deem-data/ArtiFact huggingface dataset:
Journal des Dames et des Modes, Costumes Parisiens, 25 septembre 1831, (2922): Bonnet de blond (...)
Object type: fashion print
Date: 1831 – 1831
Materials: paper
Techniques: engraving, hand coloring
Subjects: ear-rings (+ women's clothes), head-gear: cap (+ lace used for clothes), apron (+ girls' clothes), dress, gown: redingote (+ women's clothes), underclothes for the lower part of the body: bloomers (+ girls' clothes), gloves, mittens (mitaines) (+ girls' clothes), head-gear: cap (+ women's clothes), fashion plates, shoes, sandals
Inscriptions: title: ‘Costumes Parisiens.’, caption: ‘Bonnet de blonde chez M"me Beauvais Rédingote d'organdi garnie de rouleaux froncés et Tablier-sautoir des Ateliers de M"elle Lucie.’

Vrouw met op het hoofd een muts van Blonde (kloskant), door Beauvais. Zij draagt een redingote van organdie, afgezet met een 'rouleaux froncés', van het atelier van Lucie. Verdere accessoires: oorbel in het rechteroor, ceintuur met gesp, platte schoenen met gekruiste banden en vierkante neuzen (cothurnes). Meisje gekleed in een japon met 'tablier-sautoir' (schort), van het atelier van Lucie. Onderrok en bloomers. Accessoires: mitaines, laarzen met vierkante neuzen. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, Parijs, 1797-1839.
Horizontal Panel with a Bearded Amascaron in a Medallion at Center Surrounded by Tendrils
Object type: print ornament architecture
Date: 1543 – 1543
Techniques: engraving
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: masks

Panel with the mask of a large, open-mouthed, and bearded face at center, surrounded by a wreath and tendrils.
Newes Modelbuch in Kupffer  (Page 61r)
Object type: book print ornament architecture
Date: 1604 – 1604
Techniques: etching
Artist: johann sibmacher
Artist role: artist
Artist nationality: german
Artist dates: 1590 – 1611
Subjects: ornament

Designed by Johann Sibmacher, German, active 1590-1611. 2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs.
Kohl Stick
Object type: kohl stick
Date: 1550 – 1458
Materials: wood
Location: egypt
The Holy Family with Attendant Putti
Object type: drawing
Date: 1560 – 1630
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: cesare pollino (cesare dal francia or franchi)
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1598
Subjects: men,women,holy family
Gezicht op de Place de Gouvernement in Algiers, Algerije
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Artist: jules gervais-courtellemont
Artist role: fotograaf
Artist dates: 1863 – 1931
Subjects: square, place, circus, etc., temple, shrine ~ islam, mohammedanism
Grotesken met Bacchus en vrouwenfiguren
Object type: print
Date: 1687 – 1725
Materials: paper
Techniques: etching
Location: germany
Subjects: ornament ~ grotesque, (story of) bacchus (dionysus), liber, monkeys, apes
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De bovenste prent bevat in het midden Bacchus onder een baldakijn met twee saters. Links en rechts een vrouwenfiguur met een thyrsus. De onderste prent bevat twee zittende vrouwen met een bloemenmand, putti en apen met een rookvat.
Tafel met gestileerde zuilen als poten die rusten op bollen
Object type: photograph
Date: 1875 – 1900
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: table
Inscriptions: number: ‘Vervalt’, collector's mark: ‘Instituut voor kunst-nijverheidsonderwijs Gabriël Metsustraat No. 16, Amsterdam’
Orpheus and the Animals
Object type: painting
Date: 1650 – 1650
Materials: canvas, oil
Artist: paulus potter
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1654
Subjects: orpheus playing the lyre
Inscriptions: signature and date: ‘Paulus Potter f 1650’

