deem-data/ArtiFact huggingface dataset:
Design for Cabriolet or Victoria, no. 4133
Object type: drawing
Date: 1891 – 1891
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Goring Church, View From Streatley Hill, The Grotto
Object type: photograph
Date: 1868 – 1873
Materials: paper
Techniques: albumen print, letterpress printing, line block
Location: england
Artist: Anonymous
Subjects: landscapes in the temperate zone, river bank, church (exterior), villa
Textile with Brocade
Object type: textile
Date: 1201 – 1400
Materials: linen, metal, thread
Culture: italian
Location: italy
Spiegel van ijdelheid
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: drunkard, tools, aids, implements ~ crafts and industries: knife, fighting
Inscriptions: collector's mark: Lugt 240

Een dronken man met een hoed in zijn ene en een mes in zijn andere hand. Tiende prent uit een serie van achttien.
Brother Gregorio Belo of Vicenza
Object type: painting
Date: 1547 – 1547
Materials: canvas, oil
Artist: lorenzo lotto
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1556
Subjects: books,men,portraits,christ,crucifixion

Surrounded by darkness, Brother Gregorio beats his breast in penance in emulation of Saint Jerome (347–420 CE), the founder of the religious order to which he belonged. He looks at the viewer but, inspired by the book he holds, his meditations are on the Crucifixion, which Lotto shows in the background—a projection of Gregorio’s thoughts. In these ways, the picture depicts a mental state, moving beyond the notion of portraiture as a mere record of ap-pearance. Lotto’s interest in capturing the inner workings of his sitters can be linked to his study of the psycholog-ically probing portraits of Albrecht Dürer, who made two trips to Venice.
Gold wreath
Object type: wreath, funerary
Date: 400 – 201
Materials: gold
Culture: etruscan
Subjects: flowers,leaves

Flower with leaves mounted on thin plate.
Bell-shaped covered cup with flowering plants in shaped panels
Object type: lid
Date: 1760 – 1780
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Deksel van klokvormige kop en schotel van porselein, bedekt met een turquoise glazuur en berschilderd in blauw, rood, roze, groen, zwart en goud. Bedekt met een turquoise glazuur met hierin uitgespaard in het centrum een geschulpt medaillon met plant, daaromheen drie uitgespaarde cartouches met bloeiende planten en een vogel op een tak. Famille rose.
Cul-de-lampe met de initialen van de koning op een schild
Object type: print
Date: 1687 – 1687
Materials: paper
Techniques: etching, letterpress printing
Location: versailles
Subjects: protective weapons: shield

Prent uit: Rainssant, Pierre. Explication des tableaux de la galerie de Versailles (...). Versailles: François Muguet, 1687.
Landelijke woning in een landschap
Object type: print
Date: 1764 – 1834
Materials: paper
Techniques: etching
Subjects: rural housing, e.g. country-house, villa, cottage
Inscriptions: collector's mark: Lugt 2228
Decoratie voor randen van bekers. Rolwerk met grotesken op een gearceerde achtergrond
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: 'cornucopia', horn of plenty, ornaments ~ art, scrollwork, strapwork ~ ornament, plants and herbs: strawberry, insects: butterfly
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

