deem-data/ArtiFact huggingface dataset:
Medal: Bust of Pesello Peselli
Object type: medal
Date: 1801 – 1900
Materials: bronze, copper alloy, patina
Culture: italian
Subjects: men,portraits,profiles

Made in the nineteenth century, this medal was intended to look like a Renaissance example. The incorrect lettering and the “modern” facial type reveal its lack of authenticity. Pesello Peselli could be identified with the Florentine painter Francesco di Stefano (1422 – 1457), nicknamed Pesellino. He would have been called Pesello Peselli in the Tuscan manner. The painter was considered one of the champions of the nineteenth-century revival of taste for the Italian quattrocento, which is underscored by the nineteenth-century date of this medal.
Bag
Object type: bag
Date: 1800 – 1825
Materials: glass
Culture: european
Autumn (Boy and Girl Harvesting Fruit), from The Four Seasons
Object type: print
Date: 1601 – 1601
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan saenredam
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1607
Inscriptions: Lettered lower left: "3"; lower right: "HG Inve. I. S. sculp."; and below image: "En ego mauros Autumnus ... spes vana coloni. C. S."
Journal des Demoiselles, ca. 1833, 2me Année 12e No.
Object type: fashion print
Date: 1833 – 1833
Materials: paper
Techniques: engraving, hand coloring
Artist: Anonymous
Subjects: bow (ornamental part of clothing) (+ women's clothes), dress, gown: evening dress (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), head-gear (+ women's clothes), fashion plates
Inscriptions: title: ‘Journal des Demoiselles’

Vrouw in avondjapon met boothals en korte pofmouwen. Wijde rok, versierd met guirlande van strikken. Lange handschoenen. Een vrouw reikt haar een sjaal aan, met aan de uiteinden franjes. Zij draagt een hooggesloten japon met schapenboutmouwen. Luifelhoed. Prent uit het modetijdschrift Journal des Demoiselles (1833 -1922).
Table
Object type: table
Date: 1690 – 1720
Materials: wood
Culture: american
Location: united states

The manner in which the top of this table is attached to its frame—by dovetailing cleats to the underside of the top and securing them to the end rails—is a northern European method of construction that is associated in American furniture primarily with craftsmen of Germanic background working in Pennsylvania.
De verheerlijking van Maria Theresia (?)
Object type: drawing
Date: 1700 – 1800
Materials: paper
Techniques: brush
Artist: Anonymous
Subjects: vienna, maria theresia (rooms-duits keizerin), apotheosis of a ruler - bb - female ruler
Suite van tien kaarten en platen van de droogmaking van de Haarlemmermeer 1843-1860
Object type: print
Date: 1843 – 1861
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Artist: Anonymous
Subjects: maps of separate countries or regions, technical aspects and details of pumping-engine

Kaart met de ligging van het stoomgemaal De Leeghwater bij de Kaag, 1 oktober 1843. Rechts drie doorsneden en een aanzicht van het stoomgemaal. Opschriften in het Nederlands en Frans. Onderdeel van een suite van tien platen van de droogmaking van de Haarlemmermeer, 1843-1860.
Studie
Object type: sketchbook leaf
Date: 1883 – 1885
Materials: paper, pencil
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923

Blad 3A uit een schetsboek met 36 bladen.
Portrait of Maximillian Luce in 1887
Object type: drawing and watercolor
Date: 1887 – 1887
Materials: charcoal, paper, pastel
Techniques: stumping
Location: france
Artist: georges manzana-pissarro
Artist nationality: french
Artist dates: 1871 – 1961
Inscriptions: Signed, dated, and titled, center right, below image, in charcoal: "Luce en 1887 / Manzana - Pissarro"; inscribed verso, lower right, in graphite: "43" (encircled)

The third child of Camille Pissarro, Georges and his brother Lucien studied under their father, surrounded by artists such as Maximillian Luce (1858–1941), a painter and printmaker associated with Neo-Impressionism. Georges was just 16 when he drew this.
Oboe
Object type: wind instrument
Date: 1850 – 1860
Materials: wood, ivory, silver
Location: biebrich
Inscriptions: mark: ‘HECKEL (in een boog) / BIEBRICH (in een boog).’

