deem-data/ArtiFact huggingface dataset:
Ring with snake's head terminals
Object type: ring, snake terminal
Materials: gold
Location: egypt
Subjects: snakes

Snake jewelry was not limited to Egypt in the Ptolemaic and Roman Periods, and, in fact, was not a traditional Egyptian sort of jewelry before the Ptolemaic Period. Bracelets with animals, including snakes, appeared in Western Asia from about the eighth century BC, and spread to Greece in the fifth century BC, and came to Egypt mainly with the Ptolemaic Dynasty. In Greek culture there were certainly healing associations with snakes, but there may have been other assocations, too.
Deep Down In A West Virginia Coal Mine, Miners Going Home
Object type: photograph
Date: 1909 – 1909
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: lewis wickes hine
Artist role: fotograaf
Artist nationality: american
Artist dates: 1874 – 1940
Subjects: collected by hugh edwards, documentary
Man met zak op de schouder bij zonsopgang
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: transfer, print drawing
Location: amsterdam
Subjects: sailing-ship, sailing-boat, sunrise, carrying something on the head or on the shoulders
Inscriptions: inscription: ‘L. Bakhuizen del. CPloos van Amstel J.C. Fecit. 1781’, collector's mark: Lugt 2725, collector's mark: ‘RIJKS / MUSM’

Rechts op de voorgrond een man met een zak op de schouder kijkend naar de schepen en de zonsopgang. De prent ligt los in een album, zie blad 32.
Pair of vase ornaments
Object type: vase ornament
Date: 1801 – 1900
Materials: gilt bronze
Spear
Object type: spear
Date: 1701 – 1900
Materials: horn, silver, steel, wood
Culture: philippine, jolo
Location: philippines
Porringer
Object type: porringer
Date: 1730 – 1750
Materials: silver
Culture: american
Location: united states
Artist: adrian bancker
Artist role: maker
Artist nationality: american
Artist dates: 1703 – 1772
Kaart van het belegerde Steenwijk, 1592
Object type: history print
Date: 1647 – 1649
Materials: paper
Techniques: etching, hand coloring
Location: northern netherlands
Artist: Anonymous
Subjects: maurice (prince of orange), siege, position war, maps of cities

Kaart van Steenwijk belegerd door het Staatse leger onder Maurits, mei - juli 1592. Plan van Steenwijk met de stadswallen en verdedigingswerken en de posities van de belegerende troepen. In de stad zijn alleen twee kerken en enkele straten aangegeven. Bij de stadmuren twee explosies. Op een dubbelblad uit het het Stedenboek van Blaeu genomen, op beide zijden bedrukt met tekst in het Nederlands.
Portret van Nathaniel Hawthorne
Object type: page
Date: 1883 – 1888
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: nathaniel hawthorne, portrait of a writer
Blinde borstelmaker
Object type: drawing
Date: 1868 – 1892
Materials: charcoal, paper
Artist: anthon gerhard alexander van rappard
Artist role: draughtsman, print maker
Artist dates: 1858 – 1892
Subjects: (household) utensils and implements (with name), handicrafts ~ other animal material, blind, blindness
Image de divers hommes desprit sublime
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: utrecht, painter, jan van bijlert, historical persons, portrait, self-portrait of painter
Mrs. Jameson
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: portraits,women
Roman Landscape with a Shepherd and Sheep
Object type: painting
Materials: copper, oil
Artist: giovanni benedetto castiglione (il grechetto)
Artist role: artist
Artist nationality: italian
Artist dates: 1609 – 1664
Subjects: sheep,shepherds,rome

A shepherd seems to guide his flock of inquisitive sheep from the Italian countryside into the gallery. Castiglione painted historical and religious subjects, such as the Ecstasy of Saint Francis, hung in the adjacent gallery, but his exploration of landscape and animals such as this were particularly prized and influential. Technically innovative as both a painter and a printmaker, Castiglione used his copper support to imbue this scene with warm luminosity.
Man Overboard
Object type: print
Date: 1926 – 1926
Materials: paper
Techniques: drypoint, etching
Artist: arthur john trevor briscoe
Artist role: print maker
Artist dates: 1873 – 1943
Subjects: rowing-boat, canoe, etc., seaman: sailor
Inscriptions: collector's mark: Lugt 2228
Collegio Helvetia te Milaan
Object type: album leaf
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: leiden
Subjects: city-view, and landscape with man-made constructions, university building, college

