deem-data/ArtiFact huggingface dataset:
Alexander de Grote steekt Persepolis in de brand
Object type: print
Date: 1514 – 1580
Materials: paper
Techniques: engraving
Artist: jean chartier
Artist role: print maker
Artist dates: 1500 – 1580
Subjects: in a fit of intoxication at a feast, and encouraged by the courtesan thais, alexander sets persepolis on fire
Inscriptions: collector's mark: Lugt 240

Het werk door Primaticcio dat deel uitmaakt van een reeks over het leven van Alexander de Grote wordt verloren gewaand. Een voorbereidende tekening bevindt zich in de collectie van het Musée du Louvre te Parijs, inv.nr. 8568 recto.
Ornament for Harness Straps
Object type: harness ornament
Date: 200 – 538
Materials: gilt bronze
Culture: japanese
Portret van een vrouw bij een bureau
Object type: album leaf
Date: 1855 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: leeuwarden
Artist: gerarda henriëtte matthijssen
Artist role: draughtsman, painter
Artist dates: 1830 – 1907
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Gerharda H. Matthijssen/ Photographe/ Leeuwarden/ Naauw H.46 en St. Jacobstraat H 50’
Beleg van Breda (blad linksonder), 1637
Object type: print
Date: 1637 – 1637
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: balthasar florisz. van berckenrode
Artist role: draughtsman, print maker, publisher
Artist dates: 1591 – 1645
Subjects: delft, the hague, frederick henry (prince of orange), maps of separate countries or regions, siege, position war, 'victoria'; 'vittoria', 'vittoria navale', 'vittoria degl'antichi' (ripa)

De belegering en verovering van Breda door het Staatse leger onder Frederik Hendrik, 23 juli - 10 oktober 1637. Onderdeel van een ongemonteerde ensemble bestaande uit 9 bladen (en 2 hier ontbrekende tekstbladen). Blad linksonder met een deel van de kaart en de cartouche met een vers en de opdracht in het Latijn. De cartouche versierd met allerlei wapentuig, vaandels en harnassen, bovenop de personificatie van de Overwinning (Victoria).
Incised bowl with dots
Object type: bowl
Date: 700 – 401
Materials: ceramic, pigment
Culture: paracas
Location: peru
Man knielt voor een keizer
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: kneeling figure, (story of) the emperor titus
Inscriptions: collector's mark: Lugt 240

Mogelijk illustratie voor: Nomsz, J. Titus, treurspel. Amsterdam: Izaak Duim, 1765.
Strook naaldkant met gespleten spiralen
Object type: strip
Date: 1800 – 1899
Materials: linen
Techniques: embroidery
Location: bayeux
Artist: Anonymous

Manchet van naturelkleurige naaldkant: Venetiaanse reliëfkant. Op een open spijlengrond staan lopende, brede spiraalranken, die op vele plaatsen zijn gespleten. Ook in de bloembladeren komen grote opengewerkte centra voor, hetgeen de 19de eeuw typeert. Afwerking met een recht lijst van om en om grote en kleine driehoekjes.
Curved Dagger-Blade (ge)
Object type: arm
Materials: jade
Location: china
Samuel E. "Sam" Barkley, 2nd Base, Kansas City Cowboys, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Verenigde Amsterdamse Compagnie, reaal, 1601
Object type: real
Date: 1601 – 1601
Materials: silver
Techniques: striking
Location: dordrecht

Zilveren munt. Voorzijde: tussen waarde-aanduiding gekroond wapenschild van Holland, waarboven jaartal. Keerzijde: door twee leeuwen gehouden wapenschild van Amsterdam.
Bed model
Object type: bed model
Date: 1900 – 1600
Materials: ceramic
Culture: isin-larsa–old babylonian
Location: mesopotamia
Subjects: beds
De goede Schepper gaf in Zijn alwijs bestieren, / Tot voeding van den mensch de redelooze dieren (...)
Object type: popular print
Date: 1850 – 1870
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: netherlands
Subjects: slaughtered ox or pig, butcher, slaughterman, cattle-breeding, livestock industry
Inscriptions: collector's mark: Lugt 2228

