deem-data/ArtiFact huggingface dataset:
Krijgsgevangenenkamp en portretten van Dick van Maarseveen
Object type: album leaf
Date: 1943 – 1945
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: muhlberg
Subjects: the hague, dick w.b. van maarseveen

Albumblad met vier foto's: portret van Dick van Maarseveen, een wachttoren van het kamp, de ingang en Van Maarseveen op de trappen van een groot gebouw. Onderdeel van een fotoalbum met foto's door Dick van Maarseveen van het krijgsgevangenenkamp Stalag IV B in Mühlberg in de periode 1943-1945.
Landschappen
Object type: print
Date: 1729 – 1774
Materials: paper
Techniques: etching
Artist: christian friedrich fritzsch
Artist role: print maker
Artist dates: 1719 – 1774
Subjects: landscapes
Inscriptions: collector's mark: Lugt 2228

Twee dezelfde landschappen boven elkaar met rechts een huis en links een rivier waarop een roeiboot vaart. Het bovenste landschap betreft een nog uit te werken prent, het onderste landschap is afgemaakt. Gedrukt van twee platen, de onderste prent is linksboven met een 5 genummerd.
"King Sal Visits Kala Yavana", Folio from a Harivamsa (Legend of Hari (Krishna))
Object type: folio from an illustrated manuscript
Date: 1590 – 1595
Materials: gold, ink, paper, watercolor
Location: pakistan
Subjects: kings,men,thrones
Two Apostles
Object type: panel
Date: 1320 – 1335
Materials: glass, metal, pigment
Culture: french
Location: france
Subjects: apostles
Mlle. Legrande, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Earflare with ritual procession
Object type: earflare
Date: 1350 – 1470
Materials: gold
Culture: chimú
Location: peru
Artist: chimú artist(s)
Artist role: artist
Subjects: men
Seascape (La Naufrage)
Object type: print
Date: 1701 – 1800
Techniques: etching
Artist: adriaen manglard
Artist role: artist
Artist nationality: french
Artist dates: 1695 – 1760
Subjects: ruins,seascapes,rain,storms
Portret van David Georg Strube
Object type: print
Date: 1775 – 1840
Materials: paper
Techniques: engraving
Artist: ernst ludwig riepenhausen
Artist role: print maker
Artist dates: 1765 – 1840
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Design for Green and White Curtains with Green Fringes and a Green and Gold Pediment
Object type: drawing
Date: 1801 – 1833
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: windows,curtains
Ogee frame
Object type: frame
Date: 1720 – 1730
Materials: wood
Culture: dutch
Opzichter met werknemers
Object type: photograph
Date: 1900 – 1919
Materials: photographic support
Techniques: collodion silver print
Location: comal
Artist: Anonymous
Subjects: colonial system, plantation, director, boss (in modern industry), (non-fruit) products of plants or trees: sugarcane, industrial structures (+ men (labourers))

Een Europese opzichter staande bij een groep op de grond zittende Javaanse werknemers. Rechts een smalspoor en velden suikerriet. Onderdeel van het fotoalbum van de Tjomal suikerfabriek in de periode ca. 1900-1919.
Vitrage van machinale kant met opgaande bloem- en bladranken binnen schulpranden
Object type: sheer curtain
Date: 1890 – 1890
Materials: cotton
Techniques: lace
Location: plauen
Artist: Anonymous

Vitrage van machinale kant. Het patroon heeft opgaande bloem- en bladranken binnen drie schulpranden. De vitrage heeft aangenaaide ringen.
Gezicht op kasteel Schalkwijk
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: engraving, etching
Location: utrecht
Subjects: castle, landscape with tower or castle

Prent uit: De Ridder-matige Huysen en Gesichten in de Provincie van Utrecht. Amsterdam: Joachim Ottens, [ca. 1710].
Jupiter (Jupiter in aedibus Card. Burghesij), from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: animals,birds,jupiter

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 163 in the scrapbook. On a sheet with 41.72(2.157)-41.72(2.167)
Little London
Object type: print
Date: 1896 – 1896
Materials: ink, paper
Techniques: printing, stumping, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: cities,rivers,london
Les Vendanges
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: paris
Subjects: harvest, vintage, grape harvest
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Portret van Adolph Occo
Object type: print
Date: 1830 – 1874
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: augsburg, adolph occo (iii), gloves, mittens, etc., adult man, historical persons, knighthood order of the golden fleece
Inscriptions: collector's mark: Lugt 4100, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Linksboven: Gallerie Berühmter Augsburger Nr 8.
Smallsword with Scabbard
Object type: smallsword with scabbard
Date: 1760 – 1770
Materials: gold, leather, silver, steel, textile, wood
Culture: french
Location: france

