deem-data/ArtiFact huggingface dataset:
View of the Yokohama Pleasure Quarters of Kanagawa at Cherry Blossom Time
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa (gountei) sadahide
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1873
Subjects: houses,bridges,trees
Le Christ mort
Object type: print
Date: 1942 – 1942
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: christ dead ~ particularities of crucifixion scenes
Inscriptions: collector's mark: Lugt 5i, collector's mark: Lugt 2228

Het lichaam van de dode Christus, liggend op een kleed.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, right hand holding spear or javelin; at the bottom right, an unidentified subject
Duivel verwart het garen
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: devils in the form of (fabulous) animals, spinning (manufacture of yarn)
Inscriptions: collector's mark: Lugt 2228

Door Muller opgenomen als mogelijk een spotprent of allegorie op de Engelsen tijdens de Eerste Engelse Oorlog vanwege het jaartal 1652 en het gebruik van een kopie naar deze voorstelling door Salomon Savery in een politieke context (zie FMH 2046A, bijvoorbeeld RP-P-OB-5562).
De eerste staat van deze prent werd in 1638 door Hondius uitgegeven.
Female attendant
Object type: figure
Date: 567 – 700
Materials: earthenware, pigment
Techniques: glazing
Culture: chinese
Subjects: women
The Golden State Entering New York Harbor
Object type: painting
Date: 1854 – 1854
Materials: canvas, oil
Culture: american
Artist: fitz henry lane (formerly fitz hugh lane)
Artist role: artist
Artist nationality: american
Artist dates: 1804 – 1865
Subjects: boats,ships

Influenced by the English-born, Boston-based painter Robert Salmon, Lane, early in his career, painted the ports and shipping vessels of Boston; of his native Gloucester, Massachusetts; and, for a time in the early 1850s, of New York City. The clipper ship Golden State was built in New York in 1852 and, as its name suggests, plied the seas around Cape Horn to California when overland travel across the North American continent was still unreliable and before the opening of the Panama Canal in 1914 made it no longer necessary to take such an extensive southern detour. The skyline of New York, as seen from New Jersey, is delineated in the background.
Limestone snake-charmer
Object type: statuette of a snake charmer
Date: 600 – 551
Materials: limestone
Culture: cypriot
Subjects: men,snakes

The male figure holds a snake in each hand, while three additional snakes are placed on his head; their heads are aligned above the fillet around his brow, and the rest of their bodies hand down his back. Snake-charmers are quite well attested on Cyprus; one family even specialized in treating victims of snakebite.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, lower torso, buttocks, and part of legs of draped figure; hanging from wall, aryballos and strigil; youth bending to left, holding jumping weights
Adamspforte, Kopf v.rechts
Object type: photograph
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: bamberg
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: number: ‘46.’
Intocht van aartshertog Matthias te Antwerpen, 1577
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: matthias van oostenrijk (rooms-duits keizer), william i (prince of orange), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', antwerp

Aankomst van aartshertog Matthias van Oostenrijk te Antwerpen, 21 november 1577. Matthias wordt verwelkomd door de prins van Oranje. De stoet trekt tussen hagen van soldaten langs het galgenveld naar de stad. Met onderschrift van 4 regels in het Latijn. Genummerd: 88. Bedrukt op achterzijde met tekst in het Latijn.
Braunschweig's Baudenkmäler
Object type: photomechanical print
Date: 1892 – 1892
Materials: paper
Techniques: photograph
Location: braunschweig
Subjects: gate, entrance, façade (of house or building)
Inscriptions: number: ‘No. 33.’
Vrouw op de dorpsweg
Object type: print
Date: 1931 – 1931
Materials: paper, ink
Techniques: drypoint
Location: putten
Artist: jo bezaan
Artist role: draughtsman, print maker
Artist dates: 1894 – 1952
Subjects: farmers - aa - female farmer, farmer's wife, folk costume, regional costume
Inscriptions: edition: ‘no. 10/12’, signature and date: ‘JoBezaan '31’, collector's mark: Lugt 2228

Vrouw in klederdracht bij de bocht van een dorpsweg.
Heart amulet
Object type: amulet, heart
Date: 1550 – 1186
Materials: stone
Location: egypt

For the ancient Egyptians, the heart (ib) was the source of intelligence, feelings, and actions. A person's memory was also housed in the heart and so at the judgment ceremony (Weighing of the Heart) in the afterlife, the heart was able to speak on behalf of the deceased, accounting to Osiris for a lifetime of deeds. Therefore, heart amulets were only used on the mummy to protect the owner's organ and to ensure that his heart gave a positive response at judgment.
Bedankkaart naar aanleiding van de kersttentoonstelling van de Mimosa-club
Object type: print
Date: 1883 – 1943
Materials: paper
Techniques: lithograph
Artist: louis stutterheim
Artist role: draughtsman, painter
Artist dates: 1873 – 1943
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: signature: ‘L.S.’
Carved Plaque from a Bracelet
Object type: bracelet plaque, female sphinx, nebmaatre, amenhotep iii, tiye
Date: 1390 – 1352
Location: egypt
Subjects: sphinx

