deem-data/ArtiFact huggingface dataset:
Boerengezelschap
Object type: print
Date: 1650 – 1699
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: pipe ~ tobacco, farmers, drinking
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Drie boeren om een tafel. De boer links zit wijdbeens en houdt een papier in zijn handen. De boer in het midden rookt pijp, een drinkbeker in de hand. De boer rechts houdt een kruik vast. Op de achtergrond een venster.
Afbeelding der regenten van 't Leproozenhuis te Amsterdam, in den Jaare 1649 / Portraits des Régens de l'Hopital des Lépreux en charge dans l'Année 1649
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: leprosarium, charitable works
Inscriptions: collector's mark, collector's mark: Lugt 1641

Groepsportret van de regenten van het Leprozenhuis, geschilderd door Ferdinand Bol in 1649. Een vergadering van de regenten wordt onderbroken door de binnenvader die een ziek kind binnen leidt. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Armwezen en Liefdadigheid.
La desgraciada muerte de Pepe Illo en la plaza de Madrid
Object type: print
Date: 1811 – 1816
Materials: paper
Techniques: aquatint, drypoint, etching
Location: spain
Artist: francisco de goya
Artist role: draughtsman, painter, print maker
Artist dates: 1746 – 1828
Subjects: sevilla, bullfight, violent death, being killed; being mishandled and maltreated; seeking death
Inscriptions: collector's mark: Lugt 805b, collector's mark: Lugt 2228

De torero (stierenvechter) Pepe-Hillo liggend op de grond in de arena van Madrid. Hij wordt gespietst aan de hoorns van de stier. Een andere man probeert de stier af te leiden met zijn cape.
Terracotta lamp mold, top
Object type: lamp mold, top
Materials: terracotta
Culture: roman
Prenten naar Antoine Watteau
Object type: print
Date: 1731 – 1731
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: chinese (+ costume), landscapes
Inscriptions: collector's mark: Lugt 2228

Plaat 257 uit 'L'Oeuvre d'Antoine Watteau', een serie van 271 platen, inclusief twee titelprenten, naar schilderijen door Watteau en verzameld door Jean de Jullienne. Maakt ook deel uit van een serie van 30 prenten over Chinese kostuums en van een subserie van 12 prenten gemaakt door Jeaurat.
Title Page: Paisages maritimes
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: fish,insignia
Ornament met vogel en vogelkoppen
Object type: ornament print
Date: 1522 – 1530
Materials: paper
Techniques: engraving
Location: low countries
Artist: monogrammist ig
Artist role: print maker
Subjects: fabulous animals ~ ornamental birds, ornamental plants
Inscriptions: collector's mark: Lugt 240
Trinket Box
Object type: trinket box
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states
Subjects: flowers,leaves
Folio from a Qur'an Manuscript
Object type: folio from a non illustrated manuscript
Date: 801 – 900
Materials: gold, ink, parchment, watercolor
Location: central islamic lands
Subjects: arabic,qur'an,calligraphy

This small-scale Qur'an was used as an intimate personal object, probably worn or carried as an amulet during travel. Despite its diminutive size, it shares many features with other early Qur'ans, which were often much larger and used as memory guides for public recitations. Here, densely packed writing in kufic script is lengthened horizontally, and red dots mark short vowels.
Monkey Supporting an Escutcheon, from the Top of a Balustrade or the Backrest of the Stadholder’s Chair in the Rolzaal in the Hof van Holland, The Hague
Object type: sculpture
Date: 1511 – 1511
Materials: wood, paint
Location: the hague
Inscriptions: coat of arms: unrecognizable

Beeldhouwwerk van dier of mens met wapenbord, zittend op een zuil. Het beeld hoort bij elf beelden (BK-NM-144-1 t/m BK-NM-144-12).
Gezicht op de Brugpoort van binnen Grave en gezicht op de Brugpoort van buiten Grave, 1732
Object type: book illustration
Date: 1746 – 1792
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: city-gate, grave

