deem-data/ArtiFact huggingface dataset:
View Near Jessup's Landing (No. 3 of The Hudson River Portfolio)
Object type: print
Date: 1821 – 1822
Techniques: aquatint, hand coloring, printing
Artist: john rubens smith
Artist role: etcher
Artist nationality: american
Artist dates: 1775 – 1849
Subjects: rivers,hills,landscapes

This Hudson landscape, a few miles upriver from Glens Falls, looks back towards the Adirondacks, with stumps at right the result of recent logging. John Agg's related text tells us that, "the contour of this part of the country is rude, woody, and mountainous: human industry has done but little to soften and qualify the rugged asperity of nature; the lands are partially cleared and still more partially cultivated." The work comes from the Hudson River Portfolio, a monument of American printmaking produced through the collaboration of artists, a writer, and publishers. In the summer of 1820, the Irish-born William Guy Wall toured and sketched along the Hudson, then painted a series of large watercolors. Prints of equal scale were proposed—to be issued to subscribers in sets of four—and John Rubens Smith hired to work the plates. Almost immediately, Smith was replaced by the skilled London-trained aquatint engraver John Hill, who finished the first four plates, and produced sixteen more by 1825. Over the next decade, the popularity of the Portfolio stimulated new appreciation for American landscape, and prepared the way for the Hudson River School.
Specimen
Object type: specimen
Date: 1801 – 1900
Bulla
Object type: bulla
Date: 200 – 100
Materials: clay
Culture: parthian
Location: iran

This lump of clay, called a ‘bulla,’ bears four impressions of the same oval stamp seal (possibly from a signet ring), featuring an image of a moth. Given its condition it is not clear to what it was attached originally, but it may have been a stopper in the mouth of a jar. Seals were ancient accounting tools, used for example to indicate who supplied a commodity, who was responsible for its disbursement, or who received it. In this case, the seal impressions may indicate who supplied the contents of the jar. Once the jar was opened, the bulla was discarded. This bulla was excavated at Shahr-i Qumis in northern Iran, which has been identified as the ancient city of Hecatompylos, established by the Parthians as the capital of their empire by about 200 B.C. In Greek Hecatompylos means ‘a hundred gates,’ suggesting that the city was quite large. Indeed, the modern archaeological site includes several mounds, only a few of which have been excavated, and a vast area covered with potsherds. This bulla was found in a large building at Site V, which has been tentatively identified as an elite residence. This building was completely filled with dirt sometime in the late 1st century B.C. or early 1st century A.D., perhaps when the Parthian capital was moved elsewhere and the city’s elite residents left with it. The excavations at Shahr-i Qumis by the British Institute of Persian Studies in 1967 were co-sponsored by the Metropolitan Museum of Art. However, this bulla was not discovered until 1971, and it was acquired from the British Institute as a result of the Met’s financial contributions to the Institute’s excavations at Tepe Nush-i Jan, another site in Iran. At the time the Iranian government allowed foreign excavators to keep a portion of the finds, and these excavators in turn would divide their share among the institutions that supported the work.
Three Women on a Veranda Overlooking a Bay
Object type: print
Date: 1782 – 1798
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shunzan
Artist role: artist
Artist nationality: japanese
Artist dates: 1782 – 1798
Subjects: arrows,women
Portretten van beroemde Nederlandse en Vlaamse geleerden
Object type: print
Date: 1604 – 1608
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van Jacob van Pamele, Theoloog uit Brugge. Buste naar rechts. De prent heeft een Latijns boven- en onderschrift en maakt deel uit van een serie van beroemde Nederlandse en Vlaamse geleerden.
Portret van een onbekende man afkomstig van het eiland Mangea
Object type: book illustration
Date: 1795 – 1803
Materials: paper
Techniques: engraving, etching
Subjects: adult man, anonymous historical person portrayed, folk costume, regional costume, ear-rings
Inscriptions: number: ‘LXXXVII’, collector's mark: Lugt 2228

De prent is gebruikt in: Cook, James. Reize rondom de Waereld (...) met kaarten en plaaten. [Vertaald uit het Engels door] Jan David Pasteur. Leiden: Honkoop, Amsterdam: Allart, Den Haag: Van Cleef, 1795-1803, dl. 13.
Gezicht op een huis of hotel in de Harz
Object type: photograph
Date: 1903 – 1908
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: harz
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945

