deem-data/ArtiFact huggingface dataset:
Manuscript Leaf with the Celebration of a Mass in an Initial S, from an Antiphonary
Object type: antiphonary
Date: 1451 – 1500
Materials: gold, ink, parchment, paint
Culture: italian
Location: italy
Artist: master of the riccardiana lactantius
Artist role: artist
Subjects: monks

Obscuring much of the letter S, a priest celebrates Mass at a small altar with only one assistant-a scene quite distinct from the communal, music-filled ceremonies for which medieval and Renaissance choir books were created. The Museum owns several pages from the same antiphonary, a type of choir book that monks used at regular daily intervals, following the regimen codified by Saint Benedict in the sixth century. The anonymous master's name is derived from his illuminations of a text by Lactantius, an early Christian author, preserved in the Riccardiana Library in Florence.
Stor skål. Ruin 9. Skål, funnen i en estufa i Sping House
Object type: page
Date: 1891 – 1893
Materials: paper
Techniques: autotype
Location: mesa verde national park
Artist: gustaf nordenskiöld
Artist role: fotograaf, schrijver
Artist dates: 1868 – 1895
Subjects: dish, plate, saucer
Inscriptions: number: ‘Fig. 63. Fig. 64.’
Flounce (Fragment)
Object type: costume and accessory
Materials: cotton, lace
Techniques: lace
Location: belgium
Vrouw op stoel buigt zich naar kind in wieg
Object type: print
Date: 1808 – 1848
Materials: paper
Techniques: etching
Artist: pieter barbiers (iv)
Artist role: painter, print maker
Artist dates: 1798 – 1848
Subjects: cradle, crib, mother and baby or young child
Inscriptions: collector's mark: Lugt 2228

Prent naar ontwerp van P. Visser Bender.
Terracotta mortarium fragment
Object type: mortarium fragment
Date: 167 – 200
Materials: terracotta
Culture: roman
Subjects: animals

Mortaria were the grinding and mixing bowls commonly used by the Romans. Most were made in plain, unslipped wares, and tiny bits of grit were often added to the inside of the bowl to aid the grinding process. This fragmentary rim, however, is an example in finer ware, terra sigillata, decorated with barbotine, or relief decoration. Such vessels suggest that some food preparation was carried out at the table, in front of the host and his dining companions.
Rivierlandschap met een boot, en een kale boom links op de voorgrond
Object type: print
Date: 1831 – 1904
Materials: paper
Techniques: drypoint, etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: river, rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2228
Saucer with a woman with flower basket and flowering plants in panels
Object type: platter
Date: 1725 – 1749
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Schotel van porselein met spreidende wand, beschilderd op het glazuur in blauw, rood, roze, groen, zwart en goud. Op het plat van de schotel een medaillon met een vrouw in een landschap met een bloemenmand; om het medaillon uitgespaarde bloemranken en drie cartouches met bloeiende planten (o.a. lotus) in een gouden grond. Schotel is gebroken geweest. Famille rose.
Landscape with a Road Leading Towards a Settlement on a Hill
Object type: drawing
Date: 1567 – 1666
Materials: ink, watercolor
Techniques: pen
Artist: joos de momper the younger
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1564 – 1635
Subjects: human figures,houses,bridges,rivers,landscapes

This landscape by Joos de Momper shows a view of a hill, surrounded by water, with a fortified village on top. A road runs in a zigzag pattern from the lower left of the composition across a simple wooden bridge up and down the slopes of the hill. De Momper was one of the most prolific and successful landscape painters of his time, and his pictures were in high demand, by both Netherlandish and international audiences. The artist typically depicted wide panoramas of wooded and mountainous landscapes, which to a large extent were inspired by the artist’s travels through the Alps and Italy. Although the possibility exists that De Momper based this landscape on observations from real-life, it is more likely that this composition sprung largely from the artist’s imagination. Elements such as the flimsy wooden bridge or the little waterfall in the left background, as well as those meandering roads were romantic pictorial devices which De Momper and his contemporaries frequently included. De Momper drew this landscape in pen and brown ink, and added red, brown and blue washes to better articulate the modulations and structures in the landscape. Towards the distance, his lines become more scanty and less detailed, which suggests depth. The dotted lines used to delineate the background scene are typical of the artist’s draftsmanship.
Reizigers in een huifkar steken een rivier over
Object type: drawing
Date: 1765 – 1843
Materials: paper, pencil
Artist: cornelis van hardenbergh
Artist role: draughtsman, painter, print maker
Artist dates: 1755 – 1843
Earring in the form of a three-lobed wineskin
Object type: earring
Date: 200 – 1
Materials: gold
Culture: parthian
Location: mesopotamia

