deem-data/ArtiFact huggingface dataset:
Terracotta rim fragment of a kylix: Lip cup (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Exterior, head and hand of a figure to right; part of spear and bent elbow?
Leaf from Aedes Walpolianae mounted with a print and a drawing (a): Portrait of Grinling Gibbons; (b) Chimney to the Parlour, Houghton Hall, Norfolk
Object type: print
Date: 1690 – 1735
Materials: ink
Techniques: brush, mezzotint, pen, wash
Artist: john smith
Artist role: artist and engraver
Artist nationality: british
Artist dates: 1652 – 1743
Subjects: sculpture,heads,men,portraits

Album leaf mounted with 25.68r(a): an engraved portrait of Grinling Gibbons by Smith after Kneller; 25.68r(b), an elevation of a chimney piece with a plan, by Ware. See individual entries for more information.
Portret van Eco Moulijn
Object type: print
Date: 1922 – 1922
Materials: paper
Techniques: lithograph
Artist: simon moulijn
Artist role: draughtsman, print maker
Artist dates: 1866 – 1948
Subjects: historical persons, youth, adolescent
Inscriptions: collector's mark: Lugt 2228

Eco Moulijn zit in een stoel. Linksboven de tekst: 'AET 18'.
König-Ludwigs Album
Object type: print
Date: 1850 – 1859
Materials: paper
Techniques: lithograph
Location: munich
Subjects: riding a horse, ass, or mule; rider, horseman, 'en route', traveller under way, landscapes in the temperate zone (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Piloty&Loehle, München’, : ‘Mit gesetzl Schutze gegen Nachbildung’

Prent afkomstig uit de serie 'Album Seiner Majestät des Königs Ludwig I. von Bayern', verschenen in verschillende afleveringen. De prenten gaan terug op het album dat Lodewijk I van Beieren op 9 oktober 1850 kreeg overhandigd van verschillende kunstenaars.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1919 – 1919
Materials: cardboard, ink
Techniques: pen, writing
Location: venice
Artist: vittorio pica
Artist role: criticus
Artist dates: 1864 – 1930
Subjects: carel nicolaas storm van 's-gravesande, print maker, jan toorop, the hague, draughtsman, philip zilcken, venice
Inscriptions: collector's mark: ‘RPK’
Saucer-dish with two peacocks, rocks and flowering plants
Object type: platter
Date: 1700 – 1700
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark

Schotel in 'famille verte' kleuren. Op het plat 2 pauwen op een rots. Op de rand vier reserves met bloemtakken. Hier omheen een rand met prunus-takken.
Print
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Subjects: infants,mothers,trees,snow
Dresser cloth
Object type: dresser cloth
Date: 1840 – 1880
Materials: linen, silk
Subjects: flowers,insignia
Portrait of Hortense de Beauharnais (1783-1837)
Object type: painting
Date: 1805 – 1809
Materials: canvas, oil
Location: paris
Artist: anne-louis girodet-trioson
Artist role: draughtsman, painter
Artist dates: 1767 – 1824
Subjects: louis napoleon (king of holland), historical persons - bb - woman, queen, empress, etc. (wife of a ruler), holland

Hortense de Beauharnais became the first queen of Holland in 1806 when her husband Louis Napoleon ascended the throne. In this portrait, she wears a tiara adorned with pearls, a royal jewel. However, her husband’s reign lasted for only four years, after which De Beauharnais settled on her own in Switzerland. She was a gifted musician and composer, and the cultural gatherings she organized in her home were renowned.
Needle
Object type: needle
Date: 101 – 200
Materials: iron
Location: egypt
Wine Cooler from the Duke of Clarence Service
Object type: ceramic
Date: 1789 – 1790
Materials: enamel, soft paste porcelain
Techniques: gilding, polychrome
Location: worcester
Sutra Cover
Object type: sutra cover
Date: 1501 – 1600
Materials: silk
Culture: chinese
Subjects: dragons,flowers
Satirical Print of William v, Half-soldier, Half-Bacchus, 1786
Object type: cartoon
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: the hague, william v (prince of orange), vomiting, drunkenness, eating
Inscriptions: collector's mark: Lugt 2228

