deem-data/ArtiFact huggingface dataset:
Cowroid Inscribed Lord of the Two Lands Maatkare (Hatshepsut), Living
Object type: cowroid
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: animals,hieroglyphs
Earring (part of parure)
Object type: earring
Date: 1860 – 1860
Materials: coral, gold
Life-sized Heads
Object type: print
Date: 1760 – 1762
Materials: paper
Techniques: mezzotint
Location: london
Artist: thomas frye
Artist role: print maker
Artist dates: 1710 – 1762
Subjects: passions, emotions, affections, lifted eyebrows, candle
Inscriptions: collector's mark: Lugt 2228

Frye voerde portretten uit in olieverf, pastel en mezzotint. Deze prent is deel van een serie van achttien levensgrote koppen met verschillende uitdrukkingen en in verschillende houdingen, uitgegeven tussen 1760-1762.
Les Mercenaires de Carthage
Object type: reproduction
Date: 1879 – 1884
Materials: paper
Techniques: woodburytype
Location: paris
Subjects: garrison
Inscriptions: inscription: ‘SALON 1884.’, inscription: ‘... Cent plus (...) Flaubert. Salammbó.)’, name: ‘SURAND (Gustave)’
Trein op het perron van Maisons-Alfort tijdens de overstroming van Parijs
Object type: photograph
Date: 1901 – 1910
Materials: photographic support
Techniques: matte daylight collodion silver print
Location: paris
Artist: g. dangereux
Artist role: fotograaf
Subjects: flood (+ landscape with figures, staffage), platform (railway, tramway) (+ propulsion of vehicle, ship, etc. by ...), railway, train, steam locomotive, paris

Onderdeel van fotoalbum overstroming Parijs en voorsteden 1910.
Gezicht op Venetië
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: city-view, and landscape with man-made constructions, venice
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: ‘AFE v S’
Wedding ensemble
Object type: wedding ensemble
Date: 1875 – 1875
Materials: cotton
Culture: american or european
Design for Dog Cart or 2 Wheeler, no. 4145
Object type: drawing
Date: 1891 – 1891
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Paardenkop, naar rechts
Object type: drawing
Date: 1819 – 1881
Materials: chalk, paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: horse
Salle du trône au Bardo
Object type: photograph
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Location: le bardo
Artist: j. andré garrigues
Artist role: fotograaf
Subjects: throne-room
Inscriptions: number: ‘N. 140.’
Portret een staande vrouw bij een tafel
Object type: photograph
Date: 1867 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: historical persons, standing figure - aa - female human figure
Inscriptions: inscription: ‘G & R Lavis/ Photographers &/ Miniature Painters/ 135, Regent St/ W.’
Schakelarmband van goud
Object type: chain bracelet
Date: 1940 – 1950
Materials: gold
Location: voorschoten
Inscriptions: maker's mark: ‘DCW’, alloy mark: ‘eikenblad 585’

Schakelarmband van goud met rechthoekige in het midden gesnoerde schakels voorzien van een bakslot en een veiligheidsachtje.
Bisdom Münster, Friedrich Christian von Plettenberg, 24 Mariengroschen, 1694
Object type: coin
Date: 1694 – 1694
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: op een bisschopsstaf en een zwaard versierd samengesteld wapenschild, waarop kroon. Keerzijde: waarde-aanduiding in drie regels, waaronder jaartal. Gladde rand.
Hook
Object type: hook
Date: 1801 – 1900
Materials: gilt bronze
Ontploffing van het Nederlandse kaperschip De Dappere Patriot in gevecht met het Engelse schip Kameleon, 14 augustus 1781
Object type: drawing
Materials: ink, paper
Techniques: brush, pen
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: names of artefacts and man-made objects (buildings excluded), battle (+ naval force), historical events and situations
Clement XII (Lorenzo Corsini, 1652–1740, Pope 1730–60)
Object type: medal
Date: 1733 – 1733
Materials: bronze
Artist: ottone hamerani
Artist role: artist
Artist dates: 1694 – 1768
Subjects: buildings,men,profiles,popes
Struisveer, lila van kleur, met verloop van donker naar licht
Object type: womenswear
Date: 1895 – 1915
Materials: metal
Techniques: painting
Location: western europe
Artist: Anonymous

