deem-data/ArtiFact huggingface dataset:
Gezicht op de Amstelveenseweg
Object type: drawing
Date: 1816 – 1816
Materials: chalk, ink, paper
Techniques: brush, pen
Location: amsterdam
Artist: gerrit lamberts
Artist role: bookseller, draughtsman, print maker
Artist dates: 1776 – 1850
Subjects: village, road, path, small canal, ditch
Inscriptions: signature and date: ‘G. Lamberts. 1816’, inscription: ‘Afbeelding van de Amstel- / veenscheweg voor de bestrating’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 32.
Overwinning van de vlag
Object type: sculpture
Date: 1888 – 1888
Materials: clay
Artist: eugène lacomblé
Artist role: draughtsman, painter, sculptor
Artist dates: 1828 – 1905
"Senneh" Prayer Rug
Object type: carpet
Date: 1767 – 1833
Materials: cotton, wool
Techniques: tapestry, weave
Location: northwestern iran

This tapestry-woven prayer rug is an example of the fine production of Sanandaj, a center in the province of Kurdistan in northwestern Iran. The tapestry technique (kilim) makes it lighter and more fragile than a knotted pile rug, and such objects were often used as decorative wall hangings. The change of colors in the densely patterned rows of flowers enlivens the otherwise simple composition of an arched mihrab, or prayer niche, filled with flowers within and outside the niche.
Dish with the Calumny of Apelles and the arms of the Ridolfi family
Object type: platter
Date: 1520 – 1525
Materials: earthenware, glaze
Techniques: maiolica
Location: urbino
Artist: nicolá da urbino
Artist dates:  – 1538
Subjects: calumny of apelles: bad judge with ass's ears on throne, with deceit, envy, ignorance, suspicion and treachery, confronted with innocent accused; remorse and truth present

This scene is based on a description of a famous, lost painting by the ancient Greek Apelles. A naked youth – Innocence – is dragged before a stupid judge (with ass’s ears!), whose view is blocked by Ignorance holding a white cloth. Slander (Calumny),
with a torch, accuses the innocent youth. Naked Truth stands behind him, but nobody listens to her
Edward C. Moore
Object type: bust
Date: 1894 – 1894
Materials: bronze
Culture: american
Artist: charles calverley
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1914
Subjects: men,portraits

In 1894 Calverley modeled this bust of Edward C. Moore (1827–1891), an American silversmith, art collector, and benefactor of The Metropolitan Museum of Art. Three years earlier, Moore had bequeathed his extensive collection of glass, ceramics, and metalwork to the Museum. For many years he was in charge of designing and manufacturing silverware at New York's Tiffany & Co. This portrait was commissioned by Moore's friends as a tribute after his death.
Steatite spindle whorl
Object type: spindle whorl
Date: 2400 – 1450
Materials: stone
Culture: minoan

Spindle whorls aided in the making of cloth for garments and bedding. They were placed in tombs, perhaps so that the deceased could continue to spin wool in the afterlife.
Sheet of Sketches
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860

As a pioneer of battle vignettes, Denis-Auguste-Marie Raffet depicted many military scenes in sketchbooklike compositions. He began to publish lithographs in 1826, and Sheet of Sketches was one of his early works. This sheet has a seminostalgic, satirical tone, with details of a frantic crowd cheering for a duel between knights and a scene of ritualistic decapitation. Raffet’s lithographs inspired generations of artists and writers, including Honoré de Balzac.
'Tis Noon (valentine)
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: embossing, hand coloring, lithograph
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Lot and his Daughters
Object type: print
Date: 1530 – 1530
Materials: paper
Techniques: engraving
Location: netherlands
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Effie Ellster, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products
Object type: photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actresses and Celebrities" series (N60), issued in 1887 to promote Little Beauties Cigarettes distributed by Allen & Ginter. There are two types of cards in the set. Type 1 cards have the brand name printed on front and Type 2 cards do not.
Rank badge with tiger
Object type: rank badge
Date: 1701 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: tigers

Government officials of the Ming and Qing dynasties wore square badges sewn on the front of their robes. These badges were embroidered with birds for civil officials and animals for military officers—each creature corresponding to a specific rank. A symbol of authority and bravery, the tiger adorned the badge of a senior commander (Rank 3) in the Ming and that of a regimental vice commander (Rank 4) in the Qing.
Lantern
Object type: lantern
Date: 1851 – 1900
Materials: iron
Subjects: dogs,coat of arms

