deem-data/ArtiFact huggingface dataset:
Isagogia historia de Constantino max: imperatore instatuta militie angelicae aureatae Constantinianae sub titulo magni martyris S Georgii
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: emperor heraclius defeats chosroes ii of persia, and recovers a part of the true cross, the soldier; the soldier's life, procession ~ christian religion
Inscriptions: collector's mark: Lugt 240

Keizer Heraclius draagt het kruis van Christus in triomf op zijn schouders in een processie door een landschap richting een tempel.
Portret van een onbekende man
Object type: print
Date: 1870 – 1886
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: historical persons not known by name
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 2141c

Portret van een verder onbekende man, met handtekening in facsimile waarin wellicht de naam Temme te lezen is.
Roundel
Object type: roundel
Materials: gilt, linen, metal, metal thread, silk, velvet
Techniques: embroidery, cutting
Culture: italian or spanish
Subjects: men

This fifteenth-century roundel, together with three others in the Lehman Collection (1975.1.2441, 1975.1.2443, 1975.1.2444), was appliquéd to rectangular panels of dark red velvet embroidered and couched in allover strapwork forming fleur-de-lis and leaf patterns, dating to the seventeenth century. Two of the rectangles, finished with gilt metal tape, were attached directly to an upholstered couch; the other two were made into cushions, no doubt for the same couch. Each of the roundels contains a half-length figure. All four figures hold models of churches, three of them wear bishops' miters and the fourth, a cardinal's hat. The roundels were most likel once part of an orphery band or cross on either a chasuble, or a cope, although they also could have been parts of the border of an antependium or the apparels on a dalmatic.
Portret van een lezend meisje met muts
Object type: album leaf
Date: 1884 – 1884
Materials: cardboard, photographic support
Techniques: albumen print
Location: berlin
Subjects: reading, girl (child between toddler and youth), head-gear: cap
Inscriptions: inscription: ‘No. 215. Sonntag-Nachmittag. - Dimanche, áprès-midi./ Berlin W. 1884./ E. Linde Kunstverlag’, annotation: ‘De herinnering aan eene afwezigen die [...] lief heeft, is steeds aan genaam/ Oom Theo/ December 84’
Portret van vader en zoon in matrozenpak
Object type: photograph
Date: 1920 – 1930
Materials: cardboard, photographic support
Techniques: jos-pé print
Location: amsterdam
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Subjects: father and son(s) (family group), historical persons (portraits and scenes from the life)
Batavia - Privaathuis op Tanah-Abang (mr. Rochussen)
Object type: photograph
Date: 1863 – 1866
Materials: photographic support
Techniques: albumen print
Location: batavia
Subjects: detached house in city, batavia
Inscriptions: inscription: ‘Batavia - Privaathuis op Tanah-Abang (mr. Rochussen)’

Het woonhuis van mr. Henri Rochussen in de Tanah Abang in Batavia. Rochussen poseert met vrouw en kind en personeel bij de ingang. Onderdeel van het rode fotoalbum met foto's van Java, uit het bezit van apotheker Specht-Grijp, die in 1865 vanuit Batavia naar Nederland terugkeerde.
The Battle of Tunis
Object type: medallion
Date: 1544 – 1544
Materials: enamel, gold, quartz
Artist: giovanni bernardi da castel bolognese
Artist role: artist
Artist nationality: italian
Artist dates: 1494 – 1553
Subjects: battles,horses,ships
A.V.R.O. Controle kamer/ Gramofoon platen uitzending
Object type: photograph
Date: 1928 – 1945
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: phonograph, gramophone; playing recorded sound or video
Inscriptions: number: ‘10’

