deem-data/ArtiFact huggingface dataset:
Portret van een onbekende zittende vrouw
Object type: photograph
Date: 1892 – 1892
Materials: cardboard, photographic support
Techniques: albumen print
Location: rotterdam
Artist: johannes baer
Artist role: fotograaf
Artist dates: 1840 – 1912
Subjects: historical persons not known by name - bb - woman
Inscriptions: address: ‘J. Baer/ PHOTOGRAPHE/ ROTTERDAM’, annotation: ‘F’, annotation: ‘nicht Saar/ van Oosten?/ te R'dam.’
Kanton Glarus, schilling of 3 rappen, 1813
Object type: coin
Date: 1813 – 1813
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: onder twee takken wapenschild. In afsnede jaartal. Keerzijde: binnen krans van bladeren in drie regels waarde-aanduiding. Gladde rand.
Halved Design for an Altar with Angel and Putti
Object type: drawing
Date: 1700 – 1780
Materials: chalk, graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: altars,columns,angels
Portret van Jacob Hendrik Onderdewijngaart Canzius
Object type: print
Date: 1806 – 1877
Materials: paper
Techniques: lithograph
Subjects: delft, jacob hendrik onderdewijngaart canzius, adult man, historical persons
Inscriptions: inscription: ‘j.h. Onderdewijngaart Canzius, opzichter van Christo sacrum, te Delft’
Dance of Death, leaf from "The Nuremberg Chronicle"
Object type: print
Date: 1493 – 1493
Techniques: letterpress, woodcut
Artist: michael wolgemut
Artist role: artist
Artist nationality: german
Artist dates: 1434 – 1519
Interieur van een slaapkamer
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: ink, paper, pencil
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: bedroom

In het interieur staan een kast en nachtkastje. In het bed ligt vermoedelijk een figuur. Blad 6 recto uit een schetsboek met 25 bladen.
Vissers met vangst aan de kust
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: fishes, fisherman showing catch, coast
Inscriptions: collector's mark: Lugt 240
Stadtholder Prince William v
Object type: drawing
Date: 1789 – 1789
Materials: parchment, pastel
Artist: johann friedrich august tischbein
Artist role: painter
Artist dates: 1750 – 1812
Subjects: the hague, william v (prince of orange), historical persons (+ (full) bust portrait)
Inscriptions: signature and date: ‘Tischbein 1789’

Under pressure from fierce opposition to his rule, Stadtholder William V and his family fled The Hague in 1785. They returned two years later and the stadtholder’s authority was restored. This provided the occasion to commission a series of portraits of the members of his family from the portraitist Tischbein. The artist produced a fashionable group of oval portraits in pastel. The giltwood frames were made by the Hague framemaker Hendrik Ebbens.
View from Lover's Leap
Object type: page
Date: 1862 – 1867
Materials: photographic support
Techniques: albumen print
Location: delaware water gap
Artist: jesse a. graves
Artist role: fotograaf
Artist dates: 1835 – 1895
Subjects: river, mountain-range, snow peaks
Fireman's Trumpet
Object type: fireman's trumpet
Date: 1834 – 1866
Materials: metal
Culture: american
Location: united states
Bracelet
Object type: bracelet
Date: 1501 – 1600
Materials: gold
Culture: spanish
Cover
Object type: cover
Date: 1801 – 1833
Materials: linen, metal thread, silk
Techniques: embroidery, weave
Location: turkey
Subjects: flowers
Vrouw met slapend kind in een boereninterieur
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: etching, intaglio, soft ground etching
Subjects: mother and baby or young child, sleeping; unconsciousness, farm (building) - aa - civic architecture: inside
Inscriptions: collector's mark: Lugt 2233

Prent is ook gebruikt in: Memorial catalogue of the French and Dutch. Edinburgh: David Douglas, 1888.
Saint John the Baptist; Saint Francis Receiving the Stigmata
Object type: painting, wing of a triptych
Date: 1485 – 1490
Materials: oil, wood
Artist: gerard david
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1455 – 1523
Subjects: saint francis,saint john the baptist,crucifixion

