deem-data/ArtiFact huggingface dataset:
Rijtuig gespannen met geiten in Central Park, New York
Object type: stereograph
Date: 1879 – 1910
Materials: paper, cardboard
Techniques: gelatin silver print
Location: central park
Artist: Anonymous
Subjects: passenger carriage
Inscriptions: number: ‘16’
The Fountains
Object type: painting
Date: 1787 – 1788
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: hubert robert
Artist role: artist
Artist nationality: french
Artist dates: 1733 – 1808
Subjects: ruins, architechture, architecture, architecture, classical, decoration, decorative, italy, fountains, landscapes, century of progress, world's fairs, chicago world's fairs, monumental structures, equestrienne statues, horses, arches

The painting of Classical ruins had reached the zenith of its popularity when Hubert Robert, the leading French practitioner of this specialty, was commissioned in 1787 to paint a suite of four canvases for a wealthy financier’s château at Méréville, near Paris. The Fountains and its companion pieces were set into the paneled walls of a salon in the château, creating an alternate space that played off of the elegant, Neoclassical decor of the room. Robert has studied in Rome from 1754 to 1765 and there had gleaned his artistic vocabulary. Like the other three large paintings from the group painted for Méréville, all in the Art Institute, The Fountains exploits Robert’s typical vocabulary of fictive niches, arches, coffered vaults, colonnades, majestic stairwells, and Roman statuary to create a fantasy of expansive space. The four paintings are inhabited by tiny figures in the foreground; these serve only to set the scale and animate the scene, for the ruins themselves are the true subject of the pictures. In his use of ruins, Robert embodied the notion of the relationship of mankind and the built environment to nature that was expressed by the French philosopher and encyclopedist Denis Diderot: “Everything vanishes, everything dies, only time endures.”
Terracotta vase fragment
Object type: vase fragment
Date: 3900 – 100
Materials: clay
Culture: cypriot

Dedicated to the Lady of Paphos.
Portret van Augusta Frederika, prinses van Wales en hertogin van Brunswick
Object type: print
Date: 1750 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘80 / 98 [doorgestreept]’
Bas-reliëf op de Boog van Titus te Rome, voorstellende voorwerpen die uit de Tempel van Jeruzalem als krijgsbuit worden meegenomen
Object type: photograph
Date: 1875 – 1907
Materials: photographic support
Techniques: gelatin silver print
Location: rome
Subjects: booty, spoil, emperor titus destroying the temple of jerusalem, sculpture (+ relief ~ sculpture)
Inscriptions: number: ‘4213’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Italië.
Rest on the Flight into Egypt
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: attributed to richard wilson
Artist nationality: english
Artist dates: 1714 – 1782
Triomf van de waarheid
Object type: print
Date: 1566 – 1578
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: death as skeleton, truth; 'verità' (ripa), vice, evil, sin; 'peccato' (ripa), human-shaped devil, amorousness, desire, devotion ~ christ
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De mens is door Waarheid een oprechte leerling van Christus (Discipulus Christi) geworden. Waarheid snijdt het koord door tussen de mens en de Dood (Mors, een skelet), de Duivel (Diabolus, half demon en half mens), de Zonde (Peccatum, een sater) en het Vlees (Caro, een naakte vrouw met een blinddoek). De waarheid bevrijdt hem zo van zijn zonden en wereldse zorgen. De prent heeft een Latijns en een Nederlands onderschrift en maakt deel uit van een serie over de triomf van de waarheid.
Flask
Object type: flask
Date: 1770 – 1800
Materials: glass, lead
Techniques: glassblowing, molding
Culture: american
Location: united states
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: marcinelle
Artist: jules destrée
Artist role: politician
Artist dates: 1863 – 1936
Subjects: painter, draughtsman, philip zilcken, brussels
Inscriptions: collector's mark: ‘RPK’
Square (one of three)
Object type: square
Date: 1701 – 1800
Materials: silk
Techniques: lace
Smedestraat in Haarlem, gezien richting de Sint-Bavokerk
Object type: stereograph
Date: 1859 – 1865
Materials: cardboard, paper
Techniques: albumen print
Location: haarlem
Artist: pieter oosterhuis
Artist role: draughtsman, print maker
Artist dates: 1816 – 1885
Subjects: church (exterior), street
Inscriptions: number: ‘54’, number: ‘2’, inscription: ‘P’, number: ‘No. 1’, inscription: ‘Haarlem/ Zijlstraat’
Fountain at the Villa Panfili, Italy
Object type: drawing
Date: 1752 – 1752
Artist: stephen riou
Artist role: artist
Artist nationality: british
Artist dates: 1720 – 1780
Subjects: birds,fountains,fish
Domus Aurea, unidentified, grotteschi, details (recto) blank (verso)
Object type: collection ornament architecture
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: birds,plants
Fragment riemgesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: belt buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

