deem-data/ArtiFact huggingface dataset:
Heilige Agnes
Object type: drawing
Date: 1574 – 1574
Materials: ink, paint, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: the virgin martyr agnes of rome; possible attributes: lamb, ring
Medan. Hoofdstraat Kesawan (Zuidwaarts)
Object type: photomechanical print
Materials: paper
Techniques: photoaquatint
Location: medan
Subjects: advertising, two-wheeled, animal-drawn vehicle, workshop, hotel, hostelry, inn, street (+ city(-scape) with figures, staffage)
Inscriptions: number: ‘8’

Onderdeel van Album met heliogravures van Sumatra's oostkust.
Ontwerpen voor decoraties van snuifdozen: vier allegorische voorstellingen
Object type: drawing
Date: 1771 – 1807
Materials: ink, paper
Techniques: brush, pen
Artist: willem kok
Artist role: draughtsman, print maker
Artist dates: 1761 – 1807
N.H. Kerk, Zoetermeer-Zegwaart
Object type: photomechanical print
Date: 1926 – 1926
Materials: cardboard
Techniques: photograph, writing
Location: zoetermeer
Subjects: church (exterior)
Inscriptions: postage stamp
Staande nar
Object type: drawing
Date: 1683 – 1733
Materials: ink, paper
Techniques: brush, pen
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: court jester, court fool
Venetia
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: folk costume, regional costume, venice

Twee inwoners van Venetië, een vrouw en een man in kostuum typerend voor de stad, op de achtergrond het profiel van Venetië. Plaat nr. 376 in deel XVI van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne uit 1726, dit tweede deel met 271 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog.
Gezicht op een Chinese kerk te Singapore
Object type: photograph
Date: 1867 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: singapore
Subjects: church (exterior), singapore
Inscriptions: annotation: ‘Chin: kerk Singapore’, number: ‘58’
Verhuisaankondiging van de winkel van Ivens & Co
Object type: photomechanical print
Materials: paper
Techniques: printing block
Location: amsterdam
Artist: Anonymous
Subjects: moving (house), birds, man (showing himself) undressed, quasi-nude

Bovenaan twee naakte mannenfiguren die roldeuren open trekken met daarachter het (huis)nummer '115'. Daarboven twee rijen van vogels rond de tekst: 'Ivens & Co verplaatsen maart a.s. hunne magazijnen in foto-artikelen camera's en benoodigdheden gedurende 20 jaren gevestigd te Amsterdam Rokin 164 naar Kalverstraat 115'.
Portret van Josip Jelačić od Bužima
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: lithograph
Location: vienna
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Kunsthandlung L.T. Neumann in Wien’
Klaver en een andere plant
Object type: drawing
Date: 1876 – 1951
Materials: paper
Techniques: brush
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
Subjects: plants and herbs: clover
Vier evangelisten
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: antwerp
Artist: johannes wierix
Artist role: draughtsman, print maker
Artist dates: 1549 – 1618
Subjects: st. matthew writing the gospel, usually the angel present, dictating or assisting him
Inscriptions: collector's mark: Lugt 1337, collector's mark: Lugt 2228

Prent met tekst in boekdruk op verso gebruikt in 'Const-Tonneel', in 1609 uitgegeven door Nicolaes de Clerck.
Glass jar
Object type: jar
Date: 301 – 500
Materials: glass
Culture: roman

Translucent pale yellow, streaked with purple. Rounded, slightly everted rim; below, hollow folded flange; funnel-shaped neck; sloping shoulder with rounded edge; straight side, tapering downwards; thick bottom with kick and central pontil scar. Intact; pinprick and larger bubbles; severe pitting and weathering, dulling, and brilliant iridescence on exterior, patches of black weathering on interior.
Jachthonden met drinkbak
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: hunting dogs, dog
Inscriptions: collector's mark: Lugt 2228

