deem-data/ArtiFact huggingface dataset:
Maria Theresia van Oostenrijk
Object type: print
Date: 1660 – 1683
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: maria theresia (koningin van frankrijk), historical persons - bb - woman, queen
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Bident Head
Object type: bident head
Date: 1801 – 1900
Materials: steel
Culture: turkish
Location: ottoman empire
Sir Henry Capel (1638–1696)
Object type: painting
Date: 1654 – 1664
Materials: canvas, oil
Artist: peter lely (sir)
Artist role: artist
Artist nationality: dutch, british
Artist dates: 1618 – 1680
Subjects: sculpture,men,portraits
Kurush van 40 para uit Turkije van sultan Abdul Hamid, regeringsjaar 22  [=1896]
Object type: coin
Date: 1896 – 1896
Materials: silver
Techniques: striking
Location: constantinople

Zilveren munt. Voorzijde: binnen twee samengebonden takken tughra met rechts daarvan aanduiding in Arabische letters: el Ghazi. Onder tughra regeringsjaar-aanduiding:4. Keerzijde: binnen binnen twee samengebonden takken drieregelig opschrift in Arabische letters met aanduiding muntplaats: Constantinopel en aanduiding jaar van aantreden: 1293 [=1875].
Panel
Object type: panel
Materials: cotton, silk
Techniques: embroidery
Subjects: flowers,leaves
Thesaurus sacrarum historiaru[m] veteris testame[n]ti, elega[n]tissimis imaginibus expressu[m] excelle[n]tissimoru[m] in hac arte viroru[m] opera: nu[n]c primu[m] in luce[m] editus
Object type: album leaf
Date: 1559 – 1559
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: amnon sends tamar away; tamar puts ashes on her head, rends her garment, lays her hand on her head and leaves crying

Nadat Amnon zijn halfzus Tamar heeft verkracht voelt hij een diepe haat voor haar en stuurt haar weg. Tamar smeekt hem haar niet weg te sturen, maar Amnon geeft met een wijzend gebaar zijn bedienden de opdracht om haar uit huis te zetten en de deur achter haar op slot te doen. Een bediende ruimt de omgevallen tafel naast het bed op. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst. Prent maakt deel uit van een album.
Klemarmband van transparant kunststof met twee zeepaarden
Object type: bracelet
Date: 1940 – 1950
Materials: metal, mother of pearl, plastic, shell
Location: united states
Artist: Anonymous

Klemarmband van transparant kunststof met daarin schilfers parelmoer en kleine schelpen en daarop twee zeepaarden van gelig metaal.
Het Menselyk Bedryf
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: netherlands
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: ropery, rope-walk
Inscriptions: collector's mark: Lugt 1641, collector's mark

Een lijndraaier of touwslager aan het werk op een lijnbaan. Onderaan een zesregelig vers. Bedrukt met tekst op verso. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Mannelijk beroep en bedrijf: Touwslagerij.
Haven, in-/uitladen van schepen
Object type: photograph
Date: 1880 – 1910
Materials: paper
Techniques: albumen print
Location: iran
Artist: antoine sevruguin
Artist role: fotograaf
Artist dates: 1840 – 1933
Subjects: iran
Inscriptions: number: ‘2.’, number: ‘1104’, inscription: ‘Eingelé [?]’

Haven, in-/uitladen van schepen, Iran. Steiger met vaten en pakketten en mannen die aan het werk zijn. Expeditie?
Portret van Isaac Hawkins Browne
Object type: print
Date: 1716 – 1774
Materials: paper
Techniques: engraving, etching
Subjects: london, politician, historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Incense burner with Arab inscription
Object type: incense burner
Date: 1661 – 1722
Materials: bronze
Culture: chinese
Untitled Valentine (Silver Dove)
Object type: drawing and watercolor
Date: 1850 – 1850
Materials: ink, paper, watercolor
Techniques: collage, cutting, embossing, pen
Location: england
Artist: george kershaw
Artist nationality: english
Artist dates: 1800 – 1899
Berglandschap met herten in Bohemen
Object type: sketchbook leaf
Date: 1808 – 1858
Materials: paper, pencil, watercolor
Techniques: brush, pen
Location: bohemia
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: hoofed animals: deer, forest, wood, mountains
Inscriptions: date and inscription: ‘Bohemen fürst [...]/ 4/8 58’

