deem-data/ArtiFact huggingface dataset:
Centifolium stultorum
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: gottingen
Subjects: calendar, almanac, newspaper, news-sheet
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Prent afkomstig uit: Göttingischer Taschen-Calender vom Jahr 1783. Göttingen, Johann Christian Dieterich, [1782].
Merveilleuses aventures de Nicolas Poucet / Wonderlijke voorvallen van Niklaas Poucet
Object type: popular print
Date: 1833 – 1911
Materials: paper
Techniques: lithograph, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 14 voorstellingen over de wonderlijke avonturen van Niklaas Poucet. Onder elke afbeelding een onderschrift in het Nederlands en in het Frans. Genummerd midden boven: N. 266.
Inhoudsmaat van 2 NED KOP
Object type: inhoudsmaat droge waren
Date: 1825 – 1825
Materials: wood
Techniques: turning
Location: netherlands
Artist: Anonymous
Subjects: netherlands

Gedraaid houten inhoudsmaat van 2 liter.
Ontwerpen voor religieuze en profane voorwerpen
Object type: ornament print
Date: 1817 – 1817
Materials: paper
Techniques: etching
Location: italy
Artist: pietro ruga
Artist role: print maker
Subjects: ornaments ~ art, ornament ~ arabesque, vase ~ ornament

Prent maakt deel uit van een reeks van 100 prenten (+ titelprent) met ontwerpen voor religieuze en profane voorwerpen.
Gezicht op de Rue de la Cité te Genève, met op de voorgrond een fontein
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: geneva
Artist: eugène savioz
Artist role: fotograaf
Subjects: ornamental fountain, street
Inscriptions: name: ‘Savioz à Chamonix Photographe de S.M.L'Empereur.’, inscription: ‘Genève Rue de la Cité’
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: carla van geuns
Subjects: draughtsman, philip zilcken, the hague
Inscriptions: collector's mark: ‘RPK’
Bookbinding (Jild-i kitab)
Object type: bookbinding
Date: 1701 – 1900
Materials: board
Techniques: lacquer, painting
Location: iran
Subjects: flowers
Plate with engraving
Object type: plate with engraving
Date: 7000 – 330
Materials: copper
Subjects: human figures
Rez-de-Chaussée - Grand Salon
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: photograph
Location: ieper
Artist: hector heylbroeck
Artist role: fotograaf
Subjects: living-room, parlour, sitting-room, hotel, hostelry, inn
Inscriptions: number: ‘Planche XIX’, inscription: ‘Ypres.’

Deze prent maakt deel uit van een omslag met 31 prenten en een katern met teksten.
Boog van Constantijn in Rome
Object type: page
Date: 1855 – 1860
Materials: paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: triumphal arch, arch of constantine
Inscriptions: number: ‘6.’
Temple of the Fortuna Virilis
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: temple, shrine ~ roman religion
Inscriptions: number: ‘166’
Vase
Object type: vase
Date: 1879 – 1879
Materials: alloy, copper, gold, silver, zinc
Culture: american
Location: united states
Artist: tiffany & co.
Artist role: maker
Artist dates: 1837 – 9999

This vase exemplifies the creativity and innovation that characterized Tiffany & Co.’s work during the 1870s and 1880s. Under the direction of Edward C. Moore (1827-1891), the silver division at Tiffany & Co. produced a diverse array of exquisitely wrought and highly original work, and this vase is a bold example of their experimentation with novel techniques and Asian-inspired designs. First conceived and created in 1879, this vase was produced both in copper with silver drips, as seen here, and in silver with copper drips. Surviving drawings for the vase reveal that the seemingly random splotches on the red surface and the layered, cascading drips were meticulously planned. Notes on the drawings also specify that the fine gold was to be "inlaid by chasers," while the copper and green gold ornament was to be "inlaid by battery," evidence of Tiffany’s progressive engagement with innovative electrolytic processes. Inspired by the colors in Asian ceramics as well as glass and ceramics from the ancient and Islamic worlds that Moore collected and made available to his staff, Tiffany’s craftsmen worked tirelessly to produce colored surfaces. As one of very few extant examples of Tiffany’s work with red surface treatments and the only significant object currently known that employs drip ornament inspired by Japanese works of art in Moore’s collection (see Japanese bronze vase amid waves, 91.1.519), this vase is a rare and important illustration of the firm’s imaginative and technically sophisticated responses to Asian art.
Lime Vessel
Object type: vessel
Date: 500 – 300
Materials: bronze
Culture: indonesian
Kussensloop met tussenzetsel van kloskant
Object type: pillowcase
Date: 1600 – 1799
Materials: linen
Techniques: lace
Location: netherlands
Inscriptions: mark: ‘AvB3’

