deem-data/ArtiFact huggingface dataset:
Gezicht op Hotel C.B. Scholts aan Hoofdstraat 93 in Driebergen-Rijsenburg
Object type: photograph
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Location: driebergen-rijsenburg
Artist: Anonymous
Subjects: hotel, hostelry, inn
Oumayagashi, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Kussenovertrek met het stadswapen van Gouda
Object type: magistratenkussen
Date: 1657 – 1657
Materials: linen, silk, wool
Techniques: tapestry
Location: gouda
Inscriptions: date: ‘1657’, inscription: ‘D.V.GROENENDYCK.’, inscription: ‘GOVDA’

Kussenovertrek in tapisserietechniek met afbeelding van het wapen van Gouda en met de naam D.V. GROENENDIJCK en met het jaartal 1657.
Vrouw met mand onder haar arm
Object type: book illustration
Date: 1880 – 1927
Materials: paper
Techniques: letterpress printing, engraving
Location: london
Subjects: carrying something, container made of plant material other than wood: basket, house personnel, servants

Prent uit: Sing a song of sixpence. Londen: George Routledge & Sons, 1880. Of uit een later gepubliceerde (gebundelde) uitgave.
Lance Head for the Joust of War
Object type: lance head for the joust of war
Date: 1475 – 1540
Materials: steel
Culture: german
Location: germany
Teapot
Object type: ceramic
Date: 1882 – 1882
Materials: porcelain
Techniques: enamel, glazing
Location: england
Artist: james hadley

Made by James Hadley, the preeminent modeler at the Royal Worcester Porcelain Factory, this teapot references the Aesthetic Movement that was fashionable in the late 19th century. The teapot partly capitalized on the success of W. S. Gilbert and Sir Arthur Sullivan’s operetta Patience, a satire of the Aesthetic Movement that was first performed in 1881, the year the vessel was produced. Patience prominently featured a poet called Bunthorne, a caricature of writer and aesthete Oscar Wilde. Like Wilde, disciples of the Aesthetic Movement had specific ideas about the most beautiful flowers (sunflowers and calla lilies) and colors (purple), and they subscribed to the notion that by surrounding oneself with beautiful objects one would become beautiful.On the base of the teapot appear the words Fearful Consequences Through the Laws of Natural Selection & Evolution of Living up to One’s Teapot—an allusion to something Oscar Wilde said while he was a student at Oxford University in England: “I find it harder and harder every day to live up to my blue china.” The teapot’s base is a double-edged satire, mocking Wilde’s overwrought attention to all things aesthetic, as well as Darwin’s newly introduced theory of natural selection, which was scoffed at for its implication that humans descended from apes. Taking Wilde’s quip to its logical conclusion, the young man and woman on the teapot have so successfully lived up to their china that they have literally morphed into a teapot.
Konijnen triomferen over wolven
Object type: print
Date: 1563 – 1583
Materials: paper
Techniques: etching
Artist: conrad saldörffer
Artist role: print maker
Subjects: game, hunted animals, conqueror triumphing, triumphal entry of victor, rodents: rabbit, beasts of prey, predatory animals: wolf
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie satirische prenten met dieren, waarvan de complete hoeveelheid onbekend is.
Portret van Notger
Object type: print
Date: 1620 – 1699
Materials: paper
Techniques: engraving, roulette
Location: liège
Subjects: liège, historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van de prinsbisschop Notger in religieuze kledij. Hij draagt een baret en op zijn borst hangt een kruis. Onder de ovale omlijsting is zijn wapen te zien en een banderol met zijn naam en functie.
Cuirassier Household Guard, Russia, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men,profiles

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
The Steps, British Museum
Object type: print
Date: 1904 – 1904
Materials: paper
Techniques: etching
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Disk
Object type: disk
Date: 201 – 500
Materials: copper
Culture: moche
Location: peru
Table or bracket clock
Object type: table or bracket clock
Date: 1665 – 1665
Materials: brass, wood, gilt brass, silver, steel
Artist: edward east
Artist role: maker
Artist nationality: british
Artist dates: 1602 – 1697

