deem-data/ArtiFact huggingface dataset:
Holy Family with St. Elizabeth and St. John the Baptist
Object type: print
Date: 1588 – 1588
Techniques: engraving
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Subjects: trees,saint john the baptist,saints

The Holy Family with St. Elizabeth and St. John the Baptist is one of Jan Muller’s earliest engravings. Although the subject does not specifically appear in the Bible, it was extremely popular from the Middle Ages onward. The design is based on a lost composition by the Amsterdam painter Dirck Barendsz. The figures dominate the foreground: grouped under a tree in a triangle, with St. Joseph at the apex, Elizabeth, Mary’s cousin and mother of the Baptist at the left and Mary just right of center, the Infant Christ on her knee, and her arm extending across St. John’s shoulder, in a descending line. The print was published by Muller’s father, Harmen Jansz. Muller and his name and that of Barendsz. are included in the title space below the composition, but Jan Muller’s name is missing. He was, at this time, an unknown figure, still working in a traditional style. He later embraced the bravura engraving technique derived from Hendrick Goltzius, -- the foremost Mannerist printmaker in the Netherlands -- which later made him famous.
Portret van de families Kessler en Heyning tijdens een vakantie in de Harz, helemaal links Dolph Kessler
Object type: photograph
Date: 1903 – 1908
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: harz
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945

Portret van de families Kessler en Heyning vermoedelijk tijdens een vakantie in de Harz voor een Gasthof of hotel. Onderdeel van het fotoalbum van Dolph Kessler met opnamen die hij maakte tijdens zijn verblijf in Engeland en op een wereldreis die hij als secretaris van Henri Deterding (directeur Koninklijke Olie) ondernam naar Nederlands-Indië, Japan, China en de Verenigde Staten, tussen 1906 en 1908.
Vue d'une partie du village de Louxor, Thèbes
Object type: photograph
Date: 1849 – 1850
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: villages,landscapes

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Batavia - Warong (draagbare gaarkeuken)
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: autotype
Location: weltevreden
Subjects: open fire, fire-place, stove (in kitchen) - cc - in the open air, batavia
Fragment (Furnishing Fabric)
Object type: textile
Materials: gilt, paper, silk
Techniques: brocade, weave
Location: china
Braubach und die Marksburg
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: color autotype
Location: cologne
Subjects: castle, canals, waters (in city)
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment, eye cup, bilingual
Date: 433 – 567
Materials: terracotta
Culture: greek, attic

Interior, arm and two legs of a capering figure; Exterior, between eyes, lower body of warrior with shield to left; fragment with complete handle, part of a palmette with tendril; fragment with, circumscribed palmette with part of eye; fragment with, part of eye with tear duct, and legs and tail of satyr to right; rim fragment with part of eye and palmette; three fragments with parts of eyes; part of stem with bit of the bottom of the bowl; part of foot; one fragment with part of a palmette; two fragments with part of the ground line; one rim fragment with black glaze; three black glaze fragments; one fragment, with glaze worn; part of left half of handle; one fragment with part of ground line and start of handle root; small fragment of handle
Bowl
Object type: bowl
Date: 201 – 700
Materials: bronze
Location: egypt
Soldaat die zijn spies horizontaal op zijn rechterschouder draagt
Object type: drawing
Date: 1596 – 1606
Materials: ink, paper
Techniques: brush, pen
Artist: jacques de gheyn (ii)
Artist role: painter, print maker
Artist dates: 1565 – 1629
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Ontwerptekening voor de illustratie in: J. de Gheyn, Wapenhandelinghe van roers, musquetten ende spiessen achtervolgende de ordre van ... Maurits Prince van Orangie ... , [J. de Gheyn], 's-Gravenhage 1607. Derde deel: Corte onderwysinghe op de figuerliicke afbeeldinghe, belanghende t'recht ghebruyck, van al t'ghene een Soldaet int handelen vande Spies noodich is, plaat 26.
Mutsenslip van kloskant met anjer en rocaille
Object type: lappet
Date: 1750 – 1760
Materials: linen
Techniques: lace
Location: mechelen
Artist: Anonymous

