deem-data/ArtiFact huggingface dataset:
Ortiz. Léon. 25 ans, né à Paris. Commis d'architecte. Anarchiste. Voyage ordinairement en bicyclette.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Le Paysan Tenant un Gobelet (The Peasant Holding a Cup), from Les Caprices Series A, The Florence Set
Object type: print
Date: 1617 – 1617
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Een van de deelnemers aan de RTC: C.A. Eman
Object type: documentary photograph
Date: 1902 – 1948
Materials: photographic support
Techniques: photography
Location: the hague
Subjects: politician, netherlands, suriname, the hague

Een van de deelnemers namens Curaçao aan de Ronde Tafel Conferentie tussen Nederland en de West: de heer C.A. Eman, advocaat en politicus. Hij is voorzitter van de Arubaanse Volkspartij, de enige partij op Aruba.
Dierstudies
Object type: print
Date: 1878 – 1914
Materials: paper
Techniques: lithograph
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: monkeys, apes
Inscriptions: collector's mark: Lugt 2233
Aalmoezeniersweeshuis te Amsterdam
Object type: tax token
Date: 1805 – 1805
Materials: tin
Techniques: striking
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

eenzijdig, zeslobbig loodje met gat erin. Voorzijde: wapenschild, omgeven door bladertakjes tussen opschrift AW boven jaartal. Keerzijde: blanco
Diaboli partus superbia / Hoovaardije des Duyvels broersel
Object type: print
Date: 1600 – 1624
Materials: paper
Techniques: engraving
Location: low countries
Artist: Anonymous
Subjects: neck-gear ~ clothing (with name) (+ men's clothes), neck-gear ~ clothing (with name) (+ stadia of production ~ home making of clothes), scenes symbolizing 'vanitas', pride; 'superbia' (ripa) ~ personification of one of the seven deadly sins, neck-gear ~ clothing (with name) (+ women's clothes), clothes, costume (+ men's clothes), bee-hive, human-shaped devil, death conquering life or the living, low countries
Inscriptions: caption: ‘Also die mensehen [menschen] niet en draghen hun lobben / sy en moeten gestyft ende opgheset syne / Soo sal den duyvel met hun hobben en tobben / ende styven de siele met vier water en pyne’, caption: ‘Hommes & femmes empesent par orgueil...le feu allumera’

De trots van de vrouw: spotprent op de 'plooikraag', ca. 1600. In een vertrek zit een vrouw op een stoel, gekleed volgens de mode van ca. 1600-1620. De brede geplooide kraag wordt gesteven door een duivelse figuur met een bijenkorf op het hoofd. Links in het vertrek twee gedrochten die bezig zijn met het stijven van kragen die ze aan stokken aan de muur hangen. Rechts een elegant gekleed heer. In de deuropening de dood in de gedaante van een skelet met zeis. Met verklarende teksten in de voorstelling en met onderschrift van 2 keer 4 regels in het Frans en Nederlands.
Vignet met Minerva
Object type: print
Date: 1874 – 1881
Materials: paper
Techniques: engraving
Location: paris
Artist: i. six
Subjects: (story of) minerva (pallas, athena), attributes of minerva, vignette
Inscriptions: collector's mark: Lugt 2228

Minerva zittend met in haar rechterhand een stift. Aan haar voeten ligt haar helm, staat haar schild, haar lans en een uil.
Portret van Andrea del Sarto
Object type: book illustration
Date: 1768 – 1775
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: painter, draughtsman, andrea del sarto, historical persons, portrait, self-portrait of painter

Prent uit: Sandrart, Joachim von. Teutsche Academie der Bau- Bildhauer- und Maler-Kunst: worinn die Regeln und Lehrsätze dieser Künste gegeben. 14 dln. Neurenberg: erven Johann Andreas Endter, [1774], dl. 7, p. N.

Eerdere staat van prent gebruikt in: Sandrart, Joachim von. Teutsche Academie der Edlen Bau- Bild- und Mahlerey-Künste (...). Neurenberg: Jakob von Sandrart, [1675-1679].

