deem-data/ArtiFact huggingface dataset:
Sacred animal mummy in the form typical of a wrapped ibis, decorated with a figure of Duamutef
Object type: mummy, ibis
Date: 400 – 100
Materials: linen, paint
Location: egypt
Subjects: mummies

Animal cults The Egyptians considered certain individual animals to be living manifestations of a god, such as, since earliest times, the Apis bull . Those individuals were duly mummifed when they died and buried for eternal life, then replaced by another single living manifestation. During the first millennium BC, many multiples of animals associated with certain gods were specially raised in temple precincts as simultaneous avatars of that god and then mummified in large contingents and deposited in catacombs for eternal life. The ancient perception of these multiples, the evolution of the practice in this direction, and variations within the practice are not easily accessible to us. But the hundreds of thousands of often elaborately prepared animal mummies found in catacombs and other locales testify to its ancient resonance. Animal mummies Research on animal mummies has shown that the majority of mummies found at the large animal cemetery sites are pre-adults who were purposely killed for use. Some of the mummies are actually ‘substitute’ mummies containing only a few bones or feathers or possibly just sticks or sand. Recently a review of the museum's animal mummies and their x-rays was conducted in consultation with an expert in their study, and brought to light a number of interesting points. In this particular case a painted figure of Duamutef appears on the wrapping which have the form typical of a mummified ibis; however, the 'mummy' is composed only of wrapped ibis feathers.
Hone with case (part of a set)
Object type: hone with case
Date: 1848 – 1849
Materials: cardboard, leather, wood
Artist: goodlet co. (?)
Artist role: maker
Subjects: coat of arms

The firm of Nicholls & Plincke was founded by members of the relatively large community of English silversmiths and craftsmen working in Saint Petersburg. After 1840 it was one of the most important retailers of luxury items before Carl Fabergé overshadowed all competitors. Several contemporary Saint Petersburg newspapers praised the high-quality products of the magasin anglais Nicholls & Plincke. According to the donor's family tradition, this rare set with more than fifty items bearing the monogram CMI was "originally made for and used by Colin Macrae Ingersoll [1819–1903], when he accompanied his father, Ralph Isaacs Ingersoll [1788–1872], to the Court of Czar Alexander II of Russia, where the latter served President [James Knox] Polk [1795–1849] as Minister Plenipotentiary from 1846 to 1848. . . . The family story has always been that [the set and case were] made for stagecoach travel in Russia." Plain silver objects—like the ewer and the cup of this set—with simple outlines and restrained forms inspired silversmiths of the modern era. Only the elaborate cartouche framing the monogram indicates that the set was made in the early Victorian period.
Rustende herder
Object type: print
Date: 1853 – 1853
Materials: paper, pencil
Techniques: etching
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Warrior and Dog Resting by Rocky Rapids
Object type: drawing and watercolor
Materials: board, chalk, ink, paper
Techniques: pen
Location: germany
Artist: attributed to franz kobell
Artist nationality: german
Artist dates: 1749 – 1822
Berglandschap met bomen
Object type: print
Date: 1815 – 1867
Materials: paper
Techniques: etching
Location: netherlands
Artist: willem matthias jan van dielen
Artist role: print maker
Artist dates: 1805 – 1867
Subjects: mountains
Inscriptions: collector's mark: Lugt 2228
Venster met gordijnen
Object type: print
Date: 1895 – 1910
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery, chair
Inscriptions: : ‘Droits de reproduction réservés.’, annotation: ‘no. 199’

Kruisvenster met stoel en gedrapeerde gordijnen in de Lodewijk XV-stijl. Prent uit 344e Livraison.
Burgundiae Comitatus Recentiss Descriptio
Object type: ornament print
Date: 1579 – 1580
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: coat of arms (as symbol of the state, etc.), ornament ~ cartouche

