deem-data/ArtiFact huggingface dataset:
The Diamond Sutra
Object type: illustrated book
Date: 1573 – 1620
Techniques: painting, woodblock print
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: buddhism

By the late Ming dynasty, when this copy of the Diamond Sutra was produced, most Buddhist scriptures were printed rather than written by hand. This unusual sutra features handwritten red text and hand-painted color illustrations mixed with woodblock-printed sections of text.
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Top of a thrysos; start of handle root
Sterpagode voor Madras in India van de Engelse Oostindische Compagnie (EIC), (1740-1807)
Object type: sterpagode
Date: 1740 – 1807
Materials: gold
Techniques: striking
Location: chennai

Gouden munt. Voorzijde: een godheid ten halve lijve, staande. Links en rechts van hem stippen. Keerzijde: bolvormig, met binnen een denkbeeldige cirkel een vijfpuntige ster, waaromheen een veld, bezaaid met korrels. Gladde rand.
Inkstand
Object type: inkstand
Date: 1751 – 1800
Materials: pewter

Despite the fact that ink corrodes pewter, inkstands and inkwells were often made of this metal. This round inkstand contains a removable semicircular inkpot covered by a hinged lid. The other half is divided in two and consists of a sander with a perforated top and a container with a separate lid intended for wafers. The sander would contain very fine sand, shaken onto writing paper to blot the excess ink and the wafers were used to seal finished letters. The three holes in the rim were intended to hold quill pens, usually made of a goose wing’s feather. The angel stamp struck underneath indicates that the highest quality of tin was used for this piece. The stamp is incomplete and only part of the tinsmith’s name is legible: M. WAL … possibly for Anna Maria Walgraven who was active in eighteenth-century Goes, thus far the only recorded Dutch tinsmith whose name starts with WAL.
Laatste aanval op de Nederlandse troepen in Antwerpen, 1830
Object type: print
Date: 1830 – 1831
Materials: paper
Techniques: lithograph
Location: brussels
Artist: Anonymous
Subjects: street-fights, riots, antwerp
Inscriptions: collector's mark: Lugt 2228

Laatste aanval door Belgische opstandelingen op de Nederlandse troepen in Antwerpen, 27 oktober 1830. Rechts een stadspoort. Onderdeel van een groep van prenten uit verschillende andere series verwant aan de platen in het recueil over de gebeurtenissen tijdens de Belgische Revolutie in Brussel, Antwerpen en andere steden in de periode 25 augustus 1830 tot 27 maart 1831.
Bedcover (Friendship Quilt) (Unfinished)
Object type: textile
Date: 1848 – 1848
Materials: cotton, ink, linen, wool
Techniques: embroidery, glazing, weave, printing, stitching
Location: united states
Suikerpot, beschilderd met strooibloemen
Object type: sugar box
Date: 1784 – 1784
Materials: porcelain
Techniques: painted
Location: loosdrecht

Suikerpot geribd met een blauw strooipatroon van bloemen onder het glazuur. Gemerkt: koffiekan Amstel in blauw, theepot M:O L in blauw en ingegrift, melkkan MOL en Amstel in blauw en suikerpot * M:OL in blauw en ingegrift M:OL L80.
Glass short-strip mosaic bowl fragment.
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent purple, greyish blue, layered blue green appearing yellow green, opaque white, yellow, and brick red, and colorless. Vertical rim with rounded edge; side slanting downward and curving in at bottom. Short-strip mosaic pattern formed from rectangular lengths in white, green, and red; a strip in blue with a white spiral thread, and a square in a purple ground with a checkerboard pattern of five white rods; a colorless cane wound spirally with a double yellow thread is attached as a rim. Polished exterior; pitting of surface bubbles on exterior; dulling, pitting, and iridescent weathering on interior, edge of rim, and jagged edges.
Saucer (soucoupe)
Object type: saucer
Date: 1782 – 1782
Materials: hard paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: birds
Ionisch kapiteel
Object type: print
Materials: paper
Techniques: etching, letterpress printing
Location: paris
Subjects: ionic order ~ architecture, capital (~ column, pillar)
Inscriptions: collector's mark: Lugt 2228

