deem-data/ArtiFact huggingface dataset:
Tafellaken met de geschiedenis van Johannes de Doper
Object type: tablecloth
Date: 1590 – 1599
Materials: linen
Techniques: damask
Subjects: series of scenes from the life of john the baptist

Tafellaken van linnendamast met de geschiedenis van Johannes de Doper. Middenveld: het symmetrische, driemaal in de breedte herhaalde patroon vertoont van onder naar boven vijf taferelen: 1 Johannes predikt in de woestijn. Johannes, met haren kleed en barrevoets, staat met uitgebreide armen temidden van een menigte in een heuvellandschap. Een van hen draagt een wambuis en ballonbroek, een ander een platte bonnet. Onderschrift± MATTH.III.CAP. 2 Doop van Christus in de Jordaan. In het midden de duif in stralen boven een palmboom, die op een eiland groeit van het water, waarin Christus staat met gebogen hoofd, gekruiste armen en lendendoek. De op de oever geknielde Johannes, met kruisstaf, besprenkelt het gebaarde hoofd. Boven hem een loofboom waarin: MARCI.I.CA. 3 Onthoofding in de gevangenis. Voor een terugspringende muur met getraliede vernsters staat de scherprechter, voor wiens voeten het onthoofde lichaam van Johannes voorover ligt, hij legt het hoofd op de schotel, die Salomé draagt. Zij is gekleed in lang kleed met opgeschort bovenkleed, vierkante splithals, lange onder- en korte bovenmouw. Onderschrift: MARCI.VI.CA. 4 en 5 zijn een herhaling van de taferelen 1 en 2 (gehalveerd). Staande randen: spiegelbeeldig verdubbeld en door een lijn gescheiden spits ovaal rankensysteem met spiraalvertakkingen, waaraan bloemen en vruchten; daarbuiten: blokkenrand.
Schuttersbrief van kapitein Jan Everwyn
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: engraving, etching, hand coloring
Location: northern netherlands
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), symbols, allegories of peace, 'pax'; 'pace' (ripa), allegorical representations ~ religion; 'religione', 'religione de ss. mauritio e lazaro', 'religione vera christiana' (ripa), symbols, allegories of war; 'guerra' (ripa), freedom, liberty; 'libertà' (ripa), allegory of trade; 'commertio della vita humana' (ripa), armorial bearing, heraldry, amsterdam
Inscriptions: collector's mark: Lugt 1641b, signature: ‘J.E.’

Schuttersbrief met oproep van kapitein Jan Everwyn, gericht aan Johannes van Oukoop, om zich bij het derde korporaalschap van Teunes van Harrevelt van de Amsterdamse schutterij te melden. Voorgedrukte brief met open delen die in pen zijn ingevuld. Onderwerpsrubriek binnen de Atlas Amsterdam: Schutters-oproepingsbriefjes.
Portret van Cornelia Hendrika Jonker in een schommelstoel
Object type: photograph
Date: 1880 – 1940
Materials: photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: cornelia hendrika jonker
Artist dates: 1874 – 1924
Subjects: cornelia hendrika jonker, rocking-chair, historical persons, amsterdam
Inscriptions: annotation: ‘C.H. Jonker/ Cor/ W. Parkweg 204/ Amsterdam’
Kazuifel gedecoreerd met bloemmotieven
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, paper, ink
Techniques: photograph
Location: europe
Artist: Anonymous
Subjects: chasuble, flowers ~ ornament, europe
Inscriptions: collector's mark: Lugt 3937
Portrait of Louise Marie, Queen of Poland and Sweden
Object type: print
Date: 1653 – 1653
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: portraits,women
Miscellaneous brooches and coin jewels
Object type: brooch
Date: 1945 – 1945
Materials: silver
Techniques: sawing
Location: netherlands
Artist: Anonymous
Subjects: wilhelmina of the netherlands
Inscriptions: : ‘VREDE 1945’

