deem-data/ArtiFact huggingface dataset:
The Net Mender
Object type: photograph
Date: 1894 – 1894
Techniques: carbon print
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Inscriptions: Signed recto, lower right, on image, in graphite: "Alfred Stieglitz / 1899[?]"; inscribed verso, on mount, lower left, in graphite: "Alfred Stieglitz / The Net Mender, 1894. / Leica #67B / The Alfred Stieglitz Collection"; verso, on mount, upper right, in graphite: framing diagram; verso, on mount, along right edge, sidways: "Stieglitz / [illegible] / Oak / [illegible] #XXVI / [illegible] 16 1/8 x 21"

In an 1899 article, Stieglitz singled out The Net Mender as his favorite of his own photographs: “It expresses the life of a young Dutch woman: every stitch in the mending of the fishing net, the very rudiment of her existence, brings forth a torrent of poetic thoughts in those who watch her sit there on the vast and seemingly endless dunes, toiling with that seriousness and peacefulness which is so characteristic of these sturdy people.” He noted that the exhibition prints were printed at the scale seen here because “the subject needs size to fully express it.”

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Equestrian Portrait
Object type: painting
Date: 1867 – 1933
Materials: gold, paper
Culture: indian
Subjects: men,portraits,horses
Terracotta rim fragments of kylikes(drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Three rim fragments with a thin band of black glaze above the right half of the handle patch
Portret van E.W. Schlichting,uitgevoerd als postzegel
Object type: page
Date: 1881 – 1886
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons
L'air
Object type: ornament print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: netherlands
Artist: daniël marot (i)
Artist role: draughtsman, print maker
Artist dates: 1661 – 1752
Subjects: air (one of the four elements), vase ~ ornament, angels

Bovenaan staat het wapen van Engeland afgebeeld, onderaan een cartouche met een engel die een gemonogrammeerd wapenschild vasthoudt en dieren. Middenonder een banderol met de tekst IE. MAIN.TIEN.DRAY. Uit serie van 6 bladen, waarvan 4 bladen met de vier elementen en twee bladen waarop telkens twee verticale panelen staan.
Maria van Reigersberg (1589-1653), Wife of Hugo de Groot
Object type: bust
Date: 1782 – 1784
Materials: biscuit porcelain, material), porcelain
Techniques: biscuit (porcelain, material
Location: loosdrecht
Subjects: delft, hugo de groot, the hague, historical persons - bb - woman
Inscriptions: factory mark

Buste van Maria van Reigersberg (1589-1653). Van Reigersberch was getrouwd met Hugo de Groot en bedacht het plan voor zijn ontsnapping met de boekenkist. Biscuit, op geglazuurde zuil met cannelures in groen en goud, staande op ronde geprofileerde plint, versierd met biezen, elkaar kruisende bladslingers en bladguirlandes in goud.
Overwinning van keizer Karel V bij Ticinum
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: engraving
Location: antwerp
Artist: jacob neefs
Artist role: print maker, publisher
Artist dates: 1610 – 1660
Subjects: ghent, charles v (holy roman emperor and king of spain), battle, fighting in general (+ cavalry, horsemen), abundance; 'abondanza', 'abondanza maritima' (ripa) (+ clothed), crown (symbol of sovereignty)
Inscriptions: collector's mark: Lugt 240

Overwinning van Karel V op de Fransen tijdens de Slag bij Pavia (Ticinum) en de gevangenneming van de Franse koning Frans I, 24 februari 1525. Ruitergevecht, op de achtergrond kijken drie allegorische vrouwenfiguren toe. Voorstelling links op de voorzijde van de triomfpoort Arcus Caroli op de Vrijdagmarkt. Een vrouw met drie kronen in haar handen, een vrouw met een gebouw op haar hoofd en een kandelaar in haar hand en de Overvloed als een vrouw met een korenschoof en druiventros. Prent maakt deel uit van een serie, die de uitgave van de beschrijving van de intocht van de Kardinaal Infant Ferdinand van Oostenrijk te Gent op 28 januari 1635 als de nieuwe landvoogd voor de Spaanse Nederlanden illustreert.
Cabriolet with Driver
Object type: figurine
Date: 1834 – 1866
Materials: glass, iron, metal, wood
Techniques: lampwork
Culture: french
Subjects: men,horses,carriages
Bronze statuette of a sphinx
Object type: statuette of a sphinx
Date: 1 – 100
Materials: bronze
Culture: greek or roman
Subjects: sphinx

