deem-data/ArtiFact huggingface dataset:
White-tailed eagle
Object type: drawing
Date: 1596 – 1610
Materials: paint, paper, pencil, watercolor
Techniques: brush
Subjects: predatory birds: white-tailed eagle

Zeearend. Genummerd rechtsboven: 1. Onderdeel van het eerste album met tekeningen van vogels. Derde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Angel Leading Saint Peter out of Prison (?)
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, pen, drawing, wash
Artist: anonymous, spanish, school of seville, 17th century
Artist role: artist
Artist nationality: spanish
Artist dates: 1600 – 1700
Subjects: angels,saint peter
Portret van Louise Henriëtte, prinses van Oranje
Object type: print
Date: 1635 – 1699
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: Anonymous
Subjects: louise henriëtte (prinses van oranje)
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Shawl
Object type: shawl
Date: 1834 – 1866
Materials: wool
Techniques: embroidery
Location: india
Scene of Pillage, plate four from The Miseries of War
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

Inscribed: These brutal courageous ones hide their thefts at hostelries with the honored name of booty. Enemies of repose, they purposely pick quarrels to avoid paying the host, and seize even the mugs. Thus they take a fancy to other people’s property when they have been made drunk and served as they desired.
Drie mannen bij een geldkist
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: picture, painting, money-chest, treasure-chest, money-box
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Luyken, Jan. Het leerzaam huisraad, vertoond in vyftig konstige figuuren, met godlyke spreuken en stichtelyke verzen: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1711, p. 26.
Fan
Object type: fan
Date: 1751 – 1775
Materials: gold, ivory, paper, silver
Subjects: men,women,banquets
Theurerdanck's Ship Endangered by Hail and Storm, from Theuerdanck
Object type: print
Date: 1517 – 1517
Techniques: woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: men,women,storms,ships
Gezicht op Mende
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: charles pestre
Artist role: fotograaf
Artist dates: 1844 – 1928
Subjects: city-view in general; 'veduta', church (exterior)
Inscriptions: annotation: ‘Ville de Mende?’, inscription: ‘Ch. Pestre/ Artiste Médaille/ Photographe/ a Mende’
Two sparrows
Date: 1701 – 1800
Materials: ink, paper
Techniques: painting
Location: japan
Artist: nagasawa rosetsu 長澤蘆雪
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1799
Gezicht op Kruisstraat 51 te Haarlem
Object type: photograph
Date: 1906 – 1906
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: kruisstraat
Subjects: façade (of house or building), civic architecture; edifices; dwellings, street
Inscriptions: annotation: ‘Haarlem. Houtstraat 51 (N.H.)/ Oct: 1906’, annotation: ‘Houtstraat (?) 51/ Haarlem’
Journal des Dames et des Modes, Costume Parisien, 15 mai 1824, (2236): Chapeau de paille d'Itali (...)
Object type: fashion print
Date: 1824 – 1824
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: monocle, single lorgnette (+ female (human being) (not to be used where -aa- is prescribed)), clothing for the upper part of the body (spencer) (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), neck-gear ~ clothing (+ women's clothes), bracelet, wristlet (+ women's clothes), parasol, sunshade (+ women's clothes)
Inscriptions: caption: ‘Chapeau de paille d'Italie. Spencer de gros de Naples. Robe d'organdy brodée en coton.’, title: ‘Costume Parisien.’

Staande vrouw in een spencer van 'gros de Naples' op een japon van organdie geborduurd met katoen. Op het hoofd een hoed van 'paille d'Italie'. Verdere accessoires: handschoenen, lorgnet met koord, armband om de rechterpols, parasol, schoen met vierkante neus. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Glass perfume bottle
Object type: perfume bottle with content
Date: 101 – 300
Materials: glass
Culture: roman

