deem-data/ArtiFact huggingface dataset:
Vrouw in een interieur met een draaiorgel
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: engraving, etching
Location: france
Artist: laurent cars
Artist role: print maker, publisher
Artist dates: 1699 – 1771
Subjects: hurdy-gurdy, barrel-organ player, interior of the house, dress, gown, bird in a cage

De prent, ook wel La Serinette genoemd, werd door Cars tentoongesteld op de Salon van 1753, p. 29. Het schilderij door Chardin werd in 1751 voor de koning geschilderd en bevindt zich sinds 1926 in de The Frick Collection, New York, inv.nr. 1926.1.22.
Cat Amulet
Object type: amulet, cat
Date: 664 – 332
Materials: faience
Location: egypt
Subjects: cats
North American Hotel, New York
Object type: print
Techniques: engraving, etching
Artist: peter b. walker
Artist role: author
Artist nationality: american
Artist dates: 1800 – 1900
Subjects: hotels
Julia Herschel
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: portraits,women
Titelprent van een prentserie over de invloed van de planeten over streken
Object type: titelprent, frontispice
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: philip ii of spain, rome, alessandro farnese (landvoogd van de nederlanden en hertog van parma en piacenza), mankind influenced by the planets, including sun and moon; 'planetenkinder', (story of) jupiter (zeus), title-page, ships (in general), firearms: cannon, star-chart, star map
Inscriptions: collector's mark: Lugt 2228

Een oorlogsschip, versierd met de wapens van Alessandro Farnese. Op de boot een sokkel met de titel van de prentserie. Op de sokkel zit Jupiter met zijn adelaar, het wapenschild van Filips II en een hemelkaart in de handen. De titelprent van een prentserie over de invloed van de planeten over streken. In de marge een Latijns lofdicht.
Portret van Antoine François de Fourcroy
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Portret van Jan van Scorel als ridder van Sint-Jan
Object type: print
Date: 1847 – 1863
Materials: paper
Techniques: lithograph
Location: haarlem
Subjects: painter, print maker, jan van scorel, historical persons, portrait, self-portrait of artist, knight
Vogel bij zijn nest met een vrouw op de achtergrond
Object type: print
Date: 1851 – 1865
Materials: paper
Techniques: lithograph
Location: paris
Subjects: other birds, ornament ~ medallion, female sex; woman, dog
Inscriptions: collector's mark: Lugt 964
St. Simon (?) and St. Matthew, from The Apostles
Object type: print
Techniques: engraving
Artist: israhel van meckenem
Artist role: artist
Artist nationality: german
Artist dates: 1435 – 1503
Subjects: weapons,apostles,saint matthew,saints
Portret van Johann Held
Object type: print
Date: 1668 – 1668
Materials: paper
Techniques: engraving
Artist: jakob von sandrart
Artist role: print maker, publisher
Artist dates: 1630 – 1708
Subjects: bookshelves, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Dagger-Blade (ge)
Object type: arm
Materials: jade
Location: china
Bowl
Object type: bowl
Date: 1751 – 1775
Subjects: coat of arms
Christ Sleeping During the Storm on Lake Tiberias, from "The Story of Christ"
Object type: print
Date: 1534 – 1535
Techniques: engraving
Artist: georg pencz
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: sleeping,men,lakes,storms,christ
Desseins de la Mode neuve au Gout antique (...)
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: etching
Location: paris
Subjects: interlace ~ ornament, other architectural details, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Zes friezen met putti, vlechtwerk en een harnas.
The Paying-out Machinery in the Stern of the Great Eastern
Object type: drawing
Date: 1865 – 1865
Materials: gouache, graphite, watercolor
Artist: robert charles dudley
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1909
Subjects: industry,ships,transatlantic cable

