deem-data/ArtiFact huggingface dataset:
Spotprent met Thorbecke als leider van het orkest van de oppositie, 1867
Object type: cartoon
Date: 1867 – 1867
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: johan rudolf thorbecke, small group of musicians, chamber orchestra, jazz band

Spotprent met Thorbecke die als eerste violist het orkest van de oppositie leidt. Met andere ministers op andere instrumenten. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 15, 13 april 1867.
Settee
Object type: settee
Date: 1734 – 1766
Materials: wood
Groepsportret van arbeiders bij een huis in aanbouw
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper
Techniques: gelatin silver print
Location: amsterdam
Subjects: anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: signature: ‘Centraal photographie atelier, Niewendijk No 108’
Curb Bit
Object type: bit
Date: 200 – 1
Materials: copper alloy
Culture: celtic or thracian
Location: italy

The mouthpiece of this bit consists in two spindle-shaped links articulated in the middle. They are connected on either side to very elegant lyre-shaped attachments for the bridle's cheekpieces. The two shanks, from which hooks hang for the reins, are connected by a horizontal bar acting as a curb, adjustable in three positions by the means of three perforations. The curb bar would have pressed the horse’s chin when reins were pulled back. The large lyre-shaped elements helped indicate the direction to the horse and held the bit in place in the mouth. The shape of these cheekpieces, as well as the rein hooks, are inspired from Hellenistic Greek and Macedonian bits, from which they evolved. This object is also an example of the earliest type of curb bit to have been invented. It seems to have developed in the Balkans among Thracian and Scordisci (Eastern Celts) cultures between the 3rd and 1st century B.C. These populations were known for their great equestrian skills, especially at war. Examples of these bits have also been occasionally found in some western Celtic burials dated of the 1st century B.C., but they mostly spread in Roman territories during the conquest, thanks to the Thracian and East Celtic cavalrymen incorporated in the army. Curb bits were actually an improvement in military technology, since they allowed riders to have very good control of their horses with only one hand, freeing the other for holding a weapon. Even if this bit is said to have been found in Florence, it was probably made in the Balkans, and then possibly brought to the Italian peninsula by a rider of Eastern origin.
Gevecht tussen een kikker en een kreeft
Object type: print
Date: 1573 – 1610
Materials: paper
Techniques: etching
Location: germany
Artist: christoph jamnitzer
Artist role: draughtsman, goldsmith, print maker
Artist dates: 1563 – 1618

De kreeft, rijdend op een ram, doorboort de kikker, rijdend op een geitebok, met een lisdodde. Blad uit een serie vlakdecoraties met grotesken, cartouches, ovalen, mascarons, putti en fantastische wezens. De serie bestaat uit drie titelbladen, twee tekstbladen met de opdracht en het voorwoord en 60 bladen, verdeeld over drie boeken.
Portret van Richard Gipps
Object type: print
Date: 1669 – 1742
Materials: paper
Techniques: mezzotint
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 240
Nicolas de Montholon
Object type: print
Date: 1774 – 1806
Materials: paper
Techniques: engraving, etching
Subjects: paris, politician, historical persons
Kalf en paard in stal
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: horse (+ animals eating and drinking), calf
Inscriptions: collector's mark: Lugt 2228

Waarschijnlijk is dit een prent voor: 'Beesten Studien naar het Leven op steen gebragt door G. Craeyvanger'. Amsterdam: Francois Buffa & Zoonen, 1828. Zie Swillens in Jaarboek Oud Utrecht. Volgens Swillens gedrukt door Ambroise Jobard. In Lijst van kunstwerken door beoefenaars en verzamelaars bijeengebragt, om verloot te worden ten behoeve van het vaderland; tentoongesteld te Amsterdam, in het nationale geregtshof, Amsterdam (C.A. Spin) 1831, p. 31, nr. 700 vermeld als uitgave van Daiwaille en Veldhuijzen. Daiwaille had eerder samengewerkt met Ambroise Jobard.
Goudviskom met drie schepen
Object type: goudviskom
Date: 1825 – 1850
Materials: glass, metal
Techniques: gilding, glassblowing
Location: bohemia
Artist: Anonymous

