deem-data/ArtiFact huggingface dataset:
Portret van Hugues de Lionne
Object type: print
Date: 1649 – 1670
Materials: paper
Techniques: engraving
Artist: moritz lang
Artist role: draughtsman, print maker
Subjects: paris, historical persons, lawyer, attorney at law, diplomacy, diplomat
Inscriptions: collector's mark: Lugt 2228
Aya no Tsuzumi, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Portret van Franz Rieffel, lezend
Object type: cabinet photograph
Date: 1901 – 1901
Materials: paper, cardboard
Techniques: gelatin silver print
Location: mainz
Artist: p. metz
Artist role: fotograaf
Subjects: reading, historical persons
Inscriptions: inscription: ‘No der Platte/ P. Metz (...) Haake & Albers, Frankfurt a.M.’, inscription: ‘Seinem hochverehrten Freunde/ Charles Storm van 's Gravensande/ Wehen (Taunus) Sommer 1901 Franz Rieffel’
Portret van een onbekende man
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: friedrichshagen
Subjects: historical persons
Inscriptions: monogram: ‘LEIPZIG/ S G’, inscription: ‘Das Atelier des Photographen.’

Prent op derde ongenummerde pagina na pagina 88.
Wing of an Altarpiece with Adoration of the Magi, on the reverse is Presentation in the Temple
Object type: painting
Date: 1560 – 1565
Materials: oil, paint, panel, wood
Location: amsterdam
Artist: pieter aertsen
Artist role: draughtsman, painter, print maker
Artist dates: 1508 – 1575
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh), presentation of the christ-child in the temple, usually simeon (and anna) present (luke 2:22-39)

Pieter Aertsen (1509 - 1575). Left panel of a triptych depicting the adoration of the Magi; on the reverse the presentation in the temple, c. 1560. Centre panel of a triptych depicting the adoration of the Magi, c. 1560 Although these two panels are not of equal length, they once formed part of the same work. The inside of this triptych portrays the adoration of the Magi, but in a highly unusual composition: each section of the triptych features one of the kings. The narrow panel, which shows the black king, was acquired by the museum in 1900 as a donation. The centre panel did not come into the possession of the Rijksmuseum until after the war. The right-hand panel, with the youngest king, has never been recovered. (side panel) From a church in Delft. Until 1860 in the City Hall of Delft. Bequest of Jonkheer J.P.Six (Amsterdam), 1900, on loan from 1885. (centre) Deutzenhofje, Amsterdam. On loan, from the P. & N. de Boer Stichting, Amsterdam, 1960.
Knife (Piha Kaetta) with Sheath
Object type: knife piha kaetta with sheath
Date: 1701 – 1900
Materials: brass, steel, wood
Culture: sri lankan
Location: sri lanka
Ruïne van Brederode
Object type: photomechanical print
Date: 1912 – 1912
Materials: cardboard
Techniques: photograph
Location: leipzig
Artist: Anonymous
Subjects: castle, bridge in city across river, canal, etc., armorial bearing, heraldry
Inscriptions: date
A Triptych (Sanpukutsui): Courtesans of the Pleasure Quarters of the Three Cities
Object type: print
Date: 1751 – 1800
Techniques: printmaking, woodblock print
Location: japan
Artist: torii kiyomitsu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1785
Portret van Ludwig Adolph Peter, Graf Wittgenstein
Object type: print
Date: 1813 – 1825
Materials: paper
Techniques: stippling
Location: berlin
Subjects: knighthood order, historical persons, (military) uniforms
Inscriptions: collector's mark: Lugt 2228
Interieur van de Nieuwezijds Kapel te Amsterdam
Object type: photograph
Date: 1908 – 1908
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: albert adriaansz
Artist role: fotograaf
Artist dates: 1877 – 1941
Subjects: interior of church
Inscriptions: collector's mark: Lugt 2228, annotation: ‘2135XZ/ Tijd/ v. Kalverstraat naar Rokin/ voor altaar/ 13cm breed/ 08.128’, annotation: ‘13x9,4’
Voorstellingen van de Passie van Christus
Object type: print
Date: 1647 – 1703
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: passion of christ

