deem-data/ArtiFact huggingface dataset:
Cartouche met de hemelvaart van Christus
Object type: print
Date: 1736 – 1736
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: the ascension (christ surrounded by radiant light or in a mandorla), predatory birds: eagle
Inscriptions: collector's mark: Lugt 2228

Landschap met de hemelvaart van Christus. Omstanders kijken vol verwondering toe. De voorstelling is gevat in een cartouche dat wordt bekroond door een adelaar.
Glass ring
Object type: ring with knobbed bezel
Date: 101 – 200
Materials: amber, glass
Culture: roman

Translucent greenish yellow. Circular cross section to hoop with round finger hole; slightly wider, flattened oval bezel decorated with projecting hemispherical knob. Complete but with crack (seam ?) acorss bezel; slight dulling and pitting.
Brief aan Mien Cambier van Nooten
Object type: letter
Date: 1912 – 1940
Materials: ink
Techniques: pen, writing
Location: bennekom
Artist: dick ket
Artist role: draughtsman, print maker
Artist dates: 1902 – 1940
Subjects: arnhem, mien cambier van nooten, jeanne bieruma oosting, dirk van gelder, exhibition ~ art, diseases, new york (city)
Silhouetportret van Abraham Hulk
Object type: drawing
Date: 1819 – 1845
Materials: ink, paint, paper
Techniques: brush, snipping
Artist: elisabeth alida haanen
Artist role: draughtsman, print maker
Artist dates: 1809 – 1845
Subjects: london, painter, abraham hulk, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: ‘Ex-libris van Beresteyn’, inscription: ‘Neg. D. 1761’, number: ‘13952’, inscription: ‘Schilder’, inscription: ‘A: Hulk’, number: ‘45’

Met onder het portret de handtekening van de geportretteerde.
Ritmeester van de huzaren, 1830-1831
Object type: drawing
Date: 1831 – 1832
Materials: paper, pencil
Techniques: brush, lacquer
Location: netherlands
Artist: Anonymous
Subjects: professional clothes, (military) uniforms, netherlands

Een ritmeester van het Regiment Huzaren nr 6, te paard. Onderdeel van het album met 39 ingeplakte tekeningen van militairen van de Koninklijke Nederlandsche Armee uit 1830-1831.
Landschap met een leeuw in een ovaal
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: germany
Subjects: beasts of prey, predatory animals: lion

Vlakdecoratie. Ovaal met een landschap, omlijst door krulwerk met bloemen, een cherubijntje (middenboven) en mascarons (linksonder en rechtsonder). Blad uit een serie bestaande uit een titelblad en 7 bladen.
Figuurstudies
Object type: sketchbook leaf
Date: 1886 – 1934
Materials: chalk, paper, pencil
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: bending figure - aa - female human figure, adult man (+ standing)

Onder andere een bukkende vrouw en een staande man. Blad 8 verso uit schetsboek LXIV met 29 bladen.
M.me Lavalette
Object type: print
Date: 1825 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: head-gear and clothing for the upper part of the body, historical persons
Nederlands-Indië, twee Hollanders staand in tuin
Object type: album leaf
Date: 1890 – 1910
Materials: photographic support
Techniques: daylight paper print
Artist: Anonymous
Subjects: europeans, trees, historical persons, dutch east indies, the
Allegorisch gedenkteken met gehelmde familiewapens Pelt en Vogels
Object type: print
Date: 1755 – 1755
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: other memorial structures, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: inscription: ‘J.C C.L. Brinkman / De Heeren J. van Reynsnoek Boekh. te Rotterdam’, collector's mark: Lugt 2228

Twee putti bij een gedenkteken. De vliegende putto met bazuin in de hand lauwert het wapenschild met kruis op de top. De tweede putto hijst met een touw een wapen met drie vogels en het devies "alle vogels aerden" op het gedenkteken. In de achtergrond een gezicht op een stad aan het water.
Portrait of Johanna Cornelia Ziesenis-Wattier
Object type: sculpture
Date: 1820 – 1820
Materials: marble
Techniques: carved
Location: amsterdam
Artist: paulus joseph gabriël
Artist role: painter, sculptor
Artist dates: 1784 – 1834
Subjects: rotterdam, voorburg, historical persons - bb - woman
Inscriptions: signature: ‘WATTIER.’