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 1 (1745), ill. 13-14. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (…). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 1, ill. 13-14.
The Crucified Christ Surrounded by Mourning Angels
Object type: print
Date: 1575 – 1679
Techniques: engraving
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: angels,christ,crucifixion
El Salon de la Moda, 1888, V No. 124, nr. 891 : Montaner y Simon (...)
Object type: fashion print
Date: 1888 – 1888
Materials: paper
Techniques: engraving, hand coloring
Subjects: dress, gown: day dress (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)

Twee vrouwen in wandelkostuum, met bijpassende hoed. Prent uit het Spaanse modetijdschrift El Salon de la Moda.
Wakan-chan-cha-gha (frame drum)
Object type: wakan chan cha gha frame drum
Date: 1867 – 1900
Materials: skin, wood
Culture: native american
Location: united states
Artist: sioux or dakota tribe
Artist role: maker
Subjects: birds,cats
L'Arlequin avec son chien
Object type: print
Date: 1939 – 1939
Materials: paper
Techniques: drypoint
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: types in 'commedia dell'arte': harlequin, dog
Inscriptions: collector's mark: Lugt 2228

Een zittende harlekijn en een op zijn achterpoten staande hond kijken elkaar aan.
Castello Sant' Angelo, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: buildings,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 43 in the scrapbook.
Portrait of the Artist's Mother
Object type: drawing
Date: 1899 – 1899
Materials: crayon
Location: france
Artist: henri-edmond cross (henri-edmond delacroix)
Artist role: artist
Artist nationality: french
Artist dates: 1856 – 1910
Subjects: portraits,mothers
Gentlewomen
Object type: album
Materials: ink, paper
Culture: chinese
Artist: hu xigui
Artist role: artist
Artist nationality: chinese
Artist dates: 1839 – 1883
Toy Bull
Object type: figure
Date: 901 – 1100
Materials: bronze
Culture: indonesian, javanese
Subjects: bulls,toys
Le Christ a la Paille
Object type: reproduction
Date: 1872 – 1877
Materials: paper
Techniques: woodburytype
Location: antwerp
Subjects: christ's body supported
Inscriptions: inscription: ‘(Musée d'Anvers)/ Pl. XIX. Déposé.’
A Woman, Possibly Sophia Dorothea (1687–1757), Later Queen of Prussia
Object type: painting, miniature
Date: 1701 – 1711
Materials: parchment
Artist: benjamin arlaud
Artist role: artist
Artist nationality: swiss
Artist dates: 1701 – 1717
Subjects: portraits,women
View of Sorrento
Object type: drawing
Date: 1810 – 1840
Materials: gouache
Artist: italian
Artist role: artist
Subjects: towns,landscapes
Daoist priest’s robe
Object type: robe, daoist priest's
Date: 1701 – 1800
Materials: metal thread, textile, silk
Techniques: embroidery
Culture: chinese
Subjects: cranes,dragons

This is a formal outfit for Daoist ceremonies, embroidered with a variety of animals that have religious significance. On top of the large roundel containing a pagoda are a red sun with a gold crow on the left and a white moon with a jade rabbit on the right. White cranes, symbols of immortality, are embroidered all over the robe. Along the bottom border is a mixture of different mythical animals, including blue and red dragons, unicorns, dragonfish, and a tortoise entwined with a snake (xuanwu), a mythical creature that symbolizes the north in the Chinese cosmic system. Front of the robe. The two panels along its collar are embroidered with the blue dragon (symbol of the east) and the white tiger (symbol of the west).
The Crozier
Object type: collection ornament architecture
Date: 1470 – 1491
Techniques: engraving
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Subjects: madonna and child,croziers

