deem-data/ArtiFact huggingface dataset:
Jagers vangen 's nachts vogels
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: etching
Location: italy
Subjects: hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), bird hunting
Inscriptions: collector's mark: ‘Hinloopen’, number: ‘2’

Deze prent maakt deel uit van een reeks van 45 jachtscènes (+ titelprent en opdracht).
Smelting on the River Blythe in Suffolk
Object type: photomechanical print
Date: 1883 – 1888
Materials: paper
Techniques: photoaquatint
Location: suffolk
Subjects: fisherman
Inscriptions: inscription: ‘Plate VI.’

From 1850, scenes of fishing and fishermen were a popular genre in painting, which for example explains the success of the Hague School. For photographers it was difficult with the technical means then at their disposal to successfully capture sharp contrasts, backlighting, and the glittering on the water. Emerson here managed not to reduce the fishermen to mere black silhouettes, but rather portray them in subtle shades
of grey.
Maat van een achtste mud van Enhuizen
Object type: inhoudsmaat droge waren
Date: 1800 – 1800
Materials: wood
Location: enkhuizen
Artist: Anonymous
Subjects: enkhuizen
Inscriptions: title: ‘Enkhuysen 1/8 van een mudsmaat’, number: ‘39’, : ‘1800’, title: ‘d'Enkhuysen 1/16 Beisjeau’, mark

Spanen maat van een achtste mud met blok aan de binnenzijde, voorzien van merken, 2 etiketten en label aan lintje.
Concertina
Object type: concertina
Date: 1850 – 1860
Materials: leather, metal, wood
Location: europe
Artist: Anonymous

Rijk versierde concertina, ongesigneerd maar in stijl en afwerking identiek aan gesigneerde instrumenten van Charles Wheatstone. Mechaniek en decoraties lijken in grote lijnen in originele staat. De concertina wordt bewaard in een bijpassende, maar iets gehavende, houten doos.
Zeilboten op het water
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: ink, paper
Techniques: pen
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)

Blad 5 recto uit een schetsboek met uit 75 bladen.
St. Janskerk. Hoogaltaar. 's Hertogenbosch
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1927
Materials: cardboard
Techniques: photograph
Location: haarlem
Subjects: interior of church, altar with altar-piece
Enjoying the Evening Cool on the Banks of the Sumida River
Object type: print
Date: 1784 – 1784
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: fans,women,rivers

A seated married woman in black kimono, a young woman holding a fan and a maid in apron with saucer in her hand watch two courtesans walk by, hand in hand. A mistress of a teahouse in a blue and white summer yukata accompanies them. Because of its fine condition and colors, Japanese scholars judge our diptych to be the finest extant version in the world.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, handle, part of handle palmette, and handle patch
Flatgebouw van Ludwig Mies van der Rohe, Chicago
Object type: photograph
Date: 1971 – 1971
Materials: photographic support
Techniques: gelatin silver print
Location: chicago
Artist: iohan quirijn van regteren altena
Artist role: painter
Artist dates: 1899 – 1980
Subjects: moskou
Inscriptions: annotation

Een foto van flatgebouw, Chicago op drager.
Inrichting van een kunstzaal met schilderijen
Object type: photograph
Date: 1895 – 1920
Materials: photographic support
Techniques: collodion silver print
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: art collection, art gallery (+ painting), picture, painting
Gezicht op de binnenkant van de Beauchamp Tower
Object type: print
Date: 1850 – 1949
Materials: paper
Techniques: etching
Location: london
Artist: Anonymous
Subjects: fortress, tower (of house or building)
Inscriptions: collector's mark: Lugt 2228
Glass pendant in the shape of Harpokrates
Object type: pendant in the form of harpocrates
Date: 134 – 1
Materials: glass
Techniques: molding
Culture: greek, eastern mediterranean
Subjects: harpokrates

