deem-data/ArtiFact huggingface dataset:
Haardsteen met voorstelling van keizerskoppen, geplaatst in twee geprofileerde ruiten
Object type: hearthstone
Date: 1594 – 1594
Materials: earthenware
Location: southern netherlands
Artist: Anonymous

Haardsteen met voorstelling van keizerskoppen, geplaatst in twee geprofileerde ruiten en vergezeld van het jaartal 1594.
Pendant
Object type: pendant
Date: 1736 – 1795
Materials: jade
Culture: chinese
Subjects: boys,rowing,boats
Annotatie
Object type: sketchbook leaf
Date: 1880 – 1906
Materials: paper, pencil
Location: netherlands
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: number: ‘45’

Pagina 164, achterste schutblad, uit een schetsboek met 81 bladen.
Ongelijke liefde
Object type: print
Date: 1605 – 1630
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: pursuit of a woman, prowling, young versus old age; young and old, ugly old woman, hag, money, married couple of unequal age - dd - woman older, youth, adolescent (+ old male (human being))
Inscriptions: collector's mark: Lugt 2228

Een oude vrouw zit op een stoel. In haar schoot een aantal munten. Naast haar een jongeman op een stoel. De vrouw legt haar hand op het been van de man, maar hij draait zich weg van haar. De prent heeft een Latijns en Nederlands onderschrift
Tapisseries des grandes conquêtes du Roi
Object type: album leaf
Date: 1682 – 1682
Materials: paper
Techniques: engraving, etching
Subjects: lodewijk xiv (koning van frankrijk), rome, clergyman, antonio barberini (ii), cardinal, historical persons, king, alliance, league, union, foedus
Inscriptions: date

Koning Lodewijk XIV en een Zwitserse ambassadeur leggen hun rechterhand op een bijbel, vastgehouden door kardinaal Barberini. Prent maakt deel uit van een album.
Reclining Female Nude
Object type: sketchbook leaf
Date: 1892 – 1900
Materials: chalk, paper
Techniques: stumping
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure (+ lying)

Blad 1 recto uit schetsboek VIII met 12 bladen.
Portret van een jongeman
Object type: carte de visite
Date: 1861 – 1889
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘Greiner's Studio/ Amsterdam’
Gauntlet for the Right Hand
Object type: gauntlet
Date: 1550 – 1560
Materials: gold, steel
Culture: italian
Location: italy

This gauntlet is finely decorated with trophies or panoplies of arms, consisting of armor parts, weapons, musical instruments, and ribbons arranged in bands and set on a dotted ground. These motifs exist in many variations and are found regularly on Italian decorative art objects throughout much of the sixteenth century.
Ontwerp voor een spiegeltrumeau
Object type: design drawing
Date: 1820 – 1823
Materials: ink, paper
Techniques: brush, pen
Location: berlin
Artist: carl wilhelm marckwort
Artist role: draughtsman
Inscriptions: inscription: ‘1. / 2. / 3. Fuβ’, watermark: ‘J W[HATMAN]’, monogram: ‘W.M.’

Spiegeltrumeau met halfzuilen met palmetkapitelen, voor- en zijaanzicht met daaronder plattegrond en maatverdeling.
Voor- en achterzijde van een penning met het portret van Martin Luther en tekst in het Latijn
Object type: print
Date: 1728 – 1734
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: priest, martin luther, historical persons, medal (considered as a piece of sculpture, regardless of its specific function)

Prent met tekst in boekdruk op verso waarschijnlijk gebruikt in: Seckendorf, Veit-Ludwig von. Uitvoerige en onpartydige historie der reformatie door dr. Martin Luther (...). Delft: Reinier Boitet, 1728, dl. 3, p. 4. En in de druk uit 1730, en mogelijk ook al in 1726. En in: Juncker, Christian. De goude en zilvere eergedagtenis van Dr. M. Luther (...). Den Haag: s.n., 1734. Op de prent het symbool voor het materiaal goud. De letter C. verwijst naar de eigenaar van de penning.
Interieur van de kathedraal te Lincoln
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching
Location: london
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: interior of church
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Illustratie uit: Dugdale, William. Monasticon Anglicanum. Londen, 1673.
Standing Brahma
Object type: figure
Date: 901 – 1100
Materials: granite
Culture: india, south india
Subjects: brahma,hinduism
Segovia, The Aqueduct from Market
Object type: drawing and watercolor
Date: 1903 – 1903
Materials: board, chalk, charcoal, paper, wood
Techniques: drawing, stumping
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Annual report of the Forest Commission of the State of New York for the year ending December 31, 1893
Object type: book
Date: 1894 – 1894
Materials: cardboard, linen, paper
Techniques: photograph, lithograph, printing
Location: albany
Artist: james b. lyon
Artist role: printer, publisher
Inscriptions: inscription: ‘Walter H Harrison Lebanon Spgs, N.Y.’, inscription: ‘compliments of of Saint [...]ilden’
Sheet with an overall pattern of dots and squares
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Rank Badge with Decoration of Two Cranes among Clouds
Object type: rank badge
Date: 1801 – 1900
Materials: silk
Techniques: damask, embroidery
Culture: korean
Subjects: cranes

