deem-data/ArtiFact huggingface dataset:
Twee duifjes in een bennetje [(...)]
Object type: print
Date: 1861 – 1929
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: europe
Subjects: children's games and plays, human types, child, characters (human types), child playing with animals
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen van verschillende aard, zoals voorstellingen van een jongen met duifjes in een kooitje, van twee vrouwen aan een keukentafel en van twee jongens die een vlinder hebben gevangen. Onder elke voorstelling een vier- of zesregelig vers. Genummerd linksboven: No. 6.
Suggestion for the Decoration of Lower Right and Top Right of an Altar Frame, Plate 3 from an Untitled Series with Rocailles Ornaments for Altar and Door Frames
Object type: album print ornament architecture
Techniques: etching
Artist: wolffgang christoph mayr
Artist role: engraver
Artist nationality: central european

Ornament print with suggestions for the decoration of the lower right of a suspended frame of a pier glass or altar, and the top right corner of an altar or door, bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.
Het stadhuis te Utrecht
Object type: print
Date: 1756 – 1758
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 2233

Prent gebruikt in: Tegenwoordige staat der Vereenigde Nederlanden, elfde deel, behelzende eene beschryving van de provincie van Utrecht. Met landkaarten, plans der steden en printverbeeldingen versierd / Hedendaagsche historie, of tegenwoordige staat van alle volkeren; XXI. deel (…). Amsterdam: Isaak Tirion, 1758, tussen p. 352 en 353.
Design for Phaeton, no. 897
Object type: drawing
Date: 1850 – 1870
Materials: ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Tile
Object type: tile
Date: 1620 – 1640
Materials: earthenware
Techniques: glazing
Subjects: men,flowers
Gezicht op de promenade voor het hoofdgebouw van de baden van Heustrich-les-bains bij Spiez, Zwitserland
Object type: page
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: public baths, avenue, boulevard, promenade, esplanade
Marble statue of a lion
Object type: statuette of a lion
Date: 400 – 390
Materials: marble
Culture: greek
Subjects: lions

Marble statues of lions were sometimes used as tomb monuments or as guardians at both ends of a large tomb facade. Like many classical Greek works of art, this statue was taken to Rome during the imperial period.
Koets op een weg in een berglandschap (Noorwegen, Italië of Frankrijk)
Object type: photograph
Date: 1896 – 1896
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Inscriptions: annotation: ‘No. 1196. 1896.’
Pendant
Object type: pendant
Date: 1901 – 2000
Materials: jade, pearl
Culture: chinese
Subjects: birds,flowers
Brief aan Andries Bonger
Object type: letter
Date: 1900 – 1900
Materials: ink
Techniques: pen, writing
Location: colombes
Artist: héloïse bernard
Subjects: émile bernard, andries bonger, applied arts, arts and crafts; industrial design
Inscriptions: watermark
Gezicht op de Hervormde Kerk te Burgh
Object type: photograph
Date: 1890 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: burgh
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Kerk v/d N.H. gemeente te Burgt (schouwen) Zeeland/ Mei 1890’, annotation: ‘Kerk van de N.H. gemeente, Mei 1890/ Burgt’
Façade van Palazzo Doria Pamphilj
Object type: album leaf
Materials: paper
Techniques: etching
Location: italy
Subjects: innocentius x, palace, façade (of house or building)
Inscriptions: inscription: ‘Ende lib. No. 23. fol. 67. 182./ Ende lib. No. 21. fol. 232...’, number: ‘6’

Deze prent maakt deel uit van de reeks getiteld: Palazzi di Roma. Deze reeks bestaat uit twee boeken. Boek één getiteld: Palazzi di Roma dei più celebri architetti..., bestaat uit 44 prenten die worden toegeschreven aan Giovanni Battista Falda (naam staat enkel op prent 27) en uitgegeven door Giovanni Giacomo de'Rossi. Deze 44 prenten zijn bekend in twee staten (met en zonder nummer). Boek twee getiteld: Nuovi disegni dell'architetture... libro secondo, bevat 66 prenten door Giovanni Battista Falda en Simone Felice. Deze 66 prenten zijn bekend in twee staten (met en zonder nummer).
Dish with Floral Bouquet Tied with a Riboon Encircled by Chrysanthemum and Peony Scrolls
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, painting, underglaze
Location: china
Drie kreuzer, noodmunt uit Braunau, geslagen tijdens het beleg door de Oostenrijkers
Object type: coin
Date: 1743 – 1743
Materials: tin
Techniques: striking
Location: braunau-am-inn
Artist: Anonymous
Subjects: braunau-am-inn, beleg van braunau

