deem-data/ArtiFact huggingface dataset:
Twee soldaten met driepuntige hoeden blazen op bazuinen
Object type: print
Date: 1750 – 1800
Materials: paper
Techniques: etching
Location: netherlands
Artist: g. van citters
Artist role: print maker
Subjects: horn, trumpet, cornet, trombone, tuba, (military) signals
Inscriptions: collector's mark: Lugt 2233
De tocht van de Engelse koning Karel II over de Thames naar Sheerness en Chatham op 27 Augustus 1681
Object type: drawing
Materials: chalk, paper, pencil
Techniques: brush
Artist: willem van de velde (i)
Artist role: draughtsman, painter
Artist dates: 1611 – 1693
Subjects: karel ii (koning van engeland), names of artefacts and man-made objects (buildings excluded), river, visiting; receiving guests; elegant company, sailing-ship, sailing-boat (with name), thames

De tocht van de Engelse koning Karel II over de Thames naar Sheerness en Chatham op 27 augustus 1681. Hier de vloot van jachten achterelkaar tussen Woolwich en Blackwall, met onder andere de schepen Charlotte, Cleveland, Isabella, Kitchen en Mary.
The Wounded Goetz von Berlichingen Takes Refuge in a Gypsy Camp
Object type: drawing
Date: 1836 – 1836
Materials: graphite
Techniques: brush, wash
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: men,horses

Delacroix was fascinated by Goethe’s "Goetz von Berlichingen," the tale of a late medieval knight (translated into French in 1823). In an 1827 sketchbook he listed seven possible subjects based on the story, including "Goetz arrives wounded on his horse among the gypsies." This loose wash drawing is the only known compositional study for the lithograph he produced of the scene. Delacroix worked on the series intermittently from 1836 to 1843, eventually completing seven designs, but never published the lithographs as a suite.
Portret van Guillaume Brune
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Silver cup
Object type: cup
Date: 600 – 501
Materials: silver
Culture: cypriot

The graceful bell-shaped vase is of Near Eastern origin, without Greek counterparts.
Ruïnes in landschappen
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: barn, landscape with ruins
Inscriptions: collector's mark: Lugt 240

Twee figuren bij een vervallen schuur in een landschap. Twaalfde prent van een serie van zestien.
Portret van Abraham Buchholzer
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: theologian, historical persons
Inscriptions: inscription: ‘Natus est Schönaru, 28 sept. 1529 (...)’

Prent uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Speldenmakersgilde van 's-Hertogenbosch, gildepenning met no. 24
Object type: medal
Date: 1600 – 1800
Materials: brass
Techniques: engraving
Location: den bosch
Artist: Anonymous
Subjects: den bosch

Messing penning aan draagoog. Voorzijde: St. Thomas, blootsvoets met lans in rechterhand en boek onder linkerarm. Keerzijde: opschrift; onder draagoog: cijfer No. 24
De Hilversumsche Wijnhandel J.v.d. Smit Jr.
Object type: cabinet photograph
Date: 1896 – 1896
Materials: paper, cardboard
Techniques: collodion silver print
Location: hilversum
Artist: henri de paauw
Artist role: fotograaf
Artist dates: 1849 – 1922
Subjects: street
Inscriptions: inscription: ‘-'s Grav.weg hoek v.d Lindenlaan 1.-Teleph.No 96/ Phot. H. de Paauw’, inscription: ‘1896’
Grate
Object type: grate
Date: 1401 – 1500
Materials: iron
Arundel House from the North (copy)
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: human figures,houses,horses,carriages
VOC, ½  duit Gelderland,1757. Afslag in zilver
Object type: coin
Date: 1757 – 1757
Materials: silver
Techniques: striking
Location: harderwijk

Zilveren munt. Voorzijde: tussen wapenspreuk gekroond wapenschild van Gelderland. Keerzijde: monogram van de VOC, waarboven muntmeesterteken en waaronder jaartal. Kabelrand.
Fan Design with Views of Mount Vesuvius and the Tomb of Virgil
Object type: drawing
Date: 1779 – 1779
Materials: parchment, watercolor
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: tombs,fans,volcanoes,boats