Vlakke bodem, bolvormig lichaam, overgaande in een korte hals. . De kom beschilderd met een raderboot en twee oorlogsschepen in een baai; op de voorgrond rotspartijen en boomgroepen, op de achtergrond een heuvelachtige kust met huizen. Langs de bovenrand een guirlande in wit en goud. Gemaakt voor de Nederlandse markt.
Verloop van een eclips van de maan
Object type: photomechanical print
Date: 1883 – 1893
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: eclipse of the moon
Inscriptions: number: ‘Fig. 19.’
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: fish,waves
Statue of man hoeing from tomb of Tjeteti
Object type: statue, tjeteti, servant
Date: 2200 – 2152
Materials: wood
Location: egypt
Subjects: men,working

Wooden models first appeared alongside stone serving statues in the latter part of the fifth dynasty. Gradually the provisioning activities shown among these models were expanded upon. This figure from the tomb of Tjeteti shows a hoeing man, his legs inserted in a small base without feet indicated. Over time these wooden models develop into elaborate vignettes of unnamed wooden figures arranged together on platforms and engaged in farm activities .
Scenes from Tales of Ise (Ise monogatari)
Object type: album leaf
Date: 1767 – 1800
Materials: ink, paper
Techniques: painting
Culture: japanese
Artist: tosa school
Artist role: artist
Artist nationality: japanese
Subjects: men,women,deer
Bevrijding van Petrus uit de gevangenis
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the angel leads peter past the sleeping guards
Inscriptions: collector's mark: Lugt 2228

Kopie van illustratie voor: Luyken, Jan. Bybel printen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1712, p. 40.
"'t Generale gezigt, van de Heerlijkheyt Heemstede." Rechts onderaan: D. Stoopendaal fecit. Geheel onderaan het adres: 't Amsterdam bij I. Ottens Caartverkooper op de Nieuwendijk in de Wareld Caart
Object type: print
Materials: paper
Techniques: etching
Subjects: bird's eye view ~ representation of building
Inscriptions: title: ‘Veue Generale de Seigneurie de Heemstede.’, signature: ‘D. Stoopendaal fecit’, caption: ‘1. L' Allée.......5. De groote Kom met d' Orangerie’, title: ‘' t Generale gezicht van de Heerlykheyt Heemstede<BR />’, address: ‘t' Amsterdam bij I: Ottens Caartverkooper op de Nieuwendyk in de Wereld Caart.’

Het landgoed Heemstede in vogelvlucht. In het midden het kasteel, daaromheen de parken en landerijen. Met nummers aangeduid. Uitleg onder de voorstelling. Ruiters en wandelaars klein op de voorgrond.
Zittend mannelijk naakt, op de rug gezien (2e prijs 1789)
Object type: drawing
Date: 1789 – 1789
Materials: chalk, charcoal, paper
Artist: jan philip reuthel jr.
Artist role: draughtsman
Subjects: sitting figure (+ nude human being)
Two Panels
Object type: textile
Date: 1801 – 1900
Materials: ribbon, silk
Techniques: treatment, patterning, weave
Location: europe
Textile Fragment
Object type: textile fragment
Date: 934 – 966
Materials: linen, silk
Techniques: weave
Location: egypt
Afternoon dress
Object type: afternoon dress
Date: 1890 – 1895
Materials: silk
Culture: american
Verklaring bij de allegorie met kalligrafie en de illuminatie van het huis van C.C. Engelbronner te Amsterdam, 1788
Object type: text sheet
Date: 1788 – 1788
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: william v (prince of orange), cleves, amsterdam
Inscriptions: collector's mark: Lugt 2228

