deem-data/ArtiFact huggingface dataset:
Sire!
Object type: pamphlet
Date: 1853 – 1853
Materials: paper
Techniques: printing
Subjects: netherlands

Pamflet, vouwblad, 4 pp, adres aan koning Willem III. Van protestantse origine.
Bomen
Object type: sketchbook leaf
Date: 1811 – 1811
Materials: chalk, paper
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: trees

Blad 51 recto uit een schetsboek met 75 bladen.
Miniature waiter
Object type: waiter
Date: 1739 – 1740
Materials: silver
Artist: john le sage
Artist role: maker
Artist nationality: british
Artist dates: 1718 – 1743
Thermen van Caracalla te Rome, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: ruin of a building ~ architecture
Inscriptions: inscription: ‘[...]’
Ring
Object type: ring
Date: 1701 – 1800
Materials: quartz
Culture: chinese
Watch
Object type: watch
Date: 1620 – 1630
Materials: gilt brass, silver, steel
Artist: john midnall
Artist role: maker
Artist dates: 1620 – 1641
Subjects: flowers

John Midnall was one of the first assistants in the London Clockmakers’ Company, chartered in 1631. The case was probably given its floral decoration about the middle of the seventeenth century.
Saucer (part of a set)
Object type: saucer
Date: 1735 – 1740
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds,boys
Carte de l'isle des Bataves (...)
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: engraving, hand coloring
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Deze kaart behoort tot een serie prenten over de Bataafse Opstand, gekopieerd naar de reeks Batavorum cum Romanis bellum van Antonio Tempesta (Otto Vaenius, Antwerpen 1612) en gebruikt in: Saint-Simon, Maximilien Henri marquis de. Histoire de la guerre des Bataves et des Romains, d'après César, Corneille Tacite &c. Amsterdam: Marc Michel Rey, 1770.
Paris
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: lithograph
Location: paris
Subjects: harbour, river, merchant shipping, shipping trade
Inscriptions: collector's mark

Een graanschip wordt gelost in de haven van Blé aan de Seine in Parijs.
Landschappen in de omgeving van Rome
Object type: print
Date: 1644 – 1652
Materials: paper
Techniques: etching
Location: utrecht
Artist: jan both
Artist role: draughtsman, painter, print maker
Artist dates: 1618 – 1652
Subjects: mule
Inscriptions: collector's mark: Lugt 240
Design for the decoration of a wall in Islamic motifs
Object type: drawing
Date: 1851 – 1900
Materials: cardboard, graphite, paper
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Box with conjoined arms of  Bonstetten (Switzerland) and Jung (Strasbourg)
Object type: box
Date: 1501 – 1600
Materials: wood
Techniques: painting
Subjects: flowers,coat of arms
Portret van Cornelis van Schaick
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: lithograph
Location: the hague
Artist: Anonymous
Subjects: amsterdam, knighthood order, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde. Op zijn borst draagt hij een ridderorde.
Bowl with Arabic Proverb
Object type: bowl
Date: 967 – 1100
Materials: earthenware, glaze
Techniques: polychrome
Location: uzbekistan
Portret van Leopold I van Anhalt-Dessau
Object type: book illustration
Date: 1840 – 1843
Materials: paper
Techniques: lithograph
Location: germany
Artist: Anonymous
Subjects: historical persons

Prent waarschijnlijk uit: Förster, Friedrich Christoph. Leben und Thaten Friedrich's des Grossen (...). Meissen: F.W. Goedsche, 1840, dl. 1. Of uit de editie uitgegeven door B.G. Teubner in 1843.
Ontmoetingen met koning Willem I, 1829-1830
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: paris, the hague, berlin, william i of the netherlands, adult man (+ two persons), ruler in informal contact with his subjects
Inscriptions: collector's mark: Lugt 2228
Portret van Jules Mascaron
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: france
Subjects: bisschop, jules mascaron
Inscriptions: collector's mark: Lugt 240

Portret van de Franse predikant en bisschop Jules Mascaron (1634-1703), afgebeeld in ovale omlijsting met tekst. Onder de lijst een console met drie regels tekst in Latijn.
Portret van Heinrich Braun
Object type: print
Date: 1770 – 1791
Materials: paper
Techniques: engraving, etching
Location: berlin
Subjects: theologian, historical persons

