deem-data/ArtiFact huggingface dataset:
Embroidery sample for a man’s suit
Object type: sample
Date: 1800 – 1815
Materials: glass, metal thread, silk, velvet
Subjects: flowers
Asch-Karmans kermis-wensch
Object type: print
Date: 1864 – 1864
Materials: paper
Techniques: letterpress printing, engraving
Artist: dirk wijbrand tollenaar
Artist role: print maker
Artist dates: 1808 – 1858
Subjects: pleasure fair and circus, garbage collection, amsterdam

Kermisprent namens de askarrenmannen (karrenman of vuilnisman) te Amsterdam, september 1864. Gezicht op de kermis op de Botermarkt met de Regulierswaag. Op de markt twee vuilniskarren. Onderaan een gedicht in twee kolommen. Namens D. Vink, de askarreman van wijk no. 7. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Landschap met fontein
Object type: print
Date: 1761 – 1784
Materials: paper
Techniques: etching
Location: leiden
Subjects: pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 2228

Heuvelachtig landschap met fontein. Een man, op de rug gezien, en een ezel drinken uit de fontein. Naast de ezel een vrouw, zittend op een paard. Voor de fontein een gehurkte man met een hond. Vóór de puntige berg op de achtergrond.
Schetsboek met 19 bladen
Object type: sketchbook
Date: 1888 – 1891
Materials: cardboard, chalk, linen, paper
Location: london
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: square, place, circus, etc., adult woman, civic architecture; edifices; dwellings

Pagina 6 t/m pagina 15 en pagina 24 t/m pagina 33 bevatten geen voorstelling.
Apostel Petrus
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara
Inscriptions: collector's mark: Lugt 240, signature and date: ‘HGoltzius inuen et sculptor. Ao 1589.’

De heilige Petrus ten halven lijve, biddend. Twee sleutels en een boek voor zich. In marge onder de prent enkele regels Latijn. Prent uit een serie van veertien.
Evening pumps
Object type: evening pump
Date: 1890 – 1890
Materials: leather, metal
Culture: american
Artist: steigerwalt
Artist role: department store
Artist nationality: american

Shoes with a high tab front sporting a large buckle, revived from a century earlier, began to come back into fashion in the 1870s, and were particularly successful from the 1890s to the 1920s. The style appeared under various names, including “Cromwell," "Colonial, “and "Molière", according to the date and locality of the trend. This pair of colonial pumps (they are indeed pumps, which slip on foot with the buckle merely ornamental) features an interesting combination textures in the matte finish of the suede contrasting with the shine of the metal. The lace ruffle design of the buckle is a particularly unusual and appealing detail. Suede was a new material in 1890, not yet associated exclusively with daywear, and available in various pale shades. Family history records the pair as having been worn by Mrs. Nelson Lloyd Deming of Litchfield, Connecticut, to the Yale Junior Promenade, 1890.
Portret van een man in militair uniform
Object type: photograph
Date: 1875 – 1877
Materials: cardboard, photographic support
Techniques: albumen print
Location: leiden
Artist: bernardus bruining
Artist role: fotograaf
Artist dates: 1834 – 1900
Subjects: historical persons, (military) uniforms
Inscriptions: inscription: ‘B. BRUINING/ PHOTOGRAPHE/ van/ Z.K.H. PRINS FREDERIK/ DER NEDERLANDEN/ te/ LEIDEN/ De plaat blijft tot nabestelling bewaard’
Dirk
Object type: arm
Date: 1601 – 1700
Materials: horn, silver
Culture: spanish
Location: spain
Houten doosje bij munt 400 jaar Nederland-Manhattan
Object type: box
Date: 2009 – 2009
Materials: paper, velvet, wood
Location: utrecht
Subjects: netherlands, manhattan

Manhattan was de plek waar een Nederlandse expeditie onder leiding van Henry Hudson in 1609 landde, die uitgroeide tot het huidige New York.
Cornelis Claesz. Anslo, preacher
Object type: print
Date: 1641 – 1683
Materials: paper
Techniques: engraving, etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2760, stamp, collector's mark: Lugt 2228
Snuffbox
Object type: snuffbox
Date: 1765 – 1770
Materials: copper
Techniques: enamel
Subjects: flowers
Brief aan Jan Veth
Object type: letter
Date: 1888 – 1888
Materials: ink, paper
Techniques: pen, writing
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: dordrecht, designer, jan veth, the hague, willem bastiaan tholen, haarlem, painter, print maker, draughtsman, anton l. koster, wally moes, martinus mouton, philip zilcken, the graphic arts, money
Inscriptions: collector's mark: ‘RPK’, watermark
Trade card for Auguste Delâtre, publisher and printmaker
Object type: print, trade card
Date: 1842 – 1907
Techniques: drypoint
Artist: auguste delâtre
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1907

