deem-data/ArtiFact huggingface dataset:
Schietoefeningen van de jeugd
Object type: book illustration
Date: 1591 – 1591
Materials: paper
Techniques: engraving, letterpress printing
Subjects: handling of weapons ~ military training, native peoples of the americas, shooting with bow and arrow, archery (~ games of skill)

Afkomstig uit: Collectiones peregrinationum in Indiam occidentalem, dl. 2: René de Laudonnière, Brevis narratio eorum quae in Florida Americae provincia Gallis acciderunt. Frankfurt am Main: J. Wechelus, 1591.
Sjerp gedragen door Jhr. G.P.C. van Breugel, in 1830/32 1e luitenant, 1e Bat., 2e Afd. N.H. Schutterij
Object type: sash
Date: 1815 – 1815
Materials: silk
Techniques: braiding
Location: netherlands
Artist: Anonymous
Subjects: netherlands

Sjerp van oranje koordzijde in techniek van Egyptisch vlechtwerk. Beide uiteinden eindigen in franjes met knopen aan de uiteinden. Aan een zijde hangt aan een oranje-blauw lint een leren label met nr. 57. Hierbij de tekst: luitenant jokh. van Breugel. Sjerp van oranje koordzijde (Ned. leger) (M.1815).
Figure of Girl playing Tsuzumi
Object type: figure
Date: 1870 – 1870
Materials: enamel, porcelain
Culture: japanese
Subjects: musical instruments,girls
Gebhard ontmoet Agnes van Mansfeld in de tuin
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: history, insignia of bishop, e.g. mitre, crozier, lovers' meeting
Inscriptions: collector's mark: Lugt 2228

In de begroeiing achter het stel ligt Gebhards bisschoppelijke kledij en wapentuig als teken van het afstoten van zijn titel als keurvorst en bisschopszetel.
Fotoalbum (leeg)
Object type: slip in album
Date: 1860 – 1900
Materials: cardboard, glass, paper, textile
Artist: Anonymous
Inscriptions: collector's mark: ‘DIENST/ VERSPREIDE/ RIJKSKOLLEKTIES/ (...) A 775’

Fotoalbum in de vorm van een uitklapbare driedelige map met passe-partouts voor vier cartes-de-visite.
Portret van paus Martinus V
Object type: book illustration
Date: 1573 – 1573
Materials: paper
Techniques: letterpress printing
Location: straatsburg
Subjects: rome, clergyman, historical persons, pope

Prent uit: Panvinio, Onofrio. Accurate effigies pontificum maximorum, numero XXVIII: ab anno Christi MCCCLXXVIII ad aetatum (...). Straatsburg: Bernhard Jobin, 1573.
Spotprent op de plannen voor havenbouw in Den Haag, 1864
Object type: cartoon
Date: 1864 – 1864
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: father time, man with wings and scythe, the hague
Inscriptions: collector's mark: Lugt 2228

Spotprent op de plannen voor havenbouw in Den Haag. Vader Tijd gooit zijn zandloper leeg in de Scheveningse vaart, naar aanleiding van de angst bij sommigen voor verzanding van de haven. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 24, 11 juni 1864.
Gezicht op 's Lands Zeemagazijn
Object type: drawing
Date: 1768 – 1768
Materials: ink, paper
Techniques: brush, pen
Subjects: city-view, and landscape with man-made constructions, amsterdam
Zhaofu Collar
Object type: collar
Date: 1701 – 1733
Materials: gold leaf, metal thread, silk
Culture: chinese
Portret van Arend Friedrich August Wiegmann
Object type: print
Date: 1830 – 1865
Materials: paper
Techniques: lithograph
Location: berlin
Artist: adolph remy
Artist role: print maker
Artist dates: 1820 – 1865
Subjects: historical persons
Inscriptions: check stamp, collector's mark: Lugt 2228
Fragments from stela of the Chief Steward Henenu
Object type: stela, henenu
Date: 2030 – 2000
Materials: limestone
Location: egypt
Subjects: female nudes

