deem-data/ArtiFact huggingface dataset:
Het stadhuis van Venlo
Object type: watercolor
Date: 1741 – 1741
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: jan de beijer
Artist role: draughtsman, print maker
Artist dates: 1703 – 1780
Subjects: public road, municipal government
Portret van Filips VI, koning van Frankrijk
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, king

Prent gebruikt in: Eudes de Mézeray, François. Chronyk van Vrankryk. 6 dln. Amsterdam: Jan Bouman en Timotheum ten Hoorn, 1685, dl. 3.
Portret van Pieter Cornelisz. Hooft
Object type: print
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, pieter corneliszoon hooft
Inscriptions: collector's mark: Lugt 2228

Portret van Pieter Cornelisz. Hooft, dichter, dramaschrijver en historicus op 62-jarige leeftijd. Op de sokkel een zesregelig gedicht van Vondel.
Wartime Triumphs, from The Triumphal Procession of Emperor Maximilian (Triumph Des Kaisers Maximilian I)
Object type: print
Techniques: woodcut
Artist: hans burgkmair
Artist role: artist
Artist nationality: german
Artist dates: 1473 – 1531
Subjects: infants,men,women

Restrikes of Plate 95, from the series "Triumph Des Kaiser Maximilian I.", designed for a frieze celebrating the achievements of Emperor Maximilian I. The overall program was developed by Maximilian I and Johannes Stabius in 1512 and recorded by Marx Treitz-Sauerwein; the manuscripts with this text survive at the Nationbibliothek in Vienna. The illustrations, designed between 1516 and 1518, were largely the work of Hans Burgkmair, with contributions by Albrecht Altdorfer, Hans Springinklee, Albrecht Dürer, Leonhard Beck, and Hans Schäufelen. The project was incomplete as of Maximilian's death in 1519, and the first edition was not published until 1526. This edition of restrikes was released as two supplement volumes to the first two volumes of "Jahrbuch der kunsthistorischen Sammlungen des allerhöchsten Kaiserhauses" (1883 and 1884), which published the text with Maximilian's orginal program as dictated to Treitz-Sauerwein. The supplement volumes, published 1883-84 in Vienna by Adolf Holzhausen, include 135 woodcuts from the original blocks in The Albertina.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of draped figure wearing a himation, with left hand raised, and right hand holding a piece of fruit?, facing a male holding a bag in his right hand
Marriage of the Virgin
Object type: print
Date: 1645 – 1724
Techniques: engraving
Artist: benoit farjat
Artist role: artist
Artist nationality: french
Artist dates: 1626 – 1724
Subjects: women,virgin mary,saints
Christ crucified between the two thieves: an oval plate
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: etching
Subjects: the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)
Inscriptions: collector's mark: Lugt 4071, collector's mark: Lugt 1606, collector's mark: Briquet 2760, collector's mark: Lugt 2228, collector's mark: Lugt 2482, collector's mark: Lugt 2434

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Portret van een man
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: paris
Artist: gerard edelinck
Artist role: print maker
Artist dates: 1640 – 1707
Inscriptions: collector's mark: Lugt 240

Busteportret van een niet geïdentificeerde man, afgebeeld in ovale omlijsting staand op console.
Casket with allegories of the Four Elements
Object type: casket
Date: 1650 – 1650
Materials: iron, paper, wood
Techniques: carving, stain
Artist: adam eck
Artist role: maker
Artist dates: 1604 – 1664
Subjects: dragons,lions,chariots
Ex libris van Eugene Strens
Object type: bookplate
Date: 1930 – 1949
Materials: paper
Techniques: linocut
Location: germany
Artist: karl michel
Artist role: painter, print maker
Artist dates: 1885 – 1966
Subjects: engineer, eugène louis charles marie strens, specific forms of the cross
Inscriptions: workshop stamp: ‘Karl Michel; Holzschnitt’
Vogelvluchtgezicht op paleis Huis ten Bosch
Object type: print
Date: 1702 – 1717
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), palace, french or architectonic garden; formal garden, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Vogelvluchtgezicht op paleis Huis ten Bosch, destijds bekend als de Oranjezaal. Boven in het midden het wapen van Frederik Willem I van Pruisen, die in 1702 na het overlijden van Willem III van Oranje het paleis erfde.
Portret van Samuel Jonas
Object type: photograph
Date: 1859 – 1864
Materials: paper
Techniques: albumen print
Location: cambridge
Artist: william mayland
Artist role: fotograaf
Artist dates: 1821 – 1907
Subjects: historical persons, farmers
Inscriptions: inscription: ‘Samuel Jonas’, address: ‘Photographed by Wm Mayland, Cambridge’
Rosewater Ewer and Basin
Object type: decorative art
Date: 1603 – 1609
Materials: metal, silver, silver gilt
Location: nuremberg
Artist: franz dotte
Artist dates: 1595 – 1600
Haringverkoopster
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: bony fishes: herring, (non-fruit) products of plants or trees: onion
Inscriptions: collector's mark: Lugt 2228