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today. Born in Paris in 1822, Auguste Delatre was printer of etchings and aquatints. Around 1850 Delatre opened his own printing house which was quickly famous in France and abroad. Delatre moved to London in 1860 to found an engraving section in the South Kensington Museum, and he returned to London from 1871 to 1876 after his house and workshop were partially destroyed by Prussian bombardment and Commune.
Huwelijk van Eleonora, dochter van koning Eduard van Portugal met Frederik III, Duits keizer
Object type: copy
Date: 1452 – 1452
Materials: bronze
Techniques: casting
Artist: Anonymous
Subjects: innsbruck, linz, keizer, frederik iii van habsburg (keizer van het heilige roomse rijk), portugal, wiener neustadt, keizerin, eleonora helena van portugal

Bronzen penning met gat erin. Voorzijde: vrouw met kroon, rijksappel en scepter zittend op troon binnen omschrift binnen omschrift. Keerzijde: roos binnen tweeregelig omschrift.
Charger
Object type: platter
Date: 1750 – 1775
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: delft
Artist: Anonymous
Subjects: furniture and household effects

This large dish with a striking yellow ground is painted with all kinds of household objects, including a tea table, a garniture of vases and an earthenware fish strainer, plus brooms, paintings and bird cages. It looks like an advertisement for the stock of a shop! Decorations with many individual objects are also known from Asian art. Dishes painted with such ornament probably served as models for this plate.
Koning Willem de Eerste
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Subjects: the hague, berlin, william i of the netherlands, historical persons
Inscriptions: collector's mark: Lugt 2228, : ‘Gedeponeerd door Nayler & Co te Amsterdam / 1831’

Genummerd in signatuur. Zie ook RP-P-1906-1239 en RP-P-1910-1248.
The Crest of Mission Ridge
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: american civil war,landscapes
Situs Zelandiae qualis fuerat a:o IƆC post natum Christum, quo tempore Willebrodus huius incolas ad fidem christianam covertit (…)
Object type: map
Date: 1650 – 1749
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: maps of separate countries or regions, zeeland
Inscriptions: collector's mark: Lugt 195

Kaart van Zeeland zoals het gebied eruit zou hebben gezien rond 600 en toen Willibrord de bewoners tot het christendom bekeerde. Oriëntatie: noorden onder.
Kunstwerken uit de collectie van Vincenzo Giustiniani
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: engraving
Location: rome
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: rome, vincenzo giustiniani (1564-1637), (story of) apollo (phoebus), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie bestaande uit 322 prenten van kunstwerken uit de collectie van Vincenzo Giustiniani die in twee volumes werd uitgegeven door Joachim von Sandrart in 1636 en 1637 (zie British Museum, inv.nr. 1851,1213.565). De serie bestaat uit prenten door verschillende kunstenaars zoals Cornelis Bloemaert, Theodore Matham, Pieter de Bailliu en Michel Natalis. Claude Mellan was verantwoordelijk voor 22 prenten van standbeelden en het 1631 gedateerde portret van Giustiniani.
Tabaksboom
Object type: photomechanical print
Materials: paper
Techniques: photoaquatint
Location: munich
Subjects: tobacco, sumatra
Inscriptions: number: ‘26’

Onderdeel van Album met heliogravures van Sumatra's oostkust.
Omslag voor: Herinneringen aan Nice en zijn kust, met kaart van Nice en omgeving
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: paris
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228a

De prent bevindt zich aan de binnenzijde van de omslag. Deze omslag bevat de tekst 'Résumé de l'histoire du comté de Nice' (noot 1 t/m 8) en vier losse prenten.
Head of Mars
Object type: sculpture
Date: 101 – 200
Materials: marble
Culture: roman
Location: roman empire
Subjects: mythology, goddesses, gods (deities), military

