deem-data/ArtiFact huggingface dataset:
Sparren in Whiddon Park
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: devon
Artist: francis bedford
Artist role: print maker
Artist dates: 1815 – 1894
Subjects: park, trees: fir
Inscriptions: inscription: ‘Devonshire Illustrated. by Francis Bedford.’, number: ‘1851.’
Lofzang op de boekdrukkunst en de beschaving
Object type: text sheet
Materials: paper
Techniques: hand coloring, letterpress printing
Location: amsterdam
Artist: christiaan andersen spin
Artist role: printer
Artist dates: 1792 – 1865
Subjects: printing press
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Koppermaandagprent met lofzang op de boekdrukkunst en de beschaving, voor koppermaandag 11 januari 1836. Met een vers in twee kolommen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in engeren zin. Volksleven. Volksbladen. Koppermaandagwenschen.
Asakusa Rice Fields and Torinomachi Festival (Asakusa tanbo Torinomachi mode), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Summer, a woman, crowned with corn, standing in a cornfield with corn in her right hand and a scythe in her left hand, within a cartouche topped with corn, from "The Four Seasons" (Les Quatre Saisons)
Object type: print
Date: 1638 – 1643
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: women
Larvae So Bloodless and So Hideous, plate 5 of 6
Object type: print
Date: 1896 – 1896
Materials: chine, ink, ivory, paper
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Bead
Object type: bead
Date: 900 – 801
Materials: glass
Culture: iranian
Location: iran
Stomacher
Object type: stomacher
Date: 1701 – 1725
Materials: bone, linen, silk
Culture: british
Wereld-Tentoonstelling 1895.
Object type: cabinet photograph
Date: 1895 – 1895
Materials: cardboard, paper, ink
Techniques: photograph
Location: amsterdam
Subjects: prospect of city, town panorama, silhouette of city, temporary exhibition, 'salon', ship-model, amsterdam

Onderdeel van Fotoalbum met opnames van de Wereldtentoonstelling voor het Hotel- en Reiswezen op het Museumplein in 1895.
Side chair (one of a pair)
Object type: side chair
Date: 1690 – 1700
Materials: wood, velvet, wool
Techniques: carving, gilding

With its straight and tall back slightly raking back, this formal side chair with was made about 1690-1700. Its columnar legs, carved at the top with a plain collar surmounting an inverted acanthus leaf cup above a tapering fluted shaft, are connected by an H-shaped stretcher. The restrained lines and austere carved ornament attest to the diversity of styles prevalent in the later years of Louis XlV’s reign. Evidence of the survival of the classical repertory in France, this ornament anticipates the neo-classical style which develops eighty years hence during the reign of Louis XVI. The chair’s upholstery, covering the entire seat but leaving the uprights of the back as well as the top and lower rail visible, is of the period. It consists of wool velvet (moquette) with a stamped pattern in red, blue and beige.
The Holy Family with Saint Elizabeth and angels
Object type: print
Date: 1729 – 1729
Techniques: engraving, etching
Artist: nicolas dauphin de beauvais
Artist role: artist
Artist nationality: french
Artist dates: 1687 – 1763
Kom uit V.O.C.-schip de 'Witte Leeuw'
Object type: bowl
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A high bowl. The interior panels are decorated with peach-sprays. and thorny branches. The exterior with flower- and peach-sprays. and bamboo.
Mouw van tule met vier tussenzetsels en een dubbele ruche van Mechelse kant
Object type: leg of mutton sleeve
Date: 1740 – 1760
Materials: metal
Techniques: lace
Location: mechelen
Artist: Anonymous

Paar losse ballon mouwen van tulle met tussenzetsels en mechelse klos kant. Restauration. Model: lange slanke snit. Vanboven intrekbaar met bandje. Onderaan een dubbele ruche van oudere kloskant. Halverwege beginnen vier opengewerkte tussenzetsels die de mouw met drie, matig gerimpelde ballons onsnoeren. Kant: De Mechelse kant (ijsgrond en dikkere contourdraad) heeft een vol patroon dat van symmetrische voluutbladeren is, afgewisseld door een grote rozebloem tussen steeltjes rond een rasterveld. Toestand: In 1978 gewassen.
Fashion News
Object type: fashion print
Date: 1791 – 1791
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: head-gear (bonnet à la paysanne) (+ women's clothes), styles of hairdress - aa - ~ women, fashion plates, sleeves: cuffs (+ women's clothes), dress, gown (+ women's clothes), piece of clothing covering the breast or décolleté (fichu) (+ women's clothes), belt, girdle, waistband (+ women's clothes)

