deem-data/ArtiFact huggingface dataset:
Transverse Flute in D-flat
Object type: transverse flute in d
Date: 1813 – 1813
Materials: brass, glass
Culture: french
Location: france
Artist: claude laurent
Artist role: maker
Artist nationality: french
Artist dates: 1805 – 1848

Claude Laurent, a Parisian watchmaker and mechanic, invented the technology to produce glass flutes that became an early 19th century novelty. He used lead crystal and other types of glass to make white, cobalt blue, and uranium green flutes. This fragile white crystal flute has four brass keys but Laurent manufactured more complicated key systems including one invented by Theobald Boehm (1794–1881), "the father of the modern flute." "Crystal flutes" went out of style after Laurent's death but his innovative use of pillars to mount the keys became an industrial standard.
Basketry Work: By the Craftsman Ichida Shōshichirō of Naniwa (Kagozaiku Naniwa saikunin Ichida Shōshichirō)
Object type: print
Date: 1819 – 1819
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Subjects: houses,men,mythical creatures,boars,tigers

These prints on the theme of basket subjects by Kunisada (JP212.15–.18) were probably designed in autumn 1819 when an exhibition of basketry was held in the Ryōgoku district of Edo (present-day Tokyo). This exhibition also included a giant figure of Shutendō ji (Drunken Boy Demon), which was portrayed in a Hiroshige triptych.
Large Vase with Cover and Design of Peacocks
Object type: vase
Date: 1736 – 1795
Materials: porcelain
Culture: chinese
Subjects: peacocks,flowers,leaves
Portret van Domenichino
Object type: print
Date: 1620 – 1700
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: painter, draughtsman, domenichino, historical persons, portrait, self-portrait of painter
Inscriptions: inscription: ‘Geboren in 't jaar 1580. Overleden den 25 April 1641. Oud 61 jaar.’
Locomotief
Object type: photograph
Date: 1880 – 1885
Materials: photographic support
Techniques: albumen print
Subjects: locomotive
Inscriptions: inscription: ‘Société de St. Léonard (Outils) Liége (Belgique)’
Studie, mogelijk van een bouwplaats of een scheepswerf
Object type: sketchbook leaf
Date: 1886 – 1908
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: building materials, ships (in general), building-site

Pagina 67 en pagina 68 uit een schetsboek met 46 bladen vervaardigd te Amsterdam, Haarlem en Antwerpen.
Stad Amsterdam, armenpenning met opschrift AK
Object type: alms token
Date: 1600 – 1800
Materials: lead
Techniques: casting
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Loden penning. Voorzijde: in ronde parelcirkel: gekroond wapenschild. Keerzijde: in ronde parelcirkel: monogram van letters A en K
Budova pro malý prumysi
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: výstaviště
Subjects: façade (of house or building), temporary exhibition, 'salon'
Ruiter geeft een bedelende jongen munten
Object type: print
Date: 1806 – 1807
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: riding a horse, ass, or mule; rider, horseman, landscapes, beggar
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een prent die ook is gebruikt als illustratie in: Loosjes Pz., Adriaan. Historie van Mejuffrouw Susanna Bronkhorst. Haarlem: Adriaan Pz. Loosjes, 1806-1807.
Panel with Harpies, Fish, and Trees
Object type: panel
Date: 1001 – 1200
Materials: terracotta
Techniques: molding, painting
Location: iran
Subjects: fish,trees

This rectangular panel of carved stucco, which would have originally been painted, is ornamented with an image of a central fruit-bearing tree emerging from a mound of earth. The tree is flanked on either side by addorsed harpies with interlaced fleur-de-lys-ending tails and by pairs of fish. The composition is contained within a border filled of scrolling vines. Dated to either the 11th or 12th century, when Nishapur was under Ghaznavid or Seljuq rule, its iconography of the addorsed harpies evokes the astrological sign of the Gemini, although the pair of fish may allude to Pisces. The panel may have been an element from an overall decorative program of a building interior. It was excavated at Nishapur, Iran in 1939 and was acquired by the Museum through a division of finds with the Iranian government.
Penning uit Brabant van  Jan I, 1268-1294
Object type: coin
Date: 1268 – 1294
Materials: silver
Techniques: striking
Location: leuven

