deem-data/ArtiFact huggingface dataset:
Papegaai
Object type: drawing
Date: 1596 – 1610
Materials: paint, paper, pencil, watercolor
Techniques: brush
Subjects: ornamental birds: parrot

Papegaai op een stok. Genummerd rechtsboven: 9. Onderdeel van het tweede album met tekeningen van vogels. Vierde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Box with cover
Object type: box with cover
Date: 1801 – 1900
Materials: gold, lacquer
Techniques: maki
Culture: japanese
Subjects: trees
Taweret amulet
Object type: amulet, taweret
Date: 2110 – 2030
Materials: ivory
Location: egypt
Subjects: taweret
Stadsgezicht met ophaalbrug en Marekerk in Leiden
Object type: print
Materials: paper
Techniques: etching, intaglio
Artist: m. riphagen
Artist role: print maker
Subjects: bascule bridge, parts of church exterior and annexes: dome, bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166
Handkerchief
Object type: handkerchief
Date: 1893 – 1893
Materials: silk
Culture: american
Subjects: palaces
Portret van een jonge man
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: helsinki
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘Skilnadens/ Atelier/ HELSINGFORS/ Ludvigsgatan No. 7./ Plåten förvaras för efterbeställning.’
Veduta del Palazzo Mattei / Vuë du Palais Mattei
Object type: print
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: palace, church (exterior)
Inscriptions: collector's mark: Lugt 2228

Gezicht op het Palazzo Mattei, met rechts de Santa Caterina dei Funari.
Dorpsstraat
Object type: drawing
Date: 1838 – 1887
Materials: pencil, paper
Artist: frederik hendrik weissenbruch
Artist role: draughtsman, print maker
Artist dates: 1828 – 1887
Subjects: prospect of village, silhouette of village
Telegram aan Philip Zilcken
Object type: telegram
Date: 1895 – 1895
Materials: ink, paper
Techniques: pen, printing, writing
Location: verviers
Artist: marie hauzeur
Subjects: brussels, helène lambertine hauzeur, painter, philip zilcken, passions, emotions, affections
Sculptuur van Boeddha
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Artist: michel berthaud
Artist role: publisher
Artist dates: 1845 – 1912
Subjects: representations ~ gods, demi-gods, heroes, etc. (hinduism, buddhism, jainism)
Inscriptions: inscription: ‘hauteur 0m72 - Bronze/ Musée de Vang nà, à Bangkok’, collector's mark: ‘Société d'Emulation de l'Ain/ Bourg/ Bibliothèque’, inscription: ‘Pl. XXXIII’
Gezicht op de Zuiderkerk te Amsterdam
Object type: book illustration
Date: 1736 – 1744
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: church (exterior), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Centraal bovenaan genummerd: No. 4. Onder de prent is een verklarend bijschrift van de prent geplakt. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Zuiderkerk.
Brug en Duomo
Object type: album leaf
Date: 1895 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: florence
Artist: Anonymous
Subjects: tourism, church (exterior), bridge in city across river, canal, etc.
Inscriptions: inscription: ‘Pont / Cathedrale’

Albumblad met twee foto's in Florence. Onderdeel van een fotoalbum van een reis door Italië, ca. 1900.
Twee portretten van een onbekende man en een onbekende vrouw
Object type: frame
Date: 1880 – 1900
Materials: cardboard, glass, metal, paper, wood
Techniques: albumen print, inlay
Artist: Anonymous
Subjects: adult man, anonymous historical person portrayed, anonymous historical person portrayed - bb - woman
Basket (one of a pair)
Object type: basket
Date: 1729 – 1730
Materials: silver
Artist: paul de lamerie
Artist role: maker
Artist nationality: british
Artist dates: 1688 – 1751
Gevelsteen met afbeelding en opschrift: HET WAPEN VAN STRAL SONT en getal 17.
Object type: gable stone
Date: 1717 – 1717
Materials: stone
Location: netherlands

