deem-data/ArtiFact huggingface dataset:
Jar
Object type: jar
Date: 567 – 600
Materials: earthenware, glaze
Techniques: relief
Culture: chinese

Four pearl roundels, each containing the same image of a frontal man's head with a Central Asian face, dominate this jar. Frontal heads surrounded by pearl beading occur in several kinds of early Central Asian art; for example, they appear frequently on unglazed Khotanese earthenwares. Elements of the Buddhist decorative grammar appear here as well: the elongated earlobes are characteristic of images of the Buddha, and the highly stylized palmettes are reminiscent of carvings in some Buddhist cave temples. The tasseled streamers issuing from an ornamental disk are similar to those embellishing late Six Dynasties (220–589) stone figures of bodhisattvas; they also occur in Khotanese earthenwares.
Proscenium Arch of a Court Theater
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: birds,sculpture,men,women,coat of arms
Thimble-Shaped Vinaigrette
Object type: metalwork
Date: 1840 – 1840
Materials: silver, silver gilt
Location: england
Aanrechtkast met marmeren blad en openstaande deur
Object type: aanrechtkast
Date: 1750 – 1800
Materials: wood, marble
Location: amsterdam
Artist: Anonymous

Een eikenhouten aanrechtkast zonder bodem en achterkant, met openstaande deur met palmhouten ronde knop. Op het bovenblad is een stuk marmer geplakt.
Charivari
Object type: print
Date: 1633 – 1633
Techniques: engraving, etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: musical instruments,men
Hoofd van David
Object type: drawing
Materials: chalk, paper
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: head (human), story of david

Voorstudie voor het schilderij 'David en Saul' dat zich in het Groninger Museum bevindt.
Gezicht op Palace of Westminster aan de Theems
Object type: page
Date: 1864 – 1869
Materials: photographic support
Techniques: albumen print
Location: london
Artist: john harrington
Artist role: fotograaf
Subjects: river, palace
The Canterbury Pilgrims
Object type: print
Date: 1810 – 1810
Materials: ink, paper
Techniques: engraving
Location: england
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827

Those with devout hearts set out on medieval pilgrimages, but these journeys could also be experienced in social fellowship. The visionary English artist William Blake’s enormous frieze contains all 29 of Geoffrey Chaucer’s boisterous Canterbury Tales pilgrims, as well as a portrait of the author himself. In Chaucer’s book, each character tells stories while passing time along the way from London to Canterbury Cathedral, a pilgrimage route that rivaled the Camino de Santiago in Spain. Blake devoted reams of paper to advertise this print, describing Chaucer’s Tales as “the physiognomy or elements of universal human life.”
A Courtesan Reading a Letter
Object type: painting
Date: 1820 – 1825
Materials: ink, silk
Location: japan
Artist: chobunsai eishi
Artist role: artist
Artist nationality: japanese
Artist dates: 1756 – 1829
Yvette Guilbert—Soûlarde, from Yvette Guilbert
Object type: print
Date: 1898 – 1898
Materials: paper, stone
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Gezicht op de Munttoren te Amsterdam
Object type: print
Date: 1726 – 1751
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment, rowing-boat, canoe, etc., canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Hoorn, Nicolaas ten. Wegwyzer door Amsterdam zynde eene beknopte verhandeling van desselfs eerste opkomst, vergrootingen, en teegenwoordigen staat (...). Amsterdam: Nicolaas ten Hoorn, 1726. Of uit: Hoorn, Nicolaas ten. Wegwyzer, of korte beschryvinge van de stadt Amsterdam, zynde eene beknopte verhandeling van desselfs eerste opkomst, vergrootingen, en teegenwoordigen staat (...). Amsterdam: erven J. Ratelband & Co, 1737. Of uit: Hoorn, Nicolaas ten. Wegwyzer of korte beschryvinge der stad Amsterdam, zynde eene beknopte verhandeling van derzelver eerste opkomst, vergrootingen, en tegenwoordigen staat (...). Amsterdam: Pieter Meyer, 1751.

