deem-data/ArtiFact huggingface dataset:
Leven van Maria in emblemen
Object type: cognizance
Date: 1625 – 1629
Materials: paper
Techniques: etching, letterpress printing
Location: france
Subjects: morning ~ landscape (sometimes titled 'aurora')
Inscriptions: collector's mark: Lugt 240

Voorstelling van het aanbreken van de dag boven een landschap met huisjes. Sterren verdwijnen, een uil vliegt weg, de lucht wordt in de verte lichter. Boven en onder deze prent Latijnse en Franse teksten in boekdruk. Dit blad is onderdeel van de embleemserie 'Leven van Maria in emblemen'. De eerste staat van deze serie behelst naast een titelpagina en 26 emblemen ook drie bladen met lofzangen op Maria in boekdruk zonder afbeelding.
Bord van faïence met wapen Van Beuningen - Van Leeuwen
Object type: plate dish
Date: 1700 – 1725
Materials: earthenware, glaze
Location: delft
Artist: Anonymous
Inscriptions: inscription: ‘67’, collector's mark: ‘collection loudon’, inscription: ‘69’

Bord van faïence, in Imari kleuren met in het midden het alliantiewapen van Jan van Beuningen (1667-1720) en Catharina Constantina van Leeuwen (1675-1720).
Deez' zes paar schetsen in dit prenttafreel wil toonen, / Wat men van het begin des jaars komt bij te woonen, / Tot aan het eind', en wat in elke maand geschiedt, / Gelijk ge, o jeugd! hier in deez' twaalf maanden ziet
Object type: popular print
Date: 1850 – 1870
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months'
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van de twaalf maanden van het jaar en bijbehorende activiteiten. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 52.
Middelen van vervoer
Object type: print
Date: 1875 – 1903
Materials: paper
Techniques: lithograph, letterpress printing
Location: haarlem
Subjects: diligence, omnibus, horse-tram, traffic and transport, passenger train, ships (in general)
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van vervoermiddelen, onder andere een diligence of reiskoets, een trekschuit en een stoomboot. Onder elke afbeelding een vers. Genummerd rechtsboven: No. 47.
Textile
Object type: textile
Date: 1301 – 1400
Materials: silk
Culture: italian
Location: italy
Turquie au Stéréoscope
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: istanbul
Artist: charles gaudin
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: city-view in general; 'veduta'
Inscriptions: number: ‘321’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Interior, satyr running to right
Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)
Object type: print
Date: 1810 – 1810
Techniques: engraving, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,death
Standing cup with cover
Object type: standing cup with cover
Date: 1730 – 1730
Materials: glass
Subjects: coat of arms
Shawl of Joined Fragments
Object type: shawl
Date: 1825 – 1835
Materials: wool
Techniques: weave
Location: india
Gulzigheid (Gula)
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: gluttony, intemperance, 'gula'; 'gola', 'ingordigia', 'ingordigia overo avidità', 'voracità' (ripa) ~ personification of one of the seven deadly sins
Inscriptions: collector's mark: Lugt 2228

Personificatie van gulzigheid, verbeeld als een dik vrouwenfiguur met een pastei, staand in een nis.
T-Cart  Phaeton #937
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Flagon
Object type: flagon
Date: 1702 – 1702
Materials: pewter
Artist: william wood
Artist role: maker
Artist dates: 1700 – 1730
Gezicht op het Águas Livres aquaduct, bij Lissabon
Object type: print
Date: 1749 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: landscape with bridge, viaduct or aqueduct, aqueduct (~ water supply)
Inscriptions: collector's mark: Lugt 2228
Mirror with Cartouche
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: italy
Artist: Anonymous
Artist nationality: italian
Artist dates: 1600 – 1699
Garment Plaque with a Kulan
Object type: garment plaque
Date: 600 – 401
Materials: bronze
Culture: north chinese
Subjects: animals
Satyrs Admiring the Anamorphosis of an Elephant
Object type: print
Date: 1601 – 1700
Techniques: engraving
Artist: hans troschel
Artist role: artist
Artist nationality: german
Artist dates: 1585 – 1628
Subjects: satyrs,elephants

