deem-data/ArtiFact huggingface dataset:
Card Number 170, Jennuelle Nult, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-5), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fifth subset, N145-5. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Musketier en officier bij een boom met in de verte een gevecht
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: engraving
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: head-gear: tricorn (+ men's clothes), riding a horse, ass, or mule; rider, horseman, shoulder-belt, bandoleer (+ men's clothes), coat (justaucorps) (+ men's clothes), battle, the soldier; the soldier's life, trousers, breeches, etc. (breeches) (+ men's clothes)
Inscriptions: inscription: ‘I petrus II: 9, tot 17. Maar gy zyt een uitverkooren geslacht, een koninglyk priesterdom, een heilig volk, een verkreegen volk...(etc)’, title: ‘De krygsman. Verdraagen en lyden, Is Christelyk stryden.’

Twee mannen bij een boom. De man links draagt een justaucorps en om de schouder een bandelier met kruitmaatjes. Zijn hoed in de hand. Rechts een man gekleed in een justaucorps, sjerp met franjes om het middel, degen aan de zijde. Hoed met veren op het hoofd. Op de achtergrond twee ruiters te paard, in de verte een gevecht bij een stad. De prent maakt deel uit van een bundel etsen van diversen ambachten genaamd Spiegel van het Menselyk Bedryf, door Jan Luyken, Amsterdam, 1694.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Materials: terracotta
Culture: greek, attic

Interior, part of column crater
Trousers
Object type: trouser
Date: 1850 – 1870
Materials: wool
Culture: american
Beads
Object type: bead
Date: 900 – 801
Materials: faience, glass, shell, stone
Culture: iranian
Location: iran
Laken. Merk: HW33.
Object type: beddenlaken, laken object
Date: 1700 – 1800
Materials: linen
Location: northern netherlands
Artist: Anonymous
Landscape with corner of building and awning at far right, two figures and a horse-drawn cart are positioned with backs toward the building, a craggy hill beyond, from "The Small Landscapes"
Object type: print
Date: 1641 – 1678
Techniques: etching
Artist: karel dujardin
Artist role: artist
Artist nationality: dutch
Artist dates: 1622 – 1678
Subjects: landscapes
Strook naaldkant met paddenstoeltjes
Object type: strip
Date: 1795 – 1795
Materials: linen
Techniques: lace
Location: alençon
Artist: Anonymous

Strook naturelkleurige naaldkant: Alençon-kant. Onder een strooipatroon van drie rijen hangende bloemtakjes bestaat het zich herhalende en doorlopende patroon langs de onderzijde van de strook uit paddenstoeltjes, afgewisseld met een ijle voluut met in het centrum een cirkeltje bekroond door een staand ovaaltje. De schulpenrand wordt gevormd door waaiervormig motiefjes, onder elke paddenstoel één. De waaiertjes zijn met elkaar verbonden door een slingertje van drie cirkeltjes met raderpicots erin. De motieven zijn met elkaar verbonden door een fijne zeshoekige maasgrond, een Alençon-grond met opgehaalde festonsteken. Het spaarzame volwerk is gemaakt met festonsteken, de motieven zijn voorzien van reliëfcontouren. Enkele verschillende fijne siergronden zijn toegepast in de motieven in het patroon aan de onderzijde van de strook. De bovenzijde van de strook is afgewerkt met een apart geklost bandje. De schulpen langs de onderzijde zijn afgewerkt met picots.
Gezigt op het Westerdok / Vue du Port Bassin de l'Ouest
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: tone lithography
Location: amsterdam
Subjects: ships (in general), canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228a
Socketed Ax
Object type: socketed ax
Date: 500 – 300
Materials: bronze
Culture: thai
Portret van Willem van Haren
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: engraving
Subjects: official; civil servant; functionary (in general), historical persons, armorial bearing, heraldry
Inscriptions: date
Hasp
Object type: hasp
Date: 1770 – 1830
Materials: iron
Culture: american
Location: united states
Face Mask Ornament
Object type: ornament
Date: 501 – 700
Materials: metal
Culture: moche
Location: peru
Subjects: faces
Document met afbeelding van de Arita-schotel
Object type: document
Date: 1830 – 1844
Materials: paper
Location: japan
Artist: Anonymous
Subjects: japan

