deem-data/ArtiFact huggingface dataset:
Koningin Juliana opent de Staten Generaal met aan haar zijde prinses Beatrix, prins Bernhard, prinses Irene en prinses Margriet
Object type: photograph
Materials: paper, photographic support
Techniques: autotype
Location: netherlands
Subjects: utrecht, bernhard (prins der nederlanden), the hague, beatrix (koningin der nederlanden), juliana of the netherlands
Inscriptions: annotation: ‘At The Hague H.M. Queen Juliana opened the both chambers of the Dutch parliament H.M. Queen Juliana during the openigspeech. At left Princess Irene and Prins Bernhard. At right Princess Beatrix and Princess Margriet. FOTO - ANEFO 19-9-1961’
Standaarden met potloden van Eberhard Faber
Object type: album leaf
Date: 1915 – 1935
Materials: paper
Techniques: gelatin silver print, hand coloring
Location: springfield
Subjects: pencil
Inscriptions: number: ‘687’, stamp: ‘Paramount/ Commercial Studios/ 145 Chestnut St./ Springfield - Mass.’
Architectuurstudie, mogelijk een gotische kerk
Object type: sketchbook leaf
Date: 1849 – 1917
Materials: paper, pencil
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: architecture

Blad 14 verso uit een schetsboek met 35 bladen.
Mirjam en Mozes
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: persons from the old testament (not in biblical context, nor occurring in legendary/historical extensions included in division 71)
Inscriptions: inscription: ‘73’

Twee bloemkelken met een man en een vrouw. De vrouw heeft het haar los. De man draagt een puntmuts. De voorstelling is een fragment van de stamboom van Christus in de Liber Chronicarum. De tekst identificeert de personen als kinderen van Amram, genaamd Mirjam (hier Maria) en Mozes. De prent maakt deel uit van een album.
Textile Fragment
Object type: textile fragment
Date: 1801 – 1900
Materials: cotton
Location: india
Subjects: flowers
Coupé # 836
Object type: drawing
Date: 1865 – 1865
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Siphia Everetti Sharpe
Object type: print
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: trees (+ branch, stick), birds
Inscriptions: collector's mark: Lugt 2228
Maryland Yellow-throat, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Song Birds of the World" series (N23), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Losplaats bij pakhuizen
Object type: print
Date: 1885 – 1885
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: willem de zwart
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1931
Subjects: warehouse (~ harbour), sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228
Putti Enacting Roman Funeral Procession
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, drawing, wash
Location: england
Artist: attributed to lady diana beauclerk
Artist nationality: english
Artist dates: 1734 – 1808
Two Paintings of Deer Antlers
Object type: handscroll
Materials: ink, paper
Culture: chinese
Artist: qianlong emperor
Artist role: artist
Artist nationality: chinese
Artist dates: 1711 – 1799
Subjects: deer

The Qianlong Emperor practiced both calligraphy and painting as a way of identifying himself with Chinese literati ideals of self-cultivation. However, the subject matter of these two scrolls reveals his concomitant desire to align himself with Manchu hunting traditions. Furthermore, the realistic rendering of texture and three-dimensional form reflects the influence of Western pictorial techniques, introduced to the court by Jesuit painters such as Giuseppe Castiglione (1688–1766). The earlier of the two scrolls depicts the antlers of a spotted deer. In his accompanying inscription, the emperor recalls seeing a gigantic pair of eight-point antlers procured by his grandfather, the Kangxi Emperor (r. 1661–1722), in Central Asia—considered at the time to be an auspicious sign. The second scroll, painted five years later, presents the horns of a species known in the West as Père David, so named for the eponymous Jesuit missionary and naturalist (1826–1900) who first recorded it in a Western source. In his accompanying essay, Qianlong describes different deer species and seeks to correct misleading distinctions made in the Book of Rites, a classic Confucian text.
Fruit dish (part of a service)
Object type: fruit dish
Date: 1772 – 1772
Materials: hard paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: flowers
Plate (assiette octogone or assiette platte) from the "Service Arabesque"
Object type: plate
Date: 1783 – 1785
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: women

