deem-data/ArtiFact huggingface dataset:
Tekstblad bij het ensemble van het beleg van Hulst, 1645
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: delft, frederick henry (prince of orange)

Tekstblad bij het ensemble van het beleg van Hulst, belegerd door het Staatse leger onder Frederik Hendrik van 28 september tot 5 november 1645. Blad met twee kolommen tekst in het Nederlands, bovenaan een aanhef gericht aan de 'Goedwillige Leser'. Wellicht onderdeel van een ongemonteerd ensemble bestaande uit de twee kaarten, het profiel, het blad met de zes forten, de drie bladen van de uittocht van het garnizoen en de twee tekstbladen.
Verschillende schepen serie C
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: etching
Location: rotterdam
Artist: gerrit groenewegen
Artist role: draughtsman, print maker
Artist dates: 1754 – 1826
Subjects: ships (in general)
Inscriptions: collector's mark: Lugt 2228

Driemaster met de wind in de zeilen, naar rechts varend. Op het dek ligt een sloep en zijn enkele figuren afgebeeld. Deze prent maakt deel uit van een serie van twaalf prenten met verschillende zeilschepen.
Man zittend in bed, vermoedelijk Georges de Cavilly
Object type: page
Date: 1885 – 1895
Materials: paper
Techniques: photograph
Subjects: georges de cavilly, adult man, bed
Prenthandelaar
Object type: print
Date: 1755 – 1755
Materials: paper
Techniques: etching
Location: paris
Subjects: merchant, salesman
Inscriptions: collector's mark: Lugt 4780, collector's mark: Lugt 2228

Doorkijk door een venster. Binnen een jonge prenthandelaar die zijn prenten aan een klant toont.
Studie van een oude man
Object type: print
Date: 1837 – 1880
Materials: paper
Techniques: etching
Location: the hague
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Subjects: habit, frock, adult man, monk(s), friar(s), old man, beard
Inscriptions: collector's mark: Lugt 2228

Drie voorstellingen op één plaat. Linksboven een studie van een man van middelbare leeftijd met een baard. Linksonder een studie van een jonge man en rechts een studie van een bebaarde oude man, mogelijk een monnik in een habijt. Midden boven staat de gedrukte Franstalige tekst 'Liberte Republ Fran'.
Design for Ceiling
Object type: drawing
Date: 1700 – 1780
Materials: graphite
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: architecture,ceilings
Mohonk, 1871 (from Sketchbook)
Object type: drawing
Date: 1870 – 1870
Materials: graphite, paper
Culture: american
Artist: daniel huntington
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1906
Subjects: landscapes
What Cheeks Can Half so Soft Appear (valentine)
Object type: drawing and watercolor
Date: 1850 – 1850
Materials: paper
Techniques: collage, embossing
Location: united states
Artist: Anonymous
Artist nationality: american or english
Artist dates: 1800 – 1899
Gewicht uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: weight scale component
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Disc-shaped weight, id. NG 1980-27H2773, eroded.
Notebook with sketches and notes
Object type: drawing
Date: 1833 – 1898
Materials: graphite
Artist: félicien rops
Artist role: artist
Artist nationality: belgian
Artist dates: 1833 – 1898
Subjects: men,profiles
Fotoreproductie van een schilderij naar het gedicht Naar school! door J.J.L. ten Kate
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: downpour, rain shower, umbrella
Inscriptions: inscription: ‘NAAR SCHOOL!/ (...) leven leeren./ J. J. L. TEN KATE.’
Book cover with black and blue abstract pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Le Nouveau Paris
Object type: stereograph
Date: 1850 – 1875
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: charles gérard
Artist role: fotograaf
Subjects: façade (of house or building), stall, stable
Inscriptions: inscription: ‘Administration des ecuries de l'Empereur’
Antoninianus (Coin) Portraying Emperor Marcus Aurelius Valerius Maximianus (Maximian or Maximianus I)
Object type: coin
Date: 293 – 293
Materials: bronze
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP C M A MAXIMIANUS AVG
Reverse: CONCORDIA MILITUM ; mintmark XXI

The front (obverse) of this coin portrays the emperor Marcus Aurelius, facing right and wearing a radiate crown.

On the back (reverse), the god Jupiter presents the emperor with a globe, atop which the goddess Victory is shown.

