deem-data/ArtiFact huggingface dataset:
Slat-back armchair
Object type: slat back armchair
Date: 1650 – 1690
Materials: wood
Culture: american
Location: united states

This is an example of the earliest known type of turned slat-back chair made in New England. The back consists of three broad, horizontal slats with straight upper edges cut away at the ends. The slats are graduated in height, with the largest at the top. Turned chairs with slat backs were found in both modest and affluent homes, where they provided practical, everyday seating alongside more fashionable and costly forms.
A Mlle Schlusser
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: andré-adolphe-eugène disdéri
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1889
Subjects: portraits,women
The Floods of 1856, Church of Saint-Pothin, Lyon
Object type: photograph
Techniques: paper negative, salted paper print
Artist: édouard denis baldus
Artist role: fotograaf
Artist nationality: french, born prussia
Artist dates: 1813 – 1889
Subjects: churches
LIII Als my fortuijn tot hoogheydt voert, Soo laet ick gheen dreck ongheroert
Object type: album leaf
Date: 1614 – 1614
Techniques: engraving, printing
Location: the hague

LIII Als my fortuijn tot hoogheydt voert, Soo laet ick gheen dreck ongheroert. Derde schok. Onderdeel van 'Sinnepoppen', R. Visscher, 1614.
Werk en portret van Herman Heijermans
Object type: photomechanical print
Date: 1937 – 1937
Materials: paper
Techniques: rotogravure
Artist: Anonymous
Subjects: rotterdam, herman heijermans, historical persons, portrait of a writer

Prent uit: Wij, ons werk, ons leven 3 (1937), nr. 35, 1 oktober 1937.
Marteldood van Jan de Bakker, 1525
Object type: history print
Date: 1780 – 1795
Materials: paper
Techniques: etching
Location: netherlands
Subjects: the hague, priest, execution of heretic, e.g. by burning at the stake, 'auto-da-fé', violent death by burning at the stake; pyre, persecution of heretics

Illustratie voor: J. Fokke, Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd, Johannes Allart, Amsterdam 1783-1795, 25 delen, dl. III, pl. VI. Staat vóór de letter.
F. Hutchinson, Pitcher, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Vue du Port de Catane
Object type: watercolor
Date: 1778 – 1778
Materials: chalk, paper, watercolor
Techniques: brush, pen
Artist: louis ducros
Artist role: draughtsman, print maker
Artist dates: 1748 – 1810
Subjects: harbour, prospect of city, town panorama, silhouette of city
Inscriptions: inscription: ‘No 169 Vue du Port de Catane’

Tekening uit het album 'Voyage en Italie, en Sicile et à Malte', 1778.
Palette inscribed for Smendes (II), High Priest of Amun
Object type: palette, brush, scribe, smendes
Date: 1045 – 992
Materials: ink, wood
Location: upper egypt, thebes

The standard scribe’s palette combined a holder for reed brushes with recesses for red and black ink cakes. This example is unique in that it also has a scale painted on its side. According to Egyptologist William C. Hayes this was used by scribes to enlarge or reduce designs proportionally at a ratio of 1:6. On the underside is a hieratic inscription naming Smendes (II), who was High Priest of Amun and general of the army. The palette was found at Thebes together with tweezers (47.123h) that may have been used to manipulate the ink cakes, and a calendar of lucky and unlucky days which is in the Egyptian Museum, Cairo (JE 86637).
A Fisherman
Object type: painting
Date: 1824 – 1906
Materials: canvas, ink
Culture: american
Artist: eastman johnson
Artist role: artist
Artist nationality: american
Artist dates: 1824 – 1906
Subjects: men,portraits
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of the top and inside of the mouth of a column-krater; on the top of the mouth, a graffito?
Scarab Inscribed with the Name of the God Amun-Re
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs
Blad 30 uit Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel I (1921-1929)
Object type: photograph
Materials: paper, photographic support
Techniques: photography, printing, writing
Location: the hague
Artist: Anonymous
Subjects: further education (+ pupil), further education, the hague

