deem-data/ArtiFact huggingface dataset:
Allegory of the Marriages Performed by the City of Paris in Honor of the Birth of the Duc de Bourgogne in 1751
Object type: print
Date: 1752 – 1752
Techniques: etching
Artist: gabriel de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1724 – 1780
Subjects: musical instruments

Louis Joseph Xavier, a prince of the House of Bourbon and second in line to the throne, was born on September 13, 1751. His arrival was greeted by a flood of tributes in various forms—print, poetry, theater, song, and more. After producing several allegories celebrating the royal birth, Saint-Aubin changed tack and devised a more complex composition commemorating the dowries that were distributed to six hundred less privileged young women. The marriages took place on a single day, November 9, 1751, in churches throughout the city.
Paulus de Castro iuris consult[9]
Object type: book illustration
Date: 1650 – 1650
Materials: paper
Techniques: engraving
Artist: jean jacques boissard
Artist dates: 1528 – 1598
Subjects: historical persons, lawyer, attorney at law

Prent gebruikt in: Boissard, Jean Jacques. Bibliotheca chalcographica. 8 dln. Frankfurt am Main: Johannes Ammon, 1650-1652. Ook gebruikt in latere edities. Eerdere staat van prent verschenen in: Boissard, Jean Jacques. Icones quinquaginta virorum illustrium doctrina & eruditione praestantium ad vivum effictae. 4 dln. Frankfurt am Main: s.n., 1597-1599. Mogelijk ook gebruikt in latere edities.
Ehon sakigake (Picture book of Japanese and Chinese fighters), complete in 1 vol.
Object type: book
Date: 1836 – 1836
Materials: ink, paper
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Goose and Reeds; Willows in the Moonlight
Object type: screen
Materials: gold, ink, panel, paper
Culture: japanese
Artist: maruyama ōkyo 円山応挙
Artist role: artist
Artist nationality: japanese
Artist dates: 1733 – 1795
Subjects: birds

A goose, wings half spread, swoops toward the surface of the water in the right-hand screen. The only indications of a shore are tops of spindly reeds bending beneath the wind in the lower right corner and waves cresting close by. On the left screen, willow trees by a river and the moon’s reflection on the surface of the water offer a more quietly lyrical view. In both, the viewpoint is low and pictorial elements are close to the viewer, giving the background space a feeling of great depth. Although they have been handed down as a pair, dates inscribed by Maruyama Ōkyo on each screen are some two decades apart. Ōkyo, founder of the Maruyama-Shijō school, blended Western-style realism with elements from Japanese and Chinese traditions of painting in a manner that made him one of the most popular artists of his day.
Glass bottle in the shape of a bird
Object type: bottle in the form of a bird
Date: 1 – 100
Materials: glass
Culture: roman
Subjects: birds

Translucent pale blue green. Long, solid, rounded beak; head projecting forward and slightly downward, attached to tubular neck that merges with plump body. Broken, with back part of body and tail missing; few bubbles; dulling and faint iridescence on exterior, creamy iridescent weathering covering interior with one patch of limy encrustation. Bottles of this type were made with their contents (either liquid perfume or cosmetic powder) sealed inside. The tip of the tail had thus to be broken to remove the contents.
Ensemble
Object type: ensemble
Date: 1804 – 1814
Materials: metal thread, silk
Culture: french
Medal of Honor
Object type: medal of honor
Date: 1867 – 1900
Materials: ribbon
Culture: japanese
Subjects: emblems
The Annunciation
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: gerard de lairesse
Artist role: artist
Artist nationality: dutch
Artist dates: 1641 – 1711
Necklace (part of a set)
Object type: necklace
Date: 1801 – 1833
Materials: iron

