deem-data/ArtiFact huggingface dataset:
Portret van Napoleon III Bonaparte, keizer van Frankrijk
Object type: photograph
Date: 1863 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: étienne neurdein
Artist role: publisher
Artist dates: 1832 – 1918
Subjects: paris, london, napoleon iii (keizer der fransen), moustache, medals and other marks of military honour, ruler, sovereign, decorations, honours (as symbols of the state, etc.), (military) uniforms
Inscriptions: address: ‘Place de la Bourse, 8 Rue des Filles St.Thomas Paris’

Onderdeel van Fotoalbum met 123 cartes-de-visite van leden van Europese vorstenhuizen, politici en bekende personen.
Portret van Auguste Ambroise Tardieu
Object type: page
Date: 1876 – 1879
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: physician, doctor
Inscriptions: inscription: ‘126, boul. Magenta.-Paris.’
Landschappen
Object type: print
Date: 1679 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: johannes gronsveld
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1658 – 1728
Subjects: mother and baby or young child, landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Boslandschap met boerderij. Rechtsvoor een landweg met moeder en kind. Een man ruiter komt hen tegemoet. Vijfde prent uit een serie van zes met landschappen.
Landschap met watervallen
Object type: print
Date: 1663 – 1713
Materials: paper
Techniques: etching
Artist: felix meyer
Artist role: print maker
Artist dates: 1653 – 1713
Subjects: waterfall, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 2228
Personificatie van Arbeid
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: augsburg
Subjects: labour
Inscriptions: collector's mark: Lugt 2228

Deze prent hoort bij een reeks (RP-P-1963-360 t/m RP-P-1963-372) van allegorische figuren, deugden en ondeugden in het album: Johann Wilhelm Baur, Iconographia, 1682.
Vos en een boek
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: reading, book, beasts of prey, predatory animals: fox
Inscriptions: collector's mark: Lugt 2228

Bosgezicht met een vos die een spannend verhaal over een vos en een wolf leest, in het boek dat voor hem ligt. Illustratie bij het verhaal 'De vos en het boek' uit 'Fabelen voor de Nederlandsche jeugd'.
Studie van twee vlak liggende handen
Object type: drawing
Date: 1610 – 1641
Materials: chalk, paper
Artist: anthony van dyck
Artist role: draughtsman, painter, print maker
Artist dates: 1599 – 1641
Subjects: hand

Afkomstig uit een tekeningenalbum met onder andere figuur- en handstudies van of naar Caspar en Constantijn Netscher (BI-1894-3720). Tekening bevond zich oorspronkelijk op f. 29.
Stand with jam pots (plateau à deux pots de confiture) (one of a pair) (part of a service)
Object type: stand with jam pot
Date: 1772 – 1772
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: birds,trees

The table services produced at Sèvres in the eighteenth century were highly prized and extremely expensive. They were not only purchased by the Crown and members of the aristocracy but also given by the king as diplomatic gifts to foreign courts and visiting dignitaries, and the esteem in which they were held did much to enhance the factory’s prestige and fortunes. Because the number of pieces composing a service was very large, the cost was enormous, but this did not deter many courtiers from ordering a dinner or dessert service, or both. One of the most celebrated services produced at Sèvres was delivered to Louis-René-Édouard, prince de Rohan-Guémenée (1734–1803), on September 7, 1772. All of the pieces were decorated with the rich turquoise ground color known as bleu céleste and with birds encircled by an elaborate gilt wreath of oak leaves and acorns. Many of the components of the service bear the initials LPR ( for Louis, prince de Rohan), executed in two tones of gilding. The service cost the substantial sum of 20,772 livres, which was roughly equivalent to twice the annual income of a successful doctor at the time. This stand with two jam pots is one of twenty-three pieces from the Rohan service now in the Museum’s collection. Originally composed of 368 pieces, the service was small in size compared to other Sèvres services, but the rich use of gilding, the expensive ground color, and the initials in two tones of gold account for its high cost.
Ronde vestknoop of boordeknoop van zilver
Object type: collar button
Date: 1900 – 1925
Materials: silver
Location: western europe
Artist: Anonymous
Inscriptions: mark, mark

