deem-data/ArtiFact huggingface dataset:
Card Number 126, Mlle. Perrine, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-6), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the sixth subset, N145-6. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Brougham #3718
Object type: drawing
Date: 1881 – 1881
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
["Industry" by Louis Petitot, Pont du Carrousel, Paris]
Object type: photograph
Date: 1852 – 1852
Techniques: paper negative, salted paper print
Artist: charles marville
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1879
Subjects: monuments,industry,hammers,allegory

Petitot’s allegory of industry was one of four sculptures that had been placed on the Pont du Carrousel, a bridge spanning the Seine, only five years before Marville made this view. The formality of the monument is somewhat mitigated by the makeshift stall displaying goods for sale—itself a tiny monument to industriousness—nestled in the niche below.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, strands of beard, part of upper torso of male with animal skin knotted over chest
Portret van Johann von Leszno
Object type: print
Date: 1660 – 1685
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Drie bloemstillevens uit Wild Flowers of New England
Object type: photograph
Date: 1905 – 1905
Materials: paper
Techniques: photography
Artist: edwin hale lincoln
Artist role: fotograaf
Artist dates: 1848 – 1938
Subjects: flowers
Grizzly Bear, from the Animals of the World series (T180), issued by Abdul Cigarettes
Object type: print
Date: 1881 – 1881
Techniques: color lithograph
Artist: abdul cigarettes
Artist role: publisher
Artist nationality: american
Artist dates: 1881 – 1881
Subjects: bears
Coffeepot with stylized flower sprays and ornamental borders
Object type: coffee pot
Date: 1800 – 1824
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: france
Artist: Anonymous

Koffiekan van porselein, beschilderd op het glazuur in goud. De kan heeft een vaasvormig lichaam, S-vormige tuit en een hoog oor, waarvan de bovenzijde is verbonden met de rand. De buik is met gouden lijnen verdeeld in drie brede banden met in de bovenste een slinger van sterren, halve maanvormen met stippen en driehoeken. Op de nek tweemaal een gestileerde bloemtak en op de rand bloemranken. De tuit met gouden lijnen en gestileerde bloemen. De deksel met een band bloemranken. Empire.
Boisotkade. Leiden
Object type: photomechanical print
Date: 1892 – 1905
Materials: cardboard
Techniques: photograph, writing
Location: leiden
Artist: Anonymous
Subjects: canal, street, leiden
Inscriptions: postage stamp
Portret van een zittende vrouw met halsketting
Object type: album leaf
Date: 1867 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: utrecht
Artist: arnold nelius marinus johannes fock
Artist role: fotograaf
Artist dates: 1846 – 1901
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, necklace
Inscriptions: inscription: ‘PHOTOGR. ATELIER/ A.N.M.J. FOCK/ UTRECHT.’
The Snack
Object type: print
Techniques: stippling, wash
Artist: louis marin bonnet
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1793
Subjects: food,girls,men,women
Sacrae Historiae Acta a Raphael Urbin in Vaticanis xystis ad picturae miraculum expressa
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: paris
Subjects: god appears to isaac and warns him not to journey into egypt
Inscriptions: collector's mark: Lugt 2228

Prent uit de Sacrae Historiae Acta a Raphael Urbin in Vaticanis xystis ad picturae miraculum expressa, ook bekend als de Rafaël Bijbel. De serie bestaat uit 54 platen, waarvan twee titelprenten, de eerste met een opdracht aan Rafaël, de tweede met een opdracht aan Renard. De overige 52 platen betreffen composities naar schilderingen in de Loggia van Rafaël in het Vaticaan. De serie werd in 1649 uitgegeven door Pierre Mariette te Parijs.
Journal des Dames et des Modes 1825, Costume Parisien (2357)
Object type: fashion print
Date: 1825 – 1825
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: fashion plates, clothes, costume (+ women's clothes)
Inscriptions: date

Prent uit het tijdschrift Journal des Dames et des Modes, 1825.
Luitspelende heer en dame
Object type: print
Date: 1772 – 1774
Materials: paper
Techniques: etching, hand coloring, roulette
Location: amsterdam
Subjects: interior of the house, lute, and special forms of lute, e.g.: theorbo
Inscriptions: collector's mark: Lugt 2725, collector's mark: ‘RIJKS / MUSM’

Interieur met een man en een vrouw, die allebei de luit bespelen. De prent ligt los in een album, zie blad 22.
Doosje met zogenaamde zelfmaakfoto 'Le Dernier Mot de la Photographie'
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, paper
Techniques: lithograph
Location: france
Artist: m.d.

