deem-data/ArtiFact huggingface dataset:
Moeder met kinderen voor een hut
Object type: print
Date: 1772 – 1828
Materials: paper
Techniques: etching
Location: vienna
Subjects: forest, wood, hut, cabin, lodge, mother and child(ren), woman and child(ren) (family group)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Vierde prent in album 'VI Landschaften nach Kobell von K. Ponheimer IV. Heft' met zes prenten.
Le départ du garde de chasse
Object type: print
Date: 1819 – 1836
Materials: paper
Techniques: lithograph
Location: paris
Subjects: hunting dogs, gamekeeper
Inscriptions: check stamp: Lugt 1828c, collector's mark: Lugt 2228a
Portret van Martin Luther
Object type: print
Date: 1794 – 1858
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: priest, martin luther, adult man, historical persons, the bible as a book
Inscriptions: collector's mark: Lugt 2228

Luther houdt in zijn handen een bijbel vast.
Ring met diamanten
Object type: ring
Date: 1800 – 1900
Materials: diamond

Ring met drie roosdiamanten. Eén grote ronde diamant tussen twee enigszins ovalen.
Landschap
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: chalk, paper
Location: south holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: trees, landscapes
Inscriptions: kleurnotitie, handgeschreven

Landschap. Pagina 6 en pagina 7 uit een schetsboek met 43 bladen.
Triple-cased watch
Object type: watch
Date: 1720 – 1720
Materials: brass, enamel, gilt brass, gold, silver, steel
Artist: firm of clarke & dunster
Artist role: maker
Artist nationality: british
Artist dates: 1703 – 1730

This highly elaborate triple-case gold watch is a supreme example of the Anglo-Dutch firm Clarke and Dunster, a partnership between Christopher Clarke and Roger Dunster, active in Amsterdam and London from 1703 to about 1725-1730. This watches most outstanding feature is a finely chased gold bas-relief showing Apollo with his lyre enthroned in a temple. Three female figures appear to introduce him to a man in an 18th century robe, possibly a dignitary for whom this watch was made. Four individual portraits surrounding the main scene represent the four seasons. The iconography of Apollo, the Sun God, and the Four Seasons was particularly fashionable between 1660s and 1750s.
Bilbao, in Biskaaye, aan een langen inwyk van de Biskaayer Zee (...)
Object type: book illustration
Date: 1694 – 1737
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Subjects: prospect of city, town panorama, silhouette of city

Prent uit: Theatrum Hispaniæ, exhibens regni urbes, villas ac viridaria magis illustria. Het aanmerkelykste en voortreffelykste in Spanjen (...). Amsterdam: Pieter van den Berge, ca. 1694-1737.
Sterfbed van Maria
Object type: photograph
Date: 1950 – 1950
Materials: cardboard
Techniques: gelatin silver print, letterpress printing
Subjects: mary (without the christ-child), angels
Inscriptions: date

Op recto de kunstreproductie, op verso de herdenkingstekst voor Anna Christina Geertruida van Thiel, overleden op 1 april 1950.
Portrait of a Young Woman
Object type: painting
Date: 1544 – 1584
Materials: oil, wood
Artist: pieter jansz. pourbus
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1524 – 1584
Subjects: portraits,women
Belt slide with a falcon attacking a swan
Object type: belt slide
Date: 1101 – 1400
Materials: jade
Culture: chinese
Subjects: birds

This carved jade belt slide shows a small falcon hunting a wild goose amid lotus flowers. The motif symbolizes the spring hunt of the Jurchens, a seminomadic people who lived beyond China’s Great Wall in the northeast. Known as chunshui (spring water) in historical texts, the hunt was an important annual Jurchen ritual that Mongol and Manchu royalty continued during the later dynasties. The motif appears widely on ceramics, textiles, and other media.
Terracotta fragments of open shapes
Object type: undetermined open shape
Date: 400 – 301
Materials: terracotta
Culture: greek, attic

Three black glazed fragments from open shapes with vertical ribbing
Zinspeeling op den naaldemaaker
Object type: book illustration
Date: 1786 – 1786
Materials: paper
Techniques: letterpress printing
Location: haarlem
Artist: hendrik numan
Artist role: draughtsman, print maker, publisher
Artist dates: 1736 – 1788
Subjects: needle ~ sewing

Prent uit: Zinspeelingen op allerlei wetenschappen, konsten en ambachten: Continuation 17. Amsterdam: erven weduwe Cornelis Stichter, 1786.
Variae antiquitates Romanae
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: landscape with ruins, rome
Inscriptions: collector's mark: Lugt 2233

