deem-data/ArtiFact huggingface dataset:
Tweemaal een man op een springend paard
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: autotype
Location: france
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, jumping (horse in motion), horse
Lender and Lavallière in a Revue at the Variétés
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Beugel met ketting uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: hasp
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Locks, fastenings and accessories, hasp; rectangular plate, slightly curved, both short sides with rolled rims, oblong slot in centre, chain attached through hole in corner: sim. chain NG 1980-27H3151.
Opzichter Nieuwenhuis bij brug Knuffelsgracht
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

De Nederlandse opzichter Nieuwenhuis staande bij werkzaamheden aan de bouw van de brug over de Knuffelsgracht te Paramaribo. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Schets van een staande naakte figuur
Object type: drawing
Date: 1450 – 1500
Materials: chalk, paper
Artist: Anonymous
Subjects: the (nude) human figure; 'corpo humano' (ripa)

Versozijde van een prent van Israhel van Meckenem uit een serie over het leven van Maria.
Fragment of a Bowl
Object type: ceramic fragment
Date: 1201 – 1400
Materials: cobalt, earthenware, glaze
Techniques: incising
Location: egypt
Peluw, blauw-wit gestreept
Object type: bolster
Date: 1690 – 1710
Materials: cotton, down, linen, silk
Location: amsterdam
Artist: Anonymous

Peluw van blauw-wit gestreept linnen- en katoenweefsel, omboord met gevlochten koordje van groene zijde. Het kussen is gevuld met dons.
Cavalry Skirmish
Object type: painting
Date: 1660 – 1722
Materials: oil, panel
Artist: abraham van calraet
Artist role: painter
Artist dates: 1642 – 1722
Subjects: battle (+ cavalry, horsemen)
Inscriptions: signature: ‘AC’

Landschap met een ruitergevecht. In een heuvellandschap bij de oever van een rivier beschieten twee groepen ruiters elkaar.
Roma - Museo Nazionale Romano - Fianco del Trono Ludovisi - Una Offerente
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: paper
Techniques: gelatin silver print
Location: rome
Artist: Anonymous
Subjects: statues, paintings, etc. ~ objects of worship in roman religion, permanent exhibition, museum
Inscriptions: collector's mark: ‘AFE v S’
Landau #1044
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van een onbekende man
Object type: photograph
Date: 1859 – 1894
Materials: cardboard, paper
Techniques: albumen print
Location: brussels
Subjects: adult man, anonymous historical person portrayed, brussels
Inscriptions: inscription: ‘Atelier de photographie./ Ghémar Frères,/ Photographes du roi,/ 27, Rue de l'Ecuyer,/ entrée par la porte cochère,/ Bruxelles.’, inscription: ‘Ghemar Frères, Photographes du Roi, Bruxelles’
Varia tormentorum et supplicioru crudelium (...)
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: vatican city
Subjects: violent death ~ maltreatment, torture, torture
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 47 prenten (+ titelprent) met voorstellingen van martelmethoden. Deze prenten zijn in een andere editie gebruikt als illustraties voor Antonio Gallonio's 'Trattato degli Instrumenti di Martirio e delle Varie Maniere di Martoriare Usate dai Gentili contro Christiani' (Rome, Ascanio en Girolamo Dongangeli, 1591).
Reliëfs op de Boog van Titus te Rome
Object type: photograph
Date: 1875 – 1900
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: gustave eugène chauffourier
Artist role: fotograaf
Artist dates: 1845 – 1919
Subjects: triumphal arch, sculpture (+ relief ~ sculpture)
Inscriptions: collector's mark: Lugt 3937
Ruiter, op de rug gezien
Object type: sketchbook leaf
Date: 1887 – 1934
Materials: chalk, paper
Location: paris
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: riding a horse, ass, or mule; rider, horseman
Inscriptions: annotation: ‘Place d'Iena’

Mogelijk gezien op het Place d'Iena te Parijs. Blad 19 verso uit schetsboek LIX met 21 bladen.
Chodowiecki schetst Lippert en Zingg
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: adrian zingg, philip daniël lippert, berlin, print maker, draughtsman, daniel nikolaus chodowiecki, drawing, sketch, circle, club of artists, chest, bust
Inscriptions: collector's mark: Lugt 2228
Card Number 727, Miss Greenwood, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
The Summer Palace, Peking / Vues du Palais d'Eté de Pékin / Vista del Palacio de Verano, Pekin
Object type: photomechanical print
Date: 1974 – 1974
Materials: cardboard
Techniques: offset printed
Location: beijing
Subjects: palace, lake, bridge
Dutch, English, French and American Squadrons in Japanese Waters during the Expedition led by the French Commander Constant Jaurès, September 1864
Object type: painting
Date: 1864 – 1864
Materials: canvas, oil
Artist: jonkheer jacob eduard van heemskerck van beest
Artist role: painter, print maker
Artist dates: 1828 – 1894
Subjects: sailing-ship, sailing-boat, parental blessings and admonitions
Inscriptions: signature and date: ‘E. van Heemskerck v. Beest f. 1864’

