deem-data/ArtiFact huggingface dataset:
Arrestatie van S.J van Langen, 1798
Object type: history print
Date: 1799 – 1799
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: leiden, arrest (of criminal)
Inscriptions: date

Arrestatie van Stephanus Jacobus van Langen, lid van het Uitvoerend Bewind, door een detachement militairen vóór het Logement aan het Plein te Den Haag,12 juni 1798. Op beschuldiging van zelfverrijking.
Lidded saltcellar
Object type: saltcellar
Date: 1490 – 1530
Materials: ivory
Culture: bullom or temne
Location: sierra leone
Artist: temne or bullom artist(s)
Artist role: artist
Subjects: men,women,dogs,snakes

This saltcellar is both an extraordinary example of skilled workmanship and an artifact that epitomizes a singularly important convergence of cultures. In the second half of the fifteenth century, Portuguese explorers and traders were impressed by the considerable talent of ivory carvers along the coast of West Africa. As a result, they were inspired to commission works of this kind for their patrons, which ingeniously combine both European and African aesthetics and forms. During this period, salt and pepper were costly commodities and elaborate receptacles were appropriate for their storage in princely homes. This work contains imagery relating to indigenous Sapi belief systems. The four snakes, associated with mystical wealth, appear to confront four growling dogs. According to regional traditions, dogs are considered spiritually astute animals able to see spirits and ghosts that are invisible to humans. This depiction of the dogs, with teeth bared, hair bristling, and ears laid back, may relate to that ability. However, the level of animation in this scene could also derive from chivalric hunting scenes in European woodcuts, which were furnished to local African artists by their European patrons.
Study for "Homage to Mother"
Object type: drawing
Date: 1907 – 1907
Materials: graphite, paper
Artist: umberto boccioni
Artist role: artist
Artist nationality: italian
Artist dates: 1882 – 1916
Subjects: men,women,reading
Genie Jerome, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Groepsportret van drie mannen in Cauterets
Object type: photograph
Date: 1906 – 1906
Materials: paper, cardboard
Techniques: gelatin silver print
Location: cauterets
Artist: françois buys
Artist role: advocaat, amateurfotograaf
Artist dates: 1871 – 1934
Subjects: square, place, circus, etc., anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: number: ‘18’

Deze foto maakt deel uit van een groep van 49 foto's.
Ornament
Object type: ornament
Date: 900 – 801
Materials: glass
Culture: iranian
Location: iran
Weesmeisje geeft aalmoes aan en bedelaar
Object type: print
Date: 1840 – 1843
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: parts of church exterior and annexes: portal, beggar, giving alms; collection, orphans
Inscriptions: collector's mark: Lugt 2228

Bij het uitgaan van een kerkmis lopen vele weesmeisjes door een kerkportaal. De voorste van hen geeft een aalmoes aan een bedelaar met naast hem een hond.
Length
Object type: length
Date: 1784 – 1784
Materials: silk
Subjects: birds,flowers
Portret van Pieter Brode
Object type: print
Date: 1632 – 1632
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Gezicht op de Torre del Mihrab in het Alhambra en rechts een stuk van Granada
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: photoaquatint
Location: granada
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment, city-view in general; 'veduta'
Jésus est Livré aux Juifs (Jesus is Delivered to the Jews), from "La Petite Passion" (The Little Passion)
Object type: print
Date: 1624 – 1625
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Portret van Georges Cuvier
Object type: print
Date: 1801 – 1847
Materials: paper
Techniques: etching
Location: france
Subjects: paris, historical persons
Inscriptions: check stamp, collector's mark: Lugt 2228, check stamp
Terracotta oil lamp
Object type: lamp
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Howland Type 22A. Wheel-made. Black glaze applied to interior and exterior sides, with base and top of inverted shoulder reserved in contrasting red clay. Shallow body, with convex curving side, broad shoulder, and inverted rim. Slightly raised base ring, and a shallow, concave base. Raised open tube through bottom, rising almost to the height of the rim. Projecting, rounded nozzle, with a large wick hole slanting inward to reservoir. Intact, but surfaces heavily pitted, cracked, and chipped.
Chess Piece, Probably a Pawn
Object type: chess piece
Date: 701 – 1100
Materials: earthenware
Location: western islamic lands
Subjects: chess
Drie mannenhoofden en een vrouwenhoofd
Object type: print
Date: 1920 – 1920
Materials: paper
Techniques: etching
Location: groningen
Artist: marius holleman
Artist role: draughtsman, print maker
Artist dates: 1878 – 1926
Subjects: head-gear: hat
Inscriptions: collector's mark: Lugt 2228
Study for the Frontispiece, for Varie Vedute del Gentile
Object type: drawing and watercolor
Date: 1755 – 1755
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: france
Artist: jean-baptiste le prince
Artist nationality: french
Artist dates: 1734 – 1781
Ruit met tulp
Object type: light window
Date: 1550 – 1600
Materials: glass, lead, pigment
Techniques: leading
Artist: Anonymous