The arms are those of the Locksmiths Company of Paris.
Queen Victoria Presiding at the Reopening of the Reconstructed Crystal Palace at Sydenham
Object type: photograph
Date: 1854 – 1854
Techniques: albumen silver print, glass negative
Artist: t. r. williams
Artist role: artist
Artist nationality: british
Artist dates: 1825 – 9999
Subjects: crowd,queen victoria
Triad of the Medicine Master Buddha Yakushi (Bhaisajya Buddha)
Object type: hanging scroll
Materials: ink, paint, silk
Techniques: cutting, kirikane
Culture: japanese
Artist: unidentified artist
Artist role: artist

This painting depicts a rare Japanese painted depiction of Yakushi (Sanskrit: Bhaisajyaguru), the Medicine Master Buddha, an iconography better known in Japan through sculpture. Commonly referred to as a Yakushi triad, the central Buddha is shown with two attendants: Nikkō (Suryaprabha), the bodhisattva of the sun (to the right), and Gakkō (Candraprabha), the bodhisattva of the moon (to the left). Here, Yakushi as the central figure of worship, is significantly larger than the bodhisattvas. He cradles a small medicine jar in one hand, while the other is raised in a rare form of the “Have no fear” (abhaya varada) mudra both of which identify him as the medicine Buddha. The bodhisattvas are ornately decorated and hold staffs with tips that cradle the sun and moon. Although Yakushi is also known for Beryl radiance and frequently depicted with blue skin in India and Tibet in this painting his golden skin is a reflection of the Chinese standard and an example of the transmission of Buddhism from China to Japan through Korea. Introduced to Japan in the seventh century A.D, Yakushi still has relevance in death memorials, such as the ‘Thirteen Buddha’ memorial where Yakushi is the deity of the forty-ninth day after death.
The Lictors Bringing Brutus the Bodies of his Sons
Object type: drawing
Date: 1787 – 1787
Materials: chalk, gouache, ink
Techniques: brush, heightening, pen, wash
Artist: jacques louis david
Artist role: artist
Artist nationality: french
Artist dates: 1748 – 1825
Subjects: men,women

This sheet is a compositional study for The Lictors Bringing Brutus the Bodies of His Sons (Musée du Louvre, Paris), which Jacques Louis David painted on the eve of the French Revolution and exhibited shortly after the fall of the Bastille in 1789. The subject, drawn from Roman history, found great resonance in the context of contemporary events. The canvas depicts an episode from the life of Lucius Junius Brutus, who put an end to the brutal regime of Tarquin, Rome's last king, and established the first Roman Republic, only later to find his two sons embroiled in a royalist conspiracy. True to his political convictions, Brutus condemned his sons to death. The novelty of David's painting is its focus, not on the executions but on the wrenching domestic aftermath. David's fully formed Neoclassical style can be seen here in the clean geometry of the architectural setting, the arrangement of the figures in a relieflike plane, the linear treatment of the forms, and the cool monochrome palette. The furniture and accessories and the poses of the main figures, from the brooding Brutus at the left to his anguished wife and daughters at the right, are all based on antiquities David copied while he was a student in Rome.
Untitled Valentine (Cupid Enthroned)
Object type: drawing and watercolor
Date: 1860 – 1860
Materials: gold paint, paper
Techniques: collage, cutting, embossing
Location: england
Artist: thomas wood
Artist nationality: english
Artist dates: 1800 – 1899
Courtesan Reading a Letter
Object type: print
Date: 1745 – 1745
Techniques: hand coloring, woodblock print, urushi
Location: japan
Artist: ishikawa toyonobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1711 – 1785
Le lavabo des réservistes (Caserne du Centre, à Cherbourg)
Object type: photomechanical print
Date: 1877 – 1882
Materials: paper
Techniques: woodburytype
Artist: albert louis aublet
Artist role: painter
Artist dates: 1851 – 1938
Subjects: the soldier; the soldier's life
Portret van de Tunesische ambassadeur Sidi Mahmoud Kahia
Object type: print
Date: 1830 – 1831
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Koffer met daarboven de tekst Express Detective Nadar
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: autotype
Location: france
Artist: félix nadar
Artist role: ballonvaarder, fotograaf
Artist dates: 1820 – 1910
Subjects: trunk, suit-case
Straatgezicht met figuren
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: street (+ city(-scape) with figures, staffage)

