deem-data/ArtiFact huggingface dataset:
Portret van een onbekende vrouw met een kind uit de familie en de kring van Eugene van Delden en Belle van Delden-Denninghof Stelling
Object type: carte de visite
Date: 1861 – 1887
Materials: paper, cardboard
Techniques: collodion silver print
Location: arnhem
Subjects: historical persons not known by name - bb - woman, mother and baby or young child
Inscriptions: inscription: ‘Photographisch/ Atelier/ van/ BRAINICH & LEUSINK/ Menthensteeg No. 7/ ARNHEM/ De platen blijven voor nabestelling bewaard, ook worden/ vergrootingen naar ieder klein portret vervaardigd.’

Portret uit de kring van Eugene van Delden (Hartapoera, 1865 - Den Haag, 1954) en Belle van Delden-Denninghof Stelling (Batavia, 1870 - Den Haag, 1947).
Covered bowl with figures
Object type: covered bowl
Date: 1601 – 1700
Materials: biscuit, gilt, porcelain
Techniques: relief
Culture: chinese
Ondervraaging der Geloofsleerlingen / Bedieninge des Doops in een rivier
Object type: book illustration
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: catechism, the early christian churches, e.g. armenians, copts, syrians, disciples preaching and baptizing (in general), community of disciples (preaching, healing, etc. in general) (acts 2:42-47, 4:32 - 5:11), creed, credo, religious instruction of laity, e.g. sunday school, baptism, christening ceremony ~ the first of the seven sacraments - qq - baptism in the open air
Inscriptions: collector's mark: Lugt 2228

Twee voorstellingen op een plaat. Boven: op de voorgrond een leraar die vijf nieuwe gelovigen ondervraagt over de verschillende artikelen van het geloof. Op de achtergrond de gemeente der gelovigen. Onder: nieuwe gelovigen worden in een rivier gedoopt door de leerlingen van Christus. Langs de oever van de rivier de gemeenschap der christenen.
Portret van Petrus Holtzemius
Object type: print
Date: 1665 – 1665
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: matthias van sommer
Artist role: draughtsman, print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Volgens Hollstein werd de prent gebruikt voor de publicatie: Sommer, Matthias van. Hasce Omnium Electorum. Regensburg: s.n., 1667. Alhoewel op de titelpagina van de publicatie het jaar 1667 wordt vermeld, zijn meerdere prenten later gedateerd. Waarschijnlijk werd de publicatie pas in 1671 daadwerkelijk uitgegeven.
Vlissingen
Object type: photograph
Date: 1880 – 1920
Materials: paper
Techniques: collodion silver print
Location: walcheren
Artist: Anonymous
Subjects: historical persons, laundering, folk costume, regional costume
Inscriptions: inscription: ‘Volksdracht/ N.Ned./ Walcheren’, number: ‘- 527078’, number: ‘32.834’
J. Floris - Compertementen
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1564 – 1564
Materials: leather, paper
Techniques: bookbinding, decorated paper, engraving
Location: amsterdam
Subjects: ornaments ~ art, ornament ~ cartouche
Inscriptions: inscription: ‘27// II 8’, collector's mark: Lugt 2166, inscription: ‘is.zn’

Album met twaalf gravures op twaalf albumbladen. Het betreft de serie getiteld: Veelderhande cierlijcke compertementen profitelijck voor schilders goutsmeden beeldtsnijders ende ander constenaren. Het gaat om een titelprent en elf (van de twaalf) gedecoreerde cartouches. Bruin marokijnen band, met voorin en achterin een schutblad.
Kop van een koe
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: cow

Blad 22 verso uit een schetsboek met 26 bladen.
Two Lamps
Object type: oil lamp
Date: 1850 – 1870
Materials: brass, copper
Location: netherlands
Artist: Anonymous