Mars, the Roman god of war, was viewed as both a warrior and a guardian of the Roman people. He is identified by his distinctive helmet, which is richly carved with imagery reflecting his martial role. The sides depict griffins, winged beasts associated with his vengeful nature, while the cheek pieces are each adorned with an image of Cupid carrying a spear and shield. Mars had a complicated romantic rela-tionship with Cupid’s mother, Venus, the Roman goddess of love, whose domain also included warfare and military victory.
Honble Lionel Tennyson
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photoaquatint
Artist: henry herschel hay cameron
Artist role: fotograaf
Artist dates: 1852 – 1911
Subjects: historical persons
Inscriptions: inscription: ‘Honble Lionel Tennyson./ (from life.)’
Passagiersboot op de Amstel in Amsterdam, gezien in zuidelijke richting
Object type: photograph
Date: 1900 – 1910
Materials: photographic support
Techniques: daylight paper print
Artist: Anonymous
Subjects: passenger liner (+ view ~ vehicle, ship, etc.), river

Onderdeel van Familiealbum met onder meer foto's van Wijnhandel Kraaij & Co. Bordeaux-Amsterdam.
Portret van keizer Karel VI
Object type: print
Date: 1703 – 1707
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jacobus robijn
Artist role: print maker, publisher
Artist dates:  – 1707
Subjects: vienna, charles vi (holy roman emperor)
Inscriptions: collector's mark: Lugt 2228

Portret van aartshertog Karel van Oostenrijk, die zichzelf tijdens de Spaanse Successieoorlog beschouwde en benoemde als koning Karel III van Spanje. Vanaf 1711 tot 1740 was hij keizer van het Heilige Roomse Rijk. Hij staat voor een fontein, links van hem een tafel met een koningskroon. In de marge zijn naam (Karel de derde in gods gratie koning van Spanje en (Zuid-) Amerika) en een gedicht.
Candide speelt kaart en Candide in Noorwegen
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: paris, voltaire, literature, wooden leg, card games, hoofed animals: reindeer
Inscriptions: collector's mark: Lugt 2228

Links verliest Candide 50.000 francs met het kaartspel faro nadat hij als als vermogend man is teruggekeerd uit Eldorado. Rechts bevindt Candide zich tussen de inwoners van Noorwegen. Zijn linkerbeen is inmiddels afgezet. Genummerd: IV en V.
Gezicht op Kasteel Doorwerth in Doorwerth, Gelderland
Object type: cabinet photograph
Date: 1881 – 1906
Materials: cardboard, photographic support
Techniques: albumen print
Location: doorwerth
Subjects: castle
Inscriptions: address: ‘BRAINICH & LEUSINK ARNHEM/ Menthensteeg No. 7.’
Binnenplaats van het Dogepaleis met de Scala dei Giganti te Venetië, Italië
Object type: photograph
Date: 1857 – 1882
Materials: cardboard, paper
Techniques: albumen print
Location: venice
Artist: carlo naya
Artist role: fotograaf
Artist dates: 1816 – 1882
Subjects: inner court of palace or 'hôtel'
Inscriptions: inscription: ‘No. 68 VENEZIA./ Pozzo nel Cortile del Palazzo Ducale./ Puits en bronze dans la cour du Palais Ducal, coulé par/ ALberghetti (1559). (...)’, number: ‘87’, number: ‘No. 68.’
Strook geknoopt kant met schuine lijnen en schulpen
Object type: strip
Date: 1800 – 1899
Materials: linen
Techniques: lace, knotted lace
Location: armenië
Artist: Anonymous

Strook naturelkleurige geknoopte kant: Chebka-kant. Het zich herhalende patroon bestaat uit schuine lijnen van afwisselend een fijn ruitvormig raster en opengewerkte ovaaltjes. Schulpenrand met afgeronde driehoekige schulpen. De schulpen bestaan uit hetzelfde ruitvormige raster als in het patroon daarboven. Boven elke schulp drie schuine banen. De bovenzijde van de strook is recht afgewerkt.
175 Corinth, Aeroc & Temple of Athena
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: photograph
Location: greece
Artist: Anonymous
Subjects: griekenland
Inscriptions: number: ‘13.’
Courtly Scenes
Object type: tapestry
Date: 1510 – 1525
Materials: silk, wool
Culture: south netherlandish
Subjects: men,women
Covered box
Object type: covered box
Date: 918 – 1392
Materials: silver
Culture: korean

