deem-data/ArtiFact huggingface dataset:
Aquaduct Aqua Anio Vetus en stadspoort Porta Tiburtina te Rome
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: ruin of a building ~ architecture, aqueduct (~ water supply), city-gate
Inscriptions: collector's mark: Lugt 2228

Blad met twee voorstellingen van Romeinse bouwwerken. Boven: restanten van het aquaduct Aqua Anio Vetus. Genummerd linksboven: Tav. X. Genummerd rechtsboven: Fig. I. Verklarende lijst met letters in ondermarge. Onder: schematische weergave van de stadspoort Porta Tiburtina in de Aureliaanse Muur en een plattegrond van de omgeving. Genummerd rechtsboven: Fig. II. Verklarende lijst met letters in ondermarge.
Twee Algerijnen voor een poort
Object type: sketchbook leaf
Date: 1922 – 1922
Materials: paper, pencil, watercolor
Techniques: brush
Location: algeria
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: africans, adult man, arch, archivolt ~ architecture, folk costume, regional costume

De mannen staan naar elkaar toe gedraaid en dragen traditioneel Noord-Afrikaans kostuum. Pagina 46 uit een schetsboek met 31 bladen.
Funerary Mask
Object type: funerary object
Materials: gold leaf, metal, pigment
Culture: egyptian
Location: egypt
Subjects: funerary art, faces, goddesses, gods (deities), mummies

Funerary masks protected the head and chest of a mummified body. They present an idealized version of the wearer, ensuring that they would continue to breathe, eat, hear, see, and speak in the next life. Preserving the body and its individual parts through mummification or depiction was essential to life after death in ancient Egypt. Potent symbols, such as the amulets shaped like anatomical hearts strung around the neck of the mask here, provided an extra layer of protection. For ancient Egyptians the heart—not the brain—was the center of thought and emotion. In the final judgment, a tribunal of gods weighed the deceased’s heart against the feather of Maat (truth) to determine whether they had led a just life, which included providing for the poor, widows, and orphans and avoiding misdeeds such as theft and murder. A balanced scale granted entrance to the afterlife, while a heavy heart doomed its owner to an eternity of nonexistence.
Beroemde Romeinse vrouwen
Object type: print
Date: 1593 – 1597
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: (story of) cornelia, mother of the gracchi
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Cornelia, vrouw van Tiberius Gracchus en moeder van de gebroeders Gracchi als deugdzame huisvrouw. Zij wordt voorgesteld als een goede moeder die met haar kind speelt en als een vlijtige huisvrouw die zich bezighoudt met naai- en haakwerk. Op de achtergrond rechts doodt haar man Tiberius een slang. De prent heeft een Latijns onderschrift en maakt deel uit van een zesdelige serie over beroemde Romeinse vrouwen.
Study for the Great Hall, Bank of England
Object type: drawing and watercolor
Date: 1808 – 1808
Materials: graphite, paper
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
Vakantiehuizen in Hermit Creek
Object type: album leaf
Date: 1928 – 1928
Materials: photographic support
Techniques: gelatin silver print
Location: grand canyon
Artist: Anonymous
Subjects: ravine, chasm, abyss, canyon, civic architecture; edifices; dwellings
Inscriptions: annotation: ‘Grand Canyon’
Kindermoord te Bethlehem
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the massacre of the innocents
Inscriptions: collector's mark: Lugt 2228

Zicht op de stad Bethlehem waar een grote slachtpartij plaatsvindt. Soldaten rukken kinderen uit de armen van wanhopige moeders om ze met zwaarden te doden. Talloze dode kinderen liggen verspreid over de grond.
Piece
Object type: piece
Date: 1745 – 1750
Materials: metal thread, silk
Subjects: flowers,leaves
Slag bij Cognac in de Auvergne
Object type: print
Date: 1568 – 1568
Materials: paper
Techniques: etching
Subjects: militant proselytizing: religious war, crusade, etc., battle (+ land forces), the roman catholic church vs. protestantism; (reformation and counter reformation)

Prent gebruikt in: Aitsinger, Michael. De Leone Belgico (...). Keulen: s.n., 1588.
Screen (Four-Fold)
Object type: textile
Materials: glass, gold leaf, paper, silk, wood
Techniques: lacquer, painting, slit, tapestry weave, weave
Location: china
Belegerung der Vestung Gulich, so angefangen den 28 Julij, hat sich ergeben den 2. Sept. 1610
Object type: print
Date: 1610 – 1612
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: maurice (prince of orange), capture of city (after the siege)