Eenzijdige, vierkante tinnen noodmunt met afgeschuinde hoeken. Voorzijde: gekroond wapenschild tussen jaartal binnen bladerkrans en omschrift; onder wapenschild: waardeaanduiding. Keerzijde: blanco.
Pair of cymbals
Object type: crèche accessory
Date: 1701 – 1900
Materials: brass, gilt
Subjects: musical instruments
Snapshot van bovenaf: op de manier van 'The Powers of Ten'
Object type: photograph
Date: 1948 – 1955
Materials: photographic support
Techniques: chromogenic print
Location: united states
Artist: Anonymous
Subjects: united states of america

Opname vanuit een mast recht naar beneden. In de hoek van een tuin op het gras zitten twee mensen in tuinstoelen.
Animal figure
Object type: figurine, animal
Date: 1850 – 1640
Materials: faience, mud
Location: egypt
Subjects: animals
Brief aan Emile Ernest Bernard en Héloïse Bernard-Bodin
Object type: letter
Date: 1878 – 1941
Materials: ink
Techniques: pen, writing
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: héloïse bernard-bodin, emile ernest bernard
Historia Septem Infantium de Lara/ Historia de los Siete Infantes de Lara
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: antwerp
Subjects: warfare; military affairs (+ cavalry, horsemen), tales and fairy tales, crowning with laurel, waving farewell ~ departure on a journey
Inscriptions: collector's mark: Lugt 11, number: ‘36’, collector's mark: ‘Hinloopen’

Deze prent maakt deel uit van een reeks van 40 prenten (+ titelprent) met voorstellingen uit het volksverhaal over de zeven infanten van Lara.
Interieur van een boerderij met twee boeren en een boerin die fluit speelt
Object type: print
Date: 1645 – 1706
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: farmers, more than one musician with instrument
Inscriptions: collector's mark: Lugt 2228

Aan een tafel in een boerderij zitten twee mannen en een oude vrouw. Een van de mannen leert de vrouw fluit spelen. Op een stoel ligt een luit en tegen de tafel leunt een gamba. Onder de voorstelling een Nederlands vers.
Adoration of the Shepherds
Object type: drawing
Materials: chalk, ink
Techniques: pen, wash
Artist: ubaldo gandolfi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1781
Subjects: virgin mary,jesus,adoration of the shepherds,shepherds
Arrow Shaft Straightener
Object type: arrow shaft straightener
Date: 1301 – 1400
Materials: granite
Culture: columbia river
Location: united states
Address-Card of the Printseller, Rochoux
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: etching, printing
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Histoire d'Apollon et de Diane
Object type: print
Date: 1547 – 1548
Materials: paper
Techniques: engraving
Location: france
Artist: etienne delaune
Artist role: draughtsman, goldsmith, print maker
Artist dates: 1519 – 1583
Subjects: lycian farmers changed into frogs: latona changes lycian farmers into frogs, because while they were weeding a marsh, they prevented her and her children from quenching their thirst (ovid, metamorphoses vi 369)
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een zesdelige serie met scènes uit het verhaal van Diana en Apollo.
Portret van Jan Neyen
Object type: book illustration
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: antwerp, spain
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als illustratie in: Meteren, Emanuel van. Oorlogen en geschiedenissen der Nederlanderen en derzelver nabuuren, deel IX, p. 226. Amsterdam: Steven Jacobus Baalde, 1786.
The Peasant Squatting, from The Caprices
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

Jacques Callot excelled at integrating colorful, often lowbrow details into his elegant etchings. His humorous series The Caprices includes snippets from the daily life of soldiers and peasants alike.
Simplicius in the Solitude of the Forest, plate ten from Intermezzos
Object type: print
Date: 1881 – 1881
Materials: paper
Techniques: etching
Location: germany
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Île de la Cité
Object type: print
Date: 1812 – 1859
Materials: paper
Techniques: etching
Artist: james abbott mcneill whistler
Artist role: painter, print maker
Artist dates: 1834 – 1903
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘Paris de la Galerie d'ap’

Gezicht op de Seine en het île de la cité in Parijs.
Le Palais-Royal
Object type: page
Date: 1839 – 1840
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: palace
Inscriptions: inscription: ‘PARIS DAGUERRÉOTYPÉ No. 30.’

