deem-data/ArtiFact huggingface dataset:
Galleria Giustiniana del Marchese Vincenzo Giustiniani I
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving
Subjects: vincenzo giustiniani (1564-1637), (story of) bacchus (dionysus), liber, piece of sculpture, reproduction of a piece of sculpture, monument, statue
Inscriptions: collector's mark: Lugt 2228

Standbeeld van Bacchus, een dierenvel schuin over de schouder, met in zijn linkerhand een druiventros. In zijn haren draagt hij wingerdbladeren en druiventrossen. Midden onder op de boomstam het wapenschild van Vincenzo Giustiniani. Prent uit een serie naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Battersea from the River, Low Tide
Object type: print
Date: 1890 – 1894
Materials: paper
Techniques: lithography
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926
IJshockeyspelend gezelschap, vermoedelijk in Frankrijk
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: daylight paper print
Location: france
Artist: Anonymous
Subjects: ice hockey, skates (winter sports), france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Runners Bottle
Object type: bottle
Date: 301 – 700
Materials: ceramic
Culture: moche
Location: peru
Subjects: men,running

A large number of Moche stirrup spout bottles represent men or anthropomorphized creatures running in line in a desert environment. These ritual runners have been interpreted as messengers traveling from one site or one valley to another. Most runners wear loincloths or short skirts with a decorated belt, as well as distinctive headdresses composed of a turban with a large disk or trapezoidal element on the front and long ribbons down the back. They also carry bags in their hands. While about half of ritual runners are human, others take the shape of anthropomorphized birds, snakes, bats, lizards, centipedes, or scorpions. Runners are often surrounded by desert plants, or beans that seem to float in the background. One ritual running scene involves a long line of anthropomorphized beans that become increasingly human as they reach the top of the vessel. It has been suggested that the message carried by the runner is encoded in beans contained in the bags they are holding. At the site of Moche, archaeologists discovered tombs of men wearing headdresses composed of a copper disk with embossed circles similar to those worn by ritual runners. Perhaps these men were affiliated with ritual running activities during their lifetime, although no bags or beans were found in the burials.
Robe
Object type: robe
Date: 1863 – 1863
Materials: cotton
Culture: scottish
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

On the top of the mouth, pendant, linked lotus buds with dots in the interstices; on the handle strap, a circumscribed palmette; on the side of the rim; ivy; part of the neck is preserved
Ontwerp voor een juwelenkistje
Object type: photograph
Date: 1911 – 1913
Materials: ink, paper, pencil
Techniques: blueprint, pen
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: jewel-box
Aeneas Introduces His Son Ascanius to Dido
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Terracotta fragment of an undetermined shape
Object type: undetermined shape
Date: 601 – 700
Materials: terracotta
Culture: etruscan
Toeschouwers bij een paardenrenbaan
Object type: print
Date: 1827 – 1828
Materials: paper
Techniques: lithography
Location: paris
Subjects: horse-racing
Inscriptions: stamp: Lugt 1828b, collector's mark: Lugt 2228

De prentserie waar deze prent deel van uitmaakt werd in drie delen van twaalf prenten vanaf 1827 tot en met 1830 gepubliceerd. Elk van de drie delen werd voorzien van een aparte omslag.
Beleg van Franeker, 1500
Object type: print
Date: 1620 – 1622
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: maps of separate countries or regions, siege, position war

Plattegrond van het beleg van het door de Saksen bezette Franeker door 16000 Friezen onder aanvoering van Friese edelen Avlya, Borga en anderen, 12 mei - 16 juli 1500. Kaartje met de ligging van de Friese legers en de Latijnse namen van omringende dorpen. Met onderschrift van twee regels in het Latijn. Nederlandse tekst op achterzijde.
Portret van Martinus Schoock
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: engraving
Subjects: martinus schoock
Inscriptions: collector's mark: Lugt 2228