Liggende rechthoek met langs de bovenrand het opschrift HET WAPEN VAN en langs de onderrand het opschrift STRAL SONT. In het middenveld een kruis met aan weerszijden het getal 17.
Prairie Avenue, Chicago
Object type: page
Date: 1890 – 1900
Materials: paper
Techniques: autotype
Location: prairie avenue
Artist: Anonymous
Subjects: avenue, boulevard in village
Port de Balaklava pendant la guerre de Crimèe
Object type: photograph
Date: 1854 – 1856
Materials: cardboard, photographic support
Techniques: salted paper print
Location: balaklava
Artist: james robertson
Artist role: fotograaf
Artist dates: 1813 – 1888
Subjects: harbour
The Knight and the Lady
Object type: print
Date: 1495 – 1550
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: women,knights
Portret van een vrouw
Object type: print
Date: 1581 – 1585
Materials: paper
Techniques: engraving
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: anonymous historical person portrayed alone
Inscriptions: collector's mark: Lugt 240

Ovaal portret van een vrouw, ten halven lijve, de linkerhand nog net zichtbaar, met geplooide kraag. Om de voorstelling randschrift in het Nederlands. Pendant van soortgelijk portret van een man.
Design for a Rosette Relief
Object type: drawing
Date: 1825 – 1850
Materials: chalk, graphite
Techniques: heightening
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: leaves
Gesigt de Herberg Rozendael, aan den Ringdyk tusschen de Schulpbrugh en Schager laan
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: etching
Subjects: hotel, hostelry, inn
Gezicht op de tuin van het Palacio Real de La Granja de San Ildefonso in de omgeving van de stad Madrid
Object type: opticaprent
Date: 1700 – 1799
Materials: cardboard, paint, paper, watercolor
Techniques: brush, cutting, etching, perforating
Location: paris
Subjects: garden, garden fountain, ornamental plants
Azoren, koning José I van Portugal, 5 reis,1750
Object type: coin
Date: 1750 – 1750
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: tussen jaartal twee letters I [=Josephus I]. Daarboven een kroon en daaronder waarde-aanduiding: V. Keerzijde: tussen twee samengebonden takken wapen van Portugal, waarboven kroon. Omschrift: percunia insulana [=munt van de eilanden]. Gladde rand.
Portret van Edward Jakob von Steinle
Object type: print
Date: 1825 – 1872
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: draughtsman, edward jakob von steinle, historical persons, portrait, self-portrait of draughtsman
Inscriptions: collector's mark: Lugt 2228
Etui Box
Object type: metalwork
Date: 1750 – 1799
Materials: crystal, gold, porcelain, silver, steel, velvet
Location: england
Children, Woman with Infant and Three Soldiers Sitting Among Ruins by Lake
Object type: drawing and watercolor
Materials: graphite, ivory, paper
Techniques: drawing, stumping
Location: england
Artist: attributed to george cattermole
Artist nationality: english
Artist dates: 1800 – 1868
Relief from casket
Object type: relief from casket
Date: 670 – 330
Materials: ivory
Culture: roman
Subjects: eros

Relief from a casket with Eros walking to the left.
Part of ceremonial object?
Object type: vessel fragment
Date: 1802 – 1640
Materials: mud
Spouted jar and stand
Object type: jar and stand
Date: 1050 – 800
Materials: ceramic
Culture: iranian
Location: iran

This biconical pitcher has a squat round body with a flat base. A pointed spout with an angled protrusion below it emerges from one side of the body. The spout is attached to the rim by a small bridge. It sits on a hollow cylindrical stand with a ring base and a collar at the top. The sides of the cylinder are open in horizontal strips. Both the pitcher and the stand are made of burnished grey clay. Both were made on a potter’s wheel. The pitcher was probably made in two halves that were joined together, with the spout added later. This pitcher and its stand were excavated from a grave at Hasanlu, a large settlement site in northwestern Iran. During the Iron Age Hasanlu was one of the largest and most powerful towns in Iran, and probably controlled much of the Ushnu-Solduz valley until its destruction ca. 800 B.C. by the Urartians. Like many in western Iran in this period, the people of Hasanlu made ceramic pitchers like this one with globular bodies and long spouts. It is not clear what this pitcher was used for. Presumably it was used to pour a liquid containing dregs, such as wine, since the round body and spout would prevent the dregs from ending up in the cup. Some of the earliest evidence for winemaking in Iran, dating back to the sixth millennium B.C., comes from the nearby site of Hajji Firuz Tepe. Also, similar pitchers of contemporary date have been found in graves at Dinkha Tepe, some fifteen miles west of Hasanlu, along with cups, further suggesting that they parts of drinking sets. The purpose of the stand is unclear; perhaps funerary protocols at Hasanlu required that these pitchers be displayed prominently.
Sampler
Object type: textile
Date: 1601 – 1625
Materials: linen
Techniques: lace, weave
Location: england
Subjects: squares, grids
The poet, standing crowned with laurel, leaning on a stone
Object type: print
Date: 1620 – 1621
Techniques: etching
Artist: jusepe de ribera (called lo spagnoletto)
Artist role: artist
Artist nationality: spanish
Artist dates: 1591 – 1652
Subjects: men,poets,authors