Mutsenslip van naturelkleurige kloskant: Mechelse kant. Eén afgerond uiteinde en het andere uiteinde is recht afgeknipt en niet afgewerkt. Het zich herhalende patroon bestaat uit een anjer die in de lengte-richting van de mutsenslip is geplaatst afgewisseld door een rocaille-motief waaruit een gespleten tak met bladeren ontspringt. Een deel van de bladeren raakt één van de lange zijden. Het patroon langs de lange zijden bestaat verder uit aaneengeschakelde blaadjes en op regelmatige afstand een rocaille-motief. De motieven zijn gemaakt in linnenslag met spaarzaam toegepaste uitsparingen en voorzien van dikkere contourdraden. De motieven zijn met elkaar verbonden door een traliegrond, een Mechelse grond. In de rocailles en tussen sommige bladeren zijn siergronden toegepast. Op het afgeknipte uiteinde na zijn de randen van de mutsenslip afgewerkt met picots.
Mastoid (Drinking Cup) with Handles
Object type: vessel
Date: 500 – 480
Materials: terracotta
Location: athens
Artist: attributed to the manner of the haimon painter
Artist nationality: ancient greek

This handled cup was likely used as part of the Greek symposium. Much like modern academic symposiums, in which people discuss a topic of common interest, debunking old theories and putting forth new hypotheses; the men of ancient Athens regularly got together in private homes to exchange ideas. Afterward the participants might continue the conversation, discussing their impressions in greater detail or simply socializing over a drink. As the evening progressed, participants engaged in other pleasures, including games, performances, and sex.

Wine played a major role in fueling these evenings, and as such the myriad vessels used in the symposium often paid homage to drink. Here Dionysos, the god of wine and theater, is shown riding a donkey who's exaggerated physical arousal would have appealed to the ancient Greeks' often bawdy sense of humor. The god is accompanied by his female companions, known as maenads, who were notorious for the kind of ecstatic, freewheeling dances they perform here.
Studieblad met koppen
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: head (human), head-gear (+ men's clothes)
Inscriptions: annotation: ‘Joanna.’

Onder andere monniken en een man met een helm. Achterste schutblad uit een schetsboek met 58 bladen.
Woman's Court Overcoat
Object type: woman's court overcoat
Date: 1723 – 1735
Materials: metal thread, silk
Culture: chinese
Subjects: dragons
Christoph Burchard Graf von Münnich
Object type: print
Date: 1723 – 1767
Materials: paper
Techniques: engraving
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: armour, historical persons
Boots
Object type: boot
Date: 1870 – 1870
Materials: cotton
Culture: american
Artist: excelsior button & boot
Artist role: maker
Harimaze ôgi, de 'versierde waaier'
Object type: print
Date: 1850 – 1860
Materials: paper
Techniques: woodcut
Location: japan
Artist: Anonymous
Subjects: man and woman cohabiting, fan

Een liefdespaar heeft anale gemeenschap. Achter hen een waaier.
Fragmenten riemgesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: belt buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

D-shaped with pointed side, fragm, id. NG 1980-27H384, belt buckle.
Frieze tile
Object type: tile from a frieze
Date: 1600 – 1600
Materials: earthenware
Techniques: glazing
Subjects: deer,giraffes
Staande man
Object type: sketchbook leaf
Date: 1710 – 1772
Materials: chalk, paper
Artist: petrus johannes van reysschoot
Artist role: draughtsman, print maker
Artist dates: 1702 – 1772
Subjects: standing figure

Blad 97 verso en 98 recto uit een schetsboek met 105 bladen.
Cour Napoléon gezien vanaf de Tuileries
Object type: photograph
Date: 1857 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: permanent exhibition, museum, façade (of house or building), paris, tuileries palace

