deem-data/ArtiFact huggingface dataset:
Evening wrap
Object type: evening wrap
Date: 1900 – 1900
Materials: silk
Culture: french
Artist: madeleine laferrière
Artist role: designer
Artist nationality: french
Artist dates: 1847 – 1912
Portret van Thomas Schröer
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, etching
Subjects: scroll - ll - scroll unfolded, walker and runner birds: ostrich, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
The Battle of Gettysburg, Pa., July 3rd, 1863
Object type: print
Date: 1863 – 1863
Materials: stone
Techniques: hand coloring, lithograph
Artist: currier & ives
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1907
Subjects: battles,army,american civil war,men,horses

The New York lithographer-publisher Currier & Ives issued this print soon after the Battle of Gettysburg to commemorate the dearly won Union victory. The text below the image sets the tone: This terrific and bloody conflict between the gallant Army of the Potomac, commanded by their great General George G. Meade, and the hosts of the rebel Army of the East under General Lee, was commenced on Wednesday July 1st and ended on Friday the 3rd at 5 o’clock p.m.—The decisive battle was fought on Friday, ending in the complete rout and dispersion of the Rebel army.—A Nations thanks and undying fame ever crown the Arms of the heroic soldiers who fought with such unflinching bravery this long and desperate fight. Gettysburg proved to be the Confederacy’s last great effort to engage the Union on home ground, and the three-day battle produced more casualties than any other in the Civil War with 40,000 to 50,000 lost on both sides. In the foreground General Meade directs Major General Daniel E. Sickles–an historical inaccuracy since Sickles was not on the field on July 3, having been wounded the day before after famously disobeying an order from Meade. In the background the fierce fighting likely represents Pickett's Charge, the central action on July 3, where 12,500 Confederates assaulted the Union line on Cemetary Ridge and came close to breaking through but were repulsed. After the battle Robert E. Lee led his shattered army back to Virginia and the focus of the war shifted to Southern soil.
Textile sample
Object type: textile sample
Date: 1900 – 1900
Materials: silk
Artist: Anonymous
Artist role: designer
Archi rampanti e pinnacoli visti dal secondo piano dei tetti
Object type: photomechanical print
Date: 1879 – 1889
Materials: paper
Techniques: photograph
Location: milan
Subjects: roof (of house or building), church (exterior), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘Tavola No. 9.’
Feestmaal van Dido en Aeneas en Cupido vermomd als Ascanius
Object type: print
Date: 1515 – 1566
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: (story of) dido, the story of aeneas' wanderings to italy (virgil, aeneid), venus gives cupid the form and features of ascanius
Inscriptions: collector's mark: Lugt 240

Kopie in spiegelbeeld naar prent van Marcantonio Raimondi. Raimondi baseerde zich op een ontwerp van Raphael.
Stad Brussel, rekenpenning geslagen ter ere van Van der Noot
Object type: jeton
Date: 1627 – 1627
Materials: copper
Techniques: striking
Location: belgium
Artist: Anonymous
Subjects: brussels

Koperen penning. Voorzijde: gehelmd wapenschild binnen omschrift. Keerzijde: aartsengel Michael met zwaard boven hoofd geheven in gevecht met ter aarde liggende draak binnen omschrift
Carpet
Object type: carpet
Date: 1701 – 1800
Materials: wool
Techniques: weave
Location: turkey
Toneeldecors van de nieuwe Amsterdamse Schouwburg, 1787-1794
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theatre, theatrical performance, stage design
Inscriptions: collector's mark: Lugt 1641, stamp

Toneelvoorstelling in de nieuwe Amsterdamse Schouwburg met het coulissendecor De Ouderwetsche Burgerkamer, met scène uit De Stiefmoêr. Het decor gedrukt van een aparte plaat binnen een passe-partout met de zaal, zijloges, pilaren met standbeelden en de façade van het toneel. In het onderschrift een zesregelig vers. Onderdeel van de serie van veertien toneeldecors van de nieuwe Amsterdamse Schouwburg, 1787-1794. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Tooneel, Decors voor de Schouwburg.
Design for a Façade
Object type: drawing
Date: 1734 – 1766
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: architecture,buildings
Ste. Calliope, martyre (St. Calliope, Martyr), June 8th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Stenen trap tegen een rotsachtige bergwand
Object type: sketchbook leaf
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: trees, flight of steps, rocks
Inscriptions: annotation: ‘vol gevallen/ hout grijze takken doode halve/ staande stammen’

