deem-data/ArtiFact huggingface dataset:
The State Bed Chamber, Stowe Buckinghamshire
Object type: drawing
Date: 1838 – 1838
Materials: watercolor
Artist: joseph nash
Artist role: artist
Artist nationality: british
Artist dates: 1809 – 1878
Subjects: houses,interiors

This drawing preserves a lost interior at one of England’s grandest 18th century country houses built by Richard Grenville, 2nd Earl Temple (1711-1779) and his successor George Greville, Marquis of Buckingham (1753-1813). Completed in the 18th century, the lavish interiors survived only until 1848, when the overspending of the 1st and 2nd dukes of Buckingham, forced a sale of the contents. Joseph Nash sketched what was known as the State Bed Chamber around 1838. In 1848 the elaborate four-poster bed was moved to a room at the other end of the house to accommodate a visit by Queen Victoria and Prince Albert, and the room was renamed the Duchess’s Drawing Room. Part of Stowe School today, it is known as the Garter Room after the star emblem at the center of the ceiling. Christie's 1848 catalogue for the Stowe sale describes objects seen in the drawing such as nos. 230-31: "Two cabinets of oriental japan lacquer, with folding doors, shelves and drawers, and sliding fronts on carved and gilt stands." No. 243: "A pair of high-back Venetian armchairs, carved and gift, the seats covered with crimson velvet." Nos. 294-95: "A toilet table of silver and toilet glass in silver frame to correspond....presented by George Villiers, Duke of Buckingham, to the Countess of Shrewsbury at Avington...now the Countess of Jersey." A 1797 description of the State Bed Chamber notes that the bed, marble mantle and ceiling were designed by Giovanni Battista Borra (Italian, 1713-1770) and the picture over the mantle is "a magnificent copy by Sir Godrey Kneller, of the famous picture of Charles I attended by Monsieur St. Simon, painted by Vandye and now at Hampton Court."
Mosaic with a Peacock and Flowers
Object type: mosaic
Date: 201 – 400
Materials: metal
Culture: byzantine or roman
Location: north africa
Subjects: peacocks

This mosaic, probably part of a much larger floor mosaic, shows a peacock among flowers. The peacock was a popular subject for Roman and Byzantine artists, often used to represent paradise, renewal, and spring. Byzantines might have thought the peacock an appropriate symbol for the season, because its elaborate feathers grew each spring. Associating the peacock with heavenly paradise was an extension of the Byzantine vision of earthly paradise—many wealthy citizens were known to have kept peacocks to roam about the flowers and trees of their gardens.
Portret van Hans Joachim von Zieten
Object type: print
Date: 1745 – 1799
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons

Met tweeregelig onderschrift in het Duits.
Figuurstudies en de torens van de Waag te Amsterdam
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Location: amsterdam
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: civic architecture; edifices; dwellings, street (+ city(-scape) with figures, staffage)

Blad 8 recto uit een schetsboek met 59 bladen.
Mars (Mars in Capitolio), from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: mars

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 161 in the scrapbook. On a sheet with 41.72(2.157)-41.72(2.167)
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 367 – 335
Materials: terracotta
Culture: greek, attic

Exterior, left forearm, hand, buttocks, and thighs of a youth
Broche ter gelegenheid van het vijfentwintigjarig regeringsjubileum van Koningin Wilhelmina
Object type: brooch
Date: 1923 – 1923
Materials: metal
Techniques: enameling
Location: netherlands
Artist: Anonymous
Subjects: berlin, the hague, wilhelmina frederica louisa (koningin der nederlanden)

Broche ter gelegenheid van het regeringsjubileum van Koningin Wilhelmina van geëmailleerd metaal.
Kermisprent van de vuilnismannen van Amsterdam voor het jaar 1857
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: letterpress printing, engraving
Artist: dirk wijbrand tollenaar
Artist role: print maker
Artist dates: 1808 – 1858
Subjects: street, garbage collection, amsterdam

