deem-data/ArtiFact huggingface dataset:
Porta Maggiore, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1549 – 1549
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: architecture,arches,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 75 in the scrapbook.
Man zittend op een stoel en ornamenten
Object type: sketchbook leaf
Date: 1841 – 1841
Materials: paper, pencil
Artist: Anonymous
Subjects: ornaments ~ art, sitting figure, coat, cape

De man draagt een mantel en een hoge hoed. Blad 20 recto uit een schetsboek met 33 bladen.
Galerie du Palais Royal
Object type: print
Date: 1786 – 1808
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: molluscs: oyster, evening meal, dinner, supper
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie van 354 prenten naar schilderijen uit de collectie van de Hertog van Orléans, getiteld: La Galerie du Palais Royal, uitgebracht tussen 1786 en 1808. De serie werd uitgegeven door Jacques Couché die het project samen met Jacques Bouillard leidde.
Twee kinderen voor een zuil
Object type: cabinet photograph
Date: 1863 – 1889
Materials: cardboard, photographic support
Techniques: albumen print
Location: algeria
Subjects: youth, adolescent
Inscriptions: inscription: ‘8, Rue Bab-Azoun’, inscription: ‘Jeunes Rabyb’, inscription: ‘Alger/ 8, Rue Bab-Azoun, 8’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic

Exterior, part of horse to left and leg of rider with drapery
Fragment (voet) met rode scherf, aan de binnenkant in sgraffito-techniek een vogel in oker op een groene tak, op een beige fond
Object type: sherd
Date: 1200 – 1899
Materials: earthenware
Location: italy
Artist: Anonymous
Lacquer Paintings of Various Subjects: Bonsai
Object type: painting
Date: 1882 – 1882
Materials: lacquer, paper
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Subjects: plants

The strong color effect seen in this album is achieved by using lacquer as a painting medium. Painting with lacquer on paper was one of the techniques Zeshin developed into his own style. Despite the heavy material, Zeshin's skillful brushwork and his technical inventions with the material made it possible to create various textures as with ink painting. In addition, some lacquer techniques, like mother-of-pearl inlays and the creation of rough surfaces, are also used. Up until the middle of the Meiji period, lacquer was limited to roughly five colors—black, brown, vermillion, green, and yellow—which determined the color palette of Zeshin's lacquer paintings.
Rocaille cartouche
Object type: print
Date: 1761 – 1769
Materials: paper
Techniques: etching, roulette
Location: paris
Subjects: rocaille ornament, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Woman's Ceremonial Skirt (tapis)
Object type: costume and accessory
Date: 1801 – 1900
Materials: cotton, glass, gold, gold leaf, metal, paper, textile, silk, silver
Techniques: backing, embroidery, lacquer, patterning, weave, stitching
Location: sumatra
Sater met een mascaron als lichaam
Object type: ornament print
Date: 1573 – 1610
Materials: paper
Techniques: etching
Location: germany
Artist: christoph jamnitzer
Artist role: draughtsman, goldsmith, print maker
Artist dates: 1563 – 1618

De sater heeft vleugels en een muts op met een vis als veer. Blad uit een serie vlakdecoraties met grotesken, cartouches, ovalen, mascarons, putti en fantastische wezens. De serie bestaat uit drie titelbladen, twee tekstbladen met de opdracht en het voorwoord en 60 bladen, verdeeld over drie boeken.
Candelabrum (one of a pair)
Object type: candelabrum
Date: 1765 – 1765
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: musical instruments,chinoiserie,women,flowers,musicians
Ring: Seti, Beloved of Ptah
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: hieroglyphs
Heilige Familie met Elisabet en Johannes de Doper als kind
Object type: print
Date: 1620 – 1670
Materials: paper
Techniques: engraving
Subjects: holy family with john the baptist, elisabeth present
Inscriptions: collector's mark: Lugt 240
Bedsprei in patchwork van gedrukte katoentjes met motief van rozen
Object type: bed covering
Date: 1800 – 1850
Materials: cotton
Techniques: printing
Location: netherlands

