deem-data/ArtiFact huggingface dataset:
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: marinus van der maarel
Artist role: draughtsman, painter
Artist dates: 1857 – 1921
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’, watermark
Gelder so het tegenwoordig in zyn werken legt, en ingeslooten is: met de attaques, door de troupen van zyn kon. majest. van Pruyssen, gecommandeert door zyn hoog. graafl. excell. de heer gen. lieut. Lotthum. ao. 1703. 20 april
Object type: map
Date: 1703 – 1717
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: siege, position war, maps of cities, bombardment

Kaart van Geldern en omgeving, tijdens het beleg door de Pruisische troepen onder generaal Lotthum op 20 april. Bovenaan het bombardement van de stad op 7 oktober 1703 gezien vanuit Hartenfeldt en Verth. Onderaan de verklaringen in het Frans.
Necklace
Object type: necklace
Date: 1801 – 1900
Materials: amber, gemstone, cotton, metal
Culture: moroccan

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Schaatsers en man met slee op bevroren rivier
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: tone lithography
Location: netherlands
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: river, skates (winter sports), sledge, sleigh (winter sports), hay-wagon
Afbeelding van den gecostumeerden optogt, voorstellende den in togt van Philips II, Prins van Spanje, in Utrecht, den 3en October 1549, gehouden den 17en Junij 1846, door H.H. Studenten der Utrechtsche Hoogeschool
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: philip ii of spain, students' pageant, costumes used in pageants, utrecht

Historische gekostumeerde optocht van de studenten van de Utrechtse Hogeschool gehouden op 17 juni 1846 ter gelegenheid van het 210-jarig bestaan van de Hogeschool. De optocht verbeeldt de intocht van Filips II in Utrecht op 3 oktober 1549. Plaat met de groepen genummerd 121-122. Onderdeel van de serie van 22 aanelkaar te plakken losse bladen.
Isaac Blessing Jacob
Object type: print
Date: 1540 – 1583
Techniques: etching
Artist: etienne delaune
Artist role: artist
Artist nationality: french
Artist dates: 1518 – 1583
Subjects: men,women,beds,isaac
Study of Pilgrim for Romaunt of the Rose
Object type: drawing and watercolor
Date: 1873 – 1877
Materials: graphite, paper
Location: england
Artist: sir edward burne-jones
Artist role: artist
Artist nationality: british
Artist dates: 1833 – 1898
Landscape with River Bank
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: italy
Artist: possibly annibale carracci
Artist nationality: italian
Artist dates: 1560 – 1609
Passie van Christus
Object type: print
Date: 1596 – 1598
Materials: paper
Techniques: engraving, hand coloring
Location: leiden
Subjects: flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)

Christus wordt gegeseld door soldaten terwijl hij vastgebonden staat aan een pilaar in een tempelachtige ruimte. Zesde prent in een serie voorstellingen van het Lijdensverhaal. Prent maakt deel uit van een album.
Extension Top Phaeton #115
Object type: drawing
Date: 1865 – 1865
Materials: ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
De Groote Vis-marckt
Object type: print
Date: 1663 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: fishes, stall, booth (~ market), market, square, place, circus, etc. (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Huidige staat van prent ook gebruikt in: Dapper, Olfert. Historische beschryving der stadt Amsterdam: waer in de voornaemste geschiedenissen (na een kort verhael van gansch Hollant en d'omleggende dorpen (…). Amsterdam: Jacob van Meurs, 1663.* En in: Zesen, Philipp von. Beschreibung der Stadt Amsterdam: darinnen von derselben ersten Ursprunge bis auf gegenwärtigen Zustand (…). Amsterdam: Joachim Nosche, 1664.

* In sommige exemplaren van deze uitgave komt de huidige staat van de prent voor. In andere exemplaren is een latere staat ingebonden, waarop boven de Nederlandse een Franse titel is toegevoegd.
"A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Object type: folio from an illustrated manuscript
Date: 1597 – 1598
Materials: gold, ink, paper, watercolor
Techniques: dyeing
Location: india
Artist: amir khusrau dihlavi
Artist role: author
Artist nationality: indian
Artist dates: 1228 – 1350
Subjects: animals,men,landscapes

