deem-data/ArtiFact huggingface dataset:
Daikoku en Fukurokuju zien toe bij een muizengevecht
Object type: drawing
Date: 1700 – 1900
Materials: paper
Techniques: brush
Location: japan
Artist: Anonymous

Daikoku en Fukurokuji als toeschouwers bij een gevecht tussen muizen. Overgeplakte correctie.
Venster van Palazzo Pitti te Florence
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: florence
Artist: Anonymous
Subjects: lion's head ~ ornament, window, palace
Inscriptions: inscription: ‘Venster Paleis Pitti’, collector's mark: Lugt 3937
Capital with Palm Leaves
Object type: capital
Date: 401 – 500
Materials: stone
Techniques: carving
Location: egypt
Spose nobili moderne
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: styles of hairdress - aa - ~ women, neck-gear: collar (+ women's clothes), fashion plates, dress, gown (+ women's clothes), clothing for the upper part of the body (with name) (+ women's clothes), pearl; pearl necklace (+ women's clothes)

Venetiaanse, pas getrouwde vrouw, het kapsel in de 'moderne' haarstijl, waarbij het is gevormd in twee 'horentjes', als symbool van de kuisheid. Overkleed met rijk geborduurd puntlijfje en hoog opstaande kraag van opengewerkt kant. Parelsnoeren om de hals. In ornamentrand
Vase (Vase à Oreilles)
Object type: ceramic
Date: 1754 – 1754
Materials: ceramic, porcelain, soft paste porcelain
Techniques: gilding, overglaze, underglaze
Location: vincennes
Artist: jean-claude duplessis
Artist nationality: french
Artist dates: 1695 – 1774
De kruisdraging
Object type: drawing
Date: 1659 – 1712
Materials: ink, paper
Techniques: brush, pen
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: carrying of the cross: christ bearing the cross, alone or with the help of others (e.g. simon the cyrenian)
Verzamelen van het manna
Object type: book illustration
Date: 1720 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the gathering of manna (in baskets and pots)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Utrechts Fundatie huijs’

Prent gemaakt voor: Figures de la Bible. Amsterdam, Bernard Picart, 1720. Prent ook gebruikt in: Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe Testament (...) door de vermaarde kunstenaars Hoet, Houbraken, en Picart getekent (...) en met beschrijvingen uitgebreid. Den Haag: Pieter de Hondt, 1728.
Exterieur van een kerk (vermoedelijk) te Valence
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: valence
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: church (exterior), façade (of house or building)
Inscriptions: number: ‘1947’
Portret van een Franse man met een hoge hoed, staand voor een metalen vat
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: hand in the pocket - aa - both arms or hands, adult man, container of metal: bucket, can, canister, drum, tin, head-gear: top hat, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
17e Cahier de Cartels et Trophées de l'Oeuvre de Ranson
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: paris
Artist: pierre gabriel berthault
Artist role: print maker
Artist dates: 1737 – 1819
Subjects: ornaments ~ art (+ framing decorations), flowers ~ ornament
Inscriptions: collector's mark: Lugt 2228

Een rechthoekige omlijsting met bloemen en bladmotieven.
Geschiedenis van Genoveva / Histoire de Geneviève
Object type: popular print
Date: 1833 – 1911
Materials: paper
Techniques: lithograph, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: genoveva
Inscriptions: octrooivermelding, gedrukt

Blad met 20 voorstellingen over het leven van Genoveva van Brabant. Onder elke afbeelding een onderschrift in het Nederlands en in het Frans. Genummerd midden boven: N. 8.
Buste van Jacobus IV van Schotland
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: engraving
Artist: adriaen van der werff
Artist role: draughtsman, painter, print maker
Artist dates: 1659 – 1722
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Larrey, Isaac de. Histoire d'Angleterre, d'Ecosse, et d'Irlande. Rotterdam: Reinier Leers, 1697.
Hooiwagen
Object type: drawing
Date: 1770 – 1825
Materials: chalk, ink, paper, pencil
Techniques: pen
Artist: simon andreas krausz
Artist role: draughtsman, print maker
Artist dates: 1760 – 1825
Subjects: hay-wagon
Liggende hond
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: dog
Inscriptions: collector's mark: Lugt 2228
Nicolaus secu[n]dus
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: pope
Inscriptions: inscription: ‘124’

