deem-data/ArtiFact huggingface dataset:
Design for a Vase with Candelabra
Object type: drawing
Date: 1801 – 1900
Materials: gouache, graphite, watercolor
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: candelabra
Prinzessin August Wilhelm
Object type: album leaf
Date: 1910 – 1917
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons, princess
Gezicht op de Spaanse trappen aan het Piazza di Spagna in Rome
Object type: album leaf
Date: 1870 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: square, place, circus, etc., sloping street; street with steps or stairs
Inscriptions: inscription: ‘463 SCALINATA DI PIAZZA DI SPAGNA’
Cestina Warehouse or Belly Piece Shop
Object type: print
Techniques: etching
Artist: isaac cruikshank
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1764 – 1811
Subjects: satire,men,women,fashion
Gezicht op Sallanches
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: bonneville
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘Views of Switzerland, photographed by W. England. (Registered) Under the Special Patronage of the Alpine Club.’, number: ‘26.’
Top hat, from the Novelties series (N228, Type 3) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: hats,women

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Gezicht op de voorzijde van het Paleis Huis ten Bosch te Den Haag
Object type: print
Date: 1734 – 1768
Materials: paper, watercolor
Techniques: brush, etching
Location: netherlands
Subjects: palace, four-wheeled vehicle drawn by more than three animals

Links rijdt een koets getrokken door zes paarden.
Engelenburcht
Object type: print
Date: 1720 – 1772
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: engelenburcht, engelenbrug

Gezicht op de Engelenburcht, in het Italiaans 'Castel Sant' Angelo' genoemd, te Rome. Op de voorgrond trekt een stoet van geestelijken, edellieden en andere figuren over de Engelenbrug richting de Engelenburcht.
Proefslag van de munt van Antwerpen
Object type: jeton
Date: 1744 – 1744
Materials: silver
Techniques: striking
Location: antwerp
Artist: jacques roëttiers (ii)
Artist role: medailleur
Artist dates: 1698 – 1772
Subjects: antwerp

Zilveren penning. Voorzijde: gekroond wapenschild in cartouche binnen omschrift. Keerzijde: balanspers binnen omschrift; afsnede: opschrift boven signatuur
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Exterior, a vine with a bunch of grapes
Cartouche met putto onder gordijn
Object type: ornament print
Date: 1636 – 1636
Materials: paper
Techniques: etching
Location: bologna
Subjects: curtains, ornament ~ cartouche, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een cartouche met bovenop een putto. Boven het cartouche hangt een gordijn met linten. De prent maakt deel uit van een album.
Tulbandvorm, spiraalvormig
Object type: tube pan
Date: 1700 – 1799
Materials: copper
Techniques: tinning
Location: amsterdam
Artist: Anonymous

Tulbandvorm van roodkoper, spiraalvormig, van binnen vertind.
Nitophyllum versicolor
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Gezinsportret
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Artist: frédéric boissonnas
Artist role: fotograaf
Artist dates: 1858 – 1946
Subjects: family, relationship, descent, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: monogram: ‘C. Cie’
Bewening van Christus
Object type: print
Date: 1643 – 1661
Materials: paper
Techniques: engraving, etching
Artist: michael sweerts
Artist role: painter, print maker
Artist dates: 1618 – 1664
Subjects: christ's body supported by mary, others present
Inscriptions: collector's mark: Lugt 2228

Het dode lichaam van Christus rust in de schoot van Maria, op de trappen van het graf. Naast haar de wenende Maria Magdalena en achter haar Johannes in biddende houding. Onder de afbeelding vier versregels in het Latijn.
Portret van Muhammad Amin Khan met uitvoerig Hollands onderschrift op de versierde omlijsting
Object type: indian miniature
Date: 1675 – 1685
Materials: paint, gouache, paper
Techniques: brush
Location: golkonda
Artist: Anonymous
Fennelly, Shortstop, Philadelphia Athletics, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Bowl with cover
Object type: bowl with cover
Date: 1767 – 1800
Materials: glass
Five boys, two satyrs and a goat
Object type: print
Date: 1647 – 1647
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: boys,satyrs,goats