Dressed in voluminous robes, crowned with laurel, and leaning on a stone with head in hand, The Poet is one of Ribera's most striking images made early in the artist's career. The iconography, a synthesis of the attributes of Melancholy and Poetry, has been explored in detail by scholars, who have found literary parallels ranging from verses by Walther von der Vogelweide (1170?–1230) to works by Petrarch and Lorenzo de' Medici. Another suggestion that the poet is Virgil seems plausible, especially since his tomb was traditionally thought to be in Naples. Generally identified with a columbarium, or dovecote mausoleum, above the 'Grotto' or tunnel of Posilipo, the purported burial place of the famous poet was a tourist attraction beginning at least in the sixteenth century. A well-known legend had it that on top of the tomb grew a bay tree that continued to blossom over the centuries while its roots forced their way through the stone, causing cracks to appear.
Neither more nor less, plate 41 from Los Caprichos
Object type: print
Date: 1797 – 1799
Materials: paper
Techniques: aquatint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828

During 1797 to 1799, when Francisco de Goya was producing The Caprices, he served as court painter to Charles IV in Madrid. One cannot help but see this aquatint etching as a wry commentary on the main duty of his vocation—turning the oftentimes immoral and ignoble royals into fetching icons of morality and unfettered nobility. Here he compared his august sitter to a donkey instead—a common satirical trope in 18th-century Spanish literature—and, perhaps even more critically, himself to a monkey.
Fles van veelkleurig beschilderde faience
Object type: kaststel
Date: 1695 – 1715
Materials: earthenware, paint, glaze
Techniques: firing, polychromy
Location: delft
Artist: Anonymous

Geribde, achthoekige veelkleurig beschilderde fles. Onderdeel van een kaststel bestaande uit vijf delen.
Reinaert de vos
Object type: print
Date: 1665 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: beasts of prey, predatory animals: wolf

Een pelikaan steekt zijn bek in de muil van een wolf. Naast de wolf liggen vissengraten.
Drie vrouwen, gekleed volgens de mode van Perugia en Ancona, ca. 1580
Object type: costume print
Materials: paper
Techniques: engraving
Artist: bartolomeo grassi
Artist role: publisher
Subjects: aids for prayer, e.g. rosary, europeans (with name) (+ costume)
Inscriptions: number: ‘17’

Prent nr. 18 uit album 'Dei veri ritratti degl'habiti di tvtte le parti del mondo intagliati in rame per opra di Bartolomeo Grassi', 1585.
Portret van Johann Georg I Hartmann
Object type: book illustration
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: theologian, historical persons

Prent uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Soldats & Chevaux
Object type: print
Date: 1710 – 1717
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the soldier; the soldier's life (+ weapons), artillery range, firing range, shooting range ~ military training (+ weapons), kneeling on both knees (+ sideview, profile), handling of weapons ~ military training, firearms: rifle
Inscriptions: collector's mark: Lugt 240

Geknielde soldaat naar rechts, zijn geweer aanleggende. Negende prent uit een serie van twaalf prenten met voorstellingen van soldaten en paarden.
Picture of Men and Women from all Nations (Bankoku danjo jinbutsu zue)
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa yoshiiku
Artist role: artist
Artist nationality: japanese
Artist dates: 1833 – 1904
Subjects: men,women,elephants,horses
Deksels met vlinder en vogel
Object type: ornament print
Date: 1670 – 1725
Materials: paper
Techniques: etching
Location: germany
Subjects: snuff-box, birds, insects: butterfly
Inscriptions: collector's mark: Lugt 2228

