deem-data/ArtiFact huggingface dataset:
Card Number 69, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Leaf from Habiti antichi e moderni, plate 93 from Woodcuts from Books of the XVI Century
Object type: print
Materials: paper
Techniques: woodcut
Location: italy
Artist: cesare vecellio
Artist nationality: italian
Artist dates: 1521 – 1601
The bodhisattva Maitreya
Object type: figure
Date: 500 – 525
Materials: bronze
Techniques: gilding
Location: china
Artist: Anonymous

Sculptures from the early 6th century are characterized
by narrow waists, flat, stylized drapery folds, and angular
faces, hands and feet. Later, in the brief Sui dynasty
period, figures become detached from their background
and are modelled in the round. They also stand upright,
in a somewhat stiff and static pose.
Basket
Object type: basket
Date: 1760 – 1760
Materials: stoneware
Techniques: salt glaze
Artist: ralph baddeley
Artist role: maker
Artist dates: 1700 – 1800
Portret van Hendrik Nassau
Object type: drawing
Date: 1829 – 1894
Materials: paper, pencil
Artist: gerrit postma
Artist role: draughtsman
Artist dates: 1819 – 1894
Subjects: the hague, historical persons

Portret van Hendrik Nassau, heer van Ouwerkerk.
Gezicht op het Rembrandtplein
Object type: photomechanical print
Date: 1915 – 1915
Materials: cardboard
Techniques: line block, printing block
Location: utrecht
Subjects: square, place, circus, etc., city-view in general; 'veduta', monument, statue
Inscriptions: collector's mark: ‘3-44’ Lugt 1641b, signature: ‘A’

Onderwerpsrubriek binnen de Atlas Amsterdam: Panorama's en verzamelprenten.
Veld van vier tegels met rozetten
Object type: ornamenttegel
Date: 1640 – 1660
Materials: earthenware, glaze
Techniques: maiolica
Location: haarlem
Artist: Anonymous

Veld van vier tegels (2 x 2) elk met een blauw en geel geschilderde rozet binnen een achtkant versierd met driestippen. Langs de randen, een halve rozet en in de hoeken, een lelie.
View of Rouen
Object type: drawing
Date: 1869 – 1872
Materials: chalk, paper
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: public road
New Modelbüch allen Nägerin u. Sydenstickern (Page 21v)
Object type: book print ornament architecture
Date: 1556 – 1556
Techniques: woodcut
Artist: hans hoffman
Artist role: designer
Artist nationality: german
Artist dates: 1556 – 1556
Subjects: ornament

Designed by Hans Hoffman (German, active Strasbourg 1556) and published by Jacob Frӧlich, Strasbourg. Illustrated title page with Hoffman's monogram, narrative scene on verso of title page, dedication (2 pages), 49 pages of designs, page with publisher’s information, and narrative scene on last page.
Hemidrachm (Coin) Depicting a Dove
Object type: coin
Date: 251 – 146
Materials: metal, silver
Culture: greek
Location: greece

The front (obverse) of this depicts a dove flying to the left. On the back (reverse), an incuse square with remains of a caduceus is shown.
Verenigde Staten van Amerika, cent, 1831
Object type: coin
Date: 1831 – 1831
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: liberty naar links. Rondom haar een rij sterren. Onderaan jaartal. Keerzijde: tussen een in een cirkel geplooide, met een lint vastgebonden, tak waarde-aanduiding: one cent in twee regels. Gladde rand.
Portret van Amerigo Vespucci
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: cologne
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: sevilla, historical persons, explorer

Met zesregelig onderschrift in het Latijn. Rechtsonder genummerd: 9.
Marie-Louise Marsy
Object type: print
Date: 1898 – 1898
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: portraits,women
Portret van Elisabeth Stuart
Object type: print
Date: 1619 – 1650
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons - bb - woman, pearl; pearl necklace
Allegorische voorstelling met Frankrijk, Geschiedschrijving en Vader Tijd
Object type: print
Date: 1739 – 1789
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: 'historia'; 'historia' (ripa), fame; 'fama', 'fama buona', 'fama chiara' (ripa), father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228

