deem-data/ArtiFact huggingface dataset:
Cup and saucer
Object type: cup and saucer
Date: 1745 – 1745
Materials: soft paste porcelain
Artist: capodimonte porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1740 – 1759
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Nuova piante et alzata della città di Roma con tutte le strade piazze et edificii (...)
Object type: print
Date: 1676 – 1676
Materials: paper
Techniques: etching
Location: vatican city
Subjects: maps, atlases, cupids: 'amores', 'amoretti', 'putti', rome
Inscriptions: collector's mark: Lugt 2228
Zie hier, en lach om 't modesch leven, o jeugd! ja spot vry met den stoet, / Die, dwaas, zich zelf ten spot wil geeven; Kweek deftigheid in uw gemoed
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Artist: johan noman
Artist role: printer, publisher
Artist dates:  – 1833
Subjects: styles of hairdress, wig, comedy
Inscriptions: collector's mark: Lugt 2760

Spotprent op de mode met 16 voorstellingen van mensen met extreem grote pruiken. Onder elke voorstelling een onderschrift. Genummerd rechtsboven: No. 216.
Arashi Ryuzo as a Man Clad only in a Pale Blue Garment
Object type: print
Date: 1796 – 1796
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Subjects: swords,actors
Page from the Mustard Seed Garden Manual of Painting
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: chinese
Artist: wang gai
Artist role: artist
Artist nationality: chinese
Artist dates: 1645 – 1710
Subjects: mountains,landscapes

In 1679, the author Li Yu published a primer for aspiring landscape painters called the Mustard Seed Garden Manual of Painting, and he commissioned the versatile painter Wang Gai to provide designs for the illustrations. The first edition features volumes on the components of landscape painting—trees, rocks, and human figures—with instructions on how to draw different types of each. It also includes two volumes of landscapes in the styles of old masters, which show readers how to transform what they have learned into their own historically minded compositions. The manual transmitted the fashion for studying old masters' styles beyond the rarified elite circles that had given rise to the practice, and it went on to become the most widely used introduction to painting not only in China, but in Korea and Japan as well. Subsequent editions added flowers as a subject and expanded sections on human figures. It remains in use today across the world.
Fragment
Object type: fragment
Date: 1601 – 1700
Materials: silk
Techniques: embroidery
Kohl Flask
Object type: kohl flask
Date: 801 – 1000
Techniques: carving
Location: iran
Subjects: birds

This charming object was designed to hold kohl, a black cosmetic powder applied around the eyes. In the past, kohl was widely used by men and children as well as women. It was thought not only to accentuate the beauty of the eyes, but also to guard against the glaring sun, ward off evil, and discourage eye disease. The narrow drill hole at the top of this flask would have accommodated a slender stick to collect the cosmetic.
Engageante van batist met borduurwerk
Object type: engageante
Date: 1740 – 1770
Materials: textile, cotton
Techniques: embroidered, shadow quilted, weave
Location: dresden
Artist: Anonymous

Engageante van naturelkleurig batist met borduurwerk. Het patroon heeft een naar links golvende voluutbloem in een rocailleschulp die het midden vormt tussen voluutranken, waaraan symmetrische waaiervormige en telkens gevarieerde bloemen in elke schulp staan, waarvan de randen uit rasterwerk-rocailles bestaan. Het borduurwerk bestaat onder andere uit schaduwwerk, werk met uitgetrokken draden en tamboereerwerk.
Symbola Divina et Humana Pontificum Imperatorum Regum
Object type: book illustration
Date: 1666 – 1666
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: vienna, climbing, obelisk, needle, garland, wreath, ring

Een embleem met twee voorstellingen. Boven een ring met daarboven een ster. Onder een landschap met een obelisk waarin iemand met vleugels naar boven klimt. Op de obelisk een lauwerkrans. Het betreffen deviezen van Matthias Corvinus en Wladislaus II van Hongarije.
Particuliere munt van 1 reaal op naam van O. Bleuler & Co uit Miramar in Guatemala
Object type: coin
Date: 1800 – 1900
Materials: copper
Techniques: striking
Location: guatemala

