deem-data/ArtiFact huggingface dataset:
Design for Vis-A-Vis Carriage
Object type: print
Date: 1870 – 1870
Materials: gum arabic
Techniques: hand coloring, lithograph
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Chasse aux Leopards
Object type: reproduction
Date: 1878 – 1883
Materials: photographic support
Techniques: albumen print
Subjects: hunt ~ predatory animals (fox, lion)

Foto op tweede ongenummerde pagina na pagina 51.
Saint John the Evangelist Raises Satheus to Life
Object type: painting
Date: 1370 – 1370
Materials: gold leaf, paint, wood
Artist: francescuccio ghissi (francesco di cecco ghissi)
Artist role: artist
Artist nationality: italian
Artist dates: 1359 – 1374
Subjects: men,women,saint john the evangelist

This charming scene is from an altarpiece for a church in the artist’s native Fabriano, in the region of the Marches. The altarpiece included seven other scenes illustrating miracles of Saint John arranged in two tiers to either side of a Crucifixion. For more information about this painting, including a reconstruction of the altarpiece, visit metmuseum.org.
Fragment
Object type: textile
Date: 1601 – 1700
Materials: silk
Location: italy
Portret van Willem van Haren
Object type: print
Date: 1729 – 1744
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: coenraad de putter
Artist role: print maker
Subjects: leeuwarden, sint-oedenrode, dichter, schrijver, willem van haren (1710-1768)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Portret ten halven lijve naar rechts van Willem van Haren in een ovaal. Het portret rust op een piëdestal waarop zijn wapen en een vierregelig vers.
Man met muts met veer
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: etching
Artist: johann andreas benjamin nothnagel
Artist role: print maker
Artist dates: 1729 – 1804
Subjects: head-gear: cap (+ men's clothes), adult man
Inscriptions: collector's mark: Lugt 240
Courtyard, Brussels
Object type: print
Date: 1887 – 1887
Materials: ink, paper
Techniques: etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: human figures,buildings,courtyards
Vase fragment
Object type: vase fragment
Date: 670 – 330
Materials: terracotta
Culture: roman

Neck and part of shoulder of yellow enamelled vase with daisy and trefoil in raised pattern.
Flat stamp with geometric flower
Object type: stamp
Date: 1301 – 1533
Materials: ceramic
Culture: mexica, aztec
Location: mexico
Toegangsbewijs bij brand
Object type: text sheet
Date: 1820 – 1870
Materials: cardboard
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Gemeentewerken: A. Brandweer.
Onoe Matsusuke as a Kannen-Butsu or Mendicant Buddhist Monk
Object type: print
Date: 1790 – 1790
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Subjects: men,trees,actors
Apenschool
Object type: print
Date: 1597 – 1608
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: monkeys, apes, 'mundus inversus', the reversed world, the topsy-turvy world, 'le monde bestourné', elementary school; class, form
Inscriptions: collector's mark: Lugt 2228

Een 16de-eeuwse school. Schoollokaal met apen als meesters en leerlingen. Enkele apen worden met een roede gestraft, anderen lezen en schrijven gezeten op houten bankjes. Met onderschrift van 2 regels in het Latijn.
Oude man met lange baard en platte hoed
Object type: print
Date: 1753 – 1810
Materials: paper
Techniques: etching
Artist: william baillie
Artist role: print maker
Artist dates: 1723 – 1810
Subjects: old man
Inscriptions: stamp
Portret van Henriëtta Amalia, prinses van Anhalt-Dessau
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: cleves, pearl; pearl necklace (+ women's clothes)
Inscriptions: collector's mark: Lugt 240

