deem-data/ArtiFact huggingface dataset:
The Vision of Hell (Inferno)
Object type: book
Date: 1866 – 1866
Materials: wood
Techniques: engraving
Artist: dante alighieri
Artist role: author
Artist nationality: italian
Artist dates: 1265 – 1321
Subjects: men,hell

Out of his facility for grotesque humor and gaslight melodrama, Doré; invented some 10,000 illustrations for books and magazines that were duplicated for simultaneous publications in Paris, Berlin, Barcelona, Saint Petersburg, Stockholm, London, and Haarlem. With illustrated editions of the Bible, Dante's Inferno, Cervantes' Don Quixote, Poe's The Raven, and a host of other classics popular at mid-century, he was the reigning master of the coffee-table book. To save the time it would have taken to draw in line, he often painted boxwood blocks with tones of ink and opaque white for engravers to interpret by inventing lines and dots.
Fragments of Lamp
Object type: fragment
Date: 1301 – 1500
Materials: glass
Techniques: enamel
Location: egypt
Subjects: flowers
Bottle, Falcon
Object type: bottle
Date: 400 – 201
Materials: ceramic, pigment
Culture: paracas
Location: peru
Subjects: falcons
Mlle. Magnier, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Wilhelmina
Object type: photograph
Date: 1923 – 1923
Materials: cardboard, paper
Techniques: photography
Location: netherlands
Artist: herman deutmann
Artist role: fotograaf
Artist dates: 1870 – 1926
Subjects: the hague, wilhelmina of the netherlands, netherlands
Inscriptions: date

Koningin Wilhelmina op ca. 40 jariger leeftijd. Bovenkant foto op karton vastgeplakt, bruingetint, met de handtekening van Wilhelmina. Gemaakt ter ere van haar 25 jarig regeringsjubileum, voor de leden van de Bijzondere Vrijwillige Landstorm.
Portret van Aegidius Sadeler
Object type: print
Date: 1662 – 1662
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Subjects: antwerp, prague, aegidius sadeler (ii), historical persons, portrait, self-portrait of graphic artist

Prent uit: Bie, Cornelis de. Het gulden cabinet vande edel vry schilder const (...). Antwerpen: Joannes Meyssens, 1662 [1661 foutief op titelpagina]. Prent zonder tekst op verso gebruikt in: Image de divers hommes d'esprit sublime, qui par leur art et science devraient vivre éternellement et desquels la louange et renommée faict estonner le monde. Antwerpen: Joannes Meyssens, 1649.
Glass jar
Object type: jar
Date: 101 – 300
Materials: glass
Culture: roman

Colorless with slight greenish tinge. Plain, rounded rim; flaring neck; elongated piriform body; small, concave bottom. Single horizontal trail around upper body, then spiral up to end below rim. Intact; pinprick and some large bubbles, and blowing striations; patches of faint brownish weathering and iridescence.
Figurative kaart van de doorbraak te Kedichem benevens de Situatie der Rivier de Linge
Object type: map
Date: 1809 – 1809
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: dike-break, flood
Inscriptions: stamp, collector's mark: Lugt 1641

Prent ook gebruikt ter illustratie van: Ewijk, Hendrik. Geschiedkundig verslag der dijkbreuken en overstroomingen, langs de rivieren in het Koningrijk Holland, voorgevallen in louwmaand MDCCCIX. 3 dln. Amsterdam: Johannes Allart en Jacobus Ruys, 1809.
Head from a human figure
Object type: figurine, head
Date: 306 – 30
Materials: paint, pottery
Location: egypt
Subjects: heads
Portret van Silvio Pellico
Object type: print
Date: 1799 – 1877
Materials: paper
Techniques: etching
Location: berlin
Artist: auguste hüssener
Artist role: print maker
Artist dates: 1789 – 1877
Subjects: portrait of a writer (+ arts of the stage), historical persons
Inscriptions: collector's mark: Lugt 2228
Outer Plate of a Forearm Defense (Vambrace)
Object type: inner plate of a forearm defense vambrace
Date: 1450 – 1470
Materials: steel
Culture: italian
Location: italy

