deem-data/ArtiFact huggingface dataset:
Winterlandschap
Object type: print
Date: 1834 – 1892
Materials: paper
Techniques: etching
Location: the hague
Artist: david bles
Artist role: draughtsman, painter, print maker
Artist dates: 1821 – 1899
Subjects: trees: willow
Inscriptions: collector's mark: Lugt 2228

Links op de voorgrond een bladerloze oude knotwilg aan de oever van een bevroren water. Op de achtergrond een windmolen. In de ondermarge een remarque met een kop van een man, naar links.
Portrait of Diederik van Hogendorp (1625-1702)
Object type: painting
Date: 1690 – 1690
Materials: canvas, oil
Location: netherlands
Artist: Anonymous
Subjects: the hague, historical persons

Portret van Diederik van Hogendorp (1625-1702). Heer van Cromstrijen. Raad en rekenmeester der domeinen van de stadhouder-koning Willem III. Ten halven lijve naar links, in japonsche rock. Linksboven het familiewapen. Pendant van SK-A-821.
Abklatsch van een tekening
Object type: drawing
Date: 1873 – 1923
Materials: paper
Techniques: printmaking
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
City Hall Park, New York
Object type: drawing
Date: 1826 – 1826
Materials: ink, watercolor
Techniques: heightening, pen
Artist: alexander jackson davis
Artist role: artist
Artist nationality: american
Artist dates: 1803 – 1892
Boerderij
Object type: print
Date: 1890 – 1946
Materials: paper
Techniques: etching, intaglio
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een lage boerderij onder bomen, met links een afdak.
Portret van Martin Luther
Object type: print
Date: 1698 – 1747
Materials: paper
Techniques: etching
Location: amsterdam
Artist: andries van buysen (sr.)
Artist role: print maker
Subjects: priest, martin luther, theologian, ornament ~ medallion, historical persons
Inscriptions: inscription: ‘1483-1546’
Arminiaensche Uytvaert
Object type: cartoon
Date: 1619 – 1619
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: banishment, exile, the hague, waalwijk

Spotprent op de uittocht van de remonstranten uit 's-Gravenhage op 6 juli 1619 na de veroordeling door de Synode. Onder de prent de samenspraak tussen twee boeren genaamd Kees en Joost getiteld 'Boere Praetjen: over D'Arminiaensche Uyt-Vaert, Gehouden den VI. Julij 1619'. Rechts een lijst van de wagens met de namen van de passagiers.
Onbekende vrouw in een venster, vermoedelijk in Italië
Object type: photograph
Date: 1865 – 1875
Materials: paper
Techniques: albumen print
Location: italy
Artist: giovanni crupi
Artist role: fotograaf
Artist dates: 1859 – 1925
Subjects: adult woman, open window, italy
Inscriptions: number: ‘163’
Snuffbox with portrait of John Wilkes (1727–1797)
Object type: snuffbox
Date: 1765 – 1770
Materials: copper
Techniques: enamel
Artist: james watson (prentmaker)
Artist role: engraver
Artist nationality: irish
Artist dates: 1740 – 1790
Subjects: animals,men,profiles,trees
Jongetje met wandelstok
Object type: print
Date: 1705 – 1768
Materials: paper
Techniques: etching
Artist: anna folkema
Artist role: draughtsman, print maker
Artist dates: 1695 – 1768
Subjects: walking-stick, staff, child
Inscriptions: collector's mark: Lugt 240

Een jongetje zit met een wandelstok in zijn handen in de berm, naast zijn voeten staat een kistje.
Ceramic imitation of bronze roller with two kilted figures
Object type: relief
Date: 2100 – 1750
Materials: ceramic
Location: mesopotamia or syria
Subjects: men,women

