deem-data/ArtiFact huggingface dataset:
Nivose
Object type: print
Date: 1862 – 1901
Materials: paper
Techniques: etching, intaglio
Artist: jules guiette
Artist role: print maker
Artist dates: 1852 – 1901
Subjects: winter landscape; landscape symbolizing winter (the four seasons of the year)
Inscriptions: collector's mark: Lugt 2228
Veld van zestien tegels
Object type: vogeltegel
Date: 1650 – 1700
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van zestien tegels (4 x 4) elk met een veelkleurig (blauw, oranje en paars) geschilderde vogel op een tak met besjes of op een grond.
Terracotta oinochoe: chous (jug)
Object type: oinochoe, chou
Date: 560 – 560
Materials: terracotta
Culture: greek, attic
Artist: amasis painter
Artist role: artist

Three hoplites (foot soldiers) between a man and a youth The Greek heavy infantry fought shoulder to shoulder behind overlapping round shields. Here the shields of three hoplites dominate the composition and emphasize with their concentric rings the swelling roundness of this little pitcher.
Wijk aan Zee
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: prospect of village, silhouette of village
De waterpoort te Sneek
Object type: print
Date: 1874 – 1888
Materials: paper
Techniques: engraving
Location: paris
Artist: johannes christiaan karel klinkenberg
Artist role: draughtsman, painter
Artist dates: 1852 – 1924
Subjects: ships (in general), village-gate, bridge in village across river, canal, etc.
Inscriptions: collector's mark: Lugt 2228
Covered Box for Incense with Molded Blossoming Plum Branch Design
Object type: incense box
Date: 1800 – 1850
Materials: glaze, pottery
Techniques: molding
Culture: japanese
Subjects: flowers
The Riverbank at Sukiya in the Eastern Capital (Toto Sukiyagashi), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)"
Object type: print
Date: 1858 – 1858
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portrait of a Man
Object type: painting, miniature
Date: 1828 – 1828
Materials: ivory
Artist: andrew robertson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1777 – 1845
Subjects: men,portraits
Piece
Object type: piece
Date: 1701 – 1800
Techniques: lace
Subjects: human figures,birds,flowers,cross
Pair of Rowel Spurs
Object type: spur
Date: 1601 – 1700
Materials: metal alloy
Culture: spanish
Location: spain

This very large and ornamental pair of spurs is chiseled and pierced with vegetal and geometrical motifs, and each object features three pierced rowels, adorned with rosettes. This decoration is inspired from contemporary German examples, but the intricate lacework-like pierced effect on the main rowel is typically Spanish.The width of the branches suggests they were worn over large cavalry boots. Some types of spurs with several rowels were sometimes used in the 17th century with particularly difficult horses. However, on this pair, worn like a piece of jewelry, it seems to be more an extravagant ornamental luxurious feature, rather than a truly equestrian improvement. The largest rowel is actually designed to set the two smaller ones in motion when rolled against the horse’s flanks. Such examples of multi-rowel spurs are known in Germany since the mid-16th century.
Vienne, Panorama with Stephen's Cathedral
Object type: postcard
Date: 1920 – 1950
Materials: photographic support
Techniques: gelatin silver print
Location: vienna
Artist: Anonymous
Subjects: vienna
De val en verlossing van de mensheid
Object type: print
Date: 1506 – 1538
Materials: paper
Techniques: woodcut
Location: germany
Artist: albrecht altdorfer
Artist role: draughtsman, print maker
Artist dates: 1480 – 1538
Subjects: christ's entombment (possibly by angels)

Het lichaam van Christus door twee mannen in een graftombe gelegd. Maria houdt de hand van Christus vast en wordt getroost door Johannes. Maria Magdalena kijkt toe. Drieëndertigste prent uit een serie van veertig.
“Taira no Koremori’s Farewell,”  from The Tale of the Heike (Heike monogatari)
Object type: hanging scroll
Date: 1640 – 1640
Materials: gold, ink, paper, silver
Culture: japanese
Artist: iwasa matabei (katsumochi)
Artist role: artist
Artist nationality: japanese
Artist dates: 1578 – 1650

