deem-data/ArtiFact huggingface dataset:
Oude vrouw met drie kinderen bij openhaard
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: open hearth, fire-place
Inscriptions: collector's mark: Lugt 2228

Voor de openhaard zit een oude vrouw met spinrok, haar voeten rusten op een stoof. Twee kinderen zitten geknield voor haar en luisteren samen met het staande derde kind aandachtig naar de oude vrouw. Deze prent is vervaardigd bij de verhalen uit "Vertellingen van Moeder de Gans - Contes du tems passé de ma mere l’oye" van Charles Perrault.
"Away!": plate 7 from Othello (Act 3, Scene 4)
Object type: print
Techniques: aquatint, printmaking, drypoint, engraving, etching, roulette
Artist: théodore chassériau
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1856
Subjects: shakespeare,men,women
T'Kollegie der Gedeputeerde Staaten, te Leeuwarden
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Location: netherlands
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: provincial government
Inscriptions: collector's mark: Lugt 1641, collector's mark

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.
Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Pluto, Neptune, Minerva and Apollo, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau
Object type: print
Date: 1560 – 1569
Techniques: engraving
Artist: giorgio ghisi
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1582
Subjects: apollo,minerva,neptune,pluto
Orchid Pavilion Gathering; Autumn Harvest Festival
Object type: screen
Date: 1763 – 1763
Materials: ink, panel, paper
Culture: japanese
Artist: ike no taiga
Artist role: artist
Artist nationality: japanese
Artist dates: 1723 – 1776
Subjects: mountains,landscapes,trees,autumn

This pair of screens by Ike Taiga, one of Japan’s most prominent literati painters, depicts two Chinese themes: the Orchid Pavilion Gathering on the right screen and, on the left screen, the Autumn Harvest Festival. A Tang-dynasty poem attributed to Wang Jia (born 851) and inscribed above in Taiga’s own calligraphy reads: At the foot of Mount Ohu, the rice and millet are fat. Pigs are in their pens, the chickens in their coops; The door to the house has been left ajar. The Autumn Festival is over, and in the evening Mulberry leaves cast long shadows. from every house tipsy men return, holding each other up. —Trans. adapted from Stephen D. Allee
Dettagli di altari, monumenti, scultura ecc. della Basilica di San Marco in Venezia / riprodotti dal vero in eliotipia da C. Jacobi
Object type: wrapper
Date: 1884 – 1884
Materials: cardboard, linen, paper
Techniques: photograph, printing
Inscriptions: inscription: ‘Portafolgio N.o V./ Coperta 3./ Contiene Tav. 98 a. 142.’, date: ‘SEPT/ 1998’

Omslag met 51 prenten op 29 bladen en 1 tekstblad.
Gezicht op Melrose Abbey
Object type: page
Date: 1852 – 1862
Materials: photographic support
Techniques: albumen print
Location: melrose abbey
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: ruin of church, monastery, etc.
Varken, een hok en een schets van een hek
Object type: drawing
Date: 1823 – 1823
Materials: chalk, paper
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: pig

Blad met een varken, etend uit een trog, een hok en een schets van een hek.
Design for Omnibus or Wagonette, no. 3755
Object type: drawing
Date: 1882 – 1882
Materials: gouache, graphite, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Mouth of the Nakawaga River (Nakagawaguchi), from the series “One Hundred Famous Views of Edo (Meisho Edo hyakkei)”
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portret van Henri van der Hoeven
Object type: reproduction
Date: 1901 – 1915
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: historical persons
Drie sierlijsten
Object type: ornament print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: milan
Subjects: ornaments ~ art, mouldings ~ architecture, architectural detail

Drie sierlijsten. Decoratie voor de Villa Reale in Monza. Tavola IV. Onderdeel van het album met twee series ornamentprenten naar Giocondo Albertolli.
Catania
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: venice
Subjects: gate, entrance
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: men,trees
Square with Fantastic Animal
Object type: square
Date: 1567 – 1633
Materials: metal thread, silk
Techniques: tapestry
Culture: chinese
Subjects: animals

