deem-data/ArtiFact huggingface dataset:
Daphne Embracing her Father, the River Peneus
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
The Continence of Scipio
Object type: drawing
Date: 1700 – 1770
Materials: chalk
Techniques: brush, wash
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Subjects: soldiers,men,women,angels
Roof Seat Break #3841
Object type: drawing
Date: 1883 – 1883
Materials: gouache, graphite, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Tremissis of Mauricius Tiberius
Object type: tremissis
Date: 582 – 602
Materials: gold
Culture: byzantine
Subjects: profiles
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: félix edouard vallotton
Artist role: print maker
Artist dates: 1865 – 1925
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’, watermark
Billon. Gabriel, André, Adolphe. 20 ans, né à Boulogne /s/Seine. Typographe. Outrages. 14/8/93.
Object type: mugshot
Date: 1893 – 1893
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Panel
Object type: panel
Date: 1644 – 1911
Materials: silk
Culture: chinese
Subjects: human figures,landscapes
Portret van Joost Sijbrandtsz. Buyck
Object type: print
Date: 1749 – 1759
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, leiden, mayor, mayor, burgomaster, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent oorspronkelijk bedoeld als aanvulling op: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden (…). 21 dln. Amsterdam: Isaak Tirion, 1749-1759 (eerste editie). De portretten werden echter pas toegevoegd bij de 1796-editie door Johannes Allart: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 dln. Amsterdam: Johannes Allart, 1790-1796.
Inktpot
Object type: inkwell
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht

In het gesloten achterste deel van het inktstel gaten voor een inktpotje en een zandstrooier (beide aanwezig) en vier gaten voor pennen.
Sea Battle
Object type: drawing
Date: 1601 – 1700
Materials: ink
Techniques: pen
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Subjects: battles,ships
A Forest with a Rabbit Hunt
Object type: print
Techniques: engraving
Artist: aegidius sadeler (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1568 – 1629
Subjects: men,hunting,forests
Project for Decoration
Object type: drawing
Date: 1553 – 1615
Materials: ink
Techniques: brush, pen, wash
Subjects: human figures
Mijnarbeider met bloot bovenlijf
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: etching, intaglio
Artist: pieter de josselin de jong
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1906
Subjects: miner, partially clothed, candle
Inscriptions: collector's mark: Lugt 2228

De man heeft een pikhouweel in zijn handen. Rechts op de achtergrond twee kaarsen die de mijnschacht verlichten.
Chisel
Object type: chisel
Date: 1902 – 1902
Materials: jade
Culture: canadian
Shri Shri Jagannatha (Krishna as the Lord of the World)
Object type: print
Date: 1890 – 1890
Materials: chromolithograph, paper
Culture: indian or west bengali

The Jagannatha triad is central to major Krishna cult centered on the pilgrimage city of Puri, in Odisha, eastern India. As seen here, Krishna, together with his elder brother Balarama and sister Subhadra, assume the doll-like forms of totemic idols that can be traced to tribal Odisha. The divine triad here has the brothers protectively flanking their sister, the dark complexion Krishna right and the fair Balarama left, -rather than with Jagannatha center-stage, as he is normally displayed to devotees during pujas and the great annual chariot (ratha) procession. The triad stand on a raised hexagonal dais, set within a pillared archway with drawn curtaining, reminiscent of a Victorian photography studio set. An assembly of Brahmanical deities sit reverently below on lotus cushions, notably Brahma, Vishnu, Garuda (on a fluted pillar) and two forms of ascetic Shiva. This print was produced in Calcutta, where the Jagannatha cult also had a strong following.
The Actor Nakamura Noshio I as Princess Usuyuki (Usuyuki Hime) in the play "Shin Usuyuki Monogatari," performed at the Morita Theater in the fifth month, 1774
Object type: print
Date: 1774 – 1774
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Covered Sauce Tureen
Object type: tureen
Date: 1817 – 1817
Materials: silver
Culture: american
Artist: edward lownes
Artist role: maker
Artist dates: 1792 – 1834

