deem-data/ArtiFact huggingface dataset:
The Victory of Scipio, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: fortification,battles,soldiers,weapons,horses

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 134 in the scrapbook.
Studie van een boomstam
Object type: drawing
Date: 1834 – 1879
Materials: oil, paper
Techniques: brush
Artist: cornelis johannes de vogel
Artist role: draughtsman, painter
Artist dates: 1824 – 1879
Shepherd and Shepherdess
Object type: embroidered picture
Date: 1700 – 1730
Materials: linen, thread
Techniques: embroidery
Culture: american
Location: united states
Subjects: animals,houses,trees,shepherds

A variation on a common design source can be seen in this embroidered scene of a piping shepherd and shepherdess posed within a pastoral landscape. Dressed in contemporary costume, the figures stand as emblems of courtship in a luxuriant garden that conjures up associations with springtime, youth, and fertility.
Vliegend hert, twee sprinkhanen en acht kevers
Object type: drawing
Date: 1560 – 1585
Materials: paper
Techniques: brush
Location: low countries
Artist: Anonymous
Subjects: insects: stag-beetle, insects: grass-hopper, insects: beetle

Blad uit album van 100 (?) bladen met tekeningen van dieren.
Necklace or Rosary (?)
Object type: necklace or rosary
Date: 1734 – 1900
Materials: coral, gold
Culture: filipino
Miss Fortescue, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Portret Michel Amelot
Object type: print
Date: 1675 – 1675
Materials: paper
Techniques: engraving
Artist: robert nanteuil
Artist role: print maker
Artist dates: 1623 – 1678
Subjects: paris, michel amelot de gournay

Buste naar rechts, kruis op de borst, in ovale lijst met randschrift. Wapen middenonder.
Pad door het bos
Object type: print
Date: 1610 – 1653
Materials: paper
Techniques: drypoint
Location: low countries
Artist: simon de vlieger
Artist role: draughtsman, painter, print maker
Artist dates: 1600 – 1653
Subjects: road, path, forest, wood
Inscriptions: collector's mark: Lugt 240

Wandelaar op een pad door een bosachtig landschap.
J'aimerais autant voir un ouragan se promener dans mon jardin (...)
Object type: cartoon
Date: 1857 – 1857
Materials: paper
Techniques: lithograph
Location: paris
Subjects: caricatures (human types), garden, skirt
Inscriptions: collector's mark: Lugt 2228a

De man zou liever een orkaan door zijn tuin zien gaan, dan een die 'vervloekte' crinolines (hoepelrokken).
Dancing Minstrel or Gaddi Shepherd
Object type: illustrated single work
Date: 1701 – 1800
Materials: chalk, ink, lead, paper
Techniques: drawing, wash
Location: india
Bladzijde uit de Neurenbergkroniek van Schedel, folio 113r
Object type: page
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: eyeglasses, spectacles, city-view, and landscape with man-made constructions, scholar, philosopher, tivoli

De Neurenbergkroniek van Hartmann Schedel is bekend om zijn vele illustraties. Voor de 1804 houtsneden werden 441 verschillende houtblokken gemaakt. Vele houtblokken werden dus meer dan eens gebruikt. Titels bij de figuren identificeren de voorstelling of de voorgestelde personen. Deze pagina is afkomstig uit de Latijnse uitgave van 1493.
Design for 6 seat Rockaway, no. 3376
Object type: drawing
Date: 1877 – 1877
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Deep Cup
Object type: cup
Date: 1800 – 1800
Materials: glaze, porcelain
Culture: japanese
Roxane
Object type: page
Date: 1854 – 1859
Materials: paper
Techniques: albumen print
Artist: henri de la blanchère
Artist role: fotograaf
Artist dates: 1821 – 1880
Subjects: portrait of actor, actress, picture, painting
Inscriptions: inscription: ‘Holà! gardes, qu'on vienne!/ Acomat, c'en est fait;/ Vous pouves retourner, je n'ai rien à vous dire./ Sortez. Que le sérail doit désormais fermé/ Et que tout rentre ici dans l'ordre accoutumé./ (Bajazet, acte II, scène II.)’
Lady with Lute
Object type: embroidered picture
Date: 1651 – 1675
Materials: metal thread, silk
Subjects: birds,women,lutes,dogs,lions,rabbits,flowers
Pad langs een beboste berghelling in Derbyshire
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: derbyshire
Artist: Anonymous
Subjects: forest path or lane
Inscriptions: inscription: ‘Latham's Derbyshire Scenery.’
Box with “peach-blossom grotto”
Object type: box
Date: 1367 – 1466
Materials: lacquer, mother of pearl
Techniques: inlay
Culture: chinese

