deem-data/ArtiFact huggingface dataset:
Erewacht bij het Vondelparkpaviljoen in Amsterdam
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: photograph
Location: amsterdam
Artist: barend groote
Artist role: fotograaf, fotohandel
Artist dates: 1862 – 1946
Subjects: the hague, print maker, wilhelmina of the netherlands, hendrik (prins der nederlanden (1876-1934)), guard of honour, public gardens, park, historical events and situations, amsterdam
Inscriptions: annotation: ‘De Eerewacht.’

5 maart 1901, feestelijkheden ter gelegenheid van het huwelijk van koningin Wilhelmina en prins Hendrik
Cylinder seal
Object type: cylinder seal
Materials: stone
Location: egypt (?)
Portret van twee meisjes in witte jurken en hoeden met mand vol bloemen
Object type: album leaf
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: the hague
Artist: joan zwaan
Artist role: draughtsman
Artist dates: 1856 – 1937
Subjects: girl (child between toddler and youth)
Inscriptions: inscription: ‘J. van Zwaam/ Asserdelftstraat 34/ Den Haag’
John Fernhout en Joris Ivens achter een veldkijker, China
Object type: photograph
Date: 1938 – 1938
Materials: paper
Techniques: gelatin silver print
Location: china
Artist: robert capa
Artist role: fotograaf
Artist dates: 1913 – 1954
Subjects: john fernhout, nijmegen, paris, joris ivens, filming, cinematographer at work - cc - out of doors, binoculars, spy-glass, etc., china
Inscriptions: stamp: ‘E 253’
Portret van Lafontaine
Object type: page
Date: 1869 – 1874
Materials: paper
Techniques: woodburytype
Location: brussels
Artist: Anonymous
Subjects: portrait of actor, actress
Inscriptions: number: ‘No 3.’
Actinie
Object type: page
Date: 1890 – 1900
Materials: paper
Techniques: autotype
Location: france
Subjects: coelenterata: anemone
Inscriptions: number: ‘Planche VII.’
Ioannes Stalpaert van der Wiele
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Subjects: adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Alberdingk Thijm, Josephus Albertus. Joannes Stalpaert van de Wiele. S.l.s.n., 1852.
Bowl with a Bust of Mucius Scaevola
Object type: ceramic
Date: 1535 – 1545
Materials: earthenware
Techniques: maiolica, glazing
Culture: italian
Location: faenza
Inscriptions: Inscription: MVCIE
Tenerife
Object type: photograph
Date: 1860 – 1915
Materials: paper
Techniques: gelatin silver print
Location: tenerife
Artist: jordão da luz perestrello
Artist role: fotograaf
Subjects: tenerife

Het object bestaat uit drie aaneen geplakte foto's van de kustlijn van Tenerife.
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, head and upper torso of Pan; offset lip inside and outside
The Virgin Seated on an Altar
Object type: print
Date: 1520 – 1540
Materials: paper
Techniques: engraving
Location: france
Artist: jean de gourmont
Artist role: artist
Artist nationality: french
Artist dates: 1506 – 1551

Here the Virgin and Child—sitting atop a classical altar turned into a Christian throne—preside over an audience of awed shepherds. A luxuriously patterned cloth of honor with tassels softens the rigid architecture, spilling forward down the steps to the rapt audience.
Dessertvork met het helmteken Clifford
Object type: fork
Date: 1806 – 1806
Materials: silver
Location: amsterdam
Artist: roelof helweg
Artist role: silversmith
Artist dates: 1758 – 1843
Inscriptions: maker's mark: ‘RH in ovaal’, alloy mark: ‘Hollandse leeuw’, date letter: ‘X (=1806)’, town mark: ‘Amsterdam’

De viertandige vork is aan zowel boven- als onderzijde door middel van enkel lof verbonden met de platte, gebogen steel, die zich verbreedt naar het spatelvormige uiteinde. Boven- en onderzijde van de steel worden omgeven door een dubbele filetrand, die bij het uiteinde ingezwenkt is. Op de onderzijde van de spatel is het helmteken Clifford gegraveerd.
Regionale klederdrachten
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: historical costume, folk costume, regional costume
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van paren in verschillende Nederlandse klederdrachten. Onder elke afbeelding een onderschrift. Genummerd rechtsonder: No. 16.
A Wooded River Landscape with a Church and Figures
Object type: drawing
Date: 1613 – 1613
Materials: gold paint, gouache, graphite, ink, lead, paper, watercolor
Techniques: pen
Artist: hendrick avercamp
Artist role: artist
Artist nationality: dutch
Artist dates: 1585 – 1634
Subjects: churches,rivers,landscapes

