deem-data/ArtiFact huggingface dataset:
Portret van een man met snor
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: moustache, historical persons
Heilige keizerin Flaccilla verpleegt de armen en zieken en de heilige Deogratias verzorgt zieken in de kerk
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the early christian churches, e.g. armenians, copts, syrians, female saints (with name), medical aid and nursing of the sick and wounded, male saints (with name), interior of church, visiting the sick, 'aeger curatur' ~ one of the (seven) acts of mercy, nursing, tending the sick, visiting the sick in hospital
Inscriptions: collector's mark: Lugt 2228

Twee voorstellingen op een plaat. Boven: de H. keizerin Flaccilla deelt voedsel uit aan een zieke vrouw in het gasthuis. Op de achtergrond andere zieken. Onder: de H. Deogratias, bisschop van Carthago, heeft zijn kerk als ziekenhuis ingericht en verzorgt samen met andere christenen de zieken.
Fotoreproductie van een schilderij door François-Louis-Joseph Watteau, voorstellend een feest in Lille
Object type: photomechanical print
Date: 1862 – 1872
Materials: paper
Techniques: woodburytype
Location: lille
Subjects: festivities, lille
Scene on the French Coast (Liber Studiorum, part I, plate 4)
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: horses,ships

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a vessel being unloaded on a wide beach whose end is guarded by a castle. The artist's working title was "French Coast," and he seems to have avoided specifying a particular location, but likely intended the men who load goods onto horses in the foreground to represent smugglers. The "M" in the top margin indicates Turner's category of Marine landscape.
Modern Rome
Object type: painting
Date: 1757 – 1757
Materials: canvas, oil
Artist: giovanni paolo panini
Artist role: artist
Artist nationality: italian
Artist dates: 1691 – 1765
Subjects: painting,sculpture,men,lions
Plattegrond van Charleville-Mézières
Object type: area plan
Date: 1656 – 1656
Materials: paper
Techniques: engraving, etching, hand coloring
Location: frankfurt am main
Subjects: maps of cities

Prent uit: Zeiller, Martin. Topographia Galliae. 13 dln. Frankfurt: Caspar Merian, 1656, dl. 3, na p. 6.
Portret van componist, pianist en dirigent Anton Rubinstein
Object type: photograph
Date: 1880 – 1920
Materials: paper
Techniques: matte daylight collodion silver print
Location: the hague
Subjects: historical persons, portrait of composer
Inscriptions: name: ‘Rijshouwer's Establishment fromerly Parson. Photographs etc. 11 Lange Poten - the Hague. Holland’
Handkerchief
Object type: handkerchief
Date: 1880 – 1880
Subjects: flowers
Theater (achterzijde) te Den Haag voor het het vuurwerk voor de Vrede van Aken, 1749
Object type: print
Date: 1749 – 1749
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: plan ~ architecture, bonfire, fire-works (+ illumination, fire-works ~ festive activities)

Het grote theater (achterzijde) opgericht in de Hofvijver te Den Haag dat op 11 juni geïllumineerd is geweest en op 13 juni 1749 gebruikt is voor het vuurwerk ter ere van de Vrede van Aken gesloten in 1748. Op de achtergrond rechts het Prinsenhof, links het Mauritshuis. In de wolken panelen met de allegorische voorstellingen die te zien waren op de chassinetten aan de andere zijde van het theater. Bij de prent behoort een tekstblad met een beschrijving van het theater.
Bladzijde uit het fotoalbum van de familie Diepenbrock met 7 foto's van Alphons Diepenbrock en zijn omgeving
Object type: photograph
Date: 1904 – 1906
Materials: cardboard, photographic support
Techniques: photography
Location: amsterdam
Subjects: alphons diepenbrock
Inscriptions: inscription

