deem-data/ArtiFact huggingface dataset:
Ontwerp voor een armstoel
Object type: design drawing
Date: 1840 – 1840
Materials: graphite, ink, paper
Techniques: pen
Location: france
Subjects: armchair, seat
Inscriptions: inscription: ‘N° 377.’

Ontwerp voor een armstoel, gezien van voren en van rechts.
Vase
Object type: vase
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states
Subjects: grapes,sheep
Landschap met beekje tussen twee heuveltjes waarop huizen
Object type: drawing
Date: 1620 – 1690
Materials: paper, pencil
Subjects: low hill country
Aanvaarding van de Spaanse troon door Filips van Anjou onder Franse voogdij
Object type: satirical medal
Date: 1700 – 1700
Materials: silver
Techniques: striking
Artist: Anonymous
Subjects: lodewijk xiv (koning van frankrijk), filips v (koning van spanje), spain

Zilveren penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: Spanje, in de gedaante van een knielende vrouw met wapenschild kust been van Franse koning die zittend op troon rijksappel en scepter met lelie in handen houdt binnen omschrift, boven opschrift
Ex libris met kat op de rug gezien
Object type: bookplate
Date: 1884 – 1952
Materials: paper
Techniques: linocut
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: cat
Inscriptions: collector's mark: Lugt 2228
Studies van menselijke hoofden
Object type: print
Date: 1710 – 1767
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: head (human) (+ left side visible; left - (l. hand, l. foot, etc.))
Inscriptions: collector's mark: Lugt 2228

De prent is vervaardigd naar een figuur op de fresco's van de Sixtijnse Kapel.
Watch
Object type: watch
Date: 1620 – 1620
Materials: gilt, metal
Subjects: human figures,horns
Incitement to Vigilance and Concord
Object type: triomfpenning
Date: 1591 – 1591
Materials: silver
Techniques: striking
Location: dordrecht
Artist: gerard van bylaer
Artist role: die cutter
Artist dates: 1540 – 
Subjects: tachtigjarige oorlog
Inscriptions: circumscription: ‘CONIVNCTIS VIRIBVS ITE / 1591’, circumscription: ‘NON SEMPER AESTAS PARATE NIDOS’

Zilveren penning. Voorzijde: ooievaars die nest bouwen op dak van een huis binnen omschrift. Keerzijde: Romeinse galei onder jaartal binnen omschrift.
Ontwerp voor een hengsel
Object type: drawing
Date: 1784 – 1784
Materials: ink, paper, pencil
Techniques: pen
Location: italy
Artist: luigi valadier
Artist role: draughtsman
Artist dates: 1726 – 1785
Subjects: decorative furniture
Inscriptions: inscription, inscription: ‘All Illmo Sig Sig Prove Latino / Il Sig Anto Ercoli nella Bottega / della Arg in piazza di Spagna / Roma’
Woman Walking Down an Incline
Object type: photograph
Date: 1885 – 1887
Materials: cardboard, paper
Techniques: photograph
Location: unknown
Artist: eadweard muybridge
Artist role: fotograaf
Artist dates: 1830 – 1904
Inscriptions: number: ‘PLATE 117’, inscription: ‘EM 8013’, copyright notice: ‘COPYRIGHT, 1887, by EADWEARD MUYBRIDGE. All rights reserved / PLATE 117’

Uit Animal Locomotion, pl. 117 Philadelphia 1887.
Portret van Engelbert Tajé, baron van Wemmel
Object type: print
Date: 1638 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: engelbert taye (baron van wemmel)
Inscriptions: collector's mark: Lugt 240
Miniature teapot
Object type: teapot
Materials: silver, wood
Subjects: birds

The production of miniature silver furniture and tea, coffee, and chocolate equipment was a specialty of goldsmiths known as "toy men." The miniatures were probably intended for dollhouses. From the mid-eighteenth century in England until the present, porcelain and fine earthenware miniatures have been made as well.
Portret van John Wilkes Esqr.
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: engraving, etching
Artist: william hogarth
Artist role: draughtsman, painter, print maker
Artist dates: 1697 – 1764
Subjects: london, historical persons, politician, e.g. party leader, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228

