deem-data/ArtiFact huggingface dataset:
Fonteinen
Object type: ornament print
Date: 1770 – 1800
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: ornamental fountain, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ontwerp voor een fontein met drie uitlopers in de vorm van leeuwenkoppen. Drie putti met guirlandes, twee zeewezens en een fontein bekronen het geheel. Uitgeversnummer 392.
Beatrice
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
Banner
Object type: banner
Date: 1596 – 1596
Materials: metal thread, silk
Subjects: men,coat of arms,flags

Based on the embroidered inscription, this banner apparently belonged to a confraternity of shepherds who cared for the flocks of a Mercedarian monastery. Both religious and military orders had close associations with the Mesta (livestock organization) at this period.
Stulta arrogantia
Object type: album leaf
Date: 1582 – 1593
Materials: paper
Techniques: etching, letterpress printing
Location: antwerp
Subjects: 'command these stones to become loaves of bread' ~ temptation of christ in the wilderness, water course, forest, wood, 'all these will i give you' (= the glory of the world) ~ temptation of christ in the wilderness
Inscriptions: inscription: ‘Jesus Christ tenté par le Demion’

Boomrijk rivierlandschap met de Verzoeking van Christus. Op de voorgrond wijst de beproever op een aantal stenen op de grond en daagt Christus uit ze in broden te veranderen. Op de top van de berg belooft hij Christus alle koninkrijken van de wereld (Matt. 4:1-11). Met een motto in het Latijn boven de voorstelling en een vierregelig onderschrift in het Latijn onder de prent. De prent maakt deel uit van een album.
Sword Guard (<i>Tsuba</i>) Depicting Clams (蛤図鐔)
Object type: sword guard tsuba
Date: 1801 – 1900
Materials: copper, gold alloy, silver alloy, gold
Culture: japanese
Location: japan
Jongen verkoopt prentbriefkaarten
Object type: photograph
Date: 1904 – 1905
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: boy (child between toddler and youth), merchant, salesman
Inscriptions: inscription: ‘No. 3./ Karel begint prentbriefkaarten te verkoopen’
De ingang van de kazerne
Object type: photograph
Date: 1932 – 1933
Materials: photographic support
Techniques: gelatin silver print
Location: lampung
Artist: Anonymous
Subjects: gate, entrance, barracks, police

Onderdeel van Herinneringsalbum voor F.J. Junius, vertrekkend resident van Lampong (Zuid-Sumatra).
Tetradrachm (Coin) Portraying Emperor Tiberius
Object type: coin
Date: 14 – 37
Materials: alloy, metal, silver
Culture: roman or egyptian
Location: egypt
Inscriptions: Obverse: TIBERIOS KAISAR [SEBASTOS]
Reverse: [THEOS] SEBAS[TOS]

The front (obverse) of this coin portrayys the head of Emperor Tiberius, facing right, laureate. The back (reverse) portrays the radiate head of Augustus, also facing right.

In 4 CE, Tiberius was adopted by Emperor Augustus as his son. When Augustus died in 14, he was succeeded by Tiberius. Incluing imagery of the divine Augustus, the first emperor of the Roman Empire, helped Tiberius to advertise his inherited right to rule, as Augustus’s heir.
Zuil van de Onbevlekte Ontvangenis te Rome
Object type: photograph
Date: 1875 – 1900
Materials: photographic support
Techniques: albumen print
Location: italy
Artist: gustave eugène chauffourier
Artist role: fotograaf
Artist dates: 1845 – 1919
Subjects: square, place, circus, etc., column, pillar ~ architecture, sculpture
Inscriptions: collector's mark: Lugt 3937
Tripod
Object type: tripod
Date: 1050 – 950
Materials: terracotta
Culture: cypriot

