deem-data/ArtiFact huggingface dataset:
Gezicht op de Sint-Olofskapel (Oudezijds Kapel) te Amsterdam
Object type: print
Date: 1693 – 1694
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: church (exterior), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Latere staten gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, desselfs eerste oorspronk uyt den Huyse (…). Amsterdam: Abraham Wolfgang et al., 1693. Of uit: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). Amsterdam: weduwe Aart Dircksz Oossaan, 1694. Latere staat gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). Amsterdam: Andries van Damme et al., 1726.
View of Bordeaux
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: etching
Location: france
Artist: maxime françois antoine lalanne
Artist role: draughtsman, print maker
Artist nationality: french
Artist dates: 1827 – 1886
Abklatsch van een krijttekening
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper
Techniques: printmaking
Location: paris
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

De originele tekening is niet meer in het schetsboek aanwezig. Blad 2 recto uit schetsboek LI met 11 bladen.
Fonteinen van Frascati
Object type: print
Date: 1653 – 1691
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: tools, aids, implements ~ crafts and industries: chisel, ornamental fountain

In het midden een fontein met een opdracht aan en het wapen van kardinaal Giovanni Francesco Negroni. Links op de voorgrond twee figuren die met hamer en beitel een schild voorzien van een wapen. De prent maakt deel uit van een album.
Zeven foto's van een reis met de S.Y. Sapphire naar Spitsbergen
Object type: album leaf
Materials: paper
Techniques: gelatin silver print
Subjects: j. tooth, f. green (fotograaf), mary russell, politician, gulf, bay, passengers ~ ship, steamship, motorship

Deze foto's maken deel uit van een album.
Portret van Amalia van Solms
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, amalia of solms-braunfels
Inscriptions: collector's mark: Lugt 2228

Andere staat prent gebruikt als boekillustratie in: Kok, Jacobus. Vaderlandsch woordenboek : met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796. Deel III.
La mère de Moïse
Object type: photograph
Date: 1853 – 1858
Materials: paper
Techniques: albumen print, engraving
Location: paris
Subjects: jochebed makes an ark (or basket) of bulrushes daubed with pitch and puts moses in it
Inscriptions: initials: ‘GC’
Koning Joram door een pijl doorboord, Izebel staat naast hem
Object type: book illustration
Date: 1635 – 1635
Materials: paper
Techniques: engraving, etching
Subjects: death of jehoram of israel and of ahaziah of judah (2 kings 9:14-29)
Inscriptions: collector's mark: Lugt 240

Prent uit: Bosse, Abraham. Jezabel ou l'Impieté punie. Rouen: College royal et archiepiscopal de Bourbon de la Compagnie de Jesus, 1635.
Vissen en andere zeedieren  - zoutwater tweede reeks
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: cartilaginous fishes: dogfish
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1490
Head from a figure of a horse
Object type: figurine, horse
Date: 306 – 30
Materials: paint, pottery
Location: egypt
Subjects: horses
Portret van Joseph Christian von Zedlitz
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Subjects: vienna, historical persons, portrait of a writer, officer
Inscriptions: collector's mark: Lugt 2228
Plundering van het huis van burgemeester Johannes Cocquelle te Middelburg, 1747
Object type: history print
Date: 1783 – 1795
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: mayor, plundering ~ riot, middelburg

De plundering van het huis van burgemeester Johannes Cocquelle te Middelburg op 24 april 1747 door een prinsgezinde meute die vermoeden dat de burgemeester uit de stad zou willen vluchten door de aanstelling van Willem IV als stadhouder bij de Franse dreiging.
Portret van vier zittende militairen
Object type: album leaf
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, (military) uniforms
Landschap met Saul door Samuël tot koning gezalfd
Object type: print
Date: 1601 – 1652
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), the anointment of saul by samuel
Inscriptions: collector's mark: Lugt 2228

Waterrijk landschap waarin Saul door Samuël tot koning wordt gezalfd. Samuël leegt een kruikje olie boven het hoofd van Saul. In de marge een onderschrift in Latijn, met bijbelverwijzing naar 1 Sam. 10:1.
Pilate Washing His Hands
Object type: painting
Date: 1663 – 1663
Materials: canvas, oil
Artist: mattia preti (il cavalier calabrese)
Artist role: artist
Artist nationality: italian
Artist dates: 1613 – 1699
Subjects: men,christ,washing

