deem-data/ArtiFact huggingface dataset:
Woman Folding Cloth
Object type: woodblock print
Date: 1760 – 1849
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: boys,women

In this suggestive scene, a woman measures cloth while her young son peeks under her skirts.The poem reads as follows: Mother unfolds her child's tucked-up dresses; The day has also become longer With the spring.
A Young Man Standing before a Garden Fence
Object type: print
Date: 1763 – 1763
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: men,flutes,flowers
Coney Island, from the Fancy Bathers series (N187) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: profiles,women

Trade cards from the "Fancy Bathers" series (N187), issued in an unnumbered set of 50 cards in 1889 by Wm. S. Kimball & Co.
Jeff Davis on His Own Platform, or the Last "Act of Secession"
Object type: print
Date: 1861 – 1862
Techniques: lithograph
Artist: currier & ives
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1907
Subjects: satire,american civil war,men,politics
Ganymede, leaning on an eagle, receiving the cup from Hebe
Object type: print
Date: 1786 – 1786
Techniques: engraving
Artist: benoît louis henriquez
Artist role: artist
Artist nationality: french
Artist dates: 1732 – 1806

The print is incorrectly titled "Enlevement de Ganymede" (The Rape of Ganymede) on the plate.
Synodi Dordracenae delineatio
Object type: print
Date: 1619 – 1619
Materials: silk
Techniques: engraving
Location: northern netherlands
Subjects: organizations, assemblies, etc. in protestant churches

Grote plaat met een voorstelling van de opening van de nationale synode te Dordrecht op 13 november 1618 gedrukt op zijde. De voorstelling geeft een overzicht van de grote zaal met alle aanwezigen en toeschouwers. Elementen in de voorstelling zijn met cijfers aangeduid die in de legenda rechts worden verklaard. Links een Latijnse tekst en een gedicht van Cats getiteld 'Ghedicht op de Ghedenck-weerdighe Nationale Synode ghehouden tot Dordrecht, Anno 1618. ende 1619'.
Strook kloskant met vrouwenborstbeeldje
Object type: strip
Date: 1700 – 1724
Materials: linen
Techniques: lace
Location: brussels
Artist: Anonymous

Strook naturelkleurige Brusselse kloskant. Het patroon bestaat uit vele kleine motiefjes, waarbij het vrouwenborstbeeldje in het midden opvalt. Langs de onderzijde zijn veelal c-vormige motiefjes aaneengeschakeld tot een rand met schulpjes. De motieven zijn met elkaar verbonden door gepicoteerde vlechten. De motieven zijn gemaakt in linnenslag met uitsparingen, deels met opengewerkte randjes en deels met gekloste reliëfcontouren. Er zijn verschillende siergronden toegepast in de motiefjes, waaronder een siergrond met vierkantjes gemaakt in vormslag. De bovenzijde is recht afgewerkt. De schulpjes langs onderzijde zijn afgewerkt met picots.
Moordaanslag op de heilige Norbertus wordt verijdeld
Object type: book illustration
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: martyrdom, suffering, misfortune, death of st. norbert, hacking and thrusting weapons: dagger

Een jongeling wordt door wachters voor de heilige Norbertus gebracht. De jongen had een dolk verborgen onder zijn kledij. De prent heeft twee Latijnse opschriften: een boven en een onder de voorstelling.
Terracotta rim fragment of an oinochoe (jug)?
Object type: oinochoe fragment
Date: 475 – 425
Materials: terracotta
Culture: greek, attic

Black glaze rim fragment from an oinochoe?
Summer retreat in the eastern grove
Object type: handscroll
Materials: ink, paper
Culture: chinese
Artist: wen zhengming
Artist role: artist
Artist nationality: chinese
Artist dates: 1470 – 1559
Subjects: landscapes

This poem, written in the running-script style of Huang Tingjian (1045–1105), is one of two poems by Wen appended to this painting. Both texts reveal Wen Zhengming's early study of the Northern Song master's large-scale calligraphy. Wen Zhengming devoted his life to the revival and creative reinterpretation of the expressive traditions of Song and Yuan painting and calligraphy. Wen particularly admired the writing style of Huang Tingjian, a passion he acquired from his mentor Shen Zhou (1427–1509). Wen's bold calligraphy stands in marked contrast to the officially sanctioned standard-script style practiced by court bureaucrats and reflects his independent nature. A final colophon by Wen explains the circumstances surrounding the poems' creation. Wen wrote the poems in 1512 for his friend Qian Tongai (1475–1549). The poems were subsequently acquired by Nanzhou, abbot of the Tianwang Temple. When Wen visited Nanzhou in 1515 he saw his poems and appended his colophon.
Bodhisattva
Object type: statuette
Date: 901 – 1000
Materials: bronze, wax
Techniques: casting
Culture: chinese
Subjects: lotuses,buddhism,bodhisattvas