D-shaped with pointed side, fragm of ring and spindle, id. NG 1980-27H384, belt buckle.
Indianen die manden maken op de oever van de Saint Lawrence
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: photograph
Location: united states
Artist: Anonymous
Subjects: container made of plant material other than wood: basket, indigenous peoples of north america

Mannen, vrouwen en kinderen maken manden aan de oever van de rivier Saint Lawrence. Op de achtegrond enkele tenten. Mogelijk is dit een Huron- of Wendat-gemeenschap.
Earring, delta-shaped with disc
Object type: earring, delta shaped with disc
Date: 7000 – 330
Materials: silver
Design for Landaulet, no. 3086
Object type: drawing
Date: 1875 – 1875
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Sleep and Death conveying the body of Sarpedon to Lycia
Object type: album leaf
Date: 1805 – 1805
Materials: paper
Techniques: etching
Subjects: the body of sarpedon is carried through the air by hypnos and thanatos

Prent maakt onderdeel uit van een serie met 39 prenten over de Ilias, geschreven door Homerus.
Terracotta oinochoe (jug)
Object type: oinochoe
Date: 600 – 501
Materials: terracotta
Culture: etruscan

The trefoil oinochoe, with three-lobed mouth, is a basic shape in both Etruscan and Greek pottery. This example, with its virtuosic carination, is an Etruscan variant. The neck resembles those of some Nicosthenic neck-amphorae.
Jan de Bakker, priester te Woerden, op het Binnenhof te Den Haag wegens ketterij gewurgd en verbrand, 1525
Object type: history print
Date: 1778 – 1795
Materials: ink, paper
Techniques: brush, pen
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: the hague, execution of heretic, e.g. by burning at the stake, 'auto-da-fé', historical persons, death penalty, execution, violent death by burning at the stake; pyre, violent death by strangling, historical events and situations

Ontwerptekening voor illustratie in: J. Fokke, Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd, Johannes Allart, Amsterdam 1783-1795, 25 delen, dl. III, pl. VI.
The breadth and flatness of the frontal bone
Object type: print
Date: 1896 – 1896
Techniques: lithograph
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Subjects: profiles
Portret van Mericus Casaubon
Object type: print
Date: 1669 – 1731
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theoloog, mericus casaubon
Inscriptions: collector's mark: Lugt 240

Mericus Casaubon, een Frans-Engelse theoloog en geleerde. De prent heeft als onderschrift een Frans gedicht over zijn leven.
Fragment
Object type: textile
Date: 1600 – 1600
Materials: silk, velvet
Techniques: cutting, weave, voiding
Location: italy
Subjects: fashion
Enquêteformulier ingevuld door Louis Antione Carolus
Object type: manuscript
Date: 1840 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Subjects: brussels, print maker, louis antoine carolus
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Reisverslag van eind september 1880
Object type: sketchbook leaf
Materials: pencil
Location: novaya zemlya
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: nova zembla expedities 1880
Inscriptions: annotation: ‘[...]’

Blad 39 verso en blad 40 recto uit een schetsboek met 110 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Iudith
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: judith with holofernes' head and the sword, judith and holofernes (judith 8-16)
Inscriptions: collector's mark: Lugt 2228, number: ‘106’
Planeten en een telescoop
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: telescope, planets; planetary system, solar system
Inscriptions: collector's mark: Lugt 2228