This plate is from a remarkable service that reflected the most up-to-date Neoclassicism of the late eighteenth century. The shapes and the decoration were commissioned from the architect Louis le Masson who was instructed that the service should represent "the most rigorous antique taste." The need for new forms and decorative schemes for the service delayed its production, and it remained incomplete at the outbreak of the Revolution. Less than twenty pieces from the service Arabesque are known today.
Daoist Priest's Robe
Object type: robe, daoist priest's
Date: 1701 – 1800
Materials: metal thread, silk
Culture: chinese
Pendant
Object type: pendant
Date: 1801 – 1900
Materials: glass
Subjects: men,profiles,flowers,leaves
Takje van een dadelpalm met groene vruchten
Object type: watercolor
Date: 1872 – 1950
Materials: paper, pencil, watercolor
Techniques: brush
Artist: barbara elisabeth van houten
Artist role: draughtsman, print maker
Artist dates: 1862 – 1950
Subjects: fruits: date
Portret van een man en een vrouw aan een tafel
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: sitting figure, europe
Draagteken van de Vereeniging van de onderofficieren van de Schutterij te Amsterdam tot oefening in de wapenhandel (V.O.S.A.)
Object type: medal
Date: 1882 – 1882
Materials: silver, textile
Artist: Anonymous

Zilveren draagteken met oog, ring en lint, met op het lint een zilveren band waarop gegraveerd VOORZITTER.
Notities
Object type: sketchbook leaf
Date: 1868 – 1887
Materials: pencil
Artist: jan willem van borselen
Artist role: draughtsman, print maker
Artist dates: 1825 – 1892
Inscriptions: annotation: ‘84c portat/ 58 kop/ [...]’

Blad 50 verso uit een schetsboek met 51 bladen.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, head and extended right arm of woman with sakkos and chiton; glaze worn
Een straat
Object type: photograph
Date: 1940 – 1945
Materials: photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: netherlands, germany

Een straat met huizen en een muur. Links een lantaarn. Duitse tekst achterop. Foto behorend bij album 'Kriegserinnerungen'.
Portret van Victoria Louise van Pruisen met haar zoon George Willem van Brunswijk
Object type: photograph
Date: 1915 – 1916
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: prince, historical persons, princess
Jacket
Object type: jacket
Date: 1868 – 1868
Materials: silk
Culture: american
Happy New Year 1890, from the New Years 1890 series (N227) issued by Kinney Bros.
Object type: print
Date: 1889 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: birds

Trade cards from the "New Years 1890 Cards" series (N227), a set of 50 cards issued in 1889-90 to promote Kinney Tobacco Company.
Hojo Tokimune and Soga no Juro Sukenari celebrate Goro's coming of age, from the series "Illustrated Tale of the Soga Brothers (Soga monogatari zue)"
Object type: print
Date: 1843 – 1847
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Fotoalbum van de aanleg van een tabaksveld op de oostkust van Sumatra
Object type: portfolio
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print
Location: east sumatra
Artist: Anonymous
Subjects: plantation, tobacco

Rood portfolio voorzien van drie accoladevormige stofflappen met op de voorkant de titel in gouddruk. Voor- en achterplat zijn in de vier hoeken versierd met een bladmotief, eveneens in gouddruk. De schutbladen en stofflappen zijn beplakt met gegaufreerd papier. Het portfolio bevat zeven kartonnen bladen met evenveel foto's, die steeds vanuit hetzelfde camerastandpunt zijn gemaakt. Ze geven de opeenvolgende stadia weer van de aanleg van een tabaksplantage, op een onbekende plek aan de oostkust van Sumatra.
Exterieur en tuin van Hotel del Monte in San Francisco
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: san francisco
Artist: johnson (fotograaf)
Artist role: fotograaf
Subjects: hotel del monte (san francisco), san francisco
Inscriptions: negative number: ‘9’

Onderdeel van Fotoalbum van een reis door de Verenigde Staten, Honolulu, Nederlands-Indië, Aden, Zanzibar en Zuidelijk Afrika.
Fotoreproductie van een prent, voorstellende een portret van George Eliot
Object type: page
Date: 1880 – 1890
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: george eliot, portrait of a writer
Portret van J.A. van Dijk
Object type: photomechanical print
Date: 1896 – 1896
Materials: paper
Techniques: line block
Artist: Anonymous
Subjects: historical persons, teacher and pupil
Ontwerp voor de titelpagina van 'Publius Ovidius Nasoos Herscheppinge'
Object type: drawing
Date: 1665 – 1671
Materials: chalk, graphite, ink, paper
Techniques: brush, pen

Ontwerp voor het titelpagina van Publius Ovidius Naso's Herscheppinge in de vertaling van Joost van de Vondel, 1671.
A Sunday on La Grande Jatte — 1884
Object type: painting
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: georges seurat
Artist nationality: french
Artist dates: 1859 – 1891
Subjects: leisure, animals, landscape, dogs, dog, monkeys, sailing, trees, nature, woman with children, flowers, reflections, urban life, weather/seasons, men, women, children, circles, landscapes, water, century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed lower right: Seurat

In his best-known and largest painting, Georges Seurat depicted people from different social classes strolling and relaxing in a park just west of Paris on La Grande Jatte, an island in the Seine River. Although he took his subject from modern life, Seurat sought to evoke the sense of timelessness associated with ancient art, especially Egyptian and Greek sculpture. He once wrote, “I want to make modern people, in their essential traits, move about as they do on those friezes, and place them on canvases organized by harmonies of color.”

