deem-data/ArtiFact huggingface dataset:
' 't Huis van de Hr van Klinkerland', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld
Object type: book print ornament architecture
Techniques: engraving, lithography
Location: amsterdam
Artist: carel allard
Artist role: publisher
Artist nationality: dutch
Artist dates: 1648 – 1709
Subjects: buildings,landscapes

Depiction of the estate of Lord Klinkerland. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century.
Kaart van Amsterdam en omgeving
Object type: map
Date: 1740 – 1740
Materials: paper
Techniques: brush, etching, hand coloring
Location: amsterdam
Artist: johannes condet
Artist role: print maker
Artist dates: 1711 – 1781
Subjects: maps of cities, amsterdam
Inscriptions: inscription: ‘1e directe situatie No. 128’, collector's mark: Lugt 19
Pendant reliquary
Object type: reliquary pendant
Materials: quartz, silver gilt, parchment
Techniques: painting
Subjects: jesus,adoration of the magi
Handkerchief
Object type: handkerchief
Date: 1876 – 1900
Materials: fiber
Culture: philippine
Subjects: flowers
Aardrijkskundige beeldengalerij, verzameld door M.J. Broekhuijsen, hoofd eener school te Amsterdam
Object type: stereograph
Date: 1900 – 1902
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: parts of ship's exterior
Inscriptions: inscription: ‘A.14.’, : ‘Het wandeldek van de "Koning Willem I" (...) eerste-klas-passagiers.’, number: ‘14.’
Souvenir spoon with view of Prague
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, silver gilt
Subjects: cities,bridges
Reliëf van een man die van zijn paard valt in Villa Borghese in Rome
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: villa borghese
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture
Barbe
Object type: barbe
Date: 1667 – 1700
Techniques: lace
Textile Design with Vertical Scrolling Garlands of Branches with Stylized Tulips and Pearls
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900
Vlaardingen & Maassluis. Provincie Zuid-Holland / VIII
Object type: print
Date: 1857 – 1857
Materials: paper, watercolor
Techniques: hand coloring
Location: netherlands
Artist: jan braet von uberfeldt
Artist role: draughtsman, print maker
Artist dates: 1807 – 1894
Subjects: head-gear (+ women's clothes), clothes, costume (+ women's clothes), folk costume, regional costume
Inscriptions: collector's mark: Lugt 1641, collector's mark

Klederdracht van Vlaardingen en vooral hoofddracht: details van oorijzers, sieraden en kappen van vrouwen. Illustratie uit een boek uit 1857 met 56 platen van Nederlandse klederdrachten. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: De Kleeding, Volkskleederdracht, Zuid-Holland.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, rocks; tail and right calf and foot of a satyr; Obverse, rock; part of lower torso, genitals, tail, and legs of a satyr with his right arm extended behind him, with his hand holding a drinking horn; and a leopard skin draped over his extended left arm; thrysos; maenad with arms extended, wearing an animal skin over her sleeved chiton; Reverse, lower body and legs of a maenad with snakes, wearing a chiton, left leg and part of tail of satyr to left; complete handle and part of handle patch preserved to rim
Hoe 't somtijds in de wereld gaat, / vertoond u, kinderen deze plaat
Object type: popular print
Date: 1832 – 1850
Materials: paper
Techniques: colour, letterpress printing
Location: rotterdam
Subjects: scholar in his study, 'motherly care', delousing (+ protecting)
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van verschillende figuren en bezigheden, waaronder een man in zijn studeerkamer en een moeder die haar baby redt van een adelaar. Onder elke voorstelling een tweeregelig vers. Genummerd rechtsboven: No. 14.
Tomb guardian in form of a civil official
Object type: figure
Date: 1801 – 1900
Materials: granite
Culture: korean