Martin Schongauer was trained as a painter, but his engravings are undoubtedly his most important contribution to the history of art. The larger part of his oeuvre focuses on religious subjects, but he also produced genre scenes, animal portraits, heraldry, and, from time to time, ornament and design. The Crozier (bishop’s staff) and The Censer represent two of his masterpieces in the latter category. Schongauer’s father and one of his brothers were active as goldsmiths, while a second brother was a dealer in silver. It remains unclear to which extent Schongauer himself was trained in this profession. Consequently, it has been suggested that these designs were meant primarily as models for painters working with ecclesiastical subjects, rather than as models for goldsmiths. There is, however, no real reason to believe that these designs could not also have been executed in precious metals. A close copy after the Crozier was created in Germany in the 1480s, and around the turn of the century, a goldsmith active in the Netherlands created a censer that closely relates to Schongauer's print.
Nederland,10 cent,1897
Object type: coin
Date: 1897 – 1897
Materials: silver
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: jeugdig borstbeeld naar links. Keerzijde: binnen twee samengebonden eiketakken waarde-aanduiding 10 cents en jaartal. Kartelrand.
'Odeur' in sierletters
Object type: sketchbook leaf
Date: 1889 – 1894
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: fancy letters

Tevens een letter 'r'. Blad 26 recto uit een schetsboek met 33 bladen.
Fodina argentea Sahlensis – A Silver Mine at Sala - I (from Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...,"  London, 1724, vol. II, pl. 33, no. 1)
Object type: print
Date: 1723 – 1724
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: human figures,buildings,fire

Hogarth made this print early in his career to illustrate a travel book by the French author Aubry de La Mottraye. Sections of the image show plans and maps, a view of buildings, and diagram of the elevator. Below are views of men working in tunnels.
Gezicht op een portaal van de Notre-Dame in Parijs
Object type: stereograph
Date: 1855 – 1860
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: parts of church exterior and annexes: portal
Inscriptions: inscription: ‘Portail, Notre Dame’, number: ‘64’
Piece
Object type: piece
Date: 1745 – 1750
Materials: silk
Subjects: roses
Portret van Jobst Tetzel
Object type: print
Date: 1657 – 1720
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: johann alexander böner
Artist role: draughtsman, print maker
Artist dates: 1647 – 1720
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Fragment deksel van een vat uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: vessel
Date: 1700 – 1743
Materials: wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Barrel, lid; fragm, semicircular outline bevelled edge on both sides, V-shaped in section.
Coin of Ptolemy II from a Ptolemaic hoard
Object type: coin, ptolemy ii
Materials: bronze
Location: egypt
Subjects: eagles,coins

A hoard of 158 Ptolemaic coins that contained issue of Ptolemy II, III, and IV, but apparently no later king, was discovered in a jar buried in a pit in front of a large Ptolemaic tomb in Thebes. Actual coinage was not a usual burial offering; these coins were likely buried in order to be hidden by someone who failed to return to recover them. The dates of the coins suggest they may have been hidden at the time of a major native uprisings in the north and in the south at the end of Ptolemy IV's reign and into the reign of Ptolemy V. The uprising lasted in the south of the country for 20 years from 206-186 B.C., and saw the establishment of nativer rulers Herwennefer and Ankhwennefer. The uprising is thought to have been a response to excessive taxation and manpower demands for Ptolemaic wars in Syria.
Initiation Card (Tsakalis): Akshobya
Object type: initiation card
Date: 1401 – 1433
Materials: paper, watercolor
Culture: tibetan
Subjects: buddhism,bodhisattvas,buddha,deities

These tsakali cards, when arranged on the ground as a mandala, create a fixed sacred space like a temple. They show the celestial Buddhas, bodhisattvas, protectors, and, at bottom, the six possible realms of rebirth. Monastic teachers used tsakali cards to align (initiate) a disciple with one of many Vajrayana Buddhist deities. The disciple sought permission from the deity (via dream or supervised by a teacher) and visualized the deity as described in recited mantras and represented on the card. A Nepali artist probably made this set for a Tibetan patron of the Nyingma school of Tibetan Buddhism.
Bronze tripod
Object type: tripod
Date: 525 – 500
Materials: bronze
Culture: etruscan
Subjects: athena,satyrs,lions,herakles