Deze foto maakt deel uit van een omslag met tien foto's.
Ornament with deer
Object type: ornament
Date: 901 – 1200
Materials: jade
Culture: chinese
Subjects: deer
Portret van Gerard Conrad Bernard Suringar
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: leiden, historical persons, physician, doctor, professor
Promenade hat
Object type: promenade hat
Date: 1875 – 1875
Materials: silk, wool
Culture: french
The Reward of Cruelty
Object type: print
Date: 1790 – 1790
Techniques: woodcut
Artist: john bell
Artist role: printmaker
Artist nationality: british
Artist dates: 1750 – 1780
Subjects: human figures,skeletons,suffering,dogs
Groepsportret van zeven onbekende Nederlandse militairen, gemobiliseerd tijdens de Eerste Wereldoorlog
Object type: photograph
Date: 1916 – 1916
Materials: paper, cardboard
Techniques: daylight paper print
Artist: Anonymous
Subjects: the soldier; the soldier's life, anonymous historical persons portrayed in a group, in a group-portrait
The Unfaithful Bride Abducted by the Devil
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: nuremberg
Subjects: bad wife, dancing at wedding feast, devil or demons attacking mortals
Inscriptions: collector's mark: Lugt 2228

An unfaithful woman can always be caught up by her past misconduct, even in the middle of her own wedding banquet. Here, the adulterous bride is taken away by the devil, while the guests, interrupting their dance, stand in awe at this unearthly vision. The scene is taken from an illustrated anthology of peculiar stories with a moralizing tone published in Germany in 1704.
La Tentation de Saint Antoine (The Temptation of St. Anthony)
Object type: print
Date: 1801 – 1900
Techniques: etching
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Netsuke of Hen and Two Small Chicks
Object type: netsuke
Date: 1701 – 1900
Materials: ivory
Culture: japanese
Subjects: chickens
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, left shoulder and part of upper torso of a reclining youth; right shoulder, extended right arm, and part of upper torso, and left hand of reclining symposiast with a himation around his waist
Kippen
Object type: sketchbook leaf
Date: 1823 – 1894
Materials: paper, pencil
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: fowl (cock, hen, chicken, etc.)

Pagina 16 verso uit een schetsboek met 61 bladen.
Vier foto's van zeilboot De Snits en rivieren in Nederland
Object type: photograph
Date: 1926 – 1926
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: sailing-ship, sailing-boat, river, windmill in landscape, netherlands

Deze foto's maken deel uit van een album.
Soldaat, op de rug gezien, die zijn spies met beide handen horizontaal op neushoogte draagt, zijn rechterhand bij de voet van het wapen, zijn gezicht naar rechts gewend (nr. 30), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, op de rug gezien, die een spies (lans) met beide handen horizontaal op neushoogte draagt, zijn rechterhand bij de voet van het wapen, zijn gezicht naar rechts gewend (nr. 30), ca. 1600. Plaat 30 in de instructies voor het hanteren van de spies: Corte onderwysinghe op de figuerliicke afbeeldinghe belanghende trechte gebruck, van alle t'ghene een Soldaet int handelen vande Spies noodich is. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, Amsterdam, 1608. Krijgswezen rond 1600.
The Good-Luck Branch
Object type: print
Date: 1907 – 1907
Materials: paper
Techniques: woodcut
Location: united states
Artist: helen hyde
Artist nationality: american
Artist dates: 1868 – 1919
Het bezoek
Object type: print
Date: 1788 – 1792
Materials: paper
Techniques: woodcut
Location: tokyo
Subjects: plants; vegetation, dignitary at court - bb - female dignitary: lady-in-waiting, loggia, verandah, porch

Knielend meisje en vrouw staand met de rug naar hofdame in zwarte kimono en tak blauwe regen waarop nagemaakte vogel; bij veranda waarop toekijkende vrouw.
Glass striped mosaic bowl fragment
Object type: fragment, striped mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Body fragment. Translucent blue, turquoise blue, purple appearing opaque brick red, turquoise blue appearing green, opaque yellow, and white, with colorless glass. Side curving in sharply to flat bottom. Decorated with vertical bands, forming a regular pattern: turquoise blue, red, blue layered with white, blue with single white spiral thread, green, yellow, green, blue with single white spiral thread, blue, red, blue, and turquoise. A few pinprick bubbles; exterior polished, with pitting of surface bubbles; dulling, pitting, iridescence, and creamy weathering on interior; some iridescent weathering on jagged edges.
Hanger in de vorm van een papegaai
Object type: pendant jewelry
Date: 1680 – 1700
Materials: diamond, gemstone, gold, silver
Location: portugal
Artist: Anonymous