The Cabinet des Modes offered readers highly detailed information about the illustrated clothes and accessories. It reported, for instance, on new clothing styles, such as the English ‘redingote’ 1; on accessories and embellishments, such as oversized muffs, buttons, ribbons and clasps; and finally, on the latest interior furnishings. For its male audience there was the fitted jacket 2 and the popular Androsmane, a hat with an upturned brim 3.
Wishes, plate three from A Glove
Object type: print
Date: 1881 – 1881
Materials: ivory, paper
Techniques: aquatint, printmaking, etching
Location: germany
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Capitol of Texas in Austin, from the General Government and State Capitol Buildings series (N14) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: buildings

Trade cards from the "General Government and State Capitol Buildings" series (N14), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Bead with granulation - see 18.2.31
Object type: bead, granulation
Date: 1070 – 332
Materials: gold
Location: egypt
Ruiterportret van Willem II, koning der Nederlanden
Object type: print
Date: 1815 – 1883
Materials: paper
Techniques: hand coloring, lithograph
Location: antwerp
Artist: theodoor schaepkens
Artist role: draughtsman, print maker
Artist dates: 1810 – 1883
Subjects: the hague, william ii of the netherlands
Inscriptions: collector's mark: Lugt 2760

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Apenspel
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: matthijs pool
Artist role: print maker
Artist dates: 1676 – 1740
Subjects: monkeys, apes, animals acting as human beings, baker
Inscriptions: collector's mark: Lugt 2228

Apen brood aan het bakken in een bakkerij. In het onderschrift versjes in het Frans en Nederlands. Prent nr. 15 in een serie van 16 prenten van ca. 1720 waarin apen als mensen figureren in allerlei huishoudelijke taferelen.
Study for Vignette-Frontispiece of Tacitus "Tibère, ou Les Six Premiers Livres des Annales", Vol. 1
Object type: drawing and watercolor
Date: 1768 – 1768
Materials: chalk, graphite, ink, paper
Techniques: incising, pen, transfer
Location: france
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Vrede van Le Cateau-Cambresis, ter ere van Filips II van Spanje
Object type: history medal
Materials: bronze
Techniques: casting
Location: madrid
Artist: gianpaolo poggini
Artist role: medailleur
Artist dates: 1518 – 1582
Subjects: philip ii of spain
Inscriptions: circumscription: ‘PACE TERRA MARIQ COMPOSITA / MDLIX’, circumscription: ‘PHILIPPVS HISPANIAR ET NOVI ORBIS OCCIDVI REX’

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: staande voor tempel van Janus, steekt Vrede met in hand hoorn van overvloed stapel krijgstuig in brand binnen omschrift; afsnede: jaartal
Blad met zes foto's van de inhuldiging van president Kruger in Pretoria
Object type: blad
Date: 1898 – 1898
Materials: paper, cardboard
Techniques: gelatin silver print
Location: pretoria
Subjects: ceremonial celebration of installation of a ruler
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, head and left shoulder of filleted satyr to right; one letter of an inscription, H
Vier beelden op sokkels: Winter, Herfst, Zomer, Lente
Object type: ornament print
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: summer, 'aestas'; 'estate' (ripa), spring, 'ver'; 'primavera' (ripa), winter, 'hyems'; 'inverno' (ripa), piece of sculpture, reproduction of a piece of sculpture, autumn, fall, 'autumnus'; 'autunno' (ripa), statues, sculptures in garden

Vier beelden op voetstukken, met de naam op de sokkel. Kopie naar blad uit serie Liure de Statues uitgegeven door Daniel Marot.
Steelyard Weight with the Bust of Athena
Object type: steelyard weight
Date: 350 – 500
Materials: copper alloy, lead
Culture: byzantine
Subjects: athena

