deem-data/ArtiFact huggingface dataset:
Interior of Wortley Church
Object type: page
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: saint leonard's wortley church
Artist: theophilus smith
Artist role: fotograaf
Subjects: parts of church interior: aisle, interior of church
Quatre Sujets Divers
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Location: paris
Subjects: farrier, shoeing-smith, horse
Inscriptions: collector's mark: Lugt 2228

De schuur van een hoefsmid met een aantal paarden. Een man houdt de achterhoef van een paard vast, de smid duwt het hete ijzer er tegenaan.
Chair back
Object type: upholstery panel
Date: 1766 – 1771
Materials: silk, wool
Artist: louis tessier
Artist role: designer
Artist nationality: french
Artist dates: 1719 – 1781
Subjects: flowers
Portret van Ferdinand hertog van Brunswijk-Lüneburg
Object type: print
Date: 1780 – 1880
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Writing box
Object type: writing box
Date: 1601 – 1700
Materials: wood
Culture: chinese
Courtesan as Daruma
Object type: hanging scroll
Materials: ink, paper
Culture: japanese
Artist: utagawa toyoharu
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1814

Though a painting of a young woman, the red cape and cowl are associated with traditional imagery of Daruma (Bodhidharma), the legendary monk who traveled from India to China to establish Chan (Zen) Buddhism, who is often depicted in similar garb. The painting here, unsigned but most likely by Toyoharu based on stylistic considerations, is intended as a parodic depiction of a Yoshiwara courtesan. The poem by Shokusanjin plays on Buddhist phrases related to the Daruma’s nine years of zazen meditation in a cave to connote a drinking party. Drinking sake aged nine years, along with crumbs of snacks such as Zazen beans, we realize that originally there was nothing at all.
Albumblad met zes foto's
Object type: album leaf
Date: 1913 – 1913
Materials: paper, photographic support
Techniques: photography
Location: berlin
Artist: andries augustus boom
Artist role: amateurfotograaf, handelaar
Artist dates: 1878 – 
Subjects: amsterdam, andries augustus boom, berlin
Inscriptions: date

Albumblad met zes foto's in Berlijn, 1913. Onderdeel van het fotoalbum van de familie Boom-Gonggrijp in Suriname en Curaçao.
View of the fortifications, two men lifting a plank at right, several ships and boats the background and a galley at left, from 'Views of the port of Livorno' (Vues du port de Livourne)
Object type: print
Date: 1655 – 1655
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,boats,ships
Portret van Anton Rubinstein
Object type: print
Date: 1868 – 1899
Materials: paper
Techniques: letterpress printing, engraving
Location: brussels
Artist: martin hönemann
Artist role: print maker
Artist dates: 1858 – 
Subjects: historical persons, portrait of composer
Schotelscherf van aardewerk met tekening van vogels, bloemen en insecten, in onderglazuur blauw
Object type: sherd
Date: 1500 – 1799
Materials: earthenware, glaze
Artist: Anonymous
Portret van Christina Moebius
Object type: print
Date: 1692 – 1721
Materials: paper
Techniques: engraving
Artist: christian romstet
Artist role: print maker
Artist dates: 1640 – 1721
Subjects: historical persons - bb - woman, book
Inscriptions: collector's mark: Lugt 2228
Lezen (Liggend naakt, een boek lezend)
Object type: print
Date: 1913 – 1913
Materials: paper
Techniques: woodcut
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Subjects: reading, book, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Inscriptions: collector's mark: Lugt 2228
Grand Piano
Object type: grand piano
Date: 1790 – 1795
Culture: austrian
Location: austria
Artist: johann schmidt
Artist role: maker
Artist nationality: austrian
Artist dates: 1757 – 1804

