deem-data/ArtiFact huggingface dataset:
Beleg van Bergen op Zoom, 1622
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: siege, position war, bergen op zoom
Inscriptions: collector's mark

Kaart van het mislukte beleg van Bergen op Zoom door het Spaanse leger onder Spinola en Velasco, 18 juli - 3 oktober 1622. Plan van de stad en omgeving met waterwegen en omsingeling door de Spaanse troepen. Rechtsonder een kaart van het groter gebied in Brabant met opkrullende randen. Rechtsbovenaan een kleine banderol met 3 regels tekst met de vermelding dat Spinola het beleg heeft gestaakt tussen 2 en 3 oktober. Bij de voorstelling behoren twee tekstbladen.
M. de Pitteurs
Object type: photomechanical print
Date: 1878 – 1883
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: brussels, charles de pitteurs, adult man, historical persons
Inscriptions: inscription: ‘Président de l'Association belge de Photographie/ (1880 -1883)’, inscription: ‘Bulletin de l'Association belge de Photographie’
Oniwakamaru subduing the giant carp
Object type: print
Date: 1830 – 1835
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Terracotta fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 540 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of the oculus of an eye; hole from an ancient repair
Isabel Wachenheimer met onbekend lid van de huishoudelijke staf in een strandkorf op het strand van Scharbeutz, september 1934
Object type: photograph
Date: 1909 – 1934
Materials: photographic support
Techniques: gelatin silver print
Location: scharbeutz
Artist: Anonymous
Subjects: leiden, isabel wachenheimer-elon
Inscriptions: inscription: ‘Scharbeutz Sept.34’

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Landscape with a cottage and a large tree
Object type: print
Date: 1641 – 1641
Materials: ink, paper
Techniques: etching, pen
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: collector's mark: Lugt 240, signature and date: ‘Rembrandt f 1641’
Terracotta mug in the form of a satyr's head
Object type: mug in the form of a satyr's head
Date: 460 – 460
Materials: terracotta
Culture: greek, attic
Artist: carlsruhe painter
Artist role: artist
Subjects: heads,women,satyrs

On the lip, Nike (personification of Victory), king and two women.
Servet met rand van druivenranken en een geschaakt midden met inzetten.
Object type: napkin
Date: 1825 – 1850
Materials: linen
Techniques: damask
Location: germany
Artist: Anonymous
Inscriptions: mark: ‘A.W. io E Small’

Wit linnen damasten servet met een rand van druivenranken en een geschaakt midden met inzetten.
De schaapherder
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep
Inscriptions: collector's mark: Lugt 240

Een geknielde schaapherder, omringd door zijn schapen. Onder de voorstelling staat een tekst in het Spaans en Frans. Tussen de twee teksten in zijn twee wapenschilden binnen een cirkel afgebeeld.
Aanleg van het Viaur Viaduct in Frankrijk door de Societé de Construction des Battignolles, 18 oktober 1901
Object type: photograph
Date: 1901 – 1901
Materials: photographic support
Techniques: cyanotype
Location: france
Artist: Anonymous
Subjects: viaduct, making the overground structures (~ building activities)
Inscriptions: date
Portret van een staande vrouw in witte japon
Object type: carte de visite
Date: 1902 – 1908
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: e. v.d. kerkhoff
Artist role: fotograaf
Artist dates: 1861 – 1943
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Atelier/ E.v.d. Kerkhoff/ Amsterdam/ Keizersgracht 455 (...)’
Scene from the Life of the Buddha
Object type: hanging scroll
Date: 1401 – 1433
Materials: gold, ink, panel, silk
Culture: japanese
Subjects: gardens,dragons,buddha,musicians

On the right side of the painting, Queen Maya grasps a tree branch while walking through the Lumbini gardens, and the baby emerges from her side. On the left, heavenly musicians play music and throw flowers in celebration as the newborn immediately takes seven steps marked by lotus flowers and, raising his right hand, declares, "Among all divine beings, only I am lord, most holy and victorious." He is then given his first bath—a heavenly lustration by dragons.
Fragment
Object type: textile
Date: 1601 – 1633
Materials: silk, velvet
Techniques: cutting, satin weave, voiding, weave
Location: italy
Lillian Grubb, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Stad Utrecht, duit
Object type: coin
Date: 1657 – 1689
Materials: copper
Techniques: striking
Location: utrecht

