deem-data/ArtiFact huggingface dataset:
Landschap met sprokkelhout
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: landscapes (+ landscape with figures, staffage), trees (+ parts of plants)
Inscriptions: monogram: ‘AM’

Op de achtergrond zijn mogelijk figuren tussen het gras te zien. Blad 21 recto uit een schetsboek met 33 bladen.
Towers of the Digambar Jain temple in Sanganer near Jaipur, Rajasthan, India
Object type: photograph
Date: 1865 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: sanganer
Artist: Anonymous
Subjects: temple, shrine ~ hinduism, buddhism, jainism, tower, clock tower ~ monumental adornment
Inscriptions: number: ‘97’, number: ‘160’, title: ‘Sanganir, near Jeypore Jain temple’
Fragments of Ceramics Painted on Opacified Glaze
Object type: fragment
Date: 801 – 900
Materials: earthenware, glaze
Techniques: painting
Location: iraq
Ontwerp voor een vaas
Object type: drawing
Date: 1851 – 1930
Materials: pencil, paper
Artist: theo colenbrander
Artist role: draughtsman
Artist dates: 1841 – 1930
Subjects: container of ceramics: jar, jug, pot, vase
Portret van de arts Jacob Roman
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: jacob roman
Diafanorama van Neptunus
Object type: diafanoramaplaat
Date: 1750 – 1830
Materials: glass, wood
Techniques: painted
Location: netherlands
Artist: Anonymous

Op de voorgrond is Neptunus op een vis zichtbaar, met daarnaast twee zeemeerminnen en nog een vis. Links en recht is een soort van hekwerk, deze loopt door tot het plafond. Boven in het midden is een Hollandse vlag zichtbaar.
Het midden is onbeschilderd.
Composite Window of English Stained Glass
Object type: window
Date: 1401 – 1500
Materials: glass, metal, paint, pigment
Culture: british
Location: england
Subjects: angels,apostles,saints,coat of arms,evangelists
Terracotta head of a bull
Object type: head of a bull
Date: 534 – 468
Materials: terracotta
Culture: cypriot
Subjects: bulls

The head is exceptional for its size and careful articulation. Whether it served as a mask or a dedication, it stands in a Late Bronze Age tradition attested at Enkomi and Kition of bulls' skulls worn as masks.
Ringvormig fragmenten uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: ring
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Ruïne van Kasteel Brederode in Santpoort
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: drypoint, etching, intaglio
Location: netherlands
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: castle, ruin of a building ~ architecture
Inscriptions: inscription: ‘Brederode’, collector's mark: Lugt 2228, inscription: ‘Kalender 1890’
Mustard pot
Object type: mustard pot
Date: 1753 – 1754
Materials: silver
Artist: ennemond ruynat
Artist role: maker
Artist nationality: french
Artist dates: 1715 – 1778

During the eighteenth century, mustard was served at the table either as a dry powder or mixed with vinegar to form a paste or sauce. The dry powder was contained in a caster left un-pierced or fitted with a removable sleeve that blocked the holes. Most of the mustard pots in the Museum’s collection were made to serve the condiment mixed into a sauce; they take the form of a small jug barely distinguishable from a lidded milk jug with a spout. In fact, when this pot came to the Museum its handle was wrapped with rattan indicated that it was used for hot milk at some point. The early eighteenth-century pots are cylindrical in shape, often with typical cut card decoration and applied lambrequins. By the 1740s, the rounded shapes of the Rococo with swirling forms and floral ornament predominate as seen in this example. By the mid-18th century, mustard pots were also made in porcelain. Indeed, the journals and inventories of the Paris luxury dealers, the marchand merciers, itemize many more mustard pots made of ceramics than of silver, and often were listed as having a plateau and a spoon. Rarely do these survive in silver, although some precious metal examples had a matching plateau as recorded in the account books of the marchands merciers. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture, and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, much of it provincial, and includes several rare early pieces.
Fragment
Object type: fragment
Date: 1776 – 1800
Materials: hair, linen
Techniques: lace
Passe tems des artistes, ou collection d'esquisses originaux des celebres et plus fameuses peintres et sculpteurs
Object type: print
Date: 1703 – 1754
Materials: paper
Techniques: etching
Location: augsburg
Subjects: year divided into four seasons, cupids: 'amores', 'amoretti', 'putti'