Koperen particuliere munt. Voorzijde: waarde-aanduiding:1. In omschrift firma-aanduiding. Keerzijde: waarde-aanduiding:1. In omschrift plaats-aanduiding. Gladde rand.
Deel van een vierdelige kaart van Zwitserland (rechtsonder)
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: engraving, etching, hand coloring
Location: zurich
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of separate countries or regions, river personified, 'fiumi' (ripa), coat of arms (as symbol of the state, etc.) (+ province; provincial), switzerland
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Drie portretten van een meisje met bloemen
Object type: photograph
Date: 1900 – 1930
Materials: cardboard, photographic support
Techniques: gelatin silver print, hand coloring
Artist: Anonymous
Subjects: flowers, historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: monogram: ‘Ela’, monogram: ‘Weco’

Deze foto's maken deel uit van een album.
De Israëlieten in Egypte onderdrukt / Mozes wordt gevonden
Object type: book illustration
Date: 1716 – 1761
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter tanjé
Artist role: draughtsman, print maker
Artist dates: 1706 – 1761
Subjects: the israelites are forced to hard labour ~ exodus, moses is pulled out of the water by the servants
Inscriptions: collector's mark: Lugt 3937, collector's mark: Lugt 2233

Prent mogelijk gebruikt in: Hamelsveld, Ysbrand van. De gewigtigste geschiedenissen des Bybels, afgebeeld in twee honderd twee en vĳftig printverbeeldingen (...) met eene zaaklĳke uitbreiding opgehelderd. Amsterdam: Jan de Groot, Gerrit Warnars, Petrus van Hengst, Dordrecht: Abraham Blussé, Pieter Blussé, Leiden: Samuel Luchtmans (III), Johannes Luchtmans, Harlingen: Volkert van der Plaats, 1791.
and after
Object type: photograph
Date: 1920 – 1925
Materials: paper
Techniques: gelatin silver print
Location: south holland
Artist: Anonymous
Subjects: adult woman, adult man, drinks, stimulants, drugs
Inscriptions: inscription: ‘We buy dresses for the girl’
Actor Ichikawa Raizô I as Hanakawado no Sukeroku in “The Soga Play: Announcement of the Spring Season by the Bush Warbler” (“Hitokidori harutsuge Soga”)
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Zee met zeilende botters
Object type: print
Date: 1870 – 1909
Materials: paper
Techniques: etching, intaglio
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228
Gezicht vanaf het Piazza Vigliena op de Via Toledo
Object type: photograph
Date: 1856 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: palermo
Artist: giuseppe incorpora
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: square, place, circus, etc.
Inscriptions: number: ‘N. 28’

Via Toledo heet tegenwoordig Corso Vittorio Emanuele.
Succini Piscator. Der Agtstein-Fischer
Object type: book illustration
Date: 1719 – 1719
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: amber (fossil resin), fisherman
Inscriptions: collector's mark: Lugt 1641, stamp

Barnsteenvissers slepen bij laag water met hun netten over de zeebodem. Om hun nek een tas voor de gevonden barnsteen. Op het strand een toren en wachten de bewakers van de gevonden barnsteen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Beroep en bedrijf, Complete suites.
Bowl with Cheetah
Object type: bowl
Date: 1001 – 1300
Techniques: engraving
Culture: byzantine
Subjects: cheetahs

Her dowry included Twelve well-proven hunting leopards, Twelve snowy hawks from Abasgia [in present-day Georgia], Twelve falconers, and the same number of falcons — From Digenis Akritis, an epic poem about a Byzantine-Arab border lord, oral poetry written down about 1000 or later Predatory cats and birds may have been intended to evoke the hunt, a popular pastime for members of the imperial court and ruling classes and regarded as good practice for military action. Treatises and copies of ancient texts on hunting dating to the eleventh and twelfth centuries suggest a renewed interest in the sport. The emperor John II Komnenos perished in a hunting accident in 1143.
Rhynfels (waar by 't steedje St. Goar) een sterk kasteel in Duitsland op een rots (...) / Rhinfels (pres de la petite ville de St. Goar) château tres fort d'allemagne (...)
Object type: area plan
Date: 1705 – 1728
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: castle, maps of cities
Inscriptions: collector's mark: Lugt 2228
Young Woman Riding a Carp
Object type: print
Date: 1760 – 1769
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: women,reading,fish

Here, the image of a young woman parodies the Daoist immortal Qin Gao, an auspicious figure who rides a carp.
Veduta di dentro overo spaccato del' Palazzo Borghese e le loggie del cirtile architettura di Martino Longhi il vecchio
Object type: print
Materials: paper
Techniques: etching
Location: italy
Subjects: palace, façade (of house or building), inner court of palace or 'hôtel'
Inscriptions: number: ‘69’, inscription: ‘Ende lib. No. 21. fol. 353. 354./ Ende lib. No. 10. fol. 22.’