In het midden staat een herme gevangen in het rolwerk. In elke hand houdt hij een hoorn des overvloeds waarop aan het uiteinde een vlinder zit. M.b. staat een vaas met drie ranken die elk een aardbei dragen. Een blad uit een serie van vier.
Design for Stage Set
Object type: drawing
Date: 1698 – 1765
Materials: ink
Techniques: brush, pen, wash
Artist: giovanni battista natali iii
Artist role: artist
Artist nationality: italian
Artist dates: 1698 – 1765
Subjects: arches,columns,stage design
Briefkaart aan Jan Veth
Object type: letter
Materials: cardboard, ink
Techniques: pen, writing
Location: dordrecht
Artist: martinus cornelis lebret
Artist role: verzamelaar
Artist dates: 1833 – 1894
Subjects: jozef israëls, haarlem, théophile de bock, george hendrik breitner, dordrecht, painter, print maker, draughtsman, designer, jan veth, the hague, willem maris, arnhem, anton mauve, utrecht, albert neuhuys (1844-1914), nicolaas bastert, exhibition ~ art
Inscriptions: collector's mark: ‘RPK’
Pair of perfume bottles
Object type: perfume bottle
Date: 1801 – 1900
Materials: hard paste porcelain
Subjects: flowers
Gezicht over water in een bos
Object type: photograph
Date: 1907 – 1930
Materials: glass
Techniques: autochrome process, slide
Location: netherlands
Artist: adolphe burdet
Artist role: fotograaf
Artist dates: 1860 – 1940
Saint John the Baptist in the Wilderness
Object type: painting
Date: 1605 – 1605
Materials: copper, oil, paint
Techniques: painting
Location: germany
Artist: adam elsheimer
Artist role: draughtsman, print maker
Artist nationality: german
Artist dates: 1578 – 1610
Subjects: saint john the baptist, river, flowers, insects, lizards, butterflies, christianity, christian subjects, sky, bird, landscape, foliage, rocks, cross, trees, wilderness, animals

Adam Elsheimer’s small paintings on copper show his remarkable ability to create imaginary, highly composed landscapes. On his arrival in Rome in 1600, Elsheimer was inspired by the city’s antique monuments and its extraordinary artistic environment. In this work, the wooded landscape teeming with wildlife is indebted to painting from Northern Europe, while the youthful saint echoes ancient Greek and Roman sculpture in a pose that reveals both his active mind and his physical strength. Though Elsheimer died in Rome at a relatively young age, his painting profoundly influenced his fellow artists, including Peter Paul Rubens.
The Chariot Races at Santa Maria, from The Caprices
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Twee mannenhoofden met hoeden
Object type: sketchbook leaf
Date: 1846 – 1882
Materials: paper, pencil
Location: netherlands
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: head (human), head-gear: hat (+ men's clothes), clothes, costume (+ men's clothes)

Twee bebaarde mannenhoofden met hoeden. Blad 51 uit een schetsboek met 91 bladen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of a draped figure in front of furniture; above the furniture, sandals?
Ehon enbusugata
Object type: shunga
Date: 1798 – 1798
Materials: paper
Techniques: woodcut
Location: japan
Artist: kitagawa utamaro
Artist role: print maker
Artist dates: 1753 – 1806
Inscriptions: collector's mark: Lugt 2228

Drie delen (compleet) met erotische voorstellingen.
Aardrijkskunde
Object type: popular print
Date: 1850 – 1850
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: netherlands
Subjects: maps, atlases, palace, roman catholic church, royal palace of amsterdam
Inscriptions: collector's mark: Lugt 2760

Na voltooiing van de acht jaargangen van de reeks 'Prenten-magazijn voor de jeugd' in 1850 heeft Jan Schuitemaker al deze prenten heruitgegeven en omgenummerd als nr. 1 t/m 192. De oorspronkelijke jaargang wordt telkens nog vermeld rechtsonder op de prent. Binnen de jaargangen zijn prenten van hetzelfde thema in clusters van vier achter elkaar gezet.
Plate 7: Bertoldino lying on a donkey, from "Bertoldo, Bertoldino, and Cacasenno"
Object type: print
Date: 1705 – 1715
Techniques: etching
Artist: giuseppe maria crespi
Artist role: artist
Artist nationality: italian
Artist dates: 1665 – 1747
Subjects: boys,donkeys
Voorgevel van Kasteel Hoensbroek
Object type: photograph
Date: 1903 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: hoensbroek
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: castle, façade (of house or building)
Inscriptions: annotation: ‘Hoensbroek’, annotation: ‘Hoensbroek (L.)/ kasteel/ nov 1903’
The Actors Ichimura Takenojo IV and Ogino Isaburo I as firewood peddlers in the play "Niwatori Oshu Genji," performed at the Ichimura Theater in the first month, 1726
Object type: print
Date: 1726 – 1726
Techniques: hand coloring, woodblock print, urushi
Location: japan
Artist: hanekawa wagen
Artist nationality: japanese
Artist dates: 1716 – 1736
Funerary Cone of the Scribe Amenemopet
Object type: cone, circular impression, amenemopet, tjanefer, scribe, amun, overseer, field
Date: 1550 – 1352
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Titelpagina voor: Jean de La Bruyère, Les caracteres de Theophraste, 1731
Object type: titelblad, titelpagina
Date: 1719 – 1719
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: figure representing a virtue vs. a vice, temperance, 'temperantia'; 'temperanza' (ripa) ~ one of the four cardinal virtues, (story of) minerva (pallas, athena), (story of) cupid, amor (eros), hercules as personification of virtue
Inscriptions: collector's mark: Lugt 240

