deem-data/ArtiFact huggingface dataset:
Silhouette of an unknown man
Object type: cut paper
Date: 1803 – 1821
Materials: ink, paper
Techniques: cutting, pen
Artist: moses chapman
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1821
Landschap en portretstudie
Object type: print
Date: 1781 – 1822
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Artist: hermanus fock
Artist role: conservator, draughtsman, painter, print maker
Artist dates: 1766 – 1822
Subjects: face, landscapes
Inscriptions: collector's mark: Lugt 2228

Twee voorstellingen op één blad. Links een persoon in een landschap met bomen. Rechts een studie van en portret en profil van een man met een baard.
The Stable in Bethlehem
Object type: print
Date: 1520 – 1540
Materials: paper
Techniques: engraving
Location: france
Artist: jean de gourmont
Artist role: artist
Artist nationality: french
Artist dates: 1506 – 1551

For this Nativity scene Gourmont used the backdrop of a caved-in classical building to herald the dawning of a new era. Much grander even in ruins than an actual stable would have been at the time of Jesus’s birth, the setting emphasizes the contrast between the elaborate architecture of Antiquity and the humble beginnings of Christianity.

Only one documented painting and about thirty engravings testify to the extraordinary art of Jean de Gourmont. This, his most famous engraving, was completed during his visit to Lyons, and reveals the artist's extraordinary command of perspective.
Ring: Amun-Ra, King of the Gods, the Lord
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: gods (deities)
Gezicht op de synagoge van Neurenberg
Object type: print
Date: 1876 – 1905
Materials: paper
Techniques: woodcut
Artist: jacobus gerardus veldheer
Artist role: draughtsman, print maker
Artist dates: 1866 – 1954
Subjects: the synagogue (as building and place of worship ~ jewish religion)
Inscriptions: collector's mark: Lugt 2228
"Renaissance" Fringe
Object type: textile
Date: 1501 – 1600
Materials: fiber, gilt, gold, metal, silk
Techniques: weave
Location: italy
Broek van keperkatoen met elastiek, versierd met schulpen, behorende bij pop "LILLY"
Object type: pant
Date: 1910 – 1910
Materials: cotton
Techniques: weave
Location: netherlands
Artist: p. titjen-baas
Artist dates: 1900 – 

Broek van keperkatoen met elkastiek, versierd met schulpen, behorende bij pop "LILLY".
Zicht op het grootseminarie te Subiaco
Object type: print
Date: 1824 – 1826
Materials: paper
Techniques: lithography
Location: paris
Subjects: institution for ecclesiastical education and training, e.g. seminary, prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 3431

Op de voorgrond zijn drie vrouwen, een man en een kind met elkaar in gesprek. Op de achtergrond is het grootseminarie van Subiaco (Italië) te zien.
A living in China town
Object type: photograph
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: shanghai
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Inscriptions: title: ‘A living in china town’

Verkoper op de markt in Shanghai. Onderdeel van het fotoalbum van Dolph Kessler met opnamen die hij maakte tijdens zijn verblijf in Engeland en op een wereldreis die hij als secretaris van Henri Deterding (directeur Koninklijke Olie) ondernam naar Nederlands-Indië, Japan, China en de Verenigde Staten, tussen 1906 en 1908.
Headdress
Object type: headdress
Date: 1859 – 1860
Culture: american
Iconographic Drawings of the Secrets of the Nine Luminaries
Object type: handscroll
Date: 1125 – 1125
Materials: ink, paper
Culture: japanese
Artist: sōkan
Artist role: artist
Artist nationality: japanese
Artist dates: 1050 – 1150

Designed to foretell destiny and to help overcome the influence of unfavorable stellar configurations, the rituals of Esoteric Buddhism, imported from India and combined with native Daoism, played an indispensable role in the religious life of China. Rituals dedicated to stars were also introduced to Japan together with Esoteric Buddhist (Mikkyō ) teachings. Paintings depicting the stellar system were produced and disseminate through copies (zuzō). This handscroll illustrates the Nine Luminaries (Sanskrit: Navagraha) that emerged from the Vedic tradition: the sun and moon; the planets Jupiter, Mars, Saturn, Venus, and Mercury; and personifications of the ascending and descending lunar nodes. Each appears within a disk accompanied by a detailed text explaining the properties and appearance of the figure. The scroll originally would have served as an iconographic reference for monks.
Johan de Liefde (ca. 1619-73), Vice-Admiral
Object type: painting
Date: 1668 – 1668
Materials: canvas, oil
Subjects: johan de liefde, historical persons, commander-in-chief, admiral
Inscriptions: signature and date: ‘B. vander helst 1668’

