deem-data/ArtiFact huggingface dataset:
Het vernuft 20 ans
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: handicrafts, craftsman at work, factory-interior, machine shop, rewarding goodness
Inscriptions: : ‘De plaat is gedrukt bij den / ondergetekende steendrukkers / te Dordrecht 1 juny 1838 / H. J. Backer’, : ‘Gedeponeerd’, : ‘De ondergeteekende verklaren dat dit werk bij / hen wordt uitgegeven / S Gravenhage 1 juny 1838 / Soetens Fils’ Lugt 2228, collector's mark: Lugt 2228

In de rand symbolen die verwijzen naar deugd zoals het geven van een aalmoes, noeste arbeid en een ridderorde. Maakt deel uit van een omslag met zes prenten.
Jeruzalem verlost (deel 2)
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: italy
Subjects: militant proselytizing: religious war, crusade, etc., (scenes from) specific works of literature: tasso, gerusalemme liberata, knight
Inscriptions: number: ‘18’, collector's mark: Lugt 11, collector's mark: ‘Hinloopen’

Deze prent maakt deel uit van een reeks van twintig prenten (+ opdracht) met voorstellingen van scènes uit Tasso's 'Jeruzalem verlost', een episch gedicht geschreven door de Italiaanse dichter Torquato Tasso en voor het eerst gepubliceerd in 1581. Het verhaal vertelt grotendeels in fictie over de Eerste Kruistocht waarin de christenen, geleid door Godfried van Bouillon, de strijd aangaan met de moslims om het Beleg van Jeruzalem.
[Servants and Dog]
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: men,dogs
Portret van een vrouw, zittend aan een tafel
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, table
Blaudruck, Rotdruk, Gelbdruck
Object type: page
Date: 1897 – 1902
Materials: paper
Techniques: autotype
Location: berlin
Artist: Anonymous
Subjects: still life of miscellaneous objects
Het toilet
Object type: print
Date: 1892 – 1909
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: nellie
Artist role: print maker
Subjects: monkeys, apes, looking for fleas, firearms (with name), earning money with monkey
Inscriptions: signature: ‘Nelly Honig Lith’, collector's mark: Lugt 2228

Het schilderij uit 1881 werd door ene Walter in prent gebracht, een houtgravure, en in 1892 uitgegeven in Eigen Haard (No. 49, p. 773).
Brisé fan depicting The Battle of the Nile
Object type: fan
Date: 1798 – 1798
Materials: glass, ivory, ribbon, silk, steel
Techniques: carving, painting
Subjects: birds,sphinx,lions

Fashion and patriotism combine in this painted ivory brisé fan, which depicts the Battle of the Nile, a major British victory under Admiral Nelson against Napoleon’s forces. The central image features the inscription “1. Nelson. 98” and shows the personification of victory flying over the pyramids, while the naval battle rages in the background. Fans illustrating British military success began to appear in the 1740s, and this is not the only fan that commemorated the famed Battle of the Nile. Inexpensive printed fans were made, titled ‘Nelson & Victory,” listing the ships in the English and French fleets. While this fan commemorates the same event, the hand-painted ivory makes it a much more expensive version.
Boerenoorlog, penning geslagen ter ere van degenen die hun leven gaven voor koning en vaderland
Object type: honorary medal
Date: 1902 – 1902
Materials: bronze
Techniques: striking
Location: london
Artist: emil fuchs
Artist dates: 1866 – 1909
Subjects: zuid-afrika, tweede boerenoorlog (1899-1902)

