deem-data/ArtiFact huggingface dataset:
Panel Composed with Tiles in Shape of Eight-pointed Stars and Crosses
Object type: tile
Date: 1260 – 1270
Materials: glaze, stonepaste
Techniques: luster painting
Location: iran

Panels composed of eight pointed stars and crosses commonly adorned walls of religious architectural sites in Iran during the Ilkhanid period. The intricate patterns on these tiles are luster-painted in a brownish-red on white opaque glaze. In this example, the cross-shaped tiles with a plain design were constructed in the twentieth century to replace missing ones when the panel was assembled. At the center of these tiles, we see abstract vegetal patterns, a motif that is consistent with ceramics and tiles from Iran during that period. In addition, there are figural depictions of fish in some of the tiles that have a deeper ontological significance. All of God’s creation such as animals, plants, and stones were believed to emanate from the same cause and therefore related on an ontological level.
Smokestack of Confederate Ram Merrimac at Richmond/Remains of Ironclad Ram "Virginia #2", April, 1865
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: alexander gardner
Artist role: artist
Artist nationality: american, scottish
Artist dates: 1821 – 1882
Subjects: soldiers,american civil war
Dame met wandelstok, 1874, No. 57
Object type: fashion print
Date: 1874 – 1874
Materials: paper
Techniques: printing, lithograph
Artist: Anonymous
Subjects: clothing for the upper part of the body (+ women's clothes), ear-rings (+ women's clothes), walking-stick, staff, cane (+ women's clothes), head-gear (+ women's clothes), fashion plates, skirt (+ women's clothes), gloves, mittens, etc. (+ women's clothes), parasol, sunshade (+ women's clothes)

Vrouw in een gestreept jasje en japon met queue en sleep. De japon en het jasje zijn afgewerkt met een kartelrand. In de rechterhand heeft zij een wandelstok, die ook als parasol kan worden gebruikt en een hoed versierd met lint en bloemen.
Dragon
Object type: hanging scroll
Date: 1301 – 1400
Materials: ink, silk
Culture: chinese
Artist: unidentified
Artist role: artist
Subjects: dragons

Dragons were believed to dwell in mysterious places—clouds, mists, watery subterranean caves—and painters used a repertoire of techniques to capture that sense of mystery. Here, the artist has painted the background with a dark ink wash. The slightly lighter dragon emerges from the primordial ooze. Lightest in tone are the beast’s arresting eyes, which accordingly jump forth from the image.
Set of Two Cups and Saucers
Object type: platter
Date: 1900 – 1900
Materials: earthenware
Techniques: vitrification
Location: bourg-la-reine
Artist: pierre adrien dalpayrat
Artist dates: 1844 – 1910
Inscriptions: mark: ‘DALPAYRAT’

Schotel van aardewerk met een gevlamde roodbruine en gele glazuur.
Sketch of Edith Austin
Object type: drawing and watercolor
Date: 1895 – 1900
Materials: graphite, paper
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926
House model
Object type: house model
Date: 200 – 300
Materials: ceramic
Culture: nayarit
Location: mexico
Artist: nayarit artist(s)
Artist role: artist
Subjects: houses
Portret van Ary Scheffer
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: engraving, etching
Location: new york city
Subjects: dordrecht, painter, print maker, draughtsman, sculptor, ary scheffer, adult man, historical persons, portrait, self-portrait of painter, tools, implements of painter
Inscriptions: date
De Uytrechtze Poort
Object type: book illustration
Date: 1693 – 1694
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: bridge, city-gate, canal (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Huidige staat van prent ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, desselfs eerste oorspronk uyt den Huyse (…). 2 delen. Amsterdam: Abraham Wolfgang, Gillis Janssonius van Waesberge, Johannes Janssonius van Waesberge II, weduwe Dirk Boom I, Hendrick Boom en Rembertus Goethals, 1693. En in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. Amsterdam: weduwe Aart Dircksz Oossaan, 1694.

