deem-data/ArtiFact huggingface dataset:
Apotheek 't Goude Hert
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: line block
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: hoofed animals: deer
Inscriptions: inscription: ‘[...]co’

Onderaan de contactgegevens van 't Goude Hert: 'Borgman en Zn. / Dr. P.J. Schieveen Borgman / Rotterdam / Mosseltrap 2'.
Lange Linschoten bij Oudewater
Object type: print
Date: 1892 – 1954
Materials: paper
Techniques: etching, intaglio
Artist: johannes henrichs
Artist role: print maker
Artist dates: 1882 – 1954
Subjects: trees, river
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De met bomen begroeide oevers van de rivier de Lange Linschoten bij Oudewater in de provincie Utrecht.
Oorkonde
Object type: charter
Date: 1863 – 1867
Materials: linen, paper
Techniques: printing
Location: the hague
Artist: samuel lankhout
Artist role: print maker, printer
Artist dates: 1825 – 1894
Subjects: dutch east indies, the
Inscriptions: inscription: ‘NEDERLANDSCH-INDISCHE SPOORWEG-MAATSCHAPPIJ gevestigd te 's Gravenhage opgericht in 1863. Ter herinnering aan de vijf en twintigjarige ambtvervulling van 's Gravenhage, den De Raad van Beheer’

In 1862 werd de eerste concessie verleend voor de lijn Semarang-Vorstenlanden, twee jaar later gevolgd door een consessie voor de lijn Batavia-Buitenzorg, verleend aan de inmiddels gevormde Nederlandsch-Indische Spoorwegmaatschappij, met grote verwachtingen omtrent spooraanleg door particulier initiatief. De lijnen hadden een afwijkende spoorbreedte van 1.435 meter en een lengte van 206 kilometer.
Handbell
Object type: handbell
Date: 1850 – 1850
Materials: bronze, iron, wood
Culture: french
Location: france

This bell is adorned with a decorated crown in deep relief. The scene depicts military and clerical emblems sitting atop a crenelated rampart that is crushing nine male and female figures. This remarkable depiction may symbolize the oppression of the masses by the military and the church. The bell is purported to have been a gift from Napoleon III to the president of Peru, Ramón Castilla, in commemoration of the emancipation of the Peruvian slaves in December of 1854.
Costumes Bayonnais
Object type: print
Date: 1846 – 1860
Materials: paper
Techniques: hand coloring
Location: bayonne
Subjects: folk costume, regional costume
Inscriptions: collector's mark: Lugt 2228a
Gezicht op Schloss Detmold
Object type: photomechanical print
Date: 1890 – 1897
Materials: paper, photographic process
Subjects: landscape with tower or castle (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘Reis Teutoburgerwald/ september 1897’, inscription: ‘1992. P.Z. - Detmold. Schloss’

Deze prent maakt deel uit van een album.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

At the left, an unidentified object; calf and foot to right
Portret van een zittende vrouw
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman
President Hertenstein, Switzerland, from the Rulers, Flags, and Coats of Arms series (N126-1) issued by W. Duke, Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,coat of arms,flags

Trade cards from the "Rulers, Flags, and Coats of Arms" series (N126-1), issued in 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type, pictured here, is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Statuette belonging to a monkey orchestra
Object type: statuette
Date: 1745 – 1745
Materials: alabaster
Subjects: monkeys

This statuette belongs to a monkey orchestra (1977.216.20–.33).
Limestone ossuary with lid
Object type: ossuary with lid
Date: 1 – 100
Materials: limestone, paint
Culture: roman

