deem-data/ArtiFact huggingface dataset:
Gezicht op rivier de Leie in de omgeving van Gent met molens
Object type: print
Date: 1848 – 1907
Materials: paper
Techniques: etching
Artist: félix cogen
Artist role: print maker
Artist dates: 1838 – 1907
Subjects: river, rowing-boat, canoe, etc., windmill in landscape
Inscriptions: collector's mark: Lugt 2228, mark: ‘Antwerpsche Etsers 1880’
Paris. le Jardin du Palais-Royal
Object type: photomechanical print
Date: 1895 – 1904
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: public gardens, park (+ city(-scape) with figures, staffage), palace
Reclining Woman
Object type: print
Date: 1902 – 1902
Materials: ink, paper, zinc
Techniques: aquatint, etching
Location: france
Artist: théophile-alexandre steinlen
Artist role: artist
Artist nationality: french, born switzerland
Artist dates: 1859 – 1923
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Bit of black glaze from below the rim; head of a woman to left, with her himation draped over her head?
Anatomische studie van de heup
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: pelvis
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Bidloo, Godefridus. Anatomia humani corporis centum & quinque tabulis, per art. G. de Lairesse ad vivum delineatis, de monstrata, veterum recentiorumque inventis explicata plurimisque, hactenus non detectis, illustrata. Amsterdam: Weduwe Joannes van Someren, Hendrick Boom en erven Dirk Boom, 1685.
Card Number 622, Miss Snowden, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Vaas met slang
Object type: ornament print
Date: 1770 – 1780
Materials: paper
Techniques: etching
Location: paris
Subjects: snakes, vase ~ ornament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een geornamenteerde vaas met een slang. Daaronder een guirlande. Rechts boven A genummerd.
Imperial Portrait
Object type: hanging scroll
Date: 1801 – 1900
Materials: ink, silk
Culture: chinese
Subjects: portraits,women,dragons
Case (Inrō) with Design of Poem Cards with Crane and Pine, Plum, Cherry, Chrysanthemum
Object type: inrō
Date: 1867 – 1900
Materials: gold, wood
Techniques: hiramakie, polish
Culture: japanese
Subjects: cranes
Barré. Rôle de Chrysale dans les Femmes savantes
Object type: photomechanical print
Date: 1875 – 1880
Materials: paper
Techniques: photoaquatint
Subjects: historical persons, portrait of actor, actress
Inscriptions: number: ‘97’, inscription: ‘LA COMÉDIE FRANÇAISE’
Ruïne van een abdij
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: etching, intaglio
Subjects: ruin of church, monastery, etc.
Inscriptions: collector's mark: Lugt 2228

De etsen naar de schilderijen van Frédéric Van de Kerkhove werden na zijn dood door zijn vader en zuster gemaakt en uitgegeven in twee reeksen. De eerste werd in 1877 uitgegeven door het Journal des Beaux-Arts et de la Littérature: Cahier de 25 Eaux-fortes d'après Frédéric van de Kerkhove, gravées par son père et sa sœur. De tweede reeks van 126 etsen, ook in 1877, werd in Parijs uitgegeven bij A. Lévy onder de titel Cent eaux-fortes gravées par J. Van de Kerkhove d'après les tableaux de Frédéric Van de Kerkhove, mort en 1873 à l'âge de 10 ans et 11 mois.
Overlijden van Hendrik Berlage (Vereniging voor Penningkunst 1934, tweede penning)
Object type: history medal
Date: 1934 – 1934
Materials: bronze
Techniques: striking
Artist: nel klaassen
Artist role: draughtsman, sculptor
Artist dates: 1906 – 1989

Bronzen penning, op de voorzijde het portret van Berlage naar links met omschrift, op de eerzijde een gebouw met klokkentoren met onderaan omschrift, met verklaring.
Card Number 377, Ruby Leonard, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Jar
Object type: jar
Materials: pewter
Culture: japanese
Nichols, Philadelphia, American League, from the White Border series (T206) for the American Tobacco Company
Object type: baseball card
Date: 1909 – 1911
Techniques: color lithograph
Artist: american tobacco company
Artist role: publisher
Subjects: men,portraits,baseball,athletes