Commemorative medal for British victims of the Boer War. Bronze, E. Fuchs, 1902. The Boer War fanned nationalist feeling in Britain to new heights, too. The whole country was united in its support of a war in which 250,000 British soldiers fought in South Africa. This medal was struck in Britain after the war had been won, to commemorate the thousands of British casualties. The obverse shows a soldier with plumed helmet sheathing his sword. He symbolizes peace. On the reverse an angel holding a laurel branch kneels beside a fallen soldier. The text on the reverse reads: 'Who gave their lives for Queen and Country'. Below is the text: 'South Africa campaign 1899-1902'.
The Actor Sanogawa Ichimatsu I looking at a guidebook to the pleasure quarters
Object type: print
Date: 1750 – 1750
Techniques: printmaking, woodblock print
Location: japan
Artist: ishikawa toyonobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1711 – 1785
Brief aan Lambertus Hardenberg (1822-1900)
Object type: letter
Date: 1827 – 1891
Materials: ink, paper
Techniques: pen, writing
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: the hague, painter, print maker, jan weissenbruch, lambertus hardenberg (1822-1900), painting (including book-illumination, miniature-painting), amsterdam
Inscriptions: collector's mark: Lugt 2233
Reliëf van het uitreiken van de Medal of Honor
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: military honours, sculpture (+ relief ~ sculpture)
Landschap met kerktoren
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: etching, intaglio
Location: france
Artist: jean alexis achard
Artist role: print maker
Artist dates: 1807 – 1884
Subjects: trees, landscapes, parts of church exterior and annexes: spire
Inscriptions: inscription: ‘Épreuve unique / 1er état’, collector's mark: Lugt 2228
Design for Cabriolet or Victoria, no. 4029
Object type: drawing
Date: 1888 – 1888
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Sailing before the wind, With Breakers ahead. A narrow escape
Object type: cartoon
Date: 1846 – 1846
Materials: paper
Techniques: tone lithography
Location: london
Subjects: politician, sailing-ship, sailing-boat, political caricatures and satires

Spotprent uit 1846 met Lord Russell in een zeilbootje op zee. Uitgegeven als nr. 873 in de serie HB Sketches.
Haarzuilen. Kasteel: "ter Haar". De hal
Object type: photomechanical print
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: leipzig
Artist: Anonymous
Subjects: column, pillar ~ architecture, castle, vestibule, hall
Breaker Boys in Pennsylvania Coal Mine
Object type: photograph
Date: 1920 – 1920
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: lewis wickes hine
Artist role: fotograaf
Artist nationality: american
Artist dates: 1874 – 1940
Subjects: collected by hugh edwards, documentary
Inscriptions: Inscribed recto, in negative, lower right, backwards, below image, in white: "136 [?]"; inscribed and stamped verso, across left half, in graphite and blue ink: "IC4 [inscribed in graphite] / Lewis W. Hine / Interpretive Photography / HASTINGS-ON-HUDSON / NEW YORK [stamped in blue ink] / Breaker boys in Pa / coal mine 1920-"
Princess Alexandra Welcomed to England
Object type: medal
Date: 1863 – 1863
Materials: bronze
Artist: joseph shepherd wyon
Artist role: artist
Artist nationality: british
Artist dates: 1836 – 1873
Subjects: princesses,men,profiles,women

Struck for the Corporation of the City of London.
Design of the triumphal chariot of the Virtues
Object type: print, fete, ornament architecture
Date: 1601 – 1700
Techniques: engraving
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: men,women,horses,chariots
Portret van een vrouw, staand bij een stoel
Object type: photograph
Date: 1872 – 1891
Materials: cardboard, photographic support
Techniques: albumen print
Location: breda
Artist: dirk le grand
Artist role: artist
Artist dates: 1819 – 1891
Subjects: historical persons - bb - woman, standing figure - aa - female human figure
Inscriptions: inscription: ‘Photographie/ D. le Grand/ Hoek Bosch en Brouwerijstraat D. 234/ Breda’
Stad Maastricht
Object type: jeton
Date: 1599 – 1599
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: maastricht

Koperen penning. Voorzijde: engel houdt wapenschild in cartouche voor zich binnen omschrift. Keerzijde: zittende vrouw met weegschaal en zwaard, voorstellende Gerechtigheid binnen omschrift
Portret van Sebastian Jenull
Object type: print
Date: 1830 – 1856
Materials: paper
Techniques: lithograph
Location: vienna
Subjects: armchair, seat, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Binnenplaats van het Novodevitsjiklooster in Moskou met zicht op de kerk
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: moscow
Artist: Anonymous
Subjects: church (exterior), cloisters ~ monastery
Inscriptions: inscription: ‘62 Intérieur du Couvent des Vierges Moscou’
Sword Guard (<i>Tsuba</i>)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: copper, gold, iron
Culture: japanese
Location: japan
Subjects: men,lions
Ontwerp met papavers voor de rand van het wandtapijt Gezicht op de Ponte Vecchio te Florence
Object type: design
Date: 1925 – 1926
Materials: paper, pencil
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: flowers: poppy, flowers ~ ornament