Despite the use of a similar rosette design, this ossuary differs from the other displayed in the case to the left in that its decoration is carved in relief and still retains traces of its original red paint. It has a Greek inscription identifying two individuals whose bones it contained. Their names are Philoutarion and Annios, suggesting that they may have been Hellenized Jews.
Twee rustende figuren in een landschap
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: etching
Location: paris
Subjects: walking-stick, staff, sitting on the ground
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie van twaalf prenten naar tekeningen door Abraham Bloemaert, getiteld 'Livre d'Etude d'après les Desseins Originaux de Blomart'.
Portret van een onbekende man
Object type: carte de visite
Date: 1890 – 1918
Materials: cardboard, photographic support
Techniques: collodion silver print
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Photographische/ ATELIERS/ J. Siewers & Zoon/ EDAM/ HILVERSUM./ Specialiteit in vergrootingen.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, left ankle and foot; Obverse, two dancing satyrs flanking a maenad wearing a chiton, whose arms are extended with her right hand holding a thrysos; Reverse, maenad wearing a chiton and himation, holding a thrysos in her left hand; ithyphallic satyr with arms extended; handle with handle patch preserved to rim, below, a circumscribed palmette
H. Aichardus verdrijft duivelse wezens
Object type: print
Date: 1640 – 1696
Materials: paper
Techniques: engraving, etching
Subjects: devils in other than human or animal form, saints
Inscriptions: collector's mark: Lugt 2228

In de marge onderaan vier regels tekst in het Latijn over deze Benedictijner monnik.
Klauwstuk van een dakkapel
Object type: klauwstuk
Date: 1400 – 1950
Materials: paint, wood
Location: unknown
Artist: Anonymous
Die wichtigsten Typ-Schiffe des Luftschiffbau Zeppelin
Object type: photograph
Date: 1924 – 1924
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: 46c35 airship, zeppelin

Schema van de verschillende typen zeppelins. Onderdeel van een map twintig productfoto's van het Zeppelinluchtschip LZ 126.
Alfabet met kinderen
Object type: print
Date: 1522 – 1526
Materials: paper
Techniques: woodcut
Subjects: letters, alphabet, script, child
Portret van Petrus Ribadineira
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: priest, petrus ribadineira, historical persons

Prent maakt deel uit van een grotere prent die later is verknipt. Prent waarschijnlijk uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Liggende bok
Object type: boekillustratie ontwerp
Date: 1934 – 1936
Materials: paper, pencil
Techniques: brush, pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: (cohen, van anarchist tot monarchist) specific works of literature (with author, title), he-goat, billy-goat

Ontwerp voor een boekillustratie voor: Cohen, Alexander. Van anarchist tot monarchist. Amsterdam: De Steenuil, 1936.
Small Thatched Cottages (Les Petites Chaumières)
Object type: print
Date: 1878 – 1878
Techniques: aquatint, burnishing, drypoint, etching, roulette
Artist: félix-hilaire buhot
Artist role: artist
Artist nationality: french
Artist dates: 1847 – 1898
Subjects: ducks,houses
Knife Handle (Kozuka)
Object type: knife handle kozuka
Materials: gold alloy, gold
Culture: japanese
Location: japan
Artist: gotō kenjō
Artist role: fittings maker
Artist nationality: japanese
Artist dates: 1586 – 1663

This kozuka features a design of a curtain screen, a writing brush, an ink stone, a water container, and a harp for the Star Festival (Tanabata, July 7).
Portret van een onbekende man, aangeduid als Berend Mulder
Object type: carte de visite
Date: 1885 – 1915
Materials: cardboard, paper
Techniques: albumen print
Location: arnhem
Artist: willem oldenkamp
Artist role: fotograaf
Artist dates: 1864 – 1921
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘Atelier/ W. Oldenkamp/ ARNHEM/ Ridderstraat 27./ Negativen worden voor nabestelling bewaard.’, inscription: ‘Berend Mulder’
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, five fragments with parts of draped figures
Moon-Viewing Point (Tsuki no misaki), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Gezicht op Salzburg vanaf Mülln
Object type: photograph
Date: 1870 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: drievuldigheidskerk
Artist: Anonymous
Subjects: river (+ landscape with figures, staffage), prospect of city, town panorama, silhouette of city
Inscriptions: negative number: ‘5’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Duitsland en Oostenrijk en van kunstwerken.
Phaeton #491
Object type: drawing
Date: 1865 – 1865
Materials: ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Writing board
Object type: writing board
Date: 2030 – 1981
Materials: wood, gesso, paint
Location: egypt