This engraving, originally pasted onto the so-called Vouet Scrapbook (inv. 45.97, fol. 78), is based on a drawing (Hessisches Landesmuseum–Graphische Sammlung, Darmstadt) by the great virtuoso painter and draftsman Simon Vouet, who was deeply interested in this particular form of anamorphosis, know as catoptric. Set in a pastoral landscape, the scene depicts a group of astonished satyrs observing a cylindrical mirror—a primitive culture before it was enlightened by science. The distorted, unreadable drawing is revealed to be the image of an elephant when clarified in the reflection of the cylindrical mirror. Vouet’s design originally served as a frontispiece for the second edition of Jean Fraçois Niceron’s "La Perspective curieuse" published in Paris in 1652, which was the most famous treatise on anamorphosis. The Museum owns the first edition of Niceron’s treatise, inv. 41.100.450(2).
Etude for Eve
Object type: print
Date: 1898 – 1898
Materials: chine
Techniques: lithograph
Location: france
Artist: henri fantin-latour
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1904
Reclame voor een toneelstuk met portret van Ada Cavendish
Object type: photograph
Date: 1876 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: advertising, historical persons - bb - woman, portrait of actor, actress
Inscriptions: inscription: ‘(...)’
Pollux in gevecht met Amycus, koning van de Bebrykers
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: rome
Artist: joseph anton koch
Artist role: draughtsman, painter, print maker
Artist dates: 1768 – 1839
Subjects: boxing-match between the bebrycian king amycus and pollux

Deze prent maakt deel uit van een serie met 24 prenten.
Gebouw
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: london
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: civic architecture; edifices; dwellings

Pagina 21 en pagina 22 uit schetsboek XXXV met 36 pagina's.
Box with Sleeping Eros
Object type: box with cover
Date: 300 – 400
Materials: silver
Culture: byzantine or roman
Subjects: eros,putti,bulls

Eros, the god of love, sleeps on a lion's skin with his bow in hand. The sides of this box are decorated with playful putti holding garlands and bulls' heads, an ancient sign of fertility.
Drie mannen met stofbrillen in een automobiel, vermoedelijk in Frankrijk
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Location: france
Artist: delizy
Artist role: manufacturer
Subjects: automobile, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Fragment
Object type: textile
Date: 1601 – 1700
Materials: silk
Techniques: interlacings, satin weave, weave
Location: spain
Vue du Heere-Gracht, prise du Spiegel-Straat, jusqu'au Leidsche-Gracht
Object type: print
Date: 1810 – 1813
Materials: paper
Techniques: aquatint, engraving, etching, hand coloring
Location: amsterdam
Subjects: nieuwe spiegelstraat, herengracht

De Herengracht, gezien vanaf de Nieuwe Spiegelstraat in de richting van de Leidsestraat, te Amsterdam, ca. 1810-1813. Onderdeel van een plaatwerk uit ca. 1824-1825 met 74 (ongenummerde) platen van de belangrijkste topografische gezichten en verschillende zeden en gewoonten in het Verenigd Koninkrijk der Nederlanden.
Sint Dominicus
Object type: drawing
Date: 1700 – 1800
Materials: ink, paper, pencil
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: dominic(us) guzman of calerueja, founder of the order of preachers (or dominican (black) friars; possible attributes: book, dog with flaming torch, lily, loaf of bread, rosary, star
Inscriptions: collector's mark: Lugt 2228

Beeld van Sint Dominicus op een globe met een cherubijn, een hond met een fakkel en een banderol. In de ondermarge de tekst dees bol zal groot sijn.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, left hand holding drinking horn; wine skin
Demon Exorcisor
Object type: handscroll
Date: 1368 – 1911
Materials: ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men,demons
Brooch in the form of three yellow chicks
Object type: brooch
Date: 1943 – 1945
Materials: metal
Techniques: enameling
Location: netherlands
Artist: Anonymous

Silent Resistance – War and Liberation Jewellery

During the Second World War, small pieces of jewellery were worn in the Netherlands as a silent protest against the German occupier. In April 1941, Dutch coins were officially confiscated for the war industry. As jewellery did not have to be surrendered, coins were quickly transformed into rings, brooches, pins and bracelets.
A portrait of Queen Wilhelmina was worn as a sign of resistance, as well as a token of loyalty to the royal family. Margriet Francisca, the third daughter of Princess Juliana and Prince Bernard, was born
in Canada in January 1943. The pin with the three yellow chicks refers to the three young princesses Beatrix, Irene and Margriet and the steadfastness of the Dutch royal family. After the liberation, coins and silver were used for jewellery conveying messages of hope for a peaceful future.
G.A. Holmes. Affection
Object type: reproduction
Date: 1875 – 1914
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: girl (child between toddler and youth), child playing with animals
Inscriptions: number: ‘354’
Blad twee uit een reeks van vier bladen met Chinese voorstellingen
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Portret van Johann Karl Welser von Neunhof
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: mayor, historical persons
Inscriptions: collector's mark: Lugt 2228
A Visit to the Uncle
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,servants
Blätter aus A. Hendschel's Skizzenbuch / photographirt von Theodor Huth
Object type: wrapper
Date: 1870 – 1870
Materials: cardboard, leather, linen, paper, photographic support
Techniques: albumen print, printing
Inscriptions: number: ‘3.000-’, date: ‘JUNE/ 1998’, retailer's mark: ‘W. SCHÄPPEL/ BUCHBINDEREI/ LEIPZIG.’

