deem-data/ArtiFact huggingface dataset:
Landschappen
Object type: print
Date: 1655 – 1709
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: landscapes, ornamental fountain, stadia of travel, dog, donkey-riding (on the beach)

In een heuvelachtig landschap pauzeert een groep reizigers, waarvan er drie op een ezel zitten, bij een fontein. Bij de fontein staan ook twee wasvrouwen. Rechts besnuffelt een hond een andere hond.
Reproductie van een portret van Richard Wagner
Object type: ansichtkaart, prentbriefkaart
Date: 1870 – 1900
Materials: paper
Techniques: rotogravure
Location: hannover
Subjects: richard wagner, historical persons, portrait of composer
Inscriptions: inscription: ‘Richard Wagner/ Paul Klemann, Kunstverlag, Hannover./ 4.’
Ariel
Object type: print
Date: 1845 – 1920
Materials: paper
Techniques: engraving
Subjects: fairy - aa - female human figure, (scenes from) specific works of literature: shakespeare, tempest
Inscriptions: collector's mark: Lugt 2228

De luchtgeest genaamd Ariel uit William Shakespeares toneelstuk 'The Tempest'. Gevleugeld vrouwelijk figuur liggend in een hangmat van winderanken en kamperfoelie.
Gezicht op het Willemspark
Object type: photograph
Date: 1900 – 1900
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: park, city-view in general; 'veduta'
Inscriptions: collector's mark: ‘14.123’ Lugt 1641b, inscription: ‘Willemspark in aanleg. omstreeks 1900’

Onderwerpsrubriek binnen de Atlas Amsterdam: Waal (Kromme en Oude), Walenpleintje, Warmoesgracht, Warmoesstraat, Waterlooplein, Westerdoksdijk, Westermarkt, Weteringschans, Willemspark, Willemsstraat, Wittenburg, Wittenkade (de), Wittenstraat (de).
Portret van een man met lepra, na een behandeling
Object type: photograph
Date: 1891 – 1891
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: leprosy, historical persons not known by name
Hollandse landschappen
Object type: titelprent, frontispice
Date: 1612 – 1613
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: trees, landscapes, title-page, church (exterior)
Inscriptions: number: ‘1’, collector's mark: Lugt 2228, title: ‘Amaeniores Aliquot / Regiunculae a / Cornelio Nicolai a Wieringen / Delineate / et aeri aqua forti inscriptae / per / Nicolaum Ioannis Piscatorem / Amstelodammensem’, address: ‘CIVisscher Excudebat’, date: ‘1613’

Tussen twee bomen is een witte lap opgespannen, waarop de titel van de serie: Amaeniores Aliquot Regiunculae. Rechtsachter op een landweg een man die een ton op een kar vervoert. Op de achtergrond een kerk.
Dubbelloops vuursteendraailoopgeweer
Object type: flintlock pistol
Date: 1650 – 1650
Materials: brass, horn, wood
Techniques: embroidery, engraving, filing, relief
Location: maastricht
Artist: jan kitzen
Artist role: geweermaker, koopman, pistoolmaker, slotenmaker
Inscriptions: mark: ‘26’, inscription: ‘à Maestricht’, mark: ‘I*K’, signature: ‘Jan Kitzen : Ft’
Bodhisattva Avalokiteshvara
Object type: figure
Date: 701 – 833
Materials: copper alloy
Culture: thai or sumatran
Subjects: buddhism,avalokiteshvara,bodhisattvas

This four-armed Avalokiteshvara exemplifies the finest qualities associated with the pan-Asian cult of the savior bodhisattva. Through its grace and humanism, the work embodies the qualities of compassion central to Buddhist ethics. It may have been made in Sumatra or in the Malay Peninsula, regions linked by commercial activity in which religious imagery could readily circulate. Chinese pilgrim sources tell of major monasteries that prospered in both areas. cat. no. 158
Marble head of a veiled goddess
Object type: head of a woman, veiled
Materials: marble
Culture: greek
Subjects: goddess

