deem-data/ArtiFact huggingface dataset:
Beaker
Object type: beaker
Date: 1785 – 1795
Materials: soft paste porcelain
Artist: royal porcelain manufactory, naples
Artist role: manufactory
Artist nationality: italian
Artist dates: 1759 – 1819
Subjects: men

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
God Vishnu on His Mount, Garuda
Object type: sculpture
Materials: bronze
Location: cambodia
Emmaüsgangers
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the journey to emmaus: two disciples (cleopas and peter) under way
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een prent welke is opgenomen als illustratie in: Historiae Celebriores Veteris Testamenti. Christoph Weigel, 1708.
Decoraties 7-12 te Den Haag, 1747
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: the hague, willem iv (prins van oranje-nassau), decoration and illumination of streets, squares, etc. (~ triumphal entry, etc.)

Blad met de decoraties aangeduid met de cijfers 7-12, opgehangen aan de huizen van inwoners van Den Haag. Los blad oorspronkelijk onderdeel van het plaatwerk Haga comitis illustrata uit 1751 met de versieringen opgesteld te Den Haag tijdens de feestelijkheden rond de installatie van prins Willem IV als stadhouder van Holland en West-Friesland op 3 en 15 mei 1747.
Nog eens buiten
Object type: page
Date: 1868 – 1878
Materials: photographic support
Techniques: albumen print
Subjects: rowing-boat, canoe, etc., lake
Inscriptions: number: ‘7’
Textile Fragment with Horses
Object type: fragment
Date: 601 – 900
Materials: cotton, wool
Location: iran

This textile’s double pearl border and stylized horses with neck ribbons recall early Sasanian types. Although this fragment does not include an inscription, a number of similar examples feature kufic in their borders. The date of the textile offers good evidence for the continued production of a wide range of textiles into the early Islamic period, as weavers continued to draw on older motifs and iconographies.
Dünenlandschaft
Object type: print
Date: 1857 – 1923
Materials: paper
Techniques: lithograph
Artist: max liebermann
Artist role: draughtsman, print maker
Artist dates: 1847 – 1935
Subjects: dunes (sea not visible); in the dunes
Inscriptions: : ‘Printed in Germany’, collector's mark: Lugt 2228
Scarab of an Official
Object type: scarab, official, private name and title, epithet, ptah, iy, offering formula
Date: 1850 – 1640
Materials: faience
Location: egypt
Subjects: scarabs
The Courtesans, from the Series, "Seiro Bijin Awase Carver End Shigoro" (sic.)
Object type: print
Date: 1765 – 1765
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: women
Figure of a Cook
Object type: ceramic
Date: 1740 – 1755
Materials: enamel, hard paste porcelain, porcelain
Techniques: polychrome
Location: meissen
Artist: meissen porcelain manufactory
Artist nationality: german
Artist dates: 1710 –
Ed Morris, Pitcher, Pittsburgh, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
One of a Pair of Manuscript Covers from the Perfection of Wisdom Sutra (Ashtasahasrika Prajnaparamita Sutra)
Object type: painting
Date: 1601 – 1700
Materials: paint, pigment, wood
Location: nepal

This pair of horizontal Buddhist book covers features the goddess of wisdom, Prajnaparamita. At the top she presides in her four-armed golden Nepalese form flanked by male and female devotees; on the bottom she is depicted to the left of the Buddha. Representing dharma (the teachings of the Buddha), she is recognizable by the rosary and book she holds in her upper hands; her lower hands form the gesture of teaching (vitarka mudra). In the lower book cover the three figures symbolize the three jewels of Buddhism: the Buddha, dharma, and sangha (the Buddhist community). Prajnaparamita represents dharma at the left, the Medicine Buddha presides at the center, and Shadakshari Lokeshvara represents the sangha at right.
Fotoreproductie van een tekening van het interieur van de Sint-Pietersbasiliek in Vaticaanstad
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: interior of church
Portret van Petronella Hermina Bon
Object type: photograph
Date: 1893 – 1900
Materials: paper, cardboard
Techniques: collodion silver print
Artist: coenraad jacob snooij
Artist role: publisher
Artist dates: 1874 – 1972
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Tante Nel als/ jong meisje’
Half Model of a Paddle Steamer
Object type: builder's model
Date: 1837 – 1837
Materials: brass, wood
Techniques: polychromy
Location: flushing
Subjects: cerberus (schip)
Inscriptions: label, centre right: ‘476’ former inventory label, scale, bottom right: brass scale in inches, inscription, bottom right, on a piece of paper, in ink: ‘Voornaamste Afmetingen. / [followed by measurements and armament]’, inscription, top centre, on an oval blue label: ‘STOOM- / OORLOGSCHIP / CERBERUS’

