deem-data/ArtiFact huggingface dataset:
Zeeslag bij Doggersbank, 1781
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: engraving, etching
Location: england
Subjects: the hague, johan arnold zoutman, hyde parker, battle (+ naval force)
Inscriptions: collector's mark: Lugt 2228

De Nederlandse en Engelse schepen tijdens de zeeslag bij Doggersbank op 5 augustus 1781 tussen de Nederlandse vloot onder schout-bij-nacht Johan Zoutman en de Engelse vloot onder vice-admiraal Hyde Parker. In het onderschrift de opdracht aan Parker en een overzicht van de fregatten van beide landen.
Twee tekstbladen met een Nederlandse en een Latijnse beschrijving van Amsterdam
Object type: text sheet
Date: 1647 – 1647
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: book, amsterdam
Inscriptions: collector's mark: ‘1’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Titels en voorberichten.
A Marine
Object type: painting
Date: 1874 – 1875
Materials: canvas, oil
Location: united states
Artist: george inness
Artist nationality: american
Artist dates: 1825 – 1894
Subjects: landscapes
Inscriptions: Signed, lower left: "G. Inness"

George Inness’s rough, energetic brushstrokes evoke the raw beauty and potentially destructive power of the ocean in this dramatic seascape. He created it during a trip to Europe in the early 1870s. It was previously thought to depict Étretat, in Normandy, France, but scholars now believe that the image is of Porto d’Anzio, Italy. The sky is illuminated by patches of orange and white light, outlining the ships and distant town on the horizon. Careful study of the surface of the central rock in the foreground illustrates the artist’s impressive manipulation of paint: by employing shifts in texture and shading, he was able to emphasize distinctions between sun and shadow, wet and dry, and clean and algae-covered. Inness traveled to Europe to study landscape painting with the masters of the Barbizon School, who were known for a personal style that contrasted with the grandiose Hudson River School in America. The influence of this intimate approach is apparent in the painting of the rocks and spraying seawater.
The Entwined Camphor Trees at Azuma Shrine (Azuma no mori Renri no azusa), No.31 from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1856 – 1856
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Healy, Pitcher, Denver, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Hollandse zeilschepen versierd met vlaggetjes liggen in het water.
Object type: photograph
Date: 1903 – 1903
Materials: cardboard, paper
Techniques: gelatin silver print
Location: germany
Artist: frits freerks fontein fz.
Artist role: fotograaf
Artist dates: 1882 – 1928
Inscriptions: caption: ‘Sneeker Hardzeildag 1908’
A Stump Orator
Object type: drawing and watercolor
Date: 1899 – 1899
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: philipp william may
Artist nationality: english
Artist dates: 1864 – 1903
Terracotta globular jug
Object type: jug
Date: 1300 – 1200
Materials: terracotta
Culture: minoan

One-handled, on shoulder delicate curvilinear design, dark-on-light ware.
Tea Bowl with Splashed Decoration
Object type: tea bowl
Date: 1101 – 1300
Materials: glaze, stoneware
Culture: chinese

The tea bowl, which is conical in shape, has rounded, slightly flaring sides. It is covered with a dark brown glaze and further decorated with a loose abstract design of splashes and swirled ivory semi-translucent slip. The small foot ring is wedge-shaped and is unglazed as is the countersunk base. There are no inscriptions or marks on the bowl.
Wooded Landscape with Figures and Animals
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: france
Artist: Anonymous
Slee van faience
Object type: container
Date: 1750 – 1775
Materials: faience
Location: delft
Artist: Anonymous

Slee van faience. Blauw beschilderd. Vier gaten in de bodem.
Haarlemmer poort
Object type: book illustration
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: rowing-boat, canoe, etc., bridge in city across river, canal, etc., city-gate

Prent uit: Hoorn, Nicolaas ten. Wegwyzer door Amsterdam, Zynde eene beknopte verhandeling van desselfs eerste opkomst, vergrootingen, en teegenwoordigen staat (…). Tweede druk. Amsterdam: Nicolaas ten Hoorn, 1726, p. 288-289. En in de latere edities (Amsterdam: erven J. Ratelband & Co, 1737, en Amsterdam: Pieter Meyer, 1751). In de eerste editie heeft deze prent een andere plek in het boek, en een ander nummer.
Chineesche Kerk.
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: carrying something with carrying-pole, church (exterior), street (+ city(-scape) with figures, staffage), surabaya