During the Joseon dynasty in Korea, the commemoration of ancestors through ritual took on a new significance. Stone sculptures of human figures and animals were placed around grave mounds to honor and guard the tomb. This example was one of a pair. The figure wears the robe and hat of a civil official. He holds an audience tablet, lifted with both hands and held below his chin. This pose, along with his slightly hunched shoulders, indicates respect and humility.
Man en vrouw van Zuid-Beveland
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: etching, hand coloring
Location: netherlands
Subjects: folk costume, regional costume, clothes, costume

Man en vrouw in klederdracht van het Zeeuwse eiland Zuid-Beveland. De boer met een spade in de hand, en vrouw draagt een wijde rode rok. Vierde aflevering van vier platen, verschenen in 1805. Onderdeel van een gebonden uitgave van de reeks van twintig platen van Nederlandse klederdrachten in de Bataafse Republiek aan het begin van de negentiende eeuw door Maaskamp, ca. 1807.
Market Day in a Flemish Town
Object type: painting
Date: 1600 – 1647
Materials: oil, panel
Artist: sebastiaen vrancx
Artist role: draughtsman, painter, print maker
Artist dates: 1573 – 1647
Subjects: square, place, circus, etc., market, southern netherlands
Inscriptions: signature: ‘SV’

Marktdag in een Vlaamse stad. Gezicht op een plein in een stad. Op de voorgrond bieden marktlui hun waar te koop: eieren, groente, fruit, brillen en fluiten, vis en graan. Links wordt er voor een herberg gedanst. Op een schavot voor het stadhuis wordt een man gegeseld.
Tijdens de kermis
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Subjects: personification of a city, town-patron(ess), pleasure fair and circus, specific aspects, allegorical aspects of apollo; apollo as patron
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Apollo, beschermgod van de poëzie en de muziek, en de Groningse stedenmaagd met elkaar in gesprek buiten de stad Groningen, die zij beiden ontvlucht zijn. Achter hen mensen op de kermis in Groningen.
Dutch Ships at Anchor
Object type: drawing
Date: 1634 – 1733
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: willem van de velde (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1633 – 1707
Subjects: ships
Figuurstudies
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: paper, pencil
Location: scheveningen
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, adult man

Mogelijk onder andere vissersvrouwen. Pagina 47 uit een schetsboek met 37 bladen.
De huwelijksfuik: allegorie op het huwelijk
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching
Subjects: marriage, married couple, 'matrimonium'
Inscriptions: collector's mark: Lugt 2228

De huwelijksfuik, allegorie op het huwelijk. Paren lopen gearmd een grote fuik of vangnet binnen onder begeleiding van muziek van een klein orkest. Bovenop de fuik zit Cupido. Putti dansen rond een bruidspaar met bloemenmand. Om de fuik lopen mannen en vrouwen, zij maken allerlei erotische toespelingen. rechts zwaait de Dood met een hakbijl.
Cup (part of a service)
Object type: cup
Date: 1770 – 1785
Materials: hard paste porcelain
Subjects: eagles,coat of arms
Glasraam in de kathedraal van Canterbury
Object type: album leaf
Date: 1865 – 1867
Materials: cardboard, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: church-window, e.g. rose-window, interior of church
Inscriptions: annotation: ‘13th Century glass in Canterbury Cahthedral’

Glasraam in de kathedraal van Canterbury. Foto op albumblad in album met 68 foto's merendeels met geaquarelleerde randversieringen. Het zijn voornamelijk portretten op carte-de-visite formaat.
Brief aan Jan Hendrik Maschaupt
Object type: letter
Date: 1860 – 1860
Materials: ink, paper
Techniques: pen, writing
Artist: adolphe mouilleron
Artist role: draughtsman, print maker
Artist dates: 1820 – 1881
Subjects: amsterdam, painter, jan hendrik maschaupt, family life, diseases
Inscriptions: collector's mark: ‘RPK’
Judas Macabee, plate six from The Nine Worthies
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: belgium
Artist: nicolaes de bruyn
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1656
Utrechtsche studenten-almanak voor het jaar 1890
Object type: book
Date: 1890 – 1890
Materials: cardboard, linen, paper
Techniques: albumen print, letterpress printing, lithograph
Location: utrecht
Artist: j. van druten
Artist role: publisher
Inscriptions: number: ‘450’
Larvae So Bloodless and So Hideous, plate 5 of 6
Object type: print
Date: 1896 – 1896
Materials: paper, ink, ivory
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Zevenbergen, na de hoos van den 19den augustus 1845
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: whirlwind, cyclone, hurricane, typhoon, tornado on land, village, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228

