deem-data/ArtiFact huggingface dataset:
Portret van een vrouw
Object type: album leaf
Date: 1891 – 1891
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: michel berthaud
Artist role: publisher
Artist dates: 1845 – 1912
Subjects: adult man, historical persons
Inscriptions: inscription: ‘MEDAILLE D'OR/ 1889/ BERTHAUD/ 9, Rue Cadet, 9/ PARIS/ Tous le clichés sont conservés/ NO.... 1891/ J.H. Nacivet Paris’, inscription: ‘PARIS’, number: ‘42648’
Brush Pot
Object type: brush pot
Date: 1767 – 1900
Materials: porcelain
Culture: chinese
Subjects: goats
Badende Bathseba bespied door David
Object type: print
Date: 1729 – 1729
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: david, from the roof (or balcony) of his palace, sees bathsheba bathing
Inscriptions: collector's mark: Lugt 240

Het schilderij door De Troy werd in 1727 vervaardigd en bevindt zich in het Musée des beaux-arts d'Angers.
Flageolet in D
Object type: flageolet in d
Date: 1839 – 1839
Materials: ivory, wood
Culture: french
Location: france
Artist: denis noblet
Artist role: maker
Artist nationality: french
Artist dates: 1768 – 1839
Nicomedia, from the Dancing Girls of the World series (N185) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,dancers

Trade cards from the "Dancing Girls of the World" series (N185), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
Kolfspeler
Object type: drawing
Date: 1758 – 1762
Materials: chalk, paper
Location: amsterdam
Artist: cornelis ploos van amstel
Artist role: draughtsman, print maker
Artist dates: 1726 – 1798
Subjects: 'kolf' (ball game) (+ sportsman, player, etc.)

Over de calques van Ploos van Amstel zie LNP, p. 201.
Posvi Devm Adiut Orem Mevm
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: cologne
Subjects: orb (symbol of sovereignty; sphere with cross on top), historical persons - bb - woman, sceptre, staff (symbol of sovereignty), queen, neck-gear: collar (+ women's clothes), dress, gown (+ women's clothes), lace, ear-rings, pearl; pearl necklace (+ women's clothes)

De japon heeft een brede los geplooide kraag* met kant, van voren open, met knoopsluiting. Kopmouwen* met trechtervormige manchetten* (ponjetten*), op dezelfde manier als de kraag afgezet met kant. Op het gekrulde haar een kroontje. Oorbellen*.
Terracotta fragment of a krater (bowl for mixing wine and water)?
Object type: krater fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from a krater?
Klaprozen
Object type: book
Date: 1904 – 1908
Materials: paper
Techniques: woodcut, letterpress printing
Location: tokyo
Mrs. Daniel Embury (Emma Catherine Manley)
Object type: painting
Date: 1837 – 1863
Materials: board, oil
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Seated actress wearing tights and feathered hat, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Shipwreck
Object type: drawing and watercolor
Date: 1622 – 1623
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: Filippo Napoletano
Artist nationality: Italian

Sent to Naples from his native Rome as a child, Filippo carried the moniker of his adopted city as he went on to become an important artist at the court of Cosimo II de’ Medici in Florence.
Bordurende vrouw
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: (ball of) yarn, dress, gown (+ women's clothes), (other forms of) needlework, e.g.: crocheting, knitting, embroidering, embroidery (ornamentation)
Inscriptions: collector's mark: Lugt 240

Zittende dame in een vertrek, van voren gezien, modieus gekleed volgens de Franse mode van ca. 1630-'35. De vrouw borduurt of naait aan een kleed. Naast haar een mand met kluwen garen.
Untitled (The Coit Family)
Object type: photograph
Date: 1855 – 1856
Techniques: daguerreotype, photography
Location: united states
Artist: s. l. holman
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits, families, family, portrait, portraits: multiple subjects

Daguerreotypes—brilliant photographs on metal plates—memorialized families with the first widely affordable images. The technology was especially popular in the 1840s and 1850s, an era of higher mortality rates. Daguerreotypists employed the slogan “Secure the shadow, ere the substance fade” to encourage sitters to visit the photographer’s studio before it was too late. This is one of a rare group of five images that tracks a single family over several years, including a period of mourning. Most of the images focus on the family’s patriarch, Charles Coit, including a photographic portrait, a painted portrait based on that photograph, a daguerreotype copy of that painting, and finally, a daguerreotype of the entire family posing with the painting—as a substitute for the father in a group portrait—made after his untimely death. These family photographs thus invite meditation on mortality and the function of representation. Can a painting stand in for a person? Can a photograph?
Nimf Corsica en de satyrs zittend in een landschap
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: etching
Artist: bartholomeus breenbergh
Artist role: draughtsman, print maker
Artist dates: 1599 – 1657
Subjects: nymphs (in general); 'ninfe in commune' (ripa)
Inscriptions: collector's mark: Lugt 240