Twee kussenslopen (BK-1994-27-A en B) met tussenzetsel van kloskant en geborduurd in bruin met resp. AvB2 en AvB3.
Seated Woman
Object type: drawing and watercolor
Materials: chalk, fiber, paper
Techniques: heightening
Location: united kingdom
Artist: Anonymous
Artist nationality: british
Artist dates: 1800 – 1899
Medal of the Marquis de Lafayette
Object type: medal
Date: 1789 – 1789
Materials: brass
Location: france
Artist: pierre simon benj. duvivier
Artist role: maker
Artist nationality: french
Artist dates: 1730 – 1819
Subjects: men,profiles,marquis de lafayette
Bordeelscène waarbij de man wordt beroofd
Object type: drawing
Date: 1700 – 1800
Materials: chalk, paper
Artist: Anonymous
Subjects: the man is robbed (brothel scene)
Dish with Sailing-ship Design
Object type: dish
Date: 1600 – 1600
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: turkey
Subjects: ships

The Ottoman navy had an increasing presence in the Mediterranean in the sixteenth and seventeenth centuries, and it is not surprising that sailing ships became a popular motif in Iznik pottery. Although multiple lateen-rigged ships were the standard on jugs and tankards, on plates the design was normally a single, multi-masted ship, more European than Turkish in appearance, sailing on a schematic sea adorned with curious cloudlike shapes.
Portret van Henry Clarke
Object type: print
Date: 1739 – 1756
Materials: paper
Techniques: etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 240
Dubbelportret van de broers H en G Schanhard
Object type: print
Date: 1641 – 1691
Materials: paper
Techniques: etching
Artist: johann reinhold mühl
Artist role: print maker
Artist dates: 1631 – 1692
Subjects: water-birds: swan, historical persons, fruits
Inscriptions: collector's mark: Lugt 2228
Poortje in het Oude Buiten-Gasthuis
Object type: photomechanical print
Date: 1911 – 1911
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: gate, entrance, hospital
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: I. Stadsinrichtingen: Buitengasthuis (Pesthuis).
Servet van linnen met pellenpatroon
Object type: napkin
Date: 1600 – 1650
Materials: linen
Techniques: peeled fabric
Location: northern netherlands

wit linnen servet met pellen patroon, merk IVG
Flask
Object type: flask
Date: 1601 – 1700
Materials: glass

During the Renaissance, Venetian glassmakers, working on the island of Murano, were celebrated across Europe for their fine and sparkling work. Called “cristallo” emulating the clarity of rock crystal, in the hands of the most skilled glassblowers the medium could be delightfully manipulated, variously stretched paper-thin flat, or playfully twisted, or blown into molds with spectacular patterns.
Courtesan and Two Attendants Playing with a Dog
Object type: print
Date: 1766 – 1766
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Portret van militair Alberico da Barbiano
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta oinochoe: olpe (jug)
Object type: olpe
Date: 600 – 551
Materials: terracotta
Culture: greek, attic
Artist: group of the early olpai
Artist role: artist
Subjects: panthers
Plant Studies
Object type: photograph
Date: 1928 – 1928
Materials: ink, paper
Techniques: rotogravure
Location: berlin
Subjects: plants (in general)
Inscriptions: number: ‘111’

facher Vergrößerung. Afkomstig uit losbladige uitgave.
Portret van Reginald Pole
Object type: print
Date: 1722 – 1722
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: london, cardinal, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent mogelijk uit: Fortgesetzte Sammlung Von Alten und Neuen Theologischen Sachen (...). Leipzig: erven Johann Friedrich Brauns, 1722.
The Siren
Object type: print
Materials: paper
Techniques: drypoint, etching
Location: belgium
Artist: félicien rops
Artist role: artist
Artist nationality: belgian
Artist dates: 1833 – 1898
Nederlandse gulden,1911
Object type: coin
Date: 1911 – 1911
Materials: silver
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: gedrapeerd borstbeeld met diadeem naar links. Keerzijde: tussen waarde-aanduiding 1 G gekroond rijkswapenschild. Jaartal bovenaan in omschrift. Randschrift.
Bedelares met een centenbakje en een stok
Object type: print
Date: 1622 – 1623
Materials: paper
Techniques: etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: walking-stick, staff, begging bowl, beggar
Inscriptions: collector's mark: Lugt 240