Portretbuste in ovaal naar links van Martinus Schoock, hoogleraar in de logica en physica te Groningen. Het hoofd is getooid met een kalot en naar rechts gedraaid. Op de ovale omlijsting staat een randschrift in Latijn, in de marge een vierregelig Latijns vers.
Gedeelte van een roze gepleisterd huis met portico en bomen op de voorgrond
Object type: photograph
Date: 1910 – 1940
Materials: glass
Techniques: autochrome process
Artist: Anonymous
June Wendell, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Les Vendages (Furnishing Fabric)
Object type: textile
Date: 1785 – 1785
Materials: cotton
Techniques: backing, weave, printing
Location: jouy-en-josas
Artist: christophe-philippe oberkampf
Artist nationality: french
Artist dates: 1738 – 1815
Gewapende heren in een vertrek
Object type: book illustration
Date: 1722 – 1784
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: hacking and thrusting weapons: rapier
Inscriptions: collector's mark: Lugt 240

In een vertrek staat een groep heren met geheven degen rond een man met blinddoek. Rechts is een man achter een tafel opgestaan uit zijn stoel. Prent rechtsboven gemerkt: Pl. III.
Gezicht op de Lochnagar
Object type: photograph
Date: 1858 – 1868
Materials: photographic support
Techniques: albumen print
Location: scotland
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: lake, mountains
Brief aan Philip Zilcken
Object type: letter
Date: 1921 – 1921
Materials: ink, paper
Techniques: pen, printing, writing
Location: nice
Artist: jeanne erlich
Subjects: print maker, james abbott mcneill whistler, paris, paul verlaine, the hague, painter, draughtsman, philip zilcken, literature ~ arts, historical persons (portraits and scenes from the life), printed matter
Inscriptions: collector's mark: ‘RPK’

Vormt samen met RP-D-1982-43-ERLICH(JEANNE)-14B een doorlopende brief.
Paroles de David pendant la peste que sa vanité avoit attirée sur Israel
Object type: print
Date: 1650 – 1703
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: god punishes israel with three days of plague; the avenging angel with his sword drawn goes through the land; seventy thousand men are killed, plague
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 1838
Heilige Franciscus Xaverius
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the jesuit missionary francis xavier; possible attributes: cross, crucifix, flaming heart, indian, lily, torch
Inscriptions: collector's mark: Lugt 240 of 1838

De Heilige Franciscus Xaverius, een priester Jezuïet uit de zestiende eeuw die missionaris was in India en Japan. Hij heeft een priestergewaad aan en staat voor een altaar met een kruisbeeld. Hij houdt zijn armen voor zijn borst. Hij heeft een aureool rond zijn hoofd.
Portret van een onbekende knielende man met een bos bamboetakken
Object type: album leaf
Date: 1870 – 1880
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons
CERTOSA DI PAVIA Balaustrata nell'interno della Chiesa.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: certosa di pavia
Artist: Anonymous
Subjects: fence, wall, paling, balustrade, interior of church
Inscriptions: collector's mark: Lugt 3937, number: ‘4682 e ).’
Kesa
Object type: textile
Date: 1701 – 1800
Materials: gilt, paper, textile, silk
Techniques: patterning, weave
Location: japan
Portret van Johann Carl Wilhelm Moehsen
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: stippled etching
Subjects: berlin, historical persons, medical research, branches of medicine
Inscriptions: collector's mark: Lugt 2228
Ottomaanse veldheer
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: Anonymous
Subjects: asiatic races and peoples: turks, head-gear: turban, the soldier; the soldier's life

