deem-data/ArtiFact huggingface dataset:
Mr. Briggs Goes Out with the Brighton Harriers
Object type: drawing and watercolor
Date: 1850 – 1859
Materials: graphite, ink, paint, paper, watercolor
Techniques: pen
Location: england
Artist: john leech (or possibly after)
"Le Couronnement de la Rosière"
Object type: furnishing textile
Date: 1785 – 1790
Materials: linen
Artist: jean-baptiste huet i
Artist role: designer
Artist nationality: french
Artist dates: 1745 – 1811
Subjects: birds,men,women,dogs,foxes,sheep,flowers
Tōkaibō with a Fishing Basket
Object type: hanging scroll
Date: 1768 – 1768
Materials: ink, paper
Culture: japanese
Artist: soga shōhaku
Artist role: artist
Artist nationality: japanese
Artist dates: 1730 – 1781
Subjects: men

Dynamically rendered in pale gray ink, a wizened Chinese sagelike figure holds a fishing basket while sitting in a thatched lean-to. His courtier’s cap, gourd jug, and the rocky crag he sits on are highlighted in dark tones. The scene refers to a legendary event in the life of the Chinese nobleman Jiang Ziya (fl. 11th century BC), who is better known as Grand Duke Wang (Taigong Wang), or in Japanese as Taikōbō. One day, legend has it, Emperor Wu Wang while on a hunting trip came across Jiang Ziya fishing and was surprised to learn that the old man did not bait his hook, but waited for the fish to come to him, and was not concerned if he caught no fish at all. Impressed by his strategy of patience, the emperor brought him on as a military advisor, who ultimately helped Kings Wen and Wu of Zhou overthrow the Shang. The presence of the small seal reading “Soga Teruo” helps narrow down the date of execution to around 1768.
An Old Maid In Search of a Flea
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: interiors,women,dogs
[Civil War View]
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: thomas c. roche
Artist role: artist
Artist nationality: american
Artist dates: 1826 – 1895
Subjects: tents,american civil war,landscapes
Deksel  van urn
Object type: lid
Date: 1780 – 1790
Materials: biscuit porcelain, material)
Techniques: biscuit (porcelain, material
Location: paris
Chest
Object type: chest
Date: 1467 – 1500
Materials: iron, wood
Culture: french
Location: france
Subjects: human figures,cross
Architectura von den funf Seuvlen (...)
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: etching
Location: germany

Blad 9 uit serie van titelblad en 28 bladen.
Goat
Object type: figurine
Date: 1701 – 1800
Materials: jade
Culture: chinese
Subjects: goats
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Exterior, hair, part of right eyebrow, eye, cheek, and right shoulder of wreathed figure to right
Copy of Attilius Regulus, from "Roman Heroes"
Object type: print
Date: 1535 – 1600
Techniques: engraving
Artist: georg pencz
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: swords,men,punishment
Gevecht tussen ruiters in harnas
Object type: print
Date: 1718 – 1781
Materials: paper
Techniques: etching
Location: augsburg
Subjects: riding a horse, ass, or mule; rider, horseman, armour, battle
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie van 64 prenten door Christian Rugendas naar Georg Philipp Rugendas.
Diverses Pieces de Serruriers
Object type: album print ornament architecture
Date: 1663 – 1663
Techniques: engraving
Artist: jean berain
Artist role: artist
Artist nationality: french
Artist dates: 1640 – 1711
Subjects: lions,coat of arms

Bound copy of the second edition of this print series consisting of a title page, dedication, portrait of Hugues Brisville and 14 engravings of lock and wrought-iron designs engraved by Jean I Berain and Gabriel Ladame. The prints were first published by Brisville himself in 1662, but soon republished by the publisher Francois Langlois, who most likely ordered the portrait of Brisville to be included in the series. The designs were engraved by Jean Berain and Gabriel Ladame. They are all strong impressions of Brisvilles designs for lockplates and other works in wrought iron.
Apotheosis D. Isabellae Clarae Eugeniae
Object type: print
Date: 1639 – 1641
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Subjects: filips iv (koning van spanje), infante van spanje isabella clara eugenia, landvoogd der zuidelijke nederlanden ferdinand van oostenrijk, triumphal arch, antwerp

