deem-data/ArtiFact huggingface dataset:
Plate, Royal Arms of France
Object type: plate
Date: 1467 – 1500
Materials: brass
Culture: south netherlandish
Subjects: coat of arms
Backers staand voor het station van de Meramec Highlands t tijdens de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, paper
Techniques: gelatin silver print
Artist: jan schüller
Artist role: draughtsman, painter, print maker
Artist dates: 1871 – 1915
Subjects: missouri
Inscriptions: annotation: ‘Backers voor ’t station // Meramec Highlands’

Backers staand voor het station van de Meramec Highlands t tijdens de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904.
Niobes cu filia in hortis magni ducis (...)
Object type: album leaf
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: italy
Subjects: piece of sculpture, reproduction of a piece of sculpture, (story of) niobe
Inscriptions: number: ‘10’

Deze prent maakt deel uit van een set van 79 prenten (+ titelprent) met voorstellingen van antieke sculpturen in Rome.
Portret van Humphrey Gilbert
Object type: print
Date: 1747 – 1781
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: explorer (+ portrait of scholar, scientist), historical persons

Prent uit: The Universal Magazine of Knowledge and Pleasure, 1747-1781.
Tafellaken van linnendamast met een historisch tafereel
Object type: tablecloth
Date: 1745 – 1750
Materials: linen
Techniques: damask, weave
Location: flanders
Artist: Anonymous

Tafellaken van linnendamast met de verovering van Gent en de slag bij Fontenoy door Lodewijk XV en de Dauphin (1745).
Portret van Arthur Wellesley of Wellington
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: etching
Location: france
Subjects: walmer castle, arthur wellesley of wellington, historical persons
Inscriptions: collector's mark: Lugt 2228
Pijpsleutel
Object type: pipe key
Date: 1400 – 1500
Materials: iron

Pijpsleutel waarvan het ovale oog door een ijzeren band gevormd wordt. Onder het oog heeft de schacht een verdikking.
Sociable #557
Object type: print
Date: 1870 – 1870
Materials: gum arabic
Techniques: lithograph
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Straatverkopers in Bologna
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: etching, intaglio
Location: bologna
Artist: giuseppe maria mitelli
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1634 – 1718
Subjects: bread, loaf, street-trader, 'cris de paris', cries of london, etc.

Een jongeman met aan zijn arm een mand met stokken met ciambelles, ringvormige broodjes. Italiaans vers in ondermarge. De prent maakt deel uit van een album.
De doop van Christus
Object type: drawing
Date: 1725 – 1725
Materials: chalk, paper
Artist: louis fabritius dubourg
Artist role: draughtsman, print maker
Artist dates: 1693 – 1775
Subjects: baptism of christ in the river jordan: john the baptist pouring out water on christ's head: the holy ghost descends
Laqin
Object type: laqin
Date: 1801 – 1900
Materials: iron, wood
Culture: chinese
Location: china
The Female Gambler's Prayer!!
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: women,chairs
Sketch of Clouds and Sea (from Sketchbook VII)
Object type: drawing
Date: 1886 – 1886
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: seascapes

This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Dieren
Object type: print
Date: 1635 – 1670
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: water-birds: swan
Inscriptions: collector's mark: Lugt 240

Vier zwanen aan de waterkant tussen het riet. Prent uit een serie van 14 prenten met verschillende inheemse dieren.
Servet met vogels in kransen
Object type: napkin
Date: 1590 – 1610
Materials: linen
Techniques: damask
Location: haarlem
Artist: Anonymous

Middenveld: het patroon vertoont twee liggende ovale velden: 1 Omkranst met brede geschaakte band met links en rechts een half knooppunt waarin rozet. Symmetrische binnentekening van een stengel met gezwenkte lancetbladeren met drie palmetbloemen en twee afgewende papegaaien met toegewende koppen. 2 Verbonden met veld 1 door een vaas; omkranst door een spitsovale band waarin takken en vogels. Links en rechts een gehalveerd knooppunt. Symmetrische binnentekening van een stam met lancetbladeren en als kandelaars gezwenkte zijarmen, waaraan zonnebloemen en waarop twee afgewende vogels. In de zwikken granaatappels en anjers in krans. De randen vertonen spitsovale ranken met symmetrisch herhaalde vogels, vruchten en bloemen. In de hoeken telkens vier rozetten. Langs de staande randen een blokkenrand. Liggende randen gevat in zomen met streep en blokkenrand.
The Road from Versailles to Louveciennes
Object type: painting
Date: 1879 – 1879
Materials: canvas, oil
Artist: alfred sisley
Artist role: artist
Artist nationality: british
Artist dates: 1839 – 1899
Subjects: roads,landscapes