Een bloemkelk met een paus. Hij draagt een tiara en heeft een opengeslagen boek en een staf met een dubbel kruis in zijn handen. De voorstelling is onderdeel van de opeenvolging pausen in de Liber Chronicarum. De tekst identificeert de man als Nicolaas II. De prent maakt deel uit van een album.
Gournah, Palais de Ménephta 1er; Thèbes, plate 61 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie
Bedspread (Scenes of English Country Life)
Object type: textile
Date: 1830 – 1830
Materials: cotton, wool
Techniques: embroidery, weave, printing
Location: england
Jar
Object type: jar
Date: 301 – 700
Materials: earthenware
Culture: coptic
Location: egypt
Design for Omnibus or Wagonette, no. 3636a
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Orange Festival
Object type: painting
Date: 1890 – 1892
Materials: canvas, oil
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: public festivities on the occasion of royal events, dancing
Inscriptions: signature: ‘Jac v. Looy.’

Oranjefeest ca. 1890. Dansende gekostuumeerde feestvierders met lampions en vuurwerk op straat, bij nacht.
Gelukwens ter ere van de verjaardag van Eldine Aldegonda Gaymans
Object type: greeting card
Date: 1881 – 1881
Materials: ink, paper
Techniques: printing, lithograph, letterpress printing, pen, writing
Subjects: haarlem, the hague, politician, eeltjo aldegondus van beresteijn, birthday, adult woman, flowers: lily
Inscriptions: date

Handgeschreven verjaardagswens van Eeltjo van Beresteijn aan zijn moeder, Eldine Aldegonda Gaymans. Op de voorzijde een decoratief kader in de linker- en bovenmarge. Linksboven een ovaal met daarop een statige vrouw tussen lelies.
Illustration to Vanity Fair, Chapter 1: "Jos and Becky"
Object type: drawing
Date: 1848 – 1848
Materials: graphite, watercolor
Artist: william makepeace thackeray
Artist role: artist
Artist nationality: british
Artist dates: 1811 – 1863
Subjects: girls,men
What Courage!, plate seven from The Disasters of War
Object type: print
Materials: gilt, paper
Techniques: aquatint, engraving, burnishing, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: war

Francisco de Goya responded to the Peninsular War (1808–11) by creating over 80 etchings critiquing the cruelty and senseless violence that accompanies war. In this print, he depicted a historical event: Augustina of Aragon heroically defending Saragossa, taking over the cannon of her fallen comrades. Because she had already become a woman of legendary status when this print was made, Goya did not show Augustina’s face. Due to the oppressive policies of King Ferdinand VII, these prints were not published until 1863.
Chasuble with Orphreys
Object type: chasuble with orphrey
Materials: linen, metal, silk
Culture: spanish
Subjects: men,saints
Portret van Johan Jacob le Sage ten Broek
Object type: print
Date: 1775 – 1799
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: rotterdam, historical persons, professor

Op de prent is een strookje uit een boek geplakt met tekst in boekdruk en handgeschreven ondertekend 'J.J. le Sage ten Broek'.
Station d'Alexanderplatz
Object type: photograph
Date: 1874 – 1884
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: railway, train, interior ~ representation of a building, façade (of house or building), station; shelter (railway, tramway)

Boven de stationshal van het station aan de Friedrichstrasse, midden het stationsgebouw bij halte Börse, onder de stationshal van het station aan Alexanderplatz.
De Eenhorns Sluys, from Views of Amsterdam
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: etching
Location: netherlands
Artist: reinier nooms
Artist role: artist
Artist nationality: dutch
Artist dates: 1623 – 1664
Inscriptions: Letttered lower center: "De Eenhoorns Sluys."; and lower right: "2".
Design for Wagon, no. 946a
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Allegorie van de Ziekte
Object type: print
Date: 1530 – 1582
Materials: paper
Techniques: engraving
Location: mantua
Artist: giorgio ghisi
Artist role: print maker
Artist dates: 1520 – 1582
Subjects: sick-bed, patient, sick person, healing of sick person, nursing, tending the sick, visiting the sick; sick person together with others
Inscriptions: collector's mark: Lugt 240

