deem-data/ArtiFact huggingface dataset:
Ôsaka sanjûrokkei
Object type: print
Date: 1947 – 1947
Materials: paper
Techniques: woodcut
Location: japan
Inscriptions: date

Inhoudsopgave in het Engels van de 36 prenten in het portfolio. Op de achtergrond zijn blauwe bergen, oranje wolken en een silhouet van een boom afgebeeld.
Strook kloskant met kandelabermotieven voor aan een rochet
Object type: rochet
Date: 1685 – 1799
Materials: linen
Techniques: lace
Location: southern netherlands
Artist: Anonymous

Strook naturelkleurige kloskant: Vlaamse guipurekant. De strook is gebruikt of bedoeld voor aan een rochet. Het zich herhalende patroon wordt gevormd door linten gemaakt in linnenslag en bestaat uit twee afwisselende symmetrische kandelabermotieven, die de gehele breedte vullen. De linten zijn met elkaar verbonden door een onregelmatige vlechtengrond. Er zijn enkele siersteken toegepast. Het schulpenrandje is aangezet.
William Dobie
Object type: photograph
Date: 1858 – 1868
Materials: photographic support
Techniques: platinum process
Artist: Anonymous
Subjects: historical persons
Dronkeman met hoge hoed
Object type: drawing
Date: 1800 – 1900
Materials: ink, paper, pencil
Techniques: pen
Artist: monogrammist vdg
Artist role: draughtsman
Subjects: drunkard
Pair of Stirrups
Object type: pair of stirrup
Date: 1401 – 1700
Materials: copper alloy, gold, horn, iron, silver
Culture: mongolian or tibetan
Location: tibet
Subjects: dragons

The unusual, possibly unique, combination of horn and iron as well as the superior quality of the high-relief chiseling of the dragonheads, and the extensive use of gold and particularly silver damascening over their iron surfaces set these stirrups apart. The plainness of the tread plates, however, and the sturdy construction overall show that they were intended for rigorous use.
Vrouwen kimono met esdoorn bladeren
Object type: kimono
Date: 1910 – 1930
Materials: cotton
Techniques: painting, weave
Location: japan
Artist: Anonymous

Kimono voor een vrouw met een versiering over het hele vlak van kleine en grote gestileerde esdoornbladeren. Indigo katoen met tie-dye decoratie. Voering van indigo katoen.
Visored Bascinet
Object type: visored bascinet
Date: 1425 – 1450
Materials: steel
Culture: italian
Location: italy

This particular form of helmet, with its two-piece construction, distinctive visor, and hinger flap on one side, is only found among the Chalcis group.
Cup
Object type: cup
Date: 3365 – 3030
Materials: ceramic
Culture: iranian
Location: iran
L'accoudée
Object type: photograph
Date: 1856 – 1857
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women

To elongate her figure, the countess stood on a stool that is half- hidden under her dress. She would frequently use this trick of the trade.
Landschappen met Bijbelse taferelen
Object type: print
Date: 1626 – 1671
Materials: paper
Techniques: etching
Location: paris
Artist: sébastien bourdon
Artist role: draughtsman, painter, print maker
Artist dates: 1616 – 1671
Subjects: landscapes, the traveller is attacked by robbers ~ parable of the good samaritan
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie van twaalf prenten van landschappen met enkele Bijbelse taferelen.
Panel
Object type: panel
Date: 1510 – 1515
Materials: wood
Techniques: carving
Tienerring met ovale plaat voorzien van reliëf
Object type: ring
Date: 1960 – 1970
Materials: silver
Location: groningen
Artist: Anonymous
Inscriptions: import mark: ‘Z2’