The Classical poet Ovid described how Orpheus en-chanted nature with his wonderful lyre music. This theme was popular among 17th-century animal painters because it gave them a chance to depict many different sorts of animals. Here Potter demonstrates that his repertoire encompassed more than the usual farm animals. He painted dozens of native and exotic beasts. In the middle Orpheus is strumming his harp.
Shaffron (Horse's Head Defense)
Object type: shaffron horse's head defense
Date: 1467 – 1633
Materials: brass, copper alloy, gold, iron, leather, silver, textile
Culture: mongolian or tibetan
Location: mongolia

Tibetan shaffrons are relatively rare, the majority of surviving examples were acquired by museums in the early twentieth century. This shaffron is by far the most elaborately decorated of any known example. The quality and execution of its lavish gold and silver damascening rank among the best examples of Tibetan decorated ironwork of this kind, suggesting that it was made for a very high ranking general, if not a king. A carbon-14 test of one of its leather laces resulted in a date range of 1450–1650, coinciding almost exactly with the period of the last two secular Tibetan monarchies: the Rinpung (1435–1565) and the Kings of Tsang (1566–1641).
Portret van kunstenaar Michelangelo
Object type: print
Date: 1690 – 1750
Materials: paper
Techniques: etching
Location: florence
Subjects: rome, painter, draughtsman, sculptor, michelangelo, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Portret van Lodewijk Napoleon Bonaparte te paard
Object type: print
Date: 1785 – 1819
Materials: paper
Techniques: aquatint
Location: paris
Subjects: louis napoleon (king of holland), equestrian state-portrait, historical persons, king, holland
Inscriptions: inscription: ‘8 Dl: Bloz 504. P 29. Bloz 419.’
Mosaic fragment
Object type: mosaic
Date: 201 – 700
Materials: glass, plaster
Techniques: gilding
Culture: sasanian
Location: mesopotamia

Written sources state that in 540, the Sasanian emperor Khusraw I (r. 531–79) decorated his palace at Ctesiphon with mosaics commemorating the Sasanian army's siege of the Byzantine city of Antioch. Excavations at the site uncovered fragments of mosaics with vibrant colors and gilding in the palace precinct. The use of a medium associated with Byzantine imperial architecture at the Sasanian capital is an example of the complex cultural and political exchanges made between the two empires.
Plein in Quimper met Hôtel du Lion d'Or, winkels en werkplaatsen
Object type: photograph
Date: 1850 – 1859
Materials: photographic support
Techniques: albumen print
Location: quimper
Artist: taylor
Artist role: fotograaf
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach (+ conveyance for transport of persons), workshop, hotel, hostelry, inn, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: number: ‘39’
Portretbuste van admiraal Jan Hendrik van Kinsbergen
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: engraving
Location: netherlands
Artist: charles howard hodges
Artist role: draughtsman, painter, print maker
Artist dates: 1764 – 1837
Subjects: jonkheer jan hendrik van kinsbergen
Inscriptions: collector's mark: Lugt 2228

Jan Hendrik van Kinsbergen, vice-admiraal en buitengewoon maarschalk der Hollandse zeemacht, in profiel.
Picture Book of Mount Asaka (Ehon asakayama) 絵本浅香山
Object type: illustrated book
Date: 1739 – 1739
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: nishikawa sukenobu 西川祐信
Artist role: artist
Artist nationality: japanese
Artist dates: 1671 – 1750
Subjects: women
Tweezers
Object type: tweezer
Date: 601 – 700
Materials: copper alloy
Culture: frankish
Location: northern france
Glass amphoriskos (perfume bottle)
Object type: amphoriskos
Materials: glass
Culture: greek, eastern mediterranean

