deem-data/ArtiFact huggingface dataset:
Portret van Arent van Ysendyck
Object type: print
Date: 1803 – 1829
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: arent van ysendyck
Inscriptions: collector's mark: Lugt 2166

Portret in ovale lijst van Arent van Ysendyck, een Amsterdamse prediker. Buste naar rechts. Van Ysendyck draagt een predikersgewaad. De prent heeft een Nederlands onderschrift met een gedicht en de naam van de geportretteerde.
Annie Deacon, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,trumpets,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Landschappen met bijbelse scènes
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: angling
Inscriptions: collector's mark: Lugt 2228

Gezicht op het kasteel Aldegonde met op de voorgrond een hengelaar zittend op een muurtje en een vrouw die hem toespreekt. In de slotgracht een roeibootje.
Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 2 (recto)
Object type: book print ornament architecture
Techniques: drawing, etching
Artist: pietro paulo tozzi
Artist role: designer
Artist nationality: italian
Artist dates: 1593 – 1628

Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua. Dedication page printed in black with decorative woodcut initial "L".
Kustlandschap met ruïne
Object type: print
Date: 1830 – 1878
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes pieter van wisselingh
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1899
Subjects: dune coast, sailing-ship, sailing-boat, ruin of a building ~ architecture, landscape with ruins, church (exterior) - qq - small church, chapel
Inscriptions: collector's mark: Lugt 2228

In de duinen ligt een ruïne. Rechts in de verte staat een kleine kerk. Links in de verte de zee met enkele zeilschepen. Rechtsboven het getal 14.
Triumphs of Julius Caesar: Canvas No. I
Object type: drawing and watercolor
Materials: ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: italy
Artist: after andrea mantegna
Seated Mother Goddess
Object type: figure
Date: 3000 – 2500
Materials: terracotta
Culture: pakistan, baluchistan
Subjects: indus valley,goddess
Boa
Object type: boa
Date: 1895 – 1895
Materials: feather, silk
Culture: french
Album bij de promotie van Mr. J.G. de Hoop Scheffer
Object type: album
Date: 1910 – 1910
Materials: paper, pencil
Techniques: letterpress printing, lithograph, stapling
Artist: Anonymous
Subjects: amsterdam, receiving doctor's degree
Inscriptions: date

Album met negen prenten, acht gedichten, en op de achterzijde handtekeningen van aanwezigen en genodigden. Op de binnenzijde van het omslag is in potlood een tafelschikking getekend.
Sibylle Cimmérienne
Object type: print
Date: 1635 – 1635
Techniques: engraving, etching
Artist: gilles rousselet
Artist role: artist
Artist nationality: french
Artist dates: 1614 – 1686
Subjects: women
Bottle
Object type: bottle
Date: 1830 – 1830
Materials: glaze, pottery
Culture: japanese
Portret van Lodewijk XIV van Frankrijk
Object type: print
Date: 1709 – 1709
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: lodewijk xiv (koning van frankrijk), ornament ~ medallion, historical persons, king, armorial bearing, heraldry

Prent waarschijnlijk uit: Cortrejus, Adam. Observata ad pacem publicam (...). Frankfurt am Main: erven Johann Grosse, 1709.
Zie hier het groot bedryf der helden, / Wier roem de vlugge faam vermelden, / 't zyn mannen naar den eersten trant, / Op haar steund stad en vaderland
Object type: print
Date: 1791 – 1812
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: weapons, warfare; military affairs (+ cavalry, horsemen), warfare; military affairs, the soldier; the soldier's life

Blad met 12 voorstellingen van militairen. Onder elke afbeelding een vierregelig vers. Genummerd linksboven: No. 48.
Portret van François Emmanuel Pommyer
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, organization, functionaries and dignitaries in roman catholic church; clergy in general
Inscriptions: date
Design: Proportions of the Medici Venus, from Encyclopédie
Object type: print
Date: 1762 – 1777
Materials: paper
Techniques: engraving, etching
Location: france
Artist: benoît-louis prévost
Artist nationality: french
Artist dates: 1735 – 1809
Collar
Object type: collar
Date: 1834 – 1866
Techniques: lace
Vues pittoresques de l'Italie dessinées d'après nature par M. Coignet
Object type: print
Date: 1824 – 1826
Materials: paper
Techniques: lithograph
Location: paris
Subjects: gulf, bay (+ landscape with figures, staffage), herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., volcano, mount vesuvius
Inscriptions: check stamp: Lugt 3431, collector's mark: Lugt 2228a
Faience djed-pillar amulet
Object type: amulet pendant, djed sign
Date: 664 – 630
Materials: faience
Culture: egyptian