Gezicht op de piramide van Gaius Cestius in Rome, met op de voorgrond een man op een ezel en een wandelaar.
Krishna and Radha in Garden Pavilion with Female Attendants
Object type: painting
Date: 1867 – 1900
Materials: gold, paper, silver
Culture: indian
Subjects: women,krishna,radha,pavilions
Leeuw
Object type: sketchbook leaf
Date: 1841 – 1841
Materials: paper, pencil
Artist: Anonymous
Subjects: lion's den

Blad 15 recto uit een schetsboek met 33 bladen.
Fournier. Émile, Christophe. 26 ans, né à St-Martial (Creuse). Serrurier. Vol. 13/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Haven van Palermo, met op de achtergrond de Monte Pellegrino
Object type: stereograph
Date: 1850 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: palermo
Artist: giorgio conrad
Artist role: fotograaf
Artist dates: 1827 – 1889
Subjects: harbour, mountains
Inscriptions: name: ‘GIORGIO CONRAD 54, FONTANA MEDINA, NAPOLI’, number: ‘794’
Schip op het Suezkanaal
Object type: album leaf
Date: 1870 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: suez canal
Subjects: sailing-ship, sailing-boat, canal
Inscriptions: inscription: ‘Kanaal v. Suez.’, number: ‘N. 118 [...]’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Marseille, Port Said, Aden, Bombay, Colombo, Singapore en Nederlands-Indië.
Animal Kingdom: Natural History Cabinet (Règne animal: Cabinet d'histoire naturelle), from La Caricature, plates 265 and 266
Object type: print
Techniques: hand coloring, lithograph
Artist: j. j. grandville
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1847
Subjects: satire

Lithograph satirizing King Louis-Philippe and his political collaborators by protraying them as animal specimens on display in a natural history museum.
The Marquis of Carabas, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
De gevolgen van den oorlog
Object type: print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: Anonymous
Subjects: rough-and-tumble; fighting, child robbing bird's nests, child
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen over twee groepen kinderen die vechten om een vogelnest, terwijl een derde partij er stiekem mee vandoor gaat. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 306.
Twee wapens en een huwelijkspenning
Object type: print
Date: 1550 – 1650
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: personifications of death; 'morte' (ripa), (story of) cupid, amor (eros), armorial bearing, heraldry

Drie voorstellingen op een albumblad. Bovenaan een cartouche met drie ossenkoppen naar rechts. Onderaan een jonkvrouw met een schild met drie korenaren. De voorstelling in het midden is gedrukt van een huwelijkspenning. De tekst is spiegelbeeldig: Waer d'een in d'anders hert door lieffd geslooten wert, Siet men veel vreuchgden spruyten ... Daarbij twee handen in de wolken met een brandend hart. De handen worden omsloten door een touw, vastgehouden door de Dood en Amor. De Dood bedreigt Amor met een pijl. De prenten maken deel uit van een album.
The Great Exhibition "Wot is to Be", Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done
Object type: print
Date: 1850 – 1850
Techniques: engraving
Artist: george augustus sala
Artist role: author
Artist nationality: british
Artist dates: 1828 – 1895
Subjects: men,dragons
Quel est le plus heureux?
Object type: print
Date: 1802 – 1802
Techniques: engraving, etching
Artist: marguerite eléonore lingée
Artist role: artist
Artist nationality: french
Artist dates: 1773 – 

This detailed engraving by Lingée presents a scene of gendered social relations in early Napoleonic France. Little is known about Lingée or her completed works. Until recently, her identity was confused and collapsed with that of her mother, the accomplished engraver Thérèse Eléonore Hémery Lingée. The younger artist began publishing prints at the age of eighteen and trained in her family workshop, learning from her parents, both engravers. This print showcases Lingée’s skill as she deftly combines fine etched lines with the dotted punctures of a spiked roulette tool to craft the delicate detail of the molding on the wall, the figures’ rounded forms, and tricky illusions such as the reflection of the man who wistfully leans toward the mirror at right. In this print and its pair (see 37.68.23), Lingée depicted scenes of romantic pursuit. Here, a woman in a fashionable thin white gown sits amid male suitors who pursue her with notes slipped into her hand, kisses, and sneaky glances. Unlike the overwhelmed woman, in its pair (37.68.23), a man is unfazed by the women who fawn over him. Artwork that decorates both settings reminds viewers of the dangers of lust, depicting the stories of Susanna and the Elders, Lucretia, and Joseph and Potiphar’s wife. Divorce was legalized during the French Revolution, in 1792, granting women greater control in romantic relationships, but Napoleon would restrict it in 1803. The subtle differences between these two scenes point to the gendered power imbalances of love in Napoleonic France.
T-Cart Phaeton (unnumbered)
Object type: drawing
Date: 1850 – 1870
Materials: gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Het Enquête-voorstel Troelstra verworpen
Object type: cartoon
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: politician, the hague, abraham kuyper, political caricatures and satires, dog