Trade cards from "White Border" series (T206), issued 1909-11 to promote sixteen brands of cigarettes and loose tobacco distributed by the American Tobacco Company.
Facsimile Painting of Geese, Tomb of Nefermaat and Itet
Object type: facsimile, nefermaat and itet, meidum goose
Date: 2575 – 2551
Materials: canvas, paint
Location: egypt
Artist: charles k. wilkinson
Artist role: artist
Artist dates: 1897 – 1986
Subjects: birds

This facsimile copies a painting from the early Dynasty 4 tomb of Nefermaat and Itet at Meidum, the original of which is now in the Egyptian Museum, Cairo (Cairo CG 1742). The geese were once part of a larger scene found on the north wall in the tomb chapel of Itet, the wife of the vizier Nefermaat, and likely the daughter-in-law of King Snefru. As members of the royal family, the pair was granted a large mastaba tomb close to the pyramid of the king and could employ the most sought-after artists of the day to help in its decoration. The geese were depicted below a scene showing men trapping birds in a clap net and offering them to the tomb’s owner. While it is not uncommon to find scenes of fowling in the marshes in Old Kingdom tombs, this example is one of the earliest and is notable for the extraordinary quality of the painting. The artist took great care in rendering the colors and textures of the birds’ feathers and even included serrated bills on the two geese bending to graze.
Benevolence
Object type: print
Techniques: aquatint, etching
Artist: samuel alken
Artist role: etcher
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: children,men,women,dogs,drinking
Interieur van de Hervormde Kerk te Schoorl
Object type: photograph
Date: 1902 – 1902
Materials: cardboard, photographic support
Techniques: albumen print
Location: schoorl
Subjects: interior of church
Inscriptions: annotation: ‘N.H. Kerk, Juni 1902/ Schoorl’, annotation: ‘Schoorl (N.H.)/ N.H. Kerk/ inerieur/ Juni 1902’
Landschap met kalme zee en vissers op een rots
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: sea (seascape), fisherman
Inscriptions: collector's mark: Lugt 2228
Landschap met boerenhut
Object type: print
Date: 1880 – 1935
Materials: paper
Techniques: etching, intaglio
Artist: johannes vogelaar
Artist role: draughtsman, painter, print maker
Subjects: hut, cabin, lodge
Inscriptions: annotation: ‘Amice/ [...] heeft van deze/ plaat nog nimmer een/ proef gemaakt, daarom zend/ ik je deze ter goedkeuring’
Etruskische vaas gedecoreerd met dieren en mensen
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, linen, metal, paper, ink
Techniques: photograph
Location: europe
Artist: Anonymous
Subjects: ornament ~ hybrid animals, container of stone: stone vase, italy
Portret van Francesco III d'Este
Object type: print
Date: 1730 – 1757
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Brief aan Jan Hendrik Maschaupt
Object type: letter
Date: 1860 – 1860
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: adolphe mouilleron
Artist role: draughtsman, print maker
Artist dates: 1820 – 1881
Subjects: théophile thoré-bürger, painter, jan hendrik maschaupt, family life, painting (including book-illumination, miniature-painting), exhibition ~ art, diseases, brussels, amsterdam
Inscriptions: collector's mark: ‘RPK’
Terracotta fragment of a kyathos (cup-shaped ladle)
Object type: kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Handle root from a kyathos; at the right, bit of a vine
Humbugging, or Raising the Devil
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,cats,crocodiles
Schoolklas
Object type: print
Date: 1681 – 1740
Materials: paper
Techniques: woodcut
Location: haarlem
Artist: isaac vincentsz. van der vinne
Artist role: draughtsman, print maker
Artist dates: 1665 – 1740
Subjects: teacher and pupil
Farms and Bleaching-Fields, from Views in the Surroundings of Haarlem (Plaisante Plaetsen)
Object type: print
Date: 1610 – 1620
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: claes jansz. visscher
Artist nationality: netherlandish
Artist dates: 1550 – 1612
Inscriptions: Lettered lower right: "11"
Desmarestia aculeata
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Subjects: plants
Moscow. Red Square. Lenin and Stalin Mausoleum / Moskau. Roter Platz. Mausoleum W.I. Lenins und J.W. Stalins / Moscou. Place Rouge. Mausolée de Lénine et de Staline
Object type: ansichtkaart, prentbriefkaart
Date: 1956 – 1956
Materials: cardboard
Techniques: color autotype
Location: moscow
Artist: Anonymous
Subjects: square, place, circus, etc., mausoleum
Inscriptions: date

