deem-data/ArtiFact huggingface dataset:
Last Poppies
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: etching
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926

About two years after finishing the plate for L’agonie des fleurs, Roussel created his color print Last Poppies. While dying poppies figure prominently in the impressively large and detailed L’agonie, they are the sole subjects of the much smaller, more abstract later etching. While Roussel realized the middle tones on the leaves and flower petals through parallel and crosshatched lines, the nearly uniform dark background in Last Poppies results from Roussel’s mastery of soft ground evident already in L’agonie.
Tafel
Object type: table
Date: 1750 – 1750
Materials: bronze, wood
Techniques: gilding
Location: france
Artist: charles marie cochois
Artist role: furniture worker

Panel from a room. Oak. Paris, c. 1740. Cartel clock. Gilt bronze. Paris, c. 1740, the case by Jacques Caffiéri, the movement by Julien le Roy. Writing table. Oak, veneered with tulipwood, purplewood and other woods. The leather top is probably a replacement for a decoration in marquetry. Paris, ca. 1750, by Charles Marie Cochois. Ewer. Porcelain mounted in gilt bronze. The porcelain China, c. 1700 - 1750, the mounts Paris, c. 1750.
Sleeve weight
Object type: weight
Date: 206 – 220
Materials: clay
Culture: chinese
Studies of Four Tulips
Object type: drawing
Date: 1700 – 1725
Materials: paper, pencil, watercolor
Techniques: brush
Artist: elias van nijmegen
Artist role: draughtsman, painter
Artist dates: 1667 – 1755
Subjects: flowers: tulip
Portret van Joan Jacob Mauricius
Object type: print
Date: 1831 – 1863
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: amsterdam, joan jacob mauricius, historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Shin Yoshiwara, from the illustrated book "Picture Book of Amusements of the East (Ehon Azuma asobi)"
Object type: print
Date: 1802 – 1802
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Ceiling Decoration
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: pen
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: ornament
Doosje bij penning, verleend aan Bartvan Hove in 1868 door de Vereeniging ter bevordering van fabriek en handwerknijverheid in Nederland, afdeling 's Gravenhage
Object type: medal box
Date: 1860 – 1868
Materials: cardboard, metal, paper, velvet
Techniques: pasting
Location: netherlands
Artist: Anonymous
Subjects: the hague, amsterdam, sculptor, bart van hove

Rond kartonnen doosje met bruin leer beplakt met koperen haakje als sluiting en scharnierend aan de achterzijde. Binnenzijde blauw fluweel met lintje.
Portret van José de Seabra da Silva
Object type: print
Date: 1813 – 1899
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: historical persons, politician, e.g. party leader

Met drieregelig onderschrift in het Frans.
Jacket
Object type: jacket
Date: 1840 – 1880
Materials: cotton, metal, silk

The dushegreya, a short women's jacket was worn over the sarafan as pictured here to provide additional warmth in the cold Russian winters. Known as a "body warmer" the dushegreya was also sometimes a sleeveless garment. The contrasting blue and red create a striking appearance, unified by the nearly identical damask patterns. This object was collected by Stewart Culin (1858-1929) during a collection expedition in 1918. Culin was the Brooklyn Museum's first Curator of Ethnology, serving from 1903 to 1929. Possessing an insatiable curiosity and appetite for collecting objects of all kinds, Culin conducted over twenty worldwide collecting expeditions between 1901 and 1928. The trips covered American Indian territories, New England, Asia, India, Great Britain, and all of Eastern and Western Europe. The seven expeditions between 1917 and 1928 were specifically focused on collecting regional textiles and costumes from Eastern and Western Europe and, to a lesser extent, New England. Culin's goals for these trips were not just to expand the Museum's holdings, but also to preserve their cultural contexts. He did so through amassing photographs, notebooks, and ephemera which documented the social, commercial, and cultural circumstances surrounding their acquisition. His collecting philosophy embraced both rare and high-quality pieces as well as those which represented daily life or were of particular social or historical interest.
Writing box with a view of Sarusawa Pond
Object type: schrijfdoos, schrijfcassette
Date: 1905 – 1905
Materials: lacquer
Techniques: lacquer
Location: japan
Artist: funabashi shūmin
Artist role: lacquerer
Artist dates: 1859 – 1931
Inscriptions: signature: ‘船橋舟珉’, inscription: ‘明治三十八年十二月九日 凱旋 聖上陛下親ㇰ賜之’, inscription: ‘邦彦王謹記’, inscription: ‘御硯箱’, inscription: ‘四季山水之図’, seal