Hobo van donkerbruin gebeitst palmhout, bestaande uit vier onderdelen. De hobo heeft twaalf zilveren kleppen met ronde plaatjes, vier ivoren ringen, een zilveren vingersteun en een extra stemstukje om te kunnen wisselen. Het derde gat is dubbel. Het Fis resonans klepje zit aan een stangmechaniekje; dit is later toegevoegd of gerepareerd. Gemarkeerd op alle drie de delen: HECKEL (in een boog) / BIEBRICH (in een boog).
Arabesken
Object type: ornament print
Date: 1716 – 1716
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster), ornament ~ arabesque
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent maakt deel uit van een serie van zes prenten.
Fragments of a Bead
Object type: bead fragment
Date: 701 – 1300
Techniques: cutting, inlay
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Meisje met cavia
Object type: print
Date: 1855 – 1864
Materials: paper
Techniques: etching, roulette, engraving
Location: haarlem
Subjects: earning money with guinea-pig
Inscriptions: collector's mark: Lugt 2233

Een meisje met hoofddoekje houdt haar hand op met een vragende blik in haar ogen. Met de andere hand houdt ze een een cavia vast. De cavia zit boven op een kooi, die het meisje met een touw om haar nek draagt.
Bandō Hikosaburō III as Sagisaka Sanai in the Play "Koinyōbō Somewake Tazuna"
Object type: print
Date: 1794 – 1794
Materials: ink, mica, paper
Techniques: woodblock print
Culture: japanese
Artist: tōshūsai sharaku
Artist role: artist
Artist nationality: japanese
Artist dates: 1794 – 1795
Subjects: men,actors,lanterns
The Holy Family attended by Angels
Object type: print
Date: 1642 – 1644
Techniques: etching
Artist: pietro testa
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1650
De zes vrienden
Object type: print
Date: 1889 – 1906
Materials: paper
Techniques: hand coloring, letterpress printing, lithograph
Location: wissembourg
Subjects: tales and fairy tales, friends
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen uit het verhaal van de zes vrienden. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 98.
Kingfisher and hydrangea
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige ii (shigenobu)
Portret van een jonge vrouw
Object type: album leaf
Date: 1875 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Artist: eugene guérin
Artist role: fotograaf
Artist dates: 1845 – 
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: inscription: ‘Eugène Guérin/ 142, Rue Royale, 142./ BRUXELLES’
A bag
Object type: print
Date: 1866 – 1866
Techniques: woodblock print, surimono
Location: japan
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Haardsteen met voorstelling van Suzanna, die door de twee ouderlingen voor de rechter wordt gevoerd
Object type: hearthstone
Date: 1400 – 1950
Materials: earthenware
Location: southern netherlands
Artist: Anonymous
Subjects: the elders accusing susanna before the people, laying their hands on her head or unveiling her

Haardsteen met voorstelling van Suzanna, die door de twee ouderlingen voor de rechter wordt gevoerd.
Alexander the Great, plate two from The Nine Worthies
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: belgium
Artist: nicolaes de bruyn
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1656
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Lower lip, chin, neck, and part of the upper torso of a woman to left, wearing a patterned garment
Chessmen (32)
Object type: chessman
Date: 1801 – 1900
Materials: ivory
Subjects: chess,games

The pawns, human male heads wearing turbans, have red and green forehead marks to match their bases. All the pieces are figural, and the arrangement—the king and minister being male half-figures, the bishop a camel, the knight a horse, and the rook an elephant—is exceedingly common in Indian chess.
Rustende reizigers
Object type: watercolor
Date: 1869 – 1869
Materials: paper, pencil, watercolor
Techniques: brush
Artist: hendrik abraham klinkhamer
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1872
Subjects: (traveller) resting in the open air, pavement, terrace in front of inn or restaurant
Inscriptions: date: ‘1869’
Landscape with Waterfall
Object type: print
Date: 1701 – 1800
Materials: paper
Techniques: hashira, woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Seated Esoteric Buddhist Deity
Object type: figure
Materials: bronze
Culture: indonesian, javanese
Subjects: buddhism,deities
Bloementuin
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: flowers

Prent uit: Passe, Crispijn van de (II). Hortus floridus in quo rariorum & minus vulgarium florum icones ad vivam veramque formam. Arnhem: Johannes Janssonius, 1617.
Het leven van Christus in de twaalf maanden
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: vintage, grape harvest, landscape symbolizing october (+ with scorpio (october)), the wicked husbandmen ~ parable of christ (matthew 21:33-41; mark 12:1-9; luke 20:9-16)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een herfstlandschap. In de lucht het astrologisch teken van oktober: Schorpioen. In de linkerhoek vertelt Christus aan zijn leerlingen de parabel van de pachters van de wijngaard. Op de achtergrond de wijnoogst en de verbeelding van de parabel. In de wijngaard wordt een van de knechten van de eigenaar van de wijngaard door de pachters gestenigd. Op de voorgrond wordt de zoon van de eigenaar vermoord door een van de pachters (Mat. 21). De prent heeft een Latijns onderschrift en is deel van een serie over het leven van Christus uitgebeeld in de twaalf maanden van het jaar.
Detail from a cap
Object type: cap fragment
Date: 1834 – 1866
Techniques: lace
Schat oft voorbeelt ende verthooninge van verscheyden geschriften (...)
Object type: album leaf
Date: 1618 – 1618
Materials: paper
Techniques: letterpress printing

