deem-data/ArtiFact huggingface dataset:
Portret van François Joseph Navez
Object type: print
Date: 1800 – 1900
Materials: paper
Techniques: engraving
Artist: monogrammist ml
Artist role: print maker
Subjects: brussels, painter, print maker, draughtsman, françois joseph navez, historical persons, portrait, self-portrait of artist
Boer met eieren in een mand
Object type: print
Date: 1628 – 1648
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: jan matham
Artist role: print maker
Artist dates: 1600 – 1648
Subjects: farmers, carrying something in basket, bag, rucksack, etc., eggs, egg-dishes, index finger forwards, pointing, indicating
Inscriptions: collector's mark: Lugt 2228

Een staande boer in een landschap wijst op een mand met eieren die hij onder zijn arm heeft.
Ontwerp voor juweel in de vorm van twee gestileerde bloemen, met goud en saffieren
Object type: drawing
Date: 1920 – 1930
Materials: paper, pencil, watercolor
Techniques: brush
Location: paris
Artist: jules chadel
Artist role: draughtsman, print maker
Artist dates: 1870 – 1941
Subjects: ornaments, jewels
Inscriptions: stamp: Lugt 562 b
Abraham op weg naar Kanaän
Object type: print
Date: 1560 – 1570
Materials: paper
Techniques: etching
Location: antwerp
Subjects: abraham starts out for the land of canaan with sarah, lot and his belongings
Inscriptions: collector's mark: Lugt 2228

Abraham trekt met zijn vrouw Sara en met zijn familie naar Kanaän. God, zwevend in een wolk, wijst hen de goede weg. Het groepje wandelt in een glooiend landschap met af en toe een boerderij of een dorp. Prent uit een serie van zes prenten die het levensverhaal van de aartsvader Abraham verbeelden.
Diagram, znázornujici výsledek fysiologických výzkumu o pusobeni fosforecnanuv v produkci jecmene dle agrochemika Dra. Julia Stoklasy
Object type: reproduction
Date: 1891 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: field filled with a crop
Flask with screw top
Object type: flask with screw top
Date: 1710 – 1710
Materials: silver
Subjects: birds,coat of arms
Sigismondo Malatesta as Captain of the Roman Church
Object type: medal
Date: 1446 – 1446
Materials: bronze
Artist: matteo de' pasti
Artist role: artist
Artist nationality: italian
Artist dates: 1420 – 1467
Subjects: men,profiles

Matteo's medals are among the finest of the early Italian Renaissance. A follower of Pisanello, he was also a manuscript illuminator, painter, and architect. Characterized by simple forms, precise modeling, and harmonious compositions, many of his portrait medals relate to his role as artist and advisor to the Malatesta court in Rimini.
Indiërs zittend op een trap
Object type: sketchbook leaf
Date: 1924 – 1925
Materials: paper, pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: sitting figure, flight of steps, asiatic races and peoples: indians
Inscriptions: kleurnotitie, handgeschreven

Mogelijk een tempeltrap of een trap die naar de rivier de Ganges leidt. Pagina 62 uit een schetsboek met 48 bladen.
Dertien fotoreproducties van ornamentprenten
Object type: reproduction
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Subjects: foliage, tendrils, branches ~ ornament - aa - stylized, ornaments ~ art, fruits and vegetables ~ ornament, mask, mascaron ~ ornament, europe
Inscriptions: number: ‘409’, number: ‘116’, number: ‘406’, number: ‘405.’, name: ‘C. PINI FIRENZE’, number: ‘403’, number: ‘414’, number: ‘408’, number: ‘413’, number: ‘407’, number: ‘411’, number: ‘402’, number: ‘404’, number: ‘410.’, collector's mark: Lugt 3937, number: ‘412’

Dertien fotoreproducties van ornamentprenten, met onder andere (405) een prent van een ornament met een gekroond portret en profil, (403) een prent van een ornament met monsterkoppen, (414) een prent van een ornament met een tekst en een rond gebouw.
The Annunciation
Object type: sculpture
Date: 1423 – 1423
Materials: linen, wood
Techniques: gilding, polychromy, punching
Location: siena
Artist: francesco di valdambrino
Artist role: sculptor
Subjects: the annunciation: mary standing

