deem-data/ArtiFact huggingface dataset:
Rustende dienstmaagd met een mand, op de rug gezien
Object type: drawing
Date: 1773 – 1815
Materials: chalk, paper
Techniques: brush
Artist: hermanus van brussel
Artist role: draughtsman, print maker
Artist dates: 1763 – 1815
Portrait of Madame Dietz-Monnin
Object type: drawing
Date: 1879 – 1879
Materials: paper, pastel
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: portraits,women

Due to financial difficulties in the late 1870s, Degas accepted a commission to paint the portrait of Madame Adèle Dietz-Monnin, a work later included in the catalogue of the 1879 Impressionist Exhibition as "Portrait after a Costume Ball" (Art Institute of Chicago.) Letters attest to frequent sittings in the spring of 1879; however, this drawing is one of very few surviving studies. Vigorously executed in black and white pastel, it shows Degas recording how light fell across the sitter with particular attention to the highlights. The lighting conditions remained a primary concern in the finished work, which places Mme Dietz-Monnin in the context of a brightly lit ball surrounded by reflective surfaces.
Gezicht op de Arc de Triomphe du Carrousel te Parijs, met op de achtergrond het Palais des Tuileries
Object type: stereograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: place du carrousel
Artist: Anonymous
Subjects: square, place, circus, etc., triumphal arch, palace
Twee cherubijnen naar een detail van Rafaëls 'Sixtijnse Madonna"
Object type: sketchbook leaf
Date: 1823 – 1823
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: jonkvrouw elisabeth kemper
Artist role: draughtsman
Artist dates: 1799 – 1871
Subjects: cherubim
Inscriptions: date: ‘1823’

Blad 52 recto uit een schetsboek met 94 bladen.
Portret van Heinrich Braun
Object type: print
Date: 1743 – 1791
Materials: paper
Techniques: engraving
Location: berlin
Artist: johann conrad krüger
Artist role: artist, painter, print maker
Artist dates: 1733 – 1791
Subjects: theologian, further education (+ portrait of teacher, professor), historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van een onbekende man die de krant leest
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Artist: rudolf ganz
Artist role: fotograaf
Artist dates: 1848 – 1928
Subjects: sitting figure, historical persons, newspaper, news-sheet
Inscriptions: monogram: ‘C. Cie’
Three Women on a Balcony
Object type: print
Date: 1786 – 1786
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: balconies,fans,women
Two Glass Fragments
Object type: fragment
Date: 801 – 900
Materials: glass
Location: iraq
Quilt, Oak Leaf pattern
Object type: quilt
Date: 1860 – 1860
Materials: cotton
Culture: american
Location: united states

In this quilt, simple materials have been used to create a striking effect. Dark blue printed cotton is appliquéd on a white cotton ground in twelve blocks, each containing an organic motif traditionally known as an Oak Leaf. The border figures, edge binding, and sashing are cut from the same blue fabric. Because of the sprightly hearts that flank the flowers along the border, it is tempting to call this a bride's quilt. Its excellent condition and overall quality suggest that if it was not intended to be a bridal quilt, it is certainly a "best" quilt, one of a type used primarily to display the skills of its maker. The quilt was found in Rhinebeck, Dutchess County New York, and shares certain characteristics with other mid-nineteenth-century quilts made in southeastern New York State. Rounded, abstracted figures such as the oak leaves seen here are found on many of these quilts. The shapes of the oak leaves and of the plants, hearts, and flowers that make up the border were most likely achieved by using cut-paper templates. These templates were made by folding a square or circle of paper in half, or in the case of the eight-petaled flowers, in quarters, and cutting out a design, in much the same way that children make cut-paper snowflakes. This technique is most commonly associated with the appliquéd quilts of Hawaii (see 2017.183), but it also seems to have been popular in the southeastern part of New York State and Maryland (see 1988.134). The Museum’s Album quilt from Fishkill in Dutchess County (52.103) has many blocks decorated with cut-paper designs, and the maker of our Pineapple quilt (56.179) from Glen Head in Nassau County used this technique to form the appliquéd designs.
Tankard
Object type: tankard
Date: 1692 – 1693
Materials: silver
Artist: h. r., london
Artist role: maker
Artist dates: 1665 – 1697
Monuments de l'ancienne Rome
Object type: opticaprent
Date: 1735 – 1805
Materials: paper, watercolor
Techniques: brush, etching
Location: paris
Subjects: obelisk, needle (+ city(-scape) with figures, staffage), column (marking grave), triumphal arch, mausoleum, temple, shrine ~ roman religion, landscape with ruins (+ city(-scape) with figures, staffage), arch of constantine
Inscriptions: collector's mark: Lugt 2166, watermark