Langs de trap staan dode halve boomstammen. Blad 15 recto uit een schetsboek met 47 bladen.
Twee ridders nabij kasteel Wartburg
Object type: print
Date: 1814 – 1899
Materials: paper
Techniques: etching
Location: germany
Artist: friedrich preller
Artist role: painter
Artist dates: 1804 – 1878
Subjects: fortress, castle, knight
Inscriptions: collector's mark: Lugt 2228

De titel in de ondermarge is bij deze afdruk afgeknipt.
Portret van Willem III, prins van Oranje
Object type: manuscript
Date: 1688 – 1702
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain

Portret van Willem III in een ovaal van eikenloof. Midden onder zijn wapen met een kroon, een leeuw en een eenhoorn, gedecoreerd met de Kousenband en het devies van de Orde van de Kousenband. Op een voetstuk zijn naam en titels. Daaronder losse opgeplakte handtekening met pen.
Fabel van de wind, de zon en de wandelaars
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: prague
Subjects: sun represented as face, wheel, etc., fables, 'en route', traveller under way, gods of the winds

De wind en de zon strijden wie het machtigste is. De koude wind zorgt ervoor dat een wandelaar zich warm kleed. De zon zorgt ervoor dat een wandelaar zijn mantel afwerpt. De moraal van het verhaal leert dat het volk liever met zachte hand wordt bestuurd.
Gezicht op het Piazza di Spagna in Rome, in de verte de Zuil van de Onbevlekte Ontvangenis en de Spaanse Trappen
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: rome
Subjects: square, place, circus, etc.
Inscriptions: number: ‘498’, inscription: ‘Item # 421/ 45x/ gekocht augustus 1971 uit catalogus no 1 Jerry R R[...]/ New York/ $ 3.50’
Fear
Object type: print
Date: 1825 – 1825
Techniques: hand coloring, lithograph
Artist: louis léopold boilly
Artist role: artist
Artist nationality: french
Artist dates: 1761 – 1845
Subjects: girls,men,women,cats,mice
De Gas-Opsteker der Stads-Lantaarnen, aan de ingezetenen van Amsterdam
Object type: print
Date: 1888 – 1889
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: gas-lamp, gas supply, digging (industrial process), street lighting, amsterdam

Nieuwjaarswens van de Amsterdamse gaslantaarnopstekers voor het jaar 1889. Centraal een vers in twee kolommen. Bovenaan de Dam met de beurs van Zocher te Amsterdam. Onderaan de Hollandsche Gasfabriek en twee gasfitters aan het werk. Van de gaslantaarnopsteker: H. Rouws. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Figure of a Beggar
Object type: figure
Date: 1754 – 1755
Materials: enamel, soft paste porcelain
Artist: joseph willems
Artist role: modeler
Artist nationality: flemish
Artist dates: 1716 – 1766
Subjects: men
Lege lijst met vierluik
Object type: frame
Date: 1880 – 1900
Materials: glass, metal, wood
Artist: Anonymous
Scherzo di Follia
Object type: photograph
Techniques: gelatin silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
Intartenimento che demo ogni giorno li Ciarlatani from Habiti d'huomeni et donne Venetiane
Object type: print
Date: 1610 – 1610
Techniques: engraving
Artist: giacomo franco
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1620
Subjects: buildings,guitars,crowd
Nederlands landschap
Object type: stereograph
Date: 1913 – 1930
Materials: glass
Techniques: photography
Location: netherlands
Artist: theodoor brouwers
Artist role: amateurfotograaf
Artist dates: 1874 – 1932
Subjects: amsterdam, theodoor brouwers, netherlands

