deem-data/ArtiFact huggingface dataset:
Kesa
Object type: textile
Materials: feather, gilt, paper, silk
Techniques: weave
Location: japan

During the Edo period, artists took liberties with some of the long-established traditions related to kesa. For example, the patchwork process was sometimes ignored in favor of a single uncut fabric with seams implied by inwoven lines or added cording. The preferred technique for these uncut pictorial panels was tapestry weave. In this example, which is particularly Chinese in style and subject, no such lines have been added, suggesting it was used as a hanging for meditation purposes in the monastery.
Wedding Dress
Object type: wedding dress
Date: 1860 – 1865
Materials: cotton
Culture: american
Venus
Object type: figure
Date: 1744 – 1744
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: venus
Gamble, Pitcher, Philadelphia Athletics, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Gezelschap aan een overdadig diner
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: evening meal, dinner, supper, loose company

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Vijfentwintigjarig huwelijk van Jan Anthony Smits van Nieuwerkerk, lid van de Staten van Zuid-Holland en Jacoba Petronella Dorothea Bouvy te Dordrecht
Object type: marriage medal
Date: 1871 – 1871
Materials: bronze
Techniques: striking
Location: amsterdam
Artist: jacob samuel cohen elion
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1893
Subjects: dordrecht, johan anthony smits van nieuwerkerk

Bronzen penning. Voorzijde: twee wapenschilden onder een gevleugelde helm, geflankeerd door twee dieren boven twee samengebonden palmtakken. Keerzijde: opschrift
Rifolard opens the ball and executes a bold dancing step forward, which receives widespread praise, plate 5 from Les Banqueteurs
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Tuin bij een huis
Object type: stereograph
Date: 1910 – 1940
Materials: glass
Techniques: autochrome process
Artist: Anonymous
Subjects: garden
Man, Woman and Child in Churchyard Cemetary
Object type: drawing and watercolor
Date: 1800 – 1899
Materials: paper, paint, watercolor
Location: united kingdom
Artist: Anonymous
Artist nationality: british
Artist dates: 1800 – 1899
Harcourt House Cavendish  Square, The Dining Room
Object type: drawing
Date: 1880 – 1880
Materials: graphite
Artist: henry hodge
Artist role: artist
Artist nationality: british
Artist dates: 1824 – 1825
Subjects: interiors
Portret van Maria Walpole
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: mezzotint
Location: london
Artist: james mcardell
Artist role: print maker, publisher
Artist dates: 1728 – 1765
Subjects: historical persons - bb - woman
Inscriptions: collector's mark: Lugt 240
Ring with snake's head terminals twisted to form the bezel
Object type: ring, snake's head terminal
Materials: gold
Location: egypt
Subjects: snakes

Snake jewelry was not limited to Egypt in the Ptolemaic and Roman Periods, and, in fact, was not a traditional Egyptian sort of jewelry before the Ptolemaic Period. Bracelets with animals, including snakes, appeared in Western Asia from about the eighth century BC, and spread to Greece in the fifth century BC, and came to Egypt mainly with the Ptolemaic Dynasty. In Greek culture there were certainly healing associations with snakes, but there may have been other assocations, too.
Voorstellingen uit het Nieuwe Testament
Object type: print
Date: 1635 – 1694
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: dirck de bray
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1694
Subjects: christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers
Inscriptions: collector's mark: Lugt 240
Tennismatch
Object type: photograph
Date: 1907 – 1912
Materials: photographic support
Techniques: photography
Location: paramaribo
Artist: Anonymous
Subjects: tennis, lawn-tennis, suriname
Inscriptions: inscription: ‘Tennismatch met de officieren van Hr Ms "Zeeland" Juli 1912’

Tenniswedstrijd met de officieren van het Pantserdekschip Hr. Ms. Zeeland op de tennisclub in Paramaribo, juli 1912. Onderdeel van het fotoalbum over het leven van de familie Gonggrijp in Suriname rond 1912.
Small Jar
Object type: jar
Date: 1301 – 1400
Materials: stoneware
Culture: chinese
Inscribed Linen of Satiyet
Object type: linen, satiyet
Date: 332 – 330
Materials: linen
Location: egypt

This text concerns the Khoiak Festival, with the particulars under study. The festival commemorates the death and rebirth of Osiris by sowing seeds in a molded earthen figure of Osiris, watering the seeds until germination, and then burying this figure. The ceremony took place just as the inundation waters receded, when new crops could be sown. Although the figures might take somewhat different forms, temples throughout the country celebrated the festival.
Filmnegatief met opname van Leipzig en huis te Bünde
Object type: negative
Date: 1921 – 1921
Materials: film
Techniques: gelatin silver negative
Location: germany
Artist: Anonymous
Subjects: germany
One strip of yellow and red lampas silk; originally part of a chasuble
Object type: chasuble fragment
Date: 1501 – 1600
Materials: linen, silk