Prent naar een (ontwerp van?) een plafondschildering met vier putti die de vier seizoenen voorstellen.
Divi Caroli. V. imp. opt. max. victoriae, ex mvltis praecipvae.
Object type: print
Date: 1556 – 1556
Materials: paper
Techniques: letterpress printing
Location: brussels
Subjects: philip ii of spain, ghent, charles v (holy roman emperor and king of spain)
Inscriptions: collector's mark: Lugt 2228

Titelprent voor een genummerde twaalfdelige serie over de overwinningen van keizer Karel V. De tekst is in het Latijn
Afbraak van de Oude Beurs
Object type: photomechanical print
Date: 1903 – 1903
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: stock exchange, stock-market, demolition of building, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Handel en Zeevaart: Hulpbeurs op de Dam en Beurs (Dam).
Accessories
Object type: fashion print
Date: 1922 – 1922
Materials: paper
Techniques: letterpress printing, lithograph
Location: london
Subjects: bag (handbag) (+ women's clothes), artificial plants and flowers, fashion plates, shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), fan (+ women's clothes), bracelet, wristlet (+ women's clothes)

Fans, parasols, opera gloves, fashionable hats, small toques garnished with feathers, wristwatches, compact bracelets, and luxuriously crafted lighters: there was a dazzling variety of accessories in the 1920s. Small bags could be suspended from a belt, or a glove. Walking sticks and the shafts of umbrellas and parasols were often embellished with carving clearly inspired by African and Indian art. And Russian influence was evident when it came to combs made of mother-of-pearl and ivory.
Cassetta frame
Object type: frame
Date: 1500 – 1510
Materials: canvas, gilt, wood
Culture: venetian
Krishna on Garuda
Object type: figure
Date: 851 – 900
Materials: bronze
Culture: indonesian, javanese
Subjects: krishna

Garuda, the Hindu god who is part man and part bird, symbolizes the power of the sun and is known for slaying evil serpents. In art he usually appears as the mount or vehicle of Vishnu. Here Garuda carries Krishna, an avatar of Vishnu, who not only has borrowed Vishnu's mount but also holds his war discus (chakra). He stands energetically astride Garuda's head and shoulders, and with the index finger of his open left hand makes a warning gesture. Legend tells us that on many occasions Krishna rode out on the back of Garuda to do battle. In a tale well known to the Javanese, Garuda stole the elixir of immortality from the gods, who had thought it was well protected by two poisonous serpents from the realm of the gods. Here he holds the two defunct serpents—the head of one is missing—and balances the elixir in a jar on his head. The folded position of Garuda's legs suggests that he is rising in flight. His short wings beat the air, and his long tail streams behind him in openwork loops. The curves and lively projections of all the other shapes and details of this bronze make the figures appear to be charging through space. This ensemble was part of a hanging oil lamp. Above Krishna's head is a lotus pattern to which a chain for suspension was attached, and beneath Garuda is a loop from which a cup for lamp oil would have hung. The lighted lamp would cast shadows of the god and his vehicle.
Gezicht op het gebouw van de Roemeense Cercul Militar tijdens de Duitse bezetting van Boekarest
Object type: photograph
Date: 1916 – 1918
Materials: paper
Techniques: gelatin silver print
Location: bucharest
Artist: Anonymous
Subjects: street, edifice, e.g.: public building, department store
Inscriptions: number: ‘6532’

tijdens de Eerste Wereldoorlog door Duitsers in gebruik als Hauptwache
Rouen, La Grosse Horloge
Object type: page
Date: 1878 – 1883
Materials: paper
Techniques: photograph
Location: rouen
Artist: n.c.
Artist role: fotograaf
Subjects: tower, clock tower ~ monumental adornment
Inscriptions: inscription: ‘Le Nord Contemporain/ Revue Artistique & Archéologique’, inscription: ‘[Jour]nal le Nord Contemporain, No 27, année 1883.’

