deem-data/ArtiFact huggingface dataset:
Lucht en water (Vereniging voor Penningkunst 1934, eerste penning)
Object type: history medal
Date: 1934 – 1934
Materials: bronze
Techniques: striking
Artist: leendert bolle
Artist role: painter, sculptor
Artist dates: 1879 – 1942

Bronzen penning, op de voorzijde een vogel boven zee, op de keerzijde twee vissen, met verklaring.
Strafgevangenis Ommerschans, huismunt geslagen op last van de Maatschappij van Weldadigheid ter waarde van tien cent
Object type: monetary token
Date: 1818 – 1859
Materials: iron
Techniques: casting
Location: netherlands
Artist: Anonymous
Subjects: maatschappij van weldadigheid, ommerschans

Voorzijde: letters O en S. Keerzijde: cijfer 10
Pair of balusters from a staircase
Object type: baluster
Date: 1801 – 1825
Materials: iron
Metamorfosen van Ovidius
Object type: print
Date: 1636 – 1670
Materials: paper
Techniques: engraving
Artist: crispijn van de passe (ii)
Artist role: draughtsman, print maker
Artist dates: 1594 – 1670
Subjects: homosexual love, apollo and cyparissus, usually with his stag, cyparissus changed into a cypress: when pining away for the loss of his favourite stag, cyparissus the hunter, minion of apollo, is changed into a cypress by the god (ovid, metamorphoses x 106)
Inscriptions: annotation: ‘Ciparis droefhijt. lib. 10.’, collector's mark: ‘Hinloopen’, number: ‘58’

Deze incomplete serie, bestaande uit 77 van de in totaal 85 prenten met scènes uit Ovidius' Metamorfosen, werd in 1709 samen met Ovidius-illustraties van Tempesta, Goltzius en Le Pautre in één album, Schijnvoet nummer 43, ingebonden. In de negentiende eeuw werd deze band weer uit elkaar gehaald.
Brooch
Object type: brooch
Date: 1701 – 1733
Materials: diamond, silver
Triumphal arch with three crowns at top, a fountain in the distance
Object type: print
Date: 1726 – 1726
Techniques: etching
Artist: carl hårleman
Artist role: artist
Artist nationality: swedish
Artist dates: 1700 – 1753
Subjects: arches

The three crowns at the top are the coat of arms of Frederick I, King of Sweden.
De Wittevrouwen- of Gelderse Poort te Utrecht
Object type: drawing
Date: 1771 – 1771
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: hendrik hoogers
Artist role: draughtsman, mayor, print maker
Artist dates: 1747 – 1814
Subjects: city-gate, utrecht
Inscriptions: date: ‘1771’
Triomftocht door de bevrijders van Griekenland
Object type: print
Date: 1829 – 1835
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: riding a horse, ass, or mule; rider, horseman, conqueror triumphing, triumphal entry of victor
Inscriptions: collector's mark: Lugt 2228
Tibet, from World's Smokers series (N33) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,smoking

Trade cards from the "World's Smokers" series (N33), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Printer's samples included in set, as well. The printer's sample cards are on thinner card stock and do not have any printed text.
Gezicht op een orangerie in de winter in Noord-Amerika
Object type: stereoscopic photograph
Date: 1864 – 1873
Materials: glass
Techniques: slide
Location: united states
Subjects: greenhouse, orangery, united states of america
Inscriptions: number: ‘10257’
Livre Nouveau de toutes sortes d'ouurages d'Orfeuries receuillies des Maylleurs ouuriers de ce temps
Object type: titelblad, titelpagina
Date: 1665 – 1665
Materials: paper
Techniques: engraving, etching
Location: france
Inscriptions: date

Cartouche met titel in Frans en Duits, hangend aan een masker en bestaande uit bloemen, juwelen, trofeeën van muziekinstrumenten en gereedschap van edelsmeden. Uit serie van 12 bladen met ontwerpen van juwelen voor goudsmeden en emailleurs. Derde editie.
Boslandschap met een man in Engeland
Object type: stereograph
Date: 1854 – 1880
Materials: cardboard, photographic support
Techniques: albumen print, hand coloring
Location: england
Subjects: forest, wood
Inscriptions: name
Gezicht op een gracht met kerktoren te Den Haag
Object type: photograph
Date: 1900 – 1960
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: Anonymous
Subjects: canals, waters (in city), parts of church exterior and annexes: tower, the hague
Inscriptions: annotation: ‘Geschonken door de Historical Society of Western Pennsylvania, Pittsburgh/ 1990’, annotation: ‘Hague’
Jacobus Hinlopen
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: hoorn (north holland), utrecht
Inscriptions: collector's mark: Lugt 2228