Gezicht op een huis of hotel in vermoedelijk de Harz. Onderdeel van het fotoalbum van Dolph Kessler met opnamen die hij maakte tijdens zijn verblijf in Engeland en op een wereldreis die hij als secretaris van Henri Deterding (directeur Koninklijke Olie) ondernam naar Nederlands-Indië, Japan, China en de Verenigde Staten, tussen 1906 en 1908.
Mercury Lulling Argus to Sleep in a Landscape
Object type: drawing
Date: 1634 – 1666
Materials: ink
Techniques: brush, pen, wash
Artist: jan de bisschop
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1671
Subjects: mercury,landscapes,trees
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, meander and cross squares with dots in corners; Exterior, volute from handle palmette; part of a draped male with stick; part of the calf of a second figure?
[Golestan Palace, Teheran, Iran] (Takht-i Marmor)
Object type: photograph
Artist: luigi pesce
Artist role: artist
Artist nationality: italian
Artist dates: 1818 – 1891
Subjects: architecture,columns
Dieren in dierentuin Hagenbeck, juli 1933, Hamburg
Object type: photograph
Date: 1907 – 1933
Materials: paper, photographic support
Techniques: gelatin silver print
Location: hamburg
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: the family travelling, on holiday, zoo (as place of recreation)
Inscriptions: inscription: ‘onleesbaar geschreven’

Blad bevat acht foto's.Zonder personen gerelateerd aan de familie Wachenheimer. Uit het album, half formaat, groen geaderd kartonomslag met koordbinding.
Miss Robina, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Scipio en de gezanten van Carthago
Object type: tapestry
Date: 1609 – 1609
Materials: silk, wool
Techniques: tapestry
Location: delft
Inscriptions: signature and date: ‘FRANCISCVS.PRIRINGIVS.FECIT ANNO 1609’, mark

Wandtapijt met de overgave van Carthago, 201 v. Chr. uit een Scipio-historie van acht stuks, voor Thomas Howard, 1ste graaf van Suffolk en zijn vrouw Catherine Knyvet. Signatuur "FRANCISCUS. SPIRINGIVS. FECIT. ANNO 1609.
P.I.N.5827 Roma - Arco di Constantino
Object type: photograph
Date: 1893 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: rome
Subjects: arch of constantine
Saucer-dish in the shape of a flower with bleu poudré and panel decoration
Object type: plate dish
Date: 1700 – 1724
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Schotel van porselein met ronde, gelobde wand en geschulpte rand in de vorm van een bloem, beschilderd in onderglazuur blauw en op het glazuur blauw, rood, groen, geel, aubergine, zwart en goud met een vakdecoratie. Op het plat een medaillon met rivierlandschap met paviljoen, rotsen en bomen; de wand is gemodelleerd in acht bloembladeren afwisselend gevuld met een bloemtak en vlinder in goud op een bleu poudré (poederblauw) grond en een bloemtak op een rots met vlinder op een witte grond. Bleu poudré met famille verte.
The Family of Cain
Object type: drawing
Date: 1638 – 1647
Materials: chalk, gouache, ink
Techniques: brush, highlighting, pen, wash
Artist: peter oliver
Artist role: artist
Artist nationality: british
Artist dates: 1589 – 1647
Subjects: infants,mothers,cain,family

Peter Oliver, the leading miniature painter at the court of Charles I, established his reputation with a series of small watercolor copies after old master paintings in the collections of the king and his nobles. "The Family of Cain" reproduces a painting by Paolo Veronese (Museo del Prado, Madrid) presumably in England at that time. No finished watercolor version of this preparatory study is known, but extensive color notes on the back of the sheet suggest that such a work was planned. The assured, softly rendered forms typify Oliver's mature style, with his early, linear manner tempered by close study of Venetian art. The Old Testament subject concerns Cain who has murdered his brother Abel, and now lives as a fugitive with his wife and infant son Enoch in the Land of Nod, east of Eden (Genesis 4.15-17).
Portret van Friedrich von Hessen-Kassel, koning van Zweden
Object type: print
Date: 1720 – 1751
Materials: paper
Techniques: engraving
Subjects: frederik i (koning van zweden), armour, historical persons
Inscriptions: collector's mark: Lugt 2228
Exotic Flower
Object type: print
Date: 1868 – 1868
Materials: paper
Techniques: aquatint, etching
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: fans,women
Let Us Have Peace! -Fortissimo, from Harper's Weekly
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: charles green bush
Artist nationality: american
Artist dates: 1842 – 1909
Piece
Object type: piece
Date: 1801 – 1900
Materials: cotton
Subjects: men,hunting,dogs
De haas en de mensch
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: letterpress printing, engraving
Location: germany
Subjects: animals acting as human beings, hare-hunting, rabbit-hunting, rodents: rabbit
Inscriptions: date

