deem-data/ArtiFact huggingface dataset:
Album di disegni fotogenici
Object type: album
Date: 1839 – 1840
Materials: photographic print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877

One of the most treasured objects in the Department of Photographs, Album di Disegni Fotogenici is among the rarest of photographic incunabula, containing the first photographic images seen in Italy, a trove of early pictures sent by Talbot to a fellow botanist, Antonio Bertoloni. A serious and enthusiastic amateur botanist in England, Talbot had corresponded with and sent botanical specimens to Bertoloni beginning in 1826. It was natural, then, that Talbot sent his colleague in Bologna a copy of his treatise Some Account of the Art of Photogenic Drawing, or the Process by which Natural Objects May Be Made to Delineate Themselves without the Aid of the Artist's Pencil soon after its publication in early 1839. More startling than Talbot's written account were the contents of five small packets he sent to Bertoloni between June 1839 and June 1840. In each, Talbot enclosed examples of his new art: first, photogenic drawings made by placing objects on top of photosensitized paper and exposing them to sunlight (what we would today call photograms), and later, photogenic drawings printed from negatives made in a camera obscura (what we have come to call photographs). Bertoloni carefully preserved these first products of the new medium and assembled them, along with related written material, in the album now at the Metropolitan. Album di Disegni Fotogenici contains thirty-six photogenic drawings by Talbot, twenty made from direct contact with objects, fifteen made from camera negatives, and one made with a solar microscope; three letters from Talbot and one from his uncle, William Fox-Strangways; three printed notices; and three photogenic drawings-the first to be made in Italy-by the Italian chemist Sebastiano Tassinari. Of the cameraless photogenic drawings Talbot sent to Bertoloni, most record ferns, grasses, and leaves. Talbot suggested in one of his letters to Bertoloni that naturalists would find the accurate recording of botanical specimens to be among the most important uses of his invention, especially when the photogenic drawings were made through a solar microscope. Indeed, very fine details of leaf structure are clearly visible in several of the examples preserved in the Bertoloni Album. Talbot also sent photogenic drawings made from direct contact with a printed picture, a gauzy piece of fabric, and a section of lace. He demonstrated the usefulness of the solar microscope with an enlargement of lace, magnified 400 times its true surface area, which shows the intricate knotting clearly.
Michel Seigneur de-Montagne
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving
Location: france
Artist: jacques chéreau
Artist role: print maker, publisher
Artist dates: 1688 – 1776
Subjects: michel eyquem de montaigne, ornament ~ medallion, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Textile with Brocade
Object type: textile
Date: 1201 – 1300
Materials: metal thread, silk
Culture: italian or spanish
Location: italy
Subjects: birds
Schenkpiring ter nagedachtenis van Anthonia Nilo, echtgenote van Joannes van Steelant
Object type: gedachtenisbord
Date: 1709 – 1709
Materials: silver
Location: nagapattinam
Artist: Anonymous
Subjects: anthonia nilo, johannes van steelandt, verenigde oostindische compagnie, negapatnam
Inscriptions: inscription: ‘Ter gedagtenis van M'vrouw Anthonia Nilo zal'r gemalinne van d'Heer Joannes van Steelant gouverneur en directeur deser Custe Koromandel geboren te Palleacatte den 21 September A° 1677 en in den Here ontslapen tot Negapatnam den 13 November A° 1709 oud 32 jaren 1 maand en 23 dagen Ter gedagtenis van M'vrouw Anthonia Nilo zal'r gemalinne van d'Heer Joannes van Steelant gouverneur en directeur deser Custe Koromandel geboren te Palleacatte den 21 September A° 1677 en in den Here ontslapen tot Negapatnam den 13 November A° 1709 oud 32 jaren 1 maand en 23 dagen’

Ronde schenkpiring met een rand van knermotieven. Verdiept middendeel met zes lobben. Centraal tekst op draperie, vastgehouden door twee duiven op een tak. Middenboven de tekst: gekroond wapen tussen twee gestileerde ranken. Links en rechts hiervan respectievelijk een doodshoofd en een zandloper.
Bezoek van Koning Louis Philippe van Frankrijk aan Engeland 1844
Object type: history medal
Date: 1844 – 1844
Materials: tin
Techniques: striking
Location: birmingham

Tinnen penning, op de voorzijde twee versierde ovalen medaillons met de portretten van Louis Philippe en Koningin Victoria gehouden door een engel, waaronder twee gekroonde wapenschilden, op de keerzijde tien regels tekst tussen samengestrikte bloementakken.
Fången Viking
Object type: photograph
Date: 1874 – 1879
Materials: photographic support
Techniques: albumen print
Artist: johannes jaeger
Artist role: fotograaf
Artist dates: 1832 – 1908
Subjects: piece of sculpture, reproduction of a piece of sculpture, prisoner of war (after the battle), man (showing himself) undressed, quasi-nude
Inscriptions: inscription: ‘Staty i Gips.’