Jachthonden met drink- of etensbak. Getekend op de achterzijde van een deel van een envelop of brief met J. Tavenraat als afzender.
Soprano Helicon in B-flat
Object type: circular trumpet
Date: 1834 – 1866
Materials: brass, nickel, silver
Culture: italian
Location: italy
Trillende stemvork
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: accessories ~ music: metronome, music-stand, tuning-fork, etc.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Exterior, strap from an object hanging on the wall
Square
Object type: textile
Date: 1701 – 1800
Techniques: embroidery
Culture: armenian
Location: armenia
The Second Spring
Object type: print
Date: 1621 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: buildings,men,women,dogs,spring
Kat
Object type: sketchbook leaf
Date: 1886 – 1903
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: cat

Pagina 52 uit een schetsboek met 27 bladen.
Ogura Imitation of the One Hundred Poems
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: woodcut
Location: japan
Subjects: adult man (+ three persons), moonlight, lover with love-letter

Yoshibei leest een liefdesbrief bij het licht van de maan. Zijn jongere zwager zit gewond op de grond en kijkt om naar de oplichter Gengobei, die in de verte aan komt rennen. Scene uit een kabukitoneelstuk. Gedicht door Sakyô no Daibu Akisuke.
Twee trossen fruit en een cherubijn, in profiel
Object type: album leaf
Date: 1601 – 1650
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: cherubs, i.e. children's heads with wings, ornaments ~ art, fruits
Inscriptions: inscription: ‘31’

Twee trossen fruit en een cherubijn, in profiel. Rechtsonder genummerd: 19. De prent maakt deel uit van een album.
Fantastical Mask with Strapwork
Object type: print ornament architecture
Date: 1534 – 1566
Techniques: engraving, etching
Artist: anonymous, french, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: masks
St. Bernardino of Siena. Italian, 15th cent. British Museum
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1950
Materials: cardboard
Techniques: color autotype
Location: london
Artist: Anonymous
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: collector's mark: ‘AFE v S’
Tureen in the form of a Rabbit
Object type: ceramic
Date: 1755 – 1756
Materials: enamel, porcelain, soft paste porcelain
Techniques: polychrome
Location: chelsea

For the rich and powerful in the eighteenth century, formal dinner was theater, and it was not uncommon to serve multiple courses, each of which could consist of dishes arranged on the table. Pieces like the rabbit tureen were an important part of the theatrical set decoration. The Chelsea Porcelain Manufactory produced tureens not only in the form of rabbits but also vegetables and birds. Chelsea porcelain makers prided themselves on the realistic results of their craftsmanship, proclaiming in a sales catalogue that they offered “A Fine tureen in the form of a rabbit as big as life and an oval dish.” Composed of a material called soft-paste porcelain (usually a mixture of clay and ground glass), this tureen has a red anchor mark inside its lid. This mark was used between 1752 and 1756. This particular rabbit tureen is also labeled No. 3, marking it as third in a limited edition—twenty-five variations of this type are known. Like a fingerprint, no two Chelsea rabbit tureens are exactly the same, and each lid was compatible with only its tureen. The painter who decorated the pieces recorded each object’s number on its lid and its base so that they could be matched in case they were separated.
Terracotta fragment of a krater (bowl for mixing wine and water)?
Object type: krater fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of a shield seen from the inside?
Tabula II. Germania captis Saxone & Hesso Carolo se submittit
Object type: history print
Date: 1635 – 1636
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: ghent, charles v (holy roman emperor and king of spain), brussels, landvoogd der zuidelijke nederlanden ferdinand van oostenrijk, triumphal arch, surrender of keys

Opstandige Duitse protestantse vorsten van Saksen en Hessen overwonnen door Karel V, knielen aan de voeten van zijn troon en bieden hem de sleutels aan. Voorstelling centraal op de voorzijde van de triomfpoort Arcus Caroli op de Vrijdagsmark. Blad nr. 21 in een geheel van 42 platen die de uitgave van de beschrijving van de intocht van de Kardinaal Infant Ferdinand van Oostenrijk te Gent op 28 januari 1635 als de nieuwe landvoogd voor de Spaanse Nederlanden illustreren.
Profile du grande Sphinx, pris du Sud
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: sphinx

