deem-data/ArtiFact huggingface dataset:
Grotesk; paneelvulling. In het midden een fantastische figuur in een schelpachtig ornament, waarin en waarop zich zes kinderen bewegen. Daaronder twee saters, die elk een waterkruik uitstorten. In den l.o. CB 1554
Object type: print
Date: 1554 – 1554
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: ornament ~ grotesque, scrollwork, strapwork ~ ornament, scallop, shell ~ ornament, satyr(s) (in general)
Inscriptions: date

Rolwerk met een gemaskerde figuur in een schelpachtige omhulling, en zes kindertjes. Links en rechts een sater die een kruik draagt. Blad uit serie van 6 bladen met groteske vlakdecoraties met rolwerk, kandelabers, saters, vruchtenguirlandes, vogels en fantasiewezens.
Liggende hond
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: dog
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 698
Liberté Vryheid, Egalité Gelykheid, Fraternité Broederschap
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: brush, engraving, etching, hand coloring
Location: netherlands
Subjects: the all-seeing eye, triangle with eye ~ symbol of god the father, freedom, liberty; 'libertà' (ripa) (+ abstract concept represented by female figure), equality, equity, fairness, righteousness; 'equalità', 'equità', 'giuditio giusto', 'ordine dritto e giusto', 'ugualità' (ripa) (+ symbolical representation of concept), dancing around the tree of liberty

Gedenkplaat met tekst en een ornamentele omlijsting met drie medaillons. Boven: de personificatie van de vrijheid wordt gelauwerd door een Franse soldaat. Rechts een medaillon met het oprichten van de vrijheidsboom in Amsterdam, links een medaillon met een passer en een meetinstrument. In de omlijsting zijn symbolen voor de schone kunsten, de zeevaart, de handel en de landbouw.
Trap bij Malling Abbey
Object type: sketchbook leaf
Date: 1858 – 1858
Materials: paper, pencil
Location: west malling
Artist: gerrit postma
Artist role: draughtsman
Artist dates: 1819 – 1894
Subjects: flight of steps
Inscriptions: annotation: ‘Terras[...] de Malling Abbey.’

Blad 29 recto uit een schetsboek met 52 bladen.
The Holy Family with Saints Francis and Anne and the Infant Saint John the Baptist
Object type: painting
Materials: canvas, oil
Artist: peter paul rubens
Artist role: artist
Artist nationality: flemish
Artist dates: 1577 – 1640
Subjects: sheep,holy family,saint anne,saint francis,saint john the baptist
Boar Hunt
Object type: print
Date: 1717 – 1717
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Artist: gerhard janssen
Artist role: print maker
Artist nationality: dutch
Artist dates: 1636 – 1725

A stained-glass painter from Utrecht, Gerhard Janssen was also an experimental etcher, though he produced fewer than a dozen landscapes in total. All of them were deeply etched on iron plates and share an idiosyncratic solarizing effect created by the artist’s reversal of the usual relationship of light and dark. He stopped out the areas that were to remain white before immersing the plates in acid, with the result that his figures glow, almost as if they too were part of a window. The date and Janssen’s signature appear in reverse, another indication of his unfamiliarity with the medium.
Portret van Gian Francesco Poggio Bracciolini
Object type: print
Date: 1723 – 1723
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: scholar, philosopher, historical persons

Prent waarschijnlijk uit: Graevius, Johann Georg. Thesaurus antiquitatum et historiarum Italiae (...). Leiden: Pieter van der Aa I, 1723, dl. 8.1.
Hoedenkoffer
Object type: hoedenkoffer
Date: 1910 – 1910
Materials: cardboard, leather, paper
Location: western europe
Artist: Anonymous

Een plat cilindervormige hoedenkoffer van bruin imitatieribbelleer, met een naar binnen verdiepte bodem. De binnenzijde is bekleed met papier, bedrukt met een patroon van bloemen in zwart, geel, wit en blauw. Het deksel is aan de doos bevestigd met een scharnier. De doos kan worden gesloten door middel van een riem met gesp. Verder zit er ook een slot op de doos. Op de deksel de familieinitialen van Van der Does.
Bacchanaal met satyrs en bacchanten bij wijnpers
Object type: print
Date: 1473 – 1477
Materials: paper
Techniques: engraving
Location: italy
Artist: andrea mantegna
Artist role: print maker
Artist dates: 1431 – 1506
Subjects: thiasos, i.e. bacchus' revel-rout, bacchanal without bacchus, wine-press
Inscriptions: collector's mark: Lugt 2228, inscription: ‘VIRTVTE CON LAMORE’

