deem-data/ArtiFact huggingface dataset:
Kasteel Cannenburg te Vaassen
Object type: drawing
Date: 1837 – 1903
Materials: paper, pencil
Artist: jan striening
Artist role: draughtsman
Artist dates: 1827 – 1903
Subjects: castle
Mirror
Object type: mirror
Date: 1720 – 1725
Materials: gesso, wood
Techniques: gilding
Artist: john belchier
Artist role: maker
Artist dates: 1653 – 1753

This mirror is similar to two that Belchier made for Erddig House, Wales, between 1722 and 1726.
Dish
Object type: dish
Date: 1616 – 1616
Materials: silver gilt
Subjects: coat of arms
Roma. Tempio di Vesta
Object type: reproduction
Date: 1906 – 1930
Materials: cardboard
Techniques: four-color autotype
Location: florence
Subjects: temple, shrine ~ roman religion, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), ornamental fountain (+ city(-scape) with figures, staffage)
Koume Embankment (Koumezutsumi), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Virgin and Child
Object type: sculpture
Date: 1350 – 1375
Materials: limestone, paint, pigment
Techniques: coloring, painting, polychromy, carved
Culture: french
Location: france
Subjects: virgin and child/madonna and child, child, children, christian subjects, christianity, jesus, mother, mother and child, religion, religious, religious figures, sons, virgin mary
Laax, Gorges. Tobel
Object type: album leaf
Date: 1880 – 1896
Materials: paper, photographic support
Techniques: albumen print
Location: laax
Artist: carl lang
Artist role: fotograaf
Artist dates: 1830 – 1906
Subjects: ravine, chasm, abyss, canyon

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Frankrijk, Spanje, Italië, Duitsland, Zwitserland en Oostenrijk.
Ex libris van J.G. Schoneveld van der Gloet
Object type: bookplate
Date: 1898 – 1991
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: ex-libris
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Ewer
Object type: ewer
Materials: enamel, gold, quartz, gemstone
Artist: alfred andré
Artist role: maker
Artist nationality: french
Artist dates: 1839 – 1919
Jar
Object type: jar
Date: 1801 – 1900
Materials: clay, glaze
Culture: japanese
Cap-Shaped Plaque with Lion
Object type: plaque
Date: 601 – 900
Materials: gold
Culture: chinese or central asian

The nomadic communities of Central Asia used such plaques to embellish clothing and horse trappings. As these nomadic cultures herded animals and were constantly moving, their artistic production was expressed in portable objects that marked the wearer’s status and wealth. The outstanding preservation of these fragile ornaments suggests they were used in conjunction with burials, where the body was aggrandized with valuable textiles and augmented with gold. Although it is difficult to date and place these objects geographically, their presence in Central Asia and has a long, established history.
Riviergezicht
Object type: print
Date: 1764 – 1826
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Artist: gerrit groenewegen
Artist role: draughtsman, print maker
Artist dates: 1754 – 1826
Subjects: ships (in general) - cc - more than one ship
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond een schuit met vee en twee figuren. Links aan wal staan vijf koeien en twee mannen. Op de achtergrond is een aantal schepen te zien.
St. Pierre fair, Giourjevo, Wallachia, July 11, 1837
Object type: print
Date: 1839 – 1839
Materials: chine, paper
Techniques: lithograph
Location: france
Artist: denis auguste marie raffet
Artist role: designer
Artist nationality: french
Artist dates: 1804 – 1860
The columns in the Moti Masjid of the Red Fort in Delhi, India
Object type: photograph
Date: 1868 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: delhi
Artist: lala deen dayal
Artist role: fotograaf
Artist dates: 1844 – 1910
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘65 (a)’, number: ‘29’, inscription: ‘Lala Deen Dayal’, title: ‘Delhi. Interior of Musti-Musjid - (Pearl Mosque)’
Armrest
Object type: upholstery panel
Date: 1754 – 1756
Materials: silk, wool
Artist: beauvais
Artist role: manufactory

