deem-data/ArtiFact huggingface dataset:
Gezicht op een hoekpand in Amsterdam
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, amsterdam

Gezicht op een hoekpand in Amsterdam. Pagina 29 uit een schetsboek met 22 bladen vervaardigd te Amsterdam.
Relic of the Eurydice. Lost March 24, 1878
Date: 1878 – 1878
Location: united kingdom
Spandrel Panel from the Gage Building, Chicago, Illinois
Object type: architectural fragment
Date: 1898 – 1898
Materials: iron
Techniques: casting
Location: chicago
Artist: louis h. sullivan
Artist nationality: american
Artist dates: 1856 – 1924
Subjects: chicago, architectural fragment, architecture, building, facade, ornamental
Seated Female Figure
Object type: drawing and watercolor
Date: 1873 – 1873
Materials: graphite, paper
Location: england
Artist: sir edward burne-jones
Artist role: artist
Artist nationality: british
Artist dates: 1833 – 1898
Portret van een Franse vrouw met een zeer lange gevlochten staart, rozen knippend
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: adult woman, border, ribbon, braid, flowers: rose, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Grieks-Romeinse feesten
Object type: print
Date: 1683 – 1722
Materials: paper
Techniques: etching
Subjects: (story of) pan
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een vierdelige serie met Grieks-Romeinse vieringen.
The Apothecary's Prayer!!
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,chairs
De boog van Titus op het Forum Romanum
Object type: print
Date: 1786 – 1817
Materials: paper, watercolor
Techniques: etching, hand coloring
Location: netherlands
Artist: daniël dupré
Artist role: draughtsman, print maker
Artist dates: 1751 – 1817
Subjects: triumphal arch
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Gezicht op de boog van Titus op het Forum Romanum in Rome voor de restauratie en het herstel van de zijbeuken. Onder de poort staat een bedelaar. Een man te paard en een vrouw met twee kinderen lopen door de poort. Twee wasvrouwen lopen vanuit de andere kant op de poort af.
Kerkinterieur
Object type: photograph
Date: 1890 – 1930
Materials: paper, cardboard
Techniques: collodion silver print
Location: europe
Artist: Anonymous
Subjects: interior of church
Inscriptions: inscription: ‘ubi’
A.D. Dehemptinne
Object type: print
Date: 1840 – 1905
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Das Portal am Rathhaus in Coln
Object type: stereograph
Date: 1860 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: cologne
Artist: anselm schmitz
Artist role: publisher
Artist dates: 1831 – 1903
Subjects: townhall
Moorish Gendarme, French Army, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,swords,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Portret van Ernst Fischel
Object type: photograph
Date: 1920 – 1930
Materials: paper
Techniques: bromoil process
Location: amsterdam
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Subjects: historical persons (portraits and scenes from the life)
Inscriptions: inscription: ‘Foto Merkelbach van Ernst Finschel broomverfoverdruk’, annotation: ‘drie overlijdensberichten van Ernst Fischel in het Rotterdams dagblad’

Portret van Ernst Fischel van de foto-groothandel.
Spindle whorl
Object type: whorl
Date: 3000 – 1001
Materials: bone
Location: mesopotamia
Net en vijver om vogels te vangen
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: bird hunting
Inscriptions: collector's mark: Lugt 2233

Twee voorstellingen op een blad. Boven: Onder een boom is een net gespannen en lokt een geketende uil vogels naar de boom. De kale takken van de boom zijn geprepareerd met lijm om ze te vangen. Onder: Lokvijver met verschillende met lijm geprepareerde kale takken en staken om vogels te vangen.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Three black glazed fragments from kylikes; sheared
Helmet (Hachi)
Object type: helmet hachi
Date: 1801 – 1833
Materials: iron
Techniques: gilding
Culture: japanese
Location: japan
Subjects: dragons
Ontwerp voor plafondschildering
Object type: design
Date: 1705 – 1754
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: jacob de wit
Artist role: draughtsman, painter, print maker
Artist dates: 1695 – 1754
Subjects: flying, sitting or standing on clouds
Mr. Frank Lockwood
Object type: photograph
Date: 1885 – 1890
Materials: paper
Techniques: carbon print
Location: london
Subjects: politician, historical persons
Inscriptions: address: ‘57 & 61, Ebury Street, London.’
Allegorische voorstelling met herders en herderinnen
Object type: book illustration
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: making music; musician with instrument, (story of) cupid, amor (eros), group dancing, pastorals, arcadian scenes, sacrifice
Inscriptions: collector's mark: Lugt 2228

