deem-data/ArtiFact huggingface dataset:
Amor in een net
Object type: print
Date: 1696 – 1727
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (story of) mars (ares), (story of) cupid, amor (eros), (story of) venus (aphrodite), father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 240

Venus houdt Amor omhoog in een net. De jonge Amor speelt met zijn boog. Vader Tijd spreekt Mars vermanend toe. In de marge een zesregelig gedicht, in twee kolommen, in het Nederlands.
Amstelveen
Object type: print
Date: 1736 – 1736
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: meadow, pasture, church (exterior), fisherman
Inscriptions: collector's mark: Lugt 2228
Glass compound eye bead
Object type: bead
Date: 400 – 301
Materials: glass
Culture: greek, eastern mediterranean

Semi-opaque pale turquoise green ground; additions in opaque white, translucent cobalt blue and honey brown. Squat spherical shape with rounded ends to vertical hole. Three brown disks, arranged symmetrically around side, each with rosette of seven eyes in white and blue. Intact; dulling, some pitting, and faint creamy iridescent weathering, with one small patch of encrustation.
Manuscript Leaf with Initial E, from an Antiphonary
Object type: antiphonary
Date: 1501 – 1600
Materials: ink, parchment, paint
Culture: italian
Subjects: men,profiles,music
Jonge Italiaanse vrouw
Object type: print
Date: 1882 – 1882
Materials: paper
Techniques: engraving, etching
Subjects: adult woman
Inscriptions: inscription: ‘2e épreuve d état; 1882’, collector's mark: Lugt 2228
Heer neemt afscheid van een dame
Object type: print
Date: 1841 – 1904
Materials: paper
Techniques: etching
Location: london
Subjects: parting, leave-taking (of lovers)
Inscriptions: collector's mark: Lugt 2228
Twee arbeiders bij het maken van beeldjes
Object type: drawing
Date: 1881 – 1948
Materials: chalk, paper
Artist: herman heijenbrock
Artist role: draughtsman, painter
Artist dates: 1871 – 1948
Subjects: (hollow) casting, potter, ceramist
La Trève de Dieu (God's Truce) (Furnishing Fabric)
Object type: textile
Date: 1820 – 1820
Materials: cotton
Techniques: printing block, weave, printing
Location: france
Calligraphic Exercise in Italian
Object type: album print ornament architecture
Date: 1601 – 1633
Materials: ink
Techniques: pen
Artist: Anonymous
Artist role: artist

Calligraphic exercize in Italian, presented in a double rectangular frame. The text begins with the words 'Grave impresa sopra dise prende ciascuno che ha da dimostrar (...)' and runs for six lines. The initial 'G' is decorated and the text is flanked by two calligraphic swirls on each side. Part of an album with 26 examples of calligraphy and micrography, thought to have been produced in France or possibly Antwerp at the beginning of the seventeenth century.
Plate 2: various figures carrying out tasks that include tying a sack and loading a horse
Object type: print
Date: 1660 – 1690
Artist: pietro santi bartoli
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1700
Subjects: men,male nudes,horses,working
The Fan
Object type: print
Date: 1879 – 1879
Materials: ink, ivory, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Act 11, Part 1: The Approach to the Night Attack (Juichidanme ichi, yochi oshiyose), from the series "The Revenge of the Loyal Retainers (Chushingura)"
Object type: print
Date: 1834 – 1839
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858

The story of The Forty-seven Samurai is based on events that occurred at the beginning of the 18th century and is one of the longest plays in the Kabuki repertoire that is still performed. The drama recounts the death of Enya Hangan, who was forced to commit suicide by the evil Moronao, and the revenge sought by Hangan’s loyal retainers for their lord’s death. In the scene depicted here (which occurs toward the end of the play), the forty-seven loyal samurai are crossing Ryogoku Bridge on their way to Moronao’s mansion where they will eventually slay him. In the foreground, two of the samurai stand guard in a boat.
Portret van Horatio Nelson
Object type: print
Date: 1786 – 1832
Materials: paper
Techniques: engraving
Subjects: horatio nelson (hertog van bronte), historical persons, medals and other marks of military honour
Inscriptions: collector's mark: Lugt 2228
Jan Klaaszen, of de gewaande Dienstmaagd
Object type: print
Date: 1757 – 1764
Materials: paper
Techniques: engraving, etching
Artist: antoine radigues
Artist role: print maker
Artist dates: 1721 – 1809
Subjects: man dressed as woman, travesty
Inscriptions: collector's mark: Lugt 240

