deem-data/ArtiFact huggingface dataset:
Corcoran, Pitcher, Indianapolis, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Spechio di pensieri delle belle et Virtudiose donne, page 8 (verso)
Object type: book print ornament architecture
Date: 1546 – 1546
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: ornament,men,women,vases

Published by Matteo Pagano, Italian, 1515-1588, Venice. From top bottom, and left to right: Design is decorated with intertwining lines that form frames for more prominent illustrations, such as a vase and a woman crowning a young man.
Portret van Ludovico Leoni
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: etching
Location: italy
Artist: ottavio mario leoni
Artist role: draughtsman, print maker
Artist dates: 1578 – 1630
Subjects: rome, ludovico leoni, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2233

Portret van de kunstenaar Ludovico Leoni, vader van de vervaardiger van de prent.
Cuneiform tablet: account of barley disbursement, Ebabbar archive
Object type: cuneiform tablet
Date: 700 – 501
Materials: clay
Culture: babylonian
Location: mesopotamia
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, bit of reserved contour line from meander; Exterior, part of the lower torso, genitals, and thighs of a youth (flying Eros?) to left
Plaque
Object type: plaque
Date: 1767 – 1800
Materials: gilt bronze
Bronze votive tablet
Object type: votive tablet
Date: 101 – 200
Materials: bronze
Culture: roman

The tablet is in the form of a small tabula ansata, often used as the frame for dedicatory or funerary inscriptions. Here it is inscribed on both sides with a dedication in Greek to the Egyptian god Serapis.
Skating ensemble
Object type: skating ensemble
Date: 1863 – 1867
Materials: fur, silk
Culture: british

Sanguine in winter and vivid in the snow and ice-filled landscape, a skating ensemble cuts a colorful figure for the season. Of a recreation possible in nature only in winter, the skater is a friendly and familiar Currier and Ives avatar of the season. The quilting joins together an inner and outer layer, here with batting sandwiched in between, for further warmth.
Zittende man met een mummie in een sarcofaag
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: etching
Location: paris
Subjects: (story of) queen semiramis, mummy
Inscriptions: collector's mark: Lugt 2228

Man zittend op een stoel met in zijn handen een sarcofaag met een mummie. Om hem heen staan in het vertrek verschillende Egyptische objecten.
Vrouw voert ingebakerd kindje op haar schoot
Object type: print
Date: 1739 – 1804
Materials: paper
Techniques: etching
Location: frankfurt am main
Artist: johann andreas benjamin nothnagel
Artist role: print maker
Artist dates: 1729 – 1804
Subjects: feeding a baby
Inscriptions: collector's mark: Lugt 240
Portret van Johann Joseph Natter
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: stippled etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Johanna Koerten
Object type: drawing
Date: 1708 – 1780
Materials: chalk, paper
Techniques: brush
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: amsterdam, draughtsman, johanna koerten, historical persons - bb - woman, portrait, self-portrait of artist
Panel with a youth grasping a tree; winged sun disc above
Object type: relief
Date: 800 – 701
Materials: ivory
Culture: assyrian
Location: mesopotamia
Subjects: men,lotuses,trees

This ivory panel was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. Like many other panels from the same storage room, it was part of a chair or couch back or the headboard of a bed. Twenty pieces of furniture were discovered stacked in orderly rows in this room, where they had been stored before the destruction of the Assyrian palaces in 612 B.C. Shown here is a beardless male figure with a mass of curled hair, probably a youth. He wears a robe with fringed hem that is belted at the waist, and strides forward with both arms extended to grasp the tendrils of a plant. With his left hand, he raises a drooping stalk of the plant toward a winged sun disk with a pair of hanging volute forms. Below is a row of alternating lotus blossoms and buds, a common decorative motif in ancient Near Eastern art. The figure’s association with thriving vegetation and with the sun suggests concepts of abundance and fruitfulness connected with the agricultural cycle. Like the other panels from this storage room, this piece is classified as North Syrian in style because of its carving technique; the dynamic composition, in which the image fills the entire frame; and the figure’s characteristic facial features, including large eyes and nose, small mouth, full cheeks, and receding chin. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
Landschap met huizen
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: etching, intaglio
Artist: armand heins
Artist role: print maker
Artist dates: 1856 – 1938
Subjects: landscapes, village
Inscriptions: collector's mark: Lugt 2228
Abner maakt Isboset koning
Object type: print
Date: 1645 – 1646
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: jan klooster
Artist role: bookseller
Subjects: saul's son ish-bosheth made king of israel by abner, commander of saul's army