A young boy crowned with a wreath of grapes, holding a bunch of grapes, lifted by a young satyr and a boy over the back of a third boy, watched by a fourth, holding up a jug; a satyr playing a tambourine at right, and a boy playing a recorder; a goat grazing behind at left; after Peeter van Avont
Panel with a Wild Man Supporting an Escutcheon, from the Organ of the Sint-Vituskerk, Naarden
Object type: orgelkast
Date: 1510 – 1520
Materials: wood
Location: utrecht
Artist: jan eerstensz van schayck
Artist role: sculptor
Artist dates: 1470 – 1527
Subjects: wild man, wodewose, woodehouse

These ten figures adorned the medieval organ in the church of Saint Vitus in Naarden. Each figure holds a weapon and a coat of arms on a strap. Some are dressed as knights with a breastplate and a helmet, others as princes or noblemen. They may represent the Counts of Holland. All the shields would have originally been painted.
Porto Ferrajo auf der Insel Elba
Object type: print
Date: 1801 – 1821
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: napoleon i (emperor of the french), island, ornament ~ medallion, historical persons, navy, siege
Inscriptions: collector's mark: Lugt 2228

Links naast het kader een allegorie op het verleden (sonst) van de zeevaart, rechts een allegorie op het heden (Ietzt). Met onderschrift in het Duits.
Het aangekondigd bezoek van Keizer Wilhelm aan Engeland
Object type: cartoon
Date: 1907 – 1907
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: wilhelm ii (keizer van duitsland), drawing-room, 'salon', personifications of countries, nations, states, districts, etc., piece of sculpture, reproduction of a piece of sculpture, political caricatures and satires, dog

De Engelse koning Edward VII en Marianne (Frankrijk) als echtpaar in de salon. Marianne aait de Engelse bulldog en moedigt hem aan de keizer te bijten. Naast de haard een buste van de Duitse keizer Wilhelm II.
Particulie- | re description | du Conte d'Hol- | lande, et pais | d'Utrecht
Object type: print
Date: 1567 – 1567
Materials: paper
Techniques: letterpress printing
Location: antwerp
Artist: cornelis jansz muller
Artist role: print maker
Subjects: maps of separate countries or regions, holland

Kaart van het graafschap Holland en de heerlijkheid Utrecht. Rechtsonder een gesneden cartoche met een man en een vrouw met vogels, in de cartouche de gedrukte Franse titel. Linksboven het wapen van Holland. Rechtsboven een schaalstok. Bedrukt op de achterzijde met twee bladzijden (p. 238 en 235) tekst in boekdruk in het Frans. Boekdruk verso rechts: S'Ensuyt le Pourtraict et Description du Conté d'Hollande, et Païs d'Utrecht / Z iij. Onderdeel van de verzameling kaarten genomen uit een latere editie van: Descrittione di tutti i Paesi Bassi van Lodovico Guicciardini.
Man en vrouw dansend op muziek van vioolspeler
Object type: print
Date: 1760 – 1798
Materials: paper
Techniques: etching
Artist: carl august grossmann
Artist role: print maker
Artist dates: 1741 – 1798
Subjects: one person playing string instrument (bowed), one pair dancing; man and woman dancing as a couple, drinking, hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 240
Lettervoorbeelden
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving
Location: london
Subjects: letters, alphabet, script
Inscriptions: collector's mark: Lugt 2228
Landschap bij stormachtig weer
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: riding a horse, ass, or mule; rider, horseman, storm, dog
Inscriptions: collector's mark: Lugt 2228

