deem-data/ArtiFact huggingface dataset:
Costume Français, puis Nouveau Costume Parisien 1799-1810, No. 86 : Chapeau Turban blanc (...)
Object type: fashion print
Date: 1799 – 1810
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: dress, gown: robe à l'anglaise (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), book, sleeves (+ women's clothes), bracelet, wristlet (+ women's clothes), necklace (+ women's clothes)
Inscriptions: caption: ‘Chapeau Turban blanc, Robe à l'Anglaise, manches demi-Froncées.’, address: ‘A Paris, chez J. Chéreau. Rue Jacques près la Fontaine Severin, No. 257. Il tient Magasin de Papiers en Gros en Rouleaux pour Tenture.’, caption: ‘Déposé à la Bibliothèque N.ale’

Vrouw naar rechts, op het hoofd een hoed: 'Chapeau Turban blanc', versierd met veren. Zij draagt een 'Robe à l'Anglaise' met sleepje, met lange mouwen die bij de schouders zijn gesmockt. Accessoires: collier, armband, platte schoenen met puntige neuzen. Boek in de linkerhand. De prent maakt deel uit van een serie van 142 modeprenten, waarvan er 115 zijn geïdentificeerd, uitgegeven door J. Chéreau, Parijs, 1799-1810.
Taufstein der am 3. Juli 1906 durch Brand zerstörten Michaeliskirche
Object type: photomechanical print
Date: 1906 – 1906
Materials: cardboard
Techniques: photograph
Location: hamburg
Subjects: interior of church, baptismal font
Inscriptions: date
Bishop’s key
Object type: pipe key
Materials: bronze
Artist: Anonymous

Pijpsleutel, zgn. "bisschopssleutel" waarvan de greep een haanvormige insnijding heeft.
Ary Scheffer
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: paris
Subjects: dordrecht, painter, print maker, draughtsman, sculptor, ary scheffer, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2166, check stamp: Lugt 5004, collector's mark: Lugt 2760
Piece
Object type: piece
Date: 1730 – 1730
Materials: silk
Subjects: leaves
Vase with dragon
Object type: vase
Date: 1767 – 1800
Materials: glaze, porcelain
Techniques: incising
Culture: chinese
Library of Winchester College
Object type: drawing and watercolor
Date: 1816 – 1816
Materials: gouache, graphite, paint, paper, watercolor
Techniques: heightening
Location: england
Artist: frederick mackenzie
Artist nationality: english, born scotland
Artist dates: 1787 – 1854
Print from the series Long Live Japan: One Hundred Victories, One Hundred Laughs
Object type: print
Date: 1904 – 1905
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: kobayashi kiyochika
Artist role: artist
Artist nationality: japanese
Artist dates: 1847 – 1915
Subjects: kings,men,law

The propaganda print shown here was created at the height of the Russo-Japanese War, fought between the two expansionist imperial powers in 1904–5. Kobayashi Kiyochika, a major designer of woodblock prints, documented Japan’s rapid military and economic modernization and numerous wars of the late nineteenth and early twentieth centuries. Inexpensive woodblock prints served as a vehicle for propaganda throughout this period.
Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing, 26 maart 1896
Object type: print
Date: 1803 – 1896
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: criticizing and discussing art, art criticism, circle, club of artists, collecting and exhibiting products of the fine arts, farmers - aa - female farmer, farmer's wife, spading ~ soil cultivation
Inscriptions: collector's mark: Lugt 2228

Spittende boerin. Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing op 26 maart 1896 van de portefeuille van de dhr. A.A.W. van Wulfften en dhr. Palthe te Almelo.
Kaïn doodt Abel
Object type: print
Date: 1520 – 1583
Materials: paper
Techniques: engraving
Subjects: the killing of abel: cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon
Inscriptions: collector's mark: Lugt 240

Kaïn met opgeheven stuk kaakbot, Abel op de grond geduwd.
Jug
Object type: vessel
Date: 301 – 400
Materials: glass
Techniques: glassblowing
Culture: byzantine or roman
Location: levant
Subjects: vessels