Tekst in het Engels in de ondermarge, op de kap en op de tekstbladen. De schets is mogelijk gemaakt tijdens de rechtszaak tegen Wilkes die was aangeklaagd wegens zijn commentaar op het regeren van koning George III in de 45e editie van de krant The North Briton. De hoed met 'Liberty' (gelijkend een pileus, of vrijheidshoed) wordt op een stok hooggehouden. Op tafel liggen twee edities van The North Briton.
Gusle
Object type: gusle
Date: 1801 – 1900
Materials: hair, wood
Culture: bulgarian
Location: bulgaria
Subjects: birds
Portret van François Maelson
Object type: print
Date: 1747 – 1759
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: enkhuizen
Inscriptions: collector's mark: Lugt 240

Proefdruk van de prent gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
Hawks
Object type: hanging scroll
Date: 1634 – 1666
Materials: ink, paper
Culture: japanese
Artist: soga nichokuan
Artist role: artist
Artist nationality: japanese
Artist dates: 1600 – 1700
Subjects: hawks

The right-hand scroll of this pair depicts a hawk perched on a rock by a body of water, one leg flexed. A faint reference to a cliff face, executed in ink wash, appears in the background at right. The left-hand scroll features a hawk on an oak branch. The bird’s head is turned as though gazing at something beyond the picture frame. On both animals, the texture of the feathers is effectively conveyed through layered brushwork in various tones by Soga Nichokuan. Like his father, Soga Chokuan, Nichokuan specialized in avian subjects, particularly birds of prey.
Terracotta fragment of a bell-krater (bowl for mixing wine and water)?
Object type: bell krater fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic
Portret van Hendrik Pieter Marchant
Object type: photograph
Date: 1930 – 1956
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: inscription: ‘Mr M P Marchant/ minister v Onderwijs’
Serie 4: Franse, Duitse en Engelse Gebeurtenissen, 1576-1610
Object type: print
Date: 1590 – 1592
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: rome, alessandro farnese (landvoogd van de nederlanden en hertog van parma en piacenza), paris, hendrik iv (koning van frankrijk en navarra), communication and transport

Parijs van proviand voorzien door de hertog van Parma, 3 september 1590. Op de voorgrond de o.a. Nederlandse troepen onder bevel van Parma en wagens met proviand die naar de stad optrekken, in de verte de muren van de stad. Met onderschrift van 8 regels in het Duits. Ongenummerd. Blad afkomstig uit een album dat uit elkaar is gehaald. Rechtsboven genummerd (in pen): 219.
Graecia, Sophiani
Object type: album leaf
Date: 1542 – 1598
Materials: paper, parchment
Techniques: engraving, hand coloring
Subjects: maps of separate countries or regions

Kaart van Griekenland. Linksonder de titel in een ornamentele architecturale omlijsting. Rechtsonder een schaalverdeling. Deze prent maakt deel uit van een album.
Studie van een waterplant
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: plants (in general)
Inscriptions: number: ‘9’, number: ‘676’
Plaque: Menkheperre (Thutmose III)/Sphinx with Crown and Beard
Object type: costume and accessory
Materials: ceramic
Culture: egyptian
Location: egypt
Subjects: hieroglyphs, cartouches, feathers
Scènes uit de Aeneis in het Palais Royal
Object type: print
Date: 1719 – 1749
Materials: paper
Techniques: engraving, etching
Artist: nicolas henri tardieu
Artist role: print maker
Artist dates: 1674 – 1749
Subjects: (story of) aeolus, guardian of the winds; 'eolo' (ripa), juno asks aeolus to set the winds free (virgil, aeneid i 50-86)
Inscriptions: collector's mark: Lugt 240

Serie prenten naar schilderijen van Coypel met als thema de Aeneas van Virgilius, in de Galerie van het Palais Royal.
Head-shaped vessel
Object type: vessel
Date: 701 – 1200
Materials: ceramic
Culture: manteño
Location: ecuador
Artist: manteño artist(s)
Artist role: artist
Subjects: heads