Decorated with bands, wavy lines and lattice panels.
Saint Paul Preaching, an oval composition
Object type: print
Date: 1547 – 1547
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: men,saint paul
Brougham #4073
Object type: drawing
Date: 1890 – 1890
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Dish
Object type: dish
Date: 1728 – 1729
Materials: silver
Artist: philippe-jacques langlois
Artist role: maker
Artist dates: 1678 – 1772
Subjects: coat of arms
Portret van Constantijn Pavlovitsj van Rusland
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons, ruler, sovereign
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of back, and bent right arm of warrior holding a spear in his right hand; lower back, buttocks, and left thigh of warrior with a round shield on his left arm
Schetsen naar oude voorbeelden - textiel deel
Object type: book
Date: 1878 – 1885
Materials: paper
Techniques: woodcut
Location: tokyo
Inscriptions: label: ‘C.J. Mensing. Boekbinder Amsterdam’ Lugt 3937, collector's mark: ‘Rijksschool voor kunstnijverheidq’ Lugt 3937
Ingang van het Leprozen Huis Op het Muiderplein te Amsterdam gebouwd in 1609
Object type: print
Date: 1860 – 1875
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), leprosarium, gate, entrance, hospital
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: I. Stadsinrichtingen: Leprozen- of Lazarushuis, omgang van leprozen, regenten.
Lezende vrouw
Object type: sketchbook leaf
Date: 1881 – 1885
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: sitting figure, adult woman, reading

De vrouw zit in een stoel met een boek. Pagina 31 uit een schetsboek met 26 bladen.
Floraal motief
Object type: sketchbook leaf
Date: 1874 – 1945
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: flowers ~ ornament

Blad 32 verso uit een schetsboek met 41 bladen.
Reliquary
Object type: reliquary
Date: 101 – 300
Materials: stone
Culture: gandhara
Subjects: gandhara
Onderrok met streepmotief
Object type: underskirt
Date: 1750 – 1800
Materials: cotton
Location: netherlands
Artist: Anonymous
Idealisten II en verdere Kanttekeningen
Object type: print
Date: 1923 – 1923
Materials: paper
Techniques: lithograph
Artist: erich wichmann
Artist role: print maker
Artist dates: 1890 – 1929
Subjects: caricatures (human types)
Inscriptions: collector's mark: Lugt 2228

Onderaan de tekst: 'nòg een geheelonthouder (er zijn er zooveel)'.
Portret van Cornelis Sweerts op 32-jarige leeftijd
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maarssen, cornelis sweerts, historical persons, writer, poet, author

Met vierregelig onderschrift in het Nederlands.
Vase from a five-piece altar set
Object type: vase
Date: 1751 – 1800
Materials: enamel
Techniques: enamel
Culture: chinese

Cloisonné is the technique of creating designs on metal vessels with colored glass paste placed within enclosures made of copper or bronze wires, which have been bent or hammered into the desired patterns. Known as cloisons (French for "partitions"), the enclosures are generally either glued or soldered onto the metal body. The glass paste, or enamel—which gets its color from metallic oxides—is painted into the contained areas of the design. The vessel is usually fired at a relatively low temperature, about 800 degrees Celsius. Enamels tend to shrink during firing, and the process is repeated several times to fill in the design. Once this process is completed, the surface of the vessel is rubbed until the edges of the cloisons are visible.
Les Musards de la Rue du Coq à Paris (Dawdlers of the Rue Coq, Paris)
Object type: print
Date: 1810 – 1810
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,crowd

A crowd has gathered outside "Martinet Librairie," a popular printshop at no. 124 rue du Coq-Saint-Honoré in Paris, trying to view both the images in the window and one another. Attributed to Rowlandson, the etching is based on a pen lithograph by the French artist Bergeret that Aaron Martinet published in 1805 (see 1984.1026.1). The underlying humor contrasts English tourists with more sophisticated Parisians, and would have appealed to Rowlandson, who visited France often and been raised by an aunt of Hugenot descent. The English origins of this print are affirmed by the insertion of the name of Thomas Tegg, a London publisher, on a poster at upper left.
A Court Lady under a Willow Tree
Object type: surimono
Date: 1790 – 1800
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: trees, standing figure - aa - female human figure
Inscriptions: collector's mark, verso, stamped: Lugt 2973