Eerste staat van prent, genummerd 278, gebruikt in: Hoorn, Nicolaas ten. Wegwyzer door Amsterdam zynde eene beknopte verhandeling van desselfs eerste opkomst, vergrootingen, en teegenwoordigen staat (...). Amsterdam: Nicolaas ten Hoorn, 1713. En in: Hoorn, Nicolaas ten. Wegwyzer door Amsterdam zynde eene beknopte verhandeling van desselfs eerste opkomst, vergrootingen, en teegenwoordigen staat (...). Amsterdam: Nicolaas ten Hoorn, 1726.
Shoes
Object type: shoe
Date: 1850 – 1859
Culture: american or european
Palazzola
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: landscapes, landscape with monument
Inscriptions: collector's mark: Lugt 2228

Behorend tot een serie van 72 'Mahlerisch-radirte Prospecte von Italien', waarvoor de kunstenaar 24 prenten maakte. Albert Christoph Dies (1755-1822) en Jacob Wilhelm Mechau (1745-1808) maakten eveneens 24 platen, in opdracht van Jean Fréderic Frauenholz. Vanaf 1792 verschenen telkens drie sets van twee prenten per kunstenaar. In 1798 werd de laatste set uitgegeven, waarna complete sets gebonden werden uitgegeven tot in 1875 (Nuerenberg: J.L. Lotzbeck). Zie: Schmid, F.C., A.C. Dies, J.W. Mechau und J.C. Reinhart 'Mahlerische radirte Prospecte von Italien' (...). Berlijn: s.n., 1991.
Portret van Willem III, prins van Oranje
Object type: print
Date: 1688 – 1709
Materials: paper
Techniques: mezzotint
Location: delft
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain
Inscriptions: collector's mark: Lugt 2165, collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Palazzi di Roma dei più celebri architett (...)
Object type: print
Materials: paper
Techniques: etching
Location: rome
Subjects: rome, gregorius xiii, palace, façade (of house or building), inner court of palace or 'hôtel'
Inscriptions: number: ‘47’

Deze prent maakt deel uit van de reeks getiteld: Palazzi di Roma. Deze reeks bestaat uit twee boeken. Boek één getiteld: Palazzi di Roma dei più celebri architetti..., bestaat uit 44 prenten die worden toegeschreven aan Giovanni Battista Falda (naam staat enkel op prent 27) en uitgegeven door Giovanni Giacomo de'Rossi. Deze 44 prenten zijn bekend in twee staten (met en zonder nummer). Boek twee getiteld: Nuovi disegni dell'architetture... libro secondo, bevat 66 prenten door Giovanni Battista Falda en Simone Felice. Deze 66 prenten zijn bekend in twee staten (met en zonder nummer).
Ovoid covered jar with flower baskets and auspicious symbols
Object type: covered jar
Date: 1850 – 1899
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Eivormige dekselpot van porselein, beschilderd in onderglazuur blauw en op het glazuur in blauw, rood, roze, groen, zwart en goud. Op de wand tweemaal een opengewerkte hengselmand met een chilong (hoornloze draak) in een geschulpt cartouche. De mand is gevuld met bloem- en fruittakken (pioen, chrysant, prunus, vingercitroen, magnolia). Hiertussen ook tweemaal een bloemenvaas op een lage tafel. Op de vaas de kop van een shishi (leeuwhond) met een ring in zijn bek. De vaas is omgeven door geluksvoorwerpen (tafel met rollen, ruyi-scepter, waaier, qin, wierookbrander, kom met paddestoelen (lingzhi) en rollen). Op de schouder een onregelmatige band met pioenranken op 'kikkerdril', bladranken, chrysantranken, bloemrozetten en perzikbloesem 'crackled ice'. Rond de voet een band met chrysantranken. De hals met pioentakken. Dekselpot is onderdeel van kaststel AK-RBK-15919. Famille rose.
Ewer in the Form of a Bamboo Shoot
Object type: vessel
Materials: stoneware
Techniques: celadon glazed, molding, underglaze
Location: korea
Gezicht op de stadswal van Utrecht bij de Probeertoren
Object type: drawing
Date: 1619 – 1685
Materials: chalk, paper
Techniques: brush
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: towers ~ fortified city, city-walls, utrecht
Eigenhandige aantekeningen gehouden door P. Hennequin, als Luitenant en Kapitein Ingenieur dienende geweest bij de Verenigde Nederlanden,......
Object type: document
Materials: ink, paper
Techniques: sewing, writing
Location: sluis
Subjects: pieter hennequin
Inscriptions: date

