deem-data/ArtiFact huggingface dataset:
Glas
Object type: drinking glass
Date: 800 – 1399
Materials: glass
Location: iran

Pot van kleurloos, licht geïriseerd glas met een holle bodem en een rechte, iets naar binnen staande wand. Naar binnen gekeerde lip.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of head, extended left arm, and part of upper torso of filleted youth bending to left
Pomona Surprised by Vertumnus and Other Suitors, from The Story of Vertumnus and Pomona
Object type: textile
Date: 1535 – 1540
Materials: silk, wool
Techniques: interlocking, slit, weave
Location: brussels
Artist: after a design by an unidentified flemish artist
Artist nationality: flemish

The young woman kneeling in the foreground, holding a branch with leaves and flowers, is Pomona, the Roman nymph of apples and orchards. The young man shown in profile to her immediate right is Vertumnus, the Proteus-like god who symbolized the passing of the seasons. The tapestry is part of a Story of Vertumnus and Pomona suite that is based on the mythological tale Ovid described in the Metamorphoses. According to the story, Vertumnus was in love with the beautiful Pomona, who was devoted to gardening and uninterested in courtship. He tried to woo her, at first in vain, but eventually won her heart. The tapestry is the first scene of five and depicts Pomona’s disinterest in all the various suitors shown. The series to which this piece belongs is the earliest surviving narrative ensemble illustrating the entirety of Ovid’s tale.
Design for a Stained Glass Window
Object type: drawing
Date: 1822 – 1885
Techniques: brush, wash
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Subjects: men,women,madonna and child,cross
Cup and saucer
Object type: cup and saucer
Date: 1735 – 1735
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men,boats
Nieuwe kaart van Gooilandt
Object type: print
Date: 1726 – 1738
Materials: ink, paper, pencil
Techniques: engraving, etching, hand coloring, pen
Location: amsterdam
Subjects: mayor, hendrick hendricksz. bicker (ii), (story of) diana (artemis), maps of separate countries or regions, hunting dogs, sheep, armorial bearing, heraldry
Inscriptions: inscription: ‘En heb ik deze caarte afgeset naa aard en eygense hap gecoleurt en de eygen landen wit gelaten na de orginele caarte van Gooijland gemeten en vervolgens gecaart door ordre van de Heeren Burgermeesteren der stede Naarden, en de respective Buurmesteren der dorpen van Gooyland in den jare 1709 door J: Broekhuijsen <BR /><BR />J. Perk <BR />geadm.[iteerd] landm[eter]<BR /><BR />een morgen is 800 Gooyse roede’, collector's mark: Lugt 19, inscription

Linksboven een inzetkaart van de Maatlanden, daaronder de legenda. Onderaan links van het midden twee schaalstokken: Bestek van 500 roeden Gooysche maat; Bestek van 500 roeden Rynlandsche maat. Onderaan rechts van het midden een kompas met plaatsnamen uit het gebied. Rechtsonder een cartouche met de opdracht en daarboven het wapen van Hendrick Hendricksz. Bicker (II). Daaromheen jachthonden, schapen, putti en drie vrouwfiguren waaronder Diana.
Brief aan Philip Zilcken
Object type: letter
Date: 1911 – 1930
Materials: ink, paper
Techniques: pen, printing, writing
Location: paris
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: the hague, painter, philip zilcken, workshop, studio of the artist (in general), printed matter
Inscriptions: collector's mark: ‘RPK’
Brougham #3774a
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Amulet: A Young Prince Represented as the Child Horus
Object type: amulet, horus a seated prince
Date: 664 – 332
Materials: faience
Location: egypt
Subjects: horus
Pillowcase
Object type: pillowcase
Date: 1890 – 1890
Materials: linen
Potomac Creek Railroad Bridge, A.C. & F. Railroad
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: bridges,soldiers,american civil war
Brief aan Christiaan Kramm
Object type: letter
Date: 1859 – 1859
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: louis meijer
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1866
Subjects: jan willem pieneman, nijmegen, painter, draughtsman, george pieter westenberg, utrecht, print maker, christiaan kramm, distribution of awards ~ art contest, family life, education, tuition of the artist (in general), painting (including book-illumination, miniature-painting), art collecting, france, deventer, paris
Inscriptions: collector's mark: Lugt 2233
Interieur van een schuur met moeder en twee kinderen
Object type: print
Date: 1630 – 1673
Materials: paper
Techniques: etching
Subjects: mother and baby or young child, farm (building) - aa - civic architecture: inside
Inscriptions: collector's mark: Lugt 240

