deem-data/ArtiFact huggingface dataset:
Saint Peter Martyr Exorcizing a Woman Possessed by a Devil
Object type: painting
Date: 1445 – 1455
Materials: paint, panel, wood
Techniques: painting
Location: italy
Artist: antonio vivarini
Artist nationality: italian
Artist dates: 1415 – 1476
Subjects: saints, woman, devil/satan/lucifer/beezelbub/mephistopheles, satan, men, religion, religious, religious figures, religious attire, religious scenes, christian subjects, christianity, building, towns, buildings
't Huys Steen-hoven
Object type: album leaf
Date: 1662 – 1662
Materials: paper
Techniques: etching, hand coloring
Subjects: city-view, and landscape with man-made constructions, country-house, middelburg, flushing

Gezicht op Huis Steenhoven, een buitenplaats bij Koudekerke op het eiland Walcheren. Op de achtergrond een zicht op de steden Vlissingen en Middelburg. De prent maakt deel uit van een album.
"Apotheosis of Necker"
Object type: furnishing textile
Date: 1788 – 1791
Materials: cotton
Artist: gorgerat frères et cie
Artist role: manufactory
Subjects: birds,boys,flowers,trees
Glass plaque fragment
Object type: plaque fragment
Date: 1 – 100
Materials: glass
Culture: roman
Subjects: men

Translucent pale blue and opaque mid blue. Square or rectangular, flat plaque; straight upper edge in mid blue, with projecting rough edge and grozed back in pale blue. Decoration in high relief: parts of two figures: at left, raised (proper left ?) arm bent upwards at elbow; at center, naked male figure leaning forward to left but with his head turned back in three-quarter view to right and proper left arm behind a large, unidentified object; behind arm of first figure in low relief a trident; below and in front of central figure, foliate sprays. Fragment with weathered broken edges, but one area with clean break at bottom left; small part of top edge remaining; dulling, pitting, whitish weathering, and faint iridescence. The plaque is not a true cameo, since the translucent blue background is completely covered with a thin layer of opaque light-blue glass. The scene, which involves a man and at least one other person, cannot now be identified.
The Lower Portion of the Entryway to the Left Portal (Die Porten des Lobs); and the Outer Left Sockel of the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18
Object type: print
Date: 1515 – 1515
Techniques: woodcut
Artist: hans springinklee
Artist role: artist
Artist nationality: german
Artist dates: 1495 – 1530

The sockel decorated with the shield-bearer to the archduke, a meercat and a giant snail are by Hans Springinklee or Wolf Traut after Albrecht Dürer; the pedestal and entryway with flanking columns are by Springinklee or Traut
Reliëf op de voorgevel van de Oranje-Nassaukazerne te Amsterdam
Object type: photograph
Date: 1811 – 1899
Materials: photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: façade (of house or building), barracks, sculpture (+ relief ~ sculpture)
Inscriptions: collector's mark: ‘Instituut voor kunst-nijverheidsonderwijs Gabriël Metsustraat No. 16, Amsterdam’, inscription: ‘Beeldhouwwerk in de frontispice in het midden van den voorgevel der kazerne Oranje-Nassau te Amsterdam/ November 1899’, collector's mark: ‘Kunstnijverheidschool Quellinus Amsterdam Frans Halsstraat 14.’
Mutsenslip van naaldkant met acanthusbladeren
Object type: lappet
Date: 1720 – 1730
Materials: linen
Techniques: needle lace, régence lace
Location: france
Artist: Anonymous

Mutsenslip van naturelkleurige naaldkant, Régence-kant. Patroon met acanthusbladeren en weelderige bloemen, op een maasgrond versierd met vierkante moesjes. Volwerk met uitsparingen en veelsoortige siersteken. Reliëfcontouren met festonsteken.
Mirror Case with Lovers
Object type: mirror case
Date: 1326 – 1350
Materials: ivory
Culture: french
Subjects: men,lovers,women
Delarom The Fair Circassian (...)
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: roulette, engraving
Location: london
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Christ Carrying the Cross
Object type: print
Date: 1475 – 1480
Techniques: engraving
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Subjects: spears,men,christ,cross
5 knopen horend bij een jas
Object type: button
Date: 1740 – 1760
Materials: wool
Artist: Anonymous
Subjects: noordse compagnie, spitsbergen, zeeuwsche uytkyck, svalbard

5 knopen horend bij een jas. De knopen zijn identiek en bekleed met zwart textiel.
Le tam-tam de l'île Maurice
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: lithograph
Location: paris
Subjects: musician at work - cc - out of doors, africans, drum (musical instrument) - cc - out of doors
Inscriptions: collector's mark: Lugt 964
Maaltijd in Emmaüs
Object type: print
Date: 1580 – 1629
Materials: paper
Techniques: engraving
Location: munich
Subjects: the supper at emmaus: christ is recognized while blessing or breaking the bread

