deem-data/ArtiFact huggingface dataset:
Landau #1011
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Verschillende muzen
Object type: print
Date: 1647 – 1714
Materials: paper
Techniques: etching
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: polyhymnia (one of the muses); 'polinnia' (ripa)

Prent maakt mogelijk deel uit van een serie met verschillende muzen.
Blad uit Album dedié à mes enfants et mes amis (1868) met opgeplakte foto's van brandspuiten van de firma's  Regout en Beduwe
Object type: photograph
Date: 1868 – 1868
Materials: cardboard, photographic support
Techniques: albumen print
Location: maastricht
Artist: Anonymous
Subjects: fire-extinguishing equipment

Brandspuit nummer 2 van de firma Regout op een blad met foto's van nog vijf andere brandspuiten afkomstig uit een album. Franse tekst onderaan het blad beschrijft de brandspuiten en de voordelen van het gebruik.
One of a Pair of Overlapping Undecorated Anklets
Object type: anklet
Date: 500 – 300
Materials: bronze
Culture: vietnamese, north, highlands
Rustende man in de open lucht
Object type: print
Date: 1823 – 1869
Materials: paper
Techniques: etching
Artist: charles billoin
Artist role: painter, print maker
Artist dates: 1813 – 1869
Subjects: (traveller) resting in the open air, resting - bb - out of doors
Inscriptions: collector's mark: Lugt 2228
Garentwijnder
Object type: print
Date: 1694 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: handicrafts, craftsman at work, materials ~ textile industry
Inscriptions: collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Beroep en bedrijf, Complete suites.
Man met baret in landschap
Object type: print
Date: 1918 – 1918
Materials: paper
Techniques: etching
Location: groningen
Artist: marius holleman
Artist role: draughtsman, print maker
Artist dates: 1878 – 1926
Subjects: landscapes in the temperate zone, head-gear: beret
Inscriptions: collector's mark: Lugt 2228
Gezichten op Nederlands-Indië
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: landscape with ruins, trees: palm-tree, traffic on the water
Inscriptions: collector's mark: Lugt 2228
Epiciers Arabes
Object type: photograph
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Location: tunis
Artist: j. andré garrigues
Artist role: fotograaf
Subjects: shop, store
Inscriptions: number: ‘No 300’
Portret van Andreas Osiander
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit: Seckendorf, Veit-Ludwig. Uitvoerige en onpartydige historie der reformatie door Martin Luther. Delft: Reinier Boitet, 1728, dl. 1.
Textile Fragment
Object type: textile fragment
Date: 1501 – 1700
Materials: metal thread, silk
Techniques: brocade
Location: iran
Subjects: flowers

Safavid textiles are praised as the pinnacle of Iranian loom weaving. When the Safavids came to power at the turn of the sixteenth century and set up their capital cities of Tabriz, Qazvin, and Isfahan, the textile industry became centralized, and the production of silk textiles and rugs, as well as raw silk for export, became part of a lucrative revenue stream. This square textile fragment is decorated with violets and roses with green stems and leaves outlined in dark blue or white. The metal-wrapped threads would have contributed to a sumptuous shimmering effect.
Groteske vlakdecoraties met kandelabers, mythologische figuren, fabelwezens, bladranken en trofeeën
Object type: ornament print
Date: 1516 – 1556
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: ornament ~ grotesque, cup, satyr(s) (in general)

Het deksel van de bokaal wordt gevormd door een tempeltje waar een vrouw in staat. Blad uit serie van 9 bladen.
De heilige en de distel
Object type: print
Date: 1891 – 1891
Techniques: printmaking, lithograph
Location: paris
Artist: odilon redon
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1916
Subjects: female saints, plants and herbs: thistle
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een heilige vrouw staand achter een muurtje, kijkend naar links. Rechts vóór de muur een distel.
Tekenaar die een gipskop schetst
Object type: drawing
Date: 1756 – 1756
Materials: paper
Techniques: brush
Artist: carl heinrich mylius
Artist role: draughtsman
Artist dates: 1734 – 1758
Subjects: draughtsman at work, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: date: ‘1756’

Naar het geschilderd portret van Paul Christiaan Zincke door Christian Friedrich Reinhold Lisiewski.
Jar
Object type: jar
Date: 1000 – 750
Materials: bronze
Location: iran

