deem-data/ArtiFact huggingface dataset:
Feeding the Dog
Object type: drawing
Date: 1682 – 1754
Materials: chalk, paper
Techniques: highlighting
Artist: giovanni battista piazzetta
Artist role: artist
Artist nationality: italian
Artist dates: 1682 – 1754
Subjects: boys,girls,dogs
December (one of a series representing the labors of the months)
Object type: drawing
Materials: chalk
Artist: jonas umbach
Artist role: artist
Artist nationality: german
Artist dates: 1624 – 1693
Subjects: animals,houses,men,women
Vijfentwintigjarig bestaan van het muziekgezelschap "Overeenstemming uit Kunstgevoel" te Schiedam, ter ere van de directeur van het orkest, W. Hutschenruyter
Object type: honorary medal
Date: 1856 – 1856
Materials: bronze
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: wouter hutschenruyter, schiedam

Bronzen penning. Voorzijde: groep muziekinstrumenten, bestaande uit lier, gitaar, viool, waldhoorn, pauken, trompetten, muziekboek, beelden e.d. onder stralende ster binnen omschrift; afsnede: opschrift. Keerzijde: opschrift binnen tot krans samengebonden lauwer- en klimoptak.
Vase (one of a pair)
Object type: vase
Date: 1872 – 1880
Materials: earthenware
Artist: christopher dresser
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1834 – 1904
Subjects: birds

The shape of these vases copies that of a Japanese bronze, and the decoration is drawn from both Chinese and Japanese sources. The painted motifs on these vases are executed in a style intended to resemble cloisonné enamels in which the colored enamels are outlined in gold. These vases reflect one aspect of Dresser’s deep interest in Japanese art, which informed his work in regard to both shapes and decorative schemes.
Miscellaneous Paintings and Calligraphy
Object type: hanging scroll
Date: 1801 – 1806
Materials: ink, paper
Culture: japanese
Artist: utamaro ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1750 – 1850
Subjects: calligraphy

To commemorate their cultivated gatherings, artists and poets participated in collaborative works of improvised poems and paintings known as sekiga. Utamaro's painting at lower right illustrates maple leaves scattered over an icy pond.
Vase
Object type: vase
Date: 1899 – 1909
Materials: earthenware
Culture: american
Location: united states
Artist: grueby pottery
Artist role: manufacturer
Artist dates: 1899 – 1916
Portret van Diederich Hermann Biederstedt
Object type: print
Date: 1787 – 1833
Materials: paper
Techniques: etching
Subjects: theologian, historical persons
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, lower drapery and feet of a woman wearing a chiton and a himation
Door ornament
Object type: door ornament
Date: 1580 – 1640
Materials: iron
Subjects: profiles
Een reede in Indonesië met aangemeerde schepen.
Object type: photograph
Date: 1900 – 1915
Materials: paper, photographic support
Techniques: albumen print
Location: jakarta
Artist: johanna hermina marmelstein
Artist dates: 1897 – 1990
Het Laatste Avondmaal (linkerhelft)
Object type: print
Materials: paper
Techniques: etching
Artist: pieter claesz. soutman
Artist role: draughtsman, print maker, publisher
Artist dates: 1593 – 1657
Subjects: last supper (in general) (matthew 26:21-35; mark 14:18-31; luke 22:3, 22:15-23; john 13:21-38)
Instructie over het gebruik van de slangbrandspuiten, 1692
Object type: print
Date: 1692 – 1692
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: painter, print maker, draughtsman, jan van der heyden, fire-extinguishing equipment
Inscriptions: date

Blad met een instructie over het correcte gebruik en bewaring van de slangbrandspuiten, 1692. Links een voorstelling hoe de slangbrandspuit en pomp in het brandspuithuisje opgeborgen dienen te worden na gebruik, met de legenda A-Q. Rechts een tekstblad met de instructie voor gebruik in het geval van brand in 15 punten en een plaatje hoe een lekkage in een slang gerepareerd dient te worden. Behoort tot de bijprenten bij het Brandspuitenboek van Jan van der Heyden.
Gezigt op het standbeeld van Z.M. Willem II, op het Buitenhof
Object type: print
Date: 1853 – 1949
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: william ii of the netherlands, monument, statue

