deem-data/ArtiFact huggingface dataset:
Piece
Object type: piece
Date: 1701 – 1800
Materials: cotton
Subjects: flowers,leaves
Ax Blade
Object type: ax
Date: 1500 – 1000
Materials: copper
Culture: indian
Herring dish
Object type: haringschaal
Date: 1760 – 1790
Materials: earthenware, glaze
Location: delft
Artist: justus brouwer
Artist role: print maker
Artist dates: 1646 – 
Subjects: bony fishes: herring
Inscriptions: mark: ‘figuratief teken bijltje’

Haringschaal van faience. Blauw beschilderd met een haring.
Bowl with horsemen in medallions
Object type: bowl
Date: 1175 – 1224
Materials: earthenware, glaze, gold, paint, quartz
Techniques: firing, turning, vitrification
Location: kashan
Artist: Anonymous

Kom van kwarts-fritgoed met een polychrome decoratie. Op de bodem een ruiter in een medaillon. De binnenwand met vier ovale cartouches met ruiters, verbonden door een druppelvormig medaillon.
Funerary Cone of Overseer Userhat
Object type: cone, circular impression, userhat, overseer, cattle of amun
Date: 1550 – 1352
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Saucer (part of a service)
Object type: saucer
Date: 1760 – 1765
Materials: hard paste porcelain
Artist: nymphenburg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Subjects: houses,men,trees
[Peel Ross Fishing]
Object type: photograph
Date: 1856 – 1859
Techniques: albumen silver print
Artist: horatio ross
Artist role: artist
Artist nationality: british, born scotland
Artist dates: 1801 – 1886
Subjects: men,fishing

Far better known in his day as an athlete and a sportsman than as a photographer, Ross excelled in deerstalking and was judged the finest shot in Scotland. Keen on the challenge of pitting his knowledge, stamina, and experience against the deer's superior senses of smell, sight, and hearing, Ross brought to his sport an intimate knowledge of the terrain, a practiced ability to judge distance, and an exceptional attentiveness in observation–just the qualities needed when he took to the Highland countryside with a camera in place of his rifle.
Moord op Tiberius Gracchus
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: male persons from classical history (gracchus tib. s.) - suffering, misfortune of person from classical history
Inscriptions: collector's mark: Lugt 2228

Tijdens een bijeenkomst op het Capitool wordt Tiberius Sempronius Gracchus III, op bevel van zijn neef Scipio Nasica, door mannen met stokken doodgeslagen.
Ships in a Turbulent Sea
Object type: painting
Date: 1826 – 1826
Materials: canvas, oil
Artist: johannes christiaan schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1838
Subjects: sailing-ship, sailing-boat, sea (seascape), storm at sea
Inscriptions: signature: ‘J.C. Schotel F.’

Schepen op een onstuimige zee. Links een oorlogsschip, op de voorgrond een Blankenbergse schuit.
Beker van Jozef ontdekt in Benjamins graanzak
Object type: print
Date: 1501 – 1580
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: the cup is found in benjamin's sack
Inscriptions: collector's mark: ‘Hinloopen’, collector's mark: Lugt 10, collector's mark: Lugt 11

De beker van Jozef wordt ontdekt in de graanzak van Benjamin. Links staan drie muilezels, waarvan er een bepakt wordt met graan. Rechts de broers van Jozef.
Venus and Cupid
Object type: drawing
Date: 1527 – 1585
Materials: ink
Techniques: pen
Artist: luca cambiaso
Artist role: artist
Artist nationality: italian
Artist dates: 1527 – 1585
Subjects: cupid,venus
Diverses figures a la mode propre et utile pour apprandre a la ieunesse a dessiner
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: etching
Location: paris
Subjects: woman dancing alone, upper ten

Deze prent maakt deel uit van een album.
Gorge d'Astos, prise en revenant du lac d'Oo, Luchon
Object type: photograph
Date: 1853 – 1853
Techniques: paper negative, salted paper print
Artist: joseph vigier
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1862
Subjects: mountains,landscapes

