deem-data/ArtiFact huggingface dataset:
James Milliken Jr.
Object type: drawing and watercolor
Date: 1761 – 1761
Materials: parchment, pastel
Location: switzerland
Artist: jean-etienne liotard
Artist role: painter, print maker
Artist nationality: swiss
Artist dates: 1702 – 1789
Ladle
Object type: ceramic
Date: 1765 – 1765
Materials: ceramic, enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Location: worcester
Anne Elizabeth Cholmley (1769–1788), Later Lady Mulgrave
Object type: painting
Date: 1774 – 1797
Materials: oil, wood
Artist: gainsborough dupont
Artist role: artist
Artist nationality: british
Artist dates: 1754 – 1797
Subjects: portraits,women
Lodewijk XVIII, koning van Frankrijk
Object type: history medal
Date: 1815 – 1820
Materials: gold
Techniques: striking
Artist: Anonymous
Subjects: paris, lodewijk xviii (koning van frankrijk)

Gouden penning aan draagoog en draagring. Voorzijde: borststuk man binnen sierrand. Keerzijde: olijftak binnen sierrand.
Portret van Antonio Savaresi
Object type: print
Date: 1830 – 1850
Materials: paper
Techniques: lithograph
Subjects: historical persons, physician, doctor
Fishing Excursion
Object type: print
Date: 1799 – 1799
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Cockatoo
Object type: figure
Date: 1740 – 1740
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds
Wageningen, - Weg n. h. Lexkesveer
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1927
Materials: cardboard
Techniques: photograph
Location: wageningen
Subjects: road, path
Abstracte compositie
Object type: print
Date: 1919 – 1919
Materials: paper
Techniques: etching, intaglio
Artist: erich wichmann
Artist role: print maker
Artist dates: 1890 – 1929
Subjects: abstract, non-representational art
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk geïnspireerd op gedichten van Charles Baudelaire en Paul Verlaine.
Tankard
Object type: tankard
Date: 1745 – 1765
Materials: silver
Culture: american
Location: united states
Ornament in Shape of a Lotus Bud
Object type: ornament
Materials: gold
Culture: indonesian, javanese
Gable Stone with a Cartouche Flanked by Two Orphan Boys
Object type: geveltop
Date: 1725 – 1725
Materials: stone
Location: amsterdam
Artist: ignatius van logteren
Artist role: sculptor
Artist dates: 1685 – 1732

Tegen een van boven drielobbig timpaan bevindt zich in het midden een cartouche met links en rechts een zijdelings afhangende gebroken S-voluut. Op elk dezer staat half leunend tegen de cartouche een levensgrote weesjongen: de rechter laat de over elkaar liggende handen rusten op een bal; de linker, meer in zithouding, houdt de opgestoken linkerhand en -arm in de richting van de cartouche (wellicht voor een geschilderd opschrift) en laat de rechter eveneens op een bal rusten. Uit het lijstwerk van cartouche en S-voluten in Lodewijk XIV-stijl ontspringen acanthusbladeren, die boven de cartouche een palmet vormen. De weesjongens zijn gekleed in eigentijds kostuum, bestaande uit een hemd, een jas en halsdoek, een korte broek, kousen en schoenen met strik.
Genova
Object type: photograph
Date: 1858 – 1893
Materials: cardboard, paper
Techniques: albumen print
Location: genoa
Artist: alfredo noack
Artist role: fotograaf
Artist dates: 1833 – 1895
Subjects: cemetery, park-like burying ground
Inscriptions: inscription: ‘Noack (t)’, number: ‘79.’, number: ‘119.’
The Arrival of Admiral d'Estaing at Brest
Object type: print
Date: 1782 – 1790
Techniques: engraving, etching
Artist: pierre lacour
Artist role: etcher
Artist nationality: french
Artist dates: 1745 – 1814
Cylinder Seal with the Name of Pepi I
Object type: cylinder seal, pepi i
Date: 2289 – 2255
Materials: stone
Location: egypt
Subjects: hieroglyphs

This cylinder seal is inscribed for an official of Pepi I and records the king's Horus name, Meryre.
Terracotta situla (bucket)
Object type: situla
Date: 360 – 340
Materials: terracotta
Culture: greek, south italian, apulian
Artist: lycurgus painter
Artist role: artist
Subjects: dionysus,maenads,griffins,satyrs,chariots

