deem-data/ArtiFact huggingface dataset:
Oosters geklede man gewapend met sabel en dolken
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: joseph emanuel van den bussche
Artist role: print maker
Artist dates: 1837 – 1908
Subjects: hacking and thrusting weapons: dagger, hacking and thrusting weapons: sword
Inscriptions: collector's mark: Lugt 2228
Design for a sepulchral monument with Mary Magdalen and Saint Jerome (recto); Sketch (counterproof) and writing exercises (verso)
Object type: drawing
Date: 1667 – 1733
Materials: chalk, ink
Techniques: printmaking, drawing, pen
Artist: pieter verbruggen the younger
Artist role: artist
Artist nationality: flemish
Artist dates: 1648 – 1691
Subjects: architecture,mary magdalene,saint jerome
Portret van een gezelschap reisgenoten van Dolph Kessler op de trap voor een houten huis
Object type: photograph
Date: 1903 – 1908
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: germany
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945

Portret van een gezelschap reisgenoten van Dolph Kessler op de trap voor een houten huis, in Duitsland, Roemenië of Noorwegen. Onderdeel van het fotoalbum van Dolph Kessler met opnamen die hij maakte tijdens zijn verblijf in Engeland en op een wereldreis die hij als secretaris van Henri Deterding (directeur Koninklijke Olie) ondernam naar Nederlands-Indië, Japan, China en de Verenigde Staten, tussen 1906 en 1908.
Fotoreproductie van een prent van de Koninklijke Villa in Berchtesgaden
Object type: photograph
Date: 1865 – 1865
Materials: paper, photographic support
Techniques: albumen print
Location: germany
Artist: Anonymous
Subjects: village, travelling; tourism, villa, exterior ~ representation of a building, parts of church exterior and annexes: tower

Onderdeel van Fotoalbum van een reis door Zwitserland, Oostenrijk en Duitsland door de Nederlandse familie Derkinderen.
Willem Bilderdijk op zijn doodsbed
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: amsterdam, haarlem, print maker, draughtsman, willem bilderdijk, deathbed, historical persons, artist on his deathbed
Inscriptions: inscription: ‘Uitgegeven te Haarlem den 15 july 1833 bij Vt. Loosjes [...]’
le Preson. V., from Vedute
Object type: print
Date: 1735 – 1744
Materials: paper
Techniques: etching
Location: italy
Artist: canaletto
Artist role: artist
Artist nationality: italian
Artist dates: 1697 – 1768
Koophandel en stielen / Commerce et métiers
Object type: popular print
Date: 1866 – 1902
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: street-trader, crafts and industries, merchant, salesman
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van straatverkopers, zoals een pottenverkoopster, een verkoper van gebakken vis en een brillenverkoper. Onder elke afbeelding een tweeregelig vers in het Nederlands en in het Frans. Genummerd midden boven: No 96.
Schut- en Uitwateringssluis ten Westen van de Nieuwe Statenzijl 1907
Object type: photograph
Date: 1908 – 1908
Materials: cardboard, paper
Techniques: collodion silver print
Location: winschoten
Artist: tonnis post
Artist role: fotograaf
Artist dates: 1877 – 1930
Inscriptions: date

Een van 8 foto's in cassette aangaande een sluis (bij Nieuwe Statenzijl). Foto op blauwgrijs karton geplakt, cassette: paars / bruin. Gedateerd. Opmerking: zie NG-1976-36-B-1 t/m 8.
The Temple of Dendur
Object type: temple, dendur
Materials: stone
Location: nubia
Marskramer
Object type: print
Date: 1741 – 1741
Materials: paper
Techniques: etching
Location: dresden
Artist: christian wilhelm ernst dietrich
Artist role: artist, painter, print maker
Artist dates: 1712 – 1774
Subjects: city-view, and landscape with man-made constructions, farmers, pedlar, divided door, upper part opened, (bowling a) hoop
Inscriptions: collector's mark: Lugt 240
Chakrasamvara Mandala
Object type: thangka
Date: 1100 – 1100
Materials: textile
Culture: nepali
Subjects: deities,goddess