According to the Gospel of Matthew, the Roman governor Pontius Pilate tried to save Christ from death and symbolically washed his hands, stating, “I am innocent of the blood of this righteous person.” Pilate has been given monumental form in this rare depiction of the subject, while Christ is shown in the middle ground being led to the cross. The young African attendant is given a central role, not only in the composition but also through a facial expression that registers the import of Pilate’s action. Preti based his use of such figures of African descent on Renaissance precedents, notably by the Venetian painter Paolo Veronese, though Preti executed this work in Malta, an island with a particularly multiracial population due to its centrality in the Mediterranean slave trade.
La Saison, Journal illustré des Dames, 1880, No. 626
Object type: fashion print
Date: 1880 – 1880
Materials: paper
Techniques: engraving, hand coloring
Artist: Anonymous
Subjects: border, ribbon, braid (+ women's clothes), boxes, loges ~ theatre, etc., fashion plates, dress, gown (+ women's clothes), fan (+ women's clothes), neck-gear ~ clothing (+ women's clothes), muff (+ women's clothes)
Inscriptions: title: ‘LA SAISON ?’

Twee vrouwen in een theaterloge. Zij dragen tweedelige japonnen met een gedrapeerde sleep. Accessoires: waaiers, mof versierd met linten, handschoenen. De prent is waarschijnlijk uit het modetijdschrift La Saison (1867-1902).
Familiefoto van de kinderen Jetten
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Familiefoto van de kinderen Jetten met een Nederlandse vrouw. Foto op een bladzijde van een los albumblad. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Portret van een onbekende vrouw, zittend aan tafel
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, glass, metal, wood
Techniques: albumen print, gilding
Artist: Anonymous
Subjects: sitting figure, anonymous historical person portrayed - bb - woman
Inscriptions: inscription: ‘Rap 7,-’, inscription: ‘Echtpaar Engel.Bruyn/ (den Helder)/ gekregen dr. van de Stadt/ Joseph Israëlplein 18 den Haag/ (tel. 248783) juni 1972’
Portret van een vrouw, mogelijk Marie Niemen Lesbach
Object type: carte de visite
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: wiesbaden
Subjects: adult woman
Inscriptions: inscription: ‘[...] Leben/ zur erinnerung an/ Marie Niemen Lesbach’, name: ‘Mondel & Jacob Wiesbaden’, date: ‘[...] 10. Febr. 69’, inscription: ‘Mondel & Jacob / Wiesbaden / Trinkhalle. [...]’
Vase
Object type: vase
Date: 1891 – 1895
Materials: stoneware
Culture: american
Location: united states
Artist: chelsea pottery u. s.
Artist role: manufacturer
Artist nationality: american
Artist dates: 1891 – 1895
Subjects: butterflies

Steeped in ceramics from birth, Hugh C. Robertson pursued his craft with fierce devotion and a passion for experimentation. From a family of trained English ceramists, he honed his skills in New Jersey before settling in Massachusetts as one of the founders of Chelsea Keramic Art Works and later, Dedham Pottery. Robertson’s lifelong explorations in glazes, particularly their color and texture, make him one of the key figures of American art pottery at the turn of the twentieth century. As all-consuming as his pursuit of the ideal oxblood glaze was, Robertson also pioneered other glazing techniques, among them the craquelé glaze, which he first achieved in 1886. This distinctive type of glaze, with its fine network of visible cracks, was a staple of Eastern ceramics that Westerners tended not to emulate because they considered such crazing a flaw. Appreciating its aesthetic value, Robertson perfected an allover white crackle glaze often enhanced with cobalt blue decoration painted on the surface, referencing the Chinese blue-and-white ware sought by Aesthetic-minded collectors of the time. Following the reopening of his pottery under the name Chelsea Pottery in 1891, Robertson continued to create crackle-ware objects such as this vase with a moth or butterfly freely painted in cobalt blue on its surface. Unlike earlier crackle ware, this glaze presented a more emphatic overall crazing whose "faults" were further accentuated by introducing the hot, glazed vase into cold air to force the glaze to constrict and crack, after which carbon black was rubbed into the network of cracks. The pottery also began producing crackle tableware with charming borders painted in blue. Intended especially for informal breakfast and luncheon sets, the crackle-ware plates and dishes fit in well with the general appeal for blue-and-white during this period and enjoyed commercial success, ultimately becoming the mainstay of the pottery. This vase is from the Robert A. Ellison Jr. Collection of American art pottery donated to the Metropolitan Museum in 2017 and 2018. The works in the collection date from the mid-1870s through the 1950s. Together they comprise one of the most comprehensive and important assemblages of this material known.
De boerenrechtbank te Puiterveen
Object type: print
Date: 1752 – 1761
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter tanjé
Artist role: draughtsman, print maker
Artist dates: 1706 – 1761
Subjects: lawyer, attorney at law, pregnant woman, comedy, court-room
Inscriptions: collector's mark: Lugt 240

