deem-data/ArtiFact huggingface dataset:
Glass jug with trefoil rim
Object type: jug with trefoil rim
Date: 401 – 600
Materials: glass
Culture: roman, syrian

Translucent blue green; handle and trails in translucent cobalt blue. Trefoil rim with rounded lip; broad, flaring mouth; cylindrical neck with concave side; squat, globular body; kick in bottom with central pontil mark; slender rod handle applied as a large oval pad over trail on upper body, drawn up and outwards, then folded into a projecting loop as a thumb rest above rim, and dropped onto back of rim, with another flattened, smaller thumb rest above. One thick trail around lip; another fine trail wound round underside of mouth in a spiral; a third trail applied to side of body and wound round five or six times, forming a band of thicker and thinner lines, then pinched together to form an oval or "spectacle" pattern. Intact; a few pinprick and one large bubble, with some black impurities; small patches of encrustation and weathering. With trefoil mouth and blue applied threads.
Panel
Object type: panel
Date: 1501 – 1600
Materials: wood
Techniques: carving
Subjects: masks
Gezicht op Hoei
Object type: page
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: hoei
Subjects: city-view in general; 'veduta'
Weidelandschap met koeien bij water
Object type: print
Date: 1822 – 1891
Materials: paper
Techniques: drypoint, etching, roulette
Location: netherlands
Artist: simon van den berg
Artist role: draughtsman, print maker
Artist dates: 1812 – 1891
Subjects: cow, water meadows
Inscriptions: collector's mark: Lugt 2228
Portret van een blinde geestelijke
Object type: print
Date: 1855 – 1904
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: eyes closed, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228, monogram: ‘MS’
Fragment
Object type: fragment
Date: 1501 – 1600
Techniques: embroidery
Subjects: animals
Dish with Rock, Peonies, Chrysanthemums, and Fungus
Object type: dish
Date: 1534 – 1566
Materials: enamel, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: peonies,leaves
Design for a Two-Armed Candelabra with a Dragon, Plate 1 from an Untitled Series of Designs for Suspended Candelabras
Object type: album print ornament architecture
Techniques: etching
Artist: carl pier
Artist role: artist
Artist nationality: german
Artist dates: 1700 – 1790
Subjects: dragons,candelabra

Ornament print with a design for a two-armed candelabra, with a little dragon supporting one of the candles. In the lower right corner the outline of sconce has been added. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.
Pair-case watch with alarm
Object type: pair case watch with alarm
Date: 1695 – 1695
Materials: brass, silver, steel
Artist: adam roumeau
Artist role: maker
Artist dates: 1598 – 1698

Nicholas II and his brother, Henry Massy, were members of a distinguished family of Huguenot clockmakers. Their family emigrated from Blois to London, where Henry was born. After 1700 Nicholas II went to The Hague, where he apparently cooperated with his London based brother in supplying gold watches for Continental patrons. Adam Roumeau, a goldsmith from Marseille, was made free of the London Goldsmiths’ Company a few months after receiving his letters of naturalization in 1687. Both watchmakers and goldsmiths were part of the diaspora of French Protestants in the years leading up to and following Louis XIV’s Revocation of the Edict of Nantes in 1685. The monogram on the outer case has not been identified.
Gezicht op het Sint-Pietersplein in Vaticaanstad met de Sint-Pietersbasiliek, de obelisk en (rechts) het Apostolisch Paleis
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: sint-pietersplein
Artist: Anonymous
Subjects: palace, church (exterior), monument, statue, dome ~ architecture, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: number: ‘613’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Italiaanse steden en van kunstwerken.
Ghibert[?]; Alphonse
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: andré-adolphe-eugène disdéri
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1889
Verovering van Napels, ter ere van Napoleon I Bonaparte, keizer der Fransen
Object type: history medal
Date: 1806 – 1806
Materials: bronze
Techniques: striking
Location: paris
Subjects: napoleon i (emperor of the french), naples
Die met Icarus vliegt tot aan de Zonnestralen, / Die stort met hem ter neêr, moet naar den afgrond dalen; / Maar die met Dedalus, in all's behoud de middelmaat, / Vliegt veilig over zee, geniet een gewenschten staat
Object type: print
Date: 1816 – 1836
Materials: paper
Techniques: letterpress printing
Location: zwolle
Artist: Anonymous
Subjects: (story of) daedalus, (story of) icarus, son of daedalus
Inscriptions: collector's mark: Lugt 2760

