deem-data/ArtiFact huggingface dataset:
Regeering en Volksbeweging voor Algemeen Kiesrecht
Object type: cartoon
Date: 1911 – 1911
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: monkeys, apes, the right to vote, the compulsory vote, political caricatures and satires

Drie apen die 'niet horen', 'niet spreken' en 'niet zien'. Naar aanleiding van de discussie rond de invoering van het Algemeen Kiesrecht.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed rim fragment from a kylix, with part of the glaze worn
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Three parts of kylix handles, from the crosspiece
[Solomon Alexander Hart]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: john and charles watkins
Artist role: photography studio
Artist nationality: british
Artist dates: 1840 – 1875
Subjects: men,portraits,profiles
Vrouw met slapend kind op schoot zit bij raam in een interieur
Object type: print
Date: 1855 – 1892
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: bernardus johannes blommers
Artist role: draughtsman, print maker
Artist dates: 1845 – 1914
Subjects: mother and baby or young child
Inscriptions: collector's mark: Lugt 2228
Botervloot
Object type: butter dish
Date: 1740 – 1765
Materials: faience
Techniques: kiln, painted, polychromy
Location: delft
Artist: Anonymous
Inscriptions: mark
Cushion Cover
Object type: textile
Date: 1689 – 1689
Materials: cotton, linen, textile, wool, thread
Techniques: embroidery, stitching, weave
Location: england
Studioportret van de zoon van Piet Onnen en Emilie van den Berg
Object type: cabinet photograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: batavia
Inscriptions: name: ‘Photographie / Busenbender & Co / voorheen / Woodbury & Page. / BATAVIA.’, name: ‘BUSENBENDER & Co. voorheen / Woodbury & Page / BATAVIA’

Staande jongen met kort haar leunend op een tafel.
Berglandschap op de weg naar Marienbad
Object type: sketchbook leaf
Date: 1808 – 1869
Materials: ink, paper, pencil, watercolor
Techniques: brush
Location: marienbad
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: landscapes, road, path, marienbad
Inscriptions: date and inscription: ‘21 aug-69/ v/ Ausch[...]tz/ n M/B-’

Blad 26 verso en 27 recto uit een schetsboek met 48 bladen.
Allegory in Honor of Louis XIV
Object type: print
Date: 1600 – 1688
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: louis xiv,horses,chariots
Andromeda Chained to a Rock
Object type: statuette
Date: 1634 – 1666
Materials: bronze
Subjects: andromeda
Study for The Battle of Waterloo
Object type: drawing
Date: 1824 – 1824
Materials: chalk, paper
Artist: jan willem pieneman
Artist role: draughtsman, painter, print maker
Artist dates: 1779 – 1853
Subjects: battle (+ land forces), historical events and situations

Pieneman’s studies depict individual combats more clearly than his large painting. Amid the chaos in the centre of this drawing one man is being despatched by a pistol shot, while another succumbs to a deadly sabre thrust. At the lower left a horse without a rider gallops into the scene, which represents an attack by German mercenaries in Wellington’s army.
Plattegrond van waterreservoir in omgeving van Lac de Lentini en ruïne van gedenkteken 6 mijl van Syracuse
Object type: drawing
Date: 1778 – 1778
Materials: paper
Techniques: pen
Artist: louis mayer
Artist role: draughtsman
Inscriptions: inscription: ‘A per la Strada di Siracusa ...taginesi e Romani’, inscription: ‘B Passato di Lago di Lentini ... situata la Castellana’

Tekening uit het album 'Voyage en Italie, en Sicile et à Malte', 1778.
Gezicht op Anterselva di Mezzo
Object type: stereograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: tirol
Subjects: dale, valley, city-view in general; 'veduta', mountains
Inscriptions: inscription: ‘NPG’, number: ‘128.’
Lace
Object type: photograph
Date: 1844 – 1845
Materials: paper
Techniques: salted paper print
Location: england
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: collected by hugh edwards

