deem-data/ArtiFact huggingface dataset:
Portret van Jan van den Wouwer, op 58-jarige leeftijd
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, brussels, jan van den wouwer, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
Kasteelruïne
Object type: print
Date: 1873 – 1881
Materials: paper
Techniques: etching, intaglio
Subjects: ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228

De etsen naar de schilderijen van Frédéric Van de Kerkhove werden na zijn dood door zijn vader en zuster gemaakt en uitgegeven in twee reeksen. De eerste werd in 1877 uitgegeven door het Journal des Beaux-Arts et de la Littérature: Cahier de 25 Eaux-fortes d'après Frédéric van de Kerkhove, gravées par son père et sa sœur. De tweede reeks van 126 etsen, ook in 1877, werd in Parijs uitgegeven bij A. Lévy onder de titel Cent eaux-fortes gravées par J. Van de Kerkhove d'après les tableaux de Frédéric Van de Kerkhove, mort en 1873 à l'âge de 10 ans et 11 mois.
Terracotta oinochoe (jug)
Object type: oinochoe
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Reflecting the many uses to which it was put, the oinochoe is a shape that appears in a wide variety of variants.
Portret van David Hendrik baron Chassé
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Artist: hendrik frederik sartor
Artist role: draughtsman, print maker
Artist dates: 1818 – 1881
Subjects: david hendrik baron chassé, commander-in-chief, general, marshal, historical persons
Terracotta spouted jar with lid
Object type: jar with lid
Date: 310 – 30
Materials: terracotta
Culture: cypriot

Two-handled vase with spout and cover, the knob in form of a miniature vase. The shape and decoration of this unusual vessel combine to give it a rather exotic appearance, which may be taken to reflect the eclecticism of Cypriot art.
The Fish-Shop, Busy Chelsea
Object type: print
Date: 1884 – 1886
Materials: paper
Techniques: etching
Location: england
Artist: james abbott mcneill whistler
Artist role: painter, print maker
Artist dates: 1834 – 1903
Subjects: shop, store
Inscriptions: collector's mark: Lugt 2166, signature: ‘JW imp’, collector's mark: Lugt 2760

Een straat met een rij huizen, in het midden een viswinkel.
Portret van Caspar Georg Carl Reinwardt
Object type: print
Date: 1800 – 1816
Materials: paper
Techniques: engraving, etching
Subjects: caspar georg carl reinwardt, historical persons
Figures in Hilly Landscape
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: italy
Artist: style of giovanni francesco grimaldi
Artist nationality: italian
Artist dates: 1606 – 1680
Gezicht op Mont-Saint-Michel
Object type: photograph
Date: 1808 – 1896
Materials: paper, photographic support
Techniques: gelatin silver print
Location: mont-saint-michel
Artist: delizy
Artist role: manufacturer
Subjects: prospect of city, town panorama, silhouette of city

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Kliffen aan de kust
Object type: print
Date: 1878 – 1878
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: coastal cliff or crag
Inscriptions: collector's mark: Lugt 2228

De etsen naar de schilderijen van Frédéric Van de Kerkhove werden na zijn dood door zijn vader en zuster gemaakt en uitgegeven in twee reeksen. De eerste werd in 1877 uitgegeven door het Journal des Beaux-Arts et de la Littérature: Cahier de 25 Eaux-fortes d'après Frédéric van de Kerkhove, gravées par son père et sa sœur. De tweede reeks van 126 etsen, ook in 1877, werd in Parijs uitgegeven bij A. Lévy onder de titel Cent eaux-fortes gravées par J. Van de Kerkhove d'après les tableaux de Frédéric Van de Kerkhove, mort en 1873 à l'âge de 10 ans et 11 mois.
Maanlandschap bij 's Hertogenbosch
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: johannes cornelius neervoort
Artist role: print maker
Artist dates: 1863 – 1940
Subjects: full moon, landscapes with waters, waterscapes, seascapes (in the temperate zone), forest, wood, den bosch
Inscriptions: inscription: ‘Effet de lune près dans les environs de Bois-le-duc, 2e Etat; Anvers 1883’, collector's mark: Lugt 2228
Vue du Village de Garara
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: villages,landscapes

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Molded plaque: couple
Object type: relief
Date: 2000 – 1700
Materials: ceramic
Culture: isin-larsa–old babylonian
Location: southern mesopotamia
Subjects: couples
Portret van Theodorus Velius
Object type: print
Date: 1630 – 1676
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: hoorn (north holland), theodorus velius
Inscriptions: collector's mark: Lugt 2228