De planeten Saturnus, Mars en Jupiter, zoals zij zijn geobserveerd door Kepplerius, Gassendus en Hevelius, op een opgeprikt papier. Daaronder is een kamer zichtbaar met sterrenkundige instrumenten. Rechtsboven genummerd: 926 b.
Court necklace
Object type: rosary
Date: 1801 – 1900
Materials: glass, metal, silk
Culture: chinese
Titel en armillarium als titelvignet
Object type: text sheet
Date: 1645 – 1645
Materials: paper
Techniques: engraving, letterpress printing
Location: cologne
Subjects: armillary sphere, skeleton celestial globe
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Jacobus Balde, Lyricorum libri IV, Lowijs Elzevier (III) (drukker), Jost Kalckhoven (uitgever), Keulen 1645
Ewer
Object type: ewer
Date: 1810 – 1830
Materials: glass
Silhouetportret van een onbekende man
Object type: cut paper
Date: 1785 – 1785
Materials: paint, paper, pencil
Techniques: brush, snipping
Artist: joseph adolf schmetterling
Artist role: draughtsman
Artist dates: 1751 – 1828
Subjects: historical persons not known by name

Borststuk van een heer en profil met pruik en jabot. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Silhouetportretten.
Pampano, from the Fish from American Waters series (N8) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: fish

Trade cards from the "Fish from American Waters" series (N8), issued in 1889 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Dish in Shape of Japanese Court Woman
Object type: dish
Date: 1780 – 1780
Materials: enamel, glaze, porcelain
Culture: japanese
Subjects: birds,women

The court women of the Heian period (794–1185), characterized by their long flowing hair and multilayered clothing with elaborate and brilliantly juxtaposed patterns, play an important role in Japanese visual arts. Many were writers and poets. Plates such as this can be understood to refer to these famous women as well as to an ideal type.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: gold alloy, gold
Culture: japanese
Location: japan
Subjects: plants
The Baron Jumps into the Sea with a Turkish piece of Ordnance
Object type: print
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,cannons,men

The Baron jumps into the sea with a cannon at center, with Turks pursuing him at left.
't Dorp Hassum 1746 / 't Dorp Homersum 1746
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: etching
Subjects: village, church (exterior)
Inscriptions: collector's mark: Lugt 240

Twee voorstellingen van één plaat. Gezichten op de Duitse dorpen Hassum (boven) en Hommersum (onder), met kerk. De prent maakt deel uit van een 100-delige serie met gezichten op dorpen en steden te Kleef.
Scheerbekken
Object type: shaving basin
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht

Barber's bowl. Porcelain, decorated in underglaze blue. Loosdrecht, c. 1778 - 1782. Factory of Joannes de Mol.
The Piazetta (The Piazzetta)
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: human figures,buildings,venice
The Young St. John the Baptist
Object type: statue
Date: 1836 – 1836
Materials: marble
Artist: luigi bienaimé
Artist role: artist
Artist nationality: italian
Artist dates: 1795 – 1878
Subjects: boys,saint john the baptist

The Accademia in Carrarra owns a model for 30.143.1 said to have been executed in 1820. The design of the figure was traced from a Thorvaldsen relief at Brahetrolleborg.
Citaten uit brieven aan Simon Maris
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: london
Artist: pieter haverkorn van rijsewijk
Artist role: museumdirecteur, publicist
Artist dates: 1839 – 1919
Subjects: the hague, amsterdam, painter, simon maris, elbert jan van wisselingh, art trade, art shop, photography, cinematography, painting (including book-illumination, miniature-painting), paris
Inscriptions: collector's mark: Lugt 2233
Saucer-dish with flowering plants and butterflies
Object type: dish
Date: 1700 – 1799
Materials: glaze, gold, paint, porcelain
Techniques: forming, gilding, turning, vitrification
Location: arita
Artist: Anonymous

Schaal van porselein met een geribde wand en geschulpte rand, beschilderd op het glazuur in blauw, rood, groen, zwart en goud. Op de voorzijde bloeiende planten (prachtanjer) en twee vlinders. Een proen op de onderzijde. Arita, Kakiemon.
Zu Strassburg
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Location: cologne
Subjects: city-view, and landscape with man-made constructions
Jug
Object type: jug
Date: 1601 – 1700
Materials: faience, pewter
Techniques: glazing
Gezicht in de Hooglanden te Schotland
Object type: print
Date: 1809 – 1869
Materials: paper
Techniques: etching
Location: rotterdam
Artist: dirk vis blokhuyzen
Artist role: print maker
Artist dates: 1799 – 1869
Subjects: low hill country
Inscriptions: collector's mark: Lugt 2228
Aankomst van Willibrordus, 691, en Bonifatius in Dokkum gedood, 755
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: the 'apostle of frisia' and archbishop of utrecht, willibrord (of echternach); possible attributes: cask (barrel), well (fountain), child (on a book), model of church, stone bottles, spreading the gospel; missionary work, martyrdom, suffering, misfortune, death of st. boniface, netherlands