In de periode 1911-1932 woonde op plantage Accaribo in Suriname de familie Brouwers van wie de foto's afkomstig zijn. Rond 1910 vond Theodoor Brouwers werk op plantage Accaribo. In 1929 werd hij eigenaar van de plantage. Op Accaribo werden in zijn tijd bananen geproduceerd en wat koffie.
Fragmenten koperen plaatwerk uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, sheet metal fragments: worked, with circular, rectangular or square holes; fragm, squashed, eroded, 1 nail-hole.
Boschnegerdorp
Object type: photograph
Date: 1808 – 1897
Materials: photographic support
Techniques: collodion silver print
Location: suriname
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: public road in village (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘Boschnegerdorp’

Gezicht op een dorp van bosnegers, waarschijnlijk Albina in augustus 1897. Fotoafdruk in een fotoalbum van Théodore van Lelyveld over Suriname uit 1895-1898.
Wainscot armchair
Object type: armchair
Date: 1600 – 1600
Materials: wood
Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto Ve(nez)iano
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: city-view, and landscape with man-made constructions, landscape with ruins, grave, tomb, rome
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Entourage, XVIe Siècle
Object type: page
Date: 1875 – 1880
Materials: paper
Techniques: photolithography
Location: antwerp
Subjects: september; 'settembre' (ripa), ornament ~ grotesque
Inscriptions: inscription: ‘LITT. E. - PL. 13’, monogram: ‘JJvY’, inscription: ‘ENTOURAGE tiré du (...)’
Portret van Johanna van Albret
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: paris, historical persons - bb - woman, queen
Nachtlandschap met slapende herder en vee
Object type: print
Date: 1696 – 1742
Materials: paper
Techniques: mezzotint
Location: haarlem
Artist: vincent laurensz. van der vinne (ii)
Artist role: draughtsman, print maker
Artist dates: 1686 – 1742
Subjects: cow, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sleeping; unconsciousness
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Landschapsverdure met jachtscènes
Object type: verdure
Date: 1575 – 1600
Materials: silk, wool
Techniques: tapestry

Wandtapijt met jachttafereel. In een boslandschap met open plek zijn jagers bezig met het vogelschieten, terwijl op de voorgrond een panter (?) door jagers en honden wordt opgejaagd. Randen met grotesken en cartouches.
Bronze hoof of a horse
Object type: horse hoof
Date: 1 – 200
Materials: bronze
Culture: roman
The Actor Hayakawa Hatsuse as a Flower Vendor
Object type: print
Techniques: hand coloring, woodblock print, urushi
Location: japan
Artist: okumura toshinobu
Artist nationality: japanese
Artist dates: 1717 – 1750
Bord
Object type: miniature
Date: 1782 – 1782
Materials: silver
Location: amsterdam
Artist: Anonymous
Inscriptions: maker's mark

Rond eetbord met geschulpte rand. Op de rand zijn guirlandes gegraveerd. In het midden van het bord is een bloem gegraveerd. Het bord is gemerkt: stk.= Amsterdam, jrl.= X (1782) en mt.= Voet 430. Het bord is een exemplaar uit een set bestaande uit 36 identieke borden (BK-NM-11177-189 t/m BK-NM-11177-224).
La Taureaumachie
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: aquatint, etching
Location: paris
Subjects: bullfight, bull-fighter, toreador
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een serie van 40 prenten door Francisco de Goya met voorstellingen van stierengevechten. De eerste editie bestond uit 33 genummerde prenten en werd uitgegeven in 1816. Dit betreft de derde editie, uitgegeven in 1876 door Eugène Loizelet en door hem voorzien van een titelprent en lijst met titels. Naast de 33 prenten publiceerde Loizelet ook de prenten die door Goya op de achterkanten van 7 van de platen werden geëtst. Deze zijn niet voorzien van nummers maar van de letters A-G.
The Virgin and Child in the clouds
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: madonna (i.e. mary with the christ-child) in the air, or on the clouds
Inscriptions: mark: Lugt 1138 c, mark: Lugt 2228, signature and date: ‘Rembrandt f. 1641’
Portret van James Staats Forbes
Object type: print
Date: 1859 – 1914
Materials: paper
Techniques: drypoint, roulette
Subjects: james staats forbes, historical persons, art collector
Inscriptions: : ‘To my old + dear friend/ Josef Israels In remembrance of many fast years, Hubert’, collector's mark: Lugt 2228

