deem-data/ArtiFact huggingface dataset:
Elegant paar in een tuin
Object type: print
Date: 1781 – 1782
Materials: paper
Techniques: etching
Location: bern
Subjects: courting
Inscriptions: collector's mark: Lugt 2228

Prent uit: Les Nouvelles de Marguerite, reine de Navarre. Bern: la nouvelle Société Typographique, 1780-1781.
Small bowl
Object type: small bowl
Date: 1115 – 1234
Materials: glaze, stoneware
Culture: chinese
The Third Sawamura Sojūrō in the Role of Soga no Jūrō
Object type: woodblock print nishiki e
Date: 1779 – 1779
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: men,actors
"- Tomorrow we will study Saturn. I want you to pay special attention to this great planet.... which in all likelihood you will never in your life have the opportunity to see!," plate 18 from Professeurs Et Moutards
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Gezicht op ketelmakerij H. & J. Suyver in de Wilhelminahaven, mogelijk Dordrecht
Object type: lantern slide photographic
Date: 1900 – 1900
Materials: glass, paper
Techniques: gelatin silver transparency
Location: amsterdam
Artist: machiel gerrit george suyver
Artist role: fotograaf
Artist dates: 1872 – 1933
Subjects: harbour, heavy industry

Klinktoren van ketelmakerij H. & J. Suyver, hoek Bickersgracht en Realengracht, Amsterdam. Op de achtergrond het pand van het Wilhelminaveem.
Glass alabastron (perfume bottle)
Object type: alabastron
Date: 200 – 1
Materials: glass
Culture: greek, eastern mediterranean

Translucent cobalt blue, with handles in same color; trails in opaque white and opaque yellow. Thick slight inward-sloping rim-disk, with radiating tooling marks on upper surface; tall cylindrical neck, slanting to one side; small sloping shoulder; cylindrical body with slightly convex sides; slightly flattened bottom with cross-shaped tooling marks; on upper body, two lug handles, applied over trail pattern, one higher than the other; both have trailed off ends to one side extending towards shoulder. A white trail applied to neck, wound round once horizontally and then down in a spiral to body; a yellow trail attached unevenly around rim-disk, then drawn down in a spiral on neck to body over white trail; both trails tooled into a close-set feather pattern in six vertical panels of upward and downward strokes with vertical projecting loops at shoulder, ending around edge of bottom. Intact but with slight internal cracking on neck; some dulling and pitting, with faint iridescence and minor areas of brownish weathering.
Candlestick (one of a pair)
Object type: candlestick
Date: 1732 – 1732
Materials: silver
Artist: anthony de rooy
Artist role: maker
Artist dates: 1731 – 1754
Basin
Object type: basin
Date: 1610 – 1611
Materials: silver gilt
Artist: symon owen
Artist role: maker
Artist dates: 1595 – 1624

It is believed that this ewer and basin, which bear the mark of the prominent London goldsmith Symon Owen, were made for Henry Frederick, prince of Wales (1594–1612) and eldest son of James I of England. While ewers and their accompanying basins were originally intended for the washing of hands at the dining table, they were also employed as part of lavish displays of silver on sideboards or buffets in princely or aristocratic houses.
Moraliserende liefdesemblemen
Object type: print
Date: 1672 – 1672
Materials: paper
Techniques: etching
Location: paris
Subjects: qualities of love: first series (+ emblematical representation of concept)
Inscriptions: collector's mark: Lugt 2166

Een landschap met een reusachtige, vlammende schoof koren. Op een banderol een devies in Latijn en een onderschrift in Frans, beide over de liefde.
Sneeuwwitje wordt begraven door de zeven dwergen
Object type: photomechanical print
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: tales and fairy tales
Inscriptions: inscription: ‘No. 5./ Sneeuwitje in een glazen kistje op den berg, een dwerg houdt de wacht er bij.’

