deem-data/ArtiFact huggingface dataset:
Bead
Object type: bead
Date: 801 – 1200
Materials: glass
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Nicolas Boileau-Despréaux in een tuin
Object type: print
Date: 1718 – 1718
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: paris, nicolas boileau, garden, gardening-tools, foliage, tendrils, branches ~ ornament
Inscriptions: collector's mark: Lugt 2233, number: ‘13.’

De schrijver Nicolas Boileau-Despréaux staande in een tuin. Rechts een tuinman met zijn schop. De voorstelling is gevat in een ornamentele lijst met midden boven het gezicht van een tuinman en tuinwerktuigen.
Searching for Fireflies
Object type: print
Date: 1768 – 1768
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770

In this print, the complete absence of shadows or shading is a sign that the artist had not yet captured or become interested in the nuances of realistically presenting scenes set at specific times of day or night. The standing girl holds a lantern while the other one kneels by a cage for the fireflies.
Groentevrouw
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: engraving
Location: the hague
Subjects: vegetables, merchant, salesman - bb - women engaged in trade and commerce, selling
Inscriptions: collector's mark, collector's mark: Lugt 1641

Illustratie gemaakt voor het boek 'De Nederlanden : karakterschetsen, kleederdrachten, houding en voorkomen van verschillende standen : tekst van de meest geachte schrijvers : met gravuren van Henry Brown naar teekeningen van de voornaamste Nederlandsche kunstenaars, Den Haag, 1841.
Heidensche goden en godinnen
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Subjects: (story of) hercules (heracles), (story of) saturn (cronus), (story of) apollo (phoebus), serapis, gods ~ classical mythology, (story of) flora
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van mythologische figuren, onder wie Apollo, Hercules en Flora. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 30.
Portret van Neeltje Buurs
Object type: semi enamel
Date: 1880 – 1920
Materials: cardboard, celluloid, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Neeltje Buurs A.d.’
Amphoriskos (Container for Oil)
Object type: vessel
Date: 201 – 500
Materials: glass
Culture: palestinian
Location: palestine
Dorant
Object type: print
Date: 1778 – 1785
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: alarm, fright; 'spavento', 'terrore' (ripa), nightwear: night-gown
Inscriptions: collector's mark: Lugt 2228

Prent bij: Gellert, Christian Fürchtegott. Fabelen en vertelsels. 3 dln. Amsterdam: Pieter Meyer, 1772-1774. De prenten bij deze publicatie werden later uitgegeven. De exemplaren uitgegeven door de weduwe Jacobus Loveringh & Johannes Allart tussen 1777 en 1778, de exemplaren uitgegeven door alleen Johannes Allart tussen 1778 en 1785.
Illustration from "The Ritter von Turn"
Object type: print
Date: 1493 – 1493
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: tents,men,women
Augustus
Object type: print
Date: 1578 – 1582
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: rest during harvest (eating, dancing, making love, etc.), dipping, washing (sheep or other animals), reaping, picking, mowing ~ harvest, august and its 'labours' (+ with zodiacal signs)
Inscriptions: collector's mark: Lugt 2228

Ronde lijst met zomerlandschap met zomertaferelen. Augustus is de oogstmaand. Centraal staat dus het oogsten van graan. Oogstwagens brengen het graan naar de schuur. Enkele landbouwers zijn juist toe aan hun rustpauze. Middenboven het sterrenbeeld Maagd. De prent is deel van een twaalfdelige serie over de twaalf maanden.
Kimono rack
Object type: robe stand
Date: 1801 – 1900
Materials: wood
Techniques: lacquer
Culture: japanese
Terracotta hydria (water jar)
Object type: hydria
Date: 560 – 550
Materials: terracotta
Culture: greek, attic
Subjects: triton,achilles,horses,herakles

