deem-data/ArtiFact huggingface dataset:
Fig. 4
Object type: print
Date: 1650 – 1715
Materials: paper
Techniques: etching
Location: nijmegen
Subjects: swamps and polders, dikes, levee
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Plattegrond van een stuk rivier met een schaardijk bij een landhuis. Links een legenda van A-F. Prent maakt deel uit van een serie prenten over waterbouwkunde en inpoldering.
Zeven Franse landschappen en stadsgezichten
Object type: print
Date: 1603 – 1650
Materials: paper
Techniques: etching
Subjects: city-view in general; 'veduta', river (+ landscape with figures, staffage), beggar, passenger carriage, paris
Inscriptions: collector's mark: Lugt 2228

Gezicht op de Seine met in de achtergrond de Notre Dame en het Louvre
Fragment of Woman's Trousering (Nakshe)
Object type: trousering
Date: 1701 – 1800
Materials: silk
Techniques: embroidery
Location: iran
Plate 6: Emperor Nero on Horseback, from ' The First Twelve Roman Caesars'
Object type: print
Date: 1596 – 1596
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: nero,horses
Ming-vaas, Gezicht op een toren, Ming-vaas, Drie onbekende mannen en Onbekende personen in kostuum
Object type: page
Date: 1892 – 1897
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: stage costume, historical persons, container of ceramics: jar, jug, pot, vase, china
Man knielt voor een gotische graftombe
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: etching
Artist: gustave buschmann
Artist role: print maker
Artist dates: 1818 – 1852
Subjects: grave, tomb
Inscriptions: collector's mark: Lugt 2228, annotation: ‘G Buschmann 1 dr.’
Staande heer in een landschap leest een klein boek
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: etching
Artist: jules van imschoot
Artist role: print maker
Artist dates: 1821 – 1884
Subjects: reading, landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Filips de Schone, koning van Spanje
Object type: history medal
Date: 1505 – 1505
Materials: bronze
Techniques: casting
Location: antwerp
Subjects: filips de schone (hertog van bourgondië)

Bronzen penning met draagoog. Voorzijde: borststuk man binnen omschrift. Keerzijde: Geluk met zeil boven haar hoofd, staande in een schelp binnen omschrift
Hercules wurgt in zijn wieg de twee slangen
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: mezzotint
Location: england
Subjects: hercules strangles two serpents in his cradle
Inscriptions: collector's mark: Lugt 2228

Hercules ligt in zijn wieg en wurgt met zijn blote handen twee slangen. Juno, die de slangen stuurde, slaat het wonder gade vanaf een wolk.
Chambrette d'élève
Object type: photomechanical print
Date: 1900 – 1905
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: student room, abbey, monastery, convent ~ roman catholic church
Female musician
Object type: figure
Date: 667 – 700
Materials: earthenware, pigment
Culture: chinese
Subjects: women,musicians

Ensembles featuring female musicians often served as a musical bridge between elite and popular culture. As expert musicians, they were often musical innovators. Here, a small ensemble is shown (23.180.4–.7), clapping and playing the pipa, tongbo (small copper cymbals), and konghou (harp). The pipa is played in its original position, like an Arabic lute; its silk strings are plucked with a triangular plectrum. The construction and playing style resemble those of the biwa, a Japanese lute derived from the pipa. Today, the biwa maintains the use of a triangular plectrum, the West Asian plectrum guard, and the C-shaped sound holes seen on the instrument played by the musician here as well as on the jade belt featured in this case. The Chinese playing style changed during the chaotic Later Tang period (921–36), when the plectrum was discarded. The angular konghou harp, introduced at the end of the Han dynasty, was in decline at this time and had gone completely out of use by the end of the Tang. The highest-rated musicians at the Tang court performed seated, while the lower ranks played standing and were also treated less well in other respects.
Glass mosaic inlay fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Translucent turquoise blue and opaque white, partially mixed and appearing green. Almost flat, with slight uneven curve and varying thickness. Mosaic pattern formed from large polygonal sections of a single cane in green ground with a single irregular white circle, appearing as irregular white lines and streaks on one side. On both surfaces pitting, dulling, deep weathering, and patches of brilliant iridescence.
Mlle Desclauzas (Rôle de la Belle Bourbonnaise)
Object type: page
Materials: paper
Techniques: woodburytype
Location: france
Subjects: portrait of actor, actress
Inscriptions: inscription: ‘Journal hebdomadaire paraissant le jeudi Du 29 Octobre au 4 Novembre 1874’, number: ‘No 76’
Mask
Object type: mask
Date: 1900 – 1900
Materials: feather, fiber, iron, pigment, wood
Culture: native american, yup'ik
Location: united states
Subjects: fish

