deem-data/ArtiFact huggingface dataset:
Effigies
Object type: print
Date: 1779 – 1788
Materials: paper
Techniques: etching
Location: rome
Artist: antonio capellan
Artist role: print maker
Artist dates: 1735 – 1788
Subjects: prague, vienna, cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit een reeks van onbekende omvang met portretten van kardinalen. De prenten werden vanaf 1657 vervaardigd in opdracht van uitgever Giovanni Giacomo de’ Rossi, waarna de productie werd voortgezet onder leiding van zijn opvolgers Domenico de’ Rossi en Lorenzo Filippo de’ Rossi, en tenslotte onder leiding van de Calcographia R.C.A.
Gold Sheet Ornament
Object type: ornament
Date: 200 – 900
Materials: gold
Techniques: hammering
Culture: peruvian
Location: peru
Drie putti bij een ornamenteel cartouche
Object type: print
Date: 1853 – 1855
Materials: paper
Techniques: aquatint, etching
Artist: lucas victor schaefels
Artist role: draughtsman, print maker
Artist dates: 1824 – 1885
Subjects: 'pictura', symbolic representations, allegories and emblems ~ painting; 'pittura' (ripa), 'sculptura', symbolic representations, allegories and emblems ~ sculpture; 'scoltura' (ripa), 'architectura', symbolic representations, allegories and emblems ~ architecture; 'architettura' (ripa), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Latere staat is de titelpagina voor: Almanak der St.-Lukas Gilde voor het jaar 1854 & 1855. Antwerpen: Gebroeders Peeters, 1855.
Angel
Object type: crèche figure
Date: 1751 – 1800
Materials: silk, silver gilt, terracotta, fiber, metal
Techniques: polychrome
Artist: salvatore di franco
Artist role: maker
Artist dates: 1700 – 1799
Subjects: angels

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Buddha on a lotus pedestal
Object type: figure
Date: 534 – 566
Materials: gilt bronze
Culture: chinese
Subjects: buddhism,buddha

This small figure was part of a larger altarpiece, as is indicated by the tang under its pedestal. For comparison, see 38.158.1a-n in the collection.
Vrouw zittend op de wortel van een boom
Object type: photomechanical print
Materials: cardboard, paper
Techniques: photoaquatint
Artist: adelaide hanscom leeson
Artist role: painter
Artist dates: 1875 – 1931
Subjects: adult woman, trees (+ root, tuber)
Inscriptions: copyright notice: ‘C’

Prent op ongenummerde pagina. Adelaide Hanscom Leeson manipuleerde haar glasnegatieven om een schilderachtig efffect te bewerkstelligen.
Portret van een onbekende man
Object type: photograph
Date: 1885 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Subjects: adult man, historical persons
Inscriptions: inscription: ‘OPGERICHT 1864/ W.G. Kuijer & Zonen/ Hofphotographen/ WESTERMARKT 19./ AMSTERDAM/ Spéciale Inrichting voor Vergrootingen in alle Formaten.’
Pest in Duitsland
Object type: history medal
Date: 1528 – 1528
Materials: silver
Techniques: striking
Location: jàchymov
Artist: ulrich gebhart (utz)
Artist role: die cutter, mintmaster
Artist dates: 1479 – 
Subjects: mintmaster, die cutter, ulrich gebhart (utz), a serpent of brass is made and is set on a pole, the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38), germany

Zilveren penning met draagoog. Voorzijde: koperen slang om kruis, daaromheen knielende Israelieten binnen tweeregelig omschrift. Keerzijde: Christus aan kruis, daaromheen knielende Israelieten binnen tweeregelig omschrift
Zwart gespikkeld bruin papier
Object type: sprinkled paper
Date: 1750 – 1900
Materials: paper
Techniques: kievitsmarmer
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2760
Landschap met een jager bij rotsen
Object type: album leaf
Date: 1789 – 1789
Materials: paper
Techniques: etching
Artist: edward edwards
Artist role: painter
Artist dates: 1738 – 1806
Subjects: hunter, rock-formations, landscapes (+ landscape with figures, staffage)
Inscriptions: number: ‘36’