Saartje valt in zwijm als ontdekt wordt dat haar geliefde Jan Klaaszen zich vermomd had als dienstmeid, om zo bij haar te kunnen zijn.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, top of a head with fillet and a wreath?; Exterior, buttocks, genitals, and left calf? of male
Portrait of a young Man
Object type: painting
Date: 1680 – 1690
Materials: oil, panel
Artist: jan van mieris
Artist role: draughtsman, painter
Artist dates: 1660 – 1690
Subjects: anonymous historical person portrayed
Inscriptions: signature: ‘J. Mieris’

Portret van een jonge man, buste in een ovaal, tegen een achtergrond van gebladerte.
Knielende Franse edelvrouw, gekleed volgens de mode van ca. 1630
Object type: costume print
Date: 1628 – 1629
Materials: paper
Techniques: engraving, etching
Subjects: styles of hairdress - aa - ~ women, neck-gear: collar (+ women's clothes), dress, gown (+ women's clothes), interior of church, sleeves (+ women's clothes), one person praying
Inscriptions: collector's mark: Lugt 240

Bosse gaf de gotische kerken van Parijs weer als plekken van vroomheid én van mode. De kerkbezoekers op deze prenten dragen de laatste modes tijdens het bidden en flaneren door de kerk. Zo was bijvoorbeeld een dure soort opengewerkte kant populair geworden: reticella. Het werd gebruikt voor uitbundige kragen en manchetten.
Cann
Object type: metalwork
Date: 1735 – 1750
Materials: silver
Location: boston
Artist: william cowell jr.
Subjects: dining, drinking
Inscriptions: Maker's mark, in conforming rectangle: W. Cowell
Engraved on handle: I / F.M.
Engraved on front: arms of Lowell impaling Greenleaf
Scratched on bottom: E13254
Jug with dragon handle and floral madellions
Object type: jug
Date: 1701 – 1800
Materials: cobalt, soft paste porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: birds,flowers
Menigte tijdens de ontvangst van sultan Abdülhamit II voor het Salat al-djuma (vrijdagmiddaggebed) bij de Yildiz Hamidiye-moskee in Istanboel
Object type: photograph
Date: 1876 – 1909
Materials: paper
Techniques: albumen print
Location: istanbul
Subjects: crowd, mob, temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘689’
Zeelsag tusschen den admiraal Tromp en Blake, bij Dover, den 10 december 1652
Object type: print
Date: 1829 – 1834
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: brielle, maarten harpertszoon tromp, battle (+ naval force), battle of dungeness

Zeeslag bij Dungeness (de Slag bij de Singels) voor de Engelse kust bij Dover in de Eerste Engelse Oorlog tussen de Staatse vloot onder Maarten Tromp en de Engelse vloot onder Robert Blake, 10 december 1652. Centraal het gevecht van het admiraalsschip de Brederode van Tromp in gevecht met de Engelse schepen Bonaventure en de Rozenkans. Van rechts schiet het schip van vice-admiraal Johan Evertsen te hulp. Bij de plaat behoort een tekstblad.
Pompa Introitus...Ferdinand, Austriaci. Antwerp
Object type: print
Date: 1635 – 1635
Techniques: etching
Artist: peter paul rubens
Artist role: artist
Artist nationality: flemish
Artist dates: 1577 – 1640
Subjects: men,women,dragons,trees,coat of arms
Portret van Gabriel Bethlen, prins van Transsylvanië
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: engraving
Location: prague
Artist: aegidius sadeler (ii)
Artist role: draughtsman, print maker
Artist dates: 1568 – 1629
Subjects: prins, gabriël bethlen
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Portret van Gabriel Bethlen, prins van Transsylvanië op 39-jarige leeftijd. Rondom het portret wapentuig.
Left and Right Knee Defenses (Poleyns)
Object type: left and right knee defense poleyns
Materials: steel
Culture: italian
Location: italy

