deem-data/ArtiFact huggingface dataset:
Allegorie rond het grafmonument van Albrecht von Haller
Object type: print
Date: 1777 – 1807
Materials: paper
Techniques: etching
Subjects: physicist, protective weapons: shield, adult woman, lyre, cithara, psaltery, historical persons, neck-gear ~ clothing, aesculapian sign, grave, tomb and other grave-forms and grave-markers
Inscriptions: collector's mark: Lugt 2228
Ada Richmond, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from "World's Beauties," Series 2 (N27), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Spotprent bij het lied: The dandy cat's meat lass
Object type: cartoon
Date: 1825 – 1825
Materials: paper
Techniques: engraving
Location: london
Subjects: wheelbarrow, lovers; courting, flirting, political caricatures and satires

Een man wil een kus van een jonge vrouw met een kruiwagen met kattenvoer. Spotprent bij een blad met de tekst van het lied: The dandy cat's meat lass. Illustratie (p. 17/18) genomen uit een uitgave van de liederenbundel: The Universal Songster, or Museum of Mirth, vol. I., eerst verschenen in 1825.
Henry Frederick (1594–1612), Prince of Wales, with Sir John Harington (1592–1614), in the Hunting Field
Object type: painting
Date: 1603 – 1603
Materials: canvas, oil
Artist: robert peake the elder
Artist role: artist
Artist nationality: british
Artist dates: 1546 – 1619
Subjects: princes,men,hunting,deer,dogs,horses

This royal hunting portrait was modeled after an earlier type established by Netherlandish and German artists. The young Prince Henry sheathes his sword while his companion, Sir John Harington, holds the deer's antlers. The light palette and rich decorative effect are hallmarks of Peake's style.
Paperweight
Object type: glass
Date: 1880 – 1880
Materials: glass
Culture: american
Location: united states
Schaal en daarboven een zoutvat
Object type: print
Date: 1508 – 1551
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous

Het zoutvat is gedecoreerd met groteske wezens. Uit een serie, bestaande uit een titelblad en 30 bladen met vaatwerk.
Portret van een jonge vrouw
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: arnstadt
Artist: christian beitz
Artist role: fotograaf
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Gown by Maison Laferrière
Object type: fashion print
Date: 1911 – 1911
Materials: paper
Techniques: hand coloring, lithograph
Artist: Anonymous
Subjects: clothing for the upper part of the body (+ women's clothes), veil (+ women's clothes), neck-gear: collar (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), skirt (+ women's clothes), parasol, sunshade (+ women's clothes)
Inscriptions: caption: ‘Toilette élégante modèle Laferrière’, title: ‘La Femme chic / Supplement / No. 64 Pl 398’

In 1869 the fashion designer Madeleine Laferrière opened what was to become a highly esteemed maison on rue Taitbout in Paris. By the end of the century, it had developed into an eminent fashion house on a par with the likes of Doucet and Paquin. Maison Laferrière’s international clientèle included aristocrats and royalty. Among her regular customers were Queen Maud of Norway and Alexandra of Denmark.
Firenze. Piazza della Signoria dal portico degli Uffizi
Object type: photomechanical print
Date: 1889 – 1905
Materials: cardboard
Techniques: photograph
Location: florence
Subjects: urban housing, monument, statue (+ city(-scape) with figures, staffage), square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: poststempel, verso, gestempeld
Zeven sacramenten
Object type: print
Date: 1633 – 1700
Materials: paper
Techniques: etching
Location: france
Subjects: meal at the house of simon the pharisee (luke 7:36-50), christ's feet are anointed by mary (magdalene), confession; 'confessione sacramentale' (ripa) ~ the third of the seven sacraments, meal in bethany (at the house of simon the leper) (matthew 26:6-13; mark 14:3-9; john 12:1-11)
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van zeven prenten. Dit object is omwille van een betere presentatie virtueel samengevoegd, maar bestaat fysiek uit losse onderdelen.
Afbeelding der lykstatie van den Hoog Welgeboren Gestrengen Heere Wolter Jan Gerrit baron Bentinck (...) bygezet in het choor der Nieuwe Kerk te Amsterdam, op den 28en. aug. des jaars 1781
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, funeral carriages, public funeral
Inscriptions: collector's mark, collector's mark: Lugt 1641