Lying down, with head erect and paws extended, wings spread.
Square (one of four)
Object type: square
Date: 1701 – 1800
Techniques: lace
kleder-dragten van verschillende volkeren der wereld
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Subjects: asiatic races and peoples, africans, historical costume, folk costume, regional costume
Inscriptions: collector's mark: Lugt 2760

Blad met 3 houtsneden met elk vijf voorstellingen van klederdrachten van verschillende volkeren, waaronder klederdracht uit China en Egypte. Onder elke voorstelling een onderschrift. Genummerd rechtsboven: No. 17.
Souper te Solo met de koning en de koningin van Siam
Object type: photograph
Date: 1929 – 1929
Materials: photographic support
Techniques: photography
Location: solo
Artist: Anonymous
Subjects: england

Souper te Solo met de koning en de koningin van Siam.
Fotoreproductie van een tekening, voorstellende een militair instructiekamp te Kinshasa
Object type: photomechanical print
Date: 1896 – 1899
Materials: paper
Techniques: autotype
Location: dresden
Subjects: barracks
Skillet
Object type: skillet
Date: 1700 – 1900
Materials: iron
Group
Object type: group
Date: 1780 – 1800
Materials: hard paste porcelain
Artist: niderviller
Artist role: factory
Artist nationality: french
Artist dates: 1735 – 
Subjects: children,men,women
The Hell Courtesan
Object type: hanging scroll
Materials: ink, silk
Culture: japanese
Artist: utagawa kunisada ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1823 – 1880
Plate 9: a chariot carrying a cannon to left, soldiers in center playing cards, from "Troops, cannons, and attacks on towns" (Dessins de quelques conduites de troupes, canons, et ataques de villes)
Object type: print
Date: 1640 – 1640
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: soldiers,cannons,playing cards
Shoes
Object type: shoe
Date: 1854 – 1860
Materials: leather, linen, silk, wool
Culture: american

The elegant black foliate patterned textile of these shoes was woven by hand, á la disposition, to conform to the pattern piece of the uppers. After the Crimean War, textiles with this tapestry weave were exported for reticules, slippers, and even upholstery. In this instance, it is possible that the textile with the woven pattern of uppers, rather than the completed slippers, was imported to this country to be cobbled together here. The ballet-slipper-like flats, with their square toes, were a style that persisted throughout the first half of the nineteenth century. These shoes, like many women's light slippers of the day, continued to be made on a straight last, or shoe form, with identical right and left sides.
Een zevental hoedanigheden / Ziet gij hier trap bij trap bekleden [(...)]
Object type: popular print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Artist: philippus jacobus brepols
Artist role: printer, publisher
Artist dates: 1778 – 1845
Subjects: ladder of virtues

Trap met op de zeven treden personificaties van de zeven deugden, matigheid, sterkte, voorzichtigheid, gerechtigheid, liefde, hoop en geloof. Onder de voorstelling een onderschrift in het Nederlands en in het Frans in vier kolommen. Genummerd rechtsboven: [N. 180. B.].
Plate (tagliere)
Object type: plate
Date: 1530 – 1535
Techniques: maiolica, glazing
Culture: italian
Subjects: men,profiles
Piece
Object type: piece
Date: 1801 – 1900
Materials: silk
Techniques: compound weave
Culture: japanese
Subjects: ships
West-Friesland, stuiver, 1678
Object type: coin
Date: 1678 – 1678
Materials: silver
Techniques: striking
Location: enkhuizen
Artist: dirck bosch
Artist role: mintmaster

