deem-data/ArtiFact huggingface dataset:
Old Sarum
Object type: print
Date: 1830 – 1830
Techniques: printmaking, drypoint, mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: seascapes

In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Amulet
Object type: necklace, bead
Date: 1840 – 1870
Materials: antler, shell
Culture: tlingit or native american
Location: united states

The peoples of the Pacific Northwest share a shamanistic worldview. Shamans employ techniques such as fasting and dancing to enter altered states of consciousness, in which they have visions that guide them in healing or advising the community. They wear protective or spiritually charged pendants, such as this example, and sometimes give them to patients as powerful medicines. Here, we see two animal forms that may have been ancestral emblems of a particular shaman: a graceful diving whale and a raptor with outstretched wings. The color-shifting nature of the abalone shell reinforces the transformational composite beings that empowered the healer and the patient.
Antieke fibulae
Object type: print
Date: 1650 – 1700
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: fibula, safety pin
Inscriptions: collector's mark: Lugt 2228

Twee prenten op een blad met diverse antieke fibulae. Met naamsvermelding van Johannes Baptista Casalius, Francesco Angeloni, Henricus Ernstius, Al. Estius en Claudius Menetrius.
Cup with hedges, bamboo, prunus and hoo-bird
Object type: cup
Date: 1670 – 1690
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: japan
Artist: Anonymous

Kop van porselein, beschilderd op het glazuur in blauw, rood, groen, geel, zwart en goud met bamboe, prunus en nog een plant bij gebonden heggen, en een hoo-vogel. Bruine rand. Een chip in de rand. Kakiemon.
Hudibras beats Sidrophel and his man Whacum (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 8)
Object type: print
Date: 1725 – 1768
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: bats,skeletons,fear,men,owls,cats,crocodiles,scientists
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1882 – 1900
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: haarlem
Artist: johann pörtzgen
Artist role: fotograaf
Artist dates: 1857 – 
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘J. Pörtzgen/ HAARLEM/ Koningstraat 38./ De platen blijven bewaard./ TRAPP & MÜNCH, BERLIN. W.’
La fontaine de Nivezé proche du Tonnelet, a Spa / De fontein Nivezé by de Tonnelet, tot Spa
Object type: print
Date: 1734 – 1734
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view in general; 'veduta', mineral water

Deze serie prenten is gebruikt in: Pöllnitz, Charles-Louis. Amuseums des eaux de Spa. Ouvrage utile a ceux qui vont boire ces eaux minérales sur les lieux. 2 dln. Amsterdam: Pieter Mortier, 1734. In deze uitgave zijn de prenten echter gevouwen.
Mogelijk is deze serie een losse uitgave van de prenten. Er ontbreekt één prent die in het boek is opgenomen (nr. 4), waarop geen landschap is afgebeeld.
Golfmarmer in groen, rood en geel
Object type: marbled paper
Date: 1700 – 1850
Materials: paint, paper
Techniques: wave marble
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2760
A kangaroo
Object type: photomechanical print
Date: 1876 – 1886
Materials: paper
Techniques: photograph
Location: paris
Subjects: other mammals (with name), zoological garden, zoo, seen as place where non-domestic animals are kept
Inscriptions: inscription: ‘A female animal with the young one peering out from the pouch.’
Vase
Object type: vase
Date: 1550 – 1295
Materials: glass
Location: egypt
Portret van Prosper Drion
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: adrien de witte
Artist role: print maker
Artist dates: 1850 – 1935
Subjects: adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228
Portret van Peter Krukenberg
Object type: print
Date: 1808 – 1861
Materials: paper
Techniques: engraving
Artist: heinrich lödel
Artist role: print maker
Artist dates: 1798 – 1861
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Notities
Object type: sketchbook leaf
Date: 1879 – 1879
Materials: paper, pencil
Artist: theo hanrath
Artist role: draughtsman, painter
Artist dates: 1853 – 1883
Inscriptions: date and inscription: ‘[...] Woensdag 30 Sept [...]’

