deem-data/ArtiFact huggingface dataset:
Gezicht van het Leibnizhaus te Hannover
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, paper, ink
Techniques: photograph
Location: hannover
Artist: Anonymous
Subjects: urban housing, advertising
Inscriptions: number: ‘405.’, inscription: ‘CWN.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, inscription: ‘Renaissance - Duitschland.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’
Bag
Object type: bag
Date: 1667 – 1700
Materials: metal thread, silk
Subjects: flowers
Fragment of a Tunic
Object type: textile fragment
Date: 401 – 600
Materials: linen, wool
Techniques: weave
Location: egypt
July Fourteenth, from "The Complete Works of Béranger"
Object type: print
Date: 1829 – 1829
Location: paris
Artist: alfred johannot
Artist role: designer
Artist nationality: french
Artist dates: 1800 – 1837
Groepsportret van vijf onbekende mannen in werkkleding met gaslampen en een emmer in een achtertuin
Object type: photograph
Date: 1900 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: gas-lamp, backyard, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: name: ‘L.J. Smals’
De Winterkoning op het ijs, 1621
Object type: print
Date: 1766 – 1766
Materials: paper
Techniques: hand coloring, lithography
Location: netherlands
Subjects: amberg, frederik v (keurvorst van de palts, koning van bohemen), london, winter sports, the hague
Inscriptions: workshop stamp, inscription: ‘Hendr.k Avercamp Gebynaamt de Stomme van Campe. des 1621. Ploos van Amstel f: 1766’

De Winterkoning Frederik van de Palts met zijn vrouw (met masker en mof) te Den Haag op het ijs, mogelijk op de Paviljoensgracht, winter 1621. De jonge vrouw en de twee jongens zijn waarschijnlijk niet de dochter en zonen, maar leden van zijn gevolg. Op de achtergrond het dorp met ijsvermaak.
1. Aglio. 2. Cestro. 3. Poa.
Object type: photograph
Date: 1839 – 1839
Techniques: salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: plants
Cormorant and heron
Object type: page
Date: 1796 – 1796
Materials: paper
Techniques: blind stamped, woodcut
Location: edo

Vijfde en zesde pagina van het vogelboek van Utamaro.
Bergachtig landschap
Object type: drawing
Date: 1635 – 1707
Materials: ink, paper
Techniques: pen
Artist: jan gabrielsz. sonjé
Artist role: draughtsman
Artist dates: 1625 – 1707
Subjects: low hill country
Beauty Sleeping on a Banana Leaf
Object type: handscroll
Date: 1470 – 1524
Materials: ink, silk
Culture: chinese
Artist: tang yin
Artist role: artist
Artist nationality: chinese
Artist dates: 1470 – 1524
Subjects: sleeping,women
Nette Afbeeldinge Van de Lust-Tuin, en 't Hof-Gebouw, Van zyn Kooninglyke Majesteit van Groot-Brittanje, enz. enz. enz. Geleegen op 't Loo In Gelderland (...) / Representation au Naturel de Loo En Gueldre. Maison de plaisance de sa Majesté Britannique (...)
Object type: album leaf
Date: 1696 – 1718
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: garden fountain, french or architectonic garden; formal garden

Gezicht op de Venusfontein in de tuin van Paleis Het Loo. Prent maakt deel uit van een album.
Portret van Jacob baron van Wassenaer heer van Obdam
Object type: print
Date: 1658 – 1676
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: jacob baron van wassenaer heer van obdam, knighthood order, baton of general
Inscriptions: collector's mark: Lugt 2228

Portret van Jacob baron van Wassenaer heer van Obdam, als admiraal, met in zijn hand een commandostaf en om zijn hals het teken van de Deense Orde van de Olifant. Op de achtergrond zijn vloot. Middenonder zijn wapen. Bovenaan twee putti met een lauwerkrans.
Wine Glass
Object type: glass
Date: 1730 – 1730
Materials: glass
Location: germany
Karikatuur van een jongen die zijn kous naait
Object type: print
Date: 1745 – 1779
Materials: paper
Techniques: etching
Location: france
Artist: ange laurent de lalive de jully
Artist role: print maker
Artist dates: 1725 – 1779
Subjects: caricatures (human types), stockings, socks (+ worn or torn clothes)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Butterfly amulet
Object type: amulet, butterfly
Date: 1981 – 1640
Materials: faience, paint
Location: egypt
Subjects: butterflies
The Mater Dolorosa
Object type: stained glass panel
Date: 1480 – 1480
Materials: glass, metal, paint, pigment
Culture: german, south
Location: germany
Artist: lautenbach master
Artist role: artist
Artist nationality: german
Subjects: virgin mary

