deem-data/ArtiFact huggingface dataset:
Portret van Jean Racine
Object type: book illustration
Date: 1827 – 1829
Materials: paper
Techniques: engraving
Location: paris
Subjects: france, paris, jean racine, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228

Volgens de literatuur betreft deze of een andere staat een prent uit: Jarry de Mancy, Adrien. Iconographie instructive, ou Collection de portraits des personnages les plus célèbres de l'histoire moderne, accompagnés et entourés d'une notice biographique, chronologique et bibliographique (...). Parijs: s.n., 1827.
Spieghel der schrijfkonste
Object type: album leaf
Date: 1605 – 1605
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: calligraphy
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Van links naar rechts: een staande ovaal, cirkel en staande ovaal. De prent maakt deel uit van een album.
Case (Inrō) with Design of Chōryō and Kōsekikō with Plants, Waves and Clouds
Object type: inrō
Date: 1701 – 1900
Materials: lacquer, metal
Techniques: fundame, relief
Culture: japanese
Subjects: bridges,men,dragons,horses
Carlo Rimbotti (1518–1591)
Object type: painting
Date: 1548 – 1548
Materials: oil, wood
Artist: francesco salviati
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: men,portraits

Salviati and Rimbotti, a doctor, belonged to the same literary academy; this is likely an informal portrait made for his friend. The even, crystalline surface comes from the thin, transparent layers of paint built up on the wood panel, which is exceptionally well preserved. Inscriptions and wax seals of the Rimbotti family, visible on the back of the panel, help trace the painting’s location for nearly five hundred years.
Coin Portraying Emperor Septimius Severus
Object type: coin
Date: 159 – 138
Materials: bronze, copper alloy, metal
Culture: roman
Location: rome
Elevation of Reims Cathedral with the Royal Box for the Coronation of Louis XVIII
Object type: drawing ornament architecture
Date: 1815 – 1815
Materials: ink, watercolor
Techniques: pen
Artist: charles percier
Artist role: designer
Artist nationality: french
Artist dates: 1764 – 1838
Subjects: men,women,angels

This sheet shows an elevation of part of the interior of Reims Cathedral with the royal box for the coronation of King Louis XVIII. This design represents one of six drawings that form the only documentation of the plans for the coronation of King Louis XVIII, which never took place. The event was likely delayed, and eventually dismissed due to the precarious state of the French monarchy and the declining health of the King. In addition, the idea of a Royal coronation, bestowed by the French Catholic Church had become a point of contention after the fall of the first monarchy and the Emperor Napoleon’s decision to crown himself. For these reasons, King Louis XVIII’s successor, Charles X, opted not to have a coronation in Reims when he ascended the throne in 1824. Some of the concerns for how the coronation would be perceived can be noted in the decoration scheme that was devised by Percier and Fontaine. The architect duo had also been the official designers for the coronation of Emperor Napoleon. To mark the distinction, in their designs for Reims Cathedral, they veered away from the vocabulary of the Empire Style, and instead worked in a style known as Palladian Gothic. In addition, they incorporated references to the historic legitimacy of the Bourbon dynasty throughout their decoration scheme.
Geschiedenis van Klein Duimken / Histoire de Tom Pouce
Object type: print
Date: 1800 – 1833
Materials: paper
Techniques: letterpress printing
Location: turnhout
Subjects: tales and fairy tales: little thumbling
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen uit het verhaal van Klein Duimpje. Onder elke afbeelding een onderschrift in het Nederlands en in het Frans. Genummerd midden boven: N. 237.
Actress wearing green and yellow fez, from Stars of the Stage, First Series (N129) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Stars of the Stage, First Series" (N129), issued in an unnumbered set of 25 cards in 1890 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco.
De omroeper, 1840-1841
Object type: print
Date: 1840 – 1841
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: professional clothes, oral spreading of news, town crier, netherlands
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Staande omroeper met bekken en stok om er mee op te slaan. Los exemplaar van een illustratie uit een boek met karakterschetsen, beroepen en klederdrachten van Nederlandse volkstypen uit 1841. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en verkeer, Beroep en bedrijf, Mannelijk, Klapperman, omroeper, nachtwaker.
Grand view point, Grand Canyon National Park, Arizona
Object type: photomechanical print
Date: 1928 – 1928
Materials: paper
Techniques: chromolithography
Location: grand canyon
Artist: Anonymous
Subjects: shop, store
Inscriptions: number: ‘H-3125’, annotation: ‘Grand Canyon’
Aan boord vieren van het passeren van de evenaar
Object type: album leaf
Date: 1947 – 1948
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: equator
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, man dressed as woman, travesty, celebration on board while crossing the equator (neptune)