This tapestry panel is part of a set of twelve armchairs and two settees ordered in Paris in 1753 by Baron Johann Ernst Bernstorff, Danish ambassador to the court of Versailles between 1744 and 1751. After returning to Denmark, Bernstorff commissioned this seat furniture for the tapestry room of his new residence in Copenhagen that was hung with four wall tapestries of the Amours des Dieux series woven at the Beauvais Manufactory. The tapestry covers are woven with animal and bird subjects after designs by the painter Jean-Baptiste Oudry (1686–1755). For a fuller description of the entire set, see, e.g., MMA 35.145.1.
Heilige Virgilius drijft vanuit zijn graf een duivel uit
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving, etching
Location: munich
Subjects: the devil or demon leaving the body, e.g. through the mouth, male saints (with name), devils in the form of (fabulous) animals, grave, tomb, interior of church
Inscriptions: collector's mark: Lugt 240

Het graf van de H. Virgilius in de kerk van Salzburg. Een priester voor het graf zegent een man en drijft met behulp van de H. Virgilius een duivel bij hem uit. De prent heeft een Latijns onderschrift en is de 29ste prent van een 60-delige serie met als onderwerp de heiligen van Beieren.
Trofeeën met eend en vogel
Object type: ornament print
Date: 1771 – 1771
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, hunting, chase
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Links een trofee met een geschoten eend, een pijlenkoker, een tas en een vat met flessen. Rechts een trofee met een hertenkop, een geschoten vogel, een jachthoorn en een mand met fruit.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, lower drapery and legs of a male to right
Plattegrond van de eerste verdieping van de Villa Grimaldi te Genua
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: hôtel, i.e. small palace in city - aa - civic architecture: inside, plan ~ architecture
Inscriptions: collector's mark: Lugt 240
Monnik bij een altaar met een Boeddhabeeld
Object type: sketchbook leaf
Date: 1931 – 1931
Materials: paper, pencil
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: altar ~ hinduism, buddhism, jainism, statues, paintings, etc. ~ objects of worship (hinduism, buddhism, jainism), religious functionaries ~ hinduism, buddhism, jainism
Inscriptions: kleurnotitie, handgeschreven

Pagina 78 uit een schetsboek met 48 bladen.
Jagers vangen groep wilde dieren
Object type: print
Date: 1605 – 1605
Materials: paper
Techniques: etching
Location: italy
Subjects: hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt')
Inscriptions: number: ‘36’, collector's mark: ‘Hinloopen’

Landschap met een grote groep jagers te paard die een groep wilde dieren insluit. Tekst in het Latijn in ondermarge.
Zes foto's van vrienden van Loentje Onnen bij tenniswedstrijden en met fietsen
Object type: album leaf
Materials: paper
Techniques: gelatin silver print
Location: hilversum
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: batavia, amsterdam, carolina frederika onnen (lien/loen), tennis, lawn-tennis, historical persons, bicycle, friends
Inscriptions: inscription: ‘Januari 1911’, inscription: ‘Tennismiddag bij/ Boissevains./ Juni 1910.’, inscription: ‘Guly B/ 1911.’, inscription: ‘Juni 1910’, inscription: ‘Tennis-dag bij Mohr/ Aug. 1910’

Deze foto's maken deel uit van een album.
Fragment fluweel op een satijnen grond.
Object type: fragment
Date: 1865 – 1874
Materials: textile, velvet
Techniques: weave
Location: france

Wall covering. Cut and uncut silk velours. France, Lyon, c. 1870.
Le Belge au Désespoir
Object type: print
Date: 1787 – 1791
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Artist: Anonymous
Subjects: march into the conquered place, brabant
Inscriptions: collector's mark: Lugt 2228