Voorzijde: in een punt uitlopend wapenschild met leeuw, waaromheen letters I, D - VX. Keerzijde: gevoet kruis, in de hoeken letters L,O,V en A.
Landschap met een figuur op een pad langs een vijver
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: etching
Artist: henri joseph harpignies
Artist role: draughtsman, print maker
Artist dates: 1819 – 1916
Subjects: landscapes, road, path, pond, pool
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Gezicht op een meer en een portret van een vrouw met buideltas leunend op een stoel
Object type: photograph
Date: 1890 – 1910
Materials: paper
Techniques: gelatin silver print
Location: paris
Subjects: armchair, seat, bag, anonymous historical person portrayed alone - bb - woman, lake
Inscriptions: inscription: ‘Chloro-Citrate brilliant’
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,
Object type: album
Date: 1732 – 1769
Techniques: engraving, etching, woodcut
Location: england
Artist: arthur pond
Artist role: artist and publisher
Artist nationality: british
Artist dates: 1701 – 1758
Subjects: men
Bowl
Object type: bowl
Date: 801 – 1000
Materials: earthenware, glaze, pigment
Techniques: painting, polychrome
Location: iran

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Vrienden of familie van het gezin Onnen-van den Berg, buiten bij een woonhuis
Object type: photograph
Date: 1914 – 1915
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: family life, friends

Deze foto's zijn onderdeel van een album.
Vues de Java
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: rural housing, e.g. country-house, villa, cottage
Inscriptions: collector's mark: Lugt 2165, check stamp: ‘François Buffa & Fils Fournisseurs du Roi’, collector's mark: Lugt 2228

Het paleis in de Plantentuin te Buitenzorg (West-Java) met op de voorgrond twee mannen te paard en recreërende mensen.
Rest on the Flight into Egypt
Object type: print
Date: 1520 – 1567
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: lambertus suavius
Artist role: print maker
Artist dates: 1514 – 1564
Subjects: the flight into egypt: mary, joseph, the child (and sometimes others) on their way; mary usually riding on an ass, rest on the flight into egypt

Maria, met het Christuskind op schoot, en Jozef rusten uit bij een monument. Jozef geeft Christus een vrucht. Op de achtergrond de Heilige Familie onderweg.
Letter G met fleurs de lis
Object type: print
Date: 1639 – 1643
Materials: paper
Techniques: engraving
Location: paris
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: fleur-de-lis ~ ornament, decoration of printed matter, letters, alphabet, script, flowers: lily
Inscriptions: collector's mark: Lugt 240

Dit betreft één van de 21 letters die Mellan voor de Imprimerie Royale vervaardigde. Elke letter wordt vergezeld door een afbeelding van een onderwerp dat met dezelfde letter begint.
Tussen 1639-1643 werkte Mellan samen met de Imprimerie Royale (IFF 17e siècle, p. 21-22). Hij vervaardigde verschillende vignetten, letters, culs-de-lampe en decoratieve banden (IFF 17e siècle, p. 215-220).
Holy Family with Female Saint and Infant Saint John the Baptist
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: italy
Artist: giuseppe santi
Artist nationality: italian
Artist dates: 1761 – 1825
Koffiekan met deksel, beschilderd met bloemenranken
Object type: pot
Date: 1780 – 1830
Materials: earthenware, glaze
Techniques: painted
Location: germany
Artist: Anonymous

Ovale, cilindrische, geribde koffiepot van blauw beschilderde faience met een rechthoekig oor, een gedeukte sneb en een gewelfd deksel met knop. Op de koffiepot zijn bloemenranken geschilderd. De pot is gemerkt.
Twee liggende engeltjes leunen op schedel
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: netherlands
Inscriptions: collector's mark: Lugt 2228

Prent uit serie van zes prenten met Friezen met kinderen, engeltjes en dieren. Hollstein beschrijft deze serie twee keer onder de nrs. 142-147 en 268-273.
Portret van Balthasar Gerards
Object type: print
Date: 1755 – 1816
Materials: paper
Techniques: engraving
Subjects: delft, historical persons

Duel in de ondermarge, waarschijnlijk de moord op Willem van Oranje door Balthasar Gerards.
Zittende man bij een kruik
Object type: sketchbook leaf
Date: 1879 – 1884
Materials: chalk, paper
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: sitting figure, adult man, jar, jug (used as drinking-vessel)

De man heeft een kind of dier in de armen. Pagina 34 uit een schetsboek met 28 bladen.
Moeder geeft haar kind te eten
Object type: print
Date: 1786 – 1796
Materials: paper
Techniques: engraving, etching
Location: leiden
Artist: pieter de mare
Artist role: print maker
Artist dates: 1758 – 1796
Subjects: feeding a baby
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 2228

Zeden en gewoonten. Des menschen begin, midden en einde afd. Kinderleven
Titel page from Eyn Newe kunstlich moetdelboech alle kunst (Page 1r)
Object type: book print ornament architecture
Date: 1532 – 1532
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: men,women,working

Published by Peter Guentel, Cologne. The only recorded copy (incomplete) of Peter Guentel's second edition of this model book. Illustrated title page and 31 pages of designs.
Portret van Henning Meyer de Meyercron
Object type: print
Date: 1691 – 1707
Materials: paper
Techniques: engraving, etching
Subjects: copenhagen (city)
Inscriptions: collector's mark: Lugt 2228

