deem-data/ArtiFact huggingface dataset:
Aanbidding door de herders
Object type: print
Date: 1598 – 1615
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: collector's mark: Lugt 10, signature and date: ‘Cum privil. Sa. Cae. Mtis / HGoltzius Fecit/ I. Matham excud.’

Onvoltooide prent van herders die het Christuskind aanbidden. Twee herders, Maria en Jozef zijn afgebeeld, de laatste met een kaars in de hand.
Silver bracelet with gold calf's head finial
Object type: bracelet
Date: 534 – 401
Materials: gold, silver
Culture: greek
Subjects: animals

Gold and silver bracelet, capped by gold finials in the shape of a calf-head.
The Royal Exchange
Object type: photograph
Date: 1850 – 1900
Techniques: albumen print
Location: england
Artist: Anonymous
Artist nationality: probably english
Artist dates: 1800 – 1899
Plaque
Object type: foundation deposit plaque
Date: 1390 – 1352
Materials: glass
Location: egypt
Gezicht op Pears Farm
Object type: cabinet photograph
Date: 1890 – 1900
Materials: photographic support
Techniques: albumen print
Location: winnipeg
Meerhoff's Kasteel
Object type: topographical view
Date: 1779 – 1779
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Inscriptions: annotation

Een bergformatie met een gat in de rots, nabij Draaihoek, in Klein Namaqualand; de grote zwerm bijen is beschreven in het Journaal.
Portret van Ernst Schulze
Object type: print
Date: 1775 – 1840
Materials: paper
Techniques: engraving
Artist: ernst ludwig riepenhausen
Artist role: print maker
Artist dates: 1765 – 1840
Subjects: historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Right big toe with indication of a sandal strap
Object type: toe
Date: 1353 – 1336
Materials: quartzite
Location: egypt
Isabel Wachenheimer met bloemenkrans en bloemenketting, knielend bij een bank
Object type: photograph
Date: 1903 – 1932
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: isabel wachenheimer-elon
Inscriptions: number: ‘21’

Isabel Wachenheimer met bloemenkrans en bloemenketting, knielend bij een bank
The Dissolute Household
Object type: painting
Date: 1663 – 1664
Materials: canvas, oil
Artist: jan steen
Artist role: artist
Artist nationality: dutch
Artist dates: 1626 – 1679
Subjects: food,interiors,sleeping,men,women,lutes,cats,drinking,games
Man op een roeiboot met twijgen
Object type: photograph
Date: 1885 – 1885
Materials: paper
Techniques: platinum process
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist dates: 1856 – 1936
Village and Temples in Jiangnan
Object type: fan mounted a an album leaf
Date: 1401 – 1433
Materials: gold, ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: temples,villages,landscapes

Gold, azurite, and malachite are perfectly suited to this depiction of the verdant Jiangnan ("South of the [Yangzi] River") landscape. In theforeground is a small village where travelers arriving by boat bow to one another or enjoy the view from a pavilion across a stream. Towering above the white-washed houses is the two-story hall of a temple; in the distance, other temples, one with a pagoda and freshly dyed red walls, nestle in the foothills.
Studie
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: paper
Location: scheveningen
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923

Pagina 12 uit een schetsboek met 31 bladen.
Lezende monnik
Object type: print
Date: 1814 – 1859
Materials: paper
Techniques: drypoint, etching
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: reading, (human) skull, monk(s), friar(s)
Inscriptions: inscription: ‘Present exemplaar 3’, collector's mark: Lugt 2228

In een vertrek zit een monnik aan tafel een boek te lezen. Op de tafel staan een schedel en een inktpot met daarin een schrijfveer.
Teapot
Object type: teapot
Date: 1750 – 1750
Materials: earthenware
Techniques: glazing
Artist: astbury-whieldon
Artist role: maker
Subjects: leaves
Bustle
Object type: bustle
Date: 1870 – 1889
Materials: cotton
Culture: american or european
Border
Object type: border
Date: 1601 – 1700
Techniques: embroidery
Subjects: horses
Design for Landau, No. 3620
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portrait of a young woman
Object type: painting
Date: 1650 – 1670
Materials: canvas, oil
Artist: eglon van der neer
Artist role: painter
Artist dates: 1634 – 1703
Subjects: adolescent, young woman, maiden, historical persons not known by name - bb - woman

Portret van een jonge vrouw. Ten halven lijve, staan met de rechterarm rustend op een piedestal. Op de achtergrond een huis en tuin.
Earring
Object type: earring
Date: 3900 – 100
Materials: bronze, gold
Culture: cypriot
Aanvang van het jaar 1747
Object type: new year medal
Date: 1746 – 1746
Materials: gold
Techniques: engraving, striking
Location: amsterdam
Artist: martinus holtzhey
Artist role: medailleur, muntmaker
Artist dates: 1697 – 1764

