deem-data/ArtiFact huggingface dataset:
Servet van linnendamast met een historisch tafereel
Object type: napkin
Date: 1706 – 1725
Materials: linen
Techniques: damask, weave
Location: flanders
Artist: Anonymous

Servet van linnendamast met de verheerlijking van Karel III als koning van Spanje na de slag bij Ramilies. Het servet is in rood gemerkt met een kruissteek: MVM 12 FVB en hoort bij een servet met invnr. BK-1977-305-A.
Het Hooge Heemraadschap van de Crimpenre Waard
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maps of separate countries or regions, maps of cities

Vierde deel van de kaart van de vijfde druk van 'Het Hooge Heemraadschap van de Crimpenre Waard', een wandkaart (bestaande uit een zesdelige kaart en een wapenrand) van het Hoogheemraadschap van de Krimpenerwaard.
Yamato, Tatsutayama, Tatsutagawa
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: hills,landscapes
Allegorisch tafereel met medaillons en de Tijd
Object type: print
Date: 1704 – 1754
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: writing-table, writing-desk, ornament ~ medallion, father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 240
Portret van William Shakespeare omringd door voorstellingen van zijn werken
Object type: print
Date: 1798 – 1899
Materials: paper
Techniques: tone lithography
Artist: Anonymous
Subjects: william shakespeare, historical persons, portrait of a writer
Dress
Object type: dress
Date: 1872 – 1875
Materials: cotton
Culture: american

This summer gown represents the first period of the bustle silhouette, 1870 to 1875, which disappears between 1876 and 1881, returns in 1882, and survives in modified form until 1889. Unlike the heavily upholstered bustle gowns of the 1880s, this dress reflects the transitional nature of the form, which derived from the umbrella-shaped crinoline styles of the 1860s. The first bustle dresses appeared to be earlier wide-skirted gowns deprived of their crinoline hoops, with the resulting plenitude of fabric pulled up to the back waist creating a large pouf, or bustle. While the new silhouette appeared to free women from the encumbrance of the earlier hoops, the skirt still required a framed support. The crinoline simply became more cylindrical and was structured to align closer to the front of the legs and pull away from the body at the back. Commonly, bustle pads-small pillows, wire coils, even rattan croissant-like baskets-were attached at the waist to accentuate the buttocks and support the volume of the hoop and skirt. The fragile airiness of this mull gown belies the rigorous constraints of the corset and the engineered structure of cantilevered hoops and false bottoms that created its silhouette.
Vase
Object type: vase
Date: 1880 – 1889
Materials: earthenware
Culture: american
Location: united states
Artist: chelsea keramic art works
Artist role: manufacturer
Artist nationality: american
Artist dates: 1872 – 1889

The Chelsea Keramic Art Works was the first American ceramics firm to designate itself an "art pottery." It was founded in Chelsea, Massachusetts, by members of the Robertson family, all of whom had honed their skills in the ceramics industry in Britain before coming to this country. One of the most avant-garde of the firm’s designs is this squat, baluster-shaped vase. Its only decoration is a cut in the lip that has been curled back, paralleling concepts in Japanese pottery and prefiguring the inventive forms that George E. Ohr would soon use. This vase is from the Robert A. Ellison Jr. Collection of American art pottery donated to the Metropolitan Museum in 2017 and 2018. The works in the collection date from the mid-1870s through the 1950s. Together they comprise one of the most comprehensive and important assemblages of this material known.
Still Life with Books
Object type: print
Date: 1618 – 1622
Materials: cotton, paint
Techniques: etching, hand coloring
Location: amsterdam
Artist: hercules segers
Artist role: draughtsman, painter, print maker
Artist dates: 1589 – 1640
Subjects: still life of related objects, book

