deem-data/ArtiFact huggingface dataset:
Saint Paul
Object type: drawing
Date: 1430 – 1430
Materials: gold, ink, parchment
Techniques: brush, heightening, pen
Culture: dutch
Artist: circle of jan van eyck
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1390 – 1441
Subjects: saint paul

Once attributed to Petrus Christus (1410-1472/73), this drawing on vellum has since been reassigned to an artist in the Circle of Jan van Eyck. It is one of two extant drawings in a series of the twelve Apostles. The vellum is so transparent that it is conceivable that the straight pen lines defining the contours and folds of the drapery were traced from a model and the hatching filled in afterward with point of brush. It is likely that the Lehman drawing and its prototype related to a painting, possibly a grisaille painting, rather than to sculpture.
Portret van John Hunter
Object type: print
Date: 1786 – 1830
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: naval officer, john hunter, historical persons, commander-in-chief, admiral
Antiochus Falling from His Chariot
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: etching
Location: france
Artist: noël hallé
Artist role: artist
Artist nationality: french
Artist dates: 1711 – 1781
Portret van Albert I van België
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: historical persons
Inscriptions: inscription: ‘President l'honneur du Congres’
Greece, from the Races of Mankind series (T181) issued by Abdul Cigarettes
Object type: print
Date: 1881 – 1881
Techniques: color lithograph
Artist: abdul cigarettes
Artist role: publisher
Artist nationality: american
Artist dates: 1881 – 1881
Subjects: men
Panel
Object type: panel
Date: 1501 – 1700
Materials: metal thread, silk
Pont-au-Change, Paris
Object type: print
Date: 1854 – 1854
Materials: chine, ivory
Techniques: etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Kylix fragment
Object type: kylix fragment
Date: 7000 – 30
Materials: terracotta
Culture: greek or south italian or campanian
Subjects: women
Twee bladranken met rozetten
Object type: print
Date: 1670 – 1693
Materials: paper
Techniques: etching
Location: france

In het midden een wapenschild met een stralende zon (symbool van Louis XIV), daarboven een Franse koningskroon.
Keeshondje, draagteken ter ere van Hendrik Danielsz. Hooft, burgemeester van Amsterdam
Object type: insignia
Date: 1788 – 1788
Materials: silver
Techniques: fastening
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, hendrik danielsz. hooft

Zilveren penning. Voorzijde: borststuk man. Keerzijde: hond met spitse bek, harige kop en nek met manen, glad achterlijf en lange in pluim uitlopende staart, die met lus teruggeslagen op rug hangt boven jaartal
Sampler
Object type: sampler
Date: 1790 – 1790
Materials: linen, silk
Subjects: birds,lions,flowers,carriages
Frontispiece, plate one from Recueil de Poésies de Sedaine
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: etching
Location: france
Artist: gabriel de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1724 – 1780
Card 813, Maggie Arlington, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 2), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Chandelier
Object type: chandelier
Date: 1701 – 1800
Materials: brass
Culture: dutch

The chandelier has two series of eight S-shaped branches around a baluster stem resting on a massive globe. The branches and shaft have been correspondingly numbered from one to eight with a system of small bars arranged in two horizontal rows around the two central discs of the baluster. One of the attachment-pegs has been replaced. The slender, baluster-shaped pegs and the acorn-shaped finials are characteristics of a number of eighteenth-century chandeliers from Rotterdam.
Textile Fragment
Object type: textile fragment
Date: 901 – 1000
Materials: linen, silk
Techniques: weave
Twee vrouwenhoofden
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head (human) - aa - female human figure

Blad 24 recto uit schetsboek LVI met 26 bladen.
Pompei
Object type: photograph
Date: 1864 – 1881
Materials: cardboard, paper
Techniques: albumen print
Location: florence
Artist: giacomo brogi
Artist role: fotograaf
Artist dates: 1822 – 1881
Subjects: square, place, circus, etc., ruin of a building ~ architecture, landscape with ruins, volcano
Inscriptions: inscription: ‘doubl’, collector's mark: ‘VOSMAER’, number: ‘5026.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, part of a draped male holding a hare by the ears
Copy of Duke John Ernest of Saxony
Object type: print
Date: 1472 – 1586
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: men,portraits,coat of arms
Gridiron
Object type: gridiron
Date: 1700 – 1900
Materials: iron
Racolta di varii segreti come si vedono nelle segventi figure
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: etching
Location: rome
Subjects: alexander cuts the gordian knot with his sword, weighing gold or money (+ variant), (story of) archimedes

