deem-data/ArtiFact huggingface dataset:
Brougham (unnumbered)
Object type: drawing
Date: 1850 – 1870
Materials: gouache, graphite, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gekroonde Tudor Rose met wapens
Object type: print
Date: 1589 – 1589
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: crown (symbol of sovereignty), armorial bearing, heraldry, england
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een gekroonde roos, als heraldisch embleem van Engeland, voorstellende het huis van Lancaster en het huis van York, samengevoegd door Henry VII. In het midden het wapenschild van Engeland met de spreuk: Diev et mon Droit. Daaromheen tal van wapens, omgeven door een ovaal met randschrift in het Latijn. Links- en rechtsonderaan twee cartouches met tekst; links in het Latijn en rechts in het Engels. Linksboven het portret van Henry VII en rechtsboven het portret van Elizabeth of York, beide in een met rozen omgeven ovaal.
Muilezel (Equus mulus)
Object type: drawing
Date: 1596 – 1610
Materials: paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: mule

Muilezel. Genummerd rechtsboven: 6. Linksboven de naam in acht talen. Onderdeel van het tweede album met tekeningen van viervoeters. Tweede van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Banner with Shaft
Object type: banner with shaft
Materials: textile
Techniques: polychromy
Culture: french
Location: france
Subjects: men,horses
Ratchet
Object type: ratchet
Date: 1767 – 1866
Materials: wood
Culture: american or english
Location: united states
Design for ceiling decoration in the residence of the Duc de Massa on the rue la Boétie, Paris
Object type: drawing
Date: 1889 – 1889
Materials: graphite, paper, watercolor
Techniques: wash
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
La Pratique de l'Aiguille, page 50 (recto)
Object type: book print ornament architecture
Date: 1605 – 1605
Techniques: woodcut
Artist: matthias mignerak
Artist role: author
Subjects: fruit,flowers

Written by Matthias Mignerak, title page engraved by Pierre Firens, French, born Paris 1641, dedicated to Marie de Medici, Florence 1575-1642 Cologne, published by Jean Le Clerc, Paris. From top to bottom, and left to right: Design is printed upon a grid and is decorated in the center with 2 squares that are ornamented with a different floral and foliage motif. The squares are framed on the left and right by borders with diverse foliage patterns.
Ontwerpen voor terrines
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: engraving, etching
Location: england
Subjects: serving-dish, platter

Blad met vijf ingeplakte bladen met ontwerpen voor terrines op poten. Met de handgeschreven nrs. 151-153 en 155-156. Onderdeel van een catalogus met assortiment modellen van Sheffield verzilverd vaatwerk (pleet) door Matthew Boulton.
Crescent
Object type: ornament
Date: 501 – 700
Materials: gilt copper
Culture: moche
Location: peru
Subjects: animals
Twee aan elkaar geplakte fragmenten veelkleurige gebrocheerde zijde
Object type: woven material
Date: 1730 – 1760
Materials: silk
Techniques: brocade
Location: netherlands
Artist: Anonymous

Twee fragmenten zijdeweefsel. Het patroon heeft witte veervormige bladeren met kleine bloemen en veelkleurige bloemtakken.
Design for Coach or Berlin/D'Orsay
Object type: print
Date: 1870 – 1870
Techniques: hand coloring, lithograph
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Schaatsende vrouw
Object type: print
Date: 1731 – 1731
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: gerardus condet
Artist role: print maker
Artist dates: 1715 – 1764
Subjects: icing, frosting, adult woman, skates (winter sports)
Inscriptions: collector's mark: Lugt 2228

Een jonge vrouw schaatst over het ijs naar links, haar rokken wapperend in de wind. Achter haar een huis en enkele bomen.
Lacquer Comb with Geese and Autumn Grasses
Object type: comb
Date: 1851 – 1900
Materials: gold, gold leaf, horn, lacquer, silver
Techniques: hiramakie, lacquer
Culture: japanese
Subjects: birds,flowers
Portal Saint-Trophime
Object type: page
Date: 1900 – 1905
Materials: paper
Techniques: autotype
Location: arles
Subjects: parts of church exterior and annexes: portal, adult woman
Inscriptions: number: ‘Fig. 135.’
Vogels uit de menagerie van Versailles
Object type: print
Date: 1670 – 1674
Materials: paper
Techniques: etching
Location: paris
Subjects: predatory birds: eagle, predatory birds: vulture
Inscriptions: collector's mark: Lugt 2228