Pagina 56 uit een schetsboek met 49 bladen.
View of the Harbor of Sūrat (Gujarāt)
Object type: painting
Date: 1670 – 1670
Materials: canvas, oil
Location: netherlands
Artist: Anonymous
Subjects: prospect of city, town panorama, silhouette of city - ii - ideal city, factory-building

View of Suratte, India. Anonymous, second half 17th century. For the VOC, the city of Suratte in northwest India was an important centre for the purchase of cotton fabrics to Suratte. The VOC brought spices, porcelain, Italian cloth and all kinds of curiosities for one of the principal Indian rulers, the Mughal emperor.
Onderste verdieping en de tuin van het huis Villa Louise in Menton
Object type: photograph
Date: 1886 – 1896
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Subjects: menton
Knielende boerin
Object type: print
Date: 1807 – 1861
Materials: paper
Techniques: etching
Location: amsterdam
Artist: cornelis steffelaar
Artist role: draughtsman, painter, print maker
Artist dates: 1797 – 1861
Subjects: kneeling figure - aa - female human figure, farmers - aa - female farmer, farmer's wife
Inscriptions: collector's mark: Lugt 2228, number: ‘30’, collector's mark: Lugt 1485
Kalender van uitgeverij A. Quantin voor het jaar 1883
Object type: print
Date: 1882 – 1882
Materials: paper
Techniques: etching, letterpress printing
Location: rouen
Artist: louis jules adeline
Artist role: print maker
Artist dates: 1845 – 1909
Subjects: calendar, almanac, book-stall, kiosk, reading, head-gear: turban, book, japanese, book-shop, bookseller
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Boven een man in een museum, een gezicht op de Notre-Dame en het interieur van een boekhandel. Onder een Japanse vrouw met een boek in haar handen, een lezende man met een tulband en een man voor een boekenkraam op een kade.
Manuscript Leaf with Initial S, from a Gradual
Object type: gradual
Date: 1426 – 1450
Materials: ink, metal leaf, parchment, paint
Culture: german
Location: germany
Subjects: birds,women,music
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, lower part of a himation
Fotoreproductie van een prent naar een schilderij, voorstellende een moeder met kind
Object type: photomechanical print
Date: 1861 – 1871
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: mother and baby or young child
Terracotta fragment of kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Right half of kylix handle with part of handle palmette
Dagger with Sheath
Object type: dagger with sheath
Date: 1801 – 1900
Materials: leather, silver, steel, wood
Culture: caucasian
Location: caucasus
White Plum Blossoms and Moon
Object type: hanging scroll
Date: 1755 – 1755
Materials: ink, silk
Culture: japanese
Artist: itō jakuchū
Artist role: artist
Artist nationality: japanese
Artist dates: 1716 – 1800
Subjects: flowers,trees

A large full moon is sole witness to a miraculous burst of white blossoms emerging out of a gnarled, old plum tree in the stillness of night. Itō Jakuchū, who painted this extraordinary, dreamlike image, was counted as one of the Three Eccentrics of the Edo period, together with Soga Shōhaku (1730– 1781) and Nagasawa Rosetsu (1754–1799). In his exuberant depictions of plant life, he combined seemingly incompatible elements, such as realism with brilliant color and decorative abstraction. Born the eldest son of a wholesale grocer in Kyoto, Jakuchū inherited the family business and ran it for more than fifteen years. It was not until he reached his late thirties that he began to paint full-time. This painting, inscribed with the year 1755, is one of the earliest of his dated works.
Fotoreproductie van een gravure van het Laatste avondmaal door Marcantonio Raimondi
Object type: photograph
Date: 1848 – 1853
Materials: photographic support
Techniques: salted paper print
Subjects: last supper (in general) (matthew 26:21-35; mark 14:18-31; luke 22:3, 22:15-23; john 13:21-38)
Reproductie van een tekening, voorstellende Hermann draagt Dorothea
Object type: page
Date: 1880 – 1885
Materials: paper
Techniques: photograph
Subjects: adolescent, young woman, maiden, carrying a person, youth, adolescent, literary characters and objects, painting, drawing and the graphic arts
Bruiloftsprent, 1720
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: (civil) marriage ceremonies, man kneeling before his beloved (proposing)
Inscriptions: collector's mark, collector's mark: Lugt 1641