Translucent blue; trails in opaque yellow and opaque white. Broad, flat rim-disk, with radiating tooling marks on underside; cylindrical neck, expanding downward; broad sloping shoulder; straight-sided ovoid body; broad circular pad-base, flattened but uneven on underside and with round edge; two vertical s-shaped handles applied on shoulder, trailed up along lower part of neck, and pressed on to underside of rim and top neck. Both trails applied to edge of rim-disk and wound spirally down, tooled into a feather pattern on neck and shoulder in three panels of alternating upward and downward strokes, continuing on body in another feather pattern of five panels, extending to pointed bottom. Broken and repaired on rim, but body complete; handles and pad-base missing; dulling, deep pitting, faint iridescence, and small areas of milky white weathering.
Portret van Jean-François Burelle
Object type: print
Date: 1820 – 1821
Materials: paper
Techniques: engraving, roulette
Location: paris
Artist: ambroise tardieu
Artist role: print maker, printer
Artist dates: 1788 – 1841
Subjects: historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Prent uit: Tardieu, Ambroise. Portraits des députés, écrivains et pairs constitutionnels, défenseurs invariables de la charte et de la loi des élections du 5 février 1817. Parijs: Tardieu, Ambroise, 1820-1821.
Stadsgezicht met figuren
Object type: print
Date: 1829 – 1890
Materials: paper
Techniques: etching, roulette
Location: the hague
Artist: petrus gerardus vertin
Artist role: draughtsman, painter, print maker
Artist dates: 1819 – 1893
Subjects: public road (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Stadsgezicht met in het midden een huis met een luifel, waar een vrouw de stoep op gaat. Rechts tegen een schuur een aanplakbord, waarboven een lantaarn. In het midden op de achtergrond een straat.
Saint Ignatius of Loyola and Allegories of the Four Continents
Object type: drawing
Date: 1715 – 1760
Materials: chalk, ink, paper
Techniques: heightening, pen, wash
Artist: felix anton scheffler
Artist role: artist
Artist nationality: german
Artist dates: 1701 – 1760
Subjects: cows,horses,angels
Portret van een onbekende kunstenaar
Object type: design
Date: 1708 – 1780
Materials: chalk, paper
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: anonymous historical person portrayed alone, portrait, self-portrait of artist
De twaalf maanden
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: haarlem
Subjects: february and its 'labours' (+ with scenes showing human occupations ~ seasons and months), tow-boat, towing-barge
Inscriptions: collector's mark: Lugt 2228
Processie in Fribourg, vermoedelijk ter herdenking van de sterfdag van Petrus Canisius in 1597
Object type: page
Date: 1897 – 1897
Materials: paper
Techniques: photograph
Location: fribourg
Subjects: public festivities, procession ~ christian religion
Stirrup-shaped Ring with Purple Stone
Object type: ring
Materials: gold, stone
Culture: indonesian, javanese
Statuette of a woman
Object type: statuette of a woman
Date: 300 – 1
Materials: bronze
Culture: italic
Subjects: diadems,women

Right arm extended, holding a patera, wearing a diadem is of radiated form.
Sculptor, from the Occupations of Women series (N502) for Frishmuth's Tobacco Company
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: frishmuth's tobacco company
Artist role: publisher
Artist nationality: american
Subjects: sculpture,profiles,women

The "Occupations of Women" series of trading cards (N502) was issued by Frishmuth's Tobacco Company in 1889 to promote the company's tobacco products. This series uses similar images to Goodwin Tobacco's 1887 series "Occupations for Women" (N166).
Turbines in de bauxietfabriek in Moengo
Object type: photograph
Date: 1929 – 1930
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: factory-interior, machine shop
Backpack, from the Novelties series (N228, Type 4) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Caster
Object type: caster
Date: 1773 – 1773
Materials: silver
Culture: american
Location: united states
Amsterdamsche Courant. Zaturdag den 14den October. Ao. 1837. No. 243
Object type: newspaper
Date: 1837 – 1837
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: jacobus van bonga jr.
Artist role: printer
Subjects: berlin, the hague, wilhelmina frederica louisa (koningin der nederlanden)
Inscriptions: collector's mark: Lugt 2228