Glass vessels were part of the luxurious domestic decoration displayed in wealthy households in both urban villas and rural estates in the later Roman and early Byzantine eras (about 300–725), and were used for a variety of purposes, including cosmetic containers, pitchers for water or wine, and small cup for drinking. Byzantine glass craftsmen improved upon the techniques, forms, and decorative motifs they had inherited from their Roman predecessors. An imperial edict of 337 exempted glassworkers from personal taxes and attested to their relative status in society; it remained in effect for several centuries.
Miss Helen Marlborough, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Scarab Depicting Seti II In His Chariot Shooting a Bow and Arrow.
Object type: scarab, seti ii in his chariot
Date: 1200 – 1194
Materials: stone
Techniques: glazing
Location: egypt

On the base, the scarab depicts Seti II in his chariot drawing a bow and arrow. A bearded man, perhaps an Asian enemy, stands in front of the chariot. Above the scene is the king's prenomen.
Zoutvat of doopvont
Object type: album leaf
Date: 1543 – 1553
Materials: ink, parchment
Techniques: brush, pen
Artist: jacques androuet
Artist role: draughtsman, print maker
Artist dates: 1515 – 1584
Subjects: baptismal font, salt-cellar, salt-shaker
Inscriptions: number: ‘5’

Blad 5 recto, los opgezet blad uit een album bestaande uit een band met twee bladen, een schutblad en zeventien apart opgezette bladen.
Kamer met meubels
Object type: negative
Date: 1928 – 1928
Materials: film
Techniques: gelatin silver negative
Location: dutch east indies
Artist: Anonymous
Subjects: interior of the house, dutch east indies, the
Inscriptions: number: ‘9’

Onderdeel van Kodak negatievenalbum met 35 foto's van een familie in Nederlands-Indië.
Portret van August II de Sterke, koning van Polen
Object type: print
Date: 1697 – 1733
Materials: paper
Techniques: engraving
Subjects: august ii (king of poland), knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order), historical persons
Inscriptions: collector's mark: Lugt 2228
Petticoat
Object type: petticoat
Date: 1830 – 1839
Materials: cotton
Culture: american

The necessary underpinnings to create the 1830s silhouette were the corset, the petticoat, and sleeve supports. This cotton petticoat is corded which serves to stiffen it into a rounded shape that would push the skirts of the dress outward into a bell form. Petticoats in this period were also made of horsehair fabric and called crinolines (from the French word crin, meaning horsehair). To create the slightly raised waist, the heavy white cotton corset (1987.238) is reinforced with cording and boning and has a slot for a busk at center front, as well as a large interior pocket for a paperboard to flatten the abdomen. Gussets at the bust and hips of the corset serve to allow flesh to expand above and below. The neckline of the corset is low and open and is joined by off-the-shoulder straps, which serve to open the chest area further. The separate sleeve supports (C.I.66.38.5a, b), made of muslin and given shape with baleen, complete the wide-topped silhouette. Affixed to the body with drawstrings at the top and bottom, they created a balloon of fabric over the arm, which slipped slowly downward over the course of the 1830s and 1840s. Sleeve supports could also be made of down-filled pillows.
Gedecoreerd kabinet met naar architectuur verwijzende elementen
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Location: florence
Artist: Anonymous
Subjects: ornamental cupboard (+ wood and other phytogenic material)
Inscriptions: number: ‘Pl. 58’
Gezicht op een laan vanaf de stenen brug bij Slot Zeist
Object type: print
Date: 1682 – 1726
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: lane, alley
Inscriptions: collector's mark: Lugt 2228
St. Jacques te Luik
Object type: history medal
Date: 1846 – 1846
Materials: bronze
Techniques: striking
Location: brussels

Bronzen penning. Voorzijde: kerkgebouw binnen tweeregelig omschrift; afsnede: opschrift en signatuur. Keerzijde: interieur van kerk
Portret van een meisje met pijpenkrullen en een strokenrok
Object type: carte de visite
Date: 1860 – 1875
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, girl (child between toddler and youth)
Berry Pomeroy Castle, part XII, plate 58 from "Liber Studiorum"
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: castles,trees

