deem-data/ArtiFact huggingface dataset:
Oil or vinegar cruet
Object type: cruet
Date: 1737 – 1737
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: women,roosters
Smith’s medal
Object type: medal
Date: 1690 – 1690
Materials: brass
Techniques: engraving, striking
Location: middelburg
Artist: willem du pre
Artist dates: 1687 – 1722
Subjects: middelburg

Guild medals
Members of trade guilds had to identify themselves
with a medal at their meetings.
Twee vrouwen in een deuropening in Tlemcen, Algerije
Object type: photograph
Date: 1900 – 1918
Materials: paper
Techniques: albumen print
Location: tlemcen
Subjects: adult woman, gate, entrance, veil
Inscriptions: inscription: ‘229 Tlemcen. Femme Mauresque couverte de son haïck. ND. Phot.’
Azimuth Compass
Object type: compass
Date: 1750 – 1750
Materials: brass, glass, iron, lacquer, lead, paper, gemstone, wood, yarns
Location: amsterdam
Artist: johannes van keulen (i)
Artist role: bookseller
Artist dates: 1653 – 1715
Inscriptions: inscription, on the compass card: ‘"T” AMSTERDAM by IOHANNES VAN KEULEN’

Azimutkompas in cardanusring in een houten doos, waarvan de deksel ontbreekt. De cardanusring kan gedraaid worden voor peilingen. Het kompas heeft een vaste pelorus, de ketel is verzwaard met een loden gewicht onderaan. De roos is van mica gemaakt, aan beide zijden beplakt met papier; hij is met de hand ingekleurd en uitgebalanceerd met wat zwarte lak onderop.
Reliquary with tabernacle frame
Object type: frame
Date: 1605 – 1610
Materials: wood
Techniques: veneering
Culture: austrian
Vrouw met parasol
Object type: print
Date: 1740 – 1801
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: container of stone: stone vase, parasol, sunshade
Inscriptions: collector's mark: Lugt 240

Een jonge vrouw beschermt met een parasol haar gezicht voor de zon in de tuin. Ze leunt tegen een sokkel met een stenen vaas aan.
See 30.8.154
Object type: chalice, cup, lotiform, relief
Date: 1070 – 925
Materials: faience
Treurende figuren en een bloemen strooiende vrouw voor een grafmonument
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: trees: cypress, landscapes, mourning customs, sarcophagus
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Chapon, Gottlob Friedrich Wilhelm. Leben und letzte Stunden der weiland Durchlauchtigsten Fürstinn Casimire (...). Lemgo: Meyersche Hofbuchhandlung, 1780.
[Burning Ghat, Chandanagore-a French Settlement on the Hoogly]
Object type: photograph
Date: 1858 – 1861
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: buildings,boats
The Camp
Object type: print
Date: 1836 – 1837
Materials: paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of head and neck of horse to right
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1917 – 1917
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: adriaan pit
Artist role: print maker
Artist dates: 1860 – 1944
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: jo geul
Subjects: painter, draughtsman, philip zilcken, diseases
Inscriptions: collector's mark: ‘RPK’
Double vase
Object type: double vase
Date: 1701 – 1800
Materials: stone
Culture: chinese
Subjects: leaves
De koninginne chandohaan
Object type: drawing
Date: 1675 – 1725
Materials: paper
Techniques: drawing, writing
Location: deccan
Subjects: adrianus canter visscher, queen
Inscriptions: caption: ‘De koninginne chandohaan, vrouwe van cha jehaan tiende mogol / van Indostan’