During the eighteenth century, it became increasingly popular among well-to-do families and artists to undertake the Grand Tour. Such journeys could stretch from several weeks to several years and would often include visits to multiple countries. Italy was a prime destination, with cities from Venice to Naples offering a plethora of historic architecture, famous artworks, and attractive land- and seascapes. A veritable industry of souvenirs was built to cater to the tastes of these early tourists. Hand-painted fans, like this one, commemorate the landscape and historic sites around Naples. Mount Vesuvius features frequently as a marvel of nature, both for its haunting presence as an active volcano and for the fertility it brings to the surrounding soil. In addition, this fan contains a depicting of Virgil's Tomb.
Recueil De Paysages et autres Figures
Object type: print
Date: 1738 – 1801
Materials: paper
Techniques: etching
Location: france
Artist: johann georg wille
Artist role: draughtsman, print maker
Artist dates: 1715 – 1808
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), pipe ~ tobacco, landscape with ruins, laundering
Inscriptions: collector's mark: Lugt 2228

Deze vier prenten, samen gedrukt op een niet versneden blad, maken deel uit van een serie bestaande uit een titelprent en 36 prenten met verschillende onderwerpen.
Rouen (Hôtel Bouthero[(...)]
Object type: photograph
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Location: rouen
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: hôtel, i.e. small palace in city, façade (of house or building)
Inscriptions: name: ‘Mieusement photographe’, inscription: ‘Monuments Historiques’, number: ‘809’

Onderdeel van Fotoalbum met opnames van monumenten in Frankrijk.
Portret van Gilbert Burnet
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: jacob gole
Artist role: print maker
Artist dates: 1660 – 1724
Subjects: edinburgh, historicus, gilbert burnet
Inscriptions: collector's mark: Lugt 2228
Interieur van de Chion-in tempel in Kyoto, Japan
Object type: album leaf
Date: 1890 – 1903
Materials: paper, photographic support
Techniques: albumen print, hand coloring
Location: kyoto
Artist: Anonymous
Subjects: temple, shrine ~ hinduism, buddhism, jainism, interior of the house
Inscriptions: inscription: ‘1166 Interior of Chion-in Temple, Saikio’
Bosgezicht
Object type: drawing
Date: 1801 – 1873
Materials: chalk, ink, paper
Techniques: brush
Artist: george pieter westenberg
Artist role: draughtsman, painter
Artist dates: 1791 – 1873
Subjects: trees: birch
Inscriptions: collector's mark: Lugt 2228
Kop van een geit, naar links
Object type: drawing
Date: 1775 – 1833
Materials: paper, pencil, watercolor
Techniques: brush
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: goat
Salomo en Batseba op de troon
Object type: print
Date: 1718 – 1719
Materials: paper
Techniques: engraving
Location: rome
Subjects: bathsheba enthroned at solomon's right hand
Inscriptions: collector's mark: Lugt 240

Naar één van de vier tondo's door Domenichino in de San Silvestro al Quirinale in Rome.
The skater
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: etching
Artist: léopold flameng
Artist role: print maker
Artist dates: 1831 – 1911
Subjects: skates (winter sports)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Sjerp M. 1815 voor officieren Nederlandse leger
Object type: sash
Date: 1815 – 1815
Materials: silk
Techniques: braiding
Location: netherlands
Artist: Anonymous
Subjects: david hendrik baron chassé, netherlands, belgium

Sjerp van oranje koordzijde, in techniek van Egyptisch vlechtwerk. Beide uiteinden eindigend in een bal, omgeven met een netwerk van dito stof. Uit de ballen ontspringen lange franjes. Elke franje heeft aan de onderzijde een knoop. Aan één zijde is een leren label met nr. 4 geknoopt. Gedragen door generaal baron Chassé, de verdediger van de citadel van Antwerpen (1832). Aangehechte lakzegel met familiewapen van Chassé.
Brief aan Felix Stone Moscheles
Object type: letter
Date: 1888 – 1906
Materials: ink, paper
Techniques: pen, writing
Location: london
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: london, painter, non-christian religions (including institutions, customs and antiquities), christian religion, money, england
Inscriptions: watermark

Brief bevat zes opgeplakte krantenknipsels.
Kussenovertrek met het gemeentewapen van Den Haag
Object type: pillow sham
Date: 1693 – 1693
Materials: silk, wool
Techniques: tapestry
Location: delft
Artist: jacobus van der gucht
Inscriptions: date: ‘1693’

Kussenblad van een magistratenkussen van tapisserieweefsel. Tegen een blauwe grond het gekroonde wapen van 's-Gravenhage. In een medaillon is op een geel fond de ooievaar met een slang in de snavel afgebeeld. Het wapen wordt gesteund door twee klimmende leeuwen in rood. Onder het wapen is het jaartal 1693 ingeweven. Het geheel is omgeven door bladranken en bladeren.
Bowl Resting on Jaguar
Object type: bowl
Date: 401 – 1600
Materials: ceramic, pigment
Culture: costa rican
Location: costa rica
Subjects: animals
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, hand on hip of draped figure?
Adoration of the Shepherds
Object type: drawing and watercolor
Date: 1750 – 1750
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: francesco fontebasso
Artist role: artist
Artist nationality: italian
Artist dates: 1707 – 1769

Here Francesco Fontebasso depicted the biblical story of the birth of Christ, pairing three astonished shepherds, who surround the Virgin and Child at center, with four angelic putti hovering above the humble manger. Joseph kneels in the right foreground.