This terracotta relief was produced by pressing wet clay into an inwardly-carved mold. The edges of the clay wrap forward and traces of fingerprints are available on the flattened back. Two brackets and three figures appear on the impressed image: in the center a small nude female with indistinctly rendered arms stands between the brackets; on either side of her, two larger kilted males stand legs askew with outer arms supporting the upper bracket. All three figures face outward toward the viewer. Thermoluminescence dating shows that the object was fired in antiquity, hardening the clay and preserving the impression. The appearance of brackets and the selection of figures on the piece call to mind openwork bronzes produced in the early second millennium B.C. (see especially 1998.31), but this object is smaller in size than many bronzes and is also reminiscent of terracotta plaques, known in much larger quantities from the same time. Openwork bronzes were three-dimensional pieces produced using the lost-wax casting method, in contrast to the flat-back terracotta plaques which were made using an open mold. While it is tempting to identify this object as a trial piece for an openwork bronze, the different production methods suggest that it is not the byproduct of a craftsman’s workshop, but rather an intentionally preserved object and a viable ‘finished’ image in its own right.
Cup with cover and tray (gobelet à lait et corbeille carré)
Object type: cup with cover and tray
Date: 1764 – 1764
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: flowers

This type of cup was intended for serving milk, probably served warm due to the presence of a cover. The milk might have been mixed with different ingredients in order to cure various ailments; the stand could be used to hold slices of bread. The painter Méreaud specialized in the type of decoration found on this cup and stand, which employs dense patterns that recall textile designs.
Venezia - Regia Accademia (Tiziano). Jacopo Soranzio Procuratore
Object type: reproduction
Date: 1906 – 1931
Materials: cardboard
Techniques: photograph, writing
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: postage stamp, collector's mark: ‘AFE v S’
Epitafenx
Object type: ornament print
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: commander-in-chief, admiral (+ naval force)

Voor de urn ligt een gezagvoerder ter zee, eronder is een bas-reliëf met een zeeslag te zien.
Cuneiform tablet: private letter
Object type: cuneiform tablet
Date: 2000 – 1801
Materials: clay
Culture: assyrian
Location: anatolia

Kültepe, the ancient city of Kanesh, was part of the network of trading settlements established in central Anatolia by merchants from Ashur (in Assyria in northern Mesopotamia) in the early second millennium B.C. Travelling long distances, and often living separately from their families, these merchants traded vast quantities of goods, primarily tin and textiles, for Anatolian copper and other materials. Although the merchants adopted many aspects of local Anatolian life, they brought with them Mesopotamian tools used to record transactions: cuneiform writing, clay tablets and envelopes, and cylinder seals. Using a simplified version of the elaborate cuneiform writing system, merchants tracked loans as well as business deals and disputes, and sent letters to families and business partners back in Ashur. At Kültepe, thousands of these texts stored in household archives were preserved when fire destroyed the city in ca. 1836 B.C. Because the tablets document the activities of Assyrian merchants, they provide a glimpse into the complex and sophisticated commercial interactions that took place in the Near East during the beginning of the second millennium B.C. This tablet is one of the many letters that come from Kültepe and attest to the communication of merchants across long distances. In the cuneiform text, which reads left to right, Ilabrat-bani writes to Amur-ili, a transporter from a well-known merchant family, to update him concerning textiles delivered to another trading settlement, to request garments for himself, and to offer advice for travel. Writing covers the entire surface of the tablet, including the sides. Small tablets with crammed writing are common at this time, probably because these messages – along with items for trade – had to be carried across long distances.
Portret van een zittende moeder met kind
Object type: album leaf
Date: 1865 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: bergen
Artist: e. perin jeune
Artist role: fotograaf
Artist dates: 1831 – 
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, mother and baby or young child
Inscriptions: inscription: ‘Photographie Parisienne/ E. Perin Jne/ No 11 Rue Samson/ Mons/ Succursale a Nancy’
In timore de (...)
Object type: ornament print
Date: 1596 – 1616
Materials: paper
Techniques: engraving
Location: germany

Aan de zijkanten zitten vier ronde parels. Afkomstig uit een serie, bestaande uit een titelblad en 7 bladen met hangers.
Netsuke of Acrobat
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: men,acrobats
Vliegende vissen, 1595
Object type: print
Date: 1597 – 1598
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: gouda, landscapes in tropical and sub-tropical regions, exploration, expedition, voyage of discovery

