deem-data/ArtiFact huggingface dataset:
Riemkap in papieren Jan Brandes (1743-1808)
Object type: riemkap
Date: 1750 – 1800
Materials: paper
Subjects: draughtsman, jan brandes

Blauwe riemkap (omslag van een riem papier) met rood gestempeld merk 'Pro Patria Fine'. Opschrift 'Diverse' is van 20ste eeuwer Kellberg. Ook opschrift; 'ik moet aan Hr Lochner op vergenoegt iin hottentots holland een brief schrijven met sthijn praten'.
Coin
Object type: coin
Materials: silver
Location: qazween

This coin was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Oliepalmen op Brussel, 1937
Object type: album leaf
Date: 1912 – 1937
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: plantation, (non-fruit) products of plants or trees: palm oil, sumatra
Inscriptions: inscription

Blad met vier foto's van oliepalmen en ontginning op Brussel, 1937. Met etiketten met onderschriften onder de foto's. Onderdeel van het fotoalbum over de plantages Pernantian en Brussel van de Sumatra Caoutchouc Maatschappij op de Oostkust van Sumatra in de jaren 1935-1939.
Portret van een onbekende jongen
Object type: print
Date: 1831 – 1890
Materials: paper
Techniques: etching
Artist: jean baptiste pierre michiels
Artist role: print maker
Artist dates: 1821 – 1890
Subjects: historical persons, youth, adolescent
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1e Etat’
Secret Influence Directing The New P-l-t [Parliament]
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women
Inlay depicting the squatting god Re
Object type: inlay, squatting figure, falcon head, sun disk
Date: 360 – 343
Materials: faience
Location: middle egypt
Subjects: falcons

This small crouching falcon-headed figure is the god Re. He wears a sun-disk as a crown. Originally he held a scepter in the fist on his knee. The king Nectanebo II incorporated into his royal names epithets relating him to the god Re.
Brief aan anoniem
Object type: letter
Date: 1812 – 1847
Materials: paper
Techniques: printing
Location: haarlem
Subjects: haarlem, painter, draughtsman, woutherus mol, diseases, charitable works, money
Inscriptions: collector's mark: Lugt 2233
Head of a woman
Object type: medallion
Date: 1801 – 1900
Materials: copper
Subjects: heads,profiles,women
Jonge vrouw in gesprek met drie heren
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: picture, painting, index finger upwards, conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 240

In een vertrek lijkt een vrouw iets duidelijk te willen maken aan drie mannen, waarvan er een naast haar staat. Ze wijst met haar wijsvinger in de lucht.
Portret van James Hervey
Object type: print
Date: 1747 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: clergyman, historical persons, portrait of a writer
Bosje weegbreezonnebloemen
Object type: photograph
Date: 1900 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Inscriptions: annotation: ‘Doronicum plantagineum / excelsum moerheim’, signature: ‘foto / R. Tepe’
Gezicht op het dorp Urgen aan de Inn
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Subjects: prospect of village, silhouette of village
Inscriptions: number: ‘219’, number: ‘No 219’, inscription: ‘U [?] 1.Y’
Figure of a dwarf
Object type: statuette, dwarf
Date: 1850 – 1750
Materials: faience
Location: egypt
Subjects: men
Two bowls with the ‘Nalopend’ (Running) pattern
Object type: bowl
Date: 1922 – 1922
Materials: earthenware
Techniques: painted
Location: arnhem
Artist: theo colenbrander
Artist role: draughtsman
Artist dates: 1841 – 1930
Inscriptions: mark: ‘cirkelstempel, VORM. No. 34. AP. PATR. "B. NALOOPEND" in zwart, ingegrift 34.’