With his commander’s baton, Stadholder William V points to the bombardment of Hattem by his troops in 1786. His contemporaries condemned this cruel, unnecessary attack. His appearance as Bacchus, god of wine, symbolizes his profligate lifestyle. At the time, this was
a common complaint about the conduct of the nobility. In the distance, the prince leans out and vomits over a coach door.
Berglandschap met rivier
Object type: print
Date: 1650 – 1655
Materials: paper
Techniques: etching
Location: paris
Subjects: river, 'en route', traveller under way, mountains
Inscriptions: collector's mark: Lugt 240

Berglandschap met een pad langs een rivier. Op het pad staan twee figuren.
Paar manchetknopen en twee boordeknopen
Object type: collar button
Date: 1890 – 1910
Materials: gold, gemstone, silver
Techniques: faceting, grinding
Location: austria-hungary
Artist: Anonymous
Inscriptions: alloy mark

Facet geslepen bergkristallen met blauwe saffieren gezet in goud en zilver.
Zicht op de Biltstraat vanuit herenhuis De Oorsprong
Object type: photograph
Date: 1888 – 1888
Materials: paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912

Zicht op de vrijwel onbebouwde Biltstraat vanuit Herenhuis De Oorsprong. Links op het albumblad geschreven: Gezicht op de Biltstraat van De Oorsprong.
Christus aan het kruis
Object type: album leaf
Date: 1629 – 1629
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)

De prent is afkomstig uit een van de uitgaven van P.J. Paets uit Amsterdam. De prent wordt voor het eerst gebruikt in: Der Zielen Lust-hof. Leuven, I.Jacbosz voor P.J. Paets [= Amsterdam, P.J. Paets], 1629.
De voorstelling is gekopieerd naar een prent van Hendrick Goltzius.
Heinrich Wenzel fürst zu Münsterberg
Object type: print
Date: 1617 – 1750
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons
波濤に岩上鷹図大小鐔 Matching Pair of Sword Guards (<i>Daishō-tsuba</i>)
Object type: pair of sword guard i daishō tsuba i
Date: 1767 – 1833
Materials: copper, gold alloy, silver alloy, gold
Culture: japanese
Location: japan
Artist: 石黒政常 ishiguro masatsune
Artist role: fittings maker
Artist nationality: japanese
Artist dates: 1760 – 1828
Subjects: eagles,waves
Sampler
Object type: sampler
Date: 1740 – 1740
Materials: linen, silk
Subjects: human figures,birds
Powder Charge Container
Object type: powder charge container
Date: 1801 – 1900
Materials: ivory, leather, niello, silver, textile
Culture: caucasian
Location: caucasus
White Roses and Fish in Stream
Object type: hanging scroll
Date: 1801 – 1900
Materials: ink, silk
Culture: japanese
Artist: nishiyama hōen
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1867
Subjects: fish,roses

Three fish approach the tip of a rose branch that droops elegantly into a stream. The composition is deftly framed, with the white roses arranged rhythmically from top to bottom. The one rose touching the water and fish form the focal point. Hōen was a student of Matsumura Keibun (1779–1843), and both artists emphasized further the decorative quality and refined descriptive method of their grand masters of the Maruyama-Shijō school, Maruyama Ōkyo (1733–1795) and his elder brother, Matsumura Goshun (1752-1811).
Ecoyeux (Charente Infre.)
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: ecoyeux
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: parts of church exterior and annexes: portal, church (exterior), façade (of house or building)
Inscriptions: inscription: ‘MONUMENTS HISTORIQUES’, inscription: ‘Romaansche Kunst - Frankrijk. <BR />Ecoyeux.’, inscription: ‘CWN.’, number: ‘No. 122’, collector's mark: ‘INSTITUUT VOOR KUNST- <BR />NIJVERHEIDSONDERWIJS <BR />GABRIËL METSUSTRAAT No. 16. <BR />AMSTERDAM’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL <BR />QUELLINUS <BR />AMSTERDAM <BR />FRANS HALSSTRAAT 14.’, name: ‘MIEUSEMENT <BR />PHOTOGRAPHE’
Pair of Candelabra
Object type: glass
Date: 1835 – 1840
Materials: brass, glass
Location: england
Silver Miniature Pedestal Bowl
Object type: bowl
Date: 1001 – 1200
Materials: silver
Culture: chancay
Location: peru
Portret van Christoffel Columbus
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: cologne
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: quadrant, sextant, octant (nautical instruments)