Bedsprei in patchwork van gedrukte katoentjes. In het midden in banen geplaatste rozen die horizontaal verspringende rijen vormen, staan tegen een rode fond, ook van zeshoekjes. De roosjes bestaan elk uit zeven zeshoekjes, willekeurig van kleur gecombineerd. De rand is als een tric-trac bord met gerekte driehoeken van bont katoen, ruggelings tegen elkaar genaaid, die afsteken tegen effen driehoekjes in rood. Groen gestreepte binnen- en buitenlijsten.
Portret van een man omgeven door een gedrukte voorstelling met bloemen
Object type: carte de visite
Date: 1860 – 1890
Materials: paper
Techniques: ferrotyping
Artist: alphonse barrès
Artist role: fotograaf
Inscriptions: number: ‘54’, name: ‘A. Barrès, Phot. / 19, Rue Richelieu’
Betaalpenning voor Nederlandse strafgevangenissen, tien cents gemerkt L (Leeuwarden)
Object type: tien cent
Date: 1834 – 1861
Materials: zinc
Techniques: striking
Location: utrecht

Zinken betaalpenning, op de voorzijde een verhoogd middenveld met instempeling L, met omschrift, op de keerzijde de waarde in twee regels.
Terracotta fragment of a stemless cup
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, legs of a youth to right
And yet we add that, outside the theater, these animals are even more ugly, from "Scenes from the Private and Public Life of Animals"
Object type: print
Date: 1837 – 1847
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Les Modes de Metz
Object type: print
Date: 1647 – 1701
Materials: paper
Techniques: engraving, etching
Location: metz
Subjects: commander-in-chief, general, marshal, folk costume, regional costume, assembling of military forces; mobilization, troop concentration, etc.

Prent maakt deel uit van een 28-delige serie met verschillende figuren uit Metz in de regionale mode. Leclerc vervaardigde de platen te Metz. Landry gaf slechts twintig van de prenten in een serie uit.
Hals en kurk van een wijnfles uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: cork, glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip)

Wine bottle, continental production, neck, onion-shaped bottle or bottle with vertical side; fragm, vs-string rim.
Russische man met wandelstok en Moskou op de achtergrond
Object type: print
Date: 1866 – 1910
Materials: paper
Techniques: etching
Artist: louis van engelen
Artist role: print maker
Artist dates: 1856 – 1940
Subjects: city-view, and landscape with man-made constructions, adult man
Inscriptions: mark: ‘Antwerpsche Etsers 1880’, collector's mark: Lugt 2228
Nachtgezicht met drie figuren met een baby in een landschap
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: torch, night ~ landscape (sometimes titled 'nox'), infant, baby
Inscriptions: collector's mark: Lugt 2228

Deze prent is ook gebruikt als illustratie voor: Bilderdijk, Willem. De Mensch: Popes Essay on men. Amsterdam: Johannes Allart, 1807, p. 35-36.
Livre D'Animaux Par Jean Baptiste Oudri Peintre Du Roy
Object type: print
Date: 1749 – 1761
Materials: paper
Techniques: etching
Location: paris
Subjects: fox and hounds
Inscriptions: collector's mark: Lugt 2228

Vier (jacht)honden rond een boom springen op naar een uil en een vastgebonden dier (mogelijk een vos) boven hen.
Cap
Object type: cap
Date: 1876 – 1900
Materials: wool

The carapuça, or pigtail cap was worn by Madeiran men and women in the 19th century. The shallow crown was often tilted jauntily to the side, adding personality to this unique and distinctive form.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, reserve line from meander; sheared; Exterior, seat with a cushion; part of a draped figure?
Towel border
Object type: border
Date: 1801 – 1833
Materials: linen, silk
Techniques: embroidery

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. This towel end is unique in that it represents an aspect of everyday life rather than mythology. Russian bed curtains and towels were not only used for decorative purposes, but also provided an important role in ceremony. Bed curtains often adorned sleighs for weddings or carnival processions. Towels were draped over mirrors, trees, and temples, hung on walls, or used as offerings to the church in addition to their traditional uses.
Gezicht in de Sennah Allee met Sociëteit Klambir, Langkat Sumatra
Object type: photograph
Date: 1900 – 1905
Materials: cardboard, paper, photographic support
Techniques: platinum process
Location: bindjai
Subjects: sumatra
Le Château de Martigny et le Vallée du Rhone. Suisse.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: wallis
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: dale, valley, castle, façade (of house or building)
Inscriptions: inscription: ‘Views of Switzerland, photographed by W. England. (Registered) Under the Special Patronage of the Alpine Club.’, number: ‘54.’
Portret van de kunstenaar Johannes Lutma de Oude
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: etching, engraving
Location: amsterdam
Artist: johannes lutma (1624-1689)
Artist role: print maker
Artist dates: 1624 – 1689
Subjects: print maker, draughtsman, silversmith, johannes lutma (1584-1669)
Inscriptions: collector's mark: Lugt 240
Holland 1
Object type: photograph
Date: 1902 – 1953
Materials: paper, photographic support
Techniques: gelatin silver print
Location: emden
Artist: Anonymous
Subjects: building a ship, ship under construction, pier, quay, wharf, steamship, motorship, north sea flood of 1953

