deem-data/ArtiFact huggingface dataset:
Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)
Object type: painting
Date: 1879 – 1879
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: pierre auguste renoir
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1919
Subjects: century of progress, public, costume, entertainment, girls, portraits, work, leisure, children, world's fairs, chicago world's fairs, uniforms, acrobats, fruit, oranges
Inscriptions: Inscribed lower left: Renoir

When the Cirque Fernando opened in the Montmartre neighborhood of Paris in 1875, the Impressionists, including Pierre-Auguste Renoir, quickly became frequent visitors. Here, Renoir featured 17-year-old Francisca Wartenberg (left) and her sister, 14-year-old Angelina (right), members of an itinerant German acrobatic troupe. Although Renoir painted the girls in the natural light of his studio rather than onsite at the circus, he posed them as if they were taking their bows after a performance, gathering up the tissue-wrapped oranges tossed to them as tributes by members of the audience.
Vossvangen
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: vienna
Subjects: city-view in general; 'veduta' (+ city(-scape) with figures, staffage)
Inscriptions: number: ‘23’
House in Saigon, Cochin China
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
The Messenger in Black
Object type: woodblock print nishiki e
Date: 1726 – 1792
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: swords,men
The Thoughtful Captain
Object type: print
Date: 1822 – 1822
Techniques: lithograph
Artist: johann gottfried schadow
Artist role: artist
Artist nationality: german
Artist dates: 1764 – 1850
Subjects: soldiers,contemplation,men
Teabowl
Object type: teabowl
Date: 1650 – 1650
Materials: clay, glaze
Culture: japanese
Artist: ninsei ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1658 – 1868
Portret van een man met bakkebaarden
Object type: carte de visite
Date: 1864 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: the hague
Artist: maurits verveer
Artist role: painter
Artist dates: 1817 – 1903
Subjects: sideburns, adult man, historical persons not known by name, the hague
Inscriptions: address: ‘52. Zeestraat 52, vis á vis du Willemspark, La Haye.’

Onderdeel van Fotoalbum van de families Matthes, Doorman en Van Thiel.
Gezicht op de ruïnes van de abdij in Baltinglass
Object type: book illustration
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: london
Subjects: city-view, and landscape with man-made constructions, abbey, monastery, convent ~ roman catholic church
Inscriptions: date

Prent verschenen in: Grose, Francis. The antiquities of Ireland, dl. 2. Londen: S. Hooper, 1795.
Panel
Object type: panel
Date: 1500 – 1500
Materials: silk, thread
Paneel met vrouwenbuste
Object type: ornament print
Date: 1647 – 1647
Materials: paper
Techniques: etching
Location: london
Subjects: ornament ~ grotesque, vase ~ ornament, chest, bust - aa - female human figure
Inscriptions: collector's mark: Lugt 2228

Een paneel met grotesken. Twee termen flankeren een vrouwenbuste in het midden. Daarboven een vaas. Rondom diverse afbeeldingen van landschappen, maskers en dieren.
Prentjes voor Dirk 1849
Object type: drawing
Date: 1849 – 1849
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: riding a horse, ass, or mule; rider, horseman
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Prentjes voor Dirk - 1849.’

Ruiter met hoed met pluim, in een landschap met enkele andere ruiters. Titelblad voor een getekend prentenboekje voor zijn zoon Dirk Tavenraat.
The Triumph of Love over Time
Object type: mantel clock
Date: 1780 – 1790
Materials: enamel, gilt bronze, marble
Artist: jean-baptiste lepaute
Artist role: maker
Artist nationality: french
Artist dates: 1727 – 1802

