deem-data/ArtiFact huggingface dataset:
Fotoreproductie van een schilderij, voorstellende een portret van James A. Anderson
Object type: photograph
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Inscriptions: number: ‘228’
Gezicht op Dalhausen vanaf de rivier
Object type: print
Date: 1799 – 1863
Materials: paper
Techniques: etching, engraving
Subjects: city-view, and landscape with man-made constructions, river, bridge
Inscriptions: collector's mark: Lugt 2228
The Dogs are Again Falling in Despair After Having Heard that There Will Be a New Dog Licence Tax After All, plate 171 from Actualités
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: dogs, animals
Portret van Ali Pasja
Object type: print
Date: 1822 – 1863
Materials: paper
Techniques: engraving
Artist: lazarus gottlieb sichling
Artist role: print maker
Artist dates: 1812 – 1863
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Sword Guard (<i>Tsuba</i>) Depicting Spider Web on Dead Tree (枯木に蜘蛛の巣図鐔)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, gold, iron
Culture: japanese
Location: japan
Subjects: trees
Ambachtschool Werk & Constructiewinkel
Object type: photograph
Date: 1893 – 1902
Materials: photographic support
Techniques: albumen print
Location: suriname
Artist: julius muller
Artist role: official, politician
Artist dates: 1846 – 1902
Subjects: avondschool voor handwerkslieden, paramaribo (stad)
Inscriptions: inscription: ‘Ambachtschool Werk & Constructiewinkel’

Zicht op de houtwerkplaats met leerlingen van de in 1893 opgerichte Ambachtschool Werk en Constructiewinkel in Paramaribo. De werkplaats hoorde bij de Avondschool voor Handwerkslieden die in 1888 was opgericht.
Opgezette aap in kleding zit op een klein hert als reclame voor kledingwinkel Roy d'Yvetot in Parijs
Object type: photograph
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: alphonse pestel
Artist role: fotograaf
Subjects: advertising, monkeys, apes, clothes manufacture, clothing industry
Inscriptions: inscription: ‘AU ROI D'YVETOT,/ 31 & 33/ Passage Jouffroy./ (...)/ MAISON VILLAIN/ V. GARRET Sr./ 31 et 33 Passage Jouffroy/ PARIS/ PORTAITS/ en tous genres/ PHOTOGRAPHIE/ DE LA/ PORTE St. DENIS/ PESTEL,/ Boult. Bonne Nouvelle, 3./ PARIS/ REPRODUCTIONS’, inscription: ‘PESTEL Phot. PARIS.’
Pilatus wast zijn handen in onschuld
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: etching
Subjects: pilate washing his hands (in innocence)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4404

Pilatus zit op zijn troon onder een baldakijn en wast zijn handen in een basin dat hem wordt voorgehouden. Christus wordt weggeleid.
Evening dress
Object type: evening dress
Date: 1897 – 1897
Materials: bone, glass, silk
Culture: french
Artist: house of worth
Artist role: design house
Artist nationality: french
Artist dates: 1858 – 1956
Portret van Jan IV, hertog van Brabant
Object type: book illustration
Date: 1660 – 1669
Materials: paper
Techniques: engraving
Location: paris
Subjects: brussels
Inscriptions: collector's mark: Lugt 2228

Portret van Jan IV, hertog van Brabant, met spreuk en wapenschild. Onder het portret een korte levensbeschrijving. Bovenaan genummerd 'XLII'.
Paard in een stal
Object type: print
Date: 1834 – 1882
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: adrien joseph verhoeven-ball
Artist role: draughtsman, print maker
Artist dates: 1824 – 1882
Subjects: horse, stall, stable
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228
Divers Ajustements et Usages de Russie
Object type: print
Date: 1744 – 1781
Materials: paper
Techniques: etching
Artist: jean baptist leprince
Artist role: draughtsman, print maker
Artist dates: 1734 – 1781
Subjects: head-gear, folk costume, regional costume, ear-rings
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘Douane Centrale. Exportation Paris’

Maakt deel uit van een tiendelige serie met Russische tradities en gebruiken.
Mantel clock
Object type: mantel clock
Date: 1745 – 1749
Materials: gilt bronze, hard paste porcelain, metal, soft paste porcelain
Techniques: enamel
Artist: julien le roy
Artist role: maker
Artist nationality: french
Artist dates: 1686 – 1759
Subjects: men,flowers

