deem-data/ArtiFact huggingface dataset:
Vase and Cover (one of a pair)
Object type: ceramic
Date: 1715 – 1720
Materials: ceramic, enamel, hard paste porcelain, porcelain
Techniques: gilding
Location: meissen
Artist: meissen porcelain manufactory

These rare vases represent two significant contributions to the history of European ceramics: the earliest form of European hard-paste porcelain, developed at the Meissen Manufactory by Johann Friedrich Böttger (German, 1682–1719); and the virtuoso Schwartzlot (black enamel) decoration and gilding of Ignaz Preissler (German, 1676–1741), who came from a distinguished family of glass and ceramic decorators.
Portret van Charles de Montalembert
Object type: print
Date: 1832 – 1910
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: london, paris, earl, politician, historical persons, portrait of a writer, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Three Fragments from Dress
Object type: textile
Date: 1885 – 1885
Materials: silk
Techniques: brocade
Location: france
Wineglass
Object type: wineglass
Date: 1730 – 1730
Materials: glass
Subjects: coat of arms
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, drapery and end of kerykeion; Hermes?
Pitcher
Object type: pitcher
Date: 1885 – 1885
Materials: glass, textile
Techniques: glassblowing
Culture: american
Portret van Cornelius Cossius
Object type: print
Date: 1661 – 1670
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: crispijn van de passe (ii)
Artist role: draughtsman, print maker
Artist dates: 1594 – 1670
Subjects: hoorn (north holland)
Inscriptions: collector's mark: Lugt 2228

Portret van de predikant Cornelius Cossius. In de marge een achtregelig lofdicht, in twee kolommen, in het Nederlands.
Chinese botanist
Object type: print
Date: 1738 – 1745
Techniques: etching
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Subjects: men,leaves
Netsuke of Old Man Carrying a Bag of Ōni (Demons)
Object type: netsuke
Date: 1801 – 1900
Materials: ivory, metal, wood
Culture: japanese
Subjects: men
Metronome
Object type: metronome
Date: 1803 – 1803
Materials: brass, glass, wood, paint
Techniques: gilding
Location: amsterdam
Artist: christiaan welmeer
Artist role: draughtsman, sculptor
Artist dates: 1742 – 1814
Subjects: ornament ~ festoon, garland, amsterdam

A metronome is a device for keeping time (a steady beat) while playing music. This example was given by several members of the Felix Meritis Society to its music department. It is shaped like a lyre surmounted by a laurel wreath, symbolizing the Triumph of Music.
Model Chalice
Object type: metalwork
Date: 1849 – 1849
Materials: enamel, gilt, metal, stone
Location: england
Artist: augustus welby northmore pugin

Augustus Welby Northmore Pugin was one of the most important early-19th-century designers of Gothic Revival architecture, furniture, and interior decoration. He trained under his French-born father, the architect Augustus Charles Pugin, an authority on medieval buildings. A devout convert to Roman Catholicism in a predominantly Anglican country, the younger Pugin proselytized through his architectural work and in a series of publications issued between 1835 and 1843. For Pugin, the Gothic style expressed the faith and conviction of the Middle Ages and was a necessary counter to the increasing secularism and industrialization of his own time. In addition to chapels and churches, he also designed the liturgical equipment, altars, hangings, and vestments within them. Pugin also adapted the Gothic Revival style for his secular commissions, which included the Houses of Parliament in London.
This chalice was designed by Pugin and produced by the workshop of Hardiman & Company, a firm retained by the architect to make metal implements and fittings for his commissions. The word MODEL is inscribed on its underside, which suggests that the vessel served as a sample to be shown to potential clients. Final, commissioned versions of the chalice would be handcrafted by goldsmiths in precious metals and gemstones, rather than die-struck in Sheffield plate, the silver-plated copper that was commonly used for ordinary metal work.

— About This Object, European Decorative Arts LaunchPad app
Progress of Gallantry or Stolen Kisses Sweetest
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,couples,men,women,telescopes
Plaque of St. Bartholomew
Object type: plaque
Date: 1134 – 1166
Materials: gilt copper, enamel
Techniques: enamel
Culture: rhenish or saxon
Subjects: saints
Portret van Georg Friedrich von Baden-Durlach
Object type: print
Date: 1598 – 1637
Materials: paper
Techniques: engraving
Subjects: commander-in-chief, general, marshal, historical persons

Zesregelig vers in het Latijn in de ondermarge en tekst in het Latijn in de omlijsting.
Strainer spoon
Object type: strainer spoon
Date: 1701 – 1733
Materials: silver
Inlay depicting squatting goddess, probably Hathor
Object type: inlay, goddess, facing left
Date: 400 – 301
Materials: faience
Location: middle egypt
Subjects: hathor