Prent uit: Giovanni Giorgio Grevio, Thesaurus Antiquitatum et Historiarum Italiae, Leiden: Pieter van der AA, 1704.
Landschap in de sneeuw: gezelschap op the Duck's Head, NH, Verenigde Staten
Object type: photograph
Date: 1899 – 1899
Materials: photographic support
Techniques: cyanotype
Artist: charlotte m. endicott
Artist role: fotograaf
Inscriptions: title: ‘ON THE DUCK'S HEAD./ FEB. 19. 1899.’
Design for Phaeton, no. 998
Object type: drawing
Date: 1850 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Leventi, ou Soldat de Marine, plate 38 from "Recueil de cent estampes représentent differentes nations du Levant"
Object type: print
Date: 1714 – 1715
Techniques: engraving, etching
Artist: jean baptiste vanmour
Artist role: artist
Artist nationality: french
Artist dates: 1671 – 1737
Subjects: men
Study for the Wife and Daughters of Brutus (recto); Study of a Male Nude (verso)
Object type: drawing
Date: 1788 – 1788
Materials: chalk
Artist: jacques louis david
Artist role: artist
Artist nationality: french
Artist dates: 1748 – 1825
Subjects: female nudes
Will He Go in The Traces, from Puck
Object type: print
Materials: paper
Techniques: lithograph
Location: united states
Artist: james a. wales
Artist nationality: american
Artist dates: 1852 – 1886
The great cathedrals of the world
Object type: book
Date: 1886 – 1886
Materials: linen, paper
Techniques: photograph, printing, marbled paper
Location: boston
Inscriptions: date: ‘AUG 1992’, annotation: ‘(twenty)/ vol. 2 only/ [...]’, bookplate: ‘Richard Lavrence Pemberton, The Barnes & Hawthorn Tower’
Barcelona
Object type: map
Date: 1694 – 1737
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: maps of cities

Prent uit: Theatrum Hispaniæ, exhibens regni urbes, villas ac viridaria magis illustria. Het aanmerkelykste en voortreffelykste in Spanjen (...). Amsterdam: Pieter van den Berge, ca. 1694-1737.
Gezicht op het Maagdenhuis te Amsterdam
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: aquatint
Location: netherlands
Subjects: orphanage, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: II. Kerkelijke inrichtingen: Rooms-Katholijk Maagden of Meisjesweeshuis.
Trade Card for John Drury, printer and bookbinder
Object type: print, trade card
Date: 1701 – 1800
Techniques: lithograph
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Studie, mogelijk van een man op een kade
Object type: sketchbook leaf
Date: 1895 – 1898
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult man, quay, amsterdam

Pagina 36 uit een schetsboek met 20 bladen.
Wilgen langs een sloot
Object type: sketchbook leaf
Date: 1907 – 1907
Materials: paper, pencil
Artist: alexander shilling
Artist role: draughtsman, print maker
Artist dates: 1859 – 1937
Subjects: trees, windmill in landscape, small canal, ditch
Inscriptions: date: ‘Jul 23/07’

Op de achtergrond een molen en de daken van huizen. Blad 14 recto uit een schetsboek met 24 bladen.
Roscoe's Barn
Object type: print
Materials: ink, paper
Techniques: etching
Location: united states
Artist: julian alden weir
Artist nationality: american
Artist dates: 1852 – 1919
Ornament
Object type: ornament
Materials: gold
Culture: indonesian, javanese
Breaking a Plum Branch on a Snowy Night; 
Bamboo in Snow
Object type: painting
Date: 1801 – 1900
Materials: gold, ink, panel, paper
Culture: japanese
Artist: reizei tamechika
Artist role: artist
Artist nationality: japanese
Artist dates: 1823 – 1864
Subjects: bamboo,snow
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: alidor delzant
Artist role: advocaat, auteur, kunstverzamelaar
Artist dates: 1848 – 1905
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Stadsgezicht met figuren, mogelijk in Amsterdam
Object type: drawing
Date: 1882 – 1882
Materials: chalk, charcoal, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), amsterdam
Inscriptions: workshop stamp: Lugt 291d
Stirrup-Spout Bottle: Llama
Object type: bottle
Date: 1200 – 401
Materials: ceramic
Culture: cupisnique
Location: peru
Subjects: animals
Evening Snow on Mount Hira
Object type: print
Date: 1797 – 1858
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: mountains,landscapes,snow
Segunda parte del triste y muy doloroso llanto fúnebre (Second Part of the Sad and Very Painful Funeral Cry)
Object type: print
Materials: paper
Techniques: relief print
Location: mexico
Artist: attributed to manuel manilla
Artist nationality: mexican
Artist dates: 1830 – 1900
Summer
Object type: canephore
Date: 1775 – 1785
Materials: terracotta
Subjects: women,female nudes