De triomfboog van Isabella Clara Eugenia opgesteld in de Clarenstraat. Centraal een voorstelling van de aanstelling van Ferdinand als gouverneur over de Nederlanden door Filips IV. Bovenop een zevenarmige kandelaar en zeven kaarsen aan weerszijden. Gemerkt rechtsboven: pag. 94. Blad nr. 24 in een geheel van 43 platen die de uitgave van de beschrijving van de intocht van de Kardinaal Infant Ferdinand van Oostenrijk te Antwerpen op 17 april 1635 als de nieuwe landvoogd voor de Spaanse Nederlanden illustreren.
Covered cup with floral patterns
Object type: covered cup
Date: 1767 – 1800
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Groepsportret in de tuin op de verjaardag van Carolina Frederika Holle
Object type: photograph
Date: 1894 – 1894
Materials: paper
Techniques: collodion silver print
Location: amsterdam
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: norbertus petrus van den berg (1831-1917), batavia, carolina frederika van den berg-holle, historical persons, family life, amsterdam
Inscriptions: caption: ‘Jet van Schmidt’, caption: ‘4 juni 1894/ verjaardag C.F. vd B-H’

Foto 3 op albumblad 50 uit album "Amsterdam 1890-1894".
Shawl
Object type: shawl
Date: 1810 – 1815
Materials: silk, wool
Culture: french
The Beach. Llandudno
Object type: album leaf
Date: 1880 – 1900
Materials: paper
Techniques: photograph
Location: llandudno
Artist: Anonymous
Subjects: beach (as place of recreation), prospect of city, town panorama, silhouette of city
Inscriptions: number: ‘3304.’, number: ‘27’

Deze prent maakt deel uit van een album.
Gündriss zu ebner Erden / Plan au rez de chaussée
Object type: print
Date: 1729 – 1730
Materials: paper
Techniques: engraving, etching
Location: frankfurt am main
Subjects: prison, jail, barracks, plan ~ architecture

Boven, in het midden, en rechtsboven genummerd: 7.
Embroidered Border Fragment
Object type: border fragment
Date: 500 – 201
Materials: animal fiber, cotton
Culture: paracas
Location: peru
Portret van Carlos de Gurrea
Object type: print
Date: 1675 – 1700
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, armour, historical persons, governor, etc. of province

Met drieregelig onderschrift in het Latijn.
Jug
Object type: jug
Date: 1700 – 1849
Materials: engobe, glaze, stoneware
Techniques: firing, forming, turning, vitrification
Location: frechen
Artist: Anonymous

Kruik van steengoed op standvlak met een eivormig lichaam en smalle nek. Het C-vormige oor is bevestigd aan de nek en de schouder. Profielen op de nek. Bedekt met een bruine engobe. Frechen[?].
Studieblad met schapen en een hond
Object type: sketchbook leaf
Date: 1904 – 1912
Materials: chalk, paper, pencil
Artist: ferdinand oldewelt
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Subjects: sheep, dog

Blad 4 recto uit een schetsboek met 27 bladen.
Implement
Object type: implement
Date: 500 – 700
Materials: bronze, gilt
Culture: frankish
Tankard
Object type: tankard
Date: 1700 – 1700
Materials: gilt, silver
Artist: johann berend
Artist role: maker
Artist dates: 1604 – 1704
Subjects: coat of arms

Most tankards were made in the beer-drinking countries of Northern Europe. They were usually made of pewter, ceramic, or sometimes of stone or wood, but as early as the sixteenth century a growing class of wealthy burghers created a demand for a more luxurious variety in silver. Tankards could be cylindrical or cone-shaped, low and broad or tall and slender, and were usually quite capacious. They were fitted with hinged lids, and supported on molded, circular feet. The silver ones were often richly ornamented by engraved, repoussé, or cast elements. Toward the mid-seventeenth century, Scandinavian tankards evolved into a distinctive Baroque variety, with a low, broad, cylindrical body supported by three ball feet, an S-shaped handle, and a hinged lid that was often ornamented with engraved or repoussé decoration. Swedish examples were often fitted with ornamental disks screwed to the exterior of the lid. The Swedish type prevailed also in the Baltic land of Livonia, a territory subject to the Swedish crown until 1720, and the city of Riga was the major producer of Livonian silver tankards. The Museum's tankard is engraved with the arms of Fredrich Wessenlinck and his wife, Ursula von Vriesbergen. Wessenlinck was an official for Livonian agricultural affairs in Stockholm. The tankard is a typical product of Riga, with its ball-shaped, foliate-covered feet attached to foliate cartouches enframing medallions with heads, and a circular plate on the lid depicting lovers in a pastoral landscape. It differs from Swedish tankards of the period in the exuberance of the entwined pomegranates on its thumbpiece and the split spirals at the base of the handle.
Wine cooler (seau à demi-bouteille) (one of a pair)
Object type: wine cooler
Date: 1751 – 1752
Materials: soft paste porcelain
Artist: vincennes manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 1756
Subjects: men,cows,landscapes,trees