Deze voorwerpen, omschreven als ‘moderateurlampen’, zijn zonder nummer aangetroffen en de identificatie is gebaseerd op eliminatie. Geen verdere historische gegevens zijn bekend.
Kruisdraging
Object type: print
Date: 1717 – 1770
Materials: paper
Techniques: etching
Location: france
Subjects: christ collapsing ~ carrying of the cross
Inscriptions: collector's mark: Lugt 240
Teahouse overlooking rice fields, from the series "Ten Precincts of Kinryuzan Temple in Asakusa (Asakusa Kinruzan jikkei)"
Object type: print
Date: 1783 – 1783
Techniques: woodblock print, koban
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Portret van Moritz Hieronymus Lochner
Object type: book illustration
Date: 1727 – 1727
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: theologian, ornament ~ medallion, historical persons

Prent waarschijnlijk uit: Fränckische acta erudita et curiosa (...). Neurenberg: Julius Arnold Engelbrecht, 1727, dl. 7.
Gezicht op de rivier Teifi in Pembrokeshire, Wales
Object type: photograph
Date: 1862 – 1867
Materials: photographic support
Techniques: albumen print
Location: teifi
Artist: charles allen
Artist role: fotograaf
Subjects: low hill country, river

Foto tegenover pagina 211, achter semi-transparante omslag.
Blanche Pierson
Object type: page
Materials: paper
Techniques: woodburytype
Location: france
Artist: emile tourtin
Artist role: fotograaf
Subjects: portrait of opera-singer
Inscriptions: number: ‘No 34.’, inscription: ‘Du 7 au 14 Janvier 1874’
Reclame voor naaimachine van W.S. Hill te Manchester met gezicht op de naaimachine op tafel
Object type: photograph
Date: 1865 – 1940
Materials: cardboard, photographic support
Techniques: carbon print
Artist: Anonymous
Subjects: sewing machine, advertising
Inscriptions: inscription: ‘OUR NEW TEN DOLLAR / SEWING &amp; EMBROIDERING MACHINE. (...) W. S. HILL, / MANCHESTER. N. H.’
Wapensjabloon met helm en bladranken, schild staat op een punt
Object type: print
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Location: frankfurt am main
Artist: johann theodor de bry
Artist role: print maker
Artist dates: 1561 – 1623
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Afkomstig uit: Emblemata Saecularia. Mira et iucunda varietate seculi huius mores ita experimentia (...). 1e druk. Frankfurt am Main: J.T. de Bry en J.I. de Bry, 1596.
Anatomische studie van de luchtwegvertakkingen en de longblaasjes
Object type: book illustration
Date: 1685 – 1685
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: lungs, bronchia
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Bidloo, Godefridus. Anatomia humani corporis centum & quinque tabulis, per art. G. de Lairesse ad vivum delineatis, de monstrata, veterum recentiorumque inventis explicata plurimisque, hactenus non detectis, illustrata. Amsterdam: Weduwe Joannes van Someren, Hendrick Boom en erven Dirk Boom, 1685.
Turkish, from Types of Nationalities (N240) issued by Kinney Bros.
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men

Trade cards from the "Types of Nationalities" series (N240), issued in 1890 to promote Kinney Tobacco Company. Each card is meant to be folded into thirds. Unfolded the card displays a figure from a particular nationality. Folded, the same figure is portrayed smoking a Kinney Brothers Cigarette.
Scenes from the Life of Christ
Object type: retable
Date: 1467 – 1500
Materials: wood
Techniques: gilding, painting
Culture: french
Subjects: christ,adoration of the magi,adoration of the shepherds
Francis Hopkinson
Object type: print
Materials: paper
Techniques: etching, stippling
Location: united states
Artist: james heath
Artist role: print maker
Artist nationality: english
Artist dates: 1757 – 1834
Handle, plain.
Materials: jade
Location: china
Portret van Dirk VI, graaf van Holland
Object type: book illustration
Date: 1645 – 1645
Materials: paper
Techniques: engraving, intaglio, letterpress printing
Location: amsterdam
Subjects: historical persons, head-gear (with name), ruler, sovereign, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Prent uit: Wachtendorp, Caspar. Oude Hollandsche geschiedenissen ofte, korte Hollandtsche rym-kronyck. 14 dln. Amsterdam: Johannes Pauli, 1645, dl. 1.
Coronet
Object type: coronet
Date: 1860 – 1869
Culture: american
Imaginary Renaissance Palace
Object type: painting
Date: 1602 – 1602
Materials: canvas, oil
Artist: hendrick aerts
Artist role: painter
Artist dates: 1565 – 1603
Subjects: palace - aa - civic architecture: inside, banquet of elegant company, fantastic architecture, unrealistic architectural fantasies
Inscriptions: signature and date: ‘HAerts Inv. 1602’