The Khamsa (Quintet) of the Indian poet Amir Khusrau Dihlavi localizes its model, the Khamsa of Nizami, by rooting several of the stories in an Indian idiom. Likewise, the illustrations made for Akbar’s (r. 1556–1605) copy are set in typically Indian landscapes. Here, a Muslim pilgrim to Mecca meets a Brahman who travels to a Hindu temple by inching his way in a series of prostrations. Impressed by this religious zeal, the Muslim removes his own shoes and continues on his way barefoot.
Constantin Mitrofanovitch Flórinsky, Officer of His Majesty Tzar Nicholas II (Jaeger Regiment)
Object type: autochrome
Date: 1907 – 1907
Artist: constantin mitrofanovitsh flórinsky
Artist role: artist
Artist nationality: russian
Subjects: men,portraits
Pluit illis Manna ad manducandum Panem
Object type: print
Date: 1645 – 1700
Materials: paper
Techniques: engraving, etching
Location: vatican city
Subjects: the gathering of manna (in baskets and pots), in the morning manna falls to the earth ~ exodus
Inscriptions: collector's mark: Lugt 240

Prent naar verloren gegane schilderingen (basamenti) in de Vaticaanse Loggia naar ontwerp van Rafaël, mogelijk door Perino del Vaga geschilderd.
Cup
Object type: cup
Date: 1740 – 1740
Materials: hard paste porcelain
Artist: vienna
Artist role: manufactory
Subjects: buildings,mountains,landscapes
Apollo daalt af van de Parnassus
Object type: titelblad, titelpagina
Date: 1740 – 1740
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: (story of) hercules (heracles), pegasus, the winged horse, apollo and the muses, apollo musagetes, cupids together with attributes of the arts, sciences, etc., parnassus, sacred to apollo musagetes, tartarus (and the condemned assigned there)
Inscriptions: collector's mark: Lugt 2228

Een man omringd door muzen kijkt toe hoe Apollo afdaalt van de Parnassus om hem te lauweren. Op de Parnassus bevinden zich drie muzen en een steigerende Pegasus. Op de voorgrond putti met attributen van wetenschap en kunsten, rechts haalt Hercules met zijn knots uit naar de drie schikgodinnen die voor de ingang van de Tartarus zitten. In de lucht wordt Venus, in het gezelschap van putti, op haar zegekar voortgetrokken door twee duiven.
Mandala of the One-Syllable Golden Wheel
Object type: hanging scroll
Date: 1701 – 1800
Materials: gold, ink, silk
Culture: japanese
Subjects: elephants,buddhism,buddha

The Mandala of the One-Syllable Golden Wheel (Japanese: Ichiji Kinrin Mandara) envisions the power of a single Sanskrit syllable, the utterance of which calls forth a personification of the cranial protuberance of the Buddha. It is used in rituals for the prevention of disaster, for the expansion of wealth, and for success in love, as well as for assuring safe delivery of children, career success, and propitious weather. The figural representation of the sound sits at the center of the mandala on a lotus pedestal borne by eight lions. It resembles the Buddha Dainichi (Sanskrit: Vairochana) and holds its hands in a sacred gesture known as the wisdom-fist mudra, which symbolizes the non-duality of perfect wisdom and the deluded nature of unenlightened beings. The surrounding figures and forms represent the seven emblems of sovereignty of supreme rulers and the deity Butsugen Butsumo, literally “Buddha-eye, Buddha-mother,” who crushes ignorance and perceives the essence of all things. Use of costly materials and meticulous craftsmanship, especially in the simulated brocade of the mounting and the intricate cut-gold-leaf-on-azurite of the mountain, reflect a belief in the meritorious nature of image making and the ornamentation of ritual space.
Fragment
Object type: fragment
Date: 1601 – 1700
Gevecht tussen Romeinse soldaten
Object type: print
Date: 1520 – 1562
Materials: paper
Techniques: engraving
Location: low countries
Subjects: fighting
Inscriptions: collector's mark: Lugt 240
Die beiden Neuweiher, Les deux lacs de Neuweiher
Object type: page
Date: 1889 – 1894
Materials: paper
Techniques: photograph
Location: grand est
Artist: charles bernhoeft
Artist role: publisher
Artist dates: 1859 – 1933
Subjects: walking, hiking (recreation), lake (+ landscape with figures, staffage)

Deze prent maakt deel uit van een omslag met 100 prenten.
Gezicht op de Via Appia bij Rome
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: landscape with ruins, street
Inscribed fragment, Aten cartouches
Object type: inscribed fragment, aten cartouche
Date: 1353 – 1336
Materials: limestone
Location: egypt
Het veroveren van de Royal Charles, 1667
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: etching
Subjects: michiel adriaenszoon de ruyter, battle (+ naval force), raid on the medway
Inscriptions: collector's mark: Lugt 2228

De vernietiging van de Engelse vloot bij Chatham door de Staatse vloot onder admiraal Michiel Adriaenszoon de Ruyter, rechts de verovering van het Engelse vlaggenschip de Royal Charles op 22 juni 1667. Op de voorgrond woeste man-tot-man-gevechten in sloepen.
Rijnsgulden
Object type: rijnsgulden
Date: 1430 – 1430
Materials: gold
Techniques: striking
Location: bacharach
Subjects: germany, brielle