Blad 26 verso uit een schetsboek met 27 bladen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, toes of frontal foot
Gezicht op enkele huizen aan de Krom Boomssloot
Object type: photomechanical print
Date: 1870 – 1923
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: city-view in general; 'veduta', canal, the usual house or row of houses, bridge in city across river, canal, etc.
Inscriptions: collector's mark: ‘9-105’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kadijksplein, Karthuizerkerkhof, Kattegat, Kattenburg, Kapelsteeg O.Z., Enge Kerksteeg, Kerkstraat, Kinkerstraat, Kolk O.Z., Koningsplein, Kromboomsloot [Krom Boomssloot], Kostverlorenkade, Kwakersdwarspad, Kalverstraat, Keizersgracht (v.d. Brouwersgracht – Amstel), Klerensloot (Gedempte), Klimopstraat, Kloveniersburgwal, Kraansluis.
Vinaigrette
Object type: metalwork
Date: 1836 – 1837
Materials: silver, silver gilt
Location: birmingham
Artist: taylor and perry
Waiting for Calls on New Year's Day (from "Harper's Bazar," Vol. II)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: interiors,women
Meisje in de branding
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: edmond lambrichs
Artist role: print maker
Artist dates: 1830 – 1887
Subjects: in or beside the water (on the beach)
Inscriptions: collector's mark: Lugt 2228, annotation: ‘2 E’
Calling their reserve conscripts to the colors, from 'News of the day,' published in Le Charivari, August 31, 1870
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: suffering,infants,men,women
Houten gevelpartij van een huis te Lingen
Object type: drawing
Date: 1864 – 1864
Materials: paper, pencil
Artist: jan striening
Artist role: draughtsman
Artist dates: 1827 – 1903
Subjects: façade (of house or building)
Gezicht op Huis Honselaarsdijk
Object type: print
Date: 1695 – 1705
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: palace
Inscriptions: collector's mark: Lugt 2228

Een koets voorafgegaan door ruiters en mannen te voet rijdt over de oprijlaan naar Huis Honselaarsdijk. Prent uit een serie van 71 prenten met Rijnlandschappen, gezichten op vorstelijke paleizen en stadsgezichten uit Den Haag en Amsterdam.
Knife Razor
Object type: razor knife, dega
Date: 1550 – 1295
Materials: bronze, textile, copper alloy, stone
Location: egypt
Bowl with a putto on clouds
Object type: service set
Date: 1785 – 1785
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: the hague
Inscriptions: mark: ‘ooievaar’

Kom (spoelkom) van porselein, beschilderd op het glazuur in roze (camaïeu) en goud. Op de buik een putto op een wolk spelend op een trompet en aan de andere zijde twee vogels op een pijlenkoker op een wolk. Om de voorstellingen strooibloemen in goud. De binnenrand met een gedraaide band, waaraan guirlandes en bloemtakken hangen. Gouden lijn op de voet en gouden rand. Gemerkt op de onderzijde met de ooievaar.
Button
Object type: button
Date: 1775 – 1775
Materials: glass, ivory, metal
Culture: french
Subjects: girls
Wetenschappelijke staf
Object type: page
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Location: glauchau
Subjects: nijmegen, zeist, maurits snellen, h. ekama, historical persons
Duyfkens en Willemynkens pelgrimagie tot haren beminden binnen Iervsalem
Object type: print
Date: 1590 – 1627
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: wedding feast, wedding meal
Inscriptions: collector's mark: Lugt 2228

