deem-data/ArtiFact huggingface dataset:
Portret van Jan Jansz. Starter op 27-jarige leeftijd
Object type: print
Date: 1620 – 1699
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: london, publisher, jan jansz starter, historical persons, portrait of a writer
Inscriptions: inscription: ‘Jan Jansz. Starter (...) 1618 / Losse gelegenheidsgedichten’

Met tekst in het Latijn rondom het portret.
München, Theatinerkirche
Object type: photograph
Date: 1850 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: theatinerkerk
Derde leestafel
Object type: text sheet
Date: 1801 – 1849
Materials: paper
Techniques: letterpress printing
Subjects: linguistic communication
Inscriptions: collector's mark: Lugt 1641, stamp

Leestafel met slotklanken in vijf kolommen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Onderwijs en Wetenschappen, Opvoeding en Onderwijs, Haneboeken en schoolprenten.
Hoofdvaart en Binnenweg, Nieuw-Vennep
Object type: ansichtkaart, prentbriefkaart
Date: 1890 – 1920
Materials: cardboard
Techniques: photograph, writing
Location: nieuw-vennep
Paint wood (sappan) from the wreck of the Dutch East Indiaman Boot
Object type: verfhout
Date: 1735 – 1738
Materials: wood
Subjects: boot (schip), verenigde oostindische compagnie

Het stuk sappanhout is afkomstig uit het wrak van het VOC-retourschip (hekboot) 'Boot', dat op 8 november 1738 op de zesde reis bij Prawle Point (Zuid-Devon/Groot Brittannië) is vergaan. Het schip was op 2 april 1738 uit Batavia vertrokken, arriveerde op 31 juli op Kaap de Goede Hoop (Zuid-Afrika) en vertrok daarvandaan op 12 augustus met de bestemming Amsterdam. De hekboot 'Boot' was in 1733 voor de VOC-Kamer Rotterdam te Rotterdam gebouwd en mat 650 ton. Het maakte reizen voor de VOC-kamers Rotterdam, Zeeland en Amsterdam. De Belgische berger Robert Sténuit heeft objecten uit dit wrak geborgen en dit stuk aan het Rijksmuseum geschonken.
Rural Sports or a Cricket Match Extraordinary
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,women,sports,games

Women play cricket on a field at center, while spectators watch. Two girls seated at right record the runs by cutting notches into a stick.
Proportiestudie van een meisje
Object type: drawing
Date: 1851 – 1851
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: standing figure (canon, proportions) - aa - female human figure, anatomy (non-medical) - aa - female human figure, child (at home) - aa - girl
Inscriptions: inscription: ‘Darg EA 10 HB.’
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Part of the hind quarters and tail of a panther to right; fragment is burnt
Portret van Wilhelmus Xylander
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: letterpress printing
Location: frankfurt am main
Artist: johann balthasar diehl
Artist role: printer, publisher
Subjects: augsburg, scholar, philosopher, historical persons

Prent uit: Reusner, Nikolaus. Icones sive imagines virorum literis illustrium qui seculo XV. (...). Frankfurt am Main: Johann Balthasar Diehl, 1719, p. 176. Prent voor het eerst verschenen in de eerste editie van 1587.
Portret van Adolphe Thiers
Object type: print
Date: 1806 – 1871
Materials: paper
Techniques: etching
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Lamp with Athena-Neit
Object type: lamp, athena neit
Materials: terracotta
Location: egypt

Images created in terracotta were popular in domestic and funerary contexts. Athena-Neith is often depicted on lamps and lanterns. The association of the goddess with light is noted already in the fifth century BC by Herodotus who reports a nocturnal festival of lights in honor of Neith.
Naamlyst Der Heeren Inteekenaaren, van de Kunst Plaat, Verbeeldende het Teeken-Academie booven de Leidsche Poort te Amsterdam
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: engraving, etching
Subjects: drawing-lesson, tools, implements of draughtsman, artist at work, in his workshop
Inscriptions: collector's mark: Lugt 1641, stamp