One of the 19th century's great technological achievements was to lay a telegraphic cable beneath the Atlantic, allowing messages to speed back and forth between North America and Europe in minutes, rather than ten or twelve days by steamer. An initially successful attempt in 1858, led by Cyrus W. Field and financed by the Atlantic Telegraph Company, failed after three weeks. Two working cables were finally laid in July and September 1866, the result of repeated efforts by the indefatigable Field, a cadre of engineers, technicians, and sailors, two groups of financial backers, and significant help from the British and United States navies.This watercolor by Dudley shows elaborate machinery on the Great Eastern's aft deck used to pay out the cable into the water. Part of a series documenting the long, arduous process, this image was reproduced as a color lithograph in William H. Russell's 1866 book "The Atlantic Telegraph" (92.10.100 and 61.536.5). In 1892 Field donated art works by Dudley, a copy of Russell's book, commemorative medals, memorabilia, and specimens of cable to the Museum.
Hier ziet gij met groote vlijt, / De handel en de nijverheid
Object type: print
Date: 1848 – 1881
Materials: paper
Techniques: letterpress printing
Location: den bosch
Artist: Anonymous
Subjects: street-trader, merchant, salesman
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van straatverkopers. Onder elke afbeelding een tweeregelig vers. Genummerd midden boven: N. 6.
Mountains with Birds
Object type: album leaf
Date: 1867 – 1900
Materials: paper, paint
Techniques: painting
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Subjects: birds,mountains
Case (Inrō) with Design of Kinkō Riding a Carp and Holding a Long Scroll
Object type: inrō
Date: 1801 – 1900
Materials: gold, ivory, lacquer, metal
Techniques: fundame, hiramakie, inlay, roiro, stain
Culture: japanese
Subjects: scrolls,men,fish
Doña Elvira
Object type: print
Date: 1894 – 2004
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons, head (human) - aa - female human figure
Inscriptions: collector's mark: Lugt 2228
Portret van twee meisjes met een springtouw in een omlijsting met bloemen
Object type: cabinet photograph
Date: 1890 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: meppel
Subjects: flowers, girl (child between toddler and youth), jumping-rope games
Inscriptions: inscription: ‘Photographisch Atelier van J. Meyer & Co. Meppel Stationsweg Specialiteit in Vergrootingen De plaat blijft voor Nabestelling bewaard.’
Diana Surprised by Actaeon
Object type: print
Date: 1586 – 1629
Techniques: engraving, etching
Artist: aegidius sadeler (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1568 – 1629
Subjects: animals,female nudes,actaeon,diana
Mirror (part of a set)
Object type: mirror
Date: 1770 – 1780
Materials: wood
Techniques: gilding, painting
Artist: giocondo (giuseppe) albertolli
Artist role: maker
Artist nationality: italian
Artist dates: 1742 – 1839
Portret van Maximilien de Bourgogne, graaf van La Loève
Object type: print
Date: 1619 – 1672
Materials: paper
Techniques: engraving
Location: paris
Subjects: maximilien de bourgogne (graaf van la loève)
Inscriptions: collector's mark: Lugt 2228

Portret van Maximilien de Bourgogne, graaf van La Loève, in religieuze kledij. In de bovenhoeken zijn wapenschilden. Onderaan houden twee engelen een doek vast met een tweeregelige tekst in het Latijn.
Groepsportret van zes vrouwen met hoeden zittend in de tuin van het Palais des Académies in Brussel
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: brussels
Artist: Anonymous
Subjects: head-gear: hat, brussels
Inscriptions: inscription: ‘Palais des Académies Eté 1923 Royale Belges Colleg[...]’
Deel van een ornament
Object type: ornamenttekening
Date: 1580 – 1620
Materials: chalk, paper
Artist: Anonymous
Subjects: ornaments ~ art
Topographical Map of the City and County of New-York and the Adjacent Country
Object type: print
Date: 1836 – 1858
Materials: chalk
Techniques: engraving, wash
Location: new york
Artist: david h. burr
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1850
Subjects: maps

This proof impression includes the center of a large topographical map of Manhattan published in 1836 and encompasses the area between 19th and 133rd Streets, showing the City grid's rapid uptown advance. The cross streets are now fully graded and paved to about 23rd Street, and all traces of the original topography have been obliterated as far north as 30th Street and the beginnings of Murray Hill. The map depicts but does not highlight the uptown public squares that were so prominenet on the Commissioners' Plan. An unknown hand used a tan wash to delineate the boundaries of the future Central Park as it would be configured between 1853 and 1859.
Agony in the Garden
Object type: print
Date: 1497 – 1500
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: gardens,suffering,apostles,christ
Beaker
Object type: beaker
Date: 1719 – 1719
Materials: silver
Culture: american
Location: united states
Artist: moody russell
Artist role: maker
Artist nationality: american
Artist dates: 1694 – 1761