This ritual diagram (mandala) is conceived as the cosmic palace of the wrathful Chakrasamvara and his consort, Vajravarahi, seen at center. These deities embody the esoteric knowledge of the Yoga Tantras. Six goddesses on stylized lotus petals surround the divine couple. Framing the mandala are the eight great burial grounds of India, each presided over by a deity beneath a tree. The cemeteries are appropriate places for meditation on Chakrasamvara and are emblematic of the various realms of existence. The lower register contains five forms of the goddess Tara, a tantric adept at left, and two donors at right. This mandala is one of the earliest surviving large-scale paintings known from Nepal. Stylistic features relate it to Nepalese manuscript covers and to eastern Indian palm-leaf manuscript illustrations of the twelfth century.
Zelfportret in silhouet
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: basel
Artist: christian von mechel
Artist role: draughtsman, print maker, publisher
Artist dates: 1737 – 1817
Subjects: berlin, print maker, draughtsman, publisher, christian von mechel, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Fragmentary Ostracon Depicting a Priest
Object type: ostracon, figured, priest
Date: 1295 – 1070
Materials: limestone, paint
Location: egypt
Subjects: men
Godfried de Bouillon à l'assaut de Jérusalem
Object type: reproduction
Date: 1855 – 1860
Materials: photographic support
Techniques: albumen print
Artist: joseph maes
Artist role: fotograaf
Artist dates: 1838 – 1908
Subjects: militant proselytizing: religious war, crusade, etc.
Parijs
Object type: print
Date: 1888 – 1934
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: bridge in city across river, canal, etc., paris
Inscriptions: collector's mark: Lugt 2228

Een brug over de Seine in Parijs. Op de achtergrond bebouwing.
Scherzo di Follia
Object type: photograph
Techniques: gelatin silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women

Virginia Oldoini, Countess Verasis de Castiglione (1837-1899), created a sensation when she appeared on the social scene in Paris in 1855, having been sent by the Italian statesman Cavour to secretly win Napoleon III over to the cause of Italian unity by "any means she chose." Within months, the statuesque beauty was the mistress of Napoleon III and a much-talked-about ornament of the lavish balls so prevalent during the period. After the fall of the Second Empire in 1870, she led an increasingly secluded existence, which gave rise to fantastic speculation about her affairs. As the years went by, her mental stability declined and she ventured out only at night, shrouded in veils. The countess's raging narcissism found in photography the perfect ally; Pierre-Louis Pierson produced over seven hundred different images of her. In a reversal of roles, the sitter would direct every aspect of the picture, from the angle of the shot to the lighting, using the photographer as a mere tool in her pursuit of self-promotion and self-expression.
Beeldhouwkunst in de kloostergang van de dom van Bamberg
Object type: album leaf
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: bamberg
Artist: Anonymous
Subjects: interior of church
Inscriptions: number: ‘150’
VOC, duit Westfriesland, 1780
Object type: coin
Date: 1780 – 1780
Materials: copper
Techniques: striking
Location: medemblik

Koperen munt. Voorzijde: gekroond wapenschild van Westfriesland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Chest
Object type: chest
Date: 1526 – 1550
Materials: iron, wood
Culture: french
Measuring Substitutes for the Army of Reserve
Object type: print
Date: 1815 – 1815
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men
Terracotta hemispherical cup
Object type: cup, one handled
Date: 1525 – 1450
Materials: terracotta
Culture: minoan
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, youth to left; drapery; one fragment with handle patch preserved to rim, four small fragments with undetermined subject
Doos in de vorm van een eend
Object type: box
Date: 1740 – 1748
Materials: bronze, porcelain
Techniques: gilding, painted
Location: meissen
Artist: johann joachim kändler
Artist role: designer, sculptor
Artist dates: 1706 – 1775

Doos van beschilderd porselein, buik van de eend, met goudkleurige rand. De eend is gedeeltelijk beschilderd in blauw, groen, bruingrijs en zwart. De doos is ongemerkt.
Gezicht op een mijl- of banpaal en hofstede Tulpenburg
Object type: print
Date: 1736 – 1799
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: rural housing, e.g. country-house, villa, cottage, village, road, path
Inscriptions: collector's mark: ‘5 17’ Lugt 1641b

