deem-data/ArtiFact huggingface dataset:
"A Wolf in Sheep's Clothing"
Object type: drawing
Date: 1870 – 1891
Materials: gouache, ink
Techniques: brush, pen, wash
Artist: charles samuel keene
Artist role: artist
Artist nationality: british
Artist dates: 1823 – 1891
Subjects: men

Keene's image focuses on an interaction between two smocked farmers and a man carring a basket outside a village church was reproduced as a wood-engraving in Punch. Accompanying text sheds light on its subject: Rustic (who has just been informed of the meaning of the "B.D." affixed to the Parson's name on the notice): 'Bachelor o' Divinity! Then that there man aint a right man to praich, by my ways o'thinking!' Informant: 'Why not?' Rustic: 'Cause he calls hisself a Bachelor! An' I know he's a married man.' Keene was a leading British illustrator who worked for Punch between 1864 and 1890. His imagery generally focused on humorous situations in humble surroundings, unlike his contemporary George Du Maurier who satirized London society.
Run-Off Elections. “- Will she invite me for a second waltz?,” plate 114 from Actualités
Object type: print
Date: 1869 – 1869
Materials: paper
Techniques: letterpress, lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
John Bowring nach einem Gemälde B.E. Duppa's
Object type: print
Date: 1829 – 1839
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Portr. 60817/ Bowring LB XXIV 443242’, collector's mark: Lugt 2760
Herderin met schapen in een olijfgaard op Korfoe
Object type: photomechanical print
Date: 1905 – 1910
Materials: paper
Techniques: photograph
Location: berlin
Artist: frédéric boissonnas
Artist role: fotograaf
Artist dates: 1858 – 1946
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep, trees: olive-tree
Inscriptions: number: ‘9.’
Afdeling Zaanlandse gemeenten van de Hollandsche Maatschappij van Landbouw, penning als eerste prijs uitgereikt aan P.H. van Gelder voor de vier mooiste vruchtdragende oranjebomen
Object type: medal
Date: 1853 – 1853
Materials: silver
Techniques: engraving, striking
Location: utrecht
Artist: johannis petrus schouberg
Artist role: die cutter, draughtsman, print maker
Artist dates: 1798 – 1864
Subjects: holland

Zilveren penning. Voorzijde: gekroond wapenschild liggend op twee korenschoven, twee omgekeerde, gevulde hoorns van overvloed, een eike- en een wilgetak boven opschrift en landbouwwerktuigen. Keerzijde: krans van olijftakken met lint boven opschriften
Study of Hibiscus Plants
Object type: drawing
Date: 1828 – 1828
Materials: oil, paper
Artist: adolf senff
Artist role: artist
Artist nationality: german
Artist dates: 1785 – 1863
Subjects: flowers,leaves
Plate 5: man walking with fishing pole at center, a bridge and village in the background
Object type: print
Date: 1680 – 1747
Techniques: etching
Artist: lodovico mattioli
Artist role: artist
Artist nationality: italian
Artist dates: 1662 – 1747
Bloemornamenten en bandwerk. Merk: SAL 18 WH 200nl.
Object type: napkin
Date: 1800 – 1899
Materials: linen
Location: netherlands
Artist: Anonymous

Servet van wit linnen met een patroon van bloemornamenten en bandwerk, merk SAL en 18 WH 2oonl
Stoelkussen
Object type: miniature
Date: 1690 – 1710
Materials: down, silk
Location: amsterdam
Artist: Anonymous

Rechthoekige dikke stoelkussen van bordeaux rode zijden fluweel, rondom afgezet met wit / bruin gevlochten koord van zijde. De vulling van dons was oorspronklijk zonder binnenhoes in het kussen gestopt.
Fragment
Object type: textile
Date: 1501 – 1600
Materials: gilt, metal, textile, silk
Techniques: bookbinding, brocade, damask, weave
Location: italy
Vase with cover
Object type: vase with cover
Date: 1769 – 1780
Artist: wedgwood and bentley
Artist role: factory
Artist nationality: british
Artist dates: 1769 – 1780
An innumerable Multitude which Stands before the Throne, from the Apocalypse
Object type: print
Techniques: engraving
Artist: jean duvet
Artist role: artist
Artist nationality: french
Artist dates: 1485 – 1561
Subjects: apocalypse
Plaque fragment
Object type: relief
Date: 1800 – 1701
Materials: ivory
Culture: assyrian
Location: anatolia
Roeiboten in het water en op de kant in Tsarskoje Selo
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: pushkin
Artist: louis gothe
Artist role: fotograaf
Subjects: rowing-boat, canoe, etc.
Inscriptions: inscription: ‘Ansichten von St. Petersburg.’, number: ‘119.’
Life of Henry M. Stanley, from the Histories of Poor Boys and Famous People series of booklets (N79) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits

