deem-data/ArtiFact huggingface dataset:
Portret van Isaak Volmar
Object type: print
Date: 1644 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: isaak volmar
Inscriptions: collector's mark: Lugt 2228

Portret van Isaak Volmar, onderhandelaar bij de Vrede van Westfalen. Buste naar links in een ovaal. Onderaan in de marge een zesregelige tekst in het Latijn.
Border
Object type: border
Date: 1501 – 1700
Techniques: lace

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Woodblock for The Black Horse, from a General History of Quadrupeds
Object type: print
Date: 1790 – 1790
Techniques: engraving
Location: england
Artist: thomas bewick
Artist role: draughtsman, painter, print maker
Artist nationality: british
Artist dates: 1753 – 1828
Portret van Eegje Haan
Object type: carte de visite
Date: 1912 – 1928
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: hoorn
Artist: alida beerding
Artist role: fotograaf
Artist dates: 1875 – 1949
Subjects: historical persons, infant, baby
Inscriptions: inscription: ‘Eegje Haan’
E 25. Straatscene. Caïro
Object type: photograph
Date: 1888 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: cairo
Artist: jean pascal sébah
Artist role: fotograaf
Artist dates: 1872 – 1947
Subjects: temple, shrine ~ islam, mohammedanism, street
Inscriptions: stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, check stamp: ‘Bristol/ L.M.’, number: ‘64’, title: ‘E 25. Straatscene. Caïro.’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Nieuwe Nederlandsche kinderprenten
Object type: print
Date: 1865 – 1875
Materials: paper
Techniques: colour, letterpress printing, lithograph
Location: amsterdam
Subjects: dairy products, farmers, milking
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen van boerderijtaferelen, waaronder karnen, koeien melken en het bereiden van kaas. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 1.
Tile
Object type: tile
Date: 1301 – 1333
Materials: stonepaste
Techniques: painting, underglaze
Location: iran
Boog van Titus te Rome
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: ruin of a building ~ architecture, triumphal arch, landscape with ruins, rome
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Portret van George Christoph von Taupadel
Object type: print
Date: 1634 – 1686
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228, number: ‘141’
Doop van een kind in een kerk
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: baptism, christening ceremony ~ the first of the seven sacraments, parts of church interior
Inscriptions: retailer's mark: ‘[...]’
Trade Card for Topham, Engraver and Copper Plate Printer
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Psyche's Sisters...Persuade Her that a Serpent is Sleeping with Her
Object type: print
Date: 1530 – 1540
Materials: ink, paper
Techniques: engraving
Location: italy
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Portret van een man bij een tafel met boek
Object type: photograph
Date: 1857 – 1864
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: historical persons
Inscriptions: inscription: ‘Photogr Atelier/ Wegner & Mottu/ Prinsengracht BB, 439/ Amsterdam’
Teapot
Object type: teapot
Date: 1785 – 1800
Materials: silver
Culture: american
Location: united states
Artist: daniel van voorhis
Artist role: maker
Artist nationality: american
Artist dates: 1751 – 1824
Toren van de Mannelli bij de Ponte Vecchio, Florence
Object type: page
Date: 1858 – 1863
Materials: paper
Techniques: albumen print
Location: florence
Artist: giacomo brogi
Artist role: fotograaf
Artist dates: 1822 – 1881
Subjects: street

Foto op ongenummerde pagina tegenover pagina 93.
Victoria Hotel, Chicago Heights, Illinois, West Elevation
Object type: architectural drawing
Date: 1892 – 1892
Materials: ink, paper
Location: chicago heights
Artist: adler and sullivan
Subjects: hotels, architecture, elevation, illinois
Antonio Salvalaio
Object type: medal
Date: 1460 – 1460
Materials: bronze, patina
Artist: petrecino of florence
Artist role: artist
Artist nationality: italian
Artist dates: 1450 – 1499
Subjects: men,profiles
Le pré des Graves à Villerville
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: charles-françois daubigny
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1878
Subjects: landscapes, herd, flock, rodents: rabbit
Inscriptions: watermark, collector's mark: Lugt 4731, collector's mark: Lugt 2228
Scholar's Rock
Object type: sculpture
Materials: stone, wax
Location: china
Nederlandse geïnterneerden arriveren veilig in Singapore
Object type: documentary photograph
Date: 1909 – 1945
Materials: photographic support
Techniques: photography
Location: singapore
Subjects: publisher, singapore, dutch east indies, the, indonesia