Portret van de Deense diplomaat Henning Meyer de Meyercron.
Figuren in zee
Object type: sketchbook leaf
Date: 1881 – 1927
Materials: chalk, paper, watercolor
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: mother and child(ren), woman and child(ren) (family group), in or beside the water (on the beach)

Figuren in zee. Blad 13 verso uit een schetsboek met 29 bladen.
Landschap met twee koeien
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: cow, milking
Inscriptions: collector's mark: Lugt 240

Landschap met op de voorgrond een wei met twee koeien, waarvan er één gemolken wordt. Op de achtergrond een dorp met een kerktoren.
Glaze Clump
Object type: glaze clump
Date: 1001 – 1200
Materials: glaze
Location: iran
Fragments choisis dans les peintures et les tableaux les plus intéressants de l'Italie
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: aquatint, etching
Subjects: jupiter, usually in the shape of a white bull, abducts europa and carries her across the water, the battle of the milvian bridge (saxa rubra): st. constantine on horseback confronts maxentius; a cross appears in the sky with in fiery letters 'in hoc signo vinces' (the raised standards of the roman soldiers carry a cross or the chi-rho monogram)
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie met daarbinnen delen over specifiek Rome, Bologna, Napels en Venetië.
Ole Bulls Statue, Bergen
Object type: photomechanical print
Date: 1904 – 1930
Materials: cardboard
Techniques: photograph, lithograph
Location: bergen
Artist: Anonymous
Subjects: monument, statue, ornamental fountain
Conceptbrieven aan anonieme personen
Object type: letter
Date: 1898 – 1898
Materials: ink
Techniques: pen, writing
Location: amsterdam
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: salomon garf, paris, sculptor, pierre jean david d'angers, sculpture, education, tuition of the artist (in general), money
Practice Sword
Object type: practice sword
Date: 1575 – 1575
Materials: brass, leather, steel, wood
Culture: german
Location: germany
Artist: ulrich diefstetter
Artist role: bladesmith
Artist nationality: german
Artist dates: 1536 – 1589

Purposely made with dull edges and blunt tips, this practice sword and another similar example in The Met's collection (acc. no. 14.25.1111) are descendants of knightly war swords, which were made to be wielded with either one hand or two. Known simply as the long sword, this type was a specialty of the German school, which continued to practice its use long after it had been abandoned elsewhere.
Three Fasteners
Object type: costume and accessory
Date: 1650 – 1650
Materials: enamel, gold
Culture: german
Location: germany
Jachthond, genaamd Cérès
Object type: page
Date: 1869 – 1879
Materials: paper
Techniques: woodburytype
Location: france
Subjects: hunting dogs
Silhouetportret van Antonie Jacob van Doeveren
Object type: print
Date: 1780 – 1824
Materials: ink, paper, pencil
Techniques: brush, etching
Artist: Anonymous
Subjects: historical persons, physician, doctor
De snor van Emile
Object type: print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: monogrammist jgr
Artist role: print maker
Subjects: correction of naughty children, children's games and plays, bad behaviour
Inscriptions: collector's mark: Lugt 2760

Blad met 10 voorstellingen over de jongen Emile die zich verkleedt als rover en zijn vrienden laat schrikken. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 193.
Zestien portretten van balletdansers
Object type: photomechanical print
Date: 1883 – 1893
Materials: paper
Techniques: photograph
Location: paris
Subjects: the ballet, ballet performance
Inscriptions: inscription: ‘Theatre de la Gaite - Le rève de Gilles (Ballet) (...)’, number: ‘10352 (...) 10524B’

Van links naar rechts en van boven naar beneden: Mmes Litini, Reggia Bodino en Mmes Lamothe.
Terracotta jug
Object type: jug
Date: 1600 – 1450
Materials: terracotta
Culture: cypriot

Long-necked jug with funnel-shaped mouth, handle and spiral bands in relief.
Portret van keizer Maximiliaan I
Object type: print
Date: 1581 – 1628
Materials: paper
Techniques: engraving
Subjects: maximilian i (holy roman emperor)
Inscriptions: collector's mark: Lugt 240

Kopie in spiegelbeeld. Keizer Maximiliaan I met de keten van het Gulden Vlies om.
Zicht op de Dom van Milaan
Object type: print
Date: 1838 – 1841
Materials: paper
Techniques: lithograph
Location: paris
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 1397c

Prent maakt deel uit van een omslag met zes prenten.
Quilt, Strip pattern
Object type: quilt
Date: 1840 – 1840
Materials: cotton
Culture: american
Location: united states
Subjects: fruit,peacocks,lions,coat of arms

