deem-data/ArtiFact huggingface dataset:
Kandyan chief processing to a temple
Object type: tile
Date: 1851 – 1900
Materials: terracotta
Techniques: painting
Culture: sri lanka, kandy district

This painted terracotta tile likely has its origins in a class of painted temple décor produced in association with temples in the Kandy district of Sri Lanka. The painting style and narrative treatment best relate to late Kandyan-period temple interior murals, such as preserved at Degaldoruwa Vihara, at Amunugama, Kandy, in the later 18th or early 19th century. Here we see a Kandyan nobleman named in the accompanying inscription as [-------] nayaka, no doubt one of the famed noble family names, in procession with his regalia (a sesat, radiant sun parasol) and militia (holding lances, tomara), being received by a temple assistant holding a lamp, referred to in the inscription as a ‘messanger’ (payyinda kaaraya). The reference to “deevaale” is to a temple or shrine that the Kandyan Chief is visiting imminently.
Portret van een man met snor en hoed
Object type: carte de visite
Date: 1862 – 1863
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Subjects: moustache, historical persons, head-gear: top hat
Inscriptions: inscription: ‘Etablissement Photographique/ de Maes & Michaux/ Place de la Monnaie, 36, Rue Fossé-aux-Loups/ Bruxelles’
Reizei Carrying a Teshoku (Hand Lantern)
Object type: woodblock print
Date: 1769 – 1769
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: isoda koryūsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Subjects: women
Ruiter
Object type: sketchbook leaf
Materials: chalk, paper
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: riding a horse, ass, or mule; rider, horseman, asiatic races and peoples
Inscriptions: kleurnotitie, handgeschreven

In oosterse kleding en met hoofddeksel. Pagina 62 uit een schetsboek met 51 bladen.
Brief aan Philip Zilcken
Object type: letter
Date: 1893 – 1893
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: ariette sophia jeannette mauve-carbentus
Artist role: draughtsman
Artist dates: 1856 – 1894
Subjects: arnhem, painter, print maker, draughtsman, anton mauve, philip zilcken, sending and receiving postal matter, the graphic arts, money, new york (city)
Inscriptions: collector's mark: ‘RPK’
Brooch
Object type: brooch
Date: 1000 – 800
Materials: copper alloy
Culture: european bronze age
Rim fragment of a terracotta kylix
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, rim fragment with part of the upper right corner of the handle patch; part of the tail of a lion's skin?
Portrait of Charlotte White
Object type: plaque
Date: 1801 – 1900
Materials: glass, paper
Subjects: profiles,women
Gordijn met patroon van bladeren binnen spitsovalen  in geel op groene fond
Object type: curtain
Date: 1904 – 1924
Materials: cotton
Techniques: jacquard
Location: helmond
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951

Gordijn van jacquardweefsel met zich herhalend motief van bladeren binnen spitsovalen. Gele inslag op groene ketting. Voorzien van metalen ringen.
Portret van Peter I de Grote, tsaar van Rusland
Object type: print
Date: 1764 – 1810
Materials: paper
Techniques: engraving, etching
Subjects: peter i de grote (tsaar van rusland), historical persons, emperor
Inscriptions: collector's mark: Lugt 2228
Claret
Object type: claret
Date: 1818 – 1818
Materials: glass
Culture: british
Location: england
Artist: pellatt & green
Artist role: maker
Artist nationality: american
Textile with Lotus and Arabesque Design
Object type: textile fragment
Date: 1401 – 1500
Materials: cotton
Techniques: dyeing, weave, printing
Location: egypt
Subjects: flowers,leaves

This cotton, block-printed textile employs both Indian and Chinese ornamental motifs. Looking closely at Yuan period (ca. 1271–1368) silks, this textile emulates frontal facing lotus flowers seen in its center. The border of the textile fragment which include square-and-star patterning reflects Gujarati designs seen in tie-dye textiles (known as bandani.) The wavy lotus pattern was often used on Chinese storage jars found in Iran and therefore reflect the transregional dissemination of designs across geographies, especially during the fifteenth century. This textile fragment is one of a larger group of objects which were made in Gujarat, India, but found in Fustat, Egypt (known as Old Cairo.) It represents the intercontinental market and demand for vibrantly dyed and intricately block-printed Gujarati textiles that traveled across the Indian Ocean.
Portret van Marie Wilt
Object type: book illustration
Date: 1891 – 1892
Materials: paper
Techniques: letterpress printing, engraving
Location: germany
Artist: Anonymous
Subjects: vienna, historical persons - bb - woman, opera-singer (female)