Hendrick Aerts. Imaginary Renaissance palace 1602. Canvas.
Gezicht op de Burghtkerk te Den Burg
Object type: photograph
Date: 1898 – 1898
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: den burg
Subjects: church (exterior)
Inscriptions: annotation: ‘Texel, den Burg’, annotation: ‘Zuidzijde der N.H. Kerk, april 1898’, annotation: ‘Texel - den Burg (N.H.)/ Zuidzijde der N.H. kerk/ april 1898’
Flask
Object type: flask
Date: 1251 – 1300
Materials: glass
Techniques: enamel, glassblowing, gilding
Location: syria
Trade Card for W. Powers, Printer and Publisher
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Mitaine van blauwe zijde
Object type: mitt
Date: 1800 – 1825
Materials: silk
Techniques: knitting
Location: zaanstreek
Artist: Anonymous

Paar blauwe gebreide mitaines met opengewerkte zig-zag strepen. Afgezet met doorgestopte, zwarte tulle.
Portret van de dochter van Victor-Charles Mahillon
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: historical person (with name) - bb - woman - historical person (with name) portrayed alone
Inscriptions: annotation: ‘1er etat; deux exemplaires de cet etat’, collector's mark: Lugt 2228, watermark: ‘Van Gelder Zonen’
Self-Portrait
Object type: drawing and watercolor
Date: 1907 – 1907
Materials: graphite, paper
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Hand guard
Object type: tsuba, zwaardstootplaat
Date: 1600 – 1699
Materials: bronze, iron
Location: japan
Artist: Anonymous

Bijna ronde tsuba; aan beide zijden in brons ingelegde bloemenranken op een zeer onregelmatige ondergrond.
Fragment of an Inscribed Column
Object type: fragment
Date: 501 – 700
Materials: limestone
Techniques: incising
Location: egypt
Panel
Object type: textile
Date: 1743 – 1747
Materials: silk
Techniques: brocade, patterning, weave
Location: spitalfields
Subjects: floating gardens
Groep mensen met dieren in het veld, China
Object type: news photograph
Date: 1938 – 1938
Materials: paper
Techniques: gelatin silver print
Location: new york city
Artist: robert capa
Artist role: fotograaf
Artist dates: 1913 – 1954
Subjects: fugitives 'en route', ass, donkey, china
Inscriptions: stamp: ‘PHOTO BY:/ PIX PUBLISHING INC./ 250 PARK AVENUE/ NEW YORK CITY/ TEL.ELDORADO 5-4021/ PLEASE CREDIT ROBERT CAPA - PIX/ THIS PICTURE IS SOLD TO YOU FOR YOUR/ PUBLICATION ONLY AND MUST NOT BE/ LOANED, SYNDICATED OR USED FOR AD-/ VERTISING PURPOSES WITHOUT WRITTEN/ PERMISSION FROM US.’, number: ‘13’
A glade at Farringford
Object type: page
Date: 1887 – 1897
Materials: paper
Techniques: autotype
Location: isle of wight
Subjects: façade (of house or building), country-house
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Part of the right side of the torso of a frontal male
Gazette du Bon Ton, 1921 - No. 3, Pl. IX: Robe d'après-midi, de Beer; et robe du soir, de Worth.
Object type: fashion print
Date: 1921 – 1921
Materials: paper
Techniques: lithograph
Location: geneva
Subjects: dress, gown: evening dress (+ women's clothes), fashion plates
Inscriptions: date

