deem-data/ArtiFact huggingface dataset:
Christ's Entry into Jerusalem
Object type: leaf from an evangelary
Date: 1480 – 1490
Materials: gold, parchment, paint
Culture: southern netherlandish
Artist: southern netherlands
Artist role: artist
Artist nationality: southern netherlands
Subjects: cities,horses,christ

This leaf probably comes from an Epistolary-Evangelary, a type of book (sometimes in two volumes) that gives both the Gospel and Epistle readings for each feast of the liturgical year. The illuminator, whose name is not known, is believed to have worked in Bruges in the last quarter of the fifteenth century. His talent for narrative illustration is evident in the expansive outdoor setting and the careful placement of animated figures. The elegant border decoration, filled with illusionistically painted flora and fauna, is typical of Netherlandish illumination of this period.
Benzaiten appearing to Taira no Kiyomori
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Gezicht op Kandergrund en de Gross Lohner in het Berner Oberland
Object type: page
Date: 1874 – 1884
Materials: paper
Techniques: photograph
Location: bern
Artist: Anonymous
Subjects: river, mountains
Roundel
Object type: roundel
Date: 501 – 600
Materials: linen, wool
Location: egypt
Subjects: birds
Plate with Ten Bacchanal Scenes
Object type: print
Date: 1770 – 1824
Techniques: etching
Artist: jean philippe guy le gentil, comte de paroy
Artist role: artist
Artist nationality: french
Artist dates: 1750 – 1824
Subjects: men,male nudes,female nudes,satyrs,chariots
Legenda bij de plattegrond van de grafkelder van Oranje Nassau
Object type: text sheet
Date: 1743 – 1790
Materials: paper
Techniques: letterpress printing
Location: delft
Subjects: nieuwe kerk

Verklaring van de nummers en letters in de plattegrond van de grafkelder van Oranje Nassau.
Tiran kijkt toe hoe de personificaties van de Wet en het Geloof worden onderdrukt
Object type: print
Date: 1706 – 1706
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: eunomia, personification of law and order, faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie voor: Bouman, Herkules. Waereld vol stryd. Amsterdam: Jacob van Royen, 1706.
Wijnkop uit V.O.C.-schip de 'Witte Leeuw'
Object type: cup
Date: 1613 – 1613
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Wijnkop uit V.O.C.-schip de 'Witte Leeuw', circa 99% bewaard. De scherf is glasachtig en wit. Het glazuur is blauw getint en mat en vertoont pinholes en kleine bakscheurtjes op de bodem. De bodem is geglazuurd en loopt op bij de voetring die recht en gefacetteerd is en naar binnen staat. Er is geen ovenzand aangetroffen.
Dog Cart Phaeton #361
Object type: drawing
Date: 1865 – 1865
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Boek met tuingezichten
Object type: book
Date: 1690 – 1710
Materials: paper, parchment
Location: amsterdam
Artist: Anonymous

Boek met tuingezichten. Ingebonden in geel gekleurd perkament.
Young man
Object type: bust
Date: 1467 – 1500
Materials: terracotta
Subjects: men,portraits

Formerly said to represent a member of the Medici family.
Plate from Book of Vases
Object type: book
Date: 1701 – 1800
Techniques: etching
Location: france
Artist: jacques de la joue the younger
Artist role: artist
Artist nationality: french
Artist dates: 1686 – 1761
Subjects: male nudes
Evening Snow on Matsuchi Hilll, from the series Eight Fashionable Views of Edo (Furyu Edo hakkei)
Object type: print
Date: 1765 – 1770
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: women,games,pipes

Sugoroku, still current, is played with counters and a single die; the board game involves a race to the finish. The woman at the right is about to throw the die as the other makes her "move" on the board. Whoever reaches the goal first is the winner. Despite the cold weather, the shoji are drawn back to reveal Mount Matsuchi, a site in Edo famous for its snowy vistas. The well-structured landscape seems almost like a painting. In the middle ground snow-covered cottages and moored boats are arranged behind trees that are cut off in the foreground by the window frame. On top of the distant cliff at the left stands the famous temple Shōtengu, dedicated to the popular cult for the Esoteric Buddhist deity Kankiten (in Sanskrit, Nandikeshvara). On the right, a bridge crosses a river, probably the Asakusa River in Edo. The poem written at the top, inside a cloud-shaped cartouche, reads: White snow is piled along the road on Matsuchi Hill. Every tree seems to be blossoming in the twilight.
Fotoreproductie van een getekend portret van Adrian van Stalbemt door Anthony van Dyck
Object type: page
Date: 1855 – 1860
Materials: photographic support
Techniques: albumen print
Artist: edmond fierlants
Artist role: fotograaf
Artist dates: 1819 – 1869
Subjects: antwerp, painter, adriaen van stalbemt, historical persons
Inscriptions: name: ‘V. Dyck.’