This extraordinarily rare piano from about 1790 has a pedal board with eighteen notes that are played like pedals on an organ. Pedal stringed-keyboard instruments were not uncommon in the eighteenth century. Johann Sebastian Bach is known to have owned a pedal harpsichord and Wolfgang Amadeus Mozart's piano by Anton Walter originally had a pedal mechanism. Mozart's D-minor piano concerto, K. 466, requires the use of a pedal mechanism as it cannot be performed with the range of the manual alone. This example is attributed to Johann Schmidt of Salzburg, a friend of the Mozart family, whom Leopold Mozart (Wolfgang's father) helped to secure the job of court organ and instrument maker in Salzburg. Indeed, cleaning done in the 1980s revealed the initials of Wolfgang Mozart scratched inside long ago. It is possible that Mozart played this piano in Salzburg. Technical description: Cherry and cherry veneer case, panel and frame lid; pedal mechanism enclosed with vertical enclosure serving as front support in place of front legs, hinged lid to cover pedals; oak pinblock veneered to match soundboard, turned legs; compass: manual FF-f3 (61 keys), pedal EE/CC-A (18 pedals), black-stained wood naturals, bone-covered accidentals, leather covered pedals; unpierced tuning pins, double-strung throughout, lowest 6 pairs copper-wound over brass (modern strings); manual action: German with escapement and no check; pedal action: Anglo-German, operating a separate row of 24 hammers that strike the lowest manual notes plus 5 additional notes below the manual compass; pedals octave-coupled; damper jacks rise in rack over strings, dowel-shaped lower portion of damper jacks pass through leather loops and are lifted by leather-lined wood blocks glued to key levers; lowest 24 dampers are lifted independently of manual key action when pedals are operated; leather pads on the backfalls (which are also involved in coupling the pedals to their respective hammers) engage an additional projection on the dampers; lowest 19 key levers are cut away to permit projections to pass through to the backfalls; 2 knee levers: dampers operated by either knee, second lever, controlling "piano" stop (leather pads moved between hammers and strings) operated by right knee, handstop engages "bassoon" stop (loop of heavy paper or parchment) buzzing over lowest 26 pairs of strings.
MIiniature Jar with Geometric Motifs and Abstract Birds
Object type: vessel
Date: 1450 – 1532
Materials: ceramic, pigment
Culture: inca
Location: southern peru
Fragmentary Sketches of Various Ornament
Object type: drawing
Date: 1698 – 1765
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: giovanni battista natali iii
Artist role: artist
Artist nationality: italian
Artist dates: 1698 – 1765
Subjects: ornament
Bootees
Object type: bootee
Date: 1860 – 1880
Materials: silk, wool
Culture: american
Beleg en bestorming van Grave door de hertog van Parma, 1586
Object type: print
Date: 1678 – 1680
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: rome, alessandro farnese (landvoogd van de nederlanden en hertog van parma en piacenza), siege, position war, capture of city (after the siege), grave

Gebruikt als illustratie in: J. le Clerc, Geschiedenissen der Vereenigde Nederlanden, sedert den aanvang van die Republyk tot op den Vrede van Utrecht in 't jaar 1713 en het Tractaat van Barriere in 't jaar 1715 gesloten, Z. Chatelain, Amsterdam 1730, 3 delen, Tom. I. No. 25.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 400
Materials: terracotta
Culture: greek, attic
Reproductie van een pagina uit een manuscript van Nathan Drake
Object type: photomechanical print
Date: 1882 – 1887
Materials: paper
Techniques: photograph
Subjects: nathan drake (1587-1658), handwriting, written text
Inscriptions: inscription: ‘By kind permission of F.H. Drake Esq;/ of Headingley, bear Leeds, a lineal descendant of the diarist./ The portion selected is under date May 7th & 8th 1645/ with fragments belonging to the entries of May 9th - 10th and 11th see p.p. 63-65.’
Raising of the Cross, from The Fall and Redemption of Man
Object type: print
Date: 1513 – 1513
Materials: paper
Techniques: woodcut
Location: germany
Artist: albrecht altdorfer
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1538
Ink Tablet In Shape of a Demon
Object type: ink tablet
Date: 1662 – 1722
Materials: ink
Culture: chinese
Subjects: demons
Zelfportretten van Cor van Teeseling
Object type: drawing
Date: 1942 – 1942
Materials: paper, pencil
Location: weteringschans
Artist: cor van teeseling
Artist role: draughtsman, sculptor
Artist dates: 1915 – 1942
Subjects: amsterdam, draughtsman, sculptor, cor van teeseling, historical persons, prisoner in cell or locked place, portrait, self-portrait of draughtsman
Inscriptions: signature and date: ‘4-2-1942 / Cor van Teeseling / B-1-1’