Portret van de ontdekkingsreiziger Christoffel Columbus, eronder zijn devies in het Latijn. In het randschrift van de omlijsting de naam en functie van de geportretteerde in het Latijn. In de hoeken diverse navigatieinstrumenten. In de marge een zesregelig lofdicht in het Latijn.
Christ Healing the Leper, from "Das Plenarium"
Object type: print
Date: 1517 – 1517
Techniques: hand coloring, woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: illness,men,christ
Vanaf de railing
Object type: album leaf
Date: 1940 – 1943
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: occupation ~ war, netherlands

Albumblad met een foto vanaf de railing van een schip of de kade van water en land. Onderdeel van een klein album van de Kriegsmarine in Nederland.
Portret van koning Oscar II van Zweden
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons, king
Landschap met figuren uit het Oude Testament
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: 'salvator mundi', making a blessing gesture; an orb in his hand or at his feet, the dove returns with an olive-branch ~ story of noah, the sacrifice of isaac (genesis 22), david as musician, usually playing the harp, death as skeleton, the four symbols of the evangelists, 'the apocalyptic beasts', aaron (not in biblical context); possible attributes: attributes of aaron: censer, dressed as high priest or bishop, ointment jar, rod or flowering wand, moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, tables of the law, adam and eve (not in biblical context), tetragram (in roman or hebrew script) ~ symbol of god the father
Inscriptions: collector's mark: Lugt 2228

Allegorische voorstelling met figuren uit het Oude Testament. Links Adam en Eva, Isaak en Abraham en Noach. Rechts Mozes en Aäron en koning David. Christus troont op een wolk in de hemel, omringd door de symbolen van de vier evangelisten. Boven zijn hoofd brandt de vlam van geloofsijver. Hij vertrapt de Dood (als skelet). In de hemel een tetragram als symbool van God de Vader.
Henricus vice comes Turennius et mares callus Franciae
Object type: print
Date: 1656 – 1666
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons

Prent gebruikt in: Brachelius, Johannes Adolphus. Historia nostri temporis, dat is: geschiedenis onses tijdts, (...). Rotterdam: Andries van Hoogenhuyse, 1656. Prent in ieder geval ook gebruikt in hetzelfde boek uitgegeven door Andries van Hoogenhuyse in Nijmegen in 1659 en uitgegeven door Samuel Imbrecht in Amsterdam in 1666.
Waterval in een beek, vermoedelijk in Frankrijk
Object type: photograph
Date: 1905 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: waterfall, brook, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met bezienswaardigheden in Frankrijk, Zwitserland en Italië.
Portret van een lid van de NSB
Object type: photograph
Date: 1940 – 1944
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Subjects: anonymous historical person portrayed, netherlands

Portret van een lid van de NSB. Op zijn kraag een distinctief wat aangeeft dat hij de functie bekleed van Districtsbeheerder een district besloeg meestal een provincie. Op zijn rechtermouw het driehoekige NSB embleem. Hij draagt een bril en zit met de handen in elkaar. Blootshoofd.
Jesus, St. John the Baptist and four cherubs
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: saint john the baptist,jesus

The Infants Jesus, St. John the Baptist and four cherubs
June, from Twelve Months of Flowers
Object type: print
Materials: ink, paper, watercolor
Techniques: engraving
Location: england
Artist: henry fletcher
Artist nationality: english
Artist dates: 1710 – 1750
Samenkomst van Christiaan Scriver en Balthasar Bekker
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: amsterdam, balthasar bekker
Inscriptions: date

De ontmoeting in het dodenrijk tussen de geleerden Christiaan Scriver en Balthasar Bekker. Onderdeel van een groep bladen in verband met de uitgave in 1691 van het boek: De betoverde weereld, van Balthasar Bekker.
Elements of a Half Armor
Object type: element of a half armor
Date: 1501 – 1600
Materials: steel
Culture: german
Location: germany
Enamel Ewer (duomuhu)
Object type: vessel
Materials: enamel, gilt bronze
Techniques: enamel
Culture: chinese
Location: china
Seal-top spoon
Object type: spoon
Date: 1623 – 1624
Materials: silver gilt
Artist: i. f., london
Artist role: maker
Artist dates: 1616 – 1624
Landschap met bosarbeiders
Object type: print
Date: 1613 – 1657
Materials: paper
Techniques: engraving, etching
Location: france
Artist: pierre mariette (i)
Artist role: print maker, publisher
Artist dates: 1596 – 1657
Subjects: woodcutting, woodcutter ~ forestry, forest, wood
Inscriptions: collector's mark: Lugt 240

