deem-data/ArtiFact huggingface dataset:
Dressing table
Object type: dressing table
Date: 1710 – 1730
Materials: wood
Culture: american
Location: united states

Period inventories refer to this type of table as a “chamber,” “dressing,” or “toilet” table, indicating its use in a bedroom for grooming. The drawers with drop pulls held brushes, combs, pomade pots, and scent bottles. Frequently made as companion pieces to high chests, dressing tables were often topped by a matching mirrored dressing stand or looking glass.
Cathédrale de Beauvais
Object type: ansichtkaart, prentbriefkaart
Date: 1920 – 1932
Materials: cardboard
Techniques: photograph
Location: beauvais
Artist: Anonymous
Subjects: church (exterior)
Vase
Object type: vase
Date: 1897 – 1900
Materials: earthenware
Culture: american
Location: united states
Artist: george e. ohr
Artist role: maker
Artist nationality: american
Artist dates: 1857 – 1918

In many ways George Edgar Ohr was the quintessential Arts and Crafts potter, combining artistic vision with extraordinary skill with his hands. Working in the seaside resort town of Biloxi, Mississippi, he dug the clay, processed and prepared it, threw the shape on the wheel, altered the piece according to his vision, mixed and applied his own glazes, fired the kiln, created his own style of advertising, and took his wares on the road. Ohr’s personal mantra was "no two alike," and he was as eccentric as his work was individualistic, with its manipulated forms on ultra-thin thrown vessels, crimping, ruffling, off-centering, and twisting, to create unprecedented forms for the 1890s. To these forms, he applied his own completely new and unusual glazes, applied by sponging, splashing, and spattering, resulting in works that in many ways anticipated the abstract art movements that would find form decades later. Ohr altered his finely thrown pots while they were in a damp, plastic state. On many of his wares, the artist gently ruffled the lip, a fairly common feature on nineteenth- century vessels in many media, but he often he deepened and multiplied these ruffles. In many instances he manipulated the wet clay quite forcefully, denting in the sides and folding the walls together, sometimes almost totally collapsing the form. On this deep blue vase Ohr twisted the clay in its midsection and again ruffled the top, dividing the vase into three graduated parts, the ruffles dominating the vessel’s shape. This vase is from the Robert A. Ellison Jr. Collection of American art pottery donated to the Metropolitan Museum in 2017 and 2018. The works in the collection date from the mid-1870s through the 1950s. Together they comprise one of the most comprehensive and important assemblages of this material known. The unparalleled work of George E. Ohr is well represented in the collection. Ellison was an early admirer, collector, and scholar of Ohr’s work and has written extensively on the artist.
Arreton, from the Down
Object type: photograph
Date: 1864 – 1869
Materials: paper
Techniques: albumen print
Location: isle of wight
Artist: william russell sedgfield
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: dale, valley, city-view in general; 'veduta'
Kruisiging
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: crucified christ, with particular persons under the cross

Deze prent maakt deel uit van een album.
Processie voor de Santa Maria del Fiore en het Battistero di San Giovanni te Florence
Object type: print
Date: 1733 – 1755
Materials: paper
Techniques: etching
Location: italy
Subjects: church (exterior), procession ~ christian religion
Inscriptions: collector's mark: Lugt 2228

Een religieuze processie voor de Santa Maria del Fiore en het Battistero di San Giovanni te Florence.
Landschap met een liggende figuur
Object type: sketchbook leaf
Date: 1849 – 1917
Materials: pencil
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: lying figure, landscapes (+ landscape with figures, staffage)

Blad 23 verso uit een schetsboek met 35 bladen.
Allegorie op het jubileum van Nederlands Vrijheid, 1748
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: symbols, allegories of peace, 'pax'; 'pace' (ripa), freedom, liberty; 'libertà' (ripa)
Inscriptions: collector's mark: Lugt 2228