Interaction between Mesopotamia and the Greco-Roman world—initiated by the conquests of Alexander the Great, continuing with the influx of Greek merchants and settlers in the Seleucid period and Roman settlements in the area during the Parthian period—had a considerable impact on the style, subject matter, and technique of Mesopotamian art of the first millennium A.D. This exquisitely crafted earring consists of an Eros-like, winged male youth with long curly hair partly drawn up in a topknot above his forehead. His hands are on his hips and one wing is folded back while the second is missing. There is a suspension loop on his lower body from which hangs a three-lobed wineskin covered with granulation (minute granules of gold attached to the surface). The combination in this earring of Eros, a Greek deity, and the wineskin, a Near Eastern motif that became associated with the worship of Dionysos, shows the seemingly eclectic borrowing from Greek culture that often characterizes the art of the Near East in this period. The style and subject matter date this earring to the Parthian period, and its provenance suggests that it was originally from Mesopotamia. The calling card of Mr. and Mrs. Thomas Hope accompanied the earring into the Museum's collection, and on the back are notes detailing the history of ownership, stating that it was found by British archaeologist Austen Henry Layard, excavator of Nimrud and Nineveh, around 1845.
Brisé fan, with representations of classical figures flanking Venus and Cupid
Object type: fan
Date: 1795 – 1800
Materials: ivory, metal, paper
Techniques: carving, gilding, painting
Artist: angelica kauffmann
Artist role: artist
Artist nationality: swiss
Artist dates: 1741 – 1807
Subjects: women,female nudes,cupid,venus

This brisé fan- composed purely of ivory sticks- is a very fine example of Chinese carving. Particularly sought-after in Europe, beautifully worked ivory mounts were sent from China with blank medallions, which could be customized with painted vignettes once they arrived in Europe. This example has been painted, to a very high quality, with a central figure group of Venus and Cupid- amended from a design first developed by Swiss painter Angelica Kauffman (1741-1807)- flanked by flower-bearing nymphs. The painted paper ribbon which further embellishes the fan is original.
Two flowerpot containers (cache-pots) and stands
Object type: cachepot
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht
Inscriptions: mark: ‘L12’, factory mark: ‘M:OL’

Manufactuur Oud-Loosdrecht
Loosdrecht, c. 1778–1782
hard-paste porcelain
Portret van Georg Ott von Schaffhausen
Object type: print
Date: 1768 – 1817
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Bowl with Two Dragon Handles
Object type: bowl
Date: 1644 – 1911
Materials: jade
Culture: chinese
Subjects: dragons
Upright secretary
Object type: secretary
Date: 1775 – 1780
Materials: gilt bronze, marble, wood, textile
Techniques: stain
Artist: guillaume kemp
Artist role: maker
Artist dates: 1757 – 1786
Ontwerp voor een tafel, met een gecombineerd voor- en zijaanzicht
Object type: drawing
Date: 1865 – 1870
Materials: graphite, ink
Techniques: drawing
Location: mainz
Artist: joseph kusterer
Inscriptions: size: ‘Maatverdeling met 12 11 10 9 8 7 6 5 4 3 2 1’
Enquêteformulier ingevuld door Antonius Laurentius Gilles
Object type: manuscript
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: antwerp
Subjects: die cutter, antonius laurentius gilles
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Rivierlandschap met roeiboot en bomen
Object type: print
Date: 1862 – 1913
Materials: paper
Techniques: aquatint, etching
Artist: alphonse stengelin
Artist role: painter, print maker
Artist dates: 1852 – 1938
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2233