Dionysos among satyrs and maenads. On the bottom, round face A situla is a bucket that served to decant wine. The shape is well attested in metal examples and in terracotta counterparts of different types. This piece presents a spirited depiction of the wine-god Dionysos driving his griffin-drawn chariot to a gathering of his followers. Particularly engaging is the old satyr dipping a jug into the decorated calyx-krater, probably to fill the libation bowl in his left hand. On the back, Dionysos is seated between a satyr and a maenad and is surrounded by attributes, including a fawn, a cista (cylindrical box), and wreaths.
The world is full of the spirit of the Lord (Wisdom of Solomon 1:7), plate 1 from a series of Four Allegories of the Netherlands
Object type: print
Date: 1570 – 1572
Techniques: etching
Artist: anonymous, netherlandish, 16th century
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1500 – 1600
Card Number 233, Miss Powell, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Hammer
Object type: hammer
Date: 1701 – 1800
Materials: steel, wood
Portret van Napoleon I Bonaparte
Object type: drawing
Date: 1804 – 1899
Materials: chalk, paper
Artist: Anonymous
Subjects: napoleon i (emperor of the french), historical persons, emperor
Inscriptions: collector's mark: Lugt 2228
Landschap met hond en man die een takkenbos draagt
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228
Theresa als schutsheilige
Object type: print
Date: 1613 – 1613
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the foundress of the reformed (discalced) carmelites, t(h)eres(i)a of avila; possible attributes: angel, arrow, dove, heart (flaming or pierced by an arrow)
Inscriptions: signature: ‘Adr. Collaert sculp.’, caption: ‘De fructu manuum...indies propagatur’, number: ‘19’

Prent in album 'Vita B. Virginis Teresiae A. Jesu ordinis carmelitarum excalceatorum piae restauratricis..., 1613.
Portret van Camille d'Hostun, hertog van Tallard
Object type: print
Date: 1704 – 1723
Materials: paper
Techniques: engraving
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: helmet, commander-in-chief, general, marshal, historical persons, baton of general
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Die Europäische Fama, Welche den gegenwärtigen Zustand der vornehmsten Höfe entdecket. S.l.s.n., 1704, dl. 26. Prent ook gebruikt in: Frantzösisches Crönungs-Ceremonial (...). Frankfurt am Main en Leipzig: s.n., 1723.
Portret van Gottfried Heinrich graaf zu Pappenheim
Object type: print
Date: 1673 – 1675
Materials: paper
Techniques: engraving
Artist: johann jakob metzger
Artist role: print maker
Subjects: armour, historical persons, knighthood order of the golden fleece, baton of general
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Galeazzo, Gualdo Priorato. Vite et azzioni di personaggi militari e politici. Wenen: Thurnmayer, 1673.
Galliër op paard
Object type: print
Date: 1850 – 1900
Materials: paper
Techniques: engraving
Artist: jacques ettling
Artist role: print maker
Subjects: riding a horse, ass, or mule; rider, horseman
Inscriptions: collector's mark: Lugt 2228

Op het verso een intekenbiljet voor 'Guizot's Geschiedenis van Frankrijk'.
Vessel: Footed Base
Object type: vessel
Date: 1701 – 1900
Materials: terracotta
Culture: dogon
Location: mali
Acteurs en actrices in verschillende rollen
Object type: print
Date: 1805 – 1836
Materials: paper
Techniques: etching
Location: amsterdam
Artist: johannes jelgerhuis
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1836
Subjects: actor (on the stage), historical persons (portraits and scenes from the life) (+ all kinds of 'portrait historié': mythological portrait, allegorical portrait, 'rollenporträt', etc.)
Inscriptions: collector's mark: Lugt 2228

De acteur Theo Majofski als Mekéli, gekleed als landman een handkar trekkend. Prent uit een serie van tien met Nederlandse acteurs en actrices in verschillende rollen.
Journal des Dames et des Modes, Costume Parisien, août 1797, (4) : Toquet froncé à Coulisses (...)
Object type: fashion print
Date: 1797 – 1797
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: ear-rings (+ women's clothes), pendant, trinket, 'breloque' (+ women's clothes), head-gear: toque (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), dress, gown: redingote (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), coin
Inscriptions: title: ‘Costume Parisien.’, caption: ‘Toquet froncé à Coulisses. Redingotte Croisée. Schall Long. chaine d'or, portant un coeur en cristal.’

