deem-data/ArtiFact huggingface dataset:
Gezicht op de Kleine Houtpoort te Haarlem, 1739
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: bridge, city-gate
Inscriptions: collector's mark: Lugt 195

Gezicht op de Kleine Houtpoort te Haarlem, in de situatie omstreeks 1739. Rechtsonder genummerd: 3.
Some of Methuen's Infantry firing on retreating Boers, from the Boer Stronghold at Belmont, S.A.
Object type: stereograph
Date: 1901 – 1901
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Artist: Anonymous
Subjects: attack ~ siege, rock-formations
Inscriptions: number: ‘52’, inscription, inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’, copyright notice: ‘Copyright 1901 by Underwood & Underwood.’
Tabel met de afstanden tussen de steden van Duitsland en Parijs
Object type: print
Date: 1650 – 1703
Materials: paper
Techniques: engraving
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), germany
Inscriptions: collector's mark: Lugt 2228
Schets van Moses ter Borch, in profiel naar links
Object type: drawing
Materials: chalk, paper
Location: zwolle
Artist: gerard ter borch (ii)
Artist role: draughtsman, painter
Artist dates: 1617 – 1681

Kopie naar de tekening van Gerard de Jonge, GJr 79.
Driebergen. Dorp bij Hotel v. Stuivenberg
Object type: photomechanical print
Date: 1905 – 1908
Materials: cardboard
Techniques: lithograph, writing
Location: driebergen
Subjects: street, hotel, hostelry, inn
Inscriptions: postage stamp
A Rake's Progress, Plate 5
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: interiors,boys,men,women,dogs,weddings
Portret van Frederik, prins der Nederlanden
Object type: print
Date: 1816 – 1865
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: berlin, frederik (prins der nederlanden)
Inscriptions: check stamp: ‘J.G. Andriessen Utrecht’, collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Souvenir
Object type: souvenir
Date: 1773 – 1774
Materials: enamel, gold, ivory
Artist: henri jean douté
Artist role: maker
Artist nationality: french
Artist dates: 1737 – 1837
Subjects: portraits,women

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Cup (gobelet litron)
Object type: cup
Date: 1783 – 1783
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Kruisiging van Christus
Object type: print
Date: 1585 – 1586
Materials: paper
Techniques: engraving
Location: florence
Subjects: the erection of the cross: christ is nailed to the cross which lies on the ground (+ mary)
Inscriptions: collector's mark: Lugt 2228, watermark:, number: ‘349’, collector's mark: 2760

Christus wordt aan het kruis genageld terwijl toeschouwer toekijken (Lucas 23:33). Ook de twee dieven worden aan hun kruisen gebonden.In de achtergrond de huilende Maria, getroost door Johannes en Maria Magdalena. De prent heeft een Latijns onderschrift en maakt deel uit van een serie over de passie, dood en wederopstanding van Christus.
Musée Gallo-Romain de Saint-Germain-en-Laye
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1918
Materials: cardboard
Techniques: photograph
Location: paris
Artist: Anonymous
Subjects: ornaments, jewels, fibula, safety pin, permanent exhibition, museum
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Date: 1905 – 1905
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: pieter haverkorn van rijsewijk, exhibition ~ art, art collecting, rotterdam
Inscriptions: collector's mark: Lugt 2233
Button
Object type: button
Date: 1780 – 1780
Materials: enamel
Culture: european
Driving the heading shaft no 23
Object type: photomechanical print
Date: 1883 – 1887
Materials: paper
Techniques: photograph
Location: new york
Artist: preston k. yates
Artist role: engineer
Subjects: underground road, tunnel
Pictorum aliquot celebrium praecipuae Germaniae Inferioris effigies
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: utrecht, draughtsman, anthonie blocklandt, historical persons, portrait, self-portrait of painter, last supper (in general) (matthew 26:21-35; mark 14:18-31; luke 22:3, 22:15-23; john 13:21-38)
Incense burner
Object type: incense burner
Materials: bronze
Location: southwestern arabia
Subjects: serpents,ibex

