deem-data/ArtiFact huggingface dataset:
Posities van de Nederlandse en Engelse schepen bij de zeeslag bij Doggersbank, 1781 (plaat II)
Object type: print
Date: 1781 – 1783
Materials: paper
Techniques: engraving, etching, hand coloring
Location: northern netherlands
Subjects: the hague, johan arnold zoutman, hyde parker, battle arrays (+ sailing-ships)
Inscriptions: collector's mark: Lugt 2228

Posities van de Nederlandse en Engelse schepen bij Doggersbank op 5 augustus 1781 tussen de Nederlandse vloot onder schout-bij-nacht Johan Zoutman en de Engelse vloot onder vice-admiraal Hyde Parker. Plaat II met de figuren 6-8. In het onderschrift de legenda met de namen van de betrokken oorlogsschepen.
Titelpagina voor: Adriaan de Kramer, Alle de werken, Tweede Deel, 1737
Object type: titelblad, titelpagina
Date: 1737 – 1737
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, symbolic representations, allegories and emblems ~ poetry; 'poesia' (ripa), crowning with laurel, grave, tomb and other grave-forms and grave-markers
Inscriptions: collector's mark: Lugt, collector's mark: Lugt 2760

Poëzie treurt om de dood van de schrijver Adriaan de Kramer. Ze wordt vergezeld door putti met attributen die de kunsten symboliseren. Op de achtergrond het grafmonument met het portret van de schrijver. In de hemel wordt hij gelauwerd, omringd door muzen. In de omlijsting van de cartouche een gezicht op Amsterdam, geflankeerd door twee riviergoden. Op de bovenhoeken putti met Vanitas symbolen.
Cup and saucer with taoist symbols
Object type: kop en schotel, kop en schotel
Date: 1700 – 1724
Materials: glaze, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Kop en schotel van porselein met zesmaal gelobde rand, beschilderd op het glazuur in rood en goud. Op het plat van de schotel een bloemenmand met paddestoelen (lingzhi), hieromheen de acht taoïstische symbolen (kalebas, fluit, castagnetten, slaginstrument, lotus, waaier, zwaard, fruitmand); kop met dezelfde decoratie. Bodem van de kop met barsten. Melk en bloed.
De acht wereldwonderen
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: sculptor at work, artemisia erects a monument to the memory of her dead husband, mausoleum at halicarnassus (wonder of the world)
Inscriptions: collector's mark: Lugt 2228

Het mausoleum van Halicarnasse, de graftombe van koning Mausolus, een Perzische stadsvorst van Halicarnassus uit de 4e eeuw v. Chr. Het werd na zijn dood in 353 v. Chr. gebouwd in opdracht van zijn weduwe, koningin Artemisa. Het graf heeft een rechthoekige vorm en bovenop het bouwsel staat een strijdwagen. Op de voorgrond de koningin onder een parasol, begeleid door bedienden. Linksvoor zijn beeldhouwers een kop aan het hakken. De prent heeft een Latijns onderschrift en maakt deel uit van een serie over de acht wereldwonderen..
Title-page, from Landscapes (Verscheyden aerdige Lanthuysen...)
Object type: print
Date: 1620 – 1620
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: claes jansz. visscher
Artist nationality: netherlandish
Artist dates: 1550 – 1612
Inscriptions: Lettered upper center: "1620" and in cartouche: "Verscheyden aerdige Lanthuysen nae t'leven Gekonterfeyt deur ABloemaert t'Amsterdam by CIVisscher."
Westland
Object type: print
Date: 1925 – 1925
Materials: paper
Techniques: etching, intaglio
Artist: arend hendriks
Artist role: print maker
Artist dates: 1901 – 1951
Subjects: cultivated land, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Wilgen langs een oever
Object type: cognizance
Date: 1621 – 1635
Materials: paper
Techniques: etching, letterpress printing
Location: paris
Subjects: trees: willow
Inscriptions: collector's mark: Lugt 240

Voorstelling van een rij wilgen langs een oever. Boven en onder deze prent Latijnse en Franse teksten in boekdruk. Dit blad is onderdeel van de embleemserie 'Kloosterleven in emblemen'. De tweede staat van deze serie behelst naast een geïllustreerde titelpagina en 26 emblemen nog een titelpagina en een blad met opdracht, beide in boekdruk zonder afbeelding.
Portret van Pierre Louis Dulong
Object type: print
Date: 1830 – 1856
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, physicist, historical persons
Inscriptions: collector's mark: Lugt 2228a
Emblematische figuren
Object type: print
Date: 1533 – 1567
Materials: paper
Techniques: engraving
Location: italy
Artist: francesco salviati
Artist role: draughtsman, painter, print maker
Artist dates: 1510 – 1563
Subjects: city-view, and landscape with man-made constructions, luck, fortune, lot; 'fato', 'fortuna', 'fortuna aurea', 'fortuna buona', 'fortuna pacifica overo clemente', 'sorte' (ripa) (+ emblematical representation of concept)
Inscriptions: collector's mark: Lugt 240