Prent maakt deel uit van een serie van 51 prenten, bestaande uit twee delen met landschappen (36 prenten) en figuren en portretten (15 prenten), voor het eerst uitgegeven in Londen in 1790.
Onderdeel tapkraan uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: spigot
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Tap, spigot, removable; fragm, sim. NG 1980-27H903, handle missing, no arrester lug, corroded.
Tafereel met twee mensen die een boom beklimmen
Object type: stereograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: photograph
Location: london
Artist: Anonymous
Subjects: trees, adult woman, adult man
Inscriptions: retailer's mark: ‘JK’, number: ‘157’
Exposition de Liège
Object type: photomechanical print
Date: 1905 – 1905
Materials: paper
Techniques: photograph
Location: florenville
Subjects: world fair, world exhibition, gate, entrance, liège
Inscriptions: inscription: ‘Procédé breveté’

Deze prent maakt deel uit van een omslag met 16 prenten.
Beads, 16
Object type: bead, 16
Date: 7000 – 330
Materials: glass
Nederland, cent,1913
Object type: coin
Date: 1913 – 1913
Materials: bronze
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Bronzen munt. Voorzijde: in een veld rijkswapen. Jaartal onderaan in omschrift. Keerzijde: binnen twee samengebonden oranjetakken waarde-aanduiding 1 cent. Kartelrand.
Panel with Rosebush, Birds, and Deer Pattern
Object type: textile fragment
Date: 1667 – 1733
Materials: metal thread, silk, silver
Techniques: brocade, gilding, weave
Location: iran
Subjects: birds,deer,roses

Iranian silk production expanded markedly in the early seventeenth century, thanks to the patronage of Shah 'Abbas I. Silk was most intensively farmed in the Caspian Sea provinces of Gilan and Mazandaran and was woven all over Iran. Raw silk was also exported to Turkey, Russia, Central Asia, India, and Europe. The motifs of a rosebush, birds, and deer on this piece relate it to the popular group of bird and flower textiles in the seventeenth century, anticipating the fashion for bird and flower decoration in the eighteenth and nineteenth centuries. The unnatural relationship of scale among the birds, deer, and flowers is most likely the artist’s interpretation.
Anatomische studie van het hoofd
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: brains, (human) skull (+ front view), (human) skull (+ seen from above)
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Bidloo, Godefridus. Anatomia humani corporis centum & quinque tabulis, per art. G. de Lairesse ad vivum delineatis, de monstrata, veterum recentiorumque inventis explicata plurimisque, hactenus non detectis, illustrata. Amsterdam: Weduwe Joannes van Someren, Hendrick Boom en erven Dirk Boom, 1685.
Buckle
Object type: buckle
Date: 1401 – 1600
Materials: bronze, patina
Culture: european
Piece
Object type: piece
Date: 1780 – 1780
Materials: metal thread, silk
Subjects: flowers,leaves
Palmyre - Sculpture d'un chapiteau - Syrie
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: palmyra
Subjects: fruits: pineapple, landscape with ruins, capital (~ column, pillar), lying figure
Inscriptions: collector's mark: Lugt 3937, number: ‘No 397’, inscription: ‘fl. 6 IV’
Narcissus and lacquer box
Object type: print
Materials: paper
Techniques: printing block, woodblock print, surimono
Location: japan
Artist: mori shunkei
Artist nationality: japanese
Artist dates: 1820 – 1829
Bell (Chunyu)
Object type: bell
Date: 300 – 101
Materials: bronze
Culture: chinese
Standing Young Man With Outstretched Arms
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: attributed to giovanni balducci, called il cosci
Artist nationality: italian
Artist dates: 1560 – 1631
Inscriptions: Inscribed, verso, "Sarto / No. 165"
Glass pendant shaped like a jug
Object type: pendant in the form of a vase
Date: 301 – 400
Materials: glass
Culture: roman

Translucent deep green, appearing black, with handle and base in same color; trail in opaque pale yellow. Body tapering downward; wide mouth; thick rounded rim and cylindrical neck; flat pad base applied to bottom; rod handle applied over trail to body, drawn up, then turned in, and attached to rim, with splayed ends. On neck, spiral ribbing; on body, irregular zigzag trail in relief. Intact except for chip in side of body; dulling, pitting, and slight iridescent weathering. Green vase pendant with one handle; yellow opaque glass thread.
Edging
Object type: edging
Date: 1734 – 1766
Materials: lace, linen
Techniques: lace
Subjects: flowers