While John the Baptist was frequently represented in Netherlandish art, his pairing with Saint Francis is rare in the north. The latter was venerated especially in Southern Europe, suggesting that these paintings could have been commissioned by an Italian merchant working in Bruges. Originally the wings of a triptych, they might have flanked a Crucifixion or a Lamentation, for they both share the theme of Christ’s sacrifice: Saint John points to the Lamb of God, a familiar metaphor for Christ as the redeemer of mankind, and Saint Francis miraculously receives the stigmata at a distance from his monastery on Mount Alverna.
Openwork Plaque
Object type: plaque
Date: 206 – 220
Materials: bronze
Culture: chinese
Portretten van bekende tijdgenoten
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: etching
Location: paris
Subjects: berlin, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Pierrot
Object type: popular print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Subjects: types in 'commedia dell'arte': pierrot, sick-bed, patient, sick person, tales and fairy tales
Inscriptions: : ‘marque de fabrique / deposée’, collector's mark: Lugt 2760

Blad met 13 voorstellingen van Pierrot die ziek wordt na het drinken van schoonmaakmiddel. Onder elke voorstelling een onderschrift. Genummerd linksboven: Série 3. - No. 13.
Panel (from a sedan chair (?))
Object type: upholstery panel
Date: 1745 – 1745
Materials: oil, wood
Subjects: chinoiserie,boys,women

This grisaille panel exemplifies the fashion for Chinoiserie, the imitation or evocation of Chinese motifs in Western art.in mid-eighteenth century France. Its size and shape suggest that it came from a sedan chair, probably made in Paris, the center for luxury carriage manufacture. A lavishly decorated sedan chair emphasized the owner’s status. Set in a garden, the scene of the two women and the boy holding a drawing is reminiscent of compositions by François Boucher (1703-1770). Its frame consisting of S and C shaped scrolls, floral garlands and leaf motifs, typical for the Rococo period, suggests a date of ca. 1745. This painted panel was part of the model collection of woodwork, paneling and seat furniture of Maison Leys, a successful decorating business, located at the Place de la Madeleine in Paris. Since 1885 the business was directed by Georges Hoentschel who installed the collection in 1903 in a museum-like display at Boulevard Flandrin, Paris. Three years later, Hoentschel sold the collection to J. Pierpont Morgan who gave the panel with the rest of the decorator’s seventeenth and eighteenth century objects to the Metropolitan Museum of Art in 1907.
Circular Box with Peacocks, Peonies, and Auspicious Motifs
Object type: vessel
Materials: porcelain
Techniques: painting, underglaze
Location: china
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two thin bands of black glaze; at the bottom, black glaze
Stage Fort across Gloucester Harbor
Object type: painting
Date: 1862 – 1862
Materials: canvas, oil
Culture: american
Artist: fitz henry lane (formerly fitz hugh lane)
Artist role: artist
Artist nationality: american
Artist dates: 1804 – 1865
Subjects: human figures,trees,boats,ships

Lane returned to his native Gloucester from Boston in 1848. His works of the 1850s and 1860s are successively purged of genre and topographical elements, becoming increasingly spare and essential. By 1862, Lane had engineered a seamless, self-effacing style, possibly influenced by the works of Martin Johnson Heade. Stage Fort, once the site of military fortifications, sits on an arching land form used to lead the viewer's eye into the glowing, lucid, and almost eerily still distance. Despite the disjuncture between the virtually surreal, meticulously painted foreground and the sheer plane of water near the horizon, this work marks the transition to Lane's final, taut, elemental style. The painting's disquieting stasis, even with its hopeful pink and golden glow, creates a hermetic, elegiac mood found in many of Lane's late works.
Two labourers
Object type: sketchbook leaf
Date: 1662 – 1662
Materials: ink, paper
Techniques: brush
Location: sri lanka
Artist: esaias boursse
Artist dates: 1631 – 1672
Subjects: 41d232(...) skirt (lungi), head-gear (with name), clothing for the upper part of the body (with name), working class, labourers, asiatic races and peoples: indians, sri lanka