Het raderstoomschip van 3 stukken Cerberus, lang 45.2 m, werd in 1834-1836 door C. Soetermeer te Vlissingen gebouwd. De machines kwamen van de Suriname (1827). Zij werd eerst als sleepboot gebruikt in Hellevoetsluis en Vlissingen, later als jager bij de haringvloot. In 1857 tot kolenhulk ingericht.
Dronkenschap van Bacchus
Object type: print
Date: 1643 – 1677
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: satyr(s) (in general), the drunken bacchus
Inscriptions: collector's mark: Lugt 11, collector's mark: Lugt 10

De dronken Bacchus wordt ondersteund door twee saters. Hij is slechts gekleed in een tijgervel. Rechts een luipaard en maenaden.
Zeilschepen en figuren op een strand
Object type: album leaf
Date: 1797 – 1870
Materials: chalk, paper, watercolor
Techniques: brush
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: sailing-ship, sailing-boat, beach (+ landscape with figures, staffage)
Inscriptions: signature: ‘AS’
I Saw it, plate 44 from The Disasters of War
Object type: print
Materials: gilt, paper
Techniques: engraving, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: war
Onderweg
Object type: photograph
Date: 1930 – 1931
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: tennis, lawn-tennis, passengers ~ ship, steamship, motorship

Albumblad met vier foto's van activiteiten aan boord van het schip, een kustlandschap en een ander passerend schip. Onderdeel van fotoalbum 'Studentenalbum Indologen'.
Portret van Aegidius de Glabbais
Object type: print
Date: 1717 – 1717
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: andries van buysen (sr.)
Artist role: print maker
Subjects: brussels, priest, historical persons, crucifix ~ personal devotion
Inscriptions: collector's mark: Lugt 2228

Portret van de geestelijke Aegidius de Glabbais. Hij staat voor een boekenkast waarvoor een crucifix. De prent is uitgegeven ter ere van het 50-jarig priesterschap van De Glabbais en om te herdenken dat hij de Moses en Aaronparochie 30 jaar had gediend.
Card Number 94, Lillian Grubb, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
The Hours
Object type: drawing
Date: 1800 – 1800
Materials: ink
Techniques: pen
Artist: samuel shelley
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1808
Subjects: female nudes

The three women in this sketch echo the Graces (nude females in Greek and Roman art often shown holding hands in a circle). Inscriptions on this sheet indicate that Shelley intended the figures here to represent the past, present and future, and he likely made the work as he prepared a minature for the Academy exhibition of 1801 where the figures appear clothed (see MMA 26.168.71).
Māhatī Vīṇa
Object type: māhatī vīṇa
Date: 1885 – 1885
Culture: indian, north
Location: india

Variations of this stringed rudra vina with its two gourds are routinely depicted in ragamala paintings attesting to the popularity of the vina family of instruments. As seen in the paintings in this exhibition, musicians hold a rudra vina at an angle with one of the stabilizing gourds positioned above the left shoulder. Rudra vinas are closely associated with the dhrupad genre of North Indian classical music popular from the sixteenth to the mid-nineteenth century. Tansen, the legendary sixteenth-century musician in the court of the Mughal emperor Akbar, was a widely revered vina player. His influence on North Indian classical music cannot be overstated, and countless musicians today trace their musical lineage to him.
Soldaat op wacht die de lont op de haan van zijn roer de juiste plek en vorm geeft (nr. 41), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat op wacht, ten voeten uit, naar rechts, die een roer (een bepaald type vuurwapen) met zijn linkerhand vasthoudt (nr. 41), ca. 1600. Met duim en middelvinger van zijn rechterhand geeft hij de brandende lont op de haan (onderdeel van het ontstekingsmechanisme) van zijn roer de juiste plek en vorm. Het gaat dus om dezelfde positie als degene die op de achtste prent van de serie getoond wordt. Plaat 41 in de instructies voor het hanteren van de roer. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, Amsterdam, 1608. Krijgswezen rond 1600.
Knife
Object type: knife
Materials: brass, ivory, steel
Culture: blade
Location: netherlands
Subjects: men,women
Heuvelachtig landschap
Object type: print
Date: 1758 – 1762
Materials: paper
Techniques: etching
Location: southern netherlands
Subjects: low hill country, other memorial structures, conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2228