Zelfportret van Cor van Teeseling: gevangenis aan Weteringschans, cel B-1-1, 4 februari. Getekend zelfportret van Cor van Teeseling driekwart met zijn hoofd naar links gewend.
Gezicht op de Giralda nabij de kathedraal van Sevilla
Object type: photograph
Date: 1880 – 1888
Materials: paper
Techniques: albumen print
Location: sevilla
Artist: emilio beauchy
Artist role: fotograaf
Artist dates: 1847 – 1928
Subjects: church (exterior)
Inscriptions: number: ‘No.. 36.’
Beschouw hier lieve jeugd! 't huishouden van Jan Steen, / En lach eens hartelijk, om zijn malligheen
Object type: print
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: a perfect shambles (dutch: 'huishouden van jan steen')
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen over het huishouden van Jan Steen. Jan schildert, heeft een brouwerij, koopt eenden en sterft. Onder elke voorstelling een tweeregelig vers. Genummerd rechtsboven: No. 11.
Boy with and rice seedlings
Object type: hanging scroll
Date: 1777 – 1800
Materials: lacquer, paper, silk, textile, wood
Techniques: calligraphy, damask
Location: japan
Artist: matsumura goshun
Artist dates: 1752 – 1811
Subjects: agricultural implements: hoe, transplanting, setting out plants
Inscriptions: signature: ‘月渓写’, inscription: ‘月渓翁早苗句画賛’, seal: ‘呉春’

A boy with a hoe over his shoulder is on his way to the rice paddies. The elegant lines delineating the boy dovetail with the rhythmic undulating calligraphy telling the story of the rice seedlings in the boy’s basket, which will be planted in the fields.
Navium Variae Figurae
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: etching
Location: antwerp
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: sailing-ship, sailing-boat (with name)
Inscriptions: collector's mark: Lugt 240

De prent maakt deel uit van de twaalfdelige serie "Navium Variae Figurae".
Gideon Elon, de derde echtgenoot van Isabel Wachenheimer, in een Nederlandse stad naast twee vrouwen in Nederlandse klederdracht en een onbekende man
Object type: photograph
Date: 1956 – 1970
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: gideon elon

Gideon Elon (tweede van rechts), de derde echtgenoot van Isabel Wachenheimer, in een Nederlandse stad naast twee vrouwen in Nederlandse klederdracht en een onbekende man.
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)?
Object type: calyx fragment
Date: 480 – 480
Materials: terracotta
Culture: greek, attic

Below the rim, chain of circumscribed palmettes and lyre lotuses
Fringe
Object type: fringe
Date: 1850 – 1850
Bangle
Object type: bangle
Date: 500 – 300
Materials: bronze
Culture: vietnamese
Diverse gezichten op Lyon
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching
Subjects: city-view, and landscape with man-made constructions, lyon
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van dertien prenten.
Model of a Stern with Lumley’s Patent Rudder
Object type: presentation model
Date: 1865 – 1865
Materials: copper, iron, wood
Techniques: polychromy
Location: london
Artist: t. mcknight
Artist role: model maker, ship modeller
Inscriptions: inscription, on the stern: ‘LUMLEY’s PATENT RUDDER’, inscription, on the inside of the hull: ‘T. Mc KNIGHT / Ship Modeller / 66. NEW CHURCH STREET / BERMONDSEY / LONDON. S.E.’