De prent is afkomstig uit: Bybels Lusthof. Amsterdam, J. Klooster, 1740. De prent werd gemaakt voor de uitgaven van P.J. Paets uit Amsterdam. Ze komt in ieder geval voor in: Bibels Tresoor ofte der zielen lusthof. Amsterdam, P.J. Paets, 1646. Mogelijk staat ze ook in: Historien ende Prophetien. [Amsterdam], P.J. Paets, 1645.
Medallion with Warrior and Priestess
Object type: ceramic
Date: 1767 – 1800
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 –
Fantasiefiguur met uitgestrekte armen
Object type: sketchbook leaf
Date: 1850 – 1950
Materials: chalk, paper
Artist: monogrammist ds (tekenaar)
Artist role: draughtsman
Subjects: arm stretched forward

Blad 2 verso uit een schetsboek met 17 bladen.
Den Grooten Figuer-Bibel (...)
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: opening of the sixth seal: a great earthquake, the sun turns black, the moon red as blood, and the stars fall on earth; mankind hiding in caves, opening of the fifth seal: white robes are given to (the souls of) the martyrs under the altar (+ angel(s) floating in the air)
Inscriptions: number: ‘20[8]’

Het openen van het vijfde zegel: bij een altaar staan de zielen, die allen witte kleren ontvangen. Daaronder het openen van het zesde zegel: brandende sterren vallen op aarde na een aardbeving. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Op. 6. Deze prent maakt deel uit van een album.
Turtle vessel
Object type: vessel
Date: 200 – 300
Materials: ceramic
Culture: colima
Location: west mexico
Artist: colima artist(s)
Artist role: artist
Subjects: turtles
Heuvelachtig landschap
Object type: drawing
Date: 1635 – 1692
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: willem de heusch
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1692
Subjects: low hill country
Border and Three Pediments (recto), Fifteen circular Designs (verso)
Object type: drawing
Date: 1701 – 1800
Materials: graphite, ink, paper
Techniques: pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Portret van Willem I Frederik, koning der Nederlanden
Object type: book illustration
Date: 1815 – 1899
Materials: paper
Techniques: etching, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: berlin, william i of the netherlands

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Friedrich I ondertekent het decreet voor de bouw van de kerk in Friedrichstadt
Object type: book illustration
Date: 1794 – 1794
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: friedrich i (koning van pruisen), interior of the house, building of church, ruler, sovereign, tapestry
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Erman, Jean Pierre. Mémoires pour servir à l'histoire des réfugiés françois dans les états du roi. 9 dln. Berlijn: Fred. Barbiez, 1794, dl. 8.
The Betrayal of Christ, from "The Small Passion"
Object type: print
Date: 1509 – 1509
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: weapons,men,jesus
Ruïne van Zeus Olympus tempel in oude Agrigento
Object type: watercolor
Date: 1778 – 1778
Materials: chalk, paper, watercolor
Techniques: brush, pen
Artist: louis ducros
Artist role: draughtsman, print maker
Artist dates: 1748 – 1810
Inscriptions: inscription: ‘No 249 Première Vue des ruïnes du templede Jupiter Olympien’

Tekening uit het album 'Voyage en Italie, en Sicile et à Malte', 1778.
A Silver Statuette of St. Christopher, from the Wittenberg Reliquaries
Object type: print
Date: 1472 – 1553
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: christ,saint christopher
Tekstblad behorend bij Het Arminiaans Testament, 1618
Object type: text sheet
Date: 1618 – 1618
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: breestraat, arminiaanse schans te leiden, remonstranten en contraremonstranten