Blad met twaalf voorstellingen van het fokken en slachten van runderen en varkens. Onder elk plaatje een vierregelig versje. Genummerd rechtsboven: No. 32. Ca. 1800-1850.
Papyrus burnisher
Object type: papyrus burnisher
Date: 1981 – 1802
Materials: ivory
Location: egypt
Luxuria, plate 3 from The Seven Vices
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: belgium
Artist: hieronymus wierix
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1553 – 1619
Serape
Object type: serape
Date: 1865 – 1870
Materials: wool
Techniques: dyeing
Culture: diné or navajo
Artist: unidentified
Artist role: artist

Serapes (the Spanish term for blanket) are a prominent form of Navajo weaving. Vibrantly colored and vividly patterned, these wearing blankets build on long-established design themes. Contemporary Native artists and scholars have identified this large weaving, with its unusual white background, as a "not- of-free-will" blanket—meaning it was likely produced by a highly skilled Navajo woman enslaved in a Spanish American household. An 1865 congressional report estimated that there were between 1,500 and 3,000 Navajo captives living in the Rio Grande Valley as well as in northern Mexico in these years. While this particular form of enslavement largely ended in the late 1870s, its traumatic legacy continues to reverberate today.
Portret van William Allen Miller
Object type: page
Date: 1853 – 1867
Materials: photographic support
Techniques: albumen print
Artist: ernest edwards
Artist role: fotograaf
Artist dates: 1837 – 1903
Subjects: adult man, historical persons
Jeanne Hébuterne
Object type: painting
Date: 1919 – 1919
Materials: canvas, oil
Artist: amedeo modigliani
Artist role: artist
Artist nationality: italian
Artist dates: 1884 – 1920
Subjects: portraits,women

Little known outside of Paris during his lifetime, Modigliani is now recognized as one of the greatest figurative painters of the early twentieth century. His distinctive nudes and portraits of friends from the vibrant artistic community of Montmartre display his characteristic use of bold contours, long oval faces, and elongated bodies. Born in Italy to Jewish parents, Modigliani moved to Paris in 1906, where he joined the vibrant artistic community of Montmartre. There, he met artists Pablo Picasso and Constantin Brancusi, who were pushing forward new modernist forms of art-making and appropriating the formal qualities of African art then circulating in Paris. The reductive nature of Modigliani’s compositions owes to both of these influences and to the artist’s admiration for classical Italian Renaissance painting, which he learned about as an art student in Florence and Venice. Jeanne Hébuterne (1898–1920) was a young aspiring artist when she met Modigliani in March 1917. They fell in love and moved to the Côte d’Azur, where Jeanne gave birth to their daughter. After returning to Paris in May 1919, Modigliani’s health deteriorated, the result of alcohol and drug abuse, poverty, and childhood afflictions. The artist died on January 24, 1920; Jeanne, pregnant with their second child, died by suicide two days later. During their tragically short partnership, Modigliani depicted Hébuterne more than twenty times, typically emphasizing her thick auburn hair and blue eyes. These sensitive portraits are among the artist’s best known works. Here, he presents her in a white chemise, gracefully seated in a large chair. Her left hand touches her cheek in a pensive expression, as her head gently tilts to the right. The asymmetrical composition and sitter’s elongated form evidence Modigliani’s citation of sixteenth-century Italian Mannerist painting, which incorporates these qualities to achieve an exaggerated elegance.
Necklet
Object type: necklet
Date: 1701 – 1800
Materials: gold, lacquer
Location: central india
Portret van Philipp Melanchthon
Object type: print
Date: 1824 – 1880
Materials: paper
Techniques: lithograph
Subjects: adult man, historical persons, scroll
Inscriptions: collector's mark: Lugt 2228
Landscape
Object type: print
Date: 1862 – 1876
Techniques: etching
Artist: adolphe balfourier
Artist role: artist
Artist nationality: french
Artist dates: 1816 – 1876
Subjects: human figures,houses,landscapes,trees
Folio from a Kalila wa Dimna
Object type: folio from an illustrated manuscript
Date: 1526 – 1550
Materials: ink, paper, watercolor
Location: india
Subjects: tigers

