deem-data/ArtiFact huggingface dataset:
Paperweight
Object type: glass
Date: 1801 – 1900
Materials: glass
Location: lunéville
Artist: baccarat glassworks

The colorful geometric clusters embedded in this paperweight reflect the nineteenth-century European fascination with optical effects. Sir David Brewster invented the kaleidoscope in 1815, and its colorful and changing patterns brought great visual entertainment. Paperweights such as this example reformed this childlike pastime for a sophisticated adult audience. Depicted in glass were tiny glittering flowers, small black and blue cameos of figures, and even miniature bottlecaps. These were delicately arranged within the orb for the observant eye to discover.

From the late 1840s to early 1860s, French manufacturers of fine glass and crystal—such as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)—catered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.
Steamship Rhode Island, Providence Line, from the Ocean and River Steamers series (N83) for Duke brand cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,ships

Trade cards from the "Ocean and River Steamers" series (N83), issued in a set of 36 cards in 1887 to promote W. Duke Sons & Co. brand cigarettes.
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glaze fragment from a calyx-krater?
Helmet
Object type: helmet
Date: 1515 – 1520
Materials: copper alloy, gold, iron, steel
Culture: egyptian or syrian
Location: syria

The engraved decoration, which includes Qur'anic inscriptions, recalls that found on helmets dating to the last years of Mamluk rule, before the Ottomans conquered Egypt in 1517. The helmet is incised with the mark of the Ottoman arsenal, indicating that it was carried back to Istanbul as booty. The spike at the top, the spear-like fixture at the front, and mail are later North African additions, suggesting that the helmet was recycled for use in Sudan during the Mahdi uprising in the 1880s and 1890s.
Fragment of a Plaque with Seated Mother Goddesses Indrani and Chamunda
Object type: sculpture
Date: 901 – 1100
Materials: copper
Techniques: repoussé
Location: nepal
Groep mensen in een dorp, Nederlands-Indië
Object type: photograph
Date: 1880 – 1910
Materials: paper
Techniques: collodion silver print
Location: dutch east indies
Artist: Anonymous
Subjects: anonymous historical persons portrayed in a group, in a group-portrait, dutch east indies, the
Landschap met rivier aan de voet van een hoge rots
Object type: print
Date: 1631 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: rock-formations (+ landscape with figures, staffage)

Gezicht op een hoge rots met enkele huizen. Onderaan de rots, aan de oever van de rivier, zijn drie personen in de weer bij twee roeiboten.
Terracotta fragment of a stemless kylix (drinking cup)?
Object type: kylix fragment
Date: 434 – 368
Materials: terracotta
Culture: etruscan
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 400 – 376
Materials: terracotta
Culture: greek, attic

Exterior, part of head, right shoulder, and upper back of a wreathed male to right
Thomas J. Flood, Pitcher, St. Joseph Clay Eaters, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Chief Blanket (Third Phase)
Object type: textile
Date: 1880 – 1880
Materials: wool
Techniques: weave
Culture: navajo, diné
Location: new mexico
Ontwerp voor broche in de vorm van een bloementak
Object type: design drawing
Date: 1864 – 1894
Materials: paint, ink, paper
Techniques: pen
Location: paris
Artist: henri cameré
Artist role: designer
Inscriptions: signature: ‘h.C.’
Studioportret van man in uniform bij dressoir
Object type: carte de visite
Date: 1880 – 1920
Materials: photographic support
Techniques: albumen print
Location: hoorn
Artist: johannes laurens theodorus huijsen
Artist role: fotograaf
Artist dates: 1852 – 1910
Subjects: hoorn (north holland)
Inscriptions: name: ‘J.L.T. Huijsen photographe bekroond op vreschillende tentoonstellingen Hoorn, Ramen 17’
Portret van twee Chinese mannen in winterkleding
Object type: album leaf
Date: 1879 – 1890
Materials: paper
Techniques: albumen print
Location: china
Artist: Anonymous
Subjects: coat, historical persons not known by name, china
Inscriptions: inscription: ‘10’
Covered box
Object type: jar
Date: 1601 – 1700
Materials: gemstone, quartz
Culture: chinese
Portret van Grimoald I
Object type: book illustration
Date: 1565 – 1565
Materials: paper
Techniques: letterpress printing
Location: antwerp
Artist: jan molijns
Artist role: print maker, publisher
Artist dates: 1498 – 
Subjects: helmet, historical persons, hacking and thrusting weapons: sword, armorial bearing, heraldry

