deem-data/ArtiFact huggingface dataset:
Portrait of William Duguid
Object type: painting
Date: 1773 – 1773
Materials: canvas, oil
Culture: american
Location: united states
Artist: prince demah barnes
Artist role: artist
Artist nationality: american
Artist dates: 1745 – 1778
Subjects: books,men,portraits

Duguid, a Scottish immigrant and textile importer based in Boston, is the subject of this portrait. In 1773 he sat for Prince Demah, a painter of African descent who was enslaved by the merchant Henry Barnes. Impressed with his artistic talent, Barnes took the young man to London for some brief training. Demah’s story is extraordinary—he is the only enslaved portraitist working in colonial America whose paintings are known to have survived. When the Loyalist Barnes family fled to England in 1775, the artist remained in Boston, identifying himself as "Prince Demah, limner" and a "free Negro." He enlisted in the Massachusetts militia in 1777 to fight against the British, but died of an unknown illness the following year.
Vase
Object type: vase
Date: 1751 – 1775
Materials: pottery, silver gilt
Subjects: flowers
[Dead Female Deer and Game Bird]
Object type: photograph
Date: 1856 – 1859
Techniques: salted paper print
Artist: horatio ross
Artist role: artist
Artist nationality: british, born scotland
Artist dates: 1801 – 1886
Subjects: birds,hunting,deer

Far better known in his day as an athlete and a sportsman than as a photographer, Ross excelled in deerstalking and was judged the finest shot in Scotland. Keen on the challenge of pitting his knowledge, stamina, and experience against the deer's superior senses of smell, sight, and hearing, Ross brought to his sport an intimate knowledge of the terrain, a practiced ability to judge distance, and an exceptional attentiveness in observation–just the qualities needed when he took to the Highland countryside with a camera in place of his rifle.
Brisé fan
Object type: brisé fan
Date: 1801 – 1825
Materials: ivory, metal, paper
Culture: european
Subjects: musical instruments,women,flowers
De Raem Poort / La Porte des Rames
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: rowing-boat, canoe, etc., windmill in landscape, parts of church exterior and annexes, bridge in city across river, canal, etc., city-gate

Prent uit: Dapper, Olfert. Historische beschryving der stadt Amsterdam (...). Amsterdam: Jacob van Meurs, 1663, tussen p. 452-453. Een identieke versie van de prent bestaat met een Frans opschrift boven het Nederlandse opschrift.
Fibula, boat-shaped type
Object type: fibula, boat shaped type
Date: 800 – 501
Materials: bronze
Culture: italic

The bow is hollow and open on its underside.
Flat Stamp
Object type: stamp
Date: 1101 – 1500
Materials: ceramic
Culture: central highlands
Location: mexico
Portret van een onbekende jongeman
Object type: photograph
Date: 1855 – 1870
Materials: glass, metal, velvet, wood
Techniques: ambrotype, hand coloring
Artist: Anonymous
Subjects: historical persons, youth, adolescent
Ring with Divided, Pointed Arc
Object type: ring, divided pointed arc
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Small Bird on Reed
Object type: hanging scroll
Date: 1601 – 1700
Materials: ink, paper
Culture: japanese
Artist: kano naonobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1607 – 1650
Subjects: birds
Georgi[9] Wickli[9] concionat lips.
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: theologian, historical persons

Prent gebruikt in: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Mirror with four felines
Object type: mirror
Date: 400 – 201
Materials: bronze
Culture: chinese
Fotoreproductie van een prent naar een schilderij van twee lezende kinderen door Léon Perrault
Object type: reproduction
Date: 1864 – 1874
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: reading, picture, painting
Straat-roeper / Crieurs de rue
Object type: print
Date: 1866 – 1902
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: street-trader, merchant, salesman
Inscriptions: collector's mark: Lugt 2760

Blad met 48 voorstellingen van straatverkopers, zoals een bezemverkoper, een kaasverkoper en een rozenverkoopster. Onder elke afbeelding een onderschrift in het Nederlands en in het Frans. Genummerd midden boven: n. 72.
Doos behorend bij een bronzen penning ter ere van vijfig jaar Rijksmuseum Amsterdam
Object type: box
Date: 1935 – 1935
Materials: cardboard, velvet
Location: netherlands
Artist: dirk bus
Artist role: sculptor
Artist dates: 1907 – 1978
Subjects: rijksmuseum amsterdam, amsterdam
Inscriptions: date

