deem-data/ArtiFact huggingface dataset:
Gideon valt de Midjanieten aan
Object type: album leaf
Date: 1561 – 1561
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: flight of the midianites, the attack on the midianites: gideon and his men blow their trumpets, break their pitchers, and hold their lamps

Op de achtergrond blazen Gideon en zijn manschappen op hun trompetten rond het kamp van de Midjanieten. In hun hand hebben ze een lege waterkruik met een brandende fakkel erin, die ze later op de grond gooien. Vooraan nemen de Midjanieten het tegen elkaar op. Linksachter het tentenkamp bij maanlicht. Onder de voorstelling een onderschrift in het Latijn. Prent maakt deel uit van een album.
The Pillars of Hercules, from The Labors of Hercules
Object type: print
Date: 1550 – 1550
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: columns,men,hercules,boars
Saint Francis
Object type: painting
Date: 1600 – 1604
Materials: canvas, oil
Artist: federico barocci
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1612
Subjects: books,christ,saint francis

Barocci’s naturalism, heightened emotion, and coloristic brilliance helped set the stage for what became known as Baroque art. His subtle, soft surface textures were inspired in part by the Italian Mannerist painter Correggio. This canvas is conceived as a meditation on Saint Francis of Assisi (1181/82–1226), who is shown in a grotto on Mount La Verna, where he received the stigmata, depicted here as protruding nails, in conformity with early Franciscan written sources.
Dish
Object type: dish
Date: 1401 – 1500
Materials: earthenware, glaze
Techniques: polychrome
Location: iran

This dish was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Carpet
Object type: textile
Date: 1575 – 1600
Materials: wool
Techniques: cutting, weave
Location: spain

Alcaraz was one of the most famous Spanish cities for the weaving of carpets and other fabrics until the mid-seventeenth century. An exhibition of Alcaraz carpets was held in 1649 in an effort to convince King Philip IV (1605- 1665) to excuse weavers from having to go to war. The king did not change his mind and the production of carpets in Alcaraz came to an end. This type of carpet, called a "Wreath Rug," began to be produced during the sixteenth century. Such carpets introduced Renaissance floral and border motifs along with a more subtle color palette. This carpet has been cut down. The original would have had seven or eight wreaths on each side.
Two longhorn beetles
Object type: page
Date: 1863 – 1868
Materials: paper
Techniques: albumen print
Location: india
Artist: john edward saché
Artist role: fotograaf
Subjects: insects: beetle
Inscriptions: inscription: ‘Saché Photo’, inscription: ‘PLATE V.’, inscription: ‘MONOCHAMUS SOONGNA: MALE, UPPER SIDE; FEMALE, UNDER SIDE.’
Portret van Lodewijk XIV
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: engraving
Location: france
Subjects: lodewijk xiv (koning van frankrijk), attributes of hercules, historical persons, king
Inscriptions: date

Portret van Lodewijk XIV, koning van Frankrijk, de haren lang tot op de schouders. In ovale lauwerkrans als omlijsting, waaroverheen een leeuwenhuid als draperie hangt. Links en rechtsonder een motto in cirkel: links: INCRESCUNT OBICE VIRES: een vuur ontstaat door de weerkaatsing van de zon in een vergrootglas; rechts: SOMNIUM ABRUPISSEDOLEBIT: Hercules rustend.
De Hofstede Sparenhout
Object type: print
Date: 1688 – 1690
Materials: paper
Techniques: etching
Location: haarlem
Artist: jan vincentsz. van der vinne
Artist role: draughtsman, print maker
Artist dates: 1663 – 1721
Subjects: sailing-ship, sailing-boat, landscapes (+ landscape with figures, staffage), outskirts of village (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 699, collector's mark: Lugt 2228

Gezicht op de hofstede Sparenhout te Haarlem. Op het water twee zeilschepen en een roeiboot met vier figuren. Rechtsonder genummerd: 8.
Schoonhoven
Object type: area plan
Date: 1657 – 1704
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities

