deem-data/ArtiFact huggingface dataset:
The Virgin holding a cloth above the sleeping infant Christ, after Reni
Object type: print
Date: 1700 – 1800
Techniques: engraving
Artist: pietro masini
Artist role: engraver
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: sleeping,madonna and child

After a painting by Reni. Verso is not visible as print is laid to another sheet of paper.
Palazzo Doria Spinola
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: façade (of house or building)
Inscriptions: collector's mark: Lugt 240

Voorgevel van Palazzo Doria Spinola (Prefettura), gelegen aan de largo Lanfranco te Genua. Het palazzo werd tussen 1541 en 1543 gebouwd.
Chin Mask (Ho-ate) with Gorget
Object type: chin mask ho ate with gorget
Date: 1801 – 1900
Materials: iron, lacquer, leather, silk
Culture: japanese
Location: japan
Spits met bloem en twee vogels
Object type: print
Date: 1675 – 1700
Materials: paper
Techniques: engraving
Location: amsterdam

Bovenaan een rand van gestileerde ranken. Blad 3 uit serie van 6 bladen.
Standing Female Nude and Sketches of Arms
Object type: drawing and watercolor
Date: 1873 – 1877
Materials: graphite, paper
Location: england
Artist: sir edward burne-jones
Artist role: artist
Artist nationality: british
Artist dates: 1833 – 1898
Ornamenteel alfabet
Object type: album leaf
Date: 1595 – 1595
Materials: paper
Techniques: engraving, letterpress printing
Location: frankfurt am main
Subjects: fruits and vegetables ~ ornament, letters, alphabet, script, truth; 'verità' (ripa), the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure, insects: butterfly
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ornamentele letter W met de gevleugelde personificatie van Waarheid met in haar handen het boek van de waarheid voor de stralende zon. Rechts een naakte vrouw. De letter is verder versierd met een trofee, een vlinder, trossen vruchten en insecten. Op verso verzen in het Latijn en het Duits. Prent maakt deel uit van een album.
Fragments of a Hunting Scene, Tomb of Intef
Object type: facsimile, intef tt 155, hunting
Date: 1479 – 1458
Materials: paper, paint
Location: egypt
Artist: unknown copyist
Artist role: artist
Denarius (Coin) Portraying Emperor Hadrian
Object type: coin
Date: 134 – 138
Materials: metal, silver
Culture: roman
Location: roman empire
Inscriptions: Obverse: HADRIANVS  AVG  COS III  P P
Reverse: ANNONA  AVG

The front of this coin portrays the emperor Hadrian, facing right.

On the back, a measuring unit called a Modius is shown filled with grain.
Incense burner
Object type: incense burner
Date: 1530 – 1540
Materials: bronze
Subjects: sphinx,satyrs
Valentine's Day, or Quizzes for the Post; Containing Acrostics for the Use of Ladies and Gentlemen, Who Wish to Learn the Art of Making Love
Object type: book
Date: 1830 – 1830
Techniques: etching
Location: england
Artist: orlando hodgson
Artist role: publisher
Artist nationality: british
Artist dates: 1810 – 1850
Glass Fragment
Object type: fragment
Date: 1201 – 1300
Materials: glass, metal
Culture: european
Schaal
Object type: dish
Date: 1784 – 1814
Materials: porcelain
Techniques: painted
Location: amstel

Ovale schaal veelkleurig beschilderd met strooibloemen met gestileerde bladeren in relief. Gemerkt: Amstel.
Portret van Christoph Dorsch
Object type: print
Date: 1693 – 1737
Materials: paper
Techniques: mezzotint
Location: augsburg
Artist: bernhard vogel
Artist role: draughtsman, painter, print maker
Artist dates: 1683 – 1737
Subjects: die cutter, vine, historical persons
Inscriptions: collector's mark: Lugt 2228
Pair of pedestals
Object type: pedestal
Date: 1778 – 1778
Materials: wood
Techniques: inlay, veneering
Sporting or Target Crossbow for a Youth
Object type: arm
Date: 1567 – 1633
Materials: cord, wood, steel
Culture: german or swiss
Location: germany
Treinwagon van George Gill Green
Object type: photomechanical print
Date: 1879 – 1889
Materials: paper
Techniques: photograph
Location: woodbury
Artist: Anonymous
Subjects: railway wagon
Portret van een onbekende man afkomstig uit Nieuw-Zeeland
Object type: print
Date: 1795 – 1803
Materials: paper
Techniques: engraving
Subjects: adult man, anonymous historical person portrayed, folk costume, regional costume, new zealand
Inscriptions: number: ‘LXVII’, collector's mark: Lugt 2228