Christus met de twee Emmaüsgangers aan tafel in het dorp Emmaüs. Christus zit in het midden en zegent het brood. De leerlingen herkennen hem op dat moment. Onder de voorstelling een tekst in het Latijn. Deze prent maakt deel uit van een album.
Fringe
Object type: fringe
Date: 1601 – 1800
Materials: cotton
Dupuy. Edmond, Adolphe. 29 ans, né à Paris XIVe. Employé de commerce. Anarchiste. 1/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Spontoon
Object type: spontoon
Date: 1770 – 1790
Materials: steel, wood
Culture: american
Location: united states
Journal des Dames et des Modes, Costumes Parisiens, 1913, No. 71 : Manteau de Théâtre
Object type: fashion print
Date: 1913 – 1913
Materials: paper
Techniques: engraving, hand coloring, pochoir
Subjects: curtains, diadem, tiara (+ women's clothes), diadem, tiara (+ feathers used for clothes), coat (+ women's clothes), fashion plates
Inscriptions: caption: ‘Manteau de Théâtre’, title: ‘Costumes Parisiens’

Vrouw, op de rug gezien, gekleed in een mantel voor in het theater. Hoofdband met opstaande veren. Prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914).
The Actor Ichikawa Danjuro V as Moriya no Daijin Disguised as Rokuju-rokubu in the Play Miya-bashira Iwao no Butai, Performed at the Morita Theater in the Seventh Month, 1773
Object type: print
Date: 1773 – 1773
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Boekslot, versierd met medaillons en acanthusblad
Object type: boekslot
Date: 1754 – 1754
Materials: silver
Techniques: casting
Location: heerenveen
Artist: lykele stevens hoornstra
Artist role: silversmith
Artist dates: 1706 – 1767
Inscriptions: date: ‘1754’

Boekslot van zilver, bestaande uit klamp en aanhechtstuk, versierd met medaillons en acanthusblad. Op de achterzijde het jaartal 1754.
Carnival Figures
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: baccio del bianco
Artist nationality: italian
Artist dates: 1604 – 1656
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, head and right shoulder of youth to left; unidentified subject
Chancel of Trinity Chapel, New York
Object type: watercolor
Date: 1856 – 1856
Materials: gouache, graphite, gum arabic, ink, watercolor, paper
Culture: american
Artist: john william hill
Artist role: artist
Artist nationality: american, born england
Artist dates: 1812 – 1879
Subjects: interiors,churches

Hill presumably painted this watercolor in recognition of the new Trinity Chapel on West 25th Street. As the population of lower Manhattan swelled unrelentingly in the mid-nineteenth century, wealthy citizens moved to “uptowns” more and more northerly, making services at the original Trinity Church less convenient for them to attend. Designed in 1851 by Richard Upjohn, both buildings were central to the spiritual life of the city’s Anglican elite. The inaugural status of the chapel is here suggested by the baptismal ritual being conducted at left.
Man en vrouw in een herberg
Object type: print
Date: 1662 – 1706
Materials: paper
Techniques: mezzotint
Subjects: hotel, hostelry, inn, couple of lovers
Inscriptions: collector's mark: Lugt 240
Frances Folsom Cleveland
Object type: medal
Materials: bronze
Artist: augustus saint-gaudens
Artist role: artist
Artist nationality: american
Artist dates: 1848 – 1907
Subjects: portraits,profiles,women

Saint-Gaudens began modelling a low-relief portrait of Frances Folsom Cleveland (1864-1947), wife of President Grover Cleveland, while both were guests at the summer home of Helena and Richard Gilder in Marion, Massachusetts, in August 1887, completing the seventeen-inch medallion in 1892. It depicts Frances Cleveland one year after her marriage to the President, at age twenty-three, wearing an upswept hairstyle and a fashionable, high-collared dress. In late 1901, Saint-Gaudens reduced the scale of the plaster medallion to five-and-a-half inches in diameter, and early in 1902 he cast it in bronze and presented this example to Richard Gilder as a birthday present.
Chariot Pole Ornament with Ram's Head
Object type: chariot pole ornament
Date: 400 – 301
Materials: bronze
Culture: northwest chinese
Subjects: rams
Gebouwen te Blinjoe
Object type: photograph
Date: 1907 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, rural housing, e.g. country-house, villa, cottage
Inscriptions: inscription

Albumblad met vier foto's genummerd 61-64 van verschillende gebouwen te Belinyu (Blinjoe) op Banka: woning, magazijnen en laboratorium van de Banka-tinwinning. Onderdeel van het Banka-Album met foto's over het eiland Banka en de tinwinning door het staatsbedrijf de Banka-tinwinning in de periode ca. 1907-1919.
Deck Light
Object type: portlight
Date: 1820 – 1850
Materials: brass, iron, glass
Location: united kingdom
Artist: Anonymous
Inscriptions: label, on the glass: ‘234’ former inventory label, inscription, on the ring: ‘PATENT / 318 / PATENT / 318 // 3P’