Within the bentwood border of this mask, a hunter’s kayak searches for quarry. Near the center of the boat, the face of a humanoid seal spirit emerges, with an unidentified spirit visage above. The tiny bird head at the bow may portray the hunter as seen through the eyes of his prey. Fish and flippers surround the vessel, representing the supernatural animals that slip through the thumbless spirit hands and into the physical world to be hunted.
Nieuwjaarswens van de lantaarnopstekers van Amsterdam voor het jaar 1832
Object type: print
Date: 1831 – 1832
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: oil-lamp (+ kindling a light; lit, burning light, lamp, candle), street lighting, street, amsterdam
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens van de Amsterdamse lantaarnopstekers en vullers voor het jaar 1832. Gezicht in een straat in Amsterdam waar twee mannen bezig zijn de straatlantaarns te vullen en aan te steken. Een derde man haalt geld op bij een huis. Met gedicht in twee kolommen. Van de lantaarnopstekers in de Buitenwijk.
La Mode, 30 mai 1835, Pl. 449 : Rédingote à un seul rang (...)
Object type: fashion print
Date: 1835 – 1835
Materials: paper
Techniques: hand coloring, engraving
Location: paris
Subjects: clothing for the upper part of the body (vest) (+ men's clothes), neck-gear ~ clothing (+ men's clothes), trousers, breeches, etc. (pantalon) (+ men's clothes), coat (+ men's clothes), fashion plates, shoes, sandals (+ men's clothes), gloves, mittens, etc. (+ men's clothes), walking-stick, staff, cane (+ men's clothes), whip
Inscriptions: caption: ‘Redingote à un seul rang de boutons; - Gilet de foulard; - Pantalon en natte algérienne Habit de drap mélangé; - Pantalon en drap de fil; - le tout des Atéliers de M"r Humann’, address: ‘L'Administration / 25 Rue du Helder ( Chaussée d'Antin )’, title: ‘La Mode.’

Redingote met een enkele rij knopen. Vest van foulard. Lange broek van 'natte algérienne'. 'Habit' van gemêleerd (?) laken. Lange broek van 'drap de fil'. Alles uit de ateliers van Mr Humann. Accessoires: hoge hoed, geknoopte halsdoek, handschoenen, zweep, wandelstok, schoenen met hakken. Prent uit het modetijdschrift La Mode (1829-1855).
Twee zittende mannen
Object type: print
Date: 1621 – 1621
Materials: paper
Techniques: etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: handwriting, writing as activity, the (nude) human figure; 'corpo humano' (ripa) (+ sitting), head-gear: hat (+ men's clothes), chair, sitting on an elevation
Inscriptions: collector's mark: Lugt 240

Links een heer gezeten op een stoel, op de rechterzijde gezien. Rechts een man gezeten op een kist of muurtje, schrijvend, van voren gezien. Beiden dragen een hoed. Deze prent is onderdeel van een serie van 48 prenten (50 incl. titelblad en dedicatieblad) met diverse onderwerpen (o.a. mannen en vrouwen in verschillende houdingen, landschappen, gebouwen en festiviteiten in Florence). Mogelijk zijn deze prenten bedoeld geweest als tekenvoorbeelden.
Fichu
Object type: fichu
Date: 1880 – 1889
Materials: cotton, glass
Culture: american
The Three Crosses
Object type: print
Date: 1653 – 1653
Materials: paper
Techniques: drypoint
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: the crucifixion of christ: prelude to christ's death on the cross (matthew 27:34-44; mark 15:23-32; luke 23:33-43; john 19:18-24)
Inscriptions: mark: Lugt 228

