deem-data/ArtiFact huggingface dataset:
La Broderie à l'aiguille
Object type: print
Date: 1855 – 1855
Techniques: engraving, etching
Artist: félix bracquemond
Artist role: artist
Artist nationality: french
Artist dates: 1833 – 1914
Subjects: men,women

This early work is somewhat unusual in both subject and style for Bracquemond, now better known for his enigmatic bird studies. The etching depicts a couple on a terrace: a gentleman languidly rests on his elbow while a lavishly dressed woman sits embroidering nearby. The composition seems at first to echo contemporary genre paintings popular at the Salons, yet the relationship between the figures and the meaning of the work remain elusive. "La Broderie" reveals Bracquemond’s continued interest in developing complex, ambiguous scenes and his sheer command of printmaking. In carefully controlling the lines and hatching, Bracquemond deftly mirrored the very act of embroidering with a needle, translating and constructing an image with thread-like lines – his very subject.
Woonkamer met zoon Jantje en spinnende slavin Flora
Object type: drawing
Date: 1784 – 1784
Materials: paper, pencil, watercolor
Techniques: brush
Location: jakarta
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: bodegraven, draughtsman, jan brandes, batavia, spinning-wheel, book - mm - book open, slavery; serfs and enslaved persons, interior of the house
Inscriptions: inscription: ‘Jantje met een boek in de hand, en een capas spinnende slavin in een bovenkamer April 4 [?] Ao 1784’

Kleurtekening van de woonkamer van het huis van de tekenaar Jan Brandes met Jantje met een boek en Flora, een tot slaaf gemaakte vrouw, in kleermakerszit bij een spinnewiel. Verder een tapijt, meubels, huisdieren. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 2 (1808), p. 7.
Eine heitere Geschichte
Object type: photograph
Date: 1807 – 1889
Materials: cardboard, paper
Techniques: albumen print
Subjects: wilhelm ii (keizer van duitsland), norway
Inscriptions: number: ‘37’, number: ‘29’
Riviera Di Levante
Object type: ansichtkaart, prentbriefkaart
Date: 1893 – 1905
Materials: cardboard
Techniques: photograph, lithograph, writing
Location: zurich
Subjects: rocky coast, bridge
Karel VI gekozen tot Duits keizer
Object type: history medal
Date: 1711 – 1711
Materials: copper
Techniques: striking
Artist: philipp christoph becker
Artist role: die cutter
Artist dates: 1674 – 1743
Subjects: vienna, charles vi (holy roman emperor)

Koperen penning. Voorzijde: wereldbol binnen ring van wolken en omschrift. Keerzijde: opschrift onder rijksappel, scepter, zwaard en kroon
Brief aan de commissie van de Tentoonstelling van Levende Meesters in Den Haag
Object type: letter
Date: 1847 – 1847
Materials: ink, paper
Techniques: pen, writing
Location: brussels
Artist: jean baptiste van eycken (1809-1853)
Artist role: painter
Artist dates: 1809 – 1853
Subjects: painting (including book-illumination, miniature-painting), exhibition ~ art, money
Inscriptions: collector's mark: Lugt 2233
Chimaera zoals beschreven door Horatius
Object type: book illustration
Date: 1516 – 1516
Materials: paper
Techniques: etching, letterpress printing
Subjects: rotterdam, desiderius erasmus, chimera (lion/goat/snake); 'chimera' (ripa)

Prent afkomstig uit: Erasmus, Desiderius. Morias enkomion (...). Bazel: Johann Rudolf Genath, 1676.
De prenten hierin zijn naar tekeningen die Hans en Ambrosius Holbein maakten voor de theoloog Oswald Myconius in diens uitgave van de Moriae encomium (Lof der Zotheid) van 1516.
Fragmenten po uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: chamber pot
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Container, chamber pot; fragm of rim and base, id. NG 1980-27H3210, squashed.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, head and part of upper torso of Herakles wearing his lion skin, holding his club, above his head, in his right hand
Boomwortels en een hert
Object type: sketchbook leaf
Date: 1874 – 1875
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: hoofed animals: deer, trees (+ root, tuber)

Blad 14 recto uit een schetsboek met 46 bladen.
Figuren in een rivierlandschap met ruïnes
Object type: book illustration
Date: 1627 – 1627
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: river, landscape with ruins, gate, entrance, landscape with tower or castle
Inscriptions: collector's mark: Lugt 964

