deem-data/ArtiFact huggingface dataset:
Portret van een vrouw
Object type: album leaf
Date: 1880 – 1940
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: folkestone
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Copyright./ Photograph by/ Telephone/ No 29 Y/ J. WESTON & SON,/ 20a SANDGATE ROAD,/ FOLKESTONE.’, annotation: ‘341 x 2’
Landschap met wolkenlucht
Object type: sketchbook leaf
Materials: chalk, paper
Location: wijk bij duurstede
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: landscapes, clouds, windmill in landscape, wijk bij duurstede
Inscriptions: kleurnotitie, handgeschreven

In de verte mogelijk een molen. Pagina 77 uit een schetsboek met 43 bladen.
Moucheraud. Pierre, Yves. 27 ans, né à Paris IVe. Imprimeur. Anarchiste. 4/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Sample
Object type: sample
Date: 1825 – 1850
Materials: silk
Two woman wearing the saya attending mass, from a group of drawings depicting Peruvian dress
Object type: drawing
Date: 1848 – 1848
Materials: watercolor
Artist: francisco (pancho) fierro
Artist role: artist
Artist nationality: african peruvian
Artist dates: 1807 – 1879
Subjects: women

For comment on the group of drawings to which this belongs, see 38.145.451.
Haan
Object type: print
Date: 1887 – 1924
Materials: paper
Techniques: woodcut
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: fowl (cock, hen, chicken, etc.)
Inscriptions: collector's mark: Lugt 2228
Wijk aan Zee
Object type: album leaf
Date: 1922 – 1922
Materials: paper
Techniques: gelatin silver print
Location: wijk aan zee
Artist: charlotte alida boelen-matthes (lot)
Artist role: amateurfotograaf
Artist dates: 1889 – 
Subjects: beach (as place of recreation)

Deze foto's zijn onderdeel van een album.
Cylinder seal
Object type: cylinder seal
Date: 1820 – 1730
Materials: mineral
Location: syria
Subjects: animals
Chair Seat and Back Panel
Object type: textile
Date: 1701 – 1800
Materials: textile, silk
Techniques: embroidery, satin weave, stitching, weave
Location: france
Subjects: flowers
Waterbassins in het bergachtige landschap in Aden
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: aden
Artist: Anonymous
Inscriptions: caption: ‘Aden waterworks. The tanks’
Nihon - go
Object type: book
Date: 1868 – 1912
Materials: paper
Techniques: woodcut
Location: japan
Artist: Anonymous
Inscriptions: collector's mark: ‘Rijksschool voor kunstnijverheid’ Lugt 3937
Apron
Object type: apron
Date: 1830 – 1830
Materials: cotton
Culture: american
Wide Show-Thaler
Object type: thaler
Date: 1541 – 1541
Materials: silver
Subjects: horses,coins,coat of arms

Transylvania, a Hungarian province, supplied much of Europe’s silver and gold at the time. Alchemists regarded silver as the moon’s metal, imbued with magic powers. It was also the currency of cash, in particular the Thaler: a coin minted throughout sixteenth-century Europe. In an era marked by constant threat of war, precious silver vessels were literally worth their weight in currency—easily melted down in times of need. [Elizabeth Cleland, 2017]
Prinsep's Ghat, Calcutta
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: captain r. b. hill
Artist role: artist
Artist nationality: british
Subjects: architecture,buildings
H. Bernardus in discussie met Abélard tijdens het concilie van Soissons
Object type: print
Date: 1608 – 1688
Materials: paper
Techniques: engraving
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: bernard of clairvaux, cistercian monk and abbot; possible attributes: beehive, chained dragon, crucifix, cross with instruments of the passion, (three) mitre at his feet, white dog
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een vierdelige serie met scènes uit het leven van Bernardus van Clairvaux.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of right forearm and hand of figure; bent right arm of a second figure
Piece
Object type: piece
Date: 1801 – 1900
Materials: silk
Culture: japanese
Subjects: leaves
Astragal frame
Object type: frame
Materials: wood
Culture: italian, veneto
Scroll
Object type: textile
Materials: gilt, paint, paper, textile, silk
Techniques: embroidery, embroidered, painting, satin weave, stitching, weave
Location: china
Subjects: monkeys, animals
Gebed in Latijn en Duits in een rolwerk omlijsting
Object type: print
Date: 1568 – 1568
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: scrollwork, strapwork ~ ornament
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240, number: ‘86’