Daedalus vliegt door de lucht. Boven hem de zon, onder hem de zee. Zijn zoon Icarus verdrinkt in het water omdat hij te dicht bij de zon heeft gevlogen. Omgeven door een lijst van bloemenranken.
Portret van Marie Bashkirtseff
Object type: page
Date: 1881 – 1891
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: portrait, self-portrait of painter
Inscriptions: inscription
Veelderhande cierlijcke compertementen
Object type: print
Date: 1564 – 1564
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: tortoises, turtles, scrollwork, strapwork ~ ornament, water-birds: swan, birds, fishes, scallop, shell ~ ornament, ornament ~ cartouche, mask, mascaron ~ ornament, attributes of neptune: trident, molluscs: snail

Cartouche met vier schelpen en een mascaron geflankeerd door twee zwanen, in een omlijsting van rolwerk. Daarop twee slakken. Op de cartouche twee vazen en drie vogels. Aan de cartouche hangen een tweetand en een drietand vissen en een schildpad. De prent maakt deel uit van een album.
Titelpagina voor: The Tapestry Hangings of the House of Lords, 1739
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving, etching
Location: london
Artist: john pine
Artist role: print maker, publisher
Artist dates: 1690 – 1756
Subjects: coat of arms (symbol of sovereignty), title-page, weapons, calligraphy, armorial bearing, heraldry
Inscriptions: date

Cartouche met titel, geflankeerd door twee gewapende mannen in een ornamentrand van speren, schilden, kanonnen en ander wapentuig. Bovenaan het wapen van de Engelse koningin Elizabeth I, met het devies: Dieu et mon droit. Onderaan het wapen van Charles Howard (opperbevelhebber van de Engelse vloot tegen de Spaanse Armada), met het devies: Deseir n'a repos. De prent maakt deel uit van een boek over de Spaanse Armada en de tapijten die daarover in opdracht van Howard werden gemaakt.
Portions of a Crinet (Horse's Neck Defense)
Object type: portion of a crinet
Date: 1580 – 1590
Materials: leather, steel
Culture: italian
Location: italy
Roma. Esterno della Chiesa di S. Francesca romana
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph
Location: rome
Subjects: church (exterior)
Portret van Bernard Veuillot
Object type: page
Date: 1880 – 1886
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: clergyman, adult man
Embroidered Border Fragment
Object type: border fragment
Date: 500 – 101
Materials: animal fiber, cotton
Culture: paracas
Location: peru
Certificaat van Pieter van Drecht voor zijn deelname aan het Beleg van Antwerpen
Object type: text sheet
Date: 1833 – 1833
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: military honours
Inscriptions: collector's mark: Lugt 1641b, coat of arms: ‘Departement van Oorlog’

Onderwerpsrubriek binnen de Atlas Amsterdam: Landmacht: Gebouwen / Herinneringen aan officieren, stadssoldaten / Nationale militie / (diverse korpsen) / Padvinders / Parade.
Portret van Gabriel Nützel
Object type: print
Date: 1669 – 1669
Materials: paper
Techniques: engraving
Artist: johann friedrich leonard
Artist role: print maker
Artist dates: 1633 – 1680
Subjects: diplomaat, raadsheer, gabriel nützel
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1337

Portret van Gabriel Nützel, raadsheer te Neurenberg, met familiewapen.
Church and Tower of Three Saints, Yassy, Modavia, July 19, 1837
Object type: print
Date: 1840 – 1840
Materials: chine, ivory, paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
Plate (tagliere)
Object type: plate
Date: 1500 – 1510
Techniques: maiolica, glazing
Culture: italian
Subjects: animals,women
Bowl with Winding Strokes
Object type: vessel
Materials: glaze, stoneware
Techniques: overglaze, painting
Location: china
Butterfly
Object type: figure
Date: 1701 – 1800
Materials: jade
Culture: chinese
Subjects: butterflies
Vrouw klimt door een raam bij nacht
Object type: book illustration
Date: 1625 – 1635
Materials: paper
Techniques: engraving, letterpress printing
Subjects: climbing - aa - female human figure, lantern, open window
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Boekillustratie in: Cats, Jacob. Hovwelyck. Dat is De gansche gelegentheyt des echten staets. Middelburg: Jan Pietersz van de Venne (wed.),1625-1626 en 's-Gravenhage: Adriaen van de Venne, 1625-1635.
Covered Box
Object type: covered box
Date: 1667 – 1733
Materials: enamel, porcelain
Techniques: painting, polychrome, relief, underglaze
Culture: chinese
Subjects: animals,flowers
Portret van Flavius Josephus
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: engraving
Location: london
Subjects: rome, historical persons, portrait of a writer
Twee mannen in een roeiboot
Object type: sketchbook leaf
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: adult man, rowing-boat, canoe, etc.
Inscriptions: annotation: ‘[...]’

