deem-data/ArtiFact huggingface dataset:
Snaffle Bit
Object type: bit
Date: 300 – 201
Materials: copper alloy
Culture: anatolian or thracian
Location: italy

The mouthpiece consists of two canons studded with rounded spikes, linked by a ring in the center. Each one terminates with a ring for the reins and a long and straight full-cheek piece, pierced with two holes for hanging it from the bridle. This very submissive type of snaffle was inspired by both Achaemenid and Greek bits. The spiky canons, called 'hedgehogs' by the Greek Xenophon (ca. 430–355 B.C.) in his equestrian treatise, accentuate its severity. These elements being very uncomfortable for the tongue, they force the horse to retract it. Consequently the tongue cannot cushion the bit and the mouthpiece is resting directly on the most sensitive part of the bars (part of the horses’ jaw without teeth). The very long cheekpieces added control for changing directions by pressing the horse's cheek when pulling the opposite rein. This bit is said to have been found in Rome. If true, it might have come from the tomb of a Thracian or Anatolian cavalryman buried there.
Omslag voor 24 prentbriefkaarten met gezichten uit Moskou
Object type: wrapper
Date: 1956 – 1956
Materials: cardboard
Techniques: lithograph
Location: moscow
Artist: Anonymous
Inscriptions: date

De titel op object staat in het Russisch.
Solothurn
Object type: photomechanical print
Date: 1874 – 1884
Materials: paper
Techniques: photograph
Location: solothurn
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, river
Terracotta fragment of a column-krater (bowl for mixing wine and water)?
Object type: column krater fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic
Twee voorstellingen uit Hermann und Dorothea van Johann Wolfgang von Goethe
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: introducing, emigration, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, the new-born child
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor Hermann und Dorothea van Johann Wolfgang von Goethe. Prent gebruikt voor: Neuffer, Christian Ludwig. Taschenbuch für Frauenzimmer von Bildung, auf das Jahr 1799 und 1800. Stuttgart: Steinkopf, s.a.
Minister Heemskerck in de Tweede Kamer
Object type: drawing
Date: 1887 – 1887
Materials: ink, paper
Location: the hague
Artist: pieter de josselin de jong
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1906
Subjects: amsterdam, the hague, politician, minister ~ government, historical persons, netherlands
Inscriptions: date

De Minister van Staat en Binnenlandse zaken Mr. J. Heemskerck Azn zittend in stoel, van opzij gezien, halffiguur, de duimen en wijsvingers van zijn handen tegen elkaar gedrukt. Onderdeel van een groep schetsen van de bespreking in de Tweede Kamer van de grondwetsherziening van 1887 gepubliceerd in het weekblad Eigen Haard (1887).
Wreaths, 11
Object type: wreath, 11
Date: 7000 – 30
Materials: lead
Culture: greek, laconian
Subjects: wreaths
Thalia
Object type: print
Date: 1824 – 1856
Materials: paper
Techniques: hand coloring, lithograph
Artist: Anonymous
Subjects: thalia (one of the muses); 'talia' (ripa)
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 2760
Coat of arms with Three Lions' Heads
Object type: print
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: lions,coat of arms
Verslag van de huldiging van Charles Rochussen voor zijn zeventigste verjaardag
Object type: verslag
Date: 1884 – 1884
Materials: ink, paper
Techniques: printing
Location: amsterdam
Subjects: rotterdam, print maker, draughtsman, charles rochussen, sculpture
Inscriptions: collector's mark: Lugt 2233
Studieblad met compositiestudie en figuren
Object type: sketchbook leaf
Date: 1650 – 1799
Materials: ink, paper, pencil
Techniques: brush, pen
Location: italy
Artist: Anonymous
Subjects: kneeling figure

Onder andere een studie van een knielende vrouw. Bladzijde 71 uit een schetsboek met 72 bladzijden.
Diedrik Heer van Batenburg
Object type: print
Date: 1747 – 1749
Materials: paper
Techniques: engraving, pen
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: brussels
Inscriptions: inscription: ‘Diedrik / Heer van Batenburg’, collector's mark: Lugt 2228

