deem-data/ArtiFact huggingface dataset:
Pelerine-kraag, alleen de bovenste laag, van kantborduurwerk op machinale tule met bloemtakjes tussen golvende geverderde lijnen
Object type: pelerine
Date: 1835 – 1835
Materials: linen
Techniques: embroidered
Location: europe
Artist: Anonymous

Kraag van een pelerine van naturelkleurig kantborduurwerk op machinale tule: tuledoorstopwerk. Het betreft alleen de bovenste laag van een pelerine. Trapeziumvormig model met sterk afgeronde hoeken. Rond een leeg middenveld loopt een brede geborduurde lijst van twee doorlopende en licht golvende gevederde lijnen. In elk golfdal en onder elke golftop staat een rozetbloempje. Tussen de gevederde lijnen staan bloemtakjes met vergelijkbare rozetbloempjes tussen een strooipatroon van moesjes in groepjes van drie. Langs de schuine zijden en doorlopend langs de onderzijde loopt een schulpenrand van driehoekige schulpjes. Langs de bovenzijde is een geweven lint genaaid.
Saucer with figuren and animals near pavilion at the waterside
Object type: platter
Date: 1775 – 1799
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Kop en schotel,, mandarijnporselijn, het plat met figuren en huizen in kleuren en goud.
Christ on the Cross
Object type: ansichtkaart, prentbriefkaart
Date: 1920 – 1940
Materials: photographic support
Techniques: photography
Location: philadelphia
Subjects: the crucifixion of christ: christ's death on the cross; golgotha (matthew 27:45-58; mark 15:33-45; luke 23:44-52; john 19:25-38)
Gezicht op Jeruzalem vanaf de Olijfberg, op de voorgrond twee tenten
Object type: photograph
Date: 1857 – 1858
Materials: cardboard, paper
Techniques: albumen print
Location: jerusalem
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: city-view in general; 'veduta'
Inscriptions: inscription: ‘Foto 1857 Hykens [?] Francis Frith Sinai and Palestine, waar parallel-/ opnamen’
Slag bij Jemappes, 1792
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: battle (+ land forces)
Inscriptions: collector's mark: Lugt 2228

Slag bij Jemappes in Henegouwen met een overwinning van de Franse revolutionaire troepen onder generaal Charles-François Dumouriez op het Oostenrijkse leger, 6 november 1792.
Shepherds Dreaming of the Flight into Egypt
Object type: drawing
Date: 1701 – 1800
Materials: canvas, chalk, oil, paper, varnish
Artist: jean-baptiste deshays
Artist role: artist
Artist nationality: french
Artist dates: 1729 – 1765
Subjects: sleeping,men,women,sheep,shepherds
Plymouth from Mt. Edgcumbe
Object type: photograph
Techniques: paper negative, salted paper print
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: buildings,cannons,men,women,telescopes

Talbot was a man of great learning and broad interests, from Egyptology to mathematics, botany, and chemistry. His invention of the negative-positive photographic process, announced to the public in 1839, changed the dissemination of knowledge as had no other since movable type. This view shows a late summer outing in Plymouth on the property of Talbot's sister Caroline, who had married the Earl of Mount Edgcumbe. The subjects are recorded as two "Miss McDonalds," Talbot's wife Constance, and an unidentified man with the telescope, likely the amateur photographer the Rev. Calvert R. Jones. Across the way is the Royal Navy's new Victualling Office, designed by Sir John Rennie and completed in the 1830s. The block of buildings housed a slaughterhouse, a brewhouse, and an enormous mill and bakery capable of processing 270,000 pounds of flour per week. The self-contained food-and-drink manufacturing complex was commissioned to provide for the needs of the entire British fleet and specifically designed to serve the navy in periods of crisis.
Portretten van Anneke en Guus Kessler
Object type: album leaf
Date: 1925 – 1926
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons

Deze foto's zijn onderdeel van een album.
Hoog Soerensche Bosschen bij Apeldoorn
Object type: drawing
Date: 1640 – 1649
Materials: chalk, paper
Techniques: brush
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: forest, wood
Inscriptions: : ‘In het Soerense bos’
Decoratief ontwerp
Object type: drawing
Date: 1874 – 1945
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Stephanus De Lavne inventor excidebat anno d.1573
Object type: print
Date: 1528 – 1573
Materials: paper
Techniques: engraving
Location: france