Bruiloftsprent uit 1720 met een allegorische voorstelling van een huwelijksaanzoek. Bovenaan het alliantiewapen en symbolen van weverij en houten tonnen en touwen. Onderaan de spreuk 'Sint pacta ivgalia cvrae'. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Des Menschen Begin, Midden en Einde. Bruiloft en huwelijk.
Stereoscopen-Gallerie
Object type: stereograph
Date: 1868 – 1900
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: berlin
Subjects: adult woman, child
Horse and rider
Object type: statuette of a warrior on horse
Date: 400 – 201
Materials: terracotta
Culture: cypriot
Subjects: men,horses

The figurine is handmade and solid, with a mold-made face. The horse's muzzle, part of the forelegs and right hind leg, and the entire left hind leg are missing. The rider wears a cloak over his shoulders; the edges of the cloth are joined by an oval clasp on the chest. A small animal is tucked under his left arm and over his hip.
Pendant of Pelican-in-her-piety
Object type: pendant
Date: 1801 – 1900
Materials: enamel, gold, pearl, gemstone
Subjects: birds
Vooroverbuigende figuur, mogelijk een danser
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: leaning forward, dancing, africans

Waarschijnlijk een Afrikaanse vrouw. Blad 8 verso uit schetsboek XIII met 25 bladen.
Fragmentary Face of King Khafre
Object type: head fragment, king khafre
Date: 2520 – 2494
Materials: stone
Location: memphite region
Subjects: faces,men

Khafre was the son of Khufu, builder of the Great Pyramid. He built his own pyramid, the Second Pyramid, at Giza just to the south of his father's. Khafre's pyramid complex included a mortuary temple on the east side of the pyramid which was connected by a long causeway to a valley temple. To the north and northwest of the valley temple he constructed the Harmakhis Temple and the Great Sphinx. Many statues and fragments of astonishing quality and in a spectrum of fine stones were recovered from these temples or in their vicinity. This fragment was found at Giza and entered the MacGregor collection; its similarity to the faces of statues of the king from his temples and the traces of a royal beard on the chin identify it as a portrait of Khafre. The surface and warmth of the stone and the sensitive indication of fine muscles around the nose and particularly around the mouth are remarkable.
Teacup (1 of 6) (part of a service)
Object type: teacup
Date: 1720 – 1720
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds
Serpent in C
Object type: serpent in c
Date: 1805 – 1805
Materials: brass, leather, wood
Culture: german
Location: germany
Artist: w. schmidt
Artist role: maker
Artist nationality: german
Artist dates: 1800 – 1900
Landschap met een klooster
Object type: print
Date: 1620 – 1620
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: trees, birds, cloisters ~ monastery
Inscriptions: collector's mark: Lugt 240

Gezicht om een boomrijk landschap met op de achtergrond een klooster. Rechts op de voorgrond wandelen twee vrouwen en links zit een vogel op een afgehakte boom.
Snoepen
Object type: drawing
Date: 1893 – 1893
Materials: ink, paper
Techniques: pen
Artist: alfred ronner
Artist role: draughtsman
Artist dates: 1852 – 1901
Subjects: (reiger, a.f.j., vluchtige schetsen uit het volksleven) specific works of literature (with author, title)

Illustratie voor 'Vluchtige Schetsen uit het Volksleven' door A.F.J. Reiger. Ontwerp voor een prent.
Saucer
Object type: saucer
Date: 1750 – 1770
Materials: hard paste porcelain
Subjects: boys,women
The School of Needlework. A Woman Teaches Young Women
Object type: print
Date: 1550 – 1600
Artist: battista angolo del moro
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1573
Subjects: male nudes,women,female nudes,horses

