deem-data/ArtiFact huggingface dataset:
Zeelieden gezeten aan tafel luisterend naar een van hen
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: etching, intaglio
Artist: piet verhaert
Artist role: print maker
Artist dates: 1852 – 1908
Subjects: story teller; listening to story teller, table, seaman, ship-model
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Tire à 3 exemplaire’
I was there!
Object type: photomechanical print
Date: 1862 – 1872
Materials: paper
Techniques: woodburytype
Subjects: adult woman, adult man, picture, painting, interior ~ representation of a building
Interieur met schillende boerin
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: etching
Artist: piet verhaert
Artist role: print maker
Artist dates: 1852 – 1908
Subjects: farmers - aa - female farmer, farmer's wife, interior of the house, cleaning (food)
Inscriptions: inscription: ‘4 exemplares; 1 etat’, collector's mark: Lugt 2228
Innsbruck. Sillfall am Berg Isel
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1930
Materials: cardboard, photographic process
Location: bergisel
Subjects: river, (high) hill
Kaart van de provincie Utrecht (vierde deel van boven)
Object type: print
Date: 1696 – 1696
Materials: paper
Techniques: engraving, etching
Location: utrecht
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 195

In de literatuur is altijd verondersteld dat er vier staten van deze kaart bestonden en dat de gewijzigde titel en inhoud van de titelcartouche, advertentie onder de cartouche, schaalstok links van de cartouche en andere wijzigingen op de kaart op de veronderstelde tweede staat in 1743 zouden zijn aangebracht door Covens & Mortier.

Het huidige exemplaar is echter een tot dusver onbekende tussenstaat die niet alleen aantoont dat de genoemde veranderingen eerder zijn aangebracht, maar ook dat deze tweede staat is uitgegeven door Nicolaes Visscher II, de uitgever van de eerste staat.
Academiestudie: gipsbeeld van man met baard
Object type: drawing
Date: 1824 – 1824
Materials: chalk, paper
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: piece of sculpture, reproduction of a piece of sculpture (+ ceramics ~ arts)
Inscriptions: date
Fragment of a Bowl
Object type: fragment
Date: 1401 – 1500
Materials: earthenware, glaze
Techniques: underglaze
Location: egypt
Terracotta kylix (drinking cup)
Object type: kylix
Date: 540 – 540
Materials: terracotta
Culture: greek, attic
Artist: amasis painter
Artist role: artist
Subjects: male nudes,poseidon,horses,warriors,iliad

Obverse, Poseidon, the god of the seas, among Greek warriors Reverse, the stables of Poseidon The subjects are drawn from book 13 of Homer's Iliad. Poseidon, seeing the Greeks hard-pressed, decided to help renew their valor. At his underwater palace, he ordered his chariot prepared so that he could ride to their aid. On one side of this cup, an atmosphere of feverish excitement reigns in the stables as grooms attempt to soothe four high-strung horses tethered to columns. Supernatural forces seem to have been unleashed: tiny figures race over the horses' backs and swing down from the architectural frieze above. On the other side of the cup, Poseidon, carrying a trident, urges on the Greek heroes.
Veil
Object type: veil
Date: 1801 – 1900
Techniques: lace
Gezicht op de kustlijn van een stad, met huizen en een kade, Italië [?]
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: number: ‘1888’
Broche met skiënd konijn
Object type: brooch
Date: 1950 – 1960
Materials: metal, plastic
Location: netherlands
Artist: Anonymous

Broche van kunststof met brochering van metaal. Konijn in blauw jasje met rood sjaaltje.
Het leven van de heilige Thomas van Aquino
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the dominican theologian, 'angelic doctor' thomas of aquino; possible attributes: book, (chain with) sun, dove, girdle of chastity, lily, model of church, monstrance (or chalice), mitre (under feet), star (on breast) - early life of male saint
Inscriptions: collector's mark: Lugt 2228

Thomas van Aquino ontmoet een monnik in een kloostertuin in Bologna. Diverse figuren kijken toe. In de marge een vijfregelig onderschrift in het Latijn. Tweeëntwingtigste prent uit een serie van dertig prenten die het levensverhaal van Thomas van Aquino verbeelden.
Figure-top spoon
Object type: spoon
Date: 1879 – 1879
Materials: silver
Artist: jan van staaten
Artist role: maker
Artist dates: 1846 – 1886
Subjects: heads
Portret van Alexander de Muncq op 55-jarige leeftijd
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: mayor, making music; musician with instrument, truth; 'verità' (ripa), justice; 'forza alla giustitia sottoposta', 'giustitia', 'giustitia retta', 'giustitia rigorosa', 'impietà e violenza soggetta alla giustitia' (ripa), harp, dulcimer, zither
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240