William Henry Fox Talbot, one of the inventors of photography, was a polymath who felt as comfortable writing Greek verse as he did experimenting with botany and chemistry. His negative/positive process—and the reproductive possibilities it engendered—came to dominate photography until the digital age. Talbot held artistic aspirations, but he was also interested in the myriad scientific and commercial applications for photography. He hoped that his photographs of lace, for example, might make it easier to copy intricate patterns and thus facilitate manufacturing. The negative for this print was likely made by laying a fragment of lace upon a piece of photosensitized paper and exposing it to the sun, without the aid of a camera.
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Techniques: compound weave
Culture: china or japan
Subjects: birds
Rasp van zilver
Object type: grater
Date: 1814 – 1906
Materials: silver
Location: netherlands
Artist: Anonymous
Elslo
Object type: print
Date: 1830 – 1899
Materials: paper
Techniques: etching
Artist: alexander schaepkens
Artist role: draughtsman, print maker
Artist dates: 1815 – 1899
Subjects: rocky coast
Inscriptions: collector's mark: Lugt 2228
Reclining River God, a Goat's Head, and Studies of Heraldic Emblems (recto); Cavalier Standing on a Globe Supported by a Kneeling Giant (verso)
Object type: drawing
Date: 1612 – 1675
Materials: ink
Techniques: drawing, lining, pen
Artist: micco spadaro (domenico gargiulo)
Artist role: artist
Artist nationality: italian
Artist dates: 1609 – 1675
Subjects: men,goats
Uitvaart met militaire eer
Object type: drawing
Materials: paint, ink, paper
Techniques: brush, pen
Artist: jan hoynck van papendrecht
Artist role: draughtsman, painter
Artist dates: 1858 – 1933
Subjects: military parade, pageant (+ cavalry, horsemen), public funeral
Inscriptions: annotation: ‘N. van Harpen, Losse en Scherpe Patronen,/ Illustraties van J. Hoynck van Papendrecht’, collector's mark: Lugt 2228

Begrafenisstoet met militairen te voet en te paard. Voorop een man met trommel gevolgd door marcherende militairen en koetsen.
Textile Design with Alternating Rows of Hexagons and Ovals Flanked by Pearls Framed by a Network of Stiff Branches
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating rows of hexagons and ovals flanked by groups of five pearls, framed by a network of stiff branches of light tan color with branch offsets of dark reddish-brown color over a ground of light tan color with dark reddish-bround stipples. The hexagon is colored with orange and outlined in red and the ovals are colored with purple and outlined in red. The pearls are of white color.
Miquelet Carbine
Object type: arm
Date: 1680 – 1700
Materials: iron, steel, wood
Culture: spanish
Location: spain
Yotsu of the Matsukiyo Brothel Performing as a Shirabyōshi, from the series Sacred Dances in Shinmachi
Object type: woodblock print
Date: 1841 – 1841
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: gochōtei sadahiro 五蝶亭貞広
Artist role: artist
Artist nationality: japanese
Artist dates: 1825 – 1859
Subjects: men,actors

Gochōtei (or Utagawa Sadahiro I) studied with Utagawa Kunisada in Edo, though by around 1830 was working in Osaka. Though he specialized in Kabuki prints, here he has created an image of a Shinmachi courtesan who is dressed in the costume of a shirabyōshi, female performers who dressed in male courtier’s costume. The title suggests that it was meant to parody a sacred dance performed at the dedication of a Shinto shrine.
Beeld van Hercules
Object type: print
Date: 1713 – 1717
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: (story of) hercules (heracles)

Illustratie voor: Mattheus Gargon, Walchersche arkadia, Samuel (I) Luchtmans, Leiden 1715-1717, pag. 201.
Gletsjer Grindelwald, Zwitserland
Object type: stereograph
Date: 1905 – 1905
Materials: paper, cardboard
Techniques: collodion silver print
Location: amsterdam
Subjects: grindelwald
Fragment of a Dish
Object type: fragment of a dish
Date: 701 – 900
Materials: earthenware, engobe, glaze, gold
Techniques: molding
Location: iran