Omslag met 50 foto's op 48 bladen, een lijst van afbeeldingen en een titelblad.
L'Hôtel des Invalides. Construit par Louis XIV pour recueillir les Soldats blessés ou infirmes (...)
Object type: print
Date: 1890 – 1910
Materials: cardboard
Techniques: lithograph
Artist: Anonymous
Subjects: exterior ~ representation of a building, dome ~ architecture, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Portrait of Emperor Jahangir
Object type: illustrated single work
Date: 1615 – 1620
Materials: gold, ink, paper, watercolor
Location: india
Subjects: men,profiles

Jahangir was an exacting patron who worked closely with the artists in his employ. The style of portraiture created during his reign changed dramatically with the influx of European prints into India. He had many of these prints copied, so closely that the visitors who had brought them could not distinguish the originals, and this zest for accuracy is reflected in the painting here. A straightforward likeness, this portrait is very different in tone from the allegorical portraits of emperors that were also popular. No putti herald the emperor from the heavens and there is no representation of his vast domains in the background. Rather, Jahangir is presented as a lover of books, a no-nonsense ruler squarely in the line of those listed in the chart on the back of the painting, which gives his genealogy stretching back to Timur.
Case (Inrō) with Design of Flowering Chrysanthemums with Brocade Borders
Object type: inrō
Date: 1701 – 1900
Materials: gold foil, lacquer
Techniques: fundame, inlay, roiro
Culture: japanese
Subjects: flowers
O.C.J. Hoogendijk van Domselaar, lid van de Staten van Gelderland, stichter van zeventig huizen voor ambachtslieden te Tiel
Object type: honorary medal
Date: 1860 – 1860
Materials: bronze
Techniques: striking
Location: the hague
Artist: salomon de vries
Artist role: graveur, medailleur
Artist dates: 1830 – 1899
Subjects: o.c.j. hoogendijk van domselaar, staten van gelderland, tiel

Bronzen penning. Voorzijde: huizenblok; afsnede: signatuur. Keerzijde: opschrift onder eikekrans met linten
Soldaat met een lans naast zijn paard
Object type: print
Date: 1810 – 1884
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes mock
Artist role: draughtsman, painter, print maker
Artist dates: 1800 – 1884
Subjects: land forces (+ cavalry, horsemen), helved weapons, polearms (for striking, hacking, thrusting): lance
Inscriptions: collector's mark: Lugt 2228

Soldaat met een lans naast zijn paard. Op de achtergrond twee soldaten te paard.
Minerva met twee wapenschilden
Object type: print
Date: 1608 – 1688
Materials: paper
Techniques: engraving
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: (story of) minerva (pallas, athena), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
Woman's Informal Jacket with Antiquities in Medallions
Object type: woman's informal jacket
Date: 1801 – 1900
Materials: textile
Techniques: embroidery
Culture: chinese
Subjects: birds,insects

Every roundel embroidered on this jacket is different, but each one has the "hundred antiques" as its theme. The vessels and objects in the roundels are supplemented not only by flowers and fruit but also, occasionally, by fantastic or symbolic animals—for example, the ox symbolizing strength in the upper roundel, and the fantastic lion, which is accompanied by a bat representing good fortune, seen in the roundel at the lower right. At the bottom of the jacket, sketchily embroidered rocks, trees, and flowers form a scene of a Daoist (Taoist) paradise inhabited by cranes and deer.
Portret van een onbekende vrouw bij een fauteuil
Object type: carte de visite
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: address: ‘Rue de la Grande Truanderie prolongée, 2/ AU COIN DU BOULEVd DE SÉBASTOPOL/ en face l'Eglise St Leu/ Paris.’, inscription: ‘ART & INDUSTRIE PHOTOGRAPHIQUES’
Porte Cochere
Object type: ornament print
Date: 1670 – 1680
Materials: paper
Techniques: etching
Location: france

Portiek met twee kariatiden in de vorm van gebaarde mannen. Opstand en plan.
Relief Depicting Meryneith Inspecting His Stables and Ships Unloading Merchandise, from his tomb at Saqqara
Object type: relief, stable, ship
Date: 1349 – 1327
Materials: limestone
Location: egypt
Subjects: animals,men,working,ships