The necklace incorporates openwork medallions. The lowest is after the famous "Marlborough Gem" showing the Marriage of Cupid and Psyche, copied by Wedgwood, among others. Images of cameos proliferated on objects of all sorts during the age of Neoclassicism. Some were copies, some inventions, but all owed their origins to Greco-Roman antiquity. By implication, these adaptations underscored the owner's erudition and sober good taste. The owner might be rich or humble. Pottery such as Wedgwood's, for example, made enough use of cameos to satisfy all comers.
Female musician
Object type: figure
Date: 501 – 700
Materials: earthenware, pigment
Culture: chinese
Subjects: women
Portret van Rafaël
Object type: book illustration
Date: 1768 – 1775
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: philipp kilian
Artist role: print maker
Artist dates: 1628 – 1693
Subjects: rome, painter, rafaël, historical persons, portrait, self-portrait of painter

Prent uit: Sandrart, Joachim von. Teutsche Academie der Bau- Bildhauer- und Maler-Kunst: worinn die Regeln und Lehrsätze dieser Künste gegeben. 14 dln. Neurenberg: erven Johann Andreas Endter, [1774], dl. 7, p. N.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 3, p. 494.
Floral plaque
Object type: plaque, floral, inlay
Date: 100 – 100
Materials: glass
Location: egypt
Subjects: flowers

A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards. Such elements could also be used side by side to create repeating patterns. Or if the rod presented one half of an element that was symmetrical, such as a face, a tile and a reversed tile from the same rod could be put together to form a complete whole.
Oeuvres de Jean-Baptiste Le Prince
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: flowers: rose
Inscriptions: collector's mark: Lugt 2166, collector's mark:
The Afterpiece to the Tragedy of Waterloo
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 14 (recto)
Object type: book print ornament architecture
Date: 1554 – 1554
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: ornament

Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd, Wallis & Lloyd, British, active London after 1821. From top to bottom, and left to right: Design covers entire grid. It is decorated with a pattern of interlace motifs connected together by hexagons. At the center of the design is heart-shaped urn.
Portret van Willem IV, prins van Oranje-Nassau
Object type: print
Date: 1738 – 1751
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: the hague, willem iv (prins van oranje-nassau)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Portret van Pascal-Adolphe-Jean Dagnan-Bouveret
Object type: page
Date: 1879 – 1884
Materials: paper
Techniques: woodburytype
Subjects: paris, painter, draughtsman, pascal-adolphe-jean dagnan-bouveret, historical persons, portrait, self-portrait of painter
Inscriptions: signature: ‘P.A.J. Dagnan.’, inscription: ‘DAGNAN-BOUVERET (Pascal-Adolphe-Jean)/ Né à Paris. Elève de M. Gérôme,/ Méd. 3e. Cl. 1878, 1e. Cl. 1880./ Avenue de Villiers, 147, Paris.’
Plattegrond van Deventer
Object type: area plan
Date: 1657 – 1657
Materials: ink, paper
Techniques: engraving, etching, pen
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.), maps of cities, deventer
Inscriptions: inscription: ‘a. steene bastion, b. molen bastion, c. galgen bastion, d. pickent baen, e. Nassau bastion, f. Orange bastion, g. prince bastion, h. kruyt toorn, i. bakoven off bakavance, k. norenbergs ravelijn, l. limerie ravelijn, m. commandeurs ravelin, n. der berg ravelin, o. bergeruig ravelijn.’

Plattegrond in vogelvluchtperspectief. Linksboven het wapen van Overijssel. In het midden langs de linker- en rechterrand een legenda. Rechtsboven het wapen van Deventer, rechtsonder titelcartouche. Onder de plaatrand nog een later aangebrachte legenda die verdedigingswerken op de kaart weergeeft. Corresponderende letters a t/m o ook later op kaart aangebracht.
“- We really look like Papa, don't we... little Cherub!,” plate 14 from Les Papas
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Walter vraagt zijn schoonmoeder waar Luise is
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, pipe ~ tobacco, living-room, parlour, sitting-room
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Becker, Wilhelm Gottlieb. Almanach und Taschenbuch zum geselligen Vergnügen von W. G. Becker für 1798. Leipzig: Voss und Comp., [1797].
Het volksleven naar Teniers
Object type: tapestry
Date: 1700 – 1725
Materials: silk, wool
Techniques: tapestry
Location: southern netherlands
Artist: Anonymous