Een zieke man ligt op bed met een laken over zijn benen. Achter het bed staan een oude en een jonge man en een jonge vrouw met een kaars. Een vrouw bij het hoofdeinde van het bed raakt de zieke man aan op zijn hoofd en rug. Een figuur met omslagdoek zit op de rand van het bed.
Gezicht uit het Starrebosch naer het Huis en de twee bezijde Lanen / Vuë du Bosquet sur la Maison et des deux Allées de côté
Object type: print
Date: 1729 – 1732
Materials: paper
Techniques: engraving, etching
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: country-house
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Prent mogelijk uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in 100 heerlyke gezichten. Amsterdam: Jan Roman, s.a. Of uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in veele heerlyke gezichten. Amsterdam: Andries en Hendrik de Leth, s.a [1729-1732].
View of the Diemerdijk with a milkman and cottages
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: inscription: ‘111234’, collector's mark: Lugt 1614, collector's mark: Lugt 2228
Gezicht op een straat met figuren, mogelijk in Amsterdam
Object type: sketchbook leaf
Date: 1903 – 1903
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, street (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

Gezicht op een straat met figuren, mogelijk in Amsterdam. Pagina 25 en pagina 26 uit een schetsboek met 46 bladen.
Card 773, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 2), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Gezicht op de Drie-eenheidskerk in Ostankino te Moskou
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: moscow
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment, church (exterior)
Inscriptions: inscription: ‘Eglise a Ostankino’, inscription: ‘D. 14.’, number: ‘34.’
Acrobats
Object type: figure
Date: 1780 – 1780
Materials: creamware
Artist: le nove porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Subjects: men,women,acrobats
Rainbow Over Stormy Sea
Object type: drawing and watercolor
Date: 1900 – 1900
Materials: graphite, paint, paper, watercolor
Location: united states
Artist: Anonymous
Artist nationality: american or english
Artist dates: 1800 – 1899
Interieur van een huis of kerk
Object type: cabinet photograph
Date: 1886 – 1886
Materials: cardboard, paper
Techniques: albumen print
Location: regensburg
Artist: emil herbst
Artist role: fotograaf
Subjects: townhall, interior of the house
Inscriptions: inscription: ‘E. Herbst/ Photograph/ 1886/ Regensburg/ Lit: H. No 41.’
Twee wilde eenden in vlucht
Object type: print
Date: 1900 – 1936
Materials: paper
Techniques: woodcut
Location: japan
Artist: ohara koson
Artist role: print maker
Artist dates: 1877 – 1945
Subjects: snow, water-birds: duck
Inscriptions: collector's mark: Lugt 2228

Twee eenden in vlucht, boven rietkraag, in de sneeuw.
Coffee spoon (?) or egg spoon (?)
Object type: coffee or egg spoon
Date: 1887 – 1887
Materials: gilt, silver
Curb Bit
Object type: bit
Date: 1326 – 1350
Materials: copper alloy, enamel, gold, iron
Culture: franco-neapolitan
Location: italy
Vijzel, gedraaid van esdoornhout
Object type: mortar
Date: 1675 – 1699
Materials: wood
Techniques: turning
Location: amsterdam
Artist: Anonymous

Vijzel, gedraaid van esdoornhout, oranjegeverfd.
Terracotta fish-plate
Object type: fish plate
Date: 350 – 325
Materials: terracotta
Culture: greek or south italian or campanian
Artist: helgoland painter
Artist role: artist
Subjects: fish,shells
Linkervleugel voorgevel S.T.O.V.I.A.
Object type: photograph
Date: 1918 – 1919
Materials: photographic support
Techniques: gelatin silver print
Location: batavia
Artist: Anonymous
Subjects: colonial system, further education (+ building ~ education, tuition), physician, doctor, batavia
Inscriptions: inscription: ‘Linkervleugel voorgevel S.T.O.V.I.A.’