Voor de ingang van een huis verkoopt een oude vrouw haringen aan een dienstmeid.
Portret van Timoléon de Cossé
Object type: print
Date: 1755 – 1765
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: ranks in the army, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Dreux du Radier, Jean-François. L'Europe illustré, contenant l'histoire abregée des souverains, des princes, des prélats, des ministres, (...) en Europe: dans le XVe. siècle compris, jusqu'à présent. Parijs: Michel Odieuvre en André-François Le Breton, 1755-1765.
Zeven Vrij Kunsten in beeld
Object type: print
Date: 1640 – 1708
Materials: paper
Techniques: engraving
Subjects: gesture-language, the liberal arts, 'artes liberales', 'rhetorica', 'eloquentia' (~ trivium); 'rettorica' (ripa)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Deze prent hoort bij een serie van zeven prenten met personificaties van Zeven Vrij Kunsten.
Staande figuren
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: puppet, minstrel, 'jongleur', standing figure (canon, proportions)
Inscriptions: collector's mark: Lugt 2228
Siersleutel
Object type: siersleutel
Date: 1800 – 1900
Materials: silver

Bewerkte siersleutel waavan het oog bestaat uit twee naar elkaar toegewendt, met bladranken versierde C-voluten. De schacht onder het oog en boven de baard is omgeven met acanthusblad; zij eindigt in een geprofileerd knopje. De baard heeft een hartvormige opening.
Back View of Seated Figure, Lifting Left Arm
Object type: drawing and watercolor
Materials: chalk, paper
Location: france
Artist: jean baptiste carpeaux
Artist role: draughtsman, print maker, sculptor
Artist nationality: french
Artist dates: 1827 – 1875
Rouwstoet, vermoedelijk in Jogjakarta
Object type: photograph
Date: 1916 – 1917
Materials: photographic support
Techniques: gelatin silver print
Location: jogjakarta
Artist: Anonymous
Subjects: cortege, funeral procession

