deem-data/ArtiFact huggingface dataset:
Inhuldiging van Koningin Wilhelmina e Amsterdam 1898
Object type: history medal
Date: 1898 – 1898
Materials: silver
Techniques: striking

Verzilverde penning met oog en draagring, op de voorzijde het borstbeeld van Wilhelmina met lang haar naar links, met omschrift, op de keerzijde een leeg veld tussen twee samengestrikte eikentakken.
Ronde fontein met een beeld van David
Object type: album leaf
Date: 1600 – 1600
Materials: paper
Techniques: etching
Location: antwerp
Subjects: david with goliath's head, ornamental fountain

Vrijstaande monumentale fontein met een rijke orde-architectuur. Hiervoor ligt een rond uitgebouwd bekken onder een ronde koepel. In het bekken staat op een voetstuk David met het hoofd van Goliat. De prent maakt deel uit van een album.
Horizontal Panel with Triton and Child Surrounded by Foliage
Object type: print ornament architecture
Date: 1525 – 1561
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: triton

Ornament design with female triton or sea goddess and child at left.
Portret van Johan Schelderup
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving
Location: copenhagen
Artist: albert haelwegh
Artist role: painter, print maker
Artist dates: 1590 – 1673
Subjects: moustache, chair, beard
Inscriptions: collector's mark: Lugt 2228

Portret naar rechts van Johan Schelderup, 62 jaar oud, op een stoel.
Maskerade van de intocht van hertog Jan van Beieren te Leiden op 18 augustus 1420 door de Leidse studenten op 8 februari 1840
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: jan van beieren, students' pageant, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', leiden

Optocht nrs 5-18: raadslieden en schepenen van Leiden. Onderdeel van de prentserie van de Maskerade van de intocht van hertog Jan van Beieren te Leiden op 18 augustus 1420 door de Leidse studenten op 8 februari 1840.
Pendant in the form of a fish
Object type: pendant in the form of a fish
Date: 3900 – 100
Materials: bronze
Culture: cypriot
Subjects: fish
Musketmaat
Object type: kruitmaat
Date: 1590 – 1596
Materials: brass, leather, fiber
Techniques: soldering, striking
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Musket cartridges. A musket cartridge contained a precise measure of powder and allowed the musket to be fired at speed.
Pillar Support of an Addorsed Female Bodhisattva and an Offering Goddess
Object type: sculpture
Date: 1401 – 1500
Materials: bronze, gilt bronze
Culture: tibetan
Location: tibet
Gezicht op de oostzijde van de Westerkerk in Enkhuizen
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: enkhuizen
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: annotation: ‘Enkhuizen’, annotation: ‘Westerkerk. Enk[...]’
Portret van Lotharius I
Object type: book illustration
Date: 1661 – 1663
Materials: paper
Techniques: engraving, etching, hand coloring
Location: antwerp
Subjects: keizer, lotharius i (keizer van het heilige roomse rijk)
Inscriptions: collector's mark: Lugt 2228

Busteportret van Lotharius I, met rijk versierde mantel. Het portret is gevat in een rechthoekige omlijsting met een motto in het Latijn. In de marge het wapenschild van de geportretteerde en een vierregelig onderschrift in het Frans. Prent uit een boek waarin 54 prenten met portretten.
Marrow Scoop
Object type: metalwork
Date: 1827 – 1847
Materials: silver
Location: new york city
Artist: baldwin gardiner

The production and use of specialized flatware increased during the 18th and 19th centuries. The two slender ends of a marrow scoop were used to remove marrow from the cavities of bones. The varying sizes of scoops enabled a diner to extract this delicacy from bones of differing shapes.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: stemless kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the bowl of a stemless kylix, with a complete foot; the outer edge of the foot is profiled and glazed; the resting surface and inner wall of the foot is glazed; the underside has miltos; in the center there is a small black glazed circle with a smaller circle in the middle, which has a dot in the center
Landschap bij Bloemendaal
Object type: print
Date: 1769 – 1805
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Artist: jan evert grave
Artist role: draughtsman, print maker
Artist dates: 1759 – 1805
Subjects: farm or solitary house in landscape, public road (+ city(-scape) with figures, staffage)
Inscriptions: caption: ‘Te Bloemendaal. J.E. De Grave’, collector's mark: Lugt 2228