Tekening uit het manuscript van de VOC dienaar Adrianus Canter Visscher met achterin achtentwintig Indiase miniaturen en twee kaarten van plaatsen aan de Coromandelkust. De tekst bestaat uit twee delen: een geschiedenis van het Mogolrijk en de VOC-vestigingen aan de Coromandelkust; daarna volgt een advies aan de Heren XVII over de economische situatie van de VOC in de Coromandel.
Triumph of Bacchus who is seated on a carriage at left
Object type: print
Date: 1531 – 1576
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: musical instruments,bacchus,satyrs,lions
Gezicht over de Seine met vermoedelijk een badhuis in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: river, public baths, paris
Inscriptions: inscription: ‘Pont neuf Paris’
Studie van buste van een vrouw met hoofddoek
Object type: drawing
Date: 1830 – 1880
Materials: chalk, paper
Location: netherlands
Artist: Anonymous
Subjects: head-gear, sculpture, classical antiquity (historical epoch)
Panel
Object type: textile
Date: 1732 – 1733
Materials: silk
Techniques: brocade, patterning, weave
Location: france
Artist: courtois
Artist nationality: french
Artist dates: 1732 – 1733
Subjects: flowers, botanical/floral
Vuursteenpistool
Object type: flintlock pistol
Date: 1710 – 1720
Materials: brass, iron, wood
Techniques: cutting, embroidery, engraving, gilding
Location: utrecht
Artist: gerrit lasonder (ii)
Artist role: geweermaker, pistoolmaker
Artist dates:  – 1732
Inscriptions: mark, inscription: ‘G.LASONDER // AUTRECHT’
Bracelet
Object type: bracelet
Materials: bronze
Culture: thai
Pair of candlesticks
Object type: candlestick
Date: 1701 – 1900
Materials: brass
Pair of Legcuffs
Object type: voetboeien, kluister
Date: 1860 – 1866
Materials: iron
Location: birmingham
Inscriptions: inscription, on the key: ‘5’, inscription, on both cuffs, near the key: ‘BEST / FROGATT / WARANTED / WROUGHT / 5<BR />’

Een paar ijzeren voetboeien, verbonden door een ketting, met sleutel. Het slot werkt met een eenvoudige pal waarin de beugel valt; de sleutel loopt op een schroefdraad, die deze pal terugtrekt. Beide boeien en de sleutel zijn gemerkt '5'.
Fukuroi, from the series "Fifty-three Stations [of the Tokaido] (Gojusan tsugi)," also known as the Figure Tokaido (Jinbutsu Tokaido)
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Brief aan Etha Fles
Object type: letter
Date: 1891 – 1891
Materials: ink, pencil
Techniques: pen, writing
Location: bussum
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: paris, print maker, draughtsman, eugène delacroix, etha fles, haarlem, utrecht, nicolaas beets, victor hugo, walter scott, trees, painting (including book-illumination, miniature-painting), historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’
Upper part of a limestone statuette of a male aulos player
Object type: statue of a flute player
Materials: limestone
Culture: cypriot
Subjects: men,musicians

The head and the upper part of the torso remain. The instrument is missing. Only the top of the reeds and the phorbeia in relief remain, as well as the points where the hands were attached to the chest.
Vestknoop van kunststof met reliëf-ribbel met vast oogje
Object type: vestknoop
Date: 1900 – 1940
Materials: copper, plastic
Location: netherlands
Artist: Anonymous

Vestknoop van kunststof met reliëf-ribbel met vast oogje.
Damesschoen van runderleer met opstaande tong, versierd met perforaties en kartels, voorzien van lage hak
Object type: womenswear
Date: 1600 – 1650
Materials: leather
Techniques: perforating
Location: northern netherlands
Artist: Anonymous

Schoen van zwart leer. Links-rechts symmetrisch. Het voorblad verloopt in een klep, waarover een riem gesloten wordt. De blokhak zit gedeeltelijk los, op welke plaats een bies van rood leer is aangebracht. Versiering van twee oprijgjes, perforaties en uittandingen. (verwant aan BK-NM-8430).
Putti met passiewerktuigen bij het graf van Christus
Object type: print
Date: 1644 – 1652
Materials: paper
Techniques: etching
Location: antwerp
Subjects: 'arma christi'
Inscriptions: collector's mark: Lugt 240
Bender, Philadelphia, American League, from the White Border series (T206) for the American Tobacco Company
Object type: baseball card
Date: 1909 – 1911
Techniques: color lithograph
Artist: american tobacco company
Artist role: publisher
Subjects: men,portraits,baseball,athletes

