deem-data/ArtiFact huggingface dataset:
Gezicht op de glasblazerij op het Roeterseiland te Amsterdam
Object type: print
Date: 1726 – 1737
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham zeeman
Artist role: print maker
Artist dates: 1695 – 1754
Subjects: glass industry, bleaching (laundering)
Inscriptions: collector's mark: Lugt 2233

Huidige staat van prent mogelijk ook gebruikt in: Hoorn, Nicolaas ten. Wegwyzer door Amsterdam, Zynde eene beknopte verhandeling van desselfs eerste opkomst, vergrootingen, en teegenwoordigen staat (…). Amsterdam: Nicolaas ten Hoorn, 1726. En in: Hoorn, Nicolaas ten. Wegwyzer, of korte beschryvinge Van de Stadt Amsterdam, Zynde eene beknopte Verhandeling van desselfs eerste opkomst, vergrootingen, en tegenwoordigen staat (…). Amsterdam: erven J. Ratelband & Co, 1737.

Latere staat van prent ook gebruikt in: Hoorn, Nicolaas ten. Wegwyzer of korte beschryvinge der stad Amsterdam. Zynde eene Beknopte Verhandeling van derzelver eerste Opkomst, Vergrootingen en Tegenwoordigen Staat (…). Amsterdam: Pieter Meyer, 1751.

Voor eerste staat zie RP-P-AO-25-71-1.
Voor derde staat zie RP-P-AO-25-71-2 en RP-P-1905-4060.
Botboer
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: merchant, salesman (fish), fishes, merchant, salesman
Inscriptions: collector's mark: Lugt 1641, collector's mark

Illustratie gemaakt voor het boek 'De Nederlanden : karakterschetsen, kleederdrachten, houding en voorkomen van verschillende standen : tekst van de meest geachte schrijvers : met gravuren van Henry Brown naar teekeningen van de voornaamste Nederlandsche kunstenaars, Den Haag, 1841.
Archer's Ring
Object type: archer's ring
Date: 1567 – 1633
Materials: gold, jade
Culture: ottoman
Location: turkey
Portret van een oude man
Object type: photomechanical print
Date: 1887 – 1887
Materials: paper
Techniques: photograph
Location: karlsruhe
Artist: oscar suck
Artist role: fotograaf
Artist dates: 1845 – 1904
Subjects: old man, anonymous historical person portrayed

Prent op tweede ongenummerde pagina na tweede schutblad.
Reizigers bij een bron
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: landscapes, bagpipe, musette - cc - out of doors, 'en route', traveller under way, herd, flock
Inscriptions: collector's mark: Lugt 240

De ets werd in 1750 gepubliceerd als serie van vier prenten naar schilderijen van zeventiende-eeuwse Nederlandse meesters in Frans bezit (zie ook RP-P-OB-41.301).
Piece
Object type: piece
Date: 1770 – 1770
Materials: textile
Artist: john munns
Artist role: manufactory
Artist dates: 1725 – 1825
Subjects: birds,ruins
Gebruik van de nieuwe brandspuitslangen, 1677
Object type: print
Date: 1677 – 1718
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: joseph mulder
Artist role: print maker
Artist dates: 1658 – 1718
Subjects: painter, print maker, draughtsman, jan van der heyden, amsterdam, jan van der heyden (de jonge), fire-extinguishing equipment

Blad met een grote voorstelling van de toepassing van de nieuwe slangbrandspuiten van Jan van der Heyden en Jan van der Heyden de Jonge bij het blussen van een brand in een kerk of paleis in een imaginaire stad. Onder de plaat zijn op een aparte plaat de titels in het Nederlands en Frans gedrukt. Behoort tot de bijprenten bij het Brandspuitenboek van Jan van der Heyden.
Alphons Diepenbrock
Object type: photograph
Date: 1908 – 1915
Materials: photographic support
Techniques: photography
Location: amsterdam
Subjects: alphons diepenbrock, netherlands

Foto op bruin albumblad 47 van familiealbum van Alphons Diepenbrock.
Gurnard, from the series Fishers and Fish (N74) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: knapp & company
Artist role: lithographer
Artist nationality: american
Subjects: women,fishing,fish