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Terracotta oil lamp
Object type: lamp
Date: 100 – 100
Materials: terracotta
Culture: roman
Subjects: fish

Loeschcke Type 1B. Mold-made. Deep, concave discus: two confronted dolphins, facing downward to front, and two smaller, finned creatures at back; a single, poorly-made filling hole at center; band of lines and grooves around edge. Volutes flanking angular nozzle, with large wick hole. Raised base ring, and slightly concave base. Two short ribs from volutes down body flanking nozzle. Intact.
St. Hieronymus vernimmt den Schall der Posaune
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, paper
Techniques: albumen print
Subjects: drawing, sketch, the monk and hermit jerome (hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone
Inscriptions: inscription: ‘Kreidezeichnung vermischt mit Rohtstift. Bart und Haar grau, die Lichter weiss aufgesetzt./ ORIGINAL: HÖHE 44 CENT. 3 MILL. - BREITE 35 CENT. 8 MILL.’, inscription: ‘5/ museum Weimar.’, inscription: ‘PETER PAUL RUBENS./ 1577-1640.’
Souvenir spoon with view of the Place della Signoria, Florence
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, silver gilt
Subjects: palaces,coat of arms
Jug with Eagle
Object type: jug
Materials: earthenware
Techniques: glazing
Culture: italian
Location: italy
Subjects: eagles
Enquêteformulier ingevuld door Jean Chrétien Valois
Object type: manuscript
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Subjects: the hague, painter, draughtsman, jean chrétien valois
Inscriptions: watermark, inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Cylindrical Tripod Censer (Incense Burner) with Cloud-Scroll Feet
Object type: vessel
Materials: stoneware
Techniques: molding, underglaze
Location: china
Centaur
Object type: print
Date: 1880 – 1932
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: henri van der stok
Artist role: print maker
Artist dates: 1870 – 1946
Subjects: centaurs
Inscriptions: collector's mark: Lugt 2228
Spits met ranken, leeg wapenschild en een slak
Object type: ornament print
Date: 1631 – 1631
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: coat of arms (symbol of sovereignty), ornaments ~ art, foliage ~ ornament, molluscs: snail
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, signature: ‘Jans’

Mogelijk een blad uit serie met decoraties voor zilveren bekers.
Edinburgh Castle and City Wall
Object type: reproduction
Date: 1903 – 1918
Materials: cardboard
Techniques: color autotype
Location: edinburgh
Subjects: castle, city-walls
Tentoonstelling van voortbrengselen van nijverheid te Brussel 1830
Object type: history medal
Date: 1830 – 1830
Materials: bronze
Techniques: striking

Bronzen penning, op de voorzijde het portret van Koning Willem I naar links met omschrift, op de keerzijde de gevel van het Paleis van Nijverheid te Brussel, met omschrift en afsnedetekst.
King Mangkur Nourished by Queen Devika, from a Set of Initiation Cards (Tsakali)
Object type: religious ritual object
Date: 1301 – 1500
Materials: ink, paper, watercolor
Location: tibet
Peace, an idyll, from 'News of the day,' published in Le Charivari, March 6, 1871
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: skeletons,horns
Schotel, geribd, met vegetatieve ornamenten
Object type: platter
Date: 1925 – 1925
Materials: earthenware, chemical
Techniques: painted
Location: arnhem
Inscriptions: mark: ‘Gestempeld: Colenbrander "Ram" Arnhem Holland, rondom ramskop, en 95 ; monogram (geschilderd in zwart)’

Schotel van aardewerk, geribd, polychroom beschilderd met abstracte vegetatieve ornamenten in de kleuren geel, groen, groenblauw, rose en paars op gele fond.
Self-portrait in his Studio
Object type: painting
Date: 1896 – 1896
Materials: canvas, oil, paint
Location: amsterdam
Artist: anton molkenboer
Artist role: print maker
Artist dates: 1872 – 1960
Subjects: haarlem, print maker, anton molkenboer
Inscriptions: inscription: ‘Antoon Molkenboer / in zijn atelier — 1896’