Blad 9 verso uit een schetsboek met 88 bladen.
Kneeling bull holding a spouted vessel
Object type: sculpture
Date: 3100 – 2900
Materials: silver
Culture: proto-elamite
Location: iran
Subjects: bulls
Statuette of a man
Object type: statuette of a man
Date: 500 – 301
Materials: bronze
Culture: italic
Subjects: men
Collection de quelques vues dessinées en Suisse d'après nature
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching, hand coloring
Artist: heinrich rieter
Artist role: print maker
Artist dates: 1751 – 1818
Subjects: rapids, bridge
Inscriptions: watermark, collector's mark: Lugt 2228

Maakt deel uit van een serie met gezichten op Zwitserland.
Panel
Object type: textile
Date: 1750 – 1775
Materials: silk
Techniques: patterning, weave
Location: france
Reading the Scriptures
Object type: watercolor
Date: 1874 – 1874
Materials: gouache, graphite, watercolor, paper
Culture: american
Artist: thomas waterman wood
Artist role: artist
Artist nationality: american
Artist dates: 1823 – 1903
Subjects: men,reading

The Vermont-born Wood began his career as a portraitist, but made his reputation as a genre painter of scenes of New England life and African American subjects—an interest dating from his time working in Nashville, Tennessee, and Louisville, Kentucky. Returning to New York at the close of the Civil War, he began to produce character types in both oil and watercolor, such as this depiction of an elderly Black man reading the Bible. Painted in the final years of Reconstruction, the mixed-media drawing focuses on the urgent issue of education for the recently emancipated. Following the war, the formerly enslaved of every age pursued the opportunity to become literate, a skill previously denied them by law. In his reference to scripture, Wood may be evoking the many Black and White teachers and missionaries from the North and South who led these efforts, associating education with Christian virtue.
Scherven van borden uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: bone china, stone
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven van borden uit V.O.C.-schip de 'Witte Leeuw'. Eén scherf vast aan brok concretie.
Bellows (part of a set)
Object type: bellow
Date: 1675 – 1675
Materials: iron, leather, silver, wood

This set of fire tools 68.141.156–.159) was probably made for John Maitland on the occasion of his wedding to the Countess of Dysart. In 1647 Maitland raised an army to rescue Charles I. After the Battle of Worcester, when he was taken prisoner by Commonwealth troops, he was sent to the Tower. After his release (166) he became Prime Minister and Secretary of State. On May 1, 1672, he was created Marquess of March and Duke of Lauderdale, and on June 3 he was installed at Windsor as Knight of the Garter.
Portrait of Fantin-Latour
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: félix bracquemond
Artist role: artist
Artist nationality: french
Artist dates: 1833 – 1914
Sheet of Sketches: The Power of the Catholic Priests (recto); Sheet of Sketches (verso)
Object type: drawing and watercolor
Date: 1868 – 1868
Materials: graphite, paper
Location: united states
Artist: thomas nast
Artist role: artist
Artist nationality: american, born germany
Artist dates: 1840 – 1902
Twee figuren op een landweg langs een bosrand
Object type: drawing
Date: 1800 – 1900
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johannes van reijn
Artist role: draughtsman
Subjects: forest, wood (+ landscape with figures, staffage)
Gezicht op een machine, vermoedelijk een drukpers
Object type: photograph
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: machines; parts of machines; tools and appliances, printing press
Portret van Martin Ernst von Schlieffen
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: knighthood order, historical persons
Inscriptions: collector's mark: Lugt 2228
Voering van wandtapijt met de geschiedenis van Caphalus aan Phocus over zijn hond Lelaps en de wilde vos
Object type: tapestry
Date: 1593 – 1600
Materials: cotton, linen
Location: delft
Artist: françois spiering
Artist role: tapijtwever
Artist dates: 1549 – 1630
Inscriptions: inscription: ‘ULXSSES ET CIRCE’, signature: ‘Franciscvs.Spiringivs.fecit.’, inscription: ‘IVPITER.ET.CALISTO’, town mark: ‘BB’
Arild Huitfeldt
Object type: photograph
Date: 1858 – 1862
Materials: photographic support
Techniques: albumen print
Artist: julius wulff
Artist role: fotograaf
Subjects: portrait of a writer
Inscriptions: inscription: ‘Maleriet paa [...]’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Interior, head, neck, and shoulder of helmeted warrior
Juglet
Object type: juglet
Date: 1900 – 1600
Materials: terracotta
Culture: cypriot
Fotoreproductie van een schilderij met de vierde kruiswegstatie
Object type: album leaf
Date: 1900 – 1900
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: stations of the cross, picture, painting
Tailpiece from Au Pied du Sinaï
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, heel of foot and end of drapery?; one letter of an inscription, L
Smaak
Object type: print
Date: 1698 – 1702
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: midday meal, lunch - cc - out of doors, taste, tasting (one of the five senses), family, relationship, descent, drinking
Inscriptions: collector's mark: Lugt 2228

