deem-data/ArtiFact huggingface dataset:
Part of a throne with deity on a bull
Object type: sculpture
Date: 734 – 601
Materials: bronze, plastic
Culture: urartian
Location: urartu
Subjects: bulls

Urartu was a powerful kingdom that rivaled the Assyrian Empire in the first millennium B.C. It extended from northeastern Turkey into northwestern Iran. Its settlements were palace-fortresses that protected agricultural production and supported many crafts, especially an extensive metalworking industry. In the late seventh century B.C., Urartian centers were destroyed by an enemy whose identity remains unknown. This object, with the lower part of a figure standing along the flanks of a bull, was most likely part of a throne. From better-preserved examples, we know that the figure wore the horned crown of a deity. The whole would have been gilded. A throne and footstool supported by four deities and their animal companions would have been a potent symbol of the Urartian king's power.
Vienna: Belvedere
Object type: print
Date: 1908 – 1908
Techniques: lithograph
Artist: urban janke
Artist role: artist
Artist nationality: austrian
Artist dates: 1887 – 1914
Subjects: buildings,courtyards
Menigte bij brand in een woning aan het Noordeinde, Leiden
Object type: photograph
Date: 1895 – 1918
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: willem de jong (fotograaf)
Artist role: arts, fotograaf
Artist dates: 1864 – 1918
Subjects: crowd, mob, fire-department, fire-brigade, street
Inscriptions: inscription: ‘Dr. W. DE JONG./ Arts./ Leiden,...(...)190’, inscription: ‘23/ brand in Noordeinde/ L.B.’
Solon Salaminius, from Seven Wise Men of Greece
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: netherlands
Artist: jacques de gheyn iii
Artist role: artist
Artist nationality: dutch
Artist dates: 1596 – 1641
Inscriptions: Lettered lower left: "IDG. F. 1616."; lower right: "Τέλος οραν μακρου βίου"; and below image: "2 Solon Salaminius / Dico tunc vitam beatam ... quid timere convenit? Fac. Ausonius."
Panel
Object type: textile
Date: 1701 – 1800
Materials: textile, silk
Location: india
Fifty-three Stations of Suehiro: Warrior Looks at Passing Steamship
Object type: woodblock print
Date: 1865 – 1865
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: tsukioka yoshitoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1839 – 1892
Subjects: men,horses,mountains,boats,ships
Victoria, Queen of Great Britain, India, etc.
Object type: print
Date: 1859 – 1859
Materials: ink, oil, paper, steel, wood
Techniques: engraving
Location: england
Artist: george baxter
Artist role: print maker
Artist nationality: english
Artist dates: 1804 – 1867

George Baxter invented an innovative color printing technique to mass-produce commercial images that resembled oil paintings, earning him the epithet “The Picture Printer.” His Baxter Process integrated several traditional printing techniques, combining an intaglio “key” plate that printed the main features of the design with numerous relief color woodblocks. Baxter’s subjects varied from still-life imagery and genre scenes to images depicting important contemporary events. Here Queen Victoria is seated in state with the Crown of India on a cushion beside her. This print required 12 different color blocks and was released just after India was added to the British Empire.
Fibula
Object type: fibula
Date: 300 – 201
Materials: gold
[Temple of Jupiter]
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: columns,ruins
Glass ribbed bowl
Object type: bowl, ribbed
Date: 1 – 33
Materials: glass
Culture: roman

Translucent deep honey brown. Bevelled rim with horizontal lip; shallow inward-curving neck; then raised ledge below which body curves in to concave bottom. On interior, lathe-cut concentric circles; one at center, two at outer edge of bottom, and one on inner edge of rim; on exterior, nineteen regularly-spaced prominent rounded ribs, slanting from right to left. Broken and repaired, with small areas of fill and internal cracks; rotary polishing marks on interior and on neck band of exterior; the rest of exterior is fire-polished; slight dulling and iridescence. This is a particularly fine example of early Roman glass tableware. The bright translucent color is typical of the ribbed bowls found in Italy and the western provinces, whereas those from the eastern half of the empire are usually made in more muted, naturally-colored glass.
Gezicht op Enkhuizen met de toren van de Zuiderkerk en een telefoonmast
Object type: print
Date: 1905 – 1920
Materials: paper
Techniques: lithograph
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: telegraph pole, telephone pole, church (exterior), prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
17me Rencontre
Object type: print
Date: 1829 – 1829
Materials: paper
Techniques: hand coloring, lithograph
Location: brussels
Subjects: the hague, berlin, william i of the netherlands, ruler in informal contact with his subjects
Inscriptions: collector's mark: Lugt 2228