The Metropolitan Museum's great lace collection was started when the Museum became the first among American museums to organize a permanent collection of lace with the acceptance of the McCallum Collection in 1879 and the bequests of Mrs. John Jacob Astor, Mrs. Robert L. Stuart, Mrs. Augustus Cleveland, and Mrs. A. W. Winters shortly thereafter. In 1893 a loan collection of antique laces shown at the World's Columbian Exposition in Chicago was assembled by a committee of New York women headed by Catharine Augusta Newbold. About 1900 Miss Newbold arranged and labeled an exhibition of laces and linenworks lent to the Metropolitan Museum by Mrs. James Boorman Johnstone and the Misses Johnstone. "Her scholarly knowledge of lace technique enabled the Museum for the first time to offer a comprehensive display of lace illustrating its historical development," wrote Miss Frances Morris, then curator of the textile department. Miss Newbold's name occurs again in connection with a group of thirty-eight laces recently given to the Museum by her nieces, Mrs. Donald P. Spence and The Lady Reigate, in memory of her sister, their mother, Mrs. William Redmond Cross. These represent a selection of the finest of Miss Newbold's personal lace collection, a collection probably made at the time she was active in lace circles in New York about the last decade of the nineteenth and early part of the twentieth century, under the guidance of Marian Hague, a distinguished connoisseur and collector herself. This period witnessed the last peak of appreciation of and connoisseurship in an art form that had been in tremendous vogue from its beginnings in the fifteenth century. And it was the last period in which fine laces were available in any number. Among choice examples of the great lace types represented in Miss Newbold's small collection are: early Italian pieces combining cut-work, pulled work, reticella, embroidery on linen ground; Sicilian polychrome silk filet; seventeenthcentury Venetian points (point de Venise à reseau and the widely known rose point de Venise); famous French needlepoints (Point de Paris, Argentan, Alençon); French and Flemish bobbin laces (Binche, Valenciennes, Brussels, Point d'Angleterre, and Point de Gaz); and a beautiful cap crown of Argentella (1979.310.9), a rare eighteenth-century European lace whose place of origin has never been surely determined.
Portret van Th. Schwann
Object type: photograph
Date: 1874 – 1879
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: cologne, historical persons
Inscriptions: signature: ‘Th. Schwann’
Werken van bekende hedendaagse kunstenaars
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: lithograph
Location: paris
Subjects: reading, sitting figure - aa - female human figure, book - mm - book open
Inscriptions: collector's mark: Lugt 2233
Christus als Salvator Mundi
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Subjects: 'salvator mundi', making a blessing gesture; an orb in his hand or at his feet
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent uit serie van vijftien prenten naar ontwerp van Peter Paul Rubens met de serietitel SS. Apostolorum Icones.
Aureus (Coin) Portraying Emperor Antoninus Pius
Object type: coin
Date: 138 – 138
Materials: gold, metal
Culture: roman
Location: roman empire
Subjects: portraits
Inscriptions: Obverse:  IMP T AEL CAES HADRI ANTONINVS
Reverse:  AVG PIVS P M TR P COS DES II

Starting in 96 with the reign of Emperor Nerva, Rome was ruled by five wise leaders who came to be known as the “Good Emperors.” Nerva (reigned 96–98) was an honest and respected senator who enacted compassionate social programs. His rule ushered in a period of peace and prosperity, which is suggested by the sheer abundance of coins produced during this era as well as by the skill and artistry of the images created. Coins of this period, especially gold aurei like this one, were often perfectly round, well struck, and centered.