Onderdeel van Herinneringsalbum met foto's van Soerabaja.
Portret van Karl Theodor Albert Liebner
Object type: print
Date: 1830 – 1863
Materials: paper
Techniques: lithograph
Location: berlin
Artist: friedrich eduard ritmüller
Artist role: printer
Artist dates: 1805 – 1869
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 2141c
Soldaat naast een houwitser
Object type: stereograph
Date: 1914 – 1918
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: private soldier, firearms: cannon
Inscriptions: number: ‘3498’
Portret van een onbekende vrouw
Object type: photograph
Date: 1879 – 1883
Materials: cardboard, paper
Techniques: albumen print
Location: the hague
Artist: adolphe zimmermans
Artist role: fotograaf
Artist dates: 1858 – 1922
Subjects: adult woman, anonymous historical person portrayed, the hague
Inscriptions: inscription: ‘Adolphe/ Riemerstraat No.48 La Haye’, inscription: ‘Adolphe Zimmermans/ Photographe/ Riemerstraat No.48/ La Haye’
Slede met twee kinderen getrokken door een man met hond
Object type: drawing
Date: 1860 – 1921
Materials: paper, watercolor
Techniques: brush
Artist: adolf le comte
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1921
Subjects: sliding (playing with snow and ice)
Oude stadsmuur en tempels te Paestum
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: rome
Subjects: ruin of a building ~ architecture, landscape with ruins, city-walls, temple, shrine ~ roman religion
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van 20 prenten (+ titelprent) met gezichten op tempels te Paestum. De gebouwen en de vegetatie op de prenten zijn uitgevoerd door Giovanni Battista Piranesi. De figuren zijn mogelijk uitgevoerd door zijn zoon Francesco.
Schotel, veelkleurig beschilderd met vogels en bloemtakken
Object type: eating drinking utensil
Date: 1770 – 1770
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: mold mark: ‘19’, mark, factory mark

Ronde schotel van beschilderd porselein. De schotel is beschilderd met vogels op een grond en bloemtakken. Langs de binnenrand loopt een ornamentrand in goud. De schotel is gemerkt.
Plate 5: figures unloading goods from a boat at the right
Object type: print
Date: 1660 – 1690
Techniques: etching
Artist: pietro santi bartoli
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1700
Subjects: men,women,working,boats
Vase
Object type: vase
Date: 1651 – 1700
Materials: stonepaste
Techniques: glazing, painting
Location: iran
Futami Bay in Ise Province (Ise Futamigaura), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)"
Object type: print
Date: 1858 – 1858
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Shipwreck off a Rocky Coast
Object type: painting
Date: 1614 – 1614
Materials: oil, panel
Artist: adam willaerts
Artist role: painter
Artist dates: 1577 – 1664
Subjects: shipwreck, storm at sea, coastal cliff or crag
Inscriptions: signature and date, bottom centre on the side of the lifeboat: ‘AD Wilarts fe 1614’

Those who went to sea played roulette with their lives. The wooden ships were small and fragile, and the very real dangers were exaggerated with horror stories of hideous creatures living in the unfathomable depths. Willaerts created an image of every seaman’s worst nightmare. One ship has been dashed on the rocks, and the other two are heeling over. The survivors at centre are threatened by a monstrous fish.
Bowl with flowers
Object type: bowl
Date: 1701 – 1733
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: flowers

This thin, almost translucent bowl represents the height of porcelain manufacture under the Yongzheng emperor. Possibly reflecting the use of paper sketches as models for enamel decoration, the floral design blooms on the exterior surface before wrapping over the rim into the inside of the vessel. The enameler embraced the use of blank space to draw attention to the naturalistic qualities of the painted flowers.
Victoria and Albert Arriving in France for a State Visit (recto); Welcome Arch (verso)
Object type: drawing
Date: 1855 – 1858
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Tweede dag van schepping: God scheidt de watermassa's in hemel en zee
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: creation of the firmament and division of the waters above and below it
Inscriptions: collector's mark: Lugt 2228