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 4, p. 588.
The Palaces of Nineveh and Persepolis Restored: An Essay on Ancient Assyrian and Persian Architecture
Object type: book
Date: 1851 – 1851
Materials: board, textile, paper
Culture: british
Gevlochten schild van een Mongo
Object type: page
Date: 1892 – 1897
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: protective weapons: shield
Yang Lin (Kinhyoshi Yorin), from the series "One Hundred and Eight Heroes of the Popular Water Margin (Tsuzoku Suikoden goketsu hyakuhachinin no hitori)"
Object type: print
Date: 1827 – 1830
Techniques: woodblock print
Location: japan
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Monument ter aandenking aan het stadhouderschap in de Nederlanden, 1806
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: william v (prince of orange), william i of the netherlands, william iii (prince of orange and king of england, scotland, and ireland), frederick henry (prince of orange), william ii (prince of orange), delft, william i (prince of orange), maurice (prince of orange), karel van brunswijk-wolfenbüttel, painter, wilhelmina of prussia (princess of orange), willem iv (prins van oranje-nassau), louise (prinses van oranje-nassau), willem george frederik (prins van oranje-nassau), berlin, the hague, wilhelmina frederica louisa (koningin der nederlanden), monument, statue

Monument ter aandenking aan het stadhouderschap in de Nederlanden, waarschijnlijk bij gelegenheid van het overlijden van Willem V in 1806. Bovenop het monument standbeelden van zes stadhouders van Willem I tot en met Willem IV. Op het monument voorstellingen van historische gebeurtenissen. Centraal in de poort het grafmonument van Frederik (overleden in 1799). Hieromheen portretten van Willem V en zijn echtgenote Wilhelmina, zoon Willem I Frederik met zijn echtgenote Wilhelmina, zijn dochter Louise met haar man Karel . Rechtsonder 'Proefdruk'.
Slag bij de Milvische brug (linker blad)
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: etching
Location: italy
Subjects: the battle of the milvian bridge (saxa rubra): st. constantine on horseback confronts maxentius; a cross appears in the sky with in fiery letters 'in hoc signo vinces' (the raised standards of the roman soldiers carry a cross or the chi-rho monogram), warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 240

Gevechtsscène in een landschap: slag bij de Milvische brug. De soldaten van Constantijn in gevecht met de soldaten van Maxentius. Dode lichamen liggen op de grond. Soldaten te paard verdrinken in de rivier.
Overseer Shabti of Psusennes I
Object type: shabti, psusennes i, overseer
Date: 1040 – 992
Materials: bronze, copper alloy
Location: egypt
Studioportret van een vrouw bij een stoel
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: august kampf
Artist role: fotograaf
Artist dates: 1836 – 1914
Inscriptions: name: ‘August Kampf’

De achterkant van haar gestreepte jurk is voorzien van waaiervormige afzetting.
Eedaflegging van keizer Karel V
Object type: print
Date: 1863 – 1890
Materials: paper
Techniques: etching, intaglio
Artist: jean baptiste pierre michiels
Artist role: print maker
Artist dates: 1821 – 1890
Subjects: ghent, charles v (holy roman emperor and king of spain), ceremonial celebration of installation of a ruler, new ruler taking the oath
Inscriptions: collector's mark: Lugt 2228, inscription: ‘3me Etat’

De prent is gemaakt naar de muurschilderingen van Henri Leys in het Stadhuis van Antwerpen.
Prent verschenen in: Leys, Henri. De Zaal Leys op het Stadhuis van Antwerpen: zeven kopersneden naar de muurschilderingen van Baron H. Leys. Antwerpen: Museum Plantin-Moretus, 1902.
Two Self-Portraits in Profile
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Apostle's Well (from Sketchbook)
Object type: drawing
Date: 1904 – 1904
Materials: graphite, paper
Culture: american
Artist: mary newbold sargent
Artist role: artist
Artist nationality: american
Artist dates: 1826 – 1906
Subjects: wells,camels,landscapes,crowd
Inkstand
Object type: inkstand
Date: 1805 – 1805
Materials: glass, metal
Carnelian ring stone
Object type: intaglio
Date: 100 – 300
Materials: gemstone
Culture: roman
Subjects: profiles,women

Portrait head of a young woman The woman wears a net, with a fillet and kerchief over it. This gem is likely a Roman copy of an early Hellenistic type.
Silhouetportret van een onbekende staande man met steek in zijn hand
Object type: cut paper
Date: 1785 – 1785
Materials: paint, paper, pencil
Techniques: brush, snipping
Artist: joseph adolf schmetterling
Artist role: draughtsman
Artist dates: 1751 – 1828
Subjects: head-gear: bicorne, bicorn, standing figure

