deem-data/ArtiFact huggingface dataset:
Madonna and Child
Object type: painting
Date: 1470 – 1470
Materials: gold, oil, paint, wood
Artist: giovanni bellini
Artist role: artist
Artist nationality: italian
Artist dates: 1424 – 1516
Subjects: madonna and child

This early work by the Venetian painter, Giovanni Bellini, reveals the profound influence of his brother-in-law, the Paduan master Andrea Mantegna, both in the figure types and the inclusion of the garland. The treatment of the landscape and the use of the oil medium, with which Giovanni may have been experimenting since the 1460s, were likely inspired by Netherlandish painting. Bellini creates a dramatic connection between the worshipper and subject through the Virgin’s left hand, extending across the parapet, and her fingertip, which reaches into the viewer’s space. The gourds in the garland and at the left of the parapet symbolize the Resurrection; the fruit at right might be a cherry, signifying the Eucharist, or an apple, evoking the Fall.
Raymond Diocrès Speaking During His Funeral (from the Life of Saint Bruno of Cologne)
Object type: drawing
Date: 1628 – 1629
Materials: chalk, gouache, ink, drawing material
Techniques: brush, highlighting, pen, wash
Artist: daniele crespi
Artist role: artist
Artist nationality: italian
Artist dates: 1597 – 1630
Subjects: funerals,crowd

Daniele Crespi, who lived to be barely thirty-three years old and who nevertheless is counted among the leading Italian Baroque painters, hailed from the region of Lombardy. He was active mainly in Milan. His artistic vocabulary seems dazzling for its energy of figural pose, expressive gesture, and dramatic light. This virtuoso drawing relates to a very well known project of the artist's mature career, and the treatment of the subject matter is highly expressive. This drawing was preparatory for the 'Resurrection of Raymond Diocrés', a scene frescoed around 1628-29 by Daniele Crespi on the west nave of the Carthusian Monastery - or Certosa - in Garegnano, near Milan. The composition, randered in a dramatic chiaroscuro, portrays the blessed Diocrés rising from the bier before a crowd of onlookers who gesticulate wildly with astonishment. The figure of the deceased man on the bier is placed along a diagonal in the pictorial space, and the funeral scene unfolds within the interior of a church. The bier is inscribed by the artist in pen and the same brown ink as in the drawing with notes on the materials, "brocato nero / che sia di carta atacato al tapeto." Following these instructions, the blessed Diocrés was clothed with a black brocade drapery in the fresco. In preparing the complex and crowded scene in Garegnano, which also happened to be the last commission before his death, Crespi prepared several other drawings: a brief sketch for the sole figure of Raymond Diocrés (Civico Gabinetto dei Disegni, Milan, inv. A 1983), and two larger compositional sketches in Milan (Biblioteca Ambrosiana, inv. Cod. F 271, inf. n. 103) and in a private collection in Paris. Considering its difference from the final fresco, the Met drawing must be considered an early, tentative compositional study for the whole scene, which was later corrected on the sheets now in Milan and Paris. The collection of the Metropolitan Museum of Art lists an additional drawing done by Crespi for the Certosa in Garegnano (inv. 1978.133), a recently acquired repertory study of hands which was used by Crespi for the same decorative cycle (2015.15a,b), and two sketches for his earlier commission in the Certosa of Pavia (inv. nos. 80.3.217 and 1981.400). (Furio Rinaldi, 2015)
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Techniques: compound weave
Culture: japanese
Subjects: monkeys
Tronie van een man met hoed
Object type: drawing
Date: 1694 – 1766
Materials: chalk, paper
Artist: matthijs balen (1684-1766)
Artist role: draughtsman, painter, print maker
Artist dates: 1684 – 1766
Subjects: head-gear: hat, glass, rummer
Portret van Sigismund Thalberg
Object type: print
Date: 1840 – 1860
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: posillipo, collina di, historical persons, portrait of composer
Gelijkenis van de verloren zoon
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: leave-taking and departure of the prodigal son

