deem-data/ArtiFact huggingface dataset:
Design for 4 Seat Sleigh, no. 3740
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Abraham and Isaac
Object type: print
Date: 1819 – 1819
Materials: paper
Techniques: etching, intaglio
Subjects: story of abraham
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt. Prent voor het eerst gebruikt in: Recueil de Quatre-Vingt-Cinq estampes originales, têtes, paysages et différens sujets, dessinées et gravées par Rembrandt. Parijs: Henry Louis Basan, 1819.
Portret van Walter Scott
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: engraving
Location: london
Subjects: walter scott, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Sauskommen en bokalen
Object type: ornament print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: paris
Subjects: sauces, mug, beaker, goblet, (story of) venus (aphrodite), dinner-service
Inscriptions: number: ‘4.e Cah.er’

Ontwerpen voor sauskommen en bokalen met een draak, Venus, een vos en bladmotieven. Prent maakt deel uit van een album.
Afbeelding van de Gasthuis Kerk te Amsterdam
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: sermon ~ protestant service
Inscriptions: collector's mark: Lugt 2228

Eerste prediking voor de Herstelde Lutherse Gemeente (Evangelisch Lutherse Gemeente) door de predikant Johannes Hamelau in de Gasthuiskerk te Amsterdam, 3 augustus 1791. Volle kerkinterieur met de predikant in de preekstoel.
Netsuke of Group of Seals
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Iconographie
Object type: print
Date: 1645 – 1646
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, print maker, draughtsman, lucas van uden, drawing, sketch
Inscriptions: collector's mark: Lugt 240

Prent gebruikt voor: Icones principum, virorum doctorum, pictorum, chalcographorum, statuariorum nec non amatorum pictoriae artis numero centum ab Ant. van Dyck ad vivum expressae ejusque sumptibus aeri incisae. Antwerpen: Gillis Hendricx, [1645-1646].
Card Number 210, Miss Theo, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Portret van Jacopo Guicciardini
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: etching
Artist: thomas riley
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
The Kiso Mountains in Snow
Object type: woodblock print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: mountains,snow

This landscape was executed by Hiroshige just one year before his death as part of a set of three triptychs on the theme known as setsugetsuka (a compound term made up of the words for snow, moon, and flowers). Snow is the theme here; the moon and flowers are depicted in the other two triptychs. The immense snow-covered mountains at the center, flanked by bridges on both sides, are almost spiritual in their monumentality. The dramatic composition invites the viewer to step into a mysterious world beyond the massive white peaks.
Pair of Sword-Grip Ornaments (Menuki)
Object type: pair of sword grip ornament menuki
Date: 1701 – 1800
Materials: gold
Culture: japanese
Location: japan
Subjects: vegetables,men,fish
"Gushtasp Proves His Archery before Caesar," Folio 404r from the Shahnama (Book of Kings) of Shah Tahmasp
Object type: folio from an illustrated manuscript
Date: 1525 – 1530
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: men,horses
Het medium
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: medium ~ spiritualism, beard
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760

Prent gebruikt voor: De nieuwe Amsterdammer, Onafhankelijk Nederlandsch weekblad. Amsterdam: Maatschappij voor Goede en Goedkope Lectuur, 19 juni 1915.
Portret van Willem Hessels van Est op 70-jarige leeftijd
Object type: print
Date: 1613 – 1637
Materials: paper
Techniques: engraving
Location: douai
Artist: martin baes
Artist role: print maker
Artist dates: 1604 – 1637
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Knife handle
Object type: knife handle
Date: 500 – 300
Materials: ivory
Culture: indonesian
Reproductie van zes gezichten in Saarbrücken
Object type: reproduction
Date: 1855 – 1892
Materials: cardboard, paper
Techniques: photolithography
Location: saarbrücken
Subjects: city-view in general; 'veduta'
Architectural ornament: head of Garuda
Object type: ornament architecture
Date: 1401 – 1500
Materials: glaze, stoneware
Techniques: polychrome
Culture: chinese
Sacrifice of Cain and Abel, with God the Father Above
Object type: drawing and watercolor
Date: 1554 – 1555
Materials: chalk, paper
Location: italy
Artist: attributed to giorgio vasari
Artist nationality: italian
Artist dates: 1511 – 1574
Inscriptions: Inscribed recto, across bottom edge on former mount, in graphite: "The Sacrifice of Cain and Abel School of Michelangelo"
Gezicht op een haven met schepen en boten op het water
Object type: print
Date: 1752 – 1752
Materials: cardboard, paper, watercolor
Techniques: brush, etching
Location: london
Subjects: harbour, sailing-ship, sailing-boat, rowing-boat, canoe, etc., sea (seascape) (+ landscape with figures, staffage), civic architecture; edifices; dwellings
Inscriptions: collector's mark: Lugt 2233
Nürnberg. Panorama vom Hallertor
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: color autotype
Location: nuremberg
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: inscription: ‘J Wien K’
The Salt Maidens Murusame and Matsukaze
Object type: print
Date: 1786 – 1786
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: women,leaves
Neckerchief
Object type: neckerchief
Date: 1868 – 1868
Materials: cotton
Techniques: weave
Culture: american, shaker
Location: united states
Artist: united society of believers in christ’s second appearing (“shakers”)
Artist role: maker
Artist nationality: american
Artist dates: 1750 – 9999
Vier houtsnijwerken in een arcade van de Kathedraal van Worcester
Object type: photomechanical print
Date: 1863 – 1873
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: carving ~ applied arts, fabulous animals (sometimes wrongly called 'grotesques'); 'mostri' (ripa), interior of church, ornament derived from plant forms
Inscriptions: number: ‘XXI (...) XXIV’