Here, on a sheet hardly larger than a postcard, the artist invites the viewer to enter the composition with the woman at lower left, wandering from the woodland, past the tavern, the brook, the church, the shepherds, and the roadside cross, to a riverbank at right, from where the view leads to a city at the foot of a mountain chain. Although drawings by Avercamp survive in relatively large numbers, most are quick sketches of figures or other motifs. His finished drawings are much rarer, and the present one is among his best of an imaginary landscape. A comparable sheet bears an inscription stating that it was sold in 1613 directly by Avercamp, confirming that his finished drawings were appreciated by collectors—and produced by the artist—as works of art in their own right. They must have delighted by the charm of the composition, the detail and lightness of the execution, and the freshness of the colors—and they still are able to do so today.
Metamorphoseon sive transformationum
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: etching
Location: antwerp
Subjects: perimele changed into an island: perimele, when thrown into the sea by her father hippodamas, is changed into an island by neptune, at achelous' request (ovid, metamorphoses viii 609)
Inscriptions: collector's mark: Lugt 240

Perimele wordt in zee gegooid door haar vader Hippodamas en veranderd in een eiland door Neptunus. Op de voorgrond links een riviergod. Titel in het Latijn in ondermarge.
Terracotta rim fragment of a kyathos (cup-shaped ladle)
Object type: kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Below the rim, head and neck of a bearded figure to right
Straatverkoper van papieren slingers
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: street-trader, europe
Inscriptions: number: ‘42’, inscription: ‘vg 75’
Porch of Kerk Alkmaar
Object type: photograph
Date: 1912 – 1912
Materials: photographic support
Techniques: gelatin silver print
Location: alkmaar
Artist: Anonymous
Subjects: parts of church exterior and annexes: porch, gate, entrance, travelling; tourism

Onderdeel van Fotoalbum van de excursie naar Nederland van de Britse amateurfotografenvereniging P.C.U.K.
The Group in Action
Object type: print
Date: 1817 – 1817
Techniques: lithograph
Artist: horace vernet
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1863
Panorama of five sheets taken from wharf superintendent's house
Object type: panoramic photograph
Date: 1890 – 1905
Materials: photographic support
Techniques: albumen print
Location: singapore
Subjects: pier, quay, wharf, shipyard, shipdock, shipbuilding industry, singapore

Panorama bestaande uit vijf afdrukken. Onderdeel van Fotoalbum van de Tanjong Pagar Dock Co. Ltd. in Singapore.
Het sluiten van de Kamerijksche Vrede, in 1529
Object type: history print
Date: 1782 – 1784
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: frans i van valois-angoulême (koning van frankrijk), ghent, charles v (holy roman emperor and king of spain), signing of peace treaty, concluding the peace

Illustratie voor: J.W. te Water, De vaderlandsche Historie van den heere J. Wagenaar, verkort, en met leerzaame aanmerkingen, ten dienste der Nederlandsche jeugd, 1784-1800, 4 delen, p. 270, pl. XXXII.
Landschap
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Artist: w. rawlings
Artist role: fotograaf
Subjects: landscapes
Inscriptions: collector's mark: ‘Worcester Public Library/ Victoria Institute’

Prent op vijfde ongenummerde pagina na pagina 68.
Glass bowl
Object type: bowl, patella
Date: 1 – 33
Materials: glass
Culture: roman

Opaque white. Outsplayed rim with angular outward edge; convex curving side; convex bottom within slightly outsplayed base ring with rounded edge. Intact, except for small weathered chip in underside of rim; pitting, dulling, and creamy brown weathering covering whole of interior and most of base ring and bottom. Small opaque white cup, without decoration.
Isis and Horus
Object type: statuette, isi, horus
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: horus,isis,nursing