Although this object resembles the reverse of a chasuble– the tabard-like garment worn by a Catholic priest during church services– this is a modern composite of two lengths of lampas silk (33.39.8a, .8b) with a central figurative woven orphrey strip (33.39.7), assembled soon after the three elements entered The Met's collection in 1933. The side panels were almost certainly created for and used as part of a historic chasuble, long since dismembered. Although, at first glance, the orphrey (33.39.7) resembles the orphreys embellished with repeat figurative elements woven in Lucca during the sixteenth century (for example, 33.39.13 also in The Met's collection), the stiffness of the material, strong purple-black color, rigid contours of the motifs, and the use of "faux" metal-thread effects all suggest that this is a much later iteration– still woven in Lucca, but probably made during the nineteenth century in emulation of the city's earlier production and representative of a long-standing and embedded weaving tradition.
Spotprent op de advocatuur die garen spint bij het twisten van de mens, 1687
Object type: cartoon
Date: 1687 – 1687
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: lawyer, attorney at law
Inscriptions: date

Het interest van de wereld. Spotprent op de advocatuur die garen spint bij het twisten van de mens, 1687. Allegorie waarin een priester vergezeld door Gehoorzaamheid en Waarheid en een boer vergezeld door de godin van de aarde hun zaak bepleiten voor een achter zijn tafel gezeten advocaat die vergezeld wordt door de Tijd. Tussen de partijen in staat de soldaat met Fortuin en Faam. In het onderschrift de verzen behorend bij de hoofdpersonen genummerd I-X in het Nederlands en Frans.
Pendant
Object type: pendant
Date: 1644 – 1911
Materials: jade
Culture: chinese
Urformen der Kunst
Object type: photograph
Date: 1928 – 1928
Materials: ink, paper
Techniques: rotogravure
Location: berlin
Subjects: plants (in general)
Inscriptions: number: ‘64’

facher Vergrößerung. Afkomstig uit losbladige uitgave.
Landschap met bomen
Object type: endleaf
Date: 1848 – 1888
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: landscapes

Voorste schutblad en pagina 1 recto uit een schetsboek met 44 bladen.
Asignaat van 10 sous, 1793
Object type: assignat
Date: 1793 – 1793
Materials: paper
Techniques: blind stamped
Location: france
Subjects: bank-note
Inscriptions: collector's mark: Lugt 2228

Franse assignaat van 10 sous. In omloop gebracht door de Domaines Nationaux, serie 938, volgens de wet van 23 mei 1793.
S. Sabas, abbe (St. Sabas, Abbot), December 5th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
A Study of Bound Male Figures being Manhandled, and Various Putti, One Holding a Palm Frond
Object type: drawing and watercolor
Materials: ink, iron, paper
Techniques: pen
Location: italy
Artist: Anonymous
Artist nationality: Italian
Inscriptions: Inscribed verso, lower center, in graphite: “41”; lower right, in graphite: “10”
Fragments (From a Tunic)
Object type: textile
Location: peru
Close No. 75 High Street
Object type: photograph
Date: 1868 – 1868
Techniques: photogravure
Location: scotland
Artist: thomas annan
Artist role: fotograaf
Artist nationality: scottish
Artist dates: 1829 – 1887
Portret van Johannes Adrianus van der Drift
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: etching
Location: the hague
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Subjects: johannes adrianus van der drift, historical persons, portrait, self-portrait of artist, chair
Inscriptions: collector's mark: Lugt 2228

Portret van Johannes Adrianus van der Drift, kunstenaar. Hij zit op een stoel. Midden onder is de naam van de geportretteerde weergegeven.
Valkenjacht.
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: engraving
Location: antwerp
Artist: abraham de bruyn
Artist role: print maker, publisher
Artist dates: 1540 – 1587
Subjects: predatory birds: falcon, hunting dogs, sports, games ~ animals (+ hunting with falcon, hawk; falconry), sports, games ~ animals (+ hunting with dogs)
Inscriptions: collector's mark: Lugt 2228

Vier ruiters op valkenjacht. Twee valkeniers rijden met een valk in de hand naar elkaar toe. Rechts staat een ruiter naar de jacht van zijn valk te kijken. Links is een jager van zijn paard gestegen om zijn valk te grijpen. Jachthonden rennen heen en weer.
Portret van Pierre François Tissot
Object type: print
Date: 1793 – 1849
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Figure of He Xiangu, one of the Eight Immortals
Object type: figure
Date: 1801 – 1900
Materials: biscuit, enamel
Techniques: polychrome
Culture: chinese
Subjects: women
Portret van Antoon van Stralen
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: antwerp, mayor, burgomaster, historical persons, on the scaffold or place of execution