Alexander de Muncq, burgemeester van Middelburg en dichter, op 55-jarige leeftijd. Onder het portret zijn wapenschild. Boven het portret de personificaties van Rechtvaardigheid en Waarheid, die hem met een lauwerkrans kronen. Onder het portret spelen twee muzen de lier en de citer.
Karlsruhe - Mausoleum
Object type: reproduction
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: karlsruhe
Artist: Anonymous
Subjects: church (exterior), mausoleum
Visitatie van Maria en Elisabeth
Object type: print
Date: 1840 – 1869
Materials: paper, pencil
Techniques: engraving, etching
Subjects: mary and elisabeth shaking hands, triumphal arch
Inscriptions: collector's mark: Lugt 2228

Maria bezoekt haar nicht Elisabeth. Beiden zijn zwanger (Maria van Christus en Elisabeth van Johannes de Doper).
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: linen, silk
Subjects: gates,trees,cross
Drie silhouetportretten van onbekende mannen
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: silhouette-apparatus, 'physionotrace'
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Mogelijk drie keer dezelfde plaat gebruikt, vanwege hetzelfde formaat.
Geth-Lafa (from Sketchbook)
Object type: drawing
Date: 1904 – 1904
Materials: graphite, paper
Culture: american
Artist: mary newbold sargent
Artist role: artist
Artist nationality: american
Artist dates: 1826 – 1906
Subjects: landscapes
François de Guise raakt gewond bij het gevecht in Vassy
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: battle
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Historisch-genealogischer Kalender auf das Jahr 1799 und 1800. Die Geschichte der Bartholomäusnacht oder die Bluthochzeit zu Paris. Berlijn: Johann Friedrich Unger, [1798].
Figure of a squatting cynocephalus ape
Object type: figurine, cynocephalus ape
Materials: bronze, copper alloy
Location: memphite region
Gezin aan de maaltijd
Object type: print
Date: 1683 – 1733
Materials: paper
Techniques: etching
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: seed: pea, cat, (family) meal, eating
Inscriptions: collector's mark: Lugt 2228

Definitieve genummerde staat van deze prent opgenomen in: Impostures innocentes, ou recueil d'estampes d'apres divers peintres (...) par Bernard Picart (...) avec son elogue historique et le catalogue de ses ouvrages. Amsterdam: weduwe Bernard Picart, 1734.
Broadside with 48 scenes depicting the people of the world
Object type: print
Date: 1860 – 1860
Techniques: engraving
Artist: josé maría marés
Artist role: publisher
Artist nationality: spanish
Artist dates: 1850 – 1870
Subjects: men
Two Insertions
Object type: textile
Date: 1601 – 1700
Materials: lace, linen
Techniques: lace
Location: italy
Caddy spoon
Object type: caddy spoon
Date: 1867 – 1867
Materials: silver
Sadotje
Object type: copper plate
Date: 1921 – 1921
Materials: copper
Techniques: soft ground etching
Location: buitenzorg
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
La cattedrale
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: milan
Artist: Anonymous
Subjects: parts of church exterior and annexes: west façade
Inscriptions: number: ‘3817.’
Architectura
Object type: ornament print
Date: 1593 – 1595
Materials: paper
Techniques: etching
Location: straatsburg
Subjects: parts of church exterior and annexes: portal, specific aspects, allegorical aspects of ceres; ceres as patroness, oven ~ kitchen, ornament derived from architectural details, meat; still life of meat
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent gebruikt in: Dietterlin, Wendel (I). Wendel Dietterlin, Architectura de Polstium seu Portalium ornatu uario Liber II. Straatsburg: Bernhard Jobin, 1594.
De huwelijksfuik: allegorie op het huwelijk (kopie)
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: marriage as trap, snare, etc., marriage, married couple, 'matrimonium'
Inscriptions: collector's mark: Lugt 1641, collector's mark

Kopie in contouren naar de prent van de huwelijksfuik, allegorie op het huwelijk. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Des Menschen Begin, Midden en Einde. Bruiloft en huwelijk.
Handkerchief
Object type: handkerchief
Date: 1801 – 1900
Materials: cotton
Culture: british
Subjects: satire
Gustavus Adolphus, King of Sweden (r. 1611–1632)
Object type: medal
Date: 1611 – 1632
Materials: silver
Artist: Anonymous
Artist role: artist
Portret van Christian Ludwig Ermisch
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: engraving
Location: braunschweig
Artist: johann georg beck
Artist role: print maker
Artist dates: 1676 – 1722
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Tatius sabinorum (...) cum patre proderet
Object type: print
Date: 1572 – 1573
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista fontana
Artist role: draughtsman, painter, print maker
Artist dates: 1524 – 1587
Subjects: while tarpeia is fetching water outside the city-gate she is bribed by titus tatius into opening the gates of the city, (story of) romulus and remus