This bronze incense burner from southwestern Arabia consists of a cylindrical cup set on a conical base. A rectangular architectural form suggesting a facade extends upward from the cup’s front. Its face is decorated with two serpents flanking a round disk set within a crescent, all in low relief. Cast separately, an ibex standing on a plinth projects from the front of the incense burner and may serve as a handle. From the middle of the first millennium B.C. until the sixth century A.D., the kingdoms of southwestern Arabia gained considerable wealth and power through their control of the trade in incense between Arabia and the lands of the Mediterranean seacoast. Frankincense and myrrh, gum resins that are native to southern Arabia, were widely valued in the ancient world for the preparation of incense, perfumes, cosmetics, and medicines, as well as for use in religious and funerary ceremonies. The importance of incense in the religion of southwestern Arabia is reflected in this object; the ibex and snakes are powerful apotropaic symbols representing virility and fertility, and were frequently associated with local gods. The disk-and-crescent symbol, likewise, probably represents the moon god, the chief god of their pantheon. Given this religious imagery, the building facade depicted here is probably that of a temple. Adapted from, Art of the Ancient Near East: A Resource for Educators (2010)
Jeannette, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Subjects: women
Architectura
Object type: book illustration
Date: 1593 – 1595
Materials: paper
Techniques: etching
Location: straatsburg
Subjects: parts of church exterior and annexes: portal, doric order ~ architecture, 'laub- und bandelwerk' ~ ornament, ornament derived from architectural details
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent gebruikt in: Dietterlin, Wendel (I). Wendel Dietterlin, Architectura de Polstium seu Portalium ornatu uario Liber II. Straatsburg: Bernhard Jobin, 1594.
William Evelyn of St Clere, Kent, holding a spaniel
Object type: drawing
Date: 1768 – 1789
Materials: pastel
Artist: hugh douglas hamilton
Artist role: artist
Artist nationality: irish
Artist dates: 1739 – 1808
Subjects: boys,portraits,dogs

Hamilton belonged to a group of accomplished pastellists trained at the Dublin Society School of Drawing, run by Robert West (ca. 1720–1790) and James Mannin (active 1746–79). The artist moved to London around 1764 and worked from a Pall Mall address in London’s fashionable West End. His patrons included members of the royal family and grandees such as the Duke of Northumberland, with his success indicated by the fact that he typically charged nine guineas for a small pastel. In 1779 Hamilton moved to Italy and adopted a neo-classical style, so the present work represents his English career. It is a charming depiction of a boy aged four or five, the son of a Member of Parliament for Hythe in Kent, and thus a substantial figure in society. The sitter's youth is emphasized by the easy pose and tousled hair, a conception that reflects a newly fashionable “natural” approach to child-rearing. The attitude of the spaniel’s head indicates an affectionate intimacy between Evelyn and his pet, and Hamilton brilliantly and unassumingly captured the new mood of freedom in this small portrait, aided by the medium of pastel that allowed him to work at speed.
Onyx met een Romeinse praalwagen en twee centauren
Object type: print
Date: 1765 – 1767
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: centaurs, chariot, triumphal car, ornaments, jewels
Inscriptions: collector's mark: Lugt 2228

Een onyx met de beeltenis van een Romeinse praalwagen waarop een gelauwerde man met vrouw en kind zit. Voor de kar lopen twee centauren, in de lucht vliegt een engel met een lauwerkrans. Rond de onyx een rijkversierde lijst. De onyx zou op 11 september 1765 in de Munt te Amsterdam worden verkocht.
Plantage met kokospalmen in Nederlands-Indië
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: indonesia
Inscriptions: number: ‘24’