Een man knielend in gebed in een landschap. In de lucht een ster, omgeven door een wolkenpartij waaraan een grote ketting hangt. Onderaan een regel Latijnse tekst.
Open Bowl in the Form of a Jaguar
Object type: vessel
Date: 600 – 900
Materials: ceramic, pigment
Techniques: modeling, painting
Location: isla de ometepe
Subjects: animals
Gezicht op de Nieuwezijds Voorburgwal
Object type: cabinet photograph
Date: 1875 – 1884
Materials: paper, cardboard
Techniques: collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', canal, street
Inscriptions: inscription: ‘N.Z. Voorburgwal v/d demping. / 101.’, collector's mark: ‘14.63’ Lugt 1641b, stamp: ‘Gebr. Douwes / Atelier / Grimburgwal 15 / Amsterdam.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Verhulststraat (Johannes), Viaducten, Vierwindenstraat, Vinkenbuurt, Vinkenpad, Vinkenstraat, Vischsteeg, Vliegendesteeg, Voetboogstraat, Volewijk, Vondelstraat, Voorburgwal (N.Z.).
Cap crown
Object type: cap crown
Date: 1734 – 1766
Techniques: lace
Humility versus Pride; a young man imploring an older man with other figures in front of them; folio 75 (recto) from the Madrid Album "B"
Object type: drawing
Date: 1796 – 1796
Techniques: brush, wash
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,women

The captions referring to contrasting moral conditions on either side of this sheet form a linguistic bond. As with many of Goya’s captions, however, they relate to the images obliquely, generating questions rather than describing. The haughty man at right here has been identified as Napoleon Bonaparte. He approaches a group of figures who adopt various attitudes: obsequiousness, humiliation, fear, and curiosity. The other drawing on the other side of the sheet (35.103.12) depicts what appears to be a pawn shop. In the foreground, a woman opens her mantle to reveal her elegant dress, while a young man secures a bundle. To whom the generosity and greed of the caption apply is not clear.
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic
Artist: michigan painter
Artist role: artist

Head, neck, part of the upper torso, and right forearm of a youth to left
Glass square bottle
Object type: bottle, square
Materials: glass
Culture: roman

Translucent blue green; handle in same color. Everted, horizontal rim, folded over and in, flattened on top surface, and with rounded inner lip to mouth; slanting, cylindrical neck; slightly pushed-in shoulder, with sloping rounded corners; square body, with flat, vertical sides; flat bottom, but convex on interior; broad, reeded handle attached in a long pad to edge of shoulder on one side, drawn up vertically, folded down and in, and trailed on to top of neck under rim. Mold mark on bottom comprising a large circle in relief, appearing as a wreath with tail extending towards one corner, enclosing two letters in relief: V L (in Latin) or A Γ (in Greek retrograde). Complete but many internal cracks; a few pinprick and larger bubbles; some soil encrustation, dulling, and faint iridescence.
Asazuma boat
Object type: print
Date: 1840 – 1849
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Box with Lock
Object type: box
Date: 1801 – 1900
Materials: lacquer
Culture: chinese
Briefkaart aan Jeannette Bouman-Stuyling de Lange
Object type: postcard
Date: 1899 – 1899
Materials: cardboard, ink
Techniques: pen, writing
Location: scheveningen
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Briefkaart gericht aan Mevrouw J. Bouman de Lange, Villa Val d' Rena, van Stolkweg, Scheveningen.
Vrouw met hoed
Object type: sketchbook leaf
Date: 1919 – 1919
Materials: paper, pencil
Subjects: adult woman, head-gear: hat (+ women's clothes)

Pagina 13 uit schetsboek XXXV met 36 pagina's.
Josie Dirkee, Erminie Co., from the Actors and Actresses series (N45, Type 6) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 6), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes. Type 4 cards from the N45 series contain four miniature portraits of actresses on one card. Type 6 cards are a bit larger in dimension than the other types in the N45 series.
Plaque
Object type: plaque
Date: 500 – 450
Materials: gold
Culture: condorhuasi
Location: argentina
De Nederlantsen Hovenier, 't Vermakelijck Lant-leven
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: engraving
Location: brussels
Subjects: horticulture, vegetable culture, market gardening, french or architectonic garden; formal garden, gardening, inner court of palace or 'hôtel'
Inscriptions: collector's mark: Lugt 2228