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Boven- en middendeel van lantaarn met wapens boven de ruiten
Object type: lantern
Date: 1700 – 1700
Materials: glass, iron, wood
Techniques: gilding
Location: venice

Zeszijdig middendeel, gevormd uit iets naar binnen gebogen stijlen, een koepelvormig dak bestaande uit verschillende geledingen. Boven de vensters zijn wapens aangebracht. De lamp wordt versierd met rozetten. Afkomstig uit de verzameling Dr. F. Mannheimer.
Amor verleidt Onschuld tot Plezier met Berouw als gevolg
Object type: print
Date: 1812 – 1812
Materials: paper
Techniques: etching, roulette
Subjects: pleasure, enjoyment, joy; 'allegrezza', 'allegrezza da le medaglie', 'allegrezza, letitia e giubilo', 'diletto', 'piacere', 'piacere honesto' (ripa), innocence; 'innocenza', 'innocenza o purità' (ripa), (story of) cupid, amor (eros), regret
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Huizen in Rijswijk
Object type: print
Date: 1888 – 1934
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: civic architecture; edifices; dwellings
Inscriptions: collector's mark: Lugt 2228
Half Model of a 28-Gun Sloop of War
Object type: builder's model
Date: 1824 – 1824
Materials: wood
Techniques: polychromy
Location: netherlands
Artist: Anonymous
Subjects: nehalennia (schip)
Inscriptions: inscription, top centre, on a blue roundel, painted: ‘DE / NEHALENNIA / 1824’, label, bottom right: ‘343’ former inventory label

Gepolychromeerd mallenmodel (stuurboord) van een driemaster, de huid boven het barkhout gesloten. Veertien geschutpoorten verdeeld over twee dekken, halfdek en bakdek door gillingen aangegeven. Gewrongen spiegel, hol wulf, hek gesloten maar niet uitgewerkt, geen zijgalerij: roer met vierkante roerkoning en roerblad afgerond op de waterlijn. Zeeg naar voor en achter oplopend, één barkhout en twee reehouten. Gepiekt rondspant. Schaal 1:40 (afgeleid).
Vlakdecoraties met wapentrofeeën
Object type: print
Date: 1516 – 1565
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament

Onderaan hangt een schild met rolwerk rondom een leeuw. Daarboven hangt een wapenrusting. Hoort bij 5 bladen uit een serie van 7.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: linen, silk
Techniques: embroidery
Culture: mexican
Location: mexico
Charles W. Bennett, Baseball Player, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes
Object type: baseball card
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,baseball,athletes

Baseball trade card from "World's Champions," Series 1 (N28), issued in 1887 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
"Rosa's Bower", No. 40 from the series "Mammoth Cave Views"
Object type: photograph
Date: 1866 – 1866
Techniques: albumen print
Location: new york city
Artist: chas. waldack
Artist nationality: american
Artist dates: 1860 – 1869

Text printed on reverse of stereocard:

"ROSA'S BOWER."
Is another section of the roof in Cleveland's Cabinet and consists of a beautiful collection of gypsum flowers resembling roses and dahlias.
Vrouw met twee slapende kinderen wachtend bij een open raam
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: etching, intaglio
Artist: willem linnig (i)
Artist role: print maker
Artist dates: 1819 – 1885
Subjects: mother and child(ren), woman and child(ren) (family group)
Inscriptions: annotation: ‘3me état / il existe 2 exemplaires de cet état’, collector's mark: Lugt 2228, collector's mark: Lugt 1485
Bedelaar op krukken
Object type: print
Date: 1634 – 1638
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: pieter jansz quast
Artist role: draughtsman, painter, print maker
Artist dates: 1605 – 1647
Subjects: crutches, person with a physical disability, beggar
Inscriptions: collector's mark: Lugt 2165

Een bedelaar hinkt, steunend op zijn krukken, naar links. Met zijn rechterhand houdt hij zijn hoed op. De prent maakt deel uit van een serie van zesentwintig prenten met bedelaars en boeren. Sommige figuren in deze serie zijn ook aangeduid als 'kreupele', wat in de 17de eeuw een generieke term was voor mensen met lichamelijke beperkingen.
Ontzet van Arras, belegerd door de Spanjaarden (bovenste rij, plaat 4), 1654
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: vienna, leopold willem van oostenrijk (landvoogd der zuidelijke nederlanden), raising the siege with outside assistance, relief
Inscriptions: date

