deem-data/ArtiFact huggingface dataset:
Shaded Dwellings among Streams and Mountains
Object type: hanging scroll
Date: 1622 – 1625
Materials: ink, paper
Culture: chinese
Artist: dong qichang
Artist role: artist
Artist nationality: chinese
Artist dates: 1555 – 1636
Subjects: mountains,landscapes,trees

Dong Qichang, the foremost landscape painter and theorist of the early seventeenth century, pursued artistic reform. Reacting against what he perceived as the decadent, perverse trends of contemporary landscape painting, Dong, following in the literati tradition, sought a creative reconstruction of the past through the critical study of ancient styles. In an attempt to restore simplicity and vitality to painting, Dong advocated a spiritual correspondence with the art of the old masters rather than a literal imitation of them and underscored the importance of self-expression. Approaching painting as though it were calligraphy, Dong alternated positive and negative patterns in his landscapes, which resulted in a radical new kinesthetic style. Shaded Dwellings among Streams and Mountains, based on a work by the early master Dong Yuan (act. 930s–60s), is a complex calligraphic study of rock and tree forms conceived as an integration of abstract, cubic, and dynamically expressive masses that embody and are unified by the kinetic energy of the artist's physical movements.
Star of Jerusalem Quilt
Object type: quilt
Date: 1820 – 1820
Materials: cotton
Techniques: printing

The anonymous female creator who made this quilt has handled her riot of color and pattern with great dexterity. Carefully maintaining a gently symmetrical palette, the pattern of the radiating, central 8-pointed star, called the Star of Jerusalem, remains coherent. The juxtaposed patches, reclaimed and reused from both furnishings and garments, are composed of at least fifteen different printed chintzes, spanning thirty-odd years from around 1790 to 1820. As such, this quilt embodies the glorious range of visual sources and styles embraced by late eighteenth- and early nineteenth-century European textiles designers. Neo-Renaissance arabesques are juxtaposed with minutely-observed florals and birds’ nests, Ancient Egyptian-style hieroglyphs abut the Chinoiserie peonies and porcelain of the central star.
Portret van Hendrik Conscience
Object type: print
Date: 1831 – 1890
Materials: paper
Techniques: etching
Artist: jean baptiste pierre michiels
Artist role: print maker
Artist dates: 1821 – 1890
Subjects: adult man, historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1e Etat’
Wandelend boerenpaar
Object type: print
Date: 1646 – 1745
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: farmers
Inscriptions: collector's mark: Lugt 240

Wandelend boerenpaar is een kopie naar een prent van Adriaen van Ostade, de figuren zijn spiegelverkeerd weergegeven.
Tekst bij de portretten van Willem IV, prins van Oranje-Nassau, Anna van Hannover en Maria Louisa van Hessen-Kassel
Object type: text sheet
Date: 1751 – 1751
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: willem iv (prins van oranje-nassau), anna van hannover
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Rebecca and the Wounded Ivanhoe
Object type: painting
Date: 1823 – 1823
Materials: canvas, oil
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: bedrooms,armor,men,women
Abyssinia, from "Court Game of Geography"
Object type: print
Date: 1838 – 1855
Techniques: engraving, hand coloring
Artist: william and henry rock
Artist role: publisher
Artist nationality: british
Artist dates: 1821 – 1884
Subjects: playing cards,maps
Queen
Object type: glass
Date: 1700 – 1750
Materials: glass, metal
Techniques: lampwork
Location: france
Serie Bruxelles
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1930
Materials: cardboard
Techniques: photograph
Location: brussels
Artist: Anonymous
Subjects: traffic by road or path with motor-vehicle, tea garden, garden restaurant, public gardens, park
A Rolling Stone is Ever Bare of Moss, from The Pastorals of Virgil
Object type: print
Date: 1821 – 1821
Materials: ink, paper
Techniques: printing, engraving
Location: england
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Portret van een onbekende man
Object type: photomechanical print
Date: 1872 – 1872
Materials: paper
Techniques: photograph
Location: ghent
Subjects: historical persons
De vismarkt te Rotterdam, 1816
Object type: watercolor
Date: 1816 – 1816
Materials: ink, paper, watercolor
Techniques: brush, pen
Location: netherlands
Artist: jan anthonie langendijk dzn
Artist role: draughtsman, print maker
Artist dates: 1780 – 1818
Subjects: fishes, market
Gesluierde vrouw
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: paris
Subjects: adult woman, veil
Langhalzige mannenkop van hout, horend bij het orgel afkomstig uit de Nicolaïkerk in Utrecht
Object type: sculpture
Date: 1477 – 1481
Materials: wood
Location: northern netherlands
Artist: Anonymous
Subjects: nicolaïkerk