Foto op elfde ongenummerde pagina na pagina 114.
Art - Goût - Beauté, Feuillets de l' élégance féminine, Mars 1929, No. 103, 9e Année, p. 33
Object type: fashion print
Date: 1929 – 1929
Materials: paper
Techniques: photography
Artist: charles goy
Subjects: clothing for the upper part of the body (shawl) (+ women's clothes), gloves, mittens (short gloves) (+ women's clothes), shop-window figures, fashion plates

Drie advertenties voor onder andere etalagemateriaal en handschoenen. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Potomac Round Point, Washington D.C., Plan Sketch
Object type: architectural drawing
Date: 1909 – 1909
Materials: graphite, paper, pencil
Location: washington
Artist: d. h. burnham & co.
Artist nationality: american
Artist dates: 1891 – 1912
Toeschouwers kijken naar de geestenverschijning op de Oude Schans
Object type: print
Date: 1835 – 1839
Materials: paper
Techniques: lithograph
Subjects: materialization, appearance of spirit or ghost, student life
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Verschijning van geesten op de Oudeschans te Amsterdam, in de avond van 8 en 9 oktober 1833. Langs de kade bewegen de spookachtige witte schimmen van vrouwen in lange gewaden. Op de voorgrond en op de brug de verzamelde toeschouwers. De 'geesten' werden voortgebracht door enige studenten met behulp van toverlantaarnplaten. De voorstelling is gevat in een randwerk met humoristische figuren: studenten, politieagent, kinderen en kussende figuren.
Wilgen en kasteel
Object type: print
Date: 1870 – 1931
Materials: paper
Techniques: aquatint, etching, intaglio
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: castle, trees: willow
Inscriptions: collector's mark: Lugt 2228
Le poste de Bogolo
Object type: page
Date: 1896 – 1896
Materials: paper
Techniques: photograph
Location: congo
Artist: franz thonner
Artist role: botanicus, ontdekkingsreiziger
Artist dates: 1863 – 1928
Subjects: post-office, façade (of house or building)
Inscriptions: number: ‘Pl. 63.’
Intrede en inhuldiging van koning Willem II te Amsterdam 27-28 november 1840 (omslag)
Object type: print
Date: 1840 – 1841
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: willem charles magnenat
Artist role: print maker, printer
Artist dates: 1803 – 1871
Subjects: the hague, william ii of the netherlands, public festivities at other royal events, not meant or mentioned above, other forms of installation

Blad bedrukt op beide zijden en bedoeld als een omslag of envelop. Op de buitenzijde alleen de titel. Binnen het 'Byvoegsel' met het vervolg van de tekst van de brief met een beschrijving in drie kolommen van de gebeurtenissen op 27 en 28 november 1840. Bij dit blad hoort een andere prent (de brief) met voorstellingen en teksten van deze gebeurtenissen dat opgevouwen in dit blad past.
Portret van een onbekende vrouw in klederdracht
Object type: photograph
Date: 1878 – 1884
Materials: cardboard, glass, metal, paper, wood
Techniques: albumen print
Location: alkmaar
Subjects: adult woman, anonymous historical person portrayed, folk costume, regional costume, netherlands
Opzichter Nieuwenhuis bij brug Knuffelsgracht
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘109. / Opzichter Nieuwenhuis bij brug Knuffelsgracht.’