Kermisprent van de Amsterdamse vuilnismannen voor het jaar 1857. Gezicht op de kermis op de Botermarkt met de oude Waag. Op de markt twee vuilniskarren. Met gedicht in twee kolommen. Van de vuilniskarman in de wijk no. 7: P. Landzaad. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Forum of Trajan
Object type: page
Date: 1890 – 1900
Materials: paper
Techniques: photograph
Location: forum of trajan
Artist: samuel j. beckett
Artist role: fotograaf
Subjects: landscape with ruins, façade (of house or building)
Shiva, Uma, and Their Son Skanda (Somaskandamurti)
Object type: figure
Date: 1001 – 1033
Materials: copper alloy
Culture: tamil nadu
Subjects: goddess,shiva,hinduism

Somaskandamurti is one of the most popular religious images in South India. The four-armed Shiva holds a battle-ax and a deer in his upper hands and a citron in his lower left hand. His lower right hand is raised in abhayamudra (the gesture that allays fear). His consort, Parvati, clasps a water lily in her right hand. Between them stands Skanda, their infant son, bejeweled and with a lotus in his right hand. Four rings at the lower corners of the pedestal allowed the sculpture to be secured to a platform in order to be carried in processions.
Vrouw met roos voor balustrade
Object type: print
Date: 1826 – 1886
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: adolescent, young woman, maiden (+ three-quarter view), flowers: rose
Inscriptions: collector's mark: Lugt 2228
Portret van Friedrich Haase, omringd door dertien portretten van verschillende rollen die hij vertolkte
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: letterpress printing, engraving
Subjects: historical persons, portrait of actor, actress

De rollen die Friedrich Haase vertolkte en hier zijn afgebeeld bestaan onder andere uit: Richard III van Engeland, Edward Gibbon, Lodewijk XI van Frankrijk en Thomas Cromwell. Bij de fictieve personages wordt vaak het toneelstuk vermeld.
Renée Mauperin: Henri Mauperin Wounded after the Duel with Boisjorand de Villacourt
Object type: print
Date: 1801 – 1900
Techniques: etching
Artist: james tissot
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1902
Hand en een onderarm
Object type: sketchbook leaf
Date: 1895 – 1895
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: lower arm, hand

Blad 11 recto uit een schetsboek met 11 bladen.
Portret van Rombout Hogerbeets
Object type: print
Date: 1855 – 1857
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jan frederik christiaan reckleben
Artist role: print maker
Artist dates: 1819 – 1879
Subjects: hoorn (north holland)
Inscriptions: collector's mark: Lugt 2228

Illustratie in: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. 5 delen, Amsterdam: Schleijer, J.F. 1840-1884, dl. 3.2, p. 767.
Huize "Herteveld", Maarssen
Object type: photomechanical print
Date: 1860 – 1925
Materials: paper
Techniques: photograph
Location: the hague
Subjects: rural housing, e.g. country-house, villa, cottage, maarssen
L'Hyver
Object type: print
Date: 1729 – 1734
Materials: paper
Techniques: etching
Subjects: winter, 'hyems'; 'inverno' (ripa)
Inscriptions: collector's mark: Lugt 2228

In een landschap kijken een oude man en een vrouw met een narrenstok naar een dansende jongeman. Rondom de voorstelling een rocaille omlijsting.
Twee terracotta sculpturen van Apollo en een halfnaakte vrouw
Object type: page
Date: 1852 – 1857
Materials: paper
Techniques: photolithography
Location: paris
Subjects: (story of) apollo (phoebus), piece of sculpture, reproduction of a piece of sculpture (+ clay, sand, etc. ~ arts), woman (showing herself) undressed, quasi-nude
Inscriptions: number: ‘1. 2.’, number: ‘XIV.’
Case (Inrō) with Design of Scattered Cherry Blossoms (obverse); Snow Roundels (reverse)
Object type: inrō
Date: 1801 – 1900
Materials: gold, lacquer, silver
Techniques: fundame, hiramakie, roiro, maki-e
Culture: japanese
Subjects: flowers
Mille folium / Mille feuille / Yaccou / Hasengarb
Object type: book illustration
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: arnhem
Subjects: flowers