This pair of sauce tureens exemplifies the elegant simplicity and sophistication of early nineteenth-century American silver. The maker, Edward Lownes, trained under his uncle, the silversmith Joseph Lownes. He would become one of the small group of Philadelphia silversmiths who manufactured objects of superb quality during the first third of the nineteenth century. Edward Lownes’s oeuvre was devoted primarily to tea-, coffee-, and tablewares in the so-called "round style," which was influenced by contemporary French fashions. These sauce tureens are handsome examples of that genre, enhanced by refined die-rolled borders and cast and chased leaf and paw feet. In his later work, primarily from the 1830s, Lownes transitioned to a revived rococo style. He scrupulously kept abreast of the latest fashions. He also played an active role in his profession. He was one of the founders of Philadelphia’s celebrated Franklin Institute, which opened in 1824. He also served as a judge at the Institute’s first "Products of National Industry" exhibition in 1825, an event he himself entered in subsequent years.
Afdrukken van bladeren
Object type: sketchbook leaf
Date: 1837 – 1921
Materials: ink, paper, pencil
Techniques: printing
Artist: pierre joseph hubert cuypers
Artist role: draughtsman
Artist dates: 1827 – 1921
Subjects: trees (+ leaf)

Blad 7 recto uit een schetsboek met 23 bladen.
Glass perfume bottle
Object type: perfume bottle
Date: 201 – 400
Materials: glass
Culture: roman

Small flask Translucent purple. Rim folded out, round, and in; funnel-shaped neck, with tooling marks around base; squat piriform body with convex sides; kick in bottom. Intact; bubbles and blowing striations; dulling and iridescence on exterior; enamel-like weathering on interior.
Suikerpot
Object type: miniature
Date: 1770 – 1800
Materials: silver
Location: netherlands
Artist: Anonymous

Peervormige suikerpot op drie hoge, naar buiten gebogen poten, die eindigen in een bol. Het deksel is gewelfd en heeft een puntige knop. De pot heeft twee handvatten. De bovenrand van de pot is gekarteld. De suikerpot is gemerkt met een onleesbaar merk en een bijltje.
1.2. affodiles 2 soorten / 1. Asphodelus. 2. / 1.2. 2 Espèces d'affodiles.
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: campanula, flowers: asphodelus, insects

Affodil en (waarschijnlijk) Ruig klokje, hierbij ook een langpootmug. Genummerd rechtsboven: 209. Met de Latijnse naam. Onderdeel van het derde album met tekeningen van bloemen en planten. Tiende van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Portret van Giuseppe Garibaldi
Object type: print
Date: 1849 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van een jonge vrouw
Object type: carte de visite
Date: 1890 – 1898
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amersfoort
Artist: j.w. wentzel
Artist role: fotograaf
Artist dates: 1855 – 1930
Subjects: adolescent, young woman, maiden
Inscriptions: inscription: ‘J.W. Wentzel/ Amersfoort/ Langestraat F.12’
Afweerfront; orgaan der rode hulp
Object type: newspaper
Date: 1903 – 1935
Materials: paper
Techniques: printing
Location: amsterdam
Subjects: netherlands
Inscriptions: date
Johannes de Evangelist bedient Maria de communie
Object type: print
Date: 1588 – 1648
Materials: parchment
Techniques: engraving
Artist: jan-baptist barbé
Artist role: print maker
Artist dates: 1578 – 1649
Subjects: mary receives her last communion from john the evangelist or from christ
Inscriptions: inscription: ‘Maria Cathar: van Ceulen’, collector's mark: Lugt 2228, inscription: ‘P.F.A. Heeren Minorita Catechista ita est’

Maria zit geknield en ontvangt haar laatste communie uit handen van Johannes de Evangelist. De Latijnse tekst onder de ovale voorstelling beschrijft deze gebeurtenis.
Hiranyakashipu, The Demon-King
Object type: mask
Date: 1700 – 1750
Materials: textile, wood
Techniques: polychrome
Culture: indian, southern, tamil nadu, thanjavur district
Subjects: parrots,demons

Only the two small fangs that protrude from Hiranyakashipu’s mouth indicate the demonic nature of this regally crowned character. In other respects he displays full kingly regalia, with a towering conical crown, while the winged panels framing his face are decorated with mythical leonine creatures (yali) and a lotus flower summit framed by parrots. The multiple layers of pigment on a cotton ground witness the mask’s repeated ritual cleansing and repainting before each performance.
Kraantjeskan in de vorm van een tuinvaas
Object type: coffee urn
Date: 1729 – 1729
Materials: silver
Techniques: casting, embroidery, punching
Location: leeuwarden
Artist: andele andeles
Artist role: medailleur
Artist dates: 1687 – 1754
Subjects: fruits: pine-cone, garden vase
Inscriptions: maker's mark, date letter: ‘O’, town mark, alloy mark

Coffee urn. Silver. Leeuwarden, 1729, by Andele Andeles.
Sumo Wrestling
Object type: painting
Date: 1801 – 1900
Materials: ink, paper
Techniques: painting
Culture: japanese
Artist: utagawa kuniteru
Artist role: artist
Artist nationality: japanese
Artist dates: 1830 – 1874
Subjects: men,wrestling