Deze prenten maken deel uit van een serie met 36 voorstellingen van de Passie, opgedragen aan Madame de Maintenon. In het album bevinden zich verschillende staten van de serie: latere staten met de ornamentele lijst en eerdere staten zonder de ornamentele lijst.
A-ndëf
Object type: a ndëf
Date: 1867 – 1900
Materials: wood
Culture: baga
Location: guinea
[Pointed Arches, Sculptural Saints, and Rose Window, Amiens Cathedral]
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: sculpture,architecture,cathedrals,saints
Card Number 738, Louise des Maiets, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Zwarte vlag met wapen families De Graeff en Herzeele
Object type: flag
Date: 1767 – 1798
Materials: linen, paint, wool
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, armorial bearing, heraldry

Zwarte vlag met excentrisch aan broekzijde een witte rechthoek, met de wapens van Gerrit de Graeff, en Christina van Herzeele, tezamen gebracht onder een helm in blauw met oker tegen rood lofwerk. Hierboven een kroon met vijf punten: drie met fleurons, twee met parels, afwisselend, en boven de middelste een rechtopstaande troffel met okerkleurige steel en blauwe schep. Te weerszijden van de wapens een zwaan die zijn kop in het rode lofwerk steekt. Dit alles staat op een asymmetrische voet met lofwerk. Hieronder een banderol in goud, waarop in zwarte klassieke kapitalen: MORS, SCEPTRA, LIGONIBUS, AEQUAT. Langs de broek aan baan van afgeknotte driehoeken in zwart en wit. Aan boven- en onderzijde zwart-witte franje. Acht stellen vernieuwde lintjes aan de broek.
Landschap met waterval en dorp
Object type: print
Date: 1648 – 1705
Materials: paper
Techniques: etching
Location: france
Subjects: landscapes, sports, games ~ animals (+ net)
Inscriptions: collector's mark: Lugt 2228

Landschap met op de voorgrond rechts, een staande vrouw pratend met liggende man. Links van het midden een jongen met visnet staand bij rivier met waterval. Op de achtergrond een dorp aan het water.
Great Bird of Paradise, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Birds of the Tropics" series (N5), issued in 1889 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
The Marriage at Cana
Object type: print
Date: 1590 – 1620
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: food,men,women,christ,dining
Manuscript Storage Cabinet
Object type: manuscript storage cabinet
Date: 1767 – 1833
Materials: gold, lacquer, wood
Culture: thai
Subjects: cabinets

Cabinets of this type were traditionally gifted to monasteries where they served to house and preserve the sacred scriptures written on palm-leaf manuscripts, and associated Buddhist texts often on khoi paper, such as those narrating the adventures of the venerable monk Pra Malai. These cabinets were richly decorated with gold on lacquer ground in a technique known as Lai Rod Nam. Depictions of celestial adorants was a favored subject, as was combatant scenes from the Ramakien, the Thai version of the Indian epic, the Ramayana, as seen here. The openwork stand with two drawers is carved in the Chinese manner and is likely of a later date.
"Four Parts of the World"
Object type: panel
Date: 1788 – 1788
Materials: cotton
Artist: jean-baptiste huet i
Artist role: designer
Artist nationality: french
Artist dates: 1745 – 1811
Subjects: birds,deer,elephants,horses
Close No. 101 High Street
Object type: photograph
Date: 1868 – 1868
Techniques: photogravure
Location: scotland
Artist: thomas annan
Artist role: fotograaf
Artist nationality: scottish
Artist dates: 1829 – 1887
Portret van Antoine Perrenot de Granvelle
Object type: print
Date: 1835 – 1883
Materials: paper
Techniques: engraving, etching
Subjects: antoine perrenot de granvelle, cardinal, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Ontwerpen voor ornamenten met oorlogstrofeeën
Object type: ornament print
Date: 1716 – 1716
Materials: paper
Techniques: etching
Location: france
Subjects: 'tropaion', i.e. decorative ornament ~ weapons, (story of) minerva (pallas, athena), weapons, (military) flags and standards

Prent maakt deel uit van een serie van zes prenten.
Het overlijden en de lijkstatie van Maria II Stuart, koningin van Engeland, 1695
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), london, maria ii stuart (koningin van engeland, schotland en ierland), samuel gruterus