Vier figuren rond een tafel met daarop een instrument om de echtheid van goud, zilver en andere metalen te testen. Linksboven Archimedes in zijn bad. Linksonder Archimedes met mannen rond een tafel. Door zijn kroon in een bad te leggen, ontdekt hij dat deze niet van echt goud gemaakt is. Rechts Alexander de Grote, die de gordiaanse knoop doorhakt met zijn zwaard.
Mizukuchi
Object type: print
Date: 1838 – 1838
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: inns,men,women
Design for a Lectern
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Cup with flower sprays behind a rock and fence
Object type: kop en schotel, kop en schotel
Date: 1750 – 1774
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Komvormige kop en schotel van porselein, Imari. Beschilderd in blauw, rood en goud met bloeiende takken.
Fragment from Balustrade of the Temple of Athena Nike, Acropolis, Athens
Object type: photograph
Date: 1882 – 1882
Techniques: albumen silver print, glass negative
Artist: william james stillman
Artist role: artist
Artist nationality: american
Artist dates: 1828 – 1901
Subjects: athena

Stillman had a multifaceted career as a painter, photographer, art critic, journalist, diplomat, and amateur archeologist. Following a brief period as a landscape painter with ties to the Pre-Raphaelites, he became the founding editor of the art journal The Crayon and spent much of his time abroad, working as a correspondent for London and New York newspapers. In 1859 he took up photography and put his new skills to use while serving as American consul to Rome and Crete. His most accomplished photographs are his sensitive, detailed studies of the Acropolis in Athens, which he made in 1869 and again in 1882. This luminous close-up of a winged Victory reaching down to fasten her sandal was published in Stillman’s book, On the Track of Ulysses (1888), an account of his archaeological adventures around the Mediterranean.
Portret van Jan Pieterszoon Sweelinck
Object type: print
Date: 1836 – 1909
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: willem steelink (i)
Artist role: draughtsman, print maker
Artist dates: 1826 – 1913
Subjects: deventer
Inscriptions: collector's mark: Lugt 2228

Portret van Jan Pieterszoon Sweelinck, componist en organist.
Cupid teaching (L'Amour-Précepteur)
Object type: print
Date: 1730 – 1730
Techniques: engraving
Artist: bernard lepicié
Artist role: artist
Artist nationality: french
Artist dates: 1698 – 1755
Subjects: girls,reading,cupid
Mlle. Hampton, Paris, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Stag (one of a pair)
Object type: figure
Date: 1780 – 1780
Materials: earthenware
Techniques: glazing
Artist: ralph wood the younger
Artist role: maker
Artist nationality: british
Artist dates: 1748 – 1795
Subjects: deer
Schaapsherderin met mand met eieren bij fontein
Object type: print
Date: 1765 – 1771
Materials: paper
Techniques: etching
Location: england
Artist: Anonymous
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., carrying something in basket, bag, rucksack, etc., sheep, ornamental fountain
Inscriptions: collector's mark: Lugt 240

De prent is tussen 1765 en 1771 gepubliceerd door Ryland & Bryer. Zie hiervan een exemplaar in het British Museum (2010,7081.1162). De prent zelf werd mogelijk al eerder gemaakt.
Landscape with the Temptation of Christ
Object type: print
Date: 1554 – 1554
Techniques: etching
Artist: hieronymus cock
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1510 – 1570
Subjects: landscapes,christ
Landschap met rustende figuren
Object type: print
Date: 1800 – 1815
Materials: paper
Techniques: etching
Location: netherlands
Artist: hermanus van brussel
Artist role: draughtsman, print maker
Artist dates: 1763 – 1815
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228
Bust of a Gypsy Girl
Object type: drawing
Date: 1819 – 1819
Materials: graphite, paper
Location: france
Artist: jean auguste dominique ingres
Artist role: artist
Artist nationality: french
Artist dates: 1780 – 1867
Subjects: girls,portraits
Halffiguur van staande naakte vrouw
Object type: drawing
Date: 1683 – 1733
Materials: chalk, paper
Techniques: printmaking
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Portret van Jacob van Nuys Klinkenberg
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: engraving
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: historical persons, professor
Wedding dress
Object type: wedding dress
Date: 1879 – 1879
Materials: silk
Culture: american
Bead
Object type: bead
Date: 801 – 1200
Materials: glass, quartz
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Japanese dogs
Object type: photograph
Date: 1887 – 1897
Materials: photographic support
Techniques: albumen print, hand coloring
Location: japan
Artist: Anonymous
Subjects: dog
Inscriptions: inscription: ‘Kuku and Ocho, residing in Yokohama. Eleven inches long, six inches high, weighing about two pounds each.’
The Soldier Carrying His Pike at the Slope
Object type: drawing
Date: 1567 – 1633
Materials: ink
Techniques: incising, pen, transfer, wash
Artist: jacques de gheyn (ii)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1629
Subjects: soldiers,weapons
Terracotta bell-krater (mixing bowl)
Object type: bell krater
Date: 350 – 325
Materials: terracotta
Culture: greek, paestan or south italian
Artist: python
Artist role: artist
Subjects: male nudes,dionysus,satyrs