The referee, holding a fan, is identified as Kimura andthe judge, Furiwake, a former wrestler, sits to the left with his pipe.
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1701 – 1800
Materials: gold, iron
Culture: japanese
Location: japan
Subjects: men,demons
Portret van mevrouw J.H. Giltay-Moll
Object type: drawing
Date: 1874 – 1925
Materials: chalk, paper
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: historical persons
Embroidered sampler
Object type: sampler
Date: 1601 – 1700
Materials: linen, silk
Subjects: roosters

This sampler, which features various geometric motifs, and an alphabet, is typical of Marken Island samplers, which are characterized by bands of colorful patterns. Girls stitched these bands to practice patterns for "vernaaide linten"- ribbons that were attached to a cap and which were an important part of the costume tradition on Marken Island. These ribbons consisted of black embroidery on white linen. The women of Marken are said to have kept their samplers in or near their kitchens for handy reference, so much of the needlework appears darkened from residue from cooking fires. Samplers from this area, including this one, often include striped horses. Other motifs include a ship, dog in a house or other enclosure, and striped rooster. The initials "LP," which are stitched several times, are probably the initials of the sampler’s maker.
Schotelscherf van roodbakkend aardewerk, voorzien van een schildering van een tulp met het jaartal 1644 in blauw op een witte ondergrond aan de voorzijde, en kleurloos glazuur aan de achterzijde
Object type: sherd
Date: 1500 – 1699
Materials: earthenware, glaze
Artist: Anonymous
Notities en berekeningen
Object type: sketchbook leaf
Date: 1919 – 1921
Materials: chalk, paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Inscriptions: annotation: ‘[...]’

Achterste schutblad uit een schetsboek met 42 bladen.
The Fire Eater Raised His Arms to the Thunder Bird
Object type: painting
Date: 1900 – 1900
Materials: canvas, oil
Location: new york
Artist: frederic remington
Artist nationality: american
Artist dates: 1861 – 1909
Inscriptions: Signed, lower right: "Frederic Remington"
Molding
Object type: molding
Date: 1701 – 1800
Materials: gilt bronze
Subjects: faces
Cathédrale de Chartres (E. et L.). Détail du Portail Royal (XIIe siècle). Donat
Object type: photomechanical print
Date: 1903 – 1930
Materials: cardboard
Techniques: photograph
Location: chartres
Subjects: church (exterior), statues, paintings, etc. ~ objects of worship in roman religion
Inscriptions: collector's mark: ‘AFE v S’
Portret van een man met een snor
Object type: photograph
Date: 1864 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: historical persons not known by name, amsterdam
Inscriptions: name: ‘Atelier de Photographie & Photolithographie du Palais de l'Industrie à Amsterdam Sous la direction de Wegner & Mottu.’
Lucretia Killing Herself, from The Story of Lucretia
Object type: print
Date: 1578 – 1579
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered, lower right: "Phillippus Galle excude."; and below image: "Iamque erat orta ... suprema fuit"
Dancer with lace skirt, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses,dancers

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Ex libris van Wim Moubis
Object type: bookplate
Date: 1933 – 1933
Materials: paper
Techniques: printing block
Location: netherlands
Subjects: wave, woman (showing herself) undressed, quasi-nude, book
Inscriptions: inscription: ‘Clichédruk - jaar 1933. (...) 1933 Los Angeles.’

Verhagen stuurde dit ontwerp in voor de 9th Annual Exhibition of the Bookplate Association International, 1933, Los Angeles.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of head of frontal satyr; above the satyr's head, mouth from lion skin?
Glass mosaic relief fragment
Object type: mosaic block inlay
Materials: glass
Culture: egyptian, ptolemaic