Christ's mourning mother (Mater dolorosa) stands within a lush network of leafy branches known as Astwerk, a translation of architectural canopies and tracery into a vegetal vocabulary. Among the most innovative artists of the late fifteenth century, Peter Hemmel and the group of stainedglass painters he worked with known as the Strasbourg Workshop Cooperative executed glazing programs throughout southern Germany and into Austria. The panels is in superb condition. See also acc. no. 1998.215.1
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, head and upper torso of youth with himation, his right arm is extended and he holds a staff in his right hand; tendril and part of handle root
Double Capital
Object type: capital
Date: 1101 – 1200
Materials: limestone
Culture: french
Versailles, Vase
Object type: photograph
Date: 1906 – 1907
Techniques: albumen print
Location: france
Artist: jean-eugène-auguste atget
Artist nationality: french
Artist dates: 1857 – 1927
Subjects: collected by hugh edwards
Portret van Michelangelo op 71-jarige leeftijd
Object type: drawing
Date: 1884 – 1884
Materials: ink, paper, pencil
Techniques: pen
Location: italy
Artist: nicolaas van der waay
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1936
Subjects: rome, painter, draughtsman, sculptor, michelangelo, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2760, annotation: ‘[...]136/30’, collector's mark: Lugt 2228

Portret van Michelangelo met onderschrift: MICHAELANGELUS BUONAROTUS NOBILIS / FLORENTINUS - AN. AET. SUE LXXI.
Lillian Prince, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Jan Lutma, goldsmith
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: amsterdam, print maker, draughtsman, silversmith, johannes lutma (1584-1669)
Inscriptions: signature and date: ‘Rembrandt f 1656’, collector's mark: Lugt 240
Peasant Couple Dancing
Object type: print
Date: 1514 – 1514
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: couples,men,women,dancing,farmers
The Badger Hurries to Warn Renard of the Lion's Intention from Hendrick van Alcmar's Renard The Fox
Object type: print
Date: 1650 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: birds,foxes
Plan Vande Gelegentheydt der Stadt Oostende, door de Geallieerde Trouppes, onder Commando van syn Excellentie den Veltmarschalck Heer van Ouwerkerk, Belegert, den 20.en Juny 1706
Object type: map
Date: 1706 – 1706
Materials: paper
Techniques: etching, hand coloring, letterpress printing
Location: northern netherlands
Subjects: maps of separate countries or regions, siege, position war
Inscriptions: collector's mark

Kaart van het beleg van Oostende door de Geallieerden onder Hendrik van Nassau, heer van Ouwerkerk, belegerd vanaf 17 juni, ingenomen op 6 juli 1706. Bovenaan cartouches met de legenda's A-S en 1-18 in het Frans en Nederlands. Aan weerszijden van de kaart zijn tekstbladen geplakt met een relaas van het beleg in het Nederlands en Frans.
Portret van Wilhelm von Bode
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: historical persons
Inscriptions: inscription: ‘Jan Veth / proefdruk’, collector's mark: Lugt 2228

Dit portret werd uitgegeven als bijvoegsel bij De Kroniek op 23 oktober 1898.
Buckle
Object type: ceramic
Date: 1767 – 1800
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 –
Mansportret, vermoedelijk een kopie naar een zeventiende-eeuws schilderij
Object type: sketchbook leaf
Date: 1827 – 1891
Materials: paper, pencil, watercolor
Techniques: brush, scoring
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: adult man, historical costume

Blad 9 verso uit een schetsboek met 41 pagina's.
Imhotep, donated by Padisu
Object type: statuette, imhotep
Date: 664 – 630
Materials: metal
Location: memphite region
Subjects: men,hieroglyphs