Tweede dag van schepping: God scheidt de watermassa's in hemel en zee. In medaillon met als opschrift een bijbeltekst in Latijn uit Genesis 1 binnen vierkante omlijsting.
Jacht op springbokken
Object type: drawing
Date: 1710 – 1776
Materials: paper, watercolor
Techniques: brush, pen
Location: south africa
Artist: johannes schumacher
Artist role: draughtsman
Subjects: cape of good hope, hoofed animals (with name), hunt ~ hoofed animals, covered wagon, hooded wagon, mountain-range, snow peaks
Inscriptions: label: ‘40’

Jacht op springbokken in de Camdeboo. In de verte de Sneeuberge. Rechts de ossenwagens. Tekening gemaakt tijdens de tweede reis van Hendrik Swellengrebel, naar het noordoosten van de Kaapkolonie, 10 september - 26 december 1776. Volgens het reisjournaal werd op 8 oktober 1776 door het reisgezelschap gejaagd op springbokken.
Nieuwe geinventeerde Sineesen met groote moeyte geteekent en in 't Ligt gegeven, door P. Schenk Jun (...), tweede deel
Object type: album leaf
Date: 1727 – 1775
Materials: paper
Techniques: etching
Location: amsterdam
Artist: pieter schenk (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1693 – 1775
Subjects: chinese (+ men), chinese (+ costume), landscapes in the temperate zone

Vier Chinese figuren in een landschap met water op de achtergrond. Links een kind. In het midden twee rijk uitgedoste Chinese mannen. Rechts een man die buigt. Prent maakt deel uit van een album.
Jachtdolk met mannenhoofd.
Object type: dagger
Date: 1499 – 1899
Materials: iron
Location: europe
Artist: Anonymous
Subjects: europe

IJzeren dolk, taps toelopend, kling met een dubbele bloedgeul. De kop van de greep heeft de vorm van een bebaard mannenhoofd, met een bevervel als hoofddeksel. De pareerstang is aan beide zijden neerwaarts gekruld met in het midden een rosette. De greep van de dolk is versierd met spiraalgewijze floramotieven.
vijf stuiver, noodmunt van Rijssel, door de bondgenoten ingenomen
Object type: siege coin
Date: 1708 – 1708
Materials: copper
Techniques: striking
Location: lille
Artist: Anonymous
Subjects: lille

Voorzijde: gekroond wapenschild op twee gekruiste maarschalkstaven. Keerzijde: opschrift
Boerderij aan een waterplas
Object type: print
Date: 1852 – 1906
Materials: paper, pencil
Techniques: etching, retroussage
Artist: emilie rolin-jacquemijns
Artist role: print maker
Artist dates: 1842 – 1906
Subjects: pond, pool, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Annunciatie
Object type: album leaf
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: augsburg
Subjects: holy ghost as a dove, the annunciation: mary kneeling - aa - mary to the left, the angel to the right
Inscriptions: collector's mark: Lugt 2228

Tekst in het Duits in de ondermarge. Linksonder genummerd: 1. Prent maakt deel uit van een album.
Berceuse
Object type: page
Date: 1872 – 1879
Materials: paper
Techniques: woodburytype
Artist: william-adolphe bouguereau
Artist role: draughtsman, painter
Artist dates: 1825 – 1905
Subjects: watching a sleeping child, singing lullabies
Inscriptions: inscription: ‘Musée pour tous 1877/ No 41’
Man op een stoel zittend
Object type: drawing
Date: 1646 – 1672
Materials: chalk, paper
Artist: adriaen van de velde
Artist role: draughtsman, painter, print maker
Artist dates: 1636 – 1672
Subjects: sitting figure, chair
The Departure of La Fleur, Sterne's "Sentimental Journey"
Object type: print
Date: 1809 – 1811
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,horses

