deem-data/ArtiFact huggingface dataset:
Pangkalpinang. Complex hospitaalgebouwen met een ananasveld op de voorgrond
Object type: photograph
Date: 1900 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: pangkalpinang
Artist: Anonymous
Subjects: field filled with a crop, mining, minerals and metals: tin, hospital

Onderdeel van Fotoalbum over de tinwinning op Bangka.
Portret van Hendrik II, koning van Engeland
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, king, armorial bearing, heraldry

Prent gebruikt in: The history of England. Faithfully extracted from authentick records (…). Londen: Isaac Cleaver, 1715, dl. 1. Prent mogelijk ook gebruikt in andere edities van dit werk of andere publicaties.
Boer met kar, getrokken door twee ossen
Object type: album leaf
Date: 1913 – 1913
Materials: paper
Techniques: gelatin silver print
Location: oberhof
Artist: liesbeth overhoff
Artist role: fotograaf
Artist dates: 1895 – 1969
Subjects: ox, agriculture
Inscriptions: inscription: ‘1913.’
Cavallo leggiero
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Édouard Sain
Object type: page
Date: 1878 – 1883
Materials: paper
Techniques: woodburytype
Subjects: painter, édouard alexandre sain, historical persons
Triomfpoort van prins Maurits
Object type: drawing
Date: 1710 – 1720
Materials: ink, parchment, watercolor
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: johan van oldenbarnevelt, the hague, maurice (prince of orange), triumphal arch, political caricatures and satires

Aquarel waarop triomfpoort met wapens. Bovenop twee leeuwen met pijlenbundels. Midden op monument prins Maurits in wapenuitrusting met aan een halsband een leeuw. Bijbehorend een handgeschreven tekst. Behorende bij serie aquarellen in boek.
Hilly Landscape with Town in Distance
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: italy
Artist: circle of agostino carracci
Altaarstenen, sculpturen en Romeinse munten
Object type: book illustration
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: altar ~ germanic and scandiavian religions, coin, excavation ~ archaeology, other foreign deities included in the classical pantheon (with name), altar ~ roman religion
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Drie genummerde altaarstenen, waarvan de eerste is gewijd aan Neptunus en de derde aan de godin Nehalennia. De laatst genoemde werd in de tweede en derde eeuw na Christus in Zeeland werd aanbeden. Daaronder een manshoofd, een klassiek brokstuk en een vaas met daarop een hert. Onderaan Romeinse munten. Waarschijnlijk zijn het bodemvondsten uit Zeeland.
Gezicht op de Duikersluis in Munnekezijl op de grens van Friesland en Groningen
Object type: photomechanical print
Date: 1900 – 1911
Materials: paper
Techniques: photograph
Location: munnekezijl
Subjects: lift-lock, canal lock
Inscriptions: number: ‘No. 10.’
Meer met bergen bij Sabang
Object type: album leaf
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sabang
Artist: Anonymous
Subjects: lake, mountains

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Portret van Jan Havicksz. Steen
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: leiden, painter, print maker, jan havicksz. steen, historical persons, portrait, self-portrait of artist
Girl Reading in Bed
Object type: drawing and watercolor
Date: 1882 – 1882
Materials: graphite, ink, paper
Techniques: pen
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Inscriptions: Signed recto, left, in brown ink: [artist's butterfly monogram]; inscribed verso, upper left, in graphite: "By Whistler"; inscribed verso, center, in graphite: "9' (illegible) white / 3/4 white (illegible) / (illegible)"; inscribed verso, right center, in graphite: "11 1/2 x 9"; inscribed verso, lower right, in black ink: "8"
Fragment of Key Handle
Object type: key handle
Date: 1 – 700
Materials: copper alloy
Culture: roman
Darning Sampler
Object type: textile
Date: 1843 – 1843
Materials: canvas, silk
Techniques: embroidery
Location: netherlands
Inscriptions: "ANNO 1843"
Rotsen aan de kust van Normandië, bij Veules
Object type: print
Date: 1851 – 1924
Materials: paper
Techniques: etching, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: rocky coast, coastal cliff or crag
Inscriptions: : ‘Eboulement de rochers du la côte de Normandie’, collector's mark: Lugt 2233, collector's mark: Lugt 2228
Deugden en ondeugden
Object type: print
Date: 1723 – 1767
Materials: paper
Techniques: etching
Subjects: penance, 'poenitentia'; 'contritione' (ripa) ~ part of the confession
Inscriptions: collector's mark: Lugt 240

