deem-data/ArtiFact huggingface dataset:
Portret van Frederik Hendrik, prins van Oranje, op 19-jarige leeftijd
Object type: print
Date: 1598 – 1631
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: jacob matham
Artist role: draughtsman, print maker
Artist dates: 1571 – 1631
Subjects: delft, frederick henry (prince of orange)
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Window Cornice
Object type: window cornice
Date: 1760 – 1790
Materials: wood
Culture: american
Location: united states
Subjects: landscapes
Portret van Jacob Ernst Marcus met hoge hoed
Object type: print
Date: 1805 – 1838
Materials: paper
Techniques: aquatint
Location: netherlands
Subjects: amsterdam, print maker, draughtsman, jacob ernst marcus
Inscriptions: collector's mark: Lugt 2228
Haga comitis illustrata; of het verheerlykt en verligt 's Gravenhage bestaende in eene (...) verzameling van 116 (...) in het koper gebragte afbeeldingen, der (...) geillumineerd geweest zynde decoratien en zinnebeelden (...) ter geleegenheid der (...) verkiezinge, proclamatie & installatie van Z.D.H. Willem Carel Hendrik Friso, Prince van Oranje & Nassau, enz. tot Stadhouder (...) den 3 & 15 May 1747 : opgehelderd door een (...) beschryving
Object type: text sheet
Date: 1751 – 1751
Materials: paper
Techniques: etching, letterpress printing
Location: the hague
Subjects: willem iv (prins van oranje-nassau), medal (considered as a piece of sculpture, regardless of its specific function), the hague

Laatste tekstblad in het eerste tekstdeel met tekst in twee kolommen, een voorstelling van een penning op de stadhouder en onderaan een vignet met een vaas tussen rocailles. Los blad oorspronkelijk onderdeel van het plaatwerk Haga comitis illustrata uit 1751 met de versieringen opgesteld te Den Haag tijdens de feestelijkheden rond de installatie van prins Willem IV als stadhouder van Holland en West-Friesland op 3 en 15 mei 1747.
Terracotta fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 540 – 530
Materials: terracotta
Culture: greek, attic

Exterior, part of the tear duct and oculus of an eye
Germanicus neemt afscheid van Agrippina
Object type: history print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: (story of) agrippina the elder, (story of) germanicus
Inscriptions: collector's mark: Lugt 2228

Germanicus neemt afscheid van Agrippina. Naast Agrippina staan en knielen vrouwen met kinderen rond haar bed. Genummerd rechtsboven: VIII.
Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (603) Capote d'Alpaga.
Object type: fashion print
Date: 1805 – 1805
Materials: paper
Techniques: engraving, hand coloring
Subjects: coat (carrick) (+ men's clothes), umbrella (+ men's clothes), fashion plates
Inscriptions: title: ‘Capote d'Alpaga.’

Man van voren gezien, gekleed in een lichtbruine bontmantel met pelerine (Carrick). Hoog gestrikte cravat. Op het hoofd een hoge hoed van alpaca met opstaande rand. Paraplu als wandelstok in de linkerhand. Platte schoenen. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Prospect in Hamburg
Object type: print
Date: 1755 – 1779
Materials: paper, watercolor
Techniques: brush, etching
Location: germany
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), rowing-boat, canoe, etc., windmill, canals, waters (in city) (+ city(-scape) with figures, staffage)
Caricatured Mexican, 5 Centavos, from the series Coins of All Nations (N72, variation 2) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,coins

Trade cards from the "Coins of All Nations" (N72), issued in a set of 50 cards in 1889 to promote W. Duke Sons & Co. brand cigarettes. There are two variations within the series. Version one (variation 1) maintains a white background on the cards and the second version (variation 2) displays a shaded background.
Arashi Ryūzō I as Ishibe Kinkichi in the Play "Hana Ayame Bunroku Soga"
Object type: print
Date: 1794 – 1794
Materials: ink, mica, paper
Techniques: woodblock print
Culture: japanese
Artist: tōshūsai sharaku
Artist role: artist
Artist nationality: japanese
Artist dates: 1794 – 1795
Subjects: men,actors