Latere staat ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. 2e druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe A. van Aaltwyk en Hermanus Uytwerf, 1726.
Birdcage
Object type: birdcage
Date: 1750 – 1750
Materials: brass, wood
Subjects: birds
Duyfkens en Willemynkens pelgrimagie tot haren beminden binnen Iervsalem
Object type: book illustration
Date: 1590 – 1627
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: birds, pilgrimage, pilgrim(s) under way
Inscriptions: collector's mark: Lugt 2228

Prent uit: Boëtius Adamsz. Bolswert, Duyfkens en Willemynkens pelgrimagie tot haren beminden binnen Iervsalem. Haerlieder teghenspoet, belet en eynde, Antwerpen, Hendrick Aertssens, eerste druk 1627. Op het verso van deze prent staat geen tekst, waarschijnlijk is het blad afkomstig uit een latere druk.
Torenkruis versierd met lelies aan de punten
Object type: torenkruis
Date: 1400 – 1950
Materials: iron

Een gesmeed ijzeren kruis van een torenspits of een kerknok, versierd met leliën aan de punten.
Gezicht op het Colosseum en de boog van Constantijn
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: etching
Location: rome
Subjects: rome, arch of constantine
Inscriptions: collector's mark: Lugt 2228

Gezicht op het Colosseum. Rechts de Boog van Constantijn. In het midden van de prent zweeft een engeltje met het wapenschild van Rome. Er staan nummers op de prent die verwijzen naar specifieke gebouwen in Rome. De prent heeft een Latijns onderschrift met een verklaring van de nummers.
Fotoreproductie van een voorstudie voor een portret van Marie Breitner-Jordan naar George Hendrik Breitner
Object type: reproduction
Date: 1890 – 1910
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: marie jordan, drawing, sketch
Panel
Object type: textile
Materials: linen, wool
Techniques: weave
Culture: coptic, egyptian
Location: egypt
Pop met lang blond gekruld haar en ledematen van wit glacéleer. Gekleed in blauw zijden costuum met wit batisten lijf en tuniek, met bijbehorende hoed en schoenen
Object type: clothing
Date: 1875 – 1875
Materials: textile, silk
Artist: Anonymous

Pop met lang blond gekruld haar en ledematen van wit glacéleer. Gekleed in een blauw zijden kostuum. Model: glad lijf, gladde aflopende schouders waaraan gladde mouwen, wijd uitstaande sleeprok, van voren glad in de taille, van achter twee diepe plooien, zodat een crinoline als opvulling kan dienen die van voren afgeplat. Driekwart lange overjapon van batist met wijd uitlopende mouwen, van voren puntig, van achter in twee bogen eindigend, diep ingesneden schootslippen. Hoed van wit stro en blauw fluweel, struisveer en strik en bloempjes. Goudleren schoenen met gesp en driekwart hak. Set ondergoed.
Vase
Object type: vase
Date: 1801 – 1900
Materials: metal
Location: england
Artist: elkington & co.
Artist role: manufacturer
Artist nationality: british
Artist dates: 1829 – 1963
Subjects: birds,leaves,insignia
Mme Jeanne Mathilde Claude
Object type: medallion
Date: 1887 – 1887
Materials: copper, silver
Artist: jules-clément chaplain
Artist role: artist
Artist nationality: french
Artist dates: 1839 – 1909
Subjects: profiles,women
Medallion with Augustus
Object type: ceramic
Date: 1767 – 1800
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 – 
Inscriptions: Mark: "WEDGWOOD" impressed
Fotoreproductie van een getekend portret van Wolfgang Amadeus Mozart
Object type: cabinet photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: berlin
Subjects: historical persons, portrait of composer
Inscriptions: name: ‘W. A. Mozart’, inscription: ‘Eigenthum und Verlag von/ E.H. Schroeder/ Hermann Kaiser/ Berlin/ 41. Unter den Linden 41./ Phot. G. Schauer./ Berlin./ Typ. G Lange (O. Lange)’
Gezicht op het stadhuis te Delft
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: leipzig
Artist: Anonymous
Subjects: townhall

Afdruk uit: Krook, L. Architectur der Niederlande. Leipzig: Baumgärtner's Buchhandlung, 1894.
Gezicht op het station van Spiez, Zwitserland
Object type: page
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: landscape with other man-made constructions not mentioned above, e.g.: graveyards, playgrounds, etc., station; shelter (railway, tramway), mountains
Inscriptions: number: ‘B.120’
Brief aan Philip Zilcken
Object type: letter
Date: 1877 – 1932
Materials: ink, paper
Techniques: pen, writing
Location: bussum
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: dordrecht, designer, jan veth, amsterdam, painter, print maker, draughtsman, willem witsen, klaas groesbeek, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Gezicht op het bankgebouw, te Warschau
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: bank
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Witkamp, P.H. Beschrijving van Oost- en Noord-Europa. Amsterdam: J.H. Laarman, 1847.
The Virgin Immaculate Crowned by Two Angels, with Angel Musicians in the Foreground
Object type: drawing
Date: 1555 – 1630
Materials: chalk, ink
Techniques: pen, wash
Artist: domenico fontana
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: angels,virgin mary,musicians
Gezicht op de kerk van Montmorency
Object type: print
Date: 1776 – 1851
Materials: paper
Techniques: etching
Location: amsterdam
Artist: daniël veelwaard (i)
Artist role: print maker
Artist dates: 1766 – 1851
Subjects: landscape with bridge, viaduct or aqueduct, church (exterior)
Inscriptions: collector's mark: Lugt 2228
Triomfwagen van keizer Maximiliaan I
Object type: print
Date: 1527 – 1529
Materials: paper
Techniques: woodcut
Location: antwerp
Subjects: maximilian i (holy roman emperor), chariot, triumphal car