Vignet met de beeltenis van de gepersonifieerde Boetvaardigheid in een ornamentele omlijsting. De lijst is opgebouwd uit een cartouche en schelppatronen, geheel onderaan is een met prikkeldraad omwonden hart weergegeven. De Boetvaardigheid leunt tegen een steen en houdt haar handen op haar borst terwijl ze berouwvol omhoog kijkt. De prent maakt deel uit van een reeks boekillustraties over deugden en ondeugden.
Portret van Alexander I, tsaar van Rusland
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: stippling
Location: leipzig
Artist: gustav georg endner
Artist role: print maker
Artist dates: 1754 – 1824
Subjects: alexander i (tsaar van rusland), knighthood order, historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Geschiedenis van Argus
Object type: print
Date: 1670 – 1672
Materials: paper
Techniques: etching
Artist: gerard de lairesse
Artist role: draughtsman, painter, print maker
Artist dates: 1641 – 1711
Subjects: mercury lulls argus into sleep by making music
Inscriptions: collector's mark: Lugt 240

Argus valt naast een boom in slaap bij de muziek die Mercurius met zijn herdersfluit maakt. Al fluitspelend grijpt Mercurius naar zijn zwaard om Argus te doden. Op deze manier zou Io, de in een witte koe veranderde geliefde van Jupiter, bevrijd kunnen worden. Achter de boom kijkt de witte koe (Io) toe, links zit een hond. De prent maakt deel uit van een vierdelige serie prenten met scènes uit het mythologische verhaal van Argus.
20 sujets composés et gravés à l'eau-forte par Ch. Jacque
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: etching
Artist: charles emile jacque
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: pig, occupations ~ cattle
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 1816d

Maakt deel uit van een twintigdelige serie met verschillende onderwerpen door Jacque.
Fontein in een vijver (vermoedelijk) te Duitsland
Object type: stereograph
Date: 1855 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: germany
Artist: Anonymous
Subjects: ornamental fountain, garden pond
Inscriptions: inscription: ‘Garten in Pekhoff’
Twee scènes uit Leben, Bemerkungen und Meinungen Johann Bunkels
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, study; 'studiolo'; library, storm at sea, globe, saving a person from drowning, the bible as a book
Inscriptions: collector's mark: Lugt 2228

Een latere staat van deze prenten is ook gebruikt in: Leben, Bemerkungen und Meinungen Johann Bunkels, nebst den Leben verscheidener merkwürdiger Frauenzimmer. 4 dln. Berlijn: Friedrich Nicolai, 1778. De Engelse uitgave verscheen tussen 1756-1766 onder de titel 'The life of John Buncle' en wordt meestal toegeschreven aan Thomas Armory. Chodowiecki etste in totaal 16 scènes voor dit werk.
Glass double cosmetic flask (kohl tube)
Object type: cosmetic flask, double
Date: 301 – 500
Materials: glass
Culture: roman, syrian
[Vignetted Sitting in Ritrosetta Dress]
Object type: photograph
Date: 1861 – 1867
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Triomferende Amor
Object type: ornament print
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: ornaments ~ art, 'omnia vincit amor', love the conqueror, love triumphant, foliage, tendrils, branches ~ ornament
Inscriptions: collector's mark: Lugt 2228

Amor toont in triomf zijn pijl en boog, staande op allerlei aardse zaken als een kroon en een schilderspalet. Boven het medaillon het devies: Omnia vincit Amor (Liefde overwint alles). De voorstelling wordt bekroond door twee brandende harten. Rond de voorstelling ornament van bladranken.
Cloisonné Strap Mount
Object type: strap mount
Date: 501 – 550
Materials: copper alloy, gilt, gold
Culture: frankish