Andere staat van prent gebruikt in: Schoemaker, Gerrit ed. Daniel Willinks Amstellandsche Arkadia, of beschryving van de gelegenheit, toestant en gebeurtenissen van Amstellandt, met deszelfs onderhoorige dorpen, heerlykheden, ambachten, lusthoven, wateren, enz. (…). 2 delen. 1e druk. Amsterdam: Arend van Huyssteen, 1737, dl. 1, p. 104. En in: Schoemaker, Gerrit ed. Daniel Willinks Amstellandsche Arkadia, of beschryving van de gelegenheit, toestant en gebeurtenissen van Amstellandt, met deszelfs onderhoorige dorpen, heerlykheden, ambachten, lusthoven, wateren, enz. (…). 2 delen. 2e druk. Utrecht: Samuel de Waal, 1773, dl. 1, p. 101.
Votive cone with cuneiform inscription of Sin-Kashid
Object type: cuneiform cone
Date: 1867 – 1835
Materials: clay
Culture: babylonian
Location: mesopotamia
Terracotta oil lamp
Object type: lamp
Date: 101 – 200
Materials: terracotta
Culture: roman, cnidian

Loeschcke Type 8. Mold-made. Discus: rosette with eight petals, radiating from a central filling hole. On shoulder, an oak wreath. Undefined, pushed-in base. Intact.
Oss, kerk en klooster der Paters Carmelieten
Object type: ansichtkaart, prentbriefkaart
Date: 1909 – 1940
Materials: paper
Techniques: gelatin silver print
Location: oss
Artist: Anonymous
Subjects: abbey, monastery, convent ~ roman catholic church, church (exterior), oss
Inscriptions: date
Gebouw en park op Madeira
Object type: photograph
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Location: madeira
Artist: Anonymous
Subjects: public gardens, park (+ city(-scape) with figures, staffage)

Onderdeel van Reisalbum met foto's van Zuid-Afrika, Madeira, Portugal, Frankrijk en Duitsland.
The Unicorn Crosses a Stream (from the Unicorn Tapestries)
Object type: tapestry
Date: 1495 – 1505
Materials: gilt, silk, silver, wool
Culture: french or south netherlandish
Location: netherlands
Subjects: birds,castles,spears,men,hunting,horns,unicorns,dogs,forests,trees

According to tradition, the unicorn cannot be disturbed while performing a magical act. The attack by the hunters thus presumably begins soon after the action depicted in The Unicorn Is Found, and the scene is one filled with chaos and commotion. The ferocity of the battle is conveyed by the converging lances aimed at the animal, the sounding of the hunting horns, and the menacing hounds. Already wounded on his back, the unicorn leaps across a stream in a desperate attempt to escape his encircling enemies. The use of hounds to scout, chase, and eventually attack the quarry was typical practice in medieval stag hunts, and the palatial buildings in the background might be a further allusion to the hunt as a royal or aristocratic pastime. Unlike The Hunters Enter the Woods and The Unicorn in Captivity, this and the other hangings are set in realistic landscapes that enhance the drama of the hunt.
Two Dead Birds (A Quail and a Long-Beaked Bird)
Object type: drawing
Date: 1705 – 1755
Materials: graphite, ink, watercolor
Techniques: pen
Artist: count giorgio durante (duranti)
Artist role: artist
Artist nationality: italian
Artist dates: 1685 – 1755
Subjects: birds
Cupid and Psyche
Object type: group
Date: 1893 – 1893
Materials: marble
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: female nudes,cupid,psyche

In this variation on the theme of lost love, Rodin depicts the moment that the god Cupid abandons the mortal Psyche at the command of the jealous goddess Venus. Outstretched across a block of unfinished marble, Psyche desperately clings to the god as he lowers his face toward her and ascends with beating wings. The projecting marble strut supporting Cupid’s arm binds him to the block and locks the lovers in an eternal parting embrace. In 1893 Cupid and Psyche and Orpheus and Eurydice became Rodin’s first carved works to enter an American collection.
La France
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: paris
Subjects: theatre (building)
Inscriptions: check stamp: Lugt 1397c, collector's mark: Lugt 2228a
Minakuchi: The Beautiful Pine Trees at Mount Hiramatsu (Minakuchi, Hiramatsuyama bisho)—No. 51, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido
Object type: print
Date: 1847 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Jérusalem. Porte de Damas (Bab-el-Ahmoud)
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: louis de clercq
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1901
Subjects: architecture,arches,gates
Blinde bedelaar
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: etching, intaglio
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: blind, blindness, beggar
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een staande man die gekleed is in lompen en leunt op een stok.
Tafellaken, fragment, met patroon van alternerende rijen van naar links zwenkende tulpen en naar rechts zwenkende granaatappels
Object type: fragment
Date: 1740 – 1749
Materials: linen
Techniques: damask