Allegorie op het 100-jarig jubileum van Nederlands Vrijheid, 1648-1748. De personificatie van Nederlands Vrijheid, afgebeeld met hoed op stok, de Nederlandse leeuw en vaandel van prins Willem IV, ontvangt de personificatie van de Eeuw die uit de wolken is afgedaald. Boven de troon staan bustes van de stadhouders, aan de voeten van de Vrijheid ligt de tijdens de opstand verslagen vijand: de katholieke kerk.
Chavanne. Gaston. 26 ans, né à Paris VIe. Graveur. Anarchiste. 28/2/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Oriental Jasper Vase
Object type: print
Date: 1864 – 1864
Techniques: etching
Artist: jules-ferdinand jacquemart
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1880
Subjects: vases
C'est presque toujours à la halle (...)
Object type: cartoon
Date: 1840 – 1840
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: commercial fishery, historical persons, market-hall
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 2233

Prent mogelijk uit: La Caricature (2e serie) nr. 29, 19 juli 1840.
Lijfje van effen wit textiel
Object type: corsage
Date: 1850 – 1920
Materials: textile
Location: netherlands
Artist: Anonymous
Vagabond
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Flounce
Object type: flounce
Date: 1667 – 1700
Materials: linen
Techniques: lace
Cup
Object type: cup
Date: 918 – 1392
Materials: bronze
Culture: korean
Brooch (part of a set)
Object type: brooch
Date: 1830 – 1830
Materials: amethyst, gold

A parure is a matched set of jewelry typically consisting of a necklace, brooch, earrings, bracelets, and tiara. The fashionable jewelry for the 1830s and 1840s made a visual impact at a modest expense. Gold was used in very thin sheets or wires to provide more surface for the same amount of metal. Semi-precious colored stones such as amethyst, aquamarine or pink topaz, which can be large yet still inexpensive, were preferred to precious stones.
Stilleven van een boeket tulpen
Object type: photograph
Date: 1857 – 1860
Materials: paper
Techniques: albuminized salt print
Location: dornach
Subjects: flowers: tulip
Ex libris van Vincenz Janik
Object type: bookplate
Date: 1893 – 1945
Materials: paper
Techniques: printing block
Location: czech republic
Artist: Anonymous
Subjects: vine, flowers, book, prospect of city, town panorama, silhouette of city, boat propelled by man or animal
Groep in onzen tuin
Object type: photograph
Date: 1890 – 1894
Materials: paper
Techniques: collodion silver print
Location: amsterdam
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: batavia, historical persons - bb - woman, amsterdam
Inscriptions: caption: ‘Annie Holle/ Pauline Holle/ Belle D Stelling[?]/ [...] Holle’

Foto 1 op albumblad 9 uit album "Amsterdam 1890-1894".
Man sitting with a dog
Object type: print
Date: 1834 – 1866
Techniques: lithograph
Artist: victor adam
Artist role: artist
Artist nationality: french
Artist dates: 1801 – 1866
Subjects: men,portraits,dogs
Fragment of a quiver (?)
Object type: quiver fragment
Date: 2124 – 1981
Materials: dye, leather
Location: egypt

This fragment was probably part of a decorative border that was attached around the top of a quiver or spear case. The craftsman who made it sewed together wide strips of red and green dyed leather, then wove narrow strips of red, green, yellow, and black through slits in the surface to form the decorative pattern.
Alte und neue Kinderlieder, Fabeln, Sprüche und Räthsel
Object type: book
Date: 1849 – 1849
Techniques: etching
Artist: adrian ludwig richter
Artist role: artist
Artist nationality: german
Artist dates: 1803 – 1884
Subjects: children,men,women
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, abdomen, genitals, and part of hind quarters and legs of horse to right
Allegorie op de inhuldiging van Frederik Willem II, koning van Pruisen, te Königsberg
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: berlin, frederik willem ii (koning van pruisen), curtains, sphinx (lion/woman); 'sfinge' (ripa) - aa - female human figure, 'cornucopia', horn of plenty, chest, bust, heart symbolism, lyre, cithara, psaltery, garland, wreath, fame; 'fama', 'fama buona', 'fama chiara' (ripa) (+ abstract concept represented by female figure), archer's weapons: arrow, dog (with name of kind), sirens (classical mythology), caduceus (staff with two snakes, attribute of mercury), cupids: 'amores', 'amoretti', 'putti', crowning the victor with laurel, letter combinations such as letterword, anagram, letter square, monogram, etc., the all-seeing eye, triangle with eye ~ symbol of god the father (+ variant)
Inscriptions: collector's mark: Lugt 2228, date