Struisveer, lila van kleur, met verloop van donker naar licht.
Piece
Object type: piece
Date: 1701 – 1800
Techniques: lace
Subjects: men,hunting,dogs
The Second Yamashita Kinsaku as a Woman Standing at Night
Object type: woodblock print nishiki e
Date: 1779 – 1779
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: night,actors
October (one of a series representing the labors of the months)
Object type: drawing
Materials: chalk
Artist: jonas umbach
Artist role: artist
Artist nationality: german
Artist dates: 1624 – 1693
Subjects: houses,men,women,working
Portret van Wilhelm Gottlieb Tafinger
Object type: print
Date: 1757 – 1767
Materials: paper
Techniques: etching
Location: augsburg
Subjects: bookshelves, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Landschap met een sloot en boerderijen
Object type: print
Date: 1784 – 1808
Materials: paper
Techniques: etching
Location: haarlem
Artist: franciscus andreas milatz
Artist role: draughtsman, painter, print maker
Artist dates: 1764 – 1808
Subjects: riding a horse, ass, or mule; rider, horseman, small canal, ditch, farm or solitary house in landscape, dog
Inscriptions: collector's mark: Lugt 2228

Op een weg langs een sloot een ruiter met een staande man in gesprek en een hond. Links boerderijen achter de bomen. Op de houten brug een hond.
Portrait of Pietro Aretino
Object type: print
Date: 1517 – 1520
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: men,portraits,authors

Often regarded as the first modern pornographer, the poet and satirist Pietro Aretino (1492–1556) penned some of the most lurid and salacious verses of the sixteenth century, most famously the sixteen sonnets he wrote to accompany Giulio Romano's I modi and the erotic dialogues featuring a worldly-wise puttana (prostitute) Nanna conversing in explicit and lively detail about endless and infinitely varied sexual adventures—her own and those of innumerable others that she surreptitiously witnessed. Marcantonio Raimondi's engraved portrait of Aretino was probably designed by the Venetian painter Sebastiano del Piombo, although the name of Giulio Romano—with whom Marcantonio collaborated on I modi—has also been proposed. It may date from the early moment of his career, when Aretino was still an unknown newcomer to Rome and he and Giulio were working for the wealthy papal banker Agostino Chigi; an alternative view is that the print was executed about 1525 as an expression of gratitude by Marcantonio to Aretino, who had negotiated the engraver's release from prison after the scandal of I modi. Aretino's dignified mien and elegant costume impart to him the refined aspect of Renaissance courtier. That facade is belied by his conspicuous hat badge—an invocation of the satirist's transgressive, obscene pronouncement that the phallus should be venerated and displayed as proudly "as a medal in one's hat." (Based on L. Wolk-Simon, "'Rapture to the Greedy Eyes': Profane Love in the Renaissance", in Art and Love in the Renaissance, 2008, pp. 43-58)
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Artist: migueline bernard dattanoux
Artist role: painter
Subjects: the hague, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Rural Sports: Cat in a Bowl
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,cats,carriages

A distressed cat floats in a bowl at left. A woman tries to save the cat, but another lady restrains her. The other spectators watch excitedly.
Bouw van de toren van Babel
Object type: book illustration
Date: 1530 – 1533
Materials: paper
Techniques: letterpress printing
Subjects: the tower of babel

Prent afkomstig uit: Biblicae historiae. Frankfurt am Main: Egenloph, 1539.
Chinese Poem on Fishing and Zen
Object type: hanging scroll
Date: 1467 – 1500
Materials: gold, ink, paper
Culture: japanese
Artist: ōsen keisan
Artist role: artist
Artist nationality: japanese
Artist dates: 1429 – 1493

