deem-data/ArtiFact huggingface dataset:
Candelabra
Object type: glass
Date: 1780 – 1800
Materials: bronze, glass
Techniques: glassblowing, cutting, gilding
Location: england
Subjects: furniture
Nederlandse gulden, 1859
Object type: coin
Date: 1859 – 1859
Materials: silver
Techniques: striking
Location: utrecht
Artist: willem iii (koning der nederlanden)
Artist role: koning
Artist dates: 1817 – 1890

Zilveren munt. Voorzijde: borstbeeld naar rechts. Keerzijde: tussen waarde-aanduiding 1 G gekroond rijkswapenschild. Jaartal boven kroon. Randschrift.
Kaart van Vlieland, Terschelling, een deel van Friesland en de omliggende zandbanken
Object type: map
Date: 1620 – 1699
Materials: ink, paper, watercolor
Techniques: brush, engraving, pen
Location: amsterdam
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 195

Manuscriptkaart op een gedrukt blad met gegraveerde kompaslijnen.

Voor een soortgelijke kaart van de Kop van Noord-Holland en Texel, zie RP-P-AO-7-8.
bord
Object type: plate dish
Date: 1730 – 1770
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: delft
Artist: Anonymous
Inscriptions: collector's mark, ge: ‘koninklijk oudheidkundig genootschap no. 46’

Rond bord van veelkleurig beschilderde faience, met in het midden een medaillon met daarin een bloem en bladeren in de kleuren groen en rood. Daar omheen zijn op een blauwe achtergrond vijf witte vakken waarbinnen bloem- en bladversieringen. Bij het bord horen twee identieke borden met de invnrs. BK-KOG-2432-a en BK-KOG-2432-c.
Kopenhagen. De beurs
Object type: photograph
Date: 1850 – 1900
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: copenhagen (city)
Pin
Object type: pin
Date: 1301 – 1500
Materials: silver
Techniques: hammering
Culture: chimú or inca
Location: peru
Subjects: animals
Brougham #4178
Object type: drawing
Date: 1892 – 1892
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Morse
Object type: morse
Date: 1250 – 1250
Materials: gilt copper, glass
Culture: french
Subjects: human figures

A morse is a clasp attached to a liturgical vestment to prevent the garment from slipping from the shoulders. Gilded copper is at once heavy enough to support the weight of the fabric yet resplendent enough to be suitably ceremonial in appearance.
Apron
Object type: apron
Date: 1855 – 1859
Materials: cotton
Culture: american
Etend kind en een vrouw die met een man aan een raam praat
Object type: print
Date: 1635 – 1692
Materials: paper
Techniques: engraving, etching
Location: unknown
Artist: justus van den nijpoort
Artist role: draughtsman, print maker
Artist dates: 1625 – 1692
Subjects: human figure at (open) window, speaking, spoon, child (at home)
Inscriptions: collector's mark: Lugt 2165

In het interieur van een boerenwoning staat een kind te eten uit een kom. Achter hem zit een vrouw, die met een man praat. De man staat aan de andere zijde van het geopende raam.
Gezicht op een waterweg, met op de achtergrond een molen
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Location: berlin
Artist: fr. tollens
Artist role: fotograaf
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), windmill
C. Secondat de Montesquieu
Object type: locket
Date: 1817 – 1817
Materials: brass, glass, gypsum
Techniques: casting
Location: berlin
Artist: gottfried eichler
Artist role: draughtsman, painter
Artist dates: 1677 – 1757
Subjects: paris

Eenzijdig medaillon in messing ring achter glas aan draagoog en draagring. Voorzijde: borststuk man naar links binnen omschrift. Keerzijde: etiket met opschrift.
Krishna and Radha with Their Confidantes: Page from a Dispersed Gita Govinda
Object type: folio
Date: 1655 – 1660
Materials: ink, paper, watercolor
Culture: mewar
Artist: manohar
Artist role: artist
Artist dates: 1577 – 1624
Subjects: women,trees,krishna,radha