Een twaalftal breed lachende mannen in korte broeken staat gegroepeerd rond een inspectrice van het Rode Kruis. Op de achtergrond het vliegtuig waarmee ze zojuist geland zijn op de Civil Aerodrome in Singapore.
Vendor of Rosaries and Sacred Images
Object type: drawing and watercolor
Date: 1660 – 1660
Materials: chalk, ink, paper
Techniques: pen
Location: italy
Artist: giuseppe maria mitelli
Artist role: artist
Artist nationality: italian
Artist dates: 1634 – 1718
Landschap met Pan liggend bij een vaas
Object type: album leaf
Date: 1645 – 1648
Materials: paper
Techniques: etching
Artist: giovanni benedetto castiglione
Artist role: draughtsman, print maker
Artist dates: 1610 – 1665
Subjects: pan-herm, statues, sculptures in garden

Prent maakt mogelijk deel uit van een serie van 200 prenten. Deze serie is onder de titel 'A Collection of two hundred original etchings' voor het eerst uitgegeven door J.M. Greery in 1816.
Panel with immortals
Object type: panel
Date: 1701 – 1800
Materials: metal thread, silk
Techniques: embroidery
Culture: chinese
Subjects: birds,men,women,landscapes,pavilions

The Eight Immortals (baxian) and God of Longevity (Shoulao) in Chinese legend are always depicted in a group celebrating the birthday of the Queen Mother of the West. Here, six of the immortals stand in the foreground and two on the terrace alongside the God of Longevity. Together, they salute the Queen Mother, who rides a mythical bird (yuan) in the sky. This meticulously embroidered work would make an ideal gift for an important birthday celebration.
Portret van Schelte Adamsz. Bolswert
Object type: print
Date: 1630 – 1677
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, schelte adamsz. bolswert
Inscriptions: collector's mark: Lugt 240

Portret van Schelte Adamsz. Bolswert, prentmaker te Antwerpen.
Design for a Stage Set
Object type: drawing
Date: 1830 – 1890
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: tents,trees,stage design
Cupid with a Bird on a String
Object type: drawing
Date: 1601 – 1733
Techniques: brush, wash
Artist: joseph werner the younger
Artist role: artist
Artist nationality: swiss
Artist dates: 1637 – 1710
Subjects: birds,cupid
Elijah Boardman
Object type: painting
Date: 1789 – 1789
Materials: canvas, oil
Culture: american
Artist: ralph earl
Artist role: artist
Artist nationality: american
Artist dates: 1751 – 1801
Subjects: men,portraits

Itinerant portrait painter Ralph Earl depicted the elegantly dressed dry-goods merchant Elijah Boardman (1760–1823) in his shop in New Milford, Connecticut. An unconventional setting for a full-length portrait, the work offered Boardman an opportunity to display his vast merchandise. An open door on the left reveals the shopkeeper’s textile inventory, including silks, wools, printed cottons, and linens—several of which he imported from India, China, and Europe through English ports. Although not pictured, Boardman also sold luxury goods from the Spanish West Indies, such as sugar, rum, molasses, and indigo, connecting the patrons of his Connecticut shop to the extensive networks of Atlantic trade.
Teapot
Object type: teapot
Date: 1740 – 1740
Materials: stoneware
Culture: british
Location: england
Agate Triangular Prism
Object type: prism, triangular
Date: 1650 – 1500
Materials: stone
Culture: minoan

angle-filled cross; beaked jug between vegetation
Hooiende boeren
Object type: page
Date: 1879 – 1884
Materials: cardboard, paper
Techniques: photograph
Location: brussels
Subjects: agricultural products and by-products: hay, farmers
Inscriptions: inscription: ‘Concours de Négatifs de 1884/ Cliché de Mr Masson (Médaille de Bronze).’
Design of a Perspective for a Stage Set with Courtyard and Triumphal Arch
Object type: drawing
Date: 1657 – 1743
Materials: gouache, ink, drawing material
Techniques: brush, pen, wash
Artist: ferdinando galli bibiena
Artist role: artist
Artist nationality: italian
Artist dates: 1657 – 1743
Subjects: columns,courtyards,stage design
Dirhem van de Seldsjoeken van Rum van sultan Ghiyas ed-din Kai-Khusru I, 634-643 AH [=1192-1200]
Object type: coin
Date: 1192 – 1200
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: lopende leeuw naar rechts, waarboven zon [=sterrebeeld van de echtgenote van de sultan]. Omschrift in Arabische lettertekenss. Keerzijde: binnen vierkant opschrift in Arabische lettertekens, in Koefisch schrift, in vier regels. Rondom vierkant opschrift in Arabische lettertekens.
Bronze candelabrum finial showing a man embracing a woman
Object type: statuette of a youth and a girl from candelabrum
Date: 500 – 401
Materials: bronze
Culture: etruscan
Subjects: men,women