In the summer of 1853, Viscount Vigier spent two months photographing in the Pyrenees. He had learned the waxed paper process from Gustave Le Gray but preferred Talbot's original technique for its strong contrasts of light and dark. When Vigier exhibited his views in London and Paris in l854, they were highly acclaimed. These first photographs of the Pyrenees appealed to the English taste for the sublime and to the French romantic temperament.
Fragment
Object type: fragment
Date: 1701 – 1900
Techniques: lace
Watch
Object type: watch
Date: 1700 – 1700
Materials: enamel, silver
Artist: john may
Artist role: maker
Artist nationality: british
Artist dates: 1650 – 1715
Subjects: men,women
Zeegezicht met golfbreker
Object type: print
Date: 1851 – 1902
Materials: paper
Techniques: drypoint
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: sea (seascape), coastal protection work, breakwater
Inscriptions: collector's mark: Lugt 2228, number: ‘433’

Mogelijk vermeld in: Storm van 's-Gravesande, Charles. Catalogue des eaux-fortes et lithographies. New York: s.n., 1903, of in een onbekende latere uitgave van het manuscript. Vermoedelijk vermeld als catalogusnummer 433.
Christus aan het volk getoond (Ecce Homo)
Object type: book illustration
Date: 1648 – 1648
Materials: paper
Techniques: woodcut
Location: amsterdam
Subjects: pilate washing his hands (in innocence), pilate showing christ to the people, 'ostentatio christi', 'ecce homo' (john 19:4-6)
Inscriptions: collector's mark: Lugt 240

Prent uit: Sichem, Christoffel van (II). 'tSchat der zielen, dat is: Het geheele leven ons Heeren Iesu Christi. Amsterdam: Pieter Jacobsz. Paets, 1648.
Prent uit: Biblia sacra dat is De geheele Heylighe Schrifture bedeylt in 't Out en Nieu Testament. Amsterdam: Pieter Jacobsz. Paets, 1657.
Terror or Fright
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: george woodward
Artist nationality: english
Artist dates: 1760 – 1809
Vaderlandsche Chocolaad
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacobus wijsman
Artist role: print maker
Artist dates: 1768 – 1827
Subjects: gouda, historical persons

Prent waarschijnlijk uit: Nomsz, Johannes. Vaderlandsche chocolaad. Amsterdam: Dirk Meland Langeveld, 1796. Jacobus Wijsman heeft sommige platen van de serie patriottenportretten van Abraham Jacobsz. Hulk aangepast en hergebruikt in zijn eigen serie patriottenportretten. Prent is mogelijk in een eerdere staat gebruikt in een serie patriottenportretten die in drie afleveringen werd uitgegeven onder de titel: Verzameling van Afbeeldingen van Nederlandsche Mannen, beroemd geworden, wegens hunne Moed en Burgerliefde in de jongstledene Beroerten, 1794-1795. Zie Atlas van Stolk en Van Someren.
Gentils souvenirs
Object type: print
Date: 1841 – 1848
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: print, e.g.: engraving, etching, lithograph, monk(s), friar(s)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779, collector's mark: Lugt 4780

Rond een tafel zitten twee vrouwen, twee kinderen en een monnik. De kinderen bekijken religieuze prenten.
Cap Crown
Object type: costume and accessory
Date: 1725 – 1745
Materials: lace, linen
Techniques: lace
Location: brussels
De Spaarnwouder Poort te Haarlem
Object type: drawing
Date: 1733 – 1784
Materials: ink, paper
Techniques: brush, pen
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: city-gate, haarlem
Inscriptions: inscription: ‘de Sparewouder Poort te Haarlem’
Alfabeto Di Lettere Iniziale
Date: 1760 – 1760
Techniques: engraving
Artist: mauro poggi
Artist role: designer
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: birds,children
Model Sailboat
Object type: boat, funerary, meketre
Date: 1981 – 1975
Materials: linen, paint, plaster, wood
Location: egypt
Subjects: men,boats,meketre-models
Verschillende schepen serie C
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: etching
Location: rotterdam
Artist: gerrit groenewegen
Artist role: draughtsman, print maker
Artist dates: 1754 – 1826
Subjects: ships (in general)
Inscriptions: collector's mark: Lugt 2228