Deze plattegrond werd samen met drie andere plattegronden (van Woerden, Oudewater en Delfshaven) gedrukt van één koperplaat. Deze prent is verschenen in 'Theatrum Urbium Celebriorum totius Belgii sive Germaniae Inferioris' (Johannes Janssonius, 1657), in 'Tooneel der vermaarste koop-steden en handelsplaatsen van de geheele wereld' (Johannes Janssonius van Waesberge (II), 1682), in 'Teatro Belgico o vero ritratti historici, chronologici, politici e geografici delle Sette Provincie Unite' (Willem de Jonge, 1690) en in 'Theatrum ichnographicum omnium urbium et praecipuorum oppidorum Belgicarum XVII Provinciarum (…)' (Frederik de Wit, ca. 1698-1704).

De Wit heeft de plaat vervolgens versneden zodat er vier losse platen ontstonden. Hoewel de drie andere plattegronden zodoende los zijn gedrukt en in atlassen zijn verschenen lijkt het erop dat de plattegrond van Schoonhoven niet los gedrukt is nadat de plaat is versneden.
Ex libris van István Lusztig
Object type: photomechanical print
Date: 1913 – 1944
Materials: paper
Techniques: autotype
Location: hungary
Artist: Anonymous
Subjects: chinese, opium-pipe, book, lying figure
Inscriptions: inscription: ‘Vadász b 1 (?)’
Reproductie van een gravure van een portret van Anthonis Mor door Hendrick Hondius
Object type: photomechanical print
Date: 1872 – 1877
Materials: cardboard, paper
Techniques: photograph
Location: antwerp
Subjects: utrecht, painter, draughtsman, anthonis mor, historical persons
Inscriptions: inscription: ‘1512. - 1581.’

Deze prent maakt deel uit van een omslag met 150 prenten en een katern met een lijst van afbeeldingen.
Huis Mos
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: carrying something in basket, bag, rucksack, etc.
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Bij een rivier staat een vrouw met op het hoofd een hoed en om de arm een mand. De prent maakt deel uit van een serie van 32 prenten met genretaferelen.
Study for the Vignette of Lucretius's "De la Nature des Choses", Vol. II, Book VI
Object type: drawing and watercolor
Date: 1768 – 1768
Materials: chalk, graphite, ink, paper
Techniques: incising, pen, transfer
Location: france
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Candi Panataran (Temple complex), Main Temple; rear of the same dvarapala, decorated with a scene from the Tantri fable 'Crocodile and Bull', Panataran, Blitar district, East Java province 1323-1347, Indonesia
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: java
Artist: isidore kinsbergen
Artist role: fotograaf
Artist dates: 1821 – 1905
Inscriptions: number: ‘44’, title: ‘Siva als tempelwachter (?) staande voor den tempel (achterzijde) te panataran (Residentie Kediri) Cat. no. 250’
Bedcover
Object type: bed covering
Date: 1710 – 1720
Materials: textile, silk
Techniques: embroidered, weave
Location: china
Artist: Anonymous
Subjects: kasteel rosendael

This bedcover was once owned by Petronella van Hoorn. She came from a family of governor-generals in Batavia, and her husband, Jan Trip, too, was a VOC governor. The cover was probably given to her by Anthonie Huysman, an ambitious VOC official who hoped to gain the support of his influential relations. His gesture was not in vain, for he was appointed to the Council of the Indies a year after he sent this gift
to Petronella.
Gezicht op de Nevada-waterval in Yosemite Valley
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: yosemite valley
Artist: isaiah west taber
Artist role: fotograaf
Artist dates: 1830 – 1912
Subjects: waterfall
Inscriptions: negative number: ‘3041’
Familiegroep tegen een architecturale achtergrond
Object type: sketchbook leaf
Date: 1869 – 1925
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: family group, especially parents with their child(ren), architecture