Bij de brokstukken staan en zitten figuren.
Portret van Christianus Augustus, Pfalzgraf zu Sulzbach
Object type: print
Date: 1674 – 1674
Materials: paper
Techniques: engraving
Subjects: commander-in-chief, general, marshal, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
herenhorloge
Object type: wrist watch
Date: 1770 – 1770
Materials: silver
Location: london
Artist: samson (uurwerkmaker)
Artist role: clockmaker

Herenhorloge van zilver met een onversierde, gladde binnen- en buitenkast. Op de geëmailleerde wijzerplaat een stadsgezicht met water in kleuren op een wit fond. Met sleuteltje.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, two letters of a graffito
Portret van Don Francisco Velasco y Cardenas
Object type: print
Date: 1650 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: armour, historical persons
Inscriptions: collector's mark: Lugt 2228

Met een drieregelig onderschrift in het Spaans.
Female Figure
Object type: female figure
Date: 100 – 300
Materials: ceramic
Culture: jalisco
Location: mexico
Subjects: female nudes

Large and hollow, this female figure was probably one of a group of similar ceramic sculptures placed in a Jalisco shaft tomb sometime around the turn of the first millennium A.D. Jalisco is one of the western Mexico states (Colima-Nayarit-Jalisco) from which ceramics of the period come, and its sculpture is noted for a hieratic style with stiff postures and staring eyes. This female figure is a good example of the style, with a ring in her long, aquiline nose, a tall headdress, and exaggerated shoulders surfaced with small "pellets" that have been interpreted as scarification patterns. All are probably markers of high rank. Her bodily proportions—long face, short arms, large torso with small breasts, and unarticulated legs—were not meant to indicate deformities but, rather, were accepted stylistic conventions.
Buckle Shank
Object type: buckle shank
Date: 401 – 700
Materials: bronze
Culture: visigothic
Portret van een man met in de hand een hoge hoed
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: josé martínez sanchez
Artist role: fotograaf
Artist dates: 1807 – 1874
Subjects: adult man, historical persons, head-gear: top hat
Inscriptions: inscription: ‘J. Sanchez/ Puerta del Sol 15/ Madrid’
Brief aan Philip Zilcken
Object type: letter
Date: 1895 – 1895
Materials: ink, paper
Techniques: pen, writing
Location: noordwijk aan zee
Subjects: renée hélène laure zilcken, brussels, helène lambertine hauzeur, the hague, painter, draughtsman, philip zilcken, passions, emotions, affections, diseases
Slag bij de Milvische brug
Object type: print
Date: 1535 – 1601
Materials: paper
Techniques: engraving
Location: italy
Subjects: the battle of the milvian bridge (saxa rubra): st. constantine on horseback confronts maxentius; a cross appears in the sky with in fiery letters 'in hoc signo vinces' (the raised standards of the roman soldiers carry a cross or the chi-rho monogram), warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 240