De verloren zoon neemt afscheid van zijn vader. Hij zit te paard en schudt zijn vader de hand. Rechts de familie voor het huis. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Luc. 15. Deze prent maakt deel uit van een album.
Portret van Conrad Busken Huet
Object type: print
Date: 1856 – 1886
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: petrus johannes arendzen
Artist role: draughtsman, print maker
Artist dates: 1846 – 1932
Subjects: the hague, paris
Inscriptions: collector's mark: Lugt 2228

Portret van Conrad Busken Huet ten halver lijve, met boek in zijn hand. Onder het portret zijn handtekening in facsimile.
Kolonel der genie
Object type: print
Date: 1835 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: utrecht
Subjects: (military) uniforms, clothes, costume
Inscriptions: collector's mark: Lugt 2228

Staande kolonel van de genie, met een vestingplan in de hand. Onderdeel van een serie van 157 losse bladen met Nederlandse militaire uniformen in de jaren 1830-1832.
Skyphos
Object type: skyphos
Date: 500 – 500
Materials: terracotta
Culture: greek, attic

Debased palmette-lotus pattern.
Le trouvère No 69
Object type: book
Date: 1804 – 1890
Materials: paper, photographic support
Techniques: albumen print, printing, engraving
Antique Statue of Standing Faun with Cymbals
Object type: drawing and watercolor
Date: 1775 – 1775
Materials: chalk, charcoal, paper
Techniques: drawing, heightening, stumping
Location: england
Artist: john downman
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1749 – 1824
Portret van Christoph Martin Wieland
Object type: print
Date: 1830 – 1899
Materials: paper
Techniques: lithograph
Location: germany
Artist: Anonymous
Subjects: publisher, christoph martin wieland, historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
A Musician and His Daughter
Object type: painting
Date: 1629 – 1629
Materials: oil, wood
Artist: thomas de keyser
Artist role: artist
Artist nationality: dutch
Artist dates: 1596 – 1667
Subjects: girls,men,portraits,music,lutes,musicians

The father and daughter in this elegant interior display the wealth and confidence of the patrician class of seventeenth-century Amsterdam. They wear luxurious black clothing (the daughter is in the costume of a grown woman), and the father’s lute is both a costly foreign import and a mark of refinement. De Keyser excelled in the depiction of objects in perspective, such as the worn lute case and the classically ornamented doorway. This painting was seized by the Nazis from Baron Karl Neuman (Charles Neuman de Végvár) in Paris and restituted to him by 1947.
Terracotta fragment of a lekanis (covered dish)?
Object type: lekanis fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, attic

Fragment of a lekanis? with part of a thick red glazed line on the exterior
Dorpskerk van Stralau
Object type: photomechanical print
Date: 1896 – 1901
Materials: paper
Techniques: autotype
Location: berlin
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: inscription: ‘Zondag den 11de Aug 1901’, title: ‘Stralau. Kirche.’

Deze fotomechanische afdruk maakt deel uit van een album.
Porta Capuana te Napels
Object type: photograph
Date: 1880 – 1895
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: florence
Subjects: gate, entrance, market, street, naples
Inscriptions: number: ‘52.’
Portret van Johannes Coccejus
Object type: print
Date: 1669 – 1693
Materials: paper
Techniques: engraving
Subjects: leiden, theologian, historical persons
Twee handen vangen de regen / Heilige piramide
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: postures and gestures of arms and hands in general, rain

Pagina uit Jacob Typotius, Symbola Divina & Humana Pontificum Imperatorum Regum. Arnhem, J.F. Hagen, 1666 of uit de titeluitgave van 1669 of 1679. Het werk van Typotius werd voor het eerst uitgegeven in 1601 met prenten van Aegidius Sadeler.
Irish cars (Study of two carts in a landscape)
Object type: drawing
Date: 1800 – 1873
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: cornelius varley
Artist role: artist
Artist nationality: british
Artist dates: 1781 – 1873
Subjects: carts