Verzameling herenknoopen in zwart doosje. In niello zilver.
Brief van de prins van Oranje over komst Napoleon
Object type: letter
Date: 1815 – 1815
Materials: paper
Techniques: pen, writing
Artist: william ii of the netherlands
Artist role: koning
Artist dates: 1792 – 1849
Subjects: the hague, william ii of the netherlands, napoleon i (emperor of the french), waterloo
Inscriptions: date
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Exterior, part of head, torso, and part of right arm of youth with drapery
Bouwplaats, Zuid-Holland
Object type: lantern slide photographic
Date: 1956 – 1960
Materials: glass, paper
Techniques: gelatin silver transparency
Location: south holland
Artist: Anonymous
Subjects: building-site
Inscriptions: number: ‘30’
Finger Painting of a Landscape
Object type: hanging scroll
Date: 1701 – 1800
Materials: ink, paper
Culture: japanese
Artist: ike no taiga
Artist role: artist
Artist nationality: japanese
Artist dates: 1723 – 1776
Subjects: landscapes

Taiga was one of the most prolific artists of the Nanga school, which was inspired by Chinese literati painting. This intimate landscape was painted with the artist's fingers rather than with a brush. Manipulating the effects of ink to create an almost abstract presentation, Taiga employed a technique known as tarashikomi, in which ink is applied over a still-wet surface.
Portret van een geestelijke met een bril in een pij
Object type: carte de visite
Date: 1860 – 1870
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: eyeglasses, spectacles, habit, frock, monk(s), friar(s)

Onderdeel van Fotoalbum met 26 cartes-de-visite van rooms-katholieke geestelijken.
Portrait of Maria Petronella Mann, Wife of Heinrich Gottfried Theodor Crone
Object type: painting
Date: 1810 – 1838
Materials: canvas, oil
Location: netherlands
Artist: jan philip simon
Artist role: painter
Artist dates: 1796 – 1838
Subjects: amsterdam, historical persons - bb - woman

Portret van Maria Petronella Mann (1778-1825), de echtgenote van Heinrich Gottfried Theodor Crone. Buste, naar links, met een witte kanten muts. Pendant van SK-A-4913.
Christ on the Cross
Object type: print
Date: 1553 – 1553
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: christ,mary magdalene,saint john the baptist,virgin mary,cross

Christ on the Cross, with the Virgin standing at far left and Mary Magdalen kneeling at her right. To the right of Christ, Saint John, with the head of Mary visible behind him at far right. At bottom left of the cross, the skull.
Portret van Wilhelm Daniel Joseph Koch
Object type: print
Date: 1813 – 1879
Materials: paper
Techniques: lithograph
Location: munich
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Johan VII, graaf van Nassau-Siegen
Object type: print
Date: 1762 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: dillenburg, johan vii graaf van nassau-siegen
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Madame Cezanne in a Yellow Chair
Object type: painting
Date: 1888 – 1890
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: paul cézanne
Artist role: artist
Artist nationality: french
Artist dates: 1839 – 1906
Subjects: portraits, chair, interior, portraits: european subject, portraits: female subject, portraits: french subject, emotions, women, families

This portrait is one in a series of four Paul Cezanne made of his wife, Emélie-Hortense Fiquet, whom he met when she worked as an artist’s model. They had a son together in 1872 and married in 1886. Technical examination suggests that Cezanne traced this image, the second in the series, from the first portrait, which he made from life. In contrast to her masklike expression, Hortense’s hands are agitated, contorted by crisscrossing brushstrokes and the dark-blue outlines Cezanne used to sketch out the forms, which remain visible in the final work.
Prentalbum met zeven prenten, voorstellende de zeven bloedstortingen van Christus
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1580 – 1580
Materials: cardboard, leather, paper
Techniques: engraving, marbling
Location: antwerp
Subjects: the seven bleedings of christ
Inscriptions: inscription: ‘GALLEUS’, bookplate: ‘EX LIBRIS SILVII ZIPOLI / Casella 2’

Prentalbum met zeven prenten, voorstellende de zeven bloedstortingen (of bloedingen) van Christus in zeven ronde gravures met randschriften.
Pair of Sword-Grip Ornaments (Menuki)
Object type: pair of sword grip ornament menuki
Date: 1601 – 1633
Materials: gold
Culture: japanese
Location: japan
Subjects: dragons
Portret van Peter Paul Rubens
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: antwerp, painter, draughtsman, peter paul rubens
Inscriptions: collector's mark: Lugt 240