Prent uit: Boëtius Adamsz. Bolswert, Duyfkens en Willemynkens pelgrimagie tot haren beminden binnen Iervsalem. Haerlieder teghenspoet, belet en eynde, Antwerpen, Hendrick Aertssens, 1638. Op het verso staat een verklarende Nederlandse tekst bij de voorgaande illustratie in dit devotie boekje (vergelijk RP-P-BI-2215).
Torre di Conti e Santo Maria di retonde
Object type: print
Date: 1594 – 1635
Materials: paper
Techniques: etching
Artist: guilliam van nieulandt (ii)
Artist role: draughtsman, print maker
Artist dates: 1584 – 1635
Subjects: landscape with tower or castle (+ city(-scape) with figures, staffage), rome
Inscriptions: collector's mark: Lugt 2228

Rechts de Torre delle Milizie, een toren in Rome. Op de achtergrond is de koepel van het Pantheon zichtbaar. Op de voorgrond twee figuren, die met elkaar in gesprek zijn.
Plum Blossoms, Cut Paper and a Knife in Sheath
Object type: print
Date: 1615 – 1868
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: uematsu tōshū
Artist role: artist
Artist nationality: japanese
Artist dates: 1810 – 1830
Subjects: knives,flowers
Panel
Object type: textile
Date: 1575 – 1625
Materials: cotton, gilt, metal, textile, silk, velvet
Techniques: brocade, cutting, satin weave, silvered, voiding, weave
Location: turkey
The Actor Ichikawa Danjuro V as Arakawa Taro in the Play Date Nishiki Tsui no Yumitori, Performed at the Morita Theater in the Eleventh Month, 1778
Object type: print
Date: 1778 – 1778
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
From the Actors and Actresses series (N45, Type 4) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 4), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Harpsichord
Object type: harpsichord
Date: 1670 – 1670
Materials: wood, gilt, ivory, parchment
Culture: italian
Location: italy
Artist: michele todini
Artist role: designer
Artist nationality: italian
Artist dates: 1616 – 1690
Subjects: triton,galatea,nymphs,fish

This harpsichord and its accompanying figures were part of Michele Todini’s Galleria Armonica, a private museum featuring his complex musical mechanisms, clocks, and instruments. It was the centerpiece of La Macchina di Polifemo e Galatea, an installation that united music, visual art, and dramatic narrative. Canvasses by Gaspard Dughet representing sea and air completed the scene. The Galleria was a popular stop on the European Grand Tour during the 1670s. The frieze on the harpsichord’s case depicts the Triumph of Galatea, and the two figures represent the narrative of the cyclops Polyphemus’s unrequited love for the nymph Galatea. A small mechanical bagpipe that imitated the sound of his sculpted bagpipe would have been concealed in a "mountain," no longer present, and played from the harpsichord on a second keyboard. This enabled a narrator to present the story of Polyphemus and Galatea with musical accompaniment. Todini’s ingenuity and multifaceted artistic expression sprang from the same creative climate that gave birth to opera. Polyphemus: Seated on a rock at the edge of the Ionian Sea, Polyphemus plays a bagpipe to charm Galatea. The instrument is similar to the sordellina doppia invented by Todini. The cyclops’s kindly and refined expression suggests that Todini was referencing Polyphemus as portrayed by Theocritus in his Idylls, rather than the violent, enraged monster of Ovid’s Metamorphoses. This interpretation is reinforced by the gentle, winsome sound of the sordellina that Todini chose to represent Polyphemus. Although the eye in the center of his forehead gazes outward, his normal eyes are closed, reflecting the notion that love is blind. Galatea: Galatea is depicted here as the young, idealized girl who Polyphemus encounters in his dreams. Her arms are posed in a Baroque theatrical gesture typically used to express innocence and helplessness. She rejects the love expressed by Polyphemus through his warm, lyrical bagpipe playing, and is represented musically by the cold, austere timbre of the harpsichord.
Twee jongens spelen met crinolinerok
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, cutting, hand coloring, perforating
Artist: l.b. (fotograaf)
Artist role: fotograaf
Subjects: other children's games
Inscriptions: inscription: ‘D.3.’, inscription: ‘DEPOSÉ’
Portret van Victor Keller
Object type: print
Date: 1820 – 1849
Materials: paper
Techniques: engraving, etching
Location: leeuwarden
Subjects: historical persons
Jug
Object type: jug
Date: 501 – 700
Materials: glass
Culture: syrian
Card Number 99, Ida Mulle, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Vestigi delle antichita di Roma, Tivoli, Pozzuolo et altri luochi
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: engraving
Location: prague
Subjects: basilica van maxentius

