deem-data/ArtiFact huggingface dataset:
Gezicht op Hamburg in de sneeuw
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: photograph
Location: hamburg
Artist: br. carstens
Artist role: dokter, fotograaf
Subjects: city-view in general; 'veduta', snow
Afkondiging van de Pacificatie van Gent, 1576
Object type: drawing
Date: 1785 – 1787
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: proclamation of peace

Bekendmaking van het ondertekenen van de Pacificatie van Gent op 8 november 1576. Op een stellage wordt aan het aanwezige publiek de vrede bekend gemaakt en voorgelezen. Uit de ramen blazen twee mannen op bazuinen. Ontwerp voor een prent.
Vase (part of a garniture)
Object type: vase
Date: 1780 – 1790
Materials: hard paste porcelain
Artist: fürstenberg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Subjects: profiles
Panel
Object type: panel
Date: 1260 – 1270
Materials: glass, metal, paint
Culture: french
Altaren met Nehalennia en andere goden
Object type: historical object representation
Date: 1648 – 1650
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan de mel
Artist role: print maker
Subjects: other foreign deities included in the classical pantheon (with name)

Blad met overzicht van altaren met Nehalennia en andere goden, genummerd 1-9. Afkomstig uit: Olivier de Wree, Historiae comitum Flandriae libri prodromiduo, Lucas van den Kerchove, Brugge 1650. Tweede staat waarin pagina en nummer rechtsboven zijn verwijderd.
Tile with a bound Nubian from the the side of a dais
Object type: tile inlay, palace of ramesses ii, foreigner
Date: 1279 – 1213
Materials: faience
Location: egypt
Subjects: men

This tile once decorated the palace of Ramesses II in Piramesse, which he made into one of the greatest royal cities of ancient Egypt. Thanks to the royal favor and its strategic location, Piramesse soon became an important international trade center and a cosmopolitan metropolis, boasting a harbor, a military base, and temples dedicated to various gods like Amun-Re-Harakhty-Atum, Seth, Astarte, etc. Poems were written in the city's praise, and its name, which translates as "The House of Ramesses, Beloved of Amun, Great of Victories " when fully written, came to us through the Old Testament as 'Raamses.' The tiles bear the names of Seti I, Ramesses II and later Ramesside kings, who renovated the palace and changed its decoration through the reigns. New tiles were made, and the old tiles may be have been dismantled and buried together. Based on the tiles, we can still reconstruct quite a number of the features of the palace that are now completely lost, including throne podiums, steps, windows of appearance, and faience sculptures. This tile belongs to the steps leading up to the throne platform. These steps were adorned with depictions of prostrate foreign captives alternating with representations of the Nine Bows that stood for the traditional enemies of Egypt. This tile shows the head of a Nubian, while two fragments of other steps bear and the feet of a Syrian (35.1.1) and the feet of a Libyan, recognizable by his spotted cloak.
Tinder Pouch
Object type: costume and accessory
Date: 1801 – 1900
Materials: coral, leather, silver
Culture: tibetan
Location: tibet
Ornament met een naakte vrouw
Object type: print
Date: 1512 – 1560
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: draughtsman, print maker
Artist dates: 1502 – 1561
Subjects: ornaments ~ art, scabbard, sheath
Inscriptions: number: ‘34’

Ontwerp voor een dolkschede. Het onderste deel is gedecoreerd met bladranken, daarboven staat een naakte vrouw.
Strook naaldkant met kleine dichte en grote open cirkels
Object type: strip
Date: 1900 – 1949
Materials: cotton
Techniques: needle lace, openwork embroidery, reticella, work with drawn threads
Location: unknown
Artist: Anonymous

