deem-data/ArtiFact huggingface dataset:
Optocht met draagkoets
Object type: print
Date: 1877 – 1932
Materials: paper
Techniques: lithograph
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: (carrying a person on a) litter, stretcher, city-view in general; 'veduta', triumphal arch, triumphal column with helical friezes
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Figuren dragen een draagkoets over een plein. Rechts een triomfboog, een erezuil een meerdere ruiterstandbeelden. Links op de achtergrond een gebouw met meerdere koepels.
Poem Composed after Editing Jingan's Literary Works
Object type: hanging scroll
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Techniques: compound weave
Culture: china or japan
Theatrum Orbis Terrarum
Object type: album leaf
Date: 1595 – 1595
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: scrollwork, strapwork ~ ornament, ornament ~ cartouche

Rechthoekige rolwerkcartouche met namenlijst van onduidelijke plaatsen. De cartouche is een fragment van een kaart van Spanje. De prent maakt deel uit van een album.
Specimen
Object type: specimen
Date: 1801 – 1900
Techniques: lace
Milk jug (pot à lait Étrusque), part of Breakfast Service (déjeuner)
Object type: milk jug
Date: 1813 – 1813
Materials: hard paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: cupid,nymphs

This breakfast service (56.29.1–.8) was presented by Napoleon I to Princess Auguste-Amélie, wife of his stepson Eugène Beauharnais, on New Year's Day of 1814. The overall theme of the decoration was described in the factory records as the "loves of amors and nymphs," and the title given to the scene on the tray was "Accused Nymphs Appearing before the Tribunal of Love."
Landschap met een staande figuur
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: landscapes (+ landscape with figures, staffage)

Blad 28 verso en 29 recto uit een schetsboek met 33 bladen.
Scarab of the Lady Nebetwadjyt
Object type: scarab, lady of the house nebetwadjyt, private name and title
Date: 1760 – 1670
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs
A galley arriving at port to left, several rowboats in center, ships at port to right, from "Set of eight nautical landscapes" (Suite de huit Marines)
Object type: print
Date: 1639 – 1639
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: boats,ships
Standaard van ijzer, met S-voluten
Object type: stand support object
Date: 1700 – 1800
Materials: iron
Location: italy

Een lantaarn bestaande uit een standaard waarop een lamp. De standaard bestaat uit drie grote S-voluten waarvan de onderste krullen naar binnen toe geplaatst zijn en de bovenste, de kleinere, naar buiten. De lamp is versierd met varenblad; het dak draagt zes schilden. Ijzer en hout. Afkomstig uit de verzameling Dr. F. Mannheimer.
Bisschop met nimbus en staf
Object type: print
Date: 1831 – 1895
Materials: paper
Techniques: etching
Artist: joseph gérard
Artist role: print maker
Artist dates: 1821 – 1895
Subjects: archbishop, bishop, etc. (roman catholic)
Inscriptions: collector's mark: Lugt 2228
Paneling from the parlor of Marmion, King George County, Virginia
Object type: paneling
Date: 1756 – 1756
Materials: wood
Culture: american
Location: united states

Marmion, a plantation house located in the northern part of Virginia's Tidewater region, was built in the 1750s by members of the Fitzhugh family. The large, two-story house is similar in both size and plan to many plantation houses scattered throughout the region. It is distinguished, however, by the exquisite decoration of its principal parlor. With a corner fireplace and two corner cupboards, this fully paneled room has seven sides. Drawn from Palladian sources, fluted Ionic pilasters surmounted by a full entablature frame the room's doors, windows, fireplace, and panels, the latter of which are adorned with wall paintings dating from ca. 1770—80. These paintings reflect adaptation to changing styles, and feature romantic, imaginary landscapes as well as Rococo and Neoclassical motifs, such as urns and cornucopias filled with flowers. The remaining wall surfaces have been faux-painted to resemble marble. The panels form what is probably the finest painted room produced in the Virginia colony.
Fontein in koepelgebouw
Object type: print
Date: 1755 – 1768
Materials: paper, fiber
Techniques: etching
Location: paris
Subjects: other architectural details (cupola), ornamental fountain
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Fontein met masker tussen twee zuilen in een classicistisch koepelgebouw met trappartijen.
Hairpin
Object type: hairpin
Date: 601 – 700
Materials: silver
Culture: frankish
Location: northern france
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Part of the head and neck of a horse to right; right knee of a rider
Apparaat voor oogmetingen en drie ogen met daarin vormen weerspiegeld
Object type: photomechanical print
Date: 1886 – 1896
Materials: paper
Techniques: photograph
Location: stockholm
Artist: allvar gullstrand
Artist role: arts
Artist dates: 1862 – 1930
Subjects: eyes
Inscriptions: inscription: ‘Kongl. Vet. Akad. Handl. Bd. 28. No. 7.’, number: ‘Tafl. I. 1 2 3 4’
Ring with Dark Red Inset Oval-Shaped Stone
Object type: ring
Materials: gold, stone
Culture: indonesian, javanese
Gezicht op St. John's College, te Oxford
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: university building, college
Inscriptions: collector's mark: Lugt 2228
Enquêteformulier ingevuld door Jean Van der Plaetsen
Object type: manuscript
Date: 1840 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Subjects: ghent, painter, jean van der plaetsen
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Headdress
Object type: headdress
Date: 1801 – 1900
Materials: linen, metal, silk
Culture: russian