Basilica van Maxentius, in het onderschrift verward met de Tempio della Pace. In de ondermarge vier regels tekst in het Italiaans. De prent maakt deel uit van een album.
Portret van Frederik Hendrik, prins van Oranje
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: frans de bakker
Artist role: print maker
Subjects: delft, the hague, frederick henry (prince of orange), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Koninklijk Paleis Amsterdam
Object type: ansichtkaart, prentbriefkaart
Date: 1932 – 1947
Materials: photographic support
Techniques: photography
Location: the hague
Subjects: palace - aa - civic architecture: inside, decorations (interior of the house), vestibule, hall, royal palace of amsterdam
Portrait of Countess Grafin von Furstenberg
Object type: painting, miniature
Date: 1740 – 1740
Materials: ivory, paint, watercolor
Techniques: painting
Location: italy
Artist: attributed to rosalba carriera
Artist nationality: italian
Artist dates: 1673 – 1757
Subjects: portrait, portraits, lace, flowers, wealth, dresses, blue (color), blue, pink (color), nobility, woman, portraits: female subject
Covered cup with flower baskets and floral scolls
Object type: kop en schotel, kop en schotel
Date: 1750 – 1774
Materials: glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Kop en schotel met deksel, famille rose kleuren en zwart met bloemen en bloemvazen.
La Mode Illustrée, 1884, No. 30 : Toilettes de Mme Coussinet (...)
Object type: fashion print
Date: 1884 – 1884
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: bag (handbag) (+ women's clothes), (building) sand-castle, fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), sea (seascape), fan (+ women's clothes), parasol, sunshade (+ women's clothes)
Inscriptions: title: ‘La Mode Illustrée’, caption: ‘Toilettes de M.me Coussinet. rue Richer. 43.’, address: ‘Bureaux du journal, 56, rue Jacob. Paris’

Twee vrouwen, van wie één op de rug gezien, op het strand. Op de achtergrond de zee en enkele spelende kinderen. Volgens het onderschrift: ensembles van Coussinet. Prent uit het modetijdschrift La Mode Illustrée (1860-1937).
Embroidered Mantle Fragment
Object type: mantle fragment
Date: 300 – 101
Materials: animal fiber
Culture: paracas
Location: peru
Subjects: human figures,birds,serpents
The Road to Preferment Through Clarke's Passage
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,soldiers,men,politics
Musée des Voitures - Carrosse du Sacre de Charles X / The collection of carriages - Carriage used for the coronation of Charles X
Object type: photograph
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: versailles
Artist: Anonymous
Subjects: passenger carriage
Inscriptions: number: ‘20’
St. Sebastian
Object type: print
Date: 1469 – 1474
Materials: paper
Techniques: engraving
Location: germany
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491

The opportunity it offered to show a seminude man in a contorted pose made Saint Sebastian’s martyrdom a popular subject among 15th-century artists. Here the German printmaker Martin Schongauer depicted the saint leaning serenely against a delicately rendered tree, despite the numerous arrows protruding from his body. Schongauer took an iconic, simplified approach to this common theme by barely suggesting the background landscape. Unlike his highly complex, detailed compositions such as Saint John the Evangelist on Patmos (1968.121), this print emphasizes the contrast between the graceful figure of Sebastian bound to the tree and the predominantly blank background.
Beauty
Object type: hanging scroll
Date: 1701 – 1900
Materials: ink, paper
Culture: japanese
Subjects: women
Landschap met de Alcántara brug over de Taag in Toledo
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: pencil
Location: toledo
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: city-view, and landscape with man-made constructions, bridge
Inscriptions: kleurnotitie, handgeschreven