Tienerring van zilver met ovale plaat voorzien van reliëf.
Portret van Frans I, keizer van Oostenrijk
Object type: print
Date: 1832 – 1887
Materials: paper
Techniques: etching
Location: france
Subjects: vienna, frans ii (rooms-duits keizer), crown (symbol of sovereignty), column, pillar ~ architecture, historical persons, emperor, mountains
Inscriptions: number: ‘No. 551.’
Portrait of a lady with elaborately curled hair
Object type: print
Date: 1786 – 1811
Techniques: aquatint, etching
Artist: gilles louis chrétien
Artist role: engraver
Artist nationality: french
Artist dates: 1754 – 1811
Subjects: portraits,profiles,women
Rouwiris
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: arnhem
Subjects: flowers

Prent uit: Passe, Crispijn van de (II). Hortus floridus in quo rariorum & minus vulgarium florum icones ad vivam veramque formam. Arnhem: Johannes Janssonius, 1617.
Angelica and Medoro
Object type: painting
Date: 1763 – 1763
Materials: canvas, oil
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Subjects: female nudes,putti
Christus aan het kruis
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: etching
Location: france
Subjects: the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)
Inscriptions: collector's mark: Lugt 240
Bowl with Floral Scrolls
Object type: vessel
Materials: copper, glaze, stoneware
Techniques: incising, underglaze
Location: china
An oblique perspective view of the east front of Hampton Court, with the long walk & part of the garden
Object type: print
Date: 1744 – 1744
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Location: london
Subjects: garden, palace
Inscriptions: date
Castel Sant'Angelo
Object type: print
Date: 1746 – 1746
Materials: paper
Techniques: etching
Location: england
Artist: alexander cozens
Artist role: artist
Artist nationality: british
Artist dates: 1717 – 1786
Overlijden van Laevinus Torrentius, bisschop van Antwerpen
Object type: history medal
Date: 1595 – 1595
Materials: silver
Techniques: casting
Location: belgium
Artist: Anonymous
Subjects: ghent, laevinus torrentius, antwerp

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: Christus leidt met behulp van touw een jongeman die kruis in hand houdt binnen omschrift; afsnede: jaartal
Warum is denn dein Schmerz so gross?
Object type: reproduction
Date: 1852 – 1862
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: violin, fiddle - cc - out of doors
Inscriptions: inscription: ‘(Zu Seite 68.)’
Gezicht op de fontein van Tulpenburg
Object type: drawing
Date: 1785 – 1785
Materials: chalk, paper
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Subjects: garden, garden pond, statues, sculptures in garden
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Holland (vervolg.)
Gezicht op Sens
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: city-view in general; 'veduta'

Prent uit: Zeiller, Martin. Topographia Galliae. 13 dln. Frankfurt: Caspar Merian, 1656, dl. 3, na p. 30.
Portret van Richard Tauber als Octavio in Giuditta
Object type: ansichtkaart, prentbriefkaart
Date: 1934 – 1939
Materials: paper, ink
Techniques: gelatin silver print, pen, writing
Location: vienna
Subjects: portrait of opera-singer
Inscriptions: name: ‘Harm N. Meijer’, signature: ‘Richard Tauber/ 1939’, number: ‘8540/2’
Buy from us with a golden curl, for "The Goblin Market"
Object type: drawing
Date: 1861 – 1862
Materials: ink
Techniques: pen
Location: great britain
Artist: dante gabriel rossetti
Artist role: artist
Artist nationality: british
Artist dates: 1828 – 1882
Subjects: animals,bears,fruit,women,owls,cats

