deem-data/ArtiFact huggingface dataset:
Portret van Johannes Adriaans
Object type: print
Date: 1820 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: johannes adriaans
Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 13r)
Object type: book print ornament architecture
Date: 1532 – 1532
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: ornament

Published by Peter Guentel, Cologne. The only recorded copy (incomplete) of Peter Guentel's second edition of this model book. Illustrated title page and 31 pages of designs.
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Part of the car, wheel, and pole of a chariot to right being pulled by four horses; behind the horse, at the far right, foot and part of the drapery of a female figure to right; below the horses, two lines, a frieze of upright lotuses, two more lines, and rays
Portret van Julius Caesar Scaliger
Object type: print
Date: 1590 – 1594
Materials: paper
Techniques: engraving
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: julius caesar scaliger, philology (+ portrait of scholar, scientist), historical persons
Inscriptions: collector's mark: Lugt 2233, signature: ‘Expresus plumbo....Goltzius artifici’

Deze gravure werd samen met Goltzius' gravure van de zoon van Julius Caesar Scaliger, Josephus Justus Scaliger (zie nummers/relaties), in opdracht van de Universiteit Leiden vervaardigd in 1592. De universiteit stuurde afdrukken van deze twee prenten naar verschillende geleerden in Europa. Goltzius ontving voor het graveren van de twee platen 200 guldens en nog 11 guldens extra om van elke plaat 500 afdrukken te maken. De platen bevinden zich in de Universiteitsbibliotheek van Leiden. Jacobs, G.
Plattegrond van Veere
Object type: area plan
Date: 1649 – 1649
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial)

Deze staat van prent ook gebruikt in: Theatrum ichnographicum omnium urbium et praecipuorum oppidorum Belgicarum XVII Provinciarum (…). Amsterdam: Frederik de Wit, ca. 1700-1710. En in: Aa, Pieter van der. La galerie agreable du monde (...). 66 delen. Leiden: Pieter van der Aa, 1728, dl. 21.
Thesaurus novi Testamenti elegantissimis iconibus expressus continens historias atque miracula doni nostri Iesu Christi
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: 'the kingdom of heaven is like treasure hidden in a field' ~ proverbial saying of christ (matthew 13:44)

Een man koopt nadat hij in een akker een schat heeft gevonden de akker van de eigenaar. Op de achtergrond is te zien hoe de man de schat vindt en weer begraaft. Op de voorgrond links staat de man met een stokkenbeurs in de hand om te onderhandelen en de akker te kopen. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Mat. 13. Deze prent maakt deel uit van een album.
Design for Brougham, no. 989
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Granada, Alhambra, puerta y Patio de la Torre de la Cautiva
Object type: photograph
Date: 1900 – 1930
Materials: paper
Techniques: gelatin silver print
Location: granada
Artist: enrique linares
Artist role: fotograaf
Subjects: palace - aa - civic architecture: inside
Inscriptions: number: ‘No 59.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of stick and tassels
Portret van een man in uniform
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: dresden
Artist: franz ehrlich
Artist role: fotograaf
Subjects: sideburns, historical persons, (military) uniforms
Inscriptions: inscription: ‘Photographie/ von/ FRANZ EHRLICH/ Georgplatz 12/ Dresden/ Zu Nachbestellungen wird die Platte aufbewahrt.’
Perron van het stationsgebouw te Buitenzorg
Object type: photograph
Date: 1880 – 1888
Materials: photographic support
Techniques: albumen print
Location: java
Artist: Anonymous
Subjects: buitenzorg

Het perron van het stationsgebouw te Buitenzorg. Onderdeel van een groep van 62 foto's in een doos met het opschrift "Staatsspoorwegen op Java" uit 1888.
Arc-shaped pendant (huang)
Object type: costume and accessory
Materials: jade
Location: china
Twee stuiver, noodmunt uit Deventer, geslagen tijdens het beleg
Object type: siege coin
Date: 1578 – 1578
Materials: copper
Techniques: striking
Location: deventer
Artist: balthasar wijntgens
Artist role: mintmaster
Artist dates: 1577 – 1592
Subjects: deventer