Ontbrekende stukken alle vier hoeken en bovenrand van prent zijn aangevuld.
Waistcoat
Object type: waistcoat
Date: 1701 – 1733
Materials: silk
Culture: british
Mr. F. A. Bevan
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons
Terracotta jug
Object type: jug
Date: 750 – 600
Materials: terracotta
Culture: cypriot
Subjects: animals,birds

In vase-painting of mainland Greece, floral and foliate ornament is always contained and precise. This jug and 74.51.509 are noteworthy for the almost tropical lushness that envelops the body of the vase and the four figures on it. An elaborate central lotus stalk is flanked by two birds. Behind them, a winged stag grazes on the left, a winged doe turns as she walks away on the right. The stylistic contrast to the hard-edged depictions of birds and fish is noteworthy. It is not clear whether the reason is purely artistic or in some way iconographic.
Château de Chenonceau, No 2
Object type: print
Date: 1856 – 1856
Techniques: etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: buildings,castles,bridges
Gedicht op het zwaard waarmee Johan van Oldenbarnevelt in 1619 zou zijn onthoofd
Object type: manuscript
Date: 1743 – 1745
Materials: ink, paper
Techniques: writing
Location: netherlands
Artist: arnold hoogvliet
Artist role: dichter
Artist dates: 1687 – 1763
Subjects: the hague, johan van oldenbarnevelt, rotterdam, dordrecht, print maker, frans greenwood

Vers van Arnold Hoogvliet. Onderdeel van het boek met gedichten uit de jaren 1743-1745 op het zwaard waarmee Johan van Oldenbarnevelt in 1619 zou zijn onthoofd. Het zwaard was eigendom van Frans Greenwood.
Gaspard de Coligni
Object type: print
Date: 1820 – 1830
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, politician, gaspard de coligny (ii), historical persons
Inscriptions: collector's mark: Lugt 2228a
Lace border with double-headed eagle
Object type: border
Date: 1620 – 1630
Techniques: lace
Subjects: eagles
The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III)
Object type: plaque
Date: 1530 – 1535
Materials: copper, enamel, gilt
Techniques: painting
Artist: master of the aeneid
Artist role: artist
Artist dates: 1525 – 1545
Subjects: animals,men,women,trees,boats

European of the Renaissance period viewed ancient Rome not only as the origin of Italian civilzation but also the geographic center of a lost golden age. This plaque belongs to a series of at least eighty Limoges enamels illustrating events from Virgil’s Aeneid. The Latin epic poem tells the story of the legendary hero Aeneas, who escaped the sack and burning of Troy by the Greeks and, after wandering for some time, settled in Italy, where his descendants founded Rome. The scenes are not, however, the product of the enameler's imagination; rather, they are close copies of the woodcut illustrations for the edition of the Latin poet’s Opera printed by Johann Grüninger in Strasbourg in 1502. The same woodcuts were used again for the edition published in Lyon in 1517. The anonymous painter of the enamels may have used either the Strasbourg of the Lyon edition as his model, but the enamels are somewhat later than either edition. Because of changes made at an early point in the series in the technique employed for counterenameling the plaques (enameling the reverse side), it seems likely that most of them were painted after about 1530 or 1533.
Cup and saucer
Object type: cup and saucer
Date: 1730 – 1750
Materials: soft paste porcelain
Artist: saint-cloud factory
Artist role: factory
Artist nationality: french
Artist dates: 1693 – 1766
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
S. Arcangelo
Object type: print
Date: 1877 – 1926
Materials: paper
Techniques: lithograph
Artist: h.w.j. schaap van der pek
Artist role: print maker
Artist dates: 1867 – 1926
Subjects: amsterdam, print maker, hendrika van der pek, low hill country, abbey, monastery, convent ~ roman catholic church, italy
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760

Een Italiaans heuvellandschap met een klooster.
Portret van IJsbrand van Hamelsveld
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: utrecht, amsterdam, ijsbrand van hamelsveld, historical persons
Inscriptions: inscription: ‘Prof: Utrec[...]’