Zilveren munt. Voorzijde: tussen waarde-aanduiding 1 S gekroond wapenschild van West-Friesland. Keerzijde: Opschrift in twee regels.Daaronder jaartal en een punt. Daarboven een rozet tussen twee punten.
Vijf fotoreproducties van een publicatie door de Arundel Society met tekeningen van de heilige Sebastiaan naar Perugino
Object type: page
Date: 1859 – 1869
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: martyrdom, suffering, misfortune, death of st. sebastian, book
Inscriptions: inscription: ‘Annual publications. Eighth year (1856, continued).’
Heart amulet
Object type: amulet, heart
Date: 664 – 332
Materials: mineral
Location: egypt
Maquette van Sint Antoniesbreestraat 68 te Amsterdam, het vermeende Rembrandthuis
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: architectural design or model
Inscriptions: annotation: ‘Rembrandt Huis/ Niet R.s huis,/ zie Oud Amsterdam 2, 1950, 164-166/ Amsterdam’, collector's mark: Lugt 2228, annotation: ‘Rembrandthuis’
Porringer
Object type: porringer
Date: 1725 – 1745
Materials: silver
Culture: american
Location: united states
Artist: john burt
Artist role: maker
Artist nationality: american
Artist dates: 1692 – 1746
Het Colosseum te Rome
Object type: watercolor
Date: 1809 – 1809
Materials: paper, pencil, watercolor
Techniques: brush
Artist: josephus augustus knip
Artist role: draughtsman, painter, print maker
Artist dates: 1777 – 1847
Subjects: ruin of a building ~ architecture
Figuurstudie en mogelijk een landschap met bebouwing
Object type: sketchbook leaf
Date: 1887 – 1891
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes, adult man, civic architecture; edifices; dwellings

Pagina 27 uit een schetsboek met 17 bladen.
Zomer: een gezelschap op een boot in de singel van Zwolle
Object type: drawing
Date: 1655 – 1655
Materials: ink, paper
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690
Inscriptions: inscription: ‘Dit is de maet van het somertjen, ende de grootte van desselven postuertjens’, inscription: ‘Een grijse winter komt na groene somer-dagen,/ soo 't oock alhier soo deed', dat souw mij veel behagen:’

De tekening is mogelijk een kopie naar Harmen, maar waarschijnlijker is dat het een kopie is naar een verloren origineel van Gesina zelf. Pendant van RP-T-00-60.
Vissen
Object type: sketchbook leaf
Date: 1930 – 1930
Materials: ink, paper
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: fishes

Blad 12 verso uit een schetsboek met 20 bladen.
Sheet with oval and dot pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Naakte vrouw
Object type: print
Date: 1888 – 1944
Materials: paper
Techniques: lithograph
Artist: henri jonas
Artist role: draughtsman, print maker
Artist dates: 1878 – 1944
Subjects: woman (showing herself) undressed, quasi-nude
Inscriptions: collector's mark: Lugt 2228
Decker. Jacques. 43 ans, né à Grodeskersheim (Bas-Rhin). Tailleur d'habits. Anarchiste. 9/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Schlomé Fuss in the Synagogue, from Au Pied du Sinaï
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Ontwerpen van twee bureaus met inlegwerk
Object type: album leaf
Date: 1686 – 1724
Materials: paper
Techniques: etching
Location: augsburg
Subjects: writing-table, writing-desk, ornaments ~ art
Inscriptions: signature: ‘Ieremias Wolff excud Aug. Vind.’, signature: ‘Berain Invent.’, signature: ‘Iohann Christoph Hafner Sculps.’

Ontwerpen van twee bureaus met inlegwerk boven elkaar. Op het bovenste bureau staat serviesgoed en vazen. Prent maakt deel uit van een album. Hoogstwaarschijnlijk gespiegelde kopie naar Frans origineel.
Rug
Object type: rug
Date: 1701 – 1800
Materials: cotton, wool
Culture: chinese
Amsterdamse stedenmaagd wijst Adriaan Willem Weissman naar bouwopzichters
Object type: print
Date: 1891 – 1891
Materials: paper
Techniques: letterpress printing, lithograph
Artist: alfaro reijding
Artist role: draughtsman, engineer
Artist dates: 1863 – 1930
Subjects: adriaan willem weissman, political caricatures and satires, amsterdam
Inscriptions: collector's mark: ‘21.56’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan ambtenaren.
Drie mannen in gesprek bij een woning
Object type: print
Date: 1624 – 1679
Materials: paper
Techniques: etching
Location: antwerp
Subjects: walking-stick, staff, conversation, dialogue; conversation piece, farm (building)
Inscriptions: collector's mark: Lugt 240