Tarpeia is water aan het halen buiten de stadsmuren. Bij de waterput wordt ze door Titus Tatius overgehaald om de stadspoort te openen. De prent maakt deel uit van een album.
Calvary
Object type: sculpture
Date: 1575 – 1600
Materials: alabaster
Techniques: gilding
Location: mechelen
Artist: Anonymous
Subjects: comprehensive representations of the events on golgotha during christ's hanging on the cross, no particular event emphasized
Inscriptions: inscription, on the escutcheon, in recessed relief: ‘F.N.F. I 4 II’

In het midden hangt Christus aan een frontaal geplaatste kruis tussen de schuingeplaatste kruisen met beide naakte moordenaars. Links vooraan valt Maria in zwijm, bijgestaan door St. Jan en een heiloge vrouw. Achter hen een jongen met een dolk, twee ruiters naar rechts en een naar links en een voetknecht. Rechts vooraan staan twee soldaten van wie de ene een schild houdt en de andere met de rechter hand omhoog wijst en met de linker zijn dolk omvat. Achter hen een ruiter naar links, gevolgd door een voetknecht met schild. In het midden omarmt Maria-Magdalenen het kruishout. De achtergrond geeft een heuvelig landschap met bouwwerken en vegetatie. Ruiters en voetknechten zijn in pseudo-Romeins kostuum ; twee dragen een leeuwekop als hoofddeksel. Op het schild de initialen F.N.F.14 II.
Ichikawa Danjuro V as a Warrior Mounted on a Dapple Gray Horse
Object type: woodblock print nishiki e
Date: 1771 – 1771
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: swords,horses,trees,actors
Drie mannen en een vrouw in een roeiboot op de Nieuwe Wetering
Object type: album leaf
Date: 1917 – 1917
Materials: paper
Techniques: matte daylight collodion silver print
Artist: Anonymous
Subjects: adult man (+ three persons), adult woman, river, rowing-boat, canoe, etc.
Inscriptions: caption: ‘"Na de thee"/ Begin Nieuwe Wetering naar Nieuwesluis’
Side Table
Object type: furniture
Date: 1890 – 1890
Materials: brass, gilt, wood
Location: england
Artist: arthur heygate mackmurdo
Artist nationality: english
Artist dates: 1851 – 1942
Subjects: furniture
Allerlei beeldtenissen / Sujets divers
Object type: popular print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: animals, characters (human types)
Inscriptions: collector's mark: Lugt 2760

Blad met 81 voorstellingen van verschillende voorwerpen, dieren en figuren. Onder elke afbeelding een onderschrift in het Nederlands en in het Frans. Genummerd midden boven: 130.
Design for a coffered ceiling with alternative decorative patterns
Object type: drawing
Date: 1840 – 1897
Materials: gouache, ink, watercolor, paper
Techniques: inlay, pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ceilings
Vignet met het wapen van Pruisen
Object type: book illustration
Date: 1751 – 1751
Materials: paper
Techniques: etching
Subjects: vignette, symbols of particular nations, states, districts, etc.
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt in: Frederik de Grote. Mémoires pour servir a l'histoire de la maison de Brandebourg. Sanssouci, Frederik de Grote, 1751.
View from the summit of the Malana pass, Himachal Pradesh, India
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Location: malana
Subjects: mountain-range, snow peaks
Inscriptions: caption: ‘FROM THE SUMMIT OF THE MALAUNA PASS. 12.200 Ft’
Cup
Object type: cup
Date: 1801 – 1900
Materials: jade
Culture: chinese
Spoon Holder
Object type: spoon holder
Date: 1867 – 1867
Materials: glass
Techniques: glassblowing
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Lamp with “Heavy Ribs” Shade and “Bat” Base
Object type: furnishing
Date: 1905 – 1905
Materials: bronze, glass
Techniques: casting, leading
Location: corona
Artist: tiffany studios
Artist role: maker
Artist nationality: american
Artist dates: 1902 – 1932
Subjects: bats, mosaic, spiders, spiderwebs
Inscriptions: Struck, on base bottom, middle: TIFFANY STUDIOS / NEW YORK / 353; struck, on shade interior, bottom rim: TIFFANY STUDIOS NEW YORK
Higo Province: Gokanosho (Higo, Gokanosho), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)"
Object type: print
Date: 1856 – 1856
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: landscapes
Eerste Duitse Nationale Vergadering te Frankfurt 1848
Object type: history medal
Date: 1848 – 1848
Materials: tin
Techniques: casting