The moon is reflected in Sarusawa Pond in the ancient Imperial capital of Nara. The weeping willow seems to be the protagonist. On the opposite side are the buildings of Kofukuji Temple. Depth is achieved by means of varying degrees of relief in the lacquer. Prince Kuni Kuniyoshi received this writing box as a gift from Emperor Meiji ingratitude for his service in the Russo-Japanese War of 1904-1905.
Landschap met hooibergen
Object type: print
Date: 1861 – 1937
Materials: paper
Techniques: etching, intaglio
Artist: cornelia van der hart
Artist role: print maker
Artist dates: 1851 – 1940
Subjects: hay-stack
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Jacket
Object type: jacket
Date: 1864 – 1868
Materials: silk
Culture: french
Tea cup (part of a service)
Object type: teacup
Date: 1800 – 1805
Materials: hard paste porcelain
Subjects: coat of arms
5 cents uit de Straits Settlements van koningin Victoria, 1900
Object type: coin
Date: 1900 – 1900
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: gekroond hoofd van koningin Victoria naar links. Keerzijde: binnen parelcirkel waarde-aanduiding: 5. In omschrift onderaan waarde-aanduiding: five cents met rechts daarvan jaartal. Kartelrand.
Brief aan Christiaan Kramm
Object type: letter
Date: 1851 – 1851
Materials: ink, paper
Techniques: pen, writing
Location: haarlem
Artist: christiaan immerzeel
Artist role: print maker
Artist dates: 1808 – 1886
Subjects: utrecht, print maker, draughtsman, christiaan kramm, painter, servaes de jong, the graphic arts, family life, rhenen, amerongen, gelderland
Inscriptions: collector's mark: Lugt 2233
Gaspar Johann Wilhelm Paver
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: engraving
Location: vienna
Artist: elias widemann
Artist role: print maker
Subjects: historical persons
Inscriptions: inscription: ‘S’, collector's mark: Lugt 2228, number: ‘No 1376.’
Jacques Amelot
Object type: print
Date: 1655 – 1655
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits,coat of arms
Left Leg of Standing Figure
Object type: drawing and watercolor
Materials: charcoal, paper
Location: england
Artist: john downman
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1749 – 1824
Landschap
Object type: sketchbook leaf
Date: 1854 – 1868
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: landscapes
Inscriptions: kleurnotitie, handgeschreven

Blad 62 recto uit een schetsboek met 88 bladen.
Portret van Karel Bernhard, hertog van Saksen-Weimar-Eisenach
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Location: stuttgart
Subjects: karel bernhard (hertog van saksen-weimar-eisenach), commander-in-chief, general, marshal, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Notre Dame
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: church (exterior), bridge
Inscriptions: number: ‘211’, inscription: ‘Paris: Notre Dame’
Kit of six pairs of Percussion Bones (clappers)
Object type: kit of six pair of percussion bone clapper
Date: 1801 – 1900
Materials: bone, wood
Culture: american
Location: united states
Plate with the arms of marquis Gaspard de Gueidan (1688–1767)
Object type: plate
Date: 1759 – 1759
Materials: silver
Artist: honoré burel
Artist role: maker
Artist dates: 1718 – 1778
Subjects: coat of arms
Zoshigaya no Zu (Myoga-ya)
Object type: print
Date: 1840 – 1840
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Subjects: boys,men,women,trees
Scènes uit de Commedia dell'arte
Object type: print
Date: 1729 – 1732
Materials: paper
Techniques: etching
Location: france
Subjects: types in 'commedia dell'arte': pierrot, 'commedia dell'arte'
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie van twaalf prenten met scènes uit de Commedia dell'arte door Huquier naar tekeningen door Gillot. De serie werd tussen 1729 en 1732 uitgegeven door Huquier en de weduwe van François Chéreau.
Sixieme Livre de Formes Rocailles et Cartels ornés de Figures Françoises
Object type: album leaf
Date: 1736 – 1736
Materials: paper
Techniques: engraving, etching
Subjects: rocaille ornament, lovers; courting, flirting
Vier putti onder een boom
Object type: drawing
Date: 1798 – 1798
Materials: graphite, ink, paper
Techniques: brush, pen
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Subjects: drawing, sketch, picture, painting
The Revenge of Nauplios, after Rosso Fiorentino
Object type: print
Date: 1625 – 1646
Techniques: etching
Artist: antoine garnier
Artist role: artist
Artist nationality: french
Artist dates: 1611 – 1694