Deze prent maakt deel uit van een album.
Meisje (gekleed in het rood, zittend) spelend aan het Noordzeestrand, met allerlei figuren op de achtergrond
Object type: color slide
Date: 1907 – 1930
Materials: glass
Techniques: autochrome process, slide
Location: netherlands
Artist: adolphe burdet
Artist role: fotograaf
Artist dates: 1860 – 1940
Subjects: noordzee
Bride, from the Dance of Death
Object type: print
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: skeletons,women

The bride's mother on the right hands the young woman a robe and chain, while Death fastens a collar of bones around her neck.
Portret van een meisje met strikjes en paraplu
Object type: carte de visite
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: girl (child between toddler and youth)
Feathered elm, Lancaster
Object type: page
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Location: lancaster
Subjects: trees: elm, façade (of house or building), public road
Inscriptions: number: ‘XVII.’
Painting Pottery
Object type: photograph
Date: 1900 – 1900
Materials: paper
Techniques: autotype
Location: los angeles
Artist: adam clark vroman
Artist role: fotograaf
Artist dates: 1856 – 1916
Subjects: united states of america

Speelkaart uit doosje met 53 speelkaarten met afbeeldingen in autotypie van Native Americans. De inhoud bevat een complete set speelkaarten inclusief joker.
Breeches
Object type: breech
Date: 1775 – 1825
Culture: american or european
Herd of Cows Coming Out of a Wood
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: drypoint, engraving, etching
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Praying for Rain Komachi (Amagoi Komachi)
Object type: print
Techniques: printmaking, woodblock print, hashira
Location: japan
Artist: ishikawa toyonobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1711 – 1785
The right Hon. Sir M. Hicks-Beach
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: politician, politician, e.g. party leader
Inscriptions: inscription: ‘57 & 61, Elbury Street, London.’
Do. Otto Belkampius
Object type: print
Date: 1643 – 1666
Materials: paper
Techniques: engraving
Location: netherlands
Artist: dancker danckerts
Artist role: print maker
Artist dates: 1633 – 1666
Subjects: functionaries and dignitaries (with name) ~ episcopal protestant churches
Inscriptions: collector's mark: Lugt 2228

Niet beschreven bij Hollstein. Vergelijk een andere staat van dit portret in de collectie van het Stadsarchief Amsterdam, met afbeelding op http://beeldbank.amsterdam.nl.
Large Dish
Object type: dish
Date: 1420 – 1420
Materials: earthenware
Techniques: glazing
Culture: italian
Location: italy
Subjects: men

A rare showpiece of early Florentine maiolica, this large cotino, or basin, depicts a mounted cavalier—a favorite motif on chests, tapestries, and other decorative arts of the time. Smaller cotini were used as serving plates, but the size and accomplished decoration of this work suggest that it was intended for display rather than a utilitarian purpose.
Spiraalkammarmer in rood, geel, en blauw
Object type: marbled paper
Date: 1700 – 1850
Materials: paint, paper
Techniques: marbled paper
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2760
A Harvest of Death, Gettysburg, Pennsylvania
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: soldiers,american civil war,corpses,death

This photograph of the rotting dead awaiting burial after the Battle of Gettysburg is perhaps the best-known Civil War landscape. It was published in Gardner’s Photographic Sketch Book of the War (1866), the nation’s first anthology of photographs. The Sketch Book features ten photographic plates of Gettysburg—eight by Timothy H. O’Sullivan, who served as a field operator for Alexander Gardner, and two by Gardner himself. The extended caption that accompanies this photograph is among Gardner’s most poetic: "It was, indeed, a ‘harvest of death.’ . . . Such a picture conveys a useful moral: It shows the blank horror and reality of war, in opposition to its pageantry. Here are the dreadful details! Let them aid in preventing such another calamity falling upon the nation."
Vijf witte mannen die een zwarte man (lijken te) molesteren
Object type: ansichtkaart, prentbriefkaart
Date: 1920 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Inscriptions: inscription: ‘POST CARD // CORRESPONDANCE HERE / NAME AND ADDRESS HERE // SOLIO / SOLIO / SOLIO / SOLIO // PLACE / STAMP / HERE’’
"Hogarth" Cordial Glass
Object type: glass
Date: 1752 – 1752
Materials: glass
Location: england
Windsor Castle
Object type: photograph
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: architecture,castles
Door frame tile with elephant from the "Porcelain Pagoda"
Object type: tile
Date: 1403 – 1424
Materials: stoneware
Techniques: glazing
Culture: chinese
Subjects: elephants

To commemorate his parents, the Yongle emperor commissioned the construction of the Proclaiming Grace Temple (Bao'en si) in Nanjing. The temple's most prominent landmark was its "porcelain pagoda," a nine-story structure some 260 feet in height that was surfaced in colorful glazed ceramic tiles. The pagoda was destroyed in 1856 during the Taiping Rebellion, so that only fragments, including this elephant tile, have survived.
Vlak landschap met boerderijen
Object type: print
Date: 1865 – 1920
Materials: paper
Techniques: engraving
Artist: ernest boetzel
Artist dates: 1830 – 1920
Eagle and Lady (from Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: eagles,women
David Playing the Harp Before Saul
Object type: print
Date: 1508 – 1508
Techniques: engraving
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: men,music,harps
Ung je Saviray
Object type: bookplate
Date: 1700 – 1899
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Gezicht op de Sint-Martinuskerk te Woudrichem
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: etching
Location: the hague
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Subjects: urban housing, adult woman, adult man, container made of plant material other than wood: basket, church (exterior), parts of church exterior and annexes, village square, place
Inscriptions: date