Prent volgens Ver Huell ook gebruikt in: Josua van Iperen, Kerkelyke historie van het psalm-gezang der christenen (...) en inzonderheid van onze verbeterde Nederduitsche psalmberyminge. Amsterdam: wed. Loveringh en Allart, 1777. Deel 2: J. Allart, 1778.
The Cottagers
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: etching
Location: london
Subjects: family life, cottage, farm (building)
Inscriptions: collector's mark: Lugt 240
Vignet FINIS
Object type: vignette
Date: 1896 – 1896
Materials: paper
Techniques: woodcut
Artist: karel petrus cornelis de bazel
Artist role: draughtsman, print maker
Artist dates: 1869 – 1923
Subjects: end; 'fine' (ripa), vignette
Inscriptions: collector's mark: Lugt 2228
French Horn, from the Musical Instruments series (N82) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: musical instruments,women,musicians

Trade cards from the "Musical Instruments" series (N82), issued in a set of 50 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes.
Fragment van een staande jonge vrouw die omhelsd wordt
Object type: drawing
Date: 1600 – 1699
Materials: ink, paper
Techniques: pen
Artist: Anonymous
Subjects: embracing each other, kissing
Card Number 97, Miss Bocket, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Vignette from the Galerie des Glaces, Versailles
Object type: drawing
Date: 1701 – 1733
Materials: ink
Techniques: brush, pen, wash
Artist: bernard picart
Artist role: artist
Artist nationality: french
Artist dates: 1673 – 1733

Bernard Picart was a successful engraver active in France and the Netherlands. This drawing belongs to a group of studies he made after works by Charles Le Brun, the leading painter and coordinator of royal projects under Louis XIV. Rather than transcribe an entire composition, he used each sheet to study a vignette of a few figures.
Ecorché: Right Arm and Shoulder Blade with Right Hand Intact
Object type: drawing
Date: 1857 – 1858
Materials: chalk, charcoal
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Scherf van een kop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: cup
Date: 1700 – 1743
Materials: porcelain
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Boerderij aan een vaart
Object type: print
Date: 1800 – 1815
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: hermanus van brussel
Artist role: draughtsman, print maker
Artist dates: 1763 – 1815
Subjects: landscapes in the temperate zone, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Portret van Cootje Roos als baby
Object type: photograph
Date: 1888 – 1896
Materials: cardboard, photographic support
Techniques: collodion silver print
Subjects: historical persons - bb - woman, infant, baby ~ the ages of man
Inscriptions: annotation: ‘Cootje Roos.’, inscription: ‘C.J.L. Vermeulen/ Den Haag/ Toussaintkade 11/ Intercommunal Telephoon 774/ Amsterdam/ Heiligenweg hoek Singel./ Telephoon No 2340./ Utrecht/ Nieuwe gracht 50./ Telephoon No. 750.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Artist: penthesilea painter
Artist role: artist

Interior, two youths; Exterior, handle palmette, youth leaning on stick gesturing to woman holding a chest in her right hand; in field, sandals
Glazen vaas met verschillende bloemen en een zonnebloem
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: engraving, etching, lithography
Location: netherlands
Subjects: flowers in a vase
Inscriptions: collector's mark: Lugt 2228
Sand Excavation
Object type: painting
Date: 1839 – 1839
Materials: board, oil, paper
Location: netherlands
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: opencast mine; strip mining, sand (soil type)
Inscriptions: signature and date: ‘Tavenraat Ginneke 1839’

Een heidelandschap met een zandafgraving in de omgeveing van Ginneken, in de verte een rij bomen.
Afternoon ensemble
Object type: afternoon ensemble
Date: 1878 – 1882
Materials: silk
Culture: american