Ontzet van de stad Arras (Atrecht), belegerd door de Spanjaarden, 23-25 augustus 1654. Arras ontzet door het Franse leger onder de maarschalk Turenne van het beleg door de Spanjaarden onder Louis de Condé en aartshertog Leopold Willem. Vierde blad in de bovenste rij. Boven een wapentrofee, onder een deel van het profiel van de stad en de kaart van het beleg. Onderdeel van een ongemonteerd geheel bestaande uit een titelblad en een grote voorstelling op vijftien platen (de halve plaat rechtsonder ontbreekt).
Pieces (9)
Object type: piece
Date: 1801 – 1900
Materials: silk
Subjects: flowers
Coin Depicting an Emperor
Object type: coin
Date: 301 – 400
Materials: bronze
Culture: roman
Location: roman empire
Inscriptions: Obverse: CONS
Reverse: GLORIA EXER[CITVS]

The front (obverse) of this coin portrays an unidentified emperor, facing right and wearing a radiate crown.

On the back (reverse), two soldiers support a type of military standard called a labarum.
Place de la Concorde, Parijs
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: place de la concorde
Inscriptions: signature: ‘X. Phot.’, number: ‘19.’, inscription: ‘79 PARIS - Place de la Concorde’

Gezicht op het plein met een grote fontein in het midden en passanten.
Gezicht op het Nieuwe Werkhuis te Amsterdam
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: prison, jail, canals, waters (in city), workhouse, penal camp, penitentiary, chain gang
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Amsteldam en zyne geschiedenissen, in 't kort. Amsterdam: Johannes Allart, 1789, dl. 3.
De vlucht naar Egypte
Object type: print
Date: 1480 – 1500
Materials: paper
Techniques: woodcut
Subjects: the flight into egypt: mary, joseph, the child (and sometimes others) on their way; mary usually riding on an ass

Eén blad van 113 uit Ludolphus de Saxonia, "Dit es dleué ons liefs heeren ihesu christi". Anonieme Nederlandse vertaling. Uitgegeven door Henrick Eckert van Homberch te Antwerpen in 1503. Botke, K. Deze 113 houtsneden, die meestal reeds in vroege Nederlandse boeken gebruikt zijn, worden toegeschreven aan de tweede Meester van Delft, de Meester van de Delbecq-Schreiber-passie en de Meester van de Virgo inter Virgines. In Conway (1884) en in "De gulden passer"(1951) zijn ook eerdere versies opgenomen. Botke, K.
Gone with the Wind (Autant en emporte le vent )
Object type: print
Date: 1815 – 1815
Techniques: etching, hand coloring, stippling
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: heads,men,horses,wind
Intaglio with Head of a Man
Object type: ceramic
Date: 1767 – 1800
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 –
Gezicht op Kasteel Limbricht
Object type: print
Date: 1820 – 1850
Materials: paper
Techniques: lithograph
Subjects: castle
Beweging in de Luthersche Oude Kerk te Amsteldam, by de Aerdbeving, op Biddag, den 18 Febr. 1756
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: protestant churches and denominations (lutherans), interior of church, earthquake
Inscriptions: collector's mark: ‘35F-108’ Lugt 1641b

Prent ook gebruikt in: Nederlandsche Jaerboeken, inhoudende een verhael van de merkwaerdigste geschiedenissen (…), 10de dl, 1756. Amsterdam: Frans Houttuyn, s.a. [1756-1757], tussen p. 202 en 203.
Marble statue of a youth
Object type: statue of a youth
Date: 1 – 100
Materials: marble
Culture: roman
Subjects: male nudes

Roman copy of Greek original. Adaptation of a Greek statue type of the late 5th century B.C. The pose of this statue probably derives from a Classical Greek bronze erected to commemorate the victory of a young athlete. With its sinuous grace, it became an appealing decorative work in this Roman adaptation in marble. All the statues on view in this central courtyard are Roman copies or variations on statue types created some four or five hundred years earlier, during the late Classical or Hellenistic period. While most of the original works were dedications set up in religious sanctuaries, the Roman versions were used primarily to decorate the rooms and gardens of private villas as well as the theaters and public baths that were important features of every Roman city.
Bayeux Cathedral, from the South West
Object type: photograph
Date: 1855 – 1865
Materials: photographic support
Techniques: albumen print
Location: bayeux
Artist: joseph cundall
Artist role: fotograaf, schrijver
Artist dates: 1818 – 1895
Subjects: church (exterior), façade (of house or building)
Theatrum biblicum (...)
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: solomon supervising the work ~ temple of solomon, building-site
Inscriptions: collector's mark: Lugt 2228