These two limestone relief fragments, now joined, derive from one of the several rectangular stelae that were originally inserted into the interior walls of the owner’s tomb cut into the rocky cliff at Deir el-Bahri. The inscriptions from another stela identify the official, Henenu, as the chief steward who served King Nebhepetre Mentuhotep II. The preserved portion of this stela shows the head and upper torso of Henenu, wearing bracelets and an ornate broad collar made of cylindrical and drop-shaped beads. He delicately holds a beaker up to his nose, perhaps to sniff the perfume inside it. His other hand reaches toward the sumptuous amount of offerings that would have been depicted in front of him. Of the offerings, only one ointment vase and the tail of a duck remain today.
Gezicht op het Stadhuis te Leiden
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: leiden
Artist: Anonymous
Subjects: city-view in general; 'veduta', townhall
Inscriptions: number: ‘22’
Portret van Lucas van Leyden
Object type: print
Date: 1714 – 1756
Materials: paper
Techniques: engraving
Location: paris
Subjects: leiden, painter, print maker, draughtsman, lucas van leyden, historical persons, head-gear: hat, portrait, self-portrait of painter, portrait, self-portrait of graphic artist
Dansend paar no. 5
Object type: print
Date: 1538 – 1610
Materials: paper
Techniques: engraving
Subjects: dancing at wedding feast, one pair dancing; man and woman dancing as a couple

Datering Duitse kleding: 1530-1540. Man: korte tabbaard met passement. Kniebroek met strik op knie. Koemuilen.
Theatrum pontificum, imperatorum, regum, ducum, principum, etc.
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: drypoint, engraving, etching
Location: antwerp
Subjects: landvoogd der zuidelijke nederlanden ferdinand van oostenrijk
Inscriptions: collector's mark: Lugt 240

Busteportret van Ferdinand van Oostenrijk. Het portret is gevat in een ovaal. In de marge een tweeregelig onderschrift in het Latijn.
Handdoek van wit linnen
Object type: towel
Date: 1690 – 1710
Materials: linen
Techniques: peeled fabric
Location: netherlands

Wit linnen handdoek met een pellen patroon, merk IGS 37 WH 2oonl.
Creamer
Object type: cream pot
Date: 1810 – 1810
Materials: silver
Culture: american
Strainer or vase fragment
Object type: strainer or vase fragment
Date: 1295 – 1070
Materials: silver
Location: egypt
Gezicht op het Prinsenhof te Amsterdam
Object type: book illustration
Date: 1693 – 1694
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: courtyard, exterior ~ representation of a building, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Huidige staat van prent ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, desselfs eerste oorspronk uyt den Huyse (…). 2 delen. Amsterdam: Abraham Wolfgang, Gillis Janssonius van Waesberge, Johannes Janssonius van Waesberge II, weduwe Dirk Boom I, Hendrick Boom en Rembertus Goethals, 1693. En in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. Amsterdam: weduwe Aart Dircksz Oossaan, 1694.

Latere staat ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. 2e druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe A. van Aaltwyk en Hermanus Uytwerf, 1726.
Fragment of terra sigillata
Object type: vase fragment
Date: 170 – 220
Materials: terracotta
Culture: roman

Plant forms. These fragments demonstrate how some producers of Roman fineware pottery in the Rhineland experimented with incised decoration inspired by that found on contemporary glassware.
The Palais Royal-Gallery's Walk
Object type: print
Date: 1787 – 1787
Techniques: engraving
Artist: louis philibert debucourt
Artist role: artist
Artist nationality: french
Artist dates: 1755 – 1832

A crowd of Parisians promenade in the Palais Royal, a royal palace whose courtyard of colonnades and shops was open to the public. The shops are filled with goods both to show off and to look with: ribbons and fans hang from shutters, while on the far right magnifying glasses are hung for sale. Similarly, some shoppers lean in to inspect goods, others strike poses to flaunt themselves, while still more look at one another, like the shadowed man who uses a magnifying glass to peer at the woman in the center. Controlled by the king’s liberal-leaning brother, the Palais Royal was a site of increased tolerance for political debates and prostitution. Debucourt depicted the modern street as a place to see and to be seen.
Vase
Object type: vase
Date: 1889 – 1889
Materials: earthenware
Artist: clément massier
Artist role: maker
Artist nationality: french
Artist dates: 1844 – 1917
39 keys from the collection of Emmanuel Vita Israël
Object type: pipe key
Date: 1200 – 1300
Materials: bronze