Brushed in flamboyant, yet fully controlled brushwork on gorgeous orange-red dyed paper, the eminent Zen monk-literatus Ōsen Keisan has inscribed a quatrain of a Chinese poem as his wont in a combination of standard, semi-cursive, and cursive scripts. It can be deciphered and tentatively translated as follows: 屋似蘆花浅水舟、釣無眞贋只天遊、 禪河敎海掣鯨手、春雨爲絲状月鈎、 My hut resembles a shallow-water skiff amid the reeds and flowers, Where I pass my time fishing idly, just enjoying nature. From the river of Zen, into the ocean of Buddhist Law, I try to reel in a whale, Using fine spring rain as a fishing line with the hook of the crescent moon. Osen Keisan was a monk of the Rinzai Zen sect, and a prominent figure in the Gozan Bungaku literary salon culture of the five high-ranking Zen temples of Kyoto of the day. He was an aide and close confidant of the eighth Ashikaga shogun, Yoshimasa (1436–1490), and advised him on both foreign affairs and literature.
Armstoel (model knopstoel) van notenhout met gladde, gedraaide stijlen en dwarsregels, voorpoten en achterstijlen eindigend in fijn gedraaide knoppen
Object type: armchair
Date: 1690 – 1710
Materials: cardboard, linen, silk, fiber, wood
Location: amsterdam
Artist: Anonymous
Immortal Poet
Object type: painting
Date: 1601 – 1700
Materials: ink, silk
Culture: japanese
Artist: kano shōun
Artist role: artist
Artist nationality: japanese
Artist dates: 1637 – 1702
Subjects: men,poets
Pompejaansche muurschilderingen in het Nationaal museum te Napels.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, painting (including book-illumination, miniature-painting) (+ plaster ~ arts), war, pompeii
Inscriptions: inscription: ‘Pompeji.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, inscription: ‘CWN.’, number: ‘6918’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’
Perspectiefoefening
Object type: sketchbook leaf
Date: 1813 – 1813
Materials: ink, paper, pencil
Techniques: pen
Artist: jonkvrouw catharina kemper
Artist role: draughtsman
Artist dates: 1801 – 1871
Subjects: mathematical perspective
Inscriptions: annotation: ‘om de schaal 4p3 te maken’

Blad 7 recto uit een schetsboek met 91 bladen.
Pictorial print
Object type: furnishing textile
Date: 1765 – 1765
Materials: cotton, linen
Artist: henry roberts
Artist role: engraver
Artist nationality: british
Artist dates: 1710 – 1790
Subjects: gates,houses,bulls,trees
Verhaal van David en Saul
Object type: print
Date: 1555 – 1633
Materials: paper
Techniques: engraving
Location: low countries
Artist: Anonymous
Subjects: david as a young man comes to saul's court with presents
Inscriptions: collector's mark: Lugt 2228

David staat voor Saul, nadat hij door de koning was ontboden vanwege zijn goede reputatie als harpist. Naast David een ezel met geschenken voor Saul. In de marge een éénregelig onderschrift in het Latijn uit 1 Sam. (foutief aangeduid als 1 Koningen op de prent).
Piece
Object type: piece
Date: 1860 – 1870
Materials: silk
Subjects: flowers,leaves
Actress holding hand-mirror aloft, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses,mirrors

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Funerary Cone
Object type: cone
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Vinaigrette
Object type: vinaigrette
Date: 1834 – 1834
Materials: silver
Artist: nathaniel mills
Artist role: maker
Artist nationality: british
Artist dates: 1746 – 1843
Subjects: flowers