Prent waarschijnlijk uit: Moderne Kunst 6, nr. 3 (1891-1892).
Portret van Frederik Christiaan de Greuve
Object type: print
Date: 1829 – 1894
Materials: paper
Techniques: tone lithography
Location: groningen
Artist: jan ensing
Artist role: draughtsman, painter, print maker
Artist dates: 1819 – 1894
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De geportretteerde kijkt naar links en heeft zijn hand voor de borst. Hij draagt een toga en een bef.
Gold and chalcedony earrings
Object type: earring hook type with pendant
Date: 201 – 300
Materials: stone, gold
Culture: roman
Notre Dame de Bonsecours, près Rouen
Object type: photograph
Date: 1852 – 1854
Techniques: glass negative, salted paper print
Artist: edmond bacot
Artist role: artist
Artist nationality: french
Artist dates: 1814 – 1875
Subjects: architecture,cathedrals
Brabant,  Jan I, penning
Object type: coin
Date: 1268 – 1294
Materials: silver
Techniques: striking
Location: brussels

Voorzijde: klimmende leeuw naar links. Keerzijde: gevoet kruis, in de hoeken letters I,D,V en X.
Plaque with the Crucifixion between Longinus and Stephaton and Personifications of the Sun and Moon
Object type: plaque
Date: 1200 – 1200
Materials: copper, enamel
Techniques: enamel
Culture: german
Location: germany
Subjects: soldiers,christ,crucifixion

This plaque was probably originally part of a pulpit or altar frontal. An enamel palette of blue, green, red, and white and lively engraving delineate the figures and their clothing. Contemporary enamels from the Limoges region of France inspired the composition.
Ontwerp voor een toneeldecor van een zuilengalerij met loggia
Object type: drawing
Date: 1779 – 1779
Materials: graphite, ink, paper, watercolor
Techniques: brush, pen
Artist: pieter barbiers (i)
Artist role: print maker
Artist dates: 1717 – 1780
Subjects: stage design
Inscriptions: date: ‘1779’
Messenheftring uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: knife handle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Frontispiece from "Collection of Portraits"
Object type: print
Date: 1714 – 1741
Techniques: engraving
Artist: etienne jehandier desrochers
Artist role: artist
Artist nationality: french
Artist dates: 1668 – 1741
Fragment of an Ewer
Object type: fragment of an ewer
Date: 1001 – 1200
Materials: earthenware
Techniques: molding
Location: iran
Mont Pentélique
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: etching
Location: france
Artist: claude-félix-théodore caruelle d aligny
Artist role: print maker
Artist dates: 1798 – 1871
Subjects: landscape with ruins, mountains
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Maakt deel uit van een omslag met tien prenten.
Encyclopedische voorstelling van het gebruik van paarden
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: johann bernhard basedow, accident with horse (or kindred animal)
Inscriptions: collector's mark: Lugt 2228

De prent maakt onderdeel uit van een serie van 96 prenten die verschenen ter illustratie van het 'Elementarwerk' van de Duitse pedagoog Johann Bernhard Basedow. De prenten werden door verschillende kunstenaars vervaardigd naar tekeningen van Daniel Chodowiecki. In 1774 verscheen het verzamelde prentwerk bij Crusius in Leipzig onder de titel: Kupfersammlung zu J.B. Basedows Elementarwerk für die Jugend und ihre Freunde.
Vase in the Shape of an Ancient Bronze Vessel
Object type: vessel
Materials: porcelain
Techniques: celadon glazed
Location: china
Pair of tassels
Object type: tassel
Date: 1501 – 1600
Materials: metal thread
Portret van Adam Friedrich Oeser
Object type: print
Date: 1759 – 1819
Materials: paper
Techniques: etching
Subjects: painter, print maker, sculptor, adam friedrich oeser, historical persons
Inscriptions: collector's mark: Lugt 2228
Diverse onderwerpen
Object type: album leaf
Date: 1890 – 1898
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adult woman, ruin of a building ~ architecture, civic architecture; edifices; dwellings - aa - civic architecture: inside, church (exterior)