Translucent pale yellow. Solid, vertical pendant, with mold marks running up sides of figure, over his head, and under his feet; on his back a small vertical suspension loop. Harpocrates, standing facing front, with curly hair topped with a small version of the double crown of Egypt, naked, left arm at side, right arm bent up across his chest and his forefinger pressed to his lips. Intact; some pitting and slight weathering. Yellow figure of Harpocrates with perforated loop behind.
Trophées Nouvellement Inventez par J.B. Toro.
Object type: album print ornament architecture
Date: 1716 – 1716
Techniques: etching
Artist: jean bernard toro
Artist role: designer
Artist nationality: french
Artist dates: 1672 – 1731
Subjects: ornament,mythical creatures,putti,trophies
Portret van een onbekende man in uniform buiten op een stoel, vermoedelijk een wachter
Object type: photograph
Date: 1895 – 1920
Materials: paper
Techniques: collodion silver print
Artist: Anonymous
Subjects: waiting, watching, adult man, anonymous historical person portrayed, (military) uniforms
Portrait of the Meebeeck Cruywagen Family near the Gate of their Country Home on Uitweg near Amsterdam
Object type: painting
Date: 1640 – 1645
Materials: canvas, oil
Artist: jacob van loo
Artist role: painter, print maker
Artist dates: 1614 – 1670
Subjects: historical persons - bb - woman, family group, especially parents with their child(ren), historical persons
Inscriptions: inscription, on the reverse: ‘De Familieportretten verbeeld voor hunne hofstede aan den Hoge Dijk buiten den Haarlemmerpoort te Amsterdam, van het geslagt van Meebeek Kruywagen, huisvrouw van Jan Troost, curator der desolate boedelkamer te Amsterdam. Zij is begraven den 15 december 1699 in de N. Kerk en was de moeder van Cornelis Troost, kunstschilder’

Groepsportret van de familie Meebeeck Cruywagen bij de poort van hun buitenhuis aan de Uitweg bij Amsterdam. Twee van de jongens met een paard met wagen. Voorgesteld zijn, van links naar rechts: Cornelis, Pieter, Jan, Claas (op de wagen), Niesje Claesdr, de grootmoeder van de moederskant, Jacob, Rijckert, Barbara Jansdr née Mastenbroek (de moeder) en de vader Hendrick Cruywagen.
Kop met lijnendecor in geel en zwart op crème fond
Object type: cup
Date: 1925 – 1925
Materials: earthenware
Location: arnhem
Inscriptions: mark: ‘cirkelvormig stempel in zwart: Colenbrander "Ram" Arnhem-Holland rondom een ramskop, 110.’

kop van aardewerk met lijnendecor in geel en zwart op crème fond. De mond- en voetrand zijn zwart. Gemerkt met cirkelvormig stempel in zwart: Colenbrander "Ram" Arnhem-Holland rondom een ramskop, 110.
Delaware Water Gap
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: engraving, printing
Location: united states
Artist: asher b. durand
Artist nationality: american
Artist dates: 1796 – 1886
Gezicht op het Custom House aan de rivier de Theems te Londen
Object type: opticaprent
Date: 1753 – 1753
Materials: paper, watercolor
Techniques: brush, etching
Artist: Anonymous
Subjects: customs, canals, waters (in city) (+ city(-scape) with figures, staffage), thames
Inscriptions: watermark
Two Dogs, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1558 – 1558
Techniques: engraving
Artist: sebastiano di re
Artist role: artist
Artist nationality: italian
Artist dates: 1557 – 1563
Subjects: dogs

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 86 in the scrapbook.
House in the Rocks
Object type: drawing
Date: 1839 – 1839
Materials: ink
Techniques: pen
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Subjects: human figures,houses
Vijfde verjaardag van prinses Carolina
Object type: history medal
Date: 1748 – 1748
Materials: silver
Techniques: striking
Location: amsterdam
Artist: martinus holtzhey
Artist role: medailleur, muntmaker
Artist dates: 1697 – 1764
Subjects: carolina (prinses van oranje-nassau), willem iv (prins van oranje-nassau), the hague, anna van hannover

