deem-data/ArtiFact huggingface dataset:
Leopard Aquamanile
Object type: aquamanile
Date: 1501 – 1900
Materials: brass
Culture: edo period
Location: nigeria
Artist: edo artist
Artist role: artist
Subjects: leopards

Probably influenced by European examples, aquamaniles in the shape of animals are among the brass works cast in Benin. Like their European counterparts, aquamaniles cast in Benin are used, as their name suggests, for washing the hands. After dressing for Ugie Erha Oba, the ceremony that honors his paternal ancestors, the Oba washes his hands with water poured from an aquamanile in the form of a leopard, such as this one. It has a small, round, hinged opening at the top of the head through which is can be filled with water, which is then poured out through the pierced nostrils. The tail, arching over the back, serves as a handle.
Palazzi diversi nel'alma cità di Roma, et altre
Object type: album leaf
Date: 1638 – 1638
Materials: paper
Techniques: etching
Location: rome
Subjects: hôtel, i.e. small palace in city, façade (of house or building)
Inscriptions: inscription: ‘Ende lib. No. 23. fol. 460./ Ende lib. No. 21. fol. 353 et 354...’, number: ‘22’

Prent maakt deel uit van een reeks prenten (+ titelprent) van beroemde gebouwen in Rome en elders.
Kearsarge Mining Company, Kearsarge, California
Object type: photograph
Date: 1871 – 1871
Techniques: albumen silver print, glass negative
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Terracotta rim fragment of an undetermined shape
Object type: undetermined shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed rim fragment from an undetermined shape
Notities
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Inscriptions: factory mark: ‘SKETCHER’S/ NOTE BOOK/ SERIES A 42./ containing 80 leaves of good white paper./ MANUFACTURED BY/ GEO. ROWNEY 7 Co.,/ LONDON, W., ENGLAND./ SIZE No. 1 – 5 ½ x 4 inches./ Dimensions de l’album 14 x 10 CM.’, collector's mark: Lugt 2228a, annotation: ‘f 1.10/ 2667/ [...] Lindenhof A/ [...]groen/ [...]oppenbuurt 257/ Den Haag/ Snelliusstr. 51/ 2 x [...]/ [...]’

Voorste schutblad uit een schetsboek met 53 bladen.
Gezicht op de achtertuin van Herengracht 258, Amsterdam
Object type: photograph
Date: 1889 – 1893
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: johanna margaretha piek
Artist role: fotograaf
Artist dates: 1870 – 1947
Subjects: backyard, amsterdam
Cylinder seal
Object type: cylinder seal
Date: 1720 – 1650
Materials: mineral
Location: syria
Subjects: lions
Portret van Frans II van Oostenrijk
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: vienna
Subjects: vienna, frans ii (rooms-duits keizer), historical persons
Inscriptions: collector's mark: Lugt 2228
Gezicht op Amalfi vanuit een klooster, op de voorgrond een kapucijnermonnik
Object type: album leaf
Date: 1860 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: amalfi
Artist: roberto rive
Artist role: fotograaf
Artist dates: 1825 – 1868
Subjects: prospect of village, silhouette of village, monk(s), friar(s), amalfi
Inscriptions: number: ‘70’

Onderdeel van Fotoalbum met bezienswaardigheden in Napels en omgeving door Roberto Rive.
Ibrahimus
Object type: print
Date: 1699 – 1699
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: historical persons

Portret afkomstig van een grote prent, getiteld 'Ottomanorum Principum Effigies ab Ottomano ad Regnantem Mustapham II', bestaande uit meerdere bladen die samengevoegd konden worden, uitgegeven door Giovanni Giacomo de' Rossi in 1699.
February, from "Album of Rustic Subjects"
Object type: print
Date: 1859 – 1859
Techniques: engraving
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Geweld vertrapt de overwonnenen
Object type: print
Date: 1706 – 1706
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: heart symbolism, the defeated before the victor
Inscriptions: collector's mark: Lugt 2228