Voor een landschap geteisterd door oorlog staat een wanhopige man die de Brabantse omwenteling personifieert. Voor hem ligt op de grond de gedode Brabantse leeuw, wapentuig en steek met kokarde. Met sporen van een onderschrift van drie regels. Hierbij de datum 14 februari 1791 met de hand geschreven. Onderdeel van een grote groep van prenten betrekking hebbend op de gebeurtenissen van de Brabantse Omwenteling en de periode 1787-1790.
Portret van Erasmus Francisci
Object type: print
Date: 1704 – 1732
Materials: paper
Techniques: engraving, etching
Subjects: erasmus finx, cherubs, i.e. children's heads with wings, historical persons, ornament ~ cartouche, armorial bearing, heraldry, trees: olive-tree (+ branch, stick)
Inscriptions: collector's mark: Lugt 2228

Portret in florale omlijsting, met onder in cartouche een lofdicht in het Latijn.
Spear with Sheath
Object type: spear with sheath
Date: 1701 – 1900
Materials: wood
Culture: malayan
Location: malay archipelago
Armand Carrel (1800–1836), French publicist
Object type: medallion
Date: 1832 – 1832
Materials: bronze
Techniques: casting
Artist: pierre jean david d'angers
Artist role: artist
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,profiles

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Kinderen in een veld
Object type: photograph
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: child, france

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
Half Mask (Menpō)
Object type: half mask menpō
Date: 1615 – 1868
Materials: iron, lacquer, leather
Culture: japanese
Location: japan
Figuur in een roeiboot
Object type: sketchbook leaf
Date: 1834 – 1903
Materials: paper, pencil
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: rowing-boat, canoe, etc.

Blad 23 recto uit een schetsboek met 32 bladen.
Kogei oyo zuan zasshi
Object type: magazine
Date: 1890 – 1900
Materials: paper
Techniques: woodcut
Location: tokyo
Inscriptions: collector's mark: ‘Rijksschool voor kunstnijverheid’ Lugt 3937, collector's mark: Lugt 2228
Stencil
Object type: stencil
Date: 1615 – 1868
Materials: paper
Culture: japanese
Subjects: birds
Twee vrouwen, mogelijk dienstmeiden, in de Leidsestraat te Amsterdam
Object type: sketchbook leaf
Date: 1886 – 1895
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman (+ two persons), maid ~ house personnel, street (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘emmer/ op de hoek van de Leidsche straat’

Pagina 8 uit een schetsboek met 20 bladen.
Head of a Man
Object type: drawing
Date: 1501 – 1600
Materials: chalk
Artist: anonymous, italian, roman, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: heads,men
Dertien gipsen afgietsels
Object type: album leaf
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Inscriptions: annotation
Bush warbler and camellia
Object type: print
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of a round shield seen from the inside
Handschoen van zwart glacéleer
Object type: glove
Date: 1900 – 1915
Materials: leather, silk
Location: france
Artist: Anonymous

Rechterhandschoen van zwart glacéleer gevoerd met grijze zijde.
Wijnfles uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: wine bottle
Date: 1700 – 1743
Materials: glass
Techniques: green glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Wijnfles zonder kurk, een scherf ontbreekt. Wine bottle, continental production, onion-shaped, complete; (1) eroded (17h, belly 14.2d, base 10d), vs-string rim, tcs-kick-up.
Scarab of Nebirierau I
Object type: scarab, sewadjenre, nebirierau i, royal, hieroglyph
Date: 1627 – 1601
Materials: faience
Location: egypt
Subjects: scarabs

This scarab is inscribed with the royal name Sewadjenre, which is generally associated with the Theban king Nebirierau I (Second Intermediate Period, ca. 1627-1601 B.C.).
Newes Modelbuch in Kupffer  (Page 40r)
Object type: book print ornament architecture
Date: 1604 – 1604
Techniques: etching
Artist: johann sibmacher
Artist role: artist
Artist nationality: german
Artist dates: 1590 – 1611
Subjects: ornament

