deem-data/ArtiFact huggingface dataset:
Musicerend elegant gezelschap in de openlucht
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: transverse flute - cc - out of doors, neck-gear ~ clothing (with name) (+ men's clothes), dress, gown (fartingale) (+ women's clothes), skirt (underskirt) (+ women's clothes), head-gear: hat (+ men's clothes), neck-gear: collar (+ women's clothes), clothes, costume (+ women's clothes), skirt (+ women's clothes), more than one musician with instrument - cc - 'concert champêtre', clothes, costume (+ men's clothes), outdoor gathering, 'délices à la campagne', trousers, breeches, etc. (breeches) (+ men's clothes), clothing for the upper part of the body (doublet) (+ men's clothes), clothing for the upper part of the body (with name) (+ women's clothes), lute, and special forms of lute, e.g.: theorbo - cc - out of doors, netherlands
Inscriptions: signature: ‘Esaias v. velde Inv.’, address: ‘Abram Ianssen excu.’, collector's mark: Lugt 240, caption: ‘Consumunt nati quesita labore parentum, Indulgent genio, luxurieq_ vacant.’, caption: ‘Vive l'amour met vrucht, ons houwlick is begonnen / Ons Ouders waeren boersch, sy hebbent vreck ghewonnen, / Pannegen vet, moy weer, het moet al doer den krop / Wy hebben goets ghenoech, hoe Cryghen wyt maer op.’, signature: ‘G.v. Scheyndel fec.’, date: ‘1622’, collector's mark: Lugt 2165

Elegant gezelschap, gekleed volgens de mode van ca. 1620, in een prieel. Links een zitten fluitspelende dame en luitspelende heer, bij een tafel waarop een muziekboek. Rechts een staand paar, op de rug gezien. Naast hen een hond.
Peonies
Object type: painting
Date: 1910 – 1910
Materials: canvas, oil
Culture: american
Artist: wilton lockwood
Artist role: artist
Artist nationality: american
Artist dates: 1861 – 1914
Subjects: peonies,still life
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, bit of draped figure; tendrils and frond from handle ornament
Naaister en vioolspeler
Object type: print
Date: 1822 – 1880
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880
Subjects: one person playing string instrument (bowed), violin, fiddle, sewing
Inscriptions: collector's mark: Lugt 2228

Een vrouw zit op een bankje en gebruikt naald en draad om een laken te verstellen. In de deuropening achter haar speelt een oude man viool.
Scheepstudien door A. Hulk tweede aflevering
Object type: print
Date: 1843 – 1856
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: abraham hulk
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1897
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc., pier, quay, wharf
Inscriptions: collector's mark: Lugt 2228

Op de boot zit een man. Aan de zeilboot zit een roeiboot bevestigd. Genummerd linksboven: 2. Deze prent maakt deel uit van een omslag met vier losse prenten.
Sauceboat
Object type: sauceboat
Date: 1765 – 1765
Materials: silver
Culture: american
Location: united states
Artist: paul revere jr.
Artist role: maker
Artist nationality: american
Artist dates: 1734 – 1818

American silver sauceboats, also called butter boats, first appeared around 1725–30 and were intended to hold the melted butter, gravy, or sauces served with meat and vegetable dishes. Sauceboats were usually made in pairs or occasionally in sets of four, to be placed at either side of the table for easy access. The earliest models, following French and English fashion, had two pouring lips and two handles, but by the 1740s single-lipped vessels became the norm. With their scalloped upper rims, freestanding double-scroll handles, bulbous knees, and pad feet, the Revere sauceboats epitomize Rococo styling. Each is inscribed on its underside with the initials "M" over "M R" for Ruth Coney and Mungo Mackay, who were married in 1763. Mungo Mackay was a Scots sea captain whom the silversmith paid in 1781 for "freight on some goods from France."
Modern Versions of the twenty-four Paragons of Filial Piety: Guo Zhu
Object type: print
Date: 1770 – 1770
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: isoda koryūsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Subjects: birds,infants,men,women,cauldrons