Strook naturelkleurige naaldkant - reticella - tussen randen open naaiwerk: werk met uitgetrokken draden. Het zich herhalende en symmetrische patroon bestaat uit één rij vierkanten, die zijn opgebouwd uit vier kleine vierkanten. Elk groot vierkant is doorkruisd, op elk kruispunt om en om een kleine dichtgewerkte en een grote opengewerkte cirkel. Langs de randen halve cirkels. De boven- en onderzijde van de strook zijn recht afgewerkt met open ruitjes (werk met uitgetrokken draden).
Ex libris van A.L. de Lucht
Object type: bookplate
Date: 1946 – 1946
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: inscription: ‘Cl 1946’
Deksel van schildpad met hertekop van zilver (serie van 28 stuks A t/m BB)
Object type: lid
Date: 1700 – 1799
Materials: silver, shell
Location: indonesia
Artist: Anonymous

Deksel van schildpad met hertekop van zilver (serie van 28 stuks A t/m BB), Indonesië, 18de eeuw?
Portret van Hans Karl von Diebitsch-Sabalkanski
Object type: print
Date: 1840 – 1855
Materials: paper
Techniques: engraving
Location: hildburghausen
Artist: Anonymous
Subjects: knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order), commander-in-chief, general, marshal, historical persons

Prent waarschijnlijk uit: Meyer, Joseph. Das Grosse Conversations-Lexikon für die gebildeten Stände. Hildburghausen: Bibliographisches Institut, 1840-1855.
Gezicht op de haven van Genua
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: genoa
Artist: Anonymous
Subjects: harbour, city-view in general; 'veduta', mountains
Zeegezicht
Object type: drawing
Date: 1831 – 1915
Materials: paper, pencil
Artist: hendrik willem mesdag
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1915
Subjects: ships (in general), sea (seascape)
Bracelet
Object type: bracelet
Date: 3850 – 2960
Materials: ivory
Location: egypt
Clouds
Object type: painting
Date: 1838 – 1838
Materials: canvas, oil, paper
Culture: american
Artist: thomas cole
Artist role: artist
Artist nationality: american
Artist dates: 1801 – 1848
Subjects: landscapes,clouds
Teabowl
Object type: teabowl
Date: 1853 – 1853
Materials: clay, glaze
Culture: japanese
Design for Grate, with Plan
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: architecture
Portret van Heinrich Grasmüller
Object type: print
Date: 1670 – 1686
Materials: paper
Techniques: engraving
Location: germany
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Chiyoda Castle (Album of Men)
Object type: print
Date: 1897 – 1897
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: castles,gates,men
Gezicht op een brede brug waarover een electrische tram rijdt
Object type: photograph
Date: 1911 – 1911
Materials: paper
Techniques: gelatin silver print
Location: territet
Artist: liesbeth overhoff
Artist role: fotograaf
Artist dates: 1895 – 1969
Subjects: tramway, tram, city-view in general; 'veduta', bridge
Inscriptions: inscription: ‘1911 - Territet’
Portret van Gian Giacomo Trivulzio
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Location: italy
Artist: antonio locatelli
Artist role: print maker
Artist dates: 1800 – 
Subjects: politician, historical persons, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228
Lady Rushout & Daughter
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: printmaking
Location: london
Subjects: garland, wreath, historical persons - bb - woman, mother and daughter(s) (family group)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Design for Wagon, no. 994c
Object type: drawing
Date: 1870 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
(From Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: men,women
Group statuette of two men and a woman
Object type: statuette group, two men, woman
Date: 1981 – 1550
Materials: stone
Location: egypt
Subjects: men,women
Tien landschappen opgedragen aan de dichter Watelet
Object type: titelprent, frontispice
Date: 1764 – 1764
Materials: paper
Techniques: etching
Subjects: garden fountain, pergola
Inscriptions: collector's mark: Lugt 240
Classic Kerma Beaker
Object type: beaker, classic kerma
Date: 1802 – 1640
Materials: pottery
Location: egypt
Pieter Holstein
Object type: print
Date: 1970 – 1970
Materials: paper
Techniques: etching, intaglio
Subjects: print maker, frank lodeizen, draughtsman, pieter holstein, portrait, self-portrait of graphic artist
Inscriptions: edition: ‘2/12’, signature: ‘frank lodeizen’, title: ‘Pieter Holstein’