Portret van de Hoornse dichter en geschiedschrijver Theodorus Velius.
De boten worden weer te water gelaten, 1597
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Nadat de mannen de boten over kruiseiland gesleept hebben, laten ze de boten weer te water. Tegenover pagina 123 in: 'Warhafftige Relation. Der dreyen newen unerhörten seltzamen Schiffart so die Holländischen und Seeländischen Schiff....Anno 1594, 1595 und 1596 verricht' (1598).
Spiegel der natuur en school der teekenkunde (...)
Object type: album leaf
Date: 1614 – 1656
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: landscapes, column, pillar ~ architecture, road, path

Landschap met figuren bij een haven aan een rotsachtige kust. Rechts een zuil. De prent maakt deel uit van een album.
L'Homme S'Apprêtant a Tirer son Sabre (Man Preparing to Draw his Sword), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)
Object type: print
Date: 1616 – 1622
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: swords,men
Het Rijks Museum
Object type: photograph
Date: 1860 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: permanent exhibition, museum
Historia utriusque belli dacici a Traiano Caesare gest (...)
Object type: album leaf
Date: 1550 – 1599
Materials: paper
Techniques: letterpress printing
Location: rome
Artist: Anonymous
Subjects: zuil van trajanus

Een beschrijving van scènes 207 tot en met 236 op de Zuil van Trajanus, in het Italiaans. Prent maakt deel uit van een album.
Huizen in aanbouw bij de Jan Pieter Heijestraat
Object type: drawing
Date: 1899 – 1899
Materials: pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: building-site, civic architecture; edifices; dwellings
Inscriptions: workshop stamp: Lugt 291d, annotation: ‘Rokin 95/ R. Weeling’, collector's mark: Lugt 2228
Terracotta fragment of a bell-krater (bowl for mixing wine and water)
Object type: bell krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Part of the foot of a bell-krater; top of the foot is glazed; at the juncture of the top and the side of the foot, an unglazed fascia; the outer edge of the foot is glazed; the underside of the foot is unglazed
The Ocean God, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1560 – 1560
Techniques: engraving
Artist: nicolas beatrizet
Artist role: artist
Artist nationality: french
Artist dates: 1515 – 1566
Subjects: men,gods

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 95 in the scrapbook.
Het manuaal met commando / Komt kinders t'zaam geloopen [(...)]
Object type: print
Date: 1831 – 1854
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: drill ~ military training, weapons, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 36 genummerde voorstellingen van soldaten met een geweer. Onder elke afbeelding een onderschrift.
The Cattle Ferry
Object type: painting
Date: 1700 – 1799
Materials: canvas, oil
Subjects: cow, river, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., ferry, sheep

Het ponteveer. Kopie naar het schilderij van Berchem, SK-A-31. Op de voorgrond wachten herders met hun kuddes koeien en schapen en een vrouw op een paard op de pont om de rivier mee over te steken.
Melpomene in the Dumps, or Child's Play Defended by Theatrical Monarchs
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women
Deputatie door den Colonel J. van Goudoever De heeren P Witmond, en H. van Blomberg; uit den Doelen naar den Burgemeester Henrik Hooft Danielsz. Op Verzoek der Burgery in den Nacht tusschen den 20e. en 21e. April 1787
Object type: print
Date: 1787 – 1789
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, mayor, hendrik danielsz. hooft, revolutionary council, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2233

Een deputatie bestaande uit kolonel Isaak van Goudoever, Pieter Witmond en Hendrik van Blomberg vanuit de Garnalendoelen naar burgemeester Hendrik Danielsz. Hooft met het verzoek namens de burgerij van Amsterdam om de remotie van negen raadsleden, in de nacht van 20 op 21 april 1787.
Miniature bronze greave
Object type: greave, miniature, one of 14
Date: 500 – 401
Materials: bronze
Culture: etruscan

Miniature replica of a bronze greave.
Portret van een Griekse jongeman
Object type: print
Date: 1820 – 1829
Materials: paper
Techniques: lithograph
Location: paris
Subjects: anonymous historical person portrayed alone, human races; peoples; nationalities
Inscriptions: collector's mark: Lugt 2228a
Pair of Armored Reins
Object type: armor
Date: 1801 – 1900
Materials: steel
Culture: german
Location: france
Toegangskaart voor de begrafenis van prinses Amalia van Saksen-Weimar-Eisenach, 1872
Object type: admission ticket
Date: 1872 – 1872
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: delft
Inscriptions: collector's mark: Lugt 2228