Gezicht van de ruïnes in het dorp Zevenbergen, na de windhoos van 19 augustus 1845. Zie ook de pendant
Manchet van machinale kant met strikjes en met biezen en strikjes gemaakt met een lichtoranje lint
Object type: cuff
Date: 1900 – 1900
Materials: silk
Techniques: lace
Location: europe
Artist: Anonymous

Manchet van naturelkleurige machinale kant: machinaal borduurwerk op machinale tule. Vlindervormig model, met in het midden biezen en strikjes van lichtoranjekleurige zijden lint. Het kantpatroon bestaat uit een strooipatroon van moesjes en twee rijen geborduurde strikjes waarbij de strikken in de bovenste rij groter zijn. Deze strikken hangen vanaf de schulpenrand tussen twee geborduurde linten naar beneden, onder een rozetbloem en in de rij daaronder zijn kleinere strikjes geborduurd, verbonden aan een langerekte bloemtak.
Powder Flask
Object type: arm
Date: 1600 – 1700
Materials: antler, bone, gold thread, iron, leather, textile
Culture: german
Location: germany
Struisveer, lichtblauw, rond model
Object type: womenswear
Date: 1895 – 1915
Materials: metal
Techniques: painting
Location: western europe
Artist: Anonymous

Een grote struisveer in heel lichtblauw.
Remise afdeeling motorlorries
Object type: photograph
Date: 1917 – 1917
Materials: photographic support
Techniques: gelatin silver print
Location: jatiroto
Subjects: truck, van, colonial system, (non-fruit) products of plants or trees: sugarcane, interior of industrial structures (regardless of the materials processed or the products made
Inscriptions: inscription: ‘REMISE AFDEELING MOTORLORRIES’

De remise van de Afdeling Motorlorries met een aantal lorries, naast de draisines poseren werknemers. Onderdeel van het fotoalbum aangeboden aan F.J. Wirix door het personeel van de Suikeronderneming Djatiroto in 1917.
Fragment of a Red-Ground Harshang Carpet
Object type: carpet fragment
Date: 1801 – 1833
Materials: linen, wool
Techniques: pile
Location: iran
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: landscapes
Abimelech door een molensteen gedood
Object type: print
Date: 1705 – 1720
Materials: paper
Techniques: engraving, etching
Subjects: abimelech is struck on the head by a millstone thrown by a woman, god calls adam and eve to account for their deed
Inscriptions: collector's mark: Lugt 2228

Prent oorspronkelijk bedoeld voor: Figures de la Bible. Amsterdam: Bernard Picart, 1720. Prent ook gebruikt in: Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament (...) door de vermaarde kunstenaars Hoet, Houbraken, en Picart getekent (...) en met beschrijvingen uitgebreid. Den Haag: Pieter de Hondt, 1728.
Pair of Earrings, Pennanular Hoop
Object type: pair of earring
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Christuskind draagt de passiewerktuigen
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ-child carrying the instruments of the passion
Inscriptions: collector's mark: Lugt 2228

Het Christuskind draagt de passiewerktuigen op zijn rug en in een mandje. Het Kind wordt geflankeerd door engelen die nog meer passiewerktuigen dragen. In de marge een tweeregelig onderschrift in het Latijn.
Fragments of a Bowl
Object type: fragment
Date: 901 – 1000
Materials: earthenware, glaze, pigment
Techniques: painting, polychrome
Location: iran
Subjects: animals
Zes portretten van inbrekers en oplichters
Object type: page
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Location: boston
Artist: Anonymous
Subjects: historical persons not known by name (+ (full) bust portrait), burglar, housebreaker, counterfeiter
Inscriptions: inscription: ‘John Curtin (...) general thief.’, number: ‘169 (...) 174’