Voorzijde: gekroonde adelaar binnen omschrift. Keerzijde: Romeinse cijfer II en letter S binnen krans; klop: stadswapen
Brief aan Jan Veth
Object type: letter
Date: 1892 – 1892
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: dordrecht, painter, print maker, draughtsman, designer, jan veth, paul verlaine, workshop, studio of the artist (in general), diseases, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’
Twee voorstellingen van een ouder met twee kinderen
Object type: print
Date: 1779 – 1779
Materials: paper, pencil
Techniques: etching
Location: leiden
Subjects: mother and baby or young child, father-love
Inscriptions: collector's mark: Lugt 240, number: ‘Etsdr. 24. 25.’

Twee voorstellingen van van een ouder met twee kinderen: links een moeder en rechts een vader met elk een kind op de arm en een aan hun zij.
Earring with pendant
Object type: earring with pendant
Date: 400 – 201
Materials: gold
Vase with Magnolias
Object type: vase
Date: 1667 – 1700
Materials: cobalt, glaze, porcelain
Techniques: painting, relief
Culture: chinese
Portret van Johannes de Gorter
Object type: print
Date: 1735 – 1747
Materials: paper
Techniques: engraving
Location: leiden
Subjects: botanicus, johannes de gorter
Inscriptions: collector's mark: Lugt 240

Portret ten halven lijve van Johannes de Gorter in een ovaal. Het portret rust op een richel waarop zijn naam en gegevens in vijf regels in het Latijn.
Portret van Andreas Goldmayer op 60-jarige leeftijd
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, physician, doctor (+ portrait of scholar, scientist), mathematics (+ portrait of scholar, scientist)
Inscriptions: date

Tekst in het Latijn in de ondermarge en in de omlijsting.
Half Model of a Merchantman
Object type: ship model
Date: 1780 – 1820
Materials: wood
Techniques: polychromy
Location: netherlands
Artist: Anonymous
Inscriptions: inscription, top centre, on a rectangular black label: ‘KOOPVAARDIJSCHIP. / LANG 160 VT.’, label, bottom right: ‘969’ former inventory label

Mallenmodel (stuurboord) van een driemaster. De huid boven het barkhout is gesloten en heeft twaalf poorten op één dek. Gewrongen spiegel, hol wulf, hek gesloten, geen zijgalerij; recht roer met vierkante roerkoning. Zeeg naar voren en naar achter oplopend, twee barkhouten en één reehout. Gepiekt rondspant. Schaal ca. 1:64 (afgeleid).
Left Breastplates from Two Brigandines
Object type: left breastplate from a brigandine
Date: 1400 – 1425
Materials: brass, steel, textile
Culture: italian
Location: italy