Statuette of a youth and a girl from candelabrum.
Ein ney Furmbüchlein, Page 5, recto
Object type: book print ornament architecture
Date: 1525 – 1529
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Judith
Object type: print
Date: 1590 – 1652
Techniques: etching
Artist: claes jansz. visscher (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1586 – 1652
Subjects: judith
Diverse ornamenten
Object type: ornament print
Date: 1820 – 1820
Materials: paper
Techniques: etching
Location: paris
Subjects: vase ~ ornament

Ornamentprent met diverse vazen en figuren. Onderdeel (15e. Cah. f.le 13) van het prentalbum met twee series van in totaal 138 ornamentprenten door Beauvallet en Normand, 'Fragmens d'Ornemens dans le Style Antique'.
Nessus Abducting Dejanira
Object type: relief
Materials: marble
Artist: bertel thorvaldsen
Artist role: artist
Artist nationality: danish
Artist dates: 1770 – 1844
Subjects: women,centaurs

In early-nineteenth-century Rome only Antonio Canova rivaled the sculptor Bertel Thorvaldsen. One area in which the Dane was the acknowledged master was the independent relief; a contemporary critic termed Thorvaldsen the "patriarch of the bas-relief." While these tended to be small scale, compact, and restrained, in emulation of the ancient compositions that Neoclassical artists revered, this one is unusual for its large size, bold plasticity, and sensual subject. The well known myth concerns the centaur Nessus's betrayal of Hercules' trust: charged with carrying Hercules' wife across the river Euenus, the centaur tries to abduct her but is slain by a poisoned arrow shot by Hercules. Against a severe background the sculptor chiseled the dramatic moment when Deianira waves to her husband for help as her abductor twists to kiss her. Thorvaldsen's starting point for the composition is an ancient Roman relief that he knew from an engraving now in the Thorvaldsen Museum, Copenhagen, completed two years after his death to house the collection he gave his native city. A series of drawings shows the artist's efforts to intensify the figures' interaction. This marble was commissioned by Paolo Marulli, brother of the duke of Ascoli, for his residence in Naples, where it joined other Thorvaldsen reliefs.
Paul Verlaine II
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: etching
Artist: anders leonard zorn
Artist role: print maker
Artist dates: 1860 – 1920
Subjects: paris, paul verlaine, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Portret van de Frans dichter Paul Verlaine, tweede versie.
Roosvenster in de Notre-Dame te Parijs
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: notre-dame
Artist: j. kuhn (fotograaf)
Artist role: fotograaf
Subjects: church-window, e.g. rose-window, interior of church
Inscriptions: collector's mark: ‘KUNSTNIJVERHEIDSCHOOL <BR />QUELLINUS <BR />AMSTERDAM <BR />FRANS HALSSTRAAT 14.’, inscription: ‘CWN.’, name: ‘J. KUHN <BR />220, Rue de Rivoli <BR />PARIS’, number: ‘214.’, inscription: ‘Gothische Kunst - Frankrijk. <BR />,,Notre-Dame'' te Parijs. Galerijvensters , 2e helft der 12e Eeuw.’, collector's mark: ‘INSTITUUT VOOR KUNST- <BR />NIJVERHEIDSONDERWIJS <BR />GABRIËL METSUSTRAAT No. 16. <BR />AMSTERDAM’
Fragment
Object type: fragment
Date: 1701 – 1800
Materials: silk
Techniques: lace
Fujisawa
Object type: print
Date: 1838 – 1838
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,houses,bridges,mountains
Gore
Object type: gore
Date: 1867 – 1900
Materials: bamboo
Culture: melanesian, aoba island or vanuatuan
Location: vanuatu
Netsuke of Mushroom Eaten by Insects
Object type: netsuke
Date: 1701 – 1800
Materials: horn, metal, wood
Techniques: inlay
Culture: japanese
Subjects: insects
Portret van Margaretha Theresia van Spanje
Object type: print
Date: 1856 – 1892
Materials: paper
Techniques: drypoint, etching, intaglio
Location: new york city
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Voorzorgsmaatregelen
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: head-gear: tricorn (+ men's clothes), clothing for the upper part of the body (+ women's clothes), ensembles of pieces of clothing (habit à la française) (+ men's clothes), (carrying a person in a) sedan-chair, clothes, costume (+ women's clothes), dress, gown (+ women's clothes), clothes, costume (+ men's clothes), pregnant woman
Inscriptions: collector's mark: Lugt 2228