Blad 12 recto uit een schetsboek met 28 bladen.
Inlandsch tijdverdrijf
Object type: print
Date: 1841 – 1892
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: asiatic races and peoples, adolescent, young woman, maiden, ornamental birds: parrot, indonesia
De vierentwintig uren van het menselijk geluk
Object type: print
Date: 1675 – 1675
Materials: paper
Techniques: engraving, etching
Artist: giuseppe maria mitelli
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1634 – 1718
Subjects: tailless amphibians: frog, tailless amphibians: toad, scenes symbolizing 'vanitas', covetousness; 'avaritia' (ripa) ~ personification of one of the seven deadly sins, the 24 hours of day and night, safe, strongbox, coin, weighing gold or money, personifications ~ the life of man

Een gierige man (Avaro) met bril weegt geldstukken in zijn kantoor, met een voet op een stoof. op de voorgrond een pad of kikker. Aan de muur strengen knoflook. Voor de wand een kluis. Met twee vierregelige verzen in het Italiaans. Genummerd rechtsboven: 2. Onderdeel van de serie 'De vierentwintig uren van het menselijk geluk'.
Sati (the practice of burning widows)
Object type: drawing
Date: 1800 – 1900
Materials: paper
Techniques: brush
Location: chennai
Artist: Anonymous
Inscriptions: inscription: ‘.’

Sati, ‘the virtuous’ in Sanskrit, refers to a custom whereby a widow is burned on the funeral pyre along with the body of her deceased husband. The life of a widow was unimaginably hard and a sati conferred status and fame on her family. British colonisers banned the ritual in 1829. Made for a European client, this painting probably belonged to a set of illustrations of ‘Indian customs.’
Ontwerp voor een gedenkpenning voor Hendrik Gravé
Object type: photomechanical print
Date: 1900 – 1940
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: amsterdam, commander-in-chief, general, marshal, historical persons, memorial medal
Willem Treub, Sjoerd Anne Vening Meinesz en een vrouw spelen een kaartspel; de stedenmaagd van Amsterdam kijkt bezorgd toe
Object type: cartoon
Date: 1894 – 1894
Materials: paper
Techniques: letterpress printing, lithograph
Location: rotterdam
Subjects: harlingen, politician, the hague, personification of a city, town-patron(ess), mayor, burgomaster, tax payment, games of calculation and chance, e.g.: card games, gambling, puzzles, etc., card games, playing-cards, municipal government, taxes and financial administration, political caricatures and satires, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Met wethouder Willem Treub, burgemeester Sjoerd Anne Vening Meinesz en een boerin die Nieuwer-Amstel (Amstelveen) personifieert. Onderwerpsrubriek binnen de Atlas Amsterdam: Belastingen.
Strolling Actresses Dressing in a Barn
Object type: print
Materials: paper
Techniques: engraving, printing
Location: england
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764

Strolling Actresses Dressing in a Barn was William Hogarth’s ardent protest against Robert Walpole’s Licensing Act of 1737. The act gave the British government the power to heavily censor theatrical productions. Sentimentalist domestic plays and Shakespeare were the only productions allowed on stage. Hogarth’s engraving shows actresses dressed as Classical deities preparing for a performance in a shabby and chaotic backstage setting. The artist critiqued the British government’s pompous attempt to whitewash the theater by juxtaposing the idealized characters the actresses will portray with the actresses’ reality.
Gevangenneming van het Zweedse leger onder Löwenhaupt door Rusland 1709
Object type: history medal
Date: 1709 – 1709
Materials: tin
Techniques: striking