Albumblad met vier foto's van het vieren van het passeren van de evenaar aan boord van het schip de S.S. Waterman, onderweg naar Nederlands-Indië. Ook portret van twee officieren. Onderdeel van het fotoalbum 'Mijn jaren in Indië' met foto's over de militaire acties in Nederlands-Indië.
Vondel in de toneelvoorstelling op het tweede eeuwfeest van het Athenaeum Illustre te Amsterdam, 1832
Object type: drawing
Date: 1832 – 1832
Materials: paper, pencil
Location: amsterdam
Artist: Anonymous
Subjects: cologne, joost van den vondel
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Vondel’

De dichter Joost van den Vondel, personage tijdens de toneelavond ter gelegenheid van het tweede eeuwfeest (1632-1832) van het Athenaeum Illustre te Amsterdam, gevierd in de Stadsschouwburg te Amsterdam op 10 januari 1832. Op de achterzijde is een andere figuur getekend.
One Hundred Chinese Boys
Object type: screen
Date: 1701 – 1800
Materials: gold, ink, panel, paper
Techniques: gilding
Culture: japanese
Subjects: bridges,boys,lakes,boats

A sumptuous estate, including a bridge and pavilion over a lake, is set off by a shimmering gilded background and golden clouds and enlivened by cavorting children. The conventional motif of One Hundred Children has obvious auspicious connotations in the Chinese tradition. Here, the ancient subject is combined with the moralizing theme of the Four Gentlemanly Accomplishments (calligraphy, painting, music, and the game of go), which engage the children. One Hundred Children became one of the most popular themes among the Kano painters, the official artists who worked for the shoguns and their vassals during the Edo period. The anonymous painter of this screen seems to have based it on a readily available model. The dry, mannered execution of the landscape elements points to a date in the eighteenth century for this work.
Portrait of a Lady
Object type: painting
Date: 1725 – 1750
Materials: canvas, oil, paint
Techniques: painting
Location: switzerland
Artist: Anonymous
Artist nationality: french or swiss
Artist dates: 1700 – 1799
Subjects: portraits: female subject, france, french, blue (color), portraits, portrait, woman, headdresses
Façade du Château de Gaillon à Paris
Object type: page
Date: 1839 – 1841
Materials: paper
Techniques: aquatint
Location: paris
Subjects: sculpture, façade (of house or building)
Inscriptions: inscription: ‘Rittner & Goupil Boulevd Montmartre 15’, inscription: ‘Hr. Bossance Quai Voltaire 11’, inscription: ‘N.P. Lerebours Place du Pont Neuf 15’
Hut in de Willemsbaai te Nova Zembla
Object type: sketchbook leaf
Materials: chalk
Location: novaya zemlya
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: gulf, bay, sailing-ship, sailing-boat, hut, cabin, lodge
Inscriptions: annotation: ‘Hut in Willemsbaai N Z’

Voor de kust ligt de schoener Willem Barentsz. Vooraan wrakhout. Blad 55 verso uit een schetsboek met 110 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Zak met scherven van aardewerk uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: earthenware
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Zak met scherven van roodbakkend en geelbakkend aardewerk uit V.O.C.-schip de 'Witte Leeuw'. Fragmenten van oren, bodems, dekels en randen.
Portret van Federico da Montefeltro
Object type: photomechanical print
Date: 1858 – 1898
Materials: paper
Techniques: autotype
Location: munich
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228
Grotesque Borders for Rooms & Halls
Object type: print
Materials: paper
Techniques: etching, hand coloring
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Gesigt Langs de Bierkay en Groenmarkt te sien naar de Oude Kerk tot Amsterdam
Object type: print
Date: 1731 – 1747
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: rowing-boat, canoe, etc., market
Inscriptions: collector's mark: Lugt 2228

Gezicht op een gedeelte van de Oudezijds Voorburgwal bij de Oude Kerk te Amsterdam. Op de gracht worden producten in manden op roeiboten vervoerd en op de Oudezijds Voorburgwal staan tonnen en lopen mensen. Rechts op het Oudekerksplein is een markt gaande.
Ontwerp van schoorsteenmantel
Object type: print
Date: 1686 – 1724
Materials: paper
Techniques: etching
Location: augsburg
Subjects: ornaments ~ art, chimney-piece, mantelpiece
Inscriptions: signature: ‘I. Wolff exc.’, number: ‘3.’