De koning vraagt in het park aan een wandelaar hoe laat het is. Met tweeregelig onderschrift. Onderdeel van de serie van 24 platen met ontmoetingen met koning Willem I, verschenen onder de titel 'Les rencontres' in 1829-1830.
Karikaturaal portret van Ernest Alexandre Honoré Coquelin
Object type: print
Date: 1840 – 1890
Materials: paper
Techniques: engraving
Artist: alphonse descaves
Artist role: print maker
Artist dates: 1830 – 1890
Subjects: caricatures (human types), historical persons, portrait of actor, actress
Inscriptions: collector's mark: Lugt 2228
Tower Rock, Lake Shore
Object type: photograph
Date: 1864 – 1869
Materials: photographic support
Techniques: albumen print
Location: new york
Artist: joseph curtiss burritt
Artist role: fotograaf
Artist dates: 1817 – 1889
Subjects: rock-formations
Haardsteen met voorstelling van de beide ouderlingen uit de geschiedenis van Suzanna, die ter steniging worden weggeleid
Object type: hearthstone
Date: 1875 – 1900
Materials: earthenware
Techniques: printing, firing
Location: netherlands
Artist: Anonymous

Haardsteen met voorstelling van de beide ouderlingen uit de geschiedenis van Suzanna, die ter steniging worden weggeleid. Links draagt een jongen een mand met stenen aan.
VOC, valse duit Overijssel
Object type: coin
Date: 1700 – 1799
Materials: copper
Techniques: striking

Valse koperen munt. Voorzijde: tussen wapenspreuk gekroond provinciaal wapenschild. Keerzijde: monogram van de VOC, waaronder eerste gedeelte van jaartal. Vervalsing. Zie opmerking in Catalogus Stephanik bij dit nummer.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Tendrils?; below, a band of reserve interrupting the black glaze
Zeilschip te water
Object type: photomechanical print
Date: 1880 – 1900
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)

Deze prent maakt deel uit van een album.
Female statuette
Object type: statuette
Date: 1701 – 1800
Materials: glass
Subjects: women
Carpet Fragment
Object type: carpet fragment
Date: 1701 – 1800
Materials: wool
Techniques: pile
Location: central asia
The Guardian King Bishamonten
Object type: figure
Date: 1101 – 1200
Materials: gold leaf, lacquer, wood
Culture: japanese
Subjects: kings,buddhism

Bishamonten (Sanskrit: Vaishravana), the Guardian King of the North, is one of the four protectors of the cardinal directions, who, together with eight other fearsome kings, comprise the Twelve Devas (Jūniten) of Esoteric Buddhism. Eight of them protect the eight directions, and the remaining four symbolize heaven, earth, the sun, and the moon. Bishamonten is considered the most powerful of the Guardian Kings, as his direction—North—is associated with danger.
Reading chair
Object type: reading chair
Date: 1750 – 1750
Materials: wood
Zonnige winterdag op de Kahlenberg in Wenen
Object type: photograph
Date: 1930 – 1931
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: vienna
Artist: berti hoppe
Artist role: fotograaf
Subjects: park, winter landscape; landscape symbolizing winter (the four seasons of the year), plants and herbs, dog, vienna

Twee foto's van honden voor een schuur, twee gezichten op een park in de sneeuw en een mimosa in een vaas. Deze foto's maken deel uit van een album.
A Staircase in Seville
Object type: drawing
Date: 1832 – 1832
Materials: graphite, watercolor
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Portret van Johann Konrad Pfenninger
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Stoy, Johann Sigmund. Bilder-Akademie für die Jugend. Neurenberg: Johann Sigmund Stoy, 1784.
Kerk met palmbomen ervoor
Object type: photograph
Date: 1875 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Twee mannen in een bibliotheek
Object type: print
Date: 1850 – 1925
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: writing-table, writing-desk, bookshelves, public library
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Een van de mannen zit met een vergrootglas achter een schrijftafel waarvan het onderstel bestaat uit leeuwen. Op de voorgrond is een deel van een globe zichtbaar.
Design for a Cartouche and Representation of 'Hearing', Plate 3 from 'Neu Inventierte auf die artigste Facon Sehr nutzliche Schild.'
Object type: album print ornament architecture
Techniques: etching
Artist: johann georg pintz
Artist role: engraver
Artist nationality: central european
Subjects: animals,birds,cartouches,orpheus