Johan de Liefde by Bartholomeus van der Helst, 1668. Johan de Liefde (c. 1619-1673) played a key role in the capture of the English flagship, the Royal Charles, in 1667. In honour of the victory he received a gold chain with a commemorative medal. Van der Helst portrayed him in all his finery, wearing the chain. The background, with the battle, was painted by Ludolf Bakhuysen. De Liefde, who was made lieutenant admiral in 1666, was killed in the Battle of Kijkduin off the coast of Holland during the Third Anglo-Dutch War (1672-1674).
Well, if you look very closely, you might end up finding some quality! The color seems to be good., from 'Sketches from the Salon,' published in Le Charivari, June 16, 1865
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men
Bataille van Bergen. Op den 19 September 1799.
Object type: print
Date: 1800 – 1802
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: battle (+ land forces)
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: L.C. Vonk. Geschiedenis der landing van het Engelsch-Russisch leger in Noord-Holland; alsmede der krijgsbedrijven en politieke gebeurtenissen, zoo aldaar, als in Vriesland en Gelderland, in den jare 1799. Haarlem: François Bohn, 2 dln, 1801-1802.
Landau #607
Object type: drawing
Date: 1851 – 1900
Materials: ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Alexander II, tsaar van Rusland
Object type: print
Date: 1855 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons, emperor
Mortar
Object type: mortar
Date: 1801 – 1900
Materials: copper alloy, patina
Culture: italian

This mortar with a heavily worn, repeating design around the middle is probably one of the “Four Assorted Italian Bronze and Brass Motars [sic]” that Duveen Brothers removed from the apartment of Mrs. Albert E. Goodhart, Robert Lehman’s aunt, after her death in 1952. It is a nineteenth-century aftercast after an old, worn original.
Waaier met landschap
Object type: watercolor
Date: 1867 – 1930
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: fan
Keizer weigert te kijken naar zijn dochter Julia, die sierlijk gekleed is
Object type: print
Date: 1699 – 1699
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: father and daughter(s) (family group), emperor
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Jocelijn, Elisabeth. Uyterste wille van een moeder aan haar toekomende kind. Amsterdam: J. van Nieuweveen, 1699.
Holy Family with the Infant Saint John and Saint Anne
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: style of raffaellino da reggio
Stedenmaagd van Haarlem
Object type: print
Date: 1741 – 1795
Materials: paper
Techniques: etching
Location: haarlem
Artist: cornelis van noorde
Artist role: draughtsman, print maker
Artist dates: 1731 – 1795
Subjects: sailing-ship, sailing-boat, symbolic representations, allegories and emblems ~ science, 'scientia'; 'scienza', 'studio' (ripa), personification of a city, town-patron(ess), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

De stedenmaagd van Haarlem zit onder het wapen van Haarlem met een staf met banderol in haar handen. Op de banderol staat: Salvus Publica, algemeen welzijn. De stedenmaagd laat haar hand rusten op een piedestal met de woorden: Deo et Patriae. Voor de troon putti met papieren en boeken, passer en meetlat en een globe. Allegorische voorstelling waarin de stad Haarlem als bevorderaar van de wetenschap en de kunsten wordt voorgesteld.
Prussia, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: coat of arms,flags

Trade cards from the set, "Flags of All Nations," Series 2 (N10), issued in 1890 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Historia del Testamento Vecchio / Dipinta in Roma nel Vaticano da Raffaelle di Urbin (...)
Object type: print
Date: 1607 – 1607
Materials: paper
Techniques: etching
Location: italy
Subjects: the people dance around the golden calf ~ exodus
Inscriptions: collector's mark: Lugt 11, number: ‘18’, collector's mark: ‘Hinloopen’

Op een blad geplakt met rechtsboven handgeschreven in pen in bruin: 138. Prent uit een reeks van 54 genummerde prenten naar schilderingen in de Loggia van Rafael in het Vaticaan.
Study of Hemlock, 1871 (from Sketchbook)
Object type: drawing
Date: 1870 – 1870
Materials: graphite, paper
Culture: american
Artist: daniel huntington
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1906
Subjects: leaves