Marcus Aurelius Valerius Maximianus (sometimes called Maximianus I or Maximian) issued coins only as Augustus. The appearance of "M A" refers to the "Marcus Aurelius" in his name.
Medaille met het portret van paus Clemens XI
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: rome, clergyman, clemens xi, historical persons, pope, armorial bearing, heraldry

Op de achterkant van de medaille het wapenschild van de geportretteerde.
Opening van Crystal Palace te Londen 1854
Object type: history medal
Date: 1854 – 1854
Materials: tin
Techniques: striking
Location: london
Artist: john pinches
Artist role: medailleur
Artist dates: 1846 – 1905

Tinnen penning, op de voorzijde een vrouw met palmtak en sleutel die deuren met opschrift INDUSTRIE en SCIENCE opent, te midden van symbolen van agricultuur, nijverheid en wetenschap, op de keerzijde het Crystal Palace met omschrift.
Bowl
Object type: bowl
Date: 2000 – 1001
Materials: ceramic
Location: iran
Vier Europese toeristen op kamelen met Egyptische gidsen bij de piramide en sfinx van Gizeh
Object type: photograph
Date: 1880 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Location: gizeh
Subjects: sphinx (lion/woman); 'sfinge' (ripa), hoofed animals, guide (~ conducted tour), travelling; tourism, pyramid (historical grave form)

Onderdeel van Reisalbum met foto's van Duitsland, Zwitserland, het Suezkanaal en Nederlands-Indië.
1½ roebel of 10 zlotych uit Polen van tsaar Nikolai I, 1836
Object type: coin
Date: 1836 – 1836
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: hoofd van de vorst naar rechts. Waarde-aanduidingen en jaartal als omschrift. Keerzijde: in het midden in een cirkel het hoofd vasn de keizerin naar rechts, waaromheen de hoofden van haar vier zoons en drie dochters. Kartelrand.
Design for Wagon, no. 909
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Sint Blasiuskerk in Salzburg
Object type: print
Date: 1730 – 1740
Materials: paper
Techniques: engraving
Location: augsburg
Subjects: parts of church exterior and annexes
Inscriptions: collector's mark: Lugt 2228

Façade en zijde van de Sint Blasiuskerk (de Bürgerspitalkirche) en de Bürgerspitalplatz in Salzburg.
Etser bij lamplicht
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: etching
Subjects: engraver, etcher, artist at work, in his workshop
Inscriptions: collector's mark: Lugt 76, collector's mark: Lugt 2228

Maakt deel uit van een zesdelige serie, getiteld: Six Eaux-fortes, dessinées et gravées par F. Bonvin, Peintre. De eerste staat werd in 1861 door Bonvin uitgegeven in Parijs.
Design for a ceiling with painted decoration
Object type: drawing
Date: 1830 – 1897
Materials: gold paint, graphite, watercolor, paper
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: men,women
Druijven. / uva Vulgaris. / Raisins
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: fruits: grape

Groene en blauwe druiven. Rechtsboven genummerd: 155. Onderdeel van het tweede album met tekeningen van bloemen en planten. Negende van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Cushing, U.S.N., from the Famous Ships series (N50) for Virginia Brights Cigarettes
Object type: photograph
Date: 1895 – 1895
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: ships

Trade cards from the "Famous Ships" series (N50), issued in 1895 by Allen & Ginter to promote Virginia Brights Cigarettes. Full series consists of 48 unnumbered cards.
Serie Bruxelles
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1913
Materials: cardboard
Techniques: photograph
Location: brussels
Artist: Anonymous
Subjects: city-gate, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Voormouw met manchet van Rijsselse kant
Object type: womenswear
Date: 1860 – 1880
Materials: textile, mother of pearl
Techniques: embroidered, lace
Location: western europe
Artist: Anonymous

Voormouw met manchet van Rijsselse kant. Het ballonmodel heeft een lange gladde manchet met tussenzetsels en een strook Rijsselse kant. De mouw is geborduurd met bloemen en de manchet met sterren en bladeren. De drie kanten tussenzetsels in de manchet bestaan elk uit een rij ronde gaten tussen strepen. De tule in de manchet is van een fijnere kwaliteit dan die van de mouw en is gedecoreerd met sterren en een aangenaaid lint in de vorm van koffiebonen. De boord van de manchet is geschulpt met een rij gebogen bloemtakken. De manchet heeft drie knopen
Fragment diep bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: deep dish
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A bowl with a flattened rim. Taotie mask and/or borders with diaper patterns. A central decoration of a butterfly and a grasshopper on a rock next to a peony. Panels decorated with flowers and fruits.
Ichikawa Ebizō V as Senso Dōjin (right); Jitsukawa Ensaburō as Jiraiya (left)
Object type: woodblock print
Date: 1854 – 1854
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: hasegawa sadanobu 長谷川貞信
Artist role: artist
Artist nationality: japanese
Artist dates: 1809 – 1879
Subjects: men,actors