During the eighteenth century in Europe, enthusiasm for objects from Asia was far from new. Imported Chinese porcelain and Japanese lacquers had been highly prized throughout the seventeenth century, and a variety of Chinese-inspired ornamental motifs as well as direct copies began to appear on a range of European-made objects. This clock incorporates the figure of Pu-tai Hi-Shang, a Chinese apostle of the Buddha. Made at the porcelain manufactory established by the Prince of Condé at his château at Chantilly, it is a literal copy of a blanc de chine model imported to Europe in the first half of the eighteenth century. A number of the soft-paste porcelain flowers were also made at Chantilly (the hard-paste flowers are later replacements). The porcelain figure is placed on a gilt-bronze base of exuberantly rococo form which is stamped in numerous places with the crowned C, a tax mark in use between February 1745 and February 1749. Julien Le Roy whose signature appears in the clock’s dial, was the most highly esteemed clockmaker in France during the reign of Louis XV. He belonged to the fifth generation of a family of clockmakers Paris and with his brothers formed one of the most important clock and watch workshops at the time. In 1739, he was appointed horloger du roi an honor that granted him a workshop in the Louvre. The clock has kept its original rack-and-snail quarter striking movement but has lost its pendulum.
Portret van Lodewijk IX de Heilige
Object type: print
Date: 1815 – 1868
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, king
Inscriptions: collector's mark: Lugt 2228
Lotus
Object type: figurine
Date: 618 – 907
Materials: gilt bronze
Culture: chinese
Bentley
Object type: print
Date: 1833 – 1837
Materials: paper
Techniques: etching
Location: london
Subjects: scholar, philosopher, book
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Prent ook gebruikt in: [Malkin, Arthur Thomas]. The gallery of portraits: with memoirs. 7 Dln. Londen: Charles Knight, 1833-1837.
Pair of gold, garnet, and glass paste disk and pendant earrings
Object type: earring with disc, chain
Date: 200 – 101
Materials: gold
Culture: greek

The pendants, of gold and glass paste, are in the form of vases.
Minerva geeft les aan enkele putti
Object type: print
Date: 1670 – 1740
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: (story of) minerva (pallas, athena), cupids: 'amores', 'amoretti', 'putti'

Voorstelling in een ovaal. Minerva zit op een stoel. Op haar schoot een boek. Ze onderwijst enkele putti die rondom haar staan en zitten. Op de achtergrond Romeinse architectuur.
Fossa Sanctae Mariae, quae et Eugeniana dicitur vulgo De Nieuwe Grist / Fossa haec a Rheno ad Mosam duci coepta est Anno MDCXXVII. Auspiciis Serenissimae Principis Isabellae, Clarae, Eugeniae, Hispaniarum Infantis Belgicae Gubernatricis
Object type: print
Date: 1627 – 1627
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: infante van spanje isabella clara eugenia, construction of canal, maps of separate countries or regions, river personified, 'fiumi' (ripa) - hh - ideal landscapes, coat of arms (as symbol of the state, etc.) (+ province; provincial), guelders
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Kaart met het kanaal genaamd Fossa Eugeniana tussen Rijnberg aan de Rijn en Venlo aan de Maas. Boven, in het midden, de titelcartouche. Rechtsonder een cartouche met Latijnse tekst. Onder, in het midden, een kader met legenda 1-6. Linksonder een cartouche met vier schaalstokken, met personificaties van de Rijn en de Maas die elkaar de hand reiken. Linksboven het wapen van het hertogdom Gelre, rechtsboven het wapen van het hertogdom Kleef. Onder, rechts van het midden, het wapen van het vorstendom Meurs. Onder, links van het midden, het wapen van het aartsbisdom Keulen.
Gentleman
Object type: watercolor
Date: 1779 – 1851
Materials: paper, watercolor
Culture: american
Artist: thomas birch
Artist role: artist
Artist nationality: american
Artist dates: 1779 – 1851
Subjects: men,profiles
Dronken Silenus met twee bacchanten
Object type: print
Date: 1887 – 1909
Materials: paper
Techniques: etching, intaglio
Subjects: (story of) silenus
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Daprès Van Dyck; 3e état; 2 epreuves de c'est etat AD’
Gezicht op de Porte Saint-Denis te Parijs
Object type: stereograph
Date: 1895 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: paris
Subjects: triumphal arch
Inscriptions: inscription: ‘NPG’, number: ‘157’
Anna van Lotharingen, hertogin van Aarschot, prinses van Oranje
Object type: jeton
Date: 1576 – 1576
Materials: copper
Techniques: striking
Location: antwerp
Artist: Anonymous
Subjects: anna van lotharingen (hertogin van aarschot, prinses van oranje)