Boekillustratie in: Campanus, M., Colevelt, J.J. Craen, A.P., Robbertzen, J. Amsterdamsche Pegasus, waer in (uyt lust) byeen vergadert zijn veel minnelycke liedekens. Amsterdam: Cornelis Willemsz Blaeu-laken, 1627.
Rotsblokken met tekenaar en vrouw
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: draughtsman at work - cc - out of doors, rocks (+ landscape with figures, staffage)
Inscriptions: number: ‘2082’, check stamp: Lugt 1090
Annunciatie
Object type: print
Date: 1596 – 1659
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the annunciation: mary kneeling
Inscriptions: collector's mark: Lugt 240

Prent naar schilderij van Peter Paul Rubens.
Robe à l'anglaise
Object type: robe à l'anglaise
Date: 1776 – 1776
Materials: silk
Culture: british

Women with coquettish airs were imposing in robes à la française and robes à l'anglaise throughout the period between 1720 and 1780. The robe à l'anglaise developed with a fitted back after the style of dress worn in England. The silhouette, composed of a funnel-shaped bust feeding into wide rectangular skirts, was inspired by Spanish designs of the previous century and allowed for expansive amounts of textiles with delicate Rococo curvilinear decoration. The wide skirts, which were often open at the front to expose a highly decorated underskirt, were supported by panniers created from padding and hoops of different materials such as cane, baleen or metal. The robes à l'anglaise are renowned for the beauty of their textiles and the meticulous fit of their bodice back.
Fragment
Object type: fragment
Date: 1902 – 1902
Materials: jade
Culture: burmese
Landschap met bomen en bebouwing
Object type: sketchbook leaf
Date: 1910 – 1923
Materials: chalk, paper
Artist: alexander shilling
Artist role: draughtsman, print maker
Artist dates: 1859 – 1937
Subjects: city-view, and landscape with man-made constructions

Blad 11 recto uit een schetsboek met 26 bladen.
Portret van Andrea Morosini op 42-jarige leeftijd
Object type: book illustration
Date: 1623 – 1623
Materials: paper
Techniques: engraving, letterpress printing
Location: venice
Subjects: venice, andrea morosini, historical persons, portrait of a writer

Prent uit: Morosini, Andrea. Historia Veneta ab anno 1521 usque ad annum 1615. Venetië: Antonio Pinelli, 1623.
Chylocladia clavellosa, ß sedifolius
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Mansportret
Object type: drawing
Date: 1752 – 1823
Materials: chalk, paper
Artist: johannes cornelis mertens
Artist role: draughtsman
Artist dates: 1742 – 1823
Subjects: anonymous historical person portrayed alone
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 300
Materials: glass
Culture: roman

Translucent blue green. Rim folded out, down, round, and in, with bevelled innner lip; broad, flaring mouth; cylindrical neck with slightly convex sides and tooling marks around base; small conical body; thick, concave bottom, with jagged scar to one side. Intact; many bubbles; pitting, dulling, and iridescence on exterior; creamy weathering inside mouth and neck.
Card Number 192, Alma Stanley, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Russische zeilschepen in de Kruisbaai te Nova Zembla
Object type: sketchbook leaf
Materials: chalk
Techniques: brush
Location: kruisbaai
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: gulf, bay, sailing-ship, sailing-boat
Inscriptions: annotation: ‘Russchen [...] Kruisbaai N.Z. / [...]llerbaai Russen [...]’

Blad 56 verso uit een schetsboek met 110 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Lezende monnik
Object type: print
Date: 1814 – 1859
Materials: paper
Techniques: drypoint, etching
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: reading, (human) skull, monk(s), friar(s)
Inscriptions: collector's mark: Lugt 2228, monogram: ‘vdK’

In een vertrek zit een monnik aan tafel een boek te lezen. Op de tafel staan een schedel en een inktpot met daarin een schrijfveer.
Saint Mansuy, pièce appelée aussi Saint Mansuet ou La Raquette (Saint Mansuy, piece also called Saint Mansuet or The Racket)
Object type: print
Date: 1616 – 1616
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Beklag van Isengrijn de wolf
Object type: book illustration
Date: 1665 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: fable of reynard the fox
Inscriptions: collector's mark: Lugt 2228