Twee pagina's met gegevens van de deelnemers aan de 11e driemaandelijkse cursus van 7 januari tot en met 3 april 1925, stamboeknummers 135 tot en met 139. Onderdeel van Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel I (1921-1929).
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, lower body of draped figure standing in front of an altar
Papyrus Lids from the Embalming Cache of Tutankhamun
Object type: jar lid, papyrus
Date: 1336 – 1327
Materials: fiber, papyrus
Location: egypt
The duchesse de Berry
Object type: bust
Date: 1820 – 1820
Materials: biscuit, bronze, paste, porcelain
Techniques: glazing
Artist: denuelle manufactory
Artist role: manufactory
Artist nationality: french
Subjects: women

This bust appears to be the most ambitious piece of porcelain produced by the Paris factory of Auguste Dominique Denuelle. It is based on a marble bust by the sculptor Henri Joseph Ruxtheil (1755–1837) and depicts Marie-Caroline, the duchess of Berry. A daughter of King Francis I of the Two Sicilies, Marie-Caroline married Charles Ferdinand, the duke of Berry, whose father became Charles X in 1824. Charles Ferdinand was assassinated four years before his father ascended the throne, and Marie-Caroline was forced to flee France when her father-in-law was overthrown in the July Revolution of 1830.
Mirror
Object type: mirror
Date: 1201 – 1500
Materials: silver
Techniques: hammering
Culture: chancay or chimú
Location: peru
John Bull's First Visit to his Old Friend the New Secretary
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: charles williams
Artist nationality: english
Artist dates: 1797 – 1830
Brug over een gracht in Amsterdam, mogelijk de Krom Boomssloot
Object type: sketchbook leaf
Date: 1898 – 1902
Materials: chalk
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), civic architecture; edifices; dwellings
Inscriptions: annotation: ‘schepen’, : ‘blaauw’

Pagina 33 en pagina 34 uit een schetsboek met 42 bladen.
Male skeleton wearing military dress (vignette for the feast of the dead)
Object type: print
Date: 1892 – 1892
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: skeletons

Image included in the broadsheet "La Calavera de Cupido" (Imprenta de A. Vanegas Arroyo, ca. 1892).
Portret van Johann Huncžovsky
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: mezzotint
Location: vienna
Subjects: vienna, historical persons, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Tafellaken met gestrooide bloemen
Object type: tablecloth
Date: 1650 – 1660
Materials: linen
Techniques: damask
Location: southern netherlands
Artist: Anonymous
Inscriptions: mark: ‘2’, mark: ‘DAVA’

16/4 Tafellaken van linnendamast, met een patroon van gestrooide bloemen aan bebladerde stengels. Lopende randen: bloemen, vogels en twee honden die een hert achtervolgen.
Belt Fitting
Object type: belt fitting
Date: 701 – 900
Materials: bronze, gilt
Culture: avar
Subjects: griffins
Gezicht in een stad, mogelijk in Duitsland
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: collodion silver print
Location: germany
Artist: Anonymous
Subjects: tramway, tram, street, germany
Aanbidding door de koningen
Object type: print
Date: 1567 – 1567
Materials: paper
Techniques: engraving
Location: rome
Subjects: angels singing, making music, adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh), ornament derived from architectural details
Inscriptions: signature: ‘DO[N] JULIO CLOVIO DE CROVACIA INVE’, caption: ‘Aurum, tus, myrrham regiq. hominiq. deocq; // Dona tulere magi extremis orientis ab oris. // Ignaros duxit quos stella viaeq; lociq.’, collector's mark: Lugt 240, date: ‘1567’

Aanbidding door de koningen in architecturale omlijsting met putti en musicerende engelen. Rechts Jozef en Maria met het Kind op schoot voor een antiek gebouw. De drie koningen bieden geschenken aan. De voorste koning zit geknield, de twee anderen staan. Achter hen een stoet met ruiters en kamelen. In de omlijsting een plaquette met de presentatie van Christus in de tempel.
Gezicht op binnenplaats (El Patio de los Leones) van Alhambra, Granada, Spanje
Object type: photograph
Date: 1850 – 1900
Materials: paper
Techniques: albumen print
Location: madrid
Artist: juan laurent
Artist role: publisher
Artist dates: 1816 – 1896
Subjects: alhambra
Inscriptions: caption: ‘GRANADA.1112. El patio de los Leones desde la puerta de entrada (Alhambra)’, annotation: ‘X’, caption: ‘J. Laurent. Madrid.’