Henriëtta Amalia, prinses van Anhalt-Dessau, echtgenote van Hendrick Casimir II. Ze draagt een parelsnoer.
Hyde Park Corner, plate fifteen from Original Views of London as It Is
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: hand coloring, lithograph
Location: england
Artist: thomas shotter boys
Artist role: artist
Artist nationality: british
Artist dates: 1803 – 1874
Portret van een man met snor
Object type: carte de visite
Date: 1895 – 1895
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: bochum
Artist: edmund risse
Artist role: fotograaf
Artist dates: 1835 – 1891
Subjects: moustache, historical persons
Inscriptions: annotation: ‘1895. Herbst’, inscription: ‘(...) Edmund Risse/ (...) BOCHUM/ Friedrich-Str. 35./ Norderney/ Mittel-Str. 1 u. Kaiser-Str./ Die Platte wird für Nachbestellungen aufbewahrt./ Vergrösserungen bis Lebensgrösse’
Sacred Slit Gong (Waken)
Object type: slit gong
Date: 1801 – 1900
Materials: wood
Culture: iatmul people
Location: papua new guinea
Groep militairen poserend op een grasveld in Frankrijk, op de achtergrond paarden
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: land forces (+ cavalry, horsemen), france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Doesburgermolen
Object type: print
Date: 1870 – 1914
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: lake, windmill in landscape
Inscriptions: collector's mark: Lugt 2228
Inrō with Butterflies and Pampas Grass
Object type: inrō
Date: 1834 – 1866
Materials: foil, gold, lacquer, silver, stone, wood
Techniques: carving, hiramakie, lacquer
Culture: japanese
Subjects: butterflies
Earring (one of a pair)
Object type: earring
Date: 401 – 500
Materials: gold
Culture: korean
Adreskaart uit archief Philip Zilcken
Object type: business card
Date: 1905 – 1905
Materials: paper
Techniques: printing
Location: milan
Artist: vittorio pica
Artist role: criticus
Artist dates: 1864 – 1930
Subjects: the hague, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Portret van Pierre François Charles Augereau
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: paris, politician
Inscriptions: collector's mark: Lugt 2228

Portret van de Franse maarschalk Pierre François Charles Augereau.
Schede waarvan beide zijden worden getoond
Object type: print
Date: 1500 – 1600
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Inscriptions: collector's mark: Lugt 240

Beide zijden van de schede zijn gedecoreerd met kandelabers waarop links een man staat en rechts een vrouw met een bloem in haar hand. In het midden loopt een band met een kandelaber, bedoeld ter decoratie van de zijkant van de schede.
Gezicht op Oud-Loosdrecht
Object type: drawing
Date: 1757 – 1800
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: haarlem
Subjects: village
Inscriptions: inscription: ‘Oude Loosdrecht’

Mogelijk een kopie naar de prent van Hendrik Spilman, zie RP-P-AO-8-67-1.
David Gabarisco, a Prussian dwarf
Object type: figure
Date: 1761 – 1761
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: swords,heads,men,flowers
Large Octagonal Plate
Object type: plate
Date: 1830 – 1830
Materials: glaze, porcelain
Culture: japanese
Subjects: human figures,trees,boats
Landschappen
Object type: print
Date: 1615 – 1616
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: fortress, rowing-boat, canoe, etc., fisherman
Inscriptions: collector's mark: Lugt 2228a
Terracotta fragment of a pelike (jar)
Object type: pelike fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Bottom left corner of the panel of a pelike, with a dot net pattern
Card Number 731, Miss Turner, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Christus, Maria en de apostelen
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: rome
Subjects: the apostle andrew; possible attributes: book, x-shaped cross, fish, fishing-net, rope, scroll, crucifixion of andrew: he is undressed and tied to the cross, calling of peter and andrew; they are called away from their fishing-boat (matthew 4:18-20; mark 1:16-18)
Inscriptions: collector's mark: Lugt 240

De heilige Andreas met boek, vis en Andreaskruis. Op de achtergrond rechts de heilige Andreas vissend in een boot op zee. Op de achtergrond links de kruisiging van de heilige Andreas.
Portrait of La Live de Jully
Object type: print
Date: 1751 – 1800
Techniques: etching
Artist: ange-laurent de la live de jully
Artist role: artist
Artist nationality: french
Artist dates: 1725 – 1779
Subjects: men,portraits,profiles