Prent waarschijnlijk uit: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd. Amsterdam: Johannes Allart, 1784, dl. 4.
Brougham #3477b
Object type: drawing
Date: 1878 – 1878
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Making Hay, from "Harper's Weekly," Vol. XVI
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: boys,girls,men,working
Dorf S. Bernhardin von der Südseite gezeichnet / Village S. Bernhardin prise depuis le Sud
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: aquatint
Location: zurich
Subjects: prospect of village, silhouette of village, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, mountains
Inscriptions: collector's mark: Lugt 2228
Portret van Joost van den Vondel
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: cologne, amsterdam, joost van den vondel, historical persons, portrait of a writer, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Chintz Curtain
Object type: covering and hanging
Date: 1701 – 1725
Materials: cotton, dye, paint
Techniques: dyeing, painting, weave, resist
Culture: indian
Location: india
Subjects: botanical/floral, abstract objects, diamond shapes, floral motifs, flowers
Arm Defense
Object type: arm defense
Date: 1401 – 1700
Materials: copper alloy, iron, leather, textile
Culture: tibetan
Location: tibet
New Modelbüch (Page 32r)
Object type: book print ornament architecture
Date: 1615 – 1615
Techniques: woodcut
Location: germany
Artist: andreas bretschneider
Artist role: designer
Artist nationality: german
Artist dates: 1573 – 1645
Subjects: flowers

Designed by Andreas Bretschneider, German, ca. 1578-?1640, printed by Henning Gross the younger, Leipzig. Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates.
Historische voorstellingen op de triomfboog van keizer Maximiliaan I, keizer van het Heilige Roomse Rijk
Object type: print
Date: 1515 – 1515
Materials: paper
Techniques: woodcut
Subjects: maximilian i (holy roman emperor), siege
Inscriptions: collector's mark: Lugt 240
Les-Parents-Terribles series: Mr. Charles said to me: What's she got?
Object type: print
Date: 1852 – 1853
Materials: paper
Techniques: lithograph
Location: france
Artist: paul gavarni
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1866
Portret van een meisje, staand bij een fauteuil
Object type: album leaf
Date: 1865 – 1890
Materials: cardboard, paper
Techniques: carbon print
Location: belgium
Artist: Anonymous
Subjects: historical persons - bb - woman, toddler (female), chair
Studieblad met schaap-, paard- , ezel- , ram- en stierenkop
Object type: print
Date: 1791 – 1839
Materials: paper
Techniques: etching
Location: netherlands
Artist: pieter gerardus van os
Artist role: draughtsman, painter, print maker
Artist dates: 1776 – 1839
Subjects: domestic animal kept outside the house
Inscriptions: collector's mark: Lugt 2228
St. Catherine (copy)
Object type: print
Date: 1511 – 1511
Techniques: hand coloring, woodcut
Artist: hans baldung (called hans baldung grien)
Artist role: artist
Artist nationality: german
Artist dates: 1484 – 1545
Subjects: saint catherine
The Actor Ichikawa Danjuro II as Soga no Goro in the play "Soga Koyomi Biraki," performed at the Nakamura Theater in the first month
Object type: print
Date: 1723 – 1723
Techniques: hand coloring, woodblock print
Location: japan
Artist: torii kiyotomo
Artist nationality: japanese
Artist dates: 1717 – 1736
Diceros bicornis (Black Rhinoceros)
Object type: drawing
Materials: chalk, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Subjects: hoofed animals: rhinoceros
Inscriptions: annotation: ‘Rhinoceros in Syne ordinaire Postuur met een nederhangende kop.’

Alle neushoorntekeningen zijn gebaseerd op het eerste exemplaar, G. 205.
The Five Virtues
Object type: painting
Materials: ink, paper
Location: china
Artist: ren yi
Artist nationality: chinese
Artist dates: 1840 – 1895
Inscriptions: Artist's inscription:
光緒乙未春, 上月上浣. 山陰任伯年

Artist's seals:
Bonian 伯年
Ren Yi zhi yin 任頤之印

Collector's seals:
密亨利愛詩客夫婦所藏書畫
定海劉松父珍藏

Ren Yi was among the most successful and influential among Chinese painters of the so-called Shanghai School. Arriving in Shanghai in 1857, he took the artistic name “bonian” (one-hundred years), claiming that it would take him a century to achieve success. However, by 1875 Ren Yi was the best-known painter in Shanghai. His highly sought-after bird-and-flower paintings initially followed the Song dynasty (960–1279) convention of applying rich color fields within outlines, producing decorative patterning with lifelike representation. This work represents his mature, more spontaneous style that is characterized by looser brushwork, more ink washes, and greater tonal variation.

