deem-data/ArtiFact huggingface dataset:
Portret van Johann Georg Walch
Object type: print
Date: 1716 – 1733
Materials: paper
Techniques: engraving
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: theologian, historical persons, professor
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Inrō with Crows on Tree in Moonlight
Object type: inrō
Date: 1701 – 1900
Materials: gold, ivory, lacquer, silver
Techniques: carving, maki
Culture: japanese
Subjects: birds,moon,trees
Dalmatic
Object type: dalmatic
Date: 1501 – 1600
Materials: metal thread, silk
Subjects: skulls,leaves
En God zeide: Daar zij een uitspansel in het midden der wateren
Object type: design
Date: 1700 – 1700
Materials: chalk, paper
Techniques: pouncing
Artist: herman coets
Artist role: draughtsman, print maker
Artist dates: 1663 – 1711
Subjects: gathering of the waters below the firmament; dry land appears and produces all kinds of plants
Inscriptions: date: ‘1700 9/17’
Sieraden uit het graf van Ahhotep I, opgesteld in het Boulaq Museum in Caïro, Egypte
Object type: page
Date: 1866 – 1871
Materials: photographic support
Techniques: albumen print
Location: cairo
Subjects: ornaments, jewels, permanent exhibition, museum
Bacchic youth carrying a wine jug
Object type: cameo
Date: 1769 – 1780
Artist: wedgwood and bentley
Artist role: maker
Artist nationality: british
Artist dates: 1769 – 1780
Subjects: men

Images of cameos proliferated on objects of all sorts during the age of Neoclassicism. Some were copies, some inventions, but all owed their origins to Greco-Roman antiquity. By implication, these adaptations underscored the owner's erudition and sober good taste. The owner might be rich or humble. Pottery such as Wedgwood's, for example, made enough use of cameos to satisfy all comers.
Twee hoenders in een landschap
Object type: album leaf
Date: 1570 – 1600
Materials: paper
Techniques: engraving
Location: antwerp
Artist: adriaen collaert
Artist role: draughtsman, print maker
Artist dates: 1560 – 1618
Subjects: walker and runner birds: pheasant, walker and runner birds: guineafowl

Een parelhoen en een fazant in een landschap met een boerderij. Prent is onderdeel van een prentalbum met zeven prenten van vogels en de titelprent.
Pieces from a cylindrical pendant
Object type: fragment, cylindrical pendant
Date: 1750 – 1750
Materials: copper alloy, gold
Location: egypt
J. Frank Currier (1843–1909)
Object type: painting
Date: 1876 – 1876
Materials: canvas, oil
Location: united states
Artist: frank duveneck
Artist nationality: american
Artist dates: 1848 – 1919
Inscriptions: Signed, l.r.: "F. Duveneck"
Vrouw, schetsend achter een tekenblok
Object type: sketchbook leaf
Date: 1865 – 1913
Materials: chalk, paper
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: sitting figure, adult woman, artist (in general) making preliminary designs, sketching

Mogelijk een zelfportret of portret van een collega-kunstenares. Blad 42 recto uit een schetsboek met 68 bladen.
Portret van Franz Xaver von Moshammer
Object type: print
Date: 1766 – 1809
Materials: paper
Techniques: mezzotint
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Zelfportret: B-1-1, 4 februari
Object type: drawing
Date: 1942 – 1942
Materials: paper, pencil
Location: weteringschans
Artist: cor van teeseling
Artist role: draughtsman, sculptor
Artist dates: 1915 – 1942
Subjects: amsterdam, draughtsman, sculptor, cor van teeseling, historical persons, prisoner in cell or locked place, portrait, self-portrait of draughtsman
Inscriptions: signature and date: ‘4-2-1942 / Cor van Teeseling / B-1-1’

