deem-data/ArtiFact huggingface dataset:
Cartes-de-visite
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: unknown
Artist: Anonymous

Cartomanie was a collecting craze. From 1855 hundreds of thousands of these portraits were annually sold worldwide. People had photographs taken of their loved ones, including their pets, and kept them in an album. Portraits of kings, writers, artists, actors, and statesmen were also collected. Photography was no longer the preserve of the wealthy; farmers and maidservants now also stood before the camera.
Brief aan Philip Zilcken
Object type: letter
Date: 1924 – 1924
Materials: ink, paper
Techniques: pen, writing
Artist: marguerite stevens
Subjects: draughtsman, philip zilcken, drawing, exhibition ~ art, brussels
Inscriptions: collector's mark: ‘RPK’
Instrumenten van vuursteen
Object type: photomechanical print
Date: 1864 – 1869
Materials: paper
Techniques: photolithography
Subjects: tools, aids, implements ~ crafts and industries
Inscriptions: inscription: ‘Procédé spécial photo-lithographique’, inscription: ‘PL. 51’, inscription: ‘1/1 nature’, monogram: ‘EL’
Fragment from the Base of a Bowl with "K" Monogram
Object type: decorative art
Date: 1201 – 1400
Materials: glaze, terracotta
Techniques: glazing
Culture: byzantine
Location: istanbul

Fragments of Byzantine pottery preserve decorative motifs that were placed on the base of each pot’s interior. They represent a range of geometric and abstract floral motifs - such as the distinctive letter "K" preserved on this fragment- that were created by cutting through the white slip, or glaze, to reveal the red earthenware beneath. This technique of engraved slipware is known as sgraffitto. Color washes in a range of greens and browns were then placed over the incised decoration. First developed in the eleventh century, this combination of sgraffitto and color washes remained a defining feature of fine Byzantine pottery for several centuries.

Later Byzantine pottery such as this circulated throughout the eastern Mediterranean. Over time, it competed with an increasing number of imported ceramics of Italian, Islamic, and even Chinese origin. The technique and decorative motif seen here continued to be used in regions of Greece, Anatolia, and the Balkans during the Ottoman Empire (15th–20th century), thereby outlasting the Byzantine Empire itself, which ended in 1453.
100-Jarig bestaan der Nederlandsche Maatschappij tot bevordering der pharmacie 1842 - 1942
Object type: history medal
Date: 1942 – 1942
Materials: copper, zinc
Location: voorschoten
Subjects: koninklijke nederlandse maatschappij ter bevordering der pharmacie
Inscriptions: inscription: ‘LABOR VINCIT OMNIA’, circumscription: ‘NEDERLANDSCHE MAATSCHAPPIJ TER BEVORDERING DER PHARMACIE’, circumscription: ‘SERVIUNT ARTE ET DILICENTIA 1842 - 1942’

Penning bestaande uit een legering van zink en koper. Voorzijde: antieke vijzel met omschrift. Keerzijde: de tak van Cinchona Ledgeriana Javanensis met omschrift. In rond wit doosje waarin beschrijving. Aangeboden door de Nederlandsche Apothekerskamer ter herinnering aan het vele goede, dat verricht is door de Nederlandsche Maatschappij tot bevordering der Pharmacie.
Medaillonportret van Willem V
Object type: locket
Date: 1782 – 1782
Materials: glass, gypsum, wood
Techniques: casting, framing
Location: the hague
Artist: johann heinrich schepp
Artist role: sculptor
Artist dates: 1736 – 1811
Subjects: william v (prince of orange), historical persons