Tinnen penning, op de voorzijde het borstbeeld van Tsaar Peter de Grote naar rechts met omschrift, op de keerzijde Minerva te midden van militaire trofeëen met links een zitende riviergod, met omschrift en afsnedetekst.
Wagens van Venus en Apollo
Object type: print
Date: 1530 – 1560
Materials: paper
Techniques: engraving, intaglio
Location: italy
Artist: meester van de dobbelsteen
Artist role: print maker
Subjects: water-birds: swan, (story of) jupiter (zeus), (story of) cupid, amor (eros), apollo in the chariot of the sun, drawn by four horses, usually preceded by aurora holding a torch; 'carro del sole' (ripa), (story of) venus (aphrodite), roman chariot, quadriga ~ triumph
Inscriptions: collector's mark: Lugt 240

Links Apollo op zijn wagen met vier naast elkaar aangespannen paarden. Rechts wordt de wagen van Venus getrokken door een adelaar, een pauw, een zeepaard en de driekoppige hond Cerberus met slangenstaart. Linksboven Jupiter met bliksemschicht en rechtsboven een zwaan en Amor met zijn boog. Italiaanse tekst in twee kolommen in ondermarge.
Portret van Elisabeth van de Palts
Object type: print
Date: 1638 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons - bb - woman, princess
Inscriptions: collector's mark: Lugt 2228
Portret van Louis Decazes
Object type: page
Date: 1872 – 1877
Materials: paper
Techniques: woodburytype
Artist: félix nadar
Artist role: ballonvaarder, fotograaf
Artist dates: 1820 – 1910
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Galerie Contemporaine, 126, boulevard de Magenta.’
Looking South into the Grand Cañon, Colorado River, Sheavwitz Crossing
Object type: photograph
Date: 1872 – 1872
Techniques: albumen print
Location: united states
Artist: william h. bell
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1910
Subjects: collected by hugh edwards
After the Antique: Greek and Amazon
Object type: drawing and watercolor
Date: 1530 – 1536
Materials: ink, paper
Techniques: pen
Location: italy
Artist: battista franco
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1561
Kluizenaars: Thebaanse heiligen
Object type: print
Date: 1636 – 1670
Materials: paper
Techniques: engraving
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: male saints (benjamin of nitria)
Inscriptions: number: ‘63’, collector's mark: Lugt 240

De heilige Benjamin van Nitria, op de rug gezien, als oude, misvormde man, geneest twee oudere mannen. Prent uit een serie van 80 prenten en een titelprent met kluizenaars uit de 2e tot de 6e eeuw.
Koperen lampvoet
Object type: sketchbook leaf
Date: 1908 – 1908
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: gas-lamp
Inscriptions: annotation: ‘koper/ glimmend/ [...]’

Pagina 2 uit een schetsboek met 23 bladen.
Jar
Object type: vessel
Date: 101 – 400
Materials: glass
Techniques: glassblowing
Culture: roman
Location: syria
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 401 – 450
Materials: terracotta
Culture: greek, attic

Interior, torch holder; Exterior, drapery, tree?, lower drapery and feet of a woman
Portret van Herman Gorter en zijn vrouw Louise (Wies) Cnoop Koopmans
Object type: photograph
Date: 1895 – 1916
Materials: paper, cardboard
Techniques: collodion silver print
Location: bussum
Artist: Anonymous
Subjects: herman gorter, portrait, self-portrait of artist
Inscriptions: inscription: ‘Herman Gorter/ Bussum’
Funerary Mask of the Overseeer of Builders Amenhotep
Object type: mask, amenhotep, overseer of builder, tt a 7
Date: 1427 – 1390
Materials: paint
Subjects: masks
Fotoreproductie van een prent van een kind dat een kat aankleedt
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: cat, child, child playing with animals

Onderdeel van Fotoalbum van een Nederlandse familie met 168 cartes-de-visite en kabinetfoto's.
De voetwassing van Petrus
Object type: print
Date: 1534 – 1570
Materials: paper
Techniques: engraving, etching
Artist: frans floris (i)
Artist role: draughtsman, print maker
Artist dates: 1519 – 1570
Subjects: christ washes peter's feet
Inscriptions: collector's mark: Lugt 2228