Linksboven een fabelwezen, rechtsboven, linksonder en rechtsonder een plantmotief.
Portret van Ioannis Kigalas
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: engraving, etching
Location: padua
Subjects: historical persons, professor, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent uit: Patin, Charles. Lyceum Patavinum: sive icones et vitae professorum. Padua: Frambotti, Petri Mariae, 1682.
Portret van Willem Augustus van Cumberland
Object type: print
Date: 1760 – 1765
Materials: paper
Techniques: mezzotint
Artist: edward fisher
Artist role: print maker
Artist dates: 1722 – 1785
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 240
Opdracht aan Maria Vos omringd door een bloemenstruik
Object type: drawing
Date: 1904 – 1904
Materials: ink, paper, pencil
Techniques: pen
Artist: george lourens kiers
Artist role: draughtsman
Artist dates: 1838 – 1916
Subjects: painter, print maker, draughtsman, maria vos, flowers
Inscriptions: date

Opdracht aan Maria Vos ter ere van haar tachtigjarige verjaardag, opgedragen namens inwoners van Oosterbeek, Gelderland.
Bust of a Female (from Sketchbook)
Object type: drawing
Date: 1811 – 1893
Materials: graphite, ink, paper, watercolor
Techniques: pen
Culture: american
Artist: john william casilear
Artist role: artist
Artist nationality: american
Artist dates: 1811 – 1893
Subjects: portraits,women
Toren van de Onze-Lieve-Vrouwebasiliek te Maastricht
Object type: photograph
Date: 1893 – 1893
Materials: cardboard, photographic support
Techniques: albumen print
Location: maastricht
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: parts of church exterior and annexes: tower
Inscriptions: annotation: ‘Maastricht (L.)/ Toren v/d O.L. Vrouwekerk/ Mei 1893’, annotation: ‘Maastricht O.L. Vrouwekerk’
Les Six Ingénus
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: aquatint
Location: paris
Subjects: jumping up, youth, adolescent, pantomime, dumb show, masque
Inscriptions: collector's mark: Lugt 2228
Bowl
Object type: bowl
Date: 1201 – 1400
Materials: stonepaste
Techniques: painting, underglaze
Location: iran
Hampstead Heath
Object type: print
Date: 1829 – 1829
Techniques: mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: men,landscapes,storms

View of a man holding a pick, sitting on a hillside under a stormy sky, with a donkey at right. In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Gezicht op de Peperbrug vanaf de Uilenburgergracht
Object type: print
Date: 1713 – 1713
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: sluice, weir, canals, waters (in city), bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 1641b, inscription: ‘Acta D.C. [...]’

Prent mogelijk uit: Beknopte beschryving van alle de voornaamste Gebouwen der wydvermaarde Koopstad Amsterdam, Cierlyk in 't Koper afgebeeld, inzonderheid van het Stadhuis (...). Amsterdam: Dirk Schouten, 1713. Of uit: Beknopte beschryving van alle de voornaamste Gebouwen der wydvermaarde Koopstad Amsterdam, Cierlyk in 't Koper afgebeeld, inzonderheid van het Stadhuis (...). Amsterdam: Jan (II) Roman, 1741. Of uit: Beknopte beschryving van alle de voornaamste Gebouwen der Wydvermaarde Koopstad Amsterdam, Cierlyk in 't Koper afgebeeld, inzonderheid van het Stadhuis (...). Amsterdam: Jan (II) van der Heyden, 1749.
View of Nagasaki Bay
Object type: photograph
Date: 1862 – 1866
Materials: paper
Techniques: albumen print
Location: japan
Artist: antoon bauduin
Artist role: amateurfotograaf, hoogleraar
Artist dates: 1820 – 1885
Subjects: nagasaki
Inscriptions: verso, potlood

