deem-data/ArtiFact huggingface dataset:
Voorstraatshaven V, Dordrecht
Object type: print
Date: 1898 – 1900
Materials: paper
Techniques: aquatint, etching
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: urban housing, canals, waters (in city)
Inscriptions: annotation: ‘1e staat’
Oval Portrait of Gentleman
Object type: drawing and watercolor
Materials: chalk, paper
Location: france
Artist: style of nicolas de largillière
Fuji Marsh in Yoshiwara (Fujinuma, Yoshiwara), section of sheet no. 4 from the series "Pictures of the Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi zue)"
Object type: print
Date: 1856 – 1856
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Table screen with landscape scene
Object type: table screen
Date: 1701 – 1900
Materials: jade
Culture: chinese
Subjects: men
Lijstfragment van vergulde lijst met pâte-ornamenten in Empire stijl: stijl.
Object type: frame
Date: 1500 – 1999
Materials: gold leaf, wood
Techniques: gilding

Stijl van een schilderijlijst van hout versierd met pâte-ornamenten en voorzien van (poliment)vergulding.
Nihonbashi in Edo (Edo Nihonbashi), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: human figures,houses,canals,mountains,boats
Key with barrel shank
Object type: pipe key
Materials: bronze
Location: rome
Artist: Anonymous

Pijpsleutel met afgeplatte niervormige greep op vierhoekig en geprofileerd kapiteel. Baard en gedeelte van de schacht afgebroken.
Beleg en verovering van Bredevoort, 1597
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), siege, position war, capture of city (after the siege)

Beleg en verovering van de plaats en het kasteel van Bredevoort, door het Staatse leger onder prins Maurits, 12 oktober 1597. Plan van de stad met de posities van het belgerende Staatse leger. Met onderschrift van vier regels in het Latijn. Genummerd 232. Bedrukt op de achterzijde met tekst in het Latijn.
Pisa - Museo Civico - Tabernacolo con S. Anna, la Vergine e il Bambino in basso tre devoti (B. Gozzoli)
Object type: reproduction
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: pisa
Subjects: interior of church, tabernacle ~ altar
Inscriptions: collector's mark: ‘AFE v S’
Fan
Object type: fan
Date: 1767 – 1800
Materials: ivory
Subjects: bow and arrow,women,dogs
Violet and Silver—The Deep Sea
Object type: painting
Date: 1893 – 1893
Materials: canvas, oil
Location: brittany
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: landscapes
Inscriptions: Artist insignia recto, bottom-right, on sea, in green paint: [butterfly]. Inscribed verso, top-right, on linen backing, in black ink: ""Violet & Silver. The Deep Sea." / [butterfly, struck through]; inscribed verso, bottom-right, on linen backing, in black ink: "Exhibited in salon of the / Champ de Mars. 1894 // & / bought in my Studio, Paris/ in October of that year by / John A. Lynch, of Chicago./ J. McNeill Whistler."

After years of painting seascapes on a significantly smaller scale, James McNeill Whistler returned briefly to a large-format canvas to capture a hot summer day on the water near Brittany, France. The artist likely painted this seascape while boating off the coast as a crewman steadied their vessel. This could account for the unusually broad handling of paint and thick touches of pigment apparent throughout the composition, particularly in the clouds and gently cresting waves. Here, Whistler demonstrated his enduring passion for the myriad relationships of color offered by the ever-changing sea.
Mlle. Pitot, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: firearms,portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Embouchure de la Riviere Caxoera
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Location: paris
Subjects: crocodiles, river, rowing-boat, canoe, etc., brasil
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760

Deze prent behoort tot de serie 'Voyage pittoresque dans le Brésil'. Deze serie bestaat uit ongeveer honderd lithografieën vervaardigd door Victor Adam, Richard Parkes Bonington, A. Joly en anderen, gemaakt naar tekeningen van Moritz Rugendas tijdens een expeditie in Brazilië (1821-1825). De serie is tussen 1827 en 1835 in Parijs uitgegeven door Engelmann.
Twee mannen in Tiroler kostuum
Object type: sketchbook leaf
Materials: ink, paper, pencil
Techniques: brush, pen
Location: tirol
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: folk costume, regional costume
Inscriptions: kleurnotitie, handgeschreven in potlood