Toegangskaart voor de begrafenis van prinses Amalia van Saksen-Weimar-Eisenach, echtgenote van prins Hendrik, op 17 mei 1872, te Delft. Kaartje met zwarte rouwranden.
Christus verschijnt aan Paulus en zegt hem naar Rome te gaan
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: god (or angel) speaks to paul during the night

Prent ook gebruikt in: Biblia ectypa : Bildnussen auss Heiliger Schrifft. Regensburg: Chr. Wiegel, 1697.
Bottle
Object type: bottle
Date: 1567 – 1633
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: flowers
Saucer
Object type: saucer
Date: 1760 – 1770
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Subjects: flowers
Landschap met met enkele figuren bij een waterbron
Object type: print
Date: 1650 – 1723
Materials: paper
Techniques: etching
Artist: abraham genoels
Artist role: draughtsman, print maker
Artist dates: 1640 – 1723
Subjects: well, forest, wood (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Een bebost landschap met enkele figuren bij een waterbron.
Twee zittende vrouwen
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: charcoal, paper
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: sitting figure, adult woman, home sewing; repair of clothes

Eén van de vrouwen is aan het handwerken, de ander buigt zich naar haar toe. Tevens een studie van een groep vrouwen. Blad 24 recto uit een schetsboek met 51 bladen.
Covered Goblet
Object type: glass
Date: 1700 – 1700
Materials: enamel, glass, metal
Location: bohemia
Fork
Object type: fork
Date: 1730 – 1730
Materials: hard paste porcelain, steel
Artist: vienna
Artist role: manufactory
Huis op Breestraat 177 te Leiden
Object type: photograph
Date: 1907 – 1907
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: breestraat
Subjects: façade (of house or building), public road (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: ‘R:MUS.’ Lugt 2228, annotation: ‘Leiden II woonruimte’, annotation: ‘Leiden. Huis Breestraat No. 177/ hoek Steenschuur/ feb 1907’, annotation: ‘Huis Breestraat no. 177/ hoek Steenschuur. Feb. 1907/ Leiden’
In het koeliedepôt
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: working class, labourers, suriname

Een groep contractarbeiders uit Brits-Indië, in het zgn. ‘koeliedepot’, het centrale verzamelpunt voor immigranten in Paramaribo. Onderdeel van het fotoalbum Souvenir de Voyage (deel 5), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910
View on Chestnut Street. View on Lafayette Street
Object type: photomechanical print
Date: 1804 – 1879
Materials: paper
Techniques: photoaquatint
Location: salem
Artist: Anonymous
Subjects: housing, street
Swan-neck Bottle (Ashkdan)
Object type: bottle
Date: 1801 – 1900
Materials: glass
Techniques: glassblowing, molding
Location: iran

The distinct tear-shaped opening at the top of this bottle was carefully tooled while the glass was still molten, and flows into a thin, curvilinear neck, before expanding to a globular body resting on a low foot. The visual resemblance to the curved and attenuated neck of a swan has inspired the name of these types of bottles, but according to folklore, these bottles were used as "containers for tears," (ashkdan) meant to collect the sorrows of wives separated from their husbands.
Piece
Object type: piece
Date: 1725 – 1730
Materials: silk
Subjects: flowers,leaves,trees
Ontwerp voor titelpagina voor: Stijn Streuvels, Reinaert de Vos, 1910
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: fable of reynard the fox
Inscriptions: collector's mark: Lugt 2228

Niet gebruikt ontwerp voor: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910.
Grafmonumenten voor kunstenaars
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: etching
Artist: charles françois hutin
Artist role: draughtsman, print maker, sculptor
Artist dates: 1715 – 1776
Subjects: grave, tomb
Inscriptions: collector's mark: Lugt 2228

Grafmonument voor de kunstenaar Francois Lemoine. Zijn naam staat op de grafsteen, waarop een zuil een engel met bazuin en een buste van de kunstenaar. Aan weerszijden van de zuil een zittende vrouwenfiguur.
Arcus artes astra
Object type: bookplate
Date: 1750 – 1849
Materials: paper
Techniques: engraving, etching
Artist: j. warwick
Artist role: print maker
Subjects: armorial bearing, heraldry
Mars
Object type: print
Date: 1546 – 1552
Techniques: etching
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: mars

