deem-data/ArtiFact huggingface dataset:
Cabriolet  (unnumbered)
Object type: drawing
Date: 1870 – 1870
Materials: gouache, graphite, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Figuren en gebouwen
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, adult woman, adult man
Inscriptions: annotation: ‘[...]’

Figuren. Op de achtergrond gebouwen. Pagina 6 uit een schetsboek met 30 bladen vervaardigd in Amsterdam.
Head of an Unidentified Deity
Object type: head
Date: 701 – 900
Materials: stone
Culture: indian
Subjects: heads

This high relief head of an unidentifiable deity displays a broad fleshy face with deeply incised eyebrows and mouth. The waves of hair are drawn up beneath a diadem or headband decorated with a double setting at the center, possibly intended to suggest gemstones. The jeweled headband is surmounted by another triangular section with a larger elliptical setting. The scale suggests that this head belonged to near life-size stele of a male deity. No attributes survive which would allow an identification, but the style may be linked to the rock-cut monolithic Hindu temple site of Masrur, in Kangra district of Himachal Pradesh. This temple, dedicated to Shiva, has been assigned to around the 8th–9th century. Although weathered and abraded, with significant loss to the left forehead and eye, this sculpture may be accepted as being of a similar date. The full rounded features and naturalistic treatment of the face is in keeping with sculptural fragments published from the site.
Cup
Object type: cup
Date: 1801 – 1900
Materials: metal, silver

This electrotype is after a seventeenth-century original a treasure of the Kremlin, Moscow, at the time of reproduction.
Card Number 531, Eliza Reusels, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses
Schaal, rond en diep, behorend bij een servies versierd met geslingerd lintmotief met bladertakken, bloemboeketten en gestrooide bloemtakken
Object type: dish
Date: 1780 – 1820
Materials: porcelain
Location: loosdrecht

Schaal, rond en diep , behorend bij een servies van porselein versierd met een geslingerd lintmotief in paars en goud met groene bladertakken, bloemboeketten en gestrooide bloemtakken. Randen licht gegolfd, met decoratie in goud met paars bladmotief waartussen groen gekruist bladmotief. Gemerkt: M.O.L. en Amstel.
Mevrouw A.H. Crone poserend op een balkon in de bergen
Object type: photograph
Date: 1930 – 1935
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: amsterdam, voorschoten, ada helena hondius-crone
Inscriptions: stamp: ‘De Amateur H977 P.C. Hoofstraat 60’, negative number: ‘neg. 14635 9/12’
Decoraties voor het stadhuis tijdens het huwelijk van Napoleon
Object type: print
Date: 1810 – 1823
Materials: paper
Techniques: engraving, etching, roulette
Location: paris
Subjects: 49a1
Inscriptions: collector's mark: Lugt 2228

Serie naar de figuren die als decoratie gebruikt zijn in het stadhuis, tijdens het huwelijk van Napoleon I Bonaparte en Marie Louise van Oostenrijk in 1810.
Portret van Heinrich Friedrich Karl vom und zum Stein
Object type: print
Date: 1775 – 1840
Materials: paper
Techniques: engraving
Artist: ernst ludwig riepenhausen
Artist role: print maker
Artist dates: 1765 – 1840
Subjects: historical persons
Inscriptions: name, collector's mark: Lugt 2228
Ornament
Object type: ornament
Date: 401 – 600
Materials: linen, wool
Techniques: weave
Location: egypt
Stadsgezicht en een paard
Object type: sketchbook leaf
Date: 1822 – 1893
Materials: paper, pencil
Artist: willem troost (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1893
Subjects: city-view, and landscape with man-made constructions, horse

Blad 30 verso en 31 recto uit een schetsboek met 36 bladen.
Kop, veelkleurig beschilderd met een Kakiemon-decor
Object type: cup
Date: 1730 – 1730
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: factory mark, mold mark