Blad 6 verso uit een schetsboek met 47 bladen.
Descriptio Maioris Cartusiae Montium et Aedificio rum dependentiun, (...)
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: antwerp
Subjects: maps of separate countries or regions, cloisters ~ monastery
Inscriptions: collector's mark: Lugt 240

Gezicht op het klooster Grande Chartreuse (Kartuizer orde), dat in het Franse Alpengebied Chartreuse ligt en op twintig kilometer afstand van Grenoble. Rechtsonder een kader met de legenda met tekst in het Latijn en Frans.
Hotel Duin en Daal. Bloemendaal
Object type: ansichtkaart, prentbriefkaart
Date: 1913 – 1919
Materials: cardboard
Techniques: photograph
Location: bloemendaal
Subjects: city-view, and landscape with man-made constructions, hotel, hostelry, inn
Zilverreiger
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: aquatint, etching
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Subjects: shore-birds and wading-birds: heron
Inscriptions: number: ‘22.’, collector's mark: Lugt 2228
Limestone funerary bust of a woman
Object type: portrait head of a woman
Date: 3900 – 100
Materials: limestone
Culture: cypriot
Subjects: women

The asymmetrical face shows a severe expression, the nose is pointed, and the small eyes have thick eyelids.
Card Number 157, Jarbeau, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Wine bottle
Object type: wine bottle
Date: 1800 – 1800
Materials: enamel, pottery
Culture: japanese
Portret van Desiderius Erasmus
Object type: print
Date: 1747 – 1759
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: rotterdam, desiderius erasmus
Inscriptions: collector's mark: Lugt 240

Proefdruk van de prent gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
Terracotta fragment of an amphora (jar)?
Object type: amphora fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic

Black glazed fragment from an amphora?
Monnik met een beeld van Maria
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: engraving
Artist: jacob gole
Artist role: print maker
Artist dates: 1660 – 1724
Subjects: monk(s), friar(s), mary devotion, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228

De prent verscheen in de bundel "Renversement de la Morale Chrétienne par les désordres du Monachisme". Volgens Wiebke Schmoldt (1997) verscheen deze bundel tussen 1693 en 1700.
Suido Bridge and Surugadai (Suidobashi Surugadai), No.48 from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
St. Thomas, plate 7 from The Twelve Apostles
Object type: print
Date: 1545 – 1545
Materials: paper
Techniques: engraving
Location: germany
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Goblet
Object type: glass
Date: 1760 – 1760
Materials: glass
Location: russia
Jug
Object type: jug
Date: 750 – 600
Materials: terracotta
Culture: cypriot

Sack-shaped with horizontal bands and concentric circles.
Portret van Jan Pietersz. Zomer
Object type: print
Date: 1717 – 1717
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, draughtsman, jan pietersz. zomer, print, e.g.: engraving, etching, lithograph, art dealer
Inscriptions: collector's mark: Lugt 240

De kunsthandelaar Jan Pietersz. Zomer, zit aan een tafel en toont een afbeelding in een opengeslagen album. In de marge een lofdicht op zijn welbespraaktheid en kwaliteiten als kunsthandelaar.
Annotaties
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: ink, paper
Techniques: writing
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘Hartjesdag pakjes/ Boomdwarsstraat. uitdrager/ 1. gld.’