The sum of eight pounds bequeathed by Shearjashub Bourn[e] to the church in Sandwich, Massachusetts, likely was used to purchase these two beakers. Bourne was a prominent and affluent citizen whose wealth derived from a lucrative trade he carried on with Native Americans. At his death, Bourne's estate was appraised at £943.1s.4d. Although a domestic form, beakers often were used as communion cups. These beakers appear to have served as models for four other beakers made for the church in the nineteenth century by Lewis Cary.
Paperweight
Object type: glass
Date: 1847 – 1847
Materials: glass
Location: italy
Artist: pietro bigaglia
Artist nationality: italian
Artist dates: 1786 – 1878
Portret van Francisco de Moncada, markies van Aytona
Object type: print
Date: 1630 – 1646
Materials: paper
Techniques: engraving
Location: antwerp
Artist: lucas vorsterman (i)
Artist role: print maker
Artist dates: 1595 – 1675
Subjects: brussels, francisco de moncada (markies van aytona)
Inscriptions: collector's mark: Lugt 240

Prent gebruikt voor: Icones principum, virorum doctorum, pictorum, chalcographorum, statuariorum nec non amatorum pictoriae artis numero centum ab Ant. van Dyck ad vivum expressae ejusque sumptibus aeri incisae. Antwerpen: Gillis Hendricx, [1645-1646].
Interieur van de Grote of Onze-Lieve-Vrouwenkerk te Dordrecht
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: grote of onze-lieve-vrouwekerk
Subjects: interior of church
Inscriptions: annotation: ‘Dordrecht (Z.H.)/ Het interieur der kerk’, annotation: ‘N.H. Groote Kerk/ Inteieur/ Dordrecht’
Seated Pussycat
Object type: drawing
Date: 1882 – 1882
Materials: chalk, paper
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: cat
Design for Dog Cart or 2 Wheeler, no. 4143
Object type: drawing
Date: 1891 – 1891
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Kinderportretten
Object type: album leaf
Date: 1880 – 1920
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: studio requisites ~ photographer, child, historical persons, trade games, imitative games, imitating adults

Zes portretten van kinderen, waaronder een van een baby in een ei en een meisje op een schommel. Deze pagina maakt deel uit van een album.
Twee kurassiers in galop
Object type: print
Date: 1811 – 1811
Materials: paper
Techniques: etching
Artist: johann adam klein
Artist role: draughtsman, print maker
Artist dates: 1792 – 1875
Subjects: riding a horse, ass, or mule; rider, horseman, landscape with ruins, officer
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Goblet
Object type: goblet
Date: 1830 – 1840
Materials: glass
Subjects: animals,cranes
William "Buck" Ewing, Captain and Catcher, New York, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Het sterfbed of de laatste oogenblikken van wijle zijn doorluchtige hoogheid Willem de Vijfde (...) overleden te Brunswijk den 9 april 1806
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: the hague, william v (prince of orange), berlin, painter, draughtsman, wilhelmina of prussia (princess of orange), deathbed
Inscriptions: collector's mark: Lugt 2228

Slaapkamer met prins Willem V op zijn sterfbed, ondersteund door zijn kamerheer (Vleeshouwer), 9 april 1806. De geneesheer voelt de linkerpols terwijl zijn echtgenote met afgewend gezicht zijn rechterhand vasthoudt. In de lucht een engel met palmtak in wolken. Hemelbed versierd met de wapens van de prins en prinses, aan de wand portretten van de twee zoons van de prins. In het onderschrift een achtregelig vers. Bij de prent behoort een bericht van intekening. Uitgegeven als pendant van de prent met het monument voor Willem V.
Gezicht op het dorp Rockanje
Object type: book illustration
Date: 1796 – 1798
Materials: paper
Techniques: etching
Location: amsterdam
Artist: anna catharina brouwer
Artist role: print maker
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2228