Despite its worn condition, this head radiates with the serenity and power of Late Classical art. The series of holes drilled in the hair probably held a metal diadem or wreath. The goddess Demeter may be represented.
Ceiling Design with Peacock Motif
Object type: architectural drawing
Date: 1876 – 1876
Materials: ink, paper
Location: united states
Artist: louis h. sullivan
Artist nationality: american
Artist dates: 1856 – 1924
Middle Kingdom statuette, reinscribed for Harsiese High Priest of Memphis in the Third Intermediate Period
Object type: statuette, man, reinscribed for harsiese
Subjects: men,hieroglyphs
Schetsboek met 46 bladen
Object type: sketchbook
Date: 1886 – 1903
Materials: chalk, paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, street, amsterdam
Inscriptions: retailer's mark: ‘Gebrs. Simons/ Amsterdam./ Filiaal/ Heiligenweg 34/ Kantoorboek & Papierhandel./ Linieer- en Perforeer-inrichting./ No. 141 Blanco/ Bij nabestelling van dit boek, gelieve men/ bovenstaand nummer op te geven. / per doz f 1.60 per stuk 15’

Schetsboek bestaande uit 46 bladen met voornamelijk gezichten te Amsterdam.
Boslandschap
Object type: watercolor
Date: 1605 – 1673
Materials: paper, watercolor
Techniques: brush
Artist: lucas van uden
Artist role: draughtsman, print maker
Artist dates: 1595 – 1673
Subjects: forest, wood
Portret van Christina Nilsson
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons, portrait of opera-singer, standing figure - aa - female human figure
Inscriptions: annotation: ‘Christina Nilsson’
Corset
Object type: corset
Date: 1895 – 1900
Materials: silk
Culture: american
Vue prise à l'Est de Philae - Village de Abou-Kouli; Route d'Assouan
Object type: photograph
Date: 1849 – 1850
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: villages,landscapes

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Portret van een onbekende jonge vrouw in Zeeuwse klederdracht
Object type: photograph
Date: 1900 – 1914
Materials: paper, cardboard
Techniques: collodion silver print
Location: westdorpe
Artist: honoré feijen
Artist role: fotograaf
Artist dates: 1873 – 1956
Subjects: adolescent, young woman, maiden, anonymous historical person portrayed, folk costume, regional costume
Inscriptions: inscription: ‘Vergrootingen en reproductie/ clichés worden tot nabestellingen bewaard.’
Gezicht op een straat in Elburg
Object type: sketchbook leaf
Date: 1863 – 1863
Materials: paper, pencil
Location: elburg
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: hand-cart, street
Inscriptions: annotation: ‘Elburg’, date: ‘22 july 63’

Gezicht op een straat in Elburg. Op straat staat een kar. Blad 5 uit een schetsboek met 55 bladen vervaardigd op de Veluwe en in Noord-Duitsland.
Oboe
Object type: musical instrument
Date: 1690 – 1700
Materials: bone, wood, silver
Location: amsterdam
Artist: coenraad rijkel
Artist role: musical instrument maker
Artist dates: 1664 – 1726
Inscriptions: inscription: ‘C.RIJKEL [in banderol] / [fleur de lis]’, inscription: ‘[twee fleur de lis] /C. RIJKEL [in banderol] / [fleur de lis]’

Six Dutch Baroque Oboes. By the late 17th century, there was a thriving woodwind industry in the Dutch Republic. Sheet music printing was also an important source of income. Over 500 oboe solos appeared in Amsterdam between c. 1690 and c. 1750. Oboes were made of hardwoods – like boxwood, ebony, fruitwoods – and ivory. The keys were made of brass or, for fancier instruments, of silver. The most lavish instruments in this gallery were produced by the Richters brothers in Amsterdam.
Portret van een man met een snor
Object type: photograph
Date: 1863 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: enschede
Artist: lambertus johannes bruna
Artist role: fotograaf
Artist dates: 1822 – 1906
Subjects: moustache, historical persons, neck-gear ~ clothing, clothing for the upper part of the body
Inscriptions: address: ‘Enschede’

Onderdeel van Fotoalbum van een Nederlandse familie met 168 cartes-de-visite en kabinetfoto's.
De Oudekerk te Amsterdam / La Viellle Eglise te Amsterdam
Object type: book illustration
Date: 1760 – 1760
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: church (exterior), canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2233