Prent uit: Dit is die afcoemste ende genalogie der hertoghen ende hertoginnen van Brabandt, (...). Antwerpen: Jan Molijns, 1565.
Tureen in the form of a goose
Object type: tureen
Date: 1770 – 1770
Materials: hard paste porcelain
Subjects: birds

This goose tureen is a significant example of Chinese export porcelain made for the European market in the second half of the eighteenth century. Its large scale and sculptural form attest to its ambition. The number of surviving tureens of this model testify to the popularity of the form, and examples with coats of arms indicate that many were made for the Portuguese and Spanish markets. This tureen would have been accompanied by a stand, but as in this case, most surviving Chinese export porcelain animal-form tureens have become separated from their stands. The tureen’s enamel decoration is a fine example of Chinese export from the years around 1770.
Portrait of a distiller and seller of liquor (kullal) from Lahore, Punjab, Pakistan
Object type: photograph
Date: 1862 – 1872
Materials: photographic support
Techniques: albumen print
Location: lahore
Artist: Anonymous
Subjects: human races; peoples; nationalities, distilled spirits
Inscriptions: number: ‘(227)’, inscription: ‘KULLAL./ DISTILLER AND SPIRIT VENDOR./ HINDOO./ LAHORE.’
Portret van Jean-Baptiste Colbert
Object type: print
Date: 1835 – 1837
Materials: paper
Techniques: etching
Location: paris
Subjects: paris, politician, jean-baptiste colbert, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228

Prent uit: Sue, Eugène. Histoire de la marine française. Parijs: Félix Bonnaire, 1835-1837, 5 delen.
Italië en China
Object type: cartoon
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personifications of countries, nations, states, districts, etc., beggar, political caricatures and satires, china

Gepubliceerd als bijvoegsel bij 'De Amsterdammer' van 12 maart 1899.
Lunar Law, No 2
Object type: print
Date: 1866 – 1866
Techniques: etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Inlay, palmette
Object type: inlay, palmette
Date: 100 – 100
Materials: glass
Location: egypt

A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by bundling colored glass canes, which were then drawn out into a long bar. The bar was then sectioned at right angles, probably by striking the bar with appropriate tools, to produce small inlay tiles. The tile would then be smoothed and polished on the face intended to appear outwards.
Stamp seal
Object type: stamp seal
Date: 201 – 700
Materials: onyx, gemstone
Culture: sasanian
Location: iran or mesopotamia
Subjects: birds
Priest's Robe
Object type: robe, priest's
Date: 1901 – 2000
Materials: silk
Culture: chinese
Cow
Object type: painting
Date: 1873 – 1903
Materials: canvas, oil, panel
Location: netherlands
Artist: geo poggenbeek
Artist role: draughtsman, painter, print maker
Artist dates: 1853 – 1903
Subjects: cow
Inscriptions: workshop stamp: ‘Atelier Geo. Poggenbeek’

Studie van een bonte koe, staande bij een paal in een weide.
Stereoscopische Gezigten in Nederland
Object type: stereograph
Date: 1855 – 1865
Materials: cardboard, paper
Techniques: albumen print
Location: haarlem
Subjects: city-gate
Inscriptions: inscription: ‘Zwolle’, initials: ‘P.O.’, inscription: ‘Verkrijgbaar bij A. Jager, Water 110, te Amsterdam.’
Spiegel der natuur en school der teekenkunde (...)
Object type: album leaf
Date: 1600 – 1699
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: urban housing, street-trader - bb - women engaged in trade and commerce, passenger carriage, dog, street (+ city(-scape) with figures, staffage)