Trained as a goldsmith, Edward East was a founding member of the London Clockmakers’ Company (1631). A rival of the Fromanteels both in business and politics, East, a royalist, was appointed clockmaker in 1660 to the newly restored Charles II. Like the Fromanteels he quickly recognized the importance to timekeeping of the Huygens pendulum, but East was not a part of their Anglo-Dutch Protestant circle. The relatively plain wooden case of this clock owes much to the design of the first Dutch pendulum clocks and marks it as an early product of the new technology of clockmaking in England. The movement, with its characteristically heavy brass plates, was greatly modified by later owners; at some unknown time it was reconverted from an anchor escapement to a historically correct verge. It is spring driven, with a duration of a single day, and strikes the hours on a single bell. The case has been newly returned to something approaching its original simplicity.
Portret van Friedrich Stromeyer
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: lithograph
Subjects: chemistry (+ portrait of scholar, scientist), historical persons
Inscriptions: inscription: ‘Hofrath F. Stromeyer’, collector's mark: Lugt 2233
Marriage medal
Object type: medal
Date: 1634 – 1666
Materials: silver
Artist: johann höhn i
Artist role: artist
Artist nationality: german
Artist dates: 1607 – 1663
Subjects: birds,boys,men,women
Terracotta fragment of a kylix: Lip cup (drinking cup)
Object type: kylix fragment
Date: 560 – 525
Materials: terracotta
Culture: greek, attic
Stuiver van de provincie West-Friesland
Object type: coin
Date: 1678 – 1678
Materials: silver
Techniques: striking
Location: west frisia
Artist: Anonymous
Subjects: west-friesland

Voorzijde: opschrift boven jaartal. Keerzijde: gekroond wapenschild tussen waardeaanduiding
Ontwerp voor de linkerhelft van een vaas met een oor in de vorm van een op een geitenkop zittende naakte vrouw
Object type: drawing
Date: 1760 – 1780
Materials: chalk, ink
Techniques: drawing
Location: italy
Artist: Anonymous
Inscriptions: collector's mark: ‘Lodewijk Houthakker (1926-2008)’ Lugt 3893, collector's mark: ‘Edmond Fatio (1871-1959)’ Lugt 3472
Portret van Cornelis van der Voort
Object type: photomechanical print
Date: 1887 – 1887
Materials: paper
Techniques: photomechanical printing process
Subjects: antwerp, painter, draughtsman, cornelis van der voort, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Lijkkist van Willem III, koning der Nederlanden
Object type: drawing
Date: 1849 – 1849
Materials: gouache, ink, paper
Techniques: brush, pen
Artist: p. van moeij schiltbrouwer
Artist role: draughtsman
Subjects: brussels, willem iii (koning der nederlanden), coffin
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Vorstelijke lijkstaties.
Beauty representing spring, from an untitled series of beauties representing the four seasons
Object type: print
Date: 1818 – 1830
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa kuniyasu
Artist role: artist
Artist nationality: japanese
Artist dates: 1794 – 1832
Piece
Object type: piece
Date: 1834 – 1866
Materials: silk, wool
Card Number 310, Mlle. Fraizer, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
22. Cour de la Mosquée el Ahzar, au Kaire
Object type: lithograph
Date: 1843 – 1843
Techniques: lithograph
Artist: joseph-philibert girault de prangey
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1892

