deem-data/ArtiFact huggingface dataset:
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, lower body of draped male and volute
Lappets
Object type: lappet
Date: 1701 – 1750
Materials: linen
Techniques: lace
Subjects: flowers

The Metropolitan Museum's great lace collection was started when the Museum became the first among American museums to organize a permanent collection of lace with the acceptance of the McCallum Collection in 1879 and the bequests of Mrs. John Jacob Astor, Mrs. Robert L. Stuart, Mrs. Augustus Cleveland, and Mrs. A. W. Winters shortly thereafter. In 1893 a loan collection of antique laces shown at the World's Columbian Exposition in Chicago was assembled by a committee of New York women headed by Catharine Augusta Newbold. About 1900 Miss Newbold arranged and labeled an exhibition of laces and linenworks lent to the Metropolitan Museum by Mrs. James Boorman Johnstone and the Misses Johnstone. "Her scholarly knowledge of lace technique enabled the Museum for the first time to offer a comprehensive display of lace illustrating its historical development," wrote Miss Frances Morris, then curator of the textile department. Miss Newbold's name occurs again in connection with a group of thirty-eight laces recently given to the Museum by her nieces, Mrs. Donald P. Spence and The Lady Reigate, in memory of her sister, their mother, Mrs. William Redmond Cross. These represent a selection of the finest of Miss Newbold's personal lace collection, a collection probably made at the time she was active in lace circles in New York about the last decade of the nineteenth and early part of the twentieth century, under the guidance of Marian Hague, a distinguished connoisseur and collector herself. This period witnessed the last peak of appreciation of and connoisseurship in an art form that had been in tremendous vogue from its beginnings in the fifteenth century. And it was the last period in which fine laces were available in any number. Among choice examples of the great lace types represented in Miss Newbold's small collection are: early Italian pieces combining cut-work, pulled work, reticella, embroidery on linen ground; Sicilian polychrome silk filet; seventeenthcentury Venetian points (point de Venise à reseau and the widely known rose point de Venise); famous French needlepoints (Point de Paris, Argentan, Alençon); French and Flemish bobbin laces (Binche, Valenciennes, Brussels, Point d'Angleterre, and Point de Gaz); and a beautiful cap crown of Argentella (1979.310.9), a rare eighteenth-century European lace whose place of origin has never been surely determined.
Portret van Christiaan Huygens
Object type: print
Date: 1650 – 1707
Materials: paper
Techniques: engraving
Artist: gerard edelinck
Artist role: print maker
Artist dates: 1640 – 1707
Subjects: the hague, draughtsman, physicist, christiaan huygens (ii), astronomy (and cosmography) (+ portrait of scholar, scientist), historical persons, mathematics (+ portrait of scholar, scientist)
Portret van Laure Junot, hertogin van Abrantès
Object type: photomechanical print
Date: 1850 – 1949
Materials: paper
Techniques: photograph, letterpress printing
Artist: Anonymous
Subjects: paris

Portret van Laure Junot in een geornamenteerde, ovale omlijsting. In de ondermarge in boekdruk: 231.
Calligraphy
Object type: painting
Materials: ink, paper
Location: china
Artist: chen chun
Artist role: artist
Artist nationality: chinese
Artist dates: 1483 – 1544
St. Peter
Object type: print
Date: 1401 – 1500
Techniques: woodcut
Artist: anonymous, german, 15th century
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 1500
Subjects: saint peter
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 600 – 576
Materials: terracotta
Culture: greek, attic

On the handle plate, a swan; on the top side of the rim, a band of rays; below, a complete handle and part of the neck of a column-krater
Zangeres met papieren lantaarn
Object type: print
Date: 1765 – 1771
Materials: paper
Techniques: mezzotint
Artist: james watson (prentmaker)
Artist role: print maker, publisher
Artist dates: 1740 – 1790
Subjects: lantern, ballad singer, ballad seller
Inscriptions: collector's mark: Lugt 240
The Holy Family
Object type: painting
Date: 1525 – 1525
Materials: oil, wood
Artist: joos van cleve
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1485 – 1541
Subjects: holy family,virgin mary,jesus,joseph,nursing

The popularity of Joos van Cleve's Holy Family compositions provided an impetus for the mass production of paintings on this theme; the present example is by an artist in Joos's workshop. He transferred the original design by pouncing, but was clearly less adept at handling and execution than the master.
Edwin Forrest, from the series Great Americans (N76) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men