Three Chinese characters incised on a rectangular piece of shell at upper right identify the scene on this box as the “peach-blossom grotto” (tao yuan dong). The phrase refers to a famous poem by Tao Qian (365–427) in which a fisherman enters a grotto and stumbles upon Shangri-la. As is invariably the case with such magical realms, once the man leaves the cave he is never able to return.
Doornenkroning van Christus
Object type: print
Date: 1702 – 1767
Materials: paper
Techniques: engraving, etching
Subjects: the crowning with thorns: soldiers with sticks place a thorny crown on christ's head and give him a reed (matthew 27:27-31; mark 15:16-20; john 19:2-3)
Inscriptions: inscription: ‘Utrechts Fundatie huijs’

Christus wordt door soldaten bespot. Hij krijgt een doornenkroon op zijn hoofd en een grasspriet als scepter. Bijbelse voorstelling uit Mat. 27:29 met in de marge de titel van de voorstelling in zes talen.
Jozef en het Christuskind
Object type: print
Date: 1753 – 1810
Materials: paper
Techniques: printmaking, rocker stamped
Artist: william baillie
Artist role: print maker
Artist dates: 1723 – 1810
Subjects: christ-child together with others
Inscriptions: stamp

Een kind ligt op een bed en reikt naar het gezicht van de bebaarde man boven hem. De prent maakt deel uit van een album.
Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 6 (recto)
Object type: book print ornament architecture
Date: 1620 – 1620
Techniques: woodcut
Artist: cesare vecellio
Artist role: author
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament

Written by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, published by Alessandro de' Vecchi. From top to bottom, and left to right: Design is in the shape of a triangle with the top right corner left blank. It is decorated with vases of flowers flanked by man, bird, and plant composite creatures. There are also other floral elements and animals like a seated bear that are illustrated throughout the design.
Ornamentale voorstelling van man en vrouw aan weerszijden van een haardvuur
Object type: drawing
Date: 1869 – 1925
Materials: ink, paper, pencil
Techniques: pen
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: warming oneself at a fire (or hearth, stove, fire-pan, brazier)
Kast
Object type: kast
Date: 1690 – 1720
Materials: wood
Techniques: painting
Culture: american
Location: united states
Subjects: fruit

Painted with large pendants of fruit in niches, this piece represents both a type of cupboard—and a form of decoration derived from Dutch prototypes. The ornament, executed in blue-gray, black, and white in a technique known as grisaille, simulates in paint the opulent Baroque carved pendants and festoons popular in the Netherlands during the second half of the seventeenth century on interior woodwork and furniture. Kasten were used for storage of linens, and the pomegranate and quince at the center of the door panels—symbols of fertility and marriage—suggest that this may have been a dowry piece.
Portret van keizer Lodewijk de Beier
Object type: book illustration
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: utrecht
Subjects: crown (symbol of sovereignty), historical persons, hacking and thrusting weapons: sword, emperor

Prent uit: Bogaert, Abraham. De Roomsche monarchy, vertoont in de muntbeelden der westersche en oostersche keizeren (...). Utrecht: François Halma en Willem van de Water, 1697, p. 405. Eerste staat verschenen als grotere prent met 12 portretten, gedateerd 1695.
Portret van Marthe Rameau
Object type: photograph
Date: 1860 – 1860
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: lyon
Artist: vuagnat
Subjects: studio requisites ~ photographer, child, historical persons, styles of hairdress - aa - ~ women, shoes, sandals, dress, gown, lyon
Inscriptions: address: ‘Lyon’, name: ‘Vuagnat peintre photographe’, date: ‘18 Septembre 1860’, name: ‘Mad.elle Marthe Rameau’, address: ‘Genève’

Onderdeel van Fotoalbum met 24 cartes-de-visite van Franse personen.
Portret van Maximilien-Marie-Isidore de Robespierre
Object type: print
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: paris, historical persons

Prent mogelijk uit: Fay, Félix Conny de la. Histoire de la Révolution de France. 9 dln. Parijs: Paul Méquignon, 1834-1842.
Block from an Arch with a Rosette Medallion
Object type: fragment
Date: 501 – 700
Materials: stone
Techniques: carving, relief
Location: egypt

