deem-data/ArtiFact huggingface dataset:
dish with flowering plants and scrolls
Object type: platter
Date: 1600 – 1649
Materials: earthenware, glaze, quartz
Techniques: firing, turning, vitrification
Location: iznik
Artist: Anonymous

Schotel van kwarts-fritgoed, beschilderd in onderglazuur blauw, rood, groen en zwart. Op het plat een gestileerde bloeiende plant. De rand met krulwerk. Iznik.
Reisalbum van een familievakantie in onder andere Zwitserland en Nederland
Object type: photograph album
Date: 1938 – 1939
Materials: paper, photographic support, textile
Techniques: gelatin silver print
Artist: Anonymous
Inscriptions: annotation: ‘25 Juli - 22 Aug 1938/ Hotel des Salines. Be[...] les Bains/ Zwitserland (Vaud)/ Directeur W. J. Oehler’

Fotoalbum met 48 pagina's waarvan er 18 foto's bevatten. In totaal bevat het album 32 foto's en twee silhouetportretten. Pagina's 1, 3, 16-24, 26, 27, 20-25 en 38-49 bevatten geen foto's maar in sommige gevallen is te zien dat die daar wel zaten door ingeplakte hoekjes of annotaties. Het album bevat foto's van reizen door onder andere Nederland en Zwitserland.
Coin Depicting the God Apollo
Object type: coin
Date: 300 – 200
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Hokusai dochu gafu
Object type: book
Date: 1835 – 1878
Materials: paper
Techniques: woodcut
Location: nagoya
Artist: katsushika hokusai
Artist role: draughtsman, print maker
Artist dates: 1760 – 1849

Geïllustreerd Japans boekje van Hokusai met afbeeldingen van reizigers en bezienswaardigheden langs de Tokaido. Herdruk van de eerste editie uit 1835.
Fish and rocks
Object type: hanging scroll
Materials: ink, paper
Culture: chinese
Artist: bada shanren (zhu da)
Artist role: artist
Artist nationality: chinese
Artist dates: 1626 – 1705
Subjects: fish

To disguise his identity, Zhu Da, a scion of the Ming imperial family, took refuge in a Buddhist temple after the Manchu conquest of 1644. About 1680 he renounced his status as a monk and began producing paintings and calligraphy in order to support himself. In 1684 he took the biehao (artistic name) Bada Shanren (Mountain Man of the Eight Greats). A staunch Ming loyalist throughout his life, Bada used painting as a means of protest. His is the poignant voice of the yimin, the leftover subjects of the fallen dynasty. This painting is typical of the bold enigmatic images that Zhu Da produced during the last twenty years of his life. The seemingly innocuous subject, a garden pond framed by two ornamental rocks, becomes, in Zhu Da's rendition, profoundly unsettling. Were it not for seven tiny fish that swim beneath the two rock forms, transforming the blank paper into a body of water, the image would be unrecognizable. Six of the fish are shown in profile, but the seventh appears as if seen from above, leaving the viewer disoriented; the absence of a horizon line adds to the unsettling effect. Treating the image as a calligraphic design, Bada juxtaposes large and small, solid and void, and heavy and light, creating a tension between flat shapes and three-dimensional volumes that heightens the disturbing quality.
Drie putti met kardinaalshoed en band
Object type: print
Materials: paper
Techniques: engraving, letterpress printing
Location: france
Artist: Anonymous
Subjects: insignia of cardinal, e.g. hat, mantle, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240
Ingang van een tuin aan het Zieken te Den Haag
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: etching
Location: the hague
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Subjects: roof-covering, urban housing, trees, seating furniture, adult woman, fenced or walled garden; 'hortus conclusus', child, walking, parasol, sunshade
Inscriptions: date

Voor de ingang van een ommuurde tuin staan drie vrouwen en een kind. Twee van hen houden een parasol vast. Links staat meubilair onder een overkapping en in de verte zijn huizen weergegeven.
Museum van huisdieren
Object type: popular print
Date: 1848 – 1881
Materials: paper
Techniques: colour, letterpress printing
Location: den bosch
Artist: Anonymous
Subjects: cow, animals, cat, horse, goat, dog
Inscriptions: collector's mark: Lugt 2760