The print depicts the dramatic revenge of Nauplios after Rosso Fiorentino’s fresco on the north side of the Galerie François I in the Palace of Fontainbleau, south of Paris. Avenging the unjust killing of Palamedes, Nauplios caused the Greek fleet that was sailing home from the Trojan War to shipwreck. The fresco dates from 1535–37, and in the decades shortly after it was completed printmakers reproduced it in print; Antonio Fantuzzi for example produced an etching around 1542–47 (see 49.50.220). Fantuzzi’s print shows several differences when compared to the painting; for example, he includes rocks in the foreground. Garnier’s print however faithfully follows the original without embellishment.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, block seat or rock?; on exergue, lower legs and feet of a draped woman to right wearing a chiton and himation; Exterior, profiled ring foot with a glazed resting surface; the inner wall of the foot is also glazed; the underside of the floor is decorated in concentric circles; the outer edge is in reserve, followed by a wide black glaze band; a thin reserve line and a thin black glaze line borders the center which is reserved
Cup modeled after a rhyton
Object type: cup
Date: 567 – 600
Materials: glaze, stoneware
Techniques: relief
Culture: chinese
Subjects: dragons

This cup, modeled after a rhyton, or drinking horn, reflects the influence of ancient Persian metalwork, from its octagonal shape to its raised decoration of beaded medallions and palmettes. A distinctively Chinese dragon counterbalances these influences. The high-fired white stoneware and clear glaze exemplify China’s advanced ceramic technology in the sixth century.
Stage design with allegorical figures on a staircase; from 'L'Eta Dell'Oro'
Object type: print, fete, ornament architecture
Date: 1690 – 1690
Techniques: etching
Artist: carlo antonio forti
Artist role: artist
Artist nationality: italian
Artist dates: 1657 – 1732
Subjects: stairs,stage design

Counterproof of a stage design for 'L'Eta Dell'Oro' with allegorical figures seated on a staircase. At the top is Abundance and below is a river and city landscape with a river goddess at center.
Women Washing Clothes at Well
Object type: print
Date: 1764 – 1775
Techniques: woodblock print, hashira
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Italianate River Landscape with Bridge with Tower
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: france
Artist: after claude lorrain
Artist nationality: french
Artist dates: 1600 – 1682
Pendant Cross Reliquary
Object type: reliquary
Date: 1101 – 1400
Materials: gilt silver, silver
Culture: byzantine or russian

Gilded silver reliquary crosses were popular in the Orthodox world in the Byzantine and post Byzantine centuries. This work survives in its entirety. The two halves of the reliquary display Christ and an enthroned Virgin flanked by medallions with busts of holy figures. The chain from which the reliquary hung is closed by a clasp with an image of a bearded figure, possibly representing God the Father.
Schoorsteenhaak
Object type: chimney hook
Date: 1600 – 1699
Materials: iron
Location: netherlands

Een ijzeren vuurhaak, zonder versiering.
The Theological Virtues: Faith, Charity, Hope
Object type: painting
Date: 1495 – 1505
Materials: gold, paint, wood
Artist: italian (umbrian) painter
Artist role: artist
Artist nationality: italian
Subjects: infants,women,phoenix,dogs,chalices,allegory
Vertrekkend jachtgezelschap voor een huis
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: etching
Location: france
Artist: jean moyreau
Artist role: print maker, publisher
Artist dates: 1690 – 1762
Subjects: assembling, 'départ pour la chasse'
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie van 89 prenten te dateren tussen ca. 1733-1762, naar het geschilderde oeuvre van Philips Wouwerman.
Dit betreft plaat 87.
Lintel with Sts Catherine or Barbara, Olaf and Anthony
Object type: deurkalf
Date: 1500 – 1525
Materials: wood
Location: guelders
Artist: Anonymous
Inscriptions: coat of arms, at the right, in relief: parted per pale, 1. three roses; 2. a fish, crowned and vertically aligned, coat of arms, at the left, in relief: parted per pale, 1. a hunting horn; 2. a triangular harrow
Mirror Case
Object type: mirror case
Date: 1801 – 1900
Materials: metal thread, silk
Techniques: embroidery, stitching
Culture: chinese
Subjects: men
Axe 玉钺
Object type: arm
Materials: jade
Location: china

象牙色玉，有棕褐色和灰绿色斑。有蚀变。双面弧形刃，有肩（也称内）刃与内连接处有一小圆孔，为对穿而成。少量有肩钺可见于良渚文化。参见朱金坤主编《神圣与精致——良渚文化玉器研究》216页 图6，浙江省桐乡市新地里遗址出土石钺。
Lime Dipper or Pin
Object type: lime spatula
Date: 1 – 700
Materials: gold
Techniques: casting
Culture: calima or yotoco
Location: colombia
Ngombi (arched Harp)
Object type: ngombi arched harp
Date: 1801 – 1900
Materials: fiber, leather, skin, wood
Culture: fang or kele
Location: gabon

