deem-data/ArtiFact huggingface dataset:
Les lieux les plus remarquables de Paris et des environs
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching
Subjects: landscape with tower or castle
Inscriptions: collector's mark: Lugt 240
Bloeiende appelboom
Object type: print
Date: 1931 – 1931
Materials: paper
Techniques: engraving
Artist: bernard essers
Artist role: print maker
Artist dates: 1893 – 1945
Subjects: low hill country, trees: apple-tree
Inscriptions: collector's mark: Lugt 2228

Op de achtergrond een heuvellandschap met bomen en struiken.
Letter
Object type: hanging scroll
Materials: ink, paper
Culture: japanese
Artist: tanomura chokunyū 田能村直入
Artist role: artist
Artist nationality: japanese
Artist dates: 1814 – 1907

This letter was brushed by Nanga painter Tanomura Chokunyū, a pupil and adopted son of Tanomura Chikuden (1777–1835), arguably the most important Nanga painter of the early nineteenth century. Chokunyū carried on his father’s legacy by helping establish Kyoto’s first art school, now known as the Kyoto City University of Arts (Kyoto Shiritsu Geijutsu Daigaku). He himself was a highly skilled painter in the Nanga tradition, specializing in landscapes executed in styles associated with great Chinese painters of the past. This letter is addressed to Murase Gyokuden 村瀬玉田 (1852–1917), a student and adopted son of popular Kyoto painter Murase Sōseki (1822–1877). Gyokuden was known for both flower-and-bird subjects and landscapes and produced commissioned works for the imperial family. In the middle of the letter, Chokunyū playfully drew three Matsutake mushrooms. On another letter from Chokunyū to Gyokuden, he painted three chestnuts (published on the Waseda University Library website). These letters with sketches of autumn produce reveal the close friendship of these two Kyoto painters.
Het huijs Rick dorph
Object type: print
Date: 1663 – 1670
Materials: paper
Techniques: etching
Artist: cornelis elandts
Artist role: draughtsman, painter, print maker
Artist dates: 1641 – 1687
Subjects: castle
Inscriptions: collector's mark: Lugt 1641

Landgoed Rickxdorp, het huidige Rijksdorp bij Wassenaar. Boven enkele rijen bomen steekt het landhuis uit, erachter de polder met enkele dorpjes. Op de voorgrond zijn twee mannen afgebeeld, waarvan er één een jachtgeweer vasthoudt. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Over de Grenzen.
Gevecht met Amazones
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: battle of amazons; amazonomachy

Amazonenslag op een brug. Deze prent maakt deel uit van een album.
Festoen van fruit met een druiventros in het midden
Object type: ornament print
Date: 1655 – 1678
Materials: paper
Techniques: engraving
Location: amsterdam
Figure Dish
Object type: dish
Date: 1880 – 1890
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: mckee and brothers
Artist role: maker
Artist nationality: american
Artist dates: 1856 – 1889
Subjects: pigs
Lübeck. Holstentor mit Bismarckdenkmal
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: collotype process
Location: lübeck
Subjects: city-gate
Bord
Object type: plate dish
Date: 1625 – 1700
Materials: earthenware, glaze
Location: netherlands
Artist: Anonymous

Rond bord van loodglazuuraardewerk. Het bord is grof gedecoreerd met onregelmatig aangebrachte witte punten en strepen en op enkele plaatsen groen email.
Gezichten op de Dam in de 16e eeuw
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Artist: Anonymous
Subjects: square, place, circus, etc., city-view in general; 'veduta', weigh-house
Inscriptions: inscription: ‘16.6.1895 Amsterdamsche Courant / Amsterdamsche cour: 15.7.1895’, collector's mark: ‘7’ Lugt 1641b