By the early seventeenth century, the rapier, a long slender thrusting sword, began to dominate as the gentleman’s weapon of choice. During the course of the century, however, as civilian fencing techniques became more specialized and refined, the rapier developed into a lighter, trimmed-down weapon known by about 1700 as the smallsword. Smallswords, often richly decorated, remained an integral part of a gentleman’s wardrobe until the wearing of swords in civilian settings went out of fashion at the end of the eighteenth century, at which time pistols were replacing swords as arms most frequently used in personal duels. The majority of smallsword hilts are made of silver or steel, but many also employ a wide variety of luxurious materials, such as gold, porcelain, and enamel. At their best, smallswords combine the crafts of swordsmith, cutler, and jeweler to create an elegant weapon that was also a wearable work of art.
Portret van Georg Gottlob Richter
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving
Artist: georg daniel heumann
Artist role: print maker
Artist dates: 1691 – 1759
Subjects: historical persons, book, armorial bearing, heraldry
Inscriptions: date
Terracotta fragment of a closed shape
Object type: undetermined closed shape
Date: 600 – 301
Materials: terracotta
Culture: unknown fabric

Exterior, at the top, part of a band of black glaze; part of the small disk foot is preserved
Gipsen afgietsel van een sculptuur uit de Sint-Servaasbasiliek te Maastricht
Object type: album leaf
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: maastricht
Artist: Anonymous
Inscriptions: annotation: ‘[...] St. Servatius Maastricht’, annotation: ‘M 0.78 hoog M 0.46 breed’, annotation, annotation: ‘Verguld met geschilderd email’
½ roepie uit Hyderabad in India van Afzal-ad-daula, 1284 [=1862]
Object type: coin
Date: 1862 – 1862
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: in Arabische lettertekens opschrift met naam van de sjah. Keerzijde: in Arabische lettertekens opschrift met jaartal-aanduiding.
IJzeren gesmede wandarm
Object type: sconce
Date: 1400 – 1950
Materials: iron
Techniques: forging
Bezoek aan een Afrikaanse koning, 1598
Object type: print
Date: 1617 – 1619
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: sri lanka, landscapes in tropical and sub-tropical regions, exploration, expedition, voyage of discovery, guinea

De oorspronkelijke illustraties eerst gebruikt in: Barent Jansz Potgieter, Zacharias Heyns, Wijdtloopigh verhael van tgene de vijf schepen (die int jaer 1598 tot Rotterdam toegherust werden om door de Straet Magellana haren handel te dryven) wedervaren is, tot den 7. September 1599 toe, op welcken dagh capiteyn Sebald de Weert met twee schepen door onweder van de vlote versteken werdt. Ende voort in wat groot gevaer ... hy ... ghelegen heeft, tot dat hy ... weder naar huys heeft moeten keeren plaat, Z. Heyns, Amsterdam 1600. Deze kopieën gebruikt in: Oost-Indische ende West-Indische voyagien, Michiel Colijn, Amsterdam 1619 en later in: Kort ende waerachtigh Verhael van 't gheene seeckere vijf Schepen, van Rotterdam, in 't jaer 1598, den 27 Junij nae de Straet Magaljanes varende, over-ghekomen is. Opgenomen in: I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: No. 3.
Head of a Fantastic Animal
Object type: head
Date: 500 – 201
Materials: jade
Culture: chinese
Muntbiljet van 50 gulden
Object type: print
Date: 1884 – 1886
Materials: paper
Techniques: engraving
Location: netherlands
Artist: rudolf stang
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1927
Subjects: bank-note, money
Inscriptions: collector's mark: Lugt 2228
Tile
Object type: tile
Date: 1630 – 1640
Materials: earthenware
Techniques: glazing
Blad 60 uit Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel II (1930-1949)
Object type: photograph
Materials: paper, photographic support
Techniques: photography, printing, writing
Location: the hague
Artist: Anonymous
Subjects: further education (+ pupil), further education, the hague

Twee pagina's met gegevens van de deelnemers aan de 40e driemaandelijkse cursus van september tot december 1934, stamboeknummers 810 tot en met 814. Onderdeel van Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel II (1930-1949).
Sneeuwgezicht met dorpshuizen aan een plas
Object type: print
Date: 1854 – 1883
Materials: paper
Techniques: etching, intaglio
Artist: aristide de biseau
Artist role: print maker
Artist dates: 1844 – 1883
Subjects: landscapes, village, lake, winter landscape; landscape symbolizing winter (the four seasons of the year)
Inscriptions: inscription: ‘3e Etat 1e Epreuve’, collector's mark: Lugt 2228
Hollandse maagd geflankeerd door Mars en Mercurius
Object type: print
Date: 1677 – 1730
Materials: paper
Techniques: engraving, etching
Artist: jan van munnickhuysen
Artist role: draughtsman, print maker
Artist dates: 1655 – 1701
Subjects: (story of) mars (ares), personifications of countries, nations, states, districts, etc., (story of) mercury (hermes)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Hollandse maagd met pijlenbundels op haar troon, aan weerszijden Mars en Mercurius. Bij haar voeten ligt de Nederlandse leeuw.
Berglandschap
Object type: print
Date: 1873 – 1933
Materials: paper
Techniques: lithograph
Artist: hermannus adrianus van oosterzee
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1933
Subjects: mountains
Inscriptions: collector's mark: Lugt 2228
Chocolate pot
Object type: chocolate pot
Date: 1775 – 1790
Materials: hard paste porcelain
Artist: ludwigsburg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1758 – 1824
Subjects: men
Panorama van het Nieuwe Louvre: cour Napoléon gezien vanaf de Tuilerieën
Object type: album leaf
Date: 1857 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: permanent exhibition, museum, paris, tuileries palace