Ornament print with a design for a rocaille cartouche, with a depiction of Orpheus playing for the animals in the central compartment, to illustrate the sense of 'hearing'. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.
Pompei Rue Stabienne (pour Stabia)
Object type: photograph
Date: 1857 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: pompeii
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: landscape with ruins, pompeii
Inscriptions: number: ‘10’, inscription: ‘Sommer (t)’, number: ‘No. 4208’
Portret van Jean Astruc
Object type: print
Date: 1750 – 1786
Materials: paper
Techniques: mezzotint
Subjects: paris, historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228
Esu Dance Staff (Ogo Elegbara)
Object type: sculpture
Materials: wood
Culture: yoruba
Location: nigeria
Artist: unidentified ketu master
Artist dates: 1850 – 1899
Subjects: warriors, captive, mother and child, messenger, dance, performance, supernatural, war, staffs

This dance staff for the deity Eshu depicts a warrior flanked by a bound captive and a nursing mother. This work was made during a turbulent period of civil war. The warrior’s cap is depicted as a crooked phallus, which is a symbol of Eshu—the divine messenger, facilitator, and provocateur—and allows for the staff to be hooked over the shoulder.
Varia tormentorum et supplicioru crudelium (...)
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Subjects: violent death ~ maltreatment, torture, torture
Inscriptions: collector's mark: ‘Hinloopen’, collector's mark: Lugt 11, number: ‘14’

Deze prent maakt deel uit van een reeks van 47 prenten (+ titelprent) met voorstellingen van martelmethoden. Deze prenten zijn in een andere editie gebruikt als illustraties voor Antonio Gallonio's 'Trattato degli Instrumenti di Martirio e delle Varie Maniere di Martoriare Usate dai Gentili contro Christiani' (Rome, Ascanio en Girolamo Dongangeli, 1591). Midden onder nummer 119 weggekrast.
Gezicht op een kerk
Object type: photomechanical print
Date: 1905 – 1933
Materials: cardboard, photographic process
Location: germany
Artist: Anonymous
Subjects: church (exterior), germany
Plate 6: Members of the court chapel choir marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii'
Object type: print, fete, ornament architecture
Date: 1623 – 1623
Techniques: etching, hand coloring
Location: brussels
Artist: cornelis galle (i)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1576 – 1650
Subjects: men

Plate from 'Pompa Funebris ... Alberti Pii', after Jacques Francquart, illustrating the funeral procession of Albert the Pious (1559–1621), Archduke of Austria, son of Emperor Maximilian II. 2 sheets pasted together at center. The first edition of this series contains 54 numbered plates and an engraved title page, published in 1623. The second and third editions contain 66 plates and were published in 1728 and 1729 respectively.
Vase fragment
Object type: vase in the form of a basket
Date: 800 – 701
Materials: terracotta
Culture: greek, attic

Vase in the form of a basket. It is not certain whether the vase originally had a handle.
Iohannes Conradus Monaeus
Object type: print
Date: 1647 – 1750
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons, professor
Inscriptions: collector's mark: Lugt 2233

Met vierregelig onderschrift in het Latijn.
Portret van Johann Leonhard Hirschmann
Object type: print
Date: 1738 – 1738
Materials: paper
Techniques: mezzotint
Location: paris
Subjects: print maker, johann leonhard hirschmann, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
"Coffin of Imam 'Ali", Folio from a Falnama (The Book of Omens) of Ja'far al-Sadiq
Object type: folio from an illustrated manuscript
Materials: gold, ink, paper, watercolor
Location: iran
Subjects: men,camels,hills

This folio is from a manuscript of the Falnama (Book of Omens), an illustrated divinatory book. It depicts 'Ali, the first Shi'i imam, shown with a face veil and a flaming halo. He leads a camel with a coffin while two other men, his sons Hasan and Husain, watch from behind a hillside. According to Anatolian mystical thought, Imam 'Ali not only predicted his own death but also told his two sons that when he died, a veiled man would carry his coffin away on a camel for burial. He cautioned them not to question the man. When 'Ali’s prediction came true, Hasan and Husain could not resist asking the man’s identity and discovered that he was in fact their father, who was carrying his own body to the grave.
Java Grosbeak, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Song Birds of the World" series (N23), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Shoes
Object type: shoe
Date: 1767 – 1800
Materials: leather, metal
Culture: european
A Bridge Near a Church in Venice
Object type: drawing and watercolor
Date: 1720 – 1720
Materials: chalk, ink, paper
Techniques: pen
Location: italy
Artist: canaletto
Artist role: artist
Artist nationality: italian
Artist dates: 1697 – 1768
John Gaspar Gevartius
Object type: print
Date: 1806 – 1822
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: antwerp, politician, jean gaspard gevartius, historical persons, magistracy, judges
Inscriptions: collector's mark: Lugt 2228