Trade cards from "White Border" series (T206), issued 1909-11 to promote sixteen brands of cigarettes and loose tobacco distributed by the American Tobacco Company.
Neemt, kleinen, neemt vrolijk, beziet deze prent, / Zij maakt u met Kloris en Roosje bekend, / En hoe zij hun bruiloft gaan vieren met vreugd, / Want blijdschap is immers zoo eigen aan jeugd
Object type: print
Date: 1822 – 1870
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: wedding feast, wedding meal
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen over de bruiloft van Kloris en Roosje. Onder elke afbeelding een vierregelig vers. Rechtsboven gemerkt: Letter V.
Staatsspoorwegen op Java
Object type: photograph
Date: 1880 – 1888
Materials: photographic support
Techniques: albumen print
Location: java
Artist: Anonymous
Subjects: java

De spoorweg met de halte Tji-Gombong, in de verte bergen. Onderdeel van een groep van 62 foto's in een doos met het opschrift "Staatsspoorwegen op Java" uit 1888.
Tankard
Object type: tankard
Date: 1764 – 1798
Materials: pewter
Culture: american
Location: united states
Artist: william will
Artist role: maker
Artist nationality: american
Artist dates: 1742 – 1798
House for Mr. S.W. Allerton, Lake Geneva, Wisconsin: South Elevation
Object type: architectural drawing
Date: 1884 – 1884
Materials: ink, linen
Location: united states
Artist: henry lord gay
Artist nationality: american
Artist dates: 1844 – 1921
Gezicht op de oude Sint-Martinuskerk te Cuijk
Object type: photograph
Date: 1910 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: cuijk
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior), churchyard, cemetery
Inscriptions: annotation: ‘Cuijk/ R-C. Kerk/ Feb: 1910/ Kuik N.Br.’
Ruine eener Christen kerk te Saparoea
Object type: print
Date: 1843 – 1845
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: (carrying a person in a) sedan-chair, ruin of church, monastery, etc.

Voor de ruïne loopt een groep mannen met twee draagstoelen. Genummerd linksboven: Pl. XXXIII. De prent maakt deel uit van een omslag met elf bladen.
Knife with an Ivory Handle and Qur'anic Inscriptions
Object type: dagger
Date: 1801 – 1833
Materials: gold, ivory, steel
Techniques: inlay
Location: iran

This dagger has been inscribed with Qur'anic passages on the forte of the blade, as well as on the ivory handle. The inclusion of holy words on this object imbues it with talismanic properties, believed to offer protection and ward off evil. The most efficacious talismanic objects are those that are inscribed with prayers that evoke the name of God, the Prophet Muhammad and his companions. "Damascus" or "Watered" steel refers to blades like this one that have been given a wavy or "watered" pattern, created by specific smelting and crucible techniques, prior to forging. In Western Europe such blades were believed to originate from Damascus, though this technique was practiced in the Islamic Middle East at least since the Middle Ages. This 19th century example illustrates how even in the later period of Islamic art these artistic traditions remain popular and celebrated.
Book Label for Hay, Engraver
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Schelp, tonna galea
Object type: print
Date: 1644 – 1652
Materials: paper
Techniques: etching
Location: antwerp
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: molluscs (+ shell, snail-shell etc.)
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een 39-delige serie met verschillende soorten schelpen.
A garden pavilion in a forested landscape
Object type: drawing
Date: 1830 – 1897
Materials: canvas, oil, paper
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: architecture,gardens,forests
Adam en Eva in het paradijs
Object type: print
Date: 1606 – 1652
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: adam and eve in paradise (before the fall)
Inscriptions: collector's mark: Lugt 1967, collector's mark: Lugt 2228
Decanter
Object type: decanter
Date: 1840 – 1850
Materials: glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Illustratie voor 'Den Arbeid van Mars' van Allain Manesson Mallet
Object type: book illustration
Date: 1672 – 1672
Materials: paper
Techniques: etching
Location: amsterdam
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), fortifications, military engineering, prospect of city, town panorama, silhouette of city, mathematics
Inscriptions: collector's mark: Lugt 2228