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, and here Dawe is believed to have etched the design onto a copper plate, with Turner adding mezzotint to develop the tone. A wooded landscape is punctuated by the towers of a ruined castle, traditionally identified as Berry Pomeroy Castle in Devon, but possibly Raglan in Wales. An overgrown moat is spanned by a small wooden bridge, and a moor hen skims the water to create a bright reflective trail. The letters "EP" in the upper margin likely stand for Elevated Pastoral and were applied by Turner to landscapes within the set that echo the Arcadian sensibility of Claude.
[Tents, Algeria]
Object type: photograph
Date: 1856 – 1856
Techniques: paper negative, salted paper print
Artist: john beasley greene
Artist role: artist
Artist nationality: american
Artist dates: 1832 – 1856
Subjects: tents,landscapes
½ stuiver voor Nederlands Indië tijdens Brits bestuur, 1813
Object type: coin
Date: 1813 – 1813
Materials: copper
Techniques: striking
Location: surabaya

Koperen munt. Voorzijde: tussen waarde-aanduiding ½ St monogram van de Engelse Oostindische Compagnie. Daarboven letter B [=British]. Keerzijde: eenregelig opschrift, waaronder jaartal. Boven opschrift muntteken en onder jaartal muntmeesterteken Z [=muntmeester Zwekkert].
Whaleback at exposition pier
Object type: page
Date: 1893 – 1893
Materials: paper
Techniques: photograph
Location: chicago
Subjects: world fair, world exhibition, ships (in general), pier, quay, wharf
Inscriptions: number: ‘Plate 82’
Cardanusring
Object type: cardanusring
Date: 1850 – 1899
Materials: brass
Location: netherlands
Artist: Anonymous

Messing houder met twee concentrische ringen. In de binnenste ring kon een kompas worden gehangen dat altijd horizontaal wordt gehouden doordat de cardanusring de rollende beweging van het schip compenseert.
Scènes uit het apocriefe Bijbelboek 3 Esdras
Object type: album leaf
Date: 1595 – 1596
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the books of ezra, nehemiah, and esdras, wine ~ alcoholic drinks, king, the first guardsman says (writes) that wine is the strongest of all things ~ contest of the three guardsmen
Inscriptions: number: ‘27[6]’

De wijn als heerser over de wereld. Rond een tafel drinken mannen wijn. Ook een koning, links, staat onder invloed van wijn. Rondom hem dronken figuren. Linksonder een verwijzing naar de tekst in 3 Esdras 3-4. Onder de voorstelling verzen in het Latijn. Deze prent maakt deel uit van een album.
Three Taoist Scriptures
Object type: rubbing
Date: 1901 – 2000
Materials: ink, paper
Culture: chinese
Artist: bai tingcan
Artist role: artist
Voyage en Italie, en Sicile et à Malte - 1778
Object type: drawing
Date: 1778 – 1778
Materials: chalk, paper
Artist: louis ducros
Artist role: draughtsman, print maker
Artist dates: 1748 – 1810
Inscriptions: inscription: ‘No 189 Tombes ... de Syracuse’

Onduidelijk wat inhoud van opschrift op verso is, tekening reeds opgezet.
The Descent from the Cross by Torchlight
Object type: print
Date: 1654 – 1654
Materials: ink, ivory, paper
Techniques: drypoint, etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Trousers
Object type: trouser
Date: 1830 – 1830
Materials: linen
Culture: american or european
The Monkey Opens the Package and Removes the Rabbit's Head to the Great Surprise of the Animals from Hendrick van Alcmar's Renard The Fox
Object type: print
Date: 1650 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: animals,landscapes,trees
La Vera Perfettione del Disegno di varie sorti di recami, page 36 (recto)
Object type: book print ornament architecture
Date: 1567 – 1567
Techniques: woodcut
Artist: giovanni ostaus
Artist role: publisher
Artist nationality: italian
Artist dates: 1507 – 1607
Subjects: fences,men,hunting,deer,dogs,rabbits,flowers

Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice. From top to bottom, and left to right: Design composed of 3 horizontal registers. Top register is decorated with a series of flowers that have curving stems. Middle register is decorated with an alternating pattern of 2 different types of flowers. Bottom register is decorated with a hunt scene of a man and his dogs chasing a buck and rabbits toward a fence.
Watch with a portrait of Nicholas I, czar of Russia (r. 1825–55)
Object type: watch
Date: 1850 – 1855
Materials: enamel, gold
Artist: firm of perret & cie
Artist role: maker
Artist dates: 1840 – 1850
Subjects: men,portraits
Bundle amulet
Object type: amulet, bundle
Date: 2150 – 1950
Materials: gemstone
Location: southern upper egypt
Faust: Part 1. Last Scene
Object type: drawing
Date: 1846 – 1848
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Artist: dante gabriel rossetti
Artist role: artist
Artist nationality: british
Artist dates: 1828 – 1882
Subjects: women,angels,devil