Cartouche met de namenlijst van de intekenaren op de prent uit 1768 van de stadstekenacademie (Teeken-Academie) boven het Corps de Garde in de Leidsepoort te Amsterdam in het jaar 1764. De namen genummerd 1-30 zijn merendeels leden van de academie, met erbij het aantal prenten waarvoor ingetekend is. Ornamentale omlijsting met rocailles, guirlandes en attributen van de teken- en schilderkunst. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Schilderkunst, Ateliers.
De sinaasappelpluk (fragment)
Object type: tapestry
Date: 1500 – 1525
Materials: silk, wool
Techniques: tapestry
Location: southern netherlands
Artist: Anonymous

Tapestry (fragment). Picking oranges. Wool, silk. Tournai or Brussels, c. 1490 - 1500.
Landschap met vaart
Object type: print
Date: 1891 – 1937
Materials: paper
Techniques: etching, intaglio
Location: netherlands
Artist: louis stiel
Artist role: print maker
Artist dates: 1881 – 1950
Subjects: canal
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Gezicht op de Brennerpas
Object type: print
Date: 1839 – 1865
Materials: paper
Techniques: lithograph, hand coloring
Location: london
Subjects: mountains (+ landscape with figures, staffage), 'en route', traveller under way, bridge in village across river, canal, etc.
Inscriptions: collector's mark: Lugt 2228
Western Approach to the Acropolis, Athens (49. Athènes. 1842. Acropole. Côté O.)
Object type: photograph
Date: 1842 – 1842
Techniques: daguerreotype
Artist: joseph-philibert girault de prangey
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1892
Subjects: architecture,ruins

Girault’s panoramic view of the famed ancient Greek Acropolis is dominated by the tall building known as the Frankish Tower, one of many Byzantine, Frankish, and Ottoman structures added to the hilltop citadel over the centuries. After Greek independence (1832), most non-Classical features were cleared away—when Girault visited, much of the site was covered in rubble—and the tower was demolished in 1875. In Girault’s mirror-image view, the tower is flanked by the Parthenon (on the left) and the Propylaea. Girault described his demanding work at the Acropolis (from calculating exposure times to manipulating noxious chemicals in variable conditions) as a rewarding yet challenging photographic campaign: "Nothing in the world is as marvelous or perfect as all that is contained by the Athenian acropolis! As you might guess, the strongest battle occurred there, and God knows how I exerted myself to take my share of the spoils."
The Chamber Idyll
Object type: print
Date: 1831 – 1831
Techniques: engraving
Artist: edward calvert
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1883
Subjects: couples,male nudes,lovers,female nudes,beds

A pastoral love scene framed by the rustic structure of a cottage. Within a low room, a nude youth sits on the edge of a bed next to a standing woman who garment both remove. A bowl filled with fruit sits on the floor and a shepherd's crook leans at left while, at right there is a landscape with a star-filled sky and sheep and an ox standing near the cottage.
Egmont op den Hoef 1680
Object type: print
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: castle, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 36.
Bleeding Heart Biscuit Jar Design
Object type: drawing
Date: 1913 – 1913
Materials: ink
Techniques: brush, pen, wash
Artist: hannah borger overbeck
Artist role: artist
Artist nationality: american
Artist dates: 1870 – 1931
Portret van legeraanvoerder Alesssandro Vitelli
Object type: print
Date: 1646 – 1647
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: commander-in-chief, general, marshal, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent uit: Ritratti et elogii di capitani Illustri. Che ne'secoli moderni hanno gloriosamente guerreggiato. Rome: Filippo de'Rossi en Vitale Mascardi, 1646, p. 303. Prent ook gebruikt in dezelfde editie van 1647. Eerdere staten van prent in ieder geval gebruikt in: Ritratti et elogii di capitani Illustri. Rome: Pompilio Totti en Andrea Fei, 1635. En in: Ritratti di cento capitani illustri con li lor Fatti in guerra (…), Rome: Domenico Gigliotti, 1596.
Zittende man met munt in de hand
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: etching, intaglio
Artist: willem linnig (i)
Artist role: print maker
Artist dates: 1819 – 1885
Subjects: coin
Inscriptions: collector's mark: Lugt 2228