Prent mogelijk uit: Allgemeine deutsche Bibliothek. Berlijn en Stettin: Friedrich Nicolai, 1777, dl. 31.
Reliquary Cross
Object type: reliquary cross
Date: 1501 – 1600
Materials: glass, niello, silver, silver gilt
Culture: italian
Location: italy
Subjects: reliquaries
Gezicht op de dood van Benedikt Fontana tijdens de Calven-Feier te Chur
Object type: photomechanical print
Date: 1898 – 1899
Materials: paper
Techniques: photograph
Location: chur
Subjects: group of actors, troupe; actors on the stage, dying, mountains
Inscriptions: number: ‘IV.’
Ithunga (milk vessel)
Object type: vessel
Date: 1801 – 1900
Materials: pigment, wood
Culture: zulu
Location: south africa
Artist: zulu artist
Artist role: artist
Portret van keizer Domitianus
Object type: print
Date: 1597 – 1629
Materials: paper
Techniques: engraving
Location: venice
Subjects: keizer, domitianus (keizer van het romeinse rijk)
Inscriptions: collector's mark: Lugt 240
Portret van een onbekende man
Object type: photograph
Date: 1866 – 1883
Materials: cardboard, paper
Techniques: albumen print
Location: leuven
Artist: théodore gedoelst
Subjects: adult man, anonymous historical person portrayed, louvain
Inscriptions: inscription: ‘Atlier de Photographie./ Thre Gedoelst,/ Rue de Namur, 99./ Louvain’, inscription: ‘Thre Gedoelst, Phot.’
Schotel
Object type: platter
Date: 1770 – 1820
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: delft
Artist: Anonymous

Ronde schotel van veelkleurig beschilderde faience. Op het plat is een vaas met bloemen en op de rand zijn vier bloemenranken geschilderd. Bij de schotel hoort een identieke schotel met invnr. BK-NM-13354-b.
Sheet with a two borders with four hanging draperies,multicolor festoons, and birds
Object type: print
Date: 1767 – 1866
Techniques: relief print
Artist: Anonymous
Artist role: artist
Doily
Object type: doily
Date: 1801 – 1900
Materials: lace
Culture: paraguayan
Location: paraguay
Kerk tussen bomen
Object type: photograph
Date: 1912 – 1912
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: suriname

Kerk in het bos. Onderdeel van het fotoalbum over het leven van de familie Gonggrijp in Suriname rond 1912.
Pitcher
Object type: vessel
Date: 500 – 401
Materials: glass
Culture: egyptian
Location: egypt
Border
Object type: textile
Date: 1650 – 1700
Materials: linen
Techniques: lace
Location: germany
Egg Cup
Object type: egg cup
Date: 1830 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Ornaments, 14
Object type: ornament, 14
Date: 7000 – 30
Materials: lead
Culture: greek, laconian
Javaanse hofdansers (Soera Karta)
Object type: album leaf
Date: 1860 – 1915
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: dutch east indies
Artist: l. king ming
Artist role: fotograaf
Subjects: dutch east indies, the
Fragment of a jug with a portrait of Christan II, Elector of Saxony
Object type: fragment
Date: 1590 – 1620
Materials: cobalt, glaze, stoneware
Techniques: printing, firing, forming, relief, turning, vitrification
Location: raeren
Artist: Anonymous
Subjects: keurvorst, christiaan ii van saksen
Inscriptions: inscription: ‘CHRISTIANVS II DVX SAXONIAE ETC SEPTEMVIRATVS CAES’

Fragment van een kruik van steengoed op standring met een bolvormig lichaam. Nek en oor ontbreken. Gedeeltelijk bedekt met kobaltblauw. Op de buik in reliëf een gedrukte en opgelegde medaillon met een portret van Christiaan II, keurvorst van Saxen, met als randschrift 'CHRISTIANVS II DVX SAXONIAE ETC SEPTEMVIRATVS CAES'. Het medaillon is omringd door ingegrifte ranken met gestempelde bloemen. Raeren.
Fragment pijpenkop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Lanterne Magique O Soo Mooi! Fraai Curieus!
Object type: print
Date: 1782 – 1784
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: performance in tents (pleasure fair), cinematographic apparatus, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Spotprent op Rijklof Michael van Goens, ca. 1782-1784. Een Savoyaard vertoont met een toverlantaarn een voorstelling van R.M. van Goens die bij de haard oliekoeken bakt, bij hem, met opgeschorte rok, zijn vermeende maîtresse juffrouw ten Bosch met het pamflet getiteld Politiek Vertoog. De Savoyaard vertreedt onder zijn voeten de wapens van Amsterdam en de prins. Met vijfregelig onderschrift in koeterwaals.
Portret van Jacoba Oosting
Object type: carte de visite
Date: 1880 – 1896
Materials: cardboard, paper
Techniques: albumen print
Location: groningen
Artist: heiman sanders
Artist role: fotograaf
Artist dates: 1839 – 1922
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Jacoba Oosting’, inscription: ‘GS/ Gebr. Sanders/ Photographie Instantanée./ Hoek Stoeldraaierstraat H.13,/ 2de huis Kromme Elleboog/ GRONINGEN/ Specialiteit in vergrootingen, de negativen/ blyven ter nabestelling bewaard.’
Gezicht op de Nieuwe Kerk
Object type: drawing
Date: 1757 – 1757
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: nicolaes aartman
Artist role: draughtsman
Artist dates: 1713 – 1760
Subjects: church (exterior), parts of church exterior and annexes: façade
Inscriptions: : ‘98 De Nieuwe (...) breed 43 cM.’, signature and date: ‘Aartman: ad: vivum: del: 1757.’, inscription: ‘de Onvolmaakte Toren [...] Nieuwe Kerk’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 5.
Parasol
Object type: parasol
Date: 1875 – 1880
Materials: ivory, metal, silk
Culture: french
Subjects: flowers