Links op een oneffen terrein vol losse stenen staat een man. Hij draagt een heupkleed (veshti, lungi) in de taille opgerold en vastgestoken. Daaronder zijn twee koorden getekend, waarschijnlijk vastgehouden door zijn linkerhand die schuilgaat onder een flap van zijn heupkleed. Om zijn gespierde bovenlijf draagt hij een wijd openhangend lang hemd (kamisaya) met lange mouwen en een knoopsluiting. Op zijn hoofd een breedgerande hoed (toppiya), mogelijk van vilt. Deze mix van Europese en Zuid-Indiase kleding duidt er op dat deze man een Toepas is, waarschijnlijk uit Jaffna. De man rechts zit met wijd gespreide blote benen en opgetrokken knieën op een rotsige helling. Hij gaat gekleed in een hoog opgeschort heupkleed (veshti, lungi). Zijn bovenlijf en armen zijn onbedekt. Hij kan afkomstig zijn uit Zuid-India, Jaffna of Colombo. Blad 75 uit een schetsboek met 117 bladen.
[Petersburg, Virginia]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: soldiers,american civil war
Twee voorstellingen uit Julchen Grünthal van Friederike Helene Unger
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: garland, wreath, arm raised upward - aa - both arms or hands, weeping, priests ~ hierarchy of priests
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Unger, Friederike Helene. Julchen Grünthal. 2 dln. Berlijn: Johann Friedrich Unger, 1798, dl. 2.
Toren en poort aan de kust
Object type: print
Date: 1594 – 1685
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: landscape with tower or castle, coast
Inscriptions: collector's mark: Lugt 2760, inscription: ‘38’, collector's mark: Lugt 2228

Rechts een aantal gebouwen en een toren aan de kust. Langs het water loopt een weg onder een poort door. Links in het water enkele bootjes. Prent maakt deel uit van een serie Romeinse ruïnes en kustlandschappen naar prenten van Willem van Nieulandt. Deze serie is een kopie van de serie, die Claes Jansz Visscher naar Van Nieulandt maakte.
Heilige Familie met Johannes de Doper
Object type: print
Date: 1871 – 1934
Materials: paper
Techniques: engraving, etching, intaglio
Location: vienna
Subjects: holy family with john the baptist (as child)
Inscriptions: collector's mark: Lugt 2228
Young Woman on the Beach
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: aquatint, burnishing, drypoint, lithography
Location: norway
Artist: edvard munch
Artist role: print maker
Artist nationality: norwegian
Artist dates: 1863 – 1944
Portret van Bernardus Schotanus
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: crispijn van de passe (ii)
Artist role: draughtsman, print maker
Artist dates: 1594 – 1670
Subjects: bernardus schotanus
Inscriptions: collector's mark: Lugt 240

Portret van de hoogleraar Bernardus Schotanus, op 46-jarige leeftijd. In het randschrift van de omlijsting zijn devies in het Latijn. In de marge een vierregelig onderschrift in het Latijn.
Portret van Antonio Teodoro Trivulzio
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, knighthood order of the golden fleece

Prent waarschijnlijk uit: Portraits et histoire des hommes utiles, hommes et femmes (...). Parijs: Société Montyon et Franklin, 1836.
Arm met kaarsenhouder van kaarsenkroon van twee hoogten
Object type: chandelier
Date: 1525 – 1575
Materials: brass
Techniques: casting, screwed
Location: lübeck
Artist: Anonymous

Kaarsenarm behorende bij een kaarsenkroon van twee hoogten met naakte vrouw bovenaan. De arm heeft in het midden een bol- en holrond geprofileerde nodus en verdikt zich een weinig aan weerszijden. Bij de stam loopt zij uit in een spiraalvormige krul. Naar buiten toe mondt zij uit in het schroefeind van ijzer. Daarop bevindt zich de ronde vetvanger met onderaan een afstaande rand. De ronde in elkaars verlengde opengewerkte kaarsenhouder heeft een holronde voet, die op de arm is geschroefd. Dit is de eerste arm van de onderste ring. De arm en de kaarsenhouder zijn ongenummerd.
Le Follet Courrier des Salons, 1835, No. 417: Chapeau Castillan (...)
Object type: fashion print
Date: 1835 – 1835
Materials: paper
Techniques: engraving, hand coloring
Location: london
Artist: Anonymous
Subjects: clothing for the upper part of the body (shawl) (+ women's clothes), quill, gold-thread embroidery (+ women's clothes), styles of hairdress - aa - ~ women, fashion plates, head-gear: hat (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), necklace (+ women's clothes), head-gear: hat (+ feathers used for clothes)
Inscriptions: caption: ‘Chapeau Castillan orné d'un Oiseau - Maurice-Beauvais - Robe en Velours plain devant en Satin broché d'or des At.ers de M.me Larcher. Couturière de la Reine, R. Vivienne, 8. Frisure par M.r Croizat. R. de l'Odeon. 33.’, address: ‘L'Administration Boulevart S.t Martin, 61 / Published Dobbs and Page, 112, Fetter lane, London.’, title: ‘Le Follet Courrier des Salons’

