deem-data/ArtiFact huggingface dataset:
Dress
Object type: dress
Date: 1885 – 1885
Materials: glass, silk
Culture: french
Artist: a. fanet
Artist role: design house
Artist nationality: french
Artist dates: 1872 – 1905
Zeppelin de Hindenburg vliegt over Stuttgart, genomen vanuit der woning van de familie Wachenheimer aan de Hauptmannsreute, mei 1936, Stuttgart
Object type: photograph
Date: 1905 – 1936
Materials: paper, photographic support
Techniques: gelatin silver print
Location: stuttgart
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: 46c35 airship, zeppelin
Inscriptions: date

Albumblad bevat vier foto's. Zonder personen gerelateerd aan de familie Wachenheimer. Uit klein formaat fotoalbum, blauw lederen omslag met drukknopsluiting. Met foto's in klein formaat.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 515 – 500
Materials: terracotta
Culture: greek, attic
Artist: carpenter painter
Artist role: artist

Interior, part of line border of tondo; Exterior, lower part of chitoniskos, right buttock, greaved calf, and foot of warrior to left, standing in front of an altar
Strand te Zandvoort
Object type: photograph
Date: 1890 – 1894
Materials: paper
Techniques: collodion silver print
Location: zandvoort
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: beach (as place of recreation), riding a horse, ass, or mule; rider, horseman

Foto 3 op albumblad 17 uit album "Amsterdam 1890-1894".
Snuffbox
Object type: snuffbox
Date: 1778 – 1782
Materials: copper, porcelain
Location: loosdrecht

Manufactuur Oud-Loosdrecht
Loosdrecht, c. 1778–1782
hard-paste porcelain, silver gilt
Priest's Robe (Shichijō)
Object type: robe, priest's
Date: 1673 – 1681
Materials: metal thread, silk
Culture: japanese
Piece
Object type: piece
Date: 1701 – 1800
Culture: japanese
Henry Monnier
Object type: photograph
Date: 1875 – 1875
Materials: paper
Techniques: rotogravure
Location: france
Artist: étienne carjat
Artist role: draughtsman
Artist dates: 1828 – 1906
Subjects: paris, print maker, draughtsman, henry bonaventure monnier, portrait of actor, actress, france
Notitie
Object type: sketchbook leaf
Date: 1900 – 1931
Materials: pencil
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Inscriptions: annotation: ‘W Gefisceerd.’, number: ‘175’

Voorste schutblad uit een schetsboek met 55 bladen.
Waitress at the Minatoya Teahouse
Object type: print
Date: 1769 – 1769
Techniques: woodblock print
Location: japan
Artist: ippitsusai buncho
Artist nationality: japanese
Artist dates: 1755 – 1790
Mexican Hairless, from the Dogs of the World series for Old Judge Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: dogs

The "Dogs of the World" series of trading cards (N163) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The series of 50 cards depicts dogs of various breeds. The Metropolitan Museum of Art owns 23 of the series' 50 cards.
Brug in het Parc des Buttes-Chaumont te Parijs
Object type: stereograph
Date: 1860 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: parc des buttes-chaumont
Artist: charles gérard
Artist role: fotograaf
Subjects: park, bridge
Inscriptions: inscription: ‘Photographie C. G. à Paris.’, inscription: ‘Buttes Chaumont’
Boerderij met boomgaard
Object type: drawing
Date: 1918 – 1918
Materials: charcoal, paper, pastel
Artist: william degouve de nuncques
Artist role: draughtsman, print maker
Artist dates: 1867 – 1935
Subjects: farm (building)
Francfort
Object type: book illustration
Date: 1624 – 1624
Materials: paper
Techniques: etching
Subjects: city-view, and landscape with man-made constructions, windmill, arm in arm (lovers)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Sudermann, Daniel. Centuria Similitudinum, Hubert Gleichnussen. Straatsburg, Jacob van der Heyden, 1624. (Hollstein German XXVIA 646).
Penannular Earring
Object type: earring, penannular, circular
Date: 1550 – 1295
Materials: gemstone
Location: northern upper egypt
Voetwassing van Petrus door Christus
Object type: print
Date: 1698 – 1776
Materials: paper
Techniques: engraving, etching
Subjects: christ washes peter's feet
Inscriptions: collector's mark: Lugt 2228
Romeinse sculptuur van Matidia Minor
Object type: cabinet photograph
Date: 1885 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: capitolijnse musea
Subjects: hair - aa - female human figure, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: ‘Vosmaer’
Gezicht op slot Hohenbaden te Baden-Baden
Object type: album leaf
Date: 1890 – 1899
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: landscape with tower or castle
Inscriptions: inscription: ‘A. 267. Baden Baden./ Altes Schloss Hohenbaden’