Imhotep was adviser to King Djoser in the third dynasty and he is credited with the design of the Step Pyramid in Saqqara, the earliest pyramid in Egypt. For this and other achievements of wisdom and learning attributed to him, in later periods he became one of the only historical non-royal people to be divinized and to have a dedicated cult, which was particularly strong in the Memphite region. In copper alloy statuettes like this one, he is shown sitting, wearing his close-fitting cap and holding a scroll on his lap. The scroll on this statue is inscribed with the name of Imhotep, and the base is inscribed for a' "servant of Ptah's son" (Imhotep was considered the son of Ptah). The servant’s name was Padisu, son of Hetepsopdu. In a symbolic sense, the scroll also serves to emphasize his wisdom and erudition, his role as a patron of scribes, and hints at the many intellectual forays into medicine, architecture, and engineering that were later ascribed to him. His attire varies, but in this instance he wears a short kilt and sandals. His throne, meanwhile, bears elaborate detail – feathered on the sides and with the sematawy symbol on the back, representing the union of Upper and Lower Egypt. The throne is hollow cast and concreted core material is visible from the underside.
Heilige Drie-eenheid
Object type: book illustration
Date: 1649 – 1649
Materials: paper
Techniques: letterpress printing
Location: antwerp
Subjects: trinity as three persons
Inscriptions: collector's mark: Lugt 240

De Heilige Drie-eenheid zit op wolken tussen een aantal cherubijnen. Links zit God in de gedaante van een man met een wereldbol, een scepter en een kroon en rechts zit de Heilige Geest in de gedaante van een man met een duif, een scepter en een kroon. Op de voorgrond zit Christus geknield met het kruis. Hij ontvangt ook een scepter en een kroon.
Spieghel der schrijfkonste
Object type: album leaf
Date: 1605 – 1605
Materials: paper
Techniques: engraving
Location: rotterdam
Subjects: calligraphy

Schrijfvoorbeeld met de aanhef: Aenden wyt-vermaerden ende seer const-rycken heer H. Goltius. Daaronder in een andere letter een initiaal I en acht regels tekst in het Nederlands: Ick soude my ... De tekst is omlijst door krulwerk. De prent maakt deel uit van een album.
Pitcher (Pot à Chenille)
Object type: pitcher
Date: 1867 – 1900
Materials: pewter
Landschap
Object type: print
Date: 1873 – 1931
Materials: paper, ink
Techniques: drypoint
Artist: etienne bosch
Artist role: print maker
Artist dates: 1863 – 1933
Subjects: farm or solitary house in landscape
Inscriptions: edition: ‘1e et. 10/40’, collector's mark: Lugt 2228, signature: ‘E.Bosch’

Boerenwoning in een landschap; schetsmatig weergegeven.
Bisdom Münster, Maximilian Friedrich, ½ groschen, 1766
Object type: coin
Date: 1766 – 1766
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: gekroond monogram van de letters M en F. Keerzijde: waarde-aanduiding in drie regels. Jaartal onderaan. Gladde rand.
Curtain
Object type: curtain
Date: 1701 – 1800
Materials: cotton
King Henry the Sixth, Act II, Scene 5: A Field of Battle
Object type: photomechanical print
Date: 1874 – 1874
Materials: paper
Techniques: woodburytype
Location: london
Subjects: theatre, theatrical performance
Gezicht op de Hogesluis en de Amstel, met links de Weesperzijde en rechts de Utrechtsepoort
Object type: print
Date: 1685 – 1748
Materials: paper
Techniques: etching
Subjects: canals, waters (in city), bridge in city across river, canal, etc., windmill
Soldaat met een lans in zijn rechterhand
Object type: print
Date: 1552 – 1584
Materials: paper
Techniques: etching
Artist: nikolaus solis
Artist role: print maker
Artist dates: 1542 – 1584
Subjects: city-view, and landscape with man-made constructions, helved weapons, polearms (for striking, hacking, thrusting): pike, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228
The Fountain
Object type: print
Date: 1736 – 1800
Techniques: engraving, etching
Artist: jean pelletier
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1736
Subjects: animals,fountains,men,women,horses
Royaalbijbel
Object type: print
Date: 1630 – 1665
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: annunciation of christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air
Inscriptions: collector's mark: Lugt 2228, signature and date: ‘l.o. in de rand: S. Savry Excudit’, inscription: ‘In de onderrand 3 kolommen van 2 regels Nederlandse tekst: O wonderlijck Geheym Dat Godt het Hooogste Goedt Door een nederige maeght tot ons soo coomen doet ....Dat Godt sijn meeste lust int t nederijgh harte heeft. Luc a .’