Uitzicht over het water met een visser in een roeiboot, met rechts de oever met grote bomen. Aan de horizon een kerktoren en een molen.
Millet in zijn tuin
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: lithograph
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: jean françois millet, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van een jongen met een witte strik om de arm
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Artist: m. dunap
Artist role: fotograaf
Subjects: communion dress, boy (child between toddler and youth), historical persons
Inscriptions: inscription: ‘M. Dunap/ 1, Rue des Ecluses-St. Martin/ 47, Rue Grange-aux-Belles/ Paris/ Salon de Pose/ au rez-de-chausse’
Pilatus wast zijn handen in onschuld
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: pilate washing his hands (in innocence)
Inscriptions: collector's mark: Lugt 240

Pilatus wast zijn handen in onschuld. Ten overstaan van de menigte wast hij zijn handen in een schaal met water. Op de achtergrond is te zien dat Christus wordt afgevoerd nadat hij ter dood is veroordeeld. In de marge een drieregelig Bijbelcitaat uit Mat. 27 in het Latijn.
Hercules en de Nemeïsche leeuw
Object type: print
Date: 1528 – 1528
Materials: paper
Techniques: engraving
Location: italy
Artist: agostino veneziano
Artist role: draughtsman, painter, print maker
Artist dates: 1490 – 1536
Subjects: (1) hercules chokes the nemean lion with his arms
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11
Gods banniere, Op gherecht ter ghedachtenisse van de wonderbaerlicke victorie te water verkreghen den 13 September 1631, by de H.M. heeren Staten Generael, der Vereenighde nederlanden onder het voor-zichtigh beleyd van de doorluchtige, hoogh-gheboren vorst Frederick Heyndrick, Prince van Oragnen etc.
Object type: propagandaprent
Date: 1631 – 1631
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: moses sitting on a rock, arms held up by aaron and hur; the amalekites are defeated, battle (+ naval force)

Allegorie op de overwinning op het Slaak, zeeslag tussen Staatse en Spaanse vloten, 12-13 september 1631. Centraal een voorstelling van de zeeslag omkranst met oranjetakken en de wapens van Frederik Hendrik en de zeven provincies, geflankeerd door Mars en Minerva met palmtakken en lauwerkrans van de overwinning. Links Aäron en Chur die de armen en staf van Mozes ondersteunen tijdens het bidden op de rots waardoor de Israëlieten onder Jozua de Amalekieten kunnen verslaan (rechts). In het onderschrift 4 kolommen met gekalligrafeerde tekst.
Portret van Dominicus Beer
Object type: book illustration
Date: 1688 – 1688
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: historical persons

Prent uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Crucifixion with the Virgin Mary and Saint John the Evangelist, angels overhead
Object type: print
Date: 1593 – 1593
Techniques: engraving
Artist: gijsbert van veen
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1562 – 1628
View on the Island of Philae
Object type: photograph
Techniques: albumen print
Location: england
Artist: francis frith
Artist role: publisher
Artist nationality: english
Artist dates: 1822 – 1898
Lidded vase
Object type: decoratief object
Date: 1725 – 1725
Materials: porcelain
Techniques: painted
Location: meissen
Subjects: flowers
Inscriptions: factory mark: ‘AR’

Vaas van veelkleurig beschilderd porselein. De vaas heeft een voet, een hoge hals door twee ringen geleed en een deksel met een knop. Op de vaas is een rots geschilderd van waaruit een dikke tak met veelkleurige Indianische Blumen en kleinere bloeiende takken ontspringen. Op het lichaam verspreid insekten, tussen de ringen op de hals een bloemenfries en langs de mondrand een meander in rood. Het deksel is beschilderd met veelkleurige Indianische Blumen en een pauw op een rots. De vaas is gemerkt.
Galeria militar contemporanea
Object type: book
Date: 1878 – 1878
Materials: paper, photographic support
Techniques: albumen print, printing
Location: lisbon
Artist: gomes pércheiro
Artist role: publisher
The North Prospect of London taken from the Bowling Green at Islington / Vüe de Nord de la Ville de Londre
Object type: print
Date: 1752 – 1766
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: city-view, and landscape with man-made constructions, london
Inscriptions: collector's mark: Lugt 2228
Zeilschip
Object type: sketchbook leaf
Date: 1780 – 1848
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: martinus schouman
Artist role: draughtsman, painter
Artist dates: 1770 – 1848
Subjects: sailing-ship, sailing-boat

