deem-data/ArtiFact huggingface dataset:
Figure of lion mounted as lamp
Object type: lion
Date: 1801 – 1900
Materials: glaze, porcelain
Culture: chinese
Artist: chinese
Artist role: artist
Subjects: lions

This Buddhist lion mounted as a lamp forms a pair with another in the Lehman Collection (1975.1.1728). The lions sit on high plinths, which have a removable drawer. The animals — 1975.1.1728 is the female with her cub, and 1975.1.1729 is the male with his traditional brocaded ball — are decorated in green, yellow, and white glazes. They are fairly well modeled and display a certain amount of animation. The condition is good, except for repairs to the ears in both pieces.
Textile Design with Paisley-Inspired Teardrops Framed by Garlands of Branches over an Abstract Honeycomb Pattern Decorated with Pearls
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating vertical rows of Paisley-inspired teardrops framed by garlands of branches of light tan color over a background of an abstract honeycomb pattern of dark reddish-brown color over a light tan base with stipples of dark reddish-brown color, decorated with groups of four pearls. The teardrops are colored with purple and orange and have red outlines; the pearls are colored with white.
Vest
Object type: vest
Date: 1854 – 1854
Materials: cotton, leather, silk
Culture: american
Beaker
Object type: beaker
Date: 1801 – 1900
Materials: hard paste porcelain
Artist: edmé samson
Artist role: maker
Artist nationality: french
Artist dates: 1810 – 1891
Subjects: flowers
Figuren aan een tafel
Object type: sketchbook leaf
Date: 1883 – 1885
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: sitting figure, sitting figure - aa - female human figure, table

Pagina 12 uit een schetsboek met 18 bladen.
De goede schepper gaf in zijn alwijs bestieren, / Tot voeding van den mensch de redelooze dieren, / Maar 't staat ons nimmer vrij het einde te bespoên / Van 't dier, dat ons niet schaadt of voordeel aan kan doen
Object type: print
Date: 1850 – 1870
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: willem bal
Artist role: print maker
Artist dates: 1808 – 1897
Subjects: pig, cow, slaughtered ox or pig, butcher, slaughterman
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van het fokken, slachten en bereiden van koeien en varkens. Onder elke afbeelding een vierregelig vers. Rechtsboven genummerd: No. 32.
Overlijdensbericht Pieter de Josselin de Jong
Object type: overlijdensbericht, overlijdensadvertentie
Date: 1906 – 1906
Materials: paper
Techniques: printing
Location: the hague
Artist: Anonymous
Subjects: amsterdam, painter, print maker, draughtsman, pieter de josselin de jong
Tafelkleed van bedrukte fluweel
Object type: tafelkleed
Date: 1850 – 1870
Materials: cotton, linen, velvet
Techniques: printing, weave
Location: netherlands
Artist: Anonymous

Pluche tafelkleed; in het blauwe middenveld een leeuw waaromheen toeven bloemen.
Chessmen (32) and box
Object type: chessman and box board
Date: 1801 – 1900
Materials: wood, ivory
Subjects: chess,games
Bezoek aan de Wereldtentoonstelling te Antwerpen, oktober 1930
Object type: photograph
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: antwerp
Subjects: world fair, world exhibition, outing, pleasure trip, student life, antwerp
Inscriptions: inscription

Albumblad met drie foto's van een bezoek aan verschillende paviljoens op de Wereldtentoonstelling te Antwerpen in 1930. Onderdeel van fotoalbum 'Studentenalbum Indologen'.
The Rebellions of the Hōgen and Heiji Eras
Object type: screen
Date: 1601 – 1700
Materials: gold, gold leaf, ink, panel, paper
Culture: japanese
Subjects: buildings,battles,men,horses