Deze prent is gebruikt in de zogenaamde Atlas van Fouquet. Pierre Fouquet gaf vanaf 1760 stadsgezichten van Amsterdam - naar tekeningen van verschillende kunstenaars, gemaakt door verschillende prentmakers - uit. Deze prenten werden aanvankelijk los of in series verkocht. Zoals toen gebruikelijk kon de koper de prenten zelf laten inbinden. Hiertoe gaf Fouquet tussen 1778 en 1783 een titelblad, plattegrond en inhoudsopgave van de tot dusver 100 uitgegeven prenten uit (1). Gezien de inhoud afhankelijk was van wat de koper had verzameld verschilt de inhoud van de verschillende bewaarde Fouquetatlassen onder deze titel sterk. Ook zijn er exemplaren bekend waar tevens andere prenten aan zijn toegevoegd. Omdat er behoefte bleek aan uitleg bij de platen werd in 1783 een nieuwe versie van de atlas uitgegeven, aangevuld met tekst en twee prenten. De aangegeven volgorde veranderde maar de platen van de al eerder uitgegeven prenten bleven ongewijzigd. Deze uitgave werd in opdracht van Fouquet gedrukt bij Daniël Jean Changuion en Petrus den Hengst (2). Een tiental platen werd bijgewerkt en verscheen, met nieuw impressum, in het vervolg van Wagenaars geschiedenis van Amsterdam, uitgeven door Petrus Conradi en Folkert van der Plaats (3). Een aantal jaar na het overlijden van Fouquet kwam Evert Maaskamp met een nieuwe uitgave van de atlas, met verbeterde tekst en toevoeging van twee prenten. Op alle platen verwijderde hij het oude en liet hij zijn eigen impressum zetten (4).

(1). Afbeeldingen van de wyd-vermaarde koopstad Amsterdam benevens des zelvs voornaamste gebouwen en gezigten alle naar het leeven getekend / Receuil des edifices les plus considerables et des plus belles vues, de la fameuse ville d'Amsterdam, dessinées d'après nature. Amsterdam: Pierre Fouquet, 1778-1783.
(2). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam, met derzelver beknopte beschryvingen. 2 dln. Amsterdam: Daniël Jean Changuion en Petrus den Hengst [in opdracht van Pierre Fouquet], 1783.
(3). Stijl, Simon. Amsterdam, in zyne geschiedenissen, voorregten, koophandel, gebouwen, kerkenstaat, schoolen, schutterye, gilden en regeeringe, beschreeven. Om te dienen ten vervolge op het werk van Jan Wagenaar (…). 10 dln. Amsterdam en Harlingen: Petrus Conradi en Folkert van der Plaats, 1788-1801.
(4). Nieuwe atlas, van de voornaamste gebouwen en gezigten der stad Amsterdam. Met derzelver beknopte beschryvingen. Amsterdam: Evert Maaskamp, 1805.
Four Story House
Object type: print
Date: 1904 – 1904
Materials: paper
Techniques: etching
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Skirt
Object type: skirt
Date: 1801 – 1900
Materials: glass, metal thread, thread, wool
Tile
Object type: tile
Date: 1301 – 1500
Materials: earthenware, glaze
Culture: italian
Location: italy
Subjects: eagles,lions
Reproductie van een plattegrond
Object type: reproduction
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: plan ~ architecture
Inscriptions: collector's mark: ‘Société d'Emulation de l'Ain/ Bourg/ Bibliothèque’, inscription: ‘Pl. LVI’
Gezicht op de Haringpakkerstoren te Amsterdam
Object type: print
Date: 1755 – 1779
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: tower, clock tower ~ monumental adornment, rowing-boat, canoe, etc., canals, waters (in city)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Haringpakkerstoren.
Reisverslag
Object type: sketchbook leaf
Date: 1809 – 1880
Materials: pencil
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: nova zembla expedities 1880

Blad 107 recto uit een schetsboek met 110 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Fotoreproductie van een schilderij, voorstellende Aeneas ziet de schim van Dido in de onderwereld, scène uit Virgilius' Aeneis
Object type: photograph
Date: 1853 – 1858
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: aeneas and the sibyl meet various groups of the dead, among them is dido, who turns aside
Megaphone
Object type: megaphone
Date: 1850 – 1900
Materials: leather, metal, wood
Culture: tanzanian
Location: tanzania
Tijdgenoten
Object type: print
Date: 1829 – 1840
Materials: paper
Techniques: engraving
Location: hildburghausen
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Willem Lodewijk Overduyn
Object type: print
Date: 1833 – 1868
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johannes christiaan d arnaud gerkens
Artist role: draughtsman, print maker
Artist dates: 1823 – 1892
Subjects: flushing, delft, draughtsman, eyeglasses, spectacles, knighthood order, historical persons (+ half-length portrait)
Inscriptions: inscription: ‘Niet inden handel / v (...) lith’, collector's mark: Lugt 2228