Dagboek in handschrift (van P. Hennequin), 56 genummerde pp in omslag in andere hand. Gedateerd; omslag.
Dish (piatto)
Object type: dish
Date: 1510 – 1510
Techniques: maiolica, glazing
Culture: italian
Subjects: putti
Overveense Weg en Zeyl-Poort tot Haarlem
Object type: book illustration
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: windmill, city-gate
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 61.
Portret van een onbekende man in uniform
Object type: carte de visite
Date: 1869 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: stralsund
Artist: ernst ulbrich
Artist role: fotograaf
Subjects: adult man, anonymous historical person portrayed, (military) uniforms
Inscriptions: inscription: ‘Ernst Ulbrich Stralsund’, inscription: ‘A mon ami E le/ Danois/ Souvenir de Captivité/ Haumauy/ Eernud Laumaillé/ Château de Houssaye/ Cne. de St Beauvenu de Pher/ par Segré/ Marne et Loire’
Plattegrond voor het landhuis Vredenburg in de Beemster
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: plan ~ architecture

Prent uit: Afbeelsels der voornaemste gebouwen uyt alle die Philips Vingboons geordineert heeft. Amsterdam: Philips en Johannes Vinckboons en Johannes Willemszoon Blaeu, 1648.
Essempio di recammi, page 6 (verso)
Object type: book print ornament architecture
Date: 1530 – 1530
Techniques: woodcut
Artist: giovanni antonio tagliente
Artist role: author
Artist nationality: italian
Artist dates: 1465 – 1528

Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and left to right: design covers 2 pages and is decorated with large Moresque pattern. Above main design is a thin band decorated with foliage motifs and various animals.
Saltash with the Water Ferry, Cornwall
Object type: painting
Date: 1811 – 1811
Materials: canvas, oil
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: buildings,men,women,boats
Cyparissus
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: cyparissus changed into a cypress: when pining away for the loss of his favourite stag, cyparissus the hunter, minion of apollo, is changed into a cypress by the god (ovid, metamorphoses x 106)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1379, collector's mark: Lugt 2542

Cyparissus wordt door Apollo in een cipres verandert omdat hij treurt om de dood van zijn favoriete hert. Het hert dat door een pijl getroffen is ligt achter Cyparissus. Uit Cyparissus handen en haren groeien takken met bladeren. Uit zijn tenen groeien wortels.
Diverse tronikens geets van J. L.
Object type: print
Date: 1630 – 1632
Materials: paper
Techniques: etching
Location: leiden
Subjects: human races; peoples; nationalities (+ costume), fashion, clothing (+ fur used for clothes), male sex; man
Inscriptions: collector's mark: Lugt 240

Een staat voor de eerste staat waarop de initialen en het nummer 3 ontbreken wordt bij Hollstein niet vermeld, er zijn nu 5 staten van deze prent bekend.
Firenze - Chiesa di S. M. Novella. Coro - Particolare dell'affresco la Nascita della Vergine. Dom. Ghirlandaio
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: florence
Subjects: church (exterior), gate, entrance
Inscriptions: collector's mark: ‘AFE v S’
Sideboard Table, in Chippendale Drawings, Vol. I
Object type: drawing ornament architecture
Date: 1760 – 1760
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: birds,tables

Preparatory drawing for a plate in "Genteel Household Furniture in the Present Taste, by a Society of Upholsterers, Cabinet Makers, etc.," first ed., pl. 8; second ed., pl. 30. Not published in the 'Gentleman and Cabinet Maker's Director'.
Vrouw bindt een bos takken aaneen
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: trees (+ bundle of twigs, faggot), adult woman, forest, wood

Pagina 62 uit een schetsboek met 29 bladen.
Sterrenbeeld leeuw
Object type: print
Date: 1880 – 1946
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: henri van der stok
Artist role: print maker
Artist dates: 1870 – 1946
Subjects: leo (zodiacal sign of july)
Inscriptions: inscription: ‘serie sterrebeelden’, collector's mark: Lugt 2228

Een opkijkende leeuw voor de sterrenhemel.
Beleg van de vesting Gradisca, 1616
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: germany
Artist: georg keller
Artist role: print maker
Artist dates: 1568 – 1634
Subjects: johan ernst i graaf van nassau-siegen, siege, position war
Inscriptions: date

Beleg van de vesting Gradisca, aan de rivier Livenzo boven Venetië, door de troepen onder Johan Ernst I, graaf van Nassau-Siegen, 1616.
Marble-slab table
Object type: table
Date: 1750 – 1770
Materials: wood, marble
Culture: american
Location: united states

