deem-data/ArtiFact huggingface dataset:
Michael Teuberus I.U.D. professor Witteb
Object type: book illustration
Date: 1650 – 1650
Materials: paper
Techniques: engraving
Subjects: scholar, philosopher, historical persons, law and jurisprudence
Inscriptions: collector's mark: Lugt 2233

Prent gebruikt in: Boissard, Jean Jacques. Bibliotheca chalcographica. 8 dln. Frankfurt am Main: Johannes Ammon, 1650-1652. Ook gebruikt in latere edities. Eerdere staat van prent verschenen in: Boissard, Jean Jacques. Icones quinquaginta virorum illustrium doctrina & eruditione praestantium ad vivum effictae. 4 dln. Frankfurt am Main: s.n., 1597-1599. Mogelijk ook gebruikt in latere edities.
Wedding dress
Object type: wedding dress
Date: 1805 – 1808
Culture: american
Henry Carl "Hank" Gastright, Pitcher, Cleveland, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Design for Wagon, no. 905
Object type: drawing
Date: 1860 – 1860
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta vessel fragment with scale pattern
Object type: vase fragment
Date: 1450 – 1400
Materials: terracotta
Culture: minoan

From Phylakopi, Melos Fragment with scale pattern.
La Bisi. Boudoir, robe velour gris, moire rose, fleurs roses, feuilles grises (de sa mai, au revers.)
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
Joseph and Potiphar's Wife
Object type: painting
Date: 1575 – 1575
Materials: oil, panel
Location: southern netherlands
Artist: Anonymous
Subjects: potiphar's wife catches joseph by his robe, usually while lying in bed; joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)

Jozef en de vrouw van Potifar. De naakte vrouw probeert Jozef in haar bed te lokken. Op de grond een omgevallen kan en links een blaffende hond. Pendant van SK-A-1287. Op de achtergrond staat een dienstmaagd verschrikt bij de deur, vlak daarvoor speelt een kat met een muis.
Gedenkteken voor Johannes Christiaan Mohr
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: johannes christiaan mohr, other memorial structures
Inscriptions: collector's mark: Lugt 2228

Allegorisch gedenkteken voor de dichter Johannes Christiaan Mohr. In het midden het monument met daarop het silhouetportret van Mohr, in een ovale omlijsting naar rechts. Op het monument een harp, bokaal, lauwerkrans, enkele brieven, medailles en een engeltje.
Brief aan Jan Veth
Object type: letter
Date: 1921 – 1921
Materials: ink
Techniques: pen, writing
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: dordrecht, designer, jan veth, the hague, isaac israels, travelling; tourism, diseases
Inscriptions: collector's mark: ‘RPK’
Buitenplaats
Object type: print
Date: 1827 – 1907
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: Anonymous
Subjects: cow (+ care of animals ~ agricultural processes), laying the wash out to dry, country-house
Inscriptions: collector's mark: Lugt 2228

Op het terrein voor de buitenplaats zijn weilanden met koeien en een rivier. Enkele figuren zijn bezig linnen te laten drogen aan de waterkant. Maakt deel uit van een omslag met zes prenten.
Vier jaargetijden
Object type: print
Date: 1739 – 1780
Materials: paper
Techniques: engraving, etching
Location: venice
Subjects: pouring, pipe ~ tobacco, winter ~ human activities (the four seasons of the year), dog
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie bestaande uit vier genummerde prenten van de jaargetijden.
Alter stadtgraben
Object type: page
Date: 1880 – 1907
Materials: paper
Techniques: autotype
Subjects: city-view, and landscape with man-made constructions
Inscriptions: inscription: ‘n.e. Gummidruck.’
Proportiestudie van een vrouw
Object type: drawing
Date: 1856 – 1856
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: standing figure (canon, proportions) - aa - female human figure, anatomy (non-medical) - aa - female human figure
Inscriptions: inscription: ‘(...) LR 18 Gg 56 (...)’
Head of a Woman
Object type: print
Date: 1859 – 1889
Materials: ink
Techniques: drypoint, printing
Artist: dr. paul gachet
Artist role: artist
Artist nationality: french
Artist dates: 1828 – 1909
Catafalque for Pope Clement X; central structure at the top of a fifteen step platform, with columns surmounted by candelabra at each of the four corners
Object type: print, fete, ornament architecture
Date: 1676 – 1676
Techniques: etching
Location: rome
Artist: giovanni battista falda
Artist role: artist
Artist nationality: italian
Artist dates: 1643 – 1678
Subjects: monuments,candelabra
Tête de Christ III
Object type: print
Date: 1917 – 1917
Materials: paper
Techniques: drypoint
Location: netherlands
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: rays as nimbus, christ as adult
Inscriptions: collector's mark: Lugt 5i, collector's mark: Lugt 2228, collector's mark: Lugt 2760