Deze prent maakt deel uit van een album.
Landschap met gezicht op Dordrecht rechts
Object type: print
Date: 1643 – 1681
Materials: paper
Techniques: etching
Location: antwerp
Artist: gilles neyts
Artist role: draughtsman, print maker
Artist dates: 1623 – 1687
Subjects: landscapes in the temperate zone, prospect of city, town panorama, silhouette of city, dordrecht
Inscriptions: collector's mark: Lugt 2710, collector's mark: Lugt 2228a, collector's mark: Lugt 971

Landschap met bomen. Links op de voorgrond een bruggetje, rechts op de achtergrond een deel van de stadsmuur van Dordrecht, met daar direct achter een molen en een kerk.
Nuremberg, from Facsimiles of Sketches made in Flanders and Germany
Object type: print
Date: 1833 – 1833
Materials: chine, ivory, paper
Techniques: lithograph
Location: england
Artist: samuel prout
Artist role: artist
Artist nationality: british
Artist dates: 1783 – 1852
Gebouw met een koepeldak
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: architecture, dome ~ architecture

Mogelijk een moskee. Pagina 79 uit een schetsboek met 56 bladen.
Draperie-studies
Object type: drawing
Date: 1450 – 1474
Materials: ink, paper
Techniques: pen

Blad uit een album met tekeningen van 15de-eeuwse kunstenaars uit Verona, Padua en Venetië.
Almanac
Object type: book
Date: 1774 – 1774
Materials: silk
Techniques: embroidery, weave
Location: france
Bowl
Object type: bowl
Date: 1573 – 1620
Materials: porcelain
Culture: chinese
Subjects: dragons
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic
Triumphal Float in a Garden with Pavilions, from an Album with Prints recording the Festivities and Decorations organized in Florence for the 1589 Wedding of Archduke Ferdinand de' Medici and Christine of Lorraine
Object type: book
Date: 1589 – 1592
Techniques: etching
Artist: orazio scarabelli
Artist role: artist
Artist nationality: italian
Artist dates: 1589 – 1589

The wedding celebrations of Francesco I, Grand Duke of Tuscany and Christine of Lorraine were held in Florence in 1589. Officially, they had already been married since 1586, but it was not until Christine travelled to Florence in 1589 that the wedding would be celebrated. The preparations required a full year and mobilized most of the artists and artisans in the city of Florence to create a landmark event in the realms of art, architecture, theatre, music and political ceremony. The festivities themselves, consisting of pageants, balls, games and performances, lasted all throughout the month of May. They started with the official entrance of Christine into the city of Florence on April 30th when a series of triumphal arches were erected along her route into the city. The festivities continued on May 2nd, with the so-called intermedi, a Florentine theatre tradition which combined several shorter performances, both tragedies and comedies in a larger show with acting, song and dance. All in all, there were 6 intermedi, each with their own stage set and costumes. On May 9th, a demonstrative soccer match was hosted in front of the church of Santa Croce, and the same arena was used on May 10th for a joust. From there, the festivities were continued on the other bank of the river Arno, at the Medici stronghold Palazzo Pitti. On May 11th, the inner courtyard was turned into a water basin for the staging of a ‘naumachia’, or sea battle. The final event took place on May 28th: the so-called Chariot procession of Neptune. It was organized by young nobleman from the city of Florence who dressed up as rivergods to accompany the Sea God Neptune as he was driven around the city of Florence in his chariot. The party would stop at the houses of prominent gentlewomen and break out in a song which explained how the waters of the world had come to pay tribute to the new Grand Duchess.
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Date: 1912 – 1912
Materials: ink, paper
Techniques: pen, printing, typewriting, writing
Artist: james g. shepherd
Subjects: london, painter, print maker, draughtsman, matthijs maris, pieter haverkorn van rijsewijk, elbert jan van wisselingh, art trade, art shop, painting (including book-illumination, miniature-painting), art collecting
Inscriptions: watermark
Studie
Object type: sketchbook leaf
Date: 1839 – 1894
Materials: paper, pencil
Artist: lambertus lingeman
Artist role: draughtsman, painter, print maker
Artist dates: 1829 – 1894