This panoramic view of Nagasaki consists of six separate shots. Bauduin is thought to have taken them, and it corresponds to the view from his house on Dejima. In it, the bay appears much wider than it really was. This is an optical deformation arising from taking six shots from the same position.
Bust of a Young Man in Profile
Object type: drawing and watercolor
Date: 1430 – 1440
Materials: chalk, paper, metal
Techniques: wash
Location: italy
Artist: giovanni badile
Inscriptions: Inscribed recto, upper center, in pen and brown ink: "joane badille.Z.(?) prete"; upper right on mount, in pen and brown ink: "10"; lower margin of mount, in graphite: "38"; verso, lower edge of mount, in graphite: "39, 40"
Camel
Object type: tomb figure
Date: 601 – 800
Materials: earthenware
Culture: chinese
Subjects: camels
Rekenpenning voor de Rekenkamer van Brabant op de veldtochten in Gulikerland 1616
Object type: history medal
Date: 1616 – 1616
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde een paardenbit, met jaartal in het veld en omschrift, op de keerzijde het gekroonde Spaanse wapenschild omhangen met de keten van het Gulden Vlies, met omschrift.
Drie mannen op straat bij nacht
Object type: book illustration
Date: 1718 – 1718
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: tools, implements of sculptor: mallet, walking-stick, staff, tools, aids, implements ~ crafts and industries: axe, night
Inscriptions: collector's mark: Lugt 240

Deze prent is de kleine variant van een prent met hetzelfde onderwerp gebruikt in eerdere publicaties. Prent ook gebruikt in: Boileau, Nicolas. Oeuvres de Nicolas Boileau Despréaux. Den Haag: Isaac Vaillant, Pierre Gosse en Pieter de Hondt, 1722, dl. 2.
Brussels
Object type: print
Date: 1806 – 1865
Materials: paper
Techniques: etching
Subjects: townhall, public road (+ city(-scape) with figures, staffage), brussels
Inscriptions: collector's mark: Lugt 2228
Denkende vrouw
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: paris
Subjects: fashion, clothing, female sex; woman
Inscriptions: check stamp: Lugt 4944, collector's mark: Lugt 2228
De nieuwe Nederlandsche gezant bij den keizer
Object type: cartoon
Date: 1867 – 1867
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: paris, london, napoleon iii (keizer der fransen)

Spotprent met de ontmoeting tussen de Nederlandse gezant Van Zuylen en de Franse keizer Napoleon III, beiden als Romeinen. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 24, 15 juni 1867.
Portret van dichter Girolamo Preti
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, letterpress printing
Location: venice
Artist: Anonymous
Subjects: historical persons, portrait of a writer, writer, poet, author

Prent uit: Crasso, Lorenzo. Elogii degli huomini letterati scritti. Venetië: Combi & la Noù, 1666, dl. 2, p. 140.
Hollandse stuiver, 1499 van Karel V, 1506-1555
Object type: coin
Date: 1506 – 1520
Materials: silver
Techniques: striking
Location: dordrecht
Artist: charles v (holy roman emperor and king of spain)
Artist role: keizer, koning
Artist dates: 1500 – 1558

Zilveren munt. Voorzijde: gekroond wapenschild van Oostenrijk-Bourgondië. Keerzijde: op een vierpas lang versierd kruis, in hart roos.
Portret van Bernhard Friedrich Thibaut
Object type: print
Date: 1817 – 1827
Materials: paper
Techniques: engraving, etching
Artist: friedrich knolle
Artist role: print maker
Artist dates: 1807 – 1877
Subjects: historical persons, mathematics (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228
Wheellock Pistol
Object type: wheellock pistol
Date: 1570 – 1580
Materials: steel, wood
Culture: german
Location: country

The blued barrel is in two stages, round at the front with a flaring muzzle, octagonal at the breech, and it is ornamented with chiseled roping, stamped crescents, and circles. It bears two marks; a hunting horn in a shield, the gunmaker's mark (similary to Støckel 5223), and a pine cone, the control mark of the city of Augsburg. The wheellock has a spring-closed pan cover with release button, and safety catch. The cock is chiseled with a stylized dragon. The ebonized stock is inlaid with staghorn engraved with stylized foliage and geometric patterns, and with a lion's mask on the forestock, two crowned female heads on the grip, and two grotesque dragons with devil's faces on the left side. The incisions were blackened to make the design stand out. After the automatic-ignition mechanism––the wheellock––was devised around 1500, it was first applied to firearms used on horseback. In fact the appearance of pistols––weapons handled with one hand––was due to the invention of the wheellock, and by the middle of the sixteenth century they became part of the equipment of middle and light cavalry, not just weapons available exclusively to men of high rank as had initially been the case. Since an ordinary pistol could deliver only one shot and had to be reloaded to fire the next round, pistols were commonly made in pairs and carried in leather holsters, one on each side of the saddle. A large ball-shaped pommel on the pistol grip made it easier to retrieve from the holster and also helped to conterbalance a heavy barrel. The city of Augsburg was one of the foremost arms-producing centers in Europe, and its armorers were among the first to produce wheellock pistols and carbines. Since wheellock firearms were fairly expensive, even pistols of military type, as represented by this example, rarely left the gunmaker's shop undecorated. The preferred decorative technique of German stockmakers from the sixteenth century on was the inlay of engraved staghorn plaques into the wood. Apart from the simple decorative effects of contrasting materials, use of staghorn inlays also reinforced the wooden stock, which was particularly vulnerable to the rough use of military firearms.
Ontwerp voor decoratief paneel met Suzanna en de Ouderlingen
Object type: design
Date: 1715 – 1798
Materials: chalk, paper
Techniques: brush
Artist: dionys van nijmegen
Artist role: draughtsman, painter
Artist dates: 1705 – 1798
Subjects: the elders spying upon susanna
Piazza San Marco
Object type: painting
Materials: canvas, oil
Artist: francesco guardi
Artist role: artist
Artist nationality: italian
Artist dates: 1712 – 1793
Subjects: buildings,towers,cities,venice