This inlay represents a small crouching female goddess. She wears the vulture headdress associated by this time with great mother goddesses, topped by a modius of uraei and a disk, all broken away. She originally held a scepter in the fist on her knee. The king Nectanebo II incorporated into his royal names epithets relating him to the goddess Hathor.
Portret van John Hayward
Object type: print
Date: 1650 – 1699
Materials: paper
Techniques: engraving
Subjects: honouring the artist with laurel wreath, historical persons, portrait of a writer, armorial bearing, heraldry
Marie Sutit as the Wife of a Nobleman of Hungary, from the set Actors and Actresses, Second Series (N71) for Duke brand cigarettes
Object type: print
Date: 1888 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the "Actors and Actresses" Second Series (N71), issued in a set of 50 cards in 1888-90 to promote W. Duke Sons & Co. brand cigarettes.
Tussenzetsel met opengewerkt ruit in traliegrond en opengewerkte cirkels in linnenwerk
Object type: strip
Date: 1925 – 1937
Materials: linen
Techniques: lace
Location: como
Artist: Anonymous

Tussenzetsel van naturelkleurige kloskant. Het zich herhalende patroon bestaat uit een traliegrond met opengewerkt ruit. Elke zijde van de ruit bestaat uit een spitsovaal gemaakt in vormslag. De traliegrond wordt afgewisseld door een gedeelte dat geheel is gemaakt in linnenslag. In het linnenwerk staan twee opengewerkte cirkels, elk gevuld met één vetergatslag gevormd door twee staande paren. Boven- en onderzijde van de strook zijn recht afgewerkt.
Composite of Corinthian and Ionic, from "Speculum Romanae Magnificentiae"
Object type: print ornament architecture
Date: 1537 – 1537
Techniques: engraving
Artist: monogrammist g.a. with the caltrop
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1535
Subjects: capitals

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 24 in the scrapbook.
Ceramic Female Fragment
Object type: figure fragment
Date: 2000 – 1
Materials: ceramic
Culture: machalilla
Location: ecuador
Subjects: women
Self-portrait in a Soft Hat and Patterned Cloak
Object type: print
Date: 1631 – 1631
Materials: ink, paper
Techniques: drypoint, etching, pen
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn
Inscriptions: monogram and date: ‘RHL 1631’, collector's mark: Lugt 240

Rembrandt’s etchings rarely came into being in a single session. Certainly in the early years when he was still inexperienced, several steps were needed to achieve the results he had in mind. This self-portrait shows how he went about this. He began with the head, moved on to the torso and finally added the background.
Molenaar bij een zak meel
Object type: print
Date: 1910 – 1911
Materials: paper
Techniques: soft ground etching
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: miller, windmill
[Members of the New York Sanitary Commission]
Object type: photograph
Date: 1860 – 1860
Techniques: glass negative, salted paper print
Artist: mathew b. brady
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1823 – 1896
Subjects: men,portraits
Portret van Alexander Oltmans
Object type: print
Date: 1829 – 1854
Materials: paper
Techniques: engraving, etching
Subjects: amsterdam, print maker, alexander oltmans, historical persons
Inscriptions: collector's mark: Lugt 2228
Fragment
Object type: textile
Date: 1575 – 1600
Materials: silk
Techniques: bookbinding, interlacing, patterning, weave
Location: italy
Subjects: flowers, animals, birds, fountains
Vue générale des Ruines de Louxor, prise de l'Ouest (Thèbes)
Object type: photograph
Date: 1849 – 1850
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,ruins

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Fragment paars fluweel met palmetten
Object type: zijdefluweel
Date: 1550 – 1650
Materials: ciselé velvet, textile, silk, velvet
Techniques: weave
Location: europe
Artist: Anonymous

Een fragment van een paars fluweel. De tekening in geschoren en getrokken pool vertoont schubsgewiijs geplaatste halve cirkels, waartussen palmetten. Opmerking: Onder het 5e rapport van boven rechts een weeffout.
Nieuwe Omnibus Spoorwegen in Frankrijk
Object type: print
Date: 1846 – 1876
Materials: paper
Techniques: lithograph
Subjects: diligence, omnibus, horse-tram, smoke-stack
Inscriptions: collector's mark: Lugt 2228

De tram is volgeladen en wordt voortgetrokken door twee paarden. In de achtergrond nog een paardentram en een gebouw met een rokende schoorsteen.
Portret van een onbekende jongen op een hobbelpaard
Object type: cabinet photograph
Date: 1888 – 1896
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: boy (child between toddler and youth), rocking-horse
Inscriptions: name: ‘Photographische Ateliers C.J.L. Vermeulen Heerenstraat 6, Heiligenweg hoek Singel. Amsterdam. Specialiteit in vergrootingen.’
Jar
Object type: jar
Date: 1573 – 1620
Materials: porcelain
Culture: chinese
Subjects: dragons
Portret van Ebba Brahe
Object type: photomechanical print
Date: 1895 – 1920
Materials: paper
Techniques: rotogravure
Artist: Anonymous
Subjects: historical persons - bb - woman
Crow Resting on Wood Trunk
Object type: print
Date: 1831 – 1899
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kawanabe kyōsai 河鍋暁斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1831 – 1889
Subjects: birds
Zwarte zee-eend (Melanitta nigra)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Subjects: water-birds: common scoter