This clock illustrates the triumph of love over time. The young god of love points to the minutes with his arrow while holding a blazing torch to the celestial globe that contains two revolving rings between its hemispheres, one with the minutes (5–10) and the other with the hours (I-XII). Chronos, or Father Time, sits dejectedly at the right. The figures, modeled by Augustin Pajou (1730–1809), were taken from a more complex design for a clock made by the royal sculptor in 1775 for the prince de Condé and were probably cast by Étienne Martincourt (active 1762–1800). The subject of the relief on the pedestal is a sacrifice to Eros. At this time, the workshop of the Lepaute family consisted of Jean-Baptiste (1727–1802), named horologer du roi in 1775; Pierre, called Henry Lepaute (1749–1806); and Pierre-Bazile, called Sully-Lepaute (1750–1843). The gilt bronze is beautifully finished and the contrast between the burnished and matte areas is particularly striking.
Prometheus chained, two pendentives and an Egyptian Saint Marie, volume 3, plate 234 from "Monuments des Arts du Dessin"
Object type: print
Date: 1829 – 1829
Techniques: lithograph
Artist: jules dagneau
Artist role: artist
Subjects: male nudes
Tsuchi-guruma, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Twee smeden aan het werk in Zambia
Object type: card game
Date: 1900 – 1920
Materials: cardboard, paper
Techniques: rotogravure
Artist: Anonymous
Subjects: card games, forging (industrial process)
Stylus
Object type: stylus
Date: 7000 – 330
Materials: bone, bronze
Portret van Pauline Viardot-García
Object type: page
Date: 1857 – 1862
Materials: photographic support
Techniques: albumen print
Artist: andré-adolphe-eugène disdéri
Artist role: fotograaf
Artist dates: 1819 – 1889
Subjects: pauline viardot-garcia, adult woman, historical persons
Inscriptions: inscription: ‘Galerie des Contemporains’
Huwelijksaankondiging aan Philip Zilcken
Object type: wedding announcement
Materials: paper
Techniques: printing
Location: paris
Artist: a. bellanger
Subjects: baronne madeleine deslandes, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Bone. Le Marché
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1905
Materials: cardboard
Techniques: photograph, lithograph, writing
Location: bône
Subjects: market-hall, street (+ city(-scape) with figures, staffage)
Piece
Object type: piece
Date: 1801 – 1900
Materials: linen, silk
Subjects: flowers
Gezicht op Civitella
Object type: sketchbook leaf
Date: 1804 – 1830
Materials: paper, pencil
Location: civitella
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: prospect of village, silhouette of village, mountains
Inscriptions: date and inscription: ‘civitella April.’

Blad 21 recto uit een schetsboek met 26 bladen.
Man met kromzwaard, tulband en kleding uit het Midden-Oosten
Object type: print
Date: 1824 – 1869
Materials: paper
Techniques: etching
Artist: corneille seghers
Artist role: draughtsman, print maker
Artist dates: 1814 – 1869
Subjects: hacking and thrusting weapons (with name), head-gear: turban, folk costume, regional costume
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Kanaaloever te Utrecht
Object type: drawing
Date: 1619 – 1685
Materials: chalk, paper
Techniques: brush
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: canals, waters (in city), utrecht
Zalving van koning Salomon
Object type: print
Date: 1557 – 1570
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: solomon anointed king by zadok; all the people rejoice and blow their trumpets, crowning of solomon
Inscriptions: collector's mark: Lugt 2228

De priester Sadok zalft Salomon op een plein voor de tempel met olie. Salomon staat op een bordes van twee treden en knielt voorover. Het volk juicht en veel mannen blazen als teken van vreugde op ramshoorns.
Doosje voor een draagteken
Object type: insignia
Date: 1910 – 1910
Materials: cardboard
Location: brussels
Artist: jean lecroart
Artist role: medailleur
Artist dates: 1883 – 1967
Subjects: the hague, sculptor, bart van hove, brussels
Inscriptions: inscription: ‘JURY<BR />EXPOSITION DE BRUXELLES<BR />1910’, inscription: ‘FONSON<BR />.&c;.<BR />BRUX’, signature: ‘J. LECROART’

Rond kartonnen doosje behorend bij het draagteken uitgereikt aan Bart van Hove, een van de juryleden van de Wereldtentoonstelling te Brussel, 1910
Woman Tending Two Pigs
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: etching
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Priest's Robe (Shichijō)
Object type: robe, priest's
Date: 1656 – 1656
Materials: silk
Culture: japanese
Portret van George IV, koning van het Verenigd Koninkrijk
Object type: print
Date: 1811 – 1820
Materials: paper
Techniques: engraving, roulette
Subjects: george iv (koning van het verenigd koninkrijk), historical persons, king
Inscriptions: collector's mark: Lugt 2228