Bruin albumblad 26 van familiealbum van Alphons Diepenbrock.
Kind met konijn op schoot
Object type: photograph
Date: 1900 – 1930
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Inscriptions: annotation: ‘Kind met konijn’, signature: ‘foto R Tepe’
'Holbein' Carpet
Object type: carpet
Date: 1401 – 1600
Materials: wool
Location: turkey

Named after a famous portrait by Hans Holbein the Younger that depicts a similar carpet draped over a table, the pattern of this early Turkish carpet is one of the most fundamental of all carpet designs. Many other carpet patterns are derived from its arrangement of small knotlike medallions and diamond-shaped strapwork. Its interlaced border is related to the kufic border found in many early 'Lotto' carpets. "Holbein" carpets were woven in Anatolia as early as the fourteenth century, and became popular in Europe from the fifteenth century onward.
Echtpaar Jetten in huiskamer
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Echtpaar ingenieur en Edith Jetten zittend in de huiskamer van hun huis te Moengo. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Stirrup Spout Bottle with Figure
Object type: bottle
Date: 301 – 600
Materials: ceramic, pigment
Culture: moche
Location: peru
Subjects: human figures
Portret van Johan van Beck
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Common Council Chamber, Guildhall
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: interiors
The axe that may cut him has not been forged yet, from 'News of the day,' published in "Le Charivari"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,trees,axes
Herfst
Object type: print
Date: 1570 – 1618
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: autumn, fall, 'autumnus'; 'autunno' (ripa), autumn landscape; landscape symbolizing autumn (the four seasons of the year) (+ with scenes showing human occupations ~ seasons and months), autumn landscape; landscape symbolizing autumn (the four seasons of the year) (+ with zodiacal signs of the autumn season)
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond de wijngod Bacchus. Naast hem de cornucopia en herfstvruchten. Op de achtergrond najaarstaferelen: ploegende en zaaiende boeren, de druivenoogst, de fruitoogst en het verzamelen van eikels voor de varkens. Boven in de lucht de drie astrologische tekens van het najaar: Weegschaal, Schorpioen en Boogschutter. De prent heeft een Latijns onderschrift en is deel van een vierdelige serie over de vier seizoenen.
Section of a Boulder
Object type: section of boulder
Date: 1902 – 1902
Materials: jade
Culture: burmese
Study for the Death of Saint Peter Martyr
Object type: drawing and watercolor
Date: 1571 – 1571
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: circle of giorgio vasari
Inscriptions: Inscribed verso, lower left on mount, in graphite: "B. Campi 1522-1592"
Terracotta fragment of a kylix: Lip cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Exterior, in the handle zone, part of a tendril
Gold copy of a bracelet
Object type: bracelet inscribed with owner's name
Date: 600 – 401
Materials: gold
Culture: cypriot

The original bracelets, stolen from the Metropolitan Museum in 1887, bore inscriptions indicating that they belonged to a certain Eteander, king of Paphos. These exact copies were made by Tiffany & Co., drawing on records made by the Museum before the theft.
Verblijf in de bergen (1)
Object type: photograph
Date: 1910 – 1911
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: europe
Artist: Anonymous
Subjects: the family travelling, on holiday, recreation, rural housing, e.g. country-house, villa, cottage, church (exterior), mountains, europe