In 1745 the company of shareholders in the Vincennes factory was granted a privilege by Louis XV for the exclusive production in France of porcelain "in the manner of Saxony, painted and gilded, with human figures." It is thus not surprising to encounter Meissen influence in both the forms and decorations of early Vincennes pieces. A well-established Meissen formula of the 1730s and early 1740s was the gold-banded cartouche enclosing a pictorial subject; at Vincennes this was adopted about 1749–52 for use mainly on coolers for wine bottles and glasses, which were painted with landscapes incorporating figures or humble cottages in the Dutch manner. By about 1752, however, the presence at Vincennes of the model designer Jean-Claude Duplessis and the painter Francois Boucher was leading the factory in a new direction, and the bottle cooler and its mate mark the transition. On both sides of each are pastoral landscapes, in soft blues, greens, and browns, that rest lightly and freely
Mitaine van zijde, wit en zwartgestreept
Object type: mitt
Date: 1750 – 1800
Materials: silk
Techniques: knitting
Location: zaanstreek
Artist: Anonymous

Mitaine van zijde, wit en zwart gestreept. In de witte banen met een zwart omlijnd geometrisch patroon. Afgezet met zwarte doorstop tule.
Strand aan de Noordzeekust, België of Frankrijk
Object type: panoramic photograph
Date: 1920 – 1940
Materials: photographic support
Techniques: gelatin silver print
Subjects: beach (as place of recreation), france, belgium
"Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait", Folio from the Shah Jahan Album
Object type: album leaf
Materials: gold, ink, paper, watercolor
Location: india
Artist: chitarman
Artist role: artist
Artist nationality: indian
Artist dates: 1627 – 1670
Subjects: men,portraits

The presentation of the emperor amplifies the formula evolved during the reigns of Akbar and Jahangir. Shah Jahan is exquisitely dressed and richly adorned with jewels, his imperial rank emphasized by his radiating halo and the hovering angels borrowed from European art. The skills of many craftsmen and designers of the Mughal court—jewelers, weavers, architects, feather workers, armorers, stonecutters, and others—are represented here. This is Chitarman’s earliest dated picture, painted soon after Shah Jahan’s accession.
Ring with shri symbol
Object type: ring
Date: 800 – 1200
Materials: gold
Location: indonesia
Artist: Anonymous
Gezicht op Franeker in 1601
Object type: print
Date: 1601 – 1601
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: cattle, clothes, costume (+ men's clothes)
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond twee mannen, gekleed volgens de mode van ca. 1600, op een landweg, die naar Franeker leidt. Koeien in de wei. Daarachter de stadsmuur van Franeker. In de lucht in 't midden een cartouche met "Franeker in frisiam 1601", links het wapen van Friesland, rechts dat van Franeker.
Le Lutrin. Chant Troisiéme
Object type: print
Date: 1718 – 1718
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: tools, implements of sculptor: mallet, owls, tools, aids, implements ~ crafts and industries: saw, night
Inscriptions: collector's mark: Lugt 240

Deze prent is de kleine variant van een prent met hetzelfde onderwerp gebruikt in eerdere publicaties. Prent ook gebruikt in: Boileau, Nicolas. Oeuvres de Nicolas Boileau Despréaux. Den Haag: Isaac Vaillant, Pierre Gosse en Pieter de Hondt, 1722, dl. 2.
Medaillons met een portret van Christiaan Huygens en Saturnus
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: the hague, draughtsman, physicist, christiaan huygens (ii), astronomy (and cosmography) (+ portrait of scholar, scientist), (story of) saturn (cronus), pendulum (theory), historical persons, medal (considered as a piece of sculpture, regardless of its specific function), mathematics (+ portrait of scholar, scientist), saturn (planet)
Inscriptions: collector's mark: Lugt 964