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 1.
Vase
Object type: vase
Date: 7000 – 330
Materials: terracotta

Two-handled vase with linear decoration.
Geluk en Vrede
Object type: print
Date: 1618 – 1655
Materials: paper
Techniques: engraving, etching
Artist: cornelis schut (i)
Artist role: draughtsman, print maker
Artist dates: 1597 – 1655
Subjects: symbols, allegories of peace, 'pax'; 'pace' (ripa), river-gods, luck, fortune, lot; 'fato', 'fortuna', 'fortuna aurea', 'fortuna buona', 'fortuna pacifica overo clemente', 'sorte' (ripa)
Inscriptions: collector's mark: Lugt 240

Vrede leidt de blinde Fortuna bij de hand. Fortuna staat met een voet op een globe. Op de voorgrond ligt een riviergod. Daarachter en in de lucht spelen putti.
Linstock
Object type: linstock
Date: 1650 – 1700
Materials: steel, wood
Culture: german
Location: germany
Subjects: animals
Folies Extravagantes de la France sur la Mort Imaginaire de Guillaume III Roy de la Grand' Bretagne Prince d'Orenge &c.
Object type: cartoon
Date: 1877 – 1879
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), london, maria ii stuart (koningin van engeland, schotland en ierland), clergyman, earl, cortege, funeral procession

Moderne reproductie van de Hollandse reproductie van een Franse spotprent op de vermeende dood van Willem III tijdens de slag aan de Boyne op 11 juli 1690. Begrafenisstoet waarin het lichaam van de dode Willem III op een brancard wordt gedragen, voorop George Savile, eerste markies van Halifax, met een toorts, gevolgd door de dragers: bisschop Gilbert Burnet, Charles Talbot, twaalfde graaf van Shrewsbury, Everhard van Weede van Dijkvelt en de graaf van Portland. Achter de baar de prinses van Oranje, een Hollander, een Engelsman, een Schot en een Ier. Linksachter een galg. Zonder de teksten onder de voorstelling.
Gazette du Bon Ton. Art – Modes & Frivolités: Layout
Object type: fashion print
Date: 1921 – 1921
Materials: paper
Techniques: letterpress printing, photochemical processes, pochoir
Location: buenos aires
Artist: lucien vogel
Artist role: publisher
Subjects: fashion plates
Inscriptions: date

The Gazette du Bon Ton was about more than just fashion. It was also a treat for the eyes for typographers and graphic designers. Texts and illustrations were arranged to form a harmonious whole. Rather daringly, large illus-trations often occupied an entire double-page spread.
Roundel, disk with coin impressions
Object type: roundel, disk with coin impression
Date: 400 – 301
Materials: gold
Boschgezicht
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Subjects: city-view, and landscape with man-made constructions
Inscriptions: inscription: ‘Boschgezicht’

Prent uit album met twaalf vroege lithografieën geproduceerd door de firma Dewasme-Pletinckx te Brussel naar J.C. Schotel, E.J. Verboeckhoven, B.J. van Hove en andere eigentijdse meesters in originele band.
Piece
Object type: piece
Date: 1715 – 1715
Materials: silk
Subjects: arches,columns,flowers
Half Pint Covered Wine Measure
Object type: metalwork
Date: 1740 – 1740
Materials: pewter
Location: england
Bekroning of uiteinde uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: bekroning
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic

Exterior, part of calves and frontal feet of a figure
Doopcertificaat  van Carlos Hugo Bourbon de Parma uitgegeven in Parijs
Object type: photograph
Materials: paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Inscriptions: stamp: ‘copyright ANEFO Achtergracht 17 Amsterdam C’
On ne s'avise jamais du tout, from "Contes et nouvelles en vers par Jean de La Fontaine.  A Paris, de l'imprimerie de  P. Didot, l'an III de la République, 1795"
Object type: print
Date: 1795 – 1795
Techniques: etching
Artist: jean-baptiste patas
Artist role: artist
Artist nationality: french
Artist dates: 1744 – 1802
Subjects: men,women,working
Salle François Ier, côte de la chiminée
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: permanent exhibition, museum
Inscriptions: workshop stamp: ‘Mieusement/ Photographe’, number: ‘Cluny 32’, collector's mark: ‘Rijks-normaalschool voor teekenonderwijzers Amsterdam’ Lugt 3937
Stencil with Pattern of Seascape on White Ground
Object type: stencil
Date: 1801 – 1900
Materials: paper, silk
Culture: japanese
Subjects: seascapes,boats