Prent gebruikt voor het gebedenboek: Solis, Virgil. Ein New Künstlich Betbüchlein. Neurenberg: Hieronymus Petri, 1568. Bij elke prent met een Bijbelse scène behoort een genummerde prent met een gebed in het Latijn en in het Duits. Het monogram VS is steeds verspreid over twee bij elkaar horende prenten.
Portret van een onbekende vrouw
Object type: photograph
Date: 1890 – 1918
Materials: cardboard, photographic support
Techniques: collodion silver print
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Photographische/ ATELIERS/ J. Siewers & Zoon/ EDAM/ HILVERSUM./ Specialiteit in vergrootingen.’
Studioportret van Françoise van den Berg
Object type: cabinet photograph
Date: 1902 – 1902
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: francina schas
Inscriptions: inscription: ‘Mama 1902 / 53 / 49 jaar’
Vasa a se inventa atq. studii causa delin. et incisa
Object type: ornament print
Date: 1746 – 1746
Materials: paper
Techniques: etching
Artist: jacques francois joseph saly
Artist role: print maker, sculptor
Artist dates: 1717 – 1776
Subjects: satyr(s) (in general), garden vase

Deze prent maakt deel uit van een album.
Très Parisien, 1926, No.  2, Pl. 5:- CHAMONIX
Object type: fashion print
Date: 1926 – 1926
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: dress, gown (robe de sport) (+ women's clothes), fashion plates
Inscriptions: caption: ‘Deux robes de sport simples et charmantes, l'une en "Badajos" l'autre en "Frea" , toutes deux en jupe plissée, mais qu'un mouvement original accentue sur l'une d'elles.’

Twee 'robes de sport": een voudige sportieve jurken. Stoffen van PICARDIE. Prent uit het modetijdschrift Très Parisien... La Mode, Le Chic, L'Élegance (1920-1936)
Vase
Object type: vase
Date: 3200 – 1050
Materials: terracotta
Culture: cypriot

Fantastic vase with two spouts, string-holes, and lattice triangles.
Joli Gilles, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Fragment of statue of Thutmose III
Object type: statue throne fragment, thutmose iii
Date: 1479 – 1425
Materials: stone
Location: egypt
Drie naakte mannen in verschillende houdingen
Object type: drawing
Date: 1537 – 1539
Materials: ink, paper
Techniques: pen
Artist: lambert lombard
Artist role: draughtsman, print maker
Artist dates: 1505 – 1566
Subjects: standing figure
Der Rhein / The Rhine / Le Rhin
Object type: stereograph
Date: 1873 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘Photographiser und Stereoscopischer/ Kunstverlag/ von/ Moser senior (...) Glas-u. Papier-Stereoscopbildern/ aller Weltgegenden’, number: ‘1765’
Dancer at Rest, Hands on Her Hips, Left Leg Forward
Object type: statuette
Materials: bronze
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: women,dancers