The swastika incised in the center of this box is an ancient Indian symbol of auspiciousness that was introduced to Korea with Buddhism.
Zeven duiven
Object type: drawing
Date: 1939 – 1941
Materials: paper, pencil
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: trees, flying, doves, pigeons
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor een watermerk voor een bankbiljet.
The French bed
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: mark: Lugt 2228, signature and date: ‘Rembrandt f. 1646’, mark: Lugt 972, inscription: ‘onleesbaar’ 17e-eeuws?
Portret van Nicolas-Alexis Ondernard
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: lithograph
Location: paris
Artist: émile alfred rousseaux
Artist role: draughtsman, print maker
Artist dates: 1831 – 1874
Subjects: priest, historical persons
Inscriptions: date
Gezicht op het grafmonument van Jan Hendrik van Kinsbergen in de Nieuwe Kerk in Amsterdam
Object type: stereograph
Date: 1860 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: jonkheer jan hendrik van kinsbergen, grave, tomb, interior of church
Inscriptions: number: ‘4.5’, inscription: ‘HET GRAF VAN DEN LUIT.-ADMIRAAL/ VAN KINSBERGEN,/ in de Nieuwe Kerk te Amsterdam./ A. JAGER, WATER 110, TE AMSTERDAM.’
Three Male Heads
Object type: drawing
Date: 1493 – 1560
Materials: chalk, ink
Techniques: pen
Artist: baccio bandinelli
Artist role: artist
Artist nationality: italian
Artist dates: 1493 – 1560
Subjects: heads,men

The subject of this powerful drawing with the head of a man seen in three stages—youth, maturity, and old age—is elusive. Various interpretations have been suggested, from the Ages of Man to an allegory of past, present, and future. The central figure may have been intended as an idealized self-portrait of the artist, the Florentine sculptor and draftsman Baccio Bandinelli. The portrayal of the three heads on the same scale from three different points of view–to the left, frontally, and in profile to the right—betrays Bandinelli's interest in the description of forms in the round, an approach suited to his main occupation, sculpture. The juxtaposition of overlapping heads, turned at various angles, seems to have been a recurring theme in Bandinelli's drawn oeuvre (see: Yale University Art Gallery inv. 1975.101.10; Nationalmuseum, Stockholm inv. 128; National Museum, Cracow inv. XV-1959 and Art Institute of Chicago inv. 1996.606).
Landscape
Object type: drawing and watercolor
Materials: paint, paper, watercolor
Techniques: scraping
Location: united states
Artist: attributed to george inness
Artist nationality: american
Artist dates: 1825 – 1894
Plattegrond van Den Haag
Object type: area plan
Date: 1657 – 1690
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial), the hague
Inscriptions: collector's mark: Lugt 2228

Deze staat van prent met tekst op verso ook gebruikt in: Theatrum Urbium Celebriorum totius Belgii sive Germaniae Inferioris. 2 delen. Amsterdam: Johannes Janssonius, 1657, dl. 2.

Zonder tekst op verso (zoals het huidige exemplaar) is deze staat van prent ook gebruikt in: Tooneel der vermaarste koop-steden en handelsplaatsen van de geheele wereld. 2 delen. Amsterdam: erven Johannes Janssonius van Waesberge (I) / Johannes Janssonius van Waesberge (II), 1682, dl. 1. En in: Plans des principales cités de l'Univers. Amsterdam: Dancker Danckerts, ca. 1658. En in: Leti, Gregorio. Teatro Belgico o vero ritratti historici, chronologici, politici e geografici delle Sette Provincie Unite. 2 delen. Amsterdam: Willem de Jonge, 1690, dl. 2.
The Martyrdom of St James Major, from The Martyrdom of Christ and the Apostles
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered within image, upper right: "S. Jacobus maior."; lower right: "Aux.4.vents."; and below image: "3. / Ipse redemptoris pandens ... Compostella tuetur."
Madonna and Child
Object type: painting fragment
Date: 1307 – 1317
Materials: gold leaf, paint, wood
Artist: italian (florentine or paduan) painter (cheyo da firenze?)
Artist role: artist
Artist nationality: italian
Subjects: madonna and child