Opgegraven in de tuin van het in 1557 gestichte Merula-weeshuis te Brielle.
The incomparable somnabulist," from 'Memories of the celebration at St. Cloud,' published in Le Petit Journal pour Rire, September 16, 1865
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,crowd

- What am I touching in this moment? - A small object of everyday use which I am not quite able to identify.
Les Modes Parisiennes, 1851, No. 371 : Capote des D.elles Romain (...)
Object type: fashion print
Date: 1851 – 1851
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (vest) (+ men's clothes), head-gear (capote) (+ women's clothes), trousers, breeches, etc. (pantalon) (+ men's clothes), coat (+ women's clothes), coat (+ men's clothes), dress, gown (pardessus) (+ women's clothes), styles of hairdress, fashion plates, skirt (+ women's clothes), gloves, mittens, etc. (+ women's clothes), gloves, mittens, etc. (+ men's clothes), parasol, sunshade (+ women's clothes)
Inscriptions: caption: ‘Capote des D.elles Romain rue de la Chaussée d'Antin 18. _ Pardessus des mag.ins des fabriques Françaises et Belges rue Vivienne au coin du boulevart _ Ombrelle de Cazal boul.t des Italiens. 27. Costume d'homme par Humann rue N.ve des petits Champs, 83. _ Coiffure d'homme de Andoque rue Laffitte 5.’, title: ‘Les Modes Parisiennes.’

Een gearmd paar, staande bij een balustrade. De vrouw wijst met haar parasol. Zij draagt een 'Pardessus' over de paarse japon, een 'capote' op het hoofd. Mannenkostuum van Humann. Prent uit het modetijdschrift Les Modes Parisiennes (1843-1885).
Yhinlahti Sortavalan
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Subjects: trees, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Brief aan Jan Veth
Object type: letter
Date: 1917 – 1917
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: dordrecht, designer, jan veth, the hague, ed gerdes
Inscriptions: collector's mark: ‘RPK’
Het landgoed van Brandes bij Batavia
Object type: perspective drawing
Date: 1787 – 1808
Materials: paper, pencil
Location: skälsebo
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: bodegraven, draughtsman, jan brandes, country-house, batavia

Perspectiefstudie. Potloodtekening van het huis met tuinen en bijgebouwen van Brandes' huis buiten Batavia van de voorzijde. Over de weg die voor het huis langs loopt, rijdt een rijtuig met passagier en een pajungdrager achterop. Het opschrift is van Kellberg, 20ste eeuwse nazaat van Brandes. Onderdeel uit het grote schetsboek van Jan Brandes 'Perspektivritningar' (1808), p. 58. (Deze tekening is een eerdere versie van 4-46 die aan de ommezijde staat.)
Carnelian Amygdaloid
Object type: seal, amygdaloid
Date: 1650 – 1500
Materials: gemstone
Culture: minoan
Annotaties
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: paris
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Inscriptions: annotation: ‘[...]’, retailer's mark: ‘Le Paris American Art / Paris / 15 / Quai Voltaire’

Schutblad B, achterste schutblad, uit schetsboek L met 42 bladen.
Twee inwoners van Marken
Object type: print
Date: 1849 – 1873
Materials: paper
Techniques: lithograph
Location: haarlem
Subjects: pipe ~ tobacco, folk costume, regional costume
Inscriptions: monogram: ‘E.D.’, collector's mark: Lugt 2228

De man zit aan tafel en rookt een pijp. De vrouw staat naast hem.
Silver earring or spiral
Object type: earring or spiral
Date: 500 – 401
Materials: silver
Culture: cypriot

With flower shaped pendant originally attached to it.
Saucer with a flower basket and floral scrolls
Object type: platter
Date: 1775 – 1799
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: japan
Artist: Anonymous

Schotel van porselein, beschilderd in onderglazuur blauw en op het glazuur goud. Op het plat in een medaillon een bloempot; de wand is verdeeld in drie waaiervormige vakken gescheiden door een brede streep met een bloem. In de vakken bloemranken. Imari.
Ein new getruckt model Büchli...Page 23, recto
Object type: book print ornament architecture
Date: 1529 – 1529
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Subjects: flowers

Published by Schoensperger, Augsburg. Title page, 45 pages of designs for weaving and embroidery, and 5 manuscript pages of weaver's notations at back.
Landschap met moord op een pelgrim door twee gewapende mannen
Object type: book illustration
Date: 1514 – 1531
Materials: paper
Techniques: letterpress printing
Location: augsburg
Subjects: murder
Inscriptions: collector's mark: Lugt 2165, collector's mark: Lugt 2166