Pagina 23 uit een als schetsboek gebruikte agenda met 108 bladen.
Elevator Grille from the Manhattan Building, Chicago, Illinois
Object type: architectural fragment
Date: 1889 – 1889
Materials: iron, copper
Location: united states
Artist: jenney and mundie
Artist nationality: american
Artist dates: 1891 – 1905
Vrouw omarmt jongen
Object type: print
Date: 1854 – 1931
Materials: paper
Techniques: aquatint, engraving, etching, roulette
Location: amsterdam
Subjects: coffee-pot, unequal couple, ill-matched couple, book
Inscriptions: collector's mark: Lugt 2228

In een eenvoudig interieur zit een oudere, zieke vrouw op een stoel met haar voeten op een stoof en een kussen in de rug. Zij omarmt een jongeman met een pet op, die geld in haar schoot werpt. Op de tafel naast haar liggen een boek en een breiwerkje. Ernaast een kom met lepel. Op de grond een mand met knollen of aardappelen en een schilmesje.Achter haar op een tafeltje een koffiestel met kopjes.
Boslandschap met een vrouw op een ezel en een wandelaar bij een ven
Object type: print
Date: 1823 – 1883
Materials: paper
Techniques: drypoint, etching
Location: utrecht
Artist: hermanus jan hendrik van rijkelijkhuysen
Artist role: painter, print maker
Artist dates: 1813 – 1883
Subjects: trees, fen, du. 'ven', donkey-riding (on the beach)
Inscriptions: collector's mark: Lugt 2228
E 78. Statue van Ramses II, Tempel van Luxor. Opper-Egypte
Object type: photograph
Date: 1862 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: luxor
Artist: antonio beato
Artist role: fotograaf
Artist dates: 1835 – 1906
Subjects: temple, shrine ~ egyptian religion, monument, statue
Inscriptions: check stamp: ‘Bristol/ L.M.’, title: ‘E 78. Statue van Ramses II, Tempel van Luxor. Opper-Egypte.’, stamp: ‘GEMEENTELIJKE BIBLIOTHEEK/ ROTTERDAM’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Study for a Title-Page: Allegory of Commerce and a Debtor's Prison (?)
Object type: drawing
Materials: chalk, gouache, ink
Techniques: brush, pen, wash
Artist: romeyn de hooghe
Artist role: artist
Artist nationality: dutch
Artist dates: 1645 – 1708
Subjects: prisons,prisoners,men
Gezicht op een straat met lantaarn, vermoedelijk in Dresden
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: halle an der saale
Subjects: street lighting, street
Inscriptions: monogram: ‘WC’
Monument voor Johan van Oldenbarnevelt en Hendrik Danielsz. Hooft, 1787
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Subjects: the hague, johan van oldenbarnevelt, amsterdam, hendrik danielsz. hooft, piece of sculpture, reproduction of a piece of sculpture, patriots (1780-1795)

Allegorisch standbeeld voor Johan van Oldenbarnevelt, gestorven 13 mei 1619. De landsadvocaat met vrijheidshoed en privilege in de hand, staande in triomf op prins Maurits en de personificatie van de Afgunst. Op het voetstuk een vers van vier regels, het beeld rustend op de hoofden van de 24 rechters die Van Oldenbarnevelt ter dood veroordeeld hebben met de hierbij corresponderende dieren. Op het grote plein van het Binnenhof. Op de achtergrond bespreken een boer en een heer, beiden patriotten, het standbeeld. Onder de voorstelling een vers in twee kolommen waarin Van Oldenbarnevelt vergeleken wordt met de Amsterdamse burgemeester Hendrik Danielsz. Hooft in zijn rol als verdediger van de belangen van de burgerij in 1787.
Groepsportret bij de Kweekschool voor onderwijzers te Nijmegen
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: nijmegen
Artist: wilhelm ivens
Artist role: fotograaf
Artist dates: 1849 – 1904
Subjects: secondary education, nijmegen
Inscriptions: inscription: ‘Kweekschool - Nijmegen/ no 1 van. links Fransen (leraar gymnasium/ no 5 " " B. Mulder’
Rapier
Object type: rapier
Date: 1580 – 1580
Materials: silver, steel
Culture: italian
Location: italy

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Landbouw, visvangst, jacht en wintervermaak
Object type: popular print
Date: 1866 – 1902
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: fresh-water fishery, bird hunting, skates (winter sports), agriculture
Inscriptions: collector's mark: Lugt 2760