Rank badges embroidered with one or two cranes flying among clouds were reserved for civil, rather than military officials.
Left Arm Defense (Vambrace)
Object type: left vambrace arm defense
Date: 1380 – 1400
Materials: copper alloy, steel
Culture: italian
Location: italy

Fine armor of this period was often fitted with decorative trim of brass along the edges. This vambrace is one of the few pieces that have survived with their original brass borders intact.
Terracotta plate
Object type: plate
Date: 520 – 510
Materials: terracotta
Culture: greek, attic
Artist: epiktetos
Artist role: artist
Subjects: men,roosters

Youth riding rooster Plates were favored by some of the major vase-painters, both black-figure and red-figure, during the last decades of the sixth century B.C. The tondo presented the same challenge as the interior of a cup. This young man astride a rooster touches the bird's neck with his right hand and, curiously, rests his toes on the framing circle. The meaning is not evident, but the reference undoubtedly has to do with the rooster as a love gift.
Soldaat die kruit in de pan van zijn roer giet (nr. 16), ca. 1600
Object type: print
Date: 1597 – 1608
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, die kruit uit een kruitfles in de pan (het kruitreservoir) van een roer (een bepaald type vuurwapen) giet (nr. 16), ca. 1600. In zijn linkerhand behalve het roer ook een brandende lont. Plaat 16 in de instructies voor het hanteren van de roer: Corte onderwysinghe op de figuerliicke afbeeldinghe, belanghende t'rechte ghebruyck des Roers. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, 's-Gravenhage, 1607. Krijgswezen rond 1600.
Mehemet Ali
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: lithograph
Location: london
Subjects: head-gear, adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228
Fragment rode zijdesatijn met floraal motief in zilverlamel
Object type: zijdesatijn
Date: 1600 – 1699
Materials: silk
Techniques: brocade
Location: iran
Artist: Anonymous

Fragment rode zijde met zilverkleurig ornament met blauwe omtrek van slingerende takken met bloemen en bladeren.
Piece
Object type: piece
Date: 1840 – 1850
Materials: cotton
Techniques: printing
Culture: american
Subjects: leaves
Armchair
Object type: armchair
Date: 1750 – 1765
Materials: wood
Culture: american
Location: united states
Watch-Shaped Vinaigrette
Object type: metalwork
Date: 1824 – 1825
Materials: silver, silver gilt
Location: birmingham
Artist: joseph willmore
First Idea of Design
Object type: print
Materials: paper
Techniques: brush, drypoint, etching, heightening, wash
Location: italy
Artist: after francesco bartolozzi
Zeilschip
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: sailing-ship, sailing-boat, parts of ship's exterior: bow, mooring-buoy, bollard
Inscriptions: annotation: ‘[...]’

Zeilschip, van voren gezien. De boegspriet steekt uit en in de mast hangt een vlag. Rechtsboven een meerpaal. Blad 1 verso uit een schetsboek met 27 bladen.
Kop en schotel beschilderd met vlinders en libellen
Object type: kop en schotel, kop en schotel
Date: 1784 – 1809
Materials: porcelain
Techniques: painted
Location: ouder-amstel

Cup and saucer. Porcelain. Nieuwer-Amstel, c. 1809 - 1814. Factory of Nicolaas Gerard Dommer. Given by Mesdames J.J. and E.S. Kramer, 1942.
A Seaman's Wife's Reckoning
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,infants,men,women,dogs