Uit serie, bestaande uit een titelblad en 6 bladen met ornamenten in de vorm van een hanger met een decoratie van grotesken en bladranken.
Spring (Two Children Playing with Bird), from The Four Seasons
Object type: print
Date: 1601 – 1601
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan saenredam
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1607
Inscriptions: Lettered lower center: "Cum privil. Sa. Cae. M. Ao. 1601"; lower left: "HGoltzius Invent. / I. Saenredam sculpt. / I"; and below image: "Humanas recreo mentes ... tempore veris. C. Schoneus"
Ornament in the Shape of a Lotus Flower
Object type: ornament
Date: 1101 – 1200
Materials: bronze
Techniques: gilding
Culture: cambodian or thai
Subjects: lotuses
Marble relief fragment with the torso of a Hesperid holding apples
Object type: relief fragment with torso of hesperid
Date: 1 – 200
Materials: marble
Culture: roman
Subjects: human figures,apples

Copy of a Greek marble relief of about 420–410 B.C. This relief showed Herakles in the garden of the Hesperides receiving the golden apples that brought immortality. The original was one of four famous reliefs that probably decorated the parapet surrounding the Altar of the Twelve Gods in the Athenian Agora.
Portret van Hugues de Lionne
Object type: print
Date: 1650 – 1680
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: paris, historical persons, politician, e.g. party leader
Inscriptions: inscription: ‘Né 1612/ mort 1671’
L'Art et la Mode, 1898, No. 18, XVIII: Toilette en mousselin (...)
Object type: fashion print
Date: 1898 – 1898
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: flowers, lace (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), parasol, sunshade (+ women's clothes)
Inscriptions: address: ‘8, Rue Halévy, 8’, caption: ‘Toilette en mousseline de soie ou linon; garniture de bouillonnés et d'application de dentelle. / BRODERIES ET PASSEMENTERIES DE LA MAISON COIQUIL ET GAY, 23, RUE ÉTIENNE-MARCEL. JONES, parfumerie extra-fine,23, BOULEVARD DES CAPUCINES, en face le GRAND-HOTEL. Fluide Iatif, POUDRE DE RIZ &lt; La Juvénile&gt; , Extraits pour le mouchoir. A Londres, chez MARSHALL ET SNELGROVE. / VIN AROUD, viande-quina; médicament-aliment recommandé aux jeunes femmes et aux jeunes filles anémiques. CH. FAVROT &amp; CIE, 102, rue Richelieu.’, title: ‘L'ART ET LA MODE’

Staande vrouw gekleed in een 'toilette' van zijdemousseline of linnen. 'garnering de bouillonnés' (plooien) en stervormige applicaties van kant. Op het hoofd een hoed versierd met bloemen. Parasol in de hand. Onder de voorstelling enkele regels reclametekst voor verschillende producten. Prent uit het modetijdschrift L'Art et la Mode (1880-1967).
La Roche en Andenne. Panorama
Object type: photomechanical print
Date: 1913 – 1927
Materials: cardboard
Techniques: photograph, writing
Location: la roche-en-ardenne
Subjects: castle, river, prospect of city, town panorama, silhouette of city
Inscriptions: postage stamp
Tafellaken
Object type: tablecloth
Date: 1677 – 1677
Materials: linen
Techniques: damask
Location: flanders
Inscriptions: date

Wit linnen damasten tafellaken met gestrooide bloemen, waaronder keizerskroon, slak, vlinders en andere insecten.
Zutphen. Wohnhaus
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Location: leipzig
Artist: Anonymous
Subjects: decorated gable, stone tablet in façade
Inscriptions: number: ‘44.’
The death of Saint Joseph, lying on a bed, with Jesus, the Virgin Mary, and angels at his side
Object type: print
Date: 1740 – 1750
Techniques: etching
Artist: johann christian teucher
Artist role: artist
Artist nationality: german
Artist dates: 1716 – 1750
Altaar ontwerp
Object type: print
Date: 1704 – 1762
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: ornaments ~ art, rocaille ornament, altar
Inscriptions: signature: ‘Joh Georg Merz exc. Aug V.’, privilege: ‘Cum Pr. Sac. Cas. Maj.’, number: ‘2’, signature: ‘J. B. Hattinger sculpsit’