Vier drempeldichten van drie auteurs als inleiding bij een serie kalligrafische schrijfvoorbeelden van Maria Strick, drie in het Nederlands en een in het Frans. Het blad maakt deel uit van een album.
Scarab
Object type: scarab, bird
Date: 1492 – 1479
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs
Bowl with “Oil-Spot” Design
Object type: bowl
Date: 1101 – 1300
Materials: glaze, iron, stoneware
Culture: chinese

“Oil-spot” decoration is created by applying an iron-rich slip to the stoneware body of a vessel and then covering the slip with an iron-rich glaze. During firing, the glaze melts and separates and an iron-rich layer forms that bubbles to the top to create the dramatic and lush design.
Plate 52: Tooth puller
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: simon guillain ii
Artist role: artist
Artist nationality: french
Artist dates: 1618 – 1718
Zittende Madonna en Johannes de Doper
Object type: print
Date: 1633 – 1650
Materials: paper
Techniques: engraving
Artist: cornelis bloemaert (ii)
Artist role: draughtsman, print maker
Artist dates: 1603 – 1692
Subjects: madonna (i.e. mary with the christ-child) accompanied or surrounded by others, mary sitting or enthroned, the christ-child standing on her knee (christ-child to mary's left)
Inscriptions: collector's mark: Lugt 240

Het Christuskind staat op de schoot van Maria. Achter hen staat Jozef. Op de voorgrond kijkt Johannes de Doper naar hen op.
Terracotta statuette of a horse
Object type: statuette of a horse from chariot
Date: 334 – 301
Materials: terracotta
Culture: cypriot
Subjects: horses

The solid horse was originally part of a chariot group. The fabric, a grayish buff with abundant small dark inclusions, is consistent with the reported provenance of the figurine, Kourion.
Spherical body urn with cover (one of a pair)
Object type: urn with cover
Date: 1770 – 1820
Materials: gilt bronze

The ‘timeless’ Neo-Classical design of this fine pair of spherical Imperial porphyry urns makes their dating particularly difficult. They are likely to have been produced between 1770 and 1820 and could have been acquired by a grand tourist to Italy around that time. While earlier, more elaborately designed urns gave the carver the opportunity to display their artistic virtuosity, this plainer example puts the emphasis on the mesmerizing color of the porphyry stone. This particular example shows variations of light pink and black speckles.
Werklieden, een grote kist en gereedschap
Object type: print
Date: 1677 – 1677
Materials: paper
Techniques: etching
Location: italy
Subjects: tools, aids, implements ~ crafts and industries, working class, labourers

Deze prent maakte oorspronkelijk deel uit van een publicatie bestaande uit drie delen, uitgegeven door G.G. Komarek in Rome in 1696. Het eerste deel zit achter een titelpagina met de titel: L'arte di rendere i fiumi navigabili, in varij modi, con altre nuove inventioni, e varij altri segreti. Deel twee zit achter een titelpagina met de titel: Racolta di varii segreti come si vedono nelle segventi figure. Deel drie zit achter een titelpagina met de titel: Osservazioni delle comete che dovranno seguire, e dell'ecclisse del primo satellite di Giove, et altre propositioni prosicue da farsi per commodo & ornamento della città. Deze prent komt uit het eerste deel. Prenten in de publicatie zijn naar ontwerp van Cornelis Meijer gemaakt door verschillende prentmakers, onder wie G.B. Falda, G. van Wittel, Gomar Wouters, etc. Er is ook een eerdere versie bekend van deze publicatie, uitgegeven in Rome in 1683, met de titel: L'arte di restituire a Roma la tralasciata navigazione del suo Tevere.
Man-of-War
Object type: drawing
Date: 1622 – 1707
Materials: paper, pencil
Techniques: brush
Subjects: sailing-ship, sailing-boat, navy (+ sailing-ships)
Portret van Frederick Leith-Ross
Object type: print
Date: 1872 – 1950
Materials: paper
Techniques: etching, intaglio
Artist: barbara elisabeth van houten
Artist role: draughtsman, print maker
Artist dates: 1862 – 1950
Subjects: eyeglasses, spectacles, historical persons
Inscriptions: collector's mark: Lugt 2228

Frederick Leith-Ross was een zoon van Sina van Houten, één van de zussen van Barbara Elisabeth van Houten.
Slippers
Object type: slipper
Date: 1840 – 1849
Materials: leather
Culture: french
Shepherd
Object type: crèche figure
Date: 1751 – 1800
Materials: cotton, leather, silk, terracotta, fiber, metal
Techniques: polychrome
Subjects: men,shepherds