Early Indian paintings are often divided into multiple registers in which successive episodes of a story are related. Above, Krishna holds his hand in a gesture of exposition while Radha gazes on in erotic expectation. Below, an open garlanded bower anticipates their tryst and alludes to the sexual tension generated by Krishna’s seduction of Radha, described in the associated passage of the Gita Govinda. This work, while based on earlier paintings by the artist Sahibdin, was probably produced in Manohar’s workshop. It is characterized by a bolder but perhaps less refined style.
Groepsportret van twaalf onbekende jonge vrouwen en een jonge man in een park
Object type: photograph
Date: 1890 – 1910
Materials: paper, cardboard
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: anonymous historical persons portrayed in a group, in a group-portrait
Box with Cover
Object type: box with cover
Materials: stoneware
Culture: chinese
Pierced Window Screen (Jali)
Object type: screen
Date: 1601 – 1633
Materials: marble
Location: india
Subjects: screens
Lost Lakes, head of Conejos Cañon, Colorado, in the Sierra San Juan range, near divide between Conejos and south fork of Alamosa Rivers, surrounded by forest of Douglass spruce, and approximately 11.000 feel above sea-level, No. 37 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Object type: photograph
Date: 1874 – 1874
Techniques: albumen print
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards, geographical explorations and surveys
Design for Vase
Object type: drawing
Date: 1734 – 1766
Materials: ink
Techniques: brush, pen, wash
Artist: jacques françois joseph saly
Artist role: artist
Artist nationality: french
Artist dates: 1717 – 1776
Subjects: mermaids,vases
Glass beaker
Object type: beaker
Date: 1 – 100
Materials: glass
Culture: roman

Colorless with purple streaks below rim. Knocked-off rim; almost straight sides to body, tapering downward; concave bottom. Thick walled. Wheel-cut decoration on body in four bands, comprising a deep groove and faint lines below rim; two parallel lines; a deep groove falnked above and below by a single line; and two more parallel lines near bottom. Intact; pinprick bubbles; patches of dulling, pitting, and iridescent weathering.
Mondnacht, from Intermezzi, plate 4
Object type: print
Techniques: aquatint, etching
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Subjects: human figures,mountains,landscapes
Hyaku monogatari
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: woodcut, nishiki e
Location: japan
Artist: katsushika hokusai
Artist role: draughtsman, print maker
Artist dates: 1760 – 1849
Subjects: lantern
Inscriptions: collector's mark: Lugt 2228
Belle Martin, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two black glazed rim fragments from kylikes; glaze slightly worn
Twelve designs Calculated for the Use of those who are Learning to Draw Landscape
Object type: print
Date: 1789 – 1793
Materials: paper
Techniques: aquatint, etching
Location: london
Subjects: family life at home, farm (building), dog
Inscriptions: collector's mark: Lugt 2228

Een boerderij met een dak van stro. Op het erf een gezin met een vrouw, een kind en een man met een mand aan de arm. Daarbij een hond.
Street Parade, No. 1574 from the series "St. Paul Ice Carnival"
Object type: photograph
Date: 1886 – 1888
Techniques: albumen print
Location: wisconsin
Artist: henry hamilton bennett
Artist role: artist
Artist nationality: american, born canada
Artist dates: 1843 – 1908
The Actor Ichikawa Danjuro II, 1688–1758
Object type: print
Date: 1804 – 1804
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyomine
Artist role: artist
Artist nationality: japanese
Artist dates: 1787 – 1868
Subjects: theatre,men,actors
Lendensloop
Object type: lendensloop
Date: 1734 – 1734
Materials: linen
Techniques: lace
Location: northern netherlands
Inscriptions: date

Lendensloop van linnen met entre-deux van kloskant, merk kroon B en 1734.
Incense box
Object type: incense box
Date: 1830 – 1830
Materials: enamel, faience
Techniques: relief
Culture: japanese
Subjects: flowers,leaves
Christ among the Doctors
Object type: drawing
Date: 1573 – 1573
Materials: chalk, oil, paper
Techniques: brush
Location: unknown
Artist: adriaan de weerdt
Artist role: draughtsman
Artist dates: 1510 – 1590

Jesus became separated from his parents during celebrations for Passover. Mary (seen at left) finally found him three days later at the Temple in Jerusalem, engaged in conversation with the Scribes. De Weerdt placed the young boy at the centre of the composition, surrounded by onlookers astounded by the boy’s wisdom.
Openwork Headband
Object type: headband
Date: 1101 – 1500
Materials: cotton
Culture: chancay
Location: peru
Bospad met wandelaar en lezende vrouw
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: etching
Artist: willes johnson
Artist role: print maker
Subjects: forest path or lane (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Belt Buckle
Object type: belt buckle
Date: 601 – 700
Materials: copper alloy
Techniques: gilding
Culture: east mediterranean
Kan van opaak wit glas (waarschijnlijk imitatie wit aardewerk); hoge smal model met naar binnen gestoken bodem, een aangezet oor en schenklip
Object type: flagon
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous

Kan van opaak wit glas, waarschijnlijk imitatie wit aardewerk; hoge smal model met naar binnen gestoken bodem, een aangezet oor en schenklip.
Portret van Alfonso XII, koning van Spanje
Object type: print
Date: 1885 – 1885
Materials: paper
Techniques: letterpress printing, engraving
Artist: arnoldus cornelius verhees
Artist role: print maker
Artist dates: 1859 – 1929
Subjects: historical persons