Twee kommen van aardewerk, veelkleurig beschilderd met het decor 'B. Naloopend'. De buitenkant en een brede band rondom de bodem in groen. Gemerkt met: cirkelstempel, VORM. No. 34. AP. PATR. "B. NALOOPEND" in zwart, ingegrift 34.
Reclining Naiad
Object type: statue
Date: 1819 – 1824
Materials: marble
Artist: antonio canova
Artist role: maker
Artist nationality: italian
Artist dates: 1757 – 1822
Subjects: female nudes

This is a variant of the Reclining Venus with Cupid, now in Buckingham Palace, which was made for Lord Cawdor in 1814 and ceded by him to the Prince Regent. Our work, commissioned by the fourth earl of Darnley, was completed by Canova's assistents after his death and delivered to the earl at Cobham Hall in Kent in 1824. The original plaster model for the Naiad, completed in 1817, is in the Gipsoteca di Possagno. Compositional prototypes include Canova's Pauline Borghese as Venus Victrix and an ancient Hermaphrodite, both in the Borghese Gallery, Rome. Numerous slight indentations throughout the marble may be visible remains of the pointing system.
Portret van Frans van Mieris (II)
Object type: print
Date: 1708 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: frans van mieris (ii), portrait, self-portrait of painter, tools, implements of painter, easel, artist at work, in his workshop
Inscriptions: collector's mark: Lugt 240

Frans van Mieris (II) in een interieur van een atelier. Met zijn linkerhand houdt hij een schilderij vast op een ezel. Voor hem een plint waarop een opengeslagen boek, schildersattributen en schrijfgerei. Op de achtergrond een boekenkast waarop enkele beelden. Onder het portret een achtregelig vers in het Nederlands.
Drie gezichten in ornamentele omlijsting
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: face
Inscriptions: collector's mark: Lugt 963

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning, Huisraad, Zilverwerk.
Larrey
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: lyon, historical persons
Inscriptions: collector's mark: Lugt 2228a
H. Rustige
Object type: print
Date: 1826 – 1865
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: portrait, self-portrait of painter, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Torquay-Meadfoot Sands.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: torquay
Artist: francis bedford
Artist role: print maker
Artist dates: 1815 – 1894
Subjects: beach (as place of recreation), hand-cart
Inscriptions: number: ‘1520.’, inscription: ‘Devonshire Illustrated. by Francis Bedford.’
Conservatieve Tandak-partij in de Eerste Kamer
Object type: cartoon
Date: 1870 – 1870
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: woman dancing alone, java

Spotprent over de behandeling van de Agrarische wet in de Eerste Kamer. Een Javaanse vrouw (de conservatieve partij) danst voor de leden van de Eerste Kamer. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 14, 1870.
[Wat voor monsters / wat voor dieren/) Geefd on niet de zee al uyt [(...)]
Object type: popular print
Date: 1711 – 1723
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: animals, merman - aa - mermaid, siren, scorpions, whale fishery, whaling, swimming mammals: seal, swimming mammals: walrus
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van de walvisvangst en van verschillende dieren. Onder elke afbeelding een drieregelig onderschrift. Genummerd linksboven: 119.
Dorpsgezicht met vrouw met kruiwagen
Object type: drawing
Date: 1864 – 1892
Materials: chalk, paper, watercolor
Techniques: brush
Artist: jan van essen
Artist role: draughtsman, print maker
Artist dates: 1854 – 1936
Subjects: village street
Sutra cover
Object type: sutra cover
Date: 1501 – 1600
Materials: silk
Techniques: patterning, weave
Culture: chinese

Sutras printed in the accordion-fold format were often encased by covers wrapped in decorative silks. Covers both protected the sacred words and presented the sutras in beautiful envelopes that signaled the importance of the contents within. These examples from the sixteenth century indicate the variety of sutra cover motifs, including some seemingly irrelevant to Buddhist philosophy, such as dragons, phoenixes, or the character shou, meaning longevity
Cairo - Tombs of the Kalifs
Object type: photomechanical print
Date: 1907 – 1909
Materials: cardboard
Techniques: photograph, writing
Location: cairo
Subjects: hearse, funeral car, grave-building, monumental tomb
Inscriptions: poststempel, verso, gestempeld
Studie
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945