Like the figure to the right, this actor uses his kimono to make an expressive gesture. Unlike the stealthy Uguisu no Jirō saku, however, the swaggering Ishibe Kinkichi grasps his right sleeve with his left hand and pushes it up to bare his forearm and displays his readiness to fight. The eyes of this petty rascal, however, betray cowardice rather than bravery. Ishibe Kinkichi is the proverbial hard-hearted moneylender, and this conventional gesture expresses the cocky bravado of a bully's threat.
Man Holding a Jug
Object type: painting
Date: 1660 – 1660
Materials: canvas, oil
Artist: michiel sweerts
Artist role: artist
Artist nationality: flemish
Artist dates: 1618 – 1664
Subjects: men,portraits,jugs,pipes

This painting is not a portrait of an identifiable sitter, but rather a character study of a man Sweerts recruited as a professional model. Clutching a tankard and glass, with a pipe and loose tobacco before him, the man embodies the pleasures of the senses. At the same time, his thoughtful and individual expression makes him transcend any mere type or moralizing lesson.
Mabel Miers, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: girls,portraits,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Ptolémée
Object type: print
Date: 1639 – 1640
Techniques: engraving, etching
Artist: gilles rousselet
Artist role: artist
Artist nationality: french
Artist dates: 1614 – 1686
Subjects: men,portraits
Oranjelint
Object type: ribbon material
Materials: silk, thread
Techniques: weave
Location: netherlands
Artist: Anonymous
Subjects: willem iv (prins van oranje-nassau)

Zijden lint met aan de lange zijden franjes van zilverdraad en franjes van groene zijde. Afwisselend patroon bestaande uit een groene boom met 7 grote oranjeappels in sierlijke zilver met blauwe vaas op grijsachtige fond, en opschrift in geel op grillige zilveren band met aan weerskanten de datum op witachtige fond. Aan de twee uiteinden dwars door het opschrift afgesneden. Opschrift: VIVAT / WCH / FRISO. tussenin: Ao 1747 / 3 mey (1 x herhaald).
Burns' Cottage at Alloway
Object type: photograph
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Location: alloway
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: robert burns, cottage
Inscriptions: inscription: ‘Burns' Cottage. Alloway. Ayr. 90. G.W.W.’
Gezicht op de Cordonata naar het Senatorenpaleis en Piazza del Campidoglio in Rome
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: square, place, circus, etc., palace
Upper Fall on the Garr-valt, Braemar
Object type: stereograph
Date: 1860 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Location: aberdeen
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: schotland
Inscriptions: label: ‘G.W. Wilson & Co, Aberdeen No. 44 Upper Fall on the Garr-valt, Braemar’
Liggende naakte vrouw, op de rug gezien, leunend op een arm
Object type: print
Date: 1948 – 1948
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Subjects: lying on one side, with uplifted upper part of the body and leaning on the arm - aa - female human figure, woman (showing herself) undressed, quasi-nude

Prent uit: Lucianus van Samosata. Dialogues des Courtisanes. [Vertaald uit het Grieks door] Charles Astruc. Parijs: s.n., 1948, p. 61.
Disc (Bi)
Object type: disc bi
Date: 300 – 101
Materials: jade
Culture: chinese
Jours de solitude / Octave Pirmez
Object type: book
Date: 1877 – 1877
Materials: cardboard, leather, paper, photographic support
Techniques: albumen print, marbled paper, decorated paper, printing
Location: paris
Artist: octave pirmez
Artist role: schrijver
Artist dates: 1832 – 1883
Inscriptions: annotation: ‘1877 1 afb en fsp 950’
Tubular Bead
Object type: bead
Date: 301 – 800
Materials: jade
Culture: atlantic watershed
Location: costa rica
Rotsachtige landschappen
Object type: print
Date: 1626 – 1685
Materials: paper
Techniques: etching
Location: utrecht
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 240
De kleine Pepi met de nieuwe broek / Le petit Pépy avec la culotte neuve
Object type: popular print
Date: 1833 – 1911
Materials: paper
Techniques: lithograph, letterpress printing
Location: turnhout
Subjects: mischief-making play, correction of naughty children, trousers, breeches, bad behaviour
Inscriptions: collector's mark: Lugt 2760