Vierkant doosje met gouden rand behorend bij een bronzen penning. Op de deksel staat de "Rijksmuseum Amsterdam 1885-1935". Binnenzijde doosje is van rood-bruin fluweel.
Doop in de Doopsgezinde Kerk Bij 't Lam te Amsterdam
Object type: print
Date: 1782 – 1785
Materials: paper
Techniques: engraving, etching
Subjects: baptism ~ protestant service
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Kerkinterieur van de Doopsgezinde schuilkerk Bij 't Lam te Amsterdam waarin een doopceremonie plaatsvindt. De leraar besprenkelt de hoofden van enkele mannen en vrouwen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Godsdienst, Doopsgezinden.
Was hören ? wie hören ? Wann hören ?
Object type: book illustration
Date: 1704 – 1704
Materials: paper
Techniques: etching, letterpress printing
Location: nuremberg
Subjects: devil(s) appearing to mortals, trying to seduce them; temptation, suicide out of despair
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham a Sancta Clara. Heilsames Gemisch Gemasch, das ist: Allerley seltsame und verwunderliche Geschichten (...). Neurenberg: Christoph Weigel, 1704, p. 426.
Pouch
Object type: pouch
Date: 1860 – 1860
Materials: glass, linen, silk
Culture: american
Subjects: cupid
Lake of Thun, Swiss, part III, plate 15 from "Liber Studiorum"
Object type: print
Techniques: drypoint, etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: men,lakes,mountains,waves,carts

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a Swiss mountain lake agitated by an approaching storm, with a distant lightning strike causing figures in the foreground to hurry for cover. Mezzotint's capacity to convey the bright flash of light and its reflections on the water is used to great effect and the "M" in the upper margin indicates Turner's category of Marine landscape.
Straatgezicht in Jeruzalem
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: london
Subjects: street
Inscriptions: number: ‘No. 289.’
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: linen, silk
Portret van Johannes Dolaeus
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: book, wig
Inscriptions: collector's mark: Lugt 2228

Johannes Dolaeus, lijfarts van Albertine van Nassau, voor een boekenkast. Hij draagt een lange krulpruik.
The Gypsy Fortune-Teller from a set of the Italian Village Scenes
Object type: tapestry
Materials: silk, wool
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Subjects: children,men,women,sheep

Images of gardens were popular in the tapestry medium from the medieval era, where the so-called mille-fleurs (thousand flowers) (see also MMA 2013.506) provided a decorative, and sometimes symbolic, setting for scenes of romance and play. Park and garden tapestries continued to enjoy popularity throughout the sixteenth and seventeenth centuries, particularly for the decoration of more intimate chambers, where they provided a pleasant contrast with the grander subject matter of tapestries used in more formal settings. The theme enjoyed new popularity with the advent of the Rococo style during the eighteenth century, and a number of highly decorative landscape and garden series were produced in French and Netherlandish workshops during the second third of the eighteenth century. Among the most notable was the series of romantic pastorals that Boucher designed for the Beauvais workshops between 1734 and 1736 (MMA 64.165.1–.8). Known as the Fetes Italiennes, and loosely inspired by the idyllic park scenes of Antoine Watteau, this series depicted handsome gentlefolk and peasants in idealized exterior settings.
Ingang van de noordzijde van de St. Bride's Church te Londen
Object type: page
Date: 1884 – 1889
Materials: paper
Techniques: photolithography
Location: london
Artist: Anonymous
Subjects: parts of church exterior and annexes (door), london
Inscriptions: inscription: ‘Sir Christopher Wren, Architect/ The Architectural Illustration Society. Second Series. Plate No.137’

Prent op negende ongenummerde pagina na pagina 104.
Vingerdoek van linnendamast met een bloempatroon.
Object type: vingerdoek
Date: 1875 – 1900
Materials: linen
Techniques: damask
Location: netherlands
Inscriptions: monogram: ‘AEPD 24’

