deem-data/ArtiFact huggingface dataset:
Woman Seated in Chair Wiping her Left Side
Object type: statuette
Materials: bronze
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: female nudes

Upon Degas's death in 1917, more than 150 figurative sculptures were found in his studio. Most were made of fragile wax, clay, and plastiline (a wax- and oil-based modeling material). Many had deteriorated. Only a few were preserved in copies that had been cast from them in plaster. Except for the wax Little Fourteen-Year-Old Dancer (Washington: NGA) none of these sculptures had been publicly exhibited during the artist’s lifetime. Although Degas had not favored reproducing his sculptures in more permanent materials, his heirs authorized that copies be cast in bronze in order to preserve the compositions and to sell them as finished works. Paul-Albert Bartholomé, a sculptor and Degas's longtime friend, prepared 72 of the figures for casting, a process executed by the distinguished Paris foundry A.-A. Hébrard et Cie. The quality of the Degas bronzes was tightly controlled and their edition was limited. Only twenty-two editions of the series of 72 figures were cast. Each bronze within the series was assigned a number from one to seventy-two. The first twenty editions were assigned a letter from A-T. In most cases these numbers and letters were incised on the individual bronzes. The series of 72 bronzes was completed before May 1921 when it was exhibited in Paris. Edition A, comprising the first and best casts of the series, was reserved for the important Impressionist collector Mrs. H. O. Havemeyer. She later acquired the first bronze cast of the Little Fourteen-Year-Old Dancer (lettered A, but not numbered), which had been omitted from the initial series. In 1929 Mrs. Havemeyer bequeathed Little Fourteen-Year-Old Dancer and 70 of the 72 Edition A Degas bronzes to the Metropolitan Museum of Art.
Pauw
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Location: the hague
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: ornamental birds: peacock
Inscriptions: date

Pauw, gepubliceerd als bijvoegsel bij 'De Kroniek'.
Five Prints Belong Together no. 3
Object type: print
Date: 1970 – 1970
Materials: paper, watercolor
Techniques: brush, etching
Location: amsterdam
Artist: pieter holstein
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1934 – 
Inscriptions: inscription: ‘106-B’, title: ‘5 PRINTS BELONG TOGETHER NO. 3’, signature: ‘p. holstein’, title: ‘SOMETHING CAN HAPPEN ANYWHERE’

Jongen met pet op, in auto met drie wielen.
Portret van August Karl von Goeben
Object type: print
Date: 1873 – 1880
Materials: paper
Techniques: letterpress printing, engraving
Artist: monogrammist xa v cr
Artist role: print maker
Subjects: commander-in-chief, general, marshal, historical persons

Prent mogelijk uit: Müller, Wilhelm. Die Jahre 1871 und 1872. S.l.s.n, 1873.
Mountains, Sea, and Sky (from Sketchbook VII)
Object type: drawing
Date: 1886 – 1886
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: landscapes

This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
[Dragoman in Temple]
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: temples,men,portraits
The Rake's Progress
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: lunatic asylum, mental home, political caricatures and satires

Tekst in het Engels in de ondermarge. Tom, klaarblijkelijk gek geworden, wordt ondersteund door Sarah Young. Om hen heen verschillende patiënten uit de psychiatrische inrichting 'Bedlam'. De hooggeplaatste vrouw op de achtergrond is waarschijnlijk op bezoek in het asiel ter vermaak. Op de muur een cirkel met daarin de personificatie van Engeland, Britannia.
Gezicht op Huis te Blotinghe te Rijswijk
Object type: print
Date: 1663 – 1670
Materials: paper
Techniques: etching
Location: the hague
Artist: cornelis elandts
Artist role: draughtsman, painter, print maker
Artist dates: 1641 – 1687
Subjects: castle, landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228

