deem-data/ArtiFact huggingface dataset:
Les Mourants sur le Bord des Rouges (The Dying on the Edge of the Road), plate 16 from "Les Misères et les Mal-Heures de la Guerre" (The Miseries and Misfortunes of War)
Object type: print
Date: 1633 – 1633
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Design for 4 seat Rockaway, no. 3165a
Object type: drawing
Date: 1875 – 1875
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Resten van een oven en generator na de ontploffing van een munitiefabriek in Oosterweel bij Antwerpen op 6 september 1889
Object type: page
Materials: paper
Techniques: photograph
Location: oosterweel
Subjects: machines; parts of machines; tools and appliances, ruin of a building ~ architecture
Inscriptions: number: ‘17’
Groepsportret van militairen in Frankrijk
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: land forces, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
The "Old Man" of Niagara
Object type: stereograph
Date: 1866 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: niagara falls
Artist: george e. curtis
Artist role: fotograaf
Artist dates: 1830 – 1910
Subjects: icicle, waterfall
Inscriptions: number: ‘62’
Birds and Flowers of Summer and Autumn
Object type: hanging scroll
Date: 1534 – 1566
Materials: ink, paper
Culture: japanese
Artist: shikibu terutada
Artist role: artist
Artist nationality: japanese
Artist dates: 1534 – 1566
Subjects: birds,flowers

The hollyhocks and lilies of midsummer blooming in the right scroll are countered in the left by flowers of late summer and autumn—cotton roses, chrysanthemums, and eulalia grass. The profusion of detail is characteristic of the art of Shikibu Terutada, a prolific painter active in the Kantō region of eastern Japan. Although his many extant works reveal a familiarity with Kano-school styles and compositions, Terutada is thought to have begun his career emulating the style of Kenkō Shōkei (active before 1478–ca. 1523), the central figure of painting circles in late medieval Kantō. The pair of black-backed wagtails flying at the upper right and the oriole standing sentinel at the left, for example, are identical to motifs found in paintings by Shōkei and his numerous followers.
Portret van Lucas Hermanus Eberson
Object type: print
Date: 1876 – 1891
Materials: paper
Techniques: drypoint, etching, intaglio, roulette
Artist: henri wouters
Artist role: draughtsman, print maker
Artist dates: 1866 – 1935
Subjects: arnhem, draughtsman, lucas hermanus eberson, portrait, self-portrait of architect, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Saxon Chasseur, Germany, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Portret van Anne Benoit
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, stamp: Lugt 2325b
Portret van Henri-Joseph Pérignon
Object type: album leaf
Date: 1781 – 1781
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, portrait of a musician
Inscriptions: date
Policeman and Boy
Object type: drawing and watercolor
Materials: gouache, graphite, ink, paint, paper, watercolor
Techniques: pen
Location: england
Artist: john leech
Artist role: artist
Artist nationality: british
Artist dates: 1817 – 1864
Soldaat die zijn lont van de haan van zijn roer losmaakt (nr. 13), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die een roer (een bepaald type vuurwapen) met zijn linkerhand vasthoudt (nr. 13), ca. 1600. Met zijn rechterhand maakt hij de brandende lont los die op de haan (onderdeel van het ontstekingsmechanisme) van zijn roer ligt. Plaat 13 in de instructies voor het hanteren van de roer. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, Amsterdam, 1608. Krijgswezen rond 1600.
Trophy detail
Object type: trophy detail
Date: 1701 – 1800
Materials: gilt, wood
Janvier 1910
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1910
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: flood, bridge, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Inscriptions: date

Prentbriefkaart maakt deel uit van een album.
Ontwerp voor raam in het Stadhuis in Amsterdam
Object type: drawing
Date: 1868 – 1938
Materials: cardboard, chalk
Techniques: brush
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938

Dijkenbouwers, Vissers en Verdediging in van de stad.
Herinnering aan Scheveningen
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: iris print, lithograph
Location: netherlands
Artist: hendrik wilhelmus last
Artist role: print maker
Artist dates: 1817 – 1873
Subjects: race-track
Inscriptions: collector's mark: Lugt 2228