Allegorische voorstelling met herders en herderinnen die zich in een bos vermaken. Op de voorgrond een vrouw die haar spiegelbeeld in het water bekijkt, een paar met een hond, herders en herderinnen die dansen en muziek maken. Op de achtergrond brengen vrouwen een offer aan Amor. In de marge een tweeregelig onderschrift in het Frans.
Vase with ornamental borders and lion heads with ring handles
Object type: vase
Date: 1800 – 1900
Materials: paint, glaze, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Portret van Gregor von Feinaigle
Object type: print
Date: 1768 – 1817
Materials: paper
Techniques: engraving
Subjects: historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Executioner Holding Up a Severed Head
Object type: drawing
Date: 1682 – 1754
Materials: chalk, charcoal, paper
Techniques: highlighting
Artist: giovanni battista piazzetta
Artist role: artist
Artist nationality: italian
Artist dates: 1682 – 1754
Subjects: swords,heads,men

This drawing of an executioner holding up a head was possibly conceived by Piazzetta for his paiting with "The Martyrdom of Saint Paul" (Private collection, Italy), where a similar mustachioed executioner appears in a slightly different pose. Ugo Ruggeri was the first to point out that the figure in this drawing was copied in a small painting executed by the workshop of Piazzetta, "The Martyrdom of Saint Eurosia", in the Ca' Rezzonico, Venice (Ruggeri 1973). The painting is generally ascribed to the Venetian painter Giulia Lama (1681-1747), and Ruggeri was led to attribute the present drawing and another drawing in the collection of the Metropolitan Museum of Art (inv. 66.53.4) to this rather derivative artist. However, both our drawings display a vigor and authority that is absent in the graphic material presented by Ruggeri as the work of Giulia Lama. If she was indeed the painter of the Ca' Rezzonico picture, Giulia Lama must have simply borrowed this executioner from Piazzetta's repertory of figures. The Museum’s drawing share a similar provenance and dimension with a sheet in the collection of the late Janos Scholz, a "Man with a Cane" in black and white chalk on grey paper, which bears the inscription "Giambattista Piazzetta Venezi" certainly annotated by the so-called "Reliable Venetian hand" (Lugt 3005d), an eighteenth-century Venetian collector of drawings (see: Catalogue of the Exhibition of Venetian Drawings from the Collection Janos Scholz, Venice 1957, pl. 62). The Scholz and the Metropolitan Museum of Art drawing may have been part of some sketchbook: not only they are stylistically similar, but the Scholz drawing is the same size and has old bands of paper pasted along all the margins on the verso as the present sheet. Possibly part of the same sketchbook is a drawing in the Musée du Louvre, Paris (inv. 5265) with "Kneeling Young Woman Facing Right", also annotated "Giambattista Piazetta Venezi" in the "Reliable Venetian hand".
Square bottle with figures in a landscape, a flower vase and a flowering plant near a rock
Object type: bottle
Date: 1660 – 1680
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, forming, vitrification
Location: japan
Artist: Anonymous

These two square bottles were made to order, probably after examples of Delft pottery. The landscape is painted in a mixed style: the figure carrying two buckets is Japanese, while the houses look European.
Oraculum Anachoreticum
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving
Location: venice
Subjects: acts of bartholomew, the apostle bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff, ass, donkey, forest, wood, anchorite, hermit
Inscriptions: collector's mark: Lugt 240

Een boslandschap. Op de voorgrond de H. Bartholomeus, een van de apostelen. Hij wordt ook Nathanaël genoemd. Hij betreedt zijn kluizenaarshut terwijl hij de duivel, in de vorm van een jongeling met een zweep, een crucifix voorhoudt. Op de achtergrond een ezel.
Dress
Object type: dress
Date: 1840 – 1850
Materials: cotton
Culture: american
Les Enfants d' Ilustre Naissance
Object type: print
Materials: paper
Techniques: mezzotint
Subjects: boy (child between toddler and youth), earning money with guinea-pig, hurdy-gurdy player
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Scarab Inscribed with the Throne Name of Ahmose
Object type: scarab, ahmose, nebpehtyre
Date: 1550 – 1525
Materials: stone
Location: egypt
Subjects: scarabs
Head of a Male Figure
Object type: plaque fragment
Date: 401 – 500
Materials: terracotta
Culture: indian, uttar pradesh
Subjects: gupta,faces,heads
Plate 3: Abraham Taking Lot and His Family to His Own Land, from "The Battles of the Old Testament"
Object type: print
Date: 1590 – 1610
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: men,camels,horses,abraham,family
Portret van Werner Böcklin
Object type: print
Date: 1750 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons, hacking and thrusting weapons: sword
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent mogelijk uit: Merckwürdiger Überbleibseln von Alterthümeren der Schweitz (...). Zürich: Johannes Müller, 1776.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, meander and saltire square; Exterior, unidentified subject
Allégorie relative à Buonaparte Généralissime des Armées Francáisea
Object type: print
Date: 1795 – 1802
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: napoleon i (emperor of the french), historical persons, fame; 'fama', 'fama buona', 'fama chiara' (ripa), father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Portret van Henriëtte Ronner
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: letterpress printing, engraving
Location: haarlem
Subjects: amsterdam, painter, draughtsman, henriëtte ronner, historical persons - bb - woman, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Fragment (part of a set)
Object type: fragment
Date: 1601 – 1700
Materials: faience
Techniques: glazing