Gezicht op Huis te Blotinghe te Rijswijk. Op de voorgrond, bij een boompartij, staan twee mannen met elkaar te praten. In de lucht een banderol met de titel van de prent. Dit kasteel werd tussen 1590 en 1715 bewoond door leden van de familie De Nobelaer, waarvan sommige telgen de titel heer van Klinkerland droegen.
Thesaurus sacrarum historiarum veteris testamenti (...)
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: abraham starts out for the land of canaan with sarah, lot and his belongings
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Abraham vertrekt met zijn familie, tot slaaf gemaakte mannen en vrouwen en vee naar Kanaän. Op de voorgrond in het landschap lopen Abraham, zijn vrouw Sara en zijn neef Lot. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Gen. 12.
Wandbord door de Vereniging Ouderdomszorgen 'Ons belang' aangeboden aan Dr W. Drees, minister van sociale zaken, 1947
Object type: herinneringsbord
Date: 1947 – 1947
Materials: creamware
Techniques: firing
Location: gouda
Subjects: amsterdam, the hague, willem drees, townhall, netherlands, gouda
Inscriptions: number: ‘1752’, factory mark: ‘Koninklijk Goedewaagen Gouda’, inscription: ‘DE OUDEN VAN DAGEN GOUDA<BR />MINISTER DREES ONZE DANK’, inscription: ‘Aangeboden aan <BR />zijne Excellentie <BR />W. Drees<BR />minister v. Sociale Zaken’, inscription: ‘1947<BR />VERENIGING OUDERDOMSZORGEN "ONS BELANG" <BR />OPGER. OCT. 1945’, inscription: ‘PER ASPERA AD ASTRA’

Wandbord van Engels aardewerk Gouda, Koninklijke Hollandsche Pijpen- en Aardewerkfabriek Geodewaagen N.V., 1947 Geschenk J.M. en dr W. Drees. Den Haag, 1991 Dit bord, dat in 1947 aan minister Drees is aangeboden, maakt deel uit van een grote schenking persoonlijke herinneringen van deze beroemde staatsman.
Ceylon, from the Natives in Costume series (N16) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1886 – 1886
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "Natives in Costume" series (N16), issued in 1886 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
gezicht in Spa
Object type: drawing
Date: 1862 – 1862
Materials: paper
Techniques: brush
Artist: pieter van loon
Artist role: draughtsman
Artist dates: 1801 – 1873
Inscriptions: inscription: ‘à Spa’, signature and date: ‘P: van Loon 1862’
De veldslag van Wagram, in Maravië / Bataille de Wagram, en Marovie
Object type: popular print
Date: 1800 – 1833
Materials: paper
Techniques: letterpress printing
Location: turnhout
Subjects: warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van vechtende soldaten tijdens de Slag van Wagram. Onder elke afbeelding een tweeregelig vers in het Nederlands of in het Frans, een zesregelig bovenschrift in het Nederlands en in het Frans in twee kolommen. Genummerd rechtsboven: (n. 35. B).
Still Life with Flowers
Object type: painting
Date: 1667 – 1667
Materials: canvas, oil
Artist: nicolaes lachtropius
Artist role: painter
Subjects: cut flowers; nosegay, bunch of flowers, flowers in a vase
Inscriptions: signature and date: ‘N. Lachtropius Anº 1667’

Bloemstilleven. Op een marmeren plint een vaas met een boeket met rozen en papavers. Tussen de bloemen enkele vlinders, op de plint een slak.
Dorpelingen oogsten hooi
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: harvest, church (exterior), hay-wagon
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Paperweight
Object type: glass
Date: 1867 – 1900
Materials: glass
Location: united states
Artist: whitall tatum glass company, millville nj
Artist nationality: american
Artist dates: 1806 –
Portret van een vrouw en een man in militair uniform
Object type: album leaf
Date: 1901 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: historical persons - bb - woman, historical persons, (military) uniforms
Inscriptions: annotation: ‘Grete Brecht u./ Oscar S[...]/ Januar 1910/ in [...] Garten.’
Gil Blas als bediende en vignet met Gil Blas te paard
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, horse in motion, nursing, tending the sick, house personnel, servants
Inscriptions: collector's mark: Lugt 2228