An inscription at lower left indicates that Varley made this drawing in Ireland. Two hand-carts made out of rough planks rest at different angles in a rural yard near a two-storey building, with small structures roofed in tile and thatch beyond. Pen and ink over graphite has been applied to describe the buildings and landscape, with wash added to detail the carts. Brother to the well-known watercolor teacher John Varley, Cornelius was himself a skilled draftsman and watercolorist, and became known for inventing the Graphic Telescope, an optical device that helped artists achieve correct perspective.
Porphyra laciniata
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Bone Pick
Object type: non art
Date: 1000 – 1476
Materials: bone
Location: peru
Meisje met armen over elkaar
Object type: print
Date: 1721 – 1778
Materials: paper
Techniques: etching
Artist: johann gottlieb glume
Artist role: print maker
Artist dates: 1711 – 1778
Subjects: arms crossed, girl (child between toddler and youth)
Inscriptions: collector's mark: Lugt 3870, collector's mark: ‘S ch K’
Portret van Hartmann Mogen
Object type: print
Date: 1658 – 1720
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: historical persons, book
Inscriptions: collector's mark: Lugt 2228
Terracotta fragments of a plate?
Object type: plate fragment
Date: 401 – 600
Materials: terracotta
Culture: roman

Fragment with a calyx krater, in relief; African red slipware
Pair of side chairs
Object type: side chair
Date: 1725 – 1750
Materials: wood
Mary Cassatt in the Paintings Gallery at the Louvre
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: aquatint, drypoint, etching
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: leisure, women, urban life

This print signals the close friendship between Edgar Degas and fellow Impressionist painter Mary Cassatt. The two artists experimented with print­making techniques, which Degas used to create this image of Cassatt as a confident modern woman enjoying the painting galleries of the Musee du Louvre, Paris. She is accompanied by a figure who is probably her sister Lydia. Degas, like Cassatt, collected Japanese prints, and the vertical format, pillared framing device, rear silhouettes, and fanning skirt in this print are strikingly japoniste features.
Handle Spout Vessel Depicting Masturbation Scene
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Culture: moche
Location: peruvian north coast
Nieuwe draaikolken - een roman
Object type: book
Date: 1914 – 1914
Materials: paper
Techniques: woodcut, letterpress printing
Location: japan
Inscriptions: date
Titelprent met cartouche
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: italy
Subjects: ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2228

Titelprent van een serie die behalve de titelprent bestaat uit 72 prenten naar schilderingen door Michelangelo in de Sixtijnse Kapel in het Vaticaan.
Walrus Ivory Seal
Object type: figure
Date: 1701 – 1900
Materials: ivory, steel
Culture: inuit
Location: canada
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, parts of two javelins and a youth bending to right; may belong to 2011.604.1.6971
Portret van Otto I, koning van Griekenland
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: munich
Subjects: historical persons, youth, adolescent
Inscriptions: collector's mark: Lugt 2228
Schrijvende vrouw aan boord van passagiersschip ss. Rumphius tijdens een reis naar Java
Object type: album leaf
Date: 1908 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: handwriting, writing as activity, parts of ship's exterior: deck, passengers ~ ship

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Medal
Object type: medal
Date: 1864 – 1864
Materials: metal
Artist: john a. bolen
Artist role: maker
Artist nationality: american
Artist dates: 1826 – 1906
Subjects: george washington,portraits,profiles
Daniel Edward "Dan" Dugdale, Catcher, Minneapolis, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Vuurtoren van Pan de Bréhat
Object type: photomechanical print
Date: 1873 – 1883
Materials: paper
Techniques: photograph
Location: paris
Subjects: lighthouse, lightship, rocky coast
Chimera
Object type: print
Date: 1777 – 1784
Materials: paper
Techniques: etching
Location: italy
Subjects: chimera (lion/goat/snake); 'chimera' (ripa)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