Linksonder een remarque met een schetsmatige voorstelling van mogelijk Apollo of Jupiter op een gevleugelde strijdwagen.
Portret van een onbekende man
Object type: photomechanical print
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Location: darmstadt
Subjects: historical persons
Inscriptions: monogram: ‘BX’
Cathedram S. Petri in interiore templi fronte...Plate 41 from the Album 'Basilica di S. Pietro in Vaticano'
Object type: collection ornament architecture
Date: 1666 – 1666
Techniques: engraving
Location: rome?
Artist: françois spierre
Artist role: artist
Artist nationality: french
Artist dates: 1639 – 1681
Subjects: interiors,churches

Frontal view of the Cathedra Petri in the Saint Peter's Basilica in Rome, as designed by Gian Lorenzo Bernini and installed in the basilica in 1666.
Fragment (Border)
Object type: textile
Date: 1601 – 1700
Materials: textile
Techniques: brocade
Location: iran
Weight
Object type: weight
Date: 3000 – 1
Materials: mineral
Location: cyprus or western asia
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Exterior, two rim fragments with parts of circumscribed palmettes with elongated central fronds
Measure
Object type: measure
Date: 1726 – 1750
Materials: pewter
Artist: john de st. croix
Artist role: maker
Artist dates: 1729 – 1729
Fragmenten stelen van vorken of lepels uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fork
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Cutlery, fragment: stem of fork or spoon; fragm, sim. NG 1980-27H49a.
Tureen with cover
Object type: tureen with cover
Date: 1760 – 1770
Materials: hard paste porcelain
Subjects: insignia
Boten op het water
Object type: print
Date: 1727 – 1793
Materials: paper
Techniques: etching
Location: netherlands
Subjects: ships (in general)
Inscriptions: collector's mark: Lugt 240
Demitasse Cup and Saucer
Object type: demitasse cup and saucer
Date: 1885 – 1887
Materials: porcelain
Culture: american
Location: united states
Artist: union porcelain works
Artist role: maker
Artist nationality: american
Artist dates: 1863 – 1922

Union Porcelain Works was one of the most important and inventive American porcelain manufacturers in the second-half of the nineteenth century. In addition to their imaginative works designed by the German-born artistic director, Karl H. L. Müller, the firm’s mainstay was the production of heavy porcelain hotel dinnerware. This extensive service was made by Thomas Carll Smith, head of the Union Porcelain Works, as a gift to his daughter, Pastora Forest Smith Chace. The neoclassical decoration of the gilt bellflower and basket motif is complimented by turquoise enamel. Unlike the firm’s more eccentric and lavish designs created for their display at the Philadelphia Centennial Exposition in 1876, the pottery favored a more restrained classical style for their dinner services. This service descended in the Chace family.
Textile Fragment
Object type: textile fragment
Date: 1701 – 1800
Materials: linen, metal thread, silk
Techniques: embroidery, weave
Location: greece
Subjects: flowers
Portret van Edmund von Hagen
Object type: photograph
Date: 1874 – 1907
Materials: cardboard, paper
Techniques: albumen print
Location: germany
Artist: wilhelm höffert
Artist role: fotograaf
Artist dates: 1832 – 1901
Subjects: historical persons
Inscriptions: inscription: ‘Edmund von Hagen.’, inscription: ‘W. Höffert/ Koningl. Sch & Königl. Preuss Hof-Photograph/ HANNOVER/ Georgstrasse 9./ DRESDEN/ See-Str. 1-, Kaufhaus/ BERLIN/ Leipziger-Platz No. 12n./ LEIPZIG/ Schlossgasse 1, Petersbrücke./ HAMBURG/ Jungfernstieg No. 6.’
Verbotene Fruchte, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
High Fun for John Bull, or the Republicans Put to their Last Shift
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,politics