Medaillonportret in gips, borstbeeld naar links in profiel (Willem V), in uniform met ereteken op linkerborst en met pruik, met geprofileerde rand. In binnenlijst van verguld (gips?), parelrand met aan bovenzijde strik en afhangende lauwertakken. Hierom lichte violette omraming, die weer in zwarte houten lijst met verguld binnenrandje zit; achter glas.
Volute-krater fragment
Object type: volute krater fragment
Date: 350 – 300
Materials: terracotta
Culture: greek, south italian, apulian
Tray
Object type: tray
Date: 1681 – 1684
Materials: silver
Ejiri—No. 19, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido
Object type: print
Date: 1847 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Rotterdam. Ie Katendrechtsche haven
Object type: ansichtkaart, prentbriefkaart
Date: 1911 – 1911
Materials: cardboard
Techniques: photograph
Location: the hague
Artist: Anonymous
Subjects: harbour, ships (in general), rotterdam
Inscriptions: date
Herenhorloge van zilver
Object type: wrist watch
Date: 1870 – 1870
Materials: silver
Techniques: enameling
Artist: Anonymous

Herenhorloge, met duplexgang, van zilver met gladde achterbodem en wit geëmailleerde wijzerplaat.
Portret van Anna van Hannover
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: anna van hannover
Inscriptions: date

Portret van Anna in een ovaal. Daar omheen een aantal allegorische objecten en figuren.
Vrouw met kind staande voor een boerderij op de Amstelveense Weg
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Medaillons met figuren uit het oordeel van Paris in een omlijsting van beslagwerk met guirlandes
Object type: ornament print
Date: 1500 – 1600
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Inscriptions: collector's mark: Lugt 240

In de omlijsting linksboven en rechtsboven een vaas met twee bloemen. Gearceerde achtergrond. Eén van 3 bladen.
Wedding dress
Object type: wedding dress
Date: 1825 – 1830
Materials: silk
Culture: american
Nellie Dornry, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 460
Materials: terracotta
Culture: greek, attic

Exterior, head of filleted youth to right
Gezicht op La Conciergerie en de Pont au Change in Parijs
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: bridge in city across river, canal, etc.
Inscriptions: inscription: ‘Palais de Justice Pont au Change [...]’
Portret van Karl Ludwig Friedrich von Hinckeldey
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: historical persons
Inscriptions: inscription: ‘In een duel gedood door [...]’

Prent waarschijnlijk uit: The Illustrated London News.
Kalender 1917
Object type: print
Materials: cardboard, paper, fiber
Techniques: lithograph
Location: deventer
Artist: simon moulijn
Artist role: draughtsman, print maker
Artist dates: 1866 – 1948
Subjects: calendar, almanac, river, deventer
Inscriptions: collector's mark: Lugt 2228

Kalender met vooraan het kalenderblad januari 1917 en daaronder de maanden februari tot en met december. Rondom de kalenderbladen een ornamentrand en een rivierlandschap; onderaan de tekst 'Boek & steendrukkerij "De IJsel" Deventer Tel: 189'. Bovenaan twee gaten met een touw om de kalender mee op te hangen.
Sash (Patka)
Object type: sash
Date: 1667 – 1700
Materials: cotton, silk
Techniques: embroidery, weave
Location: india

This sash was worn tied around the waist with its floral borders displayed to advantage at the front of the body, as seen in numerous Mughal-era portraits.
Landschap met vrouw en hond
Object type: drawing
Date: 1860 – 1860
Materials: paper, pencil
Techniques: brush
Artist: jacques raymond brascassat
Artist role: draughtsman, print maker
Artist dates: 1804 – 1867
Subjects: dog
Portret van Rutger Jan Schimmelpenninck
Object type: print
Date: 1805 – 1805
Materials: paper, pencil
Techniques: engraving, etching
Location: amsterdam
Subjects: rutger jan schimmelpenninck (1761-1825)
Inscriptions: poem: ‘negenregelig gedicht in het Frans ondertekend door A[...]eron de Bosch’, collector's mark: Lugt 2228

