deem-data/ArtiFact huggingface dataset:
Flower Garden and Bungalow, Bermuda
Object type: watercolor
Date: 1899 – 1899
Materials: graphite, watercolor, paper
Culture: american
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: gardens,landscapes

Art and fishing brought Homer to the British Crown colony of Bermuda for six weeks in winter 1899–1900. More than almost any other watercolor made during his sojourn, this image of a typical bungalow and its lush garden encodes the visual pleasures of the tropical environment. As in the Bahamas and Cuba, Homer focused on the local architecture: here, the stepped white limestone roof, used for collecting rainwater, and vibrantly colored walls. He also reveled in representing the picturesque landscape, including the border of bright flowers, verdant palms, sparkling water, and sunny sky. This work belongs to a group of watercolors of tropical subjects that the artist exhibited to acclaim at the 1901 Pan-American Exposition in Buffalo, New York, and later reserved for The Met, which purchased them after his death in 1910.
Gelijkenis van de vrouw en het zuurdesem
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: christ as teacher (part ii): parables and proverbial sayings of christ
Inscriptions: collector's mark: Lugt 2228, number: ‘38’

Proefdruk van illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. II.
George II
Object type: relief
Date: 1765 – 1765
Materials: glass, ivory
Subjects: kings,profiles,roses

This ivory relief of George II forms a pair with a relief of Queen Charlotte (1986.94.2).
Ceramic Fragment
Object type: fragment
Date: 701 – 900
Materials: earthenware
Techniques: incising
Location: iraq

This ceramic fragment was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this fragment attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Gebreide witte leiband
Object type: leiband
Date: 1800 – 1899
Materials: textile
Techniques: knitting
Location: netherlands
Artist: Anonymous
Wandbespanning van linnen met opdruk in goud op grijs fond met gestileerd rankenpatroon binnen ruiten waarin afwisselend een tijger of een pauw
Object type: upholstered wall
Date: 1890 – 1910
Materials: linen
Techniques: painted
Artist: Anonymous

Wandbespanning, een vel, van linnen met opdruk in goud op grijs fond met gestileerd rankenpatroon binnen ruiten waarin afwisselend een tijger of een pauw.
Artillery, Train, Germany, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Portret van een onbekende man
Object type: photograph
Date: 1866 – 1866
Materials: cardboard, paper
Techniques: albumen print
Subjects: historical persons, youth, adolescent
Nine-light candelabrum
Object type: candelabrum
Date: 1835 – 1836
Materials: gilt, silver
Artist: paul storr
Artist role: maker
Artist nationality: british
Artist dates: 1771 – 1844
Subjects: children,cupid,dragons

This immense centerpiece rests on a triangular base with sloping sides and figures of children at each corner, rising to a triangular platform to which is bolted the candelabrum proper. Three substantial scrolling feet support a second platform from which rises a shaft supporting three branches, each with three candle arms—creating nine lights overall. Rising through the middle of the candle arms are a group of large scrolls on which stands the crest of the Herbert family—a wyvern with outspread wings. The candelabrum was made for Robert Herbert, twelfth earl of Pembroke and Montgomery; his initials, PM, are ensigned by an earl's coronet on the sides of the base. The wyvern is not uncommon in British heraldry. It is a mythical monster with two eagle's legs ending in large talons, a dragon's head, batlike wings, and a long tapering tail ending in a narrow point. The candelabrum is an example of a second phase of the Rococo—that style of the eighteenth century which reached its greatest development in the use of asymmetry almost a century before this piece was made. Here the difference is in the symmetrical combination of asymmetrical, smaller units, such as scrolls and large leaf forms, as well as the two little cupids who seem to be pursuing on a spiral path one little Psyche, who ascends the central shaft holding a rose. Added to the grand scale and presence of many diverse elements are the brilliantly burnished gilt surfaces alternating with other areas that are matte or broken up with ornament such as trellis panels.
Vase
Object type: vase
Date: 1830 – 1870
Materials: gemstone, glass
Techniques: pressed
Culture: american
Location: united states
Hat
Object type: hat
Date: 401 – 900
Materials: wool
Techniques: embroidery
Location: egypt
Subjects: hats

