deem-data/ArtiFact huggingface dataset:
Plaque Inscribed for Amenhotep II
Object type: plaque, amenhotep ii
Date: 1427 – 1400
Materials: stone
Techniques: glazing
Location: egypt
The earl of Beaconsfield his life and work
Object type: book
Date: 1884 – 1884
Materials: cardboard, linen, paper
Techniques: woodburytype
Artist: lewis apjohn
Artist role: schrijver
Saint Bruno, founder of the Carthusian Order, with other saints
Object type: panel
Date: 1501 – 1600
Materials: glass
Subjects: men,women,croziers,saints
It is good to open for business (Akinai hajime yoshi), from the series "A Series for the Hanazono Group (Hanazono bantsuzuki)"
Object type: print
Date: 1822 – 1822
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Chess Piece, King
Object type: chess piece
Date: 801 – 1200
Materials: ivory
Techniques: carving
Location: iran

This ivory chess piece was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Maria Alexandrowna, Kaiserin aller Reussen
Object type: reproduction
Date: 1875 – 1880
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman, queen, empress, etc. (wife of a ruler)
Doorsnede van een huis
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: interior of the house

Prent uit: Afbeelsels der voornaemste gebouwen uyt alle die Philips Vingboons geordineert heeft. Amsterdam: Philips en Johannes Vinckboons en Johannes Willemszoon Blaeu, 1648.
Steatite triangular prism
Object type: seal
Date: 2400 – 1900
Materials: stone
Culture: minoan

Man with pole or branch; badly worn, remains of arrowhead and branch (?).
The temple of Errebek, Thebes
Object type: stereograph
Date: 1857 – 1862
Materials: photographic support
Techniques: albumen print
Location: dendera
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: temple, shrine ~ egyptian religion, thebes
Inscriptions: number: ‘X’, name: ‘Frith’
Gezicht op de Rivièra vanaf zee
Object type: stereoscopic photograph
Date: 1924 – 1924
Materials: glass, metal, paper
Techniques: slide
Location: mediterranean sea
Artist: Anonymous
Subjects: coast
Tile with Buddhist images
Object type: tile
Date: 501 – 600
Materials: earthenware
Culture: chinese
Tekenvoorbeelden
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: riding a horse, ass, or mule; rider, horseman, head (human)
Inscriptions: collector's mark: Lugt 2228

Blad met twee voorstellingen. Links: acht hoofden. Rechts: vier hoofden en één man te paard
The Faithful Friend, Portrait of Mrs Maguire, with her Son John James
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: etching
Location: london
Subjects: mother with son(s) (mother-love), dog
Inscriptions: collector's mark: Lugt 2228

This little print reproduces a painting with a diameter of 160 centimetres. It was exhibited in 1806 under the neutral title A Fancy Picture. However, it was soon recognized as a portrait of the mistress of the marquis of Abercorn, with their little boy. The title of the print The Faithful Friend refers to their huge newfoundland in the foreground.
Brief aan Philip Zilcken
Object type: letter
Date: 1922 – 1922
Materials: ink
Techniques: pen, writing
Location: paris
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: amsterdam, isaac israels, the hague, painter, philip zilcken, artist's model, sitter, anonymous historical person portrayed, workshop, studio of the artist (in general), london
Inscriptions: collector's mark: ‘RPK’
Studioportret van Generaal-Majoor G.B.T. Wiggers van Kerchem met onder andere zijn Militaire Willemsorde
Object type: photograph
Date: 1875 – 1895
Materials: paper, photographic support
Techniques: photography
Location: batavia
Inscriptions: inscription: ‘H. de Lange’, name: ‘Cabinet Portrait Woordbury & Page Batavia Java’
Amsterdam belegerd door Willem II 1650
Object type: history medal
Date: 1650 – 1650
Materials: silver
Techniques: casting, engraving