Plantage met kokospalmen, Nederlands-Indië. Vrouwen en kinderen zijn bezig met het openen van de kokosvruchten om de kokosnoten er uit te halen. Mannen vervoeren de kokosnoten met een kar op een rails.
Feestnommer uitgegeven ter gelegenheid van het bezoek van H.H.M.M. den Keizer en de Keizerin van Duitschland te Amsterdam op 1-3 Juli 1891
Object type: print
Date: 1807 – 1891
Materials: paper
Techniques: letterpress printing, engraving, lithography
Location: amsterdam
Subjects: wilhelm ii (keizer van duitsland), amsterdam

Blad uitgegeven ter gelegenheid van het bezoek van de keizer Wilhelm II van Duitsland en keizerin aan Amsterdam van 1-3 juli 1891.Omslag om het blad van groengrijs papier bedrukt op voor- en achterzijde met advertenties. Binnenin vier bladen met tekst en illustraties, bijgevoegd is het programmaboekje van het bezoek.
Weiland met koeien en schapen
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: etching
Location: rotterdam
Subjects: cow, meadow, pasture
Inscriptions: collector's mark: Lugt 2227

Weiland met koeien, schapen en rij knotwilgen. Links een boerderij, daarnaast een vrouw een koe melkend en in het midden bij de knotwilgen een wandelend echtpaar. Op de achtergrond een kerk en molen. Latere druk van een ets van Paulus Potter uit 1647.
Bathing Women, third large plate
Object type: print
Date: 1896 – 1896
Materials: chine, ivory
Techniques: lithograph
Location: france
Artist: henri fantin-latour
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1904
Limestone head of a wreathed youth
Object type: head of a votary
Date: 434 – 301
Materials: limestone
Culture: cypriot
Subjects: heads,men,wreaths

The youthful face has a smiling expression with traces of red paint on the lips.
Gezicht op kasteel Clam
Object type: print
Date: 1850 – 1859
Materials: paper
Techniques: lithograph, engraving
Location: munich
Subjects: lodewijk i (koning van beieren), castle
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit de serie 'Album Seiner Majestät des Königs Ludwig I. von Bayern', verschenen in verschillende afleveringen. De prenten gaan terug op het album dat Lodewijk I van Beieren op 9 oktober 1850 kreeg overhandigd van verschillende kunstenaars.
The Nurturing of Jupiter
Object type: drawing and watercolor
Materials: chalk, ink, paper, paint
Techniques: brush, pen, wash
Location: italy
Artist: salvator rosa
Portret van Daniel Schrader
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: engraving
Location: unknown
Subjects: daniel schrader
Inscriptions: collector's mark: Lugt 240

Portret van Daniel Schrader met lange pruik afgebeeld in ovale omlijsting. In de vier hoeken rondom de lijst olijftakken en onder de lijst een console met vier regels tekst in Latijn en een wapen.
Keizer Constantijn ontvangt de eretrofee
Object type: print
Date: 1684 – 1749
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: crowning the victor with laurel, the roman emperor constantine the great; possible attributes: crown, sceptre, standard (labarum) with chi-rho monogram or cross, rome
Inscriptions: collector's mark: Lugt 240

Een personificatie van de stad Rome kroont keizer Constantijn de Grote met een laurierkrans.
Self-Portrait
Object type: painting
Date: 1858 – 1858
Materials: canvas, oil
Artist: henri fantin-latour
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1904
Subjects: men,self-portraits

At the beginning of his career, between 1854 and 1861, Fantin-Latour executed a large number of self-portraits in chalk, charcoal, and oil. This example reveals his fascination with the work of Rembrandt and Courbet, who both used broad, rich strokes of paint and depicted forms as if they were emerging from an enveloping darkness.​
Gezicht op het Place de la Concorde te Parijs
Object type: stereograph
Date: 1860 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: charles gérard
Artist role: fotograaf
Subjects: square, place, circus, etc.
Inscriptions: inscription: ‘Photographie C. G. à Paris.’, inscription: ‘Place de la Concorde’
Women and Soldiers Dancing in Village Square
Object type: drawing and watercolor
Materials: fiber, graphite, paper
Location: germany
Artist: Anonymous
Artist nationality: possibly german
Artist dates: 1800 – 1899
Spindle Whorl
Object type: spindle whorl
Date: 801 – 1000
Materials: bone, paint
Techniques: incising, inlay
Location: iran