Ontwerp van een schoorsteenmantel met een grote urn met vlammen. Links ervan hangt een guirlande en rechts zit een putto. Derde prent uit een serie van zes. Prent maakt deel uit van een album. Hoogstwaarschijnlijk kopie naar Frans origineel.
The Marriage Ceremony
Object type: print
Date: 1768 – 1768
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: women,ceremony,dressing

From a narrative series of seven sheets describing the traditional Japanese marriage, this print shows the ironaoshi ceremony in which the bride is helped by attendants to change from her white silk wedding robes into ordinary clothes, which we see hanging on a rack.
Head of a Bearded Man, Looking Up to Right: Study for Saint Catherine of Alexandria Disputing with the Pagan Priests
Object type: drawing and watercolor
Date: 1603 – 1603
Materials: chalk, paper
Techniques: heightening
Location: italy
Artist: cigoli
Artist role: artist
Artist nationality: italian
Artist dates: 1559 – 1613
Prophet Isaiah
Object type: stained glass panel
Date: 1325 – 1325
Materials: glass, metal, paint
Culture: french
Location: france
Subjects: men

Represented at the left is the prophet Isaiah (YSAIAS) holding a scroll inscribed: ECCE VIRGO—the first words of his prophecy, “Behold, a virgin shall conceive, and bear a son” (Isaiah 7:14). At the right is Saint Mary Magdalene holding her attribute, the alabaster jar containing the ointment with which she anointed the body of Jesus. The inscription reads: M[ARIA SOROR] MARTH[HA]E (Mary, sister of Martha). Grisaille windows with figural glass in the central zones, known as band windows, were common in French glazing programs of the fourteenth century. Here, the grisaille panels are unrelated to the figures, and whether they were ever in such a window is unknown.
Nieuwe-Jaars-Eer-Dicht, Opgedragen aan die van den Edelen Manhaften Ouden Schuts, ofte Voet-boog, Binnen de Hoofd-stad s'Hertogenbosch, op 't Jaar MDCCXLIV
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: den bosch
Subjects: warfare; military affairs (+ citizen soldiery, civil guard, citizen militia), the warrior martyr george (georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword, den bosch
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarsprent van de schutterij De Oude Schuts of Voetboogdoelen van de stad 's-Hertogenbosch voor het jaar 1744. Embleem met Sint Joris die de draak doodt boven een gezicht op Den Bosch, links en rechts wapens, vaandels en de wapena van Den Bosch en Sint-Joris. Op het blad onder de plaat een vers in twee kolommen.
Seal or amulet inscribed with the name of Amasis
Object type: seal, amasis
Date: 570 – 526
Materials: faience
Location: egypt
Elia gevoed door de raven
Object type: drawing
Date: 1750 – 1760
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: gasparo diziani
Artist role: draughtsman
Artist dates: 1689 – 1767
Subjects: elijah fed by the raven(s): while the prophet is living by the brook, ravens bring him food
Lintel, Pyramid Temple of Amenemhat I
Object type: facsimile, amenemhat i temple
Date: 1981 – 1952
Materials: paper, paint
Location: egypt
Artist: unknown copyist
Artist role: artist
Subjects: men,women,hieroglyphs,ankh
Theaterscène op straat
Object type: print
Date: 1883 – 1930
Materials: paper
Techniques: lithograph
Subjects: chinese, theatre, theatrical performance, shadow-play
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Links en rechts van een groot wit doek staan een Chinese en Javaanse man. Op het doek is een oosterse pot afgebeeld. Voor het doek heeft een groep mannen, vrouwen en kinderen verzameld. Sommige van hen dragen maskers. Mogelijk is hier een zogenaamd schimmenspel afgebeeld waarbij met bewegende schaduwen een voorstelling wordt opgevoerd.
Sestertius (Coin) Portraying Philip the Arab
Object type: coin
Date: 244 – 249
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP M IVL PHILIPPVS AVG
Reverse: ANNONA AVG