Cup Meissen, c. 1725 - 1735 From the collection of August the Strong of Saxony, with the Dresden Palace inventory number N=339
Reliëf met Triptolemos, Demeter en Persephone in het Archeologisch Museum te Athene
Object type: photograph
Date: 1896 – 1896
Materials: cardboard, paper, ink
Techniques: photograph
Location: national archaeological museum
Artist: Anonymous
Subjects: (story of) ceres (demeter), (story of) proserpina (persephone, core), libera, (story of) triptolemus, sculpture (+ relief ~ sculpture)
Inscriptions: number: ‘No. 23.’, collector's mark: Lugt 3937, inscription:
Fotoreproductie van een schilderij van een jongen en hond bij een kooi met een muis
Object type: reproduction
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: rodents: mouse, toddler (male), dog
Well, are you finally finished?... after all, it's tiring to relax for such a long time, from 'The countryside artists,' published in Le Charivari, February 2, 1865
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,artists
Engel bij een man en vrouw
Object type: illustration
Date: 1895 – 1895
Materials: paper
Techniques: woodcut
Artist: karel petrus cornelis de bazel
Artist role: draughtsman, print maker
Artist dates: 1869 – 1923
Subjects: angels, gripping someone by the hand or the wrist; clasped hands
Inscriptions: annotation: ‘gezag’

Prent afkomstig uit: Wendingen. Amsterdam: De Hooge Brug, 1919. Jaargang 2, nummer 7-8.
De prent is oorspronkelijk als illustratie verschenen in het tijdschrift 'Licht en Waarheid' V, nr. 136 (1 juni 1895).
De huidige titel is door het museum toegekend bij gebrek aan informatie over een originele titel.
Leopold I (1658–1705) / Relief of Vienna
Object type: double ducat medal
Date: 1683 – 1683
Materials: gold
Artist: Anonymous
Artist role: artist
Foot-rule, square and level
Object type: foot rule
Date: 1751 – 1775
Materials: brass
Artist: jacques baradelle
Artist role: maker
Artist nationality: french
Artist dates: 1694 – 1794
Bootje bij een steiger
Object type: drawing
Date: 1619 – 1685
Materials: chalk, paper
Techniques: brush
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: rowing-boat, canoe, etc.

Bootje bij een steiger, met daarop drie personen.
Kop
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: head (human), caricatures (human types)
Inscriptions: collector's mark: Lugt 2228
Frankie Raymond, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Tapestry Picture
Object type: picture, tapestry
Date: 1767 – 1833
Materials: metal thread, silk
Culture: chinese
Subjects: birds,trees
Portrait of Benjamin Franklin
Object type: painting
Date: 1800 – 1883
Materials: silk
Location: japan
Subjects: benjamin franklin,portraits
Fragment
Object type: textile
Date: 1601 – 1700
Materials: silk, velvet
Techniques: cutting, weave, voiding
Location: italy
Sampler
Object type: sampler
Date: 1822 – 1822
Materials: canvas, silk, wool
Subjects: birds,ships
Foedraal horende bij een riem
Object type: case
Materials: cardboard
Location: brussels
Artist: alphonse l.e. mosselman
Artist role: uitvinder
Inscriptions: inscription: ‘DEPOSE<BR />A.M. & CIE’, inscription: ‘ELECTRO AROMATIC BELT PATENTED <BR />AGAINST SEA SICKNESS’, inscription: ‘PATENT<BR />DIEU ET MON DROIT<BR />HONY SOIT QUI MAL Y PENSE’, inscription: ‘BRÉVETÉ<BR />L'UNION ...FORCE’, inscription: ‘BRÉVETÉ’, inscription: ‘GERREVETEERT<BR />JE MAINTIENDRAI’, inscription: ‘CEINTURE AROMALE ELECTRIQUE<BR />CONTRE LE MAL DE MER’

Een zwart ovalen foedraal met gouden opdruk. Zijkant kapot.
Genevieve Lytton in Colors of St. Augustine Yacht Club, from the Yacht Colors of the World series (N140) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: profiles,women,flags