In the 1870s, Sisley, like his colleagues Monet and Pissarro, often painted the roads, bridges, and waterways linking Paris with the rapidly suburbanizing villages to the north and west. This picture depicts a site near the town of Louveciennes, on the main thoroughfare between Versailles and Saint-Germain-en-Laye. Sisley's juxtaposition of two figures on the road—a laborer pushing a cart and a man wearing a sophisticated black suit and top hat—evokes the contrast between old-fashioned country life and modern urban society. The loose, summary brushwork is characteristic of Sisley’s technique in the latter part of the decade.
Head of Bhairava, A Horrific Form of God Shiva
Object type: sculpture
Materials: copper, copper gilt, pigment
Techniques: repoussé
Location: nepal
Boat Carrying Captives from Nubia, Tomb of Huy
Object type: facsimile, amenhotep huy tt 40, boat, nubian
Materials: paper, paint
Location: egypt
Artist: charles k. wilkinson
Artist role: artist
Artist dates: 1897 – 1986
Subjects: men,boats,walk-like-egyptian

This facsimile painting copies a scene in the tomb of Amenhotep Huy (TT 40) at Thebes. Other parts of this scene are depicted in 30.4.18 and 30.4.19.
Cadmus zaait de tanden van de draak
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: on minerva's advice, cadmus sows the dragon's teeth; a host of armed men springs up
Inscriptions: collector's mark: Lugt 2398, collector's mark: Lugt 2510, collector's mark: Lugt 1606

Minerva draagt Cadmus op om een deel van de tanden van de draak die hij zojuist gedood heeft te zaaien. Dat doet hij, waarop gewapende mannen uit de aarde oprijzen. Onder de voorstelling twee keer twee regels Latijnse tekst. Deze prent is onderdeel van een serie van 52 prenten die verhalen uit Ovidius' Metamorfosen verbeelden. Deze serie valt uiteen in drie genummerde reeksen: twee van 20 prenten en één van 12 prenten. Deze prent behoort tot de derde reeks.
Kris with Sheath
Object type: kris with sheath
Date: 1701 – 1900
Materials: horn, ivory, silver, steel
Culture: philippine, sulu
Location: philippines
Spinster aan het werk
Object type: print
Date: 1852 – 1898
Materials: paper
Techniques: etching
Artist: leopold löwenstam
Artist role: print maker
Artist dates: 1842 – 1898
Subjects: spinning-wheel, interior of the house, spinning (manufacture of yarn)
Inscriptions: collector's mark: Lugt 2166

Een oude vrouw, wol spinnend in een interieur.
Angel
Object type: head
Date: 1760 – 1770
Materials: gesso
Artist: ignaz günther
Artist role: artist
Artist nationality: german
Artist dates: 1725 – 1775
Subjects: angels
Gezigt op de groote vijvers in Zwitsersche-Brug / Vue aux grands vivres et au Pont-Suisse
Object type: print
Date: 1830 – 1846
Materials: paper
Techniques: tone lithography
Subjects: strolling, bridge, wood and park (as places of recreation), the hague
Vero dissegno degli stupendi edifitii giardini boschi fontane et cose meravegliose di Belvedere in Roma
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: etching
Location: rome
Subjects: garden
Inscriptions: collector's mark: Lugt 2228

Gezicht in vogelperspectief op de Cortile del Belvedere met links de Sint-Pietersbasiliek en rechts de Belvedere (een voormalige villa en binnenhof van het Apostolisch Paleis in Vaticaanstad). Verklarende lijst met letters in de ondermarge.
Laantje naar het woonhuis van Plantage Accaribo, met de rivierboot Prins Hendrik op de achtergrond.
Object type: stereograph
Date: 1913 – 1930
Materials: glass
Techniques: photography
Location: suriname
Artist: theodoor brouwers
Artist role: amateurfotograaf
Artist dates: 1874 – 1932
Subjects: amsterdam, theodoor brouwers, plantation, suriname

In de periode 1911-1932 woonde op plantage Accaribo in Suriname de familie Brouwers van wie de foto's afkomstig zijn. Rond 1910 vond Theodoor Brouwers werk op plantage Accaribo. In 1929 werd hij eigenaar van de plantage. Op Accaribo werden in zijn tijd bananen geproduceerd en wat koffie.
Court ensemble
Object type: court ensemble
Date: 1767 – 1800
Materials: metal thread, silk
Culture: russian
Landschappen en zeegezichten
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: etching
Location: dusseldorf
Artist: andreas achenbach
Artist role: print maker
Artist dates: 1815 – 1910
Subjects: trees, landscapes, pond, pool
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een serie van twaalf prenten met landschappen en zeegezichten.
Fragment
Object type: textile
Date: 1700 – 1700
Materials: silk
Techniques: brocade
Location: france
Pitcher
Object type: pitcher
Date: 1800 – 1830
Materials: glass, lead
Techniques: glassblowing
Culture: american
Location: united states
Chinese /Koreaanse draagpenning
Object type: history medal
Date: 1900 – 1950
Materials: bronze, textile, wood