Blad met 14 voorstellingen over Pepi die met zijn nieuwe broek allerlei kattenkwaad uithaalt en een pak slaag krijgt. Onder elke afbeelding een onderschrift in het Nederlands en in het Frans. Genummerd midden boven: 239.
Vioolspeler in een herberg
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1677
Subjects: one person playing string instrument (bowed), inn, coffee-house, public house, etc., drinking
Inscriptions: collector's mark: Lugt 2228

In een heberg zit een man viool te spelen op een tafel. Een tweede man luistert, terwijl twee anderen in slaap zijn gevallen.
Cat amulet
Object type: amulet, cat
Date: 664 – 525
Materials: faience
Location: egypt
Subjects: cats
Stilleven met een kleine kopie van 'Ariadne auf dem Panther', een 'Schneeball-vaas', bloemen en een boek
Object type: photograph
Date: 1852 – 1852
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894

Stilleven met een kleine kopie van Danneckers 'Ariadne auf dem Panther' onder een stolp, een Meissen 'Schneeball-vaas', bloemen en een boek
Eerste luitenant van het Koninklijk Nederlandsch-Indisch Leger
Object type: print
Date: 1814 – 1850
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: officer, dutch east indies, the
Inscriptions: collector's mark: Lugt 2228
Studies of the head of Saskia and others
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: etching
Subjects: amsterdam
Inscriptions: inscription: ‘Coppier’, signature and date: ‘Rembrandt f. 1636’
Koppen
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: caricatures (human types)
Mislukte aanslag van Egmond op Brussel, 1579
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: etching
Location: netherlands
Subjects: staatsman, kolonel, filips van egmond, grote markt, tachtigjarige oorlog
Inscriptions: date

Mislukte aanslag op Brussel door Filips van Egmond, 1579. Groep soldaten en boeren houden de graaf gevangen op de Grote Markt en wijzen hem op de plaats voor het stadhuis waar zijn vader Lamoraal onthoofd werd.
Writing Table, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1753 – 1753
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: tables

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XLIX in the 1754 and 1755 editions, not reprinted in the 1762 edition.
Portret van Theodorus Schrevelius
Object type: print
Date: 1623 – 1686
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: leiden, theodorus schrevelius, book

Portret van Theodorus Schrevelius, rector van de Latijnse school in Haarlem. Hij houdt een boek in zijn rechterhand. Onderaan in de marge een achtregelige tekst in het Latijn.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, and part of frontal torso of a wreathed male with a himation draped over his left shoulder, and a branch near the middle of his chest
Mozes
Object type: print
Date: 1824 – 1845
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: the brazen serpent (numbers 21:4-9), the ten commandments represented together on stone tablets, mount sinai is covered by a thick cloud, thunder and lightning, moses striking water from the rock (exodus 17:1-7; numbers 20:2-13)
Inscriptions: collector's mark: Lugt 2228

Mozes houdt in zijn hand de stenen tafelen met de tien geboden vast. In het kader zijn vier oudtestamentische voorstellingen weergegeven: Mozes bij de rots, Mozes en de koperen slang, Mozes bij het offeraltaar in het tentenkamp en onweer boven een berglandschap.
Penny-token, Engeland, 1813
Object type: monetary token
Date: 1813 – 1813
Materials: copper
Techniques: striking

