deem-data/ArtiFact huggingface dataset:
Landschap met schapen
Object type: print
Date: 1860 – 1894
Materials: paper
Techniques: etching
Location: the hague
Artist: jan vrolijk
Artist role: draughtsman, painter, print maker
Artist dates: 1846 – 1894
Subjects: meadow, pasture, sheep, small canal, ditch
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Schapen grazen in een weiland, langs een sloot. Een man met een breedgerande hoed op het hoofd zit bij hen in het gras.
Helmeted Guineafowl
Object type: drawing
Date: 1596 – 1610
Materials: paint, paper, watercolor
Techniques: brush
Subjects: walker and runner birds: helmeted guineafowl

Helmparelhoen (hen). Genummerd rechtsboven: 13. Onderdeel van het eerste album met tekeningen van vogels. Derde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Westfriese gulden, 1735
Object type: coin
Date: 1735 – 1735
Materials: silver
Techniques: striking
Location: west frisia

Zilveren munt. Voorzijde: tussen waarde-aanduiding gekroond generaliteirtswapenschild. Keerzijde: Nederlandse maagd met vrijheidshoed en speer, leunend op een bijbel op een altaar. In afsnede jaartal. Gladde rand.
[Unknown Sitter]
Object type: carte de visite
Date: 1860 – 1869
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: men,portraits
Ornamentele bloemenkrans
Object type: album leaf
Date: 1579 – 1579
Materials: paper
Techniques: woodcut
Location: antwerp
Subjects: garland, wreath
Inscriptions: inscription: ‘Historia Thamar et Amonia frater [...] folijn’

Ornamentele bloemenkrans met in het midden een handgeschreven titel. Prent maakt deel uit van een album.
I Adore You as I Adore the Vault of the Night Sky, O Vessel of Sadness, O Tall Silent Woman, plate 2 of 9
Object type: print
Date: 1890 – 1890
Materials: ink, paper
Techniques: drawing, photogravure
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Plaatje
Object type: plate
Date: 1700 – 1800
Materials: silver
Techniques: engraving
Artist: Anonymous

Eenzijdig plaatje. Voorzijde: opschrift: "Stond voor de Vrijheid pal in't barnen der Gevaaren". Keerzijde: blanco. Vermoedleijk een zijde van een penning.
Leven en passie van Christus
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the crowning with thorns: soldiers with sticks place a thorny crown on christ's head and give him a reed (matthew 27:27-31; mark 15:16-20; john 19:2-3)

Soldaten duwen met stokken de doornenkroon op het hoofd van de met touwen geboeide Christus. Een man zit in geknielde houding voor Christus en bespot hem. Onder de voorstelling een vierregelig vers in het Latijn. Deze prent maakt deel uit van een album.
Saint Dorothy Praying in Desert
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: after ciro ferri
Portret van Karel van Mander door putto geëerd
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: amsterdam, painter, print maker, draughtsman, karel van mander (i), (story of) minerva (pallas, athena), serpent ouroboros, father time, man with wings and scythe, historical person (with name)
Inscriptions: collector's mark: Lugt 2228

De portretbuste van Karel van Mander wordt door een bazuin blazende putto geëerd met het eeuwigheidssymbool, een slang die zich in eigen staart bijt. Naast de voet waar het beeld op staat, zit Vader Tijd met een zeis. Rechts wijst Minerva een putto op de buste van Van Mander.
Le Caire. Mosquée Toulon II.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, paper, ink
Techniques: photograph
Location: ibn toeloenmoskee
Artist: Anonymous
Subjects: flat decoration ~ applied arts (+ islamic art), temple, shrine ~ islam, mohammedanism
Inscriptions: collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, number: ‘5169.’
Een minister door de 2e Kamer geJonasd, bij gelegenheid van een zalm-traktaatje of tractatie
Object type: cartoon
Date: 1870 – 1870
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: the sailors reluctantly throw the prophet jonah into the sea

Spotprent op Minister van Buitenlandse Zaken Roest van Limburg die als Jonas overboord wordt gezet. Naar aanleiding van het verwerpen van een tractaat over visserij in de Rijn. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 22, 1870.
Lidded Gunpowder Container
Object type: vessel with lid
Date: 1878 – 1878
Materials: copper, skin, wood
Culture: fang
Location: gabon

A lidded container for gun powder with a bulbous body topped by a cylindrical neck. At the summit, a thin disk-shaped lid keeps the content enclosed. A leather string passes through metal loops and keeps the lid joined to the body. The work's wooden surface is covered by either reptile (varan) skin affixed to the wooden core with adorning rows of tapestry nails, or hammered brass. This distinctive gun power container is a rare example of a genre of personal object owned by prominent individuals in a Fang community. Its use of hammered brass and reptile skin (varan) is characteristic of the region's craftsmanship, displayed on a range of objects, from knifes' sheath to the surfaces of certain reliquary elements.
Portret van van Joseph Kürschner
Object type: photomechanical print
Date: 1900 – 1902
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons
Jug with lid
Object type: jug with lid
Date: 634 – 501
Materials: terracotta
Culture: etruscan
Subjects: heads

