deem-data/ArtiFact huggingface dataset:
Tetradrachm (Coin) Portraying Philip Philadelphus
Object type: coin
Date: 92 – 83
Materials: metal, silver
Culture: greek
Location: macedonia
Subjects: mythological figures, zeus
Inscriptions: Reverse: ΒΑΣΙΛΕΩΣ ΦΙΛΙΓΓΟΥ ΕΡΙΦΑΝΟΥΣ ΦΙΛΑΔΕΛΦΟ[Υ]

The front of this coin portrays Philip Philadelphus, facing right.

On the back the god Zeus is shown seated, facing left, and holding the diminutive figure of Victory.
Side chair (Sgabello, pair with 1975.1.1990)
Object type: chair
Date: 1567 – 1600
Materials: wood
Techniques: carving
Culture: italian
Subjects: masks
Soldaten in een legerkamp
Object type: print
Date: 1728 – 1733
Materials: paper
Techniques: etching
Location: vienna
Artist: anton joseph von prenner
Artist role: print maker
Artist dates: 1683 – 1761
Vrouw met een strohoed en een emmer aan haar arm
Object type: drawing
Date: 1652 – 1652
Materials: chalk, ink, paper
Techniques: brush
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Hedendaags Frankrijk
Object type: print
Date: 1853 – 1856
Materials: paper
Techniques: tone lithography
Location: rouen
Subjects: court building
Inscriptions: collector's mark: Lugt 2228
Portret van Albrecht von Haller
Object type: print
Date: 1825 – 1874
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons, physician, doctor, writer, poet, author
A Lock on the Stour
Object type: print
Date: 1830 – 1830
Techniques: printmaking, mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: human figures,rivers,landscapes,trees

In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Sebastopol from Cathcart's Hill
Object type: photograph
Date: 1855 – 1855
Techniques: glass negative, salted paper print
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: wars,landscapes

Cathcart Hill, named for the British general whose grave lay nearby, was the observation point from which the allied commanders of the Crimean War gathered to follow the progress of the siege of Sebastopol. This image is an interesting example of Fenton's pursuit of his own pictorial agenda, regardless of the avowed purpose of his mission. Sebastopol is barely visible in the distance. The vast, desolate emptiness seems hardly worth a battle; the picture is really about the tenuous hold of man over an indifferent terrain.
Façade van boekhandel M.M. Couvée te Den Haag
Object type: photograph
Date: 1900 – 1918
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: the hague
Artist: m.m. couvée
Artist role: publisher
Subjects: shop, store, the hague
Inscriptions: annotation: ‘uit archief Veen/ den Haag/ neg. 22744’, inscription: ‘M.M. Couvée/ La Haye’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic
Artist: stieglitz painter
Artist role: artist

Interior, woman wearing a chiton and himation, making an offering over an altar; behind her a column
Upper part of a figure of a seated official
Object type: upper part of a figure of a seated official
Date: 1850 – 1800
Materials: stone
Location: egypt

This sculpture preserves the torso and head of an official. The position of the arms and the tilt of the head and back indicate that he would have been seated, perhaps cross-legged on the ground, with his hands resting on his lap in the pose of a scribe. The features of the face are beautifully rendered; the serene expression and the well-muscled torso give an impression of youth.
Pair of Vases
Object type: vase
Date: 206 – 220
Materials: pottery
Techniques: glazing
Culture: chinese
Staande man met rugzak en een zwaard
Object type: drawing
Date: 1510 – 1550
Materials: ink, paper
Techniques: pen
Artist: hans sebald beham
Artist role: designer, draughtsman, print maker
Artist dates: 1500 – 1550
Subjects: standing figure
Guanyin Figure
Object type: figure
Date: 1701 – 1800
Culture: chinese
Portret van Jacques Pernetti in ovaal
Object type: print
Date: 1750 – 1813
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: lyon, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Danae and the infant Perseus cast out to sea by Acrisius
Object type: print
Date: 1543 – 1543
Techniques: engraving
Artist: giorgio ghisi
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1582
Subjects: kings,infants,women,perseus,boats
Bes Amulet
Object type: amulet, be, lyre
Date: 664 – 332
Materials: faience
Location: egypt
Subjects: bes
Sleeve Fragment with Floral Motives
Object type: textile fragment
Date: 501 – 900
Materials: linen, wool
Techniques: weave
Location: egypt