Langhalzige mannenkop van hout, horend bij het orgel afkomstig uit de Nicolaïkerk in Utrecht.
Schiedam Schuttery
Object type: drawing
Date: 1789 – 1789
Materials: paper
Location: northern netherlands
Artist: Anonymous
Subjects: (military) uniforms (+ citizen soldiery, civil guard, citizen militia), patriots (1780-1795)

Montering of uniform van de schutterij van Schiedam, ca. 1785. Onderdeel van een schetsboek met 41 gekleurde tekeningen van de monteringen van de gewapende schutterijen en burgercorpsen in Nederland in de periode ca. 1783-1789.
Mlle. Montbazon, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, unidentified subject; Exterior, drapery?
Temple Banner
Object type: temple banner
Date: 1801 – 1900
Materials: cardboard, cotton, silk
Techniques: backing
Culture: chinese
Subjects: birds,flags
Portret van een vrouw met witte klederdrachtmuts
Object type: album leaf
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Subjects: historical persons - bb - woman, head-gear: cap, folk costume, regional costume
Inscriptions: inscription: ‘D. Fraenkel & Zoon/ PHOTOGRAPHEN/ Amsterdam 43.Commelinstraat 43./ Specialiteit in vergrootingen van deze Portretten/ kunnen steeds nabesteld worden.’
View of an Encampment of the Army of Willem III near Leuven
Object type: drawing
Date: 1675 – 1675
Materials: ink, paper
Techniques: brush, pen
Location: leuven
Artist: josua de grave
Artist role: draughtsman
Artist dates: 1645 – 1712
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), (military) camp with tents, louvain
Inscriptions: date: ‘16 7/17 75’

Kampement van het leger van Willem III bij Leuven, 17 juli 1675. Soldaten bij tenten.
The Entombment of Christ
Object type: print
Date: 1475 – 1475
Techniques: drypoint, engraving
Artist: andrea mantegna
Artist role: artist
Artist nationality: italian
Artist dates: 1431 – 1506
Subjects: sadness,men,christ,virgin mary,entombment

This impression was formerly mounted on top of a facsimile that filled in the losses. Either the facsimile was printed on gauzy fabric or the gauzy fabric lay on top of the print and served to blur the distinction between the engraving and the facsimile. At the time of the Mantegna exhibition in 1992, the print was removed from its mount and the beauty of the impression recognized., in spite of its fragmentary condition. It was included in the exhibition in its New York venue but was not discussed in the catalogue. Watermark: crown in circle. Vasari suggested that it was Baldini's engravings that inspired Mantegna to take up the medium. Recent scholars are also of the opinion that Florentine examples provided Mantegna with a starting point for the development of his own technique. In what is believed to be one of his earliest prints, we can see the profusion of fine lines with which Mantegna builds up areas of tone, from the transparent shadows of the Virgin's mantle to the impenetrable darkness of the cave. His shading is systematic, with all lines following the same diagonal slant, and his contours vary subtly in depth and thickness, creating a sense of volume through their modulations. In this beautifully rich-if damaged-early impression, we can appreciate the full intensity, drama, and ambition of one of the artist's first efforts in the new medium of engraving.
Parsifal
Object type: print
Materials: paper, ink, ivory
Techniques: lithography
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Limestone head of a beardless male votary
Object type: head of a male votary
Date: 450 – 426
Materials: limestone
Culture: cypriot
Subjects: heads,men