This view can be compared to Canaletto’s picture of the same location painted forty years prior. Guardi’s technique is far looser and less adherent to the geometric ordering of the square, its pavement, and facades. Guardi employs a playful, illusionistic device by signing his name in the miniature canvas being carried by the man at lower right. It appears to depict something otherwise absent in this view of San Marco: gondolas and the choppy water of Venice’s famous canals.
Jonge vrouw en kind op bed
Object type: print
Date: 1831 – 1890
Materials: paper
Techniques: etching
Artist: jean baptiste pierre michiels
Artist role: print maker
Artist dates: 1821 – 1890
Subjects: adolescent, young woman, maiden, mother and baby or young child, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Inscriptions: inscription: ‘1e Etat’, collector's mark: Lugt 2228

Mogelijk gaat het om een voorstelling van Amor en Psyche.
Dorp in een dal bij Liebenstein
Object type: sketchbook leaf
Date: 1840 – 1840
Materials: paper, pencil, watercolor
Techniques: brush
Location: boppard
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: dale, valley, village
Inscriptions: annotation: ‘Liebenstein Krön[...]bach’

Blad 11 recto uit een schetsboek met 33 bladen.
Kast van wortelnotenhout
Object type: case furniture
Date: 1685 – 1700
Materials: copper, wood
Location: frankfurt am main
Artist: Anonymous

Cupboard. Deal, veneered with burr walnut. Frankfurt am Main, c. 1690.
Expulsion from Paradise
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: god expels adam and eve from paradise and has the tree of life guarded by an angel with a flaming sword
Inscriptions: collector's mark: Lugt 2228

Adam en Eva worden door engel met vlammend zwaard weggejaagd uit het paradijs. In medaillon met als opschrift een bijbeltekst in Latijn uit Genesis 3 binnen rechthoekige omlijsting.
Bataafsche Leeuwarder Courant, 5 juni 1798
Object type: newspaper
Date: 1798 – 1798
Materials: paper
Techniques: letterpress printing
Location: leeuwarden
Artist: matthys koon
Artist role: printer
Subjects: newspaper, news-sheet

Exemplaar van de krant 'Bataafsche Leeuwarder Courant', 5 juni 1798. Enkelbladig, beide zijden bedrukt. Bovenaan een allegorisch vignet op de vrijheid. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Officieele Nieuwsbladen.
Berlin und Umgebung
Object type: stereograph
Date: 1877 – 1877
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: sophus williams
Artist role: publisher
Artist dates: 1835 – 1900
Subjects: monument, statue
Fondscatalogus met opticaprenten van de uitgever Robert Sayer te Londen
Object type: catalog
Date: 1753 – 1755
Materials: paper
Techniques: letterpress printing
Location: london
Artist: robert sayer
Artist role: print maker, publisher
Artist dates: 1724 – 1794
Inscriptions: annotation, annotation, annotation

Deze catalogus is mogelijk door de familie Six gebruikt om opticaprenten bij de Londense uitgever Robert Sayer te bestellen.
Terracotta fragment of a bell-krater (bowl for mixing wine and water)
Object type: bell krater fragment
Date: 470 – 460
Materials: terracotta
Culture: greek, attic

Part of the head of a wreathed, filleted symposiast, looking up; head, neck, left shoulder and part of upper torso of a wreathed, filleted nude woman, with an earring, playing the aulos, reclining against a cushion; head and upper torso of a symposiast wearing a cap with lappets, holding a kylix in his right hand, with a cushion behind his left elbow; right shoulder, and bent right arm, with hand holding the ends of a heavy fillet, and part of the torso of a symposiast with his himation draped around his waist and thighs