Zelfportret van Cor van Teeseling: in de gevangenis aan de Weteringschans, cel B-1-1, 4 februari. Getekend zelfportret van Cor van Teeseling driekwart met zijn hoofd naar links gewend.
Schetsblad met zittende vrouw en zeilschepen
Object type: drawing
Date: 1820 – 1872
Materials: paper, pencil
Techniques: brush
Artist: hendrik abraham klinkhamer
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1872
Subjects: sailing-ship, sailing-boat
The Conduit House
Object type: photomechanical print
Date: 1907 – 1912
Materials: paper
Techniques: autotype
Location: north hinksey
Artist: henry w. taunt
Artist role: fotograaf
Artist dates: 1842 – 1922
Subjects: water-supply (~ public services), façade (of house or building)
Waterputten
Object type: ornament print
Date: 1574 – 1574
Materials: paper
Techniques: etching
Location: antwerp
Subjects: well
Inscriptions: number: ‘8’

Een hoge ronde put met ijzeren ornamentele overhuiving waaruit zowel via een katrol als via pompzwengels water geput kan worden. Aan twee kanten een emmer. De put staat op een stadsplein met gezicht in twee straten. No.8 uit serie van 24 kleine waterputten
Portret van Henri Chatelain
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: paris, amsterdam
Inscriptions: collector's mark: Lugt 2228

Portret van de Franse cartograaf Henri Abraham Châtelain (1684-1743), met hand op de borst. Afgebeeld in ovale omlijsting met Franse tekst. Onder de lijst een console met opschrift in Latijn.
Nellie McHenry, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Untitled (Post Mortem Portrait of a Girl)
Object type: photograph
Date: 1855 – 1855
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, post mortem portrait, portraits: female subject, portraits, portrait, photography, female, death, girls
Italians, from a set of costume plates of different nations
Object type: print
Date: 1600 – 1640
Techniques: etching
Artist: johann wilhelm baur
Artist role: artist
Artist nationality: german
Artist dates: 1607 – 1642
Meisje met hond op een straathoek
Object type: boekillustratie ontwerp
Date: 1915 – 1915
Materials: ink, paper
Techniques: brush, pen
Artist: nelly spoor
Artist role: draughtsman
Artist dates: 1885 – 1950
Subjects: girl (child between toddler and youth), dog, street (+ city(-scape) with figures, staffage), shop-window, show-window
Inscriptions: collector's mark: Lugt 2228

Een meisje staat op een straathoek voor de etalage van een melkwinkel. Ze heeft een hond in haar armen. Een oude vrouw met paraplu, een jongeman en twee jongens passeren het meisje.
Portret van een onbekende vrouw
Object type: cabinet photograph
Date: 1885 – 1906
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Subjects: adult woman
Inscriptions: name: ‘Opgericht 1864. W.G. Kuijer & Zonen Hofphotographen Westermarkt 19. Amsterdam (...)’
Head of a child
Object type: head of eros
Date: 200 – 101
Materials: terracotta
Culture: cypriot
Subjects: heads,children

The head is mold-made and solid. The back is handmade and rounded. The head and neck are preserved.
Landschap met een vrouw die de was doet
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: etching
Location: netherlands
Artist: alexander mollinger
Artist role: painter, print maker
Artist dates: 1836 – 1867
Subjects: clouds, laundering, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Op een steiger aan het water doet een vrouw de was. In het weiland kippen, links een woning. Aan de hemel donkere wolken. Rechtsboven genummerd: 3.
Gemeentemuseum "de Wieger". Deurne (N.B.)
Object type: photomechanical print
Date: 1903 – 1981
Materials: cardboard
Techniques: offset printed
Location: arnhem
Subjects: permanent exhibition, museum
Inscriptions: poststempel, verso, gestempeld
Woman on a Veranda About to Open a Love-letter
Object type: print
Techniques: woodblock print, hashira
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Cirkelvormige incrustatie van kloskant met rozet en acht spaken
Object type: incrustatie
Date: 1900 – 1924
Materials: linen
Techniques: lace
Location: volvic
Artist: Anonymous

