deem-data/ArtiFact huggingface dataset:
Stadhuis en Markt te Sluis in 1739
Object type: ansichtkaart, prentbriefkaart
Date: 1909 – 1909
Materials: cardboard
Techniques: photograph
Location: sluis
Subjects: square, place, circus, etc., townhall
Inscriptions: date
Water Spout
Object type: water spout
Date: 901 – 1000
Materials: stone
Culture: indonesian, javanese
Marianne en Nicolaas
Object type: cartoon
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personifications of countries, nations, states, districts, etc., group of actors, troupe; actors on the stage, lovers; courting, flirting

Drie scènes uit het liefdesdrama 'Marianne en Nicolaas', over de relatie tussen Frankrijk en Rusland.
Obsession
Object type: print
Date: 1894 – 1894
Materials: paper, ink
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Petit Courrier des Dames, 1828, No. 580 : Robe d'Organdi (...)
Object type: fashion print
Date: 1828 – 1828
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: flowers, gloves, mittens (long gloves) (+ women's clothes), head-gear: cap (+ lace used for clothes), boots (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, dress, gown (+ women's clothes)
Inscriptions: title: ‘Petit Courrier des Dames.’, caption: ‘Robe d'Organdie, bonnet en blonde orné de fleurs.’, title: ‘Modes de Paris.’, address: ‘Boulevard des Italiens No.2 près le passage de l'Opèra.’

Japon van organdie. Lange doorzichtige mouwen over korte pofmouwen. Muts van Blonde (kloskant) versierd met bloemen. Verdere accessoires: handschoenen, doosje(?), laarzen. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Schetsblad met gedichten en schetsjes van het dodenmasker van Hendrik IV, koning van Frankrijk
Object type: drawing
Date: 1848 – 1927
Materials: paper, pencil
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: hendrik iv (koning van frankrijk en navarra), death-mask, historical persons
Piece
Object type: piece
Date: 1735 – 1740
Materials: silk
Subjects: grapes,flowers,leaves
Pia Desideria
Object type: album leaf
Date: 1628 – 1628
Materials: paper
Techniques: woodcut, pasting
Location: antwerp
Subjects: sitting on the ground - aa - female human figure, angels

Prent uit: Herman Hugo, Pia desideria emblematis, elegiis & affectibus S. S. Patrum illustrata, Antwerpen 1628. Volgens de titelpagina verscheen dit werk in Antwerpen bij Hendrick Aertssens, in werkelijkheid verscheen het in Amsterdam bij Pieter Jacobsz Paets (Dietz 2012, p. 58-59).
Piece
Object type: piece
Date: 1750 – 1775
Materials: metal thread, silk
Subjects: flowers
Christus en de Apostelen
Object type: print
Date: 1517 – 1527
Materials: paper
Techniques: engraving
Location: italy
Artist: marcantonio raimondi
Artist role: print maker
Artist dates: 1470 – 1534
Subjects: 'salvator mundi', making a blessing gesture; an orb in his hand or at his feet
Landschap met stadsgezicht
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: etching, intaglio
Artist: frans van kuyck
Artist role: painter, print maker
Artist dates: 1852 – 1915
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228
Grondvervoer te Fosibergi
Object type: photograph
Date: 1900 – 1913
Materials: photographic support
Techniques: collodion silver print, gelatin silver print
Location: suriname
Artist: augusta curiel
Artist role: fotograaf
Artist dates: 1873 – 1937
Subjects: suriname
Inscriptions: inscription: ‘Grondvervoer te Fosibergi, cliché Curiël.’

Spoorlijn voor grondvervoer door het bos, volgens het onderschrift te Fosibergi. Onderdeel van het fotoalbum Souvenir de Voyage (deel 3), over het leven van de familie Dooyer in en rond de plantage Ma Retraite in Suriname in de jaren 1906-1913.
Marie Mulle, from the Actresses series (N246), Type 2, issued by Kinney Brothers to promote Sporting Extra Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actresses" (N246), issued ca. 1890 by Kinney Brothers Tobacco to promote Sporting Extra Cigarettes. There are two types of cards in the series, varying by size.
Berglandschappen
Object type: photograph
Date: 1941 – 1945
Materials: paper, photographic support
Techniques: gelatin silver print
Location: alps
Artist: Anonymous
Subjects: waterfall, mountain-range, snow peaks

