deem-data/ArtiFact huggingface dataset:
Railway Tracks
Object type: photograph
Date: 1930 – 1940
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: guy le boyer
Subjects: railway, tramway; rack railway, france

Even though much is written about photography nowadays, virtually nothing is known about some of its practitioners. Yet at times they, too, took photographs of a high visual caliber. Guy Le Boyer is such a photographer. When, where, and to what purpose he took this photograph of rails remains a mystery. However, this in no way detracts from its quality.
Hoeren die schreyen, en 's vyants vleyen, dat kan verleyen
Object type: book illustration
Date: 1635 – 1715
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: adult woman, adult man, ornaments, jewels, proverbs, sayings, etc., weeping
Inscriptions: collector's mark: Lugt 1641, stamp

Veel versies van dit embleem verschenen in verschillende uitgave van Spiegel van den Ouden ende Nieuwen Tydt. Zoals: Cats, Jacob. Spiegel van den Ouden ende Nieuwen-tijt, Bestaende uyt Spreeck-woorden (...). Dordrecht: Jacob Braat, 1647. Maar ook in andere publicaties (1665, 1671, 1715, 1722).
Schepen op zee
Object type: print
Date: 1847 – 1889
Materials: paper
Techniques: etching
Location: germany
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 2228

Prent naar het schilderij door Willem van de Velde II in de Gemäldegalerie Alte Meister te Kassel (inv.nr. GK 420).
The Desperate Man
Object type: print
Date: 1515 – 1516
Materials: ink, paper
Techniques: etching
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
"Ocean Wave" Quilt Bedcover
Object type: textile
Date: 1883 – 1883
Materials: cotton
Techniques: backing, treatment, weave, printing
Location: united states
Artist: frances brooks wyld
Subjects: chicago
Amphora
Object type: amphora
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Verklaring van de penning door Nikolaas van Swinderen geslagen op het overlijden van Anna van Hannover, prinses van Oranje-Nassau
Object type: pamphlet
Date: 1759 – 1759
Materials: paper
Techniques: printing
Location: the hague
Artist: Anonymous
Subjects: the hague, anna van hannover

eenzijdig, rechthoekig papier met opschrift, gedrukt in zwarte inkt
Terracotta rim fragments of kylikes(drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Twelve rim fragments with bit of handle patch
Kind op aarde zit in lichtstralen van tronende engel in hemel
Object type: book illustration
Date: 1590 – 1624
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: angels
Inscriptions: collector's mark: Lugt 240, inscription: ‘Quàm dilecta tabernacula tua Domine virtutum! concupiscit et deficit anima mea in atria Domini.’

Boekillustratie uit: Herman Hugo, Pia desideria emblematis, elegiis & affectibus S. S. Patrum illustrata, Antwerpen 1624, afb. 44
Raikô en de aardspin
Object type: wrapper
Date: 1800 – 1899
Materials: paper
Techniques: woodcut
Location: japan
Artist: Anonymous
Subjects: board-games
Aerostation out at Elbows, or The Itinerant Aeronaut
Object type: print
Techniques: etching
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,hot air balloons
Landschap met een boom
Object type: sketchbook leaf
Date: 1819 – 1870
Materials: ink, paper, pencil
Techniques: brush
Artist: Anonymous
Subjects: trees

Blad 16 recto uit een schetsboek met 39 bladen.
Trade Card for Joshua Cross, Seal and Copper Plate Engraver
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Portret van Robert Fleming
Object type: print
Date: 1796 – 1825
Materials: paper
Techniques: etching
Location: leipzig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Tug of War, "Pull now boys, altogether," from the Terrors of America set (N136) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1888 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: boys,playing

Trade cards from the "Terrors of America" series (N136), issued in a set of 50 cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The original lithographs for the series were created by Knapp & Company, N.Y. This is the second time that Duke released the "Terrors of America" series. The cards of the first set (N88) are smaller than N136 cards.
Bust of a Warrior
Object type: drawing and watercolor
Date: 1586 – 1588
Materials: chalk, ink, paper
Techniques: heightening, pen
Location: netherlands
Artist: hendrick goltzius
Inscriptions: Signed recto, center right: "HG"; inscribed verso, upper center, in graphite: illegible name over "(1588–1616)"; center, in graphite: "got"; right, in graphite: illegible word