The more important buildings were decorated with courses of sculpted stone freely combining floral and geometric motifs inspired by classical art – rosettes, acanthus leaves, meander patterns – with more recent Christian themes. These sculptural elements, demonstrating the Byzantine love of complex patterning with lush textures, were originally painted in rich, vibrant colors like those surviving in textiles.
Fragment van een strook borduurwerk
Object type: strip
Date: 1400 – 1400
Materials: gold thread, silk, textile
Techniques: embroidered
Location: germany

Fragment van een strook borduurwerk. Het borduurwerk heeft een afbeelding van de aanbidding van de koningen. Bij het fragment hoort een fragment met invnr. BK-NM-3609-C.
L'Industrie
Object type: print
Date: 1810 – 1823
Materials: paper
Techniques: engraving, etching, roulette
Location: paris
Subjects: industries
Inscriptions: collector's mark: Lugt 2228

Serie naar de figuren die als decoratie gebruikt zijn in het stadhuis, tijdens het huwelijk van Napoleon I Bonaparte en Marie Louise van Oostenrijk in 1810.
The Actor Nakamura Nakazo I
Object type: woodblock print nishiki e
Date: 1775 – 1775
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: men,actors
Terracotta fragments of an amphora (jar)
Object type: amphora fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

The largest fragment depicts part of the draped body of a male to right, wearing a chlamys, holding a stick in his right hand; at the far left, start of handle root; a second fragment has part of the head and neck of a wreathed youth looking to left; a third fragment shows a bit of the lower drapery of a figure and toes of the right foot; a fourth fragment has a left hand; a fifth fragment has a bit of drapery?; a sixth fragment has an unidentified object; a seventh fragment is black glaze with the start of the handle root; four black glaze fragments
Spindle whorl
Object type: spindle whorl
Date: 1295 – 1070
Materials: limestone
Location: egypt
Restanten van de Aqua Claudia en Aqua Anio Novus en de Porta Maggiore te Rome
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: ruin of a building ~ architecture, landscape with bridge, viaduct or aqueduct, gate, entrance
Inscriptions: collector's mark: Lugt 2228

Blad met twee voorstellingen van Romeinse bouwwerken. Boven: restanten van de boven elkaar gelegen aquaducten Aqua Claudia en Aqua Anio Novus. In de verte de stadspoort Porta Maggiore die onderdeel uitmaakte van de aquaducten. Genummerd linksboven: Tav. XVII. Genummerd rechtsboven: Fig. I. Titel en verklarende lijst met letters in ondermarge. Onder: de Porta Maggiore en restanten van de aquaducten Aqua Claudia en Aqua Anio Novus. Een plattegrond in een kader. Genummerd rechtsboven: Fig. II. Titel en verklarende lijst met letters in ondermarge.
Bus van tin, fragment
Object type: salt condiment vessel
Date: 1590 – 1596
Materials: tin
Techniques: casting
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Tinnen bus of vat waarvan alleen de kroes bewaard is gebleven.
Chalice from St. Michael's York
Object type: drawing
Date: 1851 – 1900
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: chalices
Charcoal burner
Object type: charcoal burner
Date: 1701 – 1800
Materials: iron
Culture: japanese
Eye of Maria Miles Heyward
Object type: painting, miniature
Date: 1802 – 1802
Materials: ivory, watercolor
Culture: american
Artist: edward greene malbone
Artist role: artist
Artist nationality: american
Artist dates: 1777 – 1807
Subjects: eyes

Emily Drayton Taylor (q.v.) had this work in her possession and copied it.
Jacoba van Beieren stelt zich aan het hoofd van de Hoeken, ca. 1430
Object type: print
Date: 1853 – 1855
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: jacoba of bavaria (countess of hainaut), battle, fighting in general, netherlands

Illustratie voor: Jacob van Lennep, De geschiedenis des vaderlands in schetsen en afbeeldingen, Binger, Amsterdam 1855, 8 delen, pl. XV.
Tekenaar in het Colosseum
Object type: print
Date: 1781 – 1822
Materials: paper
Techniques: etching
Location: amsterdam
Artist: hermanus fock
Artist role: conservator, draughtsman, painter, print maker
Artist dates: 1766 – 1822
Subjects: ruin of a building ~ architecture (+ artist at work)
Inscriptions: collector's mark: Lugt 2228