Albumblad met zes foto's van berglandschappen en watervallen, linksonder mogelijk waarnemingscentrum Gornergrat. Onderdeel van het fotoalbum Kriegsmarine.
Aanbieding van smeedwerk aan Minerva
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: engraving, etching
Subjects: minerva as patroness, applied arts, arts and crafts; industrial design, other scenes ~ vulcan forging
Inscriptions: collector's mark: Lugt 2228

Vanaf een wolk bewondert Minerva een gesmeed ijzeren hek, dat Vulcanius en Mercurius haar tonen. De Tijd kijkt toe. Op de achtergrond een smidse in een grot.De vrouwen links van Minerva stellen de Schone kunsten voor. Onder deze voorstelling een tweede afbeelding, waarop mannen bezig zijn met het bekijken of herschikken van ornamenten. Daarboven hangt een draperie, waarop in het Frans en Engels de titel, auteur en inhoud van het boek staat weergegeven.
Portret van Johannes Eisenhart
Object type: print
Date: 1707 – 1732
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Ceramic Fragment
Object type: fragment
Date: 901 – 1100
Materials: earthenware
Techniques: luster painting
Location: saudi arabia
Monte Carlo, le Théâtre en façe
Object type: photograph
Date: 1890 – 1900
Materials: paper, ink
Techniques: photograph
Location: monaco
Subjects: theatre (building), façade (of house or building)
Inscriptions: negative number: ‘3267’

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.
Portret van Johann Friedrich Wilhelm Pagenstecher
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: engraving
Location: leipzig
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Deutsche Acta Eruditorum (...). dl. 44. Leipzig: Johann Gottlieb Gleditsch, 1716.
Merchandise
Object type: locket
Date: 1590 – 1596
Materials: tin, wood
Techniques: casting, cutting
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck, charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues

Among the merchandise intended for the Asian market were pewter salt-cellars and a splendidly ornamented ewer. The pewter medallions in wooden frames were meant to serve as wall decorations.
Brief aan Ary Johannes Lamme
Object type: letter
Date: 1822 – 1860
Materials: ink, paper
Techniques: pen, writing
Artist: jules victor genisson
Artist role: painter
Artist dates: 1805 – 1860
Subjects: dordrecht, print maker, draughtsman, ary johannes lamme, art trade, art shop, painting (including book-illumination, miniature-painting), exhibition ~ art, rotterdam, brussels, utrecht, amsterdam
Inscriptions: collector's mark: Lugt 2228
Marble portrait of a man from a funerary relief
Object type: portrait bust of a man from a relief
Date: 34 – 1
Materials: marble
Culture: roman
Subjects: heads,men,portraits

This head from a funerary relief probably represents a freedman, or former slave, who achieved prosperity after obtaining his freedom. Such reliefs showing busts of family members within a window-like frame were often set into the outer wall of a family's funerary building.
Portret van kolonel Knol, te paard
Object type: drawing
Date: 1803 – 1861
Materials: paper, pastel
Artist: jacob joseph eeckhout
Artist role: draughtsman, print maker
Artist dates: 1793 – 1861
Subjects: historical persons, officer (with name of rank)
Shirahige Shrine at Dawn
Object type: print
Date: 1801 – 1833
Techniques: woodblock print, surimono
Location: japan
Artist: utagawa toyoshige (toyokuni ii)
Verschillende voertuigen
Object type: popular print
Date: 1874 – 1874
Materials: paper
Techniques: letterpress printing, lithograph
Location: amsterdam
Artist: Anonymous
Subjects: traffic and transport, caravan (trailer), four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach
Inscriptions: collector's mark: Lugt 2760

Blad met 7 voorstellingen van voertuigen, waaronder een meubelwagen, een woonwagen en een vierspan. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 32.
Porte Septentrionale de la Salle Hypostyle du Palais de Karnac
Object type: photograph
Date: 1849 – 1850
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,ruins