De Nederlandse, Engelse, Franse en Amerikaanse eskaders in de Japanse wateren tijdens de expeditie onder leiding van de Franse commandant Constant Jaurès, september 1864. Vloot van zeilschepen en stoomschepen in het water voor de kust van Japan. Tussen de schepen meerdere roeiboten. Pendant van SK-A-2725.
Jong paar in gesprek met een oudere man en vrouw
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: arm raised upward, conversation, dialogue; conversation piece, couple of lovers
Inscriptions: collector's mark: Lugt 240

Illustratie uit: Richardson, Samuel. Geschiedenis van Karel Grandison. Amsterdam: Johannes Allart, 1797-1802.
Fotoreproductie van een schilderij van de terechtstelling van Jane Grey door Paul Delaroche
Object type: page
Date: 1853 – 1858
Materials: paper
Techniques: albumen print, engraving
Location: paris
Subjects: london, death penalty, execution, executioner, hangman, blindfold - aa - female human figure
Inscriptions: check stamp: ‘Goupil & Cie’
Wall painting
Object type: wall painting
Date: 40 – 30
Techniques: fresco
Culture: roman
Subjects: columns

Column with lifting bosses from the painted colonnade that separated the large figural scenes.
Juglet
Object type: juglet
Date: 750 – 600
Materials: terracotta
Culture: cypriot

"Bird Jug" type, with geometric ornament and swastikas in front.
Governor Hughes, Arkansas, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits,landscapes,coat of arms,flags

Trade cards from the "State Governors, Arms, Etc." sseries (N133-2), issued in an unnumbered set of 48 cards ca. 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type, pictured here, is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Gedenkpenning, aangeboden door de officieren van de mobiele schutterij te Utrecht aan hun kolonel J.D.C.C. baron d'Ablaing van Giessenburg
Object type: history medal
Date: 1834 – 1834
Materials: bronze
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Children in their Nightwear in a Bedroom
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: engraving, etching
Subjects: child
Inscriptions: collector's mark: Lugt 2228

Prent uit: Hazeu, Johannes Cornelisz., Agt kunstplaaten behoorende tot de Kinderpligt en zinnebeelden, Willem van Vliet (uitgever), Amsterdam 1789.
Portret van Antonio Pallavicini
Object type: print
Date: 1658 – 1666
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: cardinal, historical persons, book - mm - book open
Inscriptions: collector's mark: Lugt 240

Portret van Antonio Pallavicini, kardinaal, zittend met een boek op zijn schoot. Op de achtergrond een landschap met twee figuren. In de marge de naam en functie van de geportretteerde in het Latijn.
Artificial Horizon
Object type: measuring instrument
Date: 1830 – 1865
Materials: brass, textile, glass, iron, lead, paper, liquid, wood
Inscriptions: label, on the box: ‘1031’ former inventory label, inscription, on a note, handwritten: ‘De l'Erreur Causée par l'inclinaison / de l'Horison Artificiel avec l'horizon / vrai / [followed by description]’

Artificiële horizonten worden gebruikt om de hoogte van een hemellichaam met een octant of sextant te meten als de natuurlijke horizon niet waargenomen kan worden. Deze artificiële horizon was een geschenk van A. Klerck. Het lijkt erg veel op het instrument van Wegener uit Berlijn, zoals beschreven door Kaiser in 1883. In de eerste decennia van de tweede helft van de 19de eeuw gaf de Nederlandse Marine de voorkeur aan kwik-horizonten.
Apenberg bij Padang
Object type: photograph
Date: 1891 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: padang
Artist: christiaan benjamin nieuwenhuis
Artist role: publisher
Artist dates: 1863 – 1922
Subjects: gulf, bay
Inscriptions: inscription: ‘Foto’