De linkervleugel van de voorgevel van het gebouw van de School tot Opleiding van Inlandse Artsen (STOVIA) in Batavia, in aanbouw. Onderdeel van het fotoalbum van de Eerste Waterstaatsafdeling op West-Java 22 maart 1915 - 30 juli 1919.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, head, neck, left shoulder, part of upper left arm, and torso of filleted satyr bending to left; two letters of an inscription, KA[LOS], retr.?
Portret van Charles-Joachim Colbert de Croissy
Object type: print
Date: 1697 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons
Berlin. Hallesches Tor
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: berlin
Subjects: railway, train, station; shelter (railway, tramway), street, berlin
Inscriptions: stamp: ‘5’, monogram: ‘P.F.B.’
Badgastein von den Schwarzenberg-Anlagen
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1909
Materials: cardboard
Techniques: lithograph, writing
Location: bad gastein
Subjects: dale, valley, church (exterior), mountains
Elephant and Rhinoceros
Object type: print
Date: 1686 – 1696
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: hoofed animals: rhinoceros, trunked animals: elephant
Inscriptions: collector's mark: Lugt 2228

A live rhinoceros is first brought ashore in London in 1684. A print depicting a rhino fighting an elephant appears in England, which Pieter van den Berge then republishes in the Netherlands. While the explanatory text states that it is a natural representation of the rhino that arrived in London, the artist actually relies on Dürer’s representation.
Covered Bowl
Object type: covered bowl
Date: 1522 – 1566
Materials: enamel, copper gilt
Techniques: enamel
Culture: chinese
Subjects: flowers
Gold pendant
Object type: pendant
Date: 400 – 301
Materials: gold
Culture: greek

Pendant globe. A large white globe of lime mortar, evidently intended to imitate a large sea pearl, is enclosed in a gold wire net fused with granulation and constructed of rows of plain wire laid in a zigzag pattern.
Vulling van een armstoelbekleding
Object type: suite
Date: 1785 – 1800
Materials: hair, jute, wool
Location: northern netherlands
Artist: Anonymous

Vulling van een armstoelbekleding. De vulling heeft een afgeronde kant en bestaat uit wol en paardenhaar, bedekt met jute. Behorende bij een armstoel van iepenhout met een beklede zitting en rustend op conische, gecanneleerde voorpoten en flauw wijkende achterpoten (BK-1959-117-A).
Shawl
Object type: shawl
Date: 1845 – 1845
Materials: silk, wool
Culture: french
Reisverslag
Object type: sketchbook leaf
Materials: pencil
Location: novaya zemlya
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: nova zembla expedities 1880
Inscriptions: annotation: ‘De Samojeden [...]’

Blad 52 verso uit een schetsboek met 110 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Earring
Object type: earring
Date: 601 – 700
Materials: silver
Culture: japanese
Filosofen redetwistend over de zielsverhuizing
Object type: drawing
Date: 1669 – 1669
Materials: chalk, graphite, ink, paper
Techniques: brush, pen
Artist: zacharias blijhooft
Artist role: draughtsman
Artist dates: 1630 – 1682
Inscriptions: date: ‘1669’
Portrait of an unknown man from the Kurukh community of Chota Nagpur in eastern India
Object type: page
Date: 1858 – 1868
Materials: photographic support
Techniques: albumen print
Location: chota nagpur
Artist: benjamin simpson
Artist role: fotograaf
Artist dates: 1831 – 1923
Subjects: human races; peoples; nationalities
Inscriptions: inscription: ‘ORAON COLE./ ABORIGINAL./ CHOTA NAGPOOR.’, number: ‘(15)’

De Kurukh-gemeenschap is ook bekend als Oraon.
Combat Between Dragon and Dog (one of five medallions from a coffret)
Object type: medallion
Date: 1110 – 1130
Materials: gilt copper, enamel
Techniques: enamel
Culture: french
Location: france
Subjects: dragons

The blue and green beasts, locked in battle and compressed into these circular medallions, are emblematic of goldsmiths’ work created at Conques under the patronage of Abbot Boniface (r. 1107–after 1121). On a similar box still at Conques, an inscription proudly proclaims: “In all respects, the coffrets of Conques demonstrate brilliant workmanship.”
Cybele, Juno en Minerva
Object type: print
Date: 1632 – 1693
Materials: paper
Techniques: engraving, etching
Artist: françois de poilly (i)
Artist role: print maker, publisher
Artist dates: 1622 – 1693
Subjects: (story of) juno (hera), (story of) minerva (pallas, athena), specific aspects, allegorical aspects of cybele; cybele as patroness
Inscriptions: collector's mark: Lugt 240

Drie vrouwen bij elkaar, boven hen een putto met lelies en een vredesduif. Bij Cybele een leeuw met dennentak, bij Juno een pauw.