deem-data/ArtiFact huggingface dataset:
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 200
Materials: glass
Culture: roman

Translucent pale blue green. Rim folded out, over, and in, flattened on top; tall neck, slightly triangular in section; small, slightly bulbous and misshapen body; thick, flat bottom. Intact; pinprick and small elongated bubbles; dulling, faint iridescence, and patches of thin whitish weathering.
Bhadra, The Sixth Luohan
Object type: hanging scroll
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men,tigers

Luohans (arhats, in Sanskrit) or "worthy ones" are disciples of Shakyamuni Buddha to whom he entrusted the guardianship of the Buddhist law. In China these enlightened beings became the focus of popular veneration and were typically shown in groups of sixteen, eighteen, or five hundred. This painting of the sixth luohan, one of twelve that survive from a set of eighteen, is typical of the Chinese treatment of this subject. Inspired by the powerful portraits of individual luohans created by the monk-artist Guanxiu (832–912), the figure is dressed like a monk but given exotic facial features to emphasize his non-Chinese origins. Shown as dwelling in the wilderness, his appearance of spiritual authority is enhanced by his frequent companion, a tiger, which is also the Chinese cosmological symbol of the West.
Teacup
Object type: teacup
Date: 1876 – 1877
Materials: porcelain
Artist: worcester factory
Artist role: maker
Artist nationality: british
Artist dates: 1751 – 2008

After the end of the Flight, Barr & Barr ownership of the Worcester factory in 1840, the firm went through a succession of owners and mergers before falling under the ownership of Kerr & Binns in 1852. During the partnership, the factory sought to rebuild its former eighteenth-century reputation in porcelain and known for Renaissance-inspired designs. With the establishment of the Royal Worcester Porcelain Company in 1862, the company gradually gained recognition for its Japanese-inspired designs, which formed part of Japonisme, a collective fascination with Japan that took place in Europe and the United States following the opening of Japanese markets to the West by Commodore Perry in 1853.
Portret van Johannes Eusebius Voet van Campen
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: tone lithography
Location: leiden
Subjects: leiden, print maker, draughtsman, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Plate
Object type: plate
Date: 1700 – 1720
Materials: earthenware
Techniques: glazing
Artist: de metaale pot factory
Artist role: factory
Artist nationality: dutch
Artist dates: 1670 – 1775
Tydspiegel-phantasien No. 2
Object type: titelprent, frontispice
Date: 1858 – 1858
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: symbolic representations, allegories and emblems ~ the theatre, mirror, death as skeleton, harp, father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228

Links en rechts van een spiegel staan een man met een lange baard en een meisje. De man heeft vleugels, draagt een puntmuts met een zandloper en heeft een zeis in zijn armen. Het meisje heeft een ster op het voorhoofd en vleugels op haar rug. Zij wijzen naar een scène die zich afpeelt in de spiegel: een voorstelling die is opgenomen in deze uitgave getiteld 'Eigendom en genot'. Boven de spiegel de dood in de vorm van een gevleugeld skelet. Op de grond liggen een harp, bloemen en maskers.
Fotoreproductie van een schilderij, voorstellende (vermoedelijk) een breiende oude vrouw en een staande jonge vrouw in een interieur
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: (ball of) yarn, old woman, interior of the house, (other forms of) needlework, e.g.: crocheting, knitting, embroidering, europe
Maaier in weiland
Object type: drawing
Date: 1870 – 1923
Materials: chalk, paper, watercolor
Techniques: brush
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: head-gear: hat, reaping, picking, mowing ~ harvest
Inscriptions: number: ‘T104’
Luxor
Object type: photograph
Date: 1936 – 1936
Materials: paper, photographic support
Techniques: gelatin silver print
Location: egypt
Artist: Anonymous
Subjects: tourism
Inscriptions: inscription

Albumblad met drie foto's van standbeelden van Ramses II in de Luxortempel. Alle foto's met onderschriften. Onderdeel van een album over een vakantiereis over de Nijl in 1936.
Bamboo Poetry Sheet
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891

This print is an example of the many large-scale surimono that Shibata Zeshin created during the Meiji period (1868–1912). These differ from the smaller surimono in this exhibition in several ways. Smaller surimono usually displayed poetry made by a small group of poets that lived in the same location and belonged to the same group. They also carried a strong seasonal component and were typically created for a specific time of year, such as the New Year, or a significant date for the group, such as a retirement, birthday, or important visitor from afar.