Ruitje met emailschildering van een tulp in overwegend geel en rood. Opmerking: Onderdeel van de groep BK-CLXIII-a t/m r.
Piece
Object type: piece
Date: 1767 – 1800
Materials: silk
Subjects: roses,lyres
Under the long Bridge at St. Paul, No. 1531 from the series "Among the Bluff Scenery of the Upper Mississippi"
Object type: photograph
Date: 1870 – 1908
Techniques: albumen print
Location: wisconsin
Artist: henry hamilton bennett
Artist role: artist
Artist nationality: american, born canada
Artist dates: 1843 – 1908
View of the Riverbank at Bodegraven, Zuid-Holland
Object type: drawing
Date: 1672 – 1672
Materials: ink, paper, pencil
Techniques: pen
Subjects: river bank, bodegraven
Axe
Object type: arm
Date: 1490 – 1490
Materials: steel, wood
Culture: italian
Location: italy
Menukaart
Object type: menu, menukaart
Date: 1878 – 1911
Materials: paper
Techniques: printing block
Subjects: sluice, weir, woman (showing herself) undressed, quasi-nude, man (showing himself) undressed, quasi-nude

Links een naakte man staand op twee rotsen in een rivier. Op de rotsen 'macht' en 'egoïsme'. De man houdt de deuren van een stuwmeer dicht, waarachter een naakte vrouw. Onder de afbeelding: 'Hij schut vergeefs zichzelven moe wie schutten wil den sterken vliet die van een steile rotse schiet naar haren ruimen boezem toe. Vondel'. Het menu is niet ingevuld.
Diversarum gentium nostrae aetatis habitus
Object type: costume print
Materials: paper
Techniques: engraving
Location: venice
Artist: enea vico
Artist role: draughtsman, print maker
Artist dates: 1523 – 1567
Subjects: europeans: spaniards (+ costume)

Spaanse vrouw naar rechts. Prent zonder titel uit album 'Diversarum gentium nostrae aetatis habitus'.
Margareta van Oostenrijk
Object type: print
Date: 1749 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent is oorspronkelijk bedoeld als aanvulling op Jan Wagenaars ‘Vaderlandsche historie’* en was zo vanaf 1796 verkrijgbaar bij Johannes Allart te Amsterdam.

Voor de advertentie waarin Allart de 60 portretten en 7 platen, allen gegraveerd door Houbraken, ter aanvulling op Wagenaars ‘Vaderlandsche historie’ aanbiedt, zie RP-P-OB-77.766.

*Van dit werk zijn in de achttiende eeuw meerdere uitgaves verschenen, zoals:

Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden (…). 21 delen. Amsterdam: Isaak Tirion, 1749-1759.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: weduwe Isaak Tirion, 1770.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam, Leiden, Dordrecht en Harlingen: P. Schouten e.a., 1782.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: Johannes Allart, 1790-1796.
Fabel van de raaf en de vos
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: etching
Artist: eugène verboeckhoven
Artist role: draughtsman, painter, print maker, printer
Artist dates: 1798 – 1881
Subjects: fable of the fox and the raven, song-birds: raven, beasts of prey, predatory animals: fox
Inscriptions: date