Tweede staat gebruikt in: Walmsley, Edward. Physiognomical portraits, one hundred distinguished characters (...). Londen: John Major, Robert Jennings et al., 1822, dl. 1.
Vrede van Nijmegen
Object type: history medal
Date: 1699 – 1703
Materials: bronze
Techniques: striking
Location: paris
Artist: jean mauger
Artist role: medailleur
Artist dates: 1648 – 1722
Subjects: lodewijk xiv (koning van frankrijk), nijmegen

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: gevleugelde Mercuriusstaf en bliksemschichten binnen omschrift; afsnede: opschrift
Loodje, gewichtje of schietlood, kegelvormig met  afgeplatte bovenzijde waarin een gaatje is aangebracht
Object type: loodje
Date: 1590 – 1596
Materials: lead
Techniques: casting
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Loodje, gewichtje of schietlood, kegelvormig met een afgeplatte bovenzijde waarin een gaatje is aangebracht en aan de onderzijde een holte of ziel. Het loodje kan bevestigd worden aan een dun koord. Mogelijk is dit loodje een onderdeel van een nautisch instrument (een kwadrant) geweest.
Vrouw onder een baldakijn en een vrouw op haar knieën
Object type: drawing
Date: 1500 – 1800
Materials: paper
Techniques: brush
Location: iran
Artist: Anonymous
Inscriptions: inscription

De voorstelling is in twee vlakken verdeeld: in het bovenste vlak zit een vrouw onder een baldakijn en een tweede vrouw staat tegenover haar, in het onderste vlak zit een vrouw op haar knieën en houdt haar linkerhand voor haar mond, tegenover haar ligt een in het wit geklede man diagonaal door het vlak en houdt een soort staf in zijn rechterhand. De voorstelling is in een raamwerk van kaderlijntjes geplakt, waarvan de oude randen hier en daar zijn losgegaan en nieuwe randjes overheen zijn geplakt; de buitenrand is onversierd en ligt aan de onder-, boven- en linkerkant van de voorstelling.
Festivities of the Twelve Months: “Sannō Hiyoshi Festivals Held on the Day of the Monkey in the Mid-Fourth Month”; Festivities of the Twelve Months: “Sumō Wrestling at Matsuno’o Shrine during the Hassaku Festival on the First Day of the Eighth Month”
Object type: handscroll
Date: 1701 – 1733
Materials: gold, ink, paper
Culture: japanese
Subjects: buildings,men,women

Hiyoshi (or Hie) Taisha is the head shrine of nearly forty thousand Sannō (“Mountain King”) branch shrines throughout Japan, which are associated with the great templeshrine complex of Enryakuji on Mount Hiei. The festival honoring the guardian, or tutelary, deity Sannō Gongen was held annually at the shrine on or around the day of the monkey (saru no hi) in the middle of the fourth month of the lunar calendar (the beginning of summer). The Hiyoshi (or Hie) Sannō Festival originated during the late eleventh century and is still celebrated today. This scene captures the climax of the festival, which consists of a race of boats carrying portable shrines (mikoshi) of the seven upper shrines across Lake Biwa to Karasaki. The Festival on the First Day of the Eighth Month (Hassakusai), now celebrated in September, has been held since ancient times at Matsuno’o Taisha, or Matsuno’o Shrine, in western Kyoto. Revellers pray for wind and rain in order to ensure a bountiful crop of the “five grains” (rice, wheat, beans, and two kinds of millet). The shrine is said to have been founded in 701 by the Hata clan to enshrine the local deity (kami) of the nearby mountain. Because the Hata family, originally from Korea, introduced a new sake-brewing technique to Japan, the local deity is also worshiped as the deity of brewing, and drinking sake is an essential component of the festivities. As seen in this section of the scroll, amateur sumō wrestling matches were also part of the day’s entertainments.
The Knight and the Lady
Object type: print
Date: 1495 – 1495
Materials: paper
Techniques: engraving, printing
Location: germany
Artist: israhel van meckenem the younger
Artist nationality: german
Artist dates: 1440 – 1503
Terracotta figurine fragment with base
Object type: statue base, inscribed
Date: 3900 – 100
Materials: terracotta
Culture: cypriot