Tekstblad behorend bij de prent 't Arminiaens Testament, de gedetailleerde allegorische voorstelling waarin de arminianen bespot worden, 1618. Zes kolommen tekst in het Nederlands.
Minerva with Two Putti
Object type: drawing and watercolor
Materials: ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: netherlands
Artist: jacob de wit
Artist role: artist
Artist nationality: dutch
Artist dates: 1695 – 1754
Panel
Object type: panel
Date: 1776 – 1800
Materials: cotton, wool
Subjects: human figures,buildings,garlands,flowers
Kaffeegarten
Object type: print
Date: 1911 – 1911
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: paul herrmann
Artist role: painter, print maker
Artist dates: 1864 – 1944
Subjects: pavement, terrace in front of inn or restaurant
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Turtle Pendant
Object type: costume and accessory
Materials: jade
Location: china
Blad met bloemranken
Object type: brocade paper
Date: 1750 – 1794
Materials: gold leaf, paint, paper
Techniques: relief print
Location: augsburg
Artist: johann carl munck
Artist role: ontwerper sierpapier, papiermaker
Subjects: ornament derived from plant forms
Inscriptions: address: ‘C:P:S C:M: IN AUGSP: BEY IOH: CARL. MUNCK NO: 11’

Blad met bloemranken. Links het adres. Gebruikt als omslag.
Beker met beschildering in Schwarzlot, met een hertenjacht
Object type: cup
Date: 1735 – 1765
Materials: glass
Techniques: glassblowing, grinding, schwarzlot
Location: nuremberg
Artist: Anonymous

Beaker. Decorated in 'Schwarzlot' with a stag and a hound. Nuremberg, c. 1733 - 1765. On loan from the Koninklijk Oudheidkundig Genootschap.
Path to Left of a Farm Dominated by a Round Tower, from Twelve landscapes with Figures
Object type: print
Date: 1624 – 1624
Materials: paper
Techniques: etching
Location: netherlands
Artist: after gillis van scheyndel
Inscriptions: Numbered lower right: 3
Kind en vrouw vliegen man om zijn nek
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: tone lithography
Location: netherlands
Artist: alexander ver huell
Artist role: draughtsman, print maker
Artist dates: 1822 – 1897
Subjects: recovery, convalescence of sick person
Inscriptions: inscription: ‘Geteekend voor eene Verloting tot oprigting van een Kinder hospitaal’, : ‘Gedeponeerd.’, collector's mark: Lugt 2228

Een man wordt omhelsd door zijn kind en vrouw na zijn herstel van het ziekbed. Rondom zes voorstellingen te maken met ziekte en herstel.
Boekje met omslag van brokaatpapier
Object type: brocade paper
Date: 1720 – 1730
Materials: gold leaf, paint, paper
Techniques: relief print
Artist: Anonymous
Subjects: ornament derived from animal forms, ornament derived from plant forms

Pamflet met een omslag van een blad brokaatpapier met gestileerde ranken met bloemen en vruchten en vogels. Het pamflet bestaat uit drie bladen en is waarschijnlijk gedrukt in Würzburg in 1726.
Stove plate with the royal arms of George II
Object type: stove plate
Date: 1743 – 1743
Materials: iron
Subjects: flowers,coat of arms
Ruins of Peel Castle, Isle of Man, Verenigd Koninkrijk
Object type: photograph
Date: 1875 – 1890
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: great britain
Inscriptions: caption: ‘Clifton Bridge’, caption: ‘Ruins of Peel Castle.//I. o. Man.’