In Mariette Album, folio 85, top
Bust of a Woman (recto); Draped Figure, Three-Quarter Length (verso)
Object type: drawing and watercolor
Date: 1790 – 1790
Materials: chalk, charcoal, fiber, paper
Techniques: drawing, heightening, stumping
Location: england
Artist: thomas barker
Artist role: artist, painter
Artist nationality: english
Artist dates: 1769 – 1847
Pomander
Object type: costume and accessory
Date: 1625 – 1675
Materials: enamel, silver gilt
Culture: dutch or german
Location: netherlands
Palazzo Vidoni Caffarelli te Rome
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: hôtel, i.e. small palace in city, rome
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Januari
Object type: drawing
Date: 1629 – 1629
Materials: chalk, paper
Techniques: brush
Artist: esaias van de velde
Artist role: draughtsman, painter, print maker
Artist dates: 1587 – 1630
Subjects: winter sports, january and its 'labours', church (exterior), ice ~ freezing weather, public road in village
Gebeeldhouwde stijl van eikenhout, afkomstig uit het z.g. Huis van Alva, Warmoestraat te Amsterdam
Object type: architectural element
Date: 1500 – 1699
Materials: wood
Location: northern netherlands
Artist: Anonymous

Gebeeldhouwde eikenhouten stijl zonder afwerking, afkomstig uit het z.g. Huis van Alva, Warmoestraat te Amsterdam. In totaal gaat het om twee consoles, drie brede en drie smalle stijlen (BK-KOG-755-A, B, D t/m H). Zie tevens BK-KOG-754-1 t/m 7, dit zijn 6 beschilderde stijlen die uit hetzelfde huis afkomstig zijn.
Terracotta amphora (jar)
Object type: amphora
Date: 1050 – 950
Materials: terracotta
Culture: cypriot

The dark slip and the vertical grooves may reflect the influence of metal vases.
Madonna
Object type: page
Date: 1870 – 1875
Materials: paper
Techniques: albumen print
Subjects: madonna (i.e. mary with the christ-child) accompanied or surrounded by others, picture, painting
Portret van Vinzenz Fischer
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: vienna
Subjects: vienna, painter, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

De prent maakt onderdeel uit van een serie van zes portretten van docenten werkzaam aan de Akademie der bildenden Künste te Wenen.
Kwitantie voor Johannes Vetten
Object type: ontvangstbewijs, kwitantie
Date: 1863 – 1863
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: johannes vetten
Artist role: painter
Artist dates: 1827 – 1866
Subjects: drawing, money
Inscriptions: collector's mark: Lugt 2233
Jacob's Dream, from Landscapes with Old and New Testament Scenes and Hunting Scenes
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: belgium
Artist: adriaen collaert
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1560 – 1618
Cover
Object type: textile
Date: 1625 – 1775
Materials: linen, silk
Techniques: embroidery, weave
Location: italy
Terracotta fragment of a neck-amphora (jar)?
Object type: neck amphora fragment
Date: 450 – 440
Materials: terracotta
Culture: greek, attic

Lower drapery and part of the leg of a male?; pair of spears?
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: linen
Subjects: birds,houses,men,flowers
Cape
Object type: cape
Date: 1701 – 1800
Techniques: lace
Herder met kudde koeien in de wei
Object type: drawing
Date: 1792 – 1810
Materials: ink, paper
Techniques: brush, pen
Artist: wouter johannes van troostwijk
Artist role: draughtsman, painter, print maker
Artist dates: 1782 – 1810
Subjects: cow, meadow, pasture
Twee zeilschepen op het water
Object type: sketchbook leaf
Date: 1901 – 1927
Materials: chalk, paper
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)

Twee zeilschepen in het water. Blad 35 recto uit een schetsboek met 45 bladen.
Indiase olifant bereden door figuren met twee begeleiders
Object type: boekillustratie ontwerp
Date: 1934 – 1936
Materials: ink, paper, pencil
Techniques: pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: (cohen, van anarchist tot monarchist) specific works of literature (with author, title), trunked animals: elephant
Inscriptions: clichéaanwijzing, recto, handgeschreven

Ontwerp mogelijk voor een boekillustratie voor: Cohen, Alexander. Van anarchist tot monarchist. Amsterdam: De Steenuil, 1936.
Head of a Woman
Object type: print
Date: 1767 – 1767
Materials: chalk, paper
Artist: louis marin bonnet
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1793
Subjects: heads,portraits,women
Drawers
Object type: drawer
Date: 1840 – 1849
Culture: american or european