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. Headdresses, or kokoshniks had the greatest abundance of ornamentation of any type of garment in Russia. They were most often made of damask woven with gilt metallic threads or velvet with gold embroidery. The wealthy peasant class often decorated their kokoshniks with pearls and gemstones. Their decorative elements were representative of the regions in which they were made. Those from the North were embellished with the river pearls that were plentiful in that area while goose down and woolen embroideries were more popular in the South. The headdresses worn by maidens exposed their hair, considered a prize possession in Russian culture. They were often accompanied by a venchik, a forehead covering made of fabric or metal.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Interior, single reserve line framing tondo
Opening of the Railway Line Between Algiers and Constantine, November 3, 1886
Object type: medal
Date: 1886 – 1886
Materials: bronze
Techniques: silvered, struck
Artist: louis-oscar roty
Artist role: artist
Artist nationality: french
Artist dates: 1846 – 1911
Subjects: women,female nudes
Studieblad, met onder andere een wassende kat
Object type: sketchbook leaf
Date: 1881 – 1885
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: cat

Tevens een studie van een kattenkop. Pagina 40 uit een schetsboek met 26 bladen.
Jérusalem. (Environs) Grotte de Jérémie
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: louis de clercq
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1901
Subjects: landscapes
Vase with dragon handles
Object type: vase
Date: 1701 – 1800
Materials: glaze, porcelain
Culture: chinese
Mustard pot with the coat of arms of Hendrik Peter Godfried Quack and Isabella Gertraud von Carnap
Object type: mustard pot
Date: 1790 – 1800
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: paris
Artist: Anonymous

Mosterpot van porselein op hoge voet en met een hoekig oor, beschilderd op het glazuur met goud. Op de buitenwand het alliantiewapen van Hendrik Peter Godfried Quack en Isabella Gertraud von Carnap en een bloemrank. Gouden band op de rand en de voet. De deksel met een bloemrank en ronde dekselknop. In de rand van de deksel zit een uitsparing voor een lepel.
Tekenkunst maakt een anatomische studie
Object type: print
Date: 1747 – 1747
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: some aspects of anatomy in particular, hourglass, bee-hive, easel, symbolic representations, allegories and emblems ~ drawing
Inscriptions: collector's mark: Lugt 2228

Tekenkunst maakt op een vel papier een anatomische studie van een man. Voor haar staan een zandloper en olielamp. Drie putti bestuderen een boek op de voorgrond. Links een bijenkorf en een ezel met een anatomische studie. Op het basement de titel in het Nederlands en in het Frans.
Design for Pony Phaeton, no. 3247a
Object type: drawing
Date: 1876 – 1876
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Het dorp Muyderbergh
Object type: print
Date: 1637 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: prospect of village, silhouette of village, ruin of church, monastery, etc.
Inscriptions: collector's mark: Lugt 195

Gezicht op het dorp Muiderberg, met enkele boerderijtjes en op de achtergrond de vervallen toren van de oude kerk. De prent is deel van een serie landschappen met dorpen rondom Amsterdam. Rechtsonder genummerd: 1.
Titelpagina voor: André Tacquet, Opera mathematica, 1669
Object type: print
Date: 1668 – 1669
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: clemens ix, measuring-instruments, cupids: 'amores', 'amoretti', 'putti', calculating-instruments