De prent is gebruikt in: Cook, James. Reize rondom de Waereld (...) met kaarten en plaaten. [Vertaald uit het Engels door] Jan David Pasteur. Leiden: Honkoop, Amsterdam: Allart, Den Haag: Van Cleef, 1795-1803, dl. 13.
Necklace
Object type: necklace
Date: 1368 – 1644
Materials: amber, cotton
Culture: chinese

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Belt Buckle Tongue
Object type: buckle tongue
Date: 301 – 700
Materials: iron
Culture: frankish
Chiyoda Castle (Album of Women)
Object type: print
Date: 1895 – 1895
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: women,crowd
Portret van Lamoraal van Egmond
Object type: print
Date: 1820 – 1900
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: brussels, earl, historical persons, knighthood order of the golden fleece
Chinees schrijf- en tekengerei
Object type: writing instrument
Date: 1900 – 1999
Materials: ink, paper, wood
Location: china
Artist: Anonymous

Onder andere plankjes, inktblokjes, penseel, schetsboeken en losbladig papier.
Tegel
Object type: tile
Date: 1700 – 1800
Materials: earthenware
Location: spain
Artist: Anonymous

Tegel van aardewerk, beschilderd in blauw, groen, geel en mangaan, blauw ovaal waarbinnen symmetrisch bladmotief. In de hoeken delen van rozetten. Met BK-1977-118-b in moderne houten lijst.
Kon. Ned. Marine (opgedragen aan Ds. Schokking.)
Object type: cartoon
Date: 1907 – 1907
Materials: paper, pencil
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: parts of ship's exterior: deck, drunkenness, political caricatures and satires

Minister van Marine Jan Wentholt ondervraagt aan dek een dronken matroos die van verlof terugkeert. De prent is opgedragen aan dominee en Tweede Kamerlid Jan Schokking. In de marge enige krabbels in potlood.
Jongeman vlucht door het open raam
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, flight, running away; pursuing, open window, interrupted meeting, lovers caught by surprise
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor J. G. Müller's 'Siegfried von Lindenberg'. Een latere staat gebruikt in: Goettinger Taschen Calender vom Jahr 1784. bey Joh. Chr. Dietrich. Göttingen: Georg Christoph Lichtenberg, 1784.
Reproductie van Fugutifs door Pierre-Paul-Léon Glaize
Object type: reproduction
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Subjects: painting, drawing and the graphic arts
Inscriptions: inscription: ‘(Glaize, Léon)/ Galerie Contemporaine, Littéraire et Artistique/ 126, boulevard de Magenta, Paris./ Un grand nombre d'Atheniens se sentant menacés (...)’
Fotoreproductie van het fresco De ontmoeting tussen Leo de Grote en Attila
Object type: reproduction
Date: 1872 – 1882
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: rome, peace negotiations
Athènes. Le Parthénon, vue de Nord-Ouest
Object type: photograph
Date: 1906 – 1930
Materials: paper
Techniques: gelatin silver print
Location: steglitz
Subjects: temple, shrine ~ greek religion
Inscriptions: monogram: ‘P.R.A.’, monogram: ‘NPC’
Bent right forearm with garment pleats
Object type: right forearm, bent, garment
Date: 1353 – 1336
Materials: quartzite
Location: egypt
Mai
Object type: mai
Date: 1867 – 1900
Materials: bamboo
Culture: melanesian
Location: vanuatu
Covered Communion Flagon with Spout
Object type: metalwork
Date: 1787 – 1787
Materials: pewter
Location: glasgow
Artist: stephen maxwell
View of the Back of the Statues of the Dioscuri at the Quirinal, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1550 – 1550
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: sculpture,ruins,men,horses