Gouden penning. Voorzijde: Tijd met zandloper, zeis en slangerond omwonden met bladerloof, beschenen door opgaande zon binnen omschrift. Keerzijde: Nederlandse maagd, vergezeld door leeuw met pijlenbundel, houdt weegschaal en geopend boek in handen binnen omschrift; afsnede: jaartal
Drawing
Object type: relief, tomb of nespekashuty
Date: 664 – 610
Materials: limestone, varnish
Location: egypt
Twee ingangen van woonhuizen te Nancy
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Location: paris
Subjects: urban housing, gate, entrance
Inscriptions: inscription: ‘Portes de maisons a Nancy (...)’

Deze prent maakt deel uit van een omslag met 103 prenten op 101 bladen en een titelblad.
Fotoreproductie van een schilderij van Camille Corot (landschap)
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: carbon print
Subjects: painter, print maker, draughtsman, camille corot
Portret van een onbekende vrouw
Object type: photograph
Date: 1868 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: sitting figure, historical persons - bb - woman
Inscriptions: inscription: ‘Photographisch Etablissement/ VAN/ C. Stapert & van Caspel./ Bloemgracht D.D. 43./ AMSTERDAM.’
Standing Male Deity
Object type: figure
Date: 1051 – 1100
Materials: bronze
Culture: thai
Subjects: deities
Portret van François Jacquier
Object type: print
Date: 1753 – 1806
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: rome, historical persons
Inscriptions: collector's mark: Lugt 2228
Fragment of an Ewer
Object type: fragment of an ewer
Date: 1001 – 1200
Materials: glaze, stonepaste
Location: iran
Titelpagina voor François Joseph de Lagrange Chancel "Amasis, tragedie"
Object type: titelblad, titelpagina
Date: 1711 – 1737
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: murder
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240

In het koninklijk paleis van Egypte wordt de koning neergestoken. Hij ligt op de grond en wijst naar zijn moordenaar.
Annunciatie aan Jozef in een droom
Object type: print
Date: 1696 – 1775
Materials: paper
Techniques: etching
Location: augsburg
Subjects: joseph worrying about mary's pregnancy; annunciation to joseph in a dream (matthew 1:19:25)
Inscriptions: collector's mark: Lugt 240

Jozef ligt te slapen. In zijn droom verschijnt er een engel die zijn huwelijk met Maria aankondigt. Maria staat op een globe. Om de globe kronkelt een slang met een appel in zijn bek. Rondom zweven engelen.
Toren van de Grote of Sint-Pancratiuskerk te Emmen
Object type: photograph
Date: 1903 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: emmen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: parts of church exterior and annexes: tower
Inscriptions: annotation: ‘Emmen/ juli 1903’, annotation: ‘11’
Christus aan het kruis tussen Maria en Johannes
Object type: print
Date: 1542 – 1542
Materials: paper
Techniques: engraving
Location: fulda
Artist: hans brosamer
Artist role: print maker
Artist dates: 1500 – 1554
Subjects: crucified christ with mary and john on either side of the cross; holy rood
Inscriptions: collector's mark: Lugt 2773, collector's mark: Lugt 2770, collector's mark: Lugt 2228a, collector's mark: Lugt 2760

Christus aan het kruis tussen Maria en Johannes. Twee Latijnse teksten van Esaias en Johannes worden gedragen door engelen in de hemel, boven het kruis staat een Hebreewse tekst en onder het kruis twee Griekse regels.
Beker met het beleg van Coevorden, 1672
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: siege, position war, mug, beaker, goblet