Prent uit: Passe, Crispijn van de (II). Hortus floridus in quo rariorum & minus vulgarium florum icones ad vivam veramque formam. Arnhem: Johannes Janssonius, 1617.
Carte Historique & Cronologique pour servir à l'Histoire des Provinces-Unies des Païs-Bas
Object type: print
Date: 1700 – 1701
Materials: paper
Techniques: etching, hand coloring
Location: netherlands
Artist: Anonymous
Subjects: netherlands

Overzichtsblad met in kleine medaillons de ingekleurde portretten van de koningen van Spanje en hun stadhouders in de Nederlanden, krijgslieden en geleerden. Plaat 40 uit Histoire abregée des Provinces-Unies des Païs-Bas, 1701.
Fragment (Dress Fabric)
Object type: textile
Date: 1600 – 1650
Materials: velvet
Techniques: cutting, voiding
Location: italy
Gezicht op een molen
Object type: photograph
Date: 1920 – 1930
Materials: paper
Techniques: oil transfer print
Location: arnhem
Artist: mattheus hooghwinkel
Artist role: fotograaf
Subjects: windmill in landscape
Inscriptions: signature: ‘'M. Hooghwinkel'’

De foto is uitgeleend aan de uitgever Maatschappij Focus voor een tentoonstelling in Japan en daarna geretourneerd aan de heer Hooghwinkel, zie verso foto.
Niagara Falls
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: niagara falls
Artist: Anonymous
Subjects: waterfall
Inscriptions: title: ‘Niagara Falls’
Treinstation te Albuquerque
Object type: photograph
Date: 1928 – 1928
Materials: photographic support
Techniques: gelatin silver print
Location: albuquerque
Artist: Anonymous
Subjects: station; shelter (railway, tramway)
Inscriptions: annotation: ‘Station Albuquerque’
Visketel met zes vissen op de bodem
Object type: miniature
Date: 1700 – 1700
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: container of metal: bucket, can, canister, drum, tin

Visemmer met hengsel. Op de buitenwand van de emmer zijn binnen twee zig-zag randen bloemen gegraveerd. Op de bodem aan de binnenkant zijn zes vissen gegraveerd. De emmer is niet gemerkt.
Menukaart van hotel-restaurant Corvin te Hilversum
Object type: menu, menukaart
Date: 1919 – 1919
Materials: paper
Techniques: relief print
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: magic mathematical figures; magic numbers, words, monograms
Inscriptions: collector's mark: ‘R:MVS.’

Monogram met de letters H en C in een ovaal.
Gezicht op een vermoedelijk Franse stad aan de Middellandse Zee
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: southern france
Artist: Anonymous
Subjects: avenue, boulevard, promenade, esplanade (+ city(-scape) with figures, staffage), trees: palm-tree, prospect of city, town panorama, silhouette of city

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Gezicht op de Niagarawatervallen
Object type: album leaf
Date: 1902 – 1902
Materials: paper
Techniques: gelatin silver print
Location: niagara
Artist: jan van der mey
Subjects: waterfall

Deze foto's maken deel uit van een album.
Het Groote Doolhof
Object type: print
Date: 1696 – 1718
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: palace, labyrinth, maze ~ garden

Gezicht op het doolhof in de tuin van Paleis Het Loo. Prent maakt deel uit van een album.
Reproductie van een schilderij van twee meisjes in de duinen naar David Adolph Constant Artz
Object type: album leaf
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: girl (child between toddler and youth), dune coast (+ landscape with figures, staffage)
Inscriptions: inscription: ‘No. 3./ D.A.C. Artz. Aan de zee "Droomerij"’

Deze prent maakt deel uit van een album.
Boomstammen
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: trees (+ stem, trunk)

Blad 35 verso uit een schetsboek met 60 bladen.
Table carpet fragment
Object type: table carpet fragment
Date: 1567 – 1600
Materials: canvas, thread, wool
Techniques: stitching
Subjects: flowers