The creation of garnet cloisonné work demands great skill. The garnet must be split into thin slices, after which the hard and brittle mineral is shaped with a high-speed wheel. Frankish workshops specializing in garnet jewelry were both prolific and accomplished.
Terracotta head of a panther
Object type: head of a panther
Date: 1 – 100
Materials: terracotta
Culture: roman
Subjects: animals

This well-modeled head of a panther served as a spout in antiquity. It is ornamented with a wreath of ivy leaves and clusters of grapes, Dionysian cult symbols. The panther, the most graceful and fascinating but also the most savage and bloodthirsty of all the cats associated with Dionysus, entered into the god's retinue by way of Asia Minor.
Figuren in een ossenkar
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: chalk
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: ox, asiatic races and peoples: indians, (farm) wagon, freight wagon, cart

Pagina 155 uit een schetsboek met 84 bladen.
Bearded Man
Object type: drawing
Date: 1690 – 1690
Materials: ink
Techniques: brush
Location: germany
Artist: christoph joseph werner
Artist role: artist
Artist nationality: german
Artist dates: 1670 – 1750
Subjects: men,profiles
Asperges
Object type: asperges
Date: 1401 – 1500
Materials: amber, gilt copper, enamel, silver
Culture: french
Brief aan Jan Veth
Object type: letter
Date: 1889 – 1889
Materials: ink
Techniques: pen, writing
Location: dordrecht
Artist: martinus cornelis lebret
Artist role: verzamelaar
Artist dates: 1833 – 1894
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, portrait, self-portrait of artist, money
Inscriptions: collector's mark: ‘RPK’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: douris
Artist role: artist

Interior, part of an inscription, [HIPPO]DAMAS [KALOS]
Gezichten door Auguste Numans naar andere kunstenaars
Object type: print
Date: 1833 – 1883
Materials: paper
Techniques: etching
Artist: auguste numans
Artist role: print maker
Artist dates: 1823 – 1883
Subjects: monumental door, porch, 'aediculum', ruin of a building ~ architecture, market, rome
Inscriptions: collector's mark: Lugt 2228

Prent behoort tot de prentserie: Dix eaux-fortes par A. Numans. Bij Hippert&Linnig wordt gesproken over een titelprent met de titel 'Six eaux-fortes (...)'. Waarschijnlijk gaat het om dezelfde prent als RP-P-1913-2243 want in de letter 'D' zijn contouren van een letter 'S' te zien. Mogelijk is de titelprent later aangepast om de prentserie uit te breiden van zes naar tien prenten.
Balletles in zaal met violist
Object type: print
Date: 1855 – 1924
Materials: paper
Techniques: aquatint, etching
Artist: paul renouard (1845-1924)
Artist role: painter, print maker
Artist dates: 1845 – 1924
Subjects: the ballet, ballet performance, violin, fiddle
Inscriptions: collector's mark: Lugt 2228
Sixth Performance: Boubourouche; Valet de Coeur, for Le Théatre Libre
Object type: print
Date: 1892 – 1893
Materials: paper
Techniques: lithograph
Location: france
Artist: henri-gabriel ibels
Artist nationality: french
Artist dates: 1867 – 1936
William Holman Hunt
Object type: photograph
Date: 1864 – 1864
Techniques: albumen print
Location: england
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: portraits, portraits: male subject, photography
Rank Badge with Qilin
Object type: rank badge
Date: 1667 – 1700
Materials: textile, metal thread, silk
Techniques: embroidery, weave
Culture: chinese
Subjects: mythical creatures

The qilin is a fantastic animal shown here in its conventional form. The flames shooting from the creature's body signify its supernatural powers. After 1662 the qilin became the insignia of military officials of the first rank; before that time it was worn by nobles.
Saint Thomas
Object type: print
Date: 1514 – 1514
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,saints
Decoration Day, United States, from the Holidays series (N80) for Duke brand cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women

