deem-data/ArtiFact huggingface dataset:
Zandkuil met een figuur op een paardenkar in Nütterden
Object type: sketchbook leaf
Date: 1839 – 1872
Materials: ink, paper, pencil
Techniques: pen
Location: kranenburg
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: sand (soil type), standing figure, horse, (farm) wagon, freight wagon, cart
Inscriptions: annotation: ‘N[...]ttu[..] in een zant kuil’

Blad 68 verso uit een schetsboek met 73 bladen.
Servet van wit linnendamast
Object type: napkin
Date: 1717 – 1717
Materials: linen
Techniques: damask
Location: flanders

Wit linnen damasten servet met de overwinningen op de Turken door Eugenius van Savoye onder Karel VI van Oostenrijk. Gemerkt T C 38.
Armband van goud en amethist
Object type: bracelet
Date: 1824 – 1829
Materials: gemstone, gold
Location: amsterdam
Artist: jean baptiste bonnard
Artist role: goldsmith
Inscriptions: alloy mark

Parure. Gold and amethyst. Amsterdam, c. 1824 - 1829, by Jean Baptiste Bonnard.
Drie foto's van de familie Van den Berg op de Monte San Salvatore en een fotomechanische prentbriefkaart daarvan
Object type: photomechanical print
Date: 1908 – 1923
Materials: paper, cardboard
Techniques: photograph, gelatin silver print
Location: lugano
Subjects: batavia, hendrik herman van den berg, the hague, caroline louise van den berg-van den berg, carel frederik van den berg (cay), amsterdam, frank willem van den berg (1912-1998), the family travelling, on holiday, (high) hill
Inscriptions: inscription: ‘Lugano/ Monte San Salvatore’

Deze foto's en prent maken deel uit van een album.
Chessboard
Object type: chessboard
Date: 1651 – 1675
Materials: wood, ivory, silver
Subjects: chess
Kaval
Object type: kaval
Date: 1867 – 1900
Materials: wood
Culture: romanian
Location: romania
Standing Female Nude
Object type: drawing
Date: 1935 – 1935
Materials: chalk, paper, pencil
Artist: louis goudman
Artist role: draughtsman
Artist dates: 1880 – 1939
Inscriptions: date: ‘35’
Piece
Object type: piece
Date: 1801 – 1900
Materials: silk
Culture: japanese
Subjects: peacocks
Schets van een vrouw met vlinders
Object type: drawing
Date: 1849 – 1917
Materials: paper, pencil
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Powerscourt House, Dublin
Object type: print
Materials: paper
Techniques: aquatint, hand coloring
Location: england
Artist: james malton
Artist nationality: english
Artist dates: 1761 – 1803
Annotaties
Object type: sketchbook leaf
Date: 1887 – 1891
Materials: paper, pencil
Inscriptions: annotation: ‘[...] Parkweg/ 87-91/ [...] bij/ Haaksbergen’, collector's mark: Lugt 2228, signature: ‘G H Breitner’

Pagina 1, voorste schutblad, uit een schetsboek met 83 bladen.
Reisverslag
Object type: sketchbook leaf
Materials: pencil
Location: barentsz sea
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: nova zembla expedities 1880
Inscriptions: annotation: ‘[...]’

Blad 69 verso uit een schetsboek met 110 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Sword Guard (<i>Tsuba</i>) Depicting Dragon in Waves (波に龍図鐔)
Object type: sword guard tsuba
Date: 1801 – 1900
Materials: copper, gold, iron
Culture: japanese
Location: japan
Subjects: dragons
Portret van Johannes van den Driesche
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: theologian, historical persons

