deem-data/ArtiFact huggingface dataset:
Standing statue of Mitry's wife
Object type: statue, merti's wife, standing, mitry
Materials: gesso, paint
Location: egypt
Subjects: women

Merti was a high official and provincial governor. Eleven exceptionally large wooden statues were found in the serdab (statue chamber) of his tomb. Five are in the collection of The Metropolitan Museum of Art (26.2.2 - 26.2.6); five, including two wooden scribes, are in the Egyptian Museum, Cairo; and one is in the Medlhavsmuseet, Stockholm. Most of these statues represent Merti in various aspects of his life and career, denoted by changes in wigs and garments. Surprisingly, three statues of women were also present, each in a different wig. Although more damaged, this female figure is carved by a more skilled artist than 26.2.3: the proportions of the human figure are more lifelike and less elongated.
Coin
Object type: coin
Date: 1068 – 1077
Materials: copper
Culture: chinese
Location: iran
Moeder met kind
Object type: print
Date: 1818 – 1863
Materials: paper
Techniques: lithograph
Location: utrecht
Artist: marinus adrianus van straten
Artist role: print maker
Artist dates: 1808 – 1863
Subjects: mother and baby or young child
Inscriptions: collector's mark: Lugt 2228

Een moeder zit met een naakt kind op schoot.
Design for Dining Room Ceiling, Hôtel de Behague
Object type: drawing
Date: 1870 – 1870
Materials: gouache
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ceilings
Rudolf II van Habsburg
Object type: print
Date: 1611 – 1611
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: vienna, prague, rudolf ii van habsburg (duits keizer), sceptre, staff (symbol of sovereignty), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', throne
Inscriptions: collector's mark: Lugt 2542, collector's mark: Lugt 2228

Rudolf II van Habsburg op een troon onder een lauwerkrans. In zijn linkerhand houdt hij een rijksappel en in zijn rechterhand een zwaard. Naast hem zijn wapenschild. Linksonder een adelaar. Op de achtergrond de feestelijke intocht van Rudolf II van Habsburg. Midden onder een Bijbelcitaat uit Matt. 12 in het Latijn. In de marge een achtregelig lofdicht, in vier kolommen, in het Latijn. Tweede prent uit een serie van vier met wereldheersers.
Dutch East Indiaman
Object type: print
Date: 1647 – 1647
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: ships

Dutch East Indiaman; six men on a raft caulking the planks of hull of vessel in harbour, with carpenters at work on the deck; fully fitted-out ship careened in the water to right, with sailors on a raft treating the under-water timber among clouds of black smoke.
Pair of Ear Clips with Leaf-Shaped Bezel
Object type: ear clip
Materials: gold
Culture: indonesian, javanese
Trade card for Maclure, Macdonald & Macgregor, publisher and printer
Object type: print, trade card
Date: 1801 – 1900
Techniques: lithography
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today. Firm of draftsmen for wood engraving, lithography, and color printers with branches in Liverpool, London, and Manchester. The first firm to use steam power for lithographic printing in London, 1850.
Bowl
Object type: bowl
Date: 1001 – 1200
Materials: glaze, iron, stoneware
Culture: korean

This is a rare example of a Goryeo -period blackglazed bowl, which imitates Jian ware ceramics from Southern China.
Bestraffing van twee oproerige soldaten in Den Bosch, 1787
Object type: book illustration
Date: 1797 – 1797
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: mutiny, rebellion ~ military discipline, den bosch, patriots (1780-1795)
Inscriptions: date

Gebruikt als illustratie in: P.A. Loosjes. Vaderlandsche historie, vervattende de geschiedenissen, der Vereenigde Nederlanden (...). Ten onmiddelyken vervolge van Wagenaar's Vaderlandsche historie. Amsterdam: Johannes Allart, dl. 19.
Portret van Richard Boyle, graaf van Burlington
Object type: print
Date: 1747 – 1781
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: politician, richard boyle (3e graaf van burlington), historical persons, politician, e.g. party leader
Inscriptions: inscription: ‘n. 1695 [...] K.G. Treasurer of Ireland./ Evary, I 1609, 10 II 13409-13414. +1753’