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Twee kasten
Object type: ornament print
Date: 1658 – 1658
Materials: paper
Techniques: engraving
Location: cologne
Subjects: furniture for storage

Twee kasten. Van de linker kast wordt de zijkant weergegeven. De rechter kast heeft termen als zuilen en deuren gedecoreerd met een bloemenvaas. De prent maakt deel uit van een album.
Algemeen Handelsblad
Object type: newspaper
Date: 1940 – 1940
Materials: paper
Techniques: printing
Location: amsterdam
Subjects: scandinavië, tweede wereldoorlog, duitse invasie in scandinavië

Krant over de duitse invasie in Scandinavië, 4 pp. (van 18) van nr. 37073 van de 113e jaargang van de Algemeen Handelsblad.
Model of a Lifeboat Release
Object type: demonstration model
Date: 1857 – 1858
Materials: brass, fiber, wood
Techniques: polychromy
Location: flushing
Inscriptions: label: ‘636’

Model van een sloep. Het model demonstreert de sloepsval in de sloep. De sloep is een gladboordige dubbelriems sloep met platte spiegel, gepiekt rondspant en zeeg naar beide uiteinden oplopend; hij heeft zeven doften.
Border
Object type: border
Date: 1601 – 1633
Techniques: lace
Subjects: flowers,angels

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Rotslandschap met de zee
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: rocky coast
Inscriptions: collector's mark: Lugt 240

Op de voorgrond zijn mannen aan het rusten of aan het werk. Achter de rotsen is de zee te zien. Deze prent maakt deel uit van een losse groep van elf prenten, waarvan enkel de nummers 1-6 (later?) genummerd zijn.
Schetsbladen met figuurstudies
Object type: drawing
Date: 1600 – 1699
Materials: chalk, paper
Subjects: kneeling figure
Gezicht op Nîmes
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: nîmes
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: nîmes
Inscriptions: number: ‘669.’
Earring-hook type with disc and beaded rim
Object type: earring hook type with disc and beaded rim
Date: 7000 – 330
Materials: gold
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1923
Materials: ink, paper
Techniques: pen, writing
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: designer, jan veth, arnhem, painter, print maker, draughtsman, anton mauve
Inscriptions: watermark, collector's mark: ‘RPK’

Brief gedateerd 16 Juli 86 in latere hand.
Tweemaster
Object type: sketchbook leaf
Date: 1804 – 1843
Materials: paper, pencil
Artist: hendrik abraham klinkhamer
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1872
Subjects: sailing-ship, sailing-boat
Inscriptions: date: ‘29 April’

Blad 15 recto uit een schetsboek met 40 bladen.
Trusetaler waterval nabij Herges-Vogtei
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: hermann selle
Artist role: fotograaf
Subjects: waterfall
Inscriptions: number: ‘No. 17.’
Front-aanzicht met plattegrond en zij-aanzicht van grafmonument
Object type: design
Date: 1672 – 1752
Materials: ink, paper
Techniques: brush, pen
Artist: daniël marot (i)
Artist role: draughtsman, print maker
Artist dates: 1661 – 1752
Subjects: grave-building, monumental tomb
Schets van een landschap met huis
Object type: drawing
Date: 1832 – 1897
Materials: paper, pencil
Artist: willem roelofs (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1897
Subjects: farm or solitary house in landscape
Food serving vessel (dui)
Object type: food vessel
Date: 400 – 301
Materials: bone, bronze, lacquer
Techniques: inlay
Culture: chinese
Subjects: dragons
Fragment bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A dish without a flattened rim. An eight-sided thickly drawn medallion. A central decoration of one flying bird and one on a rock next to a peony. The medallions decorated with alternately a flower and a peach.
Djed pillar
Object type: amulet, djed pillar
Date: 525 – 30
Materials: glass
Location: egypt