Blad 51 recto uit een schetsboek met 51 bladen.
The Charlatan and the Peep Show from a set of Italian Village Scenes
Object type: tapestry
Materials: silk, wool
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Subjects: musical instruments,children,men,women,monkeys

Images of gardens were popular in the tapestry medium from the medieval era, where the so-called mille-fleurs (thousand flowers) (see also 2013.506) provided a decorative, and sometimes symbolic, setting for scenes of romance and play. Park and garden tapestries continued to enjoy popularity throughout the sixteenth and seventeenth centuries, particularly for the decoration of more intimate chambers, where they provided a pleasant contrast with the grander subject matter of tapestries used in more formal settings. The theme enjoyed new popularity with the advent of the Rococo style during the eighteenth century, and a number of highly decorative landscape and garden series were produced in French and Netherlandish workshops during the second third of the eighteenth century. Among the most notable was the series of romantic pastorals that Boucher designed for the Beauvais workshops between 1734 and 1736 (64.165.1–.8). Known as the Fetes Italiennes, and loosely inspired by the idyllic park scenes of Antoine Watteau, this series depicted handsome gentlefolk and peasants in idealized exterior settings. In this case, a pretty young woman, a child, and a gardener rest in the shade of an overgrown terrace, beneath statues of Apollo and Hercules.
Teapot
Object type: teapot
Date: 1845 – 1845
Materials: silver
Culture: american
Location: united states
Artist: andrew ellicott warner
Artist role: maker
Artist nationality: american
Artist dates: 1786 – 1870
Subjects: flowers
Zandvoort
Object type: photograph
Date: 1900 – 1905
Materials: photographic support
Location: zandvoort
Subjects: zandvoort

Zandvoort was toen een badplaats met internationale allure. Veel hotels droegen Duitse namen, de gegoede Duitse burgerij en de adel kwamen er graag, vooral na de opening van de spoorlijn met Haarlem in 1881. In 1907 stonden in Zandvoort al 9 hotels en 23 pensions. Er kwamen rond de 9000 badgasten per jaar. Vanaf 1905 kwamen er meer middenstanders en 'gewone' mensen naar Zandvoort, het begin van het massatoerisme.
Minature Meiping vase
Object type: vase
Date: 1701 – 1800
Materials: glaze, porcelain
Culture: chinese
Gezicht op top van Mount Hoffmann in de Yosemite Valley
Object type: page
Date: 1860 – 1868
Materials: photographic support
Techniques: albumen print
Location: yosemite valley
Artist: w. harris
Artist role: fotograaf
Subjects: mountain-top, peak
Inscriptions: number: ‘XXV.’
Drie mannen bij een scharensliep, Amsterdam
Object type: lantern slide photographic
Date: 1880 – 1910
Materials: glass, metal, tape, wood
Techniques: hand coloring, slide
Artist: Anonymous
Subjects: tools, aids, implements ~ crafts and industries: scissors
Inscriptions: number: ‘118’
Portret van Th. Kunde
Object type: print
Date: 1832 – 1842
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
La dernière chemise
Object type: magazine
Date: 1905 – 1905
Materials: paper
Techniques: lithograph
Location: paris
Subjects: caricatures (human types), the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure, art sale, auction, political caricatures and satires

Op een verhoging staat een veilinghouder met een hamer in zijn rechterhand. Voor hem op de grond staat een naakte vrouw. Haar jurk wordt weggedragen door een man. De prent verwijst naar de dubbele betekenis van het woord 'chemise' dat zowel jurk als map kan betekenen. De prent maakt onderdeel uit van een tijdschrift.
St. Louis
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Jérusalem, Saint-Sépulcre, Colonne du parvis
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture,churches
Ayase River and Kanegafuchi (Ayasegawa Kanegafuchi), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Window
Object type: window
Date: 1601 – 1700
Materials: gypsum, glass
Location: egypt or syria