Gold thread accentuates the eyes and single curved horn of this spotted deerlike animal, and the flamelike emanations coming off its body announce its supernatural status. It runs through an abstracted landscape with clouds overhead and a low groundline.
Vrouw reikt voedsel uit aan vrouw met twee kinderen
Object type: book illustration
Date: 1723 – 1723
Materials: paper
Techniques: engraving, etching
Artist: charles louis simonneau
Artist role: print maker
Artist dates: 1645 – 1728
Subjects: lodewijk xiv (koning van frankrijk), starvation, famine
Inscriptions: collector's mark: Lugt 240

Prent uit: Académie des inscriptions et belles-lettres. Medailles sur les principaux evenements du regne entier de Louis de Grand, avec des explications historiques. Parijs: Imprimerie Royale, 1723, p. 70.
Seaton House, pl. 2, Edinburghshire (from Antiquities of Scotland, volume 1)
Object type: print
Techniques: engraving, etching
Location: england
Artist: james newton
Artist role: artist
Artist nationality: british
Artist dates: 1748 – 1805
Quelqe port dee Meer
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: etching
Location: netherlands
Artist: reinier nooms
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1664
Subjects: harbour, gulf, bay, sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228

Havenscène met twee grote Nederlandse zeilschepen bij een ondergaande zon.
Ruines et Village de Begueh, petite île à l'Ouest de Philae
Object type: photograph
Techniques: paper negative, salted paper print
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: architecture,ruins,villages

Maxime Du Camp's mission to Egypt and the Near East in 1849-51 to make a photographic survey of monuments and sites is well documented in his writings and in those of his fellow traveler, Gustave Flaubert. After an initial stay in Cairo, the two friends hired a boat to take them up the Nile as far as the second cataract, after which they descended the river at leisure, exploring the archaeological sites along its banks. In July 1850 they left Egypt for Palestine, Turkey, and Greece before they parted in Italy the following April. Du Camp's album "Egypte, Nubie, Palestine et Syrie," published in 1852 and containing 125 photographs printed by Blanquart-Evrard, brought its author instant fame. In addition to the published edition, Du Camp arranged for a private printing of a few portfolios, such as the one in the Gilman collection, which numbers 174 images particularly noteworthy for their warm color and luminescence. Possibly printed in Gustave Le Gray's studio, the present portfolio is thought to have been in the collection of the architect Eugène Viollet-le-Duc. A journalist with no experience in photography, Du Camp learned the craft from Le Gray shortly before his departure for Egypt.
Studioportret van een onbekende man en vrouw
Object type: photograph
Date: 1915 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: a.m. van der meulen
Artist role: fotograaf
Subjects: marriage, married couple, 'matrimonium'
Inscriptions: inscription: ‘A. M. v/d Meulen, fa L. v. Groningen Kinkerstraat , 11 b/d Nassaukade, Amsterdam.’

RP-F-F20763 is een ander exemplaar van dezelfde foto.
Landschap
Object type: album leaf
Date: 1680 – 1695
Materials: paper
Techniques: etching
Location: paris
Subjects: landscapes in the temperate zone (+ landscape with figures, staffage)

Landschap. Ontwerp voor schildering boven schoorsteenmantel of deur? Prent maakt deel uit van een album.
Paarden
Object type: print
Date: 1609 – 1642
Materials: paper
Techniques: etching
Artist: pieter bodding van laer
Artist role: draughtsman, painter, print maker
Artist dates: 1599 – 1642
Subjects: horse, dog
Inscriptions: collector's mark: Lugt 2228