Tekstblad met de verklaring van de allegorische prent en kalligrafie (en tijdvers) in het Grieks en Nederlands bij de 40ste verjaardag van prins Willem V op 8 maart 1788. Met een beschrijving en uitleg van de voorstelling en de illuminatie van het huis van C.C. Engelbronner te Amsterdam.
Portret van een man met een krant en een vrouw met handwerk
Object type: photograph
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: adult woman, adult man, historical persons, (other forms of) needlework, e.g.: crocheting, knitting, embroidering, newspaper, news-sheet, france

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
Portret van Irène Pauw van Wieldrecht, een dochter van de fotograaf
Object type: photograph
Date: 1908 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Inscriptions: annotation: ‘Irène’
Josephine Fodor Mainvielle, zangeres
Object type: history medal
Date: 1819 – 1819
Materials: bronze
Techniques: striking
Location: venice
Artist: luigi ferrari
Artist dates: 1804 – 1844
Subjects: josephine fodor mainvielle

Bronzen penning. Voorzijde: borststuk vrouw binnen omschrift. Keerzijde: opschrift binnen lauwerkrans
Bern. Blick auf den Bundespalast
Object type: stereograph
Date: 1906 – 1906
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bern
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘Neue Photographische Gesellschaft A. G., Steglitz-Berlin 1906.’, number: ‘70’
Candlestick
Object type: candlestick
Date: 1301 – 1350
Materials: brass, silver
Techniques: inlay
Location: egypt or syria

Candlesticks in the shape of a truncated cone surmounted by a cylindrical shaft and a socket to accomodate a candle often flanked the mihrab in religious buildings. The same type was also used as house furnishing. The elegant inscription around the body is dedicated to a unnamed Mamluk sultan.
Terugkeer uit de Babylonische ballingschap / Nieuwe tempel te Jeruzalem / Esther voor Ahasveros / Triomf van Mordechai
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the rebuilding of the temple (ezra 3), mordecai's triumph: mordecai, mounted on the king's horse, is led through the city by haman (esther and ahasuerus may be looking on from the palace), esther before ahasuerus (esther 5:1-4), return from the babylonian captivity
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustraties uit: Josephus, Flavius. XX. boeken van de oude geschiedenissen der joden, 4 delen. Amsterdam: Barent Visscher, Willem de Coup, Willem van Lamsveld, Andries van Damme, 1698, dl. II.
Sleeping Monsters
Object type: print
Techniques: etching
Artist: john hamilton mortimer
Artist role: artist and publisher
Artist nationality: british
Artist dates: 1740 – 1779
Subjects: sleeping,monsters
Stoel van noten- en beukenhout met S-vormige overhoeks geplaatste poten; X-vormig kruis met rozet; gesneden bloem- en bladwerk, rug en zitting van riet, met los kussen
Object type: suite
Date: 1750 – 1750
Materials: wood, textile
Location: france
Artist: Anonymous

Stoel van note- en beukehout (ameublement) met S-vormige overhoeks geplaatste poten, verbonden door een geslingerd X-vormig kruis met rozet. Regels en dorpels en poten zijn versierd met gesneden bloem- en bladmotieven. Rug en zitting van gevlochten riet. Los kussen van groen geschoren trijp (modern). Zie ook: BK-16852-E t/m P.
Roma. Piazza Navona. Fontana dei Fiumi (Bernini)
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1906
Materials: photographic support
Techniques: photography
Location: italy
Subjects: square, place, circus, etc. (+ city(-scape) with figures, staffage), ornamental fountain (+ city(-scape) with figures, staffage)
Studieblad met schapen, deels in een landschap
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: landscapes in the temperate zone, sheep

