deem-data/ArtiFact huggingface dataset:
Voor een kar gespannen paard
Object type: sketchbook leaf
Date: 1881 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: animal traction, animal-drawn vehicle (carriage etc.), horse

Blad 25 verso uit een schetsboek met 29 bladen.
Waistcoat panels
Object type: habit à la disposition
Date: 1780 – 1780
Materials: silk
Saint George Slaying the Dragon
Object type: print
Date: 1504 – 1505
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: st. george and the dragon: dressed in armour and mounted on a (white) horse he brandishes his sword (his lance lies already broken on the ground); the princess nearby may be shown praying or fleeing
Inscriptions: collector's mark: Lugt 240

The influence exerted by the emerging Renaissance art affected the depiction of Saint George. If the saint was usually represented as a knight in armour at the end of the 15th century, his costume took on classic Roman features in the 16th century. This is also clear to see in the ceremonial chain: around George’s waist is a classic lappet, or apron.
Toilet vase
Object type: cosmetic jar
Date: 1750 – 1750
Materials: stone
Location: egypt
Tankard with Peony Scroll
Object type: tankard
Date: 1401 – 1433
Materials: cobalt, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: peonies

Despite the charming dragonfish handle, the shape of this tankard is not Chinese; it is based on Islamic metalwork, and was made for export.
Page of Calligraphy
Object type: non illustrated album leaf
Materials: gold, ink, paper, watercolor
Location: india
Artist: 'abd al-rahim
Artist role: calligrapher
Artist nationality: indian
Subjects: poetry,calligraphy

This page, signed by the celebrated calligrapher ‘Abd al-Rahim, includes four lines of poetry arranged diagonally in nastaʻliq script and interspersed with delicately rendered birds and flowers. The poem, written by the Persian poet and calligrapher Sultan ‘Ali Mashhadi (ca. 1440–1520), addresses the pain and suffering of this world, which presents an obstacle to rest and tranquility. The calligrapher of this page, ‘Abd al-Rahim, was honored with the title Ambarin Qalam (Amber Pen), given to him by the Mughal emperor Jahangir.
Sweret Bead on Gold Wire
Object type: torque, sweret bead
Date: 1479 – 1425
Materials: gemstone, gold
Location: egypt

The "sweret" bead, when first used in the Middle Kingdom, was worn on a string around the neck (see 11.150.15b). Found in the New Kingdom burial of an Egyptian queen, this bead may have been intended to continue in the old practice. In later times, such beads seem to have been strung on wire and slipped around the mummy's arm.
A Man Reading in a Garden (recto); Preliminary sketch for a Man Reading in a Garden (verso)
Object type: drawing
Date: 1865 – 1865
Materials: chalk, crayon, ink, watercolor
Techniques: brush, lithograph, pen, wash
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: gardens,men,reading

After Daumier's death, this drawing came into the hands of the Paris art dealers Boussod & Valadon, where Vincent Van Gogh's brother, Theo, worked. Vincent seems to have recalled seeing it, writing to his brother on October 22, 1882: "I remember very well being most impressed by a drawing of Daumier's: an old man under the chestnut trees in the Champs Elysées. . . . What impressed me so much at the time was something so stout and manly in Daumier's conception, something that made me think it must be good to think and to feel like that and to overlook or ignore a multitude of things and to concentrate on what makes us sit up and think and what touches us as human beings more directly and personally than meadows or clouds."
Zes voorstellingen met Brandenburgse oorlogsscènes
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: trampling, treading, stamping on someone or something, commander-in-chief, general, marshal, deathbed, battle, evening meal, dinner, supper, horse, war, death of human being
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Genealogischer Militairischer Calender auf das Jahr 1787 (...). S.l.s.n.s.a.
Friese heersers
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching, letterpress printing
Location: franeker
Subjects: stamvader der friezen friso
Inscriptions: collector's mark: Lugt 2228

De prent is ook als boekillustratie gebruikt in: Winsemius, P.W. Chronique ofte Historische geschiedenisse van Vrieslant (...). Franeker: Joannes Lamrinck, 1622.
Coin Portraying Emperor Gallienus
Object type: coin
Date: 253 – 268
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse:  GALLIENVS AVG

The front (obverse) of this coin portrays the emperor Gallienus, wearing a crown and facing right.