Miniature booklets from the "Histories of Poor Boys and Other Famous People" series (N79), issued in a set of 50 booklets in 1888 to promote W. Duke Sons & Co. brand cigarettes. Each booklet consists of 16 pages with covers and includes the rags to riches biography of a famous figure.
Diversae Insectarum Volatilium
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: engraving
Location: low countries
Subjects: insects
Inscriptions: collector's mark: Lugt 2228

Diverse insecten met in het midden een mot.
Luftkurort Rengsdorf bei Neuwied. Blick in das Laubachtal
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph, writing
Location: rengsdorf
Subjects: dale, valley, watering-place, spa
Vrouw neemt afscheid van een ridder
Object type: print
Date: 1820 – 1882
Materials: paper
Techniques: aquatint, etching
Artist: theodoor schaepkens
Artist role: draughtsman, print maker
Artist dates: 1810 – 1883
Subjects: (lovers) embracing each other, 'symplegma', departure ~ travelling, knight
Inscriptions: collector's mark: Lugt 2228
Armchair
Object type: armchair
Date: 1701 – 1800
Materials: wood
Techniques: carving
Artist: charles vincent bara
Artist role: maker
Artist dates: 1754 – 1780
Hammered Silver Ornament Plaque
Object type: ornament
Date: 1001 – 1500
Materials: gilt, silver
Techniques: hammering
Culture: chancay or chimú
Location: peru
Brief aan Andries Bonger
Object type: letter
Date: 1905 – 1905
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: odilon redon
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1916
Subjects: lyon, politician, bruges, jan van eyck, leiden, amsterdam, rembrandt van rijn, andries bonger, willem jan gerrit van meurs, drawing, photography, cinematography, exhibition ~ art, printed matter
Netsuke
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: human figures
Mother Grundy, Monument Park
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: new york city
Artist: Anonymous
Subjects: rock-formations
Relief Fragments Depicting a Seated Woman and a Griffin
Object type: architectural fragment
Date: 1 – 33
Materials: gold, pigment, plaster
Culture: roman
Location: italy
Subjects: mythology

Inside some Roman houses, baths, and tombs, multiple layers of slow-drying stucco were applied to rough stone walls and divided into panels that were then painted. While the surface was still damp, fresh stucco was applied and modeled into decorative motifs and figures, which were left white to contrast with the painted background. This relief panel and its partner (1922.4429) likely came from the same building. In this panel, a seated woman extends her right arm toward a slender griffin, a mythological winged beast with the body of a cat and the head of a bird.
Groepsportret van vier onbekende mannen op de Dom van Milaan
Object type: photograph
Materials: paper, cardboard
Techniques: gelatin silver print
Location: milan
Artist: françois buys
Artist role: advocaat, amateurfotograaf
Artist dates: 1871 – 1934
Subjects: anonymous historical persons portrayed in a group, in a group-portrait

Deze foto maakt deel uit van een groep van 38 foto's.
Returning Fishermen
Object type: hanging scroll
Materials: ink, silk
Culture: chinese
Artist: tang di
Artist role: artist
Artist nationality: chinese
Artist dates: 1277 – 1365
Subjects: men,trees

The paintings of Tang Di, a scholar and official at the Yuan court, range from ink drawings on paper to largescale colored works on silk. A fellow townsman and follower of the scholar-painter Zhao Mengfu (1257–1322), Tang won praise from Emperor Renzong (r. 1312–20) for his part in the decoration of the Yuan imperial palace. Returning Fisherman is a fine example of Tang Di's monumental decorative style. Tang executed the scroll in the conservative brush idiom of the Northern Song masters Li Cheng (919–967) and Guo Xi (ca. 1000–ca. 1090), building forms with the principal motifs of the earlier style, "crab-claw" branches and "billowing-cloud" rocks. Following Zhao Mengfu's example of employing calligraphic techniques in painting, Tang made each brushstroke assertive.
Speelhuispenning uit Thailand ter waarde van een fuang, 1760-1871
Object type: coin
Date: 1760 – 1871
Materials: porcelain
Techniques: firing