Gegoten zilveren penning, op de voorzijde het aanzicht van Amsterdam met schepen vol krijgsvolk en uit de wolken een hand met een hart, bovenaan een lint met tekst en een Amsterdams wapenschild, de keerzijde gegraveerd GODT / HEEFT ONS / BEWAERT. tussen samengestrikte takken en een omschrift.
Card Number 207, Lilian Grubb, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-5), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fifth subset, N145-5. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Diana en haar nimfen
Object type: print
Date: 1598 – 1665
Materials: paper
Techniques: engraving
Location: assendelft
Subjects: companions, nymphs of diana; 'ninfe di diana' (ripa), diana hunting with her nymphs
Inscriptions: collector's mark: Lugt 240

Voor een boom staan de naakte Diana (met pijl en boog) en een van haar nimfen. De prent maakt deel uit van een driedelige serie van Diana en haar nimfen en heeft een Latijns onderschrift.
Scarab: Cross Pattern
Object type: costume and accessory
Materials: glaze, stone
Techniques: glazing
Culture: egyptian
Location: egypt
Subjects: scarab beetle, snakes, serpents, scrolls (motifs), floral motifs
Hemelse stad in visioen van Ezechiël
Object type: print
Date: 1538 – 1538
Materials: paper
Techniques: woodcut
Subjects: ezekiel's vision of the new temple (ezekiel 40 - 47:12)

De hemelse stad met de nieuwe tempel zoals Ezechiël deze ziet in een visioen. De windrichtingen zijn aangeduid en bij de poorten staan namen van de stammen van Israël. In de marge boven de afbeelding staat de tekst Ezech. XLVII.
Portret van Nicolas Catinat
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Covered Vase with Lotus Petals Decoration
Object type: vessel
Materials: glaze, stoneware
Techniques: incising, underglaze
Location: china
Portret van Conradus Vorstius
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: theologian, historical persons

Prent waarschijnlijk uit: Freher, Paul. Theatrum Virorum Eruditione Clarorum Tomus Posterior. Neurenberg: Johann Hofmann, 1688.
Data
Object type: sketchbook leaf
Date: 1905 – 1906
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Inscriptions: annotation: ‘25 Juli[....]/ 30 Juli/ 1 aug./ 29 aug’

Blad 1 recto uit een schetsboek met 34 bladen.
Terracotta lamp handle
Object type: lamp handle
Date: 25 – 75
Materials: terracotta
Culture: roman

On handle, a palmette between two hippocamps
Graftombe van Paolo Veronese
Object type: print
Date: 1645 – 1700
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: pietro sante bartoli
Artist role: draughtsman, painter, print maker
Artist dates: 1615 – 1700
Subjects: venice, painter, draughtsman, paolo veronese, grave, tomb
Inscriptions: collector's mark: Lugt 240

Graftombe van schilder Paolo Veronese met portret en twee putti. In ondermarge tekst en een wapenschild.
Acht Indische jongemannen gezeten op de vloer bij een ingang in Nederlands-Indië
Object type: photograph
Date: 1895 – 1905
Materials: paper, photographic support
Techniques: collodion silver print
Location: dutch east indies
Artist: Anonymous
Subjects: youth, adolescent, dutch east indies, the

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië, Zwitserland en Nederlands-Indië.
Stanza dei Venti in de tuinen van de Villa Aldobrandini te Frascati
Object type: print
Date: 1653 – 1691
Materials: paper
Techniques: etching, intaglio
Location: italy
Subjects: fluid mechanics, hydraulics, parnassus, sacred to apollo musagetes, wind instruments, ornamental fountain
George Washington
Object type: statuette
Date: 1850 – 1850
Materials: bronze
Location: france
Subjects: george washington,men,horses
Verschillende afbeeldingen van retorten en distilleertoestellen
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: laboratory (+ tools, instruments; laboratory equipment ~ scientific research), pharmacy, pharmaceutics
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Bontekoe, Cornelis. Alle de philosophische, medicinale en chymische werken, 4 delen. Amsterdam: Jan Claesz ten Hoorn, 1689, dl. IV, p. 383.
Acht afbeeldingen van twee mannen, genomen op twee leeftijden
Object type: photomechanical print
Date: 1880 – 1893
Materials: paper
Techniques: photograph
Location: france
Artist: Anonymous
Subjects: head (human) (+ front view), head (human) (+ sideview, profile), criminals, france
Inscriptions: number: ‘Planche 59. (a)’, inscription: ‘Même individu à 14 mois d'intervalle dont 10 passé en prison.’, inscription: ‘Même individu : la 1e fois à 17 ans et la 2e à 24 ans.’, number: ‘Nos. 1 et 2.’, number: ‘Nos. 3 et 4.’