Ontwerp voor een altaar met rocaille ornamenten. Prent maakt deel uit van een album.
A Peep at Christies;–or–Tally-ho & his Nimeny-pimeney taking the Morning Lounge
Object type: print
Techniques: aquatint, etching
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: painting,satire,men,women

Gillray here contrasts the short, stout figure of the Earl of Derby with the tall, thin form of his mistress Elizabeth Farren, a leading comic actress associated with London's Drury Lane Theatre. The couple examine pictures in Christies's sale rooms at 125 Pall Mall. She admires "Zenocrates & Phryne" (an image of an ancient philosopher who loved a Greek courtesan), while he inspects a fox hunting scene titled "The Death." Nimeney-Pimeney, mentioned in the title, was a role that Farren had famously performed in General Burgoyne's play "The Heiress" in 1786. After a liason lasting eighteen years, the couple finally married in 1797--a year after this print was published--following the death of the Earl's wife.
Ansichten von Deutschland / Berlin und Potsdam
Object type: stereograph
Date: 1868 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: bridge in city across river, canal, etc., berlin
Inscriptions: number: ‘No. 158.’
Design for a Plate with Arion Riding a Dolphin in a Medallion Bordered by Sea Monsters
Object type: print ornament architecture
Date: 1600 – 1600
Techniques: engraving
Artist: adriaen collaert
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1560 – 1618
Subjects: musical instruments,male nudes,monsters,dolphins,turtles

Design for a circular plate with Arion riding a dolphin and playing the lyre in a seascape. Plate 1 from a series of four plates, each showing a mythological figure associated with the sea in a medallion at center, surrounded by a broad border with various sea monsters and creatures.
VOC, drie gulden, Gelderland, 1786
Object type: coin
Date: 1786 – 1786
Materials: silver
Techniques: striking
Location: harderwijk

Zilveren munt. Voorzijde: tussen waarde-aanduiding 3 Gl. gekroond generaliteitswapenschild, waaronder cartouche, waarin monogram van de VOC. Keerzijde: Nederlandse maagd met speer, waarop vrijheidshoed, leunend op een bijbel op een altaar. Jaartal in afsnede. Kabelrand.
Bords du Rhin
Object type: stereograph
Date: 1865 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: trier
Artist: alexandre bertrand
Artist role: fotograaf
Artist dates: 1822 – 1889
Subjects: church (exterior)
Inscriptions: number: ‘No 17’, number: ‘No 45’, number: ‘134’
Portret van Henriëtte Amalia van Anhalt-Dessau
Object type: print
Date: 1683 – 1711
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: cleves
Inscriptions: collector's mark: Lugt 963, collector's mark: Lugt 2165

Portret van Henriëtte Amalia van Anhalt-Dessau in een ovaal. In de ondermarge haar naam en titels.
Plate with the arms of the Stocker or Tatham family and floral scrolls
Object type: plate dish
Date: 1775 – 1799
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Bord van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, zwart en goud. Op het plat het wapen van de familie Stocker or Tatham bestaande uit drie blauwe driehoeken en drie gevuld met een vogel, het wapen is omgeven door bladranken met aan de bovenzijde een arm met een pijl. Op de wand een decoratieve band; de rand met bloem- en fruitranken tegen een gouden grond. Enkele chips in de rand. Wapenporselein met emailkleuren.
Beads
Object type: bead
Date: 201 – 1200
Materials: gemstone
Location: egypt
De tuin van de heer van Marlen, Busan
Object type: color slide
Date: 1952 – 1952
Techniques: slide
Location: korea
Artist: david ketel
Artist role: diplomaat, sinoloog
Artist dates: 1913 – 2008
Subjects: united nations
Covered Bowl
Object type: covered bowl
Date: 206 – 220
Materials: pottery
Culture: chinese
Two tigers
Object type: figure
Date: 1667 – 1700
Materials: porcelain
Subjects: tigers
A Slippery Path - Winter Scene (Norfolk)
Object type: photograph
Techniques: photogravure
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Subjects: collected by hugh edwards, pictures of east anglian life, seat of war in the crimea
Fotoreproductie van (vermoedelijk) een prent van een Schotse man met twee pony's
Object type: photograph
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
Ontwerp voor een boekrug voor: Louis Couperus, Majesteit, dl. 1, 1893
Object type: photomechanical print
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: fleur-de-lis ~ ornament, fancy letters, flowers ~ ornament