Een groep dieren, waaronder de leeuw, koning Nobel en op de voorgrond de beschuldigde Reinaert de vos. Op de achtergrond doet Isengrijn de wolf zijn beklag. Op de achterkant van de prent een Duits tekstfragment uit het verhaal van Reinaert de vos.
Necklace
Object type: necklace, bead
Date: 1991 – 1450
Materials: gemstone, faience, gold, silver
Location: egypt
Portrait of Jean-Joseph Cassanéa de Mondonville
Object type: drawing and watercolor
Date: 1746 – 1747
Materials: board, paper, pastel
Location: france
Artist: maurice quentin de latour
Artist nationality: french
Artist dates: 1704 – 1788

This virtuoso violinist and composer (1711-1772) was second in command at the royal chapel and director of the Orchestra of the Spiritual Concert, both important musical institutions in eighteenth century Paris, and was as renowned for his theater pieces as he was for his motets. La Tour was a close friend, and a newly elected member of the Royal Academy of Painting and Sculpture, when he captured this informal but sympathetic pose of de Mondonville tuning his violin. It was shown in the Salon of 1747.
Loop-handled conical (?) stamping device
Object type: stamp seal
Date: 7000 – 5001
Materials: mineral, stone
Location: northern syria (?)
Journal des Luxus und der Moden, 1796, T 1
Object type: fashion print
Date: 1796 – 1796
Materials: paper
Techniques: etching, hand coloring
Location: weimar
Subjects: head-gear: cap (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), fan (+ women's clothes)
Inscriptions: date

Vrouw gekleed in een japon met lange mouwen, overslag en sleepje versierd met geometrisch motief. Accessoires: muts met struisveer, ceintuur(?), waaier. Prent uit het modetijdschrift Journal des Luxus und der Moden, uitgegeven door Friedrich Justin Bertuch en Georg Melchior Kraus, Weimar, 1786-1826.
Pattern
Object type: pattern
Date: 1840 – 1840
Materials: parchment
Studies van een paard
Object type: drawing
Date: 1855 – 1912
Materials: chalk, paper
Artist: jan kuyper
Artist role: draughtsman
Artist dates: 1845 – 1912
Subjects: horse
Bidkleed met twee dwarspanelen, KULA
Object type: tapijt
Date: 1800 – 1900
Materials: wool
Location: kula

Bidkleed met twee dwarspanelen, KULA. Middenveld: rondom een grijsbeige mihrab met vlakke, rechtlijnige geveltop en twee kolommen van stengels met bloemen, loopt een koblatblauw randje met gele anjelieren, dat doorloopt als zwikken. Een breed bovenpaneel en een smal benedenpaneel hebben en zwarte fond, elk met een rij beige anjers. Randen: veelvoudig. Tussen okergele zomen met lopende bloemranken staan zes strepen in zwart, wit en oker.
Dish
Object type: dish
Date: 1720 – 1720
Materials: hard paste porcelain
Subjects: flowers,coat of arms

The decoration, in a light underglaze blue, features the impaled arms of Edward Harrison (1674–1732) and his wife, Frances Bray. The rendering of the arms by means of a few pseudo-engraved lines and written abbreviations is believed to be unique to this service.
Imperial Residences
Object type: stereograph
Date: 1860 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: parc de saint-cloud
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: garden pond
Inscriptions: number: ‘75.’, inscription: ‘E. Lamy's collection’
Petit Courrier des Dames, 1826, No. 388 : 1 Chapeau de gros de Napl (...)
Object type: fashion print
Date: 1826 – 1826
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: handkerchief (+ women's clothes), embroidery (ornamentation) (+ women's clothes), clothing for the upper part of the body (pelerine) (+ women's clothes), trousers, breeches (+ boys' clothes), head-gear: hat (+ boys' clothes), clothing for the upper part of the body (+ boys' clothes), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), muff (+ fur used for clothes), jumping-rope games, bracelet, wristlet (+ women's clothes)
Inscriptions: address: ‘Boulevard des Italiens No.2 près le passage de l'Opera’, title: ‘Petit Courrier des Dames.’, caption: ‘1 Chapeau de gros de Naple orné dépis. Robe de mousseline quadrillée, Pélerine a pointe en organdi brodé. 2. Costume d'Enfant. Habit Matelot en Poil de Chèvre, Chapeau Casquette en crin.’, title: ‘Modes de Paris.’