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Landschap met musicerend en dansend gezelschap
Object type: print
Date: 1679 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: small group of musicians, chamber orchestra, jazz band - cc - 'concert champêtre'
Inscriptions: collector's mark: Lugt 240

Landschap met links een vrouw spelend op een luit en rechts een dansend paar en een hond. In het midden op de achtergrond nog een dansend paar.
Border
Object type: border
Date: 1851 – 1900
Techniques: lace
Subjects: flowers
Piece
Object type: piece
Date: 1750 – 1775
Materials: metal thread, silk
Subjects: flowers,leaves
Saint Mark the Evangelist and Saint Sinibaldus Venerated by Members of a Lay Confraternity
Object type: leaf from a mariegola
Date: 1425 – 1434
Materials: gold, parchment, paint
Artist: cristoforo cortese
Artist role: artist
Artist nationality: italian
Artist dates: 1385 – 1445
Subjects: men,saint mark
Man Playing Lute and Woman Playing Tamborine
Object type: drawing and watercolor
Materials: graphite, ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: italy
Artist: Anonymous
Artist nationality: italian
Artist dates: 1700 – 1799
Subjects: dogs, animals
Koninklijke Almanach van 1701 / 't Lusthof van Momus
Object type: cartoon
Date: 1706 – 1706
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: maximiliaan ii emanuel (keurvorst van beieren), crutches, political caricatures and satires
Inscriptions: collector's mark: Lugt 240

Spotprent op Maximiliaan II Emanuel, keurvorst van Beieren als een onbekwame ruiter met een houten been die op een paard klimt. Onder en aan weerszijden van de plaat een vers in het Nederlands. Onderdeel van een reeks van 19 spotprenten op de Fransen en bondgenoten uit het jaar 1706.
Portret van George Gillis Haanen
Object type: drawing
Date: 1820 – 1900
Materials: chalk, paper
Artist: Anonymous
Subjects: utrecht, painter, print maker, draughtsman, george gillis haanen, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Beaker with heads and toads
Object type: beaker
Date: 900 – 1100
Materials: gold
Culture: lambayeque, sicán
Location: peru
Artist: lambayeque (sicán) artist(s)
Artist role: artist
Subjects: faces,frogs
Hook (part of a set)
Object type: hook
Date: 1848 – 1849
Materials: steel

The firm of Nicholls & Plincke was founded by members of the relatively large community of English silversmiths and craftsmen working in Saint Petersburg. After 1840 it was one of the most important retailers of luxury items before Carl Fabergé overshadowed all competitors. Several contemporary Saint Petersburg newspapers praised the high-quality products of the magasin anglais Nicholls & Plincke. According to the donor's family tradition, this rare set with more than fifty items bearing the monogram CMI was "originally made for and used by Colin Macrae Ingersoll [1819–1903], when he accompanied his father, Ralph Isaacs Ingersoll [1788–1872], to the Court of Czar Alexander II of Russia, where the latter served President [James Knox] Polk [1795–1849] as Minister Plenipotentiary from 1846 to 1848. . . . The family story has always been that [the set and case were] made for stagecoach travel in Russia." Plain silver objects—like the ewer and the cup of this set—with simple outlines and restrained forms inspired silversmiths of the modern era. Only the elaborate cartouche framing the monogram indicates that the set was made in the early Victorian period.
Portret van Carlo Gonzaga
Object type: print
Date: 1619 – 1662
Materials: paper
Techniques: engraving, etching
Artist: wolfgang kilian
Artist role: print maker
Artist dates: 1581 – 1662
Subjects: historical persons, regent, substitute ruler; viceroy
Inscriptions: collector's mark: Lugt 2228
Gedrapeerde figuur, schrijnend naar links
Object type: drawing
Date: 1502 – 1543
Materials: paper, pencil
Techniques: brush
Artist: polidoro da caravaggio
Artist role: draughtsman
Artist dates: 1490 – 1543
Palais du Luxembourg.
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: etching
Location: paris
Subjects: city-view in general; 'veduta', palace, paris
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie met 60 platen van monumenten, kathedralen en paleizen in Parijs.
Fragment
Object type: textile
Materials: cotton, wool
Techniques: interlocking, weave, slit
Location: peru
Harpoon Head
Object type: hook
Date: 1001 – 1200
Materials: ivory
Culture: punuk
Location: united states
Small, shouldered vase with deer among foliage
Object type: vase
Date: 1600 – 1624
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Kleine vaas van porselein met een brede schouder, beschilderd in onderglazuur blauw. De wand is verdeeld in vier vakken met in elk een hert uitgespaard in een blauwe achtergrond van planten; op de schouder een band met ruyi-motief. Rand is beschadigd. Swatow (zhangzhou).