Heuvelachtig landschap met op de voorgrond een kruis en twee mannen in conversatie. Op de achtergrond een huis tussen het geboomte.
Schip van de schrijver Jean de Thevenot door zeerovers overmeesterd
Object type: book illustration
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: pirate, corsair, buccaneer, sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Thevenot, Jean de. Voyages Tant en Europe qu'en Asie et en Afrique, 4 delen. Parijs: Charles Angot, 1689, dl. II.
Plate from the Catherine the Great Service
Object type: ceramic
Date: 1778 – 1778
Materials: enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Location: sèvres
Artist: sèvres porcelain manufactory

This striking plate is part of a dinner service commissioned by the Russian Empress Catherine II, called Catherine the Great (r. 1761–96). The complete set of eight hundred pieces included sixty place settings, tea and coffee services, a centerpiece with figures representing the Arts and Sciences in biscuit (unglazed porcelain), and numerous architectural elements. The empress gave the commission to the Sèvres porcelain manufactory in mid-1776 through the Russian ambassador in Paris, commanding that it be “in the best and newest style”—what we call Neoclassicism.

The plate is marked with the monogram E II (for Ekaterina, the Russian form of Catherine; she was the second queen by this name), surmounted by the Russian imperial crown and encircled by branches of laurel, sacred to Apollo, the Greco-Roman god of the arts, and myrtle, sacred to Venus, the goddess of love. The plates were further enriched by a turquoise ground that imitated the semi-precious stone, and rimmed with representations of Classical cameos, which Catherine collected. Profile heads alternate with scenes from ancient Roman history: King Numa Pompilius presenting laws to the Roman people; the soldier Mucius Scevola burning his own hand to show his contempt for the Etruscan conqueror, Porsenna; and the general Popilius Laenas confronting the Syrian king Antiochus.
Portret van Bernardus Knipperdolling
Object type: print
Date: 1677 – 1677
Materials: paper
Techniques: engraving
Location: middelburg
Subjects: münster, religieus leider, bernardus knipperdolling, wederdopersoproer in münster
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Oorspronkelijk gemaakt voor: 'Historische beschrijvinge ende affbeeldinge der voorneemste hooft ketteren', Amsterdam, C. van Sichem, 1608. Deze prent komt in deze staat voor in: C. van Sichem, 'Het tooneel der hooft-ketteren, bestaande in verscheyde afbeeltsels...', Middelburg, Wilhelmus Goeree, 1677.
De Tweede Kamer tijdens het debat over de grondwetsherziening in 1887
Object type: drawing
Date: 1887 – 1887
Materials: paper
Techniques: pen
Location: the hague
Artist: pieter de josselin de jong
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1906
Subjects: jonkheer alexander frederik de savornin lohman, rome, priest, herman johannes aloysius maria schaepman, nijmegen, the hague, rotterdam, bergen op zoom, batavia, lower house, parliament, chamber, netherlands

Kamerleden aan de rechterzijde van de vergaderzaal van de Tweede Kamer tijdens het debat. Negen heren in rokkostuum in en voor kamerbanken. Voorgesteld zijn van links naar rechts de kamerleden Beelaerts van Blokland, Schaepman, Van der Schriek, Keuchenius, De Savornin Lohman, Godin de Beaufort, Bahlmann, Mackay en Smeele. Onderdeel van een groep schetsen van de bespreking in de Tweede Kamer van de grondwetsherziening van 1887, deels gepubliceerd in het weekblad Eigen Haard (1887).
Twee vliegende engelen met de koninklijke kroon en een globe met de fleur de lis
Object type: album leaf
Date: 1668 – 1668
Materials: paper
Techniques: etching
Location: paris
Subjects: crown (symbol of sovereignty), angels, armorial bearing, heraldry