An independent work, not related to a painting, the drawing is densely layered. Different colors of ink and wash delineate the figures’ garments and the manger’s rough walls and capture the effects of celestial light.
Pretiosa Gemma delle virtuose donne, page 4 (recto)
Object type: book print ornament architecture
Date: 1600 – 1600
Techniques: woodcut
Artist: isabella catanea parasole
Artist role: author
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: birds,ornament

Written by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Lucchino Gargano, Venice, bound by Hardy-Mennil. Design is decorated in the center with a spotted bird wearing a crown that is flanked on either side by a vine of leaves and flowers. The border on the top and bottom consists of 2 levels; outter level l is decorated with a foliage pattern and inner level is decorated with a linear pattern.
Gezicht op de Nieuwe Kerkstraat gezien naar de Franse Manege, hoek Manegestraat
Object type: drawing
Date: 1827 – 1888
Materials: paper, pencil
Location: amsterdam
Artist: johan george lodewijk rieke
Artist role: draughtsman, print maker
Artist dates: 1817 – 1898
Subjects: city-view in general; 'veduta', street
Inscriptions: inscription: ‘letters Fransche Manege (...) bruin / Nieuwe Prinsengracht’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 23.
"Funeral Procession", Folio 35r from a Mantiq al-Tayr (Language of the Birds)
Object type: folio from an illustrated manuscript
Materials: gold, paper, silver, watercolor
Location: afghanistan
Artist: sultan 'ali al-mashhadi
Artist role: calligrapher
Artist nationality: iranian
Artist dates: 1453 – 1520
Subjects: men,funerals,working

This illustration is associated with a story related by the hoopoe as a response to a bird who complains about his fear of death. In the story, a son grieves the death of his father in front of his coffin and a sufi soothes him, explaining that his father had experienced much pain and that no one can avoid death. Here, the painter depicts the incident as occurring in front of a cemetery gate. The scene behind the gate is replete with motifs that are irrelevant to the story itself. The viewer at the court may have enjoyed deciphering them.
Helpoort
Object type: print
Date: 1830 – 1899
Materials: paper
Techniques: etching
Artist: alexander schaepkens
Artist role: draughtsman, print maker
Artist dates: 1815 – 1899
Subjects: city-gate
Inscriptions: collector's mark: Lugt 2228

Helpoort, gezien vanaf de veldzijde, met zicht op de Sint Bernardusstraat.
Stirrup Spout Vessel Depicting Erotic Scene
Object type: vessel
Date: 1100 – 1470
Materials: ceramic
Culture: chimú
Location: peruvian north coast
Pope Innocent XII (1691–1700)
Object type: medal
Date: 1601 – 1700
Materials: bronze
Subjects: men,profiles
Hatnefer's Chair
Object type: chair, hatnefer
Date: 1492 – 1473
Materials: wood, cord, linen
Location: egypt
Subjects: bes,isis
Portret van Pieter de Witte
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: pen
Location: amsterdam
Subjects: leiden
Inscriptions: inscription: ‘Petrus De Witte [...] Petrophiles:’, collector's mark: Lugt 2228
Briefhoofd voor octrooi
Object type: print
Date: 1804 – 1815
Materials: paper
Techniques: engraving, etching
Subjects: personifications of countries, nations, states, districts, etc., genius, letter, envelope, invention, discovery ~ science and technology
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1311

Frankrijk kroont een Genie die een bord vasthoudt met daarop de woorden "Inventions Nouvelles".
Veelderhande Niewe Compartemente
Object type: ornament print
Date: 1640 – 1655
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Opera Selectiora
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: etching
Location: venice
Subjects: mary and elisabeth shaking hands
Inscriptions: collector's mark: Lugt 11