Nimf Corsica en de satyrs zittend in een landschap. Prent voor uitgave Il Pastor Fido van Guarini.
Mrs. William Wortley Worsley (Rebecca Smith)
Object type: painting, miniature
Date: 1805 – 1805
Materials: ivory, watercolor
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: portraits,women

Sully recorded this miniature in his register for August 1805 as "Mrs. Worseley," with a price of twenty dollars.
Frieze and ceiling
Object type: frieze, ceiling
Date: 1881 – 1882
Materials: canvas, oil
Culture: american
Location: united states
Artist: virgilio tojetti
Artist role: artist
Artist nationality: italian
Artist dates: 1849 – 1901
Subjects: ceilings

In 1881, Arabella Worsham, then-mistress of railroad magnate Collis P. Huntington, hired George A. Schastey & Co. to decorate her townhouse at 4 West Fifty-Fourth Street in New York City. The resulting artistic interiors would have been considered the height of cosmopolitan style in the early 1880s and were emblematic of Worsham’s quest to fashion her identity as a wealthy, prominent woman of taste. When Worsham married Huntington in 1884, she sold the house, fully furnished, to John D. and Laura Spelman Rockefeller, who made few subsequent changes to the decorations. Following Mr. Rockefeller’s death in 1937, the house was demolished, yet some furnishings, large-scale architectural elements, and three interiors were preserved, and the rooms were donated to local museums by John D. Rockefeller Jr. Every room in the house had an elaborately painted ceiling and frieze. Those in the dressing room—hand-painted and stenciled on canvas—are by Virgilio Tojetti (1849–1901), an Italian-born decorative painter who collaborated with George A. Schastey during the 1870s and 1880s. Sprightly, dancing cherubs, each one distinctive, animate the frieze. Consistent with the dressing room’s theme of personal adornment, they hold garlands of shells and pearls that evoke the necklaces and earrings depicted elsewhere in the room. Smaller renderings of pearl and gold brooches ornament the lower register of the frieze.
Stel in gesprek terwijl een tweede heer zich afwendt
Object type: watercolor
Date: 1654 – 1658
Materials: ink, paper, watercolor
Techniques: brush, calligraphy
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690

Pratend stel en een afgewende heer onder vervolg op het gedicht van de vorige pagina (folio 74) met dialoog tussen Amarilli en Amijntas; op de melodie van Cantselaers testament.
Christus wort voor Annas ghestelt
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: christ before annas (hanna); maybe a soldier about to strike christ (john 18:13, 18:19-24)

Prent uit: 't Schat der Zielen, dat is, het geheele leven ons Heeren Iesu Christi naer de vyer Evangelisten (...) in zeven stucken verdeelt. Amsterdam: Pieter Jacobsz. Paets, 1648. Deze prent komt uit het vijfde deel of hoofdstuk van 't Schat der zielen: Passie ons Heeren Iesu Christi, naer de beschrijvinghe van de vier evangelisten. Binnen het vijfde deel hoort deze prent bij de beschrijving van de passie door Lucas.
Rouwgedicht voor Moses ter Borch (deel 1)
Object type: poem
Date: 1667 – 1670
Materials: ink, paper
Techniques: calligraphy
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690

Rouwgedicht voor Moses ter Borch, gevallen voor het Kasteel te Harwich op 12 juli 1667; zonder aangegeven melodie. Zie voor deel 2 van het gedicht BI-1890-1952-110.
Yellow Perch, from the Fish from American Waters series (N8) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: fish

Trade cards from the "Fish from American Waters" series (N8), issued in 1889 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
A Seated Young Woman Looking Over Her Shoulder
Object type: drawing
Materials: ink
Techniques: pen
Artist: guercino (giovanni francesco barbieri)
Artist role: artist
Artist nationality: italian
Artist dates: 1591 – 1666
Subjects: women
Woman Pouring from a Large Jug into a Ewer
Object type: print
Date: 1501 – 1600
Techniques: etching
Artist: master f. p.
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: women,ewers,jugs

