deem-data/ArtiFact huggingface dataset:
Maggie Cline, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Porel
Object type: photomechanical print
Materials: paper
Techniques: woodburytype
Location: france
Subjects: portrait of actor, actress
Inscriptions: number: ‘No 164’, inscription: ‘Journal hebdomadaire paraissant le jeudi Du 6 au 12 Juillet 1876’
Twee soldaten en een man met een rugzak voor een kazerne
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: the soldier; the soldier's life, europe
Gezin bekijkt een moestuin
Object type: boekillustratie ontwerp
Date: 1917 – 1970
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: adrie vürtheim
Artist role: draughtsman
Artist dates: 1907 – 1995
Subjects: horticulture, vegetable culture, market gardening, family group, especially parents with their child(ren)
Inscriptions: signature: ‘Adrie Vürtheim’, annotation: ‘X)’, :, collector's mark: Lugt 2228a

Een gezin bestaande uit een vader, moeder en drie kinderen bekijkt een met gaas overdekte moestuin langs een tuinpad.
Vrome generaal
Object type: print
Date: 1778 – 1785
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: commander-in-chief, general, marshal, prince, dog, garden vase
Inscriptions: collector's mark: Lugt 2228

Latere staat bij: Gellert, Christian Fürchtegott. Fabelen en vertelsels. 3 dln. Amsterdam: Pieter Meyer, 1772-1774. De prenten bij deze publicatie werden later uitgegeven. De exemplaren uitgegeven door de weduwe Jacobus Loveringh & Johannes Allart tussen 1777 en 1778, de exemplaren uitgegeven door alleen Johannes Allart tussen 1778 en 1785.
Plate 11: Civilis' Troops Crossing the Maas River, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Object type: print
Date: 1611 – 1611
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: bridges,wars,men,horses,rivers
Petersburgs gesigt door de Berceaux / Veuë de Petersbourg par les Berceaux
Object type: print
Date: 1729 – 1732
Materials: paper
Techniques: engraving, etching
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: french or architectonic garden; formal garden, pergola, country-house, nederhorst den berg
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Prent mogelijk uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in 100 heerlyke gezichten. Amsterdam: Jan Roman, s.a. Of uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in veele heerlyke gezichten. Amsterdam: Andries en Hendrik de Leth, s.a [1729-1732]. Of uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in veele heerlyke gezichten. Amsterdam: Jan Roman, s.a.
The Tomb of Lorenzo de' Medici from The Tombs of the Medici
Object type: print
Date: 1570 – 1570
Techniques: engraving
Artist: cornelis cort
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1533 – 1578
Subjects: tombs,male nudes,female nudes
Portret van Jean-Baptiste Colbert de Seignelay
Object type: print
Date: 1758 – 1774
Materials: paper
Techniques: engraving, etching
Subjects: politician, jean-baptiste colbert de seignelay, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: The Copper-Plate Magazine or A Monthly Treasure (1774).
Shepherdess in a Landscape
Object type: glass
Date: 1750 – 1799
Materials: glass, metal
Techniques: lampwork
Location: france
Pictorial print
Object type: furnishing textile
Date: 1805 – 1805
Materials: cotton, linen
Artist: jean-baptiste huet i
Artist role: designer
Artist nationality: french
Artist dates: 1745 – 1811
Subjects: human figures
Huizer meisjes die garen winden
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: low hill country, winding of yarn, folk costume, regional costume, child (at home) - aa - girl
Inscriptions: number: ‘12’, collector's mark: Lugt 2228