Koperen particuliere munt. Voorzijde: op schild gezeten Brittannnia met drietand en takken, naar links. Daarboven waarde-aanduiding. In afsnede jaartal. Keerzijde: borstbeeld van een man [Welllington] naar links. Kabelrand.
Inter folia fructus
Object type: photomechanical print
Date: 1850 – 1869
Materials: paper
Techniques: printing block
Subjects: trees: apple-tree, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Très Parisien, 1923, No 10: 5.- JEUNESSE. - Ce trois pièces...
Object type: fashion print
Date: 1923 – 1923
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: border, ribbon, braid (+ women's clothes), ensembles of pieces of clothing (three piece suit) (+ women's clothes), coat (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), neck-gear: collar (+ fur used for clothes)
Inscriptions: title: ‘Très Parisien / No 10. - 1923’, caption: ‘5. - JEUNESSE. - Ce trois pièces est la robe parisiennne par excellence; le manteau tout droit et que l'on croise sur la hanche gauche est chic au possible et la robe, avec les coloris choisis de son corsage garni de rubans, est charmante tout simplement. / Création Jean PATOU.’

Trois-pièces. 'Robe parisiennne' (jurk), waarvan het lijfje is gegarneerd met linten. Mantel, recht model met sluiting op de linkerheup, gegarneerd met bont. Ontwerpen van Jean Patou. Prent uit het modetijdschrift Très Parisien (1920-1936).
View of the gardens at the Villa d'Este in Tivoli, cyprus trees to right, a staircase leading to the villa at left, two statues at center of the staircase, three figures in the garden at right
Object type: print
Date: 1764 – 1764
Techniques: etching
Artist: jean honoré fragonard
Artist role: artist
Artist nationality: french
Artist dates: 1732 – 1806
Subjects: gardens,cypresses
Portrait of the Baroness Chassériau
Object type: drawing and watercolor
Date: 1846 – 1846
Materials: graphite, paper
Location: france
Artist: théodore chassériau
Artist nationality: french
Artist dates: 1819 – 1856

The refinement and sensitivity of Chassériau's pencil portraits demonstrate clearly that he was the pupil of Ingres, the great master of this genre. Chassériau delighted in drawing the members of his family, and made this portrait of his cousin by marriage when he visited her home in Marseilles upon his return from Algiers in 1846.
Rug fragment
Object type: rug fragment
Date: 1501 – 1600
Materials: wool
Fanfare trumpet in E-flat
Object type: fanfare trumpet in e flat
Date: 1856 – 1856
Materials: brass
Culture: french
Location: france
Artist: adolphe (antoine joseph) sax
Artist role: maker
Artist nationality: belgian, active france
Artist dates: 1814 – 1894
Egg Cup
Object type: egg cup
Date: 1860 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: new england glass company
Artist role: maker
Artist nationality: american
Artist dates: 1818 – 1888
Weinet nicht über mich
Object type: page
Date: 1874 – 1884
Materials: paper
Techniques: photograph
Subjects: the cross ~ symbols of christ, weeping
Inscriptions: inscription: ‘Wenn ihr weint um eure Sünden: O dann wird-der still und mild Fremde Schuld trägt - euch verkünden, Was die bittere Thräne Stillt’
Coin Depicting a Shield
Object type: coin
Date: 277 – 220
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
The Six Horse Team
Object type: photograph
Date: 1875 – 1899
Techniques: albumen print
Location: united states
Artist: Anonymous
Charles Philipon
Object type: medallion
Date: 1834 – 1834
Materials: bronze
Artist: pierre jean david d'angers
Artist role: maker
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 27 (recto)
Object type: album print ornament architecture
Date: 1615 – 1635
Materials: ink
Techniques: pen, wash
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Subjects: birds
Als hy dees nieuwe wereld ziet / 't is al verkeerd' en 'raakt tot niet
Object type: print
Date: 1761 – 1781
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: 'mundus inversus', the reversed world, the topsy-turvy world, 'le monde bestourné', animals acting as human beings
Inscriptions: collector's mark: Lugt 2228