A window such as this with colored panes in blue, green, deep yellow, and aubergine might have been found in a room of a late Ottoman aristocratic home, like the Damascus reception room also in the Museum's collection (1970.70) Tinted glass was favored because it filtered the light, but it also complemented the multihued furnishings of these rooms.
Diverses Menuiseries à l'antique
Object type: ornament print
Date: 1758 – 1820
Materials: paper
Techniques: engraving, etching
Location: ravensburg
Subjects: couch, sofa, settee
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Ontwerpen en zijaanzichten van twee antieke divans. Gedecoreerd met ornamenten, guirlandes, een vaas en bloemen. Uitgeversnummer XXIX.
Titelpagina voor: Honoré d'Urfé, L'Astrée de Messire, 1619
Object type: titelblad, titelpagina
Date: 1619 – 1619
Materials: paper
Techniques: engraving
Location: paris
Subjects: (scenes from) specific works of literature: d'urfé, astrée, sheep
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: D'Urfé, Honoré. L'Astrée de Messire. Parijs: Olivier de Varennes, 1619, dl. 3.
Doos
Object type: ryoshibako
Date: 1725 – 1825
Materials: lacquer, wood
Location: japan
Artist: Anonymous

Doos met deksel en binnenbak voor schrijfpapier. Decoratie van een tuin-omheining met bloesems en treurwilgen die daar bovenuit rijzen.
Llyn-ar-afranc or Beaver Pool
Object type: page
Date: 1859 – 1859
Materials: paper, photographic support
Techniques: albumen print, printing
Location: wales
Subjects: lake
Inscriptions: number: ‘Stereograph No. 2.’
Saint Germain and a Donor
Object type: statue
Date: 1467 – 1500
Materials: limestone, paint
Culture: french
Location: france
Subjects: men,saints

Wearing a miter on his head and holding a crozier in one hand, this commanding figure represents a bishop. He is identified in the inscription on the base as "Germain," either the bishop of Paris or, perhaps more likely, given the Burgundian style of the carving, of Auxerre. The tiny churchman kneeling at his feet is identified as "H. Cordier" in the inscription, but nothing is known of his life apart from the donation of this imposing sculpture.
Plate 11: a cartouche with fruits, flowers, and leaves at top, a mask of a faun in profile to either side with a festoon of fruits and flowers in each of their mouths, from "Twelve cartouches" (Recueil de douze cartouches)
Object type: print
Date: 1640 – 1645
Techniques: etching
Artist: françois collignon
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1687
Subjects: masks,cartouches,fruit,flowers
Portret van een onbekende man, mogelijk Nikolaus Lenau
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Artist: johann baptist dresely
Artist role: draughtsman
Artist dates: 1787 – 1864
Subjects: adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Naar rechts, een hand in de jas voor de borst. Mogelijk de Oostenrijkse dichter Nilokaus Lenau (1802-1850).
Halve cartouches en ornamenten
Object type: drawing
Date: 1866 – 1900
Materials: ink, pencil, paper
Techniques: drawing
Artist: Anonymous
Inscriptions: annotation: ‘2 Cartouches Hollandsch werk.’

Linksboven staat een figuur op een voetstuk voor een cartouche van beslagwerk en bladranken. De figuur heeft een lege cartouche in de handen.
Bi; schijf van bruine jade
Object type: bi
Materials: jade
Location: china
Artist: Anonymous
Tulp (Tulipa)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, paper, watercolor
Techniques: brush
Subjects: flowers: tulip

Rode en gele tulp met bol. Genummerd rechtsboven: 55. Onderdeel van het eerste album met tekeningen van bloemen en planten. Achtste van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Newel post
Object type: newel post
Date: 1701 – 1800
Materials: wood, wax
Techniques: polish
Locomotive-tender
Object type: page
Date: 1880 – 1885
Materials: photographic support
Techniques: albumen print
Subjects: locomotive
Inscriptions: inscription: ‘Société de St. Léonard (Outils) Liége (Belgique)’
Isabel Wachenheimer op het strand bij de zee, gooiend met een bal
Object type: photograph
Date: 1909 – 1934
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon
Inscriptions: inscription: ‘am Meer’

Isabel Wachenheimer op het strand bij de zee, gooiend met een bal.
Plum blossoms
Object type: hanging scroll
Date: 1803 – 1866
Materials: ink, paper
Culture: chinese
Artist: zhang xiong
Artist role: artist
Artist nationality: chinese
Artist dates: 1803 – 1886
Landschap met persoon die een ander de weg wijst
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: drypoint, etching
Artist: hendrik jozef franciscus van der poorten
Artist role: draughtsman, print maker
Artist dates: 1789 – 1874
Subjects: farm or solitary house in landscape, asking the way
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228
Governor Pueblo of Zuni
Object type: playing card
Date: 1900 – 1900
Materials: paper
Techniques: autotype
Location: united states
Artist: adam clark vroman
Artist role: fotograaf
Artist dates: 1856 – 1916
Subjects: united states of america

