deem-data/ArtiFact huggingface dataset:
Alto saxophone in E-flat
Object type: alto saxophone in e flat
Date: 1855 – 1855
Materials: brass
Culture: french
Location: france
Artist: adolphe (antoine joseph) sax
Artist role: maker
Artist nationality: belgian, active france
Artist dates: 1814 – 1894

When the saxophone was patented in 1846, the wind family lacked a robust lower voice. Sax developed the saxophone to fill this gap. Although he struggled to promote the instrument to conservative orchestral composers, it enjoyed success as a band instrument during Sax’s lifetime. The saxophone achieved universal popularity through jazz and pop, two genres that, ironically, did not exist until long after its invention. These associations, emblematic of America, have made the saxophone a potent cultural and political symbol. The saxophone has become one of the most widespread instruments in the world. Its vocal qualities, such as its highly expressive and flexible tone and the ease with which pitch can be manipulated to play “blue” notes made it the archetypal instrument of jazz. These traits also led to the saxophone’s adoption as an instrument of traditional music in many different cultures. Its versatility and expressiveness have earned it a growing prominence in contemporary classical music.
Portret van een onbekende persoon met huiduitslag veroorzaakt door syfilis
Object type: page
Date: 1860 – 1868
Materials: photographic support
Techniques: albumen print
Artist: a. de montméja
Artist role: arts, fotograaf
Artist dates: 1841 – 
Subjects: skin and venereal diseases: syphilis
Inscriptions: inscription: ‘Syphilides’, number: ‘37’, inscription: ‘Ad naturam phot. et pinx.’
Schepen in een haven, mogelijk Saint Peter Port in Guernsey
Object type: photograph
Date: 1880 – 1905
Materials: paper
Techniques: albumen print
Location: guernsey
Subjects: harbour
Comb
Object type: comb
Materials: wood
Subjects: fountains,men,women

This richly carved comb was probably owned by a noble woman and may have been a wedding gift. The register of broader teeth was used for detangling the hair, while the finer teeth served both to straighten the hair, make them silkier and softer, but also to get rid of lice. The couple on each side of a fountain may evoke the fountain of love, inspired by medieval courteous literature, and possibly by the Roman de la Rose. The swan atop the fountain may also be related to love, while the dogs on either side probably symbolize fidelity.
Studienkopf eines Greises
Object type: print
Date: 1871 – 1934
Materials: paper
Techniques: etching, intaglio
Location: vienna
Subjects: anonymous historical person portrayed
Inscriptions: collector's mark: Lugt 2228, signature: ‘R’, date: ‘Jan 1630’, collector's mark: Lugt 2228
Filippo Neri moet in Rome blijven
Object type: print
Date: 1630 – 1641
Materials: paper
Techniques: engraving
Location: rome
Artist: luca ciamberlano
Artist role: painter, print maker, publisher
Artist dates: 1570 – 
Subjects: the founder of the congregation of the oratory (oratorians) philip neri; possible attributes: lily, rosary
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Filippo Neri krijgt de boodschap door van Johannes de Doper dat hij niet naar India moet gaan maar in Rome moet blijven. Prent nr. 14 in een serie van 44 prenten met scènes uit het leven van de heilige Filippo Neri.
Oude vrouw met boek
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: etching
Location: london
Subjects: old woman, book
Inscriptions: collector's mark: Lugt 2228

Prent 12 uit: Ottley, William Young. A collection of thirty-nine facsimiles, rare etchings, by celebrated painters of the Italian, Dutch and Flemish schools. Londen: 1828.
't Aapenspel in de Werelt
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: leonard schenk
Artist role: print maker, publisher
Artist dates: 1696 – 1767
Subjects: monkeys, apes, animals acting as human beings, weighing gold or money
Inscriptions: collector's mark: Lugt 2228

Apen als bankiers, rechts weegt een aap geldstukken op een weegschaaltje. Onderdeel van een serie bestaande uit een titelprent met 16 ongenummerde platen uit ca. 1720 waarin apen als mensen figureren in allerlei taferelen uit het dagelijks leven. Elke prent met een tweeregelig vers in het onderschrift.
Woodblock
Object type: woodblock
Date: 1801 – 1900
Materials: metal, wood
La peinture
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: children behaving like adults, painting, drawing and the graphic arts
Inscriptions: collector's mark: Lugt 2228
Portrait of an unidentified Woman
Object type: painting, miniature
Date: 1694 – 1694
Materials: copper
Artist: pierre huaud (ii)
Artist role: miniatuurschilder
Artist dates: 1647 – 1700
Subjects: historical persons not known by name - bb - woman
Inscriptions: signature and date: ‘P. Huaut primo nata pinxit Berline 1694’