De titel op object staat ook in het Russisch.
Mohar uit Nepal van Prithvi Narayana uit de Gurkha dynastie, 891 [= 1770]
Object type: coin
Date: 1770 – 1770
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: binnen een vierkant in een cirkel een drietand, waaromheen twaalf tekens in Nagari-schrift met de betekenis: sri sri Prithvi Narayana saha deva. Rondom het vierkant een soort van veelpas met ornamenten. In onderste twee ornamenten jaartal in Nepalese cijfers: 891. Keerzijde: binnen een cirkel een stupa. Rondom de cirkel een rand met ornamenten, waarin acht afgescheiden ruimtes, met in elke ruimte een teken in Nagari-schrift met de betekenis: sri sri sri gorakhanatha. Gladde rand.
Glass bottle
Object type: bottle
Date: 1 – 133
Materials: glass
Culture: roman

Translucent pale blue green. Collared rim, with vertical, rounded lip; slender, cylindrical neck, tooled in around base; piriform body; concave bottom. Wheel-abraded decoration on body in horizontal bands; single fine line at top, then band of two fine lines flanking a broader groove, two more fine lines, and a single fine line at point of greatest diameter. Broken and repaired around body with two small holes in side; some elongated, large, and pinprick bubbles; patches of enamel-like weathering and iridescence.
Terracotta fragment of a salt cellar?
Object type: salt cellar fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Black glazed rim fragment from a salt cellar?; the resting surface is reserved; the inner wall of the foot is glazed; the underside is reserved, with a thin black glazed circle, which has a dot in the center
Print
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Subjects: men,women,parasols
Tree of Jesse Window: The Reclining Jesse, King David, and Scenes from the Life of Jesus
Object type: panel
Date: 1280 – 1300
Materials: glass, lead, metal, paint
Culture: german
Location: germany
Subjects: apostles,christ,david,crucifixion,last supper

The Book of Isaiah presents Jesse, an ancestor of Christ, as the root of a great tree, a symbol of his illustrious progeny. In this thirteenth-century stained-glass panel from Swabia in southern Germany, Jesse lies asleep at the bottom, and the tree rises like a dream from his side. In branches coiling from the trunk, prophets hold scrolls that foretell the coming of Christ. King David holds a harp in the roundel immediately above Jesse, and the four upper roundels contain scenes from the life of Christ, from bottom to top, the Presentation in the Temple, the Last Supper, the Crucifixion, and the Ascension. The vertical trunk unifies the panel and seems to merge with the wood of the cross in the Crucifixion scene.
Koning Willem I
Object type: bust
Date: 1815 – 1815
Materials: gypsum
Location: netherlands
Artist: gilles lambert godecharle
Artist role: sculptor
Artist dates: 1750 – 1835
Inscriptions: signature and date: ‘Godecharle ft 1815’

Buste van Koning Willem I met de koninklijke mantel. Gemerkt: Godecharle ft 1815.
Micrographic Design in the Shape of a Labyrinth
Object type: album print ornament architecture
Date: 1601 – 1633
Materials: ink
Techniques: pen
Artist: Anonymous
Artist role: artist