The attribution of this damaged but compelling picture—a work of unusual expressive intensity—has puzzled scholars. It may be by a Paduan follower of Giotto and was perhaps painted about 1310–15—not long after Giotto completed his celebrated fresco cycle in the Arena Chapel, Padua. The painter has tentatively been associated with a cycle of frescoes in the chapter house of the great abbey of Pomposa, near Ferrara. The panel has been cut on all sides.
Nice. L'Entrée du Port
Object type: photomechanical print
Date: 1892 – 1904
Materials: cardboard
Techniques: writing
Location: paris
Subjects: harbour, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Ear Ornament
Object type: ornament
Date: 801 – 1500
Materials: gold
Culture: caldas or sonso
Location: colombia
Inkwell
Object type: inkwell
Date: 1750 – 1750
Materials: earthenware
Techniques: glazing
Culture: mexican
Location: mexico
Alliantiefeest op de Dam, 1795
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: alliance, league, union, foedus, dancing around the tree of liberty, alliance with france (1795)
Inscriptions: date

Het Alliantiefeest op de Dam voor het Stadhuis te Amsterdam, ter viering van de alliantie gesloten tussen de Franse en de Bataafse Republiek, 19 juni 1795. Chaotisch feestgewoel, centraal de vrijheidsboom. In het onderschrift de drie ovale medaillons met allegorische voorstellingen die op de gevel van het stadhuis hingen.
Triomftocht van Romeinse keizer met soldaten en buitgemaakte wapenrustingen
Object type: print
Date: 1510 – 1527
Materials: paper
Techniques: engraving
Location: italy
Subjects: triumphs (allegorical and symbolic), conqueror triumphing, triumphal entry of victor
Inscriptions: collector's mark: Lugt 240

Prent mogelijk naar ontwerp van Andrea Mantegna.
Bacchic Scene of Centaur Playing Horns and Satyr with Drum
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: drums,horns,centaurs,satyrs
Geometric gold weight
Object type: weight
Date: 1701 – 1900
Materials: brass
Culture: akan
Location: côte d’ivoire
Artist: akan artist
Artist role: artist
Nationale vlaggen
Object type: boekillustratie ontwerp
Date: 1934 – 1936
Materials: paint, ink, paper
Techniques: pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: (cohen, van anarchist tot monarchist) specific works of literature (with author, title), flag, colours (as symbol of the state, etc.) (+ nation; national)
Inscriptions: clichéaanwijzing, recto, handgeschreven

Ontwerp voor een boekillustratie voor: Cohen, Alexander. Van anarchist tot monarchist. Amsterdam: De Steenuil, 1936.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, bent leg with greave, and right hand holding helmet, of warrior to right
Under the Hill
Object type: print
Date: 1881 – 1881
Materials: paper, ink
Techniques: pen
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Kandelaar met kaarsenpin en vetvanger van bergkristal in montuur van goud en verguld zilver met email. Voet versierd met guirlandes en vruchtentrossen in slijpwerk.
Object type: candlestick
Date: 1550 – 1600
Materials: gold, silver
Location: italy
Artist: Anonymous

Two candlesticks. Rock crystal, gold, silver-gilt and enamel. Italy(?), c. 1550-1600, the lower rim 19th century.
Owl on a Frog
Object type: statuette group
Date: 1620 – 1620
Materials: bronze, lacquer, patina
Subjects: owls,frogs
Deez'prent is 't geld wel dubbeld waard, / Ziet dieren tam en wild van aard
Object type: print
Date: 1856 – 1900
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: bull, unicorn, animals, horse, beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen van dieren, zoals een leeuw, een pard, een hond en een stier. Onder elke voorstelling een vierregelig vers. Genummerd midden boven: N 15.
Sketch of Trees
Object type: drawing and watercolor
Date: 1890 – 1899
Materials: chalk, charcoal, paper, pastel
Techniques: drawing, scraping, stumping
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Inscriptions: Signed lower right, in black crayon: "Od.R."
De verslagen koning Porus verschijnt voor Alexander, die hem zijn heerschappij terug geeft
Object type: tapestry
Date: 1625 – 1650
Materials: silk, wool
Techniques: tapestry

Wandtapijt met Alexander die aan Porus de koningskroon teruggeeft, uit een serie met de geschiedenis van Alexander de Grote.