Blad met 9 voorstellingen over een haasje die de goede raad van zijn vader niet ter harte neemt en uiteindelijk wordt neergeschoten door een jager. Onder elke voorstelling een onderschrift. Genummerd midden onder: Nro. 108. Genummerd rechtsboven: 108.
Judas Iskariot hangt zich op
Object type: print
Date: 1611 – 1611
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: judas hanging himself
Inscriptions: collector's mark: Lugt 11, collector's mark: Lugt 10

Judas Iskariot zit onder een boom en knoopt een touw om zijn nek. Naast hem ligt een geldbuidel. Rechts in de verte hangt hij aan een boom. Onder de voorstelling bevindt zich een zesregelige, Latijnse tekst met een beschrijving van de scène.
[Vignetted portrait of two children]
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: alfred capel cure
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1896
Subjects: children,portraits
Dwarf
Object type: figure
Date: 601 – 800
Materials: earthenware
Culture: chinese
Portret van Pierre Mignard
Object type: photomechanical print
Date: 1905 – 1905
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: painter, draughtsman, pierre mignard (1612-1695), historical persons, portrait, self-portrait of artist

Reproductie waarschijnlijk uit: Versteigerungskatalog / Amsler & Ruthardt: Katalog wertvoller und seltener Kupferstiche, (...). S.l.s.n., 1905.
A Standing Young Lady Taking Off Her Gloves
Object type: drawing
Materials: graphite, ink
Techniques: pen
Artist: alfred stevens
Artist role: artist
Artist nationality: belgian
Artist dates: 1823 – 1906
Subjects: women
The Baptism of Christ, from Landscapes with Biblical Subjects and Saints
Object type: print
Date: 1562 – 1562
Materials: paper
Techniques: etching
Location: netherlands
Artist: johannes van doetecum and lucas van doetecum
Artist nationality: netherlandish
Artist dates: 1528 – 1605
Inscriptions: Lettered lower right: "H cock excu."
Wit pak met bovenstuk met lange mouwen vastgeknoopt aan korte broek
Object type: childrenswear
Date: 1900 – 1950
Materials: textile
Techniques: knitting
Location: europe
Artist: Anonymous

Op de voorzijde van het bovenstuk zitten aan weerszijden van een rij ronde witte parelmoerkleurige knopen drie tussenzetsels.
Terracotta neck-amphora (jar) with twisted handles
Object type: neck amphora
Date: 440 – 440
Materials: terracotta
Culture: greek, attic
Artist: lykaon painter
Artist role: artist
Subjects: men,male nudes,women

Obverse, Neoptolemos departing Reverse, man and two women The magnificent decoration here depicts the departure of a warrior for combat; every figure is identified by name. Kalliope, the woman with the oinochoe (jug) and phiale (libation bowl), and Antimachos, the man holding the shield and helmet, define the immediate subject. At the same time, the seated man, Antiochos, who clasps his son's hand, and the general tenor of the representation have direct counterparts on grave stelai. The funerary overtones are emphasized by the palmette on the neck—equivalent to the palmette finials on marble stelai.
Border
Object type: border
Date: 1601 – 1700
Subjects: mythical creatures
Portret van Lodewijk Cappellus
Object type: print
Date: 1668 – 1733
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: historical persons

Prent zonder omlijsting gebruikt in: Fundatoris curatorum et professorum celeberrimorum, (...) academia Lugduno-Batava (...). Leiden: Pieter van der Aa I, [1716].
Gray Morning (Greysferry Ave. Bridge)
Object type: drawing
Date: 1939 – 1939
Materials: graphite, paper, watercolor
Artist: glenn stuart pearce
Artist role: artist
Artist nationality: american
Artist dates: 1909 – 1986
Subjects: bridges
Kaart van het hertogdom Luxemburg
Object type: print
Date: 1689 – 1707
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: maps of separate countries or regions, coat of arms (as symbol of the state, etc.) (+ province; provincial)
Inscriptions: collector's mark: Lugt 2228