Een paard staat, met de teugels vastgemaakt aan een boom, in een weide. Links ligt een hond. Prent rechtsboven gemerkt: page 304. Op de voorgrond ligt een hond. De prent maakt deel uit van een zesdelige serie met voorstellingen van paarden.
Circe Giving a Drink to Ulysses's Companions
Object type: print
Date: 1540 – 1545
Techniques: etching
Artist: antonio fantuzzi
Artist role: artist
Artist nationality: italian
Artist dates: 1537 – 1545
Subjects: men,women,drinking,boats
The Salute
Object type: print
Date: 1909 – 1909
Materials: paper
Techniques: etching
Location: united states
Artist: donald shaw maclaughlan
Artist role: painter, print maker
Artist nationality: american, born canada
Artist dates: 1876 – 1938
Ragini Manavati, Page from a Jaipur Ragamala Set
Object type: painting
Date: 1750 – 1770
Materials: gold, paper, watercolor
Location: rajasthan
Subjects: music, musicians
Garden of the Inept Administrator
Object type: album
Date: 1551 – 1551
Materials: ink, paper
Culture: chinese
Artist: wen zhengming
Artist role: artist
Artist nationality: chinese
Artist dates: 1470 – 1559
Subjects: gardens
Candle Bracket
Object type: candlestick
Date: 1401 – 1500
Materials: iron
Culture: french or south netherlandish
Schön Neues Modelbuch (Page 34 recto)
Object type: book print ornament architecture
Date: 1597 – 1597
Techniques: etching
Artist: johann sibmacher
Artist role: designer
Artist nationality: german
Artist dates: 1590 – 1611
Subjects: ornament

Designed by Johann Sibmacher, German, active 1590-1611, published by Caimox, Nürmberg. Illustrated title signed CM and Jo. Sibmacher, 7 pages of text surrounded by decorative borders, and 35 pages of designs for weaving, embroidery, and cut-linen.
Portret van Helius Eobanus Hessus
Object type: print
Date: 1597 – 1598
Materials: paper
Techniques: engraving
Location: frankfurt am main
Subjects: helius eobanus hessus, historical persons, writer, poet, author

Prent uit: Bibliotheca chalcographica. Frankfurt am Main: Johannes Ammon, 1650. Prent voor het eerst (zonder nummering) verschenen in: Boissard, Jean Jacques. Icones quinquaginta virorum illustrium doctrina & eruditione praestantium ad vivum effictae. Frankfurt am Main: s.n., 1597-1598.
Plantage
Object type: photograph
Date: 1903 – 1907
Materials: paper
Techniques: gelatin silver print
Location: kalimantan
Artist: Anonymous
Subjects: plantation, borneo

Een kleine plantage met bomen op een helling, op de voorgrond twee leden van de lokale bevolking. Foto in het fotoalbum over de oliewinning op Borneo door de Koninklijke Nederlandsche Petroleum Maatschappij (KNPM) in de jaren 1903-1907.
Kelk
Object type: page
Date: 1870 – 1875
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: chalice
Two-Handled Jar
Object type: jar
Date: 1401 – 1433
Materials: earthenware
Techniques: glazing
Culture: italian
Location: italy

The lobed leaf pattern, found on many early Florentine vessels, was likely inspired by local silks and linens.
Gezicht op het hertogelijk paleis te Nancy
Object type: book illustration
Materials: paper
Techniques: etching
Location: nancy
Subjects: city-view in general; 'veduta', palace

Prent uit: Bardin, Philippe. Le triomphe de Son Altesse Charles IIII, duc de Lorraine (...). Nancy: 1664.
Silhouetportret van Otto von Bismarck
Object type: book illustration
Date: 1875 – 1925
Materials: paper
Techniques: letterpress printing, printing block
Artist: Anonymous
Subjects: historical persons
Scotch, from Types of Nationalities (N240) issued by Kinney Bros.
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,smoking