Lijkstatie van Wolter Jan Gerrit baron Bentinck, overleden op 23/24 augustus aan zijn verwondingen opgelopen in de zeeslag bij Doggersbank, op 28 augustus 1781 te Amsterdam. De lijkstoet komt uit de Nieuwe Doelenstraat over Muntplein en trekt de Kalverstraat in, richting de Nieuwe Kerk. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Des Menschen Begin, Midden en Einde. Begrafenissen, lijkstaties.
Hand warmer or flask in the shape of a book
Object type: hand warmer or flask
Date: 1701 – 1750
Materials: earthenware
Techniques: glazing
Subjects: books
Glass Fragment
Object type: fragment
Date: 1301 – 1400
Materials: glass, paint
Culture: french
Blackgang Chine
Object type: photograph
Date: 1897 – 1930
Materials: paper
Techniques: printing
Location: isle of wight
Artist: Anonymous
Subjects: inland cliff face (+ landscape with figures, staffage), ravine, chasm, abyss, canyon, travelling; tourism, isle of wight

Pagina 20 met 2 foto's van Blackgang Chine en een bijschrift. Onderdeel van Fotografische reisreportage van het eiland Wight.
Piece
Object type: piece
Date: 1601 – 1800
Materials: linen, silk
Sur la route de Nice
Object type: painting
Date: 1844 – 1844
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: paul huet
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1869
Subjects: travel, women, men, goats, rocks, france, water, clouds, sky, bushes, mountains, trees, animals, paths, road, landscape, route, countryside, donkeys, people
Inscriptions: Signed lower left: Paul Huet
Stove tile
Object type: stove tile
Date: 1701 – 1800
Materials: pottery
Techniques: glazing
Subjects: men,plants

Between 1716 and 1727 Alexander Menshikov set up several faience workshops in Strelna on the outskirts of Saint Petersburg to produce tiles in the Dutch style to embellish the interiors of his palace-the city's first stone building-and other newly constructed residences.
Child's Coat
Object type: coat
Date: 1867 – 1900
Materials: wool
Techniques: interlocking, weave
Location: india
Subjects: leaves

This child's coat is tailored in late nineteenth-century style, but the fabric was probably woven earlier, in the late eighteenth century. This kind of textile is unique to Kashmir, where for decades families in the trade had spun, dyed, designed, and woven textiles for the emperors. A number of inscribed textiles of similar patterning and construction are known to have been made in Amritsar, and so this fabric is also assumed to have come from there.
Portretten van Govert Flinck, Peter Lely en Philips Koninck
Object type: book illustration
Date: 1753 – 1753
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: london, peter lely (sir), cleves, govert flinck, amsterdam, painter, draughtsman, philips koninck
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Arnold Houbraken. De groote Schouburgh der Nederlantsche konstschilders en schilderessen : waar van 'er vele met hunne beeltenissen ten tooneel verschynen, ... zynde een vervolg op het Schilderboek van K. van Mander. 3 dln. Tweede druk. Den Haag: 1753.
Bois exposés à l'action du Taret au port des Sables-d'Olonne
Object type: photograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: b. crolet
Artist role: fotograaf
Subjects: worms, wood, timber ~ building material
Inscriptions: signature: ‘B. Crolet’, number: ‘Pl. XVII.’, annotation: ‘Sapin rouge du Nord/ (...)/ mètre Cube de bois.’
Granada en de Alhambra : geschiedenis en reisherinneringen
Object type: book
Date: 1880 – 1880
Materials: cardboard, linen, paper
Techniques: albumen print, lithograph, letterpress printing
Location: leiden
Inscriptions: bookplate: ‘Ex/Libris’, inscription: ‘&st [?] 4/5 41/ -35/344’
R.K. Kerk "De Duif" /  Prinsengracht b/d Reguliersgracht / Amsterdam
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: parts of church interior: aisle, fixed altar
Inscriptions: collector's mark: ‘17’ Lugt 1641b, collector's mark: ‘35-53’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: R.K. Gemeenten: Sint Nicolaaskerk t/m Willibrordus (Rustenburgerstraat).
Portretten van vier leden van het Lagerhuis van de staat New York
Object type: page
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Location: united states
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life) (+ head (and shoulders) (portrait))
Inscriptions: annotation, number: ‘494’

Linksboven John O'Brien, rechtsboven William Thomas O'Neill, linksonder Henry N. Page, rechtsonder Amasa J. Parker.
Blad met vogels
Object type: brocade paper
Date: 1740 – 1750
Materials: gold leaf, paint, paper
Techniques: relief print
Artist: Anonymous
Subjects: birds
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met vogels, linksboven een zwaan, rechtsboven kaketoe, linksonder een reiger, rechtsonder pauw.
Portret van een meisje met pijpenkrullen en een strik in het haar en een bal in haar handen
Object type: photograph
Date: 1920 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: historical persons, girl (child between toddler and youth)
Cabinet with Inlaid Flower Vases
Object type: cabinet
Date: 1695 – 1710
Materials: wood
Techniques: marquetry
Location: amsterdam
Artist: jan van mekeren
Artist role: furniture worker
Artist dates: 1648 – 1733
Subjects: flowers in a vase, flowers ~ ornament