De discipel Petrus wast de voet van Christus.
Card Number 100, Josie Hall, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Side Chair
Object type: furniture
Date: 1790 – 1800
Materials: glass, wood
Techniques: carving, gilding, inlay, painting
Location: sicily
Subjects: furniture
Miss Viden, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Willem II, hertog van Gulik en Kleef
Object type: jeton
Date: 1574 – 1574
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: hertog, willem ii (hertog van gelre)

Koperen penning. Voorzijde: Rechtvaardigheid met blinddoek voor ogen en weegschaal in hand, zittend op stoel binnen omschrift. Keerzijde: wapenschild binnen omschrift
Henry IV
Object type: bust
Date: 1701 – 1800
Materials: marble, wood
Artist: jean-claude-françois-joseph rosset
Artist role: artist
Artist nationality: french
Artist dates: 1706 – 1786
Subjects: kings,portraits
Apostel Bartholomeus
Object type: print
Date: 1550 – 1600
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: Anonymous
Subjects: the apostle bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff
Inscriptions: collector's mark: Lugt 2228
Vrouw met hoed
Object type: sketchbook leaf
Date: 1890 – 1920
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman, head-gear: hat (+ women's clothes)

Blad 29 verso uit schetsboek X met 43 bladen.
Bottle
Object type: bottle
Date: 1601 – 1700
Materials: copper, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: human figures,flowers,leaves
Fragment
Object type: fragment
Date: 1401 – 1600
Materials: metal thread, silk
Subjects: flowers
Gezicht op een fort op een berg in Aden
Object type: photograph
Date: 1860 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: aden
Artist: Anonymous
Subjects: fortress

Onderdeel van Fotoalbum van een reis door de Verenigde Staten, Honolulu, Nederlands-Indië, Aden, Zanzibar en Zuidelijk Afrika.
Portrait of a Prelate
Object type: painting
Date: 1580 – 1580
Materials: copper, oil
Artist: lavinia fontana
Artist role: artist
Artist nationality: italian
Artist dates: 1552 – 1614
Subjects: men,portraits

Fontana was the most famous woman artist of her day, known above all for her portraits. This roundel’s minuscule scale required impressive control and tight paint handling, evident in the protruding veins of the man’s hand, the stitching and lace, and the shadows on the book. She used tiny brushstrokes that are barely perceptible, except in the beard, where deliberately distinct lines lend verisimilitude and animate the face.
Portret van Christoph Ludwig von Hoffmann
Object type: print
Date: 1788 – 1818
Materials: paper
Techniques: engraving
Location: mannheim
Subjects: westphalia, historical persons
Inscriptions: collector's mark: Lugt 2228
– My dear Holsteiner, I urge you to vote. – Pardon me, but am I going to end the same way as this one?, from "News of the day"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,elections,men,women
Ragini Devagandhari, Page from a Jaipur Ragamala Set
Object type: painting
Date: 1750 – 1770
Materials: gold, paper, watercolor
Location: rajasthan
Subjects: music, musicians
Fragment
Object type: textile
Date: 1601 – 1700
Materials: linen, textile, silk
Techniques: embroidery, weave, stitching
Culture: greek
Location: greece
Kop
Object type: drawing
Date: 1870 – 1870
Materials: ink
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: caricatures (human types)
Inscriptions: signature and date: ‘Tavenraat - 1/1 1870’, collector's mark: Lugt 2228

Karikaturale kop met hoge hoed, getekend op de keerzijde van het visitekaartje van: 'M.W. van Pesch, Swijndregt'.
Theologische deugden
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving
Location: cologne
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: temperance, 'temperantia'; 'temperanza' (ripa) ~ one of the four cardinal virtues
Inscriptions: monogram: ‘EC’
Schotel van gedraaid hout
Object type: platter
Date: 1800 – 1899
Materials: wood
Techniques: tropisch hardhout
Location: england
Artist: Anonymous

Schotel zonder rand, gedraaid van een donkere hardhoutsoort.