Document waarop de afbeelding van de Arita-schotel is nagetekend, maar alle teksten in het Nederlands zijn aangebracht.
Diadeem van draadwerk, koper en blauwe stenen in de vorm van korenaren, veren en bloem
Object type: diadem
Date: 1900 – 1950
Materials: copper, metal thread
Location: netherlands
Artist: Anonymous

Diadeem van draadwerk, koper en blauwe stenen. Toneelrekwisiet (?). Korenaren of veren flankeren een bloem.
Fringe
Object type: fringe
Date: 1801 – 1833
Materials: cotton, metal thread
Water Filter with Geometric Design
Object type: ceramic
Materials: earthenware
Techniques: incising
Culture: islamic
Location: old cairo
Schoolpenning: rekenpenning waarop het werken met rekenpenningen en het alfabet worden getoond
Object type: jeton
Date: 1525 – 1575
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous

Koperen penning. Voorzijde: man staande achter tafel, waarop lijnen zijn getrokken en penningen liggen binnen sierrand. Keerzijde: alfabet in vijf boven elkaar geplaatste regels binnen sierrand.
Hooded small figure hunched over a crutch, in profile view with left leg positioned forward and sword affixed to right hip, from "Varie Figure Gobbi"
Object type: print
Date: 1621 – 1625
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: human figures,swords
Wall plaque with knob
Object type: wall plaque with knob
Date: 900 – 801
Materials: ceramic, glaze
Culture: iranian
Location: iran
Kop van een vos
Object type: drawing
Date: 1816 – 1893
Materials: ink, paper
Techniques: pen
Artist: joseph mendes da costa (1806-1893)
Artist role: draughtsman, print maker
Artist dates: 1806 – 1893
Subjects: beasts of prey, predatory animals: fox
The Sixth Day (Dies VI): The Creation of Adam and Eve, from "The Creation of the World"
Object type: print
Date: 1589 – 1589
Techniques: engraving
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Subjects: adam,eve

In 1589 Jan Muller, son of the Amsterdam book printer, engraver, and publisher, was a member of or working in Hendrick Goltzius’s workshop in Haarlem. During that time, he engraved a series of prints depicting the creation of the world after designs by Goltzius, the premier draftsman and printmaker in the northern Netherlands. Although some preliminary sketches for the series still exist, the finished designs are now lost. The series itself is extraordinary. Rather than following the centuries old traditional representations of the seven days of creation, based on the Book of Genesis, Goltzius looked instead to classical mythology for his imagery. It is often suggested that he was inspired by Ovid, the first century Latin poet, who describes the creation at the beginning of The Metamorphoses, his long poem about the gods and humankind. Day Six is much more traditional in approach than the other prints in this series. As in the titlepage, the robed and bearded figure of God the Father is shown wrapped in heavenly clouds. He has just finished creating Eve, who stands before him, while Adam is curled up on a rock, sleeping. A later scene of Adam given dominion over the animals is shown in the background at the right.
A cartouche flanked by two winged infant satyrs riding on the heads of two rams, plate 12 from "Nouvelles inventions de Cartouches"
Object type: print
Date: 1647 – 1647
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: cartouches,satyrs,rams
Roodkapje
Object type: popular print
Date: 1889 – 1906
Materials: paper
Techniques: letterpress printing, lithograph
Location: wissembourg
Subjects: tales and fairy tales: little red riding-hood
Inscriptions: collector's mark: Lugt 2760

Blad met 20 voorstellingen uit het sprookje van Roodkapje. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 49.
Bomen in blad tegen blauwe lucht
Object type: drawing
Date: 1939 – 2009
Materials: paper, watercolor
Artist: kees stoop
Artist role: draughtsman
Artist dates: 1929 – 2019
Subjects: groups of trees
Writing table (bureau plat)
Object type: writing table
Date: 1745 – 1750
Materials: bronze, wood, gilt, leather, panel
Techniques: chasing, gilding, inlay, tooling, veneering
Artist: bernard ii van risenburgh
Artist role: maker
Artist dates: 1696 – 1767