The Dutch actress Johanna Wattier was a true diva in her time, renowned for her interpretation of French theatrical roles. Accordingly, Gabriël gave her a self-possessed, almost regal air in this portrait bust. He derived his inspiration from portraits of Napoleon’s mother and sister by his famous teacher, Canova.
Shield
Object type: shield
Date: 1701 – 1900
Materials: wood
Techniques: polychromy
Culture: philippine
Location: philippines
Fantasiemarmer in verschillende tinten rood
Object type: marbled paper
Date: 1900 – 2000
Materials: paint, paper
Techniques: marbled paper
Artist: Anonymous
Suikervaas, beschilderd met een landschap met vee
Object type: suikervaas
Date: 1809 – 1814
Materials: porcelain
Techniques: painted
Location: nieuwer-amstel

Suikervaas, beschilderd met landschap met vee met boer en boerin. Strooibloemen en gouden randen. Gemerkt: Amstel in blauw.
Cabinet Design with Porcelain Plaques and Red Interior
Object type: drawing
Date: 1801 – 1900
Materials: ink, watercolor
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: cabinets
Keizers van het Romeinse Rijk
Object type: print
Materials: paper
Techniques: engraving
Artist: martino rota
Artist role: print maker
Artist dates: 1520 – 1583
Subjects: historical persons, emperor, (story of) claudius the roman emperor

Prent voor het eerst gebruikt in de serie 'Imperatorum Caesarumque viginti quatuor effigies a Julio usque ad Alexandrum Severum ex antiquis marmoribus ac numismatis desumptae', gepubliceerd door Claude Duchet (zie documentatie). De prent behoort tot een latere uitgave van deze serie, van een onbekende uitgever.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 425 – 401
Materials: terracotta
Culture: greek, attic

Interior, right shoulder, arm, and part of upper torso of a male with a chlamys and petasos; Exterior, frontal left calf and foot of a male; part of the handle palmette and tendrils
Dress
Object type: dress
Date: 1898 – 1898
Culture: french
Artist: house of worth
Artist role: design house
Artist nationality: french
Artist dates: 1858 – 1956
Portrait of Rupert (1619-1682), Prince-Palatine of the Rhine, in Combat Dress
Object type: painting
Materials: canvas, oil
Subjects: prague, london, painter, print maker, prinz ruprecht, historical persons, netherlands, germany

Portret van Prins Ruprecht, paltsgraaf aan de Rijn. Kniestuk, staande met commandostaf in de rechterhand. Kopie naar het origineel in Engeland.
David with the Head of Goliath / Grave Digger
Object type: print
Date: 1857 – 1857
Techniques: engraving
Location: united states
Artist: virginia granbery
Artist role: artist
Artist nationality: american
Artist dates: 1831 – 1921
Zuidzijde van de Petruskerk te Zuidbroek
Object type: photograph
Date: 1893 – 1893
Materials: cardboard, photographic support
Techniques: albumen print
Location: zuidbroek
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Zuidbroek/ N.H. kerk (zuidzijde/ juli 1907’, annotation: ‘Zuidbroek’
Wine cooler with A Pageant Battle with Elephants
Object type: wine cooler
Date: 1562 – 1575
Techniques: maiolica, glazing
Artist: fontana family
Artist role: maker
Artist nationality: italian
Artist dates: 1548 – 1585
Subjects: battles,men,elephants

Coolers were set near the table on a credenza or sideboard, visible to diners and within easy reach of servants. They are designed to be viewed from any side, but especially from above when empty. When not in use, coolers remained in place to convey the owner’s refined taste and, due to the relatively inexpensive medium, personal modesty.
Hussar, from the Occupations for Women series (N166) for Old Judge and Dogs Head Cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: soldiers,profiles,women

The "Occupations for Women" series of trading cards (N166) was issued by Goodwin & Company in 1887 to promote Old Judge and Dogs Head Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series, as well as three duplicate cards.
Ponte di Strà over de rivier de Brenta
Object type: print
Date: 1750 – 1760
Materials: paper
Techniques: etching
Location: venice
Artist: giovanni francesco costa
Artist role: draughtsman, painter, print maker
Artist dates:  – 1773
Subjects: river, tow-boat, towing-barge, bridge

Gezicht op de Ponte di Strà over de rivier de Brenta. Op de voorgrond liggen vier schuiten in het water voor de brug. Genummerd midden onder: LV en rechtsonder: Tom: II. Deze prent maakt deel uit van een album.
Plate 21: Female personifications of Sorrow and Pain at right punishing Psyche at the behest of Venus, who sits at right, from "The Story of Cupid and Psyche as told by Apuleius"
Object type: print
Date: 1530 – 1560
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: women,psyche,venus,punishment