Saturnus houdt in zijn hand waarschijnlijk een pendulum.
Bowl
Object type: bowl
Date: 1501 – 1700
Materials: glass
Aanbidding door de herders
Object type: print
Date: 1755 – 1830
Materials: paper
Techniques: drypoint, etching
Artist: jean pierre norblin de la gourdaine
Artist role: print maker
Artist dates: 1745 – 1830
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: collector's mark: Lugt 2228
Artillery Waggons, Balaklava in the Distance
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: photography, salted paper print
Location: england
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: collected by hugh edwards, crimea 1856
Morning dress
Object type: morning dress
Date: 1865 – 1865
Materials: cotton
Culture: american
Italian Landscape
Object type: painting
Date: 1638 – 1640
Materials: canvas, oil
Artist: gaspard dughet
Artist role: draughtsman, painter, print maker
Artist dates: 1615 – 1675
Subjects: river, (high) hill

Italiaans landschap. Twee figuren ontmoeten elkaar bij de oever van een rivier.
Candelabrum (one of a pair)
Object type: candelabrum
Date: 1701 – 1800
Materials: gilt bronze, porcelain
Subjects: cranes
Rory O'Moore, from the Illustrated Songs series (N116) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1893 – 1893
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women

Trade cards from the "Illustrated Songs" series (N116), issued in an unnumbered set of 25 cards in 1893 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Deelnemers aan de race Parijs-Amsterdam passeren in hun automobielen een pontonbrug te Nijmegen, gadegeslagen door het publiek
Object type: photograph
Date: 1807 – 1898
Materials: paper, photographic support
Techniques: collodion silver print
Location: nijmegen
Artist: delizy
Artist role: manufacturer
Subjects: motorcar racing, pontoon bridge, automobile, nijmegen

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Man bij een arts
Object type: print
Date: 1638 – 1658
Materials: paper
Techniques: engraving, etching
Artist: adriaen brouwer
Artist role: draughtsman, painter, print maker
Artist dates: 1605 – 1638
Subjects: physician, doctor, care of hands and feet, medical examination, medical treatment, pain
Inscriptions: collector's mark: Lugt 240

In een vertrek verzorgt of opereert een arts de voet van een man die in een stoel zit en zijn voet op een blok hout laat rusten. De patiënt trekt een gepijnigd gezicht. Een tweede man observeert de behandeling vanachter zijn tafel. Op de achtergrond een man in een opslagruimte.
Portret van een zittende man
Object type: album leaf
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons
Inscriptions: number: ‘46’
Berglandschap met herders en op de achtergrond twee dorpen
Object type: print
Date: 1702 – 1765
Materials: paper
Techniques: etching
Location: france
Subjects: prospect of village, silhouette of village, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., mountains - hh - ideal landscapes
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie getiteld: "Cabinet du Roy" van 222 etsen naar tekeningen uit de Franse koninklijke collectie.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander and saltire square; Exterior, part of a draped figure
Side Panel from a Sarcophagus
Object type: sarcophagus panel
Date: 1101 – 1300
Materials: limestone
Culture: north chinese
Subjects: human figures,elephants

The headstone of this sarcophagus is embellished with an acting troupe poised to perform on the balcony of a two-story building. The side panels feature narrative scenes illustrating twenty-four stories of filial piety. A very similar set of engraved illustrations was discovered on the sarcophagus of Pan Dechong (1191–1256), who was buried in 1260 on the grounds of the Yongle Palace, a famous Daoist temple located in southwestern Shanxi Province. Pan was a leading member of the Quanzhen sect of northern Daoism, which advocated the importance of filial behavior, so it is not surprising that the Confucian theme of filial paragons was adopted to decorate his sarcophagus. The significance of the theatrical troupe is still unclear. These narrative scenes are a popular manifestation of the subject matter and fine-line drawing style of the scholar-artist Li Gonglin (ca. 1041–1106), particularly his Classic of Filial Piety of around 1085. Li's masterpiece gave contemporary relevance to this canonical Confucian subject through a new expressive style of calligraphic brushwork as well as through the creation of a new set of illustrations that offered subtle commentaries on contemporary political and moral questions. The sarcophagus, which may be dated roughly two hundred years later, shows the widespread impact of Li's thematic concerns and drawing style on popular art forms
Brief aan Philip Zilcken
Object type: letter
Date: 1915 – 1915
Materials: ink, paper
Techniques: pen, writing
Location: brussels
Artist: germaine wenziner
Subjects: painter, draughtsman, philip zilcken, netherlands
Inscriptions: collector's mark: ‘RPK’
De Bazar, Pl. 820
Object type: print
Date: 1887 – 1890
Materials: paper, watercolor
Techniques: hand coloring, engraving
Location: paris
Subjects: fashion plates, clothes, costume (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: collector's mark: Lugt 1641, collector's mark