Netherlandish artists like Hendrick Goltzius studied Classical antiquity to understand the ideal representation of the human face and body. They also turned to Classical inspirations to develop their own imaginative repertoire, as reflected in this rendering of a warrior.
Maude Hudson, from the Actresses series (N671), promoting Alfreds Pets Tobacco
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N671), issued ca. 1888 to promote Alfreds Pets Tobacco.
Miniature birdcage (part of a set)
Object type: birdcage
Date: 1675 – 1700
Materials: silver
Subjects: birds

Part of set of silver miniature furniture, 31.37.1–.22, and a box, 31.37.23.
Handbell
Object type: handbell
Date: 1770 – 1770
Materials: earthenware, tin
Techniques: enamel
Culture: dutch
Location: netherlands
Artist: johannes harlees
Artist role: maker
Artist nationality: dutch
Artist dates: 1770 – 1795
Subjects: women
Torenspits
Object type: sketchbook leaf
Materials: paper, pencil
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: spire (of tower on house or building)
Inscriptions: annotation: ‘R)’

Voorste schutblad uit een schetsboek met 36 bladen.
Spa, vue prise derrière le pouhon (la redoute et la rue royale)
Object type: stereograph
Date: 1866 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: spa
Artist: jules hippolyte quéval
Artist role: publisher
Artist dates: 1824 – 
Subjects: street
Inscriptions: number: ‘No 1775’
Stop van goudviskom
Object type: goudviskom
Date: 1825 – 1850
Materials: glass, metal
Techniques: gilding, glassblowing
Location: bohemia
Artist: Anonymous

Holle, geprofileerde, balustervormige stop met een verguld metalen onderstuk en luchtgaten. Een guirlande in wit en goud.
Plattegrond van Antwerpen met stadsgezicht
Object type: print
Date: 1624 – 1624
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), bagpipe, musette, farmers, maps of cities, prospect of city, town panorama, silhouette of city, antwerp
Inscriptions: date

Plattegrond van Antwerpen. Boven in een banderol de titel. Onder een gezicht op Antwerpen vanaf de Schelde. Linksboven een doedelzakspeler met daarnaast een schaalstok: 200 Antwerpshe Roeden van 20 Voeten. Rechtsboven twee boeren die het wapen van Antwerpen vasthouden.
The Daughter of the People, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Subjects: men,women
The Fifth Knot
Object type: print
Date: 1507 – 1507
Materials: ink, paper
Techniques: printing, woodcut
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528

Around 1506, Albrecht Dürer designed a series of six ornate woodcuts of labyrinthine designs after a set of engravings by the school of Leonardo da Vinci, which he may have seen or acquired during an early trip to Italy. Though Dürer left them unsigned, possibly because he borrowed their source material, he referred in his diary to giving away his series of knots on a trip to the Netherlands, and this title has become standard. These impressions are printed on a thin, nearly translucent Italian paper, which may have influenced scholars to occasionally interpret them as embroidery patterns.
Landschap met boerderij, hengelaar en fuiken
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: haarlem
Artist: hendrik schwegman
Artist role: draughtsman, print maker
Artist dates: 1761 – 1816
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Landschap met een boerderij aan het water. Langs het water staat een hengelaar. Rechts op de voorgrond fuiken.
La Pratique de l'Aiguille, page 66 (recto)
Object type: book print ornament architecture
Date: 1605 – 1605
Techniques: woodcut
Artist: matthias mignerak
Artist role: author
Subjects: birds,squirrels,flowers,vines

