deem-data/ArtiFact huggingface dataset:
Randdecoratie en staart van het prospectus van het Tijdschrift voor vercieringskunst
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: woodcut
Location: amsterdam
Artist: karel petrus cornelis de bazel
Artist role: draughtsman, print maker
Artist dates: 1869 – 1923
Subjects: title-page, ornament derived from plant forms

Fragment van: Prospectus tijdschrift voor vercieringskunst. Haarlem: H. Kleinmann & Co., 1896.
Painting (Ga), from an untitled series of the four accomplishments
Object type: print
Date: 1772 – 1775
Techniques: woodblock print
Location: japan
Artist: utagawa toyoharu
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1814
Paperweight
Object type: paperweight
Date: 1852 – 1880
Techniques: glassblowing
Culture: american
Location: united states
Artist: new england glass company
Artist role: maker
Artist nationality: american
Artist dates: 1818 – 1888
Vijf boekbanden
Object type: illustration
Date: 1885 – 1885
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: book-cover, binding
Inscriptions: collector's mark: ‘R:MVS.’

Vijf voorbeelden van boekbanden, waaronder 'Het land van Rembrandt' door Cd. Busken-Huet en 'Le trésor des humbles' door Maurice Maeterlinck.
Weg naar een huis
Object type: photograph
Date: 1863 – 1869
Materials: photographic support
Techniques: albumen print
Location: java
Subjects: country-house, java

Weg naar een huis met een wit hek. Onderdeel van het groene fotoalbum met foto's van Java, uit het bezit van apotheker Specht-Grijp, die in 1865 vanuit Batavia naar Nederland terugkeerde.
Oproep om te stemmen voor een kiescommissie in Haarlem, 1787
Object type: text sheet
Date: 1787 – 1787
Materials: paper
Techniques: letterpress printing
Location: haarlem
Artist: Anonymous
Subjects: haarlem, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Tekstblad met een oproep om op 7 september in de Bakenesserkerk te stemmen voor een kiescommissie die de nieuwe burgemeesters in Haarlem zal benoemen, overeenkomstig het nieuwe regeringsreglement. Bovenaan het stadswapen van Haarlem. Onderaan de naam van secretaris P. du Crocq.
Richardson, Left Field, Boston, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Stencil
Object type: stencil
Date: 1801 – 1900
Materials: paper, silk
Culture: japanese
Subjects: human figures,leaves
Portret van een jongen op een stoel in tuin
Object type: photograph
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: boy (child between toddler and youth), garden, historical persons, france

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
Glass mosaic bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman
Endymion
Object type: figure
Date: 1760 – 1770
Materials: soft paste porcelain
Artist: real fabrica de buen retiro
Artist role: factory
Artist nationality: spanish
Subjects: sleeping,men,dogs

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Marble portrait of the emperor Caracalla
Object type: portrait head of the emperor marcus aurelius antoninus called caracalla
Date: 212 – 217
Materials: marble
Culture: roman
Subjects: men,portraits

Caracalla took the official name of M. Aurelius Antoninus Pius as part of the Severan dynasty’s attempt to appear as the legitimate and worthy successors of the secondcentury Antonine emperors. Despite this, in his official portraiture, he abandoned the luxuriant hair and beard of his predecessors for a military style characterized by closely cropped curls and a stubble beard. An ancient source records that on his deathbed, his father Septimius Severus advised Caracalla to “enrich the soldiers and despise everyone else.” This finely carved head is a powerful rendering of the official portrait and was probably produced at an imperial workshop, since the statue fragments are said to have been found in Rome. It is from a statue, the legs of which also survive and are displayed in the Study Collection on the Mezzanine Floor.
Student vraagt een vriend zijn outfit te beoordelen
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Location: paris
Artist: paul gavarni
Artist role: draughtsman, print maker
Artist dates: 1804 – 1866
Subjects: standing figure, dressing oneself, getting dressed, bedroom
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 12 juni 1840.
Bowl
Object type: bowl
Date: 801 – 1000
Materials: earthenware, glaze
Techniques: polychrome
Location: uzbekistan
Face of Half a Double Saddle Bag (Khorjin)
Object type: saddle bag
Date: 1834 – 1866
Materials: wool
Techniques: tapestry
Location: iran

