deem-data/ArtiFact huggingface dataset:
A Wren and Chrysanthemums
Object type: print
Date: 1830 – 1830
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: birds,flowers

Intriguingly, the artist borrowed both his depiction of the wren (misosazai) and the accompanying kyōka (thirty-one-syllable witty verse) from the poetry book Myriad Birds (Momo chidori, ca. 1790), illustrated by Kitagawa Utamaro and published about four decades before. The poem is about falling in love with a high-ranked courtesan and was composed by Karagoromo Kisshū (1743–1802), a samurai-poet who was one of the pioneers of the kyōka revival in the late eighteenth century. 大鵬の 高き心の 君ゆへに うきみそさゝゐ よりもつかれず Taihō no takaki kokoro no kimi yue ni uki misosazai yori mo tsukarezu Since your ambition is as lofty as that of Taihō the majestic bird of legend as a wren, even if I fall in love, I cannot hope to soar that high. —Trans. John T. Carpenter
Lion head amulet
Object type: amulet, lion head
Date: 664 – 630
Materials: faience
Location: egypt
Subjects: lions

This lion head amulet exhibits changes in the representation of lions that appeared during the later first millennium BC. The forehead is smaller and the face drawn downward, and there is emphasis on the mane beneath the cheeks.
Roma. Casa delle Vestali e Basilica di Costantino
Object type: photomechanical print
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph
Location: rome
Artist: Anonymous
Subjects: ruin of a building ~ architecture, church (exterior), excavation ~ archaeology
Plate
Object type: plate
Date: 1690 – 1690
Materials: earthenware
Techniques: glazing
Subjects: birds,flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Gritstone
Object type: gritstone
Date: 1902 – 1902
Materials: stone
Culture: canadian
Rouen. Eglise de Bonsecours
Object type: cabinet photograph
Date: 1870 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: bonsecours
Artist: Anonymous
Subjects: church (exterior)
Miss Jarbeau, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: profiles,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
De gevangenneming van Christus
Object type: print
Date: 1508 – 1599
Materials: paper, parchment
Techniques: engraving, hand coloring
Location: germany
Subjects: peter draws his sword and cuts off malchus' ear, the kiss of judas: accompanied by soldiers with torches and lanterns, he kisses christ
Inscriptions: monogram and date: ‘1508 AD’

Christus wordt door Judas met een kus verraden. Soldaten staan achter Christus klaar om hem mee te voeren. Op achterzijde 9 regels Latijnse tekst in boekdruk. Deze prent is onderdeel van een serie prenten met scènes uit het Lijdensverhaal, kopieën naar Albrecht Dürers Gegraveerde Passie.
Portret van Ferdinand Maria van Beieren
Object type: print
Date: 1655 – 1680
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: ferdinand maria keurvorst van beieren, armour, historical persons
View of the Diemerdijk with a milkman and cottages
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: inscription: ‘C. 13263’, mark: Lugt 2228, inscription: ‘C. 1389-7500’
Albumblad met twee voorstellingen van kale bomen; links het ontwerp, rechts de uitvoering
Object type: print
Date: 1816 – 1816
Materials: paper
Techniques: lithograph
Location: munich
Artist: max josef wagenbauer
Artist role: print maker
Artist dates: 1774 – 1829
Subjects: trees, the graphic arts

Albumblad met twee voorstellingen van kale bomen; links het ontwerp, rechts de uitvoering. Maakt deel uit van een album met 18 bladen met studies van bomen.
Two putti on clouds
Object type: drawing
Date: 1851 – 1900
Materials: graphite, oil
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: putti
Twee staande engelen
Object type: print
Date: 1825 – 1883
Materials: paper
Techniques: etching
Artist: theodoor schaepkens
Artist role: draughtsman, print maker
Artist dates: 1810 – 1883
Inscriptions: collector's mark: Lugt 2228
Portret van Christian Ludwig Stieglitz
Object type: print
Date: 1817 – 1850
Materials: paper
Techniques: lithograph
Subjects: historical persons, magistracy, judges
Inscriptions: collector's mark: Lugt 2228

Met tweeregelig handgeschreven onderschrift in het Latijn.
Portret van Philipp Crusius
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: politician, historical persons