Scratching directly in an etching plate creates a ragged, raised ridge of metal shavings known as burr. This gives drypoint lines such a velvety look. However, burr wears down quickly, diminishing its decorative effect. Here Rembrandt radically solved that problem by creating an entirely new version over the old one. The subject remained the same, but the atmosphere is much more ominous.
Interieur van een synagoge
Object type: print
Date: 1704 – 1706
Materials: paper
Techniques: etching
Location: dordrecht
Subjects: the temple (in general) ~ jewish religion
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Salomon van Til, Digt- sang- en speel-konst (...) der Hebreeen (...) dienende (...) tot een beter verstand der goddelijke psalmen. Dordrecht: Dirk Goris, 1706.
Delaware Water Gap '64 (Mount Tammany) (from Sketchbook)
Object type: drawing
Date: 1864 – 1864
Materials: graphite, paper
Techniques: tinting
Culture: american
Artist: thomas hewes hinckley
Artist role: artist
Artist nationality: american
Artist dates: 1813 – 1896
Subjects: mountains

Hinckley painted landscapes chiefly as a background to his portraits of wild and domesticated animals. This sketchbook (1992.373.1 recto–.27) contains thirty-four drawings in graphite and watercolor and appears to have been filled during a tour that the artist probably began near the Delaware Water Gap and extended north into the Catskill Mountains and Adirondacks of New York State. Few of the drawings in this book, however, can be linked to Hinckley’s known paintings after 1864, and the majority of them represent not merely selected motifs, but discrete compositions that often assume the character of engraved vignettes.
The Sumida Embankment in the Eastern Capital (Toto Sumida-zutsumi), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)"
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Boomstudie
Object type: drawing
Date: 1637 – 1678
Materials: chalk, paper
Artist: willem schellinks
Artist role: draughtsman, painter, print maker
Artist dates: 1627 – 1678
Subjects: trees
Interieur van de Hervormde Kerk te Ruinerwold
Object type: photograph
Date: 1908 – 1908
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: ruinerwold
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: interior of church
Inscriptions: annotation: ‘Kerk v/d N.H. gemeente te Peize (?)/ (Drenthe)/ Aug 1898’, annotation: ‘Ruinerwold/ Interieur der Ned. Herv. Kerk/ Oct 1908’
Portret van Paulina Maria Antoinette van Bommel
Object type: print
Date: 1841 – 1885
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: leiden, antwerp, historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
Winterlandschap met crucifix in de Ardennen
Object type: print
Date: 1877 – 1935
Materials: paper
Techniques: lithograph
Artist: william degouve de nuncques
Artist role: draughtsman, print maker
Artist dates: 1867 – 1935
Subjects: winter landscape; landscape symbolizing winter (the four seasons of the year), crucifix ~ personal devotion
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Tumbler
Object type: tumbler
Materials: glass
Subjects: birds
On the Wharfe, Bolton Abbey
Object type: drawing
Materials: watercolor
Location: united kingdom
Artist: william callow
Artist role: artist
Artist nationality: british
Artist dates: 1812 – 1908
Subjects: landscapes

This drawing demonstrates Callow’s mastery of watercolor as a sketching medium. He applied wet pigment onto dampened paper in some portions of the sheet and used a dry-brush technique in others. Earlier in his career the artist had worked in Paris and was influenced by artists in the circle of Richard Parkes Bonington (1802-1828). From them Callow learned how to construct lucid, fluidly painted compositions and developed a taste for luminous color. He returned to England in 1841 and made this sketch during an 1858 trip to Yorkshire. An inscription at lower left dates his visit to September 30th and identifies the subject as the River Wharfe near Bolton Abbey, a stretch of water renowned for its natural beauty.
Portret van Anthony Oberman
Object type: print
Date: 1812 – 1812
Materials: paper
Techniques: engraving, etching
Subjects: amsterdam, painter, print maker, draughtsman, anthony oberman, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Latere staat van de gehele prent gebruikt in: Marcus, Jacob Ernst. Etudes gravées. Amsterdam: S. de Grebber, 1826.
Limestone hand holding a phiale (libation bowl)
Object type: hand, right, holding libation bowl
Date: 500 – 301
Materials: limestone
Culture: cypriot
Subjects: hands

Votaries or worshippers appear frequently in Cypriot sculpture. This fragment would have belonged to a male figure extending a phiale in his right hand.
Kroonluchter
Object type: ornament print
Date: 1820 – 1820
Materials: paper
Techniques: etching
Location: paris
Subjects: ornaments ~ art, chandelier, candelabrum