This pink and green hat was made using the "sprang" technique, which creates a network of stitches that allows the hat to expand to fit over the head. The hat can then be drawn tight at the top. Panopolis was a major weaving site in Coptic Egypt.
Begrafenis 1504
Object type: print
Date: 1859 – 1864
Materials: paper
Techniques: tone lithography
Location: haarlem
Artist: david van der kellen (1827-1895)
Artist role: draughtsman, print maker
Artist dates: 1827 – 1895
Subjects: holy water, coffin, funerary ceremonial, mourning the dead
Inscriptions: collector's mark: Lugt 2228

De priester leest voor uit de Bijbel. Naast hem staat een misdienaar met een borstel en wijwater. De kist wordt door twee figuren in het graf geplaatst. Links drie rouwende figuren.
Set of four chutes (part of a set)
Object type: chute
Date: 1701 – 1800
Materials: gilt bronze
Gesicht eener Sinesche muer-poort in't Noorden waar door de Moscoviten in't Rijk komen
Object type: book illustration
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: landscape with other man-made constructions not mentioned above, e.g.: graveyards, playgrounds, etc.
Inscriptions: collector's mark: Lugt 2228

Prent uit: Witsen, Nicolaas. Noord en oost Tartaryen: behelzende eene beschryving van verscheidene Tartersche en nabuurige gewesten (...). 2 dln. Amsterdam: M. Schalekamp, 1785 (2de editie), dl. 1, p. 127.
Portret van Johan VI, graaf van Nassau-Dillenburg
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching
Location: low countries
Artist: Anonymous
Subjects: dillenburg, stadhouder, johan vi graaf van nassau-dillenburg

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Polishing Stone
Object type: polishing stone
Date: 1801 – 1900
Materials: stone
Location: egypt
Bowl
Object type: bowl
Date: 1567 – 1600
Materials: silver gilt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: landscapes

This type of bowl, with a thin body and a highly schematized representation of a port town painted in vivid underglaze blue, is a standard example of late-sixteenth-century export ware from Jingdezhen. Large numbers of these bowls have been found in Southeast Asia in recent decades. Its comparative rarity in Europe is evidenced by the addition of gilt-silver mounts, which also increase its usefulness.
Stad Amsterdam, wijk 6, armenpenning die recht gaf op roggebrood tegen een prijs van achteneenhalve stuiver
Object type: alms token
Date: 1662 – 1662
Materials: lead
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

ruitvormig loodje. Voorzijde: in ronde stempel: gekroond wapenschild, geflankeerd door twee leeuwen binnen ronde parelrand; daarboven: jaartal. Keerzijde: in ronde stempel: cijfer 6 boven letter W binnen ronde parelrand
The Four Evangelists
Object type: print
Date: 1653 – 1653
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: birds,men,lions,angels,writing
Le Corbeau, from "L'Artiste"
Object type: print
Techniques: printmaking, etching
Location: france
Artist: félix bracquemond
Artist role: artist
Artist nationality: french
Artist dates: 1833 – 1914
Subjects: birds

This ominous image of ravens and gallows was published in the periodical "L’Artiste" on February 6, 1859. The first state of this print, without the text, had appeared in 1854, when Bracquemond began producing prints of birds filled with enigmatic symbolism, and often, social critique. In this etching, the raven, confrontationally engaging the viewer, symbolizes the black-robed lawyer. The shadow cast by the bird on the side of the gallows appears to be spewing Bracquemond’s poem, which in English reads: "Death’s cry, black plumage / I am the ravenous raven / Do you want to see what I’m like? / Ask a cop, or a crook." Bracquemond further amplified this menacing tone visually, through the stark contrasts between the heavy blacks and the minimal patches of white reserve, and through the dangling noose and cluster of squabbling birds.
Episode de la bataille navale du 18 Juin 1666
Object type: historical object representation
Date: 1886 – 1886
Materials: cardboard, paper
Techniques: carbon print
Location: paris
Subjects: battle (+ naval force)
Inscriptions: date