De personificatie van Matigheid zit met haar paardentoom naast Minerva op een wolk. Samen proberen ze de figuren op de grond tot de orde te roepen. Links van de wolk staat een man die Matigheid en Minerva met een zwaard te lijf wil gaan. Op de voorgrond staat Hercules bij een vrouw (de Hoogmoed?): een naakte vrouw met muurkroon en met een pauw in de armen. Zij probeert hem te verleiden. Hercules trapt Amor met zijn pijl en boog tegen de grond. Op de voorgrond ligt een kaartspel en staat een gevleugeld duivels figuur op een zak met geld. In de ondermarge een zevenregelig vers in het Frans.
Pen Pictures of The Leading Events of the Week, from Chicago Tribune
Object type: print
Materials: paper
Techniques: lithograph
Location: united states
Artist: h. r. h.
Artist nationality: american
Artist dates: 1800 – 1899
Straat te Den Helder
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: photoaquatint
Location: den helder
Artist: charles l. mitchell
Artist role: fotograaf
Subjects: façade (of house or building), street
Inscriptions: title: ‘Behind the Dyke, The Helder.’
Vinaigrette
Object type: vinaigrette
Date: 1800 – 1800
Materials: silver
Artist: samuel pemberton
Artist role: maker
Artist dates: 1750 – 1850

At least three generations of Samuel Pembertons worked as jewelers and silversmiths in Birmingham in the 18th and 19th centuries, either fathers and sons or extended family. The first Samuel Pemberton registered several silver marks at Birmingham Assay Office between 1773 and 1801. His son Samuel Pemberton (1738–1803) was a Guardian of the Assay Office in 1793. Another Samuel Pemberton (1771­1836) was also a silversmith. Any of these makers could have produced this vinaigrette. From the mid-1770s until at least the 1820s, the Samuel Pemberton workshops were on Snow Hill, the heart of the jewelry and toy-making district. Bright-cut foliate engraving and wrigglework (engraving consisting of repeated zigzag motifs) typified much of their decorated boxes and vinaigrettes. Here, the lift-off cover reveals a detachable pricked, engraved and pierced gilt grill. A vinaigrette was intended to hold a tiny sponge dipped in aromatic vinegar. Its interior is gilded to protect the silver from oxidation caused by the acidity of the vinegar. A hinged and decoratively pierced inner lid or grill kept the sponge in place while its perforations allowed the odor to waft through. A whiff of the vinegar might revive someone from a fainting spell. Such vinaigrettes were worn around the neck, on a chatelaine suspended from the waist, or carried in a pocket.
Beroepen
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Artist: jan gillisz. van vliet
Artist role: draughtsman, painter, print maker
Artist dates: 1600 – 1668
Subjects: coppersmith, brassworker, industries ~ metal
Inscriptions: collector's mark: Lugt 1641, stamp

Twee koperslagers in een werkplaats; een van hen hamert op een kuip, de ander snijdt een koperplaat. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Beroep en bedrijf, Complete suites.
January – Last Year's Bills from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
Object type: print
Materials: paper, steel
Techniques: printmaking, etching
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Marie, markiezin van Sévigné (1626-96)
Object type: painting, miniature
Date: 1660 – 1670
Materials: cardboard, glass, metal, shell
Location: france
Artist: Anonymous
Subjects: paris