Onderdeel van Familiealbum met foto's van een familie in de voormalige kolonie Nederlands-Indië en van een suikerfabriek in Purworejo.
Entombment of Christ
Object type: sculpture
Date: 1515 – 1515
Materials: limestone
Techniques: polychromy
Culture: french
Location: france
Subjects: angels,christ,virgin mary,entombment
Head and Shoulders of a Man seen from the Back
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: heightening
Location: france
Artist: attributed to oliver isaac, the elder
Artist nationality: french
Artist dates: 1568 – 1617
Luzern
Object type: photograph
Date: 1863 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: lucerne
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: water tower, lake, bridge, mountains
Inscriptions: number: ‘13511’, number: ‘2251’
The Visitation
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: germany
Artist: ottmar elliger, the younger
Artist role: artist
Artist nationality: german
Artist dates: 1666 – 1735
Theodore A. "Ted" Kennedy, Pitcher, Omaha Omahogs/ Lambs, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
1/8 guilder uit Essequibo & Demarary van koning Willliam IV, 1832
Object type: coin
Date: 1832 – 1832
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: hoofd van de koning naar rechts. Keerzijde: tussen twee samengebonden takken waarde-aanduiding: 1/8, waarboven kroon. Jaartal onderaan in omschrift. Gladde rand.
Beleg van Breda, 27 augustus 1624-5 juni 1625 (deel middenonder)
Object type: history print
Date: 1628 – 1628
Materials: paper
Techniques: etching
Location: antwerp
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: (military) camp with tents, maps of separate countries or regions, plundering ~ soldiers, siege, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Zesde deel (middenonder) van een voorstelling van het beleg van de stad Breda in de jaren 1624 en 1625 door de Spanjaarden onder aanvoering van Ambrogio Spinola. Op dit blad een deel van de belegeringswerken en kampementen om Breda, en een deel van de stad zelf. Voorts op het middenplan, recht onder Breda, een tentenkamp en op de voorgrond een (deel van een) dorpje dat door soldaten geplunderd wordt. Middenonder het wapen van Ambrogio Spinola. Onder de voorstelling een ornamentele rand.
Lezende vrouw in een interieur
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: bookshelves, cupids: 'amores', 'amoretti', 'putti', lectern ~ reading
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Een vrouw zit op een stoel met een hoge rugleuning te lezen in een foliant die openligt op een lessenaar. Met haar linkerhand ondersteunt ze haar hoofd, met de rechter slaat ze een pagina om. Tegen de muur van het vertrek staat een boekenkast met glazen deuren, op de voorgrond spelen twee putti met boeken.
Head of a cat
Object type: head, cat
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: cats
Portret van Ansène Zeller
Object type: page
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons
Is There Not an Invisible World, from The Juror
Object type: print
Date: 1887 – 1887
Materials: paper, ink
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Fotoreproductie van een schilderij, voorstellende een portret van William West Medwin
Object type: page
Date: 1872 – 1882
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: portrait of a writer
Inscriptions: inscription: ‘Rives’, inscription: ‘William West Medwin’
Kohl jar and lid
Object type: kohl jar lid
Date: 1981 – 1640
Materials: stone
Location: egypt
Dom zu Trier. Kreuzaltar (1711)
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: trier
Artist: Anonymous
Subjects: interior of church, altar with altar-piece
Queen Victoria's Visit to the Corporation of London
Object type: medal
Date: 1837 – 1837
Materials: silver
Artist: william wyon
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1851
Subjects: buildings,profiles,women,queen victoria
Gold pendant with garnet and three gold tassels
Object type: pendant with garnet
Date: 300 – 201
Materials: gemstone, gold
Culture: greek, south italian, tarentine
Terracotta fragment of a volute-krater (bowl for mixing wine and water)
Object type: volute krater fragment
Date: 500 – 500
Materials: terracotta
Culture: greek, attic
Artist: theseus painter
Artist role: artist

On the lip, a dot net pattern; below, tip of nose, beard, part of the frontal torso, left shoulder, and bent left arm of a male reclining on a pillow; draped woman to left playing the aulos; youth reclining on the ground, with his himation draped around his waist and legs, with his left arm bent and his hand below his chest, with his right arm bent, and his hand holding grapes; behind his head, vines; nude youth to right, holding a ladle in his right hand and a oinochoe in his left; hand and bent legs, under himation, of a reclining youth to left
Lantaarn van koper
Object type: lantern
Date: 1400 – 1950
Materials: copper
Artist: Anonymous

Lantaarn van koper. Zestien ramen. Voorzien van elektriciteitsdraad en fitting ten behoeve van gloeilamp.
Lady Holding a Brush
Object type: print
Date: 1662 – 1722
Materials: ink, paper
Techniques: hand coloring, woodblock print
Culture: chinese
Brief aan Philip Zilcken
Object type: letter
Materials: ink
Techniques: pen, writing
Location: paris
Artist: charles destrée
Subjects: auctioneer, j.j. biesing, voorburg, renée hélène laure zilcken, frédéric mistral, the hague, painter, philip zilcken, exhibition ~ art, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’
FORTERESSE DE St. SÉBASTIEN
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: donostia-san sebastián
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: gulf, bay
Inscriptions: number: ‘1902.’, number: ‘2718.’
Vase
Object type: vase
Date: 1884 – 1889
Materials: stoneware
Techniques: glazing
Culture: american
Location: united states
Artist: chelsea keramic art works
Artist role: manufacturer
Artist nationality: american
Artist dates: 1872 – 1889

This striking red vase from the Chelsea Keramic Art Works demonstrates the firm’s highly experimental "sang de boeuf" or "oxblood" glaze. The mottled red and black glaze has a slight iridescence and pronounced textured surface, similar to that of an orange peel. Such vibrant red glazes, often found on simple forms, were inspired by Asian porcelains, widely accessible to an American market for the first time in the late nineteenth century.
Standbeeld van René II van Lotharingen op Place Saint-Epvre te Nancy
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Location: nancy
Subjects: square, place, circus, etc., monument, statue (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘Place Saint-Epvre/ Statue Équestre de René II (...)’