Paardenrennen, een wedren gehouden te Scheveningen op 3 augustus 1846.
Christus in Gethsemane
Object type: drawing
Date: 1515 – 1550
Materials: chalk, ink, paper
Techniques: pen
Artist: pieter coecke van aelst (i)
Artist role: draughtsman, print maker
Artist dates: 1502 – 1550
Subjects: gethsemane, mount of olives, 'oelberg' (matthew 26:36-56; mark 14:32-52; luke 22:39-53; john 18:1-12)
Paardenslee en sneeuwruimers op de militaire weg in Georgië
Object type: photograph
Date: 1890 – 1900
Materials: photographic support
Techniques: albumen print
Location: georgia
Artist: dimitri ivanovitch ermakov
Artist role: fotograaf
Artist dates: 1845 – 1916
Subjects: horse-sleigh, mountain-range, snow peaks
Inscriptions: number: ‘251’, number: ‘7706’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Georgië, Sint-Petersburg en Moskou.
Twee mannen leunend over de balustrade in de Villa d'Este te Tivoli, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: tivoli
Artist: Anonymous
Subjects: palace
Inscriptions: inscription: ‘K’, inscription: ‘L'Organo’, number: ‘20A’
Détails de l'édifice connu sous le nom d'hotel d'etienne duval cour de la Monnaie à caen
Object type: print
Date: 1866 – 1867
Materials: paper
Techniques: lithograph
Location: paris
Subjects: architectural detail, civic architecture; edifices; dwellings
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 3937

Prent uit: L'art architectural en France: époques Henri II, Louis XIII, Louis XIV, Louis XV, et Louis XVI, Parijs: Noblet et Baudry, 1866-1867.
Het gebouw staat in Caen en is ontworpen door Etienne Duval.
Frontispiece, from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)
Object type: print
Date: 1616 – 1622
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: human figures
Figure Ornament
Object type: ornament
Date: 501 – 700
Materials: gilt copper
Culture: moche
Location: peru
Subjects: human figures
Palatium Magni Regis Maroci, in Barbaria
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: palace

Gezicht op het paleis van de sultan van Marokko in Marrakesh, ten tijde van het bezoek door het gezantschap op een handelsmissie namens de Staten-Generaal onder leiding van Antonius de Liedekercke, van november 1640 tot april 1641. Het paleis (waarschijnlijk het paleis El-Badi) van de sultan Mohammed esh Sheikh es Seghir (op de prent aangeduid als Muley Hamet). Vijfde plaat in een ongemonteerd ensemble bestaande uit vijf prenten en 4 tekstbladen. Bovenaan een cartouche met het wapen van Liedekercke en het laatste deel van de banderol met de titel; op de voorgrond leden van de lokale bevolking en straatmuzikanten.
The Tapestry at Michelfeld
Object type: print
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: infants,men,women
Pendant: Three Figures
Object type: pendant
Date: 1801 – 1900
Materials: brass
Culture: edo period
Location: nigeria
Plundering van het huis van Lucas van Steveninck, 1787
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: plundering ~ riot, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

In tegenstelling tot wat Muller schrijft, gaat het ook hier om een "proefdruk" gemaakt door te drukken met een cache over het onderschrift.
Lijfje bedrukt met veelkleurige bloemen gedrukt op wit fond
Object type: corsage
Date: 1880 – 1940
Materials: textile
Techniques: printing, weave
Location: netherlands
Artist: Anonymous

Het lijf is aan de binnenzijde wit gevoerd. Een schouder is gelsoten, de andere zijde sluit met drie haken van metaal. Aan de voorzijde in beide hoeken aan de onderzijde een lus, aan de achterzijde een wit lint.
60. Podiceps fluviatilis
Object type: photograph
Date: 1870 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Artist: adolphe burdet
Artist role: fotograaf
Artist dates: 1860 – 1940
Inscriptions: label: ‘Fuut’