The angel Gabriel is telling the Virgin that she will conceive a child. The figures’ slim proportions and long drapery folds typify the so-called ‘International Gothic’, an elegant style that flourished during the transition from the Middle Ages to the Renaissance. This figure group was made to flank the high altar of the church of San Francesco in Pienza (Tuscany).
Portret van Alexander Nicolaus Scherer
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: engraving
Artist: friedrich wilhelm nettling
Artist role: print maker
Artist dates: 1793 – 1824
Subjects: physicist, historical persons
Inscriptions: collector's mark: Lugt 2228
The Actor Nakamura Sukegoro II as Kaminari Shokuro in the Play Hatsumombi Kuruwa Soga, Performed at the Nakamura Theater in the Second Month, 1780
Object type: print
Date: 1780 – 1780
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Portret van Christiaan Lodewijk van Brunswijk-Lüneburg
Object type: print
Date: 1648 – 1699
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2282
Plattegrond van Jeruzalem
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: etching
Location: culemborg
Subjects: maps of cities
Inscriptions: collector's mark: Lugt 2228
Marcus Hieronymus Vidas
Object type: print
Date: 1597 – 1599
Materials: paper
Techniques: engraving
Artist: jean jacques boissard
Artist dates: 1528 – 1598
Subjects: cremona, dichter, bisschop, humanist, marco girolamo vida
Inscriptions: collector's mark: Lugt 2228

Gemaakt voor: J.J. Boissard, Icones virorum illustrium doctrina &c eruditione praestanti um contines. Frankfurt am Main: de Bry, 1597-1599.
Double Bass
Object type: double bass
Date: 1701 – 1800
Materials: wood
Culture: italian
Location: italy
Artist: bartolomeo cristofori
Artist role: former attribution
Artist nationality: italian
Artist dates: 1655 – 1731
Vase with dragon
Object type: vase
Date: 1667 – 1733
Materials: glaze, porcelain
Techniques: incising
Culture: chinese
Subjects: dragons
Portret van Hélion de Luçay
Object type: sketchbook leaf
Date: 1855 – 1855
Materials: chalk, paper, pencil, watercolor
Techniques: brush
Location: vineuil-saint-firmin
Artist: chantal de luçay
Subjects: paris, historical persons (portraits and scenes from the life)
Inscriptions: name: ‘fait par/ chantal.’, date and inscription: ‘hélion de/ Lucay/ 1855/ croqu[...]’

Recto van blad 40, een losse tekening uit een schetsboek met 39 bladen.
Maria met Kind
Object type: print
Date: 1622 – 1691
Materials: paper
Techniques: etching
Location: italy
Subjects: madonna: i.e. mary with the christ-child
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Maria zit met het slapende Christuskind op schoot voor een muur.
Dish with persimmons, flowers, and birds
Object type: dish
Date: 1501 – 1600
Materials: lacquer
Techniques: painting
Culture: chinese
Subjects: birds,flowers

The blue used in the depiction of the magpie was created using an oil-based pigment that allowed for the development of additional colors in the design of Chinese lacquers. Such pigments, to which a lead oxide is added as a drying agent, are known as litharge in Western writings, and as mituoseng in Chinese.
De soldaat
Object type: print
Date: 1675 – 1675
Materials: paper
Techniques: engraving, etching
Artist: giuseppe maria mitelli
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1634 – 1718
Subjects: (military) camp with tents, scenes symbolizing 'vanitas', commander-in-chief, general, marshal, the 24 hours of day and night, personifications ~ the life of man

Een soldaat (Guerriero). Staande militaire bevelhebber, commandostaf in de hand, rechts een legerkamp. Met twee vierregelige verzen in het Italiaans. Genummerd rechtsboven: 21. Onderdeel van de serie 'De vierentwintig uren van het menselijk geluk'.
Fragment of a Bowl
Object type: fragment of a bowl
Date: 1501 – 1700
Materials: earthenware
Techniques: glazing
Location: iran
Landhuis Staverden
Object type: photomechanical print
Date: 1880 – 1910
Materials: paper
Techniques: photograph
Location: staverden
Subjects: rural housing, e.g. country-house, villa, cottage, façade (of house or building)
Inscriptions: workshop stamp: ‘Phot. v. M.C. Termaat, Nijmegen. Nadruk verboden.’