Rossetti made this drawing just before he joined the Pre-Raphaelite Brotherhood, and it demonstrates his early fascination with Goethe’s Faust, a source that later inspired his Lady Lilith (MMA, 08.162.1). Belonging to a series of lively compositions devoted to Gretchen’s seduction and imprisonment, this sheet shows the heroine praying for strength as she resists Mephistopheles’ compromising offer of freedom—angels and demons represent the spiritual struggle underpinning the drama. The hatched pen work indicates Rossetti’s close study of German engravings.
Oude Nieuwe-Brug
Object type: book illustration
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching, hand coloring, letterpress printing
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc., taxes and financial administration
Inscriptions: collector's mark: ‘10,51’ Lugt 1641b

Prent uit: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. 2e druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe A. van Aaltwyk en Hermanus Uytwerf, 1726.
Daar slaan de Burgers eenen grooten kring (...)
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: meeting, assembly - aa - in the open air, switzerland
Inscriptions: collector's mark: Lugt 240

Prent gebruikt als boekillustratie in: Martinet, Joannes Florentius. Historie der waereld. Amsterdam: Johannes Allart, 1780-1788. 25 delen. deel VII, pl. III.
Bloemen (asters) op een vaas
Object type: glasdia
Date: 1907 – 1935
Materials: glass, paper
Techniques: autochrome process
Location: netherlands
Artist: c.w. immink
Artist role: fotograaf
Het gedenkteken van Maria Stuart in Westminster Abbey
Object type: print
Date: 1802 – 1873
Materials: paper
Techniques: engraving, etching
Artist: abraham veelwaard
Artist role: print maker
Artist dates: 1792 – 1873
Subjects: london, maria ii stuart (koningin van engeland, schotland en ierland), grave-building, monumental tomb, westminster abbey
Inscriptions: collector's mark: Lugt 2228
Opening Page of a Dispersed Manuscript
Object type: folio
Date: 1667 – 1700
Materials: board, silk
Culture: tibetan
Stadsgezicht met Arabier en man met vrouw
Object type: book illustration
Date: 1849 – 1849
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: head-gear: turban
Inscriptions: collector's mark: Lugt 2228

Prent komt voor in: J.I.D. Nepveu en S.J. van den Bergh (reds.). Aurora; jaarboekje voor 1849. Den Haag, K. Fuhri, 1849.
Familiegroep
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: etching
Location: germany
Artist: gottfried schadow
Artist role: print maker
Artist dates: 1764 – 1850
Subjects: family group, especially parents with their child(ren)
Inscriptions: collector's mark: Lugt 2228
Portable altar
Object type: portable altar
Date: 1500 – 1525
Materials: copper, glass, lead, wood
Techniques: gilding, polychromy
Location: mechelen
Artist: Anonymous
Subjects: man of sorrows, 'imago pietatis', 'erbärmdebild', 'schmerzensmann'; the upright christ showing his wounds, usually bearing the crown of thorns, and accompanied by the instruments of the passion, standing or sitting in his tomb (+ angel(s))

This exquisite portable altar was intended for private devotion. The owner could use it for personal meditation either at home or when travelling. Open, the altar presented a poignant image of ‘Christ as the Man of Sorrows’ standing in his tomb and pointing explicitly at the wounds caused by his crucifixion. This helped the believer to identify with Christ’s suffering.
The Parson's Head
Object type: print
Techniques: engraving, etching
Artist: richard livesay
Artist role: etcher
Artist nationality: british
Artist dates: 1750 – 1826
Subjects: heads,men
Wandelende vrouwen met opgetrokken rokken
Object type: sketchbook leaf
Date: 1840 – 1860
Materials: paper, pencil
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: walking