Bronzen penning met oog en ring aan een bronzen broche waarop twee karakters, op de voorzijde een paradijsvogel boven een kruis tussen twee takken, op de keerzijde vier regels karakters. In houten doosje met deksel waarin een kussentje met lichtblauwe zijden bekleding.
Meir Wachenheimer, Mathilde Wachenheimer Moos, Else Wachenheimer en Isabel Wachenheimer op gouden huwelijksjubileum Meir en Mathilde, 22 oktober 1934
Object type: photograph
Date: 1934 – 1934
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: else wachenheimer-moos, leiden, isabel wachenheimer-elon

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Relief block with the names and titles of Amenemhat I and Senwosret I
Object type: relief, senwosret i
Date: 1962 – 1952
Materials: limestone
Location: egypt
Subjects: cartouches,hieroglyphs

This is one of several relief blocks discovered in the foundations of the funerary temple of Amenemhat I at Lisht. Like this one, most bear his name, sometimes with that of his son and coregent, Senwosret I. Because of thier protected location many of the blocks are complete, and the colors are still fresh; several sculptural styles are represented. The site and buildings from which the blocks were taken have not been identified, but possibly they all derive from an earlier funerary temple at Lisht. It is not known when the funerary temple of Amenemhat I was built. He may have begun it himself near the end of his reign, for the temple foundation deposits confirm an early Dynasty 12 date. Prominent on this block are the Horus name of Amenemhat I to the right (Horus Wekhemmesut) and his birth name, Amenemhat, in a cartouche (an oval ring representing infinity and eternity) on the left. See below for a full translation of the inscription.
De buitenplaats Wisseloord te Muiderberg
Object type: watercolor
Date: 1827 – 1898
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: johan george lodewijk rieke
Artist role: draughtsman, print maker
Artist dates: 1817 – 1898
Subjects: prospect of village, silhouette of village, rural housing, e.g. country-house, villa, cottage
"Oh! Oh! Oh!": plate 14 from Othello (Act 5, Scene 2)
Object type: print
Techniques: printmaking, engraving, etching, roulette
Artist: théodore chassériau
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1856
Subjects: shakespeare,sadness,men,women,death

After Delacroix’s successful Hamlet lithographs appeared in 1843, Chassériau responded with a series of etchings devoted to Shakespeare’s Othello. This example encapsulates the play’s climax in act 5, in which the title character is undone by his tragic error concerning his wife, Desdemona. Having smothered her, he now kneels despairingly by the bed as her attendant Emilia reveals that "honest Iago," who told Othello she had been unfaithful, is a jealous manipulator: "Now lay thee down and roar. / For thou has killed the sweetest innocent, / That did ever lift up eye." By choosing etching, Chassériau was able to both include fine detail and convey his expressive conception of form.
Portret van koning Frederik IV van Denemarken en Noorwegen
Object type: print
Date: 1706 – 1768
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: françois morellon la cave
Artist role: draughtsman, print maker
Artist dates: 1696 – 1768
Subjects: copenhagen (city), frederik iv (koning van denemarken en noorwegen)
Inscriptions: collector's mark: Lugt 2228

Portret van Frederik IV, koning van Denemarken en Noorwegen, gekleed in harnas.
Oriel College, Oxford
Object type: photograph
Date: 1861 – 1866
Materials: paper
Techniques: albumen print
Location: oxford
Artist: william savage
Artist role: fotograaf
Artist dates: 1817 – 1887
Subjects: university building, college, courtyard
Gezicht op een poort in Shiba in Tokyo
Object type: page
Date: 1866 – 1876
Materials: paper
Techniques: photoaquatint
Location: tokyo
Artist: Anonymous
Subjects: gate, entrance
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Lower drapery of a figure to left
Glass Fragment
Object type: fragment
Date: 1601 – 1700
Materials: glass
Culture: french
Location: france
Tray
Object type: tray
Date: 1783 – 1784
Materials: silver
Artist: jacques favre
Artist role: maker
Artist dates: 1744 – 1823
A woman representing Temperance holding a bit facing left
Object type: print
Date: 1510 – 1527
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: portraits,women
Gezicht op de Martinikerk te Groningen
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: street (+ city(-scape) with figures, staffage), parts of church exterior and annexes: tower