Trade cards from the "Types of Nationalities" series (N240), issued in 1890 to promote Kinney Tobacco Company. Each card is meant to be folded into thirds. Unfolded the card displays a figure from a particular nationality. Folded, the same figure is portrayed smoking a Kinney Brothers Cigarette.
Hand Pavise with the Coat of Arms of the Teutonic Order
Object type: armor
Date: 1450 – 1450
Materials: fiber, gesso, hemp, iron, pigment
Culture: german
Location: germany
Field Marshall Lord Raglan
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: photography, salted paper print
Location: england
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: collected by hugh edwards, crimea 1856
Bottom of Game Board of Reniseneb (part of 26.7.1287)
Object type: game box, hound and jackal, reniseneb
Date: 1814 – 1805
Materials: wood
Location: egypt
Begrafenis van Ernst Casimir, graaf van Nassau-Dietz te Leeuwarden, 1633
Object type: print
Date: 1634 – 1634
Materials: paper
Techniques: engraving, etching, hand coloring
Location: northern netherlands
Subjects: ernst casimir graaf van nassau-dietz, cortege, funeral procession
Inscriptions: date

Deel van de begrafenisstoet met de lijkkist en hellebaardiers. Bovenin de namen van de afgebeelde personen. Plaat nr. 8 in de prentserie van de begrafenis van Ernst Casimir, graaf van Nassau-Dietz te Leeuwarden, 3 januari 1633. De wapens en vaandels zijn ingekleurd. Dit blad samen met bladen 5, 6 en 7 aan elkaar geplakt.
Terracotta stamped brick fragment
Object type: vase, stamped
Date: 3900 – 100
Materials: stone
Culture: cypriot

The stamp comprises concentric circles and lunettes decorated with floral sprays, surrounded by a circle containing an inscription in raised Greek letters, of which only ΑΝ[...]ΟΣ survives.
Voorbereiding van de paardenrennen
Object type: print
Date: 1816 – 1839
Materials: paper
Techniques: lithograph
Location: paris
Subjects: horse-racing
Inscriptions: collector's mark: Lugt 2228a
Ostrakon with a Letter to Cyriacus
Object type: ostrakon
Date: 600 – 600
Materials: ink, pottery
Culture: coptic
Location: egypt
Treasure Box (Papahou)
Object type: box
Date: 1701 – 1800
Materials: shell, wood
Culture: maori
Location: new zealand

Personal ornaments are important objects in Maori culture. Often worn on the head, the most sacred part of the body, these absorb the supernatural power (mana) of their wearers and are carefully handled when not in use. To contain ornaments and other valuable objects, carvers formerly fashioned treasure boxes that were hung from the rafters of houses to keep their precious and powerful contents out of reach. As the boxes were often seen from below, their undersides were also extensively carved. Shallow rectangular treasure boxes such as this work were called papahou. The designs here consist primarily of human figures (tiki) that likely represent ancestors. The lid is adorned with a handle formed by three reclining tiki, two of whom are depicted in the act of procreation, perhaps symbolizing the continuity of the mana of the ancestors through their living descendants.
Figuren met verschillende beroepen
Object type: print
Date: 1735 – 1809
Materials: paper
Techniques: etching
Artist: paul sandby
Artist role: draughtsman, print maker, publisher
Artist dates: 1725 – 1809
Subjects: adult man, persons engaged in trade and commerce
Inscriptions: collector's mark: Lugt 2228
Oinochoe
Object type: oinochoe
Date: 500 – 476
Materials: terracotta
Culture: greek, attic
Artist: athena painter
Artist role: artist
Subjects: men,horses
Rupsen, poppen en vlinders VI
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: insects
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Blankaart, Steven. Schou-burg der rupsen, wormen, ma'den, en vliegende dierkens daar uit voortkomende. Amsterdam: Jan Claesz ten Hoorn, 1680.
Sinan Reis and Hayreddin Barbarossa
Object type: painting
Date: 1535 – 1535
Materials: canvas, paint
Techniques: painting
Culture: italian
Location: northern italy
Subjects: portraits: multiple subjects, profile, man, men, islamic, jewish people, portrait, portraits: male subject, century of progress, world's fairs, chicago world's fairs
Kaartend gezelschap om een tafel
Object type: photograph
Date: 1900 – 1910
Materials: photographic support
Techniques: daylight paper print
Artist: Anonymous
Subjects: card games, interior of the house