This small jar has a bulbous body, a pronounced shoulder decorated with horizontal incised lines, a high, slightly flaring neck, and an everted rim. Three nearly identical jars were excavated at Sangtarashan, south of modern Khorramabad in Luristan in western Iran, which archaeologists have identified as a riutal site of some kind where offerings, includings these jars, were made. Two more jars were excavated at Khatunban, als in Luristan (approximately 34 miles [55 km] west of Nihavend, where Ernst Herzfeld acquired this jar). Both were found in graves along with vessels with long spouts. This pairing suggests a set of drinking vessels: a liquid would be poured from the spouted vessel into the jar, which was used as a cup -- it is about the size of a modern tumbler. It is not known what this liquid was, but wine is a good possibility. Winemaking is attested at Godin Tepe (28 miles [45 km] northeast of Khatunban) as early as ca. 3000 B.C., and the deep bodies and long spouts on the pouring vessels would have prevented dregs from ending up in the cup. These vessels were likely placed in graves because they were indicative of the deceased’s status and identity. Not everyone would have been privileged enough to own or use a bronze cup, let alone be buried with one; most people would have had to make do with ceramic vessels.
Portret van Christian Münden
Object type: print
Date: 1734 – 1767
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Deutsche Acta Eruditorum (...). dl. 180. Leipzig: Johann Gottlieb Gleditsch, 1734.
Exposition Universelle de 1889
Object type: photograph
Date: 1889 – 1889
Materials: paper
Techniques: albumen print
Location: paris
Artist: j. réségotti
Artist role: publisher
Subjects: world fair, world exhibition, paris
Inscriptions: inscription: ‘Exposition Universelle de 1889/ La Vestibule et la Grande Galerie [...]/ ND. Phot.’, stamp: ‘J. Réségotti/ Editeur/ 8 Rue Vivienne/ Paris’, number: ‘14’
Lace handkerchief
Object type: handkerchief
Date: 1834 – 1866
Techniques: embroidery
Culture: paraguayan
Location: paraguay
Brief aan Jan Veth
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Artist: wally moes
Artist role: draughtsman, print maker
Artist dates: 1856 – 1918
Subjects: dordrecht, jan veth, arnhem, painter, anton mauve, artist, anna dorothea dirks, draughtsman, ariette sophia jeannette mauve-carbentus, family life
Inscriptions: collector's mark: ‘RPK’
Box
Object type: box
Date: 1770 – 1770
Materials: enamel, silver, silver gilt
Subjects: flowers,leaves
Bicorne
Object type: bicorne
Date: 1790 – 1810
Materials: silk
Culture: american
Titelpagina voor Otto van Veen, Emblemata Horatiana, 1684
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: leiden, painter, draughtsman, otto van veen, 'pictura', symbolic representations, allegories and emblems ~ painting; 'pittura' (ripa), 'sculptura', symbolic representations, allegories and emblems ~ sculpture; 'scoltura' (ripa), fame; 'fama', 'fama buona', 'fama chiara' (ripa)
Inscriptions: collector's mark: Lugt 240

Titelpagina met in het midden een voetstuk met daarop de buste van de schilder Otto van Veen. De personificatie van de schilderkunst en de personificatie van de beeldhouwkunst rondom het beeld. Faam vliegt boven het beeld en kroont het met een lauwerkrans. Op het voetstuk de titel van het boekwerk.
De oude poort
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: four-wheeled vehicle drawn by one animal, gate, entrance
Inscriptions: collector's mark: Lugt 2228
Clothing the Naked
Object type: painting
Date: 1646 – 1649
Materials: canvas, oil
Artist: michael sweerts
Artist role: painter, print maker
Artist dates: 1618 – 1664
Subjects: clothing the naked, 'nudus vestitur' ~ one of the (seven) acts of mercy

By having one of the figures look out of the painting at the viewer, Sweerts enhances the poignancy of ‘clothing the naked’. The brightly lit shoulder of the man at the centre of the composition emphasizes his
nakedness, giving the painting a sense of immediacy.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 460
Materials: terracotta
Culture: greek, attic

Interior, upper torso, extended arms, genitals, and part of thighs of satyr to right
Museum Interior (?) with a Man Seated
Object type: drawing
Date: 1901 – 1901
Materials: pencil
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men
Stadhuis te Willemstad, Curaçao
Object type: photograph
Date: 1925 – 1925
Materials: photographic support
Techniques: photography
Location: curacao
Artist: Anonymous
Subjects: willemstad, fortkerk
Sheet of Studies
Object type: drawing and watercolor
Date: 1900 – 1900
Materials: charcoal, graphite, ink, paint, paper, watercolor
Techniques: pen
Location: france
Artist: henri cros
Artist nationality: french
Artist dates: 1840 – 1907
Bücher-Narr
Object type: print
Date: 1709 – 1782
Materials: paper
Techniques: engraving
Artist: christoph weigel
Artist role: goldsmith, print maker, publisher
Artist dates: 1654 – 1725
Subjects: study; 'studiolo'; library, book
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780, watermark, collector's mark: Lugt 4779