Abraham Kuyper klimt voorzichtig over een grote hond, een boxer. Naar aanleiding van het verwerpen van een voorstel van Pieter Jelles Troelstra over een enquête.
Ebisu (Shobishin), from the series "A Parody of the Seven Gods of Good Fortune (Mitate shichifukujin)"
Object type: print
Date: 1828 – 1828
Techniques: woodblock print, surimono
Location: japan
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
'Het toneel van den Amsterdamschen Schouwburg 1637' en 'Costers Nederduitsche [...]'
Object type: staalplaat
Date: 1814 – 1875
Materials: steel
Techniques: engraving
Artist: lubertus teunis van deth
Artist role: draughtsman, print maker
Artist dates: 1814 – 1875
Boat in Port
Object type: drawing and watercolor
Materials: board, ink, paper
Techniques: brush, pen
Location: england
Artist: attributed to william roxby beverley
Artist nationality: english
Artist dates: 1811 – 1889
Graflegging van Christus
Object type: print
Date: 1580 – 1580
Materials: paper
Techniques: engraving
Location: rome
Artist: Anonymous
Subjects: christ's entombment (possibly by angels)
Inscriptions: date: ‘1580’, caption: ‘Atra domus mortis...iam cohibere fores.’

Voor de opening in een rots ligt het lichaam van Christus op een steen, ondersteund door Maria en Johannes. Maria Magdalena knielt bij zijn voeten. Jozef van Arimatea en Nicodemus staan iets achter hen. Op de achtergrond een heuvelachtig landschap met links de berg van Golgotha.
Pityriasis pilaris
Object type: page
Date: 1882 – 1892
Materials: paper
Techniques: photograph
Location: haarlem
Subjects: skin and venereal diseases
Inscriptions: number: ‘Planche XVII. / Fig. 1. / Fig. 2.’
Bowl sherd
Object type: bowl sherd, aegean
Date: 1981 – 1640
Materials: pottery
Location: egypt
Two Geisha Struggling for a Letter (Fumi no arasoi), from the series "Flowers of Nakasu (Nakasu no hana)"
Object type: print
Date: 1781 – 1781
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Titelpagina voor: Jacques Collin de Plancy, La Reine Berthe au grand pied, 1842
Object type: titelblad, titelpagina
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: the hague
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: landscapes
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Plancy, Jacques Collin de. La Reine Berthe au grand pied. Den Haag: Nederlandsche Maatschappij van Schoone Kunsten, 1842.
Heilige Macarius als kluizenaar
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: anchorite, hermit, the hermit macarius of egypt (the elder, the great); possible attributes: t-shaped staff, skull

Prent uit: Rosweyde, Heribert. 'tBosch der eremyten ende eremitinnen, van Aegypten ende Palestinen. Amsterdam: Pieter Jacobsz. Paets, 1644.
Bedankkaart aan de directie van het Rijksmuseum Amsterdam
Object type: bedankkaart
Date: 1912 – 1948
Materials: cardboard
Techniques: printing
Location: the hague
Artist: Anonymous
Subjects: rotterdam, draughtsman, simon moulijn, rijksmuseum amsterdam
Wilde herten worden gevoerd in de winter
Object type: cabinet photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: hoofed animals: deer, feeding wild animals in winter
Cigar box, from the Novelties series (N228, Type 5) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
L'Abbé Sicard
Object type: print
Date: 1750 – 1822
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: clergyman, historical persons
Inscriptions: dedication: ‘Dédié à ses élèves’, collector's mark: Lugt 2228, : ‘Déposé à la Direction de la librairie.’
Deurstuk geflankeerd door twee kinderen
Object type: print
Date: 1613 – 1657
Materials: paper
Techniques: engraving
Location: france

Midden boven hangt een dierenschedel, in het midden zweeft een mascaron.
Portret van de predikant Johannes Rulitius
Object type: print
Date: 1652 – 1656
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: kirchberg, predikant, johannes rulitius
Inscriptions: collector's mark: Lugt 2228