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Jonge vrouw bij een bron
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: mezzotint
Location: london
Subjects: well, 10-20 years, water (one of the four elements)
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een serie van vier prenten.
Project for a Chapel
Object type: drawing
Date: 1700 – 1780
Materials: ink, drawing material
Techniques: brush, drawing, pen, wash
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: architecture,chapels
Eels
Object type: album leaf
Date: 1890 – 1892
Materials: silk
Culture: japanese
Artist: seki shūkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1858 – 1915
Subjects: fish
Spotprent met minister Heemskerk en het vele werk dat nog op zijn bureau ligt, 1874
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: amsterdam, politician

Spotprent met minister Heemskerk die wijst op het vele werk dat nog op zijn bureau ligt, en daarom nog geen tijd heeft voor een wijziging van de wet op lager onderwijs, 1874. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 40, 1874.
Portret van Johann Christoph Köcher
Object type: print
Date: 1766 – 1766
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
The Holy Family at right, with the infant Saint John the Baptist, Elizabeth, Zacharias, and an angel at left
Object type: print
Date: 1631 – 1637
Techniques: engraving
Artist: pieter de jode (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1606 – 1674
Hier ziet gy van verscheyde stof, 't begin is fin maar het end in grof
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: drunkard
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van zotte figuren en uitbeeldingen van gezegden. Onder elke afbeelding een onderschrift.
Kostuums van figuren met verschillende nationaliteiten
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: etching
Artist: jean baptist leprince
Artist role: draughtsman, print maker
Artist dates: 1734 – 1781
Subjects: hierarchy of jurisdiction ~ eastern, greek and russian orthodox churches, folk costume, regional costume
Inscriptions: date

Maakt deel uit van een zesdelige serie met figuren in kostuums van verschillende nationaliteiten.
Case (Inrō) with Design of Fireflies in Flight and Climbing on Stone Baskets and Reeds at the Shore
Object type: inrō
Date: 1801 – 1900
Materials: gold, lacquer
Techniques: fundame, hiramakie, roiro
Culture: japanese
Subjects: insects,plants
Decoraties bij het huis van burgemeester R. Blok te Hoorn, 1766
Object type: print
Date: 1774 – 1776
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: noach van der meer (ii)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1822
Subjects: the hague, william v (prince of orange), public festivities (+ festive decoration ~ festive activities), hoorn (north holland)
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Verlicht en juichend Nederland, of Vaderlandsche geschiedenissen; van het tijdstip, dat (...) den heere prinse van Oranje (...) digniteiten (...) heeft aenvaerd. Leiden: Cornelis van Hoogeveen junior, Cornelis van Leiden, 1776, p. 340/341.
Portret van Louis Royer
Object type: print
Date: 1868 – 1868
Materials: paper
Techniques: engraving
Subjects: mechelen, amsterdam, draughtsman, sculptor, louis royer, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Kampen, florijn, 1618
Object type: coin
Date: 1618 – 1618
Materials: silver
Techniques: striking
Location: kampen

Zilveren munt. Voorzijde: versierd en gekroond gevierendeeld wapenschild. Jaartal boven kroon. Keerzijde: gekroonde dubbelkoppige adelaar met op de borst rijksappel, waarin waarde-aanduiding 28.
Passementerie
Object type: passementerie
Date: 1801 – 1900
Materials: silk
Dierenserie
Object type: print
Date: 1616 – 1689
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: charles ii errard
Artist role: print maker
Artist dates: 1601 – 1689
Subjects: fighting, dog, beasts of prey, predatory animals: wolf
Schildpadlijst met renversé profiel
Object type: frame
Date: 1700 – 1899
Materials: gold leaf, leaf, paper, shell, wood
Techniques: gilding, veneering
Location: unknown
Artist: Anonymous