De titelpagina van het eerste boek van 'Den Nederlantsen Hovenier' door Jan van der Groen, de tuinier van Willem III van Oranje. Een hofdienaar staat voor een open poort en wijst naar de achtergrond. Door de poort kijkt men uit op een grote, architectonische hoftuin en een paleis. Twee ruiters rijden richting de poort. In een cartouche onder de prent gegevens over de druk..
Bronze statuette of a reclining satyr
Object type: statuette of a satyr playing pipe
Date: 534 – 501
Materials: bronze
Culture: etruscan
Subjects: satyrs

This delightful pair of satyrs, one playing the Pan pipes while reclining on a wineskin and the other holding a drinking horn, probably once decorated the rim of a large bronze vessel. These devotees of Dionysos, god of wine, are appropriate subjects on a vase used to serve that drink. Their style suggests a workshop in one of the major cities of Northern Etruria, perhaps Chiusi.
Lopend paard
Object type: print
Date: 1722 – 1775
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: arnout rentinck
Artist role: draughtsman, print maker
Artist dates: 1712 – 1774
Subjects: horses and kindred animals
Inscriptions: collector's mark: Lugt 2228
Vier portieken en een detail
Object type: drawing
Date: 1866 – 1900
Materials: pencil, paper
Techniques: drawing
Artist: Anonymous

Bovenaan zijn drie kleine portieken afgebeeld, rechtsonder een groot met een detail. Alle portieken zijn gedeeltelijk weergegeven.
Stoelen, Wijck
Object type: sketchbook leaf
Date: 1801 – 1859
Materials: paper, pencil
Artist: pierre joseph hubert cuypers
Artist role: draughtsman
Artist dates: 1827 – 1921
Subjects: table
Inscriptions: date and inscription: ‘Stoelen [Wijck.-]/ C D[...]g OKlDrick? 11 Jan. v 1859.-’

Mogelijk ontwerpen voor stoelen voor de St. Martinuskerk te Wijck, die in de periode 1857-1860 naar ontwerp van Cuypers werd gebouwd.
Ornamental Design with Acanthus Leaves (recto); Capital (verso)
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: wash
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: ornament,acanthus,leaves
Medal of Honor
Object type: medal of honor
Date: 1867 – 1900
Materials: ribbon
Culture: japanese
Kandelaar met driezijdige voet, versierd met drakenkoppen en mensfiguren temidden van ranken
Object type: candlestick
Date: 1200 – 1300
Materials: copper alloy
Techniques: casting, metalworking, engraving, soldering, turning
Location: western germany
Artist: Anonymous

Candlestick. Bronze. West Germany, 13th century.
Freehand copy of a transcription of “The Song of Everlasting Sorrow” by Bai Juyi
Object type: handscroll
Materials: ink, paper
Culture: japanese
Artist: shōkadō shōjō
Artist role: artist
Artist nationality: japanese
Artist dates: 1584 – 1639

This handscroll of calligraphy, over seven meters in length, is a remarkably faithful copy of an early seventeenth-century transcription of “The Song of Everlasting Sorrow,” one of the most revered poems in East Asian literary history, composed by the renowned Tang-dynasty poet Bai Juyi (Bo Juyi, 618–907) in 806. Over 800 years later, it was transcribed by Shōkadō Shōjō, one of the most revered calligraphers of the Momoyama period, and then dedicated by him in the colophon to prominent courtier-calligrapher Konoe Nobuhiro 近衛信尋 (1599–1649). In this way, the original calligraphic composition encapsulated a sweeping history of cultural transmission from China to Japan, and served as a time capsule revealing the florescence of calligraphy and poetry during the early seventeenth century in Kyoto. This remarkable copy, which was done freehand (no doubt with some initial tracing) is hard at first glance to distinguish from the original (now preserved in Tokyo National Museum), and must have been done by an expert calligrapher with access to the original. Some scholars have speculated that the courtier, tea master and esteemed calligrapher Konoe Iehiro (1667–1736)—who was famous for his expert copies calligraphic exemplars of the previous generations—might have created this copy in the early eighteenth century, but further research is required. The monk-calligrapher Shōkadō Shōjō is counted—along with Hon’ami Kōetsu and Konoe Nobutada—as one of the “Three [Great] brushes of the Kan’ei period,” in this case referring to the early seventeenth century. Shōjō was his Buddhist name he received in his youth. He served the Konoe family of nobles during the time the great courtier-calligrapher was the head, and thus availed himself of models of courtly calligraphy. At the same time, he was on close terms with Zen monks at the Rinzai temple Daitokuji, so his brush writing style imbibed a more dynamic, brusquer manner under that influence. He was also active in tea ceremony circles in Kyoto of the day, keeping in mind that tea gatherings were often the occasions that scrolls and calligraphy albums were shared among connoisseurs. In 1627, he became the head monk of a small temple called Takimoto-bō, and a decade later retired to a small hut in the temple precincts that he called the Shōkadō 松花堂, or the Pine Flower Hall, which also became the art name by which he is best known.
Moskou, gezicht op het Kremlin en de Basilius-kathedraal
Object type: photograph
Date: 1880 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: russia
Artist: Anonymous
Subjects: kremlin
Portret van Samuel von Pufendorf
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: berlin, history and archaeology (+ portrait of scholar, scientist), scholar, philosopher, historical persons