Het portret is gemaakt toen George nog prins van Wales was.
Gebouwen op de Großer Winterberg in Duitsland
Object type: stereograph
Date: 1855 – 1855
Techniques: albumen print, salted paper print
Location: germany
Artist: Anonymous
Subjects: mountains
Trionfo Di Virtu. Libro Novo..., page 29 (recto)
Object type: book print ornament architecture
Date: 1563 – 1563
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588

Published by Matteo Pagano, Italian, 1515-1588, Venice. From top to bottom, and left to right: Design composed of 2 vertical columns. Left column is decorated with 4 coiling branches of leaves and dandelions. Right column is decorated with 4 coiling branches of leaves.
Gezicht op huis met tuin en hoge bomen,  Langkat Sumatra
Object type: photograph
Date: 1890 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: bindjai
Subjects: sumatra
Vernieling van Engelse en Nederlandse vloten door de Fransen 1690
Object type: history medal
Date: 1690 – 1690
Materials: copper
Techniques: casting

Gegoten koperen penning, op de voorzijde het borstbeeld van Lodewijk XIV met omschrift, op de keerzijde een zeeslag met omschrift en afsnedetekst.
Figuurstudies
Object type: sketchbook leaf
Date: 1903 – 1903
Materials: pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, adult man

Pagina 14 uit een schetsboek met 32 bladen.
Cartonnage fragment
Object type: cartonnage fragment, painted
Date: 100 – 300
Materials: linen, paint, plaster
Location: egypt
Subjects: human figures,animals
Lion of the Atlas Mountains
Object type: print
Date: 1829 – 1830
Techniques: lithograph
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: hunting,lions,rabbits

In 1829, Delacroix and his friend the sculptor Antoine-Louis Barye had the opportunity to closely observe the dissection of a lion in Frédéric Cuvier’s laboratory at the Jardin des Plantes. According to the critic Hippolyte Taine, Delacroix later recollected his observation that the "lion’s front leg was the huge arm of a man, but twisted and turned backward." Significantly, Delacroix noted the lion’s place of origin, the Atlas Mountains of North Africa, when he titled this ambitious lithograph, published in 1830. That same year, fourteen lions arrived in the capital following France’s colonial invasion of Algeria. Big-game hunting rendered the species extinct by the early twentieth century.
Pair of leggings
Object type: legging
Date: 601 – 900
Materials: cotton
Culture: alanic
Location: caucasus
Nail Head
Object type: nail head
Date: 1401 – 1600
Materials: iron
Culture: european
Subjects: shells
Zoutkamp - Binnenhaven
Object type: photomechanical print
Date: 1900 – 1911
Materials: paper
Techniques: photograph
Location: veendam
Subjects: harbour
Inscriptions: number: ‘No. 9.’
Skirt panel
Object type: skirt panel
Date: 1750 – 1760
Materials: silk
Subjects: flowers
Ex libris van Georges Goury
Object type: bookplate
Date: 1891 – 1916
Materials: paper
Techniques: printing block
Location: france
Subjects: reading, book, water-birds: duck
Monuments Commémoratifs, XVIe Siècle
Object type: reproduction
Date: 1875 – 1880
Materials: paper
Techniques: photolithography
Location: antwerp
Subjects: bible, commemoration, jubilee, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: inscription: ‘LITT. M. - PL. 29’, monogram: ‘JJvY’, inscription: ‘MONUMENTS commémoratifs tirés (...)’
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 26 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601

Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. From top to bottom, and left to right: Design composed of 2 horizontal registers. Top register is decorated with 2 curvilinear motifs; the left and right motifs are the same, whereas the central motif is in the shape of a triangle and contains a vase at its center. Bottom register is decorated with a curving vine of leaves and flowers.
Grand Garden View
Object type: print
Date: 1655 – 1690
Techniques: etching
Artist: abraham genoels ii
Artist role: artist
Artist nationality: flemish
Artist dates: 1640 – 1723
Subjects: gardens,landscapes,boats
Believe Me Faithful (valentine)
Object type: print
Materials: gold, ink, paper
Techniques: collage, embossing, lithograph
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Heiligeweg met regen
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: civic architecture; edifices; dwellings, street (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘Heiligenweg [sic] met regen’