Zilveren penning. Voorzijde: borststuk man en vrouw met diadeem binnen omschrift. Keerzijde: borststuk jong meisje boven jaartal binnen krans van oranjetak en rozetak, met lint gebonden aan pijlenbundel boven opschrift, binnen omschrift
Zilveren herinneringsmedaille van kapitein G. Leers
Object type: medal
Date: 1832 – 1832
Materials: silver
Techniques: forging, striking
Location: netherlands
Artist: Anonymous
Subjects: strijd om de citadel van antwerpen (1832)
Inscriptions: date: ‘ANTWERPEN DECEMBER MDCCCXXXII’, : ‘WAT OOK VAL. TROUW STAAT PAL.’, name: ‘G. LEERS KAPITEIN’

Zilveren herinneringsmedaille waar een Grieks strijder aan zijn linkerarm een rond schild beschermend voor zich houdt terwijl rechts op de medaille pijlen op hem afgeschoten worden. In zijn rechterhand houdt hij een kort zwaard vast, Achter hem een afgebroken zuil waar puin naast ligt. Aan de bovenzijde een tekst WAT OOK VAL. TROUW STAAT PAL. Onder de strijder een ANTWERPEN DECEMBER MDCCCXXXII. Aan de andere zijde van de medaille een platte kant waar alleen rondom een lauwerkrans is gegraveerd. In het midden de naam G. Leers Kapitein.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, on exergue; bearded man with shod feet, and his himation draped over his left shoulder, mounting the draped woman to right, who wears a chiton and himation; Exterior, vertical chevron ornament; profiled ring foot with unglazed resting surface; the inner wall of the foot is glazed; the underside of the floor is decorated with concentric circles; the outer edge is in reserve, followed by a wide band of black glaze, and a wide band in reserve; towards the center, there is a concave black glaze band, bordered by chamfered edges; the middle is in reserve with two black glazed circles, the smaller circle in the center has a dot in the middle
Strip
Object type: strip
Date: 1701 – 1800
Materials: linen
Techniques: embroidery
[Hermine, Alfons and Eugen Antoine and Mathias Häusermann on a fallen tree]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: franz antoine
Artist role: artist
Artist nationality: austrian
Artist dates: 1815 – 1886
Subjects: boys,girls,men,women
S. Stanislas, évêque (St. Stanislaus, Bishop), May 7th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Portret van Adriaan van Zeebergh
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: ink-well, book, paper (writing material)
Inscriptions: collector's mark: Lugt 2228

Later staat prent gebruikt in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd Ie-XXVste deel. Amsterdam: Johannes Allart, 1783-1795. Deel XVII.
Cup
Object type: cup
Date: 1830 – 1830
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: coat of arms
Yamashita Kyonosuke as Ono no Komachi
Object type: print
Techniques: woodblock print
Location: japan
Artist: Anonymous
Geschilderd raam in de Grote Kerk te Schermerhorn
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: schermerhorn
Subjects: church-window, e.g. rose-window
Inscriptions: annotation: ‘Glasraam in de N.H. Kerk/ Schemerhorn’, annotation: ‘Schermerhorn/ glasraam in de Ned. Herv. Kerk’
Gezicht op enkele ingestorte huizen op de hoek van het Leidseplein en de Leidsestraat
Object type: drawing
Date: 1806 – 1806
Materials: chalk, ink, paper
Techniques: brush
Location: amsterdam
Artist: daniël kerkhoff
Artist role: draughtsman
Artist dates: 1766 – 1821
Subjects: city-view in general; 'veduta', collapsing building, the usual house or row of houses
Inscriptions: inscription: ‘Ingezakte huizen Leidschestraat (...) breed 30 cent.’, inscription: ‘Port. 9 - 220 (...) plijn - D. Kerkhoff’, inscription: ‘Geschenk van den Heer / J.F.M. Sterck’, collector's mark: ‘9’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: 2e Laurierdwarsstraat (Vuile Weespad), Leidschegracht, Leidschekade, Leidscheplein, Leidschestraat, v. Lennepkade, Lijnbaansgracht, Lauriergracht, Leliedwarsstraat, Leliegracht, Lindengracht, Lombardsteeg, Looiersgracht, Looiersstraat (Nieuwe), Leidekkerssteeg.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, part of a reserve band
Plaque
Object type: plaque
Date: 206 – 250
Materials: bronze
Culture: chinese
Subjects: animals
Songs of Experience: The Garden of Love
Object type: print
Materials: gold, ink, shell, watercolor
Techniques: etching, hand coloring, printing, relief
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: poetry,men,women,reading