Pagina 21 uit: Babel, Pierre Edme. Le Nouveau Vignole ou Regles Des Cinq Ordres D'Architecture (...). Parijs: Chereau, François (II), 1755.
Decorated Roman alphabet
Object type: print
Date: 1499 – 1499
Techniques: woodcut
Artist: anonymous, french, 15th century
Artist role: artist
Artist nationality: french
Artist dates: 1400 – 1500
Subjects: men
Plate (assiette à palmes) (1 of 102) (part of a service)
Object type: plate
Date: 1772 – 1772
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: flowers
Beckley, 1st Base, St. Louis Whites, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Portret van Henrik Ibsen
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: lithograph
Subjects: portrait of a writer
Inscriptions: collector's mark: Lugt 2228

Verschenen in het tijdschrift 'De Lantaarn', jaargang 4 (1888), nummer 6.
Landschappen in Sleeswijk-Holstein
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: engraving, etching
Location: munich
Subjects: city-view in general; 'veduta' (+ city(-scape) with figures, staffage)

Deze prent behoort tot deel één of twee van de serie 'Landschappen in Sleeswijk-Holstein'.
Het betreft een vierdelige reeks uitgegeven in twee omslagen waarvan deze omslag deel één en twee bevat met daarin zes landschappen en zes tekstbladen.
Portret van Ida van Braam
Object type: photograph
Date: 1900 – 1900
Materials: photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Subjects: historical persons - bb - woman
Fragment
Object type: fragment
Date: 1101 – 1400
Materials: glass, metal, paint
Culture: french
Veld van twee randtegels
Object type: randtegel
Date: 1600 – 1625
Materials: earthenware, glaze
Techniques: maiolica
Location: portugal
Artist: Anonymous

Veld van twee randtegels (1 x 2) veelkleurig (geel en blauw) beschilderd met naar elkaar toegewende C-motieven tussen twee banden.
The Sultan
Object type: drawing
Materials: graphite
Techniques: brush, wash
Location: france
Artist: jean honoré fragonard
Artist role: artist
Artist nationality: french
Artist dates: 1732 – 1806
Subjects: men
Portret van Johannes Stöffler
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: letterpress printing
Location: straatsburg
Artist: bernhard jobin
Artist role: printer, publisher
Artist dates: 1545 – 1593
Subjects: publisher, johannes stöffler, historical persons, mathematics

Prent uit: Reusner, Nikolaus. Icones sive imagines virorum literis illustrium (...). Straatsburg: Bernhard Jobin, 1590, p. 54. Prent voor het eerst verschenen in de eerste editie van 1587. Prent mogelijk ook gebruikt in latere publicaties.
“Pond Lily” Mirror
Object type: furnishing
Date: 1905 – 1905
Materials: bronze, glass
Techniques: casting
Location: corona
Artist: tiffany studios
Artist role: maker
Artist nationality: american
Artist dates: 1902 – 1932
Subjects: nymphaea, pond lily, pond, water lilies
Inscriptions: Struck, on back, at center: TIFFANY STUDIOS
Architectura
Object type: page
Date: 1593 – 1595
Materials: paper
Techniques: etching
Location: straatsburg
Subjects: column, pillar ~ architecture, caryatids ~ architecture, other architectural details, ionic order ~ architecture
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent gebruikt in: Dietterlin, Wendel (I). Architectura de quinq[ue] columnarum simmetrica distributione et variis eorundem or namentis: Liber I. Straatsburg: Bernhard Jobin, 1593.
Listesso Tempio
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: etching
Location: tuscany
Subjects: (story of) minerva (pallas, athena), landscape with ruins, temple, shrine ~ roman religion
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van 52 prenten.
Kings Swiss Guard, France, 16th Century, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: soldiers,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Dorp en jaagschuit
Object type: book illustration
Date: 1857 – 1864
Materials: paper
Techniques: tone lithography
Location: haarlem
Subjects: village, pier, quay, wharf
Inscriptions: collector's mark: Lugt 2228

Rechts komt een schuit aangevaren, vol met figuren. De schuit wordt naar de aanlegsteiger getrokken door een ruiter te paard. Daarachter een dorp met een toegangspoort, enkele huizen en een kerk.
Plate (part of a service)
Object type: plate
Date: 1801 – 1900
Materials: soft paste porcelain
Artist: derby porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 1785
Panel
Object type: panel
Date: 1601 – 1700
Materials: metal thread, silk, velvet
Techniques: cutting, voiding
Location: turkey
Subjects: flowers,leaves
Glass bead
Object type: bead
Date: 350 – 301
Materials: glass
Culture: carthaginian