Stencils like these were traditionally used in Japan in a resist-dyeing process to produce lengths of patterned cloth. A length of white cloth was stretched out and paste was applied through the stencil, which was then removed to the next area and the next until the entire length was covered. The cloth was then dyed, usually with indigo, and the areas covered with the paste resisted the dye. In both of these stencils, note that half of the pattern is upside down, resulting in a finished product in which either end can serve as the top. The ground is cut away in the smaller stencil, placing it in the category of stencils called jishiro, literally "white ground." When paste is applied through jishiro stencils, the result is a dyed pattern on a reserved or white ground.
Waterval langs een bospad
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: etching, intaglio
Artist: maillard
Artist role: print maker
Subjects: waterfall, forest, wood, forest path or lane
Inscriptions: collector's mark: Lugt 2228
Right corner of a marble sarcophagus with the myth of Apollo and the satyr Marsyas
Object type: sarcophagus fragment, apollo and marsyas
Date: 210 – 230
Materials: marble
Culture: roman
Subjects: men,satyrs

Part of scene showing the flaying of Marsyas. Marsyas challenged Apollo to a musical contest, and he was flayed alive as punishment after losing. here, he is shown hanging from a pine tree, while a bearded Phrygian slave kneeling at his feet sharpens his knife. Behind Marsyas, another slave tightens the ropes that bind him to the tree. The group showing the flaying is copied from a sculptural group created in the Hellenistic period.
L'Attente de l'Enfantement de la Vierge (Expectation of the Virgin Mary), December 18th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: animals,virgin mary

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
The Coiffure
Object type: figure group
Date: 1770 – 1770
Materials: hard paste porcelain
Artist: ludwigsburg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1758 – 1824
Subjects: hair,men,women,dogs,ladders,mirrors
Rotslandschap met waterval
Object type: print
Date: 1830 – 1858
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: pierre louis dubourcq
Artist role: draughtsman, painter, print maker
Artist dates: 1815 – 1873
Subjects: waterfall
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Marine
Object type: print
Date: 1865 – 1866
Materials: ink, paper
Techniques: aquatint, etching, roulette
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: waves,ships
Te Utrecht ongeldig gemaakte assignat van vijftig livres, serie 616, nr. 291 uitgegeven 14 december 1792
Object type: assignat
Materials: paper
Techniques: printing
Location: france
Subjects: utrecht, france
Inrō with Cranes and Pines
Object type: inrō
Date: 1701 – 1800
Materials: gold, jade, lacquer, silver, wood
Techniques: hiramakie, maki-e
Culture: japanese
Artist: koma kyūhaku v
Artist role: artist
Artist nationality: japanese
Artist dates:  – 1794
Subjects: cranes
Optocht met praalwagen tijdens Mardi Gras op een plein in Parijs
Object type: photograph
Date: 1896 – 1896
Materials: paper, photographic support
Techniques: gelatin silver print
Location: paris
Artist: delizy
Artist role: manufacturer
Subjects: crowd, mob, festivities (+ parade, pageant, cavalcade ~ festive activities), carnival, shrovetide (non-liturgical celebration), exterior ~ representation of a building, paris

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Portret van Sophie, prinses der Nederlanden
Object type: print
Date: 1840 – 1843
Materials: paper
Techniques: tone lithography
Subjects: the hague, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van een onbekende vrouw in klederdracht uit Egypte
Object type: page
Date: 1876 – 1886
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: folk costume, regional costume, anonymous historical person portrayed - bb - woman
Columbia from the Capitol
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: cities,american civil war
Terracotta jar
Object type: jar
Date: 850 – 750
Materials: terracotta
Culture: cypriot

Cypriot pottery is well formed and well fired. As this example demonstrates, the decoration capitalizes on the clean lines of the shapes and makes greater use of color than contemporary Greek fabrics. Such jars are found exclusively in tombs.
Oeuvre de la diversité des termes, dont on use en architecture, reduict en ordre
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: herms (garden ornaments), pedestal of a piece of sculpture (perhaps in the form of a herm), herm: pillar with the head of mercury, patron of travellers

Linksboven genummerd: 54. Volgens de toelichting op pagina 56 gaat het hier om de Composiete orde. Prent maakt deel uit van een album.