In the form of three human heads, and cover with ring-handle.
Combing Hair, from "Elles"
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph, printing
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: hair,women
Henri, vicomte de Bornier
Object type: photograph
Date: 1876 – 1876
Materials: paper
Techniques: photography, woodburytype
Location: france
Artist: ferdinand j. mulnier
Artist nationality: french
Artist dates: 1860 – 1890
Subjects: collected by hugh edwards, contemporaine littéraire
Table carpet
Object type: table carpet
Date: 1760 – 1775
Materials: wool
Subjects: hunting,horses
Urformen der Kunst
Object type: photograph
Date: 1928 – 1928
Materials: ink, paper
Techniques: rotogravure
Location: berlin
Subjects: plants (in general)
Inscriptions: number: ‘61’

facher Vergrößerung. Afkomstig uit losbladige uitgave.
Medaillon met de personificatie van Geschiedenis
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: ornaments ~ art, book, 'historia'; 'historia' (ripa)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘[A]P 314’, number: ‘3.’

Prent mogelijk gebruikt in: Boileau-Despréaux, Nicolas. Oeuvres. Amsterdam: François Changuion, Den Haag, Pieter de Hondt, 1729. Nummer 3 in: Explication des Vignettes de la Seconde Edition des Oeuvres de Boileau. Amsterdam: Bernard Picart, 1729.
Blad met vijf scènes uit Vondels Gijsbrecht van Amstel
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: cologne, amsterdam, joost van den vondel, theatre, theatrical performance, netherlands

Blad met vijf toneelscènes in ronde medaillons genummerd I-V uit het toneelstuk Gijsbrecht van Amstel van Joost van den Vondel. Centraal een grote ronde voorstelling omringd door vier kleine ronden. De medaillons verbonden door linten, onderaan een cartouche met de tekst: J.v.Vondels Gysbrecht van Aemstel.
Wooden Spindle with Ceramic Whorls
Object type: non art
Date: 1000 – 1476
Materials: ceramic, wood, wool
Techniques: polychrome
Location: peru
Subjects: super/natural
Diligence, from "Virtues and Vices"
Object type: print
Date: 1549 – 1549
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Portret van een man met snor
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: germany
Artist: Anonymous
Subjects: moustache, historical persons
Fotoreproductie van een schilderij door Fra Angelico, voorstellende de kruisiging van Christus
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: italy
Artist: fra angelico
Artist role: painter
Artist dates: 1400 – 1455
Subjects: christ on the cross combined with other scenes from the passion - dd - the three crosses
Inscriptions: inscription:, number: ‘P.e 2.a N.o 1558.’, collector's mark: Lugt 3937
Moon-Shaped Pendant
Object type: pendant
Date: 701 – 833
Materials: gold
Culture: indonesian, javanese
Camp de Châlons (1857)
Object type: stereograph
Date: 1857 – 1857
Materials: cardboard, paper
Techniques: albumen print
Location: châlons-en-champagne
Subjects: (military) camp with tents, the soldier; the soldier's life
Inscriptions: label

Officieren voor hun tent aan de maaltijd
Kanagawa
Object type: print
Date: 1840 – 1840
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: boats,tea houses
Albumblad met diverse voorstellingen
Object type: popular print
Date: 1814 – 1869
Materials: paper
Techniques: snipping
Location: nijmegen
Artist: alexander cranendoncq
Artist role: draughtsman, print maker
Artist dates: 1799 – 1869
Subjects: musician at work, circus animals, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, ships (in general), circus, two-wheeled vehicle drawn by one animal, puppet and marionette show

Albumblad met 12 uitgeknipte voorstellingen uit voornamelijk volksprenten, onder andere van schepen, rijtuigen en kermistaferelen.
Portret van een Franse actrice
Object type: photograph
Date: 1874 – 1884
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: charles reutlinger
Artist role: publisher
Artist dates: 1816 – 1880
Subjects: portrait of actor, actress
Card Number 4, cut-out from banner advertising the Opera Gloves series (G29) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: gloves,women