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Vrijheid, Broederschap en Gelijkheid, decoratie op de Hogesluis, 1795
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching, hand coloring
Location: netherlands
Artist: noach van der meer (ii)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1822
Subjects: festivities on events of national importance (+ festive decoration ~ festive activities), amsterdam, alliance with france (1795)
Inscriptions: collector's mark: Lugt 2228

Drie zuilen voor Vrijheid, Broederschap en Gelijkheid, allegorische decoratie opgericht op de Hogesluis aan de Amstel te Amsterdam. Uit het boekje met afbeeldingen van de versieringen opgericht in de stad bij de viering van de installatie van de representanten en de alliantie gesloten tussen de Franse en de Bataafse Republiek, 19 juni 1795.
Knife with carved handle in the form of Apollo
Object type: knife
Date: 1767 – 1800
Materials: ivory, steel
Subjects: apollo,diana
Voorsteven van een schuit
Object type: sketchbook leaf
Date: 1892 – 1923
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: ships (in general)

Voorsteven van een schuit. Pagina 85 uit een schetsboek met 45 bladen vervaardigd te Schwerin en Amsterdam.
Johanna Geertruida, Johannes Diderik en Anne Madeleine van der Waals spelen met theeservies
Object type: photograph
Date: 1906 – 1915
Materials: photographic support
Techniques: collodion silver print
Location: wapenveld
Artist: johannes diderik van der waals (1873-1971)
Artist dates: 1873 – 1971
Subjects: toy tea-set, historical persons
Inscriptions: annotation: ‘Hansje, Jan, Anke/ Wapenvelde’
Doos behorend bij een bronzen penning
Object type: covering
Date: 1888 – 1888
Materials: cardboard, velvet
Location: netherlands
Subjects: utrecht, netherlands
Inscriptions: date
Pasture in Normandy
Object type: painting
Date: 1852 – 1852
Materials: oil, paint, panel, wood
Techniques: painting
Location: france
Artist: constant troyon
Artist role: artist
Artist nationality: french
Artist dates: 1810 – 1865
Subjects: animals, trees, sky, sheep, pastures, nature, landscapes, landscape, figures, farm, cows, clouds
The Parable of the Sower and the Weeds, from Das Plenarium
Object type: print
Date: 1517 – 1517
Techniques: hand coloring, woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: men,jesus,saints
Zelfportret met Frederik Hendrik Weissenbruch
Object type: print
Date: 1837 – 1880
Materials: paper
Techniques: etching
Location: the hague
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Subjects: painter, print maker, jan weissenbruch, draughtsman, frederik hendrik weissenbruch, plants; vegetation, adult man, portrait, self-portrait of artist, dog
Inscriptions: collector's mark: Lugt 2228

De kunstenaar Frederik Hendrik Weissenbruch (l) en zijn broer Jan Weissenbruch (r) staan bij een muur. Ze houden allebei een stok en een hoge hoed vast. Voor hen ligt een hond te slapen.
Two Putti Seated in Clouds in Circles with Tendrils
Object type: print
Date: 1517 – 1517
Techniques: engraving
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: putti
Groepsfoto voor de woning in Fort Zeelandia
Object type: photograph
Date: 1896 – 1896
Materials: photographic support
Techniques: collodion silver print
Location: suriname
Artist: théodore van lelyveld
Artist role: painter
Artist dates: 1867 – 1954
Subjects: nijmegen, painter, théodore van lelyveld, garrison
Inscriptions: inscription: ‘A.S. de Jongh. 1e Luit. Adj. / Toddy / Mej. L. Charlouis / J.A. Herman. 2e Luit.t. / Mej. Z. Charlouis.’