Blad met 3 hotrizontale rijen met voorstellingen van dieren, zoals een kat, een geit en een konijn. Onder elke voorstelling een onderschrift. Genummerd rechtsboven: 88.
De cuppa van een kastanjevaas versierd met griffioenen
Object type: cuppa
Date: 1810 – 1810
Materials: porcelain
Location: netherlands

De cuppa van een kastanjevaas versierd goudkleurige randen en bladranken.
Portret van Marco Girolamo Vida
Object type: print
Date: 1694 – 1756
Materials: paper
Techniques: engraving, etching
Artist: george vertue
Artist role: print maker, publisher
Artist dates: 1684 – 1756
Subjects: historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Rietsijder voor de ruïne van het Huis Snaatburg te Maarssen
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: printmaking
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: ruin of a dwelling, house, castle, etc., reeds, rushes ~ building material
Inscriptions: collector's mark: Lugt 2228
L'assalto alla breccia di Porta Pia (XX settembre 1870)
Object type: photomechanical print
Date: 1906 – 1910
Materials: cardboard
Techniques: photograph
Location: terni
Artist: Anonymous
Subjects: battle, city-gate

Voorstelling van de verovering van Rome in de strijd rond de eenwording van Italië. Linksboven een gedicht van Carducci.
Jesu baptisato et orante apertum est caelum
Object type: print
Date: 1638 – 1686
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: baptism of christ in the river jordan: john the baptist pouring out water on christ's head: the holy ghost descends
Inscriptions: collector's mark: Lugt 240
Two Arrows
Object type: two arrow
Date: 1501 – 1600
Materials: copper alloy, gold, lacquer, steel, textile, wood
Culture: iranian or turkish
Location: iran
Subjects: arrows

The delicate gold-inlaid decoration of these arrowheads suggests that they were target arrows, intended for archery contests in which they would be retrieved and used again. The faceted arrowhead is unusual and especially fine in workmanship.
Glass finger ring
Object type: ring
Date: 300 – 101
Materials: glass
Culture: greek, eastern mediterranean

Colorless with pale blue green tinge. Broad hoop with D-shaped cross section with beveled edges, broadening into large oval bezel, concave on upper surface, with raised rim sloping outwards. The bezel would have been decorated with an inlay, probably also in glass, imitating a gem. Intact but slight chips on rim of bezel and inlay missing; pitting, patches of thick creamy weathering, and brilliant iridescence. The piece is similar to another large Hellenistic ring displayed here (91.1.1518). The surface of the glass is now covered with brilliant iridescent weathering.
David's Legs
Object type: painting
Date: 1899 – 1899
Materials: canvas, oil
Location: netherlands
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: lower leg
Inscriptions: signature: ‘Jozef Israels’

Studie voor de benen van David. Uit een reeks van vijf studies voor een schilderij van Saul en David uit 1899 (zie ook SK-A-3731, SK-A-3730, SK- A-4198 en SK-A-3732).
Tafelstuk
Object type: design drawing
Date: 1830 – 1850
Materials: graphite, paper
Location: paris
Small, cylindrical bottle vase with flower sprays and precious objects
Object type: bottle
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark

