deem-data/ArtiFact huggingface dataset:
Doekspeld met gekleurde steentjes
Object type: doekspeld
Date: 1750 – 1850
Materials: gold
Artist: Anonymous

Doekspeld met gekleurde steentjes. Vastgespeld aan karton met lakzegel.
Gourd-Shaped Vase with Floral Scrolls
Object type: vessel
Materials: glaze, ivory, stoneware
Techniques: molding, underglaze
Location: china
Vue des propylées du palais de Karnac, prise du Sud-Est
Object type: photograph
Date: 1849 – 1850
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: ruins,landscapes

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Echtpaar Berti Hoppe en Herman Besselaar op stap met de hond in Plaswijck
Object type: photograph
Date: 1905 – 1936
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: rotterdam
Subjects: herman besselaar, berti hoppe, historical persons - bb - woman, historical persons, windmill in landscape, walking the dog, rotterdam

vier foto's gemaakt tijdens een dag uit in mei 1936. Deze pagina maakt deel uit van een album.
Portrait of a Woman
Object type: painting, miniature
Date: 1625 – 1635
Materials: copper, oil
Artist: continental painter
Artist role: artist
Artist nationality: continental
Subjects: portraits,women
Oudejaaarsstemming van den braven Middenstander
Object type: drawing
Date: 1900 – 1935
Materials: ink, paper, pencil
Techniques: brush, pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: fowl (cock, hen, chicken, etc.), plucked fowl, political caricatures and satires, netherlands
Inscriptions: inscription: ‘Oudejaaarsstemming van den braven Middenstander / Na de balans’

Een aan zijn nek opgehangen kaalgeplukte kip, als symbool voor de stemming onder de middenstanders na het opmaken van de balans aan het einde van het jaar, Ontwerp voor een politieke spotprent.
Spotprent op Duitsland en China
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: line block
Location: england
Artist: edward linley sambourne
Artist role: draughtsman
Artist dates: 1844 – 1910
Subjects: personifications of countries, nations, states, districts, etc., political caricatures and satires

Spotprent op Duitsland en China die elkaar onderscheiden met de ordetekenen van de zwarte adelaar en de tweekoppige draak. Spotprent in het Engelse satirische tijdschrift Punch, 1898.
Portret van een onbekende vrouw
Object type: photograph
Date: 1875 – 1882
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Artist: joseph maes
Artist role: fotograaf
Artist dates: 1838 – 1908
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘PHOTOGRAPHIE/ INALTÉRABLE/ JOS MAES/ 23/ REMPART/ Ste./ CATHERINE/ ANVERS’
Natal-Entrance to Maritzburg (Alexandra Bridge)
Object type: page
Date: 1870 – 1880
Materials: paper
Techniques: photograph
Location: south africa
Subjects: landscape with bridge, viaduct or aqueduct, façade (of house or building), street
Inscriptions: number: ‘53. 54.’, inscription: ‘SA’
Design for a Bucket
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: erasmus hornick
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1501 – 1583
Subjects: buckets
Fortified City of Ranthambhor
Object type: painting
Date: 1810 – 1818
Materials: ink, paper, watercolor
Culture: indian
Artist: bagta
Artist role: artist
Artist dates: 1751 – 1824
Subjects: cities,maps

This topographical rendering of the immense Ranthambhor fort, with its twenty-four miles of walls, effectively emphasized Maharaja Jagat Singh’s military standing. The painting comes from the innovative generation of the great artist Bagta. While the landscape and obliquely presented structures relate to traditional Indian painting, their accurate distribution suggests a conceptual familiarity with the language of mapmaking. European prints had shown military fortifications from above for nearly three hundred years. Jagat Singh must have known some of these images and was thus positioning himself within this larger tradition.
Meuble de fumoir / Porte-fusil
Object type: print
Date: 1839 – 1885
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Prentbriefkaart aan Andries Bonger en Anne Marie Louise van der Linden
Object type: ansichtkaart, prentbriefkaart
Date: 1908 – 1908
Materials: cardboard, ink
Techniques: photograph, pen, writing
Location: clarens
Subjects: andries bonger, travelling; tourism