Een landschap te Bloemendaal met enkele wandelaars op een weg. Op de voorgrond een zit een man naast de weg met zijn hond. Op de achtergrond een huis.
Riviergezicht met bergen en bomengroep
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: etching
Artist: theodoor hannon
Artist role: print maker
Artist dates: 1851 – 1917
Subjects: prospect of village, silhouette of village, river, mountains
Inscriptions: inscription: ‘2e Etat’, collector's mark: Lugt 2228
Christopher Plantin, Publisher in Antwerp
Object type: print
Date: 1589 – 1589
Materials: ink, paper
Techniques: engraving, pen
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered within image: "Labore et Constantia" and "HGoltzius fecit". Inscribed below image in pen and ink: "Plantinum tibi Spectator ... secula docta tuo. Plantinum Aurore ... Plantini nepotis"
Vijftigjarige herdenking van de slag bij Waterloo, ter ere van Willem II, koning der Nederlanden
Object type: insignia
Date: 1815 – 1865
Materials: silver, textile
Techniques: striking, weave
Location: netherlands
Artist: Anonymous
Subjects: the hague, william ii of the netherlands, waterloo

Eenzijdig zilveren draagteken binnen eikekrans, boven wimpel aan draagring en lint, bestaande uit gele strik en rood-wit-blauw-geel gestreept lint. Voorzijde: borststuk man boven opschrift; op wimpel: opschrift
Titelpagina voor: Katharyne Lescailje, De Mengelpoëzy van Katharyne Lescailje, 1731
Object type: titelblad, titelpagina
Date: 1731 – 1731
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: katharina lescaille, the muses acting together (as group) - attributes, writer, poet, author
Inscriptions: collector's mark: Lugt 240

Titelpagina voor: Lescailje, Katharyne. De Mengelpoëzy van Katharyne Lescailje. Amsterdam: De Erfgenaamen van J. Lescailje en D. Rank op de Beurssluis, 1731.
Pijprokende Turken
Object type: vingerdoek
Date: 1850 – 1899
Materials: linen
Techniques: damask
Location: veghel
Inscriptions: mark: ‘ZK’

Vingerdoek van wit linnendamast, met dessin van pijprokende Turken.
The Orchid Pavilion
Object type: handscroll
Date: 1368 – 1911
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men,streams
Group of Four Amulets: Cobra, Vulture, Djed Pillar, and Heart
Object type: amulet, djedmutesankh, ib heart, djed pillar, cobra, vulture
Date: 1000 – 945
Materials: gold
Location: egypt
Subjects: birds,hearts,snakes

Found strung around the neck of the Priestess of Amun Djedmutesankh, these four amulets may have served as a magical charm. From right to left, they might be read: "Mut (the vulture goddess) says, 'may her heart endure." It has been suggested that they also form a pun on her name, which can be translated as "Mut says, 'may she live.'" For other objects found in the burial of Djedmutesankh, see 25.3.1–.3; .24; .27; .154a–d; and .167–.170.
The Great Pyramid, Giza
Object type: painting
Materials: canvas, oil
Artist: adrien dauzats
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1868
Subjects: pyramids,orientalist
Fragment of a Bowl
Object type: ceramic fragment
Date: 1201 – 1400
Materials: glaze, stonepaste
Techniques: glazing, incising
Location: egypt
Sterbender Gallier.
Object type: photograph
Date: 1895 – 1895
Materials: cardboard, paper, ink
Techniques: photograph
Location: capitolijnse musea
Artist: Anonymous
Subjects: dying, sculpture, extinct, 'historical' peoples: gauls
Inscriptions: inscription:, number: ‘No. 7.’, collector's mark: Lugt 3937
Twee voorstellingen uit het König-Ludwigs Album
Object type: print
Date: 1850 – 1859
Materials: paper
Techniques: lithograph, engraving
Location: munich
Subjects: downpour, rain shower, city-view, and landscape with man-made constructions, horse, painter in non-work situation, hay-wagon
Inscriptions: collector's mark: Lugt 2228, address: ‘Piloty & Loehle, München’

Prent afkomstig uit de serie 'Album Seiner Majestät des Königs Ludwig I. von Bayern', verschenen in verschillende afleveringen. De prenten gaan terug op het album dat Lodewijk I van Beieren op 9 oktober 1850 kreeg overhandigd van verschillende kunstenaars.
Studie
Object type: sketchbook leaf
Date: 1881 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888