The name of Nathaniel Mills (1746–1843) and profession as "jeweller "appears several times in Birmingham directories. His son, also called Nathaniel (1811–1873) joined the business, leading to the firm’s great prosperity. New techniques were introduced in the 1830s, including stamping, casting and engine turning. Considered one of the finest boxmakers of Birmingham and certainly the most prolific, the company of Nathaniel Mills & Sons was especially well-known for the "castle-top" boxes which depict British landmarks and were produced for travelers as souvenirs during the early days of the railways. Mills used flower, foliate and scrollwork surrounds for card cases, boxes (see 14.58.210) and vinaigrettes as seen here and 1983.575.23. Here, the engine-turned decoration surrounds a blank plate, suitable for engraving. The hinged silver-gilt grille has pierced and engraved floral scrolls and a flowerhead and is very similar to that of 1983.575.2 made by a different silversmith. This would suggest some type of factory, mass production of elements or possibly the use of a pattern book. A vinaigrette was intended to hold a tiny sponge dipped in aromatic vinegar. Its interior is gilded to protect the silver from oxidation caused by the acidity of the vinegar. A hinged and decoratively pierced inner lid or grille kept the sponge in place while its perforations allowed the odor to waft through. A whiff of the vinegar might revive someone from a fainting spell. Such vinaigrettes were worn around the neck, on a chatelaine suspended from the waist, or carried in a pocket.
Bead Net Funerary Shroud
Object type: funerary object
Materials: ceramic, faience, fiber, glass
Culture: egyptian
Location: egypt

The winged scarab beetle in the center of this beaded shroud invokes Khepri, the morning form of the sun god, whom ancient Egyptians depicted as a dung beetle. Just as the sun is born anew each dawn, Egyptians planned to be reborn into a new form of existence after death. As symbols of this renewal, scarab amulets were secured to the body with linen wrappings or incorporated into nets made of beads and laid over a mummified body. The image’s power is strengthened by the hieroglyphic meaning of the scarab shape, “to come into existence.”
Characters, from Jack and the Giant Killer, Plate 4 for a Toy Theater
Object type: print
Date: 1870 – 1890
Techniques: lithograph
Artist: benjamin pollock
Artist role: publisher
Artist nationality: british
Artist dates: 1857 – 1937
Subjects: soldiers,men,women
Engel staande op een wolk met banderol
Object type: titelblad, titelpagina
Date: 1608 – 1688
Materials: paper
Techniques: engraving
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: angels
Inscriptions: collector's mark: Lugt 240
Bracelet (part of parure)
Object type: bracelet
Date: 1840 – 1840
Materials: gold
Subjects: cupid

Part of a parure, 67.139.1–.4, consisting of bracelet, brooch and earrings.
Portret van Bernard Picart
Object type: print
Date: 1734 – 1734
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob van der schley
Artist role: draughtsman, print maker
Artist dates: 1715 – 1779
Subjects: paris, amsterdam, print maker, draughtsman, publisher, bernard picart, tools, implements of craftsman (+ engraving, etching), historical persons, brushes ~ implements of painter, mourning the dead, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Portret van de graveur, tekenaar en schilder Bernard Picart. Voor het portret treuren twee putti en zit een personificatie van Geschiedenis. Op de grond liggen boeken, prenten en schilder- en graveergereedschap.
Kyosai gafu
Object type: book
Date: 1860 – 1860
Materials: paper
Techniques: woodcut
Location: edo
Inscriptions: date
Celt
Object type: pendant
Date: 1501 – 1600
Materials: stone
Culture: mexican
Location: mexico
Gezicht op het eiland Oléron
Object type: opticaprent
Date: 1700 – 1799
Materials: paper, watercolor
Techniques: brush, etching
Location: france
Subjects: sailing-ship, sailing-boat, island (+ landscape with figures, staffage), rowing-boat, canoe, etc., france
Inscriptions: collector's mark: Lugt 2233, watermark

Op het water liggen schepen en boten. Op de voorgrond staan twee vrouwen met een parasol en een man met een monokijker aan de waterkant. Genummerd: 100.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: silk
Subjects: flowers,leaves
Drie Oosterlingen
Object type: drawing
Date: 1631 – 1674
Materials: chalk, paper
Artist: pieter lastman
Artist role: draughtsman, painter, print maker
Artist dates: 1583 – 1633
Reproductie van een prent naar een schilderij van een hond door Henriëtte Ronner
Object type: reproduction
Date: 1879 – 1884
Materials: paper
Techniques: photoaquatint
Location: brussels
Subjects: dog
Fragment of a Plaque with a Female Head
Object type: plaque fragment
Date: 100 – 1
Materials: terracotta
Culture: indian
Window in the South Face of the Church of the Holy Sepulchre
Object type: page
Date: 1860 – 1865
Materials: paper, photographic support
Techniques: albumen print
Location: jerusalem
Artist: james mcdonald
Artist role: fotograaf
Artist dates: 1822 – 1885
Subjects: church (exterior), gate, entrance
Inscriptions: inscription: ‘a’, inscription: ‘b’
Soepbord, veelkleurig beschilderd met een Kakiemon-decor
Object type: soup plate
Date: 1740 – 1745
Materials: porcelain
Techniques: painted
Location: meissen