Fragment van een wit linnen damasten tafellaken met repeterend patroon van alternerende rijen van naar links zwenkende tulpen en naar rechts zwenkende granaatappels
Crossed Hands (recto); Right Foot, Partially Covered by Drapery (verso)
Object type: drawing and watercolor
Materials: chalk, charcoal, paper
Techniques: heightening
Location: italy
Artist: jacopo cavedone
Artist nationality: italian
Artist dates: 1577 – 1660
Mamolin, King of Garbe
Object type: print
Date: 1776 – 1776
Techniques: etching
Artist: joseph françois foulquier
Artist role: artist
Artist nationality: french
Artist dates: 1744 – 1789
Subjects: men,portraits
Corner of Herengracht and Gasthuismolensteeg
Object type: photograph
Date: 1890 – 1900
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscape with bridge, viaduct or aqueduct, canals, waters (in city), street

The painter and amateur photographer Breitner walked many miles in Amsterdam with his camera, sketchbook or paint box at hand. The absence of a central subject and abrupt cropping of his photographs deviated entirely from the norms of painting. Regardless of this,
Breitner’s shots often served as inspiration for his paintings. The negatives and prints were discovered only forty years after his death.
Die Lutherstube
Object type: photomechanical print
Date: 1874 – 1900
Materials: cardboard
Techniques: photolithography
Location: leipzig
Artist: louis glaser
Artist role: printer, publisher
Subjects: castle, study; 'studiolo'; library
Parrot on the Branch of a Flowering Rose Bush
Object type: reproduction of a print
Date: 1900 – 1900
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: itō jakuchū
Artist role: artist
Artist nationality: japanese
Artist dates: 1716 – 1800
Subjects: parrots,roses,leaves
Portret van een onbekend meisje op een stoel
Object type: photograph
Date: 1873 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: elbeuf
Artist: albert alfred warnery
Artist role: fotograaf
Artist dates: 1853 – 
Subjects: girl (child between toddler and youth), anonymous historical person portrayed
Inscriptions: address: ‘8, Rue St Auct, 8/ &/ 7, Rue de Paris, 7/ ANCIENNE MAISON DELAMARE/ Elbeuf’
St. Blasien. Schwarzwald.
Object type: ansichtkaart, prentbriefkaart
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: daylight paper print
Location: st. blasien
Subjects: prospect of village, silhouette of village

Onderdeel van Fotoalbum van Carl Heinrich Fliegenschmidt, gevangenisdirecteur te Oslebshausen.
Portret van Georg Wolfgang Krafft
Object type: print
Date: 1744 – 1767
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: physicist, historical persons
Inscriptions: collector's mark: Lugt 2228
Ornament
Object type: ornament
Date: 1601 – 1800
Materials: gilt bronze
Hat
Object type: hat
Date: 1872 – 1872
Materials: metal, silk, fiber
Culture: american

This is a jaunty summer hat would have been worn for walking and casual activities. The small size is a counterpoint to the burgeoning voluminous skirts and bustles of the 1870s
Koorbank van eikenhout in de Sint-Salvatorskathedraal in Brugge, België
Object type: photomechanical print
Date: 1882 – 1887
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: bench, parts of church interior: choir
Inscriptions: inscription: ‘STALLES. - PL. 4.’, inscription: ‘STALLES en bois (...)’, monogram: ‘JJvY’
Overstroming buiten de Haarlemmerpoort, 1775
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Artist: hendrik numan
Artist role: draughtsman, print maker, publisher
Artist dates: 1736 – 1788
Subjects: dike-break, the flood of 14-18 november 1775
Inscriptions: collector's mark: Lugt 2228

Gezicht op het overstroomde land buiten de Haarlemmerpoort te Amsterdam, langs de Spaarndamse Dijk en met de dorpen in Waterland in het verschiet. Gezien vanaf het bolwerk bij de Stenen Beer. In de morgen na de storm op 15 november 1775.
Scarab Inscribed with the Name of Sethnakht
Object type: scarab, sethnakht, royal name
Date: 1186 – 1184
Materials: glaze, stone
Location: egypt