De grote triomfwagen ter ere van keizer Maximiliaan I bij zijn overlijden op 12 januari 1519. Eerste blad met het linkerdeel van de triomfwagen met keizer Maximiliaan die gekroond wordt door Victoria. De wagen begeleid door vrouwelijke personificaties van allerlei deugden.
Meel- en graanmarkt
Object type: card game
Date: 1900 – 1920
Materials: cardboard, paper
Techniques: rotogravure
Artist: Anonymous
Subjects: african traditional religions, card games
Vase
Object type: vase
Date: 1634 – 1666
Materials: jasper, silver gilt

This small ovoid-shaped vase is carved of brownish jasper. Its short neck is embellished with an engraved gilded-silver mount. The body, supported on a round foot, is decorated with several moldings which visually divide the vase into different parts. Jasper can have many colors including red, yellow, brown, and green, but is most commonly red. Its color is believed to affect the magical qualities of the silica-based mineral although all colors are thought to have a calming effect.
Fotoreproductie van een schilderij van herders en vee in een landschap door Jan Wijnants en Adriaen van de Velde
Object type: reproduction
Date: 1864 – 1874
Materials: paper
Techniques: albumen print
Subjects: picture, painting, landscapes (+ landscape with figures, staffage), herd, flock
Colonel de Heer Abraham de Peyster
Object type: sculpture
Materials: bronze
Culture: american
Artist: george edwin bissell
Artist role: artist
Artist nationality: american
Artist dates: 1839 – 1920
Subjects: swords,men

In 1893 John Watts de Peyster commissioned Bissell to execute a seated bronze portrait of his great-great-great grandfather, Colonel de Heer Abraham de Peyster (1657–1728). The statue was planned to commemorate the achievements of one of New York’s first leading citizens, who dedicated his life to public service, most notably as mayor of the city between 1691 and 1695 and as treasurer of the province from 1706 to 1721. The overlifesize statue was erected in 1896 in Bowling Green. In 1972, when this area of lower Manhattan was redesigned, the sculpture was moved to its present location in Hanover Square. Like the monument, the Metropolitan’s statuette shows de Peyster sitting forward, attired in period dress and a wig with tumbling, shoulder-length curls. Bissell, who trained in Paris, borrowed from the past in the distinct resemblance of the pose to Michelangelo’s Moses (1513-16) in Rome’s San Pietro in Vincoli. Bissell referred to the statuette version as a study for the monument, and differences in positioning of the figure and some of the accessories bear out this statement.
Heilige Familie met Johannes de Doper, Elisabet en twee engelen
Object type: print
Date: 1623 – 1623
Materials: paper
Techniques: woodcut
Subjects: holy family with john the baptist, elisabeth present
Inscriptions: collector's mark: ‘CD’
Pair of Flintlock Holster Pistols
Object type: arm
Date: 1680 – 1680
Materials: copper, steel, wood
Location: utrecht
Artist: gerrit lasonder
Jar with two lugs
Object type: jar
Date: 1201 – 1400
Materials: glaze, stoneware
Culture: chinese
Zeilboten en -schepen op het water
Object type: sketchbook leaf
Date: 1830 – 1860
Materials: paper, pencil
Artist: albertus van beest
Artist role: draughtsman, print maker
Artist dates: 1820 – 1860
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)