Hoewel Hippert & Linnig deze prent toeschrijven aan Willem Linnig jr., is dat onwaarschijnlijk aangezien deze de prent dan op vierjarige leeftijd gemaakt zou moeten hebben.
Jug, one handle
Object type: handle of a jug
Date: 3900 – 100
Materials: bronze
Culture: cypriot
Bomen aan een waterkant
Object type: sketchbook leaf
Materials: chalk, paper
Artist: alexander shilling
Artist role: draughtsman, print maker
Artist dates: 1859 – 1937
Subjects: trees, landscapes with waters, waterscapes, seascapes (in the temperate zone)

Blad 32 recto uit een schetsboek met 91 bladen.
Theekopje van melkglas met blauwe emailverf beschildering, imitatie Chinees porselein met 'bloem' decoratie in vakken; op standring en met gladde mondrand.
Object type: miniature
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous
Needle sheath
Object type: needle sheath
Date: 1701 – 1800
Materials: bone, metal, wood
Gestut gewelf staat op instorten
Object type: photograph
Date: 1880 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Vuchterdijk, s'Hertogenbosch
Object type: ansichtkaart, prentbriefkaart
Date: 1913 – 1930
Materials: cardboard
Techniques: photograph
Location: den bosch
Subjects: street, den bosch
Hebrew ritual lace (part of a set)
Object type: hebrew ritual lace
Date: 1701 – 1733
Materials: silk
Techniques: lace
Subjects: ritual objects
Captain, Royal Horse Guards, Blue, England, 1879, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men,profiles

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Top of Sharington's Tower, Lacock Abbey, Taken from the Roof above the South Gallery
Object type: photograph
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: buildings,towers

Talbot's earliest camera images required exposures of an hour or more, but on September 23, 1840, he made a startling discovery that dramatically increased the medium's potential. He found that an exposure of mere seconds, leaving no visible trace on the chemically treated paper, nonetheless left a latent image that would appear when immersed in a solution of gallic acid. This discovery opened up a whole new world of possible subjects for photography. In the days that followed, Talbot trained his camera on various features of Lacock Abbey and its grounds. Made only a few weeks after his September discovery, this photograph reveals Talbot's newly found ability to render the tones and textures of masonry and glass and the myriad architectural details of the sixteenth-century corner tower, built by the Abbey's first lay owner.
Mr. H.P.G. Quack
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: ferdinand hart nibbrig
Artist role: draughtsman, painter, print maker
Artist dates: 1866 – 1915
Subjects: amsterdam, hendrick peter godfried quack, historical persons, professor

Portret van Hendrick Peter Godfried Quack, hoogleraar in de rechtsgeleerdheid aan de Utrechtse hogeschool, jurist, econoom en geschiedschrijver. In de serie 'Bekende Tijdgenooten', nr. XXXVIII.
Gaming purse
Object type: gaming purse
Date: 1667 – 1700
Materials: leather, silk
Culture: french
Fruchtenbuchlein zum Reisen dienlich
Object type: ornament print
Materials: paper
Techniques: engraving
Location: germany
Subjects: fruits and vegetables ~ ornament, ornament ~ festoon, garland
Inscriptions: number: ‘5’
Portret van Louis Godefroi d'Estrades
Object type: drawing
Date: 1647 – 1677
Materials: paper, pastel
Artist: wallerant vaillant
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1677
Subjects: paris, historical persons
Jakob zegent Efraïm en Manasse
Object type: print
Date: 1808 – 1834
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: lambertus antonius claessens
Artist role: draughtsman, print maker
Artist dates: 1763 – 1834
Subjects: jacob blesses manasseh and ephraim with arms crossed; joseph may be shown trying to uncross them or expressing (with asenath) his disapproval
Inscriptions: collector's mark: Lugt 2228, collector's mark: Stempel van het Musee Napoleon, voorloper van het Louvre