Een Ottomaanse veldheer, de rug gezien, op het hoofd een tulband met pluimen. Onderdeel van het modelboek Enchiridion artis pingendi, fingendi & sculpendi met 108 figuren bedoeld voor beginnende schilders, beeldhouwers en prentmakers.
Profeet Micha predikend
Object type: print
Date: 1534 – 1600
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: 11i(micah)
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit een onbekende publicatie.
Gilt-leather wall hanging (part of a set)
Object type: hanging
Date: 1650 – 1670
Materials: leather, varnish
Techniques: painting
Artist: de gecroonde son
Artist role: maker
Artist nationality: dutch
Universiteit van Leiden, penning uitgereikt aan Pieter Otto van der Chijs
Object type: medal
Date: 1826 – 1826
Materials: iron
Techniques: casting, engraving
Location: brussels
Artist: jean henri simon
Artist role: medailleur
Artist dates: 1752 – 1834
Subjects: pieter otto van der chijs, leiden
Inscriptions: inscription: ‘HONOS ALIT ARTES. / UN.LUGD.BAT’, inscription: ‘PETRO OTTONI / VAN DER CHYS / IN CERTAM / ...D... / ...D BELGICAE / VICTORI / DOCTRINAE PRAEMIUM / MDCCCXXVI’
Portrait of Woman and Three Children
Object type: drawing
Date: 1852 – 1852
Materials: graphite, paper
Artist: gustave boulanger
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1888
Subjects: boys,portraits,women
Shoes
Object type: shoe
Date: 1876 – 1876
Culture: american
Oscarshal
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: oslo
Artist: Anonymous
Subjects: palace
Inscriptions: inscription: ‘VAERING [...]01 [?]’
Raphicerus campestris (Steenbok)
Object type: album leaf
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Subjects: hoofed animals: ibex
Inscriptions: annotation: ‘'de ram'; en 'de ooij' [boven de bokken]; dese dieren hiet men aan de Caap, Steenbok [onderstreept] [...]; schaalverdeling met voet en duim Rijnl., in kaderlijnen onderaan ook een schaalindeling in duim [maar zonder tekst]’

Kaapse steenbok (Raphicerus campestris), ook genaamd bleekbok, vlaktebok of bok: ram en ooi; met schaalverdeling in Rijnlandse maat.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: silk
Subjects: flowers
Overlijden van Willem II, koning der Nederlanden
Object type: history medal
Date: 1849 – 1849
Materials: silver
Techniques: striking
Location: utrecht
Artist: johannis petrus schouberg
Artist role: die cutter, draughtsman, print maker
Artist dates: 1798 – 1864
Subjects: william ii of the netherlands

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: gesluierde vrouw met omgekeerde,gedoofde fakkel in linker- en krans in rechterhand, zit rouwend naast sokkel waaroplijkbus staat, waarom zij haar rechterarm slaat binnen omschrift; afsnede: opschrift
Strandscènes, straattaferelen en een zelfportret
Object type: stereograph
Date: 1925 – 1935
Materials: paper, cardboard
Techniques: gelatin silver print
Location: netherlands
Artist: h.h. andrée
Artist role: amateurfotograaf
Subjects: h.h. andrée, beach (as place of recreation), city-view in general; 'veduta', portrait, self-portrait of photographer
The flagellation of Christ
Object type: relief group
Date: 1634 – 1666
Materials: bronze, gilt
Artist: giambologna
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1529 – 1608
Subjects: men,christ