Prent maakt deel uit van een serie van acht prenten met scènes uit de fabels van Jean de La Fontaine.
Bull
Object type: sculpture
Date: 3100 – 3100
Materials: shell, stone
Location: mesopotamia
Subjects: bulls
Jewelry
Object type: jewellery
Date: 701 – 1200
Materials: bone, stone
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Judit met wapenschild in rolwerk omlijsting
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching, intaglio
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: judith (one of the nine worthiest women)
Inscriptions: collector's mark: Lugt 2228, number: ‘64’

Deze prent maakt deel uit van een serie bestaande uit negen prenten van de vrouwelijke Negen Besten in rolwerk omlijstingen.
Cart and barrels
Object type: crèche figure
Date: 1701 – 1800
Materials: iron, wood
Subjects: carts,barrels
Livre des differentes éspeces d'oiseaux de la Chine
Object type: ornament print
Date: 1742 – 1750
Materials: paper
Techniques: etching
Location: france
Subjects: birds, ornamental birds: bird of paradise
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Maakt deel uit van een vijftiendelige serie met prenten van vogels uit China.
Portret van een meisje, zittend in een stoel
Object type: photograph
Date: 1900 – 1930
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: sunderland
Artist: f. perry
Artist role: fotograaf
Subjects: historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: inscription: ‘F. Berry/ 26, Nicholas St./ Hetton Downs’
Ball gown
Object type: ball gown
Date: 1856 – 1859
Materials: silk
Culture: american or european
Portret van Hieronymus Wolf
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: letterpress printing
Location: straatsburg
Artist: bernhard jobin
Artist role: printer, publisher
Artist dates: 1545 – 1593
Subjects: scholar, philosopher, historical persons, book

Prent uit: Reusner, Nikolaus. Icones sive imagines virorum literis illustrium (...). Straatsburg: Bernhard Jobin, 1587. Prent ook gebruikt in de Duitse editie, uitgegeven in hetzelfde jaar, en de 1590-editie. Prent ook gebruikt in latere publicaties.
Westgevel van de San Marco te Venetië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: venice
Artist: Anonymous
Subjects: parts of church exterior and annexes: west façade
Inscriptions: number: ‘No. 2203.’
Scherven van wijnflessen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: stone, glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Wine bottle, continental production, neck, onion-shaped bottle or bottle with vertical side; fragm, vs-string rim.
Figure-top spoon
Object type: spoon
Date: 1501 – 1533
Materials: pewter
Landschap met gebouwen in de omgeving van Meiringen, Zwitserland
Object type: stereoscopic photograph
Date: 1857 – 1889
Materials: cardboard, glass, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: landscapes, rural housing, e.g. country-house, villa, cottage
Inscriptions: inscription: ‘A. Braun, à Dornach (Haut-Rhin)’, annotation: ‘No. 533 Environ de Meyringen, Suisse.’, name: ‘M L P Kistemaker’
Landschap met schapenherder
Object type: print
Date: 1787 – 1828
Materials: paper
Techniques: aquatint, brush, etching
Location: northern netherlands
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 2228

Op een pad in het bos loopt een schapenherder te midden van zijn kudde. Hij drijft de schapen voort met een stok.
Terracotta fragment of a chous (jug)?
Object type: chou fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Part of a tree; right hand holding an unidentified object; below, part of an animal skin?
Muff
Object type: muff
Date: 1885 – 1885
Materials: fur, silk
Culture: american
Groepsportret met veertien onbekende personen met feestelijke attributen, mogelijk met Machiel G. G. Suyver
Object type: photograph
Date: 1890 – 1898
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: machiel gerrit george suyver, festivities, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘G. D. Sa[...]/ Photograaf’, address: ‘Lu[...] 103 III’
Contribution Receipt of the Special American Hospital in Paris for Wounds of the Face and Jaw
Object type: print
Date: 1916 – 1916
Techniques: drypoint
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: faces,men
Boslandschap met herten
Object type: drawing
Date: 1840 – 1880
Materials: ink, lacquer, paper
Techniques: brush, lacquer, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: hoofed animals: deer, forest, wood
Inscriptions: signature: ‘Tavenraat’, collector's mark: Lugt 2228
Joaillerie: Album of Jewelry Designs, Page 4
Object type: album print ornament architecture
Materials: ink
Artist: anonymous, french
Artist role: artist
Artist nationality: french
Artist dates: 1400 – 2050
Subjects: jewelry