Deze foto zat oorspronkelijk in prentenkabinet RP-F-AA3192.
Calon à St-Estèphe
Object type: photograph
Date: 1862 – 1867
Materials: paper
Techniques: albumen print
Location: saint-estèphe
Artist: alfred danflou
Artist role: fotograaf, schrijver
Subjects: castle
Inscriptions: inscription: ‘propriétaire: M. LESTAPIS.’
Allegorische compositie op de dood van predikant Andreas Andriessen
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: etching, engraving
Location: middelburg
Artist: george kockers
Artist role: goldsmith, print maker
Subjects: the hague, middelburg, the virgin mary, (human) skull, book - mm - book open, hourglass, other allegories of time, e.g. 'tempo' (ripa)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Allegorische compositie op de dood van Andreas Andriessen, predikant en hoogleraar te Middelburg. Rechts op het grafmonument is zijn portret in een ovale omlijsting weergegeven, geflankeerd door een huilend kind en een biddende Maria met een bijbel en een kruis op haar schoot. Op het monument liggen onder andere boeken, een schedel, een zandloper een zeis. Onder de afbeelding een plaquette met een vierregelig vers.
Portret van een vrouw met pijpenkrullen
Object type: album leaf
Date: 1875 – 1899
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: historical persons - bb - woman, hairdress
Inscriptions: inscription: ‘Photographie Artistique/ Photographie Française/ Warmoesstraat 147 Amsterdam.’
Portret van Rudolf von Teuffenbach
Object type: print
Date: 1634 – 1662
Materials: paper
Techniques: engraving
Artist: wolfgang kilian
Artist role: print maker
Artist dates: 1581 – 1662
Subjects: commander-in-chief, general, marshal, armour, historical persons
Inscriptions: collector's mark: Lugt 2228
Landscape with Cupid and Psyche
Object type: print
Date: 1776 – 1776
Techniques: etching, mezzotint
Artist: richard earlom
Artist role: engraver
Artist nationality: british
Artist dates: 1743 – 1822
Subjects: cupid,psyche,landscapes
Carnival Folly, from "The Disparates" (Follies / Irrationalities)
Object type: print
Date: 1815 – 1815
Techniques: aquatint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: masks,men

From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'.
Portret van Jacobus Arminius
Object type: print
Date: 1643 – 1652
Materials: paper
Techniques: engraving
Location: leiden
Subjects: scholar in his study
Inscriptions: collector's mark: Lugt 2228

Portret van Jacobus Arminius, theoloog en leider van de remonstranten, staande in zijn studeerkamer. Hij wijst op een opengeslagen boek. Aan de wand een plank met boeken en een wereldkaart. Onderaan in de marge een vierregelig vers in het Latijn en in het Nederlands.
Guenbri
Object type: guenbri
Date: 1867 – 1900
Materials: plant material, wood
Culture: syrian
Location: syria
Gezicht op Caïro
Object type: sketchbook leaf
Date: 1904 – 1904
Materials: paper, pencil
Location: cairo
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: city-view, and landscape with man-made constructions, africans
Inscriptions: kleurnotitie, handgeschreven

Op de voorgrond een groep staande en zittende Egyptenaren op een open plek met uitzicht over de stad. Pagina 92 uit een schetsboek met 56 bladen.
Wiesbaden. Römertor
Object type: photomechanical print
Date: 1908 – 1908
Materials: cardboard
Techniques: photograph, lithograph, writing
Location: wiesbaden
Subjects: city-gate
Inscriptions: date
Kaart van Azië
Object type: drawing
Date: 1868 – 1928
Materials: ink, paper
Techniques: brush, pen
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: (map of) asia
Opbouw (Vereniging voor Penningkunst 1940, tweede penning)
Object type: history medal
Date: 1940 – 1940
Materials: bronze
Techniques: striking
Artist: han richters
Artist role: draughtsman, sculptor
Artist dates: 1915 – 2000

Bronzen penning, op de voorzijde een naakte man met troffel en stenen onder een bloeiende boom, op de keerzijde zes regels tekst met drie bloemornamenten.
Vue de Saïgon (Feuille No. 2)
Object type: photograph
Date: 1866 – 1866
Techniques: albumen silver print, glass negative
Artist: emile gsell
Artist role: artist
Artist nationality: french
Artist dates: 1838 – 1879
Subjects: cities,rivers
Portret van Georg Christoph Albrecht Spieß
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: historical persons, lawyer, attorney at law
Inscriptions: collector's mark: Lugt 2233
Design for Oval Cartouche
Object type: drawing
Date: 1701 – 1800
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: gautier d'agoty
Artist role: artist
Artist nationality: french
Subjects: cartouches,garlands
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1901 – 1901
Materials: cardboard, ink
Techniques: pen, writing
Location: utrecht
Artist: pieter hendrik van moerkerken
Artist role: print maker
Artist dates: 1877 – 1951
Subjects: den bosch, print maker, antoon derkinderen, draughtsman, pierre joseph hubert cuypers, utrecht, the hague, philip zilcken, photography, cinematography
Inscriptions: collector's mark: ‘RPK’
Zelfportret van George Hendrik Breitner
Object type: sketchbook leaf
Date: 1903 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: rotterdam, amsterdam, painter, draughtsman, george hendrik breitner, portrait, self-portrait of artist