afkomstig uit: L. van Ollefen, De Nederlandsche stad- en dorpbeschrijver. Deel 6. Amsterdam: H.A. Banse, 1798.
Stamboom met portret van Benedictus XIII
Object type: print
Date: 1724 – 1748
Materials: paper
Techniques: engraving
Location: augsburg
Artist: johann andreas pfeffel (der ältere)
Artist role: print maker
Artist dates: 1674 – 1748
Subjects: benedictus xiii, river personified, 'fiumi' (ripa), child suckled by animal, historical persons, family lineage, pedigree, genealogical tree or table, beasts of prey, predatory animals: bear
Inscriptions: collector's mark: Lugt 2233
Stela of Aamtju
Object type: stela, aamtju
Date: 1550 – 1504
Materials: limestone, paint
Location: egypt
Subjects: men,hieroglyphs
Overlijden van Maurits van Saksen 1750
Object type: history medal
Date: 1750 – 1750
Materials: tin
Techniques: striking

Tinnen penning, op de voorzijde het borstbeeld van Maurits naar links met omschrift, op de keerzijde rouwende mensen rond een grafmonument met tombe.
Nacht
Object type: print
Date: 1692 – 1739
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: personification of the night, 'nox'; 'notte', 'carro della notte', 'serenità della notte' (ripa), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een vierdelige serie naar beelden van de vier dagdelen.
Mold for a Horus Amulet
Object type: mold, amulet, horus, falcon
Date: 1390 – 1352
Materials: pottery
Location: egypt
Subjects: horus
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Black glazed rim fragment from a kylix
Sir Walter Scott
Object type: cut paper
Date: 1830 – 1830
Materials: paper
Techniques: brush, cutting, wash
Artist: auguste edouart
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1861
Subjects: men,writing,tables

Edouart left his native France in 1814 to embark on a career abroad as a silhouette portraitist. In 1829, after touring England, he settled in Edinburgh for three years. During his time there, he produced about five thousand portraits, including this likeness of the famous Scottish author and antiquarian Sir Walter Scott, who penned Ivanhoe (1819), Rob Roy (1817), The Lady of the Lake (1810), and other classics of Western literature. A scholar of Scottish history as well as a collector, Scott is shown at his writing desk, quill pen in hand, occupying an interior in which his collection of weaponry and armor is displayed.
Groepsportret van onbekende bergers acht dagen na een ramp in het Mont Blanc Massief op 18 augustus 1895
Object type: photograph
Date: 1895 – 1895
Materials: paper, textile
Techniques: collodion silver print
Location: chamonix
Artist: Anonymous
Subjects: finding a dead person, mountains
Inscriptions: inscription: ‘zamenauf [?] 3 corps de touristes’, inscription: ‘ENTOILAGE/ DOBLER, PARIS/ LINOTYPE’
Kloostergang van de kathedraal van Hereford
Object type: carte de visite
Date: 1856 – 1894
Materials: cardboard, paper
Techniques: albumen print
Location: hereford
Artist: francis bedford
Artist role: print maker
Artist dates: 1815 – 1894
Subjects: church (exterior), cloisters ~ monastery
Inscriptions: number: ‘308.’, inscription: ‘PHOTOGRAPHED BY/ F. BEDFORD/ PHOTOGRAPHER TO/ H.R.H./ THE PRINCE OF WALES.’
Landschap met molen te Koedijk
Object type: drawing
Date: 1915 – 1915
Materials: paper, pencil
Artist: jan hoynck van papendrecht
Artist role: draughtsman, painter
Artist dates: 1858 – 1933
Subjects: windmill
Inscriptions: annotation: ‘bij Bergen/ Koedijk 25 Sept 1915’, collector's mark: Lugt 2228
Bronzen tien armige wandkandelaar voorzien van ornamenten met bovenop een bokaal
Object type: photograph
Date: 1860 – 1900
Materials: canvas, cardboard, paper
Techniques: albumen print
Location: netherlands
Artist: Anonymous