De foto is afkomstig uit een serie van 12 stereofoto's met moerasvogels die bewaard worden in het originele mapje. Bij dit mapje zit ook een blaadje met gedrukte tekst over de vogels.
Portret van een man, mogelijk de kunstenaar Jean Leclerc
Object type: print
Date: 1669 – 1706
Materials: paper
Techniques: mezzotint
Location: amsterdam
Subjects: print maker, jean leclerc, historical persons, portrait, self-portrait of painter
Inscriptions: inscription: ‘IV93 /N[]’

Op een ander exemplaar van deze prent staat de naam van Jean Leclerc geschreven, zie RP-P-1910-6846 .
Aap die het hoofd van een mens vlooit
Object type: photograph
Date: 1886 – 1886
Materials: cardboard, photographic support
Techniques: albumen print
Artist: ottomar anschütz
Artist role: fotograaf
Artist dates: 1846 – 1907
Subjects: monkeys, apes
Inscriptions: collector's mark: ‘RIJKS-NORMAALSCHOOL-VOOR-TEEKENONDERWIJZERS-AMSTERDAM’, name: ‘O. Anschütz Lissa, Posen 1886’
Sketch of Jewelled Antique Bust in the Medici Collection, Florence
Object type: drawing and watercolor
Materials: chalk, gold paint, gouache, paper, paint, watercolor
Techniques: heightening
Location: belgium
Artist: giuseppe grisoni
Artist nationality: italian, born flanders
Artist dates: 1699 – 1769
Poort met wapenschild en leeuwen
Object type: titelprent, frontispice
Date: 1745 – 1775
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: monumental door, porch, 'aediculum', beasts of prey, predatory animals: lion, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Vooraanzicht en plattegrond van een koetspoort met zuilen, een helm, schilden en wapens. Boven de poort een gekroond rocaille wapenschild geflankeerd door leeuwen.
Zinnebeelt Op de Verheffing van Zyne Doorluchtigste Hoogheid Den Heere Willem de Vijfde, Prince van Oranje en Nassau, Erf-Stadhouder, Kapitein en Admiraal Generaal der Ver-Eenigde Provintiën (...) Den Agste Maart 1766
Object type: text sheet
Date: 1766 – 1766
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Subjects: william v (prince of orange), the seven virtues (symbolized), fame; 'fama', 'fama buona', 'fama chiara' (ripa), generosity, liberality; 'generosità', 'liberalità' (ripa), father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228

Dubbelgevouwen blad met rechts een allegorische voorstelling en links de gedukte uitleg van de plaat. Allegorie op de installatie van prins Willem V als erfstadhouder op achttienjarige leeftijd op 8 maart 1766. Centraal de prins zittend op zijn troon, rechts verslaat Hercules de serpenten, links de verzamelde zeven deugden. Boven de troon vliegt de Faam en openbaart de Tijd zeven cherubijnen met een grote lauwerkrans, rechts schenkt de Mildadigheid rijkdommen. Op de voorgrond de Nederlandse Leeuw. In het onderschrift in 4 regels de opdracht aan de stadhouder.
Ex libris van de universiteitsbibliotheek van Fribourg
Object type: bookplate
Date: 1858 – 1903
Materials: paper
Techniques: planographic printing, printing block
Location: switzerland
Subjects: public library, armorial bearing, heraldry
Stroomversnelling van Imatra in Finland.
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: albumen print
Location: helsinki
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Funeralorum, Virginia, Hazardorum
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,cats

From a series of six etchings of eighteen heads, called "Attributes" or "Designs for Borders."
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, printing, writing
Artist: paul verlaine
Artist role: dichter
Artist dates: 1844 – 1896
Subjects: the hague, publisher, rijksmuseum amsterdam, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Gezicht op Turijn, ca. 1701-1713
Object type: map
Date: 1701 – 1714
Materials: paper
Techniques: etching
Location: leiden
Subjects: turijn, spaanse successieoorlog