Excavations in the southeast province of Zhejiang have uncovered numerous sculptures with complicated, multitiered stands, made when the region was under the control of the independent Wuyue kingdom (ruled by the Qian family). The bodhisattva in this sculpture sits on an amazing lotus pedestal composed of fifty-four individual petals. Although the bodhisattva cannot be conclusively identified, the small covered vessel in his left hand suggests that he may be associated with the practice of medicine.
Chalice
Object type: chalice
Date: 1701 – 1800
Materials: gilt, silver
Netsuke of Seated Dog (one of a pair)
Object type: netsuke
Date: 1867 – 1933
Materials: amber
Culture: japanese
Subjects: dogs
A Lady with Attendants
Object type: painting
Date: 1775 – 1780
Materials: ink, paper, watercolor
Culture: india, pahari hills, kangra
Artist: nainsukh
Artist role: artist
Artist nationality: indian
Artist dates: 1725 – 1778
Subjects: women

This sketch fits within the body of preparatory work by the Seu family painter Nainsukh. In particular, the facial features and the drapery conventions are elements that relate to a well-known series by him. The use of light color washes provides insight into how this artist worked toward finished paintings.
Coin Depicting the Hero Herakles
Object type: coin
Date: 168 – 168
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Inscriptions: Reverse: ΘEΣ[ΣAΛO] NIKE ΩN

The front (obverse) of this coin depicts the hero Hercules, facing right, wearing his signature lion skin cloak tied around his neck. The back (reverse) shows a club.

Herakles was the consummate hero. Temples across Greece and South Italy were dedicated to him, the son of Zeus, and Romans, who knew him as Hercules, celebrated him as a role model. With brute force, determination, and just enough cleverness, Herakles completed his famous Twelve Labors to become immortal. Herakles is readily identifiable by his knobby club and lion’s skin. The latter refers to his First Labor, in which he killed a magical beast who was ravaging the town of Nemea. The lion’s invincible hide made him immune to weapons, so Herakles strangled him and took his pelt.
The Entrance to a Forest by a Small Wooden Bridge
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: anthonie waterloo
Artist role: artist
Artist nationality: dutch
Artist dates: 1609 – 1690
Subjects: bridges,forests
Knielende wenende vrouw (Maria Magdalena?)
Object type: drawing
Date: 1610 – 1630
Materials: chalk, paper
Location: verona
Artist: Anonymous
Subjects: kneeling figure - aa - female human figure, the penitent st. mary magdalene (often before a cave, possibly at la sainte-baume hill): her long hair covers her (naked) body, she reads, meditates or raises her tear-filled eyes towards heaven, crucified christ with mary magdalene, who usually weeps and embraces the cross, weeping
Saucer
Object type: saucer
Date: 1701 – 1900
Materials: soft paste porcelain
Subjects: bow and arrow,flowers
Finland, tsaar Alexander II, 50 penniä, 1865
Object type: coin
Date: 1865 – 1865
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: dubbelkoppige gekroonde adelaar met gespreide vleugels en met op zijn borst een met een ridderorde omhangen wapenschild van Finland en in zijn poten een scepter en een gekroonde bol. Boven de adelaar een kroon met lint. Keerzijde: tussen twee samengebonden takken in twee regels waarde-aanduiding, waaronder jaartal. Kartelrand.
H. Helena
Object type: print
Date: 1619 – 1675
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: empress helena, mother of constantine the great; possible attributes: model of church, (royal) crown, crown of thorns, cross, three nails
Inscriptions: collector's mark: Lugt 240
Tabakspijp, waarop PETER DORNI
Object type: tabakspijp
Date: 1400 – 1950
Materials: clay
Artist: Anonymous
"Radauthal vom Bärenstein", Harz, Duitsland
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: photoaquatint
Location: germany
Subjects: harz
Inscriptions: number: ‘13.’, inscription: ‘Stengel & Co., Dresden 1898.’, inscription: ‘3243. Radauthal vom Bärenstein’