Ruines, met daarvoor een gezelschap mannen en vrouwen staand en zittend in het gras. Vergelijk RP-F-00-6312.
Asao Tamesaburo as a Stout Man with a Green Kimono
Object type: print
Date: 1795 – 1795
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Subjects: men
Ornament met sater
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: mask, mascaron ~ ornament
Inscriptions: collector's mark: Lugt 2233
Psyche op de Olympus
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: psyche is carried up to olympus by mercury
Inscriptions: collector's mark: Lugt 240
Rivierlandschap met molens en figuren in roeiboten
Object type: sketchbook leaf
Date: 1864 – 1880
Materials: ink, paper
Techniques: brush
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), rowing-boat, canoe, etc., windmill in landscape

Blad 66 recto uit een schetsboek met 98 bladen.
La France reçoit des trois Ordres les voeux de toutes la Nation et les presentent a Louis Seize et a Mr. Necker
Object type: print
Date: 1781 – 1788
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Subjects: paris, lodewijk xvi (koning van frankrijk), personifications of countries, nations, states, districts, etc., the three estates: nobility, clergy, commoners
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Allegorie waarin Frankrijk eer ontvangt van de drie standen en hiervoor verwijst naar koning Lodewijk XVI en Jacques Necker, ca. 1781-1788.
Study for a Cartouche
Object type: drawing
Date: 1672 – 1742
Materials: ink
Techniques: brush, pen, wash
Artist: gilles-marie oppenord
Artist role: artist
Artist nationality: french
Artist dates: 1672 – 1742
Subjects: cartouches
Jantje in een stoel
Object type: drawing
Date: 1785 – 1785
Materials: paper, pencil
Location: batavia
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: historical persons
Inscriptions: inscription: ‘toen oud 6 jaar / Jan Brandes d.y.’

Portret van Jantje Brandes, de zoon van Jan Brandes, zes jaar oud, zittend in een stoel. Op het verso enkele schetsen van gelaat van Jantje. Met opschrift.
View of the Port of Dieppe
Object type: print
Date: 1727 – 1727
Materials: paper
Techniques: etching
Location: france
Artist: jean-baptiste oudry
Artist role: artist
Artist nationality: french
Artist dates: 1686 – 1755
Portret van Pieter Corneliszoon Hooft
Object type: print
Date: 1642 – 1656
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, the hague, pieter corneliszoon hooft, historical persons, book, writer, poet, author, globe
Tray
Object type: tray
Date: 1885 – 1885
Materials: glass
Techniques: glassblowing
Culture: american
Location: united states
Artist: mount washington glass company
Artist role: maker
Artist nationality: american
Artist dates: 1837 – 1958
Album met schrijfvoorbeelden van Ambrosius Perling
Object type: writing book
Date: 1667 – 1718
Materials: leather, linen, paper
Techniques: bookbinding, engraving
Location: amsterdam
Artist: ambrosius perling
Artist role: print maker
Artist dates: 1657 – 1718
Subjects: calligraphy
Inscriptions: collector's mark: Lugt 2166

Album met vijf voorstellingen op vijf albumbladen. Het gaat om schrijfvoorbeelden geschreven en gegraveerd door Ambrosius Perling. Halflinnen band met gemarmerde platten.
Kosode Pattern Book (On-Hiinagata), vol. 2
Object type: illustrated book
Date: 1667 – 1667
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Zwartornamenten
Object type: print
Date: 1619 – 1619
Materials: paper
Techniques: engraving
Location: châteaudun
Artist: jean toutin
Artist role: print maker
Artist dates: 1578 – 1644
Subjects: lion's head ~ ornament, musician, ornaments ~ art
Inscriptions: inscription: ‘64’

Rond zwartornament vastgehouden door een leeuw met palmbladeren. Daaronder twee muzikanten: links een zanger met zottekap en bril, rechts een man met gevederde baret. Hij speelt met een tang op een rooster. Onderaan genummerd III. De prent maakt deel uit van een album.
Cloisters under Bute Hall
Object type: photomechanical print
Date: 1886 – 1891
Materials: paper
Techniques: photoaquatint
Location: glasgow
Artist: Anonymous
Subjects: university (+ building ~ education, tuition), courtyard, glasgow
Inscriptions: inscription: ‘No.30’