Blad 4 recto uit een schetsboek met 50 bladen.
Hexagonal stand
Object type: stand
Date: 1667 – 1733
Materials: glaze, porcelain
Culture: chinese
Landweg met boerderijen en vrouw met kruiwagen
Object type: print
Date: 1924 – 1924
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: willem de zwart
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1931
Subjects: public road in village, wheelbarrow, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Drilled square plaque seal
Object type: stamp seal
Date: 3500 – 2900
Materials: stone
Location: mesopotamia
Coriolanus omringd door smekende vrouwen
Object type: book illustration
Date: 1720 – 1720
Materials: paper
Techniques: etching
Artist: jacob folkema
Artist role: draughtsman, print maker
Artist dates: 1692 – 1767
Subjects: coriolanus (c. or cn. marcius) is met by his wife volumnia (alternatively called vergilia) with their two small sons, and his mother veturia (alternatively called volumnia); they entreat him not to fight any more
Inscriptions: collector's mark: Lugt 240

Coriolanus trekt zijn zwaard en wordt omringd door zijn geknielde moeder, echtgenote en andere vrouwen die hem smeken Rome niet aan te vallen.
Ontwerp voor een draagteken van een broodbakkersgilde, met de Heilige Honoratus van Amiens
Object type: design drawing
Date: 1720 – 1720
Materials: chalk, ink, paper
Techniques: brush, pen
Location: brussels
Artist: Anonymous
Subjects: medal, badge of a guild
Inscriptions: number: ‘38’, collector's mark: ‘V.’ Lugt 567
Spiegel van eerbaarheid
Object type: print
Date: 1583 – 1587
Materials: paper
Techniques: engraving
Subjects: female saints (christine)
Inscriptions: number: ‘84’, collector's mark: Lugt 2228, collector's mark: Lugt 2760

De H. Christina, zittend. Ze leest een boek. In haar linkerhand een slang. Rondom haar benen drie andere slangen. Op de achtergrond wordt ze in een oven verbrand. De achtste prent van een zeventiendelige serie met vrouwelijke heiligen.
Gezicht van een jong meisje
Object type: drawing
Date: 1814 – 1814
Materials: chalk, paper
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: girl (child between toddler and youth), ear-rings
Inscriptions: collector's mark: Lugt 1641, stamp

Gezicht van een jong meisje, mogelijk familie van de kunstenaar. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Schilderkunst, Tekeningen.
Cap
Object type: cap
Date: 1890 – 1909
Materials: glass, metal
Culture: french
Artist: félix
Artist role: design house
Artist nationality: french
Artist dates: 1846 – 1901
Venezia. Panorama
Object type: reproduction
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph
Artist: Anonymous
Subjects: prospect of village, silhouette of village, venice
Melancholie
Object type: drawing
Date: 1912 – 1912
Materials: paper, pencil
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: face, trees, 'malenconico (per la terra)', 'malinconia' (ripa)
Inscriptions: collector's mark: Lugt 2228
Fragment of a Plate
Object type: fragment
Date: 701 – 1300
Techniques: incising
Location: iran
Man Seen From Behind
Object type: print
Date: 1640 – 1640
Techniques: etching
Artist: laurent de la hyre
Artist role: artist
Artist nationality: french
Artist dates: 1606 – 1656
Subjects: men,landscapes
Glass jar
Object type: jar
Date: 101 – 300
Materials: glass
Culture: roman

Translucent blue green. Solid collared rim, folded down, round, and up, with downward sloping beveled outer edge and rounded upper lip; outsplayed mouth; short, concave neck; shoulder curving out to join bulbous body; slightly concave bottom. Intact, except for small chip in rim; some pinprick bubbles; dulling and slight pitting on exterior, large patches of limy brown weathering and brilliant iridescence on interior.
Fotoreproductie van een schilderij van een moeder met twee kinderen bij een haard, door Pierre Jean Edmond Castan
Object type: page
Date: 1869 – 1882
Materials: paper
Techniques: woodburytype
Artist: pierre jean edmond castan
Artist role: print maker
Artist dates: 1817 – 1892
Subjects: open hearth, fire-place, mother and child(ren), woman and child(ren) (family group)
Koeien
Object type: print
Date: 1630 – 1691
Materials: paper
Techniques: etching
Artist: aelbert cuyp
Artist role: draughtsman, painter, print maker
Artist dates: 1620 – 1691
Subjects: cow
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘FR’ Lugt 2133

Prent uit serie van zes prenten met koeien. Bij de derde staat werd door een anonieme vervaardiger een titelprent aan de serie toegevoegd.
Portret van Hendrik II van Bourbon-Condé
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: paris, henri (prince of condé), prince, historical persons
Inscriptions: collector's mark: Lugt 2228
Plate
Object type: plate
Date: 1368 – 1644
Materials: porcelain
Culture: chinese
Subjects: animals,flowers
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 490
Materials: terracotta
Culture: greek, attic

Interior, male with fillets and scabbard?
Key
Object type: key
Date: 1501 – 1900
Materials: brass, iron
Culture: edo period
Location: nigeria