Prent op derde ongenummerde pagina na pagina 48.
Belt
Object type: belt
Date: 1700 – 1709
Materials: metal, silk
Culture: european
South Dome, 6,000 feet
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: mountains,landscapes
Zur Jubiläums-Feier am 17. März 1883
Object type: book
Date: 1883 – 1883
Materials: linen, paper, photographic support
Techniques: albumen print, printing
Anastasius
Object type: print
Date: 1636 – 1670
Materials: paper
Techniques: engraving
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: male saints (with name)
Inscriptions: number: ‘38’, collector's mark: Lugt 240

Geknield geeft een dief het door hem gestolen boek aan de heilige Anastatius terug. Prent uit een serie van 80 prenten en een titelprent met kluizenaars uit de 2e tot de 6e eeuw.
Shield with a Griffin's Foot and Shield with a Cock Held by a Moor
Object type: print
Date: 1480 – 1480
Materials: paper
Techniques: engraving
Location: germany
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Dumb-Bell Raising, from the Games and Sports series (N165) for Old Judge Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,women,athletes

The "Games and Sports" series of trading cards (N165) was issued by Goodwin & Company in 1889 to promote Old Judge Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series.
The Actor Sawamura Sojuro III in an Unidentified Role
Object type: print
Techniques: woodblock print
Location: japan
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Various Designs for Rocaille Ornaments, Plate 1 from an Untitled Series of Rocaille Ornaments for Frames
Object type: album print ornament architecture
Techniques: etching
Artist: jacob gottlieb thelot
Artist role: engraver
Artist nationality: central european
Subjects: ornament

Ornament print with designs for rocaille ornaments, including one large ornament forming the top right corner of a frame or arch and four loose rocailles. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.
Portret van Arthur Hebert, graaf van Torrington
Object type: print
Date: 1690 – 1692
Materials: paper
Techniques: mezzotint
Location: england
Subjects: politician, armour, historical persons, commander-in-chief, admiral

Met achtregelig onderschrift in het Nederlands.
Neapolitan, from National Dances (N225, Type 1) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: dance,women,dancing

Trade cards from the series "National Dances" (N225), issued in 1889 to promote Kinney Brothers Cigarettes for Kinney Tobacco Company. There were two card variations issued within the series. Type 1 cards display a white border around the edges whereas Type 2 have no border.
Roundel
Object type: roundel
Date: 401 – 600
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: human figures
Winter
Object type: photograph
Date: 1901 – 1940
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, military training, germany
Inscriptions: inscription, inscription: ‘... I 1940’

Albumblad met zes foto's van werk en training van een groep militairen in de sneeuw, januari 1940. Onderdeel van de fotoalbum van de Wehrmacht 1938-1941.
Terracotta fragment of a phiale (libation bowl)
Object type: phiale fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic

Fragment of a plate? with a band of black glaze in between two bands of reserve
Fauteuil et chaise fantaisie
Object type: print
Date: 1895 – 1935
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Johannes ziet in een gesigte 4 paarden
Object type: album leaf
Date: 1629 – 1646
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: the four horsemen of the apocalypse

De prent is afkomstig uit: Bybels Lusthof. Amsterdam, J. Klooster, 1740. De prent werd gemaakt voor de uitgaven van P.J. Paets uit Amsterdam, verschenen in de jaren 1629-1648. De prent wordt mogelijk al gebruikt in: Der Zielen Lust-hof. Leuven, I.Jacbosz voor P.J. Paets [= Amsterdam, P.J. Paets], 1629. Ze komt in ieder geval voor in: Het Nieuwe Testament ons Salichmaeckers Jesu Christi. Amsterdam, P.J. Paets, 1646.
Meisje bij een waterput
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: etching
Location: amsterdam
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: well
Inscriptions: collector's mark: Lugt 2228
Cartouches
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: etching
Location: italy
Subjects: foliage ~ ornament, vase ~ ornament, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2165

Deze prent maakt deel uit van een reeks van 22 prenten met in totaal 24 cartouches, plus een titelprent.
Theseus en Ariadne
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: ariadne left behind on the island of naxos

Deze prent maakt deel uit van een kaartspel met 52 kaarten met voorstellingen uit de Metamorfosen van Ovidius. De serie is uitgedacht door Jean Desmarests de Saint-Sorlin in opdracht van Kardinaal Mazarin. Het kaartspel werd gemaakt voor de jonge Lodewijk XIV, samen met het Jeu des Reynes Renommées, Jeu de la Géographie en Jeu des Rois de France.
Portret van Willem IV, prins van Oranje Nassau, in wapenrusting met maarschalksstaf
Object type: drawing
Date: 1751 – 1866
Materials: ink, paper
Techniques: pen
Artist: Anonymous
Subjects: the hague, willem iv (prins van oranje-nassau), historical persons

