deem-data/ArtiFact huggingface dataset:
Overschie in the Moonlight
Object type: painting
Date: 1871 – 1871
Materials: canvas, oil
Artist: johan barthold jongkind
Artist role: draughtsman, painter, print maker
Artist dates: 1819 – 1891
Subjects: sailing-ship, sailing-boat, moonlight, parts of church exterior and annexes: tower, overschie
Inscriptions: signature and date: ‘Jongkind 1871’

Rivierlandschap te Overschie bij maneschijn. Rechts een aangemeerde schuit met twee figuren, links een kerktoren.
Plate 35: Philip of Spain as Neptune, riding in a chariot drawn by two sea horses; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'
Object type: print, fete, ornament architecture
Date: 1636 – 1636
Techniques: engraving
Location: antwerp
Artist: pieter de jode (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1606 – 1674
Subjects: mythical creatures,neptune,fish,chariots

On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp [1636], illustrate what the series looked like. The Metropolitan Museum of Art owns 34 plates from the set of 42.
The Annunciation
Techniques: engraving
Artist: johann sadeler (i)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1550 – 1601
Subjects: angels,virgin mary,archangel gabriel,annunciation

This accomplished engraving reproduces what is arguably the most important altarpiece painted by Candid for Munich’s Church of Saint Michael. At the center of the dramatic composition is Saint Ursula accompanied by virgins. While the print cannot convey the painter’s brushwork and use of color, the engraver captured the refinement and intricacy of Candid’s style.
Veue de la maison de St. Cloud
Object type: print
Date: 1671 – 1671
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 240
Interieur van de Blauwe grot op Capri
Object type: photograph
Date: 1880 – 1920
Materials: paper, photographic support
Techniques: albumen print
Location: capri
Artist: Anonymous
Subjects: cave, grotto, capri, isola di
Inscriptions: negative number: ‘2094’

Onderdeel van Album met 191 foto's van een reis naar en door Zuid-Afrika.
Portret van Maximiliaan I Jozef, koning van Beieren
Object type: print
Date: 1799 – 1815
Materials: paper
Techniques: engraving
Location: munich
Subjects: maximiliaan i jozef (koning van beieren), historical persons, medals and other marks of military honour, ear-rings
Inscriptions: collector's mark: Lugt 2228
Als stoelzitting geknipt fragment chiné-zijde
Object type: stoelzitting
Date: 1800 – 1899
Materials: silk
Techniques: embroidered
Location: france
Artist: Anonymous

Fragment chiné-zijde met bloemtoefjes op gestreepte fond. Model: als stoelzitting geknipt met twee insnijdingen voor de leuning. Fond van dwarse strepen in beige en roomwit, in gros de Tours (ripszijde) met moiré, dat ter weerszijden van een stofvouw, symmetrisch is ontstaan. Patroon: twee soorten bloemruikers: een groot van roserode rozen waartussen geel/rode en lila/paarse bloemen zijn geschikt. Een kleinere ruiker bestaat uit rose en rode open bloemen met gele harten. Losse knoppen staan ertussen gestrooid.
Gezicht op de Patio del Ciprés de la Sultana in het Alhambra te Granada, Spanje
Object type: photograph
Date: 1906 – 1906
Materials: paper
Techniques: albumen print
Location: granada
Artist: c maufsaise
Artist role: fotograaf
Subjects: trees: cypress, palace, courtyard
Inscriptions: number: ‘90’
Interieur van de Djamaa el Kebir-moskee in Algiers
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: algiers
Artist: Anonymous
Subjects: temple, shrine ~ islam, mohammedanism, interior ~ representation of a building
Inscriptions: collector's mark: ‘VOSMAER’, number: ‘n 1586’
Sake Bottle with Nanban (Southern Barbarian) Design
Object type: sake bottle
Date: 1601 – 1700
Materials: enamel, stoneware
Techniques: overglaze
Culture: japanese
Subjects: human figures