Blad 18 recto uit een schetsboek met 29 bladen.
Double Pottery Whistle
Object type: pottery whistle
Date: 500 – 500
Materials: clay
Culture: costa rican
Location: costa rica

The production of anthropomorphic and zoomorphic ceramic figures in Central and South America originated about 6,500 years ago in the Andes region of Colombia, then spread along the west coast, from Ecuador to northern Chile and Argentina, and finally farther north into Central America. Rattles and whisltes, made in a variety of sizes and forms, sometimes imitated the sounds of the creature represented. Description: Standing humanoid figure of reddish brown clay, hands placed on enlarged hips, with hollow legs, joined at ankles, forming separate mouthpieces; mouths of whistles located on sides of thighs, at base of hollow spheroidal hips that form separate resonating chambers for whistles; punctate eyes and teeth, incisions delineating costume on figure's torso; pitches of whistles fairly close, producing a shrill effect.
Kledingzaak
Object type: album leaf
Date: 1931 – 1937
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: surabaya
Artist: Anonymous
Subjects: shop, store, street, edifice, e.g.: public building, department store, surabaya

Albumblad met een foto van de straatgevel van een nieuw opgeleverd gebouw, waarin een filiaal van de kledingzaak Tjia A Bie. Bij de ingang een bord met de naam van het architectenbureau H. de Gidts te Soerabaja. Onderdeel van een fotoalbum met foto's van machines en constructies van de N.V. Machinefabriek Braat te Soerabaja, Soekaboemi en Tegal uit de periode 1931-1937.
Schouw met spiegel
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: chimney

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Heilige Franciscus van Assisi ontvangt het Christuskind van Maria
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: printmaking, hand coloring
Subjects: the virgin mary handing over the infant christ to st. francis of assisi
Inscriptions: collector's mark: Lugt 2725, collector's mark: Lugt 12

Door Christiaan Josi opgenomen in een uitgave met 100 werken naar Hollandse en Vlaamse meesters: Collection d'imitations de dessins d'après les principaux maîtres hollandais et flamands, Londen, C.Josi, 1821. Alle prenten in deze uitgave dragen op het verso het wapen van Cornelis Ploos van Amstel, de initiatiefnemer voor de uitgave.
Avalokiteshvara, the Bodhisattva of Infinite Compassion
Object type: figurine
Materials: bronze
Culture: sri lankan
Subjects: buddhism,avalokiteshvara,bodhisattvas

The early history of Sri Lanka is intimately linked to that of India. In particular, Buddhism, which first reached Sri Lanka in the third century B.C., profoundly shaped the art and culture of this island nation. This small bronze, representing Avalokiteshvara, the Bodhisattva of Infinite Compassion, shares the physical proportions, sensuous plasticity, and exquisite modeling that characterize the sculpture of southern India in the seventh century. The deity's narrow face and elongated nose, however, attest to the work's Sinhalese origins. Avalokiteshvara is seated in a posture of royal ease on a square throne with right leg raised and foot placed on top of the pedestal. The left leg is pendant, the foot resting on a small projecting element. Identified by the small—in this case, abraded—figure of a Buddha in his headdress, Avalokiteshvara is dressed in a long dhoti and wears the sacred thread across his chest.
Views of the universal Exposition / Vues de l'Exposition universelle
Object type: stereograph
Date: 1878 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: world fair, world exhibition, paris
St. Michael Archangel and the Devil
Object type: drawing and watercolor
Materials: chalk, ink, paper, lead, pigment
Techniques: brush, heightening, pen, wash
Location: italy
Artist: after guido reni
Puteal (wellhead) with Narcissus and Echo, and Hylas and the Nymphs
Object type: puteal
Date: 101 – 200
Materials: marble
Culture: roman
Subjects: narcissus,nymphs