A New York attribution for this table is supported by its Verplanck family history and the use of local sweet gum as a secondary wood. The bold cavetto-molded skirt with mitered corners is also particular to New York–made furniture. The molded mahogany skirt hides the structural framework of the table.
Cup
Object type: cup
Date: 1780 – 1780
Materials: porcelain
Culture: japanese
Subjects: animals
Ingang van de Grote of Sint-Nicolaaskerk te Monnickendam
Object type: boekillustratie ontwerp
Materials: ink, paper, pencil
Techniques: pen
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: church (exterior)
Inscriptions: number: ‘4’, inscription: ‘Monnikendam’, inscription: ‘Entrance of the church at Monnickendam/ [...] "old dutch town of/ [...] Zuiderzee" [...]/ (N.Holland)’, number: ‘III’

Ontwerp voor een boekillustratie voor: Nieuwenkamp, W.O.J. en Veldheer, J.G. Oude Hollandsche steden aan de Zuiderzee. Haarlem: De Erven F. Bohn, 1897. De tekening is niet opgenomen in de publicatie, de sterk gelijkende tekening RP-T-1930-117 wél.
Inlaid Box for the Portuguese Market
Object type: box
Date: 1600 – 1600
Materials: wood, ivory
Techniques: inlay, veneering
Location: india
Subjects: animals,birds,men,hunting,elephants

From the late sixteenth century onward, Mughal India actively exported goods to Europe, particularly to Portugal, where such inlaid work was treasured. While many Europeanizing elements are evident in the decoration of this box, the hunting scenes were originally inspired by Persian compositions, which had in turn become popular in Mughal painting. The undulating branches of the bird‑filled trees against which the European hunters and animals have been set make this one of the most expressive pieces of its type.
Bladzijde uit het fotoalbum van de familie Diepenbrock met 1 foto van Bond van Neutrale Landen
Object type: photograph
Date: 1918 – 1918
Materials: cardboard, photographic support
Techniques: photography
Location: amsterdam
Inscriptions: inscription

Bruin albumblad 15 van familiealbum van Alphons Diepenbrock.
[Gate of Government, Teheran, Iran]
Object type: photograph
Artist: luigi pesce
Artist role: artist
Artist nationality: italian
Artist dates: 1818 – 1891
Subjects: architecture,gates
Opera Nova Universali intitulata Corona di racammi, page 31 (verso)
Object type: book print ornament architecture
Techniques: woodcut
Artist: giovanni andrea vavassore
Artist role: publisher
Artist nationality: italian
Artist dates: 1530 – 1573
Subjects: leaves

Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice. From top to bottom, and left to right: design composed of 2 vertical columns: left is illustrated with curving branch (end appears at bottom left of column) to which leaves are attached, and right is illustrated with curving oak branches withleaves and acorns, interspersed among branches are 2 hexagonal shapes.
Punch pot with Bacchus
Object type: punch pot
Date: 1760 – 1765
Materials: enamel, stoneware
Techniques: salt glaze
Subjects: human figures
The Expulsion from Paradise
Object type: print
Date: 1510 – 1510
Materials: paper
Techniques: engraving
Location: netherlands
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533

Because Adam and Eve ate the forbidden fruit from the Tree of the Knowledge of Good and Evil, God expelled them from the Garden of Eden. Although Eve’s sinful disobedience resulted in their exile from paradise, toil, and mortality, Lucas van Leyden sympathetically represented Eve as a mother, lovingly holding her infant son and gazing into his tiny face. This depiction of maternal love is reminiscent of contemporary images of the Madonna and Christ. Eve’s statuesque, refined figure and classically draped clothing strongly contrast with Adam’s savage exterior and tattered, fur-trimmed trappings.
Portret van Giovanni Pesaro, doge van Venetië
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: padua
Subjects: historical persons, other sovereign: doge, armorial bearing, heraldry

Prent uit: Macedo, Francisco de. Elogia poetica in serenissimam Rempublicam Venetam, ejusque Augustum senatum tribunalia pontifices (...). Padua: Giacomo Cadorino, 1680.
Watermill and Cottage with Thatched Roofs
Object type: drawing and watercolor
Date: 1801 – 1900
Materials: graphite, paper
Location: europe
Artist: Anonymous
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, start of handle root; foot of a male to right
Portret van een jongeman met een pet, aangeduid als 'Oome Driek'
Object type: photograph
Date: 1910 – 1920
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: historical persons, youth, adolescent, head-gear: cap, netherlands
Inscriptions: address: ‘Beekstraat’, number: ‘404’