Een groepje putti speelt buiten met mathematische instrumenten. Een aantal verstopt de instrumenten tussen rotsen. Links naast de rotsen een plattegrond van een vesting. Een adelaar houdt met zijn klauwen een doek op met de titel van het boek. Naast hem dragen putti het kardinaalswapen van de latere paus Clemens IX.
Deel van een processie met mannen te paard
Object type: ornament print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: rome
Subjects: triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'
Inscriptions: collector's mark: Lugt 971, collector's mark: Lugt 2228, collector's mark: Lugt 533b, collector's mark: Lugt 2760

Deel van een processie met mannen te paard. Legenda (I-K) in het Italiaans in de ondermarge. Linksboven: 2, rechtsboven: 3.
Quart decanter
Object type: quart decanter
Date: 1850 – 1870
Materials: diamond, glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Mazeppa
Object type: print
Date: 1823 – 1823
Techniques: lithograph
Artist: jean louis andré théodore géricault
Artist role: artist
Artist nationality: french
Artist dates: 1791 – 1824
Subjects: poetry,male nudes,horses,plants
Guitar
Object type: guitar
Date: 1697 – 1697
Materials: wood, ivory, mother of pearl, shell
Culture: french
Location: france
Artist: jean-baptiste voboam
Artist role: maker
Artist nationality: french

The back, sides, neck, and peghead of this guitar are overlaid with tortoiseshell, ebony, and ivory chevrons with framed scrollwork, lozenges, and geometric banding and edging. The top has a gilded rosette bordered by a band of mother-of-pearl ornaments. Originally strung with five pairs of strings, this instrument was converted in the late eighteenth or early nineteenth century to six single courses.
Album-lyrique, biographique, illustré de cinquante compositeurs et musiciens
Object type: book
Date: 1868 – 1868
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, printing
Artist: justin lallier
Artist role: verzamelaar
Artist dates: 1823 – 1873
Inscriptions: name: ‘ex libris SFJ’, name: ‘Aug. Leuralle.’
King Henry VIII
Object type: reproduction
Date: 1866 – 1876
Materials: photographic support
Techniques: albumen print
Subjects: cardinal, ruler, sovereign - bb - female ruler, ruler, sovereign
Inscriptions: inscription: ‘Act 2, scene 4.’
"L'Art d'Aimer"
Object type: panel
Date: 1788 – 1788
Materials: cotton
Subjects: women,trees
Swept frame
Object type: frame
Date: 1735 – 1745
Materials: gilt, wood
Techniques: carving
Culture: french
Gezicht op de Borobudur op Java
Object type: photograph
Date: 1872 – 1872
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: borobudur
Artist: kassian céphas
Artist role: fotograaf
Artist dates: 1845 – 1912
Subjects: temple, shrine ~ hinduism, buddhism, jainism, java
Inscriptions: inscription: ‘Boroboedoer tusschen Magelang en Djocja.’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Marseille, Port Said, Aden, Bombay, Colombo, Singapore en Nederlands-Indië.
Fontaine de Bacus représentant l'Autonne, dans les Jardins de Versailles (...)
Object type: print
Date: 1714 – 1747
Materials: paper
Techniques: etching
Location: paris
Subjects: (story of) bacchus (dionysus), liber, garden fountain, french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2228
Bruiloft van Cloris en Roosje
Object type: print
Date: 1752 – 1761
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: violin, fiddle, dancing at wedding feast - dd - out of doors
Inscriptions: collector's mark: Lugt 2228

Cloris en Roosje dansen op hun bruiloft. Op de verhoging twee vioolspelers, van wie de vrouw het glas heft. Rechts de feestgangers en een man, die vanaf een ton een toespraak houdt. Onderaan in de marge het wapenschild van en een opdracht aan Jan Jacob de Bruyn, die het originele schilderij in zijn verzameling had. Scène uit het zangspel De bruiloft van Cloris en Roosje.
Figuren uit de verhalen van La Fontaine
Object type: reproduction
Date: 1880 – 1880
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: hacking and thrusting weapons, weeping
Inscriptions: collector's mark: Lugt 2228, collector's mark:

Martial Potémont maakte etsen naar de tekeningen van Fragonard, die zich bevonden in een manuscript in de collectie van de verzamelaar Eugène Paillet. Rouquette bood hem aan de tekeningen zo exact mogelijk in prent te laten brengen door Martial Potémont: dit resulteerde in een serie van 57 etsen. Vervolgens werden deze gereproduceerd door middel van heliogravure. Deze omslag betreft een editie voor de letter, "Eau forte pure", de 1e staat van 3 waar men uit kon kiezen bij deze serie.
Christus aan het volk getoond (Ecce Homo)
Object type: print
Date: 1597 – 1667
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: pilate washing his hands (in innocence), pilate showing christ to the people, 'ostentatio christi', 'ecce homo' (john 19:4-6)
Inscriptions: collector's mark: Lugt 240