Een vrouw met aan de hand een jongen met springtouw, genummerd één en twee. 1. Hoed van 'gros de Naples', versierd met aren. Japon van geruite mousseline. Doorzichtige schapenboutmouwen, waaronder lange mouwen. Pelerine met punten van geborduurde organdie. Verdere accessoires: oorbel in het rechteroor, handschoenen, armbanden om beide polsen, zakdoek. 2. Kinderkleding. Matrozenpak van geitenwol. Hoed of 'chapeau casquette' van 'crin'. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Vase
Object type: vase
Date: 1736 – 1795
Materials: gemstone, jade, wood
Culture: chinese
Design Projects, Table and Chair Elevations
Object type: architectural drawing
Date: 1860 – 1870
Materials: graphite, paper
Techniques: drawing
Artist: carl (charles) j. furst
Subjects: furniture, chairs, tables, design
Voyage dans la Russie Méridionale et la Crimée
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Location: paris
Subjects: pipe ~ tobacco, smith, blacksmith, bellows
Brief aan Philip Zilcken
Object type: letter
Date: 1923 – 1923
Materials: ink, paper
Techniques: pen, writing
Location: brussels
Artist: jeanne boels de buck
Subjects: jeanne boels de buck, the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Siége Saint-Eloi, a Carnières
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: mine
Inscriptions: inscription: ‘Société des Charbonnages de Mariemont’
Ecce Homo (Christ with the Reed)
Object type: print
Date: 1833 – 1833
Techniques: etching
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: christ
A Dell, Helmingham Park, Suffolk
Object type: print
Date: 1830 – 1830
Techniques: mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: bridges,parks,trees

In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Shepherd and Shepherdess Making Music
Object type: tapestry
Date: 1500 – 1530
Materials: silk, wool
Culture: south netherlandish
Subjects: men,women,music,bagpipes,sheep,shepherds

This tapestry fragment depicts a shepherd couple entertaining themselves with music, while three sheep from their flock graze behind them in the flower-covered background. The shepherdess, seen at the left, holds up a sheet of music as she sings: Chantons sur lerbette Let's sing, on the grass, Avec ta musette with your bagpipe, Quelque note double a tune for two. The shepherd plays a bagpipe, responding with a verse of his own: Cuant est de georgette When she sings Elle a lavoix nette her voice is fair: Mes ie faiz le trouble but I do the work. It is one of three surviving fragments woven after the same series of cartoons, the other pieces of which are in the Detroit Institute of Arts and in Mobilier National in Paris. The shield that hangs between two branches of the orange tree has not yet been identified.
Exposition Universelle de 1867
Object type: stereograph
Date: 1867 – 1867
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Subjects: world fair, world exhibition, paris
Inscriptions: check stamp: ‘CONCESSION/ */ UNIQUE’, number: ‘455’, address: ‘(...) 113, Boulevard du Sébastopol, 113/ PARIS (...)’
Left Gauntlet
Object type: cuff of a left gauntlet
Date: 1450 – 1450
Materials: steel
Culture: italian
Location: italy

This is part of a large find of medieval armor discovered in 1840 in the ruins of the fortress of Chalcis, on the Greek island of Euboea (then a Venetian colony called Negroponte). The fortress had been captured and destroyed by the Turks in 1470. Now divided largely between the Ethnological Museum, Athens, and The Metropolitan Museum of Art, the Chalcis hoard contains many rare and unusual elements of fourteenth- and fifteenth-century armor. Of particular importance are the variety of headpieces and the many fragments of brigandines (armor for the torso constructed of small plates riveted to layers of fabric), some of which retain portions of their original velvet covering. The Chalcis armor provides a unique picture of the armament used in the Aegean, one of the easternmost military outposts of the Venetian empire.
Lamp
Object type: lamp
Date: 1 – 200
Materials: earthenware
Techniques: glazing
Location: syria
Partisan
Object type: partisan
Date: 1467 – 1500
Materials: steel, wood
Culture: italian
Location: italy
View of Docks (Long Island Sound?) (from Sketchbook)
Object type: drawing
Date: 1858 – 1916
Materials: graphite, ink, paper
Culture: american
Artist: henry ward ranger
Artist role: artist
Artist nationality: american
Artist dates: 1858 – 1916
Subjects: docks