Pagina 4 uit een schetsboek met 41 bladen.
Limestone statuette of Pan
Object type: statue of pan or melanthios
Date: 0 – 0
Materials: limestone
Culture: cypriot
Subjects: male nudes

A nebris knotted around the neck covers the shoulders and falls to the back. The ears are pointed and there are small goat horns. Several locks on the forehead are shown. A mass of hair spreads out onto the back.
Soldaat met een vuurwapen te paard
Object type: sketchbook leaf
Date: 1873 – 1873
Materials: paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: division of armed forces (+ cavalry, horsemen), firearms, horse
Inscriptions: workshop stamp: Lugt 291d

Blad 45 recto uit een schetsboek met 25 bladen.
Titelpagina voor: M. D'Aulnoy, Le comte de Warwick, 1704
Object type: titelblad, titelpagina
Date: 1704 – 1704
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: jacques desbordes (i)
Artist role: publisher
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor het tweede deel van: Aulnoy, Marie Cathérine Le Jumel de Barneville d' (comtesse). Le comte de Warwick. Amsterdam: Jacques Desbordes (I), 1704.
An Evening beside Lake Arresø
Object type: painting
Date: 1837 – 1837
Materials: canvas, oil
Artist: johan thomas lundbye
Artist role: artist
Artist nationality: danish
Artist dates: 1818 – 1848
Subjects: men,dogs,lakes

In 1836, Lundbye’s parents moved to Frederiksvaerk, which lies between Denmark’s largest lake, Aressø, and the sea. The young artist stayed behind in Copenhagen, but on family visits he embraced this new setting, eager to capture the Danish character of the countryside, its light, and its way of life. Paintings in this vein soon earned Lundbye a reputation as a promising landscapist.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, extended arm of draped figure
Coptisch klooster, Jeruzalem, Palestina ["268 IX Station, couvent Cophte. - XI Station. Coptic convent"]
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: palestina
Inscriptions: inscription: ‘Bonfils.’, inscription: ‘268 IX Station, couvent Cophte. - XI Station. Coptic convent.’

Op de achtergrond een koepel met een kruis, op de voorgrond staat een man tegen de ingang/deurpost geleund.
Hugo Grotius
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacques de gheyn (ii)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1629
Inscriptions: Lettered around the oval frame: "Anno M D IC Ruit Hora. Aet. XV ID Gheyn fe." and below image with two lines of Latin verse: "Quem sibi ... ora fero."
Werkers op het land met korenschoven
Object type: drawing
Date: 1925 – 1927
Materials: chalk, paper
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: reaping, picking, mowing ~ harvest

Vijf mensen zijn aan het werk op het veld, in het midden zijn een paar grote korenschoven te zien. Links houdt een man een sikkel omhoog.
Moord op de gebroeders De Witt, 1672
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: dordrecht, the hague, cornelis de witt, politician, johan de witt, lynching, attempt, political murder, violent death, being killed; being mishandled and maltreated; seeking death (+ death by lynching)
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Gottfried, Johann Ludwig. Historische kronyck; vervattende een (...) beschrijvingh der aldergedenckwaerdigste geschiedenissen des weerelds, van den aenvangh der scheppingh tot (...) 1576 (2 delen). Leiden: Pieter van der Aa, 1698, dl. II, p. 1315.
Portret van Jacques Bénigne Bossuet
Object type: print
Date: 1760 – 1823
Materials: paper
Techniques: engraving, etching
Subjects: paris, archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228
Rechtboomsloot te Amsterdam
Object type: drawing
Date: 1870 – 1926
Materials: paint, ink, paper, pencil
Techniques: pen
Location: amsterdam
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: street
Abacus
Object type: abacus
Date: 1301 – 1400
Materials: marble
Location: spain
View of the Port of Ripa Grande, from Views of Rome
Object type: print
Date: 1750 – 1759
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Portrait of Gerard Reynst, Governor-General of the Dutch East Indies
Object type: painting
Date: 1614 – 1675
Materials: oil, panel
Location: batavia
Artist: Anonymous
Subjects: amsterdam, colonial governor, historical persons