In Mariette Album, folio 47, top
Gipsmodel voor versiering op de Bibliothèque Impériale van het Palais du Louvre
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: permanent exhibition, museum, ornamenting, decorating ~ applied arts, paris, tuileries palace
Inscriptions: number: ‘375’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 4.
Fotoreproductie van een foto van de Trevifontein te Rome
Object type: photograph
Date: 1880 – 1905
Materials: paper
Techniques: cyanotype
Location: rome
Artist: Anonymous
Subjects: ornamental fountain
Inscriptions: number: ‘3079’, inscription: ‘Trevi Fountain/ Rome/ 3071/ Lesson II/ One who drops a penny/ here has his return/ to Rome assured.’
Landschap in de Batavische ommelanden
Object type: print
Date: 1869 – 1869
Materials: paper
Techniques: lithograph, hand coloring
Location: amsterdam
Artist: johan conrad greive
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1891
Subjects: landscapes in tropical and sub-tropical regions, java, batavia
Inscriptions: collector's mark: Lugt 2228

De prent maakt deel uit van een omslag met een tekstblad en 24 losse prenten.
Bomen en struikgewas in de tuin van Villa Tasca in Palermo
Object type: photograph
Date: 1856 – 1914
Materials: paper
Techniques: albumen print
Location: palermo
Artist: giuseppe incorpora
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: garden
Inscriptions: number: ‘N. 214’
Westminster Bridge Station
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: etching
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Shabti of the Overseer of the Fleet Hekaemsaf
Object type: shabti ushabti of the overseer of the fleet, hekaemsaf
Date: 570 – 526
Materials: faience
Location: memphite region
N Kamerinrichtingen
Object type: print
Date: 1752 – 1794
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: making toilet, window, open hearth, fire-place, interior of the house
Inscriptions: collector's mark: Lugt 2228

Ontwerp en plattegrond van een kamer met een schouw met een klok en vensters aan weerszijden. Links staat een toilettafel.
Plantagie Leeverpoel Geleegen Rievier Cottica linksop vaarende
Object type: watercolor
Date: 1700 – 1800
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: plantation, coffee, tropical culture, suriname
Design for an Embroidered or Woven Textile
Object type: textile
Date: 1801 – 1900
Materials: paper
Location: france
Songs of Innocence: On Anothers Sorrow
Object type: print
Materials: gold, ink, shell, watercolor
Techniques: etching, hand coloring, printing, relief
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: poetry,trees

Blake etched twenty-seven printing plates for Songs of Innocence in 1789, completing those for the Songs of Experience in 1794. He then printed and hand-colored copies of the combined sets over succeeding decades as patrons ordered them, each one visually distinct. Verse and image work together to celebrate poetic inspiration and reveal aspects of the divine as expressed through nature. The poetic voice is often that of a child, whose emotions range from delight to fear, with darker feelings usually resolved in the earlier Songs of Innocence by adult intervention. This first group of Songs was shaped by the heady early days of the French Revolution, when British liberals and radicals believed that true reform was imminent on both sides of the Channel. The artist Edward Calvert met Blake around 1825 and commissioned this copy of Songs of Innocence and of Experience soon thereafter. These richly decorated pages, with their deeply saturated hues and distinctive ornamental borders, reveal Blake’s late vision and the order is established by small red numbers at upper right. This copy of Songs was later the first work to be purchased by the Museum’s new Department of Prints in 1917, recommended by its distinguished curator William M. Ivins, Jr.
Buddha Seated under the Bodhi Tree
Object type: votive plaque
Date: 601 – 900
Materials: lacquer, terracotta
Culture: thai
Subjects: trees,buddhism,buddha

A sizable number of Mon-style plaques of the seventh to ninth century, rich in iconographic variation, have survived from Thailand. These portable, mold-made, terracotta votive plaques must have been commonly available at major Buddhist pilgrimage sites and important religious centers. Their widespread availability and easy portability helped to disseminate Buddhist doctrine, styles, and iconography throughout South and Southeast Asia, as well as the Far East.
Terracotta roundel with mask of Pan
Object type: roundel with mask of pan
Date: 100 – 1
Materials: terracotta
Culture: greek
Subjects: masks,faces

Roundel with the face of Pan attached.
Orator Henley Christening a Child
Object type: print
Date: 1794 – 1794
Techniques: etching, stippling
Artist: jane ireland
Artist role: etcher
Artist nationality: british
Artist dates: 1790 – 1800
Subjects: infants,men,women
Embroidered map sampler
Object type: sampler
Date: 1801 – 1900
Materials: canvas, cotton, silk
Subjects: maps