The Hōgen Rebellion, which occurred in central Kyoto in 1156, involved a dispute over imperial succession. Although it lasted only a few hours, this skirmish and the Heiji Rebellion of 1160 had far-reaching sociopolitical consequences, marking the close of the peaceful Heian period (794–1185) and the rise of the samurai class. These screens, depicting the Hōgen incident on the right and the Heiji on the left, illustrate some of the battles that terrified Kyoto citizenry. Nobles in mansions, warriors in the streets, courtiers in ox-drawn carriages, and samurai on horseback witness the chaos, set against a bird’s-eye view of the city’s verdant hills, rivers, shrines, and temples. This is one of the earliest-known examples of a combined Hōgen-Heiji painting in large-screen format.
The Prophet Jeremiah
Object type: drawing
Date: 1718 – 1718
Materials: chalk
Artist: sebastiano conca
Artist role: artist
Artist nationality: italian
Artist dates: 1676 – 1764
Subjects: men,saints
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic

Exterior, bent elbow protruding from sleeve of garment
Portret van aartsbisschop Carlo Labia
Object type: book illustration
Date: 1692 – 1692
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor de publicatie: Labia, Carlo. Simboli predicabili estratti da sacri Evangeli che corrono nella quadragesima. Ferrara: Barbieri, 1692.
Trondhjems domkirke
Object type: photomechanical print
Date: 1891 – 1891
Materials: paper
Techniques: photograph
Location: bergen
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: number: ‘No 255.’, copyright notice: ‘ENERET 1891.’
Winterlandschap met bevroren rivier
Object type: print
Date: 1586 – 1630
Materials: paper
Techniques: engraving
Subjects: winter half-year ~ landscapes (year divided into two seasons)
Inscriptions: collector's mark: Lugt 240
Vase fragment
Object type: vase fragment
Date: 700 – 601
Materials: terracotta
Culture: greek or lydian
Venus Vignet voor boek 'L'art Hollandais contemporain' van Paul Fierens
Object type: drawing
Date: 1932 – 1933
Materials: ink, paper, pencil
Techniques: pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: horse, lying figure - aa - female human figure

Venus Vignet voor boek 'L'art Hollandais contemporain' van Paul Fierens; liggend naakt in de golven met daarbij afgebeeld twee paarden en twee duiven, bij een opkomende zon.
Woman and Child on Stairs
Object type: drawing
Materials: chalk, ink
Techniques: brush, pen, drawing, wash
Artist: pierre lélu
Artist role: artist
Artist nationality: french
Artist dates: 1741 – 1810
Subjects: birds,girls,women,dogs
Galba, from The Twelve Caesars, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1500 – 1534
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: men,profiles

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 88 in the scrapbook. Mounted with 41.72(3.87).
Plattegrond, voorgevel en doorsnede van een gebouw
Object type: sketchbook leaf
Date: 1825 – 1907
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: willem springer jr.
Artist role: draughtsman
Artist dates: 1815 – 1907
Subjects: façade (of house or building), plan ~ architecture, section ~ architectural design or model

Pagina 11 uit een schetsboek met 28 pagina's.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, start of handle root; lower body and part of calf of draped male to right
Overgave van Sicilië door de Spanjaarden aan de Fransen, mei 1720
Object type: print
Date: 1720 – 1722
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: kneeling figure, surrender ~ war

De Spaanse generaal Markies de Leede geknield op de grond voor de keizerlijke graaf van Mercy te paard: de overgave van het eiland Sicilië, mei 1720. Met onderschrift in het Nederlands en Latijn.
Schoenmode
Object type: photograph
Date: 1930 – 1935
Materials: photographic support
Techniques: gelatin silver print
Location: paris
Design for Stanhope Phaeton, no. 3649
Object type: drawing
Date: 1881 – 1881
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Le Caire, Le Pont du Nil
Object type: photomechanical print
Materials: paper
Techniques: photograph
Subjects: bridge in city across river, canal, etc.