Ronde cartouche met het wapen van Bourgondië (een klimmende leeuw). Het betreft een ornament van een kaart van Bourgondië. De prent maakt deel uit van een album.
Australie : voyage autour du monde
Object type: book
Date: 1869 – 1869
Materials: cardboard, paper, leather
Techniques: albumen print, letterpress printing, marbling
Location: paris
Inscriptions: inscription: ‘125/’, inscription: ‘L’
Terracotta rim fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of handle palmette; satyr with wineskin draped over left shoulder and back; one letter of an inscription, O; hand holding wineskin; horse to right; one letter of an inscription, S; fronds of palmette
Portret van André Frémiot
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: paris, archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228
Finger Ring
Object type: ring
Date: 601 – 700
Materials: gemstone, glass, paste, silver
Culture: frankish
Location: northern france
Man probeert een jonge, slapende vrouw op een bank te kussen
Object type: print
Date: 1850 – 1913
Materials: paper
Techniques: aquatint, etching, intaglio
Artist: joseph paul steynen
Artist role: print maker
Subjects: bench, lips pressed together as for a kiss, sleeping; unconsciousness
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1e état’
Portrait of an unknown man from the Bhutia community of Sikkim
Object type: page
Date: 1858 – 1868
Materials: photographic support
Techniques: albumen print
Location: sikkim
Artist: benjamin simpson
Artist role: fotograaf
Artist dates: 1831 – 1923
Subjects: human races; peoples; nationalities
Inscriptions: inscription: ‘BHOTIA./ TRANS-HIMALAYAN./ SIKHIM.’, number: ‘(44)’
Terracotta kylix (drinking cup)
Object type: kylix
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Interior, young warrior with shield and spear
Wet van Behoud, Liefde en Redding
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: amsterdam, the hague, floris adriaan van hall, organization of trade and finance, taxes and financial administration

Bladzijde 8 met artikels 32-37 van de 'Wet van Behoud, Liefde en Redding'. Een satire in zestien bladzijden op de aansporing tot deelneming in de (zogenaamde) vrijwillige 3% geldlening uitgeschreven in maart 1844 door minister F.A. van Hall. Achterzijde van een dubbelgevouwen blad bedrukt op alle zijden.
Glass one-handled miniature bottle
Object type: bottle
Date: 101 – 300
Materials: glass
Culture: roman

Colorless with blue green tinge; handle in same color glass. Rim folded out, round, and in, flattened on top; short, slightly funnel-shaped neck, with tooling marks around base; horizontal shoulder; squat, bulbous body; bottom concave at center; rod handle applied in a pad on outer edge of shoulder, drawn up and bent in, attached to lower edge of rim and trailed off below. Intact except for weathered chip in rim; pinprick bubbles; dulling, pitting, brilliant iridescence, and creamy weathering.
Dish
Object type: dish
Date: 1801 – 1900
Techniques: maiolica, glazing
Subjects: portraits,women
Portret van Gerard, graaf van Dönhoff
Object type: print
Date: 1641 – 1658
Materials: paper
Techniques: engraving, letterpress printing
Location: poland
Subjects: gerard graaf van dönhoff
Inscriptions: collector's mark: Lugt 240

Buste naar rechts van Gerard, graaf van Dönhoff met rechts van hem zijn familiewapen. Onder het portret een 26-regelige tekst in het Latijn in boekdruk.
Pair of Bracelets with Confronting Makara Heads (Karas)
Object type: costume and accessory
Date: 1801 – 1900
Materials: diamond, enamel, gold
Techniques: polychrome
Location: india
Programma voor een concert in Felix Meritis op 11 december 1882
Object type: programma, programmaboekje
Date: 1882 – 1882
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: small group of musicians, chamber orchestra, jazz band, listening to music
Inscriptions: collector's mark, collector's mark: Lugt 1641

Gedrukt programma voor een soirée met kamermuziek, in Felix Meritis te Amsterdam op 11 december 1882. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Muziek en muziekinstrumenten: Varia.
Unfinished hieroglyphs
Object type: hieroglyph, inscription
Date: 1981 – 1975
Materials: ink, limestone
Location: egypt
Subjects: hieroglyphs,owls,snakes
Portret van een man met een baard, achterstevoren zittend op een stoel in de openlucht, vermoedelijk in Frankrijk
Object type: photograph
Date: 1890 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: sitting figure, adult man, chair, france

Onderdeel van Album van een Franse amateur met foto's van Frankrijk, Algerije, Palmyra, de Wereldtentoonstelling van 1900 en van bekende Fransen.
Slag op de Diemerdijk, 1573
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: battle (+ land forces), amsterdam