Twee meisjes in Huizer klederdracht winden samen garen in een tuin. Op de achtergrond een heuvellandschap.
Rivierlandschap
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: print drawing
Location: amsterdam
Subjects: river (+ landscape with figures, staffage), river bank (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Ring: Figure of Seated Baboon (Thoth)
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: baboon, gods (deities), deities
Toledo - Portada del hospital de Santa Cruz
Object type: ansichtkaart, prentbriefkaart
Date: 1930 – 1939
Materials: paper
Techniques: gelatin silver print, writing
Location: madrid
Artist: Anonymous
Subjects: gate, entrance, hospital
Inscriptions: postage stamp
Lieutenant-Colonel, from Officers and Soldiers of the Bodyguard of Emperor Rudolph II
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacques de gheyn (ii)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1629
Inscriptions: Lettered lower left: "HG. excud. I. de gheyn sculp."; and lower center: "2 Munus ego ... capesso vicem."
Abklatsch van de krijttekening op pagina 35
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper
Techniques: printmaking
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Pagina 34 uit schetsboek XXIX met 44 pagina's.
Portret van een onbekende rokende vrouw
Object type: ansichtkaart, prentbriefkaart
Date: 1920 – 1940
Materials: paper
Techniques: gelatin silver print
Location: rochester
Artist: Anonymous
Subjects: anonymous historical person portrayed - bb - woman
Inscriptions: number: ‘3542’
Tile Inlay Depicting a Torso
Object type: tile inlay, palace of ramesses ii, foreigner
Date: 1279 – 1213
Materials: faience
Location: egypt

This tile once decorated the palace of Ramesses II in Piramesse, which he made into one of the greatest royal cities of ancient Egypt. Thanks to the royal favor and its strategic location, Piramesse soon became an important international trade center and a cosmopolitan metropolis, boasting a harbor, a military base, and temples dedicated to various gods like Amun-Re-Harakhty-Atum, Seth, Astarte, etc. Poems were written in the city's praise, and its name, which translates as "The House of Ramesses, Beloved of Amun, Great of Victories" when fully written, came to us through the Old Testament as ‘Raamses.’ The tiles bear the names of Seti I, Ramesses II and later Ramesside kings, who renovated the palace and changed its decoration through the reigns. New tiles were made, and the old tiles may be have been dismantled and buried together. Based on the tiles, we can still reconstruct quite a number of the features of the palace that are now completely lost, including throne podiums, steps, windows of appearance, and faience sculptures. This piece depicts a torso of a bound Nubian and belongs to a large group of fragments of inlay tiles representing foreign captives. Each figure was made in two pieces of tile and originally they stood out in relief from the surfaces to which they were applied.
Titus, Romae in lucem editus (...)
Object type: book illustration
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: utrecht
Subjects: (story of) the emperor titus - portrait of person from classical history, historical persons, emperor

Prent uit: Bogaert, Abraham. De Roomsche monarchy, vertoont in de muntbeelden der westersche en oostersche keizeren (...). Utrecht: François Halma en Willem van de Water, 1697, p. 129. Eerste staat verschenen in een grotere prent met twaalf portretten, gedateerd 1695.
Close No. 139 Saltmarket
Object type: photograph
Date: 1868 – 1868
Techniques: photogravure
Location: scotland
Artist: thomas annan
Artist role: fotograaf
Artist nationality: scottish
Artist dates: 1829 – 1887
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, drapery, inside of shield, striped scabbard?, hand and greaved leg
Gold Nose Ornament
Object type: nose ornament
Date: 501 – 700
Materials: gold
Culture: moche
Location: peru
Brief aan Philip Zilcken
Object type: letter
Date: 1873 – 1930
Materials: ink
Techniques: pen, writing
Artist: suze groshans
Artist role: schrijver
Artist dates: 1863 – 1944
Subjects: frits lapidoth, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Fotoreproductie van een schilderij van een paardenrace
Object type: photograph
Date: 1904 – 1905
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: horse-racing, jockey
Inscriptions: inscription: ‘No. 5./ Gedurende den ren.’
Ka'ba Tile
Object type: tile
Date: 1720 – 1730
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: turkey
Artist: osman ibn mehmed
Artist role: artist
Artist nationality: turkish
Artist dates: 18 – 18
Subjects: buildings

This rectangular tile depicts a stylized view of Mecca, with the black-shrouded Ka‘ba in the center of the Masjid al-Haram and other buildings within and around the holy sanctuary. It is part of a larger material corpus related to the Hajj, the pilgrimage to Mecca and sites in its vicinity, which each pious Muslim should perform once in his or her life. Such Ka’ba tiles were a favored theme in Ottoman tile workshops. This one is painted in the traditional color palette used in seventeenth century Iznik tiles. However the bird’s-eye view, inspired by the European pictorial tradition, is a characteristic of later examples made at Tekfur Sarayi in Istanbul, a less well-known Ottoman ceramic workshop.
Het standbeeld van de Vrede, 1748
Object type: drawing
Date: 1748 – 1748
Materials: paper
Techniques: pouncing
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: symbols, allegories of peace, 'pax'; 'pace' (ripa), proclamation of peace, piece of sculpture, reproduction of a piece of sculpture