The larger prints retained this seasonal component but took on stronger commemorative roles by including bigger groups of people, sometimes unrelated to the poetry club. In this print, the host is Tchikubai, possibly a poetry teacher with a sizable group of students.
Portret van de doopsgezinde predikant Cornelis Claesz. Anslo
Object type: print
Date: 1736 – 1743
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: predikant, koopman, cornelis claesz. anslo
Inscriptions: collector's mark: Lugt 2228

Portret van de doopsgezinde predikant Cornelis Claesz. Anslo. In het kader een vierregelig lofdicht in het Nederlands.
Blad met notities
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: paper, pencil
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Inscriptions: annotation: ‘Rue Moumhoré 108/ Raquit en Co./ 10.15 11.40/ half elf twaalf uur/ Gerrit Wilzman’

Pagina 90 uit een schetsboek met 45 bladen.
Pitcher
Object type: pitcher
Date: 1840 – 1850
Materials: glass, lead
Techniques: glassblowing
Culture: american
Location: united states
Slag bij Leuze, 1691
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), battle (+ land forces)

Het leger van koning Willem III in de slag bij Leuze tijdens de Negenjarige Oorlog, de stad wordt op 19 september veroverd. Plaat nr. III in de serie 'Engelands schouwtoneel' over oorlogen gevoerd door Willem III in de jaren 1691-1695 na de Glorious Revolution, (vierde deel). Met onderschriften in het Nederlands en Frans.
Man in Armor (Mars?)
Object type: painting
Date: 1625 – 1674
Materials: canvas, oil
Artist: rembrandt
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: armor,men,portraits
Laren (N.-H.). Villa A. Derkinderen
Object type: photomechanical print
Date: 1902 – 1905
Materials: cardboard
Techniques: photograph
Location: laren
Subjects: villa
150-Jarig bestaan van het Huiszitten-aalmoezeniershuis aan de Oude Zijde te Amsterdam
Object type: history medal
Date: 1805 – 1805
Materials: silver
Techniques: engraving, striking
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Zilveren penning. Voorzijde: opschrift binnen kabelrand. Keerzijde: opschrift binnen kabelrand.
French Girl Walking a Dog Accompanied by a Siamese Servant
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa (gountei) sadahide
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1873
Subjects: girls,men,dogs,servants
Kalenderblad voor februari, van een kalender van Kunstnijverheidsschool Quellinus
Object type: calendar leaf
Date: 1885 – 1925
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: Anonymous
Subjects: ornaments ~ art, calendar, almanac, fishes

Bij gebrek aan gegevens over de vervaardiger is voor de bepaling van de rechten van dit object gebruik gemaakt van de vervaardigingsdatum.
Bowl
Object type: bowl
Date: 767 – 833
Materials: earthenware
Techniques: glazing
Location: iran
Studie van een landschap
Object type: design
Date: 1524 – 1528
Materials: ink, paper
Techniques: brush, pen
Artist: parmigianino
Artist role: draughtsman, painter, print maker
Artist dates: 1503 – 1540
Fotoreproductie van een schilderij van vee dat door een rivier waadt door Adriaen van de Velde
Object type: reproduction
Date: 1864 – 1874
Materials: paper
Techniques: albumen print
Subjects: picture, painting, bovine cattle, wading, paddling

Foto op vierde ongenummerde pagina na pagina 18.
Het huis Lagenpoel te Rumpt
Object type: drawing
Date: 1701 – 1759
Materials: ink, paper, pencil
Techniques: pen
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: castle
Studies of the Christ Child
Object type: drawing
Date: 1513 – 1514
Materials: chalk
Artist: raphael (raffaello sanzio or santi)
Artist role: artist
Artist nationality: italian
Artist dates: 1483 – 1520
Subjects: children,christ