Proefdruk van de prent oorspronkelijk bedoeld voor: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
Portret van mevrouw van der Mey
Object type: carte de visite
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: max büttinghausen
Artist role: fotograaf
Artist dates: 1847 – 1906
Inscriptions: inscription: ‘mevr. Van der Mey’
Genova. Piazza Fontane morose.
Object type: photograph
Date: 1885 – 1892
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: square, place, circus, etc., two-wheeled, animal-drawn vehicle
Inscriptions: annotation: ‘Genua - Piazza Fontane Morose’
De visscherij
Object type: print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: a. de ker
Artist role: print maker
Subjects: commercial fishery, herring fishery, whale fishery, whaling
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen over het vissen naar sardines, haring, kabeljauw en walvissen. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 152.
Terracotta fragments of stemless kylikes (drinking cups)
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Two complete handles from lipped cups, with part of the handle patch preserved
Oriental Jasper Cup
Object type: print
Date: 1864 – 1864
Techniques: etching
Artist: jules-ferdinand jacquemart
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1880
Toby Pitcher
Object type: toby pitcher
Date: 1830 – 1870
Materials: earthenware
Culture: american
Location: united states
Artist: lyman, fenton & co.
Artist role: maker
Artist nationality: american
Artist dates: 1849 – 1849
Subjects: men
La bonne
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Artist: alfred andré géniole
Artist role: print maker
Artist dates: 1813 – 1861
Subjects: maid ~ house personnel, conversation, dialogue; conversation piece, kitchen-maid, kitchen servant, street
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 1842.
Bandontwerp voor: N.S. Ljeskow, De onsterfelijke, 1965
Object type: drawing
Materials: ink, paper, pencil, pressure sensitive tape, watercolor
Techniques: brush, pen
Artist: karel thole
Artist role: painter
Artist dates: 1914 – 2000
Subjects: walking-stick, staff, beard
Inscriptions: : ‘2e kleur/ 1e kleur’, collector's mark: Lugt 2228a, annotation: ‘DE ONSTERFELIJKE’

Man met baard die een staf in zijn linkerhand houdt.
Reliëf met het oordeel van Lucius Junius Brutus in de Vierschaar van het Stadhuis op de Dam
Object type: book illustration
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: l. junius brutus has his two sons beheaded because they joined a conspiracy
Inscriptions: collector's mark: Lugt 195

Prent gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Artus Quellinus (I), 1655.

Zie RP-P-AO-22-1-1 voor bijhorende titelpagina.
Zie RP-P-AO-22-1-2 voor bijhorend register.
Zie RP-P-AO-22-1A, RP-P-AO-22-1B, RP-P-AO-22-1D-1, RP-P-AO-22-1D-2, RP-P-AO-22-1E, RP-P-AO-22-1F, RP-P-AO-22-1G, RP-P-AO-22-1H, RP-P-AO-22-1I, RP-P-AO-22-1K-1, RP-P-AO-22-1K-2, RP-P-AO-22-1K-3, RP-P-AO-22-1K-4, RP-P-AO-22-1K-5, RP-P-AO-22-1L-1, RP-P-AO-22-1L-2, RP-P-AO-22-1M-1, RP-P-AO-22-1M-2, RP-P-AO-22-1N-1, RP-P-AO-22-1N-2, RP-P-AO-22-1N-3, RP-P-AO-22-1N-4, RP-P-AO-22-1N-5, RP-P-AO-22-1O-1, RP-P-AO-22-1O-2, RP-P-AO-22-1O-3, RP-P-AO-22-1O-4, RP-P-AO-22-1P-1, RP-P-AO-22-1P-2, RP-P-AO-22-1P-3, RP-P-AO-22-1P-4, RP-P-AO-22-1Q-1, RP-P-AO-22-1Q-2, RP-P-AO-22-1Q-3, RP-P-AO-22-1Q-4, RP-P-AO-22-1R-1, RP-P-AO-22-1R-2, RP-P-AO-22-1R-3, RP-P-AO-22-1R-4, RP-P-AO-22-1R-5, RP-P-AO-22-1S-1, RP-P-AO-22-1S-2, RP-P-AO-22-1S-3, RP-P-AO-22-1S-4, RP-P-AO-22-1S-5, RP-P-AO-22-1T-1 en RP-P-AO-22-1T-2 voor andere prenten uit deze publicatie.