Deze prent maakt deel uit van een omslag met 103 prenten op 101 bladen en een titelblad.
Bund Gardens, Poona, India
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: india
Inscriptions: inscription: ‘BUND GARDENS, POONA.//South-West View.’, inscription: ‘Bund Gardens//South-West View’

Gezicht op een park in Poona, ook wel Pune en Puna en vroeger Punavadi genoemd. Dit is een Indiase stad niet ver van Bombay in de West-Ghats. De stad is gelegen in het gelijknamige district Poona.
Portret van William Henry Cavendish-Bentinck
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228, number: ‘89’
False Alarm, Surely! (from "Harper's Weekly," Vol. XIII)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: men,women,smoking,dogs,umbrellas
Twee staande romeinse soldaten, op de rug gezien
Object type: metalpoint drawing
Date: 1586 – 1586
Materials: paper
Artist: Anonymous
Inscriptions: date
Portret van Johann Böschenstein
Object type: print
Date: 1510 – 1550
Materials: paper
Techniques: etching
Artist: hieronymus hopfer
Artist role: print maker
Artist dates: 1500 – 1550
Subjects: hebrew script, historical persons
Inscriptions: collector's mark: Lugt 240

Portret van Johann Böschenstein (Johann Boschenstain) met tekst in het Hebreeuws in de marge.
Portret van een man met snor en baard
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: liège
Artist: j. servais
Subjects: moustache, historical persons, beard
Inscriptions: name: ‘[...]le[.]ers’, inscription: ‘(...0/ J. SERVAIS/ PHOTOGRAPHE/ 5, Rue de l'Agneau, 5/ À/ LIÈGE’
Boeren en boerinnen in obscene houdingen
Object type: print
Materials: paper
Techniques: engraving
Artist: nicolaes van lijnhoven
Artist role: draughtsman, print maker
Artist dates:  – 1702
Subjects: scabrous scenes, pornography (+ variant), gesture-language, farmers, sausage
Inscriptions: collector's mark: Lugt 2228

Een dansende boer in een landschap maakt een obsceen gebaar met een worst. De prent maakt deel uit van een zesdelige serie prenten met voorstellingen van boeren en boerinnen in obscene houdingen.
Fonteinen in de paleizen en tuinen van Rome
Object type: album leaf
Date: 1653 – 1691
Materials: paper
Techniques: etching
Location: vatican city

Genummerd rechtsonder: 1. De prent maakt deel uit van een album.
Box for a casket
Object type: casket box
Date: 1651 – 1675
Materials: leather
Bezigheden in de vrije tijd
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: etching
Location: dresden
Artist: philipp veith
Artist role: draughtsman, print maker
Artist dates: 1768 – 1837
Subjects: walking, hiking (recreation), landscapes, forest, wood
Inscriptions: number: ‘336’, collector's mark: Lugt 3976, collector's mark: Lugt 2228, number: ‘223003/0295’, collector's mark: Lugt 2760
Altar bell with Portuguese heads
Object type: bell
Date: 1501 – 1700
Materials: brass
Culture: edo period
Location: nigeria
Artist: ìgùn ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
Artist role: artist