Vrouw met schrijfveer in de hand, staande bij een tafel waarop een papier en pot inkt. Volgens het onderschrift: 'chapeau Castillan' versierd met veren van de paradijsvogel. Japon van 'velours plain' op 'satin broché d'or' uit de winkels van Larcher, 'Couturière de la Reine'. Krullen door Croizat. Figuur in eenzelfde japon, op de rug gezien, zittend op een tabouret. Prent uit het modetijdschrift Le Follet Courrier des Salons (novembre 1829- octobre 1882).
Fragment zijdeweefsel.
Object type: fragment
Date: 1750 – 1800
Materials: silk
Techniques: brocade, weave
Location: haarlem

Fragment zijdeweefsel. Een roze grond heeft twee dubbele blauwe bladeren op een witte steel, waartussen een kleine witte tak.
Groepsportret van onbekende mannen
Object type: page
Date: 1898 – 1898
Materials: paper
Techniques: autotype
Subjects: adult man, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘Association belge de photographie’
Beroemde mannen aan de universiteit van Leiden
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: arnhem, leiden, ornament ~ medallion, historical persons, professor
Inscriptions: number: ‘106’

Deze prent is zonder omlijsting gedrukt, zie voor een afdruk met omlijsting (van aparte plaat): RP-P-2021-1663.
Covered Sugar Bowl
Object type: metalwork
Date: 1765 – 1775
Materials: silver
Location: wilmington
Artist: bancroft woodcock
Subjects: dining, drinking
Inscriptions: Marked on bottom, in a conforming rectangle: B: WOODCOCK
Engraved: S • W to E • R

Wealthy colonists ordered silver sugar dishes and cream pots to complement their English ceramic or Chinese export porcelain tea or coffeepots. Complete matching tea sets were not common until the late 18th century. The double-bellied form of these objects was popular throughout the colonies during the Rococo period. The decoration, called chasing, was achieved by working the surface with a small hammer and chisels.
Razor and mirror
Object type: razor
Date: 1492 – 1473
Materials: wood, bronze, copper alloy
Location: egypt
Portret van Charles Guyot
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Artist: jan ensing
Artist role: draughtsman, painter, print maker
Artist dates: 1819 – 1894
Subjects: historical persons, education
Inscriptions: date

Een facsimile signatuur in de ondermarge.
Dans l'intimité de personnages illustres 1865-1910
Object type: photograph album
Materials: cardboard, paper, photographic support, textile
Techniques: lithograph, rotogravure
Location: paris
Subjects: paris, politician, pierre-antoine berryer, painter, rosa bonheur, fernand forest, lille, emile auguste carolus-duran, print maker, draughtsman, henry bonaventure monnier, jules chéret, victor hugo, pierre loti, sculptor, sarah bernhardt, pierre auguste renoir, frédéric auguste bartholdi, alphonse daudet, octave mirbeau, portrait of actor, actress, writer, poet, author, science and technology (+ portrait of scholar, scientist), artist (in general), france

Plakboek met 32 portretten van bekende Franse wetenschappers, kunstenaars, auteurs, theatermakers, politici, regeringsleiders en geestelijken verdeeld over 12 bladen, samengesteld door J.M. Dufrénoy in reactie op zijn grootvader, Pierre-Marie Lizerolles, die hiermee begonnen was. Deel 5. Op het voorplat een rotogravure van een groepsportret.
Christ and the Woman of Samaria: an Arched Print
Object type: print
Date: 1658 – 1658
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: men,women,jesus
Tab
Object type: tab
Date: 1644 – 1911
Materials: metal thread, silk
Techniques: bookbinding
Culture: chinese
Subjects: animals,birds,flowers
Saint Matthias, from Christ, the Apostles and Saint Paul
Object type: print
Date: 1510 – 1515
Materials: paper
Techniques: woodcut
Location: germany
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
John Henry Remsen
Object type: painting, miniature
Date: 1795 – 1795
Materials: ivory, watercolor
Culture: american
Subjects: men,portraits
Bronzen beeld van een faun met een wijnzak, afkomstig uit Pompeï
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: naples
Artist: Anonymous
Subjects: wine ~ alcoholic drinks, satyr(s) (in general), sculpture
Inscriptions: inscription: ‘CWN.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16. AMSTERDAM’, number: ‘112’, inscription: ‘Pompeji. Faun. Brons uit het Nationaal Museum te Napels’
Assemblée Nationale
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: paris
Artist: alexandre collette
Artist role: print maker
Artist dates: 1814 – 1876
Subjects: politician, historical persons
Inscriptions: collector's mark: Lugt 2228a
Macédoine
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: hand coloring, lithograph
Location: utrecht
Subjects: cow
Inscriptions: collector's mark: Lugt 2228