Vrouw, gekleed in lompen, op de rechterzijde gezien, een centenbakje in de linkerhand, een stok in de rechterhand. Deze prent is onderdeel van een serie van 25 prenten met bedelaars en zwervers, zoals Callot die waarschijnlijk in Italië heeft gezien.
Filips Willem, prins van Oranje-Nassau
Object type: copy
Date: 1579 – 1596
Materials: lead
Techniques: casting
Location: flanders
Subjects: filips willem (prins van oranje)

Loden penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: schip bij zware storm, met slang om middelste mast, en adelaar met lauriertak in bek er bovenop zittend, en globe met pyramide erop staande op voetstuk op voorsteven binnen omschrift
Vase
Object type: vase
Date: 1101 – 1300
Materials: stoneware
Culture: chinese
Afbeelding van het prachtige bal, op de zaal van het Stadhuis, gegeven door de ed: achtb: Regering der stad Amsterdam, op den 2den juny, 1768 (...)
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, william v (prince of orange), berlin, painter, wilhelmina of prussia (princess of orange), public festivities on the occasion of royal events (+ dancing ~ festive activities), ball, formal dance, townhall
Inscriptions: collector's mark: ‘17.7’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Stadhuis, van binnen: Groote zaal, Raadkamer, Schepenkamer, Troonzaal, Mozeszaal, Zitkamer.
Hercules voert Diomedes aan zijn paarden
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: cacus steals some of the cattle of geryon which hercules was driving home, (8) the four mares of king diomedes are captured; when diomedes is slain in the ensuing battle his body is thrown to the mares to eat
Inscriptions: collector's mark: Lugt 2228

De paarden van Diomedes werden met mensenvlees gevoerd. In een gevecht slaat Hercules Diomedes dood en voert vervolgens zijn lichaam aan diens paarden. Op de achtergrond is Hercules te zien die de reus Cacus doodslaat. Cacus heeft een rund uit Hercules kudde gestolen en sleept het aan zijn staat naar zijn grot. Hercules verrast hem met zijn knots.
Judaskus en gevangenneming van Christus
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: augsburg
Subjects: the kiss of judas: accompanied by soldiers with torches and lanterns, he kisses christ
Inscriptions: collector's mark: Lugt 2228

Tekst in het Duits in de ondermarge. Rechtsonder genummerd: 7. Prent maakt deel uit van een album.
Le saut par la fenêtre
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: paris
Subjects: lovers' tussle, seeking death, suicide, human figure at (open) window, seen from inside
Inscriptions: collector's mark: Lugt 2228a

De jongeman probeert de jonge vrouw over te halen om samen met hem door het raam te springen.
Man op een roeiboot bij de oever van een meer
Object type: page
Date: 1851 – 1861
Materials: photographic support
Techniques: albumen print
Location: sutton
Artist: william morris grundy
Artist role: fotograaf
Artist dates: 1806 – 1859
Subjects: boat propelled by man or animal
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, head of figure and branches of tree
Marcus ab Aviano biddend voor een crucifix
Object type: print
Date: 1681 – 1713
Materials: paper
Techniques: engraving
Location: antwerp
Artist: peter paul bouché
Artist role: print maker
Artist dates: 1646 – 1713
Subjects: one person praying
Inscriptions: collector's mark: Lugt 2228
Kamānche
Object type: kamanche
Date: 1880 – 1880
Materials: bone, metal, wood
Culture: iranian or persian
Location: iran

Kamānches, or bowed lutes, are often elegantly inlaid or painted, but this example is decorated with minute pieces of wood, bone, and brass in a mosaic technique called "khatam-kari." First described in the tenth century, the kamanche is the earliest documented bowed instrument and is frequently depicted being played by angels in Persian miniatures. Held upright on its spike, it is bowed with the right hand in a palm-up position, a handgrip used when bowed instruments were introduced to Europe and one still used around the world when playing spike fiddles.
Venus vindt de dode Adonis
Object type: print
Date: 1671 – 1732
Materials: paper
Techniques: etching
Location: antwerp
Artist: jacob herreyns (i)
Artist role: painter, print maker
Artist dates: 1643 – 1732
Subjects: venus mourning adonis
Inscriptions: collector's mark: Lugt 514, collector's mark: Lugt 2165