Deze prent maakt deel uit van de reeks getiteld: Palazzi di Roma. Deze reeks bestaat uit twee boeken. Boek één getiteld: Palazzi di Roma dei più celebri architetti..., bestaat uit 44 prenten die worden toegeschreven aan Giovanni Battista Falda (naam staat enkel op prent 27) en uitgegeven door Giovanni Giacomo de'Rossi. Deze 44 prenten zijn bekend in twee staten (met en zonder nummer). Boek twee getiteld: Nuovi disegni dell'architetture... libro secondo, bevat 66 prenten door Giovanni Battista Falda en Simone Felice. Deze 66 prenten zijn bekend in twee staten (met en zonder nummer).
L'Allegro Trionfo de la Primavera
Object type: print
Date: 1537 – 1550
Materials: paper
Techniques: woodcut
Location: italy
Subjects: spring, 'ver'; 'primavera' (ripa), calendar of ecclesiastical feasts, chariot, triumphal car, soil cultivation, seasons of the year (esp. personifications); 'stagione', 'le quattro stagione dell'anno' (ripa) (+ with zodiacal signs of the spring season), (story of) flora
Inscriptions: collector's mark: Lugt 2228

Eén van vier bladen van een kalender. Triomfoptocht van de lente: Flora in een triomfwagen getrokken door twee vogels, twee schapen en twee koeien, begeleid door verschillende personen en personficaties. Op de achtergrond een picknick en het bewerken van het land. De maanden maart, april en mei verbeeld door vlaggen met de sterrenbeelden. Onder de afbeelding kalender van de drie lentemaanden.
Portret van Nicolaus Copernicus
Object type: print
Date: 1549 – 1584
Materials: paper
Techniques: woodcut
Subjects: astronomy (and cosmography) (+ portrait of scholar, scientist), historical persons, scholar, philosopher (+ portrait of scholar, scientist)

Prent gebruikt in: Reusner, Nikolaus. Icones Sive Imagines Vivae (...). Straatsburg: Bernhard Jobin, 1587
Legaat van J.H. Hoeufft ter bevordering van de beoefening der Latijnse poezie
Object type: cast
Date: 1843 – 1844
Materials: wax
Techniques: casting
Subjects: dordrecht, jacob hendrik hoeufft (1756-1843), amsterdam

Agietsel van een prijspenning in zilverpapier en was. Voorzijde: vrouw in antieke kledij, voorstellende Muze, houdt lier in linkerhand en kroont met lauwerkrans in uitgestrekte, geheven rechterhand een op haar toelopende man, die rol papier aanbiedt binnen omschrift. Keerzijde: opschrift binnen krans van olijftakken.
Nederlandse 5 cent,1923
Object type: coin
Date: 1923 – 1923
Materials: nickel
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Vierkante nikkelen munt. Voorzijde: in hoeken versiering, daarbinnen twee cirkels, waarin landsaanduiding. Daarbinnen vruchtdragende tak van een oranje-appel. Keerzijde: in de vier hoeken schelpen-versiering, verbonden door parels. Daarbinnen waarde-aanduiding 5 C in parelrand. Jaartal in de twee schelpen links en rechts. Gladde rand.
Praeceptori Carissimo Jano Guiliëlmo Ermerins
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: engraving
Subjects: physicist
Inscriptions: collector's mark: Lugt 2228

Portretbuste in ovaal naar rechts van Jan Willem Ermerins, hoogleraar in de wiskunde en natuurwetenschappen te Groningen, blootshoofds. Ermerins is gehuld in een toga en draagt een bef. In de marge staat een Latijns onderschrift.
Divers Trophées
Object type: ornament print
Date: 1651 – 1651
Materials: paper
Techniques: engraving
Location: paris
Subjects: helmet, beasts of prey, predatory animals: lion

De leeuw draagt de pluim op zijn rug. De zijkanten van de helm zijn gedecoreerd met gevleugelde, naakte vrouwen. Uit serie van titelblad en vijf bladen.
Groeten uit Wijk aan Zee
Object type: photomechanical print
Date: 1895 – 1900
Materials: cardboard
Techniques: photograph, writing
Location: wijk aan zee
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions
Inscriptions: postage stamp
Aangemeerde zeilboten aan een waterkant te Gorinchem
Object type: sketchbook leaf
Date: 1905 – 1909
Materials: chalk, paper
Location: gorinchem
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: date and inscription: ‘Gorinchem/21 Se[...]’