The young painter Molkenboer scrutinizes himself through his pince-nez. He is in his Amsterdam studio, with the dining room behind him. A palette and stage mask hang from a cupboard or doorpost on the right. The year 1896 was important for Molkenboer. Although trained as a painter, he had just written and produced his first play. He would eventually unite both passions and work for the theatre as a decorative artist.
Titelpagina van Helvetiorum Respublica, 1628
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving
Location: leiden
Subjects: europeans (with name)
Inscriptions: date

Twee Zwitserse mannen schudden elkaar de hand, waarbij er een zijn andere hand opsteekt. Een derde man kijkt toe. Zij staan bij een voetstuk, waarop de titel van het boek weergegeven staat, met daaronder het impressum.
Political Terriers Hunting for New Taxes
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,politics
Portret van Marcus Fugger
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving
Location: augsburg
Artist: lucas kilian
Artist role: draughtsman, print maker
Artist dates: 1579 – 1637
Subjects: marcus fugger (baron van kirchberg en weissenhorn), historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent is eerst gebruikt voor de serie door Lucas Kilian: Icones Omnium (...) Duumvirum, quotquot a prima Cardina Institutione usque ad praesentia Tempore Aerae Christ.M.DXCV. vixere. Hierin waren de titelpagina en de eerste veertien portretten door Lucas Kilian opgenomen. De prent is met tekst in boekdruk op verso gebruikt in: Kilian, Lucas. Imp. Caes. Caroli V.S.A. Decreto et auspiciis (...) formis expressi MDCXXIV. Augsburg: Lucas Kilian, 1624. De versie uit 1624 bevat ook portretten door Wolfgang Kilian.
Guide pratique pour l'emploi des surfaces orthochromatiques
Object type: book
Date: 1892 – 1892
Materials: paper, photographic support
Techniques: albumen print, printing
Location: paris
Artist: léopold mathet
Artist role: amateurfotograaf, apotheker
Artist dates: 1850 – 1922
Inscriptions: inscription: ‘ex libris SFJ’
Candidatuur-stelling der heeren Gerritsen en Hartogh in het 3e district
Object type: cartoon
Date: 1897 – 1897
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: the hague, politician, wheelbarrow, bicycle, political caricatures and satires

Kandidaat Abraham Hartogh wordt in een kruiwagen door Arnold Kerdijk en Hendrik Goeman Borgesius moeizaam de brug opgeduwd en getrokken. Hierbij rijden ze Carel Gerritsen van zijn fiets.
Chinoiserie with a woman playing the mouth organ, from Suite de Figures Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt  (Series of Chinoiserie Figures. . .From the Chambers of Mr. d'Azaincourt), plate 3
Object type: print
Date: 1755 – 1776
Techniques: engraving, etching
Location: france
Artist: jean pierre louis laurent hoüel
Artist role: artist
Artist nationality: french
Artist dates: 1735 – 1813
Subjects: musical instruments,chinoiserie,women
Visitekaartje aan Philip Zilcken
Object type: visiting card
Date: 1877 – 1930
Materials: cardboard
Techniques: printing
Location: paris
Artist: henri gabriel ibels
Artist role: print maker
Artist dates: 1867 – 1936
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
POMPEI. Tempio di Giove.
Object type: photograph
Date: 1870 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: pompeii
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: temple, shrine ~ non-christian religions, excavation ~ archaeology, pompeii
Inscriptions: negative number: ‘1208’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië en Frankrijk.
Stadsgezicht met gracht
Object type: drawing
Date: 1840 – 1860
Materials: paper, pencil, watercolor
Techniques: brush
Inscriptions: annotation: ‘Doekraam 48 1/2 bij 39 Ned. Duimen’, number: ‘00:502’
Polderlandschap met een molen en een visser in een boot
Object type: book illustration
Date: 1861 – 1861
Materials: paper
Techniques: letterpress printing, engraving
Location: the hague
Subjects: windmill in landscape (+ city(-scape) with figures, staffage), fisherman
Inscriptions: collector's mark: Lugt 2228
Knife (Bade-bade) with Sheath
Object type: knife bade bade with sheath
Date: 1501 – 1900
Materials: horn, wood
Culture: sumatran or acheen
Location: indonesia
Strikdas, rechthoekig, van linnenbatist met glad aangezette geschulpte en gepicoteerde strook Valenciennes-kant
Object type: strikdas
Date: 1880 – 1890
Materials: linen
Techniques: lace
Location: netherlands
Artist: Anonymous