The leading portraitist in New York during the post-Civil War period--and president of the National Academy of Design from 1862 to 1870 and from 1877 to 1890--Daniel Huntington was a conservative painter, a man highly respected by his clients and colleagues throughout his long career. Although he traveled widely and frequently during the mid- and late nineteenth century, he shunned new artistic concepts and styles. As a staunch academician in technique and manner, Huntington understood that proper draftsmanship was at the core of accomplished painting. He sketched throughout the course of his life and his extant drawings number over a thousand. This page is from one of Huntington’s sketchbooks that contains forty-one drawings in graphite, some in a panorama format. The sketches are primarily of scenic locations in New York State including, Cornwall, Walton, and Mohonk subjects. Many of the drawings are dated 1871 and most are inscribed with the site represented.
Europa and the Bull
Object type: piece
Date: 1800 – 1800
Materials: cotton
Artist: petitpierre et cie
Artist role: manufactory
Artist nationality: french
Artist dates: 1790 – 1802
Subjects: human figures,europa,bulls,trees
Kaart van de Zuidelijke Nederlanden
Object type: print
Date: 1678 – 1719
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: maps of separate countries or regions, armorial bearing, heraldry, southern netherlands, belgium
Inscriptions: collector's mark: Lugt 195

Kaart van de Zuidelijke Nederlanden. Linksboven de titelcartouche met daaromheen vijf putti, waarvan twee het wapen van de koning van Spanje dragen. Rechtsonder een cartouche met twee schaalstokken: 4 Milliaria Germanica Communia / 5 Milliaria Gallica sive Horae itineris. De kaart is voorzien van een zoekrooster en een gradenverdeling langs de randen.
Magical Figure
Object type: figure, magical, execration, tablet
Date: 1802 – 1550
Materials: clay
Location: egypt
Subjects: faces

These tablets of unfired clay with attached crude faces were found as a group by the Museum's excavators at Lisht South in loose surface sand west of the mastaba of Senwosretankh, a high official and possibly the architect of the pyramid complex of Senwosret I (ca. 1961–1917 B. C.), east of which he erected his own very elaborate mastaba tomb (see acc. nos. 33.1.2 and other pieces). The mud figures and little coffin (acc. no. 33.1.66) that had contained some of them must have been buried, however, considerably later than the early twelfth dynasty tomb close to which they were found. In fact, during the thirteenth and following dynasties people deposited a number of objects in the by then sacred area around a legendary ruler's pyramid and its dependant monuments, believing conceivably that potent magical powers could thus be released. These flat mud figures, for instance, are inscribed in now much-faded red paint with the names of men identified as enemies (most of them Egyptians but some with foreign names). Their deposition may have been thought to effect their destruction.
Handvat van een priem of een beitel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: chisel
Date: 1700 – 1743
Materials: wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Tools and instruments, various tools, awl/chisel handle; bulbous, flat upper end, straight sides, lower end tapering, broken off, linear concentric engravings.
Liber Chronicarum
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: persons from the old testament (not in biblical context, nor occurring in legendary/historical extensions included in division 71)
Inscriptions: inscription: ‘47’

Een bloemkelk met een man, naar links gekeerd en met een hoed. De tekst identificeert hem als Amasa, de zoon van Jeter en Abigail. De voorstelling is een fragment van de stamboom van Christus in de Liber Chronicarum. De prent maakt deel uit van een album.
Beker met oor, veelkleurig beschilderd met een voorstelling van de maand augustus
Object type: cup
Date: 1740 – 1745
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: mark: ‘No: 1.’, factory mark, mold mark: ‘24’

Twelve beakers. Porcelain. Meissen, c. 1740 - 1745.
Rank badge with pheasant
Object type: civil rank badge
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: pheasants
German, Army, from World's Dudes series (N31) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "World's Dudes" series (N31), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Twee kleden van kant
Object type: photograph
Date: 1890 – 1920
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: lace
Verkiezing in District IX te Amsterdam
Object type: cartoon
Date: 1902 – 1902
Materials: paper
Techniques: letterpress printing, lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: politician, william i (prince of orange), four-wheeled vehicle drawn by one animal, voting, election, singer without accompaniment - cc - out of doors, politician, e.g. party leader, political caricatures and satires
Inscriptions: collector's mark: Lugt 1641b

Willem van Oranje ziet verbijsterd toe hoe de inzittenden van een verkiezingskar triomfantelijk luidkeels het Wilhelmus zingen. Na de overwinning van christelijke en antirevolutionaire partijen op de socialisten van Troelstra. Onderwerpsrubriek binnen de Atlas Amsterdam: Verkiezingen Tweede Kamer. Het bijbehorende artikel werd ook op het opzetvel aangebracht.
Ob. Wm. Meyer op straat
Object type: album leaf
Date: 1941 – 1945
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: adult man, historical persons, the soldier; the soldier's life, street, netherlands
Inscriptions: annotation: ‘Ob. Wm. Meyer’
Grotesque with a Bacchus Fountain Placed in an Architectural Structure
Object type: ornament architecture
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: fountains,grotesques,ornament,mythical creatures