This animated sheet of studies done from a live model may be dated about 1513–14, to Raphael's mature years in Rome, when his artistic vocabulary focused on the sculptural monumentality of form and the dramatic effect of lighting as compositional devices. At this point in his dazzling career at the papal court, Raphael produced some of his most accomplished drawings in red and black chalks to fulfill his numerous commissions, many of them for paintings of the Madonna and Child. The medium of chalk, which enables a soft blending of the individual strokes by rubbing with the fingers or a cloth to achieve delicately uniform shadows, was uniquely suited to Raphael's explorations of tone. Here, the artist gives a breathtaking rendition of the infant's dimpled flesh. The Metropolitan Museum study was preparatory for a composition of the Holy Family with the Infant Saint John, known from two painted versions largely executed by Raphael's close assistants (Vienna, Kunsthistorisches Museum and Rome, Galleria Borghese). In this study, one of Raphael's main concerns was to explore the naturalistic movement of the Christ Child's pose. In the final paintings, Christ provides the compositional link among the holy figures, for he stands on his mother's lap and reaches to the boy Saint John the Baptist, who is meant to be kneeling on the left. (Carmen C. Bambach, 2006)
String of 9 Eyed Beads
Object type: necklace, bead
Date: 801 – 1500
Materials: glass
Location: egypt
Louis Quinze le Bien Aimé
Object type: print
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: louis xv of france, historical persons, equestrian statue
Inscriptions: collector's mark: Lugt 240
Gezin van Karel Frederik van den Berg op een schip en in Zuid-Afrika
Object type: album leaf
Date: 1910 – 1913
Materials: paper, cardboard
Techniques: gelatin silver print
Location: south africa
Artist: karel frederik van den berg
Artist dates: 1873 – 1948
Subjects: amsterdam, norbert van den berg (1901-1972), batavia, karel frederik van den berg, willem jacob van den berg, caroline frederique van den berg, arendina charlotte marie van den berg-geertsema, ships (in general), family life

Deze foto's zijn onderdeel van een album.
Tabula summi altaris ecclesiae parochialis in Calloo
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving
Location: antwerp
Artist: cornelis galle (ii)
Artist role: print maker
Artist dates: 1615 – 1678
Subjects: brussels, landvoogd der zuidelijke nederlanden ferdinand van oostenrijk, the apostle paul of tarsus; possible attributes: book, scroll, sword, antwerp

Ferdinand ontvangt het zwaard om de Staatsen bij Kallo te bestrijden, 1638. De kardinaal-infant ontvangt knielend het zwaard uit de handen van Paulus. In de hemel Maria met kind, Petrus en engelen. Op de achtergrond vluchtende soldaten van het Staatse leger onder graaf Willem van Nassau-Siegen na de mislukte aanval op de schans bij Kallo, 21 juni 1638. Naar het altaarstuk in de kerk te Kallo.
Medal
Object type: medal
Date: 1770 – 1800
Materials: silver
Location: france
Artist: pierre simon benj. duvivier
Artist role: maker
Artist nationality: french
Artist dates: 1730 – 1819
Subjects: george washington,portraits,profiles

Duvivier was a prolific medalist who had a lifelong royal court appointment to the French crown (he was a favorite of Louis XVI) and the Institut de France. He was commissioned by Colonel David Humphreys, John Adams, and Thomas Jefferson to create this medal. It was the first of the Comitia Americana series: a collection of medals that accompanied Congress’s resolutions of thanks for military accomplishments in the American Revolution. Created for George Washington to recognize his victory in compelling British troops out of Boston on March 17, 1776, the obverse of the medal shows a profile bust of Washington (allegedly based on Jean Antoine Houdon’s model), while the reverse depicts the general on a horse, pointing towards the British troops sailing out of the harbor. Like the other medals in the series, it was designed and struck at the Paris Mint; however, it took fourteen years to be cast and sent to Washington, on account of several failed committees and a rejected design.
Amulet of the God Tutu
Object type: costume and accessory
Materials: bronze
Culture: egyptian
Location: egypt
Subjects: gods (deities)
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 450 – 440
Materials: terracotta
Culture: greek, attic
Portret van Caspar de Carpentier
Object type: print
Date: 1665 – 1681
Materials: paper
Techniques: engraving
Subjects: caspar de carpentier, historical persons
Nabij Kalianget
Object type: photograph
Date: 1912 – 1912
Materials: cardboard, paper
Techniques: gelatin silver print
Location: madura
Artist: frits freerks fontein fz.
Artist role: fotograaf
Artist dates: 1882 – 1928
Inscriptions: caption: ‘Nabij Kalianget’
Vier foto's van de familie Bon
Object type: album leaf
Date: 1920 – 1940
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: amsterdam, family group, especially parents with their child(ren), child, historical persons, historical persons not known by name, netherlands
Inscriptions: inscription: ‘grootvader/ P.H. Bon/ in zijn/ leerapotheek’, inscription: ‘19 Januari 1936/ Hij doet net "klap/ maar in je handjes./ Voor Casper en Jet.’, number: ‘523’