Voorstellingen uit de vaderlandse geschiedenis. Boven: Aankomst van bisschop Willibrordus in het jaar 691. Links van Bonifatius vindt een heidense offerceremonie plaats. Onder: Bonifatius door gewapende figuren vermoord op 5 juni 754. Zijn staf en mijter liggen naast hem op de grond. Twee voorstellingen van één plaat, respectievelijk genummerd: VII en VII.
Bag
Object type: bag
Date: 1834 – 1866
Materials: silver
Culture: french
Subjects: men,women,landscapes
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Two parts of type C feet, outer face is profiled
Card Number 352, Jennie Calef, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-5), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fifth subset, N145-5. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Twee koeien bij een hek
Object type: sketchbook leaf
Date: 1905 – 1905
Materials: chalk, paper, watercolor
Techniques: brush
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: cow, fence, wall, paling

Blad 2 recto uit een schetsboek met 42 bladen.
Traphekken
Object type: print
Date: 1736 – 1759
Materials: paper
Techniques: engraving
Location: paris
Subjects: staircase
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een smeedijzeren traphek met bloemmotieven in het onderste deel.
Waar men een huis van bouwt
Object type: print
Date: 1865 – 1875
Materials: paper
Techniques: lithograph, letterpress printing
Location: haarlem
Subjects: roof (of house or building), building-site, sawing (industrial process)
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen over het bouwen van een huis. Van het kappen van bomen tot aan het plaatsen van het dak. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 34.
Principe, o barone
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Manchet van applicatiekant met een stralenkrans van bloemen rond spitsovalen die de schulpen vormen en twee takken trosroosjes
Object type: womenswear
Date: 1835 – 1840
Materials: cotton
Techniques: lace
Location: brussels
Artist: Anonymous

Manchet van naturelkleurige applicatiekant: naaldkant geappliceerd op machinale tule. Trapeziumvormig model met een gerimpelde brede strook versierde tule aan een smalle onversierde boord. De manchet is hangend te dragen in driekwart mouwen, zoals pagodamouwen. Het zich herhalende schulppatroon bestaat uit een spitsovaal met een stralenkrans van bloempjes, de bloempjes bovenaan eenvoudiger dan de hangende bloempjes die de lobben van elke schulp vormen. Aan de rechterkant ontspringt uit het spitsovaal een omkrullende stengel met een rozetbloem. In het veld hierboven zijn aan één kant van de manchet vlak onder de boord twee identieke takken met trosroosjes geappliceerd op de tule.
Rol lood uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sheet lead
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Hier wordt u, ô Jeugd! gegeven, Tetjeroen zyn kluchtig leven
Object type: print
Date: 1800 – 1850
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: quack, charlatan, mountebank, 'saltimbanco'
Inscriptions: collector's mark: Lugt 2228

Blad met 24 voorstellingen over het leven van de kwakzalver en grappenmaker Tetjeroen. Hij gaat in de leer bij een dokter, klopt boeren geld uit de zak, kookt drankjes van paardenvijgen en gaat met zijn liefje in een koets rijden. Onder elk plaatje een tweeregelig versje. Ca. 1800-1850. Genummerd rechtsboven: No. 27.
The naming of Saint Peter as Head of the Church, after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Object type: print
Date: 1650 – 1670
Techniques: etching
Artist: pietro santi bartoli
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1700

This series consists of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries. The series is dedicated to Niccolò Simonelli.
Stamp seal
Object type: stamp seal
Date: 500 – 201
Materials: stone
Culture: achaemenid
Location: syria or anatolia
Subjects: men,lions
De Oostindische Werf en Magazyn te Amsteldam, uit het Y te zien
Object type: print
Date: 1757 – 1799
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan spaan
Artist role: print maker
Artist dates: 1742 – 1828
Subjects: warehouse (~ harbour), canals, waters (in city), ships (in general) - cc - more than one ship, shipyard, shipdock