Obverse, seated Dionysos Reverse, satyr with phiale The two sides of the vase are complementary: Dionysos receiving the offering from his satyr-attendant. The depiction of the wine god as a handsome youth is thoroughly South Italian. His special quality is further emphasized in that a tendril suffices to support his weight.
Studie, mogelijk architectuur
Object type: sketchbook leaf
Date: 1880 – 1900
Materials: paper, pencil
Artist: Anonymous

Blad 6 verso uit een schetsboek met 29 bladen.
Francis G. Peabody
Object type: photomechanical print
Date: 1869 – 1869
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Coin
Object type: coin
Materials: copper
Location: iran
Subjects: lions
Plaque
Object type: plaque
Date: 1801 – 1900
Materials: silver
Subjects: battles,horses
Hoed van lichtblauw vilt, met strik van satijn opgemaakt
Object type: womenswear
Date: 1950 – 1950
Materials: felt, textile
Location: california
Inscriptions: label: ‘CHARLES // OF // CALIFORNIA’

Hoed van lichtblauw vilt, met strik van satijn opgemaakt. Model: Vrij lage bol, met een bodemknik, een brede neerhangende rand, van voren breder dan van achter. Metalen versteviging in de rand die is ingeslagen en afgeboord. Rondom de bol een ingeplooide reep lichtblauw satijn en van voren twee grote, vastgehechte striklussen van satijn.
Thèbes, Temple de Ramasseum, Colosses brisés
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print
Artist: emile béchard
Artist role: artist
Artist nationality: french
Artist dates: 1859 – 1899
Subjects: sculpture,architecture,temples,ruins

Émile Béchard remains a mysterious figure, primarily because of the signature "H. Béchard," which appears in the negatives of most of his landscape and architectural work, including in this view of the Ramesseum. Since the late 1980s, many historians had believed that there were in fact two photographers, Émile and "Henri" Béchard, both operating in Egypt. More recently, scholars have instead hypothesized that perhaps Émile adopted this second name to distinguish the different subjects of his various series (i.e. portraits versus monuments). The identification of a brother named Hippolyte Béchard, however, has led to a more logical explanation that Hippolyte sold and distributed Emile’s photographs in France. The situation, however, has been further complicated by a group of photographs sold in October 2015 at the chateau de Saint-Brisson in Saint Brisson-sur-Loire, France. Inscriptions on some of the prints indicate that Hippolyte Béchard was in Cairo in 1870, giving some credence to Ken Jacobson’s suggestion that Hippolyte Délié was not only Emile’s business partner but possibly also his brother, Hippolyte Béchard, who had, for some reason, changed his name. The shifting identities associated with the "Maison Béchard" are a prime example of the difficulties often associated with the attribution of 19th-century commercial photography.
Verschillende taferelen
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: lithograph, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: children's games and plays, crafts and industries, guard duty, keeping sentry
Inscriptions: collector's mark: Lugt 2760

Blad met 15 voorstellingen van verschillende aard, waaronder een schildwacht, spelende kinderen en een naaister. Onder enkele afbeeldingen een onderschrift. Genummerd rechtsboven: No. 12.
Figure of a Woman
Object type: figure
Date: 25 – 220
Materials: pottery
Culture: chinese
Subjects: women
Portret van Erhard Weigel
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Artist: elias nessenthaler
Artist role: print maker
Artist dates: 1664 – 1714
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portrait of Georg Everhard Rumphius
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: engraving, etching
Subjects: georg everhard rumphius, biology (+ scholar, scientist in non-work situations), study; 'studiolo'; library, botany
Inscriptions: collector's mark: Lugt 2228