This painting pictorializes a scene from The Tale of the Heike, the great early medieval tale of war, valor, and tragic love that commemorates the Genpei War of 1180–85, which pitted the two great courtier families—the Taira (Heike clan) and Minamoto (Genji clan)—against each other. Matabei captures one of the most pivotal and poignant episodes of the entire tale, showing one of the last heirs to the Taira family’s power, Lieutenant General (Chūjō) Koremori, bidding farewell to his wife. As an artist, Matabei established a reputation for adding psychological suggestiveness to his compositions, seen here in the central figures, where the poses and effective use of blank space imply that both realize they will hereafter be separated. In contrast, the attendants have animated facial expressions, manifesting the exaggerated features for which the artist became famous.
Terracotta fragment of a calyx-krater (bowl for mixing wine and water) or column-krater (bowl for mixing wine and water)
Object type: calyx krater or column krater fragment
Date: 450 – 401
Materials: terracotta
Culture: greek, attic

Bit of the mane, and, part of the back, shoulder, and tail of a lion to left
Broche in de vorm van een bloem in geel, bruin en groen geëmailleerd metaal
Object type: brooch
Date: 1950 – 1970
Materials: metal
Techniques: enameling
Location: netherlands
Artist: Anonymous

Het hart van de bloem op een tak is bruin en de bladeren alterneren geel op bruin. De broche is voorzien van een kanonsluiting.
Beaker (Humpen)
Object type: glass
Date: 1650 – 1700
Materials: enamel, glass
Techniques: glassblowing, polychrome
Location: germany
Gezicht te Wijk
Object type: drawing
Date: 1700 – 1800
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: church (exterior)
Sculptuur van twee wolven met een gitaar op een dak
Object type: album leaf
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: sculpture, cithern, mandolin, guitar, balalaika, beasts of prey, predatory animals: wolf
Inscriptions: annotation: ‘Mijn heer zit op zijn uiterste gemak/ In de goot tegen een hellend tak/ Alwaar mijnheer/ Natuurlijk op berouw wacht, dit ook/ (...)’
Portret van Edmond Willem van Dam van Isselt
Object type: print
Date: 1843 – 1856
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: knighthood order, historical persons, weapons, book - mm - book open, string instruments (plucked), globe
Inscriptions: check stamp: ‘JC v. R.’, collector's mark: Lugt 2228
Schotel van blauwe majolica
Object type: platter
Date: 1640 – 1675
Materials: earthenware, glaze
Techniques: maiolica, painted
Location: netherlands
Artist: Anonymous
Inscriptions: : ‘Faience européenne XVIIe/ hors catalogue/ Amsterdam, Rijksmuseum’

Dish. C. 1640 - 1675. Gift from the heirs of A. Isaac, 1955.
Schotel van porselein
Object type: service
Date: 1784 – 1786
Materials: porcelain
Techniques: painted, polychromy
Location: oud-loosdrecht
Inscriptions: signature and date: ‘M.O.L. en Amstel’

Dutch Delftware and porcelain after Japanese Kakiemon. Oval dish. Porcelain.Ouder-Amstel, factory under Johann Friedrich Daeuber, c. 1784 - 1786.
Panel
Object type: textile
Date: 1801 – 1900
Materials: cotton, gilt, metal, silk, velvet
Techniques: cutting, weave, voiding
Location: italy
Yoshitsune’s Horse-Washing Falls at Yoshino in Yamato Province (Washū Yoshino Yoshitsune uma arai no taki), from the series Tour of the Waterfalls in Various Provinces (Shokoku taki meguri)
Object type: print
Date: 1833 – 1833
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: landscapes
Grand Hypètre ou Typhonium, à Philae - Vue prise de l'Est
Object type: photograph
Date: 1849 – 1850
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,ruins

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Nova raccolta de li animali piu curiosi del mondo
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: vatican city
Subjects: hoofed animals: elk
Inscriptions: collector's mark: Lugt 11, number: ‘103’

Deze prent maakt deel uit van een reeks prenten van dieren door Antonio Tempesta. Bekend is dat een tweede staat (met nummering) van deze serie is uitgegeven door Giovanni Giacomo de' Rossi in 1650. Onbekend is wie de eerste staat heeft uitgegeven en wanneer.
Piece
Object type: piece
Date: 1701 – 1800
Materials: linen
Subjects: flowers,leaves
Honeysuckle: Fidelity, from the series Floral Beauties and Language of Flowers (N75) for Duke brand cigarettes
Object type: print
Date: 1892 – 1892
Techniques: color lithograph
Artist: american tobacco company
Artist role: publisher
Subjects: women,flowers

