deem-data/ArtiFact huggingface dataset:
Dorp met kerk en koeienmarkt
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: etching
Artist: jacob elias van varelen
Artist role: draughtsman, print maker
Artist dates: 1757 – 1840
Subjects: cow, church (exterior), market
Inscriptions: collector's mark: Lugt 2228

Prent diende mogelijk als illustratie voor de deksel van een tabaksdoos.
Goblet (Roemer) with map of the Rhine River
Object type: goblet
Date: 1601 – 1633
Materials: diamond, glass
Techniques: engraving
Key
Object type: key
Materials: iron
Culture: french
Buckle
Object type: buckle
Date: 206 – 220
Materials: bronze, gold, silver
Culture: chinese
Graef Diderick de vierde de vyfde grave van Hollandt Zeelandt ende Vrieslandt
Object type: print
Date: 1677 – 1677
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: the hague
Subjects: historical persons, ruler, sovereign, armorial bearing, heraldry

Prent uit: Scriverius, Petrus. Hollandsche, Zeelandsche ende Vriesche chronyck. Den Haag: Jasper Doll en Johan Veely, 1677, p. 66.
Stamp seal (scaraboid) with cultic scene
Object type: stamp seal
Date: 750 – 701
Materials: stone
Culture: syro-levantine
Location: levant or mesopotamia
Subjects: ankh
Drie rivierlandschappen en een bosgezicht
Object type: print
Date: 1734 – 1811
Materials: paper
Techniques: etching
Artist: antoine de marcenay de ghuy
Artist role: print maker
Artist dates: 1724 – 1811
Subjects: river, forest, wood, cave, grotto
Inscriptions: collector's mark: Lugt 2228
Flounce
Object type: flounce
Date: 1701 – 1800
Techniques: embroidery
Subjects: flowers
Gletsjerkloof, mogelijk de Lage Grindelwaldgletsjer langs de Eiger nabij Grindelwald, Zwitserland
Object type: stereograph
Date: 1860 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: dornach
Artist: Anonymous
Subjects: glacier
Inscriptions: number: ‘No. 513.’
Ontwerp voor illustratie in De Amsterdammer: Doux pays (...)
Object type: design
Date: 1911 – 1911
Materials: chalk, paint, paper
Techniques: brush
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: political caricatures and satires
The Tenth King of Hell
Object type: hanging scroll
Date: 1798 – 1798
Materials: ink, silk
Culture: korean
Subjects: kings,men,horses,buddhism

In the Buddhist world, the Ten Kings of Hell serve as judges of the deceased to determine their fate, including the type and severity of punishment and the course of their cycle of rebirth. This painting depicts the Tenth King of Hell in the standard guise of a warrior, and originally formed part of a set of ten scrolls (six of which were formerly in collection of the Los Angeles County Museum of Art and now at Sinheungsa Temple). Seated prominently in the center, the king is surrounded by a retinue of attendants and significant figures of the underworld, including messengers, judges, and wardens. At the top right corner, tiny figures float on a rainbowlike stream (a symbol of the six paths of rebirth) emanating from a double-headed beastly figure (representing the Evil Spirit) at the lower right. The dead, receiving punishments for their transgressions, populate the lower half of the painting. The inscription written in Chinese characters at the top right—第十五道轉輪大王黑暗地獄戊午甲 (Korean: 제십오도전륜대왕흑암지옥무오갑)—may be translated as “The Tenth Great King of the Five Ways and the Right Law, in the darkest hell, painted in the cyclical year muo,” a date that corresponds to 1798.
Pair of Sabots
Object type: textile
Materials: wood
Techniques: carving
Location: normandy
S. Elias Aegyptius
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: saints, anchorite, hermit

Prent uit: Rosweyde, Heribert. 'tBosch der eremyten ende eremitinnen, van Aegypten ende Palestinen. Amsterdam: Pieter Jacobsz. Paets, 1644.
Verhaal met voorstellingen van moord en doodstraf (F. 472.)
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: etching
Location: netherlands
Subjects: death penalty, execution, murder, fighting
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760

Verhaal in acht scènes met enkele voorstellingen van moord en doodstraf. Onder andere van een man die wordt neergeschoten, een vrouw aan een galg en van een persoon die wordt geradbraakt. Linksboven: F. 472.
Plantagewoning, vermoedelijk op plantage Clevia
Object type: photograph
Date: 1910 – 1910
Materials: photographic support
Techniques: collodion silver print
Location: suriname
Artist: Anonymous
Subjects: plantation, suriname