Speelkaart uit doosje met 53 speelkaarten met afbeeldingen in autotypie van Native Americans. De inhoud bevat een complete set speelkaarten inclusief joker.
The Basilica of Maxentius and Constantine in Rome
Object type: drawing
Date: 1809 – 1812
Materials: graphite, paper, watercolor
Techniques: brush
Location: italy
Artist: josephus augustus knip
Artist role: draughtsman, painter, print maker
Artist dates: 1777 – 1847
Subjects: ruin of a building ~ architecture
Inscriptions: inscription: ‘temple de la Paix / à Rome’

The gigantic, 4th-century AD building was used for judicial cases and by Romans settling private financial matters. In Knip’s time, it was known as Il Tempio della Pace (the Temple of Peace), the name he inscribed on the drawing. A view from the same vantage point is on display in the adjacent gallery; this is the only known case of two virtually identical views by Knip of the same motif.
Portret van Anna Dorothea Veth-Dirks
Object type: drawing
Date: 1874 – 1925
Materials: paper, pencil
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: artist, anna dorothea dirks, historical persons
Gezicht op de ingang van de Hutheesingtempel in Ahmedabad
Object type: page
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Location: ahmedabad
Artist: thomas biggs
Artist role: fotograaf, kapitein
Artist dates: 1822 – 1905
Subjects: places and objects of worship ~ hinduism, buddhism, jainism, gate, entrance
Inscriptions: number: ‘120.’
Italiaanse landschappen
Object type: print
Date: 1820 – 1820
Materials: paper
Techniques: tone lithography
Location: rome
Subjects: landscapes
Inscriptions: collector's mark: Lugt 2228, stamp: ‘School voor de grafische vakken te Utrecht’

Een laan met links bomen en rechts begroeide rotsen.
Doorway from Notre-Dame at Reugny
Object type: doorway
Date: 1167 – 1200
Materials: limestone
Culture: french
Location: france
Subjects: doorways
Mercurius sust Argus in slaap
Object type: print
Date: 1600 – 1647
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: mercury lulls argus into sleep by making music
Inscriptions: collector's mark: Lugt 240

Mercurius speelt fluit voor de in slaap vallende Argus. De koe Io drinkt uit een vijver. Scène uit Ovidius’ Metamorfosen (Met. I, 682-687).
Liber Chronicarum
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: the seven wise men of greece: bias, chilon, cleobulus, periander (alternatively myson), pittacus, solon, thales
Inscriptions: inscription: ‘131’

Een bloemkelk met daarin een bebaarde man die zijn hand tegen zijn hoofd slaat. De tekst identificeert hem als Thales van Milete, één van de Zeven wijzen van Griekenland. De prent maakt deel uit van een album.
Dr. W.A. Meisel, Rabbiner in Stettin
Object type: print
Date: 1818 – 1874
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Engelenburcht in Rome
Object type: photograph
Date: 1845 – 1855
Materials: cardboard, photographic support
Techniques: salted paper print
Location: great britain
Artist: j. martin (fotograaf)
Artist role: fotograaf
Subjects: fortress
Joshua commanding the sun to stand still
Object type: print
Date: 1687 – 1730
Techniques: etching
Artist: hieronymus ferroni
Artist role: artist
Artist dates: 1687 – 1730
Subjects: sun,joshua
Ontwortelde boomstam aan de kust
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: drypoint, etching, roulette
Location: amsterdam
Artist: pierre louis dubourcq
Artist role: draughtsman, painter, print maker
Artist dates: 1815 – 1873
Subjects: groups of trees, mountain-range, snow peaks, coast
Inscriptions: collector's mark: Lugt 1485

Aan de kust van een meer ligt een ontwortelde boomstam. Aan de overkant zijn sneeuwbedekte bergtoppen te zien. Om de afbeelding heen een vers van Petrarca over de vergankelijkheid van de natuur, in het Italiaans en Nederlands.
Twee kinderen met een hond
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: boy (child between toddler and youth), girl (child between toddler and youth), (bowling a) hoop, dog

Vooraan een jongen met een hond op de arm. Achter hem een meisje met een hoepel om haar schouder. Blad 4 verso uit schetsboek XI met 30 bladen.
Tailor's wife riding a goat (one of a pair)
Object type: group
Date: 1740 – 1740
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: infants,men,women,goats