This face of half a double saddle bag (Khorjin), was made by a woman weaver from the Shahsevan tribe, whose name means "those who love the king." The historical migratory range of these Turkic nomads reaches from the southwest shores of the Caspian Sea to the southern part of Transcaucasia. Art historians have identified Shahsevan weavings, including a variety of small-format bags, only in the past half century. Many Shahsevan weavings from the nineteenth and twentieth centuries, especially those with centralized geometric designs, such as seen here, show a striking relationship with Anatolian carpets from the fifteenth and sixteenth centuries. Many of the motifs found on Shahsevan textiles are thought to be centuries-old tribal emblems, a symbolic language that today we are frequently unable to decipher.
Young Man Moving Toward the Right on High Geta and Opening His Umbrella
Object type: print
Date: 1745 – 1745
Materials: ink, paper
Techniques: hand coloring, woodblock print
Culture: japanese
Artist: ishikawa toyonobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1711 – 1785
Subjects: men,walking
Het leven van Christus
Object type: print
Date: 1570 – 1610
Materials: paper
Techniques: engraving
Location: antwerp
Artist: monogrammist hsd
Artist role: print maker
Subjects: christ talking with nicodemus at night (john 3:1-21)

Christus en Nicodemus. Onderdeel van een prentalbum met titelprent en 56 scènes uit het Nieuwe Testament. Elke voorstelling gemonteerd in een gravure met ornamentele cartouches waarin een venster is gesneden en voorzien van handgeschreven bijbelpassages.
Zeshoekig bassin met korte zuil
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: germany

De zuil is gedecoreerd met leeuwenkoppen, bovenop staat een rond bassin met daarin een ovale vorm waarin een hartvorm te zien is. Het water stroomt uit gaatjes in het bassin.
Untitled (Portrait of a Woman)
Object type: photograph
Date: 1858 – 1858
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portrait, female, woman, portraits: female subject, portraits
Edinburgh. The High Street with John Knox's House
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: houses,streets
Langeleik
Object type: langeleik
Date: 1799 – 1799
Materials: metal, wood
Culture: norwegian
Location: norway
Stater (Coin) Depicting Pegasus Flying
Object type: coin
Date: 400 – 201
Materials: metal, silver
Culture: greek
Location: corinth
Subjects: mythological figures, gods (deities), pegasus

The front of this coin depicts the winged horse Pegasus flying left.

On the back the goddess Athena is shown facing left, with an unidentified symbol behind.
Ushabti (Funerary Figurine) of Horudja
Object type: funerary object
Materials: faience, terracotta
Culture: egyptian
Location: egypt
Subjects: mummies, hieroglyphs, agriculture

To assure themselves a comfortable afterlife, Egyptians stocked their tombs with at least one figurine called an ushabti, who acted as a servant in the afterlife. The message carved on each of the figurines explained that if the deceased is called on to do any work in the afterlife, the ushabti will respond with “Here I am” and will do the job. Some tombs had as many as one ushabti for every day of the year and another 36 overseers to keep order. All but the poorest citizens provided themselves with some kind of funerary furnishings. Products for burial and the labor to produce them made up a large industry in Egypt.
Netsuke of Boy Washing a Horse
Object type: netsuke
Date: 1701 – 1800
Materials: wood
Culture: japanese
Subjects: horses
Hair Spray
Object type: textile
Date: 1650 – 1670
Materials: metal, silk, thread
Techniques: stitching
Location: england
Subjects: fashion
Portret van een onbekende man, aangeduid als professor Gesz
Object type: page
Date: 1855 – 1867
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: adult man, historical persons
Terracotta fragment of a mug
Object type: mug fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Hair, neck, part of the upper back, shoulders, and upper right arm of a male to right with his himation draped over his left shoulder
Landweg tussen Kleef en Berg en Dal
Object type: sketchbook leaf
Date: 1807 – 1861
Materials: paper, pencil
Location: berg en dal
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: trees, road, path, landscapes (+ landscape with figures, staffage), cleves
Inscriptions: date and inscription: ‘6l B[...]nt/ Cleve/ B & Dal/ 4 July 61/ met Henri’