Blake’s Songs of Experience contains twenty-seven pages. The artist etched the printing plates in 1794, expanding the scope of his earlier Songs of Innocence. He then printed and hand-colored copies of the combined sets over succeeding decades as patrons ordered them, each one visually distinct. Verse and image work together to celebrate poetic inspiration and reveal aspects of the divine as expressed through nature, but the tone of the later Songs of Experience is dark, even despairing. Children experience inexplicable cruelty at the hands of adults and the poet offers neither rescue nor resolution. These works were shaped by the later stages of the French Revolution, which was marked by regicide, the Terror, and repression of radical thinkers in Britain. The artist Edward Calvert met Blake around 1825 and commissioned this copy of Songs of Innocence and of Experience soon thereafter. These richly decorated pages, with their deeply saturated hues and distinctive ornamental borders, reveal Blake’s late vision, and the order is established by small red numbers at upper right. This copy of Songs was later the first work to be purchased by the Museum’s new Department of Prints in 1917, recommended by its distinguished curator William M. Ivins, Jr.
Panel from an Altar Frontal
Object type: textile
Date: 1450 – 1500
Materials: cotton, gilt, metal, silk, velvet
Techniques: bookbinding, cutting, lining, patterning, weave, voiding
Location: italy
Subjects: pomegranates
Sir R. Jardine, from the Racing Colors of the World series (N22a) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,jockeys

Trade cards from the "Racing Colors of the World" series (N22a), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. The series was published in two variations. N22a includes a white edge around the perimeter of each card and N22b does not.
Blade and Mounting for a Short Sword (Wakizashi)
Object type: blade and mounting for a short sword wakizashi
Materials: copper, gold alloy, iron, lacquer, silver, steel, thread, wood
Culture: japanese
Location: japan
Louis Seize
Object type: print
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Brief aan Philip Zilcken
Object type: letter
Date: 1886 – 1886
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: catharina alberdingk thijm
Artist role: schrijver
Artist dates: 1848 – 1908
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Evening muff
Object type: evening muff
Date: 1880 – 1889
Materials: silk
Culture: american
Elevation of the Amphitheatre and Entrance Gate of the Collège des Chirugies, Paris
Object type: drawing
Date: 1752 – 1752
Materials: chalk, graphite, ink
Techniques: brush, incising, pen, wash
Artist: jacques françois blondel
Artist role: artist
Artist nationality: french
Artist dates: 1705 – 1774
Subjects: architecture,buildings

In this collaborative work, Saint-Aubin’s lively handling of pen and wash lends an animated quality to the figural and ornamental motifs that embellish the otherwise precise architectural drawing by Blondel. A study for an illustration in Blondel’s four-volume Architecture françoise, published between 1752 and 1756, it depicts the courtyard facade of the amphitheater of the Royal Academy of Surgery (Académie royale de chirurgie) in Paris. Above this is an elevation of the portal one passes through when entering the courtyard from the street.
Plate 2: Robert Macaire, philanthropist, from 'Caricaturana,' published in Les Robert Macaires
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men

You see, Bertrand... We are moralists in actions (play on words: actions means stocks). .... In actions (stocks) which naturally will cost 250 francs... We will treat the shareholders free of charge: you will purge them and I will bleed them.
Model Spear
Object type: model spear
Date: 1981 – 1802
Materials: copper, wood
Location: egypt
Subjects: spears