In Mariette Album, folio 44, middle left
Repose (Ruhende vom Rücken)
Object type: print
Date: 1913 – 1913
Techniques: drypoint
Artist: wilhelm lehmbruck
Artist role: artist
Artist nationality: german
Artist dates: 1881 – 1919
Subjects: female nudes
Panel (Possibly a Shawl or bedspread?)
Object type: textile
Date: 1801 – 1900
Techniques: printing block, weave, printing
Location: england
Joegoslavië, april 1943
Object type: endleaf
Date: 1904 – 1943
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: yugoslavia
Artist: Anonymous
Subjects: laundering, folk costume, regional costume, occupation ~ war, hanging the wash to dry

Schutblad achterin het album waarop geplakt drie foto's in Joegoslavië, waarschijnlijk april 1943: vrouwen in lokale dracht die de was doen in een rivier en het wasgoed ophangen in de buitenlucht in een boomgaard. Onderdeel van het fotoalbum Abrechnungsintendantur van de Wehrmacht 1941-1943.
Chicago Stock Exchange Building: Two Elevator Enclosure Grilles, with Base Plates and Side Support Bars
Object type: architectural fragment
Date: 1893 – 1894
Materials: copper, iron, metal
Techniques: casting
Location: chicago
Artist: adler & sullivan
Artist nationality: american
Artist dates: 1883 – 1895
Subjects: chicago, architectural fragments, architecture, building, elevator, illinois, ornaments
Portret van Ernst Christoph Homburg
Object type: print
Date: 1642 – 1724
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228

Onder het portret vier regels in het Latijn.
Athens from the Tomb of Philopotes
Object type: print
Date: 1913 – 1913
Materials: paper
Techniques: etching
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Boom met kale takken
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: drypoint, soft ground etching
Location: norwich
Subjects: trees, shrubs
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent staat samen met RP-P-1973-197 op een onversneden blad.
Plate
Object type: plate
Date: 1730 – 1730
Materials: hard paste porcelain
Subjects: birds,men,women,insignia
Portret van een onbekend kind
Object type: photograph
Date: 1911 – 1911
Materials: cardboard, paper
Techniques: gelatin silver print
Location: surabaya
Subjects: infant, baby ~ the ages of man, historical persons not known by name, surabaya
Inscriptions: date: ‘30 Juli 1911’, inscription: ‘N.V. Fotografisch Atelier/ Kurkdjian/ Soerabaia Java’
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: gold alloy, gold, silver
Culture: japanese
Location: japan
Subjects: men
Pilgrim's Badge of the Shrine of St. Thomas Becket at Canterbury
Object type: pilgrim's badge
Date: 1350 – 1400
Materials: alloy, lead, tin
Techniques: casting
Culture: british
Location: england
Subjects: tombs,men,saints

The brutal murder of Archbishop Thomas Becket in Canterbury Cathedral on December 29, 1170, transformed him into one of the most venerated saints in Western Christendom, and his shrine instantly became a pilgrimage site. This impressed badge shows the shrine of the martyred saint before it was plundered by Henry VIII's commissioners in 1538. The golden structure, as seen on the badge was ordered by Archbishop Stephen Langton and dedicated on July 7, 1220. Created by the famed goldsmith Walter of Colchester, the tomb, supported on four bays, contained an effigy of Thomas Becket in ecclesiastical vestments. Here, raised above it, is the gabled shrine, encrusted with jewels on a trellis-like ground and surmounted by two ship models, one of which was damaged. A small figure points to a ruby, claimed to be the largest in existence and given in 1179 by the king of France. To the right another figure raises the cover of the shrine with ropes and a pulley. This badge is one of the best surviving visual documents of the shrine. Its accuracy is attested to by descriptions from ambassadors, clergy, and theologians, such as Erasmus. The badge is an important addition to our knowledge of the imagery surrounding this martyr-saint and joins our unrivaled collection of objects associated with him.
Piriform Jar Inscribed with Hatshepsut's Titles as Queen
Object type: jar, piriform, hatshepsut
Date: 1492 – 1473
Materials: stone
Location: upper egypt, thebes
Subjects: hieroglyphs