This manuscript contains seventy-eight paintings and many text folios telling the famous tales of the jackals Kalila and Dimna. Based on the book of ancient Indian animal fables, the Panchatantra written by Vidyapati (Bidpai), the stories spread all over the Middle East where they became wildly popular. This manuscript has a strong flavor of Mamluk Egypt in the figure styles and bold drawings, with hints of Ottoman tulips and Safavid turbans. However, the burnt orange palette and darkly-inked lines have led to an attribution to Sultanate Gujarat where it is suggested this manuscript was copied from an Egyptian original. Its life in India is also attested by a Devanagari inscription at the end, although the rest of the Arabic text is written in a strong, left-leaning naskh-like script.
De kleine Passie
Object type: print
Date: 1508 – 1509
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: christ before the sanhedrin with caiaphas as high priest, and possibly annas; maybe a soldier about to strike christ because he keeps silent (matthew 26:57-66; mark 14:53-64; luke 22:54, 22:66-71)
Inscriptions: collector's mark: Lugt 2228

Christus wordt door gewapende mannen voor Kajafas geleid. Deze prent is onderdeel van de prentserie 'De kleine Passie', bestaande uit een titelprent en 36 bijbelse scènes (voornamelijk uit het Lijdensverhaal).
Elevation for a Wall Tomb
Object type: drawing
Date: 1741 – 1814
Materials: graphite, ink
Techniques: brush, pen, drawing, wash
Artist: jean michel moreau le jeune
Artist role: artist
Artist nationality: french
Artist dates: 1741 – 1814
Subjects: architecture,tombs
Ezelrijdende vrouwen op het strand
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adolescent, young woman, maiden, donkey-riding (on the beach)

Blad 5 recto uit schetsboek LXIX met 25 bladen.
Uniform voor de kapiteins en kapitein-luitenants van de Marine, 1845
Object type: costume print
Date: 1845 – 1845
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Artist: louis salomon leman
Artist role: steendrukker
Artist dates: 1818 – 1889
Subjects: (military) uniforms, netherlands

Uniform voor de kapiteins en kapitein-luitenants van de Marine. Illustratie in een boek uit 1845 over de uniformen en kledingstukken van de Nederlandse land-, zeemacht en schutterijen in Nederland en in de overzeese gebiedsdelen.
The Rialto
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Inscriptions: Signed with butterfly and "imp" in graphite on tab, lower left
Venationes Marcus Geerart
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1570 – 1612
Materials: gold leaf, paper, parchment
Techniques: bookbinding, printing, engraving, marbling
Location: antwerp
Inscriptions: bookplate: ‘EX LIBRIS SCHWERDTII’

Album met een serie jachtscènes bestaande uit negen prenten. Album uit de jachtbibliotheek van Carl Franz Georg Richard Schwerdt. Perkamenten band, versierd met gemarmerd papier, met voorin twee blanco bladen en achterin drie blanco bladen.
The Critic; verso: Study for The Critic
Object type: drawing
Date: 1868 – 1868
Materials: graphite
Artist: wilhelm maria hubertus leibl
Artist role: artist
Artist nationality: german
Artist dates: 1844 – 1900
Subjects: men
Vliegtuig in het Midden-Oosten
Object type: album leaf
Date: 1925 – 1935
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: middle east
Artist: Anonymous
Subjects: aircraft, aeroplane, airborne traffic, aviation, pilot, flight crew, travelling; tourism

Albumblad met een foto van een KLM-vliegtuig omringd door bemanning en toeschouwers, vermoedelijk in het Midden-Oosten. Onderdeel van Herdenkingsalbum van de Indië-lijn van de KLM, deel I.
Apollo (Sol) met sterrenbeeld Leeuw
Object type: print
Date: 1539 – 1539
Materials: paper
Techniques: engraving
Location: frankfurt am main
Artist: hans sebald beham
Artist role: designer, draughtsman, print maker
Artist dates: 1500 – 1550
Subjects: sol and his children ('planetenkinder') ~ leo
Inscriptions: collector's mark: ‘Hinloopen’ Lugt 11

Zonnegod Apollo (Sol) als personificatie van de Zon met zijn planetenkind het sterrenbeeld Leeuw
Portret van Willem I Frederik, koning der Nederlanden
Object type: print
Date: 1815 – 1899
Materials: paper
Techniques: aquatint
Location: amsterdam
Subjects: the hague, berlin, william i of the netherlands, knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
St. John the Baptist Preaching
Object type: print
Date: 1593 – 1593
Techniques: etching
Artist: gerrit pietersz. sweelink
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1566 – 1612