Prent uit: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd (...). Amsterdam: Johannes Allart, 1783-1795, dl. 20.
Johann Jacob Schüblers Vierzehende Ausgab seines vorhabenden Wercks, Worinnen vorgestellet werden Neu-erfundene Camine und ausserordentliche Stuben-Ofen (...)
Object type: print
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: rocaille ornament, open hearth, fire-place
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent uit: Schübler, Johann Jacob. Erste [-Zwanzigste] Ausgabe seines vorhabenden Wercks (...). Augsburg: Wolf, erven Jeremias, [na 1724]
Ex libris van Robert Day
Object type: bookplate
Date: 1894 – 1894
Materials: paper
Techniques: letterpress printing
Location: cork
Artist: Anonymous
Subjects: robert day
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Wikkel in de vorm van een filmstrip, met een voorstelling van het terras van hotel-restaurant 's-Gravenhof te Zutphen
Object type: wrapper
Date: 1950 – 1980
Materials: paper
Techniques: offset printed
Artist: Anonymous
Subjects: pavement, terrace in front of inn or restaurant
Inscriptions: inscription: ‘Hotel-Restaurant/ 's-Gravenhof/ Zutphen/ tel.: 05750-3917’
Chaumieres en Auvergne, avec un calvaire
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: édouard denis baldus
Artist role: fotograaf
Artist nationality: french, born prussia
Artist dates: 1813 – 1889
Inscriptions: Blind stamped recto, on image, lower left: CAW / 1979 [in circular formation]; blind stamped recto, on mount, lower left, below image: CAW / 1979 [in circular fomation] ; stamped recto, on mount, lower right, below image: E. Baldus; unmarked verso
Nijmegen. Lourdes Kerk
Object type: photomechanical print
Date: 1927 – 1935
Materials: cardboard
Techniques: photograph
Location: nijmegen
Artist: Anonymous
Subjects: church (exterior)
The Circumcision of Christ, from The Life of the Virgin
Object type: print
Materials: ink, paper
Techniques: printing, woodcut
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Russische tradities en gebruiken
Object type: print
Date: 1744 – 1781
Materials: paper
Techniques: etching
Artist: jean baptist leprince
Artist role: draughtsman, print maker
Artist dates: 1734 – 1781
Subjects: giving food, folk costume, regional costume, brothers or sisters (second degree family relationships)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Maakt deel uit van een tiendelige serie met Russische tradities en gebruiken.
Rocailles
Object type: print
Date: 1731 – 1775
Materials: paper
Techniques: etching
Subjects: rocaille ornament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Zes rocaille ornamenten. Uitgeversnummer 140.
Ontwerpen voor toegepaste kunst- deel negentien
Object type: magazine
Date: 1810 – 1893
Materials: paper
Techniques: woodcut
Location: tokyo
Inscriptions: collector's mark: ‘Rijksschool voor kunstnijverheid’ Lugt 3937
Three Caterpillars, a Moth, and Four Butterflies, from Diversae Insectorum...Figurae
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Bandontwerp voor: Herman Robbers, Van stilte en stemming, 1905
Object type: photomechanical print
Date: 1905 – 1905
Materials: paper
Techniques: printing block
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: fabulous animals ~ ornamental birds
Inscriptions: collector's mark: ‘R:MVS.’

Bandontwerp voor: Robbers, Herman. Van stilte en stemming. Amsterdam: Robbers, 1905.
De vijf zintuigen
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: hearing, listening (one of the five senses), violin, fiddle, vocal music, singing, lute, and special forms of lute, e.g.: theorbo
Inscriptions: collector's mark: Lugt 240

Het Gehoor. Een zingende man met bladmuziek. Aan de muur hangen een luit en een viool. De prent maakt deel uit van een serie met de vijf zintuigen.
Terracotta fragment of a kylix: Band or lip cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Exterior, start of handle root; band of reserve, below, band of black glaze
Verlaten huis en ruiters, bij nacht
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: etching
Artist: j. kuyper (prentmaker)
Artist role: print maker
Subjects: riding a horse, ass, or mule; rider, horseman, church (exterior), farm or solitary house in landscape, dog
Inscriptions: inscription: ‘J Kuyper 20 July 1861’, collector's mark: Lugt 2228