While Segers’ stack of books looks unassuming enough, it is entirely original, and may even be the earliest still life in European graphic art. While still lifes frequently feature in 17th-century paintings, they are rarely found in black-and-white (in prints).
Studioportret van een man met een gedraaide snor en een sik
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: istanbul
Inscriptions: name: ‘Abdullah freres, Constantinople’
Ex libris van Maria Francesca Stanley
Object type: bookplate
Date: 1880 – 1999
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: well, reading, sitting figure - aa - female human figure, dog
Napkin
Object type: textile
Date: 1701 – 1800
Materials: cotton, linen, textile
Techniques: damask, embroidery, satin weave, stitching
Location: germany
Arm Defenses
Object type: arm defense
Date: 1510 – 1510
Materials: steel
Culture: italian
Location: italy
Artist: domenico negroli
Artist role: armorer
Artist nationality: italian
Artist dates: 1492 – 1531
Petit Courrier des Dames 1824 (248)
Object type: fashion print
Date: 1824 – 1824
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: fashion plates

Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Watch
Object type: watch
Date: 1770 – 1790
Materials: diamond, enamel, silver
Artist: thomas wagstaffe
Artist role: maker
Artist nationality: british
Artist dates: 1724 – 1802
Genève. Monument Brunswick et le Mont-Blanc
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1918
Materials: cardboard, photographic process
Location: geneva
Artist: Anonymous
Subjects: lake, monument, statue, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Standbeelden
Object type: drawing
Date: 1787 – 1808
Materials: ink, paper, pencil
Techniques: pen, writing
Location: skälsebo
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: piece of sculpture, reproduction of a piece of sculpture

Schetsblad met studies voor diverse standbeelden en een toren. Ook doorgekraste aantekeningen en enkele berekeningen. Op de achterkant verschillende wapenschilden en een schets van het landgoed of de weg naar het landgoed Skalsebö.
Plate
Object type: plate
Materials: faience
Techniques: glazing
Artist: the "greek a" factory
Artist role: manufactory
Subjects: birds,flowers
Swallowtail Hafted Ax with Chevron Design
Object type: hafted ax
Date: 500 – 300
Materials: bronze
Culture: indonesian
Icono-Photographique
Object type: photograph
Date: 1860 – 1862
Materials: paper, photographic support
Techniques: albumen print
Location: paris
Artist: guillaume benjamin amand duchenne
Artist role: fotograaf, medicus
Artist dates: 1806 – 1875
Subjects: face, adult woman, physiology and anatomy ~ nervous system, neurology, adult man, child, physiology and anatomy, old man, morphology of facial expression, physiognomy, experiment, test ~ science and technology, france

Ongenummerde pagina met foto 1 uit Mécanisme de la physionomie humaine ou analyse électro-physiologique de l'expression des passions (Atlas).
Banko, a Chinese Sage
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Subjects: men
Design for a Bed
Object type: print
Date: 1565 – 1570
Techniques: etching
Artist: jacques androuet du cerceau
Artist role: artist
Artist nationality: french
Artist dates: 1510 – 1585
Subjects: beds
Le Gentilhomme au Grand Manteau, Vu de Face (The Gentleman with a Large Mantle, Viewed from the Front), from "Les Caprices" Series A, The Florence Set
Object type: print
Date: 1617 – 1617
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men
Suit
Object type: suit
Date: 1890 – 1890
Materials: cotton, silk
Culture: american
Artist: brokaw brothers
Artist role: manufacturer
Artist nationality: american
Artist dates: 1856 – 9999

Seen here is a well made boy's suit manufactured by a New York tailoring business which expresses the menswear styling of the late nineteenth century. The fabric establishes it as a dress suit made for special occasions or to be worn as the child's Sunday best. Likely, this suit was made for a child between 10-14 years of age.
Beamtenwohnhaus, Schlesische Str. 17
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: berlin
Subjects: detached house in city, berlin
Inscriptions: number: ‘Bl. 78.’, inscription: ‘H. Licht, Architect.’

Deze prent maakt deel uit van een omslag met honderd prenten en zes tekstbladen.
Relief-carved solid book
Location: united states
Landschap met een huis, figuren en vee
Object type: print
Date: 1594 – 1635
Materials: paper
Techniques: engraving, etching
Subjects: cattle, landscapes in the temperate zone, hunting horn, villa
Inscriptions: collector's mark: Lugt 240

Een Italiaans landschap met een huis met toren. Op de voorgrond geiten, kippen, ezels en twee mannen met jachthoorn en jachthonden. Links zicht op een rivier.
Riviergezicht met ruïne van een toren
Object type: print
Date: 1873 – 1881
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: river, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2166