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Heuvellandschap met twee wandelaars
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: landscapes in the temperate zone
Bowl
Object type: bowl
Date: 1701 – 1800
Materials: clay, enamel, glaze
Techniques: polychrome
Culture: japanese
Subjects: flowers
Hair Dressing Tool (Kogai)
Object type: hair dressing tool kogai
Date: 1401 – 1500
Materials: iron
Culture: japanese
Location: japan
Leden van het Institut Royal de France
Object type: print
Date: 1820 – 1820
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, historical persons
Inscriptions: collector's mark: Lugt 2228a
Chalice Veil
Object type: chalice cover
Date: 1601 – 1700
Techniques: lace

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Large Syringa
Object type: textile
Date: 1874 – 1874
Materials: cotton, textile, silk, velvet
Techniques: cutting, treatment, weave, satin weave
Location: london
Artist: edward william godwin
Artist role: artist
Artist nationality: british
Artist dates: 1833 – 1886
Japanese, from Types of Nationalities (N240) issued by Kinney Bros.
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men

Trade cards from the "Types of Nationalities" series (N240), issued in 1890 to promote Kinney Tobacco Company. Each card is meant to be folded into thirds. Unfolded the card displays a figure from a particular nationality. Folded, the same figure is portrayed smoking a Kinney Brothers Cigarette.
Iconographie
Object type: print
Date: 1630 – 1632
Materials: paper
Techniques: brush, engraving, etching
Location: low countries
Subjects: draughtsman, frans snijders, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240

Portret van Frans Snijders met onderschrift FRANCISCVS SNYDERS VENATIONVM FERARVM, FRVCTVVM, ET OLERVM PICTOR ANTUERPIAE
Solid Open Bangle with Applied Decoration
Object type: bangle
Materials: bronze
Culture: thai
Holy Family with the Virgin reading, the Virgin sits in profile with a book in her left hand and the Child facing the viewer, Joseph stands behind them with a staff in his right hand
Object type: print
Date: 1640 – 1660
Techniques: etching
Artist: giulio carpioni
Artist role: artist
Artist nationality: italian
Artist dates: 1613 – 1678
Subjects: books,reading,holy family,virgin mary,jesus
Patroon voor een tussenzetsel van kloskant Valenciennes d'Auvergne
Object type: lace pattern
Date: 1880 – 1880
Materials: cardboard
Techniques: drawing
Location: france
Artist: Anonymous
Altar cloth
Object type: altar cloth
Date: 1600 – 1600
Materials: linen
Techniques: embroidery
Portret van kerkvader Ambrosius, bisschop van Milaan
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: theologian, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Saksen, Albertinische Linie, Friedrich August I, 2/3  taler,1696
Object type: tweederde taler
Date: 1696 – 1696
Materials: silver
Techniques: striking
Location: leipzig

Zilveren munt. Voorzijde: portret van de keurvorst naar rechts. Keerzijde: Versierd samengesteld wapenschild, waarop keurvorstenhoed. Daaronder in ovaal schild waarde-aanduiding. Jaartal rondom hoed bovenaan.
Cylinder seal with cultic scene
Object type: cylinder seal
Date: 800 – 701
Materials: jasper
Culture: assyrian
Location: mesopotamia
Subjects: men,lions

Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography. The modern impression of the seal is shown so that the entire design can be seen. This seal shows a scorpion man and male figure wearing a long garment flanking a deity standing on winged lion. The goddess Ishtar is also represented. A winged sun disc appears above her in the upper pictorial field. Above and in front of the male deity, a crescent moon with a male bust is represented.
Portret van F.J.E. van Gorkum
Object type: print
Date: 1841 – 1894
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: leendert springer (ii)
Artist role: draughtsman, print maker
Artist dates: 1831 – 1894
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Postkaart
Object type: print
Materials: paper
Techniques: etching
Location: rotterdam
Subjects: postal service, postman, ships (in general) - cc - more than one ship, beach, sea
Inscriptions: collector's mark: Lugt 2228

De postbode rijdt met zijn paard langs het strand. Hij signaleert naar een voorbijvarend schip. De prent heeft een Nederlands onderschrift met uitleg.
A Hunter Shoots a Leopard; Illustration to the Anwar-i Suhaili
Object type: folio from an illustrated manuscript
Date: 1570 – 1575
Materials: gold, paper
Location: india
Subjects: bow and arrow,hunting,leopards