Blad 9 recto uit een schetsboek met 57 bladen.
Rolandseck. Blick auf das Siebengebirge
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: rotogravure
Location: rolandseck
Subjects: river, mountains
Havengezicht
Object type: print
Date: 1628 – 1679
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: harbour

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
John Creeger [?]
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: Anonymous
Artist nationality: likely american or british
Artist dates: 1800 – 1899
Panel
Object type: textile
Date: 1501 – 1600
Materials: textile, silk, velvet
Techniques: cutting, satin weave, voiding, weave
Location: florence
Subjects: foliage
Zuilengalerij in een kerk
Object type: sketchbook leaf
Date: 1827 – 1891
Materials: paper, pencil
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: column, pillar ~ architecture, interior of church

Blad 31 verso uit een schetsboek met 41 pagina's.
Baron von Münchhausen te paard in landschap
Object type: print
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: riding a horse, ass, or mule; rider, horseman, baron münchausen
Inscriptions: collector's mark: Lugt 2228

Prent uit: Raspe, Rudolf Erich. Zonderlinge reizen en lotgevallen van den Vrijheer von Münchhausen. Den Haag: Bisschop, J.H., 1843.
Scarab Inscribed with Hieroglyphs
Object type: scarab, papyrus, sa hieroglyph, nb
Date: 1850 – 1640
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs

The scarab is inscribed with a symmetric arrangement of hieroglyphs, not meant to form words but chosen instead for their positive meaning. Such compositions are particularly prevalent on design scarabs of the late Middle Kingdom (late Dynasty 12–Dynasty 13, ca. 1850 –1640 B.C.). They serve as models for the wide array of variations seen on Egyptian scarabs of the Second Intermediate Period (Dynasty 14–17, ca. 1640–1550 B.C.) and on Canaanite scarabs (Middle Bronze Age IIB-IIC, ca. 1700–1500 B.C.).
Jar
Object type: jar
Date: 1550 – 1295
Materials: pottery
Location: egypt

This three-handled storage jar has an elongated ovoid body with a rounded base. Traces of paint are still visible on the body. It is similar to vessel MMA 15.3.1614, but lost its neck and rim in antiquity.
Blanco briefkaart van de Nederlandse Vereeniging voor Teekenonderwijs
Object type: postcard
Date: 1880 – 1986
Materials: paper
Techniques: relief print
Artist: Anonymous
Inscriptions: collector's mark: ‘R:MVS.’
Ruiter, mogelijk op de boulevard van Scheveningen
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: riding a horse, ass, or mule; rider, horseman, avenue, boulevard, promenade, esplanade (+ city(-scape) with figures, staffage)

Pagina 24 uit schetsboek XL met 40 pagina's.
Berg Rocher de Naye, tijdens een vakantie van Eugen Wachenheimer en zijn echtgenote Else Wachenheimer-Moos door Zwitserland, augustus 1927
Object type: album leaf
Date: 1908 – 1927
Materials: paper, photographic support
Techniques: gelatin silver print
Location: switzerland
Subjects: mountain-range, snow peaks, switzerland
Inscriptions: inscription: ‘Rocher de Naye’

Albumblad bevat een foto van landschap zonder personen. Uit album half formaat, blauw kunstlederen omslag met koordbinding.
Geometria
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob gole
Artist role: print maker
Artist dates: 1660 – 1724
Subjects: 'geometria' (~ quadrivium); 'geometria' (ripa), compasses
Inscriptions: collector's mark: Lugt 2228

De personificatie van Geometria (Meetkunde) zit aan een tafel waarop een blad met geometrische figuren. Ze heeft een passer in de hand. De prent maakt deel uit van een zevendelige serie over de zeven vrije kunsten.
Portret van Matthaeus Yrsselius
Object type: print
Date: 1825 – 1892
Materials: paper
Techniques: lithograph
Subjects: abbot, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Ludovica Maria Gonzaga, Queen of Poland
Object type: print
Date: 1645 – 1645
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: queens,portraits
Fabeldier
Object type: sculpture
Date: 1368 – 1644
Materials: jade
Location: china
Artist: Anonymous
Subjects: fabulous animals (sometimes wrongly called 'grotesques'); 'mostri' (ripa)

