deem-data/ArtiFact huggingface dataset:
God scheidt het licht van de duisternis
Object type: print
Date: 1607 – 1607
Materials: paper
Techniques: etching
Location: vatican city
Subjects: division of light and darkness
Inscriptions: collector's mark: Lugt 11, collector's mark: ‘Hinloopen’, number: ‘49’

Op een blad geplakt met rechtsboven handgeschreven in pen in bruin: 169. Prent uit een reeks van 54 genummerde prenten naar schilderingen in de Loggia van Rafael in het Vaticaan.
Candlestick in the form of a male dozing figure (one of a pair)
Object type: candlestick
Date: 1750 – 1759
Materials: soft paste porcelain
Artist: saint james's factory
Artist role: maker
Artist nationality: british
Artist dates: 1749 – 1759
Subjects: women
Verovering van de Kattenburgerbrug, 1787
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: cornelis brouwer
Artist role: print maker
Artist dates: 1731 – 1803
Subjects: battle (+ citizen soldiery, civil guard, citizen militia)
Inscriptions: collector's mark: Lugt 2228

De verovering van de Kattenburgerbrug naar het eiland Kattenburg op de opstandige Oranjegezinden door de gewapende Amsterdamse burgers, 30 mei 1787.
Fork
Object type: fork
Date: 1701 – 1800
Materials: leather, silver, steel, wood
Portret van Johan Pieter Bourjé
Object type: drawing
Date: 1800 – 1819
Materials: chalk, paper
Artist: pieter gaal
Artist role: draughtsman, print maker
Artist dates: 1769 – 1819
Subjects: johan pieter bourjé, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Prins Bernhard
Object type: album leaf
Materials: paper, plastic
Techniques: photography
Location: amsterdam
Artist: Anonymous
Subjects: utrecht, bernhard (prins der nederlanden), tonny van renterghem, fritz kahlenberg, underground movement, partisans, netherlands

Prins Bernhard, in militair uniform in gesprek met een van de leiders van het verzet, Kolonel Overhof. Om zijn arm de mouwband van de NBS en de band met CD = Command Dutch Forces.
Baan van Venus voor de zon, 6 juni 1761
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: sun as celestial body, venus (planet)
Inscriptions: collector's mark: Lugt 2228

Astronomische voorstelling van de baan die de planeet Venus zal volgen als deze op de morgen van 6 juni 1761 voor de zon passeert, berekend door professor Nicolaas Ypey volgens de tabellen van de sterrenkundige Halley. De Romeinse cijfers geven het uur van de dag aan.
Portret van Wilhelmina Gerarda Hoogendijk en haar kinderen Ad en Johanna van der Kop in een tuin
Object type: photograph
Date: 1902 – 1902
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: schoonhoven
Artist: willem carel van der kop
Artist role: amateurfotograaf
Artist dates: 1869 – 1924
Subjects: sculptor, adrianus johannes van der kop (ad), mother and child(ren), woman and child(ren) (family group), backyard
May the Hand of Providence Strew Flowers on the Path of Your Life (valentine)
Object type: drawing and watercolor
Date: 1795 – 1795
Materials: ink, paper
Techniques: collage, pen
Location: germany
Artist: carolina amalia schutler
Artist nationality: german
Artist dates: 1700 – 1799
Poem by Fujiwara no Michinobu Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Object type: woodblock print
Date: 1839 – 1839
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: human figures,men,landscapes,working
Apollo bewaakt de kudde van Admetus
Object type: print
Date: 1510 – 1527
Materials: paper
Techniques: engraving
Location: italy
Artist: marcantonio raimondi
Artist role: print maker
Artist dates: 1470 – 1534
Subjects: apollo tends admetus' flock as penalty for having slain the cyclopes
Inscriptions: collector's mark: Lugt 12

Prent uit serie van acht prenten met mythologische voorstellingen naar oude bas-reliëfs. Enkele prenten uit de serie zijn toeschreven aan Marco Dente. In de collectie van het RMA bevinden zich twee verschillende staten van deze prent.
Heimkehr beim Anzug des Gewitters
Object type: photograph
Date: 1871 – 1872
Materials: photographic support
Techniques: albumen print
Location: berlin
Subjects: adolescent, young woman, maiden, youth, adolescent, couple of lovers, storm on land

Onderdeel van Album met fotoreproducties van schilderijen van A.G. von Ramberg naar het werk 'Hermann und Dorothea' van J.W. von Goethe.
Het echtpaar Letterie in de tuin van hun woning in Mojosari in Indië
Object type: photograph
Date: 1913 – 1913
Materials: photographic support
Techniques: photography
Location: mojosari
Artist: Anonymous
Subjects: letterie, mojosari