Spindle whorls aided in the making of thread by maintaining the momentum of the spindle. This spindle whorl was excavated during the Metropolitan Museum’s excavations in Nishapur, in eastern Iran. Its raised collar is encircled by two incised lines. A band, comprised of alternating dot-in-circles and angles ending in dot-in-circles, extends around the main body. An incised circle forms a border around the base. The dots were once filled with colored paste, but it has since faded. Hundreds of spindle whorls were excavated at Nishapur, providing further evidence that the city possessed a thriving textile industry. Their incised designs exhibit a wide variety of motifs ranging from geometric forms to zoomorphic figures.
Terracotta kantharos (drinking cup)
Object type: kantharos
Date: 300 – 300
Materials: terracotta
Culture: etruscan
Artist: group of vatican g.116
Artist role: artist

Two-handled, no decoration; associated with the Malacena Workshop.
Marion Delorme
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Johannes de Doper legt de doctrine van de Onbevlekte Ontvangenis uit aan H. Gregorius, H. Augustinus en Johannes Chrysostomos
Object type: print
Date: 1687 – 1687
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: augustine, bishop of hippo; possible attributes: arrows piercing his breast, book, child with spoon, flaming heart, heart (pierced with arrows), pen, madonna (i.e. mary with the christ-child) in the air, or on the clouds, series of scenes from the life of john the baptist, the archbishop of constantinople, john chrysostom; possible attributes: beehive, dove, pope gregory the great; possible attributes: dove, emperor trajan
Inscriptions: collector's mark: Lugt 240
Kraag van reticella
Object type: clothing
Date: 1575 – 1600
Materials: cotton, linen
Techniques: needle lace, reticella
Location: italy
Artist: Anonymous

Kraag van naaldkant, reticella. Techniek. Rond een katoenen halsstuk is een onafgwerkte kant gezet. Langs de binnenzijde een smal, gekloste antre-dene, beëindigd met twee koordjes met akertjes. Patroon: grote vierkanten zijn om beurten gevuld met een rad, kruisgewijs geplaatste driehoekjes of ellipsen. Grote lange spijlen vormen de spaken en diagonalen.
P. Hofstede de Groot, theol. prof. em te Groningen 1829-1872
Object type: carte de visite
Date: 1860 – 1872
Materials: paper
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life)
Inscriptions: name: ‘P. Hofstede de Groot, theol. prof. em te Groningen 1829-1872’
Het landleven
Object type: popular print
Date: 1872 – 1883
Materials: paper
Techniques: letterpress printing, lithograph
Location: haarlem
Subjects: well, animals, farmers, agriculture, milking
Inscriptions: collector's mark: Lugt 2760

Blad met 11 voorstellingen over het landleven, waaronder boerderijdieren, boeren die dorsen en zaaien en een boerin die water uit de put haalt. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 43.
Landschappen met hooibalen en een boslandschap bij Moyland in Kleef
Object type: sketchbook leaf
Date: 1846 – 1846
Materials: paper, pencil
Location: cleves
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: forest, wood, horse, hay-stack
Inscriptions: date and inscription: ‘bij Moyland/ 1846’

Tevens een studie van een paardenhoofd. Blad 30 recto uit een schetsboek met 44 bladen.
Veil
Object type: veil
Date: 1767 – 1800
Materials: cotton, silk
Techniques: embroidery
Location: turkey
Guanyin
Object type: figure
Date: 618 – 907
Materials: ivory, wood
Culture: chinese
Subjects: buddhism,bodhisattvas
DORDRECHT./Interieur Grote Kerk./Interno de la Granda Pregejo.
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1930
Materials: photographic support
Techniques: photography, writing
Artist: Anonymous
Subjects: church organ, parts of church interior, gouda
Inscriptions: postage stamp
Zeemeermin van Edam, 1403
Object type: print
Date: 1784 – 1786
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: merman, burgundian netherlands