De Nederlandse opzichter Nieuwenhuis staande bij werkzaamheden aan de bouw van de brug over de Knuffelsgracht te Paramaribo. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Monnekedam
Object type: area plan
Date: 1649 – 1652
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of cities

Prent gebruikt in: Blaeu, Johannes Willemszoon. Toonneel der steden van de Vereenighde Nederlanden. 2 dln. Amsterdam: Johannes Willemszoon Blaeu, 1652, dl. 1.
Strasbourg Woman in Wedding Dress
Object type: print
Date: 1644 – 1650
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Venus removing a thorn from her left foot while seated on a cloth next to trees, a hare lower right
Object type: print
Date: 1515 – 1527
Techniques: engraving
Artist: marco dente
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1527
Subjects: venus,rabbits

This print depicts one of the compositions Raphael designed for the stufetta (bathroom) of Cardinal Bibbiena in the Vatican. The small room was richly ornamented all’antica, with grotesques and scenes representing Venus. Dente’s engraving relates to a fresco that no longer survives. Venus is shown removing a thorn from her foot, which, according to legend, caused blood to drip onto a white rose, coloring the flower red. The engraving’s rich and varied landscape, which was not part of Raphael’s original design, relies heavily on the rendering of nature in Albrecht Dürer’s engravings.
Portret van Frederik Willem van Brunswijk
Object type: print
Date: 1809 – 1850
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: historical persons, head-gear: cap
A Winning Way, from the Jokes series (N87) for Duke brand cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920

Trade cards from the "Jokes" series (N81), issued in a set of 50 cards in 1890 to promote W. Duke Sons & Co. brand cigarettes.
Coupe #802
Object type: drawing
Date: 1860 – 1860
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Piece
Object type: piece
Date: 1701 – 1900
Subjects: flowers,leaves
Battak kampong op Sumatra
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: medan
Subjects: human races, peoples and nationalities (other than prehistoric or extinct), sumatra

Battak kampong op Sumatra. Foto geplakt op blad dat is losgesneden uit een album, op verso bevindt zich nog een foto uit de serie.
Vase fragment
Object type: vase fragment
Date: 670 – 330
Materials: terracotta
Culture: roman

Fragment of a green-glazed vase; part of a horse.
Marten, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: animals

Trade cards from the "Quadrupeds" series (N21), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Zheng Tianshou (Hakumenrokun Teitenja), from the series "One Hundred and Eight Heroes of the Popular Water Margin (Tsuzoku Suikoden goketsu hyakuhachinin no hitori)"
Object type: print
Date: 1827 – 1830
Techniques: woodblock print
Location: japan
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Apostel Petrus en apostel Johannes verantwoorden zich over hun leer
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: the high priest and sadducees have peter and the apostles put in prison (acts 5:17-42)

Prent ook gebruikt in: Biblia ectypa : Bildnussen auss Heiliger Schrifft. Regensburg: Chr. Wiegel, 1697.
Il Comitato della Sanita
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: engraving, etching
Location: venice
Subjects: bleeding, blood-letting, e.g.: with the aid of cupping-glasses
Inscriptions: collector's mark: Lugt 2228

Spotprent op het (niet bestaande) Comité van Gezondheid, 1795. Een groep van Nederlandse en Franse kwakzalvers rondom de Nederlandse Maagd van de Bataafse Republiek, voorgesteld als een oude lelijke vrouw met ontblote borsten. Een van de charlatans heeft haar ader geopend en bloed spuit in een schotel in haar schoot. De staande burger rechts is waarschijnlijk de chirurgijn Willem Leurs die een verhandeling schreef over aderlaten.
Exterieur van Sanbutsudo, het hoofdgebouw van het Rinnoji-tempelcomplex in Nikko
Object type: photograph
Date: 1870 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: nikko
Artist: Anonymous
Subjects: temple, shrine ~ hinduism, buddhism, jainism, roof (of house or building), travelling; tourism
Inscriptions: negative number: ‘124’

Onderdeel van Fotoalbum met 50 foto's van bezienswaardigheden in Japan.
Italian Landscape with Resting Herdman
Object type: painting
Date: 1650 – 1692
Materials: canvas, oil
Artist: willem de heusch
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1692
Subjects: river, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., (high) hill
Inscriptions: signature: ‘GDHeusch’

Italiaans landschap met rustende herder. De herder ligt met een hengel aan de oever van een rivier. Links twee geiten en twee schapen.
Scheepsmodel
Object type: photograph
Date: 1852 – 1852
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: ship-model (+ propulsion of vehicle, ship, etc. by wind)
Terracotta conical-hemispherical spindle-whorl with flat base
Object type: spindle whorl
Date: 2000 – 1725
Materials: terracotta
Culture: cypriot
Maastricht
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1919
Materials: cardboard
Techniques: photograph, iris print, lithograph
Location: maastricht
Subjects: monument, statue, maastricht
Jachttrofee van een hert, geschoten op 23 oktober 1907 in Prins-Hendriksoord
Object type: photograph
Date: 1910 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Inscriptions: annotation: ‘No 3735. / 1910.’
Gezicht op de Place de Louis XV te Parijs met een stoet ter afkondiging van de vrede
Object type: print
Date: 1700 – 1799
Materials: paper, watercolor
Techniques: brush, etching
Location: france
Subjects: proclamation of peace, military parade, pageant, equestrian statue, bonfire, fire-works, signing of peace treaty, concluding the peace, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2166