Een beker met een voorstelling van de vesting van Coevorden, belegerd en veroverd op 30 december 1672 door de troepen van Karl Rabenhaupt op de legers van de bisschop van Munster. Met een detail van het beleg en de handtekening van de één van de voornaamste bevrijders Meindert van der Thynen.
Portret van Hendrik Johannes Haverman
Object type: print
Date: 1876 – 1952
Materials: paper
Techniques: woodcut
Artist: jacobus gerardus veldheer
Artist role: draughtsman, print maker
Artist dates: 1866 – 1954
Subjects: amsterdam, the hague, draughtsman, hendrik johannes haverman, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Fragment hoekplaat afkomstig uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip)
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, part of stick or javelin?
Portret van Maria II Stuart
Object type: book illustration
Date: 1770 – 1770
Materials: paper
Techniques: mezzotint
Location: leeuwarden
Subjects: london, maria ii stuart (koningin van engeland, schotland en ierland)
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Prent uit: Bosch, Johannes van den. De heeren stadhouderen van Vriesland, zedert den jare acht-hondert, volgens hoogst derzelver successie kortelyk beschreven. Leeuwarden: Abraham Ferwerda en Gerrit Tresling, 1770.
Gezicht op de Kleine Houtpoort in Haarlem
Object type: stereograph
Date: 1860 – 1873
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: haarlem
Artist: Anonymous
Subjects: city-gate
Inscriptions: inscription: ‘Vues de Hollande. Haarlem. Kleine Houtpoort No. 187’
Gezicht op het voormalige kasteel van de Prince de Léon in Napoléonville
Object type: page
Date: 1850 – 1859
Materials: photographic support
Techniques: albumen print
Location: napoléonville
Artist: taylor
Artist role: fotograaf
Subjects: castle
Inscriptions: number: ‘66’
Portret van paus Eugenius II
Object type: book illustration
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: venice
Subjects: rome, historical persons, pope

Prent uit: Effigies Romanorum pontificum a S. Petro ad Pium VI. feliciter regnantem (...). 2 dln. Venetië en Bassano del Grappa: Giuseppe Remondini, 1775.
Design for Pediment with Two Heraldic Crests, Lions and a Crown
Object type: drawing
Date: 1701 – 1800
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: lions,coat of arms
Portret van Peter Paul Rubens
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: antwerp, painter, print maker, draughtsman, peter paul rubens
Inscriptions: collector's mark: Lugt 2228

Portret van de kunstenaar en diplomaat Peter Paul Rubens.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, round shield; spear to left, and shoulder of warrior?; part of an inscription, [K]ALO[S]
Christus verdrijft de handelaren en geldwisselaars uit de tempel
Object type: album leaf
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: purification of the temple ('first' and 'second'): christ driving the money-changers from the temple with a whip (matthew 21:12-13; mark 11:15-17; luke 19:45-46; john 12:12-19)

Christus verdrijft met een zweep de handelaren en geldwisselaars uit de tempel. Links vluchten drie mannen weg. Op de voorgrond liggen twee mannen bij hun omgevallen tafels, geld en koopwaar op de grond. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Mat. 21:12. Deze prent maakt deel uit van een album.
Queen Louise
Object type: paper doll
Date: 1895 – 1895
Techniques: lithograph
Artist: elizabeth s. tucker
Artist role: artist
Artist nationality: american
Artist dates: 1850 – 1930
Psalter en brevier (gedeeltes) in het Latijn
Object type: book
Date: 1500 – 1600
Materials: paint, paper, parchment
Techniques: pen in colors, brush in colors
Artist: Anonymous
Vase fragment
Object type: vase fragment
Date: 670 – 330
Materials: terracotta
Culture: roman

Fragment of a yellow glazed vase; rosette.
Gezicht in een Duits stadje
Object type: drawing
Date: 1861 – 1861
Materials: ink, paper
Techniques: pen
Artist: pieter van loon
Artist role: draughtsman
Artist dates: 1801 – 1873
Subjects: germany
Gezicht op Leidschendam
Object type: photomechanical print
Date: 1904 – 1904
Materials: cardboard
Techniques: lithograph
Location: leipzig
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, meadow, pasture
Inscriptions: date
Teruggave van de pandsteden Vlissingen en Zeeburg door de Engelsen
Object type: history medal
Date: 1616 – 1616
Materials: copper
Techniques: striking
Location: middelburg
Artist: Anonymous
Subjects: jacobus i (koning van engeland), flushing

Koperen penning. Voorzijde: opschrift. Keerzijde: gekroond wapenschild binnen omschrift en rand van zeven met lint verbonden wapenschilden
Portret van Hartmann Braun
Object type: print
Date: 1618 – 1649
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: historical persons, book
Lid
Object type: lid
Date: 1001 – 1200
Materials: earthenware
Techniques: incising
Location: iran
Damschijf
Object type: miniature
Date: 1756 – 1756
Materials: silver
Location: amsterdam
Artist: daniël van strant
Artist role: silversmith
Artist dates: 1694 – 1756
Subjects: draughts

Miniatuur damschijf van zilver behorend bij een dambord / molenspel (A), versierd met een roset.
The Art of Ingeniously Tormenting
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: bears,satire,men,camels,dogs,monkeys
Exterieur van de kerk van Buitenzorg
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: buitenzorg
Artist: Anonymous
Subjects: church (exterior)

Onderdeel van Album met foto's van Batavia en van de zusters Ursulinen.
Saint Distaff's Day, England, from the Holidays series (N80) for Duke brand cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women