Ground in semi-opaque dark blue, appearing black; additions in opaque yellow and white. Spherical with large vertical hole with rounded edges. Three horizontal trails, two in yellow flanking one in white, around center of bead; at one end, row of eight marvered dots, five in yellow, three in white; at other end, nine broad stripes, five in yellow, four in white. Intact; dulling and creamy iridescent weathering Black opaque bead with yellow and white bands and spots.
Woman and Child at the Well
Object type: painting
Date: 1882 – 1882
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: camille pissarro
Artist role: artist
Artist nationality: french
Artist dates: 1830 – 1903
Subjects: woman with children, woman, woman, house, figures, buildings, nature, foliage, bushes, trees, everyday life (genre), weather/seasons, women, children, century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed lower left.: C.Pissarro / 82

By the 1880s, Camille Pissarro, like most of his Impressionist colleagues, sought an alternative to the style he had employed over the previous decade, deciding to focus on figures rather than landscapes. Of the 36 paintings he showed at the seventh Impressionist exhibition, in the spring of 1882, 27 were figural. Woman and Child at the Well is one of a series of works depicting peasant girls taking a break from their chores, their poses and gestures suggesting narratives that remain ambiguous. As the model for the boy in this composition, Pissarro used his fourth son, Ludovic-Rodolphe, who was four years old at the time.
Au Tyrol / En Tyrol / In Tyrol / Nello Tyrolo / In Tyrol
Object type: print
Date: 1889 – 1906
Materials: paper
Techniques: lithograph, hand coloring
Location: weissenburg
Artist: Anonymous
Subjects: river, farmers, return from the hunt, mountains
Inscriptions: collector's mark: Lugt 2233
Plate 26, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Object type: print
Date: 1620 – 1620
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: architecture,buildings
Plate
Object type: plate
Date: 1785 – 1790
Materials: porcelain
Culture: chinese
Location: china
Subjects: birds,flowers,coat of arms

This object belongs to a large dinner service (10.149.1–.248) bearing the Townley family coat-of-arms. The service, probably ordered by Justice Samuel Chase (1741–1811) of Annapolis, Maryland, displays the enamel-painted arms of Margaret Townley, Chase's aunt.
The Goddess Nekhbet, Temple of Hatshepsut
Object type: facsimile, hatshepsut temple, nekhbet
Date: 1479 – 1458
Materials: paper, paint
Location: egypt
Artist: charles k. wilkinson
Artist role: artist
Artist dates: 1897 – 1986
Subjects: goddess,walk-like-egyptian
Paperweight
Object type: glass
Date: 1848 – 1848
Materials: glass
Location: saint-louis-lès-bitche
Artist: saint-louis glassworks (cristalleries de saint-louis)

The colorful geometric clusters embedded in this paperweight reflect the nineteenth-century European fascination with optical effects. Sir David Brewster invented the kaleidoscope in 1815, and its colorful and changing patterns brought great visual entertainment. Paperweights such as this example reformed this childlike pastime for a sophisticated adult audience. Depicted in glass were tiny glittering flowers, small black and blue cameos of figures, and even miniature bottlecaps. These were delicately arranged within the orb for the observant eye to discover.

From the late 1840s to early 1860s, French manufacturers of fine glass and crystal—such as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)—catered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.
Else Wachenheimer-Moos en haar broer Willy Moos in de tuin en de woning van Willy, met onder meer een buste van hun vader Hermann Moos, maart-mei 1932, Hamburg
Object type: album leaf
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: hamburg
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: else wachenheimer-moos, willy moos, piece of sculpture, reproduction of a piece of sculpture, family life at home
Inscriptions: inscription: ‘bei Willy’

Blad bevat twee foto's. Alle foto's van Else Wachenheimer-Moos en Willy Moos. Uit het album, half formaat, crèmekleurig stofomslag met koordbinding met banenmotief.
Mannen op galopperende paarden, mogelijk tijdens een wedstrijd
Object type: page
Date: 1882 – 1892
Materials: paper
Techniques: autotype
Location: france
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, horse
Stadsgezicht
Object type: print
Date: 1837 – 1900
Materials: paper
Techniques: etching
Location: the hague
Artist: lambertus hardenberg (1822-1900)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1900
Subjects: village street (+ city(-scape) with figures, staffage)
"A Bathhouse Keeper is Consumed by Passion for his Beloved", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Object type: folio from an illustrated manuscript
Date: 1597 – 1598
Materials: gold, ink, paper, watercolor
Techniques: dyeing
Location: pakistan
Artist: amir khusrau dihlavi
Artist role: author
Artist nationality: indian
Artist dates: 1228 – 1350
Subjects: poetry,men,elephants,horses