Written by Matthias Mignerak, title page engraved by Pierre Firens, French, born Paris 1641, dedicated to Marie de Medici, Florence 1575-1642 Cologne, published by Jean Le Clerc, Paris. From top to bottom, and left to right: Design is printed upon a grid and is decorated in the center with a curving vine of leaves and multiple types of flowers. A squirrel and another animal (dog?) climb up the vine, while a bird is perched on a flower (toward the bottom of the design).
Asser mihi venantione tua ut comedam et benedicat tibi anima mea ante quam moriar
Object type: print
Date: 1645 – 1700
Materials: paper
Techniques: engraving, etching
Location: vatican city
Subjects: the meeting between esau and jacob
Inscriptions: collector's mark: Lugt 240

Isaak ligt in bed en praat tegen Esau, die aan het voeteneinde staat. Hij stuurt Esau uit om een stuk wild te schieten. Links vertrekt Esau voor de jacht. Rechts staan Jakob en Rebekka achter de deur mee te luisteren. Titel en verwijzing naar Bijbeltekst in ondermarge.
Petit Port de Bretagne
Object type: print
Date: 1760 – 1780
Materials: paper
Techniques: etching
Location: france
Subjects: harbour
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Card Number 551, Lillian Grubb, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses
Portretten van de graven van Vlaanderen
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: historical persons, armorial bearing, heraldry

Met midden onder zijn wapenschild. Linksboven genummerd: 2.
Paarden en wagens op de Avenue de Gezireh in Caïro
Object type: photograph
Date: 1870 – 1898
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: cairo
Subjects: avenue, boulevard, promenade, esplanade (+ city(-scape) with figures, staffage)
Inscriptions: negative number: ‘1169’

Onderdeel van Reisalbum met 80 foto's van Egypte.
Portretten van Elias van Nijmegen, Gerard Sanders en Dionys van Nijmegen
Object type: book illustration
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: rotterdam, painter, dionys van nijmegen, gerard sanders, elias van nijmegen, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 240

Drie genummerde portretten van de schilders Elias van Nijmegen, Gerard Sanders en Dionys van Nijmegen. Linksonder een palet en penselen. Midden boven: M.
Portret van Sophie Ristaud Cottin
Object type: print
Date: 1790 – 1849
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons - bb - woman
Untitled (Portrait of a Standing Girl)
Object type: photograph
Date: 1865 – 1865
Techniques: ambrotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portrait, children, girls, portraits, portraits: child subject, portraits: female subject
Deel van het exterieur van een schip
Object type: sketchbook leaf
Date: 1936 – 1936
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: parts of ship's exterior

Onder andere een trap en een reddingsboei. Blad 24 recto uit een schetsboek met 73 bladen.
Landscape with Cattle
Object type: painting
Date: 1665 – 1688
Materials: canvas, oil
Artist: albert jansz klomp
Artist role: draughtsman, painter
Artist dates: 1618 – 1688
Subjects: cattle, carrying something with yoke, milkmaid
Inscriptions: signature, lower right: ‘A. Klomp f.’

Landschap met vee. Op de voorgrond liggen koeien, een geit en enkele schapen. Rechts een boerin met een juk met emmers op de schouders, links een boerderij onder bomen. Pendant van SK-C-161.
Juwelendoos en originele cornalijn van collier met zwaan
Object type: juwelendoos
Date: 1901 – 1901
Materials: gemstone
Inscriptions: import mark: ‘dubbele adelaar (Praag, 1902-1922)’, mark: ‘C’, mark: ‘AV dooreen’

Juwelendoos en originele cornalijn van collier met zwaan.
Bronzen drie armige wandkandelaar voorzien van ornamenten en versieringen
Object type: photograph
Date: 1860 – 1900
Materials: canvas, cardboard, paper
Techniques: albumen print
Location: netherlands
Artist: Anonymous

Onderdeel van een serie met betrekking tot het interieur van het paleis van Versailles met kroonluchters, deuren, portalen en meubelstukken.
[Officer of the 92nd Gordon Highlanders Reading to the Troops, Edinburgh Castle]
Object type: photograph
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: soldiers,cannons,men