Titelpagina van het boek 'Funeralia Mariae II Britanniarum', van Samuel Gruterus uit 1695, waarin de serie prenten over het overlijden en de lijkstatie van Maria Stuart zijn afgebeeld. Allegorische titelprent met links koning Willem III als een Romeins veldheer met een fakkel in de hand, rechts Samuel Gruterus als een redenaar achter een kansel. Onderaan een Latijns vers van Romeyn de Hooghe. Bij de prent behoort een verklaring van de voorstelling (RP-P-OB-76.272A).
Plate with Heraldic Shield of a Rampant Lion
Object type: plate
Date: 1450 – 1475
Materials: earthenware
Techniques: glazing
Culture: spanish
Location: spain
Subjects: shields,lions

Lusterware is the term used to describe a glazed earthenware ceramic decorated with an iridescent finish. The technique for creating this finish was developed in the ninth century under the rule of the Abbasid Caliphate in present-day Iraq. The medium involves a technique that is difficult to master, but if completed successfully, the surfaces of the ceramic objects display an iridescent sheen which is achieved through multiple firings and the application of a metal-based pigment (including silver, copper, tin, or a combination of these). Lusterware manufacture is still difficult to understand from a technical perspective because for generations, production was kept secret to protect workshop practices from being replicated by competitors. Therefore, pigment formulas and trade techniques were passed down from master to pupil and rarely recorded. Knowledge of the technique for creating lusterware made its way to the Iberian Peninsula by the twelfth century, when most of the region was still under Islamic rule. By the 1400s, the Iberian center of lusterware production was in Manises, near the city of Valencia. Previously a Muslim taifa, or principality, the Kingdom of Valencia was conquered in the thirteenth century by James I for the Crown of Aragon, and it was here that Christians and Muslim potters worked, sometimes together, for a diverse clientele with a voracious appetite for high quality lustered wares.
Aanbidding door de herders
Object type: print
Date: 1573 – 1573
Materials: paper
Techniques: engraving
Location: brussels
Artist: isaac duchemin
Artist role: draughtsman, print maker
Subjects: adoration of the christ-child by the shepherds; mary and joseph present

Deze prent maakt deel uit van een album.
Oosters tapijt
Object type: oriental rug
Date: 1685 – 1700
Materials: wool
Location: caucasus
Artist: Anonymous

Oosters tapijt, medaillonkleed. In het middenveld staan zeshoekige medaillons, verbonden door ranken tegen een bruinrood fond. Voorts gestrooide ruiten. De rand is versierd met rozetten.
Pendant
Object type: pendant
Date: 1801 – 1900
Materials: gold
Location: india

Detailed granulation is known from Indian jewelry since antiquity. This elongated jewel may have been part of a necklace or a bazuband (upper arm band). The cylindrical shape references an amuletic form, that often held rolled-up papers with blessings or other protective words. This jewel was formerly in the collection of American artist and designer Lockwood de Forest (1850–1932) who purchased many items while traveling in India between 1879–1881. He collected many different examples of jewelry from India, including several of the same type. Today, his assemblage in the Met serves as a near-comprehensive study collection of Indian jewelry from the late nineteenth century.
Zevenhonderdjarig bestaan van Arnhem als stad 1933
Object type: insignia
Date: 1933 – 1933
Materials: brass
Techniques: striking

Messing draagpenning met oog en draagring aan een blauw lint met twee witte biezen, op de voorzijde een burcht in vogelvlucht, op de keerzijde het gekroonde wapenschild van Arnhem met omschrift.
Socks
Object type: sock
Date: 1834 – 1866
Materials: cotton, silk
Culture: american
Letter Case
Object type: letter case
Date: 1835 – 1840
Materials: silk
Culture: huron
Location: canada
Subjects: flowers,leaves
Cadet's new quarters
Object type: page
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: new york city
Artist: edward h. hart
Artist role: publisher
Subjects: meteorological observatory, military academy, façade (of house or building), shelter ~ military service
Forest Landscape
Object type: photograph
Date: 1860 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: france
Artist: eugène cuvelier
Artist role: fotograaf
Artist dates: 1837 – 1900
Subjects: forest, wood, france