Latere staat prent ook gebruikt als boekillustratie in: Wagenaar, Jan. Vaderlandsche historie, (...) ten vervolge van Wagenaars Vaderlandsche historie. 43 dln. Amsterdam: Johannes Allart, 1805, dl. 35.
[Battlefield of Gettysburg, Pennsylvania (Scene of General Reynold's Death, The Eastern Edge of McPherson's Woods, view looking toward Seminary Ridge)]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: american civil war,landscapes
Envelop aan Philip Zilcken
Object type: envelope
Materials: ink, paper
Techniques: pen, writing
Location: utrecht
Artist: anna singels-heintz
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’

Vermoedelijk is brief RP-D-1982-43-SINGELS-24 in deze envelop verstuurd.
Ontwerp voor een titelpagina voor: Frederik van Eeden, De kleine Johannes
Object type: titelblad, titelpagina
Materials: paper, pencil
Artist: edzard koning
Artist role: draughtsman, print maker
Artist dates: 1869 – 1954
Subjects: flowers, tailless amphibians: frog, insects: dragon-fly, (van eeden, de kleine johannes) specific works of literature (with author, title)
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor: Eeden, Frederik van. De kleine Johannes. Den Haag: Mouton & Co., 1898. Niet gebruikt in de definitieve uitgave.
Twee figuren kijken naar de ruïne van een kasteel
Object type: book illustration
Date: 1711 – 1711
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228

Illustratie voor: Luyken, Jan. De Bykorf des Gemoeds. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1711, p. 6.
Munt met portret van Frederik Willem IV van Pruisen
Object type: print
Date: 1840 – 1899
Materials: paper
Techniques: relief engraving
Artist: Anonymous
Subjects: berlin, frederik willem iv (koning van pruisen), historical persons, coin, king
Orestes und Elektra
Object type: photograph
Date: 1896 – 1896
Materials: cardboard, paper, ink
Techniques: photograph
Location: europe
Artist: Anonymous
Subjects: 95a(orestes)	(story of) orestes, 92e223	electra (pleiad), piece of sculpture, reproduction of a piece of sculpture, europe
Inscriptions: number: ‘No. 26.’, inscription:, collector's mark: Lugt 3937
Portret van Carl Schlund
Object type: print
Date: 1769 – 1842
Materials: paper
Techniques: engraving
Artist: johann carl schleich
Artist role: print maker
Artist dates: 1759 – 1842
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Pointed lace
Object type: pointed lace
Date: 1601 – 1700
Techniques: lace

Punto in aria—literally, "stitches in the air"—is one of the earliest styles of needle lace, which is itself developed from cutwork of primarily geometric design. When lacemakers transitioned to using a foundation of threads laid out according to a pattern drawn on parchment, they were able to incorporate more fluid lines and curves into their designs.
Denarius (Coin) Depicting the Goddess Roma
Object type: coin
Date: 128 – 128
Materials: metal, silver
Culture: roman
Location: roman empire

The denarius, introduced in 211 BCE, was the principal silver coin of Rome for five hundred years. The profile
head of the goddess Roma—the personification of Rome—was the most popular image depicted on silver denarii in the second and first centuries BCE.
Hat
Object type: hat
Date: 1810 – 1815
Materials: cotton, silk
Culture: american

This shape of hat was worn both with riding habits of the period and as fashionable daywear. The buttons on the sides of the brim of this one probably held cords or ties to keep the hat from flying off during a gallop.
Jar
Object type: jar
Date: 801 – 1000
Materials: earthenware, glaze
Techniques: painting
Location: iran