This is part of a large find of medieval armor discovered in 1840 in the ruins of the fortress of Chalcis, on the Greek island of Euboea (then a Venetian colony called Negroponte). The fortress had been captured and destroyed by the Turks in 1470. Now divided largely between the Ethnological Museum, Athens, and The Metropolitan Museum of Art, the Chalcis hoard contains many rare and unusual elements of fourteenth- and fifteenth-century armor. Of particular importance are the variety of headpieces and the many fragments of brigandines (armor for the torso constructed of small plates riveted to layers of fabric), some of which retain portions of their original velvet covering. The Chalcis armor provides a unique picture of the armament used in the Aegean, one of the easternmost military outposts of the Venetian empire.
Portret van Frederik Willem III, koning van Pruisen
Object type: print
Date: 1780 – 1836
Materials: paper
Techniques: engraving
Artist: johan friedrich schrötter
Artist role: print maker
Artist dates: 1770 – 1836
Subjects: berlin, frederik willem iii koning van pruisen, historical persons
Letter J
Object type: ornament print
Date: 1700 – 1799
Materials: paper
Techniques: etching, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: fancy letters

Letter J tegen een achtergrond met vlechtwerk en vrouwenbustes.
Vase Fragment
Object type: vase fragment
Date: 100 – 100
Materials: terracotta
Culture: roman
Subjects: men,profiles

Head of a bearded man looking left.
Kerkinterieur met een jongen en een zittende vrouw
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: etching
Location: utrecht
Artist: adrianus wilhelmus nieuwenhuyzen
Artist role: draughtsman, print maker
Artist dates: 1814 – 1894
Subjects: interior of church
Inscriptions: collector's mark: Lugt 2228

Kerkinterieur links een zittende vrouw en rechts een jongen op de rug gezien. De jongen heeft zijn hoed afgenomen.
Latch Bar
Object type: latch bar
Date: 1700 – 1800
Materials: iron
Culture: american
Location: united states
Vrouw met een hengel in een bootje
Object type: drawing
Date: 1834 – 1911
Materials: chalk, paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: angling
Portret van een onbekende jonge vrouw met een hoofddoek
Object type: page
Date: 1883 – 1888
Materials: paper
Techniques: photograph
Artist: josef löwy
Artist role: publisher
Artist dates: 1835 – 1902
Subjects: adolescent, young woman, maiden, head-gear (with name), historical persons
Inscriptions: inscription: ‘Bulletin de l'association belge de photographie’
Portret van Blasius Columban von Bender
Object type: print
Date: 1782 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: prague, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Decorated Roman alphabet
Object type: print
Date: 1499 – 1499
Techniques: woodcut
Artist: anonymous, french, 15th century
Artist role: artist
Artist nationality: french
Artist dates: 1400 – 1500
Subjects: men,portraits
Bloemen in vaas met drie oren
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: paris
Artist: etienne claude voysard
Artist role: print maker
Artist dates: 1746 – 1812
Subjects: flowers in a vase
Inscriptions: collector's mark: Lugt 2228

Bloemen in een geornamenteerde vaas met drie oren.
Doggersbanklint
Object type: print
Materials: silk
Techniques: engraving, etching, hand coloring
Location: netherlands
Artist: Anonymous
Subjects: the hague, johan arnold zoutman, battle (+ naval force)

Allegorie op de overwinning in de zeeslag bij Doggersbank op 5 augustus 1781 tussen de Nederlandse en de Engelse vloot. Een triton met de Nederlandse vlag waarop de naam van Zoutman blaast op een hoorn, op de achtergrond de zeeslag. Voorstelling op een zijden lint dat als versiering aan de hoed werd gedragen.
Interieur met een briefschrijvende vrouw, een wachtende man en twee toeschouwers
Object type: drawing
Date: 1655 – 1665
Materials: chalk, ink, paper
Location: deventer
Artist: gerard ter borch (ii)
Artist role: draughtsman, painter
Artist dates: 1617 – 1681
Inscriptions: annotation: ‘Gerhard Ter Borch’, annotation: ‘copie nr schilderij’

Studies voor schilderijen van eind jaren 1650 en begin 1660.
Lion at Rest
Object type: illustrated single work
Date: 1585 – 1585
Materials: gold, ink, paper, silver, watercolor
Location: india
Subjects: birds,insects,lions