Excavated in 1797 in Tor Bavacciano, Ostia, the port of Ancient Rome This puteal (wellhead) is an outstanding example of Roman figural relief sculpture of the second century A.D. It once covered a well in Ostia, the port town of ancient Rome, probably within a sumptuous Roman villa along the Tiber River. The ancient Roman sculptor has transformed a utilitarian object into a luxurious work of art. Carved from a single block of marble, whose form resembles a Hellenistic altar, the drum is decorated with two cautionary tales from Greek mythology that relate to water. The sculptor seamlessly combined the story of Narcissus and Echo, best known from Ovid’s Metamorphoses, with the tale of the handsome hero Hylas being abducted by nymphs in the land of Mysia (western Turkey) as he was fetching water for the Argonauts on their quest to find the Golden Fleece, best known in Greek literature from the Argonautica of Apollonios of Rhodes.
Portret van Polykarp Leyser I
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: letterpress printing
Location: germany
Subjects: theologian, historical persons, book

Op verso de titelpagina van: Epicedia in obitum Polycarpi Lyseri (...). Leipzig: Abraham Lamberg, 1610.
Sheep Dog or Collie (Smooth), from the Dogs of the World series for Old Judge Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: dogs

The "Dogs of the World" series of trading cards (N163) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The series of 50 cards depicts dogs of various breeds. The Metropolitan Museum of Art owns 23 of the series' 50 cards.
Kasteel in Italië
Object type: book illustration
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: italy
Subjects: city-view, and landscape with man-made constructions, castle, italy

Prent uit: Giovanni Giorgio Grevio, Thesaurus Antiquitatum et Historiarum Italiae, Leiden: Pieter van der AA, 1704.
Brief aan Philip Zilcken
Object type: letter
Date: 1893 – 1893
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: paris, paul verlaine, deventer, elisabeth van vloten, philip zilcken, money, leiden, amsterdam
Inscriptions: watermark, collector's mark: ‘RPK’
Vase
Object type: vase
Date: 1825 – 1850
Materials: glass, lead
Techniques: glassblowing
Culture: american
Location: united states
Artist: jersey glass company of george dummer
Artist role: maker
Artist nationality: american
Artist dates: 1824 – 1862
The Top, from The Games of the Urchins of Paris
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: etching
Location: france
Artist: jean-baptiste tilliard
Artist role: artist
Artist nationality: french
Artist dates: 1740 – 1740
Landscape
Object type: painting
Date: 1401 – 1500
Materials: ink, paper
Location: japan
Artist: attributed to oguri sotan
Artist nationality: japanese
Artist dates: 1413 – 1481
The Complicated R_____n
Object type: print
Date: 1794 – 1794
Techniques: etching
Artist: richard livesay
Artist role: artist
Artist nationality: british
Artist dates: 1750 – 1826
Subjects: satire,men,dogs,telescopes

A man looks through a telescope at another man's rear end. The text mocks the preface of Jonathan Richardson Sr.'s "Explanatory Notes and Remarks on Milton's Paradise Lost," pub. 1734 and the print is based on a sketch attributed to Hogarth.
Satan als vogelvanger met wereldse rijkdom als aas
Object type: print
Date: 1699 – 1699
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: devil(s) and demons, bird hunting (+ net), 'mondo', 'machina del mondo' (ripa), acquiring riches
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond zit de duivel achter een muurtje met in zijn handen een koord dat aan een vangnet is vastgemaakt. Op de achtergrond rennen mensen richting een wereldbol met allerlei rijkdommen. De mensen zijn zich niet bewust van het vangnet dat rond de wereldbol is gespannen. Wereldse rijkdom is het aas de de duivel gebruikt om mensen te vangen.
Pendant Depicting a Pair of Birds
Object type: pendant, ba bird
Date: 1390 – 1352
Materials: glass
Location: egypt
Subjects: birds
Coucher de soleil
Object type: print
Date: 1915 – 1919
Materials: paper
Techniques: drypoint
Location: netherlands
Artist: lodewijk schelfhout
Artist role: draughtsman, print maker
Artist dates: 1881 – 1943
Subjects: low hill country, sunset
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, collector's mark: Lugt 5i

Zonsondergang boven een heuvellandschap met een meer, een gebouw met meerdere torens en een boogbrug. Op de voorgrond een boom.
Guardroom Scene
Object type: drawing
Date: 1700 – 1700
Materials: ink, paper
Techniques: brush, pen, wash
Artist: pieter bout
Artist role: artist
Artist nationality: flemish
Artist dates: 1658 – 1719
Subjects: soldiers,men,drums,dogs