Gezicht op de tongewelven van een ruïne, waar halverwege een persoon met een schetsblad zit.
Landscape with Roman Temple and Wagon
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: louis philippe joseph, duc de chartres
Artist role: artist
Artist nationality: french
Artist dates: 1726 – 1785
Portret van François-Rodolphe Ingold
Object type: book illustration
Date: 1662 – 1662
Materials: paper
Techniques: engraving, letterpress printing
Location: straatsburg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit: [Boeckler, Johann Heinrich]. Laudatio Posthuma, Qua Illustris Viri, Francisci Rudolphi Ingoldi, Reip. Argentoratensis Senioris (...) Memoriam publica pietate honoravit Academia, XXXI die Martii, an. MDCXLII. Straatsburg: Johann Philip Mülbe, 1662.
Straatgezicht in een heuvelachtig landschap
Object type: stereograph
Date: 1895 – 1903
Materials: paper, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Balthasar van Essen, rentmeester-generaal van de stad Antwerpen
Object type: jeton
Date: 1679 – 1679
Materials: copper
Techniques: striking
Location: antwerp
Artist: Anonymous
Subjects: antwerp

Koperen penning. Voorzijde: wapenschild in cartouche tussen letters S.P.Q.A. binnen krans van bladeren en bloemen. Keerzijde: opschrift binnen omschrift
Vase
Object type: vase
Date: 1780 – 1780
Materials: glaze, porcelain
Culture: japanese
Cap of Liberty and Nevada Fall, Yosemite
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: waterfalls,mountains,landscapes
Album of Copies of Chinese Paintings
Object type: album leaf
Date: 1601 – 1700
Materials: ink, silk
Culture: japanese
Artist: kano tsunenobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1636 – 1713
Subjects: birds,flowers
Viscera figure with baboon head (Hapy)
Object type: son of horus, hapy, baboon headed, henettawy c
Date: 990 – 970
Location: egypt

A set of four roughly-made figures (25.3.155a–d) were found inside the mummy of Henettawy,daughter of Isetemkheb. Each of the figures represents one of the Four Sons of Horus, the deities who both embodied and protected the internal organs. Henettawy's organs had been removed, divided into seven packages, dessicated, wrapped in linen, and placed back in the body. This figure represents the baboon-headed Hapy, usually seen as the guardian of the lungs.
Zes fotoreproducties van een publicatie door de Arundel Society met schilderijen door Masaccio
Object type: page
Date: 1859 – 1869
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: book, painting (including book-illumination, miniature-painting)
Inscriptions: inscription: ‘Annual publications. Fourteenth year (1862).’
Portret van Cosimo I de'Medici
Object type: book illustration
Date: 1600 – 1699
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: cosimo i de' medici, historical persons
Portret van Claude Alexandre de Villeneuve, Comte de Vence
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: etching
Subjects: claude-alexander de villeneuve (comte de vence), historical persons, adult man (+ sideview, profile)
Inscriptions: collector's mark: Lugt 2228

Buste naar links, in ronde lijst met strik midden boven. Midden onder zijn wapen, vastgehouden door twee engelen.
Ruit met wapen van Leiden en onderschrift "Leiden 1696"
Object type: wapenruit
Date: 1696 – 1696
Materials: glass, lead
Techniques: leading
Artist: Anonymous

Gebrandschilderde ruit met het wapen van Leiden. Met onderschrift "Leiden, 1696". Opmerking: Zat samen met inv nr. BK-KOG-118 in één ruit (zie foto). Behoort tot dezelfde serie als BK-KOG-220, 221 en 226. Afkomstig uit de Ned. Herv. Kerk te Twisk.
Meijer's prenten
Object type: print
Date: 1878 – 1878
Materials: paper
Techniques: lithograph, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: correction of naughty children, child, bad behaviour, tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen over het leven van het luie jongetje Otto. Onder elke afbeelding een vierregelig. Genummerd rechtsboven: No. 65.
Madonna Adoring the Sleeping Child
Object type: painting
Materials: paint, wood
Artist: giovanni bellini
Artist role: artist
Artist nationality: italian
Artist dates: 1424 – 1516
Subjects: sleeping,madonna and child

Asleep beneath the solemn gaze of his mother, the Christ Child’s pose is a reminder of his eventual death and sacrifice. Placed on a ledge that resembles an altar, the child doubles as a symbolic representation of the Eucharist, the Christian rite in which sacramental bread is blessed on an altar and becomes the body of Christ. This work is an important early one by Giovanni Bellini, the greatest painter of fifteenth-century Venice and one of the key figures of European painting. Its hard, linear quality is indebted to the example of Bellini’s brother-in-law, Andrea Mantegna, as well as to the sculpture of Donatello, which Bellini studied in Padua. The picture has suffered from a strong, abrasive cleaning.