In August 1861, Rossetti proposed to the publisher Alexander Macmillan that he create a "brotherly design for a frontispiece" to a volume of poems by his sister Christina. The drawing was finished by mid-December but it took until April 1862 Charles Faulkner's related wood engraving to be completed and published. The fairytale-like imagery echoes the related verse, which tells how goblins offer two sisters magic fruit, a food that symbolizes temptation. The artist shows the plainly dressed Lizzie walking uphill at upper right as Laura, in a patterned gown, kneels in the foreground and clips a lock of her luxurious hair to pay the animal-headed goblins crowded at left. The poem dramatically details how Laura's subsequent cravings bring her close to death, and how Lizzie's resistance enables her to confront the goblins and save her sister.
Piece
Object type: piece
Date: 1767 – 1800
Materials: metal thread, silk
Culture: japanese
Subjects: men,women
Saint Luke with his head turned in profile to the right, a book in each hand, a bull at his feet, plate 3 from "The Four Evangelists"
Object type: print
Date: 1541 – 1541
Techniques: engraving
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: books,bulls,saints
Groep mannen en jongens op de kade van een waterweg
Object type: album leaf
Date: 1905 – 1906
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: river bank, adult man (+ six persons), boy (child between toddler and youth) (+ three persons)
Inscriptions: inscription: ‘No. 5./ Op den uitkijk.’

Deze prent maakt deel uit van een album.
Fragment tabakspijp
Object type: fragment
Date: 1630 – 1645
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: directeur, hoogleraar, caspar jacob christiaan reuvens

Fragment tabakspijp. Van de opgravingen op de Hofstede Arentsburg 1827-1831 onder toezicht van Professor Reuvens.
Design for Pony Phaeton, no. 3694
Object type: drawing
Date: 1881 – 1881
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Mensen op straat en een paard met wagen
Object type: drawing
Date: 1891 – 1941
Materials: paper, pencil
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: horse, street, (farm) wagon, freight wagon, cart
Inscriptions: collector's mark: Lugt 2228
Staande klok, miniatuur
Object type: longcase clock
Date: 1700 – 1720
Materials: gold, wood, silver
Techniques: engraving
Location: amsterdam
Artist: Anonymous

Staande klok, gesneden uit een massief stuk zwart gebeitst hout. De wijzerplaat is van zilver, gegraveerd met bloemen, de wijzers zijn van goud.
Sherd
Object type: sherd
Date: 4000 – 3500
Materials: ceramic
Culture: iranian
Location: iran

This sherd is made of a pale red clay, with black painted decoration. It is typical of Namazga I ceramics from Turkmenistan, dating to ca. 4000-3500 B.C. It was excavated in 1937 at a prehistoric site in the vicinity of Nishapur in northeastern Iran. While Nishapur itself was founded by the Sasanian king Shapur I (reigned ca. A.D. 241-272), this sherd shows that human habitation there goes back to the prehistoric period. Furthermore, the prehistoric pottery from Nishapur has close affinities with ceramic materials from Central Asia rather than with contemporary sites in Iran, meaning that in this period its inhabitants were likely culturally linked to their neighbors to the east. At the same time, Nishapur’s location on what later became known as the Great Khorasan Road suggests that it was part of the trade network that facilitated the import of precious stones such as lapis lazuli, carnelian and turquoise from Central Asia to Mesopotamia.
Journal des Dames et des Modes, Costumes Parisiens, 1914, No. 175 : Robe et cap (...)
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: engraving
Subjects: walking-stick, staff, cane (+ women's clothes), clothing for the upper part of the body (vest) (+ women's clothes), cape (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: inscription: ‘Cop. J. N. A. et Cie 1914’, caption: ‘Robe et cape de crèpe de chine bleu. Gilet de velours pékiné.’, title: ‘Costumes Parisiens’

Japon en cape van blauwe crêpe de chine. Vest van 'velours pékiné'. Proefdruk van een prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914).
Dancers and Musicians Before Village with Ruined Tower
Object type: drawing and watercolor
Materials: chalk, graphite, ink, paper
Techniques: pen
Location: france
Artist: claude lorrain (claude gellée)
Artist role: artist
Artist nationality: french
Artist dates: 1604 – 1682
Gebouwen in een landschap met lijnperspectief
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: berlin
Subjects: landscapes, civic architecture; edifices; dwellings, 'perspective' (alleg.); 'prospetiva' (ripa)
Inscriptions: collector's mark: Lugt 700, collector's mark: Lugt 240, inscription: ‘- 12’