Linksboven John Curtin, midden boven James McMahon, rechtsboven Theodore Wildey, linksonder George Little, midden onder David Mooney, rechtsonder William Wright.
Blazoen van de Antwerpse St. Lukas-gilde
Object type: print
Date: 1500 – 1549
Materials: paper
Techniques: woodcut
Subjects: 'musica', symbolic representations, allegories and emblems ~ music; 'musica'(ripa), st.luke painting or drawing the madonna (i.e. mary and the christ-child), sometimes joseph present, 'rhetorica', 'eloquentia' (~ trivium); 'rettorica' (ripa), eloquence; 'eloquenza', 'fermezza & gravità dell'oratione' (ripa), memory; 'memoria' (ripa), coat of arms of guild of st. luke, antwerp
Inscriptions: collector's mark: Lugt 240

Zinnebeeldige voorstelling van het Antwerpse St. Lukas-gilde en de rederijkerskamer De Violieren. In architectonische omlijsting voorstelling van Heilige Lucas die Maagd met het Chrsituskind schildert. Bovenop omlijsting twee zittende vrouwen, personificaties van Memoria en Eloquentia, naast de voorstelling in nissen Musica en Retorica. Onder hen wapenschilden van Antwerpen. Eén schild vastgehouden door gevleugelde os. Geheel onderaan tekst in twee kolommen.
Fotoreproductie van een schilderij, voorstellende een portret van Beatrice Cenci
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman
Dish
Object type: dish
Date: 1560 – 1565
Techniques: maiolica, glazing
Artist: eleucadio solombrino
Artist role: decorator
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: men,profiles
Hôtel de ville
Object type: cabinet photograph
Date: 1875 – 1930
Materials: cardboard, photographic support
Techniques: albumen print
Location: nancy
Artist: Anonymous
Subjects: square, place, circus, etc., townhall
Crown, Part
Object type: crown fragment
Date: 1301 – 1400
Materials: copper gilt, silver
Culture: french
Subjects: crowns
Capitol of Nevada in Carson City, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: buildings

Trade cards from the "General Government and State Capitol Buildings" series (N14), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae"
Object type: print
Techniques: engraving
Location: rome
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: male nudes,female nudes,centaurs,horses,pigs

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Subjects L. to R. top row: B.113, 109, 102, 117; middle row: B.124, 112, 107, 105; bottom row: B. 123, 126, 120
Voorbeelden voor borduurwerk in goud met edelstenen
Object type: print
Materials: paper
Techniques: etching
Location: germany
Portret van Gustave Satter
Object type: print
Date: 1875 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons, portrait of composer
Inscriptions: collector's mark: Lugt 2228
Middagrust
Object type: print
Date: 1879 – 1954
Materials: paper
Techniques: lithograph
Artist: edzard koning
Artist role: draughtsman, print maker
Artist dates: 1869 – 1954
Subjects: toddler, meadow, pasture, afternoon, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, number: ‘12’

Een heidelandschap met struiken, bomen en twee huizen. Op de voorgrond een wandelende peuter.
Serie medaillons met vooraanstaande figuren uit het begin van de negentiende eeuw
Object type: print
Materials: paper
Techniques: relief engraving
Location: france
Subjects: ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Petit Courrier des Dames, 1829, No. 623 : Bonnet de blond (...)
Object type: fashion print
Date: 1829 – 1829
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: ear-rings (+ women's clothes), handkerchief (+ women's clothes), brooch, agraffe, clasp (+ women's clothes), ornamental parts of clothing (+ women's clothes), head-gear: cap (+ women's clothes), fashion plates, gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), shoes, sandals, sleeves (+ women's clothes)
Inscriptions: caption: ‘Bonnet de blonde des Magasins de lingerie de M.me Payan, rue Montmartre No. 167. Robe de Caroleide garnie d'un Volant imprimé. Poignets et corsage, fermés par agrafes Japonisées de la même Nuance que la Robe.’, title: ‘Petit Courrier des Dames.’, title: ‘Modes de Paris.’, address: ‘Boulevard des Italiens No.2 près le passage de l'Opèra.’