Silent Resistance –War and Liberation Jewellery
During the Second World War, small pieces of jewellery were worn in the Netherlands as a silent protest against the German occupier. In April 1941, Dutch coins were officially confiscated for the war industry. As jewellery did not have to be surrendered, coins were quickly transformed into rings, brooches, pins and bracelets.
A portrait of Queen Wilhelmina was worn as a sign of resistance, as well as a token of loyalty to the royal family. Margriet Francisca, the third daughter of Princess Juliana and Prince Bernard, was born
in Canada in January 1943. The pin with the three yellow chicks refers to the three young princesses Beatrix, Irene and Margriet and the steadfastness of the Dutch royal family. After the liberation, coins and silver were used for jewellery conveying messages of hope for a peaceful future.
Karaf met neorenaissancistische en neogotische ornamenten
Object type: carafe
Date: 1850 – 1900
Materials: glass
Techniques: glassblowing, grinding
Location: europe
Artist: Anonymous

Platte bodem en conische, gefacetteerde voet. Peervormig, gefacetteerd lichaam met een uitkragende, brede, gelobde rand, overgaande in een cilindervormige, gefacetteerde hals met drie ringen en een uitgebogen mond.Op het lichaam zes lege medaillons, omgeven door neorenaissancistische en neogotische banden en rankwerk.
Valance (Incomplete)
Object type: textile
Date: 1860 – 1869
Materials: cotton, lace
Techniques: lace
Location: england
Penningdoos
Object type: medal box
Date: 1957 – 1958
Materials: leather, velvet
Artist: Anonymous
Subjects: surabaya

Kartonnen doos, bekleed met paars fluweel. Bijbehorende penning NG-1994-64-1.
Donau. Chien du Baron de Westreenen de Tiellandt
Object type: print
Date: 1818 – 1848
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: the hague, willem hendrik baron van westreenen van tiellandt, dog
Inscriptions: collector's mark: Lugt 2228

De hond draagt een halsband met de naam van zijn baas Willem van Westreenen van Tiellandt.
Optocht van Karel V met de paus te Bologna na zijn kroning to keizer, 1530
Object type: print
Date: 1530 – 1536
Materials: paper
Techniques: engraving, etching
Location: mechelen
Subjects: ghent, charles v (holy roman emperor and king of spain), festivities (+ parade, pageant, cavalcade ~ festive activities)

Prent in het album waarin zijn ingeplakt de 40 platen die achterelkaar samen het fries vormen van de optocht van Karel V met de paus Clemens VII te Bologna na zijn kroning tot keizer, 24 februari 1530.
Colorado River, Mouth of Kanab Wash, Looking West
Object type: photograph
Date: 1872 – 1872
Techniques: albumen print
Location: united states
Artist: william h. bell
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1910
Subjects: collected by hugh edwards
Reverse Copy of Le Mendiant au Rosaire (The Beggar with a Rosary), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Zelfportret
Object type: print
Date: 1868 – 1868
Materials: paper
Techniques: drypoint, etching, intaglio, retroussage, roulette
Artist: charles verlat
Artist role: painter, print maker
Artist dates: 1824 – 1890
Subjects: antwerp, painter, print maker, charles verlat, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

In 1868 maakte Verlat dit zelfportret. In 1882 bewerkte hij de plaat en gaf het gezicht oudere trekken. Dit deed hij in verschillende stappen waarvan de diverse staten ook in de coll. Rijksmuseum Amsterdam zijn. Het resultaat was een zelfportret dat meer paste bij hoe hij er op dat latere moment in zijn leven uitzag.
Lady Clara Vere de Vere
Object type: reproduction
Date: 1872 – 1882
Materials: photographic support
Techniques: platinum process
Subjects: print, e.g.: engraving, etching, lithograph
Architectural model
Object type: architectural model
Date: 300 – 300
Materials: stone
Culture: mezcala
Location: mexico
Artist: mezcala artist(s)
Artist role: artist
Subjects: temples
Wintergezicht op Leiden
Object type: print
Date: 1730 – 1781
Materials: paper
Techniques: engraving, etching
Location: rouen
Subjects: church (exterior), ice ~ freezing weather, skates (winter sports), sledge, sleigh (winter sports), prospect of city, town panorama, silhouette of city, leiden