Symbolic objects used for amulets include a menat-pendant, the djed-sign, and a papyrus capital, all common in Egyptian architecture. A pectoral used on mummies, a bunch of grapes or other clusters of fruit, and an inscribed bead are also represented.
Tile
Object type: tile
Date: 1564 – 1564
Materials: terracotta
Subjects: profiles
Holly: Foresight, from the series Floral Beauties and Language of Flowers (N75) for Duke brand cigarettes
Object type: print
Date: 1892 – 1892
Techniques: color lithograph
Artist: american tobacco company
Artist role: publisher
Subjects: women,flowers

Trade cards from the "Floral Beauties and Language of Flowers" series (N75), issued in a set of 50 cards in 1892 to promote the W. Duke Sons & Co. branch of the American Tobacco Company.
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1801 – 1900
Materials: copper, gold alloy, silver alloy, gold
Culture: japanese
Location: japan
Subjects: human figures,animals,bow and arrow
Plateau
Object type: plateau
Date: 1705 – 1720
Materials: faience
Techniques: glazing
Subjects: coat of arms

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Brief aan Jan Veth
Object type: letter
Date: 1899 – 1899
Materials: ink, paper, pencil
Techniques: pen, writing
Artist: karel petrus cornelis de bazel
Artist role: draughtsman, print maker
Artist dates: 1869 – 1923
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, architecture, plan ~ architecture
Inscriptions: collector's mark: ‘RPK’, watermark
Male Palace Attendant
Object type: figure
Date: 501 – 533
Materials: earthenware, pigment
Culture: chinese
Subjects: men

The elongation of the body and somewhat childish features exhibited here typify works produced in the capital at Luoyang in the first three decades of the sixth century. This distinctive style is understood to reflect an awareness of and appreciation for Chinese aesthetics on the part of the foreign rulers of the Northern Wei dynasty.
Lijst
Object type: frame
Date: 1400 – 1950
Materials: cardboard, wood
Artist: Anonymous
Cylinder seal
Object type: cylinder seal
Date: 2000 – 1668
Materials: mineral
Location: syria
Subjects: birds
Poem by Dainagon Tsunenobu (Minamoto no Tsunenobu, Katsura no Dainagon), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Object type: woodblock print
Date: 1839 – 1839
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: houses,men,women,working
Buitengewone Nederlandsche Staatscourant, 23 juni 1815
Object type: newspaper
Date: 1815 – 1815
Materials: paper
Techniques: letterpress printing
Location: the hague
Subjects: national government, newspaper, news-sheet
Inscriptions: collector's mark, collector's mark: Lugt 1641

Exemplaar van de krant 'Buitengewone Nederlandsche Staatscourant' van 23 juni 1815 over de slag bij Waterloo. Gedrukte tekst op beide zijden met bovenaan het landswapen. Rechtsboven een stempel betaalde accijnzen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Publicaties.
Waulsort in de Ardennen
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: waulsort
Artist: Anonymous
Subjects: waulsort