Pendant. Silver, emerald and diamonds. Portugal or Spain, c. 1680-1700.
Dochters
Object type: album leaf
Date: 1946 – 1952
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: paris, beatrice jacqueline eveline dumas, historical persons - bb - woman, girl (child between toddler and youth), netherlands, dutch east indies, the

Blad met twee foto's van de dochters van Eef Dumas. Onderdeel van het fotoalbum van Beatrice Jacqueline Eveline (Eef) Dumas, ca. 1880-1952.
Journal des Gens du Monde, Modes et Fantaisies, Mars 1834 : La Mi-Carême
Object type: fashion print
Date: 1834 – 1834
Materials: paper
Techniques: hand coloring, lithograph
Subjects: corsage (+ women's clothes), flowers, diadem, tiara (+ women's clothes), dress, gown: evening dress (+ women's clothes), party clothes, festive attire (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), apron (+ women's clothes), necklace (+ women's clothes)
Inscriptions: title: ‘Journal des gens du Monde. / Modes et Fantaisies, Paris, Mars, 1834’, caption: ‘LA MI-CARÊME’

Twee vrouwen gekleed voor het gekostumeerde bal van mi-caême (halfvasten) Links: vrouw in japon en sierschort met bloemmotief, afgezet met gerimpelde strook kant(?). Platte hoed met voile en veren. Collier met hanger in de vorm van een kruis. Rechts: vrouw in avondjapon met boothals. Lijfje versierd met rij strikken. Korte pofmouwen met drie lagen. Bloemcorsages op mouwen en rok. Wijde rok aan voorzijde opgehouden, onderrok met gerimpelde stroken stof. Accessoires: diadeem, oorbellen, collier, waaier. prent uit Journal des Gens du Monde.... Dit luxueus uitgevoerde tijdschrift werd van 6 december 1833 tot mei 1834 uitgegeven, en geleid door Gavarni.
Negentien balletdanseressen in verschillende posities
Object type: print
Date: 1855 – 1924
Materials: paper
Techniques: aquatint, etching
Artist: paul renouard (1845-1924)
Artist role: painter, print maker
Artist dates: 1845 – 1924
Subjects: the ballet, ballet performance, female dancer
Inscriptions: collector's mark: Lugt 2228
La Noce Aldobrandine
Object type: print
Date: 1751 – 1772
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: civil marriage ceremony
Inscriptions: collector's mark: Lugt 2228

Prent naar een muurschildering die ontdekt werd in Rome in 1601. Prent uit: Diderot, Denis. Encyclopédie ou dictionnaire raisonné des sciences, des arts et des métiers. s.l.s.n., 1751-1772, dl. 1, p. 297.
Studie
Object type: sketchbook leaf
Date: 1806 – 1878
Materials: chalk, paper
Location: gelderland
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Inscriptions: date

Pagina 36 uit een schetsboek met 23 bladen.
Interieur der Parochiekerk St. Dominicus, Utrecht
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: utrecht
Artist: Anonymous
Subjects: interior of church
Portret van Daniele Barbarigo met de personificatie van de Kracht van Welsprekendheid
Object type: print
Date: 1673 – 1743
Materials: paper
Techniques: engraving
Location: rome
Subjects: venice, asiatic races and peoples: turks, power of eloquence; 'forza sottoposta all'eloquenza' (ripa), medal (considered as a piece of sculpture, regardless of its specific function), caduceus (staff with two snakes, attribute of mercury), beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2228