Vlak voor zijn dood zegent Jakob de zonen van zijn zoon Josef, Efraïm en Manasse. Jacob kruist zijn handen bij de zegening en zegent met zijn rechterhand Efraïm en met zijn linkerhand Manasse. Jozef probeert Jakobs armen te verleggen maar het lukt hem niet.
Portret van een onbekende man op een paard voor een woning
Object type: photograph
Date: 1875 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: johannesburg
Subjects: riding a horse, ass, or mule; rider, horseman
Vier jaargetijden
Object type: print
Date: 1628 – 1689
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: autumn, fall, 'autumnus'; 'autunno' (ripa)
Inscriptions: collector's mark: Lugt 2228

Interieur van een grote hal met mannen en vrouwen. In het midden worden twee ezels van hun lading druiven ontdaan, die ze in manden op hun rug dragen. Rechts op de achtergrond worden de druiven in een vat gegooid om ze te persen.
Pellen met patroon 'uitgehouwen steen of hoekster'.
Object type: napkin
Date: 1800 – 1899
Materials: linen
Location: netherlands
Artist: Anonymous

Servet van wti linnen met pellenpatroon 'uitgehouwen steen of hoekster' en randen, merk H 13.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two rim fragments from kylikes, each with a complete handle and handle patch
Groeten uit Maastricht. Panorama van Maastricht
Object type: panorama
Date: 1901 – 1901
Materials: cardboard
Techniques: photograph
Location: maastricht
Subjects: river, bridge in village across river, canal, etc., prospect of city, town panorama, silhouette of city, maastricht
Inscriptions: date
Frieze of Satyrs Wearing Lion Skins and Playing Pipes
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: belgium
Artist: lambert lombard
Artist role: draughtsman, print maker
Artist nationality: flemish
Artist dates: 1506 – 1566
Tien taler uit het koninkrijk Westfalen van Jérome Napoléon, 1810
Object type: tien taler
Date: 1810 – 1810
Materials: gold
Techniques: striking

Gouden munt. Voorzijde: gekroond samengesteld wapenschild, omhangen met keten van orde, waaaan juweel. Keerzijde: waarde-aanduiding in twee regels, waaronder jaartal. Daaronder letter B [=Brunswick]. Kabelrand.
The Lily, from the Magic Changing Cards series (N223) issued by Kinney Tobacco Company
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,lilies

Trade cards from the "Magic Changing Cards" series (N223), issued in a set of 50 in 1889 by Kinney Tobacco Company. When held up to the light, a hidden image is revealed on each card.
Terracotta oil lamp
Object type: lamp
Date: 100 – 100
Materials: terracotta
Culture: roman

Loeschcke Type 1A. Mold-made. Discus: a plain, concave disk; a single filling hole at center, with a broad band of lines and grooves at edge. Volutes flanking angular nozzle, with large wick hole. Raised base ring, and flat base. Badly broken and mended, with one hole in left side of body.
Ring with Inset Rectangular Cut Stone
Object type: ring
Materials: gold, stone
Culture: indonesian, javanese
Funerary Cone of the Wab-Preist Bengy
Object type: cone, davy 528, bengy, wab priest, amun
Date: 1550 – 1295
Materials: pottery
Location: egypt
Armchair (one of a pair)
Object type: furniture
Date: 1780 – 1785
Materials: wood
Techniques: gilding, painting
Location: paris
Artist: jean avisse
Subjects: furniture
Nehan: Death of the Buddha
Object type: painting
Date: 1667 – 1733
Materials: gold, gold leaf, ink, silk
Location: japan
Artist: Anonymous
Subjects: buddhism, religion
Garnizoenen Kledingmagazijn aan het Donkere Spaarne te Haarlem
Object type: photograph
Date: 1911 – 1911
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: donkere spaarne
Subjects: civic architecture; edifices; dwellings
Inscriptions: annotation: ‘Garnizoenskleedingmagazijn/ Donkere Spaarne/ Sept. 1911/ Haarlem’
Rechthoekige cartouche met slinger
Object type: album leaf
Date: 1606 – 1608
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: scrollwork, strapwork ~ ornament, ornament ~ cartouche