Prent op honderdnegentiende ongenummerde pagina.
Portret Karl Joseph Anton Mittermaier
Object type: print
Date: 1845 – 1850
Materials: paper
Techniques: lithograph
Location: frankfurt am main
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Met facsimile signatuur van de geportretteerde.
Brand in de Nieuwe Kerk te Amsterdam, 1645
Object type: history print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: fire-fighting
Inscriptions: inscription: ‘Brand van de Nieuwe Kerk. Ao. 1645’

Brand in de Nieuwe Kerk te Amsterdam, 11 januari 1645. De spits valt om, op de voorgrond komt de brandweer aangesneld.
Tibet, from "Court Game of Geography"
Object type: print
Date: 1838 – 1855
Techniques: engraving, hand coloring
Artist: william and henry rock
Artist role: publisher
Artist nationality: british
Artist dates: 1821 – 1884
Subjects: playing cards,maps
Opheffen van de staat van beleg van Maastricht 1839
Object type: history medal
Date: 1839 – 1839
Materials: bronze
Techniques: striking
Location: brussels
Artist: jacob wiener
Artist role: medailleur
Artist dates: 1815 – 1899

Bronzen penning, op de voorzijde een naar links zittende stadsgodin met sleutels en ovalen schild met het Nederlandse wapen, met afsnedetekst, op de keerzijde vijftien regels tekst onder een klein gekroond Maastrichts wapenschild.
Jar
Object type: jar
Date: 3850 – 2960
Materials: pottery
Location: egypt
Man draagt vrouw
Object type: print
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: aat verhoog
Artist role: print maker
Artist dates: 1933 – 
Inscriptions: signature: ‘Aat Verhoog’

Man draagt vrouw in zijn armen in blauwe gang, rechts omkaderd door veelkleurige rozen.
Sample
Object type: sample
Date: 1801 – 1833
Materials: felt, silk
The Fifth Plague of Egypt (Liber Studiorum, part III, plate 16)
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: pyramids,sky,lightning

Turner distilled his ideas about landscape in "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched the outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a passage from Exodus 9. The chapter recounts three of the ten plagues that Moses invoked to persuade the Egyptian pharoah to release the Hebrews from bondage. Curiously, the title mentions the fifth plague, directed against domestic animals, but the print focuses on the seventh, an apocalypic storm of hail and fire. The letter "H" in the upper margin indicates to Turner's category of Historical landscape.
Border
Object type: border
Date: 1801 – 1900
Techniques: lace
Standing figure holding a tambourine(?)
Object type: statuette of a woman
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: musical instruments

The figurine, of uncertain gender, is handmade and solid, with a flaring cylindrical body. The arms curve downward, the hands held flat against the body. A small disk-shaped object, perhaps a tambourine, rests just above the hands.
Towel
Object type: towel
Date: 1701 – 1800
Materials: linen
Heilige communie wordt uitgedeeld aan jongens en meisjes
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: lithograph
Location: rotterdam
Subjects: first communion, altar
Inscriptions: : ‘Gedeponeerd’

Een jongen ontvangt de heilige communie voor het altaar in een kerk. Achter hem zitten meer jongens. Rechts zit een groep meisjes in witte jurken te wachten op de hostie. De afbeelding is omlijst met taferelen die verwijzen naar scènes uit de Bijbel, allegorische scènes en teksten uit de Bijbel. Bovenin ligt het lam Gods op een altaar. Onderin een tekst met daarin ruimte om naam, plaats en datum in te vullen.
Jack of Spades, from Harlequin Cards, 2nd Series (N220) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: playing cards

Playing cards issued as trade cards from the "Harlequin Cards, 2nd Series" (N220), issued in 1889 to promote Kinney Tobacco Company.
Portret van Johann Jacob Schudt
Object type: print
Date: 1714 – 1722
Materials: paper
Techniques: engraving
Subjects: further education (+ portrait of teacher, professor), ethnology, cultural anthropology (+ portrait of scholar, scientist), historical persons
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de ondermarge.
Spoon
Object type: spoon
Date: 1670 – 1680
Materials: silver
Culture: american
Location: united states
Artist: john hull
Artist role: maker
Artist nationality: american
Artist dates: 1624 – 1683
Paard van faience
Object type: dierfiguur
Date: 1760 – 1780
Materials: faience
Location: delft
Artist: johannes van duijn
Artist role: plateelbakker
Inscriptions: collector's mark: ‘onleesbaar (doorgekrast)’, collector's mark: ‘R[...]H’, mark: ‘I/ VDUIJN (ineen)’

Dierenfiguur van faience, voorstellende een opgetuigd paard.
Hemelvaart van Elia
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: a chariot, horses of fire and a whirlwind appear and elijah is carried up into heaven; elijah's cloak falls (or he hands it over to elisha)
Inscriptions: collector's mark: Lugt 240