'Toquet', aan de achterzijde gesmockt. Redingote met overslag. Om de schouders een lange sjaal met cirkelmotief. Gouden collier met hartvormige hanger van kristal. Verdere accessoires: oorbel in het linkeroor, schoenen met puntige neuzen. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Sellèque, Parijs, 1797-1839. De prent werd eerder uitgegeven in het Journal des Modes et Nouveautés als nummer 4, met het onderschrift 'Costumes'.
Terracotta pair of horses
Object type: figurine of a pair of horse with one body
Date: 750 – 600
Materials: terracotta
Culture: cypriot
Subjects: horses

The depiction of overlapping figures posed a challenge to the artist whether he was working in two dimensions or three. This piece offers an ingenious solution.
Drinkende man, vioolspeler en zingende vrouw aan een tafel
Object type: print
Date: 1670 – 1700
Materials: paper
Techniques: mezzotint
Location: london
Artist: john smith
Subjects: festivities (+ solitary drinking ~ festive activities), one person playing string instrument (bowed), violin, fiddle, vocal music, singing
Inscriptions: collector's mark: Lugt 240
Smallsword in the Spanish Style
Object type: smallsword
Date: 1775 – 1775
Materials: gold, steel, textile, wood
Culture: spanish
Location: spain

By the early seventeenth century, the rapier, a long slender thrusting sword, began to dominate as the gentleman’s weapon of choice. During the course of the century, however, as civilian fencing techniques became more specialized and refined, the rapier developed into a lighter, trimmed-down weapon known by about 1700 as the smallsword. Smallswords, often richly decorated, remained an integral part of a gentleman’s wardrobe until the wearing of swords in civilian settings went out of fashion at the end of the eighteenth century, at which time pistols were replacing swords as arms most frequently used in personal duels. The majority of smallsword hilts are made of silver or steel, but many also employ a wide variety of luxurious materials, such as gold, porcelain, and enamel. At their best, smallswords combine the crafts of swordsmith, cutler, and jeweler to create an elegant weapon that was also a wearable work of art.
Gezicht op een Zwitsers chalet
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Location: switzerland
Subjects: hut, cabin, lodge, switzerland
Bajae
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: baia
Artist: Anonymous
Subjects: landscape with ruins, coast
Inscriptions: collector's mark: ‘VOSMAER’
Diptych
Object type: diptych
Date: 1736 – 1736
Materials: silver
Techniques: gilding
Artist: master bp
Artist role: maker
Artist dates: 1700 – 1800
Subjects: virgin mary,saints

This traveling Diptych is decorated with images of saints which are quiet common to the period of the early Ukrainian baroque. The painter combines old (a somewhat simplified version of the depiction of the Mother of God of the Sign and full inscriptions of the names of the saints) and entirely new language of painting techniques and decorative elements (Roman military attires embellished with strongly pronounced baroque details and obviously individualized characterization of a smooth-faced and young face of Saint Nestor). The text and canonic text abbreviations in Cyrillic are archaically divided into two lines: Line 1: Saint Martyr, Saint Joan, Saint Nicolas Line2: Nestor, Warrior, Miracle worker All inscriptions could be read St. Martyr Nestor, St. Warrior Joan, St. Nicolas Miracle worker. Devotional images of selected saints are frequently found in Russian icon painting. The figures depicted might be patrons saints particularly venerated in a given region. Saint Martyr Nestor and Saint Warrior Joan occupied extraordinary positions in the Ukrainian region where their role as warrior protectors was more emphatically perceived than elsewhere in Russia. Saint Martyr Nestor who died as "a glorious Christian young hero" in Russian orthodoxy is considered a patron saint of young warriors. Saint Warrior Joan was adopted by Russian Orthodox Church as a saint protector of prisoners of war in foreign lands. As a result of constant internecine warfare in the 16–17th centuries the depiction of the saint warriors became especially widespread in Chernigov (Chernihiv), a town 80 km north-west of Kiev.(see Natalia Komashko, Ukrainian icon painting, in History of icon painting, Moscow, 2002, pp.191-195) The painting is protected by a silver (?) frame oklad which covers the whole picture but hands and faces. During 16 and 17th centuries oklads were made subsequently to the icon itself. A clearly provincial character of the painting of this diptych, coupled with reminiscences of strictly heraldic compositional pattern of related icons from Pecherskaya Lavra School of icon painting point to the influence of Kiev. This icon was probably a zakaznaya icona, a commissioned icon including client's eponymous saint.
Snaffle Bit
Object type: bit
Date: 1567 – 1700
Materials: metal alloy, tin
Culture: german
Location: germany