Vier deksels van snuifdozen. Links boven en rechts onder met ornamenten. Rechts boven met een vlinder. Links onder met een vogel.
Adze
Object type: adze
Date: 1902 – 1902
Materials: jade
Culture: russian
Portrait of a Man
Object type: painting, miniature
Date: 1545 – 1555
Materials: oil
Artist: continental painter
Artist role: artist
Artist nationality: continental
Subjects: men,portraits
Deux Personnages Assis (Two Seated Figures), from "Les Caprices" Series A, The Florence Set
Object type: print
Date: 1617 – 1617
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men
Firescreen
Object type: firescreen
Date: 1785 – 1795
Materials: wood
Culture: american
Location: united states
Artist: samuel phippen
Artist role: maker
Artist nationality: american
Artist dates: 1741 – 1798

This fire screen features a folding shelf for a candle, a refinement found on very few examples. It is transitional in style, with snake feet of the Queen Anne and Chippendale styles and the oval shape and inlay typical of Neoclassical designs.
En toute chose il faut considérer la fin
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Location: paris
Subjects: adult man (+ lying), firearms (with name)
Inscriptions: collector's mark: Lugt 2228
Gezicht op een schoolgebouw voor jonge leerlingen in Hermannsberg, behorend bij Schule Schloss Salem
Object type: photograph
Date: 1929 – 1929
Materials: photographic support
Techniques: gelatin silver print
Location: hermannsberg
Artist: Anonymous
Subjects: prospect of village, silhouette of village, education

Onderdeel van Fotoalbum van Schule Schloss Salem.
Chartres (E. et-L).- La Cathédrale - Portail Royal. La Rose Occidentale (XIIIe siècle) - au centre, Jésus assis sur des nuages
Object type: photomechanical print
Date: 1903 – 1930
Materials: cardboard
Techniques: photograph
Location: chartres
Subjects: church-window, e.g. rose-window, interior of church
Inscriptions: collector's mark: ‘AFE v S’
Long [?] Lake, 1864 (from Sketchbook)
Object type: drawing
Date: 1864 – 1864
Materials: graphite, paper
Culture: american
Artist: thomas hewes hinckley
Artist role: artist
Artist nationality: american
Artist dates: 1813 – 1896
Subjects: lakes,landscapes

Hinckley painted landscapes chiefly as a background to his portraits of wild and domesticated animals. This sketchbook (1992.373.1 recto–.27) contains thirty-four drawings in graphite and watercolor and appears to have been filled during a tour that the artist probably began near the Delaware Water Gap and extended north into the Catskill Mountains and Adirondacks of New York State. Few of the drawings in this book, however, can be linked to Hinckley’s known paintings after 1864, and the majority of them represent not merely selected motifs, but discrete compositions that often assume the character of engraved vignettes.
Statuette of a canid-headed god, probably Anubis
Object type: anubis, jackal headed
Date: 332 – 330
Materials: wood
Techniques: painting
Location: egypt
Subjects: anubis
Gezicht op een straat in Enschede
Object type: sketchbook leaf
Date: 1887 – 1891
Materials: paper, pencil
Location: enschede
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: street (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘str. in Enschede’

Pagina 5 uit een schetsboek met 83 bladen.
Spotprent over de schoolwet, 1884
Object type: cartoon
Date: 1884 – 1884
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: nijmegen, molluscs: snail

Spotprent over kamerlid Mackay en de schoolwet: een slak met twee koppen. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 22, 1884.
Omslag zakkalender voor Van Houten Cacao
Object type: print
Date: 1903 – 1903
Materials: paper
Techniques: lithograph
Location: weesp
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: song-birds: jackdaw, song-birds: crow
Inscriptions: : ‘Th. v Houten & Co Weesp’, collector's mark: Lugt 2233

Een kraai en een kauw op een besneeuwde tak. Links het woord 'kou', rechts het woord 'ka'.
Christening dress
Object type: christening dress
Date: 1834 – 1866
Materials: linen
Culture: american or european
Parabola V. Virginvm Typis Aen: Expressa
Object type: album leaf
Date: 1589 – 1611
Materials: paper
Techniques: engraving
Location: cologne
Subjects: court jester, court fool, the wise and the foolish virgins ~ parable of christ (matthew 25:1-13)