Gezicht op een straat in een stad met links huizen. Door de straat rijdt een koets met twee paarden. Op de voorgrond een koopvrouw. Twee dames en een man bekijken de koopwaar. Links staat een man bij twee dames aan de deur. Twee honden blaffen tegen elkaar. De prent maakt deel uit van een album.
Buckle
Object type: buckle
Date: 500 – 550
Materials: bronze, gemstone, gilt, glass, paste
Culture: frankish
Location: northern france
The Annunciation
Object type: painting
Date: 1490 – 1495
Materials: oil, paint, panel, wood
Techniques: painting
Location: netherlands
Artist: jean hey (master of moulins)
Artist nationality: netherlandish
Artist dates: 1480 – 1504
Subjects: the annunciation, architecture, bed, bedrooms, blue (color), green (color), interior, red (color), religious figures, religious scenes, tile, virgin mary, religion, century of progress, world's fairs, chicago world's fairs, women, angels, bibles, biblical, birds, christian subjects, christianity, doves, holy spirit

The archangel Gabriel’s announcement to Mary that she will give birth to a son, and her immediate acceptance of this news, represent the moment of Christ’s Incarnation. Although The Annunciation appears to be an independent painting, it is actually a fragment that once formed the right side of an altarpiece; the left side, now in the National Gallery, London, depicts the moment of Mary’s own Immaculate Conception, believed to have occurred when her parents, Joachim and Anne, greeted each other at the Golden Gate. A central section, now lost, probably featured the enthroned Virgin and Child, perhaps with Saint Anne. Jean Hey, known as the Master of Moulins,was the leading painter working in France in the last decades of the fifteenth century. He worked in Moulins in central France for Duke Pierre II of Bourbon and his wife, Anne of France, who played a large role in the government of of the kingdom during the minority of Anne’s brother Charles VIII. As their court painter, Hey, who was probably of Netherlandish origin, fused the intense naturalism and preciousness of Flemish and French painting and manuscript illumination with the emerging Renais-sance interest in antiquity, as is evident in this painting’s Italianate architecture.
Portrait of a Young Man
Object type: drawing
Date: 1802 – 1802
Materials: chalk, ink
Techniques: heightening, pen, stumping
Location: france
Artist: fulchran jean harriet
Artist role: artist
Artist nationality: french
Artist dates: 1776 – 1805
Subjects: men,portraits

In the inscription on this drawing of an unknown sitter, dated 1802, Harriet noted his own status as a student at the Académie de France in Rome and pupil of Jacques Louis David. Indeed, he won the 1798 Prix de Rome with "The Battle of the Horatii and the Curiatii," which presents a decidedly Davidian subject. This elegant, highly finished portrait is one of very few surviving drawings by the artist, who died prematurely only a few years after making it, at the age of twenty-seven.
Black Lion Wharf
Object type: print
Date: 1859 – 1859
Materials: ink, paper
Techniques: etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: buildings,men,boats

When he moved to London in 1859, Whistler lodged near the Thames in the docklands south of Tower Bridge and began to make etchings of the river. New visual modes are explored here, with cropped forms and distinct spatial zones recalling Japanese woodblock prints—a genre he began collecting in Paris. Borrowing an effect from photographs, he renders the distant warehouses in sharp focus but treats closer forms broadly. Made in 1859, this etching was not published until 1871 in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects (the "Thames Set"). That year, Whistler also reproduced it on the wall behind his mother in the now famous painting, Arrangement in Grey and Black (Musée d’Orsay, Paris).
Vier werelddelen
Object type: print
Date: 1648 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: america represented allegorically; 'america' (ripa), owls
Inscriptions: collector's mark: Lugt 2228