Foto op derde ongenummerde pagina na pagina 82.
Portret van Johannes Cocceius
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: hoogleraar, johannes cocceius
Inscriptions: collector's mark: Lugt 2228

Johannes Coch (Cocceius), Duits-Nederlands theoloog, filoloog en hoogleraar in achtereenvolgens Bremen, Franeker en Leiden. Hij houdt zijn hand voor zijn borst.
Fragment
Object type: fragment
Date: 1750 – 1760
Materials: metal thread, silk
Shard:  Profile of Offerer
Object type: shard
Date: 301 – 500
Materials: terracotta
Techniques: painting
Culture: pakistani
Subjects: human figures,gandhara
Portret van een jongen
Object type: photograph
Date: 1874 – 1900
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: paris
Artist: anatole van den hove
Artist role: fotograaf
Subjects: boy (child between toddler and youth), historical persons
Inscriptions: number: ‘321’, inscription: ‘Anatole van den Hove/ 36 Boulevard de la Villette/ AU REZ-DE-CHAUSSÉE/ Paris’
Afschaffing van de slavenhandel in Engeland 1807
Object type: history medal
Date: 1807 – 1807
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde een Engelsman en een Afrikaan die elkaar de hand drukken, op de achtergrond links een huttendorp, in het midden arbeiders, en rechts dansers om de vrijheidsboom, met omschrift en afsnedetekst, op de keerzijde drie regels Perzisch schrift boven een dubbele streep, daaronder twee samengestrikte palmtakken en nog een regel Perzisch schrift.
Zes aquarellen van historische kostuums voor het gekostumeerde bal in 1841
Object type: watercolor
Date: 1841 – 1841
Materials: paper
Techniques: drawing
Location: netherlands
Artist: huib van hove bz
Artist role: painter, print maker
Artist dates: 1814 – 1867
Subjects: the hague, anna paulowna romanowa, william ii of the netherlands, predatory birds: falcon, historical costume
Inscriptions: collector's mark: Lugt 2228

Twee mannen in historisch kostuum. De man rechts als valkenier. Kostuums gedragen op het gekostumeerde bal gehouden te Den Haag op 17 en 19 februari 1841 bij het 25-jarig huwelijk van koning Willem II en Anna Paulowna. Platen naar sommige van deze voorstellingen komen voor in een album over dit bal.
Yoshitsune's Encounter with Princess Joruri, from "The Tale of Joruri in Twelve Episodes (Joruri Junidan Zoshi)"
Object type: print
Date: 1684 – 1704
Techniques: hand coloring, woodblock print, sumizuri
Location: japan
Artist: sugimura jihei
Artist nationality: japanese
Artist dates: 1681 – 1698
L'etourdi
Object type: print
Date: 1749 – 1749
Materials: paper
Techniques: etching
Location: paris
Subjects: adult woman, adult man
Inscriptions: collector's mark: Lugt 2228

Prent uit: Molière. Œuvres. Parijs: Les libraires associés, 1749.
Twee putti bij een vuurkorf
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: letterpress printing, engraving
Location: london
Subjects: stirring up a fire, foliage ~ ornament, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Prent uit: Crane, Walter. The claims of decorative art. Londen: Lawrence & Bullen, 1892, p. 89-90.
Magazine of Female Fashions of London and Paris, No. 5: London Morning Dresses, July 1798.
Object type: fashion print
Date: 1798 – 1798
Materials: paper, ink, watercolor
Techniques: aquatint, engraving, etching, hand coloring
Location: london
Artist: richard phillips
Artist role: bookseller, publisher
Artist dates: 1767 – 1840
Subjects: gloves, mittens (long gloves) (+ women's clothes), dress, gown: morning dress (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes)
Inscriptions: : ‘London Morning Dresses, July 1798.’, collector's mark: Lugt 2228