Op verso regels om te versturen als postkaart.
Piece
Object type: piece
Date: 1601 – 1700
Materials: silk
Techniques: compound weave
Culture: japanese
Subjects: birds,leaves
Longcase clock with calendar
Object type: longcase clock
Date: 1685 – 1690
Materials: brass, wood
Techniques: gilding, silvered, veneering
Artist: jeremiah johnson
Artist role: maker
Artist nationality: british
Artist dates: 1646 – 1709
Matthias en Barnabas in gebed
Object type: drawing
Date: 1560 – 1640
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: Anonymous
Prophets and Saints in Glory, after Bernardino Poccetti
Object type: drawing
Date: 1735 – 1790
Materials: chalk
Artist: santi pacini
Artist role: artist
Artist nationality: italian
Artist dates: 1735 – 1790
Subjects: men,saints

This composition was drawn by Sante Pacini after Bernardino Poccetti's Paradise, a cycle frescoed around 1608 in the chapel of the Palazzo Gerini in Florence. Formerly owned by the French collector and connoisseur Pierre-Jean Mariette, the sheet was listed as a work by Poccetti in the sale catalogue of Mariette's collection (1775), under the number 67 ( "Huit sujets d'une grande composition, peints et exécutés à Florence par cet auteur, dans les Monastères de l'Annonciade et autres, dessinés d'après les tableaux, à la pierre noire, par Pacini.") Other drawings belonging to this group are in the Département des arts graphiques, Musée du Louvre, Paris.
Chessman
Object type: chessman
Date: 1701 – 1900
Subjects: chess,horses,games
Presentation vase
Object type: presentation vase
Date: 1843 – 1843
Materials: glass
Techniques: glassblowing, cutting, engraving
Culture: american
Location: united states
Artist: new england glass company
Artist role: maker
Artist nationality: american
Artist dates: 1818 – 1888
Subjects: factories

Depictions of glasshouses on glassworks are rare. The engraving on this important presentation vase depicts the New England Glass Company with the chimneys of its three furnaces—two for glass and one for lead. The inscription “From / Henry Whitney / to / Thomas Leighton / East Cambridje / August 1843 / A token of grateful remembrance” highlights two notable figures of the New England Glass Company, Henry Whitney and Thomas Leighton. The vase was presented to Leighton on Whitney’s retirement from the firm in 1843.
Afbeelding van de doop-plechtigheid van Willem den V. geschied binnen 's Gravenhage in de Groote Kerk den 11 april Ao. 1748
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: the hague, william v (prince of orange), willem iv (prins van oranje-nassau), anna van hannover, baptism ~ protestant service
Inscriptions: collector's mark: Lugt 2228

Doopceremonie van prins Willem V in de Grote Kerk te Den Haag, 11 april 1748. Willem IV houdt het kind tijdens het dopen vast, links kijkt de prinses met hofdames toe. Kerkinterieur met vele gasten.
Limestone statue of the goddess Artemis
Object type: statue of artemis
Date: 300 – 201
Materials: limestone
Culture: cypriot
Subjects: artemis

Artemis, the Greek goddess responsible for the nurture of wild animals as well as the hunt, was sister of Apollo, and a number of statues representing her have been found at the sanctuary of Apollo at Pyla. Her cult was probably introduced on Cyprus during the fifth century B.C., and, like the Greek goddess Aphrodite, she became assimilated with the Great Goddess of fertility who had been worshiped on the island for centuries. Artemis carries a quiver and is accompanied by a fawn.
Portret van René Dubreuil
Object type: page
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: lyon, historical persons
Franzensring, Wien
Object type: photograph
Date: 1880 – 1920
Materials: paper, photographic support
Techniques: photograph
Artist: Anonymous
Subjects: vienna
Ems
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: aquatint, etching
Location: bad ems
Subjects: prospect of village, silhouette of village, river
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Souvenir du Rhin; Album de vues pittoresques. Bad Ems: L.J. Kirchberger, [ca. 1750].
Heater for Rice Wine
Object type: vessel
Materials: pewter
Location: china
Carnelian scarab
Object type: scarab
Date: 325 – 200
Materials: gemstone
Culture: etruscan
Subjects: deer

Man kneeling on a deer, perhaps Herakles and the Arcadian stag
Portable Harp
Object type: portable harp
Date: 1819 – 1819
Materials: wood
Culture: irish
Location: ireland
Artist: john egan
Artist role: maker
Artist nationality: irish
Artist dates: 1804 – 1841
Chous (Toy Pitcher)
Object type: vessel
Date: 430 – 410
Materials: ceramic, terracotta
Culture: greek
Location: athens
Subjects: children

Toward the end of the 5th century BCE, Athenian potters and painters created a large number of miniature oinochoai (sing. oinochoe), or pitchers, decorated with children at play or imitating adults. It is thought that they were given to the youngest members of the family during the Anthesteria, a three-day celebration of the new vintage of wine and the arrival of spring. These little vessels are called choes (sing. chous), which means libations, after the name of the second day of the festival. Children took part in the festival but did not imbibe wine. On this example, a naked boy crawls toward a young bird on a perch. A chous hangs on the wall above him.
Terracotta rim fragment of a kylix (drinking cup)?
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: unknown fabric