Kleine cilindrische, flesvormige vaas van porselein met rechte nek en en platte rand, beschilderd in onderglazuur blauw. De wand is gemodelleerd in zes vakken gevuld met een bloemtak; op de schouder kostbaarheden (parel, ruit, artemisiablad), op de nek een band met krulmotief en stippen. Gemerkt op de onderzijde met een Chinees karakter. Gecraqueleerd glazuur. Blauw-wit.
Donna lepcha, d'anni 16
Object type: page
Date: 1881 – 1886
Materials: photographic support
Techniques: albumen print
Location: india
Artist: paolo mantegazza
Artist role: antropoloog, professor
Artist dates: 1831 – 1910
Subjects: adolescent, young woman, maiden (+ sideview, profile), adolescent, young woman, maiden (+ front view)
Chirurgijnsgilde te Amsterdam, toegangspenning voor de hortus medicus van Andreas Bonn, professor in de anatomie en de chirurgie
Object type: medal
Date: 1771 – 1771
Materials: silver
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Zilveren penning. Voorzijde: Dood, afgebeeld als geraamte, in bloemenveld met zeis in rechterhand en met linkerhand op zandloper, die op sokkel staat. Keerzijde: vaas met bloemen tussen jaartal; op vaas: wapenschild boven cartouche binnen omschrift
De waterweg van Rotterdam
Object type: cartoon
Date: 1871 – 1871
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: the hague, johan rudolf thorbecke, lighthouse, lightship, rotterdam

Spotprent met Thorbecke als vuurtoren bij de verzande nieuwe waterweg van de Maas in Rotterdam. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 46, 1871.
Paus Alexander IV
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: pope
Inscriptions: inscription: ‘134’

Een bloemkelk met een paus. Hij draagt een tiara en heeft een staf met dubbel kruis in zijn handen. De voorstelling is onderdeel van de opeenvolging pausen in de Liber Chronicarum. De tekst identificeert de man als Alexander IV. De prent maakt deel uit van een album.
"Our" Coach and Four
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Design for Ceiling Decoration Hôtel de Pless, Berlin
Object type: drawing
Date: 1851 – 1900
Materials: gouache, watercolor, paper
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Mirandor ziet vanuit zijn bedstee zijn medereiziger
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: built-in bedstead (dutch: 'bedstee')
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Heinsius, Nicolaas jr. Den vermakelyken avanturier, ofte De wispelturige, en niet min wonderlyke levens-loop van Mirandor, 2 delen. Amsterdam: Pieter van Amsterdam, 1695, dl. II.
Amice
Object type: amice
Materials: linen, metal, silk
Culture: spanish
Subjects: women
Portret van Joseph Stalin
Object type: photomechanical print
Date: 1932 – 1932
Materials: paper
Techniques: letterpress printing, rotogravure
Artist: Anonymous
Subjects: historical persons, politician, e.g. party leader

Fotomechanische afdruk uit: The Illustrated London News (1932), 28 mei 1932.
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1615 – 1868
Materials: gold alloy, silver alloy, silver
Culture: japanese
Location: japan
Subjects: plants
Portrait of the Composer Alphons Diepenbrock
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: joseph jessurun de mesquita
Artist role: fotograaf
Artist dates: 1865 – 1890
Subjects: alphons diepenbrock, portrait of composer

Jessurun was the person responsible for introducing the late 19th-century painters and writers – called the ‘Tachtigers’ (Eightiers) – to the new prospects of photography. This portrait of the famous composer in his rumpled suit is an honest unadorned characterization. Jessurun wrote a guide for amateur photographers in 1889. In 1890 he took his own life with potassium cyanide.
Veel hebben monts genoech om iemants werk te laken maar niet wel hants genoech wat beters self te maken
Object type: print
Date: 1884 – 1952
Materials: paper
Techniques: relief print
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: ornaments ~ art
Inscriptions: collector's mark: ‘R:MVS.’
Trade card for Goodwill & Lawson, engravers, printers and stationers
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today. Goodwill & Lawson is also listed in Pigot and Co.'s 1837 National Commerical Directory of the Whole of Scotland and the Isle of Man as being located at 22 Silver Street, Hull.
Portret van Cornelis Jansenius, bisschop van Yperen
Object type: print
Date: 1620 – 1666
Materials: paper
Techniques: etching
Location: antwerp
Artist: philip fruytiers
Artist role: print maker
Artist dates: 1610 – 1666
Subjects: cornelius jansenius
Inscriptions: collector's mark: Lugt 2228