Kaart van het hertogdom Luxemburg. In een balk boven de kaart de titel. Rechtsonder het wapen van het hertogdom Luxemburg. Rechtsboven een cartouche met legenda en twee putti met een balk met daarop twee schaalstokken: 1 1/2 Duytsche Myl van 15 in een graed / 2 uren gaens. De kaart is voorzien van een gradenverdeling langs de randen. Rechtsboven gemerkt: V.
Marie Wainwright, from the Actresses series (N246), Type 1, issued by Kinney Brothers to promote Sporting Extra Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actresses" (N246), issued ca. 1890 by Kinney Brothers Tobacco to promote Sporting Extra Cigarettes. There are two types of cards in the series, varying by size.
Staande man met hoed en blaasinstrument
Object type: drawing
Date: 1823 – 1894
Materials: paper, pencil
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894

Staande man met hoed, de linkerarm steundend op een blaasinstrument
See 09.180.68
Object type: fragment, relief
Date: 1961 – 1917
Materials: limestone
Location: egypt
In Congress Spring Park - Saratoga Springs, N.Y.
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: photograph
Location: saratoga springs
Artist: Anonymous
Subjects: public gardens, park
Beads
Object type: bead
Date: 201 – 1200
Materials: stone
Location: egypt
Candra pirai
Object type: candrapirai
Date: 1867 – 1900
Materials: iron, skin
Culture: indian, south
Location: india

This crescent-shaped, stick-beaten frame drum is a symbol of the moon. It is worn on the player's forehead. It is used with the surya pirai, a round, "sun-shaped" frame drum of similar construction, in temples of the goddess Mariamman and other village deities.
Portret van Jean Victor Marie Moreau
Object type: print
Date: 1790 – 1850
Materials: paper
Techniques: etching, roulette
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons
Double Spout Vessel Depicting Masked Performer with Fertility Motifs
Object type: vessel
Date: 180 – 500
Materials: ceramic, pigment
Culture: nazca
Location: nazca valley
Fragment of a Cosmetic Mixing Palette
Object type: cosmetic mixing palette fragment
Date: 301 – 500
Materials: stone
Culture: gandhara
Subjects: birds,gandhara
Brug over een beek
Object type: stereograph
Date: 1895 – 1903
Materials: paper, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Landschap
Object type: sketchbook leaf
Date: 1901 – 1927
Materials: chalk, paper
Techniques: stumping
Location: south holland
Artist: johan antonie de jonge
Artist role: draughtsman
Artist dates: 1864 – 1927
Subjects: trees, landscapes

Landschap. Blad 30 verso uit een schetsboek met 45 bladen.
Kweekvlei,the stock-farm of the widow of Zacharias de Beer, east of the Gamka river
Object type: drawing
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: cape province
Artist: robert jacob gordon
Artist role: draughtsman
Artist dates: 1743 – 1795
Inscriptions: annotation

Oorspronkelijk in omslag van roodkleurig halfleer en roodgemarmerd plat, dorso met ribben en goudopdruk; 71 x 99 x 6 cm.
Gezicht op de Plantage Muidergracht
Object type: drawing
Date: 1713 – 1780
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: jan de beijer
Artist role: draughtsman, print maker
Artist dates: 1703 – 1780
Subjects: city-view in general; 'veduta', canal, boat propelled by man or animal
Inscriptions: inscription: ‘op keerweer in de plantage / Muidergracht’, collector's mark: ‘10’ Lugt 1641b, inscription: ‘op Keermeer in de Plantage’, inscription: ‘Port. 10-237’, signature: ‘de Beijer.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Maagdelievenstraat, Markenplein, Marnixstraat, Martelaarsgracht, Meeuwenlaan, Mennonietenpad, Meijerplein (Jonas Daniël), Mozes en Aäronstraat, Muidergracht, Muntplein.
Twee voorstellingen van kinderen en hun moeder
Object type: print
Date: 1779 – 1779
Materials: paper, pencil
Techniques: etching
Location: leiden
Subjects: mother and baby or young child
Inscriptions: collector's mark: Lugt 240, number: ‘Pr. 27. 26.’

Twee voorstellingen van kinderen en hun moeder: links twee moeders in gesprek en rechts een moeder met vier kinderen.
Motief van kloskant in de vorm van een zesbladige roos op een korte steel
Object type: motif
Date: 1914 – 1914
Materials: cotton
Techniques: lace
Location: amsterdam
Artist: sophia gerardine cenijn-smit
Artist dates: 1876 – 