Ook gebruikt in: Sulzer, Johann Georg. Allgemeine Theorie der schönen Künste. Leipzig: erven M.G. Weidmann en Reich, 1774, dl. 2.
Portret van Simon Stijl
Object type: print
Date: 1786 – 1809
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: harlingen, simon stijl
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Wagenaar, Jan. Vaderlandsche historie, (...) ten vervolge van Wagenaars Vaderlandsche historie. Dl. 1-43. Amsterdam: Johannes Allart, 1786-1809.
Klederdracht van Zuid-Beveland
Object type: print
Date: 1828 – 1835
Materials: paper, watercolor
Techniques: hand coloring, lithograph
Location: netherlands
Subjects: farmers, farmers - aa - female farmer, farmer's wife, clothes, costume (+ women's clothes), clothes, costume (+ men's clothes), folk costume, regional costume, zeeland
Inscriptions: collector's mark: Lugt 1641, collector's mark

Eerst gebruikt als illustratie in: Collection des Costumes des Provinces Septentrionales du Royaume des Pays-Bas, Dessinés d'après Nature par H. Greeven et lithographiés par Vallon de Villeneuve. Amsterdam: Chez François Buffa et fils [en] Paris: Chez Engelmann et Cie., 1828 = Verzameling der Kleederdragten in de Nordelijke Provincien van het Koningrijk der Nederlanden, naar het leven geteekend door H. Greeven, op steen gebragt door Vallon de Villeneuve. The Amsterdam bij Frans Buffa et Zoonen [en] Parijs bij Engelmann et Cie., 1828.
Dit exemplar is een andere, latere editie, zonder de samenwerking met Engelmann in Parijs.
Ontwerp voor een wandelstokknop met bloemmotieven
Object type: design drawing
Date: 1740 – 1760
Materials: chalk, paper
Techniques: drawing
Inscriptions: inscription: ‘8’, inscription: ‘964’
Fries met moresken
Object type: ornament print
Date: 1506 – 1551
Materials: paper
Techniques: woodcut
Location: france
Artist: Anonymous
Subjects: mirror

In het midden is een cirkeltje uitgespaard, links en rechts daarvan een vierpas. Uit serie van 9 bladen?
Gezicht op menigte bij feesttent voor een toren, op onbekende plek in Nederland
Object type: photograph
Date: 1865 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: festivities
Headscarf
Object type: headscarf
Date: 1801 – 1825
Materials: metal, silk
Culture: russian
Subjects: flowers

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg.
Senawang
Object type: photograph
Date: 1920 – 1940
Materials: photographic support
Location: unknown
Artist: Anonymous
Subjects: borneo
Plate 2: the people rendering divine honors to Psyche, from "The Fable of Psyche"
Object type: print
Date: 1530 – 1560
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: men,women,psyche,putti
Thesaurus sacrarum historiaru[m] veteris testame[n]ti, elega[n]tissimis imaginibus expressu[m] excelle[n]tissimoru[m] in hac arte viroru[m] opera: nu[n]c primu[m] in luce[m] editus
Object type: album leaf
Date: 1566 – 1566
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: jonah's call and disobedience (jonah 1), jonah is sent by god to nineveh to preach to its sinful citizens

Jona staat aan de kustlijn en kijkt naar God die op een wolk ligt. God geeft Jona de opdracht naar Nineve te gaan. Aan de kademuur ligt het schip waarmee Jona vlucht. Op het water is te zien hoe Jona later overboord wordt gegooid en door een vis wordt opgeslokt. Onder de voorstelling een verklarende tekst in het Latijn. Prent maakt deel uit van een album.
Nobleman on a Terrace
Object type: illustrated single work
Date: 1780 – 1780
Materials: gold, ink, paper, silver, watercolor
Location: india
Subjects: men,profiles