Zwarte zee-eend. Genummerd rechtsboven: 19. Linksboven de Latijnse naam. Onderdeel van het derde album met tekeningen van vogels. Vijfde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Branch of a tree
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: allart van everdingen
Artist nationality: dutch
Artist dates: 1621 – 1675

Allart van Everdingen practiced multiple artistic trades—as painter, etcher, and even art dealer. He traveled widely, especially to Norway and Sweden, and landscapes of his wanderings became one of his most frequent subjects. This etching is an independent work, though a number of landscape series in similar formats are featured among his oeuvre of some 166 prints.
Bronze spit
Object type: spit
Date: 550 – 525
Materials: bronze
Culture: etruscan

Square in section, ending above in a rounded plate, which is perforated in the center.
Box-form ornament with granulation and filagree
Object type: box, ornament, granulation
Date: 600 – 301
Materials: gold
Location: egypt

This box with its elaborate decoration has a circular opening in the center of the top filled with an elaborate flower. Two holes in the sides allow it to be attached to a chain. The extensive granulation indicates it is probably pre-Ptolemaic.
Ségur d'Aguessau
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,caricature
Portretten van twee onbekende mannen
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 963

Mogelijk gaat het om Gaspar de Coligny en Willem van Oranje.
Portret van Franciscus van Sales
Object type: print
Date: 1640 – 1650
Materials: paper
Techniques: etching
Location: france
Artist: jean morin
Artist role: print maker
Artist dates: 1605 – 1650
Subjects: clergyman, historical persons
Inscriptions: collector's mark: Lugt 2228
Portretten van Franse leiders
Object type: print
Date: 1738 – 1798
Materials: paper
Techniques: engraving
Location: paris
Artist: vincenzo vangelisti
Artist role: print maker, publisher
Artist dates: 1728 – 1798
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor de publicatie: Turpin, François-Henri en Vincenzo Vangelisti. La France Illustre ou Le Plutarque Français. Parijs: s.n., 1775-1790.
Lattice Work and Reflecting Pool at Arcueil
Object type: drawing and watercolor
Date: 1744 – 1747
Materials: charcoal, paper
Techniques: stumping
Location: france
Artist: jean-baptiste oudry
Artist role: artist
Artist nationality: french
Artist dates: 1686 – 1755
Zich vlooiende vrouw
Object type: print
Date: 1662 – 1726
Materials: paper
Techniques: mezzotint
Subjects: chimney, oil-lamp, tiles, bricks ~ building material
Inscriptions: collector's mark: Lugt 10

Bij het licht van een olielamp zoekt een jonge vrouw in haar kleding naar vlooien. Ze zit bij een schouw die gedecoreerd is met tegeltjes.
In Rust en werk
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

Gezicht in de suikerfabriek op de Plantage Rust en Werk, vier mannen staande bij de ketels. Onderdeel van het fotoalbum Souvenir de Voyage (deel 2), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Milk jug in the form of a monkey
Object type: milk jug
Date: 1760 – 1780
Materials: earthenware, glaze
Location: delft
Artist: Anonymous
Subjects: head-gear: tricorn (+ men's clothes), monkeys, apes
Inscriptions: inscription: ‘Kees/ is goet/ hij geeft melk/ in over/ vloet als/ je sijn buik/ maar vol doet’

Melkkan van faïence, in de vorm van een drinkende aap. Op zijn buik het opschrift: kees is goet hij geeft melk in overvloet als je sijn buik maar vol doet.
Piece (one of 13)
Object type: piece
Date: 1801 – 1900
Materials: cotton
Subjects: leaves
Cronica Cronicarum (...), blad 11 verso
Object type: album leaf
Date: 1521 – 1521
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: pope

Blad 11 verso van een wereldkroniek. Tekst in boekdruk in het Frans in drie kolommen. Linksboven een ronde voorstelling van paus Adeodatus I (Deusdedit). De ronde voorstelling is verbonden met andere cirkels die gevuld zijn met namen: deze vormen samen een schematische weergave van genealogie en vorstenopvolging, die zich uitstrekt over meerdere bladzijden van de kroniek.
Terracotta statuette of an actor
Object type: statuette of an actor
Date: 434 – 368
Materials: terracotta
Culture: greek, attic
Subjects: masks,men,actors