Twee Londense ochtendjaponnen, juli 1798.
Naakte mannen in gevecht bij een grot
Object type: print
Date: 1540 – 1550
Materials: ink, paper
Techniques: engraving
Location: troyes
Artist: domenico del barbiere
Artist role: painter, print maker, sculptor
Artist dates: 1506 – 1575

Scène met tien naakte mannen voor een rotspartij in een landschap. Op de grond ligt een gewonde of dode man. Een man met een dolk in zijn hand wordt vastgehouden door twee anderen.
Card Number 565, Leslie Chester, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-7), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the seventh subset, N145-7. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Vier waterbronnen in en rond Spa
Object type: print
Date: 1631 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: spring (fluids extracted from the earth)

Een landschap met een korenveld en verschillende personen in voet en te paard. Op de voorgrond twee ruiters en twee staande personen bij een stroompje afkomstig uit een waterbron.
Reproductie van een geschilderd portret van Justus Lipsius
Object type: reproduction
Date: 1892 – 1897
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: louvain, justus lipsius, adult man
Senate Chamber
Object type: page
Date: 1879 – 1882
Materials: paper
Techniques: photograph
Location: united states
Artist: Anonymous
Subjects: interior ~ representation of a building, upper house, senate
Inscriptions: number: ‘4’
Straatgezicht
Object type: sketchbook leaf
Date: 1909 – 1909
Materials: pencil
Location: tunisia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: walls ~ fortified city, street (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

Op de achtergrond is een deel van een muur, mogelijk de stadsmuur van Kairouan, te zien. Pagina 125 uit een schetsboek met 67 bladen.
Poem-painting “When the nightingale returns...”
Object type: hanging scroll
Date: 1867 – 1900
Materials: ink, paper
Culture: japanese
Artist: ōtagaki rengetsu
Artist role: artist
Artist nationality: japanese
Artist dates: 1791 – 1875
Willem II, prins van Oranje-Nassau
Object type: honorary medal
Date: 1650 – 1650
Materials: silver
Techniques: casting
Location: amsterdam
Artist: pieter van abeele
Artist role: draughtsman, jeweler
Artist dates: 1608 – 1684
Subjects: william ii (prince of orange), amsterdam

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: gekroond wapenschild binnen omschrift.
Sheet with overall stripe pattern with squiggly lines
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Amenissimae aliquot requculae
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: skates (winter sports), hay-stack, farm (building)
Inscriptions: collector's mark: Lugt 964

Schaatsers op het ijs bij een boerderij met een hooiberg. Vierde prent van deel vijf van een serie van in totaal zestig prenten met landschappen, verdeeld over vijf delen van elk twaalf prenten.
Portrait of a Boy
Object type: painting
Date: 1805 – 1805
Materials: canvas, oil
Artist: louis léopold boilly
Artist role: artist
Artist nationality: french
Artist dates: 1761 – 1845
Subjects: apples,boys,dolls,stools,cakes
Lamp
Object type: glass
Materials: enamel, glass
Techniques: glassblowing, gilding, polychrome
Culture: islamic
Location: egypt
Stilleven met kruik en een kandelaar op een boek
Object type: print
Date: 1850 – 1909
Materials: paper
Techniques: etching
Artist: w.f. barber
Artist role: print maker
Subjects: still life of miscellaneous objects
Inscriptions: collector's mark: Lugt 2228, annotation: ‘1 etat’

Sterfdatum kunstenaar onbekend. Derhalve is voor bepaling van de rechten van dit object de verwervingsdatum aangehouden.
Sculpturen uit de oudheid
Object type: album leaf
Date: 1600 – 1699
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture, satyr(s) (in general)
Inscriptions: inscription: ‘Ende lib. No. 21. fol. 339. Ende lib. No. 23. fol. 79.’, number: ‘70’, inscription: ‘Ende lib. No. 4. fol. 137.’

Deze prent maakt deel uit van een reeks van ten minste 50 prenten van sculpturen uit de oudheid.
Statues of the Dioscuri at the Quirinal, Rome
Object type: print
Date: 1546 – 1546
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: male nudes,horses