A number of weights like this one survive from the late antique period. Weights were calibrated to specific standardized measurements. They were hung from hooks on one end of a balance to counter whatever goods were weighed on the other side. Bronze weights in the forms of courtly and mythological women are fairly common. The survival of classical subjects, such as Athena here, shows the pervasive taste for antiquity well into the early Byzantine period.
Portret van Elisabeth Petrovna, tsarina van Rusland
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: engraving, etching
Location: sint-petersburg
Subjects: emperor - bb - female ruler, armorial bearing, heraldry, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 240
Gevangename van Frans I tijdens de slag van Pavia, 1525
Object type: print
Date: 1555 – 1556
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: antwerp
Subjects: frans i van valois-angoulême (koning van frankrijk), ghent, charles v (holy roman emperor and king of spain), battle (+ cavalry, horsemen)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De gevangenname van Frans I, koning van Frankrijk, tijdens de slag bij Pavia (1525). De koning te paard wordt omringd door drie ridders, eveneens te paard. Op de voorgrond ligt het lichaam van een verslagen ridder. Op de achtergrondtenten en legers met in de verte de stad Pavia. De prent heeft een Latijns, Spaans en Frans onderschrift en maakt deel uit van een twaalfdelige serie over de overwinningen van Karel V.
Fragment (From an Orphrey Band)
Object type: textile
Date: 1501 – 1600
Materials: animal substrate, gilt, linen, silk, wool
Techniques: embroidery, laid work, weave, stitching
Location: germany
View of Dordrecht seen from Papendrecht
Object type: painting
Date: 1830 – 1837
Materials: canvas, oil
Artist: christiaan lodewijk willem dreibholtz
Artist role: draughtsman
Artist dates: 1799 – 1874
Subjects: sailing-ship, sailing-boat, river, prospect of city, town panorama, silhouette of city, dordrecht
Inscriptions: signature: ‘C.L.W. Dreibholtz’

Gezicht op Dordrecht over het water vanaf Papendrecht. Rechts enige vissersschepen.
Slippers
Object type: slipper
Date: 1828 – 1832
Materials: leather
Culture: british
Peleus Thetide vinculis coarctata potitur
Object type: print
Date: 1606 – 1638
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: (story of) peleus and thetis
Inscriptions: collector's mark: ‘Hinloopen’

Deze prent maakt deel uit van een reeks van 150 prenten (+ titelprent) met voorstellingen van de Metamorfosen van Ovidius.
Sampler
Object type: sampler
Date: 1748 – 1748
Materials: wool
Model for the so-called "Female Saint of Starnberg"
Object type: statuette
Date: 1755 – 1755
Materials: wood, pencil
Artist: ignaz günther
Artist role: maker
Artist nationality: german
Artist dates: 1725 – 1775
Subjects: women,saints
Figuren in een herberg in de buurt van Lyon
Object type: print
Date: 1863 – 1942
Materials: paper
Techniques: drypoint, etching
Location: france
Subjects: inn, coffee-house, public house, etc., dog
Inscriptions: collector's mark: Lugt 88a, check stamp: Lugt 3270, collector's mark: Lugt 2228, collector's mark: Lugt 2760
Maria met heiligen
Object type: print
Date: 1623 – 1653
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter nolpe
Artist role: draughtsman, print maker
Artist dates: 1613 – 1653
Subjects: madonna (i.e. mary with the christ-child) in the air, or on the clouds (+ angel(s)), the martyr sebastian; possible attributes: arrow(s), bow, tree-trunk, saints, the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara
Inscriptions: collector's mark: Lugt 240

Op de wolken zit Maria, waar zij wordt gekroond en geflankeerd door cherubijnen en putti met palmtakken. Zij wordt aanbeden door vijf mannelijke heiligen en een vrouwelijke heilige. Onder hen zijn de heilige Sebastiaan met een pijl in zijn borst en Petrus met zijn sleutel.
Panel from a  Diptych
Object type: diptych panel
Materials: ivory
Culture: french or european
Location: france or western europe
Subjects: christ,madonna and child,nativity,saints