This kind of bit was used in the German lands for horses carrying litters and pulling sleighs. The snaffle bit is the simplest type of horse bit, and it has an effect on the bars (part of the horses’ jaw without teeth) and the corners of the lips. The scatches, the flattened triangular elements composing this mouthpiece, were slightly stronger in their effect and more resistant than the traditional conical canons also used at the time. The rings on the sides would serve to hang the bit on the headstall and attach the reins, while the spoon-like extensions would to help to hold the mouthpiece in place and would press the sides of the mouth when reins are pulled.
Design for a Stage Set with Two Thrones (recto); Landscape (verso)
Object type: drawing
Date: 1800 – 1900
Techniques: pen, wash
Artist: anonymous, italian, 19th century
Artist role: artist
Artist nationality: italian
Artist dates: 1800 – 1900
Subjects: thrones,stage design
Botervloot, beschilderd met landschappen met figuren
Object type: butter dish
Date: 1774 – 1778
Materials: porcelain
Location: loosdrecht

Two butter dishes. Porcelain. Loosdrecht, c. 1774 - 1778. Factory of Joannes de Mol.
Brief aan Philip Zilcken
Object type: letter
Date: 1901 – 1901
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: odilon redon
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1916
Subjects: painter, draughtsman, philip zilcken
Inscriptions: watermark, collector's mark: ‘RPK’
Tureen with cover (part of a service)
Object type: tureen with cover
Date: 1740 – 1750
Materials: hard paste porcelain
Figuur bij een badkoets op het strand
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: beach (as place of recreation), animal traction, animal-drawn vehicle (carriage etc.)

Blad 45 recto uit een schetsboek met 53 bladen.
Gezicht op de Rijnval in Graubünden
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: etching
Location: zurich
Subjects: rapids, waterfall (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2233
Overlijdensbericht uit archief Philip Zilcken
Object type: overlijdensbericht, overlijdensadvertentie
Date: 1930 – 1930
Materials: paper
Techniques: printing
Location: nice
Artist: henriette wilhelmina van baak
Artist dates: 1868 – 1943
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: watermark
Kolmar
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: etching
Location: antwerp
Subjects: armour, adult man
Inscriptions: collector's mark: Lugt 2228

Prent uit: Kerckhoven, Pieter Frans van. Oud Belgiën: twee dichtkundige tafereelen uit de Oude geschiedenis des vaderlands. Antwerpen: P. van Bouwel, 1842.
The Adventure of Mambrino's Helmet (Six Illustrations for Don Quixote)
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: men,donkeys,horses,don quixote
Dish
Object type: dish
Date: 1750 – 1750
Materials: enamel, porcelain
Techniques: polychrome
Culture: japanese
Subjects: dragons,trees
Concorso di primo grado : Paolo Cesa-Bianchi di Milano
Object type: reproduction
Date: 1886 – 1889
Materials: paper
Techniques: photograph
Location: milan
Subjects: drawing, sketch, church (exterior)
Inscriptions: number: ‘Tavola No. 54.’
Hunting Horn in D
Object type: hunting horn in d
Date: 1865 – 1880
Materials: brass
Culture: french
Location: france
Portret van Adriaan Beeloo
Object type: print
Date: 1847 – 1883
Materials: paper
Techniques: lithograph
Location: haarlem
Subjects: the hague, adriaan beeloo, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2233

De geportretteerde draagt een gestrikte das en openhangende jas met ridderorde. Onder het portret zijn signatuur.
Leven van Maria in emblemen
Object type: print
Date: 1625 – 1629
Materials: paper
Techniques: etching
Location: nancy
Subjects: winds, predatory birds: vulture
Inscriptions: collector's mark: Lugt 240

Voorstelling van een gier op een boomtak. Een gezichtje in een wolk blaast naar hem. Dit blad is onderdeel van de embleemserie 'Leven van Maria in emblemen'. De eerste staat van deze serie behelst naast een titelpagina en 26 emblemen ook drie bladen met lofzangen op Maria in boekdruk zonder afbeelding.
Landschap met figuren op een weg
Object type: print
Date: 1784 – 1808
Materials: paper
Techniques: etching
Location: haarlem
Artist: franciscus andreas milatz
Artist role: draughtsman, painter, print maker
Artist dates: 1764 – 1808
Subjects: riding a horse, ass, or mule; rider, horseman, trees, landscapes in the temperate zone, cattle driving, cattle driver
Inscriptions: collector's mark: Lugt 2228