Cirkelvormig opengewerkt kleedje, mogelijk een incrustatie, van naturelkleurige kloskant. Het patroon bestaat uit een rozet die is opgebouwd uit drie concentrische cirkels, met acht spaken. Tussen de twee buitenste cirkels is een aaneenschakeling van boogjes gemaakt, als bloemblaadjes van de rozet, waarbij elk boogje door een spaak wordt doorsneden. De cirkels zijn gemaakt in vormslag met twee ribben, de spaken en boogjes met vlechtjes. De vlechtjes waarmee de boogjes zijn gemaakt zijn voorzien van picots.
Theodore Bauer, Wrestler, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,athletes

Trade cards from "World's Champions," Series 1 (N28), issued in 1887 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Standing Buddha(?)
Object type: hanging scroll
Date: 1601 – 1800
Materials: textile
Culture: thai
Subjects: buddhism,buddha
Figure of an Angel within a Composite Panel
Object type: panel
Date: 1450 – 1450
Materials: glass, metal, paint, pigment
Culture: british
Location: england
A Ferryboat Crossing the Sumida River
Object type: print
Date: 1820 – 1829
Techniques: woodblock print, surimono
Location: japan
Artist: keisai eisen
Artist role: artist
Artist nationality: japanese
Artist dates: 1790 – 1848
Suspenders
Object type: suspender
Date: 1850 – 1850
Materials: silk
Culture: french
Subjects: plants
Brief aan Philip Zilcken
Object type: letter
Date: 1893 – 1893
Materials: ink, paper
Techniques: pen, writing
Location: den bosch
Artist: alphons diepenbrock
Artist role: componist
Artist dates: 1862 – 1921
Subjects: the hague, nijmegen, print maker, adriaan pit, adriaan roland holst, paris, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Fastes & Néfastes de la Photographie. Vie historique & philosophique d'un Photographe par lui même
Object type: photograph album
Date: 1845 – 1855
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: eduard isaac asser
So, show-off from Paris!.... you will dance twice with my Catherine.... try again now to make eyes at her!, from Pastorales (Romance of Country Life)
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,women

This print is part of a series in which Daumier satirized the romanticization of life in the country. Here, in the midst of an outdoor dance, a protective father at left confronts a Parisian interloper at center, pulling his hat down over his head to prevent the city-dweller from making eyes at his daughter.
Eetkamer in het hoofdgebouw, met drie jongens
Object type: photograph
Date: 1950 – 1950
Materials: paper, photographic support
Techniques: gelatin silver print
Location: new york city
Artist: Anonymous
Study for Lucain's "La Pharsale", Canto V
Object type: drawing and watercolor
Date: 1766 – 1766
Materials: graphite, ink, paper
Techniques: incising, pen, transfer
Location: france
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Verhaal van de jongen Jantje
Object type: drawing
Date: 1811 – 1873
Materials: ink, paper
Techniques: pen
Artist: pieter van loon
Artist role: draughtsman
Artist dates: 1801 – 1873
Summer Amusement at Margate, or a Peep at the Mermaids
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,bathing,telescopes

Four elderly men look through telescopes at naked bathing ladies in the sea at left. An woman angrily tugs at her husband's coat tails at right.
Bead spreader
Object type: bead spreader
Date: 900 – 801
Materials: glass
Culture: iranian
Location: iran
Zinnplatte mit Kanne von dem Nürnberger Meister Caspar Enderlein † 1533
Object type: photomechanical print
Date: 1869 – 1887
Materials: cardboard, paper
Techniques: photograph
Location: munich
Subjects: jar, jug (used as drinking-vessel), dish, plate, saucer
Inscriptions: title: ‘No. 40. Zinnplatte mit Kanne von dem Nürnberger Meister Caspar Enderlein † 1533.’
Mishandeling van het lijk van predikant P. van den Bosch te Zoetermeer, 1787
Object type: history print
Date: 1798 – 1798
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: violation of the corpse, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 240