Gezicht op het Radauthal vanuit een hoog standpunt, 'vanaf Bärenstein'. Bärenstein is een plaats in de Duitse deelstaat Saksen, en maakt deel uit van het district Erzgebirgskreis. Het opschrift 'vom Bärenstein' doet echter vermoeden dat het om een berg/rots gaat.
Portret van een zittende peuter
Object type: album leaf
Date: 1874 – 1874
Materials: cardboard, photographic support
Techniques: albumen print
Location: batavia
Subjects: sitting figure, historical persons, tot, toddler ~ the ages of man
Inscriptions: inscription: ‘Atelier/ Petz & Co./ JAVA/ Batavia./ Portretten in elke grootte & genre./ Nabestellingen worden zelfs na/ verloop van jaren geeffectueerd.’, date: ‘2 Maart 1874’
Celeberrimi ad pacificandum Christiani nominis orbem legati Monasterium et Osnabrugas (...)
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Subjects: diplomaat, raadsheer, afgezant, jobst christoph kress von kressenstein (i)
Inscriptions: collector's mark: Lugt 2233

Portret van Jobst Christoph Kress von Kressenstein, in ovaal met randschrift. Boven het portret het wapen van Neurenberg, onder het familiewapen van Kress von Kressenstein.
Man op klompen op een kruk
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: etching
Artist: félicien rops
Artist role: draughtsman, print maker
Artist dates: 1833 – 1898
Subjects: old man
Inscriptions: collector's mark: Lugt 2228
Head of a Child
Object type: sculpture
Date: 300 – 101
Materials: terracotta
Culture: greek
Location: greece
Needlecase
Object type: needle case
Date: 1805 – 1810
Materials: canvas, silk
Subjects: flowers
Punch pot
Object type: punch pot
Date: 1755 – 1755
Materials: enamel, soft paste porcelain
Artist: longton hall
Artist role: maker
Artist nationality: british
Artist dates: 1744 – 1760
Subjects: grapes

This punch pot was intended for the serving of an alcoholic punch, and its contents are suggested by the overlapping vine leaves and small bunches of grapes that decorate its surface. The pot was made at the Longton Hall factory in Staffordshire which frequently employed low-relief motifs drawn from nature as the primary decoration of its wares.
Scene from a Play
Object type: print
Date: 1780 – 1780
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shunjō
Artist role: artist
Artist nationality: japanese
Artist dates: 1700 – 1787
Subjects: men,actors
Bloedooievaarsbek?
Object type: drawing
Date: 1815 – 1830
Materials: paper
Techniques: drawing
Artist: Anonymous
Nicaise de Keyser, penning geslagen door zijn leerlingen en vrienden
Object type: honorary medal
Date: 1839 – 1839
Materials: bronze
Techniques: striking
Location: brussels
Artist: laurent joseph hart
Artist role: die cutter
Artist dates: 1810 – 1860
Subjects: nicaise de keyser

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: trophee, opgebouwd uit wapentuigen artistieke voorwerpen binnen omschrift
Peasant House with Pond
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: drypoint, engraving, etching
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Portret van een man, aangeduid als rev. A.B. Parker
Object type: photograph
Date: 1843 – 1847
Materials: photographic support
Techniques: salted paper print
Location: edinburgh
Subjects: functionaries and dignitaries (with name) ~ protestant churches, historical persons
Inscriptions: inscription: ‘Rev A B Parker/ Lesmatijo [?]/ A14’
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Techniques: compound weave
Culture: japanese
Subjects: swans,fish,flowers
Combined Brandistock and Musket Rest
Object type: arm
Date: 1601 – 1700
Materials: steel
Culture: italian
Location: northern italy
Teabowl
Object type: teabowl
Date: 1750 – 1750
Materials: clay, glaze
Techniques: overglaze
Culture: japanese
Glass Vessel Fragment
Object type: vessel fragment
Date: 1390 – 1353
Materials: glass
Location: upper egypt, thebes
Portret van Hendrik VIII van Engeland
Object type: print
Date: 1539 – 1547
Materials: paper
Techniques: hand coloring
Location: antwerp
Subjects: equestrian state-portrait, king
Inscriptions: number: ‘196’, address: ‘Gedruckt Thantwerpen op die lombaerde veste in de witte haeswint by my Hans Liefrinck Figuer snijder.’