Onderdeel van Familiealbum met onder meer foto's van Wijnhandel Kraaij & Co. Bordeaux-Amsterdam.
Anklet, One of a Pair
Object type: anklet
Date: 1801 – 1900
Materials: gold
Location: india

These gold anklets are made up of many small articulated balls that would jingle and move alongside the wearer. One of the anklets is fitted with bells on the tassel. Such jewels would have been worn in the areas of Rajasthan, Malwa, and Madhya Pradesh as part of a suite of jewelry. The use of gold in these pieces indicates that these jewels were made for a person of privilege. These jewels was formerly in the collection of American artist and designer Lockwood de Forest (1850–1932) who purchased many jeweled objects while traveling in India between 1879–1881. Today, his collection of Indian jewelry in the Met serves as a near-comprehensive assemblage of late nineteenth century bodily adornment.
Footed Dish with Lotus Medallion and Cloud Scrolls
Object type: vessel
Materials: earthenware, glaze, lead
Location: china

Chinese potters of the mid-Tang dynasty (c. 675-750) revitalized a centuries-old tradition of low-fired, lead-rich glazes colored with metallic oxides. Artists of the late Western Han dynasty (1st century B.C.) had pioneered this technology by coating vessels, figures, and other objects of porous red earthenware with striking but easily weathered glazes of copper green and iron amber-brown. Utilizing harder and lighter-toned clays (often brightened with white slip), carefully fritted (melted and crushed) glazes, and measured recipes of metallic oxides, the Tang created stable and brilliant hues. Generally termed "three-color" (sancai) after the archetypical combination of bright green, amber, and white (transparent) glazes, this palette also included a rare cobalt blue probably imported from Persia. Such fluid glazes could be dripped, spotted, splashed or neatly contained within carved, molded or impressed outlines.

This footed dish was crisply impressed with a central, lotus-like medallion and surrounding cloud-like scrolls. Within those sharply grooved outlines, the craftsman carefully painted the amber, green, and blue glazes. The rim is painted in blue and the legs and underside in amber.
Card Number 253, May Bardell, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,smoking,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Fragment with Sempervivum tectorum motif
Object type: piece
Date: 1475 – 1525
Materials: metal thread, silk
Jaarmarkt onder bomen
Object type: drawing
Date: 1700 – 1700
Materials: paper
Techniques: brush
Artist: hendrik soukens
Artist role: draughtsman
Artist dates: 1680 – 1711
Subjects: market
Oosters tapijt
Object type: oriental rug
Date: 1885 – 1900
Materials: wool
Location: central persia

Oosters tapijt van geknoopte wol met Herati-patroon en drie randen, waarvan de middelste versierd is met ranken, arabesken en palmetten en rozetten.
Perengetan dari prijaji Bandoeng kapada padoeka kangdjeng resident Jhr. E.Th.H. van Benthem van den Bergh
Object type: document
Materials: cardboard, ink
Techniques: printing
Location: bandung
Subjects: the hague

16 Namen met personen die bijgedragen hebben aan de degenstok met gouden knop met geciseleerd geslachtswapen 1903, geschonken aan de afgetreden Resident der Preanger-Regentschappen Jhr. E.Th.H. van Benthem van den Bergh. Tekst gedrukt in blauw en goud met gouden versierd kader. Aan de onderkant is met zwart balpoint de plaats en datum geschreven. In het midden een vouw.
Landschap met een groep reizigers onder een grote boom langs een bospad
Object type: print
Date: 1753 – 1759
Materials: paper
Techniques: etching
Artist: thomas gainsborough
Artist role: draughtsman, painter, print maker
Artist dates: 1727 – 1788
Subjects: (traveller) resting in the open air, wandering communities: romani or roma, forest path or lane (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228