Gebruikt als illustratie eerst in: Willem Lodewijcksz, D'eerste boeck. Historie van Indien, waer inne verhaelt is de avontueren die de Hollandtsche schepen bejeghent zijn, Cornelis Claes, Amsterdam 1598. In deze opgewerkte staat gebruikt in: De Eerste Schipvaerd der Hollandsche Natie naer Oost-Indien, waer inne verhaelt wordt al wat haer sonderlings onder wegen bejegent is ... ghetrocken uyt verscheyden Iournalen ofte dagh-registers daer van ghemaeckt, zeer vermaeckelijck ende nut om lesen. Opgenomen in: I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: 8.
Design for a Theatre
Object type: drawing
Date: 1701 – 1800
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: theatre,architecture

Theater design was a popular subject for architectural competitions during the eighteenth century. As a result, many extant architectural drawings of theaters do not represent realized building projects but rather are exercises or conceptual designs. Despite their conceptual nature, the designs have often still been worked out with a great level of detail. This drawing, for example, is part of a group of three detailing the floorplan, facade, side elevation, and various sections of a building that, as of yet, has not been connected to an existing performance venue in France.
Twee mensen aan tafel
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2228

Een man staat naast zijn vrouw zittend aan een tafel waarop twee lampen staan. Midden onder genummerd Bl. 44.
Furniture support: female sphinx with Hathor-style curls
Object type: furniture support
Date: 1800 – 1701
Materials: gold foil, ivory
Culture: assyrian
Location: anatolia
Subjects: sphinx
Portret van Johann Valentin Andreae
Object type: print
Date: 1601 – 1601
Materials: paper
Techniques: engraving
Subjects: theologian, the eucharist ~ the fourth of the seven sacraments, censer, historical persons, the new tables of the law (exodus 34), the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 9

Tekst in het Latijn in de omlijsting en in de cartouche.
Centenary of the Conquest of Trinidad by the British
Object type: medal
Date: 1801 – 1900
Materials: gold
Subjects: men,portraits,ships
Portret van Chlotarius III, koning van Frankrijk
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons, king
Inscriptions: collector's mark: Lugt 2228
Moses and the Brazen Serpent
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: italy
Artist: Anonymous
Artist nationality: Italian
Roei-, steiger- en schuitenvoerdersgilde van Amsterdam, gildepenning van Nicolaas Staalstra, ligplaats Haringpakkerij
Object type: medal
Date: 1752 – 1752
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: naar links varende zeilboot; op achterplecht: zittende man. Keerzijde: opschrift boven huismerk en hart met daarin letters N en S tussen monogram van letters H en P
Portret van Johannes Lascaris
Object type: album leaf
Date: 1549 – 1577
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: rome, historical persons, portrait of a writer, diplomacy, diplomat

Prent gebruikt in: Giovio, Paolo. Elogia Virorum literis illustrium (...). Bazel: Peter Perna, 1577.
Male Saint
Object type: print
Date: 1501 – 1600
Materials: paper
Techniques: etching
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: saints
Jug
Object type: jug
Date: 600 – 480
Materials: terracotta
Culture: cypriot

Bull's head on front of shoulder.
The Battle of Tonguzluq
Object type: print
Date: 1773 – 1773
Techniques: engraving, etching
Artist: augustin de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1807
Subjects: battles,soldiers,massacres,horses

This print depicts the 1758 Battle of Tonguzluq with Qing soldiers firing cannons and using guns and arrows to attack the enemy within a fortified encampement filled with tents and yurts; outside the encampement, Qing soldiers set fire to enemy turrets and take prisoners. Part of a set of sixteen, "The Battle of Tonguzluq" was commissioned by the Qianlong Emperor in 1765 to commemorate Manchu victories (1755-59) over the Eleuths, the Dzungars, and other Central Asian peoples in the present-day region of Xinjiang. Made under the direction of Charles-Nicolas Cochin (1715-1790), the prints, which follow reduced-scale copies of paintings by Jesuit artists working in Beijing, were etched and engraved in France from 1767 to 1774 by the finest printmakers at the court of Louis XV. The Chinese merchants of Canton (present-day Guangzhou) paid for the copper plates and two hundred sets of prints to be delivered to China, with only a few sets retained in Paris. The prints exemplify the fusion of Eastern and Western representational styles fostered within the Qing imperial painting academy. The European technique of chiaroscuro-the modeling of forms through the use of light and shading-has been visibly tempered, as has the use of one-point perspective. Instead, the scenes present panoramic views and strongly up-tilt ground planes. At the same time, howevery, they reflect European preferences for anatomical accuracy, a single light source, and the mathematically correct reduction of scale to create the illusion of recession.
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 567 – 535
Materials: terracotta
Culture: greek, attic