Slag op de Diemerdijk bij Amsterdam, juni 1573. De Diemerdijk door soldaten onder Sonoy op 2 juni veroverd, doorgegraven, versterkt en bezet gehouden tot 17 juli. Met onderschrift van 4 regels in het Latijn. Genummerd: 38. Bedrukt op achterzijde met tekst in het Latijn.
Le Carnaval des Rues de Paris
Object type: print
Date: 1744 – 1816
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: public festivities, carnival, shrovetide (non-liturgical celebration), armorial bearing, heraldry, paris
Inscriptions: collector's mark: Lugt 2228
Mensen van Javaanse oorsprong
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1910
Materials: cardboard
Techniques: photograph
Location: suriname
Artist: eugen klein
Artist role: fotograaf
Artist dates: 1869 – 1927
Subjects: parents with their children, suriname, java
Inscriptions: serial number: ‘Eigendom van Eugen Klein, Paramaribo No. 183’

Portret van een groep van mensen van Javaanse oorsprong, mogelijk een familie. Onderdeel van een verzameling van 68 briefkaarten uit Suriname, bijeengebracht in een album als aandenken aan een verblijf in Suriname in september 1911.
Messenheften
Object type: print
Date: 1597 – 1656
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: birds, table-knife

Op elk blad uit deze serie staan twee symmetrische messenheften met bovenaan een kraal. De heften zijn versierd met ranken waartussen zich twee vogels bevinden.
Brief van Hugo de Groot aan Joost van den Vondel
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Subjects: delft, hugo de groot, cologne, joost van den vondel, portrait of a writer, letter, envelope
Inscriptions: : ‘A monheer/ Monsieur van Vondelen/ A Amsterdam’
Portret van een man
Object type: painting, miniature
Date: 1761 – 1761
Materials: glass, leather, metal, parchment, pencil, textile
Artist: joseph marinkel
Artist role: miniatuurschilder
Artist dates: 1732 – 1782
Subjects: historical persons not known by name
Inscriptions: signature and date: ‘Marinkel. 1761’

Joseph Marinkelle (1732 - 1782). Portrait of a man. Pencil on vellum, in case..., 1761. Given by Mrs J.H.M. Staring-de Mol van Otterloo, Vorden, 1981.
Gezicht op de Trinità dei Monti en de Obelisco Sallustiano in Rome, reclame voor Theehandel van Veen & Co.
Object type: stereograph
Date: 1910 – 1920
Materials: paper
Techniques: gelatin silver print
Location: rome
Artist: Anonymous
Subjects: obelisk, needle, church (exterior)
Inscriptions: inscription: ‘Stereoscopen voor deze plaatjes/ zijn verkrijgbaar à 25 cents per stuk/ bij VAN VEEN & Co., Amsterdam,/ Rotterdam, Den Haag, Nijmegen/ Haarlem en Hilversum.’
Kleveniers Doelen
Object type: print
Date: 1663 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: towers ~ fortified city, city-walls, land forces (+ citizen soldiery, civil guard, citizen militia), canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: ‘25E.157’ Lugt 1641b

Huidige staat van prent ook gebruikt in: Dapper, Olfert. Historische beschryving der stadt Amsterdam: waer in de voornaemste geschiedenissen (na een kort verhael van gansch Hollant en d'omleggende dorpen (…). Amsterdam: Jacob van Meurs, 1663.* En in: Zesen, Philipp von. Beschreibung der Stadt Amsterdam: darinnen von derselben ersten Ursprunge bis auf gegenwärtigen Zustand (…). Amsterdam: Joachim Nosche, 1664.

* In sommige exemplaren van deze uitgave komt de huidige staat van de prent voor. In andere exemplaren is een latere staat ingebonden, waarop boven de Nederlandse een Franse titel is toegevoegd.
Stoel met een opengewerkte rug (vermoedelijk) in het Rijksmuseum te Amsterdam
Object type: photograph
Date: 1875 – 1900
Materials: photographic support
Techniques: matte daylight collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: chair
Inscriptions: number: ‘XLIX kat 230 136’, collector's mark: ‘Instituut voor kunst-nijverheidsonderwijs Gabriël Metsustraat No. 16, Amsterdam’, collector's mark: ‘Kunstnijverheidschool Quellinus Amsterdam Frans Halsstraat 14.’
Design for a Couch
Object type: drawing
Date: 1800 – 1900
Artist: anonymous, italian, 19th century
Artist role: artist
Artist nationality: italian
Artist dates: 1800 – 1900
Subjects: couches
Glow Worms, Muck Worms
Object type: print
Date: 1812 – 1812
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: food,satire,men,dining
Hugo de Groot in metselaarskleding
Object type: print
Date: 1791 – 1793
Materials: paper
Techniques: engraving, etching
Location: leiden
Artist: pieter de mare
Artist role: print maker
Artist dates: 1758 – 1796
Subjects: delft, hugo de groot, professional clothes, head-gear: hat (+ men's clothes), trousers, breeches, etc. (breeches) (+ men's clothes), clothing for the upper part of the body (doublet) (+ men's clothes)
Inscriptions: collector's mark: Lugt 2233