Pagina 14 en 15 uit een schetsboek met 50 bladen.
Messenheft uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: knife handle
Date: 1700 – 1743
Materials: wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knife, handle, cylindrical: tapering; id. NG 1979-403H, ferrules, id. NG 1980-27H426.
Manchet van ambtskostuum van burgemeester Hoytema
Object type: cuff
Date: 1800 – 1923
Materials: textile
Artist: Anonymous
Subjects: c.p. hoytema van konijnenburg, scherpenzeel

Kostuum is gedragen door hem als burgemeester van Scherpenzeel en daarvoor door zijn vader als burgemeester van Bergambacht, Enkhuizen en Naarden
Bottle vase with floral scrolls
Object type: bottle vase
Date: 1667 – 1733
Materials: cobalt, porcelain
Techniques: underglaze
Culture: chinese
Zuid-Europese landschappen
Object type: print
Date: 1611 – 1611
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: village (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Rechts een grote boerderij. Vooraan enkele figuren op een pad. Op de achtergrond een dorp.
Portret van Christoffel Columbus
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Artist: johann wilhelm baumann
Artist role: print maker
Subjects: historical persons
Cover of a milk jug with gold lines and a foliate
Object type: lid
Date: 1794 – 1794
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: amsterdam
Artist: Anonymous
Subjects: kapitein, abraham valentijn, kattenburg, inname van kattenburg

Deksel van melkkan van porselein, onderdeel van een servies met in bruin geschilderde medaillons waarin historische voorvallen en portretten van personen uit de vaderlandse geschiedenis. Gouden biezen en een takje op de dekselknop.
Portret van Alphonse de Neuville
Object type: photomechanical print
Date: 1867 – 1877
Materials: paper
Techniques: printing block, woodburytype
Subjects: paris, painter, alphonse de neuville, adult man, historical persons
Inscriptions: inscription: ‘Galerie Contemporaine, 126, boulevard de Magenta.’
Waanzinnigen
Object type: print
Date: 1922 – 1922
Materials: paper
Techniques: lithograph
Artist: henri braakensiek
Artist role: print maker
Artist dates: 1891 – 1941
Subjects: deathbed
Inscriptions: inscription: ‘aan Dr. H.K. Westendorp’, collector's mark: Lugt 2228

Een liggende man met gesloten ogen en geopende mond.
Diverse figuren
Object type: print
Date: 1621 – 1624
Materials: paper
Techniques: etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: cow, parents with their children, farmers
Inscriptions: collector's mark: Lugt 240

Een boer, een boerin en een meisje rusten uit bij een boom. Naast hen staat een koe. Op de achtergrond een geitenhoeder. Deze prent is onderdeel van een serie van 16 prenten (15 volgens Lieure; 17 resp. 16 incl. titelprent) met mannen en vrouwen in diverse houdingen. Mogelijk zijn deze prenten bedoeld geweest als tekenvoorbeelden.
Portret van Benedikt Hopffer
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons, armorial bearing, heraldry
Inscriptions: date
Titelblad: Libellus Novus Elementorum Latinorum Cum AEneis picturis usui Aurifabrorum inservientib
Object type: titelblad, titelpagina
Date: 1645 – 1650
Materials: paper
Techniques: engraving
Location: hamburg

De tekst staat in twee compartimenten van één cartouche. Titelblad uit serie van 26 bladen met letters uit het alfabet.
Studies van een vrouw die een brief schrijft
Object type: drawing
Date: 1892 – 1916
Materials: ink, paper
Techniques: pen
Artist: rik wouters
Artist role: draughtsman, print maker
Artist dates: 1882 – 1916
Subjects: handwriting, writing as activity
Vijftigjarig bestaan van de Maatschappij tot Nut van 't Algemeen
Object type: history medal
Date: 1834 – 1834
Materials: silver
Techniques: striking
Location: utrecht
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: maatschappij tot nut van 't algemeen