Een man zit buiten aan een tafel en drinkt wijn uit een kruik. Rondom hem zijn vrouw en een kind. Op de tafel een stuk beenham. De prent heeft een Duits onderschrift van vier regels over het zintuig smaakzin.
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two black glazed rim fragments from kylikes; glaze worn
Landschap met jongen met een ploeg/gereedschap [?], Iran [?]
Object type: photograph
Date: 1880 – 1910
Materials: paper
Techniques: albumen print
Location: iran
Artist: antoine sevruguin
Artist role: fotograaf
Artist dates: 1840 – 1933
Subjects: iran
Inscriptions: number: ‘9’, number: ‘997’

Landschap met jongen met een ploeg/gereedschap [?], Iran [?].
Portret van dichter Jacques Delille
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: paris, jacques delille, historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 240
Vaisravana, Guardian of the North
Object type: painting
Date: 1501 – 1600
Materials: ink, paper
Techniques: painting
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men
Tamboer-Majoor, en Muzijkant, beide der Nationale Infanterie
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: engraving, etching, hand coloring
Location: netherlands
Subjects: (military) uniforms

Een Nederlandse tamboer-majoor en een muzikant met een hoorn, van een muziekkorps van de 13e Afdeling Infanterie. Plaat 54. Uniformvoorstelling in 'Vervolg van de Beschrijving hoedanig de Koninklijke Nederlandsche troepen' van J.F. Teupken, 1826.
Gezicht op de Rue de Rivoli in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: animal traction, animal-drawn vehicle (carriage etc.), street
Inscriptions: inscription: ‘Rue de Rivoli’
Gezicht op het Panthéon te Parijs
Object type: photograph
Date: 1890 – 1898
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: church (exterior), grave-building, monumental tomb
Inscriptions: retailer's mark: ‘E. Hautecoeur/ Estampes Photographies/ 35 Avenue de l'Opéra, 35/ Paris’, inscription: ‘815. Paris - Le Panthéon’
Yoke Bell
Object type: yoke bell
Date: 1000 – 801
Materials: bronze
Culture: chinese
Untitled (Two Women)
Object type: photograph
Date: 1839 – 1860
Techniques: daguerreotype
Location: unknown place
Artist: Anonymous
Artist dates: 1800 – 1899
Ex libris van John Burgess
Object type: bookplate
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry
Kazakh S.S.R. Alma-Ata. Railway Station / R.S.S. de Kazakhie. Alma-Ata. Gare / Kasachische SSR. Alma-Ata. Bahnhof
Object type: photomechanical print
Date: 1956 – 1956
Materials: cardboard
Techniques: color autotype
Location: moscow
Subjects: station; shelter (railway, tramway)
Inscriptions: date

De titel op object staat ook in het Russisch.
Tube for shaving-stick soap with cover (part of a set)
Object type: shaving stick soap tube with cover
Date: 1848 – 1849
Materials: silver
Artist: johann bernhard hertz (hentz)
Artist role: maker
Artist dates: 1834 – 1855