Een driemaster met een sloep achter zich aantrekkend, schuin van achteren gezien. Op het schip zijn figuren te zien. Deze prent maakt deel uit van een serie van twaalf prenten met verschillende zeilschepen.
Nederlands Indië,1/4 stuiver,1836
Object type: coin
Date: 1836 – 1836
Materials: copper
Techniques: striking
Location: utrecht
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Koperen munt. Voorzijde: tussen waarde-aanduiding 1/4 St. gekroond rijkswapenschild. Keerzijde: tweeregelig opschrift, waarboven muntteken en waaronder jaartal. Daaronder muntmeesterteken S [=Suermondt]. Gladde rand.
Music Box
Object type: music box
Date: 1810 – 1810
Culture: swiss
Location: switzerland

Rectangular gold music box in the form of a toothpick box.
Scherf van gelig bakkend aardewerk, voorzien van wit glazuur, aan de voorzijde voorzien van een sierrand in blauw
Object type: fragment
Date: 1600 – 1650
Materials: earthenware, glaze
Techniques: maiolica
Location: northern netherlands
Artist: Anonymous
Chief Blanket (Third Phase)
Object type: costume and accessory
Date: 1860 – 1865
Materials: wool
Techniques: interlocking, tapestry, weave
Culture: navajo, diné
Location: navajo

Navajo (Diné) blankets made using fine churro wool and natural dyes are valued as works of special artistic and cultural significance. The design of this blanket, which features a steeped diamond in the center, quarter-diamonds ar each corner, and half-diamonds in the center of each side, was first introduced during the 1860s. The stripes of white, black-brown, and red reflect the continued use of pattern elements typical of earlier blankets. Although such textiles are known as "chiefs' blankets," prominent men from tribes as far away as the Northern Plains, Southwest, and Great Basin wore them draped over their shoulders as a sign of their wealth and status.

The Navajo believe that the deity Spider woman taught women how to weave and continues to work through today's artists by directing the growth and beauty of each textile they make. Finished blankets are thought to have life forces of their own, radiating a sense of vitality and harmony—essential to the Navajo philosophy of hozho in which every individual strives to live in balance with the world.
Brief aan Frans Buffa en Zonen
Object type: letter
Date: 1849 – 1905
Materials: ink, paper
Techniques: pen, writing
Artist: ferdinand carl sierich
Artist role: draughtsman, painter
Artist dates: 1839 – 1905
Subjects: publisher, criticizing and discussing art, art criticism, amsterdam
Inscriptions: collector's mark: Lugt 2233
Frederica Louisa Wilhelmina koningin der Nederlanden enz. enz. enz.
Object type: print
Date: 1795 – 1821
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Artist: nicolaas sonnenberg
Artist role: draughtsman
Artist dates: 1772 – 1822
Subjects: berlin, the hague, wilhelmina frederica louisa (koningin der nederlanden), equestrian state-portrait
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent naar tekening van Nicolaas Sonnenberg.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of a horizontal circumscribed palmette with tendrils
Béotisme Parisien, No. 16, ca. 1835-1837 : Répondes donc Monsieur (...)
Object type: print
Date: 1835 – 1837
Materials: paper
Techniques: hand coloring, lithograph
Artist: Anonymous
Subjects: dinner-service (+ serving, servants at table, meal), crying, shouting (+ young male (human being)), clothes, costume (+ women's clothes), clothes, costume (+ men's clothes)
Inscriptions: title: ‘Béotisme Parisien.’, caption: ‘Répondes donc Monsieur, qu'est-ce qui a fait le ciel et la terre?...... allons donc!_Papa, ce n'est pas moi... je ne le ferai, plus u-u-u-u!’