Ornamentprent met een kroonluchter en twee hanglampen. Onderdeel (17e. Cah.er f.le 29) van het prentalbum met twee series van in totaal 138 ornamentprenten door Beauvallet en Normand, 'Fragmens d'Ornemens dans le Style Antique'.
'd Hofstad Groenewoude 1382
Object type: drawing
Date: 1670 – 1736
Materials: ink, paper
Techniques: brush, pen
Artist: jacobus stellingwerff
Artist role: draughtsman
Artist dates: 1660 – 1736
Subjects: castle, woudenberg
Study for the Trial of Saint Dominic's and Albigensian Books by Fire
Object type: drawing and watercolor
Date: 1614 – 1616
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: leonello spada
Artist nationality: italian
Artist dates: 1576 – 1622
Titelprent voor: Johannes Kunckel von Löwenstjern, Ars vitraria experimentalis oder Vollkommene Glasmacher-Kunst, 1679
Object type: titelprent, frontispice
Date: 1679 – 1679
Materials: paper
Techniques: etching
Location: germany
Subjects: glass-maker, other handicrafts ~ glass
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Kunckel von Löwenstjern, Johannes. Ars vitraria experimentalis oder Vollkommene Glasmacher-Kunst. Frankfurt am Main: Johannes Kunckel von Löwenstjern, 1679.
[View from the Government House, Barrackpore]
Object type: photograph
Date: 1858 – 1858
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: landscapes
Jacob Visscher
Object type: history print
Date: 1865 – 1870
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: painter, print maker, draughtsman, cornelis visscher (ii), engraver, etcher (+ in workshop or studio)

De etser Cornelis Visscher (II) giet in zijn werkplaats het zuur van een etsplaat, ca. 1648. Onderdeel van de groep staalgravures naar de schilderijen van de Historische Galerij der Maatschappij Arti et Amicitiae.
Kussen, blauw-wit gestreept, afgezet met groen koord
Object type: miniature
Date: 1750 – 1750
Materials: cotton, down, linen, silk
Location: amsterdam
Artist: Anonymous

Kussen van blauw wit gestreepte stof (wit linnen, blauw katoen) gevuld met dons. Aan linker, respectievelijk rechterzijde afgezet met een groen zijden blinkerd.
Stained Glass Window
Object type: stained glass window
Date: 1905 – 1905
Materials: glass, wood
Culture: american
Location: united states
Artist: william lightfoot price
Artist role: maker
Artist nationality: american
Artist dates: 1861 – 1916
Subjects: men,hunting,dogs

This window is one of a larger series designed by Philadelphia architect William Price. Price and M. Hawley McLanahan co-founded the utopian Arts and Crafts community called Rose Valley in 1901, and Price is perhaps best known for his work there. Here, the narrative hunting scene draws upon medieval sources and is reminiscent of English book illustration from the turn of the century. Also significant is the use of variable widths of leading and the subtle arrangement of clear and textured glass punctuated with small colored glass "jewels". These windows were designed for the Van Camp house in Indianapolis, Indiana, where they remained until the house was destroyed in the mid-1960s.
Der Rhein. Wiesbaden: Königl. Theater
Object type: stereograph
Date: 1904 – 1904
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: wiesbaden
Subjects: theatre (building), façade (of house or building)
Inscriptions: number: ‘24a’, inscription: ‘Neue Photographische Gesellschaft A.-G. Steglitz-Berlin 1904.’
Het Hotel, van den baron van brieven in het voorhout te 's Gravenhage
Object type: print
Date: 1880 – 1930
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: civic architecture; edifices; dwellings, the hague
Signorum Veterum Icones II
Object type: print
Date: 1664 – 1669
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: (story of) pan
Inscriptions: collector's mark: Lugt 2228

afkomstig uit: Jan de Bisschop, Signorum Veterum Icones, deel 2, [c. 1669]
Belt Buckle
Object type: buckle
Date: 1868 – 1868
Materials: enamel, gold
Techniques: enamel
Location: united states
Artist: california jewelry co.
Artist role: manufacturer
Artist dates:  – 9999