The architect and set designer Desprez favoured theatrical depictions. Here he offers a free interpretation of a chimera, a hybrid mythological creature, which he turns into a three-headed desert monster hunting for food in front of a run-down palace in North Africa. The partly digested carcass of its last victim still sticks out of its ribcage and the ground is littered with animal remains.
Portret van schrijver Agostino Fusconi
Object type: book illustration
Date: 1647 – 1647
Materials: paper
Techniques: engraving, letterpress printing
Location: venice
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228

Prent uit de publicatie: Loredan, Giovan Francesco. Le glorie degli Incogniti. Venetië: Francesco Valvasense, 1647, p. 6.
Gegraven op last van Koning Lodewijk, 1809, voltooid 1811, Hoog-Soeren. Origineele kaart van den beroemden Echoput, 232 voet diep.
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1920
Materials: cardboard
Techniques: autotype
Location: hoog-soeren
Subjects: well
Block of relief
Object type: relief, amenemhat i
Date: 1981 – 1952
Materials: limestone, paint
Location: egypt
Subjects: hieroglyphs
Familiefoto van het echtpaar Jetten te Moengo
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Familiefoto van het echtpaar Jetten in een hangmat in hun huis te Moengo. Foto op een bladzijde van een los albumblad. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Koninklijke Pruisisch-Aziatische Compagnie van Emden, piaster
Object type: coin
Date: 1751 – 1751
Materials: silver
Techniques: striking
Location: cleves

Zilveren munt. Voorzijde: borstbeeld van koning Friedrich II van Pruisen naar rechts. Keerzijde: door schildhouders gehouden wapensschild, waarboven gekroonde adelaar en waaronder kleiner schild met in drie regels letters K, A, P , C en E, waaromheen wapenspreuk. Kabelrand.
Card 799, Irene Perry, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 2), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Portret van een vrouw leunend tegen een ornament en een gezicht op een rivier met brug en bomen
Object type: page
Date: 1890 – 1910
Materials: paper
Techniques: gelatin silver print
Location: paris
Subjects: ornaments ~ art, river, historical persons not known by name - bb - woman, landscape with bridge, viaduct or aqueduct, leaning figure
Inscriptions: inscription: ‘Chloro-Citrate brilliant’
Den Grooten Emblemata Sacra, bestaande in meer dan vier hondert bybelsche figuren, zoo des Ouden als des Nieuwen Testaments
Object type: text sheet
Date: 1610 – 1625
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: paris

Portretten van Lodewijk XII van Frankrijk en Hendrik VII van Engeland, in dit album gebruikt als afbeeldingen van respectievelijk Amon en Josia. De begeleidende tekst begint met een kleine gedecoreerde initiaal D. Het blad maakt deel uit van een album.
Brief aan anoniem
Object type: letter
Date: 1866 – 1866
Materials: ink, paper
Techniques: pen, writing
Artist: augustinus jacobus bernardus wouters
Artist role: print maker
Artist dates: 1829 – 1904
Subjects: painting (including book-illumination, miniature-painting), money
Inscriptions: collector's mark: Lugt 2233
Portret van man met penseel achter oor
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons, portrait, self-portrait of artist, brushes ~ implements of painter
Inscriptions: collector's mark
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of handle patch; tendril loop
Scenes in and around the Capital
Object type: screen
Date: 1601 – 1700
Materials: gold, gold leaf, ink, panel, paper
Culture: japanese
Subjects: buildings,cities