Trade cards from the "Holidays" series (N88), issued in a set of 50 cards in 1890 to promote W. Duke Sons & Co. brand cigarettes. The series depicts citizens from various countries in traditional dress celebrating local holidays. Each card verso contains the title of the series, a description of the particular holiday and its history, as well as an ad for W. Duke, Sons & Co. Tobacco producers Goodwin & Co. also published this series with brand advertising for Old Judge and Dog's Head Cigarettes.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 567 – 535
Materials: terracotta
Culture: greek, attic
Fan
Object type: fan
Date: 1736 – 1795
Materials: paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Domus Castigatoria in Via Sacra / Voor desen het Clarissen Clooster, en in het iaar 1595, tot een Tucht-huys der mannen gemaakt
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: prison, jail, gate, entrance, workhouse, penal camp, penitentiary, chain gang
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam, Pieter Schenk (I), s.a. [1710-1711]. Of uit: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Barent Greve, s.a. [1757-1766]. In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
Bombardement van Bergen op Zoom, 1747
Object type: book illustration
Date: 1772 – 1780
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: bombardment ~ siege, bergen op zoom
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Beschryving der stad Bergen op den Zoom (…). 1e druk. Amsterdam: Arend Fokke Simonsz., 1780.

Muller geeft aan dat de prenten door Simon Fokke in 1772 naar de tekeningen van Pronk uit 1748 zijn vervaardigd. In de Collecties Thuis in Brabant (collecties in Brabantse musea en archieven) is een ontwerptekening (met inv.nr.: BC-Tha oai:tha.uvt.nl:709121) voor deze prent in de serie bewaard met de annotatie: Hoogstraat. na t Leven geschest (sic) door C.Pronk 1748. opgetekent door S. Fokke 1772.
La Poësie
Object type: text sheet
Date: 1695 – 1695
Materials: paper
Techniques: letterpress printing
Location: paris

Verklaring van de prent met voorstelling van Poëzie of Dichtkunst in het Frans. Pagina 15. Tekstblad maakt deel uit van een album.
Serie van zestien kleine prenten over het Huis ter Nieuburch in Rijswijk en de vredesonderhandelingen, 1697
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: the hague
Subjects: the hague

Gezicht bij het binnenkomen van Den Haag. In het onderschrift de twee titels in het Frans en Nederlands. Onderdeel (prent 13) van de serie van zestien kleinere prenten over het Huis ter Nieuburch in Rijswijk en de daar gehouden vredesonderhandelingen resulterend in de Vrede van Rijswijk gesloten op 20 september 1697.
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1701 – 1900
Materials: gold alloy, silver
Culture: japanese
Location: japan
Subjects: flowers
Leert kinderen, uit deez' prent u altyd wel gedragen, / En volgt geen boozen na, maer blyft op 't pad der deugd. / Dan zult gy 't allen tyd aen ieder mensch behagen, / Dan snelt de tyd voorby in innerlyke vreugd
Object type: print
Date: 1833 – 1900
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: correction of naughty children, bad behaviour, good behaviour
Inscriptions: collector's mark: Lugt 2760

Blad met 12 moraliserende taferelen met deugdzame en ondeugdzame kinderen. Onder elke afbeelding een vers. Genummerd rechtsboven: 86.
Une Amitié
Object type: print
Date: 1867 – 1867
Techniques: drypoint, etching
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Portret van Claude-Antoine-Gabriel de Choiseul
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: paris, historical persons
Inscriptions: date
Dressing gown
Object type: dressing gown
Date: 1880 – 1885
Materials: silk, wool
Culture: american

This dressing gown is an example of at-home-wear that became especially prevalent when it became acceptable to receive intimate guests in an informal manner. It is made of beautiful fabric that is more distinctive than the popular paisley patterns and it has an elegant form due to its construction details. During this time, men's smoking jackets also became popular, and this dressing gown is similar to that type of jacket or a man's banyan.
Card Number 45, Emma Abbott, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Strook naaldkant met dubbele diagonale lijnen en bladertakken
Object type: strip
Date: 1600 – 1799
Materials: linen
Techniques: lace
Location: southern netherlands
Artist: Anonymous
Edward VII
Object type: medal
Date: 1902 – 1902
Materials: gold
Artist: g.w. desaulles
Artist role: artist
Artist dates: 1862 – 1903
Subjects: kings,profiles,flowers
Dagger (Jambiya) with Sheath and Cord
Object type: dagger jambiya with sheath
Date: 1801 – 1900
Materials: ivory, silk, silver, steel, velvet, wood
Culture: persian, qajar
Location: iran
Plate 3: a shepherd seated on a hill, a cow and two sheep at left, and a town in right background, from 'Landscapes in the manner of Gaspar Dughet'
Object type: print
Date: 1700 – 1725
Techniques: etching
Artist: franz joachim beich
Artist role: artist
Artist nationality: german
Artist dates: 1665 – 1745
Rogues, a Study of Characters
Object type: album
Date: 1859 – 1859
Materials: glass, photographic print
Artist: samuel g. szabó
Artist role: artist
Artist nationality: hungarian
Artist dates: 1854 – 1861
Subjects: men,portraits