Portret van een onbekende vrouw, voorheen geïdentificeerd als vermoedelijk Anna Stuart (1665-1714), koningin van Engeland, echtgenote van George van Denemarken of als Sophie Charlotte van Hannover (1668-1705), vrouw van Frederik I van Pruisen. Buste, naar links. Onderdeel van de collectie portretminiaturen.
Chinese bulbuls on flowering crab apple
Object type: handscroll
Date: 1301 – 1400
Materials: ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: birds

This painting encodes a visual pun called a rebus: the bulbul bird, known as the “white-headed old man” (baitou weng 白頭翁) in Chinese, combined with the crab-apple tree (haitang 海棠) evokes the phrase “white heads at the front of the hall” (tangshang baitou 堂上白頭), an auspicious wish for shared longevity for the matriarch and patriarch of a family. Though bearing a fake inscription and seals of the Northern Song emperor Huizong (1082–1135; r. 1100–25), this fine painting shows qualities of the fourteenth-century painters Wang Yuan and Zhang Zhong and may be dated to that time based on its style.
Portret van Laurent de la Hire
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: paris, painter, print maker, draughtsman, laurent de la hire, historical persons, portrait, self-portrait of painter

Prent uit: Dézallier d'Argenville, Antoine Joseph. Abrégé de la vie des plus fameux peintres. 4 dln. Parijs: De Bure l'aîné, 1745, dl. 2, p. 271.
De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 245.
Drinking bottle (Porrón)
Object type: drinking bottle
Date: 1701 – 1800
Materials: glass
Techniques: glassblowing

This drinking vessel made in the Catalonia region was blown with a white-threaded filigrana decoration first developed in Murano. Its distinctively long-spouted, bottle shape is particular to Spain. Drinking from this vessel is tricky: the wine is poured from a distance directly into the drinker's mouth.
Titelblad voor de tragedie 'Il Solimano'
Object type: titelblad, titelpagina
Date: 1619 – 1620
Materials: paper
Techniques: engraving, etching
Location: florence
Subjects: cosimo ii de' medici, asiatic races and peoples: turks, title-page, weapons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Sultan Suleyman staat tussen twee sokkels met wapentuig, een schild met Italiaanse tekst in de hand. Boven zijn hoofd het wapen van de Medici; op de achtergrond oorlogstaferelen.
Amsterdam, Oude Manhuispoort
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: gate, entrance
Freunde des Vaterlandes
Object type: page
Date: 1878 – 1883
Materials: paper
Techniques: photograph
Location: dresden
Subjects: adult man, table, interior ~ representation of a building
Border
Object type: textile
Date: 1675 – 1725
Materials: lace, linen
Techniques: lace, cutting, embroidery, treatment, weave
Location: italy
Powder Flask
Object type: arm
Materials: brass, enamel, velvet, wood
Culture: italian
Location: italy
Key with removable sheath
Object type: key with sheath
Date: 1567 – 1633
Materials: iron
Pont-Neuf, Paris
Object type: print
Date: 1853 – 1853
Techniques: drypoint, etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: buildings,bridges,boats,paris
Marriage Contract
Object type: manuscript, marriage contract
Date: 380 – 343
Materials: ink, papyrus
Location: egypt
Subjects: documents,demotic

Dating to the 30th Dynasty, just before the conquest of the Persian Empire and hence of Egypt by Alexander the Great, this papyrus records a marriage contract. It is written in Demotic, which refers both to the language itself (a late form of Egyptian) and to the script.
Sculptuur door Jean-Jaques Pradier
Object type: stereograph
Date: 1853 – 1853
Materials: copper, glass, paper
Techniques: daguerreotype
Location: france
Subjects: sculpture, france
Inscriptions: inscription: ‘Toutes les épreuves non revêtues de nos Signatures seront Consi-/ dérées comme contrefacon, attendu que j'ai seul-le droit de repro-/ duire tous les 90; Modéles des Oeuvres de PRADIERet autres dont/ M. S. Marchi, est l'éditeur Propriétaire.’
Interieur van de gevangenis van Oslebshausen met gevangenbewaarders op een loopbrug
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: oslebshausen
Artist: Anonymous
Subjects: prison, jail, prison personnel: jailers, warders, guards