Standbeeld van de vrouwelijke personificatie van de Vrede (Pax), hier specifieker verwijzend naar de Vrede van Aken gesloten op 18 oktober 1748 tussen de Geallieerden (Republiek, Engeland en Oostenrijk) enerzijds en Frankrijk, Pruisen en Spanje anderzijds. In de wolken engelenkopjes. Aan de voeten van het beeld objecten die verwijzen naar de bloei van de economie, landbouw, kunsten en wetenschappen in vredestijd. Ontwerp voor een prent.
Lea Castle, Worcestershire, View in Bower, looking North
Object type: drawing
Date: 1816 – 1816
Materials: watercolor
Artist: john carter
Artist role: artist
Artist nationality: british
Artist dates: 1748 – 1817
Subjects: interiors,women
[British Soldier]
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: soldiers,men,portraits
Weight
Object type: weight
Date: 900 – 1000
Materials: stone
Location: iran
Portret van Frederik Willem III, koning van Pruisen
Object type: print
Date: 1813 – 1813
Materials: paper
Techniques: stippling
Location: berlin
Artist: johann friedrich bolt
Artist role: print maker
Artist dates: 1769 – 1836
Subjects: berlin, frederik willem iii koning van pruisen, knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order), historical persons, (military) uniforms
Inscriptions: collector's mark: Lugt 2228
La semaine des amours
Object type: print
Date: 1852 – 1857
Materials: paper
Techniques: hand coloring
Location: paris
Subjects: dandy, beau, end of a love affair, fashionable woman, 'belle'
Inscriptions: check stamp: Lugt 1090, collector's mark: Lugt 2233
Trident Head
Object type: trident head
Date: 1501 – 1900
Materials: bronze, steel
Culture: korean
Location: korea
Solidus (Coin) Portraying Heraclius and His Son Heraclius Constantine
Object type: coin
Date: 613 – 616
Materials: gold, metal
Techniques: striking
Culture: byzantine
Location: byzantine empire
Inscriptions: Obverse: ddNNhESACNuseth(?)ACONStPPAV
Reverse: CONO[B] VICTORIA AVƸh

After Christianity became the official religion of the Roman Empire, the Byzantine emperors adopted Christian themes and symbols, most notably the cross, to stand for both the religion and the political state on their coinage. The previously ubiquitous profile portrait head was replaced by frontal or full-body depictions. Christ dominated the iconography, and Greek titles and phrases came to replace the Latin ones.

On the front (obverse) of this coin, the Byzantine emperor Heraclius is shown alongside his son, Heraclius Constantine; there is a cross between them. On the back (reverse) a Greek cross stands on a set of steps.
Lombarda; ubi deposito pignore, pecuniam publicam egeni accipiunt / De Lombart, of de Bank van Leeninge, tussen de Nes en de Voorburgwal
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: pawnbroker, lombard, bank, canals, waters (in city) (+ city(-scape) with figures, staffage)

Prent mogelijk uit: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Pieter Schenk (I), s.a. [1710-1711]. Of uit: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Barent Greve, s.a. [1757-1766]. In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
W.C. van der Kop en W.G. Hoogendijk
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, paper
Techniques: collodion silver print
Location: amsterdam
Artist: machiel hendricus laddé
Artist role: fotograaf
Artist dates: 1866 – 1932
Subjects: willem carel van der kop, historical persons
Inscriptions: annotation: ‘W.C. van der Kop en W.G. Hoogendijk’
Portret van keizer Matthias
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: vienna, matthias van oostenrijk (rooms-duits keizer), ornament ~ medallion, historical persons, emperor
Nova Scotia, Canada, cent, 1861
Object type: coin
Date: 1861 – 1861
Materials: bronze
Techniques: striking