Deze foto's maken deel uit van een album.
La Précaution maternelle
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: cliché verre, printing
Artist: jean françois millet
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1875
Subjects: mother and baby or young child, mother and child(ren), woman and child(ren) (family group)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Moeder staat in de deuropening met een jongetje dat moet plassen, een meisje kijkt toe.
Swedish Landscape with a Waterfall
Object type: painting
Date: 1650 – 1675
Materials: canvas, oil
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: waterfall, rocks
Inscriptions: signature: ‘A. V. Everdingen’

Zweeds landschap met waterval aan de rand van een bos. Langs enige huisjes stort een rivier tussen grote rotsblokken naar beneden. Enige figuren lopen over een houten bruggetje tussen de rotsen.
Covent Garden Theatre
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: performance,theatre,interiors,spectators

Interior of the theater with the stage at right, and half the orchestra and pit visible, as well as three tiers of boxes and the lowest gallery. A performance is in progress on the stage with a man in Roman costume and woman in modern dress, the latter singing to the consternation of the audience. George III and Queen Charlotte are seated in the royal box.
Titelpagina voor: Charles Dickens, De klok van meester Humphrey, 1840
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: clock
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Dickens, Charles. De klok van meester Humphrey. Amsterdam: Hendrik Frijlink, 1840.
Kalender voor 1907 met vogels
Object type: print
Date: 1906 – 1906
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: calendar, almanac, birds

Incomplete kalender voor 1907, met de maanden april, juni, juli, augustus en september. Op ieder van de bladen één of meerdere vogels, en onder de voorstelling een korte spreuk.
De lachende Ezopus, op het koolmaal, gehouden ter afscheyd van de Actieapen
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: monkeys, apes, animals acting as human beings

Links staat de lachende Aesopus, Bombario in harlekijnspak, bij een groep apen die kool eten (de slachtoffers van de windhandel). Rechts jagen wolven op schapen. In de wolken Mercurius, de Nederlandse Leeuw en Vader Tijd. In het onderschrift een vers in vier kolommen. Prent in de gebonden eerste uitgave (304 B 11) van Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Hemd met korte mouwen en kant langs hals, mouwen en zoom.
Object type: doll's clothing
Materials: textile, linen
Techniques: sewing
Location: netherlands
Artist: Anonymous

Hemd van batist, met korte mouwen; kant langs hals, mouwen en zoom.
Mt. St. Gothard, part II, plate 9 from "Liber Studiorum"
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: mountains,landscapes

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe alpine cliffs plunging down into a steep ravine with a river far below. In the foreground a laden mule stands at one end of a tunnel cut through the rock, with a tiny figure seen at the far end. The letters "MS" in the upper margin indicate Turner's category of Mountainous landscape.
Glass network mosaic fragment
Object type: fragment, network
Date: 34 – 33
Materials: glass
Culture: roman