Prent uit: The Universal Magazine of Knowledge and Pleasure, 1747-1781.
Terracotta fragment of a neck-amphora of Nicosthenic shape (jar)
Object type: neck amphora fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

On the body of the amphora, bit of black glaze and band of reserve with ridge
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of line border of tondo; Exterior, one rim fragment has the head of a youth and unidentified object; a second fragment depicts the head, upper back, bent left arm and lower draped torso of a youth with his right hand on his hip; a third fragment depicts the chin, right shoulder, extended right arm, and part of the upper torso of a youth to right; a fourth fragment shows part of an upper torso?; a fifth fragment depicts the thigh, knee, and part of the calf of a male with two javelins or spears; a sixth fragment depicts a left hand with a spear or javelin, of a youth to right, and the buttocks of a second youth to right; a seventh fragment shows the lower calf and foot of a male to left and the heel of a male to right
Cream Jug
Object type: ceramic
Date: 1750 – 1759
Materials: stoneware
Techniques: salt glaze
Location: staffordshire
Alt-Köln. Kümpchenshof, alter Gutshof, wo der Sage nach der Reitergeneral Jan von Werth als Knecht gedient haben zoll
Object type: photomechanical print
Date: 1905 – 1920
Materials: cardboard
Techniques: photograph
Location: cologne
Subjects: street, cologne
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 434 – 368
Materials: terracotta
Culture: etruscan

Exterior, part of a circumscribed palmette
Plateau
Object type: plateau
Date: 1501 – 1600
Materials: gilt, silver
De zeven hoofddeugden
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues
Inscriptions: collector's mark: Lugt 2228

Personificatie van het geloof, met crucifix en kelk, staand in nis.
Dish
Object type: dish
Date: 1510 – 1520
Techniques: maiolica, glazing
Subjects: deer
Toegangskaart uit archief Jan Veth
Object type: admission ticket
Materials: cardboard, ink, photographic support
Techniques: albumen print, pen, writing
Artist: Anonymous
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, maurits van der valk, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’, stamp: ‘EXPOSITION INTERNATIONALE/ AMSTERDAM, 1883’, check stamp: ‘EXPOSITION INTERNATIONALE AMSTERDAM/ [?]’
Quae Genus Gives a Grand Party
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: interiors,men,women,dogs
Handkar
Object type: stereograph
Date: 1900 – 1922
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: robert julius boers
Artist dates: 1867 – 1932
Subjects: robert julius boers

Handkar op straat getrokken door acht Indische mannen in het wit, mogelijk een begrafenis, waarschijnlijk op Banka. Onderdeel van een groep stereofoto's van Robert Julius Boers, chef van het staatsbedrijf de Banka-tinwinning op Banka, uit de periode ca. 1900-1922.
Graflegging van Christus
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: christ's entombment (possibly by angels), the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: collector's mark: Lugt 240
The Passenger in Cabin 54—Cruise
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Aanbidding door de herders
Object type: print
Date: 1569 – 1600
Materials: paper
Techniques: engraving
Location: italy
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: caption: ‘Hocte oritur sol iustitiae, quia venit, ut orbem / In tenebris positum inlustret, tenebrasq. resolvat.’, signature: ‘Polidorus. invent.’, address: ‘I. Sadler. excudit’, collector's mark: Lugt 240

In een landschap voor de ruine van een antiek gebouw zitten Maria en Jozef. Maria toont het kind, liggend in een doek, aan de herders. Jozef zit naast haar. Achter hen de os en de ezel. Herders komen aanlopen van rechts. Een van hen draagt een mand met pluimvee op het hoofd. Linksboven God met engeltjes in een wolk.
Schets voor studie naar Gerard
Object type: drawing
Date: 1852 – 1852
Materials: paper, pencil
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: gerard allebé, historical persons
Inscriptions: date: ‘1852’
Terracotta oil lamp
Object type: lamp
Date: 40 – 100
Materials: terracotta