Discovered crushed and warped under a pile of stones at the entrance to a tomb at Deir el-Bahri, this writing board retains only a few traces of the fine, polished gesso that once covered its rough surface. It was set in ancient times into a frame of ebony, one end of which was missing and has been restored by The Museum. Ink found in the cracks of the plaster indicates that the board had been written on, but it had been cleaned thoroughly before being placed in the tomb.
Gulielmus Oughtred Anglus (frontispiece from Oughtred's "The Key of the Mathematicks New Forged and Filed," 1647)
Object type: print
Date: 1646 – 1646
Techniques: drypoint, etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: men,portraits

This hallf-length portrait of the rector and mathematician, William Oughtred, shows the sitter at seventy-three, wearing a skull-cap, collar and gown, and holding a book. He is credited with creating the slide rule in 1622, which allowed for direct multiplication and division, with introducing "x" to signify mulplification, and the abbreviations "sin" and "cos" for sine and cosine.
Presentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York Militia
Object type: presentation sword and scabbard
Date: 1815 – 1817
Materials: gold, silver, steel
Culture: american
Location: united states
Artist: john targee
Artist role: silversmith
Artist nationality: american
Artist dates: 1769 – 1850

Following the War of 1812, the State of New York awarded twelve swords to military officers who commanded troops within its borders. This example was presented posthumously to Brigadier General Daniel Davis (1777–1814) of the New York Militia, who died during an engagement at Fort Erie on September 17, 1814. The sword's design reflects the classical inspiration of the Federal period. The hilt, with its downturned shell, is based on French Empire models. The image of Hercules and the Nemean Lion, emblematic of strength and courage, is probably copied from an English engraving after a Classical gem or cameo. The eagle-headed pommel, on the other hand, is typically American, as is the style of engraving on the scabbard, illustrating the battle.
De dwerg Jacob Ries, 1720
Object type: print
Date: 1718 – 1720
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: prague, little people

Portret van de Joodse kleine mens Jacob Ries, geboren te Praag, verbonden aan het keizerlijke hof te Wenen. In het onderschrift verzen in het Duits, Frans en Nederlands. Genummerd rechts midden: A. II. Onderdeel van deel II in de tweede Nederlandse gebonden uitgave uit 1720 (en gerelateerd aan de Windhandel in dat jaar) van een serie karikaturen van kleine mensen, bekend als Het Dwergentooneel.
Isis bezoekt Telethusa in haar droom
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: letterpress printing
Location: frankfurt am main
Subjects: scrollwork, strapwork ~ ornament, isis orders telethusa in a dream to spare the life of her child

Illustratie bij de Metamorfosen van Ovidius, afkomstig uit de publicatie: Posthius, Johannes. Tetrasticha in Ovidii metam. Frankfurt am Main: Georg Rab en Sigmund Feyerabend en erven Weigand Han, 1569. De voorstellingen en ornamentranden van deze boekillustraties zijn van twee aparte blokken gedrukt. Beide werden afzonderlijk van elkaar ook gebruikt voor andere publicaties, en de ornamentranden werden eveneens binnen deze publicatie meerdere keren gebruikt.
Briefkaart aan Jan Veth
Object type: postcard
Date: 1900 – 1900
Materials: cardboard, ink
Techniques: pen, writing
Location: noordwijk aan zee
Artist: albert verwey
Artist role: criticus, dichter, essayist
Artist dates: 1865 – 1937
Subjects: painter, aert van der neer, dordrecht, print maker, draughtsman, designer, jan veth, literature ~ arts
Inscriptions: collector's mark: ‘RPK’
Portret van C.J. Brutel de la Rivière
Object type: carte de visite
Date: 1862 – 1882
Materials: cardboard, paper
Techniques: albumen print
Location: haarlem
Subjects: historical persons
Inscriptions: inscription: ‘Chs. Binger & Cie./ Zijlstraat/ Haarlem’, inscription: ‘Brutel de la Rivière’
Almanach de douze Sports
Object type: page
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: paris
Subjects: calendar, almanac, cricket (ball game)
Inscriptions: : ‘Juillet/ Dimanche - 3 10 17 24 31/ Lundi - 4 11 18 (...)’