Deze staat wordt niet beschreven in The New Hollstein. De prent mist de 1 als aanduiding van het Bijbelvers, maar is wel genummerd en uitgegeven door Claes Jansz. Visscher (II).. Latere staat van prent gebruikt in: Theatrum biblicum : hoc est historiae sacrae veteris et novi testamenti tabulis aeneis expressae. Opus praesentatissimorum huius ac superioris seculi pictorum atque sculptorum, summo studio conquisitum et in lucem editum. Amsterdam: Claes Jansz. Visscher, 1643.
De eerste roeiwedstrijd van de Koninklijke Nederlandsche Yachtclub, gehouden op 10 juni 1846 op de Maas te Rotterdam
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: carel christiaan antony last
Artist role: print maker
Artist dates: 1808 – 1876
Subjects: rowing, canoeing, etc. (sport) (+ the contest (sports, games, etc.)), rotterdam
Inscriptions: collector's mark: Lugt 2228

De eerste roeiwedstrijd van de Koninklijke Nederlandsche Yachtclub, gehouden op 10 juni 1846 op de Maas te Rotterdam. Gezicht op de Maas met centraal de deelnemende roeiboten. Op de voorgrond vele kleine bootjes met toeschouwers op het water. Aan de overzijde de publieke tribune.
Jar
Object type: vessel
Date: 301 – 500
Materials: glass
Techniques: glassblowing
Culture: byzantine or roman
Location: syria
The Annunciation
Object type: painting
Date: 1495 – 1505
Materials: canvas, gold, oil, wood
Artist: budapest master
Artist role: artist
Artist nationality: spanish
Artist dates: 1500 – 1500
Subjects: virgin mary,archangel gabriel,annunciation
Omslag voor: Gezigten in de omstreeken van Leiden
Object type: wrapper
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: traffic on the water (+ propulsion of vehicle, ship, etc. by animals), tow-boat, towing-barge, river (+ landscape with figures, staffage), leiden
Inscriptions: collector's mark: Lugt 2228

Bovenin een rivierlandschap met een trekschuit. Omslag met acht prenten.
Kiezelmarmer in bruin en blauw op geel papier
Object type: marbled paper
Date: 1800 – 1969
Materials: paint, paper
Techniques: marbling
Artist: Anonymous
Book of the Dead for the Chantress of Amun Nauny
Object type: papyrus, funerary, book of the dead
Date: 1050 – 1050
Materials: paint, papyrus
Location: egypt
Subjects: hieroglyphs,anubis,horus,isis