Twee vrouwen op een veranda, de linker vrouw met parasol. Prent uit het modetijdschrift De Bazar, geïllustreerd Tijdschrift voor Modes en Handwerken (1857-1900). Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: De Kleeding, Modeplaten.
Marble Room
Object type: photograph
Date: 1867 – 1900
Techniques: albumen print
Location: washington
Artist: chas. s. cudlip
Slag bij Steenkerke, 1692
Object type: print
Date: 1692 – 1692
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: battle (+ land forces)

Slag bij Steenkerke in Henegouwen waarbij het Franse leger onder de duc de Luxembourg de geallieerden onder koning Willem III versloeg, 3 augustus 1692. Op een blad geplakt onder de prent een beschrijving van de veldslag in twee kolommen met de legenda A-W.
The Ramparts, Sandwich
Object type: print
Date: 1887 – 1887
Materials: ink, paper
Techniques: etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
De kerk van Geffen
Object type: drawing
Date: 1733 – 1733
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: church (exterior)
Getal 5
Object type: photomechanical print
Date: 1904 – 1904
Materials: paper
Techniques: printing block
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Inscriptions: collector's mark: ‘R:MVS.’

Het getal is gebruikt voor: Veth, Jan. Jozef Israëls en zijn kunst. Arnhem en Nijmegen: Gebroeders E&M Cohen, 1904.
Pan and Syrinx
Object type: print
Techniques: engraving, etching
Artist: giuseppe longhi
Artist role: artist
Artist nationality: italian
Artist dates: 1766 – 1831
Subjects: nymphs
Syn Hooghijts komst in Engeland
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: arrival and return ~ travelling
Inscriptions: collector's mark: Lugt 2228

Aankomst van de vloot met prins Willem III bij Torbay in Engeland, 15 november 1688. Prent rechtsboven gemerkt: f: 161.
Terracotta fragment of a salt cellar
Object type: salt cellar fragment
Date: 500 – 500
Materials: terracotta
Culture: greek, attic

Black glaze fragment from the wall of a salt cellar
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Three fragments with meanders on the interior and parts of handle palmettes and tendrils on the exterior
Anatomische studie van de rugspieren van een man in silhouet
Object type: print
Date: 1906 – 1945
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: anatomical model of the muscles, muscle-man, 'écorché'
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Stolk, Reyer. Anatomische studies in houtsneden. Amsterdam: G.W. Breughel, 1946, plaat 3.
Piece
Object type: piece
Date: 1434 – 1466
Materials: metal thread, silk

Textile with Foliate Design; made of silk, metallic thread, and voided satin velvet.
Twee acrobaten
Object type: miniature
Date: 1662 – 1666
Materials: silver
Location: amsterdam
Artist: michiel maenbeeck
Artist role: silversmith
Artist dates: 1634 – 1682
Subjects: tight-ropewalker

Op een langwerpige plaat staan links en rechts twee gekruisde palen. Tussen de palen is een touw gespannen waarop een man balanceert. De man heeft een stok in zijn handen. Tegen de gekruisde palen aan een kant staat een ladder met daarvoor een man. De man heeft in zijn rechterhand een staaf en draagt een harlekijnshoed. In de plaat is een ruitpatroon gegraveerd. Het beeld is gemerkt: mt.= Michiel Maanbeeck en een gekroonde V in een wapen.
Groep Amerikaanse toeristen bij een kasteel, Engeland
Object type: photograph
Date: 1921 – 1921
Materials: paper
Techniques: gelatin silver print
Location: north and central america
Artist: Anonymous
Subjects: tourism, castle