Micrographic design in the shape of a labyrinth. The text of the micrographic design is written in cursive French and starts with the words 'L'homme prudent (...)'. The initial L is written in gold, while the rest of the text is executed in brown ink. Part of an album of 26 examples of calligraphy and micrography, thought to have been produced in France or possibly Antwerp at the beginning of the seventeenth century.
Fortezza e ponte di Cast.o S.o Angelo
Object type: print
Date: 1576 – 1618
Materials: paper
Techniques: etching
Location: rome
Subjects: fortress, bridge, rome
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1337

Gezicht op de Engelenburcht en de Engelenbrug over de rivier de Tiber te Rome. Italiaanse tekst in ondermarge.
Military Procession
Object type: drawing
Date: 1501 – 1600
Materials: paint, ink
Techniques: brush, heightening, pen
Artist: hans mont
Artist role: artist
Artist nationality: flemish
Artist dates: 1545 – 1585
Subjects: military,weapons,crowd
Bay, Hill, and Figure on Shore (from Sketchbook X)
Object type: drawing
Date: 1885 – 1885
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: landscapes

This sketchbook contains fifty-one drawings in graphite and ink, primarily of Pacific Northwest landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.1) of New England and Pennsylvania landscape and marine subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Groep figuren langs een weg
Object type: drawing
Date: 1653 – 1653
Materials: chalk, paper
Techniques: brush
Artist: jan van goyen
Artist role: draughtsman, painter
Artist dates: 1596 – 1656
Subjects: animal traction, animal-drawn vehicle (carriage etc.), (traveller) resting in the open air, farm or solitary house in landscape
Governor Lowry, Mississippi, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,coat of arms,flags

Trade cards from the "State Governors, Arms, Etc." sseries (N133-2), issued in an unnumbered set of 48 cards ca. 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type, pictured here, is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
George Washington
Object type: painting
Materials: canvas, oil
Culture: american
Artist: gilbert stuart
Artist role: artist
Artist nationality: american
Artist dates: 1755 – 1828
Subjects: george washington,men,portraits

This depiction of Washington, called the Gibbs-Channing-Avery portrait after its successive owners, is one of eighteen similar works by Stuart categorized as the Vaughan group. The first of its type—presumably painted from life, in Philadelphia, and then replicated—belonged to Samuel Vaughan, a merchant and close friend of Washington. Technical analysis has revealed that Stuart changed the color of the sitter’s coat, painting the American-made brown wool broadcloth to appear more like the formal European black silk velvet suit that Washington wore on official occasions.
Terracotta Hadra hydria (water jar)
Object type: hydria, hadra
Date: 300 – 201
Materials: terracotta
Culture: greek, ptolemaic

On body and neck, laurel sprays between bands.
Brief aan anoniem
Object type: letter
Date: 1911 – 1911
Materials: ink
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: drawing
Saint Christopher
Object type: statuette
Date: 1501 – 1533
Materials: bronze
Artist: severo calzetta da ravenna
Artist role: artist
Artist nationality: italian
Artist dates: 1496 – 1543
Subjects: saint christopher

The holy Christophoros (Christ Bearer) was venerated by countless voyagers, navigators, and athletes. Twelve cubits tall, according to The Golden Legend, he bore the Christ Child, “heavy as lead,” across a swollen river. The little boy with a globe and the giant’s pole for fording the stream are missing from the present example. Bertrand Jestaz, recognizing the model’s kinship with Severo’s Neptune statuettes (cat. 37), advanced considerably our understanding of the artist when he found that the hole in the flattened hand of a Saint Christopher in the Louvre originally stabilized a Christ Child now in the National Gallery of Art, Washington, D.C., by means of the short pin in the child’s underside (they have since been regularly reunited; see fig. 33a). The Louvre figure lacks the circular fibula found on our saint’s right shoulder. Another lone Saint Christopher is in the Bode-Museum.[1] Despite the latter’s noticeable flaw in front, all three specimens are of a quality that is high for Severo, who evidently took pains with the model, if not with the execution. Jestaz and Patrick De Winter discuss how each was cast in three sections and soldered together horizontally, and Dylan Smith presents a radiograph of the Washington saint showing a fairly simple network of core pins, arguing that their systemization grew more complex as the workshop evolved, making this a fairly early work.[2] The saint, with his zigzagging, well-rounded limbs and delicately gathered “Roman” tunic, is one of Severo’s largest serial creations, and one of his most energetic and appealing. It shares more with late medieval norms than with the budding Renaissance, another reason to date it fairly early in his output. For the garment, reasonable parallels are found in the mantle of the Saint John the Baptist in the Ashmolean,[3] which in turn comes closest in Severo’s oeuvre to his finest creation, the signed marble of the Forerunner in the Basilica di Sant’Antonio in Padua, with its even more emphatic fish-hook patterns in the folds of the cloak (p. 00, figs. 2d–e). -JDD Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. Planiscig 1930, pl. 39. 2. D. Smith 2008, p. 53, fig. 14. Our Christopher was cast in a brass alloy with a small amount of lead and trace impurities. R. Stone/TR, 2016. 3. Warren 2014, pp. 117–24, no. 34.
Muts van kloskant met eikeblaadjes
Object type: cap
Date: 1914 – 1914
Materials: linen
Techniques: lace
Location: sluis
Artist: martha berkers
Artist role: kantwerkster