Openwork representation of a female sphinx whose human hands present a cartouche with the prenomen of Amenhotep III Neb-Maat-Re. This sphinx is often identified as Queen Tiye whose name is indeed in some cases written beside a sphinx image. It is, however, also possible that the creature on this bracelet plaque represents a mythic being of a more general nature. Wings, headdress and jewelry point to close connections with foreign lands (Nubia, Asia, Shasu Bedouins), and the presentation of the king's name was a ritual that another, closely connected bracelet plaque (26.7.1340) shows in connection with the king's jubilee (Heb Sed).
Blidah La Place du Marche
Object type: album leaf
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Location: el boulaïda
Subjects: historical persons, street
Inscriptions: number: ‘211’, check stamp: ‘J. Kuhn Editeur/ 220 Rue de Rivoli Paris’
Stamp seal
Object type: stamp seal
Date: 201 – 700
Materials: stone
Culture: sasanian
Location: iran or mesopotamia
Subjects: deer
Almanak van het Amsterdamsch studenten-corps voor het jaar 1886
Object type: book
Date: 1886 – 1886
Materials: paper, cardboard, linen
Techniques: albumen print, engraving, letterpress printing
Location: amsterdam
Inscriptions: number: ‘90099 702’, signature: ‘Gouhn [?]’
Militair logement aan de Lauriergracht te Amsterdam
Object type: drawing
Date: 1870 – 1926
Materials: ink, paper, pencil
Techniques: pen
Location: amsterdam
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: canals, waters (in city)
Marktscène in Betlehem, Jeruzalem, Palestina
Object type: photograph
Date: 1850 – 1900
Materials: paper, photographic support
Techniques: albumen print
Inscriptions: inscription: ‘1043 Scène du marché à Bethléem. - Market scene at Bethlehem’, inscription: ‘Bonfils.’

Marktscène in Betlehem, Jeruzalem, Palestina.
Sir Richard Southwell
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Textile Sample from Sample Book
Object type: sample
Date: 1801 – 1900
Culture: japanese
Dish (one of a pair)
Object type: dish
Date: 1729 – 1730
Materials: silver
Artist: i d
Artist role: maker
Artist nationality: british
Artist dates: 1650 – 1699
Subjects: coat of arms
Dish with ladies and boy
Object type: dish
Date: 1667 – 1733
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: boys,women
Fretten vangen vogels in een bos
Object type: illustration
Date: 1867 – 1867
Materials: paper
Techniques: lithography
Location: barbizon
Artist: karl bodmer
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1893
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit: L'illustration 50 (1867), p. 93
Jupiter; statue of the nude god seated on an eagle, holding a double trident, plate 2 from "Statues of Roman Gods"
Object type: print, fete, ornament architecture
Date: 1586 – 1586
Techniques: engraving
Artist: philips galle
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1537 – 1612
Subjects: eagles,weapons,jupiter

One of eight numbered plates from the series 'Statues of Roman Gods', after Jacques Jonghelinck. The plates illustrate Bacchus and the seven planetary gods and was originally displayed in the town hall of Antwerp. The series was published by Philips Galle in 1585 in Antwerp and again in 1586.
Blad met namen bij de herdenking van het Bombardement van Algiers (1816) in 1850 en 1866
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: handwriting, written text
Inscriptions: collector's mark: Lugt 2228

Blad met de namen en handtekeningen van een groep personen die verklaren dat de voorstelling van het bombardement van Algiers in de nacht van 26-27 augustus 1816 door de gecombineerde Engels-Nederlandse vloot met de waarheid overeenkomstig is, gedaan op het Herinneringsfeest te Amsterdam op 27 augustus 1850. Daaronder op hetzelfde blad de namen en handtekeningen van een vijftal zeeofficieren die aanwezig waren bij het bombardement en de daaropvolgende bevrijding van 1002 gevangen genomen zeelieden en vissers, waaronder 28 Nederlanders, uit Algiers. Deze tweede groep namen bij de vijftigjarige herdenking van het bombardement op 27 augustus 1866 te Amsterdam
Adreskaart van Wijnand Otto Jan Nieuwenkamp
Object type: business card
Date: 1903 – 1907
Materials: paper
Techniques: etching
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: amsterdam, print maker, draughtsman, wijnand otto jan nieuwenkamp, sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2233