A watershed for the history of jewelry in America occurred in 1849 when gold was discovered in California. By the early 1850s, "Gold Rush" rings, brooches, hair combs, and belt buckles were becoming popular jewelry items. Some, such as digger's brooches ornamented with shovels, picks, pans, and nuggets, were made especially for the tourist trade. This gold and enameled belt buckle is decorated with a figure of Minerva with a bear, taken from the state seal of California. The enamel is applied in a technique called champlevé, which involves cutting a design into the metal, then fusing enamel into the hollow reserves. Once polished, the enamel becomes flush with the metal surface. Manufactured by the California Jewelry Company around 1868, the buckle has a securing mechanism patented in 1868 by William Cummings. Cummings's invention involved three small rings soldered onto the back of the buckle, which kept the prongs from slipping out of place. His name and the patent date of August 1868, as well as the manufacturer's name, are marked on the back of the chape.
The Actor Segawa Kikunojo I as Utabikuni in the play "Fuji Miru Sato Sakae Soga" (?), performed at the Ichimura Theater in the first month, 1742
Object type: print
Date: 1742 – 1742
Techniques: hand coloring, woodblock print, urushi
Location: japan
Artist: torii kiyomasu ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1706 – 1763
The Robin's Note (from "Every Saturday," Vol. I, New Series)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: women
Four Standing Draped Female Figures
Object type: drawing and watercolor
Materials: ink, paper, lead, pigment
Techniques: heightening, pen
Location: italy
Artist: paolo farinati or his circle
Souvenir spoon with view of Castle Albertis and arms of Savoy
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, silver gilt
Subjects: castles,coat of arms
Platter
Object type: platter
Date: 1801 – 1900
Materials: pottery
Artist: a. stevenson, cobridge
Artist role: factory
Artist dates: 1820 – 1840
Subjects: buildings,flowers,trees
La Chute d'Eau. Aquae Lapsus
Object type: print
Date: 1700 – 1762
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: waterfall, landscapes in the temperate zone (+ landscape with figures, staffage)
Inscriptions: watermark, collector's mark: Lugt 240
Kwatrijnen bij voorstellingen van een kamenierster en een baker
Object type: album leaf
Date: 1641 – 1641
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Inscriptions: date

Drie keer twee kwatrijnen in het Frans, Nederlands en Engels bij voorstellingen van een kamenierster en een baker. Het blad maakt deel uit van een album.
Portret van een jongeman
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: youth, adolescent
Portret van Gerrit van der Wielen
Object type: print
Date: 1861 – 1862
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: historical persons, compasses, portrait, self-portrait of architect
Inscriptions: collector's mark: Lugt 2228

De geportretteerde heeft een passer in zijn rechterhand. Voor hem op tafel liggen een half opgerolde tekening en een winkelhaak. Onder het portret de signatuur van de geportretteerde.
Evening cloak
Object type: evening cloak
Date: 1885 – 1889
Materials: metal, silk
Culture: french
Artist: maison pingat
Artist role: design house
Artist nationality: french
Artist dates: 1860 – 

Emile Pingat had a proclivity for designing carefully finished dresses and outerwear which made him one of the top three French fashion designers during the second half of the 19th century. Active between 1860 and 1896, Pingat was adroit at manipulating multiple textiles and trimmings into a cohesive and elevated garment. He was inspired by design elements of other cultures and often reinterpreted them into his own work, making them unique and intriguing. His elaborately decorated and impeccably tailored outwear was particularly sought after. The influence Pingat drew from Chinese robes when styling this cloak is evident with the mandarin collar, wide cuffs and flat front. His combination of themes, mixing European flowers with Chinese scrolling clouds, is evidence of his ability to create couture garments encompassing many cultures.
Twee vrouwen aan het picknicken
Object type: stereograph
Date: 1910 – 1940
Materials: glass
Techniques: autochrome process
Artist: Anonymous
Subjects: midday meal, lunch - cc - out of doors
Kanton Fribourg, 2½ rappe, 1846
Object type: coin
Date: 1846 – 1846
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: tussen twee takken wapenschild, waarboven door stralen omringd kruis. Keerzijde: binnen twee samengebonden takken waarde-aanduiding: 2½ rap. in twee regels, waaronder jaartal. Gladde rand.
Monsterfiguren
Object type: wood block
Date: 1881 – 1934
Materials: wood
Techniques: woodcut
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934