deem-data/ArtiFact huggingface dataset:
Pitji van sultan Mamoed Bader ed-din II van Palembang, Sumatra, AH 1219 (1804)
Object type: coin
Date: 1798 – 1821
Materials: tin
Techniques: casting
Location: palembang

Tinnen achthoekige munt. Voorzijde: zonder omschrift. Keerzijde, glad. In het midden rond gat.
Piece
Object type: piece
Date: 1775 – 1800
Materials: silk
Design for 4 seat Phaeton, no top, no. 3836a
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Kostuumstudie van staande ridder
Object type: drawing
Date: 1810 – 1858
Materials: paper, pencil
Artist: pierre emmanuel dielman
Artist role: draughtsman, painter
Artist dates: 1800 – 1858
Subjects: historical costume, (military) uniforms
Design for a Lunette
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: pen, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: garlands,faces,female nudes
Untitled (Portrait of man Holding a Girl)
Object type: photograph
Date: 1852 – 1852
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portrait, male, babies, portraits, portraits: child subject
Portret van commandant Schoenecher
Object type: print
Date: 1809 – 1809
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228
Dish
Object type: dish
Date: 1368 – 1644
Materials: jade
Culture: chinese
The Supper after the Masked Ball
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: painting, woodcut
Location: france
Artist: thomas couture
Artist role: artist
Artist nationality: french
Artist dates: 1815 – 1879
Border
Object type: border
Date: 1601 – 1700
Materials: linen, silk
Subjects: mythical creatures
Anna Leafing Through a Portfolio of Prints
Object type: painting
Date: 1874 – 1874
Materials: oil, paint, panel
Location: london
Artist: laura theresa alma tadema (lady)
Artist role: painter
Artist dates: 1852 – 1909
Inscriptions: signature and date: ‘Laura Alma Tadema 1874 Op. VI.’

Anna, the painter’s seven-year-old stepdaughter, holds up a print with both hands. She has to peer around the sheet; that is how large it is, or conversely just how small Anna is. The Alma Tadema family filled their house with portraits of themselves. Possibly this small painting was among them. It affords the viewer an intimate glimpse into the child’s world while simultaneously demonstrating a fondness for graphic art.
Portret van een vrouw, leunend op een sokkel waarover een doek gedrapeerd is
Object type: album leaf
Date: 1865 – 1900
Materials: cardboard, paper
Techniques: albumen print
Subjects: studio requisites ~ photographer, historical persons - bb - woman
Inscriptions: inscription: ‘Ladrey Disderi/ 6 Bould. des Italiens, 6 PARIS’, inscription: ‘MÉDAILLES/ PARIS 1889/(...) 1896/ GRANDE/ PHOTOGRAPHIE/ Ladrey Disdéri/ 6, BD. DES ITALIENS, 6/ ANCIENNEMENT/ PASSAGE DES PRINCES/ PARIS/ REPRODUCTIONS/ AGRANDISSEMENTS/ par Procédés Inaltérables au Carbone/ Platine, Bromuer, etc./ Peintures à l'Huile, Pastels, Miniatures, etc/ Les Clichés/ sont Conservés,/ il suffit/ d'écrire./ PHOTOGRAPHE/ DE LA PRESIDENCE/ DU SÉNAT, DE LA CHAMBRE DES DEPUTÉS,/ du Corps Diplomatique, de l'Armée,/ DU CLERGE, DE LA MAGISTRATURE/ DE L'INSTITUT DE FRANCE, DES ÉCOLES POLYTECHNIQUE & ST CYR/ et de toutes les Ecoles spéciales/ PROCÉDÉ INSTANTANÉ POUR LES ENFANTS/ PAR TOUS LES TEMPS/ MAISON FONDÉE EN 1840/ DECHAVINES PARIS’
Prenten naar tekeningen van Claude Lorrain
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: london
Subjects: harbour, city-view, and landscape with man-made constructions, market, city-gate
Inscriptions: date

Vanaf 1774 publiceerde John Boydell tweehonderd prenten naar het tekeningenboek Liber Veritatis van Claude Lorrain, in het bezit van de hertogen van Cavendish. Deze werden vanaf 1777 in twee volumes gebundeld uitgegeven.
Wapenhandelinghe van Roers Musquetten ende Spiessen
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: manoeuvre ~ military training, firearms: rifle