Pagina 73 uit een schetsboek met 42 bladen vervaardigd rond de Ewijkshoeve.
Bureau G. Dirkzwager Mzn. à Maassluis. Vaisseau de sauvetage "De Stier"pris par un gros temps
Object type: page
Date: 1902 – 1907
Materials: paper
Techniques: photograph
Location: rotterdam
Artist: Anonymous
Subjects: harbour, rotterdam
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, foot?; Exterior, chair and legs of a seated woman to right
First Frontispiece (with the Monogram)
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: drypoint
Artist: james tissot
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1902
Spits met linksboven en rechtsboven een vogel
Object type: ornament print
Date: 1611 – 1635
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: fantasy ornament, birds

Kopie van serie met dezelfde titel, uitgegeven door Michiel le Blon. Blad 12 uit serie van 14 bladen met voorbeelden voor gegraveerde decoratieranden van bekers in de vorm van driehoeken bestaande uit ranken, Schweifwerk, guirlandes met putti, dieren, vogels en maskers
Rotspartijen in het dal van de Tamina, Zwitserland
Object type: page
Date: 1886 – 1886
Materials: cardboard, paper
Techniques: photograph
Location: taminakloof
Subjects: brook, rock-formations
Inscriptions: inscription: ‘Concours de négatifs, 1888. Médaille de Bronze.’
Piece
Object type: piece
Date: 1801 – 1833
Materials: gold, thread
Ewer
Object type: ewer
Date: 1601 – 1700
Materials: glaze, stonepaste
Techniques: luster painting
Location: iran
Subjects: leaves
Jong kind
Object type: photograph
Date: 1870 – 1920
Materials: photographic support
Techniques: photography
Location: amsterdam
Subjects: netherlands
Inscriptions: inscription

Foto op bruin albumblad 43 van familiealbum van Alphons Diepenbrock.
Medailles met veertien portretten van Syrische koningen
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Rechtsboven genummerd: 327. Portretten van Tryphon, Sidetes, Alexander II Zabinas, Antiochus VIII Grypos, Antiochus IX Cyzicenus, Seleucus VI Epiphanes, Antiochus XI Epiphanes, Antiochus X Eusebes, Philip I Philadelphus, Antiochus XIII Asiaticus, Tigranes II en Artavasdes II.
Vlechtwerk met vaas
Object type: print
Date: 1705 – 1710
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: 'laub- und bandelwerk' ~ ornament, flowers in a vase
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Vlechtwerk met bladmotieven. In het midden een vaas met leeuw en bloemen.
Rekening voor 40 lessen in de spelkunst
Object type: account
Date: 1798 – 1798
Materials: ink, paper
Techniques: pen
Artist: Anonymous
Subjects: linguistics, professor
Inscriptions: stamp, collector's mark: Lugt 1641

Rekening voor 40 lessen in de spelkunst door de heer Kluppel aan een jongen en Sara Nieuwhage. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Onderwijs en Wetenschappen, Opvoeding en Onderwijs, Schoolmeesters.
Brief aan Anne Marie Louise van der Linden
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: camille redon-falte
Artist dates: 1853 – 1923
Subjects: paris, painter, print maker, draughtsman, odilon redon
Inscriptions: watermark

Brief behoort tot een album samengesteld door weduwe Françoise W.M. Barones van der Borch van Verwolde met afschriften van brieven met betrekking tot (de familie van) Odilon Redon. De brief werd bewaard op pagina 121.
Wandschilderingen in Villa Margon in Trento, Italië
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photoaquatint
Location: vienna
Subjects: villa, picture, painting
Inscriptions: inscription: ‘Déposé.’, number: ‘27.’