Prent in waaiervorm. Tweede prent in deze vorm, mogelijk de achterzijde, is tevens in het bezit van het RMA.
A winged figure of Fame standing facing left and sounding a trumpet
Object type: print
Date: 1570 – 1615
Materials: graphite
Techniques: cutting, engraving
Artist: cherubino alberti (zaccaria mattia)
Artist role: artist
Artist nationality: italian
Artist dates: 1553 – 1615
Subjects: trumpets
View of the Ponte Rotto, Rome, with Watermills
Object type: drawing and watercolor
Materials: graphite, paper, watercolor
Location: netherlands
Artist: jan asselijn
Artist role: draughtsman
Artist nationality: dutch
Artist dates: 1610 – 1652
Bird-Shaped Brooch
Object type: brooch
Date: 567 – 633
Materials: silver gilt
Culture: frankish
Location: northern france
Model voor een bouwwerk op het bouwterrein bij Leiderdorp
Object type: model
Date: 2002 – 2003
Materials: wood
Location: netherlands
Artist: krijn de koning
Artist role: sculptor
Artist dates: 1963 – 
Subjects: leiderdorp, aanleg traject hsl

Model voor bouwwerk op een bouwterrein geïnspireerd op de bouwketen in gebruik bij de aanleg van de Hoge Snelheidslijn van Amsterdam naar Parijs. Gemaakt in opdracht van Atelier HSL.
Krijgstocht van Maximiliaan Emanuel, keurvorst van Beieren tegen de Fransen
Object type: history medal
Date: 1689 – 1689
Materials: silver
Techniques: striking
Location: nuremberg
Artist: philipp heinrich müller
Artist role: medailleur
Artist dates: 1654 – 1719
Subjects: maximiliaan ii emanuel (keurvorst van beieren)

Zilveren penning. Voorzijde: borststuk man met helm binnen omschrift. Keerzijde: Maximiliaan afgebeeld als gehelmde Theseus met wapenschild doodt met speer de centaur Eurytus binnen omschrift; afsnede: opschrift
Terracotta kylix (drinking cup)
Object type: kylix, bilingual
Date: 520 – 520
Materials: terracotta
Culture: greek, attic
Artist: psiax
Artist role: artist
Subjects: birds,pegasus,snakes

Interior (black-figure), two birds and snake Exterior (red-figure), obverse, between eyes, Pegasos; reverse, between eyes, nose and the name Psiax Several works by Psiax have inscriptions, and at least two identify him as painter. This is one of two cups on which hisname appears without a verb. Bilingual vases are particularly interesting because they juxtapose the old, black-figure, and the new, red-figure manner of decoration on the same piece.
Infighting, Walter De Baum and Walter Campbell, from the Boxing Positions and Boxers series (N266) issued by P. Lorillard Company to promote Red Cross Long Cut Tobacco
Object type: print
Date: 1893 – 1893
Techniques: color lithograph
Artist: p. lorillard company
Artist role: publisher
Artist nationality: american
Artist dates: 1760 – 2014
Subjects: men,boxing,athletes

Trade cards from the "Boxing Positions and Boxers" series (N266), issued in a set of 25 cards in 1893 by P. Lorillard Company to promote the brand's Red Cross Long Cut Tobacco.
Miss Patricia Morris
Object type: photograph
Date: 1843 – 1847
Techniques: salted paper print
Artist: hill and adamson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: portraits,women
Verjagen van de Zweden uit een schans op Funen, 1659
Object type: history print
Date: 1674 – 1676
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: herman padtbrugge
Artist role: print maker
Artist dates: 1656 – 1687
Subjects: flushing, michiel adriaenszoon de ruyter, battle (+ land forces)