The face of the youthful head appears asymmetrical. He was perhaps turned to his right.
Dish with Peony Scrolls and Chrysanthemum Spray, and Lotus Panels on Reverse
Object type: vessel
Materials: porcelain
Techniques: painting, underglaze
Location: china
Dewa Province: Mogami River and a Distant View of Mount Gassan (Dewa, Mogamigawa, Gassan enbo), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)"
Object type: print
Date: 1853 – 1853
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portret van Pierre François de Noter (de Jonge)
Object type: print
Date: 1800 – 1900
Materials: paper
Techniques: engraving
Artist: monogrammist ml
Artist role: print maker
Subjects: ghent, painter, print maker, pierre françois de noter, historical persons, portrait, self-portrait of artist
Walking in the Park
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: brush, pen, wash
Location: france
Artist: constantin guys
Artist role: artist
Artist nationality: french
Artist dates: 1802 – 1892
Subjects: men,women
Portret van een onbekende man
Object type: photograph
Date: 1840 – 1860
Materials: copper, glass, plastic
Techniques: daguerreotype, hand coloring
Artist: walton adams
Artist role: fotograaf
Artist dates: 1842 – 1934
Subjects: adult man, historical persons
Gezicht op Stadhuis van Amsterdam en Nieuwe Kerk
Object type: print
Date: 1766 – 1766
Materials: paper
Techniques: engraving, etching
Artist: paulus van liender
Artist role: draughtsman, print maker
Artist dates: 1731 – 1797
Subjects: church (exterior), townhall

Prent mogelijk uit: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen, voorregten, koophandel, gebouwen, kerkenstaat, schoolen, schutterye, gilden en regeringe, beschreeven. 3 dln. Amsterdam: Isaak Tirion, 1765, dl. 2, tussen p. 110 en 111.
Firenze - Galleria Pitti. L'Epifania. Pinturicchio
Object type: reproduction
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: monogram, collector's mark: ‘AFE v S’
Overijsselse duit, 1764
Object type: coin
Date: 1764 – 1764
Materials: copper
Techniques: striking
Location: kampen

Koperen munt. Voorzijde: tussen wapenspreuk gekroond provinciaal wapenschild. Keerzijde: tweeregelig opschrift, waarboven muntmeesterteken en waaronder jaartal.
Cushion Pine at Aoyama (Aoyama enza no matsu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: mountains,landscapes,trees
Drie scènes met betrekking tot de landbouw, mogelijk het vervoeren van hooi
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: agricultural products and by-products: hay, transporting ~ harvest, agricultural implements
Inscriptions: collector's mark: Lugt 2228, watermark

Maakt mogelijk deel uit van een onbekende serie over landbouw en landbouwwerktuigen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: douris
Artist role: artist
Portret van een vrouw
Object type: photograph
Date: 1846 – 1846
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: historical persons - bb - woman, netherlands
‘Paithan’ (Chitrakathi) narrative painting
Object type: indian miniature
Date: 1800 – 1899
Materials: paper
Techniques: brush
Location: andhra pradesh
Artist: Anonymous

Abhimanyu (son of the Mahabharata-hero Arjuna) and his mother Subhadhra travel through the forest in a chariot. Their road is obstructed by the demon Ghatotkacha, son of Arjuna's brother Bhima. The heroes are unaware of their family ties and a fight arises.
Scene from the story of the marriage of Abhimanyu and Vatsala. The story although connected to the events of the Mahabharata, is not found in the standard versions of the Epic and is probably based on local tradition, in Kannada or Marathi, either written or oral.
The way we learnt Burmese
Object type: page
Date: 1892 – 1892
Materials: paper
Techniques: photograph
Location: paris
Subjects: book, hut, cabin, lodge
June - Marrowbones and Cleavers from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853
Object type: print
Materials: paper, steel
Techniques: printmaking, etching
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Willem Witsen aan een bureau in zijn boot
Object type: photograph
Date: 1911 – 1911
Materials: photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: amsterdam, painter, print maker, draughtsman, willem witsen, writing-table, writing-desk, sitting figure (+ sideview, profile), portrait, self-portrait of artist, boat-house, shed
Inscriptions: annotation: ‘1/1/ huizen duidelijker/ een [...]/ vlekje boven linker manchet wegmaken’, number: ‘2981’

