deem-data/ArtiFact huggingface dataset:
Gezicht op het Beurspoortje in Amsterdam met een doorkijk naar de Dam
Object type: cabinet photograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: gate, entrance
Inscriptions: name: ‘Vosmaer’, inscription: ‘Het voormalige Oude Beurspoortje ziende naar den Dam. Afgebroken en Vernieuwd.’, number: ‘445’
Big Medicine Man, North American Chief, from the Savage and Semi-Barbarous Chiefs and Rulers series (N189) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: men,portraits

Trade cards from the "Savage and Semi-Barbarous Chiefs and Rulers" series (N189), issued in an unnumbered set of 50 cards in 1888 by Wm. S. Kimball & Co.
Terracotta hydria: kalpis (water jar)
Object type: hydria, kalpis
Date: 510 – 510
Materials: terracotta
Culture: greek, attic
Artist: eucharides painter
Artist role: artist
Subjects: men,women

Men courting women Respectable women spent most of their time within the confines of home under the guardianship of their fathers or husbands. One of the few times when young men could see marriageable girls was at public festivals. This scene of men holding branches and speaking with women may show such an occasion, or it may represent an encounter with professional prostitutes.
Tweede suite
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: etching
Location: amsterdam
Artist: cornelis steffelaar
Artist role: draughtsman, painter, print maker
Artist dates: 1797 – 1861
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2227
The First Nakamura Nakazo in the Role of Kudo Suketsune
Object type: woodblock print nishiki e
Date: 1775 – 1775
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: men,actors
Magic knife fragment
Object type: magic knife fragment
Date: 1981 – 1640
Materials: stone
Location: egypt
Annunciatie
Object type: book illustration
Date: 1649 – 1649
Materials: paper
Techniques: letterpress printing
Location: antwerp
Subjects: the annunciation: mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)
Inscriptions: collector's mark: Lugt 2228

De engel Gabriël kondigt aan Maria aan dat ze zwanger zal worden. Maria zit geknield bij een lessenaar, waarop een opengeslagen boek ligt.
Onbekende vrouw in een auto
Object type: photograph
Date: 1926 – 1926
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman, automobile
Inscriptions: inscription: ‘1926’
Volendam
Object type: print
Date: 1888 – 1934
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: harbour
Inscriptions: collector's mark: Lugt 2228

Een afgemeerde botter in de haven van Volendam.
Portret van de Hongaarse componist Albert Ketèlbey
Object type: photograph
Date: 1920 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: birmingham, cowes, portrait of a musician
Inscriptions: inscription: ‘Albert Ketelbey’, inscription: ‘foto afkomstig legaat van de fam [...] A'dam 1961/ COMPONIST’
Brief
Object type: letter
Date: 1821 – 1821
Materials: ink, paper
Techniques: writing
Location: nijmegen
Artist: cornelis rudolphus theodorus krayenhoff
Artist role: physicist
Artist dates: 1758 – 1840
Inscriptions: date
Portret van onbekende vrouw
Object type: print
Date: 1822 – 1893
Materials: paper
Techniques: tone lithography
Location: leeuwarden
Subjects: anonymous historical person portrayed
Inscriptions: collector's mark: Lugt 2228

Een jonge vrouw zittend op een stoel. In ovaal.
She Knew His Whiskers, from the Snapshots from "Puck" series (N128) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,women,goats,working

Trade cards from the "Snapshots from 'Puck'" series (N125), issued in an unnumbered set of 25 cards in 1888 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco.
Portret van Willem III, prins van Oranje
Object type: print
Date: 1749 – 1749
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland)
Inscriptions: date

Portret van Willem III in een ovaal. Rondom ligt een aantal allegorische objecten, waaronder een commandostaf, een lauwerkrans en een bazuin. Op het reliëf een verrijzende Phoenix en zijn naam.
Pilgrim's Badge in the form of a Ring brooch
Object type: pilgrim's badge
Materials: lead
Culture: french
Afgemeerde schepen in de haven van Rotterdam
Object type: print
Date: 1888 – 1931
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: harbour, rotterdam
Votive Ear fragment
Object type: amulet, ear plaque
Date: 1479 – 1458
Materials: faience
Location: egypt
Bottle
Object type: bottle
Date: 901 – 1100
Materials: glass
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Bespanningsstof, jacquardweefsel met patroon van spitsovalen met ranken, paarse inslag op bleekgele ketting
Object type: upholstery fabric
Date: 1920 – 1930
Materials: wool
Techniques: jacquard
Location: helmond
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951