"Nanban" means "foreigners who come from the south"—the Portuguese and Spanish traders who come to Japan in the 16th and 17th centuries. Their strange clothes and odd physiognomy add a humorous cachet to many decorative arts of the Edo period.
Portret van Johann Casimir Kolbe van Wartenberg II
Object type: print
Date: 1694 – 1729
Materials: paper
Techniques: engraving
Location: germany
Subjects: armour, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Sheet with overall vine and dot pattern
Object type: print
Date: 1767 – 1866
Techniques: relief print
Artist: Anonymous
Artist role: artist
Eglise de Brou (Ain). Le Chevet
Object type: photomechanical print
Date: 1913 – 1950
Materials: cardboard
Techniques: photograph
Location: paris
Artist: Anonymous
Subjects: church (exterior)
Fotoreproductie van De Nachtwacht door Rembrandt van Rijn
Object type: reproduction
Date: 1863 – 1906
Materials: cardboard, photographic support
Techniques: carbon print
Location: paris
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: frans banninck cocq, warfare; military affairs (+ citizen soldiery, civil guard, citizen militia), picture, painting, land forces (+ citizen soldiery, civil guard, citizen militia), amsterdam
Inscriptions: inscription: ‘R: MVS.’, name: ‘REMBRANDT’, number: ‘'06.131’, stamp: ‘MAISON AD. BRAUN & Cie/ BRAUN, CLÉMENT & Cie SUCCes/ 18 RUE LOUIS-LE-GRAND A PARIS & DORNACH (Alsaec)’
Staande man met hond aan zijn voeten
Object type: drawing
Date: 1700 – 1800
Materials: oil, paper
Techniques: brush
Artist: Anonymous
Subjects: dog
Spring
Object type: print
Materials: paper
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Schetsen van Hokusai - deel 9
Object type: book
Date: 1819 – 1878
Materials: paper
Techniques: woodcut
Location: nagoya
Inscriptions: inscription, collector's mark: ‘museum van aziatische kunst rijksmuseum Amsterdam-z.’
Portret van meneer Mohamed ou Miramont
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: historical persons, head-gear: turban

Prent uit: Chatelain, Henri. Atlas historique, ou nouvelle introduction à l'histoire, à la chronologie et à la géographie ancienne et moderne. Amsterdam: Zacharias (II) Chatelain en François L'Honoré, 1720.
Portret van keizer Matthias
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: matthias van oostenrijk (rooms-duits keizer), ornament ~ medallion, historical persons, emperor, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 2228, number: ‘No. 692’, inscription: ‘Reeds bij Franken aanwezig/ Gm’

Prent waarschijnlijk uit: Bor, Pieter Christiaansz. Oorsprongk, begin, en vervolgh der Nederlandsche oorlogen (...). Amsterdam: weduwe Joannes van Someren et al., 1679. Latere staat gebruikt in: Le Clerc, Jean. Geschiedenissen der Vereenigde Nederlanden. Amsterdam: Zacharias Chatelain, 1730, dl. 1.
Bronze kyathos (ladle)
Object type: cup
Date: 450 – 400
Materials: bronze
Culture: etruscan

At bottom, ornamental band; tongue pattern and beading on lip.
Gold Drinking Bowl with Handle
Object type: bowl
Materials: gold
Culture: avar

The Avars The Avars were a nomadic tribe of mounted warriors from the Eurasian steppe. The Byzantine emperor Justinian negotiated with them in the sixth century to protect the Empire’s northern border along the Black Sea. Emboldened by their subjugation of numerous tribes, they unsuccessfully attempted to seize the Empire’s capital, Constantinople. They remained a scourge of both Byzantium and the Western kingdoms until Charlemagne defeated them through a series of campaigns in the 790s and early 800s. All the money and treasure that the Avars had been years amassing was seized, and no war in which the Franks have ever engaged . . . brought them such riches and such booty. Up to that time the Avars had passed for a poor people, but so much gold and silver was found . . . that one may well think that the Franks took justly from the Avars what the Avars had formerly taken unjustly from other nations. — Einhard (ca. 770–840), biographer of the Frankish ruler Charlemagne, early 800s The Vrap Treasure Tribute payments from the Byzantine Empire and war booty provided the Avars with enormous amounts of gold and silver. Avar goldsmiths created work of exceptionally high quality and were counted among the Avars’ ruling class. This ensemble of objects, all found together in Vrap, in present-day Albania, would seem to attest to the wealth of the Avars. Why this varied group was brought together remains a mystery. Some scholars have suggested that these objects were part of a treasure belonging to an Avar chief; others have speculated that they were the materials of an Avar artist. Others question whether an Avar metalsmith made them at all and assert these objects to be the products of a provincial Byzantine artist.
Collection cup
Object type: collection cup
Date: 1726 – 1750
Materials: silver
Fotoalbum met opnames van prinses Wilhelmina als kind tot aan haar inhuldiging in 1898
Object type: accordion book
Date: 1898 – 1898
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print
Location: netherlands
Subjects: the hague, print maker, wilhelmina of the netherlands, emma (queen consort of the netherlands), child, ruler, sovereign - bb - female ruler, netherlands