Deze prenten maken deel uit van een serie van twaalf voorstellingen die de geschiedenis van 'Gil Blas' illustreren. Een latere staat van deze prenten is ook gebruikt in Alain-René Lesage. Gil Blas von Santillana. Neu übersetzt [door Wilhelm Christhelf Sigmund Mylius]. 6 dln. Berlijn: Christian Friedrich Himburg, 1779, dl. 1.
Bronze object in the shape of a horn
Object type: object in shape of a horn
Date: 1 – 200
Materials: bronze, copper, niello, silver
Techniques: inlay
Culture: roman
Subjects: acanthus
Portret van Johann Valentin Maier
Object type: print
Date: 1668 – 1668
Materials: paper
Techniques: engraving
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Bull Standing in Water, plate 6 from "Different Animals"
Object type: print
Date: 1650 – 1672
Techniques: etching
Artist: adriaen van de velde
Artist role: artist
Artist nationality: dutch
Artist dates: 1636 – 1672
Subjects: bulls
Portret van Abdias Widmarius
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: theologian, historical persons

Prent uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Straat met een beeld van een olifant
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: statues, paintings, etc. ~ objects of worship (hinduism, buddhism, jainism), street (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

Vermoedelijk is de olifant een voorwerp van aanbidding. Pagina 62 uit een schetsboek met 84 bladen.
Detail van een kapiteel van de Gnadenpforte in de dom van Bamberg
Object type: photograph
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: bamberg
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: number: ‘25.’
The Raya Gopuram from W
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: linnaeus tripe
Artist role: artist
Artist nationality: british
Artist dates: 1822 – 1902
Subjects: architecture,temples
Onoe Matsusuke in the Role of Asahina in "Edo no Haru Meisho Soga"
Object type: woodblock print nishiki e
Date: 1773 – 1773
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: men,actors
Model of a gaff-rigged gunboat
Object type: fully rigged model
Date: 1835 – 1835
Materials: brass, bronze, lead, fiber, textile, wood
Location: rotterdam
Artist: Anonymous

Gunboats were deployed by the navies of various countries to protect their estuaries and rivers. This model represents the largest type used by the Royal Netherlands wNavy, the gaff-rigged gunboat. A number of them were used in the blockade of Antwerp during the Belgian Revolt. Gunboat No. 2 became the most famous when Lieutenant Jan van Speijk blew up the vessel in 1831, rather than risk its capture by Belgian insurgents.
God met engelen in de wolken
Object type: drawing
Date: 1718 – 1787
Materials: oil, paper
Techniques: brush
Subjects: god the father represented as human being, usually with crown or tiara or sceptre and/or globe (+ angels floating in the air)
Crescent, Two Felines
Object type: ornament
Date: 501 – 700
Materials: copper
Techniques: hammering
Culture: moche
Location: peru
Subjects: cats
Avia
Object type: print
Date: 1734 – 1785
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: aechje claesdr.
Inscriptions: collector's mark: Lugt 2228

Portret van Aechje Claesdr., weduwe van de Rotterdamse bierbrouwer Jan Dammaszn. Pesser.
Astronomische instrumenten bij het oude observatorium van Beijing
Object type: album leaf
Date: 1879 – 1890
Materials: paper
Techniques: albumen print
Location: beijing
Artist: Anonymous
Subjects: observatory (~ astronomy), astronomical instruments
Design for a Pulpit, Plate 3 from an Untitled Series of Pulpit Designs
Object type: album print ornament architecture
Techniques: etching
Artist: martin engelbrecht
Artist role: publisher
Artist nationality: german
Artist dates: 1684 – 1756
Subjects: ornament