Koperen munt. Voorzijde: gekroond stedelijk wapenschild, gehouden door twee leeuwen. Keerzijde: binnen een versierde vierpas opschrift in twee regels, waaronder jaartal. Op voorzijde klop van stad Utrecht.
Portret van Johann Joseph Gassner
Object type: print
Date: 1750 – 1779
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: theologian, historical persons
Ruiterslag / Allegorie op de Engelse oorlog
Object type: drawing
Date: 1784 – 1785
Materials: ink, paper
Techniques: pen
Location: jakarta
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: battle (+ cavalry, horsemen), fourth anglo-dutch war
Inscriptions: inscription: ‘VIVAMUS<BR />generaal aaltings waapen<BR />STEUN DER VRYHEID’, inscription: ‘Dit loft, van God<BR />ik zwijg sijt ...<BR />van God ver gegund.<BR />SOLITUDO’, inscription: ‘VREEDE<BR />VIVAT<BR />VOC<BR />harum ope.<BR />BEST’

Woeling van vechtende ruiters op rennende, vallende en steigerende paarden. Verso emblemen die verwijzen naar de politieke toestand in de jaren 1784-85. Bovenaan een zwaard met afgebroken punt, ganzeveer, leeuw binnen krans en monogram VOC. Links onder een verbeelding van Brandes' persoonlijk misnoegen: een man in habijt schrijft in een boek met rechts naast hem een jongen. Rechts onder een vrijheidslans waarop hoed en mercuriusstaf naast een boom. Achter een schip.
Gezicht vanuit huis Wallestein richting tuin
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: etching
Subjects: rural housing, e.g. country-house, villa, cottage, french or architectonic garden; formal garden

Prent uit: De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende. Amsterdam: Wed. Nicolaes Visscher, 1719.
Nelson Street, City
Object type: photograph
Date: 1899 – 1899
Techniques: photogravure
Location: scotland
Artist: james craig annan
Artist role: fotograaf
Artist nationality: scottish
Artist dates: 1864 – 1946
Port of the Alhambra from the Dario
Object type: drawing and watercolor
Materials: gouache, graphite, paint, paper, watercolor
Techniques: heightening
Location: england
Artist: richard ford
Artist nationality: english
Artist dates: 1796 – 1858
Ruïnes van kasteel Poilvache
Object type: print
Date: 1871 – 1871
Materials: paper
Techniques: photoaquatint
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Heliogravure d'après le no 1’
Man die een fotografische opname afwerkt
Object type: photomechanical print
Date: 1922 – 1932
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: photographic apparatus
Inscriptions: number: ‘Fig. 75’
Portret van Floris V, graaf van Holland en Zeeland
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: cornelis visscher (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1628 – 1658
Subjects: leiden, floris v (graaf van holland en zeeland)
Inscriptions: collector's mark: Lugt 12

Floris V, graaf van Holland en Zeeland, met een met veren, edelstenen en parels verfraaide hoofddeksel. De omlijsting is versierd met het wapen van Holland.
Plate from "The Set of The Bears"
Object type: print
Date: 1664 – 1664
Techniques: etching
Artist: marcus de bye
Artist role: artist
Artist nationality: dutch
Artist dates: 1639 – 1639
Subjects: bears
Hoofd van een man
Object type: drawing
Date: 1651 – 1651
Materials: chalk, paper
Artist: leendert van der cooghen
Artist role: draughtsman, print maker
Artist dates: 1632 – 1681
Inscriptions: date: ‘1651’
Portret van Alexander zu Hohenlohe-Waldenburg-Schillingsfürst
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: engraving
Artist: theodor götz
Artist role: painter, print maker
Artist dates: 1779 – 1853
Subjects: historical persons, pendant, trinket, 'breloque'
Inscriptions: collector's mark: Lugt 2228
Brug over de Theems in Londen
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: ships (in general), bridge in city across river, canal, etc., london, thames