Gebruikt als illustratie in: P.A. Loosjes. Vaderlandsche historie, vervattende de geschiedenissen, der Vereenigde Nederlanden (...). Ten onmiddelyken vervolge van Wagenaar's Vaderlandsche historie. Amsterdam: Johannes Allart, dl. 20.
Ourson, den wildeman, word jongheyd, u gegeven: / Wees niet aen hem gelyk door ongeregeld leven / Jeunesse, d'un Ourson, si vous lisez l'image / C'est pour vous corriger, pour que vous soyez sage
Object type: popular print
Date: 1833 – 1856
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: man and (wild) animal
Inscriptions: collector's mark: Lugt 2760

Blad met 20 voorstellingen over het leven van Ourson, een jongen die opgroeit in de wildernis. Onder elke afbeelding een tweeregelig vers in het Nederlands en in het Frans. Genummerd midden boven: No. 19.
Gezicht op tolplaats de Huygenspoort aan de Scheveningseweg in Den Haag
Object type: album leaf
Materials: paper
Techniques: rotogravure
Location: leiden
Artist: Anonymous
Subjects: toll gate, street

Deze prent maakt deel uit van een album.
Gezicht op het Oudemannenhuis te Amsterdam, gezien richting het noorden
Object type: print
Date: 1765 – 1782
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: courtyard, old-people's home
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Wagenaar, Jan. Amsterdam, in zyne opkomst, aanwas, geschiedenissen (…). Amsterdam: Isaak Tirion, 1765, dl. 2. Of uit: Verzameling der fraaiste gezigten van Amsterdam in negen en zeventig afbeeldingen. Amsterdam en Harlingen: Petrus Conradi en Volkert van der Plaats, 1782.
After the bitter struggle for the stricken village of Gheluvelt, lost and retaken several times
Object type: stereograph
Date: 1909 – 1918
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: geluveld
Subjects: destruction of conquered city
Inscriptions: number: ‘95’, inscription: ‘By Royal command to their Imperial majesties King George V and Queen Mary’
Winter at Sea – Taking in Sail off the Coast (from "Harper's Weekly," Vol. XIII)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: men,seas,winter,ships
The Artist's Father and Mother
Object type: medallion
Materials: bronze
Culture: american
Artist: olin levi warner
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1896
Subjects: profiles,fathers,mothers

Levi (1810-1891) and Sarah Baldwin (1819-1891) Warner, a simple, industrious couple, were farmers and lay preachers. They settled in Westminster Depot, Massachusetts, in 1868, the year before their eldest son Olin began his artistic training in Paris. Warner probably modeled this portrait during one of his frequent visits to his parents in the mid- and late 1870s. The bond between the aged sitters is inferred by the close overlapping of forms and parallel arrangement of facial features. The figures are centered on a subtly textured background. Warner’s trademark cursive inscription sweeps along the edge of the medallion below and to the right of the portraits.
De Ascensu in Templum anno XII
Object type: book illustration
Date: 1590 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ's dispute with the doctors in the temple; he counts his arguments on his fingers
Inscriptions: collector's mark: Lugt 240

Prent uit: Joannes Bourgois, Vitae passionis et mortis Jesu Christi Somini nostri mysteria, Antwerpen Hendrick Aertssens, 1622, afb. 9
Novae coelestium, terrestriumque rerum observationes
Object type: book
Location: italy
Artist: francisco fontana
Artist role: artist
Artist nationality: italian
Artist dates: 1580 – 1656
Figuurstudies
Object type: sketchbook leaf
Date: 1930 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the (nude) human figure; 'corpo humano' (ripa)

Pagina 15 uit schetsboek XXXVIII met 45 pagina's.
Coin
Object type: coin
Materials: copper
Location: uzbekistan