Prentbriefkaart behoort tot een album samengesteld door weduwe Françoise W.M. Barones van der Borch van Verwolde met afschriften van brieven met betrekking tot (de familie van) Odilon Redon. De prentbriefkaart werd bewaard op pagina 144.
Jonge vrouw met sprokkelhout onder de arm
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: charcoal, paper
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: industries ~ wood, adult woman, carrying something

Blad 19 verso uit een schetsboek met 53 bladen.
Prentmaker in zijn atelier
Object type: photomechanical print
Date: 1914 – 1914
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: print, e.g.: engraving, etching, lithograph, portrait, self-portrait of graphic artist, paris
Inscriptions: collector's mark: Lugt 1641, stamp

Prentmaker in zijn atelier. Uitgeven als souvenir van de grafische kunst tentoonstelling in 1914. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Koophandel, Veilingen, Makelaardij en Verzekeringswezen, Oude adreskaarten van winkels en fabrieken, reclame.
Swallow-tailed Flycatcher, from the Birds of America series (N4) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Birds of America" series (N4), issued in 1888 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Sketches of Decorative Architectural Details
Object type: drawing and watercolor
Materials: chalk, paper
Location: united kingdom
Artist: Anonymous
Artist nationality: british
Artist dates: 1800 – 1899
Cage crinoline
Object type: cage crinoline
Date: 1858 – 1858
Culture: american
Scaraboid: Crouched Human Figure Shown in Profile
Object type: costume and accessory
Materials: glaze, stone
Techniques: glazing
Culture: egyptian
Location: egypt
Subjects: men, floral motifs
Cover
Object type: cover
Date: 1767 – 1800
Materials: linen, silk
Techniques: embroidery
Location: turkey
Grafmonument met zuil en putti
Object type: ornamenttekening
Date: 1650 – 1800
Materials: ink, paper, pencil
Techniques: brush
Artist: Anonymous
Subjects: column, pillar ~ architecture, grave, tomb, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Een grafmonument in een nis met een zuil en vier putti met attributen van Mercurius, een hoorn des overvloeds, een lauwertak, een bazuin en een ruitvorm. Aan de bovenzijde een paneel met een medaillon en twee leeuwen.
Portret van graaf Kálmán Hunyady de Kéthely
Object type: photomechanical print
Materials: paper
Techniques: photograph, hand coloring
Artist: Anonymous
Subjects: vienna, earl, aristocracy; 'aristocratia' (ripa), historical persons

Deze prent maakt deel uit van een omslag met 86 prenten op 78 bladen en 11 tekstbladen.
Letter opener (part of a set)
Object type: letter opener
Date: 1848 – 1849
Materials: ivory

The firm of Nicholls & Plincke was founded by members of the relatively large community of English silversmiths and craftsmen working in Saint Petersburg. After 1840 it was one of the most important retailers of luxury items before Carl Fabergé overshadowed all competitors. Several contemporary Saint Petersburg newspapers praised the high-quality products of the magasin anglais Nicholls & Plincke. According to the donor's family tradition, this rare set with more than fifty items bearing the monogram CMI was "originally made for and used by Colin Macrae Ingersoll [1819–1903], when he accompanied his father, Ralph Isaacs Ingersoll [1788–1872], to the Court of Czar Alexander II of Russia, where the latter served President [James Knox] Polk [1795–1849] as Minister Plenipotentiary from 1846 to 1848. . . . The family story has always been that [the set and case were] made for stagecoach travel in Russia." Plain silver objects—like the ewer and the cup of this set—with simple outlines and restrained forms inspired silversmiths of the modern era. Only the elaborate cartouche framing the monogram indicates that the set was made in the early Victorian period.
Brief van ds. Hooyman aan Jan Brandes
Object type: document
Date: 1783 – 1783
Materials: ink, paper
Techniques: pen
Location: batavia
Subjects: bodegraven, draughtsman, jan brandes, batavia
Inscriptions: date