Blad 23 verso uit een schetsboek met 53 bladen.
Fragment van wit satijn met tussenzetsel van machinale kant met patroon van aaneengeschakelde bloemen en een strook geschulpte en gepicoteerde machinale kant met bloempatroon
Object type: fragment
Date: 1925 – 1925
Materials: cardboard
Location: nijmegen
Artist: gustav schnitzler
Artist role: paraplufabrikant

Fragment van wit satijn met tussenzetsel van machinale kant met patroon van aaneengeschakelde bloemen en een strook geschulpte en gepicoteerde machinale kant met bloempatroon.
Masked-figure pendant
Object type: pendant
Date: 900 – 1600
Materials: gold
Culture: tairona
Location: colombia
Artist: tairona artist(s)
Artist role: artist

The Tairona people of the Sierra Nevada de Santa Marta in northern Colombia produced some of the grandest and most complex gold objects ever made in the Americas. This pendant is an excellent example of the skill and virtuosity possessed by Tairona goldworkers. Of considerable volume, it depicts a broad-shouldered male figure standing in a confrontational hands-on-hips stance. His head is that of a crocodilian or bat. He is wearing an animal mask with a square toothy snout and diamond-shaped nose leaf. Covering the head is an enormous headdress that is as tall as the figure itself. It has two big-beaked birds on the front of its cap and elaborate sidepieces with detailed spiral and braided elements. The figure may portray a ruler, a supernatural ancestor, or a shaman in the state of symbolic and spiritual transformation, in which its features assume those of a helping animal spirit. A powerful image such as this one would have been worn by an individual who was himself powerful in Tairona society. The pendant was cast of tumbaga by the lost-wax process. Its surface was subsequently enriched by the depletion method, also known as mise-en-couleur.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 425 – 401
Materials: terracotta
Culture: greek, attic

Part of a foot of a figure to right; below, double ground line
Jean Denis Lanjuinais
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, historical persons
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Revue Encyclopédique, cahier de juillet, 1827.
Lakenhal te Leiden thans Stedelijk Museum
Object type: photomechanical print
Date: 1885 – 1885
Materials: paper
Techniques: photolithography
Location: amsterdam
Subjects: permanent exhibition, museum, civic architecture; edifices; dwellings
Inscriptions: signature: ‘GL[...]’

Rechtsboven: plaat II. Linksonder: Bouwkundig Tijdschrift 5e Deel (Deel 31 der Bouwkundige Bijdragen).
Stichting van de Koninklijke Akademie van Schoone Kunsten te Antwerpen, ter ere van Willem I Frederik, koning der Nederlanden
Object type: history medal
Date: 1817 – 1817
Materials: silver
Techniques: striking
Location: brussels
Artist: pierre wautier van de goor
Artist role: medailleur
Artist dates: 1783 – 1851
Subjects: the hague, berlin, william i of the netherlands, antwerp

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift binnen omschrift
Town Hall, Calcutta
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: captain r. b. hill
Artist role: artist
Artist nationality: british
Subjects: architecture,buildings,carriages
Tea gown
Object type: tea gown
Date: 1900 – 1900
Materials: cotton, linen, silk
Culture: american or european
Brief aan Richard Roland Holst
Object type: letter
Date: 1953 – 1953
Materials: ink
Techniques: pen, writing
Location: haarlem
Artist: a. van der boom
Subjects: haarlem, willem bogtman, richard nicolaüs roland holst, the graphic arts
Inscriptions: collector's mark: Lugt L.2228a
VOC, duit Zeeland, 1770
Object type: coin
Date: 1770 – 1770
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: gekroond wapenschild van Zeeland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Portrait of Mrs. Carter of Edgecote
Object type: painting, miniature
Date: 1793 – 1793
Materials: ivory, watercolor
Techniques: painting
Location: england
Artist: anne mee
Artist nationality: english
Artist dates: 1760 – 1851
Subjects: portrait, portraits, portraits: female subject, red (color), blue (color), blue, earrings, necklace, feathers, jewelry, pearls, white (color), woman
Kandelaar van tin, getordeerd model
Object type: candlestick
Date: 1700 – 1800
Materials: tin
Techniques: casting, turning
Location: western europe
Artist: Anonymous
Inscriptions: quality mark