The sheaf of wheat, the grain and flowers that fill this maiden's basket, and the sickle and flail on her pedestal front are emblematic of summer, suggesting that she may have been part of a series of ornamental sculptures representing the four seasons. Canephores, or figures carrying baskets on their heads, frequently appear as gilt-bronze mounts on Neoclassical furniture; they are less commonly encountered on such a large scale and in a semidurable material.
Tweemaal een jongen met een gans in een grasland
Object type: photomechanical print
Date: 1898 – 1908
Materials: paper
Techniques: autotype
Artist: agnes tomlinson
Artist role: fotograaf
Subjects: water-birds: goose, boy (child between toddler and youth)
Inscriptions: inscription: ‘These photographs make a story without words. These were taken by Miss Agnes Tomlinson in one twenty-fifth part of a second by means of a Thornton-Pickard Imperial Camera and studio shutter.’
Zittend vrouwelijk naakt in landschap
Object type: drawing
Date: 1874 – 1925
Materials: paper, pencil
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Drie herders in een storm
Object type: print
Date: 1666 – 1703
Materials: paper
Techniques: etching
Location: unknown
Subjects: landscapes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., storm
Inscriptions: collector's mark: Lugt 240

In een storm drijven drie herders hun vee naar de stad. Naast de weg een boom door de bliksem gespleten.
Plate
Object type: plate
Date: 1667 – 1733
Materials: hard paste porcelain
Subjects: flowers,coat of arms
Figuren bij een klassiek grafmonument: Caesar voor de tombe van Alexander
Object type: print
Date: 1700 – 1706
Materials: paper
Techniques: etching
Subjects: events and situations from classical history, grave-building, monumental tomb

Vele Romeins geklede figuren een klassiek grafmonument.
Ensemble
Object type: ensemble
Date: 1776 – 1800
Materials: cotton, linen, silk, steel, wool
Culture: european
Tiraz Textile Fragment
Object type: textile fragment
Materials: linen, silk
Techniques: embroidery, weave
Location: iraq
Subjects: arabic

This undyed linen textile fragment is embroidered in red silk with an Arabic inscription in kufic script placed horizontally across the central field. Like many tiraz textiles, the inscription includes the name of the ruler and patron (Baha al‑Dawla Abu Nasr Firuz) as well as the date of production. Textiles such as this example were either produced in private workshops or in those dedicated to the royal household. The royal workshops were directly under the caliph’s control, producing fabrics and garments for members of the court.
Scène uit het Passiespel in Oberammergau in 1870, afgebeeld Petrus, Johannes en een jongen
Object type: album leaf
Date: 1870 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: oberammergau
Artist: f. steigenberger
Artist role: fotograaf
Subjects: the apostle john the evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll, theatre, theatrical performance, the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara, passion of christ, oberammergau
Inscriptions: collector's mark: ‘GEMEINDE/ OBERAMMERGAU’, inscription: ‘F. Steigenberger/ PHOTOGRAPHISCH-ARTIST-ETABLISSEMENT./ STEREOSCOPIE ETC./ WEILHEIM OBERBAYERN./ VERVIELFÄLTIGUNG JEDER ART VORBEHALTEN.’, inscription: ‘Deponirt./ Passionsspiel/ Oberammergau 1870./ Petrus und Johannes bestellen das Abendmahl.’
Shawl
Object type: shawl
Date: 1800 – 1810
Materials: cotton
Culture: american
Plechtige Doops-bediening, aan Z.D.H. Willem. Alexander. Fredrik. Ernst. Kasimir; vierde Zoon van Z.K.H. den Kroonprins der Nederlanden. op den 18 juny 1822, in de Nieuwe Kerk te Amsterdam
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: hand coloring, lithograph
Location: amsterdam
Artist: jacob plügger
Artist role: print maker
Artist dates: 1795 – 1871
Subjects: hoorn (north holland), the hague, brussels, baptism ~ protestant service
Inscriptions: collector's mark: Lugt 2228

Doop van Ernst Casimir, prins van Oranje-Nassau, 18 juni 1822 in de Nieuwe Kerk te Amsterdam. Ernst Casimir was de vierde zoon van de latere Nederlandse koning Willem II en Anna Paulowna. Doopceremonie in een volle kerk voltrokken door ds. Dermout. Centraal staan de leden van het het Koninklijk Huis, rechts hun zitplaatsen. Op de achtergrond zitten de genodigden.
Panel
Object type: textile
Date: 1734 – 1766
Materials: silk
Location: france
Portret van Anton Frederik Tscherning
Object type: print
Date: 1837 – 1879
Materials: paper
Techniques: lithograph
Location: copenhagen
Subjects: historical persons
Inscriptions: signature: ‘P. Gemzóe lith.’, signature: ‘Skovgaard del’, inscription: ‘Anton Frederik Tscherning, geboren te 12 December 1795.’, collector's mark: Lugt 2228, signature: ‘Em. Baerentzen & Co lith. Inst.’, inscription: ‘A.F. Tscherning / Krigsminister’
Christus in het huis van Marta en Maria
Object type: print
Date: 1574 – 1637
Materials: paper
Techniques: engraving
Location: unknown
Subjects: christ in the house of martha and mary (luke 10:38-42)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 1209