Both retain some of their original textile covering, and one (acc. no. 29.150.103) has notched stop-ribs to protect the throat and armpit areas of the wearer.
Manchet van lintjeskant
Object type: clothing
Date: 1800 – 1899
Materials: linen
Techniques: lace
Location: western europe
Artist: Anonymous
Battersea Reach
Object type: print
Date: 1863 – 1863
Techniques: drypoint, etching
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Subjects: rivers,boats
They think they might be able to overtake the train!!!, from 'News of the day,' published in "Le Charivari"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: railways,men,carriages,trains
Spoon
Object type: spoon
Date: 1801 – 1900
Materials: gilt, silver
Braamstruiken in de duinen
Object type: print
Date: 1887 – 1889
Materials: paper
Techniques: drypoint, intaglio
Location: netherlands
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: prospect of village, silhouette of village, plants and herbs: bramble, dunes (sea not visible); in the dunes
Inscriptions: collector's mark: Lugt 2228
Purse
Object type: purse
Date: 1867 – 1900
Materials: glass, linen, metal
Culture: mexican
Subjects: flowers
Plate
Object type: plate
Date: 1840 – 1850
Materials: glass
Chile, from the playing cards "Jeu de la Géographie"
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: shields,swords,men
Resurrected Christ
Object type: drawing and watercolor
Date: 1559 – 1559
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: luca cambiaso
Artist role: artist
Artist nationality: italian
Artist dates: 1527 – 1585
Inscriptions: Inscribed recto, lower center, in pen and brown ink: "37."; verso lower center on mount, in pen and black ink, in "Gurley hand": "Giovanni Battista Tiepolo -- 1696-1749"
Small covered winepot or teapot (similar to 1975.1.1714-16)
Object type: covered winepot or teapot
Date: 1662 – 1772
Materials: paste, porcelain
Techniques: painting, underglaze
Culture: chinese
Artist: chinese
Artist role: artist
Livre nouveau de cartouche
Object type: ornament print
Date: 1682 – 1723
Materials: paper
Techniques: engraving, etching
Subjects: ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent maakt deel uit van een serie van zes prenten.
Koelies sorteren tabak op de onderneming Bekioen, Sumatra (Tabaksortieren in Bekioen)
Object type: album leaf
Date: 1890 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: sumatra
Subjects: plantation, sorting of products, working class, labourers, tobacco, sumatra
Inscriptions: number: ‘28’

In de lijst van afbeeldingen wordt deze foto beschreven met de woorden "Tabaksortieren in Bekioen".
The otter hunt
Object type: photomechanical print
Date: 1878 – 1878
Materials: paper
Techniques: woodburytype
Location: london
Subjects: hunter, beasts of prey, predatory animals: otter, dog
Bebost berglandschap (Tivoli)
Object type: drawing
Date: 1767 – 1818
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: johann conrad steiner
Artist role: draughtsman
Artist dates: 1757 – 1818
Subjects: waterfall, forest, wood, tivoli

Bebost berglandschap (Tivoli). Links, onder een knoestige eik, zitten twee jongelingen bij een waterval op een rotsblok. Van rechts nadert door de bedding van een beek een hengelaar met de hengel over de schouder. Rechts boven: rond tempeltje van Vesta.
Watch case
Object type: watch case
Date: 1801 – 1900
Materials: silver
Heilige Margaretha met de draak in een landschap
Object type: drawing
Date: 1505 – 1579
Materials: ink, paper
Techniques: brush, pen
Artist: giovanni cambiaso
Artist role: draughtsman
Artist dates: 1495 – 1579
Portret van Niccolò Machiavelli
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, scholar, philosopher (+ portrait of scholar, scientist)

Prent mogelijk uit: Macchiavelli, Niccolò. Le prince de Nicolas Machiavel: citoien et secretaire de Florence. Amsterdam: Henry Wetstein, 1684.
Helmet
Object type: helmet
Date: 1701 – 1800
Materials: textile
Culture: central indian
Location: central india
Nederlandse gezant Willem van Lier te Venetië, 1627
Object type: print
Date: 1703 – 1740
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: audition; ruler giving audience, venice
Inscriptions: inscription: ‘De Nederlandsche Gezant ontvangt te Venetie groote eerbewijzing, wordende verzogt te zitten/ met gedekten hoofde aan de regte hand van den Doge, in spijt van den Pauselijken en Spaanschen/ Gezant, nadat hij door vijftig Venetiaansche Raadsheeren, in purpere tabberden, op de plegtigste wijze was/ ingehaald; in 1610.’, collector's mark: Lugt 2228
Pieces
Object type: piece
Date: 1801 – 1900
Materials: cotton
Gas Lamp
Object type: gas lamp
Date: 1855 – 1855
Materials: gilt bronze, glass
Gezicht op Sloterdijk
Object type: print
Date: 1693 – 1726
Materials: paper
Techniques: etching
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: prospect of village, silhouette of village, sloterdijk
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Gezicht op Sloterdijk met een trekschuit. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Vervoermiddelen te land en te water, Vervoermiddelen te water.
Prinses Irene en Prins Carlos. aankomst op paleis Soestdijk zaterdagavond
Object type: photograph
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: utrecht, bernhard (prins der nederlanden), juliana of the netherlands
Inscriptions: annotation: ‘Prinses Irene en Prins Carlos, aankomst op paleis Soestdijk zaterdagavond. foto: de marachausse had de handen vol om de auto veilig binnen de poorten van het paleis te krijgen’
Toegangshekken naar de Duitse tentoonstelling tijdens de World's Columbian Exposition in Chicago in 1893
Object type: page
Date: 1893 – 1893
Materials: paper
Techniques: photograph
Location: chicago
Subjects: world fair, world exhibition
Inscriptions: number: ‘Plate 8’
Bandontwerp voor: Frank Yerby, De familie Fox, c. 1948-1957
Object type: study for binding design
Date: 1948 – 1957
Materials: paint, paper, pencil
Techniques: brush
Artist: Anonymous
Subjects: marriage, married couple, 'matrimonium', country-house
Inscriptions: annotation: ‘10 omslagen’, collector's mark: Lugt 2228a