Trade cards from the "Fishers and Fish" series (N74), issued in a set of 50 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes.
[Site of Execution of Emperor Maximilian]
Object type: photograph
Date: 1867 – 1867
Techniques: albumen silver print, glass negative
Artist: françois aubert
Artist role: artist
Artist nationality: french
Artist dates: 1829 – 1906
Subjects: landscapes,carriages
Clio onderwijst een jonge man
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: luck, fortune, lot; 'fato', 'fortuna', 'fortuna aurea', 'fortuna buona', 'fortuna pacifica overo clemente', 'sorte' (ripa), 'historia'; 'historia' (ripa), clio (one of the muses); 'clio' (ripa), father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 240

Clio, de muze van de geschiedenis, introduceert een jonge man in het vak van de geschiedenis. Zij wijst hem op het toneel van de geschiedenis, waarop Fortuna, staande op een globe, haar rijkdommen lukraak onder de mensen verdeeld. Daarboven zweeft de Dood met zijn zeis en Amor, die zijn pijlen laat vallen. Vader Tijd onthuld het toneel door het doek op te houden. Onderaan in de marge een zesregelige tekst in het Frans.
Cassandra Raving (Shakespeare, Troilus and Cressida, Act 2, Scene 2)
Object type: print
Techniques: engraving, etching
Artist: francis legat
Artist role: engraver
Artist nationality: british
Artist dates: 1755 – 1809
Subjects: shakespeare,women

Holding an axe, Cassandra laments the fall of Troy, which burns behind her. Lines from the play, engraved below, read: "Cry, Trojans, cry; lend me ten thousand eyes, And I will fill them with prophetic tears." Romney's related painting was conceived for John Boydell's Shakespeare Gallery, launched in 1786 as a publishing-cum-exhibition scheme that included a new illustrated edition of the plays, sets of large and small engravings, and a gallery on London's Pall Mall. The latter opened in 1789 with thirty-four paintings and contained about one hundred and seventy works the time Boydell went bankrupt and auctioned the contents in 1805–his print sales had plummeted when Napoleon blocaded European ports. This impression comes from an American reissue of 1852 spearheaded by Shearjashub Spooner, a New York dental surgeon, writer and art scholar who acquired Boydell's heavily worn plates and had them reworked. His New York edition was printed on thick cream paper with small numbers added in the lower left margin, this being number 88.
Bord uit het koffie- en theeservies 'Saxonia'
Object type: eating drinking utensil
Date: 1904 – 1904
Materials: porcelain, chemical
Techniques: painted
Location: meissen
Artist: otto eduard voigt
Artist role: keramiekontwerper
Artist dates: 1870 – 
Inscriptions: model number: ‘U 151’, factory mark, mark: ‘22 (of 69?)’

Bord van porselein, beschilderd in blauw en grijs. Het bord hoort bij het koffie- en theeservies Saxonia. Het bord is gemerkt.
Delen van ontwerp voor een horlogeketting
Object type: design
Date: 1874 – 1932
Materials: paper, pencil
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: ornaments, jewels, watch

Uitgeknipte delen van een ontwerp voor een horlogeketting. De losse knipsels worden bewaard in een envelop.
The Magdalen
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: giulio carpioni
Artist nationality: italian
Artist dates: 1613 – 1678

Giulio Carpioni was a painter and etcher who worked for most of his life in Venice and the Veneto. He may have spent some time in Rome, as his work shows the influence of Caravaggio, Pietro Testa, and Nicolas Poussin. His 20 or so etchings also demonstrate the strong impact of Simone Cantarini’s linearity. Transcending her desolate hermitage with upraised eyes, Carpioni’s penitent Magdalen exhibits a physical and acrid fervor that is unusual for a female saint.
Stroomversnelling in de Mindrineti
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘19. / Stroomversnelling in de Mindrineti.’

Stroomversnelling in de Miendrieneti Kreek. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Schroeffitting en glasscherf uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: screw in socket
Date: 1700 – 1743
Materials: glass, tin
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Giessbach
Object type: print
Date: 1820 – 1892
Materials: paper
Techniques: aquatint
Location: zurich
Subjects: waterfall
Inscriptions: collector's mark: Lugt 2228
A Portrait (George, 3rd Earl of Pomfret)
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,portraits

George, 3rd Earl of Pomfret, standing in profile to the left, with his left hand in his pants pocket.
Hercules and the Nemean Lion
Object type: print
Date: 1517 – 1518
Techniques: woodcut
Artist: ugo da carpi
Artist role: artist
Artist nationality: italian
Artist dates: 1480 – 1532
Subjects: male nudes,hercules,lions
Standing Surya (The God of the Sun)
Object type: figure
Date: 501 – 600
Materials: stone
Culture: kashmiri
Subjects: kashmir,hinduism
Captain, 2nd Life Guard, England, 1879, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Gebreide mitaine van witte katoen, met zijden doorrijgband en ribbelpatroon, voor baby
Object type: mitt
Date: 1880 – 1880
Materials: cotton
Techniques: knitting
Location: europe
Artist: Anonymous