On the body, Herakles wrestling Triton On the shoulder, Achilles pursuing Troilos Herakles wrestling Triton is a recurrent subject, especially on hydriai and neck-amphorae of the second half of the sixth century B.C. No surviving ancient source spells out the story. Its popularity on hydriai is due partly to Triton's being a marine creature and partly to interest in the exploits of Herakles. The pursuit of Troilos is pertinent because, as he fled, his sister Polyxena dropped the hydria in which she was carrying water from the fountain house.
Portret van de hertogin van Falari
Object type: print
Date: 1830 – 1880
Materials: paper
Techniques: etching
Location: paris
Subjects: historical persons - bb - woman
Assumpta est Maria in caelum
Object type: album leaf
Date: 1624 – 1624
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the assumption of mary ('assumptio corporis'): she is borne into heaven by angels
Inscriptions: date

Deze prent maakt deel uit van een album.
Subdued by Your Superior Charms (valentine)
Object type: print
Date: 1842 – 1842
Materials: ink, paper
Techniques: hand coloring, lithograph
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Elegantia, of tijdschrift van mode, luxe en smaak voor dames, December 1807, No. 31 : Toque de Velours...
Object type: magazine
Date: 1807 – 1807
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: head-gear: toque (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), dress, gown: redingote (+ women's clothes), fashion plates
Inscriptions: caption: ‘Toque de Velours, Redingote de Drap.’

Volgens de begeleidende tekst (p. 392): Redingote van zwart laken, met geplooide rug. Zwart fluwelen toque met witte gefriseerde pluimen. Prent uit het modetijdschrift Elegantia, of tijdschrift van mode, luxe en smaak voor dames 1807-1814 (onderbroken door de periode 1811-1813).
Zondvloed
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: caspar luyken
Artist role: draughtsman, print maker
Artist dates: 1672 – 1708
Subjects: the flood and destruction of mankind ~ story of noah (genesis 7:10 - 8:17)
Inscriptions: collector's mark: Lugt 2228, number: ‘13’

Illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. I.
Door handle and plate
Object type: door handle and plate
Date: 1501 – 1600
Materials: iron
Culture: german
Verloren Zoon de varkens hoedend
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: the parable of the prodigal son (luke 15:11-32)
Inscriptions: collector's mark: Lugt 240

Een jongeman, de Verloren Zoon, leunend op een stok in een landschap met twee varkens.
Kindervreugd / of plaatjes voor kleine teekenaars en prentevriendjes; door R. G. Rijkens
Object type: popular print
Date: 1808 – 1844
Materials: paper
Techniques: letterpress printing
Location: groningen
Subjects: writing-table, writing-desk, fishing net, fence, wall, paling, shoes, sandals, education
Inscriptions: collector's mark: Lugt 2760

Blad met 9 illustraties (genummerd 55-63) bij leesboekjes van R.G. Rijkens. Elk plaatje hoort bij een lesje uit de boekjes "Natuurlijke Lees-Leerwijze". Weergegeven zijn ondermeer een visnet, een hek, schoenen en een schrijftafel. Boven elke afbeelding een nummer en een titel en onder elke afbeelding een vierregelig vers. Links van elke afbeelding staat vermeld bij welke les het plaatje hoort. Gemerkt rechtsboven: G.
Bronze helmet of Chalcidian type
Object type: helmet of chalcidian type
Date: 550 – 501
Materials: bronze
Culture: greek
Subjects: helmets

This type of helmet is called Chalcidian because early representations of it appear on so-called Chalcidian vases.
Ex libris van T. Sherwood
Object type: bookplate
Date: 1790 – 1828
Materials: paper
Techniques: engraving
Artist: thomas bewick
Artist role: draughtsman, painter, print maker
Artist dates: 1753 – 1828
Subjects: shrubs, armorial bearing, heraldry
Art - Goût - Beauté, Feuillets de l' élégance féminine, Mars 1929, No. 103, 9e Année, p. 2
Object type: fashion print
Date: 1929 – 1929
Materials: paper
Techniques: photography
Artist: charles goy
Subjects: underclothes for the whole body (+ women's clothes), coat (+ women's clothes), fashion plates, dress, gown (+ women's clothes), automobile
Inscriptions: title: ‘Gaine par Roussel’