La Fleur prepares to depart on horseback and puts his arms around two women standing by his horse.
Console table
Object type: console table
Date: 1701 – 1800
Materials: marble, wood
Techniques: carving, gilding
Namur
Object type: photograph
Date: 1884 – 1914
Materials: paper
Techniques: albumen print
Location: namur
Artist: gustave hermans
Artist role: publisher
Artist dates: 1856 – 1934
Subjects: city-view in general; 'veduta', river, fortified city
Inscriptions: number: ‘No 6208’
Hamlet — Laertes in Ophelia's Grave, title page and table of contents from Hamlet
Object type: print
Date: 1843 – 1843
Materials: paper
Location: france
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Plaque
Object type: plaque
Date: 1736 – 1795
Materials: jade
Culture: chinese
Subjects: human figures,flowers,trees
The Judgment of Solomon
Object type: cameo
Date: 1534 – 1566
Materials: stone
Subjects: men,women

This undulating curiosity is carved on the top, sides, and back. On the back, in appreciably low relief and a flowing, Italianate style, is the Resurrection of Christ, the basic features of which are found on a stone in the Bibliothèque Nationale de France, Paris. The front bears a Judgment of Solomon in much the same quirky style as the cramped enactments of Jacob’s Dream and Elijah in the Fiery Chariot along the sides. The Solomon scene also occurs on a cameo in the Kunsthistorisches Museum, Vienna. The carver of the Metropolitan cameo most likely used the gems in Paris and Vienna as sources, rather than the other way around. The chunky object is drilled through from top to bottom; it may have been suspended, but it is rather weighty to have been worn as a pendant.
Tea cloth holder
Object type: tea cloth holder
Date: 1680 – 1680
Materials: enamel, gold, porcelain
Culture: japanese
Subjects: dragons
Colossal Statue of  Amenhotep III, reworked, reinscribed by Merneptah
Object type: statue, seated king, amenhotep iii, merneptah
Date: 1390 – 1352
Location: egypt
Subjects: kings,hieroglyphs
Goldweight with a Geometric Design
Object type: decorative art
Date: 1701 – 1900
Materials: copper alloy, metal
Culture: asante or akan
Location: ghana
Subjects: geometric motif

This rectangular gold weight’s surface composition consists of two “comb” motifs facing opposite directions. These motifs are separated by a generous gap with deeply incised lines running through the middle of the weight. The use of the “comb” design suggests that this piece was made sometime between 1700 and 1900. Brass-cast gold weights were used to measure gold dust, the local currency in the Akan-speaking regions of southern Ghana and the Ivory Coast between the 15th and 20th centuries. The gold weights—made of a copper alloy—enabled merchants to carry out trade within towns of the West African Sahel, North Africa, and later with the Portuguese and the Dutch. Gold weights ceased being used at the beginning of the 20th century, when gold was replaced by bank notes and coinage. However, they continued to be made for sale to tourists.
Verschijning van Margarete aan Faust
Object type: print
Date: 1831 – 1904
Materials: paper
Techniques: drypoint, etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: (scenes from) specific works of literature: goethe, faust
Inscriptions: collector's mark: Lugt 2228
Annie St. Tel, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Fragment van een studie van mannelijk naakt
Object type: drawing
Date: 1682 – 1711
Materials: chalk, paper
Artist: quellinus schobbens
Artist role: draughtsman
Subjects: legs

Fragment van een studie van een staand mannelijk naakt waarvan alleen een deel van de benen te zien zijn.
The Happy Effects of that Grand System of Shutting Ports Against the English!!
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: isaac cruikshank
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1764 – 1811
Leden van het Institut Royal de France
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, historical persons
Inscriptions: collector's mark: Lugt 2228a
Heiland aan het kruis.
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: crucified christ with mary, john, and mary magdalene
Inscriptions: collector's mark: Lugt 2228

Christus aan het kruis, met Maria, Johannes, Maria Magdalena en soldaten.
Mask for a crocodile mummy
Object type: crocodile head, mummy mask
Date: 664 – 630
Materials: gold leaf, wood
Location: egypt
Subjects: masks,crocodiles
John D. Long, Secretary, U.S. Navy, from the "Generals" series (T63), issued by LeRoy Little Cigars
Object type: print
Date: 1898 – 1901
Techniques: color lithograph
Artist: leroy little cigars
Artist role: publisher
Artist nationality: american
Artist dates: 1850 – 1950

Tobacco insert card from the "Generals" series (T63), issued by LeRoy Little Cigars.
Dress
Object type: dress
Date: 1885 – 1885
Materials: cotton, silk
Culture: american
Frock coat
Object type: frock coat
Date: 1840 – 1840
Materials: wool
Culture: american