Gezelschap aan gedekte tafel. Een man kijkt boos naar een huilende jongen. Met tweeregelig Frans onderschift. De prent maakt deel uit van een satirische serie getiteld 'Béotisme Parisien', uitgegeven door Aubert.
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, one fragment has the top of a head and part of a bent arm of a male to left; the other fragment has part of the meander pattern; Exterior, lower body of draped male sitting on a block seat to right; lower drapery, frontal calf and right foot of male; the second fragment has the lower body of a draped male sitting on a block seat to left; part of a knobby stick; start of handle root; below, a tendril
Fragments of velvet
Object type: fragment
Date: 1267 – 1400
Materials: metal thread, silk

Imported Middle Eastern textiles were highly valued luxury goods during this period, and this velvet pattern was originally the product of the Persian workshops of Tabriz. The number of surviving pieces in European and American collections suggests that this attractive pattern was produced in relatively large quantities; it may have been imitated by Italian velvet weavers and produced for a long period of time.
Damascus
Object type: photograph
Date: 1857 – 1857
Techniques: albumen silver print, glass negative
Artist: francis frith
Artist role: publisher
Artist nationality: english
Artist dates: 1822 – 1898
Subjects: cities,mountains
Dish with cover and liner
Object type: dish with cover and liner
Date: 1775 – 1776
Materials: silver
Artist: jacques-nicolas roettiers
Artist role: maker
Artist dates: 1736 – 1788
Militairen bij de begrafenis van drie gevallen militairen
Object type: photograph
Date: 1941 – 1945
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: funerary ceremonial, the soldier; the soldier's life, cemetery, park-like burying ground
Inscriptions: annotation: ‘Noch: Beisetung der Gefallenen/ von Begleitschiff "Alders"’
Brief aan Jan Veth
Object type: letter
Date: 1925 – 1925
Materials: ink, paper
Techniques: pen, printing, writing
Location: utrecht
Artist: cornelis winkler
Artist role: hoogleraar
Artist dates: 1855 – 1941
Subjects: dordrecht, painter, jan veth, passions, emotions, affections, family life, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’
Riverside with Three Bathing Boys
Object type: drawing
Date: 1801 – 1900
Materials: paint, watercolor
Location: germany
Artist: christian friedrich gille
Artist role: artist
Artist nationality: german
Artist dates: 1805 – 1899
Subjects: boys,male nudes,rivers,bathing
Vue de l'Edifice de l'Observatoire et du College des Jesuits
Object type: opticaprent
Date: 1700 – 1799
Materials: cardboard, paint, paper, watercolor
Techniques: brush, cutting, etching, perforating
Location: france
Subjects: meteorological observatory, regular clerics, e.g. jesuits, redemptorists, rome
Portret van Matthäus Friedrich Degmair
Object type: print
Date: 1718 – 1781
Materials: paper
Techniques: mezzotint
Location: augsburg
Artist: gabriel bodenehr (ii)
Artist role: print maker
Artist dates: 1705 – 1792
Subjects: historical persons, deacon (roman catholic)
Inscriptions: collector's mark: Lugt 2228
Portret van Albert Neuhuys
Object type: photograph
Date: 1880 – 1914
Materials: cardboard, paper, photographic support
Techniques: matte daylight collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: utrecht, painter, print maker, draughtsman, albert neuhuys (1844-1914)
Dog Cart (Phaeton) #470
Object type: drawing
Date: 1850 – 1870
Materials: ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1925
Materials: ink, paper
Techniques: pen, writing
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: amsterdam, painter, print maker, draughtsman, designer, jan veth, italy
Inscriptions: collector's mark: ‘RPK’
Imker
Object type: print
Date: 1669 – 1711
Materials: paper
Techniques: etching
Artist: gerbrand van den eeckhout
Artist role: draughtsman, print maker
Artist dates: 1621 – 1674
Subjects: bee-hive, bee-keeper
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Prent gebruikt in verschillende edities van: Het vermakelijck Landt-Leven. Prent mogelijk uit: Nyland, P. Den Erbaren Huys-houder; Zijnde het II. Deel van het Vermakelyck landt-leven (...) Naerstigen Byen-houder. Amsterdam: Marcus Doornick, 1669. Of uit latere publicaties (1670, 1683, 1686, 1711).
Maria met Kind en Jozef op de achtergrond
Object type: print
Date: 1585 – 1642
Materials: paper
Techniques: printmaking, etching
Location: italy
Artist: guido reni
Artist role: draughtsman, painter, print maker
Artist dates: 1575 – 1642
Subjects: madonna: i.e. mary with the christ-child, holy family, and derived representations
Inscriptions: collector's mark: Lugt 240