Liggend fabeldier, versierd in haut- en bas-reliëf en arabesken. Licht grijsgroene jade. Op houten sokkel.
Plattegrond van de eerste verdieping van een huis aan de Singel te Amsterdam
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: plan ~ architecture

Prent uit: Afbeelsels der voornaemste gebouwen uyt alle die Philips Vingboons geordineert heeft. Amsterdam: Philips en Johannes Vinckboons en Johannes Willemszoon Blaeu, 1648.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, unidentified; Exterior, tendrils, lower legs and feet
Ontwerp en een figuurstudie
Object type: sketchbook leaf
Date: 1900 – 1900
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: head (human), architectural representations in general

Blad 2 recto uit een schetsboek met 15 bladen.
Plate
Object type: plate
Date: 1467 – 1500
Materials: brass
Culture: german
Subjects: animals
Kop van een koe
Object type: print
Date: 1635 – 1654
Materials: paper
Techniques: etching
Location: netherlands
Artist: paulus potter
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1654
Subjects: cow, animals (+ head of an animal)
Inscriptions: collector's mark: Lugt 240
Beaker (one of a pair)
Object type: beaker
Materials: earthenware
Techniques: glazing
Subjects: women
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, back of head of filleted youth, with bit of drapery and a stick
Pocket watch
Object type: buitenkast
Date: 1755 – 1755
Materials: gold
Location: paris

Buitenkast van groen roggenleer en goud.
Portret van Duits keizer Karel VII Albert
Object type: print
Date: 1725 – 1797
Materials: paper
Techniques: engraving, etching
Location: munich
Artist: joseph anton zimmermann
Artist role: draughtsman, print maker
Artist dates: 1705 – 1797
Subjects: brussels, karel vii albrecht (duits keizer), historical persons, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 2228
Bue Balabala
Object type: bue balabala
Date: 1867 – 1900
Materials: bamboo
Culture: melanesian
Location: vanuatu
Portret van Justus Lipsius
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: engraving
Location: aachen
Subjects: louvain, justus lipsius, historical persons, friendship between man and animal; caressing, petting, dog
Inscriptions: collector's mark: Lugt 2228

Portret van de humanist en geleerde Justus Lipsius, op 40-jarige leeftijd. Hij aait de kop van zijn hond. In de marge de naam van de geportretteerde en een tweeregelig lofdicht in het Latijn. Kopie in spiegelbeeld naar de gelijknamige prent van Hendrick Goltzius.
Gesigt boven uyt het huys naar 't westen over 't doolhoff ende 't bosch naer Den Haag toe / Vue etant sur la maison du cote de l'occident par dessus du labirinte et du bois vers La Haye
Object type: print
Materials: paper
Techniques: etching
Location: the hague
Subjects: prospect of village, silhouette of village, palace, french or architectonic garden; formal garden, labyrinth, maze ~ garden, prospect of city, town panorama, silhouette of city, the hague
Inscriptions: collector's mark: Lugt 2228

Mogelijk uitgegeven als onderdeel van een serie van zestien prenten en een panorama van Huis ten Bosch.

Zie ook RP-P-AO-12-97-1, RP-P-AO-12-97-2, RP-P-AO-12-97-3, RP-P-AO-12-97-5, RP-P-AO-12-97-6, RP-P-AO-12-97-7, RP-P-AO-12-97-8, RP-P-AO-12-97-9, RP-P-AO-12-97-10, RP-P-AO-12-97-11, RP-P-AO-12-97-12, RP-P-AO-12-97-13, RP-P-AO-12-97-14 en RP-P-AO-12-97-15.
Roerkop met het borstbeeld van Flora
Object type: roerkop
Date: 1700 – 1800
Materials: copper, iron, leather, wood
Techniques: cutting, forging, nailed, polychromy, turning
Location: netherlands
Artist: Anonymous
Subjects: specific aspects, allegorical aspects of flora; flora as patroness