Prent waarschijnlijk uit: Pufendorf, Samuel von en Antoine-Augustin Bruzen de la Martiniere. Introduction à l'histoire générale et politique de l'univers. Amsterdam: Zacharie Chatelain, 1743.
Oeuvre van Juste Aurele Meissonnier
Object type: print
Date: 1738 – 1749
Materials: paper
Techniques: etching
Location: paris
Subjects: ornament derived from architectural details, ornament ~ festoon, garland, ornament derived from plant forms

Fragmenten van de ornamentrand voor de "Carte chronologique du roy". Deze prent maakt deel uit van een album.
"Come" (The Galaxy, An Illustrated Magazine of Entertaining Reading, Vol. VIII)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: men,women

An illustration for "Susan Fielding," a story by Annie Edwards (died 1896) serialized in "The Galazy Magazine."
De voortvluchtige Amor
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: venus taking care of cupid
Inscriptions: collector's mark: Lugt 2228

Illustratie bij een verhaal dat toegeschreven is aan de Griekse dichter Moschus. Amor, hier de zoon van Venus, is weggelopen. Venus is in paniek, ze vraagt aan iedereen om op zoek te gaan naar Amor. Wie hem vindt belooft zij een zoen.
Rivierlandschap met vestingstad
Object type: print
Date: 1904 – 1926
Materials: paper
Techniques: etching, intaglio
Location: groningen
Artist: marius holleman
Artist role: draughtsman, print maker
Artist dates: 1878 – 1926
Subjects: river, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228
Episcopal Palace at St. Davids, plate twelve from Twelve Views in South Wales
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: aquatint, etching
Location: england
Artist: paul sandby
Artist role: draughtsman, print maker, publisher
Artist nationality: british
Artist dates: 1731 – 1809
Mensen menigte voor de Frankfurter Roemerberg
Object type: photograph
Date: 1949 – 1949
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Subjects: frankfurt am main
Square Cup
Object type: cup
Date: 1801 – 1900
Materials: enamel
Techniques: painting
Culture: chinese
Subjects: flowers
Broad Collar piece (?)
Object type: broad collar piece
Date: 1850 – 1640
Materials: faience
Location: egypt
River Scene (from McGuire Scrapbook)
Object type: drawing
Date: 1840 – 1840
Materials: graphite, paper
Culture: american
Artist: thomas doughty
Artist role: artist
Artist nationality: american
Artist dates: 1793 – 1856
Subjects: canals,rivers,trees,boats

Doughty’s interpretation of the American landscape was primarily pastoral and picturesque, evoking the lyrical, quiet moods of nature. This graphite drawing exhibits his characteristic approach to landscape composition. At the center of the sheet is a graceful bridge with two tall Romanesque arches spanning a narrow river that widens toward the viewer. Trees on the riverbank flank the bridge, whose arches are echoed in the background by a pair of tall mountain peaks silhouetted against billowing cumulus clouds. The generalized treatment of foliage, piling up of mountains and clouds, and formulaic contrast of pastoral and wilderness motifs strongly suggest that the image was not drawn from nature, but was largely contrived from the vocabulary of the picturesque.
Landscape with Figures by Stream
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: france
Artist: pierre joseph wallaert
Artist nationality: french
Artist dates: 1753 – 1812
Schildje huwelijksjubileum 12½ jaar
Object type: drawing
Date: 1830 – 1830
Materials: ink, paper
Techniques: pen
Location: netherlands
Artist: Anonymous
Subjects: wedding feast, wedding meal, copper anniversary
Inscriptions: collector's mark: Lugt 1641, collector's mark