Proefdruk voor: Bouman, Herkules. Waereld vol stryd. Amsterdam: Jacob van Royen, 1706.
The Emperor Seated on His Throne, Seated Between Joanna of Castile and Mary of Burgundy, Above Are Twenty-two Winged Victories; with Coats of Arms of Maximilian's Noble Relatives, from the Arch of Honor, proof, dated 1515, printed 1517-18
Object type: print
Date: 1515 – 1515
Techniques: letterpress, woodcut
Artist: hans springinklee
Artist role: artist
Artist nationality: german
Artist dates: 1495 – 1530
Portret van Frederik Willem van Brandenburg
Object type: print
Date: 1640 – 1676
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: frederik willem van brandenburg (i)
Inscriptions: collector's mark: Lugt 2228

Portret in een ovale lijst van keurvorst Frederik Willem van Brandenburg, ook wel de 'Grote Keurvorst' genoemd, . Buste naar links. Frederik Willem draagt een hermelijnen mantel. De prent heeft een Italiaans onderschrift met de naam van de geportretteerde.
Portret van de predikant Abram Pieter van Groningen
Object type: print
Date: 1843 – 1855
Materials: paper
Techniques: etching, engraving
Location: leiden
Subjects: abram pieter van groningen
Inscriptions: collector's mark: Lugt 2228
Seascape with an Approaching Storm (from Sketchbook VII)
Object type: drawing
Date: 1886 – 1886
Materials: graphite, ink, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: seascapes,storms

This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Ruitergevecht
Object type: print
Date: 1600 – 1700
Materials: paper
Techniques: drypoint, engraving, roulette
Location: netherlands
Artist: Anonymous
Subjects: land forces (+ cavalry, horsemen), battle (+ cavalry, horsemen)
Inscriptions: collector's mark: Lugt 240
Cartouche-shaped plaque with the names of Apries
Object type: plaque, cartouche, apries
Date: 589 – 570
Materials: faience
Location: egypt
Cartouche met kalligrafie, links- en rechtsboven een man met vaandel
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: engraving
Location: antwerp

Blad XXIIII. Cartouche met de tekst Yo Salomon Rey de Jerusalem. Op het rolwerk bovenaan staan twee bokken op hun achterpoten en zitten twee slakken. Uit serie van 21 genummerde cartouches met kalligrafie in een omlijsting van rol- en beslagwerk met grotesken, guirlandes en mascarons.
Twee stroken 16de-eeuws Duits kant en twee stroken 16de-eeuws Italiaans kant, uit de collectie van het Kunstgewerbemuseum in Dresden
Object type: photomechanical print
Date: 1888 – 1888
Materials: paper
Techniques: photograph
Location: dresden
Artist: Anonymous
Subjects: lace
Inscriptions: number: ‘Tafel 10.’, inscription: ‘E. KUMSCH, SPITZEN UND WEISS-STICKEREIEN DES XVI.-XVIII. JAHRH./ aus dem Königlichen Kunstgewerbe-Museum zu Dresden’

Deze prent maakt deel uit van een omslag met 49 prenten en een lijst van afbeeldingen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 400 – 351
Materials: terracotta
Culture: greek, attic

Interior, unidentified subject; Exterior, frontal right foot of a draped figure
Monument ter ere van het huwelijk van Nicolaas de Vicq en Maria Jacoba van Riet
Object type: book illustration
Date: 1704 – 1704
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: specific aspects, allegorical aspects of juno; juno as patroness, obelisk, needle, (civil) marriage ceremonies, sacrifice ~ non-christian religions
Inscriptions: collector's mark: Lugt 2228

Huwelijksprent met een monument ter ere van het huwelijk van Nicolaas de Vicq en Maria Jacoba van Riet. In het midden troont Juno als godin van het huwelijk. Ze wordt geflankeerd door twee beelden van vrouwen, waarvan één met twee kinderen is weergegeven. Boven haar enkele putti, van wie twee aan weerszijden van het monogram van het huwelijkspaar zitten. Voor Juno offeren twee amoretti op het altaar van de liefde met brandende harten. Links het huwelijkspaar. Vooraan twee obeslisken met links een pijlkoker en een boog, de attributen van Amor, en rechts een obelisk met twee brandende fakkels als liefdessymbolen. Onderaan de huwelijksdatum in Romeinse cijfers: 1701-09-21. Midden onder een tekst in brandende harten en een twaalfregelige tekst in het Nederlands over het bruidspaar en de prent.
Portret van Mary Lelyveld, Miss Nederland 1931, reclame voor Club & Liga
Object type: photograph
Date: 1931 – 1931
Materials: paper
Techniques: gelatin silver print
Location: dresden
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Die schönsten/ Frauen der Welt/ dargestellt durch die Schön-/ heitsköniginnen aller Länder,/ finden Sie in 190 echten/ Bromsilber-Fotos, die nur den/ CLUB-und-LIGA-Packun-/ gen beiliegen. Eind prächtiges/ Sammel-Album erhalten Sie/ für 75 Pfennig vom Händler/ oder bei Einsendung von/ 75 Pfennig in Briefmarken/ von der Bilderstelle Lohse,/ Dresden A24, Nossener Str. 1./ Ges. gesch. Nachdruck verboten!’
Verschillende rouwkostuums
Object type: print
Date: 1733 – 1733
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: fashion plates, mourning dress
Inscriptions: collector's mark: Lugt 2228