On the back (reverse) a standing figure holds a spear and a laurel branch.
Rosslyn Castle
Object type: photograph
Date: 1870 – 1886
Materials: paper, photographic support
Techniques: albumen print
Location: roslin
Artist: james valentine
Artist role: fotograaf
Artist dates: 1815 – 1880
Subjects: castle, ruin of a dwelling, house, castle, etc.
Inscriptions: negative number: ‘588’

Onderdeel van Reisalbum van H. Dunlop met foto's van bezienswaardigheden in Perzië, Schotland, Duitsland, Rusland, China en Canada.
Putto op een ram
Object type: print
Date: 1500 – 1599
Materials: paper
Techniques: etching
Location: italy
Artist: Anonymous
Subjects: ram, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: number: ‘3’, collector's mark: ‘Hinloopen’, collector's mark: Lugt 11, collector's mark: Lugt 10
Engelants schoutoneel verbeeldende de Glorieuse overtogt met het kroonen van William III en Maria II tot Koning en Koningin van groot Brittany en Vrankryk en Yrlant, etc. II Deel.
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), london, maria ii stuart (koningin van engeland, schotland en ierland), coronation of a ruler, westminster abbey
Inscriptions: collector's mark: Lugt 2760

Het voorstellen aan het verzamelde volk in de Westminster Abbey van prins Willem III en prinses Maria als de nieuwe koning en koningin van Engeland, 21 april 1689. Onderdeel van de serie 'Engelants schouwtoneel' over de Glorious Revolution 1688-1689 (tweede deel). Met onderschriften in het Nederlands en Frans.
Herstel van Willem V als erfstadhouder
Object type: history medal
Date: 1787 – 1787
Materials: silver
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: the hague, william v (prince of orange), painter, wilhelmina of prussia (princess of orange)

Zilveren penning met gat erin. Voorzijde: borststuk man en vrouw binnen omschrift. Keerzijde: adelaar met olijftak in bek, zwevend boven landschap, waarin rivier en stad zichtbaar zijn binnen omschrift; afsnede: opschrift
Covered jar with hatched plants in petal-shaped panels
Object type: covered jar
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Dekselpot van porselein met een uitgerekt, bolvormig lichaam en een hoge, spreidende voet, beschilderd in onderglazuur blauw. Op de wand langwerpige, bloembladvormige vakken met daarin bloeiende planten aangezet met arceerwerk; tussen de vakken langs de rand en de voet telkens een halve bloem. De rand en de voet met driemaal een gestileerde bloem. De deksel met dezelfde decoratie. Blauw-wit.
Fotoreproductie van een schilderij, man en vrouw bij een put
Object type: reproduction
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: well, lovers' tussle
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, double line border of tondo; Exterior, greaved calf and foot of warrior to right; greaved calf and foot of warrior to left
Gezicht op de Burgerzaal in het Paleis op de Dam
Object type: photomechanical print
Date: 1905 – 1905
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: townhall, royal palace of amsterdam
Inscriptions: collector's mark: ‘17.12’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Stadhuis, van binnen: Groote zaal, Raadkamer, Schepenkamer, Troonzaal, Mozeszaal, Zitkamer.
Een Ottomaanse ruiter
Object type: costume print
Date: 1577 – 1577
Materials: paper
Techniques: engraving
Artist: abraham de bruyn
Artist role: print maker, publisher
Artist dates: 1540 – 1587
Subjects: asiatic races and peoples: turks, warfare; military affairs (+ cavalry, horsemen), folk costume, regional costume, (military) uniforms
Inscriptions: collector's mark: Lugt 2228

Paard en ruiter naar rechts. Het paard is in stap. De ruiter is in Ottomaanse stijl gekleed. Hij heeft een schild in zijn hand. De prent heeft een Duits en Latijns onderschrift. Prent oorspronkelijk uit 'Equitum descripcio...', 1577.
Shwedagon pagoda, Yangon, Myanmar
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: yangon
Artist: philip adolphe klier
Artist role: fotograaf
Artist dates: 1845 – 1911
Subjects: yangon
Inscriptions: number: ‘3.’, title: ‘Shrine S. D. Pagoda Rangoon’
Henri II, King of France
Object type: plaque
Date: 1555 – 1560
Materials: copper, enamel, gilt
Artist: léonard limosin
Artist role: enameler
Artist nationality: french
Artist dates: 1505 – 1577
Subjects: kings,men,profiles