Gezicht op een heuvelachtig landschap met een verlaten huis, bij nacht. Bij het huis bevinden zich verschillende figuren, waaronder twee ruiters. Op de achtergrond zijn de contouren van een dorp en de dorpskerk te zien.
Pouch
Object type: pouch
Date: 1851 – 1875
Materials: cotton, glass, linen
Culture: american
Subjects: flowers
Love and Dust
Object type: print
Date: 1810 – 1810
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,female nudes
River God (recto); Sketches of Two Male Heads (verso)
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen
Location: france
Artist: sébastien bourdon
Artist role: artist
Artist nationality: french
Artist dates: 1616 – 1671
Actor at a Gate
Object type: print
Date: 1755 – 1760
Materials: paper
Techniques: woodcut
Location: tokyo
Artist: torii kiyomitsu (i)
Artist role: print maker
Artist dates: 1735 – 1785
Subjects: hacking and thrusting weapons: sword, gate, entrance, portrait of actor, actress
Inscriptions: collector's mark: Lugt 2228

Colour woodblock printing advanced swiftly in the mid-18th century. This print depicts a scene from a play. In addition to the black line block, three colour blocks were used: red, yellow, and purple. The natural pigments used are very sensitive to daylight. Consequently, the purple has turned grey and the once vibrant red and green colours have faded.
Portret van Frederik Karel van Pruisen
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: letterpress printing, engraving
Location: england
Artist: Anonymous
Subjects: berlin, prince, historical persons
Inscriptions: inscription: ‘n. 1828’

Prent uit: The Illustrated London Almanack for 1871 10 (1870), p. 43.
Fabyan House
Object type: photomechanical print
Date: 1874 – 1879
Materials: paper
Techniques: photograph
Location: white mountains
Artist: Anonymous
Subjects: hotel, hostelry, inn, mountains
Amor spant zijn boog
Object type: print
Date: 1600 – 1700
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: (story of) cupid, amor (eros)
Inscriptions: collector's mark: Lugt 240
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic

Interior, on the left, hanging in the field, a sponge and an aryballos with a rosette; to the right, an unidentified object
Victor Joseph David
Object type: print
Date: 1853 – 1858
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: politician, historical persons
Inscriptions: inscription: ‘Représentant,/ Elu par l'arrondissement de Verviers.’
Portret van Jean Henri Latude
Object type: print
Date: 1763 – 1804
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: jean henri latude
Inscriptions: collector's mark: Lugt 2228

Portret van Jean Henri Latude ten halven lijve wijzend door een venster naar een burcht met een venster. Portret in een ovale lijst met randschrift, onder een vierregelig vers in het Nederlands.
The General Proportion of the Ionick [Ionic] Order, in Chippendale Drawings, Vol. I
Object type: drawing ornament architecture
Date: 1753 – 1753
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: columns

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate III in the 1754, 1755, 1762 editions.
September 1850 / De Asch-Karreman aan Amstels Ingezetenen
Object type: fair print
Date: 1850 – 1850
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Artist: dirk wijbrand tollenaar
Artist role: print maker
Artist dates: 1808 – 1858
Subjects: public road - ii - ideal city, pleasure fair and circus, garbage collection, amsterdam
Inscriptions: collector's mark: Lugt 2228

Kermisprent namens de askarrenmannen (karrenman of vuilnisman) te Amsterdam, september 1850. Gezicht op de kermis op de Botermarkt met de Regulierswaag. Op de markt twee vuilniskarren. Onderaan een gedicht in twee kolommen. Namens A. van der Beek, de askarreman van wijk no. 30.
Cover
Object type: cover
Date: 1701 – 1800
Materials: linen, silk
Techniques: embroidery
Location: iran
Uitstorting van de Heilige Geest
Object type: album leaf
Date: 1570 – 1618
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: 'credo in spiritum sanctum' ~ articles of faith, pentecost: the holy ghost descends upon (mary and) the apostles, sometimes paul and/or representatives of the nations present (acts 2:1-4)
Inscriptions: number: ‘203’