Een zittende allegorische vrouwenfiguur, voorstellende Frankrijk, met achter haar een putto wordt vergezeld door de gepersonifieerde Geschiedschrijving en Vader Tijd. Boven hen Faam blazend op een bazuin.
The Miracle of the Slave
Object type: print
Date: 1597 – 1600
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jacob matham
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1631
Inscriptions: Lettered lower center: "Tintoret Inve. J. Matham sculp." and below image: "Divino quondam servus ... penetralia busti. C. Schonaeus"
Tine Vermeulen tijdens het spel eieren lopen aan boord van een schip
Object type: photograph
Date: 1920 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Inscriptions: inscription: ‘a.b. Sindow April '19’
Portret van Adriaan van Woelwijk alias Johannes Roos
Object type: print
Date: 1703 – 1731
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: crucified christ with other persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240

Adriaan van Woelwijk alias Johannes Roos, kanunnik te Utrecht. Hij zit voor zijn bureau en leest een boek. Op de achtergrond een schilderij van de kruisiging van Christus. De prent heeft een Latijns onderschrift over zijn leven.
Dish with stylized flower heads, flower sprays and bouquets
Object type: platter
Date: 1700 – 1724
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Bord, gedecoreerd in Chinees Imari-kleuren. Bloemtakken, boeketten.
Reliquary Cross
Object type: reliquary cross
Date: 1301 – 1400
Materials: coral, enamel, glass, gold leaf, quartz, silver, silver gilt
Culture: italian
Location: italy
Subjects: cross,jesus
Glass marbled mosaic inlay fragment
Object type: fragment, marbled mosaic inlay
Date: 1 – 50
Materials: glass
Culture: roman

Fragment of revetment plaque. Opaque orange with streaks of opaque red. Flat inlay. Marbled mosaic pattern. Polished upper side; pitting of surface bubbles on upper side; thick black and creamy weathering on underside; creamy weathering on jagged edges.
Glass beaker
Object type: beaker, indented
Date: 34 – 300
Materials: glass
Culture: roman

Colorless with blue green tinge. Rim outsplayed, cracked off and uneven; side cylindrical at top and tapering slightly downwards, then shaped into a rough square with hollow convex corners; square, pushed-in bottom. On body, four deep and long indents, forming a star-like shape to interior. Intact; some bubbles; patches of soil encrustation, creamy weathering, dulling, and iridescence.
Frame
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: pen, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: architecture
Congressional Presentation Sword and Scabbard of Peleg K. Dunham (1794–1822)
Object type: presentation sword and scabbard
Date: 1817 – 1817
Materials: copper alloy, gold, leather, steel
Culture: american
Location: united states
Artist: william rose sr., 1783–1856
Artist role: bladesmith
Artist nationality: american
Artist dates: 1783 – 1856
Subjects: eagles,mermaids
Tribut envoyé par les animaux à Alexandre
Object type: book illustration
Date: 1758 – 1758
Materials: paper
Techniques: etching
Artist: johann heinrich meil (der ältere)
Artist role: print maker
Artist dates: 1730 – 1820
Subjects: fables of lafontaine : use 85(...), riding a horse, ass, or mule; rider, horseman, animals
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Fontaine, J. de la. Fables choisies, mises en vers. Dl. 2. Dresden & Leipzig: George Conrad Walther, 1758.
Tutu
Object type: sphinx, tutu
Date: 300 – 150
Materials: limestone, pigment
Techniques: inlay
Location: egypt
Subjects: sphinx

Tutu was a late addition to the Egyptian pantheon: the name of the god first appears in the 6th century B.C, and he flourished in the last centuries B.C. and in the Roman Period. The god was the son of the goddess Neith, and he was usually represented in the form of a striding royal sphinx composed of a lion's body and a human head, with usually a snake as his tail. In later periods he may be depicted in a pantheistic mode with other elements like a crocodile head or a lion head attached to his body. Tutu had many aspects (a powerful and victorious god, a divine king, master of demons), but most essentially he was understood as an accessible god to whom people could turn for help in their everyday existence. Very often he was represented on stelae where he was shown in side view but with his head turned to be viewed frontally, emphasizing this approachability. This beautiful statue is thought to date relatively early in the god's history because of its restrained iconography. Since the facial fleshiness and features relate to images from the earlier part of the Ptolemaic Period, 300-150 B.C. is a viable range. The statue is likely to have been a temple donation at one of the temples, including that of Neith at Sais, where his cult would have been observed..
Dish with Sailing-Ship Design
Object type: dish
Date: 1601 – 1700
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: turkey
Subjects: ships