Briefje van de predikant Johannes Hooyman van 27 mei 1783 aan Jan Brandes over het omruilen van preekbeurten, met onderaan het antwoord van Brandes. Onderdeel van een groep papieren van Jan Brandes uit zijn tijd als predikant bij de lutherse kerk te Batavia 1779-1785.
Handelsetiket van Leidse lakenkoopmannen
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: trade-company, (story of) mercury (hermes), textile industry and clothing industry, leiden
Inscriptions: collector's mark: Lugt 2228

Twee lakenkoopmannen staan naast balen textiel. Achter hen staat een buitenlandse handelaar met tulband en kameel. Rechts hangt het wapen van Leiden. Links een buste van Jakobus de Meerdere in een nis. In de achtergrond schepen op zee en Mercurius met caduceus.
Achterhoofd van een man met krullend haar
Object type: sketchbook leaf
Materials: paper, pencil
Artist: jacob perkois
Artist role: draughtsman, print maker
Artist dates: 1756 – 1804
Subjects: head (human)

Tevens een studie van een gezicht in profiel naar rechts. Bladzijde 58 uit een schetsboek met 78 bladzijden.
Portret van Johann Nicolaus Weislinger
Object type: print
Date: 1730 – 1757
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: writing tools, historical persons
Inscriptions: collector's mark: Lugt 2228, number: ‘4736’
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: pieter andreas martin boele van hensbroek
Artist role: publisher
Artist dates: 1853 – 1912
Subjects: print maker, draughtsman, jozef israëls, haarlem, eeltjo aldegondus van beresteijn, coco harms tiepen, philip zilcken
Inscriptions: collector's mark: ‘RPK’
De Gas-opsteker der Stads-lantaarnen, aan de ingezetenen der stad Amsterdam
Object type: print
Date: 1885 – 1886
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: gas-lamp, gas supply, digging (industrial process), street lighting, amsterdam

Nieuwjaarswens van de Amsterdamse gaslantaarnopstekers voor het jaar 1886. Centraal een vers in twee kolommen. Bovenaan de Dam met de beurs van Zocher te Amsterdam. Onderaan de Hollandsche Gasfabriek en twee gasfitters aan het werk. Van de gaslantaarnopsteker: H. Rouws. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Imagines et figurae bibliorum
Object type: print
Date: 1582 – 1593
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: tetragram (in roman or hebrew script) ~ symbol of god the father, old testament, the new tables of the law (exodus 34), moses covers his face with a veil

Linksboven op de berg Sinaï ontvangt Mozes de tafelen der wet. Het tetragram staat symbool voor God de Vader. Onderaan de berg toont Mozes de tafelen aan het volk. Zijn gezicht is bedekt met een doek (Ex. 34:29). De prent maakt deel uit van een album.
Gezicht op Almelo
Object type: sketchbook leaf
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: almelo
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: city-view, and landscape with man-made constructions, cattle

Op de voorgrond grazend vee in een weiland grenzend aan het water. Blad 23 recto uit een schetsboek met 77 bladen.
Philémon und Baucis
Object type: print
Date: 1776 – 1830
Materials: paper
Techniques: mezzotint
Location: vienna
Subjects: philemon and his wife baucis hospitably entertain jupiter and mercury in travellers' guise; possibly a goose, which they try to kill for the occasion, flies to the visitors for refuge
Inscriptions: collector's mark: Lugt 2233
Limestone plaque with breasts and a bunch of grapes in relief
Object type: relief of breast, votive
Date: 350 – 250
Materials: limestone
Culture: cypriot

Two breasts and uncertain object.
Gezicht op Gennep, 1641
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: delft, the hague, frederick henry (prince of orange)