Trade cards from the "Yacht Colors of the World" series (N140), issued in an unnumbered set of 50 cards in 1890 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The same set was released by Duke in a smaller size, as well (N91).
PADOVA - Cappella degli Scrovegni all'Arena. Gesù Cristo davanti a Caifas.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: scrovegnikapel
Artist: giotto de bondone
Artist role: painter, sculptor
Artist dates: 1266 – 1337
Subjects: christ before the sanhedrin with caiaphas as high priest, and possibly annas; maybe a soldier about to strike christ because he keeps silent (matthew 26:57-66; mark 14:53-64; luke 22:54, 22:66-71)
Inscriptions: collector's mark: Lugt 3937, number: ‘P.e 2.a N.o 19353.’
Allegory of the Seasons
Object type: wineglass
Date: 1730 – 1730
Materials: glass
Subjects: grapes,women
Portret van een onbekende officier van de Koninklijke Militaire Academie in Breda
Object type: photomechanical print
Date: 1904 – 1909
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: officer, historical persons not known by name

Prent op tweede ongenummerde pagina na pagina CXLII.
Beatrix, Irene en Margriet voor het raam
Object type: photograph
Date: 1901 – 1946
Materials: photographic support
Techniques: photography
Location: soestdijk
Artist: koos raucamp
Artist role: fotograaf
Subjects: beatrix (koningin der nederlanden)
Inscriptions: inscription, stamp: ‘COPYRIGHT / 'ANEFO' / ALGEMEEN NEDERLANDSCH FOTOBUREAU’

Beatrix, Irene en Margriet voor het raam van Paleis Soestdijk. Beatrix kon haar verjaardag op 31 januari niet feestelijk vieren omdat zij de mazelen had.
Bowl
Object type: bowl
Materials: glass
Culture: chinese
Studie, mogelijk van een raam
Object type: sketchbook leaf
Date: 1903 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: window

Studie, mogelijk van een raam. Pagina 75 en pagina 76 uit een schetsboek met 46 bladen.
Gezicht op winkel Spruyt van Rietschoten te Hilversum
Object type: photograph
Date: 1900 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: hilversum
Artist: Anonymous
Subjects: shop, store
Inscriptions: inscription: ‘Vosmaer’, annotation: ‘Hilversum’
Pistoolkogels uit het wrak van de Oost-Indiëvaarder Meresteijn
Object type: bullet ammunition
Date: 1693 – 1702
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: cape of good hope

Negen loden pistoolkogels, bolvormige massive ballen, gecorrodeerd, enkele met aankoekingen. Shot, pistol.
Ansichten von Deutschland / Berlin und Potsdam
Object type: stereograph
Date: 1868 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: roman catholic church
Inscriptions: number: ‘No. 33.’
Gezicht op het dorp en de priorij van Croissy-sur-Seine
Object type: print
Date: 1631 – 1661
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Subjects: village

Gezicht op het dorp en de priorij van Croissy-sur-Seine. Prent maakt deel uit van een album.
Gevel van het Grosvenor Hotel te Ilfracombe
Object type: page
Date: 1900 – 1920
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: façade (of house or building), hotel, hostelry, inn
Inscriptions: inscription: ‘The Grosvenor Boarding Establishment (...) from Proprietress.’
Jug with a mask, fluting and chip carving
Object type: ewer
Date: 1590 – 1610
Materials: cobalt, glaze, stoneware, tin
Techniques: printing, firing, forming, relief, turning, vitrification
Location: raeren
Artist: Anonymous
Inscriptions: mark