De etsen naar de schilderijen van Frédéric Van de Kerkhove werden na zijn dood door zijn vader en zuster gemaakt en uitgegeven in twee reeksen. De eerste werd in 1877 uitgegeven door het Journal des Beaux-Arts et de la Littérature: Cahier de 25 Eaux-fortes d'après Frédéric van de Kerkhove, gravées par son père et sa sœur. De tweede reeks van 126 etsen werd, ook in 1877, in Parijs uitgegeven bij A. Lévy onder de titel Cent eaux-fortes gravées par J. Van de Kerkhove d'après les tableaux de Frédéric Van de Kerkhove, mort en 1873 à l'âge de 10 ans et 11 mois.
Piece
Object type: piece
Date: 1840 – 1840
Materials: linen
Subjects: flowers,leaves
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 450 – 440
Materials: terracotta
Culture: greek, attic
[170–176 Regent Street, London] and "The Talbotype–Sun-Pictures" in The Art-Union, Monthly Journal of the Fine Arts
Object type: photograph
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: buildings,streets,london
Dish
Object type: dish
Date: 1821 – 1850
Materials: glaze, porcelain
Culture: chinese
Artist: chinese
Artist role: artist
Beulszwaard van het Gerechtshof, Den Haag
Object type: executioner's sword
Date: 1500 – 1700
Materials: iron, wood
Techniques: forging, striking
Location: low countries
Artist: Anonymous
Subjects: the hague
Inscriptions: mark: ‘liggend kroontje en fragmenten van Solinger wolf’

Beulszwaard met houten gevest, aan beide zijden scherp snijgedeelte, bovenaan knop, onder gevest uitsteeksels. Afkomstig van het Gerechtshof, Den Haag.
Gevechten bij Schoorldam, 1799
Object type: print
Date: 1800 – 1802
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: battle (+ land forces)
Inscriptions: collector's mark: Lugt 2228

Een Britse patrouille wordt door Bataafse jagers onder vuur genomen, bij Schoorldam, 1799. Vanachter de ruïnes van een gebouw schieten de soldaten op de Britse ruiters.
Landschap met kapel
Object type: drawing
Date: 1827 – 1891
Materials: paper, watercolor
Techniques: brush
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: city-view, and landscape with man-made constructions, parts of church exterior and annexes - qq - small church, chapel
Inscriptions: inscription: ‘vermoedelijk Bosboom.’
Ottomaanse vleesverkoper
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: etching, intaglio
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: butcher, slaughterman
Inscriptions: collector's mark: Lugt 2228

Een straat met daarin een man die op zijn schouder een stok met lappen vlees draagt. Op de achtergrond twee gesluierde vrouwen.
Rose and Colas
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jean baptiste blaise simonet
Artist nationality: french
Artist dates: 1742 – 1813
Het Huys te Ryswyk van achteren van een andere kant uit de Tuyn te sien / Villae Risvicanae conspectus posterior (...)
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: huis ter nieuburch
Inscriptions: collector's mark: Lugt 2228

Gezicht schuin op de achterzijde van Huis ter Nieuburch te Rijswijk.
Neck of jar
Object type: neck of jar
Date: 1981 – 1640
Materials: marble
Location: egypt
Brief aan Andries Bonger
Object type: letter
Date: 1907 – 1907
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: odilon redon
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1916
Subjects: vincent van gogh, paul cézanne, amsterdam, andries bonger, designer, ceramicist, art collecting, netherlands, brussels
Inscriptions: watermark
Hoofdingang van de San Andrea te Mantua
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: mantua
Subjects: parts of church exterior and annexes: portal, door
Inscriptions: number: ‘Pl. 1A - No.’
Ons "véhikel" op Coronie (30 Sept. '95)
Object type: photograph
Date: 1895 – 1895
Materials: photographic support
Techniques: collodion silver print
Location: suriname
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: four-wheeled vehicle drawn by one animal
Inscriptions: inscription: ‘Ons "véhikel" op Coronie (30 Sept. '95) / Zendeling Stern der Morav. Br. Gem. / Tückermann’

