deem-data/ArtiFact huggingface dataset:
Grote paren dansende bruiloftsgasten
Object type: print
Date: 1538 – 1538
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: draughtsman, print maker
Artist dates: 1502 – 1561
Subjects: (lovers) embracing each other, 'symplegma', dancing at wedding feast, one pair dancing; man and woman dancing as a couple
Inscriptions: collector's mark: ‘Hinloopen’ Lugt 11

Dansend paar. Man, op de rug gezien, wordt omhelsd door een vrouw. Hij heeft één hand op haar zij, in de andere heeft hij zijn pet vast. Zesde prent uit een serie van twaalf, vrij naar een prent van Hans Schäufelein.
Harness Ring
Object type: decorative art
Materials: bronze
Culture: greek
Location: thessaly
Subjects: circles

These precious bronzes objects are votives, or devotional gifts, made for gods. They come in many forms. Some are miniature sculptures of animals, mostly depicting horses, deer, and birds. Others are items of personal adornment, including beads and brooches. Quite a few seem once to have been attached to something else. This assemblage is characteristic of the thousands of votives that were hung from sacred trees or placed in sanctuaries around Greece. Once a shrine was full, the votives were gathered together and ceremonially buried to make room for more offerings. This comes from Thessaly in north-eastern Greece.
Margaret Frances Langton Clarke
Object type: photograph
Techniques: albumen print
Location: england
Artist: lewis carroll
Inscriptions: Unmarked recto; verso unchecked
Lochs. Los. weere-wolf. / Lupus Cervarius. Lynx. / Loup Cervier. Lynx.
Object type: drawing
Date: 1596 – 1610
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Subjects: werewolf, lycanthrope, beasts of prey, predatory animals: lynx

Lynx. Genummerd rechtsboven: 17. Linksboven de naam in acht talen. Onderdeel van het eerste album met tekeningen van viervoeters. Eerste van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Moreau
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: etching
Subjects: commander-in-chief, general, marshal, historical persons
Arrivée à Spa
Object type: photomechanical print
Materials: paper
Techniques: photolithography
Location: brussels
Artist: c.f.
Artist role: fotograaf
Subjects: station; shelter (railway, tramway), prospect of city, town panorama, silhouette of city
Inscriptions: inscription: ‘SE VEND CHEZ F. ENGEL A SPA.’, inscription: ‘PHOTOLITH. SIMONAU & TOOVEY, d'après le procédé de Mr. ASSER.’
A Huntsman with a Dead Hare and a Dog (Study for "Terra")
Object type: drawing and watercolor
Date: 1590 – 1595
Materials: charcoal, ink, paper
Techniques: brush, incising, pen, transfer, wash
Location: netherlands
Artist: jacques de gheyn (ii)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1629
Inscriptions: Inscribed recto, lower left corner, in pen and dark brown ink: "8"; verso, upper center, in red pencil: "Lot 439"; center, in graphite: "DeGheyn"; center, in graphite: "gegens Karletzen (?) dem Stiche Host. 49"; lower center, in graphite" "85"; lower margin, in graphite: "De Gheyn"; lower right, in blue pencil: "32"

One of a group of four allegorical representations of the elements, this drawing reflects Jacques de Gheyn II’s innovative approach to the subject. Instead of gods and goddesses, De Gheyn chose earthly figures like a hunter to characterize Earth (Terra), a falconer to represent Air, a fisherman as Water, and a woman cooking game as Fire. The humble image belies his careful incorporation of different media: he layered ink and ink wash over a preliminary sketch executed in charcoal.
Mustard spoon
Object type: mustard spoon
Date: 1801 – 1850
Materials: silver
Allegorie op de hebzucht
Object type: print
Date: 1546 – 1588
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: remigius hogenberg
Artist role: print maker
Artist dates: 1536 – 1587
Subjects: organization, functionaries and dignitaries in roman catholic church; clergy in general, reaping, picking, mowing ~ harvest, (farm) wagon, freight wagon, cart, instrumental popular music - cc - out of doors, (non-fruit) products of plants or trees: turnip, use of property (opposing concepts) (+ situation or event (especially in genre-painting) with symbolical connotation)
Inscriptions: collector's mark: Lugt 2228