Brass bells are an essential feature of Benin ancestral altars. Arrayed along the front of the altar, they are rung in order to summon the ancestors to hear the prayers of their descendants and to partake of the offerings left there. As seen in this example, altar bells in Benin generally take the form of a truncated, four-sided pyramid, with a straplike handle at the top and a clapper suspended inside. A range of decorative motifs may be found on their surfaces and, in general, more elaborate bells are created for altars devoted to individuals of greater significance and status. The face of a Portuguese man is cast in relief on the front of this bell. The face has a thin, beaklike nose with narrow nostrils, thinly rimmed eyes, and long sinuous hair. A moustache and flat, ovoid beard are incised with fine, wavy lines. Carefully modeled, bulges of muscle and bone are depicted. The image is crowned with a hat that is elaborately decorated with an incised fish-scale design and two feathers. The bell was cast with three tiers of loops through which wire has been threaded to support several free-hanging, miniature swords. These shimmer when the bell is shaken, and also add a rattling buzz to the bell's tone. This imagery suggests that the ancestral altar with which it was associated was of significant stature. Leaf-shaped swords like those depicted here are emblems of leadership carried by the oba and principal chiefs at palace ceremonies. Portuguese merchants brought wealth to the kingdom in the form of overseas trade, and consequently were associated with Olokun, the god of the ocean who bestows prosperity on his adherents. The widespread use of Portuguese imagery in Benin courtly arts relates to worldly success attributed to divine guidance and protection. According to the Edo worldview, the realms of the living and dead are separated by a vast body of water. The trans-Atlantic movements of the Portuguese were conceived of as bridging these two distinct spheres of existence, and their images were employed as symbols for the communication with the supernatural that ancestral altars facilitated.
Veuë d'une partie du Cours, et de la Savonnerie ou est la manufacture de ces beaux tapis (...)
Object type: print
Date: 1631 – 1661
Materials: paper
Techniques: etching, hand coloring
Location: paris
Subjects: tapestry weaver, gobelin maker, france

Gezicht op een bedrijf aan een rivier waar tapijten worden vervaardigd. Prent maakt deel uit van een album.
Na de Watersnoodramp van 1953
Object type: photograph
Date: 1953 – 1953
Materials: photographic support
Techniques: photography
Location: zeeland
Artist: Anonymous
Subjects: zeeland, north sea flood of 1953

Een vrouw zoekt naar bruikbare spullen tussen het puin van huizen die werden vernield bij de watersnood van februari 1953.
Portret van Mathew Parker
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: archbishop, bishop, etc. (roman catholic), insignia of bishop, e.g. mitre, crozier, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, inscription: ‘in Franken aanwezig/ Gm’
Mattie Rudisill, from the Actors and Actresses series (N171) for Gypsy Queen Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: firearms,portraits,women

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Lintel of Senwosretankh
Object type: door lintel, senwosretankh
Date: 1920 – 1900
Materials: granite
Location: egypt
Hand of a Buddha
Object type: hand
Date: 1601 – 1700
Materials: gilt, lacquer, wood
Culture: cambodian
Subjects: hands,buddhism
Cloelia and Her Companions
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jean-honoré fragonard
Artist nationality: french
Artist dates: 1732 – 1806
The Little Café au Bois
Object type: print
Date: 1894 – 1894
Materials: ink, paper
Techniques: printing, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men,women,cafe
Raising the Alms-Bowl
Object type: handscroll
Date: 1601 – 1800
Materials: gold, ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men,women,buddhism,buddha,demons

This painting tells the story of how the Buddha converted the child-eating demon Guizimu (Hariti, in Sanskrit) to the Buddhist faith. To show her the pain that her abductions and carnage were causing, the Buddha imprisoned one of Guizimu’s children under a magical bowl; the chaotic scene shows Guizimu’s demon armies futilely trying to lift the bowl and free the child. The Buddha watches, hovering in mid-air, backed by flames and accompanied by luohans and other followers. This painting was made with the intent to deceive: the many early collection seals are fake and were added to make the painting look older (and more valuable) than it was.
Portret van Elisabeth van Beieren
Object type: print
Date: 1820 – 1890
Materials: paper
Techniques: lithograph
Subjects: adult woman, historical persons, princess
Inscriptions: collector's mark: Lugt 2228
Portret van Adolph Ferdinand Gehlen
Object type: print
Date: 1805 – 1815
Materials: paper
Techniques: lithograph
Artist: maximilian franck
Artist role: print maker
Artist dates: 1780 – 1830
Subjects: historical persons
Inscriptions: number: ‘1815’, collector's mark: Lugt 2228