Ronde porseleinen speelhuispenning, die ook als munt is gebruikt. Voorzijde: tussen twee takken twee Chinese karakters. Keerzijde: twee Chinese karakters.
Eichen
Object type: photomechanical print
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: landscapes, trees: oak
Inscriptions: monogram: ‘BX’
Portret van Hans Sachs
Object type: print
Date: 1801 – 1834
Materials: paper
Techniques: stippling
Subjects: hans sachs, historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4100, collector's mark: Lugt 2760
Female head
Object type: head of a woman
Date: 300 – 201
Materials: terracotta
Culture: cypriot
Subjects: heads

The head is mold-made and solid. The back is mold-made. Most of the face is missing.
Portret van Franz Trautmann
Object type: print
Date: 1850 – 1914
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons, book
Inscriptions: collector's mark: Lugt 2228
Portret van Maurits, prins van Oranje
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: Anonymous
Subjects: the hague, maurice (prince of orange)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Maria Louise van den Berg-Halbertsma doet pasgeboren zoon Norbert in haar armen in een tuin
Object type: album leaf
Date: 1941 – 1941
Materials: paper, cardboard
Techniques: gelatin silver print
Location: netherlands
Artist: norbert peter van den berg (1941-)
Artist dates: 1941 – 
Subjects: amsterdam, norbert peter van den berg (1941-), rotterdam, maria louise van den berg-halbertsma, adult woman, garden, infant, baby
Portret van Sidney Godolphin
Object type: print
Date: 1662 – 1742
Materials: paper
Techniques: mezzotint
Location: london
Subjects: historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 240
Plantage met gekapte bomen aan een baai in Victoria (Kameroen)
Object type: photograph
Date: 1899 – 1899
Materials: photographic support
Techniques: albumen print
Location: victoria
Artist: Anonymous
Subjects: plantation, gulf, bay (+ landscape with figures, staffage), trees

Onderdeel van Fotoalbum met opnames van Kameroen rond 1899.
Surcoat (<i>Jinbaori</i>)
Object type: surcoat i jinbaori i
Date: 1767 – 1900
Materials: glass, silk, velvet, wool, thread
Culture: japanese
Location: japan
Coin
Object type: coin
Date: 1197 – 1219
Materials: copper
Location: iran
Pilaster (one of four)
Object type: pilaster
Date: 1767 – 1833
Materials: terracotta
Artist: graziani
Artist role: artist
Artist dates: 1762 – 1835
Talatat with Offerings in the Temple
Object type: talatat
Date: 1353 – 1336
Materials: limestone, paint
Location: egypt
Subjects: animals

Excavated in the Great Temple of Amarna, probably in the area of the Sanctuary or dump to the south of the Sanctuary, this talatat depicts offerings in the temple. The two moldings at the top represent the cornice on a an enclosure wall. Two rows of altars and a series of trussed cattle align the wall. The rectangular altars are topped with overlapping round bread loaves, conical loaves, bunches of flowers, and small dishes for incense, some of which are burning. At either end stands a tall narrow offering stand and an upright bouquet. The cattle are awaiting slaughter, thrashing and bellowing in misery.
Bed Figure
Object type: figure
Date: 300 – 400
Materials: ceramic
Culture: michoacan
Location: mexico
Subjects: human figures,birds

This figure features a modelled human figure complete with appliqued facial features, coiffure, and ear spools lying stretched out on a flat surface supported on four legs at the corners, hence the name bed figures. The figure appears to be strapped to the bed with a wide decorated band across the midsection. Across the top and bottom ends of the bed are arches. The bed has modelled and incised birds perched on the arches and remains of red and white pigment.
Thomas Williams, the Town Crier of New Bedford with Wife and Daughter
Object type: cut paper
Date: 1801 – 1900
Materials: gold, paper
Techniques: cutting, lithograph, wash
Artist: samuel metford
Artist role: artist
Artist nationality: british
Artist dates: 1810 – 1896
Subjects: girls,men,women
Boer aan het werk op het land
Object type: sketchbook leaf
Date: 1893 – 1897
Materials: chalk, paper
Location: ede
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: farmers, cultivated land (+ landscape with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

Pagina 38 uit een schetsboek met 25 bladen.
Ogen
Object type: sketchbook leaf
Date: 1894 – 1894
Materials: paper, pencil
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: eyes