Isis’ name is first attested in the fifth dynasty in the Pyramid texts. She was the wife of Osiris and the mother of Horus, and thus was symbolically mother to the pharaoh. In the Late Period, the popularity of this important goddess dramatically increased. She is nearly always depicted in anthropomorphic form, standing or seated on a throne. This statuette shows the goddess in her most beloved pose, nursing her son Horus (known also as the lactans pose). Other goddesses sometimes nurse Horus or other child gods, but Isis is preeminent among them in this role. She wears the horned crown that by the Late Period she had adopted from the goddess Hathor, as well as the vulture headdress that emphasized the role of goddesses as royal mothers. Horus wears an amulet on his chest, a common feature for child gods. The large number of statuettes in this particular pose demonstrate some of the qualities for which Isis was most valued in the first millennium BC: her role as a life-giver and protector. These types of statuettes were very common, dedicated not just to Isis cults, but seemingly to many temples and shrines, usually in association with Osiris and the child god Horus.
H. Antonius voorspelt zijn eigen dood
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: etching
Location: rome
Subjects: the hermit antony abbot (antonius abbas) of egypt, also called the great; possible attributes: bell, book, t-shaped staff, flames, pig
Inscriptions: collector's mark: Lugt 11, number: ‘27’, collector's mark: ‘Hinloopen’

Deze prent maakt deel uit van een reeks van 27 prenten (+ titelprent) over het leven van de heilige Antonius, naar een frescocyclus in de S. Antonio Abbate in Rome door Giovanni Battista Lombardelli en Niccolò Circignani.
Twee portretten van een onbekende vrouw en een kind die woede en spot tonen
Object type: photomechanical print
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Subjects: passions, emotions, affections, weeping
Inscriptions: number: ‘Tav. IV 1 2 (Pag. 149)’
Melkkan
Object type: miniature
Date: 1748 – 1748
Materials: silver
Location: amsterdam
Artist: daniël van strant
Artist role: silversmith
Artist dates: 1694 – 1756

Peervormige melkkan op drie brede, platte, naar buiten gebogen poten. Het handvat is S-vormig en de bovenrand van de kan is gekarteld. De melkkan is gemerkt: stk.= Amsterdam, jrl.= O (1748) en mt.= toegschreven aan Daniel van Strant.
Illustrated “Anthology of Tang-Dynasty Poems” in Five-Syllable Lines (Tōshisen ehon gogon ritsu hairitsu) 画本唐詩選五言律排律
Object type: illustrated book
Date: 1836 – 1836
Techniques: bookbinding
Culture: japanese
Artist: katsushika hokusai 葛飾北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: women,mythical creatures,plants
Vrouwelijke allegorieën in landschappen
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching, intaglio
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: city-view, and landscape with man-made constructions, river, fama as roman personification
Inscriptions: collector's mark: Lugt 2228, number: ‘72’

Prent maakt deel uit van een serie van zes prenten met vrouwelijke allegorieën in landschappen.
Female Figurine
Object type: statuette, nude woman, armless
Date: 1981 – 1550
Materials: bronze, ivory
Location: egypt
Subjects: female nudes
Minerva bij portretbuste van een man
Object type: print
Date: 1775 – 1846
Materials: paper
Techniques: etching
Location: vienna
Subjects: (story of) minerva (pallas, athena), historical persons, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228
Vier vrouwen in verschillende kostuums
Object type: costume print
Date: 1630 – 1661
Materials: paper
Techniques: etching
Location: paris
Subjects: container made of plant material other than wood: basket, dress, gown (+ women's clothes), veil, france
Inscriptions: collector's mark: Lugt 240

Vrouw, ten voeten uit, op de linkerzijde gezien, een mand aan de arm, gehuld in Franse landelijke kleding zoals die gedragen werd rond 1625.
La Petite Taupe du Cap / La Grande Taupe du Cap
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: engraving, etching
Artist: christian friedrich fritzsch
Artist role: print maker
Artist dates: 1719 – 1774
Subjects: other mammals: mole
Inscriptions: label: ‘B5’

Gebruikt als boekillustratie in: van G.L. Leclerc de Buffon en L.J.M. Daubenton, bewerkt door J.N.S. Allamand, Histoire Naturelle (Nouvelle Edition bewerkt door J.N.S. Allamand), Amsterdam: J.H. Schneider, 1766-1799, supplement V (1781).
Turgot: –Eh, well, my poor Count, it appears that they borrow my name as they have taken yours for the sake of creating the sign of a shop, from 'News of the day,' published in Le Charivari, October 7, 1867
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men
Jacobus II komt aan te Saint-Germain-en-Laye, 1690
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: jacobus ii (koning van engeland en schotland), paris, london, arrival and return ~ travelling