Blad met 36 voorstellingen over de verkeerde wereld, waar onder andere dieren zich als mensen gedragen. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: N 17.
Ruiter met harquebus, naar links gekeerd
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: warfare; military affairs (+ cavalry, horsemen), firearms: rifle
Inscriptions: collector's mark: Lugt 2228a

Een geharnaste man te paard, naar rechts rijdend, een harquebus (licht type geweer) in de handen. Deze prent is onderdeel van een serie van 22 genummerde prenten: een titelprent, 20 prenten waarop één of enkele verschillende typen (meest geharnaste) ruiters zijn weergegeven, en een prent met een ruitergevecht.
Portret van Georg Friedrich von Kirchberg
Object type: print
Date: 1714 – 1779
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: martin tyroff
Artist role: print maker, publisher
Artist dates: 1704 – 1779
Subjects: armour, historical persons
Table screen
Object type: table screen
Date: 1736 – 1795
Materials: lacquer
Culture: chinese
Landschap met bomen
Object type: sketchbook leaf
Date: 1833 – 1841
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: trees, landscapes
Inscriptions: kleurnotitie, handgeschreven in potlood

Blad 38 verso en 39 recto uit een schetsboek met 41 bladen.
Pessima, plate three from Yvette Guilbert
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Paardenhoofd
Object type: drawing
Date: 1891 – 1941
Materials: chalk, paper
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: horse
Inscriptions: collector's mark: Lugt 2228
Ceres
Object type: drawing and watercolor
Date: 1752 – 1752
Materials: chalk, paper
Location: netherlands
Artist: jan wandelaar
Artist role: draughtsman, print maker
Artist nationality: dutch
Artist dates: 1690 – 1759
Grafmonument van Dante
Object type: photograph
Date: 1880 – 1895
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: florence
Subjects: dante alighieri, interior of church, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘82.’

Monument met drie beelden in de Santa Croce te Florence.
Study sheet with jelly fish
Object type: drawing
Date: 1575 – 1599
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: coelenterata: jelly-fish
Inscriptions: inscription: ‘Lineae purpureae sunt ac rubescentes/ et maculae per marginem’, inscription: ‘4 fora-/ mina nec/ plura’, inscription: ‘Lineae purpureae sunt ac rubescentes/ et maculae per marginem’
Border
Object type: textile
Date: 1805 – 1810
Materials: textile, silk
Techniques: bookbinding, interlacing, patterning, satin weave, weave
Location: france
Subjects: foliage, flowers
Canopic Jar with an Image Representing the Hieroglyph for Face
Object type: canopic jar, human head, bearded
Date: 1550 – 1450
Materials: paint, pottery
Location: egypt
Subjects: hieroglyphs

The lid of this canopic jar is decorated with a human face styled after the traditional form of the hieroglyph "hr," the word for face in ancient Egyptian.
Reeks van vijf prenten over de gebeurtenissen voorgevallen in Utrecht over de periode 1672-74 (heruitgave door Schoonebeek)
Object type: print
Date: 1674 – 1674
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', utrecht, rampjaar (disaster year)

De aankomst van prins Willem III te Utrecht in april 1674. De prins centraal te paard te midden van ruiters en voetsoldaten. Op de achtergrond de stad Utrecht. Bovenaan een doek met de titel en twee vierregelige verzen in het Nederlands. Vijfde (ongenummerde) prent in een reeks van vijf prenten over de gebeurtenissen voorgevallen in Utrecht over de periode 1672-74.
Woman Holding a Garland
Object type: drawing
Date: 1880 – 1880
Materials: gold, graphite
Artist: charles edward holloway
Artist role: artist
Artist nationality: british
Artist dates: 1838 – 1897
Subjects: garlands,women
A Woman and her Child
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: drypoint, roulette
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Sash
Object type: sash
Date: 1601 – 1800
Materials: metal thread, silk
Techniques: brocade
Location: iran
Subjects: flowers