The Mughals had a great predilection for Indian fauna. Muraqqa (single-page) paintings with animal portraiture developed into a separate genre during the Mughal period. For the Mughals, lions symbolized power and when accompanied by a lamb or calf signified the existence of peace and justice. This painting, one of the early works of Mansur, belongs to the period of Akbar and shows a resting lion reclining in the bulrushes besides the edge of a lake where birds perch and flit amidst the bamboo grove. The lion raises his hind legs while lightly crossing the fore paws in one of his natural poses. The sense of an idyllic landscape is enhanced by insects hovering in search of flowering plants. The three different size borders that frame the painting are embellished with ghubara (fine gold sprinkling) and shafaq (coarse gold application) technique, and the outer most with stylized floral and leaf motifs on a slender vine.
Fotoreproductie van een portret van een onbekende vrouw door Caspar Netscher
Object type: page
Date: 1871 – 1876
Materials: photographic support
Techniques: albumen print
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘No. 92. Caspar Netscher’
Broadside with two love ballads (corridos), figures dancing upper left and a woman wearing a shawl and skirt lower right
Object type: print
Date: 1918 – 1918
Materials: metal, paper
Techniques: engraving, letterpress
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,women
Gezicht op Nieuwersluis
Object type: print
Date: 1749 – 1749
Materials: paper
Techniques: etching
Subjects: sluice, weir, boat propelled by man or animal
Inscriptions: collector's mark: Lugt 2228
Granary (Cang)
Object type: sculpture
Materials: brick, earthenware, glaze
Techniques: carving, molding
Location: china

As burial practices filtered down from the Han aristocracy to officials and landowners, tomb models related to farming, an honored occupation, became increasingly popular. The granary, used to store millet, barley, and wheat, was depicted either as a jar or as a small building. The two-story granary found in southern Chinese tombs of the Western Han dynasty (206 B.C.-A.D. 9) was a wood or ceramic model elevated on stilts. By the Eastern Han dynasty, this rectangular structure had spread to northern China and was raised on legs that were formed as crouching bears, a convention common to Han art. The inscription painted on the door of this granary states that it was made for the tomb of a local official.
Act Ten: The Amakawaya House from the play Chushingura (Treausry of the Forty-seven Loyal Retainers)
Object type: print
Materials: paper
Techniques: woodblock print
Location: japan
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
A Poet in the New Year
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Flagship "Matsushima" in the midst of the battle
Object type: photomechanical print
Date: 1894 – 1895
Materials: paper
Techniques: photograph
Location: japan
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: battle, ships (in general)
Inscriptions: inscription: ‘The naval battle of Haiyang.’
Gezicht op een poort te Fez
Object type: photomechanical print
Date: 1887 – 1897
Materials: paper
Techniques: photoaquatint
Location: fez
Subjects: city-gate
Inscriptions: title: ‘Bab el Ghisa, Fez.’
Palette with two birds attached at their tails
Object type: palette, double bird
Date: 3650 – 3500
Location: egypt
Subjects: birds
Françoise de Grasigny
Object type: print
Materials: paper
Techniques: mezzotint
Location: france
Artist: jean baptiste andré gautier d'agoty
Artist nationality: french
Artist dates: 1740 – 1786
Scènes uit het leven en wonderen van de Heilige Catharina van Siena
Object type: print
Date: 1597 – 1597
Materials: paper
Techniques: engraving
Location: italy
Subjects: the virgin and dominican tertiary, catherine of siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata, st. catherine of siena, kneeling before a crucifix, or swooning into the arms of two nuns, receives the stigmata, pope gregory xi returns from avignon to rome after a visit from st. catherine of siena, miraculous healings of st. catherine of siena
Inscriptions: collector's mark: Lugt 240
Dronkaards liggend in een taveerne
Object type: drawing
Date: 1658 – 1658
Materials: paper, pencil
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690
Inscriptions: inscription: ‘Mostert’

Het opschrift Mostert refereert aan de melodie La Mostarde Nouvelle van het drinklied dat Gesina kopieerde op folio 84 van het Poëziealbum.
Lola Rounds, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Portret van Claude Joseph Vernet
Object type: print
Date: 1805 – 1811
Materials: paper
Techniques: etching
Location: france
Subjects: paris, painter, print maker, draughtsman, claude joseph vernet, historical persons, portrait, self-portrait of painter