Prent ook gebruikt in: Afbeelding van Hugo de Groot, in het gewaad van een' metzelaar ... benevens eene bijzondere afbeelding en beschrijving van het wambuisje, bij die gelegenheid gedraagen. Leiden: P.H. Trap, 1793. Coll. Franken
Portret van Frederik Hendrik, prins van Oranje
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: engraving
Location: low countries
Subjects: delft, the hague, frederick henry (prince of orange), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Prent uit: Nassouser heldens pronk-toonneel opgetooydt, en volcierdt met de keurlĳkste helden van Nassou en Oranje. Amsterdam: Jacob van Meurs, 1663.
Kelkglas met een zwangere vrouw en het opschrift: Hansie in de Kelder
Object type: goblet
Date: 1680 – 1700
Materials: glass
Techniques: diamond point engraving, façon de venise, glassblowing
Location: rotterdam
Subjects: pregnancy

Lage voet met omgeslagen rand. Holle, balustervormige stam met twee platte schijven. Trechtervormige, aan de onderzijde afgeronde kelk, waarop een zwangere vrouw is gegraveerd en het opschrift 'Hansie in de Kelder'. Op de voet bloemtakken.
Kinderen in klederdracht op het eiland Marken
Object type: photograph
Date: 1885 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Inscriptions: annotation: ‘Ile de Marken’
Strook kloskant met sterren en wielen
Object type: strip
Date: 1800 – 1824
Materials: cotton
Techniques: lace
Location: france
Artist: Anonymous

Strook naturelkleurige kloskant. Het zich herhalende patroon bestaat afwisselend uit een wiel en een achtpuntige ster. De omtrek van de motieven bestaat uit een band gemaakt in vormslag. Binnen de omtrek zijn 'spaken' gemaakt met vlechten. Boven de wielen loopt een rechte band. Onder de wielen en sterren loopt een band die halfronde schulpen vormt, met daaraan vijf lobben gevormd door boogjes. Banden en boogjes zijn beide gemaakt in vormslag. De motieven zijn met elkaar verbonden door een vlechtengrond, die grove ruitvormige mazen vormt, zoals bij een Valenciennes-grond. De bovenzijde van de strook is recht afgewerkt met een zigzaggende vlecht. De boogjes aan de schulpen zijn afgewerkt met enkele picots.
Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor)
Object type: print
Date: 1810 – 1810
Techniques: drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: male nudes,trees
Meir Wachenheimer, Mathilde Wachenheimer-Wertheimer, Eugen Wachenheimer, Josefine Moos-Levi, Isabel Wachenheimer in tuin in Stuttgart, 6 tot 13 september 1930
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: stuttgart
Artist: Anonymous
Subjects: eugen wachenheimer, leiden, isabel wachenheimer-elon, josefine moos-levi
Inscriptions: number: ‘f63m’

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Glass Fragment
Object type: fragment
Date: 1467 – 1500
Materials: glass, pigment
Culture: european
Seated Statue of King Menkaure
Object type: statue, menkaure seated
Date: 2490 – 2472
Materials: limestone
Location: egypt
Subjects: kings