Twee vrouwen, op de rug gezien, gekleed in een middagjapon van Beer en een avondjapon van Worth, lopend op een trap in een uitgaansgelegenheid. Planche IX uit een serie van vier litho's getiteld: 'Les modes en l'an de grace mil neuf cent vingt un', uit Gazette du Bon Ton 1921, No. 3. Uitleg over de kleding op pagina "Explication des Planches".
Portret van Adriaen Clant
Object type: print
Date: 1640 – 1684
Materials: paper
Techniques: engraving
Subjects: historical persons, diplomacy, diplomat

In een ovaal met onder en boven een wapenschild. Onder het portret een tekst.
Henry L. and Myron H. Church
Object type: drawing and watercolor
Materials: paper
Techniques: cutting
Location: france
Artist: auguste edouart
Artist nationality: french
Artist dates: 1789 – 1861
Terracotta fragment of a lekanis lid (covered dish)
Object type: lekanis fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Draped woman to right, with a diadem, wearing a chiton, playing the lyre; part of the right hand and forearm of a figure to left; the underside of the lid is unglazed
Bedrijfsgebouwen op Pernantian, 1934
Object type: album leaf
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: plantation, billiards, club, meeting place, exterior of industrial structures, factories, sumatra
Inscriptions: inscription

Blad met vier foto's van bedrijfs- en administratiegebouwen en van de club op Pernantian, 1934. Met etiketten met onderschriften onder de foto's. Onderdeel van het fotoalbum over de plantages Brussel en Pernantian van de Sumatra Caoutchouc Maatschappij op de Oostkust van Sumatra in de jaren 1910-1935.
Luna
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: diana as moon-goddess, i.e. luna (selene), garden fountain, one person playing string instrument (plucked), lute, and special forms of lute, e.g.: theorbo
Inscriptions: collector's mark: Lugt 240, caption: ‘Sic Juvenes Lunae...’

Diana als de maangodin Luna, met naast haar een jonge man met luit. Zij heeft de stof van zijn broek vast. Zij wandelen in een tuin met rechts een grote fontein. Op de achtergrond wandelen vele figuren bij een vijver van een paleis. Op de voorgrond drinken twee honden.
Ex libris van Mary Alice Ercolini
Object type: bookplate
Date: 1790 – 1826
Materials: paper
Techniques: engraving
Artist: thomas bewick
Artist role: draughtsman, painter, print maker
Artist dates: 1753 – 1828
Subjects: mary alice ercolini, predatory birds: falcon, dale, valley
Tea cup (part of a service)
Object type: teacup
Date: 1760 – 1760
Materials: hard paste porcelain
Artist: doccia porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1737 – 1896
Subjects: male nudes,horses
Fotoreproductie van een prent naar een schilderij door Gavin Hamilton, voorstellend een scene uit Coriolanus door William Shakespeare
Object type: photograph
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: specific works of literature
Inscriptions: number: ‘Ph. LXXII. 287’

Te zien is akte V, scene 3 met een gezelschap voor de tent van Gaius Marcius Coriolanus.
H. Maria Magdalena
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: collector's mark: Lugt 2228
Cabriolet #868
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Schout die in een visnet staat
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: fishing net, magistracy, judges
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Rechtswezen.
Document Sealing With Multiple Seal Impressions
Object type: sealing, amenhotep iii, nebmaatre, horus
Date: 1390 – 1352
Materials: mud
Location: egypt
Mantle
Object type: mantle
Date: 1867 – 1900
Materials: leather, metal, wool