The Amsterdam apothecary and art collector Emmanuel Vita Israël. He donated his collection, comprising keys dating from Roman antiquity to the 19th century, to the Koninklijk Oudheidkundig Genootschap (Royal Antiquarian Society) in 1937. Vita Israël claimed that his key collection had grown more or less by accident: being one of the few collectors of keys, dealers automatically made their way to him.
Bottle vase with powder blue
Object type: vase
Date: 1800 – 1899
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Vase and Bowl.
This type of underglaze blue is called ‘powder blue’. It was achieved by spraying the cobalt pigment through a tube covered at the end with gauze on the unfired piece. The pigment particles were thus unevenly distributed over the surface. The object was then fired and glazed. The result is a lively blue structure with an effect of depth.
Veue du Palais et du Port Royal de Lion
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching
Artist: israël silvestre
Artist role: draughtsman, print maker, publisher
Artist dates: 1621 – 1691
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 240
Design for Road Wagon with Folding Top, no. 287
Object type: drawing
Date: 1875 – 1875
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Study of a Rowboat: View Toward the Stern (from Sketchbook)
Object type: drawing
Date: 1891 – 1891
Materials: gilt, graphite, leather, paper
Techniques: bookbinding
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: boats
Uitslag van de windnegotie, 1720
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: financial panic

Spotprent op de windhandel van John Law, 1720. Law zittend op een stoel dat zweeft op de wind met een hoorn van overvloed en deelt acties uit. Rechts het dolhuis, in het midden een man met de kous op de kop. Op de achtergrond Vianen en wordt er gewerkt aan het Utrechtse kanaal. In het onderschrift een uitleg van de cijfers 1-23 in rijm. Prent in de gebonden eerste uitgave (304 B 11) van Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Portretten uitgegeven door Balthazar Moncornet
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: trees: cypress, archer's weapons: bow and arrow, historical persons - bb - woman, pearl; pearl necklace, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie portretten, in catalogi bekend als 'Recueil de portraits des rois, princes et seigneurs français et étrangers'. Zie Van Someren.
Glass miniature jar
Object type: jar
Date: 101 – 300
Materials: glass
Culture: roman

Translucent pale green. Tubular rim folded over and in to flaring mouth; short, tapering neck; lopsided sholuder, horizontal on one side; biconical body, with ridge around center; pushed-in bottom with kick and traces of pontil scar. Intact; large and pinprick bubbles; slight dulling and iridescence, with patch of weathering on one side of body.
Lourdes. Les Piscines et la Grotte
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1906
Materials: cardboard
Techniques: photograph, writing
Location: paris
Subjects: gate, entrance, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Fotoreproductie van een tekening van Mariano José Maria Bernardo Fortuny y Carbó, voorstellend een man en een vrouw met een tamboerijn
Object type: photograph
Date: 1860 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: tambourine, couple of lovers

Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Mary Elsbach met kinderen te Moengo
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo
Inscriptions: inscription: ‘Moengo Mary Elsbach en Peter op bezoek’

Mary Elsbach met twee jongetjes bij een fontein voor een huis te Moengo, op bezoek bij de familie Jetten. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Monument voor Wolter Jan Gerrit baron Bentinck, 1781
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: amsterdam, grave, tomb and other grave-forms and grave-markers
Inscriptions: collector's mark: Lugt 2228

Allegorisch monument voor Wolter Jan Gerrit baron Bentinck, overleden 23/24 augustus en begraven op 28 augustus 1781 in de Nieuwe Kerk te Amsterdam. Een borstbeeld van een glimlachende Bentinck wordt door een engel met een lauwerkrans gekroond, rechts knielt een treurende vrouw met stedenkroon en vaandel van de admiraliteit van Amsterdam. Op het voetstuk een opschrift in het Latijn, onderaan een vierregelig vers.
Panel
Object type: textile
Date: 1875 – 1900
Materials: textile
Location: russia
Buckle
Object type: buckle
Date: 1401 – 1700
Materials: bronze
Culture: european
Aangemeerde zeilboot aan een kade
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: chalk, paper
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: sailing-ship, sailing-boat

Op de achtergrond huizen. Blad 31 recto uit een schetsboek met 59 bladen.
Kniegesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: knee buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Buckle, chape buckle, knee buckle; ring, plain (spindle longitudinal).
Portret van Floris van Montmorency
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: armour, historical persons, knighthood order of the golden fleece

Prent uit: Gysius, Johannes. Oorsprong ende voortgang der Neder-landtscher beroerten. S.l.s.n. 1616. Prent ook gebruikt in de Latijnse editie en de 1626-editie van dit werk.
Shallow dish, Jun-type ware
Object type: dish
Materials: glaze, stoneware
Culture: chinese
Artist: chinese
Artist role: artist
Portret van Hermanus Boerhaave
Object type: print
Date: 1738 – 1788
Materials: paper
Techniques: engraving, etching
Subjects: leiden, hermanus boerhaave, historical persons, professor
Inscriptions: collector's mark: Lugt 2228
Galerij in Algiers
Object type: photograph
Date: 1863 – 1882
Materials: cardboard, paper
Techniques: albumen print
Location: algiers
Artist: claude-joseph portier
Artist role: fotograaf
Artist dates: 1841 – 1910
Subjects: arcade ~ architecture
Inscriptions: inscription: ‘C. Portier/ Photographe Paysagiste/ Alger/ Vues et types de toute l'Algérie/ Magasin de vente/ Rue bab-Azoun,/ (au coin de la Rue de la Flèche)’, inscription: ‘C. Portier’
Annotaties
Object type: sketchbook leaf
Date: 1888 – 1891
Materials: chalk, paper
Inscriptions: annotation: ‘[...]’