This ceramic jar was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
VOC, duit Zeeland, 1790
Object type: coin
Date: 1790 – 1790
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: gekroond wapenschild van Zeeland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Portret van Shah Alam, zoon van Aurangzeb die na Sultanji werd geboren; hij is eerst gouverneur (subagar) van Deccan geweest; nadat hij vervolgens ten strijde was getrokken tegen Sambaji, de zoon van Sivaji, heeft hij zich nu gekeerd tegen Sultan Abu'l-Hasan en voert oorlog met hem
Object type: drawing
Date: 1686 – 1686
Materials: paint, gold leaf, gouache, paper
Techniques: brush
Location: golkonda
Artist: Anonymous
Subjects: amsterdam, mayor, nicolaes cornelisz. witsen, historical person (...) - historical person (...) portrayed alone, ruler, sovereign
Inscriptions: collector's mark: Lugt 1838, collector's mark: Lugt 240, annotation: ‘Stah Alem, 2de Zoon van Orangh Seib, Onderkoning van Dajar, of Decan ook genoemd Sultan Mazum, volgt zijn Broeder in het koninkrijk op’

Shah Alam is tot aan zijn heupen afgebeeld, naar links gewend, zijn beide handen voor zich op zijn zwaard, in zijn gordel een kattan. Blad 11 in het `Witsen-Album', met 49 Indiase miniaturen van vorsten. Boven het portret een stukje papier met de naam in het Perzisch. Onder het portret een stukje papier met de naam in het Portugees.
Amphora
Object type: amphora
Date: 750 – 600
Materials: terracotta
Culture: cypriot

Vertical handles, bands and geometric panels.
Camels with Dutch Handlers
Object type: woodblock print
Date: 1821 – 1821
Materials: ink, paper
Techniques: printing, woodblock print
Culture: japanese
Artist: unidentified artist
Artist role: artist
Subjects: men,camels

A Dutchman escorts the procession of male and female camels handled by two Arabian attendants in handsomely patterned clothes. At upper left is the Dutch word kameel, and the term is defined in Japanese to the left. At upper right is a detailed account of the physical attributes of the animals, with the heading “Camels brought over by the Dutch.”
Portret van Johanna Geertruida Jonker met theeservies
Object type: photograph
Date: 1895 – 1910
Materials: photographic support
Techniques: collodion silver print
Artist: cornelia hendrika jonker
Artist dates: 1874 – 1924
Subjects: toy tea-set, historical persons, (playing with) dolls, dog
Zeeslag
Object type: drawing
Date: 1872 – 1872
Materials: paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: battle (+ naval force)
Inscriptions: workshop stamp: Lugt 291d

Deze tekening heeft oorspronkelijk als blad 15 deel uitgemaakt van een schetsboek. Zie voor dit schetsboek het gerelateerd object.
Twee straatgezichten in Berlijn, een met de Siegessäule
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: monument, statue (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage), berlin
Inscriptions: inscription: ‘Probelichtdrucke/ nach Negativer, aufgenommen mit der Geheim-Camera "Reporter" von C.P. Goerz, Berlin-Schöneberg, Hauptstr. 7a./ Beilage zu Eder's Jahrbuch für Photographie 1890.’

Prent op vijftiende ongenummerde pagina na pagina 400.
Glass bottle
Object type: bottle
Date: 301 – 400
Materials: glass
Culture: roman

Translucent light green. Slightly uneven rim, cracked off and ground; funnel-shaped neck; broad, globular body, tapering downwards; concave bottom. Decorated with bands of faint wheel-abraded horizontal lines: one immediately below rim, four more bands on upper body. Intact; many pinprick and a few large bubbles, and blowing striations, with some black inclusions in neck; faint dulling and iridescence on exterior, large patches of soil encrustation, weathering, and brilliant iridescence on interior. Bottle with flaring mouth and long neck.
Gezicht op Leusden
Object type: print
Date: 1742 – 1784
Materials: paper
Techniques: etching
Location: haarlem
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2228
The Thinker: Portrait of Louis N. Kenton
Object type: painting
Date: 1900 – 1900
Materials: canvas, oil
Culture: american
Artist: thomas eakins
Artist role: artist
Artist nationality: american
Artist dates: 1844 – 1916
Subjects: contemplation,men,portraits