Papieren schildje ter gelegenheid van een 12½ jaar koperen huwelijksjubileum, op 7 mei 1830. Waarschijnlijk gebruikt als decoratie op de tafel bij een feestmaal. Mogelijk onderdeel van een groep van bruilofts- en invitatiekaartjes van de families Bernard en Metayer. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Des Menschen Begin, Midden en Einde. Bruiloft en huwelijk.
Portret van George Lindsay Carstairs
Object type: page
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: carbon print, woodburytype
Subjects: functionaries and dignitaries (with name) ~ protestant churches
Te, Scholenaar
Object type: print
Date: 1688 – 1690
Materials: paper
Techniques: engraving, etching
Artist: jan vincentsz. van der vinne
Artist role: draughtsman, print maker
Artist dates: 1663 – 1721
Subjects: instruments of torture, execution or punishment: gallows, dusk, evening twilight, sailing-ship, sailing-boat, rowing-boat, canoe, etc., haarlem
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Drie roeiboten en een zeilschip op een rivier bij een vallende avond. Rechts een galgenveld. Rechtsonder genummerd: 7. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Buitenleven.
Bergerac- Voyage presidentiel- Place Gambetta
Object type: page
Date: 1895 – 1895
Materials: photographic support
Techniques: gelatin silver print
Location: bergerac
Artist: Anonymous
Subjects: square, place, circus, etc., triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', façade (of house or building), four-wheeled vehicle drawn by two animals
H. Laurentius
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: drypoint, etching
Location: antwerp
Subjects: the martyr and deacon laurence of rome; possible attributes: book, censer, cross, dalmatic, gridiron, palm, purse (or cup with golden coins)
Inscriptions: collector's mark: Lugt 240

De heilige Laurentius met rooster in een glooiend landschap.
Brief aan Ary Johannes Lamme
Object type: letter
Date: 1832 – 1832
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: robert van eijsden
Artist dates: 1810 – 1890
Subjects: dordrecht, print maker, ary johannes lamme, amsterdam, jan adriaan antonie de lelie, rotterdam, painter, draughtsman, anton braakman, family life, painting (including book-illumination, miniature-painting), diseases
Inscriptions: watermark, collector's mark: Lugt 2228
Dame met sluier en dichtgevouwen waaier, naar rechts
Object type: print
Date: 1715 – 1720
Materials: paper
Techniques: etching
Subjects: veil (+ women's clothes), skirt (underskirt) (+ women's clothes), skirt (+ women's clothes), dress, gown (+ women's clothes), dress, gown: manteau (+ women's clothes), sleeves (+ women's clothes), clothing for the upper part of the body (with name) (+ women's clothes)

Jonge vrouw, driekwart naar rechts, een kanten sluier over het hoofd, gesloten vouwwaaier in de rechterhand. Lijfje met mouwen tot aan de elleboog. Van het overkleed is de rok opgenomen zodat de onderrok zichtbaar is. No. 5 uit de serie Figures a la mode dédiees a M. le Duc de Bourgogne
De gouverneur (Ki Patih) en de opper-Sjaich (Kali) van Bantam, 1596
Object type: print
Date: 1597 – 1598
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: gouda, landscapes in tropical and sub-tropical regions, exploration, expedition, voyage of discovery

Gebruikt als illustratie eerst in: Willem Lodewijcksz, D'eerste boeck. Historie van Indien, waer inne verhaelt is de avontueren die de Hollandtsche schepen bejeghent zijn, Cornelis Claes, Amsterdam 1598. In deze opgewerkte staat gebruikt in: De Eerste Schipvaerd der Hollandsche Natie naer Oost-Indien, waer inne verhaelt wordt al wat haer sonderlings onder wegen bejegent is ... ghetrocken uyt verscheyden Iournalen ofte dagh-registers daer van ghemaeckt, zeer vermaeckelijck ende nut om lesen. Opgenomen in: I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: 20.
Curtain
Object type: curtain
Date: 1775 – 1775
Materials: linen, wool
Techniques: embroidery
Culture: american
Location: united states
Subjects: flowers
Watch
Object type: watch
Date: 1780 – 1780
Materials: enamel, gold
Artist: jean romilly
Artist role: maker
Artist dates: 1714 – 1794