Op het ijs schaatsers en sleeën. Op de achtergrond Leiden, met rechts de Hooglandse kerk.
Veue du Chasteau Gaillard a Lion
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: landscape with tower or castle, lyon
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van 30 prenten.
Geschiedenis van Tamar en Amnon
Object type: print
Date: 1559 – 1559
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: tamar preparing cakes for amnon
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Tamar kookt voor haar zieke halfbroer Amnon die op bed ligt. Ze knielt voor een open haard en roert in een ketel. Op de achtergrond ligt Amnon op bed omgeven door een groep van mannen. Een piskijker staat bij het raam en bekijkt een kruik met urine.
Gezicht op het eiland Ischia met het Castello Aragonese
Object type: album leaf
Date: 1860 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: naples
Artist: roberto rive
Artist role: fotograaf
Artist dates: 1825 – 1868
Subjects: island, castle, ischia, isola d'
Inscriptions: number: ‘90’

Onderdeel van Fotoalbum met bezienswaardigheden in Napels en omgeving door Roberto Rive.
Journal des Dames et des Modes, Costume Parisien, 10 janvier 1828, (2565): Coeffure exécutée par Mr Hyppolit (...)
Object type: fashion print
Date: 1828 – 1828
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: bow (ornamental part of clothing) (+ women's clothes), flowers, ear-rings (+ women's clothes), dress, gown: evening dress (+ women's clothes), ornamental parts of clothing (+ women's clothes), styles of hairdress - aa - ~ women, fashion plates, necklace (+ women's clothes)
Inscriptions: title: ‘Costume Parisien.’, caption: ‘Coeffure exécutée par Mr. Hyppolite, Boulevart des Capucines, No. 1. Robe de gaze garnie de fleurs, d'un bouillon de gaze et de noeuds de satin par Mme. Hyppolite.’

'Coeffure' uitgevoerd door Mr Hyppolite. Avondjapon van tule versierd met bloemen, 'bouillon' van tule en strikken van satijn, door Hyppolite. Verdere accessoires: oorbellen, collier, lange handschoenen, waaier, zakdoek, platte schoenen met gekruiste banden. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Mr. Burchell berispt George
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: london, oliver goldsmith, prison, jail, (goldsmith, the vicar of wakefield) specific works of literature (with author, title)
Inscriptions: collector's mark: Lugt 2228

Interieur van een cel met in de achtergrond op de grond Charles Primrose met twee kinderen. Op dit punt in het verhaal wordt duidelijk dat Mr. Burchell eigenlijk Sir William Thornhill in vermomming is. Zittend op een stoel spreekt hij George berispend toe. Rechtsboven genummerd: 11.
Portret van Otto Gerhard Heldring en door hem opgerichte gestichten
Object type: print
Date: 1848 – 1863
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: historical persons, lunatic asylum, mental home
Inscriptions: collector's mark: Lugt 2228

Het portret van Otto Gerhard Heldring omringd door de vijf door hem opgerichte gestichten Steenbeek, Normaalschool, Talitha, Bethel en Vluchtheuvel.
Man wearing two hats and holding boots, jackets and a violin
Object type: print
Date: 1834 – 1866
Techniques: lithograph
Artist: victor adam
Artist role: artist
Artist nationality: french
Artist dates: 1801 – 1866
Subjects: boots,hats,men,profiles,violins
Landschap met keien
Object type: sketchbook leaf
Date: 1874 – 1874
Materials: chalk, paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: landscapes, boulder, stone

Blad 31 verso van een los katern uit een schetsboek met 27 losse bladen.
David speelt de harp voor Saul
Object type: print
Date: 1616 – 1665
Materials: paper
Techniques: engraving, etching
Subjects: david playing his harp before saul