Gezichten op een woning, een kerk, een gebouw en een toren en een roeiende vrouw. Deze pagina maakt deel uit van een album.
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the mouth of a trefoil oinochoe
The Forge
Object type: print
Date: 1861 – 1861
Materials: ink, paper
Techniques: drypoint
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Government House, Hong Kong
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Verschillende Engelse koekjes en biscuits als voorbeeld bij recepten 790-873
Object type: photomechanical print
Date: 1900 – 1905
Materials: paper
Techniques: photograph
Location: bad langensalza
Artist: Anonymous
Subjects: pastry cook, moulds for biscuits, biscuits
Terrine met deksel, op vaste onderschotel, met groene rand en gouden Griekse band
Object type: tureen
Date: 1865 – 1865
Materials: earthenware
Techniques: transfer decoration
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: check stamp: ‘20’, mark: ‘P. REGOUT HOLLAND MAASTRICHT’, check stamp: ‘P. REGOUT // MAASTRICHT // 2X 7’

Terrine van aardewerk, met deksel en op vaste onderschotel, rond, geschulpt, met groene rand en gouden Griekse band.
Bed cover
Object type: bed cover
Date: 1826 – 1826
Materials: cotton
Vrouw in deuropening met een hond
Object type: photograph
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: adult woman, dog, france

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
Boten varen door de overstroomde straten van Singkawang
Object type: photograph
Date: 1920 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Subjects: borneo
Amersfoort. O.L. Vrouwe Toren
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: lithograph
Location: amersfoort
Subjects: church (exterior), canals, waters (in city)
Inscriptions: monogram: ‘G.B.’
Knoop van koper met stras
Object type: button
Date: 1910 – 1910
Materials: copper, paste
Techniques: forging, grinding
Location: france
Artist: Anonymous

Knoop van koper met stras. Binnen een zesklobbige rand is een ajour rasterwerkvulling gevat, met op de kruispunten telkens een stras, als briljant geslepen.
Hoe moed en trouw gepaars aan list; / Weleer De Groot te redden wist. / En hoe hij vluchtte als metselaar. / Wordt ge op deez' fraaije prent gewaar
Object type: print
Date: 1848 – 1881
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: delft, hugo de groot, history, loevestein castle
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen over de ontsnapping van Hugo de Groot uit Slot Loevestein verstopt in een boekenkist, op 22 maart 1621. Onder elke afbeelding een tweeregelig vers. Genummerd midden boven: No. 67.
Fragment (Dress Fabric)
Object type: textile
Materials: silk
Techniques: weave
Location: china
Subjects: plant-derived motif, flowers

This textile reflects the cosmopolitan richness and inventiveness of the Tang dynasty. During this period, caravans of merchants and Buddhist clerics traversed the vast network that modern scholars call the Silk Road, transporting China’s luxurious silks westward across Asia and returning with exotic goods from empires extending to the Mediterranean Sea.

In this textile’s jewel-like floral medallion, symmetrically curled and layered tendrils derived from the classical half palmette were adopted and refined by Chinese weavers from foreign sources. The stylized floral head seen from above, the blossoming stems in three-quarter view, and the half palmettes in profile merge naturalism and geometry by subtly varying perspective and color. This design pervaded East Asian decorative arts; similar floral medallions and scrolls embellish wall paintings, stone carvings, and vessels of ceramic and silver that Tang aristocrats commissioned for their tombs, Buddhist temples, and private treasuries. Architectural tiles from palace sites in Korea and, most notably, exquisite silk fabrics and carpets preserved in the Shosoin repository in Nara, Japan, attest to the transmission of these patterns throughout East Asia in the eighth century.
VOC, duit Holland, 1744
Object type: coin
Date: 1744 – 1744
Materials: copper
Techniques: striking
Location: dordrecht

Koperen munt. Voorzijde: gekroond wapenschild van Holland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
The First Night of My Wedding, or Little Boney No Match For an Arch Dutchess
Object type: print
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,napoleon i,men,women,beds