Interieur van een schuur met een moeder, twee kinderen, kippen en een zwijn.
Vers op een prent van de Leidse buskruitramp, 1807
Object type: text sheet
Date: 1807 – 1808
Materials: paper
Techniques: letterpress printing
Location: rotterdam
Subjects: gunpowder disaster, leiden
Inscriptions: collector's mark: Lugt 2228

Tekstblad met een vers in twee kolommen op een afbeelding van de buskruitramp in Leiden op 12 januari 1807. De prent waar het vers op betrekking heeft ontbreekt.
Titelpagina voor: Bartholomaei Fisen, Leodiensis e Societate Jesu ((...)), 1642.
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: engraving
Subjects: madonna: mary sitting or enthroned, the christ-child in her lap (or in front of her bosom) (mary sometimes represented half-length), archbishop, bishop, etc. (roman catholic), the church personified, 'ecclesia', usually with chalice and banner, cities represented allegorically or symbolically, liège
Inscriptions: collector's mark: Lugt 2228

De personificatie van de Kerk, een vrouwfiguur met pauselijke tiara en staf, kijkt omhoog. Op de wolken zitten Maria met Kind, te midden van vier bisschoppen van Luik: Maternus, Servaas van Maastricht, Lambertus van Maastricht en Hubertus. Tegenover de personificatie van de Kerk staat de personificatie van de stad Luik, een vrouw met in de hand een staf. Voor haar knielt een putto met een mijter in de handen voor de Kerk. Rechts een standbeeld, waaraan zes schilden hangen. Op de achtergrond in het landschap de stad Luik.
Drie kinderen in Walcherse kinderdracht
Object type: photograph
Date: 1880 – 1920
Materials: paper
Techniques: collodion silver print
Location: walcheren
Artist: Anonymous
Subjects: historical persons, folk costume, regional costume
Inscriptions: inscription: ‘Volksdracht/ N.Ned./ Walcheren’, number: ‘32.837’, number: ‘- 527078’
Unguent Vessel
Object type: vessel
Materials: stone
Culture: egyptian
Location: egypt
Generallieutenant v. d. Mülbe
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: letterpress printing, engraving
Location: stuttgart
Subjects: commander-in-chief, general, marshal, historical persons

Prent uit: Über Land und Meer 16 (1866), p. 705.
Lekythos
Object type: lekythos
Date: 500 – 490
Materials: terracotta
Culture: greek, attic
Artist: krotala painter
Artist role: artist
Subjects: human figures,lions
Model of an Anchor
Object type: instruction model
Date: 1880 – 1880
Materials: brass
Location: marseille

De gegevens omtrent de vervaardiging van het model zijn tegenstrijdig. In 1869 bestond er een model, dat door de Grofsmederij Leiden werd gebruikt bij de fabricage van een aantal ankers. Volgens de toenmalige opzichter van de modellenkamer J.J. Backer Dirks echter, werd het model op de Rijkswerf te Amsterdam vervaardigd in 1880; de archiefstukken waarnaar hij verwijst zijn echter niet achterhaald. Hoewel de tien ankers die de Grofsmederij Leiden in 1869 naar dit ontwerp leverde wat gewicht betreft nogal afweken van de specificaties, werd de minister toch geadviseerd ze te accepteren. Ze werden naar de Rijkswerf te Amsterdam overgebracht.
Fragment of a Band Depicting Scene from Homer's Odyssey
Object type: textile
Date: 1501 – 1700
Materials: silk
Techniques: embroidery, stitching
Location: england
[Two Women]
Object type: photograph
Date: 1852 – 1852
Techniques: paper negative, salted paper print
Artist: ernest benecke
Artist role: artist
Artist nationality: french
Artist dates: 1817 – 1894
Subjects: female nudes
Portret van Hermann Kilian
Object type: print
Date: 1830 – 1899
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: hermann kilian, historical persons
Dancing Faun
Object type: figure
Date: 1750 – 1750
Materials: hard paste porcelain
Artist: doccia porcelain manufactory
Artist role: manufactory
Artist nationality: italian
Artist dates: 1737 – 1896
Subjects: dancing,fauns

This porcelain figure is a much-reduced version of a famous antique marble housed in the Uffizi in Florence. The Ginori porcelain manufactory, located in Doccia, near Florence, produced a variety of sculptures of considerable scale derived from antique models; this ambitious program tested the technical possibilities of porcelain, which was a new medium in Europe at this time, and responded to the taste for all things classical.
Scènes uit het boerenleven
Object type: print
Date: 1633 – 1679
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: wooden container: barrel, cask, bucket, jar, jug (used as drinking-vessel), farmers
Inscriptions: collector's mark: Lugt 1641, stamp:, collector's mark: Lugt 963