This is part of a large find of medieval armor discovered in 1840 in the ruins of the fortress of Chalcis, on the Greek island of Euboea (then a Venetian colony called Negroponte). The fortress had been captured and destroyed by the Turks in 1470. Now divided largely between the Ethnological Museum, Athens, and The Metropolitan Museum of Art, the Chalcis hoard contains many rare and unusual elements of fourteenth- and fifteenth-century armor. Of particular importance are the variety of headpieces and the many fragments of brigandines (armor for the torso constructed of small plates riveted to layers of fabric), some of which retain portions of their original velvet covering. The Chalcis armor provides a unique picture of the armament used in the Aegean, one of the easternmost military outposts of the Venetian empire.
La Prière
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: etching, roulette
Location: paris
Subjects: family group, especially parents with their child(ren), (private) prayer; 'oratione', 'preghiere', 'preghiere a dio' (ripa)
Inscriptions: collector's mark: Lugt 2228
Blackwork Print with an Oval at Center Flanked by Pendants Hanging from Foliate Scrolls, from a Series of Blackwork Prints for Goldsmiths' Work
Object type: print ornament architecture
Date: 1615 – 1615
Techniques: embroidery, engraving
Artist: etienne carteron
Artist role: artist
Artist nationality: french
Artist dates: 1580 – 1680
Subjects: pendants

Symmetrical blackwork design with a large oval at center with a Schweifwerk pattern. At bottom left and right two pendants with Schweifwerk in ovals hang from foliate scrolls with flowers and pea-pod elements in the upper corners. Plate 8 from a series of eight plates published in Châtillon-sur-Chalaronne (Ain) with blackwork designs for goldsmiths' work.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, head, bent right arm, back, buttocks, and part of left thigh of helmeted warrior with round shield; part of round shield of a second warrior
Rebekah, Laban, and Eliezer from the Story of Abraham
Object type: cushion cover
Date: 1600 – 1600
Materials: silk, silver gilt, thread, wool
Subjects: men,women,deer,abraham
Snuff Bottle
Object type: snuff bottle
Date: 1851 – 1900
Materials: stone
Culture: chinese
Subjects: human figures
Kolom
Object type: column
Date: 1500 – 1600
Materials: wood
Techniques: gilding, painted
Location: spain
Artist: Anonymous

Kolom op een vierkante basis van verguld, gedeeltelijk gepolychromeerd hout. De schacht is onderaan vierhoekig van vorm en met takken met bladeren beschilderd. Het ronde bovengedeelte van de schacht vertoont gestoken figuren met mascarons. Zie tevens: BK-16864-a.
Een kiekje bij 't Kasteel Meesenmich, Heerlen
Object type: ansichtkaart, prentbriefkaart
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: heerlen
Subjects: canal, bridge
Portret van Dirk Maes
Object type: drawing
Date: 1741 – 1795
Materials: paper
Techniques: brush
Subjects: haarlem, print maker, draughtsman, dirk maas, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Der Dom zu Münster i. W. Mittelschiff nach Osten, Hauptbauzeit 1225/65
Object type: photograph
Date: 1905 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: berlin
Subjects: parts of church interior: nave, interior of church
Portret van Louise van Lotharingen
Object type: print
Date: 1576 – 1614
Materials: paper
Techniques: engraving
Artist: thomas de leu
Artist role: print maker, publisher
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 130, collector's mark: Lugt 2760, collector's mark: Lugt 119
Gezichten
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: chalk, paper, pencil
Location: south holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: face, face - aa - mask (mould taken from face)

Gezichten. Pagina 33 uit een schetsboek met 70 bladen.
Drachm (Coin) Depicting a Cow with Dolphin below
Object type: coin
Date: 416 – 357
Materials: metal, silver
Culture: greek
Location: greece
Subjects: dolphins, cows

The front of this coin depicts a cow on the back of dolphin

The back features a geometric design.
Schets van Galliër
Object type: drawing
Materials: chalk, paper
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Inscriptions: annotation: ‘strijd tuschen M.Valerius Corvinus en een Gallier’