The front (obverse) of this coin portrays emperor Philip I, better known as Philip the Arab thanks to his birthplace of Aurantis, Arabia (modern day Syria), facing right and wearing a crown of laurels.
On the back (reverse), the goddess Annona- the divine personification of the grain supply to the city of Rome- is depicted standing, facing left and holding an ear of corn. A tripod cista is shown at her feet.
Terracotta rim fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 530 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of the eyebrow and black glazed line from the top of the eye; above, part of a vine
Gezicht op de oude school aan de Overtoom
Object type: photomechanical print
Date: 1928 – 1983
Materials: paper
Techniques: line block
Artist: Anonymous
Subjects: city-view in general; 'veduta', elementary school; class, form
Inscriptions: collector's mark: ‘10,117’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Overtoom.
Side Chair
Object type: side chair
Date: 1805 – 1815
Materials: wood
Culture: american
Location: united states
Artist: duncan phyfe
Artist role: maker
Artist nationality: american, born scotland
Artist dates: 1770 – 1854
Casuaris, meegebracht door Willem Jacobsz. uit Oost-Indië en geschonken aan prins Maurits, 1614
Object type: print
Date: 1614 – 1615
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, maurice (prince of orange), walker and runner birds: cassowary

Kasuaris, meegebracht door schipper Willem Jacobsz. uit Oost-Indië en geschonken aan prins Maurits voor zijn menagerie te Rijswijk, 14 augustus 1614. De vogel afgebeeld staand in een landschap, op de achtergrond een Afrikaanse kroonkraanvogel en een bukkende kasuaris. Met onderschrift van 2 regels in het Nederlands.
Portret van Wilhelmina, koningin der Nederlanden
Object type: photograph
Date: 1908 – 1908
Materials: cardboard, photographic support
Techniques: photography
Location: netherlands
Subjects: the hague, print maker, wilhelmina of the netherlands
Inscriptions: address: ‘Guy de Coral & Co HOF-FOTOHANDEL AMSTERDAM-DEN HAAG.’

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Portret van keizer Maximiliaan I
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: engraving
Subjects: maximilian i (holy roman emperor), historical persons, emperor, abstract ideas and concepts (+ emblematical representation of concept)
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Helvicus, Nicolaus. Theatrum Historiae universalis Catholico Protestantium (...). Frankfurt am Main: Johann Gottfried Schönwetter, 1641.
Vase fragment
Object type: vase fragment
Date: 670 – 330
Materials: terracotta
Culture: roman

Fragment of brownish-yellow enamelled vase with raised vine decoration.
Amiens Cathedral
Object type: print
Date: 1907 – 1907
Materials: ivory, paper
Techniques: etching
Location: france
Artist: louis auguste lepère
Artist role: print maker
Artist nationality: french
Artist dates: 1849 – 1918
Peacock
Object type: figure
Date: 1741 – 1741
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: peacocks

Porcelain birds have their origins in the princely tradition of maintaining collections of living animals and birds in menageries and aviaries, which were viewed as microcosms of the universe, and emblems of royal power and enlightenment. These collections often included exotic birds such as parrots, admired for their rarity, as well as more familiar native species. In 1731 the Meissen manufactory began a new genre in European porcelain, producing several hundred life-size and near-life-size porcelain birds and animals, many destined for the Japanese Palace of Augustus the Strong, Elector of Saxony (1670–1733). To create them, factory modelers found inspiration in nature, looking both to living and stuffed specimens, as well as zoological illustrations and Asian porcelain precedents. The great Meissen modeler Johann Joachim Kändler is known to have copied from life the birds kept at the royal aviary at Schloss Moritzburg. Surviving prints and drawings of the period indicate that porcelain birds, animals, and vases were placed on gilt wood brackets arranged in decorative, symmetrical patterns. An eighteenth-century English visitor to the Japanese Palace, Jonas Hanway, described this manner of display: "The long gallery in the second story had already two marble chimney-pieces, each adorned with near 40 very large pieces of porcelain, of birds, beasts, and vases, ranged to the height of above 20 feet in a most superb taste…." [Elizabeth Sullivan, 2013]
"Evening Faces" chapter from The Tale of Genji (Genji monogatari)
Object type: hanging scroll
Date: 1701 – 1800
Materials: ink, paper
Culture: japanese
Artist: kawamata tsunemasa
Artist role: artist
Artist nationality: japanese
Artist dates: 1706 – 1758
Subjects: women