Advertentie voor ondergoed van J. Roussel. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Brief aan Jeannette Bouman-Stuyling de Lange
Object type: letter
Date: 1898 – 1898
Materials: ink, paper
Techniques: pen, writing
Location: scheveningen
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Brief gericht aan Mevrouw Bouman de Lange, Bezuidenhout, Den Haag.
Card Number 180, Irene Verona, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-5), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fifth subset, N145-5. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Brief aan August Allebé
Object type: letter
Date: 1877 – 1877
Materials: ink, paper
Techniques: pen, writing
Artist: carel vosmaer
Artist role: draughtsman, print maker
Artist dates: 1826 – 1888
Subjects: amsterdam, painter, draughtsman, aert pietersz., august allebé, drawing
Christus geneest een man bij het bad van Betesda
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: engraving, etching, hand coloring, lithography
Location: netherlands
Subjects: crutches, christ says to a paralytic man: 'rise, take up your pallet (bed)', sick people lying near the pool of bethesda ~ christ healing paralytics (john 5:1-9)
Inscriptions: collector's mark: Lugt 2228

Genezing op sabbat. Christus geneest de verlamde man bij het bad van Betesda (Betzata). De man staat op van zijn bed. In de zuilengang hebben zieken en mensen met beperkingen zich verzameld in de hoop in het water van het bad genezen te worden.
Geneva from Schedel Weltchronik (Schedel’s World History), Plate 22 from Woodcuts from Books of the 15th Century
Object type: print
Materials: paper
Techniques: hand coloring, letterpress, woodcut
Location: germany
Artist: michel wolgemut and wilhelm pleydenwurff
Artist nationality: german
Artist dates: 1434 – 1519
Hekwerk voor een kapel
Object type: ornament print
Date: 1746 – 1782
Materials: paper
Techniques: etching
Location: augsburg
Subjects: welding (industrial process), fence, wall, paling, parts of church interior: chapel
Inscriptions: collector's mark: Lugt 2228

Een smeedijzeren hekwerk met bloemmotieven.
Terracotta molds for a lamp
Object type: lamp mold, top and bottom
Date: 401 – 500
Materials: terracotta
Culture: roman
Filippo Neri hoort de engelen zingen
Object type: print
Date: 1630 – 1641
Materials: paper
Techniques: engraving
Location: rome
Artist: luca ciamberlano
Artist role: painter, print maker, publisher
Artist dates: 1570 – 
Subjects: rome, clergyman, the founder of the congregation of the oratory (oratorians) philip neri; possible attributes: lily, rosary
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Filippo Neri hoort de engelen zingen (1592). Prent nr. 30 in een serie van 44 prenten met scènes uit het leven van de heilige Filippo Neri.
Stater (Coin) Depicting Pegasus Flying
Object type: coin
Date: 400 – 201
Materials: metal, silver
Culture: greek
Location: corinth
Subjects: mythological figures, bird, deities, pegasus

The front of this coin depicts the winged horse Pegasus flying left.

On the back the goddess Athena faces left.
Verzameling moderne snelle tekeningen - Zomer
Object type: book
Date: 1907 – 1916
Materials: paper
Techniques: woodcut
Location: tokyo
Inscriptions: date
Rue du Contrat-Social, de la rue de la Tonnellerie
Object type: photograph
Date: 1864 – 1865
Techniques: albumen silver print, glass negative
Artist: charles marville
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1879
Subjects: buildings,cities,streets