Rijtuig met koetsier waarmee Lelyveld te Coronie is gereisd. In de rijtuig een zendeling van de Moravische Broedergemeente. Fotoafdruk in een fotoalbum van Théodore van Lelyveld over Suriname uit 1895-1898.
Stalen helm
Object type: sketchbook leaf
Date: 1822 – 1880
Materials: paper, pencil
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880
Subjects: helmet
Inscriptions: kleurnotitie, handgeschreven in potlood

Blad 38 recto uit een schetsboek met 45 bladen.
Plate 4, from "Livre Nouveau de Prinsipes D'Ornemens, tres facil. Pour apprendre a Dessigner"
Object type: print
Date: 1715 – 1725
Techniques: engraving
Artist: nicolas guérard
Artist role: artist and publisher
Artist nationality: french
Artist dates: 1648 – 1719

Plate 4 of the series 'Livre Nouveau de Prinsipes d'Ornemens', consisting of a title page and seven plates of rudimentary ornament designs to instruct (young) artists in how to design and delineate ornaments. This plate consists of six panels with designs made up out of C-volutes, bandwork, simple rocaille ornaments and shell motifs, floral garlands and acanthus leafs.
H. Antonius bezoekt christenen die gevangengenomen zijn door Maximilianus
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: etching
Location: italy
Subjects: prison, jail, the hermit antony abbot (antonius abbas) of egypt, also called the great; possible attributes: bell, book, t-shaped staff, flames, pig
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 27 prenten (+ titelprent) over het leven van de heilige Antonius, naar een frescocyclus in de S. Antonio Abbate in Rome door Giovanni Battista Lombardelli en Niccolò Circignani.
Portret van Wigerus Vitringa
Object type: drawing
Date: 1712 – 1795
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: tako hajo jelgersma
Artist role: draughtsman, painter
Artist dates: 1702 – 1795
Subjects: draughtsman, wigerus vitringa, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman

Portret van de schilder Wigerus Vitringa.
Gezicht op de kerk en markt te Bergen op Zoom, 1739
Object type: print
Date: 1745 – 1792
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: church (exterior), market, bergen op zoom
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 1 (1745), ill. 6. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 1, ill. 6.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Lower torso, genitals, and part of the thighs of a nude youth, with his right hand on his hip, and his left hand holding a pair of spears?
Pyramidal stamping device
Object type: stamp seal
Date: 7000 – 5001
Materials: mineral
Location: northern syria or northern mesopotamia
Rotslandschap met ezelhoeder
Object type: print
Date: 1647 – 1674
Materials: paper
Techniques: etching
Location: unknown
Artist: jan van ossenbeeck
Artist role: print maker
Artist dates: 1623 – 1674
Subjects: ass, donkey, rocks
Inscriptions: collector's mark: Lugt 2228
Gold Solidus of Constantine II
Object type: solidus
Date: 337 – 361
Materials: gold
Culture: byzantine
Subjects: emperors,men

This coin was struck in Rome, probably in the year 353 by Constantius II, one of the four sons of Constantine the Great. Constantius II ruled the Eastern half of the empire from 337 to 353, when he became ruler of the entire empire upon the death of his brother Constans (350) and the defeat of the usurper Magnentius (353). He is remembered for his support of Arianism (a Christian sect that had been declared heretical at the Council of Nicaea in 325), and for his construction of the original Church of Hagia Sophia in Constantinople, which Justinian would rebuild on a grander scale 200 years later. Constantius is shown on this coin in a new portrait style, at a three-quarter angle. He wears military dress, holding a lance and a shield. On the shield is shown a sunburst motif.
Gezicht op één van de Piramides van Gizeh
Object type: photograph
Date: 1904 – 1905
Materials: photographic support
Techniques: gelatin silver print
Location: cairo
Artist: Anonymous
Subjects: quadrangular pyramid
Inscriptions: inscription: ‘No. 4./ Pyramide en Sphynx.’
Waistcoat
Object type: waistcoat
Date: 1830 – 1830
Materials: silk
Culture: french
Antoine Vitré
Object type: print
Date: 1640 – 1650
Materials: paper
Techniques: etching, stippling
Location: france
Artist: jean morin
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1650