These three little reliefs were originally fitted against stone, occupying the drum of a towering ciborium made of hardstones and gilt bronze that was once with French & Company, New York (fig. 141a). It perhaps collapsed and was certainly dismembered; the firm’s photograph bears a note saying that it still had some of the columns. Florence provides the stylistic context for our figures, if not for the ciborium. The Christ and the flagellator at right recur in a pietre dure plaque of the Flagellation that is paired with another plaque of the Crowning with Thorns in a private Florentine collection.[1] The hardstone Flagellation has an altogether more dynamic composition than our trio of figures. Its rightward flagellator is seen from behind and oriented in complementary rotating fashion. Oddly, our leftward flagellator, with a pole, is an interpollation of the figure on the right of the Crowning with Thorns panel. The pietre dure pair, then, must be considered later versions of the scene (a bronze Crowning with Thorns seems not to survive). The models for the pair have been attributed to the great Roman sculptor Francesco Mochi, and the execution of the hardstones to the Florentine specialist Giuseppe Antonio Torricelli.[2] However, the figures are mellow, with nothing of Mochi’s striking nervousness. The scalloped garment edges are Florentine, as in the marble athletes and tricksters that populate the Boboli Gardens. An alternative is Antonio Novelli, a worthy extender of the cinquecento norms established among the followers of Giambologna, but quite solid in his modeling, offering few nods to the Baroque. He is not well known for work in relief, but Filippo Baldinucci, his biographer, relates that “Novelli wanted to turn to casting, and made two little narratives [storiette] with small figures in bronze: in one of which he represented the Flagellation, in the other the Lord’s Crowning with thorns: and likewise carried out a Christ Crucified, two-thirds of a braccio high (ca. 39 cm), and two Angels of similar size.”[3] This is a sure sign that other bronzes preceded the pietre dure reliefs. The organization of the ciborium looks as if it could have been made in Rome rather than Florence, close to 1700. Novelli went to Rome at least once, in 1645, in the train of Giovan Carlo de’ Medici, newly elevated cardinal of Florence,[4] but his designs could have reached beyond Florence in any number of ways. -JDD Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. González-Palacios 2003, no. 15, figs. 1, 2. 2. Ibid. 3. Baldinucci 1845–47, vol. 5, p. 66. 4. Caterina Caneva in Florence 1986, vol. 3, pp. 132–34.
Plate
Object type: plate
Date: 1842 – 1845
Materials: glass
Culture: american or british
Location: england
Subjects: flowers,crowns
Zomer in gedaante van kind met zeis en korenschoof bij korenveld
Object type: print
Date: 1648 – 1664
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: summer, 'aestas'; 'estate' (ripa)
Inscriptions: collector's mark: Lugt 240

Prent uit serie van vier prenten met de vier jaargetijden.
Strooipenning bij de inhuldiging van Koning Willem III te Amsterdam 1849
Object type: history medal
Date: 1849 – 1849
Materials: silver
Techniques: striking
Location: utrecht
Artist: johannis petrus schouberg
Artist role: die cutter, draughtsman, print maker
Artist dates: 1798 – 1864

Zilveren penning, op de voorzijde het boek der grondwet op gekruisd zwaard en scepter onder een kroon tussen een samengestrikte eiken- en lauwertak, op de keerzijde vier regels tekst binnen een lauwerdiadeem, met omschrift.
Portret van Jan Baptist van Bisthoven
Object type: print
Date: 1630 – 1677
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: rector, jezuïet, jan baptist van bisthoven
Inscriptions: collector's mark: Lugt 240

Portret van Jan Baptist van Bisthoven, Jezuïet en rector van het college te Aalst.
Portret van een onbekende jongeman
Object type: photograph
Date: 1855 – 1870
Materials: glass, metal, paper, wood
Techniques: ambrotype
Artist: Anonymous
Subjects: historical persons, youth, adolescent
Portret van Johann Gottlieb Plüschke
Object type: print
Date: 1812 – 1825
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: roztoka, theoloog, hoogleraar, johann gottlieb plüschke
Inscriptions: collector's mark: Lugt 2228

Portret van Johann Gottlieb Plüschke, professor aan het Evangelisch-Lutherse Seminarie in Amsterdam.
Terracotta fragments of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, satyr with his arms extended; Exterior, profiled ring foot; the underside of the foot is reserved; the inner wall of the foot is glazed; the underside of the floor is decorated in concentric circles; the outer edge is in reserve, followed by a band of black glaze, and another band of reserve; a thin band of black glaze borders the center circle which is reserved; the inner black glaze band is concave and bordered at the inside by a chamfered edge; in the center is a reserve circle that has a smaller black circle inside of it; in the center is an even smaller circle with a dot in the middle; there are six other fragments: a large black glaze rim fragment has part of the left handle root on the exterior; a second rim fragment has black glaze on the interior and exterior; a third fragment has a bit of the tondo border on the interior and on the exterior, part of the handle; a fourth fragment has part of the tondo border on the interior; the fifth and sixth fragments are black glaze on the interior and exterior
Art - Goût - Beauté, Feuillets de l' élégance féminine, Janvier 1924, No. 41, 4e Année, p. 9
Object type: fashion print
Date: 1924 – 1924
Materials: paper
Techniques: brush, hand coloring, lithograph, pochoir
Subjects: dress, gown (fourreau) (+ women's clothes), embroidery with beads (+ women's clothes), coat (+ fur used for clothes), fashion plates