Matla’ al-Anwar (Rising of the Luminaries), the first poem of Amir Khusrau Dihlavi’s Quintet, is comprised of 3310 verses compiled approximately in twenty Maqalat (didactic discourses). Matla’ al-Anwar is a response by Amir Khusrau to Nizami Ganjavi’s Makhzan al-Asrar. Painted at Lahore by Nar sing, this painting shows a bathhouse keeper who falls in love when he sees the king on his visit with his retinue. Attention gained by the King, stokes the heat of mystical love that enflames the bathhouse keeper. The King and most of his entourage raise their index fingers in awe and surprise at the sight of the beholder. The painting has a border in siyah qalam (monochrome) style with deer, foxes, hares, and hunting lions in a naturalistic setting with birds perching in the trees.
Sculptuur van een knielende vorst met engel
Object type: print
Date: 1803 – 1846
Materials: paper
Techniques: mezzotint
Location: france
Subjects: king, angels
Inscriptions: collector's mark: Lugt 2165
Algemene Nederlandse Wielrijders Bond, 1883
Object type: insignia
Date: 1883 – 1883
Materials: metal
Location: netherlands
Artist: Anonymous
Subjects: the hague, amsterdam, sculptor, bart van hove, netherlands
Inscriptions: inscription: ‘ALGEMEENE NEDERLANDSCHE WIELRIJDERSBOND<BR />1883’

Speldje in de vorm van een krans waarin goudkleurige medaillon waarin de Nederlandse Leeuw met omschrift en datum. Keerzijde: kromgebogen speld met haakje.
Broche
Object type: jewellery
Date: 1824 – 1838
Materials: gold
Techniques: filigree
Location: amsterdam
Inscriptions: alloy mark: ‘585 in ovaal (Nederland, vanaf 1955)’

Parure. Gold. Amsterdam, c. 1824 - 1838, by Guillaume Louis Ploem, C. Charles Colsoul en Johan Lorenz Holzapfel.
Fragment balustervormige steel van een fluitglas uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: helve
Date: 1700 – 1743
Materials: glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Glass, stem glass, steel, baluster-shaped; fragment of knop, flattened, below base of bowl, both ends broken off.
Six-lobed teapot stand with an woman playing a piano
Object type: pattipan
Date: 1760 – 1780
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: china
Artist: Anonymous

Pattipan van porselein met een zesmaal gelobde wand, beschilderd op het glazuur in blauw, rood, roze, groen, geel, paars, bruin, zwart en goud. Op het plat een vrouw in een interieur spelend op een klavier; de binnenrand met een band bloemranken. Onderzijde ongeglazuurd. Europese vorm en voorstelling in emailkleuren.
Mole Cricket (Kera); Earwig, (Hasami-mushi), from the Picture Book of Crawling Creatures (Ehon mushi erami)
Object type: woodblock print
Date: 1788 – 1788
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: insects,flowers,leaves

Ehon mushi erami (Picture Book of Crawling Creatures) is illustrated with fifteen designs of insects and other garden creatures by Utamaro. Published by Tsutaya Jūzaburō , the poems were selected and introduced by a preface written by the poet and scholar Yadoya no Meshimori (Rokujuen; 1753–1830), who later became head of the influential Go-gawa poetry group. Several of the top kyōka poets of the day were invited to contribute.
Undersleeves
Object type: undersleeves
Date: 1855 – 1855
Materials: cotton
Culture: american
Architectural Fragment from a Retable, Tabernacle, or Tomb
Object type: relief fragment
Date: 1400 – 1400
Materials: marble
Culture: french
Location: france
Gezin aan tafel voor de maaltijd
Object type: album leaf
Date: 1653 – 1653
Materials: paper
Techniques: etching, galvanization
Location: haarlem
Subjects: family life, prayer at table, saying grace
Inscriptions: collector's mark: ‘B’, collector's mark: ‘RIJKS / MUSM’