Een oude boer staat bij een houten ton met een kruik in de ene en een pijp in de andere hand. De voorstelling is gevat in een ornamentele kwablijst. Prent maakt deel uit van een serie met scènes uit het boerenleven. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Boerenleven.
Gezicht op de Pont de la Concorde en Place de la Concorde in Parijs
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: square, place, circus, etc., bridge in city across river, canal, etc.
Inscriptions: number: ‘No. 64. XXV’, inscription: ‘Paris Place de la Concorde’
Vue de l'Odon
Object type: photograph
Date: 1852 – 1854
Techniques: glass negative, salted paper print
Artist: edmond bacot
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1875
Subjects: architecture,buildings
Partridge (one of a pair)
Object type: figure
Date: 1741 – 1745
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds
City in the Mountains
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: france
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Femme en rouge dans un paysage
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: paris
Subjects: adult woman, landscapes, umbrella
Inscriptions: stamp: ‘[...] douanes [...]’, collector's mark: Lugt 2760, inscription: ‘34167 [...]’, collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Top and right half of a kylix handle, with part of the handle patch
Wine glass with a view of Rijnsaterwoude
Object type: goblet
Date: 1768 – 1769
Materials: glass
Techniques: glassblowing
Location: northern netherlands
Artist: Anonymous
Subjects: urban housing

inscription: ‘Rynsaterwoude’
Venus en Mercurius
Object type: print
Date: 1520 – 1520
Materials: paper
Techniques: etching
Location: augsburg
Artist: hans burgkmair (i)
Artist role: draughtsman, print maker
Artist dates: 1473 – 1531
Subjects: mercury and venus as lovers
Inscriptions: collector's mark: Lugt 2398, collector's mark: Lugt 2228, collector's mark: Lugt 1606

Dit is de enige ets die bekend is van Hans Burgkmair de Oudere. Mogelijk ging het om een eenmalig experiment. In het verleden is de prent ook wel toegeschreven aan zijn zoon, Hans Burgkmair de Jongere. De originele plaat, vervaardigd uit staal, bevindt zich in het British Museum (inv. nr. 1862,1011.184). Van deze plaat zijn tot in de negentiende eeuw afdrukken gemaakt.
Graaf Dirk van Teisterbant
Object type: drawing
Date: 1590 – 1593
Materials: paint, gouache, ink, parchment, watercolor
Techniques: writing
Location: northern netherlands
Subjects: culemborg, heren en graven van, dirk graaf van teisterbant, graven van teisterbant, culemborg

Dirk, graaf van Teisterbant, ca. 867. Staande ten voeten uit, in wapenrusting, speer in de linkerhand, het gedeelde wapen van Teisterbant en Aquitanië (?) aan een lint in de rechterhand. Onderdeel van geïllustreerd handschrift met de genealogie van de heren en graven van Culemborg.
2990 Amalfi Grand Hotel dei Cappuccini
Object type: photograph
Date: 1888 – 1903
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: amalfi

Een verblijf van de Capucijner aan de bergwand boven de stad Amalfi.
Jacket
Object type: jacket
Date: 1860 – 1860
Materials: silk
Culture: french
Wine Bottle
Object type: wine bottle
Date: 1701 – 1800
Materials: clay, glaze
Culture: japanese
Three Nude Women
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: workshop of raphael
Fruit, pruimen en oesters
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: anton weiss
Artist role: draughtsman, print maker
Artist dates: 1801 – 1851
Subjects: molluscs: oyster, fruits
Inscriptions: collector's mark: Lugt 2228, : ‘Gedeponeerd.’

Onderdeel van een omslag met een serie van eenenveertig lithografieën van bloemen en fruit.
Schoorsteen-Wercken
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: engraving
Location: the hague
Love in the East
Object type: print
Date: 1787 – 1787
Techniques: etching
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: couples,men,women
Portret van Ferdinand van Beieren
Object type: print
Date: 1709 – 1751
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: brussels, animals threatening man, ornament ~ medallion, historical persons, medusa (one of the gorgons), symbols, allegories of war; 'guerra' (ripa), attributes of jupiter: eagle, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Onder in het cartouche een voorstelling van het vredesverbond dat werd gesloten met het Ottomaanse leger.
Fragmentary Bowl
Object type: fragmentary bowl
Date: 1201 – 1300
Materials: stonepaste
Techniques: painting, underglaze
Location: iran
Wall hangings (3)
Object type: wall hanging
Date: 1774 – 1793
Materials: textile, silk
Artist: philippe de lasalle
Artist role: artist
Artist nationality: french
Artist dates: 1723 – 1804
Subjects: birds,roses
Hat
Object type: hat
Date: 1837 – 1837
Culture: american or european
Paapse piramide
Object type: print
Date: 1597 – 1601
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: hendrick hondius (i)
Artist role: draughtsman, print maker, publisher
Artist dates: 1573 – 1650
Subjects: rome, clergyman, utrecht, brussels, reformation (roman catholic church vs. protestantism), snakes, pope