Het hoofd van Christus, omgeven door lichtstralen.
Large Incised Jar
Object type: jar
Date: 1401 – 1600
Materials: glaze, stoneware
Culture: vietnamese
Ornamentele rand met bladeren en adelaar
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: relief print
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: predatory birds: eagle, fable of reynard the fox, foliage, tendrils, branches ~ ornament
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910. Deze prent is vermoedelijk een plaatsnede, ook al wordt in de literatuur veelal gesproken over een houtsnede. Voor zover Wierink zijn prenten in hoogdruk zelf nader heeft omschreven, heeft hij altijd de term 'plaatsnede' gebruikt.
Gezicht op het Brouckèreplein in Brussel
Object type: photomechanical print
Date: 1880 – 1900
Materials: cardboard, glass, metal, paper
Techniques: photograph
Location: brussels
Artist: Anonymous
Subjects: square, place, circus, etc.
Portret van een onbekende vrouw
Object type: page
Date: 1876 – 1886
Materials: paper
Techniques: photograph
Location: luanda
Subjects: adult woman, historical persons not known by name - bb - woman
Twee siervogels bij een sokkel
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: ornamental birds, pedestal of a piece of sculpture (perhaps in the form of a herm)
View of temples and buildings on the banks of the Ganga river, Varanasi, Uttar Pradesh, India
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: varanasi
Artist: Anonymous
Subjects: places and objects of worship ~ hinduism, buddhism, jainism
Inscriptions: inscription: ‘Benares’

Op de achterzijde is een schets gemaakt van een gebouwencomplex, met plattegronden.
Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (668) Costume Paré.
Object type: fashion print
Date: 1805 – 1805
Materials: paper
Techniques: engraving, hand coloring
Subjects: bow (ornamental part of clothing) (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), border, ribbon, braid (+ women's clothes), neck-gear ~ clothing (shawl) (+ women's clothes), fashion plates, dress, gown (+ women's clothes), fan (+ women's clothes)
Inscriptions: title: ‘Costume Paré.’

Vrouw naar links, in een "Costume Paré": witte japon met geel gestreepte pofmouwtjes en een geel lint als ceintuur om de hoge taille gestrikt. De onderrand van de rok is geborduurd met bloemen. Om de hals een roze lange sjaal. Kpsel..... Kleine waaier in de rechterhand. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Nieuwe Nederlandsche kinderprenten
Object type: print
Date: 1875 – 1903
Materials: paper
Techniques: lithograph, letterpress printing
Location: haarlem
Subjects: philip ii of spain, delft, william i (prince of orange), ghent, charles v (holy roman emperor and king of spain)
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen over het leven van Willem I. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 51.
Celery Vase
Object type: celery vase
Date: 1850 – 1850
Materials: glass, lead
Techniques: glassblowing, molding
Culture: american
Location: united states
Portret van Philipp Heinrich Friedlieb
Object type: print
Date: 1652 – 1700
Materials: paper
Techniques: engraving
Location: greifswald
Artist: johann schöner
Artist role: decaan, medicus, schrijver, wiskundige
Artist dates: 1597 – 1657
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Gebruiksvoorwerpen uit Mekka
Object type: print
Date: 1883 – 1888
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: still life of miscellaneous objects
Inscriptions: number: ‘XXXVII.’
Theodorvs Pvlmanvs Cranebvrgivs
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: kranenburg, schrijver, theodoor poelman
Inscriptions: collector's mark: Lugt 2228