Een driemaster die een haven verlaat. Op de wimpel aan de hoogste mast staat 'De Zwerver', de naam van de woon- en atelierboot die Nieuwenkamp ontwierp en bouwde.
Fragment of a terracotta plaque
Object type: pinax, warrior
Date: 301 – 400
Materials: terracotta
Culture: greek, cretan
Subjects: helmets,shields,swords,warriors

Warrior with shield, helmet, and sword.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Interior, youth with Phrygian cap, seen from the back and turning to right, with left elbow resting on left knee, and lower body leaning against a wreathed pithos; part of an inscription, HO [PAIS K]AL[OS]
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Part of the head, shoulder, and hand of a bearded, wreathed man to right, with a himation
Terracotta conical rhyton (vase for liquid offerings)
Object type: rhyton
Date: 1600 – 1500
Materials: terracotta
Culture: minoan

Among the various forms of rhyton from the latter part of the Bronze Age, the conical type is particularly common, not only in terracotta but also in stone, faience, and silver.
Handkerchief
Object type: handkerchief
Date: 1834 – 1866
Techniques: lace
Model of an Artificial Reef
Object type: demonstration model
Date: 1799 – 1800
Materials: brass, iron, lead, wood
Location: netherlands
Artist: Anonymous

Kunstklippen of 'haspels' waren een uitvinding van H. Aeneae, lid van het Comité Central van de Marine van de Bataafse Republiek. Geankerd en net onder het wateroppervlak drijvend moesten zij de havens tegen vijandelijke schepen versperren. Een werd gebouwd en beproefd in de haven van het Nieuwediep, maar de kettingen waaraan de kanons, dienst doend als ankers, vastgemaakt waren hielden het niet en het gevaarte moest op het droge gesleept worden. Toen tijdens een storm een hospitaalschip tegen de klip aandreef, werd de klip beschadigd en niet het schip. De Zweedse admiraal Cronsaedt was geïnteresseerd in het ontwerp voor de verdediging van de Sont en de Belten en verkreeg hiervoor tekeningen en een beschrijving, evenals de Italiaanse ingenieur Salvini. .
Dressing gown
Object type: dressing gown
Date: 1896 – 1898
Materials: silk
Culture: japanese
Design for T-Cart, no. 3446
Object type: drawing
Date: 1878 – 1878
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
The Battle R—L
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: william heath ('paul pry')
Artist role: artist
Artist nationality: british
Artist dates: 1794 – 1840
Warren A. Locke
Object type: page
Date: 1889 – 1894
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Erythrean Sibyl, from the series of Sibyls
Object type: print
Date: 1530 – 1530
Techniques: woodcut
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: portraits,sibyl
Bedcover (Album Quilt)
Object type: textile
Date: 1845 – 1850
Materials: cotton, textile
Techniques: appliqué, embroidery, glazing, weave, printing, stitching
Location: united states
Beads, 18
Object type: bead, 18
Date: 7000 – 330
Materials: glass
Cingalese Chief, Island of Ceylon, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,shields,swords,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Ring
Object type: costume and accessory
Date: 1525 – 1575
Materials: enamel, gold, stone, gemstone
Culture: italian
Location: italy
Subjects: healing, semi-precious stone

Bold in color, this ring is in keeping with mid- to late sixteenth-century Italian Renaissance fashion. Its large step-cut pink tourmaline is mounted on a cast gold setting, ornamented with a series of scrolls colored with touches of blue, green, and white enameling. In the period, many stones, like tourmaline, were believed to hold healing properties, and therefore thought beneficial as well as fashionable to wear.
3 of Tethers, from The Cloisters Playing Cards
Object type: playing card
Date: 1475 – 1480
Materials: glaze, gold, ink, paint, paper, silver
Techniques: pen
Culture: south netherlandish
Subjects: playing cards,games