On occasion Hill and Adamson ventured into full-blown genre, costuming and staging literary scenes reminiscent of popular tableaux vivants, but in other cases such as this, the artists found authentically engaging subjects in contemporary life. This photograph may have served as a study for Hill's painting Edinburgh, Old and New, but it is also an affecting photograph in its own right, a peek between the castle cannons at the elite group of soldiers, seemingly unaware of the camera as they concentrate on the orders of their seated sergeant. Their slight movement enlivens the scene and gives a sense of immediacy, while the bearskin hats, elaborate military coats, sporrans, and argyle socks provide a lush and lively pattern of tone and texture for the eye.
Heuvellandschap
Object type: sketchbook leaf
Date: 1840 – 1840
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: low hill country

Blad 22 recto uit een schetsboek met 33 bladen.
Mandola
Object type: mandola
Date: 1773 – 1773
Materials: brass, ivory, mother of pearl, wood
Culture: italian
Location: italy
Artist: antonius vinaccia
Artist role: maker
Artist nationality: italian, naples
Artist dates: 1754 – 1781
Heinrich Pestalozzi 1746-1827 (1927)
Object type: history medal
Date: 1927 – 1927
Materials: brass
Techniques: pressing

Rechthoekige messing plaquette met oog en draagring, op de voorzijde Pestalozzi ten halven lijve, bovenaan twee jaartallen, onderaan een band met tekst, op de keerzijde elf regels tekst.
Kogels uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: bullet ammunition
Date: 1700 – 1743
Materials: iron
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Vee en figuren voor een boerenschuur
Object type: drawing
Date: 1816 – 1882
Materials: ink, paper
Techniques: brush, pen
Artist: james de rijk
Artist role: draughtsman, painter, print maker
Artist dates: 1806 – 1882
Subjects: cattle, farm or solitary house in landscape
Bloemen
Object type: sketchbook leaf
Date: 1905 – 1905
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: flowers

Blad 16 recto uit een schetsboek met 27 bladen.
Section of a spoon handle
Object type: spoon handle section
Date: 1775 – 1776
Materials: silver
Pictura
Object type: print
Date: 1833 – 1850
Materials: paper
Techniques: lithograph
Location: the hague
Artist: gijsbert van staveren
Artist role: print maker
Artist dates: 1790 – 1864
Subjects: horse
Inscriptions: inscription: ‘A. Uijtenbogaert’, collector's mark: Lugt 2228

Twee rennende paarden met veren op het hoofd, op de rug gezien.
Half of Double Saddle Bag (Khorjin)
Object type: saddle bag
Date: 1876 – 1900
Materials: cotton, wool
Techniques: asymmetrically knotted pile, brocade, weave
Location: iran
Portret van David Garrick
Object type: print
Date: 1704 – 1769
Materials: paper
Techniques: mezzotint
Location: london
Subjects: london, david garrick, english or landscape garden, historical persons, portrait of actor, actress, walking-stick, staff, cane (+ men's clothes), statues, sculptures in garden
Inscriptions: collector's mark: Lugt 240
Evening mitts
Object type: evening mitt
Date: 1876 – 1900
Materials: silk
Culture: american
Hommage à Caravaggio
Object type: print
Date: 1965 – 1980
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: aat verhoog
Artist role: print maker
Artist dates: 1933 – 
Inscriptions: title: ‘hommage à / caravaggio/ caravaggio/ caravaggio’, signature: ‘Aat Verhoog’

Vier maal dezelfde schreeuwende naakte figuur, verschillend weergegeven.
Sutra Cover
Object type: textile
Materials: gold leaf, paper, textile, silk
Techniques: bookbinding, interlacing, lacquer, patterning, satin weave, weave
Location: china
Ivoren crucifix in het huis van burggravin Vaernewijck d'Angest in Gent
Object type: historical object representation
Date: 1837 – 1837
Materials: paper
Techniques: etching
Location: ghent
Subjects: charles v (holy roman emperor and king of spain), crucifix ~ personal devotion
Inscriptions: collector's mark: Lugt 2228