Tinnen penning, op de voorzijde een boom waartegen een wapenschild, vlaggen , wapens en een gehelmde fasces onder een opkomende zon, met omschrift, op de keerzijde zes regels tekst tussen samengestrikte lauwertakken.
Elisabeth, Koeniglicke Prinzessin von Baiern
Object type: print
Date: 1794 – 1858
Materials: paper
Techniques: lithograph
Subjects: adult woman, historical persons
Inscriptions: mark: ‘Wald[horn].’, collector's mark: Lugt 2228

Prent uit een onbekende uitgave van 'zur Modenzeitung', nr. 46.
Kheker Friese, Tomb of Tjay
Object type: facsimile, tjay tt 349, kheker
Date: 1550 – 1458
Materials: paper, paint
Location: egypt
Artist: charles k. wilkinson
Artist role: artist
Artist dates: 1897 – 1986
Subjects: hieroglyphs
Two-seat Phaeton #3938
Object type: drawing
Date: 1885 – 1885
Materials: gouache, gum arabic, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
“- Driver, driver, you cannot reject me, you have to save my life... bring me back to the races alive! - But come on, Spaniard… be reasonable… you don't have to fear the rain, since you are wearing a coat!…,” plate 2 from Le Carnaval De 1858
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Panel
Object type: panel
Date: 1701 – 1800
Materials: silk
Subjects: flowers,leaves
De Stadt Grave, door den Prins van Parma, in den Jaare 1586. belegert
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: rome, alessandro farnese (landvoogd van de nederlanden en hertog van parma en piacenza), siege, position war, capture of city (after the siege), grave

Prent waarschijnlijk uit: Le Clerc, Jean. Geschiedenissen der Vereenigde Nederlanden, sedert den aanvang van die Republyk tot op den Vrede van Utrecht in 't jaar 1713 en het Tractaat van Barriere in 't jaar 1715 gesloten. Amsterdam: Zacharias Chatelain, 1730, dl. 1, p. 178-179.

Eerdere staat gebruikt in: Bor, Pieter Christiaensz. Oorsprongk, begin, en vervolgh der Nederlandsche Oorlogen (...). Amsterdam: weduwe van Joannes van Someren, Abraham Wolfgangh, Hendrick en Dirk Boom, 1684, dl. 2, p. 699.

Eerdere staat ook gebruikt in: Groot, Hugo de. Nederlandtsche Jaerboeken en Historien sedert het jaer MDLV tot het jaer MDCIX (...). Amsterdam: weduwe Joannes van Someren, Abraham Wolfgang en Hendrick en Dirk Boom, 1681, p. 152-153.
Edam
Object type: drawing and watercolor
Date: 1850 – 1850
Materials: graphite, paper
Location: england
Artist: edward william cooke
Artist role: print maker
Artist nationality: english
Artist dates: 1811 – 1880
Portret van David Roelands op 44-jarige leeftijd
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: engraving, snipping
Location: middelburg
Subjects: antwerp, david roelands, historical persons, calligraphy (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Roland, Roelands ? (...) bei Beucker (?) Andrea.’

Prent ook gebruikt in: Roelands, David. 't Magazijn oft pac-huys der loffelycker penn-const. Vlissingen: s.n., 1616.
Twee prentbriefkaarten van Noorwegen
Object type: photograph
Date: 1927 – 1927
Materials: paper
Techniques: gelatin silver print
Location: norway
Artist: narve skarpmoen
Artist role: fotograaf
Artist dates: 1868 – 1930
Subjects: steamship, motorship, mountains, norway
Inscriptions: inscription: ‘Veien mellem Geiranger og Djupvasshytta’, inscription: ‘Oslo/ Kristiania. Akershus og S/S "Stavangerfjord"’

Deze foto's maken deel uit van een album.
Hegesippus ontbiedt Philokles terug te komen op verzoek van Idomeneus
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: (fenelon, telemachus) specific works of literature (with author, title), ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228

Idomeneus, zittend op een steen onder een boom, leest een brief. Links van hem staat Hegesippus. Het geheel wordt gekaderd door een sierlijst met olijftakken en onderaan een strik. Genummerd rechtsboven: No. II.
Coin
Object type: coin
Materials: copper
Location: uzbekistan

This coin was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.