Limosin was introduced to the court of François I (1494–1547) as a protégé of Jean de Langeac, bishop of Limoges. In 1548, he became enameler and valet de chambre to François’s successor, Henri II (1513–1559), for whom he produced enamel portraits of both kings that were incorporated into an altarpiece for the Sainte-Chapelle in Paris.
Aviary
Object type: aviary
Date: 1850 – 1860
Materials: brass, glass, wool
Culture: american
Location: united states
Subjects: birds,plants
Portret van Johannes van Zijll de Jong in legeruniform
Object type: photograph
Date: 1930 – 1935
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: adult man, historical persons, (military) uniforms, netherlands

Gezien het uniform kon de rang van de geportretteerde mogelijk wachtmeester van het Korps Rijdende Artillerie zijn geweest.
Michael Jacobs
Object type: page
Date: 1877 – 1882
Materials: photographic support
Techniques: albumen print
Location: gettysburg
Artist: william h. tipton
Artist role: fotograaf
Artist dates: 1850 – 1920
Subjects: professor
Huzaar te paard
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: etching, soft ground etching
Artist: john lewis brown
Artist role: print maker
Artist dates: 1829 – 1890
Subjects: riding a horse, ass, or mule; rider, horseman, private soldier, horse

Gepubliceerd in 'l'Artiste' in 1889, p. 108.
[Hats J79-J80]; [Hats J81-J82]
Object type: photographically illustrated book
Date: 1888 – 1888
Artist: william charles brown
Artist role: author
Artist nationality: british
Artist dates: 1800 – 1899
Schets van een zittende vrouw
Object type: drawing
Date: 1867 – 1923
Materials: chalk, paper
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Three-light candelabra (candélabre or girandole) (one of a pair)
Object type: candelabrum
Date: 1750 – 1750
Materials: gilt bronze, hard paste porcelain
Artist: johann joachim kändler
Artist role: modeler
Artist nationality: german
Artist dates: 1706 – 1775
Subjects: birds

Trained as a sculptor, Johann Joachim Kändler joined the porcelain manufactory in Meissen, near Dresden, as a modeler in 1731. A prolific and talented artist, Kändler supplied the workshops there with numerous models, ranging from small figural groups to table services and decorative wares. Among his most celebrated achievements were the animal figures he created for the Japanese Palace in Dresden at the behest of Augustus the Strong, elector of Saxony (1670–1733), which included many native European and exotic birds. These figures were based either on live specimens observed at the royal menagerie at Moritzburg or on stuffed ones preserved in the local natural-history collection, and they illustrate the contemporary fascination with the natural world. In March 1735, for the Japanese Palace, Kändler modeled his first bittern, an elusive long-necked bird that moves through the reeds along the shore stalking fish. Different, smaller models of bittern by the artist seem to have been popular during the mid-eighteenth century, and multiple pairs are known today. With their attractive gray and brown plumage and dark streaks, the graceful heronlike birds strut on mounds embellished with a thicket of water plants and rushes. In Paris various Meissen porcelain birds were combined with fanciful gilt-bronze mounts to make exquisite candelabra such as these, for which the marchands-merciers asked steep prices. Lazare Duvaux’s account book lists several pairs of three-light girandoles that were sold between 1748 and 1751. Two of them incorporated Meissen swans, and the third, unidentified Meissen porcelain birds.[1] A pair of bittern with identical scrolling mounts are in the Huntington Library, Art Collections, and Botanical Gardens in San Marino. They may originally have formed a set of four candelabra with the Museum’s pair. [Daniëlle Kisluk-Grosheide, 2010] Footnotes: [1] Duvaux 1748–58/1965, vol. 2, pp. 7, 71, 77.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, arm protruding from drapery, with hand holding skyphos; Exterior, part of ground line
One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.)
Object type: drawing
Date: 1850 – 1880
Materials: ink, pencil, watercolor
Techniques: pen
Artist: compagnia di venezia e murano
Artist role: designer
Artist nationality: italian
Artist dates: 1872 – 1909
Subjects: drinking glasses
Specimen
Object type: specimen
Date: 1801 – 1900
Techniques: lace
Subjects: flowers,leaves
Schilder zittend in een atelier
Object type: photograph
Date: 1878 – 1883
Materials: paper
Techniques: platinum process
Artist: guillaume oury
Artist role: amateurfotograaf
Artist dates: 1840 – 1922
Subjects: workshop, studio ~ painter, painter at work, in his studio
Inscriptions: inscription: ‘Médaille de bronze au concours de 1883.’
Onuris
Object type: statuette, onuris
Date: 664 – 332
Materials: metal
Location: egypt