Aan een dorpsplein staan enkele huizen. Rechts bevinden zich enkele figuren met manden rondom een paal met een lantaarn of een bel. In de verte is de Sint-Martinuskerk te zien.
Portret van een man, van voren
Object type: print
Date: 1658 – 1706
Materials: paper
Techniques: mezzotint
Location: amsterdam
Inscriptions: collector's mark: Lugt 2228
Burgonet
Object type: burgonet
Date: 1610 – 1610
Materials: copper alloy, gold, steel
Culture: french
Location: france

This helmet ranks among the best examples of a type that was fashionable in France and the southern Netherlands in the early seventeenth century. It is remarkable for the excellence of its workmanship, particularly the symmetrically radiating fluting of the bowl, the precise embossed and engraved ornamentation, and the preservation of most of its gilding.
Self-portrait, drawing on an etching-plate
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Subjects: leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn, tools, implements of graphic artist (+ artist at work), engraver, etcher, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Gedenkteken voor Gualtherus Zoutmaat
Object type: print
Date: 1793 – 1796
Materials: paper
Techniques: engraving, etching
Location: leiden
Artist: pieter de mare
Artist role: print maker
Artist dates: 1758 – 1796
Subjects: grave, tomb and other grave-forms and grave-markers
Inscriptions: collector's mark: Lugt 2228

Gedenkteken voor de predikant Gualtherus Zoutmaat.
The Virgin at left watching the infant Christ as he sleeps, an oval composition, after Reni
Object type: print
Date: 1760 – 1763
Techniques: etching
Artist: jean jacques lagrenée
Artist role: artist
Artist nationality: french
Artist dates: 1739 – 1821
Subjects: christ,virgin mary

After Reni. Verso not visible as print is laid to another sheet of paper.
[Cremation Ground at Manikarnika Ghat, Varanasi, India]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: corpses,men,death
Hoofd, in profiel
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head (human) (+ sideview, profile)

Blad 1 verso uit schetsboek VI met 33 bladen.
Design for Coupé, no. 3515
Object type: drawing
Date: 1879 – 1879
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages
Aegis of Sakhmet or Bastet
Object type: amulet, aegis, bastet
Date: 664 – 630
Materials: faience
Location: egypt
Subjects: sekhmet

An aegis is a collarlike necklace (often called a broad-collar) bearing a divine head as symbol of protection and fertility. The aegis was an element of a sacred menat necklace from at least the 18th dynasty. Heads of Lion- or cat-headed goddesses were most frequently depicted, but other goddesses and some gods might appear. Small faience examples like this one might serve as amulets.
Veldmaarschalken de Chatellon en de Breze begroeten prins Frederik Hendrik, 1632
Object type: history print
Date: 1733 – 1733
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: delft, the hague, frederick henry (prince of orange), siege, position war, maastricht
Inscriptions: date

Gebruikt als illustratie in: Frederik Hendrik prins van Oranje, Isaac de Beausobre, Bernard Picart, Mémoires de Frederic Henri, prince d'Orange, Pierre Humbert, Amsterdam 1733. Niet in Frederik Muller; door het RPK toegevoegd nummer.
Fenelon
Object type: print
Materials: paper
Techniques: aquatint
Location: france
Artist: jean-baptiste de grateloup
Artist role: painter, print maker, sculptor
Artist nationality: french
Artist dates: 1735 – 1817
Resurrection
Object type: print
Date: 1501 – 1533
Techniques: etching
Artist: parmigianino (girolamo francesco maria mazzola)
Artist role: artist
Artist nationality: italian
Artist dates: 1503 – 1540
Subjects: soldiers,christ
Cabinet
Object type: cabinet
Date: 1501 – 1600
Materials: wood
Rivierlandschap met heuvel
Object type: print
Date: 1923 – 1923
Materials: paper
Techniques: etching, intaglio
Location: groningen
Artist: marius holleman
Artist role: draughtsman, print maker
Artist dates: 1878 – 1926
Subjects: low hill country, river
Inscriptions: collector's mark: Lugt 2228
Hold on to me, I am telling my witness..., from "Scenes from the Private and Public Life of Animals"
Object type: print
Date: 1837 – 1847
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: stone, copper, coral, ivory, lacquer, mother of pearl, pewter, shell, wood
Techniques: maki
Culture: japanese
Location: japan
Subjects: birds,women,fish,flowers,ships
Wonderbaarlijke vermenigvuldiging van de zeven broden en de twee vissen
Object type: book illustration
Date: 1703 – 1762
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: multiplication of loaves and fishes for a multitude of four or five thousand people (matthew 14:13-21, 15:32-39; mark 6:32-44, 8:1-10; luke 9:10-17; john 6:1-14)
Inscriptions: collector's mark: Lugt 2228