The city of Vulci was famous in antiquity for its production of luxury bronzes. One popular type of item was the tripod, an elaborate stand to support either a cauldron or a brazier. Tripods were produced at Vulci for about seventy years, from about 540 to 470 B.C. This example is elaborately decorated with lion's-paw feet surmounting frogs, wild beasts attacking their prey on the arches above elegant palmette motifs, and a pair of mythical subjects at the top of each of the vertical rods. These depict the divine twins Castur and Pultuce (Greek: Kastor and Polydeukes), Hercle (Greek: Herakles) and his protectress, the goddess Menrva (Greek: Athena), and two satyrs. The three subjects do not have any obvious connections to one another. Stylistically, the execution of these small figures is similar to that of the related depictions of the divine twins on the pair of bronze volute handles (64.11.4a, b) in a nearby case.
Lijst van dieren in zesde deel van de viervoeters
Object type: manuscript
Date: 1809 – 1814
Materials: ink, paper
Techniques: handwriting, pen
Location: bruges
Artist: joseph van huerne
Artist role: kunstliefhebber, mecenas, verzamelaar
Artist dates: 1752 – 1844
Subjects: handwriting, written text

Schema met een lijst van dieren voorgesteld in het zesde deel van de viervoeters: nummers 1-7. Onderdeel van het tweede album met tekeningen van viervoeters. Tweede van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Huzaren staande naast hun paarden langs de kant van de weg
Object type: drawing
Date: 1867 – 1923
Materials: paint, paper, pencil, watercolor
Techniques: brush
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: private soldier (+ cavalry, horsemen)
Mrs. Mary Chatham
Object type: medallion
Date: 1801 – 1900
Materials: glass, gold, velvet, wax, wood
Techniques: painting
Artist: t. r. poole
Artist role: artist
Artist dates: 1721 – 1821
Subjects: profiles,women
Verloren Zoon als varkenshoeder
Object type: print
Date: 1703 – 1762
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: the prodigal son tends the swine and eats from their trough
Inscriptions: collector's mark: Lugt 2228

De prent komt een eerste keer voor als boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel II. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Les van de schoolmeester
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: adam and eve holding (and possibly eating) the fruit, utopia, teacher and pupil, education, the archangel michael (and other angels) casting the rebel angels out of heaven
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Ziegenhagen, Franz Heirnich. Lehre von dem richtigen Verhältnis zu den Schöpfungswerken, und durch öffentliche Einfürung derselben allein bewürkende algemeine Menschbeglükkung (...). Hamburg: s.n., 1792.
De koperen passie
Object type: plaque
Date: 1600 – 1625
Materials: bronze
Techniques: gilding
Location: northern netherlands
Artist: arent van bolten
Artist role: draughtsman, print maker
Artist dates: 1573 – 1633

Rechthoekige, verguld bronzen plaquette met Jezus, gebonden voor de Priester.
Karikatuurportret van Prof. Jan ten Brink
Object type: drawing
Date: 1850 – 1899
Materials: charcoal, paper, watercolor
Techniques: brush, stumping
Artist: elchanon verveer
Artist role: draughtsman, print maker
Artist dates: 1826 – 1900
Subjects: leiden, jan ten brink (1834-1901)
Inscriptions: signature: ‘Elchanon Verveer’, inscription: ‘Johan ten Brink’

Karikatuurportret van de letterkundige Prof. Jan ten Brink (1834-1901).
Actor Ichikawa Danjûrô V as Sukeroku in “The Seven Guises of Soga” (“Nanakusa Yosooi Soga”)
Object type: print
Date: 1782 – 1782
Techniques: woodblock print
Location: japan
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Twee bladzijden met staal van vignet van goudkleurig metaalpapier en bijbehorend tabel
Object type: sample
Date: 1830 – 1830
Materials: gold leaf, ink, paper
Techniques: manufacturing, writing
Location: france
Artist: Anonymous
Subjects: ornaments ~ art