Maria zit met het Christuskind op schoot. Op de achtergrond loopt Jozef. Twee regels vers in het Latijn in ondermarge (spiegelbeeldig).
Portret van Ali Pasja
Object type: print
Date: 1822 – 1863
Materials: paper
Techniques: engraving
Location: karlsruhe
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Hellebaard, gegraveerd, de stok met blauwe stof omwonden
Object type: halberd
Date: 1540 – 1550
Materials: iron, textile
Artist: Anonymous

Hellebaard, gegraveerd, de stok met blauwe stof omwonden. Gegraveerde vier lippen. Getekende merken. De stok afgebroken, twee punten ontbreken.
Gold sanguisuga-type fibulae (safety pins) with glass paste bows
Object type: fibula, sanguisuga type
Date: 734 – 668
Materials: glass, gold
Culture: etruscan

Glass was a rare and expensive commodity in archaic Italy. A number of fibulae with bows made of glass paste have been excavated at Etruscan sites from Bologna to Veii but all of these have bronze pins and catch plates. Our examples, the only ones known to employ gold, must have significantly enhanced their owner's status.
Noorwegen, Trefoldished's Kirke
Object type: photograph
Date: 1860 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: christiania
Artist: Anonymous
Subjects: the cross ~ symbols of christ, parts of church interior: nave, pulpit, ambo, chancel, parts of church interior: choir

Onderdeel van Engels familiealbum met foto's van personen, reizen, cricket en kunstwerken.
The Beds of Death, plate 62 from The Disasters of War
Object type: print
Materials: gilt, paper
Techniques: engraving, burnishing, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: war

Despair and helplessness are symbolized by the central figure in this image, who mourns the dead and shrouded victims littering the enclosure.
Lime Spatula with Animal Head
Object type: spatula
Date: 500 – 300
Materials: bronze
Culture: indonesian
Subjects: animals
Portret van Johannes Rebhan
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: engraving
Artist: johann adam seupel
Artist role: painter, print maker
Artist dates: 1662 – 1717
Subjects: johannes rebhan, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233
Bayard, Devant sa Maison
Object type: photograph
Materials: paper
Techniques: gelatin silver print, photography
Location: france
Artist: hippolyte bayard
Artist role: artist
Artist nationality: french
Artist dates: 1801 – 1887
Subjects: collected by hugh edwards
Studieblad met mannen met werktuigen in de natuur
Object type: sketchbook leaf
Materials: paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: tools, aids, implements ~ crafts and industries, sleeping; unconsciousness - bb - out of doors, container of textile material: bag, sack

Onder andere studies van een maaiende boer en mannen met een schop en een bos sprokkelhout. Tevens studies van een man die een kruik vult aan een waterkant en van een slapende vrouw in de open lucht. Blad 44 recto uit een schetsboek met 77 bladen.
Miniature moon flask with fretwork center
Object type: miniature moon flask
Date: 1880 – 1880
Materials: bone china
Artist: worcester factory
Artist role: maker
Artist nationality: british
Artist dates: 1751 – 2008

After the end of the Flight, Barr & Barr ownership of the Worcester factory in 1840, the firm went through a succession of owners and mergers before falling under the ownership of Kerr & Binns in 1852. During the partnership, the factory sought to rebuild its former eighteenth-century reputation in porcelain and known for Renaissance-inspired designs. With the establishment of the Royal Worcester Porcelain Company in 1862, the company gradually gained recognition for its Japanese-inspired designs, which formed part of Japonisme, a collective fascination with Japan that took place in Europe and the United States following the opening of Japanese markets to the West by Commodore Perry in 1853.
Deksel van vaas van faience
Object type: kaststel
Date: 1740 – 1780
Materials: faience
Location: delft
Inscriptions: mark: ‘LPK’

Deksel van vaas van faience. Blauw beschilderd met bloemendecoraties. De vaas is onderdeel van een kaststel.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of a round shield with a snake as a shield device; lock of hair from warrior holding shield?