De door zwanen getrokken wagen met Venus en Amor daalt neer bij Adonis, die is gedood door het wilde zwijn, dat op de achtergrond wordt verscheurd door honden. Naast Adonis zijn jachthoorn en speer.
Journal des Luxus und der Moden, 1798, T 10
Object type: fashion print
Date: 1798 – 1798
Materials: paper
Techniques: etching, hand coloring
Location: weimar
Subjects: head-gear (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), piece of clothing covering the breast or décolleté (fichu) (+ women's clothes), parasol, sunshade (+ women's clothes)
Inscriptions: date

Vrouw gekleed in een japon met overslag, lange mouwen en sleep, afgezet met een bies in contrasterende kleur. In de handen een parasol met een gekanteld dek met bloem- en bladmotief. Verdere accessoires: luifelhoed, fichu, ceintuur, handschoen. Prent uit het modetijdschrift Journal des Luxus und der Moden, uitgegeven door Friedrich Justin Bertuch en Georg Melchior Kraus, Weimar, 1786-1826.
Design for a Man's Tomb
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: tombs,men
Goddelijke bijstand aan de opstandelingen
Object type: jeton
Date: 1606 – 1606
Materials: copper
Techniques: striking
Location: middelburg
Artist: Anonymous
Subjects: zeeland

Koperen penning. Voorzijde: drukke weg leidend naar stad binnen omschrift. Keerzijde: gekroond wapenschild binnen omschrift en rand van zeven wapenschilden
Ingebonden katern met vijf foto's
Object type: photograph album
Date: 1890 – 1910
Materials: paper, ribbon
Artist: Anonymous

Klein fotoalbum met vijf foto's en een lintje door de vouw.
Beaker
Object type: beaker
Date: 1567 – 1600
Materials: gilt silver
Artist: matthäus bair
Artist role: maker
Artist dates: 1550 – 1626

Renowned Augsburg master Matthäus Bair was a leading Renaissance goldsmith, and many of his intriguing works can be found in treasuries and museums worldwide. The Hungarian use of the “perspiration pattern” is slightly different but equally successful to Bair’s and that of other goldsmiths from major European centers.
The Tournament on Horseback
Object type: print
Date: 1517 – 1518
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: human figures,sports,horses
Relief of king's head in blue crown, head of child god on opposite side
Object type: sculptor's model votive, king, blue crown, child god on opposite
Date: 400 – 200
Materials: limestone
Location: egypt
Subjects: kings,heads

Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or unfinished way but are themselves complete objects constitute a special class of object. Guidelines like those for artists are often prominently exhibited as part of the object, although, in fact, many instances can be noted where the object simply could not serve as a suitable model for a traditional formal Egyptian representation. Personifications of kingship, figures that may represent the now emerging demigods Imhotep and Amenhotep Son of Hapu, and popular gods like Harpokrates or Isis, are heavily represented within the corpus. Taken together, the figures represented and the other features indicate the reliefs and sculptures of this class, sometimes called by Egyptologists "sculptor’s models / votives," were the material of a donation practice, perhaps connected with the prolific temple building of these centuries. Unfortunately there is little to illuminate us about the mechanics of such a donation practice. A king in a khepesh crown appears on one side of this relief, and on the other a child-god is, unusually, shown in sunk relief.
The Invention of Copper Engraving, from Nova Reperta
Object type: print
Date: 1591 – 1591
Materials: paper
Techniques: engraving
Location: belgium
Artist: theodor galle
Artist nationality: flemish
Artist dates: 1571 – 1633

