deem-data/ArtiFact huggingface dataset:
A Sermon in a Village Church
Object type: drawing
Date: 1630 – 1630
Materials: chalk, oil
Artist: peter paul rubens
Artist role: artist
Artist nationality: flemish
Artist dates: 1577 – 1640
Subjects: churches,men,women,dogs

This sheet, a relatively recent addition to Rubens's drawn oeuvre, is exceptional in several ways. Even if it seems to have been slightly cropped (especially at the left and the top), it remains one of the artist's largest works on paper. Its technique is much richer than that of most of his other drawings, combining chalk and paints, and gives the work the appearance of an oil sketch. The subject matter may be considered unique for Rubens. In a simple village church, a Catholic priest can be seen preaching to farmers and peasants—men on the left and women on the right—who listen with varying degrees of attentiveness. Obviously observed from nature, the scene can be connected only with the landscapes and studies related to farm life that he made at the end of his career, when he spent much of his time on the estate near Malines that he acquired in 1635. Rubens's composition (if not the vivacity and freshness of the drawing) has been repeated by other artists in a few painted copies. There is, however, no indication that Rubens himself made the drawing for any other reason than to record a moment he had witnessed and thought worthy of his talents.
Gezicht op een landweg naast een weiland
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Location: berlin
Artist: j.h. mühlbach
Artist role: fotograaf
Subjects: meadow, pasture, road, path
Schetsblad met koppen en paard
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: caricatures (human types), horse
Inscriptions: collector's mark: Lugt 2228
Chamber Music Group
Object type: drawing
Date: 1939 – 1939
Materials: graphite, paper, watercolor
Artist: joseph wolins
Artist role: artist
Artist nationality: american
Artist dates: 1915 – 1999
Subjects: musical instruments,men,music,musicians
Pauline Lucca, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from "World's Beauties," Series 2 (N27), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Huis in Alkmaar, met op de voorgrond mannen en kinderen op een kade
Object type: photomechanical print
Date: 1875 – 1880
Materials: paper
Techniques: photograph, photolithography
Location: alkmaar
Subjects: civic architecture; edifices; dwellings, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘LITT. M. - PL. 48’, monogram: ‘JJvY’, inscription: ‘MAISON construite en (...)’
Jozef verklaart de dromen van de bakker en de schenker
Object type: print
Date: 1616 – 1719
Materials: paper
Techniques: etching
Location: netherlands
Subjects: joseph interpreting the dreams of the butler and the baker (the two dreams combined)

In de gevangenis geeft Jozef uitleg over de dromen van de schenker en de bakker, terwijl zij aandachtig luisteren. Hij voorspelt de twee mannen dat het niet goed zal aflopen met de bakker, en wel met de schenker. In beide gevallen kreeg hij gelijk.
Oude vrouw en jongen met kaarsen
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: scenes symbolizing 'vanitas', candle
Inscriptions: number: ‘108.’, collector's mark: Lugt 240

Een jongen neemt met zijn kaars de vlam over van de kaars van de oude vrouw. In de marge een tweeregelig onderschrift in het Latijn.
Plate
Object type: ceramic
Date: 1810 – 1810
Materials: ceramic, earthenware
Techniques: underglaze
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 – 
Inscriptions: Mark: "WEDGWOOD" and impressed cross
Cupid and Venus Appliqué
Object type: appliqué
Date: 1810 – 1830
Materials: brass, lacquer
Techniques: casting
Location: france
Artist: henry kellam hancock
Artist role: retailer
Artist dates: 1816 – 1851
Subjects: cupid,venus
Small spherical vase
Object type: spherical vase
Date: 1887 – 1887
Materials: bone china
Techniques: gilding
Artist: crown derby
Artist role: maker
Artist nationality: british
Artist dates: 1750 – 9999