Leporelloalbum in blauwe linnen band. Op het voorplat de titel in gouddruk en in reliëf, versierd met een kroon en een blad. Op het achterplat de naam van de uitgever, eveneens in gouddruk en reliëf. Het album bevat twaalf aan elkaar vastzittende, uitklapbare kabinetfoto's. Het zijn opnames van prinses Wilhelmina, vanaf (naar schatting) haar tweede tot aan haar achttiende levensjaar, toen zij ingehuldigd werd als koningin. Vermoedelijk is het album ter gelegenheid daarvan samengesteld.
Small Bottle
Object type: flask
Date: 1201 – 1300
Materials: glass
Techniques: glassblowing
Location: syria

Inspired by Late Roman models, glass with marvered wavy or festooned trails appears from very early in the Islamic period. Small cylindrical flasks such as this were popularly used as containers for cosmetic fluids and compounds.
Portret van Mr. de Caters
Object type: print
Date: 1795 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons
Portret van Peter Johansson Brenner
Object type: print
Date: 1720 – 1749
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons, violent death by beheading

Met onderaan de onthoofding van de geportretteerde afgebeeld.
Presentiepenning van het Korenlichtermansgilde te Amsterdam, 1735
Object type: medal
Date: 1735 – 1777
Materials: brass
Techniques: engraving
Inscriptions: inscription: ‘Lucas / Kampheuve / 20 Septemb' / 1777’

Ronde plaat messing gegraveerd op de voorzijde een gekroonde korenlichter met de tekst Ligtermansgilt, op de keerzijde vier regels tekst, op naam van Lucas Kampheuve 20 september 1777
Fan
Object type: fan
Date: 1800 – 1810
Materials: ivory
Techniques: carving
Culture: chinese
Location: china
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, bent left arm and lower back and buttocks of symposiast leaning on a cushion
Medal of Major General Z. Taylor
Object type: medal
Date: 1848 – 1848
Materials: bronze
Artist: charles cushing wright
Artist role: maker
Artist nationality: american
Artist dates: 1796 – 1854
Subjects: men,profiles
Nederlandse 25 cent, 1941
Object type: coin
Date: 1941 – 1941
Materials: zinc
Techniques: striking
Location: utrecht
Artist: Anonymous
Subjects: netherlands

Zinken munt. Voorzijde: zeilschip op zee. Keerzijde: tussen twee twijgen waarde-aanduiding 25 cents, waaronder jaartal. Gladde rand.
Verongelukte vrachtauto en gesaboteerde brug
Object type: photograph
Date: 1946 – 1949
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: dutch east indies, the
Inscriptions: inscription: ‘Tasik Madoe.’

Albumblad met vier foto's: verongelukte vrachtauto bij Tasik Madoe, rookwolken over een veld en een gesaboteerde brug. Onderdeel van het fotoalbum over de diensttijd van Nederlandse militairen in Indië, ca. 1946-1949.
Uitstorting van de Heilige Geest: Pinksteren
Object type: print
Date: 1560 – 1600
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: distribution of gifts by christ's disciples to every man according to his needs, peter and cornelius the centurion (acts 10), pentecost: the holy ghost descends upon (mary and) the apostles, sometimes paul and/or representatives of the nations present (acts 2:1-4) (+ holy trinity), disciples preaching and baptizing (in general), peter, john and the healed man enter the temple, where peter delivers a sermon, a multitude of the sick healed by peter and other disciples (acts 5:12-16)
Inscriptions: collector's mark: Lugt 240

In het midden een kader met de maagd Maria, omringd door de leerlingen van Christus. Vurige tongen, als teken voor de uitstorting, branden boven hun hoofden. Boven het kader de duif van de Heilige Geest, de tronende Christus en God de Vader en een engelenkoor. Een ornamentlijst met zes scènes uit de handelingen van de apostelen.
Feestende boeren en soldaten voor een herberg
Object type: print
Date: 1636 – 1679
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: bird hunting, container of glass: bottle, jar, vase, hotel, hostelry, inn, drunken brawl (usually peasants fighting in an inn)
Inscriptions: number: ‘1’, collector's mark: Lugt 11, collector's mark: Lugt 10