Vingerdoek van linnendamast met op het veld een bloemenkrans waarbinnen een rozet van bladeren en waaromheen gestrooide bladeren. Langs de rand een bloempatroon. De vingerdoek heeft franje langs de rand en in wit geborduurde letters AEPD24. De vingerdoek hoort bij negen vingerdoeken (BK-1979-269-A t/m BK-1979-269-J).
Intaglio Seal with Footprints of the Buddha (Buddhapada)
Object type: seal
Date: 301 – 400
Materials: lapis lazuli
Culture: gandhara
Subjects: gandharan
Portret van Lodewijk XVI van Frankrijk
Object type: print
Date: 1793 – 1795
Materials: paper
Techniques: etching
Location: florence
Subjects: lodewijk xvi (koning van frankrijk), ornament ~ medallion, historical persons, cupids: 'amores', 'amoretti', 'putti', king
Inscriptions: number: ‘452/ 36’, collector's mark: Lugt 2228, collector's mark: Lugt 2760

Het portret in medaillon wordt door twee putti opgehouden tegen een gedenkmonument.
Portret van een meisje
Object type: carte de visite
Date: 1874 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: germany
Artist: wilhelm höffert
Artist role: fotograaf
Artist dates: 1832 – 1901
Subjects: girl (child between toddler and youth)
Inscriptions: inscription: ‘W. Hoffert/ Hofphotograph’
Meubels geschonken aan Marie Louise van Oostenrijk
Object type: print
Date: 1811 – 1811
Materials: paper
Techniques: etching
Location: paris
Subjects: mars and venus as lovers, (story of) hymen(aeus), screen, folding screen
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een omslag met prenten met meubels naar ontwerp van Pierre Prud'hon. Deze meubels werden aangeboden aan Marie Louise van Oostenrijk ter gelegenheid van de geboorte van haar zoon Frans Karel Jozef Napoleon II Bonaparte.
Reisverslag
Object type: sketchbook leaf
Date: 1809 – 1880
Materials: pencil
Location: barentsz sea
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: nova zembla expedities 1880
Inscriptions: annotation: ‘[...]’

Blad 70 recto uit een schetsboek met 110 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Modern Representation of the Poetess Kaga no Chiyo
Object type: print
Date: 1765 – 1765
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: women,poets
Prisoners on a Projecting Platform, from "Carceri d'invenzione" (Imaginary Prisons)
Object type: print
Date: 1749 – 1750
Techniques: burnishing, engraving, etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: human figures,prisoners

In the rough and bold etchings of the Carceri, Piranesi achieved the immediacy of a drawn sketch in print. The low viewpoint and the small size of the figures emphasize the immensity of these invented spaces, based on stage prisons rather than real ones. The spatial anomalies were meant not to be logical but to express vastness and strength.
Marronvrouwen en -meisjes
Object type: photograph
Date: 1900 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: paramaribo
Artist: eugen klein
Artist role: fotograaf
Artist dates: 1869 – 1927
Subjects: suriname
Inscriptions: inscription: ‘Suriname / Boschnegerinnen’

Portret van enkele jonge Marronvrouwen en -meisjes. Onderdeel van een groep van 44 foto's van Paramaribo, Suriname en Curaçao, ca. 1900-1905, opgeplakt op kartons en voorzien van opschriften.
Album of the Phoenix Bird (Ranpō jō) 鸞鳳帖
Object type: illustrated book
Date: 1806 – 1806
Materials: ink, paper, pigment
Techniques: woodblock print
Culture: japanese
Artist: keian tenrai 桂庵天籟
Artist role: artist
Artist nationality: japanese
Subjects: fans,women
Nomori, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Clare Af-beeldinghe, ende T'Samen-Spreeckinghe, Tusschen een Boer, genaemt Kees, ende syn Land-heer. Waer in te sien is den gantschen handel van dese schrickelijcke ende moordadighe Conspiratie / jeghens den Persoon vanden (...) Prince van Orangien, &c. Mitsgaders teghen den staet ende wel-varen van 't Land
Object type: print
Date: 1623 – 1623
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: utrecht
Subjects: the hague, maurice (prince of orange), (revolutionary) plot, conspiracy, mutilation of the corpse
Inscriptions: collector's mark: Lugt 240