Rond patentglas met los rooster. De messing flens wordt op het dek geschroefd, het glas langs de onderzijde in de flens geschroefd met de matte platte kant boven en de heldere bolle kant naar beneden; op de rand zitten twee handvaten voor het draaien. Het glas kan vervangen worden door het rooster. Het gietijzeren rooster is eveneens in een messing rand gevat met schroefdraad en twee beugels als handvaten, om onderin de flens geschroefd te worden.
Portret van Robert de Cotte
Object type: print
Date: 1673 – 1738
Materials: paper
Techniques: engraving
Location: france
Subjects: paris, portrait, self-portrait of architect
Inscriptions: collector's mark: Lugt 240
Covered jar on stand
Object type: jar
Date: 618 – 907
Materials: earthenware
Culture: chinese
Fan
Object type: costume and accessory
Date: 1801 – 1900
Materials: shell
Techniques: filigree
Location: china
Ulisse rende Criseide a Crise Sacerdote d' Apollo, libro pmo. d'Homero
Object type: album leaf
Date: 1664 – 1678
Materials: paper
Techniques: etching
Location: rome
Subjects: harbour, chryseis is returned to her father

Prent maakt mogelijk deel uit van een serie van 200 prenten. Deze serie is onder de titel 'A Collection of two hundred original etchings' voor het eerst uitgegeven door J.M. Greery in 1816.
Afra virgo
Object type: costume print
Materials: paper
Techniques: engraving
Location: venice
Artist: enea vico
Artist role: draughtsman, print maker
Artist dates: 1523 – 1567
Subjects: africans (+ costume), fashion plates

Prent uit album 'Diversarum gentium nostrae aetatis habitus'.
Covered vase
Object type: covered vase
Date: 1801 – 1900
Materials: jade
Culture: chinese
Hoofd van een gesluierde vrouw
Object type: drawing
Date: 1912 – 1940
Materials: chalk, paper, pencil
Techniques: brush
Location: ede
Artist: dick ket
Artist role: draughtsman, print maker
Artist dates: 1902 – 1940
Subjects: head (human) - aa - female human figure
Inscriptions: collector's mark: Lugt 2228

Deze tekening is mogelijk vervaardigd naar een houten reliëf.
Portret van Erasmus
Object type: print
Date: 1533 – 1533
Materials: paper
Techniques: woodcut
Artist: hans holbein (der jüngere)
Artist role: draughtsman, painter
Artist dates: 1497 – 1543
Subjects: desiderius erasmus
Inscriptions: collector's mark: Lugt 654

Houtblok gebruikt voor: Desiderus Erasmus, Adagiorum opus ... exquisitiore quam antehac unquam cura recognitum..., Basel, Froben Heirs, March 1533 (eerste druk). Deze druk is waarschijnlijk afkomstig uit een andere edititie, zie Hollstein German 91. Prent aanwezig op veiling P. Davidsohn, Leipzig, datum onbekend, nr. 303.
100 Afbeeldinge der voornaamste gebouwen van Amsterdam
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: the synagogue (as building and place of worship ~ jewish religion), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Pieter Schenk (I), s.a. [1710-1711]. Of uit: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Barent Greve, s.a. [1757-1766]. In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
Piece
Object type: piece
Date: 1780 – 1789
Materials: silk
Paskaart van een deel van de Golf van Mexico, met de westkust van Florida
Object type: print
Date: 1684 – 1799
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, merman, (story of) aeolus, guardian of the winds; 'eolo' (ripa) - attributes, attributes of neptune: trident
Inscriptions: collector's mark: Lugt 2228

Paskaart van een deel van de Golf van Mexico, met de westkust van Florida en een de deel van het noorden van Cuba met de Straat van Florida, met een inzetkaart van Havana en twee baaien op Cuba. De kaart bevat twee kompasrozen, het Noorden ligt links. Middenonder de titel en het uitgeversadres geflankeerd door een gekroonde Neptunus met een drietand en een gekroonde Aeolus met windzak. Linksboven de schaalverdeling, weergegeven in Duitse, Spaanse en Engelse of Franse mijlen (schaal: c. 1:2.000.000).
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1920 – 1920
Materials: cardboard, ink
Techniques: pen, writing
Location: paris
Artist: vittorio pica
Artist role: criticus
Artist dates: 1864 – 1930
Subjects: vincent van gogh, painter, draughtsman, philip zilcken, printed matter, paris
Inscriptions: collector's mark: ‘RPK’
Ono no Komachi Praying for Rain
Object type: print
Techniques: woodblock print
Location: japan
Artist: attributed to suzuki harunobu 鈴木 春信
Artist nationality: japanese
Artist dates: 1725 – 1770
Bosrijk landschap
Object type: tapestry
Date: 1700 – 1730
Materials: silk, wool
Techniques: tapestry
Inscriptions: mark, signature: ‘BAERT’