Joseph-Philibert Girault de Prangey was an artist, architectural historian, archaeologist, and pioneer photographer. He first came to prominence in the 1830s for several studies of medieval Islamic architecture in Spain and Italy, which were illustrated with prints made after his drawings and watercolors. He subsequently learned the daguerreotype process and, in 1842, pursued his research on a three-year photographic excursion around the eastern Mediterranean. He returned to France in early 1845 with one thousand daguerreotypes, including the earliest surviving photographs of Greece, Egypt, Turkey, Syria, and Jerusalem, and among the first daguerreotypes depicting Italy. The twenty-two lithographs included in this set of Monuments arabes form part of a larger, unrealized project to publish and disseminate many more of his daguerreotype views, which he carefully stored and archived as an essential part of his archaeological fieldwork.
The assemby in Versailles: In January –Wretched winter!... In June –Scoundrel of a summer!...
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: hats,men,summer,winter,chairs
Mounted Russian
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa yoshitora
Artist role: artist
Artist nationality: japanese
Artist dates: 1845 – 1880
Subjects: horses
Portret van Sebastian Brant
Object type: print
Date: 1705 – 1753
Materials: paper
Techniques: engraving
Artist: jodocus egidius krauss
Artist role: print maker
Subjects: sebastian brant, historical persons, lawyer, attorney at law, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Serving Table
Object type: serving table
Date: 1800 – 1810
Materials: wood, marble
Culture: american
Location: washington dc
Saints Augustine and Peter
Object type: painting
Date: 1350 – 1350
Materials: paint, panel, wood
Techniques: painting
Location: venice
Artist: workshop of paolo veneziano
Artist nationality: italian
Artist dates: 1333 – 1358
Subjects: saints, staffs, religious figures, religious attire, religious, religion, red (color), orange (color), men, keys, hat, gold (color), christianity, christian subjects, blue (color), blue, century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed: S/AGV/STI/NV/S (to the left of Saint Augustine, in red pigment), S/PET/RVS (to the left of Saint Peter, in red pigment)

Saints Augustine and Peter and Saints John the Baptist and Catherine of Alexandria—identifiable by their clothing, attributes, and Latin inscriptions—once flanked a larger central image, probably of a Virgin and Child. The frames were made in the early 20th century, but they reflect the architectural style and motifs typical of 14th century Venetian altarpieces.

The leading Venetian painter of his time, Paolo Veneziano combined sinuous Gothic contours, sumptuous textile patterns, and severe facial types influenced by contemporary Byzantine art. This mix of styles reflects Venice’s role as the center of a vast trade network encompassing Western Europe and the Byzantine Empire and extending as far as East Asia and sub-Saharan Africa.
Portret van actrice Lola Cornero
Object type: photograph
Date: 1913 – 1930
Materials: cardboard, photographic support
Techniques: collodion silver print, daylight paper print
Location: amsterdam
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Gladstone over de twee Keizers
Object type: cartoon
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: victoria (koningin van het verenigd koninkrijk en keizerin van india), wilhelm ii (keizer van duitsland), liverpool, correction of naughty children, personifications of countries, nations, states, districts, etc., political caricatures and satires

Premier Gladstone brengt de Duitse en Russische keizers als kwajongens aan hun oren bij hun oma koningin Victoria.
Sloth, from the "Seven Deadly Sins"
Object type: print
Date: 1550 – 1555
Techniques: etching
Artist: léon davent
Artist role: artist
Artist nationality: french
Artist dates: 1540 – 1556
Subjects: boys,men,fire,trees
Gezicht op het Meer van Manindjau op Sumatra met op de voorgrond Indische landarbeiders
Object type: album leaf
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: christiaan benjamin nieuwenhuis
Artist role: publisher
Artist dates: 1863 – 1922
Subjects: working class, labourers, lake, sumatra

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Actress standing behind iron railing, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
1. TÊTE HUMAINE (VUE DE FACE). 2. LA MÊME (VUE DE PROFIL) 1/2 nature
Object type: page
Date: 1860 – 1869
Materials: paper
Techniques: photolithography
Location: paris
Subjects: animals (+ skeleton of an animal), palaeontology, france
Inscriptions: inscription: ‘Ville de Paris Ateliers photo. & litho-photo. E. Lacan dir. Procédé spécial photo-litho. A. Bilordeaux.’, monogram: ‘LEL’, number: ‘Pl. 63’

Voor plek prent in boek: zie nummer onder 'Opschriften / Merken'.
Bowl
Object type: bowl
Date: 3000 – 2001
Materials: pottery
Culture: chinese
The Resurrection and the Three Marys at the Sepulchre
Object type: sculpture
Date: 1460 – 1460
Materials: wood
Techniques: carved
Subjects: the holy women (the three maries) on their way to or at the tomb, to anoint christ's body, christ stepping out of the tomb