Gezicht op binnenplaats El patio de los Leones van Alhambra, Granada, Spanje.
Portret van een man met snor in uniform
Object type: album leaf
Date: 1872 – 1872
Materials: cardboard, photographic support
Techniques: albumen print
Location: leuven
Artist: f. meeus-verbeke
Artist role: fotograaf
Artist dates: 1845 – 1906
Subjects: moustache, historical persons, (military) uniforms
Inscriptions: date: ‘1872’, inscription: ‘Photographie Inaltérable/ Procédé au Charbon/ Meeus Verbke/ 24, Rue de la Station, 24/ Louvain’, annotation: ‘affection souvenir/ a mon ami/ [...] bataille/ le Colonel Lemoine/ 1872/ [...]’
Portret van Carle van Loo
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving
Location: paris
Subjects: painter, print maker, carle van loo, historical persons, portrait, self-portrait of painter, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228
Landscape in the Environs of The Hague
Object type: painting
Date: 1870 – 1875
Materials: canvas, oil
Artist: willem roelofs (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1897
Subjects: canal, road, path, the hague
Inscriptions: signature: ‘W. Roelofs’

Together with Jozef Israëls, Roelofs is considered the doyen of the Hague School, even though he lived in Brussels. During the summer he made oil sketches in the environs of The Hague, which he worked up into paintings during the winter in his Brussels studio. Depicted here is the road from The Hague to the village of Stompwijk. The swing bridge across the canal is open to prevent the cattle from escaping.
Drinkende man
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: etching
Subjects: adult man, drinking
Inscriptions: collector's mark: Lugt 2228
Marcus Valerius Corvus
Object type: print
Date: 1805 – 1829
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: keijzer
Artist role: print maker
Subjects: marcus valerius corvus (corvinus) victoriously fights a mighty gaul in single combat, assisted by a crow that attacks the face of the gaul
Inscriptions: number: ‘1’, date: ‘Keijzer Mai 1829’

De held Marcus Valerius Corvus ten voeten uit, op de rug gezien, zijn schild opgeheven bij zijn linkerschouder. Op de achtergrond is te zien hoe hij met de hulp van een raaf (corvus) een Galliër verslaat.
Flounce
Object type: textile
Date: 1701 – 1750
Materials: lace, linen
Techniques: lace
Location: italy
Dierskeletten
Object type: print
Date: 1626 – 1626
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: hendrick hondius (i)
Artist role: draughtsman, print maker, publisher
Artist dates: 1573 – 1650
Subjects: horse (+ skull of an animal), dog (+ skull of an animal), rodents: rabbit (+ skull of an animal)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘l.b.: 'Hooft van een Hondt / Teste d'un Chien // m.b. van een Peerdt / d'un Cheval // r.b.: van een Conijn / d'un Conin. l.o. 19’, signature and date: ‘m.o.: 1626 Hh figuravit’

Drie skeletten van dierenkoppen: links een hondenkop, in het midden een paardekop, rechts de kop van een konijn.
Length of upholstery silk
Object type: length
Date: 1760 – 1765
Materials: silk
Artist: philippe de lasalle
Artist role: designer
Artist nationality: french
Artist dates: 1723 – 1804
Subjects: roses
Portret van Lodewijk Filips I van Orléans
Object type: print
Date: 1731 – 1763
Materials: paper
Techniques: etching, engraving
Location: france
Subjects: lodewijk filips i van orléans, ornament ~ medallion, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Pentecost, from "The Small Passion"
Object type: print
Date: 1510 – 1510
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: birds,men,women,pentecost
Portret van Saskia van Uylenburgh
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: etching
Artist: piet verhaert
Artist role: print maker
Artist dates: 1852 – 1908
Subjects: amsterdam, adult woman, historical persons, head-gear: hat
Inscriptions: collector's mark: Lugt 2228, inscription: ‘2e état’
Vechtende Hollandse soldaten bij het kasteel van Batavia, 1618
Object type: print
Date: 1853 – 1855
Materials: paper
Techniques: tone lithography
Location: netherlands
Artist: Anonymous
Subjects: battle, fighting in general