This book contains 32 plates bound together, 3 of which are by Agostino Veneziano.
Actress wearing red silk cap with gold detailing, from Stars of the Stage, First Series (N129) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Stars of the Stage, First Series" (N129), issued in an unnumbered set of 25 cards in 1890 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco.
Beginpagina met tekst en wapen
Object type: titelblad, titelpagina
Date: 1578 – 1578
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: armorial bearing, heraldry

Beginpagina met een Latijnse tekst 'Antiquitate generis' en het wapen van de Frankfurter patriciërsfamilie Holzhausen. Onderdeel van het modelboek Enchiridion artis pingendi, fingendi & sculpendi met 108 figuren bedoeld voor beginnende schilders, beeldhouwers en prentmakers.
Study for Boreas Abducting Oreithyia
Object type: drawing
Date: 1782 – 1782
Materials: chalk
Techniques: stumping
Artist: françois andré vincent
Artist role: artist
Artist nationality: french
Artist dates: 1746 – 1816
Subjects: hands,female nudes
Francesco I d'Este, with the Expedition of the Embassadors and Ministers of State, Declares his Ofference to Urban VIII, Innocent X, and Alexander VII to Continue to Defend Against the Turks, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"
Object type: print
Date: 1659 – 1659
Techniques: etching
Location: italy
Artist: bartolomeo fenice (fénis)
Artist role: artist
Artist nationality: italian

This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.
Portret van een vrouw, de kin rustend tegen de linkerhand
Object type: sketchbook leaf
Date: 1874 – 1925
Materials: cardboard, chalk, paper
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: adult woman, hand(s) bent towards the head
Inscriptions: date and inscription: ‘1888?/ Cor Moll?’

Losse tekening in passe-partout tussen blad 5 en 6 uit een schetsboek met 42 bladen.
Fragment of doek van gele en rode satijnbrokaat met een patroon van dubbele gekroonde adelaars met in de hoeken bloemornamenten
Object type: fragment
Date: 1590 – 1610
Materials: textile, linen, silk
Location: italy
Artist: Anonymous

Fragment of doek van gele en rode satijnbrokaat, plaatselijk een blauwe inslag, met een patroon van dubbele gekroonde adelaars, in de hoeken omgeven door een bloemornament en omlijst door een rand van strakke rinceaux.
Glass short-strip mosaic fragment
Object type: fragment, short strip mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Body fragment. Translucent cobalt blue, opaque white and red. Shallow convex curving side. Short-strip mosaic pattern formed from short lengths of a single cane set at right angles consisting of parallel broad blue bands and narrow white and red stripes. Polished exterior; pitting of surface bubbles on exterior; dulling and faint iridescent weathering on interior and jagged edges.
Jungle Knife with Sheath
Object type: knife with sheath
Date: 1701 – 1900
Materials: brass, steel, wood
Culture: philippine
Location: philippines
Stream with Pilings
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: netherlands
Artist: willem van de velde (i)
Artist role: artist
Artist nationality: dutch
Artist dates: 1611 – 1693
Attilius Regulus in a Barrel, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1567 – 1600
Techniques: engraving
Artist: diana scultori
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1588
Subjects: men,barrels

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 80 in the scrapbook.
One of the Set of the Four Evangelists: John
Object type: sculpture
Materials: clay, terracotta
Techniques: modeling, carved
Location: italy
Artist: alessandro vittoria (alessandro vittoria di vigilio della volpa)
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1608
Subjects: religious figures, christian subjects, christianity, devotion, figure, figures, man, men, religion, religious
Untitled (Lawrence, Massachusetts)
Object type: photograph
Techniques: albumen print
Location: united states
Artist: reed brothers
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: collected by hugh edwards
Lakeside Press Building, Chicago, Illinois, Front Elevation
Object type: architectural drawing
Materials: ink, linen
Techniques: drawing
Location: chicago
Artist: treat & shaw associated architects
Subjects: chicago, drawing, architecture, elevation, lake michigan, buildings, illinois
San Francisco
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: cities
Willy Moos in China
Object type: photograph
Date: 1913 – 1914
Materials: paper, photographic support
Techniques: gelatin silver print
Location: china
Subjects: else wachenheimer-moos, willy moos, rickshaw, historical persons
Inscriptions: inscription: ‘Hankow - China / Willy - Vogelbaum’