This cabinet was made by one of the most famous Dutch cabinetmakers of the 17th century: Jan van Mekeren. At that time, a cabinet by him cost even more than a painting by Rembrandt. Using a fretsaw, he cut all kinds of shapes from as many as 15 types of variously coloured wood. He then glued the small pieces together, like a puzzle. For instance, on the doors he made bouquets of flowers, and do you also see the birds and butterflies?
Das Landgut Monrepos in Finnland 1804
Object type: book
Date: 1875 – 1875
Materials: cardboard, linen, paper
Techniques: decorated paper, photolithography
Location: vyborg
Head of Apollo in Glory
Object type: drawing
Date: 1767 – 1833
Materials: graphite, ink
Techniques: pen
Artist: anonymous, british, late 18th–early 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1771 – 1835
Subjects: heads,apollo
Maulbronn
Object type: photomechanical print
Date: 1895 – 1900
Materials: cardboard, paper
Techniques: photograph
Location: maulbronn abbey
Artist: Anonymous
Subjects: church-window, e.g. rose-window, abbey, monastery, convent ~ roman catholic church
Inscriptions: number: ‘720’, inscription: ‘17 Juli 1894.’
Standbeeld van Hans Sachs in Neurenberg door Johann Konrad Krausser
Object type: photomechanical print
Date: 1878 – 1888
Materials: paper
Techniques: photoaquatint
Location: nuremberg
Artist: Anonymous
Subjects: hans sachs, monument, statue
Headdress
Object type: headdress
Date: 1801 – 1900
Materials: metal, mother of pearl, pearl, silk
Culture: russian

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. Headdresses, or kokoshniks had the greatest abundance of ornamentation of any type of garment in Russia. They were most often made of damask woven with gilt metallic threads or velvet with gold embroidery. The wealthy peasant class often decorated their kokoshniks with pearls and gemstones. Their decorative elements were representative of the regions in which they were made. Those from the North were embellished with the river pearls that were plentiful in that area while goose down and woolen embroideries were more popular in the South. The headdresses worn by maidens exposed their hair, considered a prize possession in Russian culture. They were often accompanied by a venchik, a forehead covering made of fabric or metal. Married women were required to cover their hair entirely lest they be considered immodest.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, legs of male to left; lower torso, genitals, and bent legs of a squatting arching
Winter
Object type: print
Date: 1926 – 1926
Materials: paper
Techniques: woodcut
Artist: johannes frederik engelbert ten klooster
Artist role: draughtsman, print maker
Artist dates: 1873 – 1940
Subjects: shore-birds and wading-birds: heron
Inscriptions: collector's mark: Lugt 2228

Een dode reiger, liggend op zijn rug, in een glooiend landschap met bamboehalmen.
Incense Burner (Xianglu)
Object type: vessel
Materials: earthenware
Techniques: painting, polychrome
Location: china

This incense burner has a stemmed cup and a domed, openwork cover pierced with geometric patterns. Its design is distinctive to ceramics from south-central China that were made during the Western Han dynasty (206BCE–9 CE). It was probably modeled on a bronze incense burner cast with a perforated lid for the release of fragrant smoke. Other common forms from the Han dynasty are in the case to the right.
Portret van Jacques-Auguste de Thou
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: etching
Location: paris
Subjects: paris, politician, historical persons
Inscriptions: collector's mark: Lugt 2228

Genummerd midden boven: Pl. No. 41. de l'Oeuvre.
Sculpturen van Jupiter, Bellona en Silenus met een wijnzak
Object type: album leaf
Date: 1538 – 1538
Materials: paper
Techniques: engraving
Location: italy
Subjects: (story of) jupiter (zeus), (story of) silenus, piece of sculpture, reproduction of a piece of sculpture, bellona (enyo)
Inscriptions: number: ‘94’, inscription: ‘Ende lib. No. 20 fol. 60./ et lib. No. 4. fol. 104./ Ende lib. No. 1. fol. 53 [...] Ende lib. No. 23. fol. 143.’

Deze prent maakt deel uit van een reeks van ten minste 19 prenten van sculpturen uit de oudheid.
St. Peter, from "Christ, the Twelve Apostles and St. Paul"
Object type: print
Date: 1525 – 1576
Techniques: engraving
Artist: lambert suavius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1510 – 1576
Design for 4 Seat Sleigh, no. 3621
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
The Duke of Gramatneiss's Famous Pack of Birds (Die Berühmte Vogelmeute des Herzogs von Gramatneiss)
Object type: print
Date: 1911 – 1911
Techniques: lithograph
Artist: moriz jung
Artist role: artist
Artist nationality: austrian
Artist dates: 1885 – 1915
Subjects: birds,planes
Vrouw in tuin
Object type: photograph
Date: 1907 – 1916
Materials: glass
Techniques: autochrome process
Artist: johannes hendrikus antonius maria lutz
Artist role: fotograaf
Artist dates:  – 1916
Subjects: picking flowers, garden