The bustle silhouette, although primarily associated with the second half of the 19th century, originated in earlier fashions as a simple bump at the back of the dress, such as with late 17th-early 18th century mantuas and late 18th- early 19th century Empire dresses. The full-blown bustle silhouette had its first Victorian appearance in the late 1860s, which started as fullness in skirts moving to the back of the dress. This fullness was drawn up in ties for walking that created a fashionable puff. This trendsetting puff expanded and was then built up with supports from a variety of different things such as horsehair, metal hoops and down. Styles of this period were often taken from historical inspiration and covered in various types of trim and lace. Accessories were petite and allowed for the focus on the large elaborate gowns. Around 1874, the style altered and the skirts began to hug the thighs in the front while the bustle at the back was reduced to a natural flow from the waist to the train. This period was marked by darker colors, asymmetrical drapery, oversize accessories and elongated forms created by full-length coats. Near the beginning of the 1880s the trends altered once again to include the bustle, this time it would reach its maximum potential with some skirts having the appearance of a full shelf at the back. The dense textiles preferred were covered in trimming, beadwork, puffs and bows to visually elevate them further. The feminine silhouette continued like this through 1889 before the skirts began to reduce and make way for the S-curve silhouette.
Madame Grand (Noël Catherine Vorlée, 1761–1835)
Object type: painting
Date: 1783 – 1783
Materials: canvas, oil
Artist: elisabeth louise vigée le brun
Artist role: artist
Artist nationality: french
Artist dates: 1755 – 1842
Subjects: portraits,women
Portret van een onbekende vrouw in Lunteren
Object type: photograph
Date: 1908 – 1931
Materials: paper
Techniques: gelatin silver print
Location: lunteren
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman
Inscriptions: number: ‘141’, inscription: ‘Lunteren/ 1931 Aug.’
Glass Fragment
Object type: fragment
Date: 1201 – 1300
Materials: glass
Culture: crusader
Brief aan Philip Zilcken
Object type: letter
Date: 1921 – 1921
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: mariette richard
Artist role: painter
Subjects: the hague, philip zilcken, paris
Inscriptions: collector's mark: ‘RPK’
Gezicht op huisje in Rehoboth, Zuidwest-Afrika
Object type: stereograph
Date: 1884 – 1914
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Subjects: rehoboth
Inscriptions: title: ‘Süd-West-Afrika / 2826. / Ein Amwesen in Rehobot / A cottage in Rehobot...’

Rechtsonder op de foto rechts staat: R.2826.
Manchetknoop van Nederlandse zilveren munten
Object type: cuff link
Date: 1940 – 1950
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands

Manchetknoop van Nederlandse zilveren munten. De knoop bestaat uit een dubbeltje en een kwartje met de beeldenaar van Wilhelmina. De munten zijn met elkaar verbonden door een ketting.
Portret van Adela Crescini
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: lithograph
Subjects: venice, historical persons, portrait of opera-singer
Inscriptions: collector's mark: Lugt 2228
Female figure playing a lyre
Object type: figurine, woman
Date: 945 – 525
Materials: faience
Location: egypt
Subjects: musical instruments,women

This figure is part of a repertoire of figures created in a distinctive spotted faience from dynasty 22 into dynasty 26. The center of production was the eastern Delta, in particular Bubastis and Tanis; this was an area where Near Eastern peoples had long been interwoven in the population; at this time it was also a center for the settlement of Libyan tribal peoples. Possibly these conditions influenced this particular production. Through their appearance, the figures all allude to the goddess Bastet. In particular, many details evoke the myth termed "The Return of the Faraway Goddess." The feline / leonine Bastet was angry with the god Re and left Egypt for Nubia. Re wanted her back again, so he sent the god Thoth, who, taking the form of a monkey, lured her back with fables. Bes, musicians and dancers accompanied the train of the returning goddess, whose arrival brought the return of good fortune to Egypt. Figures of Bes (2015.11; 04.2.103), the cats (04.2.119, 04.2.120, 21.6.61), the monkeys (44.4.17), the nude females with ‘Nubian’ hairstyles (66.99.71), and the musicians (89.2.217, 17. 194.2441, 17.194.2459, 41.6.7) all relate to this tale; the figure with a conical ‘foreign’ cap carrying a vessel of beer (86.1.55) and the bound oryx behind the feathers of the Bes-image (2015.11) both allude to controlling the goddess’s dangerous nature. Bes-rattles must have been used in a ritual performances, and Bes’s known role as a protector of women and childbirth suggests the rituals addressed such concerns. Bastet, too, had a role as the nurse of a divine child king, and the allusions to her stories may have invoked her power for similar ends.
Gezicht op iemand die op een landweg loopt met in de verte een brug
Object type: page
Date: 1881 – 1891
Materials: paper
Techniques: photoaquatint
Location: england
Artist: james leon williams
Artist role: fotograaf
Subjects: road, path, bridge, england
Irissen in volle bloei
Object type: print
Date: 1805 – 1858
Materials: paper
Techniques: woodcut
Location: japan
Subjects: adult woman, housing, street
Inscriptions: date
Vier jaargetijden
Object type: print
Date: 1735 – 1750
Materials: paper
Techniques: engraving, etching
Subjects: autumn, fall, 'autumnus'; 'autunno' (ripa)
Inscriptions: collector's mark: Lugt 2228