Opaque sealing wax red ground; decoration in opaque white, yellow, and red, and translucent blue, light blue and deep purple, appearing black. Thick block, with slightly convex side edge at bottom and another edge with rounded upper lip at top right. Decoration all set in yellow frames; narrow horizontal stripe along bottom in blue, white, and red; vertical panel comprising three squares divided by horizontal bands in blue, yellow, and red; at top, blue and white horizontal stripes; at right, radiating stripes in two alternating designs, one of hollow yellow circles on a purple ground, the other of lotus buds in white and blue. Broken edges at top, left, and lower right; slight pitting but very little weathering. This fragment can be identified from its similarity to other pieces as part of the ornate patterned dress of a figure, probably a god or a pharaoh.
View of the British Guiana Gold Company's Diggings on the Cuyuni
Object type: photograph
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Location: guyana
Artist: Anonymous
Subjects: river, minerals and metals: gold, trees: palm-tree
Inscriptions: number: ‘2’
Partisan-Spontoon
Object type: partisan spontoon
Date: 1700 – 1700
Materials: gold, steel, wood
Culture: french
Location: france
Bodhisattva Simhanada Lokeshvara
Object type: sculpture
Materials: stone
Location: bihar
Soup Plate
Object type: ceramic
Date: 1800 – 1800
Materials: enamel, porcelain
Techniques: gilding, polychrome
Location: pinxton
Artist: pinxton porcelain factory
Artist nationality: english
Artist dates: 1796 – 1813
Bronze clothing pin
Object type: pin
Date: 601 – 900
Materials: metal
Culture: alanic
Location: caucasus
Grafmonument van paus Clemens XIII
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Location: italy
Subjects: clemens xiii, historical persons, grave, tomb, beasts of prey, predatory animals: lion, pope, angels
Inscriptions: collector's mark: Lugt 2228

Grafmonument van paus Clemens XIII met twee leeuwen, een engel, een vrouw met kroon en kruis en een portret van de knielende paus Clemens XIII. Genummerd linksboven: Vol. 1, rechtsboven: Tav. XXVIII.
Portrait of a Young Man Wearing a Military Cap
Object type: drawing and watercolor
Date: 1818 – 1819
Materials: graphite, paper
Location: france
Artist: jean louis andré théodore géricault
Artist role: artist
Artist nationality: french
Artist dates: 1791 – 1824
Geometria, from "The Seven Liberal Arts"
Object type: print
Date: 1500 – 1550
Techniques: engraving
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: geometry
Piece
Object type: piece
Date: 1201 – 1400
Materials: silk
Culture: chinese
Subjects: bats,birds
View of a Rocky Coast by Moonlight
Object type: painting
Date: 1830 – 1880
Materials: canvas, oil
Artist: théodore gudin
Artist role: draughtsman, painter
Artist dates: 1802 – 1880
Subjects: lighthouse, lightship, moonlight, rocky coast

Gezicht op een rotsachtige kust bij maanlicht. Op de rotsen van de kust staat links een vuurtoren. Enkele mannen duwen een boot het strand op, in het water drijft vervallen vissersboot.
Enkhuizen, brandspuitpenning van de man aan de zuigpomp van spuit A met no. 13
Object type: medal
Date: 1680 – 1800
Materials: brass
Techniques: casting, engraving
Location: enkhuizen
Artist: Anonymous
Subjects: enkhuizen

Messing penning. Voorzijde: brandspuit. Keerzijde: opschrift boven cijfer 13
Design for the decoration of a ceiling with a central panel of painted clouds
Object type: drawing
Date: 1830 – 1897
Materials: gouache, graphite, ink, paper, watercolor
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ceilings
Jessie Deane, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Witte zalfpot van aardewerk, van binnen en buiten voorzien van kleurloos loodglazuur, incompleet
Object type: ointment vessel
Date: 1500 – 1799
Materials: earthenware, glaze
Artist: Anonymous
Tea Set
Object type: ceramic
Date: 1760 – 1760
Materials: porcelain, soft paste porcelain
Techniques: underglaze
Location: worcester
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 480 – 460
Materials: terracotta
Culture: greek, attic

Exterior, two fragments with parts of circumscribed palmettes
Plan van de slag bij Wijnendale, 1708
Object type: map
Date: 1708 – 1708
Materials: paper
Techniques: etching, hand coloring, letterpress printing
Location: the hague
Subjects: maps of separate countries or regions, battle (+ land forces)

Plattegrond van de slag op 28 september 1708 bij Wijnendale in West-Vlaanderen tussen de geallieerde troepen onder generaal-majoor Webb die een konvooi begeleidden en Franse troepen onder Graaf de la Mott. Vastgeplakt onder de plaat een blad met een relaas van het gevecht in 2 kolommen in het Frans en 2 kolommen in het Nederlands.
Portret van een jonge vrouw (Violante)
Object type: album leaf
Date: 1660 – 1660
Materials: paper
Techniques: etching
Location: brussels
Subjects: anonymous historical person portrayed alone - bb - woman

De prent is vervaardigd naar het schilderij van Titiaan dat zich in de collectie van het Kunsthistorisches Museum te Wenen bevindt (inventarisnummer GG_65). David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.