Published as part of Antonio Lafreri's 'Speculum Romanae Magnificentia'e (The Mirror of Roman Magnificence). It is likely that individuals who purchased the prints from Lafreri made their own selections and had them bound. For a history of the publication of the Speculum prints, see Peter Parshall, "Antonio Lafreri's Speculum Romanae Magnificentiae," Print Quarterly, 2001 (1-28).
Étui
Object type: étui
Date: 1734 – 1766
Materials: gilt copper, crystal, hard paste porcelain
Subjects: fish
Brief aan Marisa Quanjer
Object type: letter
Date: 1938 – 1938
Materials: ink, paper
Techniques: pen, writing
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: money
Inscriptions: collector's mark: ‘RPK’
Flute
Object type: flute
Date: 1867 – 1900
Materials: wood
Culture: fan
Kast, consoletafel, bank, fauteuil en stoelen
Object type: print
Date: 1800 – 1900
Materials: paper
Techniques: hand coloring, lithograph
Location: france
Artist: Anonymous
Subjects: seating furniture, table

Een lage kast, een consoletafel, een bank, een fauteuil en twee stoelen. Midden onder genummerd No 8.
The Triumverate of Gloucester Place, or The Clarke, The Soldier, and The Taylor
Object type: print
Date: 1809 – 1809
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,politics
Set of four candlesticks
Object type: candlestick
Date: 1745 – 1746
Materials: silver
Artist: paul de lamerie
Artist role: maker
Artist nationality: british
Artist dates: 1688 – 1751
Les dernières feuilles
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: etching
Artist: aristide de biseau
Artist role: print maker
Artist dates: 1844 – 1883
Subjects: horse throwing rider, trees: beech, forest path or lane, autumn, fall, 'autumnus'; 'autunno' (ripa)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1e etat exemplaire uniques’

Een latere staat van deze prent is gebruikt in: Album du Journal des Beaux-Arts. Antwerpen, s.n., 1873.
Portaal in Tlemcen, Algerije
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: tlemcen
Artist: Anonymous
Subjects: closed door
Inscriptions: inscription: ‘Marokko’, number: ‘235’
Piece
Object type: piece
Date: 1801 – 1833
Materials: silk
Subjects: leaves
Table cover with fringe
Object type: tablecover
Date: 1890 – 1890
Materials: cotton
Techniques: weave
Culture: american
Damesmuil met hoge hak van roze fluweel, versierd met gouddraad en kralen van parelmoer
Object type: womenswear
Date: 1850 – 1900
Materials: glass, gold thread, leather, linen, velvet
Location: netherlands
Artist: Anonymous

Damesmuil, van roze fluweel, versierd met gouddraad en kralen van parelmoer. Model: afgeplatte ronde neus en hoge hak, naar de voorzijde blokvormig. Met linnen gevoerd.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of line border of tondo; Exterior, part of the left hip and thigh of a male with drapery falling over extended arm?
Slop Bowl
Object type: ceramic
Date: 1770 – 1770
Materials: ceramic, enamel, porcelain, soft paste porcelain
Techniques: polychrome
Location: worcester
Landscape with Old Gateway
Object type: print
Date: 1779 – 1797
Materials: paper
Techniques: etching, printing
Location: france
Artist: louis gabriel moreau
Artist role: artist
Artist nationality: french
Artist dates: 1740 – 1806
Boek met figuren
Object type: miniature
Date: 1690 – 1710
Materials: paper, parchment
Location: amsterdam
Artist: Anonymous

Boek met figuren. Ingebonden in blank perkament.
Rock, Tiger Lily and Orchid
Object type: hanging scroll
Materials: ink, paper
Culture: chinese
Artist: unidentified
Artist role: artist
Subjects: flowers,orchids

Zhao Wenchu (born Wen Shu) was a fourth-generation descendant of the Suzhou luminary Wen Zhengming. Like most members of the family—men and women—she received a first-rate classical education. Many women painters of the Ming dynasty focused on floral themes; for some, this may have been a preference, but others were likely guided toward this genre because of the association of women with gardens and blossoms. A lack of refinement in the brushwork of this example suggests that it may be by one of the many later painters who produced works in Zhao’s style.
Skirt
Object type: skirt
Date: 1701 – 1800
Materials: metal thread, silk
Culture: chinese
Subjects: birds
Petrus en de tempelbelasting
Object type: print
Date: 1480 – 1500
Materials: paper
Techniques: woodcut
Subjects: peter finds a piece of money in the mouth of a fish and pays the temple tribute