Kandelaar van tin. De getordeerde voet staat op drie lage poten, gevormd door voluten. De balustervormige stam is getordeerd met een daarboven een getordeerde bokaalvorm. De bloemvormige vetvanger ontbreekt.
Lijsten met bladranken, kandelabermotieven, vazen met bloemen en bloemen
Object type: ornament print
Date: 1646 – 1657
Materials: paper
Techniques: woodcut
Location: amsterdam
Artist: Anonymous

Omlijsting gedrukt van vier houtblokken. Zowel de panelen als de friezen zijn gedecoreerd met bloemen. De lijsten zijn grotendeels varianten of kopieën naar laat zestiende eeuwse Franse en Vlaamse prenten. Alle omlijstingen werden gebruikt om een Bijbel te illustreren.
Baseball Fielder, from the Games and Sports series (N165) for Old Judge Cigarettes
Object type: baseball card
Date: 1889 – 1889
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,baseball,athletes

The "Games and Sports" series of trading cards (N165) was issued by Goodwin & Company in 1889 to promote Old Judge Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series.
Proefdruk voor 'Paul Verlaine. Correspondance et documents inédits relatifs à son livre "Quinze jours en Hollande"' uit archief Philip Zilcken
Object type: tekst
Materials: ink, paper, pencil
Techniques: pen, printing, writing
Location: paris
Artist: stéphane mallarmé
Artist role: dichter
Artist dates: 1842 – 1898
Subjects: jan toorop, paul verlaine, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’

Tekst bevat aantekeningen van Stephane Mallarmé.
Uitvarende schepen bij Vlaardingen
Object type: print
Date: 1764 – 1826
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Artist: gerrit groenewegen
Artist role: draughtsman, print maker
Artist dates: 1754 – 1826
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2228

Op een overvolle pier in Vlaardingen staan vele mensen naar de uitvarende sloepen, vissersboten en zeilschepen te zwaaien.
Portrait of an unknown tradesman from the Arora community of Lahore, Punjab, Pakistan, with coins in hand and in front of him
Object type: page
Date: 1862 – 1872
Materials: photographic support
Techniques: albumen print
Location: lahore
Artist: Anonymous
Subjects: coin, human races; peoples; nationalities, persons engaged in trade and commerce
Inscriptions: inscription: ‘ARORA./ HINDOO TRADESMAN./ LAHORE.’, number: ‘(231)’
Textile with Brocade
Object type: textile
Date: 1401 – 1500
Materials: gold thread, linen, silk
Culture: italian
Jonge vrouw met hoed
Object type: print
Date: 1878 – 1934
Materials: paper
Techniques: etching
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head-gear: hat, eating
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De vrouw zit aan tafel; voor haar staat een kopje.
Variarum protractionum quas vulgo maurusias vocant (...)
Object type: print
Date: 1550 – 1580
Materials: paper
Techniques: engraving
Location: netherlands

Drie friezen met moresken, waarvan het linker deel bestaat uit zwarte moresken op een witte achtergrond en het rechter deel uit witte moresken op een donker fonf. In het bovenste fries bevindt de grens tussen beide delen zich links van het midden. Een van 15 bladen afkomstig uit een serie van 23 met titelblad.
Marmalade Jar
Object type: marmalade jar
Date: 1870 – 1880
Materials: glass
Techniques: pressed
Location: england
Portret van majoor Hindrik Klasen Borgman
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: leeuwarden
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

De geportretteerde heeft zijn rechterhand in zijn jas gestoken. Hij draagt een uniform en in zijn linkerhand een sabel. Op zijn borst draagt hij een ridderorde.
[Workman with Tool Box]
Object type: tintype
Techniques: tintype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits,tools
Spiraalmarmer in blauw, rood en geel
Object type: wrapper
Date: 1700 – 1800
Materials: paint, paper
Techniques: marbled paper
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2760

Spiraalmarmer in blauw, rood en geel. Gebruikt als omslag.
Goblet
Object type: goblet
Date: 1867 – 1900
Materials: glass
Techniques: glassblowing
Culture: italian
Coverlet
Object type: textile
Materials: wool
Techniques: patterning, weave
Location: united states
Subjects: geometric motif, coverlet, stripes, rectangles, squares
Bloemguirlande
Object type: festoon
Date: 1600 – 1699
Materials: iron