Menkaure, son of Khafre and grandson of Khufu, built the Third Pyramid at Giza. Unlike the First and Second Pyramids of his father and grandfather which were covered in white limestone, Menkaure planned to case his pyramid in granite. This remained unfinished at his death and was never completed. His pyramid complex was excavated by a joint expedition of Harvard University and the Museum of Fine Arts, Boston, in 1908. This unfinished statuette of Menkaure was found in a sculptor's workshop associated with the valley temple of his pyramid. It was one of fourteen statuettes of the king found there, all unfinished and in various stages of the sculptural process. It depicts the king in the traditional pose, seated with his left hand flat, palm down on this thigh; his right hand, here broken off, would have been in a fist. The feet of the statuette and the front part of the base on which they rested were destroyed as well. The king is seated on a blocklike throne that, when complete, would have been carved with the sematawy symbol, which represents the unity of Upper and Lower Egypt. He wears the nemes headcloth and false beard, and traces of the uraeus can be seen on the brow. The statuette is made of a good quality hard limestone and still shows traces of the preliminary blocking-out of the figure, which have been partly obscured by the initial polishing of the surface. The musculature of the torso has been indicated and the statuette shows the outlines of the square mature face of Menkaure displayed in the large statues of greywacke and alabaster found elsewhere in his valley temple.
Sword Guard (<i>Tsuba</i>)
Object type: sword guard tsuba
Date: 1834 – 1866
Materials: copper, gold, iron
Culture: japanese
Location: japan
Subjects: dragons
Bonnet Veil
Object type: textile
Date: 1837 – 1837
Materials: cotton, linen
Techniques: embroidery, treatment, stitching
Location: rhode island
Artist: sara russ
Artist nationality: american
Artist dates: 1837 –
Studie van een kameel
Object type: drawing
Date: 1807 – 1857
Materials: paper, pencil
Artist: cornelis kruseman
Artist role: draughtsman, painter, print maker
Artist dates: 1797 – 1857
Subjects: hoofed animals: camel
Ceremonial Chain of the Guild of Saint George of Zevenbergen
Object type: schuttersketen
Date: 1520 – 1541
Materials: silver
Techniques: gilding
Inscriptions: inscription: ‘Heer Cornelis van Bergen, heer van Zevenbergen, Coninck anno 1546, die 18 julii’, town mark: ‘stadskeur Breda of Bergen op Zoom’ three St Andrew's crosses in a shield, inscription: ‘deese RinKraag schoon gemaakt door Cs Dijkens te 7 bergen 1822’, maker's mark: ‘O’ with a bow above in a shield

All of the visible elements on the chain have a special meaning. The patron saint, Saint George, and his arms signify that the collar belonged to the Guild of Saint George, while the other devices indicate the authority to which it answered. Even the seven mountains, after which the town of Zevenbergen is named, are depicted. The oak leaves stand for religious steadfastness, the storks for piety, and respect for church, state, and master.
Design for a Bucket
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: erasmus hornick
Artist role: architect
Artist nationality: netherlandish
Artist dates: 1501 – 1583
Subjects: vessels
Journal des Dames et des Modes 1828, Costumes Parisiens (2640)
Object type: fashion print
Date: 1828 – 1828
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: fashion plates
Inscriptions: date
The Capture Corean [sic] Standard
Object type: photograph
Date: 1871 – 1871
Techniques: albumen silver print, glass negative
Artist: felice beato
Artist role: fotograaf
Artist nationality: british, born italy
Artist dates: 1825 – 1909
Portret van de kunstenaar Pierre Narcisse Guérin
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: lithograph
Location: paris
Artist: françois bouchot
Artist role: painter
Artist dates: 1800 – 1842
Subjects: paris, rome, print maker, draughtsman, pierre narcisse guérin, portrait, self-portrait of artist
Inscriptions: number: ‘rfc 17315’, number: ‘9-45’, stamp: Lugt 421, collector's mark: Lugt 2228a
Ontwerp voor een advertentie van B. Stoutjesdijk
Object type: design
Date: 1895 – 1895
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: foliage, tendrils, branches ~ ornament
Inscriptions: collector's mark: ‘R:MVS.’
Illustration for a French fashion magazine
Object type: drawing
Date: 1862 – 1862
Materials: watercolor
Artist: hélöise leloir
Artist role: artist
Artist nationality: french
Artist dates: 1820 – 1873
Subjects: girls,women,fashion
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic
Wall painting
Object type: wall painting
Date: 960 – 1279
Techniques: fresco
Culture: chinese
Subjects: men
Fotoreproductie van een tekening, voorstellende een portret van William Jones
Object type: photomechanical print
Date: 1866 – 1876
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: scholar, philosopher, historical persons (portraits and scenes from the life) (+ head (and shoulders) (portrait))