Voor de boerenrechtbank van Puiterveen staan links de huilende Fobert en zijn vader en rechts de zwangere Swaantje tussen jonker Jan en haar ouders. Swaantje is bezwangerd door de zoon van de heer van Puijterveen, maar Fobert wordt van deze daad beschuldigd. De corrupte advocaat van Fobert is aan het pleiten, terwijl de advocaat van de tegenpartij toehoort. Achter de tafel zitten schout en schepenen. Scène uit het derde bedrijf van het toneelstuk Beslikte Swaantje, en Drooge Fobert; of de boere rechtbank, van Abraham Alewijn.
Fotoalbum (leeg)
Object type: slip in album
Date: 1860 – 1900
Materials: cardboard, leather, metal, paper
Techniques: marbled paper
Artist: Anonymous
Inscriptions: collector's mark: ‘DIENST/ VERSPREIDE/ RIJKSKOLLEKTIES/ (...) A 770’

Fotoalbum met twintig bladen met aan de voorzijde van ieder blad een met rode lijnen omkaderde passe-partout voor een carte-de-visite.
Spotprent op het muntdebat, 1874
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: mephistopheles, name of the demonic tempter in the literary versions of the faust legends

Spotprent op het debat over de muntstandaard, 1874. Kappeyne van de Coppello als Mephistoles. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 9, 1874.
Gezicht op een stad op rotsen in Frankrijk, met op de voorgrond een brug over een rivier
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: landscape with bridge, viaduct or aqueduct, prospect of city, town panorama, silhouette of city, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
The Rescued Princess (Die befreite Prinzessin)
Object type: print
Date: 1911 – 1911
Techniques: lithograph
Artist: moriz jung
Artist role: artist
Artist nationality: austrian
Artist dates: 1885 – 1915
Subjects: women,crocodiles
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of torso of a man,drapery, and shaft of spear?
St. Cecily / Cecilia (Illustration for The Palace of Art in Tennyson's Poems, New York, 1903)
Object type: print
Date: 1857 – 1903
Techniques: engraving
Artist: dante gabriel rossetti
Artist role: artist
Artist nationality: british
Artist dates: 1828 – 1882
Subjects: musical instruments,men,women,saints

Rossetti’s 1857 illustrations of Tennyson—here reissued in 1903—incorporate startling effects derived from medieval and early Renaissance art. Space collapses, forms are cut off, and narrative details are inserted without concern for conventional perspective. Rossetti criticized the engravers and insisted on many changes, delaying the publication.
A riding school, a horseman with sword jumping directed by another man with a sword in center, a man standing next to his horse to right, various horsemen, the school, and two dogs in the background, from "Varie Figure"
Object type: print
Date: 1645 – 1645
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: schools,men,dogs,horses,students,teachers
Papierfabriek
Object type: drawing
Date: 1870 – 1931
Materials: chalk, paper
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: other industries ~ plant material, paper (writing material)
Doctor Guillotin en zijne uitvinding
Object type: print
Date: 1842 – 1887
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: violent death ~ beheading by guillotine, invention, discovery ~ science and technology
Inscriptions: collector's mark: Lugt 2228

Een gezelschap, waaronder Joseph-Ignace Guillotin, zit aan tafel en bekijkt een miniatuur versie van de guillotine.
Portret van een jonge vrouw met lint in haar haren
Object type: album leaf
Date: 1861 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: rotterdam
Artist: carel eduard westerborg
Artist role: fotograaf
Artist dates: 1842 – 1916
Subjects: adolescent, young woman, maiden, historical persons - bb - woman, hairdress
Inscriptions: inscription: ‘C. E. WESTERBORG/ Photograaf/ Vossenstraat B 66/ Arnhem/ Voor nabestelling worden alle/ negatieven bewaard’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, paw and tail of lion skin?; quiver; unidentified subject
Piece
Object type: piece
Date: 1856 – 1875
Subjects: flowers,leaves
Spoon
Object type: metalwork
Date: 1696 – 1696
Materials: silver
Location: new york
Artist: jacob boelen
Subjects: dining, drinking
Inscriptions: Initials engraved on hoof: V / WA
Mark in conforming punch on back of bowl: IB
Twee vrouwen en een man met camera
Object type: photomechanical print
Date: 1900 – 1950
Materials: cardboard
Techniques: four-color autotype
Artist: Anonymous
Subjects: flowers, adult woman, photography, adult man