Trade cards from the "Great Americans" series (N76), issued in a set of 50 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes. There are two variations of the Beecher card, one where he faces left and one where he faces right. This is the left-facing variation.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1915 – 1915
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: fenna de meyier
Artist role: onderwijzer, schrijver
Artist dates: 1874 – 1943
Subjects: painter, draughtsman, philip zilcken, haarlem, rotterdam
Inscriptions: collector's mark: ‘RPK’
Compositie van gipsen ornamenten uit het atelier van J. Delbove, Brussel, België
Object type: photograph
Date: 1860 – 1882
Materials: cardboard, paper
Techniques: albumen print
Location: brussels
Artist: charles de trez
Artist role: painter
Artist dates: 1822 – 1899
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number, inscription: ‘200 à 205 PP. No. 15’, inscription, address: ‘PHOTOGRAPHIE/ DE/ C. DE TREZ &/ RUE DU PONT NEUF 1’, check stamp: ‘J.H DELBOVE/ Rue de Malines, 37/ BRUXELLES’

Foto uit een incomplete serie van 13 foto's. Foto heeft sporen van een oogje aan de bovenzijde waaruit blijkt dat de foto gehangen heeft. Recto op de foto in rode pen nummers per afgebeeld gipsen voorwerp, corresponderend met een handgeschreven lijst die verso is geplakt.
Portret van Hendrik Spilman
Object type: print
Date: 1742 – 1784
Materials: paper
Techniques: etching
Location: haarlem
Subjects: amsterdam, haarlem, painter, print maker, draughtsman, hendrik spilman, historical persons, portrait, self-portrait of graphic artist, portrait, self-portrait of draughtsman
Allegorie op het schrijven van geschiedenis
Object type: print
Date: 1749 – 1749
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: fortitude, 'fortitudo' ~ one of the four cardinal virtues, 'historia'; 'historia' (ripa), writing and letters, freedom, liberty; 'libertà' (ripa), father time, man with wings and scythe, symbols of particular nations, states, districts, etc.
Inscriptions: collector's mark: Lugt 2228

Geschiedenis tekent de Vaderlandse Geschiedenis op in haar boek. Ze is in gesprek met een allegorische vrouwfiguur, met vleugels op het hoofd. Naast haar staan Kracht, in harnas, en Vrijheid met haar lans in de hand. Achter hen soldaten. Op de voorgrond een leeuw, omringd door drie putti, en diverse religieuze attributen. In de lucht schuift Vader Tijd een draperie opzij.
Ontzet van Barcelona en slag bij Ramillies
Object type: jeton
Date: 1706 – 1706
Materials: silver
Techniques: striking
Location: austria
Artist: Anonymous
Subjects: vienna, jozef i (duits keizer), charles vi (holy roman emperor), brabant, spain
Hopman Ulrich of de bedrogen gierigheid: de omkoping
Object type: print
Date: 1760 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: comedy, candlestick, guard duty, keeping sentry, night, bribery
Inscriptions: collector's mark: Lugt 240

Een wachter met een zwaard vraagt een jongeman (Godefroy), die heimelijk in de nacht bij zijn geliefde (Sybille) op bezoek komt, om geld. De jongeman steekt zijn hand in zijn broekzak. De vrouw heeft een kaars vast. Op de stoep staan een glas en een fles. Rechts op de achtergrond een tweede wachter. Scène uit het blijspel 'Hopman Ulrich of de bedrogen gierigheid' van Johan van Paffenrode uit 1661, waarin het gierige personage Ulrich wordt bedrogen door zijn vrouw Sybille, ondanks dat hij haar laat bewaken. Haar minnaar Godefroy koopt de wachter om.
Card 613, Miss Johnson, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Vervorme zonneschijf door de atmospherische breking van het licht
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: sun as celestial body
Inscriptions: inscription: ‘Fig. 7. - Disque solaire déformé par la réfraction atmosphérique. 1891, 20 sept., 5 h. 38 m.’
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 100
Materials: glass
Culture: roman