Kan van steengoed op hoge voet met een eivormig lichaam en smalle nek met geknepen tuit. Het oor is bevestigd aan de nek en schouder. Profielen op de nek, buik en voet. Gedeeltelijk bedekt met kobaltblauw. Het onderste deel van de buik met canelures en het breedste deel met profielen en een gestempelde decoratie. De gewelfde schouder is iets smaller dan de buik en gedecoreerd met kerfsnede. Op de nek in reliëf een gedrukt en opgelegd masker. Bevestigd aan het oor een tinnen montuur met deksel met aan de binnenzijde een onleesbaar merk. Raeren.
Boerenwoning met rieten dak bij 't Saal in Materborn
Object type: sketchbook leaf
Date: 1857 – 1857
Materials: paper, pencil
Location: materborn
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: city-view, and landscape with man-made constructions, rural housing, e.g. country-house, villa, cottage
Inscriptions: date and inscription: ‘bij 't Saal Materborn/ 29 Sept 1857.’

Blad 19 verso uit een schetsboek met 44 bladen.
Twee vrouwelijke naakten, staand
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure (+ standing), arm raised upward - aa - both arms or hands

Met hun armen in de lucht. Blad 27 recto uit schetsboek XVIII met 35 bladen.
Figure of Guanyin
Object type: figure
Date: 1368 – 1644
Materials: porcelain
Culture: chinese
Subjects: buddhism,bodhisattvas
Pair of Clappers
Object type: music, clapper, arm, hand
Date: 1353 – 1336
Materials: ivory
Location: egypt
Subjects: musical instruments,hands

These clappers in the form of human hands were carved from a single hippopotamus tusk that was split in half. Such percussion instruments were used to keep time during dances or as part of a musical ensemble. These examples, however, were found in a miniature coffin at Amarna and seem to have been part of an offering.
Five German Soldiers
Object type: print
Date: 1505 – 1536
Materials: paper
Techniques: etching
Location: germany
Artist: daniel hopfer
Artist role: artist
Artist nationality: german
Artist dates: 1470 – 1536

Daniel Hopfer likely invented the art of etching on paper, adapting it from the long-standing process of decorating arms and armor with acid to etch patterns into steel. The Landsknechte seen here wear minimal armor, just a mail cape (bishop’s mantle), but sport massive swords. They assume various infantry roles, including standard bearer, drummer, fife player, and halberdier. This is the largest of Hopfer’s three etchings of this popular genre subject.
Plate 18: street musicians and other figures outisde a tavern, from the series of customs and pastimes of the Spanish people
Object type: print
Date: 1850 – 1850
Techniques: etching
Artist: francisco lameyer y berenguer
Artist role: artist
Artist nationality: spanish
Artist dates: 1825 – 1877
Subjects: musical instruments,taverns,infants,men,musicians
Wooded Landscape with Gypsies Gathered Round a Fire
Object type: print
Date: 1753 – 1754
Materials: paper
Techniques: etching
Location: england
Artist: thomas gainsborough
Artist role: artist
Artist nationality: british
Artist dates: 1727 – 1788
Man met rijpaard
Object type: print
Date: 1857 – 1935
Materials: paper
Techniques: drypoint
Location: berlin
Artist: max liebermann
Artist role: draughtsman, print maker
Artist dates: 1847 – 1935
Subjects: man and animal, horse
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Graflegging van Christus
Object type: print
Date: 1624 – 1650
Materials: paper
Techniques: engraving
Location: germany
Subjects: christ's entombment (possibly by angels)
Inscriptions: collector's mark: Lugt 2228

Christus wordt door zijn familie en vrienden in een graftombe gelegd. Op de voorgrond links zit de geknielde Maria Magdalena. Op de voorgrond rechts liggen enkele passiewerktuigen van Christus (hamer, tang, spijkers, doornenkroon). Op de achtergrond de kruisberg.
Portret van Julien Tréhu de Monthierry
Object type: book illustration
Date: 1820 – 1821
Materials: paper
Techniques: engraving, roulette
Location: paris
Artist: ambroise tardieu
Artist role: print maker, printer
Artist dates: 1788 – 1841
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Prent uit: Tardieu, Ambroise. Portraits des députés, écrivains et pairs constitutionnels, défenseurs invariables de la charte et de la loi des élections du 5 février 1817. Parijs: Tardieu, Ambroise, 1820-1821.
Twee houten stoelen
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: europe
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.), armchair, seat, ornament derived from plant forms, europe
Inscriptions: number: ‘Kat 158’, number: ‘108’, number: ‘106’, number: ‘XLIV’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, number: ‘Kat 160’, number: ‘LXI’