Enormously productive, Bernard II van Risenburgh, the maker of this important writing table was the leading cabinetmaker during Louis XV’s reign. He was one of the most important suppliers of furniture to the Crown. His work shows not only confidence and elegance but generally also a beautiful balance between the gilt-bronze mounts and the surface decoration. He signed his pieces with his initials: B.V.R.B.
Gezicht op twee ingestorte huizen aan de Da Costakade
Object type: photomechanical print
Date: 1904 – 1904
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: city-view in general; 'veduta', collapsing building
Inscriptions: inscription: ‘Juni 1904’, collector's mark: ‘6’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Buijskade, Catskade (Jacob), Clercqstraat (de), Commelinstraat, Costakade (da), Cuypstraat (Albert), Czaar Peterstraat.
Feestmaal van Belsassar
Object type: album leaf
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: during belshazzar's banquet a hand appears and writes on the wall (mene, mene, tekel and parsin (upharsin)); king belshazzar is frightened

Het feestmaal van Belsassar, koning van Babylon, met zijn hovelingen en vrouwen. Belsassar, op de rug gezien aan het hoofd van de tafel, ziet een schrijvende hand verschijnen. Op tafel staan de gestolen bekers en schalen uit de tempel van Jeruzalem. Rechtsboven staan trompetters op het balkon. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Dan. 5:5. Deze prent maakt deel uit van een album.
Geelvoorhoofd parkiet (Bolborhyuchus aurifrons)
Object type: drawing
Date: 1650 – 1719
Materials: paper, watercolor
Techniques: brush
Artist: jan weenix
Artist role: draughtsman, painter
Artist dates: 1640 – 1719
Subjects: ornamental birds: parakeet
Kous van effen zwarte katoenen tricot
Object type: clothing
Date: 1920 – 1950
Materials: cotton
Techniques: knitting
Location: netherlands
Artist: Anonymous

Kous van katoenen tricot. Brede naar binnengeslagen boord, waarop een vervaagd wit opschrift.
Il Fiume Anapo e il papiro (Siracusa)
Object type: photograph
Date: 1857 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: syracuse
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: plants; vegetation, river, rowing-boat, canoe, etc.
Inscriptions: number: ‘No. 1579’, inscription: ‘Siracuse’
Le Bossu a La Canne (The Hunchback with a Cane), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)
Object type: print
Date: 1616 – 1622
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men
De ganzen verjagen de vossen, ca. 1572
Object type: cartoon
Date: 1572 – 1573
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: animals acting as human beings, the roman catholic church vs. protestantism; (reformation and counter reformation)

Spotprent op de verslechterde positie van de Roomse kerk in Nederland. Vossen in kleding van priesters en monniken maken zich zorgen over hun positie nu de ganzen aan het winnen zijn. Op de voorgrond vier vossen met elkaar in gesprek. Hierachter trekt een lange stoet van soldaten als ganzen door het land. Linksboven de tempel ‘Het Koophuys’, gewijd aan geldzucht. In het onderschrift op een aparte plaat onder de voorstelling 4 verzen van afwisselend 8 en 7 regels in het Nederlands.
Portret van Willem IV, prins van Oranje-Nassau
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: willem iv (prins van oranje-nassau)
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
Ring
Object type: ring
Date: 801 – 1100
Materials: silver
Location: iran

Excavated at Nishapur, this ring is one of very few silver objects to survive from the medieval period, as silver was often melted down to create currency. Turquoise deposits near Nishapur were exploited to create beautiful jewels, such as this one. According to eleventh-century polymath and natural philosopher Al-Biruni, turquoise was believed to dispel the harmful effects of the evil eye. This ring therefore would have served both as a talisman, as well as an ornament meant to adorn the wearer.
Geestelijke en een kind bij een dode
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: apparent death, one person praying, beach
Inscriptions: collector's mark: Lugt 240

Aan de vloedlijn zit een geestelijke met een kind bij een naakte dode man. Illustratie bij het verhaal 'Camiré'.
Gezicht op de eerste Muiderpoort na de verzakking
Object type: drawing
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: hermanus petrus schouten
Artist role: draughtsman, painter, print maker
Artist dates: 1747 – 1822
Subjects: city-view in general; 'veduta', collapsing building, city-gate
Inscriptions: inscription: ‘de oude muyderpoort na dat hij / ingevallen was van de buyte singel te sien / ten linkerzyde’, collector's mark: Lugt 800a, : ‘327 Ruïne van (...) breed 24 cM.’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 24.
Sketchbook
Object type: drawing and watercolor
Materials: board, leather, gouache, graphite, ink, paper, silk, watercolor
Techniques: bookbinding, drawing, pen
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Woman Getting out of the Bath
Object type: statuette
Materials: bronze
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: female nudes,bathing