Links een portret van een man met teneergeslagen ogen en snor, rechts naakte vrouwen op de buitenkant van een vaas.
Tripod Vessel (Liding)
Object type: vessel
Date: 1201 – 1200
Materials: bronze
Culture: chinese
Portret van Georg von Vincke
Object type: print
Date: 1830 – 1900
Materials: paper
Techniques: lithograph
Location: frankfurt am main
Subjects: historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Fringe
Object type: textile
Date: 1601 – 1800
Materials: silk
Location: italy
Portrait of a Man
Object type: sculpture
Date: 1500 – 1500
Materials: marble
Techniques: polychromy
Location: lombardy
Artist: cristoforo solari
Artist role: sculptor
Artist dates: 1468 – 1524
Subjects: historical persons (+ profile portrait)
Inscriptions: inscription: ‘SA’

Neither the maker of this medallion nor the person portrayed is known with certainty, even though the subject’s initials ‘SA’ appear in the background. With its sober style, this circular portrait resembles an ancient Roman coin. The use of two types of marble is unusual.
Button
Object type: button
Date: 1701 – 1800
Materials: metal
Culture: french
Subjects: hats
Thebes - Medinet Habu - Outer Court
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1930
Materials: cardboard
Techniques: lithograph
Location: paris
Artist: Anonymous
Subjects: temple, shrine ~ egyptian religion
Platter
Object type: glass
Date: 1870 – 1900
Materials: glass
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 19 – 20
Saint Bartholomew's Gate
Object type: print
Date: 1907 – 1907
Materials: paper
Techniques: etching
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Papyrus Scepter (wadj) amulet
Object type: amulet, papyrus scepter
Date: 712 – 332
Materials: faience
Location: egypt
Viaduc de Morlaix
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: alfred beau
Artist role: ceramicist, painter
Artist dates: 1829 – 1907
Subjects: viaduct
Inscriptions: inscription: ‘Alf. Beau Phot.’
Portret van Johann Georg Zimmermann
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: etching
Location: london
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Plan de la ville et château de Namur avec les dernieres fortifications faites jusqu à l'an 1709
Object type: area plan
Date: 1709 – 1709
Materials: paper
Techniques: etching
Location: brussels
Subjects: maps of cities

Plattegrond van Namen met de versterkingen tot aan het jaar 1709. Rechtsboven de legenda 1-53 en een verklaring. Onderdeel van een gebundelde verzameling van plannen van veldslagen en steden vermaard in de Spaanse Successieoorlog.
Gezicht op de Nieuwe Kerk te Amsterdam en aanpalende gebouwen
Object type: photomechanical print
Date: 1908 – 1908
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: parts of church exterior and annexes: portal, shop, store, church (exterior), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Nieuwe Kerk van buiten.
David and Goliath
Object type: print
Date: 1551 – 1551
Materials: paper
Techniques: etching
Location: germany
Artist: hanns lautensack

Hanns Lautensack is known as a prolific etcher of landscapes, particularly those with views of southern Germany marked by knobby pollard willows. Unusually, he focused here on a biblical story. The Philistine giant Goliath, a towering hulk of a man, is almost as tall as the central tree, while David, the youthful underdog who would fell the mighty Goliath like an oak and become king of the Israelites, strides in from the right with an exuberant sunset behind him. This trademark light effect recurs in other Danube School works by Lucas Cranach the Elder, Albrecht Altdorfer, and Wolfgang Huber.
Saint Paul holding a sword, in an oval frame, from "Christ, the Virgin, and Thirteen Apostles"
Object type: print
Date: 1600 – 1640
Techniques: etching
Artist: anonymous, 17th century
Artist role: artist
Artist dates: 1600 – 1700
Subjects: swords,portraits,saint paul

From Christ, the Virgin and Thirteen Apostles, a series of fifteen busts in oval frames printed from one plate, after Reni. Verso not visible as print is affixed to another sheet of paper.
Twaalfde aflevering. Jezus Christus
Object type: wrapper
Date: 1860 – 1860
Materials: paper
Techniques: printing
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Inscriptions: inscription: ‘JEZUS CHRISTUS/ NAAR EENE SCHILDERIJ/ VAN/ A. SCHEFFER.’, address: ‘AMSTERDAM,/ A. JAGER,/ Water, 110.’