Op een boerenkar vol met knollen of rapen zitten een man en vrouw muziek te maken. Achter de kar een stoet mannen en vrouwen die proberen zoveel mogelijk rapen te bemachtigen. In het midden op de voorgrond twee vechtende mannen. Rechts op de vooorgrond wordt een geestelijke de knollen aangeboden. Allegorie op de hebbberigheid.
Titelpagina voor: Félicien Rops (red.), Cahier d'études eaux-fortes originales et inédites, 1875
Object type: photomechanical print
Date: 1875 – 1875
Materials: paper
Techniques: letterpress printing, printing block
Location: brussels
Subjects: sphinx (lion/woman); 'sfinge' (ripa) - aa - female human figure
Inscriptions: date

Geboorte- en sterfdatum van de prentmaker zijn onbekend. Daarom is voor de bepaling van de rechten van dit object gebruik gemaakt van de vervaardigingsdatum.
Drypoint Number Five: Portrait
Object type: print
Date: 1909 – 1909
Materials: paper
Techniques: drypoint
Location: united states
Artist: donald shaw maclaughlan
Artist role: painter, print maker
Artist nationality: american, born canada
Artist dates: 1876 – 1938
Zandvoort. Hotel "Seinpost"
Object type: photograph
Date: 1929 – 1943
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Subjects: beach (as place of recreation), hotel, hostelry, inn
Wehrmachtsoldaat Nederlandse vrouw
Object type: photograph
Date: 1909 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: raamsdonksveer
Artist: Anonymous
Subjects: occupier and civilians, occupation ~ war

Een Duitse militair met een Nederlandse vrouw bij een huis in Raamsdonksveer. Achterop staat: Holland Sept. 1940. Hermann Ricklets und Adriane Gamers.
Erasmusbeeld
Object type: print
Date: 1833 – 1892
Materials: paper
Techniques: tone lithography
Location: rotterdam
Subjects: desiderius erasmus, monument, statue
Inscriptions: collector's mark: Lugt 2228

Het standbeeld van Desiderius Erasmus lezend in een open boek te Rotterdam, omgeven door een hek.
Gezicht op Beiroet
Object type: photograph
Date: 1898 – 1898
Materials: paper
Techniques: collodion silver print
Location: beirut
Artist: johannes lodewijk heldring
Artist role: fotograaf, predikant, schrijver
Artist dates: 1852 – 1923
Subjects: city-view in general; 'veduta'
Design for a Pediment inscribed Ville de Paris
Object type: drawing
Date: 1834 – 1866
Materials: graphite, ink, watercolor
Techniques: pen
Artist: jean-baptiste louis plantar
Artist role: artist
Artist nationality: french
Terracotta fragment of an oinochoe (jug) or an olpe (jug)?
Object type: oinochoe or olpe fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Left corner of the panel, with a bit of ivy
Towel border
Object type: border
Date: 1800 – 1850
Materials: linen, silk
Subjects: birds,men,women
Insertion
Object type: insertion
Date: 1801 – 1900
Materials: cotton, silk
Techniques: lace
Tjerk Hiddes de Vries
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: sexbierum, tjerck hiddes de vries
Inscriptions: collector's mark: Lugt 240

Prent oorspronkelijk bedoeld voor: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
Portret van een zittende man
Object type: carte de visite
Date: 1850 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Location: madrid
Artist: josé martínez sanchez
Artist role: fotograaf
Artist dates: 1807 – 1874
Subjects: sitting figure, historical persons
Inscriptions: inscription: ‘Fotografia/ de J. Martinez/ Sanchez/ 1 y 3, Puerta del Sol’
Drie figuren
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, adult man, railway, train
Inscriptions: kleurnotitie, handgeschreven

Op de achtergrond mogelijk een trein. Pagina 39 en pagina 40 uit een als schetsboek gebruikte agenda met 80 bladen.
Man wrijft zich in het oog
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: louis peeters (i)
Artist role: print maker
Artist dates: 1876 – 1964
Subjects: anonymous historical person portrayed alone, rubbing one's eyes
Inscriptions: date