Shaped like a human head, this small vessel is open at the top, the neck forming the base of the container. The face is modeled naturalistically, with soft cheekbones, heavy-lidded eyes defined by incised lines, and a prominent nose wearing a thick nose ring. Additional facial ornaments on the nostrils are formed by small clay pellets, and five holes along the edge of each ear once held ornaments, possibly of gold. Two pairs of deeply incised lines curve from the nostrils to the chin. The face is framed by what may be closely cropped hair or a close-fitting cap decorated with a banded design and five appliquéd pellets on the front. The contrast between the burnished and dull surfaces, and angular, deeply incised, soft curving lines lends the vessel considerable personality.
Grafmonument van Titiaan in de Basilica di Santa Maria Gloriosa dei Frari in Venetië
Object type: photograph
Date: 1860 – 1881
Materials: photographic support
Techniques: albumen print
Location: venice
Artist: carlo ponti
Artist role: fotograaf
Artist dates: 1820 – 1893
Subjects: monument, statue, grave-building, monumental tomb
Inscriptions: check stamp: ‘Carlo Ponti Venezia’

Onderdeel van Topografisch album van Venetië 1881.
Three-footed bowl
Object type: bowl
Date: 1767 – 1800
Materials: gilt, glaze, porcelain
Techniques: painting
Culture: chinese
Upright Venice
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: canals,boats,venice
Statuette of a ram
Object type: statuette, ram
Date: 570 – 300
Materials: stone
Location: egypt
Subjects: rams
De twaalf maanden van het jaar
Object type: print
Date: 1766 – 1766
Materials: paper
Techniques: engraving, etching
Location: augsburg
Artist: johann esaias nilson
Artist role: draughtsman, print maker, publisher
Artist dates: 1721 – 1788
Subjects: april and its 'labours', transplanting, setting out plants
Inscriptions: collector's mark: Lugt 2228

In een rocaille omlijsting een voorstelling van een man en een vrouw in een tuin. Samen met twee kinderen planten zij jonge bomen. In de ondermarge een vierregelige Franse tekst.
<i>Shabti</i> of Nesenaset
Object type: shabti, nesenaset
Date: 1070 – 945
Materials: faience
Location: egypt
Reverse Copy of Joueur de Vielle (Hurdy-Gurdy Player), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Button
Object type: button
Date: 1790 – 1790
Materials: glass, metal
Culture: french
Subjects: portraits,women
Pieces (2)
Object type: piece
Date: 1601 – 1700
Materials: metal thread, silk
Southern Landscape with Figures and Cattle at a River
Object type: drawing
Date: 1686 – 1686
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: jan van der meer the younger
Artist role: artist
Artist nationality: dutch
Artist dates: 1656 – 1705
Subjects: human figures,animals,rivers,landscapes,trees
Casket
Object type: chest
Date: 1700 – 1800
Materials: glass, wood
Location: netherlands
Artist: Anonymous

Vergelijk: P. Macquoid en R. Edwards, The dictionary of English Furniture, New York 1934, fig. 28 (coll. Mr. Percival Griffiths, ca. 1700).
Fotoreproductie van een geschilderd portret van Bertel Thorvaldsen, door Horace Vernet
Object type: carte de visite
Date: 1862 – 1904
Materials: cardboard, paper
Techniques: albumen print
Location: copenhagen
Subjects: copenhagen (city), draughtsman, sculptor, bertel thorvaldsen, portrait, self-portrait of sculptor, historical persons
Inscriptions: inscription: ‘Eneret.’, inscription: ‘Khl. Dansk, Svensk og Norsk Hof-Fotograf/ Fotogr. Atelier/ ved/ Budtz Müller & Co./ Bredgade 21 Norgesgade/ Kiöbenhavn.’

Het portret bevindt zich nu in de collectie van The Metropolitan Museum of Art, New York.
De schepping
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: rome
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: eve takes the fruit from the serpent (or the tree) in the presence of adam (who may be trying to stop her), temptation and fall (scenes with both adam and eve)
Inscriptions: collector's mark: ‘Hinloopen’, number: ‘11’

Deze prent maakt deel uit van een serie van twaalf prenten van de schepping. De prenten zijn deels naar ontwerpen van Rafaël voor de Loggia van Rafaël in het Vaticaan, en deels naar prenten door Nicolaes de Bruyn naar ontwerpen van Maerten de Vos (zie: Holl. Dutch. vol. 45 nr. 1-10).
Reverse cassetta frame
Object type: frame
Date: 1630 – 1640
Materials: wood
Culture: french
Schoorsteen in het stadhuis van Kampen
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, photographic support
Techniques: albumen print
Location: kampen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: townhall, chimney-piece, mantelpiece
Inscriptions: annotation: ‘Schoorsteen in het stadhuis/ april 1904/ Kampen’, annotation: ‘Kampen/ schoorsteen in het stadhuis april 1904’
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 74 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament

Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. From top to bottom, and left to right: Design composed of 3 horizontal registers. Each register is decorated at the top with a zigzagging line, underneath which are various floral motifs (bottom register also includes figural representations), which sit upon a rectangular base ornamented either with curving vines of flowers or different shapes containing flowers.
The Women's Bath
Object type: print
Date: 1530 – 1540
Materials: ink, paper
Techniques: brush, woodcut
Location: germany
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550

Sebald Beham’s woodcut homage to Albrecht Dürer’s Men’s Bath intentionally features more figures and far more nudity than the original. Its round shape suggests it was meant to be pasted onto a box. Other impressions of the Women’s Bath include a total of five decorative bands, which the user could cut off to make the design fit its support. This impression has been trimmed to the most central white border, a change that emphasizes the central narrative scene over the broader ornamental framework. The large box it adorned might have contained bathing accessories (combs, sponges, and brushes) like those depicted in this genre scene.
Scene in the Campagna, plate 38 from Liber Studiorum
Object type: print
Materials: ivory, paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Gezicht op de Singelgracht en de Raampoort
Object type: drawing
Date: 1773 – 1838
Materials: chalk, gouache, paper
Techniques: brush
Location: amsterdam
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: city-view in general; 'veduta', small canal, ditch, city-gate
Inscriptions: collector's mark: Lugt 800a, name: ‘A vd. Bos’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 28.
Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a hard step!' (Duro es el paso!)
Object type: print
Date: 1810 – 1810
Techniques: engraving, burnishing, drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,ladders
Study for Le Pont-au-Change (Pont-au-Change, Paris)
Object type: drawing and watercolor
Date: 1854 – 1854
Materials: graphite, paper
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Kaart van monding van de Theems met de Tocht naar Chatham, 1667
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: flushing, michiel adriaenszoon de ruyter, willem joseph baron van gendt, maps of separate countries or regions, battle (+ naval force), thames, raid on the medway

Kaart van monding van de Theems waarop de Tocht naar Chatham door de Staatse vloot onder admiraal Michiel Adriaenszoon de Ruyter is aangegeven, 20-23 juni 1667. Onder de plaat gedrukt in 4 kolommen een brief van admiraal Willem van Ghent geschreven aan boord van de Agatha en gericht aan de Admiraliteit van Amsterdam met een beschrijving van het verloop van de strijd. Hiernaast een vers op de overwinning in 3 kolommen.
Schetsboek met 55 bladen
Object type: sketchbook
Date: 1631 – 1635
Materials: chalk, ink, paper, parchment, pencil
Techniques: pen
Location: netherlands
Artist: gerard ter borch (ii)
Artist role: draughtsman, painter
Artist dates: 1617 – 1681
Subjects: city-view, and landscape with man-made constructions, farm (building), ruin of a dwelling, house, castle, etc., haarlem
Inscriptions: annotation: ‘G. ter Borch de oude/ ontbreekt/ 16-23 en 56/ aangekocht/ auctie Cremer (312)/ 1886 voor F217,35’, annotation: ‘klap’, annotation: ‘Z Nº 381 / 17 [?]’, collector's mark: Lugt 2228a