Blad 7 recto uit een schetsboek met 35 bladen.
Rouaan. Paleis van Justitie
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: rouen
Artist: Anonymous
Subjects: court building, courtyard
Inscriptions: inscription: ‘CWN.’, inscription: ‘Gothische Kunst - Frankrijk.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’
Portret van een onbekende vrouw
Object type: print
Date: 1911 – 1912
Materials: paper
Techniques: lithograph
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: hand(s) bent towards the head, anonymous historical person portrayed - bb - woman
Inscriptions: collector's mark: Lugt 2228

De vrouw ondersteunt haar hoofd met haar hand.
Portrait of Julius Olivier, the Artist's Son
Object type: drawing
Date: 1846 – 1846
Materials: gouache, graphite, watercolor
Artist: friedrich olivier
Artist role: artist
Artist nationality: german
Artist dates: 1791 – 1859
Subjects: men,portraits
Japanse oorlogsmisdadiger Sonei
Object type: photograph
Date: 1946 – 1946
Materials: photographic support
Techniques: photography
Location: dutch east indies
Subjects: dutch east indies, the

De Japanse oorlogsmisdadiger Sonei, de beul van het vrouwenkamp Tjideng, staat in Nederlands-Indië voor de rechtbank.
Button
Object type: button
Date: 1860 – 1860
Culture: italian
The Massacre of the Innocents
Date: 1824 – 1824
Materials: canvas, oil
Artist: françois joseph navez
Artist role: artist
Artist nationality: belgian
Artist dates: 1787 – 1869
Paperweight
Object type: glass
Date: 1880 – 1880
Materials: glass
Location: new york city
Artist: gilliland glass manufactory
Artist nationality: american
Artist dates: 1820 –
Corona delle Nobile et Virtuose Donne, Libro Terzo, page 2 (verso)
Object type: book print ornament architecture
Date: 1620 – 1620
Techniques: woodcut
Artist: cesare vecellio
Artist role: designer
Artist nationality: italian
Artist dates: 1521 – 1601

Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de' Vecchi, Italian, active 17th century, Venice. Dedication continued from previous page.
Panorama van Abbeville in vogelvluchtperspectief
Object type: album leaf
Date: 1596 – 1652
Materials: paper
Techniques: engraving, hand coloring
Location: the hague
Subjects: city-view in general; 'veduta'

Deze prent maakt deel uit van een album.
Brief aan Philip Zilcken
Object type: letter
Date: 1911 – 1911
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: carlo siviero
Artist role: painter, sculptor
Artist dates: 1882 – 1953
Subjects: painter, draughtsman, philip zilcken, painting (including book-illumination, miniature-painting), exhibition ~ art, art collecting
Inscriptions: collector's mark: ‘RPK’
Hoe-Shaped Ax
Object type: ax
Date: 500 – 300
Materials: bronze
Culture: indonesian
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, and part of the upper torso of a bearded man to right
La Perspective
Object type: book print ornament architecture
Date: 1612 – 1612
Techniques: engraving, woodcut
Location: germany
Artist: salomon de caus
Artist role: designer
Artist nationality: french
Artist dates: 1576 – 1626

Salomon de Caus (1576–1626) was a unique figure in garden history. Trained as an architect-mathematician and hydraulic engineer, he was renowned not only for his garden designs with magnificent waterworks, but also for his many publications on topics relating to the arts and sciences. His most influential works include the Hortus Palatinus (1620) on his Heidelberg garden designs, and Les raisons des forces mouvantes (1615), setting out the principles of hydraulics on which the automata or trick fountains and water jokes in the seventeenth-century garden were based. Familiar with the waterworks in Italian Renaissance gardens (Villa d'Este, Tivoli, and Pratolino, Florence), ultimately derived from the just reissued works of Hero of Alexandria (first century A.D.), de Caus introduced hydraulics into the Northern European garden. His influence was widespread at the courts of the Southern and Northern Netherlands, Germany, and also England, where his younger brother Isaac de Caus worked.
Colombia, cuartillo
Object type: coin
Date: 1830 – 1830
Materials: bronze
Techniques: striking

Bronzen munt. Voorzijde: borstbeeld van Bolivar naar rechts. Keerzijde: vrouw naar rechts, gezeten op een wapenschild. Gladde rand. Geslagen in 1830 in Engeland.
Oviri
Object type: print
Date: 1894 – 1894
Materials: ink, paper
Techniques: printing, woodblock print
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Hoop (Spes)
Object type: print
Date: 1539 – 1539
Materials: paper
Techniques: engraving
Location: frankfurt am main
Artist: hans sebald beham
Artist role: designer, draughtsman, print maker
Artist dates: 1500 – 1550
Subjects: hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues
Inscriptions: collector's mark: Lugt 2228a

