deem-data/ArtiFact huggingface dataset:
Emma Malle, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
A Cottage Porch
Object type: drawing
Date: 1838 – 1910
Materials: graphite
Artist: francis seymour haden
Artist role: artist
Artist nationality: british
Artist dates: 1818 – 1910
Subjects: doors,interiors
Recueil de panneaux d'ornements par différents graveurs du XVI siècle / Lucas de Leyde (...) [et al.]; phototypie Simonau & Toovey
Object type: wrapper
Date: 1871 – 1871
Materials: cardboard, linen, paper
Techniques: woodburytype
Inscriptions: bookplate: ‘EX. LIBRIS/ L. MONTHAYE/ BRUGES/ No 943’, annotation: ‘VIII/ C/ 15’, annotation: ‘35do’, annotation: ‘APR/ 1999’
Tobiolus Makes a Propitiatory Sacrifice, from "The Story of Tobias"
Object type: print
Date: 1543 – 1543
Techniques: engraving
Artist: georg pencz
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: fruit,men,beds
Brief aan anoniem
Object type: letter
Date: 1848 – 1927
Materials: cardboard, ink, pencil
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: leiden, the hague, print maker, hendricus petrus bremmer, art trade, art shop, drawing
Patriotsche Societeit te St. Omer 1787
Object type: print
Date: 1790 – 1792
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: club, meeting place, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in twee almanakken uitgegeven door Hendrik Arend Banse in Amsterdam 1792-1793: Nieuwe nuttige en vermaaklyke almanach en De muzykaale vaderlandsche historische almanach.
Mirjam
Object type: print
Date: 1588 – 1595
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: miriam takes up a tambourine and dances; all the women follow her, female persons from the old testament (with name) (not in biblical context)
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond Mirjam, de zus van Aäron en Mozes. Op de achtergrond viert Mirjam samen met andere vrouwen van Israël de ondergang van de farao en zijn leger. De prent heeft een Latijns onderschrift en maakt deel uit van een prentserie met beroemde vrouwen uit het Oude Testament.
Piece
Object type: piece
Date: 1601 – 1700
Materials: linen, wool
Subjects: flowers
De Weduwe van Oldenbarneveld bid Prins Maurits om genade voor haar Zoon
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: the hague, maurice (prince of orange), (revolutionary) plot, conspiracy, granting mercy; free pardon

Gebruikt als illustratie in: J. le Clerc, Geschiedenissen der Vereenigde Nederlanden, sedert den aanvang van die Republyk tot op den Vrede van Utrecht in 't jaar 1713 en het Tractaat van Barriere in 't jaar 1715 gesloten, Z. Chatelain, Amsterdam 1730, 3 delen, dl. II, p. 240.
Illuminated Border with Grotesques and Flora from a Manuscript
Object type: drawing and watercolor
Materials: gold leaf, paint, parchment
Techniques: cutting
Culture: french
Location: france
Equivalent
Object type: photograph
Date: 1923 – 1923
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Inscriptions: Unmarked recto; inscribed verso, on second mount, upper left, in graphite: 155-E [underlined]

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Wilibald Pirckhaimer
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: eichstätt, willibald pirckheimer, historical persons, portrait of a writer, book

Prent gebruikt in: Der teutsche Merkur (...) Junius 1776. S.l.s.n., 1776.
The Unicorn Rests in a Garden (from the Unicorn Tapestries)
Object type: tapestry
Date: 1495 – 1505
Materials: gilt, silk, silver, wool
Culture: french or south netherlandish
Location: netherlands
Subjects: unicorns,flowers,plants,trees