Ornament print with a design for a suspended pulpit shown in frontal elevation. The pulpit is characterized by the figures of 2 cherubs at the top. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.
Francesco I d'Este Goes to Pinarola for the Security of his States, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"
Object type: print
Date: 1659 – 1659
Techniques: etching
Location: italy
Artist: bartolomeo fenice (fénis)
Artist role: artist
Artist nationality: italian
Subjects: soldiers,horses

This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.
Triton, Blowing on a Trumpet Shell
Object type: figure
Date: 1615 – 1617
Materials: bronze
Techniques: casting
Location: prague
Artist: adriaen de vries
Artist role: draughtsman, sculptor
Artist dates: 1556 – 1626
Subjects: triton(s) (+ attributes)

This triton, a sea creature in the retinue of the god Neptune, is one of sixteen sculptures that together once formed part of a monumental fountain. The huge complex stood in front of Frederiksborg Castle in Denmark, but in 1659 Swedish soldiers took the statues as war booty to Stockholm. The triton originally perched on the edge of a basin, and water spouted from the shell he is blowing.
Plate
Object type: plate
Date: 1825 – 1850
Materials: earthenware
Culture: british
Location: england
Hurdle Race, from the Games and Sports series (N165) for Old Judge Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: sports,horses,athletes,jockeys

The "Games and Sports" series of trading cards (N165) was issued by Goodwin & Company in 1889 to promote Old Judge Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series.
Klassieke architectuur, met op de grond een Korintisch kapiteel
Object type: drawing
Date: 1861 – 1904
Materials: ink, paper
Techniques: pen
Artist: thomas cool
Artist role: draughtsman, painter
Artist dates: 1851 – 1904
Subjects: landscape with ruins, rome
The Lower Fall
Object type: photograph
Date: 1856 – 1856
Techniques: albumen silver print
Artist: g. b. gething
Artist role: artist
Artist nationality: british
Subjects: waterfalls
Geraamte van het luchtschip de 'Avisol' van Arsène Olivier
Object type: photograph
Date: 1884 – 1889
Materials: paper
Techniques: cyanotype
Location: france
Artist: arsène olivier
Artist role: archeoloog, civiel ingenieur, uitvinder
Artist dates: 1823 – 1895
Subjects: airborne traffic, aviation, 46c35 airship, zeppelin
Inscriptions: inscription: ‘CARCASSE’

Foto op vierde ongenummerde pagina na pagina 25.
Gezicht op een weg langs de rivier Golo te Corsica
Object type: page
Date: 1881 – 1890
Materials: paper
Techniques: photoaquatint
Location: paris
Artist: roland napoleon bonaparte
Artist role: botanicus, fotograaf, geograaf
Artist dates: 1858 – 1924
Subjects: river, ravine, chasm, abyss, canyon, public road
Guild tankard
Object type: guild tankard
Date: 1601 – 1700
Materials: pewter
Subjects: shields
Prof. Henry Morley
Object type: photomechanical print
Date: 1884 – 1894
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: portrait of a writer, professor
Inscriptions: inscription: ‘57 & 61, Elbury Street, London.’
Ornamentele rand met eksters
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: relief print
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: fable of reynard the fox, song-birds: magpie
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910. Deze prent is vermoedelijk een plaatsnede, ook al wordt in de literatuur veelal gesproken over een houtsnede. Voor zover Wierink zijn prenten in hoogdruk zelf nader heeft omschreven, heeft hij altijd de term 'plaatsnede' gebruikt.
Bowl
Object type: bowl
Date: 1201 – 1300
Materials: earthenware
Techniques: glazing
Location: syria
Object ?
Object type: object
Date: 7000 – 330
Materials: bronze
Serie 3: Franse Godsdienstoorlogen, 1559-1573
Object type: history print
Date: 1565 – 1573
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: massacre ~ war