Naast de weg staan enkele figuren bij een veld. Blad 10 recto uit een schetsboek met 57 bladen.
Portret van onbekende man, in profiel naar links
Object type: print
Date: 1754 – 1766
Materials: paper
Techniques: drypoint, etching
Artist: thomas worlidge
Artist role: print maker
Artist dates: 1700 – 1766
Subjects: anonymous historical person portrayed alone
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent mogelijk uit de serie A Select Collection of Drawings from Curious Antique Gems. Worlidge maakte prenten voor deze serie vanaf ca. 1754.
Box in the shape of an archaic jade she
Object type: box
Date: 1734 – 1766
Materials: lacquer
Techniques: carving
Culture: chinese
Subjects: dragons

The shape of this box is derived from a type of jade pendant (she) with an oval interior and pointed end that was produced during the Han dynasty (206 B.C.–A.D. 220). The six dragons prowling across the surface of this box are more stylized than Han-era examples, however. Their tails are depicted as ribbons, which is typical for designs from the eighteenth century.
Fotoreproductie van fresco Venus begeeft zich naar de Olympos, door Rafaël in het Farnesina te Rome
Object type: photograph
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Location: villa farnesina
Artist: domenico anderson
Artist role: fotograaf
Artist dates: 1854 – 1939
Subjects: picture, painting
Inscriptions: inscription: ‘1175 VENERE SUL CARRO TIRATA DA COLOMBE DI RAFFAELE D. Anderson’
One of the Four Heavenly Kings
Object type: figure
Date: 1067 – 1133
Materials: wood
Techniques: painting
Culture: japanese
Subjects: kings,buddhism

The Four Heavenly Kings (Shitennō) protect the four quarters of the universe in the four cardinal directions, warding off evil and guarding the nation. In Japan they are typically placed around the main altar of a central deity, dressed as military generals, carrying an assortment of weapons and wearing ferocious expressions as they stand triumphantly over the defeated bodies of demons (symbolizing their subjugation of Buddhism’s enemies). The Burke Collection example is carved from a single block of wood (ichiboku) and wears the Chinese military armor one expects to find in representations of guardian figures from the late Heian period.
Joseph's Coat Brought to Jacob
Object type: print
Date: 1633 – 1633
Techniques: etching
Artist: johann georg hertel
Artist role: artist
Artist nationality: german
Artist dates: 1695 – 1775
Subjects: men,women
Portret van de tekenaar Jan Pietersz. Zoomer, met hoed en rol papier
Object type: drawing
Date: 1680 – 1746
Materials: chalk, paper, pencil
Artist: norbert van bloemen
Artist role: draughtsman
Artist dates: 1670 – 1746
Subjects: jan pietersz. zomer, historical persons, portrait, self-portrait of artist, portrait, self-portrait of draughtsman

Portret van de tekenaar Jan Pietersz. Zoomer, zittend aan tafel met hoed op en rol papier in de hand.
Portret van Heinrich Friedrich Magnus Volger
Object type: print
Date: 1820 – 1850
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: germany, scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228
Vase
Object type: ceramic
Date: 1700 – 1700
Materials: earthenware
Techniques: glazing
Location: delft
Carriage Design
Object type: drawing
Date: 1601 – 1800
Materials: ink, drawing material
Techniques: brush, pen, wash
Artist: anonymous, italian, 17th or 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1799
Subjects: carriages
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, part of handle patch and two fronds of a handle palmette
Magistratenkussen
Object type: magistratenkussen
Date: 1600 – 1699
Materials: silk, wool
Location: northern netherlands