This model spear, one of seven found with a model spear case (17.9.4), is made of wood, with a copper head that was merely slotted into the end of the shaft. A real spear, which would have been about the same length, would have had a flint or metal head and was meant for use in close-quarter combat. (See also 17.9.3.1-related.)
Zittende vrouw bekijkt een prent of tekening, voor haar een prentstandaard
Object type: print
Date: 1879 – 1927
Materials: paper
Techniques: lithograph
Artist: loys-henry delteil
Artist role: print maker
Artist dates: 1869 – 1927
Subjects: print, e.g.: engraving, etching, lithograph, art collecting
Inscriptions: collector's mark: Lugt 4779, number: ‘49’, annotation: ‘Loys Delteil’, collector's mark: Lugt 2228
Month cup of the first month with a prunus tree and a poem
Object type: cup
Date: 1700 – 1724
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark: ‘大 清 康 熙 年 製’

Klokvormige kop van porselein, beschilderd in onderglazuur blauw en op het glazuur blauw, rood, groen, geel, aubergine en zwart. Maandkopje van de eerste maand met op de buitenwand een prunusboom en een tweeregelig gedicht afgesloten door het zegelmerk 'shang', waardering. Gemerkt op de onderzijde met het zes-karaktermerk van keizer Kangxi in een dubbele cirkel. Porselein met emailkleuren.
Satirical Drawing of the Sâr Joséphin Peladan
Object type: drawing
Date: 1891 – 1891
Materials: ink, watercolor
Techniques: pen
Artist: marcellin desboutin
Artist role: artist
Artist nationality: french
Artist dates: 1823 – 1902
Subjects: satire,men,portraits
Match box and striker and matches
Portret van Hermanus Boerhaave
Object type: book illustration
Date: 1716 – 1716
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: leiden, hermanus boerhaave, historical persons, physician, doctor

Prent uit: Fundatoris, curatorum et professorum celeberrimorum, aliorumque illustrium virorum, quorum gratia, favore cura, doctrinaque academia Lugduno-Batava (...). Leiden: Pieter van der Aa, [ca. 1716].
Dish (piatto); The story of Hercules: Hercules lifts the giant Antaeus clear of the Earth, his mother, from whom he derived his phenomenal strength
Object type: dish
Date: 1490 – 1500
Techniques: maiolica, glazing
Culture: italian
Subjects: hercules
View of the Taj Mahal from the Yamuna river, Agra, Uttar Pradesh, India
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: gelatin silver print
Location: agra
Artist: Anonymous
Subjects: agra
Inscriptions: annotation: ‘55. Taj. Mahal’
Hoofd van een man met bril
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: eyeglasses, spectacles, head (human) (+ right side visible; right - (r. hand, r. foot, etc.))

Blad 9 verso uit een schetsboek met 60 bladen.
Donkey Rides on the Beach
Object type: painting
Date: 1890 – 1901
Materials: canvas, oil
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: child between toddler and youth (of undetermined sex), donkey-riding (on the beach)
Inscriptions: signature: ‘Isaac Israels’

In contrast to Hague School painters, Isaac Israels depicted the carefree, touristic aspect of the seaside resort of Scheveningen. He often used models for these scenes – in this case, his acquaintances Suze Pont, Agatha Pauw and her little sister. Israels worked rapidly: ‘Never work too much, no more than two hours at a stretch, do not fuss too long, otherwise you will lose your freshness.’
Schets van een ruïne
Object type: drawing
Date: 1773 – 1843
Materials: paper, pencil
Artist: georges michel
Artist role: draughtsman
Artist dates: 1763 – 1843
Subjects: landscape with ruins

Een van 120 tekeningen, afkomstig uit een 19e eeuws album met tekeningen van Georges Michel.
Netsuke with Carving of an Actor
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: actors
H. Sebastiaan
Object type: print
Date: 1717 – 1762
Materials: paper
Techniques: engraving, etching
Artist: antonio balestra
Artist role: print maker
Artist dates: 1666 – 1740
Subjects: st. sebastian, tied to a tree or a pillar, is pierced by arrows
Inscriptions: collector's mark: Lugt 2228