Prent mogelijk uit: Olearius, Adam. Beschrijvingh vande nieuwe Parciaensche, ofte orientaelsche reyse (...). Amsterdam: Jacob Benjamin, 1651.
Sleutel
Object type: key
Date: 1400 – 1950
Materials: iron

Sleutel waarvan het oog bestaat uit een driehoek met ronde hoeken. De vierkante baard heeft onder en boven een inkeping.
Saucer
Object type: saucer
Date: 1785 – 1795
Materials: soft paste porcelain
Artist: royal porcelain manufactory, naples
Artist role: manufactory
Artist nationality: italian
Artist dates: 1759 – 1819
Subjects: men,music,violins

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Gruttenmaker
Object type: print
Date: 1694 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: flour- and grain-products, handicrafts, craftsman at work
Inscriptions: collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Beroep en bedrijf, Complete suites.
Suit
Object type: suit
Materials: linen, silk, wool
Culture: american
Portrait of a Young Woman
Object type: painting, miniature
Date: 1795 – 1795
Materials: ivory
Artist: jean antoine laurent
Artist role: artist
Artist nationality: french
Artist dates: 1763 – 1832
Subjects: portraits,women
Morning cap
Object type: morning cap
Date: 1850 – 1860
Materials: linen
Culture: irish
Het verbroken evenwicht
Object type: cartoon
Date: 1889 – 1889
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: wilhelm ii (keizer van duitsland), scales, navy, personifications of countries, nations, states, districts, etc. (+ nation; national), political caricatures and satires

De Duitse keizer Wilhelm II en kanselier Bismarck zijn verbolgen als John Bull (Engeland) een grote zak met geld voor de Britse marine op de weegschaal zet.
Ranonkels, primula en boterbloemen
Object type: ornament print
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: flowers
Inscriptions: collector's mark: Lugt 240

Blad 11 van 21 genummerde bladen met titelblad afkomstig uit een serie van 24.
Souvenir spoon with view of the Castle Belvedere
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, gilt
Subjects: coat of arms
Scaraboid: Fish
Object type: costume and accessory
Materials: glaze, stone
Techniques: glazing
Culture: egyptian
Location: egypt
Subjects: fish, hieroglyphs, cartouches
Pascal Candlestick
Object type: metalwork
Date: 1731 – 1731
Materials: bronze
Location: paris
Untitled (John C. Fremont's Oso Hotel, Near Mariposa, CA)
Object type: photograph
Date: 1856 – 1856
Techniques: ambrotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, houses, buildings, people
Untitled
Object type: photograph
Date: 1853 – 1853
Techniques: daguerreotype
Location: unknown place
Artist: Anonymous
Artist dates: 1800 – 1899
Subjects: portraits, portraits: male subject, photography, formal portraits
Dagger with Sheath
Object type: dagger with sheath
Date: 1801 – 1900
Materials: coral, ivory, silver, steel, wood
Culture: ottoman or turkish
Location: turkey
Gezicht op een boerderij in Klarenbeek, links Carel van den Berg met een poes
Object type: photograph
Materials: paper, cardboard
Techniques: gelatin silver print
Location: klarenbeek
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: carel frederik van den berg (cay), cat, farm (building)

Deze foto's zijn onderdeel van een album.
Altar des H. Ildefons
Object type: print
Date: 1861 – 1889
Materials: paper
Techniques: etching, intaglio
Location: vienna
Subjects: trees: apple-tree, holy family, and derived representations
Inscriptions: collector's mark: Lugt 2228
Meisjeskopje
Object type: drawing
Date: 1834 – 1911
Materials: chalk, ink, paper
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: anonymous historical person portrayed alone
Portret van een man, mogelijk Alfred Lardenoir of zijn broer, Adolphe Lardenoir
Object type: carte de visite
Materials: cardboard, paper
Techniques: albumen print
Subjects: adult man, anonymous historical person portrayed
Inscriptions: inscription: ‘à mon cher frère:/ Adolphe Lardenoir/ 18 Julliet 1866/ Alfred Lardenoir’
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1897 – 1897
Materials: cardboard, ink, pencil
Techniques: pen, writing
Location: the hague
Artist: hendrik willem mesdag
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1915
Subjects: the hague, draughtsman, philip zilcken, exhibition ~ art
Pitcher
Object type: pitcher
Date: 1825 – 1875
Materials: glass
Techniques: glassblowing
Culture: american
Location: united states
Paris instantanné
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: church (exterior), street
Inscriptions: inscription: ‘Jahr[...] no. 18.’, number: ‘No. 48’
Portret van Fruela II, koning van Asturië en León
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: historical persons, ruler, sovereign