This print was acquired with an album made up of sixteen early impressions and one later impression of La Live de Jully's "Recueil de caricatures", etched ca. 1754 after drawings by Jacques François Joseph Saly, eight caricatures etched after Thiemet, and two anonymous prints of a standing man and standing woman.
Twee kinderen spelen met een drijftol
Object type: print
Date: 1812 – 1812
Materials: paper
Techniques: engraving, etching
Location: london
Artist: Anonymous
Subjects: children's games and plays, whipping a top
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Design for a Fountain with Two Water-Spouting Lions (recto); Sketch for Triumph of Galatea [?] (verso)
Object type: drawing
Date: 1672 – 1725
Materials: chalk, ink
Techniques: pen
Artist: giovanni battista foggini
Artist role: artist
Artist nationality: italian
Artist dates: 1652 – 1725
Subjects: fountains,lions
The Clergy of Rome Paying Homage to St. Gregory after His Investiture
Object type: drawing
Date: 1701 – 1800
Materials: graphite, ink
Techniques: brush, heightening, pen, wash
Location: france
Artist: carle (charles andré) vanloo
Artist role: artist
Artist nationality: french
Artist dates: 1705 – 1765
Subjects: human figures,cross,saints

According to his long-time friend and biographer, Michel-François Dandré-Bardon (1700 - 1783), Carle Vanloo received the prestigious commission for the vault of the church of Saint-Louis des Invalides in 1762. The chapel was initially decorated by Michel Corneille (1642 - 1708) with paintings of the same subject; however, by the mid- eighteenth century the panels were heavily damaged by humidity and needed to be replaced. Vanloo was the logical choice, having been named Premier peintre du roi this same year and having already proved himself worthy of monumental religious painting in his series of canvases for the choir of Notre-Dame-des-Victoires in Paris (executed 1746 - 1755). Vanloo borrowed nothing from Corneille and even changed the subjects, giving them a more fluid, narrative style. Vanloo was certainly familiar with Corneille's paintings, for they were engraved by Charles Nicolas Cochin the Elder (1686 - 1754) in 1736. Futhermore, Vanloo cut his sheets and pasted them on top of Cochin's engravings so that they would serve as sculptural frames to his own compositions. In all six sheets, passages of Cochin's burin work are still visible- not entirely covered by Vanloo's compositions. The series was further perfected in seven oil sketches, which were displayed in the Salon of 1765. Vanloo's creation never came to fruition, for he died of a heart attack on July 15, 1765. His pupil, Gabriel-François Doyen, ultimately executed the series, leaving virtually no trace of Vanloo's invention. (Esther Bell 4/25/2007)
The Punishment Inflicted on Lemuel Gulliver
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: satire,men
Miniature Crown Plume
Object type: crown
Date: 1001 – 1566
Materials: gilt, silver
Techniques: hammering
Culture: peruvian, north or central coast
Location: peru
A man with a pitcher in his hand tapping the shoulder of another man resting on wooden beam
Object type: print
Date: 1880 – 1910
Techniques: lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,women,pitchers
Sotoba; One of Seven Komachi
Object type: print
Date: 1770 – 1790
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: isoda koryūsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Subjects: women,smoking
Passage 237 (Nihyaku sanjunana dan), from the series "Essays in Idleness for the Asakusa Group (Asakusagawa Tsurezuregusa)"
Object type: print
Date: 1801 – 1833
Techniques: woodblock print, surimono
Location: japan
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Ex libris van Karl Rosner
Object type: bookplate
Date: 1898 – 1898
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: vienna, berlin, specific aspects, allegorical aspects of minerva; minerva as patroness
Inscriptions: monogram: ‘KR’, collector's mark: Lugt 2233, collector's mark: Lugt 2760
Dutch Woman Making a Toast to Her Children (Oranda fujin kyosho aijido no zu), from the series "Foreigners Drawn from Life (Ikiutsushi ikoku jinbutsu)"
Object type: print
Date: 1860 – 1860
Techniques: woodblock print
Location: japan
Artist: utagawa (gountei) sadahide
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1873
Plate 1: Two children sitting on the ground, the child on the right drawing while the child on the left holding the album, title page from "The Book for Learning to Draw" (Livre pour apprendre à dessiner)
Object type: print
Date: 1649 – 1649
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: drawing,children
Gryllos: conjoined heads of a youth, a bearded man, a satyr, and a ram
Object type: cameo
Date: 1767 – 1833
Materials: gold, onyx
Subjects: heads,men,satyrs,rams