Een plantagewoning, vermoedelijk op plantage Clevia. Losse foto in het fotoalbum over de familie Gonggrijp op de plantages Clevia en Morgenstond in Suriname rond 1910.
Opgebaarde onverteerde lichaam van de H. Idesbald, 1625
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: infante van spanje isabella clara eugenia, male saints (with name), opening of grave, exhumation

Het wonderbaarlijk onverteerde lichaam van de zaligverklaarde Idesbald van Ter Duinen, in 1167 begraven en in 1625 (of 13 november 1623) gevonden in de abdij van Onze-Lieve-Vrouw Ten Duinen te Koksijde en ten toon gesteld in de abdijhoeve Ten Bogaerde. Om het lichaam op een praalbed is een groep toeschouwers verzameld, waaronder Isabella Clara Eugenia en Spinola. Met onderschrift van 4 regels in het Frans.
Votive Plaque with White Taras
Object type: plaque
Date: 1368 – 1643
Materials: clay
Culture: tibetan
Pendant: Lotus Sepal
Object type: pendant, leaf petal
Date: 1390 – 1352
Materials: faience
Location: egypt
Gevecht tussen Amazones en Grieken (deel linksonder)
Object type: print
Date: 1648 – 1670
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: battle of amazons; amazonomachy, bridge
Inscriptions: collector's mark: Lugt 240

Gevecht tussen Amazones en Grieken op de brug van Troje.
Portret van Jan van Leiden
Object type: print
Date: 1650 – 1673
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: leiden, rocaille ornament, ornament ~ medallion, historical persons
Inscriptions: inscription: ‘Naar de dood van Jan Matyssoon, wierd het Opperbewind met algemeene goedkeuring der Herdoperen/ aan dese Jan Bokelszoon opgedragen, zijnde Kleeremaker te Leiden, Hij is omtrent de jaare 1510/ gebooren, wierd den 23 van Louwmaand te Munster ter dood gebragt, en in een eyseren/ korf aan den S Lamberts gehangen in t Jaar 1536.’
Relief panel
Object type: relief
Date: 883 – 859
Materials: alabaster, gypsum
Culture: assyrian
Location: mesopotamia

This panel represents a supernatural protective figure similar to those seen in the Northwest Palace at Nimrud (ancient Kalhu) but comes from another important structure at the same site, the Ninurta Temple. Like the palace, the Ninurta Temple was built by Ashurnasirpal II (r. 883–859 B.C.), and it is very likely that many of the same personnel were involved in producing the relief programs for the two buildings. Ninurta was an important god in the Mesopotamian pantheon. In origin he was an agricultural deity, but for the Assyrian kings it was his association with war and victory that gave him particular significance. One relief from the Ninurta Temple depicts the god’s most famous mythological exploit—recovering the "Tablet of Destinies," on which was written the future of humanity, from the Anzu bird, a demon who often appears in art as a lion-headed eagle. The figure depicted here is winged and human-headed, and holds in his left hand part of a plant whose three branches end in rosettes. The meaning of this plant is unknown, but it is probably highly stylized and may not represent any real plant. Rosettes occur frequently in Assyrian art and have strong divine associations, particularly with the goddess Ishtar.
Billiards
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Studie van een gezicht en onderbenen van een vrouw
Object type: drawing
Date: 1812 – 1861
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: face, legs
Helgoland, from the Fancy Bathers series (N187) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: profiles,women

Trade cards from the "Fancy Bathers" series (N187), issued in an unnumbered set of 50 cards in 1889 by Wm. S. Kimball & Co.
The Sun Vow
Object type: sculpture
Materials: bronze, copper alloy, metal
Location: united states
Artist: hermon atkins macneil
Artist nationality: american
Artist dates: 1866 – 1947
Subjects: chicago, people, portraits
Inscriptions: Inscribed on right of base: "THE SVN-VOW"
Inscribed on back of base: "CIRE.PERDUE. CAST.ROMAN.BRONZE.WORKS. N.Y. 1901"
Inscribed on left of base: "H.A. MacNeil / R.R.S. Rome 1901"