Kopie naar prent van Cornelis van Dalen (II) uit serie van vier prenten met de vier jaargetijden.
The Virgin in prayer looking down, in an oval frame, after Reni
Object type: print
Date: 1640 – 1693
Techniques: engraving
Artist: francois de poilly
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1693
Subjects: virgin mary

After a painting by Reni. Verso is not visible as print is laid to another sheet of paper.
Polishing wheel for carving jade
Object type: jade carving tool
Date: 1901 – 2000
Materials: leather
Culture: chinese

These wheels are made of soft materials and are used for polishing works of jade. They are first smeared with a paste made of fine abrasives and water, and then mounted on a spinning shaft driven by foot treadles. This setup frees both of the craftsman’s hands to manipulate the jade.
Portret van Hendrik Herman van den Berg
Object type: photograph
Date: 1885 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Subjects: hendrik herman van den berg, the hague
Inscriptions: name: ‘DE LAVIETER & Co / PHOTOGRAPHES DE S. M. LE ROI, / DE S. A. R. LE PRINCE D' ORANGE / ET DE S. A. R. MADAME LA PRINCESSE HENRI / DES PAYS-BAS. / 2. Willemstraat.-LA HAYE.’, name: ‘DE LAVIETER & Co LA HAYE.’, inscription: ‘vader zj.’

Studioportret van Hendrik Herman van den Berg zittend op een boomstronk.
Lezende man
Object type: print
Date: 1814 – 1879
Materials: paper, pencil
Techniques: etching
Subjects: reading, head-gear, adult man
Inscriptions: collector's mark: Lugt 2228, inscription: ‘naar P C Wonder’

In een studeerkamer zit een man met een muts op zijn hoofd bij een lessenaar een vel papier te lezen. Op de lessenaar staat een pot met daarin een schrijfveer. Achter de man is een deel van een boekenkast zichtbaar en aan de muur hangen enkele vellen papier.
Portret van François Mallier du Houssay
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: engraving
Location: france
Subjects: paris, priest, clergyman
Inscriptions: collector's mark: Lugt 1337, collector's mark: Lugt 2228

Volgens Florent le Comte is de prent uit 1657. In de collectie van P. Mariette wordt de prent echter vermeld als zijnde uit 1656. Deze laatste datering wordt overgenomen door Petitjean en Wickert, omdat het zeer zeldzaam is om de spelling 'Nantueil' te vinden op een prent van na 1656. (zie petitjean & Wickert, 1925, p. 285) Botke, K.
Fotoreproductie van een schets, voorstellende een portret van een man met een hoed
Object type: reproduction
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: head-gear: hat, anonymous historical person portrayed, europe
Inscriptions: collector's mark: ‘RIJKS-NORMAALSCHOOL voor TEEKENONDERWIJZERS AMSTERDAM’, collector's mark: ‘RIJKS-NORMAALSCHOOL voor TEEKENONDERWIJZERS AMSTERDAM’, number: ‘9’

Arceringen in potlood zijn zichtbaar op het beeldvlak.
Female head
Object type: mascaron
Date: 1701 – 1733
Materials: terracotta
Subjects: heads,women
Portret van Johann Casimir Kolbe van Wartenberg II
Object type: print
Date: 1694 – 1729
Materials: paper
Techniques: engraving
Location: breslau
Subjects: armour, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Portret van Gilbert Burnet
Object type: print
Date: 1724 – 1724
Materials: paper
Techniques: engraving, etching
Subjects: clergyman, scholar, philosopher, historical persons, armorial bearing, heraldry
Inscriptions: date

Prent mogelijk uit: Burnet, Gilbert. Histoire des dernières révolutions d'Angleterre. Den Haag: Jean Neaulme, 1725.
Veduta del Ponte Ste. Maria
Object type: print
Date: 1631 – 1657
Materials: paper
Techniques: etching
Location: france
Subjects: landscape with bridge, viaduct or aqueduct
Inscriptions: collector's mark: Lugt 240
Opzichter met werknemers
Object type: photograph
Date: 1900 – 1919
Materials: photographic support
Techniques: collodion silver print
Location: comal
Artist: Anonymous
Subjects: colonial system, plantation, director, boss (in modern industry), (non-fruit) products of plants or trees: sugarcane, industrial structures (+ men (labourers))