Onderdeel van Fotoalbum van Carl Heinrich Fliegenschmidt, gevangenisdirecteur te Oslebshausen.
The Fifth Ichikawa Danjuro as a Man Standing in a Room
Object type: woodblock print nishiki e
Date: 1780 – 1780
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: men,women
De Kerk te Oudshoorn
Object type: print
Date: 1828 – 1843
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: sailing-ship, sailing-boat, church (exterior), rowing facing backward, pulling, tow-boat, towing-barge, river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Op het water varen een trekschuit, een roei- en een zeilboot.
San Francisco Bay
Object type: photograph
Date: 1860 – 1869
Techniques: albumen print
Location: united states
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Sets met krijt van Eberhard Faber
Object type: photograph
Date: 1915 – 1935
Materials: paper
Techniques: gelatin silver print, hand coloring
Location: springfield
Subjects: writing tools
Inscriptions: stamp: ‘Paramount/ Commercial Studios/ 145 Chestnut St./ Springfield - Mass.’, number: ‘444’
Emblematische figuren
Object type: print
Date: 1533 – 1567
Materials: paper
Techniques: engraving
Location: italy
Artist: francesco salviati
Artist role: draughtsman, painter, print maker
Artist dates: 1510 – 1563
Subjects: 'victoria'; 'vittoria', 'vittoria navale', 'vittoria degl'antichi' (ripa)
Inscriptions: collector's mark: Lugt 240

Overwinning (Victoria) als vrouw zittend bovenop een stapel wapens, op een triomfwagen die getrokken wordt door twee paarden. Een regel Latijnse tekst in ondermarge.
Li Bai gazing at the waterfall on Mount Lu
Object type: hanging scroll
Date: 1467 – 1500
Materials: ink, silk
Culture: chinese
Artist: zhong li
Artist role: artist
Artist nationality: chinese
Artist dates: 1480 – 1500
Subjects: men,waterfalls,mountains

Nearly three hundred years after the death of the Song academician Ma Yuan (act. ca. 1190–1225), a Ming emperor proudly declared Zhong Li to be Ma Yuan reborn. Indeed, Zhong's works, painted in a typically bold, breezy, almost contemptuous manner, represent the end of the Ma Yuan tradition. Brought to this level of large-scale power, directness, and nearly total absence of subtlety or nuance, the tradition of Ma Yuan perhaps could not evolve further. Zhong Li was among the last great court painters in this lineage. This strongly painted composition, the best known of Zhong Li's signed works, is a classic Ming academic-style picture; it continues Dai Jin's (1388–1462) monumental refiguration of the Southern Song academic manner. The interior dynamics are even more spectacular than in earlier works in the tradition, from the explosive energies of the plunging waterfall and dramatically towering cliff face to the twisted pines coiling out like springs from the stone walls. There is also something quite imperial in the pose of the seated figure on the garden terrace, leaning back like the master of his universe to observe the potent forces of nature as they conduct a special performance for him alone.
Vrouwelijk naakt, op haar buik liggend
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: lying face downwards - aa - female human figure

Blad 6 recto uit schetsboek LXIX met 25 bladen.
Brief aan Philip Zilcken
Object type: letter
Date: 1872 – 1930
Materials: ink, paper
Techniques: pen, printing, writing
Artist: barbara elisabeth van houten
Artist role: draughtsman, print maker
Artist dates: 1862 – 1950
Subjects: painter, philip zilcken, the graphic arts
Inscriptions: collector's mark: ‘RPK’
Portret van Jacob Thomasius
Object type: print
Date: 1675 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: jacob thomasius, scholar, philosopher, historical persons
Inscriptions: inscription: ‘nat 1622. den 1684’, inscription: ‘Thomasius 4618’
Houten beelden van Kannon in de Tempel Sanjusangendo, Kyoto
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Location: kyoto
Artist: Anonymous
Subjects: kyoto
Inscriptions: number: ‘9.’
De ruiterschool
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: helved weapons, polearms (for striking, hacking, thrusting): lance, warfare; military affairs (+ cavalry, horsemen)
Inscriptions: collector's mark: Lugt 2228a