Verschillende Amsterdamse uitgevers gaven vanaf de jaren ’30 van de zeventiende eeuw grote Bijbelse prenten op zogenaamd royaal-formaat papier (ca. 480 x 580 mm) uit. De uitgave van royaalbijbelprenten door de firma Visscher van Claes Jansz. Visscher (II), Nicolaes Visscher (I) en (II) is het meest bekend, maar ook uitgevers als Clement de Jonghe, Cornelis Danckerts brachten deze populaire prenten op de markt. Mogelijk is deze prent ook als royaalbijbelprent uitgegeven.
Portret van Jacob Stoopius
Object type: print
Date: 1630 – 1660
Materials: paper
Techniques: engraving
Subjects: portrait, self-portrait of painter

Portret ten halven lijve van de Antwerpse koopman en kalligraaf Jacob Stoopius, staand op een balustrade. Onder de afbeelding een tweeregelige Latijnse tekst.
Studioportret van twee jongens in een boot
Object type: cabinet photograph
Date: 1882 – 1882
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: adolphe zimmermans
Artist role: fotograaf
Artist dates: 1858 – 1922
Subjects: batavia, karel frederik van den berg
Inscriptions: name: ‘Oom Karel & vader / ± 1882’, inscription: ‘ADOLPHE / RIEMERSTRAAT No. 48 LA HAYE’

Studioportret van twee jongens in een boot. Karel van den Berg zit en naast hem staat een andere jongen met netten in zijn handen.
The Assumption of the Virgin
Object type: drawing
Date: 1816 – 1819
Materials: chalk
Artist: pierre paul prud'hon
Artist role: artist
Artist nationality: french
Artist dates: 1758 – 1823
Subjects: assumption of the virgin
The Gentleman with a Coat, Posing with Hands on Hips, from The Caprices
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
The Head of Pompey Presented to Caesar
Object type: drawing
Date: 1550 – 1600
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: soldiers,julius caesar,heads,men,dogs
Ear Pendant
Object type: pair of ear ornament
Date: 1201 – 1600
Materials: gold
Culture: sonso
Location: colombia
Combination Flintlock Pistol and Concealed Dagger
Object type: combination flintlock pistol and concealed dagger
Date: 1690 – 1690
Materials: silver, steel, wood
Culture: italian
Location: italy
Artist: matteo cecchi, called acquafresca
Artist role: gunsmith
Artist nationality: italian
Artist dates: 1651 – 1738
Jérusalem, Ornements arabes
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture,buildings

For Salzmann history was in the details. Though the ravages of time, natural forces, and human conflict erased much of ancient cities, fragments hinted at the existence of civilizations such as the Kingdom of David, the Roman Empire, and earlier phases of the Ottoman Empire—all models for Second Empire France. Salzmann’s focus on the smallest details—a frieze’s vegetal decoration, loose statuary, a wall’s abstract patterns, or a helmet’s winged figure—gives his photographs a rare combination of directness and ephemerality. He would return to the holy city on two more archaeological expeditions in the 1860s. The creation of the Jerusalem album was just one step on a costly and grueling path that carried him to Algeria, Egypt, and Greece in his efforts to reconstruct the past from archaeological ruins.
Juglet
Object type: juglet
Date: 1050 – 950
Materials: terracotta
Culture: cypriot

Wide-necked oinochoe with grooved body, light clay under dark slip.
Bell Harp
Object type: bell harp
Date: 1734 – 1766
Materials: iron, wood
Culture: british
Location: england
Artist: john simcock?
Artist role: maker
Schotel, veelkleurig beschilderd met op het plat een Madonna met Kind, omgeven door een stralenkrans.
Object type: platter
Date: 1625 – 1645
Materials: earthenware, glaze
Techniques: maiolica, painted, polychromy
Location: netherlands
Artist: Anonymous

Dish c. 1630 - 1650. Dish with Madonna and Child, c. 1630 - 1650.
Carpet
Object type: carpet
Date: 1634 – 1666
Materials: cotton, wool
Techniques: asymmetrically knotted pile
Location: pakistan
Subjects: flowers