Prent maakt deel uit van een boek. Illustratie bij kalendermaand op tegenoverliggende blad.
Iacobus Androuetius Du Cerceau Lectoribus S Quoniam apud veteres alio structurae genere templa (...)
Object type: print
Date: 1550 – 1550
Materials: paper
Techniques: etching
Location: orléans
Artist: jacques androuet
Artist role: draughtsman, print maker
Artist dates: 1515 – 1584
Subjects: exterior ~ representation of a building

Ronde tempel. Deze prent maakt deel uit van een album.
Drie foto's van leden van familie Onnen-Van den Berg op een strand en op het San Marcoplein in Venetië
Object type: photograph
Date: 1905 – 1920
Materials: paper, cardboard
Techniques: gelatin silver print
Location: hilversum
Artist: jan jacobus kok
Artist role: fotograaf
Artist dates: 1880 – 1955
Subjects: beach (as place of recreation), square, place, circus, etc., historical persons - bb - woman, strolling, historical persons
Inscriptions: number: ‘6170’

Deze foto's maken deel uit van een album.
Optogt des Nederlandschen Legers naar Ostende, den 3 July 1600, daags na de overwinning by Nieuwpoort; volgens de gecostumeerde voorstelling, gegeven door H H Studenten, by gelegenheid van het Tweede Eeuwfeest der Utrechtsche Hoogeschool. den 16 Juny 1836
Object type: print
Date: 1837 – 1837
Materials: paper, watercolor
Techniques: hand coloring, lithograph
Location: paris
Subjects: students' pageant, costumes used in pageants, battle of nieuwpoort
Inscriptions: date

Historische gekostumeerde optocht van de studenten van de Hogeschool van Utrecht op 16 juni 1836, bij de viering van het tweede eeuwfeest van de Utrechtse Hogeschool. De optocht verbeeldt de intocht van het Staatse leger in Oostende op 3 juli 1600, daags na de overwinning in de Slag bij Nieuwpoort. Tiende en laatste plaat in een serie van tien ongenummerde platen, met de groepen genummerd 34-37.
Terracotta kantharos: karchesion (deep cylindrical drinking cup)
Object type: kantharos, karchesion
Date: 400 – 301
Materials: terracotta
Culture: greek, attic or boeotian

Black glaze cup with handles and ribbing around the base.
Kosode with Pattern of Tea-Ceremony Utensils on a Small Pattern (Komon) of Auspicious Objects
Object type: kimono
Date: 1801 – 1900
Materials: paste, silk
Techniques: brush, dyeing, weave, resist
Culture: japanese

Paste-resist and brush dyeing (yūzen) on a background of stencil-resist-dyed plain-weave silk Colorful miniature renditions of items associated with the tea ceremony-including tea bowls, caddies, and whisks, water jars, charcoal, and even a hanging scroll-cluster at the hem of this kosode. The dark background features a very small design (komon) of an array of auspicious objects (takarazukushi). The combination of the colorful yūzen dyeing technique and the background of stencil-dyed komon often appears in robes of the early Meiji period.
Interieur van de bibliotheek in het huis van Christoffel Plantijn
Object type: photomechanical print
Date: 1877 – 1882
Materials: paper
Techniques: photograph
Location: antwerp
Artist: joseph maes
Artist role: fotograaf
Artist dates: 1838 – 1908
Subjects: study; 'studiolo'; library
Rekening voor het Hotel den Gouden Leeuw te 's-Hertogenbosch, 1829
Object type: print
Date: 1829 – 1829
Materials: ink, paper
Techniques: lithograph, pen
Location: den bosch
Subjects: beasts of prey, predatory animals: lion, hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 1641, stamp

Rekening voor het Hotel den Gouden Leeuw te 's-Hertogenbosch van de weduwe J. E. Halewijn. Op de rekening staat een diner en een fles wijn, een kop koffie kosten voor bedieningen en rit met de chais naar Nijmegen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Uitspanningslokalen, Hotels.
Square vase with archaic-style motifs (fangzun)
Object type: vase
Date: 1301 – 1400
Materials: copper alloy
Culture: chinese