As his young wife watches raptly, a young man is taking boiling water with a bamboo ladle from an iron tea cauldron in a square hearth set into the tatami mat floor. Behind him a Chinese-style painting of a bird in bamboo is hung before a bird-shaped incense burner in the tokonoma alcove. This scene of domestic tranquility focused on the cauldron and other utensils of the formal tea ceremony (chanoyu) is in fact a witty parody of one of the moralizing tales propagated in Confucianism, the official ideology of the Tokugawa shogunate. Guo Zhu, said to have lived in the second century A.D. in China, was so devoted to his aged mother that, finding himself unable to support his entire family, he persuaded his wife that they should bury their infant son to be able to feed her. As he was digging the grave, he uncovered a cauldron of gold, a just reward which saved him from a painful, extreme exercise of his filial piety. Such an urbane twist on a traditional theme is typical of the wit of Ukiyo artists and their Edo patrons, who chafed under the rigid morality espoused by the Shogunate. Koryūsai adopted the doll-like figures of his teacher Harunobu, adding a fresh robustness that prefigures the more realistic representations of the 1780s. The darkened mottling on the orange color is the result of oxidation of red lead, an effect sometimes used intentionally for architectural elements.
Armor
Object type: armor
Materials: copper alloy, gold, leather, steel, textile
Culture: italian
Location: italy

The man's armor, dating from about 1575, is part of a small garniture that included exchange elements for the battlefield and reinforcing pieces for the tournament. The breastplate is a restoration. The associated horse armor also in the Metropolitan Museum's collection (acc. no. 21.139.2), dating from about 1560, is one of the few complete examples of its period to be preserved. It comes from the armory of the counts Collalto at the castle of San Salvatore, near Treviso, where it was presumably kept from the late sixteenth until the early twentieth century. The bands of etched ornament include classically inspired trophies of arms and armor and musical instruments. These were standard decorative motifs on Italian armor of the period, but here, they are depicted with much more precision, on a larger scale, and in far greater detail and variety than usual. The high quality of the horse armor and its elaborate decoration indicate that it must have belonged to a leading member of the Collalto family, perhaps Collatino Collalto (1523–1569), who was famous both as a soldier and as a man of letters.
Gezichten op het Minderbroedersklooster te Amsterdam
Object type: print
Materials: chalk, paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: abbey, monastery, convent ~ roman catholic church
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 195

Latere staat van prent ook gebruikt in: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (…). 3 delen [folio-uitgave]. Amsterdam: Isaak Tirion en Yntema & Tieboel, 1760-1767, dl. 1 (Isaac Tirion, 1760).

Zie RP-P-AO-24X-23 voor tweede staat.

Dat de prent de situatie rond 1544 weergeeft gaat terug op het feit dat voor het maken van deze en andere prenten van kloosters en kerken van voor de Alteratie (1578) is uitgegaan van de plattegrond van Cornelis Anthonisz. uit 1544 (zie RP-P-OB-70.399 en RP-P-AO-20-15).
Icones et segment (...)
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: etching
Location: paris
Subjects: triumph of bacchus; 'carro di bacco' (ripa), maenad(s), female bacchant(es), piece of sculpture, reproduction of a piece of sculpture, satyr(s) (in general)
Inscriptions: number: ‘34’, inscription: ‘Ende lib. No. 5. fol. 76.’

Deze prent maakt deel uit van een reeks van 54 prenten (+ titelprent) naar antieke reliëfs. De nummering op de prenten loopt van 1 tot en met 50. Sommige prenten hebben dubbele nummers.
Naar een reliëf in Palazzo Rospigliosi-Pallavicini te Rome.
Portret van Johann Paul von Eyb
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: etching
Location: nuremberg
Artist: stephan strauch
Artist role: painter, print maker
Artist dates: 1645 – 1677
Subjects: johann paul von eyb, historical persons
Inscriptions: collector's mark: Lugt 2228
Meute beagles jaagt op een haas
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: london
Subjects: riding a horse, ass, or mule; rider, horseman, low hill country, hunting dogs, dog (with name of kind), hare-hunting, rabbit-hunting
Inscriptions: collector's mark: Lugt 2233
Iconographie
Object type: album leaf
Date: 1630 – 1641
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: cesare alessandro scaglia

Deze prent maakt deel uit van een album.
Moeder en kind aan de waterkant
Object type: print
Date: 1823 – 1883
Materials: paper
Techniques: drypoint, etching
Location: utrecht
Artist: hermanus jan hendrik van rijkelijkhuysen
Artist role: painter, print maker
Artist dates: 1813 – 1883
Subjects: swamp, inland marsh, fens (+ landscape with figures, staffage), mother and baby or young child
Inscriptions: collector's mark: Lugt 2228