Blad 34 verso en 35 recto uit een schetsboek met 42 bladen.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Right halves of four kylix handles
Bonnet
Object type: bonnet
Date: 1880 – 1889
Materials: silk
Culture: french
Gezicht op de Zuiderzee
Object type: album leaf
Materials: paper
Techniques: rotogravure
Location: leiden
Artist: Anonymous
Subjects: sea, zuiderzee

Deze prent maakt deel uit van een album.
Plate with a water landscape
Object type: plate dish
Date: 1600 – 1699
Materials: cobalt, earthenware, glaze, paint, quartz
Techniques: firing, turning, vitrification
Location: kerman
Artist: Anonymous
Inscriptions: mark

This plate was produced in Kerman in southeast Iran. It is decorated with a central Chinese landscape, enclosed by narrow panels containing propitious symbols alternating with wider panels with flowers and banana leaves. The dish is signed on the back by the potter ‘Made by
Kamâl al-Din Muhammad.’
Long Shawl
Object type: textile
Date: 1850 – 1900
Materials: cotton, silk, thread, wool
Techniques: bookbinding, dyeing, jacquard, patterning, weave
Location: france
Subjects: flowers, garlands, medallions, fountains
Inscriptions: Inscription (woven in each end scene in mirror image): CHANSEAU
Stadsgezicht met kerk en huizen
Object type: drawing
Date: 1828 – 1897
Materials: paper, pencil
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Ricking the Reed
Object type: photograph
Date: 1886 – 1886
Techniques: platinum print
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Man zwachtelt het been van een gewonde man
Object type: print
Date: 1879 – 1927
Materials: paper
Techniques: wood engraving
Location: london
Subjects: applying dressing or bandage, the (nude) human figure; 'corpo humano' (ripa) (+ more than eight persons), infections and wounds

Prent uit: Goldsmith, Oliver. Elegy on a mad dog. Londen: George Routledge & Sons, 1879. Of uit een later gepubliceerde uitgave waarin vier verhalen (waaronder 'Elegy on a mad dog') zijn gebundeld.
Dootje van Zijll de Jong in een tuin
Object type: album leaf
Date: 1930 – 1935
Materials: paper
Techniques: gelatin silver print, snipping
Location: dutch east indies
Artist: Anonymous
Subjects: amsterdam, adult woman, garden, dutch east indies, the
Inscriptions: inscription: ‘Ben en ik’
Eight Scenes of Kanazawa (Kanazawa hakkei): The Dance of Asahina and Umejumaru (Asaina Umejumaru mai no dan)
Object type: print
Date: 1707 – 1707
Techniques: hand coloring, woodblock print
Location: japan
Artist: torii kiyonobu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1664 – 1729
Verslag uit archief Philip Zilcken
Object type: verslag
Date: 1904 – 1905
Materials: paper
Techniques: printing
Location: the hague
Artist: hendrik willem mesdag
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1915
Subjects: philip zilcken, temporary exhibition, 'salon'
Inscriptions: collector's mark: ‘RPK’
Glass mosaic inlay fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Fragment of revetment plaque. Translucent deep purple, appearing black, and opaque yellow. Flat inlay. Marbled mosaic pattern in purple ground with irregular yellow lines and streaks. Broken in two and repaired; polished upper side; pitting of surface bubbles, with some surface cracks and chips; dulling, pitting, and iridescent weathering on underside; weathering on jagged edges, but two edges at break unweathered.
Dam te Amsterdam
Object type: sketchbook leaf
Date: 1881 – 1885
Materials: chalk
Location: amsterdam
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: square, place, circus, etc.
Inscriptions: annotation: ‘Dam.’

Pagina 2 uit een schetsboek met 26 bladen.
Afternoon dress
Object type: afternoon dress
Date: 1903 – 1903
Materials: silk
Culture: american
Artist: chezar & pillman
Artist role: maker

This afternoon dress offers an example of an American-made Belle Époque dress created by a New York dressmaker. The Chezar & Pillman label shows the maker styled itself "The Parisian Ladies' Tailor," an indication that this is an American version of the French fashion at the time. The dress is highlighted by several attractive details: the good quality of its embroidery and the inclusion of rhinestone and enamel buttons.
Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing, 31 maart 1903
Object type: print
Date: 1903 – 1903
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: utrecht, print maker, draughtsman, adrianus wilhelmus nieuwenhuyzen, criticizing and discussing art, art criticism, circle, club of artists, drawing-room, 'salon', collecting and exhibiting products of the fine arts, picture, painting
Inscriptions: collector's mark: Lugt 2228