Both painters and photographers worked in Fontainebleau Forest. In choosing forest landscapes, photography and art came very close together. Cuvelier used paper negatives, which yielded a softer focus than glass negatives: in making the print, the paper fibre of the negative was also printed. Had he made negatives using ‘modern’ textureless glass, the outlines would have been harder.
Portret van een onbekende vrouw
Object type: print
Date: 1861 – 1911
Materials: paper
Techniques: etching
Artist: louis le nain
Artist role: print maker
Artist dates: 1851 – 1939
Subjects: adult woman, head-gear, historical persons
Inscriptions: inscription: ‘[...] état LLe’, collector's mark: Lugt 2228
Dish
Object type: dish
Date: 1500 – 1510
Techniques: maiolica, glazing
Portret van Georg Ulrich von Wolkenstein und Rodenegg
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: regensburg, afgezant, raadslid, kamerheer, georg ulrich graaf van wolkenstein-rodenegg
Inscriptions: collector's mark: Lugt 2228

Portret van Georg Ulrich von Wolkenstein und Rodenegg, afgezant voor Oostenrijk tijdens de onderhandelingen voor de Vrede van Münster. Portret in ovaal met motto: Diligam te domine fortitudo mea. Onder het familiewapen van Wolkenstein-Rodenegg.
Plate 21, from Landscapes with Scenes from the Old and New Testament and Ovid’s Metamorphoses
Object type: print
Date: 1574 – 1574
Materials: ink, paper
Techniques: etching
Location: belgium
Artist: hans bol
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1534 – 1593
Inscriptions: Lettered lower right: "21"
Stoomlocomotief
Object type: photograph
Date: 1861 – 1871
Materials: photographic support
Techniques: albumen print
Artist: george gardner rockwood
Artist role: fotograaf
Artist dates: 1832 – 1911
Subjects: steam locomotive
Manuscript Leaf with the Last Supper and the Washing of the Apostles’ Feet Leaf, from a Royal Psalter
Object type: psalter
Date: 1250 – 1270
Materials: gold, parchment, paint
Culture: british
Location: england
Subjects: apostles,christ,last supper
Vase fragment
Object type: vase fragment
Date: 670 – 330
Materials: terracotta
Culture: roman
Subjects: women

Fragment of greenish-yellow enamel; woman walking to left with head turned back, something in each hand.
Onthulling van Naatje (het Monument ter herinnering aan de Volksgeest van 1830-1831) op de Dam in Amsterdam
Object type: stereograph
Date: 1856 – 1856
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: pieter oosterhuis
Artist role: draughtsman, print maker
Artist dates: 1816 – 1885
Subjects: monument, statue, square, place, circus, etc. (+ city(-scape) with figures, staffage), amsterdam
Programma voor de voorstelling van Professeur de Linski
Object type: text sheet
Date: 1853 – 1853
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: theatre, theatrical performance, art, amsterdam
Inscriptions: stamp, collector's mark: Lugt 1641

De voorstelling vindt plaats in de Opéra Français op 17 mei 1853. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Tooneel, Toneelprogramma’s.
Intocht van Christus in Jeruzalem
Object type: album leaf
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: entry into jerusalem: people spreading their clothes before christ on the ass, and waving palm branches (matthew 21:1-11, 21:14-16; mark 11:1-11; luke 19:28-40; john 12:12-19)

Prent maakt deel uit van een prentbijbel.
Textile Fragment
Object type: textile fragment
Date: 701 – 900
Materials: wool
Techniques: embroidery
Location: egypt
Portret van François Arago
Object type: print
Date: 1825 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228
Tegel
Object type: tile
Date: 1615 – 1635
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Tegel met een veelkleurig (blauw, groen, geel en oranje) geschilderde fruitschaal. In de hoeken, een ossekop.
Near Helston, Cornwall, from "Views in Cornwall"
Object type: print
Date: 1812 – 1812
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: villages
Chateau de Blois
Object type: page
Date: 1870 – 1875
Materials: paper
Techniques: woodburytype
Location: blois
Subjects: castle, tower (of house or building)
Inscriptions: number: ‘PL. 15.’
Compositie
Object type: print
Date: 1962 – 1962
Materials: paper, ink
Techniques: lithograph
Artist: aat verhoog
Artist role: print maker
Artist dates: 1933 – 
Inscriptions: signature: ‘Aat Verhoog’, edition: ‘2/10’