Upon Degas's death in 1917, more than 150 figurative sculptures were found in his studio. Most were made of fragile wax, clay, and plastiline (a wax- and oil-based modeling material). Many had deteriorated. Only a few were preserved in copies that had been cast from them in plaster. Except for the wax Little Fourteen-Year-Old Dancer (Washington: NGA) none of these sculptures had been publicly exhibited during the artist’s lifetime. Although Degas had not favored reproducing his sculptures in more permanent materials, his heirs authorized that copies be cast in bronze in order to preserve the compositions and to sell them as finished works. Paul-Albert Bartholomé, a sculptor and Degas's longtime friend, prepared 72 of the figures for casting, a process executed by the distinguished Paris foundry A.-A. Hébrard et Cie. The quality of the Degas bronzes was tightly controlled and their edition was limited. Only twenty-two editions of the series of 72 figures were cast. Each bronze within the series was assigned a number from one to seventy-two. The first twenty editions were assigned a letter from A-T. In most cases these numbers and letters were incised on the individual bronzes. The series of 72 bronzes was completed before May 1921 when it was exhibited in Paris. Edition A, comprising the first and best casts of the series, was reserved for the important Impressionist collector Mrs. H. O. Havemeyer. She later acquired the first bronze cast of the Little Fourteen-Year-Old Dancer (lettered A, but not numbered), which had been omitted from the initial series. In 1929 Mrs. Havemeyer bequeathed Little Fourteen-Year-Old Dancer and 70 of the 72 Edition A Degas bronzes to the Metropolitan Museum of Art.
Ein ney Furmbüchlein, Page 15, recto
Object type: book print ornament architecture
Date: 1525 – 1529
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Torquay harbour
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Subjects: harbour, city-view in general; 'veduta'

Prent op zesde ongenummerde pagina na pagina 68.
Gordijngarnituur, mogelijk een gordijnval, van rood-wit geblokte zijde
Object type: gordijngarnituur
Date: 1776 – 1800
Materials: silk
Location: northern netherlands
Artist: Anonymous

Schildvormig gordijngarnituur, mogelijk een gordijnval, met drie bandjes van dezelfde stof van ca. 10.0 cm.
Plaque with Robert Boyle
Object type: ceramic
Date: 1779 – 1780
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 – 
Inscriptions: Mark: "WEDGWOOD / & BENTLEY" impressed
Allemagne au stéréoscope
Object type: stereograph
Date: 1860 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: hamburg
Artist: charles gaudin
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: harbour, ships (in general) - cc - more than one ship, prospect of city, town panorama, silhouette of city
Inscriptions: number: ‘329’, number: ‘329.’
Beschryving van een' algemeenen graphometer
Object type: album leaf
Date: 1777 – 1778
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: piece of sculpture, reproduction of a piece of sculpture, (story of) venus (aphrodite)

Het standbeeld van de Venus de' Medici, een antieke sculptuur van de godin Venus. Ze is afgebeeld in twee posities, de één bedoeld als afbeelding voor een plafond en de andere voor een tapijt. Eerst alleen in omtrek getekend met behulp van een grafometer. Rechtsboven gemerkt: Planche IV. De prent maakt deel uit van het boek: A.G. Eckhardt, Beschryving van een algemeenen graphometer, 1778.
Portret van koningin Emma
Object type: photograph
Date: 1900 – 1925
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: baarn
Subjects: the hague, emma (queen consort of the netherlands)
Inscriptions: signature: ‘UITGAVE / FIRMA A. ABRAHAMS / 'S GRAVENHAGE // FOTOGRAFIE / ADR. BOER / BAARN’
Henry P. Easterday, Shortstop, Cleveland, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Stamp seal
Object type: stamp seal
Date: 2333 – 1668
Materials: stone
Culture: bactria-margiana archaeological complex
Location: bactria-margiana
The Werewolf or the Cannibal
Object type: print
Date: 1472 – 1553
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: children,men,women
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of head of filleted youth to left; Exterior, lower drapery and toes of figure to right; feet of figure to left
Driehonderdjarige herdenking van het aanbieden van de Augsburgse Confessie 1830
Object type: history medal
Date: 1830 – 1830
Materials: copper
Techniques: striking
Location: berlin

Bronzen penning, op de voorzijde Luther en Melanchton bij een bijbel op een altaar, met omschrift, op de keerzijde de aanbieding van de confessie aan Keizer Karel V, met omschrift en afsnedetekst.
Bottle
Object type: bottle
Date: 1500 – 1500
Materials: clay, glaze
Culture: japanese
King of Diamonds, from the Transparent Playing Cards series (N220) issued by Kinney Bros.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: kings,playing cards