Foto-reproductie van het schilderij van de verovering van het Engelse schip de Royal Prince op 13 juni 1666, tijdens de Vierdaagse Zeeslag tussen de Staatse vloot onder admiraal Michiel de Ruyter en de Engelse vloot onder admiraal George Monck, 11-14 juni 1666. Naar het schilderij van Willem van de Velde de Jonge in de collectie van het Mauritshuis te Den Haag.
Georgie Barrymore, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Zelfportretten van Cor van Teeseling
Object type: drawing
Date: 1942 – 1942
Materials: paper, pencil
Location: weteringschans
Artist: cor van teeseling
Artist role: draughtsman, sculptor
Artist dates: 1915 – 1942
Subjects: amsterdam, draughtsman, sculptor, cor van teeseling, historical persons, prisoner in cell or locked place, portrait, self-portrait of draughtsman
Inscriptions: signature and date: ‘B-1-1 / Cor van Teeseling / I mei-42’

Zelfportret van Cor van Teeseling: B-1-1, 1 mei. Cor van Teeseling driekwart afgebeeld, zijn hoofd naar links gewend.
Jug
Object type: decorative art
Date: 1790 – 1830
Materials: earthenware
Location: new england
Artist: Anonymous
Artist nationality: american
Artist dates: 1700 – 1899
Sōgyō Hachiman
Object type: sculpture
Date: 901 – 1000
Materials: pigment, wood
Location: japan

This work is believed to be part of a group of sculptures produced by one studio around the same time, possibly for a processional ritual. The literal meaning of its title is “Hachiman in the guise of a monk.” The cult of the Shinto deity Hachiman originated at Usa in northeast Kyushu, a site relatively close to the Korean peninsula and also a prominent early Buddhist center. Buddhism had been introduced into Japan in the 6th century, and monks became one of the most recognizable symbols of its practice. Hachiman’s “guise” reflects the melding of Buddhist and indigenous Shinto beliefs into a shared iconography.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, left hand over an altar?; Exterior, band of reserve; start of foot
Plaque with Two Portuguese Merchants
Object type: plaque
Date: 1540 – 1570
Materials: brass
Culture: edo period
Location: nigeria
Artist: ìgùn ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
Artist role: artist
Subjects: men
Jewelry set
Object type: jewelry set
Date: 1801 – 1900
Materials: cotton, stone
Culture: naga

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Portret van Heinrich von Sybel
Object type: print
Date: 1847 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2233
Zeilschepen op zee
Object type: print
Date: 1837 – 1853
Materials: paper
Techniques: lithograph
Subjects: sailing-ship, sailing-boat, sea (seascape)
Inscriptions: collector's mark: Lugt 2228
Agostino Barbarigo, doge van Venetië
Object type: history medal
Date: 1486 – 1486
Materials: bronze
Techniques: casting
Location: italy
Artist: Anonymous
Subjects: agostino barbarigo (doge van venetië)

Bronzen penning. Voorzijde: borststuk man met dogemuts binnen omschrift. Keerzijde: wapenschild gekroond met dogemuts
Close No. 31 Saltmarket
Object type: photograph
Date: 1868 – 1868
Techniques: photogravure
Location: scotland
Artist: thomas annan
Artist role: fotograaf
Artist nationality: scottish
Artist dates: 1829 – 1887
Teapot
Object type: teapot
Date: 1720 – 1720
Materials: silver
Culture: american
Location: united states
Artist: peter van dyck
Artist role: maker
Artist nationality: american
Artist dates: 1684 – 1750
Figures de la Passion D.N.S. Jesus Christ
Object type: album leaf
Date: 1647 – 1703
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: passion of christ