Blad met 18 voorstellingen van landbouw, visvangst, jacht en winterse activiteiten. Onder elke voorstelling een tweeregelig vers. Genummerd midden boven: 87.
Beaker in the Form of a Trophy Head with Bound Lips
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: peru
Fragment
Object type: fragment
Date: 1701 – 1800
Techniques: embroidery
Subjects: flowers
Zes voorstellingen uit de oudere, middelste en nieuwere geschiedenis
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: rome, christina (koningin van zweden), paris, lodewijk xvi (koning van frankrijk), william tell, priest (roman catholic), history, coronation of a ruler, battle, horse, meeting
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Gothaischer Hof Kalender zum Nutzen und Vergnügen eingerichtet auf das Jahr 1791. Gotha: C. W. Ettinger, [1790].
Militairen sjouwen brancards aan de achterzijde van twee ambulances, vermoedelijk Italianen
Object type: photograph
Date: 1916 – 1916
Materials: photographic support
Techniques: gelatin silver print
Location: dolomites
Artist: henri de rothschild
Artist dates: 1872 – 1947
Subjects: (carrying a person on a) litter, stretcher, war (+ land forces), ambulance

Onderdeel van Fotoalbum Medische missie H. de Rothschild naar het Italiaanse front 1916.
Lint, grijs aan beide zijden rose afgebiesd
Object type: braid
Date: 1890 – 1935
Materials: textile
Techniques: weave
Location: nijmegen

Lint, grijs aan beide zijden rose afgebiesd.
Loves of the Gods
Object type: print
Date: 1515 – 1565
Materials: paper
Techniques: engraving
Location: italy
Artist: giovanni jacopo caraglio
Artist role: goldsmith, print maker
Artist dates: 1500 – 1565
Subjects: death of adonis: he is killed by a boar
Inscriptions: collector's mark: Lugt 240

De naakte Venus hurkt naast het dode lichaam van Adonis. Rechts staat Amor. In ondermarge Italiaans vers in twee kolommen.
Snuffbox
Object type: snuffbox
Date: 1765 – 1770
Materials: gold, hard paste porcelain
Artist: imperial porcelain manufactory
Artist role: manufactory
Artist nationality: austrian
Artist dates: 1744 – 1864
Subjects: flowers
Untitled Valentine (Heart on Fire)
Object type: drawing and watercolor
Date: 1850 – 1859
Materials: paper
Techniques: collage, cutting, embossing
Location: england
Artist: john windsor
Artist nationality: english
Artist dates: 1800 – 1899
Kyoka Ehon Shokunin Kagami
Date: 1803 – 1803
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Jar
Object type: jar
Date: 3100 – 2900
Materials: ceramic
Location: mesopotamia
Min amulet
Object type: amulet, min
Date: 664 – 332
Materials: faience
Location: egypt
Scattered Pines on the Tone River (Tonegawa Barabara-matsu), No.71 from the series “One Hundred Famous Views of Edo (Meisho Edo hyakkei)”
Object type: print
Date: 1856 – 1856
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portret van Jacobus Houbraken
Object type: drawing
Date: 1769 – 1769
Materials: paper
Techniques: brush
Artist: hendrik pothoven
Artist role: draughtsman, painter, print maker
Artist dates: 1725 – 1807
Subjects: dordrecht, amsterdam, print maker, draughtsman, jacob houbraken, portrait, self-portrait of painter, portrait, self-portrait of artist, graphic artist
Inscriptions: date
Sard ring stone
Object type: intaglio
Date: 1 – 100
Culture: roman
Subjects: male nudes,dogs

Youth leaning against pillar, holding scales and palm Inscribed in the field, L.D. VIRILL The scales suggest that the figure represents the genius presiding over athletic games and awarding the victory, rather than a victorious athlete.
Armchair (part of a set)
Object type: armchair
Date: 1701 – 1725
Materials: wood
Techniques: carving, damask
Sealing with cylinder seal impressions
Object type: sealing
Date: 2700 – 2600
Materials: clay
Culture: sumerian
Location: mesopotamia
Landscape with hidden silhouettes of Marie Antoinette and the Dauphin
Object type: print
Date: 1794 – 1815
Materials: ink
Techniques: pen, wash
Artist: Anonymous
Artist role: artist
Subjects: marie antoinette,trees
The Bouzols Castle Ruins Near Puy en Delay
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: printmaking, lithograph
Artist: eugène isabey
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1886
Subjects: castles,ruins