Loeschcke Type 4. Mold-made. Deep, broad concave discus: myrtle wreath; a single filling hole slightly off-center; single groove around edge; narrow, undecorated shoulder. Volutes flanking nozzle with large wick hole. Incised base ring, and slightly raised base, concave at center. Complete, but scroll on back end of right volute missing.
Portret van Friedrich Hofmann
Object type: print
Date: 1840 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: eyeglasses, spectacles, historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2233
Scene from Ancient History (recto); Leg and Arm of a Nude Male Figure (verso)
Object type: drawing
Date: 1738 – 1770
Materials: chalk, paper
Techniques: highlighting, stumping
Artist: nicola marcola
Artist role: artist
Artist nationality: italian
Artist dates: 1738 – 1770
Subjects: men,male nudes
Shoulder Guard (Ō-Sode)
Object type: shoulder guard ō sode
Materials: copper gilt, iron, lacquer, leather, silk
Culture: japanese
Location: japan

Large square sode are the earliest form of shoulder guards used in Japan. This rare, unrestored example is almost contemporary with the Ashikaga armor in the center of this gallery.
Male breast with lower part of Aten cartouches
Object type: chest, aten cartouch
Date: 1353 – 1336
Materials: quartzite
Location: egypt
Opera Varia Historica, Poetica & Iconologica
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: etching
Location: germany
Subjects: 'cornucopia', horn of plenty, (story of) dike (astraea), goddess of righteousness and justice, symbols, allegories of peace, 'pax'; 'pace' (ripa), sitting or standing on clouds, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Prent afkomstig uit de serie 'Opera Varia Historica, Poetica & Iconologica', uitgegeven in 1693. Deze serie omvat vrijwel het complete oeuvre van de kunstenaar en bestaat uit 48 prenten, voornamelijk ontwerpen voor plafonds.
Paard uit Zuid-Italië (Appulus)
Object type: print
Date: 1583 – 1587
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: don juan van oostenrijk, horses and kindred animals
Inscriptions: collector's mark: Lugt 2228, number: ‘94’

Een Zuid-Italiaans paard (Appulus), in profiel. Het steigert. De prent heeft een Latijns onderschrift en maakt deel uit van het eerste deel van een 39-delige serie over de paardenrassen uit Koninklijke stallen van Don Juan van Oostenrijk.
Voorstellingen van verschillende emoties
Object type: book illustration
Date: 1711 – 1711
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: morphology of facial expression
Inscriptions: collector's mark: Lugt 2165

Onversneden blad met vier prenten met voorstellingen van mannenkoppen die verschillende emoties uitdrukken. Van links naar rechts, van boven naar beneden: Extreme Desespoir, Colere meslée de rage, Colere meslée de Crainte, Colere meleè de Crainte. De prenten hebben een titel in het Frans en zijn gemerkt met een paginanummer en een letter.
Panel
Object type: panel
Date: 1730 – 1730
Materials: linen, silk, wool
Subjects: flowers
Game piece in the shape of a baboon
Object type: game piece, baboon
Date: 332 – 330
Materials: bone
Location: egypt
Subjects: games,baboons

Animal ankle joints, anatomically termed astragals, were used as gaming pieces. The knucklebone itself might be carved, or astragal-shaped gaming pieces might be carved from other sources or materials. All were termed astragals, which were used like dice or jacks. This baboon has been compactly carved, seated and with limbs and head against its body, to serve as an astragal.
Fotoreproductie van een gezicht op Auckland
Object type: photomechanical print
Date: 1889 – 1889
Materials: paper
Techniques: woodburytype
Location: auckland
Artist: Anonymous
Subjects: prospect of city, town panorama, silhouette of city
Verovering van Helsingborg (Elsenburgh) door het Zweedse leger, 1677
Object type: print
Date: 1677 – 1677
Materials: paper
Techniques: etching
Location: netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: capture of city (after the siege)