The maplike composition of this pair of screens depicts festive scenes and iconic sites in and around Kyoto, among them bustling streets, temples, shrines, and canals set against a panoramic view of the river, surrounding hills, and suburbs. Screens of this type—encyclopedic visualizations that incorporate renowned scenic spots and monuments that served as settings for seasonal events—are also filled with images of townspeople whose customs, garments, mercantile and leisure activities, and modes of transportation are carefully documented. The majority of surviving Kyoto screens, like this pair, separate the city into east and west. On the right screen, the eastern half of the city and the summer Gion festival dominate the street activity, while the left screen shows Nijō Castle and the city’s western half.
Untitled (Young Man)
Object type: photograph
Date: 1850 – 1890
Techniques: ambrotype
Location: unknown place
Artist: Anonymous
Artist dates: 1800 – 1899
Subjects: portraits, portraits: male subject, photography
Der Zug der Auswanderer
Object type: reproduction
Date: 1876 – 1881
Materials: paper
Techniques: photograph
Subjects: cow, adult woman, exile (of old government or its adherents)
Triptych of Calligraphy
Object type: painting
Date: 1667 – 1733
Materials: ink, paper
Location: japan
Artist: katsuzen dowa
Artist nationality: japanese
Artist dates: 1634 – 1707
Portret van een onbekende jonge vrouw met hoed
Object type: album leaf
Materials: paper
Techniques: gelatin silver print
Location: leeuwarden
Subjects: anonymous historical person portrayed - bb - woman
Inscriptions: inscription: ‘EER [...]’
De Byl
Object type: book illustration
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: woodcutter, wood-engraver, tools, aids, implements ~ crafts and industries: axe, forest, wood
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Luyken, Jan. De Bykorf des Gemoeds. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1711, p. 266.
Trade Card for Dr. Whitaker & Co., Lithogravers, Engravers and Printers
Object type: print, trade card
Date: 1801 – 1900
Techniques: lithography
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Wings voor schutters
Object type: wing
Date: 1840 – 1840
Materials: textile, hair, wool
Techniques: stitching
Location: netherlands
Artist: Anonymous
Subjects: netherlands

Schouderbedekking, halfrond van vorm, van rode wol met grijze lakense voering.
Amsterdam, brandspuitpenning van wijk 54 met no. 14
Object type: fire engine medal
Date: 1680 – 1800
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: gekroond wapenschild, geflankeerd door twee leeuwen boven cartouche met opschrift W 54. Keerzijde: brandspuit onder cartouche met no. 14 binnen slangerond; op bovenkant van brandspuit: letter A
Portret van een jongen
Object type: carte de visite
Date: 1860 – 1865
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: rotterdam
Artist: johannes baer
Artist role: fotograaf
Artist dates: 1840 – 1912
Inscriptions: address: ‘J. Baer/Photographe/Rotterdam’

Een jongen staat geleund tegen een met een doek bedekt tafeltje. Rechts een gordijn met grote kwasten.
Boerderij te Midlaren in Drenthe
Object type: drawing
Date: 1755 – 1818
Materials: chalk, paper
Techniques: brush
Artist: egbert van drielst
Artist role: draughtsman
Artist dates: 1745 – 1818
Subjects: farm (building)
Fräulein Politz as Gretchen, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Sawamura Yodogorō II and Bandō Zenji as Kawatsura Hōgen and Onisadobō in the Play "Koinyōbō Somewake Tazuna"
Object type: woodblock print
Date: 1794 – 1794
Materials: ink, mica, paper
Techniques: woodblock print
Culture: japanese
Artist: tōshūsai sharaku
Artist role: artist
Artist nationality: japanese
Artist dates: 1794 – 1795
Subjects: men,actors
Christ
Object type: statue
Date: 1401 – 1600
Materials: paint, wood
Culture: italian
Subjects: christ
Slippers
Object type: slipper
Date: 1795 – 1805
Materials: leather
Culture: british
Wengeralp Scheideck
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Location: lauterbrunnen
Artist: louis ghémar
Artist role: draughtsman, print maker
Artist dates: 1819 – 1873
Subjects: mountains
Inscriptions: inscription: ‘Bruxelles’
Palanquin Finial
Object type: finial
Date: 1650 – 1680
Materials: copper
Techniques: casting, gilding
Location: india
Chalice Cover
Object type: textile
Date: 1701 – 1800
Materials: silk
Techniques: satin weave
Location: italy
Piccolo
Object type: wind instrument
Date: 1800 – 1800
Materials: wood
Location: dresden
Artist: Anonymous
Inscriptions: stamp: ‘[...]/ Dresden’, stamp: ‘Dresden’

Piccolo van palmhout met een klep. Bovenstuk.
Untitled
Object type: photograph
Date: 1850 – 1850
Techniques: cyanotype
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899