Drie mannen, waarvan twee met wandelstok, in gesprek bij een boerenwoning. Rechts stapt iemand door de poort van een hek.
Zes christelijke deugden
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: engraving
Subjects: faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, with his people safe on the shore, moses raises his hands and causes the water to return; pharaoh's army perishes in the water (red sea)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De vrouwelijke personificatie van Geloof (Fides). Ze zit op een steen met in haar handen het kruis en een kelk. Boven haar hoofd vliegt de Heilige Geest als duif. Op de achtergrond de vernietiging van het Egyptische leger in de Rode Zee.
Bowl
Object type: glass
Date: 1830 – 1830
Materials: glass
Techniques: pressed
Location: sandwich
Subjects: dining, drinking
Een straat in Chinatown, San Francisco
Object type: stereograph
Date: 1892 – 1892
Materials: cardboard, paper
Techniques: albumen print
Location: washington d.c.
Subjects: street
Inscriptions: number: ‘42’, copyright notice: ‘Copyright, 1892, by Underwood & Underwood.’
Ceremonie in een zaal te Croydon Palace
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: london
Subjects: palace - aa - civic architecture: inside, festivities
Inscriptions: collector's mark: Lugt 2228
Staande koe bij boom
Object type: print
Date: 1657 – 1677
Materials: paper
Techniques: etching
Location: the hague
Artist: marcus de bye
Artist role: print maker
Artist dates: 1639 – 1688
Subjects: cow
Inscriptions: collector's mark: Lugt 240
Tucker, 1st Base, Baltimore Orioles, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
The Smith's Yard
Object type: print
Date: 1895 – 1895
Materials: stone, paper
Techniques: printing, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: human figures,horses
Royal Presentation Sword
Object type: sword with scabbard
Date: 1701 – 1800
Materials: gold, steel, wood
Culture: thai
Location: thailand

This sword was presented to The Metropolitan Museum of Art on June 8, 1967 by Their Majesties, King Bhumibol Adulyadej and Queen Sirikit of Thailand. The intricate goldsmith's work covering the hilt and scabbard date from the eighteenth century. The steel for the blade was smelted from the lateritic iron ores found at Tambon Ban Nam Ṕī, Amphur Trôn, in the province of Uttaraditth. The gift coincided with the exhibition "In the Presence of Kings," which featured treasures given by monarchs as personal gifts.
Box (one of a pair) (part of a toilet service)
Object type: box
Date: 1726 – 1728
Materials: silver
Artist: jean-baptiste boullemer
Artist role: maker
Artist dates: 1682 – 1739
Subjects: profiles
Portret van Alan Gardner
Object type: print
Date: 1793 – 1824
Materials: paper
Techniques: engraving
Artist: friedrich wilhelm nettling
Artist role: print maker
Artist dates: 1793 – 1824
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
English Curiosity or The Foreigner Stared Out of Countenance
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women
Visitekaartje van Mathieu Lauweriks
Object type: visiting card
Date: 1897 – 1897
Materials: paper
Techniques: woodcut
Location: amsterdam
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: amsterdam, print maker, draughtsman, designer, mathieu lauweriks
Inscriptions: collector's mark: Lugt 2228

Visitekaartje met in het midden de tekst 'J.L.M. Lauweriks Amsterdam'.
Arhat (Luohan)
Object type: figure
Date: 1000 – 1000
Materials: glaze, stoneware
Culture: chinese
Subjects: men,buddhism
Heer Philips van Burgonjen
Object type: print
Date: 1715 – 1755
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Gargon, Mattheus. Walchersche arkadia, waar in op een zoetvoerigen trant (…). 2 delen. Leiden: Samuel Luchtmans, 1715-1717, dl. 1 (1715), p. 108. En in: Gargon, Mattheus. Walchersche arkadia, waar in op een zoetvoerigen trant (…). 2 delen. Leiden: Samuel Luchtmans en Zoon, 1746, dl. 1, p. 108. En in: Gargon, Mattheus. Walchersche arkadia, waar in op een zoetvoerigen trant (…). 2 delen. Middelburg: M.H. en A.L. Callenfels, S. Mandelgreen, P. Gillissen en L. Taillefert, 1755, dl. 1, p. 108.
Ring with Stylized Ram's Head on Bezel
Object type: ring
Materials: gold
Culture: indonesian, javanese
Venus Urania
Object type: statuette
Date: 1601 – 1800
Materials: bronze, gilt
Artist: giambologna
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1529 – 1608
Subjects: women