Inname van Gulik door prins Maurits en de vorst van Anhalt, 2 september 1610. Linksonder trekken Franse troepen de stad in, bovenaan verlaten de verdedigers Gulik. Met onderschrift van 14 regels in het Duits en 2 regels in het Frans en met legenda A-D. Ongenummerd.
Card Number 381, Sadie Coutelyou, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-5), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fifth subset, N145-5. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Portret van Isaac Abrahamsz. Massa op 48-jarige leeftijd
Object type: print
Date: 1643 – 1660
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: historical persons, merchant, salesman
Inscriptions: collector's mark: Lugt 240, number: ‘AP256’

Met vijfregelig lofdicht in het Nederlands onder het portret.
Portret van een man
Object type: album leaf
Date: 1886 – 1906
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: büttinghausen
Artist role: fotograaf
Subjects: historical persons
Inscriptions: inscription: ‘Specialiteit in Vergrootingen/ KOOLDRUK/ Onveranderlijk/ M. Büttinghausen/ Amsterdam/ EENIG ATELIER/ Kalverstraat, hoek Spui/ De plaat blijft ter nabestelling bewaard.’
Tetiaroa - Un lagon des Paumotu
Object type: photograph
Techniques: albumen print
Artist: charles spitz
Artist role: artist
Artist nationality: french
Artist dates: 1880 – 1899
Nieuwe Nederlandsche kinderprenten
Object type: popular print
Date: 1875 – 1903
Materials: paper
Techniques: lithograph, letterpress printing
Location: haarlem
Subjects: birds, fowl (cock, hen, chicken, etc.)
Inscriptions: collector's mark: Lugt 2760

Blad met 3 voorstellingen van in totaal 33 soorten vogels, zoals een adelaar, een struisvogel, flamingo's en een kalkoen. In de ondermarge een verklarende lijst met nummers. Genummerd rechtsboven: No. 147.
Wall bracket
Object type: wall bracket
Date: 1745 – 1745
Materials: wood
Techniques: carving, painting
Subjects: flowers
Helmet (Kabuto)
Object type: helmet kabuto
Date: 1601 – 1700
Materials: brass, iron, lacquer, silk
Culture: japanese
Location: japan
Zie hier, tot uw vermaak dees kinder-spreken vloeijen, / Welk zy over-al met vlytigheid uitstroeijen / Voici quelques dictions qui plaisent aux enfants, / Et qui leur procurent maints divertissements
Object type: popular print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: proverbs, sayings, etc.
Inscriptions: collector's mark: Lugt 2760

Blad met 30 verbeeldingen van spreekwoorden en gezegden. Onder elke voorstelling een onderschrift in het Nederlands en in het Frans. Genummerd midden onder: No 41.
Scene in an Italian City with Figures Near a Fountain
Object type: drawing
Date: 1849 – 1849
Materials: graphite, ink
Techniques: brush, wash
Artist: frederic, lord leighton
Artist role: artist
Artist nationality: british
Artist dates: 1830 – 1896
Subjects: fountains,children,men,women,dogs
Jar with women at leisure
Object type: jar
Date: 1634 – 1666
Materials: cobalt, enamel, porcelain
Techniques: overglaze, painting, polychrome, underglaze
Culture: chinese
Subjects: women,flowers,trees
Gedecoreerd kabinet met glas in het bovenste deel
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Location: florence
Artist: Anonymous
Subjects: ornamental cupboard (+ wood and other phytogenic material)
Inscriptions: number: ‘Pl. 54’
Bell
Object type: bell
Date: 1850 – 1889
Materials: brass
Culture: benin
Three Butterflies
Object type: drawing
Date: 1683 – 1726
Materials: paint, gouache, paper, watercolor
Artist: herman henstenburgh
Artist role: draughtsman
Artist dates: 1667 – 1726
Subjects: insects: butterfly

Herman Henstenburgh from Hoorn often embellished his floral still lifes with butterflies and insects. Sometimes he also drew them separately, as in this drawing of a life-sized swallowtail (Papilio glaucus). This butterfly from the Papilionidae family, recognizable by the tiger-stripe markings on its wings, can reach a wingspan measuring between 80 and 140 millimetres.
Portret van Rembertus Dodonaeus
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: engraving
Artist: edme de boulonois
Artist role: print maker
Subjects: mechelen, leiden, rembertus dodonaeus, historical persons, physician, doctor