Een geharnaste man te paard (speerruiter) rijdt in aanvallende houding, met vooruitgestoken lans, naar rechts. Deze prent is onderdeel van een serie van 22 genummerde prenten: een titelprent, 20 prenten waarop één of enkele verschillende typen (meest geharnaste) ruiters zijn weergegeven, en een prent met een ruitergevecht.
Still Life with Flower Arrangement in Pot
Object type: drawing and watercolor
Materials: gold, graphite, paint, paper, watercolor
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Juni: maaien (kreeft)
Object type: print
Date: 1575 – 1613
Materials: paper
Techniques: etching
Location: italy
Subjects: cancer (zodiacal sign of june), landscape symbolizing june, farmers, reaping, picking, mowing ~ harvest
Inscriptions: collector's mark: Lugt 240

Landschap dat de maand juni verbeeldt. Landschap met rustende boeren en boeren die het koren maaien. Midden boven het symbool voor het sterrenbeeld kreeft.
Het gebouw der Handelmaatschappij
Object type: print
Date: 1847 – 1863
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: street (+ city(-scape) with figures, staffage), amsterdam
Inscriptions: collector's mark: Lugt 2228

Het kantoor was gelegen aan de Herengracht 446, op de hoek met de Nieuwe Spiegelstraat. Op straat lopen figuren.
Prentalbum met omlijstingen en cartouches
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1658 – 1719
Materials: paper
Techniques: marbled paper, engraving, etching, marbling
Location: paris
Subjects: ornament ~ cartouche
Inscriptions: title: ‘Cartouches’

Prentalbum met een serie van zes prenten van omlijstingen en cartouches. Schrift met kaft van spiraal- en kammarmerpapier waarin prenten gebonden.
Under Old Battersea Bridge
Object type: print
Date: 1876 – 1878
Materials: ink, paper
Techniques: drypoint, etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Stenen tablet geflankeerd door obelisken met hiërogliefen
Object type: album leaf
Date: 1680 – 1680
Materials: paper
Techniques: engraving
Location: rome
Subjects: obelisk, needle, clay tablet, stone tablet, measuring-instruments, book, cupids: 'amores', 'amoretti', 'putti', armorial bearing, heraldry, egyptian hieroglyphs

Dedicatieprent met de tekst weergegeven op een steen, geflankeerd door een obelisk met hiërogliefen. Op de steen twee vazen. Twee putti met een spiegel en zwaard en naast zich meetinstrumenten en boeken houden een wapenschild vast. De prent maakt deel uit van een album.
Gezicht op de ruïne van kasteel Königstein im Taunus
Object type: photograph
Date: 1900 – 1906
Materials: paper, photographic support
Techniques: gelatin silver print
Location: königstein im taunus
Artist: delizy
Artist role: manufacturer
Subjects: ruin of a dwelling, house, castle, etc.

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Twee onbekende vrouwen in een landschap met hoge begroeiing
Object type: photograph
Date: 1913 – 1913
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: england
Inscriptions: inscription: ‘(onleesbaar)’

Twee onbekende vrouwen in een landschap met hoge begroeiing.
Militair met gezin voor een huis
Object type: photograph
Date: 1890 – 1910
Materials: photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: the soldier; the soldier's life, civic architecture; edifices; dwellings, dutch east indies, the
Torens van de Noorderpoort te Hoorn
Object type: sketchbook leaf
Date: 1783 – 1797
Materials: ink, paper, pencil
Techniques: brush, pen
Location: hoorn
Artist: johannes huibert prins
Artist role: draughtsman, painter, print maker
Artist dates: 1757 – 1806
Subjects: gate, entrance
Inscriptions: number: ‘2’, annotation: ‘Noord Poort te Hoorn.’

Pagina 32 uit een schetsboek met 175 pagina's.
The Actor Ichikawa Yaozo II as Umeo-maru in the Play Ayatsuri Kabuki Ogi, Performed at the Nakamura Theater in the Seventh Month, 1768
Object type: print
Date: 1768 – 1768
Techniques: woodblock print
Location: japan
Artist: ippitsusai buncho
Artist nationality: japanese
Artist dates: 1755 – 1790
Kathedraal van Burgos
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: burgos
Artist: Anonymous
Subjects: church (exterior)
Korenakker tussen bomen
Object type: drawing
Date: 1920 – 1920
Materials: chalk, paper
Artist: adolf le comte
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1921
Subjects: low hill country
Ex libris van Ellen Beck
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: woodcut
Location: germany
Artist: ellen beck
Artist role: print maker
Subjects: print maker, ellen beck, book, dog
Inscriptions: inscription: ‘Ellen Beck/ Duits’
Gezicht op Chengalpattu vanaf de weg naar Conjeveram te India
Object type: print
Date: 1776 – 1816
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes christiaan bendorp
Artist role: print maker
Artist dates: 1766 – 1849
Subjects: chengalpattu
Inscriptions: collector's mark: Lugt 2228