Deze prent maakt deel uit van een omslag met twintig prenten, twee tekstbladen en een titelpagina.
Geboorte van Christus
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: mary, joseph and the new-born christ (nativity) (+ angel(s) floating in the air), annunciation of christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air

Maria, Jozef en vier engelen knielen rond het Christuskind dat in zijn kribbe in de stal ligt. Andere engelen kijken toe vanuit de hemel. Op de achtergrond de aankondiging aan de herders. Bij verschillende elementen uit de voorstelling staan letters die corresponderen met de legenda in de marge.
Textile
Object type: textile
Date: 1840 – 1870
Materials: linen, silk
L'Estacade à Paris
Object type: drawing
Date: 1852 – 1852
Materials: graphite
Artist: johan barthold jongkind
Artist role: artist
Artist nationality: dutch
Artist dates: 1819 – 1891
Subjects: bridges,paris

In the period from 1849 until 1855, the Parisian cityscape, especially the banks and bridges of the Seine, occupied Jongkind as his primary subject. The structure he sketched here is the Pont de l'Estacade, a bridge connecting the right bank to the eastern end of the Île Saint-Louis. (Various iterations of the bridge stood in this location from 1818 until 1932.) The artist used this drawing as the basis for two painted compositions, one of which he exhibited at the Salon of 1853, where it was acquired by the French State.
Fragments
Object type: textile
Culture: nazca
Location: peru
Giethoorn
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: collotype process
Location: meppel
Artist: Anonymous
Subjects: canals, waters (in village), housing, bridge in village across river, canal, etc.
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Lower drapery and foot of a woman to right; below, on the cul, a meander and saltire square pattern; part of the handle and handle patch
Parable of the Good Shepherd
Object type: print
Date: 1565 – 1565
Techniques: engraving
Artist: philips galle
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1537 – 1612

Pieter Bruegel the Elder created only one print himself (The Rabbit Hunt, acc. no. 25.2.11) but he was a prolific designer of prints that were engraved and etched by others. The artist's drawn design for this engraving by Philips Galle has not survived. The Parable of the Good Shepherd depicts Christ emerging from a cottage that is attacked on all sides by thieves. He is surrounded by sheep and carries one on his shoulders. He is depicted as the good shepherd who is willing to die to protect his flock. He contrasts with the faithless shepherd in the upper right who runs from the wolf who attacks his flock. The accompanying verses were penned by Hadrianus Junius, a doctor and humanist scholar.
Gezicht op Huis de Omval
Object type: print
Date: 1671 – 1680
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, city-view in general; 'veduta', river, rural housing, e.g. country-house, villa, cottage, boat propelled by man or animal
Inscriptions: inscription: ‘J. Leupenius: / v.d. Kellen, Cat. de Ridder Nr 582. / non [...]anné per la [...]’, inscription: ‘J. Leupenius ft 1671.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Amstel buiten de stad, Amsteldijk.
Boekenstal
Object type: print
Date: 1938 – 1938
Materials: paper
Techniques: lithograph
Artist: henk henriët
Artist role: draughtsman, print maker
Artist dates: 1903 – 1945
Subjects: book-stall, kiosk
Inscriptions: collector's mark: Lugt 2228

Een man met een bolhoed, sigaar en wandelstok staat voor de boekenstal en leest in een boek. De verkoper leunt naar voren vanachter zijn kraam.
A Fencing Match
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,spectators
Den Grooten Figuer-Bibel (...)
Object type: text sheet
Date: 1646 – 1646
Materials: paper
Techniques: letterpress printing
Location: alkmaar

Tekstblad bij een serie prenten over de geschiedenis van Salomo. Linksboven initiaal S. Dit blad maakt deel uit van een album.
Design for T-Cart, no. 3182a
Object type: drawing
Date: 1876 – 1876
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gezicht op de Drogenapstoren te Zutphen
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: zutphen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: city-gate
Inscriptions: annotation: ‘Zutphen’, annotation: ‘Drogenapstoren te Zutphen gezien van buiten’
Landschap in Granada
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: paper, pencil
Location: granada
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: city-view, and landscape with man-made constructions, low hill country, trees: palm-tree
Inscriptions: annotation: ‘Granada’

Op de voorgrond planten en een palmboom. Pagina 24 uit een schetsboek met 15 bladen.