Both portraits belong to a set of prints commemorating a performance of the popular Kabuki drama Jiraiya. Performing in Osaka, the Edo-based actor Ichikawa Ebizo V plays the role of Senso Dōjin, a hermit and magician who rescues the young Jiraiya and teaches him the secrets of toad magic (including the ability to turn into a toad) that will save his life and restore his fortune.
Bibliotheek van Strawberry Hill te Twickenham
Object type: book illustration
Date: 1784 – 1784
Materials: paper
Techniques: engraving, etching, hand coloring
Artist: jean godefroy
Artist role: print maker
Artist dates: 1771 – 1839
Subjects: study; 'studiolo'; library
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Prent afkomstig uit: A description of the villa of Mr. Horace Walpole, youngest son of Sir Robert Walpole Earl of Orford, at Strawberry-Hill near Twickenham, Middlesex : with an inventory of the furniture, pictures, curiosities, &c. Strawberry-Hill: gedrukt door Thomas Kirgate, 1784, tussen p. 32-33.
Saucer
Object type: saucer
Date: 1725 – 1730
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men
Christ captured and being dragged by hair up steps before the throne of the high priest  Annas, from "The Passion of Christ", after Dürer
Object type: print
Date: 1500 – 1534
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: soldiers,swords,christ
Teapot
Object type: teapot
Date: 1897 – 1900
Materials: earthenware
Culture: american
Location: united states
Artist: george e. ohr
Artist role: maker
Artist nationality: american
Artist dates: 1857 – 1918

In many ways George Edgar Ohr was the quintessential Arts and Crafts potter, combining artistic vision with extraordinary skill with his hands. Working in the seaside resort town of Biloxi, Mississippi, he dug the clay, processed and prepared it, threw the shape on the wheel, altered the piece according to his vision, mixed and applied his own glazes, fired the kiln, created his own style of advertising, and took his wares on the road. Ohr’s personal mantra was “no two alike,” and he was as eccentric as his work was individualistic, with its manipulated forms on ultra-thin thrown vessels, crimping, ruffling, off-centering, and twisting, to create unprecedented forms for the 1890s. To these forms, he applied his own completely new and unusual glazes, applied by sponging, splashing, and spattering, resulting in works that in many ways anticipated the abstract art movements that would find form decades later. This unconventional teapot exhibits sophisticated sculptural qualities, its punched-in sides creating an unusual top-heavy vessel counterbalanced by an elegantly thin and contorted handle, referencing Japanese forms. It also displays a radically unusual glaze with a bubbled surface, whose blistered eruptions produced a prickly, tactile surface giving it great visual drama. Normally such blisters on a glaze are considered flaws and, indeed, this may have been accidental and unforeseen, but Ohr made it one of his special effects. This work is from the Robert A. Ellison Jr. Collection of American art pottery donated to the Metropolitan Museum in 2017 and 2018. The works in the collection date from the mid-1870s through the 1950s. Together they comprise one of the most comprehensive and important assemblages of this material known. The unparalleled work of George E. Ohr is well represented in the collection. Ellison was an early admirer, collector, and scholar of Ohr’s work and has written extensively on the artist.
Portret van Augustinus, provoost van Stift Ranshoven, met gezicht op het klooster
Object type: print
Date: 1722 – 1768
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2233

Tekst in het Latijn in de omlijsting, de banieren en als plaatsaanduidingen.
Templum Isaiae Prophetae, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
Object type: album print ornament architecture
Techniques: engraving
Artist: monogrammist g.a. with the caltrop
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1535
Subjects: temples,ruins

Perspectival depiction of the left part of a temple, referred to as the ‘Tenplum [sic] Isaiae Prophetae’ placed on a two-stepped podium and set in a stylized landscape. The building is characterized by a domed tower and separate cupola over the central bay. The left side of the building is marked by an avant-corpse that mirrors the central entrance and is crowned by a small cupola with a tall drum and a pointed tip. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation. Most copper plates for this series have been engraved on both sides. This print is printed from the same plate as the 'Templum Saturni' (initially printed without title). This group of prints was purchased as part of an an album in 1926, but taken apart by the Museum in 1934. The album appears to have been compiled in the 17th century, although the majority of prints date from the 16th century. The larger part of the prints is focused on mythological subjects and objects and architecture from Antiquity. The album was part of the collection of the architect Hippolyte Destailleur and was sold in the sale of his books and prints in 1895. The Museum acquired the album at G. Rapilly & Fils in 1926. Where the album had been kept in the mean time is unclear and several prints were taken out in this period. The museum's numbering does not reflect the order of the original album, but Destailleur's numbering system is retained on the inidividual sheets, allowing for the reconstruction of its original content.
Bout afkomstig uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: bolt tongs
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip)