In the late 1850s Marville became one the primary photographers for the city of Paris, recording its new spaces such as the renovated Bois de Boulogne and the older areas slated for demolition and rebuilding under the modernization carried out by Baron Hausmann for Emperor Napoleon III. A memorable scene in the classic French historical novel Les Miserables (1862) by Victor Hugo takes place on the street shown here. In the background are the market pavilions of Les Halles; in the foreground, on rue de la Tonnellerie, are shops selling umbrellas and other household goods. Both streets would soon be destroyed as part of the urbanization of Paris.
Zes voorstellingen uit Camille
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: fainting, swooning, literature, walking the dog (+ variant), grave, tomb, weeping, meeting, nursing, tending the sick
Inscriptions: collector's mark: Lugt 2228
50 francs uit België van Leopold III, 1935
Object type: coin
Date: 1935 – 1935
Materials: silver
Techniques: striking
Location: brussels

Zilveren munt. Voorzijde: tussen waarde-aanduiding op monster staande geharnaste man. Keerzijde: stationsgebouw. Daarboven jaartallen 1835 en 1935. Randschrift.
Hercules bedwingt Cerberus
Object type: print
Date: 1613 – 1638
Materials: paper
Techniques: engraving
Location: paris
Subjects: hercules before pluto and proserpina
Inscriptions: collector's mark: Lugt 2228
Ontwerp voor een kandelaar
Object type: album leaf
Date: 1784 – 1784
Materials: paper
Techniques: engraving, etching
Location: england
Subjects: candlestick

Ontwerp voor een kandelaar met een vierkante voet, op het volle blad. Met detail van de voet. Met gedrukt onderschrift en handgeschreven nr. 116. Onderdeel van een catalogus met assortiment modellen van Sheffield verzilverd vaatwerk (pleet) door Matthew Boulton.
Blade and Mounting for a Slung Sword (Tachi)
Object type: blade and mounting for a slung sword tachi
Materials: gold alloy, iron, lacquer, leather, silver, steel, wood
Culture: japanese
Location: japan
Design for a Silver Dish, the Rim Decorated with Cupids, a Nude Woman and Two Satyrs
Object type: drawing
Date: 1647 – 1647
Materials: ink, paper
Techniques: brush, pen
Artist: salomon de bray
Artist role: draughtsman, print maker
Artist dates: 1597 – 1664

Ontwerp voor een zilveren schaal, waarvan de rand gedecoreerd is met een doorlopende voorstelling van putti die zich bezighouden met de wijnbouw.
Two fragments of a Panathenaic prize amphora (jar)
Object type: panathenaic prize amphora fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Obverse, Athena Reverse, driver seated in a mule cart The chariot race was the primary but not the only event for wheeled vehicles in the Panathenaic games. Existing evidence indicates that a race for mule carts existed at the end of the sixth century B.C.; how long it lasted is not known. As this piece shows, a major difference between a cart and a chariot race is that the driver of a cart was seated.
Kerstkaart met drie pelikanen
Object type: christmas card
Date: 1878 – 1917
Materials: paper
Techniques: lithograph
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: water-birds: pelican
Inscriptions: collector's mark: Lugt 2228

Drie pelikanen met de tekst 'Vroolijke Kerstdagen!'.
The Betrayal of Christ
Object type: print
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: weapons,men,christ,crowd
Waterlelies in Zuid-Afrika
Object type: album leaf
Date: 1967 – 1967
Materials: paper, cardboard
Techniques: chromogenic print
Location: south africa
Artist: willem jacob van den berg
Artist role: boer
Artist dates: 1902 – 1983
Subjects: flowers: water-lily
Inscriptions: inscription: ‘[...] - Amstelveld’

Deze foto's zijn onderdeel van een album.
Rock Oaks
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: etching
Location: france
Artist: théodore rousseau
Artist role: artist
Artist nationality: french
Artist dates: 1812 – 1867
Drie riksja's met vrouwen
Object type: photograph
Date: 1887 – 1897
Materials: photographic support
Techniques: albumen print, hand coloring
Location: japan
Artist: Anonymous
Subjects: rickshaw, parasol, sunshade
Portrait of a Man
Object type: drawing
Date: 1793 – 1793
Materials: chalk, crayon
Techniques: heightening
Artist: louis lafitte
Artist role: artist
Artist nationality: french
Artist dates: 1770 – 1828
Subjects: men,portraits