Pagina 1 uit een schetsboek met 27 bladen.
Stand
Object type: stand
Date: 1770 – 1780
Materials: faience
Techniques: glazing
Subjects: birds

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Fotoreproductie van een tekening van Annibale Caracci
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: carbon print
Kris with Sheath
Object type: kris with sheath
Date: 1501 – 1900
Materials: copper alloy, gold, steel, stone, wood
Culture: balinese
Location: indonesia
Gezicht op de binnenplaats van het Oudemannenhuis te Amsterdam
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: public welfare, courtyard, old-people's home

Prent uit: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeruige verhandelinge van desselfs eerste oorspronk uyt den Huyse (…). Amsterdam: Andries van Damme et al., 1726, p. 570.
Brief aan Andries Bonger
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: granada
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: venice, painter, print maker, draughtsman, canaletto, sevilla, bartolomé esteban murillo, rome, rafaël, brussels, pieter bruegel (i), diego rodriguez de silva y velázquez, correggio, francisco de goya, leiden, amsterdam, rembrandt van rijn, jusepe de ribera, titiaan, andries bonger, artist, leonardo da vinci, sculpture, painting (including book-illumination, miniature-painting), architecture, naples
Getal 29
Object type: design
Date: 1904 – 1904
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Inscriptions: collector's mark: ‘R:MVS.’

Het getal is gebruikt voor: Veth, Jan. Jozef Israëls en zijn kunst. Arnhem en Nijmegen: Gebroeders E&M Cohen, 1904.
In de Indische Wereld / In een tempel op Bali
Object type: print
Date: 1916 – 1916
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: asiatic races and peoples (indonesians), carrying something on the head or on the shoulders
Inscriptions: date

Prent met titel en onderschrift, bijvoegsel bij 'De Amsterdammer'. Gesigneerd en gedateerd.
Souvenir spoon with view of Roman Colosseum
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, silver gilt
Subjects: ruins,coat of arms
Allegory of Asia, from "The Four Continents"
Object type: print
Date: 1560 – 1590
Techniques: engraving
Artist: julius goltzius
Artist role: engraver
Artist nationality: netherlandish
Artist dates: 1500 – 1595
Subjects: women,camels,elephants,chariots
Gezelschap in park met fluitspeler
Object type: print
Date: 1811 – 1871
Materials: paper
Techniques: engraving, etching
Subjects: one person playing wind instrument, private festivities, merry company - aa - in the open air, 'fête champêtre'
Inscriptions: collector's mark: Lugt 2228
Cairo - Street Scène
Object type: photomechanical print
Date: 1907 – 1930
Materials: cardboard
Techniques: photograph
Location: cairo
Artist: Anonymous
Subjects: shop, store, street
Police Superintendant's Party: A Gift of Food and Drink
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: tsukioka yoshitoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1839 – 1892
Subjects: men,women,party,drinking,police
Luise slaat de bladmuziek om
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, vocal music, singing, clavichord, harpsichord
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Becker, Wilhelm Gottlieb. Almanach und Taschenbuch zum geselligen Vergnügen von W. G. Becker für 1798. Leipzig: Voss und Comp., [1797].
Nederland, 5 cent,1950
Object type: coin
Date: 1950 – 1950
Materials: bronze
Techniques: striking
Location: utrecht
Artist: juliana of the netherlands
Artist role: koningin
Artist dates: 1909 – 2004

Bronzen munt. Voorzijde: hoofd naar rechts. Keerzijde: tussen jaartal waarde-aanduiding 5 cent met oranjetak. Gladde rand.
Kop
Object type: fragment
Date: 1660 – 1730
Materials: earthenware, glaze
Techniques: painted
Location: delft
Artist: Anonymous

Kop van blauw beschilderde faience, beschilderd met grote bloemen, waartussen bladeren en vlekken. De kop is een bodemvondst.