Wandtapijt of kamerbehangsel, landschapsverdure met park- en riviergezicht met pauw en kraanvogels. Signatuur "BAERT" en het wapen van Amsterdam
Schutterij van Haarlem, schutterspenning van het Oranje Vaandel met no. 146
Object type: marksman medal
Date: 1650 – 1750
Materials: brass
Techniques: casting, engraving
Location: haarlem
Artist: Anonymous
Subjects: haarlem

Messing penning. Voorzijde: gekroond wapenschild op twee gekruiste palmtakken boven letters O en V; daartussen: cijfer 146. Keerzijde: twee gekruiste musketten binnen bladerkrans met vruchten
Hansom Cab # 776
Object type: drawing
Date: 1860 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Triomftocht van Alexander de Grote in Babylon
Object type: print
Date: 1660 – 1736
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: landscape with ruins, the soldier; the soldier's life, prisoner of war (after the battle), carrying off the spoils of war
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van twaalf prenten door verschillende prentmakers naar de grisailles door Gerard de Lairesse in Schloss Mannheim van de Triomftocht van Alexander de Grote in Babylon.
Rivierlandschap
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: transfer, print drawing
Location: amsterdam
Subjects: sailing-ship, sailing-boat, river (+ landscape with figures, staffage), river bank (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Blad 19 uit Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel I (1921-1929)
Object type: album leaf
Materials: paper, photographic support
Techniques: photography, printing, writing
Location: the hague
Artist: Anonymous
Subjects: further education (+ pupil), further education, the hague

Twee pagina's met gegevens van de deelnemers aan de 7e driemaandelijkse cursus van 17 september tot en met 14 december 1923, stamboeknummers 85 tot en met 89 (en 73 nogmaals). Onderdeel van Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel I (1921-1929).
Château d'Happegienne
Object type: print
Date: 1830 – 1860
Techniques: lithograph
Artist: Anonymous
Artist role: artist
Portret van Lucas Ahuys
Object type: print
Date: 1732 – 1736
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: ink-well, crucifix ~ personal devotion, watch
Inscriptions: collector's mark: Lugt 2228

Kniestuk van Lucas Ahuys, zittend aan een tafel waarop een crucifix en schrijfgerei. Onder het portret een wapen.
Marie Amélie, Reine des Français
Object type: print
Date: 1830 – 1848
Materials: paper
Techniques: etching
Location: paris
Subjects: caserta, london, historical persons - bb - woman, queen
Inscriptions: collector's mark: Lugt 2228
Messenslijper
Object type: drawing
Date: 1820 – 1830
Materials: chalk, charcoal, paper
Location: the hague
Artist: Anonymous
Subjects: sharpening, grinding (industrial processes), adult man, tools, aids, implements ~ crafts and industries: grindstone, tools, aids, implements ~ crafts and industries: knife

Tekeningen waarschijnlijk ontstaan bij het Haagse kunstgenootschap ‘Tot Nut der Tekenkunst’, waar twee keer per week tekenavonden werden georganiseerd met geklede modellen.
The Ascension of Christ (one of seven)
Object type: plaque
Date: 1534 – 1566
Materials: copper, enamel, gilt
Techniques: painting
Artist: jean ii pénicaud
Artist role: enameler
Artist nationality: french
Artist dates: 1524 – 1554
Subjects: men,women,christ

All but the Christ Saying Farewell to His Mother and the Betrayal are free adaptations of woodcuts in the series "The Fall and Redemption of Man" by Albrecht Altdorfer (1480–1538). The former was based on a woodcut by Albrecht Dürer (1471–1528).
Rijtuigen / Voitures
Object type: popular print
Date: 1833 – 1911
Materials: paper
Techniques: lithograph, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: passenger train, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach
Inscriptions: collector's mark: Lugt 2760

Blad met 3 horizontale rijen met in totaal 4 voorstellingen van verschillende rijtuigen en een personentrein. Onder elke afbeelding een onderschrift in het Nederlands en in het Frans in twee kolommen. Genummerd midden boven: N. 148.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, hair, neck, left shoulder of wreathed figure with drapery; part of an inscription, a lambda
Design for Trompe L'Oeil Ceiling for Dining Room, Hôtel de Trévise
Object type: drawing
Date: 1850 – 1910
Materials: ink
Techniques: brush, pen, wash
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ceilings
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, head of a wreathed figure and left hand in front of strigil; right hand of a second figure, holding a strigil