Negen afbeeldingen van koeien in een landschap.
Boslandschap
Object type: drawing
Date: 1818 – 1818
Materials: chalk, paper
Techniques: brush
Artist: couwenhoven
Artist role: draughtsman
Subjects: forest, wood
Terracotta rim fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Artist: painter of london d 12
Artist role: artist

Exterior, part of back, crest, muzzle and shoulders of horse, drapery?; part of crest, neck, and forehead of horse
Daisy Hale, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Amulet of a Shilbe Fish
Object type: costume and accessory
Materials: bronze
Culture: egyptian
Location: egypt
Ellenmaat van zilver
Object type: ellemaat
Materials: silver
Location: amsterdam
Artist: wessel jansen
Artist role: silversmith
Artist dates:  – 1696
Inscriptions: maker's mark: ‘W (Citroen 1975, nr. 903)’

Ellenmaat van zilver, vierkante lat met maatverdeling, gedraaid handvat met ring.
Watch with alarm
Object type: alarm watch
Date: 1600 – 1600
Materials: gilt brass, iron
Artist: nicholas vallin
Artist role: maker
Artist nationality: flemish
Artist dates: 1503 – 1603

The son of the Flemish clockmaker John Vallin (ca. 1535–1603), Nicolas became the leading clock- and watchmaker in London. Both John and Nicolas emigrated to England, probably shortly before 1590 and undoubtedly as the result of political troubles in The Netherlands. Both father and son died in the London plague epidemic of 1603. The watch, which has a verge escapement, runs a little more than twenty-four hours per each winding, and originally it struck the hours in passing (a single blow on the bell at each hour).
Landscape with Figures
Object type: hanging scroll
Materials: ink, paper
Culture: chinese
Artist: yang jin
Artist role: artist
Artist dates: 1644 – 1728
Subjects: animals,mountains,landscapes
Plantstudie
Object type: photograph
Date: 1928 – 1928
Materials: ink, paper
Techniques: rotogravure
Location: berlin
Subjects: plants (in general)
Inscriptions: number: ‘77’

facher Vergrößerung. Afkomstig uit losbladige uitgave.
Grey and Silver: Old Battersea Reach
Object type: painting
Date: 1863 – 1863
Materials: canvas, oil
Location: london
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: landscapes, century of progress, world's fairs, chicago world's fairs
Inscriptions: Signed recto, bottom-left, on water, in dark paint: "Whistler. 63.".

James McNeill Whistler painted marine scenes throughout his career, including this depiction of the Thames River, which was a frequent subject in Whistler’s work when he lived in London. Here, he focused on the river’s industrial elements: boats and barges, laboring men, and smoking chimneys. Whistler unified the composition with deft brushwork and a subtle palette of brown and gray that anticipated his later interest in delicate tonal harmonies. The painting’s bold realism and thickly painted surface were inspired by French artist Gustave Courbet, whose work Whistler encountered during his stays in Paris in the mid-1850s and 1860s.
Draped Female Figure at Prayer
Object type: drawing and watercolor
Materials: ink, paper, paint, watercolor
Techniques: brush
Location: italy
Artist: francesco fontebasso
Artist role: artist
Artist nationality: italian
Artist dates: 1707 – 1769
Gevelsteen met afbeelding poort met opschrift: D POORT VAN D STETVIN.
Object type: gable stone
Date: 1661 – 1661
Materials: stone
Location: netherlands
Inscriptions: date

Cartouche met boven- en zijkanten in voluutvormen en de onderrand in de vorm van een lint. Binnen het cartouche een afbeelding van een poort waarvan links het getal 16 en rechts het getal 61. Op het lint het opschrift D POORT VAN D STETVIN.
Gezicht op de Église de la Sainte-Trinité te Parijs
Object type: photograph
Date: 1867 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: church (exterior)
Vase
Object type: vase
Date: 1890 – 1890
Materials: enamel, glass
Artist: emile gallé
Artist role: designer
Artist nationality: french
Artist dates: 1846 – 1904
Subjects: flowers
Little Evelyn, from "The Art Journal," opposite p. 88
Object type: print
Materials: ink, paper
Techniques: printing, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: girls