Albumblad met een foto waarin een groep mannen poseert in de metalen sloep Holland 1, gebouwd door Nordseewerke Emden. Onderdeel van het fotoalbum 'Emden hilft Holland'.
Wapenruit met onderschrift "Gerrit Houtman 1648".
Object type: wapenruit
Date: 1648 – 1648
Materials: glass, lead
Techniques: leading
Artist: Anonymous

Ovale wapenruit met onderschrift: "Gerrit Houtman 1648".
Christ before Caiaphas, from The Passion
Object type: print
Date: 1597 – 1597
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered lower right: "Ao. 97 HG"
Venus, standing with the three Graces, is offered a flower from a putto
Object type: print
Date: 1607 – 1661
Techniques: engraving
Artist: pierre biard ii
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1661
Subjects: venus
Wallace Collection. Nattier. La comtesse de Tillières
Object type: ansichtkaart, prentbriefkaart
Date: 1902 – 1950
Materials: cardboard
Techniques: color autotype
Location: london
Subjects: permanent exhibition, museum, picture, painting
Tureen in the shape of a mellon with a squirrel
Object type: tureen
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: squirrels
Stringed Instrument
Object type: stringed instrument
Date: 1867 – 1900
Materials: wood
Culture: arabian
Location: arabia
April 30, 1849, from Souvenirs d’Italie: Expédition de Rome
Object type: print
Date: 1850 – 1850
Materials: chine, paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
Semmering. Weinzettelwand
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: adlitzgraben
Subjects: railway, train, mountains
Inscriptions: inscription: ‘Vervielfältigung vorbehalten.’
Vrouw met hoofdtooi, mogelijk een reveudanseres
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman, female dancer

Blad 10 recto uit schetsboek XV met 22 bladen.
The Tall Bridge
Object type: print
Date: 1878 – 1878
Materials: ink, ivory, paper
Techniques: scraping
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Gezicht op de Nieuwezijds Kapel
Object type: cabinet photograph
Date: 1912 – 1915
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', church (exterior) - qq - small church, chapel, street
Inscriptions: collector's mark: ‘9,3’ Lugt 1641b, inscription: ‘Kalverstraat: N.Z. Kapel’

Onderwerpsrubriek binnen de Atlas Amsterdam: Kadijksplein, Karthuizerkerkhof, Kattegat, Kattenburg, Kapelsteeg O.Z., Enge Kerksteeg, Kerkstraat, Kinkerstraat, Kolk O.Z., Koningsplein, Kromboomsloot [Krom Boomssloot], Kostverlorenkade, Kwakersdwarspad, Kalverstraat, Keizersgracht (v.d. Brouwersgracht – Amstel), Klerensloot (Gedempte), Klimopstraat, Kloveniersburgwal, Kraansluis.
Earring rosette and pendant
Object type: earring
Date: 323 – 31
Materials: gold
Culture: greek
Landscape
Object type: print
Date: 1760 – 1849
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: buildings,bridges,landscapes,boats
Clemens XI, onenigheid over het koninkrijk Napels en Sicilie
Object type: history medal
Date: 1701 – 1701
Materials: silver
Techniques: striking
Location: gotha
Artist: christian wermuth
Artist role: medailleur
Artist dates: 1661 – 1739
Subjects: clergyman, clemens xi, italy, naples

Zilveren penning. Voorzijde: borststuk man met tiara binnen omschrift. Keerzijde: galopperend paard dat zijn dekkleed afwerpt binnen omschrift, boven opschrift.
The Gonaqua chieftain, Ruiter
Object type: album leaf
Date: 1701 – 1778
Materials: paint, paper
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Inscriptions: date and inscription: ‘Ruiter [onderstreept]. Gounaqua Captein, / aan dese Sijde bosjesmans Rivier. / Sijn hottentots naam toenà [onderstreept] Sijn Caffers naam KooShoo. [onderstreept] / Aº 1778.’