Portret van Gerard Reynst (gest. 1615). Gouverneur-generaal (1614-15). Staand, ten halven lijve naar rechts, de rechterhand in de zij. Om de schouder een gouden keten met een portretmedaillon van prins Maurits.
Oogsten met sikkel en wijnpers
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: an angel thrusts his sickle into the earth, and gathers the vine
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Vier engelen oogsten druiven en graan met een sikkel en gooien druiven in een wijnpers. In de wolken een gekroonde figuur met sikkel in de hand, zittend op een troon, geflankeerd door twee engelen. In de marge een vierregelig onderschrift in het Latijn. Zeventiende prent uit een serie van vierentwintig met de openbaring van Johannes op Patmos.
Bronze de la maison Barbedienne, Paris
Object type: page
Date: 1880 – 1885
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: adult man, piece of sculpture, reproduction of a piece of sculpture
Engelen met muziekinstrumenten bij een monument
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: mezzotint
Location: england
Subjects: monument, statue, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Het plakkaat op het monument bevat de tekst 'Sonate da camera a violino e violone o cemba' uit een muziekstuk door Nicola Cosimi (1667-1717).
De zondeval
Object type: print
Date: 1504 – 1508
Materials: paper
Techniques: engraving
Location: low countries
Artist: lucas van leyden
Artist role: draughtsman, painter, print maker
Artist dates: 1494 – 1533
Subjects: eve offers the fruit to adam
Inscriptions: signature: ‘L’, collector's mark: Lugt 240

Eva en Adam zittend aan voet van een boom. Eva met twee vruchten, overhandigt één aan Adam. In boom een duivel met een slangenstaart.
Table Spoon
Object type: spoon
Date: 1780 – 1790
Materials: silver
Culture: american
Location: united states
Artist: benjamin halsted
Artist role: maker
Artist nationality: american
Artist dates: 1734 – 1817
Drie hoofden van een man met tulband, man met helm en een vrouw
Object type: print
Date: 1703 – 1780
Materials: paper
Techniques: etching
Location: london
Subjects: helmet, head (human) (+ three-quarter view), head (human) (+ sideview, profile), head-gear: turban
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Jar
Object type: vessel
Materials: glaze, porcelain
Location: korea
Terracotta stamnos (jar)
Object type: stamnos
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

On the shoulder, obverse, lion While a wide variety of vase shapes were imported from Attica into Etruria, some seem to have been made specifically for the Etruscan market. The kyathos (ladle), for example, is an Etruscan shape that was reinterpreted in Attic workshops and exported. The stamnos is found so much more frequently in northern Italy than on the Greek mainland that it too may have been produced for a specific clientel.
Gezicht op het gebouw voor techniek en vrije kunsten op de World's Columbian Exposition in Chicago in 1893
Object type: page
Date: 1893 – 1893
Materials: paper
Techniques: photograph
Location: chicago
Subjects: world fair, world exhibition
Inscriptions: number: ‘Plate 21’
Woningen in de wijk Römer in Frankfurt
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: frankfurt am main
Artist: carl friedrich mylius
Artist role: draughtsman
Artist dates: 1827 – 1916
Subjects: urban housing
Inscriptions: inscription: ‘Frankfurt a.M./ altes Haus auf dem Römerberg’
... and soon formed a fantastic round, from "Scenes from the Private and Public Life of Animals"
Object type: print
Date: 1837 – 1847
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Fred Dunlap, Captain, Pittsburgh, from the Goodwin Champion series for Old Judge and Gypsy Queen Cigarettes
Object type: baseball card
Date: 1888 – 1888
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
A Witch Sailing to Aleppo in a Sieve
Object type: print
Techniques: mezzotint
Artist: charles turner
Artist role: artist
Artist nationality: english
Artist dates: 1774 – 1857
Subjects: women,witches
Plate 10: Three figures at left and two figures running at right, after a lost fresco in the basamento of Bay 9 in the Vatican Loggia
Object type: print
Date: 1650 – 1677
Techniques: etching
Artist: pietro santi bartoli
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1700

This plate is bound with three series after Raphael's designs for the Vatican Stanze.