Een vader en moeder met twee kinderen zitten bij een kleine tafel met hun handen gevouwen voor het gebed. Op de tafel staat een grote pan met eten. Het gezin zit vlakbij een haard in een sober ingericht vertrek. De prent maakt deel uit van een portefeuille.
L'École d'Anvers. Portraits biographies cartes de visite. Collection Dupont
Object type: photograph
Date: 1861 – 1861
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Artist: joseph dupont
Artist role: fotograaf
Artist dates: 1818 – 1901
Subjects: joseph delin, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: inscription: ‘ETABLISSEMENT PHOTOGRAPHIQUE/ de/ J. DUPONT/ Place de Meir 32/ ANVERS/ Maison fondée en 1853’, inscription: ‘Delin Joseph/ peintre de portraits/ né a Anvers/ le 6. VII 1822/ élève de l'academie/ Royal et au baron/ G Wappers’
Tekst: Et repleti
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Drie vrouwen in bloemenkostuum
Object type: book illustration
Date: 1889 – 1927
Materials: paper
Techniques: lithograph
Location: london
Artist: walter crane
Artist role: draughtsman, print maker
Artist dates: 1845 – 1915
Subjects: flowers, plants behaving as human beings or animals, adult woman (+ three persons)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Crane, Walter. Flora's Feast, a masque of flowers. Londen: Cassel & Co., 1889. Of een latere uitgave.
Le Mendiant a la Jambe de Bois (The Beggar with the Wooden Leg), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Object type: print
Date: 1623 – 1623
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Gazette du Bon Ton, 1914 - No. 7, Pl. 71: Quel chapeau faut-il mettre? / Robe d'après-midi de Doucet
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: hand coloring, letterpress printing, lithograph, pochoir
Location: paris
Subjects: dress, gown: day dress (+ women's clothes), fashion plates, interior of the house
Inscriptions: date

Vrouw in blauw/witte middagjapon van Doucet met een hoge gesmokte kraag, staand in een hal bij een trap. Planche 71 uit Gazette du Bon Ton 1914, No. 7. Uitleg over de kleding op pagina "Explication des Planches".
Festival for Saint Placidus, Messina, August 2, 1589: Fireworks Obelisk
Object type: print
Date: 1591 – 1591
Techniques: etching
Artist: filippo gotho
Artist role: author
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: obelisks,fireworks
Interieur met een aantal figuren bij een haard en een vrouw liggend in bed
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: adult woman (+ lying), open hearth, fire-place, adult man (+ standing), adult woman (+ sitting), infant, baby ~ the ages of man
Inscriptions: collector's mark: Lugt 240
Dish with Peonies and Leaves
Object type: vessel
Materials: stoneware
Techniques: carving, incising, underglaze
Location: china
[Snapshot: Dog and Man]
Object type: photograph
Date: 1890 – 1890
Techniques: gelatin silver print
Artist: Anonymous
Artist role: artist
Subjects: men,dogs
Hamengkoe Boewono VIII (1861-1939), sultan van Jokjakarta (1921-1939)
Object type: photograph
Date: 1925 – 1925
Materials: photographic support
Techniques: photography
Location: dutch east indies
Artist: Anonymous
Subjects: historical persons
Inscriptions: signature and date: ‘Sultan 2-12-25’

Staatsieportret van de sultan van Jokjakarta, Hamengkoe Boewono VIII. Het portret is ondertekend met 'Sultan 2-12-25'.
Portret van Jan van Walré met een narrenstaf
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: dirk jurriaan sluyter
Artist role: draughtsman, print maker
Artist dates: 1811 – 1886
Subjects: haarlem, publisher, jan van walré, fool's cap, attributes of court jester
Inscriptions: collector's mark: Lugt 2228

Portret van Jan van Walré met een narrenstaf en een zotskap, gemaakt ter herinnering aan zijn grootmeesterschap van het satyrisch dichtgenootschap Democriet uit Haarlem in 1807. Onder het portet de zinsspreuk 'Dicite ridendo verum'.
Intérieur de la Maeson publique dit de Fontein à Amsterdam
Object type: print
Date: 1820 – 1825
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Subjects: brothel, night-club, dance-hall
Inscriptions: collector's mark: Lugt 2228

Salon of danszaal in het speelhuis of club (of bordeel) genaamd 'De Fontein' op de Nieuwmarkt te Amsterdam, ca. 1820. Zaal waarin zich een aantal jongedames zich bevindt, rechts een bar en de deur waar enkele jongemannen de zaal binnenkomen.