This ceramic fragment was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Terracotta fragment of a pelike (jar)?
Object type: pelike fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Part of the handle from a pelike?
Portrait of Albert Jacquemart
Object type: print
Date: 1879 – 1879
Techniques: etching
Artist: jules-ferdinand jacquemart
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1880
Subjects: men,portraits
St. Petersbourg.
Object type: cabinet photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-petersburg
Artist: joseph daziaro
Artist role: publisher
Artist dates: 1831 – 1892
Subjects: piece of sculpture, reproduction of a piece of sculpture (+ sculpture), bridge
Inscriptions: inscription: ‘Pont Anitschkoff’

Onderdeel van Fotoalbum met opnames van Sint-Petersburg.
Section of a Diptych in Linga Form, Interior Depicting the Face of Shiva
Object type: shrine panel
Date: 501 – 700
Materials: mineral, stone
Culture: kashmiri
Subjects: kashmir,faces,shiva,hinduism
Winterlandschap met ijsvermaak
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Subjects: winter sports, dog
Inscriptions: collector's mark: Lugt 2228

Winterlandschap. Op een bevroren rivier duwt een boer een slede met een vrouw. Achter hem aan loopt een hond. Links loopt een jongen die takken vergaart heeft. Op de achtergrond een huis met een kar ervoor.
Vrede van Rijswijk
Object type: history medal
Date: 1697 – 1697
Materials: silver
Techniques: striking
Location: nuremberg
Artist: philipp heinrich müller
Artist role: medailleur
Artist dates: 1654 – 1719
Subjects: rijswijk, vrede van rijswijk (1697)

Zilveren penning. Voorzijde: vermoeide Mars zittend op stapel wapentuig, terwijl Vrede ereteken van landbouwgereedschappen omhoog houdt binnen omschrift. Keerzijde: met olijftakken omvlochten Mercuriusstaf, geplant op wereldbol met opschrift Europa en beschenen door hemellicht binnen omschrift; randschrift
Mensen in een kamer
Object type: photograph
Date: 1940 – 1945
Materials: photographic support
Techniques: gelatin silver print
Location: czechoslovakia
Artist: Anonymous
Subjects: netherlands, germany

Zeven personen zitten bij elkaar in een kamer, een van hen is in uniform. Achterop staat 1939. Foto behorend bij album 'Kriegserinnerungen'.
Magesyn der Italiaense gebouwen
Object type: album leaf
Date: 1624 – 1679
Materials: paper
Techniques: etching
Location: antwerp
Subjects: palace, inner court of palace or 'hôtel'

Deze prent is naar een tekening door David Teniers I die wordt bewaard in het Metropolitan Museum of Art in New York (inv. nr.: 2001.280).
Hartcourt (Brother of Archbishop of York)
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Portret van een vrouw
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: hannover
Artist: karl friedrich wunder
Artist role: fotograaf
Artist dates: 1849 – 1924
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Karl F. Wunder/ Hannover/ Friedrichstrasse’
Gezicht op de vesten van Leiden
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: etching
Location: leiden
Subjects: leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn, city-walls, windmill
Inscriptions: collector's mark: Lugt 2166

Gezicht op de vesten van Leiden. Op de achtergrond de molen waar Rembrandt van Rijn geboren werd. De prent heeft een Nederlands onderschrift
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Black glazed rim fragment from a kylix
Kar
Object type: sketchbook leaf
Date: 1874 – 1945
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: hand-cart

Aan de kar hangt een emmer. Tevens enkele studies. Blad 9 verso en 10 recto uit een schetsboek met 41 bladen.
Bowl
Object type: bowl
Date: 801 – 1000
Materials: earthenware
Location: iran

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Writing box with decoration of quails and millet
Object type: box
Date: 1601 – 1700
Materials: lacquer
Culture: japanese
Paris
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment
Inscriptions: inscription: ‘Paris Tour St. Jacques (= van afgebroken kerk St. Jacques-la-Boucherie)’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 400 – 376
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, legs of a seated male with drapery
Zandboersteeg. Arnhem
Object type: print
Date: 1942 – 1947
Materials: cardboard
Techniques: lithograph
Location: arnhem
Subjects: village lane, alley, arnhem
Bowl Fragment
Object type: decorative art
Date: 67 – 100
Materials: glass
Techniques: mosaic glass
Culture: roman
Location: roman empire
Subjects: decoration