De geportretteerde zit op een stoel en heeft zijn benen over elkaar geslagen. Hij draagt een bril en een ridderorde. Onder het portret zijn signatuur.
Seated Kuvera
Object type: figure
Date: 801 – 900
Materials: bronze
Culture: indonesian, javanese
Snuff bottle with Mi Fu bowing to a rock
Object type: snuff bottle
Date: 1801 – 1900
Materials: jade
Culture: chinese
Subjects: men

A famed poet, painter, and calligrapher, Mi Fu (1051–1107) was also noted for his eccentricities, which included the collecting of stones. He declared one stone to be his older brother, and sometimes bowed to this rock as a mark of respect. Representations of Mi Fu bowing to a rock are often found in Chinese painting, as well as in the decorative arts.
Kaart van de hertogdommen Brabant en Limburg en van de graafschappen Vlaanderen, Artesië, Henegouwen en Namen
Object type: print
Date: 1706 – 1706
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: maps of separate countries or regions, brabant, henegouwen
Inscriptions: date
Textile with Saint Francis Receiving the Stigmata
Object type: textile
Date: 1367 – 1400
Materials: metal thread, silk
Culture: italian
Location: italy
Subjects: angels,saint francis

According to his biographers, Saint Francis of Assisi enjoyed all the comforts of wealth and position until he heard Christ calling to him as he prayed. He then promptly renounced his possessions and devoted the rest of his life to poverty, charity, and veneration. This textile illustrates a pivotal moment in the saint’s life: while kneeling in prayer on a mountain at La Verna, he saw a vision of a seraph, a six-winged angel, on a cross and found he had received the stigmata, the five wounds of Christ, in his hands, feet, and side. The moment marks the fulfillment of Saint Francis’ aspiration to imitate Christ himself in compassion and service to others. The textile depicts the saint in an active pose, with his hands outstretched and his gaze turned up to the seraph. In composition, the scene resembles the portrayal of the same event in the cycle of frescoes traditionally associated with Giotto that decorate the Church of Saint Francis at Assisi, the site of the saint’s tomb and the mother church of the monastic order he founded. The location assured these paintings a seminal role in the formation of Franciscan imagery, and the use of the iconic image in the textile indicates that it was made for a church of Franciscan affiliation. The medium of embroidery, however, visibly enriches the rustic scene, for the saint’s coarse robe is rendered in smooth silk, and metal threads describe the rays that deliver the miraculous wounds.
Vlagdrager
Object type: print
Date: 1789 – 1799
Materials: paper
Techniques: etching
Location: france
Subjects: (military) standard-bearer
Inscriptions: collector's mark: Lugt 2228
Portable Picnic Set (sagejū) with Chrysanthemums, Foliage Scroll, and Tokugawa Family Crest
Object type: picnic set
Date: 1701 – 1800
Materials: foil, gold, lacquer, silver, wood
Techniques: hiramakie, lacquer
Culture: japanese
The Compleat Work of Etchings by John Chalon / Oeuvre Complette des Eaux Fortes par Jean Chalon
Object type: album leaf
Date: 1802 – 1802
Materials: paper
Techniques: drypoint, etching
Location: london
Subjects: morphology of human expression (+ adult female (human being))
Inscriptions: collector's mark: ‘B’, collector's mark: ‘RIJKS / MUSM’
Gezicht op de toegangspoort en torens van het kasteel van Carisbrooke
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: albumen print
Location: carisbrooke castle
Artist: frederick nutt broderick jr.
Artist role: fotograaf
Artist dates: 1854 – 1913
Subjects: castle, gate, entrance
Inscriptions: check stamp: ‘Broderick's series’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Engeland en Frankrijk.
Étui
Object type: étui
Date: 1765 – 1770
Materials: copper, enamel
Subjects: birds,men
Fancy
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,profiles,women
Bryan Lathrop House, Chicago, Illinois, Front Elevation and Terrace Plan
Object type: architectural drawing
Date: 1892 – 1892
Materials: ink, linen, pencil
Location: chicago
Artist: mckim, mead and white
Me and My Wife and Daughter
Object type: print
Date: 1780 – 1800
Techniques: etching, hand coloring
Artist: henry william bunbury
Artist role: artist
Artist nationality: british
Artist dates: 1750 – 1811
Subjects: men,women,horses,family