This painting of a hunter shooting is leopard is a fragment of a larger illustration to the Anwar-i Suhaili (Lights of the Canopus), a Persian version of the Panchatantra (an ancient collection of didactic animal fables in Sanskrit). The story here is on the theme of retribution, told through the viewpoint of the lynx who observes the hunter kill a leopard which had killed a dog, in a chain of animals which had all sequentially killed each other before meeting the same fate—before the dog, a fox, a hedgehog, a snake, and a mouse who began all this when it gnawed a tree. The unflinching depiction of the shot leopard is perhaps the most arresting part of this painting. Communicating the pain of the arrow through its body curled up—and falling forward in shock, yelping face and copious bleeding, drives home the point of the moral tale.
Galleria Giustiniana del Marchese Vincenzo Giustiniani II
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving
Subjects: rome, vincenzo giustiniani (1564-1637), satyrs, fauns, sileni, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228

Twee Romeinse sculpturen. Boven de buste van een faun met hoorns op het hoofd. Onder de buste van een faun, met wingerdbladeren en druiven in het haar, een geitenvel over de schouders. Middenonder beide beelden het wapenschild van Vincenzo Giustiniani. Prent uit een serie naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Teapot
Object type: teapot
Date: 1784 – 1785
Materials: silver, wood
Artist: william plummer
Artist role: maker
Artist dates: 1755 – 1755
Design for 6 seat Rockaway, no. 3141
Object type: drawing
Date: 1875 – 1875
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Fragmentary decree of King Neferkauhor
Object type: relief, decree of king neferkauhor horus netjerybau
Date: 2103 – 2101
Materials: limestone
Location: egypt
Subjects: hieroglyphs

The royal decrees 14.7.10-.14 were were set up in the gateway of the temple of Min at Coptos, and were buried carefully beneath the floors of the temple later in its history. This stone preserves part of decree by Neferkauhor appointing the brother of Idy to a post in the Temple of Min at Coptos. Idy was the Governor of Upper Egypt.
Beugeltas in ovale vorm, van goudbrokaat met roze en bruin patroon van vogels en bloemen, aan een verguld zilveren beugel met knipsluiting
Object type: beugeltas
Date: 1808 – 1808
Materials: gold thread, silk, silver
Techniques: brocade, forging, gilding, weave
Location: asia
Inscriptions: mold mark: ‘J.W.’, silver mark: ‘10’, silver mark: ‘ovaaltje met dwarsbaan’, silver mark: ‘b’, silver mark: ‘d.i.’

Beugeltas in ovale vorm, van goudbrokaat met roze en bruin patroon van vogels, bloemen en bladeren. Tussen de twee panden een strook stof van hetzelfde materiaal, net als het korte hengsel, dat de vorm heeft van een lus. De tas heeft een verguld zilveren beugel in een halfronde vorm met een gladde bovenkant en zijkanten met gleuven in reliëf. Bovenop een knipsluiting. De tas is gevoerd met oranjeroze changeant zijde en heeft een extra vak met een enkele vergulden beugel. tegen de buitenste beugel een lint van gouddraad.
Gezicht op de Serayu bij Banjoemas op Java
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: java
Artist: Anonymous
Subjects: river (+ landscape with figures, staffage), java

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Venus Callipyge in het Museo Nazionale te Napels, op de rug gezien
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: naples
Artist: Anonymous
Subjects: woman (showing herself) undressed, quasi-nude, (story of) venus (aphrodite), sculpture
Inscriptions: collector's mark: Lugt 3937, number: ‘4409’
Terracotta fragment of a pyxis (box)?
Object type: pyxis fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Below the rim, head of a woman to left
Doos behorend bij een bronzen penning
Object type: box
Date: 1965 – 1965
Materials: cardboard, velvet
Location: voorschoten
Artist: arie van wijnen
Artist role: medailleur
Artist dates: 1901 – 1971
Subjects: rijksmuseum amsterdam
Leda and the Swan
Object type: group
Date: 1640 – 1650
Materials: marble
Artist: jacques sarazin
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1660
Subjects: cupid,leda,swans

This statue came from the Château de Valmer, near Tours, which was built by Tomas Bonneau, a crown official, in 1645. 1980.5, loosely patterned after a late Hellenistic group in the Capitoline Museum, Rome, also echoes the composition of Sarrazin's four reliefs of the cardinal virtues executed ca. 1643-1645 for Monument of the Heart of Louis XIII.