Eén blad van 113 uit Ludolphus de Saxonia, "Dit es dleué ons liefs heeren ihesu christi". Anonieme Nederlandse vertaling. Uitgegeven door Henrick Eckert van Homberch te Antwerpen in 1503. Botke, K. Deze 113 houtsneden, die meestal reeds in vroege Nederlandse boeken gebruikt zijn, worden toegeschreven aan de tweede Meester van Delft, de Meester van de Delbecq-Schreiber-passie en de Meester van de Virgo inter Virgines. In Conway (1884) en in "De gulden passer"(1951) zijn ook eerdere versies opgenomen. Botke, K.
De kapitein-luitenant ter zee Takeo Hirose
Object type: triptych
Date: 1904 – 1904
Materials: paper
Techniques: woodcut, polish
Location: japan
Artist: kobayashi kiyochika
Artist role: print maker
Artist dates: 1847 – 1915
Subjects: war
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Kapitein-luitenant ter zee Takeo Hirose, met linker hand zijn zwaard omklemmend, op het exploderende schip de Fukuimaru.
Woven silk with lace design
Object type: piece
Date: 1601 – 1650
Materials: metal thread, silk
Kop van hazewindhond
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: etching
Location: the hague
Subjects: dog
Inscriptions: collector's mark: Lugt 2228
Schip vaart door het Suezkanaal bij een baggerschip en huizen
Object type: photograph
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Location: suez canal
Subjects: sailing-ship, sailing-boat, canal, dredge, dredging machine

Onderdeel van Reisalbum met foto's van Duitsland, Zwitserland, het Suezkanaal en Nederlands-Indië.
Bowl
Object type: bowl
Date: 1701 – 1733
Materials: porcelain
Culture: chinese
Mannen en vrouwen aan een tafel
Object type: sketchbook leaf
Date: 1879 – 1885
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: sitting figure, adult woman, adult man, inn, coffee-house, public house, etc., cup, glass, rummer, head-gear: top hat

Op de tafel staan glazen en een kop. Mogelijk bevinden de figuren zich in een café. Pagina 63 uit een schetsboek met 58 bladen.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 451 – 500
Materials: terracotta
Culture: greek, attic

Interior, draped youth to right, with a spear in his right hand; Exterior, thin, ring foot, with an unglazed resting surface; the inner wall of the foot is glazed; the underside of the floor is reserved, with a small black glazed circle in the center, with a dot in the middle
The Critic
Object type: print
Date: 1905 – 1907
Techniques: etching
Artist: julio ruelas
Artist role: artist
Artist nationality: mexican
Artist dates: 1870 – 1907

This self-portrait was made shortly before the artist’s death. On his head sits a menacing creature with a top hat and a nose shaped like a fountain pen. The image probably alludes to the power of critics over the reception of artists’ work. Ruelas studied at Mexico City’s Academy of San Carlos, where, from the late nineteenth century, printmaking increasingly reflected aspects of European modernism. During an extended trip to Germany in the 1890s, he encountered the Symbolist works of Max Klinger and Franz von Stuck and found inspiration in the fantastic imagery of Hieronymus Bosch. Este autorretrato fue creado poco antes del fallecimiento del artista. Sobre su cabeza se sienta una amenazadora criatura con sombrero de copa y una nariz con la forma de una pluma estilográfica. La imagen alude, probablemente, a la influencia de los críticos sobre la recepción de las creaciones de los artistas. Ruelas estudió en la Academia de San Carlos de Ciudad de México, donde, desde finales del siglo xix, fueron ganando terreno en la gráfica algunos aspectos del arte moderno europeo. Durante un largo viaje por Alemania realizado en la década de 1890, descubrió las obras simbolistas de Max Klinger y Franz von Stuck, y halló inspiración en la iconografía fantástica del Bosco.
Portret van Friedrich von Schiller
Object type: print
Date: 1808 – 1868
Materials: paper
Techniques: engraving
Location: stuttgart
Subjects: friedrich von schiller, historical persons
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van een portret van Theodor Körner
Object type: page
Date: 1868 – 1878
Materials: photographic support
Techniques: albumen print
Subjects: writer, poet, author
Warwick Castle
Object type: painting
Date: 1748 – 1748
Materials: canvas, oil
Artist: canaletto
Artist role: artist
Artist nationality: italian
Artist dates: 1697 – 1768
Subjects: castles,bridges,fishing,rivers

Canaletto lived for nine years in England, where he traveled when war reduced the number of British customers visiting Venice. This view of Warwick, a Norman castle about twenty miles from Birmingham, comes from that period. It is one of several paintings and drawings commissioned from Canaletto by one of his most important English patrons and the castle’s owner, Francis Greville, Lord Brooke (1719–1773), later 1st Earl of Warwick.
Coat
Object type: coat
Date: 1767 – 1800
Materials: gold, silk, thread
Location: india