Rechtsboven tekent de koning het document. Linksboven wordt vuurwerk afgestoken. Genummerd: 9.
Portret van een man, mogelijk Jan Havicksz. Steen
Object type: print
Date: 1660 – 1693
Materials: paper
Techniques: mezzotint
Artist: jan verkolje (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1650 – 1693
Subjects: leiden, jan havicksz. steen, historical persons, smell, smelling (one of the five senses), pipe ~ tobacco, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Pourtraicture ingenieuse de plusieurs facons de masques…
Object type: ornament print
Date: 1555 – 1555
Materials: paper
Techniques: engraving
Location: antwerp

Het masker heeft een schelp op zijn hoofd en vruchtenguirlandes aan zijn oren. Een van 14 bladen uit een serie van 18 met als titel 'Pourtraicture ingenieuse de plusieurs façons de masques...'. Het titelblad ontbreekt.
Fragment
Object type: textile
Date: 1801 – 1900
Materials: linen
Techniques: painting, weave
Location: russia
Luxemburgse 10 centimes van Willem III, 1870
Object type: tien centime
Date: 1870 – 1870
Materials: copper
Techniques: striking
Location: brussels

Koperen munt. Voorzijde: gekroond versierd wapenschild met onderaan muntmeester- en muntteken [van Utrecht!]. Keerzijde: tussen een samengebonden laurier- en eikentak in twee regels waarde-aanduiding, waaronder jaartal. Gladde rand.
Dish
Object type: dish
Date: 1667 – 1733
Materials: hard paste porcelain
Subjects: flowers,insignia
Leunende man
Object type: endleaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult man (+ leaning), cupboard

De man staat bij een kast en steunt op één elleboog. Zijn andere hand heeft hij in zijn zij. Schutblad B, achterste schutblad, uit schetsboek LXVIII met 11 bladen.
Winged serpent with the cartouches of Ramesses III
Object type: tile, winged serpent, ramesses iii
Date: 1184 – 1153
Materials: faience
Location: egypt
Subjects: cartouches,hieroglyphs,serpents
Christus als Man van Smarten, bespot door een soldaat
Object type: print
Date: 1511 – 1511
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: man of sorrows, 'imago pietatis', 'erbärmdebild', 'schmerzensmann'; the upright christ showing his wounds, usually bearing the crown of thorns, and accompanied by the instruments of the passion, standing or sitting in his tomb, mockings of christ, who may be blindfolded

Christus zit op een blok steen, de doornenkroon op het hoofd. Een soldaat knielt voor hem en wil hem een tak als scepter in de handen duwen. Deze prent is de titelprent voor de prentserie 'De grote Passie', bestaande uit deze titelprent en 11 scènes uit het Lijdensverhaal.
Waruga graven
Object type: photograph
Date: 1930 – 1939
Materials: paper, photographic support
Techniques: gelatin silver print
Location: celebes
Artist: Anonymous
Subjects: gravestone, tombstone

Zwart albumblad met vijf foto's van waruga (grafstenen) en de fraters op bezoek op de begraafplaats van Minahasa op Noord-Sulawesi. De foto's zijn genummerd 112-116. Onderdeel van het losbladig fotoalbum over de Fraters van Tilburg op Celebes en Sumatra.
Hotel Beau-Rivage in Genève
Object type: photograph
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: geneva
Subjects: hotel, hostelry, inn
Inscriptions: inscription: ‘Vues panoramiques/ Th. Boulanger & Cie/ Photographes-Éditeurs/ 12, Place Longemalle, 12/ Genève/ Toute Reproduction est Interdite/ Déposé. Déposé.’, inscription: ‘No 12.’
The Expulsion and Adam and Eve after the Fall (one of a set of three)
Object type: bed valance
Date: 1567 – 1600
Materials: canvas, metal thread, silk, wool
Techniques: stitching, weave
Subjects: birds,skeletons,angels,adam,eve