Translucent pale blue green. Thick, rounded rim, folded out, over, and in, smoothed into fairly broad collar to mouth; tall, cylindrical neck, tooled in around base; elongated piriform body; pushed-in bottom with kick and slight trace of pontil scar. Intact; elongated and large bubbles; slight dulling, lime encrustation on exterior and inside mouth. The neck is blocked up with stones and earth, leaving deep brown-colored contents sealed in body, partially solidified and partially still liquid.
Prayer for the Flowering of the Rods
Object type: drawing and watercolor
Materials: ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: italy
Artist: after giotto
Karel de Grote
Object type: print
Date: 1632 – 1657
Materials: paper
Techniques: engraving
Location: paris
Subjects: charlemagne (holy roman emperor), historical persons, the holy roman emperor charlemagne; possible attributes: crown, model of church, orb, sceptre, sword
Inscriptions: collector's mark: Lugt 240
Plate 5: two horsemen in a stream to right, riding towards the left, following four dogs chasing a stag, another dog running into the water from the left, from 'Various landscapes' (Divers paysages)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: hunting,deer,dogs,horses
Kaart van Zeeland (eerste deel)
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: triton(s), maps of separate countries or regions, coat of arms (as symbol of the state, etc.) (+ province; provincial), ichthyocentaur, centaurotriton, sea-centaur, zeeland
Inscriptions: collector's mark: Lugt 19

Eerste deel van een kaart van Zeeland, bestaande uit negen delen. Rechtsonder genummerd: 1.
State Halberd
Object type: arm
Date: 1609 – 1609
Materials: brass, steel, velvet, wood
Techniques: weave
Culture: german
Location: saxony
Vase with magic fungus (lingzhi)
Object type: vase
Date: 1736 – 1795
Materials: jasper
Culture: chinese
Blad van zilver, ovaal met brede platte rand met gedreven bloem- en bladranken. Op het licht gewelfde plat een vruchtenmand geflankeerd door twee vogels.
Object type: blad
Date: 1700 – 1750
Materials: silver
Location: malta
Artist: Anonymous

Ovaal blad van zilver. Het blad heeft een brede platte rand versierd met gedreven bloem- en bladranken. Op het licht gewelfde plat is een vruchtenmand weergegeven geflankeerd door 2 vogels.
Stoel van vlechtwerk, met geometrische motieven
Object type: miniature
Date: 1800 – 1899
Materials: wood
Location: england
Artist: Anonymous

Stoel vervaardigd van gebogen, en op houten pennetjes geregen staafjes Kleine lisdodde. De rugleuning met geometrische motieven. De poten onderling verbonden met dwarsregels. De zitting is vervaardigd van 5 in de breedte bevestigde gehalveerde stengels.
Sweater
Object type: sweater
Date: 1880 – 1889
Materials: silk, wood
Culture: american
Chair
Object type: chair
Date: 1634 – 1666
Materials: wood
The Holy Family with Saint Elizabeth and the Infant Saint John
Object type: drawing
Date: 1513 – 1513
Materials: ink, paper
Techniques: brush, highlighting, pen
Artist: albrecht altdorfer
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1538
Subjects: holy family,saint john the baptist,saints

Chiaroscuro drawings first appeared in Germany before the middle of the fifteenth century, and gained increasing popularity into the sixteenth century. This example has been variously given to Albrecht Altdorfer, to his school, to the circle of Baldung, or to the young Lucas Cranach (1472-1553). The style of draftsmanship recalls drawings from the region of the Upper Rhine, especially Switzerland. A comparison with the work of Albrecht Altdorfer (ca. 1480-1538) has led to the suggestion that the unknown draftsman worked after an original by Altdorfer from about 1513-15.
Terracotta lekythos (oil flask)
Object type: lekythos
Date: 500 – 500
Materials: terracotta
Culture: greek, attic
Subjects: animals,herakles

Herakles with the Delphic tripod The subject of Herakles and the tripod that he stole from the temple of Apollo at Delphi was particularly popular at the end of the sixth century B.C. Even when the hero was depicted without his adversary, the subject was evident.
Terracotta vase in the form of a bull
Object type: vase in the form of a bull
Date: 1450 – 1200
Materials: terracotta
Culture: cypriot
Autocoureur De Burkheim, deelnemer aan de Course du Mille, een race voor automobielen in Nice
Object type: photograph
Date: 1899 – 1899
Materials: paper, photographic support
Techniques: gelatin silver print
Location: nice
Artist: delizy
Artist role: manufacturer
Subjects: motorcar racing, automobile

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Alez
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: maps of cities