Gebruikt als illustratie in: Lambertus van den Bosch, Leeven en daden der doorluchtighste zeehelden en ontdeckers van landen deser eeuwen, 2 dln, Jan Claesz ten Hoorn & Jan Bouman, Amsterdam 1676, dl. II, p. 184/185.
Portret van Nicolas Rigault
Object type: print
Date: 1650 – 1707
Materials: paper
Techniques: engraving
Subjects: paris, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Corn Husking at Nantucket
Object type: painting
Date: 1875 – 1875
Materials: canvas, oil
Culture: american
Artist: eastman johnson
Artist role: artist
Artist nationality: american
Artist dates: 1824 – 1906
Subjects: crowd,genre scene

This picture was probably Johnson’s final study for a large painting of 1876, now in the Art Institute of Chicago. As urbanization and industrialization increased in the late nineteenth century, both European and American painters celebrated preindustrial labor, often featuring indigenous crops in historically resonant regions. Johnson, for example, painted several series of works highlighting maple sugaring, cranberry picking, and corn husking in New England. Especially evident in this canvas is the residue of Johnson’s studies in France with Thomas Couture, who valued the freshness of the sketch, even in completed canvases.
Uitzicht over bloembedden in de tuinen van Vaux-le-Vicomte
Object type: print
Date: 1631 – 1691
Materials: paper
Techniques: engraving, etching
Subjects: garden fountain, french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 240
Jager bij een bosrand
Object type: print
Date: 1864 – 1864
Materials: paper
Techniques: drypoint, etching
Location: utrecht
Artist: hermanus jan hendrik van rijkelijkhuysen
Artist role: painter, print maker
Artist dates: 1813 – 1883
Subjects: hunter, forest, wood, pond, pool, trees: willow
Inscriptions: collector's mark: Lugt 2228

Gezicht op de rand van een bos en een meertje, waar twee knotwilgen naast staan. Over een bospad loopt een jager.
Coverlet and two matching bolster covers
Object type: coverlet and bolster cover
Date: 1890 – 1899
Materials: linen, silk, wool
Subjects: flowers
Gomonzeki at Tsukiji (Tsukiji Gomonzeki), from the series "Famous Places in the Eastern Capital (Toto meisho)"
Object type: print
Date: 1847 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Politieke biljardspel in Duitsland, 1758
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: billiards
Inscriptions: collector's mark: Lugt 2228

Spotprent waarin de strijdende partijen uit de Zevenjarige Oorlog in het jaar 1758 een potje biljard spelen op de kaart van Oost-Europa. Tot de spelers behoren: Pruisen, Hannover, Frankrijk, Rusland, Saksen, Zweden, Denemarken, Spanje, Polen en Zwitserland. De Nederlander is bij het schouwspel neutraal. Tegen de achterwand bogen met voorstellingen van veldslagen en belegeringen. In het onderschrift spreken de strijdende partijen in het Duits. Genummerd linksboven: No. 4.
Shoes
Object type: shoe
Date: 1780 – 1789
Materials: silk
Culture: british
Landschap met bomen
Object type: print
Date: 1887 – 1952
Materials: paper
Techniques: etching
Artist: chris van der windt
Artist role: print maker
Artist dates: 1877 – 1952
Subjects: meadow, pasture - hh - ideal landscapes
Inscriptions: collector's mark: Lugt 2228
Cup fragment
Object type: cup
Materials: alabaster
Culture: indus
Location: indus region
Fotoreproductie van (vermoedelijk) een prent van Victor Emanuel II, koning van Italië
Object type: reproduction
Date: 1862 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: rome, hacking and thrusting weapons (with name), moustache, historical persons, head-gear: hat (+ men's clothes), ruler, sovereign, decorations, honours (as symbols of the state, etc.), (military) uniforms

Onderdeel van Fotoalbum met 123 cartes-de-visite van leden van Europese vorstenhuizen, politici en bekende personen.
Inname van Breda door Frederik Hendrik
Object type: history medal
Date: 1637 – 1637
Materials: silver
Techniques: striking
Location: middelburg
Artist: johannes looff
Artist role: die cutter, draughtsman, print maker
Artist dates:  – 1651
Subjects: delft, the hague, frederick henry (prince of orange)