Textiles were rarely used as floor coverings in the late sixteenth century, except by the wealthiest individuals, but "carpets" of pile weaves, tapestry weaves, or embroidery were often used to decorate tables. This fragment of a large table carpet displays strapwork motifs typical of other English sixteenth-century decorative arts such as wood carving and plaster decoration, and the ripe fruits, flowers, and vegetables are varieties that often appear on embroidered objects of the period. These include Tudor roses, pomegranates, pears, squash, honeysuckle, and grapes. The somewhat awkward drawing of the armorials suggests that this was not the product of a professional workshop. The table carpet may have been an amateur or semi-professional production, perhaps made by servants and extended family members for use in their own home. However, this project was no small undertaking; when complete, the carpet might have measured as much as twelve to fifteen feet in length.
Cup and saucer
Object type: cup and saucer
Date: 1801 – 1833
Materials: hard paste porcelain
Portret van een meisje in witte jurk met hoed
Object type: photograph
Date: 1900 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: girl (child between toddler and youth)
Fotoreproductie van een schilderij, voorstellende de veemarkt te Quettehou
Object type: photomechanical print
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Location: quettehou
Artist: léon barillot
Artist role: print maker
Artist dates: 1844 – 1929
Subjects: market, bovine cattle
Calli e canali
Object type: page
Date: 1888 – 1898
Materials: paper
Techniques: photoaquatint
Location: venice
Subjects: interior of church
Inscriptions: inscription: ‘s’
Ex libris van J.M. Spaeth
Object type: bookplate
Date: 1902 – 1902
Materials: paper
Techniques: lithograph
Location: germany
Subjects: publisher, quill, old man, book
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
The Kermis at Hoboken
Object type: print
Date: 1559 – 1559
Techniques: engraving
Artist: pieter bruegel the elder
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1525 – 1569
Subjects: animals,buildings,playing,flags,carts
Brief aan Philip Zilcken
Object type: letter
Date: 1887 – 1887
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: adriaan pit
Artist role: print maker
Artist dates: 1860 – 1944
Subjects: marinus van der maarel, painter, draughtsman, edmond de goncourt, philip zilcken, passions, emotions, affections, the hague, amsterdam
Inscriptions: collector's mark: ‘RPK’
Coin Portraying Philip the Arab
Object type: coin
Date: 244 – 249
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP M IVL PHILIPPVS AVG
Reverse: FELICITAS TEMP

The front (obverse) of this coin portrays the head of Philip the Arab, facing to the right. The back (reverse) shows the deity Felicitas (Happiness) standing and holding a caduceus and a cornucopia.
Tegel met fruitschaal
Object type: tile
Date: 1640 – 1660
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Onderdeel van een veld van zestien tegels (4 x 4), zie BK-1955-286-A.
Plafond met cartouche in vorm van wandtapijt
Object type: print
Materials: paper
Techniques: etching
Location: paris

Op de cartouche strijdt een Lapith tegen een Centaur. Plafond met varianten voor twee kwart gedeeltes van de rand. Blad 3 uit serie van 6 bladen met ontwerpen voor plafonds, sommige met varianten voor de randen. Uit tweede editie.
Portret van Francis Couplet
Object type: print
Date: 1736 – 1736
Materials: paper
Techniques: etching
Location: london
Subjects: missionary, historical persons, spreading the gospel; missionary work
Inscriptions: collector's mark: Lugt 240
Saint Anne with the Virgin and Child
Object type: relief
Date: 1475 – 1500
Materials: wood
Culture: german
Location: germany
Subjects: madonna and child
Vijzel versierd met twee paarden
Object type: mortar
Date: 1500 – 1600
Materials: bronze
Techniques: casting
Location: italy
Artist: Anonymous