Prenten uit: De Amsterdamsche Courant (1895), 16 juni 1895 en 15 juli 1895.
Actor, Danjuro, Impersonating Murubashi Chuye
Object type: print
Date: 1785 – 1800
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: toryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1785 – 1800
Subjects: men,actors
Portret van Hendrik IV, koning van Frankrijk en Navarra
Object type: book illustration
Date: 1684 – 1684
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: paris, hendrik iv (koning van frankrijk en navarra), historical persons, king

Prent uit: Bor, Pieter Christiaensz. Oorsprongk, begin, en vervolgh der Nederlandsche oorlogen, (...). Amsterdam: weduwe Johannes van Someren, Abraham Wolfgang, Hendrick Boom en weduwe Dirk Boom, 1684, dl. 4. Prent met nummering gebruikt in: Clerc, Jean le. Geschiedenissen der Vereenigde Nederlanden: sedert den aanvang van die Republyk (...). Amsterdam: Zacharias Chatelain, 1730, dl. 1. Frederik Muller schrijft het portret toe aan Bernard Picart. Aangezien de prent al in 1684 in een boek is gebruikt, lijkt dat onwaarschijnlijk.
Paardenstudies
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: paper, pencil
Location: south holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: horse

Paardenstudies. Pagina 14 uit een schetsboek met 70 bladen.
Portret van Paul Wangemann
Object type: photomechanical print
Date: 1870 – 1930
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons
The Battle of the Downs
Object type: penschildering
Date: 1659 – 1659
Materials: canvas, ink
Artist: willem van de velde (i)
Artist role: draughtsman, painter
Artist dates: 1611 – 1693
Subjects: rotterdam, amsterdam, cornelis tromp, brielle, maarten harpertszoon tromp, sailing-ship, sailing-boat, battle (+ sailing-ships), battle of the downs
Inscriptions: signature and date: ‘W. v. Velde f. 1659’

In 1639 the Spanish attempted to transport troops and supplies to Flanders with a large fleet. The Spanish armada was intercepted in the English Channel by Maerten Harpertsz Tromp, who commanded a much smaller force. His spectacular victory and his capture of the Santa Teresa – the large Spanish warship burning on the left – established the Dutch fleet’s formidable reputation.
Spinnewiel
Object type: print
Date: 1903 – 1946
Materials: paper
Techniques: lithograph
Artist: wanda gág
Artist role: print maker
Artist dates: 1893 – 1946
Subjects: spinning-wheel
Inscriptions: collector's mark: Lugt 2228
Portret van een vrouw
Object type: photograph
Date: 1935 – 1936
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: weltevreden
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman

Albumblad met een foto van een onbekende vrouw. Onderdeel van een familiealbum van een Chinees-Indische familie in Weltevreden, ca. 1935.
Florence Brandon, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Den Grooten Emblemata Sacra, bestaande in meer dan vier hondert bybelsche figuren, zoo des Ouden als des Nieuwen Testaments
Object type: album leaf
Date: 1610 – 1625
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: charlemagne (holy roman emperor)

Beide portretten werden oorspronkelijk uitgegeven door Nicolaes de Clerck in de periode 1610-1625.
Bemanning aan boord van een schip
Object type: photograph
Date: 1807 – 1889
Materials: cardboard, paper
Techniques: gelatin silver print
Subjects: wilhelm ii (keizer van duitsland), norway
Inscriptions: number: ‘21’

De afdruk van de foto is rond, het papier vierkant. foto gemaakt met Nr. 1 Kodak Camera
Leerkracht met zweep prijst zichzelf aan bij een vader
Object type: cartoon
Date: 1848 – 1848
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: caricatures (human types), teacher and pupil
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 27 mei 1848.
Shoulder bag
Object type: shoulder bag
Date: 1830 – 1830
Materials: textile, glass, ribbon, silk, wool
Culture: muscogee or creek
Location: united states
Zes portretten van zakkenrollers
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Location: boston
Artist: Anonymous
Subjects: historical persons not known by name (+ (full) bust portrait), pickpocket
Inscriptions: inscription: ‘James Johnson (...) pickpocket.’, number: ‘145 (...) 150’