Gekopieerd naar de prent in: Jean Tortorel et Jacques Perrissin, Premier volume contenant quarante tableaux ou Histoires diverses qui sont memorables touchant les Guerres, Massacres et Troubles advenus en France en ces dernieres annees : le tout recueilly selon le tesmoignange de ceux qui y ont esté en personne et qui les ont veus : lesquels sont pourtraits à la vérité, Genève ca. 1570. Bibliotheek Rijksmuseum: 329 A 2, pl. 12.
Cauliculi frame
Object type: frame
Date: 1801 – 1900
Materials: wood
Culture: italian
Landscape (recto); Sketch of rocks(?) (verso)
Object type: drawing
Date: 1890 – 1895
Materials: chalk, watercolor
Techniques: wash
Location: france
Artist: paul cézanne
Artist role: artist
Artist nationality: french
Artist dates: 1839 – 1906
Subjects: landscapes,trees
Waterspuwers
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: ornament ~ grotesque

Blad 14 recto uit een schetsboek met 58 bladen.
Buddhist Parasol Cover
Object type: parasol cover, buddhist
Materials: metal thread, silk
Culture: chinese
Comb
Object type: comb
Date: 1870 – 1879
Materials: metal, shell
Culture: american
Subjects: flowers
Hoofdingang van de Franse tuin in het Park aan de Plantage Parklaan te Amsterdam
Object type: print
Date: 1832 – 1888
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Artist: popko van groningen
Artist role: print maker
Artist dates: 1822 – 1888
Subjects: french or architectonic garden; formal garden
Designs for borders and corners, acanthus
Object type: drawing
Date: 1830 – 1904
Materials: graphite
Artist: robert william hume
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1904
Subjects: acanthus
Ensemble
Object type: ensemble
Date: 1865 – 1865
Materials: cotton, linen
Culture: american
Wapen van Rooms-Duits keizerin Maria Theresia
Object type: print
Date: 1716 – 1761
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: vienna, maria theresia (rooms-duits keizerin), fortitude, 'fortitudo' ~ one of the four cardinal virtues, justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues, (story of) mars (ares), fame; 'fama', 'fama buona', 'fama chiara' (ripa)
Inscriptions: collector's mark: Lugt 240

Het wapenschild van Rooms-Duits keizerin Maria Theresia wordt door Faam met een lauwerkrans gekroond. Zij staat op de Afgunst en de Nijd. Links van Faam staat Mars. Rechts staan de kardinale deugeden Voorzichtigheid, Kracht en Rechtvaardigheid.
Eigentijdse kunstenaars
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Location: paris
Subjects: deathbed, historical persons
Inscriptions: collector's mark: Lugt 964

Serietitel en jaartal gebaseerd op publicatie waarin prent wordt genoemd: Bibliographie de la France (1847), nr. 10, 6 maart 1847, p. 119.
The Dance and The Departure Illustrations from The Deserted Village
Object type: textile
Date: 1790 – 1800
Materials: cotton
Techniques: weave, printing
Location: england
Artist: after engraving by john keyse sherwin
Artist nationality: english
Artist dates: 1751 – 1790
Subjects: propaganda, coat of arms, royalty
Rapier
Object type: rapier
Date: 1550 – 1550
Materials: gold, iron, steel, wood
Culture: french
Location: france

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Fotoreproductie van een schilderij door Cornelis Bisschop, voorstellende een interieur met een vrouw en kind
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: adult woman, interior of the house, infant, baby, dog, netherlands
Inscriptions: name: ‘CWN.’, inscription: ‘Oud-Hollandsche Schilderkunst. Cornelis Bisschop. (...) Binnenhuis. 1690.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL <BR />QUELLINUS <BR />AMSTERDAM <BR />FRANS HALSSTRAAT 14.’, collector's mark: ‘INSTITUUT VOOR KUNST- <BR />NIJVERHEIDSONDERWIJS <BR />GABRIËL METSUSTRAAT No. 16. <BR />AMSTERDAM’