Een Khoi vrouw en het Khoi opperhoofd Ruyter Een vrouw, die in dienst is bij de Kaapse boer Frederik Potgieter, en een Khoi opperhoofd met zijn van de VOC ontvangen ringkragen.
Portret van Ferdinand Marrou, zittend tussen twee kandelaren
Object type: page
Date: 1874 – 1884
Materials: photographic support
Techniques: albumen print
Subjects: portrait, self-portrait of sculptor
Inscriptions: name: ‘Witz & cie Phot. Rouen’
Portret van Johannes Voorhout
Object type: print
Date: 1683 – 1732
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: painter, draughtsman, johannes voorhout (i), historical persons, portrait, self-portrait of painter, portrait, self-portrait of draughtsman
Gezicht op enkele tempels op de begroeide oever van een rivier, Zuid-Oost Azië
Object type: photograph
Date: 1907 – 1907
Materials: photographic support
Techniques: gelatin silver print
Location: southeast asia
Artist: jan adriani
Artist role: fotograaf
Subjects: river
Design for 4 seat Phaeton, no top, no. 4088
Object type: drawing
Date: 1890 – 1890
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Vervallen middeleeuws gebouw
Object type: print
Date: 1913 – 1913
Materials: paper
Techniques: etching
Artist: frederick landseer maur griggs
Artist role: print maker
Artist dates: 1876 – 1938
Subjects: exterior ~ ideal or visionary architectural design or model
Inscriptions: signature: ‘F.L. Griggs Imp.’, collector's mark: Lugt 2228, title: ‘Minsden Episcopi’

Dodgson en Alexander noemen twee staten van 'Minsden Episcopi', maar deze plaat is later hergebruikt voor de prent 'Palace Farm'. Hier zijn nog drie staten van.
Portret van een onbekende vrouw, zittend aan tafel
Object type: carte de visite
Date: 1865 – 1871
Materials: cardboard, paper
Techniques: albumen print
Subjects: sitting figure, historical persons - bb - woman
Inscriptions: inscription: ‘van der Kruk & Behr/ Firma:/ J. H. BUCKMANN/ 2 Wagenstraat No. 129/ 'S HAGE.’
Ring
Object type: ring
Date: 1101 – 1200
Materials: gold, stone
Location: iran
Bronze statuette of Cybele on a cart drawn by lions
Object type: cybele on a cart drawn by lion
Date: 151 – 200
Materials: bronze
Culture: roman
Subjects: lions,carts,cybele

The group represents the cult image of the goddess Cybele enthroned on a cart drawn by two lions. Spouts formerly projecting from the open mouths of the lions. The original cart, harness, and throne no longer survive. The rear left wheel is a 19th century restoration.
Wheellock pistol
Object type: radslotpistool
Date: 1650 – 1650
Materials: brass, iron, wood
Techniques: printing, cutting
Location: maastricht
Artist: Anonymous
Subjects: maastricht
Inscriptions: mark: ‘3’, mark: ‘C.M.L. [...] (cf. St. 2262)’, : ‘o’, mark, number: ‘474’

These firearms are typically Dutch in that they are functional, slender and sober, yet elegant in design. The rounded lockplates are characteristic of Dutch wheellocks. This early manifestation of ‘Dutch design’ was valued far outside the Netherlands during the 17th century. These two wheellock pistols found their way to Germany, where they were owned by the Counts of Salm-Reifferscheidt- Dyck at Schloss Dyck in Westphalia.
Pierre Nivelle, Bishop of Luçon, after Lasne
Object type: print
Date: 1861 – 1861
Materials: tin
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: men,portraits,bishops,cross
Gezicht op een havenplaats, C
Object type: print
Date: 1686 – 1686
Materials: paper
Techniques: etching
Artist: thomas wijck
Artist role: draughtsman, painter, print maker
Artist dates: 1616 – 1677
Subjects: harbour, towers ~ fortified city, ferry, city-walls
Inscriptions: collector's mark: Lugt 2228

Gezicht op een havenplaats. Vier conserverende figuren op de voorgrond. Op de weg langs huizen twee figuren met ezels en een hond. Op het water een veerboot.
Standard Bearer
Object type: drawing
Date: 1500 – 1530
Materials: gouache
Artist: urs graf
Artist role: artist
Artist nationality: swiss
Artist dates: 1485 – 1527
Subjects: swords,men
Familieportret
Object type: print
Date: 1847 – 1854
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: family group, especially parents with their child(ren)
Inscriptions: collector's mark: Lugt 2228

Rechts zitten een man en vrouw, mogelijk Willem Visch met zijn vrouw Eva Bisschop. Naast hen staat een jongen met jachtvalk en jachthonden (mogelijk Willem Prins). Tegenover het zittende paar staan een jongeman en vrouw, mogelijk hun hun dochter en schoonzoon Laurenta Visch en Adriaen Prins.