De elegant geklede zwangere Céphise loopt voorzichtig de trap van een woonhuis af. Zij draagt een japon met 'engageantes' waarover een kleine schoudermantel. Een heer reikt haar de hand om in een openstaande draagstoel te stappen. De mannen dragen een 'habit à la française' met gerimpeld jabot en manchetten. De staart van het haar (de pruik ?) in een haarzak met strik; driekantige steek als hoed. De dunne wandelstok heeft de galadegen vervangen.
Exposition Universelle de 1900. La Tour Eiffel
Object type: album leaf
Date: 1900 – 1900
Materials: paper
Techniques: albumen print
Location: paris
Subjects: tower, clock tower ~ monumental adornment, world fair, world exhibition, steamship, motorship, paris, eiffel tower
Inscriptions: inscription: ‘ND Phot’, number: ‘24’, inscription: ‘10 Aug-25 Aug. 1900’
Putti Carrying Young Bacchus
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, drawing, wash
Location: england
Artist: Anonymous
Relief Plaque of Hindu Deity, Probably Processional: Face of Varaha
Object type: relief plaque
Date: 1301 – 1600
Materials: copper alloy
Techniques: repoussé
Culture: nepali
Subjects: faces,hinduism

These "masks" were likely intended for use in the creation of lifelike effigies of the gods, the metal face to be affixed to a carrying frame and the figures dressed in textiles. Such constructions were intended for processional use, as seen in related practices in the Hindu communities of Himachal Pradesh, in the western hills of north India, where image-palanquins of this type are carried by devotees during festivals.
Harlekijn met overgeslagen armen naast zijn vrouw
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: copenhagen (city), literature, types in 'commedia dell'arte': harlequin, arms crossed over the breast
Inscriptions: collector's mark: Lugt 2228

Prenten gebruikt voor: Ewald, Johannes. Joh. Ewald's samtlige Skrifter. 4 dln. Kopenhagen: s.n., 1781-91.
Daruma (Bodhidharma), one of six sketches
Object type: painting
Materials: ink, paper
Location: japan
Artist: kawanabe kyōsai 河鍋暁斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1831 – 1889
Gezicht van de hofsteede Brantwyk / Veuë de la maison de Brantwyk
Object type: print
Date: 1708 – 1740
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: matthijs pool
Artist role: print maker
Artist dates: 1676 – 1740
Subjects: sailing-ship, sailing-boat, river, rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2233

Prent gebruikt in: Pool, Matthijs. Verscheyde gesigten van de vermaarde rievier de buyten Amstel van de stadt Amsterdam, tot het dorp Ouwerkerk (…) / Plusieurs veuës et perspectives de la fameuse riviére de Buyten-Amstel depuis Amsterdam jusqu'au village d'Ouwerkerk (…). Amsterdam: Matthijs Pool, z.j. [1708-1740].
Stole
Object type: stole
Date: 1876 – 1900
Materials: silk
Culture: spanish
Subjects: flowers
Bottle
Object type: vessel
Date: 1 – 100
Materials: glass
Techniques: glassblowing
Culture: roman
Location: syria