Georg Everhard Rumphius, geleerde en natuuronderzoeker op Ambon, in zijn studeervertrek. Hij zit aan een tafel waarop boeken, planten en schelpen. Tegen de wand een rekje met koraal en andere vondsten uit de zee. Links op de voorgrond staat een opengeslagen boek van Rumphius zelf opgesteld. Onder het portret een tekst in Latijn.
Portret van een vrouw met kan
Object type: album leaf
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: anatole pougnet
Artist role: publisher
Artist dates: 1840 – 1900
Subjects: historical persons - bb - woman
Inscriptions: annotation: ‘Serret (Pougnet)’, name: ‘Serret’, inscription: ‘Anatole Pougnet/ Éditeur/ 61, Boulevard Sébastopol/ Paris’
Standing Man in Armour Holding Lance
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: england
Artist: george hayter
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1871
Bouchers de Rome
Object type: print
Date: 1817 – 1817
Techniques: lithograph
Artist: jean louis andré théodore géricault
Artist role: artist
Artist nationality: french
Artist dates: 1791 – 1824
Subjects: spears,men,bulls,dogs,horses
Apostle spoon
Object type: apostle spoon
Date: 1851 – 1900
Materials: silver
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Right half of kylix handle with part of handle palmette; part of left handle at root, with palmette in handle patch
Man schreeuwt tegen twee ezels
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: etching, intaglio
Artist: léon brunin
Artist role: print maker
Artist dates: 1861 – 1949
Subjects: ass, donkey, rage, anger
Inscriptions: annotation: ‘1e staat’, collector's mark: Lugt 2228
Corte I
Object type: print
Date: 1920 – 1926
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: city-view, and landscape with man-made constructions, bridge, mountains
Inscriptions: collector's mark: Lugt 2228

De plaats Corte, gelegen in het midden van Corsica. Op de voorgrond een brug over een rivier. Op de achtergrond, op de top van een berg, de burcht van Corte.
Figure
Object type: figure
Date: 30 – 364
Materials: ivory
Techniques: incising
Location: egypt
Subjects: birds
Gevel van het stadhuis van Nancy
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Location: paris
Subjects: clock, townhall, sculpture (+ relief ~ sculpture)
Inscriptions: inscription: ‘Hotel de ville de Nancy/ Détail des sculptures du ronton central (...)’

Deze prent maakt deel uit van een omslag met 103 prenten op 101 bladen en een titelblad.
Figure study
Object type: drawing
Date: 1833 – 1898
Materials: graphite
Artist: félicien rops
Artist role: artist
Artist nationality: belgian
Artist dates: 1833 – 1898
Subjects: heads,men,women
Brief aan Jan Veth
Object type: letter
Date: 1903 – 1903
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: dordrecht, amsterdam, designer, jan veth, printed matter
Inscriptions: collector's mark: ‘RPK’, watermark
Cilindrical vase with a continuous image with figures in a landscape
Object type: vase
Date: 1650 – 1680
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: arita
Artist: Anonymous

Rolwagen. China, 1660-1680. Chinese and Japanese porcelain decorated in underglaze blue.
Heinricus Dusnerus ab Arffberg (...)
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving
Location: würzburg
Artist: johann salver (i)
Artist role: print maker
Artist dates: 1670 – 1738
Subjects: knighthood order: teutonic order - insignia of a knighthood order, e.g.: badge, chain (with name of order), historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent uit: [Salver, Johann]. De origine, secundis et adversis successibus, nec non de statu moderno inclyti ordinis equestris hospitalis b.m.v. Teutonicorum in Jerusalem. Würzburg: Johann Salver, [ca. 1720].
Gezicht op de binnenplaats van het Lutherse Diaconieweeshuis te Amsterdam
Object type: print
Date: 1770 – 1783
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: courtyard, orphanage
Inscriptions: collector's mark: Lugt 1641b

Vanaf 1760 gaf Pierre Fouquet stadsgezichten van Amsterdam naar tekeningen van verschillende kunstenaars uit. Deze prenten werden aanvankelijk los verkocht. Later werden ze samengebonden verkocht in verschillende volgordes en aantallen in:

(1). Afbeeldingen van de wyd-vermaarde koopstad Amsterdam benevens des zelvs voornaamste gebouwen en gezigten alle naar het leeven getekend / Receuil des edifices les plus considerables et des plus belles vues, de la fameuse ville d'Amsterdam, dessinées d'après nature. Amsterdam: Pierre Fouquet, 1778-1783. Deze 'uitgave' bestond waarschijnlijk alleen uit een titelblad en inhoudsopgave van de tot dusver 100 uitgegeven prenten, die de koper zelf aan zijn of haar reeds verzamelde prenten kon toevoegen. De hoeveelheid en volgorde van prenten verzameld onder deze titel verschilt dus sterk.
(2). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam, met derzelver beknopte beschryvingen. 2 dln. Amsterdam: Daniël Jean Changuion en Petrus den Hengst [in opdracht van Pierre Fouquet], 1783.

Ook werden er door verschillende uitgevers tussen 1788 (Amsterdam: Petrus Conradi) en 1805 (Amsterdam: Evert Maaskamp) heruitgaven gepubliceerd.
The Draped Figure Seated, from "L'Estampe Originale"
Object type: print
Materials: ink
Techniques: printing, stumping, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: human figures