Het echtpaar Letterie in de tuin van hun woning in Mojosari in Indië. Echtpaar is aan de thee en leest de krant 'de Locomotief'.
Wagon and Poultry
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: henry stacy marks
Artist role: artist
Artist nationality: english
Artist dates: 1829 – 1898
Ponte sobre a ribeira da Matolla antes das reparações-K. 26,700
Object type: photograph
Date: 1886 – 1895
Materials: photographic support
Techniques: albumen print
Location: lisbon
Subjects: landscape with bridge, viaduct or aqueduct
Inscriptions: number: ‘2’
Thimble
Object type: thimble
Date: 1577 – 1577
Materials: enamel, gilt, silver
Subjects: animals,coat of arms
HACHE EN SILEX. 1/2 nature
Object type: photomechanical print
Date: 1860 – 1869
Materials: paper
Techniques: photolithography
Location: france
Subjects: animals (+ skeleton of an animal), palaeontology, france
Inscriptions: number: ‘Pl. 71’, inscription: ‘Ville de Paris Ateliers photo & photo-litho. E. Lacan dir. Procédé spécial photo-litho A. Bilordeaux’

Voor plek prent in boek: zie nummer onder 'Opschriften / Merken'.
Square Box Wagon #577
Object type: drawing
Date: 1865 – 1865
Materials: ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
De re militari
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: attack ~ siege, counter-attack from a fortification ~ siege
Inscriptions: collector's mark: Lugt 2227, collector's mark: Lugt 2228

Titelpagina voor: Publius Flavius Vegetius Renatus, De re militari, Joannes Maire (uitgever), Leiden 1645
Box for Personal Accessories (Tebako) with Shells and Seaweed Design
Object type: box
Date: 1601 – 1700
Materials: gold, lacquer, wood
Techniques: hiramakie, lacquer
Culture: japanese
Subjects: shells

Boxes of this shape were used as early as the twelfth century to hold personal accessories such as combs. From the seventeenth century onward, groups of such boxes were part of the extensive sets of lacquered furnishings found in the trousseaus of the elite and of the expanding merchant class.
The Actor Ichikawa Danjuro V as Ogata no Sabura (?) in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770
Object type: print
Date: 1772 – 1772
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Bit Boss
Object type: bit bos
Date: 1567 – 1700
Materials: copper alloy, gold
Culture: german
Location: germany

The central part of this bit boss is decorated in low relief with a satyr's mask with two ribbons hanging out of his mouth. He is surrounded by two protomes of monsters with horned lion's heads. The rim, decorated with volutes and a wreath, is pierced for attaching it to the side of a horse bit.
Martinvs Pepyn pictor hvmanarvm figvrarvm Antverpiae
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Subjects: artist, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240

Prent naar schilderij van Anthony van Dyck.
Scarab: Criosphinx and Ma’at with Name of Amun-Ra
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: sphinxes, goddesses, gods (deities), hieroglyphs, insects, ram
Border (Fragment)
Object type: textile
Date: 1750 – 1800
Materials: cotton, lace, linen
Techniques: lace
Location: belgium
Cope with attached Hood
Object type: textile
Date: 1725 – 1750
Materials: textile
Techniques: brocade
Location: france
Winter (L'Hyver)
Object type: print
Date: 1740 – 1760
Techniques: engraving, etching
Artist: antoine r. tronchon
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
The Early Ploughman, or The Morning Spread Upon the Mountains
Object type: print
Date: 1861 – 1861
Techniques: etching
Artist: samuel palmer
Artist role: artist
Artist nationality: british
Artist dates: 1805 – 1881
Subjects: animals,men,mountains,trees,working
The Garden of Charity
Object type: print
Date: 1631 – 1637
Techniques: etching
Artist: pietro testa
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1650
Throne room with a man in classical armor standing at center addressing a man seated on a throne at left; soldiers lined on either side of the room; set design from 'Il Fuoco Eterno'
Object type: print, fete, ornament architecture
Date: 1674 – 1674
Techniques: etching
Artist: mathäus küsel
Artist role: artist
Artist nationality: german
Artist dates: 1621 – 1682
Subjects: soldiers,men