A young woman sits holding an infant and turns towards an elderly man beside her. Her sailor husband at right, rises from his chair and stares warily at his father. The old man, who wears a seaman's uniform, scowls towards his son, saying, "Why d'ye see I am an old Seaman and not easily imposed upon—I say that cant be my Son Jacks child why he has been married but three months and during that time he has been at sea—the thing is impossible you may as well tell me that my ship Nancy goes nine knots an hour in a dead calm, and now I look again its the very picture of Peter Wilkins the Soap Boiler." The woman says: "My dear Father-in Law, Ill make it out very easily—Jack has been married to me three months—very well—I have been with child three months—which makes six—then he has been to sea three months has not he?— and that just makes up the Nine!!" The husband says: "Father, Farther [sic],—dont be too hard upon Poll—I know something of the log book myself—and d—m me but she has kept her reckoning like a true Seamans wife."
Eisenach
Object type: print
Date: 1846 – 1913
Materials: paper
Techniques: lithograph, hand coloring
Location: dresden
Subjects: prospect of village, silhouette of village, (high) hill - hh - ideal landscapes
Inscriptions: collector's mark: Lugt 2228
Saint John the Baptist with flowers
Object type: print
Date: 1775 – 1775
Techniques: engraving
Artist: simon-françois ravenet
Artist role: artist
Artist dates: 1748 – 1814
Subjects: men,saint john the baptist
Percussie legerpistool model M 1815
Object type: percussion pistol
Date: 1815 – 1816
Materials: brass, iron, wood
Location: netherlands
Artist: Anonymous
Inscriptions: signature: ‘JA met kroon’, signature: ‘I met kroon’, signature: ‘PB’, signature: ‘S met kroon’, signature: ‘D met kroon’, signature: ‘S’, signature: ‘S met kroon’
Blad met banenpatroon met ovaal motief, schubbenpatroon en kronkellijnen
Object type: wrapper
Date: 1700 – 1850
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: fantasy ornament

Blad met verticaal banenpatroon met ovaal motief in schubbenpatroon en kronkellijnen van punten. Gebruikt als omslag.
Kelkdoek of velum van linnen met rondom een rand kantborduurwerk en een rand kloskant
Object type: purificator
Date: 1600 – 1600
Materials: linen
Techniques: lace, weave
Location: netherlands
Artist: Anonymous
Inscriptions: mark: ‘+’

Kelkdoek of velum van linnen met rondom een rand naturelkleurig kantborduurwerk: werk met uitgetrokken draden (open naaiwerk). Het geheel is rondom afgewerkt met een rand naturelkleurig kloskant. Vierkant model met afgeronde hoeken. Het werk met uitgetrokken draden heeft tussen twee smalle banen met opengewerkte ovaaltjes een bredere baan met grotere opengewerkte ovalen en op elke hoekpunt een wiel. Het kloskant bestaat uit een netwerk van ruitjes waarbij de buitenrand eindigt in een zigzag-lijn met daarlangs een picotrand van fijne gevlochtte puntjes.
Octagonal cup and saucer with panel decoration with flower sprays
Object type: kop en schotel, kop en schotel
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, forming, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark

Achtkantige schotel, gedecoreerd in ondergalzuur blauw. Im het centrum een rozet, acht velden met bloeiende planten daar omheen.
Erewacht op het plein
Object type: photograph
Date: 1930 – 1935
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: square, place, circus, etc., public festivities at marriage of royal persons

Militaire erewacht te paard op een groot open plein in een stad. Waarschijnlijk in afwachting van het rijtuig met het vorstelijk paar (zie gerelateerde foto). De gebouwen aan het plein dragen opschriften in een cyrillisch schrift. Losse foto achterin het fotoalbum met vakantiefoto's (van augustus 1932 tot augustus 1935).
Bronze helmet
Object type: helmet
Date: 600 – 568
Materials: bronze
Culture: italic
Subjects: helmets

Hemispherical shape with deep brim.
Earflare Set
Object type: earflare set
Date: 201 – 900
Materials: jade
Culture: maya
Location: mexico
Marie Stuart
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
Design for a Stage Set at the Opéra, Paris: Church Interior
Object type: drawing
Date: 1830 – 1890
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: churches,stage design
Oordeel van Paris en de roof van Helena van Troje
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: engraving
Location: france
Subjects: the judgement of paris (without mercury), (story of) minerva (pallas, athena), the abduction of helen and some of her companions: paris carries them off by sea, and takes a part of the palace-treasure with him
Inscriptions: collector's mark: Lugt 240
Teapot (part of a service)
Object type: teapot
Date: 1780 – 1790
Materials: hard paste porcelain
Subjects: men,trumpets
Coin Portraying Emperor Hadrian
Object type: coin
Date: 133 – 134
Materials: bronze, copper alloy, metal
Techniques: striking
Culture: roman
Location: khorasan

The front (obverse) of this coin portrays the head of Emperor Hadrian, facing right, filleted. The back (obverse) depicts a Sphinx, seated, facing left, with wings open and a modius (headdress).
Cosimo III de Medici in the Garden of the Villa Medici
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: etching
Location: italy
Artist: stefano della bella
Artist role: draughtsman, print maker
Artist dates: 1610 – 1664
Subjects: cosimo iii de' medici, obelisks (garden ornaments), garden, container of stone: stone vase, draughtsman studying classical remains - cc - out of doors, garden vase
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, watermark: ‘ster in cirkel’

Stefano Della Bella portrayed Prince Cosimo III de Medici while he closely studies a vase larger than himself. In 1656 Cosimo was fourteen years old and blissfully ignorant of the eventful life that lay ahead of him as a scion of the powerful Medici family. Art would alwayshold a special place for him. The Greek vase from the first century was a veritable showpiece in the garden of the Villa Medici.
Inlay fragment, feather design
Object type: inlay fragment
Date: 200 – 100
Materials: glass
Location: egypt