The seven individual hangings known as "The Unicorn Tapestries," are among the most beautiful and complex works of art from the late Middle Ages that survive. Luxuriously woven in fine wool and silk with silver and gilded threads, the tapestries vividly depict scenes associated with a hunt for the elusive, magical unicorn. "The Unicorn Rests in a Garden" may have been created as a single image rather than part of a series. In this instance, the unicorn probably represents the beloved tamed. He is tethered to a tree and constrained by a fence, but the chain is not secure and the fence is low enough to leap over: The unicorn could escape if he wished. Clearly, however, his confinement is a happy one, to which the ripe, seed-laden pomegranates in the tree—a medieval symbol of fertility and marriage—testify. The red stains on his flank do not appear to be blood, as there are no visible wounds like those in the hunting series; rather, they represent juice dripping from bursting pomegranates above. Many of the other plants represented here, such as wild orchid, bistort, and thistle, echo this theme of marriage and procreation: they were acclaimed in the Middle Ages as fertility aids for both men and women. Even the little frog, nestled among the violets at the lower right, was cited by medieval writers for its noisy mating.
Brouwersgracht te Amsterdam
Object type: print
Date: 1875 – 1923
Materials: paper
Techniques: aquatint, etching, intaglio
Location: netherlands
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: canals, waters (in city)
Inscriptions: collector's mark: Lugt 2228
Forme générale de la tête vue de profil
Object type: page
Date: 1880 – 1893
Materials: paper
Techniques: photograph
Location: france
Artist: Anonymous
Subjects: head (human) (+ front view), head (human) (+ sideview, profile), france
Inscriptions: number: ‘Planche 41.’, inscription: ‘Négre à prognathisme moyen. (...) Tête en besace (cymbocéphale).’, number: ‘1. (...) 9.’

Acht in zijaanzicht, nummer 8 in vooraanzicht.
Bell-shaped cup and saucer with the arms of the Yaldwin and Soame family
Object type: kop en schotel, kop en schotel
Date: 1740 – 1760
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Klokvormige kop en schotel van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, zwart en goud. Op het plat het wapen van de families Yaldwin en Soame. Links Yaldwin met drie bloemen tegen een witte achtergrond en in het midden een rode keper met twee gele bollen en een leeuwenkop; rechts Soame met drie hamers op een rode achtergrond en een gouden keper in het midden. Het helmteken is een gevleugeld zwaard omgeven door acanthusbladeren. Aan weerszijden van het wapen een palmtak. Op de wand een band met lotusranken en één met servetwerk. De kop met dezelfde decoratie. Een barst in de rand van de kop. Wapenporselein met emailkleuren.
Mishandeling der Gereformeerden omtrent Vaals, ten Jare 1764
Object type: history print
Date: 1793 – 1793
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: persecution of believers
Inscriptions: collector's mark: Lugt 2228

Mishandeling van gereformeerden door katholieken te Vaals en in drie andere nabij gelegen dorpen, januari 1764. Een roomse priester moedigt aan tot de mishandeling. Gemerkt rechtsboven: XXIX. Dl. pl. II.
Cup
Object type: cup
Date: 6000 – 5668
Materials: ceramic
Culture: iranian
Location: iran
Antonio Bruni
Object type: book illustration
Date: 1666 – 1666
Materials: paper
Techniques: engraving, letterpress printing
Location: venice
Artist: Anonymous
Subjects: historical persons, portrait of a writer, writer, poet, author
Inscriptions: inscription

Prent uit: Crasso, Lorenzo. Elogii degli huomini letterati scritti. Venetië: Combi & la Noù, 1666, dl. 2, p. 274.
Gezicht van binnen de Stonehenge naar het noordwesten
Object type: print
Date: 1800 – 1900
Materials: paper
Techniques: aquatint, etching
Artist: Anonymous
Subjects: stonehenge
Christ appearing to the apostles
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: printmaking
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: christ appears to the apostles (gathered behind locked doors)
Inscriptions: inscription: ‘nr. 54-4’, signature and date: ‘Rembrandt f. 1656 (spiegelbeeldig)’, mark: Lugt 240
1/4 roepie uit India van keizerin Victoria, 1894
Object type: coin
Date: 1894 – 1894
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: gekroond borstbeeld van koningin Victoria naar links. Keerzijde: binnen een kring van lotusbloemen in twee regels waarde-aanduiding: 1/4 rupee, waaronder lands-aanduiding. Daaronder jaartal. Kartelrand.
De Gelegenheidsdichter
Object type: drawing
Date: 1893 – 1893
Materials: ink, paper
Techniques: pen
Artist: alfred ronner
Artist role: draughtsman
Artist dates: 1852 – 1901
Subjects: (reiger, a.f.j., vluchtige schetsen uit het volksleven) specific works of literature (with author, title), writer, poet, author