Sculptor Hermon Atkins MacNeil imagined a rite of manhood in this portrayal of a Native American elder guiding a boy as he shoots an arrow skyward. The pair follows its ascent until it is lost in the sun’s rays. It was through the distorted lens of ethnographic displays at the 1893 World’s Columbian Exposition in Chicago as well as Buffalo Bill’s Wild West shows that MacNeil’s interest in Indigenous cultures developed. He modeled The Sun Vow apart from any meaningful contact with Native peoples, executing it in Rome in 1898. MacNeil’s study of classical sculptures in Italy is visible here in the attentive rendering of the human form and harmonious lines of the figures’ silhouettes.
Card Number 17, Fanny Rice, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-6), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the sixth subset, N145-6. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
De stalboef
Object type: print
Materials: paper
Techniques: tone lithography
Location: haarlem
Artist: j.j. van brederode
Artist role: publisher
Subjects: riding a horse, ass, or mule; rider, horseman, fowling, fowler
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een vrouw te paard, vergezeld door een man en vrouw te paard in de achtergrond, staat voor drie valkeniers en een jongeman die haar op iets wijst.
Cupstand
Object type: vessel
Materials: porcelain
Techniques: incising, underglaze
Location: china
Antiphonary
Object type: antiphonary
Date: 1600 – 1600
Materials: leather, parchment
Techniques: bookbinding
Culture: spanish
Artist: manuel de boada guittierrez
Artist role: artist
Artist nationality: spanish
Linnen servet van damastweefsel met pellenpatroon (motief II), aan vier zijden omzoomd
Object type: miniature
Date: 1690 – 1710
Materials: linen
Location: haarlem
Artist: Anonymous
Venus and Mars with Cupid and the Three Graces
Object type: print
Date: 1530 – 1535
Techniques: engraving
Artist: master hcb
Artist role: artist
Artist dates: 1565 – 1565
Subjects: cupid,mars,venus,goddess
Woman (Elevation)
Object type: sculpture
Materials: bronze
Location: united states
Artist: gaston lachaise
Artist nationality: american, born france
Artist dates: 1882 – 1935
Subjects: people, portraits
Inscriptions: Cast on base: G. Lachaise © 1927

Born in France, Gaston Lachaise immigrated to the United States when he was 24 years old. He modeled Woman (Elevation) after Isabel Dutaud Nagle, whom he married in 1917, telling her, “I want to create a miracle with it… as great as you.” Although it definitely evokes his subject’s appearance, this sculpture represents Lachaise’s first full-scale expression of the idealized female form that would come to dominate his art. The figure’s long legs support a voluptuous torso that recalls ancient fertility goddesses and a disproportionally small waist that accentuates her ample hips and breasts. Modernists like Lachaise were fascinated by preclassical art because they believed it possessed a primitive vitality absent from later art forms.
Ontwerp voor het interieur van de gereformeerde kerk te Vreeland
Object type: sketchbook leaf
Date: 1905 – 1906
Materials: paper, pencil
Location: vreeland
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: interior of church
Inscriptions: annotation: ‘19 cm dagmaa[...]/ 5 ramen’

Blad 17 recto uit een schetsboek met 30 bladen.
Armstoel met rotan zitting, versierd met rozetten en getordeerde delen, op boogvormige bovenregel een opengewerkte bekroning, armleggers eindigen in ofifantachtige koppen
Object type: furniture
Date: 1700 – 1725
Materials: wood, rattan
Location: indonesia
Artist: Anonymous

Armchair. Ironwood, cane. Indonesia or Ceylon, c. 1700 - 1725.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Three parts of feet type B with reserve line at chamfer
Abklatsch van de krijttekening op pagina 28
Object type: sketchbook leaf
Date: 1897 – 1910
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 29 uit een schetsboek met 19 bladen.
Bowl
Object type: bowl
Date: 1535 – 1550
Techniques: maiolica, glazing
Artist: maestro prestino
Artist role: maker
Artist dates: 1500 – 1600
Subjects: infants,women
Portret van kardinaal Francesco Albizzi
Object type: print
Date: 1658 – 1679
Materials: paper
Techniques: engraving
Location: rome
Subjects: rome, cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit een reeks van onbekende omvang met portretten van kardinalen. De prenten werden vanaf 1657 vervaardigd in opdracht van uitgever Giovanni Giacomo de’ Rossi, waarna de productie werd voortgezet onder leiding van zijn opvolgers Domenico de’ Rossi en Lorenzo Filippo de’ Rossi, en ten slotte onder leiding van de Calcographia R.C.A.
Gezicht te Soengeiliat
Object type: stereograph
Date: 1900 – 1922
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: robert julius boers
Artist dates: 1867 – 1932
Subjects: robert julius boers
Inscriptions: inscription: ‘Soengei keiat Rechts Passang Grahan en kantoor Administrateur’