Op de voorgrond schuiten. Rechts op de achtergrond de koepel van een gebouw.
Teapot
Object type: teapot
Date: 1801 – 1833
Materials: silver
Subjects: flowers
Portret van Cornelis Ton
Object type: photograph
Date: 1890 – 1918
Materials: cardboard, celluloid, paper
Techniques: albumen print
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Photographische/ ATELIERS/ J. Siewers & Zoon/ EDAM/ HILVERSUM.’, inscription: ‘Cornelis Ton van L. L.’
Pad naar een kerk met twee mensen in Tondano, Indonesië
Object type: stereograph
Date: 1900 – 1940
Materials: paper, cardboard
Techniques: gelatin silver print
Location: tondano
Artist: Anonymous
Subjects: village street, roman catholic church
Inscriptions: inscription: ‘Minahasja (Manado)/ Tondano’
Ceres
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: Anonymous
Subjects: ceres, patroness of agriculture

Ceres met een kroon van bladeren, sikkel en aren in de hand, bij haar voeten kruipen dieren. Onderdeel van het modelboek Enchiridion artis pingendi, fingendi & sculpendi met 108 figuren bedoeld voor beginnende schilders, beeldhouwers en prentmakers.
Frankfurt a. M. Rathaus m Bethmannstrasse
Object type: photomechanical print
Date: 1905 – 1908
Materials: cardboard
Techniques: photograph, lithograph, writing
Location: frankfurt am main
Artist: Anonymous
Subjects: townhall, street
Design for Cabriolet, no. 394
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Internationale Tentoonstelling te Amsterdam 1869 namens de Vereeniging ter Bevordering van Fabriek en Handwerknijverheid in Nederland
Object type: history medal
Date: 1869 – 1869
Materials: bronze
Techniques: striking
Location: utrecht

Bronzen penning, op de voorzijde de naar links zittende Nederlandse Maagd die een stapel nijverheidsattributen lauwert, met omschrift, op de keerzijde een inscriptieveld tussen verweven eiken en lauwertakken, met omschrift.
Design for Pony Phaeton, no. 4086
Object type: drawing
Date: 1890 – 1890
Materials: gouache, graphite, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Holy Family with Saint Elizabeth and Saint John the Baptist
Object type: print
Date: 1639 – 1639
Techniques: etching
Artist: simone cantarini
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1648
Subjects: women,holy family,saint john the baptist
Marken
Object type: photomechanical print
Date: 1906 – 1945
Materials: cardboard, photographic process
Location: dresden
Artist: Anonymous
Subjects: canal, village, rowing-boat, canoe, etc.
Menapii. Eveschés d'Anvers, et de Bosleduc. Partie Septentr.nale du Duche de Brabant (...)
Object type: map
Date: 1674 – 1730
Materials: paper
Techniques: etching
Location: paris
Subjects: maps of separate countries or regions, brabant, antwerp

Kaart van een deel van het hertogdom Brabant. Rechtsonder de titelcartouche. Linksboven drie schaalstokken: 10 Mille Pas Geometriques / 4 Lieues communes de France / 3 Lieues communes de Pays Bas. De kaart is voorzien van een gradenverdeling langs de randen.
Gezicht op de Nieuwe Brug te Amsterdam
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: etching
Artist: willem writs
Artist role: draughtsman, print maker
Artist dates: 1731 – 1786
Subjects: rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2228
Gezichten op Lorient, Frankrijk
Object type: photocollage
Materials: cardboard, paper
Techniques: albumen print
Location: lorient
Artist: ferdinand carlier
Artist role: fotograaf
Artist dates: 1829 – 1892
Subjects: city-view in general; 'veduta'
Inscriptions: date: ‘14 septembre 1879’
Covered censer
Object type: covered censer
Date: 1820 – 1820
Materials: enamel, porcelain
Culture: japanese
Subjects: human figures,animals,censers
Courtier and Two Ladies of the Court, with a Poem by Mibu no Tadamine
Object type: woodblock print
Date: 1791 – 1791
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: rekisentei eiri
Artist role: artist
Artist nationality: japanese
Artist dates: 1789 – 1801
Subjects: men,women,brushes
Woman Playing the Flute
Object type: print
Date: 1840 – 1850
Materials: paper
Techniques: woodcut
Location: japan
Artist: konsai
Artist role: print maker
Subjects: fabulous beings with wings - aa - female human figure, trees: pine, representations ~ gods, demi-gods, heroes, etc. (hinduism, buddhism, jainism)