Grondplan voor een vesting, fort of versterking (zeshoek). Daaronder gezicht op een stad aan het water (La Rochelle). In de hoek linksboven het cijfer 35 (= het nummer van de pagina in het boek waartegenover de illustratie geplaatst is).
Anatomische studie van een staande man
Object type: drawing
Date: 1700 – 1800
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: anatomical models (usually series of five figures)
Fragment of a Panel with an Inscription Starting with the Basmala
Object type: fragment
Date: 701 – 1200
Materials: plaster
Techniques: carving, painting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1909 – 1909
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: willem byvanck
Artist role: bibliothecaris, schrijver
Artist dates: 1848 – 1925
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Gleason, Shortstop, Philadelphia Athletics, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Fotoreproductie van een foto door Friedrich Victor Spitzer, voorstellend een vrouwelijk naakt
Object type: photomechanical print
Date: 1880 – 1907
Materials: paper
Techniques: autotype
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Ex libris van Charles Viscount Bruce of Ampthill (Son and Heir Apparent of Thomas Earl of Ailesbury) and Baron Bruce of Whorleton
Object type: bookplate
Date: 1712 – 1712
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: earl, politician, wild man, wodewose, woodehouse, armorial bearing, heraldry
Inscriptions: date
Kunstenaar schildert zijn model in het atelier
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: lithograph
Location: paris
Artist: alexandre-joseph desenne
Artist role: painter, print maker
Artist dates: 1785 – 1827
Subjects: artist's model, sitter, painter at work, in his studio
Inscriptions: collector's mark: Lugt 2228a
Saint Clare
Object type: painting, part of an altarpiece
Date: 1330 – 1330
Materials: gold leaf, paint, wood
Artist: lippo memmi (filippo di memmo)
Artist role: artist
Artist nationality: italian
Artist dates: 1317 – 1356
Subjects: books,women,saints
Boa
Object type: boa
Date: 1890 – 1899
Materials: feather
Culture: american
Binnenplaats van de gevangenis op de Prinsegracht te Den Haag
Object type: photograph
Date: 1900 – 1908
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: prinsegracht
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: prison, jail, courtyard
Inscriptions: annotation: ‘Gevangenis Prinsengracht/ binnenplaats/ gesloopt 1908/ 's Gravenhage’, collector's mark: ‘R:MUS.’ Lugt 2228
Portret van keizer Karel V
Object type: print
Date: 1839 – 1855
Materials: paper
Techniques: engraving
Subjects: charles v (holy roman emperor and king of spain), historical persons, knighthood order of the golden fleece, king

Prent mogelijk uit: Meyer, Joseph. Conversations-Lexikon für die gebildeten Stände. Hildburghausen: Bibliographisches Institut, 1839-1855.
Boerenhuis met houten aanbouw, ervoor een kruiwagen en een slijpsteen
Object type: drawing
Date: 1837 – 1903
Materials: paper, pencil, watercolor
Techniques: brush
Artist: jan striening
Artist role: draughtsman
Artist dates: 1827 – 1903
Subjects: farm (building)
Tuinhuis van Goethe in Weimar
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: hermann selle
Artist role: fotograaf
Subjects: summer-house, arbour, garden-house (dutch: 'theekoepel')
Inscriptions: number: ‘No. 26.’
The Lovers
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: lithograph, pen
Location: germany
Artist: johann heinrich ramberg
Artist role: artist
Artist nationality: german
Artist dates: 1763 – 1840

Johann Heinrich Ramberg studied history painting with Benjamin West in London from 1781 to 1788, but he found livelier inspiration in the English caricature tradition of William Hogarth and Thomas Rowlandson. On his return to Germany, he made his reputation by designing a classical curtain for a theater in his native Hannover, though he was more successful as a satirist and book illustrator. The Lovers, which is historicizing in its broad scale, slyly adds humor, romance, and a fairy-tale ambiance to Ramberg’s favorite theme: voyeurism. The postcoital pair, snug in their idyllic curtained bower, doze on, oblivious to the arrival of curious family members and pets.
Vase with cover (Vase à gland) (one of a pair)
Object type: vase with cover
Date: 1775 – 1775
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: men,women

The two primary reserves of these vases (see also 58.75.75a, b) feature dockside scenes of sailors and merchants with barrels of cargo and the mast of a ship in the middle distance. This type of marine theme was popular at Sèvres and was a specialty of the painter Jean-Louis Morin (act. 1754–87). While neither of these vases bears the painter's mark of Morin, the decoration can be attributed to him on the basis of stylistic affinities to other works on which his mark appears.