Christus wordt door Pilatus op een podium aan het volk getoond. Pilatus heeft aan het volk gevraagd of hij Christus of Barabbas zal vrij laten. Het volk roept dat Barabbas moet worden vrijgelaten, wat in het midden gebeurt, en dat Christus moet worden gekruisigd. Pilatus wast zijn handen in onschuld.
Design for Frontispiece to the Seven Virtues
Object type: drawing and watercolor
Date: 1598 – 1598
Materials: chalk, ink, paper, lead, pigment, watercolor
Techniques: brush, incising, pen, transfer, wash
Location: belgium
Artist: joannes stradanus, called giovanni stradano
Artist nationality: flemish
Artist dates: 1523 – 1605
Inscriptions: Inscribed recto, lower left, in brown ink: "IOANNES/ STRADANUS/INVENTOR/ FLORENTIAL (final two words obscured with white heightening); lower center, in brown ink: "1598"; lower right, in brown ink: "PHLS GALLE”; verso, upper and lower margins, in graphite: "Jan Van Der Straet/ 1533/ 36–1605"; center, in graphite: "5 ⅛ x 7/ 90"; lower margin, in pen and black ink: "Jan Van Der Straet/ 1533 (or) 36–1605"
Miniature Dress
Object type: miniature dress
Date: 1101 – 1300
Materials: cotton, feather
Culture: ica
Location: peru
Augustus 1923
Object type: photograph
Date: 1908 – 1923
Materials: paper
Techniques: gelatin silver print
Location: furkapas
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: hotel, hostelry, inn, mountains
Inscriptions: inscription: ‘Furkapasshöhe’, inscription: ‘Hotel Belvedère bij Rhone-gletscher’

Deze foto's maken deel uit van een album.
Boord van verheven goudleer, gedecoreerd met twee naar elkaar toegewende zeewezens, bloem- en bladranken in een symmetrische opbouw
Object type: gilt leather hanging
Date: 1652 – 1652
Materials: gilt leather, leather
Location: the hague
Artist: Anonymous

Boord van verheven goudleer, gedecoreerd met twee naar elkaar toegewende zeewezens, bloem- en bladranken in een symmetrische opbouw. Aan boven- en onderzijde (delen van) een smalle ornamentale rand. Beschildering in rood en bruin (ooit groen) op grijs/groene grond. Gevat in moderne houten lijst.
Boots
Object type: boot
Date: 1875 – 1890
Materials: leather
Culture: american
Yodo River (Yodogawa), from the series "Famous Places in Kyoto (Kyoto meisho no uchi)"
Object type: print
Date: 1834 – 1834
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Cane
Object type: cane
Date: 1885 – 1885
Materials: glass, metal, wood
Culture: american
De Nieuwe Franse Kerk
Object type: print
Date: 1693 – 1694
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: church (exterior), rowing-boat, canoe, etc., canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Huidige staat van prent ook gebruikt in: Commelin, Casparus. Beschryvinge van Amsterdam (…). Amsterdam: Abraham Wolfgang, Gillis Janssonius van Waesberge of Johannes Janssonius van Waesberge, Hendrick Boom of weduwe Dirk Boom, Abraham van Sanderen en Rembertus Goethals, 1693, dl. 1, p. 482. En in: Commelin, Casparus. Beschryvinge van Amsterdam (…). Amsterdam: weduwe Aart Dircksz. Oossaan, 1694, dl. 1, p. 482.

Tweede staat van prent (met opgewerkte lucht en water) ook gebruikt in: Commelin, Casparus. Beschryvinge van Amsterdam (…). 2de druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe Antony van Aeltwijk en Hermanus Uytwerf, 1726, dl. 1, p. 482.
De Slagh by Turnhout in den Jaere MDXCVII
Object type: history print
Date: 1679 – 1681
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the hague, maurice (prince of orange), battle
Inscriptions: inscription: ‘No. 34’

Deze staat ter voorbereiding voor gebruik als illustratie in: J. le Clerc, Geschiedenissen der Vereenigde Nederlanden, sedert den aanvang van die Republyk tot op den Vrede van Utrecht in 't jaar 1713 en het Tractaat van Barriere in 't jaar 1715 gesloten, Z. Chatelain, Amsterdam 1730, 3 delen.