Blad 44 recto uit een schetsboek met 46 bladen.
Portret van Johan van Diesel
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: tone lithography
Subjects: johan van dissel, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Laurent de Gouvion Saint-Cyr
Object type: print
Date: 1830 – 1874
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, officer
Inscriptions: tekst, verso, handgeschreven
Collar
Object type: collar
Date: 1825 – 1830
Culture: british
Town Gate, plate 2 from "Regiunculae et Villae Aliquot Ducatus Brabantiae"
Object type: print
Date: 1610 – 1610
Techniques: etching
Artist: claes jansz. visscher (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1586 – 1652
Subjects: castles,gates,roads,villages,swans
Kingfisher and hydrangea
Object type: print
Date: 1830 – 1839
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Brief aan Philip Zilcken
Object type: letter
Date: 1913 – 1913
Materials: ink, paper
Techniques: pen, printing, writing
Location: venice
Artist: vittorio pica
Artist role: criticus
Artist dates: 1864 – 1930
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: watermark, collector's mark: ‘RPK’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic
Artist: wedding painter
Artist role: artist

Exterior, head, neck, and part of upper torso of a draped woman to left, with her hair tied up with a fillet
Shabti of Tamaket
Object type: shabti, tamakit
Date: 1279 – 1213
Materials: paint, pottery
Location: egypt
Subjects: hieroglyphs
Funerary Mask of a Woman
Object type: mask, diadem
Date: 1427 – 1390
Materials: copper alloy, faience, gesso, gold, paint
Subjects: masks

The full, elaborate wig with its ornamental fillet, the necklace of ball beads and pendant nefer signs, and the woman's facial features are similar to the sculpture and painting style of middle of Dynasty 18. The owner was probably the wife of an overseer of builders named Amenhotep, whose mask (30.8.69) is displayed in the same gallery.
Bowl with iron-brown floral décor
Object type: bowl
Date: 1301 – 1433
Materials: iron, stoneware
Techniques: underglaze
Culture: vietnamese, hong river region

This bowl has a painted floral medallion as the central motif with a summarily executed floral meander on the rim. The freely drawn brushwork displays all the hallmarks of mass production, a skilled painter executing the underglaze iron-solution designs with a practiced hand. It has a high recessed foot, glazed on the exterior and with a chocolate-brown wash on the interior. Examples have been recorded from excavations at a monastery at Dazaifu, in Kyushu, southern Japan, at Trowulen, the Majapahit capital in East Java and at Fostat (Old Cairo), demonstrating the global reach of these ceramics in a 14th and 15th centuries.
Portret van Willem II, koning der Nederlanden
Object type: print
Date: 1818 – 1819
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: william ii of the netherlands, painter, draughtsman, wilhelmina of prussia (princess of orange), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain

Portret van Willem II in een ovaal. Midden onder zijn wapen, gedecoreerd met de Kousenband en het devies van de Orde van de Kousenband, en het wapen van Wilhelmina met een kroon, een leeuw en Hercules. In de ondermarge vijf regels Franse tekst.
Paris Instantané
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: animal traction, animal-drawn vehicle (carriage etc.), street
Sculptuur van een jongen spelend met een masker, in de Capitolijnse Musea te Rome
Object type: album leaf
Date: 1880 – 1900
Materials: paper
Techniques: gelatin silver print
Location: capitolijnse musea
Artist: james anderson
Artist role: fotograaf
Artist dates: 1813 – 1877
Subjects: playing toddler; child amusing itself, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘1674 Ercole Giovane M. Cap. - Anderson -’
Portret van een man met baard
Object type: album leaf
Date: 1886 – 1891
Materials: cardboard, photographic support
Techniques: albumen print
Location: groningen
Artist: elkan sanders
Artist role: fotograaf
Artist dates: 1848 – 1923
Subjects: historical persons, beard
Inscriptions: inscription: ‘Elkan Sanders Jr/ Groningen Oosterstraat 204, Hoek Donkersgang./ Vergrootingen naar ieder portret.’
Onderzoek naar Tinerts in het tebat der mijn No. 2 Blinjoe
Object type: photograph
Date: 1914 – 1919
Materials: photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, mining
Inscriptions: inscription: ‘Onderzoek naar Tinerts in het tebat der mijn No. 2 Blinjoe’

Onderzoek naar tinerts door een grote groep mannen op een stellage in het water bij een tinmijn te Blinjoe. Onderdeel van het fotoalbum aangeboden aan Robert Julius Boers bij zijn vertrek naar Nederland in 1919 door het personeel van de Banka-tinwinning.
Ruhe
Object type: text sheet
Date: 1878 – 1878
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: marriage, married couple, 'matrimonium'
Inscriptions: collector's mark: Lugt 2228