Onderdeel van een serie met betrekking tot het interieur van het paleis van Versailles met kroonluchters, deuren, portalen en meubelstukken.
Saucer with a European, possibly tea drinking, couple in a scalloped panel
Object type: platter
Date: 1725 – 1749
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning
Location: china
Artist: Anonymous

Schotel van porselein, beschilderd op het glazuur in zwart en goud. Op het plat een Europees paar met elk een kopje in de hand in een geschulpt cartouche; op de wand zijn bloemranken uitgespaard in een gouden grond. Europese voorstelling in encre de Chine.
Koperen stuiver of doedoe uit Colombo, stuiver
Object type: coin
Date: 1785 – 1785
Materials: copper
Location: colombo

Geknipte bijne vierkante munt. Voorzijde: binnen cirkel, die slechts gedeeltelijk op munt aanwezig is: VOC-beeldmerk met daarboven C. Keerzijde: I met aan weerszijden 4 punten, hieronder SIUIVER, m.o. datering (gedeeltelijk aanwezig). Geheel binnen cirkel, die slechts gedeeltelijk op munt aanwezig is.
Gezicht op de Schreierstoren te Amsterdam
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: engraving, etching
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: sailing-ship, sailing-boat, towers ~ fortified city, rowing-boat, canoe, etc., canals, waters (in city), pier, quay, wharf

Deze prent komt voor in: Dapper, Olfert. Historische beschryving der stadt Amsterdam (...). Amsterdam: Jacob van Meurs, 1663, p. 448-449. En in: Zesen, Philipp von. Beschreibung der Stadt Amsterdam (...). Amsterdam: Joachim Nosche, 1664, p. 100-101.
In sommige exemplaren van Olfert Dapper komt een iets gewijzigde staat voor, met een Franse titel boven het Nederlandse opschrift.
Bowl
Object type: bowl
Date: 1201 – 1300
Materials: earthenware
Techniques: glazing
Location: iran
Band
Object type: band
Date: 1501 – 1600
Techniques: embroidery
Subjects: human figures
In Honor of Henry Lozé, Prefect of Police of Paris
Object type: plaquette
Date: 1892 – 1892
Materials: bronze
Techniques: silvered, struck
Artist: louis-oscar roty
Artist role: artist
Artist nationality: french
Artist dates: 1846 – 1911
Subjects: women,desks
Brief aan Willem Bogtman
Object type: letter
Date: 1926 – 1926
Materials: paper, pencil
Techniques: pen, writing
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: willem bogtman, applied arts, arts and crafts; industrial design

Brief gedateerd Juni 1926? in latere hand.
Sierstuk voor een avondmantel van gemengde kant met rozenhaag
Object type: cuff
Date: 1915 – 1915
Materials: linen
Techniques: lace
Location: sluis
Artist: martha berkers
Artist role: kantwerkster

Sierstuk (manchet) voor een avondmantel van naturelkleurige gemengde kant - kloskant in combinatie met naaldkant - Brusselse duchesse. Op een wijd gespreide vlechtengrond staan rozen die meestal op twee bladeren steunen. Een tussenornament bestaat uit enkele en dubbele voluutranken en vele kleine bloempjes. Met naturelkleurige stofknoopjes en knooplusjes aan de korte kanten.
Scarab
Object type: scarab
Date: 1479 – 1458
Materials: faience
Location: egypt
Saints John the Evangelist and Lawrence
Object type: painting
Date: 1510 – 1531
Materials: oil, wood
Artist: defendente ferrari
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1531
Subjects: books,saint john the evangelist,saint lawrence,chalices
Portrait of Albert VII, Archduke of Austria
Object type: print
Date: 1650 – 1650
Techniques: engraving, etching
Artist: jonas suyderhoef
Artist role: artist
Artist nationality: dutch
Artist dates: 1613 – 1686
Subjects: portraits,women
Cup
Object type: cup
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: flowers
Atlas of the World
Object type: ceramic
Date: 1701 – 1900
Materials: ceramic, enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: meissen
Artist: meissen porcelain manufactory
Artist nationality: german
Artist dates: 1710 –