Black glazed rim fragment from a kylix?
Landschappen naar Esaias van de Velde
Object type: print
Date: 1610 – 1617
Materials: paper
Techniques: etching
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2227
Presentiepenning van het Rademakers-, Kuipers-, Draaiers- en Schrtijnwerkersgilde te 's-Hertogenbosch 1664
Object type: history medal
Date: 1664 – 1664
Materials: brass
Techniques: engraving
Inscriptions: inscription: ‘J.G. / Mirande’

Rond messing plaatje, gegraveerd op de voorzijde een wapenschild met kast, ton, stoel en wiel, op de keerzijde het jaartal 1664 en de naam J.G. Mirande, met draagoog
The Corsican Nurse Soothing the Infants of Spain
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,napoleon i,men,politics
Fotoreproductie van een tekening, voorstellende een plattegrond van een handelsgebouw te Brussel
Object type: photograph
Date: 1853 – 1854
Materials: photographic support
Techniques: albumen print
Subjects: maps of cities
Manuscript Illumination with All Saints in an Initial V, from an Antiphonary
Object type: antiphonary
Date: 1450 – 1460
Materials: gold, ink, parchment, paint
Culture: italian
Location: italy
Artist: cosmè tura (cosimo di domenico di bonaventura)
Artist role: artist
Artist nationality: italian
Artist dates: 1433 – 1495
Subjects: saints

This miniature, included in the same choir book series as the four preceding fragments, illustrates an antiphon for the Feast of All Saints (November 1): "Vidi turbam magnam quam dinumerare nemo poterat ex ominibus gentibus stantes ante thronum" (I saw a great multitude which no man could number, out of all nations, standing before the throne). Inside the initial V is a crowd of male and female saints, four of whom, in the foreground, are wearing the brown dress of the Franciscan order. On the left, with a small red cross on his habit, is the Blessed John of Capistrano (1386-1456), a preacher and member of the Franciscan order of Observant friars. The older female saint on the left, may perhaps be identified as the Blessed Caterina Vegri (1413-1463), of the Franciscan order of Poor Clares, who died in the Clarissan Convent of Corpus Domini, in Ferrara. Her presence could indicate that the original choir book series was painted by Tura for the Convent of Corpus Domini, which enjoyed the special patronage of the Este dukes.
Hanging Flower Vase with Figural Design
Object type: hanging vase
Date: 1634 – 1666
Materials: porcelain, stoneware
Techniques: underglaze
Culture: japanese
Subjects: women
Portret van Matthias Pasor
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: engraving
Subjects: matthias pasor, historical persons
Inscriptions: collector's mark: Lugt 2228

Portretbuste in ovaal naar rechts van Matthias Pasor, hoogleraar in de theologie te Groningen, blootshoofds. Op de ovale omlijsting staat een randschrift in Latijn, in de marge een zesregelig Latijns vers.
Kemangeh
Object type: kemangeh
Date: 1850 – 1889
Materials: metal, wood
Culture: turkish
Location: turkey
Dr. Johann Carl Gehler
Object type: print
Date: 1774 – 1816
Materials: paper
Techniques: engraving
Artist: christian schule
Artist dates: 1764 – 1816
Subjects: historical persons, medical research, branches of medicine
Inscriptions: collector's mark: Lugt 2228