Rechthoekige cartouche met slinger. Met achtregelige dedicatietekst: Serenissimo et excell.mo ... Oorspronkelijk daarboven het wapen van Francesco Maria II Della Rovere. De cartouche is een fragment van een kaart van het hertogdom Urbino. De prent maakt deel uit van een album.
Seated Tiger
Object type: sculpture
Materials: stoneware
Techniques: glazing
Location: china
Seal with a Figure of a Cat on Top
Object type: seal amulet, cat
Date: 664 – 332
Materials: stone
Techniques: glazing
Location: egypt
Subjects: cats
La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 15 (recto)
Object type: book print ornament architecture
Date: 1556 – 1556
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: flowers,vines

Published by Matteo Pagano, Italian, 1515-1588, Venice. From top to bottom, and left to right: Design composed of 3 vertical columns printed upon a grid. First column is decorated with 2 curving vines of leaves that meet at bottom to form a frame around a 4-petaled dotted white flower. Middle column is decorated with 2 separate curving vines with leaves that attach to a floral element at the bottom. Right column is decorated with 2 curving vines with flowers and leaves that attach to a vase at the bottom.
Katsushika iitsu iboku Hokusai manga rokuhen
Object type: book
Date: 1878 – 1878
Materials: paper
Techniques: woodcut
Location: tokyo
Artist: katsushika hokusai
Artist role: draughtsman, print maker
Artist dates: 1760 – 1849
Inscriptions: collector's mark: ‘Rijksschool voor kunstnijverheid’ Lugt 3937, collector's mark: Lugt 2228
Incense burner
Object type: incense burner
Date: 1701 – 1900
Materials: gold, metal, pottery
Techniques: overglaze, painting
Culture: japanese
Subjects: flowers
Christus in debat met de farizeeën over de belasting aan de keizer
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: christ (in the temple) in debate with pharisees about the tribute to caesar (matthew 22:15-22; mark 12:13-17; luke 20:20-26)

Christus in debat met de farizeeën. Een van de farizeeën toont hem een munt en vraagt aan Christus of het toegestaan is belasting aan de keizer te betalen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, part of right forearm and hand
Netsuke of Fukurokujin with Karako Boy
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: men
Portret van aartsdiaken Johann Ludwig Schönleben
Object type: print
Date: 1676 – 1676
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: joannes van de berg
Artist role: print maker
Subjects: laibach, johann ludwig schönleben
Inscriptions: collector's mark: Lugt 2228
Portret van Anna Hyde
Object type: print
Date: 1655 – 1728
Materials: paper
Techniques: engraving, etching
Subjects: other sovereign (with title) - bb - female ruler, historical persons
Inscriptions: collector's mark: Lugt 2228
Twee penningen op het beleg van Amsterdam door Willem II, 1650
Object type: historical object representation
Date: 1724 – 1726
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: william ii (prince of orange), medal (considered as a piece of sculpture, regardless of its specific function), loevestein castle, amsterdam

Twee penningen over de gebeurtenissen te Amsterdam in het jaar 1650. Bovenste penning: voorzijde: boten met soldaten op de Amstel, uit de wolken steekt een hand met een hart. Keerzijde: de gearresteerde statenleden worden naar Loevestein gebracht. Onderste penning: voorzijde: boten met soldaten op de Amstel, uit de wolken steekt een hand met een hart. Keerzijde: omkranste opschrift: Godt Heeft Ons Bewaert. Uitgeknipte illustratie bedrukt met tekst op achterzijde.
A Parody of Hachi no ki
Object type: print
Techniques: woodblock print
Location: japan
Artist: utagawa toyokuni i 初代 歌川 豊国
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Glass indented jug
Object type: jug
Date: 301 – 500
Materials: glass
Culture: roman

Translucent pale blue green; trails and handle in translucent deep turquoise blue. Rounded rim with slight inward lip; broad, flaring mouth; cylindrical neck, expanding slightly downwards; sloping, rounded shoulder; convex curving side to small body; thick, slightly pushed-in bottom, with small central pontil mark; rod handle applied as an irregular pad to outer edge of shoulder, drawn up and outwards, then turned in and down, and trailed onto rim and underside of mouth over trail. One uneven trail wound twice around underside of mouth; another trail wound slightly more than once around lower part of neck; on body, ten elongated vertical indents. Intact, but slight weathered chips in side of handle; pinprick bubbles; dulling, thick creamy white weathering, and iridescence.