Tekst met een ingeplakte afbeelding. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Skirt
Object type: skirt
Date: 1795 – 1805
Materials: linen, silk
Culture: french
Toneel met Vrede en Gerechtigheid, 1599
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: etching, hand coloring
Location: antwerp
Subjects: infante van spanje isabella clara eugenia, brussels, albrecht aartshertog van oostenrijk, 'tableau vivant', triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', antwerp

Politieke toneel met Vrede en Gerechtigheid, december 1599. Toneel met een stellage met personificaties van Vrede en Gerechtigheid en andere deugden. Tijdens de intocht te Antwerpen opgesteld voor het stadhuis op de Grote Markt. Onderdeel van: Historica narratio profectionis et inaugurationis serenissimorum Belgii principum Alberti et Isabellae Austriae archiducum, de beschrijving van de intochten van het paar te Brussel, Antwerpen, Gent en Valenciennes, 1599.
Terracotta fragment of a stamnos (jar)
Object type: stamnos fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic
George III
Object type: cameo
Date: 1820 – 1820
Materials: gold, onyx
Subjects: men,profiles

Apparently made as a memorial, this cameo captures George III (r. 1760–1820) in old age, pink, roly-poly and bug-eyed but occupying the field with tremendous authority, much as in the coins designed by Benedetto Pistrucci, which it emulates. Pistrucci’s prowess in modeling and carving (abundantly evident in 2003.431, 2007.30, and 40.20.49) gained him a post at the Royal Mint in London in 1816, soon after he emigrated to England, and he became chief medalist there in 1828.
Textile Fragment
Object type: textile fragment
Date: 601 – 800
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: human figures
Saint Judas
Object type: print
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,judas,saints
Zeegezicht vanaf de Ryde Pier op het Isle of Wight
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: isle of wight
Subjects: sea (seascape)
Inscriptions: name: ‘The London Stereoscopic Company 54. Cheapside’, number: ‘No. 240.’, inscription: ‘(Instantaneous.)’
Hendrik Danielsz. Hooft, burgemeester van Amsterdam
Object type: history medal
Date: 1787 – 1787
Materials: silver
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, hendrik danielsz. hooft

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift binnen stralenkrans boven jaartal
"Here's Songs of Love and Maids Forsaken"
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Gezicht op de Seine te Parijs, met op de achtergrond het Île de la Cité
Object type: stereograph
Date: 1895 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: paris
Subjects: river, traffic on the water
Inscriptions: number: ‘179’, inscription: ‘NPG’
Gezicht op het weeshuis te Leiden
Object type: cabinet photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: leiden
Artist: Anonymous
Subjects: orphanage, leiden
Inscriptions: annotation: ‘Weeshuis/ Leiden’
Perfume Bottle
Object type: perfume bottle
Date: 1840 – 1850
Materials: gemstone, glass
Techniques: glassblowing, molding
Culture: american or french
Location: france
Bullfinch and Weeping Cherry (Uso, shidarezakura), from an untitled series of flowers and birds
Object type: print
Date: 1834 – 1834
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Rivier met een figuur in een roeiboot
Object type: sketchbook leaf
Date: 1865 – 1913
Materials: charcoal, paper
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: sitting figure, river, rowing-boat, canoe, etc.

Blad 66 verso uit een schetsboek met 68 bladen.
Overblyfsels van 't Slot van Egmond van eene andere zyde. 1730
Object type: print
Date: 1752 – 1792
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: castle, ruin of a dwelling, house, castle, etc.

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 4 (1752), ill. 327 en 328. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 4, ill. 327 en 328.

Uit welke druk het huidige exemplaar precies komt is niet na te gaan.
Dish with Cherry Blossoms
Object type: dish
Date: 1634 – 1666
Materials: enamel, porcelain
Techniques: overglaze, polychrome
Culture: japanese
Subjects: flowers,leaves