A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards.
Jésus est Battu de Verges pièce appelée aussi La Flagellation (The Flagellation), from "La Petite Passion" (The Little Passion)
Object type: print
Date: 1624 – 1625
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Souvenir with portrait of a man
Object type: souvenir, painting
Date: 1780 – 1790
Materials: diamond, gold, ivory, shell
Artist: french painter
Artist role: artist
Artist nationality: french
Subjects: men,portraits

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Pitcher
Object type: pitcher
Date: 1847 – 1848
Materials: porcelain
Culture: american
Location: united states
Artist: fenton's works
Artist role: maker
Artist nationality: american
Artist dates: 1847 – 1848
Subjects: flowers
Enkhuizen. Kaasmarkt
Object type: photomechanical print
Date: 1913 – 1913
Materials: cardboard
Techniques: photograph
Location: the hague
Artist: Anonymous
Subjects: well, city-view, and landscape with man-made constructions, street, enkhuizen
Inscriptions: date
Cover
Object type: textile
Date: 1601 – 1625
Materials: gilt, lace, linen, metal, textile, silk
Techniques: lace, cutting, embroidery, treatment, weave, stitching
Location: italy
Mold of head of Medusa
Object type: mold of head of medusa
Date: 7000 – 330
Materials: terracotta
Subjects: heads,medusa
Kustlandschap met vissersboten die netten binnenhalen
Object type: drawing
Date: 1834 – 1893
Materials: paper, pencil
Artist: willem anthonie van deventer
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1893
Subjects: coast, sea and coastal fishery
Schouwen en houten lambriseringen in interieurs
Object type: print
Date: 1658 – 1670
Materials: paper
Techniques: etching
Location: paris
Subjects: open hearth, fire-place
Inscriptions: collector's mark: Lugt 2228

Kamer met schouw in het midden. De schoorsteenmantel is afgesloten met twee luiken. Daarboven een rond medaillon met een Bacchische scène. Links opent een bediende een deur.
Portret van Georg Melchior von Ludolf
Object type: print
Date: 1713 – 1757
Materials: paper
Techniques: engraving
Location: germany
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
S. Paule
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching, intaglio
Location: italy
Subjects: the beheading of paul; maybe three fountains spring from his head, paul preaching or disputing, the apostle paul of tarsus; possible attributes: book, scroll, sword
Inscriptions: collector's mark: ‘Hinloopen’, collector's mark: Lugt 11, number: ‘4’

Deze prent maakt deel uit van een reeks van 15 prenten. De prenten met Maria en Christus zijn ongenummerd. De prenten met de apostelen zijn genummerd van 1 tot en met 13.
Plateau
Object type: plateau
Date: 1705 – 1720
Materials: faience
Techniques: glazing
Subjects: flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Geometria
Object type: print
Date: 1663 – 1738
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: physicist, 'geometria' (~ quadrivium); 'geometria' (ripa), historical persons
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een veertiendelige serie opgedeeld in twee reeksen, met als onderwerp de zeven vrije kunsten en deugden naar schilderijen door Sébastien Bourdon. De schilderijen werden in 1663 vervaardigd voor de Grande Galerie van het Hôtel de Bretonvilliers te Parijs.
Portret van Guérin de Montaigu
Object type: print
Date: 1643 – 1659
Materials: paper
Techniques: engraving, etching, letterpress printing
Artist: Anonymous
Subjects: historical persons, military orders, e.g.: knights templars, knights of malta, teutonic knights ~ roman catholic church

Prent mogelijk uit: Baudoin, Jean. Histoire des chevaliers de l'ordre de s. Jean de Hierusalem (...). Parijs: Jacques Dallin, 1643. Of uit: Baudoin, Jean. Histoire des chevaliers de l'ordre de s. Jean de Hierusalem (...). Parijs: Thomas Jolly, 1659.
On Hampstead Heath
Object type: painting
Date: 1856 – 1856
Materials: canvas, oil
Culture: american
Artist: james hamilton
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1819 – 1878
Subjects: landscapes
Portret van Jean Racine
Object type: print
Date: 1727 – 1760
Materials: paper
Techniques: engraving
Subjects: france, jean racine, historical persons, portrait of a writer, armorial bearing, heraldry

Onder het portret zijn wapenschild. Onder het wapenschild een vierregelig vers.
Portret van een man met snor
Object type: album leaf
Date: 1893 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: franciscus g. lukera
Artist role: fotograaf
Artist dates: 1853 – 1927
Subjects: moustache, historical persons
Inscriptions: inscription: ‘F. Lukera/ Amsterdam, Ceintuurbaan 187’