This gently humorous image represents three family members borne by a single horse, with the father astride, and his wife and daughter in panniers at either side. As the trio moves toward a distant house, the wife places her arm affectionately around her husband's waist, and daughter gestures to point out an unseen object of interest.
Portretten van bekende tijdgenoten
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: etching
Location: france
Subjects: commander-in-chief, general, marshal, historical persons, decorations, honours (as symbols of the state, etc.)
Inscriptions: collector's mark: Lugt 2228
Studie van liggende koeien
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: etching
Location: the hague
Artist: simon andreas krausz
Artist role: draughtsman, print maker
Artist dates: 1760 – 1825
Subjects: cow
Inscriptions: collector's mark: Lugt 2228

Studie van liggende koeien van voren en opzij gezien. De prent maakt deel uit van een serie prenten met studies van koeien en schapen.
Landscape Painting of Figure in Woodland Setting
Object type: album leaf
Date: 1644 – 1911
Materials: silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men,mountains,landscapes
Trijp, groen
Object type: bekledingsstof
Date: 1600 – 1800
Materials: linen, textile, hair
Techniques: pressing
Artist: Anonymous

Fragment donkergroene bespanningsstof met floraal patroon, vermoedelijk van geperst trijp. Achterzijde stevig linnen.
Briefkaart aan Frans Buffa en Zonen
Object type: postcard
Date: 1880 – 1880
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: the hague
Artist: philip windt
Artist role: draughtsman
Artist dates: 1847 – 1921
Subjects: publisher, drawing, the hague
Inscriptions: collector's mark: Lugt 2233
Brief aan jonkheer Hendrik Teding van Berkhout (1879-1969)
Object type: letter
Date: 1932 – 1932
Materials: ink, paper
Techniques: pen, writing
Location: laren
Artist: frans smissaert
Artist role: draughtsman, print maker
Artist dates: 1862 – 1944
Subjects: haarlem, amsterdam, jonkheer hendrik teding van berkhout (1879-1969), the graphic arts
Inscriptions: collector's mark: ‘RPK’
Panel with Design of Mandarin Oranges and Booklet
Object type: panel
Date: 1701 – 1800
Materials: metal thread, textile, silk
Techniques: damask, dyeing, embroidery, resist
Culture: japanese
Subjects: books,fruit
Plate from "Divers Trophées" (Weapon Trophies after the Façade of Palazzo Milesi in Rome)
Object type: print
Date: 1651 – 1651
Techniques: engraving
Artist: polidoro da caravaggio
Artist role: artist
Artist nationality: italian
Artist dates: 1494 – 1548
Subjects: eagles,weapons,trophies

Print from a series of six reproducing the weapon trophies over the second floor windows of Palazzo Milesi in Rome, designed and executed by Polidoro da Caravaggio in 1525/26. The print shows a large trophy with a Roman centurion helmet. The helmet is characterized by two hybrid sphinxes on the sides and an eagle with spread wings on top. To the left of the central helemt is another smaller one, which appears to be crowned by a lion's head. In a semispherical compartment below the central helmet the inscriptions have been placed.
Gezicht op de rivier Greta in Cumbria
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: tone lithography
Location: london
Subjects: park, forest, wood, river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent maakt deel uit van een serie van 24 prenten.
"Three-String" Bottle Vase
Object type: ceramic
Materials: copper, glaze, porcelain
Techniques: molding, underglaze
Location: china
Tekenvoorbeelden van paarden
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: engraving
Location: antwerp
Artist: pieter de jode (i)
Artist role: draughtsman, print maker
Artist dates: 1570 – 1634
Subjects: horse

Tekenvoorbeelden van zeven paarden (appelschimmels) vanuit verschillende hoeken gezien. Deze prent maakt deel uit van een album.
D'après Raphael
Object type: print
Date: 1812 – 1830
Materials: paper
Techniques: lithograph
Location: paris
Subjects: anonymous historical person portrayed, head (human) - aa - female human figure
Inscriptions: collector's mark: Lugt 2228a
Bowl (part of a service)
Object type: bowl
Date: 1767 – 1833
Materials: hard paste porcelain
Subjects: birds