This lavishly decorated sleeve fragment demonstrates many of the characteristics of textiles dating from the end of Byzantine rule in Egypt and the years following the Arab conquest: bright colors, heavy outlines, and abstracted natural elements. Brightly colored roundels, flowers, and small florets are symmetrically arranged in a diamond grid of jewel-like leaflets; a border of linked chevrons completes the design. The sleeve is finished with a dark weft-pattern band decorated with rosettes.
Visser aan de oever van een rivier
Object type: print
Date: 1823 – 1883
Materials: paper
Techniques: etching
Location: utrecht
Artist: hermanus jan hendrik van rijkelijkhuysen
Artist role: painter, print maker
Artist dates: 1813 – 1883
Subjects: river, church (exterior), fisherman
Inscriptions: collector's mark: Lugt 2228
De zeven planeten
Object type: print
Date: 1566 – 1570
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: prison, jail, saturn and his children ('planetenkinder') ~ aquarius and capricorn, dragon, agriculture, charitable works, the poor
Inscriptions: collector's mark: Lugt 2228

Saturnus rijdt in zijn wagen aan de hemel, getrokken door twee draken. Hij verslindt een van zijn kinderen. De tekens van Steenbok en Waterman geven aan welke mensen tot de invloedssfeer van Saturnus behoren. De mensen, die onder dit sterrenbeeld geboren zijn, hebben een slechte gezondheid en kennen geen gelukkig levenseinde. Links halen arme kinderen, een bedelaar op krukken, pelgrim en hongerige vrouw eten bij liefdadige monniken. Rechts mensen in de gevangenis, die bezocht worden door een man. Op de achtergrond wordt het land bewerkt. Onderaan in de marge een tekst in het Latijn over de kinderen van Saturnus.
Manoeuvres in de Stelling-Amsterdam
Object type: photomechanical print
Date: 1899 – 1899
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Subjects: klundert, utrecht, politician, water meadows under water, fortifications, military engineering, political caricatures and satires, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Prent uit: De Amsterdammer 23 (1899), nr. 1163, 8 oktober 1899, p. 9.
Fountains Abbey-the Nave of the Church, from the Lady Chapel
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: fountains abbey
Artist: Anonymous
Subjects: ruin of church, monastery, etc., parts of church interior: nave
Inscriptions: number: ‘199’
Kerstkaart met een portret van een onbekende man
Object type: carte de visite
Date: 1880 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: moustache, adult man, historical persons
Inscriptions: inscription: ‘Wishing you a happy Christmas and a bright New Year’
Vanitas stilleven
Object type: painting
Date: 1675 – 1675
Materials: canvas, oil, paint
Location: amsterdam
Artist: maria van oosterwijck
Artist role: painter
Artist dates: 1623 – 1693

Op een stenen tafel staat in het midden een vaas met bloemen, daarom heen is een groot aantal objecten geplaatst. Links staat een kistje dat voornamelijk met gouden munten is gevuld, daarnaast ligt een ratelaar, een medaillon, twee sinaasappels, een takje met rozen, een doodshoofd met een bloemenkrans, een boek, een horloge, de twee stenen tafelen met de tien geboden en een zonnebloem. Voorop ligt nog een blad papier waarop de geschilderde objecten worden genoemd met daarachter een verwijzing naar een Bijbeltekst. Links op de achtergrond is een getralied raam zichtbaar.
Waterput bij een ruïne
Object type: print
Date: 1613 – 1638
Materials: paper
Techniques: etching
Subjects: well
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240
Jonge boer
Object type: print
Date: 1635 – 1669
Materials: paper
Techniques: engraving
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: farmers
Inscriptions: collector's mark: Lugt 240