Waulsort in de Ardennen. Een man staande langs de weg. Onderdeel van een groep van 5 foto's en 19 stereofoto's gemaakt door een onbekende amateurfotograaf rond 1900 in Amsterdam, de Ardennen en Denemarken.
Bridle path up Slide Mountain
Object type: page
Date: 1893 – 1893
Materials: paper
Techniques: photograph
Location: catskill mountains
Subjects: public road, mountains
Gezicht op de Sidi Boumediene moskee in Tlemcen, Algerije
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Artist: jules gervais-courtellemont
Artist role: fotograaf
Artist dates: 1863 – 1931
Subjects: temple, shrine ~ islam, mohammedanism
Landschap met een meer
Object type: drawing
Date: 1600 – 1699
Materials: chalk, paper
Techniques: brush
Artist: Anonymous
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Wapenschild geflankeerd door putti
Object type: book illustration
Date: 1723 – 1767
Materials: paper
Techniques: etching
Subjects: cupids: 'amores', 'amoretti', 'putti', armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Een met eikeltjes en herten versierd wapenschild wordt geflankeerd door twee putti met een bloemen- en lauwerkrans.
Glass hexagonal bottle
Object type: bottle, hexagonal
Date: 1 – 50
Materials: glass
Culture: roman

Translucent blue green. Thick rim, folded out, round, and in; tall cylindrical neck; sloping, slightly convex shoulder; squat body with hexagonal sides; low base with flat bottom. Decoration in relief in three registers: on shoulder, six arches, each containing an unidentified domed object; on body, six square panels, divided by columns with capitals and bases, each containing an object: 1, a footed bowl; 2, a pine cone; 3, a footed jar with rounded objects (fruit ?) emerging from its rim; 4, (missing); 5, another pine cone; 6, a handled vase with conical lid; below, continuous band of twenty-two radiating upturned tongues; on bottom, raised broad circle around edge and dot at center. Broken and repaired, with several large holes in shoulder and body; pinprick bubbles; slight dulling and faint iridescence, with patches of encrusted thick creamy brown weathering. Made in the same mold as 17.194.229.
Hekabe maakt Polymestor blind
Object type: print
Date: 1889 – 1909
Materials: paper
Techniques: drypoint, etching
Artist: marie danse
Artist role: print maker
Artist dates: 1867 – 1942
Subjects: hecuba tears out polymnestor's eyes and kills his two sons
Inscriptions: inscription: ‘2me Etat’, collector's mark: Lugt 2228
Terracotta lead-glazed scyphus (drinking cup)
Object type: scyphus
Date: 1 – 50
Materials: terracotta
Culture: roman

Mold-made body, with applied handles. Pale green exterior and yellow-brown interior. Vertical, rounded rim, with flaring band below on interior, forming horizontal ridge; convex-curving side, tapering to flaring base ring; flat base; two ring handles on upper body, with round stud at top and outward angular projection at bottom; above each ring, horizontal thumb-rest, flaring to straight ends and flanked by volutes and finials. Decoration: matching pattern in relief on both sides; two vine tendrils with leaves and bunches of grapes, facing inward; at center, above ends of vines, a rosette with a central dot and eight pointed petals; tendrils hang from a large, vertical ribbon, round at bottom, whose top is concealed by the handle. Above decoration, two horizontal grooves; below, a raised horizontal line. Groove on bottom of base ring; raised circle around edge of base. Most of one ring handle missing, but body intact. A jagged knob is attached to the interior near the bottom, which with two other spots form a triangle, indicating a kiln spacer tripod was placed inside the cup during firing.
Terracotta figure wearing a bull mask
Object type: figurine wearing a bull mask
Date: 750 – 600
Materials: terracotta
Culture: cypriot
Subjects: human figures,masks,bulls

The flaring cylindrical body is wheel-made and hollow. The upper part of the body and the head are handmade.
Leyde schuttery
Object type: drawing
Date: 1789 – 1789
Materials: paper
Location: northern netherlands
Artist: Anonymous
Subjects: (military) uniforms (+ citizen soldiery, civil guard, citizen militia), leiden, patriots (1780-1795)