Prent uit: Tassin, Christophe. Les plans et profils de toutes les principales villes et lieux considérables de France (...). Parijs: Michel van Lochom, 1638, prent nummer 32 in het deel 'Languedoc'.
Flying dustmen
Object type: photomechanical print
Date: 1871 – 1881
Materials: paper
Techniques: woodburytype
Location: london
Subjects: street sweeping, street sweeper, (farm) wagon, freight wagon, cart
Inscriptions: number: ‘Plate 18.’
Museo Cerralbo. Madrid. La conversión de San Pablo. Réplica invertida de un cuadro de Rubens
Object type: reproduction
Date: 1924 – 1930
Materials: cardboard
Techniques: photograph
Location: madrid
Subjects: permanent exhibition, museum, picture, painting

Prentbriefkaart maakt deel uit van een album.
Violin
Object type: musical instrument
Date: 1692 – 1692
Materials: wood
Location: amsterdam
Artist: hendrik jacobs
Artist role: musical instrument maker
Inscriptions: date

Viool met dubbele zwarte randen ingelegd, etiket: HENDRIK JACOBS ME/ FECIT IN AMSTERDAM 1692.
Ugolino and his Children
Object type: sculpture
Date: 1863 – 1865
Materials: bronze, copper alloy, metal
Techniques: casting, modeling, carved
Location: france
Artist: jean baptiste carpeaux
Artist role: draughtsman, print maker, sculptor
Artist nationality: french
Artist dates: 1827 – 1875
Subjects: fathers, sculpture, prisoners, prison, nudes, man, families, death, children, bronze (color), boys
Model of a Windsail
Object type: demonstration model
Date: 1850 – 1870
Materials: brass, copper, fiber, textile, wood
Location: netherlands
Artist: Anonymous

Model van een koelzeil. De vijf hoepels zijn van hout met touw omwonden. Het bovenste stuk tussen de eerste twee hoepels bestaat uit een vier stukken doek in een kruis aan elkaar genaaid; zo ontstaan vier openingen, één voor iedere windrichting. Het onderste deel is een doeken ventilatieschacht verstevigd met hoepels. Schaal 1:10 (volgens Obreen).
Collection of Feathers. Adcock and Co
Object type: page
Date: 1851 – 1851
Materials: photographic support
Techniques: salted paper print
Location: crystal palace
Subjects: shop-window, show-window
Tureen with cover (part of a service)
Object type: tureen with cover
Date: 1785 – 1800
Materials: hard paste porcelain
20-mark piece, Frederick I, German Emperor, 1888
Object type: mark
Date: 1888 – 1888
Materials: gold
Subjects: men,profiles,coins,coat of arms
High-Backed Chair
Object type: chair
Date: 1401 – 1500
Materials: wood
Culture: french or south netherlandish
Tea Caddy (Cha-ire)
Object type: decorative art
Date: 1801 – 1900
Materials: ivory, stoneware
Techniques: glazing
Location: mishima
Subjects: tea
Dagger with Sheath
Object type: dagger with sheath
Date: 1767 – 1833
Materials: copper alloy, enamel, glass, gold, steel
Culture: iranian
Location: iran

Brilliant colors and lush floral patterns are typical of Qajar painted enamels. While here opaque pink, blue, and white predominate, the background color is a deep translucent green applied to a shimmering gold ground. The artist has signed his work on the back of the scabbard, Mahmud.
Coin purse
Object type: coin purse
Date: 1800 – 1820
Materials: glass, metal, silk
Culture: mexican
Subjects: landscapes

This coin purse, with its informed execution of conventionalized imagery is initialed "A..J." by the maker. The small figure on the reverse is rendered in just sixteen beads; its depiction, and that of the gazebo, is particularly charming. The purse is part of the Mexican beadwork collection of over 600 pieces assembled by Elizabeth Morrow (1873-1955), mother of writer Anne Morrow Lindbergh, the wife of renowned aviator Charles Lindbergh. Morrow collected the objects between 1927 and 1930, when her husband, Dwight Morrow, Sr., served as U.S. ambassador to Mexico. She lent the collection to the Brooklyn Museum in 1938 and upon her death, her children donated it. A collection of 155 pieces of Mexican ceramics and other decorative arts were given to Amherst College, her husband's alma mater. Mrs. Morrow collected Mexican beadwork, along with other examples of colonial and native arts, to decorate their country home in Cuernavaca in order to promote a more peaceful image of that country through its works. The Morrows sought to overturn the perception of post-revolutionary Mexico as a violent and unstable nation by highlighting the richness and diversity of its colonial, folk, and contemporary art. Glass beads were originally imported to New Spain (Mexico) from Italian and Asian sources via Spanish colonial trade routes. By the early part of the nineteenth century, Spain had suffered the loss of almost all of its colonies and with the succeeding establishment of free trade British ships undertook the importation of beads to Mexico. Many of the design influences on the bags and cases in the collection came from Europe; patterns for beadwork designs came from contemporary fashion publications such as "La Dama Elegante."
Closed Burgonet
Object type: closed burgonet
Materials: gold, leather, steel
Culture: french
Location: france