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 84 in the scrapbook.
De heilige Anna leert Maria lezen
Object type: drawing
Date: 1656 – 1707
Materials: chalk, paint, ink, paper
Techniques: pen
Artist: giacinto calandrucci
Artist role: draughtsman
Artist dates: 1646 – 1707
Subjects: anna teaching mary to read
Rijke man op zijn sterfbed maakt zich klaar voor het Laatste Oordeel (rechter plaat)
Object type: book illustration
Date: 1723 – 1723
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: last judgement, deathbed, resurrection of christ, birth and youth of christ, the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38), mockings of christ, who may be blindfolded
Inscriptions: watermark

Proefdrukken voor: Roeland van Leuve. Roeland van Leuve's Mengelwerken. Amsterdam: Jacobus Verheyden, 1723.
Sèriè à la Ristori
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
De Vreede van Anno 1783
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: personifications of countries, nations, states, districts, etc., fenced or walled garden; 'hortus conclusus', netherlands, fourth anglo-dutch war, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Spotprent op politieke situatie in Nederland in het jaar 1783 en een mogelijke vrede met Engeland. De Nederlandse Maagd zittend in de Hollandse Tuin die door twee predikanten kapot getrapt wordt. De Engelsman, Nijd en Valsheid drijven de berooide Vrede richting Nederland. Op de achtergrond midden wordt een standbeeld van koning Lodewijk XVI door de Faam gekroond. Rechts vooraan leden van een vrijkorps. Bij de prent behoort een tekstblad met uitleg.
Seated Buddha
Object type: headless figure
Date: 401 – 425
Materials: stone
Culture: indian, uttar pradesh
Subjects: gupta,buddhism,buddha
Textile Fragment
Object type: textile fragment
Date: 1101 – 1200
Materials: silk
Location: egypt
Pictorial print
Object type: furnishing textile
Date: 1830 – 1840
Materials: cotton
Subjects: men,women,fishing,leaves,boats
Spirit of the Dead Watching
Object type: print
Date: 1893 – 1894
Materials: paper
Techniques: printing, woodcut
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Subjects: death
Terracotta relief depicting a warrior
Object type: relief of a warrior
Date: 100 – 1
Materials: terracotta
Culture: cypriot
Subjects: male nudes,warriors

The mold for this relief may have been taken from a larger composition including other warriors.
Siet Steven van der Klok / Met al zijn groote sasen / Waer mee hy was versien / en volop mee beladen
Object type: print
Date: 1761 – 1765
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: death by accident (non-violent death), funerary ceremonial, tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 24 voorstellingen over het leven van Steven van der Klok. Onder elke afbeelding een tweeregelig vers. Genummerd midden boven: 10.
J. van Maerlant
Object type: print
Date: 1727 – 1793
Materials: paper
Techniques: engraving, etching
Subjects: bard, lyric poet
Inscriptions: collector's mark: Lugt 2228

Portret van de dichter Jacob van Maerlant, zittend op een stoel in een gedraaide houding terwijl hij met een ganzenveer schrijft in een boek dat rust op de rugleuning.
Portrait of Rear-Admiral Arent van Buren
Object type: painting
Date: 1721 – 1721
Materials: canvas, oil
Artist: christoffel lubienitzki
Artist role: draughtsman, painter, print maker
Artist dates: 1659 – 1729
Subjects: historical persons, officer
Inscriptions: signature and date: ‘C. Lubienietzki 1721’