Montering of uniform van de schutterij van Leiden, ca. 1785. Onderdeel van een schetsboek met 41 gekleurde tekeningen van de monteringen van de gewapende schutterijen en burgercorpsen in Nederland in de periode ca. 1783-1789.
The Bride
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: bride (in wedding-dress)
Inscriptions: inscription: ‘J. C. MEERBURG,’, stamp: ‘S. A. MEERBURG/ LEIJDEN’, inscription: ‘15’
Coin Portraying Emperor Maximianus
Object type: coin
Date: 286 – 305
Materials: bronze
Culture: roman
Location: roman empire
Inscriptions: Obverse: MAXIMIANUS PF AUG
Reverse: CONCORDIA MILITVM
Glastonbury Abbey, Chantry Chapel
Object type: page
Date: 1852 – 1862
Materials: photographic support
Techniques: albumen print
Location: glastonbury abbey
Artist: william russell sedgfield
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: ruin of church, monastery, etc.
Netsuke of Snail on Eggplant
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: eggplants,snails
Stad Leiden, armenpenning die bij uitdeling recht gaf op turf
Object type: loden penning
Date: 1717 – 1717
Materials: lead
Techniques: striking
Location: leiden
Artist: Anonymous
Subjects: leiden

Loden penning. Voorzijde: letter H binnen kabelrand en omschrift. Keerzijde: twee gekruiste sleutels binnen omschrift.
Engel op sokkel
Object type: figure
Date: 1600 – 1699
Materials: brass
Techniques: casting, metalworking
Location: southern netherlands
Artist: Anonymous

Het voorwerp bestaat uit drie gegoten en geciseleerde delen: de sokkel, de engel en de pin, waarmee deze is bevestigd. De geprofileerde sokkel heeft een voetstuk en twee krulelementen aan weerszijden. Het naar beneden kijkende engeltje, dat een draperie over zijn rechterschouder heeft, wijst vermoedelijk naar een wapenschild, waarvan slechts het achterstuk, waarop het gemonteerd was, over is. De engel is met behulp van een houten pijpstuk met een moer vastgeschroefd.
Intérieur du Franc "La Cheminée". Bruges
Object type: photomechanical print
Date: 1892 – 1905
Materials: cardboard
Techniques: photograph
Location: bruges
Subjects: chimney, interior ~ representation of a building
Button
Object type: button
Date: 1900 – 1900
Culture: british
Subjects: dogs
Heilige Ammon
Object type: print
Date: 1636 – 1670
Materials: paper
Techniques: engraving
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: male saints (with name), aids for prayer, e.g. rosary
Inscriptions: number: ‘70’, collector's mark: Lugt 240

De heilige Ammon zittend in een cel met een rozenkrans in de hand. Bij de deuropening twee draken die hem beschermen tegen dieven. Prent uit een serie van 80 prenten en een titelprent met kluizenaars uit de 2e tot de 6e eeuw.
Slot Loevestein door Herman de Ruiter ingenomen, 1570
Object type: print
Date: 1571 – 1573
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: loevestein castle, siege, position war

Slot Loevestein door Herman de Ruiter ingenomen, 9 december 1570 (op de prent vermeld als 1571). Herman de Ruiter weet met een list samen met twee anderen slot Loevestein te veroveren. De voorstelling toont het beleg en de herovering van het slot door de troepen van Alva op 19 december 1570. Met onderschrift van 10 regels in het Duits. Genummerd: 1.
Jug
Object type: jug
Date: 1640 – 1650
Materials: earthenware, pewter
Techniques: glazing
Subjects: men,dragons,horses,saint george
Engageantes
Object type: engageantes
Date: 1765 – 1765
Materials: cotton
Culture: british
Woning (muskietenvrij) van de Ingenieurs en geneesheer van de K.S. te "Kabelstation" Noord
Object type: photograph
Date: 1905 – 1910
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jacob evert wesenhagen, railway, tramway; rack railway, suriname
Inscriptions: inscription: ‘Woning (muskietenvrij) van de Ingenieurs en geneesheer van de K.S. te "Kabelstation" Noord’

De woning van de ingenieurs en de kampgeneesheer (J.E. Wesenhagen) bij het kabelstation aan de noordzijde. Foto in het fotoalbum over de aanleg van de Lawaspoorweg in Suriname in de jaren 1903-1912. Onderdeel van een groep objecten afkomstig van de familie Wesenhagen in Suriname.
Offer van Noach
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: noah's sacrifice; various animals are offered, possibly a lamb, a dove and a ram (often combined with the rainbow of the covenant)
Inscriptions: signature: ‘Phils Galle fecit’, caption: ‘Prima Noe imponit pingues holocausta per aras / Decrescente unda, penetravit ad aethera nidor.’, collector's mark: Lugt 2228, signature: ‘MHEE[M]SKERCK INVENTOR’, number: ‘1’