Colorless with a blue green tinge. Lopsided, everted rim, folded over and in; cylindrical neck, with horizontal tooling indent around base; conical body, curving in to flat bottom. Intact; many pinprick bubbles; dulling, deep pitting, and iridescent weathering.
Sarcophage d'Arles
Object type: photomechanical print
Date: 1903 – 1918
Materials: cardboard
Techniques: photograph
Location: paris
Artist: Anonymous
Subjects: sarcophagus, permanent exhibition, museum
Portret van Filips II, koning van Spanje
Object type: print
Date: 1593 – 1612
Materials: paper
Techniques: engraving
Artist: lambert cornelisz.
Artist role: draughtsman, print maker
Subjects: philip ii of spain, adult man, historical persons, knighthood order of the golden fleece
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Schrijfvoorbeeld: De Burghemeesteren (...)
Object type: ornament print
Date: 1605 – 1605
Materials: paper
Techniques: engraving
Location: rotterdam
Subjects: calligraphy

Schrijfvoorbeeld met acht regels tekst in het Nederlands: De Burghemeesteren Schepenen ende Raeden der stadt Rotterdamme ... De tekst is omlijst door krulwerk. De prent maakt deel uit van een album.
Interieur met een vrouw, die stof voor een kostuum snijdt
Object type: drawing
Date: 1915 – 1915
Materials: ink, paper
Techniques: brush, pen
Artist: rik wouters
Artist role: draughtsman, print maker
Artist dates: 1882 – 1916
Subjects: sewing
Inscriptions: dedication: ‘Bonne fête voor Mevrouw Harkema’, signature and date: ‘Rik Wouters 15’
Mijnbouw te Koba
Object type: photograph
Date: 1907 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, opencast mine; strip mining, minerals and metals: tin
Inscriptions: inscription

Albumblad met vier foto's genummerd 121-124 van verschillende gezichten in en rond de mijnen te Koba op Banka. Onderdeel van het Banka-Album met foto's over het eiland Banka en de tinwinning door het staatsbedrijf de Banka-tinwinning in de periode ca. 1907-1919.
Fotoreproductie van een schilderij van een moedeloze vrouw en haar gezin door Ferdinand Fagerlin
Object type: page
Materials: photographic support
Techniques: albumen print
Subjects: adult woman, family life at home
Inscriptions: inscription: ‘Svensk Konstnär.’
De Schrik Te Pakken Hebben
Object type: print
Date: 1958 – 1958
Materials: paper
Techniques: intaglio, linocut
Artist: karel wetselaar
Artist role: print maker
Artist dates: 1935 – 2017
Subjects: inn, coffee-house, public house, etc.
Inscriptions: signature and date: ‘K. Wetselaar 1958’
Portret van Philips Wouwerman
Object type: print
Date: 1769 – 1775
Materials: paper
Techniques: engraving
Subjects: painter, philips wouwerman, historical persons, portrait, self-portrait of painter

Prent is onderdeel van een serie getiteld 'Serie degli Uomini ', en bestaat uit 12 delen uitgegeven tussen 1769 en 1775. Ieder deel is onderverdeeld in verschillende hoofdstukken, elk bestaande uit de lofrede op een kunstenaar voorafgegaan door een gegraveerd portret van de kunstenaar.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 4, p. 655.
Vasa a se inventa atq. studii causa delin. et incisa
Object type: album leaf
Date: 1746 – 1746
Materials: paper
Techniques: etching
Artist: jacques francois joseph saly
Artist role: print maker, sculptor
Artist dates: 1717 – 1776
Subjects: mask, mascaron ~ ornament, owls, garden vase

Deze prent maakt deel uit van een album.
Waterput met emmer en drinkbak
Object type: print
Date: 1829 – 1875
Materials: paper
Techniques: lithograph
Location: paris
Subjects: trough, well, wooden container: barrel, cask, bucket
Inscriptions: collector's mark: Lugt 2228a
Portret van een onbekende man
Object type: photograph
Date: 1857 – 1857
Materials: copper, glass, leather, velvet
Techniques: daguerreotype
Artist: Anonymous
Subjects: adult man, historical persons
Dish
Object type: dish
Date: 1713 – 1742
Materials: pewter
Culture: american
Location: united states
Artist: simon edgell
Artist role: maker
Artist nationality: american
Artist dates: 1687 – 1742

Born and trained in England before emigrating to America in the early 1710s, the pewterer and merchant Simon Edgell imported large amounts of pewter from England for resale in his Philadelphia shop. This dish, remarkable for its considerable size and overall pattern of hammering, is among the few surviving pieces stamped with his mark. Edgell also dealt in brass hardware and other metals.
Silhouetportret van Johann Joseph Boem
Object type: book illustration
Date: 1783 – 1783
Materials: paper
Techniques: etching
Location: halle
Subjects: historical persons
Inscriptions: inscription: ‘Boem Joh Jos 361’