One of twelve plates depicting the stage sets designed by Lodovico Burnacini for 'Il Fuoco Eterno Custodito Dalle Vestali', an opera celebrating the birth of Maria Anna Antonia, Archduchess of Austria in 1672. The Archduchess was the daughter of Emperor Leopold I and his second wife Claudia Felicitas, heiress of Tirol. Composed by Antonio Draghi with a libretto by Nicoló Minato, the opera was performed in the Hoftheater in Vienna on October 30, 1674.
Pan
Object type: pan
Date: 1835 – 1865
Materials: glass
Techniques: glassblowing
Culture: american
Location: united states
Artist: redwood glass company
Artist role: manufacturer
Artist nationality: american
Artist dates: 1828 – 1868
Portret van Ludolph Smids
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: amsterdam, ludolph smids, letter, envelope
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 567

De dichter, oudheidkundige en arts Ludolph Smids met in zijn hand een brief waarop twee medaillons waarin klassieke bustes. Achter hem een draperie en een gebouw.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, head and upper torso of filleted youth
Mary Macdowell
Object type: photograph
Date: 1880 – 1889
Techniques: platinum print
Artist: thomas eakins
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1916
Subjects: portraits,women
Woman at the Bath with a Hat Beside Her
Object type: print
Date: 1658 – 1658
Materials: ink, ivory, paper
Techniques: drypoint, etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Inscriptions: Signed and dated, in plate, upper left: "Rembrandt f. 1658"; inscribed verso lower center, in graphite: "B 199 III / H 297 II"
Graphica designatio arcus secularis
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: engraving, hand coloring
Location: antwerp
Subjects: infante van spanje isabella clara eugenia, brussels, albrecht aartshertog van oostenrijk, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', antwerp

Triomfpoort voor het Eeuwfeest, december 1599. Erepoort versierd met hoornen van overvloed, bovenop een obeslisk en allegorische figuren. Tijdens de intocht te Antwerpen. Onderdeel van: Historica narratio profectionis et inaugurationis serenissimorum Belgii principum Alberti et Isabellae Austriae archiducum, de beschrijving van de intochten van het paar te Brussel, Antwerpen, Gent en Valenciennes, 1599.
Stars in Cygnus
Object type: page
Date: 1889 – 1899
Materials: paper
Techniques: autotype
Subjects: stars and constellations
Metalen sculptuur van een ruiter te paard, lid familie Persico
Object type: page
Date: 1860 – 1885
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, sculpture
Sword with Scabbard
Object type: sword with scabbard
Date: 1701 – 1900
Materials: silver, steel, wood
Culture: chinese
Location: china
Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae
Object type: print
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: potiphar's wife catches joseph by his robe, usually while lying in bed; joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)

Jozef vlucht voor de vrouw van Potifar, die in bed ligt en hem probeert te verleiden. Zij grijpt zijn kleed vast. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Gen. 39:12. Deze prent maakt deel uit van een album.
Panel with Marine Deity
Object type: panel
Date: 1 – 100
Materials: stone
Culture: gandhara
Subjects: gandhara
Prijspenning van het Zeeuws Genootschap van Wetenschappen, afgieting in tin zonder inscriptie
Object type: history medal
Date: 1769 – 1769
Materials: tin
Techniques: striking
Artist: barend christiaan van calker
Artist role: medailleur
Artist dates: 1739 – 1813

Tinnen penning, op de voorzijde de zeven Vrije Kunsten op een rots in zee, met omschrift en afsnedetekst, op de keerzijde een lauwerkrans met bovenaan een opschrift, de inscriptieruimte is ruw afgewerkt en wat bol.
La Perspective Pratique. Seconde Edition. Part I, II, and III
Object type: book
Date: 1679 – 1679
Location: france
Artist: jean dubreuil
Artist role: author
Artist nationality: french
Artist dates: 1602 – 1670
Subjects: doors,interiors
Ontdekkingsreis van de Astrolabe
Object type: print
Date: 1830 – 1835
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: australian and oceanian races
Inscriptions: collector's mark: Lugt 2228

In 1830-1833 werd de publicatie 'Voyage de la corvette l'Astrolabe exécuté par ordre du roi, pendant les années 1826-1827-1828-1829 (...)' in zeventien delen uitgegeven door J. Tastu in Parijs. De auteur van dit verslag van een Franse expeditie met het schip 'l'Astrolabe' was J. Dumont d'Urville. De publicatie was verrijkt met illustraties van verschillende lithografen, naar ontwerp van Louis-Auguste de Sainson, die zelf had deelgenomen aan de expeditie.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Interior, part of the right calf and left calf and foot of a figure to right; Exterior, complete handle with part of the handle patch
Vioolspelende straatmuzikant
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: etching
Location: netherlands
Subjects: one person playing string instrument (bowed) - cc - out of doors, instrumental popular music
Inscriptions: collector's mark: Lugt 1641, stamp