In een bos zitten een moeder en haar kind aan de rand van een ven.
A Farmhouse in the Bavarian Alps
Object type: painting
Date: 1825 – 1825
Materials: cardboard, oil, paint, paper
Techniques: laid work, painting
Location: germany
Artist: johann georg von dillis
Artist role: artist
Artist nationality: german
Artist dates: 1759 – 1841
Subjects: landscapes, buildings, building, farm, figure, goats, cows, animals, germany, mountains, mountain, house, farm life, houses, trees
Schotel van veelkleurig beschilderde faience
Object type: platter
Date: 1765 – 1780
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: delft
Artist: johannes van duijn
Artist role: plateelbakker

Ronde schotel van veelkleurig beschilderde faience. Op het plat is een cirkel met daarbinnen planten op een grond geschilderd, daar omheen acht vakken met planten en bloemen. De rand is verdeeld in acht vakken waarbinnen planten en bloemen. De gebruikte kleuren zijn: blauw, groen, rood, paars en geel. Bij de schotel horen vijf identieke schotels met invnrs. BK-NM-13347-a, BK-NM-133347-b, BK-NM-13347-c, BK-NM-13347-e, BK-NM-13347-f. De schotel is gemerkt. De glazuur geheel losgelaten.
Two alternate projects for a Cornice
Object type: drawing
Date: 1700 – 1780
Materials: ink, lead, drawing material
Techniques: brush, pen, wash
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Para uit Turkije van sultan Abdul Medjid, regeringsjaar 8 [=1846]
Object type: coin
Date: 1846 – 1846
Materials: copper
Techniques: striking
Location: constantinople

Koperen munt. Voorzijde: tughra met rechts daarvan takje met bladeren. Onder tughra regeringsjaar-aanduiding: 8. Keerzijde: binnen omschrift in Arabische letters waarde-aanduiding: 1. In omschrift muntplaats-aanduiding: Constantinopel en aanduiding jaar van aantreden: 1255 [=1839].
At Home and Abroad, Abroad and At Home
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,couples,men,women,cats,dogs,drinking
Nieuwe kaarte van het dykgraafschap der Vier Noorder Coggen
Object type: map
Date: 1731 – 1731
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: (story of) neptune (poseidon), coat of arms (as symbol of the state, etc.), triton(s), maps of separate countries or regions, polder, reclaimed land, (story of) aeolus, guardian of the winds; 'eolo' (ripa), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 195

Dit object is omwille van een betere presentatie virtueel samengevoegd maar bestaat fysiek uit losse onderdelen.

Datering gebaseerd op samenstelling van het bestuur van het dijkgraafschap. Vlak na het verschijnen van deze staat is een tweede staat uitgeven. Daarop staan dezelfde wapenschilden van de bestuursleden, maar zijn de naam van de prentmaker en de naam van de ontwerper toegevoegd en is de titel veranderd (Nieuwe kaarte van het Dykgraafschap van't Ooster Baljuwschap van West-Vriesland, genaamt Medenblick en de Vier Noorder Coggen). Mogelijk is de huidige staat, waarvan tot dusver geen andere exemplaren bekend zijn, dus een proefdruk.

De Bibliothèque nationale de France bezit een exemplaar van de tweede staat: http://gallica.bnf.fr/ark:/12148/btv1b53039237c.
Röntgenfoto van een poot van een varken
Object type: page
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Location: ghent
Subjects: x-ray examination
Inscriptions: number: ‘No 6’

Prent op vijfde ongenummerde pagina na pagina 470.
Fluisterende meisjes naast een bed
Object type: drawing
Date: 1890 – 1930
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: whispering, bed, nightwear
Inscriptions: number: ‘28.a’, collector's mark: Lugt 2228a, :

Twee meisjes staan in slaapkleding naast een bed. Het ene meisje fluistert iets in het oor van het andere meisje.
Terracotta oinochoe: olpe (jug)
Object type: olpe
Date: 540 – 540
Materials: terracotta
Culture: greek, attic
Subjects: spears,men,women,horses

Young horseman between youth and woman The olpe is a jug characterized by a mouth that is continuous rather than articulated with a spout. This example represents an early type in which the mouth is black rather than decorated. The meaning of the scene is puzzling, insofar as all three figures are holding spears. It may be that the youths are leaving or returning home; the woman with a spear is probably a member of the household.
Caroline, Carel en Frank van den berg in Wiesbaden
Object type: photograph
Date: 1904 – 1921
Materials: paper, cardboard
Techniques: gelatin silver print
Location: wiesbaden
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: the hague, caroline louise van den berg-van den berg, amsterdam, carel frederik van den berg (cay), frank willem van den berg (1912-1998), family life