Linksboven James Johnson, midden boven Joseph Gorman, rechtsboven Dennis Carroll, linksonder Thomas Burns, midden onder John Williams, rechtsonder James Wells.
California, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the "Flags of the States and Territories" series (N11), issued in 1888 in a set of 47 cards to promote Allen & Ginter brand cigarettes. There are also approximately 100 scroll color variations. The museum's collection contains the full set of 47 cards, as well as 54 scroll color variations and one cutout card.
Card Case with Crane and Bamboo
Object type: card case
Date: 1834 – 1866
Materials: gold, lacquer, silver
Techniques: hiramakie
Culture: japanese
Subjects: cranes,bamboo
Portret van Aymard-Charles-Marie-Théodore markies de Nicolaÿ
Object type: print
Date: 1847 – 1885
Materials: paper
Techniques: lithograph
Location: brussels
Artist: joseph schubert
Artist role: print maker
Artist dates: 1816 – 1885
Subjects: paris, politician, historical persons, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2228
Head of a male or female figure
Object type: sculpture
Date: 900 – 701
Materials: ivory
Culture: assyrian
Location: mesopotamia
Subjects: heads

This small ivory head is beardless and its gender cannot be securely determined. It was found in a room at Fort Shalmaneser, a royal building at Nimrud that was probably used to store tribute and booty collected by the Assyrians while on military campaign. Originally, the head may have been part of a composite statuette, made of various materials and painted or overlaid with gold foil. The top and reverse have been roughened, probably to help glue join the surface of the ivory to another piece made out of wood or ivory that comprised the upper part and back of the head. The soft modeling and use of inlays, now missing, in the deeply cut eyes and eyebrows are characteristic of Phoenician ivories. The wig is tied by knots at intervals and preserves some of its original inlay of Egyptian blue, a vibrant artificial pigment made of silica, lime, copper, and alkali. Another Phoenician-style ivory head found at Nimrud is also in the Metropolitan Museum’s collection (MMA 62.269.2). Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
Fragment (voet) van een grote schaal met rode scherf, in sgraffito-techniek een naar links gewend vrouwenborstbeeld, als achtergrond door okerkleurige lijsten ingesloten panelen, in blauw, oranje, bruin, waarop een groene bloem; op de onderzijde is aan de basis een rode punt vrijgelaten
Object type: sherd
Date: 1200 – 1899
Materials: earthenware
Location: italy
Artist: Anonymous
Bowl on Three Feet
Object type: bowl
Date: 1760 – 1760
Materials: glaze, porcelain
Techniques: polychrome
Culture: japanese
Subjects: dragons
Twee mannen lezen 'Le Charivari'
Object type: print
Date: 1804 – 1840
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: reading, newspaper, news-sheet
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Prent afkomstig uit: Le Charivari, 1 april 1840.
Edward H. Mason
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Leeuwen
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: the hague
Artist: marcus de bye
Artist role: print maker
Artist dates: 1639 – 1688
Subjects: beasts of prey, predatory animals
Inscriptions: collector's mark: Lugt 2228
Foto van drie mannen naast een krater tijdens een expeditie, Padang, West-Sumatra
Object type: photograph
Date: 1890 – 1920
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: sumatra
Inscriptions: inscription: ‘Fumarol [?]//bij de krater van Muapi//Padangsche bovenlanden’, inscription: ‘[?]’