Gevechtsscène in een landschap: slag bij de Milvische brug. De soldaten van Constantijn in gevecht met de soldaten van Maxentius. Dode lichamen liggen op de grond. Soldaten te paard verdrinken in de rivier.
Fan
Object type: fan
Date: 1734 – 1766
Materials: gold, ivory, mica
Subjects: men,cows
Discovery of Bird's Nest
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: kate greenaway
Artist role: artist
Artist nationality: british
Artist dates: 1846 – 1901
Natuurlijke geschiedenis
Object type: popular print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: leiden
Subjects: worms, coelenterata: coral, coelenterata: jelly-fish, molluscs: snail
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van dieren, zoals slakken, bloedzuigers en een kwal. Boven elke afbeelding een titel, onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 192.
Doric Rotunda Interior with Curtains; Four Figure Studies, Including a Female Nude Bather with Putti, and a Martyrdom [of St. Bartholomew?] (from Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: female nudes,bathing
Plate 143: Anaxarete Seeing the Dead Iphis (Iphidis suspendium animaduertens Anaxarete in lapidem mutatur), from Ovid's 'Metamorphoses'
Object type: print
Date: 1606 – 1606
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: men,women,death
A street in Seville with figures
Object type: print
Date: 1860 – 1870
Techniques: etching
Artist: mariano fortuny, 1838–1874
Artist role: artist
Artist nationality: spanish
Artist dates: 1838 – 1874
Subjects: human figures
Ishiyakushi, from the series "Fifty-three Stations [of the Tokaido] (Gojusan tsugi)," also known as the Figure Tokaido (Jinbutsu Tokaido)
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Double Bead
Object type: bead, double
Date: 1550 – 1295
Materials: faience
Location: northern upper egypt
Actress leaning against wall, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Woman Feeding Her Child
Object type: print
Date: 1861 – 1861
Materials: ink, ivory, paper
Techniques: drypoint, etching
Location: france
Artist: jean françois millet
Artist role: draughtsman, painter, print maker
Artist nationality: french
Artist dates: 1814 – 1875
Funerary Cone of the Scribe Amenhotep
Object type: cone, circular impression, amenhotep, scribe, amun
Date: 1550 – 1295
Materials: pottery
Subjects: hieroglyphs

Used as architectural decoration, funerary cones were arranged along the upper edge of the facades of private tombs at Thebes. This Cone has the impression of a stamp inscribed for a scribe of the offering table named Amenhotep. For a drawing of this impression see http://www.funerarycones.com/, number 593.
Portret van Gabrielle Tholer
Object type: page
Materials: paper
Techniques: woodburytype
Location: france
Subjects: portrait of actor, actress
Inscriptions: inscription: ‘Journal Hebdomadaire paraissant le Jeudi, Du 1er au 7 Février 1877.’, number: ‘Numéro 194’
Miss Isabelle Coe, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, lower drapery of figure; ends of two fillets?
Moving the Vatican Obelisk, from "Speculum Romanae Magnificentiae"
Object type: print ornament architecture
Date: 1586 – 1586
Techniques: etching, printing
Artist: natale bonifacio
Artist role: artist
Artist nationality: italian
Artist dates: 1537 – 1592
Subjects: obelisks,men,horses,coat of arms
Slob(?)kous van turquoise zijden tricot, zonder voet, bij de klink lange ecrukleurige linnen linten
Object type: spat
Date: 1700 – 1800
Materials: linen, silk
Techniques: knitting, weave
Location: netherlands
Artist: Anonymous

Slob(?)kous van turquoise zijden tricot met een diamantvomige decoratie op de klink. Zonder voet, split bij de hiel. Bij de klink lange ecrukleurige linnen linten. Langs de bovenrand twee fijne meegebreide paarse strepen.
Portret van Frederik Willem, keurvorst van Brandenburg
Object type: print
Date: 1688 – 1705
Materials: paper
Techniques: engraving, etching
Artist: adriaen schoonebeek
Artist role: print maker, publisher
Artist dates: 1661 – 1705
Subjects: berlin, frederik willem van brandenburg (i), specific aspects, allegorical aspects of hercules; hercules as patron - triumph, justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues - mm - triumph
Inscriptions: collector's mark: Lugt 2228

Portret van Frederik Willem, keurvorst van Brandenburg, omgeven door een guirlande. Linksonder Hercules en rechtsonder een vrouwenfiguur, mogelijk Rechtvaardigheid. De vrouw draagt een lam en een boek met zegels op haar arm. Hercules houdt met zijn voet de hydra van Lerna in bedwang en draagt het wapenschild van de keurvorst. Op een draperie met Hercules' leeuwenvel de naam en titels van de geportretteerde in het Latijn.
Bijschrift op de afbeelding van Simon Fokke
Object type: text sheet
Date: 1781 – 1781
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: arend fokke simonsz.
Artist role: publisher
Artist dates: 1755 – 1812
Subjects: amsterdam, print maker, draughtsman, simon fokke, historical persons
Inscriptions: date