These five pairs of birds represent the Five Cardinal Relationships, following the Neo-Confucian principle that strict and proper implementation of hierarchy among different groups achieves social harmony. Above, a pair of long-tailed phoenixes roosting in the branches of a Wutong tree represents the preeminent relationship: a ruler and his subjects. Emerging from behind are two cranes, who, more commonly associated with longevity, represent filial piety. Perched above the cranes, a pair of orioles signifies the relationship between older and younger siblings. Marital loyalty is embodied in the pair of ducks swimming in the water below, and friendship is captured in the jovial interaction of two wagtails. The artist’s choice of such an orthodox subject revealed his firm belief in the traditional values of Chinese society.
Terracotta fragment of a kylix: Band or lip cup (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic
Inscribed Stele
Object type: stele
Date: 301 – 500
Materials: stone
Techniques: incising
Location: egypt

Funerary stelae from the Byzantine period in Egypt are thought to have been produced in quantity, then modified for individual use. Inscriptions were often added to identify the deceased.
Gezicht op Tiel
Object type: drawing
Date: 1750 – 1799
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: raft, prospect of city, town panorama, silhouette of city

Gezicht op de stad Tiel, gezien van de overkant van de Waal. Op het water een groot houten vlot met enkele barakken of tenten, uitkijksteigers, een vlag en aan twee zijden groepen roeiers. Op de voorgrond een steiger met een man met een wagen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: topografie; stadsprofielen.
The Actor Ichimura Kamezo in the Role of Sogo no Juro Sukenari, in the Drama "Edo Murasaki Kongen Soga"
Object type: woodblock print
Date: 1761 – 1761
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyomitsu
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1785
Subjects: men,actors
Vijftigjarig huwelijk van Anthony Jacob Bierens en Suzanna Hasina Willink
Object type: family medal
Date: 1796 – 1796
Materials: silver
Techniques: striking
Location: amsterdam
Artist: johannes michiel lageman
Artist role: silversmith
Artist dates: 1735 – 1809
Subjects: amsterdam
Aartshertogdom Oostenrijk, dukaat, keizer Karel VI, 1723
Object type: ducat
Date: 1723 – 1723
Materials: gold
Techniques: striking

Gouden munt ter gelegenheid van kroning van Karel VI tot koning van Bohemen. Voorzijde: kroon, waaronder opschrift in zes regels. Daaronder jaartal. Keerzijde aardbol, waarop Midellandse Zee en landen rondom. Kabelrand.
E 96. Nijlboot met gehakt stroo. Opper-Egypte
Object type: photograph
Date: 1867 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: nile
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: river, ships (in general)
Inscriptions: check stamp: ‘Bristol/ L.M’, title: ‘E. 96. Nijlboot met gehakt stroo. Opper-Egypte.’, number: ‘634’, stamp: ‘GEMEENTELIJKE BIBLIOTHEEK/ ROTTERDAM’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Brief aan Jan Hendrik Maschaupt
Object type: letter
Date: 1867 – 1867
Materials: ink, paper
Techniques: pen, writing
Artist: adolphe mouilleron
Artist role: draughtsman, print maker
Artist dates: 1820 – 1881
Subjects: amsterdam, painter, jan hendrik maschaupt, the graphic arts, exhibition ~ art
Inscriptions: collector's mark: ‘RPK’
Kop van een jongen
Object type: sketchbook leaf
Date: 1822 – 1880
Materials: paper, pencil
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880
Subjects: head (human), toddler (male)

Blad 10 verso uit een schetsboek met 45 bladen.
Karikaturen van volksvertegenwoordigers
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: letterpress printing, lithograph
Location: france
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: paris, politician, historical persons, politician, e.g. party leader, political caricatures and satires

Met onderschrift in het Frans. De Lasteyrie spreekt een groep mensen toe. Boven: Les Représentans représentés. Assemblée Législative. 33. Genummerd linksonder: 177.
Leeuwentemmer H. Bihin met vier leeuwen
Object type: print
Date: 1851 – 1865
Materials: paper
Techniques: lithograph
Location: paris
Subjects: lions and tigers (circus performance)
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin. Volksleven. Volksfeesten. Circusmenschen, dierentemmers, acrobaten, goochelaars, en dergelijken.
Pijpsleutel
Object type: pipe key
Date: 1000 – 1300
Materials: iron

Pijpsleutel uit een stuk gesmeed met ringvormig oog en tweedelige baard.