De vier afbeeldingen links zijn van een man op 17-jarige en 24-jarige leeftijd, de vier rechts zijn van een man, gemaakt met veertien maanden tussenpose.
Programma
Object type: newspaper
Date: 1884 – 1884
Materials: paper
Techniques: printing
Location: the hague
Subjects: the hague, netherlands

Bijvoegsel bij een krant, blad eenzijdig bedrukt, programma van de begrafenis van prins Alexander te Delft op 17-06-1884; vetgedrukte kop, tekst in drie kolommen.
Gezicht op Delft vanaf de bevroren Schie
Object type: print
Date: 1717 – 1783
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: city-view, and landscape with man-made constructions, skates (winter sports), delft
Inscriptions: collector's mark: Lugt 2228
Collection de dalles tumulaires de la Normandie
Object type: book
Date: 1861 – 1861
Materials: leather, paper, photographic support
Techniques: albumen print
Location: caen
Inscriptions: name: ‘Ex libris Baronis Surmont’
Panorama du Rheinstein, à Bengen
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: bingen
Artist: Anonymous
Subjects: river bank, shed
Inscriptions: number: ‘No 99’, inscription: ‘14’, inscription: ‘45 Ct’
Medaille met het portret van keizer Karel V
Object type: book illustration
Date: 1620 – 1620
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: ghent, charles v (holy roman emperor and king of spain), historical persons, knighthood order of the golden fleece, river-gods, king, dog

Prent uit: Lucke, Johann Jacob. Sylloge numismatum elegantiorum quae diuersi (...). S.l.s.n.,1620, p. 64.
Interior view of St. Peter's Basilica in the Vatican, from "Vedute di Roma" (Roman Views)
Object type: print
Date: 1748 – 1748
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: interiors,churches,rome
Vessel
Object type: vessel
Date: 1750 – 1500
Materials: gold
Culture: bronze age
Location: central europe
Zittend naaktmodel
Object type: print
Date: 1926 – 1926
Materials: paper
Techniques: lithograph
Artist: simon moulijn
Artist role: draughtsman, print maker
Artist dates: 1866 – 1948
Subjects: sitting figure - aa - female human figure, woman (showing herself) undressed, quasi-nude
Inscriptions: annotation: ‘Studie’, stamp: Lugt 2362b, collector's mark: Lugt 2228
Standing Crowned and Jeweled Buddha
Object type: figure
Date: 1101 – 1200
Materials: bronze
Culture: thai
Subjects: buddhism,buddha
Militaire Willemsorde, ridder
Object type: onderscheidingsteken, onderscheiding
Date: 1815 – 1900
Materials: silver, textile
Techniques: striking
Artist: Anonymous
Subjects: netherlands
Pohled podle východniho boku prumyslového paláce
Object type: page
Date: 1891 – 1893
Materials: paper
Techniques: autotype
Location: výstaviště
Subjects: façade (of house or building), temporary exhibition, 'salon'
Fountain jar with an image of The Archer
Object type: fonteinpot
Date: 1740 – 1740
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: netherlands
Artist: Anonymous

Balustervormige urn of watervat op een platte, ongeglazuurde basis met een brede rand. Een gewelfd deksel met een knop. Net boven de voet is een opening aangebracht voor een tapkraantje. Gedecoreerd in emailkleuren. Op de zijden vier cartouches met daarin een Chinese boogschutter, elk cartouche heeft bovenaan een schelp, onderaan een masker. De cartouches worden met elkaar verbonden door een bloemslinger. Verder versierd met vlinders, rond de tap een rozet. Op de schouder en deksel een decoratief lambrequin-patroon.