Blad 10 verso uit een schetsboek met 38 bladen.
Portret van Franz Konrad Romanus
Object type: print
Date: 1675 – 1711
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Deense dog
Object type: sculpture
Materials: bronze
Location: paris
Schuttersvereniging 'Eendracht en Vriendschap' te Amsterdam
Object type: insignia
Date: 1856 – 1856
Materials: silver
Techniques: gilding, striking
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

eenzijdig, opengwerkt insigne, opgebouwd uit lint met opschrift, in vorm van gespannen boog, waarop pijl ligt die door twee ineengeslagen handen wordt vastgehouden; aan bovenzijde van boog met scharnier kroon bevestigd aan draagoog en draagring
Die Feuerstellung mit vollem Gepäck. (Frontalansicht)
Object type: page
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: anatomy (non-medical), firearms
Inscriptions: number: ‘Tab. XVI.’, inscription: ‘Schwerlinie. 1/10 der natürlichen Grösse. Projectionen der Gelenkmittelpunkte. Projectionen der Schwerpunkte von Kopf, Händen und Ausrüstungsgegenständen. Projection des Schwerpunkte des ganzen Körpers mit Ausrüstungsgegenständen.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, at rim, egg pattern; part of lyre; kylix
Naakte vrouw en paard in de zee
Object type: drawing
Date: 1891 – 1941
Materials: ink, paper, pencil
Techniques: brush
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: female sex; woman (+ nude human being), sea (seascape), horse
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: writing
Location: the hague
Artist: pieter de josselin de jong
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1906
Subjects: the hague, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Donatello - Buste d'enfant
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: adolphe giraudon
Artist role: publisher
Artist dates: 1849 – 1929
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘T 494’, collector's mark: ‘Rijks-normaalschool voor teekenonderwijzers amsterdam’, inscription: ‘Collection Muller à Vienne. A.G. phot.’, workshop stamp: ‘A. Giraudon/ Éditeur/ 15. R. Bonaparte. Paris’
Moord op Jan van Wely
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: engraving, letterpress printing
Subjects: maurice (prince of orange), murder

De roofmoord op de door Maurits naar Den Haag ontboden Amsterdamse juwelier Jan van Wely, te Den Haag op 1 mei 1616. De moord met links Jan de la Vigne en rechts Jan van Parijs. Beiden worden door een duiveltje met een blaasbalg bij hun oor aangezet tot de moord. Op de achtergrond (zeer klein) het vinden van het lijk van de juwelier en de de lichamen van de geradbraakte moordenaars tentoongesteld op staken. Gedrukt op een blad met bovenaan de titel en onderaan 5 verzen van 6 regels in het Nederlands.
Portret van Maria Fjodorovna I, keizerin van Rusland
Object type: print
Date: 1749 – 1796
Materials: paper
Techniques: engraving, etching
Location: vienna
Artist: johann ernst mansfeld
Artist role: print maker
Artist dates: 1739 – 1796
Subjects: maria féodorowna, historical persons
Inscriptions: collector's mark: Lugt 2228
George Washington
Object type: medallion
Date: 1800 – 1800
Materials: brass, bronze
Subjects: george washington,portraits,profiles
Gezicht op Amsterdam over het IJ
Object type: drawing
Date: 1700 – 1799
Materials: chalk, ink, paper
Techniques: brush
Location: amsterdam
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, city-view in general; 'veduta', canal, bridge in city across river, canal, etc., amsterdam
Inscriptions: collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 34.
Dish
Object type: dish
Techniques: maiolica, glazing
Artist: maestro giorgio andreoli
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1550
Subjects: cupid,mythical creatures
Drie zeilboten op de Maas
Object type: print
Date: 1889 – 1902
Materials: paper
Techniques: drypoint, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: sailing-ship, sailing-boat, river
Inscriptions: number: ‘364’, collector's mark: Lugt 2228

Mogelijk vermeld in: Storm van 's-Gravesande, Charles. Catalogue des eaux-fortes et lithographies. New York: s.n., 1903, of in een onbekende latere uitgave van het manuscript. Vermoedelijk vermeld als catalogusnummer 364.
Geschiedenis van Daniël
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: israelites (usually four) are brought before the prince of eunuchs because king nebuchadnezzar wants to have them educated in the palace (daniel 1)
Inscriptions: collector's mark: Lugt 2228

Daniël en drie andere jonge Israëlieten worden aan koning Nebukadnessar gepresenteerd. De koning, links op de troon, geeft de opdracht hen te onderrichten, zodat ze geschikt worden om in dienst van de koning te treden. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Dan. 1:3.