Ontwerp voor het wandtapijt Gezicht op de Ponte Vecchio te Florence, voor de eetsalon van het schip de P.C. Hooft, uitgevoerd door J.F. Semey.
Annotaties
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation

Pagina 26 uit een als schetsboek gebruikte agenda met 108 bladen.
Portret van Joost de Hertoghe
Object type: print
Date: 1636 – 1636
Materials: paper
Techniques: engraving
Location: antwerp
Artist: jacob neefs
Artist role: print maker, publisher
Artist dates: 1610 – 1660
Subjects: raadsheer, joost de hertoghe
Inscriptions: collector's mark: Lugt 240

Joost de Hertoghe, raadsheer van het Hof van Brabant, staand voor een gordijn. Portret ten halven lijve naar rechts. Onderaan in de marge een drieregelige tekst in het Frans.
Ingres (1841)
Object type: album leaf
Date: 1841 – 1841
Materials: paper
Techniques: rotogravure
Location: france
Artist: Anonymous
Subjects: paris, print maker, draughtsman, jean auguste dominique ingres, portrait, self-portrait of painter, france
Flask
Object type: flask
Date: 1850 – 1900
Materials: glass, lead
Techniques: glassblowing, molding
Culture: european
Drukkersmerk voor de Officina Plantiniana
Object type: printer's mark
Date: 1636 – 1636
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: cornelis galle (i)
Artist role: print maker
Artist dates: 1576 – 1650
Subjects: compasses, device (trade-mark of printer or publisher)
Inscriptions: collector's mark: Lugt 240

Drukkersmerk voor de drukkerij Plantijn-Moretus in Antwerpen. In het midden een hand met een passer, een verwijzing naar het uithangbord van de drukkerij "De gulden passer". Op een spreukband het motto van Christoffel Plantijn: Labore et constantia.
Portret van een onbekende vrouw en man, vermoedelijk in klederdracht van Zuid-Beveland
Object type: cabinet photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print, hand coloring
Location: netherlands
Artist: Anonymous
Subjects: folk costume, regional costume
Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 20 (recto)
Object type: book print ornament architecture
Date: 1527 – 1527
Techniques: woodcut
Artist: willem vosterman
Artist role: printer
Artist nationality: netherlandish
Subjects: ornament

Printed by Willem Vosterman. From top to bottom, and left to right: Design composed of 9 horizontal registers. Each register is decorated with a different geometric or liner pattern.
Munchener Platen
Object type: popular print
Date: 1848 – 1898
Materials: paper
Techniques: engraving
Location: munich
Subjects: street-organ, 'pierement', peep-show
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780

Blad met zeven genretaferelen, waaronder een man met een kijkkast en een draaiorgel. Onder elke afbeelding een onderschrift in het Duits. Rechtsboven genummerd: 257. Onder genummerd: Nro. 257.
Embleem met allegorie op verstand (rede)
Object type: book illustration
Date: 1681 – 1737
Materials: paper
Techniques: etching
Location: leiden
Artist: françois van bleyswijck
Artist role: draughtsman, print maker
Artist dates: 1671 – 1746
Subjects: reason; 'ragione' (ripa)
Inscriptions: collector's mark: Lugt 2228

Embleem met allegorie op verstand (rede) verbeeld als vrouw met wapenrusting die bestaat uit helm, schild en lans. In een landschap rijdt een vrouw in een rijtuig getrokken door leeuw en leeuwin, de wielen vermorzelen een monster. Onder de voorstelling staat een gedicht, op het verso staat een gedeelte van een ander gedicht.
La Sauveur du Monde (Salvator Mundi), August 16th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,christ

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Twee friezen met cherubijntjes
Object type: ornament print
Date: 1617 – 1700
Materials: paper
Techniques: engraving
Location: amsterdam