This dish comes from the major ceramics production center of Iznik, which rose to prominence in the sixteenth century and was known for its distinctive saz-style floral ornament. In the seventeenth century, there developed a new decorative repertory of figures, animals, ships, and buildings, including pagoda-like pavilions and domed churches. These field designs are found on numerous examples. The characteristic border of these pieces, ultimately derived from Chinese wave motifs, has become a pattern of alternating leaves and spirals.
Mouw van witte tule met moesjes
Object type: womenswear
Date: 1800 – 1900
Materials: fiber
Techniques: embroidered
Location: europe
Artist: Anonymous
Portret van Desiderius Erasmus
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Subjects: rotterdam, desiderius erasmus, historical persons, book - mm - book open, hourglass, scholar, philosopher (+ portrait of scholar, scientist)

Prent uit: Bastiaensz. Matthijs. Opuscula Desiderii Erasmi Roterodami (...). Rotterdam: Matthijs Bastiaensz., 1616.
Aftocht van de Britten en Russen, 1799
Object type: print
Date: 1799 – 1800
Materials: paper
Techniques: engraving, etching
Location: dordrecht
Artist: Anonymous
Subjects: transport, train (military) (+ sailing-ships), den helder
Inscriptions: collector's mark: Lugt 2228

Het vertrek van de Britse en Russische troepen vanaf het strand bij Den Helder in sloepen naar gereedliggende schepen, 29 november 1799. Terwijl de commandanten elkaar groeten wordt de Bataafse vlag gehezen en slepen jongetjes de Britse vlag over de grond. Zie ook de pendant.
Ontmoeting tussen twee Miskitomannen
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: the hague
Subjects: making a bow to a ruler (+ variant), indigenous peoples of south america, landscapes in the non-temperate zone, exotic landscapes, rowing-boat, canoe, etc., indigenous peoples of central america, exploration, expedition, voyage of discovery
Inscriptions: collector's mark: Lugt 2228

Op het strand van Juan Fernández (Chili) valt een Miskitoman ter begroeting aan de voeten van een staande Miskitoman. In de branding kijkt een groep Europeanen vanuit een roeiboot toe. De Miskito kwamen oorspronkelijk uit Honduras en Nicaragua.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of head and neck of horse to right and bent arm of figure to right; two letters of an inscription
Madrid, Puerta del Sol
Object type: photograph
Date: 1898 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: madrid
Artist: Anonymous
Subjects: square, place, circus, etc.
Demonstratie van de slangbrandspuiten aan het water van de Nieuwezijds Voorburgwal achter het Stadhuis, 1672-1673
Object type: print
Date: 1690 – 1702
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: laurens scherm
Artist role: draughtsman, print maker
Artist dates: 1671 – 1702
Subjects: painter, print maker, draughtsman, jan van der heyden, townhall, pump (fire-extinguishing equipment)

Demonstratie van het gebruik van de slangbrandspuiten door het oppompen van het water uit de Nieuwezijds Voorburgwal en over het Stadhuis heen te spuiten (1672-1673). In het onderschrift de verklaring van de letters A-E in het Nederlands. Plaat 22 in de herdruk van het Brandspuitenboek van Jan van der Heyden uit 1735.
Fotoreproductie van een tekening, voorstellende een portret van een onbekende man
Object type: photomechanical print
Date: 1876 – 1886
Materials: paper
Techniques: photoaquatint
Location: paris
Subjects: anonymous historical person portrayed
Inscriptions: number: ‘Pl. 5.’
Fan
Object type: fan
Date: 1830 – 1850
Materials: mother of pearl, paper
Culture: european
Subjects: fountains,men,women
Roses in a Bowl
Object type: painting
Date: 1881 – 1881
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: henri fantin-latour
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1904
Subjects: still life, france, french, red (color), pink (color), white (color), roses, bowl, flowers
Inscriptions: Inscribed lower right: Fantin '81
Bag
Object type: costume and accessory
Materials: cotton
Techniques: embroidery, weave, stitching
Culture: banjara
Location: india
Seated female
Object type: sculpture
Date: 2333 – 1668
Materials: alabaster, mineral, stone
Culture: bactria-margiana archaeological complex
Location: bactria-margiana
Subjects: women