Mogelijk een silhouet van een figuur. Blad 24 verso uit een schetsboek met 42 bladen.
The Birth of the Virgin Mary, from The Life of the Virgin
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: virgin mary, christian subjects, mythology, prints and drawings
Westminster Clock Tower
Object type: print
Materials: paper
Techniques: aquatint, drypoint, etching, roulette
Location: france
Artist: félix hilaire buhot
Artist role: draughtsman, print maker
Artist nationality: french
Artist dates: 1847 – 1898
Gekalligrafeerde letters
Object type: print
Date: 1766 – 1790
Materials: paper
Techniques: engraving
Location: stuttgart
Subjects: calligraphy
Inscriptions: collector's mark: Lugt 2228
Embers Glow
Object type: print
Date: 1890 – 1897
Materials: paper
Techniques: aquatint, etching
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926
Venus, from Planets, plate 5
Object type: print
Date: 1530 – 1570
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: venus

In Mariette Album, folio 90, top center
Sketches, Fragment: Head of a Woman Wearing a Kerchief
Object type: print
Date: 1863 – 1863
Materials: ink, paper
Techniques: printing, woodcut
Location: france
Artist: jean françois millet
Artist role: draughtsman, painter, print maker
Artist nationality: french
Artist dates: 1814 – 1875
Jar sherd with incised decoration
Object type: jar
Date: 2333 – 2001
Materials: ceramic
Location: mesopotamia
Sighthound (Canis lupus familiaris)
Object type: drawing
Date: 1596 – 1610
Materials: paper, pencil, watercolor
Techniques: brush
Subjects: dog (with name of kind)

De Boodt could study many live animals from far-flung places in Rudolf II’s menagerie, as well as numerous stuffed creatures in his Kunstkammer (cabinet of curiosities). Even so, many drawings in De Boodt’s albums were not made from direct observation of nature, but ‘borrowed’ from illustrations by other artists. The red collar of this sighthound indicates that the animal was probably drawn from life.
Straatverkopers
Object type: popular print
Date: 1822 – 1849
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: street-trader, merchant, salesman
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van straatverkopers, zoals een mattenverkoper, een pottenverkoper en een zalmverkoper. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: N. 18.
Boerderij in Entrecolles
Object type: page
Date: 1887 – 1892
Materials: paper
Techniques: photoaquatint
Location: paris
Subjects: farm (building)
Brief aan Anne Marie Louise van der Linden
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: bièvres
Artist: camille redon-falte
Artist dates: 1853 – 1923
Subjects: paris, print maker, draughtsman, odilon redon, amsterdam
Inscriptions: watermark

Brief behoort tot een album samengesteld door weduwe Françoise W.M. Barones van der Borch van Verwolde met afschriften van brieven met betrekking tot (de familie van) Odilon Redon. De brief werd bewaard op pagina 186.
Spindle Whorl
Object type: spindle whorl
Date: 801 – 1000
Materials: bone, paint
Techniques: incising, inlay
Location: iran

Spindle whorls aided in the making of thread by maintaining the momentum of the spindle. This conically shaped bone spindle whorl was excavated at Nishapur. It is decorated with two stylized letter-like inscriptions, possibly undeciphered Kufic, on either side of the central hole and a bottom border of two incised lines with dots in between; all incisions were inlaid with dark colored paste. Hundreds of spindle whorls were excavated at Nishapur, providing further evidence that the city possessed a thriving textile industry. Their incised designs exhibit a wide variety of motifs ranging from geometric forms to zoomorphic figures.
Gezicht op het Illinoisgebouw op de World's Columbian Exposition in Chicago in 1893
Object type: photomechanical print
Date: 1893 – 1893
Materials: paper
Techniques: photograph
Location: chicago
Subjects: world fair, world exhibition
Inscriptions: number: ‘Plate 47’
Servet van linnendamast met een bloempatroon
Object type: napkin
Date: 1800 – 1900
Materials: linen
Techniques: damask, weave
Location: netherlands
Inscriptions: mark: ‘MC’, number: ‘24’
Beloning voor arbeid en vlijt
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Subjects: 'natura' (allegorical figure or scene; or as diana of ephesus, with many breasts); 'natura' (ripa), tools, aids, implements ~ crafts and industries, predatory birds (+ flying animal(s)), nursing, suckling, globe, labour
Inscriptions: date