Prent uit: Reiffenberg, F. de, et al. Messager des sciences et des arts de la Belgique, ou nouvelles archives historiques, littéraires, et scientifiques. Gent: Léonard Hebbelynck, 1837, p. 34.
Aangemeerde boten in een haven
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: maurits van der valk
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Subjects: harbour, sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228
Strip
Object type: strip
Date: 1701 – 1800
Techniques: lace
Subjects: flowers
Design for a sepulchral monument with a seated female figure (recto); Design for a statue of a standing male figure and fragment of a letter (verso)
Object type: drawing
Date: 1667 – 1733
Materials: chalk, gouache, graphite, ink
Techniques: pen, wash
Artist: pieter verbruggen the younger
Artist role: artist
Artist nationality: flemish
Artist dates: 1648 – 1691
Subjects: architecture,men,women
Amulet for Boy's Cap
Object type: necklace, bead
Date: 1867 – 1933
Materials: gemstone, silver, metal
Techniques: chasing, cutting, gilding
Location: central asia

Group of Turkman Ornaments, nos. 2018.922.1–.6a, .6b These bold silver ornaments come from the world of the Turkman tribes of Central Asia. Some of the forms such as the lozenge shaped amulet holder or Quran box relate to the styles of jeweled arts of the courts and urban centers. But most of these large and vibrant ornaments are a final expression of the unique sensibility of the Turkman people as their nomadic life gives way to modernity.
The Resurrection of Lazarus, from The New Testament
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Paysages et ruines de Rome
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: france
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., ruin of a building ~ architecture, sleeping on the ground, horse, rome
Inscriptions: collector's mark: Lugt 240

Een landschap met een slapende herder met zijn paarden op de voorgrond. Op de achtergrond andere herders met paarden voor de resten van de Thermen van Diocletianus.
Two Joined Panels of Brocaded Yellow Furnishing Wool
Object type: textile
Date: 1720 – 1729
Materials: wool
Techniques: brocade, damask, weave
Location: england
Subjects: flowers, foliage, fruit, baskets

Patterned woven wool fabrics were employed for both upholstery and clothing. The city of Norwich, in Norfolk, is commonly known as the primary center for weaving wool in the 18th century. Fine woolen textiles were the backbone of the English economy for hundreds of years, from the late middle ages until well into the 19th century. Britain’s North American colonies provided a ready market for luxury goods like these patterned wool fabrics. In fact, a dress in the collection of Colonial Williamsburg is made of a very similar textile (inventory number 1988.223).
Textile Panel with Demonic Battle Scenes, Likely from the Devi Mahatmya
Object type: textile panel
Date: 1401 – 1500
Materials: cotton, silk
Techniques: embroidery, polish
Culture: nepali
Subjects: demons,gods,hinduism

This remarkably fine Nepalese figurative embroidery is a rare survivor of an important genre of textile art. The fragment may have formed part of a religious hanging associated with a Hindu temple. The scenes, while incomplete, likely represent episodes of the goddess Durga battling demons from the Devi Mahatmya, the principal liturgical text devoted to the goddess in this emanation.
Portret van een onbekende vrouw in klederdracht
Object type: carte de visite
Date: 1894 – 1924
Materials: paper, cardboard
Techniques: collodion silver print
Location: goes
Artist: jacobus magielse
Artist role: fotograaf
Artist dates: 1870 – 1941
Subjects: adult woman, anonymous historical person portrayed, folk costume, regional costume
Inscriptions: inscription: ‘J. Magielse/ Goes.’
Melrose Abbey
Object type: photograph
Date: 1844 – 1844
Materials: paper
Techniques: salted paper print
Location: england
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: collected by hugh edwards
Second Flemish Rebellion, plate 10 from Historical Scenes from the Life of Emperor Maximilian I from the Triumphal Arch
Object type: print
Materials: ink, paper
Techniques: woodcut
Location: germany
Artist: hans springinklee
Artist role: artist
Artist nationality: german
Artist dates: 1495 – 1530
The French bed
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: drypoint, engraving, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: date
Fotoreproductie van een foto van Samuel Layes
Object type: reproduction
Date: 1903 – 1904
Materials: photographic support
Techniques: gelatin silver print
Artist: joseph cheetham
Artist role: engineer
Subjects: adult man, beard

Onderdeel van Fotoalbum van de Engelse familie Cheetham met opnames van hun verblijf in Rusland.