Man, zijwaarts afgebeeld, met lange jas en stok in de linkerhand.
Tempio della Fortuna, Pompei
Object type: album leaf
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: temple, shrine ~ roman religion, street
Ontwerp voor illustratie voor De Kolossus der Negentiende Eeuw door P.J. Andriessen (Textill., blz. 142); scène uit het leven van Napoleon
Object type: drawing
Date: 1877 – 1942
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: george lodewijk de wetstein pfister
Artist role: draughtsman
Artist dates: 1867 – 1942
Subjects: napoleon i (emperor of the french), (andriessen, de kolossus der negentiende eeuw) specific works of literature (with author, title), historical persons, illustration ~ printed matter, book, historical events and situations
Textile Design with Vertical Undulating Garlands of Stylized Leaves with Offsetting Stylized Palm Leaves Separated by Vertical Undulating Garlands of Leaves and Pearls with Alternating Shuttle-Shaped Motifs
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of vertical undulating garlands of stylized leaves of light tan color with offsetting stylized palm leaves of dark reddish-brown color separated by vertical undulating garlands of leaves and pearls with alternating shuttle-shaped motifs over a light tan ground with stipples of dark reddish-brown color. The leaves and pearls are colored with white; the shuttles are colored alternatingly with orange and purple.
Portret van Guglielmo Cavalcabò
Object type: print
Date: 1710 – 1720
Materials: paper
Techniques: engraving, etching
Artist: hillebrand van der aa
Artist role: painter, print maker
Artist dates: 1659 – 1721
Subjects: historical persons

Prent waarschijnlijk uit: Principium et illustrium quorundam virorum (...). Leiden: Pieter van der Aa, [1710-1720].
Arhats
Object type: hanging scroll
Date: 1367 – 1400
Materials: ink, silk
Culture: japanese
Subjects: men,buddhism

According to Buddhist scripture, arhats (Japanese: rakan) are protectors of the Dharma who also use assorted magical powers to assist the faithful. They were frequently depicted in groups of eight, sixteen, eighteen, twenty-eight, or five hundred. The arhats pictured were originally part of a group of sixteen (of which only seven are extant) once owned by Hokokuji, a temple on the island of Shikoku. Each arhat in the set is identified by a cartouche at the upper right or left.
Gezicht op de Barentszzee
Object type: sketchbook leaf
Date: 1880 – 1880
Materials: chalk, paper, watercolor
Location: barentsz sea
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: sea (seascape)

Blad 4 recto uit een schetsboek met 35 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Knoop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: button
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knoop. Button; conical, radially fluted, lead-filled, loop-shank.
Portret van Willem II, koning der Nederlanden
Object type: print
Date: 1849 – 1880
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: the hague, william ii of the netherlands

Portret van Willem II in een ovaal van treurwilgtakken. Midden boven een kroon. Midden onder een strik. In de ondermarge zijn naam, zijn titels en drie regels Nederlandse tekst.
Portret van Johannes Oecolampadius
Object type: print
Date: 1580 – 1580
Materials: paper
Techniques: letterpress printing
Location: geneva
Subjects: theologian, historical persons

Prent uit: Beze, Theodore de. Icones id est verae imagines virorum doctrina simul et pietate illustrium (...). Genève: Jean de Laon, 1580. Prent ook gebruikt in: Beze, Theodore de. Les vrais pourtraits des hommes illustres en piete et doctrine (...). Genève: Jean de Laon, 1581.
Ex libris van Bibliothèque de Th. de Jonghe
Object type: bookplate
Date: 1800 – 1899
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Christus in een slee, over het ijs getrokken door schaatsende engelen
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: etching
Location: paris
Subjects: skates (winter sports), christ-child together with others
Inscriptions: collector's mark: Lugt 2228

Prent uit: Giron, Aimé. Le sabot de Noël. Paris: Ducrocq, 1863, p. 42.
Tombak Gilded Plaque
Object type: plaque
Date: 1501 – 1600
Materials: copper
Techniques: chasing, engraving, gilding
Location: turkey

This plaque is engraved with a symmetrical arabesque pattern against a ring-punched ground and terminates in two trefoils. It was probably one of a set adorning a large door, as can be seen in examples in the Suleymaniye Mosque and the Topkapi Palace in Istanbul. Three of the seven rivets used for attachment remain.
Vaas met bloemen
Object type: drawing
Date: 1692 – 1749
Materials: ink, paper, pencil
Techniques: brush, pen
Subjects: flowers in a vase
Aandeel van de Societé anonyme d'Horticulture et de Botanique de Gand
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: engraving, etching
Artist: charles onghena
Artist role: print maker
Artist dates: 1806 – 1886
Subjects: stock exchange, stock-market, ghent
Inscriptions: collector's mark: Lugt 2228
Askenazim (German Jews)
Object type: page
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Location: jerusalem
Artist: Anonymous
Subjects: the jews, jewish life, anonymous historical persons portrayed in a group, in a group-portrait
Studie van een schedel
Object type: drawing
Date: 1812 – 1861
Materials: ink, paper, pencil
Techniques: pen
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: (human) skull
Hair ornament
Object type: hair ornament
Date: 960 – 1279
Materials: coral
Location: china
Artist: Anonymous