The history of the Derby porcelain manufactory can generally be divided into two periods. The old Derby porcelain was produced from 1750 to 1848, and was foremost distinguished by the ownership of William Duesbury I and II. When the original factory closed in 1848, a number of former workers established a separate smaller factory at King Street, Derby, using Crown Derby’s original molds and patterns and oftentimes incorporating the factory marks on its wares. Around 1876, a separate company established a factory at Osmaston Road under the name Derby Crown Porcelain Company (and eventually bought the King Street factory in 1935), although the firm did not being producing commercial pieces until two years later. In 1890, the factory was granted the privilege of using the title "Royal Crown Derby Porcelain Company." Although the new Crown Derby continued to produce the firm’s old eighteenth-century Japan patterns, it became known for making vessels lavishly decorated with raised and chased gold work and Persian-style decoration.
Mustard pot and spoon (one of a pair)
Object type: mustard spoon
Date: 1771 – 1772
Materials: silver
Artist: edward aldridge ii
Artist role: maker
Artist dates: 1758 – 1781
Vaas van faience met blauwgroen fond
Object type: vase
Date: 1700 – 1750
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: delft
Artist: Anonymous
Inscriptions: label: ‘N. 32’

Beker van veelkleurig beschilderde faience op een blauwgroene fond, met een deksel. De beker is onderdeel van een stel.
Drie ontwerpen voor gueridons
Object type: drawing
Date: 1825 – 1839
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: paris
Artist: Anonymous
Subjects: table (+ wood and other phytogenic material)
Inscriptions: inscription: ‘1226 Gueridon ord[inair]re acajou 20 24 27 30p*<BR />la même plaqués dessons coute enplaquet uj.<BR />1224 Gueridon tourne à corbeille en noyer livrés 10*<BR />‘’…’’ vernis<BR />la même acajou 13*<BR />99 Gueridon acajou massif à corbeille 20p*<BR />la même a corbeille colonne feaux tors.’

Drie ontwerpen voor gueridons (bijzettafels), twee van mahoniehout en één van notenhout. Het blad op de achterzijde genummerd: 46, het tegenoverliggende blad met informatie over de afgebeelde meubelen genummerd: 46 bis. Onderdeel van een album met 80 bladen met tekeningen en een prent van gefineerde en gelakte meubelen, alsmede zitmeubelen.
Portret van Georg Christian Gebauer
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: mezzotint
Location: augsburg
Subjects: historical persons, professor
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt voor: Brucker, Jacob. Bildersal heutiges Tages lebender und durch Gelahrheit berühmter Schrifftsteller. Augsburg: Johann Jacob Haid, 1745.
Schoolklas
Object type: drawing
Date: 1874 – 1945
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: elementary school; class, form
Himself
Object type: painting
Date: 1913 – 1913
Materials: canvas, oil
Location: united states
Artist: robert henri
Artist nationality: american
Artist dates: 1865 – 1929
Subjects: fashion, century of progress, world's fairs, chicago world's fairs, people, portraits
Inscriptions: Signed: Robert Henri (l.l.corner)

Robert Henri painted Himself and Herself (1924.911) (Irish terms of endearment for a husband and wife) during a summer trip to Ireland; the canvases depict the fisherman Johnnie Cummings and his wife, Biddy. The rich hues and thick, lush paint add depth to the works, while the figures’ elusive expressions and informal poses give them a brusque, forthright quality. Each portrait reveals a distinctive character and, according to Henri, was meant to be a dynamic example of “humanity in the making, in the living.”
Standing Nude model, Facing Left
Object type: drawing
Date: 1911 – 1912
Materials: crayon, paper
Artist: wilhelm lehmbruck
Artist role: artist
Artist nationality: german
Artist dates: 1881 – 1919
Subjects: female nudes
Portret van Blanche Baretta
Object type: photograph
Date: 1875 – 1884
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: otto van bosch
Artist role: fotograaf
Subjects: historical persons - bb - woman, portrait of actor, actress
Veuë de la Ville de l'Isle du costé du Prieuré de Fiues, Et l'armée du Roy deuant
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: trees, city-view in general; 'veduta', anonymous historical persons portrayed in a group, in a group-portrait, lille
Inscriptions: collector's mark: Lugt 240
Cushion cover
Object type: cushion cover
Date: 1601 – 1625
Materials: canvas, metal thread, silk
Subjects: birds,deer,insects,butterflies,flowers
Het tooneel van d'Amsterdamsche Schouburg gesticht in 't jaar 1637, en vertimmert in 1665
Object type: print
Date: 1738 – 1738
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theatre (building), the stage and its equipment