Gevleugelde vrouw als personificatie van Hoop (Spes) met haar handen gevouwen en een gevangene aan een ketting
Fragment with the cartouche of Akhenaten
Object type: cartouche of akhenaten
Date: 1353 – 1336
Materials: quartzite
Location: egypt
Icones legatorum Monasterii et Osnabrugae existentium
Object type: print
Date: 1644 – 1646
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, the hague, politician, adriaen pauw (1585-1653), official; civil servant; functionary (in general), historical persons
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie van 43 prenten. Latere staat van prent gebruikt in de serie 'Pacificatores orbis Christiani in Westphaliam missi anno 1641', uitgegeven door Rombout van den Hoeye in Amsterdam.
Plate 21: Emperor Charles V being offered the keys of Saxony and Hesse; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'
Object type: print, fete, ornament architecture
Date: 1636 – 1636
Techniques: engraving
Location: antwerp
Artist: anton van der does
Artist role: artist
Artist nationality: flemish
Artist dates: 1609 – 1680
Subjects: men

On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp [1636], illustrate what the series looked like. The Metropolitan Museum of Art owns 34 plates from the set of 42.
New York Landscape
Object type: print
Date: 1936 – 1936
Techniques: engraving
Artist: fred becker
Artist role: artist
Artist nationality: american
Artist dates: 1913 – 2004
Subjects: buildings,cities,streets,men,cars,new york city
Portret van Jacob van Heemskerck
Object type: print
Date: 1607 – 1607
Materials: paper
Techniques: engraving
Location: cologne
Subjects: amsterdam, jacob van heemskerck, ships (in general) - cc - more than one ship
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 963

Portret van de admiraal Jacob van Heemskerck. In het randschrift van de omlijsting de naam en functie van de geportretteerde in het Latijn. Op de achtergrond twee schepen op zee. In de marge een vierregelig lofdicht in het Latijn.
Gezicht op Interlaken
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: interlaken
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: city-view in general; 'veduta', façade (of house or building)
Inscriptions: inscription: ‘Views of Switzerland, photographed by W. England. (Registered) Under the Special Patronage of the Alpine Club.’, number: ‘75.’
Bord, veelkleurig beschilderd met Deutsche Blumen, insekten en vruchten
Object type: eating drinking utensil
Date: 1750 – 1760
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: factory mark

Rond bord van beschilderd porselein. De rand is versierd met het Neuozier-patroon in reliëf. De beschildering bestaat uit Deutsche Blumen, insekten en vruchten. Het bord is gemerkt en hoort bij een servies (BK-17474-1 t/m BK-17474-253).
Composietportret van de familie Van den Berg ter gelegenheid van het koperen huwelijk in 1884 van H.P.J. van den Berg en Francina Schas
Object type: cabinet photograph
Date: 1884 – 1884
Materials: cardboard, photographic support
Techniques: albumen print
Location: arnhem
Artist: johannes ephraim
Artist role: fotograaf
Artist dates: 1838 – 1921
Subjects: rotterdam
Inscriptions: name, name: ‘J.EPHRAIM ARNHEM.’, name: ‘photo koperen bruiloft / grootvader & grootmoeder v.d Berg / Schas / tante Dé / ... / tante Leo / Oom frans / " Jan / tante Jeanne / oom Willem’

Composietportret met 8 portretten in ovalen. Links H.P.J. van den Berg, daarnaast F. Schas en daaronder zeven kinderen.
Zes vissen
Object type: print
Date: 1634 – 1634
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: fishes
Inscriptions: collector's mark: Lugt 240

Zes verschillende vissen. Elke vis is voorzien van zijn naam. De prent maakt deel uit van een serie met vissen als onderwerp.
Bodhisattva
Object type: sculpture
Date: 1100 – 1300
Materials: wood
Techniques: gilding
Location: china
Artist: Anonymous

This bodhisattva sits in the so-called Maharajajila posture of royal ease, one arm resting on a raised knee. This pose also suggests that this figure is a so-called Water-Moon Guanyin, in which form the divinity contemplates the reflection of the moon in the water. This portrayal first
originated in China in the 10th century.