deem-data/ArtiFact huggingface dataset:
Servet met pellenpatroon met wafelruit en bloemvorm
Object type: napkin
Date: 1675 – 1725
Materials: linen
Location: northern netherlands
Artist: Anonymous
Inscriptions: mark: ‘K’, mark: ‘BS’, mark: ‘48’

Servet van wit linnen met een pellen patroon in keper, een wafelruitje met een soort bloem, merk BS en 48.
Pair of rosettes
Object type: rosette
Date: 1801 – 1833
Materials: gilt bronze
Marble stele (grave marker) of Sostratos
Object type: grave stele of sostratos
Date: 375 – 350
Materials: marble
Culture: greek, attic
Subjects: boys,male nudes

The inscription at the top of the stele informs us that it commemorates Sostratos, the son of Teisandros, of the deme of Paiania (an administrative precinct of Athens). Sostratos is presented as an athlete. In his right hand, he holds a strigil, the metal scraper used to cleanse the skin after it had been rubbed with oil. The slave boy beside him holds the aryballos (oil flask) and carries a garment over left shoulder. The youth's hand touching his head suggests that he may be crowning himself after a victory. The placement of the fingers offers the alternative that the gesture is one of mourning. This theme is continued in the siren just above: she tears her hair and beats her breast—traditional expressions of grief. The sphinxes at each end of the superstructure are guardians of the tomb.
The Temple of Dendur, showing the Pylon
Object type: watercolor
Date: 1874 – 1874
Materials: graphite, watercolor, paper
Culture: american
Artist: frederick arthur bridgman
Artist role: artist
Artist nationality: american
Artist dates: 1847 – 1928
Subjects: temples
Boat of Love
Object type: glass
Date: 1801 – 1833
Materials: glass, metal
Techniques: lampwork
Location: france
Verschillende aanzichten van een been en drie armen
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: printmaking, etching
Location: france
Subjects: drawing, sketch, legs
Inscriptions: collector's mark: Lugt 2228
Jar
Object type: jar
Date: 801 – 1000
Materials: earthenware
Techniques: molding
Location: iraq

This glass jar was found and purchased in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this fragment attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Embroidered picture of Charles I
Object type: embroidered picture
Date: 1650 – 1675
Materials: canvas, thread, wool
Techniques: embroidery
Subjects: men,portraits
Pen
Object type: pen
Date: 580 – 640
Culture: coptic
Location: egypt
Twee borden beschilderd met voorstellingen
Object type: album leaf
Date: 1880 – 1940
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: dish, plate, saucer
Inscriptions: number: ‘B. 2. 30’
Prise de la Porte rouge d'Anvers, le 27 Octobre 1830
Object type: print
Date: 1830 – 1831
Materials: paper
Techniques: lithograph
Location: antwerp
Subjects: street-fights, riots, antwerp
Inscriptions: collector's mark: Lugt 2228, : ‘Déposé’

Onder FMH 6516 beschrijft Muller een serie van acht platen over de gebeurtenissen te Antwerpen van 26-27 oktober 1830, gedrukt bij Ratinckx te Antwerpen. In het Supplement worden onder het nummer 6516A nog eens negen platen vermeld die waarschijnlijk tot dezelfde serie behoren. Daarnaast bezit het RPK nog twee platen die waarschijnlijk tot dezelfde reeks behoren. Hier worden deze negentien platen beschreven als deel uit makend van één en dezelfde serie.
Gold Necklace with Cross
Object type: necklace
Date: 501 – 600
Materials: gold
Culture: byzantine
Subjects: cross

This elegantly worked necklace was made by piercing the design into sheets of gold, a popular Byzantine technique called opus interrasile.
Spindle
Object type: spindle
Date: 1295 – 1070
Materials: limestone
Location: egypt
Zwaan op het nest (vogels, nesten)
Object type: photograph
Date: 1900 – 1930
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Subjects: water-birds: swan
Inscriptions: number: ‘612’, annotation: ‘Keanwort [?] Natur / 12 Bilder / Gruppe A. und B. / 8 Schwan am Nest’, number: ‘11-66’
Portret van Gustave Wappers
Object type: print
Date: 1847 – 1853
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: antwerp, paris, painter, print maker, draughtsman, gustave wappers, knighthood order, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een aantal ridderorden op zijn borst en om zijn hals.
Een Ruyter van Famas
Object type: drawing
Date: 1795 – 1795
Materials: paper
Techniques: writing
Location: amsterdam
Artist: s.g. casten
Artist role: draughtsman
Subjects: (military) uniforms (+ land forces), patriots (1780-1795)