Prent uit: Félibien, André. Devises pour les tapisseries du Roy, où sont représentez les quatre élémens (...). Parijs: Claude Blageart, 1668.
Dr. Wap
Object type: page
Date: 1897 – 1902
Materials: photographic support
Techniques: albumen print
Location: the hague
Subjects: johannes jacobus franciscus wap, historical persons
Inscriptions: name: ‘v.d. Kruk. Behr. Phot. 's Hage. Firma Buckmann.’

Foto tegenover titelpagina, achter semi-transparante omslag.
XIIe Cahier de l'Oeuvre M Cheminées avec leurs Trumeaux &c
Object type: print
Date: 1784 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: chandelier, candelabrum, open hearth, fire-place
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een geornamenteerde schouw met guirlandes en een vierarmige kroonluchter. Daarboven twee thyrsi en bloemen. Aan weerszijden van de schouw panelen met bloemen, harten, lieren, medaillons en twee vierarmige kandelaars.
Maarten Neijen te Antwerpen, 1574
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: etching
Location: netherlands
Subjects: antwerp
Inscriptions: date

Maarten Neijen te Antwerpen, 1574. Het complot van Maarten Neijen, klerk of griffier van de Antwerpse Rekenkamer om de stad in handen van Oranje te brengen. Enkele mannen komen in de winkel waar Neijen en anderen verstopt waren voor een huiszoeking.
Exterior View of the Italian Gate of the Ramparts of the Town of Dresden
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: etching
Location: italy
Artist: bernardo bellotto
Artist role: artist
Artist nationality: italian
Artist dates: 1722 – 1780
S.O. Goenoengsari. Societeit in aanbouw. 8 Maart 1927.
Object type: photograph
Date: 1903 – 1927
Materials: photographic support
Techniques: gelatin silver print
Location: east java
Artist: Anonymous
Subjects: colonial system, club, meeting place, trade-company, making the overground structures (~ building activities), (non-fruit) products of plants or trees: sugarcane, exterior of industrial structures, factories
Inscriptions: inscription: ‘S.O. Goenoengsari. Societeit in aanbouw. 8 Maart 1927.’

Het gebouw voor de sociëteit van de fabriek in aanbouw, 8 maart 1927. Onderdeel van het fotoalbum met foto's van de opbouw van de suikerfabriek te Goenoengsari op Oost-Java door de Handels Vereniging Amsterdam 1926-1927.
Galle Fort in Sri Lanka
Object type: photograph
Date: 1865 – 1870
Materials: paper
Techniques: albumen print
Location: japan
Artist: Anonymous
Subjects: ceylon
Inscriptions: number: ‘R14/9 [doorgestrepen]’, inscription: ‘A.[J].B.’, inscription: ‘Point de Galles’, number: ‘BD.126 [doorgestrepen]’, number: ‘14’, inscription: ‘The Fort Point de Galle’

In his final letter from Japan, Albert wrote that he hoped to return via India. The initials ‘A.J.B.’ on the back of this photo suggest Albert (Albertus Johannes) purchased it there. Galle Fort was captured by the Dutch from Portugal in 1640, around the same year they succeeded the Portuguese on Dejima as the only nation allowed to reside there. And to trade on the island, which was what really mattered.
Landscapes
Object type: album
Materials: ink, paper
Culture: chinese
Artist: zhang feng
Artist role: artist
Artist nationality: chinese
Artist dates: 1618 – 1662
Subjects: landscapes