De gevluchte koning Jacobus II komt aan bij het kasteel Château de Saint-Germain-en-Laye waar hij wordt verwelkomd door koningin Maria van Modena met hun zoon de prins van Wales, juli 1690. Plaat nr. 10 in de serie 'Engelants schouwtoneel' over de oorlog tussen Willem III en Jacobus II in de jaren 1690-1691 na de Glorious Revolution, (derde deel). Met onderschriften in het Nederlands en Frans.
Fragment
Object type: textile
Date: 1 – 1532
Location: peru
Omslag voor serie prenten van de Utrechtse maskerade, 1856
Object type: wrapper
Date: 1856 – 1856
Materials: paper
Techniques: lithograph
Location: utrecht
Artist: pieter wilhelmus van de weijer
Artist role: print maker, printer, publisher
Artist dates: 1816 – 1880
Subjects: delft, william i (prince of orange), students' pageant, costumes used in pageants, utrecht

Omslag voor de groep van vijf platen met verklaring van de historische optocht in maskerade opgevoerd door de studenten van de Utrechtse Hogeschool op 17 juni 1856 ter gelegenheid van de viering van haar 220-jarige bestaan.
Soldaten overvallen reizigers
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: etching
Location: paris
Subjects: traveller(s) attacked by robber(s), plundering ~ soldiers, soldiers and civilians
Inscriptions: collector's mark: Lugt 240

Op een weg door een bos worden reizigers in een koets, ruiters en wandelaars met bepakking overvallen door soldaten. Onder de voorstelling een lege marge. Deze prent is onderdeel van een serie van 17 (18 incl. titelprent) prenten met voorstellingen van diverse soorten ellende die oorlogvoering met zich meebrengt.
Rock Crystal Chandelier from the so-called 'White Peller's House' [weiße Pellershaus] in Nuremberg
Object type: print ornament architecture
Date: 1700 – 1720
Techniques: engraving, etching
Artist: johann georg puschner
Artist role: artist and architect
Artist nationality: german
Artist dates: 1680 – 1749
Subjects: chandelier

Design for a rock crystal chandelier, produced in Italy (Milan). According to the inscription, added both in German and Latin, the chandelier supports 36 candles and is 9 1/2 Rhinish feet high while its circumference measures 21 Rhinish feet. The chandelier hung in the house chapel of the Peller family in Nuremberg. It was originally commisioned in Italy (ca. 1694) as a gift for the princely house of Thurn and Taxis. The merchant family Peller acted as an intermediate in this commission and when no agreement was reached over the final price of the chandelier they kept it in their house. Eventually they sold it to the Prussian King who had it restored and hung in the 'Rittersaal' in Berlin.
Sheet with overall floral and vine pattern
Object type: print
Date: 1767 – 1866
Techniques: relief print
Artist: Anonymous
Artist role: artist
Rug van een naakte figuur
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: back (+ nude human being)

Tevens een studie, mogelijk van een blad. Blad 52 verso uit een schetsboek met 69 bladen.
Hand and Forearm
Object type: drawing and watercolor
Materials: chalk, paper
Location: france
Artist: possibly antoine coypel
Artist nationality: french
Artist dates: 1661 – 1722
Ganesha Leads Shiva and Durga in Procession
Object type: painting
Date: 1701 – 1800
Materials: ink, paper, watercolor
Culture: indian
Subjects: bulls,elephants,tigers,durga,ganesha,shiva

The elephant-headed god Ganesha holds a goad and a bowl of sweets. Shiva, mounted on his bull, Nandi, catches the celestial Ganges river in his hair, which can be seen flowing in an arch to the ground from the top of his head. The goddess Durga carries a trident in one of her four arms, and rides her tiger mount. This colored drawing is possibly a fragment of a long scroll.
Studie van een naakte peuter en vrouw, door Jacques de Lalaing, voorstudie voor Heilige Maagd met het kind
Object type: album leaf
Date: 1900 – 1914
Materials: photographic support
Techniques: albumen print
Location: brussels
Artist: jacques lalaing
Artist role: painter, sculptor
Artist dates: 1858 – 1917
Subjects: infant, baby, artist (in general) working from nude model, the (nude) human figure; 'corpo humano' (ripa) (+ back view)
Portret van A.J. Bijleveld
Object type: album leaf
Date: 1863 – 1863
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: maurits verveer
Artist role: painter
Artist dates: 1817 – 1903
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘M. Verveer/ Photographe/ 46, Zeestraat, 46/ vis a vis du Willemspark/ La Haye’, annotation: ‘il votre affectionnée/ J. Bijleveld/ 1863’
Portret van Adelheid van Parijs
Object type: book illustration
Date: 1635 – 1635
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: historical persons