The term gryllos, used for these bizarre combinations, is derived from the Greek word for caricature.
A Rake's Progress, Plate 4
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: buildings,boys,men,women
Pairis bei Urbeis, Pairis près d'Orbey
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: photograph
Location: luxembourg city
Artist: charles bernhoeft
Artist role: publisher
Artist dates: 1859 – 1933
Subjects: abbey, monastery, convent ~ roman catholic church

Deze prent maakt deel uit van een omslag met 100 prenten.
Pair of Lamps
Object type: glass
Date: 1835 – 1840
Materials: glass
Location: philadelphia
Artist: union flint glass works

These lamps were made to burn oil. The brass collars allowed wicks and glass shades to be screwed tightly to the tops. The shades fit over the wicks and aided in illuminating a room by diffusing the light of the flame.
Portret van Johann Sebastian Mitternacht
Object type: print
Date: 1665 – 1721
Materials: paper
Techniques: engraving
Subjects: historical persons, book
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, bit of hair and wreath of draped musician spreading the fingers of his left hand behind the strings of a kithara; part of crossbar and arm of kithara preserved
Portret van Roman Zirngibl
Object type: print
Date: 1796 – 1797
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Roman Zirngibl Benediktiner im Fürstl. Reichsstifte St. Emmeram. S.l.: s.n., 1797.
Petticoat
Object type: petticoat
Date: 1834 – 1866
Materials: cotton
Culture: american
Portret van prinses Wilhelmina als kleuter
Object type: cabinet photograph
Date: 1883 – 1883
Materials: cardboard, paper
Techniques: albumen print
Location: the hague
Artist: kameke
Artist role: painter
Subjects: the hague, wilhelmina of the netherlands, historical persons - bb - woman, toddler (female)
Inscriptions: inscription: ‘'s Gravenhage/ Kameke./ Arnhem/ Gedeponeerd.’
Yew, from The Park and the Forest
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: printmaking, lithograph
Location: england
Artist: james duffield harding
Artist role: draughtsman, painter, print maker
Artist nationality: english
Artist dates: 1798 – 1863
Allegorie op de architectuur
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: aquatint, etching
Location: italy
Artist: felice giani
Artist role: draughtsman, painter
Artist dates: 1758 – 1823
Subjects: 'architectura', symbolic representations, allegories and emblems ~ architecture; 'architettura' (ripa)
Inscriptions: collector's mark: Lugt 2228

Titelblad voor: Raccolta di XI progetti achetettonici indentation e designate. Allegorie op de architectuur met een zittende vrouwelijke personificatie en de schrijvende genius van de Schone Kunsten.
Der Kramer (The Peddler) from De omnibus illiberalibus sive mechanicis artibus by Hartmann Schopper, plate 50 from Woodcuts from Books of the XVI Century
Object type: print
Materials: paper
Techniques: woodcut
Location: switzerland
Artist: jost amman
Artist role: artist
Artist nationality: swiss
Artist dates: 1539 – 1591
Design for Coupé, no. 3902
Object type: drawing
Date: 1884 – 1884
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Verzameling gedecoreerde vazen
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Location: florence
Artist: Anonymous
Subjects: container of ceramics: jar, jug, pot, vase
Inscriptions: number: ‘Pl. 15’
Emmerich Joseph, Prince-Bishop of Mainz
Object type: group
Date: 1770 – 1770
Materials: hard paste porcelain
Artist: höchst manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1746 – 1796
Subjects: men,putti
Cup and saucer
Object type: cup and saucer
Date: 1788 – 1788
Materials: hard paste porcelain
Artist: imperial porcelain manufactory
Artist role: manufactory
Artist nationality: austrian
Artist dates: 1744 – 1864
Subjects: putti
Minature bottle with scene of the West Chamber
Object type: minature bottle
Date: 1801 – 1900
Materials: cobalt, enamel, porcelain
Techniques: overglaze, painting, underglaze
Culture: chinese
Subjects: men