Deze prenten maken deel uit van een serie met 36 voorstellingen van de Passie, opgedragen aan Madame de Maintenon. In het album bevinden zich verschillende staten van de serie: latere staten met de ornamentele lijst en eerdere staten zonder de ornamentele lijst.
Bewijs van Toegang tot Den Optogt, en bij de onthulling van het standbeeld van Lourens Janszoon Coster, te Haarlem, den 16 Julij 1856
Object type: admission ticket
Date: 1856 – 1856
Materials: paper
Techniques: letterpress printing
Location: haarlem
Artist: Anonymous
Subjects: haarlem, monument, statue

Toegangsbewijs voor de optocht en voor ceremonie van de onthulling van het standbeeld van Laurens Coster op de Grote Markt te Haarlem, 16 juli 1856. De naam niet ingevuld.
Ontwerp voor een deksel of hanger met vogels, insecten en florale motieven
Object type: ornament print
Date: 1625 – 1650
Materials: niello, paper
Techniques: etching
Subjects: 'cornucopia', horn of plenty, birds, other ornament derived from animal forms, insects, ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Christ Carrying the Cross
Object type: panel
Date: 1593 – 1593
Materials: glass
Artist: franz fallenter
Artist role: artist
Artist nationality: german
Artist dates: 1550 – 1616
Subjects: soldiers,christ,cross,coat of arms
Daedalus and Icarus
Object type: drawing and watercolor
Materials: chalk, graphite, ink, paper, lead, pigment
Techniques: brush, cutting, heightening, lining, pen, wash
Location: italy
Artist: giulio romano
Artist role: artist
Artist nationality: italian
Artist dates: 1499 – 1546
Subjects: greek, mythology, prints and drawings
Inscriptions: Inscribed recto, lower left, on mount, in graphite: "T 97"; verso, center, on mount, in pen and brown ink: "7. Giulio Romano. Daedalus+Icarus, beautifully finished/in his most careful manner: bistre heightened with white:/designed for the fresco executed in the palace of Te in/Mantua. Size 101½2 x 81½4. From the Collections of the Count/Bianconi, T. Dimsdale+Sir Thomas Lawrence"
Portret van John Milton
Object type: print
Date: 1818 – 1832
Materials: paper
Techniques: engraving, roulette
Location: zwickau
Artist: karl traugott riedel
Artist role: print maker
Artist dates: 1769 – 1832
Subjects: london, john milton, historical persons, portrait of a writer, writer, poet, author
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent waarschijnlijk uit: Bildnisse der berühmtesten Menschen aller Völker und Zeiten. S.l.: Zwickau en Leipzig: Schumann, 1818-1832.
Meijer's prenten
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: lithograph, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: cow, other handicrafts ~ leather, cattle driving, cattle driver, butcher, slaughterman, ox
Inscriptions: collector's mark: Lugt 2760

Blad met 10 voorstellingen over het houden van rundvee en hun nut, waaronder voorstellingen van veedrijven, de slachter, vleesverkoop, lijm bereiden, ploegen, hoorn bewerker, leerlooier, schoenmaker en zeepzieder. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 27.
The Suspension Bridge on the Border of Hida and Etchū Provinces (Hietsu no sakai tsuribashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran)
Object type: woodblock print
Date: 1830 – 1830
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: human figures,bridges,mountains,trees
Gezicht op molen De Bloem aan de Haarlemmerweg
Object type: drawing
Date: 1873 – 1943
Materials: chalk, paper
Location: amsterdam
Artist: anthonie van teijn
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1943
Subjects: city-view in general; 'veduta', canal, windmill in landscape
Inscriptions: signature: ‘VanTeyne’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 29.
Paysage alpestre
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1911
Materials: photographic support
Techniques: photography, writing
Location: switzerland
Artist: Anonymous
Subjects: rural housing, e.g. country-house, villa, cottage, mountain-range, snow peaks, switzerland
Inscriptions: postage stamp
Fotoreproducties van twee geschilderde portretten van Max Kohnstamm en Sarah Kohnstamm-Wertheim
Object type: reproduction
Date: 1920 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons - bb - woman, historical persons