Onuris is depicted here, recognizable by his short hair and distinctive garment, which comprises a short kilt over a long patterned one, in this case combined with a detailed feathered or scaled cuirass. A double feather crown, rather than the frequent four feather crown, rests on his short hair, which is here oddly rendered with thick horizontal ridges . Onuris was a fierce god, known for capturing enemies in battle or hunting dangerous animals. His right arm is raised in the act of spearing a defeated enemy or animal, or holding a rope, which presumably he used to snare his prey. In this role, he personified good conquering and controlling forces of chaos and disruption.
In ontvangst nemen van de Gouden Koets door koningin Wilhelmina
Object type: photograph
Date: 1898 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: the hague, wilhelmina of the netherlands
Inscriptions: name: ‘Sigling & Lukera Amsterdam Jacob van Campen 96’
Pair of Ear Ornaments with Design of Fused Discs
Object type: ear ornament
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Verrucae
Object type: page
Date: 1890 – 1900
Materials: paper
Techniques: photograph
Location: amsterdam
Subjects: skin and venereal diseases, hand, penis, phallus
Inscriptions: number: ‘Planche XXXIV. / Fig. 1. / Fig. 2.’
Nader Verklaaring der XIII. Zinnebeelden, over de Historie van Petrus Codde, en Theodorus de Kok, Toegepast op de X Geboden. (enz.)
Object type: table of content
Date: 1706 – 1707
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: carel allard
Artist role: print maker, publisher
Artist dates: 1648 – 1709
Subjects: utrecht, rome

Inhoudsopgave voor de serie Roma Pertubata van 1706, in de nieuwe vermeerderde uitgave van 1707. Twee kolommen met een vers voor elk van de 13 spotprenten op de twisten in 1705 tussen de jezuïeten en de jansenisten in de Republiek. Onderdeel van het prentwerk uitgegeven onder de verzameltitel 't Lust-Hof van Momus met de gebundelde series van spotprenten tijdens de jaren 1701-1713 van de Spaanse Successieoorlog.
Portret van een meisje
Object type: album leaf
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: girl (child between toddler and youth)
The Young David Playing the Harp
Object type: drawing
Date: 1548 – 1550
Materials: chalk, ink, paper
Techniques: brush, pen, drawing, wash
Artist: michelangelo anselmi
Artist role: artist
Artist nationality: italian
Artist dates: 1492 – 1556
Subjects: harps,david

Delicately rendered in black chalk, this drawing constitutes a study for the figure of the Young David playing the harp frescoed by Michelangelo Anselmi in monochrome on the entrance arch of the western apse of the church of Santa Maria della Steccata in Parma. The placement of the figure, seated in a niche rounded at the top and bottom, is directly inspired by the same motif in Parmigianino's unfinished decoration in the vault of the eastern apse of the Steccata, a project documented in a celebrated double-sided sheet in the Metropolitan Museum collection (inv. 62.135). Anselmi was, in fact, one of the artists commissioned in 1548 to continue the decoration of the church after Parmigianino's disgrace and death in 1540. Though his formal dependence on Parmigianino's example is evident, Anselmi’s style as a draughtsman is here strikingly different in its soft pictorial ‘chiaroscuro’ shading. (FR)
Hasselt
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of cities

Plattegrond in vogelvluchtperspectief. Linksboven het wapen van Overijssel. Links in het midden een schaalstok: Rijnlandtze roeden. Rechtsboven het wapen van Hasselt, rechtsonder een legenda.
Chokugakumonpoort van de Zojoji-tempel in Tokyo
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: temple, shrine ~ hinduism, buddhism, jainism, gate, entrance
Inscriptions: negative number: ‘143 B’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Japan.
De uittocht der Amsterdammers
Object type: photomechanical print
Date: 1902 – 1911
Materials: paper
Techniques: letterpress printing, line block
Location: netherlands
Subjects: utrecht, amsterdam, politician, jacob nicolaas van hall, surabaya, the hague, politician, e.g. party leader, political caricatures and satires
Inscriptions: collector's mark: Lugt 1641b, inscription: ‘Nov. 1902’