Koperen penning. Voorzijde: letters A, P en R, verweven tot monogram binnen omschrift. Keerzijde: Jeruzalems kruis binnen omschrift
Portret van Dirk I, graaf van Holland
Object type: book illustration
Date: 1677 – 1677
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: historical persons, head-gear: hat, ruler, sovereign, nobility and patriciate; chivalry, knighthood

Prent met tekst op verso gebruikt in: Scriverius, Petrus. Hollandsche, Zeelandsche ende Vriesche chronyck. Den Haag: Jasper Doll en Johan Veely, 1677, p. 1.
Rubbing of an Apsaras (Dancer)
Object type: rubbing
Date: 1901 – 2000
Materials: ink, paper
Culture: cambodian
Subjects: dancers
Whitby Abbey
Object type: page
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Location: whitby
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: ruin of church, monastery, etc.
Inscriptions: inscription: ‘p. 51.’
Verklaring van herkomst van het kistje vervaardigd van het hout van de kanonneerboot No. 2 van J.C.J. van Speyk
Object type: verklaring
Date: 1807 – 1873
Materials: cardboard, ink, paper, red lacquer
Techniques: printing, pen
Location: netherlands
Artist: j. boelen
Artist dates: 1810 – 1890
Subjects: amsterdam, antwerp, jan van speyk
Inscriptions: inscription: ‘De Ondergeteekende verklaart voor echt en waar dat de doos waarinliggen<BR />de overblijfselen van J.C.J. van Speyk zich bevinden, is gemaakt van het hout van de<BR />Kannonneerboot N2, welk hout den zelfden dag van het feit uit de Schelde werd<BR />opgevischt door den Heer I.H. Cuperus toen en nog wonende te Antwerpen. De doos<BR />werd eigenhandig gemaakt en toen aan den Ondergeteekende afgestaan__<BR />Aan de verzameling wijlen S.J. Roosdorp gegeven<BR />July 1873<BR />J. Boelen Jkzn’

Volgens de verklaring werd het hout op 5 februari 1831 door Cuperus uit de Schelde gevist. Hij maakte er eigenhandig het kistje van, die hij naar Boelen opstuurde. Boelen schonk op zijn beurt het object aan de verzameling van 'wijlen S.J. Roosdorp' in 1873.
Fragment from the Base of a Bowl
Object type: decorative art
Date: 1201 – 1400
Materials: glaze, terracotta
Techniques: glazing
Culture: byzantine
Location: istanbul

Fragments of Byzantine pottery preserve decorative motifs that were placed on the base of each pot’s interior. They represent a range of geometric and abstract floral motifs - such as the intricate linear design preserved on this fragment- that were created by cutting through the white slip, or glaze, to reveal the red earthenware beneath. This technique of engraved slipware is known as sgraffitto. Color washes in a range of greens and browns were then placed over the incised decoration. First developed in the eleventh century, this combination of sgraffitto and color washes remained a defining feature of fine Byzantine pottery for several centuries.

Later Byzantine pottery such as this circulated throughout the eastern Mediterranean. Over time, it competed with an increasing number of imported ceramics of Italian, Islamic, and even Chinese origin. The technique and decorative motif seen here continued to be used in regions of Greece, Anatolia, and the Balkans during the Ottoman Empire (15th–20th century), thereby outlasting the Byzantine Empire itself, which ended in 1453.
Birth of Venus
Object type: plaquette
Date: 1801 – 1900
Materials: gilt bronze
Artist: master of the birth of venus
Artist role: artist
Artist dates: 1800 – 1900
Subjects: venus,birth
Portret van Jean-Baptiste van Merlen
Object type: print
Date: 1851 – 1883
Materials: paper
Techniques: lithograph
Location: the hague
Artist: johan hendrik hoffmeister
Artist role: print maker
Artist dates: 1823 – 1904
Subjects: antwerp, waterloo, knighthood order, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een militair uniform met epauletten en een ordeteken. Onder het portret zijn signatuur.
Ring with Scroll Pattern Design on Bezel
Object type: ring
Materials: gold
Culture: indonesian, javanese
Lady Lemon (1747–1823)
Object type: painting
Materials: canvas, oil
Artist: george romney
Artist role: artist
Artist nationality: british
Artist dates: 1734 – 1802
Subjects: portraits,women