Trade cards from the "Holidays" series (N88), issued in a set of 50 cards in 1890 to promote W. Duke Sons & Co. brand cigarettes. The series depicts citizens from various countries in traditional dress celebrating local holidays. Each card verso contains the title of the series, a description of the particular holiday and its history, as well as an ad for W. Duke, Sons & Co. Tobacco producers Goodwin & Co. also published this series with brand advertising for Old Judge and Dog's Head Cigarettes.
Gezicht op de Arno te Florence
Object type: photograph
Date: 1858 – 1863
Materials: photographic support
Techniques: albumen print
Location: arno
Artist: Anonymous
Subjects: river, bridge
Terracotta amphora (jar)
Object type: amphora, type b
Date: 600 – 600
Materials: terracotta
Culture: greek, attic
Artist: the horse-head amphorae
Artist role: artist
Subjects: horses
Rustende mensen op een grasveld temidden van besneeuwde heuveltoppen
Object type: stereograph
Date: 1920 – 1945
Materials: paper, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Inscriptions: title: ‘Op het colletje N van de Alla uitzicht op de Piz Kesch Piz Urz.’
Fotoreproducties van de beeldhouwwerken De Historie en De Beeldhouwkunst door Franciscus van Camp
Object type: reproduction
Date: 1880 – 1887
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: 'sculptura', symbolic representations, allegories and emblems ~ sculpture; 'scoltura' (ripa), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘F. L. H. de Fernelmont Amsterdam’, inscription: ‘55/ 54/ 156/ 146’, collector's mark: Lugt 2228
Korporaal wekt soldaten in het Camp de Châlons
Object type: stereograph
Date: 1857 – 1857
Materials: cardboard, photographic support
Techniques: albumen print
Location: mourmelon-le-grand
Subjects: private soldier, reveille, the soldier; the soldier's life
Inscriptions: number: ‘No. 1’, inscription: ‘Le caporal éveille les hommes qui doivent aller en faction’, number: ‘N1063’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, genitals and legs of a male to left, in front, part of a bell krater with lugs
Trade Card for New Street., Birmingham
Object type: print, trade card
Date: 1800 – 1800
Techniques: engraving
Artist: francis eginton
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1823
Bellona
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: etienne delaune
Artist role: artist
Artist nationality: french
Artist dates: 1518 – 1583
American and Foreign Views
Object type: stereograph
Date: 1898 – 1898
Materials: cardboard, paper
Techniques: albumen print
Location: key west
Artist: william herman rau
Artist role: publisher
Artist dates: 1855 – 1920
Subjects: new york (city), naval officer, historical persons
Inscriptions: number: ‘36’, number: ‘57 [onz]’
Terracotta rim fragment of a kyathos (cup-shaped ladle)
Object type: kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of a horse and rider to right; in the background, vines; fragment is burnt
Chamber candlestick or taperstick
Object type: chamber candlestick or taperstick
Date: 1811 – 1812
Materials: silver
Artist: rebecca emes
Artist role: maker
Artist dates: 1808 – 1825
Zijdelakenkopersgilde van Vlissingen, gildepenning met no. 36
Object type: medal
Date: 1694 – 1694
Materials: brass
Techniques: casting, engraving
Location: flushing
Artist: Anonymous
Subjects: flushing

Guilds were urban organisations of people in specific occupations. The guild represented the interests of the profession. Each member had a token as proof of membership. The person’s name was engraved on one side of the token, often together with the arms of the guild or of the city in which it was based. The other side carried a motif signifying the occupation represented by the guild.
Lock
Object type: lock
Date: 1401 – 1600
Materials: iron
Culture: european or french
Subjects: men

The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or coffrets and other types of storage chests was a result of the increasing urbanization of life and the new emphasis on material wealth and private ownership which developed in the late Middle Ages.
Dish
Object type: dish
Date: 960 – 1279
Materials: stoneware
Culture: chinese
Vier foto's van kinderen van familie Onnen-Van den Berg tijdens een vakantie
Object type: photograph
Date: 1920 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: beach (as place of recreation), child, historical persons, family life, dog

Deze foto's maken deel uit van een album.
The Decapitation, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence)
Object type: print
Date: 1611 – 1619
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Coin Depicting the God Zeus
Object type: coin
Date: 100 – 1
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Jonge prins onvangt lezende man
Object type: drawing
Date: 1700 – 1900
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous

Jongeman gezeten op verhoging naast een oudere vrouw, onvangt een groep hooggeplaatste mannen, waarvan een uit een handrol voorleest.