Muts van Blonde (kloskant) uit de winkels van Paysan. 'Robe de Caroleide' of japon gegarneerd met een volant bedrukt met bloemmotief. De manchetten en het lijfje zijn gesloten met 'agrafes Japonisées' in dezelfde tint als de japon. Verdere accessoires: oorbellen, handschoenen, zakdoek, platte schoenen met gekruiste banden (cothurnes). Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Ton, vervaardigd uit duigen omwonden met negen en zes hoepels
Object type: tun
Date: 1700 – 1799
Materials: wood, plant material
Location: amsterdam
Artist: Anonymous

Een ton gemaakt van losse eikenhouten duigen omwonden met negen en zes hoepels van ongescholde wilgenteen.
Deel van het exterieur van een klassiek paleis
Object type: print
Date: 1500 – 1549
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: palace

Deel van het exterieur van een klassiek paleis: twee ronde koepels op een gebouw met twee verdiepingen. Deze prent is onderdeel van een serie prenten van antieke gebouwen.
Miniature Vase
Object type: vase
Date: 1700 – 1750
Materials: glaze, pottery
Culture: japanese
Portret van Andreas Zaupser
Object type: print
Date: 1743 – 1785
Materials: paper
Techniques: engraving
Location: munich
Artist: johann conrad krüger
Artist role: artist, painter, print maker
Artist dates: 1733 – 1791
Subjects: publisher, historical persons, writer, poet, author, scholar, philosopher (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228
Pantheon Rome, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
Object type: album print ornament architecture
Techniques: engraving, printing
Artist: monogrammist g.a. with the caltrop
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1535
Subjects: architecture,arches

Perspectival depiction of the side view of the Pantheon in Rome. The building is shown in isolation and placed on a two-stepped podium that follows the overall floorplan of the building. Aside from the capitals of the pillars, the building is stripped from all ornaments and inscriptions. The walls of the temple have, however, been clad in stone slabs, while the exterior has only been known in its current state with exposed brick. The depiction o of the portico has been simplified by halving the number of pillars, likely favoring the clarity of the image over exactitude in details. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation. Most copper plates for this series have been engraved on both sides. This print is taken from the same plate as the 'Palatium Maius Ro.'. This group of prints was purchased as part of an an album in 1926, but taken apart by the Museum in 1934. The album appears to have been compiled in the 17th century, although the majority of prints date from the 16th century. The larger part of the prints is focused on mythological subjects and objects and architecture from Antiquity. The album was part of the collection of the architect Hippolyte Destailleur and was sold in the sale of his books and prints in 1895. The Museum acquired the album at G. Rapilly & Fils in 1926. Where the album had been kept in the mean time is unclear and several prints were taken out in this period. The museum's numbering does not reflect the order of the original album, but Destailleur's numbering system is retained on the inidividual sheets, allowing for the reconstruction of its original content.
Portret van Henri Charles de La Trémoille
Object type: print
Date: 1664 – 1666
Materials: paper
Techniques: engraving
Location: the hague
Subjects: ornament ~ medallion, armour, historical persons, armorial bearing, heraldry
Oude bedelende vrouw gezeten voor de basiliek van Onze-Lieve-Vrouw van Scherpenheuvel
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: charles mertens
Artist role: print maker
Artist dates: 1865 – 1919
Subjects: place of pilgrimage, sacred place, old woman, beggar
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1e état’