Wandtapijt met de aanhouding van een man.
Painted Cloth Dedicated to Hathor
Object type: linen, cloth, votive, hathor
Date: 1479 – 1458
Materials: linen, paint
Location: egypt
Subjects: human figures
Schoolgebouw te Grootegast
Object type: print
Date: 1840 – 1876
Materials: paper
Techniques: lithograph
Location: groningen
Artist: johannes hermanus van de weijer
Artist role: print maker, printer, publisher
Artist dates: 1817 – 1889
Subjects: elementary school; class, form
Inscriptions: monogram: ‘FE’, collector's mark: Lugt 2228

Afgebeeld is het schoolgebouw met zes ramen en de toegangsdeur.
Staand naakt
Object type: sketchbook leaf
Date: 1869 – 1925
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: the (nude) human figure; 'corpo humano' (ripa)

Blad 5 recto uit een schetsboek met 28 bladen.
Landschap met tent en ruiter
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: drypoint, etching
Location: paris
Subjects: riding a horse, ass, or mule; rider, horseman, landscapes, tent
Inscriptions: collector's mark: Lugt 2228
Portret van Pietro Bembo
Object type: print
Date: 1765 – 1829
Materials: paper
Techniques: engraving
Location: italy
Subjects: venice, historical persons
Inscriptions: collector's mark: Lugt 2228, number: ‘n. 1470.’

Deze prent maakt deel uit van een reeks portretprenten van onbekende omvang. De reeks is in meerdere staten uitgegeven. De eerste staat met enkel het portret in ovaal. Een tweede staat met naam van de geportretteerde in holle letters onder de voorstelling. Een derde staat met de naam van de geportretteerde in gevulde letters onder de voorstelling. En een vierde staat met een rechthoekig kader rondom het ovale portret.
Tijdens een wandeling hoog in de bergen op een gletscher in de Harz
Object type: photograph
Date: 1903 – 1908
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: harz
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945

Tijdens een wandeling hoog op de berg op een gletscher in vermoedelijk de Harz. Onderdeel van het fotoalbum van Dolph Kessler met opnamen die hij maakte tijdens zijn verblijf in Engeland en op een wereldreis die hij als secretaris van Henri Deterding (directeur Koninklijke Olie) ondernam naar Nederlands-Indië, Japan, China en de Verenigde Staten, tussen 1906 en 1908.
Shawl
Object type: costume and accessory
Date: 1835 – 1840
Location: india
Gezicht op een rij gebouwen, mogelijk aan de Lauriergracht te Amsterdam
Object type: sketchbook leaf
Date: 1915 – 1916
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: civic architecture; edifices; dwellings, street
Inscriptions: annotation: ‘Drossaard van Dusseldorp/ v.d Jaght Zeist/ Haarlemm. straat 93/ Schets Lauriergracht/ afkomstig v. v. Patte[?]/ Wassenaar’

Pagina 3 uit een schetsboek met 43 bladen.
Portret van Willem Kalf
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: letterpress printing, engraving
Location: paris
Subjects: amsterdam, painter, draughtsman, willem kalf, historical persons

Prent uit: Blanc, Charles. Histoire des peintres de toutes les écoles. Parijs: veuve Jules Renouard, 1861.
Near Bettws y Coed, N. Wales, from Picturesque Selections
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: lithograph
Location: england
Artist: james duffield harding
Artist role: draughtsman, painter, print maker
Artist nationality: english
Artist dates: 1798 – 1863
Gezicht op de boslaan met de drie bruggen voor het Huis ter Nieuburch in Rijswijk, 1697
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: the hague
Subjects: palace
Inscriptions: collector's mark: Lugt 2228