Prent zonder tweede omlijsting gebruikt in: Fundatoris curatorum et professorum celeberrimorum, (...) academia Lugduno-Batava (...). Leiden: Pieter van der Aa, [ca. 1716].
Woenno-Groezinskaja doroga. Goedayoer, postowaja stanstja
Object type: photograph
Date: 1890 – 1900
Materials: photographic support
Techniques: albumen print
Location: georgia
Artist: dimitri ivanovitch ermakov
Artist role: fotograaf
Artist dates: 1845 – 1916
Subjects: road, path, exterior ~ representation of a building
Inscriptions: number: ‘2276’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Georgië, Sint-Petersburg en Moskou.
Onderscheiding Alde Feanen Tocht 1996
Object type: onderscheidingsteken, onderscheiding
Date: 1996 – 1996
Materials: metal
Techniques: striking
Artist: Anonymous
Inscriptions: inscription: ‘25 KM 3-1-1996’
Wall in the Grand Cañon, Colorado River
Object type: photograph
Date: 1871 – 1871
Techniques: albumen print
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards
Ex libris met monogram
Object type: album leaf
Date: 1650 – 1676
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: letter combinations such as letterword, anagram, letter square, monogram, etc.
Inscriptions: annotation: ‘1754’

Deze prent maakt deel uit van een album.
Basin
Object type: basin
Date: 1821 – 1843
Materials: pewter
Culture: american
Location: united states
Artist: josiah danforth
Artist role: maker
Artist nationality: american
Artist dates: 1803 – 1872
J. M. Balmaceda, President of Chili, from the Rulers, Flags, and Coats of Arms series (N126-1) issued by W. Duke, Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,coat of arms,flags

Trade cards from the "Rulers, Flags, and Coats of Arms" series (N126-1), issued in 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type, pictured here, is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Rural Sports, or an Old Mole Catcher in Full Scent
Object type: print
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,dogs,horses,landscapes

An elderly man on a horse rides in a hilly landscape with two dogs before him, and approaches a girl seated beneath a tree at right.
Portrait of a brahmin (Hindu priest) Pundit Ramnarain from Aligarh, Uttar Pradesh, India
Object type: page
Date: 1858 – 1868
Materials: photographic support
Techniques: albumen print
Location: aligarh
Artist: Anonymous
Subjects: priest ~ hinduism, buddhism, jainism, human races; peoples; nationalities
Inscriptions: number: ‘(127)’, inscription: ‘PUNDIT RAMNARAIN./ HINDOO PRIEST-BRAHMIN./ ALLYGHUR.’
Abrahams ontmoeting met Melchisedek
Object type: print
Date: 1545 – 1545
Materials: paper
Techniques: engraving
Location: antwerp
Artist: cornelis massijs
Artist role: painter, print maker
Artist dates: 1510 – 1557
Subjects: the meeting of abraham and melchizedek, the high priest and king of salem, who brings bread and wine (genesis 14:18-20)
Inscriptions: collector's mark: Lugt 109, collector's mark: Lugt 2228

Melchisedek, de hogepriester en koning van Salem (Jeruzalem), geeft Abraham brood en een kan met wijn. Abraham knielt voor hem, terwijl achter hem zijn soldaten met paarden en kamelen staan. Achter Melchisedek staan volgelingen van hem.
Russian Lady, printer's sample from World's Smokers series (N33) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: profiles,women,smoking

Trade cards from the "World's Smokers" series (N33), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Printer's samples included in set, as well. The printer's sample cards are on thinner card stock and do not have any printed text.
Studie van een mannelijk naaktmodel, staand en van opzij gezien, in het atelier van Jacques de Lalaing
Object type: photograph
Date: 1883 – 1914
Materials: photographic support
Techniques: albumen print
Location: brussels
Artist: jacques lalaing
Artist role: painter, sculptor
Artist dates: 1858 – 1917
Subjects: the (nude) human figure; 'corpo humano' (ripa) (+ sideview, profile), adult man, artist (in general) working from nude model
Tondo met Christuskop met doornenkroon, omgeven door Engelse tekst
Object type: album leaf
Date: 1871 – 1871
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: christ suffering (with crown of thorns, head usually turned sidewards)

Onderdeel van Herdenkingsalbum van rooms-katholieke geestelijken gevallen tijdens de Commune van Parijs.
Faith, from The Seven Virtues
Object type: print
Date: 1559 – 1559
Materials: paper
Techniques: engraving
Location: belgium
Artist: philip galle
Artist nationality: flemish
Artist dates: 1537 – 1612
Inscriptions: Lettered lower left: "Cock exc"; lower center: "Fides"; and lower right: "Brugel Inv"; and below image on a separate strip of paper: "Fides maxime a nobis ... quam homo."
Zittende vrouw, een meisje en een hond
Object type: drawing
Date: 1641 – 1664
Materials: paper
Techniques: brush
Artist: cornelis pietersz. bega
Artist role: draughtsman, painter, print maker
Artist dates: 1631 – 1664
Subjects: dog