Trade cards from the "Floral Beauties and Language of Flowers" series (N75), issued in a set of 50 cards in 1892 to promote the W. Duke Sons & Co. branch of the American Tobacco Company.
Universiteit van Amsterdam, klein auditorium
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1930
Materials: cardboard
Techniques: photograph
Location: amsterdam
Artist: Anonymous
Subjects: university building, college
Dress
Object type: dress
Date: 1836 – 1836
Materials: silk
Culture: british
Compositie met saters
Object type: print
Materials: paper
Techniques: etching
Location: paris
Artist: Anonymous
Subjects: frequently used ornamental compositions, satyr(s) (in general)
Inscriptions: collector's mark: Lugt 2228

Een decoratieve compositie. Midden onder staan twee saters aan weerszijden van een mand met bladranken waar een doek overheen ligt. De mand hangt aan een draperie onder een open gebouw waarin drie hermen staan. Zowel links als rechts van de draperie ligt een figuur op een sofa.
Katharine Dudley
Object type: photograph
Date: 1922 – 1922
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Inscriptions: Inscribed recto, on hinged mat, lower right, in graphite: Treated by / Steichen / 2/50; inscribed verso of print, center, in graphite: R / *; inscribed verso of print, lower center, in graphite: Ch 38B

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Ceramic Face Mask
Object type: mask
Date: 101 – 700
Materials: ceramic
Culture: moche
Location: peru
Subjects: faces
Livre de diverses Perspectives et Paisages faits sur le naturel, mis en lumière par Israel 1650
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: etching
Location: france
Subjects: french or architectonic garden; formal garden, landscape with tower or castle, hôtel, i.e. small palace in city

Prent maakt deel uit van een ongenummerde serie van zestien prenten.
Moeder met kind in landschap
Object type: print
Date: 1774 – 1808
Materials: paper
Techniques: etching
Location: netherlands
Artist: johan antoni kauclitz colizzi
Artist role: print maker
Artist dates: 1742 – 1808
Subjects: mother and son(s) (family group)
Inscriptions: collector's mark: Lugt 2228

Een moeder is met haar zoon aan het wandelen. De zoon heeft een wandelstok de moeder draagt een mand.
Studioportret van een meisje in een bolle jurk
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: willem tinker
Artist role: fotograaf
Artist dates: 1816 – 1894
Inscriptions: name: ‘W. Tinker, Amsterdasm’
Soldaten in de haven van Port Saïd voor de opening van het Suezkanaal, Egypte
Object type: stereoscopic photograph
Date: 1869 – 1869
Materials: glass
Techniques: slide
Location: port said
Subjects: harbour, troop movements, transportation
Inscriptions: number: ‘10007.’
Creamer
Object type: cream pot
Date: 1876 – 1876
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: james gillinder and sons
Artist role: maker
Artist nationality: american
Artist dates: 1861 – 1930
Portret van François-Hercule de Valois, hertog van Alençon en Anjou
Object type: book illustration
Date: 1750 – 1750
Materials: paper
Techniques: etching
Location: london
Subjects: françois-hercule de valois (hertog van anjou), historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Montfaucon, Bernard de. A collection of regal and ecclesiastical antiquities of France (...). Londen: William Innys, John en Paul Knapton, R. Manby en Henry Shute Cox, 1750, dl. 2. Prent voor het eerst, met andere nummering, verschenen in: Montfaucon, Bernard de. Les monumens de la Monarchie Françoise (...). Parijs: Julien-Michel Gandouin en Pierre-François Giffart, 1729-1733.
Portret van Frans Snijders
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: antwerp
Subjects: antwerp, draughtsman, frans snijders, historical persons, portrait, self-portrait of artist