Portret afkomstig van een grote prent, getiteld 'Series Chronologica et Imagines Regu Hispaniae ab Ataulpho ad Carolum II', bestaande uit tien bladen die samengevoegd konden worden, uitgegeven door Giovanni Giacomo de' Rossi in 1685.
Ongenaaide of gezoolde balschoen of bruidsschoen van roomkleurige satijn met goudborduursel
Object type: voorblad
Date: 1820 – 1820
Materials: gold thread, textile
Techniques: embroidered
Location: netherlands
Artist: Anonymous

Balschoen of bruidsschoen, nog niet genaaid of gezoold, van roomkleurige satijn met goudborduursel. Model: hakloos model met vierkante neus; slechts in omtrek aangegeven met rijgdraad op een rechthoekige lap satijn die is gehecht op een voering van mul. Op het voorblad een palmet in spitsboog geborduurd van o.a. cannetille-gouddraad steken. In de mode van de Restauration. Nederland?, ca. 1820.
Inscribed Rectangular Plaque
Object type: foundation deposit, plaque, rectangular, ramesses iv
Date: 1153 – 1147
Materials: faience
Location: egypt

This rectangular plaque bears the name of Ramesses IV who initiated several building projects and sent large expeditions to mining regions and quarries early on in his reign. His plans and ambitions were cut short by his death in the sixth year of his reign, but he had been able to complete and decorate his tomb in the Valley of the Kings. He also began work on a gigantic processional temple in Thebes, in which a number of intact foundation deposit were found with literally hundreds of plaques and other objects inscribed with his names, like this plaque.
Links een menigte en rechts een man zittend op een troon omringd door andere zittende mannen met een boek
Object type: print
Date: 1541 – 1541
Materials: paper
Techniques: letterpress printing
Location: antwerp
Subjects: adult man (+ sitting), throne, book
Inscriptions: collector's mark: Lugt 2228

Prent uit: Livius, Titus. De roemsche historie oft gesten. Antwerpen: Jan Gymnius, 1541.
Three sitting people from the Limbu tribe of Nepal
Object type: page
Date: 1858 – 1868
Materials: photographic support
Techniques: albumen print
Location: nepal
Artist: benjamin simpson
Artist role: fotograaf
Artist dates: 1831 – 1923
Subjects: human races; peoples; nationalities
Inscriptions: number: ‘(63)’, inscription: ‘LIMBOO GROUP./ ABORIGINAL—TRANS-HIMALAYAN./ NIPAL.’
Vue des Grottes de Staffa en Ecosse
Object type: print
Date: 1821 – 1823
Materials: paper
Techniques: lithograph
Location: paris
Subjects: cave, grotto (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt in: Le Miroir des spectacles, des lettres, des mœurs et des arts, 1821-1823.
Charles II de Gonzague-Clèves, duc de Mantoue
Object type: print
Date: 1652 – 1652
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits
Huis Johannaberg bij Berlebeck
Object type: photograph
Date: 1890 – 1897
Materials: photographic support
Techniques: albumen print
Location: detmold
Artist: Anonymous
Subjects: rural housing, e.g. country-house, villa, cottage
Inscriptions: annotation: ‘Johannaberg bij Berlebeck’
The Battle of the Amalekites
Object type: print
Date: 1645 – 1652
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: battles,soldiers,horses
Fotoreproductie van een prent naar een fresco door Fra Angelico van de annunciatie en de aanbidding van het Christuskind
Object type: reproduction
Date: 1858 – 1863
Materials: paper
Techniques: albumen print
Artist: giacomo brogi
Artist role: fotograaf
Artist dates: 1822 – 1881
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh), the annunciation: mary sitting
Inscriptions: name: ‘Brogi’