Foto van drie mannen naast een krater tijdens een expeditie, Padang, West-Sumatra.
Standing Nude Female Figure
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Location: france
Artist: henri lehmann
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1882
Subjects: female nudes
Paneel behorende bij een ongesneden frak van zijdenvelours
Object type: frak, frac
Date: 1780 – 1790
Materials: silk
Techniques: embroidered, weave

In de 18e eeuw werden kledingstukken à disposition geborduurd. Dit betekent dat de contour van het kledingstuk met alle daarbij behorende versieringen door de borduurwerker werden geborduurd en pas daarna werden de panden of panneaux naar de kleermaker gebracht voor verdere verwerkingen. De knopen b.v. werden door de kleermaker uitgeknipt en rondom een kern van hout of ander stevig materiaal gewerkt.
Bowl
Object type: bowl
Date: 1067 – 1133
Materials: ceramic glaze, glaze, stoneware
Culture: korean
Study for a second edition, never published, of Colle's "La Partie de Chasse de Henri IV", Act III, Scene 11
Object type: drawing and watercolor
Date: 1766 – 1766
Materials: chalk, graphite, ink, paper
Techniques: incising, pen, transfer
Location: france
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Verkoopster en een man met een handkar op de hoek van de Lijnbaansgracht en de Spiegelgracht
Object type: photograph
Date: 1904 – 1904
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: james higson
Artist role: politician
Artist dates: 1862 – 1933
Subjects: merchant, salesman - bb - women engaged in trade and commerce, street

Links de Spiegelgracht, in het midden de Tweede Weteringdwarsstraat en rechts de Lijnbaansgracht.
Sugar bowl (from a tea service)
Object type: sugar bowl
Date: 1775 – 1775
Materials: hard paste porcelain
Artist: imperial porcelain manufactory, st. petersburg
Artist role: manufactory
Artist nationality: russian
Artist dates: 1744 – 9999
Subjects: putti

Similar surviving porcelain—either the so-called tête-á-tête (for two persons) or the egoist type (for a single user)—were typically wedding gifts from Catherine the Great to her ladies in waiting.
Museum van de lachers
Object type: print
Date: 1847 – 1851
Materials: paper
Techniques: hand coloring
Location: paris
Subjects: club, meeting place, reading, indoor recreation
Inscriptions: collector's mark: Lugt 2228, check stamp: Lugt 1090

Leeskabinet: in een ruimte een ronde tafel waarom een gezelschap mannen kranten zit te lezen bij het licht van een lamp midden boven de tafel. De linkerman rookt een lange pijp. Door een open deur een tweede vertrek te zien waar bij kaarslicht wordt geschaakt.
Man with Herd of Pigs
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Notities
Object type: sketchbook leaf
Date: 1868 – 1887
Materials: pencil
Artist: jan willem van borselen
Artist role: draughtsman, print maker
Artist dates: 1825 – 1892
Inscriptions: annotation: ‘[...]ienden over Rhenen/ J Vrolijk/ Hendrik van Hattem/ boer/ [...]’

Blad 51 verso uit een schetsboek met 51 bladen.
Portret van Juan de Caramuel Lobkowitz
Object type: print
Date: 1682 – 1749
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: clergyman, historical persons
XIIe Cahier de l'Oeuvre M Cheminées avec leurs Trumeaux &c
Object type: print
Date: 1784 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: 'tropaion', i.e. decorative ornament ~ weapons, open hearth, fire-place

Een geornamenteerde schouw met een pendule en aan de bovenzijde een paneel met wapentrofee.
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: scheveningen
Artist: cornelis koppenol
Artist role: print maker
Artist dates: 1865 – 1946
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Sketches of Putti, Legs
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: attributed to ercole proccacini, the younger
Wine Bottle with Three Friends of Winter
Object type: bottle
Date: 1801 – 1900
Materials: cobalt, glaze, porcelain
Techniques: painting
Culture: japanese
Subjects: flowers

The detailed and dense patterning characterizes the Chinese porcelains of the mid-seventeenth century that are known as shonzui ware in Japan. The term shonzui remains enigmatic but is thought to refer to a Japanese man, perhaps the person who first commissioned such works from China.
Grafbord van Arnoldus van Wachtendonck (gestorven 1668), plaatsvervangend directeur van Bengalen (1665-68)
Object type: rouwbord
Date: 1668 – 1668
Materials: oil, wood
Techniques: woodworking, painted, sawing
Location: bengal
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: inscription: ‘Obyt W.A. Den 13 AuGusT Ano 1668’