This is from the series of prints Eugène Isabey made for the 'Auvergne' chapter of the book 'Voyages pittoresques et romantiques dans l'ancienne France'.
Portret van Lodewijk XVI, koning van Frankrijk
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving
Location: leeuwarden
Subjects: paris, lodewijk xvi (koning van frankrijk)
Inscriptions: collector's mark: Lugt 2228
Sjabloon met bamboebladeren
Object type: katagami
Date: 1800 – 1909
Materials: paper, silk
Techniques: cutting
Location: japan
Artist: Anonymous
Subjects: foliage ~ ornament, plants and herbs: bamboo
Inscriptions: label: ‘1/2’, label: ‘472/66’, label: ‘5534 / 15.’

Japanse sjabloon (katagami) met een patroon van bamboebladeren tegen een fond van zeshoeken of honingraat.
Portret van Maharadja Mokam Singh
Object type: indian miniature
Date: 1731 – 1732
Materials: paint, gouache, paper
Techniques: brush
Location: kotah
Artist: Anonymous
Inscriptions: date and inscription: ‘Sabi maharaja Mokam Singh ji samat 1788’
Ganymede
Object type: print
Techniques: etching
Location: london
Artist: matthias darly
Artist role: publisher
Artist nationality: british
Artist dates: 1720 – 1780
Subjects: men,profiles

This image comes from a set of twenty-four caricatures that Matthew and Mary Darly published in 1771. A husband-and-wife team, the Darlys developed a new British print genre--small etched caricatures of single figures against plain backgrounds, their identities indicated through dress, pose and a few props. Many of these works mocked the fashionable manners of contemporary London dandies called "macaronis," and the Darly's wares soon became known as macaroni prints no matter what their subjects. The implied Italian connection was in fact appropriate, since the basic form was inspired by Ghezzi's caricature drawings brought back from Rome by Grand Tourists. The form and subjects adapted by the Darlys tickled British tastes and broadened the scope of Ghezzi's works to include a range of social classes, known figures, and types. This etching satirizes Samuel Drybutter, bookseller in Westminster Hall.
Cylindrical Vessel
Object type: vessel
Date: 601 – 800
Materials: ceramic, pigment
Culture: maya
Location: guatemala or mexico

This cylindrical vessel framed by red bands contains a hieroglyphic text around its rim and shows two seated gods. It is painted in the ‘codex-style’, and the artist used simple shading to emphasize the two figures. The deities could be a version of K’awiil, the Maya god of lightning, as evidenced by the smoking scrolls emerging from their foreheads. ‘Codex-style’ pots are so-called for the style of painting which bears a close resemblance to the four extant screen-fold Maya books, known as codices, located in Madrid, Paris, Dresden, and Mexico City. These books date to the Postclassic Period (ca. a.d. 1000–1492). The characteristics of the codex-style are a cream or yellowish slipped background, often framed by red bands above and below, and a black calligraphic line outlining figures and hieroglyphic texts. Sometimes the painters applied a gray wash to shade figures or other features. In contrast to the richly polychromed vases and bowls from the large corpus of Maya vessels, codex-style pots stand apart in their grayscale, which is almost certainly a reflection of their development vis-à-vis calligraphic books.
Plattegrond van Amsterdam met stadsgezicht
Object type: print
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: Anonymous
Subjects: maps of cities, prospect of city, town panorama, silhouette of city, amsterdam
Inscriptions: collector's mark: Lugt 2233

De eerste staat van deze plattegrond werd rond 1662 uitgegeven door Nicolaes Visscher en daarna steeds aangepast.
Portret van Jean Soanen
Object type: print
Date: 1698 – 1776
Materials: paper
Techniques: engraving
Location: france
Subjects: ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228