Prent uit: Uit alle hemelstreken. Bijblad van Eigen haard. Haarlem: Tjeenk Willink, 1885, nr. 49.
Antigone Pouring a Libation over the Corpse of Her Brother Polynices
Object type: sculpture
Materials: marble
Culture: american
Artist: william henry rinehart
Artist role: artist
Artist nationality: american
Artist dates: 1825 – 1874

Rinehart's sculpture represents a climactic scene from Sophocles's tragedy, "Antigone," written in or before 442 B.C. Antigone's brother, Polynices, was killed by Eteokles, and then denied a proper burial because he was considered an enemy of Thebes. Against the orders of the new ruler, Creon, Antigone courageously interred Polynices. Rinehart chose to depict the moment when she pours libations over her brother's grave, thereby stressing to the viewer the importance of fighting against tyranny for one's civil liberties. Of all Rinehart's sculptures, Antigone may be the most closely related to antique prototypes, showing an affinity with a draped figure once in the Vescovali collection in Rome.
Plate 16: Hebe in a niche with her hands in the air, running to the left while looking to the right, from a series of mythological gods and goddesses
Object type: print
Date: 1526 – 1526
Techniques: engraving
Artist: giovanni jacopo caraglio
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1565
Subjects: female nudes
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1634 – 1666
Materials: gold alloy, silver alloy, gold
Culture: japanese
Location: japan
Subjects: gourds
Page from Ein new kunstlich Modelbuch...(Page 42v)
Object type: book print ornament architecture
Date: 1544 – 1544
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: ornament

Published by Peter Guentel, Cologne. Illustrated title page, architectural border on reverse of title page, 99 pages of designs, arms of Cologne on last page (Merlos 1063.477, Van Worms).
Stanmore house
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: autotype
Location: london
Artist: Anonymous
Subjects: façade (of house or building), country-house
Inscriptions: caption: ‘STANMORE HOUSE.’
Textile with Stripes and Confronted Birds
Object type: fragment
Date: 475 – 221
Materials: silk
Techniques: weave
Culture: chinese

The oldest Chinese textiles in the Museum's collection (2002.558, .559), these two fragments with a pattern of geometric motifs and birds or dragonlike animals come from the same length of woven silk. The stripes, probably dyed with cinnabar, retain a fresh red color. Cinnabar was mined in China as early as three to four thousand years ago and has been found in Late Neolithic tombs. By the time of the Western Zhou dynasty (ca. 1046–771 B.C.), the Chinese were refining and processing it to obtain the very best red color. Little of the mineral dye was produced, however, and its use was restricted to luxury textiles for the elite.
Fotoreproductie van een schilderij, voorstellende een portret van Joachim Heinrich Campe
Object type: page
Date: 1872 – 1877
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: joachim heinrich campe, portrait of a writer
Inscriptions: name: ‘Joachim Heinrich Campe’
Portret van Johannes Erasmus Blum
Object type: print
Date: 1674 – 1674
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, book
Inscriptions: collector's mark: Lugt 240

De predikant Johannes Erasmus Blum houdt zijn rechterhand op de borst en bladert met zijn andere in het boek dat voor hem ligt. In de marge een lofdicht.
Brief aan Arnoldus Lamme
Object type: letter
Date: 1837 – 1837
Materials: ink, paper
Techniques: pen, writing
Location: dordrecht
Artist: johannes christiaan schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1838
Subjects: rotterdam, arnoldus lamme, art trade, art shop, painting (including book-illumination, miniature-painting), france
Inscriptions: collector's mark: Lugt 2228
Verdedigingsmuur met drie torens
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: chalk, paper
Location: moscow
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: russian orthodox church, towers ~ fortified city, walls ~ fortified city

Mogelijk een deel van de muur om het Kremlin. Op de achtergrond de koepels van een gebouw, mogelijk de Prokovkathedraal aan het Rode Plein. Pagina 4 uit een schetsboek met 45 bladen.
Portret van Filips I, koning van Frankrijk
Object type: book illustration
Date: 1598 – 1598
Materials: paper
Techniques: engraving, etching, intaglio
Location: nuremberg
Subjects: scrollwork, strapwork ~ ornament, historical persons, ruler, sovereign, couple of lovers
Inscriptions: number: ‘158’, collector's mark: Lugt 2228

Prent afkomstig uit de publicatie: Michael Eizinger. Könige in Frankreich. Keulen: Johann Bussemacher, 1598, p. 78. De publicatie bevat prenten van Jost Amman en Virgil Solis.
Candlestick
Object type: candlestick
Date: 1600 – 1700
Materials: brass
Location: netherlands
Dish
Object type: vessel
Materials: glaze, stoneware
Location: china
Moscow, groot kanon op het Kremlin
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: albumen print
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Titelblad en twaalf gezichten op Rome
Object type: print
Date: 1629 – 1655
Materials: paper
Techniques: etching
Location: rome
Subjects: landscapes, animals, farm or solitary house in landscape, dog, country-house, rome
Inscriptions: collector's mark: Lugt 240

Omheind vervallen gebouw met een toren. Op het pad ervoor lopen twee wandelaars met een hond.
Annotaties
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Inscriptions: annotation: ‘[...]’