Zelfportret van George Hendrik Breitner. Pagina 54 uit een schetsboek met 46 bladen.
Printing Block
Object type: printing block
Materials: wood
Techniques: carving
Location: egypt
Woeste Vreugde-bedrijven te Rotterdam
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: the hague, william v (prince of orange), public festivities on the occasion of royal events, rotterdam
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie: P.A. Loosjes. Vaderlandsche historie, vervattende de geschiedenissen, der Vereenigde Nederlanden (...). Ten onmiddelyken vervolge van Wagenaar's Vaderlandsche historie, dl. 6. Amsterdam: Johannes. Allart, dl. 7, 1791.
Gezicht over de Middellandse Zee op Kreta
Object type: photograph
Date: 1898 – 1898
Materials: paper
Techniques: collodion silver print
Location: mediterranean sea
Artist: johannes lodewijk heldring
Artist role: fotograaf, predikant, schrijver
Artist dates: 1852 – 1923
Subjects: island
Gezicht op het Kattengat naar de Kostverlorenvaart bij de Hoofdweg
Object type: drawing
Date: 1910 – 1927
Materials: chalk, paper
Location: amsterdam
Artist: anthonie van teijn
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1943
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 800a, inscription: ‘Kattegat’, signature: ‘VanTeyne’, inscription: ‘Het Kattegat gezien (...) Oct 1927. / vanEck’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 30.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: cotton
Techniques: crochet
Subjects: flowers
Portret van een (vermoedelijk) Nederlandse militair
Object type: photograph
Date: 1884 – 1897
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: utrecht
Artist: carel gustaaf hisgen
Artist role: fotograaf
Artist dates: 1852 – 1917
Subjects: sideburns, warfare; military affairs, (military) uniforms, division of armed forces, utrecht
Inscriptions: address: ‘Leidsche Weg, L.8 Utrecht’

Onderdeel van Album met cartes-de-visite en kabinetfoto's van militairen in uniform.
Vial
Object type: vial
Date: 901 – 1100
Materials: glass
Techniques: glassblowing, tooling
Location: iran
Two Girls Collect New Year's Herbs
Object type: print
Date: 1797 – 1797
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Subjects: girls,herbs,trees
Portraits for One Hundred Poems about One Hundred Poets (Sugata-e hyakunin isshu) 姿絵百人一首
Object type: illustrated book
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: hishikawa moronobu 菱川師宣
Artist role: artist
Artist nationality: japanese
Artist dates: 1618 – 1694
Subjects: poetry,men,women,trees
Pair of vases
Object type: vase
Date: 1789 – 1789
Materials: gilt bronze, hard paste porcelain, marble
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: flowers

Made in 1789, on the eve of the French Revolution, this pair of vases reflects the superb quality and luxuriousness achieved by the Royal Porcelain Manufactory at Sèvres at the peak of its production. The vases were made to be purely decorative, and their diminutive scale was especially well suited to the intimate interiors that were in vogue in late eighteenthcentury France. They are painted with delicate scrolls that incorporate vegetal motifs, cornucopias, and birds’ heads. This type of decoration, known as the arabesque style, was very much in fashion in the 1780s not only throughout the decorative arts but also in interior decoration. On these vases the scrolling motifs surround panels painted to resemble prints depicting a male river god and a woman in classical dress. The richness of the decoration is enhanced by the two colors of marble employed for the base and by the finely worked coiling snakes that form the handles.
Pumps
Object type: pump
Date: 1885 – 1890
Materials: silk
Culture: american
Hot milk jug (part of a service)
Object type: hot milk jug
Date: 1750 – 1770
Materials: hard paste porcelain
Subjects: towers,men
Moeder met twee kinderen aan de voet van een kruis
Object type: print
Date: 1828 – 1895
Materials: paper
Techniques: etching, intaglio, engraving
Artist: jean françois portaels
Artist role: print maker
Artist dates: 1818 – 1895
Subjects: the cross ~ symbols of christ, mother with son(s) (mother-love), one person praying
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Gezicht op een straat in de sneeuw
Object type: page
Date: 1902 – 1903
Materials: paper
Techniques: autotype
Location: berlin
Artist: albert gottheil
Artist role: fotograaf
Artist dates: 1867 – 1942
Subjects: snow, street

Prent op eerste ongenummerde pagina na pagina XI.