Little known today, Jean Morin was among the most influential printmakers in 17th-century France. He devised a unique method for portraiture, using a mixture of line and stipple to enhance tonal contrast and create a finely textured background for the etched features. He made about 50 prints after portraits by his father-in-law, Philippe de Champaigne. Antoine Vitré was a Parisian printer and bookseller who specialized in non-Roman alphabets. Unusually straightforward in his stance, the subject holds several products of his trade.
Willem III, Count of Holland, Ordering the Beheadal of the Bailiff of Zuid Holland, 1336
Object type: painting
Date: 1620 – 1649
Materials: canvas, oil
Subjects: willem iii de goede (graaf van holland en henegouwen), judicial verdict, death penalty, execution
Inscriptions: signature (false): ‘F. Francke Aº 1617’

Willem III, graaf van Holland, geeft opdracht de baljuw van Zuid-Holland te onthoofden, 1336. De graaf, links ziek te bed, geeft opdracht aan de beul om de baljuw, die geblinddoekt en halfnaakt voor hem knielt, te onthoofden. Een priester ontfermt zich over de veroordeelde.
Astrologia (Sterrenkunde)
Object type: print
Date: 1565 – 1600
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: 'astronomia' (~ quadrivium); 'astronomia' (ripa)
Inscriptions: collector's mark: Lugt 2228, caption:

Astrologia , een gevleugelde vrouw met een sterrenkrans om het hoofd, meet de afstand tussen de sterrenbeelden met een passer op een hemelglobe. Haar blik is visionair richting hemel gericht. Een oude man met baard die naast haar staat kijkt dezelfde kant op. Op de grond liggen boeken en astrologische instrumenten. Achter Astrologia zit een pauw en rechts naast haar staat een adelaar.
Den wech des eeuwich levens
Object type: book illustration
Date: 1620 – 1620
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the life of man
Inscriptions: collector's mark: Lugt 2228

Prent uit: Antoine Sucquet, Den wech des eeuwich levens, beschreven int latijn : met beelden verlicht door Boëtius a Bolsvert, Antwerpen, Hendrick Aertssens, 1620, afb. tegenover p. 632
Man met mantel, sporen aan zijn laarzen en een rijzweep in de hand
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: etching
Artist: willem linnig (i)
Artist role: print maker
Artist dates: 1819 – 1885
Subjects: riding a horse, ass, or mule; rider, horseman, spur
Inscriptions: collector's mark: Lugt 2228
Cup
Object type: cup
Date: 1701 – 1800
Materials: glaze, stonepaste
Techniques: luster painting
Location: iran
Sheep Porcupine Island, Bar Harbor, Maine, Evening Study, August 29, 1896
Object type: watercolor
Date: 1896 – 1896
Materials: gouache, watercolor, paper
Culture: american
Artist: john la farge
Artist role: artist
Artist nationality: american
Artist dates: 1835 – 1910
Subjects: landscapes
Vakwerkhuizen in de sneeuw
Object type: photograph
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: rural housing, e.g. country-house, villa, cottage, snow
Inname van de schans St. Andries door de troepen van Maurits, graaf van Nassau
Object type: jeton
Date: 1600 – 1600
Materials: silver
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: the hague, maurice (prince of orange)
Inscriptions: circumscription: ‘QVOS ORIENS SVPERBOS VIDIT OCCIDENS IACENTES / S C’, circumscription: ‘SIC VOS NON VOBIS MDC’

Zilveren penning. Voorzijde: plattegrond van de schans tussen rivieren Maas en Waal binnen omschrift. Keerzijde: links: bloem, die zich bij zonsopkomst opricht; rechts: bloem, die bij zonsondergang verwelkt boven letters S.C. binnen omschrift.
Vordering v.d. Tienden Penning / IV. zang
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: fernando álvarez de toledo (3rd duke of alba)

Illustratie voor: J. Nomsz, Willem de eerste, of de grondlegging der Nederlandsche vryheid. : In vier en twintig zangen, Erven van David Klippink, Amsterdam 1779. Staat vóór de letter. Groep van vier proefdrukken in de oorspronkelijke omslag van de uitgevers J. Smit en Zoon en W. Vermandel te Amsterdam, 1779 (de eerste uitgave).