In een rotsachtig landschap vechten een arend en een gier om een slang.
Self portrait?
Object type: painting
Date: 1628 – 1636
Materials: canvas, oil
Artist: johannes van swinderen
Artist role: painter
Artist dates: 1594 – 1636
Subjects: head-gear: turban, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: signature and date, lower right (false; D and G ligated): ‘P. DG 1647’

Zelfportret van de schilder Johannes van Swinderen in Oosters gewaad. In de rechterhand palet en penselen rustend op een schedel en een anatomische tekening.
Dolley
Object type: photograph
Date: 1895 – 1910
Materials: paper
Techniques: gelatin silver print, hand coloring
Location: paris
Artist: léopold reutlinger
Artist role: fotograaf
Artist dates: 1863 – 1937
Subjects: adult woman, anonymous historical person portrayed, paris

Dergelijke foto's stonden bekend als 'zwartjes'. Men verkreeg ze bij aanschaf van bepaalde merken thee, cacao, sigaretten, beschuit, etc. om te verzamelen. Er waren speciaal voor de 'zwartjes' verzamelalbums in omloop.
Fragment of a Figure
Object type: statuette
Date: 301 – 700
Materials: earthenware
Culture: coptic
Location: egypt
Actrice in discussie met toneelschrijver over haar rol
Object type: cartoon
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: paris
Artist: paul gavarni
Artist role: draughtsman, print maker
Artist dates: 1804 – 1866
Subjects: writer, poet, author, actor, actress (non-work situations)
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: La Caricature, 27 juni 1841, en voor: Le Charivari, 26 april 1843.
Goupil (Jules)
Object type: reproduction
Date: 1888 – 1893
Materials: photographic support
Techniques: albumen print
Subjects: adult man, painting, drawing and the graphic arts
Kinderkruistocht
Object type: print
Date: 1522 – 1532
Materials: paper
Techniques: woodcut
Location: low countries
Artist: monogrammist liw
Artist role: print maker
Subjects: child, christian religion (+ devil(s)), militant proselytizing: religious war, crusade, etc., law and jurisprudence (+ torture)
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 2166, collector's mark: Lugt 2166

Vierde blok van zes, vormen samen een fries met de kinderkruistocht. Duivels worden gedood en gemarteld door kinderen. Twee cartouches met tekst in het Nederlands.
De chocolaad
Object type: popular print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: Anonymous
Subjects: chocolate, cocoa
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen over de ontdekking van chocolademelk in Mexico, en de verspreiding van chocolademelk in Europa. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 371.
Annie Southerland, from the Actors and Actresses series (N171) for Gypsy Queen Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: women,actresses
Kalenderblad voor november 1914 met een kaardebol
Object type: calendar leaf
Date: 1913 – 1913
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: plants (in general), calendar, almanac
Sheet of two slight studies: one of two peasants
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: collector's mark: Lugt 240

The bottom prints are among Rembrandt’s very first attempts at etching. They are not particularly skilfully etched, and their printing leaves much to be desired. They were not pulled in large numbers. In fact, both are extremely rare, making the fact that they survived for centuries all the more noteworthy. They bear unmistakable witness to Rembrandt’s early fascination with street people.
Gezicht op het Groot Paleis in het Kremlin
Object type: ansichtkaart, prentbriefkaart
Date: 1954 – 1954
Materials: paper
Techniques: gelatin silver print
Location: moscow
Subjects: palace