De huidige titel is door het Rijksmuseum overgenomen van het Instituut Collectie Nederland.
Stomme Passie
Object type: book illustration
Date: 1520 – 1521
Materials: paper
Techniques: hand coloring
Location: amsterdam
Subjects: adoration of the christ-child by mary and joseph, book in which illustrations are essential, mary, joseph and the new-born christ (nativity)

Maria, Jozef en een herder knielen rond het Christuskind dat in een houten voederbak ligt. Links de ezel en de os. Op de achtergrond de aankondiging aan de herders. Prent maakt deel uit van een boek.
Allegory Against the Pelagian Heresy (Allégorie contre l'hérésy pélagienne et armoires)
Object type: print
Date: 1601 – 1700
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: landscapes,waves
Brug over de Herengracht te Amsterdam, ter hoogte van de Leidsegracht
Object type: sketchbook leaf
Date: 1901 – 1901
Materials: chalk, paper
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: trees, bridge in city across river, canal, etc.
Inscriptions: kleurnotitie, handgeschreven

Voorstudie voor de ets 'Herengracht', ca. 1901.
The Actor Ichikawa Danjuro V as Yanone Goro in the Play Kuruwa-gayoi Komachi Soga, Performed at the Nakamura Theater in the Fifth Month, 1781
Object type: print
Date: 1781 – 1781
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
St. Benedict Resuscitating an Infant
Object type: drawing
Date: 1745 – 1745
Materials: chalk, paper
Techniques: heightening
Artist: pierre hubert subleyras
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1749
Subjects: infants,men,saints
Man met pijp en plakkaat om zijn nek
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: etching
Artist: félicien rops
Artist role: draughtsman, print maker
Artist dates: 1833 – 1898
Subjects: sandwich-man, adult man, pipe ~ tobacco
Inscriptions: collector's mark: Lugt 2228
Partisan
Object type: partisan
Date: 1690 – 1690
Materials: steel, wood
Culture: french
Location: france
Subjects: coat of arms
Wineglass
Object type: wineglass
Date: 1501 – 1600
Materials: glass
Techniques: glassblowing
Culture: façon de venise
Le jaune d'oeuf n'a pas été assez battu (...)
Object type: cartoon
Date: 1846 – 1846
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: caricatures (human types), eggs, egg-dishes, kitchen-maid, kitchen servant
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 24-07-1846.
Voyage en bateau
Object type: print
Date: 1867 – 1867
Materials: paper
Techniques: drypoint, etching
Location: france
Subjects: jumping up, fishes, lake
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Small Millefiori Bowl
Object type: bowl
Date: 801 – 900
Materials: glass
Techniques: polish
Location: iraq

The millefiori technique was rediscovered in the eighth or ninth century in Mesopotamia and was probably used in the production of objects for the ‘Abbasid caliphs in Baghdad or Samarra. A number of surviving bowls and tiles suggest that it was used both for domestic furnishings and interior decoration. The small size of this bowl suggests that this shallow object was meant to be embossed in a plaster wall.
Piece
Object type: piece
Materials: silk
Subjects: birds,fountains,flowers,leaves
Portret van Willem I, prins van Oranje
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: simon frisius
Artist role: print maker
Artist dates: 1570 – 1628
Subjects: delft, william i (prince of orange)
Inscriptions: collector's mark: Lugt 964

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Edward Augustine "Ed" Knouff, Pitcher, St. Louis Browns, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Exterieur van een gouvernementsgebouw in Kameroen, vooraanzicht
Object type: photograph
Date: 1899 – 1899
Materials: photographic support
Techniques: albumen print
Location: cameroon
Artist: Anonymous
Subjects: flags flown from a mast, exterior ~ representation of a building, colonial government

Onderdeel van Fotoalbum met opnames van Kameroen rond 1899.
Pair of Hairpin Finials with Flower Heads
Object type: costume and accessory
Materials: porcelain
Techniques: molding, underglaze
Location: china
Microscoopopname van menselijke huid van een onderbeen
Object type: stereograph
Date: 1885 – 1895
Materials: paper
Techniques: photoaquatint
Location: leipzig
Subjects: skin (human)
Inscriptions: number: ‘Taf. 2.’
Nose Ornament
Object type: nose ornament
Date: 501 – 700
Materials: gold
Culture: moche
Location: peru