The spare setting, limited palette, and figural style assign this painting to the late Mughal center of Murshidabad. The portrait may represent Mir Jafar Khan, nawab of Bengal, who infamously abandoned Shuja' al-Daula at the Battle of Plassey in 1757 and was rewarded by the British with the throne of Bengal. He later displeased his masters in Calcutta and was dethroned in favor of his son-in-law, Mir Qasim, only to be reinstated later, in yet another turn of fortune.
Odysseus doodt de vrijers van Penelope
Object type: print
Date: 1918 – 1918
Materials: paper
Techniques: etching
Location: groningen
Artist: marius holleman
Artist role: draughtsman, print maker
Artist dates: 1878 – 1926
Subjects: ulysses, assisted by telemachus, kills the suitors (homer, odyssey xxii)
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond vechten mannen met zwaarden. Links op de tafel staat een man op het punt een fles te gooien. Op de achtergrond hangen mannen aan een balustrade.
Studioportret van een zittende vrouw
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Subjects: amsterdam
Standbeeld van de discuswerper, Vaticaanstad
Object type: stereoscopic photograph
Date: 1860 – 1870
Materials: glass, paper
Techniques: slide
Location: vatican city
Subjects: discus-throwing, sculpture
Inscriptions: inscription: ‘7396 Statue du Discobole de Myron, musee du Vatican, Rome’
Cistern
Object type: cistern
Date: 1527 – 1527
Materials: lead
Portret van Frederik, prins der Nederlanden
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: berlin, frederik (prins der nederlanden)
Inscriptions: collector's mark: Lugt 963

Portret van Frederik als grootmeester der Vrijmetselaren. In zijn rechterhand een hamer. Daaronder ligt een boek met twee gekruiste degens. In de ondermarge zijn naam en titels.
The Gaze
Object type: photograph
Date: 1856 – 1857
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women

Unlike Nadar, who found his public among the cultural elite, the firm of Mayer & Pierson catered to personalities famed for their notoriety, to the socially prominent, and to the court. Established in 1855 by combining the interests of Pierre-Louis Pierson with those of Léopold Ernest Mayer and his brother Louis Frédéric, the firm specialized in portraiture and became the most sought-after studio of the Second Empire. In 1862, Mayer and Pierson were appointed photographers to Napoleon III. Virginia Oldoini, Countess Verasis de Castiglione (1837-1899), created a sensation when she appeared in Paris in 1855, having been sent by the Italian statesman Cavour to win Napoleon III over to the cause of Italian unity by "any means she chose." A statuesque beauty with a flair for drama, the countess was the mistress of Napoleon III and a much-talked-about ornament of the lavish balls so prevalent during the period. After the fall of the Second Empire in 1870, she led an increasingly secluded existence, which gave rise to fantastic speculation as to her affairs. The countess's raging narcissism found in photography the perfect ally; the firm of Mayer & Pierson produced over seven hundred different images of her. In a reversal of roles, the sitter would direct every aspect of the picture, from the angle of the shot to the lighting, using the photographer as a mere tool in her pursuit of self-absorbed, exhibitionistic fantasies. This image, in which the countess, seen from above emerging from a gown of black tulle, her hair braided in a diadem, was made during the first years of her collaboration with Pierson. The gown, whose décolletage she has exaggerated, reveals the full line of her shoulders and the swell of her breasts. The position of the right arm shows off her elbow, whose firmness and fullness were compared to a particularly prized peach, while the left arm rests on the dress as if detached from her body, a marvelous piece of sculpture. A cool eroticism permeates the image, the countess offering herself for our contemplation--confident, enticing, yet aloof. Fascinated by her persona, a poet and esthete of a later generation, Count Robert de Montesquiou, collected no fewer than 433 photographs of her (now in the collection of the Metropolitan Museum) and wrote a book dedicated to her memory. He titled this photograph, which he once owned, "The Gaze."
Carolina Parrot, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: parrots

Trade cards from the "Birds of America" series (N4), issued in 1888 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.