Lifter, wife poisoner, forger, sneak thief; cracksman, pickpocket, burglar, highwayman; murderer, counterfeiter, abortionist--each found a place in this gallery of rogues. Photography was first put to service for the identification and apprehension of criminals in the late 1850s. In New York, for example, 450 photographs of known criminals could be viewed by the public in a real rogues' gallery at police headquarters, the portraits arranged by category, such as "Leading pickpockets, who work one, two, or three together, and are mostly English." Little is known of Samuel G. Szabó, his methods, or his intentions. He appears to have left his native Hungary in the early or mid-1850s by necessity, but the reason for his exile remains a mystery. In the United States Szabó moved frequently. Between May 1857 and his return to Europe in July 1861 he traveled to New Orleans, Cincinnati, Chicago, Saint Louis, Philadelphia, and New York, settling for a brief period in Baltimore, where he was listed in the city directory as a daguerreotypist. His whereabouts when he made this album are unknown. One may speculate that Szabó made these portraits while working for, or with the cooperation of, the police, and some of the 218 prints in the album appear to be copy prints made from other photographic portraits. But this is more than a collection of mug shots; it is a study of characters by a "photogr[aphic] artist," as Szabó signed the title page of this album. Just as Mathew Brady believed that portraits of America's great men and women held clues to the nobility of their character and could serve as moral and political exemplars to those who contemplated them, others attempted to discern in photographs such as Szabó's physical characteristics of the criminal psyche. Yet the reading of individual portraits is not always self-evident. Would the serious young man in the overcoat and silk top hat appear roguish without the caption "John McNauth alias Keely alias little hucks / Pick Pocket" below his portrait?
Ruitertafereel op Koninklijke Houtvesterij Het Loo: man te paard op een grasveld
Object type: album leaf
Date: 1900 – 1925
Materials: photographic support
Techniques: gelatin silver print
Location: het loo
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, hunting, chase, hunting-ground

Onderdeel van Fotoalbum van de heer Brams, opperhoutvester van koningin Wilhelmina op Koninklijke Houtvesterij Het Loo.
Forum of Nerva, colonnade, profiles of attic and entablature, architrave and column detail (recto) Arch of Constantine, plan (verso)
Object type: collection ornament architecture
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture
Portret van Hermann Gundert
Object type: page
Date: 1855 – 1867
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: missionary, adult man, historical persons
Allegorische voorstelling met de Waarheid en veldslagscène in een fries
Object type: print
Date: 1606 – 1606
Materials: ink, paper
Techniques: engraving, pen
Location: france
Subjects: mouldings ~ architecture, battle, truth; 'verità' (ripa)
Inscriptions: inscription: ‘Collegii Rem. Societ. JSW Catalogo inscriptus 1887 Ex dono Domini Parent’, collector's mark: Lugt 2228

Prent uit: Thou I, Jacques Auguste de. Thuani Historiarum Sui Temporis. Parijs: Ambrosius & Hieronymus Drouart, 1606, dl. 1.
Adressen
Object type: sketchbook leaf
Date: 1895 – 1895
Materials: chalk, ink, paper
Techniques: pen
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Inscriptions: address: ‘Luiseman/ Helmstraat/ Boekbinder/ [...]/ J.T. Cremer/ Buitenverblijf/ Duin- en Kruidberg/ te Zandpoort/ bij Haarlem’

Blad 38 verso uit een schetsboek met 39 bladen.