Zelfde staat van prent ook gebruikt in: Prima pars. Praecipuarum effigierum ac ornamentorum, amplissimae Curiae Amstelrodamensis (…) / Het eerste deel. Van de voornaemste Statuen ende Ciraten, vant konstijck Stadhuys van Amstelredam, tmeeste in marmer gemaeckt, door Artus Quellinus, Beelthouwer der voorseyde Stadt / La Premier Partie. De plusieurs Figures et ornements, de la Maison de Ville d'Amsterdam (…). Amsterdam: Frederik de Wit, 1665.
Latere staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).

Zie BK-AM-51-21 voor model van beeld.
Armor of Henry Herbert (1534–1601), Second Earl of Pembroke
Object type: armor
Date: 1585 – 1586
Materials: gold, steel
Culture: british
Location: england
Artist: royal workshops at greenwich
Artist role: armorer
Artist nationality: british
Artist dates: 1511 – 1650

This armor was made for Henry Herbert (1534–1601) in the royal workshops at Greenwich. Originally, it consisted of a garniture for field and tournament. The present burgonet (helmet) and falling buffe (face defense) were designed for light cavalry and infantry use. Among the garniture’s missing elements are two close helmets and several reinforcing pieces for the tournament, similar to those preserved with the Cumberland garniture also in the Metropolitan Museum's collection (acc. no. 32.130.6a–y). Herbert’s antiquarian and heraldic interests are reflected in the armor’s decoration, which traces the lineage of the great Pembroke family through its complex coat of arms, consisting of twenty-two quarterings. The complete arms are displayed on the cheeks of the helmet, while individual quarterings are found on every element of the armor. The Order of the Garter, awarded to Herbert in 1574, also figures prominently in the decoration.
Shawl
Object type: shawl
Date: 1801 – 1825
Materials: silk
Culture: european
Christ healing the Lepers
Object type: print
Date: 1540 – 1550
Techniques: woodcut
Artist: niccolò vicentino
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1550
Le Cocu battu et content, from Contes et nouvelles en vers par Jean de La Fontaine.  A Paris, de l'imprimerie de  P. Didot, l'an III de la République, 1795
Object type: print
Techniques: engraving, etching
Artist: jean-louis delignon
Artist role: artist
Artist nationality: french
Artist dates: 1755 – 1804
Subjects: interiors,men,women,dogs,dressing
Helmet (<i>Hoshi Kabuto</i>) and Mask with Gorget
Object type: helmet i hoshi kabuto i and mask with gorget
Materials: copper gilt, iron, lacquer, leather, silk
Culture: japanese
Location: japan

During the Edo period (1615–1868), there was a conscious revival of medieval armor fashions, and this helmet is an instructive example. It was fashioned in the thirteenth-century style, and it certainly was made to accompany an armor of medieval yoroi fashion. The metal fittings on the helmet include the badge of the Hota family, daimyo (lords) of Sakura.
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Part of a band of floral ornament with stamen in added white
Scarf
Object type: scarf
Date: 1801 – 1900
Culture: spanish
Terracotta fragment of a bowl
Object type: fragment of a bowl
Date: 600 – 301
Materials: terracotta
Culture: unknown fabric

Interior, the center has a reserved tondo with a black glazed line on the outer border; Exterior, reserved; part of the foot; the outer edge is reserved; the resting surface is unglazed; the inner wall of the foot is glazed; the underside of the bowl is reserved
Women Preparing Sashimi
Object type: print
Date: 1806 – 1820
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: food,women

Utamaro expanded the scope of the bijin-ga, prints of beautiful women, by removing the traditional idealizing constraints of the genre and placing beautiful women in the context of ordinary life. Among the themes he explored in this broadening of his subject matter were the activities of the kitchen.
Invictiss: Heroi Frederico Henrico Principi Auriaco Com. Nass. etc. Foed. Belgiae Exerc. Imperatori Fort.
Object type: propagandaprent
Date: 1632 – 1632
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: frederick henry (prince of orange), maastricht