De titel op object staat in het Russisch.
The horse in motion: as shown by instantaneous photography with a study on animal mechanics founded on anatomy and the revelations of the camera in which is demonstrated the theory of quadrupedal locomotion
Object type: book
Date: 1882 – 1882
Materials: cardboard, leather, paper, textile
Techniques: lithograph, heliotype, letterpress printing
Location: bangalore
Inscriptions: stamp: ‘Serofants' Mess/ 49/ The Queen's Bay’, number: ‘6A’
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: canvas, silk, wool
Subjects: deer,flowers,insignia
Martin Niemöller na trip naar Australie
Object type: photograph
Date: 1949 – 1949
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Subjects: martin niemöller
Inscriptions: stamp: ‘copyright photo press Belgium S.A.’
Monument met een buste, mogelijk Gerard van Swieten
Object type: print
Date: 1763 – 1811
Materials: paper
Techniques: engraving, etching
Artist: quirin mark
Artist role: print maker
Artist dates: 1753 – 1811
Subjects: leiden, vienna, historical persons, monument, statue
Inscriptions: collector's mark: Lugt 2228
Shard: Two Wrestlers
Object type: shard
Date: 1101 – 1133
Materials: earthenware
Culture: central asian
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, head and left shoulder of youth with petasos, chlamys, and staff
Schotel uit V.O.C.-schip de 'Witte Leeuw'
Object type: platter
Date: 1613 – 1613
Materials: bone china, porcelain
Techniques: painted
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Schotel uit V.O.C.-schip de 'Witte Leeuw', 95 % aanwezig; delen van de wand en het plat ontbreken. Grote schotel met een platte rand en een geschulpte lip, gedecoreerd in onderglazuur blauw. In het plat twee vogels in een waterlandschap omgeven door een accoladevormige band gevuld met geometrische motieven. Op de wand en rand afwisselend brede en smalle velden met geluksymbolen, bloeiende planten en strikwerk. De scherf is glasachtig en kent weinig ingebakken vuil. Het glazuur is blauw getint. De bodem is ongeglazuurd en de voetring is recht, gefacetteerd en staat naar binnen. Er is weinig ovenzand aangetroffen. De lip is geschulpt.
Pint Wine Measure
Object type: metalwork
Date: 1780 – 1780
Materials: pewter
Location: england
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: leiden
Artist: albert plasschaert
Artist role: draughtsman
Artist dates: 1866 – 1941
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Ovale doos waarin een vrouwenportret en dertien transparantjes beschilderd met verschillende kostuums
Object type: transparency
Date: 1642 – 1652
Materials: copper, leather, metal, oil, paint
Location: northern netherlands
Artist: Anonymous
Subjects: berlin, louise henriëtte (prinses van oranje), the hague, henriëtte catharina (prinses van oranje)

Ovale doos van zwart leer beschilderd met tempera. Hierin een vrouwenportret in olieverf op koper en dertien transparantjes van mica beschilderd met verschillende kostuums. De verkledingen vertonen bijvoorbeeld huik met berthe-kraag, als vorstin met paarlenkroontje en hermelijnen schoudermantel, als stadsdame met bontomrande vlieger, hoofddoek en zwarte baret, als man met pluimhoed, sjerp, snor en sikje etc. Het portret stelt mogelijk een vrouwelijk lid van het huis Oranje Nassau voor: Louise Henriette of Henriette Catharina, dochters van Frederik Hendrik en Amalia van Solms.
Beschouw met aandacht deez' tafreelen, / En laten zij uw harte streelen, / Die, welke Neerlands moed vertoond, / Op dat die moed ook in uw woond
Object type: popular print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: flushing, michiel adriaenszoon de ruyter, rotterdam, cornelis tromp, bruges, robert dudley (1st earl of leicester), history, delft, middelburg, amsterdam
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van gebeurtenissen uit de vaderlandse geschiedenis, zoals het ontzet van Coevorden in 1594 en het ontzet en de inname van Breda in 1637. Onder elke afbeelding een vierregelig vers. Gemerkt rechtsboven: G.
Prinses en twee dienaressen
Object type: drawing
Date: 1660 – 1680
Materials: gouache, paper
Techniques: brush
Location: bikaner
Artist: Anonymous
Band behorend bij matrozenhoed
Object type: hatband
Date: 1800 – 1850
Materials: gold thread, silk
Techniques: weave
Location: netherlands
Artist: Anonymous
Subjects: netherlands
Inscriptions: : ‘Kon: Ned: Marine’

Stuk zwart zijden lint (verschoten). Behorend bij matrozenhoed van het marinekorps.
Menselijke figuren, halve cirkel
Object type: print
Date: 1969 – 1969
Materials: paper
Techniques: lithograph
Artist: rein dool
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1933 – 
Inscriptions: signature and date: ‘Rein Dool 69’, edition: ‘3/10’

Menselijke figuren, de middelste brakend, op de achtergrond een halve cirkel een cilinder.
Ceinture dorée (Salon de 1874)
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Inscriptions: : ‘G’, stamp

Sculptuur door P. d'Epinay van een naakte staande vrouw die een ceintuur om haar middel doet.
Portret van Franz Ludwig Pfyffer in de bergen
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: etching, hand coloring
Location: basel
Subjects: mountain climbing, mountaineering, science and technology (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228
The Sculptor [Preparations for the Academy, Old Joseph Nollekens and his Venus]
Object type: print
Date: 1800 – 1800
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: sculpture,men,male nudes,venus