Prent uit: Schattenrisse edler Teutschen. Aus dem Tagebuche eines physiognomischen Reisenden. Halle: Johann Christian Hendel, 1783, dl. 1.
Flask
Object type: glass
Date: 1840 – 1860
Materials: glass
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1801 – 1833
Materials: gold alloy, gold
Culture: japanese
Location: japan
Artist: gotō mitsuyoshi (shinjō)
Artist role: fittings maker
Artist nationality: japanese
Artist dates: 1780 – 1843

This kozuka features a design of a lion.
Bibliotheek
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: etching
Location: paris
Artist: jean françois de neufforge
Artist role: print maker
Artist dates: 1714 – 1791
Subjects: study; 'studiolo'; library
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een bibliotheek met pilasters en vijf gevulde boekenkasten. Boven de kasten ronde medaillons met portretten. Prentnummer 492.
Vos valt haan aan en hen vlucht met kuikens
Object type: print
Date: 1732 – 1776
Materials: paper
Techniques: printmaking, etching
Location: paris
Subjects: fowl (cock, hen, chicken, etc.), beasts of prey, predatory animals: fox
Inscriptions: number: ‘23’, collector's mark: Lugt 2228

Illustratie bij fabels van Waties, aldus het inventarisboek.
Roof van Europa
Object type: print
Date: 1784 – 1824
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: jupiter, usually in the shape of a white bull, abducts europa and carries her across the water
Inscriptions: collector's mark: Lugt 2228
A Male Saint Followed by a Group of Men, Pointing to a Monstrance on an Altar
Object type: drawing
Date: 1555 – 1619
Materials: chalk, ink
Techniques: brush, pen, drawing, wash
Artist: giovanni battista trotti ("il malosso")
Artist role: artist
Artist nationality: italian
Artist dates: 1556 – 1619
Subjects: altars,men,saints
Zintuig Reuk: lachende pijproker
Object type: drawing
Date: 1798 – 1845
Materials: chalk, paper
Artist: jan adriaan antonie de lelie
Artist role: draughtsman
Artist dates: 1788 – 1845
Subjects: smell, smelling (one of the five senses), pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)
Mask
Object type: mask
Date: 201 – 700
Materials: stone
Culture: teotihuacan
Location: mexico
Subjects: faces
De Hooglandsche kerk te Leiden
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: engraving, etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Bust of a Bodhisattva
Object type: bust
Date: 301 – 500
Materials: stone
Culture: gandhara
Subjects: gandhara,buddhism,bodhisattvas

This image was made at a time when the naturalism of the earlier sculptural tradition was giving way to a greater formality, as artists strove to depict enlightened beings. The elaborate hairstyle, with topknot and hair flowing behind the shoulders, suggests that the sculpture represents Maitreya, the Buddha of the future. This image was once embellished with metal elements—note the iron remains of an attachment in his left ear and the holes for affixing metal decorative elements along edge of his jeweled hair ornament.
Bark of a lace tree
Object type: fragment
Date: 1801 – 1900
Leeuwen studie
Object type: print
Date: 1880 – 1906
Materials: paper
Techniques: etching, intaglio
Location: netherlands
Artist: jan van essen
Artist role: draughtsman, print maker
Artist dates: 1854 – 1936
Subjects: beasts of prey, predatory animals: lion (+ head of an animal)

Linksonder een tak met bladeren en bloemen.
Tulp genaamd Bizard Pontifex Romanus
Object type: drawing
Date: 1741 – 1795
Materials: chalk, paper, watercolor
Techniques: brush
Artist: cornelis van noorde
Artist role: draughtsman, print maker
Artist dates: 1731 – 1795
Subjects: flowers: tulip
Inscriptions: inscription: ‘Bizard Pontifex Romanus’
Figure with Court Headdress
Object type: figure
Date: 1662 – 1722
Materials: porcelain
Culture: chinese
Subjects: men
Ovidii Metam. Lib. II
Object type: album leaf
Date: 1590 – 1590
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: phaethon asks apollo (sol) for the chariot of the sun

In het paleis van de zonnegod Helios vraagt Phaëton een bewijs dat de zonnegod zijn vader is. Phaëton knielt voor zijn vader, zittend op een troon onder een baldakijn. Om zijn vaderschap te bewijzen mag Phaëton vragen wat hij wil. De jongen vraagt daarop om de zonnewagen. Op de voorgrond mogelijk de personificaties van de lente en de zomer. Onder de voorstelling twee keer twee versregels in het Latijn. De prent maakt deel uit van een album.
Zicht op het stadhuis van Parijs
Object type: print
Date: 1820 – 1821
Materials: paper
Techniques: lithograph
Location: paris
Subjects: townhall, paris