While this parasol is of French make, the accession records suggest that it was purchased in South America by a United States serviceman (the donor's father). The intricate carving on the handle is very detailed, depicting a variety of motifs including male and female figures and architectural structures that are vertically aligned with a sense of perspective as is a hallmark of Asian artistry. The records also describe the end of the handle as a "dragon's head with a movable tongue."
Furniture support: lion's leg
Object type: furniture support
Date: 1800 – 1701
Materials: ivory
Culture: assyrian
Location: anatolia

This piece is one of several furniture elements, carved in the form of lion legs, probably found at the site of a palace at Acemhöyük in central Anatolia. The massive size of the upper part of the leg suggests this represents the animal’s rear leg. One hooked claw is visible in side view. Like the other pieces of this type in the Metropolitan Museum’s collection (36.70.5, 36.152.1), this leg sits on a base with horizontal grooves. The overall gray color indicates that the object was exposed to considerable heat, perhaps during the destruction of the palace. Traces of gold foil still remain on the base of this leg, although not on the others. The legs were most likely carved out of hippopotamus incisors, as the ends of the pulp cavities are preserved in the upper parts. Dowel holes on the flanks allowed for attachment to an upper element. The positioning of mortises and dowel holes on the paws suggests that struts connected the legs to one or more other furniture elements. There are also mortises cut into the bases for further attachment. Furniture legs of this type derive from Egypt, where they were a common feature of chairs and royal thrones, appearing for example on a Dynasty 4 statue of Khafre. However, unlike their Egyptian inspirations, the ivory lion legs from Acemhöyük are arranged without regard for the anatomy of actual lions, with all four legs apparently in the form of the rear leg, even when placed at the front of the piece of furniture.
Bebouwing, mogelijk te Diepenheim
Object type: sketchbook leaf
Date: 1887 – 1888
Materials: chalk, paper
Location: diepenheim
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: rural housing, e.g. country-house, villa, cottage, parts of church exterior and annexes: tower

In de verte mogelijk een kerktoren. Pagina 27 uit een schetsboek met 43 bladen.
Valse ½ duit van de VOC uit Holland, 1757
Object type: coin
Date: 1757 – 1799
Materials: copper
Techniques: striking

Valse koperen munt. Voorzijde: tussen wapenspreuk gekroond wapenschild van Holland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Vervalsing. Jaartal bestaat niet.
Wrapping Cloth
Object type: wrapping cloth
Date: 1875 – 1908
Materials: metal thread, silk
Culture: chinese
Subjects: dragons
Utrechtse halve groot van Frederik van Blankenheim, 1393-1423
Object type: coin
Date: 1393 – 1423
Materials: silver
Techniques: striking
Location: deventer
Artist: frederik van blankenheim
Artist role: bisschop
Artist dates: 1355 – 1423

Zilveren munt. Voorzijde: helm met helmteken, waaronder twee naar elkaar toegewende wapenschilden van Utrecht en van Blankenheim. Keerzijde: adelaar.
Apôtres
Object type: print
Date: 1650 – 1700
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: the apostle simon zelotes (or simon the canaanite); possible attributes: book, saw, scroll

Deze prent maakt deel uit van een album.
Covered jar with a three-colored glaze
Object type: lid
Date: 618 – 906
Materials: earthenware, glaze
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Dekselpot van aardewerk met een bolvormig lichaam, bedekt met een groen, bruin en crèmekleurig glazuur. De deksel met bruine en groene vlekken. Sancai, Tang.
Tea Jar
Object type: tea jar
Date: 1680 – 1680
Materials: clay, glaze
Techniques: overglaze
Culture: japanese
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: houses,boats
Door Blinde Begeerte en de hoop op rijkdom wordt de mens meegesleept
Object type: print
Date: 1550 – 1550
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: purse, money-bag, desire; 'desiderio' (ripa), personifications ~ the life of man, tools, aids, implements ~ crafts and industries: rope, attributes of cupid: blindfold
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, number: ‘D. 71’