Blad met vier voorstellingen van rouwkostuums. Linksboven: Een vrouw uit Zurich in rouwkostuum. Rechtsboven: Een vrouw uit Augsburg in rouwkostuum. Linksonder: Een Friezin gekleed in een rouwmantel of huik. Rechtsonder: Twee rouwende vrouwen gekleed in een rouwmantel of huik te Zaandam.
Actress standing with hands behind waist, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Gezicht op luchtbogen, steunberen en het dak van de Dom van Milaan
Object type: page
Date: 1879 – 1889
Materials: paper
Techniques: photograph
Location: milan
Subjects: roof (of house or building), church (exterior), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘Tavola No. 10.’
Christus ligt dood opgebaard, met een vrouw aan zijn voeten
Object type: page
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Subjects: the mourning over the dead christ, actor (on the stage)
My Little White Kitties – Into Mischief
Object type: print
Date: 1857 – 1871
Techniques: hand coloring, lithograph
Artist: currier & ives
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1907
Subjects: cats
Gezelschap in een roeiboot in een grot bij Villa Pallavicini te Pegli
Object type: photograph
Date: 1870 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: pegli
Artist: celestino degoix
Artist role: fotograaf
Artist dates: 1825 – 1902
Subjects: rowing-boat, canoe, etc., cave, grotto, travelling; tourism
Inscriptions: stamp: ‘Degoix, C. Photographe du Roi Via Nuovissima N. 7 Genova’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Genua, Florence en Venetië.
Combined work, writing, and reading table and music stand
Object type: combined work, writing, and reading table and music stand
Date: 1775 – 1780
Materials: bronze, wood, gold, lacquer
Techniques: chasing, gilding, veneering
Artist: martin carlin
Artist role: maker
Artist nationality: french
Artist dates: 1725 – 1785

This table, with its ebony veneer and Japanese lacquer panel inset in the top, further enriched with delicate gilt-bronze mounts, embodies the taste for novelty and multi-purpose furniture in late eighteenth-century France. The top of this reading, writing and music stand is hinged and can be angled to provide a slope, and the drawer includes a writing surface. Novel pieces like this presented an opportunity for their owners to show their sophistication, by using the object to display the elegance with which they adjusted the mechanisms and their mastery of the different activities for which it was intended. The main market for such luxury furniture was among rich and fashionable women, who would have used such pieces in their salons or dressing rooms. This table may have been supplied by one of the well-known mid-eighteenth-century Paris marchands merciers (dealers in luxury goods), Simon-Philippe Poirier or Dominique Daguerre
Brief aan Philip Zilcken
Object type: letter
Date: 1854 – 1926
Materials: ink, paper
Techniques: pen, writing
Location: château de bachivillers
Artist: mary cassatt
Artist role: print maker
Artist dates: 1844 – 1926
Subjects: painter, draughtsman, philip zilcken, paris
Inscriptions: watermark, collector's mark: ‘RPK’
Les Nourrices
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: aquatint
Subjects: wet-nurse
Inscriptions: collector's mark: Lugt 270, collector's mark: ‘JC ?’, collector's mark: Lugt 2228
Kamerspiegel (17e eeuw)
Object type: print
Date: 1864 – 1864
Materials: paper
Techniques: tone lithography
Location: haarlem
Subjects: mirror, firearms: cannon

In de lijst zitten objecten verwerkt die verwijzen naar oorlog zoals een kanon, harnas en trom.
Handle (?)
Object type: handle
Date: 1 – 1000
Materials: bronze
Vase (One of a Pair)
Object type: glass
Date: 1675 – 1685
Materials: silver gilt, glass, gold, silver
Techniques: gilding
Location: northern netherlands
Subjects: vases, vessels, display, garnitures

This large vase, one of a pair in the Art Institute, was part of a garniture—a set of large ornamental vessels, often ceramic or precious metal like silver—displayed on tall cabinets or fireplace mantels. Glass garnitures are rare, and likely intended to replicate rock crystal (quartz) vessels. The fine silver-gilt mounts add ornament as well as strengthen their fragile rims. Another similar vase is in the Victoria and Albert Museum, which may have been part of the same garniture.