Voor een landhuis staan vier figuren, onder wie Stephen Fox en zijn echtgenote Lilli D'Arceneaux.
Saint John the Evangelist in Meditation
Object type: drawing and watercolor
Date: 1800 – 1809
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: after guercino
Schloss Köpenick en een terras onder bomen in Köpenick
Object type: album leaf
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Location: köpenick
Artist: Anonymous
Subjects: castle, pavement, terrace in front of inn or restaurant
Inscriptions: inscription: ‘Maandag den 12de Aug 1901’, title: ‘Köpenick Schloss.’

Deze fotomechanische afdrukken maken deel uit van een album.
Nederlands Indië, ½ cent, 1855
Object type: coin
Date: 1855 – 1855
Materials: copper
Techniques: striking
Location: utrecht
Artist: willem iii (koning der nederlanden)
Artist role: koning
Artist dates: 1817 – 1890

Koperen munt. Voorzijde: tussen jaartal gekroond rijkswapenschild. Boven kroon landsaanduiding en onder wapenschild waarde-aanduiding. Keerzijde: drieregelig Maleis opschrift in Arabische tekens, waaromheen omschrift in het Javaans. Gladde rand.
Vaikuntha Vishnu
Object type: figure
Date: 776 – 800
Materials: stone
Culture: kashmiri
Subjects: kashmir,vishnu,hinduism

This complex form of Vishnu, first referred to by the name Vaikuntha in the seventh-century Vishnudharmottarapurana, is four-faced (chaturmurti), with the heads of a lion (right) and a boar (left) flanking a human head. He is also identifiable in this form by the epithet Para-Vasudeva, “the highest god.” The lion and boar represent Vishnu’s Varaha and Narasimha avatars. Carved in low relief on the back of the halo is the fourth face, a demonic, grimacing representation with fangs and a vertical third eye on the forehead. The small attendant on Vishnu’s left is Chakrapurusha, the personification of his war discus, originally balanced on his right by Gadadevi, the female personification of his battle mace. The earth goddess Prithvi, stands between Vishnu’s legs. from the eighth through the tenth century, this four-faced Vishnu was the paramount cult icon in the kingdom of Kashmir.
Vase
Object type: vase
Date: 1828 – 1838
Materials: porcelain
Culture: american
Location: united states
Artist: thomas tucker
Artist role: decorator
Artist nationality: american
Artist dates: 1812 – 1890
Subjects: landscapes

This pair (see also 1992.362.2) of ornamental vases recalls the popular French form in their classical ovoid shape and gilded caryatid handles. The finely painted views, in this case of European landscapes, were probably derived from prints or travel books of the time.
Card Number 599, Geraldine Ulmer, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Bowl with Dragons
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, painting
Location: china
Processional cross
Object type: processional cross
Date: 1460 – 1480
Materials: copper, silver gilt, niello, wood
Techniques: gilding
Subjects: christ,cross,crucifixion,last supper,saints