Magistratenkussen van groenblauw laken versierd met de "Hollandse tuin" met de Hollandse leeuw in zijden borduursel.
Earth
Object type: print
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: johann esaias nilson
Artist role: artist
Artist nationality: german
Artist dates: 1721 – 1788
Nouveau Cahier de Six Feuilles De Différents Sujets Chinois Historiés, Représentant les Cinq Sens de Natures
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: etching
Location: paris
Artist: jean jacques avril (i)
Artist role: print maker
Artist dates: 1744 – 1831
Subjects: taste, tasting (one of the five senses)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Personificatie van het zintuig de smaak. In een landschap zitten een man en een kind op een stoel. Achter staat een derde figuur. Een bediende rechts brengt hen een grote vrucht op een schaal.
Dedication to Lorenzo de'Medici, from "Les Caprices" Series B, The Nancy Set
Object type: print
Date: 1617 – 1620
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Portret van Lodewijk XIV van Frankrijk
Object type: print
Date: 1682 – 1691
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: lodewijk xiv (koning van frankrijk), ornament ~ medallion, armour, historical persons, king

Prent waarschijnlijk uit: Theatrum Europaeum (...). 1e druk. Frankfurt: erven Matthaus Merian, 1682, dl. 11. Of uit het twaalfde deel uit 1691.
Nude Male Figure with Upraised Right Arm
Object type: drawing
Date: 1550 – 1560
Materials: chalk
Techniques: brush, wash
Artist: girolamo romanino
Artist role: artist
Artist nationality: italian
Artist dates: 1484 – 1560
Subjects: male nudes

The historical attribution of this drawing to Romanino is due to the Milanese Eighteenth-century collector and connoisseur Sebastiano Resta, who annotated the sheet on top "Gerolamo Romanino Prattico / Pittore Bresciano" (Resta's autography was recognized by Carmen Bambach and endorsed by Alessandro Nova in 2005, see here Bibliography). Jacob Bean accepted Florence Kossoff's proposal that this might have been a preparatory study for the figure of Adam in the scene of Christ's Descent into Limbo, painted by Romanino between 1534-35 in a fresco cycle for the church of Santa Maria della Neve, Pisogne. The drawing, like the Pisogne fresco, probably dates from the last decade of Romanino's life (the previously published date of ca. 1574 seems incorrect in view of the artist's probable death date). In Carmen Bambach's opinion, the resemblance between the drawing and Pisogne fresco seems generic rather than direct; the poses and physical types of the male figures seem quite different. (Furio Rinaldi, 2014, based on a curatorial remark by Carmen C. Bambach of June, 2005)
Studies of Hands
Object type: drawing
Date: 1630 – 1680
Materials: chalk
Artist: peter lely (sir)
Artist role: artist
Artist nationality: dutch, british
Artist dates: 1618 – 1680
Subjects: hands

Born and trained in Holland, Lely moved to England around 1643 and became famous for working in the aristocratic portrait style established by the Flemish painter Anthony van Dyck. Lely achieved his greatest success after the Restoration of 1660 as principal painter to Charles II, and over the following decades, the artist’s large studio, with its many assistants, would fulfill hundreds of portrait commissions. In his portraits, elegantly gesturing hands are an important compositional element. These were often based on carefully observed studies of hands like the ones shown here. About eighty such process drawings survive in public collections, indicating the importance they held for Lely’s workshop practice where assistants would translate details from drawing into paint. The drawing is an early example of a technique known as aux trois crayons, which combines red, black, and white chalk. In all but one of the studies, the artist first sketched the contours of the hands and nails in red chalk, then used black chalk for accents and shadows, and, finally, added highlights in white chalk. The collector's mark at lower right is Lely's own and would have been stamped onto the sheet at the time of his death.
Paardentram
Object type: drawing
Date: 1886 – 1923
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: diligence, omnibus, horse-tram
Inscriptions: collector's mark: Lugt 2228, workshop stamp: Lugt 291d
T'Leven Der Boeren
Object type: print
Date: 1630 – 1665
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: salomon savery
Artist role: print maker, publisher
Artist dates: 1594 – 1683
Subjects: walking-stick, staff, wandering or travelling merchant
Inscriptions: collector's mark: Lugt 240

De prent maakt deel uit van een twaalfdelige serie prenten met voorstellingen van boeren.
Departure of Tobias
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: Anonymous
De intrekking van Pierson's ontwerp tot verhooging van den accijns op gedistilleerd en wijn
Object type: cartoon
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: amsterdam, politician, nicolaas gerard pierson, oral announcement (of death), undertaker's man, personifications of countries, nations, states, districts, etc., inn, coffee-house, public house, etc., alcoholic drinks, political caricatures and satires