Helmets with a faceted bowl surmounted by a pointed comb are characteristic of French examples worn during the reign of Louis XIII (1610–43). The somber dark steel surfaces are relieved by traces of original gilding on the plume-holder at the back, the baluster-shaped finial at the apex, and the unusual baluster rivet heads on the buffe and collar. The helmet's large size and unusual type of falling buffe with slotted sights are noteworthy. (The bottom collar lame at the front and back is a modern restoration.)
Vrije rijksstad Frankfurt am Main, gedenkthaler, 1863
Object type: herdenkingstaler
Date: 1863 – 1863
Materials: silver
Techniques: striking
Location: frankfurt am main

Zilveren munt. Voorzijde: gekroonde enkelkoppige adelaar. Waarde-aanduiding EIN GEDENKTHALER in omschrift. Keerzijde: stadsgezicht met op de voorgrond zich verzamelende vorsten ter gelegenheid van de Fürstentag. In omschrift jaartal. Randschrift.
Twee pelgrims bij een vijver
Object type: print
Date: 1603 – 1652
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: pilgrim(s), lake
Inscriptions: collector's mark: Lugt 964

Twee pelgrims aan de rand van een meer, waarvan een op de rug gezien. Op de achtergrond twee figuren met manden op hun rug. Derde prent uit een serie van zes.
Portret van Ma Tobben
Object type: carte de visite
Date: 1900 – 1910
Materials: paper, cardboard
Techniques: gelatin silver print
Location: hoorn
Artist: johannes laurens theodorus huijsen
Artist role: fotograaf
Artist dates: 1852 – 1910
Subjects: adult woman, historical persons, hoorn (north holland)
Inscriptions: inscription: ‘De plaat blijft ter/ nabestelling bewaard.’, address: ‘HOORN/ Ramen 17.’
George Hill
Object type: photomechanical print
Date: 1869 – 1869
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Fragment of Dish
Object type: ceramic fragment
Date: 1101 – 1300
Materials: earthenware, glaze
Techniques: painting, underglaze
Location: egypt or syria

This earthenware fragment, attributed to Syria or Egypt, was slipped and painted in dark brown to create a triangular medallion at the center of the vessel before it was coated with a transparent colorless glaze. Such underglaze painting traditions in Syria were crucial to the development of the signature underglaze-painted stonepaste wares of the 12th century onwards. The fragment came to the Museum as early as 1913, before the establishment of a dedicated department of Islamic Art.
Liber Chronicarum
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: pope
Inscriptions: inscription: ‘143’

Een bloemkelk met een paus. Hij draagt een tiara en heeft een staf met dubbel kruis in zijn handen. De voorstelling is onderdeel van de opeenvolging pausen in de Liber Chronicarum. De tekst identificeert de man als Celestinus V. De prent maakt deel uit van een album.
Portret van Hugo de Groot op 48-jarige leeftijd
Object type: print
Date: 1631 – 1631
Materials: paper
Techniques: engraving
Subjects: delft, hugo de groot, historical persons, portrait of a writer
Inscriptions: date

Tekst in het Nederlands in de ondermarge.
Annunciation to the Shepherds
Object type: painting
Date: 1595 – 1603
Materials: canvas, oil
Artist: joachim wtewael
Artist role: draughtsman, painter
Artist dates: 1566 – 1638
Subjects: annunciation of christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air
Inscriptions: signature: ‘Jo. Wtenwael fe’