Bespanningsstof, jacquardweefsel met patroon van spitsovalen met ranken, paarse inslag op bleekgele ketting.
New Modelbüch allen Nägerin u. Sydenstickern (Page 22v)
Object type: book print ornament architecture
Date: 1556 – 1556
Techniques: woodcut
Artist: hans hoffman
Artist role: designer
Artist nationality: german
Artist dates: 1556 – 1556
Subjects: ornament

Designed by Hans Hoffman (German, active Strasbourg 1556) and published by Jacob Frӧlich, Strasbourg. Illustrated title page with Hoffman's monogram, narrative scene on verso of title page, dedication (2 pages), 49 pages of designs, page with publisher’s information, and narrative scene on last page.
Long-Stem Pipe
Object type: decorative art
Date: 200 – 200
Materials: ceramic, pigment
Techniques: modeling
Location: colima
Subjects: smoke, pipes, ritual
Tentoonstelling voor Nationale Nijverheid in het Paleis voor Volksvlijt, Amsterdam
Object type: stereograph
Date: 1866 – 1866
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: amsterdam
Inscriptions: stamp: ‘JDB’, label: ‘Boek & Kunsthandel Jan D. Brouwer, Kalverstraat E, Nº 37 Amsterdam.’
Minerva
Object type: print
Date: 1637 – 1691
Materials: paper
Techniques: engraving
Location: vatican city
Subjects: the muses acting together (as group) - attributes, (story of) minerva (pallas, athena), (story of the) muses; 'muse' (ripa), father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 240

Minerva staat in een landschap en wijst naar een ronde tempel op een heuvel. Naast Minerva staan en zitten de Muzen. Op de voorgrond links zit Vadertje Tijd.
An Essex Farm
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: printing, printmaking
Location: england
Artist: francis seymour-haden (sir)
Artist role: print maker
Artist dates: 1818 – 1910
Subjects: river, farm or solitary house in landscape
Inscriptions: collector's mark: ‘L’, collector's mark: Lugt 2228, collector's mark: Lugt 3759

Een boerderij tussen de bomen, op de oever van een rivier met zeilschepen.
Wildersmouth Beach
Object type: photomechanical print
Date: 1900 – 1920
Materials: paper
Techniques: autotype
Location: ilfracombe
Artist: Anonymous
Subjects: beach (as place of recreation), rocky coast
Spherical and Biconical Gold Beads
Object type: bead
Date: 1001 – 1100
Materials: gold
Techniques: filigree
Location: egypt or syria

These beads feature superb patterns of scrolling vines whose bifurcations elegantly extend the design to fit the required space. The patterns recall those of the beveled style of the ninth century, although these possess clearer lines, perhaps owing to the medium.
Mountain Landscape with a Bridge across a River
Object type: drawing
Date: 1704 – 1704
Materials: graphite, ink, paper
Techniques: brush, pen
Artist: jan van der meer (ii)
Artist role: draughtsman, print maker
Artist dates: 1656 – 1705
Subjects: landscape with bridge, viaduct or aqueduct, landscapes with waters, waterscapes, seascapes (in the temperate zone), cattle driving, cattle driver
Inscriptions: date: ‘1704’
Frederik Hendrik legt de eed af als stadhouder en neemt zitting in de Staten van Holland, 1625
Object type: print
Date: 1650 – 1652
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: delft, frederick henry (prince of orange), new ruler taking the oath, popular representation ~ government, the hague

Gebruikt als illustratie in: A. Montanus, 'T leven en bedryf van Frederik Henrik, J. Hartgers, Amsterdam 1652, p. 117. Kopie naar de prent in: I. Commelin, Frederick Hendrick van Nassauw Prince van Orangien : zyn leven en bedryf, Jodocus Janssonius, Amsterdam 1651, fol. 7 (FMH 1549).
Rokende boer met de arm over een stoelleuning
Object type: print
Date: 1650 – 1654
Materials: paper
Techniques: etching
Location: haarlem
Artist: adriaen van ostade
Artist role: draughtsman, painter, print maker
Artist dates: 1610 – 1685
Subjects: pipe ~ tobacco, male sex; man
Inscriptions: collector's mark: Lugt 240
Studie van een hand
Object type: drawing
Date: 1848 – 1927
Materials: paper, pencil
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: hand
Man met wandelstok op een bospad
Object type: sketchbook leaf
Date: 1825 – 1829
Materials: paper, pencil
Artist: andreas schelfhout
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1870
Subjects: forest path or lane (+ landscape with figures, staffage)
Inscriptions: number: ‘26/ 15025’, annotation: ‘Bovemans’

Blad 40 recto uit een schetsboek met 95 bladen.
Miss Eames, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Gezicht op de sluizen bij het Oosterdok
Object type: drawing
Date: 1744 – 1807
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: augustus wijnantz
Artist role: draughtsman
Artist dates: 1795 – 1848
Subjects: sluice, weir, city-view in general; 'veduta', river
Inscriptions: collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 2.
Spring: Soaking Rice Grains (Haru: tanehitashi no zu), No. 1 from the series "The Four Seasons of Farmers (Shiki no hyakusho)"
Object type: print
Date: 1730 – 1739
Techniques: hand coloring, woodblock print, urushi
Location: japan
Artist: torii kiyomasu ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1706 – 1763
Portret van Hyacinthe Rigaud
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: engraving
Location: france
Subjects: paris, draughtsman, hyacinthe rigaud, portrait, self-portrait of painter, human figure at (open) window, seen from outside - aa - feigned window
Inscriptions: collector's mark: Lugt 240
Wilhelmshöhe, Schloss mit Lac
Object type: ansichtkaart, prentbriefkaart
Date: 1908 – 1908
Materials: cardboard
Techniques: photograph
Location: kassel
Subjects: castle, lake
Inscriptions: date
Titelpagina voor: Marie-Gabriel-Florent-Auguste de Choiseul-Gouffier, Voyage pittoresque de la Grèce, 1782
Object type: titelblad, titelpagina
Date: 1782 – 1782
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), landscape with ruins, churchyard, cemetery
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Marie-Gabriel-Florent-Choiseul-Gouffier, Voyage pittoresque de la Grèce, vol. 1. Parijs: J.J. Blaise, 1782.
Portret van een jongen met een hoepel
Object type: carte de visite
Date: 1895 – 1915
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: a. lavois
Artist role: fotograaf
Subjects: boy (child between toddler and youth), historical persons
Inscriptions: name: ‘ALavois’
Netsuke of Two Noh Dancers
Object type: netsuke
Date: 1801 – 1900
Materials: lacquer
Culture: japanese
Subjects: men,dancers
The Chapel of the Enfants-Trouvés in Paris: La Suite des rois mages: chameliers et porteurs de présents
Object type: print
Date: 1756 – 1756
Techniques: engraving, etching
Artist: etienne fessard
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1777
Subjects: men,camels
Dieren in gevangenschap
Object type: popular print
Date: 1815 – 1858
Materials: paper
Techniques: hand coloring, lithograph
Location: dusseldorf
Artist: Anonymous
Subjects: traffic and transport, weapons, travelling; tourism, the soldier; the soldier's life, firearms
Inscriptions: stamp, collector's mark: Lugt 1641

Een grote en zeven kleine afbeeldingen. In het midden een grote afbeelding van een stervende soldaat en een schietende jonge soldaat. Zeven kleine afbeeldingen met verschillende reizende gezelschappen. Linksonder genummerd: No. 166. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
La salle des pas-perdus a l'ancien Palais de Justice (The antechamber of the Palais de Justice, Paris)
Object type: print
Date: 1855 – 1855
Techniques: etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: architecture,paris

This print was made by Charles Meryon in the 19th century to reproduce the original print by Jacques Androuet Du Cerceau that was made around 1561, but likely never completed to his own satisfaction. Only a few impressions of the original plate have survived. Du Cerceau was a much sought after printmaker during the 19th century and several of his more rare sheets were reproduced for collectors. It depicts the antechamber of the Palace of Justice in Paris, which was destroyed by fire in the early 17th century.
Landscape Sketch
Object type: drawing
Date: 1824 – 1824
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: landscapes
Portret van Willem III, koning der Nederlanden
Object type: photograph
Date: 1850 – 1912
Materials: photographic support
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: brussels, willem iii (koning der nederlanden)
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Visitekaartje van prenthandel Jean-Eugène Vignères te Parijs
Object type: print
Date: 1840 – 1850
Materials: paper
Techniques: engraving, soft ground etching
Artist: jules porreau
Artist role: print maker
Subjects: art dealer
Inscriptions: collector's mark: Lugt 2228

Interieur van een prenthandel. Twee mannen en twee jongens bladeren door albums en portfolio's waar de namen van verschillende kunstenaars of scholen op vermeld zijn. Naast prenthandelaar was Vignères ook uitgever en expert bij veilingen.
Plate
Object type: plate
Date: 1846 – 1846
Materials: earthenware
Culture: american
Location: united states
Artist: samuel troxel
Artist role: maker
Artist nationality: american
Artist dates: 1803 – 1870
Subjects: eagles