Designed by Johann Sibmacher, German, active 1590-1611. 2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs.
Robe
Object type: robe
Date: 1900 – 1900
Materials: textile
Culture: tibetan
Subjects: dragons
Triumph des Jahrs 1813 / allen ächten Deutschen gewidmet
Object type: cartoon
Date: 1813 – 1814
Materials: paper
Techniques: etching, hand coloring
Location: germany
Artist: Anonymous
Subjects: napoleon i (emperor of the french), political caricatures and satires
Inscriptions: collector's mark: Lugt 2228

Spotprent op Napoleon van 1813 waarbij zijn gezicht is opgebouwd uit de lijken van zijn slachtoffers, zijn hoed is de Pruisische adelaar, zijn epaulet is een grijpende hand. De kraag is een rivier van bloed, zijn jas het slagveld van Europa en het ordeteken van het Legioen van Eer op zijn borst is een spinnenweb.
Miniature alabaster pithoid jar
Object type: vase, pear shaped
Date: 1400 – 1050
Materials: gypsum
Culture: cypriot

Cypriot craftsmen of the Late Bronze Age often combined different influences into their own creations. The shape of this stone vase is purely Mycenaean Greek, but the use of alabaster likely reflects Egyptian influence.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, drapery, youth with staff in right hand and himation draped over left arm
Cup (part of a service)
Object type: cup
Date: 1770 – 1770
Materials: hard paste porcelain
Artist: frankenthal porcelain manufactory
Artist role: manufactory
Artist nationality: german
Subjects: birds,plants
Explication des cent estampes qui représentent différentes nations du Levant avec de nouvelles estampes de cérémonies Turques qui ont aussi leurs explications
Object type: book
Materials: leather, paper
Techniques: bookbinding, engraving, hand coloring
Artist: leonardus quesi
Artist role: maker
Artist nationality: french
Artist dates: 1650 – 1750

The coat of arms with the three towers struck on the covers, indicate that this folio was once the property of Madame de Pompadour. The mistress of Louis XV had an important book collection and an interest in the Middle East. For that reason, the colored engravings of the various costumes and professions of the Levant included in this volume would have appealed to her.
Fotoalbum met foto's van het leven van Willem Jacob van den Berg in Zuid-Afrika
Object type: photograph album
Date: 1967 – 1971
Materials: paper, cardboard, leather
Techniques: gelatin silver print
Location: south africa
Artist: willem jacob van den berg
Artist role: boer
Artist dates: 1902 – 1983
Subjects: norbert van den berg (1901-1972), amsterdam, willem jacob van den berg, family life

Fotoalbum met 143 foto's, waaronder 42 losse foto's, van het leven van Willem Jacob van den Berg in Zuid-Afrika, op 48 bladen.
Pair of candlesticks
Object type: candlestick
Date: 1660 – 1690
Materials: pewter
Tumbler
Object type: tumbler
Date: 1850 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Enigmes Joyeuses pour les Bons Esprits, Plate 2
Object type: print
Date: 1615 – 1615
Materials: copper
Techniques: engraving
Artist: jan van haelbeeck
Artist role: artist
Artist nationality: flemish
Artist dates: 1595 – 1635
Subjects: bedrooms,men,women,dressing

Second plate of a group of 9 plates with small domestic scenes, engraved by Jan van Haelbeeck, which were either were made for, or reused by Jean Leclerc around 1615 in the sonnet series ‘Enigmes Joyeuses pour les Bons Esprits’, in which they were each published with a sonnet that hinted at the double meaning of the activities. In this plate, a woman, dressed in full 17th-century aristocratic style, stands in front of a man who, sitting on a wooden chair in front of her, is getting dressed, putting on his boots, one of which lies on a table next to him with his hat. They are inside a room with open window, and with a bed nect to the clothed table where the man's clothes lie. The plate accompanies one of the sonnets of the Enigmes, which describes an erotic encounter between the man and the woman in the illustration, corresponding to the double meaning that can be interpreted from the image. This double meaning of the images and sonnets of the Enigmes helps explain why most copies of the series, although very popular and influential in their day, have been lost.
Sard ring stone
Object type: intaglio
Date: 1 – 100
Culture: roman
Subjects: masks,women