Soepbord van beschilderd porselein. Het bord heeft een geribde en geschulpte rand. Het bord is beschilderd met een tijger, die zich tussen bloemen om een bamboestengel draait, gestrooide Indianische Blumen, vlinders en takken met vogels. De rand is versierd met het 'Altbrandenstein'-patroon. Het bord is gemerkt.
Uitnodiging voor de opening van de Eerste Tentoonstelling der Hollandsche Kunstenaarskring
Object type: photomechanical print
Date: 1915 – 1915
Materials: paper
Techniques: printing block
Subjects: picture, painting, collection, exhibition, show

Een man en vrouw staan een schilderij te bestuderen. Daarnaast de tekst: 'Uitnoodiging tot bijwoning der opening van de Eerste Tentoonstelling der Hollandsche Kunstenaarskring op Zondag 18 april 1915 des namiddags 2 uur in het Stedelijk Museum te Amsterdam. Daaronder is in handschrift de geadresseerde van deze uitnodiging ingevuld (Jhr. Teding van Berkhout), en daaronder de afzender (onleesbaar).
Abacus
Object type: abacus
Date: 1901 – 2000
Materials: cement
Culture: european
Subjects: animals
Neue Pinakothek, München
Object type: photograph
Date: 1850 – 1900
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: neue pinakothek
Groepsportret van de leerlingen van de 22e cursus van de Koloniale School voor Meisjes en Vrouwen in Den Haag
Object type: photograph
Materials: photographic support
Techniques: photography
Location: the hague
Artist: Anonymous
Subjects: further education (+ pupil), further education, the hague

Onderdeel van Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel I (1921-1929).
Scabbard Slide
Object type: scabbard slide
Date: 200 – 1
Materials: jade
Culture: chinese
Subjects: animals
Set of Amulets
Object type: amulet 8, wax dish, body part
Materials: gold leaf, wax
Location: egypt
Studie van maaswerk
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: ornament ~ tracery

Studie van maaswerk. Blad 43 recto uit een schetsboek met 58 bladen.
Saber with Scabbard
Object type: saber with scabbard
Materials: diamond, gemstone, gold, jade, pearl, silver, steel
Culture: grip
Location: india

The most important ceremony in the inauguration of many Islamic rulers was the investiture with a sword, rather than a crown. This extravagantly decorated saber traditionally is said to have been refitted in 1876 for the investiture of the Ottoman sultan Murad V (reigned May 30–August 31, 1876). He suffered a nervous breakdown before the ceremony and subsequently was deposed and kept a prisoner until his death in 1904. The sword was probably assembled by a court jeweler, using a seventeenth-century Iranian blade, an eighteenth-century Indian jade grip, and gem-studded gold and gilt-brass mounts of contemporary workmanship. The emerald near the top of the scabbard opens to reveal a secret compartment containing a gold coin marked with the name of Süleyman the Magnificent (1494–1566), the most powerful Ottoman ruler of the sixteenth century. The underside of the emerald is inscribed with the phrase "According to God's will."
Gezicht op de binnenplaats van het Lutherse Diaconieweeshuis te Amsterdam en penningen voor het eerste eeuwfeest
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: medal (considered as a piece of sculpture, regardless of its specific function)
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Jan Hendrik Vorstius, Redevoering op het eerste eeuwfeest van het luthersche diakonie-weeshuis binnen Amsterdam. Amsterdam: Johannes Strander (II), 1778. Voor de afgebeelde penningen zie: NG-VG-1-2790 en NG-VG-1-2792.