Een paar met een hond en een man op een paard met naast hem een tweede figuur op een dijkje in een polderlandschap bij stormachtig weer.
Pioneer Monument and Mormon Temple, Salt Lake City, Utah, U.S.A.
Object type: stereograph
Date: 1924 – 1926
Materials: paper
Techniques: gelatin silver print
Location: london
Artist: james dearden holmes
Artist role: fotograaf
Artist dates: 1873 – 1937
Subjects: movements derived from protestant churches (with name), monument, statue
Inscriptions: number: ‘6027’
Acht gezichten op decoratieve details langs daken van een huis in het kanton Thurgau
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: architectural detail, rural housing, e.g. country-house, villa, cottage
Inscriptions: inscription: ‘a’

Prent afkomstig uit een serie van 48 prenten, uitgegeven tussen 1660-1661 in twaalf delen, getiteld: L'architecture pittoresque en Suisse ou choix de constructions rustiques prises dans toutes les parties de la Suisse. De serie bestaat uit aanzichten en details van traditionele Zwitserse huizen.
Portret van Carel Vosmaer
Object type: print
Date: 1837 – 1880
Materials: paper
Techniques: etching
Location: the hague
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Subjects: the hague, print maker, draughtsman, carel vosmaer, historical persons, portrait, self-portrait of artist
Buckle
Object type: buckle
Date: 1500 – 1520
Materials: brass
Culture: german
Location: germany
Gezicht op het Singel naar de Ronde Lutherse kerk en de Jan Rodenpoortstoren
Object type: book illustration
Date: 1710 – 1711
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: protestant churches and denominations (lutherans), tower, clock tower ~ monumental adornment, parts of church exterior and annexes: dome, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: ‘35-125’ Lugt 1641b

Huidige staat van prent ook gebruikt in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam, Pieter Schenk (I), s.a. [1710-1711]. En in: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam, Barent Greve, s.a. [1757-1766].* *In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
Buckle
Object type: buckle
Materials: steel
Culture: german
Location: germany
Rode neusbeer of Zuid-Amerikaanse coati (Nasua nasua)
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: rome
Subjects: other mammels: coati
Inscriptions: number: ‘192’, collector's mark: Lugt 11

Deze voorstelling is ontleend aan Conrad Gessner, Historia Animalium (1551-1587), waar het dier wordt aangeduid Mus Indicus. De aquarel van Felix Platter die ten grondslag ligt aan Gessners houtsnede wordt door Florike Egmond geïdentificeerd als Rode neusbeer of Zuid-Amerikaanse coati (Nasua nasua). Deze prent maakt deel uit van een reeks prenten van dieren door Antonio Tempesta. Bekend is dat een tweede staat (met nummering) van deze serie is uitgegeven door Giovanni Giacomo de' Rossi in 1650. Onbekend is wie de eerste staat heeft uitgegeven en wanneer.
Morion
Object type: morion
Date: 1575 – 1575
Materials: leather, steel
Culture: french
Location: france
Terracotta fragment of a stamnos (jar)?
Object type: stamnos fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Part of a circumscribed palmette with tendrils
The Nest Robber
Object type: drawing and watercolor
Date: 1780 – 1789
Materials: board, chalk, ink, paper
Techniques: incising, pen
Location: france
Artist: hubert robert
Artist role: artist
Artist nationality: french
Artist dates: 1733 – 1808
Inscriptions: Inscribed on the stone to the left: "SIC VOS/ NON VOBIS/ NIDIFICATIS/ AVES"

Hubert Robert began drawing red chalk landscapes as a student in Italy and continued to do so throughout his life, drawing from nature and from his imagination. This charming drawing from his mature career offers a Rococo amorous theme favored by Robert’s predecessors Antoine Watteau and François Boucher—that of bird-catching. The inscription on the rock is from Virgil and translates to “So you not for yourselves build nests, O birds,” a call to be unselfish with one’s creations.
Phallus
Object type: phallus
Date: 4000 – 3500
Materials: ceramic
Culture: iranian
Location: iran