Seurat painted A Sunday on La Grande Jatte—1884 using pointillism, a highly systematic and scientific technique based on the hypothesis that closely positioned points of pure color mix together in the viewer’s eye. He began work on the canvas in 1884 (and included this date in the title) with a layer of small, horizontal brushstrokes in complementary colors. He next added a series of dots that coalesce into solid and luminous forms when seen from a distance. Sometime before 1889 Seurat added a border of blue, orange, and red dots that provide a visual transition between the painting’s interior and the specially designed white frame, which has been re-created at the Art Institute.
Zilveren rijder van de VOC uit Gelderland, 1738
Object type: coin
Date: 1738 – 1738
Materials: silver
Techniques: striking
Location: harderwijk

Zilveren munt. Voorzijde: geharnaste ridder met zwaard te paard naar rechts, waaronder gekroond wapenschild van Gelderland. Keerzijde: gekroond generaliteitswapenschild, waaronder cartouche, waarin monogram van de VOC. Jaartal in omschrift, boven kroon. Gladde rand. Op voorzijde toetsmerk.
Blacksmith's Shop at Guildford (recto); Sketch of Two Tree Trunks (verso)
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: brush, wash
Location: england
Artist: george wallwyn shepheard
Artist nationality: english
Artist dates: 1804 – 1852
December - "The Winter of Our Discontent" from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853
Object type: print
Materials: paper, steel
Techniques: printmaking, etching
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Eleonor, Isabeau de Bauieres, Elisabeth, and Julie, from "The Game of Queens" (Le Jeu des Reines Renommées)
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: queens
Paulus van Thebe bekijkt man met twee ossen
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: tone lithography
Location: berlin
Artist: karl palzow
Artist role: print maker
Subjects: ox, paul of thebes, the first hermit; possible attributes: raven, two lions
Inscriptions: collector's mark: Lugt 2228

Een kluizenaar, vermoedelijk Paulus van Thebe, kijkt richting een man die met moeite zijn twee vastgeketende ossen vasthoudt. Een hond blaft naar de ossen. Prent is onderdeel van een omslag met tekst en een serie van achttien lithografieën naar schilderijen van Nederlandse meesters.
Ah' let me Sire refuse it..., from Peter's Pension by Peter Pindar, Esq.
Object type: print
Date: 1787 – 1787
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men
A Reconstruction of the Thermae of Diocletian (above) and a View of the Ruins (below)
Object type: drawing
Date: 1704 – 1704
Materials: chalk, ink
Techniques: brush, pen, wash
Location: italy
Artist: jan goeree
Artist role: artist
Artist nationality: dutch
Artist dates: 1670 – 1731
Subjects: ruins,men,women,trees
Reproductie van een schilderij van aanvallende cavalerie door Edouard Detaille
Object type: page
Date: 1885 – 1901
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: charge ~ battle (+ cavalry, horsemen)

Prent op pagina 3 van Figaro-Salon (par Albert Wolff).
Duitse soldaten in Zandvoort, 1941
Object type: photograph
Date: 1941 – 1941
Materials: photographic support
Techniques: photography
Location: zandvoort
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, occupation ~ war

Amateurfoto van Duitse soldaten uit 1941 in Zandvoort. Zeven mannen staan in uniform aan de rand van zee.
Landschap bij Almelo
Object type: drawing
Date: 1828 – 1828
Materials: chalk, paper
Techniques: brush
Artist: gerrit hendrik gobell
Artist role: draughtsman
Artist dates: 1786 – 1833
Subjects: landscapes in the temperate zone
Portret van Alexander von Budberg
Object type: print
Date: 1764 – 1804
Materials: paper
Techniques: stippling
Artist: peter haas
Artist role: print maker
Artist dates: 1754 – 1804
Subjects: historical persons, pendant, trinket, 'breloque'
Inscriptions: collector's mark: Lugt 2228
Portret van een jongeman met bakkebaarden zittend bij een tafel
Object type: carte de visite
Date: 1854 – 1868
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: peter carstensen
Artist role: fotograaf
Artist dates: 1817 – 
Subjects: sideburns, studio requisites ~ photographer, trousers, breeches, historical persons, neck-gear ~ clothing, hairdress, coat, cape, amsterdam
Inscriptions: address: ‘Amsterdam Nieuwendyk H. 201.’