Portret van Arent van Buren, kapitein ter zee. Buste, in ovaal, in wapenrusting met commandostaf of telescoop in de rechterhand. Op de achtergrond een zeeslag. Pendant van SK-A-1551.
Drapery Tieback
Object type: drapery tieback
Date: 1810 – 1860
Materials: glass
Interieur van de voorhal van de Rinnoji-tempel in Nikko
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: nikko
Artist: Anonymous
Subjects: temple, shrine ~ hinduism, buddhism, jainism
Inscriptions: negative number: ‘B 5’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Japan.
Glass mosaic bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Thin-walled body fragment. Translucent honey brown, blue, and opaque white. Convex curving side. Ribbon mosaic pattern formed from lengths of one or more canes in a brown ground with wavy white and blue threads in parallel lines. Pinprick bubbles; polished exterior; pitting of surface bubbles on exterior; dulling and creamy iridescent weathering on interior and jagged edges.
Fragment
Object type: fragment
Date: 1701 – 1733
Techniques: lace
Vierde reeks
Object type: print
Date: 1905 – 1924
Materials: paper
Techniques: letterpress printing, printing block, engraving
Location: zutphen
Subjects: head-gear: hat, head-gear: top hat
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van mensen die hun hoed laten vallen, of waarvan de hoed vies wordt. Tussen de afbeeldingen versjes in boekdruk. Genummerd rechtsboven en linksonder: No. 17.
Milano
Object type: photograph
Date: 1878 – 1881
Materials: cardboard, paper
Techniques: albumen print
Location: florence
Artist: giacomo brogi
Artist role: fotograaf
Artist dates: 1822 – 1881
Subjects: gallery (spacious corridor)
Inscriptions: address: ‘GIACOMO BROGI/ FOTOGRAFO-EDITORE/ FIRENZE/ LUNG ARNO DELLE GRAZIE 15’, number: ‘3837.’
Tafellaken met pellenpatroon
Object type: miniature
Date: 1690 – 1710
Materials: linen
Location: amsterdam
Artist: Anonymous
"Cloth of Gold" with Medallions
Object type: piece
Date: 1301 – 1400
Materials: metal thread, silk
Techniques: lampas
Culture: chinese

This exuberant textile illustrates one of the most luxurious materials used at the Mongol court: nasij, or “cloth of gold.” Except for very fine outlines of patterns in bright red silk, the entire surface of this special textile was woven with gold threads. An innovation from Central Asia, this technique attests to the mass movement of weavers from the eastern Iranian world to China during the Mongol period.
Sleutel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: key
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Locks, fastenings and accessories, key; straight, solid shank, circular bow with heart-shaped inner outline, double-notched bit.
Vier houtsnijwerken in een arcade van de Kathedraal van Worcester
Object type: photomechanical print
Date: 1863 – 1873
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: patron handing over model of church (or chapel), carving ~ applied arts, the annunciation: mary standing, interior of church
Inscriptions: number: ‘XXV (...) XXVIII’

Linksboven een bisschop met een model van een kerk, rechtsboven een figuur in gevecht met een serpent, linksonder een haan en een vos, rechtsonder de Annunciatie.
Portret van Jacob Mendes de Leon, lid van de Amsterdamse gemeenteraad
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: engraving, roulette
Location: amsterdam
Artist: henricus wilhelmus couwenberg
Artist role: draughtsman, print maker
Artist dates: 1814 – 1845
Subjects: jacob mendes de leon
Inscriptions: collector's mark: Lugt 2228
Head of a Woman, from "Livre de Têtes Gravées d'apres F. Boucher et Autres" (Book of Heads Engraved after F. Boucher and Others)
Object type: print
Date: 1701 – 1800
Techniques: engraving, etching
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: heads,portraits,women
Prenten naar tekeningen van Claude Lorrain
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: london
Subjects: dancing, cattle, making music; musician with instrument - cc - out of doors
Inscriptions: date