Illustratie voor 'Vluchtige Schetsen uit het Volksleven' door A.F.J. Reiger. Ontwerp voor een prent.
De familie in Venetië
Object type: album leaf
Date: 1914 – 1915
Materials: paper, photographic support
Techniques: gelatin silver print
Location: venice
Subjects: else wachenheimer-moos, willy moos, the family travelling, on holiday, tourism, venice
Inscriptions: inscription: ‘Canal Grande u. Kirche gegenuber Grand Hotel 1915 / Marcusplatz. 1914’

Albumblad met twee foto's van Else Moos met haar ouders en enkele andere familieleden in Venetië. Onderdeel van het fotoalbum van Else Wachenheimer-Moos en haar broers Arthur en Willy Moos en anderen in de periode 1913-1918.
Allegorical Figures of Religion and Venice Flanking an Empty Cartouche
Object type: drawing
Date: 1709 – 1787
Materials: graphite
Artist: francesco zugno
Artist role: artist
Artist nationality: italian
Artist dates: 1709 – 1787
Subjects: cartouches,women,cross
Terracotta oil lamp
Object type: lamp
Date: 167 – 1
Materials: terracotta
Culture: greek
Subjects: dolphins

Mold-made. Shallow, carinated body with long nozzle. Large central filling hole; broad, sloping shoulder decorated with three pairs of confronted dolphins, facing out and downward. Raised, flat base, inscribed in Greek letters: ЄΦЄCOI. Intact.
Waxwing (one of a pair)
Object type: figure
Date: 1741 – 1741
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds

Porcelain birds have their origins in the princely tradition of maintaining collections of living animals and birds in menageries and aviaries, which were viewed as microcosms of the universe, and emblems of royal power and enlightenment. These collections often included exotic birds such as parrots, admired for their rarity, as well as more familiar native species. In 1731 the Meissen manufactory began a new genre in European porcelain, producing several hundred life-size and near-life-size porcelain birds and animals, many destined for the Japanese Palace of Augustus the Strong, Elector of Saxony (1670–1733). To create them, factory modelers found inspiration in nature, looking both to living and stuffed specimens, as well as zoological illustrations and Asian porcelain precedents. The great Meissen modeler Johann Joachim Kändler is known to have copied from life the birds kept at the royal aviary at Schloss Moritzburg. Surviving prints and drawings of the period indicate that porcelain birds, animals, and vases were placed on gilt wood brackets arranged in decorative, symmetrical patterns. An eighteenth-century English visitor to the Japanese Palace, Jonas Hanway, described this manner of display: "The long gallery in the second story had already two marble chimney-pieces, each adorned with near 40 very large pieces of porcelain, of birds, beasts, and vases, ranged to the height of above 20 feet in a most superb taste…." [Elizabeth Sullivan, 2013]
Craigend
Object type: page
Date: 1868 – 1878
Materials: paper
Techniques: carbon print
Location: east dunbartonshire
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: castle, façade (of house or building)
The Unfortunate Macaroni
Object type: cartoon
Date: 1772 – 1772
Materials: paper
Techniques: etching
Location: london
Subjects: dandy, beau, caricatures (human types)
Inscriptions: collector's mark: Lugt 2228

Een staande man gekleed volgens de laatste mode. Hij stampt van woede op de grond. Zijn rechter vuist is gebald. Prent nummer 9 uit de tweede van zes sets van elk 24 karikaturen van verschillende dames, heren, kunstenaars, enz., uitgegeven door de Darly’s.
Jongens en mannen werken in lage kassen in een tuin
Object type: photograph
Date: 1890 – 1925
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: working class, labourers
Fotomontage van drie straatgezichten in Québec
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: photograph
Location: quebec
Subjects: castle, street, lower house, parliament, chamber, québec
Inscriptions: inscription: ‘Carriage Gate of the Frontenac/ New Break-Neck Steps/ Fountain and Main Entrance of Paliament Buildings (...)’
Schelp, architectonica trochlearis
Object type: print
Date: 1644 – 1702
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: molluscs (+ shell, snail-shell etc.)
Inscriptions: collector's mark: Lugt 240

Kopie naar prent die deel uitmaakt van een 39-delige serie met verschillende soorten schelpen, door Hollar.
Paul Joseph Revere
Object type: painting, miniature
Date: 1840 – 1840
Materials: ivory, watercolor
Culture: american
Artist: margaret bogardus
Artist role: artist
Artist nationality: american
Artist dates: 1804 – 1878
Subjects: boys,portraits,toys