Deze prent is gebruikt in: Cicero, Marcus Tulius. Officia M.T.C. Ein Buch so Marcus Tullius Cicero der Römer zu seynem (...). [Vertaald uit het Latijn door] Johann von Schwarzenberg. Augsburg: Heinrich Steiner, 1531.
Tombeau de Sidi-Ambarek, à Garara
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Portret van Lodewijk XIV van Frankrijk
Object type: print
Date: 1660 – 1683
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: lodewijk xiv (koning van frankrijk), historical persons, king
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Seated figure of Diana the huntress
Object type: print
Date: 1644 – 1652
Techniques: drypoint, engraving, etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: musical instruments,diana,dogs,trees
Sword Guard (<i>Tsuba</i>) Depicting Guo Jù (郭巨図鐔)
Object type: sword guard tsuba
Date: 1700 – 1850
Materials: copper, gold, iron, silver
Culture: japanese
Location: japan
Subjects: human figures,houses,flowers
Ornamenten met Minerva en saterkoppen
Object type: ornament print
Date: 1682 – 1734
Materials: paper
Techniques: etching
Subjects: (story of) minerva (pallas, athena), satyr(s) (in general), mask, mascaron ~ ornament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Kopie naar objectnummer RP-P-1964-79 met enige wijzigingen zoals het hoofddeksel van de kop links bovenin.
Evening slippers
Object type: evening slipper
Date: 1805 – 1815
Materials: silk
Culture: european

Simple but elegant slippers typify the styles around 1810, as this pair in cream silk demonstrates. The extremely short vamp and rounded toe are particularly notable characteristics of this date. The heel was becoming vestigial in the first quarter of the century, and although low by modern standards, the variety seen here was one of the higher types produced at the time. With the simplicity of the design, one can especially appreciate the thoughtful use of three widths of matching ribbon - used as binding, edge ruffle, and bow - to trim the shoes.
Scarab Inscribed with the Throne Name of Amenhotep I
Object type: scarab, amenhotep i, djeserkare, vulture
Date: 1525 – 1504
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs
Sword guard (<i>Tsuba</i>) Depicting Crests and Arabesques (家紋散唐草文鐔)
Object type: sword guard tsuba
Date: 1567 – 1633
Materials: brass, copper, iron
Culture: japanese
Location: japan
Artist: koike izumi no kami naomasa
Artist role: fittings maker
Artist nationality: japanese
Artist dates: 1575 – 1615
Subjects: flowers
Brief aan Philip Zilcken
Object type: letter
Date: 1918 – 1918
Materials: ink, pencil
Techniques: pen, printing, writing
Location: the hague
Artist: cyriel buysse
Artist role: schrijver
Artist dates: 1859 – 1932
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Portret van François-René de Chateaubriand en negen voorstellingen uit zijn roman 'Atala'
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, françois-rené de chateaubriand, historical persons, portrait of a writer, (scenes from) specific works of literature (with author, title)
Inscriptions: number: ‘492’, collector's mark: Lugt 2228
D. Fredericus De Marselaer, eques aur. toparche de Parck, Elewyt, etc. consul Bruxellae
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: etching
Subjects: moustache, adult man, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Intocht van Maria Henrietta Stuart, prinses van Oranje te Amsterdam (plaat 3)
Object type: print
Date: 1660 – 1662
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'
Inscriptions: collector's mark: Lugt 2228

Bezoek van Maria Henrietta Stuart, prinses van Oranje, vergezeld door Amalia van Solms, de jonge prins Willem III en anderen te Amsterdam, 15 juni 1660. De stoet met ruiters. Derde plaat in een ongemonteerd ensemble van de stoet bestaande uit zeven bladen.
Landschap met rotsen aan kust
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: etching
Location: amsterdam
Artist: boëtius adamsz. bolswert
Artist role: print maker
Artist dates: 1580 – 1633
Subjects: rocky coast
Inscriptions: collector's mark: Lugt 240

Prent uit serie van twintig Landschappen met boerderijen naar ontwerp van Abraham Bloemaert.
Rotsachtig landschap met een huis en bomen
Object type: drawing
Date: 1600 – 1699
Materials: chalk, paper
Techniques: brush
Subjects: city-view, and landscape with man-made constructions, rural housing, e.g. country-house, villa, cottage
View of the Park at Versailles: Stairway and Two Poplars
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: brush, drawing, transfer, wash
Location: france
Artist: pierre antoine mongin
Artist nationality: french
Artist dates: 1761 – 1824