Het ontwerp van de Boogschutter zou één van de ontwerpen kunnen zijn die Cornelis Pronk (1691-1754) tussen 1734 en 1736 maakte in opdracht van de VOC. Twee ontwerpen kunnen met zekerheid aan hem worden toegeschreven, namelijk de Parasoldames (zie bijvoorbeeld AK-RBK-15939) en de Doctoren (zie bijvoorbeeld AK-NM-13703): de tekeningen hiervan bevinden zich in het Rijksprentenkabinet te Amsterdam. Het vierde ontwerp is het Prieel (zie bijvoorbeeld AK-NM-13528). Van dit ontwerp is geen tekening bewaard gebleven, maar het is beschreven in de VOC-archieven.
Het ontwerp van de Boogschutter zou het derde ontwerp kunnen zijn, het is echter alleen de stijl van het ontwerp waarop deze mening is gebaseerd.
The arrival of the skeletons of the penitentiary (Posada); two skeleton angels in lower corners of verso (Manilla)
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: letterpress, lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: buildings,cities,skeletons,crowd,street scene
Phra-Kéo-Pha, Frère du Roi
Object type: photograph
Date: 1866 – 1866
Materials: glass
Techniques: albumen silver print
Artist: emile gsell
Artist role: artist
Artist nationality: french
Artist dates: 1838 – 1879
Subjects: swords,men,portraits
Books of Flowers and a Writing Brush
Object type: woodblock print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: flowers,brushes
Portret van een onbekende vrouw
Object type: snapshot
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Subjects: adult woman, anonymous historical person portrayed, amsterdam
Inscriptions: address: ‘Kalverstraat 155’
Medal
Object type: medal
Date: 1818 – 1854
Materials: bronze
Artist: charles cushing wright
Artist role: maker
Artist nationality: american
Artist dates: 1796 – 1854
Subjects: george washington,men,profiles
Overdoor (Dessus de porte)
Object type: overdoor
Date: 1701 – 1800
Materials: wood
Techniques: carving, gilding
Matsuomaru, Nakamura Shikan
Object type: print
Date: 1825 – 1830
Materials: paper
Techniques: woodcut, nishiki e
Location: tokyo
Artist: utagawa kunisada (i)
Artist role: print maker
Artist dates: 1786 – 1865
Subjects: japan, hacking and thrusting weapons: sword, portrait of actor, actress

De acteur Nakamura Shikan II in rood gestreept gewaad, zijn zwaard trekkend; een pijnboomtak en opgestapelde strobalen op de achtergrond.
Drie schildpadden
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: woodcut
Location: edo
Subjects: tortoises, turtles
Basketwork Box with Ivy
Object type: box
Date: 1834 – 1866
Materials: bamboo, gold, lacquer, silver
Techniques: hiramakie
Culture: japanese
Subjects: vines