Portret van Marie, markiezin van Sévigné (1626-96), Buste naar links, aanziend. Naar een pastel door Robert Nanteuil in het Musée Carnavalet te Parijs. Onderdeel van de collectie portretminiaturen.
Document Sealing With the Throne Name of Amenhotep III
Object type: sealing, nebmaatre, amenhotep iii, ptah
Date: 1390 – 1352
Materials: mud
Location: egypt
Fragment zijdefluweel met patroon van spitsovalen waarbinnen gestileerde bloemenvaas, in geel, goud en groen
Object type: zijdefluweel
Date: 1500 – 1599
Materials: metal thread, silk
Techniques: velvet, weave
Location: italy
Artist: Anonymous

Fragment zijden fluweel met patroon van spitsovalen waarbinnen gestileerde bloemenvaas, in geel, goud en groen. Waarschijnlijk onderdeel van een liturgisch gewaad.
Paleis van Justitie aan de Grote Markt te Anhem
Object type: print
Date: 1815 – 1875
Materials: paper
Techniques: engraving
Location: netherlands
Artist: antonie vink tollenaar
Artist role: print maker
Artist dates: 1805 – 1875
Subjects: court building, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Strap Hinge
Object type: hinge
Date: 1401 – 1600
Materials: iron
Culture: european
La chute dangereuse
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: ass, donkey, waterfall, falling, herd, flock
Inscriptions: collector's mark: Lugt 2028

Herders bij een waterval met links een vallende herderin bij een bokkende ezel.
Brief aan Max Wilhelm Carl Weber en Anne Antoinette Weber-Van Bosse
Object type: letter
Date: 1903 – 1919
Materials: ink
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: painter, draughtsman, john macallan swan, amsterdam, anne antoinette weber-van bosse
Portret van Gilles de Saint-Germain
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: woodburytype
Subjects: historical persons, portrait of actor, actress
Men ziet in 't Amstelwater schuiten, / Vermaaklyk vaaren, meest met vis [(...)]
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: commercial fishery, fishing net
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van het visserijbedrijf in de Amstel. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 192.
Mamalucke
Object type: print
Date: 1530 – 1530
Materials: paper
Techniques: etching
Artist: daniel hopfer (i)
Artist role: print maker
Artist dates: 1470 – 1536
Subjects: triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', military parade, pageant, (military) uniforms
Inscriptions: collector's mark: Lugt 240

Deze prent is onderdeel van een serie naar Jan Swart's ontwerp uit 1526 met vijf prenten van Kanu Sultan Süleyman en zijn cortège, getiteld 'Soleiman de Grote en Turkse ruiters'.
Covered Goblet with Goddess Diana Bathing
Object type: glass
Date: 1752 – 1752
Materials: glass
Location: england
Artist: jacob sang
Artist nationality: dutch
Artist dates: 1752 – 1762
"Don Quixote"
Object type: furnishing textile
Date: 1785 – 1790
Materials: linen
Subjects: animals,men,women,don quixote
Dunleavy
Object type: drawing and watercolor
Materials: graphite, paper
Location: united kingdom
Artist: Anonymous
Artist nationality: united kingdom
Artist dates: 1800 – 1899
Pair of Shoe Buckles
Object type: metalwork
Date: 1776 – 1800
Materials: paste, silver
Location: england
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, meander; Exterior, two feet, back to back; in between the feet, the hem of a chiton?
Paris and Helen
Object type: drawing
Date: 1782 – 1786
Materials: chalk
Artist: jacques louis david
Artist role: artist
Artist nationality: french
Artist dates: 1748 – 1825
Saloon at the Marine Pavillion (An Excursion to Brighthelmstone)
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: interiors,men,women