Ngombi (ombi) with fiber strings. Unlike the triangular European harp, the arched harp consists of two elements, a soundbox with a curved neck rising from it. Strings made of gut or plant fiber rise diagonally from the soundtable.
The Broad River
Object type: print
Date: 1621 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: rivers,landscapes,trees
Rustend jachtgezelschap
Object type: print
Date: 1630 – 1698
Materials: paper
Techniques: etching
Location: italy
Artist: Anonymous
Subjects: hunters resting during the hunt, goat
Inscriptions: collector's mark: Lugt 2228

Een groep ruiters neemt een pauze. Ze zijn met elkaar in gesprek. Eén vrouw zit nog met haar kind op het paard. Rechts een geit en een hond.
Beschrijving van Hulst, Liefkenshoek, Axel en Terneuzen
Object type: text sheet
Date: 1652 – 1652
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: johannes willemszoon blaeu
Artist role: printer, publisher
Artist dates: 1596 – 1673
Subjects: terneuzen, fort liefkenshoek, hulst, axel

Tekst gebruikt in: Blaeu, Johannes Willemszoon. Novum ac magnum theatrum urbium Belgicae (...). 2 delen. 3e druk. Amsterdam: Johannes Willemszoon Blaeu, 1652, dl. 1.
Waaiervormig segment met een landschap in een ovaal
Object type: ornament print
Date: 1594 – 1635
Materials: paper
Techniques: engraving
Location: germany

Ovaal tussen twee engelen. De rand bovenaan bevat twee kleine ovalen met zeepaarden. Tegenzijdige kopieën van de onder Orn Cat I-324.A vermelde serie. Titelblad en 14 deels genummerde bladen uit een serie van 25.
Gezicht op het wad in Groningen
Object type: print
Date: 1915 – 1939
Materials: paper
Techniques: drypoint
Artist: riekele prins
Artist role: print maker
Artist dates: 1905 – 1954
Subjects: mud flat
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Dumbarton Castle and pier
Object type: photograph
Date: 1875 – 1885
Materials: photographic support
Techniques: albumen print
Location: dumbarton
Artist: Anonymous
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), landscape with tower or castle, university, glasgow
Inscriptions: number: ‘1161, J.V.’, number: ‘1601, J.V.’
Putti met een guirlande van vruchten
Object type: drawing
Date: 1640 – 1660
Materials: ink, parchment
Techniques: pen
Artist: pieter de porck
Artist role: draughtsman
Subjects: fruits and vegetables ~ ornament, ornament ~ festoon, garland, cupids: 'amores', 'amoretti', 'putti'
Yastik
Object type: cushion cover
Date: 1601 – 1700
Materials: cotton, metal thread, silk, velvet
Techniques: brocade, cutting, voiding
Location: turkey
Subjects: flowers

Yastiks are cushion covers used by the Ottoman elite to decorate the interiors of their palaces. They are distinguished by their rectangular shape, a dominant red velvet background, and a composition framed on both sides with a band formed of a linear repeating motif. These cushion covers were produced in quantity; the same pattern type was woven one after the other in a continuous length on the loom and later cut to size.
Hermolaus Barbarus Venetus
Object type: book illustration
Date: 1669 – 1669
Materials: paper
Techniques: engraving
Artist: jean jacques boissard
Artist dates: 1528 – 1598
Subjects: venice, priest
Inscriptions: collector's mark: Lugt 2228

Gemaakt voor: J.J. Boissard, Icones virorum illustrium doctrina &c eruditione praestanti um contines. Frankfurt am Main: de Bry, 1597-1599. Opnieuw gebruikt in: J.J.Boissard, Bibliotheca chalcographica, hoc est Virtute et eruditione clarorum Virorum Imagines. Heidelberg: Clemens Ammon, 1669. Dl. 1-5 (te herkennen aan de toegevoegde signatuur in de rechter onderhoek: B2).
Vierkante stapeldoos, zwarte lak met strooibloemen in goud-makie
Object type: box
Date: 1700 – 1800
Materials: gold, lacquer, wood
Techniques: lacquer
Location: japan
Artist: Anonymous

Vierkante stapeldoos met twee bakjes en een vlakke deksel (waarschijnlijk ontbreekt één bak). Zwarte lak met strooibloemen in goud-makie. Smalle gouden banden omranden de zijden en het deksel.
Relief showing the handle of a mirror - see 26.3.353-3
Object type: relief, handle of a mirror, neferu
Date: 2051 – 2030
Materials: limestone, paint
Location: egypt
Très Parisien, 1925, No. 11, Pl. 8: Création Jean PATOU - MAXIM'S
Object type: fashion print
Date: 1925 – 1925
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: ensembles of pieces of clothing (three piece suit) (+ women's clothes), fashion plates
Inscriptions: caption: ‘8. - MAXIM'S. - Ce manteau de lainage vert bouteill "très tailleur" est largement garni de ragondin. Un trois-pièces de soie noire "Zamba" à grosses côtes, est garni de fourrure et brodé d'un motif mauve et argent.’