This openwork panel is unusual in many aspects, leaving its place and time of manufacture ambiguous. The panel is pierced entirely through, a method of carving typical of Europe during the later fourteenth and earlier fifteenth centuries. However, the presence of hinges is out of keeping with the normal construction techniques of pierced ivories, suggesting that it might be a later imitation of medieval ivory carving or a very early venture into this type of carving.
Portret van Johann David Zang
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: engraving
Subjects: priest, theologian, historical persons, book, abstract ideas and concepts (+ emblematical representation of concept)
Inscriptions: collector's mark: Lugt 2228
Het Landschap
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: rural housing, e.g. country-house, villa, cottage, civic architecture; edifices; dwellings
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een serie getiteld 'Het Landschap' door Constantinus Cornelis Huysmans. Deze serie werd door hem gebruikt als lesmateriaal op de Koninklijke Militaire Academie te Breda. Hij was docent handtekenen van 1837 tot 1866. Zie: W. van Giersbergen.
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1876 – 1876
Materials: ink, paper
Techniques: pen, writing
Location: brussels
Artist: willem roelofs (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1897
Subjects: publisher, art trade, art shop, drawing, money
Inscriptions: collector's mark: Lugt 2233
Portret van Berthe Morisot
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: drypoint
Artist: marcellin gilbert desboutin
Artist role: print maker
Artist dates: 1823 – 1902
Subjects: paris, print maker, berthe morisot, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
De aanbidding der koningen
Object type: print
Date: 1685 – 1700
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)
Inscriptions: collector's mark: Lugt 2228

Maria met het Christuskind in haar armen ontvangt de geschenken van de drie koningen.
Spes (copy)
Object type: print
Date: 1667 – 1700
Techniques: engraving
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Subjects: women
Kinderportretten
Object type: photomechanical print
Date: 1890 – 1900
Materials: cardboard, paper, photographic support
Techniques: photograph, gelatin silver print
Artist: Anonymous
Subjects: girl (child between toddler and youth), dog

Acht portretten van kinderen, waaronder twee keer een meisje met hond. Deze pagina maakt deel uit van een album.
Gezicht op twee opvoeringen tijdens de Calven-Feier te Chur
Object type: page
Materials: paper
Techniques: photograph
Location: chur
Subjects: activities in the air ~ public festivities, e.g. fly-past, musical drama, performance of musical drama, swearing an oath (with two fingers raised)
Inscriptions: number: ‘II. III.’
Ribbon
Object type: ribbon
Date: 1800 – 1900
Materials: silk
Culture: american
Dagger (Khanjar)
Object type: dagger khanjar
Date: 1801 – 1900
Materials: gold, jade, gemstone, steel
Culture: indian, mughal
Location: india
Hilt
Object type: hilt
Date: 1701 – 1800
Materials: brass, enamel, iron
Location: india
Apollo van Belvedère in de Vaticaanse Musea te Vaticaanstad
Object type: page
Date: 1870 – 1880
Materials: photographic support
Techniques: gelatin silver print
Location: vatican museums
Artist: Anonymous
Subjects: (story of) apollo (phoebus), sculpture
Relais, Avenue des Champs-Élysées, Paris (recto); Scene from the Life of Odysseus (verso)
Object type: drawing and watercolor
Date: 1812 – 1812
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: denmark
Artist: christoffer wilhelm eckersberg
Artist role: artist
Artist nationality: danish
Artist dates: 1783 – 1853

When the young and ambitious Eckersberg entered Jacques-Louis David’s Parisian studio in 1811, he was encouraged to make studies after nature and therefore carried a sketchbook with him while moving through the city and the surrounding countryside. In a diary entry dated September 15, 1812, he recorded a tour of the Champs-Élysées, rendered here with deft handling of perspective and the witty detail of a young woman adjusting her stocking.
Lodewijk van Nassau verlaat Bergen, 1572
Object type: album leaf
Date: 1574 – 1578
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: fernando álvarez de toledo (3rd duke of alba), capture of city (after the siege), mechelen