This block depicts a view over a stable yard and a harbor. In the upper right corner a figure who is certainly the tomb owner reviews the scene, followed by three men who are probably account-scribes, and a man with a stick. The stableyard includes a stable at the far left where a man hand feeds three very fat oxen who are tethered to a stone, and a yard where other tethered oxen are fed. In the harbor cargo boats still under sail or docked bring a delivery of what appears to be sheaves of grain and grain. Work by the Leiden Museum / Leiden University joint expedition to the Memphite necropolis Saqqara in 2001 revealed the lost tomb of Meryneith, or Meryre as he is also known, and showed that this block joins another in Berlin and both appear to belong to the upper part of a wall in that tomb whose lower part depicts a granary and deliveries to a granary. The excavators have published a line drawing of the reconstructed scene, which is also included here. The tomb had been known in the nineteenth century but then its location was lost to scholarship. Meryneith began his tomb in the Saqqara Necropolis in the reign of Akhenaten and finished it during the reign of Tutankhamun. He thus served over the course of the Amarna Period and into the ensuing reign. This block belongs to a part of the tomb the excavators have attributed to just the time Akhenaten adopted his name, year 5 of that king's reign. It seems that Meryneith changed his name to Meryre at a point during the Amarna Period and changed it back to Meryneith after that Period ended. During the Amarna Period Meryneith / Meryre attained the title High Priest of the Aten, and so he might be the same as the High Priest of the Aten Meryre at Amarna, though the title could refer to the Memphis Temple of the Aten.
Skirt
Object type: skirt
Date: 1876 – 1900
Materials: metal, silk

This object was collected by Stewart Culin (1858-1929) during a collection expedition in 1920. Culin was the Brooklyn Museum's first Curator of Ethnology, serving from 1903 to 1929. Possessing an insatiable curiosity and appetite for collecting objects of all kinds, Culin conducted over twenty worldwide collecting expeditions between 1901 and 1928. The trips covered American Indian territories, New England, Asia, India, Great Britain, and all of Eastern and Western Europe. The seven expeditions between 1917 and 1928 were specifically focused on collecting regional textiles and costumes from Eastern and Western Europe and, to a lesser extent, New England. Culin's goals for these trips were not just to expand the Museum's holdings, but also to preserve their cultural contexts. He did so through amassing photographs, notebooks, and ephemera which documented the social, commercial, and cultural circumstances surrounding their acquisition. His collecting philosophy embraced both rare and high-quality pieces as well as those which represented daily life or were of particular social or historical interest.
Bekendmaking van het overlijden van Hendrik Danielsz. Hooft, 1794
Object type: text sheet
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: amsterdam, mayor, hendrik danielsz. hooft
Inscriptions: collector's mark: Lugt 2228

Bekendmaking van het overlijden van Hendrik Danielsz. Hooft, oud-burgemeester van Amsterdam, op 31 augustus 1794 op de buitenplaats Valkenheining te Loenersloot. Tekst met een zesregelig vers binnen een versierde rand.
Diana ontdekt Callisto's zwangerschap
Object type: drawing
Date: 1576 – 1576
Materials: chalk, ink, paper
Techniques: brush, pen
Subjects: diana with her nymphs discovers the pregnancy of callisto, pregnancy
Design for Fireplace in French Renaissance Revival Style
Object type: drawing
Date: 1856 – 1856
Materials: graphite, ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: fireplaces,men,portraits,leaves
Gezicht op Tószeg
Object type: photograph
Date: 1928 – 1928
Materials: paper
Techniques: gelatin silver print
Location: hungary
Subjects: prospect of village, silhouette of village
Overlijden van Simon Episcopius 1643
Object type: family medal
Date: 1643 – 1643
Materials: silver
Techniques: casting, engraving

Gegoten zilveren penning, op de voorzijde naast elkaar de Waarheid en de Vrijheid, met omschrift, op de keerzijde een veld met een twaalfregelige inscriptie, met omschrift.
Bergen
Object type: reproduction
Date: 1966 – 1966
Materials: paper
Techniques: printing
Subjects: riding a horse, ass, or mule; rider, horseman, monsters of mixed human and animal shape; 'mostri' (ripa), mountains
Inscriptions: caption: ‘Kandinsky. Gravure sur bois en trois couleurs pour &lt;&lt;Klänge&gt;&gt;. (Bois originaux de l'edition Piper, 1913).’, collector's mark: Lugt 2228

Deze reproductie is waarschijnlijk afkomstig uit het tijdschrift 'XXe siècle', uitgegeven in 1966.
Alexander Van Rensselaer
Object type: painting
Date: 1837 – 1837
Materials: canvas, oil
Culture: american
Artist: george p. a. healy
Artist role: artist
Artist nationality: american
Artist dates: 1813 – 1894
Subjects: men,portraits
Portret van een actrice met grote oorbellen, gesigneerd Frika Prazbovint[onz]
Object type: photograph
Date: 1920 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Young Milkmaid
Object type: print
Date: 1737 – 1737
Techniques: engraving, etching
Artist: anne claude philippe de tubières, comte de caylus
Artist role: artist
Artist nationality: french
Artist dates: 1692 – 1765
Subjects: women