Doosje met zogenaamde zelfmaakfoto 'Le Dernier Mot de la Photographie'; als men aan het lipje trekt komt er een beeltenis van een aap tevoorschijn
Abraham & Hagar
Object type: print
Date: 1822 – 1902
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: the banishment of hagar and ishmael (genesis 21:9-21)
Inscriptions: collector's mark: Lugt 2228
Cartouche in kwabstijl
Object type: ornament print
Date: 1640 – 1674
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: auricular ornament, lobe style ~ ornament, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Les peintures de Charles le Brun et d'Eustache Le Sueur qui sont dans (...) la maison du Président Lambert
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: urania (one of the muses); 'urania' (ripa)
Inscriptions: collector's mark: Lugt 2228

Urania, de muze van de astronomie, zit onder een boom bij een globe met de sterrenbeelden en houdt een passer in de hand. Zij is gekroond met een kring van sterren. Naar het schilderij dat hing in de Chambre des Muses van het Hôtel Lambert. Prent maakt deel uit van een serie prenten naar de schilderijen in het Hôtel Lambert te Parijs.
Portret van de familie Peel voor een landhuis in Newbury
Object type: photograph
Date: 1860 – 1865
Materials: paper, photographic support
Techniques: albumen print
Location: newbury
Artist: Anonymous
Subjects: head-gear, trousers, breeches, clothing for the upper part of the body, villa, dress, gown, three generations (family group), dog

Onderdeel van Engels familiealbum met foto's van personen, reizen, cricket en kunstwerken.
Nürnberg
Object type: stereograph
Date: 1868 – 1888
Materials: cardboard, paper
Techniques: albumen print
Location: london
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: moat ~ fortified city, castle
Inscriptions: number: ‘No. 21.’
Samuel Bellamy, Wreck of the Whydah, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,ships

Trade cards from the "Pirates of the Spanish Main" series (N19), issued ca. 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Enjoying the Cool Evening Breeze on and under the Bridge
Object type: print
Date: 1800 – 1800
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: bridges,women,rivers,boats

In this ambitious group of prints, beautiful women appear in two stage areas as both performers and audience. At the top, women and children pause from their stroll to take in the view of boating parties on the river. The six panels of this hexaptych (with JP1686) were meant to be viewed singly or as a set. The individual compositions are masterfully united by the gazes that traverse the borders of the prints. Seen separately, each panel depicts a group of fashionably dressed spectators. When the panels are seen together, the observers become the observed.
The fisherman's departure
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: letterpress printing, engraving
Location: london
Subjects: family life at home, waving farewell ~ departure on a journey, fisherman
Inscriptions: collector's mark: Lugt 2228

Prent uit: The Art Journal (1855), 1855, p. 141.
Peg from Wah's Coffin
Object type: coffin peg, wah
Date: 1981 – 1975
Materials: wood
Location: egypt
The Tournament
Object type: print
Date: 1500 – 1500
Techniques: engraving
Artist: master mz
Artist role: artist
Artist nationality: german
Artist dates: 1477 – 1525
Subjects: buildings,men,playing,horses

This lively engraving is the earliest known print depicting a tournament. A small Bavarian coat of arms on the apothecary shop at right, below the inscribed date, suggests that the scene is set in Munich, the seat of the Bavarian court. The central figures on the balcony may be Duke Albrecht IV and his wife, Kunigunde of Austria. Charming details abound, such as the attendant straining to help a fallen knight to his feet and a spooked horse biting an unsuspecting knight from behind, sending his steed into a gallop. The identification of the engraver as the Munich goldsmith Matthäus Zasinger is generally accepted. Yet the aerial view of the scene, the broad composition, and the deftly light and spirited burin work cast doubt on this association, suggesting instead that Master MZ may have been a painter.
New Künstlichs Modelbuch (Page 23 recto)
Object type: book print ornament architecture
Date: 1600 – 1600
Techniques: woodcut
Artist: bernhard jobin
Artist role: publisher
Artist nationality: swiss
Artist dates: 1535 – 1597
Subjects: ornament