Mortar. Bronze. Italy, 16th century.
M'lle Geraldine, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, top of head, part of right ear and forehead of filleted youth with left arm extended; part of an inscription, LU[KOS KALOS]?; Exterior, genitals and legs of male to right; part of shield, seen in three-quarter view; on the ground, a jumping weight; end of knobby stick; and part of a second jumping weight
Mercury and Argus
Object type: print
Date: 1630 – 1648
Techniques: etching
Artist: simone cantarini
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1648
Subjects: musical instruments,men,mercury
Blad met banenpatroon van bloemmotief en golvend motief met ruitenpatroon
Object type: printed paper
Date: 1800 – 1900
Materials: paint, paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament ~ round and curved forms, ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760

Blad met verticaal banenpatroon van een bloemmotief en een golvend motief onder een ruitenpatroon.
Sleutel
Object type: key
Date: 1300 – 1400
Materials: iron

Sleutel met vierzijdige schacht, ringvormig oog en opengewerkte vierhoekige baard met drie langwerpige en twee ronde uitsnijdingen.
Embroidered Tablecover
Object type: tablecover
Date: 1850 – 1850
Materials: wool
Techniques: embroidery
Culture: american
Location: united states
Subjects: men,hunting,deer,dogs
Uittocht van de remonstrantse predikanten, 1619
Object type: history print
Date: 1780 – 1795
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: banishment, exile, the hague, waalwijk

Gebruikt als illustratie in: J. Fokke, Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd, Johannes Allart, Amsterdam 1783-1795, 25 delen, dl. VII, pl. III. Staat vóór de letter. Gekopieerd naar een deel van de voorstelling in de prent van Claes Jansz. Visscher (II) (FMH 1410).
Hoedendoos, rond, van karton beplakt met wit papier met pied-de-poule patroon in zwart fluweel
Object type: hat box
Date: 1966 – 1966
Materials: cardboard, cotton, paper
Techniques: stapling, twining
Location: zeist

Hoedendoos, rond, van karton beplakt met wit papier met pied-de-poule patroon in zwart fluweel. Met draagkoord van zwart katoen.
Woven carpet piece
Object type: carpet
Date: 1885 – 1885
Materials: wool
Culture: american
Subjects: flowers
Overzicht van de wijk Honcho en het Miyozaki kwartier in Yokohama
Object type: print
Date: 1804 – 1860
Materials: paper
Techniques: woodcut
Location: japan
Artist: utagawa sadahide
Artist role: draughtsman, print maker
Artist dates: 1807 – 1873
Subjects: harbour, city-view in general; 'veduta'
Gezonken boot aan de Seine-oever tijdens de overstroming van Parijs
Object type: photograph
Date: 1901 – 1910
Materials: photographic support
Techniques: matte daylight collodion silver print
Location: paris
Artist: g. dangereux
Artist role: fotograaf
Subjects: flood (+ landscape with figures, staffage), pier, quay, wharf, paris

Onderdeel van fotoalbum overstroming Parijs en voorsteden 1910.
Portret van een onbekende vrouw uit de familie Marmelstein
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: adult woman, historical persons
Studies after Rubens’s “The Flight into Egypt”
Object type: drawing
Date: 1830 – 1830
Materials: graphite
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Tobacco box inscribed with the name Robert Yeff
Object type: tobacco box
Date: 1701 – 1733
Materials: silver
Artist: thomas hartwell
Artist role: maker
Artist dates: 1702 – 1703
Subjects: coat of arms
Bodhisattva Guanyin
Object type: figure
Date: 1801 – 1900
Materials: jade
Culture: chinese
Subjects: bodhisattvas

This lavish Guanyin was crafted out of a massive piece of spinach-hued jadeite with gray and tawny inclusions. Jadeite, originally from Burma, became extremely popular and even more valuable than nephrite jade in the nineteenth century. A sculpture of this scale, affordable only for the wealthiest families, was meant to communicate supreme respect for Guanyin.
A naval battle, a rowboat full of men to left, a sinking ship to right, two galleys battling in center, other ships battle to left in the background, from "Various Landscapes" (Divers Paysages)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: battles,men,ships