Ontwerp voor een boekrug met de boektitel en aan weerszijden een motief van een fleur-de-lis tussen drie wortels en een bloem.
Portret van Michelangelo
Object type: photomechanical print
Date: 1934 – 1934
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: draughtsman, sculptor, michelangelo, historical persons, portrait, self-portrait of artist

Schilderij verkocht op een veiling in Galerie Jean Charpentier, Parijs op 11 december 1934 aan Sidney Weiller. Afdruk waarschijnlijk uit de bijbehorende catalogus.
Lacer (?) (part of a set)
Object type: lacer
Date: 1848 – 1849
Materials: steel

The firm of Nicholls & Plincke was founded by members of the relatively large community of English silversmiths and craftsmen working in Saint Petersburg. After 1840 it was one of the most important retailers of luxury items before Carl Fabergé overshadowed all competitors. Several contemporary Saint Petersburg newspapers praised the high-quality products of the magasin anglais Nicholls & Plincke. According to the donor's family tradition, this rare set with more than fifty items bearing the monogram CMI was "originally made for and used by Colin Macrae Ingersoll [1819–1903], when he accompanied his father, Ralph Isaacs Ingersoll [1788–1872], to the Court of Czar Alexander II of Russia, where the latter served President [James Knox] Polk [1795–1849] as Minister Plenipotentiary from 1846 to 1848. . . . The family story has always been that [the set and case were] made for stagecoach travel in Russia." Plain silver objects—like the ewer and the cup of this set—with simple outlines and restrained forms inspired silversmiths of the modern era. Only the elaborate cartouche framing the monogram indicates that the set was made in the early Victorian period.
Soldaat op wacht die zijn musket met zijn linkerhand bij zijn rechterzijde schuin omhoog gericht vasthoudt, terwijl hij met zijn rechterhand zijn hoed afneemt (nr. 38), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat op wacht, ten voeten uit, naar rechts, die een musket (een bepaald type vuurwapen) bij zijn rechterzijde vasthoudt, zijn linkerhand om de vork van het furket (musketvork) waarop de loop, schuin omhoog gericht, rust (nr. 38), ca. 1600. In zijn linkerhand tevens een brandende lont. Met zijn rechterhand neemt de soldaat zijn hoed af. Plaat 38 in de instructies voor het hanteren van het musket: Corte onderrechtinghe op de figuerlicke afbeeldinghe, soo veel aengaet het recht ghebruyck van Musquet. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, Amsterdam, 1608. Krijgswezen rond 1600.
Initiaal 'E' met een gezicht op een kerk en de binnenplaats van een kerk
Object type: album leaf
Date: 1676 – 1676
Materials: paper
Techniques: etching
Location: paris
Subjects: initial, church (exterior)

Prent uit: Optat de Milève, Saint. Sancti Optati milevitani episcopi opera (...). Parijs: Jean Du Puis, 1676.
Portret van Louis-Augustin Bosc d'Antic
Object type: book illustration
Date: 1818 – 1832
Materials: paper
Techniques: engraving, roulette
Location: france
Subjects: scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228

Mogelijk prent uit: Journal complémentaire du Dictionnaire des sciences médicales. Parijs: Panckoucke, Charles Louis Fleury, 1818-1832.
Washington and Franklin
Object type: medal
Date: 0 – 0
Materials: metal
Culture: american
Artist: joseph h. merriam
Artist role: artist
Artist nationality: american
Subjects: benjamin franklin,george washington,profiles
Abklatsch van de tekening op blad 12 recto
Object type: sketchbook leaf
Date: 1819 – 1870
Materials: paper
Techniques: printmaking
Artist: Anonymous

Blad 11 verso uit een schetsboek met 39 bladen.
Paard in stal
Object type: print
Date: 1860 – 1885
Materials: paper
Techniques: etching
Location: the hague
Subjects: horses and kindred animals, fowl (cock, hen, chicken, etc.), stall, stable
Inscriptions: collector's mark: Lugt 2228
Portret van Jobst Heinrich Hansen
Object type: print
Date: 1758 – 1782
Materials: paper
Techniques: engraving
Location: dresden
Artist: christian friedrich boëtius
Artist role: draughtsman, print maker
Artist dates: 1706 – 1782
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Johann Adam von Sengelau
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, intaglio
Location: germany
Artist: matthias van sommer
Artist role: draughtsman, print maker
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, number: ‘32’

Volgens Hollstein werd de prent gebruikt voor de publicatie: Sommer, Matthias van. Hasce Omnium Electorum. Regensburg: s.n., 1667. Alhoewel op de titelpagina van de publicatie het jaar 1667 wordt vermeld, zijn meerdere prenten later gedateerd. Waarschijnlijk werd de publicatie pas in 1671 daadwerkelijk uitgegeven.
The Artist in His Studio
Object type: painting
Date: 1865 – 1866
Materials: oil, panel, paper
Location: london
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: people, women, portraits, men, work, fashion
Inscriptions: Artist insignia recto, right-bottom, on wall, in dark paint: [butterfly in cartouche].