Foto op ongenummerde pagina tegenover pagina 243.
Opiumschuivers
Object type: sketchbook leaf
Date: 1931 – 1931
Materials: paper, pencil, watercolor
Techniques: brush
Location: vietnam
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: opium-house, lying figure

Pagina 44 uit een schetsboek met 48 bladen.
Servet met ingeweven voorstellingen van de passiewerktuigen van Christus
Object type: napkin
Date: 1550 – 1599
Materials: linen
Techniques: damask
Location: flanders
Artist: Anonymous

Servet van wit linnen, met ingeweven voorstellingen van de passiewerktuigen van Christus, aan de onder- en bovenzijde afgezet met tressen.
Gedicht
Object type: text sheet
Date: 1850 – 1999
Materials: silk
Techniques: letterpress printing
Artist: Anonymous
Vase (one of a pair)
Object type: vase
Date: 1730 – 1740
Materials: hard paste porcelain
Artist: vienna
Artist role: manufactory
Subjects: dragons,trees

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Doudou uit Pondicherry in India van de Franse Compagnie perpétuelle des Indes,1720-1837
Object type: coin
Date: 1720 – 1837
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: lelie. Keerzijde: in Tamil-schrift in drie regels naam van de muntplaats: Pondicherry.
Disk Brooch
Object type: brooch
Date: 601 – 700
Materials: copper alloy, garnet, glass, gold
Techniques: filigree
Culture: frankish
Piece
Object type: piece
Materials: metal thread, silk
Culture: japanese
Kalenderblad maart met kraai
Object type: calendar leaf
Date: 1913 – 1913
Materials: paper
Techniques: lithograph
Location: the hague
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: song-birds: crow, lunar year, march ~ other concepts
Inscriptions: collector's mark: Lugt 2228

In de ornamentrand en onderin bloemen. In de hoeken de standen van de maan op vier dagen. Bovenaan het blad een scheurlijn.
Javase dukaat van de VOC, 1744
Object type: coin
Date: 1744 – 1744
Materials: gold
Techniques: striking
Location: batavia

Gouden munt. Voorzijde: tweeregelig opschrift in Arabische letters: Ili Jazirat / Jawa al-kabir. Daarboven muntteken: ster en daaronder jaartal. Keerzijde: drieregelig opschrift in Arabische letters: derham min / Kompani / Walandawi. Gladde rand.
Regtspleging van Oldenbarnevelt
Object type: drawing
Date: 1710 – 1720
Materials: ink, parchment, watercolor
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: the hague, johan van oldenbarnevelt, ass, donkey, caricatures (human types), historical persons, bad, corrupt judge

Spotprent van Nicolaas Kromhout, rechter van Van Oldenbarnevelt. Ezel met mantel, hoed en bril in krans van bloemen en bladeren. Daaronder cartouche met aan weerszijden twee leeuwinnen. In cartouche naam en daarboven nr. 3. Behorende bij serie aquarellen in boek.
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1701 – 1800
Materials: gold alloy, gold
Culture: japanese
Location: japan
Subjects: leaves
Cuneiform tablet: list of witnesses
Object type: cuneiform tablet
Date: 634 – 634
Materials: clay
Culture: assyrian
Location: mesopotamia
Terracotta rim fragment of a kylix: Lip cup (drinking cup)
Object type: kylix fragment
Date: 550 – 530
Materials: terracotta
Culture: greek, attic

Exterior, head of a woman to right
Bellona
Object type: print
Date: 1546 – 1552
Techniques: etching
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: goddess

In Mariette Album, folio 41, top right
Uitnodiging en programma voor de voordrachtavond van de Vereeniging Elckerlyc
Object type: programma, programmaboekje
Date: 1908 – 1908
Materials: paper
Techniques: printing block
Subjects: titia van looy-van gelder, ornaments ~ art, initial, amsterdam