Eenzijdig bedrukt tekstblad met een Duitstalig lied.
St. Peter, plate 1 from The Twelve Apostles
Object type: print
Date: 1545 – 1545
Materials: paper
Techniques: engraving
Location: germany
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Beads from a Necklace
Object type: necklace
Date: 501 – 600
Materials: copper alloy, glass
Culture: frankish

Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and forms. Though the beads seen here were made in the seventh century, the particular combination in which they were strung together is a creation of the late nineteenth century, when the beads were first found in graves.
Mater Dolorosa (Sorrowing Virgin)
Object type: painting
Date: 1490 – 1490
Materials: wood, oil, paint, panel
Techniques: painting
Location: netherlands
Artist: workshop of dieric bouts
Artist nationality: netherlandish
Artist dates: 1415 – 1475
Subjects: virgin mary, woman, sadness, religious, religion, christianity, christian subjects

During the period of transition between the Middle Ages and the Renaissance, the great Netherlandish painters worked with traditional forms to create more human and emotional images for personal religious devotion. Paired images of the mourning Virgin and Christ crowned with thorns, made in the workshop of Dieric Bouts, were an especially successful formulation, judging from the many extant versions. Set against a gold background signifying a timeless, heavenly realm, the Virgin was both an embodiment of compassion and an intercessor for humankind with Christ. No autograph example of this pair by Bouts survives; this exceptionally fine painting of the Virgin was probably made by his son, Dieric Bouts the Younger, who carried on the activity of the workshop after his father’s death.
Tray of wine cup
Object type: tray of wine cup
Date: 1736 – 1795
Materials: jade
Culture: chinese
Overwinning op de hertog van Savoye in de slag bij Staffard
Object type: history medal
Date: 1699 – 1703
Materials: bronze
Techniques: striking
Location: paris
Artist: jean mauger
Artist role: medailleur
Artist dates: 1648 – 1722
Subjects: lodewijk xiv (koning van frankrijk)

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: Herkules vertrapt centaur en ontneemt hem kroon binnen omschrift
Inigo Jones archit. of his Britannick Majesty's Palace of White Hall (...)
Object type: print
Date: 1749 – 1749
Materials: paper
Techniques: etching
Artist: tobias müller
Artist role: print maker
Subjects: palace
Inscriptions: collector's mark: Lugt 2228
Wellfleet Islands, Looking West
Object type: drawing
Date: 1868 – 1868
Materials: graphite, paper
Culture: american
Artist: william rimmer
Artist role: artist
Artist nationality: american, born england
Artist dates: 1816 – 1879
Shiva Urdhvatandava
Object type: drawing
Date: 1800 – 1800
Materials: ink, paper
Techniques: wash
Culture: indian
Artist: unidentified
Artist role: artist

These eighteen drawings depict sculptural piers in the Pudu Mandapa (‘New Pillared Hall’), a temple festival hall built around 1630 as an addition to the Minakshi-Sundareshvara temple complex at Madurai. The hall was constructed at the behest of the Nayaka ruler Tirumala Nayak (r. 1623–59), whose reign marked a high point in temple and courtly patronage at the southern city of Madurai. The interior gallery is adorned with 124 elaborately sculpted piers, capitals and lintels decorated with narrative reliefs of the Brahmanical gods and local legends devoted to their worship. These meticulously executed ink drawings are on English laid paper watermarked ‘J. Whatman’ and with the firm’s trademark fleur-de-lis and the year 1798.
Plate 2: The Bust: a bust of a female wearing a diadem at top left, two amphoras at bottom left, surrounded by trees and greenery, from "Les soirées de Rome"
Object type: print
Date: 1764 – 1764
Techniques: etching
Artist: hubert robert
Artist role: artist
Artist nationality: french
Artist dates: 1733 – 1808
Subjects: diadems,women,trees
Zittende boer met kruik en pijp
Object type: print
Date: 1626 – 1690
Materials: paper
Techniques: etching
Subjects: pipe ~ tobacco, opening the door, drinking
Inscriptions: collector's mark: Lugt 2228

Een boer zit links naast een tafel, met een kruik en een pijp in zijn handen. Achter de tafel zit een man. Links komt een vrouw door de deur de ruimte binnen.
Slag bij Neerwinden of Landen, ter ere van Willem III, prins van Oranje-Nassau
Object type: history medal
Date: 1693 – 1693
Materials: silver
Techniques: striking
Location: nijmegen
Artist: jan boskam
Artist dates: 1687 – 1708
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), brabant

Zilveren penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: gevecht tussen valk en reiger in de lucht, op achtergrond slagveld binnen omschrift; afsnede: opschrift