Louis N. Kenton (1865–1947) was Eakins's brother-in-law, having married Elizabeth Macdowell (1858–1953), sister of Eakins's wife Susan, in 1889. Elizabeth studied at the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibited professionally, and traveled widely. Her marriage to Kenton was stormy and apparently brief, and very little is known of it, or of Kenton. The title associated with this portrait, "The Thinker," was at one time based upon an inscription on the reverse that apparently was placed there by Susan Eakins. Beginning in 1900, the portrait was widely exhibited and much admired. An oil study for the portrait is in the Farnsworth Library and Art Museum in Rockland, Maine.
Putti met buste van vrouw tussen bomen
Object type: drawing
Date: 1705 – 1754
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: jacob de wit
Artist role: draughtsman, painter, print maker
Artist dates: 1695 – 1754
Subjects: cupids: 'amores', 'amoretti', 'putti'

Op zelfde passepartout als RP-T-1898-A-3754.
Decorated Initial with Grotesque in Profile from a Choir Book
Object type: drawing and watercolor
Date: 1401 – 1433
Materials: ink, paint, parchment
Techniques: cutting
Location: europe
Artist: Anonymous
Artist nationality: european
Standing man with beer mugs
Object type: drawing
Date: 1833 – 1898
Materials: chalk
Artist: félicien rops
Artist role: artist
Artist nationality: belgian
Artist dates: 1833 – 1898
Subjects: men
Coin Portraying Empress Lucilla
Object type: coin
Date: 164 – 169
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse:  LVCILLA AVGVSTA
Reverse: FECVNDITAS

The front of this coin portrays the empress Lucilla Augusta, facing right.

On the back, Lucilla is shown with an infant on her knees.
Figure of a Dancer
Object type: figure
Date: 206 – 220
Materials: pottery
Techniques: polychrome
Culture: chinese
Subjects: dancers
Man with Lantern in Doorway
Object type: drawing and watercolor
Materials: paper, paint, watercolor
Location: netherlands
Artist: after adriaen van ostade
Water langs een palmplantage in Indonesië
Object type: photograph
Date: 1920 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
A visit to a shrine, from the series "Twelve Scenes of Popular Customs (Fuzoku juni tsui)"
Object type: print
Date: 1786 – 1786
Techniques: woodblock print, koban
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Ontwerpen voor illustraties voor een uitgave van Jean de la Fontaine's Fabelen
Object type: design
Date: 1668 – 1740
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: (story of) juno (hera), ornamental birds: peacock, fables of lafontaine (with title) : use 85(...)
Koeien in een heuvellandschap
Object type: sketchbook leaf
Date: 1907 – 1910
Materials: chalk, paper
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: low hill country, cow
Inscriptions: date and inscription: ‘1 Oct/ zand’

Blad 22 verso en 23 recto uit een schetsboek met 41 bladen.
Venus and Eros
Object type: print
Date: 1514 – 1536
Techniques: engraving
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
Cupid and Psyche
Object type: print
Date: 1600 – 1600
Techniques: engraving
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Subjects: cupid,psyche

Between 1597 and 1606, Jan Muller made a number of large-scale engravings after Bartholomeus Spranger, the court painter to Emperor Rudolf II. Like the present work all were mythological subjects with erotic themes or overtones, and Muller used a dynamic swelling and tapering line to capture the mannered poses and exaggerated musculature of the subjects. According to the inscription at the lower right, the composition is based on a terracotta relief made by Spranger. The print illustrates an early moment from the story of Cupid and Psyche, as recounted by the second century provincial Roman writer Apuleius. Psyche was a young woman whose beauty was such that it rivaled that of Venus, the goddess of love, and so infuriated her that she sent her son Cupid to punish the girl. His intention was to make Psyche fall in love with some hideous creature, but he pricked himself with one of his own magical arrows and fell in love himself. In the scene here Cupid stands gazing adoringly at the sleeping figure of Psyche. He has dropped his bow and a small genius (a winged figure who serves the god) is helping him take off his quiver while another douses a torch to bring the room into darkness.