Portret van Theodoor Poelman, schrijver en humanist. Profiel naar rechts. Genummerd D3. De prent heeft een Latijns onderschrift en maakt deel uit van een serie van beroemde Europese geleerden.
Miniature vase
Object type: vase
Date: 801 – 900
Materials: glaze, stoneware
Culture: chinese
Terracotta fragment of kylix?
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: unknown fabric

Interior, unidentified subject; Exterior, handle attachment?
Schetsen van een neus en mond
Object type: drawing
Date: 1816 – 1816
Materials: chalk, paper, pencil
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: parts of the face: nose, mouth
Inscriptions: date: ‘1816’
"The Lioness Advises her Son", Folio from a Kalila wa Dimna
Object type: folio from an illustrated manuscript
Date: 1526 – 1550
Materials: ink, paper, watercolor
Location: india
Subjects: animals,lions

This manuscript contains seventy-eight paintings and many text folios telling the famous tales of the jackals Kalila and Dimna. Based on the book of ancient Indian animal fables, the Panchatantra written by Vidyapati (Bidpai), the stories spread all over the Middle East where they became wildly popular. This manuscript has a strong flavor of Mamluk Egypt in the figure styles and bold drawings, with hints of Ottoman tulips and Safavid turbans. However, the burnt orange palette and darkly-inked lines have led to an attribution to Sultanate Gujarat where it is suggested this manuscript was copied from an Egyptian original. Its life in India is also attested by a Devanagari inscription at the end, although the rest of the Arabic text is written in a strong, left-leaning naskh-like script.
Saucers (set of six) (part of a set)
Object type: saucer
Date: 1726 – 1750
Materials: earthenware, silver
Subjects: soldiers,swords,dogs,flags
Bal
Object type: surimono
Date: 1830 – 1835
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: cat
Inscriptions: collector's mark, passe-partout, bottom left, printed: JABdH with a rooster., collector's mark, verso, stamped: Lugt 2228

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
St. Peter's, dome and drum, interior section and elevation, and labeled details (recto); St. Peter's, moulding profiles, details  (verso)
Object type: drawing
Materials: chalk, ink
Techniques: incising, pen
Artist: etienne dupérac
Artist role: artist
Artist nationality: french
Artist dates: 1535 – 1604
Subjects: architecture,domes
Drie vrouwen, mogelijk dansend
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman, group dancing
Inscriptions: annotation: ‘[...]’

Blad 13 verso uit schetsboek LVII met 29 bladen.
Miantonomoh, U.S.N., from the Famous Ships series (N50) for Virginia Brights Cigarettes
Object type: photograph
Date: 1895 – 1895
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: ships
Portret van een vrouw, staand bij een stoel
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: great yarmouth
Subjects: historical persons - bb - woman, chair
Inscriptions: inscription: ‘"Carte de Visite" Studio,/ Regent Road./ Great Yarmouth/ J. Pearce Ford,/ Propr./ No./ Further Copies to Order.’
Portret van Willem van der Zaan
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: ranks in the army, historical persons

Prent waarschijnlijk uit: Kok, Jacobus. Vaderlandsch woordenboek (...). Amsterdam: Johannes Allart, 1795, dl. 34.
Box with dragons and pierced cover
Object type: box
Date: 1675 – 1699
Materials: cobalt, copper, glaze, paint, porcelain
Techniques: embroidery, firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark: ‘大 明 成 化 年 製’

Deksel van doos van dik porselein, bolvormige met vier ronde, opengewerkte medaillons en platte knop, beschilderd in onderglazuur bleu poudré (poederblauw) en rood. Op de deksel twee uitgespaarde draken die een vlammende parel achterna jagen in onderglazuur rood. De witte knop is beschilderd met een bloem. Barst in de deksel. Onderglazuur blauw met koperrood.
Design for an Urn
Object type: drawing
Date: 1770 – 1790
Materials: graphite, ink
Techniques: pen
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: heads,urns
Ontwerp voor een bascule lamp
Object type: design
Date: 1874 – 1945
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: lighting; lamps
Amulet depicting two baboons flanking a djed pillar with sundisk and atef-crown
Object type: amulet, baboon, djed pillar, sundisk
Date: 664 – 380
Materials: gold
Column-Krater (Mixing Bowl)
Object type: vessel
Date: 450 – 450
Materials: terracotta
Location: greece
Artist: attributed to the painter of london e 489
Artist nationality: Greek