Gebreide mitaine van witte katoen, met zijden doorrijgband en ribbelpatroon, voor baby.
Square bowl with floral scrolls
Object type: container
Date: 1796 – 1820
Materials: glaze, paint, porcelain
Techniques: firing, forming, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark: ‘嘉 慶 年 製<BR /><BR />Jiaqing nián zhì’

Vierkant bakje van porselein, beschilderd op het glazuur in blauw, rood, roze, groen en zwart. De wanden zijn beschilderd met bloemranken en een karakter tussen ranken. De binnenzijde is deels geglazuurd. Gemerkt op de onderzijde met het vier-karaktermerk van keizer Jiaqing in zegelschrift. Een proen op de onderzijde. Porselein met emailkleuren.
Kulliyat (Complete Works) of Sa'di
Object type: illustrated manuscript
Date: 1801 – 1900
Materials: gold, ink, leather, paper, watercolor
Techniques: bookbinding, pressed
Location: iran
Artist: sa'di
Artist role: author
Artist nationality: iranian
Artist dates: 1213 – 1291
Hoefsmid te Terrebasse
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: jean jacques de boissieu
Artist role: draughtsman, print maker
Artist dates: 1736 – 1810
Subjects: farrier, shoeing-smith
Inscriptions: collector's mark: Lugt 12
Alexander Bennett "Ben" Sanders, Pitcher, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Sickbed Scene
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: italy
Artist: attributed to saverio della gatta
Artist nationality: italian
Artist dates: 1777 – 1811
The Progress of the Century – The Lightning Steam Press. The Electric Telegraph. The Locomotive. The Steamboat.
Object type: print
Date: 1876 – 1876
Techniques: lithograph
Artist: currier & ives
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1907
Subjects: men,industry,trains,printing press

This scene from American history highlights a range of nineteenth-century inventions. At center, a man sends a message via telegraph that reads "Liberty and Union now and forever one and inseparable. Glory to God in the highest. On earth peace, good will toward men." In the background at right are a steam locomotive and steamship. In the background at left a boy uses printer's tools and two men stand at a printing press. Unlike many Currier & Ives lithograph, this example is not hand-colored.
Pitcher
Object type: pitcher
Date: 1880 – 1880
Materials: bone china
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008

The patterning of this pitcher and a lozenge-form tray (1989.186.1), made four years later, was inspired by Japanese porcelains acquired by the Worcester factory from the 1876 Centennial Exhibition in Philadelphia.
Dish with Gardenia
Object type: dish
Date: 1567 – 1600
Materials: cobalt, enamel, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: flowers

Pomegranate, persimmon, grapes, and lotus surround the gardenia in the center of this dish. All of the flowers are auspicious: the gardenia symbolizes honor and happiness because its Chinese name, furong, is a homonym for these virtues.
Miniature suacer with flowering plants
Object type: kop en schotel, kop en schotel
Date: 1800 – 1899
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: japan
Artist: Anonymous
Inscriptions: mark

Miniatuur schotel van porselein, beschilderd in onderglazuur blauw en op het glazuur rood en goud. Op het plat van de schotel twee bloeiende planten. Gemerkt op de onderzijde met een zegelmerk. De schotel is gebroken geweest. Imari.
Schenkkan met Hercules en Caccus
Object type: ornament print
Date: 1669 – 1693
Materials: paper
Techniques: etching
Location: paris
Subjects: jar, jug (used as drinking-vessel)

Kan met scène van Hercules en Caccus op het lichaam. Een slang ondersteunt het handvat.
Bag Face
Object type: bag
Date: 1801 – 1900
Materials: wool
Techniques: brocade, weave
Location: northwestern iran
Piece
Object type: piece
Date: 1867 – 1900
Materials: silk
Culture: japanese
Subjects: mythical creatures
Titelpagina voor: Annibale Adami, Seminarii romani Pallas purpurata (...), 1659
Object type: print
Date: 1659 – 1659
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: nobility; 'nobiltà' (ripa), fruits: apple, the church personified, 'ecclesia', usually with chalice and banner, 'sapientia', wisdom; 'sapienza divina' (ripa) ~ one of the seven gifts of the holy ghost
Inscriptions: collector's mark: Lugt 240