Verovering van Helsingborg (Elsenburgh) op de Denen door het Zweedse leger, op 16 januari 1677. Op de voorgrond ruiters, daarachter soldaten die de burcht beschieten. Links op zee twee schepen van waaruit geschoten wordt. Midden boven de voorstelling waarschijnlijk een portret van Karel XI van Zweden in een cartouche met lege banderol eronder.
Kihō Picture Album (Kihō gafu) 埼鳳画譜
Object type: illustrated book
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kawamura kihō 河村琦鳳
Artist role: artist
Artist nationality: japanese
Artist dates: 1778 – 1852
Subjects: rabbits
Untitled (Portrait of Seated Man with Headdress)
Object type: photograph
Date: 1850 – 1850
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, men, native american, headdresses, portrait, male, portraits, portraits: male subject
Dichten afsluitdam Bouwput
Object type: photograph
Date: 1921 – 1921
Materials: photographic support
Techniques: gelatin silver print
Location: belawan
Artist: Anonymous
Subjects: harbour, building-site
Inscriptions: date: ‘20/12-21’, inscription: ‘No. 102 Dichten afsluitdam Bouwput’

Het dichten van de dam om de bouwput. Genummerd: 102. Onderdeel van de groep van losse foto's over de aanleg van de haven Belawan aan de kust voor Medan, Sumatra 1921-1922.
Schilderingen in de Sixtijnse kapel
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving, intaglio
Location: vatican city
Artist: adamo scultori
Artist role: painter, print maker, sculptor
Artist dates: 1530 – 1585
Subjects: the (nude) human figure; 'corpo humano' (ripa), fruits: acorn

Zittende naakte man, naar rechts gedraaid, met een guirlande van eikels. Eén van de 'ignudi' (naakte mannen) van Michelangelo's plafondschildering. Genummerd rechtsonder: 6. De prent maakt deel uit van een album.
Turfhevers van Amsterdam, plaquette met no. 98
Object type: plaque
Date: 1750 – 1850
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

enigszins bolle, eenzijdige plaquette met aan beide zijkanten, boven- en onderzijde twee gaatjes; v.z: wapenschild tussen opschrift No 98 binnen omschrift. Keerzijde: blanco
Gezicht op een heuvel, waarop twee molens
Object type: drawing
Date: 1773 – 1843
Materials: paper, pencil
Artist: georges michel
Artist role: draughtsman
Artist dates: 1763 – 1843
Subjects: windmill in landscape

Een van 120 tekeningen, afkomstig uit een 19e eeuws album met tekeningen van Georges Michel.
Wine Jug
Object type: wine jug
Date: 960 – 1279
Materials: pottery
Culture: chinese
Paysage sous-marin (pose 1")
Object type: page
Date: 1890 – 1900
Materials: paper
Techniques: photoaquatint
Location: france
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: inscription: ‘Librairie C. Reinwald’, number: ‘Planche VI’
The Opening Assembly of the Equestrian Ballet
Object type: print
Date: 1661 – 1661
Materials: paper
Techniques: etching
Location: italy
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664

Influenced by the graphic work of Jacques Callot, a French artist working in Italy, Stefano della Bella was trained by a goldsmith, who taught him metalworking techniques for creating objects in miniature. This print records a festival held at the Pitti Palace by Ferdinando Tacca for Grand Duke Ferdinand II de’Medici. Over one thousand prints by della Bella’s hand are known, and this type marks the culmination of his career.
Fotoreproductie van de Schuttersmaaltijd ter viering van de Vrede van Munster van Bartholomeus van der Helst
Object type: reproduction
Date: 1802 – 1871
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: warfare; military affairs (+ citizen soldiery, civil guard, citizen militia), celebration meal, feast, banquet, picture, painting, private festivities, merry company

Deze pagina maakt deel uit van een album.
Cavalry Soldier
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni fattori
Artist role: print maker
Artist nationality: italian
Artist dates: 1825 – 1908
Portrait of Thomas Nast
Object type: print
Date: 1870 – 1880
Techniques: engraving
Artist: thomas nast
Artist role: artist
Artist nationality: american, born germany
Artist dates: 1840 – 1902
Subjects: men,portraits
Paar uitkijkend over oosterse stad
Object type: drawing
Date: 1908 – 1937
Materials: paint, paper, pencil
Techniques: brush
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939