On the front of this vase are four youths in himatia. On the left, the youth is facing right and gesturing with his left hand; next, a youth with a lyre is also facing to the right; then a youth gesturing strongly and raising his stick as he leans to the right but with feet out-turned; on the far right a final youth facing left, with a stick. On the other side are three youths also in himatia – that on the left faces right, that in the middle also right, that on the right faces left.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from a kylix with the handle attachment
Design for Pony Phaeton, no. 3209a
Object type: drawing
Date: 1876 – 1876
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gedicht op het zwaard waarmee Johan van Oldenbarnevelt in 1619 zou zijn onthoofd
Object type: manuscript
Date: 1744 – 1744
Materials: ink, paper
Techniques: writing
Location: amsterdam
Artist: a. hobrink
Artist role: dichter
Subjects: the hague, johan van oldenbarnevelt, frans greenwood
Inscriptions: date

Vers van A. Hobrink (tweede deel). Onderdeel van het boek met gedichten uit de jaren 1743-1745 op het zwaard waarmee Johan van Oldenbarnevelt in 1619 zou zijn onthoofd. Het zwaard was eigendom van Frans Greenwood.
Wall painting fragment
Object type: wall painting fragment
Date: 1 – 100
Techniques: fresco
Culture: roman
Subjects: flowers,leaves
A Happy New Year, from the New Years 1890 series (N227) issued by Kinney Bros.
Object type: print
Date: 1889 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women

Trade cards from the "New Years 1890 Cards" series (N227), a set of 50 cards issued in 1889-90 to promote Kinney Tobacco Company.
Engraved copies of The Little Passion
Object type: print
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: animals,soldiers,weapons,men
Netsuke of Snake Catcher
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: men,snakes
Teacup and Saucer
Object type: teacup and saucer
Date: 1860 – 1866
Materials: porcelain
Culture: chinese
Location: china
Subjects: birds,flowers
Admiral Nelson Recreating with his Brave Tars after the Glorious Battle of the Nile
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,admirals,ships
Portret van Camille Lemonnier in een landschap
Object type: print
Date: 1903 – 1903
Materials: paper
Techniques: lithograph
Artist: emile claus
Artist role: print maker
Artist dates: 1849 – 1924
Subjects: camille lemonnier, eyeglasses, spectacles, head-gear, fashion designer, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, inscription: ‘4779/20’
Petit Courrier des Dames, 1823, No. 176 : Robe de Tulle garnie de Ruches (...)
Object type: fashion print
Date: 1823 – 1823
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: ear-rings (+ women's clothes), head-gear: toque (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), ornamental parts of clothing (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), bracelet, wristlet (+ women's clothes), necklace (+ women's clothes)
Inscriptions: title: ‘Modes de Paris.’, caption: ‘Riobe de Tulle garnie de Ruches en gaze et de rouleaux en satin. Toque de Velours ornée de ganses d'Or et d'Aigrettes.’, address: ‘Rue Meslée No.25.’, title: ‘Petit Courrier des Dames.’

Vrouw, zittend in een armstoel, gekleed in een japon van tule, afgezet met ruches van tule en rouleaux van satijn. Op het hoofd een toque van fluweel, versierd goudkleurige galon en enkele aigrettes. Verdere accessoires: oorbel in het rechteroor, collier, ceintuur, waaier, lange handschoenen, armbanden om beide polsen. Rechts een staande vrouw, op de rug gezien, gekleed in eenzelfde japon. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Portret van een zittende man met hoge hoed in de hand, aangeduid als Norman
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: sweden
Artist: Anonymous
Subjects: sitting figure, historical persons, head-gear: top hat
Inscriptions: name: ‘Grosshandl. Norman’, annotation: ‘f.d. Grosshandlaren/ n. m. Rassören Norman/ frå Skarhutt; Skåne’