Gekopieerd naar de Franse prenten in: Nicolas de Fer, Les forces de l'Europe, ou description des principales villes, avec leurs fortifications : dessignées par les meilleurs ingenieurs, particulierement celles ... de la France, dont les plans ont esté levez par M. de Vauban, Nicolas de Fer, Parijs 1693-1696, of andere voorbeelden.
Theodoor Brouwers
Object type: cabinet photograph
Date: 1911 – 1915
Materials: photographic support
Techniques: photography
Location: paramaribo
Artist: augusta curiel
Artist role: fotograaf
Artist dates: 1873 – 1937
Subjects: theodoor brouwers, suriname

Portret van een jongetje, staande naast een tafel waarop een speelgoedhondje.
Fragment kom uit V.O.C.-schip de 'Witte Leeuw'
Object type: bowl
Date: 1613 – 1613
Materials: porcelain
Location: shantou
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A bowl. In the centre is a dog of fu with a ball, encircled by three thin bands. The inside and outside walls are blank. is drawn around the footring and one around the lip-rim.
Full Moon: The Left Hand Moon was Photographed June 2nd, 1871. The Right Hand Moon was Photographed Aug. 29, 1871
Object type: stereograph
Date: 1871 – 1871
Techniques: albumen silver print
Artist: lewis morris rutherfurd
Artist role: advocaat, astronoom, fotograaf
Artist nationality: american
Artist dates: 1816 – 1892
Subjects: moon,astronomy

Like Warren De La Rue before him, Rutherfurd produced lunar stereoviews, pairing photographs of the full moon taken at different times and places. Seen through an optical viewer, the composite image presents an otherwise impossible three-dimensional view of the moon.
Fragment
Object type: textile
Date: 1201 – 1400
Materials: animal substrate, gilt, silk
Techniques: weave
Culture: islamic
Location: spain
Serie lithografieën
Object type: album leaf
Date: 1818 – 1818
Materials: paper
Techniques: lithograph
Artist: horace vernet
Artist role: draughtsman, painter, print maker
Artist dates: 1789 – 1863
Subjects: embracing each other, kissing, drunkenness, the soldier; the soldier's life
Inscriptions: date
Cap
Object type: cap
Date: 1813 – 1813
Materials: cotton
Culture: american
Subjects: flowers
Gezicht op een brug in de Via Mala in Zwitserland
Object type: page
Date: 1874 – 1884
Materials: paper
Techniques: photograph
Location: graubunden
Artist: Anonymous
Subjects: road, path, bridge, mountains
Bottle vase with a stylized flowers in medallions, birds and ornamental borders
Object type: vase
Date: 1600 – 1800
Materials: glaze, paint, stoneware
Techniques: inlay, turning, vitrification
Location: karatsu
Artist: Anonymous

Flesvormige vaas van steengoed, met wit inlegwerk bedekt met een celadongroen-glazuur. De vaas heeft een eivormig lichaam en een smalle, naar boven toe uitlopende hals. Op de buik viermaal een gestileerde bloem in een medaillon met daartussen telkens een vogel en een blad. Op de schouder een band met gestileerde bloemen. De vaas heeft enkele barsten die gerestaureerd zijn met goudlak. Karatsu.
Terracotta oil lamp
Object type: lamp
Date: 101 – 233
Materials: terracotta
Culture: roman, egyptian

Carinated body. Mold-made. Small, plain discus with central filling hole; narrow channel between discus and nozzle, flanked by large volutes. Broad, sloping shoulder decorated with elongated, rounded tongues in high relief, marked out by incised lines. Broad base ring, flanked by two incised circles, and a flat base with incised letter I at center; two curving incised lines on underside of body to either side of nozzle, with two short incised lines at center, vertical above and horizontal below. Complete, except for a small hole in front edge of nozzle.
Hotei Pointing at the Moon
Object type: hanging scroll
Date: 1650 – 1650
Materials: ink, paper
Culture: japanese
Artist: fūgai ekun
Artist role: artist
Artist nationality: japanese
Artist dates: 1568 – 1654
Subjects: men,monks

