864 – 1864
Materials: linen, paper, photographic support
Techniques: albumen print
Location: london
Inscriptions: name: ‘Persevere Robert Thornton’
First men on the moon
Object type: herinneringsbord
Date: 1969 – 1969
Materials: earthenware, glaze
Techniques: painted, vitrification
Location: delft
Subjects: united states of america, neil armstrong, moon
Inscriptions: date: ‘JULY 20-21 1969’, factory mark: ‘JT<BR />Delft’, mark: ‘MDJ. CD. 1963’, title: ‘Collins Armstrong Aldrin<BR />FIRST MEN ON THE MOON’, label: ‘2308<BR />FIRST<BR />MEN ON<BR />THE MOON<BR />103.75’

Bord, blauw geschilderd met afbeelding van een mannetje op een halve maan. Hieronder een deel van de wereld. Met opschrift. Achterzijde twee blauwe randen en twee gaatjes met ijzerdraad om bord op te hangen. Gemerkt en voorzien van etiket.
Half sovereign of Edward VI
Object type: half sovereign
Date: 1549 – 1550
Materials: gold
Subjects: kings,profiles
Limestone statuette of a seated female votary
Object type: statue of a female votary or deity, seated
Date: 534 – 501
Materials: limestone
Culture: cypriot
Subjects: women

Seated female figure wearing veil and heavy necklace.
Fragmentary Head of a Man, Belonging to a Block Statue
Date: 1550 – 1070
Location: egypt

Despite the fact that upper part is now missing and the facial features are altered, details suggest this fragmentary head was part of a block statue, a common statue type for non-royal persons where the sitter was sculpted in a squatting posture. Block statues were essentially temple statues, being deposited in temple precincts and forecourts. It is possible to perceive the original quality of the sculpture, like the finely carved strands on the wig or the modelling of the cheeks, leading to date it on stylistic grounds to the New Kingdom.
(From Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: infants,men,portraits,mothers
A scene of necromancy: a woman bearing a vessel, a turbaned man, and a soldier look toward a pedestal upon which a skull and limb bone are burning, a bearded male figure's face is visible behind the group, from "Turns of fantasy" (Scherzi di fantasia)
Object type: print
Date: 1743 – 1757
Techniques: etching
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: soldiers,skulls,men,women
Portret van Willem V, prins van Oranje-Nassau
Object type: print
Date: 1755 – 1785
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: the hague, william v (prince of orange), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain

Portret van Willem V in een ovaal. Rondom ligt een aantal allegorische objecten, waaronder een helm, een weegschaal, een commandostaf en een lauwerkrans. Op een voetstuk zijn naam en titels.
Madonna del Silenzio
Object type: print
Date: 1650 – 1693
Materials: paper
Techniques: engraving
Location: regensburg
Subjects: landscapes, putting a finger to the lips, 'silentium'; 'silentio' (ripa), mary and the christ-child with john the baptist (as child), christ-child sleeping ~ madonna-representations
Inscriptions: collector's mark: Lugt 240
Book Cover for the Old Testament
Object type: book
Date: 1701 – 1725
Materials: textile, silk
Techniques: embroidery, laid work, satin weave, stitching
Location: london
Blad effen zilverkleurig metaalpapier
Object type: metallic paper
Date: 1850 – 1950
Materials: paper, silver leaf
Techniques: pasting
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2228
Medal
Object type: medal
Date: 1501 – 1600
Materials: silver
Artist: hans reinhart the elder
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1581
Subjects: fruit,male nudes,female nudes,trees
Portret van een onbekende vrouw met een hoed
Object type: page
Date: 1875 – 1885
Materials: paper
Techniques: autotype
Artist: jakub husnik
Artist role: clichémaker, fotograaf
Artist dates: 1837 – 1916
Subjects: adolescent, young woman, maiden
Inscriptions: inscription: ‘Autotypie. [...]’, number: ‘Tafel IV.’
Molens aan de Vecht bij Weesp
Object type: print
Date: 1851 – 1924
Materials: paper
Techniques: etching, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: sailing-ship, sailing-boat, windmill in landscape, vecht
Inscriptions: collector's mark: Lugt 2233
Baldakijn
Object type: sketchbook leaf
Date: 1857 – 1859
Materials: paper, pencil
Artist: pierre joseph hubert cuypers
Artist role: draughtsman
Artist dates: 1827 – 1921
Subjects: canopy, baldachin
Inscriptions: annotation: ‘Dais -/ [...]. 189’

Blad 9 recto uit een schetsboek met 77 bladen.
Le Conseiller des Dames, octobre 1849 : Journal d'économi (...)
Object type: fashion print
Date: 1849 – 1849
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothes, costume (+ girls' clothes), blindfold games, clothes, costume (+ boys' clothes), fashion plates, (playing with) toys
Inscriptions: title: ‘Le Conseiller des Dames / Journal d'économie domestique et de travaux d'aiguille.’, address: ‘Paris, Un an 10 Francs / 169, Rue Montmartre / Province, 12 Francs’

Vier kinderen spelen blindemannetje in een park. Prent uit het modetijdschrift Le Conseiller des Dames (1847-1892).
Cap
Object type: cap
Date: 1834 – 1866
Culture: american or european
Mucius gooit zijn zoon in een rivier
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: river, monk(s), friar(s), father and son(s) (family group)
Inscriptions: collector's mark: Lugt 240

Proefdruk voor illustratie in: Hamelsveld, Ysbrand van. Algemeene kerkelijke geschiedenis, der Christenen, deel 6. Haarlem: François Bohn, 1803, p. 77.
Paviljoen in de Yu-tuin in Shanghai, China
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: shanghai
Subjects: temple, shrine ~ traditional chinese religions
Inscriptions: number: ‘No 7’
Bronze herm
Object type: herm of hermes propylaios
Date: 1 – 200
Materials: bronze
Culture: roman
Subjects: heads,hermes

Hermes was the guardian of boundaries, as well as the protector of travelers. Although these small bronze head probably decorated Roman furniture, they represent the god as he appeared on the top of many rectangular stone pillars called herms that marked boundaries and stood at gateways and entrances in Greek cities and towns.
Obi (Belt)
Object type: textile
Materials: bamboo, gold, wood
Location: japan
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Lower drapery, calves, and feet of a male to left
Chemise
Object type: chemise
Materials: linen
Pair of Lappets (Joined)
Object type: costume and accessory
Date: 1880 – 1889
Materials: linen
Techniques: lace
Location: france
Portret van Anna van Oostenrijk
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: engraving
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: paris, anna van oostenrijk (koningin van frankrijk), historical persons - bb - woman, ruler, sovereign - bb - female ruler
Inscriptions: watermark, collector's mark: Lugt 240
Small Dish
Object type: dish
Date: 1401 – 1600
Materials: cobalt, stoneware
Techniques: underglaze
Culture: vietnamese
Ex libris van Lotte Senger
Object type: bookplate
Date: 1894 – 1943
Materials: paper
Techniques: drypoint
Location: austria
Artist: michel fingesten
Artist role: painter, print maker
Artist dates: 1884 – 1943
Subjects: flowers: rose, infant, baby, flute, aulos, tibia
Inscriptions: inscription: ‘M. Fingesten / Tyskl[...] (?) ecl Osterrikt (?)’, signature: ‘Michel Fingesten’
Sword guard (<i>Tsuba</i>) Depicting Icefish Between Seaweed (藻に白魚図鐔)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, silver alloy, gold, iron
Culture: japanese
Location: japan
Subjects: fish