De drie hoofdrolspelers in de samenzwering tegen Maurits, Hendrick Danielsz Slatius, Reinier van Barnevelt en Adriaen Adriaensz van Dijck. Op de achtergrond in het klein de samenzwering in een tent met duivels, arrestatie, vlucht en executies. Onder de voorstelling de samenspraak tussen een boer en zijn landheer en de legenda in 3 kolommen in het Nederlands.
Gondel in Venetië
Object type: photograph
Materials: paper, cardboard
Techniques: gelatin silver print
Location: venice
Artist: françois buys
Artist role: advocaat, amateurfotograaf
Artist dates: 1871 – 1934
Subjects: bridge in city across river, canal, etc., gondola, venice
Inscriptions: number: ‘18’

Deze foto maakt deel uit van een groep van 38 foto's.
Inkwell
Object type: inkwell
Date: 1770 – 1800
Materials: stone, earthenware
Culture: british
Location: england
Subjects: cornucopia,flowers
Bedcover (Pincushion and Burrs or Square and Swallows Quilt)
Object type: textile
Date: 1830 – 1830
Materials: cotton
Techniques: backing, weave, printing, stitching
Location: united states
Pigherder and Cowherd Conversing in a Clearing
Object type: print
Date: 1648 – 1650
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: cows,forests,shepherds

Two shepherds, one reclining on the ground and the other standing, are tending cows and pigs.
Adrienne Gras wife of Jac. Moerentorf
Object type: page
Date: 1892 – 1897
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: adult woman
Gyoku-kashi Eimo Preparing Calligraphy Offerings
Object type: print
Date: 1782 – 1782
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: girls,women,writing,calligraphy

A resident of Koji machi (Koji Street), nine-year-old Gyoku-kashi Eimo is pictured making one thousand writings to present to Sensō ji Temple in Asakusa, to show earnestness in her effort to acquire skill as a calligrapher. Her mother looks on, and her teenage sister, Gyoku-kasen, brings ornamental cakes on a lacquer stand.
Cathedral Bridge, Buttermilk Falls, Watkins Glen, N.Y., No. 10 from the series "On the Line of the ERIE, Railway"
Object type: photograph
Date: 1863 – 1903
Techniques: albumen print
Location: united states
Artist: charles bierstadt
Artist role: publisher
Artist nationality: american, born germany
Artist dates: 1819 – 1903
Lilian Swain, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Muizenval
Object type: miniature
Date: 1718 – 1734
Materials: silver
Location: amsterdam
Artist: Anonymous
Subjects: mouse trap, cat and mouse

Langwerpige muizenval met beweegbaar valluik. De bovenkant is bewerkt en de zijkanten bestaan uit spijlen. In de val zit een muis en naast de val zit een poes. De muizenval is gemerkt: stk.= Amsterdam en een bijltje.
Band with Figures
Object type: textile fragment
Date: 601 – 1100
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: men

The central panel of this clavus is filled with a lavishly dressed standing male figure, generally described as a saint because of the halo-like semicircles above his head. Behind each of his shoulders is a single figure whose body is partially obscured. Birds and a floral motif fill the surrounding panel; the same floral motif fills the dangling pendant. A highly stylized rinceaux of a straight stem with lozenge-shaped flowers and square leaves forms the border. The jewel-like colors and geometric forms give the textile its relatively late date. A fragment with identical patterns in the collection of the Musée du Louvre, Paris, along with hundreds of fragments with similar figures and motifs preserved in collections throughout the United States and Europe attest to the popularity of this style of tunic decoration during the early Islamic period in Egypt.
Hagar in de woestijn
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: print drawing
Location: amsterdam
Artist: jurriaan cootwijck
Artist role: print maker
Artist dates: 1714 – 1798
Subjects: an angel appears and reveals a well of water to hagar
Inscriptions: collector's mark: Lugt 2228