Prent uit: Marre, Jan de. Het eeuwgetyde van den Amsteldamschen Schouwburg (…). Amsterdam: Izaak Duim, 1738. En uit: Naamen der personaadjen, in het zinnespel het Eeuwgetyde van den Amsteldamschen schouwburg. [Amsterdam]: s.n., [1738].
Italiaanse gebouwen met links een poort
Object type: drawing
Date: 1626 – 1677
Materials: chalk, paper
Techniques: brush
Artist: thomas wijck
Artist role: draughtsman, painter, print maker
Artist dates: 1616 – 1677
Subjects: village street, italy
Wollaton Hall in the County of Nottingham, plate 68 from Britannia Illustrata
Object type: print
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: jan kip
Artist nationality: dutch
Artist dates: 1653 – 1722
The Old Port of Rotterdam
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: etching
Location: netherlands
Artist: johan barthold jongkind
Artist role: artist
Artist nationality: dutch
Artist dates: 1819 – 1891
Teapot
Object type: teapot
Date: 1760 – 1760
Materials: enamel, stoneware
Techniques: salt glaze
Subjects: human figures
Maria met Kind en een vogel
Object type: print
Date: 1592 – 1622
Materials: paper
Techniques: etching, intaglio
Location: italy
Artist: vespasiano strada
Artist role: draughtsman, painter, print maker
Artist dates: 1582 – 1622
Subjects: madonna: i.e. mary with the christ-child, christ-child holding something in his hand, e.g. apple, bird, cherries, crucifix, grapes, paper wind-mill ~ madonna-representations

Maria zittend met het staande Christuskind op schoot. In zijn linkerhand houdt het Kind een vogel vast.
Portret van een vrouw
Object type: photograph
Date: 1865 – 1890
Materials: cardboard, paper
Techniques: carbon print
Location: charleroi
Artist: prosper bevierre
Artist role: fotograaf
Artist dates: 1822 – 1893
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Prosper Bevierre./ CHARLEROI./ Charbon. - Inaltérable.’
La Chaussée d'Antin / Le Faubourg St. Antoine
Object type: cartoon
Date: 1820 – 1840
Materials: paper, watercolor
Techniques: hand coloring, lithograph
Location: france
Subjects: fashion, paris
Inscriptions: collector's mark: Lugt 2228

Twee modieus geklede paren komen elkaar in Parijs tegemoet. Het linker paar, op de rug gezien komt uit La Chaussée d'Antin, het rechter paar vertegenwoordigt Le Faubourg St. Antoine
Vue de Venise
Object type: print
Date: 1881 – 1881
Materials: paper
Techniques: etching
Location: paris
Subjects: city-view in general; 'veduta', church (exterior), venice
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit een veilingcatalogus: "Catalogue des Tableaux anciens composant la très importante collection de Monsieur le Baron de Beurnonville", uitgegeven in 1881 te Parijs door Pillet en Dumoulin. De veiling vond plaats op 9 tot en met 14 en 16 mei 1881.
Design for a Small Rectangular Table with Greek Ornament
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: tables
Gezicht op Fort Rammekens
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: etching, hand coloring
Subjects: city-view, and landscape with man-made constructions, fortifications, military engineering

Gezicht op Fort Rammekens in Zeeland. Op de voorgrond twee boten. In de rechter zit een groep welgestelde heren. De schipper wijst de mannen op het fort. Links liggen enkele schepen. De prent maakt deel uit van een album.
Valentine - Mechanical -- four layers, merrymaking
Object type: valentine
Date: 1875 – 1875
Materials: ribbon
Techniques: chromolithography, cutting
Artist: anonymous, german, 19th century
Artist role: artist
Artist nationality: german
Artist dates: 1800 – 1899
La terre sainte. Vues & monuments
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: tone lithography
Location: brussels
Subjects: interior of church, tabernacle ~ altar, public worship and liturgy of the christian churches
Inscriptions: collector's mark: Lugt 2228