This pear-shaped jar would have been used to store unguents or oils. It is inscribed with Hatshepsut's personal name and her titles as queen: "God's Wife, King's Great Wife whom he loves, Mistress of the Two Lands, Hatshepsut, may she live!" The designation "King's Great Wife whom he loves" suggests this vessel was made before the death of Hatshepsut's husband, Thutmose II. The jar may originally have been intended to furnish Hatshepsut's queen's cliff tomb in western Thebes. After she became king, Hatshepsut seems to have donated goods inscribed with her queen's titles as provisions for the burials of individuals she deemed important (see linen and vessels from the tomb of Hatnefer and Ramose, 36.6.1–36.6.70). Two stone jars, this one and 18.8.15, seem to have been donated to the burial of three foreign wives of her nephew, Thutmose III.
"Eglise du Pater, intéieur - Chruch of the Pater, Interior", Olijfberg bij Jeruzalem, Palestina
Object type: photograph
Date: 1880 – 1890
Materials: cardboard, paper
Techniques: albumen print
Subjects: olijfberg
Inscriptions: inscription: ‘297. Eglise du Pater, intérieur - Chruch of the Pater, interior.’, signature: ‘Bonfils’

Aanzicht op de omgang van de Pater Noster-kerk, Olijfberg bij Jeruzalem, Palestina.
Design for Curtains
Object type: drawing
Date: 1841 – 1884
Materials: gouache, graphite
Artist: charles hindley and sons
Artist role: artist
Artist nationality: british
Artist dates: 1841 – 1917
Subjects: windows,curtains
Gezicht op het Rasphuis te Amsterdam
Object type: book illustration
Date: 1663 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: prison, jail, (prisoners) in the prison yard, gate, entrance, workhouse, penal camp, penitentiary, chain gang, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Dapper, Olfert. Historische beschryving der stadt Amsterdam (…). Amsterdam: Jacob van Meurs, 1663. Of uit: Zesen, Philipp von. Beschreibung der Stadt Amsterdam (…). Amsterdam: Joachim Nosche, 1664. Bij sommige exemplaren van eerstgenoemde uitgave werd een latere staat ingebonden waarop boven de Nederlandse titel ook een Franse is toegevoegd.
View at Girgeh, Upper Egypt
Object type: photograph
Date: 1857 – 1857
Techniques: albumen print
Location: england
Artist: francis frith
Artist role: publisher
Artist nationality: english
Artist dates: 1822 – 1898
Subjects: collected by hugh edwards, egypt and palestine
Portret van een onbekende vrouw
Object type: page
Date: 1887 – 1892
Materials: paper
Techniques: autotype
Location: new york city
Artist: william kurtz
Artist role: fotograaf
Artist dates: 1833 – 1904
Subjects: historical persons not known by name - bb - woman
Inscriptions: inscription: ‘Most cordially yours./ Ber[..]a M.[..] Palmer’
Fotoreproductie van het fresco De scheiding van donker en licht door Michelangelo in de Sixtijnse kapel
Object type: reproduction
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: vatican city
Artist: Anonymous
Subjects: picture, painting
Inscriptions: collector's mark: ‘VOSMAER’
Wilhelm Ochse en Catharina Maria Groennou op een motorfiets op het strand van Valkeveen
Object type: photograph
Date: 1934 – 1934
Materials: paper
Techniques: gelatin silver print
Location: valkeveen
Artist: Anonymous
Subjects: amsterdam, beach (as place of recreation), motor-cycles and other two-wheeled motor-vehicles
Inscriptions: inscription: ‘AG’, inscription: ‘4’, inscription: ‘1934’

Portret van een man een vrouw op een motorfiets op het strand van Vinkeveen.
Begraeffenisse van syne hoogheyt Frederick Henrick. Luxe ingekleurde uitgave van de prenten van de begrafenisstoet van Frederik Hendrik in 1647
Object type: book
Date: 1651 – 1651
Materials: paint, paper
Techniques: colour, etching
Location: the hague
Subjects: delft, the hague, frederick henry (prince of orange)

De begrafenisstoet van Frederik Hendrik, plaat nr. 19. Ingekleurde prent in een omlijsting versierd met goud en ingeplakt in de luxe editie uit ca. 1755 van het boek 'Begraeffenisse van syne hoogheyt Frederick Henrick' van Pieter Post, uitgegeven te Amsterdam in 1651.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, genitals and legs of Herakles wrestling the lion
Allegorie op oude leeftijd
Object type: print
Date: 1634 – 1634
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: old age, 'senectus'; 'vecchiezza' (ripa), title-page
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit: Meder, Johann Sebastian. Der Alten Spiegel. Ulm: Johann Görlin, 1634.
Gelderse zilveren rijder, 1792
Object type: coin
Date: 1792 – 1792
Materials: silver
Techniques: striking
Location: harderwijk