Premier Pierson als aanspreker aan de deur bij de Nederlandse Maagd om de dood van zijn wet bekend te maken, op de achtergrond is een kroegbaas blij met het intrekken van de wet.
Kayak Model with Hunter
Object type: kayak model with hunter
Date: 1840 – 1850
Materials: fur, pigment, wood
Culture: aleut
Location: united states
Subjects: men,boats
Perched Rock, Rocker Creek, Arizona
Object type: photograph
Date: 1872 – 1872
Techniques: albumen silver print, glass negative
Artist: william h. bell
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1910

Bell’s full-frontal photograph of this boulder invites viewers to marvel at its improbable balance. A crouching figure, barely visible in the right foreground, gives a sense of the monolith’s sheer mass. Bell’s framing carves a tight vertical view out of the larger landscape, paring the scene to its essential components. Tempering the deadpan objectivity of a scientist with a sculptor’s sensitivity to form, he negotiates a new professional role—that of the survey photographer. In 1872, Bell joined an expedition for the Wheeler Survey, an initiative by the Army Corps of Engineers to record the topography of America’s western territories. Never intended for the halls of a museum, this and other photographs for the project were commissioned to illustrate the survey’s geological reports and promotional albums.
Dona Victorina, Dochter van Jacomo Beraldi, Venetiaansch edelman, binnen Venetien, gehangen en verbrand
Object type: history print
Date: 1699 – 1699
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: violent death by burning at the stake; pyre, on the scaffold or place of execution
Inscriptions: collector's mark: Lugt 2228

Victorina, de dochter van de edelman Iacomo Beraldi, wordt aan een ladder gebonden om verbrand te worden. Ze wordt terechtgesteld vanwege de moord op haar man, Ludovico Fassino. Op de achtergrond verzamelen de beulen stro en hout voor de brandstapel. Op de achtergrond het dogepaleis van Venetië.
Sleutels, schroevendraaiers, haken en vijlen
Object type: photomechanical print
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Location: paris
Artist: Anonymous
Subjects: tools ~ criminals, key
Inscriptions: number: ‘Pl. 8.’
Tiger Seen from the Rear
Object type: hanging scroll
Date: 1700 – 1700
Materials: ink, paper
Location: tieling
Artist: gao qipei
Artist role: painter
Artist dates: 1661 – 1734
Subjects: beasts of prey, predatory animals: tiger

Tiger. China, c. 1700. Gao Qipei (1660-1734). Colours and ink on paper. Tigers were favourite theme of the eccentric painter Gao Qipei. Here he depicts a tiger in an uncharacteristic pose: a tired, shabby animal, quite unaware that anyone has managed to get this close.
Medallion with Youth on Galloping Horse
Object type: medallion
Date: 1240 – 1260
Materials: copper, enamel, gilt
Techniques: enamel, engraving
Culture: french
Location: france
Subjects: men,horses
Terracotta fragments of an amphora (jar)
Object type: amphora fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

One fragment depicts part of the calf, heel, and foot of a male; a second fragment depicts a band of tongues at the juncture of the neck and shoulder; two black glaze fragments from the body of the amphora
Design for a Vase
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: vases
Brush Washer
Object type: brush washer
Date: 1700 – 1722
Materials: glaze, porcelain
Culture: chinese
Badkamer in woonhuis op Sumatra
Object type: photograph
Date: 1914 – 1926
Materials: photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: mirror, bathroom, sumatra

Onderdeel van fotoalbum met opnames van de familie Bergsma in Tandjong Poera en Rantan Pandjang (Sumatra).
Terracotta fragment of a skyphos (deep drinking cup)?
Object type: skyphos fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Part of the handle of a skyphos?
Yushima from the series Scenes of Ten Teahouses (Chamise jikkei)
Object type: print
Date: 1783 – 1783
Techniques: woodblock print, nishiki e
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Funerary Mask of a woman
Object type: mask
Materials: paint, plaster
Location: egypt
Subjects: masks,women