Voetstuk in de vorm van een cartouche. Daarop een medaillon met op de voorzijde het portret van Daniele Barbarigo. Op de achterkant staat Daniele als Venetiaans woordvoerder voor sultan Süleyman II. Daaronder de tekst: Facis Restitutori. Het voetstuk wordt geflankeerd door Kracht van Welsprekendheid. Het betreft een oudere vrouw met een caduceus of slangenstaf in de hand en een leeuw onder haar voeten. Welsprekendheid laat twee Ottomaanse mannen afdruipen. De een neemt een vaandel mee. De andere steekt zijn zwaard terug in de schede. De prent maakt deel uit van een album.
Reproductie van een schilderij van een moeder met kind gezeten op een boomstam door Giovanni Segantini
Object type: page
Date: 1885 – 1901
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: mother and baby or young child

Prent op titelpagina van Figaro-Illustré (Novembre 1900).
Tama River in Musashi Province (Bushū Tamagawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: horses,rivers,mountains,trees,boats
Cann
Object type: cann
Date: 1760 – 1785
Materials: silver
Culture: american
Location: united states
Artist: jonathan otis
Artist role: maker
Artist nationality: american
Artist dates: 1723 – 1791
Portret van César-François Cassini
Object type: print
Date: 1784 – 1834
Materials: paper
Techniques: engraving
Location: germany
Artist: konrad westermayr
Artist role: print maker
Artist dates: 1765 – 1834
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228
Aanleg van een rubberplantage van de Deli Maatschappij bij Soengei Tassik op Sumatra
Object type: album leaf
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: plantation, (non-fruit) products of plants or trees: rubber, clearing ~ forest (+ outdoors; in the open air), sumatra

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Brief aan Philip Zilcken
Object type: letter
Date: 1865 – 1930
Materials: ink
Techniques: pen, writing
Location: velzen
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: dordrecht, amsterdam, designer, jan veth, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Interieur van de kathedraal van York, de York Minster
Object type: photomechanical print
Date: 1898 – 1903
Materials: cardboard, paper
Techniques: photoaquatint
Location: york
Subjects: interior of church
Inscriptions: initials: ‘FHE’

Gezicht in een zijkapel met een grafsculptuur.
Wijwateremmer, rond
Object type: aspersorium
Date: 1600 – 1699
Materials: brass
Techniques: casting, striking, turning

Het voorwerp is samengesteld uit de volgende delen: de emmer (gegoten en afgedraaid), het hengsel, het haakje en het oog (geslagen). De ronde emmer heeft onderaan een dunne schacht, welke overgaat in een ronde naar buiten toe aflopende holle voet (met centergat aan de onderkant). De schacht is twee maal holrond geprofileerd met een bolle rib in het midden. Een dergelijke profilering doet zich ook voor bij de bovenkant van de emmer. Het hengsel met de overige onderdelen is vernieuwd.
Dancing Couple, plate seven from The Large Wedding-Dancers
Object type: print
Date: 1538 – 1538
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Potpourri vase
Object type: potpourri vase
Date: 1810 – 1810
Materials: glass, marble, metal
Techniques: gilding
Artist: karl friedrich schinkel
Artist role: artist
Artist nationality: german
Artist dates: 1781 – 1841

This vase embodies the elegant simplicity characteristic of Schinkel’s designs. The gilded metal mounts, cast in such a manner that they did not need to be chased by hand, reveal his interest in minimizing manufacture time and costs by designing prefabricated components that could be assembled rapidly. The Berlin-based company Werner & Mieth experimented with this type of matte milk glass, developed in Bohemia, which they called "Flußglas", and produced a line of objects—including this vase—which they showcased at the Berliner Akademie exhibition in 1812.
Titelpagina voor: W. à Brakel, Hallelu-jah, ofte Lof des Heeren, over het genaden-verbondt, ende des selfs bedieninge in het Oude en N. Testament, 1696
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: god's covenant with abraham (genesis 15), abraham counting the stars, abraham chases away the birds that come down on the carcasses