Bladen 16, 23 en 56 zijn uit het schetsboek gescheurd. Bladen 1(V), 3(V) t/m 34(V) en 36(V) t/m 53(V). zijn blanco. Het schetsboek is onregelmatig genummerd. Deze nummering is bij de invoer aangehouden.
M.elle Louise S.
Object type: photograph
Date: 1875 – 1875
Materials: paper
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: adult woman, historical persons not known by name - bb - woman, france
Inscriptions: number: ‘1875’, inscription: ‘M.elle Louise S. 1875’
Portret van J.B. Barier van Chur
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons
Recueil de vues de monuments de Paris, des principales résidences royales et des principaux châteaux de France et de Rome
Object type: album leaf
Date: 1668 – 1695
Materials: paper
Techniques: etching
Location: paris
Subjects: abbey, monastery, convent ~ roman catholic church, church (exterior)
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn. De uitgevers vader en zoon Nicolas Langlois worden allebei vermeld als N. Langlois op hetzelfde adres.
Het offer van Noach
Object type: print
Date: 1580 – 1588
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: noah's sacrifice; various animals are offered, possibly a lamb, a dove and a ram (often combined with the rainbow of the covenant)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Noach en zijn familie zitten geknield voor een offeraltaar met daarop een lam. In de lucht God de Vader. Op de achtergrond staat op een heuvel de ark. Een stoet van dieren verlaat de ark. De voorstelling is gevat in een cirkelvormige omlijsting met een randschrift in het Latijn.
Hippopotamus, from the Animals of the World series (T180), issued by Abdul Cigarettes
Object type: print
Date: 1881 – 1881
Techniques: color lithograph
Artist: abdul cigarettes
Artist role: publisher
Artist nationality: american
Artist dates: 1881 – 1881
Subjects: hippos
Plate 35: Pear vendor
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: simon guillain ii
Artist role: artist
Artist nationality: french
Artist dates: 1618 – 1718
Portret van paus Gregorius XII
Object type: print
Date: 1568 – 1568
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: clergyman, historical persons, pope

Prent uit: Panvinio, Onofrio. 27 pontificum maximorum elogia et imagines accuratissime ad uiuum aeneis typeis delineatae. Rome: Antonio Lafreri, 1568.
The Rising of Nazareth (?)
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: pen
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: children,men,women,angels
Provinciale-Staten-Verkiezing
Object type: cartoon
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: voting, election, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., political caricatures and satires

Partijleiders van klerikale partijen leiden als herders hun kudde schapen naar de stembus voor de aanstaande verkiezing voor de Provinciale Staten. Met de christelijke kranten De Standaard en De Tijd als herdershonden.
Tassels (3)
Object type: tassel
Date: 1601 – 1700
Materials: linen
Plaque in the form of a sphinx
Object type: relief
Date: 800 – 701
Materials: bronze
Location: syria
Subjects: sphinx

Hammered from single sheets of bronze, these sphinxes look outward toward the viewer. Their striding poses mirror each other and suggest that they may once have been displayed approaching each other. While many of the incised details are the same, differences such as the position of the hair swirl on the chest indicate that two separate craftspeople may have been responsible for the decorative work. The supernatural character of the sphinx, a composite creature with the head of a human and the body of a lion, is an ancient royal symbol of Egypt. Here the sphinx is further enhanced with the addition of wings, an ancient Near Eastern innovation. The Levant and inland Syria were conquered in the eighth century B.C. by the Assyrian kings. Luxury goods, including metal and carved ivory objects, were produced by skilled Syrian and Phoenician craftspeople and came as tribute and booty to the Assyrian capitals. These works in bronze share certain features with ivories of the same period, both of which were used to decorate palace furnishings. The stance and facial features of the sphinxes as well as the rendering of musculature represented by the flamelike pattern on the hind leg are also found on ivories. Large furniture pieces, doors, and screens made of a rich variety of materials such as ivory, wood, and metalwork outfitted Assyrian palaces, where they would have greatly enhanced the impression of dazzling grandeur. Whatever their exact use, these plaques are examples of the finest north Syrian bronzes known from the first millennium B.C. Adapted from, Art of the Ancient Near East: A Resource for Educators (2010)
Portret van Amerigo Vespucci
Object type: print
Date: 1805 – 1811
Materials: paper
Techniques: woodcut
Location: france
Artist: charles paul landon
Artist role: painter, print maker
Artist dates: 1760 – 1826
Subjects: sevilla, historical persons, explorer
Inscriptions: monogram: ‘N.’

Prent waarschijnlijk uit een deel van: Galerie historique des hommes les plus célèbres (...). Parijs: Charles Paul Landon, 1805-1811.
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 38 (recto)
Object type: book print ornament architecture
Date: 1601 – 1601
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist role: publisher
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: birds,male nudes,rabbits

Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. From top to bottom, and left to right: Design composed of 2 horizontal registers. Top register is decorated with 3 flowers with curving stems that wrap around other leaves and birds. Bottom register is decorated in the center with a male composite figure with plant stems for legs; this figure is flanked on both sides by birds and rabbits.