Links een armstoel met een huifkap, rechts een stoel met op de rugleuning een wapenschild en een plantmotief.
Reproductie van een ontwerp van een zeegezicht bij Capri
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Subjects: island (+ landscape with figures, staffage), sea (seascape) (+ landscape with figures, staffage)
Stigmatisatie van de heilige Franciscus
Object type: print
Date: 1581 – 1585
Materials: paper
Techniques: drypoint, engraving, etching
Location: urbino
Artist: federico barocci
Artist role: draughtsman, painter, print maker
Artist dates: 1528 – 1612
Subjects: stigmatization of st. francis of assisi: in retreat on mount alverna, he beholds a vision of christ on the cross enveloped by wings (like a seraph with six wings); rays passing down to the body of the kneeling saint form the marks of the five wounds of christ

De heilige Franciscus geknield bij een boom, de armen gespreid, de blik gericht op een crucifix boven hem aan de hemel. Op de achtergrond een broeder op de rug gezien, al lezend terwijl hij in de richting van een kerk wandelt.
Opstanding van Cidli
Object type: album leaf
Date: 1804 – 1804
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: raising from the dead

Gebruikt als boekillustratie in: Adriaan Pietersz. Loosjes. Semida en Cidli of de Hope der opstanding. Haarlem: A. Loosjes, 1804. Heruitgegeven in 1816.
Stam van de drakenbloedboom bij La Orotava
Object type: page
Date: 1856 – 1858
Materials: paper
Techniques: albumen print
Location: la orotava
Subjects: trees (+ stem, trunk)
Inscriptions: inscription: ‘Photo-Stereograph 20.’
Pijpenkop met stuk steel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark: coat of arms of the province of Gelderland; no hsm.
½ cruzado of 200 reis uit Portugal van koning José I,1763
Object type: coin
Date: 1763 – 1763
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: gekroond wapenschild, links daarvan waarde-aanduiding: 200, rechts daarvan jaartal. Keerzijde: kort gevoet kruis, met in de hoeken roosjes. Bloemrand.
Leven en passie van Christus
Object type: print
Date: 1705 – 1732
Materials: paper
Techniques: etching
Location: paris
Subjects: a canaanite woman kneels before christ, asking him to heal her daughter; the metaphor of the dogs and bread (matthew 15:21-28; mark 7:24-30)
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie met zestig prenten met als thema het leven van Christus.
Buckle Shank
Object type: buckle shank
Date: 601 – 700
Materials: copper alloy
Culture: visigothic
Location: spain or portugal
Guilielmus Romanoru Rex
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: earl

Willem II, graaf van Holland en rooms-koning. Staande, ten voeten uit. Hij draagt een zwaard in zijn rechterhand. Op zijn linkerschouder het wapenschild van Holland en het Heilig Roomse Rijk. De prent dient als een illustratie bij een boek over de geschiedenis van de graven van Holland.
Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 59 (recto)
Object type: book print ornament architecture
Date: 1603 – 1603
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: ornament

Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604. From top to bottom, and left to right: Design is printed upon a grid and is decorated with 6 squares, which are each ornamented with a different floral motif at their center.
Foot Jar
Object type: jar
Date: 300 – 201
Materials: ceramic
Culture: paracas
Location: peru
Subjects: feet
Christ with symbols of the Eucharist
Object type: print
Date: 1650 – 1750
Techniques: engraving
Artist: Anonymous
Artist role: artist