Groepsfoto van het echtpaar Lelyveld met vrienden op de trappen van hun huis in Fort Zeelandia te Paramaribo, tussen maart 1896 en mei 1898. In het midden Théodore met de hond Toddy, daarachter Dolly. Links de twee militairen J.A. Herman en A.S. de Jongh. Rechts de twee mejuffrouwen Z. en L. Charlouis. Fotoafdruk in een fotoalbum van Théodore van Lelyveld over Suriname uit 1895-1898.
Fragmentary Leaf from an Ashtasahasrika Prajnaparamita Sutra
Object type: folio fragment
Date: 1101 – 1200
Materials: gold, ink, lapis lazuli, paper, pigment
Culture: kashmiri or western tibetan
Artist: unidentified
Artist role: artist

This painting depicts the personification of the wisdom text Prajnaparamita. She is represented in six-armed form, the central hands are held over the heart in a variation of the dharmacakramudra, whilst her upper hands display the sacred book (pustaka) and the thunderbolt scepter (vajra), whilst her lower hands hold a rosary (mala) and gesture boon granting. She wears golden jewelry on her body and a tripartite diadem adorns herhead, which is framed by a red halo. A girdle, seemingly of strings of pearls, secures her waistcloth, beautifully decorated with large red rosettes in blue hexagonal frames. Slender ribbons fly through the air, one supporting a blue lotus bloom and stem. She is seated in a mediation posture, enthroned on a golden lotus and she is encircled in a rainbow colored nimbus. Particularly noteworthy is the tonal modelling of the bodily forms, heightened with finely controlled orange-red lines. The swelling breasts and constricted waist are hallmarks of the Kashmir style.
Fotoreproductie van het schilderij Après la victoire
Object type: reproduction
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Subjects: march into the conquered place
Vue du Mont Rose et du Cervin prise du sommet du Mont Blanc
Object type: photomechanical print
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Location: mont blanc
Artist: j. vallot
Artist role: fotograaf
Subjects: mountains
The third Oriental head
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: signature and date: ‘Rembrandt geretuck 1635’, collector's mark: Lugt 2228, inscription: ‘This is the only original I have ever seen TP (?)’ Lugt 2451 a
Military bicorne
Object type: military bicorne
Date: 1875 – 1880
Materials: fur, metal, silk
Culture: american
Artist: bent & bush
Artist role: designer
The Bridge of the Gal (Gard)
Object type: print ornament architecture
Date: 1545 – 1545
Techniques: etching
Artist: jacques androuet du cerceau
Artist role: artist
Artist nationality: french
Artist dates: 1510 – 1585
The Madame B Album
Object type: photograph
Date: 1870 – 1870
Materials: ink
Techniques: albumen print, drawing
Location: france
Artist: marie-blanche hennelle fournier
Artist nationality: french
Artist dates: 1831 – 1906
God the Father Appearing to Jacob
Object type: drawing
Date: 1635 – 1645
Materials: ink, oil, paper
Techniques: brush
Artist: giovanni benedetto castiglione (il grechetto)
Artist role: artist
Artist nationality: italian
Artist dates: 1609 – 1664
Subjects: men,women,god the father

Castiglione is one the most innovative and technically brilliant draftsman of his time, a claim that is amply demonstrated through this drawing. He often made large compositions by working spontaneously on the paper, mixing different media to create an almost rough appearance that greatly enlivens the scene. Here, supported by angels and surrounded by putti, God appears to Jacob, who kneels on the ground accompanied by his two wives, Leah and Rachel, and two infants. Within this expansive landscape, the artist included a classical temple at right and fragments of architectural elements on the ground at left. They have nothing to do with the narrative scene but help balance the composition visually.
Plaque in the Form of an Upright Figure (Study Collection)
Object type: plaque
Date: 101 – 300
Materials: terracotta
Culture: pakistani
Subjects: gandhara
Putto Firing at Putto on Horseback
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: transfer
Location: france
Artist: follower of charles le brun
Portret van een jong meisje
Object type: photograph
Date: 1895 – 1920
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Artist: Anonymous
Subjects: historical persons - bb - woman, toddler (female)
Herfst
Object type: print
Date: 1575 – 1595
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: autumn ~ human activities (the four seasons of the year), autumn, fall, 'autumnus'; 'autunno' (ripa)
Inscriptions: collector's mark: Lugt 240