Portretbuste in ovaal naar links van Cornelis Jansenius, bisschop van Yperen. Het hoofd is en profil weergegeven en getooid met een bisschopsmuts. Het portret is gevat in een ovale krans van bladeren, vruchten en linten en wordt omgeven door acht putti met verschillende attibuten. De twee putti bovenin blazen de bazuin en houden een lauwerkrans en een palmtak vast. Tussen hen in vliegt een duif, symbool van de Heilige Geest. Het ovaal staat op een sokkel waarop de naam en titels van de geportrettreerde staan, gevolgd door een tekst in het Latijn. Voor de sokkel zit links de personificatie van Bedrog en rechts de personificatie van Nijd.
Pharmacy jar
Object type: pharmacy jar
Date: 1722 – 1722
Materials: faience
Techniques: glazing
Artist: dubois manufactory
Artist role: maker
Subjects: coat of arms,crowns

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Maria-Theresienstrasse in Innsbruck
Object type: photograph
Date: 1850 – 1920
Materials: cardboard, paper
Techniques: albumen print
Location: innsbruck
Artist: fritz gratl
Artist role: publisher
Artist dates: 1870 – 1948
Subjects: urban housing, street, mountains
Inscriptions: number: ‘7’
Two Monks Contemplating a Skull
Object type: drawing and watercolor
Date: 1730 – 1735
Materials: chalk, ink, paper
Techniques: brush, wash
Location: italy
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
John Bull en Woodrow Wilson lopen hand in hand terwijl Wilson het vredeskleed afwerpt
Object type: photomechanical print
Date: 1917 – 1917
Materials: paper
Techniques: printing block
Subjects: president ~ head of republic, political caricatures and satires

Prent uit: Cay, A.M. Wilson de menschenvriend; een modern sprookje. S.l.: s.n., ca. 1917.
Glass Bottle
Object type: bottle
Materials: glass
Location: egypt
Schrijver Willem Sluiter bezoekt in een schuur twee dorsende boeren
Object type: book illustration
Date: 1687 – 1687
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: barn - aa - civic architecture: inside, threshing
Inscriptions: number: ‘4’, collector's mark: Lugt 2228

Illustratie uit: Sluiter, Willem. Buiten- eensaem huis- somer- en winter-leven. Amsterdam: Gerbrandt Schagen, 1687, p. 42.
Brief aan Etha Fles
Object type: letter
Date: 1889 – 1889
Materials: ink, paper
Techniques: pen, writing
Location: bussum
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: amsterdam, painter, draughtsman, willem witsen, willem de zwart, utrecht, print maker, etha fles, drawing, the graphic arts, painting (including book-illumination, miniature-painting), exhibition ~ art, historical persons (portraits and scenes from the life), the hague
Inscriptions: collector's mark: ‘RPK’
Standing Putto From the Back
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Culture: french
Location: france
Rome. Kamer van Rafaël in het Vatikaan. Z.g. Kamer van den Burgbrand, 1517.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: apostolisch paleis
Artist: Anonymous
Subjects: painting (including book-illumination, miniature-painting) (+ plaster ~ arts), palace
Inscriptions: collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, inscription: ‘Italiaansche Renaissance.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, inscription: ‘CWN.’
The Story Tellers
Object type: print
Materials: paper
Techniques: mezzotint
Location: england
Artist: richard earlom
Artist role: engraver
Artist nationality: british
Artist dates: 1743 – 1822
The Reign of Heavens
Object type: drawing
Date: 1667 – 1700
Materials: ink
Techniques: brush
Location: germany
Artist: anonymous, german, 17th century
Artist role: artist
Artist nationality: german
Artist dates: 1600 – 1700
Subjects: angels,heaven
Staande koe, van achteren
Object type: drawing
Date: 1788 – 1839
Materials: paper, pencil
Artist: hendrik voogd
Artist role: draughtsman, painter, print maker
Artist dates: 1768 – 1839
Subjects: cow
Portret van Willem IV, prins van Oranje-Nassau
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: willem iv (prins van oranje-nassau)
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Prent uit: Wagenaar, Jan. Vaderlandsche historie. Amsterdam: Isaak Tirion, 1749-1759.
Rooster
Object type: decorative art
Date: 1800 – 1850
Materials: paint, wood
Location: pennsylvania
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Portret van Bernardus Johannes Blommers
Object type: album leaf
Date: 1905 – 1906
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: print maker, draughtsman, bernardus johannes blommers, historical persons, portrait, self-portrait of painter
Inscriptions: inscription: ‘No. 5./ Blommers.’