Illustratie van het achtste geloofsartikel (Ik geloof in de heilige Geest) van de apostolische geloofsbelijdenis. Maria en de twaalf apostelen zitten in een kamervertrek. Vurige tongen branden boven hun hoofden. De Heilige Geest, in de gedaante van een duif, zweeft boven de apostelen, omgeven door lichtstralen. Deze prent maakt deel uit van een album.
Half Rococo Cartouche with Cherubs
Object type: drawing
Date: 1701 – 1800
Materials: ink, watercolor
Techniques: pen, wash
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: cartouches
Cléo de Mérode
Object type: print
Date: 1898 – 1898
Materials: paper, crayon
Techniques: lithograph
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: women,dancers
Uilleann Pipe
Object type: uilleann pipe
Date: 0 – 0
Materials: brass, ivory, leather, wood
Culture: irish
Location: ireland

Technical Description Conical single chanter of dark wood 381 mm, with turned ivory mount at tenon end and small brass ring near bass, 7/1 holes, 7 brass keys with leather pads, cane double reed mounted on brass staple and lapped, brass tuning bridle; no bass drones or regulators; 2-fold black leather bellows, leather outlet hose with brass ring for fitting into bag stock, ivory intake valve; Sheepskin bag; 2 cylindrical stocks of dark wood with brass mounts, the chanter stock plain and the bellows stock grooved; Intermediate joint of bellows stock with grooved nipple at one end leather flapper valve at other. Height of chanter: 15 in. (38.1 cm)
Incense box with figures
Object type: incense box
Date: 1801 – 1850
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: men
Portret van een baby met muts
Object type: print
Date: 1863 – 1883
Materials: paper
Techniques: tone lithography
Location: the hague
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: historical persons (+ head (and shoulders) (portrait)), smoke-stack, head-gear: cap
Inscriptions: collector's mark: Lugt 2228

Volgens een los bijschrift werd deze prent in 1896 uitgegeven door de Nederlandsche Spectator. Op een los bijschrift bij prent: RP-P-OB-28.656 (dezelfde voorstelling) wordt vermeldt dat deze prent werd uitgegeven bij het Album van de Nederlandsche Spectator in 1869.
Ornatus Muliebris Anglicanus (The Clothing of English Women)
Object type: costume print
Date: 1640 – 1640
Materials: paper
Techniques: etching
Location: london
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: neck-gear ~ clothing (neckerchief) (+ women's clothes), europeans: englishmen (+ women), skirt (underskirt) (+ women's clothes), styles of hairdress - aa - ~ women, fashion plates, skirt (+ women's clothes), dress, gown (+ women's clothes), sleeves (+ women's clothes), clothing for the upper part of the body (with name) (+ women's clothes), england
Inscriptions: collector's mark: Lugt 654, number: ‘16’

The diversity of women’s apparel in England is illustrated in this extensive costume series. Hollar represented women from all ranks of society, from the humble countrywoman 1 to the elegant noblewoman 2. The more fashionable costumes are based on eyewitness observation of the ladies at the court of the Earl of Arundel, Hollar’s primary patron. They are therefore among the more reliable visual sources for costume historians.
Double-sided Sheet: (recto) Study of Draperies; (verso) Study of a Standing Female Nude in a Beckoning PoseTurned toward Left.
Object type: drawing
Date: 1701 – 1800
Materials: chalk
Artist: giacomo zoboli
Artist role: artist
Artist nationality: italian
Artist dates: 1681 – 1767
Yellow-Crested Cockatoo, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Birds of the Tropics" series (N5), issued in 1889 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
A Ride to School
Object type: print
Date: 1868 – 1878
Techniques: hand coloring, lithograph
Artist: currier & ives
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1907
Subjects: boys,girls,sledging,winter,snow
Study Head of an Old Man
Object type: painting
Date: 1600 – 1699
Materials: oil, wood
Artist: rembrandt
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: men,portraits
Portret van Cornelius Vosbergen
Object type: print
Date: 1653 – 1653
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: priest, bible, church (exterior), crucifix ~ personal devotion
Inscriptions: collector's mark: Lugt 240

Cornelius Vosbergen op 35-jarige leeftijd. Hij was pastoor in Spaarnwoude. In zijn hand een bijbel en voor hem een crucifix. Door het raam is een landschap met een kerk te zien.
Figure Pendant
Object type: pendant
Date: 301 – 800
Materials: jade
Culture: atlantic watershed
Location: costa rica
Subjects: human figures