Albumblad met negen foto's van dorpsgezichten, mogelijk genomen in de bergen van Zwitserland of Oostenrijk. Afgebeeld zijn chalets, een kerk, kerkgangers, een jong meisje en een man met een grijze baard in een tuin. Onderdeel van Fotoalbum van de familie Palthe uit Almelo.
Venus before a mirror held by Cupid while her hair is combed by an old woman
Object type: print
Date: 1631 – 1631
Techniques: etching
Artist: willem panneels
Artist role: artist
Artist nationality: flemish
Artist dates: 1600 – 1632
Subjects: women,cupid,venus,mirrors
Nieuwe Hollandsche kinderprenten
Object type: popular print
Date: 1861 – 1929
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: leiden
Subjects: ass, donkey, hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), steam locomotive
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van verschillende aard, zoals voorstellingen van een pakezel, van een jager te paard en van een stoomtrein. Onder elke voorstelling een vierregelig vers. Genummerd linksboven: No. 21.
Silhouetportret van Anthony MacPherson
Object type: print
Date: 1809 – 1848
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Artist: pieter barbiers (iv)
Artist role: painter, print maker
Artist dates: 1798 – 1848
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Tile
Object type: tile
Date: 1771 – 1776
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: guy green
Artist role: maker
Artist dates: 1756 – 1803
Subjects: men,dogs,lions,trees
Twee kurassiers met drie paarden
Object type: print
Date: 1814 – 1814
Materials: paper
Techniques: etching
Artist: johann adam klein
Artist role: draughtsman, print maker
Artist dates: 1792 – 1875
Subjects: the soldier; the soldier's life, horse
Inscriptions: collector's mark: Lugt 2228, : Lugt 2760
Zeven portretten van jonge vrouwen en twee portretten van mannen
Object type: snapshot
Date: 1900 – 1920
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: historical persons - bb - woman, moustache, historical persons, head-gear: hat

Deze foto's maken deel uit van een album.
Eerste bezoek van Willem II, koning der Nederlanden aan de provincie Limburg
Object type: history medal
Date: 1841 – 1841
Materials: silver
Techniques: striking
Location: brussels
Artist: jacob wiener
Artist role: medailleur
Artist dates: 1815 – 1899
Subjects: the hague, william ii of the netherlands, maastricht

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: drie wapenschilden, hangende aan koord: guirlande met kwasten en wimpels boven opschrift.
Irene Verona, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Portret van Maurits, prins van Oranje
Object type: print
Date: 1738 – 1774
Materials: paper
Techniques: engraving, etching
Subjects: maurice (prince of orange), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Dish
Object type: dish
Date: 1640 – 1640
Materials: porcelain
Techniques: underglaze
Culture: japanese
Subjects: birds,flowers
Cup with a bouquet and flower sprays
Object type: service set
Date: 1800 – 1849
Materials: glaze, paint, porcelain
Techniques: firing, forming, turning, vitrification
Location: vienna
Inscriptions: mark: ‘schild/ 46^/ 12/ 86’

Kop, onderdeel van een servies beschilderd met veelkleurige bloemboeketten en strooibloemen. Aan het kopje een oor in de vorm van twee verstrengelde takken. Merken niet voor alle koppen gelijk (bk-1956-63-24/33): o.a. in paars de getallen 83 en 43 en ingegrift de getallen 39 en 800; in onderglazuur blauw een schild met twee dwarsbalken.
Eerste steenlegging van het ziekenhuis in Moengo.
Object type: photograph
Date: 1929 – 1929
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: hospital, ceremonial laying of the foundations, laying the first stone

Eerste steenlegging van het ziekenhuis in Moengo. De oude heer in het midden met hoed in de hand is de directeur van de bauxietonderneming: ingenieur De Munnick
Portret van Franz Joseph Gall
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: engraving, etching
Artist: christian schule
Artist dates: 1764 – 1816
Subjects: historical persons, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: date

Tekst in het Duits en het Engels in de marges. Tekst in het Duits en het Latijn in de omlijsting. Genummerd: 15. Genummerd: 5.
Studie voor een bewening
Object type: drawing
Date: 1600 – 1699
Materials: ink, paint, paper
Techniques: pen
Artist: pseudo-gherardi
Subjects: lamentation over the dead christ by his relatives and friends (christ usually without crown of thorns)
Cup
Object type: cup
Date: 600 – 551
Materials: terracotta
Culture: etruscan