Portret van Johann Carl Gehler, Duits wetenschapper in Leipzig.
Fotoreproductie van een schilderij, voorstellende een portret van James Richardson
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Inscriptions: number: ‘280’
Ostracon with liliform capital
Object type: ostracon, figured, lotus capital, grid
Date: 664 – 610
Materials: ink, limestone
Location: egypt
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, rim fragment with part of head, right eyebrow and eye, and fingers of right hand of wreathed youth to right; part of an inscription [POS]EIDON?; fingers?; rim fragment with head, in profile to left, frontal torso, part of extended right arm, right hip and thigh of wreathed satyr; part of an inscription, OILE?; rim fragment with mouth, neck, handles and shoulders of an amphora; bit of hair, nape of neck, and right shoulder and back of male to right; rim fragment with part of head of wreathed figure to right; skyphos?; right hand; part of an inscription, SA; wall fragment of kylix with part of a draped figure on the interior, and a foot and the end of a tail on the exterior; part of an inscription, ORO?; wall fragment of kylix with toes on the interior, on the exterior, calf and foot of a male to left; right buttock, thigh, and left foot of a crouching male, and the foot of a third figure; part of an inscription, HER[AKLES]?; wall fragment of a kylix with left hand holding a bow?; part of an inscription, THE[SEUS]?; wall fragment with right hand holding an oinochoe; wall fragment with upper arm and part of elbow; three letters of an inscription, EKE?; wall fragment with bit of hair, forehead, right tear duct, nose, mouth and extended arm of youth to left
Gezicht op de Lambertibrunnen te Münster
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: photographic support
Techniques: gelatin silver print, writing
Location: munster
Subjects: ornamental fountain
Inscriptions: monogram: ‘M’, inscription: ‘E.[R].’
Aanbidding der herders
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: adoration of the christ-child by the shepherds; mary and joseph present
Inscriptions: caption: ‘Historie van onzen saligmaker Jesus Christus door jeremias Taylor by W. Broedelet v100 18vt to 19’, collector's mark: Lugt 2228

Proefdruk van een boekillustratie voor Jeremy Taylor. Historie van't leven en de doot van onsen saligmaker Jesus Christus. Deel I. Amsterdam: Willem Broedelet, 1700, p. 19.
Man bespeurt door het venster twee dieven die zich gereedmaken een koe te stelen
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: barn, cow, robber
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Duĳkerius, Johannes. Voorbeeldzels der oude wyzen. Waar in (...) de menschelijke hartstogten (...) behandeld worden. Amsterdam: Aart Wolsgrein, 1693, p. 302.
Ex libris van Engel
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: denmark
Artist: poul petersen
Artist role: print maker
Subjects: chemistry, angels
Gold earring with head of a bull
Object type: earring with head of bull
Date: 400 – 201
Materials: gold
Culture: cypriot
Subjects: bulls
Landscape
Object type: folding fan mounted a an album leaf
Materials: ink, paper
Culture: chinese
Artist: wang chen
Artist role: artist
Artist nationality: chinese
Artist dates: 1720 – 1797
Subjects: mountains,landscapes

In the late seventeenth century, a group of painters who have come to be known as the “Four Wangs” built upon Dong Qichang’s legacy to bring energy and excitement to the study of old master styles. The youngest of these, Wang Yuanqi, exerted a great influence on younger painters, including his grandson Wang Chen, whose fan you see here. Wang worked in a loose, wet version of his grandfather’s manner; he achieved enough fame in his own right to be counted among a group known as the “Lesser Four Wangs” who carried the original Four Wangs’ legacy forward into the nineteenth century.
Bankroet echtpaar
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: bankruptcy, justitia (justice) as roman personification, stupidity, poverty of intellect; 'stupidità overo stolidità' (ripa), money
Inscriptions: collector's mark: Lugt 2228

Achter de tafel staat een man die bankroet is gegaan ('je céde tout'). Zijn vrouw eist haar bruidsschat op ('mes apports'). Ze weet niet dat haar man een deel van zijn fortuin voor haar achter houdt onder de tafel ('sage précaution'). Rechts pakt Jusitia enkele muntstukken van de tafel voor de kosten van de liquidatie ('mes fraix'). Met een andere hand stuurt ze twee een gesluierde weduwe, twee weeskinderen en twee schuldeisers weg. Links verheugt de Domheid zich op een wolk over de situatie ('Oh l'honnette homme!!!!').
Medal of Millard Fillmore
Object type: medal
Date: 1850 – 1850
Materials: bronze
Culture: american
Location: united states
Artist: salathiel ellis
Artist role: maker
Artist nationality: american
Artist dates: 1803 – 1879
Subjects: men,profiles
Mirror
Object type: mirror
Date: 901 – 1100
Materials: bronze
Culture: indonesian, javanese
Gevangene vervoerd op een boot
Object type: print
Date: 1861 – 1878
Materials: paper
Techniques: engraving, etching
Location: new york city
Subjects: transfer, deportation ~ prisoner of war
Inscriptions: collector's mark: Lugt 2228
Square
Object type: square
Date: 301 – 500
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: horses
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: bussum
Artist: frederik van eeden
Artist role: schrijver
Artist dates: 1860 – 1932
Subjects: brussels, helène lambertine hauzeur, painter, draughtsman, philip zilcken, passions, emotions, affections
Portret van een onbekende jongeman
Object type: photograph
Date: 1890 – 1920
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: youth, adolescent, anonymous historical person portrayed