Fourth page of a small album containing drawings with jewelry designs copied after the prints by L. van der Cruycen, "Nouveau Livre de Desseins..." (New Book of Designs...), published in Paris in 1770. The designs in this page are one aigrette, two small brooches and one drop earring, all of them characteristic of the style in vogue during the reign of Louis XVI in France, displaying a serendipitous flavor, with asymmetrical forms, "rocaille" and stylized natural motifs, and heavily decorated with flowers, ribbons and tassels, thus representing the taste of the Rococo style, which was fashionable in France and Europe during the eighteenth century. The elaborately carved forms presented in the designs were particularly sought after during the third quarter of the eighteenth century, and were to be accomplished by skilled artisans who would work out the decorations by hand. The design for an aigrette contains a hat motif decorated with small flowers, two large feathers, and a palmette decorated with a thin horizontal garland of small leaves with a small rosette. , and the other three contain bowknots of different styles. The drop earring consists of two rosettes made up of round motifs and a teardrop joined together by a bundle of small flowers and leaves. The designs for brooches both contain naturalistic motifs: one of them has a cornucopia from which a bundle of leaves, flowers and fruits emerges, and the other is a small U-shaped garland of leaves and flowers. The designs in this drawing are copies after plates number 4 and 10 of the album of engravings by Van der Cruycen. Plate no. 4 has the design for an aigrette and for a drop earring, and plate no. 10 has the designs for the two brooches.
Large Choirstall with Christ Blessing the Virgin
Object type: print
Date: 1518 – 1520
Techniques: etching
Artist: daniel hopfer
Artist role: artist
Artist nationality: german
Artist dates: 1470 – 1536
Subjects: men,women,angels,christ,virgin mary,saints
Dood hert
Object type: sketchbook leaf
Date: 1808 – 1864
Materials: ink, paper, pencil
Techniques: brush
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: hoofed animals: deer
Inscriptions: signature: ‘Tavenraat’, date and inscription: ‘5. aug.64. ca[...] v Gul[...]ker uit Cleve.’

Blad 28 recto uit een schetsboek met 98 bladen.
Cabriolet (unnumbered)
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Kaart van het Spaanse en Hollandse deel van Vlaanderen
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 195

Kaart van het Spaanse en Hollandse deel van Vlaanderen. Linksboven de titelcartouche. Onder, links van het midden, een cartouche met legenda en vijf schaalstokken: 10 Milles Pas Geometriques ou Milles d'Italie / 2 Lieues Comunes d'Allemagne, en nog drie andere. De kaart is voorzien van een gradenverdeling langs de randen.
Landschap met vier bergen
Object type: print
Date: 1659 – 1659
Materials: paper
Techniques: etching
Location: netherlands
Artist: karel du jardin
Artist role: draughtsman, painter, print maker
Artist dates: 1626 – 1678
Subjects: mountains
Inscriptions: collector's mark: Lugt 2228a
Happy New Year, from the New Years 1890 series (N227) issued by Kinney Bros.
Object type: print
Date: 1889 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: boys,playing,snow

Trade cards from the "New Years 1890 Cards" series (N227), a set of 50 cards issued in 1889-90 to promote Kinney Tobacco Company.
Groep passagiers in een auto met op de achtergrond de Voorste Molen in Kortenhoef
Object type: photograph
Date: 1920 – 1935
Materials: paper
Techniques: gelatin silver print
Location: kortenhoef
Artist: Anonymous
Subjects: automobile, windmill
Mat
Object type: mat
Date: 1801 – 1900
Techniques: lace
Toeschouwers op een theaterbalkon
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: boxes, loges ~ theatre, etc., the audience ~ art performance

Op de rug gezien. Op de achtergrond het toneel. Blad 14 verso uit schetsboek XVIII met 35 bladen.
Francis Hopkinson
Object type: print
Materials: paper, steel
Techniques: engraving
Location: united states
Artist: james heath
Artist role: print maker
Artist nationality: english
Artist dates: 1757 – 1834
Beauties Under a Maple Tree, from the series "A Collection of Contemporary Beauties of the Pleasure Quarters (Tosei yuri bijin awase)"
Object type: print
Date: 1784 – 1784
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815