Roerkop ter versiering van een Hollands binnenschip, voorstellende het borstbeeld van Flora, Italische godin van bloei van bloemen en veldgewas. Het hoofddeksel wordt gevormd door knoppen van waterlelies en ranken. Om de hals een snoer van kralen, 2 beweegbare oorbellen. Het geheel is versierd met plantmotieven. Op de achterzijde een ijzeren haak voor bevestiging van het roer. De borsten rusten op het wigvormige roodgeschilderde onderstuk, dat een kroon vertoont in het midden en 2 ranken in goud. Opschrift.
Vasudhara Mandala
Object type: thangka
Materials: textile
Culture: nepali
Subjects: buddhism,bodhisattvas,vajrapani,goddess

Standing at the center of this mandala is the golden image of Vasudhara (“stream of gems”), a Buddhist goddess of wealth and abundance who also embodies the pursuit of learning and the totality of Mahayana ideology as symbolized by the Perfection of Wisdom sutra that she holds in her upraised left hand. To Vasudhara’s left is a green image of the Bodhisattva Vajrapani while a red image of the Bodhisattva Avalokiteshvara stands to her right. Members of Vajrapani’s army of yakshas, male nature deities associated with material wealth and protection, are placed throughout the mandala pouring gems out of sacks and opening treasure chests; this iconography further emphasizes Vasudhara’s role as bringer of prosperity. Immediately below Vasudhara is her main attendant, Ila Devi who mediates between the god and devotees. Protecting the portals of the central mandala are four yakshas sitting within yellow mandorlas that can be identified as Manibhadra, Purnabhadra, Dhana and Veshavarna. In the corners of the same red register appear their consorts, the Gupta Devi, Sagupta Devi, Sarasvati Devi and Chandrakanta Devi. As is standard, surrounding the central square of the mandala is a band of lotuses and a ring of multicolored flames. In the corners of the outer square, bracketed by mangalas (auspicious symbols), are four of the five Pancha Rakshas (protector goddesses), with Vasudhara herself assuming the identity of the fifth as she implicitly takes on the identity of Prajnaparamita (the personification of the Mahayana Buddhist Perfection of Wisdom text). In the top register are the five Tathagata Buddhas, who preside over the celestial Pure Lands in the four directions with the Tathagata Buddha Vairochana in the center (white); two unidentified figures at the extreme upper left and right bracket this group. The iconography of this mandala is the described at length in a text called the Vasndharoddhesa, which allows for the identification of most of the deities represented in this painting. Even with this text as a guide, the identity of a few figures remains ambiguous.
Gezicht op de oevers van de rivier de Ousse, gezien vanaf de Place Royale in Pau
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, paper
Techniques: albumen print
Location: pau
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: river
Inscriptions: inscription: ‘ce’, number: ‘1816.’
Star-Shaped Tile
Object type: tile
Date: 1201 – 1300
Materials: stonepaste
Techniques: luster painting
Location: iran
Subjects: deer
Vier mannen zagen een boom om bij landhuis De Wildbaan, Driebergen
Object type: photograph
Date: 1903 – 1907
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Portret van Heinrich August Schott
Object type: print
Date: 1795 – 1878
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Letter to Monk Sekibyō
Object type: hanging scroll
Date: 1301 – 1400
Materials: ink, paper
Culture: japanese
Artist: zekkai chūshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1336 – 1405

This letter was written by Zekkai Chūshin, a Rinzai Zen monk who served as abbot to both Tōjiji and Shōkokuji temples. It is written in twenty lines, dated the second month, nineteenth day (of an unspecified year), and is addressed to “the great monk Sekibyō.” Starting with a flowery greeting “Chūshin greets you again with respect and begs to write,” it congratulates the addressee upon his appointment to the abbacy of Tenryūji, Kyoto, one of the most prestigious Zen temples in Japan. The letter is written with carefully conducted brushstrokes and ends with the signature and a note, “Chūshin, sending greetings to you with respect.” Zekkai Chūshin, one of the two greatest scholar-poet monks in the history of Zen Buddhism in Japan, is said to have been a disciple of Musō Soseki (1275–1351), with whom he is believed to have begun his Zen apprenticeship as a youth in 1349. Still using his youthful name Yōkan, he traveled to China from 1368 to 1376. In 1372 Yōkan received the name Zekkai from a prominent Chinese Zen monk, and in 1376 he was granted an audience with the Ming emperor. Upon his return home, Zekkai held numerous important posts, a temple that was the top administrative and scholarly post at Shōkokuji in Kyoto, which was under the direct patronage of the ruling shogun.
Groepsfoto van zes mannen
Object type: photograph
Date: 1911 – 1925
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo
Inscriptions: inscription: ‘Nov '25 / ... work is finished’