Koning Saul zit op een troon met een speer in zijn hand, naast hem bespeelt David de harp. In de marge een zesregelige tekst in Latijn.
Goblet
Object type: goblet
Date: 1801 – 1900
Materials: glass
Artist: dr. antonio salviati company
Artist role: maker
Artist nationality: italian
Artist dates: 1859 – 1987
Mask of a woman with her hair in a small knot
Object type: mask, woman, hair in small knot
Materials: glass, paint, plaster
Location: egypt

The plaster masks derive from pharaonic traditions, in which the mask served as a substitute for the head of the deceased and as a means of elevating him or her to immortal status. The derivation is often reflected in paintings and texts located on the mantle surrounding the head. Like the painted mummy portraits, the masks suggest strongly individualized appearances and affect Roman fashions in hairstyle, jewelry, and dress. They follow, however, a somewhat different pattern. For example, female masks may have coiffures that combine Roman arrangements of the upper part of the hair with long corkscrew locks that were considered typically Egyptian. Despite the seeming individuality of the masks, most faces were made in a mold. Distinguishing details were worked in the plaster with a spatula or knife. The ears were added separately, and sometimes eyes were inlaid with glass or stone. The mask was then frequently painted or gilded. The style of the small bun on top of the head may date as early as a.d. 125-150. The eyes are inlaid with transparent glass, now degraded. Traces of loop earrings are visible.
Piece
Object type: piece
Date: 1801 – 1900
Techniques: crochet
Christ Taken by Soldiers (La Montée au Calvaire)
Object type: print
Date: 1659 – 1659
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: soldiers,angels,christ
Candlestick with Enthronement Scene
Object type: candlestick
Date: 1226 – 1250
Materials: brass, silver
Techniques: engraving, incising, inlay
Location: iraq
Isabel Wachenheimer met een onbekende man en een onbekende vrouw tijdens een banket voor de armen
Object type: photograph
Date: 1946 – 1963
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon

Isabel Wachenheimer (midden) met een onbekende man en een onbekende vrouw tijdens een banket.
Soldiers Playing Cards, from "Sixteen Peasant Subjects"
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: cornelis bloemaert (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1603 – 1684
Subjects: soldiers,playing cards,drums
New Inventions of Modern Times [Nova Reperta], The Invention of Stirrups, plate 9
Object type: print
Date: 1600 – 1600
Techniques: engraving
Artist: jan collaert i
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1530 – 1581
Subjects: soldiers,men,horses

Ninth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of men making stirrups for horses in the workshop. On the left men carry stirrups out of the shop to give to a man on horseback. In the center a man dismounts his horse to receive a new pair of stirrups. On the right workers perform the diverse tasks of making horse stirrups, such as shaping and smoothing out the metal.
View of Rome from the West, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1557 – 1557
Techniques: engraving
Location: rome
Artist: nicolas beatrizet
Artist role: artist
Artist nationality: french
Artist dates: 1515 – 1566
Subjects: maps,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 6 in the scrapbook.
Preparing Tea by a Mountain Gorge
Object type: hanging scroll
Date: 1825 – 1825
Materials: ink, paper
Culture: japanese
Artist: aoki mokubei
Artist role: artist
Artist nationality: japanese
Artist dates: 1767 – 1833
Subjects: landscapes

The preparation or drinking of sencha (Chinese-style steeped tea) was a frequent subject of Chinese literati painters. Here Aoki Mokubei depicted a man and his servant in a mountain setting preparing sencha tea over a ceramic stove. The division of the composition into two distinct areas, as though painted on opposite sides of a large bowl, reminds us that the artist learned to paint while working primarily as a potter. Mokubei also established himself as a painter in the Nanga (Literati school) style. He grew up in the Gion district of Kyoto, where his family owned a restaurant and brothel. Mokubei began making pottery under the guidance of Okuda Eisen (1753–1811), and he was soon celebrated for his copies of Chinese ceramics. Together with Eisen and Nin’ami Dōhachi (1783–1855), he is credited with reviving the ceramics traditions of Kyoto.
Inhuldiging van Filips V te Brussel
Object type: history medal
Date: 1702 – 1702
Materials: copper
Techniques: striking
Location: antwerp
Subjects: filips v (koning van spanje), brussels