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 2.
Skodsborg
Object type: photograph
Date: 1880 – 1920
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Christus, Maria, Johannes de Doper en de apostelen
Object type: print
Date: 1583 – 1583
Materials: paper
Techniques: engraving
Location: italy
Subjects: the apostle bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff

Afbeelding gesneden uit een blad met drie voorstellingen van de apostelen Bartolomeüs met een mes, Tomas met een speer en Petrus met twee sleutels en een boek.
Scarab
Object type: scarab, loop, panel
Date: 1640 – 1550
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs
Tea jar
Object type: tea jar
Date: 1601 – 1700
Materials: clay, glaze
Culture: japanese
Staande vrouw met omslagdoek
Object type: sketchbook leaf
Date: 1890 – 1920
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ standing)
Inscriptions: annotation: ‘dhr Smits / Kiezersgr 675 / en thuis[?]’

Blad 19 verso uit schetsboek X met 43 bladen.
Cartouche Crowned by Helmet and Leopards
Object type: print
Date: 1647 – 1647
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: helmets,cartouches,garlands,leopards
Twee mannen en een hond in een tuin in Frankrijk
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: armchair, seat, garden, adult man, dog, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
The Actor Ichikawa Monnosuke II and his wife, from an untitled series of prints showing Actors in private life
Object type: print
Date: 1783 – 1783
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, part of draped figure sitting on a block seat; Exterior, frontal foot of fallen warrior; part of greaved calf and foot, to left; part of calf and foot of figure to right
Chest decorated with phoenixes, colored roundels (taegeuk), and flowers
Object type: chest
Date: 1901 – 1933
Materials: brass, mother of pearl, skin, shell, metal, wood
Techniques: inlay, lacquer
Culture: korean
Subjects: mythical creatures,flowers,leaves,chests

Owing to its durability and waterproofing qualities lacquer was frequently applied to furniture. The taegeuk, or colored roundels, and trigrams on this chest—symbols now associated with the South Korean flag—along with the chrysanthemum motif suggest the piece dates to the Korean Empire (1897–1910).
Briefkaart aan Jan Veth
Object type: postcard
Date: 1890 – 1890
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: designer, jan veth, amsterdam, hein boeken, drawing, passions, emotions, affections, money
Inscriptions: collector's mark: ‘RPK’
Landscape with Figures by a Stream
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: tinting
Location: netherlands
Artist: johannes glauber or school of
Vier fragmenten rood fluweel met twee geborduurde bloemen
Object type: embroidery
Date: 1400 – 1950
Materials: silk, velvet
Techniques: embroidered
Location: europe
Artist: Anonymous
Inscriptions: label: ‘NM.9808’

Vier fragmenten langwerpige rode zijdefluweel met sporen van naaiwerk. De fragmenten zijn over elkaar vastgezet met twee geborduurde bloemen. De grootste bloem heeft negen blaadjes, aan de uiteinden zijn deze groen en deze gaan via wit naar een lichtroze. In het midden zit een geel met wit hart. De andere bloem heeft zes bloembladeren, deze zijn wit aan de uiteinden en blauw rond het hart, het hart is geel. Aan de achterkant van de fragmenten bevinden zich restanten van lijm(?).
Brief aan Philip Zilcken
Object type: letter
Date: 1928 – 1928
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: painter, draughtsman, philip zilcken, painting (including book-illumination, miniature-painting), exhibition ~ art
Inscriptions: collector's mark: ‘RPK’
Johannes de Doper
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: john the baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff
Inscriptions: collector's mark: Lugt 240