Rowlandson caricatures Sir Joseph Nollekens, who sculptures of classical gods and contemporary busts helped popularize Neoclassical taste in Britain. The sculptor’s collection of plaster and terracotta casts and antique fragments, brought back from Rome, crowds his studio. Shown in his sixties, Nollekens needs spectacles to work on a clay model of Venus and Cupid intended for the next Royal Academy exhibition, but his lecherous expression and flushed cheeks suggest his undiminished ability to appreciate the nude who perches amidst the statuary. A large sculpted head of Jupiter, a god notorious for his many affairs, also eyes the model and the image suggests high-minded aesthetic pursuits falter when confronted with the attraction of living beauty.
Terracotta fragments of an amphora (jar)
Object type: amphora fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

The larger fragment has at the bottom left, part of the mane of a horse to left; part of the head and neck of a horse to left; the second fragment has part of a horse's tail and thigh of a male to left?
Head of Buddha
Object type: head
Date: 734 – 766
Materials: limestone, pigment
Culture: chinese
Subjects: heads,buddha
Portret van Koenraad III
Object type: print
Date: 1733 – 1756
Materials: paper
Techniques: engraving
Location: paris
Subjects: ornament ~ medallion, historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 201 – 700
Materials: bronze, gold
Culture: japanese
Location: japan

This tsuba comes from a burial mound (kofun) in Shioda, in the Japanese province of Bizen, and is one of the earliest sword guards to survive from Japan. It was part of the exchange of objects between the Imperial Museum (later the Tokyo National Museum) and The Metropolitan Museum of Art, which was arranged by Bashford Dean in 1905–6.
St. Bartholomew
Object type: print
Materials: paper
Techniques: woodcut
Location: italy
Artist: conte anton maria zanetti
Artist role: artist
Artist nationality: italian
Artist dates: 1680 – 1767
Portrait de Philippe IV
Object type: print
Date: 1881 – 1881
Materials: paper
Techniques: etching
Subjects: filips iv (koning van spanje), historical persons, king
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit een veilingcatalogus: "Catalogue des Tableaux anciens composant la très importante collection de Monsieur le Baron de Beurnonville", uitgegeven in 1881 te Parijs door Pillet en Dumoulin. De veiling vond plaats op 9 tot en met 14 en 16 mei 1881.
Portret van John Fisher
Object type: book illustration
Date: 1549 – 1577
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: london, archbishop, bishop, etc. (roman catholic), historical persons

Prent gebruikt in: Giovio, Paolo. Elogia Virorum literis illustrium (...). Bazel: Peter Perna, 1577.
Valentine - Mechanical bouquet,crocus
Object type: valentine
Date: 1875 – 1875
Materials: ribbon, silk
Techniques: chromolithography, cutting, gilding
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: flowers
Zeilende vissersschepen op de Schelde
Object type: drawing
Date: 1851 – 1924
Materials: chalk, paper, watercolor
Techniques: brush
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: commercial fishery, ships (in general) - cc - more than one ship
Knielende man in gebed met rozenkrans
Object type: print
Date: 1735 – 1800
Materials: paper
Techniques: engraving
Location: italy
Artist: giovanni cattini
Artist role: print maker
Artist dates: 1725 – 1800
Subjects: aids for prayer, e.g. rosary, saying the rosary, one person praying
Inscriptions: collector's mark: Lugt 240
Gold and glass bracelet with central medallion
Object type: bracelet with central medallion
Date: 200 – 101
Materials: glass, gold
Culture: greek

The most distinctive feature of this bracelet or armlet is the treatment of the outer surfaces of the hoops, which are covered with a delicate network of filigree created by placing parallel rows of wire in a zigzag pattern and dotting the points of contact with granules. This unusual decoration is best paralleled in a few exceptional works from Thessaly. It is a rare forerunner of a popular kind of Roman bracelet featuring twisted hoops and hinged box settings decorated with gemstones.
Filips II, koning van Spanje, rekenpenning van de rekenkamer van Gelderland te Arnhem
Object type: jeton
Date: 1567 – 1567
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: philip ii of spain, arnhem

Koperen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: gekroond wapenschild omhangen met orde van Gulden Vlies tussen jaartal binnen omschrift
Oude vrouw met bijbel op de schoot, mogelijk de moeder van Rembrandt
Object type: print
Date: 1739 – 1800
Materials: paper
Techniques: mezzotint
Location: amsterdam
Subjects: old woman, reading the bible or other religious books
Inscriptions: watermark, collector's mark: Lugt 533b

Oude vrouw met bijbel op de schoot, een knijpbril in de hand.