Gezicht langs de weg te Soengeiliat, rechts de pasanggrahan en het administratiekantoor. Onderdeel van een groep stereofoto's van Robert Julius Boers, chef van het staatsbedrijf de Banka-tinwinning op Banka, uit de periode ca. 1900-1922.
Bibliothèque de l'Empereur à Compiègne
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring, perforating
Location: compiègne
Artist: Anonymous
Subjects: study; 'studiolo'; library, interior ~ representation of a building
Geschiedkundige beschrijving der oudere en nieuwere, thans bestaande ridderorden, zoo in als buiten Europa
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: knighthood order, spain
Inscriptions: collector's mark: Lugt 2228

Deze prent werd uitgegeven in: G.L. de Rochemont en J. Bischoff, Geschiedkundige beschrijving der oudere en nieuwere, thans bestaande ridderorden, zoo in als buiten Europa (...) Amsterdam, Jb. da Cunha & Co: 1843.
Bronze oinochoe (jug) handle with lion's head and female protome
Object type: handle of an oinochoe
Date: 600 – 501
Materials: bronze
Culture: etruscan

Terminating above in a lion's head flanked by two smaller animal heads and below a female protome flanked by two snakes.
Gezelschap in de duinen
Object type: print
Date: 1767 – 1780
Materials: paper
Techniques: etching, rocker stamped, roulette
Location: netherlands
Subjects: recreation in the dunes
Inscriptions: collector's mark: Lugt 2228

Bij een schutting zitten een man en een vrouw. Zij spreken met een jongen die bij hen staat. Op de achtergrond zit een andere groep mensen in de duinen.
The poetical works of John Milton
Object type: book
Date: 1885 – 1885
Materials: linen, paper, photographic support
Techniques: albumen print, printing, marbled paper
Location: london
Artist: john milton
Artist role: dichter, schrijver
Artist dates: 1608 – 1674
Inscriptions: name: ‘ex libris SFJ’, inscription: ‘Queenie with love from Laddie 15th May 86’
Médinet-Habou, Propylées du Thoutmoseum; Thèbes, plate 47 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie
Landech in the Tyrol
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: etching
Location: london
Subjects: city-view, and landscape with man-made constructions, river, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Andere staat gebruikt in: Ritchie, Leitch. Heath's Picturesque Annual. Travelling Sketches in the North of Italy, the Tyrol, and on the Rhine. Londen: Longman, Rees, Orme, Brown & Green, 1832.
Prentbriefkaart aan Philip Zilcken
Object type: ansichtkaart, prentbriefkaart
Materials: cardboard, ink
Techniques: photograph, pen, writing
Location: paris
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Album met honderd vogels door Bairei - deel drie
Object type: book
Date: 1884 – 1884
Materials: paper
Techniques: woodcut
Location: japan
Artist: kôno bairei
Artist role: painter, print maker
Artist dates: 1844 – 1895
Inscriptions: number: ‘1459 No. 1’, inscription: ‘Bairei’
"Surkha Captured by Faramarz is Condemned by Rustam", Folio 204v from the Shahnama (Book of Kings) of Shah Tahmasp
Object type: folio from an illustrated manuscript
Date: 1525 – 1530
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: battles,men,elephants,horses,death

The hero Rustam, shown here on horseback wearing a leopard-skin hat, launched war to avenge the death of Siyavush, whom the Turanian king Afrasiyab had executed. Rustam was determined to cause Afrasiyab the same pain by having his son, Surkha, captured and killed. The Chinese‑style kite clouds, winding tree, and doll‑like rendition of the figures’ faces reflect Qasim ibn 'Ali’s grounding in the Turkmen painting tradition.
Animalivm Qvaddrvpedvm
Object type: print
Date: 1595 – 1652
Materials: paper
Techniques: engraving
Location: unknown
Subjects: hoofed animals: deer, stag-hunting, hoofed animals: moose
Inscriptions: collector's mark: Lugt 2228