Upon Degas's death in 1917, more than 150 figurative sculptures were found in his studio. Most were made of fragile wax, clay, and plastiline (a wax- and oil-based modeling material). Many had deteriorated. Only a few were preserved in copies that had been cast from them in plaster. Except for the wax Little Fourteen-Year-Old Dancer (Washington: NGA) none of these sculptures had been publicly exhibited during the artist’s lifetime. Although Degas had not favored reproducing his sculptures in more permanent materials, his heirs authorized that copies be cast in bronze in order to preserve the compositions and to sell them as finished works. Paul-Albert Bartholomé, a sculptor and Degas's longtime friend, prepared 72 of the figures for casting, a process executed by the distinguished Paris foundry A.-A. Hébrard et Cie. The quality of the Degas bronzes was tightly controlled and their edition was limited. Only twenty-two editions of the series of 72 figures were cast. Each bronze within the series was assigned a number from one to seventy-two. The first twenty editions were assigned a letter from A-T. In most cases these numbers and letters were incised on the individual bronzes. The series of 72 bronzes was completed before May 1921 when it was exhibited in Paris. Edition A, comprising the first and best casts of the series, was reserved for the important Impressionist collector Mrs. H. O. Havemeyer. She later acquired the first bronze cast of the Little Fourteen-Year-Old Dancer (lettered A, but not numbered), which had been omitted from the initial series. In 1929 Mrs. Havemeyer bequeathed Little Fourteen-Year-Old Dancer and 70 of the 72 Edition A Degas bronzes to the Metropolitan Museum of Art.
Max Blokzijl kort na zijn arrestatie
Object type: photograph
Materials: photographic support
Techniques: photography
Location: the hague
Subjects: max blokzijl, the hague

Max Blokzijl was bekend van zijn vele Nationaal-socialistische radiopraatjes. Het proces vond plaats in het paleis aan de Kneuterdijk. Blokzijl werd, als eerste collaborateur, ter dood veroordeeld en op 16 maart 1946 gefusilleerd. [Baruch, Jet, 2006].
Kinderportretten
Object type: photomechanical print
Date: 1880 – 1920
Materials: paper
Techniques: autotype, gelatin silver print
Artist: Anonymous
Subjects: flowers, child, trade games, imitative games, imitating adults

Een portret van een jongen en meisje in verkleedkleding en drie portretten van een meisje met bloemen. De portretten hebben op de voorzijde opschriften; De Jong's, Bloemenkrans, Bloemen en Voor mama. Deze pagina maakt deel uit van een album.
The Theater of Marcellus, from the Piazza Montanara
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: robert macpherson
Artist role: artist
Artist nationality: scottish
Artist dates: 1811 – 1872
Subjects: theatre,buildings

Like geological strata laid bare to reveal the earth's development, the walls of the Theater of Marcellus bear witness to the various transformations of the ancient Roman monument. Begun by Julius Caesar and completed about 12 B.C. by Augustus, despoiled in the fourth century, fortified in the eleventh, and converted into a palace in the sixteenth, the theater housed apartments and the shops of artisans by the mid-nineteenth century. Macpherson's photograph presents the antique theater in fragmentary form, partially shrouded in shadow--less a field for archaeological investigation than for philosophical meditation on the weight of history on the lives of Rome's modern citizens.
Fotoreproductie van een tekening van Gretchen, uit het eerste deel van de tragedie Faust door Johann Wolfgang von Goethe
Object type: reproduction
Materials: photographic support
Techniques: albumen print
Artist: friedrich bruckmann
Artist role: publisher
Artist dates: 1814 – 1898
Subjects: (scenes from) specific works of literature: goethe, faust
Ontwerp voor een behangschildering met Neptunus en Coronis
Object type: design
Date: 1751 – 1751
Materials: paper, watercolor
Techniques: brush
Artist: rienk keyert
Artist role: draughtsman
Artist dates: 1709 – 1775
Subjects: (story of) neptune (poseidon)
Inscriptions: date