Tekstblad van twee pagina's, met op de tweede pagina het gedicht. Mogelijk een bijschrift bij Simon Fokkes zelfportret.
Hoofd van een meisje en profil naar links
Object type: drawing
Date: 1780 – 1849
Materials: paper, pencil
Artist: david pièrre giottino humbert de superville
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1849
Physiologie van de Pels: karikaturen op de ontwikkeling van de bontjas
Object type: design
Date: 1877 – 1921
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: henricus
Artist role: draughtsman, print maker
Artist dates: 1867 – 1921
Subjects: caricatures (human types), coat (+ fur used for clothes), political caricatures and satires
Jepthah and His Daughter
Object type: embroidered picture
Date: 1651 – 1675
Materials: canvas, silk
Subjects: houses,men,women,peacocks,deer,butterflies,snails,flowers
Minaret van de Grote Moskee (Masjid Raya Al Mashun) in Medan
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: medan
Artist: Anonymous
Subjects: temple, shrine ~ islam, mohammedanism

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Tree Sketch and Landscape (from Sketchbook)
Object type: drawing
Date: 1890 – 1890
Materials: graphite, paper
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: trees
Newes Modelbuch in Kupffer (Page, 5r)
Object type: book print ornament architecture
Date: 1604 – 1604
Techniques: woodcut
Artist: johann sibmacher
Artist role: artist
Artist nationality: german
Artist dates: 1590 – 1611

Designed by Johann Sibmacher, German, active 1590-1611. 2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs.
Zürich Woman in Wedding Dress
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Accessory set
Object type: accessory set
Date: 1895 – 1895
Materials: linen
Culture: belgian

The complexity and lyrical quality of the design, the variety of intricate fillings, and the superb execution establish this set of point de gaze lace as a prime example of its kind made in the late 19th century. When it was purchased it was, according to the donor, "the finest that could be found in Brussels in 1895."
Mur en Sologne (La Morinière)
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: loir-et-cher
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: tower, clock tower ~ monumental adornment, castle, river, bridge
Inscriptions: name: ‘KUNSTBOEKHANDEL J. A. G. DE LEUR <BR />PHOTOGRAAF - UITGEVER<BR />Huigenspark, 40b.<BR />DEN HAAG’, name: ‘MIEUSEMENT PHOTOGRAPHE’, inscription: ‘Stijlkast pl. 12 - 13’, number: ‘No. 990’, collector's mark: Lugt 3937, name: ‘MONUMENTS HISTORIQUES’
The Exile of Yukihira at Suma
Object type: print
Date: 1789 – 1789
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: men,beaches

Like his younger brother, Narihira, Yukihira came to be the hero of a romantic legend. By imperial edict, Yukihira was exiled from the capital to the lonely beach at Suma, which was famous as a beautiful spot for viewing the moon. There, the exiled courtier fell in love with Matsukaze and Murasame, two sisters who had fallen from their privileged position as daughters of the provincial governor because of the treachery of their cruel stepmother. On the beach at Suma, they were forced to live like peasants, carting and drying seawater to make salt. The depicts Yukihira's arrival with two attendants at the place of his exile. Still dressed in his court finery, he stands on the beach, gazing across the inlet at the thatched huts of the salt workers.
Verschillende personen in de begrafenisstoet van prinses Maria Louise, 1765
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: etching
Location: leeuwarden
Subjects: cortege, funeral procession
Inscriptions: date

Verschillende personen. Gemerkt rechtsonder: Pl. XII. Op het blad onder de plaat de namen van personen in de stoet. Onderdeel van de serie platen van de begrafenis van prinses Maria Louise te Leeuwarden op 13 juni 1765.
Portretten van drie commissarissen van de staat New York
Object type: photomechanical print
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Location: united states
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life) (+ head (and shoulders) (portrait))
Inscriptions: number: ‘226-c’, annotation