The Hungarian szür is derived from mantles over 2500 years old, and continued to be worn into the early 20th century. The garment was worn by shepherds mostly, providing protection from the harsh elements. Their thick wool felt was protective against cold and wet, and the long collars were adorned with roundels at the lower corners that could be connected to form a hood. Generally knee to mid-calf length, they were heavily adorned with embroidery and appliqués specific to their locality. The szür was usually worn draped over the shoulders, with the sleeves hanging loose. It was a much-coveted object, and so costly that many men resorted to thievery to afford one. This example has magnificent embroidery and adornment, distinguishing it as a particularly expensive garment. Stewart Culin (1858-1929) was the Brooklyn Museum's first Curator of Ethnology from 1903 to 1929. Culin conducted collecting expeditions, traveling throughout the United States and the world. His goals for these trips were not just to expand the Museum's holdings, but to also provide context for these objects within their cultures. In addition to choosing rare and high-quality pieces, Culin sought artifacts with interesting provenance as well.
Uithangbord: in de witte lelie
Object type: page
Materials: paper
Techniques: photograph
Location: antwerp
Artist: Anonymous
Subjects: world fair, world exhibition, piece of sculpture, reproduction of a piece of sculpture, antwerp
Rest on the flight into Egypt: a night piece
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: the flight into egypt: mary, joseph, the child (and sometimes others) on their way; mary usually riding on an ass
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Punch Bowl
Object type: ceramic
Date: 1770 – 1770
Materials: ceramic, enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Location: worcester
Earring with glass setting
Object type: earring with glass setting
Date: 1 – 300
Materials: glass, gold, paste
Culture: roman
Omkaderde Franse tekst met olijftakken en twee allegorische figuren
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: (fenelon, telemachus) specific works of literature (with author, title), ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228

Tienregelige Franse tekst, getiteld 'Livre XI' met daaronder een afbeelding van de allegorische figuren van oorlog, met een zwaard in haar hand, en vrede, met een olijftak en cornucopia. Het geheel wordt gekaderd door een sierlijst met olijftakken en onderaan een strik.
Staff
Object type: staff
Date: 1991 – 1450
Materials: wood
Location: egypt
Head of an Unknown Male
Object type: hoofd
Date: 1425 – 1475
Materials: stone
Location: java
Artist: Anonymous

This mysterious head probably comes from either Candi Sukuh or Candi Cetoh – two temples located high in the mountains between Central and East Java. The asymmetrical headgear is decorated with flowers or stars, while the face has the features of a warrior. The identity of the male figure is unknown; he may have played a role in a warrior cult or perhaps was associated with astrology
Herder en herderin met vee
Object type: print
Date: 1653 – 1653
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: cow, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep
Inscriptions: collector's mark: Lugt 240
Rocaille met twee jonge mannen
Object type: album leaf
Date: 1736 – 1736
Materials: paper
Techniques: etching
Location: paris
Subjects: rocaille ornament, youth, adolescent

Deze serie is linksboven genummerd met een letter F. Prent maakt deel uit van een album.
Binnenplaats van het kasteel van Blois
Object type: photograph
Date: 1865 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: château de blois
Artist: Anonymous
Subjects: palace, façade of inner court, inner court of palace or 'hôtel'
Inscriptions: inscription: ‘BLOIS’

De binnenplaats van het kasteel van Blois gezien richting de vleugel van Lodewijk XII.
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1918
Materials: ink, paper
Techniques: pen, writing
Artist: wally moes
Artist role: draughtsman, print maker
Artist dates: 1856 – 1918
Subjects: dordrecht, painter, designer, jan veth, liverpool, london, print maker, draughtsman, walter crane, drawing
Inscriptions: collector's mark: ‘RPK’, watermark
Fish Net Fragment
Object type: fish net
Date: 580 – 640
Materials: linen
Culture: coptic
Location: egypt