The lid of this document box features fine strips of bamboo covered in lacquer and then decorated with a stylized autumn ivy vine design. A similar ivy motif appears on a silver Tiffany teapot (combined with a dragonfly) made about 1878; an early inventory suggests that Moore may have acquired this box that year at the Paris Exposition. A box like this is also mentioned in discussions of the colors Tiffany aspired to create in the Conglomerate Vase.
Portret van een man met snor en vlinderstrik
Object type: photograph
Date: 1886 – 1902
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: groningen
Artist: willem bernard bekkering
Artist role: painter
Artist dates: 1858 – 1902
Subjects: moustache, historical persons
Inscriptions: inscription: ‘W. B. Bekkering/ Firma Godfried de Jong/ Groningen/ Heerestraat.’
Portret van Jaap Dooijewaard in zijn atelier
Object type: photograph
Date: 1910 – 1940
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: amsterdam, painter, draughtsman, jaap dooijewaard, historical persons, artist at work, in his workshop
Inscriptions: stamp: ‘B[...]’, inscription: ‘Jaap/ Dooijewaard’
Fotoreproductie van een schilderij door Anthony van Dyck, voorstellende een portret van koning Karel I van Engeland
Object type: reproduction
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: anthony van dyck
Artist role: draughtsman, painter, print maker
Artist dates: 1599 – 1641
Subjects: gloves, mittens, etc., historical persons (portraits and scenes from the life), flag, colours (as symbol of the state, etc.), europe
Inscriptions: collector's mark: Lugt 3937, number: ‘No. 22050.’
Diadem
Object type: diadem
Date: 401 – 1000
Materials: gold
Culture: middle magdalena river
Location: colombia
Subjects: diadems
Cleopatra
Object type: print
Date: 1590 – 1595
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Inscriptions: Lettered below image: "Ausonias dum victa ... invicta viderj! Harmen Mul. exc."
Dish
Object type: platter
Date: 1645 – 1660
Materials: faience
Location: haarlem
Artist: willem jansz. verstraeten
Artist role: plateelbakker
Subjects: pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist, physician, doctor

Schotel van faience met een geneesheer in zijn studeervertrek
Camillo
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘109.’
Large Bowl with Cherry Blossoms and Maple Leaves
Object type: bowl
Date: 1801 – 1850
Materials: enamel, iron, stoneware
Techniques: overglaze, polychrome, underglaze
Culture: japanese
Artist: takahashi dōhachi iii
Artist role: artist
Artist nationality: japanese
Artist dates: 1811 – 1879

The combination of cherry blossoms and colorful maple leaves on this large bowl revive the style of Kyoto’s famous ceramic artist Ogata Kenzan (1663–1743). The vivid composition is based on a poem about the Tatsuta River, from the waka anthology Kokin Wakashū (ca. 905). The poet describes fallen autumn foliage drifting on the water’s surface as if it were gold brocade, and cherry blossoms in the Yoshino hills that put him in mind of white snowflakes. The patterns evoke both symbolic images of spring and autumn, as well as two famous sites (meisho) in Japan.
Elkanah and His Wives Hannah and Peninnah
Object type: drawing
Date: 1777 – 1777
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: wybrand hendriks
Artist role: draughtsman, painter, print maker
Artist dates: 1744 – 1831
Subjects: childlessness of hannah, wife of elkanah
Narumi, section of sheet no. 10 from the series "Cutouts of the Fifty-three Stations (Gojusan tsugi harimaze)"
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Panel
Object type: textile
Date: 1707 – 1708
Materials: metal, textile, silk
Techniques: bookbinding, brocade, patterning, satin weave, silvered, weave
Location: france
Subjects: floating gardens
Melpomene, Muse of Tragedy, from the Goddesses of the Greeks and Romans series (N188) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,muses

Trade cards from the "Goddesses of the Greeks and Romans" series (N188), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
Aankondiging van boekhandelaar Louis Cellot te Parijs
Object type: print
Date: 1756 – 1815
Materials: paper
Techniques: letterpress printing
Location: paris
Artist: louis cellot
Artist role: publisher
Artist dates: 1731 – 1815
Inscriptions: collector's mark: Lugt 2228
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1900 – 1900
Materials: cardboard, ink
Techniques: pen, writing
Location: bussum
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: abraham kuyper, the hague, painter, draughtsman, philip zilcken, the graphic arts
Inscriptions: collector's mark: ‘RPK’
Young Man and Woman Talking through a Bamboo Blind
Object type: print
Date: 1768 – 1768
Techniques: woodblock print
Location: japan
Artist: attributed to suzuki harunobu 鈴木 春信
Artist nationality: japanese
Artist dates: 1725 – 1770
Cylinder seal
Object type: cylinder seal
Date: 600 – 301
Materials: limestone
Culture: achaemenid
Location: iran