Vrouw in tuin staande bij een bloemenstruik.
Plate with four images of an enclosure at Amaravati, Andhra Pradesh, India
Object type: photograph
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Location: amaravati
Artist: Anonymous
Subjects: hinduism, buddhism, jainism
Inscriptions: inscription: ‘AMRAVATI. Plate XLVIII.’, inscription: ‘ELEVATION OF EXTERNAL FACE OF OUTER ENCLOSURE./ SCALE 1=3RD OF 1 INCH TO 1 FOOT.’
Corset
Object type: corset
Date: 1900 – 1900
Culture: american
Escutcheon
Object type: escutcheon
Date: 1730 – 1770
Materials: iron
Culture: american
Location: united states
Annotatie
Object type: endleaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Inscriptions: number: ‘80 / 64’, collector's mark: Lugt 2228

Schutblad A, voorste schutblad, uit schetsboek XXII met 30 bladen.
Brief aan Philip Zilcken
Object type: letter
Date: 1910 – 1910
Materials: ink, paper
Techniques: pen, printing, writing
Location: moissey
Artist: charles masson (uitgever)
Artist role: publisher
Artist dates: 1858 – 1931
Subjects: painter, draughtsman, philip zilcken, the graphic arts, exhibition ~ art, paris
Inscriptions: collector's mark: ‘RPK’, watermark
Ontwerp voor schakels en sluiting van een halsketting
Object type: design
Date: 1911 – 1911
Materials: ink, pencil
Techniques: pen
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: necklace
Wapen van de familie Rathsamhausen
Object type: drawing
Date: 1500 – 1560
Materials: chalk, ink, paper
Techniques: pen
Artist: hans baldung grien
Artist role: draughtsman, print maker
Artist dates: 1484 – 1545
Subjects: armorial bearing, heraldry
Middag
Object type: print
Date: 1590 – 1597
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: youth, adolescent, courting, personification of the afternoon, 'meridies', low countries

Middag. Allegorie met in de wolken Apollo als Meridiës, de personificatie van de middag. Beneden op aarde activiteiten in relatie met de levensfase van de jeugd of jonge volwassenheid: werken op het land en liefdesparen in een tuin. Onderdeel van de serie van de vier tijden van de dag. Onder de voorstelling een opschrift van 4 regels in het Latijn.
Deugdzaamheid van de ongeschondenen
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: hoofed animals: deer, the virgin martyr thecla of iconium; possible attributes: bear, (ball of) flames, lion, pillar, serpents, st. thecla is tied to the stake, but the flames do not harm her, beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2228

De heilige Thecla van Iconium omringd door een leeuw, een beer, een stier en een hert. Op de achtergrond is ze op een berg aan een paal gebonden door soldaten. De vlammen hebben echter geen vat op haar. In de marge een tweeregelig Bijbelcitaat uit Sir. 51 in het Latijn.
Voor- en achterzijde van een penning met het portret van Martin Luther en Latijnse tekst
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: priest, martin luther, historical persons, medal (considered as a piece of sculpture, regardless of its specific function)

Prent met tekst in boekdruk op verso gebruikt in: Mieris, Frans van. Histori der Nederlandsche vorsten (...). Den Haag: Pieter de Hondt, 1735, dl. 3, p. 136. Met bovenin de prent het symbool voor zilver. De letter M. verwijst waarschijnlijk naar de eigenaar van de penning.
Portret van een vrouw
Object type: album leaf
Date: 1870 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: java
Artist: c. perret
Artist role: fotograaf
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘C. Perret/ Photograaf/ Java’
Louis XV
Object type: medal
Date: 1715 – 1715
Materials: gilt bronze
Artist: jean le blanc
Artist role: artist
Artist nationality: french
Artist dates: 1676 – 1749
Subjects: men,profiles
Portret van lezende studenten
Object type: photograph
Date: 1905 – 1905
Materials: photographic support
Techniques: collodion silver print
Location: unknown
Artist: Anonymous
Portret van Johann Alexander Brambilla
Object type: print
Date: 1749 – 1796
Materials: paper
Techniques: engraving, etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
De nieuwe kolonels van het Russische leger
Object type: cartoon
Date: 1904 – 1904
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: war, political caricatures and satires, russia
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 21 augustus 1904.
Christus loopt over het water tijdens een storm op het meer van Galilea
Object type: book illustration
Date: 1703 – 1762
Materials: paper
Techniques: etching, letterpress printing
Location: haarlem
Subjects: christ saves peter from drowning
Inscriptions: collector's mark: Lugt 2228

De prent komt een eerste keer voor als boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel II. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.