Een straatmuzikant met een viool. Links van hem een jongen, rechts twee meisjes op klompen. De voorste met een stoof aan de arm en plankje of leitje met het alfabet. Op de achtergrond een koffie- en theewinkel. Onderdeel van een serie van acht prenten met als doel contrasten van het toenmalige werkelijke leven ca. 1800 met de beschaafde wereld (beau-monde) te tonen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Muziek en muziekinstrumenten: Strijk- en snaarinstrumenten.
Terracotta fragment of a pot; glazed on the inside
Object type: pot fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Unidentified subject; start of handle root
Planting Trees
Object type: drawing
Date: 1701 – 1800
Materials: gouache
Artist: anonymous, flemish, 18th century
Artist role: artist
Artist nationality: flemish
Artist dates: 1700 – 1800
Subjects: human figures,rivers,trees,working,boats
Beleg van Gorkum door de Pruisische Troepen den 17 Sepetember 1787
Object type: print
Date: 1787 – 1790
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: putting the enemy to flight - hh - being put to flight, fleeing (+ citizen soldiery, civil guard, citizen militia)
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Vorstelyke koninglyke en princelyke atlas, en dagboek van Nederlandsche gebeurtenissen, in de laatste jaaren voorgevallen. En oprecht vaderlandsch (...) A.B. boek. Amsterdam: Willem Coertse, [1790].
Marteling van de H. Agatha
Object type: print
Date: 1629 – 1684
Materials: paper
Techniques: engraving
Artist: gaspar huybrechts
Artist role: print maker, publisher
Artist dates: 1619 – 1684
Subjects: the breasts of st. agatha are cut or sheared off
Inscriptions: collector's mark: Lugt 2228

De heilige Agatha is aan een boom vastgebonden. Twee mannen snijden met grote scharen haar borsten af. Agatha kijkt naar een engel in de hemel die haar een palmtak komt brengen, het teken van het martelaarschap.
Axe Head
Object type: axe head
Date: 2000 – 2000
Materials: bronze
Culture: european
Location: italy
Medial moraine on the Ober Aletsch glacier
Object type: page
Date: 1850 – 1866
Materials: photographic support
Techniques: albumen print
Location: bern
Artist: ernest edwards
Artist role: fotograaf
Artist dates: 1837 – 1903
Subjects: glacier
Inscriptions: inscription: ‘To face page 57.’
Coin
Object type: coin
Date: 976 – 997
Materials: silver
Location: iran

This coin was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Fan
Object type: fan
Date: 1701 – 1800
Materials: ivory
Subjects: men,women,boats
KLM-personeel en handtekeningen
Object type: photograph
Date: 1949 – 1949
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: airborne traffic, aviation, director, boss (in modern industry), travelling; tourism

Albumblad met een compositiefoto van drie KLM-medewerkers, waaronder links Gijs Spit, en hun handtekeningen. Onderdeel van Herdenkingsalbum van de Indië-lijn van de KLM, deel II.
Portret van Giovanni Benedetto Castiglione
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: print maker, draughtsman, giovanni benedetto castiglione, historical persons, portrait, self-portrait of painter

Prent uit: Dézallier d'Argenville, Antoine Joseph. Abrégé de la vie des plus fameux peintres. 4 dln. Parijs: De Bure l'aîné, 1745, dl. 1, p. 379.
De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 1, p. 114.
Sir Edmund Halley (1656–1742)
Object type: medal
Date: 1744 – 1744
Materials: bronze
Artist: jacques-antoine dassier
Artist role: artist
Artist nationality: swiss
Artist dates: 1715 – 1759
Subjects: men,profiles
Dish with the Incredulity of St. Thomas
Object type: dish
Date: 1520 – 1520
Techniques: maiolica, glazing
Subjects: men,saints

The scene depicted on this dish is usually called the Incredulity of Saint Thomas, a frequently illustrated event from the Gospels in which Christ shows the wound in his side to Thomas, the doubting apostle, who is thereby convinced of his resurrection.
Bust of a Man in Profile to Left
Object type: drawing
Materials: chalk, paper
Techniques: heightening
Location: france
Artist: jacques gamelin
Artist role: artist
Artist nationality: french
Artist dates: 1738 – 1803
Subjects: men