An Amsterdam painter and draftsman, Gerrit Pietersz., moved to Haarlem in about 1588-89, to train with Cornelis Cornelisz., a Mannerist artist whose work had a lasting influence on him. While in Haarlem, he made six prints that are arguably his most innovative and beautiful works. Although Pietrsz. was drawn to printmaking while in Haarlem, he, unlike his contemporaries, eschewed the sharp swelling and tapering lines characteristic of Mannerist engraving and turned to etching instead. In contrast to the hard brilliance of the engravings by Goltzius and his school, Pietersz.’s etchings are loose and exuberant. The lines seem almost to have a life of their own, as we can see in the looping curls of Joseph’s beard and hair in The Rest on the Flight into Egypt, or the bunched drapery of St. Cecilia’s sleeve in St. Cecilia Playing the Organ. Printmaking was something of an experiment for Pietersz. He only executed six etchings during his entire career, five of which are dated 1593. All of his etchings are extremely rare, known only in a handful of impressions. The Met has four of his prints (one in a duplicate impression), more than any institution apart from the Albertina in Vienna and the Rijksmuseum in Amsterdam. Apart from his choice of etching as his medium, Gerrit PIetersz.’s representation of St. John the Baptist Preaching typifies the Mannerist aesthetic. As in the case of many late sixteenth and early seventeenth century works, the audience for the sermon is placed in the foreground while the saint occupies a lesser position in the middle distance. The viewer’s eye fixes first on the muscular back of the seated nude man and the partially clothed woman lounging next to him, while to the right an elegant soldier stands holding a lance on his shoulder as if it weighed nothing. St. John himself stands in the middle ground obscured by the deep shadow of the rock so it is difficult to make out his features. In the background is an earlier scene from this life of St. John, the Baptism of Christ. John stands on the riverbank anointing the kneeling Christ. Above Christ’s head is the tiny dove of the Holy Ghost and a beam of light that streams down on him from heaven. The museum also has a drawing by Pietersz. of this subject in the Robert Lehman Collection (inv. no. 175.1.86), which is slightly later in date. Of all the artist’s prints, this etching went through the most state changes, but it is still very rare.
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: turtles
Abraham en Izaäk onderweg naar de offerplaats
Object type: drawing
Date: 1553 – 1553
Materials: ink, paper
Techniques: brush, pen
Artist: monogrammist vch of hvc
Artist role: draughtsman
Inscriptions: date
Drie vogels in volle vlucht
Object type: drawing
Date: 1887 – 1945
Materials: paper
Techniques: brush
Artist: ohara koson
Artist role: print maker
Artist dates: 1877 – 1945

Drie vogels in volle vlucht, ontwerptekening voor prent.
Shoshone Falls, Snake River, Idaho. Gorge and natural bridge, in the fore-ground, No. 50 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Object type: photograph
Date: 1874 – 1874
Techniques: albumen print
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards, geographical explorations and surveys
Odalisque in Grisaille
Object type: painting
Date: 1824 – 1834
Materials: canvas, oil
Artist: jean auguste dominique ingres
Artist role: artist
Artist nationality: french
Artist dates: 1780 – 1867
Subjects: female nudes,orientalist
Wenken voor de bescherming van uw gezin en uzelf
Object type: envelope
Materials: paper
Location: the hague
Subjects: netherlands

Envelop met daarin 3 brochures over de periode van de Koude Oorlog.
Interieur met drie figuren rondom een tafel
Object type: sketchbook leaf
Date: 1854 – 1914
Materials: charcoal, paper
Artist: albert neuhuys (1844-1914)
Artist role: draughtsman, painter, print maker
Artist dates: 1844 – 1914
Subjects: sitting figure, table, interior of the house

Recto-zijde van een ongenummerde pagina tussen bladzijde 1 en 2 uit een schetsboek met 53 bladen.
Nijmegen
Object type: print
Date: 1982 – 1982
Materials: paper
Techniques: etching
Artist: karel wetselaar
Artist role: print maker
Artist dates: 1935 – 2017
Subjects: city-view in general; 'veduta', street, nijmegen
Inscriptions: signature and date: ‘K. Wetselaar 1982’, inscription: ‘état défin’
Terracotta chariot krater
Object type: krater
Date: 1375 – 1350
Materials: terracotta
Culture: aegean, helladic or mycenaean
Subjects: men,horses,chariots