Playing cards issued as trade cards from the series "Transparent Playing Cards" (N233), issued in 1888 to promote Kinney Bros. Cigarettes for Kinney Tobacco Company. Some card versos state that there are 52 cards included in the deck whereas other versos confirm the number at 53. Each card verso reads, "Hold to the light/ Read your fortune."
Portret van Friedrich VI, koning van Denemarken
Object type: print
Date: 1797 – 1886
Materials: paper
Techniques: engraving
Artist: friedrich leonhard lehmann
Artist role: print maker
Artist dates: 1787 – 
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, number: ‘1815’
Portret van baron Bernardus Johannes Cornelis Dibbets op zijn sterfbed
Object type: print
Date: 1839 – 1853
Materials: paper
Techniques: lithograph
Artist: gerardus antonius josephus brenta
Artist role: print maker
Artist dates: 1807 – 1853
Subjects: maastricht, commander-in-chief, general, marshal, deathbed, historical persons
Inscriptions: collector's mark: Lugt 2228
Dekema State te Weidum tijdens de afbraak
Object type: photograph
Date: 1902 – 1902
Materials: cardboard, photographic support
Techniques: albumen print
Location: weidum
Subjects: villa
Inscriptions: annotation: ‘Weidum/ Weidum/ Dekema/ gem. Baarderadeel’, annotation: ‘Weidum (Fr) / Dekema State / lijst 1902’
Plattegrond van kasteel en tuinen van Versailles, ca. 1702
Object type: map
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: palace, french or architectonic garden; formal garden

Plattegrond van van het kasteel en de tuinen van Versailles. Met cartouches versierd met allegorische figuren. Plaat nr. 218 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in de plaat in het Frans.
Vrouwe Wereld en de gepersonifieerde ziel die een rijksappel vertreedt
Object type: book illustration
Date: 1678 – 1687
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: the soul, 'frau welt'
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. Jezus en de Ziel, 3 delen. Amsterdam: Pieter Arentsz II, 1678-1687. Tussen 1678-1744 verschenen van dit emblemataboek 10 edities.
Fabel van het schaap en de kraai
Object type: print
Date: 1608 – 1679
Materials: paper
Techniques: etching
Location: prague
Subjects: song-birds: crow, sheep, fables
Inscriptions: collector's mark: Lugt 2228

Een kraai zit op de rug van een schaap en pikt met zijn snavel in het schapenvel. De fabel beschrijft hoe de hongerige kraai zich tegoed doet aan het bloed van het schaap. De smeekbeden van het schaap helpen niet. De moraal van het verhaal leert dat men niet moet onderhandelen met tirannen.
Kaart van het eiland Borneo, 1601
Object type: print
Date: 1601 – 1602
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: benjamin wright
Artist role: print maker
Artist dates: 1574 – 
Subjects: utrecht, maps of separate countries or regions, landscapes in tropical and sub-tropical regions, exploration, expedition, voyage of discovery, borneo