Joannes Stradanus’s image of an intaglio print shop includes plate engravers, roller-press printers, and fresh impressions drying on ropes in the background. The legend Sculptura in Aes implies that the engraving is being done on copper plates. The print is the nineteenth image in the artist’s New Discoveries series, which also included the European arrival in the Americas and the invention of book printing.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, on the left, an unidentified object; on the right, nose, mouth, and beard of man to left
Side-blown Trumpet (Oko)
Object type: trumpet
Date: 1701 – 1900
Materials: ivory
Culture: edo period
Location: nigeria
Piece
Object type: piece
Date: 1867 – 1900
Materials: cotton
Subjects: lions,coat of arms
Portret van een meisje, staand bij een stoel
Object type: album leaf
Date: 1866 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Subjects: historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: inscription: ‘Géruzet Frères/ photographes/ 27bis Rue de l'Ecuyer/ Bruxelles’
Schrijvende vrouw, op de rug gezien
Object type: drawing
Date: 1892 – 1916
Materials: paper
Techniques: brush
Artist: rik wouters
Artist role: draughtsman, print maker
Artist dates: 1882 – 1916
Subjects: handwriting, writing as activity
Fragment montuur van een verpakking uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: verpakking
Date: 1700 – 1743
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Container, rim; fragm, id. NG 1980-27H129, very eroded.
Lubyanka plein, gelegen voor een ommuurd stadsdeel in Moskou
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: albumen print

Een ingekleurde foto vanaf het Lubyanka plein in Moskou. Op de voorgrond staan een aantal rijtuigen bij elkaar.
Sleutelring
Object type: key ring
Date: 1600 – 1699
Materials: iron
Techniques: torsion

Een sleutelring bestaande uit twee delen n.l. een gleufvormige draagring en de eigenlijke sleutelring, die peervormig is. Zij worden verbonden door een spilvormig scharnier. De draagring en bovengedeelte van de sleutelring zijn getorst.
Firenze. Ponte Vecchio, rifondato nel 1355
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph, lithograph
Location: dresden
Subjects: river, bridge, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Studioportret van een jong meisje, zittend op een kussen
Object type: photograph
Date: 1878 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: félix nadar
Artist role: ballonvaarder, fotograaf
Artist dates: 1820 – 1910
Inscriptions: caption: ‘Nadar Rue d'Anjou St Hre 51.//(Hôtel Privé-Ascenseur)’, number: ‘1097’, stamp: ‘MEDAILLE D'OR//EXPOSITION UNIVERSELLE 1878//NADAR//RUE D'ANJOU ST HONORÉ, 51.//a l'Angle de la Chapelle Expiatoire Be (?) Haussmann//(HÔTEL PRIVÉ-ASCENSEUR)//PARIS//(Anciennement Boulevard des Capucines)’, annotation: ‘f 357’, number: ‘II’

Studioportret van een jong meisje, zittend op een kussen.
Piece
Object type: piece
Date: 1760 – 1760
Materials: metal thread, silk
Subjects: birds,men
Hieratic ostracon with accounts
Object type: ostracon, hieratic
Date: 525 – 404
Materials: ink, limestone
Location: egypt
Subjects: hieratic
Collecte voor Zeeland
Object type: photomechanical print
Date: 1906 – 1906
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: offertory-box, offertory-bag, stock exchange, stock-market
Inscriptions: collector's mark: Lugt 1461b

Drie voorstellingen van de collecte op de trappen van de Beurs van Berlage. Bovenaan genummerd: 255. Onderwerpsrubriek binnen de Atlas Amsterdam: B. Beurs op het Damrak.
Pictores, statuarii, architecti, latomi, et quicunque principum magnificorumque uirorum memoriae aeternae inseruitis, adeste & hunc libellum uarias coenotaphiorum, tumulorum & mortuorum monumentorum formas, 1563
Object type: ornament print
Date: 1563 – 1563
Materials: paper
Techniques: etching
Location: antwerp
Subjects: bones (symbol of death), title-page, ornamental decoration ~ printed matter, book, ornament ~ cartouche, mask, mascaron ~ ornament
Inscriptions: date

Titelprent met een cartouche in een omlijsting van rol- en beslagwerk. Bovenaan twee putti en rondom menselijke botten en schedels als trofeeën. Onderaan twee doodskisten. In de ondermarge vier regels tekst, in twee kolommen, in het Latijn. De prent maakt deel uit van een album.
Waves and Rocks
Object type: album leaf
Date: 1867 – 1900
Materials: paper, paint
Techniques: painting
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Subjects: landscapes,waves
Reinaert de vos' vrijspraak door de dieren aangeklaagd
Object type: print
Date: 1665 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: fable of reynard the fox

Reinaert de vos, met aan weerszijden de andere dieren, kijkt omhoog naar de heuvel waar koning Nobel de leeuw, de koningin en Botsaert de aap zitten.
Coverlet
Object type: textile
Materials: textile, cotton, wool
Techniques: weave
Location: united states
Subjects: geometric motif, coverlet, pine trees, snowflake, squares, trees