Starting in the later Late Period and continuing through the Ptolemaic Period, a type of glass amulet cast by pressing the glass into a shallow open mold appears. The back was left rough, and the amulets may look ragged because glass overflowed the mold around the edges. The earlier amulets are monochrome, bi- or multicolor amulets supplement the repertoire during the Ptolemaic Period.
Twee Europese mannen op een veranda, omringd door Indonesische mensen
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: indonesia
Inscriptions: number: ‘27’

Twee Europese mannen op een veranda, omringd door Indonesische mensen (bedienden en verkopers van stoffen en instrumenten (?) van bamboe), Nederlands-Indië
Mirror
Object type: mirror
Date: 1801 – 1900
Materials: glass, ivory, silk
Culture: chinese
Object type: medallion
Date: 1776 – 1883
Materials: plaster
Location: france
Artist: jean martin renaud
Artist role: maker
Artist nationality: french
Artist dates: 1746 – 1821
Subjects: benjamin franklin,men,profiles
Pijpenkop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: pipe bowl
Date: 1700 – 1743
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Pipe, bowl, heelmark illegible; fragment, no hsm.
Stomacher
Object type: textile
Date: 1801 – 1900
Materials: cord, lace, linen, textile, thread
Techniques: embroidery, interlocking, weave, stitching
Location: france
Knoop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: button
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knoop. (1) flat, plain, concentric groove along rim (1.4d, 0.1t), key-shank
The Fallen Tree
Object type: print
Date: 1785 – 1785
Materials: graphite
Techniques: aquatint, brush, wash
Artist: alexander cozens
Artist role: artist
Artist nationality: british
Artist dates: 1717 – 1786
Subjects: trees

A blasted tree seems to be sitting atop a hill and is set off against a cloudy sky in this imaginary landscape image. To create this work, Cozens applied washes of dark gray and brown ink to a printed impression of plate 1 from his drawing manual "A New Method of Assisting the Invention in Drawing Original Compositions of Landscape" (1786). In this publication, he presented a technique of making abstract blots by smudging ink quickly onto a sheet of paper with a thick brush. The purpose of this technique was to map out a basic compositional structure of a landscape image whilst leaving out the finer details, which were to be worked out at a later stage. By focusing on the overall composition, the technique was intended to free up the artist’s imagination in creating imaginary views. In this rare touched-up plate, the delicately hatched sky contrasts with the roughly printed black ink of the foreground and transforms the print’s abstract marks into a more easily recognizable landscape image.
Journal des Dames et des Modes, Costume Parisien, 16 septembre 1797, (5): Toquet d'enfant garni en dentell (...)
Object type: fashion print
Date: 1797 – 1797
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: head-gear: toque (+ women's clothes), border, ribbon, braid (+ women's clothes), lace (+ women's clothes), underclothes for the lower part of the body (underskirt) (+ women's clothes), clothing for the upper part of the body (spencer) (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), stockings, socks (+ women's clothes), fan (+ women's clothes)
Inscriptions: caption: ‘Toquet d'enfant garni en dentelle. Bride noire. Spencer. Robe Blanche, sur un Transparent.’, title: ‘Costume Parisien.’

'Toquet d'enfant' gegarneerd met kant. Spencer met zwarte bies. Witte japon over een 'Transparent' (onderrok). Gekleurde kousen met contrasterende klinken. Verdere accessoires: broche(?), waaier, platte schoenen met puntige neuzen. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven door Sellèque, Parijs, 1797-1839. Deze prent werd eerder uitgegeven in het Journal des Modes et Nouveautés als nummer 5, met het onderschrift 'Costumes'.
Achilles Mourning Patroclum
Object type: drawing and watercolor
Materials: chalk, paper
Location: france
Artist: Anonymous
Portret van een Duitse militair (cavalerist) te paard, Philipp Kieffer, 1882
Object type: photograph
Date: 1882 – 1882
Materials: paint, paper, photographic support
Techniques: albumen print, lithograph
Location: berlin
Artist: l. brenner
Artist role: publisher
Inscriptions: inscription: ‘Kiefer Schmidt’, inscription: ‘[onleesbaar]’

Tableau van gemonteerde foto's ('Zur Erinnerung an meine Dienstzeit') van Philipp Kieffer. Middenboven portretten van keizer Wilhelm I, keizer Franz Joseph I (?) en.