On the shoulder, hind quarters and legs of a hare? to left
Zeeland, scheepjesschelling, 1753
Object type: coin
Date: 1753 – 1753
Materials: silver
Techniques: striking
Location: middelburg

Zilveren munt. Voorzijde: tussen waarde-aanduiding 6 ST gekroond wapenschild van Zeeland. Boven kroon jaartal. Keerzijde: oorlogsschip varend naar rechts, op achtersteven Nederlandse vlag. Kabelrand. Piedfort.
Portret van Hermann Bonnus
Object type: print
Date: 1705 – 1769
Materials: paper
Techniques: engraving
Artist: christian fritzsch
Artist role: print maker
Artist dates: 1695 – 1769
Subjects: ornament ~ medallion, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Historische kaart van Nederland tijdens de Middeleeuwen
Object type: history print
Date: 1749 – 1749
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of separate countries or regions, netherlands
Inscriptions: date

Illustratie voor: J. Wagenaar, Vaderlandsche historie, dl. II, 1749.
Bottle with Waves and Auspicious Emblems
Object type: bottle
Date: 1301 – 1400
Materials: cobalt, glaze, stoneware
Techniques: painting
Culture: vietnamese

The history of the shape of this Vietnamese bottle is interesting. It is based on a shape that was popular in China in the fourteenth century. The Chinese pieces are a slight reinterpretation of a shape first found in metalwork in the eighth century, which, in turn, was based on a form introduced from India with Buddhism.
Portret van Nicolaas de Grebber
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: engraving
Location: haarlem
Artist: adriaen de grebber
Artist role: print maker, silversmith
Artist dates: 1576 – 1661
Subjects: jeweller, goldsmith, silversmith (+ artist at work)
Inscriptions: collector's mark: Lugt 2228

Portret van Nicolaas de Grebber op 64-jarige leeftijd. De Grebber was een goudsmid uit Haarlem en de vader van de prentmaker. De man heeft de instrumenten van een goudsmid vast en werkt aan een beker. De prent heeft een Italiaans onderschrift.
Portret van een jongen
Object type: photograph
Date: 1888 – 1894
Materials: cardboard, photographic support
Techniques: albumen print
Location: zwolle
Artist: jacques daniël rijk
Artist role: draughtsman
Artist dates: 1855 – 1912
Subjects: boy (child between toddler and youth), historical persons
Inscriptions: inscription: ‘J.D. Rijk/ Zwolle/ Rhijnvis - Feithlaan’
Support Bar
Object type: support bar
Date: 1600 – 1600
Materials: iron
Culture: french
Panel of Saint John the Baptist with Scenes from His Life
Object type: painting
Date: 1464 – 1507
Materials: gold leaf, paint, wood
Culture: spanish
Location: spain
Artist: domingo ram
Artist role: artist
Artist nationality: spanish
Artist dates: 1464 – 1507
Subjects: men,women,saint john the baptist,herod
Vegetable Dish
Object type: vegetable dish
Date: 1840 – 1850
Materials: glass
Culture: american
Location: united states
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: linen, silk
Subjects: flowers,leaves
Teapot with powder blue and pearl chasing dragons in gold
Object type: teapot
Date: 1700 – 1700
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: china
Artist: Anonymous

Trekpot, bleu poudré, met draken en lijnornament in goud, hengsel.
Fragment crème-witte grove katoenen tule
Object type: coupon
Date: 1900 – 1900
Materials: cotton
Techniques: weave
Location: nijmegen