Maria en Elisabet, beiden net zwanger, ontmoeten elkaar op een trap bij een stadspoort. De prent maakt deel uit van een 53-delige serie prenten naar schilderijen van Titiaan en Veronese.
Portretbuste van John Russell
Object type: print
Date: 1825 – 1850
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: politician, adult man, historical persons, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228
Pieces (4)
Object type: piece
Date: 1801 – 1900
Materials: cotton
Amulet: Head of Sakhmet
Object type: amulet, aegis, bastet
Date: 664 – 332
Materials: silver
Location: egypt
Toegangskaart voor het Koninklijk Museum, 1809-1810
Object type: admission ticket
Date: 1809 – 1810
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, print maker, draughtsman, cornelis apostool
Inscriptions: collector's mark: Lugt 2228

Toegangskaartje voor één persoon voor het Koninklijk Museum in Amsterdam, 1809-1810. Met de naam Apostool, directeur van het museum.
Wig bag
Object type: wig bag
Date: 1830 – 1840
Materials: silk
Culture: british
Vase fragment
Object type: vase fragment
Date: 670 – 330
Materials: terracotta
Culture: roman
Subjects: human figures

Fragment of a green-glazed vase; male figure with thyrsos.
Fragment van een scheepsvlag met drie banen in de kleuren rood, zwart en rood en drie witte Andreaskruisen
Object type: ship flag
Date: 1596 – 1596
Materials: wool
Techniques: weave
Location: amsterdam
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck, coat of arms (as symbol of the state, etc.) (+ city; municipal)

Scheepsvlag, oorspronkelijk rechthoekig van vorm. De vlag heeft drie banen in de kleuren rood, zwart en rood. Op de zwarte middenbaan zijn drie witte Andreaskruisen aangebracht, het wapen van Amsterdam. Sinds 1978 is de vlag samengevoegd en gereconstrueerd met de zes delen afkomstig uit het Tromsomuseum. Gezien de afmetingen heeft de vlag waarschijnlijk op de achtersteven of top van de bezaansmast gewapperd.
Rond kleedje van achthoekig batist met rondom een brede rand kloskant met harten gevormd door omkrullende bloemranken
Object type: kleed
Date: 1900 – 1924
Materials: cotton
Techniques: lace
Location: italy
Artist: Anonymous

Kleedje van naturelkleurige batist met rondom een brede rand kloskant: lintkant. Rond model met een klein achthoekig geschulpt binnenstuk van batist. Het kantpatroon bestaat uit omkrullende bloemranken gevormd door smalle linten en is symmetrisch ten opzichte van één midden-as. De ranken vormen langs twee tegenoverliggende zijden van het batist een hart. De krullen eindigen afwisselend in een rozetbloem of een peervormige bloem, met een uitgespaard bloemhart. De motieven zijn gemaakt in linnenslag en zijn met elkaar verbonden door een vlechtengrond. Een deel van de bloemblaadjes is gemaakt in een tralieslag. De schulpenrand langs de buitenrand van het kleedje komt voort uit het patroon en is afgewerkt met een smal lintje met picots.
Cover
Object type: textile cover
Materials: silk
Culture: italian or spanish
Daibutsu (Grote Boeddha) in Nara, Japan
Object type: album leaf
Date: 1890 – 1903
Materials: paper, photographic support
Techniques: albumen print
Location: nara
Artist: Anonymous
Subjects: buddha, founder of buddhism, statues, paintings, etc. ~ objects of worship (hinduism, buddhism, jainism)
Inscriptions: inscription: ‘14 / Large Coppelman in Nara’
Christus voor Annas
Object type: print
Date: 1610 – 1620
Materials: paper
Techniques: engraving
Location: the hague
Subjects: christ before annas (hanna); maybe a soldier about to strike christ (john 18:13, 18:19-24)

Christus wordt door gewapende mannen voor Annas geleid. Prent maakt deel uit van een album.
Kind met pauw
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: lithograph
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: low hill country, trees, flowers: sunflower, (showing oneself) undressed, quasi-nude, child, ornamental birds: peacock
Inscriptions: collector's mark: Lugt 2228

Een naakt, staand kind in een heuvellandschap. Op de schouder van het kind zit een pauw. Achter het kind en de pauw groeien een zonnebloem en een boom.
Epitaphios (Plashchanitsa)
Object type: epitaphios
Date: 1651 – 1675
Materials: linen, metal thread, silk
Techniques: embroidery, weave
Subjects: pegasus,angels,christ,lamentation,saints