Deze foto's zijn onderdeel van een album.
Portret van Abraham von Franckenberg
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: representations of the trinity, (feigned) picture curtain, ornament ~ medallion, historical persons, the bible as a book

Prent waarschijnlijk uit: Fortgesetzte Sammlung von Alten und Neuen Theologischen Sachen (...) auff das Jahr 1725. Leipzig: erven Johann Friedrich Brauns, 1725.
Jug
Object type: jug
Date: 1892 – 1896
Materials: earthenware
Techniques: glazing
Artist: christopher dresser
Artist role: designer
Artist nationality: british, scottish
Artist dates: 1834 – 1904

This jug and another of the same model manufactured by Linthorpe Pottery Works (2016.178.4) represent a single Christopher Dresser model produced by two different factories at different dates. When Linthorpe closed in 1889, its molds were acquired by Ault Pottery. In 1893, Dresser signed a contract with Ault to produce new designs; the contract also stated that going forward, each piece should be marked with his facsimile signature.
Exterieur van de Waag te Deventer
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: deventer
Artist: Anonymous
Subjects: façade (of house or building), weigh-house
Inscriptions: inscription: ‘HOLLANDE Deventer. Le Waag’, inscription: ‘uit het tijdperk vóór de Renaissance. 1528 (trap uit de 17e E)’, collector's mark: Lugt 3937
Eight-Plank Bridge (parody of "Tales of Ise")
Object type: print
Date: 1767 – 1767
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Communion cup (one of a pair)
Object type: communion cup
Date: 1660 – 1661
Materials: silver gilt
Artist: w. h., london
Artist role: maker
Subjects: coat of arms
Verminking van de lichamen van de gebroeders de Witt, 1672
Object type: design
Date: 1728 – 1728
Materials: chalk, paper
Techniques: brush
Location: northern netherlands
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: cornelis de witt, politician, johan de witt, mutilation of the corpse, lynching, attempt, political murder, violent death, being killed; being mishandled and maltreated; seeking death (+ death by lynching), the hague

Naar de prent van Romeyn de Hooghe (FMH 2401).. Ontwerptekening voor illustratie in: J. le Clerc, Histoire des Provinces-Unies des Pays-Bas, Amsterdam 1723-1728, 4 delen, dl. III, p. 430.
Vlinders, kevers en sprinkhanen
Object type: print
Date: 1547 – 1590
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: insects: butterfly, insects: grass-hopper, insects: beetle
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Vlinders, kevers en sprinkhanen. De prent maakt deel uit van een prentserie over vogels en vlinders.
Shoulders from Portrait Bust
Object type: bust fragment
Date: 1401 – 1500
Materials: marble
Culture: italian
Zuidzijde van de Gertrudiskerk te Beets, afgebroken in 1890
Object type: photograph
Date: 1880 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: beets
Subjects: church (exterior)
Inscriptions: annotation: ‘N.H. Kerk te Beets / Zuidzijde’, annotation: ‘Opsterland/ N.H. Kerk, zuidzijde/ Beets’
Kolonisten in gesprek met bewoners van West Australië of Nieuw Holland en opmaak van tekst voor titelpagina
Object type: print
Date: 1807 – 1837
Materials: paper, pencil
Techniques: etching
Location: amsterdam
Subjects: colonial government
Inscriptions: collector's mark: Lugt 2228

Proefdruk voor titelpagina van: Schoppe, Amalia, geb. Weise, Arthur en Daringha of De kolonisten in Nieuw Holland, Wed. A. Loosjes Pz. (uitgever), Haarlem 1837. We kunnen aannemen dat er in ieder geval ook nog een derde staat van deze prent vervaardigd is, de titelpagina compleet met tekst.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 433 – 567
Materials: terracotta
Culture: greek, attic
Artist: skythes
Artist role: artist
Handkerchief
Object type: handkerchief
Date: 1801 – 1900
Portret van Françoise van Egmond
Object type: print
Date: 1580 – 1600
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: historical persons - bb - woman, head-gear: hat (+ women's clothes), neck-gear ~ clothing (with name) (+ women's clothes), gloves, mittens, etc. (+ women's clothes), sleeves: cuffs (+ women's clothes), dress, gown (+ women's clothes), skull as symbol of 'vanitas', sleeves (+ women's clothes), necklace (+ women's clothes)
Inscriptions: mark: ‘L.1494.’, mark: ‘ri’, mark: ‘L.2760.’, mark: ‘L.2228’, mark: ‘L.151.’