This fragmentary ceramic object, possibly a phallus, is made of a buff clay. It is typical of Namazga I ceramics from Turkmenistan, dating to ca. 4000-3500 B.C. It was excavated in 1937 at a prehistoric site in the vicinity of Nishapur in northeastern Iran. While Nishapur itself was founded by the Sasanian king Shapur I (reigned ca. A.D. 241-272), this object shows that human habitation there goes back to the prehistoric period. Furthermore, the prehistoric pottery from Nishapur has close affinities with ceramic materials from Central Asia rather than with contemporary sites in Iran, meaning that in this period its inhabitants were likely culturally linked to their neighbors to the east. At the same time, Nishapur’s location on what later became known as the Great Khorasan Road suggests that it was part of the trade network that facilitated the import of precious stones such as lapis lazuli, carnelian and turquoise from Central Asia to Mesopotamia.
Duo des Troyens
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: lithography
Location: paris
Artist: henri fantin-latour
Artist role: draughtsman, print maker
Artist dates: 1836 – 1904
Subjects: (story of) dido - love-affairs, love-affairs of aeneas, lovers' meeting
Inscriptions: collector's mark: Lugt 2229

Prent gebruikt voor: Gesellschaft für vervielfältigende Kunst de Vienne, 1894.
Funereal Folly, from "The Disparates" (Follies / Irrationalities)
Object type: print
Date: 1815 – 1815
Techniques: aquatint, burnishing, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: birds,men,women

The meaning of this image remains elusive. It has been interpreted as the nightmare of the figure on the ground, whose being hovers spectrally above. Like other prints from the series, this one has been connected with phantasmagorias, popular spectacles that took place in Madrid in which frightening images of the supernatural were projected onto screens in a darkened theater. Goya’s use of aquatint to blur the outlines of his figures and to wrap clarifying details in shadows might be explained by his continued interest in the state of suspension between perception and imagination, which he earlier explored in the Caprichos. From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'.
Vuurtoren in de haven van Brest
Object type: photomechanical print
Date: 1873 – 1883
Materials: paper
Techniques: photograph
Location: paris
Subjects: harbour, lighthouse, lightship
Salerno. Panorama della Città e del Porto
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph, lithograph
Location: salerno
Subjects: gulf, bay, landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage), city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), salerno
Der Rhein
Object type: carte de visite
Date: 1860 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: koblenz
Artist: Anonymous
Subjects: landscape with tower or castle, pontoon bridge
Inscriptions: inscription: ‘COBLENZ’
Livery
Object type: livery
Date: 1801 – 1833
Materials: wool
Culture: italian

The magnifience and stateliness of livery were no mere detail of eighteenth- or ninteenth-century life: the staff visually reflected the standards of style of the household.
Tongs
Object type: tongs
Date: 1800 – 1830
Materials: silver
Culture: american
Location: united states
Artist: william g. forbes
Artist role: maker
Artist nationality: american
Artist dates: 1751 – 1840
Frontispiece for Saltero
Object type: print
Date: 1633 – 1633
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: birds,christ,cross,saints
Gezicht op McBain Building aan de Bund, Shanghai
Object type: photograph
Date: 1916 – 1930
Materials: paper
Techniques: gelatin silver print
Location: shanghai
Artist: Anonymous
Subjects: avenue, boulevard, promenade, esplanade, edifice, e.g.: public building, department store
Inscriptions: stamp: ‘Copyright Photograph by Mactavish & Co., Ltd./ Shanghai.’
Erasmus
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: félix bracquemond
Artist role: artist
Artist nationality: french
Artist dates: 1833 – 1914
Vase (one of a pair)
Object type: vase
Date: 1770 – 1770
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Subjects: birds,flowers
Ladies with Peony Flowers
Object type: print
Date: 1736 – 1795
Materials: ink, paper
Techniques: hand coloring, woodblock print
Culture: chinese
Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): And there is nothing to be done (Y no hai remedio)
Object type: print
Date: 1810 – 1810
Techniques: engraving, drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: human figures,suffering,death
Water Jar for the Tea Ceremony with Seven Sages of the Bamboo Grove Design
Object type: water jar
Date: 1701 – 1800
Materials: lacquer, porcelain
Techniques: underglaze
Culture: japanese
Subjects: men,reading,bamboo
Titelpagina voor de Almanak voor het Schoone en Goede, 1838
Object type: titelblad, titelpagina
Date: 1838 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Subjects: cut flowers; nosegay, bunch of flowers, landscapes, fruits
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor de Almanak voor het Schoone en Goede, met een landschap met daarin een bokaal die gevuld is met bloemen en fruit.
Gezichten uit de omgeving van Brussel
Object type: print
Date: 1530 – 1580
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: village (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Gezicht op de omgeving van Schaarbeek, vlakbij Brussel. De prent is deel van een serie met gezichten uit de omgeving van Brussel.
Whiskers
Object type: print
Date: 1939 – 1940
Techniques: mezzotint
Artist: dox thrash
Artist role: artist
Artist nationality: american
Artist dates: 1893 – 1965
Subjects: men