Een zittende vrouw die omhoog kijkt en een meisje dat op de grond zit en met een hond speelt.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, right hand holding spear or stick
Rolwerk met fruit
Object type: ornament print
Date: 1520 – 1584
Materials: paper
Techniques: etching
Artist: jacques androuet
Artist role: draughtsman, print maker
Artist dates: 1515 – 1584
Subjects: fruits and vegetables ~ ornament, scrollwork, strapwork ~ ornament

Cartouche van rolwerk met vruchten en zes takken met bladeren, bijeengehouden door enkele voluten.
Strijker
Object type: strijker
Date: 1796 – 1796
Materials: wood
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam
Inscriptions: number: ‘229 / 24’, inscription: ‘Amsterdam / Een strijkstok’, number: ‘12’, date: ‘1796 / 1797 / 1798 / 1799 / 1800’, inscription: ‘d'Amsterdam ...’

Eikenhouten strijker, v.z.v. dateringen en etiketten.
Vioolspeler voor een herberg
Object type: drawing
Date: 1766 – 1770
Materials: chalk, paper
Location: amsterdam
Subjects: one person playing string instrument (bowed), inn, coffee-house, public house, etc., dog

Een man met viool en een jongen met draailier maken muziek bij een herberg. Volwassenen en kinderen luisteren. Een vrouw leunt over de onderdeur. De doordruktekening ligt los in een album, zie blad 17.
Bologna
Object type: print
Date: 1810 – 1828
Materials: paper
Techniques: etching
Location: london
Artist: richard parkes bonington
Artist role: painter, print maker
Artist dates: 1801 – 1828
Subjects: tower, clock tower ~ monumental adornment, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Odysseus vertelt van zijn avonturen aan Penelope
Object type: print
Date: 1632 – 1633
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: theodoor van thulden
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: ulysses and penelope exchange their news in bed
Inscriptions: collector's mark: Lugt 2228

Odysseus vertelt van zijn avonturen aan Penelope, terwijl ze in bed liggen.
The Fifth Ichikawa Danjuro as a Kago Bearer Standing Near a Mile Post
Object type: woodblock print nishiki e
Date: 1783 – 1784
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: men,actors
Mary Crosby
Object type: painting, miniature
Date: 1840 – 1840
Materials: ivory, watercolor
Culture: american
Artist: george augustus baker jr.
Artist role: artist
Artist dates: 1821 – 1880
Subjects: portraits,women

The sitter (1822-1913) was the daughter of William Bedlow Crosby and Harriet Ashton Clarkson of New York City.
Vrouwenhoofd en een man, op de rug gezien
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult man (+ back view), head (human) - aa - female human figure

Beiden dragen een doek op hun hoofd. Blad 9 recto uit schetsboek XXIV met 10 bladen.
Landschappen met boerderijen
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: watch-dog, dog watching, farm or solitary house in landscape, (farm) wagon, freight wagon, cart, farm (building)
Inscriptions: collector's mark: Lugt 2228

Gezicht op een landschap met een boerderij. Op de voorgrond blaft een hond naar een man.
The Apotheosis of a Saint, Project for a Ceiling
Object type: drawing
Date: 1701 – 1800
Materials: chalk, ink, paper
Techniques: brush, pen
Location: germany
Artist: johann anwander
Artist role: artist
Artist nationality: german
Artist dates: 1715 – 1770
Subjects: saints
Minature vase
Object type: vase
Date: 1701 – 1800
Materials: copper, glaze, porcelain
Culture: chinese
Sapin
Object type: print
Date: 1820 – 1833
Materials: paper
Techniques: lithograph
Location: mulhouse
Subjects: trees: fir
Inscriptions: collector's mark: Lugt 2228
Beschrijvingen der plaatjes zich bevindende in het Album, & betreffende de reis van 1865.
Object type: paper
Date: 1865 – 1865
Materials: ink, paper
Techniques: writing
Location: netherlands
Artist: Anonymous
Subjects: handwriting, written text