Jane Buller, the sitter in this elegant portrait, married William Lemon in 1771 and bore ten children. Lord Lemon commissioned George Romney to paint half-length portraits of himself and his wife in 1788, when Lady Lemon was forty-years old. She sat for the painting on six occasions in Romney’s London studio. Posing the sitter in an armchair against a landscape background became a common convention in later Georgian British portraiture. Romney portrays his subject with a gentle touch.
Palazzo Senatorio, window, elevation (recto) Palazzo Senatorio, window, plan; section (verso)
Object type: drawing
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture,windows
Prince Visiting an Ascetic during a Hunt
Object type: drawing and watercolor
Materials: gold, ink, paper, watercolor
Location: india
Christus wordt ontkleed
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: letterpress printing
Location: antwerp
Subjects: christ is offered a benumbing drink, but he refuses it, christ disrobed
Inscriptions: collector's mark: Lugt 2228

Christus wordt ontdaan van zijn kledij door soldaten op Golgota. Een man biedt hem drinken aan. Het kruis waaraan Christus zal worden genageld ligt op de grond.
Alder
Object type: print
Date: 1917 – 1917
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Besnijdenis, penning aan besneden jonge Israelieten vereerd
Object type: family medal
Date: 1842 – 1842
Materials: bronze
Techniques: striking
Location: utrecht
Artist: l.j. de beer
Artist role: die cutter
Subjects: utrecht

Eenzijdige bronzen penning. Voorzijde: zetel binnen omschrift in Hebreeuws schrift. Keerzijde: blanco.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, bearded Anacreontic male with turban?
Ex libris van Shoji Kozuka
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: linocut
Location: japan
Artist: Anonymous
Subjects: shoji kozuka
Geschiedenis van Meleager
Object type: print
Date: 1683 – 1710
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: althaea grieving at the death of her brothers, death of meleager: althaea throws the unburnt brand into the fire, thus causing meleager's death, furies, dirae (erinyes), eumenides; 'furie' (ripa)
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2228

Althaea, de moeder van Meleager, gooit onder invloed van twee wraakgodinnen, het houtblok van Meleager in het vuur. Meleager had bij een twist om het Caledonische zwijn zijn beide ooms, de broers van zijn moeder, gedood. Bij Meleagers geboorte hadden de drie schikgodinnen bepaald dat hij niet zou sterven vóór een bepaald houtblok zou zijn verteerd. Uit wraak gooit Althaea het blok terug in het vuur. Onder de voorstelling een verklarende tekst in het Frans en het Engels.
Trade Card for W. Baker, Engraver, Lithographer & Stationer
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Glass perfume bottle
Object type: perfume bottle
Date: 101 – 300
Materials: glass
Culture: roman

Translucent pale blue green. Rim folded out, over, and in, with broad mouth; cylindrical neck, expanding downward and deeply tooled in around base; slightly elongated bulbous body; pushed-in bottom with deep kick and trace of pontil scar. Intact, except for crack in body and bottom, and small hole in side; many bubbles; deep pitting and iridescent weathering.
Saint Wolfgang
Object type: print
Date: 1401 – 1500
Techniques: hand coloring, woodcut
Artist: casper
Artist role: artist and publisher
Artist nationality: german
Artist dates: 1400 – 1500
Subjects: croziers,saints
Dish
Object type: dish
Date: 550 – 500
Materials: terracotta
Culture: etruscan

Basket-shaped dish with two handles terminating in claws.
Rectangular vase with porcelain-making scenes ("the oven for burning clay" and "the painting of the wares")
Object type: vase
Date: 1872 – 1872
Materials: bone china, enamel
Techniques: gilding
Artist: worcester factory
Artist role: manufactory
Artist nationality: british
Artist dates: 1751 – 2008