Door het raam zijn de panden Kromme Waal 18-21 te zien
Standbeeld van Adonis
Object type: page
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Artist: stephen thompson
Artist role: fotograaf, schrijver
Artist dates: 1831 – 1893
Subjects: (story of) adonis, sculpture
Thetis on a Shell, from a Set of Designs for Plates (Fonds de Coupe)
Object type: print
Date: 1580 – 1600
Materials: paper
Techniques: engraving
Location: belgium
Artist: adriaen collaert
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1560 – 1618
Inscriptions: Lettered along lower margin: "2 / Adrianus Collaert fecit. / Philippus Galle excud."
Let, jongens! op deez' prent, zo ze u behaagt, en ziet / Daarin, wat in den kryg te land en zee geschiedt
Object type: popular print
Date: 1715 – 1813
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: military vehicles (+ sailing-ships), firearms: cannon (+ handling of weapons), weapons, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 24 oorlogstaferelen, met militairen, wapens en schepen. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 121.
Twee Germaanse krijgers, figura IV
Object type: history print
Date: 1614 – 1616
Materials: paper
Techniques: etching
Location: netherlands
Artist: nicolaes van geelkercken
Artist role: print maker
Artist dates: 1585 – 1656
Subjects: the soldier; the soldier's life, extinct, 'historical' peoples (with name)

Twee krijgslieden met getrokken zwaarden, één met langwerpig, de ander met rond schild. Afkomstig uit: Philippus Cluverius, Germaniæ antiquæ libri tres, Lowijs (I) Elzevier, Leiden, 1616. Lib. I, Pag. 360, figura IV.
Knielende vrouw en detailstudies van de handen
Object type: drawing
Date: 1876 – 1901
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: hand
Tobogganing, from the Pretty Athletes series (N196) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,athletes

Trade cards from the "Pretty Athletes" series (N196), issued in an unnumbered set of 20 cards in 1889 by Wm. S. Kimball & Co. to promote Sweet Lavender, Old Gold, Black and Tan, and Hard Tack Tobacco.
Weiland met een koe en twee schapen
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: cow, meadow, pasture
Inscriptions: collector's mark: Lugt 2228
Bells
Object type: bell
Date: 1825 – 1889
Materials: bronze, leather
Culture: british
Location: england
Gold Glass Medallion with a Mother and Child
Object type: medallion
Date: 301 – 333
Materials: glass, gold
Culture: roman
Location: egypt
Subjects: madonna and child
Kris with Sheath
Object type: kris with sheath
Date: 1701 – 1900
Materials: gold, ivory, silver, steel, wood
Culture: philippine
Location: philippines
Liber Chronicarum
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: reading, persons from the old testament (not in biblical context, nor occurring in legendary/historical extensions included in division 71)
Inscriptions: inscription: ‘90’

De houtsnede wordt gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 49v.
Twee vrouwen met kinderen
Object type: album leaf
Date: 1930 – 1950
Materials: paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: toddler, adult woman, infant, baby
Vrouw maakt de ramen van een winkel schoon
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: rotterdam
Subjects: window-cleaning, adult woman, shop-window, show-window, rotterdam
Portret van Guillaume Delvaux
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: archbishop, bishop, etc. (roman catholic), historical persons

Prent mogelijk uit: Sanderus, Antonius. Flandria illustrata sive provinciae ac comitatus (...). 3 dln. Brussel: Carolus de Vos en Joannes Baptista de Vos, 1735.
Jar with cover
Object type: jar with cover
Date: 1780 – 1780
Materials: ceramic glaze, enamel, glaze, porcelain
Culture: japanese
Subjects: dragons
Towel
Object type: towel
Date: 1701 – 1800
Materials: cotton, metal thread, silk
Location: turkey
Subjects: flowers
Portret van Willem Baudartius
Object type: print
Date: 1624 – 1624
Materials: paper
Techniques: engraving
Location: arnhem
Subjects: deinze, zutphen (stad), theoloog, historicus, dominee, willem baudartius