Een soldaat, ten voeten uit, naar rechts, die een musket (een bepaald type vuurwapen) met zijn rechterhand vasthoudt, de loop omhoog wijzend. In zijn uitgestoken linkerhand een brandende lont en een furket (musketvork), waarop hij zijn wapen kan plaatsen. Deze prent is onderdeel van de reeks van 43 genummerde prenten van musketiers uit de Wapenhandelinghe.
Cup with fish between water plants
Object type: cup
Date: 1700 – 1724
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark: ‘玉’

Kop van porselein met geribde wand en gelobde rand, beschilderd in onderglazuur blauw en op het glazuur blauw, rood, groen, geel, aubergine, zwart en goud. De buitenzijde van de kop met vier vissen tussen waterplanten, de rand met een band ruyi-motief; op de bodem een vis en de binnenzijde met vier vissen in ijzerrood, de rand met een band ruyi-motief. Gemerkt op de onderzijde met 'Yù', jade, in een dubbele cirkel. Famille verte.
Cane side chair
Object type: side chair
Date: 1690 – 1710
Materials: wood
Culture: british
Location: england

This English-made side chair was originally part of a set of six that may have belonged to the Reverend Samuel Browne (d. 1749) of Abington, Massachusetts. The chair switched hands and families many times over the next several generations until it was bought by H. Eugene Bolles, whose collection of American furniture was considered the finest of its kind. In 1909, Mrs. Russell Sage purchased the Bolles collection and gifted it to the Museum.
Minoan body sherd
Object type: minoan body sherd, bowl
Date: 1981 – 1640
Materials: pottery
Location: egypt
Christus voor het Sanhedrin
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Location: munich
Subjects: false witnesses ~ trial of christ
Inscriptions: collector's mark: Lugt 240

Christus voor het Sanhedrin. Hij ligt op de grond voor de troon van hogepriester Kajafas en is vastgebonden met een touw dat wordt vastgehouden door twee soldaten. Naast de troon legt een man een valse getuigenis af over de daden van Christus. Een van de soldaten slaat Christus met een stok omdat hij blijft zwijgen. De eerste prent van een achtdelige serie over de passie van Christus.
Druiveblad, geknipt uit met nerven geperst en groen / bruin gekleurd perkament (?).
Object type: druiveblad
Date: 1700 – 1900
Materials: parchment
Artist: Anonymous

Druiveblad, geknipt uit met nerven geperst, en groen/bruin gekleurd perkament (?)
Voor- en achterzijde van een penning met het portret van Diane de Poitiers
Object type: drawing
Date: 1683 – 1733
Materials: chalk, paper
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: historical persons, medal (considered as a piece of sculpture, regardless of its specific function)
Prang and Co. Holiday Publications
Object type: print
Date: 1801 – 2000
Techniques: lithograph
Artist: louis kinney harlow
Artist role: artist
Artist nationality: american
Artist dates: 1850 – 1913
Priest's Robe
Object type: robe, priest's
Date: 1601 – 1700
Materials: metal thread, silk
Culture: japanese
Le Musicien
Object type: print
Date: 1701 – 1800
Materials: ink
Techniques: printmaking, etching, printing
Artist: gilles demarteau
Artist role: artist
Artist nationality: french
Artist dates: 1722 – 1776
Subjects: boys,flutes,musicians
Hairpin
Object type: hairpin
Date: 1801 – 1900
Materials: copper, gilt, glass
Culture: italian
Portret van prentmaker Francesco Bartolozzi
Object type: print
Date: 1701 – 1788
Materials: paper
Techniques: etching
Location: london
Subjects: print maker, draughtsman, publisher, francesco bartolozzi, tools, implements of graphic artist, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Born at Florence 1730 died at Lisbon 1813 - few artists have reached so distinguished / a [...] profession as Bartolozzi and that in every species of engravings’, annotation: ‘Robert Samuel Marcuard an English engraver born in 1751 died in 1792, he was / a pupil of Bartolozzi was considered one of the best of that eminent / master - see Bryan [...] 38.’