Een jong kind zuigt aan de borst van de personificatie van de Natuur (Natura). In de lucht zweeft een wereldbol, met allerlei werktuigen die de mens gebruikt bij zijn dagelijkse arbeid. Boven de wereldbol vliegt een vogel: zoals een vogel geschapen is om te vliegen, zo ligt het in de natuur van de mens om in zijn leven te werken. Onder de voorstelling twee verzen in het Latijn en een Frans en Nederlands onderschrift in boekdruk. Deze prent maakt deel uit van een album.
Tiger's Claw (Bagh Nakh)
Object type: tiger's claw bagh nakh
Date: 1701 – 1900
Materials: steel
Culture: indian
Location: india
Ceramic Fragment
Object type: ceramic fragment
Date: 1301 – 1500
Materials: earthenware
Techniques: glazing
Location: egypt
Suzanne Manet at Bellevue
Object type: drawing
Date: 1880 – 1880
Materials: graphite
Techniques: brush, wash
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: women
Vase
Object type: vase
Date: 1830 – 1900
Materials: glass
Techniques: pressed
Location: france
Fragment of Rug
Object type: rug fragment
Date: 1701 – 1800
Materials: cotton, wool
Culture: chinese
Ex libris van Catherine gravin du Chastel de la Howarderie-Moutury
Object type: bookplate
Date: 1858 – 1901
Materials: paper
Techniques: etching
Location: belgium
Artist: Anonymous
Subjects: predatory birds: eagle, birds, beasts of prey, predatory animals: lion, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Mislukte aanslag van Mary Nicholson op het leven van George III, koning van Engeland
Object type: history medal
Date: 1800 – 1800
Materials: alloy
Techniques: striking
Location: birmingham
Artist: peter kempson
Artist dates: 1792 – 1820
Subjects: george iii (koning van het verenigd koninkrijk), england

Penning. Voorzijde: engel met portretmedaillon van koning weert met schild pijlen af binnen omschrift. Keerzijde: bloemen, omwonden door wimpel met opschrift onder kroon beschenen door hemellicht binnen bladerkrans en omschrift.
Paard-en-wagen, mogelijk bij boten
Object type: sketchbook leaf
Date: 1886 – 1908
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), ships (in general), horse, (farm) wagon, freight wagon, cart
Inscriptions: kleurnotitie, handgeschreven

Paard-en-wagen, mogelijk weerspiegeld in het water met boten. Pagina 23 uit een schetsboek met 46 bladen vervaardigd te Amsterdam, Haarlem en Antwerpen.
Toy plate
Object type: glass
Date: 1850 – 1850
Materials: glass
Techniques: pressed
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Fotoreproductie van een fresco voorstellende een engel of putto
Object type: reproduction
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: picture, painting, angels
Vignet met letters B, K, W en G en deel van kop van leeuw
Object type: print
Date: 1871 – 1939
Materials: paper
Techniques: relief print
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: beasts of prey, predatory animals: lion, vignette
Inscriptions: collector's mark: Lugt 2228

Deze prent is vermoedelijk een plaatsnede, ook al wordt in de literatuur veelal gesproken over een houtsnede. Voor zover Wierink zijn prenten in hoogdruk zelf nader heeft omschreven, heeft hij altijd de term 'plaatsnede' gebruikt.
Lint 'Voor de omgekomen burgers in Europa - vervolgden'
Object type: ribbon material
Materials: gold leaf, textile
Techniques: printing, weave
Artist: Anonymous
Subjects: amsterdam
Inscriptions: inscription: ‘'Voor de omgekomen burgers in Europa - vervolgden'’