This coin was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Cup with Fruit Trees
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, painting, underglaze
Location: china
Studioportret van een onbekende vrouw
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: autotype
Subjects: historical persons - bb - woman
Inscriptions: monogram: ‘AC’, inscription: ‘Studie im Porträt-Atelier unter Benützung von direktem Sonnenlicht./ Beilage zu Eder's Jahbruch für Photographie 1890’

Prent op vijfentwintigste ongenummerde pagina na pagina 400.
Broadwell, The Seat of Danvers Hodges, plate 157 from "The Ancient and Present State of Gloucestershire"
Object type: print
Techniques: engraving, etching
Artist: johannes kip
Artist role: artist
Artist nationality: dutch
Artist dates: 1653 – 1722
Subjects: houses,gardens,landscapes,coat of arms

This print belongs to a set of views of Gloucestershire estates drawn and etched by Johannes Kip, who moved to England when William and Mary assumed the throne in 1688. He was one of several Dutch artists, printmakers and publishers who helped to establish a new tradition of English topographical printmaking. Kip’s bird’s-eye views describe the properties of gentry and minor nobles rather than princes and record the considerable expenditures that many landowners made in 1690s and early 1700s. Published after 1710, the prints record details of houses, courtyards, and gardens often with long allées of trees extending out across the property. Many of these late Baroque enhancements would soon be swept by a rising taste for picturesque landscape.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Interior, extended right arm, with hand holding white sprig; Exterior, profiled ring foot; the resting surface is unglazed and the inner wall of the foot is glazed; the underside of the floor is decorated with concentric circles; the outermost band is in reserve, followed by a wide black glaze band, a thin band of reserve, and a thin black glaze circle; the wide reserved band is bordered at the bottom by a chamfered black glazed edge
Samples (6)
Object type: sample
Date: 1801 – 1850
Materials: silk
Portret van Cornelis Johan de Lange van Wijngaarden
Object type: print
Date: 1786 – 1809
Materials: paper
Techniques: engraving, etching
Subjects: gouda
Inscriptions: collector's mark: Lugt 240

Latere staat prent ook gebruikt als boekillustratie in: Wagenaar, Jan. Vaderlandsche historie, (...) ten vervolge van Wagenaars Vaderlandsche historie. Dl. 1-43. Amsterdam: Johannes Allart, 1786-1809.
Bedelaar aan de deur bij een boerderij
Object type: print
Date: 1862 – 1911
Materials: paper
Techniques: etching, intaglio
Artist: frans van kuyck
Artist role: painter, print maker
Artist dates: 1852 – 1915
Subjects: beggar, farm (building)
Inscriptions: collector's mark: Lugt 2228
Gezicht op een loggia bij de haven van Napels
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: etching
Subjects: harbour, loggia, verandah, porch, naples
Inscriptions: collector's mark: Lugt 2228

Tekst in het Duits in de ondermarge. Rechtsonder genummerd: 11. Prent maakt deel uit van een album.
Slot van ijzer met sleutel
Object type: key
Date: 1500 – 1600
Materials: iron
Artist: Anonymous
Hoofd van bebaarde man
Object type: print
Date: 1927 – 1927
Materials: paper
Techniques: lithograph
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: head (human), beard
Inscriptions: collector's mark: Lugt 2228
Denarius (Coin) Depicting the God Apollo
Object type: coin
Date: 90 – 90
Materials: metal, silver
Culture: roman
Location: italy
Subjects: gods (deities), chariots
Inscriptions: Obverse: PANSA
Reverse: C  VIBIVS  C  F

The front of this coin depicts the head of the god Apollo, facing right.

On the back, the goddess Minerva is shown in a type of chariot called a quadriga.
Standing Taoist God
Object type: figure
Date: 1667 – 1733
Materials: biscuit, porcelain
Culture: chinese
Subjects: daoism
Armor (<i>Gusoku</i>) of the Maeda Family
Object type: armor i gusoku i
Date: 1701 – 1800
Materials: copper alloy, gold alloy, gold, iron, lacquer, leather, silk
Culture: japanese
Location: japan