In het bovenste fries staan twee cherubijntjes naast twee honden. In het onderste zijn vier cherubijntjes te zien, waarvan de linker twee met muziekinstrumenten.
Enquêteformulier betreffende Hendrik Breukelaar
Object type: questionnaire
Date: 1805 – 1840
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Subjects: amsterdam, painter, draughtsman, hendrik breukelaar
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Ruïnes van een crematorium van een concentratiekamp
Object type: photograph
Date: 1940 – 1945
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous

Ruïnes van een crematorium van een concentratiekamp, met bomen op de achtergrond.
Brief aan Christiaan Kramm
Object type: letter
Date: 1858 – 1858
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: adrianus david hilleveld
Artist role: painter
Artist dates: 1838 – 1889
Subjects: h. hilleveld hzn, london, print maker, draughtsman, abraham hulk, utrecht, christiaan kramm, drawing, education, tuition of the artist (in general), painting (including book-illumination, miniature-painting), exhibition ~ art, brussels
Inscriptions: collector's mark: Lugt 2233
Fragment of a Bowl
Object type: fragment of a bowl
Date: 901 – 1100
Materials: glass
Techniques: glassblowing
Location: iran

This glass fragment was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 567 – 535
Materials: terracotta
Culture: greek, attic

Interior, the tondo border consists of a band of tongues, alternating with black and red; Exterior, part of the right foot of a male to left on a Hippalectryon (which is not preserved); lower body, tail, and hind legs of a Hippalectryon to left, with a rider, whose left calf and foot are preserved; below, head, neck, shoulders, bent right arm, and part of the upper torso of a fallen; warrior, wearing a helmet and chitoniskos; below, three black glazed lines; a band of two rows of short strokes; three black glazed lines; tips of rays
Visitatie
Object type: print
Date: 1625 – 1625
Materials: paper
Techniques: woodcut
Subjects: visitation (possibly joseph and/or zacharias present) (luke 1:39-56)
Inscriptions: collector's mark: Lugt 240

Prent mogelijk afkomstig uit: Novae Sacrorum Bibliorum Figurae (...). Straatsburg: Christoph von der Heyden, 1625.
Tekstblad met de prent met de kaart met slagordes van de Nederlandse en Engelse schepen bij de zeeslag bij Doggersbank, 1781
Object type: text sheet
Date: 1781 – 1781
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: the hague, johan arnold zoutman, hyde parker
Inscriptions: collector's mark: Lugt 2228

Tekstblad behorend bij de prent met de kaart met de slagordes van de Nederlandse en Engelse schepen tijdens de zeeslag bij Doggersbank op 5 augustus 1781. Beschrijving van de gebeurtenissen in het Nederlands in twee kolommen.
Gezicht op de ruïne van het kasteel van Egmond
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: landscape with ruins, landscape with tower or castle
Inscriptions: collector's mark: Lugt 964

Ruïne van het kasteel van Egmond, waarvan de poort nog overeind staat, op de voorgrond links een man met een hond. Tweede prent uit een serie van zes.
Koning David knielt voor het altaar op de dorsvloer
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Artist: caspar luyken
Artist role: draughtsman, print maker
Artist dates: 1672 – 1708
Subjects: david builds an altar in the threshing-floor of araunah and burns the offerings to god
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie uit: Josephus, Flavius. XX. boeken van de oude geschiedenissen der joden, 4 delen. Amsterdam: Barent Visscher, Willem de Coup, Willem van Lamsveld, Andries van Damme, 1698, dl. I.
Portret van Henriette Maria, koningin van Engeland
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: england
Artist: pieter de jode (ii)
Artist role: draughtsman, print maker
Artist dates: 1606 – 1674
Subjects: henriëtta maria van frankrijk (koningin van engeland, schotland en ierland), crown (symbol of sovereignty)
Inscriptions: collector's mark: Lugt 240

Portret van Henriette Maria, ten halven lijve. Ze staat naast een tafel en heeft een bloem in haar rechterhand. Op de tafel ligt haar kroon. Met een lege marge onder de geportretteerde.
Don Quichot in een herberg
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: lithograph
Artist: célestin françois nanteuil
Artist role: print maker
Artist dates: 1813 – 1873
Subjects: don quixote, hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 2228
Ontwerp voor ex libris van ingenieur J. Kouwer te Bussum
Object type: design
Date: 1874 – 1945
Materials: paper, pencil
Techniques: brush
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: engineer, ex-libris