Busteportret van Peter Paul Rubens, met hoed. Het portret is gevat in een achthoekige omlijsting met vierkant randwerk. In de marge een vijfregelig onderschrift in het Latijn.
No 6, 6 september 1898. Terugkeer uit de N. Kerk na de plechtige Inhuldiging van H. M. Koningin Wilhelmina te Amsterdam. uitgave Herz Amsterdam
Object type: photograph
Date: 1898 – 1898
Materials: paper
Techniques: collodion silver print
Location: amsterdam
Artist: sigmund löw
Artist role: publisher
Artist dates: 1845 – 1920
Subjects: the hague, print maker, wilhelmina of the netherlands, after the coronation, palace, royal palace of amsterdam, amsterdam
Inscriptions: name: ‘Atelier Herz Amsterdam’
Disc (bi)
Object type: religious ritual object
Materials: jade
Location: china
Heidehut
Object type: drawing
Date: 1931 – 1931
Materials: chalk, paper
Artist: pieter h.j.j. ras
Artist role: draughtsman
Artist dates: 1857 – 1941
Subjects: hut, cabin, lodge
Vier vrouwen, gekleed volgens de mode uit Neurenberg, ca. 1580
Object type: album leaf
Date: 1581 – 1581
Materials: paper
Techniques: engraving
Artist: abraham de bruyn
Artist role: print maker, publisher
Artist dates: 1540 – 1587
Subjects: europeans: germans (+ women), europeans: germans (+ costume)
Inscriptions: number: ‘8’

Prent uit het boek 'Omnium pene Europae, Asiae, Aphricae atque Americae gentium habitus...', 1581. De prent maakt deel uit van een album.
Statuette of a striding man
Object type: statuette, striding man
Date: 1919 – 1878
Location: egypt
Subjects: men
Op een schelp blazende triton
Object type: print
Date: 1885 – 1909
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: mary hector rupert cantineau
Artist role: draughtsman, print maker
Artist dates: 1875 – 
Subjects: dolphin ~ ornament, triton(s) (+ attributes)
Inscriptions: annotation: ‘Bas reliefs d'apres Carpeaux par Cantineau’, annotation: ‘2 epreuves de c'est état M.C.’, annotation: ‘1er état’, collector's mark: Lugt 2228

Kopie naar een bas-reliëf.
Sterfdatum prentmaker onbekend. Derhalve is voor bepaling van de rechten van dit object de verwervingsdatum aangehouden.
The Little Fisher Maiden, from the Illustrated Songs series (N116) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1893 – 1893
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women

Trade cards from the "Illustrated Songs" series (N116), issued in an unnumbered set of 25 cards in 1893 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Driemaster
Object type: sketchbook leaf
Date: 1797 – 1838
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johannes christiaan schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1838
Subjects: sailing-ship, sailing-boat, parts of ship's exterior: mast
Inscriptions: annotation: ‘van een kop.’

Tevens een studie van twee masten met zeilen die ten dele gehesen zijn. Blad 35 verso en 36 recto uit een schetsboek met 44 bladen.
Earring
Object type: earring
Date: 501 – 700
Materials: gold, metal
Techniques: filigree
Culture: frankish
Location: northern france
Portret van een vrouw
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: adult woman, historical persons
Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)
Object type: print
Date: 1810 – 1810
Techniques: engraving, drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: children,men,women
Model of a Chain Stopper
Object type: demonstration model
Date: 1833 – 1833
Materials: fiber, wood
Location: france
Artist: Anonymous
Inscriptions: label, centre right: ‘619’ former inventory label

Model van een kettingstopper tussen twee dekken, bestaande uit een glijbaan voor de ketting op een klos en doorlopend door het bakboord kluisgat, en een zware duivelsklauw hangend aan een klos aan de scheepswand. Een houten ketting met namaakgewicht is aan het model toegevoegd. Schaal 1:10 (schatting).
Portret van Gerardina
Object type: page
Date: 1883 – 1884
Materials: paper
Techniques: photograph
Location: amsterdam
Subjects: adolescent, young woman, maiden, historical persons, amsterdam
Inscriptions: inscription: ‘Collection du Prince Roland Bonaparte/ Phototypie Roche’