Haarsieraad, in haut-reliëf versierd met vleermuizen en perziken.
Portret van N.F. von Steiger
Object type: print
Date: 1769 – 1789
Materials: paper
Techniques: etching
Location: zeeland
Subjects: augsburg
Inscriptions: collector's mark: Lugt 2228, inscription: ‘N 125’

Busteportret van N.F. von Steiger, in toga. Het portret is gevat in een ovale omlijsting. In de marge de naam en functie van geportretteerde.
Imagini di moltes vergini Rom nel martirio
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: rome
Subjects: martyr(s) (often with palm-branches) - qq - female martyr
Inscriptions: number: ‘28’

Deze prent maakt deel uit van een reeks van 73 prenten (+ titelprent) met voorstellingen van Romeinse martelaressen.
Beck Hall
Object type: page
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Location: cambridge
Artist: Anonymous
Subjects: university building, college, façade (of house or building)
Inscriptions: number: ‘(34) (38)’
Duit van de stad Utrecht, 1764
Object type: coin
Date: 1764 – 1764
Materials: copper
Techniques: striking
Location: utrecht

Koperen munt. Voorzijde: gekroond stedelijk wapenschild, gehouden door twee leeuwen met in afsnede dikke lijn, waaronder een versierde accolade met een grote schelp. Keerzijde: opschrift in twee regels, waaronder jaartal. Jaartal met Arabische 1.
Upper right chest of queen in pleated garment and elaborate broad collar, with cartouches of the Aten
Object type: right chest of queen, collar, aten cartouch
Date: 1353 – 1336
Materials: quartzite
Location: egypt
Brief aan Philip Zilcken
Object type: letter
Date: 1905 – 1905
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: painter, philip zilcken, the graphic arts, exhibition ~ art, venice
Inscriptions: collector's mark: ‘RPK’, watermark
Faust
Object type: print
Date: 1925 – 1925
Materials: paper
Techniques: letterpress printing, lithograph
Location: berlin
Subjects: faust
Inscriptions: date
Geblinddoekte stier
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: etching
Location: netherlands
Subjects: bullfight
Inscriptions: collector's mark: Lugt 2228
Twee jagers en het melkmeisje
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: theodoor koning
Artist role: print maker
Artist dates: 1748 – 1829
Subjects: hunter, milkmaid
Inscriptions: collector's mark: Lugt 2228

Twee jagers vallen door de muur van een schuurtje naar buiten en laten daardoor de jonge vrouw bij de boom schrikken. Deze afbeelding vertoont een scène uit de klucht 'De twee jaagers en het melkmeisje'.
Bloed van Christus stroomt in miskelk
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: blood spouting from christ's wounds
Inscriptions: collector's mark: Lugt 2228

Christus staat naast het kruis. Het bloed stroomt uit de wond in zijn zijde in een miskelk. Links op de achtergrond een wijnpers. In de marge een tweeregelig Bijbelcitaat uit Heb. 12 in het Latijn.
Portret van Haidar Ali, sultan van Mysore
Object type: book illustration
Date: 1805 – 1811
Materials: paper
Techniques: etching
Location: paris
Subjects: historical persons, ruler, sovereign