Grotesque, copied after a print published by Cornelis Bos around 1540. The design is characterized by a winged female figure, holding up an architectural structure in which a fountain has been placed. The print has been copied in full.
Netsuke of Old Man Sitting on a Rock
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: men
Opdracht aan Hugo de Groot
Object type: print
Date: 1894 – 1901
Materials: paper
Techniques: lithograph
Subjects: delft, hugo de groot, plants; vegetation, messenger
Inscriptions: collector's mark: Lugt 2233

Twee mannen in een gewaad, van wie er één een rol perkament vasthoudt. Bovenaan de tekst 'justus fide vivit, onderaan meer tekst en ruimte voor tekst. Om het geheel een sierrand met bloem- en plantmotieven. Eerste pagina.
Jérusalem, Birket-es-Soutlan
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: fortification,landscapes
Perseus and Andromeda
Object type: album leaf
Date: 1550 – 1570
Materials: paper
Techniques: engraving
Location: italy
Subjects: perseus and andromeda
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, watermark, number: ‘32’

Zobel was very partial to the work of Giulio Sanuto. He had at least six prints by this Venetian printmaker in his album, including this large engraving after a design by the famous Venetian painter Titian. We see the nude princess Andromeda chained to a rock, a human sacrifice for a ferocious sea monster. She is rescued by the hero Perseus who flies down, headlong, to attack the creature.
Spindle Whorl or Button
Object type: button or spindle whorl
Date: 401 – 800
Materials: bone
Techniques: incising
Location: palestine
Writing box (suzuribako) with passenger boat on the Yodo River
Object type: writing box
Date: 1834 – 1866
Materials: gold, silver, wood
Techniques: lacquer
Culture: japanese
Artist: shiomi masanari 塩見政誠
Artist role: artist
Artist nationality: japanese
Artist dates: 1646 – 1719

The exterior of this large-size writing box (suzuribako) is embellished with a scene inspired by Utagawa Hiroshige’s print, On the Yodo River, which was published in 1834 as part of the Famous views of Kyoto series. The Yodo is the sole outlet of Lake Biwa, connecting the Kyoto area with Osaka. The river was a major means of transportation during the Edo period, and the writing box shows a large passenger boat heading from Fushimi to Osaka. The passengers are buying food and sake from a small peddler boat that has pulled alongside the larger vessel. In the background and on the interior of the box, the famous waterwheel of Yodo Castle and its surroundings are depicted, perhaps inspired by another well-known print by Katsushika Hokusai, Moonlight on the Yodo River (1833). On the interior of the lid, against the Yodo Castle’s birds-eye view, a bridge is depicted with passers-by. These rare, ukiyo-e based designs are executed in the style of Shiomi Masanari (ca. 1646–1719) a lacquer artist who was well-known of his high-quality togidashi (burnished down) maki-e compositions. He had several students and followers who emulated his style on inros and smaller lacquer items. Writing boxes with silver ground are particularly distinctive. Here, the artist has used this metal to express the shimmering waves of the river.
Portret van Hugo de Groot
Object type: print
Date: 1668 – 1733
Materials: paper
Techniques: engraving
Location: leiden
Subjects: delft, hugo de groot, theologian, historical persons

Eerdere staat gebruikt in: Meursius, Joannes. Illustris Academia Lugd.-Batava. Leiden: Andries Clouck, 1613.
Prent mogelijk gebruikt in: Fundatoris, Curatorum et Professorum celeberrimorum aliorumque illustrium virorum, quorum gratia, favore, cura, doctrinaque Academia Lugduno-Batava incepit, auctaque et ornata est, effigies. Nec non urbis, Academiae ejusque Horti, Templorum notabiliorumque publicorum aedificiorum prospectus. Leiden: Pieter van der Aa (I), [1716].
Fragment
Object type: textile
Materials: textile, linen, silk
Techniques: embroidery, stitching
Culture: islamic
Location: egypt
Gordijn voor een serre in bronsgroen gaasweefsel, patroon "Madras".
Object type: curtain
Date: 1920 – 1930
Materials: textile
Location: ghent

Gordijn voor een serre patroon "Madras" in bronsgroen met twee horizontale banen in zwart gaasweefsel met ingeweven bloemen en bladeren in rood, oranje, geel en blauw. Onderaan afgeboord met franjes. Bovenaan zeven ophangringen aangenaaid.
Enquêteformulier ingevuld door Petrus Marius Brouwer
Object type: questionnaire
Date: 1847 – 1847
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Subjects: voorburg, deventer, draughtsman, petrus marius brouwer
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Bedoeld voor: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.