Portret van Willem IV. Opschrift: Willem Carel Hendrik Friso, / Prins van Oranje en Nassau, / Erf Stadhouder Kapitein en Admiraal Generaal, / der Vereenigde Nederlanden, enz.enz.enz. / R, Vinkeles deliniavit.
Powder Chest
Object type: chest
Date: 1866 – 1866
Materials: brass, copper, tin
Location: the hague

Rechthoekige koperen kruitkist met twee handvaten en een rond messing deksel. De binnenzijde is vertind. Het deksel is voorzien van een wervelsluiting, bestaande uit een messing staaf die draait om een bout in het midden van het deksel en zich onder twee nokken op de buitenrand van de opening vastklemt; met de bout wordt hij vervolgens aangedraaid.
Departure for the Hunt
Object type: print
Date: 1869 – 1869
Materials: paper, varnish
Techniques: etching
Location: france
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Head of a Woman
Object type: drawing and watercolor
Materials: chalk, paper
Location: france
Artist: Anonymous
Pop, voorstellende een juffrouw
Object type: doll
Date: 1676 – 1676
Materials: textile, hair, leather, linen, metal, pearl, silk, fiber, wax
Techniques: lace, damask
Artist: Anonymous

Pop, voorstellende een juffrouw, gekleed in een japon bestaande uit drie delen, een borststuk van effen crème zijde, een rok van effen oorspronkelijk roze-rood gekleurde satijn, waarover de overjapon met korte mouwen van crèmekleurige zijdedamast.
Insignia of the Order of the Golden Kite
Object type: insignia, medal and button
Date: 1867 – 1900
Culture: japanese
Walking and mounted figures surrounding a river traversed by a bridge, with a hilly outcrop and windmill, from "Italian landscapes" (Diverse vedute designate in Fiorenza / Paysages italiens)
Object type: print
Date: 1618 – 1635
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: rivers,landscapes
Kerkelijke Oostenrijkse penning
Object type: devotional medal
Date: 1880 – 1889
Materials: bronze
Techniques: striking
Location: rome
Artist: hermann wittig
Artist role: medailleur
Artist dates: 1852 – 1889
Subjects: austria, rome
Inscriptions: circumscription: ‘SICVT AQVILA VOLITANS SVPER PVLLOS SVOS DEVTER XXXII’, signature: ‘H. WITTIG F. / DE - VBRE’, circumscription: ‘BEATA - MARIA ANIMARVM’

Bronzen penning. Voorzijde: twee smekelingen knielend voor troon, waarop Maria met kind is gezeten binnen omschrift; afsnede: opschrift en signatuur. Keerzijde: dubbelkoppige adelaar met twee zwaarden en rijksappel in klauwen onder kroon binnen omschrift.
Carpet Fragment
Object type: carpet fragment
Date: 1601 – 1700
Materials: wool
Location: turkey
Squat lekythos
Object type: squat lekythos
Date: 450 – 450
Materials: terracotta
Culture: greek, attic
Subjects: men
Inlay from box
Object type: inlay from toilet box
Date: 1981 – 1640
Materials: bone
Location: egypt
Alabastrarius. Der Alabasterer
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: handicrafts, craftsman at work, handicrafts ~ stone
Inscriptions: stamp, collector's mark: Lugt 1641

Werkplaats van een albastwerker aan een slijpwiel. Aan de voorzijde is zijn winkel met een uitstalling van de koopwaar, zoals een crucifix, schalen, bekers, een kruik en zoutvaten. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Beroep en bedrijf, Complete suites.
Owl
Object type: ornament
Date: 501 – 700
Materials: shell, metal
Culture: moche
Location: peru
Subjects: owls
Hanger met viooltje
Object type: pendant jewelry
Date: 1930 – 1940
Materials: gold
Techniques: filigree
Location: dutch east indies
Artist: Anonymous
Inscriptions: maker's mark: ‘JM’, alloy mark: ‘833’

Ovale hanger van goudfiligrein met viooltje voorzien van een plaatoog.
Diplomatische pourparlers in de 19e eeuw
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: brussels, laeken, leopold ii (koning der belgen), paris, london, napoleon iii (keizer der fransen), willem iii (koning der nederlanden), burglar, housebreaker