Late seventeenth-century glass production in the Netherlands was highly experimental. Large vessels like these represented the technical limits for the art of glass blowing in this period. Risks were also taken in the composition of the glass. Concocted from an unstable formula of potash (alkali), lime, and silica, both vases are now crizzled (cracked all over), creating a hazy-effect. It is unclear in the case of these vases if this crizzling happened immediately after production or as it decomposed over time.
Portret van Michał Ludwik Pac
Object type: print
Date: 1830 – 1852
Materials: paper
Techniques: lithograph
Location: paris
Subjects: commander-in-chief, general, marshal, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
The First Month (Sho gatsu), from the series "Fashionable Twelve Months (Furyu junikagetsu)"
Object type: print
Date: 1793 – 1793
Techniques: woodblock print
Location: japan
Artist: utagawa toyokuni i 初代 歌川 豊国
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Cup
Object type: cup
Date: 3100 – 2900
Materials: stone
Location: mesopotamia
Design for a Balcony
Object type: drawing
Date: 1700 – 1780
Materials: chalk, ink, drawing material
Techniques: pen
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: balconies
Portret van twee zittende peuters
Object type: carte de visite
Date: 1861 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: sitting figure, tot, toddler ~ the ages of man (+ two persons), historical persons
Inscriptions: inscription: ‘A. Greiner - Amsterdam./ KONINKLIJKE HOF PHOTOGRAAF.’, annotation: ‘bl II/ Jo[han] [en] P[..]line/ te/ Le[...]bin[.]’, inscription: ‘PROEFKAART/ A. GREINER’
Paus Leo II
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: rome, pope
Inscriptions: inscription: ‘67’

Een bloemkelk met een paus. Hij draagt een tiara en heeft een bijbel en een staf met een dubbel kruis in zijn handen. De voorstelling is onderdeel van de opeenvolging pausen in de Liber Chronicarum. De tekst identificeert de man als Leo II. De prent maakt deel uit van een album.
Prospectus voor een allegorische voorstelling van de Rede
Object type: print
Date: 1802 – 1819
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: j. van ledden hulsebosch
Artist role: bookseller, publisher
Subjects: printed matter

Prospectus voor de prent 'De Reden', gegraveerd door Willem van Senus naar een schilderij van Jan Kamphuijsen. Zie RP-P-1904-4054 voor een proefdruk van deze prent.
Poem in Cursive Script
Object type: hanging scroll
Date: 1622 – 1625
Materials: ink, silk
Culture: chinese
Artist: dong qichang
Artist role: artist
Artist nationality: chinese
Artist dates: 1555 – 1636
Kaartspelende soldaten
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: etching
Artist: willem linnig (i)
Artist role: print maker
Artist dates: 1819 – 1885
Subjects: drum (musical instrument), playing-cards, guard duty, keeping sentry
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Das Neue Opernhaus. Nouvel opéra. - New opera-house
Object type: stereograph
Date: 1868 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: vienna
Subjects: opera house
Inscriptions: inscription: ‘Vervielältigung vorbehalten.’, number: ‘5’
Poem on reclusion
Object type: hanging scroll
Materials: ink, silk
Culture: chinese
Artist: zha sheng
Artist role: calligrapher
Artist nationality: chinese
Artist dates: 1650 – 1707

Zha Sheng’s talents as a poet and calligrapher won him praise at the early Qing court, where he served as a scholar-official. This transcription of a poem by the famous Northern Song recluse Lin Bu (967–1028) extols the virtues of a simple life, but the message is somewhat at odds with the luxurious gold satin upon which the piece is written. The poem reads, in part: Bamboo and trees surround my dwelling, A clear stream provides more than enough excitement. At ease, a crane lingers a while by the water, Lazily, bees relax as flowers are few. —Translation after Shi-yee Liu
Plate 6: A young man embracing a girl, from "Icones ad vivum expressae"
Object type: print
Date: 1743 – 1743
Techniques: etching
Artist: giovanni cattini
Artist role: artist
Artist nationality: italian
Artist dates: 1715 – 1800
Subjects: men,women