Zwart en roze model van een elliptisch hek met schroefraam, met twee steunen op een grondplank. De roersteven heeft een hiel en drie roerstellen, de roerkoning is rond en loopt tot op het dek, waar een korte roerpen zit. Het roerblad is verticaal in twee stukken opgedeeld, het achterste deel met drie roerstellen aan het voorste bevestigd. Het achterblad heeft een eigen roerkoning, die aan een schuifmechanisme, dat met drie poten tegen het wulf is bevestigd, vastzit: bij draaiing van het roer slaat het achterblad door dit mechanisme extra ver uit.
Jager met hazen
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: rodents: hare, hare-hunting, rabbit-hunting
Inscriptions: annotation: ‘vroeger kon ik ze niet raken / & nu vallen ze als ze mij maar genaken’

Jager staande bij een veld met enkele geschoten hazen.
Drie dames in een treincoupé
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: etching, intaglio
Artist: constant aimé marie cap
Artist role: print maker
Artist dates: 1842 – 1915
Subjects: passenger train
Inscriptions: collector's mark: Lugt 2228
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic
Dragon Pendant
Object type: costume and accessory
Materials: jade
Location: china
Coin
Object type: coin
Materials: silver
Location: iran

This coin was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Bell-shaped cup and saucer with an erotic scene
Object type: kop en schotel, kop en schotel
Date: 1745 – 1745
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Platte schotel op een voetring, gedecoreerd in emailkleuren. Zowel op de schotel als op de kop een voorstelling van een man en een half ontklede vrouw. Op het porselein is de letter A aangebracht. De randen van de kop en schotel zijn versierd met slingerende bloemtakken.

Porselein met erotische scènes zoals deze vormen een aparte subgroep binnen het Deze kunnen variëren van zeer pornografisch tot milde erotische weergaven van klassieke mythologische liefdesverhalen.
Mogelijk wijst de letter A erop dat dit porselein bestemd was voor een bepaalde persoon.
Solitute, plate 53 from Liber Studiorum
Object type: print
Materials: paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
St. Ambrose and the Emperer Theodosius
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: master irs
Artist nationality: italian
Artist dates: 1500 – 1599
Paleis Soestdijk - Oude boerderij van Prinses Sophie der Nederlanden
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1905
Materials: photographic support
Techniques: gelatin silver print
Location: soestdijk
Artist: Anonymous
Subjects: farm (building)
Inscriptions: check stamp
Glass mosaic bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Body fragment. Translucent blue, honey brown, and opaque white. Convex curving side. Short-strip or similar mosaic pattern formed from lengths of several canes set randomly or at right angles to one another: one in a blue ground with white streaks, another in a brown ground with white streaks, and a third in mixed colors appearing greyish green. Polished exterior; pitting of surface bubbles on exterior; dulling and creamy weathering on interior and edges.
Zeegezicht met volle maan
Object type: print
Date: 1779 – 1781
Materials: paper
Techniques: transfer, print drawing
Location: amsterdam
Subjects: sailing-ship, sailing-boat, moonlight
Inscriptions: collector's mark: Lugt 2725, collector's mark: Lugt 12

Op zee varen twee zeilschepen. Een visser haalt vanuit een sloep zijn netten binnen.
Desk and bookcase
Object type: desk and bookcase
Date: 1765 – 1790
Materials: wood
Culture: american
Location: united states

Among the most impressive forms of American furniture, the desk and bookcase was a symbol of its owner’s mercantile and intellectual achievements. On this example, a carved finial bust of a young woman, likely a literary figure, emerges from the broken-scroll pediment at the top.
Dish
Object type: dish
Date: 1615 – 1868
Materials: porcelain
Techniques: underglaze
Culture: japanese
De strijd in Macedonië
Object type: cartoon
Date: 1903 – 1903
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: vienna, massacre ~ war, political caricatures and satires