In the nineteenth century, the frock coat became a symbol of British masculinity and even empire. While simpler and less structured than the eighteenth century dress coat, the frock developed into a full-skirted coat mirroring the ideal female silhouette. Although the frock coat's popularity waned after World War I, it was later appropriated by subcultural groups like goths and new romantics as part of a historicist wardrobe.
Medal:  Alfonso de Brandeligi Trotti
Object type: medal
Date: 1520 – 1520
Materials: bronze, copper alloy, lacquer, patina, wax
Culture: italian
Subjects: men,portraits

On the obverse is a portrait of Alfonso de Brandeligi Trotti; the reverse is blank. Trotti was a composer from a distinguished Ferrarese family. In 1514 he sent a motet (“In Te Speravi”) to Pope Leo X. Trotti’s epitaph is in San Bernardino Church in Ferrara. This old aftercast is possibly from the seventeenth century.
Port glass
Object type: port glass
Date: 1866 – 1867
Materials: glass
Artist: antonio salviati
Artist role: artist
Artist nationality: italian
Artist dates: 1816 – 1890
Merrymaking at Goten Hill (Gotenyama yukyo), from the series "Famous Places in Edo (Koto meisho)"
Object type: print
Date: 1832 – 1834
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Dijkdoorbraak bij Millingen, 1799
Object type: print
Date: 1799 – 1800
Materials: paper
Techniques: engraving, etching
Location: millingen
Subjects: dike-break, storm on land
Inscriptions: collector's mark: Lugt 2228

Doorbraak van Rijndijk bij Millingen, 7 februari 1799. Onderdeel van een groep van zes platen van dijkdoorbraken en watersnood in het zuidelijk deel van Gelderland in februari 1799.
A gale in the forest, two horsemen wrapped in their cloaks, with the wind blowing from the left side, plate 3 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,horses,forests,wind

For comments on the series, see 17.50.17-234.
Straat en ronde waterput met metalen overkapping
Object type: album leaf
Date: 1574 – 1574
Materials: paper
Techniques: etching
Location: antwerp
Subjects: well
Inscriptions: inscription: ‘2’

Een straat met een ronde put. Op de rand van de put staan twee balusters waartussen een metalen constructie bevestigd is. Hieraan hangt de aker over een katrol. De prent maakt deel uit van een album.
Erminia Discovers the Wounded Tancred (from Tasso, Gerusalemme Liberata)
Object type: print
Date: 1790 – 1790
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Muziek
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: 'musica', symbolic representations, allegories and emblems ~ music; 'musica'(ripa), lute, and special forms of lute, e.g.: theorbo
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie van zeven prenten met personificaties van de vrije kunsten.
Florida Jay
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: aquatint, engraving, hand coloring
Location: england
Artist: robert havell
Artist role: artist and publisher
Artist nationality: american, born england
Artist dates: 1793 – 1878
Portret van Gerda en Sjoerd Spruijt Landskroon
Object type: carte de visite
Date: 1882 – 1882
Materials: cardboard, paper
Techniques: albumen print
Location: utrecht
Artist: george lodewijk mulder
Artist role: fotograaf
Artist dates: 1841 – 1920
Subjects: historical persons
Inscriptions: inscription: ‘Gerda Bertha/ Spruyt Landskroon/ 4 jaar oud./ Sjoerd Hendrik/ Spruyt Landskroon/ 2 jaar oud’, address: ‘van Wijckskade H.326./ UTRECHT.’
Wedjat-Eye Design Amulet Inscribed With the Cartouche Maatkare (Hatshepsut)
Object type: amulet, wedjat eye, maatkare hatshepsut
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt

This wedjat eye amulet is inscribed on the base with a cartouche encircling Hatshepsut's throne name, Maatkare. This is surmounted by an Atef-crown and flanked by two ostrich feathers.
Portret van een onbekend meisje
Object type: photograph
Date: 1905 – 1930
Materials: photographic support
Techniques: gelatin silver print, snipping
Artist: Anonymous
Subjects: child (at home) - aa - girl
Inscriptions: number: ‘3610’