Putti planten zaden van de appelboom, geven de planten water, plukken appels en brengen deze aan de allegorische figuren Adel (rechts) en Goddelijke Wijsheid (links), die een plaat appels aanbiedt aan Ecclesia, gezeten op een wolk. De afbeelding is een representatie van de cyclus van het onderwijs en de ontwikkeling van de mens.
Die Potsdamer-Brücke u. Königin-Augusta-Strasse, Berlin
Object type: stereograph
Date: 1868 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: bridge in city across river, canal, etc., berlin
Inscriptions: number: ‘No. 162.’
Bag
Object type: bag
Date: 1825 – 1835
Materials: silver
Culture: french
View of the Buland Darwaza at Fatehpur Sikri, Uttar Pradesh, India
Object type: photograph
Date: 1865 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: fatehpur sikri
Artist: Anonymous
Subjects: gate, entrance
Inscriptions: number: ‘60’, title: ‘Agra - Futtehpur Siqri/ Great porch of Mosque. Exterior View’

Buland Darwaza is de hoogste toegangspoort ter wereld.
Lekythos
Object type: lekythos
Date: 400 – 301
Materials: terracotta
Culture: greek, attic

Obverse, Boreas, the North Wind, carrying off Oreithyia.
Pair of Sword-Grip Ornaments (Menuki)
Object type: pair of sword grip ornament menuki
Date: 1701 – 1800
Materials: copper, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: insects
Twee voorstellingen uit de geschiedenis van Catharina de Grote
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: catharina de grote, landscapes, asiatic races and peoples: turks, history, political refugee, 'émigré', flag, colours (as symbol of the state, etc.)
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Historisch-genealogischer Kalender auf das Gemeinjahr 1798. Katharina II. Ein historischer Versuch (...). Berlijn: Johann Friedrich Unger, [1797].
Boy Standing on Fish
Object type: statuette
Date: 1701 – 1800
Materials: jade
Culture: chinese
Subjects: fish
Briefkaart aan Carel Vosmaer
Object type: postcard
Date: 1884 – 1884
Materials: cardboard, ink
Techniques: pen, writing
Location: london
Artist: lourens alma tadema
Artist role: draughtsman, print maker
Artist dates: 1836 – 1912
Subjects: carel vosmaer, the graphic arts, historical persons (portraits and scenes from the life)
The procession of the casket of St. Genevieve, with clerics and laymen marching in six rows; in the foreground the Archbishop of Paris is carried in a chair, the Chasse in the row above him, and the monks of the monasteries of Paris lead the procession at top
Object type: print, fete, ornament architecture
Date: 1652 – 1652
Techniques: etching
Artist: nicolas cochin
Artist role: artist
Artist nationality: french
Artist dates: 1610 – 1686
Subjects: men,bishops,monks
Turkoman Prisoner
Object type: illustrated single work
Date: 1610 – 1610
Materials: ink, paper, watercolor
Location: iran
Subjects: prisoners,men,portraits

Numerous paintings and drawings of a Turkman prisoner with his hand and head in a type of stock, known as a 'palahang', were produced from the early 16th to the early 17th century. Here the figure is armed only with a dagger, not the sword, bow, arrows and mace of the prisoners in earlier versions. The windswept clouds, light brown, grey and white washes and calligraphic line of this drawing owe a debt to Riza–yi 'Abbasi, who worked in this style in the first decade of the 17th century.
Plate 63: View of the gate of the shipyard and armory complex (Arsenale), Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
Object type: print
Date: 1703 – 1703
Techniques: etching
Artist: luca carlevaris
Artist role: artist
Artist nationality: italian
Artist dates: 1663 – 1730
Subjects: architecture,buildings,gates,lions,venice
H. Aldegondis van Maubeuge
Object type: print
Date: 1638 – 1678
Materials: parchment
Techniques: engraving
Subjects: henegouwen, female saints
Inscriptions: collector's mark: Lugt 2228

De heilige Aldegondis lezend in een boek. Een duif legt haar een zwarte sluier op het hoofd. In haar linker hand houdt zij een staf. Naast haar aan tafel staat een engel. Boven de engel zweeft een kelk met een hostie.
Broadway, New-York from Canal to Grand Street, West Side
Object type: print
Date: 1856 – 1856
Materials: stone
Techniques: hand coloring, lithograph
Artist: julius bien
Artist role: lithographer
Artist nationality: american
Artist dates: 1826 – 1909
Subjects: buildings,cities,carriages,new york city