Herdruk VIII te paard in wapenrusting. Het paard draagt een dubbel dekkleed met vliegende kwasten. Het wapen van Engeland met de Orde van de Kousenband linksboven. Vijf regels tekst in het Nederlands boven de ruiter, één eronder. Navolging van Hol 22 door andere hand.
Halve stuiver of Fries butken van Friesland
Object type: coin
Date: 1590 – 1610
Materials: silver
Techniques: striking
Location: leeuwarden

Koper-zilveren munt. Voorzijde: tussen waarde-aanduiding F B gekroond wapenschild van Friesland. Keerzijde: lang dubbellijnig versierd kruis met in hart leeuwtje en in hoeken de letters B, F, B en F.
Mitaine van machinale kant in blauw nylon
Object type: mitt
Date: 1955 – 1960
Materials: cotton, plastic
Techniques: weave
Location: netherlands
Artist: Anonymous

Rechtermitaine in blauw nylon. Uit machinaal vervaardigd kant met bloempatroon.
Twee tuinmannen
Object type: print
Date: 1809 – 1899
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: gardening
Inscriptions: collector's mark: Lugt 2228

Een man is op de rug gezien, hij draagt een mand op zijn schouder. De figuur rechts van hem draagt een plunjezak aan een stok over zijn schouder.
Hotel de ville, Louvain
Object type: page
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Location: leuven
Subjects: townhall, façade (of house or building)
Synagogue des Juifs Portugais, à Amsterdam / Simcha Tora ou Ioye pour la Loy / Maniere de conduire les epoux de la Loy, chez eux
Object type: print
Date: 1725 – 1727
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: 'simhat torah', rejoicing in the law ~ 'sukkot', 'simhat torah' procession: the 'hatan torah' and the 'hatan bereshit' are escorted in procession with torches and music from their homes to the synagogue and back, 'sephardim' ~ jewish communities, the synagogue (as building and place of worship ~ jewish religion), amsterdam
Inscriptions: collector's mark: Lugt 240

Blad met twee voorstellingen van joodse gebruiken rond de viering van Simchat Thora of Vreugde der Wet. Boven: in de Portugese Synagoge te Amsterdam is de kast waarin de boekrollen worden bewaard geopend. Aan de linker zijde van de kast zit een zogeheten bruidegom van de wet met de boekrol Beresjiet (Genesis) en aan de rechter zijde een bruidegom van de wet met de laatste boekrol van de Thora: Dewariem (Deuteronomium). Onder: de bruidegoms van de wet, de lezers van de Thora, worden in een processie met fakkels begeleid op het feest van Simchat Thora of Vreugde der Wet. Onder de afbeeldingen een toelichting in het Frans.
Portret van Jacob van Heemskerck
Object type: print
Date: 1676 – 1676
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, jacob van heemskerck, helmet, armour, battle (+ naval force), historical persons, baton of general, commander-in-chief, admiral

Prent uit: Bos, Lambert van den. Leeven en daden der doorluchtighste zee-helden. Amsterdam: Jan Claesz. ten Hoorn en Jan Bouman, 1676. Andere staat gebruikt in de 1683-editie van dit werk.
Knipsot
Object type: hasp lock
Date: 1400 – 1950
Materials: iron
Politieagent bij een huilende Hans
Object type: drawing
Date: 1915 – 1935
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: d. viel
Artist role: draughtsman
Subjects: policeman, constable, weeping, street (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘Hoe Hans reisde’, signature: ‘D Viel.’, collector's mark: Lugt 2228, :

In een straat zit Hans huilend op een stoep. Op zijn rug is een vel papier vastgemaakt waarop onder andere staat: 'Ik ben Hans' en 'oom Jansen'. Een politieagent kijkt naar Hans.
Flagon
Object type: glass
Date: 1701 – 1800
Materials: glass, pewter
Location: belgium
Markttafereel
Object type: print
Date: 1611 – 1650
Materials: paper
Techniques: engraving, etching
Artist: nicolas de son
Artist role: print maker
Subjects: stall, booth (~ market), merchant, salesman
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Gezicht op een marktplein met links vooraan een kraam met schilderijen.
Chest with a Single Drawer
Object type: chest of drawer
Date: 1567 – 1633
Materials: copper gilt, gold, lacquer, mother of pearl
Techniques: hiramakie, inlay
Culture: japanese
Subjects: birds,leaves,chests

This spectacular chest belongs to a category of goods known as nanban (literally southern barbarians), produced for trade with Portugal and other European countries in the late sixteenth and early seventeenth centuries. While the shape of the chest derives from European traditions, the geometric patterns on the top and sides were most likely influenced by the Indian textiles that were widely traded at the time. On the other hand, the delicate floral scroll on the front is an East Asian motif, imported into Japan from China around the eighth century.
Bénitier
Object type: bénitier
Date: 1701 – 1800
Materials: gilt bronze
Maria zoogt het Christuskind
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ-child suckling, or beginning to suckle, e.g. mary uncovering her breast ~ madonna-representations (+ angel(s)), mary devotion, consoling the sorrowful ~ one of the (seven) spiritual acts of mercy
Inscriptions: collector's mark: Lugt 2228