Deze foto's zijn onderdeel van een album.
Bodems van schalen: landschappen met bijbelse en mythologische voorstellingen
Object type: ornament print
Date: 1572 – 1582
Materials: paper
Techniques: engraving
Location: germany
Inscriptions: collector's mark: Lugt 240

In de lucht zweeft een putto met pijl en boog. Uit serie van 8 bladen?
Hollandsch landschap
Object type: print
Date: 1849 – 1895
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: cow, windmill in landscape, water meadows
Inscriptions: collector's mark: Lugt 2228

Landschap met een molen en koeien in de wei.
Siervaas bekroond met een gebroken timpaan
Object type: drawing
Date: 1700 – 1800
Materials: paper, pencil, watercolor
Techniques: brush
Artist: Anonymous
Subjects: containers, garden vase
Inscriptions: collector's mark, verso, on the passepartout, lower right: Lugt 2228, inscription, verso, upper centre, pen and brown ink: ‘22.’

Siervaas, waarvan de bovenzijde als architectuur bekroond wordt met een gebroken timpaan, waarin een adelaar is opgesteld.
Lezende Maria Magdalena
Object type: print
Date: 1826 – 1827
Materials: paper
Techniques: engraving, etching
Artist: carl rahl
Artist dates: 1812 – 1865
Subjects: reading, the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: inscription: ‘(nach Corregio)’, inscription: ‘Probedrück ovn 12/12,1835/ [...] Platze (?)/ Rahl fecit/ h hc Goltrüy (?) [...]/ Mr’

De lezende Maria Magdalena ligt op de grond met voor haar de zalfpot.
Two Ladies Converse at a Step-Well (Baoli) in a Walled Garden
Object type: painting
Date: 1701 – 1800
Materials: charcoal, ink, paper
Location: india
Roxane
Object type: playing card
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: ruler, sovereign - bb - female ruler

Deze prent maakt deel uit van een kaartspel met 52 kaarten met voorstellingen van beroemde koninginnen. De serie is uitgedacht door Jean Desmarests de Saint-Sorlin in opdracht van Kardinaal Mazarin. Het kaartspel werd gemaakt voor de jonge Lodewijk XIV, samen met het Jeu des Fables, Jeu de la Géographie en Jeu des Rois de France.
Gezicht op Partenkirchen met op de achtergrond het Wettersteingebergte
Object type: photograph
Materials: paper, photographic support
Techniques: albumen print
Location: garmisch-partenkirchen
Artist: Anonymous
Subjects: prospect of village, silhouette of village, mountain-range, snow peaks

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Frankrijk, Spanje, Italië, Duitsland, Zwitserland en Oostenrijk.
Borststuk van kuras voor kurassier
Object type: borstlap, maagstuk, borststuk, devant de gorge, plastron
Date: 1810 – 1830
Materials: copper, iron, leather, linen
Techniques: forging, weave
Artist: Anonymous
Subjects: netherlands

IJzeren borstvormig stuk met hals- en armopeningen, randen verstevigd. Rondom afgezet met koperen nagels. Op de borst zijn twee knopen gemonteerd. Binnenzijde van kuras in bruin geschilderd. Enkele restanten van de linnen voering en leertjes zichtbaar.
Parkinsonia aculeata
Object type: print
Date: 1738 – 1738
Materials: paper
Techniques: etching, letterpress printing
Location: warmond
Subjects: flowers, plants and herbs

Prent gebruikt als illustratie in: Linnaeus, Carolus. Hortus Cliffortianus plantas exhibens quas in hortis tam vivis quam siccis, Hartecampi in Hollandia, coluit (...) Georgius Clifford. Amsterdam: sine nomen, 1738.
Female Figure
Object type: sculpture
Materials: earthenware
Techniques: glazing
Location: china