Portret van Francesco Bartolozzi in een jas met een bontkraag met in zijn rechterhand een etsnaald. Met zijn linker elleboog leunt hij op een tafel met daarop een prent.
Hideyoshi en de maan te Shizugatake
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: blind stamped, woodcut, polish
Location: tokyo
Subjects: armour, horn, trumpet, cornet, trombone, tuba - cc - out of doors, water course
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Toyotomi Hideyoshi in harnas zittend onder pijnboom, blazend op grote schelp om aan zijn leger de aanval aan te kondigende; bij ochtendgloren met een achter de bergen verdwijnende maan, weerspiegeld in het water.
Cup and saucer
Object type: cup and saucer
Date: 1775 – 1775
Materials: hard paste porcelain
Artist: zurich pottery and porcelain factory
Artist role: factory
Artist nationality: swiss
Artist dates: 1763 – 9999
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Gezicht op een tekenende Rembrandt over Amsterdam uitkijkend
Object type: drawing
Date: 1852 – 1852
Materials: ink, paper, pencil
Techniques: brush
Location: amsterdam
Subjects: tower, clock tower ~ monumental adornment, city-view in general; 'veduta', river, draughtsman at work, windmill in landscape, amsterdam
Inscriptions: collector's mark: Lugt 800a, inscription: ‘Naar de ets (...) op Amsterdam teekenende.’, inscription: ‘van achteren’, inscription: ‘De versiering van (...) Koster te Amsterdam.’, signature and date: ‘E Koster ft 1852’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 2.
Triumph of Neptune
Object type: tondo
Date: 1515 – 1525
Materials: bronze
Artist: alvise of padua
Artist role: artist
Artist dates: 1426 – 1526
Subjects: male nudes,female nudes,neptune,horses
Panel (Bedcover?)
Object type: textile
Date: 1701 – 1800
Materials: linen, panel, silk
Techniques: embroidery, weave, stitching
Location: náxos
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1925
Materials: ink, paper
Techniques: pen, writing
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: painter, print maker, draughtsman, jan veth, frederik van eeden, richard nicolaüs roland holst, drawing, exhibition ~ art
Inscriptions: collector's mark: ‘RPK’

Brief gedateerd 1 Sept 92 in latere hand.
Page from the Perfection of Wisdom Sutra (Astasahasrika Prajnaparamitasutra)
Object type: religious ritual object
Date: 1001 – 1200
Materials: ink, paper
Location: western tibet
Portret van een onbekende jongen, staande naast een tafel
Object type: photograph
Date: 1900 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: boy (child between toddler and youth), table, anonymous historical person portrayed
A Book of Ornaments
Object type: ornament print
Date: 1704 – 1704
Materials: paper
Techniques: engraving
Artist: simon gribelin
Artist role: print maker
Artist dates: 1661 – 1733
Subjects: ornaments ~ art, 'tropaion', i.e. decorative ornament ~ weapons, cupids: 'amores', 'amoretti', 'putti', ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De eerste versie van deze prentserie is uitgegeven in 1682 met de titel 'A Book of Severall Ornaments'.
Zittende baby
Object type: photograph
Date: 1870 – 1920
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: netherlands

Foto op bruin albumblad 43 van familiealbum van Alphons Diepenbrock.
Element of an Icon Frame
Object type: enamel fragment
Date: 1001 – 1100
Materials: copper, enamel, gold
Techniques: enamel
Culture: byzantine
Mosaic block inlay
Object type: mosaic block inlay
Date: 34 – 100
Materials: glass
Culture: roman
Lavatory or portable cistern
Object type: lavatory or portable cistern
Date: 1601 – 1700
Materials: pewter
Subjects: eagles,coat of arms
Medallion
Object type: medallion
Date: 1501 – 1550
Materials: wood
Subjects: portraits,women
Card Number 20, Behr, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
243 Meteora Monastery of H Barlaam
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: photograph
Location: unknown
Artist: Anonymous
Subjects: thessalië
Inscriptions: number: ‘47.’