Zilveren penning. Voorzijde: gezicht op de veroverde stad met het turfschip, daarboven arm uit wolken met zwaard en gekroond wapenschild; op voorgrond Breda voorgesteld als vrouw door Honger bij keel gegrepen, binnen omschrift. Keerzijde: opschrift omgeven door wijnranken met daarin gekroond wapenschild.
Four-poster bed
Object type: bed
Date: 1715 – 1720
Materials: wood
Location: netherlands
Artist: Anonymous
Subjects: ornament derived from plant forms
Allegorie op het overlijden van Damian Hugo Philipp
Object type: print
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: rocaille ornament, death as skeleton (+ death with scythe), insignia of bishop, e.g. mitre, crozier, historical persons, 'vanitas' symbols, zodiac; the twelve zodiacal signs together, abstract ideas and concepts (+ emblematical representation of concept), lying in state, armorial bearing, heraldry, death of human being
Inscriptions: collector's mark: Lugt 2228
Kom met decor "Naloop"
Object type: bowl
Date: 1925 – 1925
Materials: earthenware
Techniques: painted
Location: arnhem
Inscriptions: mark: ‘rond fabrieksstempel; "Naloop"; 31 AP in zwart; ingegrift 12.’
The Persian
Object type: print
Date: 1632 – 1632
Materials: paper
Techniques: etching
Subjects: asiatic races and peoples: persians
Inscriptions: collector's mark: Lugt 240

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Fotoreproductie van een prent naar een portret van Lavinia Spencer door Joshua Reynolds
Object type: reproduction
Date: 1864 – 1874
Materials: paper
Techniques: woodburytype
Location: london
Subjects: lavinia spencer, picture, painting
Falcon Amulet
Object type: amulet, falcon
Date: 664 – 332
Materials: faience
Location: egypt
[Rock of Gibraltar]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: landscapes
Oude man met mand
Object type: print
Date: 1856 – 1897
Materials: paper
Techniques: woodcut
Artist: henri charles guérard
Artist role: print maker
Artist dates: 1846 – 1897
Subjects: carrying something in basket, bag, rucksack, etc., old man
Inscriptions: collector's mark: Lugt 2228, stamp: Lugt 1157
Case (Inrō) with Design of a Perched Hawk
Object type: inrō
Date: 1801 – 1900
Materials: gold, lacquer, silver
Techniques: fundame, hiramakie
Culture: japanese
Subjects: hawks
The Virgin and Child
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: madonna and child
Ornament
Object type: ornament
Date: 1801 – 1900
Materials: canvas, silk
Shipping
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: london
Artist: edward hedges
Artist role: publisher
Subjects: ships (in general), thunderstorm
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een serie van vier prenten.
Lekythos (Oil Jar)
Object type: funerary object
Date: 445 – 440
Materials: ceramic, terracotta
Location: athens
Artist: attributed to the achilles painter
Subjects: funerary art, death, sons, fathers

Athenian cemeteries housed a variety of monuments and offerings to the dead. This terracotta vessel, called a lekythos, is one example that held oil. From the middle until the end of the fifth century B.C., they were usually decorated in a distinctive technique known as white ground, so called after the light slip coating on the body and shoulder of the vase. Atop this, figures were usually drawn in outline and then painted in rich colors, many of which have since faded. Since most of these bottles were made for burial with the dead or to be left at their graves, the scenes on their surfaces typically represent tombs, visitors to tombs, and farewell scenes.

Here two men, perhaps father and son, bid one another farewell. On the left, the young man departs, spear in hand, but he looks back toward an older man with a walking stick, who watches him go. The latter man’s hair and beard are white. He wears a russet-colored mantle that appears sheer, clearly revealing the contours of his body underneath.
Les Voyageurs
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: etching
Artist: thomas major
Artist role: print maker, publisher
Artist dates: 1714 – 1799
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., (traveller) resting in the open air, low hill country (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 240
Das Königliche Museum in Haag / 53
Object type: photograph
Date: 1888 – 1888
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Subjects: picture, painting

Das Königliche Museum in Haag / D. Teniers D.J. / Die Küche.