Deze omslag maakt deel uit van een omslag met twaalf fotoreproducties.
Partial design for a decorative panel painted in rinceaux
Object type: drawing
Date: 1801 – 1900
Materials: gouache, graphite, paper
Techniques: inlay
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ornament
Triomfwagen van Karel V, 1537
Object type: print
Date: 1537 – 1537
Materials: paper
Techniques: woodcut
Location: germany
Artist: hans schäufelein
Artist role: print maker
Artist dates: 1480 – 1540
Subjects: ghent, charles v (holy roman emperor and king of spain), chariot, triumphal car
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2166

Serie van 9 houtsneden van de triomfwagen van keizer Karel V die aan elkaar tot een doorlopend fries gemonteerd kunnen worden. De teksten boven de voorstellingen ontbreken in deze druk. Uitgave van deze tweede staat van de blokken is volgens German Hollstein (dl. XLII, p. 126) te dateren ca. 1537-1551. De watermerken van deze afdrukken wijzen op een latere datering ca. 1580-1616. De prenten worden hier beschreven naar de volgorde in Bartsch, een andere volgende dan in Hollstein en Geisberg staat, namelijk met de platen Hollstein German 51 en 52 (de plaat met het impressum) niet als de derde en vierde platen maar als achtste en negende (voorlaatste en laatste).
Helsingfors Finland Nicolaaskerk.
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912

De domkerk in Helsinki voorheen tot 1917 ook wel genoemd de Nicolaaskerk naar Tsaar Nicolaas I van Rusland.
Nightgown
Object type: nightgown
Date: 1880 – 1880
Materials: cotton
Culture: american
Portaal van de Sint-Laurentiuskapel van de kathedraal van Straatsburg
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: photograph
Location: straatsburg
Artist: charles bernhoeft
Artist role: publisher
Artist dates: 1859 – 1933
Subjects: parts of church exterior and annexes: portal

Deze prent maakt deel uit van een omslag met 100 prenten.
Tile Mosaic Fragment
Object type: tile
Date: 1300 – 1400
Materials: earthenware, glaze
Techniques: wood inlay
Location: andalusia
Artist: Anonymous

The oldest wall decorations in Islamic Spain were mosaics made of variously shaped coloured tile pieces arranged in intricate geometric patterns. This was a time-consuming and therefore expensive technique. Only the very rich could afford such wall mosaics. The geometric pattern on this fragment is almost identical to a mosaic from the Alhambra in Granada. Perhaps it originally came from this palace, or was made in the same workshop.
Gitaarspeler met hoed op een toneel
Object type: sketchbook leaf
Date: 1930 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: cithern, mandolin, guitar, balalaika (+ artist at work), the stage and its equipment (+ artist at work)

De man speelt gitaar of een aanverwant snaarinstrument. Mogelijk in Theater Scala te Den Haag. Schutblad B, achterste schutblad, uit schetsboek I met 26 bladen.
Arrow Head
Object type: arrow head
Date: 1501 – 1600
Materials: iron
Culture: spanish
Location: spain
Pizzochere
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: nun(s), cape (+ women's clothes), aids for prayer, e.g. rosary, fashion plates, candle