The central scene of the Lamentation of Christ is bordered by a series of saints in roundels, with a particular focus on saints of the Moscow region, including four Metropolitans of Moscow and the important monastic leaders Sergius and Cyril. Also notable is the depiction in the left border of the sainted Tsarevich Dmitri Ivanovich, whose cult flourished following the transfer of his remains to Moscow in 1606.
Designs for Four Candle Fixtures
Object type: drawing
Date: 1801 – 1900
Materials: ink
Techniques: pen
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Brief aan Philip Zilcken
Object type: letter
Date: 1889 – 1889
Materials: ink, paper
Techniques: pen, writing
Location: voorburg
Artist: gerke henkes
Artist role: draughtsman, painter
Artist dates: 1844 – 1927
Subjects: philip zilcken
Inscriptions: collector's mark: ‘RPK’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, head and upper torso of youth to right with himation and right arm extended forward
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: unknown fabric

Three black glazed fragments from kylikes
Container in the shape of a pear
Object type: ceramic
Date: 1765 – 1765
Materials: earthenware
Techniques: glazing
Location: staffordshire
Bladeren
Object type: drawing
Date: 1815 – 1830
Materials: paper
Techniques: drawing
Artist: Anonymous
Judgement of Solomon
Object type: embroidered picture
Date: 1634 – 1666
Materials: canvas, thread, steel
Techniques: stitching
Subjects: swords,infants,men,women,flowers
Glass conical bowl
Object type: bowl, mastos shaped
Date: 167 – 68
Materials: glass
Culture: greek, eastern mediterranean

Colorless with slight yellow tinge. Uneven, rounded rim; straight side, tapering diagonally downward; convex bottom. On interior, two horizontal grooves cut in a band below rim and another band of two broader grooves around middle of side; on exterior, a band of two concentric circles around bottom with a small central circle. Intact; pinprick bubbles; dulling, pitting, and iridescent weathering. Rotary grinding marks on interior; many surface scratches on exterior. Hemispherical and conical bowls were two of the most common and popular shapes of the Late Hellenistic period. They were fashioned not only in glass but also in metal and pottery. Those made of glass were later supplanted by deeply colored varieties and by bowls decorated with tooled ribs.
Albertus Wallensteinius dux Fridlandiae et Saganicae Sareae (...)
Object type: print
Date: 1656 – 1666
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons

Prent gebruikt in: Brachelius, Johannes Adolphus. Historia nostri temporis, dat is: geschiedenis onses tijdts, (...). Rotterdam: Andries van Hoogenhuyse, 1656. Prent in ieder geval ook gebruikt in hetzelfde boek uitgegeven door Andries van Hoogenhuyse in Nijmegen in 1659 en uitgegeven door Samuel Imbrecht in Amsterdam in 1666.
Henricus Steenwyck
Object type: print
Date: 1675 – 1679
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: painter, hendrik van steenwijck (i), historical persons, portrait, self-portrait of painter

Prent uit: Sandrart, Joachim von. Teutsche Academie der Edlen Bau- Bild- und Mahlerey-Künste (...). Neurenberg: Jakob von Sandrart, [1675-1679], dl. 1, p. 298.

Latere staat van de prent gebruikt in: Sandrart, Joachim von. Teutsche Academie der Bau- Bildhauer- und Maler-Kunst: worinn die Regeln und Lehrsätze dieser Künste gegeben. 14 dln. Neurenberg: erven Johann Andreas Endter, [1774], dl. 7, p. FF.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 3, p. 525.
Sketch of Building
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Techniques: drawing
Artist: franz von hauslab the younger
Artist role: artist
Artist nationality: austrian
Artist dates: 1798 – 1883
Subjects: buildings
Centaur Embracing Nymph in a Wild Landscape
Object type: drawing
Date: 1771 – 1791
Materials: ink
Techniques: pen, wash
Artist: giovanni domenico tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1727 – 1804
Subjects: centaurs,nymphs
Bowl
Object type: bowl, carinated
Date: 1635 – 1458
Materials: faience
Location: egypt
Studieblad met twee mannenfiguren
Object type: print
Date: 1802 – 1850
Materials: paper
Techniques: etching
Location: rome
Subjects: author, poet writing, lectern ~ reading
Inscriptions: inscription: ‘D.P.G. Hubert de Superville invt. et del.: Romae 1802’, collector's mark: Lugt 2228

Twee mannenfiguren staand aan schrijflessenaars. De linke figuur draagt een opvallende hoed en een lange jas, de rechte leunt nonchalant tegen de lessenaar en schrijft in een boek.