Allegorisch ruiterportret van Frederik Hendrik na de verovering van Maastricht, augustus 1632. De stadhouder op een steigerend paard, voor de voeten wapentuig. In de lucht links twee engelen met helm, krans met provinciewapens en lauwerkrans. Rechts het heldenberaad. Op de achtergrond de stad Maastricht. In de marge zijn nog sporen van de weggepolijste inscriptie.
Kohl Tube
Object type: tube
Date: 501 – 700
Materials: wood
Culture: byzantine
Black Cañon, looking above from Mirror Bar
Object type: photograph
Date: 1871 – 1871
Techniques: albumen print
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards
A32: Louisiana Bedroom, 1800-50
Object type: miniature room
Date: 1940 – 1940
Location: united states
Artist: narcissa niblack thorne
Rustende jagers
Object type: drawing
Date: 1840 – 1880
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: hunters resting during the hunt
Inscriptions: collector's mark: Lugt 2228
Susanna and the Elders
Object type: figurine
Date: 1701 – 1800
Materials: coral, glass, paint
Techniques: lampwork
Culture: french
Subjects: men,female nudes
Fragment
Object type: fragment
Date: 1601 – 1700
Materials: metal thread, silk
Rectangular wine container (fanglei)
Object type: wine container
Date: 1300 – 1201
Materials: bronze
Culture: chinese
Dish
Object type: dish
Date: 1889 – 1889
Materials: earthenware
Culture: american
Location: united states
Artist: simon singer
Artist role: artist
Artist nationality: american
Artist dates: 1822 – 1822
Subjects: flowers
Jakobs ladder of de allegorie van de weg naar eeuwige zaligheid
Object type: print
Date: 1550 – 1550
Materials: paper
Techniques: etching
Location: haarlem
Subjects: torch, the all-seeing eye, triangle with eye ~ symbol of god the father, eternal bliss; 'felicità eterna' (ripa) (+ symbolical representation of concept), tools, aids, implements ~ crafts and industries: anvil, tolerance, long-suffering; 'longanimità', 'toleranza' (ripa)
Inscriptions: collector's mark: Lugt 2228

De personificatie van Tolerantie. Hij staat met een been op een aambeeld, het attribuut van Geduld. In zijn linkerhand de fakkel van kennis en in zijn rechterhand een schaal met twee ogen. Deze staan symbool voor God. De prent heeft een Latijns onderschrift en maakt deel uit van een veertiendelige serie met als onderwerp de manier om eeuwige zaligheid te bereiken.
Yorkshire Hieroglyphics, Plate 2
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,hieroglyphs,politics
Touch
Object type: print
Date: 1720 – 1770
Techniques: engraving, etching
Location: france
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Subjects: animals,chinoiserie,men,women
Eroberung der Statt Ardres Durch den ErzHerzog unt Cardinal von Osterich den 23 May Ao. 1596
Object type: print
Date: 1596 – 1598
Materials: paper
Techniques: etching
Location: germany
Subjects: brussels, albrecht aartshertog van oostenrijk, capture of city (after the siege)

Verovering van Ardres door Albrecht van Oostenrijk, 23 mei 1596. De Franse troepen verlaten de omsingelde stad. Met onderschrift van 1 regel in het Duits. Ongenummerd. Gedeeltelijke kopie naar de prent van Hogenberg.
Perfume burner
Object type: perfume burner
Date: 1753 – 1795
Materials: faience
Techniques: glazing
Artist: sceaux
Artist role: manufactory

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Fotoalbum van een Frans-Russische amateurfotografe in Rusland en Zwitserland
Object type: photograph album
Date: 1910 – 1915
Materials: paper, cardboard
Techniques: collodion silver print
Location: europe
Artist: Anonymous