During the fourteenth century B.C. broad and deep-bodied kraters, often decorated with complex pictorial scenes, were produced in Greece, particularly in the Argolid and in Cyprus. A great number of these works came to light on Cyprus, and they were often attributed to artists working in a Cypro-Mycenaean idiom. Evidence had increasingly indicated that trade between the Argolid and Cyprus was active and that the pictorial vases were a major commodity made on the mainland and traded eastward, probably for their contents as well as the ware itself. Scientific tests have corroborated these findings. Recent analyses have shown that this chariot krater came from a well-attested workshop in the vicinity of Mycenae and Berbati. The chariot was an important motif in art from the Greek mainland; its frequency on Mycenaean pictorial vases has characterized an entire subgroup. These vases were probably connected with funerary practices, and, in some regions, they may have served as sarcophagi. The occupants of the chariots may be the deceased, while the ancillary figures may be deities or participants in funerary observances.
Doop van vreemdelingen te Sint Goar
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ritual objects and ritual means ~ non-christian religions, hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Brown, Edward. Naauwkeurige en gedenkwaardige reysen van Edward Brown (...) door Nederland, Duytsland, Hongaryen, Boek I, p. 59. Amsterdam: Jan Claesz ten Hoorn, 1682.
Portret van Jan van de Poll
Object type: print
Date: 1749 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent is oorspronkelijk bedoeld als aanvulling op Jan Wagenaars ‘Vaderlandsche historie’* en was zo vanaf 1796 verkrijgbaar bij Johannes Allart te Amsterdam.

Voor de advertentie waarin Allart de 60 portretten en 7 platen, allen gegraveerd door Houbraken, ter aanvulling op Wagenaars ‘Vaderlandsche historie’ aanbiedt, zie RP-P-OB-77.766.

*Van dit werk zijn in de achttiende eeuw meerdere uitgaves verschenen, zoals:

Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden (…). 21 delen. Amsterdam: Isaak Tirion, 1749-1759.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: weduwe Isaak Tirion, 1770.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam, Leiden, Dordrecht en Harlingen: P. Schouten e.a., 1782.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: Johannes Allart, 1790-1796.
Schetsboek met 45 bladen vervaardigd rond de Ewijkshoeve
Object type: sketchbook
Date: 1884 – 1887
Materials: cardboard, chalk, linen, paper
Location: maartensdijk
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: cattle driving, cattle driver, sheep, stall, stable, herd, flock

Schetsboek bestaande uit 45 bladen met herders, schaapskooien, landschappen en figuurstudies vervaardigd rond de Ewijkshoeve. Op de voorzijde een mannengezicht, van voren gezien, en op de achterzijde een mannenhoofd in profiel.
Verscheyde aerdige figure van vrouwen
Object type: print
Date: 1670 – 1706
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: adult woman
Inscriptions: collector's mark: Lugt 240

Twee vrouwen zitten uit te rusten op een rots. Beide houden een mand aan de arm. Prent vier uit een serie prenten naar figuren uit het tekenboek van Abraham Bloemaert.
Bowl with Fish
Object type: vessel
Materials: iron, stoneware
Techniques: painting, underglaze
Location: china
Tantric Rug with Two Flayed Male Figures
Object type: rug
Date: 1701 – 1900
Materials: cotton, dye, wool
Culture: tibetan

Woolen rugs form an important part of Tibetan material culture, serving as floor coverings on beaten earth floors for warmth, and as saddle blankets for riding. They also provide the setting for some of the most dramatic imagery in Tibetan art. The design of flayed male figures forms part of the paraphernalia employed to invoke protective deities. Such rugs feature in the annual New Year’s Eve exorcism dance performance (Tse Gutor, rtse dgu gtor), performed by masked dancers to cleanse the past year’s sins in preparation for the new.
Portret van een onbekende jonge vrouw
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Subjects: adolescent, young woman, maiden
Inscriptions: monogram: ‘Leipzig/ S.G.’