Geboorte- en sterfdatum van de prentmaker zijn onbekend. Daarom is voor de bepaling van de rechten van dit object gebruik gemaakt van de verwervingsdatum Rijksmuseum Amsterdam.
Cylinder seal
Object type: cylinder seal
Date: 1400 – 1101
Materials: mineral
Culture: cypriot
Location: cyprus
Subjects: sphinx,trees,antelope
Poems from the Pavilion of Fundamental Truth (Zhenyi Ting)
Object type: album
Materials: ink, paper
Culture: chinese
Artist: zhou lianggong
Artist role: artist
Artist nationality: chinese
Artist dates: 1612 – 1672
Subjects: poetry,calligraphy

This album preserves a group of poems written by the great art patron and critic Zhou Lianggong (1612–1672). Zhou was one of the key figures in the art scene of the mid-seventeenth century; he fostered contemporary painters and also wrote about their accomplishments. His critical writings on painting were published in 1673 under the title Duhua lu (A record of [The Pavilion] for viewing paintings), and they have been considered the essential source on seventeenth century painting ever since. This album preserves versions of some of the material that appears in Duhua lu, which makes it a source of signal importance for the study of Zhou Lianggong, the art scene he fostered, and his career as a critic. Zhou was well regarded as a calligrapher. His signature style, evident throughout this album, features a juxtaposition of thin ligatures with blocky, angular lines to create a charmingly eccentric and somewhat raw effect. In this, Zhou was particularly influenced by the calligraphy of the Song dynasty (960–1279) Emperor Lizong (1205–64, r. 1224–64), who pioneered this style in the thirteenth century.
Terracotta fragment of a pelike (jar)
Object type: pelike fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

At the shoulder, part of the panel ornament of a pelike: upright lotus buds between palmettes
The Writer Santō Kyōden (a.k.a. Kitao Masanobu)
Object type: print
Date: 1795 – 1795
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: chōkyōsai eiri 鳥橋斎栄里
Artist role: artist
Artist nationality: japanese
Artist dates: 1789 – 1801
Subjects: fans,men,pipes
Bootje en huizen in een overstroomde buitenwijk van Parijs
Object type: photograph
Date: 1901 – 1910
Materials: photographic support
Techniques: matte daylight collodion silver print
Location: paris
Artist: g. dangereux
Artist role: fotograaf
Subjects: flood (+ landscape with figures, staffage), rowing-boat, canoe, etc., paris

Onderdeel van fotoalbum overstroming Parijs en voorsteden 1910.
Scarab
Object type: scarab
Date: 1640 – 1550
Materials: stone
Techniques: glazing
Location: egypt
Anton de la Porte, kannunik te Parijs
Object type: honorary medal
Date: 1710 – 1710
Materials: copper
Techniques: striking
Location: france
Artist: Anonymous
Subjects: paris

Koperen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: olijfboom binnen omschrift; afsnede: jaartal
Verscheide gedagten in het koper gebragt naar de origenelen teekeningen en schetschen van Rembrandt
Object type: print
Date: 1696 – 1727
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: david rebuked by nathan
Inscriptions: collector's mark: Lugt 240

De profeet Natan staat naast David en spreekt hem toe. Hij wijst de koning op de zonden die hij beging door Uria te doden en bij Batseba een kind te verwekken.
Portret van de vrouw van Johann Philip Lembke
Object type: painting, miniature
Date: 1650 – 1713
Materials: oil, silver
Artist: johann philipp lemke
Artist role: painter, print maker
Artist dates: 1631 – 1711
Subjects: portrait, self-portrait of artist

Portret van de vrouw van Johann Philip Lembke (1631-1713). In buste, naar rechts. Geschilderd op de binnenzijden van een zilveren schroefdaalder uit 1632. Onderdeel van de collectie portretminiaturen.
Voorgevel van de Basiliek van Santa Maria Maggiore te Rome
Object type: photograph
Date: 1852 – 1862
Materials: photographic support
Techniques: gelatin silver print
Location: rome
Artist: Anonymous
Subjects: square, place, circus, etc., church (exterior), façade (of house or building)
Portret van Leopold Joseph Stoupy
Object type: print
Date: 1746 – 1820
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, number: ‘n. 9’
Snuffbox with the Coat of Arms of Heinrich, Count von Brühl
Object type: snuffbox
Date: 1737 – 1737
Materials: gold, porcelain
Techniques: painted
Location: meissen
Subjects: heinrich von brühl
Inscriptions: mark, town mark, import mark