Pagina 46 uit een schetsboek met 29 bladen.
Ostracon
Object type: ostracon, demotic
Date: 600 – 30
Materials: ink, pottery
Location: egypt
Mercury and Cupid
Object type: statuette
Materials: bronze
Artist: francesco fanelli
Artist role: artist
Artist nationality: italian
Artist dates: 1608 – 1665
Subjects: cupid,mercury
Mrs. David Howe (Sarah Whitney)
Object type: painting, miniature
Date: 1820 – 1858
Materials: ivory, watercolor
Culture: american
Artist: samuel wallin
Artist role: artist
Artist nationality: swedish
Artist dates: 1838 – 1855
Subjects: portraits,profiles,women

The sitter (1776-1857) was the daughter of Samuel and Abigail Whitney.
Tafereel met een vrouw leunend op een tafeltje
Object type: stereograph
Date: 1852 – 1858
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: adult woman
Inscriptions: inscription: ‘ae 50’
Portret van Pieter Nieuwland
Object type: print
Date: 1789 – 1825
Materials: ink, paper
Techniques: brush, etching
Artist: Anonymous
Subjects: historical persons, professor
Profil du Colosse oriental du Spéos de Phré, à Abousembil (Portrait de Rhamsès-le-grand)
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: sculpture,architecture

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Portret van hertog Willem van Kleef, Gulik en Berg, graaf van Mark, heer van Ravenstein te paard
Object type: print
Date: 1543 – 1573
Materials: paper
Techniques: hand coloring
Location: antwerp
Subjects: equestrian state-portrait, historical persons
Inscriptions: number: ‘160’

Willem van Gulik, hertog van Gelre, gekleed in Spaanse hofdracht te paard. Rechtsboven het wapenschild. Bovenaan tekst in het Frans en in het Nederlands.
Brief aan Héloïse Bernard-Bodin
Object type: letter
Date: 1878 – 1941
Materials: ink, paper
Techniques: pen, writing
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: héloïse bernard-bodin

Brief gedateerd 1894 [doorgehaald] ou 95 in latere hand.
Francois-Armand d'Usson, markies de Bonnac, Frans afgezant in de Nederlanden
Object type: history medal
Date: 1751 – 1751
Materials: silver
Techniques: striking
Artist: Anonymous
Subjects: france

Zilveren achthoekige penning. Voorzijde: gekroond wapenschild omhangen met de orde van St. Andries. Keerzijde: opschrift.
Portret van Christoph Achaz Hager
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: 'mathematica'; 'mathematica' (ripa), arithmetic, historical persons, armorial bearing, heraldry

Prent uit: Hager, Christoph Achaz. Buchhalten über proper Commission und Compagnia Handlungen. S.l.s.n., 1662.
Journal der Moden 1786. T. IX
Object type: magazine
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: gotha
Subjects: fashion plates
Programma's van de herdenkingsbijeenkomst ter gelegenheid van de driehonderdvijftigste verjaardag van Rembrandt Harmensz. van Rijn
Object type: programma, programmaboekje
Materials: paper
Techniques: printing
Location: amsterdam
Artist: Anonymous
Subjects: leiden, rembrandt van rijn, deventer, painter, oskar kokoschka, iohan quirijn van regteren altena, designer, charles roelofsz, amsterdam, print maker, draughtsman, jan luyken, music
Christus aan het volk getoond (Ecce Homo)
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: augsburg
Subjects: pilate showing christ to the people, 'ostentatio christi', 'ecce homo' (john 19:4-6)
Inscriptions: collector's mark: Lugt 2228

Tekst in het Duits in de ondermarge. Rechtsonder genummerd: 16. Prent maakt deel uit van een album.
Verschillende figuurstudies
Object type: drawing
Date: 1832 – 1880
Materials: paper, pencil
Techniques: brush
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880

figuurstudies naar 'Etudes progressives de figures pittoresques' van F. Férogio.
Gezicht op Dordrecht
Object type: sketchbook leaf
Date: 1907 – 1907
Materials: paper, pencil
Location: dordrecht
Artist: alexander shilling
Artist role: draughtsman, print maker
Artist dates: 1859 – 1937
Subjects: city-view, and landscape with man-made constructions, sailing-ship, sailing-boat, dordrecht
Inscriptions: date: ‘July 19/07’

Op de voorgrond een zeilboot op het water. Blad 3 recto uit een schetsboek met 24 bladen.
Bifacial Knife
Object type: knife, bifacial knife
Date: 3650 – 3100
Materials: stone
Location: egypt