Een briefhoofd en decoratief initiaal voorafgaand aan de tekst van de uitnodiging. Het programma van de middag, bestaande uit liederen en poëzie, op het verso.
Design for a Snuff Box
Object type: drawing
Date: 1750 – 1777
Materials: ink
Techniques: brush, pen, wash
Artist: pierre moreau
Artist role: artist
Artist nationality: french
Artist dates: 1715 – 1798
Subjects: ornament
Aankomst der Batavieren, hier te Lande
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: etching
Subjects: extinct, 'historical' peoples (with name), netherlands
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Jan Wagenaar, Vaderlandsche historie, Amsterdam 1749-1759, boek I, p. 14.
Gold Strap End (Unfinished)
Object type: belt strap end
Materials: gold
Culture: avar

The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively cast. Some show no signs of use, while others are quite worn. The Avars The Avars were a nomadic tribe of mounted warriors from the Eurasian steppe. The Byzantine emperor Justinian negotiated with them in the sixth century to protect the Empire’s northern border along the Black Sea. Emboldened by their subjugation of numerous tribes, they unsuccessfully attempted to seize the Empire’s capital, Constantinople. They remained a scourge of both Byzantium and the Western kingdoms until Charlemagne defeated them through a series of campaigns in the 790s and early 800s. All the money and treasure that the Avars had been years amassing was seized, and no war in which the Franks have ever engaged . . . brought them such riches and such booty. Up to that time the Avars had passed for a poor people, but so much gold and silver was found . . . that one may well think that the Franks took justly from the Avars what the Avars had formerly taken unjustly from other nations. — Einhard (ca. 770–840), biographer of the Frankish ruler Charlemagne, early 800s The Vrap Treasure Tribute payments from the Byzantine Empire and war booty provided the Avars with enormous amounts of gold and silver. Avar goldsmiths created work of exceptionally high quality and were counted among the Avars’ ruling class. This ensemble of objects, all found together in Vrap, in present-day Albania, would seem to attest to the wealth of the Avars. Why this varied group was brought together remains a mystery. Some scholars have suggested that these objects were part of a treasure belonging to an Avar chief; others have speculated that they were the materials of an Avar artist. Others question whether an Avar metalsmith made them at all and assert these objects to be the products of a provincial Byzantine artist.
Chess Piece, probably a Pawn
Object type: chess piece
Date: 701 – 1100
Materials: bronze
Location: western islamic lands
Subjects: chess
Eight Views of the Xiao and Xiang Rivers
Object type: handscroll
Date: 1667 – 1733
Materials: ink, silk
Culture: japanese
Artist: kano tsunenobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1636 – 1713
Subjects: mountains,landscapes

The theme of the Eight Views of the Xiao and Xiang Rivers, which celebrates the landscape of an area in southern China where two rivers converge, emerged in painting and poetry in eleventh-century China. Thirteenth-century monochrome ink paintings of the theme found their way into Japanese collections by the fourteenth century, and the theme remained a major painting subject in Japan for the next five hundred years. This take on the theme by Kano Tsunenobu, second-generation head of the Kobikichо̄ branch of the influential Kano house of painters, opens with a an early spring scene—“Mountain Market in Clearing Mist”—in which plum trees blossom beside the gate to a village. The scenes continue from right to left in seasonal order, "Evening Bell from a Mist-shrouded Temple," "Sails Returning from a Distant Shore," "Autumn Moon over Dongting Lake," "Night Rain over the Xiao and Xiang," "Evening Glow over a Fishing Village," and "Geese Alighting on a Sandy Shore." The scroll ends with a wintry scene, "River and Sky in Evening Snow," which shows pavilions and trees laden with snow in the garden of a luxurious countryside estate, and a view of a waterfall crashing amongst distant, snowcapped peaks.
Atsumori, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Veld van zestien tegels met vogels
Object type: tegelveld
Date: 1640 – 1660
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van zestien tegels (4 x 4) elk met een veelkleurige (blauw, groen, geel, oranje en paars) vogel waaronder 7 pauwen op een takje met besjes. In de hoeken, een ossenkop.
Sampler
Object type: sampler
Date: 1859 – 1859
Materials: cotton, silk
Subjects: flowers
Abklatsch van de krijttekening op pagina 24
Object type: sketchbook leaf
Date: 1886 – 1886
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 25 uit een schetsboek met 38 bladen betekend rond de Ewijkshoeve.