Antoninus Pius (reigned 138–61), continued the wise and caring example of Nerva which is reflected in his nickname, Pius, meaning “pious.” Able to maintain peace through the strength of the Army, Rome was strong and prosperous under Antoninus’s firm rule.
[Students from the Emerson School for Girls]
Object type: photograph
Date: 1850 – 1850
Techniques: daguerreotype
Artist: southworth and hawes
Artist role: photography studio
Artist nationality: american
Artist dates: 1843 – 1863
Subjects: schools,girls,students

This first photographic process invented by Louis Daguerre (1787-1851) spread rapidly around the world after its presentation to the public in Paris in 1839. Exposed in a camera obscura and developed in mercury vapors, each highly polished silvered copper plate is a unique photograph that, viewed in proper light, exhibits extraordinary detail and three-dimensionality. The Boston partnership of Southworth and Hawes produced the finest portrait daguerreotypes in America for leading political, intellectual, and artistic figures. While at first glance, this group portrait of twenty-five unidentified young women may appear to be a haphazard confluence of bodies, the composition is carefully orchestrated as a series of diagonals and pyramids, as in the truncated pyramid formed by the eighteen seated and standing figures on the right-hand side of the picture.
Inlay, hieroglyph
Object type: inlay, hieroglyph
Date: 664 – 610
Materials: faience
Location: egypt
Subjects: men

A quantity of faience hieroglyphs and border elements was found in the tomb or courtyard of Nespekashuty. These are displayed in galleries 127 and 130. They are of similar size and manufacture, so seem to have belonged to a single object, likely of wood. Some of the signs belong to the standard offering formula, others mention Osiris and Anubis, so they certainly suggest an item of funerary furniture - a box, a screen, or a coffin although coffins are not usually inlaid in faience and remnants of Nespekashuty's were painted. Unfortunately, there are no signs indisputably pointing to Nespekashuty's names or titles. Although it seems likely that the fairly elaborate piece of equipment to which they testify belonged to the main burial of this tomb, and not to the Third Intermediate Period burials found in the courtyard or to the material apparently cleared from the Hathor Shrine at Deir el Bahri or to the other sets of late shabtis found in the vicinity of the tomb, it cannot be proven that they belong to Nespekashuty's equipment. Possibly the ongoing reexcavation of Kushite and Saite tombs in the Theban necropolis and also in the Saqqara area will eventually provide a better understanding of what kind of funerary equipment supplied the burials of the period, providing better context for these inlays.
Fatigue Cap, Ulan, Germany, from the Military Uniforms series (T182) issued by Abdul Cigarettes
Object type: print
Date: 1881 – 1881
Techniques: color lithograph
Artist: abdul cigarettes
Artist role: publisher
Artist nationality: american
Artist dates: 1881 – 1881
Subjects: uniforms,military,men
Gezicht op een schoolklas waar een naailes aan de gang is
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: sewing, elementary school; class, form
Allegorische titelpagina met het portret van schrijver Edward Simson
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: (story of) minerva (pallas, athena), eternity, 'aeternitas'; 'eternità','eternità o perpetuità' (ripa), truth; 'verità' (ripa), symbolic representations, allegories and emblems ~ poetry; 'poesia' (ripa), pyramid (historical grave form), 'historia'; 'historia' (ripa), fame; 'fama', 'fama buona', 'fama chiara' (ripa), father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Minerva zit naast Geschiedenis en kijkt over haar schouder mee naar het boek waarin zij schrijft. Geschiedenis kijkt op naar drie allegorische vrouwfiguren (Waarheid, Poëzie en een derde figuur). Achter hen Vader Tijd, Faam en een tweehoofdige figuur die met een beitel een inscriptie slaat in een piramide. In de lucht vliegen vier putti, met eeuwigheidsymbolen in de handen, die het portret van schrijver Edward Simson meevoeren.
Fotoalbum van Robert Daniel Crommelin (1841-1907)
Object type: photograph album
Date: 1863 – 1898
Materials: cardboard, leather, metal, paper, photographic support, silk
Techniques: albumen print, photograph, lithograph, weave
Location: amsterdam
Subjects: claude august crommelin (1840-1874), amsterdam, arnhem, family life, travelling; tourism, netherlands, italy, germany, dutch east indies, the, france, japan, switzerland, belgium
Inscriptions: inscription: ‘F.L. van der Bom Boekbinder Amsterdam’