Published by Bernhard Jobin, Strassburg (?). Illustrated title page, poem (2 pages), and 45 pages of designs.
Chandelier with tabernacle (Kapellenkrone)
Object type: chandelier
Materials: brass
Culture: german
Artist: f. ring foundry
Artist role: artist
Staande jongen die een touw vasthoudt
Object type: drawing
Date: 1640 – 1649
Materials: ink, paint, paper
Techniques: brush, pen
Artist: carel fabritius
Artist role: draughtsman
Artist dates: 1622 – 1654
Subjects: drawing, pulling something, standing figure, tools, aids, implements ~ crafts and industries: rope

Marijn Schapelhouman, Rembrandt en de kunst van het tekenen, Zwolle/Amsterdam 2006, p. 32, kleurafb. 26
Portret van Josef August von Törring
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: engraving
Artist: johann michael schramm
Artist role: artist, print maker
Artist dates: 1772 – 1835
Subjects: politician, historical persons, politician, e.g. party leader, portrait of actor, actress
Inscriptions: collector's mark: Lugt 2228
Brief van Franz Kolb met een beschrijving voor een bestelling van foto's van de Villa Adriana te Tivoli
Object type: letter
Date: 1908 – 1908
Materials: paper
Techniques: printing
Location: rome
Artist: franz kolb
Artist role: fotograaf
Subjects: printing ~ film

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Italië.
Cake basket
Object type: cake basket
Date: 1744 – 1745
Materials: silver
Artist: paul de lamerie
Artist role: maker
Artist nationality: british
Artist dates: 1688 – 1751
Design for a Wall Fountain
Object type: drawing
Date: 1550 – 1620
Materials: ink, drawing material
Techniques: brush, pen, wash
Artist: anonymous, italian, lombard, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: fountains,mythical creatures
Reverse Copy of Le Malingreux (The Sickly Man), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Oost-Poort tot Delft 1620
Object type: print
Date: 1725 – 1803
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham rademaker
Artist role: draughtsman, print maker
Artist dates: 1676 – 1735
Subjects: rowing-boat, canoe, etc., city-gate
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Rademaker, Abraham. Kabinet van Nederlandsche outheden en gezichten: vervat in 300 konstplaaten (…). 2 delen. Amsterdam: Willem Barents, 1725, dl. 1, ill. 114.

Na 1725 is deze prent nog in verschillende heruitgaven verschenen, uitgegeven in 1727-1733, 1770-1771 en 1792-1803. Uit welke uitgave het huidige exemplaar precies komt is niet na te gaan.
Les Héros de la Ligue ou La Procession Monacale, conduitte par Louis XIV pour la Conversion des Protestans de son Royaume
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: engraving
Location: paris
Subjects: jacobus ii (koning van engeland en schotland), wig, political caricatures and satires
Inscriptions: collector's mark: Lugt 240

Titelpagina voor: Les Heros de la Ligue: ou la procession monacale, conduitte par Louis XIV, pour la conversion des Protestants de son royaume. Chez. Pere Peters en Louis le Grand: Parijs, 1691. (De uitgevers zijn fictief.)
Landscape with Rocks
Object type: drawing and watercolor
Date: 1868 – 1876
Materials: gouache, watercolor, paper
Location: france
Artist: george sand
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1876
Inscriptions: Inscribed lower right, in graphite, by the descendants: “G Sand - 1860”; inscribed verso, lower right, in graphite: “040117”
Gezicht op het Custom House aan de rivier de Theems te Londen
Object type: opticaprent
Date: 1753 – 1753
Materials: paper, watercolor
Techniques: brush, etching
Location: london
Subjects: customs, canals, waters (in city) (+ city(-scape) with figures, staffage), thames
Inscriptions: date

De serie “Londen” bevat 52 prenten met de nummers 1-52, waarvan dit nummer 28 is.
Brougham, no. 3470A
Object type: drawing
Date: 1878 – 1878
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portrait of Séverine
Object type: drawing
Date: 1885 – 1887
Materials: charcoal, paper, pastel
Artist: pierre auguste renoir
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1919
Subjects: portraits,women