De Oostenrijkse keizer Frans Jozef I en de Russische tsaar Nicolaas II staan met de rug naar een bloedig tafereel van oorlog en moord gepleegd door de Ottomanen in het Griekse Macedonië. Als christelijke vorsten vinden ze dat zij niet hoeven in te grijpen in een conflict tussen niet-christelijke volkeren.
Great American Shrike
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: aquatint, engraving, hand coloring
Location: england
Artist: robert havell
Artist role: artist and publisher
Artist nationality: american, born england
Artist dates: 1793 – 1878
Installatie en kroning van een nieuwe paus
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: installation of a pope, papal coronation, kissing the pope's feet
Inscriptions: collector's mark: Lugt 2228

Blad met zes voorstellingen van de gebeurtenissen, die volgen op de verkiezing van een nieuwe paus. Linksboven: De kardinalen aanbidden de nieuwe paus. Rechtsboven: Aanbidding van de nieuwe paus in de Sint Pieter. Links midden: Ronddragen van de nieuwe paus. Rechts midden: De kroning van de paus. Linksonder: Joden bieden de paus de Thora aan in het Colloseum. Rechtsonder: Het aanbieden van de sleutels van Petrus aan de paus in Sint-Jan van Lateranen.
Schotel, veelkleurig beschilderd met een Kakiemon-decor en het wapen van de familie Querini
Object type: eating drinking utensil
Date: 1735 – 1740
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: factory mark

Schoteltje met het wapen van de graven Querini (-Stampalia). Porselein. Meissen, ca. 1735 - 1740.
Twee liggende schapen met lam
Object type: print
Date: 1680 – 1720
Materials: paper
Techniques: mezzotint
Location: england
Artist: Anonymous
Subjects: ram, lamb, ewe
Inscriptions: collector's mark: Lugt 240
Inkwell
Object type: glass
Date: 1848 – 1848
Materials: glass
Techniques: glassblowing
Culture: british
Location: london
Taweret Amulet
Object type: amulet, taweret
Date: 664 – 630
Materials: faience
Techniques: glazing
Location: egypt
Subjects: taweret
Bracelet with Dragonflies
Object type: bracelet
Materials: bronze
Culture: thai
Subjects: dragonflies
Plaque or lid with a bull's head
Object type: relief
Date: 2333 – 1668
Culture: bactria-margiana archaeological complex
Location: bactria-margiana
Subjects: bulls
Avalokiteshvara, the Bodhisattva of Infinite Compassion
Object type: figure
Date: 901 – 1000
Materials: copper alloy, gilt
Culture: nepali
Subjects: buddhism,avalokiteshvara,bodhisattvas
Herfst
Object type: print
Date: 1686 – 1724
Materials: paper
Techniques: etching
Location: augsburg
Artist: Anonymous
Subjects: autumn, fall, 'autumnus'; 'autunno' (ripa)
Inscriptions: collector's mark: Lugt 2228

Allegorische voorstelling van de herfst. Een decoratie compositie met drie medaillons met personificaties van de maanden september, oktober en november met bijbehorende tekens van de dierenriem. In het midden op een arcade zit Bacchus omgeven door wijnranken tussen twee kariatiden. Aan weerszijden van Bacchus liggen katachtigen. Onder de arcade wordt een vaas gedragen door twee adelaars. Aan de onderzijde vier honden.
Ovidius' Metamorfosen
Object type: album leaf
Date: 1615 – 1615
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: seven years later, by the same action, tiresias turns into a man again, tiresias, striking two coupling serpents with his staff, is changed into a woman

Tiresias slaat in een bos twee parende slangen. Daarop verandert hij in een vrouw. Op de achtergrond slaat hij acht herfsten later dezelfde slangen in de gedaante van een vrouw, om terug te veranderen naar zijn mannenlichaam. Onder de voorstelling twee keer twee versregels in het Latijn. De prent maakt deel uit van een album.
Model of Dragon
Object type: figure
Date: 1271 – 1368
Materials: stoneware
Culture: chinese