De geblinddoekte Cupido (Blinde begeerte) zit bovenop een rots. In zijn handen een touw waaraan de Mens is geketend. Deze probeert de rotswand op te klimmen om Cupido en twee zakken met geld te bereiken. In een cartouche onderaan de prent een Nederlands onderschrift op rijm. De prent maakt deel uit van een vierdelige serie over de nutteloosheid van hoop op geld en andere wereldlijke zaken.
Rijke man en de arme Lazarus
Object type: print
Date: 1541 – 1541
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: the rich man (dives) is feasting, while poor lazarus is starving at the gate (dogs licking lazarus' sores) (luke 16:19-31)
Inscriptions: collector's mark: Lugt 2228, number: ‘74’
Design for Cabriolet or Victoria, no. 3831a
Object type: drawing
Date: 1883 – 1883
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
S. Tiburce et S. Valérian (St. Tiburtius and St. Valerian), April 14th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Landschap met bomenrij en boot
Object type: print
Date: 1831 – 1904
Materials: paper
Techniques: etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 2228
Palazzi di Roma
Object type: print
Materials: paper
Techniques: etching
Location: rome
Subjects: palace, façade (of house or building)
Inscriptions: number: ‘73’

Deze prent maakt deel uit van de reeks getiteld: Palazzi di Roma. Deze reeks bestaat uit twee boeken. Boek één getiteld: Palazzi di Roma dei più celebri architetti..., bestaat uit 44 prenten die worden toegeschreven aan Giovanni Battista Falda (naam staat enkel op prent 27) en uitgegeven door Giovanni Giacomo de'Rossi. Deze 44 prenten zijn bekend in twee staten (met en zonder nummer). Boek twee getiteld: Nuovi disegni dell'architetture... libro secondo, bevat 66 prenten door Giovanni Battista Falda en Simone Felice. Deze 66 prenten zijn bekend in twee staten (met en zonder nummer).
Spelregels bij het bordspel: Tempel van het geluk
Object type: text sheet
Date: 1816 – 1816
Materials: cardboard
Techniques: letterpress printing
Location: amsterdam
Artist: hendrik moolenyzer
Artist role: publisher
Subjects: board-games of chance, board-games
Inscriptions: collector's mark: Lugt 2760

Spelregels bij het bordspel: Tempel van het geluk in boekdruk.
Profile of Light
Object type: print
Date: 1886 – 1886
Materials: chine, ink, paper
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Quart Mug
Object type: quart mug
Date: 1777 – 1818
Materials: pewter
Culture: american
Location: united states
Artist: thomas danforth, iii
Artist role: maker
Artist nationality: american
Artist dates: 1756 – 1840
Portret van Gottfried Eisenmann
Object type: print
Date: 1848 – 1862
Materials: paper
Techniques: lithograph
Location: mainz
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Rouget de Lisle, Author of the Marseillaise
Object type: medal
Date: 1801 – 1900
Materials: bronze
Artist: emile rogat
Artist role: artist
Artist nationality: french
Artist dates: 1770 – 1850
Subjects: abraham lincoln,men,profiles
Portret van Anthonij Moll
Object type: print
Date: 1820 – 1849
Materials: paper
Techniques: engraving
Subjects: arnhem
Inscriptions: collector's mark: Lugt 2228

Portretbuste in ovaal naar links van Anthonij Moll, arts en schrijver, met ridderorde op het revers.
Vier portretten van pelgrims en derwisjen, te Djedda
Object type: page
Date: 1884 – 1888
Materials: paper
Techniques: photograph
Location: djedda
Subjects: the believer ~ islam, mohammedanism, anonymous historical person portrayed
Inscriptions: number: ‘XXII.’
Document Sealing with the Throne Name of Amenhotep III
Object type: sealing, nebmaatre, amenhotep iii,
Date: 1390 – 1352
Materials: mud
Location: egypt
Man met gitaar zingt voor vrouw in venster
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, cutting, hand coloring, perforating
Artist: Anonymous
Subjects: serenade to the beloved
Diverse ornamenten
Object type: ornament print
Date: 1820 – 1820
Materials: paper
Techniques: etching
Location: paris
Subjects: decorative furniture, ornaments ~ art, chair

Ornamentprent met diverse ornamenten in Grieks-Romeinse stijl, centraal een stoel. Onderdeel (4e. Cah. N. 20) van het prentalbum met twee series van in totaal 138 ornamentprenten door Beauvallet en Normand, 'Fragmens d'Ornemens dans le Style Antique'.