Fourteen of these figures are said to have been found together in a burial in Attica. They are among the earliest known statuettes of actors and are superbly executed and preserved. Originally they were brightly painted. They document the beginning of standardized characters and masks, indicating the popularity not of a specific figure but of types—the old man, the slave, the courtesan, etc.—that appeared repeatedly in different plays. By the mid-fourth century B.C., Attic examples or local copies were known throughout the Greek world, from Southern Russia to Spain.
Strip
Object type: strip
Date: 1850 – 1850
Techniques: lace
Sketchbook of Greek and Near East Subjects
Object type: sketchbook
Date: 1904 – 1904
Materials: cardboard, gouache, graphite, linen, watercolor, paper
Techniques: bookbinding, drawing
Culture: american
Artist: mary newbold sargent
Artist role: artist
Artist nationality: american
Artist dates: 1826 – 1906
Subjects: landscapes

This image represents one of forty-four drawings and watercolors in this sketchbook.
Interior of a Workshop in the Nygruvan Mine in Sweden
Object type: stereograph
Date: 1867 – 1867
Materials: cardboard, paper
Techniques: albumen print
Location: sweden
Artist: joh. ahlström
Artist role: fotograaf
Subjects: workshop-interior
Portret van Diederik van Sonoy
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: kalkar, historical persons, governor, etc. of province

Prent uit een onbekende publicatie. Prent met omlijsting gebruikt in: Meteren, Emanuel van. Eygentliche und vollkommene historische Beschreibung des Niderländischen Kriegs. Amsterdam: Johan Jansons, 1627.
Trossell's House, Battle-Field of Gettysburg
Object type: photograph
Techniques: albumen print, photography
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards, gardner's photographic sketch book
Bottle
Object type: bottle
Date: 1801 – 1900
Materials: metal, silver

This elctrotype is after a late seventeenth-century French original in Rosenborg Palace, Copenhagen. It belongs to a toilet service (see 08.166.13–.21) made for Princess Hedvig Sophia, sister of Charles XII of Sweden.
Kinderen langs de zee
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: drypoint, etching
Location: amsterdam
Subjects: container made of plant material other than wood: basket, sea
Inscriptions: collector's mark: Lugt 2228, signature and date: ‘Henri Wouters 1890’

Een jongen trekt met een touw op zijn rug een mand door het water. De mand fungeert als een soort zeef om garnaaltjes te vangen. Hij wordt geholpen door een meisje dat aan het touw trekt, en een jongen die de mand duwt. In de marge een klein bootje.
La photographie
Object type: book
Date: 1875 – 1938
Materials: cardboard, leather, paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Inscriptions: bookplate: ‘EX/ F/S/J/ LIBRIS/ NOV 1982’

Samengestelde bundel met artikelen uit verschillende edities van 'Magasin pittoresque' gewijd aan fotografie.
Portret van André Masséna
Object type: print
Date: 1829 – 1830
Materials: paper
Techniques: etching, engraving
Location: paris
Subjects: commander-in-chief, general, marshal, historical persons, globe
Inscriptions: check stamp: ‘Galerie Vivienne/ no: 49 /Bénard’, collector's mark: Lugt 2228

Dit portret maakt deel uit van de serie "Galerie Napoléon", een collectie van honderd portretten van vooraanstaande figuren uit de omgeving van Napoleon Bonaparte. De serie werd uitgegeven door Bénard in Parijs in 1829-30.
Diana returning from the chase, accompanied by dogs and her nymphs at left, two satyrs at right
Object type: print
Date: 1808 – 1808
Techniques: engraving
Artist: robert de launay
Artist role: artist
Artist nationality: french
Artist dates: 1749 – 1814
Subjects: spears,fruit,nymphs,diana,satyrs,dogs,rabbits,baskets

The print is incorrectly titled "Venus revenant de la chasse" (Venus returning from the chase) on the plate.
Brief aan A. van der Boom
Object type: letter
Date: 1923 – 1923
Materials: ink, paper
Techniques: pen, writing
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: a. van der boom, applied arts, arts and crafts; industrial design, exhibition ~ art, printed matter
Inscriptions: collector's mark: Lugt L.2228a
Gezichten op oudheden en natuur in de omgeving van Trier
Object type: print
Date: 1824 – 1827
Materials: paper
Techniques: lithograph
Subjects: ruin of a building ~ architecture, gate, entrance
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent behoort tot de serie 'Malerische Ansichten der werkwürdigsten Alterthümer und vorzüglicher Naturanlagen im Moselthale bey Trier', verschenen in de periode 1824-1827.
La Campagne / Country
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: paris
Subjects: child playing with animals, drinking, goat, milk, rural life
Inscriptions: check stamp: Lugt 2140, collector's mark: Lugt 2228a