One of a set of eight aquatints devoted to a journey from London to Brighthelmstone (Brighton), together with attractions of the seaside resort, this print represents an ornate oval interior in the Prince of Wales's residence. Related text tells us that the building is, "admirably calculated for the summer residence of the royal personage for whom it was built; and whose munificence and affability endear him to all who are not biased by party, blinded by prejudice, or hostile to dignified merit. This pavilion, correctly designed, and elegantly executed, was begun and completed in five months.–The furniture is adapted with great taste to the stile [sic] of the building. This grand saloon is beautifully decorated with paintings by Rebecca, executed in his best manner. The tout ensemble of the building is, in short, perfect harmony. The whole was executed by Mr. Holland, under the immediate inspection and direction of Mr. Weltjie, whose attachment to his royal master was faithful and disinterested."
Zestien prenten van Paleis Honselaarsdijk (Danckerts / Covens en Mortier)
Object type: print
Date: 1696 – 1717
Materials: paper
Techniques: etching
Location: amsterdam
Artist: cornelis danckerts (ii)
Artist role: print maker, publisher
Artist dates: 1664 – 1717
Subjects: palace, french or architectonic garden; formal garden
Inscriptions: collector's mark: Lugt 2233

Parklandschap met galerij, gelegen tegenover de orangerie. Op de lanen flaneren groepjes wandelaars. Rechtsonder genummerd: 10. Prent uit een serie van zestien prenten van Paleis Honselaarsdijk.
Porch with Gothic Arches
Object type: drawing and watercolor
Materials: graphite, paper
Location: germany
Artist: domenico quaglio ii
Artist role: painter, print maker
Artist nationality: german
Artist dates: 1787 – 1837
Panel from the Palace of Westminster
Object type: panel
Date: 1847 – 1847
Materials: wood
Artist: augustus welby northmore pugin
Artist role: designer
Artist nationality: british
Artist dates: 1812 – 1852

These decorative oak panels exemplify the designs of A.W.N Pugin, who was the leading exponent of the Gothic Revival style in England. Pugin’s work is central to the transformation in British design that began in the mid-nineteenth century. He admired what he saw as the honesty and purity of medieval art, and deplored the meaningless repetition of historical motifs. Pugin coined the phrase “Brumagen Gothic,” referring to “those inexhaustible mines of bad taste, Birmingham.” The carved oak panels for the Palace of Westminster were made for both the House of Lords and House of Commons and are just one component of a larger, Pugin-designed interior program, including brasswork (grill panels, large doors, candelabra and other light fixtures, hardware, and gallery railings), stained glass, tiles, and furniture. These panels are executed in Pugin’s interpretation of the Gothic Revival and feature several different patterns inspired by medieval tracery and linen fold patterns.
Gevangenen bezoeken
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: prison, jail, visiting or liberating the imprisoned, 'incarceratus solatur' ~ one of the (seven) acts of mercy, prisoner; in fetters, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments, verrykt met meer dan vierhonderd printverbeeldingen. Deel II. Amsterdam: Pieter Mortier, 1700.
Fire (Le Feu)
Object type: print
Date: 1648 – 1648
Techniques: etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: men,portraits,fireworks
Kalenderblad voor april van de kalender 'Bloem en blad'
Object type: print
Date: 1900 – 1910
Materials: cordage, paper
Techniques: lithograph
Location: amsterdam
Artist: c.a.j. van dishoeck
Artist role: publisher
Artist dates: 1863 – 1931
Subjects: flowers, ornaments ~ art, calendar, almanac
Fotoreproductie van een tekening van Dorothea met een groep reizigers uit Goethe's Hermann und Dorothea door Wilhelm von Kaulbach
Object type: reproduction
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: 'en route', traveller under way, specific works of literature

Deze foto maakt deel uit van een omslag met 22 foto's.
Staande man met bontmuts, bontjas en zwaard
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: drypoint, etching
Location: london
Artist: thomas worlidge
Artist role: print maker
Artist dates: 1700 – 1766
Subjects: head-gear (with name), walking-stick, staff, hacking and thrusting weapons: sword
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Study for The Post Office, from Microcosm of London
Object type: drawing and watercolor
Date: 1809 – 1809
Materials: graphite, paper
Location: england
Artist: augustus charles pugin
Artist nationality: english, born france
Artist dates: 1762 – 1832