Het uniform van een ruiter van Famas. Onderdeel van het tweede hoofdstuk over de nieuwe uniformen in de periode 1783-1787. In het schetsboek met gekleurde tekeningen van de uniformen van militairen en leden van de schutterij uit de periode 1770 tot 1795-1796.
Banner of Pope Alexander VIII (reigned 1689–91)
Object type: banner
Date: 1689 – 1691
Materials: gold, pigment, silk
Techniques: polychromy
Culture: italian
Location: italy
Christmas Eve  (Kerstnacht)
Object type: print
Date: 1894 – 1894
Techniques: lithograph
Artist: theodorus van hoytema
Artist role: artist
Artist nationality: dutch
Artist dates: 1863 – 1917
Subjects: birds,owls,peacocks,swans

Van Hoytema was the most significant Dutch designer and lithographer at the end of the nineteenth century. Still beloved in Holland today for his animal-themed work, these pieces were equally admired in his time. Part of the Art Nouveau movement in Holland, Van Hoytema's Christmas Eve and New Year were produced as a matched pair in an edition of 200. Christmas Eve depicts two owls in a snowy landscape with a flock of swans flying overhead. A border of slanted owls and another of holly leaves decorate the bottom of the image. New Year includes a host of birds, a white peacock gloriously opens its tail feathers observed by three geese; the two owls from the previous print make an appearance on the bottom as though they are flying away from the New Year. The connecting figures of a turkey, a large dark peacock, and a rooster create a large curve that enframes the white peacock. Both works show the influence of Japanese artwork on the compositions. Hoytema combines in these works the use of lithographic crayon to define lighter areas and lithographic ink to create the darks as well as the mosaic-like patterning on the turkey and owls in the New Year.
Het Raadsel Hangende in een schildery tot Nymegen op het stadhuys
Object type: drawing
Date: 1690 – 1710
Materials: paper
Techniques: writing
Location: northern netherlands
Artist: h.c. mêgert
Artist role: draughtsman
Subjects: family relationships (first, second, third and fourth degree), generations, nijmegen

Het Nijmeegse Raadsel of het Gecompliceerde Huwelijk, 1619. Schilderij hangende op het raadhuis van Nijmegen met een familieportret met ingewikkelde relaties afkomstig uit een huwelijk aldaar gesloten in 1619. Met vier verzen en het uitleg van de raadsel op het blad onder de voorstelling.
Viering van het vijftigjarig priesterschap van paus Leo XIII in Nederland
Object type: history medal
Date: 1887 – 1887
Materials: bronze
Techniques: striking
Location: utrecht
Subjects: rome, leo xiii, netherlands, italy
Inscriptions: date

Bronzen penning. Voorzijde: borstbeeld van de paus in profiel naar links + randschrift: LEO. XIII. P. M. SACERDOTII. ANNVM. L. EXPLENS. Keerzijde: De paus op een troon gezeten, tussen 2 knielende bisschoppen, beiden met een kerkgebouw in de hand. De paus en de bisschop rechts hebben een sleutel in de linkerhand; op de grond vooraan ligt een bisschopsstaf. Randschrift en opschrift: BENEDIC . PATER. OPT. SS. SERVATII. ET. WILLIBRORDI. PROGENIEM. op afsnede: NEERLANDIA. CATHOLICA. / ANNO. CHRISTI. ANO. / MDCCCLXXXVII. Gemerkt Gesigneerd.
Robert Hyde, Squire of Hyde
Object type: painting
Date: 1778 – 1778
Materials: canvas, oil
Location: united states
Artist: john singleton copley
Artist nationality: american
Artist dates: 1738 – 1815
Subjects: fashion, people, portraits
Inscriptions: signed, lower left: "J S Copley Pinx / 1778"
"La Marjolaine" - 1915
Object type: photograph
Date: 1915 – 1915
Materials: photographic support
Techniques: photography
Location: netherlands
Inscriptions: inscription: ‘"La Marjolaine" - 1915’