The Cloisters set of fifty-two cards constitutes the only known complete deck of illuminated ordinary playing cards (as opposed to tarot cards) from the fifteenth century. There are four suits, each consisting of a king, queen, knave, and ten pip cards. The suit symbols, based on equipment associated with the hunt, are hunting horns, dog collars, hound tethers, and game nooses. The value of the pip cards is indicated by appropriate repetitions of the suit symbol. The figures, which appear to be based on Franco-Flemish models, were drawn in a bold, free, and engaging, if somewhat unrefined, hand. Their exaggerated and sometimes anachronistic costumes suggest a lampoon of extravagant Burgundian court fashions. Although some period card games are named, it is not known how they were played. Almost all card games did, however, involve some form of gambling. The condition of the set indicates that the cards were hardly used, if at all. It is possible that they were conceived as a collector’s curiosity rather than a deck for play.
Webster's Cabin
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: england
Artist: isaac cruikshank
Artist nationality: english
Artist dates: 1756 – 1810
Landschap met de doop van Christus
Object type: print
Date: 1673 – 1695
Materials: paper
Techniques: etching
Location: france
Subjects: baptism of christ in the river jordan: john the baptist pouring out water on christ's head: the holy ghost descends, landscapes
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van zes prenten.
Secretaire met kassalade en kluis van Ransom & Randolph, voor een catalogus
Object type: photomechanical print
Date: 1904 – 1909
Materials: paper
Techniques: autotype
Location: grand rapids
Artist: Anonymous
Subjects: furniture for storage
Ruiterportret van Maurits, prins van Oranje
Object type: print
Date: 1597 – 1597
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: maurice (prince of orange)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Dertig Romeinse munten met deviezen en emblemen van keizers
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: engraving, etching
Location: antwerp
Artist: theodoor van thulden
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: coin
Inscriptions: collector's mark: Lugt 240

Prenten gebruikt in: Gevartius, Casper. Pompa introitvs (...) Ferdinandi Avstriaci (...) a S. P. Q. Antverp. decreta et adornata; (...) cùm (...) Antverpiam auspicatissimo aduentu suo bearet, XV. kal. maii, ann. M.DC.XXXV. Antwerpen: Jan van Meurs, 1642.
Bloemstengels
Object type: print
Date: 1970 – 1970
Materials: paper
Techniques: etching
Artist: kees stoop
Artist role: draughtsman
Artist dates: 1929 – 2019
Subjects: flowers
Inscriptions: signature: ‘KEES STOOP’

Bloemstengels met verticale banen op de voorgrond, bloemen op de achtergrond.
Design for an Overdoor Decoration (?) (recto); Part of a Doorway (verso)
Object type: drawing
Date: 1740 – 1760
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: anonymous, italian, bolognese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Loch Katrine Pier, Scene of the Lady of the Lake
Object type: photograph
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: lakes,landscapes

Talbot, the quintessential gentleman amateur, took on a professional role in the publication of two books illustrated with photographs: "The Pencil of Nature", a general introduction to his invention, and "Sun Pictures in Scotland", a tour of the scenery made popular by the novels of Sir Walter Scott. This well-preserved print of Loch Katrine, perhaps the most interesting of the images in "Sun Pictures", shows Talbot turning a novel feature of photography to artistic advantage. While a sketch may only partially fill a sheet of paper, a photograph is complete from edge to edge from the outset, and though many beginners do not realize it the best photographs are organized according to this principle. Instead of composing his scene conventionally, Talbot here worked with the scene as it appeared on his camera's flat ground glass. In essence, he saw two dark and two light triangles floating on a plane. In his resulting picture the solid and the insubstantial have become equal partners forever poised at the verge of merging.
Koets met militairen passeert omstanders
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Location: paris
Subjects: animal traction, animal-drawn vehicle (carriage etc.), warfare; military affairs (+ land forces)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Le Réveil, journal des sciences, de la littérature, des moeurs, théâtres et beaux-arts (1823), nr. 242, 30 maart 1823.
Cup plate
Object type: glass
Date: 1835 – 1838
Materials: glass
Techniques: pressed
Location: sandwich
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Waaier met iriserende veren van de glansfazant op een montuur van imitatie schildpad met koord en kwast van zijde
Object type: vouwwaaier
Date: 1900 – 1910
Materials: feather, plastic, silk
Location: france
Artist: Anonymous

Waaier met blauw-groene en paarse iriserende veren van de glansfazant (Lophophorus spec.) op een montuur van imitatie schildpad en dito ring met koord en kwast van zijde. 12 Aaneengesloten benen. Stalen sluitpin.
Lepelaar (platalea leucorodia) in een landschap met bovenaan op een blad de organen van het dier
Object type: print
Date: 1676 – 1676
Materials: ink, paper
Techniques: engraving, etching, pen
Location: paris
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: dissection, animals (+ anatomy of animals), shore-birds and wading-birds: spoonbill
Inscriptions: inscription: ‘La Palette.’

Prent uit een editie van Claude Perraults 'Mémoires pour servir à l'histoire naturelle des animaux'.
Horloge van zilver
Object type: wrist watch
Date: 1925 – 1925
Materials: leather, niello, silver
Location: marken
Artist: Anonymous

Armbandhorloge van zilver, met niello motieven. Staand ovaal model, afgeplat bij de oogjes. Niello-werk van hoelige meanders, breed in onder- en bovenrand, smaller wordend naar het midden der zijden. Smal leren armbandje, gevoerde riempjes met gespje van ondedel metaal.