Boven de titel staat het nummer 243 geschreven met zwarte inkt.
Statuette of Guanyin
Object type: figure
Date: 1901 – 2000
Materials: wood
Culture: chinese
Subjects: bodhisattvas
Landschap met houten brug en rotsblok
Object type: print
Date: 1722 – 1774
Materials: paper
Techniques: etching
Subjects: landscape with bridge, viaduct or aqueduct, boulder, stone
Inscriptions: collector's mark: Lugt 240
Onder zwart régime : 12 karikatuur-teekeningen
Object type: cartoon
Date: 1905 – 1905
Materials: paper
Techniques: autotype
Location: amsterdam
Subjects: the hague, abraham kuyper, spreading the gospel; missionary work, political caricatures and satires

Abraham Kuyper laat als pastoor bijbels uitdelen onder de lijken van de inwoners van Atjeh. Met vierregelig onderschrift. Onderdeel van de prentserie 'Onder Zwart Regime'.
Sanitary Commission Office. Convalescent Camp, Alexandria, Virginia
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: buildings,american civil war,men,women
Portret van Jakob Schellenberg
Object type: print
Date: 1808 – 1828
Materials: paper
Techniques: engraving
Subjects: historical persons, head-gear: hat
De Gracieuse, Geïllustreerde Aglaja, september 1898, No. 3566
Object type: fashion print
Date: 1898 – 1898
Materials: paper
Techniques: engraving, hand coloring
Artist: Anonymous
Subjects: corsage (+ women's clothes), dress, gown: evening dress (+ women's clothes), walking-stick, staff, cane (+ women's clothes), bag (handbag) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)
Inscriptions: title: ‘"De Gracieuse" / Geïllustreerde Aglaja.’

Drie modellen van japonnen, waaronder één avondjapon. Prent uit het modetijdschrift De Gracieuse (1865-1936).
Zelfportret
Object type: drawing
Date: 1825 – 1895
Materials: paper, pencil
Artist: abraham van pelt
Artist role: draughtsman, print maker
Artist dates: 1815 – 1895
Subjects: nijmegen, print maker, draughtsman, abraham van pelt, historical persons, portrait, self-portrait of artist
The proud Matilda
Object type: print
Date: 1893 – 1894
Materials: paper
Techniques: colour, letterpress printing, lithograph
Location: kansas city
Artist: Anonymous
Subjects: arrogance; 'arroganza' (ripa), contempt, girl (child between toddler and youth)

Blad met zestien voorstellingen met het verhaal van hooghartige Matilda die zich niet met het gewone volk in wil laten. Onder elke voorstelling een onderschrift in het Engels. Deze prent maakt deel uit van een album.
Brug over de Reuss in Luzern, Zwitserland
Object type: carte de visite
Date: 1870 – 1883
Materials: cardboard, paper
Techniques: albumen print
Location: lucerne
Subjects: bridge in city across river, canal, etc.
Inscriptions: number: ‘No 414.’, inscription: ‘No....../ MAISON DES TROIS ROIS’
Zoomorphic pin
Object type: pin
Date: 1000 – 1
Materials: bronze
Culture: iranian
Location: iran
Coin Portraying Emperor Maximinus
Object type: coin
Date: 305 – 309
Materials: bronze, copper alloy, metal
Culture: roman
Location: mediterranean
Inscriptions: Obverse: CAL VAL MAXIMINVS NOB CAES
Reverse: GENIO AVGG ET CAEARVM NN
(In exergue: K Γ)

The front (obverse) of this coin portrays the head of Emperor Maximinus, facing right. The back (reverse) depicts Genius, standing to the left, wearing a modius (hat), holding a patera (dish), from which liquid flows. In the other hand is a cornucopiae.
Edging
Object type: edging
Date: 1600 – 1600
Materials: linen
Techniques: lace