Foto van een groep van zes mannen voor een huis te Moengo, in het midden R.A. Jetten. Foto op een bladzijde van een los albumblad. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Portret van Sigismund Jacob Holtzschuher
Object type: print
Date: 1670 – 1737
Materials: paper
Techniques: engraving
Subjects: adult man, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Reproductie van een schilderij door Václav Brožík
Object type: reproduction
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Subjects: adult woman, adult man, staircase
Inscriptions: inscription: ‘Extrait de la Wiener Freie Photographen Zeitung.’
Gezicht op het stadhuis van Lyon
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: city-view, and landscape with man-made constructions, french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 240
Panel
Object type: panel
Date: 1701 – 1800
Materials: linen, silk
Subjects: eagles,lions
Towel border
Object type: textile
Date: 1801 – 1833
Materials: linen, silk
Subjects: human figures,animals

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. In 19th-century Russia the swastika was a heraldic symbol along with the imperial eagle. In Slavic cultures the shape is a manifestation of the sun, worshipped for its majesty and life-giving qualities. The riders have their arms raised in worship to the sun and stand above flowering plants, symbolizing agricultural fertility.
Die Börse in Paris
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: engraving
Location: hildburghausen
Subjects: city-view in general; 'veduta', stock exchange, stock-market, paris
Inscriptions: collector's mark: Lugt 2228
Veelderhande cierlijcke Compertementen (...)
Object type: print
Date: 1564 – 1564
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: sphinx (lion/woman); 'sfinge' (ripa) - aa - female human figure, violin, fiddle, (story of) triton, ornamental birds: peacock, ornament ~ cartouche, mask, mascaron ~ ornament

Cartouche met een vedel spelende triton. Zijn staart bedekt een persoon. De cartouche heeft een omlijsting van rolwerk met bovenop een mascaron. Links en rechts een paus en onderaan twee sfinxen. Gearceerde achtergrond. Onderdeel van serie met titelblad en 12 bladen.
Gezicht op een brug in het Parc des Buttes-Chaumont in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: parc des buttes-chaumont
Artist: Anonymous
Subjects: bridge, public gardens, park
Inscriptions: inscription: ‘Buttes-Chaumont’
Zelfportret van Johannes Boshamer
Object type: drawing
Date: 1825 – 1852
Materials: ink, paper
Techniques: brush
Artist: johannes boshamer
Artist dates: 1800 – 1852
Subjects: dordrecht, johannes boshamer, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Des bewoonden waerelds steden en dragten
Object type: print
Date: 1685 – 1714
Materials: paper
Techniques: etching
Location: amsterdam
Artist: thomas doesburgh
Artist role: print maker
Subjects: merchant shipping, shipping trade, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Prent ook gebuikt voor: Orbis habitabilis oppida et vestitus. Des bewoonden waerelds steden en dragten, Amsterdam, Carel Allard, ca. 1685. Deze prent uit latere uitgave van Johannes Covens en Cornelis Mortier te Amsterdam, plaat 85.
Portret van een onbekende jongen met hoed
Object type: photograph
Date: 1880 – 1910
Materials: paper, watercolor
Techniques: brush
Artist: Anonymous
Subjects: boy (child between toddler and youth), historical persons, head-gear: hat
Captain Thomas Coram
Object type: print
Techniques: engraving
Artist: william nutter
Artist role: engraver
Artist nationality: british
Artist dates: 1754 – 1802
Subjects: men,portraits,globes
Single-Handled Jar with Geometric Motifs
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Culture: moche
Location: peruvian north coast
Palanquin Hook and Ring
Object type: palanquin hook and ring
Date: 1201 – 1300
Materials: bronze
Culture: cambodian or thai