Prent met tekst op recto en verso gebruikt in: Bullert, Isaac. Académie des Sciences et Arts contenant les vies et éloges (...). Brussel: François Foppens, 1682.
Suit
Object type: suit
Date: 1850 – 1859
Materials: cotton
Culture: american
Wheellock Sporting Rifle
Object type: arm
Date: 1600 – 1625
Materials: brass, horn, iron, steel, wood
Location: augsburg
Artist: barrel: johan bichler
Artist nationality: german, augsburg
Artist dates: 1595 – 1625
Pijprokende visser
Object type: print
Date: 1836 – 1900
Materials: paper
Techniques: etching
Location: the hague
Artist: elchanon verveer
Artist role: draughtsman, print maker
Artist dates: 1826 – 1900
Subjects: pipe ~ tobacco, fisherman
Inscriptions: collector's mark: Lugt 2228
Weg naar Valkenburg
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: paper, pencil, watercolor
Techniques: brush
Location: valkenburg
Artist: jonkheer johannes ludovicus paulus bosch van drakestein
Artist role: draughtsman
Artist dates: 1865 – 1929
Subjects: prospect of village, silhouette of village, road, path
Inscriptions: annotation: ‘Valkenburg’

Blad 23 verso uit een schetsboek met 58 bladen.
Exterieur van landhuis De Lathmer in Wilp
Object type: album leaf
Date: 1870 – 1880
Materials: paper, photographic support
Techniques: albumen print
Location: wilp
Artist: Anonymous
Subjects: villa

Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
The terrace
Object type: page
Date: 1870 – 1880
Materials: paper
Techniques: albumen print
Location: san lazzaro degli armeni
Artist: Anonymous
Subjects: city-view in general; 'veduta', terrace, venice
La Mode, 29 juin 1833, Pl. 310 : Robe de mousseline imprimé (...)
Object type: fashion print
Date: 1833 – 1833
Materials: paper
Techniques: hand coloring, engraving
Location: paris
Subjects: ear-rings (+ women's clothes), embroidery (ornamentation) (+ women's clothes), gloves, mittens (mitaines) (+ women's clothes), neck-gear ~ clothing (cravat) (+ women's clothes), fashion plates, dress, gown (+ women's clothes), book, (other forms of) needlework, e.g.: crocheting, knitting, embroidering, apron (+ women's clothes)
Inscriptions: title: ‘La Mode.’, address: ‘L'Administration est Rue du Helder 25.’, caption: ‘Robe de mousseline imprimée; robe de jaconas brodée Tabliers et Cravattes en poux de soie brodés, et garnis de dentelle mitaines de tricot de soie.’

Japon van bedrukte mousseline en een japon van geborduurde 'jaconas'. Schorten en geknoopte halsdoeken van geborduurde zijde afgezet met kant. Mitaines van zijden tricot. Prent uit het modetijdschrift La Mode (1829-1855), gekopieerd naar pl. 3087, 15 juin 1833, uit het modetijdschrift Journal des Dames et des Modes, Parijs, 1797-1839.
Portret van Maximiliaan III Jozef van Beieren
Object type: print
Date: 1722 – 1768
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: historical persons, ruler, sovereign, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), ornament derived from architectural details, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 4099, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Portret weergegeven als schilderij in ornamentale nis. Tekst in het Latijn in de marges.
Aangemeerde roeiboot aan een waterkant
Object type: sketchbook leaf
Date: 1866 – 1922
Materials: chalk, paper
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), rowing-boat, canoe, etc.

Blad 15 verso en 16 recto uit een schetsboek met 42 bladen.
Fotoreproductie van een schilderij van een groep mannen die drinken in een zaal, één van de mannen staat op het punt om een ander met een stok te slaan
Object type: page
Date: 1874 – 1884
Materials: paper
Techniques: photograph
Subjects: picture, painting, drinking
The Triumph of Wisdom
Object type: print
Date: 1600 – 1610
Materials: paper
Techniques: engraving
Location: belgium
Artist: aegidius sadeler (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1568 – 1629
Inscriptions: Lettered lower center: "B. Spranger invent. Eg. Sadeler scalps" and below image: "Inscius non honorabitur / Non datur eximias veneret .... cassus honore ruat."
Elias Hoyle of Sowerby in Yorkshire, aged 113, A.D. 1798
Object type: print
Date: 1798 – 1798
Techniques: printmaking, etching, stippling
Artist: thomas fielding
Artist role: artist
Artist nationality: british
Artist dates: 1758 – 1798
Subjects: men,portraits
Whorl-Shaped Brooch
Object type: brooch
Date: 501 – 600
Materials: glass, paste, silver gilt
Culture: frankish
Portretten van beroemde Europese wetenschappers, humanisten en geestelijken
Object type: book illustration
Date: 1628 – 1645
Materials: paper
Techniques: engraving
Location: germany
Artist: paul de zetter
Artist role: print maker
Artist dates: 1600 – 1667
Subjects: straatsburg (frankrijk), herborn, theoloog, johannes piscator
Inscriptions: inscription: ‘1547-1626’, collector's mark: Lugt 2228, inscription: ‘De gratia Dei 7.’