Illustratie voor: J.H. Eichman & H. Altmann, Vaderlandsche historieplaten voor scholen en huisgezinnen, Leiden, 1855. Dit nummer is een door het RPK toegevoegd nummer en staat niet in Frederik Muller, het werk waar de prent voor is gemaakt of uit afkomstig is, staat wel vermeld in Frederik Muller.
Suzanna en de ouderlingen
Object type: watercolor
Date: 1620 – 1629
Materials: chalk, ink, paper, watercolor
Techniques: brush
Location: zwolle
Artist: gerard ter borch (i)
Artist role: draughtsman, print maker
Artist dates: 1584 – 1662
Korendragers- en -stortersgilde van Amsterdam, gildepenning van Barent Cortman
Object type: medal
Date: 1730 – 1730
Materials: copper
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Koperen penning. Voorzijde: naar rechts gewende man met last op hoofd. Keerzijde: opschrift
Stirrup Spout Vessel with Fineline Bird Motifs
Object type: vessel
Date: 100 – 500
Materials: ceramic, paint, pigment
Culture: moche
Location: peruvian north coast
Jakobs ladder
Object type: print
Date: 1582 – 1586
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: river, the dream of jacob: while sleeping on the ground with a stone for pillow jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with god at the top of the ladder, tortoises, turtles (+ ornamental variants of animals), flowers ~ ornament
Inscriptions: collector's mark: Lugt 2228

Landschap met een rivier. Op de voorgrond links de slapende Jakob. Hij droomt dat engelen vanuit de hemel via een ladder omhoog en omlaag klimmen. Boven in de wolken God de Vader. De prent heeft een ornamentlijst met bloemen en schildpadden. Hij maakt deel uit van een vierentwintigdelige serie van landschappen met Bijbelse, mythologische scènes en jachttaferelen.
Allegorical Figure of America
Object type: ceramic
Date: 1770 – 1780
Materials: enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Location: derby
Artist: derby porcelain manufactory
Artist nationality: england
Artist dates: 1750 – 1848
Four Episodes during the Presence of the Anglo-Dutch Fleet in the Bay of Algiers, 26 to 27 August 1816
Object type: painting
Date: 1818 – 1818
Materials: oil, panel
Artist: nicolaas baur
Artist role: draughtsman
Artist dates: 1767 – 1820
Subjects: sailing-ship, sailing-boat, navy
Inscriptions: signature and date: ‘N. Baur 1818’

De Engels-Nederlandse vloot in de Baai van Algiers ter ondersteuning van het ultimatum tot vrijlating van Europese slaafgemaakte mannen in Noord-Afrika, dergelijke slaafgemaakten stonden bekend als 'christenslaven', 26 augustus 1816. Rechts een groot oorlogsschip, vooraan enige sloepen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, left forearm, lower torso and thighs of male
Coin Portraying Philip the Arab
Object type: coin
Date: 244 – 249
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP M IVL PHILIPPVS AVG
Reverse: ANNONA AVGG  S C

The front (obverse) of this coin portrays the head of Philip the Arab, facing to the right. The back (reverse) depicts Annona- the divine personification of the grain supply to the city of Rome- holding ears of corn and a cornucopia.
Huis
Object type: print
Date: 1918 – 1918
Materials: paper
Techniques: lithograph
Artist: simon moulijn
Artist role: draughtsman, print maker
Artist dates: 1866 – 1948
Subjects: garden, rural housing, e.g. country-house, villa, cottage
Inscriptions: number: ‘no 13.’, collector's mark: Lugt 2228, collector's mark: Lugt 2760
Piece
Object type: piece
Date: 1767 – 1800
Materials: metal thread, silk
Subjects: flowers,leaves
Gerbrandt van den Eeckhout, Christus und die Ehebrecherin
Object type: reproduction
Date: 1905 – 1905
Materials: paper
Techniques: photograph
Location: munich
Subjects: pharisees bring a woman accused of adultery before christ (john 8:2-11)
Inscriptions: inscription: ‘34/ Icon/ D’, inscription: ‘Amsterdam, Rijksmuseum No. 877.’
Studie van een liggende vrouw, slapend op een bank
Object type: drawing
Date: 1892 – 1916
Materials: ink, paper
Techniques: pen
Artist: rik wouters
Artist role: draughtsman, print maker
Artist dates: 1882 – 1916
Subjects: lying figure - aa - female human figure
Animal head ornament
Object type: ornament
Date: 1000 – 1
Materials: bronze
Location: transcaucasia
Subjects: animals
Portret van een kleuter in gehaakte jurk, zittend op een hek
Object type: carte de visite
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: theodorus ferdinant van de pol
Artist role: fotograaf
Artist dates: 1861 – 1953
Subjects: toddler, sitting figure, historical persons
Inscriptions: annotation: ‘1 nov 1900/ Klein Rietje’, inscription: ‘Th. F. v.d. Pol/ Amersfoort’
Mug
Object type: decorative art
Date: 1882 – 1900
Materials: copper, earthenware, glaze, lead
Location: strasburg
Artist: s. bell and sons
Subjects: dining, drinking
Inscriptions: Marked: S.BELL & SON, Strasburg