The grandson of the patriot and silversmith Paul Revere, Paul Joseph Revere (1832-1863) attended Milton Academy as of 1840. He later went to Harvard College and served as a colonel in the Civil War. In 1859, Revere married Lucretia Watson Lunt.
Creampot
Object type: cream pot
Date: 1760 – 1780
Materials: silver
Culture: american
Location: united states
Artist: joseph edwards jr.
Artist role: maker
Artist nationality: american
Artist dates: 1737 – 1783

Three-legged creampots with elongated pouring lips and scrolled handles are among the most charming hollowware forms produced in mid-eighteenth century America. Joseph Edwards Jr. was born into a family of successful Boston silversmiths, under one of whom he likely trained.
Atlanta Racing Hippomenes
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: possibly after marten de vos
Artist nationality: flemish
Artist dates: 1532 – 1603
Capital
Object type: capital
Date: 1401 – 1500
Materials: marble
Location: spain
Village Street with Two Carts
Object type: print
Techniques: engraving
Artist: aegidius sadeler (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1568 – 1629
Subjects: villages,horses,carts
Portret van Manfred van Sicilië, koning van Napels
Object type: book illustration
Date: 1589 – 1624
Materials: paper
Techniques: engraving, etching, letterpress printing
Artist: lucas kilian
Artist role: draughtsman, print maker
Artist dates: 1579 – 1637
Subjects: venosa, historical persons, king
Inscriptions: collector's mark: Lugt 2228

Deze prent is gebruikt in: Mazzella, Scipione, Kilian, Lucas en Custos, Dominicus. Der Neapolitanische Koenige Leben und Bildnisse (...). Augsburg: Lucas Kilian, 1624.
The Milk Woman
Object type: print
Date: 1774 – 1774
Materials: gold leaf, ink, pastel
Techniques: printing
Artist: louis marin bonnet
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1793
Subjects: portraits,women
The Presentation of Christ in the Temple
Object type: plaquette
Date: 1467 – 1533
Materials: bronze
Artist: moderno (galeazzo mondella)
Artist role: artist
Artist nationality: italian
Artist dates: 1467 – 1528
Subjects: animals,temples,men,jesus
Portret van Frederik, prins der Nederlanden
Object type: print
Date: 1825 – 1849
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: berlin, frederik (prins der nederlanden)
Inscriptions: collector's mark: Lugt 963

Portret van Frederik als grootmeester der Vrijmetselaren in een geornamenteerde rechthoek. Hij staat naast een tafel met daarop een rol. In zijn rechterhand een hamer.
The Mexican Major
Object type: painting
Date: 1889 – 1889
Materials: canvas, oil
Location: new york
Artist: frederic remington
Artist nationality: american
Artist dates: 1861 – 1909
Subjects: fashion, animals, people, portraits
Inscriptions: Signed, lower left: "Copyrighted/ Frederic Remington/ '89"

Frederic Remington was greatly impressed by the Mexican army, which he observed during a six-week visit to Mexico in 1889 in preparation for an article in Harper’s Weekly magazine. The Mexican Major is an elaborate, multifigural composition, designed to convey the professionalism, discipline, and “immensely picturesque” appearance of the officer and his regiment. Remington enjoyed the soldiers' ornate costumes, and he emphasized these through the use of rhythmic, flashing colors and the depiction of brilliant light. The line of horsemen stretches off into the far distance—a sign of honor, strength, and dignity.
Vue d'un ancien chateau scitué sur le chemin de Rome à Naples from Differentes vues dessiné d'après nature... dans les environs de Rome et de Naples
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: adélaide allou
Artist role: artist
Artist nationality: french
Artist dates: 1776 – 1800
Subjects: ruins,horses
Portret van Jetje van Eeghen-Deterding
Object type: photograph
Date: 1925 – 1940
Materials: paper, cardboard
Techniques: jos-pé print
Location: amsterdam
Artist: jacob merkelbach
Artist role: fotograaf
Artist dates: 1877 – 1942
Subjects: historical persons - bb - woman, amsterdam
Inscriptions: check stamp: ‘Merkelbach/ Amsterdam’, check stamp: ‘Merkelbach/ Merkelbach/ Amsterdam’
Toilette de Ville
Object type: print
Date: 1875 – 1886
Materials: lacquer, paper, watercolor
Techniques: hand coloring, lacquer
Location: paris
Subjects: fashion plates, clothes, costume (+ women's clothes), dress, gown (+ women's clothes)
Inscriptions: collector's mark: Lugt 1641, collector's mark