This sketchbook contains thirty-one undated drawings in graphite and ink of Noank and Lyme, Connecticut subjects. Beginning in 1899, Ranger became a leading member of the artists’ colony at Old Lyme, Connecticut, where a group of painters influenced by the Barbizon and impressionist styles gathered in the summer at the home of Florence Griswold. Ranger later acquired a country home in Noank, on Long Island Sound, near New London, Connecticut, and did much of his sketching there.
Terracotta rim fragment of a mastoid (drinking cup with narrow base)
Object type: mastoid fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Black glazed rim from a mastoid; below, a band of ivy
General Cronje Commando at Mafeking 1899
Object type: photograph
Date: 1899 – 1899
Materials: paper, photographic support
Techniques: gelatin silver print
Location: mafeking
Artist: david barnett
Artist role: fotograaf
Artist dates:  – 1964
Subjects: warfare; military affairs (+ weapons)
Inscriptions: inscription: ‘Cronjé is met de zweep in zijn hand.’

Onderdeel van Album met 191 foto's van een reis naar en door Zuid-Afrika.
Hadrian's Villa: The Piazza d'Oro (Piazza of Gold) (Veduta degli Avanzi della Circonferenza delle antiche Fabbriche di una delle Piazze della Villa Adriana oggidi chiamata Piazza d'oro)
Object type: print
Date: 1776 – 1776
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: human figures,ruins
Gezicht in een stad
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Location: karlovy vary
Artist: Anonymous
Subjects: street (+ city(-scape) with figures, staffage)
Drinkende koe
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: etching
Subjects: cow, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 240

Herders en herderinnen rusten met hun vee bij een beek in een rotslandschap. Twee koeien, een geit en twee schapen staan in ondiep water voor een vervallen monument met een reliëf. De titel dankt de prent aan de koe met de snuit waar het water van afdruipt.
Boereninterieur
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Subjects: farm (building) - aa - civic architecture: inside
Inscriptions: collector's mark: Lugt 2228

Een groep boeren zit rond een tafel in een boerenkamer. De boeren drinken en zijn uitgelaten. Een jongen speelt met een klein meisje op de grond.
Hulde aan Willem I, prins van Oranje, den redder des vaderlands. 5 Junij 1848
Object type: text sheet
Date: 1805 – 1848
Materials: paper
Techniques: letterpress printing
Location: the hague
Subjects: delft, william i (prince of orange)
Inscriptions: collector's mark: Lugt 2228

Teksten ter ere van de prins bij de onthulling van het standbeeld van prins Willem van Oranje op het Plein te Den Haag, op 5 juni 1848. Twee dubbelgevouwen bladen bedrukt met tekst. Op de voorzijde de titel binnen een decoratieve omlijsting in rood en blauw.
Dordrecht
Object type: print
Date: 1987 – 1987
Materials: paper
Techniques: etching, retroussage
Artist: karel wetselaar
Artist role: print maker
Artist dates: 1935 – 2017
Subjects: façade (of house or building), dordrecht
Inscriptions: inscription: ‘2e staat / 2e staat, 1e druk’, signature and date: ‘K. Wetselaar 1987’
Sint Nicolaaspenning
Object type: medal
Date: 1775 – 1775
Materials: silver
Techniques: striking
Location: amsterdam
Artist: johannes michiel lageman
Artist role: silversmith
Artist dates: 1735 – 1809

Zilveren penning. Voorzijde: bisschop met mijter en staf staande voor mand vol bloemen, korenaren en hoorn van overvloed met geld binnen omschrift; afsnede: opschrift. Keerzijde: opschrift onder versiering bestaande uit open boek en bel
The coronation of the Virgin, God the Father above, St Jerome lower right and St John the Baptist lower left
Object type: print
Date: 1530 – 1560
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: angels,saint jerome,saint john the baptist,virgin mary
Fotoreproductie van Gezicht op Delft door Johannes Vermeer
Object type: photomechanical print
Materials: cardboard, paper
Techniques: rotogravure
Location: berlin
Subjects: city-view, and landscape with man-made constructions, picture, painting
Inscriptions: inscription: ‘'27 : 38’
Watch-Shaped Vinaigrette
Object type: metalwork
Date: 1820 – 1821
Materials: silver, silver gilt
Location: birmingham
Artist: joseph taylor