Prent op zesentwintigste ongenummerde pagina na pagina xxxiii.
Fotoreproductie van een schilderij, voorstellende een portret van Girolamo Savonarola
Object type: photograph
Date: 1878 – 1888
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: politician, monk(s), friar(s)
Erepenning voor de schutters bij het beleg van Naarden
Object type: insignia
Materials: bronze, textile
Artist: hendrik de heus
Artist role: medailleur
Artist dates:  – 1838
Brief aan Philip Zilcken
Object type: letter
Date: 1901 – 1901
Materials: ink
Techniques: pen, writing
Location: oude wetering
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: publisher, the hague, philip zilcken, drawing, the graphic arts, exhibition ~ art, money
Inscriptions: collector's mark: ‘RPK’
Study for En Tête Vignette in Tacitus "Tibère, ou Les Six Premiers Livres des Annales", Book II
Object type: drawing and watercolor
Date: 1768 – 1768
Materials: graphite, paper
Techniques: incising, transfer
Location: france
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Salver
Object type: salver
Date: 1760 – 1770
Materials: silver
Culture: american
Location: united states
Subjects: coat of arms

During the 1760s and 1770s gadrooned serpentine rims replaced the scroll-and- shell borders characteristic of mid-eighteenth-century salvers (see cat. no. 39). Although unmarked, the present salver closely resembles examples made by several New York silversmiths, including Myer Myers, John Heath (1721–1806), Ephraim Brasher, and John Burt Lyng (active ca. 1761–1785). Its spirited and loosely rendered engraving particularly recalls objects marked by Myers, for instance a matching pair of salvers engraved with the Philipse family arms or a salver commissioned about 1770 by Maria Van Beverhoudt. David Barquist notes that Myers began to use this engraver around 1765 for his most important commissions and that the same craftsman appears to have engraved silver for several of Myers’s competitors. Probably an independent artist available for hire, the engraver remains unidentified.
Landschap met woning en vissersboot op het water
Object type: print
Date: 1811 – 1831
Materials: paper
Techniques: etching
Artist: pierre françois de noter
Artist role: painter, print maker
Artist dates: 1779 – 1843
Subjects: farm or solitary house in landscape (+ city(-scape) with figures, staffage), angling
Inscriptions: collector's mark: Lugt 2228
Three Capuchins Seated
Object type: print
Date: 1621 – 1675
Techniques: mezzotint
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: men
Nose ornament
Object type: nose ornament
Date: 501 – 700
Materials: silver
Culture: moche
Location: peru
Bijbelse, mythologische en allegorische voorstellingen
Object type: print
Date: 1670 – 1726
Materials: paper
Techniques: etching
Location: unknown
Subjects: phaethon asks apollo (sol) for the chariot of the sun
Inscriptions: collector's mark: Lugt 240

In de wolken vraagt Phaëthon toestemming aan zijn vader om met de zonnewagen te rijden. De prent is naar een verloren plafondschilderij van Gerard de Lairesse en maakt deel uit van een serie met Bijbelse, mythologische en allegorische voorstellingen.
Pagina 23 van fotoboek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.)
Object type: photograph
Date: 1924 – 1925
Materials: paper, photographic support
Techniques: printing
Location: sumatra
Artist: j.w. meyster
Artist role: fotograaf
Artist dates: 1887 – 1945
Subjects: (non-fruit) products of plants or trees: rubber, laboratory, public library, sumatra

Boekpagina met een foto van het interieur van de bibliotheek van het Algemeen Proefstation van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.) te Kampong Baroe. Onderdeel van een fotoboek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.).
Portret van Georg Wilhelm van Brandenburg
Object type: book illustration
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Subjects: cologne, historical persons
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt in: Frederik de Grote. Mémoires pour servir a l'histoire de la maison de Brandebourg. Sanssouci, Frederik de Grote, 1751.