Johannes de Doper, afgebeeld als een herdersjongen, naar links kijkend, houdt een lam vast en een kruis met de spreuk 'Ecce Agnus Dei'.
Small Dish
Object type: dish
Date: 1001 – 1200
Materials: ceramic glaze, glaze, stoneware
Culture: chinese
Crosthwaite Church. A.P
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: platinum process
Location: keswick
Artist: monogrammist ap (fotograaf)
Artist role: fotograaf
Subjects: church (exterior), churchyard, cemetery
Inscriptions: number: ‘24’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Engeland en Frankrijk.
Earrings
Object type: earring
Materials: gold
Culture: iranian
Location: iran
Gezicht op Nigtevecht
Object type: drawing
Date: 1730 – 1730
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: city-view, and landscape with man-made constructions
Plaque with winged creatures approaching stylized trees
Object type: relief
Date: 800 – 601
Materials: gold
Culture: iranian
Location: iran
Portret van G.L.J. Holle
Object type: carte de visite
Date: 1870 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: adolphe zimmermans
Artist role: fotograaf
Artist dates: 1858 – 1922
Subjects: g.l.j. holle
Inscriptions: name: ‘G.L.J. Holle’, name: ‘Ad. Zimmermans LA HAYE / 21 / de Riemer Straat.’
Glass rectangular bottle
Object type: bottle, rectangular
Date: 101 – 300
Materials: glass
Culture: roman

Translucent blue green, with same color handles. Rim folded out, down, round, and in, and pressed flat on top around mouth; cylindrical neck, expanding downwards; horizontal shoulder with rounded, sloping corners; flat, vertical sides; concave bottom with large circular pontil mark; two broad strap handles, tooled into three ribs on outer surface, attached to outer edge of shoulder on short sides, drawn up vertically, turned in at right angle and trailed onto top of neck and underside of rim. Molded decoration on bottom comprising a large lozenge enclosing the letters PAVI in retrograde in relief. One large hole in top of body and part of one handle missing with weathered breaks; dulling, iridescence, and thick limy encrustation on exterior; areas of soil encrustation, weathering, and iridescence on interior.
Liggende man te midden van heren
Object type: book illustration
Date: 1722 – 1784
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: lying figure, violent death by cleaving and striking weapons - ee - death not certain; wounded person
Inscriptions: collector's mark: Lugt 240

Op de grond in een vertrek ligt een man met een doek over zijn hoofd. Een man knielt bij hem neer terwijl de rest van de groep heren toekijkt. Prent rechtsboven gemerkt: Pl. VI.
Onderboezem, schacht gedecoreerd met ridder te paard
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous

Rechtsboven staat het getal 6, rechtsonder het getal 17.
Kinderdeugden
Object type: popular print
Date: 1842 – 1842
Materials: paper
Techniques: letterpress printing, engraving
Location: purmerend
Subjects: parents with their children, humanity, politeness; 'cortesia', 'humanità' (ripa), submissiveness; 'ossequio' (ripa), saving, frugality, parsimony; 'parsimonia' (ripa), gratitude; 'gratitudine', 'memoria grata de beneficii ricevuti' (ripa), humility; 'humiltà' (ripa)
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van kinderdeugden, zoals beleefdheid, spaarzaamheid en nederigheid. Boven elke voorstelling een titel en onder elke voorstelling een zesregelig vers. Genummerd rechtsboven: No. 21
Deel van een zuil van de San Marco in Venetië
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: photograph
Location: venice
Subjects: column, pillar ~ architecture
Inscriptions: number: ‘K.10.’, number: ‘225’, number: ‘K.10’

Deze prent maakt deel uit van een omslag met 79 prenten op 53 bladen en 2 tekstbladen.
Nieuwjaarsprent van de Haarlemse Kerstgilde, 1606
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: jacob matham
Artist role: draughtsman, print maker
Artist dates: 1571 – 1631
Subjects: adoration of the christ-child by the shepherds; mary and joseph present, haarlem
Inscriptions: date