Vrouwelijke personificatie van Amerika als vrouw met hoofdtooi van veren en pijl en boog zittend op kaaiman of krokodil. Zij droogt haar tranen en rouwt aldus de titel.
Shepherdess
Object type: glass
Date: 1801 – 1900
Materials: glass, metal
Techniques: lampwork
Location: france
Gezicht op Horsey Mere
Object type: photomechanical print
Date: 1886 – 1891
Materials: paper
Techniques: photograph
Location: surrey
Artist: john payne jennings
Artist role: fotograaf
Artist dates: 1843 – 1926
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), lake
Portret van Benoît de Boigne
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: engraving, roulette
Location: paris
Artist: ambroise tardieu
Artist role: print maker, printer
Artist dates: 1788 – 1841
Subjects: earl, politician, historical persons
Inscriptions: collector's mark: Lugt 2228

Onder zijn beeltenis biografische gegevens.
Harness Ornament with Gazelle
Object type: harness ornament
Date: 100 – 100
Materials: gold, iron
Culture: north chinese
Subjects: deer
Ruit met Christus voor Pilatus
Object type: light window
Date: 1510 – 1530
Materials: glass, lead, pigment
Techniques: leading
Location: southern netherlands
Artist: aert ortkens
Artist role: draughtsman
Artist dates: 1473 – 1540
Subjects: pilate washing his hands (in innocence)

Christ Before Pilate. Stained glass. Netherlands, c. 1515. Acquired by the Rijksmuseum Foundation.
Tienerring van zilver met rechthoekige ajour vergulde schakel
Object type: ring
Date: 1960 – 1970
Materials: silver
Techniques: gilding
Artist: Anonymous

Tienerring van zilver met rechthoekige ajour vergulde schakel.
Landschap met een wagen bij een herberg
Object type: print
Date: 1650 – 1700
Materials: paper
Techniques: drypoint, etching
Location: northern netherlands
Subjects: chimney, hotel, hostelry, inn, (farm) wagon, freight wagon, cart
Inscriptions: collector's mark: ‘W.G.F.’, collector's mark: Lugt 2228
Relief from the tomb of Queen Neferu depicting rituals and sacred emblems
Object type: relief, ritual and sacred emblem, neferu
Date: 2051 – 2030
Materials: limestone, paint
Location: egypt
Portret van C.F. van der Hucht-van Wijjnbergen
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: franz wilhelm deutmann
Artist role: fotograaf
Artist dates: 1809 – 1895
Subjects: c.f. van der hucht-van wijjnbergen
Inscriptions: name: ‘Reproduction / F.W. DEUTMANN / AMSTERDAM.’, name: ‘C.F van der Hucht- / van Wijnbergen’
Taferelen uit het leven van prins Willem I, 1568-1584
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: theodoor koning
Artist role: print maker
Artist dates: 1748 – 1829
Subjects: fernando álvarez de toledo (3rd duke of alba)

Illustratie voor: J. Nomsz, Willem de eerste, of de grondlegging der Nederlandsche vryheid. : In vier en twintig zangen, Erven van David Klippink, Amsterdam 1779. Staat vóór de letter. Met de handgeschreven titel in pen in bruin op een apart papiertje.
Portret van kardinaal Roberto Bellarmino
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: engraving
Location: rome
Subjects: cardinal, historical persons, study; 'studiolo'; library, the founder of the jesuit order, ignatius of loyola; possible attributes: book (with 'ad majorem dei gloriam'), demon, dragon under feet, flames, flaming heart, globe, ihs monogram, skull (with crown), tears in eyes, torch, the annunciation: mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)
Inscriptions: collector's mark: Lugt 240

Kardinaal Roberto Bellarmino zittend achter een schrijftafel. Op de voorgrond liggen boeken en op tafel staat een afbeelding van de Annunciatie. Aan de muur hangt een portret van de heilige Ignatius van Loyola en het raam links biedt een doorkijk naar Il Gesù en de zuil van Trajanus te Rome. Vijf regels Latijnse tekst in ondermarge.
Vase
Object type: vase
Date: 1824 – 1824
Materials: porcelain
Culture: french
Location: france
Subjects: george washington,men,portraits
Plate
Object type: plate
Date: 1826 – 1838
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Artist: thomas mayer
Artist role: maker
Artist dates: 1823 – 1838
Subjects: flowers
Georges Ernest Jean-Marie Boulanger, from the Great Generals series (N15) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: historical figures,men,generals