Foto op bruin albumblad 24 van familiealbum van Alphons Diepenbrock.
Internationale tentoonstelling van kunstnijverheid te Amsterdam 1877
Object type: history medal
Date: 1877 – 1877
Materials: brass
Techniques: striking
Location: the hague
Artist: salomon de vries
Artist role: graveur, medailleur
Artist dates: 1830 – 1899

Messing penning, op de voorzijde het portret van Koning Willem III naar rechts met omschrift, op de keerzijde het aanzicht van het Paleis van Volksvlijt met omschrift en afsnedetekst.
Gezicht op een groep onbekende personen aan een meer
Object type: photomechanical print
Date: 1890 – 1910
Materials: paper
Techniques: photograph
Location: colombo
Artist: henry william cave
Artist role: fotograaf
Artist dates: 1854 – 1913
Subjects: lake, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘Lac. Collége S. Joseph/ aux P.P. Abbots.’
Gezicht op de Spiegelstraat in Amsterdam
Object type: stereograph
Date: 1860 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: street
Inscriptions: inscription: ‘No. 188./ DE SPIEGELSTRAAT/ TE/ Amsterdam./ A. JAGER, WATER 110, TE AMSTERDAM.’, number: ‘25’
Portret van François Junius
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: engraving
Subjects: heidelberg, windsor, filoloog, oudheidkundige, franciscus junius (ii)
Inscriptions: collector's mark: Lugt 2228

Titelpagina uit Koning Alfred, 'An. Manl. Sever. Boethi Consolationis philosophiae libri V : Anglo-Saxonice redditi ab Alfredo, inclyto Anglo-Saxonum rege / ad apographum Junianum expressos edidit Christophorus Rawlinson', Christopher Rawlinson (ed.), Oxford, Sheldonian Theatre press,, 1698.
Arrowhead (<i>Yanone</i>)
Object type: arrowhead i yanone i
Date: 1701 – 1800
Materials: steel
Culture: japanese
Location: japan
Subjects: butterflies

Although today Japanese warriors are renowned most for their swordsmanship, archery, especially from horseback, has been an essential part of samurai warfare and culture for centuries. Arrows were fitted with heads of varying shape according to their intended use in war, the hunt, or target practice. Arrowheads made for use on the battlefield incorporated different designs intended for specialized purposes such as the piercing of armor or to cause maximum damage to horses and unarmored personnel. Large arrowheads, pierced and elaborately chiseled with landscapes, birds, flowers, dragons, and Buddhist divinities, were created to be admired for the beauty of their metalwork and design rather than for use in archery. Such highly elaborate examples may have been made for presentation or as a votive offerings to a shrine.
Gezicht op Edgeworthstown en interieur van de bibliotheek
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: engraving
Location: london
Subjects: rural housing, e.g. country-house, villa, cottage, study; 'studiolo'; library
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228

Twee illustraties op een pagina: boven een gezicht op het huis; onder het interieur van de bibliotheek. Tekst op recto en verso. Linksboven genummerd: 224.
Four Studies of Consoles and a Mask
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: pen
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: architecture,masks
Keizerrijk Oostenrijk, 20 kreuzer, Franz I, 1809
Object type: coin
Date: 1809 – 1809
Materials: silver
Techniques: striking
Location: vienna

Zilveren munt. Voorzijde: binnen twee samengebonden takken gelauwerd hoofd van de keizer naar rechts, waaronder letter A [=Wenen]. Keerzijde: gekroonde dubbelkoppige adelaar met op de koppen kleine kronen. Op zijn borst door ridderorde omhangen samengesteld wapenschild en in zijn poten een zwaard en een rijksappel. Daaronder binnen versiering waarde-aanduiding. Jaartal aan het eind van het omschrift. Kabelrand.
Ex libris Willibald Pirckheimer
Object type: bookplate
Date: 1500 – 1504
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: ex-libris, cupids: 'amores', 'amoretti', 'putti', armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 212, collector's mark: Lugt 2228

Twee wapenschilden, vastgehouden door twee engeltjes. Daarboven de spreuk 'Sibi et amicis p[ositus]'. Eronder de tekst 'Liber Bilibaldi Pirckheimer'. Het geheel in een omlijsting van guirlandes, hoornen des overvloeds en putti.
Fantastic animal
Object type: figure
Date: 1701 – 1800
Materials: jade
Culture: chinese
Subjects: animals