Prent komt uit een onbekende publicatie, waarschijnlijk uit november 1902. Een vergelijkbare prent werd eerder gepubliceerd in: Geïllustreerd zondagsblad voor katholieken, 26 oktober 1902, p. 132.
CERTOSA DI PAVIA Ornati in terra cotta del Chiostro piccolo.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: certosa di pavia
Artist: Anonymous
Subjects: arch, archivolt ~ architecture, cloisters ~ monastery, sculpture (+ relief ~ sculpture)
Inscriptions: number: ‘4643.’, collector's mark: ‘RIJKS-NORMAALSCHOOL voor TEEKENONDERWIJZERS AMSTERDAM’, inscription: ‘i h. Certosa te Pavia’
Lees-Cedul en Lykstaatie van Kees Salm (...)
Object type: text sheet
Date: 1787 – 1787
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: rijngraaf van salm frederik iii
Inscriptions: collector's mark: Lugt 2228

Tekstblad met een lijst van de namen van de personen aangeduid met de nummers 1-32 in de begrafenisstoet in de spotprent op de Rijngraaf van Salm. Bedrukt op beide zijden.
L'Avenue des Champs-Élysées, plate eighteen from Le Long de la Seine et des Boulevards
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: louis auguste lepère
Artist role: print maker
Artist nationality: french
Artist dates: 1849 – 1918
Portret van Willem I, prins van Oranje
Object type: print
Date: 1856 – 1876
Materials: paper
Techniques: tone lithography
Location: rotterdam
Artist: Anonymous
Subjects: delft, william i (prince of orange)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Fotoreproductie van een prent naar een karton voor een tapijt van de Wonderbare visvangst door Rafaël
Object type: reproduction
Date: 1851 – 1861
Materials: photographic support
Techniques: albumen print
Location: berlin
Subjects: the miraculous draught of fishes (before the resurrection) on the lake of gennesaret (sea of galilee); james and john helping to bring in the nets (luke 5:1-11)
Study for "The Death of Major Peirson": Two Dead Figures
Object type: drawing
Date: 1782 – 1783
Materials: chalk, paper
Techniques: heightening
Culture: american
Artist: john singleton copley
Artist role: artist
Artist nationality: american
Artist dates: 1738 – 1815
Subjects: death
Gezicht op het Hotel de Flandre in Spa
Object type: stereograph
Date: 1866 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: spa
Artist: jules hippolyte quéval
Artist role: publisher
Artist dates: 1824 – 
Subjects: urban housing, village square, place
Inscriptions: number: ‘No 1781’
Heilige Joris trekt ten strijde tegen de draak
Object type: album leaf
Date: 1500 – 1536
Materials: paper
Techniques: woodcut
Location: germany
Artist: Anonymous
Subjects: st. george and the dragon: dressed in armour and mounted on a (white) horse he brandishes his sword (his lance lies already broken on the ground); the princess nearby may be shown praying or fleeing

De Heilige Joris rijdt te paard op de draak af. Naast de draak staat de prinses. Prent maakt deel uit van een album.
A Master of Ceremonies Introducing a Partner
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,dancing
Zelfportret van Wilhelm Bandelow
Object type: page
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Location: halle an der saale
Artist: Anonymous
Subjects: wilhelm c. f. bandelow, historical persons

Prent op tweede ongenummerde pagina na pagina 32.
Denarius (Coin) Portraying Emperor Augustus
Object type: coin
Date: 2 – 4
Materials: metal, silver
Culture: roman
Location: italy
Subjects: chariots, priest
Inscriptions: Obverse: CAESAR AVGVSTVS  DIVI F P[ATER PATRIAE]
Reverse: AVGVSTI F COS DESIG PR[INC IVVENT], 
C L CAESAR[ES] in exergue

The front (obverse) of this coin portrays the emperor Augustus, facing right.

On the back (reverse), Caius Caesar and Lucius Caesar (born to Marcus Agrippa and Julia the Edler) are standing, each resting a hand on a shield. Two spears, a lituus (curved augural staff) and a simpulum (ladle with long handle) are between them. The brothers were adopted by Augustus (their grandfather) as joint-heirs but died at relatively young ages (21 and 18, respectively) before they could rule. This coin commemorates their appointments as consul designatus.
Orvieto Cathedral, Front
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: church (exterior)
Razor
Object type: razor, nubian with lute
Date: 1390 – 1295
Materials: bronze, copper alloy
Location: egypt
Subjects: musicians