Fragment crème-witte grove katoenen tule.
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Date: 1897 – 1897
Materials: ink, paper
Techniques: pen, writing
Location: wiesbaden
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: pieter haverkorn van rijsewijk, the graphic arts, exhibition ~ art, diseases
Inscriptions: collector's mark: ‘RPK’
Johannes de evangelist
Object type: print
Date: 1739 – 1780
Materials: paper
Techniques: etching
Location: venice
Artist: joseph wagner
Artist role: painter, print maker, publisher
Artist dates: 1706 – 1780
Subjects: the apostle john the evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll
Pair of miniature shoes
Object type: shoe
Date: 1701 – 1733
Materials: earthenware
Techniques: glazing
Subjects: shoes
Embroidered darning sampler
Object type: sampler
Date: 1853 – 1853
Materials: cotton, silk
Hercules Strangling the Nemean Lion
Object type: plaquette
Date: 1501 – 1533
Materials: bronze
Artist: moderno (galeazzo mondella)
Artist role: artist
Artist nationality: italian
Artist dates: 1467 – 1528
Subjects: hercules,lions

The plaquette exists in three versions: the original circular version, derived directly from an antique gem in the collection of Lorenzo de' Medici; a rectangular variant which omits landscape details; and a further circular version derived from the rectangular one.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, on the inside of the tondo, unidentified subject; on the frieze surrounding the tondo, part of a palmette
Landscape with Drunken General and Servant
Object type: fan mounted a an album leaf
Date: 1000 – 1035
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: drunkenness,men,servants
Johanna (Nan) Vreede en Johanna (Hans) de Jong in het gras bij hotel Oud Berg en Dal
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1900
Materials: paper, cardboard
Techniques: collodion silver print
Subjects: leiden, johanna petronella lambertina stokhuyzen-de jong (hans), surabaya, johanna elisabeth borgerhoff mulder-vreede (nan), child, sitting on the ground, hotel, hostelry, inn
Inscriptions: inscription: ‘Oud Berg en Dal./ Nan en Hans in 't gras’
Card Number 97, Rose Coghlan, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
The Entombment
Object type: painting
Date: 1301 – 1350
Materials: gold leaf, paint, wood
Culture: italian
Artist: master of forlì
Artist role: artist
Artist nationality: italian
Artist dates: 1300 – 1350
Subjects: angels,christ,virgin mary,entombment
Zie hier lieve kind'ren / Van rijken en van mind'ren [(...)]
Object type: popular print
Date: 1700 – 1899
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: children's games and plays, games using special objects (marbles, top, hoop, etc.)
Inscriptions: collector's mark: Lugt 2760

Blad met 15 voorstellingen van kinderspelen en bezigheden, zoals lezen en tollen. Onder elke voorstelling een vierregelig vers. Genummerd rechtsboven: 27.
The Wine Glass
Object type: print
Date: 1858 – 1858
Materials: ink
Techniques: etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: drinking glasses
Gezicht over de Amstel naar de Groenburgwal en de Zuiderkerk
Object type: photograph
Date: 1900 – 1900
Materials: paper
Techniques: collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: canals, waters (in city), parts of church exterior and annexes: tower

Gezicht over de Amstel naar de Groenburgwal en de Zuiderkerk, links het 's Gravelandse Veer en rechts de Staalkade.
Frontispiece to "Hero and Leander"
Object type: print
Date: 1801 – 1801
Techniques: aquatint, etching
Artist: louis philibert debucourt
Artist role: artist
Artist nationality: french
Artist dates: 1755 – 1832
God kijkt vanaf een wolk toe hoe Hendrik IV van Frankrijk als overwinnaar op zijn tegenstanders staat
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: paris, hendrik iv (koning van frankrijk en navarra), voltaire, equestrian state-portrait, other representations ~ god the father, armour, historical persons, battle
Inscriptions: collector's mark: Lugt 2228

Deze prent behoort tot een serie van twaalf prenten, vervaardigd voor de geschriften van Voltaire. Prent gebruikt voor: Almanac historique généalogique pour l'année 1782. A Berlin. Berlijn: L'Academie, 1781.