The form of this tapir-like animal and the abstract curvilinear patterns on its body can both be traced to vessels produced during China’s Bronze Age.
De overspelige vrouw
Object type: print
Date: 1661 – 1726
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: christ points to or writes on the ground, pharisees bring a woman accused of adultery before christ (john 8:2-11)
Inscriptions: collector's mark: Lugt 2228

De overspelige vrou, voor een temple. Op de achtergrond de Farizeeën die een overspelige vrouw naar Christus toebrengen in de tempel. Christus schrijft met zijn vinger op de grond. De prent heeft een Latijns onderschrift en maakt deel uit van een prentserie met beroemde vrouwen uit het Nieuwe Testament
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, two fragments with parts of tendrils; one fragment is sheared on the interior
Accessory set
Object type: accessory set
Date: 1700 – 1942
Materials: cotton
Culture: american
Oh, les jolis petits chiens
Object type: print
Date: 1777 – 1841
Materials: paper
Techniques: engraving, etching, roulette
Subjects: child, child playing with animals, dog
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Huwelijkspraktijken bij de Samniten
Object type: print
Date: 1765 – 1780
Materials: paper
Techniques: engraving, etching
Location: unknown
Artist: n. de boubers
Artist role: print maker
Subjects: the (difficult) choice ~ courting
Inscriptions: collector's mark: Lugt 2228

Illustratie voor het verhaal 'Les Mariages Samnites' uit J.F. Marmontel's verhalenbundel 'Contes moreaux'. Een keer per jaar kwamen bij de Samniten, een Italiaanse volksstam, alle jonge mannen en vrouwen bij elkaar op een groot plein. Hier werden vervolgens de huwelijkspartners uitgekozen. Twee jonge Samnitische soldaten omhelzen elkaar.
S. Andoche et S. Tyrse, martyrs (St. Andochius and Thyrsus, Martyrs), September 24th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Veue de la maison de St. Cloud
Object type: print
Date: 1671 – 1671
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 240

Dit object is omwille van een betere presentatie virtueel samengevoegd, maar bestaat fysiek uit losse onderdelen.
Dakkeh, Village et Rives du Nil
Object type: photograph
Date: 1851 – 1852
Techniques: paper negative, salted paper print
Artist: félix teynard
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1892
Subjects: rivers,landscapes
Design for a Stained Glass Window
Object type: collection ornament architecture
Date: 1608 – 1608
Materials: ink
Techniques: pen, wash
Artist: christoph murer
Artist role: artist
Artist nationality: swiss
Artist dates: 1558 – 1614
Subjects: animals,women,coat of arms
Kalenderbladen van juli, oktober en september, met korenschoven, zwanen en konijnen
Object type: calendar leaf
Date: 1901 – 1901
Materials: paper
Techniques: lithograph
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: plants and herbs: wheat, calendar, almanac, water-birds: swan, rodents: rabbit
Inscriptions: collector's mark: Lugt 2233
Judge (Qazi) of Hamadan in a Drunken State, a scene from the Gulistan of Sa'di
Object type: painting, miniature
Date: 1550 – 1550
Materials: gold, paper, watercolor
Location: bukhara
Design drawing for enameled covered jar
Object type: watercolor
Date: 1898 – 1900
Materials: graphite, paper, watercolor
Culture: american
Location: united states
Artist: stourbridge glass company
Artist role: maker
Artist nationality: american
Artist dates:  – 9999
Subjects: jars

This design drawing is from the Tiffany Studios and depicts a highly finished rendering of an enameled covered vase. The designer’s deft handling of the watercolor medium was particularly effective in the luminous colored washes in varying shades of purple, blue, green, and pink, and is admirably enhanced by the use of graphite hatching. Tiffany added enamel work to his oeuvre in about 1898, and the women who were executing the enamel work demonstrated sensitive handling of the medium, in their delicate shading and coloristic properties, admirably suggested in this drawing.
Design for Bookcover, Sir Roland Ashton, by Lady Long
Object type: drawing
Date: 1845 – 1870
Materials: ink, watercolor
Techniques: pen
Artist: alfred henry forrester [alfred crowquill]
Artist role: artist
Artist nationality: british
Artist dates: 1804 – 1872
Hoed met lage bol van zwart fluweel en brede rand van gevlochten stro
Object type: hat
Date: 1939 – 1939
Materials: chine, velvet
Techniques: braiding
Location: netherlands
Artist: Anonymous