Koperen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opkomende zon beschijnt berglandschap; afsnede: opschrift
Frederick Prince of Denmark
Object type: print
Date: 1704 – 1786
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons, regent, substitute ruler; viceroy
Inscriptions: collector's mark: Lugt 2228
Portret van Lodewijk XIV
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: lodewijk xiv (koning van frankrijk), historical persons, ruler, sovereign, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Portret van William Russell op 84-jarige leeftijd
Object type: print
Date: 1700 – 1742
Materials: paper
Techniques: mezzotint
Location: london
Subjects: historical persons
Inscriptions: collector's mark: Lugt 240
Philip Henry Sheridan, from the Great Generals series (N15) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,generals

Trade cards from the "Great Generals" series (N15), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Schotel, beschilderd met korenbloemen
Object type: platter
Date: 1784 – 1784
Materials: porcelain
Techniques: painted
Location: loosdrecht

Schotel, versierd met korenbloemen. Gemerkt Amstel in blauw onder het glazuur en ingegrift L1.
Mosque Lamp
Object type: mosque lamp
Date: 1601 – 1700
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: syria

The Ottoman program for replacing the seventh-century tiles on the exterior of the Dome of the Rock in Jerusalem revived the Syrian ceramics workshops. Afterwards, potters in Damascus continued to create tiles for Ottoman buildings throughout the region and in Istanbul. Although in Syria, potters adopted the floral motifs developed in the main Ottoman ceramics center of Iznik, the range of colors differ from those produced in Anatolia. In Syria, they were unable to produce the characteristic bole-red of Iznik wares, and relied instead on blue, turquoise, and bright green with touches of manganese purple, as seen in this mosque lamp here.
Arabesken met tuinlandschap en prieel
Object type: print
Date: 1784 – 1796
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: jean baptiste fay
Artist role: print maker
Subjects: ornament ~ arabesque, garden, garden buildings
Inscriptions: collector's mark: Lugt 2228

Twee verticale panelen met arabesken. Links met thyrsus, pijlen en boog, een trofee met fakkels, schild en pijlenkoker, een tuilandschap met vijver, saters en manden met bloemen. Rechts met kransen, vogels, een prieel, maskers, druiventrossen en een mand met bloemen.
Nieuwe uitvindingen en ontdekkingen
Object type: print
Date: 1589 – 1593
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: shop, store, riding a horse, ass, or mule; rider, horseman, saddle and bridle (saddlery), stirrup, invention, discovery ~ science and technology
Inscriptions: collector's mark: Lugt 2228

Een straat waar paardentuig wordt gemaakt en verkocht. Op de voorgrond bestijgt een edelman zijn paard met behulp van de nieuwe stijgbeugels die hij in een winkel heeft gekocht. De prent heeft een Latijns onderschrift en maakt deel uit van een negentiendelige serie over nieuwe uitvindingen en ontdekkingen.
The Riot in Broad Street on the seventh of June 1780
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: barricades ~ riot
Inscriptions: collector's mark: Lugt 12

Mensen gooien huisraad van een Ier genaamd Donovan naar buiten terwijl het leger klaar staat verderop in de straat.
William Axtell
Object type: painting
Date: 1749 – 1752
Materials: canvas, oil
Culture: american
Artist: john wollaston
Artist role: artist
Artist nationality: anglo-american
Artist dates: 1700 – 1800
Subjects: men,portraits

Wollaston’s arrival in New York from London in 1749 introduced to the colonies a new style of portraiture characterized by rich, brightly colored fabrics and sprightly, informal poses. The prominent West Indian merchant William Axtell (1720–1795) ordered this portrait for the larger of his two New York homes: the country place called Melrose Hall in Flatbush, Long Island (now Brooklyn). During the Revolutionary War, Axtell was commissioned by the British as a colonel for the corps of Long Island Loyalists. His American holdings were confiscated in 1784, after he fled New York for England.