Exemplaar van de Amsterdamsche Courant van 14 oktober 1837 met nieuws over de dood van koningin Wilhelmina van Pruisen op 12 oktober 1837. Dubbelgevouwen blad bedrukt op alle zijden.
Monster uit het wrak van de Oostindiëvaarder Hollandia
Object type: sample
Date: 1700 – 1743
Materials: organic material
Artist: Anonymous

Monster overblijfselen na zeven van vat H44.
Chalcedony Amygdaloid
Object type: seal, amygdaloid
Date: 1650 – 1500
Materials: stone
Culture: minoan
Tea Party for Two Outside
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: england
Artist: kate greenaway
Artist role: artist
Artist nationality: british
Artist dates: 1846 – 1901
Bronze right foot and lower leg from a colossal statue
Object type: foot fragment, colossal
Materials: bronze
Culture: roman
Subjects: feet

Right foot and part of leg from colossal statue.
Design for Omnibus or Wagonette, no. 3654
Object type: drawing
Date: 1881 – 1881
Materials: graphite, ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
New Künstlichs Modelbuch (Page 45 recto)
Object type: book print ornament architecture
Date: 1600 – 1600
Techniques: woodcut
Artist: bernhard jobin
Artist role: publisher
Artist nationality: swiss
Artist dates: 1535 – 1597
Subjects: ornament

Published by Bernhard Jobin, Strassburg (?). Illustrated title page, poem (2 pages), and 45 pages of designs.
Reproductie van een geschilderd portret van François Louis Joseph Watteau
Object type: page
Date: 1878 – 1882
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: lille, françois louis joseph watteau, historical persons
Inscriptions: inscription: ‘organisateur de musée de Lille/ Né à Valenciennes le 18 Août 1758, mort à Lille, le 1er Décembre 1823’, inscription: ‘Journal le Nord Contemporain, No 13, année 1882’, inscription: ‘Le Nord Contemporain/ Revue Artistique & Scientifique’
May Hart, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,profiles,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū), known as the “Imaki Fragment” (Imaki-gire)
Object type: hanging scroll
Date: 1101 – 1200
Materials: ink, paper
Culture: japanese
Artist: fujiwara no norinaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1109 – 1180
Subjects: poetry

By the 1100s, many courtiers and court ladies of the palace were inscribing kana calligraphy with a firmer brush compared to previous generations. Traditionally, the inscription of these poems was attributed to the courtier Asukai Masatsune (1170–1221), but modern scholarship has securely identified it as by Norinaga, the brother of Masatsune’s grandfather, helping to establish a more solid framework of how kana writing styles evolved.
Bureau Tables, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1753 – 1753
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: tables

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XLI in the 1754 and 1755 editions, but not reprinted in the 1762 edition.
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Foot with a concave profile from an open shape
Portret van Christian Furchtegott Gellert
Object type: book illustration
Date: 1758 – 1758
Materials: paper
Techniques: etching
Location: leipzig
Subjects: historical persons, writer, poet, author
Inscriptions: date

Prent uit: Bibliothek der schönen Wissenschaften und der freyen Künste. 3 dln. Leipzig: Johann Gottfried Dyck, 1758, dl. 1.
German Luxury
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
The Parasol (chatra), from a Set of Initiation Cards (Tsakali)
Object type: religious ritual object
Date: 1301 – 1500
Materials: ink, paper, watercolor
Culture: tibetan
Location: tibet
Fragment donkerrode zijdefluweel met uitsparingen
Object type: zijdefluweel
Date: 1500 – 1599
Materials: silk
Techniques: velvet
Location: genoa
Artist: Anonymous