Beleg en verovering van Gennep en het Huis te Gennep door het Staatse leger onder Frederik Hendrik, 6 juni - 27 juli 1641. Gezicht op de stad Gennep, op de voorgrond voorbijgangers op weg naar de stad over de schipbrug over de Niers. Van achteren onbedrukt. Bovenste helft van het versneden oorspronkelijke blad met twee voorstellingen.
Birds and Flowers
Object type: screen
Date: 1867 – 1933
Materials: ink, panel, silk
Culture: korean
Artist: unidentified artist
Artist role: artist
Subjects: birds,flowers,plants

By the tenth century, bird-and-flower painting was an established genre in East Asian painting. In Korea folding screens on this subject became prevalent in the late Joseon period and continued to be popular in the twentieth century. Carefully painted and composed, the scenes on this colorful screen are characterized by meticulous depictions. Each panel portrays one or more pairs of birds resting on or flying around a blossoming plant, a tree, or reeds. Other species appear as well, including insects and the marine life seen in the fifth panel. Many of the motifs have poetic meaning and embody wishes for wealth, career advancement, longevity, and fertility. The symbolism of male-female bird pairings—such as mandarin ducks, known to mate for life—made such screens suitable for wedding ceremonies or a bridal chamber.
Ex libris van B.B. Pegge. Burnell
Object type: bookplate
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry
Portrait of Prince Azam Shah
Object type: painting
Date: 1667 – 1733
Materials: gold, paper, watercolor
Culture: mughal
Location: india
Subjects: animals
Zinneprent op de Alliantie, 1795
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: 'tropaion', i.e. decorative ornament ~ weapons, freedom, liberty; 'libertà' (ripa) (+ symbolical representation of concept), alliance, league, union, foedus, alliance with france (1795)
Inscriptions: collector's mark: Lugt 2228

Allegorie op de alliantie gesloten tussen de Franse en de Bataafse Republiek, 16 mei 1795. Een naakt kind, gewapend met zwaard en lauwerkrans en palmtak in de andere hand. Rechts ruïnes van het koningschap, op de achtergrond de tempel van de vrijheid. Links vaandels en wapens en de vrijheidslans met jacobijnenmuts. In de marge een vers van acht regels.
Shunkei Picture Album (Shunkei gafu) 春渓画譜
Object type: illustrated book
Date: 1820 – 1820
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: mori shunkei 森春渓
Artist role: artist
Artist nationality: japanese
Artist dates: 1800 – 1820
Subjects: insects,plants,leaves
Torch-holder
Object type: torch holder
Date: 332 – 330
Materials: pottery
Location: egypt

Torches were used by workers in the catacombs at North Saqqara where mummified ibises were buried. Flammable material would be placed in the cup at the top, and once lit could be carried by the handle. The torch was found with other broken pottery and small material in the fill in a set of small buildings associated with the catacombs. The buildings were used from the time of Nectanebo II onward and so the torch probably dates to the Ptolemaic Period.
Maison de campagne de Mr. Smiths
Object type: print
Date: 1700 – 1799
Materials: paper, watercolor
Techniques: brush, etching
Location: paris
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc., canals, waters (in city) (+ city(-scape) with figures, staffage), country-house, thames
Inscriptions: watermark, collector's mark: Lugt 2166
Bag
Object type: bag
Date: 1830 – 1860
Materials: glass, linen
Culture: italian
Subjects: horses
Datan en Abiram met hun gezinnen door de aarde verzwolgen / Vernietiging van de stam van Korach
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the ground opens and swallows the rebels dathan and abiram along with their families and possessions, rebellion of korah (core), dathan and abiram, and their punishment (numbers 16)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Josephus, Flavius. XX. boeken van de oude geschiedenissen der joden, 4 delen. Amsterdam: Barent Visscher, Willem de Coup, Willem van Lamsveld, Andries van Damme, 1698, dl. I.
Portret van Frederik Hendrik, prins van Oranje, op 48-jarige leeftijd
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: engraving, etching
Subjects: delft, the hague, frederick henry (prince of orange), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain, historical persons
Inscriptions: collector's mark: Lugt 1641, stamp, collector's mark: Lugt 1641