Prent waarschijnlijk uit een deel van: Galerie historique des hommes les plus célèbres (...). Parijs: Charles Paul Landon, 1805-1811.
La Hollande
Object type: print
Date: 1877 – 1877
Materials: paper
Techniques: etching, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: river, road, path, bovine cattle, vecht
Inscriptions: collector's mark: Lugt 2228

Landschap met in het midden een weg naast een rivier, mogelijk de Vecht. Op de weg rijdt een paard-en-wagen. Op de oever grazende koeien. Aan de horizon zijn een kerktoren en een molen te zien.
Corkhill, Center Field, Brooklyn Bridegrooms, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Marine, the Cannon Shot
Object type: drawing
Date: 1787 – 1838
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: johannes christiaan schotel
Artist role: artist
Artist nationality: dutch
Artist dates: 1787 – 1838
Subjects: boats,ships
Traditionele kleding van over de hele wereld rond 1580
Object type: costume print
Date: 1581 – 1581
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: asiatic races and peoples: turks, clothes, costume (+ women's clothes), clothes, costume (+ men's clothes), dignitary at court - bb - female dignitary: lady-in-waiting, asiatic races and peoples: persians
Inscriptions: caption: ‘Türckische Sultan. eine Eidelihe Türcken fraü. eine Türchin in Sirischer Tracht. Ein fornehmer Persier’, collector's mark: Lugt 2228

Prent uit een boek over zestiende-eeuwse kleding rond 1580. Vier leden van het Ottomaanse hof, twee mannen en twee vrouwen. Alle vier zijn anders gekleed. Van links naar rechts: sultan Selim I, een belangrijke Ottomaanse hofdame, een vrouw in Syrische kleding en een voorname Perzische man. De prent heeft een Latijns onderschrift.
Panels from a Funerary Couch (Guanchuang)
Object type: religious ritual object
Materials: limestone
Location: china

These stone panels were originally assembled to enclose the back and short sides of a low, couchlike platform that held a coffin in a tomb. This “funerary couch” was probably supported along the front and back by two long stone slabs, each elevated on rectangular feet. Such a coffin platform may also have been partially enclosed in front by two stones carved to resemble gate towers, making the couch resemble the walled enclosure of a villa or a city.

The original order of the Art Institute stones is not certain. Their present sequence is based on their relative lengths and pictorial compositions as well as on the alignment of the iron hinges. The left and right stones—one including a bullock cart, the other a horse with decorative trappings—may each have formed one short side of the funerary couch. The two stones between them—depicting scenes of figures under canopied platforms or umbrellas (both symbols of high status)—together may have formed the back of this structure. As reconstructed, these scenes present a symmetrical composition that is bracketed at either end by figures facing inward. Such linear drawings in stone enable us to imagine the appearance of early horizontal scroll paintings.

Eight framed figural compositions are engraved into the inner surface of these smoothly polished stones. The figures’ proportions and clothing are characteristic of early sixth-century Chinese styles, as known from datable tomb figurines, stone carvings, and rare surviving paintings. Except for the bearded gentlemen and those wearing baggy trousers and small “official” caps, with or without projecting wings, most of these figures seem to depict women. Not all figures, however, can be clearly distinguished as to sex, since long robes with wide collars, high sashes, and flowing sleeves were worn by aristocratic men and women alike, who also shared a hairstyle of upswept side buns. These figures are grouped in stagelike settings—hills, mountains, trees and bushes with decorative foliage patterns, and windblown cloudbands—which suggest what early pictorial landscapes may have looked like.

This panel probably portrays the legend of the clever and virtuous Yuan Gu. His father was about to abandon his grandfather in the forest because the old man could no longer earn his keep. Yuan Gu pointedly observed that the cart which had carried the grandfather to the forest would also serve to carry the father when he grew old. Made to realize his heartlessness, the father brought the grandfather home again. (Here the cart is depicted as a stretcher, carried by the figure at far left). In imperial China, this theme of “filial piety”—respect and support for parents and other elders—was a preeminent Confucian virtue. The other scenes have yet to be identified; they may depict similar stories of virtuous behavior or they may incorporate images that had become part of a familiar repertoire for funerary art.
Kaart van het Hoogheemraadschap van de Krimpenerwaard (deel wapenrand)
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: armorial bearing, heraldry