Twee herten, een damhert en een eland op de voorgrond. Op de achtergrond een hertenjacht. De prent maakt deel uit van een serie met dieren als onderwerp.
The Crucifixion, frontispiece to Postilla Guillermi
Object type: print
Date: 1491 – 1491
Techniques: woodcut
Artist: anonymous, german, 15th century
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 1500
Subjects: men,christ,crucifixion
Portret van Mies Rosenboom-Merkelbach
Object type: photograph
Date: 1920 – 1930
Materials: glass
Techniques: jos-pé print
Location: amsterdam
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Inscriptions: signature and date
Palativm Sarmatoris
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: etching
Subjects: rural housing, e.g. country-house, villa, cottage
Inscriptions: collector's mark: Lugt 2228

Gezicht vanuit vogelperspectief op een buitenverblijf. Rechtsboven dragen putti een gekroond familiewapen en de titel van de prent.
Terracotta Hadra hydria (water jar)
Object type: hydria, hadra
Date: 213 – 213
Materials: terracotta
Culture: greek, cretan or ptolemaic

The inscription on this vase states that it contained the cremated bones of a certain Timasitheos of Rhodes, a dignitary who died on an offical visit to Alexandria. The date of his death is precisely recorded as 19 May 213 B.C., using both the Macedonian and the Egyptian calendars.
Page of Calligraphy
Object type: non illustrated album leaf
Materials: gold, ink, paper, watercolor
Location: iran
Artist: muhammad shafi‘ known as vesal-i shirazi
Artist role: calligrapher
Artist nationality: iranian
Artist dates: 1779 – 1846
Subjects: calligraphy

Muhammad Shafi' (1779–1846), known as Vesal of Shiraz, is among the most celebrated and prolific calligraphers and poets of the Qajar period. He descended from a line of scribes who served at the local courts of the Safavid, Afshar, and Zand rulers. He was proficient in seven scripts, particularly in naskhi and nasta'liq. He is known to have copied over sixty Qur'ans in his lifetime, as well as manuscripts of other texts, and single and mashq pages. He specialized in revival naskhi in the style of late Safavid calligraphers, particularly Ibrahim Qumi and Ahmad Nairizi, considered the uncontested master of revival naskhi in Iran. This page contains excerpts from a Qur'an written in fine naskhi. There are eight diagonal lines of text in cream-colored ink between which an additional eight lines are written in reverse, in pink, yellow, and blue inks. The forward facing lines comprise the throne verse from the Qur'an (Sura 2, verse 255), and the colored letters are a continuation of the text through the next two verses. This work illustrates the Qajar calligrapher's preference for writing in an unprecedented range of colored inks on backgrounds of unusual color. It also reflects the penchant for writing in a multidirectional manner, whereby the reader is forced to turn the page around in order to read the text.
Profile Warrior Ornament
Object type: ornament
Date: 501 – 700
Materials: gilt copper, shell
Culture: moche
Location: peru
Subjects: warriors
Ex libris van James Marquiss of Carnarvon
Object type: bookplate
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: politician, armorial bearing, heraldry
Prosperctus montis ventorum, qui dicitur Carolinin prope urbem (...)
Object type: album leaf
Date: 1706 – 1706
Materials: paper
Techniques: etching
Location: italy
Subjects: city-view, and landscape with man-made constructions, garden, garden fountain, palace, artificial grotto in garden
Élégance. Acacia / Elegancy. Rose Acacia
Object type: print
Date: 1831 – 1832
Materials: paper
Techniques: lithograph
Location: paris
Subjects: flowers, elegance, historical persons
Inscriptions: check stamp: Lugt 3987
Sahurs Meadows in Morning Sun
Object type: painting
Date: 1894 – 1894
Materials: canvas, oil
Artist: alfred sisley
Artist role: artist
Artist nationality: british
Artist dates: 1839 – 1899
Subjects: landscapes

Sisley spent the summer of 1894 in Le Mesnil-Esnard at the estate of his friend and patron, François Depeaux, a wealthy Norman industrialist. While there, Sisley painted seven views of the Coteaux de la Bouille and the Sahurs meadows adjacent to Rouen. Depeaux bought five of the pictures, including the present work.
Portret van Cornelis Troost
Object type: drawing
Date: 1841 – 1841
Materials: paper, pencil
Artist: coenraad hamburger
Artist role: draughtsman
Artist dates: 1809 – 1891
Subjects: amsterdam, painter, print maker, draughtsman, cornelis troost, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of graphic artist
Inscriptions: date: ‘1841’

Portret van de schilder en graveur Cornelis Troost.
Hanging/ Sash
Object type: textile
Date: 1801 – 1900
Techniques: dyeing
Location: java