After the end of the Flight, Barr & Barr ownership of the Worcester factory in 1840, the firm went through a succession of owners and mergers before falling under the ownership of Kerr & Binns in 1852. During the partnership, the factory sought to rebuild its former eighteenth-century reputation in porcelain and known for Renaissance-inspired designs. With the establishment of the Royal Worcester Porcelain Company in 1862, the company gradually gained recognition for its Japanese-inspired designs, which formed part of Japonisme, a collective fascination with Japan that took place in Europe and the United States following the opening of Japanese markets to the West by Commodore Perry in 1853.
Spotprent op Warren Hastings, 1788
Object type: cartoon
Date: 1788 – 1788
Materials: paper
Techniques: etching
Location: england
Subjects: london, politician, gifts being accepted, bribery, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Spotprent op Warren Hastings, 1788, Engels koloniaal bestuurder. In 1785 beschuldigd van corruptie en onderwerp van een lang proces. Hastings als een sultan op zijn troon deelt hier zakken met geld uit, o.a.aan Thurlow en Pitt.
Geboeide mannen
Object type: drawing
Date: 1606 – 1674
Materials: ink, paper
Techniques: brush, pen
Artist: leonaert bramer
Artist role: draughtsman, painter, print maker
Artist dates: 1596 – 1674
Subjects: transfer, deportation ~ prisoner of war, prisoner with hands bound

Een transport krijgsgevangen mannen, van welke één door een soldaat wordt geslagen.
Landschap met de ruïne van Beauffort
Object type: print
Date: 1839 – 1841
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: landscape with ruins, namur
Inscriptions: collector's mark: Lugt 2228

Prent verschenen in: Van Hasselt, André. Voyage aux bords de la Meuse. Brussel: Société des Beaux-Arts, 1839-1841. Deze publicatie bevat 36 litho's.
Portret van Christiaan, hertog van Brunswijk-Lüneburg
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: engraving
Artist: johann heinrich lips
Artist role: draughtsman, painter, print maker
Artist dates: 1758 – 1817
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Schiller, Friedrich von. Historischer Calender für Damen für das Jahr 1793. Leipzig: G.J. Göschen, 1793.
Rechthoekige plaat van zwart hardsteen met opschrift, behorend bij Paardentemmer (Cheveaux de Marly)
Object type: plate
Date: 1894 – 1894
Materials: brick
Techniques: carved
Location: paris

De rechthoekige plaat van zwart hardsteen gemaakt voor de lange zijde van de sokkel waar op BK-B-117-A of B stond. Hoogstwaarschijnlijk de onderzijde of één van de twee korte zijden van de sokkel.
Netsuke of Cicada
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: insects
Marriage A-la-Mode, Plate II
Object type: print
Techniques: engraving, etching
Artist: bernard baron
Artist role: engraver
Artist nationality: french
Artist dates: 1696 – 1762
Subjects: fireplaces,interiors,men,women,music,violins,dogs
Strap-Crossing in the Shape of Three Bears
Object type: strap crossing
Date: 500 – 401
Materials: bronze
Culture: eastern eurasian
Subjects: bears
Heilige Willibrordus als aartsbisschop met kerkmodel van Dom te Utrecht
Object type: print
Date: 1613 – 1656
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: cornelis danckerts (i)
Artist role: print maker, publisher
Artist dates: 1604 – 1656
Subjects: the 'apostle of frisia' and archbishop of utrecht, willibrord (of echternach); possible attributes: cask (barrel), well (fountain), child (on a book), model of church, stone bottles
Inscriptions: collector's mark: Lugt 2228

Heilige Willibrordus als aartsbisschop van Utrecht, staand gekleed in kazuifel en bisschopsmijter op zijn hoofd. Bij zijn voeten ontspringt een bron en wijnvaten staan naast hem. In zijn hand houdt hij een kerkmodel van de Dom te Utrecht. In de ondermarge worden een bedevaart en locaties genoemd waar op 7 november de heilige wordt herdacht. Deze zijn in het landschap aangeduid: pelgrims bezoeken de plaats waar de kapel voor Onze Lieve Vrouwe ter Nood te Heiloo stond en ook Willibrordus werd vereerd en de plaatsen Sint Willebrord en Bethlehem.