Inscriptions on the back of this object indicate that it served as the repository for a relic believed to be a fragment of the True Cross and that it is thought to have been made for a convent of the Poor Clares, probably in Florence. It is an extraordinary example of Florentine Renaissance metalwork, incorporating within its silver-gilt frame a series of twenty silver plaques with nielloed scenes depicting the Passion of Christ and various saints.
Boerderij
Object type: print
Date: 1870 – 1941
Materials: paper
Techniques: etching, intaglio
Artist: eduard karsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1941
Subjects: barn, hay-stack
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Noord-Holland’
Portret van Friedrich Gottlieb Klopstock
Object type: print
Date: 1795 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Aert Jansz. van Nes
Object type: print
Date: 1670 – 1690
Materials: paper
Techniques: engraving, roulette
Location: netherlands
Subjects: rotterdam, commander-in-chief, admiral (+ naval force)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 533b

Portret van de marineofficier Aert Jansz. van Nes. Van Nes was een luitenant-admiraal die zich vooral in de Engelse oorlogen had bewezen. Op de achtergrond een zeeslag. Van Nes staat aan de kust voor een muur. Onder het portret een Nederlands vers op Van Nes en zijn leven.
Curb Bit
Object type: bit
Date: 1601 – 1700
Materials: copper, metal alloy, tin
Culture: german
Location: germany

This mouthpiece was designed for a horse with a regular good mouth and a very thick tongue. The thin curb chain, attached at the wrong place on the purchases, is a modern replacement, as well as the articulated connecting links between the shanks. This kind of bit, with its engraved, pierced and chiseled ornamentation, is a very common type of German 17th-century bit, found in many collections. They might have been pre-made generic bits, mounted with mouthpieces and shanks of regular strength suitable for most horses.
Gezicht op de zuidelijke schoorsteen in de Burgemeesterskamer in het Paleis op de Dam
Object type: photograph
Date: 1865 – 1940
Materials: paper
Techniques: collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: chimney, mayor, burgomaster, townhall, chimney-piece, mantelpiece, royal palace of amsterdam
Inscriptions: inscription: ‘Zuidelijke Schoorsteen / in het Burgemeestersvertrek’, collector's mark: ‘17.27’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Stadhuis, van binnen: Groote zaal, Raadkamer, Schepenkamer, Troonzaal, Mozeszaal, Zitkamer.
Portret van een onbekende man in marine-uniform
Object type: album leaf
Date: 1895 – 1895
Materials: paper, cardboard
Techniques: gelatin silver print
Location: wilhelmshaven
Subjects: adult man, ranks in the navy, anonymous historical person portrayed
Inscriptions: inscription: ‘Atelier Walther/ Wilhelmshaven/ Roonstr. 74b’, monogram: ‘AW’, inscription: ‘Atelier Walther/ Wilhelmshaven/ Roon-Str. 74b./ Die Platte bleibt für Nachbestellungen/ 2 Jahre aufbewahrt.’
Hood
Object type: hood
Date: 1640 – 1640
Materials: cotton
Culture: british
Glass jug
Object type: jug
Date: 1 – 200
Materials: glass
Culture: roman

Translucent blue-green; handle in same color. Rim folded out, round, and in, with beveled upper surface; cylindrical neck, with tooling indent around the base; almost horizontal shoulder; squat, bulbous body, curving in at base; hollow base ring, outsplayed on one side; shallow, pushed-in bottom; two-ribbed handle applied to shoulder, with straight tooling indent across back of pad and two claws projecting down on front, drawn up and outwards, then turned in horizontally, and pressed onto side of rim and top of neck, with vertical projecting loop as a thumb rest above rim. Intact; some pinprick bubbles and blowing striations; slight dulling, thick creamy brown weathering, and iridescence.