Albumblad met twee foto's van Willy Moos en een andere man in een riksja in Hankou in China. Onderdeel van het fotoalbum van Else Wachenheimer-Moos en haar broers Arthur en Willy Moos en anderen in de periode 1913-1918.
Knee Brooch
Object type: brooch
Date: 101 – 200
Materials: copper alloy
Culture: roman
Plate 80: Ceres' Nymph Telling Famine to Strike Erysichthon (Insatiabili fame Erisichtonem torquet Fames), from Ovid's 'Metamorphoses'
Object type: print
Date: 1606 – 1606
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: dragons,nymphs,chariots
Markt op de Nieuwmarkt te Amsterdam, met op de achtergrond de Waag
Object type: photomechanical print
Date: 1884 – 1894
Materials: paper
Techniques: photoaquatint
Location: nieuwmarkt
Artist: charles l. mitchell
Artist role: fotograaf
Subjects: market, weigh-house
Inscriptions: title: ‘The Old Clothes Market, Amsterdam.’
Shepherd
Object type: crèche figure
Date: 1751 – 1800
Materials: cotton, leather, metal, silk, terracotta, fiber
Techniques: polychrome
Subjects: men,shepherds

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Ma
Object type: photograph
Date: 1915 – 1917
Techniques: platinum print
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Inscriptions: Unmarked recto; inscribed verso of print, center, sideways, in graphite: B [?]; inscribed verso, on hinged mat, upper left, in graphite: Ma [underlined]; verso, on hinged mat, lower left, in graphite: 52 B

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Premier Gascoyne-Cecil aangesproken door een fonograaf
Object type: print
Date: 1895 – 1902
Materials: paper
Techniques: line block
Location: england
Artist: edward linley sambourne
Artist role: draughtsman
Artist dates: 1844 – 1910
Subjects: politician, phonograph, gramophone; playing recorded sound or video, political caricatures and satires

Premier Gascoyne-Cecil aangesproken door de personificatie van een fonograaf. Spotprent uit het satirische tijdschrift Punch, ca. 1895-1902.
Dam [?] uit Nepal, bestaande uit 8 vierkante stukjes bladzilver van gemiddeld 1/100 gram
Object type: coin
Date: 1700 – 1900
Materials: silver
Techniques: striking

Acht zilveren vierkante stukjes bladzilver, waarvan sommige met letters bestempeld, gebruikt als munt.
Chest with drawers
Object type: chest of drawer
Date: 1675 – 1700
Materials: wood
Culture: american
Location: united states
Artist: peter blin
Artist role: maker
Artist nationality: american
Artist dates: 1672 – 1725

Typical of the so-called “sunflower” chests that were produced in the Wethersfield area of Connecticut, this example displays a striking combination of shallow-relief floral carving and applied decoration. The center front panel features the owner’s initials surrounded by a wreath of tulips—a variant of the standard motif of three sunflowers. The carving on the panels resembles patterns for sixteenth-century embroideries.
Landschappen
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving, etching
Location: venice
Subjects: city-view, and landscape with man-made constructions, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., waterfall, fishing (sports)
Inscriptions: collector's mark: Lugt 240

Een landschap met een zittende vrouw met mand en kind, een visser met een vishengel en een vrouw met twee manden bij een waterval.
Landschap met kerk
Object type: sketchbook leaf
Materials: chalk, paper
Artist: alexander shilling
Artist role: draughtsman, print maker
Artist dates: 1859 – 1937
Subjects: city-view, and landscape with man-made constructions, parts of church exterior and annexes: tower

Blad 13 recto uit een schetsboek met 91 bladen.
Portret van Jean-Nicolas Pache
Object type: print
Date: 1829 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: politician, mayor, historical persons
Inscriptions: collector's mark: Lugt 2228a
Kasteel, Renswoude
Object type: photomechanical print
Date: 1892 – 1905
Materials: cardboard
Techniques: writing
Location: renswoude
Artist: Anonymous
Subjects: castle
Inscriptions: postage stamp
A la colombe loge de Venus a pied et a cheval
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Deze prent is gebruikt als illustratie tegenover de titelpagina van: Delvau, A. Le grand et le petit troittoir. Parijs: A. Faure, 1866.
Tablecloth
Object type: textile
Date: 1905 – 1905
Materials: cotton
Techniques: treatment, jacquard, patterning, weave
Location: vienna
Artist: johan backhausen & söhne
Fotoreproductie van een getekend portret van Jack Hylton, door Marthe Antoine Gérardin
Object type: reproduction
Date: 1930 – 1930
Materials: paper
Techniques: gelatin silver print
Location: the hague
Subjects: historical persons
Handle from a Hydria (Water Jar) or a Stamnos (Mixing Jar)
Object type: decorative art
Date: 500 – 401
Materials: bronze
Culture: etruscan
Location: greece