Jules Géruzet maakt in 1852 een heruitgave van het Belgische werk 'La terre sainte. Vues et monuments recueillis par David Roberts de l'Académie de Londres' dat tussen 1843-1845 wordt gedrukt door J. Lots en waarvan de prenten, op verzoek van de Société des Beaux-Arts, door Ghemar en Stroobant worden uitgevoerd naar werken van Haghe.
Painting
Object type: painting
Date: 1914 – 1914
Materials: silk
Techniques: painting
Culture: japanese
Standing boy
Object type: statuette
Date: 1467 – 1533
Materials: bronze, silver
Techniques: inlay
Artist: andrea mantegna
Artist role: artist
Artist nationality: italian
Artist dates: 1431 – 1506
Subjects: boys
Abraham du Quesne
Object type: print
Date: 1820 – 1830
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
In troebel water
Object type: cartoon
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: h. van ooijen
Artist role: print maker
Subjects: fisherman, political caricatures and satires, france
Inscriptions: date

Prent uit het bijvoegsel van: Neêrland’s Weekblad, nr. 91, 24 september 1898.
Portret van een jonge vrouw
Object type: photograph
Date: 1885 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: inscription: ‘W.G. Kuijer en Zonen/ Hofphotographen/ Amsterdam/ Westermarkt 19./ Speciale Inrichting/ voor/ Vergrootingen in alle Formaten.’
Portret van admiraal Armand Joseph Bruat
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: lithography
Location: new york city
Subjects: naval officer, historical persons
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 1090
Portret van Johannes a Lasco
Object type: print
Date: 1600 – 1750
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: theologian, historical persons
Servet met landelijke scènes, gemerkt BdW en 24.
Object type: napkin
Date: 1830 – 1860
Materials: cotton, linen
Techniques: damask
Location: germany
Artist: Anonymous
Inscriptions: mark

Wit halflinnen damasten servet met landelijke taferelen, gemerkt BdW en 24.
Glass perfume bottle
Object type: perfume bottle
Date: 101 – 300
Materials: glass
Culture: roman

Translucent pale blue green. Everted rim, folded over and in, flattened on top surface; cylindrical neck, expanding slightly downwards; bell-shaped body; flat but slightly uneven bottom. Broken and repaired in side of body, with two holes remaining; many bubbles and blowing striations; deep pitting, dulling, brilliant iridescence, and patches of creamy brown weathering.
De kleine Passie
Object type: print
Date: 1520 – 1521
Materials: paper
Techniques: hand coloring
Location: amsterdam
Subjects: book in which illustrations are essential, christ, perhaps dressed as a pilgrim, appearing to his mother, who is usually shown praying

De opgestane Christus verschijnt aan zijn moeder Maria. Prent maakt deel uit van een boek.
Pas kaart van t Eyland S.Iuan De Porto Rico met d''Eylanden daar beoosten
Object type: print
Date: 1684 – 1799
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: armillary sphere, skeleton celestial globe
Inscriptions: collector's mark: Lugt 2228

Paskaart van Puerto Rico, met inzetkaarten van St. Thomas en de haven Puerto Rico. Met twee windrozen, het Noorden ligt boven. Linksonder de titel, het adres van de uitgever en de schaalverdeling, weergegeven in Duitse, Spaanse en Engelse of Franse mijlen (schaal: c. 1:1.300.000). De gegevens zijn geflankeerd door een vrouw met een schepenkroon en een jakobsstaf en een vrouw met een armillarium op het hoofd.
Book cover for Volpi's Poesie with red and blue floral, paisley, and geometric patterns
Object type: print
Date: 1701 – 1800
Techniques: relief print
Artist: remondini family
Artist role: artist
Artist nationality: italian
Artist dates: 1649 – 1861
Landschap met links een poel
Object type: print
Date: 1860 – 1910
Materials: paper
Techniques: etching, intaglio
Artist: alfred elsen
Artist role: painter, print maker
Artist dates: 1850 – 1914
Subjects: lake
Inscriptions: collector's mark: Lugt 2228
Medallion with Sacrifice to Hymen
Object type: ceramic
Date: 1767 – 1800
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 –
Finial in the shape of a bird
Object type: finial
Date: 500 – 201
Materials: bronze, gold, silver
Techniques: inlay
Culture: chinese
Subjects: birds
Praalgraf van Maurits van Saksen in de Sint Thomaskerk in Straatsburg
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: straatsburg
Artist: Anonymous
Subjects: mausoleum
Inscriptions: number: ‘10.’, inscription: ‘Strasbourg’
Rotterdam
Object type: area plan
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: rotterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial), rotterdam
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Plattegrond in vogelvluchtperspectief. Linksboven de titel, de wapens van Holland en Rotterdam en de legenda 1-88 in het Nederlands. Rechtsboven de legenda 89-180 in het Nederlands. Rechtsonder een cartouche met de opdracht in het Latijn. Op verso Nederlandse tekst.
Mountainous Landscape with a Rock, Trees, and Buildings
Object type: drawing
Date: 1520 – 1520
Materials: ink
Techniques: pen
Artist: domenico campagnola
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1564
Subjects: landscapes