Elia in een wagen getrokken door een paard in de wolken.
A Short History of General A. Phill, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,flags,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Hooibalen in een landschap
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paint, paper
Techniques: brush
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: landscapes, hay-stack

Blad 2 verso en 3 recto uit een schetsboek met 34 bladen.
Stijfselverfpapier in groen met ingekwaste decoratie
Object type: paste paper
Date: 1900 – 1969
Materials: paper
Techniques: starch dyeing
Artist: Anonymous
Fragmenten pijpenstelen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe stem
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Fotoreproductie van een schilderij van Thomas de Keyser, 'Portret van een geleerde' (coll. Mauritshuis)
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: carbon print
Subjects: mauritshuis
Enkele figuren op een weg
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: village street, farm or solitary house in landscape, eating
Inscriptions: collector's mark: Lugt 240

Gezicht op een rij huizen aan een onverharde weg. Op de voorgrond gebruiken drie figuren met manden de maaltijd.
Eyes Right, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from the "Parasol Drill" series (N18), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Bowl
Object type: bowl
Date: 801 – 1000
Materials: earthenware, glaze
Techniques: polychrome
Location: iran
Two Pheasants on a Rock
Object type: panel
Date: 1801 – 1900
Materials: ink, metal thread, silk
Techniques: tapestry
Culture: chinese
Subjects: pheasants

While at first glance this picture of pheasants and a distant landscape looks like a painting, it is actually silk tapestry (kesi). Beginning in the Southern Song dynasty (1127–1279) and continuing into the late Qing, faithful reproductions of paintings were made in kesi. By contrast, tapestry-woven silks with decorative patterns were produced for clothing and furnishings. By the nineteenth century, kesipictures show a change in technique: large areas are tapestry-woven in a single color and then details painted in. Here, for example, the river is a single area with painted waves and ripples. (From China, 1800–1900 A.D.)
Robe à l'anglaise
Object type: robe à l'anglaise
Date: 1770 – 1770
Materials: cotton, silk, wool
Culture: british
Shirt
Object type: textile
Date: 1801 – 1900
Materials: textile, silk
Techniques: embroidery, stitching
Location: india
Seal
Object type: seal
Date: 1701 – 1800
Materials: ivory
Culture: chinese
Painted Banner (Thangka) of Bodhisattva Manjushri with Vajrapani (right) and Padmapani (left)
Object type: painting
Date: 1401 – 1500
Materials: cotton, gold, ink, watercolor
Culture: tibetan
Location: tibet
Portret van de politicus James Emerson Tennent
Object type: page
Date: 1862 – 1867
Materials: paper
Techniques: albumen print
Artist: ernest edwards
Artist role: fotograaf
Artist dates: 1837 – 1903
Subjects: adult man, historical persons, politician, e.g. party leader
Cabinet des Modes ou les Modes Nouvelles, 15 Septembre 1786, pl. III
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving
Location: paris
Schotel
Object type: platter
Date: 1774 – 1778
Materials: porcelain
Location: loosdrecht

Schotel van porselein. Beschilderd in sepia met figuren in een landschap. Langs de rand een lila fries tussen gouden biezen.
Hoofd van een vrouw
Object type: print
Date: 1866 – 1939
Materials: paper
Techniques: relief print
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: anonymous historical person portrayed - bb - woman
Inscriptions: collector's mark: Lugt 2228

Deze prent is vermoedelijk een plaatsnede, ook al wordt in de literatuur veelal gesproken over een houtsnede. Voor zover Wierink zijn prenten in hoogdruk zelf nader heeft omschreven, heeft hij altijd de term 'plaatsnede' gebruikt.
Textile Design with a Ribbon Forming a Vermicular Pattern and Splattered Pearls over an Abstract Honeycomb Pattern
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of a ribbon forming a vermicular pattern and splattered pearls over an abstract honeycomb shape rendered with stipples of dark reddish-brown color over a light tan base. The ribbon is of light tan color bordered with zig-zagging outlines of red color, and the pearls are of white color.
Artist Sketching, and Soldier, Both Seen from Back
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: italy
Artist: after stefano della bella
Silhouetportret van H.J. van 't Sant
Object type: print
Date: 1809 – 1848
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Artist: pieter barbiers (iv)
Artist role: painter, print maker
Artist dates: 1798 – 1848
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Piece
Object type: piece
Date: 1730 – 1730
Materials: silk