Interieur van een studeervertrek met boekenkasten langs de wanden en boeken verspreid over de ruimte. Achter een tafel staat een man met een toga en een zotskap op het hoofd. Hij is bezig met het afstoffen van boeken.
Fragment
Object type: fragment
Date: 701 – 800
Materials: cotton, linen
Culture: japanese
Ensemble
Object type: ensemble
Date: 1893 – 1893
Materials: metal, silk
Culture: french
Artist: house of worth
Artist role: design house
Artist nationality: french
Artist dates: 1858 – 1956

Charles Frederick Worth was born in England and spent his young adulthood working for textile merchants in London while researching art history at museums. In 1845 he moved to Paris and worked as a salesman and a dressmaker before partnering with Otto Bobergh to open the dressmaking shop, Worth and Bobergh, in 1858. They were soon recognized by royalty and major success followed. In 1870 Worth became the sole proprietor of the business. At his shop, Worth fashioned completed creations which he then showed to clients on live models. Clients could then order their favorites according to their own specifications. This method is the origin of haute couture. Worth designed gowns which were works of art that implemented a perfect play of colors and textures created by meticulously chosen textiles and trims. The sheer volume of the textiles he employed on each dress is testimony to his respect and support of the textile industry. Worth's creative output maintained its standard and popularity throughout his life. The business continued under the direction of his sons, grandsons and great-grandsons through the first half of the twentieth century. Jean-Philippe Worth began as an assistant to his father, Charles Frederick Worth, in 1875. Gradually he was allowed to create his own designs and when his father died in 1895, he became the lead designer for the house. He was praised for making elaborate artistic gowns with intricate trimmings on unique textiles, much like his father had before him. Although the House of Worth was still favored by royalty and celebrities through the turn of the century, their styles were no longer the forefront of French fashion after 1900. Around 1910 Jean-Philippe limited his design work to important orders and hired his nephew, Jean-Charles Worth, as the new lead designer before leaving the company entirely after World War I. By the last quarter of the 19th century, shoes specifically matched to a particular evening dress became an increasingly common phenomenon. While white shoes could be economically dyed to match a special dress, the wealthiest clients would have shoes specifically made to coordinate. This pair of slippers is accompanied in the collection by a matching evening dress, by the renowned House of Worth. The decision to focus all the elaborate decoration on the bow is inventive for this period, and one mark of the high quality.
Bowl
Object type: bowl
Date: 1650 – 1650
Materials: clay, glaze
Culture: japanese
Berglandschap in Vaud
Object type: print
Date: 1828 – 1880
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: mountains (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Vaas met een smalle voet
Object type: print
Date: 1546 – 1546
Materials: paper
Techniques: letterpress printing
Location: paris
Subjects: vase ~ ornament, (scenes from) specific works of literature: colonna, hypnerotomachia poliphili

Prent uit: Colonna, Francesco. Hypnerotomachie ou discours du songe de Poliphile, deduisant comme amour le combat a l'occasion de Polia. Parijs: Jacques Kerver, 1546, recto fol. 120.
Fotoreproductie van een schilderij, voorstellende de paus en geestelijken in gebed in een kerk
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: (public) prayer, interior of church, pope, europe
Inscriptions: collector's mark: Lugt 3937
Paysans se Reposant (Peasants Resting)
Object type: print
Date: 1801 – 1900
Techniques: etching
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Figured bottle
Object type: bottle
Date: 1854 – 1854
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Artist: isabella glass works/ new brooklyn glass works
Artist role: manufacturer
Artist nationality: american
Artist dates: 1850 – 1850
Subjects: factories
Villon au cabaret de la Pomme de Pin
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: etching, intaglio
Location: paris
Subjects: inn, coffee-house, public house, etc., drunkenness
Inscriptions: annotation: ‘d'apres les fresques du café Gonin. R. Vasin 20.’, collector's mark: Lugt 2228
Fabriek te Moengo
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo
Inscriptions: inscription: ‘gedeelte plant fabriek’

Gezicht op de mijn en fabriek te Moengo van over het water. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 510 – 470
Materials: terracotta
Culture: greek, attic