The portly monk Hotei is shown hoisting his satchel over his shoulder while he points a finger at the sky above, toward an unseen moon. The abbreviated brushwork and suggestive use of blank space were earlier associated with Zen monk painters of medieval times. The Zen monk Fūgai Ekun of the Sōtō sect followed in this tradition, and often inscribed his paintings in a highly cursive script. The inscription reads: 生涯不貧、大福無隣、 指月看月、途中老賓 Shōgai hin narazu daifuku rin nashi tsuki o sashi tsuki o miru tochū no rōhin Throughout my life, I haven’t been poor Nor have lived amid wealth. Pointing at the moon, looking at the moon, I’m just an old traveler along the way. —Trans. John T. Carpenter
Terracotta fragment of a volute-krater (bowl for mixing wine and water)
Object type: volute krater fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

On the neck, lower drapery and feet of a woman to right; below, on the shoulder, tendril from a circumscribed palmette
Snuff bottle with stopper
Object type: snuff bottle with stopper
Date: 1796 – 1875
Materials: jade
Culture: chinese
Celebrating Peace (Réjouissances pour la paix), three putti with fireworks
Object type: print
Date: 1745 – 1771
Techniques: engraving, etching
Artist: nicolas gabriel dupuis
Artist role: artist
Artist nationality: french
Artist dates: 1698 – 1771
Sitting Satyrs
Object type: print
Date: 1732 – 1732
Techniques: engraving, etching
Artist: g. king
Artist role: artist
Artist nationality: british
Artist dates: 1649 – 1832
Subjects: garlands,satyrs

This decorative borders was added to an authorized copy of Hogarth's "A Harlot's Progress," sold by G. King at the Golden Head in Browlow Street, Drury Lane. The work was issued shortly after Hogarth's own, to undercut cheap pirated copies and Hogarth had nothing to do with these borders.
Te Deum Laudamus
Object type: print
Date: 1765 – 1769
Techniques: engraving, etching
Artist: robert strange
Artist role: engraver
Artist nationality: british, scottish
Artist dates: 1721 – 1792
Subjects: angels,virgin mary
Aletta Cornelia Anna Voombergh (1828-1913), moeder van de fotograaf, lezend aan een tafel achter het huis
Object type: photograph
Date: 1905 – 1905
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Inscriptions: annotation: ‘No 2946. / 1905.’, annotation: ‘Granny Pauw’
Gezicht op de Shirase-no-Niwa in Niigata, Japan
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: niigata
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: garden, pond
Inscriptions: inscription: ‘Plate XXXIX.’
Ruit met een vogel
Object type: light window
Date: 1650 – 1675
Materials: glass, lead, pigment
Techniques: enamel painting
Artist: Anonymous
Subjects: birds

Een ruit met emailschildering van een vogel in rood, zilvergeel en grisaille.
Portret van Andreas Bergmann
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: mezzotint
Subjects: goldsmith, gloves, mittens, etc., historical persons, head-gear: hat, armorial bearing, heraldry
Inscriptions: date
Gezicht op een botanische tuin met water in Sydney als reclame voor thee
Object type: photograph
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: advertising, water-birds: swan, water course, tea (leaves), botanic garden, 'hortus botanicus'
Inscriptions: inscription: ‘View in the Botanical Gardens,/ SYDNEY.’, inscription: ‘USE THE VICTORY BLEND TEA.’
Metamorfosen van Ovidius
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: etching
Location: antwerp
Subjects: scylla changed into a sea-monster: circe, to whom glaucus has applied for aid in his love suit, changes scylla the sea-nymph into a sea-monster (ovid, metamorphoses xiv 59)
Inscriptions: collector's mark: Lugt 240

Scylla wordt door Circe in een zeemonster veranderd op verzoek van Glaucus. Scylla staat in de zee en wordt omringd door honden. Titel in het Latijn in ondermarge.