Prent uit: Eudes de Mézeray, François. Histoire de France, depuis Faramond jusqu’au regne de Louis le Juste (...). 3 dln. Parijs: Denis Thierry, Jean Guignard en Claude Barbin, 1635, dl. 1. Prent waarschijnlijk voor het eerst verschenen in: Bie, Jacques de. Les vrais portraits des rois de France (...). Parijs: Jacques de Bie en Pierre Rocolet, 1634. Prent ook gebruikt in latere publicaties.
Design for a Frieze: Garland and Animal Skull
Object type: ornament architecture
Date: 1701 – 1800
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: animals,garlands,skulls,faces
Apen spelen het kegelspel
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: leonard schenk
Artist role: print maker, publisher
Artist dates: 1696 – 1767
Subjects: bowling (+ out of doors (sports, games, etc.)), monkeys, apes, animals acting as human beings
Inscriptions: collector's mark: Lugt 2228

Apen spelen het kegelspel. Onderdeel van een serie bestaande uit een titelprent met 16 ongenummerde platen uit ca. 1720 waarin apen als mensen figureren in allerlei taferelen uit het dagelijks leven. Elke prent met een tweeregelig vers in het onderschrift.
Kastsleutel
Object type: key
Date: 1600 – 1699
Materials: iron

Kastsleutel met boonvormig oog en lange, gedeeltelijk geboorde schacht, die onderaan beschadigd is.
Preliminary drawing for a relief
Object type: relief drawing, sebeknakhte
Date: 2124 – 1504
Materials: limestone
Location: egypt

Blocks of fine limestone were used to line the walls of the tomb chapel and provide a surface for the decoration. Visible on this fragment is an owl, the hieroglyph for "m."
Proostende man en vrouw aan tafel
Object type: print
Date: 1670 – 1720
Materials: paper
Techniques: mezzotint
Location: england
Artist: Anonymous
Subjects: pipe ~ tobacco, laughing, alcoholic drinks
Inscriptions: collector's mark: Lugt 240
Standing Figure
Object type: figure
Date: 500 – 1500
Culture: mexican
Location: mexico
Subjects: human figures
Vrouw met baby
Object type: photobook
Date: 1870 – 1910
Materials: photographic support
Techniques: ferrotyping
Location: united states
Artist: Anonymous
Subjects: united states of america

Zittende witte baby, opzij een Zwarte hand.
Still-life with a Jar, Pears and Leaves
Object type: stereograph
Date: 1855 – 1865
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: great britain
Artist: Anonymous
Inscriptions: inscription: ‘E 25 (?)’
Illustration for a Book:  Soldiers Driving Ox Carts with Banners
Object type: drawing
Date: 1696 – 1770
Materials: chalk
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: soldiers,carts,ox
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

At the top of the panel, a palmette-lotus chain; below, unidentified subject
Horse
Object type: statuette
Date: 1701 – 1800
Materials: enamel, gilt, metal
Culture: chinese
Subjects: horses
Knoop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: button
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knoop. (1) flat, relieved decoration, flower-head motif (1.5d, 0.2t), key-shank broken
Maarten Luther 1526
Object type: history medal
Date: 1526 – 1526
Materials: tin
Techniques: casting

Tinnen penning, op de voorzijde het borstbeeld van Luther naar links, op de keerzijde drie regels tekst binnen een drievoudige cirkel.
Owl Warrior Bottle
Object type: bottle
Date: 401 – 700
Materials: ceramic
Culture: moche
Location: peru
Subjects: animals
Dom van Keulen in aanbouw
Object type: carte de visite
Date: 1867 – 1868
Materials: cardboard, paper
Techniques: albumen print
Location: cologne
Subjects: church (exterior)
Inscriptions: inscription: ‘Photographisches-Atelier/ von/ GEBRÜDER SCHÖNSCHEIDT/ in/ COELN a/R/ Schildergasse No. 85’