Voorstudie voor gevallen Galliër op recto.
Card 767, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,profiles,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 2), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Saucer
Object type: saucer
Date: 1801 – 1850
Materials: enamel, porcelain, silver
Techniques: engraving, overglaze, painting, polychrome
Culture: chinese
Dismayed with her legacy, from 'News of the day,' published in Le Charivari, January 11, 1871
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: corpses,women
Arcadian Landscape
Object type: drawing
Materials: ink
Techniques: brush, wash
Artist: johannes glauber
Artist role: draughtsman, painter, print maker
Artist nationality: dutch
Artist dates: 1646 – 1726
Subjects: monuments,men,landscapes
Gezicht op de vijver richting de colonnade in de tuin van Huis ter Meer te Maarssen
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: etching
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: garden fountain, french or architectonic garden; formal garden, country-house
Inscriptions: collector's mark: Lugt 2228

Gezicht op de vijver richting de colonnade in de Franse tuin van Huis ter Meer. Op de voorgrond staan twee groepjes converserende figuren. De prent maakt deel uit van een serie met 26 gezichten op Huis ter Meer en het bijbehorende landgoed te Maarssen.
Pijpsleutel
Object type: pipe key
Date: 1500 – 1600
Materials: iron

Pijpsleutel met cirkelvormige greep, gevuld met resten van traceerwerk. Hij wordt bekroond door een dwarsgesteld oog. Beschadigd.
Havengezicht met een uitkijktoren
Object type: print
Date: 1624 – 1652
Materials: paper
Techniques: engraving, etching
Location: antwerp
Artist: bonaventura peeters (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1614 – 1652
Subjects: pier, quay, wharf
Inscriptions: collector's mark: Lugt 2228
Gezelschap aan een banket
Object type: book illustration
Date: 1702 – 1767
Materials: paper
Techniques: etching
Artist: jacob folkema
Artist role: draughtsman, print maker
Artist dates: 1692 – 1767
Subjects: fainting, swooning, celebration meal, feast, banquet
Inscriptions: collector's mark: Lugt 240

In een rijk gedecoreerde zaal zit een gezelschap aan een feestelijk banket. Op een grote schaal wordt een pauw opgediend. Een geestelijke ontfermt zich op de voorgrond over een onwel geworden vrouw. Rechts schieten twee mannen te hulp. Prent rechtsboven gemerkt: Tom. i. pag. 302.
Portret van Franciscus Redenaschus op 47-jarige leeftijd
Object type: print
Date: 1620 – 1687
Materials: paper
Techniques: engraving, etching
Location: france
Artist: françois collignon
Artist role: print maker, publisher
Artist dates: 1610 – 1687
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Snuffbox
Object type: snuffbox
Date: 1753 – 1754
Materials: enamel, gold, lacquer
Artist: jean ducrollay
Artist role: maker
Artist dates: 1709 – 1760
Subjects: animals,cranes

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer. Ducrollay was among the first of the Parisian goldsmiths to make use of Japanese lacquer, which he bought from the marchands-merciers or retailers of luxury goods. The trade in Oriental lacquer was in the hands of these middlemen of taste; prevented by guild regulations from manufacturing works of art themselves, they successfully marketed some of their goods by promoting, and probably inventing, the tabatière à cage, which, like this example, consisted of a gold frame into which panels of lacquer or other exotic material could be inserted. On this box lacquer panels with figures must have been cut from small panels of boxes or chests. Ducrollay probably obtained them from the marchand-bijoutier Lazare Duvaux from whom he purchased lacquer on several occasions between 1751 and 1755.
Profeet in de wildernis
Object type: persian miniature
Date: 1500 – 1800
Materials: paper
Techniques: brush
Location: iran
Artist: Anonymous
Inscriptions: inscription
De waanzin
Object type: print
Date: 1554 – 1554
Materials: paper
Techniques: engraving
Location: low countries
Subjects: emotional illness, derangement, madness, (almost) naked ~ ascetic life
Inscriptions: collector's mark: Lugt 240