Handgeschreven en genummerde lijst met beschrijvingen van foto's en prenten in het album. Onderdeel van Fotoalbum van een reis door Zwitserland, Oostenrijk en Duitsland door de Nederlandse familie Derkinderen.
Apostel Tomas
Object type: print
Date: 1545 – 1548
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: lambertus suavius
Artist role: print maker
Artist dates: 1514 – 1564
Subjects: the apostle thomas; possible attributes: book, chalice, girdle, heart, lance or spear, scroll, square, stones
Inscriptions: collector's mark: Lugt 2228

De apostel Tomas staande in een nis met een boek in de ene hand en wijzend met zijn andere hand.
Kolenschip 'Werfa' naast een oceaanstomer, vermoedelijk in de haven van Sydney
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: sydney
Artist: Anonymous
Subjects: freight vessel

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Sydney.
Comb fragment
Object type: comb fragment
Date: 1550 – 1295
Materials: ivory
Location: egypt
Portret van Philippe-Antoine Merlin de Douai
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Slit Gong (Kentongan)
Object type: slit gong kentongan
Date: 1201 – 1300
Materials: bronze
Culture: indonesian, javanese
Songs of Experience: The Fly
Object type: print
Materials: gold, ink, shell, watercolor
Techniques: etching, hand coloring, printing, relief
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: poetry,children,women,sports

Blake’s Songs of Experience contains twenty-seven pages. The artist etched the printing plates in 1794, expanding the scope of his earlier Songs of Innocence. He then printed and hand-colored copies of the combined sets over succeeding decades as patrons ordered them, each one visually distinct. Verse and image work together to celebrate poetic inspiration and reveal aspects of the divine as expressed through nature, but the tone of the later Songs of Experience is dark, even despairing. Children experience inexplicable cruelty at the hands of adults and the poet offers neither rescue nor resolution. These works were shaped by the later stages of the French Revolution, which was marked by regicide, the Terror, and repression of radical thinkers in Britain. The artist Edward Calvert met Blake around 1825 and commissioned this copy of Songs of Innocence and of Experience soon thereafter. These richly decorated pages, with their deeply saturated hues and distinctive ornamental borders, reveal Blake’s late vision, and the order is established by small red numbers at upper right. This copy of Songs was later the first work to be purchased by the Museum’s new Department of Prints in 1917, recommended by its distinguished curator William M. Ivins, Jr.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 490
Materials: terracotta
Culture: greek, attic

Exterior, beard; start of handle root
Detail van de ambtsketen van de burgemeester van Preston
Object type: page
Date: 1884 – 1889
Materials: paper
Techniques: photolithography
Location: london
Artist: Anonymous
Subjects: necklace
Inscriptions: inscription: ‘Alfred Gilbert, A.R.A. Sculptor/ The Architectural Illustration Society. Second Series Plate No118.’

Prent op tweede ongenummerde pagina na pagina 8.
Gezicht op ruïnes te Sardis
Object type: photograph
Date: 1859 – 1869
Materials: photographic support
Techniques: albumen print
Location: asia minor
Artist: alexander svoboda
Artist role: fotograaf
Subjects: ruin of a building ~ architecture
Religious text of Tanaweruow, daughter of Hartophnakhthes and Tatita
Object type: papyrus, religious text, tanaweruow, demotic
Materials: ink, papyrus
Location: northern upper egypt
Subjects: demotic