Onderdeel van Fotoalbum van een reis door Zuid-Europa en het Midden-Oosten.
Spotprenten uit het boekje Nieuwe Schoolwet en het Rapport der Commisssie, 1879
Object type: print
Date: 1879 – 1880
Materials: paper
Techniques: lithograph
Location: rotterdam
Subjects: elementary school; class, form
Inscriptions: collector's mark: Lugt 2228

Blad met de platen genummerd II en XV. Onderdeel van een serie van acht bladen, elk met twee spotprenten op de nieuwe wet op het Lager Onderwijs, genomen uit het boekje 'Nieuwe Schoolwet en het Rapport der Commisssie', door Veridicus, april 1879.
Suisse & Savoie
Object type: carte de visite
Date: 1868 – 1868
Materials: cardboard, paper
Techniques: albumen print
Location: martigny
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: ravine, chasm, abyss, canyon, bridge
Inscriptions: number: ‘142.’
Ontwerp voor een schede met een dame en een heer
Object type: print
Date: 1532 – 1532
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: draughtsman, print maker
Artist dates: 1502 – 1561
Subjects: couple of lovers, foliage, tendrils, branches ~ ornament
Inscriptions: collector's mark: ‘33’

Ontwerp voor een dolkschede. Het onderste gedeelte is gedecoreerd met bladranken. Daarboven staan een heer en een dame hand in hand.
Design for the Elevation and Plan of a Reredos
Object type: drawing
Date: 1570 – 1570
Artist: anonymous, italian, north or central italy, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: angels,madonna and child,saints
Portret van Lodewijk XIII van Frankrijk
Object type: print
Date: 1747 – 1837
Materials: paper
Techniques: engraving
Location: france
Subjects: lodewijk xiii (koning van frankrijk), historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
Cowroid Stamp Seal with a Maat Feather Inscribed on the Base
Object type: cowroid, maat feather
Date: 1390 – 1352
Materials: faience
Location: egypt
Virgin and Child with Angels
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: italy
Artist: Anonymous
Artist nationality: venetian
Artist dates: 1700 – 1799
Gezicht op Rotterdam
Object type: print
Date: 1827 – 1873
Materials: paper
Techniques: tone lithography
Artist: hendrik wilhelmus last
Artist role: print maker
Artist dates: 1817 – 1873
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), rotterdam
Inscriptions: collector's mark: Lugt 2228

Gezicht op de Beursbrug, later Koninginnebrug, vanaf de Mosseltrap. Links achter de brug de sociëteit Het Leesmuseum, in de achtergrond de koepel van de Lutherse Kerk.
Design for Landau, No. 3061
Object type: drawing
Date: 1874 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Plate
Object type: plate
Date: 1401 – 1433
Materials: earthenware
Techniques: luster painting, glazing
Location: spain
Portret van een onbekende man, mogelijk Boulez
Object type: print
Date: 1882 – 1882
Materials: paper
Techniques: etching
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: anonymous historical person portrayed alone
Inscriptions: collector's mark: Lugt 2228, annotation: ‘3me état’

De identificatie Boulez is overgenomen van een handgeschreven aantekening op een ander exemplaar in de collectie van het Rijksmuseum Amsterdam.
Kip en drie katten op een erf
Object type: sketchbook leaf
Date: 1666 – 1666
Materials: chalk, ink, paper
Techniques: brush
Artist: cornelis saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1681
Subjects: cat, fowl (cock, hen, chicken, etc.)