Francoise van Egmond is gekleed in japon met dubbele schouderrollen* versierd met knopjes* en brede molensteenkraag*. Aan de mouwen geplooide manchetten*. Op het opgekamde haar* een toque*. Om de hals verschillende kettingen*; aan de linkerhand een handschoen* met splitten.
Oude jachtvormen volgens middeleeuwse manuscripten
Object type: print
Date: 1836 – 1837
Materials: paper
Techniques: lithography
Location: paris
Subjects: hunting, chase, hunting dogs
Inscriptions: check stamp: Lugt 1828c

Deze prent maakt deel uit van een omslag met twaalf prenten. Rondom de hoofdvoorstelling wordt de historische achtergrond van de jachthond in Europa uitgelegd in woord en beeld.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, male with himation draped over left shoulder, lower body, and gathered in his left hand, with right hand holding a branch; in the field, a sponge and aryballos; part of an inscription, …ES …E; Exterior, lower legs and lower part of himation of figure to left; feet and lower legs of various other males
Quatrième Livre de Formes ornées de Rocailles (...) et Dragons Chinois
Object type: ornament print
Date: 1736 – 1736
Materials: paper
Techniques: etching
Location: france
Subjects: rocaille ornament, chinese, fabulous animals ~ birds

Deze serie is linksboven genummerd met een letter D. Prent maakt deel uit van een album.
Netsuke of Demon Mask Derived from Bugaku
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: masks,demons
Terracotta oinochoe (jug)
Object type: oinochoe
Date: 700 – 668
Materials: terracotta
Culture: greek, attic

From the Hymettos deposit (see 30.118.1)
Pinafore
Object type: pinafore
Date: 1801 – 1833
Materials: cotton
Culture: american
One Man Striking Another
Object type: print
Date: 1514 – 1536
Techniques: engraving
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
Statue of a kneeling Kushite king
Object type: statuette, kneeling king
Date: 733 – 664
Materials: bronze, gold leaf
Location: egypt and sudan
Subjects: men

Kushite kings wore distinctive regalia, including a cap crown, double uraei, and ram's-head amulets. On this kneeling king, the double uraei have been "corrected" to one, while the ram's-head amulets on the necklace and the king's name on his belt have been hammered out by a later Saite king. The cap crown with a falcon engraved in the back, the bandeau with streamers, and the diadem with many tiny uraei were left untouched. The small bronze kneeling figure represents two aspects of Kushite Period art that are intensifications of tendencies already extant in the Third Intermediate Period. Provision of small bronze royal attendant statuary demonstrated an specially pious regard for the gods and their temples. And, stylistically, there was an inclination toward models from the past, particularly the Old Kingdom, a taste clearly visible in the broad shoulders and narrow waist of the small bronze. The large gold ram's-head amulet 1989.281.98 is an actual example of the type that was worn on this king's neck cord.
Plate 102: Midas with the Ears of an Ass (Midae ob iudicij craßustiem aures asininae), from Ovid's 'Metamorphoses'
Object type: print
Date: 1606 – 1606
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: men,midas,satyrs
Slapende kleuters met kat
Object type: print
Date: 1705 – 1768
Materials: paper
Techniques: etching
Artist: anna folkema
Artist role: draughtsman, print maker
Artist dates: 1695 – 1768
Subjects: cat, sleeping on the ground, tot, toddler ~ the ages of man
Inscriptions: collector's mark: Lugt 2228
Cutting Off the Nose (Modern Military Punishments)
Object type: print
Date: 1725 – 1725
Techniques: etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: castles,military,knives,men,drums,dogs,flags,punishment
Mattie Rogers, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
A Limier Briquet Hound
Object type: painting
Date: 1856 – 1856
Materials: canvas, oil
Artist: rosa bonheur
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1899
Subjects: dogs

This painting, made from life about 1856, depicts a dog that belonged to a gentleman known as the Vicomte d'Armaille. It is one of Bonheur's numerous portraits of hunting dogs and pets.