Vanaf 1774 publiceerde John Boydell tweehonderd prenten naar het tekeningenboek Liber Veritatis van Claude Lorrain, in het bezit van de hertogen van Cavendish. Deze werden vanaf 1777 in twee volumes gebundeld uitgegeven.
IIme vue des environs de Saverne
Object type: print
Date: 1750 – 1788
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: trees, landscapes, river
Inscriptions: collector's mark: Lugt 2228, inscription: ‘f 2.-.- [?]’
Kaarsenhouder, telescoop, microscoop en de horlogemaker
Object type: print
Date: 1816 – 1816
Materials: paper
Techniques: etching
Location: paris
Subjects: handicrafts, craftsman at work, telescope, watch, watchmaker, clockmaker, microscope
Inscriptions: stamp, collector's mark: Lugt 1641a, collector's mark: Lugt 1641

Vier voorstellingen van instrumenten en instrumentmakers: kandelaar, telescoop, microscoop en de horlogemaker. Bovenaan genummerd: Tom. 4. Pag. 126. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Beroep en Bedrijf, Mannelijk, Complete suites.
Reverse frame
Object type: frame
Date: 1680 – 1700
Materials: wood
Culture: italian
Arnout van Beresteyn
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered around the oval frame: "Tousiours ou iamais. Aeta. 23"
Portret van Petrus Dominicus Regout
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: letterpress printing, engraving
Location: haarlem
Subjects: politician, historical persons
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en verkeer, Beroep en bedrijf, Mannelijk, Glas en Aardewerk.
The Kynge's Beestes. Hampton Court Palace. 1911
Object type: ansichtkaart, prentbriefkaart
Date: 1911 – 1911
Materials: cardboard
Techniques: photograph
Location: england
Subjects: palace, gate, entrance, monument, statue
Inscriptions: date
Pipe Bag
Object type: religious ritual object
Date: 1865 – 1865
Materials: glass, leather, skin
Culture: tsistsistas
Location: great plains
Artist: Anonymous
Artist nationality: Cheyenne
Bottle
Object type: bottle, polychrome
Date: 1295 – 1070
Materials: glass
Location: egypt
Studie van handen
Object type: drawing
Date: 1649 – 1723
Materials: chalk, paper
Techniques: pasting
Subjects: postures and gestures of hand and fingers
Seal, crouching boy
Object type: seal, crouching boy
Date: 1550 – 1295
Materials: stone
Location: egypt
Subjects: boys
Figure Disrobing
Object type: drawing
Date: 1900 – 1910
Materials: graphite
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: female nudes

From the mid-1890s, Rodin turned his attention to the live model and adopted a new approach to drawing. He became interested in the unconscious movements that his sitters assumed in between traditional poses. The artist tried sketching without looking at the paper in order to keep his gaze fixed on the model. The results contain inevitable distortions and often exceed the bounds of the sheet. Nevertheless, through the simplest graphic means, he captured the dynamism of the body. Here, the concentration of swift graphite marks conveys the gathering pleats of fabric and the upward motion of the model lifting the chemise over her head.
Reverse Copy of La Dame au Vêtement Ample (The Woman with the Ample Clothing), from "Les Caprices" Series A, The Florence Set
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: women
Portret van Justus Lipsius
Object type: book illustration
Date: 1682 – 1682
Materials: paper
Techniques: engraving
Location: brussels
Subjects: louvain, justus lipsius, scholar, philosopher, historical persons, professor
Inscriptions: collector's mark: Lugt 2228

Prent uit: Bullert, Isaac. Académie des Sciences et Arts contenant les vies et éloges his. des hommes illustres qui ont excellé en ces professions depuis environ quatre siècles. Brussel: Foppens, François, 1682.
Het boek werd in 1682 eveneens in Amsterdam uitgegeven door de erfgenamen van Daniel Elzevier.
Deze portretten dienen ter illustratie van de biografie van een kunstenaar of geleerde. De meeste portretten werden door Nicolas de Larmessin vervaardigd (162), 93 door De Boulonois en een derde door ongeïdentificeerde prentmakers. Dit betreft een illustratie op p. 193, deel II.
Lizzie Payne, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,profiles,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Handkar
Object type: sketchbook leaf
Date: 1666 – 1666
Materials: chalk, ink, paper
Techniques: brush
Artist: cornelis saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1681
Subjects: hand-cart

Blad 13 recto uit een schetsboek met 49 bladen.