De serie waar deze prent deel van uit maakt, bestaat waarschijnlijk uit dertig prenten.
Inhoudsopgave van de serie Honderd gezichten op Edo
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: woodcut
Location: japan
Artist: utagawa hiroshige (i)
Artist role: draughtsman, print maker
Artist dates: 1797 – 1858
Subjects: full moon, birds, plants; vegetation (+ flowers, blossom, blossoming)
Seated Man and Woman
Object type: drawing and watercolor
Materials: board, chalk, ink, paper
Techniques: pen
Location: great britain
Artist: George Romney
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two black glazed fragments of kylikes
Rowel Spur (Right)
Object type: spur
Date: 1351 – 1400
Materials: copper alloy, gold, iron
Culture: french
Location: france

The large rowel of this spur is now missing. The first rowel spurs, featuring a revolving disc or star at the end of the neck, appeared in Western Europe around the mid-13th century. They cohabitated with the earlier form, the prick spur, for about a century, before replacing it almost completely in Europe by the mid-14th century. The advantage of the rowel spur over the prick was it allowed the rider to reach the flanks of its horse with one of the points whatever the angle of its foot, which was very convenient regarding the riding position of the time, with long stirrups-leathers and extended legs. The fact that the rowel rolled against the horse instead of hitting it directly reduced also the probability of injuring it too seriously.
Ontvangst van Koningin Wilhelmina en Koningin-Moeder Emma op het Weesperpleinstation te Amsterdam
Object type: photograph
Date: 1809 – 1898
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: weesperpoortstation
Subjects: wilhelmina of the netherlands, the hague, emma (queen consort of the netherlands), politician, riding a horse, ass, or mule; rider, horseman, ceremonial celebration of installation of a ruler, public festivities on the occasion of royal events, installation of a ruler - bb - female ruler, mayor, burgomaster, station; shelter (railway, tramway)

Koningin-moeder Emma en Koningin Wilhelmina worden feestelijk ingehaald bij aankomst op het Weesperpoortstation. De Amsterdamse burgemeester S.A. Vening Meinesz begroet hen onder de versierde stationsingang, terwijl een escorte van ruiters toekijkt. Onderdeel van Fotoalbum met 11 opnames van de inhuldiging van Koningin Wilhelmina en de inhuldigingsfeesten.
Der Hottentotten Musicaale Instrumenten
Object type: book illustration
Date: 1727 – 1727
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham zeeman
Artist role: print maker
Artist dates: 1695 – 1754
Subjects: musical instruments; group of musical instruments, khoikhoi
Inscriptions: collector's mark: Lugt 2228

Prent uit: Kolb, Peter. Naaukeurige en uitvoerige beschryving van de Kaap de Goede Hoop (...) nevens een (...) beschryving van den oorsprong der Hottentotten. 2 dln. Amsterdam: Balthazar Lakeman, 1727, dl. 2.
Fragments of decorated work
Object type: page
Date: 1862 – 1872
Materials: photographic support
Techniques: albumen print
Location: kenilworth castle
Artist: Anonymous
Subjects: ornament derived from architectural details
Stad 's-Gravenhage, loodje met no. 1368
Object type: hondenbelastingloodje
Date: 1889 – 1889
Materials: brass
Techniques: striking
Location: the hague
Artist: Anonymous
Subjects: the hague

eenzijdig loodje met gat erin. Voorzijde: staande ooievaar tussen jaartal boven cijfer no. 1368. Keerzijde: blanco
Portret van een jonge vrouw met pijpenkrullen
Object type: album leaf
Date: 1865 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: vienna
Artist: ludwig angerer
Artist role: fotograaf
Artist dates: 1827 – 1879
Subjects: adolescent, young woman, maiden
Inscriptions: inscription: ‘L. Angerer/ K.K. Hof-Photograph in Wien’
Bottle Vase (Meiping) with Flowers
Object type: vessel
Materials: glaze, iron, stoneware
Techniques: cutting, incising
Location: china
Portret van Reinier Craeyvanger
Object type: print
Date: 1841 – 1842
Materials: paper
Techniques: engraving
Artist: monogrammist m (duitsland)
Artist role: print maker
Subjects: amsterdam, print maker, reinier craeyvanger, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman