deem-data/ArtiFact huggingface dataset:
Bespotting van Christus
Object type: book illustration
Date: 1648 – 1648
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: mockings of christ, who may be blindfolded
Inscriptions: collector's mark: Lugt 2228

Prent uit: Sichem, Christoffel van (II). 'tSchat der zielen, dat is: Het geheele leven ons Heeren Iesu Christi. Amsterdam: Pieter Jacobsz. Paets, 1648.
Prent uit: Biblia sacra dat is De geheele Heylighe Schrifture bedeylt in 't Out en Nieu Testament. Amsterdam: Pieter Jacobsz. Paets, 1657.
Portret van Jean Racine in een monumentale lijst
Object type: book illustration
Date: 1823 – 1823
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: france, paris, jean racine, ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Back View of a Man in a Long Coat with a Sword
Object type: drawing
Date: 1701 – 1800
Materials: chalk, charcoal, ink, paper
Techniques: incising, pen, transfer
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: men
De Eerste Grond van t Gebouw
Object type: ornament print
Date: 1687 – 1693
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: plan ~ architecture

Plattegrond van buitenplaats De Nes of Realeneiland te Vreeland. Het voor de Amsterdamse familie Reaal in 1687 gebouwde buitenhuis lag op een eiland in de Vecht.
Venezia. Ponte di Rialto dalla riva del Carbon
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1920
Materials: photographic support
Techniques: photography
Location: venice
Subjects: bridge in city with structures, i.e. shops, houses, e.g. ponte vecchio in florence (+ city(-scape) with figures, staffage), canal
Portret van Hermanus Boerhaave
Object type: print
Date: 1708 – 1780
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: johan van der spruyt
Artist role: print maker
Artist dates: 1752 – 1797
Subjects: hermanus boerhaave
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve naar links van Hermanus Boerhaave in een ovaal. Onder het portret een leeg veld voor zijn naam. Kopie naar de prent van J. Houbraken.
Landscape with Two Male Figures
Object type: drawing and watercolor
Materials: paper
Techniques: brush, wash
Location: england
Artist: after gilbert stuart newton
Artist nationality: english
Artist dates: 1794 – 1835
Man zittend naast ton en staand paard
Object type: print
Date: 1600 – 1700
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: horse
Inscriptions: collector's mark: Lugt 240
Ein ney Furmbüchlein, Page 10, verso
Object type: book print ornament architecture
Date: 1525 – 1529
Techniques: woodcut
Artist: johann schönsperger the younger
Artist role: publisher
Artist nationality: german
Artist dates: 1490 – 1550
Reproductie van een schilderij met duellerende mannen door Simon Harmon Vedder
Object type: page
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Location: london
Artist: simon harmon vedder
Artist role: painter
Artist dates: 1866 – 
Subjects: duel in place of battle
Très Parisien, 1927, No. 9 : 14.- PAGODE.- Robe du soir (...)
Object type: fashion print
Date: 1927 – 1927
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: corsage (+ women's clothes), fashion plates, dress, gown (+ women's clothes)
Inscriptions: caption: ‘14. - PAGODE. - Robe du soir au décolleté irrégulier en velours dégradé du rouge au bleu. Beau manteau en lamé rose et argent, garni de renard. / Tissus de la Maison BLANCHINI FERIER.’, title: ‘"Très Parisien" / No 9. - 1927.’

Volgens het onderschrift is dit een avondjurk van fluweel met een overloop(?) van rood naar blauw. 'Manteau' (jasjurk?) van roze- en zilverkleurige lamé, gegarneerd met vossenbont. Stoffen van Maison Blanchini Ferier. Prent uit het modetijdschrift Très Parisien (1920-1936).
Scenes of the Passion
Object type: spoon
Date: 1681 – 1681
Materials: wood
Subjects: christ,crucifixion
Temple Pendant with Two Birds Flanking a Tree of Life (front) and Geometric and Vegetal Motifs (back)
Object type: temple pendant
Date: 1001 – 1200
Materials: enamel, gold
Techniques: enamel
Culture: kyivan rus’
Location: ukraine
Subjects: birds

When Kyivan Rus, a powerful new state to the north of the Byzantine Empire, accepted Christianity as its official religion in 988, the aristocracy also adopted the manners and dress of the Byzantine court. Local artists soon produced their own versions of Constatinopolitan fashions. This temple pendant of precious metals worked in cloisonné enamel or niello are local variants of the more intricately detailed works made for the Byzantine court. As in Byzantium, temple pendants may have been worn next to the face by both the men and the women of Rus. The works shown here were perhaps buried by their owners when the Mongol armies under Batu Khan sacked Kyiv in 1240.
Jar sherd
Object type: jar
Date: 2000 – 1668
Materials: ceramic
Location: mesopotamia
Floréal, from Mélodies de Désiré Dihau
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Fragments
Object type: fragment
Date: 1701 – 1800
Techniques: lace
Visitekaartje van boekhandelaar en drukker Ivon Tytgat
Object type: print
Date: 1841 – 1853
Materials: cardboard
Techniques: blind stamped, letterpress printing
Location: ghent
Artist: ivon tytgat
Artist role: printer
Inscriptions: collector's mark: Lugt 2228
Vase Fragment
Object type: vase fragment
Date: 100 – 100
Materials: terracotta
Culture: roman
Subjects: flutes,satyrs

Satyr fluting with a kithara in the field.
Staal kloskant met grove draad als voorbeeld van extra versterkte stroptraliegrond
Object type: sample
Date: 1900 – 1930
Materials: cotton
Techniques: lace
Location: amsterdam
Artist: Anonymous

Staal naturelkleurige kloskant met grove draad als voorbeeld van een extra versterkte stroptraliegrond met daarbij een fragment kant waarin deze techniek is toegepast. De datering betreft het staal.
The Church on the Hill
Object type: print
Date: 1621 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: churches,landscapes
Knoop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: button
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knoop. (1) flat top and base, plain, bevelled rim (2.6d, 0.3t), loop-shank damaged
Gruss aus Basel
Object type: ansichtkaart, prentbriefkaart
Date: 1897 – 1902
Materials: cardboard
Techniques: photograph, writing
Location: basel
Artist: Anonymous
Subjects: river, bridge in city across river, canal, etc., prospect of city, town panorama, silhouette of city
Inscriptions: postage stamp
Allegory of Victory
Object type: drawing and watercolor
Materials: chalk, fiber, ink, iron, paper
Techniques: brush, pen, wash
Location: italy
Artist: domenico piola
Artist role: artist
Artist nationality: italian
Artist dates: 1627 – 1703
Vier foto's van een boottocht met zeilboot de Snits
Object type: photograph
Date: 1907 – 1925
Materials: paper
Techniques: gelatin silver print
Location: overijssel
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: sailing-ship, sailing-boat, canal
Inscriptions: inscription: ‘In de sluis te Ossenzijl’, inscription: ‘Aremberger Gracht’, inscription: ‘Aremberger Gracht’, inscription: ‘Ossenzijl’

Deze foto's maken deel uit van een album.
Portret van D. Montagne
Object type: print
Date: 1845 – 1863
Materials: paper
Techniques: lithograph
Subjects: newspaper, news-sheet, historical persons (+ full length portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde staat voor een tafel met kranten. In zijn linkerhand heeft hij een krant, in zijn rechterhand een map.
Terracotta fragment of a mastoid (drinking cup with narrow base) or a kyathos (cup-shaped ladle)
Object type: mastoid or kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of the upper torso of a draped male to left, with his right arm bent; a vine
Hoofd van een vrouw
Object type: print
Date: 1860 – 1913
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: adrien de witte
Artist role: print maker
Artist dates: 1850 – 1935
Subjects: adolescent, young woman, maiden, head (human) - aa - female human figure
Inscriptions: collector's mark: Lugt 2228
Genova
Object type: photograph
Date: 1858 – 1893
Materials: cardboard, paper
Techniques: albumen print
Location: genoa
Artist: alfredo noack
Artist role: fotograaf
Artist dates: 1833 – 1895
Subjects: church (exterior)
Inscriptions: number: ‘13’
Portret van Johann-Balthasar Schneider
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: colmar, prefect, syndicus, johann balthasar schneider
Inscriptions: collector's mark: Lugt 2228

Busteportret van Johann-Balthasar Schneider. Rechtsonder: 122. Het portret is gevat in een ovale omlijsting met het wapenschild van de geportretteerde, decoraties en een randschrift in het Latijn. In de cartouche een vijfregelig onderschrift in het Latijn. Prent uit een serie portretten naar schilderijen van Anselmus van Hulle van alle gedelegeerden bij de vredesonderhandelingen te Münster en Osnabrück.
Temple Bar from The Strand, plate 22 from Original Views of London as It Is
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: hand coloring, lithograph
Location: england
Artist: thomas shotter boys
Artist role: artist
Artist nationality: british
Artist dates: 1803 – 1874
Texel. Kerkplein
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1948
Materials: photographic support
Techniques: gelatin silver print
Location: den burg
Subjects: street
Inscriptions: date
Dagger with Sheath
Object type: dagger with sheath
Date: 1767 – 1800
Materials: gold, ivory, leather, silver, steel
Culture: german
Location: germany
Portret van Bertrand Clauzel
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Portret van Paul Desforges-Maillard
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: dichter, paul desforges-maillard
Inscriptions: collector's mark: Lugt 1337, collector's mark: Lugt 2228

Portret van Paul Desforges-Maillard, Frans dichter. Onderaan in de marge een vierregelig vers in het Frans.
Ilias
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Subjects: chariot, triumphal car, juno raised by the hours

Prent maakt onderdeel uit van een serie met 39 prenten over de Ilias, geschreven door Homerus.
Cartouche met kwabornament met wapentrofeëen
Object type: ornament print
Date: 1640 – 1655
Materials: paper
Techniques: engraving, etching
Location: amsterdam
General Mercier
Object type: photomechanical print
Date: 1999 – 1999
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: historical persons
Inscriptions: date: ‘26 Aug '99’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, knee and thigh of youth to right, with drapery; right buttock and leg of draped youth to right; part of an inscription, ON
Elegant gezelschap koopt sieraden
Object type: book illustration
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: visiting; receiving guests; elegant company, selling

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Gezicht op 's-Hertogenbosch
Object type: print
Date: 1808 – 1848
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: pieter barbiers (iv)
Artist role: painter, print maker
Artist dates: 1798 – 1848
Subjects: trees, roof (of house or building), church (exterior), den bosch
Inscriptions: collector's mark: Lugt 2228

Achter boomtoppen en daken van huizen is de Sint Jan zichtbaar.
Dish for Ritual Offerings
Object type: dish
Date: 1601 – 1900
Materials: amber, coral, gemstone, garnet, silver gilt, lapis lazuli, quartz, shell, stone
Culture: nepali
Chisel
Object type: chisel
Date: 1902 – 1902
Materials: jade
Culture: north american, alaskan
De werken van Odysseus
Object type: print
Date: 1633 – 1633
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: paris
Subjects: sequel to the death of the suitors (homer, odyssey xxiv)

Odysseus, zijn zoon Telemachus, Eumaeus en Philoetius arriveren verborgen onder een donkere wolk bij de woonplaats van Laërtes. Odysseus geeft zijn wapens aan Eumaeus. De prent maakt deel uit van een album.
[Dock and Boat]
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Wierookbrander op driepoot
Object type: ornament print
Date: 1680 – 1693
Materials: paper
Techniques: engraving
Location: france
Fotoreproductie van een schilderij, voorstellende dansende mensen in een zaal
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: ball, formal dance
Circular Fragment with a Vine Scroll Motif
Object type: ring
Date: 1000 – 1100
Materials: enamel, gold
Techniques: enamel
Culture: byzantine
Gezicht op Huis ter Wadding te Voorschoten
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: trees, farm or solitary house in landscape, voorschoten
Inscriptions: stamp, collector's mark: Lugt 1641, stamp, : ‘Gedeponeerd’

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Holland.
Buzz Aldrin with Apollo 11 Lunar Module on the Moon
Object type: photograph
Date: 1969 – 1969
Artist: neil armstrong
Artist role: artist
Artist nationality: american
Artist dates: 1930 – 2012
Subjects: men,moon,astronomy
Enoshima in Sagami Province (Sōshū Enoshima), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Object type: woodblock print
Date: 1830 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: buildings,mountains,landscapes,boats
Fotoreproductie van Coquetterie
Object type: album leaf
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: girl (child between toddler and youth), making up, painting, drawing and the graphic arts
Inscriptions: annotation: ‘Eitelkeit’, inscription: ‘5. Buhler/Eitelkeit/ Cocquetterie’
Negen mannenhoofden in vooraanzicht, gerangschikt op de vorm van hun ogen en oogkassen
Object type: photomechanical print
Date: 1880 – 1893
Materials: paper
Techniques: photograph
Location: france
Artist: Anonymous
Subjects: head (human) (+ front view), eyes, france
Inscriptions: inscription: ‘Globes enfoncés. (...) Orbites excavées.’, number: ‘Planche 48.’, number: ‘1. (...) 9.’
Drie antieke beelden te Rome
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: draughtsman studying classical remains
Inscriptions: collector's mark: Lugt 2228

De tekenaar van de sculptuur Apollo Belvedere, kijkend naar links.
Liverdun
Object type: print
Date: 1858 – 1858
Materials: chine, paper
Techniques: printmaking, etching
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: buildings

Whistler visited Liverdun, a town on the Moselle, near the start of a summer Rhineland tour in 1858. He traveled by train between Nancy and Strasbourg, making sketches and a few etchings, including the present work. Here, old farm buildings frame a yard and establish what would become a favorite formal arrangement. Roofs and walls are punctuated with shadowed openings to create a play of lights and darks enlivened with the lightly etched forms of farm workers, ladders and a cart. A white cow walks out of the space at right, and broad expanses below and above suggest ground and sky. This composition was one included in "Douze eau-fortes d'apres Nature" (known as the "French Set"), the artist's first published work, issued in November 1858. This impression belonged to Thomas Winans, a Baltimore friend who financed the artist's move to Paris in 1855; Winans kept the print in an album that descendants gave to the Museum.
Bowl
Object type: bowl
Date: 801 – 900
Materials: earthenware
Techniques: glazing
Location: iran

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Gezicht op een zeilschip
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: sailing-ship, sailing-boat, civic architecture; edifices; dwellings

Gezicht op een zeilschip. Op de achtergrond een rij gebouwen. Blad 38 verso uit een schetsboek met 58 bladen.
Zoölogie-spel
Object type: popular print
Date: 1875 – 1875
Materials: paper
Techniques: lithograph, letterpress printing
Location: utrecht
Subjects: animals, board-games of chance, hunt ~ mammals, board-games
Inscriptions: collector's mark: Lugt 2760

Spel in de vorm van een cirkel met genummerde vankjes van 2 tot en met 117, met gewervelde en ongewervelde dieren. Op het middenveld vier jachttaferelen. In de hoeken rond de cirkel afbeeldingen met dichtregels van Cats.
Glimpse of Yo Semite Valley, from the Big Oak Flat Road
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: photograph
Location: yosemite valley
Artist: george fiske
Artist role: fotograaf
Artist dates: 1835 – 1918
Subjects: dale, valley, mountains
Inscriptions: inscription: ‘(See page 335.)’
Terwijl Reinhart bij kaarslicht zit te schrijven komt zijn hond bij hem
Object type: print
Date: 1791 – 1798
Materials: paper
Techniques: engraving, etching
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: handwriting, writing as activity, lighting; lamps, dog
Inscriptions: collector's mark: Lugt 240

Prent gebruikt in: Post, Elisabeth Maria. Reinhart, of Natuur en Godsdienst. 3 dln. 1e druk. Amsterdam: Johannes Allart, 1791-1792, dl. 2 (1791), p. 28. En in: Post, Elisabeth Maria. Reinhart, of Natuur en Godsdienst. 3 dln. 2e druk. Amsterdam: Johannes Allart, 1798-1802, dl. 2 (1798), p. 28.
Kat's kleurprenten
Object type: print
Date: 1862 – 1882
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: children's games and plays, caricatures (human types), justitia (justice) as roman personification
Inscriptions: collector's mark: Lugt 2760

Blad met 9 afbeeldingen van verschillende onderwerpen, bedoeld om uit te knippen en in te kleuren. Weergegeven zijn onder meer justitia, karikaturen en spelende kinderen. Genummerd rechtsboven: No. 1.
Terracotta amphora (jar)
Object type: amphora, type a
Date: 530 – 520
Materials: terracotta
Culture: greek, attic
Artist: antimenes painter
Artist role: artist
Subjects: musical instruments,apollo,artemis,athena,dionysus,poseidon,horses,chariots

Obverse, Athena and Herakles in the gigantomachy (battle of gods and giants) Reverse, Poseidon, Leto, Apollo, Artemis, Dionysos On the lip, obverse and reverse, chariot races Of particular interest on this vase is the frieze of racing chariots on the lip. Subordinate bands of figural decoration were introduced at various times and on various shapes in Athenian vase-painting. At the end of the sixth century B.C. and in the early fifth, decoration on the lip occasionally appears, especially on amphorae type A. The most significant instance of this feature in the Museum's collection appears on the amphora signed by the potter Andokides and displayed in the Greek galleries on the main floor.
Glass dish
Object type: dish
Date: 1 – 100
Materials: glass
Culture: roman

Translucent deep blue green. Outsplayed, tubular rim, folded round, down, and under; shallow, vertical side; thick, tubular foot ring at junction with side, made by folding; uneven, but almost flat bottom with off-center pontil scar and slight kick on interior. Intact, except for internal crack across bottom; many bubbles; dulling, pitting, and patches of iridescent weathering. Green, shallow, colored blown glass.
Dancer's Robe
Object type: robe, dancer's
Date: 1801 – 1900
Materials: silk
Culture: chinese
Algemene gebedsdag bij de aanvang van de onderhandelingen te 's-Gravenhage
Object type: jeton
Date: 1608 – 1608
Materials: copper
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: the hague

Koperen penning. Voorzijde: biddende man met gevouwen handen en blik omhoog gewend, waar naam Jehova in Hebreeuws in wolk geschreven staat; links hand die olijftak aanbiedt, rechts hand die zwaard toont binnen omschrift. Keerzijde: bundel van zeven pijlen geflankeerd door letters S en C binnen omschrift
Trouville. Le Casino et les Planches
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1920
Materials: cardboard
Techniques: photograph, writing
Location: paris
Subjects: beach (as place of recreation), pleasure-resort, casino
Inscriptions: postage stamp