Prent uit: Bie, Cornelis de. Het gulden Cabinet vande edel vry schilder const, inhoudende den lof vande vermarste schilders, architecte, beldthowers ende plaetsnyders van dese eeuw. Antwerpen: Joannes Meyssens, 1662 [1661 foutief op titelpagina].
Small Grotesque Head Looking to the Left Within a Circle
Object type: drawing
Date: 1727 – 1727
Materials: ink
Techniques: pen
Artist: gaetano piccini
Artist role: artist
Artist nationality: italian
Artist dates: 1710 – 1730
Subjects: heads,men
Pyx
Object type: pyx
Date: 1201 – 1300
Materials: gilt copper, enamel
Techniques: enamel
Culture: spanish
Location: spain
Beleg van Saint Martin op het Île de Ré, juli-november 1627
Object type: history print
Date: 1629 – 1631
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: gaston jean-baptiste hertog van orléans, lodewijk xiii (koning van frankrijk), maps of separate countries or regions, historical persons, battle, ships (in general), attack ~ siege, warfare; military affairs (+ naval force), ornament ~ cartouche, fortified city, siege, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Prent, bestaand uit 16 bladen, van het beleg van de citadel Saint Martin op het Île de Ré in 1627, dat werd uitgevoerd door Engelse troepen onder leiding van de hertog van Buckingham en werd beëindigd door Franse troepen onder leiding van kardinaal Richelieu. Centraal staat een cartografische weergave van het eiland voor de Franse kust, waarop en waaromheen het wemelt van de legertroepen en de schepen. Boven en onder deze centrale kaart twee 'banden' met wapenschilden, portretten en cartouches met episodes uit de strijd om Saint Martin. Links en rechts van de kaart een tekstuele toelichting en legenda in het Frans en het Latijn.
M. L. Barillas, President of Guatemala, from the Rulers, Flags, and Coats of Arms series (N126-1) issued by W. Duke, Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,coat of arms,flags

Trade cards from the "Rulers, Flags, and Coats of Arms" series (N126-1), issued in 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type, pictured here, is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
(Firenze)
Object type: photograph
Date: 1863 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: florence
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: gallery of sculptures
Inscriptions: number: ‘26’, inscription: ‘Sommer (t)’, number: ‘No. 1899.’
Le Thésée de Phidias/ Fragment du Fronton du Parthenon d'Athènes/ Maintenant au Musée Britannique
Object type: photograph
Date: 1851 – 1851
Materials: paper
Techniques: salted paper print
Location: france
Artist: louis-désiré blanquart-évrard
Artist role: artist
Artist nationality: french
Artist dates: 1802 – 1872
Uraeus plaque from a string of amulets
Object type: uraeus plaque amulet
Date: 1070 – 945
Materials: gemstone
Location: egypt

Nine amulets of various materials were found threaded together in a tight group around the throat of the Lady Djedmutesankh; two of these, of green glass, disintegrated after they were discovered. This plaque is roughly incised with the figure of a rearing cobra, or uraeus, the totem of several important goddesses. One of the most dangerous snakes in Egypt, the cobra became a symbol of protection, thought to spit fire at enemies of the king. Djedmutesankh also had a gold amulet on her forehead (see 25.3.167). For the amulet group, see 25.3.169-related.
Hinmatóowyalahtq’it (Chief Joseph)
Object type: photograph
Date: 1879 – 1879
Techniques: albumen silver print, glass negative
Artist: charles milton bell
Artist role: artist
Artist nationality: american
Artist dates: 1848 – 1893
Subjects: men,portraits

In 1879, while forcibly confined on a reservation in present-day Oklahoma, Hinmatóowyalahtq’it, or Chief Joseph, was permitted to travel to Washington, D.C., where he met with President Rutherford B. Hayes and presented his case for the return of the Nez Perce to the Pacific Northwest. As was common for Native delegates visiting the capital, he posed for a photographic portrait in Bell’s studio. Standing in an artificial landscape composed of a papier-mâché rock, faux moss, and a painted backdrop, Chief Joseph looks into the distance, allowing the viewer to study him without the threat of a returned gaze. This studio setting was used by Bell when photographing several Native American leaders, including Mahˇ píya Lúta, or Red Cloud.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, gold, iron, silver
Culture: japanese
Location: japan
Subjects: trees
Chasse with The Crucifixion and Christ in Majesty
Object type: chasse
Date: 1190 – 1190
Materials: copper, enamel, gilt, wood
Techniques: enamel, engraving, painting
Culture: french
Location: france
Subjects: angels,apostles,jesus,crucifixion