Papyrus Harkness is a religious mortuary text inscribed for the deceased woman Tanaweruow, whose father Hartophnakthes is the principal recitant. The papyrus has recently been fully translated and analyzed, allowing an overview of this unusual text. The papyrus comprises several sections: a) Hartophnakhthes addresses Tanaweruow at the embalming place, promising to equip her tomb; b) he goes to the tomb and equips it, addressing the tomb as her alter-ego and animating it with the Opening of the Mouth ritual; c) the deceased utters a lament; d) the father returns to the embalming place where he recites texts associated with the hours of the night preceding his daughter's burial; e) the next day he recites texts associated with the hours of the day; f) he recites glorifications to his daughter at the tomb; g) further glorifications conclude with a litany to various gods, blessed spirits, and the deceased herself; h) after his daughter's interment the father speaks to the tomb as the mother of the deceased who will give (re)birth to the one lying within it; i) the father concludes the rites at the tomb with libations. Especially sections a-c and h-i are rather unusual compositions. The text derives much effect from remarkably vivid imagery. Nautical imagery is prominent, with the deceased's transition to the afterlife described as a voyage on board a ship (the coffin?) which deities provide for her, and they behold her beneath the sails of Osiris which may be a reference to her mummy bandages. The father laments the wastefulness of her loss by comparing her with fruit which has been given to those unworthy of it. The appllcation of a cloth to her eyes and the wrapping of her limbs is described as "the cloud seizing her and the darkness enveloping her," while libations or offerings may be called "dew."
Inscripties en fragmenten uit graftombe van de Arruntius familie
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: etching
Location: rome
Subjects: inscription, oil-lamp, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Le Antichità Romane'. Piranesi deed meer dan acht jaar voorstudie voor deze 250 platen tellende serie die in vier volumes werd uitgegeven. Hij produceerde de prenten tussen ca. 1756 en 1757. De serie bevat ook prenten door of naar andere prentmakers, onder wie Francesco Bianchini en Girolamo Rossi.
Panel
Object type: textile
Date: 1775 – 1800
Materials: textile, silk
Techniques: bookbinding, interlacing, patterning, satin weave, weave
Location: france
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Twenty miscellaneous fragments from DvB 23, 2
Wrapper
Object type: wrapper
Date: 1840 – 1840
Materials: cotton
Culture: american
Vrouw heft vinger op naar een vrouw
Object type: drawing
Date: 1900 – 1970
Materials: paint, ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: nun(s), postures and gestures of hand and fingers (+ relations with aggressive, hostile character (expressive connotations)), veil
Inscriptions: annotation: ‘tegenover blz 490’, :, collector's mark: Lugt 2228a

Een vrouw met een sluier heft haar vinger op naar een vrouw die schuin tegenover haar staat. Achter de vrouw die de vermanende beweging maakt staan drie nonnen verbaasd toe te kijken.
Trade Card for Welchman, seal engraver
Object type: print, trade card
Date: 1801 – 1833
Techniques: engraving
Artist: anonymous, british, early 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1850

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Ewer
Object type: ewer
Date: 1890 – 1890
Materials: silver
Artist: giacinto melillo
Artist role: maker
Artist dates: 1846 – 1915
Subjects: men
Fragment bekledingsstof van bedrukte trijp met zwarte banden met kettingpatroon op een olijfgroene grond
Object type: bekledingsstof
Date: 1910 – 1920
Materials: cotton, textile, hair
Techniques: printing
Location: netherlands
Artist: Anonymous

Fragment bekledingsstof van bedrukte trijp. Op een olijfgroene grond lopen zwarte banden met kettingpatroon. Trijpgeweven met een v-binding.
Battle of the Amalekites (Bataille des Amalecites)
Object type: print
Date: 1645 – 1652
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: battles,men,horses,landscapes,death
Portret van Otto van Veen
Object type: print
Date: 1644 – 1661
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: leiden, brussels, painter, draughtsman, otto van veen
Inscriptions: collector's mark: Lugt 2228

Portret van de kunstschilder Otto van Veen. In de marge een vijfregelige tekst in het Frans.
Sample (Dress Trimming)
Object type: textile
Date: 1815 – 1835
Materials: cotton, silk
Techniques: satin weave
Location: france
Stadsgezicht
Object type: sketchbook leaf
Date: 1904 – 1904
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: city-view, and landscape with man-made constructions, civic architecture; edifices; dwellings
Inscriptions: signature: ‘G.H. Breitner’

Pagina 28 uit een schetsboek met 14 bladen.
Vessel with Figure Seated Inside a Structure
Object type: vessel
Date: 800 – 800
Materials: ceramic, pigment
Techniques: modeling, painting
Culture: chavín
Location: peruvian north coast
Subjects: architecture, supernatural, figures (representations), houses, temple
Prospectus tydschrift voor vercieringskunst
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: woodcut
Artist: karel petrus cornelis de bazel
Artist role: draughtsman, print maker
Artist dates: 1869 – 1923
Subjects: title-page, ornament derived from plant forms

Fragment van: Prospectus tijdschrift voor vercieringskunst. Haarlem: H. Kleinmann & Co., 1896.