Hagar ligt op de grond in een bergachtig landschap. Een engel wijst haar naar een waterbron.
Apron
Object type: apron
Date: 1801 – 1900
Materials: cotton, linen
Purgatory Cliff
Object type: watercolor
Date: 1876 – 1876
Materials: gouache, watercolor, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: waves,boats
Portret van Jan de Wys
Object type: print
Date: 1664 – 1721
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan van munnickhuysen
Artist role: draughtsman, print maker
Artist dates: 1655 – 1701
Subjects: koopman, jan de wys
Inscriptions: collector's mark: Lugt 2228

Portret van Jan de Wys, makelaar in verfstoffen te Amsterdam.
Gezicht op Uitmeerse Sluis bij Weesp
Object type: book illustration
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: sluice, weir, river (+ landscape with figures, staffage), vecht

Prent gebruikt in: Leth, Andries de. De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende (...). Amsterdam: Weduwe Nicolaus Visscher, 1719.
Prent ook gebruikt in: Brouërius van Nidek, Matthaeus. De Vechtstroom, van Utrecht tot Muiden (...). Amsterdam: H. Gartman, W. Vermandel en J.W. Smit, 1790.
Interieur van een machinekamer met een tentoonstelling van Tsjechisch-Moravische machines
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: machines; parts of machines; tools and appliances, interior ~ representation of a building
Portret van Karel van Mander
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: engraving
Artist: nicolaes lastman
Artist role: print maker
Artist dates: 1586 – 1625
Subjects: amsterdam, painter, karel van mander (i)
Inscriptions: collector's mark: Lugt 2228

Borstbeeld op een voetstuk van de kunstschilder en schrijver Karel van Mander. Het borstbeeld is gevat in een cartouchevormige omlijsting met randschrift in het Nederlands. Onder het portret prijkt een plaquette met de naam en leeftijd van de geportretteerde.
Pump of huisschoen van doorgestikte satijn met platte strik
Object type: huisschoen
Date: 1930 – 1970
Materials: leather, textile
Techniques: quilting
Location: brussels
Artist: vendôme

Rechterpump of huisschoen van doorgestikte satijn met platte strik. Model: laag uitgesneden instap. Achternaad. Lage (4 cm) rechte hak bekleed met satijn. Ongevoerd. Satijnen binnenzool met gouden opdruk. Adres: VENDOME/15a AV. DE LA TOUR/BRUXELLES.
Faustine Léo (1832–1865)
Object type: painting
Date: 1842 – 1842
Materials: canvas, oil
Artist: henri lehmann
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1882
Subjects: girls,portraits

Lehmann executed several portraits, both painted and drawn, of his first cousin Faustine Léo. This portrait clearly emulates the example of his master, Ingres, notably in its smooth, polished surface and the crisply delineated contours of the figure. Yet its intensely saturated palette and intimate mood set Lehmann's work apart from that of Ingres. The portrait bears its original frame.
Portret van Anton van Opstal
Object type: print
Date: 1676 – 1719
Materials: paper
Techniques: etching
Location: antwerp
Subjects: antwerp, painter, anton van opstal, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2228, collector's mark: Lugt 2760
Stilleven met dood gevogelte
Object type: sketchbook leaf
Date: 1834 – 1906
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: still life of related objects

Op de achtergrond de suggestie van een landschap. Blad 8 recto uit een schetsboek met 21 bladen.
Sample
Object type: sample
Date: 1801 – 1833
Materials: silk
Subjects: plants
Pellen. Merk geborduurd in de hoek: PP 12.
Object type: napkin
Date: 1800 – 1900
Materials: linen
Techniques: weave
Location: netherlands
Artist: Anonymous
Inscriptions: monogram: ‘PP 12’

Servet van linnen pellendamast met randen rondom en in een hoek de geborduurde letters PP 12. Het servet hoort bij vijf servetten (BK-1980-161-A t/m BK-1980-161-F) en een tafellaken (BK-1980-160).
Portret van Jan Six
Object type: print
Date: 1823 – 1853
Materials: paper
Techniques: engraving, etching, roulette
Location: amsterdam
Subjects: amsterdam, mayor, jan six (1618-1700)
Inscriptions: inscription: ‘Johan Wilhelm Kaiser.’, collector's mark: ‘François Buffa & Fils Amsterdam’, collector's mark: Lugt 2228

Portret ten halven lijve van Jan Six, burgemeester van Amsterdam.