Motief in de vorm van een zesbladige roos op een korte steel gemaakt van kloskant: duchesse-kant. De hoefijzervormige contouren van de opengewerkte bloembladeren zijn gemaakt in linnenslag met opengewerkte randjes en met een dikkere en glimmende contourdraad langs de buitenranden. Het bloemhart heeft een rastervulling (siergrond) met blokjes gemaakt in vormslag. De korte stompe steel is deels gemaakt in linnenslag zoals de bloemblaadjes en deels in netslag.
Kneeling boy
Object type: statuette
Date: 1501 – 1700
Materials: stone
Subjects: boys
Boten in een sloot
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: rowing-boat, canoe, etc., small canal, ditch

Pagina 84 uit een schetsboek met 42 bladen vervaardigd rond de Ewijkshoeve.
Vaas van aardewerk, versierd in reliëf met rozen en bladeren in zwart en wit op een geelwitte fond
Object type: vase
Date: 1910 – 1910
Materials: earthenware
Techniques: slip technique
Location: karlsruhe
Artist: max laeuger
Artist role: ceramicist
Artist dates: 1864 – 1952
Inscriptions: inscription: ‘Gesetzl. Geschzt’, stamp: ‘Muster Gesetzl. Geschtzt’, inscription: ‘512 4(?)’, factory mark

Vaas van aardewerk, versierd in reliëf, in slibtechniek, met een decor van rozen en bladeren in zwart en wit op geelwitte fond.
Terracotta oil lamp
Object type: lamp
Date: 100 – 100
Materials: terracotta
Culture: roman

Loeschcke Type 1A. Mold-made. Deep concave discus: at center, a ring of three, raised concentric circles, surrounded by a frieze of five alternating palmettes and tongues; a small single filling hole off-center, with a band of lines and grooves on narrow, horizontal shoulder. A funnel-shaped channel runs from the discus towards the wick hole. Volutes flanking angular nozzle, with large wick hole. Raised base ring, and uneven base, inscribed at center with I. Intact.
Landschap met koeien en schapen
Object type: print
Date: 1842 – 1877
Materials: paper
Techniques: engraving, etching, roulette
Location: amsterdam
Subjects: cow, sheep
Inscriptions: collector's mark: Lugt 2228
Mijnheer Winter
Object type: print
Date: 1843 – 1920
Materials: paper
Techniques: letterpress printing, engraving
Location: munich
Subjects: winter, 'hyems'; 'inverno' (ripa) (+ ways of representing seasons and months)
Inscriptions: collector's mark: Lugt 2760

Blad met 7 voorstellingen over hoe meneer Winter (personificatie van de winter) nergens welkom is. Onder elke afbeelding een onderschrift. Genummerd midden onder: Nr. 1.
Scarab with Horned Animal and Uraei
Object type: scarab, animal, antelope, uraeus
Materials: stone
Location: egypt
Subjects: scarabs

Canaanite scarabs of the late Middle Bronze Age (ca. 1640–1500 B.C.) frequently show scenes with a wild animal such as a lion, ibex, antelope or crocodile, or to a lesser extent with a donkey or hippo, only a few examples depict bulls. Except for the donkey and bull, these animals live in the wild and were feared as well as respected. During this period, Canaanite seal carvers decorated the interior of animals with parallel lines, or short strokes to represent their fur. It has been suggested that compositions with wild animals symbolize the successful dominance over nature and control over chaos. The animal represented on this scarab is an antelope (gazelle) or an ibex, based on its slightly curved horns. In front of and above the back of the horned animal are uraei
Portret van Martin Geier
Object type: print
Date: 1680 – 1721
Materials: paper
Techniques: engraving
Subjects: theologian, historical persons, writer, poet, author
Slag bij Nieuwpoort, 1600
Object type: history print
Date: 1853 – 1855
Materials: paper
Techniques: tone lithography
Location: netherlands
Subjects: the hague, maurice (prince of orange), brussels, albrecht aartshertog van oostenrijk, battle (+ land forces), battle of nieuwpoort

Gebruikt als illustratie in: J.H. Eichman & H. Altmann, Vaderlandsche historieplaten voor scholen en huisgezinnen, Leiden, 1855. Dit nummer is een door het RPK toegevoegd nummer en staat niet in Frederik Muller, het werk waar de prent voor is gemaakt of uit afkomstig is, staat wel vermeld in Frederik Muller.
Saint John the Evangelist
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: netherlands
Artist: attributed to abraham bloemaert
Artist nationality: dutch
Artist dates: 1566 – 1651
Sword of Winthrop Sargent (1753-1820), First Governor of Northwest Territories
Object type: arm
Date: 1800 – 1810
Materials: bone, brass, copper alloy, metal alloy, ivory, metal, steel
Culture: english
Location: england