Interieur met kast en schilderij op ezel. Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing op 31 maart 1903 van 'plaatwerken etc. van het legaat A.W. Nieuwenhuijzen, Oud-Directeur van het Genootsch. Kunstliefde'.
Les Travaux d'Ulysse
Object type: album leaf
Date: 1633 – 1633
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: paris
Subjects: ulysses with his father laertes

Dolius laat zijn hand door Odysseus kussen als welkom, voordat ze aan de maaltijd gaan. Naast Odysseus zit zijn vader Laërtes. De prent maakt deel uit van een album.
A coal heaver
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Artist: henry joseph whitlock
Artist role: fotograaf, hofleverancier
Artist dates: 1835 – 1918
Subjects: historical persons - bb - woman

Prent op derde ongenummerde pagina na pagina 56.
Glass ribbed bowl
Object type: bowl, rippenschale
Materials: glass
Culture: roman

Translucent deep honey yellow; trail in opaque white. Knocked-off, uneven rim; short concave neck; globular body curving in to thick bottom, flat but slightly concave at center. Trail applied to bottom and wound spirally around body, with large patch on lower side, ending in a fine trail on shoulder; side tooled into twenty-one irregular, vertical ribs. Intact, except for four chips in rim; a few pinprick bubbles; dulling, faint iridescent weathering, and weathering of trail between ribs. Dark amber ribbed cup with white lines around shoulder and body.
Descent from the Cross
Object type: relief
Date: 1475 – 1500
Materials: wood, paint
Culture: south netherlandish
Location: netherlands
Subjects: christ,mary magdalene,virgin mary,descent from the cross

In the fifteenth century the theme of the Deposition of Christ from the Cross, part of the Easter narrative, was often represented in liturgical dramas on Good Friday. Small reliefs like this one were usually part of a large altarpiece. The original paint is exceptionally well preserved.
Compositie no. 15
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: woodcut
Artist: jacoba van heemskerck
Artist role: draughtsman, painter
Artist dates: 1876 – 1923
Subjects: bridge
Inscriptions: collector's mark: Lugt 2228
Fontaine des Innocents
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: sculpture
Inscriptions: workshop stamp: ‘MIEUSEMENT/ photographe’, collector's mark: ‘[...]’, retailer's mark: ‘Kunstboekhandel/ J.A.G. De Leur/ Photograaf- Uitgever/ Huigenspark, 40b./ Den Haag’, number: ‘No. 1250’, collector's mark: ‘Rijks normaalschool voor teekenonderwijzers Amsterdam’
Kandelaber met tien als langgerekte gekrulde bladeren vormgegeven armen
Object type: candelabrum
Date: 1890 – 1890
Materials: silver
Location: utrecht
Artist: maurits johannes lens
Artist role: designer, draughtsman, print maker
Artist dates: 1829 – 1897
Subjects: ornament derived from plant forms
Inscriptions: date letter: ‘F’, alloy mark, assay office mark

Two candelabra. Silver. Utrecht, Utrechtse Fabriek van zilverwerken C.J. Begeer, 1888 and 1890, designed by Maurits Johannes Lens.
Plattegrond van Leuven
Object type: area plan
Date: 1649 – 1649
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial), louvain

Huidige staat van prent ook gebruikt in: Theatrum ichnographicum omnium urbium et praecipuorum oppidorum Belgicarum XVII Provinciarum (…). Amsterdam: Frederik de Wit, ca. 1700-1710. En in: Aa, Pieter van der. La galerie agreable du monde (…). 66 delen. Leiden: Pieter van der Aa, 1728, dl. 16.
Sample of Rock Crystal
Object type: jade carving material
Date: 1901 – 2000
Materials: quartz
Culture: chinese
Vlakdecoratie met twee putti
Object type: print
Date: 1510 – 1526
Materials: paper
Techniques: engraving
Location: germany
Inscriptions: collector's mark: Lugt 240

Twee putti, die elk op een dolfijn zitten, houden een vaas omhoog die gedecoreerd is met bladranken. Gearceerde achtergrond.
No. 6: Our Troops Gain Victory at Asan (Sono roku, Gazan waga hei shori o eru)
Object type: print
Date: 1894 – 1894
Techniques: woodblock print
Location: japan
Artist: Anonymous
Artist nationality: japanese
Artist dates: 1890 – 1899