Bolts; squashed, corroded, flat tapering plate, curving into a threaded shaft, 5 circular screw-holes in plate (id. 80H1911).
Louise Massin Les Scandales d'Hier
Object type: photomechanical print
Materials: paper
Techniques: woodburytype
Location: france
Subjects: portrait of actor, actress
Inscriptions: inscription: ‘Journal hebdomadaire paraissant le jeudi Du 18 au 24 Mai 1876’, number: ‘No 157’
To Old Age, plate 1 of 6
Object type: print
Date: 1886 – 1886
Materials: paper, ink
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Bevrijding van Nederland en capitulatie van Duitsland, 1945
Object type: medal
Date: 1905 – 1945
Materials: silver
Techniques: striking
Location: netherlands
Artist: j.ph. van zegveld
Artist role: medailleur
Subjects: netherlands, germany
Inscriptions: inscription: ‘Holland is vrij. Holland bloeit weer. Holland groeit weer.’, inscription: ‘De capitulatie in / Nederland 5 mei 1945 / de capitulatie van / Duitschland / 7 mei 1945’, mark: ‘K.B.V.’

Zilveren penning, vz naar links gekeerde kllimmende (Nederlandse) leeuw die in poten stok met vrijheidshoed vasthoudt binnen omheining met aan voorzijde een hekje (de 'Hollandse tuin'), met randschrift; kz liggend geweer, gasmasker en helm met vlammen erboven, waaronder in 5 regels tekst.
Gezicht op het Frederiksplein met de Utrechtsepoort
Object type: drawing
Date: 1775 – 1775
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: hendrik keun
Artist role: painter, print maker
Artist dates: 1738 – 1787
Subjects: city-view in general; 'veduta', city-gate, public gardens, park
Inscriptions: inscription: ‘Frederiksplein met Utrechtsepoort. / Binnen bolwerk Ouderkerk / H. Keun del’, inscription: ‘Port. 8’, signature and date: ‘H Keun adviv del / 1775’, collector's mark: ‘8’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Egelantiersdwarsstraat, Egelantiersgracht, Elandsgracht, Engelschesteeg, Foeliedwarsstraat, Frederiksplein, Funen.
Draagteken van het Vijfde Congres van de Internationale Kamer van Koophandel te Amsterdam 1929
Object type: insignia
Date: 1929 – 1929
Materials: silver, textile
Techniques: striking
Inscriptions: inscription: ‘Vme CONGRES / AMSTERDAM / 1929’, inscription: ‘PAYS BAS’, inscription: ‘932’, circumscription: ‘CHAMBRE DE COMMERCE INTERNATIONALE’

Geëmailleerde penning met draagoog, via een oranje lint met gesp bevestigd aan een broche, op de voorzijde het Amsterdamse stadswapen in het veld met omschrift, op de keerzijde drie regels tekst met onder en boven ornamenten.
Drummer Boy Attacked by a Cossack
Object type: drawing
Date: 1817 – 1817
Materials: chalk
Techniques: brush, heightening, wash
Location: france
Artist: jean victor schnetz
Artist role: artist
Artist nationality: french
Artist dates: 1787 – 1870
Subjects: men,drums,horses,musicians

This drawing shows the stylistic influence of Gericault, whom Schnetz befriended in Italy in 1817. Both artists produced high-contrast drawings using white gouache around this time. Although this work was most likely made after the fall of Napoleon, the identification of the attacking horseman as a Cossack—a member of a Slavic military unit—suggests the subject’s association with the French invasion of Russia in 1812.
De hooioogst
Object type: drawing
Date: 1811 – 1874
Materials: paper
Techniques: brush
Artist: joseph moerenhout
Artist role: draughtsman, painter, print maker
Artist dates: 1801 – 1874
Subjects: agricultural products and by-products: hay, piling up ~ harvest
A fantastic painter, from 'A sketch from the Salon,' published in Le Charivari, May 11, 1865
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men

- Have a look, this is how I see the apotheosis of a martyr. - But I can only make out little more than the two feet of your subject. - The head is already in heaven. .. which proves that he is a saint.
Wooded Landscape with Cows in Foreground
Object type: drawing and watercolor
Materials: chalk, charcoal, paper
Techniques: drawing, heightening, stumping
Location: united kingdom
Artist: Anonymous
Sheet with an overall floral and dot pattern
Object type: print
Date: 1836 – 1836
Techniques: relief print
Artist: Anonymous
Artist role: artist
Portret van Charles Saunders
Object type: print
Date: 1759 – 1771
Materials: paper
Techniques: engraving, etching
Artist: james hulett
Artist role: print maker
Artist dates:  – 1771
Subjects: london, politician, historical persons, commander-in-chief, admiral
Inscriptions: collector's mark: Lugt 2228

Deze prent is waarschijnlijk gebruikt in een uitgave van 'The Royal Magazine, Or, Gentleman's Monthly Companion', een tijdschrift dat van 1759 tot 1771 werd uitgegeven door John Coote.