De zeemeermin of Groene Wijf van Edam, 1403. Staande naakte vrouw met lang haar aan het spinnen. Op de achtergrond wordt de vrouw uit het water gevist en de stad Edam. Onder de voorstelling een vers van vier regels.
Decoraties op een basement van een minaret van de Shapoor-moskee in Ahmedabad
Object type: photograph
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Location: ahmedabad
Artist: thomas biggs
Artist role: fotograaf, kapitein
Artist dates: 1822 – 1905
Subjects: temple, shrine ~ islam, mohammedanism, base (~ column, pillar)
Inscriptions: number: ‘108.’
Hail Mary (Ia Orana Maria)
Object type: drawing
Date: 1893 – 1895
Materials: chalk, charcoal, pastel, paper
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Subjects: infants,women
Bronzen tengelring in de vorm van een ramskop
Object type: tengelring
Date: 1400 – 1950
Materials: bronze
Artist: Anonymous

Bronzen tengelring in de vorm van een ramskop.
Johannes Jaeger's Illustrerade Katalog
Object type: page
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Location: stockholm
Subjects: sculpture, picture, painting
Inscriptions: number: ‘PL. XVIII.’
Vignet met de Nederlandse leeuw en twee putti
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: freedom, liberty; 'libertà' (ripa), beasts of prey, predatory animals: lion, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

De Nederlandse leeuw laat al liggend zijn poot rusten op een stapel wapenschilden en houdt in zijn andere poot een zwaard vast. Naast hem draagt een putto een boek en een hoed op stok. De tweede putto heeft een bundel met zeven samengebonden pijlen in zijn handen.
Beuk in Groot-Brittannië, mogelijk in Bradley Woods, Wiltshire
Object type: photograph
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Location: wiltshire
Artist: Anonymous
Subjects: trees
Piece
Object type: piece
Date: 1667 – 1733
Materials: metal thread, silk
Culture: chinese
Subjects: dragons,clouds
Trade Card for William Sharp, Engraver
Object type: print, trade card
Date: 1701 – 1800
Techniques: engraving
Artist: william sharp
Artist role: artist
Artist nationality: british
Artist dates: 1749 – 1824

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Reflection in Lake at Misaka in Kai Province (Kōshū Misaka suimen), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: lakes,mountains,trees,boats
Louis VIII Roy de France
Object type: print
Date: 1642 – 1678
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: paris, historical persons, king
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een grootschalige serie met portretten van prominente figuren. Binnen de serie bevindt zich een sectie getiteld 'Les Augustes Représentations De tous les Roys De France depuis Pharamond Iusqu'à Louys XIIII'.
De serie werd respectievelijk uitgegeven door Pierre Bertrand, door zijn weduwe en door De Larmessin zelf.
Shirt
Object type: shirt
Date: 1801 – 1900
Materials: linen
Culture: american

A shirt for the hero of Tom Jones, this linen origami of pleated shirting suggests the attention afforded to a gentleman's linens in the eighteenth century. The flare, or self-cravat, suggests the peacock that such a man was. This piece is a real rarity; there is one similar shirt in the collection of Colonial Williamsburg in Virginia.
Reclame voor textielwaren van W.P. Stone en E.S. Buckbee te Owego met portret twee onbekende mannen
Object type: carte de visite
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: advertising, historical persons not known by name
Inscriptions: inscription: ‘W.P. STONE &amp; E.S. BUCKBEE, / PROPRIETORS OF THE / One Price Store, / Owego, N.Y., / DEALERS IN / DRY GOODS, CARPETS, / AND CHOICE MILLINERY (...)’, inscription: ‘"Economy is Wealth!" (...) BEST GOODS / AT / LOWEST PRICES.(...)’