Het leger van Lodewijk van Nassau verlaat Bergen, 6 september 1572. Links in de verte neemt het leger van Alva de stad weer in, rechts in de verte Mechelen. Op de voorgrond Lodewijk in een draagstoel. Met onderschrift van 8 regels in het Duits. Linksonder genummerd: 81. De prent maakt deel uit van een album.
Staande dame met hoed en een wandelstok
Object type: print
Date: 1780 – 1840
Materials: paper
Techniques: etching
Subjects: walking-stick, staff, head-gear: hat, standing figure - aa - female human figure, dress, gown
Inscriptions: stamp, collector's mark: Lugt 1641

Rechtsboven genummerd: 9. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), De 18de eeuw (de pruikentijd). Mannen en vrouwen.
Fan
Object type: fan
Date: 1860 – 1869
Materials: glass, ivory, metal, paper
Culture: american or european
Subjects: men,women
The Hand of Man
Object type: photograph
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Subjects: cityscapes
Inscriptions: Unmarked recto; inscribed verso, on mount, lower left, in graphite: 123A

Alfred Stieglitz worked tirelessly to elevate photography to a medium of art. He edited two journals, Camera Notes and Camera Work; ran a series of galleries where he promoted photography alongside modern painting and sculpture; and made groundbreaking photographs of his own. Stieglitz took this photograph from the back of a moving train as it pulled out of the train yard in Long Island City, New York, and the image was published in the first issue of Camera Work in January 1903. The elegance of the composition belies its rough, industrial subject and emphasizes artistic intent over the technical skills required to make a photograph. The title, too, affirms the artist's role in a mechanical process of urban transformation.
For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Card 449, Marion Elmore, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Negroes (Gwine to de Field), Hopkinson's Plantation, Edisto Island, South Carolina
Object type: photograph
Date: 1862 – 1862
Techniques: albumen silver print, glass negative
Artist: henry p. moore
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1911
Subjects: american civil war,children,men,women,horses

In late fall 1861 or spring 1862, Henry P. Moore, a New Hampshire photographer, traveled from his home in Concord to make portraits of the Third New Hampshire Regiment in camp in Union-occupied coastal South Carolina. While in residence, he made some of the earliest and most poignant Civil War photographs of slave life in the Deep South. Moore focused on the changed lives of African Americans in the aftermath of the Union victory (navy and army) at the Battle of Port Royal, South Carolina, in November 1861. With the departure of their owners, plantation workers in Union-controlled areas were no longer slaves but, before the Emancipation Proclamation, not yet free. Moore made this well-published view of field workers on Edisto Island, where the Third New Hampshire had guard duty from April 5 to June 1, 1862. The former slaves now worked for their own benefit and were heading off in their mule-driven wagons to tend their sweet potatoes and other crops; within a year President Lincoln would give them their freedom.
Portret van Félicien David
Object type: page
Materials: paper
Techniques: woodburytype
Location: france
Subjects: composer
Inscriptions: number: ‘No 166’, inscription: ‘Du 20 au 26 Juillet 1876’
Opera House
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: opera,performance,theatre,interiors,spectators,dancing
Circular dish
Object type: platter
Date: 1819 – 1819
Materials: silver
Techniques: gilding
Location: paris
Artist: jean baptiste claude odiot
Artist role: jeweler
Artist dates: 1763 – 1850

Dinner service. Silver-gilt. Paris, c. 1819, by Jean Baptiste Claude Odiot. Part of an extensive dinner service made for Count Francis Xaverius Petrovich Branicki (c. 1730 - 1819) and his wife Alexandra Vassilievna Engelhardt (1754 - 1838).
Scarab: Two Standing Deities
Object type: costume and accessory
Materials: glass
Culture: egyptian
Location: egypt
Subjects: deities, gods (deities), insects
Manchet van kloskant met hangende tulp
Object type: cuff
Date: 1900 – 1909
Materials: linen
Techniques: lace
Location: netherlands
Artist: Anonymous

Manchet van naturelkleurige kloskant: Valenciennes-kant. Op een grove traliegrond (vierkante tralie), dat met 'pailletten' is bezaaid, staat een lopend patroon. Eenzijdig gerichte hangende tulpen staan los boven gestrekte schulpen van een guirlande met afhangende bessen.
Duck's head with tenon attachment
Object type: attachment, duck's head
Date: 715 – 332
Materials: bronze, copper alloy
Location: middle egypt
Subjects: ducks