Mantel van Jean Patou. Driedelig ensemble van Jean Magnin. De stoffen zijn van de Société Picardie, Parijs. Prent uit het modetijdschrift Très Parisien...La Mode, Le Chic, L'Élégance (1920-1936)
Kwakzalver verkoopt zijn waren
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: etching
Location: haarlem
Artist: adriaen van ostade
Artist role: draughtsman, painter, print maker
Artist dates: 1610 – 1685
Subjects: quack, charlatan, mountebank, 'saltimbanco'
Inscriptions: collector's mark: Lugt 240

Enkele volwassenen en kinderen luisteren naar het verhaal van een kwakzalver die zijn waren probeert te slijten vlakbij een grote boom en tent . Op de voorgrond staat een kleine jongen met een hoepel te kijken met de rug naar de beschouwer toe. De voorstelling heeft een halfronde bovenkant.
Portret van Balthasar van Byma
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: commander-in-chief, general, marshal, armour, historical persons

Prent uit: Picardt, Johan. Korte beschryvinge van eenige vergetene en verborgene antiquiteten der provintien en landen gelegen tusschen de Noord-zee, de Yssel, Emse en Lippe. Amsterdam: Gerrit van Goedesberg, 1660, p. 301.
Zeeuwse derde daalder van 20 groot, 1602
Object type: coin
Date: 1602 – 1602
Materials: silver
Techniques: striking
Location: middelburg

Zilveren munt. Voorzijde: dubbelkoppige adelaar met op borst wapenschildje van Zeeland. Keerzijde: versierd wapenschild met wapens van Zeeuwse steden en de eerste edele, onder wapenschild waarde-aanduiding 20.
Dammen in de Nijl
Object type: cartoon
Date: 1898 – 1898
Materials: paper
Techniques: line block
Location: england
Artist: edward linley sambourne
Artist role: draughtsman
Artist dates: 1844 – 1910
Subjects: building activities, river, barrage, personification of river nile; 'nilo' (ripa), political caricatures and satires

Een Engels bedrijf krijgt toestemming om twee stuwdammen in de Nijl te bouwen. De riviergod van de Nijl ziet verschrikt hoe een man met een schep een dammetje opwerpt in het water. Spotprent in het Engelse satirische tijdschrift Punch, 1898.
Köbenhavn. Engelsk Kirke
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1920
Materials: photographic support
Techniques: photography
Location: copenhagen
Subjects: church (exterior), public gardens, park, copenhagen (city)
Inscriptions: mark
Maize and Cockscombs
Object type: painting
Date: 1634 – 1666
Materials: gold, gold leaf, ink, panel, paper
Techniques: painting
Location: japan
Artist: Anonymous
Subjects: cornstalks, cockscombs, plants, flowers, gold (color)

During the Edo period, the prosperity and political unification of Japan under the ruling Tokugawa shoguns led to the emergence of a magnificent Japanese decorative style characterized by a love of bold patterns and bright colors. This new style was supported by the military class, a disenfranchised aristocracy, and a thriving class of merchants and entrepreneurs. The surviving half of an original pair, this splendid screen elegantly embodies both the techniques of ancient court painters and the curiosity and confidence so prevalent in the Edo period. Bursting with sensual fullness, the maize and cockscombs are rendered with the accuracy of a botanical drawing, a testimony to the era’s interest in natural science. The appearance of maize, a grain not native to Japan, indicates a willingness to assimilate new subject matter on the part of Edo artists and patrons.
Vakantie en portret
Object type: album leaf
Date: 1900 – 1925
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: nice
Artist: Anonymous
Subjects: beach (as place of recreation), adult woman, adult man
Inscriptions: signature: ‘L.K.’

Albumblad met foto's van een jonge vrouw en van een drietal in een auto. Ook een foto van een stel wandelend in Nice en van een vrouw aan het strand aldaar. Onderdeel van Fotoalbum van een onbekende Nederlandse familie met connecties in Suriname en Nederlands-Indië (2).