Caroline Rémy, known by her pen name “Séverine,” was one of the first French women journalists and a passionate feminist and left-wing orator. Renoir drew her likeness on several occasions, here in charcoal over pastel and again in a pastel (National Gallery of Art, Washington, D.C.).
De dronken tamboer
Object type: print
Date: 1525 – 1525
Materials: paper
Techniques: etching
Artist: dirck vellert
Artist role: draughtsman, painter, print maker
Artist dates: 1480 – 1547
Subjects: drum (musical instrument), drunkenness
Inscriptions: collector's mark: Lugt 240

Trommelaar met linkervoet op trommel en in rechterhand kan met drank.
Zittende vrouw in profiel naar rechts
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: sitting figure - aa - female human figure (+ right side visible; right - (r. hand, r. foot, etc.))

Blad 63 verso uit een schetsboek met 69 bladen.
Cuirass
Object type: cuirass
Materials: iron, steel, textile
Culture: indian
Location: india
Ben-Hur a tale of the Christ Volume I
Object type: book
Date: 1892 – 1892
Materials: linen, paper
Techniques: photoaquatint
Location: new york city
Artist: lewis wallace
Artist role: schrijver
Artist dates: 1827 – 1905
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Exterior, lower part of draped figure; to the far right, bit of circumscribed palmette from handle ornament?
Terracotta fragment of an oinochoe (jug) or olpe (jug)
Object type: oinochoe or olpe fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the neck of an oinochoe or olpe?
Expedition des Pantheon
Object type: print
Date: 1830 – 1860
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: eyeglasses, spectacles, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Het orgel te Haarlem
Object type: print
Date: 1865 – 1885
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: church organ, interior of church
Inscriptions: collector's mark: Lugt 1641, stamp

Kerkinterieur met gezicht op het orgel in de Grote Kerk of Sint Bavo te Haarlem. Bedrukt op beide zijden met tekst. Genomen uit een aflevering van het 'Nederlandsch Magazijn'. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Muziek en muziekinstrumenten: Kerkorgels.
Portret van Lodewijk IX de Heilige, koning van Frankrijk
Object type: print
Date: 1588 – 1588
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: crown (symbol of sovereignty), sceptre, staff (symbol of sovereignty), historical persons, louis ix, king of france; possible attributes: crown of thorns, fleur-de-lis on his coat, three nails, sceptre with fleur-de-lis, model of church, hand of justice, king
Inscriptions: collector's mark: Lugt 2228

Prent voor het eerst gebruikt in: Cronica Breve de i fatti illustri de're di Francia, con le loro effigie dal naturale cominciando da Faramondo (...). Venetië: Bernardo Giunti, 1588. Prent in ieder geval ook gebruikt in de editie van 1590 en mogelijk ook in een Franse uitgave van 1597.
Dunker Church, Battle-Field of Antietam, Maryland
Object type: photograph
Techniques: albumen print, photography
Location: united states
Artist: james gardner
Subjects: collected by hugh edwards, gardner's photographic sketch book
IJspret op de dichtgevroren haven van Harlingen, 26 januari 1823
Object type: print
Date: 1823 – 1823
Materials: paper, watercolor
Techniques: aquatint, etching, hand coloring, lithography
Location: netherlands
Subjects: ice-sailing (winter sports), ice ~ freezing weather, skates (winter sports), sledge, sleigh (winter sports), severe winters, harlingen
Inscriptions: collector's mark, collector's mark: Lugt 1641

Links een ijsschuit achtervolgd door een groep kinderen, rechts tenten op het ijs waar eten en drinken wordt verkocht (koek en zopie), in het midden een slee en enkele schaatsers. Zie ook de pendant. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Spel en Vermaak; IJsvermaak, Strenge winters.
Fête galante scene
Object type: reverse painting on glass
Date: 1795 – 1795
Materials: glass, oil, paint, wood
Techniques: cutting, gilding
Location: guangdong
Artist: Anonymous
Subjects: amsterdam, (scenes from) specific works of literature: tasso, aminta, head-gear: turban, pastorals, arcadian scenes

Ovale achterglasschildering met drie dames en een heer in een landschap die samen een scène verbeelden uit het toneelstuk L'Aminta van Torquato Tasso: Aminte dans les bras de Sivie. Geschilderd naar een prent van Louis Simon Lempereur, naar een schilderij van François Boucher. De gesneden en vergulde lijst is origineel.