Rotslandschap met drie figuren. Halfnaakte man met handen in haar, vrouw met ontbloot bovenlichaam slapend en man met kan in rechterhand.
Panel
Object type: panel
Date: 501 – 700
Materials: silk, wool
Techniques: embroidery
Location: egypt
Brown Thrasher, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Song Birds of the World" series (N23), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Manchet van kloskant met sikkelvormige blad- en bloemtakken
Object type: womenswear
Date: 1830 – 1865
Materials: linen, silk
Techniques: lace
Location: amsterdam
Artist: Anonymous

Manchet van naturelkleurige tule met daaronder een rand kloskant: Mechelse kant. De tule is onversierd en iets donkerder van tint dan de Mechelse kant die aan de tule is genaaid. Trapezium vormig klokkend model. Het zich herhalende patroon van de Mechelse kant bestaat uit halfronde schulpen, gevormd door fijne bladeren die aan de buitenzijde van een gebogen rocaille-motief staan. Aan de binnenzijde gevederde lange bladeren en een groepje van zes rozetbloempjes of vergeet-mij-nietjes. Op het veld daarboven gestrooide bloesems. De motieven zijn gemaakt in linnenslag en worden geaccentueerd door dikkere glimmende contourdraden. De motieven zijn met elkaar verbonden door een Mechelse grond. In de bladeren is een versiering met stipjes gemaakt in vormslag. Het kant is gemaakt in België, de manchetten zijn gemaakt in Nederland.
Brief aan Philip Zilcken
Object type: letter
Date: 1900 – 1900
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: geo poggenbeek
Artist role: draughtsman, painter, print maker
Artist dates: 1853 – 1903
Subjects: hermanus gijsbertus tersteeg, the hague, painter, draughtsman, philip zilcken, photography, cinematography, the graphic arts, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: ‘RPK’
Christiaan Andriessen komt laat thuis en een vrouw wenst hem een goede nacht
Object type: drawing
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: coffee-pot, interior of the house, living-room, parlour, sitting-room
Inscriptions: inscription: ‘J Andriessen’, inscription: ‘Nu als je niets meer wil hebben wensch ik je goede nacht’

Dagboekblad uit het getekende dagboek dat Christiaan Andriessen bijhield van 1805 tot en met 1808.
Shawl Dance, from National Dances (N225, Type 1) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,dancing

Trade cards from the series "National Dances" (N225), issued in 1889 to promote Kinney Brothers Cigarettes for Kinney Tobacco Company. There were two card variations issued within the series. Type 1 cards display a white border around the edges whereas Type 2 have no border.
Figuren in Oosterse kleding bij een tentenkamp
Object type: print
Date: 1841 – 1874
Materials: paper
Techniques: engraving
Location: the hague
Subjects: head-gear: turban, human races, peoples and nationalities (other than prehistoric or extinct), tent-camp
Inscriptions: collector's mark: Lugt 2166
Aurora
Object type: print
Date: 1750 – 1816
Materials: paper
Techniques: engraving, etching
Subjects: triumph of aurora: in her chariot drawn by two (sometimes four) horses, and possibly scattering flowers; aurora's victory over the night; 'carro dell'aurora' (ripa)

Ingeplakte prent naar de fresco van Aurora. Onderdeel van het tweede van twee albums met ingeplakte prenten en tekeningen te dienen als tekenvoorbeelden.
Poem on Lanzhou
Object type: folding fan mounted a an album leaf
Date: 1551 – 1612
Materials: gold, ink, paper
Culture: chinese
Artist: xing tong
Artist role: artist
Artist nationality: chinese
Artist dates: 1551 – 1612
Eene hertenjagt
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: gijsbertus craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1810 – 1895
Subjects: stag-hunting
Inscriptions: : ‘Déposé’, collector's mark: Lugt 2228

Een hert wordt op de hielen gezeten door een groep honden. Een hond rolt over de grond terwijl een andere vlakbij komt. Verderop in het landschap rennen de jagers. Deze prent werd gemaakt naar een schilderij van Paul de Vos en Jan Wildens in het Mauritshuis in Den Haag.