Cattini engraved a set of 15 plates (frontispiece plus 14 numbered plates) after Piazzetta, entitling them: Icones ad vivum expressae. Most copies of the set are dated 1754 on the title page. A fine early set in the Mariette album of Piazzetta engravings in the Biblioteque Nationale is dated 1743. Moschini and Palluchini refer to a title page of 1763. Teodoro Viero reissued a reduced set of 8 plates plus title page in 1767. Several prints in the set were also copied by Johann Lorenz Haid of Augsburg (1702 - 1750), 1743-1750 and by Franz Xavier Jungwirth of Munich (1720-1790) in 1753 (see: George Knox, Piazzetta, exh. cata., National Gallery, 1983, no. 25; Maria Wiel, L'eredità di Piazzetta, 1996, no.75, p.47).
Haardsteen met mannenkop en de letters V I in lauwerkrans
Object type: hearthstone
Date: 1575 – 1625
Materials: earthenware
Techniques: printing, firing
Location: southern netherlands
Artist: Anonymous

Haardsteen met voorstelling van mannenkop en de letters V I in lauwerkrans, geplaatst in geprofileerde ruit. In de halve ruiten aan de zijkanten een dubbelkoppige adelaar. De halve ruiten aan de boven- en onderkant zijn opgevuld met halve medaillons met stermotief.
Ascalon
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: tone lithography
Location: brussels
Subjects: pipe ~ tobacco, coast, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Jules Géruzet maakt in 1852 een heruitgave van het Belgische werk 'La terre sainte. Vues et monuments recueillis par David Roberts de l'Académie de Londres' dat tussen 1843-1845 wordt gedrukt door J. Lots en waarvan de prenten, op verzoek van de Société des Beaux-Arts, door Ghemar en Stroobant worden uitgevoerd naar werken van Haghe.
Gezicht op de binnenplaats van het Sint-Jorishof te Amsterdam
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: leprozenhuis
Inscriptions: collector's mark: Lugt 2228
Tile
Object type: tile
Date: 1580 – 1625
Materials: earthenware
Techniques: glazing
Staande vrouw
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Subjects: child, adult woman (+ standing)

Achter haar rug mogelijk kinderen. Pagina 2 uit schetsboek XLVI met 32 pagina's.
The Annunciation
Object type: embroidery
Date: 1600 – 1600
Materials: metal thread, silk
Artist: federico barocci
Artist role: designer
Artist nationality: italian
Artist dates: 1535 – 1612
Subjects: virgin mary,archangel gabriel,annunciation
Chimneypiece
Object type: chimneypiece
Date: 1801 – 1900
Materials: bronze, gilt, marble

Chimneypiece in the Louis XVI style with gilt-bronze egg-and-dart moulding under shaped marble top surmounting the frieze set with gilt-bronze scrolling trails of roses tied in the center with a ribbon. The two rounded projecting ends of the frieze are set with gilt-bronze wreaths of roses tied with ribbon knots. Under these projections, the two uprights are each fitted with a patinated bronze term of a partially draped infant crowned with wreaths of oak leaves and acorns. These figures are supported on tapering fluted marble pilasters, their flutings filled with gilt-bronze chandelles, resting on rectangular marble plinths, the tops of which are set with gilt-bronze beribboned laurel-leaf-and-berry mouldings. The fireplace opening is trimmed at the top and sides with gilt-bronze leaf mouldings.
Reproductie van een tekening van een gezicht op Col du Sanetsch in de Alpen, Zwitserland
Object type: reproduction
Date: 1877 – 1882
Materials: paper
Techniques: photoaquatint
Subjects: mountain-range, snow peaks
Inscriptions: inscription: ‘LE GROS MOUTIN 2573m/ LES CREUX de la LAY’
Portret van een dame met papier en stift
Object type: drawing
Date: 1700 – 1800
Materials: chalk, paper
Artist: Anonymous
Subjects: portrait, self-portrait of draughtsman

Portret van een dame met papier en stift; haar hand met de stift nogmaals afzonderlijk herhaald.