This vase exhibits a monumentality that belies its small size. Its square shape—most such vessels are round—further adds to its assertive presence, as does its crisply cast bold decor. Combining the decorative patterns of the Shang, Zhou, and Han periods (ca. 1600 BCE–220 CE), the vase conveys a hybrid style that distinguishes it as a “new antique” rather than either a faithful copy or a fake. Covered in a lustrous dark patina, its linear design allows it to hold flower branches, typical of those vases circulating in Japan since the fourteenth century.
Ontwerp boekomslag  "l'Art Hollandais contemporain"
Object type: drawing
Date: 1933 – 1933
Materials: paint, ink, paper
Techniques: brush, pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: paris, brussels, head turned sideways
Inscriptions: inscription: ‘L'Art Hollandais / contemporain’, inscription: ‘Paul Fierens’

Ontwerp boekomslag, met twee gestileerde mannen gezichten, voor Paul Fierens, "l'Art Hollandais contemporain" (Parijs 1933).
Scenes from "El ingenioso hidalgo Don Quijote de la Mancha" by Miguel de Cervantes Saavedra
Object type: length
Date: 1813 – 1813
Materials: cotton
Artist: françois joseph heim
Artist role: designer
Artist nationality: french
Artist dates: 1787 – 1865
Subjects: houses,men,women,horses,trees
Vessel
Object type: vessel
Date: 1 – 100
Materials: ceramic
Culture: nabataean
Location: levant
Headrest of Khentika
Object type: headrest, khentika
Date: 2323 – 2150
Materials: stone
Location: egypt

This stone headrest was excavated in a wealthy official’s tomb. It appears to have been designed solely for use in the afterlife as its components—pillow, column, and base—were glued together instead of joined using a mortise and tenon mechanism that structured the more common wood examples. Headrests mimicked the sun (the head) rising in the horizon (the headrest’s pillow). Therefore, waking up would have been seen as rebirth for the sleeper, like the sun’s morning appearance was for the world. Many headrests show wear and have impressions from, or actual scraps of attached linen, indicating they were padded for comfort. Although pillows existed, a headrest was cooler and elevated the sleeper’s face away from the insects and scorpions that prowled in the night.
Ex libris van M. Masson
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: woodcut
Location: nancy
Artist: andré herry
Artist role: print maker
Subjects: flowers, book
Inscriptions: workshop stamp: ‘Gravure nois no. 57/ de A. Herry, Nancy’
Shawl
Object type: shawl
Date: 1801 – 1900
Materials: cotton, silk
Fan-shaped vase
Object type: vase
Date: 1890 – 1890
Materials: glass, fiber
Artist: harry powell
Artist role: designer
Artist nationality: british
Artist dates: 1853 – 1922
Aansporing tot eensgezindheid in de strijd tegen de Spanjaarden, rekenpenning van de rekenkamer van Utrecht
Object type: jeton
Date: 1584 – 1584
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: rhenen, wijk bij duurstede, utrecht
Inscriptions: circumscription: ‘NVMMI RATION VLTRAIEC 1584’, circumscription: ‘VIGILA QVIA NESCI DIEM NEQ HORAM’

Koperen penning. Voorzijde: haan, die wacht houdt bij diamant binnen omschrift. Keerzijde: met lint samengebonden wapenschilden van Utrecht, Amersfoort, Rhenen, Wijk bij Duurstede en Montfoort binnen omschrift.
Molded plaque: the weather god Adad and a bull standing on a lion-dragon
Object type: relief
Date: 2000 – 1600
Materials: ceramic
Culture: babylonian
Location: southern mesopotamia
Subjects: dragons,bulls,lions
Alyscamps te Arles
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: trees, necropolis, historical persons
Grotto at Versailes
Object type: photograph
Date: 1875 – 1899
Techniques: albumen print
Location: france
Artist: Anonymous