Een staande heer met pruik met staart en strik, gekleed in een knielange jas. Hij houdt een hoed in zijn hand. Aan zijn laarzen draagt hij sporen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Silhouetportretten.
Fragment
Object type: textile
Date: 1625 – 1675
Materials: silk, velvet
Techniques: cutting, patterning, weave, voiding
Location: italy
God verschijnt aan Mozes in een rookkolom
Object type: print
Date: 1844 – 1850
Materials: paper
Techniques: aquatint, etching
Location: rome
Subjects: when moses abides in the tabernacle, the pillar of cloud comes down and stays at the door; the people gather at the entrance of their tents and bow down in reverence
Inscriptions: collector's mark: Lugt 2228
Birch Tree Uprooted by a Storm
Object type: print
Date: 1809 – 1809
Techniques: drypoint, etching, roulette
Artist: jean jacques de boissieu
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1810
Subjects: cows,rivers,landscapes
Sheet with overall striped pattern with circles
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Portret van Gideon Harvey
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: engraving
Location: the hague
Artist: pieter philippe
Artist role: print maker
Artist dates: 1635 – 1702
Subjects: skull as symbol of 'vanitas'
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Harvey, Gideon, Archelogia philosophica nova; or, New principles of philosophy. S. Thomson, 1663.
Korendragers- en -stortersgilde van Amsterdam, gildepenning van Frans Maas van Haarlem
Object type: medal
Date: 1710 – 1710
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: haarlem, amsterdam

Messing penning met gat erin; v.z:naar rechts gewende man met last op hoofd binnen bladerkrans. Keerzijde: opschrift
Cosmetic Vessel in the Shape of a Cat
Object type: vessel, cat
Date: 1990 – 1900
Materials: copper, crystal, paint, quartz, stone
Location: egypt
Subjects: cats

The cat first appears in painting and relief at the end of the Old Kingdom, and this cosmetic jar is the earliest-known three-dimensional representation of the animal in Egyptian art. The sculptor demonstrates a keen understanding of the creature's physical traits, giving the animal the alert, tense look of a hunter rather than the elegant aloofness seen in later representations. The rock-crystal eyes, lined with copper, enhance the impression of readiness.
Portret van een onbekende jonge vrouw
Object type: print
Date: 1893 – 1943
Materials: paper
Techniques: lithograph
Location: france
Artist: jean-louis boussingault
Artist role: painter, print maker
Artist dates: 1883 – 1943
Subjects: adolescent, young woman, maiden
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Portret van Klaas en Tiny Vermeulen
Object type: photograph
Date: 1918 – 1918
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: borneo
Artist: Anonymous
Inscriptions: inscription: ‘Met heel veel kusjes van Klaasje en Tineke voor Tante Paul en Oom Bram’
The Virgin seated holding a rosary in her right hand, the infant Christ on her lap holding several rosaries, in an oval frame with flowers surrounding it and a tablet with inscription at the base
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: flowers,christ,madonna and child,rosaries
Cavaleriesabel reserve-officier D. Schipper
Object type: sabre
Date: 1800 – 1899
Materials: steel, textile, wood
Techniques: engraving
Location: breda
Artist: Anonymous
Subjects: militair, dirk schipper, atjeh, atjeh-oorlog
Inscriptions: inscription: ‘VK’

Stalen cavaleriesabel van reserve-officier D. Schipper. Stalen schede met een losse ring waaraan een gele sabelkwast hang aan een bruingeel koord. De kling heeft een bloedgeul en is gegraveerd met motieven en de naam van de vervaardiger. Het gevest heeft een gesloten stootplaat met zes beugels. Op het ricasso keurmerken. De greep is geribbeld en van leer.
Portret van een onbekende vrouw met ontbloot bovenlijf
Object type: photomechanical print
Date: 1913 – 1940
Materials: cardboard
Techniques: rotogravure
Location: france
Artist: Anonymous
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: inscription: ‘AUROGRAPHIE/ Fabrication Française’
Aanval op Kattenburg
Object type: print
Date: 1787 – 1789
Materials: paper
Techniques: engraving, etching
Subjects: bridge, defence ~ siege, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Aanval op Kattenburg, Amsterdam, door de patriotten. Rechts ligt de wijk Kattenburg, achter de brug de Oosterkerk. De inwoners van Kattenburg, veelal scheepsbouwers, waren aanhangers van stadhouder Willem V. Toen de patriotten in 1787 aan de macht kwamen stuurden zij de schutterij naar Kattenburg. Bij de Kattenburgerbrug ontstond op 30 mei 1787 een gevecht tussen de twee partijen, waarbij de orangisten de brug ophaalden. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Krijgswezen, Schutterij, Historieprenten.
Quatrain on spring’s radiance
Object type: fan mounted a an album leaf
Date: 1201 – 1233
Materials: ink, silk
Culture: chinese
Artist: empress yang meizi
Artist role: artist
Artist nationality: chinese
Artist dates: 1162 – 1232
Subjects: poetry