Vrouw in bruine japon, staande naar rechts, waaier in de hand. Met vermelding van 'Mon. Warburg & Co. Amsterdam'. Prent uit het modetijdschrift L'Aquarelle-Mode (1866-1892). nr. 9146. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: De Kleeding, Modeplaten.
The Young Bather
Object type: painting
Date: 1866 – 1866
Materials: canvas, oil
Artist: gustave courbet
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1877
Subjects: female nudes,bathing
Pataikos Amulet
Object type: amulet, pataikos
Date: 1295 – 1070
Materials: faience
Location: egypt
Portrait of Karl Philip Fohr
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: engraving, printing
Location: switzerland
Artist: samuel amsler
Artist role: artist
Artist nationality: german
Artist dates: 1791 – 1849
Gipsen afgietsels van onder meer paneeltjes en rozetten
Object type: album leaf
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: rotterdam
Artist: Anonymous
Inscriptions: annotation, annotation
Femmes Betsimisaraka, Madagascar
Object type: photograph
Date: 1863 – 1863
Techniques: albumen silver print, glass negative
Artist: désiré charnay
Artist role: artist
Artist nationality: french
Artist dates: 1828 – 1915
Subjects: girls,portraits,women
Stekelvarkens
Object type: album leaf
Date: 1865 – 1867
Materials: cardboard, photographic support, watercolor
Techniques: albumen print, aquarelle
Location: england
Artist: Anonymous
Subjects: other mammals: porcupine, zoo (as place of recreation)

Drie stekelvarkens achter een hek. Foto op albumblad in album met 68 foto's merendeels met geaquarelleerde randversieringen. Het zijn voornamelijk portretten op carte-de-visite formaat.
Het Groote Tafereel der Dwaasheid (extra stukken)
Object type: pamphlet
Date: 1720 – 1720
Materials: paper
Techniques: letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: econoom, john law, windhandel van 1720

Pamflet van acht bladzijden met verschillende verzen waarin John Law bespot wordt, 1720. Behoort tot de groep van extra stukken meegebonden in de gebonden eerste uitgave (304 B 11) van Het Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Sugar bowl with cover (part of a service)
Object type: sugar bowl with cover
Date: 1770 – 1785
Materials: hard paste porcelain
Subjects: coat of arms
Portret van Lodewijk XVI van Frankrijk
Object type: print
Date: 1820 – 1899
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Subjects: paris, lodewijk xvi (koning van frankrijk), historical persons, wig, king
Inscriptions: collector's mark: Lugt 2228
Mêr de Glace, Valley of Chamouni-Savoy (Liber Studiorum, part X, plate 50)
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: mountains,landscapes

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. This is one of the few instances where he made the preliminary etched lines, then developed the tone, using mezzotint to detail an image of glacier developed from sketches made in Switzerland near the St. Gothard pass. Working experimentally, he rocked only part of the plate to create the darks, rather than following conventional mezzotint practice, where the plate is rocked completely, and highlights creates by scraping and burnishing. The "M" in the upper margin refers to Turner's category of Mountainous landscape.
Over the House-Tops, New York
Object type: photomechanical print
Date: 1908 – 1908
Materials: paper
Techniques: photoaquatint
Location: new york city
Subjects: skyscraper, steam, new york (city)
Leven en werk van Jan de Wasscher
Object type: print
Date: 1792 – 1803
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Artist: Anonymous
Subjects: hen-pecked husband, 'betty', 'molly' (man who engages in women's work), battle for dominance in marriage ('who wears the breeches'), pulpit, ambo, chancel, cradle, crib, whip
Inscriptions: stamp: ‘Koninklijk Oudheidkundig Genootschap Amsterdam’, collector's mark: Lugt 1641

Blad met 24 voorstellingen uit het leven van Jan de Wasser, een man die van zijn vrouw Griet, die de broek aan heeft, al het huishoudelijk werk moet doen. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: 3. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Bottle
Object type: glass
Date: 1734 – 1766
Materials: glass
Location: bohemia