Twee bladzijden met links één opgeplakte en met etiket genummerde (755) staal van een decoratief vignet van goudkleurig metaalpapier (staal nr. 772 ontbreekt). Op de tegenoverliggende rechterbladzijde een tabel met de handgeschreven corresponderende specificaties (in code) per ornament. Onderdeel van het stalenboek geschonken door de dames Van Rijn, vermoedelijk van een Franse papierfabrikant van luxe papieren, of diens vertegenwoordiger in Nederland, ca. 1830.
Wensbrief met Mercurius en Hoop
Object type: wensbrief
Date: 1812 – 1849
Materials: ink, paper
Techniques: calligraphy, colour, etching, pen
Location: rotterdam
Subjects: hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues, (story of) mercury (hermes)
Inscriptions: inscription: ‘Geliefde vader / Heden vieren wij feest van Jezus geboorte ...’, collector's mark: Lugt 2760

Wensbrief met beschreven cartouche binnen een decoratief kader met voorstellingen van Mercurius en van Hoop (op een behouden vaart), een vrouw met anker in de haven. Handgeschreven bericht in kalligrafie door Jogchum Pieters aan zijn vader. Genummerd rechtsboven: No. 5.
Uitkijkpunt op de Bastei
Object type: print
Date: 1851 – 1910
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions

Deze prent maakt deel uit van een album.
Echeveria Grandiflora
Object type: drawing
Date: 1847 – 1847
Materials: paper, pencil, watercolor
Techniques: brush
Location: netherlands
Artist: elisabeth johanna koning
Artist role: print maker
Artist dates: 1816 – 1887
Subjects: plants and herbs: echeveria
Inscriptions: date
Portret van Everard van Bronkhorst
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Location: frankfurt am main
Subjects: deventer, leiden, historical persons, professor

Prent uit: Bibliotheca chalcographica. Frankfurt am Main: Johannes Ammon, 1650, dl. 6.
Plate
Object type: plate
Date: 1835 – 1835
Materials: glass
Étonnement avec frayeur, Compassion, Mouvement Violent, from "Caractères des passions, gravés sur les desseins de l'illustre Monsieur le Brun"
Object type: print
Date: 1695 – 1720
Techniques: etching
Artist: sébastien le clerc, le jeune
Artist role: etcher
Artist nationality: french
Artist dates: 1676 – 1763
Subjects: heads,men
The Sickly One, plate thirteen from The Beggars
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Evangelist Marcus
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: st. mark the evangelist writing the gospel, usually a (winged) lion present, the risen christ (with wounds, but without crown of thorns), sometimes holding the cross, entrance of hell as monstrous mouth (of leviathan), ezekiel's vision of the valley of the dry bones (ezekiel 37:1-10)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De evangelist Marcus schrijft zijn evangelie onder een boom. Naast hem de gevleugelde leeuw. Links op de achtergrond de herrezen Christus, bij de opening van de hel (de gapende muil van het monster). Rechts op de achtergrond het visioen van de profeet Ezechiël van het dal van dorre beenderen. De profeet kijkt omhoog naar God de Vader. In de marge een vierregelig onderschrift, in twee kolommen, in het Latijn.
Border
Object type: border
Date: 1801 – 1833
Materials: cotton
Subjects: roses
Portret van een onbekende man, Died. Joh. von Hüene
Object type: physionotrace
Date: 1796 – 1796
Materials: paper
Techniques: aquatint, etching
Location: hamburg
Artist: edme quenedey
Artist role: print maker
Artist dates: 1756 – 1830
Subjects: silhouette-apparatus, 'physionotrace', anonymous historical person portrayed
Inscriptions: collector's mark: Lugt 2166
Rich Man, from the Dance of Death
Object type: print
Date: 1651 – 1651
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: skeletons,men,devil

A man wearing a fur collared coat walks to the right toward another rich man. A beggar behind him has his hand on his back. A winged devil is perched on his shoulder. Death reclines beneath him and raises up an hour-glass.