The appearance of a Strip quilt is usually very like that of a wholecloth quilt, even though it is technically pieced. Like wholecloth quilts, the makers of Strip quilts were concerned with showing off the large pieces of fancy fabric with which the quilts are made, rather than calling attention to an intricately pieced design. While some of the pieces of fabrics in this quilt were probably left-overs from other home-furnishing projects, others, such as the wide strip with bowls of fruit at the center of this example, may have been purchased specifically with the quilt in mind. All these fabrics have large-scale patterns that would not have been as visually effective if the quilt maker had chosen to cut them into small pieces to be stitched into an ordinary pieced quilt. Fabric (and wallpaper) designers of the mid-nineteenth century enjoyed realistic trompe l'oeil effects, as can clearly be seen from this quilt. The white ceramic bowls laden with fruit and a single pink rose have the same luscious quality as the hand-colored floral prints of the period. The other fabrics make little sense with the center panel, which is immediately surrounded by strips of fabric showing small peacocks on pedestals. The presence of peacocks speaks to the century-long popularity of peacocks as subjects for textile design. The outermost, incomplete stripes of fabric contain two different imported English cottons printed with Gothic window tracery. One of these fabrics includes a flag showing the British Royal Standard as it appeared between 1814 and 1837. When Queen Victoria ascended the throne in 1837, the standard was changed, and no longer included the Hanoverian Crown in the center as seen here. This helps us date this particular fabric to before 1838.
Rokende man op een bankje voor de ruïne van het Huis Snaatburg te Maarssen
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: printmaking
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228
Venezia. Isola S. Giorgio
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph
Location: venice
Artist: Anonymous
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), church (exterior), city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Linen mark (Type VIII)
Object type: linen mark
Date: 1961 – 1917
Materials: linen
Location: egypt
Portretten van leden van het Koninklijk Huis en een gezicht op een tuin met vogels
Object type: photograph
Date: 1900 – 1950
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: utrecht, bernhard (prins der nederlanden), beatrix (koningin der nederlanden), juliana of the netherlands, adult woman, birds, adult man, historical persons, infant, baby, family of the sovereign

Portret van onder andere koningin Juliana, prins Bernhard, koningin Beatrix, prinses Irene en prinses Margriet. Deze pagina maakt deel uit van een album.
Voetstuk van gelakt eikenhout, behorend bij Historiepenning van Francesco Alidosi, pauselijk legaat te Bologna
Object type: pedestal
Date: 1900 – 1950
Materials: metal, wood
Techniques: cutting, lacquer
Location: unknown
Artist: Anonymous
Subjects: priest
Inscriptions: inscription: ‘BRONZEN PORTRETPENNING VAN KARDINAAL Fr. ALIDOSI ; // REVERS : JUPITER OP DEN ZONNEWAGEN DOOR VIER ARENDEN // GETROKKEN ; Mr DER CARDINAAL - LEGATEN ± 1520.’

Voetstuk van gelakt eikenhout, behorend bij 'Historiepenning van Francesco Alidosi, pauselijk legaat te Bologna'. In de ronde opening zitten zes afgeknotte spijkers, die de historiepenning op zijn plek houden. De vlakke plint bevat een opschrift.
Spotprent
Object type: cartoon
Date: 1878 – 1878
Materials: paper
Techniques: lithograph
Location: arnhem

Spotprent. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 34, 1878.
Caerte van de straet wegh soo die gemaeckt is van Den Hage tot aen 't zee strang
Object type: map
Date: 1667 – 1667
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: maps of separate countries or regions, road, path, the hague
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Kaart van de aanleg van de straatweg van Den Haag door de duinen naar het strand bij Scheveningen, 1664-1665. Deze weg, vandaag de dag bekend als de Scheveningseweg, werd ontworpen door Constantijn Huygens en in 1665 voltooid. Linksboven een schaalstok voor het meten van de hoogte: 40 voeten Rhijnlt. Daaronder een passer met een schaalstok voor het meten van de lengte: Dese passer begrijpt sestigh roede Rhijnlants. Onder in het midden een dwarsdoorsnede van de straatweg met een schaalstok: 18 roeden Rijnlts. Rechts daarvan een doek opgehouden door drie putti met een Latijns vers door Huygens. Rechtsboven staat de hoogte van de waterstand bij de stormvloed van 5 december 1665 aangegeven.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, back of draped figure to right?; Exterior, lower part of a draped figure?; lower drapery of figure with stick
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic
Artist: euaichme painter
Artist role: artist

Exterior, filleted youth looking left, with a frontal torso, genitals, and thighs, and his left hand resting on his upper left thigh
Twee mannen voeren een gesprek aan de waterkant
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: river bank, conversation, dialogue; conversation piece, night
Inscriptions: collector's mark: Lugt 2228
Portret van Christoph Althofer
Object type: print
Date: 1660 – 1670
Materials: paper
Techniques: engraving
Location: germany
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228