Schildpadlijst met renversé profiel met zwart geverfde profileringen. Onder het schildpad is het hout bedekt met verguld papier De hoeken hebben een pen- en gat verbinding. Het smalle rechte latje aan de buitenrand lijkt een latere toevoeging.
Lappet
Object type: lappet
Date: 1701 – 1800
Techniques: lace
Adam Ploughing  from the Dance of Death
Object type: print
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: skeletons,infants,women,adam

Adam uproots a tree with the help of Death, while Eve sits on left holding a distaff and suckling a child.
Milano
Object type: photograph
Date: 1881 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: florence
Artist: carlo brogi
Artist role: fotograaf
Artist dates: 1850 – 1925
Subjects: square, place, circus, etc., church (exterior)
Inscriptions: number: ‘9987.’
Astronomical Ceiling
Object type: facsimile, senenmut tt 353, astronomical ceiling
Date: 1479 – 1458
Materials: paper, paint
Location: egypt
Artist: charles k. wilkinson
Artist role: artist
Artist dates: 1897 – 1986
Subjects: hieroglyphs,astronomy

The ancient Egyptians were dedicated astronomers, as illustrated by this schematic guide to the night sky that decorated a ceiling in the tomb of Senenmut (TT 353) at Deir el-Bahri. The figures represent constellations or protective deities, and the columns of text in the upper part list planets and stars known as the decans. The twelve circles in the lower part, each divided into twenty-four segments for the hours of the day and night, are labelled with the names of the months of the year. Senenmut (48.149.7) was a high official in the court of Hatshepsut (29.3.2), Egypt's most successful female pharaoh.
Nederland, 25 cent, 1826 Utrecht
Object type: coin
Date: 1826 – 1826
Materials: silver
Techniques: striking
Location: utrecht
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Zilveren munt. Voorzijde: tussen jaartal gekroonde cursieve letter W. Keerzijde: tussen waarde-aanduiding 25 C. gekroond rijkswapenschild. Gladde rand.
Tigre. Tigre né au Jardin Zoologique de Calcutta
Object type: photomechanical print
Date: 1882 – 1887
Materials: paper
Techniques: autotype
Location: london
Subjects: beasts of prey, predatory animals: tiger
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, parts of two draped figures?
Noh Costume (Nuihaku) with Phoenixes and Peonies
Object type: noh costume
Date: 1751 – 1800
Materials: gold leaf, silk, thread
Techniques: embroidery
Culture: japanese
Subjects: phoenix

Nuihaku robes are elegant Noh costumes with very fine embroidery applied on a metal-leaf ground. Mainly used in plays featuring young female protagonists, they are worn around the waist beneath sumptuous outer robes. In the Momoyama (1573–1615) and early Edo periods, before outer robes became lavish garments, nuihaku were the most splendid part of the costume and were themselves used as outer robes. This exquisite example in the “phoenix flying through peonies” pattern is embellished with phoenixes, auspicious symbols of prosperity, fidelity, and good deeds as well as with peonies, the “king of flowers,” representing good fortune and honor. The composition is based on a design created by Maruyama Ōkyo (1733–1795), a prolific Kyoto-based painter whose style incorporated Western naturalism into East Asian painting traditions.
Basreliëfs in het Museo di Napoli te Napels, Italië
Object type: photograph
Date: 1857 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: piece of sculpture, reproduction of a piece of sculpture, art (+ relief ~ sculpture)
Inscriptions: number: ‘11244’, collector's mark: ‘VOSMAER’
Amulet of a Sow
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Falcon-headed sphinx recumbent on a pedestal with a ramp, and a feline(?) behind, possibly a gnomon for a shadow clock or instrument
Object type: amulet, sphinx, falcon headed, pedestal
Date: 664 – 630
Materials: ivory
Location: egypt
Subjects: sphinx

It has been suggested that this unusual piece is a gnomon, the element that casts a shadow in an instrument for measuring time by shadows. Ivory seems an unusual choice, but part of a shadow instrument preserved from Tanis and in the British Museum is also of ivory. Possibly the sphinx with a falcon head might allude to Re, and the cat to his daughter the Eye of the Sun, their separation and coming together again being certainly associated with the large regular events like the inundation that structures the Egyptian year and life.
Spreekwoorden
Object type: popular print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: proverbs, sayings, etc.
Inscriptions: collector's mark: Lugt 2760

Blad met 4 verbeeldingen van spreekwoorden. Boven elke voorstelling een titel en onder elke voorstelling een achtregelig vers. Genummerd rechtsboven: No. 83.