Bronzen munt. Voorzijde: borstbeeld met lauwerkrans van vorstin Victoria naar links. Keerzijde: binnen twee sameengebonden takken kroon, waaronder jaartal. Als omschrift bovenaan waarde-aanduiding en onderaan lands-aanduiding. Gladde rand.
Standing Female Nude, with Raised Right Arm
Object type: drawing
Date: 1803 – 1803
Materials: chalk, paper
Artist: david pièrre giottino humbert de superville
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1849
Inscriptions: date: ‘1803’

De Superville used fine hatching to lend the body of this young women great volume. The pose, that is standing in contrapposto with one arm raised, is decidedly classical. To help models pose with their arm in the air as long as possible, special aids were used. The model in this
drawing probably held onto a rope with her right hand, but this was omitted by the artist.
Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces
Object type: collection ornament architecture
Date: 1521 – 1521
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: ornament

Embroidery pattern made up out of so-called knot work. The main pattern has a circular shape and is presented in white on a dark ground. The knotted ropes or straps form six-pointed stars: one in the middle and six surrounding it. On all four corners another, leaf-shaped ornament has been added which sticks out of the circle. The tips of the bottom two leaves fall outside of the image.
Timmerlieden-, metselaars-, loodgieters-, steenhouwers- en straatmakersgilde van 's-Hertogenbosch, gildepenning van Jan van Summeren
Object type: medal
Date: 1789 – 1789
Materials: brass
Techniques: engraving
Location: den bosch
Artist: Anonymous
Subjects: den bosch

Messing ovale penning aan draagoog. Voorzijde: tot trophe verenigde winkelhaak, bijl, troffel, loodgieters- en steenhouwershamer. Keerzijde: opschrift
Fragmenten pijpenkoppen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark: crowned 82; fragment, no hsm.
Tetrax uro gallus major / Le tetras grand Coq de Bruijere
Object type: drawing
Date: 1596 – 1610
Materials: paint, paper, pencil, watercolor
Techniques: brush, pen
Subjects: walker and runner birds: western capercaillie, walker and runner birds: grouse

Ruigpoothoender, mogelijk een auerhoen of een korhoen. Genummerd rechtsboven: 8. Bovenaan de Latijnse naam. Onderdeel van het eerste album met tekeningen van vogels. Derde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Farewell Gift to Tani Bunji
Object type: hanging scroll
Date: 1833 – 1833
Materials: ink, paper
Culture: japanese
Artist: okada hankō
Artist role: artist
Artist nationality: japanese
Artist dates: 1782 – 1846
Subjects: landscapes
Catherine of Aragon and Cardinal Wolsey (Shakespeare, King Henry VIII, Act 3, Scene 1)
Object type: print
Date: 1825 – 1840
Techniques: engraving, etching
Artist: edward j. potbury
Artist role: engraver
Artist nationality: british
Artist dates: 1795 – 1885
Subjects: queens,shakespeare,men
The Courtesan Yugiri of Ibarakiya, Osaka, from a triptych of beauties of the three capitals
Object type: print
Date: 1725 – 1730
Techniques: hand coloring, woodblock print, urushi
Location: japan
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
De wyze en de dwaze maegden
Object type: popular print
Date: 1833 – 1856
Materials: paper
Techniques: colour, letterpress printing
Location: rijswijk
Artist: Anonymous
Subjects: the wise and the foolish virgins ~ parable of christ (matthew 25:1-13)
Inscriptions: collector's mark: Lugt 2760

Blad met een grote voorstelling van de parabel van de wijze en de dwaze maagden. In de ondermarge een onderschrift in twee kolommen. Genummerd rechtsboven: n. 161.
Cabrette
Object type: cabrette
Date: 0 – 0
Culture: french
Location: france
Artist: jean-baptiste pajot
Artist role: maker
Artist nationality: french
Artist dates: 1863 – 1935