Snuifdoos van beschilderd porselein. De ronde doos is door een gouden gelobd montuur met het deksel verbonden. Op het deksel is aan de buitenkant het wapen van Heinrich graaf von Brühl (1700-1763) geschilderd en aan de binnenkant een riviergezicht met figuren op de oever. De doos heeft een ingesnoerde wand en is rondom beschilderd met een rivierlandschap met op de oever figuren bij tonnen en balen. Op de bodem is een jagersscène in een bos geschilderd. De doos is niet gemerkt.
The Dyers' Quarter in Kanda (Kanda Kon'ya-cho), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Wrist Rest with Scene from "The West Chamber"
Object type: wrist rest
Materials: bamboo
Culture: chinese
Subjects: women,reading

The motif of a woman reading a letter is most likely based on a woodblock print illustrating a scene from a fourteenth-century play known as either The West Chamber or The Romance of the West Chamber. This play, which tells of the convoluted romance between a young scholar and a beautiful woman, is one of the most well known in Chinese history, and allusions to some of its more famous moments are often found in the visual arts.
The Colosseum, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1581 – 1581
Techniques: engraving, etching
Artist: giovanni ambrogio brambilla
Artist role: artist
Artist nationality: italian
Artist dates: 1575 – 1599
Subjects: architecture,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 56 in the scrapbook.
Kleding van Ottomanen en Arabieren rond 1580
Object type: costume print
Date: 1581 – 1581
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: asiatic races and peoples: turks, cook, clothes, costume (+ men's clothes), warfare; military affairs (+ infantry), stall, stable (+ men (labourers)), asiatic races and peoples (with name)
Inscriptions: caption: ‘Türckischer Stall-jung, des Sultan= Koch. Ein Arabier. ein bogenschuz der Türkischen Flote’, collector's mark: Lugt 2228

Prent uit een boek over zestiende-eeuwse kleding rond 1580. Vier mannen uit het Ottomaanse rijk. Alle vier zijn anders gekleed. Van links naar rechts: een Ottomaanse stalknecht, een Ottomaanse kok met ingrediënten in zijn handen, een Arabier en een boogschutter van de Ottomaanse vloot. De prent heeft een Latijns onderschrift.
Gezicht op Mâcon in vogelvluchtperspectief
Object type: album leaf
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: maps of cities

Prent uit: Tassin, Christophe. Les plans et profils de toutes les principales villes et lieux considérables de France (...). Parijs: Michel van Lochom, 1638, kaart 16 uit het deel 'Bourgongne'.
Bronze plaque of Mithras slaying the bull
Object type: plaque of mithra killing the bull
Date: 134 – 233
Materials: bronze
Culture: roman
Subjects: men,bulls,dogs,scorpions,snakes

The cult of Mithras was very popular throughout the Roman Empire and was followed especially by soldiers. It was one of several eastern cults that spread rapidly as a result of the pax Romana (Roman peace); others included the worship of Jupiter Dolichenus, Manichaeism and, of course, Christianity. Shrines dedicated to Mithras have been found at sites as far apart as Hadrian’s Wall in northern Britain and Dura Europos on the River Euphrates in Syria. This plaque may well have decorated the wall of such a Mithraeum (place of worship). Busts of Sol (the Sun) and Luna (the Moon) watch over the ritual scene of Mithras slaying the bull, aided by a dog, snake, and scorpion.
Een krompasser
Object type: caliper
Date: 1725 – 1775
Materials: iron
Techniques: metalworking
Location: netherlands
Artist: Anonymous