Een Europese opzichter staande bij een groep op de grond zittende Javaanse werknemers. Rechts een afdak. Onderdeel van het fotoalbum van de Tjomal suikerfabriek in de periode ca. 1900-1919.
Blad met vier ambachten
Object type: print
Date: 1850 – 1899
Materials: paper, watercolor
Techniques: lithograph
Location: germany
Artist: Anonymous
Subjects: joiner, cabinet maker, 'ébéniste', baker, butcher, slaughterman, crafts and industries, shoe-maker, cobbler
Inscriptions: collector's mark: Lugt 1641, collector's mark

Blad met vier ambachten: bakker, varkensslager, schoenmaker en schrijnwerker. Linksonder genummerd: No. 43. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Mannelijk beroep en bedrijf: Varia en kinderprenten betrekkelijk het onderwerp.
Afbeelding der Luisterrijke Illuminatie en Decoratie voor de Huizinge van den Heere H: van Oort, op den 7den Augustus 1788
Object type: print
Date: 1788 – 1790
Materials: paper
Techniques: etching
Location: rotterdam
Subjects: public festivities at other royal events, not meant or mentioned above (+ illumination, fire-works ~ festive activities), rotterdam
Inscriptions: collector's mark: Lugt 2228

Illuminatie voor het huis van H. van Oort te Rotterdam, ter gelegenheid van de verjaardag van prinses Wilhelmina van Pruisen op 7 augustus 1788. Twee chassinetten met allegorische voorstellingen. Gemerkt rechtsboven: Bl 106.
Mars standing at the left leaning on a shield, Cupid at the right
Object type: print
Date: 1542 – 1546
Techniques: etching
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: shields,cupid,mars
Écuelle with cover and underplate
Object type: écuelle with cover and underplate
Date: 1765 – 1765
Materials: soft paste porcelain
Artist: bow porcelain factory
Artist role: factory
Artist nationality: british
Artist dates: 1747 – 1776
Subjects: birds,butterflies
Gezigt van de overstrooming en het wegspoelen der Lagendijk in de / gemeente Koog aan de Zaan, op den 5 february A 1825
Object type: print
Date: 1825 – 1827
Materials: paper
Techniques: hand coloring, engraving
Location: netherlands
Subjects: flood, koog aan de zaan
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Mannen en vrouwen plaatsen zandzakken om het stromende water tegen te houden dat de Lagedijk wegspoelt. Op de achtergrond staan houten huizen en een rieten molen.
Verovering van Brabant, Vlaanderen en Antwerpen in de twee weken volgend op de slag bij Ramillies, ter ere van de hertog van Marlborough
Object type: history medal
Date: 1706 – 1706
Materials: silver
Techniques: striking
Location: nuremberg
Artist: georg hautsch
Artist role: medailleur, muntmaker
Artist dates: 1679 – 1745
Subjects: john churchill (1e hertog van marlborough), antwerp, brabant
Unnumbered plate depicting the trades of Rome, here including vendors of kitchen pots, garden stakes, cups etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Object type: print
Date: 1770 – 1800
Techniques: engraving, hand coloring
Artist: remondini
Artist role: publisher
Artist nationality: italian
Artist dates: 1650 – 1860
Bron in Bad Ems (Emser Kränchen)
Object type: album leaf
Date: 1870 – 1880
Materials: paper, photographic support
Techniques: albumen print
Location: bad ems
Artist: Anonymous
Subjects: spring (fluids extracted from the earth)

Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Portret van Jan Hulswit
Object type: print
Date: 1797 – 1836
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: amsterdam, painter, draughtsman, jan hulswit
Inscriptions: collector's mark: Lugt 2228

Portret van de Amsterdamse kunstschilder Jan Hulswit.
Gezinsportret van een zittende man en vrouw met een staand meisje
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Subjects: family group, especially parents with their child(ren)
Gezicht op de groenteveiling in Zwijndrecht
Object type: photograph
Date: 1903 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: dordrecht
Artist: george hidderley
Artist role: fotograaf
Subjects: hand-cart, auction sale, public sale

Gezicht op de groenteveiling op het Zomerlust te Zwijndrecht. Onderdeel van fotoalbum met opnames van Volendam, Dordrecht, Gorinchem en Woudrichem.