Initially affordable only among the wealthy, glass was used in ancient Rome as containers for oils, perfume, and tablewares. The variety of glass-making techniques reveals the changing tastes and fashions over the centuries. During the 1st century A.D., cast glass was a novel form that was a luxury for the Roman household, but by the end of the century, the innovation of blown glass allowed for less labor-intensive and less expensive production of glass wares like this bottle, which meant people of lesser means could afford them. Blown glass became so popular it nearly supplanted ceramic and even bronze wares in the home.
Zandschuit
Object type: watercolor
Date: 1848 – 1888
Materials: paper
Techniques: brush
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: tow-boat, towing-barge (+ propulsion of vehicle, ship, etc. by human power)
Portret van Gaston Jean-Baptiste, hertog van Orléans
Object type: print
Date: 1650 – 1690
Materials: paper
Techniques: engraving
Subjects: gaston jean-baptiste hertog van orléans, ram's head ~ ornament, historical persons, battle, trees: olive-tree, (civil) marriage ceremonies, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit: Vulson de La Colombière, Marc de. Les portraits des hommes illustres François qui sont peints dans la gallerie du Palais cardinal de Richelieu (...). Parijs: Henry Sara et al., 1650. Of uit latere publicaties (1655, 1662, 1690 en 1690).
The Actor Ichimura Takenojo VIII in the Role of a Puppeteer, showing Puppets to a Courtesan
Object type: print
Date: 1715 – 1715
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyomasu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1696 – 1716
Subjects: men,women,actors,puppets

The scene is probably taken from a play for the Kabuki actor Ichimura Takenojo VII is identified by the crest on his robe. And yet, the sight of a courtesan stopping in the streets of the Yoshiwara in Edo to enjoy the entertainment of an itinerant puppeteer must have been common enough. The courtesan with her obi tied in the front wears a magnigicent long-sleeved robe decorated with plum blossoms, while her two young maids (kamuro) both appear in kimono of striped pattern. In the background are the curtained doorways of two brothels, the Matsuya and the Fujiya.
Triomfen
Object type: print
Date: 1564 – 1600
Materials: paper
Techniques: engraving
Location: low countries
Artist: Anonymous
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, symbols, allegories of peace, 'pax'; 'pace' (ripa), wisdom; 'sapienza', 'sapienza humana', 'sapienza vera' (ripa), triumphs (allegorical and symbolic), symbols, allegories of war; 'guerra' (ripa), king
Inscriptions: collector's mark: Lugt 2228

Een koning wordt in triomf gedragen door Wijsheid en Rechtvaardigheid. Voorop in de stoet lopen Diefstal, Oorlog, Buit en Armoede. In het landschap wordt gevochten en huizen staan in brand. Achter de koning lopen Vrede, Handel en Landbouw. Op de achtergrond wordt gebouwd en het land bewerkt. Onder de voorstelling een vierregelig vers in het Latijn.
Het korenveld
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: drypoint, etching
Artist: jacob isaacksz van ruisdael
Artist role: draughtsman, painter, print maker
Artist dates: 1628 – 1682
Subjects: trees, cultivated land
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 636, collector's mark: Lugt 2228, inscription: ‘Klodepkast (?)’, collector's mark: Lugt 654, collector's mark: Lugt 533b
Portret van een onbekende vrouw met hoofddoek
Object type: print
Date: 1820 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: adult woman, head-gear, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ten halve lijve, naar rechts, witte hoofddoek op het hoofd.
Observatoire astronomique, chronométrique et météorologique de Besançon description des terrains, pavillons, instruments et services
Object type: book
Date: 1892 – 1892
Materials: cardboard, leather, paper, photographic support
Techniques: albumen print, lithograph, printing
Location: besançon
Artist: louis jules gruey
Artist role: astronoom
Artist dates: 1837 – 1902
Rotatiepers met vouwtoestel en uitleggers, voor illustraties met groote oplagen
Object type: reproduction
Date: 1887 – 1892
Materials: paper
Techniques: printing block
Subjects: printing press
Statue of Seated Girl
Object type: drawing and watercolor
Date: 1774 – 1774
Materials: chalk, paper
Location: england
Artist: john downman
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1749 – 1824
Utrechtse dukaat, 1781
Object type: ducat
Date: 1781 – 1781
Materials: gold
Techniques: striking
Location: utrecht

Gouden munt. Voorzijde: tussen jaartal staande ridder naar rechts. In rechterhand zwaard, in linkerhand pijlenbundel. Keerzijde: in versierd vierkant vijfregelig opschrift. Kabelrand.
Kesa
Object type: textile
Location: japan