Western Central Asia, now known as Turkmenistan, Uzbekistan, and northern Afghanistan, has yielded objects attesting to a highly developed civilization in the late third and early second millennium B.C. Artifacts from the region indicate that there were contacts with Iran to the southwest. Among the few three-dimensional images assigned to this period in Central Asia are a group of stone female figures seated or squatting on a platform and wearing a robe decorated with a pattern, perhaps imitating sheep's fleece. They are always composite figures of soft green chlorite or steatite, with heads of white limestone. This example has a typical abstract form with an armless body and legs represented by a protruding ledge. Excavated examples of this figure type come from sites in Margiana in southern Turkmenistan, a possible center of their production. Similar seated females on cylinder seal impressions from southwestern Iran appear to depict royal figures. On compartmented stamp seals from western Central Asia, a possible version of the female figure appears where she is sometimes flanked by or seated upon animals or mythical creatures. These attributes could indicate a divine quality.
Square Tile Depicting a Horseman Killing a Dragon
Object type: tile
Date: 1851 – 1875
Materials: glaze, stonepaste
Techniques: molding, painting, polychrome
Location: iran
Subjects: men,dogs,horses
Speculum Zelandiae
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: etching
Artist: pieter hendricksz. schut
Artist role: print maker
Artist dates: 1618 – 1660
Subjects: city-view, and landscape with man-made constructions, castle, hunting, chase
Inscriptions: collector's mark: Lugt 195

Gezicht op Kruiningen in Zeeland. Op de voorgrond een welgesteld paar te paard. De man heeft twee jachthonden en een valk bij zich. Twee mannen wijzen het paar de weg. De prent maakt deel uit van een album.
Antoninianus (Coin) Portraying Emperor Tetricus
Object type: coin
Date: 271 – 274
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP TETRICVS P F AVG
Reverse: LAETITIA AVG N

The front (obverse) of this coin portrays the head of Emperor Tetricus, facing to the right. The back (reverse) depicts Laetitia, a Roman goddess of happiness, standing slightly left.
Portretten van leden van het Oostenrijkse Huis
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: engraving
Location: italy
Subjects: maria (koningin van bohemen), historical persons - bb - woman, trees: laurel, ornamental birds: peacock, emperor - bb - female ruler, water-birds: pelican
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van 58 prenten. Het meerendeel van de prenten bevat portretten van 74 leden van het Oostenrijkse Huis, naar tekeningen door Francesco Terzio, die deels getekend zijn naar de 28 levensgrote bronzen beelden die rond de cenotaaf van Maximiliaan I in de Hofkirche te Innsbruck staan.
Glass bowl
Object type: bowl
Date: 201 – 300
Materials: glass
Culture: roman

Colorless with pale blue green tinge. Outsplayed rim, cracked off and ground flat; sack-shaped body, with straight side sloping outwards to rounded carination, then slanting in sharply; small, slightly concave bottom. On body, traces of a band of horizontal wheel-cut lines above carination. Intact; many pinprick bubbles; deep pitting, brilliant iridescence, and wweathering on exterior, some soil encrustation and large patches of brownish creamy weathering on interior.
Portret van Paola Marié
Object type: photomechanical print
Materials: paper
Techniques: woodburytype
Location: paris
Subjects: portrait of opera-singer
Inscriptions: inscription: ‘Du 27 Août au 2 Septembre 1874’, number: ‘No 67’
Metamorfosen van Ovidius
Object type: print
Date: 1601 – 1652
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: thisbe discovers the dying pyramus (the scene may be represented near a fountain)
Inscriptions: collector's mark: Lugt 2228

Landschap met de dode Pyramus bij een fontein. Hij heeft zichzelf neergestoken, omdat hij dacht dat Thisbe door een leeuw was gedood. Thisbe ontdekt haar stervende geliefde, waarop zij zelfmoord pleegt met het zwaard van Pyramus. Links op de achtergrond zit de leeuw onder een stenen boog. Onder de voorstelling een verklarende tekst. De eerste regel uit de Metamorfosen van Ovidius, boek 4, versregel 61.
Plate
Object type: plate
Date: 1750 – 1760
Materials: hard paste porcelain
Subjects: buildings,landscapes
Leeraarskamer
Object type: photograph
Date: 1902 – 1902
Materials: photographic support
Techniques: albumen print
Location: weltevreden
Artist: tan tjie lan
Artist role: fotograaf
Subjects: colonial system, vocational education, e.g.: junior technical school, vocational education, e.g.: junior technical school (+ building ~ education, tuition)