Lafitte won first place in the prix de Rome of 1791 and was awarded study as a pensionnaire at the Académie de France in Rome. It was in Rome that he created this psychologically penetrating portrait of a stylish and pensive young man against a dramatically lit sky. The proto-Romantic sensibility of the sheet is emphasized by the composition, which sets the subject, perhaps a fellow artist, against a distant landscape with a low horizon line. Later that year, hostilities against the French caused Lafitte to seek refuge in Florence.
A Peep at Christies;–or–Tally-ho & his Nimeny-pimeney taking the Morning Lounge
Object type: print
Techniques: aquatint, etching
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: men,women

Gillray here contrasts the short, stout figure of the Earl of Derby with the tall, thin form of his mistress Elizabeth Farren, a leading comic actress associated with London's Drury Lane Theatre. The couple examine pictures in Christies's sale rooms at 125 Pall Mall. She admires "Zenocrates & Phryne" (an ancient philosopher who loved a Greek courtesan), while he inspects a fox hunting scene titled "The Death." Nimeney-Pimeney, mentioned in the title, was a role Farren famously performed in General Burgoyne's play "The Heiress" in 1786. After a liason of about eighteen years, the couple married in 1797 following the death of the Earl's wife.
De Milddaadigheid aan de dankbaare roomsche armen; by de eerste afgifte van brood, op den grond des geweezen schouwburgs te Amsterdam, Den vyfden December
Object type: print
Date: 1787 – 1788
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: generosity, liberality; 'generosità', 'liberalità' (ripa) (+ abstract concept represented by female figure)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: II. Kerkelijke inrichtingen: Inrichtingen der Roomsch-Katholieken.
Edinburgh. Greyfriars' Churchyard
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,women,writing
Terracotta fragment of an open shape
Object type: undetermined open shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from an undetermined open shape
Mourners in a Graveyard
Object type: drawing and watercolor
Materials: chalk, crayon, ink, paper, lead, pigment
Techniques: drawing, heightening, pen, stumping
Location: italy
Artist: carlo labruzzi
Artist role: artist
Artist nationality: italian
Artist dates: 1748 – 1818
Paar onder boom in landschap
Object type: print
Date: 1800 – 1815
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: hermanus van brussel
Artist role: draughtsman, print maker
Artist dates: 1763 – 1815
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228
Bloemendaal. Oranjerie Hotel Hartenlust
Object type: ansichtkaart, prentbriefkaart
Date: 1892 – 1905
Materials: cardboard
Techniques: photograph
Location: haarlem
Subjects: pond, hotel, hostelry, inn
Station in het Suezkanaal ('Station de Kantaru'), Egypte
Object type: photograph
Date: 1887 – 1887
Materials: cardboard, paper
Techniques: albumen print
Location: cairo
Subjects: suezkanaal
Inscriptions: inscription: ‘No. 21 Station de Kantaru [sic]’, inscription: ‘Zangaki’

Gezicht een aanlegplaats en op het Suezkanaal met een schip rechts.
Naakt kind met schilderspalet en portret van overleden kunstenaar en rouwsluier
Object type: print
Date: 1797 – 1829
Materials: paper
Techniques: etching
Artist: antonis aloisius emanuel van bedaff
Artist role: print maker
Artist dates: 1787 – 1829
Subjects: mourning dress, 'in memoriam'-card
Inscriptions: collector's mark: Lugt 2228
Decanter Label
Object type: decanter label
Date: 1810 – 1825
Materials: silver
Culture: american
Location: united states
Artist: louis boudo
Artist role: maker
Artist nationality: american
Artist dates: 1786 – 1827
Portrait of a Boy
Object type: painting, miniature
Date: 1775 – 1775
Materials: ivory
Artist: marie anne gérard fragonard (madame fragonard)
Artist role: artist
Artist nationality: french
Artist dates: 1745 – 1823
Subjects: boys,portraits