Series G29 presents cut-outs from a tobacco advertising banner issued by Allen & Ginter between 1885 and 1890. Citing Burdick's "The American Card Catalog": "Banners are paper hangers with a metal binding at top and bottom edges. The popular size was about 30 inches long but a few measured over five feet in length...The tobacco firms were prolific advertisers using a constant procession of banners, especially to publicize their current insert card sets...The usual design illustrates the card pictures [from the series inserted into tobacco packaging] with a large appropriate center picture." Many consumers would cut up banners in order to "collect" the whole series of cards at once. Although series G29 is not listed in Burdick's "The American Card Catalog," he included notes in his own edition of the book, now included in the collection at the Metropolitan Museum, labeling the series as G29. They are included not as the original banner, but as cut-outs affixed to an album. Each card in the series is numbered and depicts a leather opera glove holding a portrait of a woman. The original banner advertised Richmond Straight Cut Number 1 Cigarettes issued by Allen & Ginter as a branch of the American Tobacco Company. In 1890, the American Tobacco Company purchased Allen & Ginter, as well as many of the large American cigarette manufacturers.
Gallerij van beroemde vaderlandsche mannen
Object type: popular print
Date: 1791 – 1838
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: dirk langendijk, enkhuizen, paulus potter, flushing, cornelis evertsen (1628-1679), jan havicksz. steen, rotterdam, desiderius erasmus, michiel adriaenszoon de ruyter, jacob baron van wassenaer heer van obdam, maurice (prince of orange), the hague, jacob cats (1577-1660), peter paul rubens, antwerp, london, painter, print maker, draughtsman, anthony van dyck, cologne, amsterdam, joost van den vondel, brielle, maarten harpertszoon tromp
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met 16 ovale portretten van beroemde Nederlandse mannen, waaronder Prins Maurits, Joost van den Vondel, Jan Steen, Erasmus en Peter Paul Rubens. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 146.
Jupiter Presiding over the Liberal Arts, from Seven Planetary Gods
Object type: print
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan saenredam
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1607
Inscriptions: Lettered lower left: "2" and below image: "Artibus exorno ... sapientia fonte."
Canapé
Object type: sofa
Date: 1700 – 1800
Materials: textile, wood
Techniques: tapestry
Location: germany
Artist: Anonymous

Canapé van notenhout. De vijf vierkante achterpoten zijn achterwaarts en de voorste hoekpoten overhoeks geplaatst; de vijf voorpoten met bal en klauw zijn S-vormig. De poten en de gegolfde voorzitregel tonen bladwerk. Het kruisraam heeft een gegolfde dwarsregel. De platte gebogen armleggers eindigen in voluten en rusten op gedrongen S-vormige stutten. De rug bestaat uit vier opengewerkte verbindingsstukken in vlechtbandmotief, gescheiden door gevlochten stijlen, versierd met bladwerk. Zitting met tapisserie.
Model of a Round-Headed Rudder
Object type: demonstration model
Date: 1829 – 1829
Materials: brass, wood
Location: flushing

Model van het bovenstuk van een roer met achtersteven en wulfconstructie, op een grondplank. De roerkop, die erg lang is en doorloopt tot het bovendek, waar het gat voor de roerpen zit, springt naar voren en is rond. De messing van het roer is afgerond, die van de achtersteven is scherp onderaan, maar wordt hol waar de roerkop begint. Het hennegat wordt afgesloten met een los deel in het wulf. Eén roerijzer en de zorgband zijn ingekrast.
Vroonens Begin Midden en Eynde
Object type: print
Date: 1700 – 1702
Materials: paper
Techniques: etching
Artist: pieter van den berge
Artist role: draughtsman, print maker, printer, publisher
Artist dates: 1659 – 1737
Subjects: 'historia'; 'historia' (ripa), father time, man with wings and scythe

Illustratie in: H. Soeteboom, Oud-heden van Zaan-land, Stavoren, Vronen en Waterland : deze laatste druk ... met nodige aanteekeningen, figuren, en een landkaart verrykt / Vroonens Begin Midden en Eynde, W. Linnig van Koppenol, Amsterdam 1702, dl. 2, titelprent.
Portret van Frederik Willem II van Pruisen
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: etching
Location: france
Subjects: berlin, frederik willem ii (koning van pruisen), historical persons, king

Prent waarschijnlijk uit: Ségur, Louis Philippe de. Tableau historique et politique de l'Europe (...). Parijs: F. Buisson, 1801, dl. 1.
Reflection of Kneeling Female Figure, study for The Mirror of Venus
Object type: drawing and watercolor
Date: 1873 – 1877
Materials: graphite, paper
Location: england
Artist: sir edward burne-jones
Artist role: artist
Artist nationality: british
Artist dates: 1833 – 1898
Double Column Base
Object type: base
Date: 1467 – 1500
Materials: marble
Culture: french
Location: france
Patiënten lijdend aan de huidziekte 'alopecia pityrodes' en 'alopecia areata'
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: photograph
Location: haarlem
Subjects: head (human), skin and venereal diseases, hair, adult man, baldness
Inscriptions: number: ‘Planche XXXVI. / Fig. 1. / Fig. 2.’
Pheasant and chrysanthemums
Object type: print
Date: 1830 – 1839
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Paardenrassen uit de Koninklijke stallen van Don Juan van Oostenrijk
Object type: print
Materials: paper
Techniques: engraving
Location: venice
Subjects: don juan van oostenrijk, horses and kindred animals