Links Francis A. Stout, midden William Dorsheimer, rechts George Geddes.
Prints of the Female Reproductive Organs
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: engraving, letterpress printing
Location: leiden
Subjects: womb, uterus
Inscriptions: collector's mark: Lugt 2228

In 1672, physician and anatomist Reinier de Graaf published his De mulierum organis about the female reproductive organs. The book contains detailed prints by Hendrik Bary, among them several of the vagina. De Graaf was the first to conclude that a foetus was the product not just of a man’s seed, but also of a woman’s egg. He discovered what he called blisters, which later became known as Graafian follicles.
Acta Apostolorum
Object type: print
Date: 1582 – 1633
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the twelve apostles (as a group), usually with books or scrolls (not in biblical context), lives and acts of the apostles (part i)

Centraal in een kader de titel Acta Apostolorum. Rondom het kader elf apostelen. Links van het kader de apostel Petrus. Rechts van het kader de apostel Paulus. De apostelen zijn afgebeeld met hun attributen. De prent is de titelprent van een 34-delige serie over de Handelingen van de apostelen.
Gezicht op de haven van Göteborg
Object type: photomechanical print
Date: 1889 – 1920
Materials: cardboard, paper, photographic process
Location: zurich
Artist: Anonymous
Subjects: harbour
Inscriptions: number: ‘7168.’
Studieblad met schepen
Object type: sketchbook leaf
Date: 1809 – 1880
Materials: paper, pencil
Location: norway
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: ships (in general)

Blad 21 verso uit een schetsboek met 38 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Die vaarzen dicht, Vleid, steekt, of sticht
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: etching, letterpress printing
Artist: cornelis huyberts
Artist role: print maker
Artist dates: 1669 – 1709
Subjects: author, poet dictating, autograph ~ author, poet, author, poet writing
Inscriptions: stamp, collector's mark: Lugt 1641

Prent uit: Graauwhart, Hendrik. Voorbeeldelyke zeede-lessen, genoomen uyt den eersten toestand des werelds (...). Amsterdam: Johannes Ratelband, 1725. Prent ook gebruikt voor eerdere en (1709) latere uitgave (1756, 1761 en 1764).
Pricket candlestick
Object type: candlestick
Date: 1501 – 1600
Materials: bronze
Koffiekan met deksel uit het koffie- en theeservies 'Saxonia'
Object type: coffee pot
Date: 1904 – 1904
Materials: porcelain, chemical
Techniques: painted
Location: meissen
Artist: otto eduard voigt
Artist role: keramiekontwerper
Artist dates: 1870 – 
Inscriptions: model number: ‘U 124’, factory mark, mark: ‘87’

Parts of a tea and coffee service. Porcelain. Meissen, Königlich Sächsische Porzellanmanufaktur, 1904, designed by Otto Eduard Voigt.
Practical application for a diamond hypnotist, from 'News of the Day,' published in Le Charivari, January 24, 1860
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women

My wife is hypnotized... now I can quietly leave for the opera ball.... sleep well, my dear!
Outskirts of Rome
Object type: print
Date: 1866 – 1866
Materials: paper, ivory
Techniques: etching
Location: france
Artist: jean-baptiste-camille corot
Artist role: artist
Artist nationality: french
Artist dates: 1796 – 1875
Visverkoper aan de deur van een voornaam huis
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: children's games and plays, fishes, opening the door, merchant, salesman
Inscriptions: collector's mark: Lugt 2228

Een vrouw in een mantel afgezet met bont doet de deur open voor een visverkoper. Hij neemt zijn hoed af, onder zijn arm heeft hij een mand met vis. Aan haar arm heeft zij een jong meisje dat kijkt naar een hond. Achter de man, op de stoep, spelen twee kinderen. De prent werd gemaakt naar een schilderij van Jacob Ochtervelt in het Mauritshuis in Den Haag.
Fragment beslag van patroonhuls uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: cartridge shell
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Cartridge case, tube solder; id. NG 1979-205H549.