Prent gebruikt in een van de edities van Jean-Jacques Boissard. Boissard, Jean-Jacques. Bibliotheca sive Thesaurus Virtutis et Gloriae: In quo continentus Illvstrivm Ervditione & doctrina Virorum Effigies & Vitae (...). Frankfurt, [1628]. Zie Hollstein Dutch, deel LVIII, p. 86-87.
Necklace
Object type: costume and accessory
Date: 200 – 200
Materials: shell
Location: western mexico
Subjects: jewelry, shells, figures (representations), water

Figures and jewelry made of spondylus (spiny oyster) shell developed as a specialization in what are today the Mexican states of Colima and Jalisco. Like greenstone, jade, and colorful feathers, this bright orange shell was a luxury item sought by maritime merchants from Ecuador and Central America, who found it in warm Pacific waters as far north as the West Mexican coast. As emblems of authority and status, exotic materials were displayed by rulers during ceremonial events. Spondylus-shell jewelry carved with symbolic designs found in West Mexican tombs indicates the high esteem in which this valued material was held.
Uit twee delen bestaande prent, voorstellende: links de zomer met iris en malus en rechts de winter met narcis en prunus (nieuwjaarsprent)
Object type: print
Date: 1650 – 1725
Materials: paper
Techniques: woodcut
Location: china
Artist: Anonymous
Stadsgezichten van Amiens
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: amiens
Subjects: interior of church, notre-dame d'amiens
Inscriptions: collector's mark: Lugt 2228a
Kalenderblad voor juni 1899
Object type: calendar leaf
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
Subjects: trees, calendar, almanac

Randdecoratie van bloeiende witte bloemen en takken rond de maandkalender, met daarbij een tabel van zonsopgang en zonsondergang. Bovenrand geperforeerd waar dit kalenderblad verbonden was met de rest van het jaar.
Twee vrouwen, mogelijk dienstmeiden
Object type: sketchbook leaf
Date: 1886 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ two persons), maid ~ house personnel

Blad 13 verso en blad 14 recto uit schetsboek LIV met 18 bladen.
Charles Loring Elliott
Object type: bust
Date: 1870 – 1870
Materials: marble
Culture: american
Artist: launt thompson
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1894
Subjects: men,portraits

Thompson’s mastery of naturalistic portraiture is evident in this posthumous bust of Charles Loring Elliott (1812-1868), a successful New York portrait and genre painter. Here facial features are portrayed with honesty—wrinkles, a crooked nose, and a mole on his forehead individualize Elliott’s likeness. Thompson and Elliott shared the distinction of being New York’s leading portraitists working in a realist vein, the former in marble and bronze, the latter in paint. Even if the painter did not sit for his portrait prior to his death in August 1868, the sculptor had access to visual aids such as photographs.
Henri IV
Object type: furnishing textile
Date: 1815 – 1825
Materials: cotton
Subjects: human figures,buildings,kings,horses,trees
6 Eaux-fortes par Hervier
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: etching, roulette
Location: paris
Subjects: trees
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Maakt deel uit van een zesdelige serie prenten met verschillende onderwerpen, samengesteld en uitgevoerd door Hervier.
Charger
Object type: metalwork
Date: 1700 – 1750
Materials: pewter
Location: germany
Artist: sebald ruprecht
Comic Valentine (Despising Valentine)
Object type: valentine
Date: 1820 – 1820
Techniques: engraving, hand coloring
Artist: Anonymous
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1899
Panidochème ou toutes sortes de voitures (2)
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: paris
Subjects: diligence, omnibus, horse-tram, four-wheeled vehicle drawn by two animals, passenger carriage
Inscriptions: collector's mark: Lugt 2228, stamp: Lugt 1828b