Boslaan met de drie bruggen met koetsen en veel publiek voor het Huis ter Nieuburch in Rijswijk. Onderdeel van de serie van vijftien prenten over het Huis ter Nieuburch in Rijswijk en de daar gehouden vredesonderhandelingen.
Geboorte en eerste jaren van Christus
Object type: print
Date: 1581 – 1581
Materials: paper
Techniques: engraving
Location: cologne
Subjects: circumcision of the christ-child by mary
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De hogepriester besnijdt het Christuskind. Maria en Jozef kijken samen met anderen toe. De prent heeft een Latijns Bijbelcitaat als onderschrift en is de vijfde prent van een twaalfdelige serie over de geboorte en de eerste jaren van Christus.
Portrait Vessel of a Figure
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Culture: moche
Location: peruvian north coast
Subjects: people, portraits
Gezicht op de achterzijde van het Paleis van Justitie in Antwerpen, België
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: dresden
Subjects: court building, antwerp
Inscriptions: inscription: ‘Architect: L. Baeckelmans.’, number: ‘Pl. 39.’, inscription: ‘1re annèe.’, inscription: ‘Architecte: L. Baeckelmans.’, inscription: ‘Architekt: L. Baeckelmans.’

Deze prent maakt deel uit van een omslag met 110 prenten op 90 bladen en 18 tekstbladen.
Drawstring bag
Object type: drawstring bag
Date: 1890 – 1899
Materials: cotton, leather
Culture: american
Terracotta fragments of undetermined shapes
Object type: undetermined shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two black glazed fragments with parts of red lines from undetermined shapes
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Fragment of a foot Type A with part of stem
Bavaria, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: coat of arms,flags

Trade cards from the set, "Flags of All Nations," Series 2 (N10), issued in 1890 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Cartouche shaped box inscribed for Usermaatre Sheshonq-Sibast, Sheshonq III
Object type: box, usermaatre sheshonq sibast, sheshonq iii
Date: 825 – 773
Materials: stone
Location: egypt
Gebouwen in een landschap
Object type: endleaf
Date: 1881 – 1927
Materials: chalk, paper
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: trees, civic architecture; edifices; dwellings
Inscriptions: annotation: ‘cent[?]/ 0,45’, collector's mark: Lugt 2228, retailer's mark: ‘G. Ridderhof Den Haag/ Zeestraat 52/ Timmerman/ Emballeur & transporteur/ de Tableaux/ Leverancier van/ Kunstenaarsbenodigdheden’

Gebouwen in een landschap. Voorste schutblad uit een schetsboek met 34 bladen.
La Montagne Sainte-Geneviève, rue de l'Estacade, plate four from Le Long de la Seine et des Boulevards
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: louis auguste lepère
Artist role: print maker
Artist nationality: french
Artist dates: 1849 – 1918
Model of Prostrate Official
Object type: figure
Date: 1271 – 1368
Materials: stoneware
Culture: chinese
Subjects: human figures
Design for Trade Card [The Sun Life Assurance Society]
Object type: drawing
Date: 1880 – 1889
Materials: graphite, ink
Techniques: pen
Artist: walter crane
Artist role: artist
Artist nationality: british
Artist dates: 1845 – 1915
Subjects: men,horses,chariots

Crane was a prolific designer of a range of printed materials including playbills, magazine covers, private view invitations and posters. He also received many commissions from commercial organizations for documents including, as here, a certificate for an insurance company, Sun Life Assurance Society, which was founded in 1810. The dynamic design features a charioteer charging forward led by four galloping horses, silhouetted against a blazing sunburst, in reference to the company's name. Blank areas were left throughout the design to be filled later; the intended lettering is faintly indicated by the artist in graphite.
Gemeenlandshuis te Delft
Object type: sketchbook leaf
Date: 1783 – 1797
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: delft
Artist: johannes huibert prins
Artist role: draughtsman, painter, print maker
Artist dates: 1757 – 1806
Subjects: exterior ~ representation of a building, office (~ administration)