Portret opgenomen in: Willem Baudartius. Memoryen ofte Cort verhael der gedenck-weerdichste so kercklicke als werltlicke gheschiedenissen (...) van den iaere 1603. tot in het iaer 1624. Twee delen. Tweede vermeerderde editie. Arnhem: Jan Jansz, 1624 en Zutphen: Andries Jansz van Aelst, 1624. Op versozijde Franse titelpagina.
Ruiterstandbeeld van Frederik de Grote in Berlijn, Duitsland
Object type: stereoscopic photograph
Date: 1860 – 1890
Materials: glass
Techniques: slide
Location: berlin
Artist: Anonymous
Subjects: berlin, frederick ii (king of prussia), equestrian statue
Inscriptions: number: ‘537’
Candle Stands, in Chippendale Drawings, Vol. I
Object type: drawing ornament architecture
Date: 1760 – 1760
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: furniture

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate CXLIV in the third edition of 1762, but created as early as 1760 according to the Act of Parliament on the print itself.
Foto van Moffat ovens
Object type: photograph
Date: 1935 – 1940
Materials: paper, photographic support, textile
Techniques: gelatin silver print
Location: canada
Artist: Anonymous
Inscriptions: inscription: ‘No. E32-M’, inscription: ‘Without control. std - 112600 C-13300’, inscription: ‘With control + Warming closet element std - 14300 C 15000’
Towel
Object type: textile
Date: 1701 – 1900
Techniques: embroidery
Location: turkey
Gevechtsscènes (serie 3)
Object type: titelprent, frontispice
Date: 1601 – 1601
Materials: paper
Techniques: etching
Location: rome
Subjects: coat of arms (symbol of sovereignty), envy; 'invidia' (ripa) ~ personification of one of the seven deadly sins, battle, warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life, cheat, deceit; 'fraude', 'inganno' (ripa)
Inscriptions: collector's mark: ‘Hinloopen’, collector's mark: Lugt 11

Titelprent met een wapenschild met een geit, geflankeerd door de personificaties van fraude en afgunst. Onder een cartouche met opdracht in het Italiaans. Op de achtergrond een strijdscène met soldaten te paard.
Hugo de Groot wordt in Antwerpen ontvangen door Grevinkhoven, 1621
Object type: history print
Date: 1768 – 1771
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: gerard sibelius
Artist role: print maker
Artist dates: 1734 – 1785
Subjects: delft, hugo de groot, rotterdam, antwerp

Hugo de Groot wordt na zijn ontsnapping uit Loevestein in Antwerpen ontvangen door de gewezen Rotterdamse predikant Nicolaas Grevinkhoven, 23 maart 1621.
Coronie / Laan van cocospalmen (30 Sept. '95)
Object type: photograph
Date: 1895 – 1895
Materials: photographic support
Techniques: collodion silver print
Location: suriname
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: public road in village (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘Coronie / Laan van cocospalmen (30 Sept. '95)’

Gezicht in een laan in Coronie met aan weerszijden kokospalmen. Links enkele vrouwen. Fotoafdruk in een fotoalbum van Théodore van Lelyveld over Suriname uit 1895-1898.
Bal
Object type: print
Date: 1550 – 1585
Materials: paper
Techniques: woodcut
Subjects: cape (+ men's clothes), clothing for the upper part of the body (doublet) (+ men's clothes), europeans: germans
Inscriptions: collector's mark: Lugt 2228

Het paar in Duitse hofkleding, vormt met vijf andere paren (niet aanwezig RPK) een hofdans. Man en vrouw zijn gekleed volgens de Spaanse mode die aan het eind van de 16de eeuw overal in Europa werd gevolgd. De man draagt Pluderhose.
Gepunt onderdeel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Zittend naakt meisje, op de rug gezien
Object type: drawing
Date: 1834 – 1911
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911