The characteristic red of Indian carpets emphasizes the graceful yet dynamic design of the trellis pattern connecting the floral and serrated motifs. The serrated leaves enclosing a palmette, as well as the medallions and cartouches in the border, recall sixteenth century Herat carpets from Iran, but the exuberance of the floral forms and richness of color confirm an Indian origin.
Chair (one of a pair)
Object type: furniture
Date: 1730 – 1730
Materials: textile, wood
Culture: chinese
Location: china
The Head of a Grotesque Man in Profile Facing Right
Object type: drawing
Date: 1500 – 1500
Materials: ink, paper
Techniques: pen
Artist: leonardo da vinci
Artist role: artist
Artist nationality: italian
Artist dates: 1452 – 1519
Subjects: men,profiles

This drawing was discovered underneath Leonardo's 'Allegory of the Fidelity of the Lizard' (Metropolitan Museum of Art, acc. no. 17.142.3) at the time of the acquisition of the latter from Thomas Nash in 1917. At that time the 'Allegory' was hinged to a blue mount bearing inscriptions in an early nineteenth-century French hand: "de la main de Leonardo da Vinci and l'écriture est á gauche, et doit se lire dans une glace." These comments obviously refer to the 'Allegory' with its long left-handed annotations. At the bottom of the old mount is penned the name Parmegianino, which seems to indicate the attribution preferred by the French collector J.-G. Legrand for the present drawing. Though the pen work in this head bears little resemblance to that of Parmigianino, the attribution is not entirely misdirected because the Parmese master did draw heads in profile that have in the past been confused with the work of Leonardo (see acc. no. 1972.118.264). By placing the present drawing in such close proximity to an autograph work by Leonardo, Legrand may have wished to suggest that the "Parmegianino" head derives from an original by Leonardo. Carlo Pedretti, who reproduced this drawing in 1973 as an autograph and hitherto unpublished work by Leonardo, does not seem to have been aware that it was illustrated in the 1935 edition of Seidlitz's work on the master. This grotesque head also occurs in the same direction on a sheet of Leonardesque studies from Vivant Denon's collection that is now in the British Museum (Popham and Pouncey, 1950, no. 122, pl. 110). Pedretti suggested that the London head is copied after the present drawing; this seems unlikely because the copy in London painstakingly imitates the left-handed shading characteristic of Leonardo, while the shading here is ambiguously vertical. The present drawing, dry and awkward in execution, seems a good deal further from Leonardo than is the copy in the British Museum. (Carmen C. Bambach)
Portret van Johan Arnold Zoutman
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: pieter willem van megen
Artist role: print maker
Artist dates: 1750 – 1785
Subjects: the hague, johan arnold zoutman
Inscriptions: collector's mark: Lugt 240

Prent waarschijnlijk uit: Nomsz., Johannes. Mengelwerk. Amsterdam: s.n., 1776, dl. 3.
Ex libris van H.K.M. architecten
Object type: bookplate
Date: 1880 – 1949
Materials: paper
Techniques: lithograph
Location: germany
Artist: otto hupp
Artist role: print maker
Artist dates: 1859 – 1949
Subjects: crown (symbol of sovereignty), compasses
De Passie
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: last supper (in general) (matthew 26:21-35; mark 14:18-31; luke 22:3, 22:15-23; john 13:21-38)
Inscriptions: collector's mark: Lugt 2228a

Christus gebruikt met zijn discipelen het Laatste Avondmaal in een architectonische omgeving. Deze prent is onderdeel van een serie van twaalf passievoorstellingen.
Hamburg. Hafenpartie
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1905
Materials: cardboard
Techniques: photograph
Location: hamburg
Subjects: harbour, ships (in general)
Inscriptions: date
Three Peasants in Conversation
Object type: print
Date: 1497 – 1497
Materials: ink, paper
Techniques: engraving
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Allegorie op blindheid
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: birds (+ animal(s) attacking), blind, blindness

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Platter (part of a service)
Object type: platter
Date: 1765 – 1765
Materials: hard paste porcelain
Subjects: birds,fruit,fish,flowers
Interieur van de Grote Kerk te Den Haag
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: interior of church, lane, alley, the hague
Inscriptions: collector's mark: Lugt 2233

In een steeg lopen een man, vrouw en hond. Achter hen een doorkijk naar het interieur van de kerk.
The Halt, from Old English Masters
Object type: print
Materials: chine, paper
Techniques: engraving
Location: united states
Artist: timothy cole
Artist role: print maker
Artist nationality: american
Artist dates: 1852 – 1931
Tori-oi-bune, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927