Nieuwjaarsprent van de Haarlemse Kerstgilde of Heilig Kerstmisgilde, 1606. De aanbidding van het kind door de herders, in cartouche met opdracht in het randschrift. Met onderschrift van 9 regels in het Nederlands.
View on Lake Superior (from McGuire Scrapbook)
Object type: drawing
Date: 1801 – 1846
Materials: board, graphite, paper
Culture: american
Artist: henry inman
Artist role: artist
Artist nationality: american
Artist dates: 1801 – 1846
Subjects: lakes,plants
De Gedenknaald te Scheveningen. Ingewijd den 24 August. 1865
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: the hague, william ii of the netherlands, berlin, frederik (prins der nederlanden), monument, statue
Inscriptions: collector's mark: Lugt 2228

Portretten van koning Willem II en Prins Frederik met tussen hen in de gedenknaald te Scheveningen op de plaats waar vandaan stadhouder Willem V naar Engeland is vertrokken op 18 januari 1795 en waar koning Willem I in 1813 is teruggekeerd. Monument onthuld op 24 augustus 1865.
Bosgezicht
Object type: print
Date: 1886 – 1907
Materials: paper
Techniques: drypoint, etching, roulette
Artist: paula modersohn-becker
Artist role: print maker
Artist dates: 1876 – 1907
Subjects: forest, wood
Inscriptions: collector's mark: Lugt 2228
Teacup (one of a pair)
Object type: teacup
Date: 1820 – 1830
Materials: pottery
Tegeltableau met kikkers en waterlelies, reclame voor Fayence en Tegelfabriek Holland
Object type: cabinet photograph
Date: 1893 – 1918
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: tailless amphibians: frog, flowers: water-lily
Inscriptions: inscription: ‘7.15 - Fay/ f 17. - per U/ hoog M 1.12 1/2’, stamp: ‘NAAML. VENN. FAYENCE EN TEGELFABRIEK/ "HOLLAND"’, inscription: ‘O.T.’, number: ‘No. 2007’
Vaart op Plantage Peperpot
Object type: photograph
Date: 1912 – 1913
Materials: paper, photographic support
Techniques: gelatin silver print
Location: suriname
Artist: Anonymous
Subjects: plantation, suriname

Vaart op Plantage Peperpot in Suriname. Onderdeel van het fotoalbum uit ca. 1912-1913 met 92 foto's van de plantages Peperpot en Dordrecht in Suriname en Mount Pleasant op Curaçao.
Sconce
Object type: sconce
Date: 1868 – 1870
Materials: bronze
Artist: mitchell, vance & co.
Artist role: maker

This brass sconce, one of four (see 68.143.6-.7, .16), and its corresponding twelve-light chandelier (68.143.5), originally illuminated the sitting room, or rear parlor, of the mansion built for Jedediah Wilcox at 816 Broad Street in Meriden, Connecticut. Completed in 1870, the house was heralded as one of the state’s grandest residences. Previously outfitted for gas lighting, the fixture has been electrified for use in the Museum. Likely made by Mitchell, Vance and Co., the sconce incorporates a Néo-Grec decorative vocabulary that features stylized palmettes, fleur-de-lis, and portrait medallions above the gas keys and coordinates with the room's original suite of seating furniture, overmantel mirror, and window cornices (see 68.133.1-.5, .8-10, and 68.134.11).
Ice needles, Unter Grindelwald glacier
Object type: photograph
Date: 1850 – 1866
Materials: photographic support
Techniques: albumen print
Location: unterer grindelwaldgletsjer
Artist: ernest edwards
Artist role: fotograaf
Artist dates: 1837 – 1903
Subjects: glacier, ice ~ state of water
Inscriptions: inscription: ‘To face page 27.’
Zeehavens
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: etching
Location: paris
Subjects: harbour, ships (in general)
Inscriptions: collector's mark: Lugt 240

De haven van Calais met op de kust een muur en een toren. In de haven liggen drie zeilboten.
Portret van Bianca de' Medici
Object type: print
Date: 1739 – 1773
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228

Portret van Bianca de' Medici in ovale lijst met onder een leeg cartouche. In haar rechterhand een bloem. Onder het portret een kader met haar naam.
William Etty, R.A.
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: painting,men,portraits