The Duchess Marie Louise of Parma, Napoleon's new second wife, sits in her nightgown on a canopied bed. One leg rests on a crown on the floor labeled "Portable Water Closet." Looking at the viewer she says, "Still says sly Old Hodge says he / Great talkers do the least d'ye see / Well Well there's one hope left-- / I shall quickly carry him to his Journey's end." Behind her, Napoleon wearing a night cap and looking exhausted, supports his head with one hand and holds a bottle labeled "Dropsy." He says "Mort de Ma Vie I must I must brush off to Campiegne, and order seperate [sic] Beds."
Boy
Object type: figure
Date: 1765 – 1765
Materials: hard paste porcelain
Artist: höchst manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1746 – 1796
Subjects: boys
Verbena (Verbena chamaedrifolia), from the Flowers series for Old Judge Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: flowers,leaves

The "Flowers" series of trading cards (N164) was issued by Goodwin & Company in 1890 to promote Old Judge Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series.
Slapende herderin en slapende Amor
Object type: print
Date: 1760 – 1802
Materials: paper, watercolor
Techniques: printmaking, hand coloring
Location: paris
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., (story of) cupid, amor (eros), sleeping; unconsciousness
Inscriptions: collector's mark: Lugt 2228, number: ‘No. 605’, collector's mark: Lugt 2760
Op de verkiezinge van zyne hoogheid, den heere Wilhelm Carel Hendrik Friso, prinse van Oranjen en Nassau, &c, &c, &c. tot stadhouder, kapitein generaal en admiraal over de Provintien Holland, Zeeland en Utrecht
Object type: poem
Date: 1747 – 1747
Materials: paper
Techniques: letterpress printing
Artist: johan van eysden van achlum
Artist role: schrijver
Subjects: willem iv (prins van oranje-nassau)
Inscriptions: collector's mark: Lugt 2228

Tekstblad met een klinkdicht van 14 regels op de verkiezing van Willem IV tot stadhouder, mei 1747.
Ingang van het Vondelpark bij de Stadhouderskade in Amsterdam
Object type: photograph
Date: 1850 – 1900
Materials: paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: gate, entrance, public gardens, park
Fotoreproductie van een schildering, voorstellende een gezicht op Alton Barnes
Object type: page
Date: 1866 – 1876
Materials: paper
Techniques: woodburytype
Location: alton
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Ceramic Fragment
Object type: fragment
Date: 1001 – 1200
Materials: earthenware, glaze
Location: iran
Poële Antique
Object type: print
Date: 1778 – 1782
Materials: paper
Techniques: etching
Location: paris
Subjects: vase ~ ornament, hearth and stove
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ontwerp voor een haard of kachel met een rechthoekig tablet en een vaas met guirlandes en een dennenappel aan de bovenzijde.
Portret van actrice Madeleine Brohan
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: L'Artiste, 1862, dl. 1.
Elizabeth Bushby
Object type: painting, miniature
Date: 1804 – 1804
Materials: ivory
Artist: andrew plimer
Artist role: artist
Artist nationality: british
Artist dates: 1763 – 1837
Subjects: portraits,women
Still Life with Fish, Sea Food and Flowers
Object type: painting
Date: 1612 – 1615
Materials: oil, panel
Artist: clara peeters
Artist role: painter
Artist dates: 1580 – 1634
Subjects: seafood, molluscs (+ shell, snail-shell etc.), fish; still life of fishes
Inscriptions: signature, bottom left, on the table edge: ‘CLARA P.’

The gleaming carp, the slippery eel, and the shiny glaze of the earthenware bowl: they seem almost tangible. With her still lifes, Peeters seamlessly tapped into the era’s fascination with plants, flowers, and ‘art cabinets’ in which wealthy collectors gathered special objects. In this instance, she combines fish, shells, and oysters from all over the world.
Sluis, Stadhuis
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: lithograph
Location: terneuzen
Subjects: townhall
Russische kopek
Object type: miniature
Date: 1650 – 1710
Materials: silver
Artist: Anonymous