Paapse piramide, 1612. Piramide gevormd door een grote slang voorstellende het pausdom en vele kleine slangetjes die andere elementen van de katholieke kerk symboliseren. Twee kleine slangen worden aangeduid als Loyola en pater Johannes de Gouda. Linksboven het Woord Gods uit een donderwolk. Op de grond allerlei gebruiksobjecten uit de roomse kerk. Met opschriften in de voorstelling in het Latijn en Nederlands. Met onderschrift van 2 kolommen met elk 10 regels in het Frans en het Nederlands. Spotprent op de paus en de Roomse kerk, ca. 1560.
Portret van een zittende man, aangeduid als A. Verschoor van Sleeswijk
Object type: photograph
Date: 1855 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: gorinchem
Artist: kornelis willem schorteldoek
Artist role: boekbinder, fotograaf
Artist dates: 1800 – 1885
Subjects: sitting figure, historical persons
Inscriptions: inscription: ‘SCHORTELDOEK/ PHOTOGRAAF/ GORINCHEM/ Groote Markt’, name: ‘A. Verschoor v. Sleeswijk’
A Man Mounting a Horse
Object type: painting, monochrome
Date: 1630 – 1630
Materials: oil, wood
Artist: anthony van dyck
Artist role: artist
Artist nationality: flemish
Artist dates: 1599 – 1641
Subjects: men,horses

These small oil sketches by Van Dyck were probably painted around 1630. They derive from similar studies by Rubens, and would have been used in Van Dyck's studio as models for equestrian portraits or historical and religious pictures.
Frontispiece, from Yvette Guilbert
Object type: print
Materials: paper
Techniques: lithograph, transfer
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Mannen haori met de Nihonbashi brug
Object type: kimono
Date: 1920 – 1940
Materials: silk
Techniques: weave
Location: japan
Artist: Anonymous
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: hawks
Waarzegster in een groepje van vijf figuren
Object type: drawing
Date: 1610 – 1660
Materials: paint, paper
Techniques: brush
Artist: jacob duck
Artist role: draughtsman, painter, print maker
Artist dates: 1600 – 1667
Subjects: fortune-teller ~ pleasure fair and circus
Toelichting bij de Triomf-poort van prins Maurits
Object type: manuscript
Date: 1710 – 1720
Materials: paper
Techniques: pen
Location: netherlands
Artist: Anonymous
Subjects: the hague, johan van oldenbarnevelt, maurice (prince of orange)

Bladzijde met geschreven toelichting op de tekening met triomfpoort voor prins Maurits. Behorende bij serie aquarellen in boek.
Soldaat die zijn musket op zijn schouder draagt (nr. 34), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, met een musket (een bepaald type vuurwapen) steunend op zijn linkerschouder (nr. 34), ca. 1600. In zijn linkerhand behalve de kolf van het musket ook een brandende lont en een furket (musketvork). Het gaat dus om (vrijwel) dezelfde positie als degene die op de tweede prent van de serie getoond wordt. Rechtsonder foutief genummerd 2, met de pen verbeterd in 34. Plaat 34 in de instructies voor het hanteren van het musket: Corte onderrechtinghe op de figuerliicke afbeeldinghe, soo veel aengaet het recht ghebruyck vant Musquet. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, 's-Gravenhage, 1607. Krijgswezen rond 1600.
La Fortune, from the playing cards (for quartets) "Costumes des Peuples Étrangers"
Object type: print
Date: 1700 – 1799
Techniques: etching, hand coloring
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: female nudes,playing cards
The Monumental Tablet, from "Grotteschi" (Grotesques)
Object type: print
Date: 1748 – 1748
Techniques: drypoint, engraving, etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: grotesques
Fishergate Sandwich
Object type: photograph
Date: 1901 – 1901
Materials: paper, photographic support
Techniques: daylight paper print
Location: sandwich
Artist: Anonymous
Subjects: gate, entrance, city-gate
Inscriptions: name: ‘ER’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Engeland en Frankrijk.
Interior and Exterior of the Colosseum, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: architecture,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 55 in the scrapbook.