Onderdeel van Album met automaatfoto's van een Nederlandse familie.
Quartz Mill, Silver Mountain, Alpine County, California, No. 920 from the series "California"
Object type: photograph
Date: 1865 – 1865
Techniques: albumen print
Location: united states
Artist: lawrence & houseworth
Artist nationality: american
Artist dates: 1860 – 1869
Landscape with a Hay Barn and a Flock of Sheep
Object type: print
Date: 1652 – 1652
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: barns,landscapes
Terracotta vessel fragment with net pattern and dots within circles
Object type: vase fragment
Date: 1400 – 1400
Materials: terracotta
Culture: mycenaean

From Mycenae Dark net pattern with dots within circles on light ground.
Bloemen
Object type: sketchbook leaf
Date: 1710 – 1772
Materials: chalk, ink, paper
Techniques: pen
Artist: petrus johannes van reysschoot
Artist role: draughtsman, print maker
Artist dates: 1702 – 1772
Subjects: flowers

Blad 10 recto uit een schetsboek met 105 bladen.
An Old Ewe Drest Lamb Fashion
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women
The Valkhof in Nijmegen
Object type: painting
Date: 1641 – 1641
Materials: canvas, oil
Artist: jan van goyen
Artist role: draughtsman, painter
Artist dates: 1596 – 1656
Subjects: river, ferry, poling, punting
Inscriptions: signature and date, lower left, on the ferry boat: ‘V Goyen 1641’

Gezicht op het Valkhof, gelegen bij de Waal te Nijmegen. Op de voorgrond steekt een veerpont de rivier over.
Shawl
Object type: shawl
Date: 1801 – 1900
Materials: silk
Techniques: lace
Subjects: flowers
Quilt (or decorative throw), Crazy pattern
Object type: quilt
Date: 1877 – 1877
Materials: cotton, lace, silk, velvet
Culture: american
Location: united states
Artist: tamar horton harris north
Artist role: maker
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: flowers

This Crazy quilt is exceptional for a number of reasons, the most important being that it is one of a few well-documented examples of a mourning quilt. It was made as a memorial after the death of twenty-year-old Grace Gertrude North (1856–1877), the only child of Tamar and Benjamin North of North's Landing, Indiana. We assume that Tamar North started work on the quilt soon after her daughter's death. If it was indeed made in 1877, this is a fairly early example of a Crazy quilt. It is pieced of silk and silk velvet, but there are also pieces of cotton and cotton lace. According to family history, North made the quilt from pieces of Grace's dresses, and the types of fabrics utilized seem to bear this out. Many symbols of Grace's death ornament the quilt, such as her birth and death dates, an angel, and her name with a calla lily to each side.
Gezicht op de Haarlemmerpoort te Amsterdam
Object type: print
Date: 1827 – 1900
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: m. pinte
Artist role: print maker
Subjects: rowing-boat, canoe, etc., bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: B. Poorten, verzamelbladen, D. Haarlemmerpoort(en).
Wartburg, Der Burghof
Object type: photomechanical print
Date: 1913 – 1913
Materials: cardboard
Techniques: photograph
Location: gotha
Subjects: castle, garden
Inscriptions: date
George Goschen en Britannia
Object type: cartoon
Date: 1898 – 1898
Materials: paper
Techniques: line block
Location: england
Artist: edward linley sambourne
Artist role: draughtsman
Artist dates: 1844 – 1910
Subjects: politician, personifications of countries, nations, states, districts, etc., political caricatures and satires

George Goschen, lord Commissioner of the Admiralty, overhandigt de rekening voor de kosten van de marine aan Britannia, de Britse maagd. Spotprent uit het Engelse satirische tijdschrift Punch, 1898.
Fotoreproductie van een ontwerp van een familietafereel
Object type: photograph
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: family life at home
Martin staand tussen zijn dochter en haar bruidegom
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: copenhagen (city), literature, fisherman, making of fishing nets
Inscriptions: collector's mark: Lugt 2228

Prent uit: Ewald, Johannes. Johannes Ewald's samtlige Skrifter (...). 4 dln. Kopenhagen: Christ. Gottlob Proft, 1781-1791, dl. 3.