Strikdas, rechthoekig, van linnenbatist met glad aangezette geschulpte en gepicoteerde strook Valenciennes-kant.
Bracelet
Object type: bracelet
Date: 1800 – 1900
Materials: pearl
Portret van Stanislaus Leszczyński
Object type: print
Date: 1707 – 1707
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, king

Prent waarschijnlijk uit: Die Europäische FAMA. Welche den gegenwärtigen Zustand der vornehmsten Höfe entdecket. S.l.: s.n., 1707, dl. 68
Boots
Object type: boot
Date: 1899 – 1900
Materials: leather
Culture: american
The Virgin and Child with the Infant John the Baptist and a Lamb in a Landscape
Object type: drawing
Date: 1787 – 1871
Materials: ink
Techniques: brush, pen, wash
Artist: tommaso minardi
Artist role: artist
Artist nationality: italian
Artist dates: 1787 – 1871
Subjects: sheep,madonna and child,saint john the baptist,cross
Brief aan Jan Veth
Object type: letter
Date: 1891 – 1891
Materials: ink, paper
Techniques: pen, printing, writing
Location: london
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the hague, johannes bosboom, dordrecht, amsterdam, designer, jan veth, matthijs maris, narcisse virgile diaz de la peña, paris, théodore rousseau, jacob maris, painter, print maker, draughtsman, jean françois millet, london, joseph mallord william turner, elbert jan van wisselingh, exhibition ~ art
Inscriptions: collector's mark: ‘RPK’
Gezicht op Karbouwengat en de weg naar Matoer op Sumatra
Object type: album leaf
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: christiaan benjamin nieuwenhuis
Artist role: publisher
Artist dates: 1863 – 1922
Subjects: ravine, chasm, abyss, canyon, public road

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
John R. Murray
Object type: painting
Date: 1800 – 1800
Materials: canvas, oil
Culture: american
Artist: gilbert stuart
Artist role: artist
Artist nationality: american
Artist dates: 1755 – 1828
Subjects: men,portraits
Das Bergische Land
Object type: accordion book
Date: 1905 – 1930
Materials: paper
Techniques: lithograph, letterpress printing
Location: germany
Artist: Anonymous
Subjects: mountains, germany

Leporelloalbum met tien prentbriefkaarten.
Gezicht op een landhuis
Object type: tissue stereograph
Date: 1855 – 1885
Materials: cardboard, glass, paper
Techniques: albumen print
Artist: Anonymous
Subjects: villa
Caricatured Korean, 1 Shot, from the series Coins of All Nations (N72, variation 2) for Duke brand cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,coins

Trade cards from the "Coins of All Nations" (N72), issued in a set of 50 cards in 1889 to promote W. Duke Sons & Co. brand cigarettes. There are two variations within the series. Version one (variation 1) maintains a white background on the cards and the second version (variation 2) displays a shaded background.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, lower torso, genitals, right buttock and thigh of male to right
Doorframe with Three Ganas (Nature Deities) Dancing and Playing Instruments
Object type: doorframe fragment
Date: 501 – 700
Materials: stone
Culture: indian
Subjects: post-gupta,dancing