Extending from Pennsylvania to Virginia, the Shenandoah Valley was a prime area for ceramic production due to its abundance of red clays. Made in Strasburg, Virginia, this mug is part of a rich history of pottery in the region; the Bell family of potters originated in the late eighteenth century. S. Bell and Sons was a maker of both stoneware and earthenware. On this mug, manganese and copper glazes produced green and brown mottled shades, which gave Shenandoah Valley pottery its distinctive aesthetic.
Offerings to Wrathful Deities
Object type: thangka
Date: 1567 – 1700
Materials: textile, ink
Culture: tibetan
Subjects: buddhism,gods

This black-ground (Tibetan: nag thang) painting was installed in the chapel (gonkhang) dedicated to the wrathful protective deities (dharmapalas), a room reserved for tantric initiation rites within a Tibetan monastery. The exceptional scale and complexity of the composition relate the painting to the offering-scene murals known as “sets of ornaments” (Tibetan: rgyan tshogs) that adorn the interiors of shrines dedicated to the dharmapalas. Two wrathful tantric deities are represented with flames emanating from their beings, standing on a male corpse atop a lotus pedestal. They are draped in flayed skins and garlands of severed human heads. Offerings of flayed skins, ritual utensils and objects, and a vast assortment of weapons fill the interior. Framing the scene above is a curtain of flayed human skins and organ entrails.
Archer's wrist guard
Object type: archer's wrist guard
Date: 1961 – 1917
Materials: leather
Location: egypt

The archer’s wrist guard was found in a mass grave of at least fifty-nine soldiers. Buried with the individuals were small pieces of military equipment such as bows and arrows, and this wrist guard still tied around the wrist of one man. The bodies showed evidence of violence, and from their wounds it was apparent that they died on the battlefield. The excavator believed that these "slain soldiers" were connected with a specific historical event that lead to the reunification of Egypt under Mentuhotep II, but reevaluation of the evidence does not support this theory. On the corners of their linen wrapping sheets were inscriptions, some with names that were only popular later, in early Dynasty 12. Moreover, the paleography of the inscriptions and the type of wrist guard found with the soldiers also point to an early 12th dynasty date, which can perhaps be narrowed down to the reign of Senwosret I (the second king of Dynasty 12).
Zes portretten van onbekende personen
Object type: photograph
Date: 1880 – 1900
Materials: paper, glass, metal
Techniques: albumen print
Artist: Anonymous
Subjects: anonymous historical person portrayed, three generations (family group)

De portretten zitten in een piramidevormige lijst.
Portret van Regnerus Praedinius
Object type: print
Date: 1789 – 1850
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons, professor
Haarkam van imitatie schildpad of hoorn met een rug bestaande uit een aaneenschakeling van ovalen
Object type: comb
Date: 1875 – 1899
Materials: celluloid, horn
Techniques: assembly, filing, polish, pressing, sawing
Location: netherlands
Artist: Anonymous

Haarkam van imitatie schildpad of hoorn met een rug bestaande uit een aaneenschakeling van ovalen, die naar het midden toe groter worden. Elf tanden, die naar het midden toe langer worden.
Card 49, from the Girl Cyclists series (N49) for Virginia Brights Cigarettes
Object type: photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,bicycles

Trade cards from the "Girl Cyclists" series (N49), issued in 1887 by Allen & Ginter to promote Virginia Brights Cigarettes.
Steam Ship, from the set of eight Pictures of Foreign Ships
Object type: print
Date: 1840 – 1859
Techniques: woodblock print
Location: japan
Artist: Anonymous
Parasol
Object type: parasol
Date: 1835 – 1835
Materials: silk
Culture: american
Rocaille omraming met jonge man
Object type: print
Date: 1731 – 1775
Materials: paper
Techniques: etching
Location: augsburg
Subjects: rocaille ornament, youth, adolescent
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Rocaille omraming met jonge man met fluit, hoed en staf in landschap. Uitgeversnummer 109.