De vijf dwaze maagden zitten rond een tafel onder een pergola. Ze eten, drinken, spelen kaart en vrijen. Hun olielampen liggen uitgedoofd op de grond. Op de achtergrond een nar als symbool van dwaasheid. In de marge een vierregelig onderschrift, in twee kolommen, in het Latijn dat verwijst naar het Bijbelverhaal. Deze prent maakt deel uit van een album.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, back of head, neck, and right shoulder of filleted youth to left; part of an inscription, KA[LOS], retr.; Exterior, deep vase inscribed, KAL..., with three kylikes projecting above the lip, and the left arm and lower legs of a figure to left, wearing a patterned garment
The Dismissal of Hagar
Object type: drawing
Date: 1680 – 1727
Materials: ink, paper
Techniques: brush, pen
Artist: aert de gelder
Artist role: draughtsman, painter
Artist dates: 1645 – 1727
Martinvs Pepyn
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Subjects: historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240

Prent naar schilderij van Anthony van Dyck
Albumblad met twee prenten van cartouches
Object type: album leaf
Date: 1500 – 1599
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: ornament ~ cartouche

Albumblad met twee uitgeknipte prenten met ornamentele cartouches.
Rusland, tsaar Alexander I, 10 kopeken, 1814
Object type: coin
Date: 1814 – 1814
Materials: silver
Techniques: striking
Location: sint-petersburg

Zilveren munt. Voorzijde: dubbelkoppige gekroonde adelaar met gespreide vleugels, met op zijn borst door ridderorde omhangen wapenschild en met in zijn poten scepter en bol met daarop kruis. Boven de adelaar een kroon. Jaartal onderaan. Keerzijde: binnen twee samengebonden takken onder een kroon waarde-aanduiding in twee regels. Daaronder de letters S, P en B in Cyrillisch schrift. Kartelrand.
Pitcher
Object type: decorative art
Date: 1849 – 1852
Materials: earthenware
Location: bennington
Artist: lyman, fenton & company
Subjects: dining, drinking
Inscriptions: Marked on base: "Lyman, Fenton & Co./Bennington/Fenton's/enamel/Patent/1849"
Arabia Fenis van Arsse / General Arsse
Object type: drawing
Date: 1637 – 1637
Materials: paint, parchment, pencil, watercolor
Techniques: brush
Artist: jacob marrel
Artist role: draughtsman, painter
Artist dates: 1614 – 1681
Subjects: flowers: tulip, insects: beetle

De tekening maakt deel uit van een album.
Portret van Johan Frederik II, hertog van Saksen
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: head-gear, historical persons, ruler, sovereign
Portret van Anna van Hannover en Willem IV, stadhouder en prins van Oranje-Nassau
Object type: print
Date: 1734 – 1756
Materials: paper
Techniques: etching
Subjects: the hague, willem iv (prins van oranje-nassau), anna van hannover, prince, historical persons, marriage, married couple, 'matrimonium', princess
Inscriptions: collector's mark: Lugt 240

Tekst in het Nederlands in de ondermarge.
Intocht van Leopold I en Louise Maria, koning en koningin der Belgen te Brussel
Object type: history medal
Date: 1832 – 1832
Materials: silver
Techniques: striking
Artist: m. borrel
Subjects: louise marie van orléans (koningin van belgië), laeken, leopold i (koning der belgen), brussels

Zilveren penning. Voorzijde: borststuk man en vrouw binnen omschrift. Keerzijde: opschrift binnen eikekrans
Floris I vermoord, 1061
Object type: album leaf
Date: 1853 – 1853
Materials: ink, pencil, paper
Techniques: pen
Subjects: hacking and thrusting weapons, murder

Ontwerp voor: Lennep, Jacob van. Tafereelen uit de geschiedenis des vaderlands, tot nut van groot en klein. Amsterdam: M.H. Binger en Zonen, 1854.
Zilveren ropij van de VOC uit Java, 1798
Object type: coin
Date: 1798 – 1798
Materials: silver
Techniques: striking
Location: batavia

Zilveren munt. Voorzijde: tweeregelig opschrift in Arabische letters. Daarboven muntteken en daaronder jaartal. Keerzijde: drieregelig opschrift in Arabische letters. Kabelrand. Op keerzijde is een keurmerk ingeslagen.
Tureen
Object type: tureen
Date: 1794 – 1814
Materials: silver gilt
Artist: charles percier
Artist role: designer
Artist nationality: french
Artist dates: 1764 – 1838
Subjects: birds,garlands,children,women,coat of arms

This tureen is part of a large table service reputedly given by Napoleon I to his sister Pauline and her husband, Prince Camillo Borghese.