Centraal het slachten van varkens en het roken en pekelen van het vlees. Op de achtergrond de druivenpluk en het maken en tonnen van wijn. Mannen, vrouwen en kinderen plukken druiven en persen ze. Daarna wordt de wijn in tonnen gegoten en weggebracht. De prent heeft een Latijns onderschrift en maakt deel uit van een serie met als onderwerp de vier seizoenen.
Boogbrug, mogelijk de Sint Servaasbrug over de Maas in Maastricht
Object type: print
Date: 1917 – 1917
Materials: paper
Techniques: lithograph
Artist: henri jonas
Artist role: draughtsman, print maker
Artist dates: 1878 – 1944
Subjects: bridge
Inscriptions: collector's mark: Lugt 2228
Overlijden van Maria II van Engeland
Object type: copy
Date: 1695 – 1695
Materials: silver
Techniques: striking
Location: amsterdam
Subjects: london, maria ii stuart (koningin van engeland, schotland en ierland)
Sculptuur van een slapend kind met hond van Theo Simons
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: child, sleeping on the ground, dog
Landschap met kegelaars bij een woning
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: etching
Subjects: ninepins, skittles
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
[Man Holding Umbrella]
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Mishandeling van huisdieren
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: engraving, etching
Subjects: torture, domestic animals, kept in and outside the house, cruelty, ferocity; 'crudeltà', 'ferocità' (ripa)

Deze serie weergeeft vier stadia van wreedheid: bewuste, onbewuste en geplande wreedheid en sadisme. Hogarth verwijst naar de fictieve Tom Nero en zijn wrede gedachtegoed door in alle prenten impliciet of expliciet naar hem te verwijzen.
Twee putti die een bol dragen
Object type: ornament print
Date: 1512 – 1610
Materials: paper
Techniques: engraving
Location: germany
Subjects: ornaments ~ art, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240, number: ‘11’

Spiegelbeeldige kopie naar een prent van Aldegrever. Botke, K.
Pair of bénitiers
Object type: bénitier
Date: 1701 – 1800
Materials: earthenware
Techniques: luster painting, glazing
Subjects: madonna and child

Tin-glazed earthenware, of which lusterware is one type, was developed in the Middle East in the ninth and tenth centuries to imitate the porcelains produced in China. The opaque white glaze concealed the clay body, which could range from pale buff to brick red, allowing for brilliant effects created by painting the white surface with metal oxides that fired to a range of colors. This technique, as well as the use of metallic luster—an iridescent, coppery painted glaze—spread throughout the Muslim world, arriving among the potters of Valencia in the thirteenth century. The so-called Hispano-Moresque lusterware, with its fusion of Islamic and Gothic styles and motifs, often in shaped imitating those of metal vessels, was treasured by the elite in Spain during the fifteenth century and exported to the courts of Europe. The Valencian industry declined in the late sixteenth century, as colorful Italian Renaissance maiolica gained in popularity among the fashionable and as Spanish centers were founded to produce versions of its pictorial forms. Adding to this decline was the expulsion from Valencia in 1609 of all the remaining Moriscos (Muslims converted to Christianity), though Christian potters reestablished the industry shortly thereafter.
Manuscript Leaf with Initial V, from an Antiphonary
Object type: antiphonary
Date: 1426 – 1450
Materials: ink, metal leaf, parchment, paint
Culture: german
Location: germany
Subjects: birds,music
Mosquito Net, from the series Model Young Women in Mist (Kasumi-ori musume hinagata) (Kaya)
Object type: print
Date: 1794 – 1795
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806