The firm of Nicholls & Plincke was founded by members of the relatively large community of English silversmiths and craftsmen working in Saint Petersburg. After 1840 it was one of the most important retailers of luxury items before Carl Fabergé overshadowed all competitors. Several contemporary Saint Petersburg newspapers praised the high-quality products of the magasin anglais Nicholls & Plincke. According to the donor's family tradition, this rare set with more than fifty items bearing the monogram CMI was "originally made for and used by Colin Macrae Ingersoll [1819–1903], when he accompanied his father, Ralph Isaacs Ingersoll [1788–1872], to the Court of Czar Alexander II of Russia, where the latter served President [James Knox] Polk [1795–1849] as Minister Plenipotentiary from 1846 to 1848. . . . The family story has always been that [the set and case were] made for stagecoach travel in Russia." Plain silver objects—like the ewer and the cup of this set—with simple outlines and restrained forms inspired silversmiths of the modern era. Only the elaborate cartouche framing the monogram indicates that the set was made in the early Victorian period.
Crucifix
Object type: crucifix
Date: 1501 – 1600
Materials: gilt, metal, quartz
Artist: the saracchi, milan
Artist role: maker
Subjects: christ,cross,crucifixion
Inname van Landau, 1702
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: etching
Location: vienna
Subjects: vienna, jozef i (duits keizer), paris
Inscriptions: collector's mark: Lugt 2228

Het beleg van Landau, veroverd op de Fransen door keizerlijke troepen onder Lodewijk Willem I, markgraaf van Baden-Baden, 10 september 1702. Rechts staats Jozef I met prins Lodewijk Willem. Op de achtergrond vertrekken de Franse troepen uit Landau. De prent heeft een Duits onderschrift met aanwijzingen.
Iconographie de l'Institut Royal de France
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Gezicht op de achterkant van de Peter-de-Grotebron en de Cascade Monumentale in Spa
Object type: stereograph
Date: 1866 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: spa
Artist: jules hippolyte quéval
Artist role: publisher
Artist dates: 1824 – 
Subjects: ornamental fountain, hotel, hostelry, inn
Inscriptions: number: ‘1797’
Portret van Zacharias Heyns
Object type: print
Date: 1809 – 1829
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: hendrik willem caspari
Artist role: draughtsman, print maker
Artist dates: 1770 – 1829
Subjects: antwerp, print maker, zacharias heyns, historical persons (+ head (and shoulders) (portrait)), neck-gear: collar
Inscriptions: collector's mark: Lugt 2228

De geportretteerde kijkt naar rechts en draagt een lange sik en een plooikraag. Onder het portret zijn naam.
Uitnodiging aan Philip Zilcken
Object type: invitation
Date: 1928 – 1928
Materials: cardboard
Techniques: printing
Subjects: paris, draughtsman, ferdinand-sigismund bac, the hague, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’

Uitnodiging tot het leveren van een bijdrage aan de conferentie van Ferdinand-Sigismund Bac in Menton.
Hollande
Object type: stereograph
Date: 1864 – 1864
Materials: cardboard, paper
Techniques: albumen print
Location: oosterdok
Artist: gaston braun
Artist role: fotograaf
Artist dates: 1845 – 1928
Subjects: ships (in general) - cc - more than one ship
Inscriptions: number: ‘No. 3973.’
Towel or Napkin (Altered)
Object type: textile
Date: 1701 – 1900
Techniques: embroidery
Location: turkey
Cup with Peonies
Object type: vessel
Materials: enamel, gold, porcelain
Techniques: overglaze, painting
Location: china
Journal des Dames et des Modes, Costume Parisien, 22 septembre 1799, An 7, (159.) : Vue de Tivoli
Object type: fashion print
Date: 1799 – 1799
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: park, head-gear (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), fan (+ women's clothes)
Inscriptions: caption: ‘Vue de Tivoli.’, title: ‘Costume Parisien.’

Vrouw, half op de rug gezien, lopend door de tuinen van Tivoli, gekleed in een japon met een geruit lijfje. Gestrikt lint op de rug, zoom versierd met een geometrisch motief. Korte mouwen en sleep. Accessoires: hoed versierd met bloemen, waaier, platte schoenen met puntige neuzen. Met de rechterhand houdt ze haar japon op. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Pierre de la Mésangère, Parijs, 1797-1839.
Two Border Fragments
Object type: textile
Materials: cotton, lace
Techniques: lace
Location: belgium