Zilveren munt. Voorzijde: ruiter met zwaard naar rechts. Daaronder gekroond Gelders wapenschild. Keerzijde: door twee leeuwen gehouden gekroond generaliteitswapenschild. Daaronder cartouche, waarin jaartal.
Sofa
Object type: furniture
Date: 1849 – 1854
Materials: wood
Location: new york
Artist: attributed to charles a. baudouine
Artist nationality: american
Artist dates: 1808 – 1895
Subjects: furniture
Twee ballerina's achter het decor
Object type: photomechanical print
Date: 1897 – 1897
Materials: paper
Techniques: autotype
Location: france
Subjects: the ballet, ballet performance, girl (child between toddler and youth), france
De Kostverloren Vaart te Amsterdam gezien in noordelijke richting
Object type: drawing
Date: 1915 – 1915
Materials: chalk, paper, watercolor
Techniques: brush
Artist: rik wouters
Artist role: draughtsman, print maker
Artist dates: 1882 – 1916
Subjects: canals, waters (in city)
Bulletin / Association belge de photographie
Object type: book
Date: 1807 – 1899
Materials: paper
Techniques: printing, engraving
Lepelsteel van zilver eindigend in apostelfiguur
Object type: lepelsteel
Date: 1600 – 1625
Materials: silver
Techniques: gilding
Location: germany
Artist: Anonymous

Lepelsteel van zilver met aan het uiteinde het vergulde beeld van een apostel
Bead, tubular
Object type: bead, tubular
Date: 3900 – 100
Materials: gold
Culture: cypriot
Ex libris van Dirck van Os
Object type: bookplate
Date: 1597 – 1656
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: michiel le blon
Artist role: print maker
Artist dates: 1587 – 1656
Subjects: antwerp, stars, ox, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, inscription: ‘Dirk van Os / Michiel Le Blond sc. vdK n. / 1587-1656’, collector's mark: Lugt 2233, inscription: ‘Ex libris genomen (?) / uit U660 Emm[...] (?)’
Pear-shaped bottle vase with continuous lotus scrolls and ornamental borders
Object type: bottle
Date: 1500 – 1599
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark: ‘大 明 年 製 (?)’

Fles, met onderglazuur blauw in perzische trant.Met gestileerde bladranken.
Bouwfragment
Object type: woodcarving visual work
Date: 1700 – 1800
Materials: wood
Location: netherlands
Artist: Anonymous

Eikenhouten snijwerk, zwart gebeitst afkomstig van een klein uurwerk. Bokaalvormig met rond gat voor uurwerk. De voorstelling is een allegorie op de vergankelijkheid of de dood. Engel met doodshoofd, zeis en zandloper opgesierd met guirlande's
Sierbrandnetel in pot
Object type: print
Date: 1911 – 1911
Materials: paper
Techniques: etching
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Subjects: potted plants
Inscriptions: collector's mark: Lugt 2228
Dit viertal prenten zal gewis uw keuze smaaken, / ô schooljeugd! wil 'er u dan, / meê vermaaken
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Subjects: ships (in general), child playing with animals
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen. Boven: twee voorstellingen van kinderen die met dieren spelen. Onder: twee voorstellingen van Hollandse zeilschepen. Onder elke afbeelding een zesregelig vers in twee kolommen. Genummerd rechtsboven: No. 171.
Het Oude Stadhuis van Amsterdam, 1641
Object type: print
Date: 1775 – 1822
Materials: paper
Techniques: etching, hand coloring
Location: netherlands
Subjects: stadhuis van amsterdam (14e eeuw-1652)

Het Oude Stadhuis van Amsterdam, naar de tekening van 20 juni 1641. Op de stenen van de drempel een inscriptie over het afbranden van het stadhuis op 7 juli 1652.
Portret van Henricus den Dubbelden
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: archbishop, bishop, etc. (roman catholic), historical persons, book

Prent waarschijnlijk uit: Roomsch-Katholijk jaarboek voor het Koningrijk der Nederlanden. Breda: W.A. Oukoop, 1837, dl. 3.
Brocade Textile
Object type: textile
Date: 1301 – 1400
Materials: gold thread, silk
Culture: italian
Location: italy
Subjects: deer