This cabrette was made Pajot-Fils, a workshop in Jenzat, France. The small town was an important center for hurdy gurdy and bagpipe making throughout the nineteenth century (Chassaing 1982:112). This bagpipe is stamped PAJOT FILS/Aie Mon PAJOT JENZAT (Ancienne Maison Pajot Jenzat, or old workshop Pajot from Jenzat), identifying it as from the workshop inherited by Jean-Baptiste Pajot (1863-1935). The large family, and other claims the same name, led Jean-Baptiste Pajot to brand all instruments from his workshop with this lineage (Chassaing 1987:20), thus establishing his legitimacy within a highly competitive sector. There was no ‘style’ for the workshop; it operated on a catalogue basis, and made instruments to order, based on the requirements of the client (Chassaing 1982:101). This bagpipe is a mouthblown cabrette with a bass drone. The chanter and tenor drone are inserted into rounded stocks characteristic of this instrument. They are joined internally and are decorated with a black and gold weave. The tenor drone has a narrow bore, as typically found on cabrettes. This drone is reeded with a single reed but would often be muted. The bag is covered with a green silk cover embroidered with flowers in pink hues. The cabrette was an instrument developed in Paris in the late eighteenth, and early nineteenth centuries. It was played by the diasporic community from the Auvergne region and became the eponymous instrument of the ‘bal musette’, named after the generic name of the bagpipe, ‘musette’. This instrument was probably made at the turn of the twentieth century, according to the observations of Bernard Blanc, a Parisian bagpipe maker (Blanc 1987). (Cassandre Balosso-Bardin, 2023) Technical Description Conical single chanter of darkened finished wood 450 mm, 7/1 holes, 2 ventholes, cane double reed on iron (?) staple; unbored bass drone pipe in 2 sections 508 mm; tenor drone in 2 sections 300 mm, cylindrical bore, single reed of dark weed, brass (?) tongue; blowpipe of dark wood 158 mm, leather flapper valve; sheep or cowhide bag covered with embroidered green silk with gold and black braid around base of stocks; 2 cylindrical stocks and 1 double cylindrical stock, all of dark wood mounted with ivory; chanter and drones mounted with composition material; drones with unmatched grooved decoration, blowpipe also grooved; tip of tenor drone barrel stock painted with red circles; blowpipe and sounding pipes not of same wood as stocks, and may be later additions. References Bernard Blanc, 1987. Notes in instrument file #89.4.856, September 24, 1987. Musical Instrument Department Archive, New York: Metropolitan Museum of Art. Chassaing, Jean-François, 1982. La tradition de cornemuse en Basse-Auvergne et sud-Bourbonnais. Moulins: Ipomée. Chassaing, Jean-François,1987. La vielle et les luthiers de Jenzat. Combronde : Aux Amoureux de Science.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Exterior, lower back, buttocks, and legs of male to left; javelin or spear?; right leg of male to left
Man overladen met huisraad op rund gezeten met carnaval
Object type: print
Date: 1574 – 1641
Materials: paper
Techniques: engraving
Location: france
Subjects: ox, meat; still life of meat, (household) utensils and implements, shrove tuesday, 'mardi gras' ~ non-liturgical celebrations of carnival
Inscriptions: collector's mark: Lugt 240
Hek voor bomen
Object type: drawing
Date: 1939 – 2009
Materials: paper, pencil
Artist: kees stoop
Artist role: draughtsman
Artist dates: 1929 – 2019
Subjects: fence, wall, paling
Inscriptions: signature: ‘Kees Stoop’
Verslaan van de Spaanse vloot bij kaap Passaro
Object type: history medal
Date: 1718 – 1718
Materials: silver
Techniques: striking
Location: london
Artist: john croker
Artist role: die cutter
Artist dates: 1670 – 1741
Subjects: george i (koning van groot-brittannië en ierland)

Zilveren penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: zuil met scheepsstevens bekroond door Overwinningsbeeld temidden van allerhande scheepswapens binnen omschrift; afsnede: opschrift
Portret van Pierre Beaumarchais
Object type: print
Date: 1766 – 1804
Materials: paper
Techniques: etching
Location: paris
Artist: jean-marie delattre
Artist role: print maker
Artist dates: 1745 – 1840
Subjects: paris, publisher, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Incense Burner from a Set of Five-Piece Altar Set (Wugong)
Object type: altar set piece
Date: 1821 – 1850
Materials: porcelain
Culture: chinese
Partie de Plaisirs
Object type: print
Date: 1732 – 1780
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: garden, celebration meal, feast, banquet
Inscriptions: collector's mark: Lugt 2228