Pedestal of a statuette, inscribed in Greek on back with the maker's name (?): ΠΛΟ / ΥΧΟC.
Portret van Guillaume Delisle
Object type: print
Date: 1784 – 1834
Materials: paper
Techniques: engraving
Location: germany
Subjects: paris, guillaume delisle, historical persons
Inscriptions: collector's mark: Lugt 2228
William M. Sargent
Object type: photomechanical print
Date: 1869 – 1869
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Cylinder seal of Senwosret I
Object type: cylinder seal
Date: 1961 – 1917
Materials: stone
Location: egypt
Interieur van de Église Saint-Sulpice te Parijs
Object type: stereograph
Date: 1850 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: saint-sulpice
Artist: Anonymous
Subjects: interior of church
Inscriptions: number: ‘No. 60.’, number: ‘2’
Jacob François de Friderici (1813/14-1847)?
Object type: painting, miniature
Date: 1800 – 1850
Materials: paint, paper, wood
Location: unknown
Artist: Anonymous
Subjects: suriname
Plattegrond van Workum met stadsgezicht
Object type: area plan
Date: 1664 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: coat of arms (as symbol of the state, etc.), city-view, and landscape with man-made constructions, maps of cities
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Schotanus, Christianus. Beschryvinge van de heerlyckheydt van Frieslandt tusschen 't Flie end de Lauwers (...). Franeker: Johannes Wellens, 1664.
L'Hyver
Object type: print
Date: 1698 – 1708
Materials: paper
Techniques: etching
Subjects: winter, 'hyems'; 'inverno' (ripa)
Inscriptions: collector's mark: Lugt 2228

Een naakte oude man zit ineengedoken bij een brandende vuurpot. Vier engelen proberen hem met een groot kleed te beschutten. In de marge een vierregelig Frans vers op de winter. De prent maakt deel uit van een vierdelige serie met voorstellingen van de vier jaargetijden.
Shabti box of Paramnekhu
Object type: shabti box, paramnekhu
Date: 1279 – 1213
Materials: gesso, paint, wood
Location: egypt
Subjects: hieroglyphs
Wapenschild van Vincenzo Giustiniani
Object type: print
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Subjects: piece of sculpture, reproduction of a piece of sculpture, armorial bearing, heraldry
Terracotta sculptuur van het hoofd van Medusa met vleugels en een terracotta vaas met het gezicht van Medusa
Object type: photomechanical print
Date: 1852 – 1857
Materials: paper
Techniques: photolithography
Location: paris
Subjects: piece of sculpture, reproduction of a piece of sculpture (+ clay, sand, etc. ~ arts), medusa (one of the gorgons), container of stone: stone vase
Inscriptions: number: ‘XXXVI.’
Harpagon en Maître Jacques
Object type: print
Date: 1878 – 1879
Materials: paper
Techniques: drypoint, etching
Location: tours
Subjects: relation between master and servant, theatre, theatrical performance, miser

Scène uit akte III uit "L'Avare" van Molière. Waarschijnlijk betreft het hier Harpagon die zijn kok Maître Jacques wil straffen met stokslagen omdat hij te veel geld wilde uitgeven voor de maaltijd.
Castle Garden Landing for Emigrants, Barge Office, Battery
Object type: print
Date: 1850 – 1900
Techniques: hand coloring, engraving
Artist: charles magnus & company
Artist role: publisher
Artist nationality: american
Artist dates: 1854 – 1880
Subjects: boats,carriages,ships,new york city
Bronze dagger
Object type: dagger
Date: 1750 – 1450
Materials: bronze
Culture: minoan
Subjects: daggers

The three rivets would have been used to attach a handle of another material, such as wood.
Tafellaken van linnendamast met klimop
Object type: tablecloth
Date: 1904 – 1904
Materials: linen
Techniques: damask, weave
Location: eindhoven
Artist: chris lebeau
Artist role: draughtsman, print maker
Artist dates: 1878 – 1945

Tafellaken van linnendamast met klimop: motief Klimop, dessin nr. 513. Het tafellaken hoort bij een tafellaken (BK-1979-261-B) en twaalf servetten (BK-1979-262-A t/m BK-1979-262-L).
Buckle
Object type: buckle
Date: 1490 – 1510
Materials: steel
Culture: german
Location: germany