Een gezelschap soldaten en boeren heeft zich verzameld voor een herberg. In het midden heft een man zijn glas. Aan zijn voeten staat een grote kan. Links schiet een soldaat op de vogels die in de boom zitten.
Landschap
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: drenthe
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes (+ landscape with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

In de verte een figuur. Pagina 11 uit een schetsboek met 67 bladen vervaardigd in Drenthe.
Marie d'Orléans
Object type: print
Date: 1838 – 1841
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, princess
Inscriptions: collector's mark: Lugt 2228

Prent uit: Galeries historiques de Versailles. Parijs: Charles Gavard, 1838-1841.
Groepsportret van 23 mannen en vrouwen tijdens een picknick in een bos, met o.a. Henry Pauw van Wieldrecht
Object type: photograph
Date: 1892 – 1892
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Inscriptions: annotation: ‘No. 550. 1892.’
Gezicht op de Waterloo Bridge vanaf de oostzijde van het terras van Somerset House
Object type: print
Date: 1818 – 1818
Materials: ink, paper, watercolor
Techniques: aquatint, etching, hand coloring, lithography
Location: london
Subjects: landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage), trireme, galley, london, thames
Gezicht op Zaandam in de richting van Amsterdam
Object type: sketchbook leaf
Date: 1892 – 1893
Materials: paper, pencil
Location: zaandam
Artist: alfred william rich
Artist role: draughtsman
Artist dates: 1856 – 1921
Subjects: city-view, and landscape with man-made constructions
Inscriptions: annotation: ‘Za[...]dam/ looking towards Amsterdam’

Blad 14 recto uit een schetsboek met 86 bladen.
Portret van Sytze Hoekstra
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: lithograph
Artist: s. altmann
Artist role: painter, print maker
Artist dates: 1822 – 1890
Subjects: historical persons, book
Inscriptions: date
Twee liefdesparen
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: pipe ~ tobacco, couple of lovers
Inscriptions: collector's mark: Lugt 240

In een herberg zitten twee liefdesparen bij een tafel. Aan een houten tussenmuur hangt een prent.
Studie
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 27 verso uit schetsboek LX met 33 bladen.
Portret van Joannes van Liefland
Object type: drawing
Date: 1837 – 1837
Materials: paper
Techniques: brush
Artist: gijsbertus craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1810 – 1895
Subjects: joannes van liefland, historical persons, portrait, self-portrait of artist
Vaas met bloemen op een tafel
Object type: sketchbook leaf
Date: 1916 – 1916
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: flowers in a vase
Inscriptions: annotation: ‘[...]’

Blad 21 verso uit een schetsboek met 72 bladen.
Costume for Sir Olivier McText [a]; Descriptive Sheet of Accessories [b]
Object type: drawing
Date: 1889 – 1889
Materials: graphite, ink, watercolor
Techniques: pen, drawing
Artist: charles bianchini
Artist role: artist
Artist nationality: french
Artist dates: 1860 – 1905
Subjects: costumes,men
Portret van Jan Norel
Object type: print
Date: 1700 – 1711
Materials: paper
Techniques: engraving
Subjects: amsterdam, jan norel, historical persons, writer, poet, author
Printing block for Calavera of the Masses, no. 2
Object type: print
Date: 1910 – 1910
Materials: alloy, wood, zinc
Techniques: engraving, etching, relief
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Landscape with Saint John on Patmos
Object type: painting
Date: 1640 – 1640
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: nicolas poussin
Artist role: artist
Artist nationality: french
Artist dates: 1594 – 1665
Subjects: landscapes, saints, religion, century of progress, world's fairs, chicago world's fairs, trees, oblisks, ruins, greece, christian subjects