The woodcarver here combined in one scene two separate episodes from the Passion of Christ: his resurrection from the tomb, and the three women – Mary Magdalene, Mary the Mother of Jesus and Mary Salome – who went to the tomb (shown at centre) to embalm his body. A Roman soldier is asleep in front of the tomb.
Centuria Sanctorum Martyrum Et Confessorum Regalis Ordinis Redemptorum S. Maria De Mercede
Object type: print
Date: 1624 – 1636
Materials: paper
Techniques: engraving, etching
Location: rome
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: saints
Inscriptions: collector's mark: Lugt 240

Plaat rechtsboven van geheel bestaande uit vier platen met 98 martelaren van de Orde van Notre-Dame-de-la-Merci, ook wel Mercedariërs genoemd, met twee portretten van Peter Nolasco en Raymundus Nonnatus in ovalen.
Three Putti
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: pen
Location: netherlands
Artist: jacob de wit
Artist role: artist
Artist nationality: dutch
Artist dates: 1695 – 1754
Portret van Friedrich Heinrich Jacobi
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving, etching
Subjects: scholar, philosopher, historical persons

Prent mogelijk uit: Neue allgemeine Deutsche Bibliothek. Kiel: Carl Ernst Bohn, 1783, dl. 54.
Wind-Swept Sands
Object type: painting
Date: 1894 – 1894
Materials: canvas, oil
Location: long island
Artist: william merritt chase
Artist nationality: american
Artist dates: 1849 – 1916
Subjects: landscapes
Inscriptions: Signed recto, bottom-left, on ground, in dark paint: "Wm M. Chase.".

Between 1891 and 1902, William Merritt Chase painted numerous landscapes of the area surrounding the Shinnecock Summer Art School in Long Island, New York, where he was an influential teacher. In Wind-Swept Sands, Chase used rapid brushstrokes to depict the dunes and vegetation, thin washes for the sky, and an overall gray tone to indicate an overcast day. Chase’s teaching method was rooted in the French Impressionist practice of painting outdoors in order to take advantage of natural light and changing weather conditions.
Figure of a standing woman
Object type: figure
Date: 601 – 800
Materials: glaze
Techniques: polychrome
Culture: chinese
Subjects: women
Papyrus Lid from Tutankhamun's Embalming Cache
Object type: jar lid, papyrus
Date: 1336 – 1327
Materials: fiber, papyrus
Location: egypt
Hiram "Hi" C. Ebright, Catcher, Washington Nationals, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Portret van Georg August von Breitenbauch
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: medardus thoenert
Artist role: print maker
Artist dates: 1754 – 1814
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Plate
Object type: plate
Date: 1601 – 1733
Materials: glass
Techniques: glassblowing

The decoration technique known as reticello—after the Italian word for network—consists of two superimposed layers of glass canes. Spiraling in different directions, the overlapping white threads create a sophisticated network of lines. This reticello plate has bubbles trapped between the layers, which is characteristic of the technique. Similar examples can be found in the princely glass collection of Rosenborg Castle in Denmark; on his visit to Venice in 1709, Frederick IV acquired a considerable quantity of glass, which reflected the height of Venetian craftsmanship at the time. Like the reticello plates at Rosenborg Castle, this plate is exceptionally large in size. The intricate decoration, made from 160 individual canes, would have caught the discerning eye of a collector like Moore.
Facsimile of the painting on the inside of the foot end of the sarcophagus of Aashyt
Object type: facsimile, aashyt sarcophagus
Date: 2051 – 2030
Materials: paper, paint
Location: egypt
Artist: charles k. wilkinson
Artist role: artist
Artist dates: 1897 – 1986
Subjects: hieroglyphs
Versierde paardenkar met boeren in Palermo
Object type: print
Materials: paper
Techniques: hand coloring, lithograph
Artist: Anonymous
Subjects: two-wheeled, animal-drawn vehicle, farmers