High, loop handle, without decoration.
Het nuttig rund, het morsig zwijn, Doet veler hand bedrijvig zijn
Object type: print
Date: 1832 – 1850
Materials: paper
Techniques: colour, letterpress printing
Location: rotterdam
Subjects: slaughtered ox or pig, butcher, slaughterman
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Blad met 12 voorstellingen van het fokken, slachten en bereiden van koeien en varkens. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 58.
Portrait of a Gentleman Aged 73
Object type: drawing
Date: 1667 – 1667
Materials: chalk
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Subjects: men,portraits
Sieraad van zilver met gouden drijfwerk met een buik van geslepen glas
Object type: powder horn
Date: 1700 – 1800
Materials: glass, silver

Sieraad van zilver met gouden drijfwerk. De buik van geslepen glas, waardoor een tweede koker te zien is van groen en bruin email. Kettingen ontbreken.
Familiewapen van Jhr. Henrick Jacob van Tuyl van Serooskercken
Object type: print
Date: 1689 – 1690
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: armorial bearing, heraldry

Familiewapen van Jhr. Henrick Jacob van Tuyl van Serooskercken, vrijheer van Vredeland. Onderdeel van een groep van twaalf wapens van magistraten van Utrecht. Mogelijk behorend bij een grote kaart van bijvoorbeeld een hoogheemraadschap. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Wapens (Heraldiek), Geslachtswapens.
The Bath at 4 Sous, plate 29 from Croquis D'été
Object type: print
Date: 1858 – 1858
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Plattegrond van Batavia
Object type: book illustration
Date: 1781 – 1781
Materials: paper
Techniques: engraving
Location: rotterdam
Subjects: maps of cities, batavia
Inscriptions: collector's mark: Lugt 2228

Prent uit: Verhandelingen van het Bataviaasch Genootschap der Kunsten en Wetenschappen. 61 dln. Rotterdam en Amsterdam: Reinier Arrenberg en Johannes Allart, 1781, dl. 1, p. 42.
Drie goddelijke deugden
Object type: print
Date: 1753 – 1757
Materials: paper
Techniques: etching
Location: venice
Subjects: charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De drie goddelijke deugden geloof (fides) met kruis en miskelk, hoop (spes) met anker en liefde (caritas) met twee kinderen.
Gezicht op Blois
Object type: drawing
Date: 1600 – 1650
Materials: ink, parchment, watercolor
Techniques: brush, pen
Artist: Anonymous
Subjects: city-view in general; 'veduta' (+ city(-scape) with figures, staffage), canals, waters (in city) (+ city(-scape) with figures, staffage)
Portret van Kees van Dongen
Object type: photograph
Date: 1965 – 1965
Materials: paper
Techniques: gelatin silver print
Location: monaco
Artist: Anonymous
Subjects: utrecht, historical persons
Inscriptions: inscription: ‘Kees van Dongen/ neg 13/18: 17941/ overgenomen van 16mm film/ overname door V.P.R.O. televisieploeg op 10 februari 1965/ ten huize van Kees van Dongen, Avenue Hector Otto 7, Monaco/ onderdeel programma atelierbezoek bij Kees van Dongen/ uitgezonden op 25 februari 65 over Nederland II/ regie: L. Westenburg/ camera: W. Smith/ presentatie en samenstelling: E.R. Meijer.’

Filmstill uit een televisieprogramma met een atelierbezoek aan Kees van Dongen, gemaakt door V.P.R.O. en uitgezonden op 25 februari 1965.
Sprach des Papyrs (...) hoch zu preisen.
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: germany
Artist: Anonymous
Subjects: flowers, insects: butterfly
Gold Buckle
Object type: buckle
Materials: gold
Culture: avar