Body fragment. Colorless, with opaque white. Slightly concave bottom and part of curving side. Eight narrow parallel canes decorated with two spirally twisted threads. Many pinprick bubbles; weathered edges; pitting of surface bubbles; creamy iridescent weathering on interior.
Armchair
Object type: armchair
Date: 1710 – 1710
Materials: wood
Techniques: veneering
Portret van een onbekende vrouw
Object type: photograph
Date: 1902 – 1908
Materials: cardboard, photographic support
Techniques: collodion silver print
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘ATELIER/ E. v.d. KERKHOFF/ Amsterdam./ Keizersgracht 455./ Hoek Leidschestraat./ Lift bij den Portier./ Vergrootingen naar dit en elk ander Portret/ worden prachtig uitgevoerd./ De Plaat blijft voor Nabestelling bewaard.’
Fragment (van de altaarkast?); (mogelijk) behorend tot het retabel van Soest
Object type: fragment
Date: 1475 – 1499
Materials: wood
Capital from a Reliquary Shrine
Object type: capital
Date: 1175 – 1200
Materials: copper alloy, gilt
Culture: german
Location: germany
Subjects: reliquaries
Nieuwjaarswens van de lantaarnopstekers van Amsterdam voor het jaar 1857
Object type: print
Date: 1856 – 1857
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: oil-lamp (+ kindling a light; lit, burning light, lamp, candle), street lighting, street, amsterdam
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens van de Amsterdamse lantaarnopstekers en vullers voor het jaar 1857. Gezicht in een straat in Amsterdam waar enkele mannen bezig zijn de straatlantaarns te vullen en aan te steken. Een andere man haalt geld op bij een huis. Met gedicht in twee kolommen. Van de lantaarnopsteker: J. Adams.
Commode
Object type: commode
Date: 1735 – 1735
Materials: gilt bronze, marble, wood
Studies van figuren op het strand van Scheveningen
Object type: drawing
Date: 1808 – 1888
Materials: paper, pencil
Artist: johannes abraham mondt
Artist role: draughtsman, print maker
Artist dates: 1859 – 1941
Subjects: in or beside the water (on the beach)
Inscriptions: date: ‘Aug. 88’
The great gun of Bijapur
Object type: photomechanical print
Date: 1883 – 1893
Materials: paper
Techniques: autotype
Location: bijapur
Artist: Anonymous
Subjects: firearms: cannon
Fragment
Object type: textile
Date: 1601 – 1700
Materials: linen, silk, wool, thread
Techniques: embroidery, embroidered, weave, stitching
Location: england
Ornament in the Form of a Tortoise
Object type: ornament
Date: 1800 – 1800
Materials: porcelain
Culture: japanese
Subjects: animals
Spotprent op de gevluchte Belgen tijdens de slag bij Leuven, 1831
Object type: cartoon
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: man dressed as woman, travesty, tools, aids, implements ~ crafts and industries: grindstone, shaving, being shaved, putting the enemy to flight, louvain
Inscriptions: collector's mark: Lugt 2228

Spotprent op het vluchten van de Belgen tijdens de slag bij Leuven op 12 augustus 1831. In een kapperswinkel van de barbier 'François Scie' worden de Belgische militairen geschoren van hun baarden en snorren. Rechts liggen drie Belgen met hun gezicht aan de slijpsteen, links een militaire als vrouw verkleed. Met drieregelig onderschrift.
Landschap met bomen op een heuvel aan het water
Object type: print
Date: 1860 – 1910
Materials: paper
Techniques: etching, intaglio
Artist: alfred elsen
Artist role: painter, print maker
Artist dates: 1850 – 1914
Subjects: low hill country, landscapes with waters, waterscapes, seascapes (in the temperate zone), farm or solitary house in landscape
Inscriptions: inscription: ‘1e Etat’, collector's mark: Lugt 2228
Two Actors Dressed in Ceremonial Costumes
Object type: print
Date: 1787 – 1787
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Subjects: swords,men,actors
Passie van Christus
Object type: album leaf
Date: 1576 – 1650
Materials: paper
Techniques: engraving
Subjects: caiaphas tearing his clothes ~ trial of christ
Inscriptions: inscription: ‘88’

Soldaten nemen de geboeide Christus mee aan de arm. Hij wordt berecht door Kajafas. De hogepriester scheurt zijn gewaad en beschuldigt Christus van godslastering. Ovaal binnen een rechthoekig kader, in elke hoek een bloem. De prent maakt deel uit van een album.
Luthersche Diaconie en Bestedelinghuis te Amsterdam
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: canals, waters (in city) (+ city(-scape) with figures, staffage), old-people's home, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, [1786-1792].

Deze publicatie is uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave. Alle prenten uit deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.