Portret van Gerardina, een Surinaamse vrouw van Afrikaanse en Europese oorsprong, gefotografeerd op de Internationale Koloniale en Uitvoerhandel Tentoonstelling, Amsterdam 1883.
Zoon van Rubens
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: baby-chair, historical persons
Inscriptions: collector's mark: Lugt 240

Prent naar het schilderij door Cornelis de Vos van zijn dochter Susanna. Het schilderij bevond zich voorheen in de collectie van de prins Grimaldi te Monaco en bevindt zich heden ten dage in het Städel Museum te Frankfurt am Main.
Keibun kacho gafu kohen
Object type: print
Date: 1810 – 1892
Materials: paper
Techniques: woodcut
Location: osaka
Subjects: plants; vegetation, birds
Inscriptions: collector's mark: ‘Rijksschool voor kunstnijverheid’ Lugt 3937, collector's mark: Lugt 2228
A Symphony (from "Vanity Fair")
Object type: print
Techniques: lithograph
Artist: sir leslie ward ["spy"]
Artist role: artist
Artist nationality: british
Artist dates: 1851 – 1922
Subjects: men

Caricatue of Whistler published in "Vanity Fair" January 12, 1878, with text clipped from magazine "Men of the Day–No. CLXX."
Panel
Object type: panel
Date: 1775 – 1785
Materials: wood
Techniques: carving

This panel displays delicate low relief carving of floral garlands, a floral wreath, a trophy of gardening tools and sunhat as well as a small still life below consisting of an overturned ewer, a sun hat, wheat ears, laurel branches and gardening tools. The small scale of this neoclassical panel and the high quality carving suggest it may have been made by a decorative sculptor as a masterpiece for presentation at the Académie royale d’architecture (Royal Academy of Architecture) in order to show his talent and secure future commissions. This anonymous low relief was part of the model collection of woodwork, paneling, and seat furniture of Maison Leys, a successful decorating business, located at the Place de la Madeleine in Paris. Since 1885, the business was directed by Georges Hoentschel who installed the collection in 1903 in a museum-like display at Boulevard Flandrin, Paris. Three years later, , Hoentschel sold the collection to J. Pierpont Morgan who gave the panel with the rest of the decorator’s seventeenth and eighteenth century objects to the Metropolitan Museum of Art in 1907.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, and shoulders of frontal torso of filleted youth with his himation draped over his left shoulder
Portret van William Shakespeare
Object type: page
Date: 1834 – 1834
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: william shakespeare, historical persons, portrait of a writer

Bladzijde uit: Nederlandsch magazijn, ter verspreiding van algemeene en nuttige kundigheden 1 (1834), maart 1834.
Flintlock Pistol
Object type: flintlock pistol
Date: 1771 – 1772
Materials: brass, silver, steel, wood
Culture: british
Location: britain
Artist: john hall
Artist role: barrelsmith
Artist nationality: british
Artist dates: 1738 – 1800

This pistol features a silver rococo side-plate and and silver pommel adorned with a mask–embellishments typical of many early to mid- 18th century English firearms. Pistols fitted with brass barrels and locks like this one, less costly than those made with steel components, were widely produced in the gunmaking centers of London and Birmingham.
Penning met het portret van bisschop Jozef Klemens en de namen van de bisschoppen van Luik
Object type: print
Date: 1685 – 1720
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous
Subjects: priest, archbishop, bishop, etc. (roman catholic), seal (symbol of sovereignty)
Inscriptions: number: ‘56’

Ontwerp van een ronde penning met, in zeven concentrische cirkels, de namen van de bisschoppen van Luik en hun regeringsjaren, beginnende bij bisschop Johan II en eindigend bij bisschop Jozef Klemens. In het midden van de penning het portret van bisschop Jozef Klemens van Beieren.
Allegorie op de samenleving
Object type: drawing
Date: 1777 – 1777
Materials: paper, pencil, watercolor
Techniques: brush
Location: doetinchem
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: dog (+ animal excreting), trees (+ plants used symbolically), netherlands
Inscriptions: date