Hoed met lage bol van zwart fluweel en brede rand van gevlochten stro waaruit uiteinden van stro steken, gevoerd met zwarte crêpe de Chine. De bol is geheel bekleed met zwart fluweel en afgezet met een smalle rand fluweel, dat middenachter eindigt in een grote strik. De rand is gevlochten van grof stro.
Netsuke of Rabbit Stirring Elixir
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: rabbits
Enteromorpha intestinalis ß
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Moderne gebouwen te Rome
Object type: album leaf
Date: 1669 – 1670
Materials: paper
Techniques: etching
Location: rome
Subjects: church (exterior), parts of church exterior and annexes: façade, rome

Deze titelprent maakt deel uit van een reeks van 38 prenten met voorstellingen van kerken in Rome. Samen met vier andere reeksen vormt het de grote reeks: 'Il nuovo teatro di Roma moderna'.
Gezicht op een brug over een rivier met een waterval
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: etching
Location: netherlands
Artist: daniël dupré
Artist role: draughtsman, print maker
Artist dates: 1751 – 1817
Subjects: waterfall
Inscriptions: collector's mark: Lugt 240
Plate 3: God Addressing Noah and his Sons, from Genesis Chapter 3, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia
Object type: print
Date: 1650 – 1677
Techniques: etching
Artist: pietro santi bartoli
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1700

This plate is bound with three series after Raphael's designs for the Vatican Stanze.
Grond teekening der Stad Doornik
Object type: area plan
Date: 1734 – 1744
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: fortified city, maps of cities

Plattegrond van de stad Doornik, ingenomen door de Fransen op 24 mei 1745. In de plaat de legenda's A-Z en 1-15. Met een uitvoerige beschrijving van de stad in drie kolommen op het blad onder de plaat in het Nederlands.
"Krishna Steals the Clothing of the Gopis (Female Cowherds)", Folio from the Devotional Text of the Bhagavata Purana
Object type: folio from an illustrated manuscript
Date: 1640 – 1640
Materials: gold, paper, watercolor
Culture: indian
Artist: the early master at the court of mandi
Artist role: artist
Artist nationality: indian
Artist dates: 1610 – 1685
Subjects: women,cows,trees,krishna,bathing

Krishna, the mischievous Divine Cowherd, has stolen the clothes of the bathing gopis, who shiver with cold but also with delight in their devotion to their lord. This splendid allegory of spiritual love is attributed to an esteemed unknown artist referred to as the Early Master at the Court of Mandi. His hand is recognizable in the verdant green background with a high horizon line populated with small figures, the trees with exposed trunks and branches, and the female figures with refined facial features.
Spotprent bij het lied: Billy Vite and Nelly Green
Object type: book illustration
Date: 1826 – 1826
Materials: paper
Techniques: engraving
Location: england
Subjects: sheep, dream, materialization, appearance of spirit or ghost, political caricatures and satires

De geest van een schaap verschijnt aan het bed van een doodsbange man die een vrouw had vergiftigd met gif in een schaapskop. Spotprent bij een blad met de tekst van het lied: Billy Vite and Nelly Green. Illustratie (p. 385/386) genomen uit een uitgave van de liederenbundel: Universal Songster, or Museum of Mirth, vol. II., eerst verschenen in 1826.
Leert uit Duimpjes aardig leven, ('t geen wij u in prent hier geven : ) / Zijt g'ondeugend, hoewel klein, dat uw eind' zal droevig zijn / Enfants si de Poucet, je vous donne l'image, c'est pour vous exciter à toujours rester sage; / Recherchez la vertu, c'est là le vrai moyen de vous faire chérir de tout homme de bien
Object type: print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: tales and fairy tales, tales and fairy tales: little thumbling
Inscriptions: collector's mark: Lugt 2760

Blad met 20 voorstellingen uit het verhaal van Klein Duimpje. Onder elke voorstelling een tweeregelig vers in het Nederlands en in het Frans. Genummerd midden boven: 71.