Boomrijk landschap met rechts een ruiter en een lopende man op een weg. Voor hen uit schapen. Links tussen de bomen een huis.
Panel (Furnishing Fabric)
Object type: textile
Materials: silk
Techniques: weave
Location: china
Subjects: flora
Sculptuur van een staande Griekse of Romeinse vrouw
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: ‘VOSMAER’, inscription: ‘L’
Deutsche Schutzenfest te Frankfurt am Main
Object type: marksman medal
Date: 1862 – 1862
Materials: silver
Techniques: striking
Location: augsburg
Subjects: frankfurt am main
Diverse ornamenten
Object type: ornament print
Date: 1820 – 1820
Materials: paper
Techniques: etching
Location: paris
Subjects: ornaments ~ art

Ornamentprent met diverse objecten, links een staande figuur, rechts een vaas op een voetstuk. Onderdeel (8e. Cah. f.le 6) van het prentalbum met twee series van in totaal 138 ornamentprenten door Beauvallet en Normand, 'Fragmens d'Ornemens dans le Style Antique'.
Ontwerp voor een gebeeldhouwde voet, waarschijnlijk voor een kabinet of kist
Object type: drawing
Date: 1700 – 1700
Materials: chalk, ink
Techniques: brush
Location: antwerp
Artist: michiel van der voort (i)
Artist role: draughtsman, sculptor
Artist dates: 1667 – 1737
Fichu
Object type: fichu
Date: 1834 – 1866
Materials: cotton
Culture: american or european
Christ Enthroned
Object type: relief statue
Date: 1230 – 1230
Materials: ivory
Culture: french

Christ appears in majesty holding a book, signifying his identity as the Word of God incarnate. His right hand was probably raised in blessing. The hole in the center of his body indicates that the figure was originally mounted to a larger object.
Cup with cover
Object type: cup with cover
Date: 1801 – 1900
Materials: metal, silver

This electrotype is after a seventeenth-century (?) original a treasure of the Kremlin, Moscow, at the time of reproduction.
Soldaten met spin
Object type: drawing
Date: 1900 – 1910
Materials: paint, paper, pencil
Location: south celebes
Artist: johan gerard sinia
Artist role: draughtsman
Artist dates: 1875 – 1948
Subjects: draughtsman, johan gerard sinia, military service, spiders
Inscriptions: inscription: ‘...maar welk een spin!’, signature: ‘JGS’

J. G. Sinia was KNIL-officier, auteur en kunstenaar. Hij bezocht de buitenposten van Nederlands-Indië in de eerste jaren van de 20e eeuw. In april 1908 wordt Sinia overgeplaatst naar Zuidwest-Celebes. Hij wordt hier als militair en civiel gezaghebber aangesteld in het bebied Soppeng. Op 12 oktober 1909 keert hij terug naar Nederland.
Vue par élévation du Théâtre de Tavormina
Object type: drawing
Date: 1778 – 1778
Materials: chalk, paper
Techniques: brush, pen
Artist: louis ducros
Artist role: draughtsman, print maker
Artist dates: 1748 – 1810
Inscriptions: inscription: ‘No 160 Vue par élévation du Théâtre de Tavormina’

Tekening uit het album 'Voyage en Italie, en Sicile et à Malte', 1778.
Sampler
Object type: sampler
Date: 1826 – 1826
Materials: linen, silk
Subjects: houses,trees
Terracotta column-krater (bowl for mixing wine and water)
Object type: column krater
Date: 470 – 460
Materials: terracotta
Culture: greek, attic
Artist: pan painter
Artist role: artist
Subjects: dionysus,satyrs

Obverse, Dionysos followed by attendant satyr Reverse, satyr with skyphos (deep drinking cup) A pupil of Myson, the Pan Painter was one of the best artists of his generation. Here he depicts Dionysos, the god of wine, enfolded in an ample cloak and crowned with a large ivy wreath, evidently on his way to a specific destination. The satyr behind him carries a cushioned stool, a kantharos—the drinking vessel most characteristic of Dionysos—and a branch of ivy. On the reverse, a satyr seems to welcome them with a skyphos. The god is subtly juxtaposed with his helpers who, despite their meticulous grooming and obedient service, do not entirely overcome their animal natures.
Two Men in a Hollow
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: anthonie waterloo
Artist role: artist
Artist nationality: dutch
Artist dates: 1609 – 1690
Subjects: men,landscapes,trees