De prent komt een eerste keer voor als boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel II. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Tea Caddy with Design of Turtle
Object type: tea caddy
Date: 1801 – 1900
Materials: gold, lacquer, wood
Techniques: maki
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Subjects: turtles
Tetradrachm (Coin) Portraying Empress Salonina
Object type: coin
Date: 265 – 265
Materials: alloy, metal, silver
Culture: roman
Location: roman empire

The front (obverse) of this coin portrays the empress Salonina, facing right.

On the back (reverse) Elpis, the personification of hope, is depicted holding a flower.
Hazen
Object type: drawing
Date: 1870 – 1870
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: rodents: hare
Inscriptions: date: ‘30. dec. 72. / v. Canta’, collector's mark: Lugt 2228

Hazen. Getekend op de achterzijde van een bief of envelop gericht aan J. Tavenraat.
Cup (one of a set)
Object type: cup
Date: 1501 – 1600
Materials: gilt, silver
Subjects: animals,men
Ezelrijden op het strand
Object type: sketchbook leaf
Date: 1890 – 1920
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: boy (child between toddler and youth), girl (child between toddler and youth), donkey-riding (on the beach)

Een ezeljongen begeleidt twee ezels met meisjes. Blad 28 verso uit schetsboek X met 43 bladen.
Portret van Cecilia Soldano
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: paris
Subjects: artist's model, sitter, historical persons
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 88b
Een Radicaal Klaverblad
Object type: photomechanical print
Date: 1891 – 1891
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: voorschoten, the hague, politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kiesverenigingen, Politieke partijen.
Johannesburg market place
Object type: photomechanical print
Date: 1888 – 1890
Materials: paper
Techniques: woodburytype
Location: johannesburg
Artist: Anonymous
Subjects: cow, market, johannesburg
Case (Inrō) with Design of Crickets
Object type: inrō
Date: 1801 – 1900
Materials: lacquer, silver
Techniques: carving
Culture: japanese
Artist: onko takanaga (dates unknown)
Artist role: artist
Artist nationality: japanese
Subjects: men,insects,games
Design for 4 seat Phaeton, no top, no. 3215
Object type: drawing
Date: 1876 – 1876
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Twee koppen
Object type: drawing
Date: 1870 – 1870
Materials: cardboard, ink
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: caricatures (human types)
Inscriptions: date

Twee karikaturale koppen in profiel. Getekend op de keerzijde van het visitekaartje van: 'Hend.k Bos'.
Kaart van het Koninkrijk Lombardije-Venetië
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: hand coloring, lithograph
Location: amsterdam
Artist: Anonymous
Subjects: maps of separate countries or regions
Dakvensters van het Kasteel van Blois geornamenteerd met een fronton en een nis met daarin een sculptuur van een jongen
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: blois
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: other architectural details (with name), piece of sculpture, reproduction of a piece of sculpture, ornament derived from plant forms
Inscriptions: number: ‘No. 657’, name: ‘Monsters worden door de Representant J. A. G. de Leur den Haag op franco aanvrage verzonden’, collector's mark: Lugt 3937
Geographia Sacra
Object type: ornament print
Date: 1598 – 1601
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: map of the world, ornament ~ cartouche

Rolwerkcartouche met de wereldkaart. In de rand tekst van Psalm 24. De cartouche is een fragment van een kaart van de Oude Wereld. De prent maakt deel uit van een album.
Ear Clip with Design Composed of Granulation
Object type: ear clip
Materials: gold
Culture: indonesian, javanese
Basin
Object type: ceramic
Date: 1770 – 1770
Materials: enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome, underglaze
Location: worcester
Rubbing of a Scene from the Ramayana
Object type: rubbing
Date: 1901 – 2000
Materials: ink, paper
Culture: cambodian
Subjects: bow and arrow