The shape of this chasse, or container for the relics of a saint, is one of the most commonly produced during the Middle Ages, and the scenes of the Crucifixion, Christ in Majesty, and Apostles are so standard that it is impossible to say what relics it originally housed. The reliquary is remarkable for the richness of its palette (especially in the multicolored columns), the use of enamel to define the hands and feet of the figures, and the sophisticated engraving and stippling of the copper ground.
Shooting a Woodcock
Object type: print
Date: 1864 – 1864
Techniques: etching
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Portret van een onbekende man, mogelijk Deville, directeur van de mijnbouwschool te Mons
Object type: print
Date: 1888 – 1888
Materials: paper, pencil
Techniques: etching
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: anonymous historical person portrayed alone
Inscriptions: collector's mark: Lugt 2228
Nachtelijk tocht van Spaanse soldaten door het water naar Duiveland, 1575
Object type: print
Date: 1849 – 1851
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: brussels, luis de zúñiga y requesens, army 'en route'

Nachtelijk tocht van Spaanse soldaten van Sint-Philipsland door het water naar het eiland Duiveland, 28 september 1575. Op de voorgrond op Tholen zegent een jezuïet bij een opengeslagen bijbel de vertrekkende soldaten, boven het water bliksem. Rechts veldheren in harnas te paard.
Ensemble
Object type: ensemble
Date: 1850 – 1850
Materials: silk
Culture: american
Tekst uit: Le Bal Costumé donné au Palais de S.A.R. Monseigneur le Prince d'Orange au 26 Fevrier 1845
Object type: text sheet
Date: 1845 – 1845
Materials: paper
Techniques: letterpress printing
Location: the hague
Artist: le comte de guldenlew
Artist role: schrijver
Subjects: brussels, willem iii (koning der nederlanden)
Inscriptions: date

Tekst met een deel van de beschrijving van het gekostumeerd bal gehouden op het paleis van de prins van Oranje (de latere koning Willem III) in Den Haag op 26 februari 1845, titel-p. 2.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1801 – 1900
Materials: copper, gold alloy, silver alloy, gold
Culture: japanese
Location: japan
Subjects: insects
Studioportret van een jonge Guus Kessler op een stoel naast een balustrade
Object type: cabinet photograph
Date: 1885 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: amsterdam
Houwer met vuursteenpistool
Object type: flintlock pistol
Date: 1655 – 1660
Materials: iron
Techniques: engraving, sawing
Location: netherlands
Artist: Anonymous
Subjects: netherlands
Inscriptions: inscription: ‘Cr[e]dens // Pro nobis // Quis // Consientius’, inscription: ‘Concordia // res Parv[ae] // Cres[-]Cunt’
Portret van Reinier van Aeswijn
Object type: print
Date: 1825 – 1899
Materials: paper
Techniques: lithograph
Subjects: historical persons (+ head (and shoulders) (portrait)), neck-gear ~ clothing (with name), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een plooikraag. Onder het portret zijn signatuur en een familiewapen.
Zittende vrouw met platte hoed, steunend op haar linkerhand
Object type: watercolor
Date: 1874 – 1945
Materials: paper, watercolor
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: anonymous historical person portrayed alone
Man's hair ornament
Object type: ornament
Date: 1801 – 1900
Materials: jade, silver
Culture: tibetan
Valenciennes Ville Forte des Pais Bas, du Comté de Hainault (...)
Object type: print
Date: 1695 – 1697
Materials: paper
Techniques: etching
Location: paris
Subjects: fortress, maps of cities

Plattegrond van de versterkingen om de Vlaamse stad Valenciennes. Onderdeel van het vierde deel (1697) van het prentwerk waarin gebundeld zijn de acht delen van Les forces de l'Europe uitgegeven tussen 1693-1697. Het prentwerk bestaat uit 175 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog. Titel en opschriften in het Frans.
Fragment
Object type: textile
Date: 1750 – 1800
Materials: linen, silk, velvet
Techniques: cutting, weave, voiding
Location: italy
Cocks Fighting Under a Tree
Object type: print
Date: 1770 – 1779
Techniques: woodblock print
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790