A line of building facades stretches along the west side of Broadway, from Canal Street, at left/south, to Grand Street, at right/north. Ominbuses, carriages and delivery vehicles fill the street, moving in both directions, and there are pedestrians on a sidewalk in the foreground. The buildings are numbered 419 to 457, Howard Street breaks through the line of buildings right of center, and many signs are posted on the facades to advertise the businesses inside.
Maria draagt heilige Franciscus van Assisi voor aan Christus
Object type: print
Date: 1590 – 1633
Materials: paper
Techniques: engraving
Subjects: the virgin mary, interceding for mankind, presents st. dominic and usually also st. francis of assisi to christ; christ brandishes three spears or arrows to destroy the sins of pride, avarice and lust
Inscriptions: inscription: ‘B. 25 f 100-103’, collector's mark: Lugt 11, collector's mark: Lugt 10

De heilige Franciscus van Assisi knielt in een kerk en boven hem verschijnen Christus en Maria met engelenkoren. Maria treedt op als voorspraak van de mensheid en stelt Franciscus voor aan Christus. Naast Christus zit een heilige met kromstaf, mijter en boek, mogelijk de heilige Dominicus. Op het boek liggen drie voorwerpen waar Christus zijn zegen over uitspreekt, deze kunnen symbool staan voor de deugden gehoorzaamheid, armoede en kuisheid. Onder de voorstelling staat een Latijns vers.
Titelpagina voor: F. Le Comte, Cabinet des singularitez d'architecture, peinture, sculpture, et graveure, 1699-1700
Object type: titelblad, titelpagina
Date: 1699 – 1700
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: 'pictura', symbolic representations, allegories and emblems ~ painting; 'pittura' (ripa), ass, donkey, monkeys, apes
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Le Comte, Florent. Cabinet des singularités d'architecture, peinture, sculpture, et gravure ou introduction à la connaissance des plus beaux arts, figurés sous les tableaux, les statues et les estampes, deel III. Parijs: Nicolas Le Clerc en Estienne Pigart, 1699-1700.
Inktpot of zandstrooier van kristal
Object type: sander
Date: 1850 – 1850
Materials: crystal
Techniques: manufacturing
Location: utrecht
Artist: johannes mattheus van kempen
Artist role: silversmith
Artist dates: 1814 – 1877
Subjects: utrecht
River Scene
Object type: painting
Date: 1854 – 1854
Materials: canvas, oil
Culture: american
Artist: asher brown durand
Artist role: artist
Artist nationality: american
Artist dates: 1796 – 1886
Subjects: cows,landscapes

The mellow sunshine of a late summer afternoon gilds this scene. The cattle amble toward their unseen barn, casting long shadows across the rutted road. The hills on the far side of the water are low and gently sloped, hazy in the blue distance. This is not the typical Hudson River School landscape, which usually includes some dramatic element. The mood, the tempo, and, especially, the composition, which stresses two splendid trees in its diagonal division of space, relate Durand’s work to English landscape paintings.
Bottle
Object type: bottle
Date: 1801 – 1900
Materials: glaze, pottery
Culture: japanese
Subjects: flowers
Miniature chamber candlestick
Object type: chamber candlestick
Date: 1685 – 1690
Materials: silver
Artist: george middleton
Artist role: maker
Artist nationality: british
Artist dates: 1660 – 1745
Terracotta plaque with a striding male figure
Object type: pinax, figure in tunic
Date: 700 – 601
Materials: terracotta
Culture: greek, cretan
Subjects: men
Pitcher
Object type: vessel
Date: 101 – 200
Materials: glass
Techniques: glassblowing
Culture: roman
Location: syria
Panel (Dress Fabric)
Object type: textile
Date: 1701 – 1900
Materials: silk
Location: iran
Virgin and Child
Object type: statuette
Date: 1334 – 1366
Materials: wood
Techniques: polychromy
Culture: french

This elegant sculpture reflects aspects of both contemporary ivories and monumental sculpture, especially the refined, yet supple drapery and the delicate facial features. Originally painted, the figure would probably have been housed within a small architectural tabernacle.
Beeld van een vierarmige Ganesha in de tuin van de assistent-resident van Wonosobo.
Object type: photograph
Date: 1808 – 1864
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905

Four-armed Ganesha axhibited in the garden of the asisstent-resident of Wonosobo (provenance Diëng Plateau). Wonosobo, Wonosobo district, Central Java province, 10th-11th century