Zwart geschilderd ruitvormig grafbord van Arnoldus van Wachtendonck, plaatsvervangend directeur van Bengalen (1665-1668). Gemaakt van Indiaas hout met geprofileerde houten lijst. In het midden gehelmd wapen: een heraldische lelie op een geel veld. Helmkleden en hoofd van een zwarte man als helmteken. Daaromheen opschrift in gele letters: 'Obyt W.A. Den 13 AuGusT Ano 1668'.
Cous du Kadisha, Monte Libon
Object type: photograph
Techniques: albumen silver print
Artist: félix bonfils
Artist role: fotograaf
Artist nationality: french
Artist dates: 1831 – 1885
Subjects: bridges,men,waterfalls
Opening van een tentoonstelling van schilderijen van Kees van Dongen
Object type: photograph
Date: 1925 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: exhibition ~ art
Inscriptions: annotation: ‘17 1/2 x 7 / Tent Kees van Dongen / D / Leven’
Carolus dei gratia Francoru rex
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, king

Prent gebruikt in: Eudes de Mézeray, François. Chronyk van Vrankryk. 6 dln. Amsterdam: Jan Bouman en Timotheum ten Hoorn, 1685, dl. 2.
Hat
Object type: hat
Date: 1883 – 1883
Materials: linen, silk, fiber
Culture: american
Vadermoordenaar
Object type: collar
Date: 1850 – 1920
Materials: textile
Location: netherlands
Artist: Anonymous
Inscriptions: inscription: ‘247 D.G '526)’, name: ‘GEVERS’, size: ‘14¾’, inscription: ‘MADE IN ENGLAND FOR / DE PINNA / NEW YORK’, mark: ‘PURLEY’
Studioportret van een jonge vrouw
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Schets van een persoon met een last op de rug
Object type: drawing
Date: 1867 – 1923
Materials: chalk, paper
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
St. Paul, from Apostles
Object type: print
Materials: paper
Techniques: engraving
Location: germany
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Capitola Wiline, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic
Chair (one of a set of six)
Object type: chair
Date: 1695 – 1695
Materials: velvet, wood

Cane, derived from rattan vines and much used for English seat furniture from about 1665 until 1700, was brought to England by the East India Company from the Malay Peninsula.
Tweede gesticht van de kolonie Veenhuizen, huismunt geslagen op last van de Maatschappij van Weldadigheid ter waarde van 25 cent
Object type: huismunt prison money
Date: 1818 – 1859
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: maatschappij van weldadigheid, veenhuizen
Portret van Georg Friedrich von Baden-Durlach
Object type: print
Date: 1600 – 1700
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: number: ‘440’

Tekst in het Latijn in de omlijsting. Omkadering van fleurons.
Arrowhead
Object type: arrowhead
Date: 1500 – 1000
Materials: stone
Culture: japanese
Annunciatie, omgeven door profeten, linkerdeel
Object type: print
Date: 1571 – 1571
Materials: paper
Techniques: engraving
Location: rome
Subjects: the annunciation: mary kneeling, the twelve apostles ~ the twelve prophets, angels singing, making music, god the father represented as human being, usually with crown or tiara or sceptre and/or globe, holy ghost represented as a dove (in flames)
Inscriptions: collector's mark: Lugt 240

In het midden de geknielde Maria, met voor haar de knielende engel met een lelie in de hand. Links en rechts profeten. Boven hen engelenkoren in de wolken, in het midden in een stralenkrans, God de Vader als oude man met wereldbol en de H. Geest in de gedaante van een duif.
Bust of an Old Man with a Fur Cap and Flowing Beard, Nearly Full Face
Object type: print
Date: 1631 – 1631
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669