Zilveren muntje; Russisch kopek met ronde vorm, van Alexis Michaelowitz, czaar van Rusland (1645 - 1676).
Le Culte de Dieu (The Worship of God), from "Les Sacrifices" (The Sacrifices)
Object type: print
Date: 1625 – 1625
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Bijbelse taferelen
Object type: print
Date: 1582 – 1592
Materials: paper
Techniques: etching
Location: antwerp
Artist: pieter van der borcht (i)
Artist role: print maker
Artist dates: 1545 – 1608
Subjects: the blind leading the blind (matthew 15:14), christ touches the bier of the son of the widow of nain: the young man sits up, a paralytic on his bed is brought to the house where christ is preaching (matthew 9:1-8; mark 2:1-12; luke 5:17-26), meal at the house of levi (matthew) (matthew 9:10-13; mark 2:15-17; luke 5:29-32), christ sends apostles out in pairs (matthew 10:1-16; mark 6:7-11; luke 9:1-5), the mote and the beam in the eye ~ doctrine of christ on love, etc. (matthew 7:4; luke 6:42)

Verschillende taferelen over het leven van Christus uit het evangelie van Lucas . De taferelen zijn genummerd op passage. Uiterst rechts van de prent geneest Christus een verlamde man die op een draagbed werd neergelaten door zijn vrienden (Lucas 5:17-26). Daarnaast bezoekt Christus het huis van tollenaar Levi en heeft er een feestmaal (Lucas 5:27-39). Op de voorgrond en links van de prent worden enkele van Christus zijn spreuken verbeeld. Op de voorgrond vallen twee blinden in een kuil (Lucas 6:39). Links wordt een jongen met een splinter in zijn oog berispt door een oudere man met een balk in zijn oog (Lucas 6:41-42). Op de achtergrond brengt Christus de dode zoon van een weduwe uit Naïn terug tot leven (Lucas 7:11-17). In het midden van de prent zendt Christus de twaalf apostelen uit op missie (Lucas 9:1-6).
Portret van Pierre Séguier op 51-jarige leeftijd
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: engraving
Location: france
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: paris, pierre séguier, historical persons, politician, e.g. party leader, diplomacy, diplomat
Inscriptions: collector's mark: Lugt 240

Met tweeregelig onderschrift in het Latijn.
Design for an Overdoor or Chimney Piece with an Armorial Trophy and the personification of Victory
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: weapons,women
Chiyoda Castle (Album of Men)
Object type: print
Date: 1897 – 1897
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: men
's Gravenhage, Haagsche Bosch, Huis Ten Bosch. La Haye, Bois de la Haye, Palais de la Reine
Object type: cabinet photograph
Date: 1865 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: palace, terrace

Onderdeel van Leporelloalbum met foto's van Den Haag.
Wehrmacht militairen lopen in een straat
Object type: photograph
Date: 1941 – 1942
Materials: photographic support
Techniques: gelatin silver print
Location: raamsdonksveer
Artist: Anonymous
Subjects: drill ~ military training, occupation ~ war

Een compagnie Duitse militairen lopen in een straat. Links en rechts lopen kinderen mee. Achterop staat: In Holland. Die Komp. kommt von Exerzierplatz zurück.
Ex libris van Martinus Köllnberger
Object type: bookplate
Date: 1700 – 1899
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: martinus köllnberger
[The Pelicans and Greenhouses, Zoological Gardens, Brussels]
Object type: photograph
Date: 1854 – 1856
Techniques: paper negative, salted paper print
Artist: louis-pierre-théophile dubois de nehaut
Artist role: artist
Artist nationality: french
Artist dates: 1799 – 1872
Subjects: gardens,men,pelicans
Modelbuch aller Art Nehens vn Stickens (Page 8v)
Object type: book print ornament architecture
Date: 1535 – 1535
Techniques: woodcut
Location: germany
Artist: christian egenolff
Artist role: publisher
Artist nationality: german
Artist dates: 1502 – 1555
Subjects: ornament

Published by Christian Egenolff, German, 1502-1555, Frankfort am Mayn. Illustrated title page, 26 pages of designs including 4 pages of animals and fish at the end.
Gewonden in een kerk
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: woodcut
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: crutches, nun(s), patient, sick person
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een man leunt op twee krukken. Rechts van hem zit een man met opgetrokken rechterbeen. Links op de achtergrond twee nonnen in habijt.
Joseph, from The Twelve Sons of Jacob
Object type: print
Date: 1584 – 1594
Techniques: engraving
Location: amsterdam
Artist: jacques de gheyn (ii)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1629
Subjects: bow and arrow,men