Maria zoogt het Christuskind dat bij haar op schoot zit. Ze zijn omringd door musicerende engelen. De voorstelling is gevat in een omlijsting van kralen. In elke hoek een medaillon met scènes van Maria die troost biedt aan de behoeftigen. In de cartouche onderaan bidden de gelovigen tot Maria. De prent heeft een bovenschrift in het Latijn.
Soldaten betreuren gesneuvelde soldaat
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: etching
Location: germany
Subjects: mourning customs, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228
Portret van Matthew Fontaine Maury
Object type: print
Date: 1850 – 1884
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: matthew fontaine maury, astronomy (and cosmography) (+ portrait of scholar, scientist), historical persons
Earring-hook type with pendant
Object type: earring hook type with pendant
Date: 7000 – 330
Materials: gold
Harness Ornament
Object type: harness ornament
Date: 1301 – 1400
Materials: copper, enamel, gold
Culture: british
Location: england

Heraldry, or coat-of-arms, were vitally important in Europe throughout the Middle Ages and the Renaissance. Heraldic emblems were used to identify noble families, cities, regions, and even countries. In addition to being displayed on shields and flags, heraldry was incorporated into architectural decoration on the interior and the exterior of buildings, on furniture, works of art, clothing, and horse equipment. Harness pendants, like this example, would have been attached to a headstall, bridle, or other straps making up the tack of a horse ridden by a nobleman or noblewoman, or a member of their household. Many harness pendants also have decoration that is simply ornamental, or have symbols that are not specifically heraldic in nature.
Casa di Marco Olconio. (Pompei)
Object type: photograph
Date: 1860 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: pompeii
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: villa, excavation ~ archaeology, pompeii
Inscriptions: number: ‘5337’

Onderdeel van Fotoalbum met opnames van opgravingen in Pompeï door Giorgio Sommer.
Schetsboek LXI met 20 bladen
Object type: sketchbook
Date: 1875 – 1934
Materials: cardboard, linen, paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult man (+ standing), cabaret-artiste, picture, painting
Inscriptions: factory mark: ‘Series B 52 / Size 7 1/2 x 5 in. / The "Euston" Sketch Book / containing 30 leaves of cartridge paper. / Manufactured by / Geo. Rowney & Co., Ltd., / artists' colourmen & pencil makers, / London, W., England. / [...]’, collector's mark: Lugt 2228, retailer's mark: ‘W.M. Stam / Den Haag / 15 Papestraat’

Schetsboek nr. LXI bestaande uit 20 bladen met artiesten en studies van een schilderij op een ezel.
Italiaanse en Duitse landschappen
Object type: print
Date: 1710 – 1747
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: annunciation of christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 240

Landschap met de verkondiging aan de herders. De prent maakt deel uit van een 40-delige serie prenten met voorstellingen van Italiaanse en Duitse landschappen.
Five-Lobed Bead
Object type: bead
Date: 1902 – 1902
Materials: jade
Culture: guatemala or mexico
Tripod incense burner
Object type: incense burner
Date: 1736 – 1795
Materials: enamel, gilt bronze
Techniques: enamel
Culture: chinese
Staande olifant, van achteren, en een poot
Object type: drawing
Date: 1732 – 1789
Materials: chalk, paper
Artist: petrus camper
Artist role: draughtsman, print maker
Artist dates: 1722 – 1789
Subjects: trunked animals: elephant
Terracotta kantharos (drinking cup with high handles)
Object type: kantharos, sessile
Date: 450 – 425
Materials: terracotta
Culture: greek, attic

Impressed with horizontal wreath of palmettes.
Unser Kaiserhaus
Object type: photograph
Date: 1906 – 1906
Materials: paper
Techniques: gelatin silver print
Location: berlin
Artist: ferdinand keller
Artist role: fotograaf
Subjects: wilhelm ii (keizer van duitsland), augusta victoria (keizerin van duitsland), family of a ruler, and court, anonymous historical persons portrayed in a group, in a group-portrait, berlin
Praecipua aliquot Romanae Antiquitatis Ruinarum Monimenta (...)
Object type: book illustration
Date: 1561 – 1561
Materials: paper
Techniques: etching
Location: vicenza
Artist: giovanni battista pittoni (i)
Artist role: print maker
Artist dates: 1520 – 1583
Subjects: ruin of a building ~ architecture, landscape with ruins
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks illustraties voor het traktaat van Vincenzo Scamozzi 'Discorsi sopra le antichità di Roma', Venetië 1582. De prenten zijn vrije kopieën naar een serie prenten van Hieronymus Cocks die voor het eerst werd uitgegeven in 1551 (Hollstein 22-47).