Titelpagina voor: Brakel, Wilhelmus à. Hallelu-jah, ofte Lof des Heeren, over het genaden-verbondt, ende des selfs bedieninge in het Oude en N. Testament. Rotterdam: Reinier van Doesburg, 1696.
Folding Screen with the Arrival of a Portuguese Ship
Object type: screen
Date: 1600 – 1625
Materials: dye, paint, paper
Location: japan
Artist: Anonymous

The arrival of Portuguese ships in Nagasaki Harbour was quite an attraction in the early 17th century. This is what is taking place here, with the merchandise being unloaded at the left and the captain under a parasol at the right. Such screens were probably made for the Japanese merchant class, which made a fortune from the lucrative overseas trade with Portugal. They depict the foreign contacts in a nutshell for the Japanese spectator.
Vrouwenhoofd
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head (human) - aa - female human figure

Blad 24 verso uit schetsboek LVI met 26 bladen.
Standing Girl in Profile to Left with Whip and Toy Sleigh
Object type: drawing and watercolor
Materials: graphite, ink, paint, paper, watercolor
Techniques: pen
Location: united states
Artist: Anonymous
Artist nationality: american or english
Artist dates: 1800 – 1899
The Atlantic Telegraph Cable Fleet Assembled at Berehaven (Southwest Coast of Ireland): Ships, the Great Eastern, H.M.S. Terrible, the Alby, the Medway and the William Cory
Object type: drawing
Date: 1866 – 1866
Materials: gouache, graphite, watercolor
Artist: robert charles dudley
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1909
Subjects: industry,boats,ships,transatlantic cable

One of the 19th century's great technological achievements was to lay a telegraphic cable beneath the Atlantic, allowing messages to speed back and forth between North America and Europe in minutes, rather than ten or twelve days by steamer. An initially successful attempt in 1858, led by Cyrus W. Field and financed by the Atlantic Telegraph Company, failed after three weeks. Two working cables were finally laid in July and September 1866, the result of repeated efforts by the indefatigable Field, a cadre of engineers, technicians, and sailors, two groups of financial backers, and significant help from the British and United States navies. Dudley documented the process in a series of watercolors and oils, this example showing the Great Eastern and support vessels anchored in Bantry Bay, before setting out on July 12, 1866. On July 28 the fleet reached Trinity Bay, having laid 1,960 miles of working cable. Once spliced to the shore cable at Heart's Content, Newfoundland, a working cross-Atlantic connection was established, prompting international rejoicing. In 1892 Field donated art works by Dudley, commemorative medals, memorabilia, and specimens of cable to the Museum.
Portret van een onbekende vrouw
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Location: berlin
Subjects: historical persons - bb - woman
Inscriptions: monogram: ‘BX’
Palace interior and beach, from an untitled hexaptych depicting a pair of folding screens
Object type: print
Date: 1825 – 1825
Techniques: woodblock print, surimono
Location: japan
Artist: ryuryukyo shinsai
Artist role: draughtsman, print maker
Artist nationality: japanese
Artist dates: 1764 – 1820
Study for Session House, Clerkenwell, from Microcosm of London
Object type: drawing and watercolor
Date: 1809 – 1809
Materials: graphite, paper
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832
Plantstudie
Object type: photograph
Date: 1928 – 1928
Materials: ink, paper
Techniques: rotogravure
Location: berlin
Subjects: plants (in general)
Inscriptions: number: ‘70’

facher Vergrößerung. Afkomstig uit losbladige uitgave.
Little Dordrecht
Object type: print
Date: 1884 – 1887
Materials: paper
Techniques: drypoint, etching
Artist: james abbott mcneill whistler
Artist role: painter, print maker
Artist dates: 1834 – 1903
Subjects: quay, dordrecht
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166

De Merwekade en op de voorgrond de zogenaamde Kippenbrug. Gezicht op het Papendrechtsche Veer te Dordrecht.
Shield
Object type: shield
Date: 1801 – 1900
Materials: bamboo
Techniques: polychromy
Culture: indian, assam
Location: india
Gezicht op bomen aan het water
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Subjects: trees, small canal, ditch
Inscriptions: monogram: ‘Leipzig/ S.G.’