Following the fall of Beijing to the bandit-rebel Li Zicheng in April 1644, Nanjing suffered a chaotic year of warfare between a Ming loyalist regime and the attacking Manchu forces. This album was painted in August 1644 as the Ming dynasty was crumbling. In creating these idyllic images of the world of the recluse, Zhang Feng turned to the pale dry style of Ni Zan (1306–1374), but the gossamer lightness of Zhang's touch adds a new lyrical charm to Ni's style. Keenly interested in language, Zhang explores the expressive interplay of visual and poetic imagery in fresh and insightful ways: one leaf describes the murmur of pines and the sound of water running over rocks; another evokes the echoes of a stone tossed into a deserted valley; a third features a sunset, a subject rarely depicted by scholar-artists but one that may have held deep symbolic meaning for Zhang. He remained loyal to the Ming dynasty after the Manchu conquest and, refusing to take an official position under the new regime, ended his life in poverty.
Imp. caes. Albertus. pi. fe. Aug. rex. Ger. Hun. Boh.
Object type: book illustration
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: utrecht
Subjects: crown (symbol of sovereignty), sceptre, staff (symbol of sovereignty), historical persons, king

Prent uit: Bogaert, Abraham. De Roomsche monarchy, vertoont in de muntbeelden der westersche en oostersche keizeren (...). Utrecht: François Halma en Willem van de Water, 1697, p. 417. Eerste staat verschenen als grotere prent met 12 portretten, gedateerd 1695.
And So He Rested on the Lonely Ground
Object type: drawing and watercolor
Date: 1885 – 1885
Materials: board, gouache, paint, watercolor, wood
Techniques: heightening
Location: united states
Artist: will hicock low
Artist nationality: american
Artist dates: 1853 – 1932
Bekende schrijvers uit de Nederlanden
Object type: book illustration
Date: 1567 – 1567
Materials: paper
Techniques: engraving
Location: brussels
Subjects: historical persons, physician, doctor

Prent waarschijnlijk uit: Foppens, Johannes Franciscus. Bibliotheca Belgica (...). Brussel: Peter Foppens, 1739.
Piece
Object type: piece
Date: 1701 – 1800
Materials: metal thread, silk
Culture: chinese
Subjects: dragons
Vrouwenhoofd, mogelijk op een kussen
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: lying figure - aa - female human figure, head (human) - aa - female human figure
Inscriptions: annotation: ‘[...] / Rue des petits champs’

Blad 19 verso uit schetsboek LX met 33 bladen.
Solidus
Object type: solidus
Date: 408 – 518
Materials: gold
Culture: byzantine
Location: constantinople
Portret van Johannes Tacquet
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: antwerp, bruges, helmet, historical persons, portrait of a writer, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Tacquet, Johannes. Philippica, ou haras de chevaux. Antwerpen: Robert Bruneau, 1614.
Cruelty in Perfection (The Four Stages of Cruelty)
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: birds,men,women,death
Bowl
Object type: bowl
Date: 1825 – 1840
Materials: porcelain
Culture: chinese
Location: china
Subjects: men,women
Vrouw met manden
Object type: print
Date: 1854 – 1902
Materials: paper
Techniques: etching
Location: the hague
Artist: jacobus hermanus otterbeek
Artist role: painter, print maker
Artist dates: 1839 – 1902
Subjects: carrying something in basket, bag, rucksack, etc.
Inscriptions: collector's mark: Lugt 2228

Een vrouw loopt op het strand. Ze draagt een mand onder haar arm en eentje op haar hoofd.
Gezicht op het huis van Rembrandt
Object type: photomechanical print
Date: 1906 – 1906
Materials: paper
Techniques: letterpress printing, line block
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: city-view in general; 'veduta', façade (of house or building)
Inscriptions: collector's mark: ‘8,129’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Jacobszstraat (Pieter), Jodenbreestraat, Jodenhoek, Jonge Roelensteeg, Jonker- en Ridderstraat.
Gezicht op de Kapelbrug te Luzern
Object type: album leaf
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: lucerne
Artist: Anonymous
Subjects: city-view in general; 'veduta', bridge in city across river, canal, etc.
Portret van Robert Devreux, graaf van Essex
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: london
Inscriptions: collector's mark: Lugt 240

Latere staat prent gebruikt als boekillustratie in: Kok, Jacobus. Vaderlandsch woordenboek : met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796. Deel XIV.
Banebdjedet, depicted with four ram heads
Object type: amulet, banebdjedet
Date: 664 – 332
Materials: lapis lazuli
Location: egypt
Subjects: rams