The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively cast. Some show no signs of use, while others are quite worn. The Avars The Avars were a nomadic tribe of mounted warriors from the Eurasian steppe. The Byzantine emperor Justinian negotiated with them in the sixth century to protect the Empire’s northern border along the Black Sea. Emboldened by their subjugation of numerous tribes, they unsuccessfully attempted to seize the Empire’s capital, Constantinople. They remained a scourge of both Byzantium and the Western kingdoms until Charlemagne defeated them through a series of campaigns in the 790s and early 800s. All the money and treasure that the Avars had been years amassing was seized, and no war in which the Franks have ever engaged . . . brought them such riches and such booty. Up to that time the Avars had passed for a poor people, but so much gold and silver was found . . . that one may well think that the Franks took justly from the Avars what the Avars had formerly taken unjustly from other nations. — Einhard (ca. 770–840), biographer of the Frankish ruler Charlemagne, early 800s The Vrap Treasure Tribute payments from the Byzantine Empire and war booty provided the Avars with enormous amounts of gold and silver. Avar goldsmiths created work of exceptionally high quality and were counted among the Avars’ ruling class. This ensemble of objects, all found together in Vrap, in present-day Albania, would seem to attest to the wealth of the Avars. Why this varied group was brought together remains a mystery. Some scholars have suggested that these objects were part of a treasure belonging to an Avar chief; others have speculated that they were the materials of an Avar artist. Others question whether an Avar metalsmith made them at all and assert these objects to be the products of a provincial Byzantine artist.
The Royal Palace, Madrid
Object type: drawing and watercolor
Date: 1903 – 1903
Materials: board, charcoal, paper
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Boot op open water
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), rowing-boat, canoe, etc.
Inscriptions: monogram: ‘CW’
Ewer and basin
Object type: ewer and basin
Date: 1761 – 1762
Materials: silver
Artist: joseph-pierre-jacques duguay
Artist role: maker
Artist dates: 1724 – 1824
Het martelaarschap van de Heilige Sebastiaan
Object type: print
Date: 1631 – 1633
Materials: paper
Techniques: etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: st. sebastian, tied to a tree or a pillar, is pierced by arrows
Inscriptions: collector's mark: Lugt 240

Onder de belangstelling van een grote menigte wordt de Heilige Sebastiaan op een vlakte bij een stad (Rome) naast een vervallen amfitheater (Colosseum) door boogschutters beschoten.
Qur'an Bookbinding with Floral Arabesques and an Inscription from the Hadith
Object type: bookbinding
Date: 1601 – 1633
Materials: leather
Techniques: gilding, stamping, tooling
Location: iran
Subjects: arabic

This elaborate book-cover, with its medallions containing elegant and complex floral ornaments, was certainly intended to protect a high quality manuscript. The Arabic inscription that runs around the plates' borders clearly indicates that this cover was meant for a copy of the Qur'an: it mentions words traditionally attributed to the prophet Muhammad, including the phrase "He who wants to speak with God should read the Qur'an."
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, lower drapery and feet of two males; Exterior, drapery and heel of male to left; bent arm, seen from beneath himation, and lower back, buttocks, and legs of a draped male to left; wreathed, draped youth to right, with left arm extended, and seen from beneath himation; draped male bending to left, with right hand on hip, and left arm leaning on a knobby stick; wreathed youth to right, wearing a himation; bearded, wreathed male to left, wearing a himation and leaning on a knobby stick
Textile Fragment: Hunting Scene
Object type: textile fragment
Date: 601 – 633
Materials: silk
Location: syria
Subjects: bow and arrow,horses,lions
Illustrated book
Object type: illustrated book
Date: 1893 – 1893
Materials: ink, paper
Culture: japanese
Subjects: fruit,flowers
S. Pierre aux liens (St. Peter in Chains), August 1st, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,angels,saint peter

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Sunset
Object type: print
Date: 1859 – 1859
Techniques: etching
Artist: charles-françois daubigny
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1878
Subjects: animals,men,trees,evening
Venus met twee putti
Object type: print
Date: 1500 – 1599
Materials: paper
Techniques: engraving
Location: italy
Subjects: cupids: 'amores', 'amoretti', 'putti', venus and cupid (cupid not being mere attribute)
Inscriptions: collector's mark: Lugt 240, inscription: ‘Primaticcio’

Venus zit en probeert de boog van een putto (mogelijk Amor) af te pakken. Links een tweede putto op de rug gezien.