Christus is te gast in het huis van de zussen Marta en Maria. Maria zit aan tafel met Christus en luistert aandachtig naar hem. Bij hen staat de vlijtige Marta met een schuimspaan in de hand, die haar zuster Maria berispt. In de marge een vierregelig onderschrift in het Latijn.
Marc Antoine Raimondi
Object type: reproduction
Date: 1848 – 1853
Materials: photographic support
Techniques: salted paper print
Subjects: charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues
Portret van Bartolomeo di Passano
Object type: print
Date: 1655 – 1668
Materials: paper
Techniques: engraving
Location: vienna
Artist: gerard bouttats
Artist role: print maker
Artist dates: 1630 – 1668
Subjects: bartolomeo di passano
Inscriptions: collector's mark: Lugt 2228

Portret in ovale lijst van Bartolomeo di Passano, een Genuaanse senator. Buste naar links. Passano draagt een biretta en een grote kraag. De prent heeft een Italiaans onderschrift.
Templum Occidentale / WesterKerk
Object type: book illustration
Date: 1710 – 1711
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: church (exterior), rowing-boat, canoe, etc., canals, waters (in city)
Inscriptions: collector's mark: ‘32.23’ Lugt 1641b

Huidige staat van prent ook gebruikt in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam, Pieter Schenk (I), s.a. [1710-1711]. En in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Barent Greve, [1757-1766].* *In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
Saint Catherine of Alexandria
Object type: painting
Date: 1342 – 1342
Materials: gold leaf, paint, wood
Artist: pietro lorenzetti
Artist role: artist
Artist nationality: italian
Artist dates: 1320 – 1344
Subjects: women,saint catherine

Resilient wood panels share many properties with metal supports and can be worked and tooled with some of the same techniques used to create decorative objects. In 1300s Italy carpenters prepared panels and delivered them to the artist’s workshop with their framing elements attached. At the studio, artists applied a smooth layer of gesso before gilding and painting the wood. This panel has both gold- and silver-leaf surfaces further decorated with punchwork and tooling that would shimmer against the reflected candlelight of a church interior. It was once part of a larger multipanel altarpiece with a Madonna and Child image at its core.
Plattegrond van Moyenvic
Object type: print
Date: 1700 – 1702
Materials: paper
Techniques: engraving, hand coloring
Location: the hague
Subjects: maps of cities

Deze plattegrond is in meerdere atlassen gebruikt. Onder andere in: Les forces de l'Europe. 10 dln. Amsterdam: Pieter Mortier, ca. 1700. En in: Les forces de l'Europe. 12 dln. Amsterdam: Pieter Mortier, 1702.
Door het ontbreken van de marges van deze prent is onduidelijk om welke staat het gaat. Derhalve is niet te bepalen uit welke van deze publicaties dit exemplaar komt.
Later is deze zelfde prent door Pieter van der Aa gebruikt in twee publicaties. Gezien het eind van de werkzame periode van de inkleurder van de prenten in dit album is het niet mogelijk dat deze prent uit een van die publicaties komt.
Portret van John Cunningham Saunders
Object type: print
Date: 1811 – 1811
Materials: paper
Techniques: etching
Location: london
Subjects: john cunningham saunders
Inscriptions: collector's mark: Lugt 2228
The Mystic Marriage of St. Catherine
Object type: print
Date: 1501 – 1600
Techniques: etching
Artist: marco angolo del moro
Artist role: artist
Artist nationality: italian
Artist dates: 1537 – 1586
Subjects: infants,men,women,angels
Passie
Object type: print
Date: 1597 – 1597
Materials: paper
Techniques: engraving
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: caiaphas tearing his clothes ~ trial of christ
Inscriptions: collector's mark: Lugt 2228

De twaalf bladen van deze serie zijn gegraveerd in de stijl van Lucas van Leyden, maar ook komen delen van de composities overeen met gedeeltes van Dürers Passie. Er bevindt zich een ongedateerde tekening die gediend heeft als model voor de prent in het Museum für Bildende Kunst in Leipzig (afgebeeld in Reznicek, zie literatuur).
De boetvaardige Maria Magdalena
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: etching
Artist: ignaz bendl
Artist role: print maker
Artist dates: 1680 – 1730
Subjects: the penitent st. mary magdalene (often before a cave, possibly at la sainte-baume hill): her long hair covers her (naked) body, she reads, meditates or raises her tear-filled eyes towards heaven
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Bladen uit een Indisch schetsboek
Object type: print
Date: 1838 – 1886
Materials: paper
Techniques: lithograph
Artist: willem mathol de jong
Artist role: print maker
Artist dates: 1828 – 1886
Subjects: field filled with a crop, city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2228

In de voorgrond liggen velden met gewassen, daarachter huizen. Maakt deel uit van een omslag met twaalf prenten.