Plakboek met 89 foto's op 43 pagina's. Het album bevat foto's van een Frans-Russische amateurfotografe met foto's samen met vrienden en/of familie en zelfportretten, waaronder een serie zelfportretten voor de spiegel.
Portret van geestelijke Gabriel Foschi
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: engraving
Location: venice
Subjects: historical persons, regular clerics, e.g. jesuits, redemptorists
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Loredano, Giovanni Francesco of Brusoni, Girolamo. Le glorie de gli incogniti: O vero gli huomini illustri dell'accademia de'signori incogniti di Venetia. Venetië: Appresso Francesco Valuasense, 1647, p. 168.
Meester P.W.A. Cort van der Linden (Vereniging voor Penningkunst 1935, eerste penning)
Object type: history medal
Date: 1935 – 1935
Materials: bronze
Techniques: striking
Artist: theo van reijn
Artist role: draughtsman, print maker
Artist dates: 1884 – 1954

Bronzen penning, op de voorzijde het borstbeeld van Van der Linden naar links, op de keerzijde vier regels tekst onder een jaartal, met bovenaan omschrift.
Servet van wit linnendamast
Object type: napkin
Date: 1770 – 1795
Materials: linen
Techniques: damask
Location: germany
Artist: Anonymous

Wit linnen damasten servet met een patroon roosjes en rozenknoppen met een rand van rozetakken en een bloemboeket in de hoeken. Merk BSG en 42.
The Actor Ogino Isaburō in the Role of Katorihime
Object type: print
Date: 1734 – 1734
Techniques: urushi
Culture: japanese
Artist: torii kiyomasu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1696 – 1716
Subjects: men,actors
Seventy Mummy Wrapping Fragments
Object type: textile
Materials: textile, linen
Techniques: weave
Culture: egyptian
Location: egypt
Mijmering
Object type: print
Date: 1842 – 1896
Materials: paper
Techniques: etching
Location: netherlands
Artist: kornelis jzn de wijs
Artist role: print maker
Artist dates: 1832 – 1896
Subjects: container of ceramics: jar, jug, pot, vase, utilitarian, public pump or water fountain
Inscriptions: collector's mark: Lugt 138, collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een jonge vrouw staat in gedachten verzonken met een kruik in de hand bij een waterpomp.
Jan Poortenaar aan het werk
Object type: photograph
Date: 1930 – 1950
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: amsterdam, print maker, jan poortenaar, engraver, etcher (+ artist at work)
Inscriptions: collector's mark: Lugt 2228
Calendar-Almanac in Scroll Form
Object type: scroll
Materials: gold, ink, parchment, watercolor
Location: turkey
Artist: katib muhammad ma'ruf na'ili
Artist role: calligrapher
De wiin is een spotter
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: engraving
Subjects: sleeping in chair, wine production, chamber-pot, 'wine is a mocker ...' ~ drunken brawl
Inscriptions: collector's mark: Lugt 963, check stamp: Lugt 1120, collector's mark: Lugt 1641, stamp:

Een nar-achtige figuur staat op het punt om een slapende vrouw een pispot op het hoofd te zetten. Onder de voorstelling een vers van vier regels in het Nederlands. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), Het midden der 17de eeuw. (De Fransche mode).
Portret van een onbekende vrouw bij een stoel
Object type: carte de visite
Date: 1868 – 1888
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: leon a. van weijderveldt
Artist role: fotograaf
Artist dates: 1814 – 1888
Subjects: adult woman, anonymous historical person portrayed, amsterdam
Inscriptions: inscription: ‘Leon v. Weyderveldt/ Amsterdam./ Bloemgracht 17’, inscription: ‘Leon v. Weyderveldt/ Amsterdam/ Bloemgracht/ 17./ b.d. Prinsengracht/ Specialiteit in Vergrootingen./ Bernhard Wachtl Wien.’
Fan
Object type: fan
Date: 1850 – 1899
Materials: mother of pearl
Culture: french
Subjects: flowers
Washer
Object type: washer
Date: 1401 – 1700
Materials: bronze
Culture: european
Ontmoeting van Tobias en engel Rafael
Object type: print
Date: 1570 – 1580
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: the meeting of tobias and the angel raphael
Inscriptions: collector's mark: Lugt 919 bis, collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: Lugt 847a

Prent uit serie van twaalf prenten op rond formaat met het verhaal van Tobias.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, left foot; Exterior, right foot and stick; toes
Handle attachment for a pail
Object type: handle attachment for a pail
Date: 7000 – 330
Materials: bronze