Staande man en vrouw, op de rug gezien, en gekleed in Romeinse (?) kleding, voor een balustrade uitkijkend over een oosterse stad. De man draagt een helm. In map met 31 ontwerptekeningen en schetsen voor illustraties.
Terracotta fragment of a stamnos (jar)
Object type: stamnos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of the handle of a stamnos with an egg pattern around the handle attachment; the handle is glazed on the inside
Portretten uitgegeven door Balthazar Moncornet
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving
Artist: balthazar moncornet
Artist role: print maker, publisher
Artist dates: 1600 – 1668
Subjects: historical persons, dragon, ornament ~ festoon, garland, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent hoort vermoedelijk bij een prentenserie uitgegeven door Moncornet, bekend onder de naam Recueil de portraits des rois, princes et seigneurs français et étrangers (...), zie Van Someren, 1888.
Allegory of Autumn (Bacchus)
Object type: figure
Date: 1670 – 1679
Materials: gilt, wood, varnish
Techniques: carving
Artist: filippo parodi
Artist role: artist
Artist nationality: italian
Artist dates: 1630 – 1702
Subjects: bacchus

Filippo Parodi (1630-1702) was Genoa’s most important sculptor of the late Baroque period. Trained in that city in his family’s workshop—his father Giovanni Battista was a woodcarver—Parodi also spent two periods of six years each working in Rome, where he absorbed Gianlorenzo Bernini’s approach to decorative ensemble. Parodi’s most prominent commissions include marble groups for churches and palaces in Genoa (for example, the St. John the Baptist for S. Maria Assunta di Carignano), Venice (the Tomb of Francesco Morosini, completed 1683, church of S. Nicolò dei Tolentini), and Padua (several important projects, most notably the decoration of the Cappella del Tesoro in the Santo). The first phase of Parodi’s career was dedicated to carving wood sculptures, of which this work is a prime example. Parodi oversaw a large workshop, designing and producing many elaborate objects in wood intended for the palaces of Genoa: sumptuous carved mirrors, fittings for rooms, and ornate torchieres, among others. Parodi’s work in this arena is still being assessed, but his style set the taste for the next generation of Genoese interiors. The cavorting figure of Bacchus (god of wine and thus of the autumnal grape harvest), is one of four statues the artist made to represent the seasons. A type of sculpture well-documented in Genoese palace decoration of this era, each would have stood on a carved wooden base in the corner of a grand room. Nevertheless, Parodi conceived and executed the figure to be seen with equal interest from all sides. Bacchus wears a gilt grapevine wreath on his tousled hair; his mouth is open in a toothy smile, and his blank eyes are wide open. His raised left arm projects forward, proffering a group of gilt grapes, while his bent right leg, foot extended, juts out in counterbalance. Until recently, the Bacchus was only known through an old photograph and can be associated with three other allegorical representations of the seasons attributed to Parodi or his workshop. The others in the group that have been identified include the Winter in the Cleveland Museum of Art, thought to date to the generation after Parodi, and the figure of Spring in the Badisches Landesmuseum, Karlsruhe. The location of Summer is currently unknown.
Rose-breasted Grosbeak, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Song Birds of the World" series (N23), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Female Bust
Object type: decorative art
Date: 1800 – 1830
Materials: wood
Location: northeast
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Ceramic Fragment
Object type: fragment
Date: 701 – 900
Materials: earthenware
Techniques: glazing
Location: saudi arabia
Conical bowl with three incised medallions
Object type: bowl
Date: 960 – 1279
Materials: glaze, stoneware
Techniques: engraving, firing, turning, vitrification
Location: china
Artist: Anonymous

Conische kom van steengoed met een geschulpte rand, bedekt met een transparant glazuur met een lichtblauwe tint. Op de binnenwand driemaal een ingegrift medaillon met een decoratie. Twee barsten in de rand. Qingbai.
Tile with a fragment from a head of a Mesopotamian captive from the palace of Ramesses II
Object type: tile inlay, palace of ramesses ii, foreigner
Date: 1279 – 1213
Materials: faience
Location: egypt
An apostle resting his head on his right hand and holding a book, in an oval frame, from "Christ, the Virgin, and Thirteen Apostles"
Object type: print
Date: 1600 – 1640
Techniques: etching
Artist: anonymous, 17th century
Artist role: artist
Artist dates: 1600 – 1700
Subjects: books,portraits,apostles

From Christ, the Virgin and Thirteen Apostles, a series of fifteen busts in oval frames printed from one plate, after Reni. Verso not visible as print is laid to another sheet of paper.