De lerarenkamer van de School tot Opleiding van Inlandse Artsen (STOVIA) te Weltevreden. Kamer met vergadertafel en stoelen. Ingeplakte foto in het album van ca. 1902 getiteld: School tot Opleiding van Inlandsche Geneeskundigen / Ter Herinnering aan de Inhuldiging van Koningin Wilhelmina en tot Heil der Bevolking van Nederlandsch Oost-Indie.
Gezicht op de oostzijde van de Noordervaldeursluis in Zaandam
Object type: photomechanical print
Date: 1905 – 1906
Materials: paper
Techniques: photograph
Location: zaandam
Artist: Anonymous
Subjects: sluice, weir
Inscriptions: inscription: ‘No. 1./ Noordervaldeursluis Oostzijde.’

Deze prent maakt deel uit van een album.
Bergdorp tegen de rotsen in Frankrijk met op de voorgrond een rivieroever
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: prospect of village, silhouette of village, river bank, mountains, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
De zeven infanten van Lara
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: antwerp
Subjects: (military) camp with tents, peace negotiations, tales and fairy tales
Inscriptions: collector's mark: ‘Hinloopen’, number: ‘23’, collector's mark: Lugt 11

Deze prent maakt deel uit van een reeks van 40 prenten (+ titelprent) met voorstellingen uit het volksverhaal over de zeven infanten van Lara.
Twee koppen van kinderen
Object type: sketchbook leaf
Date: 1855 – 1859
Materials: chalk, paper, pencil
Location: zandvoort
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: head (human), thumb-sucking, fowl (cock, hen, chicken, etc.)

Eén kind heeft mogelijk een duim in de mond. Tevens een studie van een meisje zittend op een stoep met daarnaast scharrelende kippen. Blad 10 verso uit een schetsboek met 22 bladen.
Twee series foto's geproduceerd met een "Mutograph", met daarop afgebeeld twee mannen die kleiduifschieten en het afschieten van een kanon
Object type: photomechanical print
Date: 1892 – 1897
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: firearms: rifle, firearms: cannon
Inscriptions: inscription: ‘SCI. AM. N.Y.’
Louise Augusta Wilhelmina Amalia, prinses van Pruisen
Object type: history medal
Date: 1845 – 1845
Materials: bronze
Techniques: striking
Location: brussels
Artist: jean henri simon
Artist role: medailleur
Artist dates: 1752 – 1834
Subjects: koningsbergen, wassenaar, prinses, louise van pruisen

Bronzen penning. Voorzijde: borststuk vrouw binnen omschrift. Keerzijde: twee wapenschilden onder kroon,beschenen door mensenhoofd in stralenkrans
Allegorische voorstelling met portret van Johann George I van Saksen
Object type: print
Date: 1641 – 1687
Materials: paper
Techniques: engraving
Artist: nicolaus weishun
Artist role: print maker
Artist dates: 1607 – 1687
Subjects: johann george van saksen (i), predatory birds: eagle, historical persons, ruler, sovereign, cupids: 'amores', 'amoretti', 'putti', holy ghost represented as a dove (in flames)

Deze prent maakt deel uit van een grotere prent waarvan het onderste deel later is weggesneden.
Pair of beaker vases
Object type: beaker vase
Date: 1730 – 1730
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds,insects
Stoel bekleed met groene wol
Object type: chair
Date: 1924 – 1924
Materials: wood, wool
Location: the hague
Artist: hendrik wouda
Artist role: furniture worker
Artist dates: 1885 – 1946
Inscriptions: plate: ‘H. PANDER & ZONEN, DEN HAAG, AMSTERDAM, ROTTERDAM’

Stoel van eikenhout rustend op vier poten. De poten zijn onderling verbonden door middel van een H-vormig kruis. De voorpoten hebben zowel aan de onder- als bovenkant een afgeschuinde zijde. De achterpoten lopen door in de naar boven toelopende rugstijlen. De rugleuning bestaat uit een brede bovendorpel met daaronder een smalle regel. Daartussen en daaronder bevindt zich een open ruimte. De losse zitting rust op vier regels die de poten aan de bovenzijde met elkaar verbinden. De zitting is bekleed met groene wol.
Abraham Dismissing Hagar
Object type: drawing
Date: 1599 – 1661
Materials: chalk, lead
Techniques: highlighting
Artist: andrea sacchi
Artist role: artist
Artist nationality: italian
Artist dates: 1599 – 1661
Subjects: boys,women,abraham