Een Armeens paard in een landschap. Prent maakt deel uit van een album.
Manuscript Leaf with Initial R, from a Gradual
Object type: gradual
Date: 1426 – 1450
Materials: ink, metal leaf, parchment, paint
Culture: german
Location: germany
Subjects: men,music
The Lady Copley
Object type: print
Date: 1662 – 1742
Materials: paper
Techniques: mezzotint
Subjects: historical persons
Inscriptions: annotation: ‘The Lady Copley’, collector's mark: Lugt 240
Italiaanse pijnboom en cipres
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: aquatint, soft ground etching
Location: london
Artist: john robert cozens
Artist role: draughtsman, print maker
Artist dates: 1752 – 1797
Subjects: trees: cypress, trees: pine
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, title: ‘Italian Pine & Cypress.’
Portret van Peter Ivanovich Shuvalow
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving, etching
Location: sint-petersburg
Artist: georg friedrich schmidt
Artist role: draughtsman, print maker
Artist dates: 1712 – 1775
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240
Kalenderblad voor mei 1902 met bloemen en hommels
Object type: calendar leaf
Date: 1901 – 1901
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: flowers, calendar, almanac, insects: bumblebee

Decoratieve rand van bloemen en twee hommels rond de maandkalender voor mei. Kalender 'Bloem en Blad'.
Vioolspeler voor een herberg
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: one person playing string instrument (bowed), inn, coffee-house, public house, etc., dog
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een man met viool en een jongen met draailier maken muziek bij een herberg. Volwassenen en kinderen luisteren. Een vrouw leunt over de onderdeur.
Cover (Rumal)
Object type: cover
Date: 1701 – 1800
Materials: cotton, silk
Culture: indian, himachal pradesh, chamba
Subjects: birds,men,women,trees
Brighton Fishermen, Waiting for the Tide
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: brighton
Artist: Anonymous
Subjects: fisherman
Inscriptions: retailer's mark: ‘Nolet & Zoon/ Utrecht’
Earrings
Object type: earring
Date: 1001 – 1200
Materials: enamel, gold
Techniques: enamel, filigree
Location: syria

These earrings or pendants have been fabricated with filigree openwork, cloisonné enamel, and beaded granulation, and resemble similar jewels from the Fatimid Period (909–1171). Yet these pieces differ from most well-known Fatimid crescent (hilal) shaped ornaments in that they bear bulbous filigree hemispheres and cloisonné enamel on both rather than just one side. The style of the enamel is also more similar to works produced in eastern Slavic Kievan Rus' (ca. 860–1240) than to any known surviving Fatimid examples.
Cosmetic Applicator
Object type: costume and accessory
Date: 301 – 600
Materials: glass
Location: mediterranean region

Initially affordable only among the wealthy, glass was used in ancient Rome to create tableware and containers for oils and perfume. This delicate applicator would have been just one object among the array of mirrors, combs, and palettes for mixing cosmetics, as well as bottles and other containers for products used to beautify prosperous Romans.
Weight
Object type: weight
Date: 801 – 1000
Materials: lead
Location: iran

This metal weight was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Terracotta head of a boy
Object type: head of a temple boy
Date: 300 – 268
Materials: terracotta
Culture: cypriot
Subjects: heads,boys

The head is mold-made and hollow. He has an ovoid face, ridged eyelids, fleshy lips, and short hair.
Dragging a Statue of Thutmose I
Object type: facsimile, userhat tt 51, thutmose i
Materials: paper, paint
Location: egypt
Artist: norman de garis davies
Artist role: artist
Artist dates: 1865 – 1941
Subjects: cartouches,men,women,hieroglyphs,walk-like-egyptian

Thutmose I is represented here as a statue, as indicated by the men pulling him on a sledge. His black skin was initially understood to represent the ebony wood from which the statue was possibly made, but it most likely relates to the king’s deified state. Cults were established to worship kings during their reign. The cult of Thutmose I persisted for centuries after his death, a rare phenomenon, and this statue of the king is at the center of a scene depicting offerings and rites honoring him. Royal figures are sometimes depicted with a dark complexion, as the color black represents rebirth and regeneration–like the black soil of the Nile Valley.
Netsuke of Fukurokuju
Object type: netsuke
Date: 1767 – 1833
Materials: ivory, shell
Techniques: inlay
Culture: japanese
Subjects: men
Portret van Johann Georg Volkmar
Object type: print
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons
Inscriptions: monogram: ‘I.M.B. inv.’