Een fluitspelende vrouw met vleugels en in Chinese kleding landt in een pijnboom. Deze afbeelding verwijst naar het verhaal van Het Verenkleed (Hagoromo), en komt in veel Oost-Aziatische landen voor. Een Boeddhistisch engel landt in een pijnboom op het strand en doet haar vleugels af. Deze worden door een visser gevonden en terugegeven op voorwaarde dat de engel voor hem danst. Dit doet ze en daarna vliegt ze met haar vleugels weer terug naar huis. Met gedichten door verschillende dichters.
Fragment of brocaded silk
Object type: fragment
Date: 1701 – 1800
Materials: metal thread, silk
Subjects: flowers,leaves
Liereman
Object type: print
Date: 1638 – 1658
Materials: paper
Techniques: engraving, etching
Subjects: making music; musician with instrument, violin, fiddle, hurdy-gurdy player, beggar
Inscriptions: collector's mark: Lugt 11, collector's mark: Lugt 10

Een bedelaarsfamilie musiceert bij een deuropening. Een jongen speelt viool en een man met gescheurde kleding laat zijn draailier horen. De rest van de kinderen staan er omheen.
Netsuke of Hotei with a Fan
Object type: netsuke
Date: 1801 – 1900
Materials: ivory, wood
Culture: japanese
Subjects: fans,men
Esther Pleading Before Ahasuerus
Object type: antependium
Date: 1540 – 1560
Materials: linen, wool
Culture: upper rhenish
Location: switzerland
Subjects: men,women,esther,ahasuerus
Rivierlandschap, vermoedelijk in Engeland
Object type: photograph
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage), england

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
Mme. Pape-Carpantier
Object type: photograph
Date: 1853 – 1878
Materials: paper
Techniques: photography, woodburytype
Location: france
Artist: nadar (gaspard félix tournachon)
Subjects: collected by hugh edwards, contemporaine littéraire
Farmer Blunt's Apology
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,politics
Triple gourd-shaped bottle with brown glaze and flower scrolls
Object type: knobbelfles
Date: 1675 – 1699
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: label: ‘Vrienden der Aziatische Kunst’
Man met een pet staand bij een tafel
Object type: sketchbook leaf
Date: 1908 – 1909
Materials: charcoal, paper
Artist: huib luns
Artist role: draughtsman, print maker
Artist dates: 1881 – 1942
Subjects: standing figure, head-gear: cap (+ men's clothes), table, paper (writing material)
Inscriptions: check stamp

Op de tafel ligt een rol papier die de man met zijn linkerhand vasthoudt. Blad 11 verso 12 recto uit een schetsboek met 24 bladen.
Earring with human face
Object type: earring with human face
Date: 100 – 300
Materials: gemstone, gold
Culture: roman
Een groep onbekende Afrikaanse personen in een landschap
Object type: photograph
Date: 1877 – 1882
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: landscapes, anonymous historical persons portrayed in a group, in a group-portrait
Mrs Richardson and the British Officers
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: alfred jones
Artist role: engraver
Artist nationality: american
Artist dates: 1819 – 1900
Faience amulet of Taweret ?
Object type: amulet, taweret
Date: 664 – 334
Materials: faience
Culture: egyptian
Gezicht op het kasteel 's-Heer Hendriksburg, 1743
Object type: print
Date: 1754 – 1792
Materials: paper
Techniques: etching
Location: haarlem
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: castle

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 5 (1754), ill. 45. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden [….]. 9 delen. Amsterdam: Jan de Groot, 1792, dl. 5, ill. 45.
Portret van een onbekend meisje
Object type: photograph
Date: 1855 – 1870
Materials: glass
Techniques: ambrotype
Artist: Anonymous
Subjects: historical persons - bb - woman, child
Jacket from Theatrical Ensemble for a Female Role
Object type: coat, imperial theatrical, for court lady
Date: 1701 – 1800
Materials: metal thread, silk
Techniques: embroidery
Culture: chinese
Subjects: mythical creatures
Paardenhoofd
Object type: drawing
Date: 1831 – 1909
Materials: oil, paper
Techniques: brush
Artist: henriëtte ronner
Artist role: draughtsman, painter
Artist dates: 1821 – 1909
Subjects: horse
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, lower calf and frontal foot and part of right ankle and calf, in profile, of male; part of an inscription, [K]ALOS