Deze prent maakt deel uit van een album.
Cyparissus, from "The Rural Gods"
Object type: print
Date: 1565 – 1565
Techniques: engraving
Artist: cornelis cort
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1533 – 1578
Subjects: men,deer,trees
Watch
Object type: watch
Date: 1501 – 1600
Materials: enamel, gold
Artist: nicolas bernard
Artist role: maker
Artist nationality: french
Artist dates: 1530 – 1620
Subjects: flowers

A very few watchcases survive with this variety of openwork design of tour-de-force raised-and-dotted enamel. The dial, too, with black numerals on a pure white enamel chapter ring and a deep red basse-taille enamel center, is the product of a highly skilled artisan, who was almost certainly working in Paris about the middle of the seventeenth century. The pre-balance spring movement of the watch is signed Nicolas Bernard AParis. While there are several clockmakers named Bernard, or Benard, known to have been working in Paris in the late sixteenth and early seventeenth centuries, there is no record of a Nicolas Bernard before 1636, when a man by that name was made a master clockmaker there. By the time of his death in 1670, he had become a merchant clockmaker and a burgher of Paris.
Portret van Reinier de Graaf
Object type: print
Date: 1666 – 1673
Materials: paper
Techniques: engraving, etching
Artist: anna maria van schurman
Artist role: draughtsman, print maker
Artist dates: 1607 – 1678
Subjects: reinier de graaf
Inscriptions: collector's mark: Lugt 2228

Portret van de arts en anatoom Reinier de Graaf.
Basin
Object type: basin
Date: 1801 – 1900
Materials: metal, silver gilt
Artist: elkington & co.
Artist role: manufacturer
Artist nationality: british
Artist dates: 1829 – 1963
Subjects: fortification,soldiers,horses

This electrotype is after the 1624 original at the treasure of the Kremlin, Moscow. According to the inscription, it was presented by the ambassador Charles Howard to Tsar Alexey Mikhaylovich in 1664. En suite with 83.18.106.
Portret van een onbekende man
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: etching
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: eyeglasses, spectacles
Inscriptions: annotation: ‘1 etat’, collector's mark: Lugt 2228
Tulpen in koperen vijzel
Object type: print
Date: 1877 – 1950
Materials: paper
Techniques: etching
Artist: barbara elisabeth van houten
Artist role: draughtsman, print maker
Artist dates: 1862 – 1950
Subjects: flowers: tulip, container of metal: bucket, can, canister, drum, tin
Inscriptions: collector's mark: Lugt 2228
Portret van Khair ad-Din
Object type: print
Date: 1603 – 1603
Materials: paper
Techniques: engraving, letterpress printing
Location: london
Subjects: capuche, historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Knolles, Richard. The lives of the Othoman Kings and Emperors (...). Londen: Adam Islip, 1603. Prent ook gebruikt in: Knolles, Richard. The Generall Historie of the Turkes from the First Beginning of that Nation to the Rising of the Othoman Familie. Londen: Adam Islip, 1603.
Schoonhoven. Haven Oostzijde van de Steenen brug gezien
Object type: cabinet photograph
Date: 1882 – 1882
Materials: cardboard, paper
Techniques: albumen print
Location: schoonhoven
Artist: lodewijk hendrikus serré
Artist role: fotograaf
Artist dates: 1847 – 1897
Subjects: canals, waters (in city)
Inscriptions: collector's mark: ‘Vosmaer’, stamp: ‘S. & W. N. van Nooten/ Boekhandel/ Schoonhoven’, inscription: ‘L H Serré Utrecht’