Boekillustratie uit: Wathen, James en Nicolaas Messchaert (vertaling), Reis naar Madras en China en terug over St. Helena, A. Blusse & Zoon (uitgever), Dordrecht 1816, tegenover titelpagina, illustratie bij reisverslag op p. 110 aldus opschrift.
Annunciatie
Object type: album leaf
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Subjects: the annunciation: mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Annunciatie (los blad). Deze prent maakt deel uit van een album.
Man op straat
Object type: photograph
Date: 1950 – 1950
Materials: paper, photographic support
Techniques: gelatin silver print, pen
Location: united states
Inscriptions: stamp: ‘4 2 2 JUN 13 1950 / BISSINGER’, inscription: ‘Steinberg Book - Sept’

Bruine papieren zak, waar met wit krijt de contouren van een mensenlichaam bij zijn getekend op het trottoir en vervolgens, op de afdruk, met pen een gezicht is getekend op de afbeelding van de papieren zak.
Model Bakery and Brewery from the Tomb of Meketre
Object type: model, bakery, brewery, meketre
Date: 1981 – 1975
Materials: gesso, linen, paint, wood
Location: egypt
Subjects: men,working,meketre-models

This model of a combined bakery and brewery was discovered in a hidden chamber at the side of the passage leading into the rock cut tomb of the royal chief steward Meketre, who began his career under King Nebhepetre Mentuhotep II of Dynasty 11 and continued to serve successive kings into the early years of Dynasty 12. The making of bread and beer was closely related in ancient Egypt, both using basically the same kind of ingredients. The two processes are therefore combined here in one workshop complex, albeit with separate rooms. A guard with a baton sits inside the screened off main doorway that leads first into the brewery. Here a man crushes the grain with a pestle, then two women grind it into flour, which another man works into lumps of dough, possibly adding yeast from the square basin in the corner. After a second man has added water to the lumps of dough and treaded the mash with his feet in a tall vat, the resulting liquid is set aside in four tall crocks to ferment. After fermentation it is poured off into round jugs that are covered with black clay stoppers. The bakery in the inner room is divided by a screen wall into two compartments. In the first a man again crushes grain with a pestle for two female millers to grind into flour. Two men then mix the dough in tall tubs, while two black ovens are tended by a man with a poker. In the middle of it all stands a basket with baked conical loaves. In the second compartment are two more men with pestles; two others make loaves and cakes of various shapes, some of which are baked on two circular stoves, while some must have been carried over to the ovens in the first section of the room. All the accessible rooms in the tomb of Meketre had been robbed and plundered already during antiquity; but early in 1920 the Museum's excavator, Herbert Winlock, wanted to obtain an accurate floor plan of the tomb's layout for his map of the Eleventh Dynasty necropolis at Thebes and, therefore, had his workmen clean out the accumulated debris. It was during this cleaning operation that the small hidden chamber was discovered, filled with twenty-four almost perfectly preserved models. Eventually, half of these went to the Egyptian Museum, Cairo, and the other half came to the Metropolitan Museum in the partition of finds.
Optogt des Nederlandschen Legers naar Ostende, den 3 July 1600, daags na de overwinning by Nieuwpoort; volgens de gecostumeerde voorstelling, gegeven door H H Studenten, by gelegenheid van het Tweede Eeuwfeest der Utrechtsche Hoogeschool. den 16 Juny 1836
Object type: print
Date: 1837 – 1837
Materials: paper, watercolor
Techniques: hand coloring, lithograph
Location: france
Subjects: students' pageant, costumes used in pageants, battle of nieuwpoort
Inscriptions: date

Historische gekostumeerde optocht van de studenten van de Hogeschool van Utrecht op 16 juni 1836, bij de viering van het tweede eeuwfeest van de Utrechtse Hogeschool. De optocht verbeeldt de intocht van het Staatse leger in Oostende op 3 juli 1600, daags na de overwinning in de Slag bij Nieuwpoort. Tweede plaat in een serie van tien ongenummerde platen, met de groepen genummerd 4-8.