The glow that emanates from Whiskers, a portrait of an unidentified man, is characteristic of Thrash’s work in carborundum mezzotint, a technique he developed while working at the Philadelphia-based printshop of the Works Progress Administration’s Federal Art Project. The project was established by U.S. President Franklin D. Roosevelt’s New Deal government to provide funding to unemployed artists during the Great Depression. Thrash adapted the mezzotint process, invented in the seventeenth century, by employing the industrial material of carborundum to abrade the metal plate. Working from dark to light, he burnished, or smoothed, the rough surface to form his composition, achieving an impressive tonal range of rich blacks.
Abklatsch van de krijttekening op blad 10 verso
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper
Techniques: printmaking
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 11 recto uit schetsboek XIII met 25 bladen.
Gezicht op het Palais du Louvre te Parijs
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: etching
Location: paris
Subjects: city-view in general; 'veduta', palace, paris
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie met 60 platen van monumenten, kathedralen en paleizen in Parijs.
Drie riviergoden met urnen
Object type: print
Date: 1660 – 1661
Materials: paper
Techniques: drypoint, etching, intaglio
Location: italy
Artist: salvator rosa
Artist role: draughtsman, painter, print maker
Artist dates: 1615 – 1673
Subjects: river-gods
Inscriptions: collector's mark: Lugt 240

Drie zittende riviergoden met urnen. Links op de achtergrond nog twee riviergoden.
La Vera Perfettione del Disegno di varie sorti di recami, page 18 (verso)
Object type: book print ornament architecture
Date: 1567 – 1567
Techniques: woodcut
Artist: giovanni ostaus
Artist role: publisher
Artist nationality: italian
Artist dates: 1507 – 1607
Subjects: vines

Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice. From top to bottom, and left to right: Design composed of 4 horizontal registers that are printed upon a grid. First register is decorated with a curving grape vine. Second register is decorated with coiling leaves wrapped around a straight vine. Third register is decorated with a pattern of vines that form sideways heart shapes. Fourth register is decorated with wavy vine of an alternating pattern of flowers and leaves.
"Avance" stationnaire & scheepsmotoren
Object type: drawing
Date: 1906 – 1945
Materials: ink, pencil, paper
Techniques: brush, pen
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: advertisement, notice, industries
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Deze tekening is mogelijk een ontwerp voor een advertentie voor Avance stationnaire en scheepsmotoren van AB J.V.Svensons Motorfabrik.
Brief aan Philip Zilcken
Object type: letter
Date: 1895 – 1895
Materials: cardboard, ink
Techniques: pen, writing
Location: brussels
Subjects: brussels, helène lambertine hauzeur, the hague, painter, draughtsman, philip zilcken, passions, emotions, affections