Onderdeel van Fotoalbum met 36 cartes-de-visite van Nederlandse personen.
A philosopher, from 'Types and features,' published in Le Charivari, June 8, 1864
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,philosophers

- A man must never be alone.... and there is no better companion than a glass of wine!..... - As for me, I prefer two!.....
Portret van een werkman
Object type: photograph
Date: 1854 – 1855
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: historical persons
Ptah
Object type: ptah
Date: 664 – 630
Materials: metal
Techniques: inlay
Location: egypt

This statuette depicts Ptah, the chief god of Egypt's capital city Memphis and master craftsman of the gods. He is easy to identify by his tight-fitting cap, straight beard (different from the usual curved divine beard on other gods), and enveloping garment. Inlaid gold draws out his features and adornments. The space around the eyes as well as the cosmetic line, rather than the eyes themselves (which is more common), are inlaid with gold, as are his eyebrows and lustrous broad collar. Three deep incised bands on the beard likely would have been inlaid as well. His garment has a stiff upper edge along the back of the neck, a feature that occurs with some regularity also on Osiris statuettes, but its meaning is unclear. A large triple strap suspension loop sits below this ridge. A shallowly carved oval area on his chest brings his hands and scepter into sharper relief, and may be intended to represent slits in the cloak itself. Commonly Ptah holds a scepter that combines the symbols for life (ankh), dominion (was), and stability (djed), but here he holds only the was scepter. Ptah was benevolent and approachable, characteristics that may have inspired his devotees to dedicate numerous representations of him in the Late and Ptolemaic Periods.
Ornament met bogen
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: ornaments ~ art

Blad 29 recto uit een schetsboek met 44 bladen.
Portret van Willem Bardes
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: mayor, historical persons

Prent bedoeld als aanvulling op: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam: Isaak Tirion, 1749-1759. Prent uitgegeven in 1796 door Johannes Allart te Amsterdam.
Young couple
Object type: group
Date: 1745 – 1750
Materials: soft paste porcelain
Artist: capodimonte porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1740 – 1759
Subjects: couples,men,women
Geometric Pattern Bottle
Object type: bottle
Date: 301 – 700
Materials: ceramic, pigment
Culture: moche
Location: peru
Scènes uit het dagelijks leven
Object type: print
Date: 1475 – 1503
Materials: paper
Techniques: engraving
Location: bocholt
Artist: israhel van meckenem
Artist role: print maker
Artist dates: 1440 – 1517
Subjects: belt, girdle, waistband (+ men's clothes), bag (+ men's clothes), battle for dominance in marriage ('who wears the breeches'), devils in the form of (fabulous) animals, distaff, codpiece (cover for the genitals), skirt (+ women's clothes), dress, gown (+ women's clothes), trousers, breeches, etc. (breeches) (+ men's clothes), clothing for the upper part of the body (doublet) (+ men's clothes), clothing for the upper part of the body (with name) (+ women's clothes)
Inscriptions: collector's mark: Lugt 240

Kleding vrouw: overkleed met vetersluiting opzij en wijde mouwen. De V-vormige hals wordt bijeengehouden door 2 veters. Decolleté waarbij de borsten bijna geheel te zien zijn. Tootschoenen. Kleding man: mutsje op het hoofd, schaamkapsel. Broek op de grond. Datering kleding: ca. 1475-1485.
Woman's Long Shawl
Object type: costume and accessory
Date: 1820 – 1829
Materials: cotton, silk, wool
Techniques: bookbinding, jacquard, patterning, weave
Location: norwich
Subjects: paisley, flowers, floral, vines

These boldly patterned shawls illustrate the broad appeal of the buta, or paisley, pattern. The Jacquard mechanism, a patterning technology introduced in the first decade of the 1800s, enabled European manufacturers to create increasingly complex variations on the paisley motif. Although this technology allowed for faster weaving, European companies never successfully reproduced the delicacy of the hand-woven shawls from Kashmir. British- and French-made shawls tended to be thicker and heavier and the designs were arguably less refined than the original Kashmir garments.
Les Fredaines de Pierrette
Object type: tissue stereograph
Date: 1863 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: france
Subjects: adult woman (+ two persons), france
Inscriptions: number: ‘5’