During the Southern Song, artists and connoisseurs who wished to express their emotional responses to paintings frequently added poems to them. Empress Yang's poems appear on a number of paintings by such court artists as Ma Yuan (active ca. 1190–1225) and Ma Lin (active ca. 1180–after 1256); this quatrain must once have complemented a fan painting of flowers, but it reveals more about the state of mind of the empress than about the lost painting it accompanied: My makeup worn and faded, only the scent lingers; Still I shall enjoy spring's beauty before my eyes. Once you said to me, how a year blooms quickly and as quickly dies! Might we now forsake worldly splendors for the land of wine?
Hercules and the Hydra
Object type: print
Date: 1651 – 1651
Techniques: etching
Artist: michel dorigny
Artist role: artist
Artist nationality: french
Artist dates: 1616 – 1665
Hand met een fakkel en boogstructuren
Object type: design
Date: 1939 – 1941
Materials: pencil, paper
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: torch, lower arm

Ontwerp voor een watermerk voor een bankbiljet.
S. Hilaire, évêque (St. Hilary, Bishop), May 5th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
The Lady Jane Grey
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: etching
Location: london
Subjects: crown (symbol of sovereignty), historical persons - bb - woman, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Het portret is van Elizabeth I als prinses en niet van Jane Grey. Prent hoort bij een serie van negen prenten naar portretten van de Tudor-familie. De eerste vier werden in 1743 uitgegeven. In 1748 werden weer vier prenten gepubliceerd en in 1750 een laatste.
Pair of royal German silver four-light candelabra
Object type: candelabrum
Date: 1747 – 1747
Materials: silver
Techniques: casting, chasing, engraving
Artist: christian heinrich ingermann
Artist role: maker
Artist nationality: german
Artist dates: 1713 – 1778
Presentiepenning van het Korenmolenaarsgilde te Amsterdam 1683
Object type: medal
Date: 1683 – 1683
Materials: brass
Techniques: engraving
Inscriptions: inscription: ‘Reinier / Salm / Den 21 Maart / A 1771’

Ronde plaat messing gegraveerd op de voorzijde een windmolen binnen omheining, op de keerzijde tekst, op naam van Reinier Salm 21 maart 1771
Glass jar
Object type: jar
Date: 101 – 300
Materials: glass
Culture: roman

Colorless with pale purple tinge and purple streaks. Rounded, thickened rim with bulge in one side; broad, flaring mouth; short, concave neck; sloping shoulder; bulbous body; pushed-in bottom with kick and pontil scar. Intact, except for large crack from shoulder, down side and across bottom; some pinprick bubbles; dulling and faint iridescence on exterior; patches of encrusted, enamel-like weathering on interior.
Piece
Object type: piece
Date: 1667 – 1700
Materials: silk
Subjects: flowers,leaves
Finial in shape of dragon’s head
Object type: finial
Date: 618 – 907
Materials: bronze
Culture: chinese
Pendant
Object type: pendant
Date: 701 – 1200
Techniques: carving
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Wetenschappelijke opname van cholera in gelatine
Object type: photograph
Date: 1875 – 1885
Materials: photographic support
Techniques: carbon print
Artist: émile van ermengem
Artist role: bioloog, fotograaf
Artist dates: 1851 – 1932
Subjects: diseases affecting the whole body
Inscriptions: number: ‘Pl. IX.’, inscription: ‘Photogramme N. - Culture pure du bacille-virgule Mm. Finckler et Prior. (...)’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of helmet crest?
Fontein op het Frederiksplein, versierd ter gelegenheid van de inhuldiging van koningin Wilhelmina, Amsterdam, Nederland
Object type: stereograph
Date: 1898 – 1898
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, ornamental fountain
Portret van Paul Heinrich Trummer
Object type: print
Date: 1780 – 1880
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Visit of the Empress to the Third National Industrial Promotional Exhibition at Ueno Park  (Ueno dai sankai  naikoku kangyō hakuran kai gyokō no zu)
Object type: print
Date: 1889 – 1889
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: horses,crowd,flags,carriages

The National Industrial Promotional Exhibitions were initially planned as preparatory steps before holding an international exposition in Japan. The Third Exhibition (April 1, 1890–July 31, 1890) publicized high-profile visits made by the imperial family to the exhibition halls before the opening, and a print such as this would have helped promote the various future events.
Bekering van Paulus
Object type: print
Date: 1500 – 1599
Materials: paper
Techniques: woodcut
Location: germany
Artist: monogrammist a (16e eeuw)
Subjects: on the way to damascus christ appears to saul, who falls from his horse and is blinded by the light
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 567