Gebruikt als illustratie eerst in: O. van Noort, Beschryvinghe vande voyagie om den geheelen werelt cloot, ghedaen door Olivier van Noort van Utrecht. ... door de Strate Magellanes, ... langs de custen van Cica, Chili ende Peru, om den gantschen aerden cloot, ende door de Molucques wederom thuys te comen. : Te zeyl gegaen van Rotterdam ... 1598. Ende ... weder ghekeert ... 1601. Daer in dat vertelt wort zyne wonderlijcke avontueren, Jan van Waesberge (II) te Rotterdam en Cornelis Claes te Amsterdam 1602. Later gebruikt in: Oost-Indische ende West-Indische voyagien, Michiel Colijn, Amsterdam 1619 en in deze staat eerst gebruikt in: Beschrijvinge van de Schipvaerd by de Hollanders ghedaen onder 't beleydt ende Generaelschap van Olivier van Noort, door de Straet of Engte van Magallanes, ende voorts de gantsche kloot des Aertbodems om. Opgenomen in: I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: 24.
Collar lace
Object type: collar
Date: 1801 – 1900
Vases after the manner of the Antique (...)
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: aquatint, etching
Location: london
Artist: patrick begbie
Artist role: print maker
Artist dates:  – 1820
Subjects: sphinx (lion/woman); 'sfinge' (ripa), vase ~ ornament, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een antieke geornamenteerde vaas met een sfinx van de voorzijde gezien waarboven drie putti, links en rechts twee figuren en twee oren.
Stamp seal (ovoid) with animals
Object type: stamp seal
Date: 1200 – 601
Materials: stone
Culture: syro-anatolian
Location: northern syria or southeastern anatolia
Subjects: animals
Oosterling met gevederde hoed en zwaard
Object type: print
Materials: paper
Techniques: etching
Location: low countries
Artist: theodorus van kessel
Artist role: print maker
Artist dates: 1620 – 1660
Subjects: asiatic races and peoples, head-gear: cap (+ feathers used for clothes)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Kantpatroon voor een kleed van kloskant met goudenregentakken en -bloemen
Object type: lace pattern
Date: 1912 – 1912
Materials: paper
Techniques: drawing
Location: apeldoorn

Kantbrief of kantpatroon met een deel van het patroon voor een kleed met invnr. BK-1979-84. De brief is genummerd (3) en heeft geschreven instructies op de achterkant.
Beggar Family
Object type: print
Date: 1735 – 1737
Techniques: etching
Artist: jean-baptiste marie pierre
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1789
Subjects: men,family
Design for a Façade with Sgraffito Decorations
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: pen
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: architecture,ornament
Portret van James Knox Polk
Object type: print
Date: 1835 – 1899
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: president ~ head of republic, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, stamp: ‘Franz Rade[...]’
Terracotta vase in the form of a rooster
Object type: aryballos in the form of a rooster
Date: 534 – 501
Materials: terracotta
Culture: east greek, rhodian
Subjects: roosters
Glass Fragment
Object type: fragment
Date: 1301 – 1333
Materials: glass
Culture: french or british
Jager met twee kinderen
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: etching, intaglio
Artist: willem linnig (i)
Artist role: print maker
Artist dates: 1819 – 1885
Subjects: hunter
Inscriptions: collector's mark: Lugt 2228
Lepel
Object type: teaspoon
Date: 1802 – 1802
Materials: silver
Location: rotterdam
Artist: cornelis knuysting
Artist role: silversmith
Artist dates: 1730 – 1812
Inscriptions: mark

Lepel van zilver, met spits ovale bak en spits toelopende steel. De steel is aan de bovenzijde gegraveerd met een bloemrank en een ovaal medaillon.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 460 – 430
Materials: terracotta
Culture: greek, attic

Part of the collar, beak, breast, and wing of an owl
Small metabauxite axe
Object type: celt
Date: 5000 – 3001
Materials: stone
Culture: cretan
Portret van onbekende man
Object type: cabinet photograph
Date: 1882 – 1887
Materials: cardboard, photographic support
Techniques: albumen print, retouching
Artist: Anonymous
Subjects: historical persons not known by name, sumatra

Portret van een onbekende man. Ingestoken foto in het herinneringsalbum aangeboden door de Tabak Maatschappij Arendsburg aan hoofdadministrateur M.J. Tiele bij zijn terugkeer naar Nederland in 1887.
Plattegrond van de kelder onder de achthoekige zaal in het huis op de Nieuwe Gracht, laatstelijk bewoond door Jhr. Teding van Berkhout
Object type: drawing
Date: 1820 – 1825
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: plan ~ architecture, basement, cellar
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Plan Kelder. (...) trap’