Een ijzeren krompasser, rijk geciseleerd, met brede punten.
Hare Hunting, Plate 2. War Turnips!
Object type: print
Date: 1804 – 1836
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: london
Subjects: riding a horse, ass, or mule; rider, horseman, low hill country, hunting dogs, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), farmers, hare-hunting, rabbit-hunting
Inscriptions: collector's mark: Lugt 2233
Reading room
Object type: page
Date: 1870 – 1875
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: writing-table, writing-desk, university (+ building ~ education, tuition)
Standbeeld van Gutenberg in Mainz, Duitsland
Object type: stereograph
Date: 1867 – 1868
Materials: cardboard, paper
Techniques: albumen print
Location: mainz
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: printer, johannes gutenberg, urban housing, monument, statue, parts of church exterior and annexes: tower
Inscriptions: inscription: ‘(Registered)’, number: ‘52’
Portret van een (vermoedelijk) Franse militair, staand in een driekwartbroek met pet
Object type: album leaf
Date: 1870 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: chambéry
Artist: peronet
Artist role: fotograaf
Subjects: trousers, breeches, head-gear: cap, warfare; military affairs, (military) uniforms, division of armed forces
Inscriptions: address: ‘Chambéry’

Onderdeel van Album met cartes-de-visite en kabinetfoto's van militairen in uniform.
Bullarum inaurium (...)
Object type: ornament print
Date: 1582 – 1582
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: 'pistrix', sea-dragon, pendant, trinket, 'breloque'

Op de rug van de zeedraak zitten een man met een drietand en een man met een roeispaan. Een van 7 deels genummerde bladen afkomstig uit een serie van 10 bladen met hangers. Aan elke hanger hangen drie parels.
Draagteken met beeltenis koningin Wilhelmina
Object type: insignia
Date: 1948 – 1948
Materials: brass, textile
Location: netherlands
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, netherlands

Draagteken met beeltenis Wilhelmina, vervaardigd naar aanleiding van het 50 jarige regeringsjubileum van Koningin Wilhelmina. In een gekroond medaillon is het portret van Wilhelmina zichtbaar. In de banderol onder het medaillon de jaartallen 1898 en 1948. Aan het messing draagteken is een rood wit blauw lintje met een eenvoudige veiligheidspeld bevestigd.
Veel schoene stucken om te drijven den Goudt smeden dienlijck
Object type: ornament print
Date: 1594 – 1635
Materials: paper
Techniques: engraving
Location: northern netherlands

De decoratie van de bovenzijde van de voet, bestaande uit een landschap in een liggend ovaal tussen twee mascarons, is boven de voet als een gebogen fries weergegeven. Tegenzijdige kopieën van de onder Orn Cat I-324.A vermelde serie. Titelblad en 14 deels genummerde bladen uit een serie van 25.
Terracotta stand
Object type: stand
Date: 534 – 401
Materials: terracotta
Culture: greek, attic

This object may have been used to support one of the various small oil containers such as alabastra and aryballoi whose round bottoms did not permit them to stand of their own accord. Similar pieces consisting of an open ring are known in gold and are associated especially with Southern Italy; see the examples displayed in the Greek galleries on the main floor.
Gate
Object type: gate
Date: 1601 – 1700
Materials: iron
Varii generis opera aurifabris necessari (...)
Object type: ornament print
Date: 1571 – 1639
Materials: paper
Techniques: engraving
Location: germany
Artist: paul birckenhultz
Artist role: print maker
Artist dates: 1561 – 1639
Inscriptions: collector's mark: Lugt 240

Fries bovenaan, gedecoreerd met bladranken en zowel links als rechts een vaas tussen twee vogels. Blad uit een serie bestaande uit een titelblad en 9 bladen met decoratie voor randen van bekers. Op de bladen zijn bladranken met grotesken en mascarons te zien tegen een gearceerde achtergrond op een verder ongearceerd blad.
Axe (Berdiche)
Object type: axe berdiche
Materials: silver, steel, wood
Culture: turkish
Location: ottoman empire
New Modelbüch allen Nägerin u. Sydenstickern (Page 8r)
Object type: book print ornament architecture
Date: 1556 – 1556
Techniques: woodcut
Artist: hans hoffman
Artist role: designer
Artist nationality: german
Artist dates: 1556 – 1556
Subjects: ornament

Designed by Hans Hoffman (German, active Strasbourg 1556) and published by Jacob Frӧlich, Strasbourg. Illustrated title page with Hoffman's monogram, narrative scene on verso of title page, dedication (2 pages), 49 pages of designs, page with publisher’s information, and narrative scene on last page.