John Bull stands with a whip at left, watching the baking of ships for France in a Dutch Oven. A Dutchman pushes into the oven on a shovel a batch of ships, and says, "Donder & Blaxan to Dis Fraternization instead of smoaking mine Pipes & sacking De Gold, Dis french Broders make me build Ships Dat Mynheer Jan Bull may have De Fun to take dem." A Frenchman kneels behind him holding out another batch of ships on a tray, and says, "Sacredieu Citoyens make a Haste wit one autre Fleet, den we will shew you how to make one grande Invasion." A French peasant approaches with a heavy receptacle inscribed: "Ruination, Botheration, Confiscation, Requisition, Plunderation, Limitation, Execution, Constitution, Fraternization, Naturalization, Expedition, Abolition, Cutthroatation & Damnation." Behind the Dutchman a Spaniard holds a tray of cannons on his head, and says, "How! That Nelson wit one Arm & Eye, can take our Ships by Dozens then vat shall we do against the autres, wid two Arms and Eyes, dey will have two dozen at a Time." John Bull answers, "What? you could not find that out before you stupid Dupes, but since you began the fun you shall keep on - So work away Damn ye else Jack Tar will soon be idle". Behind at left, Jack Tar stands with a large tray of ships on his head, saying, "Push on keep moving I'll soon come for another Cargo for Old England for ever Huzza."
Pig
Object type: religious ritual object
Materials: jade
Location: china
Gezicht op het Buitengasthuis te Amsterdam
Object type: photograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: hospital
Inscriptions: annotation: ‘Buitengasthuis te Amsterdam’
Vase
Object type: vase
Date: 1734 – 1900
Materials: bronze
Culture: japanese
Fragment
Object type: fragment
Date: 1701 – 1733
Materials: silk
Subjects: leaves
Ontwerpen voor hekken
Object type: ornament print
Date: 1686 – 1724
Materials: paper
Techniques: etching
Location: augsburg
Subjects: ornaments ~ art, gate, entrance
Inscriptions: signature: ‘Ieremias Wolff excud. Aug. Vind.’, number: ‘No. 10.’, signature: ‘Berain invent.’

Drie hekken met een hoek pilaster, elk met een monogram in een medaillon. Eerste prent uit een serie van vijf. Prent maakt deel uit van een album. Gespiegelde kopie naar Frans origineel.
't Seglis, en Boompoort; te Alkmaar
Object type: print
Date: 1746 – 1747
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc., bridge, windmill
Inscriptions: collector's mark: Lugt 195

Prent gebruikt in: Boomkamp, Gysbert. Alkmaer en deszelfs geschiedenissen uit de nagelatene papieren van Simon Eikelenberg (...). Rotterdam: Philippus en Jakobus Losel, 1747.

Zie ook RP-P-1905-659 en RP-P-AO-9A-4.
Zelfportretten van Cor van Teeseling
Object type: drawing
Date: 1942 – 1942
Materials: paper, pencil
Location: weteringschans
Artist: cor van teeseling
Artist role: draughtsman, sculptor
Artist dates: 1915 – 1942
Subjects: amsterdam, draughtsman, sculptor, cor van teeseling, historical persons, prisoner in cell or locked place, portrait, self-portrait of draughtsman
Inscriptions: signature and date: ‘Cor van Teeseling / 18-2-42’

Zelfportret van Cor van Teeseling met pet: B-1-1, 18 februari. Getekend zelfportret van Cor van Teeseling driekwart, zijn gezicht naar rechts gewend.
Staand gevlekt paard, naar rechts, in een landschap
Object type: drawing
Date: 1775 – 1833
Materials: chalk, paper, pencil
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: horse
Fotoreproductie van een gegraveerd portret van de gebroeders Jacob en Wilhelm Grimm
Object type: album leaf
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: max pflaum
Subjects: berlin, jacob ludwig karl grimm, historical persons, portrait of a writer
Inscriptions: annotation: ‘Gebr Grimm’, inscription: ‘Photographisch Atelier/ MAX PFLAUM/ Berlin/ Leipziger-Strasse 44’, annotation: ‘Jacob 1785-1863/ Wilhelm 1786-1859’
Landschap met huizen achter een waterval
Object type: print
Date: 1750 – 1811
Materials: paper
Techniques: printmaking, etching
Location: dresden
Artist: carl friedrich holtzmann
Artist role: print maker
Artist dates: 1740 – 1811
Subjects: landscapes, waterfall, hunt ~ other animals
Inscriptions: collector's mark: Lugt 240
Teabowl
Object type: teabowl
Date: 1630 – 1630
Materials: clay
Techniques: overglaze, underglaze
Culture: japanese
Artist: honnami kuchu
Artist role: artist
Artist nationality: japanese