Deze prent maakt deel uit van een album.
Portret van Edward Jenner
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228
Riding habit
Object type: riding habit
Date: 1894 – 1894
Materials: wool
Culture: american
Artist: a. f. müller
Artist role: designer
Jardiniere with bouquets and flower sprays
Object type: service set
Date: 1800 – 1849
Materials: glaze, paint, porcelain
Techniques: firing, forming, turning, vitrification
Location: vienna
Inscriptions: mark: ‘schild’
Ottomaanse veldheer
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: Anonymous
Subjects: asiatic races and peoples: turks, head-gear: turban, the soldier; the soldier's life

Een Ottomaanse veldheer, zittend naar links, in de hand een scepter, op het hoofd een tulband met een pluim. Onderdeel van het modelboek Enchiridion artis pingendi, fingendi & sculpendi met 108 figuren bedoeld voor beginnende schilders, beeldhouwers en prentmakers.
Eight Spring Victoria #864
Object type: drawing
Date: 1850 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gruss aus München. Neues Nationalmuseum
Object type: photomechanical print
Date: 1885 – 1905
Materials: cardboard
Techniques: photograph
Location: munich
Artist: Anonymous
Subjects: permanent exhibition, museum
Album met foto's van de diensttijd van Nederlandse militairen in Indië, ca. 1946-1949
Object type: photograph album
Date: 1946 – 1949
Materials: paper, cardboard, plastic
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: dutch east indies, the

Gerestaureerd fotoalbum met 20 bladen van bruin karton waarop in totaal 70 genummerde losse foto's zijn vastgezet met fotohoekjes (blad nr. 14 is leeg). Album in een band van karton bekleed met wit en lichtbruin kunststof (?) en ingebonden met een koordje. Hoofdzakelijk kiekjes van soldaten tijdens hun diensttijd in Indonesië ca. 1946-1949: materieel, een Indonesische kinderverzorgster (destijds 'baboe' genoemd), militaire acties en van een herdenking op een oorlogskerkhof in 1949 en de aldaar aanwezige oorlogsgraven. Verder ook enkele oudere familiefoto's: twee trouwfoto's en een foto van een jonge vrouw.
Cascade in de tuin van het Kasteel Saint-Cloud
Object type: print
Date: 1838 – 1898
Materials: paper
Techniques: intaglio
Subjects: garden cascade
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘[...] Utrecht’
Shoes
Object type: shoe
Date: 1720 – 1740
Materials: silk
Culture: british
A Garden of Celebrated Japanese and Chinese Paintings (Wakan meigaen} 和漢名画苑
Object type: illustrated book
Date: 1750 – 1750
Materials: ink, paper
Techniques: bookbinding, woodblock print
Culture: japanese
Artist: ooka shunboku 大岡春卜
Artist role: artist
Artist nationality: japanese
Artist dates: 1680 – 1763

Shunboku was a predominantly self-taught painter and entrepreneur, best known for the various series of woodblock-printed books in which he reproduced Chinese and Japanese paintings by famous artists. These multi-volume ehon, or picture books, served as manuals to artists like Itō Jakuchū (1716–1800) and Kimura Kenkadō (1736–1802), the latter of whom was also a well-known collector. Shunboku’s books stimulated their interest in China’s Ming-dynasty painters, some of whose compositions could be found in the collections of Japanese monasteries and were thus accessible for study. This set of six volumes shows that Shunboku wished to disseminate images of Japanese masterworks as well as Chinese. It includes reproductions of kasen-e—imaginary portraits of poets like Kakinomoto no Hitomaro and Ono no Komachi—by Tosa school artists, scenes from The Tale of Genji (Genji monogatari), and illustrations from the Tales of Ise (Ise monogatari) attributed to Tosa Mitsuoki (1617–1691).
Portret van Don Juan II van Oostenrijk
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: historical persons, head-gear: hat, ruler, sovereign
Inscriptions: monogram
Snuffbox
Object type: snuffbox
Date: 1782 – 1782
Materials: enamel, gold
Artist: pierre-innocent zurich
Artist role: maker
Artist dates: 1780 – 1780

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Pendant: winged female head
Object type: head fragment
Date: 500 – 401
Materials: amber
Culture: italic

A head, probably female, appears in profile with five large perforations in a roughly circular pattern.