Although French by birth and training, Nicolas Poussin spent most of his career in Rome, immersed in the study of ancient art, where he painted classically inspired works for an educated elite. His art has long been considered the embodiment of the ideals of seventeenth-century classicism. In this painting, Saint John, one of the four Evangelists who wrote the Gospels of the New Testament, reclines beside his attribute, the eagle. He is here depicted as a powerful old man, presumably after retiring to the Greek island of Patmos to write his gospel and the book of Revelation at the end of his life. To suggest the vanished glory of the ancient world, Poussin carefully constructed an idealized setting for the saint, complete with an obelisk, a temple, and column fragments. Man-made and natural forms were adjusted according to principles of geometry and logic to convey the measured order of the scene. Even the profile view of Saint John is in harmony with the classical landscape. This painting may have been part of a projected series on the four Evangelists—in addition to this work, Poussin completed a companion, Landscape with Saint Matthew (1640; Gemäldegalerie, Berlin).
Miniature monteith
Object type: monteith
Date: 1690 – 1691
Materials: silver
Artist: george manjoy
Artist role: maker
Artist nationality: british
Artist dates: 1685 – 1685
Studioportret van een onbekende man in matrozenuniform
Object type: photograph
Date: 1915 – 1925
Materials: photographic support
Techniques: gelatin silver print
Location: den helder
Artist: jozeph kreuger
Artist role: fotograaf
Artist dates: 1886 – 1971
Subjects: studio ~ photographer, seaman
Inscriptions: inscription: ‘Chef Kreuger Koningstraat 88 Fotograaf, Den Helder’

Dezelfde man is afgebeeld op RP-F-F20729.
Head of a Dutch Landrace Goat
Object type: drawing
Date: 1655 – 1665
Materials: ink, paper
Techniques: brush, pen
Artist: lambert doomer
Artist role: draughtsman, painter
Artist dates: 1622 – 1700
Subjects: hoofed animals: ibex

Lambert Doomer drew the head of this buck, recognizable from the tuft of hair on its chin and characteristic ribbed horns, with loose, fanciful pen lines. The horns – curving back and with slightly turned up tips – can grow up to a metre long. The Amsterdam artist made various sketches of this animal, which then served as models for the goats in his paintings.
Viola da gamba spelende heer
Object type: grater
Date: 1700 – 1750
Materials: ivory, metal
Location: netherlands
Artist: Anonymous

Tabaksrasp met rug en doosje van ivoor. Op de rug is in reliëf een heer voorgesteld die een viola da gamba bespeelt; daarboven hoornen van overvloed, van onder een mand bloemen. Op het deksel van het doosje een schaal vruchten. De rasp is aan onderzijde versierd met een schelpvorm.
A Trial Plate for Mallarmé's "Un coup de dés" (A Throw of the Dice)
Object type: print
Date: 1897 – 1898
Techniques: lithograph
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Subjects: women,dice

Despite their close relationship, Redon and the Symbolist poet Stéphane Mallarmé worked together only once. Dealer and publisher Ambroise Vollard commissioned the artist to produce a series of lithographs to accompany an edition of Mallarmé’s "Un coup de dés jamais n’abolira le hasard" (A throw of the dice will never abolish chance). This is one of four prints that resulted though the project was abandoned after the poet’s death in 1898. The indecipherable quality of Redon’s image matches the ambiguity of the text.
Christ before Annas, from Speculum passionis domini nostri Ihesu Christi
Object type: print
Date: 1507 – 1507
Techniques: woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: men,christ
Caricature of a Man in a Mask and a Tricorne, Standing in Profile to the Left
Object type: drawing
Date: 1760 – 1760
Materials: ink
Techniques: pen, wash
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: masks,men
Deksel van botervloot
Object type: butter dish
Date: 1740 – 1765
Materials: faience
Techniques: kiln, painted, polychromy
Location: delft
Artist: Anonymous
Inscriptions: mark: ‘VA’, inscription: ‘10’, inscription: ‘10’, collector's mark: ‘collection J.F. Loudon’, inscription: ‘Goet’
Portretten van onbekende personen
Object type: snapshot
Date: 1910 – 1930
Materials: paper, photographic support
Techniques: photograph, gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: utrecht, adult woman, adult man, hospital
Inscriptions: address: ‘Steenweg 18’, inscription: ‘1 april 1923 M. Petri’, number: ‘820’, number: ‘701’, address: ‘42 Vreeburg’

Albumblad met portretten van volwassenen waaronder dat van Martinus W. Petri. Ook een opname van twee vrouwen in een 'Vrouwen Ziekenzaal'. Onderdeel van Fotoalbum van de familie Petri.
Architectuurstudies
Object type: drawing
Date: 1773 – 1773
Materials: ink, paper, pencil
Techniques: pen
Artist: c. kayser
Artist role: draughtsman
Subjects: exterior ~ architectural design or model
Inscriptions: date
Paperweight
Object type: glass
Date: 1801 – 1900
Materials: glass
Culture: european
Location: europe