This papyrus was part of the burial of Nauny, a Chantress of the god Amun-Re who died in her seventies. She also bore the title "king's daughter," which probably means that she was a child of the High Priest of Amun and titular king of the Theban area, Painedjem I. As was customary during the Third Intermediate Period, Nauny's funerary equipment included a hollow wooden Osiris figure, which contained this papyrus scroll inscribed with spells from a collection of texts called the "Book of Coming Forth by Day" – today usually known by its modern name, the Book of the Dead. When unrolled, this scroll is more than seventeen feet long. On the papyrus are images and texts from a number of spells. The central scene illustrates Spell 125, better known as the Judgment of Osiris or The Weighing of the Heart. Nauny is in the Hall of Judgment. Holding her mouth and eyes in her hand, she stands to the left of a large scale. Her heart is weighed against Maat, embodiment of cosmic order and ethical behavior, who is represented as a tiny figure wearing a large ostrich feather, the hieroglyph that spells her name. On the right Osiris, god of the underworld and rebirth, presides over the scene. He wears the white crown of Upper Egypt, and a curved beard that identifies him as divine. Only his hands, which clasp a crook, emerge from the mummy wrappings that envelop his body. On the offering table before him is a joint of beef. Jackal-headed Anubis, god of mummification and protector of the dead, kneels to read the scales, while a baboon – representing Thoth, the god of wisdom and writing – sits on the beam of the balance and records the result. Behind Nauny stands the goddess Isis, both wife and sister of Osiris. She is identified by the hieroglyph above her head. The scales balance, indicating that Nauny has led an ethical life and is therefore worthy of an eternal afterlife in the company of Osiris. Anubis says to Osiris, "Her heart is an accurate witness," and Osiris replies," Give her her eyes and her mouth, since her heart is an accurate witness." In the horizontal register above the judgment scene, Nauny appears in three episodes: worshipping the divine palette with which all is written, praising a statue of Horus in his falcon form, and standing by her own tomb.
Water Pipe Base
Object type: water pipe base
Date: 1701 – 1900
Materials: glass
Techniques: glassblowing, tooling
Location: iran
Antoine-Jean Gros
Object type: medallion
Date: 1832 – 1832
Materials: bronze
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Portret van Henri van Assche
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: brussels, print maker, henri van assche, historical persons, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie van zestig prenten.
Baifu
Object type: book
Date: 1880 – 1880
Materials: paper
Techniques: woodcut
Location: osaka
Inscriptions: date
Fragment
Object type: textile
Date: 1201 – 1300
Materials: silk
Techniques: weave
Location: italy
Portret van Leonhard Weiss
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving
Subjects: mayor, leonhard weiss (i), mayor, burgomaster, historical persons
Inscriptions: collector's mark: Lugt 2228
James McLaughlin, Champion Jockey of America, from the Champions of Games and Sports series (N184, Type 1) issued by W.S. Kimball & Co.
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w.s. kimball & co.
Artist role: publisher
Subjects: men,athletes,jockeys

Trade cards from the set "Champions of Games and Sports" (N184), issued in 1887 by W.S. Kimball & Company. There are two variations of cards in the series. Type 1 displays the W.S. Kimball brand on the card recto and verso. Type 2 only displays the Kimball brand on the card verso. This card is Type 1.
Der neue Pausias
Object type: print
Date: 1850 – 1859
Materials: paper
Techniques: tone lithography
Location: munich
Subjects: the judgement of solomon (1 kings 3:16-28), pausias and his mistress glycera, whom he depicted sitting on the ground and making garlands of flowers
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Piloty&Loehle, München’, : ‘Mit gesetzl Schutze gegen Nachbildung’

Prent afkomstig uit de serie 'Album Seiner Majestät des Königs Ludwig I. von Bayern', verschenen in verschillende afleveringen. De prenten gaan terug op het album dat Lodewijk I van Beieren op 9 oktober 1850 kreeg overhandigd van verschillende kunstenaars.
Straat Banjoewangi 1910
Object type: photograph
Date: 1910 – 1910
Materials: cardboard, paper
Techniques: gelatin silver print
Location: netherlands
Artist: frits freerks fontein fz.
Artist role: fotograaf
Artist dates: 1882 – 1928
Inscriptions: caption: ‘Straat Banjoewangi 1910’

De mannen dragen witte tropenuniformen waarvan een man met tropenhelm, twee andere mannen dragen een strooien hoed, de vrouwen dragen witte jurken of batik rokken met witte hes. Foto uit album 'Photographieën".
Spoon or ligula
Object type: spoon or ligula
Date: 670 – 330
Materials: bronze
Culture: roman
Amarna letter: Royal Letter from Abi-milku of Tyre to the king of Egypt
Object type: tablet, amarna letter
Date: 1353 – 1336
Materials: clay
Location: middle egypt
Beaker
Object type: beaker
Date: 1730 – 1730
Materials: glass
Subjects: men,harps
Zintuig Gezicht
Object type: print
Date: 1590 – 1620
Materials: paper
Techniques: engraving
Location: low countries
Subjects: looking in the mirror; (possibly: contemplation of own beauty - aa - (for) women), styles of hairdress - aa - ~ women, fashion, sight, looking (one of the five senses) - aa - female human figure

Zintuig Gezicht. Modieuze jonge vrouw met handspiegel en rijke kleding. Prent uit een serie met vijf zintuigen, waarin de vijf zintuigen zijn gepersonifieerd door vrouwen in modieuze kostuums en met kapsels uit verschillende landen en voorzien van attributen. Met onderschrift in het Latijn.
Portret van Edric L. Eaton
Object type: photograph
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Artist: edric l. eaton
Artist role: fotograaf
Artist dates: 1835 – 1890
Subjects: edric l. eaton, historical persons