Onderdeel van Fotoalbum van een reis door Zuid-Europa en het Midden-Oosten.
Portret van Ludwig Lucius
Object type: print
Date: 1642 – 1666
Materials: paper
Techniques: engraving
Location: straatsburg
Subjects: theologian, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Artist in a Rocky Landscape
Object type: print
Date: 1816 – 1816
Materials: paper
Techniques: lithograph
Location: france
Artist: pierre-antoine mongin
Artist nationality: french
Artist dates: 1761 – 1827
Kaart van Nederland, Duitsland, België en Denemarken waarop de postroutes zijn aangegeven
Object type: print
Date: 1726 – 1750
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Artist: jan stemmers
Artist role: print maker
Subjects: postal service, maps, atlases, netherlands, germany, denmark, belgium
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent ook gebruikt in: Atlas maior cum generales omnium totius orbis regnorum. 8 delen. Amsterdam: Reinier en Joshua Ottens, 1734-1746.
Ladekast in de stijl van Lodewijk XV, uit de collectie van Christopher Beckett Denison
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: ornamental cupboard (+ wood and other phytogenic material)
Inscriptions: number: ‘535’
Stalenboek met damaststalen en foto's, ontwerpen Chris Lebeau
Object type: pattern book
Date: 1888 – 1945
Materials: cardboard, linen, paper
Location: eindhoven
Artist: chris lebeau
Artist role: draughtsman, print maker
Artist dates: 1878 – 1945

Stalenboek met negen damaststalen en foto's, ontwerpen Chris Lebeau, dessin 201 etc. Van Dissel & Zonen, Eindhoven.
Portret van Christoph Welhamer
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: engraving
Location: germany
Artist: peter troschel
Artist role: draughtsman, print maker
Artist dates: 1620 – 1670
Subjects: amberg, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Afrit naar een boot
Object type: photograph
Date: 1935 – 1935
Materials: photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: utrecht, colonial system, pipeline ~transportation of oil, pier, quay, wharf, commemoration, jubilee, sumatra

Enkele mannen op de afrit naar de boot waarmee twee auto's de rivier zijn overgestoken, op de achtergrond een gerooide helling. Foto in het fotoalbum samengesteld ter gelegenheid van de feestelijke ingebruikstelling van de pijpleiding van Tempino naar Pladjoe op Sumatra door de Nederlandsch-Indische Aardolie Maatschappij (NIAM) op 15 november 1935.
Jonge vrouw staand voor spiegel
Object type: print
Date: 1815 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: making toilet - aa - (for) women
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Preparatory Study for a Portrait of Man Singh and His Harem
Object type: painting
Date: 1810 – 1815
Materials: ink, paper, watercolor
Techniques: transfer
Culture: indian, rajasthan, jodhpur
Subjects: men,women,horses,carriages

Rajput rulers generally married women from other royal families in order to forge political alliances. A powerful raja was, in turn, a sought-after husband, and there was no limit to the number of women he could marry. Man Singh's large female following shown in this sketch is certainly as much an expression of his practical power as it is a romantic conceit, flattering the prince by emphasizing his sexual appeal. The drawing appears to have been sketched quickly and conveys something of the breathless enjoyment of the romp in the spontaneity of its conception. The artist has marked each form in the composition with the color he would like his assistant to apply. The paper has been pricked to allow the image to be transferred to another sheet, presumably to make a finished painting of the subject.
Gezicht op Highstreet in Dumfries, Schotland
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: dumfries
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: street
Inscriptions: inscription: ‘Registered’, number: ‘No. 1006.’
Lily Pendant
Object type: pendant, lily
Date: 1390 – 1352
Materials: faience
Location: egypt
Subjects: lilies
La Bataille de Palerme
Object type: album leaf
Date: 1690 – 1690
Materials: paper
Techniques: engraving, etching
Subjects: paris, louis victor rochechouart de mortemart, historical persons, battle (+ sailing-ships)

Maakt deel uit van een serie bestaande uit 28 prenten met oorlogstaferelen in ornamentele cartouches. De prenten zijn gedrukt van twee afzonderlijke platen bestaande uit de voorstelling en de cartouche.
And Beyond, the Astral Idol, the Apotheosis, plate 2 of 6
Object type: print
Date: 1891 – 1891
Materials: chine, ink, paper
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916