Portret van Frederik Hendrik in een ovaal met randschrift. In de ondermarge zes regels Latijnse tekst. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Portretten, Portretten van Vorsten uit het huis van Oranje, Regeerende Vorsten, Stadhouders van Holland, Zeeland en West-Friesland.
Ex libris van Walter Geissler
Object type: bookplate
Date: 1917 – 1917
Materials: paper
Techniques: woodcut
Location: germany
Artist: hans nolpa
Artist role: print maker
Artist dates: 1878 – 1930
Subjects: clouds, birds, sun as celestial body
Dalmatic
Object type: dalmatic
Date: 1701 – 1750
Materials: linen, wool
Subjects: flowers,leaves
Het paard
Object type: print
Date: 1921 – 1921
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: horse
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Bovenaan de titel en ondertitel: 'Het paard 8 studies in hout gesneden'. Onderaan het silhouet van een ruiter te paard.
Jongen in een roeiboot
Object type: drawing
Date: 1800 – 1900
Materials: chalk, paper
Artist: johannes van reijn
Artist role: draughtsman
Subjects: boy (child between toddler and youth), rowing-boat, canoe, etc.
Die Nacht van Johannes Schilling
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: dresden
Subjects: classical mythology and ancient history
Inscriptions: inscription: ‘Nach dem Original-Modell photographirt von F. & O. Brockmann's Nachfolger, Dresden.’, inscription: ‘von Prof. Johannes Schilling’
Aartsengel Michaël in gevecht met de draak
Object type: print
Date: 1595 – 1692
Materials: paper
Techniques: etching
Location: italy
Artist: Anonymous
Subjects: the archangel michael fighting the dragon (devil, satan)
Inscriptions: collector's mark: Lugt 240

De aartsengel Michaël vertrapt de draak (de duivel).
Alonzo H. Sterrett, Late Adjutant, Fortieth U.S. Infantry
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: hall & company's photograph gallery
Artist role: photography studio
Artist nationality: american
Subjects: soldiers,american civil war,men,portraits

Alonzo Sterrett was twenty in 1861, when he enlisted in the Twenty-ninth Ohio Volunteer Infantry. He served for four years, becoming a lieutenant by war’s end, when he sat for this trick double-portrait. This carte de visite bears one likeness of his present circumstances and one of his recent past. At left he poses casually in an unbuttoned jacket as a civilian; at right, wearing his old officer’s frock coat, he poses formally as the late adjutant of the Fortieth United States Colored Infantry. He had mustered out of service six weeks earlier.
Portret van Raimondo graaf van Montecuccoli
Object type: print
Date: 1663 – 1695
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: christiaan hagen
Artist role: draughtsman, print maker
Artist dates: 1635 – 1707
Subjects: armour, battle
Inscriptions: collector's mark: Lugt 2228

Portret naar rechts van Raimondo graaf van Montecuccoli. Hij draagt een harnas, in zijn linkerhand houdt hij een commandostaf. Op de achtergrond is een veldslag afgebeeld. Onder zijn portret een plint, waarop zijn naam en titel in twee regels in een cartouche.
Gezicht op de Dam met op de achtergrond het Beurspoortje
Object type: album leaf
Date: 1891 – 1891
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: johanna margaretha piek
Artist role: fotograaf
Artist dates: 1870 – 1947
Subjects: square, place, circus, etc., imperial celebrations 1891
Mortise lock
Object type: mortise lock
Date: 1301 – 1400
Materials: iron
Culture: french

The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or coffrets and other types of storage chests was a result of the increasing urbanization of life and the new emphasis on material wealth and private ownership which developed in the late Middle Ages.
Fotoreproductie van een portret van Lodewijk XVI van Frankrijk naar een schilderij van Antoine-François Callet
Object type: reproduction
Date: 1856 – 1866
Materials: paper
Techniques: albumen print
Subjects: paris, lodewijk xvi (koning van frankrijk), historical persons, king
Inscriptions: address: ‘14, rue Richelieu’