Interior, five kylix fragments with part of rightward meander
Portrait of Dr. J.E. Pohl
Date: 0 – 0
Techniques: lithograph
Artist: franz kadlik
Artist role: artist
Artist nationality: czech
Artist dates: 1786 – 1840
Subjects: men,portraits
Meisje met hond bij houten brug
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Subjects: child playing with animals
Inscriptions: collector's mark: Lugt 1485
Officier aan dek
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: etching
Location: amsterdam
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: position-finding at sea; nautical instruments
Inscriptions: collector's mark: Lugt 2228
Plumpy Bacchus
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: samuel palmer
Artist role: artist
Artist nationality: british
Artist dates: 1805 – 1881
Expositieruimte in Artis, Amsterdam
Object type: stereograph
Date: 1879 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: collection, exhibition, show
Inscriptions: number: ‘2258’
Ostrakon with a Legal Letter
Object type: ostrakon
Date: 580 – 640
Materials: ink, pottery
Culture: coptic
Location: egypt
René De Gas, the Artist's Brother
Object type: print
Date: 1861 – 1862
Materials: ink, paper
Techniques: etching
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Interieur van een huis te Pompeï
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: pompeii
Artist: Anonymous
Subjects: ruin of a building ~ architecture, sculpture, interior ~ representation of a building, pompeii
Inscriptions: inscription: ‘Interieur de la maison des musiciens Pompeï’, number: ‘13’
Shunjo gidan mizuage cho
Object type: book
Date: 1836 – 1836
Techniques: woodblock print
Location: japan
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Fragmentary marble votive altar
Object type: votive relief fragment, inscription
Date: 267 – 333
Materials: marble
Culture: roman

This small altar was set up to the Everlasting [Gods] for the well-being of two men, Flavius Arsinoe and Flavius Appon, probably of Egyptian origin. The inscription testifies to the continued worship of pagan gods in late Roman times.
Gekkin
Object type: gekkin
Date: 1801 – 1900
Materials: ivory, silk, skin, wood
Culture: japanese
Location: japan
Arthur's Seat
Object type: print
Materials: paper
Techniques: etching
Location: scotland
Artist: john clerk of eldin
Illustration of the  Empress Visiting the General Staff Headquarters [to present a tray of bandages]  (Sanbō honbu gyōkei no zu)
Object type: print
Date: 1895 – 1895
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kobayashi kiyochika
Artist role: artist
Artist nationality: japanese
Artist dates: 1847 – 1915
Subjects: queens,men,women
Views of Villenueve les Avignon, from Picturesque Selections
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: lithograph
Location: england
Artist: james duffield harding
Artist role: draughtsman, painter, print maker
Artist nationality: english
Artist dates: 1798 – 1863
Varie Vedute
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: etching
Location: rome
Artist: paolo anesi
Artist role: print maker
Artist dates: 1700 – 1761
Subjects: city-view, and landscape with man-made constructions, church (exterior), rome
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Landschap met de Chiesa della Madonna del Rosario op de Monte Mario in Rome. Onder de voorstelling de titel. Genummerd rechtsboven: 3.
Souvenir
Object type: souvenir
Date: 1770 – 1770
Materials: diamond, enamel, gold
Subjects: cupid
Bandontwerp voor: Anna Margarete Hoyer, Gudruns geheim, 1953
Object type: drawing
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: miep de feijter
Artist role: draughtsman
Subjects: bench, sitting figure - aa - female human figure, girl (child between toddler and youth), doves, pigeons
Inscriptions: signature: ‘M de F.’, collector's mark: Lugt 2228a, :

Een glimlachend meisje zit in de open lucht op een bank. Op haar schouder zit een duif.
Pair of Ear Ornaments, Two-Section Ruby
Object type: pair of ear ornament
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, part of meander and cross square with dots in corners; Exterior, part of a draped figure
Witte mouwen van kant
Object type: doll's clothing
Date: 1850 – 1920
Materials: textile
Location: netherlands
Artist: Anonymous

De mouwen zijn met een label aneen genaaid.
Rochester Castle
Object type: photograph
Date: 1860 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: rochester castle
Artist: Anonymous
Subjects: castle, ruin of a dwelling, house, castle, etc.

Onderdeel van Engels familiealbum met foto's van personen, reizen, cricket en kunstwerken.
Brief van Jacob Ernst Marcus aan de heer De Bast
Object type: letter
Date: 1823 – 1823
Materials: ink, paper
Techniques: pen, writing
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Inscriptions: date

De brief, gedateerd 19 april 1823 en gericht aan 'Den Heere De Bast/ Geheimschrijver der Konink/-lijke Maatschappij van/ Kunsten & Letteren te Gent', noemt enkele gravures die Marcus aan de Maatschappij gezonden zou hebben zonder daar ooit een reactie op ontvangen te hebben. Vervolgens noemt hij zijn prentenserie 'Studiebeeld en Fragmenten' (zoals in dit album aanwezig), in de hoop dat de Maatschappij deze reeks op wil nemen.