In het opschrift rond de prent wordt de leeftijd van hier geportretteerde Johannes Rulitius (1602-1666) aangeduid als 'aetatis quinquigesimo', ofwel 50 jaar, de leeftijd die hij in 1652 bereikte. De prent zal rond die tijd zijn gemaakt. Daarmee is Cornelis Dusart (1660-1704) als maker van de ontwerptekening uitgesloten, evenals Cornelis Danckerts II (1664-1717) als uitgever. De ontwerper is Christiaen Jansz. Dusart, van wie meer van dergelijke ontwerpen bekend zijn, en Cornelis Danckerts (1604-1656).
Komt nu, lieve meisjes, gij bloempjes der jeugd, / Ik hoop dat deez' prent u een weinig verheugd. / Is dit zoo ik roep met Van Alphen dan meê, / Geef eerst tot belooning een kusje of twee
Object type: print
Date: 1850 – 1870
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: children's games and plays, walking, hiking (recreation), reading, swinging (children's game)
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van spelen en bezigheden voor meisjes, zoals wandelen, touwtjespringen en schommelen. Onder elke afbeelding een vierregelig vers. Rechtsboven genummerd: No. 28.
Studie
Object type: sketchbook leaf
Date: 1825 – 1875
Materials: paper, pencil
Artist: petrus johannes schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1865

Blad 34 verso uit een schetsboek met 44 bladen.
Kinderen op wip
Object type: miniature
Date: 1844 – 1867
Materials: silver
Location: bruinisse
Artist: anthonie hellegers
Subjects: seesaw

Op een langwerpige plaat staat een wip. Op de wip zit aan de ene kant een man en aan de andere kant staat een man. De korte zijde van de plaat is geschulpt. In de plaat is een ruitpatroon gegraveerd. Het beeld is gemerkt: mt.= A. Hellegers en een geschreven S.
Cover
Object type: textile
Date: 1575 – 1625
Location: turkey
Drinkhoorn van het kloveniersgilde van Amsterdam
Object type: photomechanical print
Date: 1875 – 1884
Materials: paper
Techniques: photograph
Location: netherlands
Artist: Anonymous
Subjects: insignia of a guild, drinking-horn, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Rechtsonder genummerd: No. XXXII. Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan de Schutterij.
Nürnberg. Burg von Westen
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: rotogravure
Location: nuremberg
Artist: Anonymous
Subjects: castle
Piece
Object type: piece
Date: 1867 – 1900
Mus op een tak naar links
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: printing, engraving, lithography
Location: netherlands
Subjects: song-birds: sparrow
Inscriptions: collector's mark: Lugt 2228
Mamie La Wall, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Judit met het hoofd van Holofernes
Object type: print
Date: 1610 – 1620
Materials: paper
Techniques: engraving
Subjects: judith and holofernes (judith 8-16)
Inscriptions: collector's mark: Lugt 1967, collector's mark: Lugt 2228

Tegendruk van een kopie in de tegenovergestelde richting naar het origineel van Goltzius.
La vie de St. Bruno (...)
Object type: print
Date: 1623 – 1676
Materials: paper
Techniques: printmaking, engraving, etching
Location: france
Subjects: the founder of the order of the carthusians, bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s), the death of raymond diocrès: on his deathbed the tutor of st. bruno sees his own condemnation; young bruno is converted
Inscriptions: collector's mark: Lugt 2165

Maakt deel uit van een serie met 24 prenten (inclusief twee titelprenten), naar schilderijen door Lesueur vervaardigd tussen 1645-1648 voor de Chartreuse de Paris. De serie is getiteld: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur.
Meleager Atalantae terga caputq; apri, à se interfecti, donat
Object type: book illustration
Date: 1569 – 1569
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: scrollwork, strapwork ~ ornament, meleager gives the head of the boar to atalanta

Illustratie bij de Metamorfosen van Ovidius, afkomstig uit de publicatie: Posthius, Johannes. Tetrasticha in Ovidii metam. Frankfurt am Main: Georg Rab en Sigmund Feyerabend en erven Weigand Han, 1569. De voorstellingen en ornamentranden van deze boekillustraties zijn van twee aparte blokken gedrukt. Beide werden afzonderlijk van elkaar ook gebruikt voor andere publicaties, en de ornamentranden werden eveneens binnen deze publicatie meerdere keren gebruikt.
Zes mascarons
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: tone lithography
Location: liège
Artist: michel liénard
Artist role: print maker
Inscriptions: annotation: ‘Mascarons Chimèriques (Hersenschimmig)’

Mascarons van Chimaeren. Linksboven: 1re partie, rechtsboven: A. N° 28., linksonder: 124.