Pagina 149 en 150 uit een schetsboek met 175 pagina's.
Dinner pail with cover (porte-dîner)
Object type: dinner pail with cover
Date: 1734 – 1766
Materials: pewter
Artist: p. a. salmon
Artist role: maker
Artist dates: 1750 – 1750
Feestelijkheden ter gelegenheid van de inhuldiging van Koningin Wilhelmina: koorzangeresjes in het Rijksmuseum
Object type: photograph
Date: 1898 – 1898
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, permanent exhibition, museum, choir, installation of a ruler, historical events and situations
Ear ornament, Garuda and Meru
Object type: ear ornament
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Covered milk jug
Object type: milk jug
Date: 1750 – 1760
Materials: earthenware
Culture: british
Location: england
Artist: wedgwood-whieldon partnership
Artist role: maker
Artist dates: 1754 – 1759
Ostrakon
Object type: ostrakon
Date: 580 – 640
Materials: ink, wood
Culture: coptic
Location: egypt
Subjects: coptic,documents
De twaalf maanden
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: etching
Location: haarlem
Subjects: downpour, rain shower, march and its 'labours' (+ with scenes showing human occupations ~ seasons and months), landscape with ruins, ploughing
Inscriptions: signature: ‘Is. de Wit Jz. fc’, signature: ‘J. Cats del.’, title: ‘LENTEMAAND’, collector's mark: Lugt 2228
Theseus restoring Helen to the brothers Castor and Pollux
Object type: intaglio
Date: 1801 – 1833
Materials: gemstone, gold
Subjects: helen,theseus

The intaglio is one of six known fakes at the Met from the storied gems collection of Prince Stanislaw Poniatowski of Poland. Carried out in a classicizing style indebted to Antonio Canova, the gem bears a false signature intended to announce its authorship by one of the celebrated carvers of ancient Greece. The deception of the Poniatowski gems – most of which are nineteenth-century forgeries – was discovered in 1895. The Museum’s six were mounted in velvet boxes by Tiffany & Co.
Buddha Seated in Meditation
Object type: sculpture
Date: 1801 – 1900
Materials: silver
Techniques: casting, repoussé
Location: thailand
Young Couple Threatened by Death (The Promenade)
Object type: print
Date: 1498 – 1498
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Vijf schalen en een set voor thee
Object type: photograph
Date: 1920 – 1940
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: sugar-basin, tea-pot; samovar, dish, plate, saucer, container of metal: bucket, can, canister, drum, tin
Inscriptions: number: ‘21 - 22 - 23/ 24 - 25 -26’

Vijf foto's van diverse schalen, waarvan één met deksel. Daarnaast een foto van een set benodigdheden voor thee: een theepot, een suikerpot, een houder voor lepels en een rechaud. Deze foto's maken deel uit van een album.
Katoenen doopkleed van machinale kant met geometrisch patroon en acanthusbladeren
Object type: doopkleed
Date: 1850 – 1899
Materials: cotton
Techniques: lace
Location: netherlands
Artist: Anonymous

Katoenen doopkleed van naturelkleurige machinale kant. Vierkant model, met in het midden een geometrisch patroon van vierkanten en ruiten. Rond het middenveld loopt een brede rand met accolades van gerekte acanthusbladeren. Het kleed is afgewerkt met een regelmatig golvende schulpenrand, met steeds één half rozetbloempjes met twee blaadjes in een schulp.
Christ Before Annas, from "The Small Passion"
Object type: print
Date: 1508 – 1508
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,christ
[Morrell]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: maurice stadtfeld
Artist role: artist
Artist nationality: american
Artist dates: 1860 – 1869
Subjects: men,portraits,profiles
Blind
Object type: blind
Date: 1701 – 1800
Materials: bamboo
Techniques: lacquer
Culture: chinese
Mlle. Baretta, Paris, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Gezicht op het Palazzo della Ragione, Padua
Object type: color slide
Date: 1907 – 1930
Materials: glass
Techniques: autochrome process, slide
Location: italy
Artist: Anonymous
Inscriptions: annotation: ‘13H / f [?] 8 / 4" / Padove / Palais de / la Razione / [in potlood:] 228’
Theatervoorstelling
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: group of actors, troupe; actors on the stage, the audience ~ art performance

Vooraan toeschouwers, op de rug gezien. Op de achtergrond de orkestbak en acteurs op het toneel. Blad 29 verso uit schetsboek XVII met 31 bladen.