Trade cards from the "Great Generals" series (N15), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Oude boom bij een boerderij
Object type: drawing
Date: 1820 – 1865
Materials: chalk, paper
Artist: constant troyon
Artist role: draughtsman, painter
Artist dates: 1810 – 1865
Subjects: farm or solitary house in landscape
Sweetmeat box and cover
Object type: sweetmeat box and cover
Date: 1801 – 1900
Materials: earthenware
Techniques: glazing
Subjects: flowers,leaves
See 07.228.215
Object type: strainer or vase fragment
Date: 1295 – 1070
Materials: silver
Location: egypt
Sample
Object type: sample
Date: 1801 – 1833
Materials: felt, silk
Subjects: plants
Nederland, ½ cent, 1859
Object type: coin
Date: 1859 – 1859
Materials: copper
Techniques: striking
Location: utrecht
Artist: willem iii (koning der nederlanden)
Artist role: koning
Artist dates: 1817 – 1890

Koperen munt. Voorzijde: tussen jaartal gekroonde rechte letter W. Keerzijde: tussen waarde-aanduiding ½ C. gekroond rijkswapenschild. Gladde rand.
Figuur in een kerkinterieur
Object type: sketchbook leaf
Date: 1827 – 1891
Materials: paper, pencil
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: interior of church

Blad 4 recto uit een schetsboek met 11 bladen.
Portfolio Cover for Picturesque Views of American Scenery, No. II
Object type: print
Date: 1819 – 1821
Materials: paper
Techniques: letterpress
Location: united states
Artist: john hill
Artist role: etcher
Artist nationality: american, born england
Artist dates: 1770 – 1850
Kerk en stadhuis te Heukelom
Object type: drawing
Date: 1756 – 1756
Materials: ink, paper
Techniques: brush, pen
Artist: pieter jan van liender
Artist role: print maker
Artist dates: 1727 – 1779
Subjects: church (exterior), townhall
Belangrijke schilderijen en tekeningen in Franse collecties
Object type: print
Date: 1729 – 1740
Materials: paper
Techniques: engraving
Artist: jean baptiste de poilly
Artist role: print maker, publisher
Artist dates: 1669 – 1728
Subjects: jupiter wooing danae; she is usually lying in bed receiving a shower of gold

Serie ook bekend als 'Recueil Crozat'. Een eerdere staat van deze prent is gebruikt in deel 1 en had nummer 62 van de 140 prenten in de eerst uitgegeven serie tussen 1720 en 1740.

De prent is ook gebruikt in de uitgave door Basan getiteld 'Recueil d'après la gallerie du palais royal' uitgegeven tussen 1762 en 1771 en heeft hierin nummer 15. Deze prent heeft echter geen nummer.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 3, p. 402.
Design for Cabriolet or Victoria, no. 3843
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Robe à l'anglaise
Object type: robe à l'anglaise
Date: 1780 – 1780
Materials: cotton
Culture: british
Bosgezicht met fazanten
Object type: photograph
Date: 1910 – 1930
Materials: ink, paint
Techniques: gelatin silver print
Inscriptions: annotation: ‘2110 – Pheasants’, annotation: ‘moeilijk leesbare tekst’, annotation: ‘Title 2110 pheasants’, annotation: ‘Souvenir Publishing Co.’

Opgewerkte foto, met in de marge aanwijzingen voor de opmaak.
Fragment of a Boulder
Object type: fragment
Date: 1902 – 1902
Materials: jade
Culture: chinese or turkestani
Veuë et Perspective d'une grotte (...)
Object type: album leaf
Date: 1648 – 1707
Materials: paper
Techniques: etching
Location: france
Subjects: artificial grotto in garden
Inscriptions: collector's mark: Lugt 2228

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn. De uitgevers vader en zoon Nicolas Langlois worden allebei vermeld als N. Langlois op hetzelfde adres.