In ancient Rome, there was a high demand for colorful glass that could dazzle banquet guests alongside the expensive silver and gold serving wares meant to impress. Fragments like this one would have once been a part of larger mosaic dishes. The mosaic pattern was made by sagging molten glass into bowl-shaped molds, a technique used on many of these fragments is similar to millefiori, “thousand flowers” in Italian, a modern glass-making method in which tiny rods of colored glass are bundled together, wrapped in a sheet of glass, fused, and then thinly sliced to reveal swirls of a flower-like patterns. They were arranged side by side, sometimes together with bits of colored glass, and fused together with heat.
Cup
Object type: cup
Date: 1740 – 1740
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: buildings,trees
Scent bottle
Object type: scent bottle
Date: 1770 – 1780
Materials: glass
Artist: giles atelier
Artist role: decorator
Artist dates: 1725 – 1825
Subjects: birds,flowers
Twee zittende Indonesiërs in een interieur
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: chalk, paper
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: asiatic races and peoples, sitting figure, hacking and thrusting weapons: sword, folk costume, regional costume
Inscriptions: kleurnotitie, handgeschreven

De figuren dragen traditioneel kostuum en hebben zwaarden in een doek om het middel gestoken. Pagina 104 uit een schetsboek met 67 bladen.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Round shield with a lion as a shield device
Portret van Tine Kleiterp
Object type: photograph
Date: 1925 – 1925
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Subjects: head-gear: hat (+ women's clothes)
Brief aan Philip Zilcken
Object type: letter
Date: 1898 – 1898
Materials: ink, paper
Techniques: pen, writing
Location: hilversum
Artist: johannes de koo
Artist role: auteur
Artist dates: 1841 – 1909
Subjects: paris, emile zola, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Untitled
Object type: photograph
Date: 1834 – 1866
Techniques: albumen print
Location: manchester
Artist: s.d. quint
David onthoofdt Goliat
Object type: album leaf
Date: 1554 – 1558
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: david beheads goliath with a sword, the philistines in flight after the death of goliath are pursued by the israelites
Inscriptions: number: ‘141’

Goliat ligt op de grond. David staat met één voet op zijn borst en heft het zwaard van Goliat boven zijn hoofd, klaar om hem te onthoofden. Links vluchten de Filistijnen, terwijl de soldaten van Saul de achtervolging inzetten. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in 1 Sam. 17. Deze prent maakt deel uit van een album.
Daphnis en Chloë
Object type: print
Date: 1820 – 1860
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: Anonymous
Subjects: daphnis (in greek mythology a shepherd who invented pastoral poetry, chloe
Inscriptions: collector's mark: Lugt 2228

Compositie geïnspireerd op "Venus en Adonis" van Pierre Prud'hon, maar bewerkt tot Daphnis en Chloë.
Platen over de Vrede van Utrecht van 1713 / 't Lusthof van Momus
Object type: print
Date: 1713 – 1713
Materials: paper
Techniques: etching
Location: amsterdam
Artist: abraham allard
Artist role: print maker, publisher
Artist dates: 1676 – 1725
Subjects: vrede van utrecht (1713)

Natuurlijke Spiegel van Oorlog en Vrede. Blad met tien voorstellingen met een vermenging van bijbelse verhalen en politieke allegorieën in verband met de Vrede van Utrecht, 1713. In de plaat verzen in het Nederlands en Frans. Onderdeel van een groep van 28 nieuwe en oude platen aangepast ter illustratie van de Vrede van Utrecht in 1713. Onderdeel van het prentwerk uitgegeven onder de verzameltitel 't Lust-Hof van Momus met de gebundelde series van spotprenten tijdens de jaren 1701-1713 van de Spaanse Successieoorlog.
Little boy with a scythe, from Premier Livre de Figures d'après les porcelaines de la Manufacture Royale de France, inventées en 1757, par Mr. Boucher (First Book of Figures after porcelains from the Manufacture Royale de France, devised in 1757, by Mr. Boucher)
Object type: collection ornament architecture
Date: 1757 – 1757
Techniques: engraving, etching
Artist: pierre etienne falconet
Artist role: artist
Artist nationality: french
Artist dates: 1741 – 1791
Subjects: boys
View on the Creek, Nagasaki
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921