Domenico Campagnola, the adopted son of the painter and engraver Giulio Campagnola, became a noted draftsman, engraver, and painter in his own right. He executed numerous drawings, primarily of landscapes, intended as finished works of art; Domenico has thus been called the first “draftsman by profession.” This sheet is an excellent example of his early style, which was influenced by Titian. The variation of the pen line—from the broad, heavy cross-hatching in the foreground to the more dense lines in the distant buildings— imparts a rhythmic intensity to this otherwise tranquil scene.
Fortune Favoring France
Object type: print
Date: 1635 – 1637
Techniques: etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: battles,weapons,men,women,dogs,donkeys,horses,coat of arms,ships
Nederlandsche Rozen
Object type: text sheet
Date: 1816 – 1816
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: anna paulowna romanowa, william i of the netherlands, william ii of the netherlands, painter, draughtsman, wilhelmina of prussia (princess of orange), amsterdam, louise (prinses van oranje-nassau), frederik (prins der nederlanden), voorburg, marianne (prinses der nederlanden), berlin, the hague, wilhelmina frederica louisa (koningin der nederlanden), flowers: rose
Inscriptions: collector's mark: Lugt 2228

Tekstblad met een gedicht en de verklaring van de voorstelling van de prent met het boeket rozen waarin de silhouetten van de Koninklijke familie zijn verwerkt. Naar aanleiding van het huwelijk van de prins van Oranje en Anna Paulowna te Sint Petersburg op 21 februari 1816. Bovenaan hetzelfde achtregelige vers als op de prent.
Two Soldiers with Lance and Halberd Conversing
Object type: print
Date: 1515 – 1515
Techniques: woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: soldiers,weapons
Mountain Sketches (from Sketchbook X)
Object type: drawing
Date: 1885 – 1885
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: mountains

This sketchbook contains fifty-one drawings in graphite and ink, primarily of Pacific Northwest landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.1) of New England and Pennsylvania landscape and marine subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Knielend mannelijk naakt, op de rug gezien
Object type: drawing
Date: 1775 – 1775
Materials: chalk, paper
Artist: jean grandjean
Artist role: draughtsman, print maker
Artist dates: 1752 – 1781
Rapier
Object type: rapier
Date: 1600 – 1610
Materials: silver, steel, wood
Culture: german, saxony
Location: germany
Artist: peter wirsberg
Artist role: bladesmith
Artist nationality: german
Artist dates: 1609 – 1628

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Amphora
Object type: amphora
Date: 567 – 535
Materials: terracotta
Culture: etruscan
The Herd
Object type: print
Date: 1868 – 1868
Materials: paper
Techniques: etching
Location: england
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Schipbreuk van de Germania, 4 februari 1847
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: shipwreck
Inscriptions: collector's mark: Lugt 2228

Blad met tekst over het vergaan van het schip 'Germania' met 369 landverhuizers op 4 februari 1847 voor de kust van Kings Island. Gedrukte tekst met bovenaan een vignet van een zeilschip. Onder het verhaal een vers in vier kolommen. Onder de tekst de letters: V. d. V.