Prent uit: Galerie historique des hommes les plus célèbres (...). Parijs: Charles Paul Landon, 1805-1811.
Orphrey Band
Object type: textile
Date: 1375 – 1400
Materials: gilt, hemp, linen, metal, textile, silk
Techniques: embroidery, laid work, weave, silvered, stitching
Location: england
Portret van Paolo Zacchia
Object type: print
Date: 1816 – 1833
Materials: paper
Techniques: lithograph
Location: france
Subjects: rome, historical persons, physician, doctor (+ portrait of scholar, scientist)
Textile Fragment
Object type: textile fragment
Date: 901 – 1000
Materials: linen, metal thread, silk
Techniques: embroidery
Location: egypt
Harlekijn als destillateur
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: types in 'commedia dell'arte': harlequin, distilled spirits
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Zutphen, Pelgrom van. Pseud. van Wilhelmus van Swaanenburg. Arlequin distelateur, of De overgehaalde nouvelles; zynde een werk immers zo dwaas (...) dewyl het (...) vertoont alle de hokken van het dolhuis dezer geheele wéreld. Amsterdam: Antony van Aeltwijk (wed.), 1726.
Vase
Object type: vase
Date: 1367 – 1400
Materials: porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: flowers,leaves
Journal des Dames et des Modes 1821, Costume Parisien (2009)
Object type: fashion print
Date: 1821 – 1821
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: head-gear, fashion plates
Inscriptions: date

Prent uit het tijdschrift Journal des Dames et des Modes, 1821.
Het boerenliefdespaar
Object type: print
Date: 1650 – 1654
Materials: paper
Techniques: drypoint, etching
Location: haarlem
Artist: adriaen van ostade
Artist role: draughtsman, painter, print maker
Artist dates: 1610 – 1685
Subjects: couple of lovers
Inscriptions: collector's mark: Lugt 240
Mary, Queen of Scots kneeling on the scaffold
Object type: print
Techniques: engraving
Location: england
Artist: william nelson gardiner
Artist role: artist
Artist nationality: british
Artist dates: 1766 – 1814
Subjects: queens,men,women,execution,mary queen of scots

This print reproduces one of a set of designs commissioned from Rigaud in 1789 by the 4th Early of Abingdon to complement a musical piece he had written on Mary's final hours and death. Rigaud's drawing for the print was exhibited at the Royal Academy, London in 1791 and is now unlocated.
Amphora
Object type: amphora
Date: 1125 – 1050
Materials: terracotta
Culture: cypriot

Bands, and concentric circles on neck and shoulder.
Netsuke
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: children,men
Manchet van applicatiekant met ronde cartouches
Object type: cuff
Date: 1850 – 1850
Materials: textile, cotton
Techniques: lace
Location: netherlands
Artist: Anonymous

Manchet van naturelkleurige applicatiekant: batist geappliceerd op machinale tule. Het zich herhalende patroon bestaat langs de onderrand uit twee c-voluten die een min of meer rond cartouche vormen. In elk cartouche staat een driebladig motiefje. De cartouches zijn onderling met elkaar verbonden door één paar slingertjes van opengewerkte cirkeltjes. Hierboven staat een strooipatroon van moesjes en kleine bloempjes of blaadjes. De bovenzijde is afgewerkt met een zoompje. De schulpenrand aan onderzijde loopt door in beide korte zijden is afgewerkt met picots. De manchet kan worden gesloten door middel van twee haakjes.
Portret van Louis Gallait
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: drypoint, etching, retroussage
Artist: willem philip van der veken
Artist role: print maker
Artist dates: 1863 – 
Subjects: print maker, draughtsman, louis gallait, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166
Portret van William Woodward
Object type: page
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Subjects: historical persons
Saint John the Baptist
Object type: drawing
Date: 1601 – 1700
Materials: ink, paper
Techniques: brush, pen, wash
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: saint john the baptist
Ontwerp voor een de Nieuwe Beurs in Amsterdam
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: letterpress printing, engraving
Location: haarlem
Subjects: stock exchange, stock-market
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Handel en Zeevaart, D. Beurs-Ontwerpen.
Orphrey woven with figurative repeat design of Seraphim and the Virgin and Child
Object type: orphrey fragment
Date: 1401 – 1600
Materials: linen, silk
Subjects: angels,jesus
Heilige Catharina van Siena met het Christuskind, Maria, een slapende Johannes de Doper en een paus Clemens I
Object type: print
Date: 1597 – 1597
Materials: paper
Techniques: engraving
Location: rome
Subjects: mary and the christ-child with john the baptist (as child), the virgin and dominican tertiary, catherine of siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata
Inscriptions: collector's mark: Lugt 240