In Chapter Four of the narrative Prince Genji visits his old nurse. A young woman in the house next door sends her servant to Genji’s attendant, with the gift of a fan on which a yūgao (“evening faces”) flower has been placed. Genji and the lady embark upon a love affair that ends with her death, when she is possessed by the spirit of the jealous Lady Rokujō, another of Genji’s lovers. This painting bears the signature and seal of Tsunemasa, a painter of ukiyo-e who specialized in pictures of beauties and also themes derived from literature. In his rendition of the “Yūgao” scene, he has dressed his figures in Edo-period garb rather than the multilayered robes of the Heian-period aristocracy. The tall beauty with the tortoiseshell hair comb may represent Yūgao rather than her attendant, and the smaller woman stands in for Genji’s manservant.
Portret van onbekende man
Object type: print
Date: 1614 – 1652
Materials: paper
Techniques: engraving
Location: the hague
Artist: crispijn van den queborn
Artist role: print maker
Artist dates: 1595 – 1652
Subjects: adult man
Inscriptions: collector's mark: Lugt 2228

Portret van onbekende man in een ovaal naar links.
Fons Sibyllae Tiburtinae vel albuneae, dictus Magnus Fons Statuarum Sibylla (...)/ Fontein van de Sibilla Tiburtina of Albunea, genaamt de groote Fontein (...)
Object type: print
Date: 1670 – 1711
Materials: paper
Techniques: colour, etching
Location: the hague
Subjects: city-view, and landscape with man-made constructions, garden, nymphs (in general); 'ninfe in commune' (ripa), piece of sculpture, reproduction of a piece of sculpture, ornamental fountain, tivoli

Gezicht op de Fontein van de Tiburtijnse Sibille in de tuin van de Villa d'Este te Tivoli. Titel in het Latijn en in het Nederlands in de ondermarge. Prent maakt deel uit van een album.
Portret van Edouard Mussche
Object type: carte de visite
Date: 1875 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: aachen
Artist: jean preim
Artist role: fotograaf
Subjects: historical persons
De kleine Passie
Object type: print
Date: 1508 – 1509
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: christ washes peter's feet
Inscriptions: collector's mark: Lugt 2228

Christus wast de voeten van de discipel Petrus. De overige discipelen staan om hen heen. Deze prent is onderdeel van de prentserie 'De kleine Passie', bestaande uit een titelprent en 36 bijbelse scènes (voornamelijk uit het Lijdensverhaal).
Hieratic Papyrus fragment
Object type: papyrus, letter, account
Date: 1183 – 1183
Materials: ink, papyrus
Location: memphite region
Subjects: documents,hieratic

Papyrus was a costly writing material in ancient Egypt. For this reason papyrus documents whose contents were no longer required were retained for further use as scratch paper. This papyrus contains a major and minor text on both the recto and verso. The major texts are a letter between two fan-bearers of the king and a fragmentary record of the cultivation of pharaonic lands in year 16 of Ramesses III; the smaller texts mention the arrival of a shipment of commodities and the quarrying of stone for a tomb. This papyrus joins P. Vienna 38 and belongs to the same archive as a cache of documents discovered at Memphis that record the construction of tombs for several high officials.
Tea gown
Object type: tea gown
Date: 1890 – 1890
Materials: cotton, silk
Culture: french

This traditional tea gown mixes subtle historical details based on a typical, late-1870s silhouette. The one-piece dress is fitted to the body with princess seams, yet the back of the dress gives the illusion of being loose with a smocked draped panel that extends into a train. It is doubtful that a woman would go corsetless, yet she could wear her corset loosened for teatime with friends.
Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 20 (verso)
Object type: book print ornament architecture
Date: 1554 – 1554
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588

Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd, Wallis & Lloyd, British, active London after 1821. From top to bottom, and left to right: Design composed of 5 vertical columns printed upon grid. First column is decorated with alternating pattern of 'X's and 'S's. Second column shows letters "A-G" surrounded by floral motifs. Third column shows letters "H-P" without "J". Fourth column shows letters "Q-Z" without "U" and "W". Fifth column is decorated with a line of small floral motifs.