De prentserie waar deze prent deel van uitmaakt werd in drie delen van twaalf prenten vanaf 1827 tot en met 1830 gepubliceerd. Elk van de drie delen werd voorzien van een aparte omslag.
De diligence was een geveerde postkoets, die op regelmatige tijden ook openbaar vervoer aan reizigers bood.
Tray
Object type: tray
Date: 1817 – 1817
Materials: silver
Culture: american
Location: united states
Artist: andrew ellicott warner
Artist role: maker
Artist nationality: american
Artist dates: 1786 – 1870
North
Object type: page
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Location: yale university
Subjects: university, façade (of house or building)
Oorlog met Luik
Object type: print
Date: 1515 – 1515
Materials: paper
Techniques: woodcut
Subjects: maximilian i (holy roman emperor), siege, liège
Inscriptions: collector's mark: Lugt 240
A Fisherman Leaning on an Oar
Object type: drawing
Date: 1774 – 1774
Materials: chalk
Artist: jean honoré fragonard
Artist role: artist
Artist nationality: french
Artist dates: 1732 – 1806
Subjects: men

In 18th century France, many aspiring young artists were given the opportunity to study in Italy, but Fragonard had the rare privilege of returning at the height of his powers as part of a year-long voyage underwritten by collector and financier Pierre-Jacques Onésyme Bergeret de Grancourt. In the Spring of 1774, at the southernmost point of their tour, the traveling party spent two months installed at lodgings at the edge of the bay of Naples. In between their sightseeing jaunts and social engagements, Fragonard clearly relished making drawings of local types, including fishermen and their wives. Drawn on an unusually large scale, this pair of studies (see also 2006.353.1) embodies the accomplishment and confidence of Fragonard’s mature manner. Red chalk is used not only to delineate form, but to lay in areas of light and shadow through broad hatching and modulation of pressure. Despite their bare feet and somewhat ragged attire, the fishermen cut dashing figures with their broad-brimmed hats, billowy jackets, and looped-over sashes. The low angle of the sunlight and the slight weariness of their poses are both suggestive of end of the day labor. Perrin Stein, May 2014
Scarab
Object type: scarab
Date: 1991 – 1450
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs
Cabinet (Fassadenschrank)
Object type: cabinet
Date: 1601 – 1633
Materials: wood, iron
Techniques: stain, veneering
One of the 18 Luohan (Arhats)
Object type: sculpture
Materials: alloy, brass
Location: china
Fontaneldoek van linnen met een strook Binchekant, met golvende bladrank tegen een oeil-de-perdrix fond
Object type: childrenswear
Date: 1700 – 1800
Materials: linen
Techniques: lace, cross stitching
Location: europe
Artist: Anonymous

Fontaneldoekje van linnen met een strook kloskant type Binche, met golvende bladrank tegen een oeil-de-perdrix fond in rode kruissteek. Merk in rode kruissteek Ay of A9.
Ancestor Figure (Silum or Telum)
Object type: figure
Materials: paint, wood
Culture: anjam
Location: papua new guinea
Subjects: men

Ancestors were central to the art and religion of the peoples of Astrolabe Bay in northeast New Guinea. Ancestor figures appear to have been associated primarily with men’s ceremonial houses. This work is attributed to Bogadjim village, where ancestor images were honored periodically with ceremonial feasts. During the feasts, occasions of both reverence and revelry, the figures served as temporary abodes for ancestral spirits and were placed among the participants to allow the ancestors to join in the festivities. The figures probably were also associated with male initiation. This work likely portrays a powerful ancestor adorned with the marks of his status and wealth. He wears the spherical headdress reserved for prominent men, and the forms on his chest represent spiral pig’s tusks, which were prized throughout the region.
Wachtende rijtuigen onder de Charing Cross Bridge in Londen
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: aquatint, etching, intaglio
Location: london
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: horse, bridge, passenger carriage
Inscriptions: collector's mark: Lugt 2228, signature: ‘Willem Witsen’, watermark
Juglet
Object type: juglet
Date: 480 – 400
Materials: terracotta
Culture: cypriot

Pointed oinochoe of unpainted clay.
Portret van kardinaal Marcello Santacroce
Object type: print
Date: 1658 – 1679
Materials: paper
Techniques: engraving
Location: rome
Subjects: cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit een reeks van onbekende omvang met portretten van kardinalen. De prenten werden vanaf 1657 vervaardigd in opdracht van uitgever Giovanni Giacomo de’ Rossi, waarna de productie werd voortgezet onder leiding van zijn opvolgers Domenico de’ Rossi en Lorenzo Filippo de’ Rossi, en ten slotte onder leiding van de Calcographia R.C.A.
Waistcoat
Object type: costume and accessory
Date: 1701 – 1800
Materials: silk
Techniques: embroidery, weave
Location: england