The eagle under a political banner was a common motif for Troxel, who designed a number of plates commemorating electoral victories, including this one for James Knox Polk, the eleventh president of the United States (1845–49).
Pruisen, markgraaf Friedrich Wilhelm van Brandenburg, dukaat van goud uit de Goudkust (Guinea), 1682
Object type: gouden dukaat
Date: 1682 – 1682
Materials: gold
Techniques: striking

Gouden munt. Voorzijde: borstbeeld van de markgraaf naar rechts. Onder het borstbeeld de letters C.S. Keerzijde: schip met volle zeilen op zee. Linksboven het schip twee wolken, waaruit wind wordt geblazen. Jaartal aan het eind van het omschrift.
Guanyin
Object type: figure
Date: 1800 – 1899
Materials: glaze, paint, porcelain
Techniques: firing, forming, vitrification
Location: china
Artist: Anonymous
Subjects: guan yin

In contrast to the conventional Guanyin in white attire, this figure is adorned in colourful green, yellow, purple, and black floral patterns in the so-called famille verte glaze palette. The entirely white face creates a marked contrast with the decoration of the clothing.
Kop, veelkleurig beschilderd met Deutsche Blumen in uitgespaarde vierpassen in een gele fond
Object type: eating drinking utensil
Date: 1765 – 1765
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: mold mark: ‘66 (of 99)’, factory mark

Tea service. Porcelain. Meissen, c. 1770. Jonkvrouwe A.C.A.J. Clifford bequest, 1960.
"A Prince out Hawking with a Group of Attendants and a Leopard", Folio from a manuscript of the Raga Darshan of Anup
Object type: folio from an illustrated manuscript
Materials: paper, watercolor
Location: india
Subjects: hawks,princes,men,dogs,horses,leopards
Sculptuur van Maria met Kind in de Notre-Dame te Parijs
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: notre-dame
Artist: Anonymous
Subjects: madonna: i.e. mary with the christ-child, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘CWN.’, inscription: ‘Gothische Kunst - Frankrijk.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’
Patch box with portrait of the Marquis de Lafayette
Object type: patch box
Date: 1875 – 1900
Materials: copper, enamel
Artist: samson and company
Artist role: manufactory
Subjects: men,portraits

Despite its close resemblance to English enamel patch boxes, a crossed S mark on the inside of this box’s lid betrays its French origins. Made by Samson of Paris, a ceramics firm dedicated to producing convincing reproductions, this object was likely created in imitation of an early nineteenth-century Bilston patch box. Lauded as a hero of the American Revolution, the Marquis de Lafayette was invited by President James Monroe on a triumphal tour of the United States from 1824 to 1825. A plethora of souvenirs bearing images of Lafayette—including jugs, plates, buttons, and fans—were produced to commemorate the occasion. Ary Scheffer’s portrait (Lafayette’s favorite depiction of himself) was the likeness most frequently reproduced on such memorabilia. With mirrors inside their lids, these boxes could be used to store and apply cosmetic products like rouge, powder, or patches. Patches, available in a range of shapes and materials (such as silk, taffeta, or leather), were fashionable accessories for European men and women that could cover blemishes or scars and draw attention to pale skin. Enameled objects like this one were intended to imitate the lustrous quality of porcelain at more affordable prices. By the middle of the eighteenth century, technological innovations had made it possible to roll copper, instead of the far costlier gold, into very thin sheets. Powdered glass mixed with minerals (to determine the opacity and color of the enamel) would then be applied onto the copper sheets and fired at high temperatures. A design—whether a famous portrait, generic pastoral scene, or floral motif— could be painted on by hand or copied from an engraving through the newly invented process of transfer printing. Many enameled objects combined both methods of decoration and would be refired after the application of each new layer or color.
Marktscène
Object type: drawing
Date: 1603 – 1641
Materials: ink, paper
Techniques: brush, pen
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: square, place, circus, etc., market

Marktscène met figuren op de voorgrond. In het midden een heer met hond. Linksvoor liggen ronde kazen op de grond. De kerk met de hexagonale toren in de achtergrond lijkt op de St. Jacobskerk in Den Haag. Mogelijk een ontwerp voor een prent.
Turnstone, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Game Birds" series (N13), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Noorderkerk te Amsterdam
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Location: amsterdam
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: church (exterior), canals, waters (in city)
Inscriptions: kleurnotitie, handgeschreven in potlood

Op de voorgrond ligt een boot op de Prinsengracht. Blad 41 recto uit een schetsboek met 59 bladen.
Portret van Johann Gunther Nürnberger op 59-jarige leeftijd
Object type: print
Date: 1689 – 1693
Materials: paper
Techniques: engraving
Subjects: mayor, mayor, burgomaster, historical persons, lawyer, attorney at law
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en op de sokkel.