Fragment (2 aan elkaar geplakt) donkerrode fluweel met patroon van dubbel omkranste bloem, waarvan de buitenste kransen zijn samengeknoopt.
Landschappen met kampementen
Object type: print
Date: 1632 – 1668
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: robert van den hoecke
Artist role: draughtsman, painter, print maker
Artist dates: 1622 – 1668
Subjects: tent-camp
Inscriptions: collector's mark: Lugt 240
Vase with Flowers
Object type: flower vase
Date: 1736 – 1795
Materials: jade
Culture: chinese
Subjects: flowers
Vrouw gekleed volgens de Duitse mode ca 1550
Object type: costume print
Materials: paper
Techniques: engraving
Location: venice
Artist: enea vico
Artist role: draughtsman, print maker
Artist dates: 1523 – 1567
Subjects: bag (+ women's clothes), fashion plates, europeans (swiss) (+ costume), belt, girdle, waistband (+ women's clothes)

Duitse vrouw, naar links, een buidel met kwastjes, die aan haar gordel hangt, in de linkerhand houdend. Prent uit album 'Diversarum gentium nostrae aetatis habitus'.
Gildepenning van het Smedengilde Sint Eloy te Amsterdam, op naam van Daniel Theodr Petti.
Object type: medal
Date: 1718 – 1789
Materials: brass
Techniques: casting
Subjects: goldsmith
Inscriptions: circumscription: ‘ELOYEN - GILT’, inscription: ‘DANIEL / THEODR / PETTI / 1789’

Gegoten messing penning van het Smidsgilde, op de voorzijde een compostitie van hamer, zwaard, mes, sleutel, ketel en geweerslot met omschrift, op de keerzijde een gekroond wapenschild van Amsterdam met dragers boven een inscriptieruimte, op naam van Daniel Theodr Petti 1789
Plate
Object type: plate
Date: 1790 – 1790
Materials: hard paste porcelain
Subjects: flowers
Het clubgebouw van IJsclub Utrecht
Object type: photograph
Date: 1888 – 1888
Materials: paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912

Het clubgebouw van IJsclub Utrecht met wapperende vlag. Voor het gebouw staat een aantal mannen met bolhoed en lange overjas. Met onderschrift: IJsclub Utrecht.
Spoon
Object type: spoon
Date: 1701 – 1800
Materials: horn, metal
Chancelier Michel IV Le Tellier
Object type: print
Date: 1661 – 1661
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits,coat of arms
Terracotta fragment of a kylix (cup)?
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Interior, miltos; Exterior, part of a band of black glaze and reserve
Watch
Object type: watch
Date: 1751 – 1800
Materials: brass, crystal, enamel, gold
Artist: jean antoine lépine
Artist role: maker
Artist nationality: french
Artist dates: 1720 – 1814
Subjects: portraits,women
Portret van een onbekende jonge vrouw
Object type: photograph
Date: 1855 – 1900
Materials: cardboard, glass, iron, metal, paper, textile, wood
Techniques: ferrotyping, hand coloring
Location: newark
Artist: orrin c. benjamin
Artist role: fotograaf
Artist dates: 1827 – 
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: inscription: ‘O.C. Benjamin/ Artist/ 274 Broad St./ Newark N.J.’
Vrouw, mogelijk op een brug
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), adult woman

Pagina 23 en pagina 24 uit een schetsboek met 19 bladen.
Oval table
Object type: table
Date: 1770 – 1775
Materials: gilt bronze, leather, wood
Techniques: stain
Artist: roger vandercruse, called lacroix
Artist role: maker
Artist nationality: french
Artist dates: 1727 – 1799
Subjects: flowers
Rivierlandschap met kerk
Object type: print
Date: 1693 – 1756
Materials: paper
Techniques: etching
Artist: pieter langendijk (i)
Artist role: print maker
Artist dates: 1683 – 1756
Subjects: landscape with ruins - ii - ideal landscapes (+ variant), church (exterior)
Inscriptions: collector's mark: Lugt 240

Rivierlandschap met op de oever een kerk en enkele restanten van antieke bouwwerken.
The Lamentation of the Virgin, from The Fall and Redemption of Man
Object type: print
Date: 1513 – 1513
Materials: paper
Techniques: woodcut
Location: germany
Artist: albrecht altdorfer
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1538