Spotprent nav de geruchten van annexatie van België en Luxemburg door Frankrijk en Duitsland. Twee inbrekers (Otto von Bismarck en keizer Napoleon III) loeren naar het paleis van koning Leopold van België en koning Willem III (van Luxemburg). Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 32, 1870.
Portret van Olivier Metra
Object type: photograph
Date: 1867 – 1867
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: georges mathurin legé
Artist role: fotograaf
Subjects: historical persons, portrait of composer
Inscriptions: inscription: ‘G.M. Legé/ Photographe/ ancien associé, succr/ De Carjat & Cie/ 56, Rue Laffitte/ Paris’, name: ‘Metra’, annotation: ‘Olivier Metra fr. componist en dirigent/ (Legé - Carjat)’
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: bamboo
Reizigers en paardenkoets bij Hotel Furka aan de Furkapas
Object type: photograph
Date: 1880 – 1899
Materials: paper, photographic support, ink
Techniques: photograph
Location: switzerland
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, mountains (+ landscape with figures, staffage), hotel, hostelry, inn, switzerland
Inscriptions: number: ‘800’

Onderdeel van Reisalbum met bezienswaardigheden in Duitsland, Oostenrijk, Zwitserland, Luxemburg en België.
The Triumph of Eternity
Object type: light window
Date: 1530 – 1540
Materials: glass, lead, pigment
Techniques: leading
Location: southern netherlands
Artist: Anonymous
Subjects: charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, 'castità ', 'pudicitia', 'vergogna honesta' (ripa), chariot, triumphal car, 'trionfo della divinità', 'triumphus aeternitatis'; 'carro della divinità', the four symbols of the evangelists, 'the apocalyptic beasts', triumphant christ, e.g. on triumphal chariot, fame; 'fama', 'fama buona', 'fama chiara' (ripa), father time, man with wings and scythe

Ronde gebrandschilderde ruit met voorstelling van de Triomf van de Eeuwigheid. De Eeuwigheid is voorgesteld door Christus, tronend op een klassieke zegekar, die wordt getrokken door een leeuw en een os, symbolen van de evangelisten Marcus en Lucas, en vergezeld van de engel van Mattheus en de adelaar van Johannes. Christus houdt een scepter in de ene en een in drie segmenten verdeelde aardbol in de andere hand. De zegekar rijdt op een grond van wolken. Onder de kar liggen verspreid over de grond personen die in andere scènes uit Petrarca's 'I Trionfi' triomfeerden, de Liefde, de Kuisheid, de Faam en de Tijd. Achter de kar tuimelt de Dood uit de wolken. Links onder zijn de hel en het vagevuur voorgesteld, waaruit een duiveltje oprijst. Boven de zegekar kijkt God uit de hemel toe, hoe de geredde zielen in een lange stoet door het paradijs trekken.
Nereïde, vermoedelijk Galatea, met haar arm over een zeewezen
Object type: sketchbook leaf
Date: 1815 – 1815
Materials: paper, pencil
Artist: jonkvrouw elisabeth kemper
Artist role: draughtsman
Artist dates: 1799 – 1871
Subjects: sitting figure - aa - female human figure, the sorrowing penelope, classical mythology and ancient history
Inscriptions: date: ‘1815’

De zeenimf staat tot aan haar middel in het water. Boven haar hoofd een draperie. Vermoedelijk getekend naar klassiek voorbeeld. Blad 41 recto (los) uit een schetsboek met 94 bladen.
Aangespannen paard
Object type: sketchbook leaf
Date: 1887 – 1891
Materials: paper, pencil
Subjects: animal traction, animal-drawn vehicle (carriage etc.), horse
Inscriptions: workshop stamp: Lugt 291d

Pagina 80 uit een schetsboek met 83 bladen.
Jar
Object type: jar
Date: 2300 – 2000
Materials: earthenware
Techniques: painting
Culture: chinese
Guarino da Verona, Humanist
Object type: medal
Date: 1441 – 1441
Materials: bronze
Artist: matteo de' pasti
Artist role: artist
Artist nationality: italian
Artist dates: 1420 – 1467
Subjects: men,profiles

Matteo's medals are among the finest of the early Italian Renaissance. A follower of Pisanello, he was also a manuscript illuminator, painter, and architect. Characterized by simple forms, precise modeling, and harmonious compositions, many of his portrait medals relate to his role as artist and advisor to the Malatesta court in Rimini.