Formerly in the collection of J. Pierpont Morgan, this gilded figure was published in Wilhelm von Bode’s 1910 catalogue of the American financier’s bronzes. Judging it an “early copy of a figure of larger dimensions by Gian Bologna,” Bode assigned it to one of the master’s followers without specifying a precise model, instead giving it the generic title of “Girl Bathing.” The statuette, which entered The Met in 1932, is a reduction of a celebrated bronze in Vienna (p. 00, fig. 126a), signed GIO BOLONGE and listed in imperial inventories from the mid-eighteenth century as a Venus Urania, surely for the presence of the armillary sphere, an astronomical instrument, at her feet. The composition is documented through several copies and variants in different materials, from bronze to ivory and wood.[1] Our statuette faithfully repeats several elements of the model, including the sphere at the base of the supporting pillar, the neatly truncated drapery at the back, and the decorative tooling of the fabric. Of particular note is the complex entwining of the right index finger with the strap that winds around the nude woman’s back and shoulder. Stylistically, however, The Met bronze cannot be directly linked to either Giambologna’s workshop or to his followers. In fact, the use of brass in the casting points to a non-Italian origin.[2] Manfred Leithe-Jasper assigned a Northern provenance to another reduction of Giambologna’s invention (albeit more freely adapted from the Vienna model) now in the Stift Klosterneuburg, pointing to the likely production of reductions after the Astronomy north of the Alps.[3] The disharmony between the thin disk on which our figure stands and the bulky molded base suggests that the two elements were not created contemporaneously. The remains of a pin in the support might indicate that the figure served an ornamental purpose and was adapted to a larger structure such as a piece of furniture or a program of interior decoration. -TM Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. For a list of copies and variants, see Manfred Leithe-Jasper in Paolozzi Strozzi and Zikos 2006, p. 204, cat. 22. 2. R. Stone/TR, March 28, 2011. 3. C. Avery et al. 1978, p. 93, cat. 12b.
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Hands holding an aulos; at the right, part of a column?
Two Low Tables with Ornamental Objects
Object type: drawing
Date: 1801 – 1900
Materials: gouache, ink
Techniques: pen
Artist: anonymous, chinese, 19th century
Artist role: artist
Artist nationality: chinese
Artist dates: 1800 – 1900
Subjects: tables
Millot storia moderna
Object type: print
Date: 1800 – 1899
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: book, book-shop, bookseller
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Een man in een lange jas met een hoed op zijn hoofd, in zijn linkerhand een wandelstok. Onder zijn linkerarm heeft hij een stapel boeken geklemd, in een bundel aan zijn arm draagt hij nog meer boeken met zich mee. Met zijn rechterhand houdt hij een boek omhoog met de titel 'Millot'.
Boerderij met lege hooischuur in 's-Graveland
Object type: album leaf
Date: 1902 – 1906
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: s-graveland
Artist: Anonymous
Subjects: barn, farm (building)

Onderdeel van Reisalbum van een Nederlandse familie met bezienswaardigheden in Europa, Egypte en New York.
Ninne met kind
Object type: photograph
Date: 1906 – 1913
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: moellaert
Artist role: fotograaf
Subjects: suriname
Inscriptions: inscription: ‘D9 / Ninne met kind, cliché Moellaert.’

Portret van een vrouw met kind, de vrouw wordt in het onderschrift aangeduid als Ninne. Onderdeel van het fotoalbum Souvenir de Voyage (deel 3), over het leven van de familie Dooyer in en rond de plantage Ma Retraite in Suriname in de jaren 1906-1913.
Portret van Johann David Michaelis
Object type: print
Date: 1752 – 1793
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: johann georg sturm
Artist role: print maker
Artist dates: 1742 – 1793
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228