This charming and beautifully executed drawing is the work of the late 17th-century Brussels painter and draftsman, Pieter Bout. He painted views of towns, villages, ports and beaches in the tradition of Jan Brueghel. With a wealth of detail, he depicted here a scene in a guardroom. A group of well-dressed soldiers in the center plays cards. Behind them another, less elegant group, sits near the fireplace talking and drinking. Two figures on the left are sleeping, another in the foreground is putting on or removing his boots. Another bedraggled figure in the bottom right is dressing. Bouts continues the Dutch and Flemish tradition of guardroom scenes set by such artists as Anthonie Palamedesz and David Teniers earlier in the century.
Emancipated Blacks in the United States, from "Le Journal Illustré"
Object type: print
Techniques: engraving
Artist: amand jacob
Artist role: engraver
Artist nationality: french
Artist dates: 1834 – 1895
Subjects: men,women,dogs,horses,carriages,ox,slaves

Roughly one month following the end of the American Civil War, "Le Journal Illustré," a French weekly newspaper, published this wood engraving that illustrated the stakes of the Union victory. Although Abraham Lincoln had issued the Emancipation Proclamation in 1863, it was not until 1865 that the congress passed the Thirteenth Amendment and the abolition of slavery was assured nationwide. While the image conveys a jubilant celebration of newfound freedom, the commentary that accompanied it was more pessimistic. The text asks what these men and women will do next for work and describes victims of starvation left in the path of triumphant processions such as this.
Spotprent op Lodewijk XIV en de dauphin, 1689
Object type: cartoon
Date: 1689 – 1689
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: jacobus ii (koning van engeland en schotland), lodewijk xiv (koning van frankrijk), paris, clergyman, alexander viii, dauphin van frankrijk lodewijk, london

Spotprent op Lodewijk XIV (Harlekijn) en Lodewijk, dauphin van Frankrijk, 1689. De dauphin op een triomfwagen getrokken door padden, zijn vader Lodewijk XIV wordt door een Duitse soldaat tegengehouden ten strijde te trekken. Rechts de paus en de kardinaal von Fürstenberg. Links vluchten de jezuïet pater Peters (Edward Petre) met Mary van Modena en het ondergeschoven kind Jacobus Frans Eduard op een ezel. Op de achtergrond Jacobus II en Willem III. Onder de voorstelling een vers in 3 kolommen met een toelichting op de nummers 1-12 in het Nederlands.
Drill with Tilted Pikes, plate five from The Military Exercises
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Snuff Bottle with Antique Vessels
Object type: snuff bottle
Date: 1767 – 1833
Materials: glass
Culture: chinese
Opvoering van het toneelstuk 'De tante uit Indië' van Henri van Wermeskerken
Object type: photograph
Date: 1928 – 1970
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Subjects: theatre, theatrical performance, monocle, single lorgnette, chair
Inscriptions: annotation: ‘Toneelstuk/ De Tante uit Indië’, collector's mark: Lugt 2228a, :, copyright notice: ‘COPYRIGHT/ N.V. VEREENIGDE FOTOBUREAUX/ NIEUWE HEERENGRACHT 105/ AMSTERDAM’

Een lange man gekleed in een pak met kamerjas en met een monocle staat tegenover een vrouw in een interieur. De vrouw staat op een stoel om op gelijke hoogte te zijn met de man en pakt de revers van zijn kamerjas vast.
Portret van Hendrik Tavenier
Object type: print
Date: 1798 – 1837
Materials: paper
Techniques: etching
Location: netherlands
Artist: ernst willem jan bagelaar
Artist role: draughtsman, print maker
Artist dates: 1775 – 1837
Subjects: paris, painter, print maker, draughtsman, publisher, herman van swanevelt, hendrik tavenier
Inscriptions: collector's mark: Lugt 2228

Volgens Hippert&Linnig portret van Van Swanevelt, achter op twee van de verschillende staten wordt echter H. Tavenier genoemd als de geportretteerde
Jug
Object type: jug
Date: 750 – 480
Materials: terracotta
Culture: cypriot

Oinochoe with bands and concentric circles, with lotus and other details in white.
Portret van Willem V, prins van Oranje-Nassau
Object type: print
Date: 1775 – 1791
Materials: paper
Techniques: engraving, etching, hand coloring
Location: northern netherlands
Artist: mathias de sallieth
Artist role: print maker
Artist dates: 1749 – 1791
Subjects: the hague, william v (prince of orange)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: georges de solpray
Artist role: schrijver
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’