In keeping with the biblical account, the night sky bursts open and the ‘splendour of the Lord' shines on the shepherds, some of whom are still asleep. An angel announces the birth of Jesus. The supernatural light is so bright that some of the figures have to shield their eyes. The contorted limbs and poses are typical of Mannerism, the style in which Wtewael excelled.
Firenze. Palazzo Pitti
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: florence
Subjects: square, place, circus, etc., palace
Portret van Johann Casimir Saksen-Coburg
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: historical persons, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2228
Portret van een baby in een jurk op een fauteuil
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, clothes covering the entire body, infant, baby ~ the ages of man

Onderdeel van Fotoalbum van een Nederlandse familie met 168 cartes-de-visite en kabinetfoto's.
Studie van een gans en een eend
Object type: print
Date: 1865 – 1878
Materials: paper
Techniques: lithograph
Location: new york city
Subjects: water-birds: goose, water-birds: duck
Inscriptions: check stamp: Lugt 4777, collector's mark: Lugt 2228a
Figuur op een landweg nabij Goor
Object type: sketchbook leaf
Date: 1887 – 1891
Materials: paper, pencil
Location: overijssel
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: road, path
Inscriptions: workshop stamp: Lugt 291d, annotation: ‘Op de weg naar Goor/ [...] zandweg’

Pagina 110 uit een schetsboek met 83 bladen.
The Martyrdom of the Ten Thousand
Object type: print
Date: 1496 – 1496
Materials: ink, paper
Techniques: woodcut
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Gezicht op de Gasthuiskerk
Object type: drawing
Date: 1768 – 1768
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: alms-house (dutch: 'hofje'), city-view in general; 'veduta', church (exterior)
Inscriptions: inscription: ‘30.41A’, signature, date and inscription: ‘de gasthuijs kerk van het gasthuijs hofje te zien. 1768. / RVinkeles delin 1768.’, inscription: ‘De Gasthuiskerk, te (...) R. Vinkeles 1768.-’

Onderwerpsrubriek binnen de Atlas Amsterdam: Gasthuiskerk.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: gold alloy, gold, silver
Culture: japanese
Location: japan
Subjects: gourds
Gezicht op het Diaconieweeshuis te Amsterdam
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: orphanage, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Prent maakt deel uit van een compositie gedrukt van meerdere platen, met naast een gezicht op het Diaconieweeshuis te Amsterdam ook een gezicht op Amsterdam (zie KOG-AA-1-1-46B), een gezicht op de haven van Amsterdam (zie KOG-AA-1-1-46A), een gezicht op het Aalmoezeniersweeshuis te Amsterdam en een gezicht op het Prinsenhof te Amsterdam.
Cuneiform tablet: commentary on Enuma Anu Enlil, tablet 5
Object type: cuneiform tablet
Date: 333 – 1
Materials: clay
Location: mesopotamia
Russische boer en boerin
Object type: album leaf
Date: 1904 – 1905
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: farmers, farmers - aa - female farmer, farmer's wife
Inscriptions: inscription: ‘No. 2./ Jonge boer en boerin’
Gezicht op Napels
Object type: stereograph
Date: 1868 – 1868
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: city-view in general; 'veduta', naples
Inscriptions: number: ‘50.’
Box in the Form of a Fish
Object type: metalwork
Date: 1834 – 1866
Materials: glass, silver, silver gilt
Location: netherlands
Fragment
Object type: textile
Date: 1867 – 1900
Materials: silk
Techniques: jacquard, patterning, weave, satin weave
Location: france
Portret van een zittende vrouw met kind op schoot
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: stockholm
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, toddler (female)
Inscriptions: inscription: ‘ATELIER GÖTA/ Götgatan 71./ STOCKHOLM.’
Figuren halen een kamer met haard leeg
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: moving (house), bankruptcy, hearth and stove
Inscriptions: inscription: ‘[...] Amsterd’, collector's mark: Lugt 2228

Een kamer wordt leeggehaald, mogelijk vanwege een verhuizing of faillissement.
Piece
Object type: piece
Date: 1735 – 1735
Materials: silk
Subjects: birds,fountains,flowers
Admission Ticket for Fonthill Abbey
Object type: print
Date: 1823 – 1823
Techniques: engraving
Artist: thomas stedman whitwell
Artist role: artist
Artist nationality: british
Artist dates: 1784 – 1840