Oudere vrouw in wijde schoudermantel die over het hoofd naar beneden valt. Rozenkrans en brandende kaars in de hand. In ornamentrand
Manuscript Leaf with Initial F, from an Antiphonary
Object type: antiphonary
Date: 1426 – 1450
Materials: ink, metal leaf, parchment, paint
Culture: german
Location: germany
Schuttersbrief
Object type: schuttersbiljet
Date: 1741 – 1774
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), personification of a city, town-patron(ess), military service (+ citizen soldiery, civil guard, citizen militia), amsterdam
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Schutters-oproepingsbriefjes.
Brief aan August Allebé
Object type: letter
Date: 1896 – 1896
Materials: ink, paper
Techniques: pen, writing
Location: rotterdam
Artist: henry adriaan haverkorn van rijsewijk
Artist role: draughtsman, painter
Artist dates: 1868 – 1945
Subjects: amsterdam, print maker, draughtsman, august allebé
Inscriptions: watermark
Schets Kaart van de Kolonie Suriname of Ned.sche Guiana
Object type: map
Date: 1860 – 1862
Materials: paper
Techniques: lithograph, hand coloring
Location: netherlands
Subjects: maps of separate countries or regions, suriname

Gepubliceerd in het plaatwerk: Gezigten uit Neerland’s West-Indien / naar de natuur geteekend, en beschreven door G.W.C. Voorduin ; op steen gebragt door J.E. van Heemskerck van Beest. - Amsterdam : Frans Buffa en Zonen, [1860-1862]

Koeman dateert de kaart op 1877 op bais van de uitgave van het plaatwerk uit 1877. Volgens de UB UvA is dit plaatwerk al eerder verschenen in 1860-1862.
Amsterdam vóór 1882 gezicht op de achterzije der huizen a.d. N. Doelenstraat
Object type: photograph
Date: 1930 – 1931
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: urban housing, canals, waters (in city)
The Last Judgment and the Seven Deadly Sins
Object type: painting
Date: 1600 – 1638
Materials: oil, panel
Artist: jacob isaacsz. van swanenburg
Artist role: draughtsman, painter
Artist dates: 1571 – 1638
Subjects: entrance of hell as monstrous mouth (of leviathan) in a landscape, last judgement, the seven deadly sins (personified)

Het laatste oordeel en de zeven hoofdzonden. De hel waarin de naakte verdoemden in groepen uitzwermen over het land en water, rechts een grote hellemond waarin de hoofdzonden door figuren worden verbeeld. Overal vliegen duivels en monsters, links enkele grote gebouwen en vlammen,
Portret van een onbekende man
Object type: carte de visite
Date: 1862 – 1899
Materials: cardboard, paper, photographic support
Techniques: daylight paper print
Location: amsterdam
Artist: willem gerhardus kuijer
Artist role: fotograaf, hoffotograaf
Artist dates: 1834 – 1899
Subjects: adult man
Inscriptions: inscription: ‘Opgericht 1864 W.G. Kuijer & Zonen Hofphotographen Westermarkt 19 Amsterdam. Spéciale Inrichting voor Vergrootingen in alle Formaten.’, name: ‘W.G. Kuijer & Zonen Hofphotographen Amsterdam’
Old Man with White Collar and Pointed Hat
Object type: print
Date: 1610 – 1685
Techniques: etching
Artist: adriaen van ostade
Artist role: artist
Artist nationality: dutch
Artist dates: 1610 – 1685
Subjects: men,portraits
Trente deux degrés, from Croquis d'Été, published in Le Charivari, July 16, 1857
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women,dogs,summer
Beeldhouwwerk
Object type: sculpture
Date: 1750 – 1900
Materials: ivory
Location: south india
Artist: Anonymous

Wellicht een asceet, de linkerhand tegen het lichaam gehouden, rechterbovenarm opgeheven, rechteronderarm afgebroken, rechtervoet op knie van het linkerbeen.
Towel border
Object type: border
Date: 1800 – 1850
Materials: linen, silk
Subjects: animals
Vrouw met kapje, van voren, ten halven lijve
Object type: drawing
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: anonymous historical person portrayed alone
Het huis Vredestein bij Ravenswaaij, Gelderland
Object type: drawing
Date: 1728 – 1728
Materials: ink, paper
Techniques: brush, pen
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: castle, rural housing, e.g. country-house, villa, cottage
Inscriptions: inscription: ‘C: Pronk del: ad viv: / Vreedestein van Vooren / 1728’