Blad 24 recto uit een schetsboek met 49 bladen.
Nickerie
Object type: photograph
Date: 1898 – 1902
Techniques: albumen print
Location: suriname
Subjects: suriname
Kunstwerken van Venetiaanse meesters
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: woodcut
Artist: john baptist jackson
Artist role: print maker
Artist dates: 1701 – 1780
Subjects: slavery; serfs and enslaved persons, st. mark rescues a slave from martyrdom by coming down from heaven; the instruments of torture break
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent maakt deel uit van een ongenummerde serie van 24 prenten.
De intogt van Hertog Jan van Beijeren binnen Leijden, Op den 18den Augustus 1420, in maskerade voorgesteld door H.H. Studenten der Leydsche Hoogeschool, Op den 8sten Februarij 1840
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: jan van beieren, students' pageant, costumes used in pageants

Historische gekostumeerde optocht van de studenten van de Hogeschool van Leiden op 8 februari 1840. De optocht verbeeldt de intocht van hertog Jan van Beieren te Leiden op 18 augustus 1420. Zevende plaat in een serie van negentien ongenummerde platen, met de groepen genummerd 43-51.
Putto met een lange stok
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: walking-stick, staff, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228
Scarab Inscribed with the Throne Name of Amenhotep I
Object type: scarab, amenhotep i, djeserkare
Date: 1525 – 1504
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs
Orphrey woven with figurative repeat design of Christ as Man of Sorrows
Object type: orphrey fragment
Date: 1401 – 1600
Materials: linen, silk
Subjects: men
Designs for Jewelry
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: engraving
Location: germany
Artist: joannes andreas pfeffel i
Artist nationality: german
Artist dates: 1674 – 1748

Engraved ornament books boasted designs for metalworkers and other artists to copy; these could also be collected as prints. This set of eight designs was first published in Vienna. The draftsman, Friedrich Jacob Morrison, died around 1697, so this edition—engraved by Johann Andreas Pfeffel I and Christian Engelbrecht while he was still alive—must predate the final edition, as his death is prominently mentioned on the title page of that work. The otherwise identical plates include decorations such as a book cover with a minute head of Christ, a bejeweled sword hilt, fans, pendants, and other jewelry.
Judith and Holofernes
Object type: print
Date: 1645 – 1645
Techniques: engraving
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: swords,heads,holofernes,judith
Ontwerp voor marqueterie van aan linten opgehangen muziekinstrument(en) in rond medaillon
Object type: design drawing
Materials: graphite, ink, paper
Techniques: pen in black ink
Location: brussels
Artist: pierre félix van doren
Artist dates: 1797 – 1856
Subjects: trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, harp
Inscriptions: inscription: ‘harpe Egyptienne’

Een van 103 ontwerpen voor marqueterie van aan linten opgehangen muziekinstrumenten in ronde medaillons, bestemd voor de set stoelen gemaakt door Van Doren voor de grote zaal van het Paleis van de Prins van Oranje in Brussel in 1828.
Toutenburch, te Vollenhove, int Lant van Overijsel
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: castle, wheelbarrow, utrecht
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Rechtsonder genummerd: 4. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Overijssel.
Gezicht op een straat buiten de Raampoort
Object type: drawing
Date: 1825 – 1925
Materials: chalk, ink, paper, pencil
Techniques: brush
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', road, path, windmill in landscape, amsterdam
Inscriptions: inscription: ‘buiten / deRaampoort’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 29.
The Bay of Naples with Vesuvius in the Background
Object type: drawing
Date: 1843 – 1843
Materials: graphite
Artist: christen købke
Artist role: artist
Artist nationality: danish
Artist dates: 1810 – 1848
Subjects: boats

Unlike many of his fellow Danish artists, Købke did not revel in travel, but at the urging of his family and friends, he left for Italy in August of 1838 for a brief trip. As a landscape and decorative painter, he was drawn not to the grand edifices of Rome but to the murals of Pompei, coastline of Naples, and island of Capri. The artist often made sketches for compositions that he completed on his return to Copenhagen; this detailed drawing, however, is a recording of a finished painting, now in the Toledo Art Museum.
Hond zittend bij een vrouw in een stoel
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: ink, paper, pencil
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: sitting figure - aa - female human figure, dog

De vrouw heeft een voorwerp in haar handen. Naast haar staat een doos op tafel, mogelijk een naaidoos. Blad 5 recto uit een schetsboek met 25 bladen.