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Taler, noodmunt voor het leger van Johan II Sigismund Zápolya, troonpretedent van Hongarije en prins van Transsylvanië, in oorlog tegen keizer Maximiliaan II.
Object type: coin
Date: 1565 – 1565
Materials: silver
Techniques: striking
Location: hungary
Artist: Anonymous
Subjects: vienna, maximiliaan ii (keizer van heilige roomse rijk)

eenzijdige noodmunt. Voorzijde: twee stempels: bovenste stempel: letters IO, SE, REX en VN in wimpel; onderste stempel: in cartouche: staand dier ten halven lijve tussen maan en ster en jaartal. Keerzijde: blanco
Fragments of Tea Bowls, fused to their saggar
Object type: vessel
Materials: clay, fur, glaze, stoneware
Culture: jian ware kiln site
Location: china
Gezicht op huizen te Henbury
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: henbury
Artist: francis bedford
Artist role: print maker
Artist dates: 1815 – 1894
Subjects: cottage
Inscriptions: inscription: ‘Clifton Illustrated. by Francis Bedford.’, number: ‘1312.’
John Irwin, 3rd Base, Washington Nationals, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Tray (probably for a teapot)
Object type: teapot tray
Date: 1785 – 1800
Materials: hard paste porcelain
Artist: nyon
Artist role: factory
Subjects: butterflies,flowers
Man pakt de hand van een vrouw met haar hand voor haar hoofd
Object type: print
Date: 1800 – 1880
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: hand(s) bent towards the head, veil
Inscriptions: collector's mark: Lugt 2228

Een latere staat is waarschijnlijk gebruikt als boekillustratie.
Kussens met kroon, scepter, grondwet en rijksappel
Object type: drawing
Materials: chalk, paper
Artist: nicolaas van der waay
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1936
Subjects: crown (symbol of sovereignty), orb (symbol of sovereignty; sphere with cross on top), sceptre, staff (symbol of sovereignty)
Inscriptions: number: ‘971’, collector's mark: Lugt 2760, annotation: ‘[...]J 159/30’, collector's mark: Lugt 2228, :

Studie voor het schilderij dat Nicolaas van der Waay maakte van de inhuldiging van Wilhelmina als koningin der Nederlanden in 1898. Op het schilderij liggen de voorwerpen in exact dezelfde volgorde op een tafel.
Opern Ring No. 8, Zinshaus des Herrn A. Zinner
Object type: photograph
Date: 1860 – 1869
Techniques: albumen print
Location: austria
Artist: Anonymous
Artist nationality: austrian
Artist dates: 1800 – 1899
Le Moniteur de la Mode, juni 1851, No. 297 : Modes de la M"on Plé Horain (...)
Object type: fashion print
Date: 1851 – 1851
Materials: paper
Techniques: hand coloring, engraving
Location: london
Subjects: clothes, costume (+ girls' clothes), parasol, sunshade (+ girls' clothes), head-gear (+ boys' clothes), clothes, costume (+ boys' clothes), coat (+ women's clothes), head-gear (+ women's clothes), fashion plates, skirt (+ women's clothes), gloves, mittens, etc. (+ women's clothes), (playing with) boats
Inscriptions: address: ‘Bureaux du Journal 9 Rue Richelieu. / Paris. / New-York. E.B. Strange et Brother. F. Bellizard et C.ie à S.t Pétersbourg. Torino M.L. Decarli piazza Vittorio Emanuele 11. London at the Moniteur Office. F. Dumus 15 Greek Street Soho.’, title: ‘Le Moniteur de la Mode. / Journal du Grand Monde..’, caption: ‘Modes de la M"on Plé Horain r. Basse du Rempart 2.Toilette de dame de la M"on Gagelin, r. Richelieu, 93. Costumes d'Enfants du Zéphir. Bt des Italiens, 7. Chapeau de petit Garçon de Desprey à l'Amazone. Boult des Italiens 38. parfums de Guerlain 15 r. de la Paix et à Londres, 23, Old-Brund-Street. Maison de Commission pour la France & l'Etranger, N. orda & Cïe 9, r Louis le Grand.’

Een vrouw en twee kinderen, van wie één met speelgoedboot in de hand, bij de waterkant. Op de achtergrond een landgoed. Volgens het onderschrift: 'modes' van Plé Horain. 'Toilette' van de vrouw van Maison Gagelin. Kinderkleding van Zéphir. Hieronder enkele regels reclametekst voor verschillende producten. Prent uit het modetijdschrift Le Moniteur de la mode (1843-1913).