Muts van naturelkleurige kloskant, duchesse-kant. Het model is driedelig; twee ruitvormige zijstukken en een rechtheokige middenbaan zijn door een lisière, d.i. aannaaibandje, omgeven. De kant heeft een open spijlenfond en een asymmetrisch patroon van losse roosjes en eikeblaadjes, die tot rozetten geschikt zijn.
Landkaart van Japan
Object type: print
Date: 1681 – 1681
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: maps of separate countries or regions, japan
Inscriptions: collector's mark: Lugt 2228

Illustratie vervaardigd voor deel III van: Tavernier, Jean Baptiste. Les six voyages de Jean Bapt. Tavernier (...) en Turquie, en Perse et aux Indes. Brussel: Eugène Henry Fricx, 1679. Tweede uitgave te Parijs, 1679-1681. Deel I en II verschenen in 1679. Deel III verscheen in 1681.
Venus Honored by Nymphs and a Faun
Object type: print
Date: 1589 – 1678
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: nymphs (in general); 'ninfe in commune' (ripa), veneration of venus
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Venus, met Amor aan haar zijde, ontvangt manden met bloemen en vruchten van de nimfen. Een sater brengt een mand met gevogelte.
Jar
Object type: jar
Date: 1401 – 1600
Materials: glaze, stoneware
Culture: chinese
Covered bowl with hoo-birds, flowering plants and floral scrolls
Object type: covered bowl
Date: 1700 – 1724
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: japan
Artist: Anonymous

Kom en deksel, imari, met goud , hek met vegetatie, wand gelobdmet een feng huang tussen bloemen en ranke.
Yaguchi Ferry Crossing (Yaguchi no watashiba), section of a sheet from the series "A Harimaze Mirror of Joruri Plays (Harimaze joruri kagami)"
Object type: print
Date: 1854 – 1854
Techniques: woodblock print
Location: japan
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Soldiers and Officers in the Franco-Prussian War
Object type: photograph
Date: 1870 – 1871
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: frantz
Artist role: fotograaf
Inscriptions: annotation: ‘OFFICIER MEDECIN ORDONNCE GENDARME HULANS HUSSARDS POSTES AMBULCE / ARTILLERIE / CAVALERIE / INFANTERIE / GENIE / TELEGRAPHES / TRAIN / LES ALLEMANDS EN FRANCE / Frantz Phot a Rouen’

France and Germany went to war in 1870. After a swift victory, Germany occupied a part of France. Rouen, where the maker of these photographs lived, lay in this area. Perhaps his fellow citizens used them to identify the foreign soldiers. In any case, they were small enough to fit into a coat pocket and could be consulted inconspicuously.
Portret van H. Nicolaas Poppel
Object type: print
Date: 1617 – 1618
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: martyrs of gorkum, historical persons, brielle
Inscriptions: collector's mark: Lugt 964

Met vierregelig onderschrift in het Latijn. Genummerd: 2.