By the mid-1860s, the London-based, American artist James McNeill Whistler was increasingly fascinated with the aesthetics of Asian art. In The Artist in His Studio, Whistler stares out at the viewer with palette and paintbrush in hand, surrounded by works from his collection: three Japanese scrolls hang on the wall and Chinese porcelain adorns shelves on the left. He applied thin layers of paint in muted tones to evoke the flattened appearance of Japanese woodblock prints. The composition also recalls the work of the Spanish Baroque painter Diego Velázquez, who likewise included a self-portrait at his easel in Las Meninas (1656, Museo Nacional del Prado, Madrid). Whistler harmonized Western and Eastern artistic elements, placing himself at the center of such an enterprise.
Noordelijke vleugel van de kloostergang van de Abdij te Middelburg
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: middelburg
Artist: Anonymous
Subjects: corridor, abbey, monastery, convent ~ roman catholic church, cloisters ~ monastery
Chair seat cover
Object type: cover
Date: 1734 – 1766
Materials: canvas, silk, wool
Subjects: women,lambs
Untitled (Group Portrait of Children)
Object type: photograph
Date: 1875 – 1875
Techniques: photography, tintype
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits, portraits: multiple subjects, portraits: child subject, portrait, children
Bonnie Morn
Object type: photograph
Date: 1861 – 1866
Materials: paper
Techniques: albumen print
Artist: f.w. baker
Artist role: fotograaf
Subjects: boy (child between toddler and youth), medical examination, medical treatment, historical persons not known by name

Foto op vierde ongenummerde pagina na pagina 121.
Pocket bottle
Object type: pocket bottle
Date: 1769 – 1774
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Artist: american flint glass manufactory
Artist role: maker
Artist nationality: american
Artist dates: 1764 – 1774

The diamond-daisy pattern on this amethyst-colored pocket bottle may have been introduced by Stiegel; it is not found on European examples. Many variations of this popular design exist, as seen in other pieces in the collection (see 34.65 and 14.74.17).
Silhouetportret van Adriana Johanna Haanen
Object type: drawing
Date: 1819 – 1845
Materials: ink, paint, paper
Techniques: brush, snipping
Artist: elisabeth alida haanen
Artist role: draughtsman, print maker
Artist dates: 1809 – 1845
Subjects: painter, adriana johanna haanen, historical persons - bb - woman, portrait, self-portrait of painter
Inscriptions: inscription: ‘Schilderes’, number: ‘35’, inscription: ‘D. 1341 C. 5146’, number: ‘13948’, inscription: ‘Adriana Haanen’, collector's mark: ‘Ex-libris van Beresteyn’

Met onder het portret de handtekening van de geportretteerde.
A Ship in a Stormy Sea
Object type: painting, miniature
Date: 1892 – 1892
Artist: ivan konstantinovich aivazovsky (hovhannes aivazian)
Artist role: artist
Artist nationality: armenian, born russian empire [now ukraine]
Artist dates: 1817 – 1900
Subjects: seas,storms,ships
Fabel van de wolf en het lam
Object type: print
Date: 1808 – 1881
Materials: paper
Techniques: etching
Subjects: lamb, fables, beasts of prey, predatory animals: wolf

Variatie op de prent met de fabel van de wolf en het lam van Eugène Verboeckhoven, met een andere achtergrond en het lam in een andere houding.
Bacchanaal met vijf putti
Object type: print
Date: 1687 – 1708
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: pieter van der plas (ii)
Artist role: print maker
Artist dates: 1647 – 1708
Subjects: children's bacchanal
Inscriptions: collector's mark: Lugt 2228

Landschap met vijf naakte putti die eten en drinken. Links op de achtergrond een gezicht op een stad. Rechts de opkomende zon.
Onderboezems
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: etching
Location: amsterdam