Twee aan elkaar gebonden witte linten, gelegd op 4 mei 2000 bij het Nationaal Monument op de Dam. Het bovenste lint is v.z.v. een gouden opdruk. Onderste lint is blanco. Linten zijn aan de uiteinden schuin afgeknipt. Aan een zijde tot strik samengebonden met ijzerdraad. IJzerdraad gebogen t.b.v. bevestiging aan krans.
Portret van Marcus Elieser Bloch
Object type: print
Date: 1798 – 1841
Materials: paper
Techniques: engraving
Artist: ambroise tardieu
Artist role: print maker, printer
Artist dates: 1788 – 1841
Subjects: historical persons
Double Zither
Object type: double zither
Date: 1801 – 1900
Materials: metal, wood
Culture: german
Location: germany
Etudiants
Object type: photograph
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: student, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: number: ‘10.’
Fragment kraaikop uit V.O.C.-schip de 'Witte Leeuw'
Object type: kraaikop
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Fragment kraaikop uit V.O.C.-schip de 'Witte Leeuw'.
Walking Staff with Sword Hilt
Object type: arm
Date: 1663 – 1663
Materials: bone, iron, wood
Culture: german
Location: germany
Passementerie
Object type: passementerie
Date: 1601 – 1700
Materials: silk
Icones historicae Veteris et Novi Testament
Object type: book
Date: 1681 – 1681
Techniques: woodcut
Artist: bernard salomon
Artist role: artist
Artist nationality: french
Artist dates: 1508 – 1561
Subjects: abel,cain,moses,adam,eve,bible
Terracotta fragment of a pot; glazed on the inside
Object type: pot fragment
Date: 480 – 460
Materials: terracotta
Culture: greek, attic

Part of the left buttock, left thigh, and part of the right thigh of a male to left, with drapery
Piece
Object type: piece
Date: 1551 – 1600
Materials: metal thread, silk
Subjects: birds
Portret van een onbekend meisje uit de familie en de kring van Eugene van Delden en Belle van Delden-Denninghof Stelling
Object type: carte de visite
Date: 1861 – 1887
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: historical persons not known by name - bb - woman, girl (child between toddler and youth)
Inscriptions: inscription: ‘A. GREINER/ Photograf/ AMSTERDAM/ NIEUWENDIJK L. 89.’

Portret uit de kring van Eugene van Delden (Hartapoera, 1865 - Den Haag, 1954) en Belle van Delden-Denninghof Stelling (Batavia, 1870 - Den Haag, 1947).
Portret van Johann Wolfgang Frenzel op 50-jarige leeftijd
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: matthias van sommer
Artist role: draughtsman, print maker
Subjects: historical persons, book
Inscriptions: date
Case (Inrō) with Design of Hannya and Anchin-san beside Maple Leaves (obverse); Flaming Dragons and Inscription (reverse)
Object type: inrō
Date: 0 – 0
Materials: gold, iron, lacquer, silver
Techniques: fundame, hiramakie, roiro
Culture: japanese
Subjects: dragons,demons
Kampen, Rathhaus
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: leipzig
Artist: Anonymous
Subjects: townhall, façade (of house or building)

Afdruk uit: Krook, L. Architectur der Niederlande. Leipzig: Baumgärtner's Buchhandlung, 1894.
Botervloot, beschilderd met oosters landschap
Object type: butter dish
Date: 1765 – 1768
Materials: faience
Techniques: kiln, painted, polychromy
Location: delft
Artist: jacobus adriaens halder
Artist role: fayencier
Artist dates: 1741 – 
Inscriptions: mark: ‘A/ IH’

Botervloot. Met bijbehorende deksel (B) en onderschotel (A) veelkleurig versierd met een oosters landschap met rotsen en gebouwen. Gemerkt.