Fotoalbum in groene imitatieleren band, versierd met geometrische en plantmotieven in reliëf en gouddruk. Op het voor- en achterplat zijn acht metalen knopjes aangebracht. De schutbladen zijn van changeant papier. De band bevat 50 albumbladen goud op snee met 270 foto's uit de jaren 1863-1898. Een deel daarvan is vermoedelijk gemaakt door Claude August Crommelin (1840-1874), bekend verzamelaar van kunst en liefhebber van fotografie die in 1864 een fotoatelier van gietijzer en glas in de tuin achter Herengracht 132 liet bouwen. Het album, dat toebehoorde aan Robert Daniel Crommelin (1841-1907), bevat naast familiefoto's ook opnames van België, Schotland, Duitsland, Zwitserland, Frankrijk, Italië, Nederlands-Indië, Japan (Deshima), Hong Kong en Nagasaki. Ook het Bombardement van Shimonoseki (1863-1864) komt aan bod en er is een bijzondere foto van Roma's in Amsterdam uit 1879.
Lezende man in een bibliotheek
Object type: print
Date: 1892 – 1948
Materials: paper
Techniques: lithograph
Location: paris
Artist: luc-albert moreau
Artist role: print maker
Artist dates: 1882 – 1948
Subjects: eyeglasses, spectacles, reading, study; 'studiolo'; library, book
Inscriptions: annotation: ‘eprueve d'artiste 1/15’, collector's mark: Lugt 4779, collector's mark: Lugt 2228

In een vertrek vol boeken staat een kale man met een boek in zijn handen. Op zijn neus draagt hij een pince-nez.
Landschap met boerderij aan zandweg
Object type: print
Date: 1803 – 1841
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes van cuylenburgh
Artist role: print maker
Artist dates: 1793 – 1841
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Vredebreuk met die van Algiers op den 20 febr. 1755, en Vertrek van den Nederlandschen Consul
Object type: print
Date: 1755 – 1755
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: pirate, corsair, buccaneer
Inscriptions: collector's mark: Lugt 2228

Allegorie op het verbreken van de vrede met Algiers en het daaropvolgende vertrek van de Nederlandse consul uit Algiers, 20 februari 1755. Een Algerijn (zeerover) met getrokken zwaard en verscheurd tractaat vertrapt een vrouwelijke personificatie (Vrije Koophandel?). Op de achtergrond verlaat de consul de stadspoort om aan boord van een schip te gaan.
J.G. Saxe
Object type: page
Date: 1853 – 1858
Materials: photographic support
Techniques: salted paper print
Artist: Anonymous
Subjects: portrait of a writer
Portret van Johann Georg Walch
Object type: print
Date: 1775 – 1809
Materials: paper
Techniques: mezzotint
Artist: johann elias haid
Artist role: print maker
Artist dates: 1739 – 1809
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
1/8 roepie of anna uit India van sjah Alam II, 1175 [=1761]
Object type: coin
Date: 1761 – 1761
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: in Arabische lettertekens opschrift met versiering. Keerzijde: in Arabische lettertekens in drie regels opschrift met aanduiding regeringsjaar 3 [=1175].
Ornament ? Tassel ?
Object type: ornament tassel
Date: 1 – 300
Materials: bronze
Culture: roman

Shaped like a tassel, with a ring for suspension at the back.
Picknick
Object type: photograph
Date: 1905 – 1931
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: outing, pleasure trip, (family) meal - cc - out of doors, student life, celebration meal, feast, banquet - cc - out of doors, netherlands
Inscriptions: inscription

Albumblad met een foto van een picknick tijdens een uitstapje met vrienden in de auto naar de Betuwe, mei 1931. Onderdeel van fotoalbum 'Studentenalbum Indologen'.
Gehalveerde boomstam
Object type: sketchbook leaf
Date: 1819 – 1870
Materials: ink, paper
Techniques: brush
Artist: Anonymous
Subjects: trees (+ stem, trunk)

Boomstam met één zijtak, vermoedelijk door weersomstandigheden gehalveerd. Blad 12 recto uit een schetsboek met 39 bladen.
Portret van Catharina de Bourbon
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: utrecht
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: historical persons - bb - woman, other sovereign - bb - female ruler
Inscriptions: collector's mark: Lugt 2228
Gevels van huizenrijen aan de Keizersgracht naar de Leliegracht en de Herengracht naar de Roomolenstraat
Object type: print
Date: 1768 – 1771
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: front façade
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2228