Deel van de wapenrand van de vijfde druk van 'Het Hooge Heemraadschap van de Crimpenre Waard', een wandkaart (bestaande uit een kaart en een wapenrand) van het Hoogheemraadschap van de Krimpenerwaard.
The Pea Cart
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: infants,men,women,dogs,horses
Study of Heads for Study for "Castor and Pollux Freeing Helen"
Object type: drawing
Date: 1817 – 1817
Materials: chalk, crayon, paper
Techniques: stumping
Artist: joseph-ferdinand lancrenon
Artist role: artist
Artist nationality: french
Artist dates: 1794 – 1874
Subjects: women
Scenery of a water-fall in Fukiage garden (the Mikado' s garden) at Tokio, Japan
Object type: photograph
Date: 1884 – 1884
Materials: cardboard, paper
Techniques: albumen print
Location: tokyo
Artist: Anonymous
Subjects: rock-garden, waterfall
Inscriptions: inscription: ‘FUKIAGE. No 419’
Portret van Polidoro da Caravaggio
Object type: print
Date: 1697 – 1756
Materials: paper
Techniques: engraving
Location: paris
Artist: michel odieuvre
Artist role: painter, print maker, publisher
Artist dates: 1687 – 1756
Subjects: draughtsman, polidoro da caravaggio, historical persons
Terrine, bestrooid met strooibloemen
Object type: tureen
Date: 1775 – 1820
Materials: faience
Location: brussels
Artist: Anonymous

Terrine van faience. Blauw beschilderd met strooibloemen.
Briefkaart aan Jan Veth
Object type: postcard
Date: 1884 – 1884
Materials: cardboard, ink
Techniques: pen, writing
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: dordrecht, designer, jan veth, painting (including book-illumination, miniature-painting), leiden, amsterdam
Inscriptions: collector's mark: ‘RPK’
Kozakken in een hinderlaag
Object type: drawing
Date: 1783 – 1850
Materials: ink, paper, pencil
Techniques: pen
Artist: louis moritz
Artist role: draughtsman, painter, print maker
Artist dates: 1773 – 1850
Subjects: land forces (+ cavalry, horsemen), surprise attack (from ambush)
Intocht van Maria Henrietta Stuart, prinses van Oranje te Amsterdam (plaat 4)
Object type: print
Date: 1660 – 1662
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'
Inscriptions: collector's mark: Lugt 2228

Bezoek van Maria Henrietta Stuart, prinses van Oranje, vergezeld door Amalia van Solms, de jonge prins Willem III en anderen te Amsterdam, 15 juni 1660. Blad met een deel van de stoet met ruiters. De voorste ruiter gemerkt met de letter B is jonkheer Jacob de Graef. Bovenaan de titel en de lijst van officieren in 3 kolommen. Vierde plaat in een ongemonteerd ensemble van de stoet bestaande uit zeven bladen.
Tile
Object type: tile
Date: 1551 – 1600
Materials: stonepaste
Location: syria
Brief aan Felix Stone Moscheles en mevrouw Moscheles
Object type: letter
Date: 1888 – 1906
Materials: ink, paper
Techniques: pen, writing
Location: london
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: jean françois millet, john ruskin, literature ~ arts, the graphic arts, painting (including book-illumination, miniature-painting)
Inscriptions: watermark
Buckle
Object type: buckle
Date: 1467 – 1500
Materials: steel
Culture: german
Location: germany
Demarsy, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: fans,portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Journal des Luxus und der Moden 1790, Band V, T.5
Object type: magazine
Date: 1790 – 1790
Materials: paper
Techniques: etching
Location: weimar
Subjects: fashion plates

Prent uit het modetijdschrift Journal des Luxus und der Moden, uitgegeven door Friedrich Justin Bertuch en Georg Melchior Kraus, Weimar, 1786-1826.
Tureen with cover (part of a service)
Object type: tureen with cover
Date: 1765 – 1765
Materials: hard paste porcelain
Sword Guard (<i>Tsuba</i>)
Object type: sword guard tsuba
Date: 1801 – 1833
Materials: copper, gold alloy, gold
Culture: japanese
Location: japan
Subjects: fish