Mask of Silenos conjoined with female tragic mask.
Portret van John Barnard
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: mezzotint
Location: london
Subjects: politician, mayor, john barnard, mayor, burgomaster, historical persons
Inscriptions: collector's mark: Lugt 240

Portret van Barnard als burgemeester van Londen. Met onder prent een dankwoord van John Barnard gericht aan de 'Worthy Liverymen of the City of London'. Het onderschrift werd gekopieerd van de prent van John Faber II.
Study for Festival
Object type: drawing and watercolor
Date: 1875 – 1875
Materials: chalk, paper
Location: england
Artist: sir edward john poynter
Artist role: artist
Artist nationality: british, born france
Artist dates: 1836 – 1919
Borstbeeld in ovaal, portret van Georg (?) Clifford
Object type: drawing
Date: 1789 – 1895
Materials: paper, pencil
Techniques: brush
Artist: louise charlotte de neufville-ritter
Artist role: draughtsman
Artist dates: 1779 – 1859
Subjects: historical persons
Ruine van 't Slot Teilingen (gedeeltelijk verwoest in 1676; diende in 1745 nog tot gevangenis). Sassenheim
Object type: photomechanical print
Date: 1892 – 1905
Materials: cardboard
Techniques: photograph, lithograph
Location: noordwijk
Subjects: ruin of a dwelling, house, castle, etc.
Pap Boat
Object type: pap boat
Date: 1800 – 1830
Materials: silver
Culture: american
Location: united states
Artist: joel sayre
Artist role: maker
Artist nationality: american
Artist dates: 1778 – 1818
Het Menselyk Bedryf
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: handicrafts, craftsman at work, chair
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Maakt deel uit van de 100-delige serie beroepsprenten van Jan en Caspar Luyken, getiteld: Het menselyk bedryf. S.l.s.n., 1694 (eerste druk).
Parklandschap met wandelaars en hengelaars
Object type: drawing
Date: 1700 – 1800
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: Anonymous
Subjects: public gardens, park
Neu inventirte Hollaendische Camine, Erster Theil, serie S
Object type: ornament print
Date: 1709 – 1762
Materials: paper
Techniques: engraving
Location: middelburg
Subjects: rocaille ornament, garden ornaments, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor een tuinbank met aan weerszijden en in het midden een putto. De middelste putto draagt een mand met bloemen boven het hoofd. De tuinbank is versierd met rocailleornamenten.
Allegorie op bloei en verval van Stavoren
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: etching
Artist: pieter van den berge
Artist role: draughtsman, print maker, printer, publisher
Artist dates: 1659 – 1737
Subjects: city represented symbolically
Inscriptions: collector's mark: Lugt 2228

Allegorische vrouwenfiguur zittend naast een soldaat met de wapens van Friesland en Stavoren. Boven de stad Stavoren in bloei, onder de stad in verval.
Franc. Bacon en Fr. Eudes de Mezeray
Object type: book illustration
Date: 1704 – 1746
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: london, conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2228

Wetenschapper Francis Bacon met stok staat onder een rondboog naast componist François Eudes de Mézeray. Aan de bovenzijde vermeld: April / Ao 1746.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Kylix fragment with meander and cross squares on the interior; also preserved, one handle, with handle patch
Tweezers
Object type: tweezer
Date: 306 – 30
Materials: copper alloy
Location: egypt
Terracotta fragment of an undetermined shape
Object type: undetermined shape
Date: 490 – 470
Materials: terracotta
Culture: greek, attic