Links op de voorgrond worden verschillende dieren geofferd. Noach en zijn familieleden liggen geknield voor het brandoffer. Op de achtergrond verwoeste gebouwen en dode mensen op de grond. Linksboven in een wolk God de vader.
Gezicht op de Haringpakkerstoren te Amsterdam
Object type: book illustration
Date: 1663 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: tower, clock tower ~ monumental adornment, towers ~ fortified city, canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Huidige staat van prent ook gebruikt in: Dapper, Olfert. Historische beschryving der stadt Amsterdam: waer in de voornaemste geschiedenissen (na een kort verhael van gansch Hollant en d'omleggende dorpen (…). Amsterdam: Jacob van Meurs, 1663.* En in: Zesen, Philipp von. Beschreibung der Stadt Amsterdam: darinnen von derselben ersten Ursprunge bis auf gegenwärtigen Zustand (…). Amsterdam: Joachim Nosche, 1664.

* In sommige exemplaren van deze uitgave komt de huidige staat van de prent voor. In andere exemplaren is een latere staat ingebonden, waarop boven de Nederlandse een Franse titel is toegevoegd.
John Arkins, Denver Rocky Mountain News, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Trade cards from the "American Editors" series (N1), issued in 1887 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
mensen naast huis onder boom
Object type: photograph
Materials: photographic support
Techniques: chromogenic print
Artist: fabio ventura
Artist role: fotograaf
Slag bij Blenheim, ter ere van Eugenius, hertog van Savoye, Lodewijk Willem, markgraaf van Baden en de hertog van Marlborough
Object type: history medal
Date: 1704 – 1704
Materials: silver
Techniques: striking
Location: nuremberg
Artist: friedrich kleinert
Artist dates: 1633 – 1714
Subjects: paris, vienna, eugenius van savoye, john churchill (1e hertog van marlborough)
Erythema multiforme
Object type: photomechanical print
Date: 1870 – 1881
Materials: paper
Techniques: photograph, hand coloring
Location: new york city
Subjects: skin and venereal diseases, legs
Boerenpaar en een man met een glas
Object type: print
Date: 1635 – 1692
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: pipe ~ tobacco, farmers, glass, rummer, couple of lovers, farm (building) - aa - civic architecture: inside
Inscriptions: collector's mark: Lugt 2165

In een interieur laat een man zijn hand op de schouder van een vrouw rusten, waarbij zij elkaar aankijken. De man houdt een pijp in de hand. Links zit een boer, op de rug gezien, die zijn glas heft en het paar aankijkt. Naast hem staat een kruik. Aan de muur hangt een houten kast, waarvan de deur openstaat.
Portret van Lodewijk VI, koning van Frankrijk
Object type: book illustration
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: paris, historical persons, king

Prent gebruikt in: Eudes de Mézeray, François. Chronyk van Vrankryk. 6 dln. Amsterdam: Jan Bouman en Timotheum ten Hoorn, 1685, dl. 2.
Portret van kardinaal Antonio Barberini
Object type: print
Date: 1628 – 1699
Materials: paper
Techniques: engraving, etching
Artist: balthazar moncornet
Artist role: print maker, publisher
Artist dates: 1600 – 1668
Subjects: rome, clergyman, antonio barberini (ii), historical persons, armorial bearing, heraldry
Salome Dancing Before Herod
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan saenredam
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1607
Fragment (From a pillowcase)
Object type: textile
Materials: textile, cotton, silk, thread
Techniques: embroidery, stitching
Location: morocco
Subjects: morocco
Acht klassieke goden
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: (story of) vulcan (hephaestus)
Inscriptions: collector's mark: Lugt 11, collector's mark: Lugt 10

Vulcanus, staand in een nis, een hamer in zijn rechterhand, een helm in zijn linkerhand. Deze prent is onderdeel van een serie van acht prenten van klassieke goden, gebaseerd op schilderingen van Polidoro da Caravaggio op de façade van een Romeins huis, door Goltzius in Rome gezien en nagetekend.