Kleurtekening. Een serie van 6 voorstellingen over de (vrijheids)boom. Een serie van 3 voorstellingen over een bloem die wordt bescheten. En een voorstelling over het 'goede huis', 'baldadig volk' en de 'verschrikkende gerechtsdienaar'. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 1 (1808), p. 21.
Bottle
Object type: bottle
Date: 1701 – 1900
Materials: glaze, pottery
Culture: japanese
Fragment steel van vork of lepel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: spoon
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Cutlery, fragment: stem of fork or spoon; fragm, heavily corroded.
Wait for Escort, from the Parasol Drills series (N18) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from the "Parasol Drill" series (N18), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Portret van Jacob de Witt
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: etching
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: mayor, historical persons
Inscriptions: collector's mark: Lugt 2228
Beaker
Object type: glass
Materials: glass
Location: germany
Portret van George II, koning van Groot-Brittannië
Object type: print
Date: 1727 – 1749
Materials: paper
Techniques: engraving
Artist: johann friedrich rosbach
Artist role: print maker
Subjects: london, historical persons, ships (in general), armorial bearing, heraldry, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 2228
IJzeren constructie
Object type: photograph
Date: 1865 – 1865
Materials: cardboard, paper
Techniques: albumen print
Bellflower
Object type: painting
Date: 1801 – 1900
Materials: ink, paper, watercolor
Techniques: painting
Culture: japanese
Artist: hokusai school
Artist role: artist
Subjects: leaves
Barrel-shaped planter with Chinese figures
Object type: flower pot
Date: 1760 – 1760
Materials: earthenware
Techniques: glazing
Culture: mexican
Location: mexico
Subjects: musical instruments,men

The production of a distinctive Chinese-inspired style of tin-glazed earthenware was already well established in the city of Puebla de los Angeles when, in 1682, the ordinances of its potter's guild were revised to reflect existing practice. One new clause stipulated that the painting of fine ware (loza fina) "must imitate that of China" and be done in blue. The guild ordinances document not only the explicit intent to imitate Chinese porcelain, but the professional resolve to control and authorize material aspects of the process, thereby identifying decoration in blue as its defining trait. Puebla potters also copied the distinctive shapes of Chinese porcelain. The barrel-shaped form of this large, thickly potted earthenware planter is reminiscent of ceramic garden seats. Its blue-and-white ornamentation is likewise inspired by imported porcelain, while its figural decoration, which conjures four Chinese types or occupations, is indebted to European Chinoiserie.The fanciful figures are separated by four pendant lappets in blue wih floral sprays in white reserve. The outlandish dress of the barefooted figures--a musician, a dancer, a merchant, and a mariner--markes them as "foreign," if not specifically Chinese in every instance. The ethnicity of the mariner, who brandishes a navigation compass and peers through a telescope, is more ambiguous than the other three figures. Such imprecision is consistent with the tendency in New Spain to identify nearly all Asians (and Asian goods), regardless of their exact origin, as "Chinesee." Characterized as entertainers and maritime traders, their representation on a flowerpot all but assures that they were read as amusing or even comical figures, well-suited for the adornment of a garden or place of recreation. --Ronda Kasl
Kaart met drie afbeeldingen van plaatsen langs de Theems bij Goring-on-Thames
Object type: print
Date: 1878 – 1879
Materials: paper
Techniques: engraving, woodburytype
Location: goring-on-thames
Subjects: city-view, and landscape with man-made constructions, architectural folly, river, bridge
Inscriptions: inscription: ‘Goring church. View from Goring bridge. The grotto.’, number: ‘16’

Boven: gezicht op de kerk, midden: gezicht op een brug, onder: gezicht op een folly in een park.
Pascal Paoli, Opperbevelhebber der Corsen
Object type: print
Date: 1761 – 1785
Materials: paper
Techniques: etching
Location: leiden
Subjects: london, army 'en route', commander-in-chief, general, marshal, rocky coast
Inscriptions: collector's mark: Lugt 2228

Pascal Paoli, leider der Corsicanen, staat in het gezelschap van vier honden op de Genuaanse vlag in een rotsachtig landschap. In zijn hand houdt Paoli een musket met bajonet, met zijn vrije hand maakt hij een wijzend gebaar. In de verte lopen troepen soldaten (links) en vaart een zeilschip op zee (rechts).