The hieroglyphs form the nomen of Sethnakht (ca. 1186-1184 B.C.), the first ruler of Dynasty 20, Sethnakht Merire Meramun. His name includes epithets referring to Amun and Re, who are embodied in the sun disk and the seated figure in the upper left part of the composition. The seated Amun is facing a seated figure of the god Seth.
Right Leg Defense (Greave)
Object type: right leg defense greave
Date: 1467 – 1533
Materials: gold, iron, leather, silver, steel, tin
Culture: turkish
Location: turkey
Subjects: arabic

This right leg guard, along with a left leg guard also in the Metropolitan Museum's collection (acc. no. 1990.229), forms the only known matching pair of mail-and-plate guards of the fifteenth century for the lower legs. Similar floral ornament and Arabic inscriptions also are found on turban helmets.
Fragment
Object type: textile
Date: 1815 – 1815
Materials: cotton
Techniques: weave, printing
Location: england
Vue générale d'Andernach
Object type: stereograph
Date: 1867 – 1868
Materials: cardboard, paper
Techniques: albumen print
Location: andernach
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: prospect of village, silhouette of village, church (exterior)
Inscriptions: number: ‘15’, inscription: ‘(Registered)’
Lali
Object type: lali
Date: 1867 – 1900
Materials: wood
Culture: melanesian, fijian
Location: fiji
Spoon and fork combination
Object type: spoon and fork combination
Date: 1851 – 1900
Materials: niello, silver gilt
Frises, XVIe Siècle
Object type: page
Date: 1875 – 1880
Materials: paper
Techniques: photolithography
Location: antwerp
Subjects: mouldings ~ architecture
Inscriptions: inscription: ‘FRISES tirées du (...)’, inscription: ‘LITT. F. - PL. 34.’, monogram: ‘JJvY’
Travel nécessaire
Object type: reisnecessaire
Date: 1675 – 1699
Materials: crystal, glass, hair, ivory, silver, shell, velvet
Techniques: manufacturing, colour, cutting, striking, weave
Location: netherlands
Artist: Anonymous
Inscriptions: initials: ‘B en kroon’
Knight, New York, American League, from the White Border series (T206) for the American Tobacco Company
Object type: baseball card
Date: 1909 – 1911
Techniques: color lithograph
Artist: american tobacco company
Artist role: publisher
Subjects: men,portraits,baseball,athletes

Trade cards from "White Border" series (T206), issued 1909-11 to promote sixteen brands of cigarettes and loose tobacco distributed by the American Tobacco Company.
Card Number 50, Goodwin and Johnson, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: boys,actors

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Gezicht op de woelige zee en een kade in Smyrna
Object type: photograph
Date: 1880 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: smyrna
Artist: Anonymous
Subjects: tramway, tram, quay (+ city(-scape) with figures, staffage), sea

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Frankrijk, Griekenland en Turkije.
Vlakke vierkante sokkel van Belgisch graniet, behorend bij Een Griekse filosoof
Object type: base
Date: 1900 – 1999
Materials: limestone
Techniques: polish, carved
Location: unknown
Artist: Anonymous
Inscriptions: annotation: ‘BK-1986-44-B-1’, label: ‘K.B. // Aristoteles // Duquesnoy’

Vlakke vierkante sokkel van gepolijst kalksteen met mica, behorend bij de 'Een Griekse filosoof'. Het bovenblad bevat een grote hoeveelheid krassen, waardoor het is beschadigd. Op het bovenblad zit een etiket met opschrift. De onderzijde is ongepolijst.
Voyage en Normandie
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: rouen
Artist: Anonymous
Subjects: church-window, e.g. rose-window
Inscriptions: inscription: ‘Men ziet mooie [...]’
Gezicht op de Korenbeurs te Rotterdam
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Location: rotterdam
Artist: huib van hove bz
Artist role: painter, print maker
Artist dates: 1814 – 1867
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2228

Gezicht op een gracht met in de achtergrond de Korenbeurs te Rotterdam. Prent is onderdeel van een omslag met een serie van acht lithografieën van gezichten te Rotterdam.
Animal Ornament
Object type: ornament
Date: 501 – 700
Materials: gilt copper, shell
Culture: moche
Location: peru
Subjects: lizards
Bowl with decoration of fish
Object type: bowl
Date: 1151 – 1200
Materials: ceramic glaze, glaze, stoneware
Techniques: inlay
Culture: korean