Behoort tot hetzelfde decoratieproject als inv. RP-T-1906-10.
Portret van twee onbekende meisjes
Object type: photograph
Date: 1859 – 1898
Materials: cardboard, paper
Techniques: albumen print
Location: utrecht
Artist: george lodewijk mulder
Artist role: fotograaf
Artist dates: 1841 – 1920
Subjects: girl (child between toddler and youth), anonymous historical person portrayed, utrecht
Inscriptions: inscription: ‘G.L. Mulder/ Senatus Veteranorum/ Effigierum Opifex./ van Wijckskade H.326./ Utrecht.’, inscription: ‘G.L. Mulder Utrecht’
Noorwegen Juli/Aug. 1927
Object type: album leaf
Materials: paper
Techniques: gelatin silver print
Location: norway
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: lake, automobile
Inscriptions: inscription: ‘Nedre Vasenden a/h Jølstervand’

Deze foto's maken deel uit van een album.
Portret van Thomas Wentworth, eerste graaf van Strafford
Object type: print
Date: 1641 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: london, politician, historical persons, other sovereign (with title), politician, e.g. party leader

Met tweeregelig onderschrift in het Nederlands. Rechtsboven: Fol. 18.
Portret van Floris II, graaf van Pallandt
Object type: print
Date: 1627 – 1627
Materials: paper
Techniques: engraving
Location: delft
Subjects: floris ii van pallandt (graaf van culemborg), historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van Floris II, graaf van Pallandt, borststuk met plooikraag en keten in ovale omlijsting met Latijns motto. In ondermarge vier regels Latijns opschrift.
Portret van Louis de Blois
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: engraving
Location: brussels
Subjects: theologian, historical persons

Eerste staat van de prent verschenen in: Illustrium Galliae Belgicae scriptorum icones et elogi. Antwerpen: Philips Galle, 1604. Deze staat van de prent verschenen in: Foppens, Jean François. Bibliotheca Belgica. Brussel: Pierre Foppens, 1739.
Portrait of Justinus of Nassau (1559-1631)
Object type: painting
Date: 1609 – 1633
Materials: oil, panel
Artist: jan antonisz van ravesteyn
Artist role: draughtsman, painter
Artist dates: 1570 – 1657
Subjects: historical persons
Inscriptions: inscription, top: ‘JUSTINUS NASSOU’

These portraits were originally displayed at Honselaarsdijk, the palace built by Stadholder Frederick Henry and his wife Amalia in the 1620s near The Hague. In the style of European courts of the day, one of the palace rooms was lined with portraits of ancestors, relatives and celebrities past and present. Many of these personalities played a role in the Eighty Years War: members of the Nassau family and other commanders of the Dutch Republic's army, officers of the French and English allies and leading Spanish generals. A remarkable aspect is the number of foreigners who fought for the Dutch. The Republic's army enjoyed an international reputation and attracted young noblemen from abroad. For them, the war was a career opportunity.
Trumpeting Angels and Damned Souls Being Pulled Down by Devils (lower center and right section of the Last Judgment)
Object type: print
Date: 1548 – 1548
Techniques: engraving
Artist: niccolò della casa
Artist role: artist
Artist nationality: french
Artist dates: 1543 – 1548
Subjects: male nudes,female nudes,angels,devil,last judgement

One of a set of prints intended to fit together. The accession numbers are: 62.602.652(1-3) and 59.570.46(1-2). Date traced in ink and changed from 1543 to 1548.
Portret van jonge vrouw
Object type: photograph
Date: 1868 – 1882
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Subjects: adolescent, young woman, maiden
Inscriptions: inscription: ‘Wegner & Mottu/ Amsterdam/ Rokin D. 26 en Kalverstraat D. 26/ Utrecht/ Leijdschestraatweg I, 153’
Euterpe, plate eighteen from Apollo and the Muses
Object type: print
Date: 1465 – 1465
Materials: paper
Techniques: engraving
Culture: master of the e-series tarocchi
Location: italy

This engraving comes from a set of 50 cryptic tarocchi (tarot) cards that neither tell fortunes nor constitute a modern deck of cards. Instead, these didactic flashcards illustrate the abstract forces affecting mankind. The sequence Apollo and the Muses includes Euterpe, the Muse of music, shown here with her attribute, the double flute. She was later known as the Muse of lyric poetry. The Muses were typically invoked at the beginning of an epic poem, as in Canto II of Dante’s Inferno: “O Muses, O lofty genius, aid me now!”
Panel ornament
Object type: panel ornament
Date: 1767 – 1833
Materials: gilt bronze