deem-data/ArtiFact huggingface dataset:
"Alexander is Lowered into the Sea", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi
Object type: folio from an illustrated manuscript
Date: 1597 – 1598
Materials: gold, ink, paper, watercolor
Techniques: dyeing
Location: india
Artist: amir khusrau dihlavi
Artist role: author
Artist nationality: indian
Artist dates: 1228 – 1350
Subjects: alexander the great,men,boats

The Khamsa of the Indian poet Amir Khusrau includes a section on the philosopher-king Alexander the Great, who in Khusrau’s telling of his life led expeditions to China, Russia, and the Western Isles. In this copy of the Khamsa made for the Mughal emperor Akbar (r. 1556–1605), Alexander is shown being lowered into the sea in a glass diving bell. While underwater, he will receive a visit from an angel who foretells his death.
Portret van een man met vlinderstrik
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: chicago
Subjects: historical persons
Inscriptions: inscription: ‘LA CHAPELLE & SWEENEY/ PHOTOGRAPHERS./ 77 SOUTH CLARK ST.,/ Opp. Court House,/ CHICAGO, - - ILLINOIS.’
Suikerfabriek Nieuw Tersana in Tersana, voormalig Nederlands-Indië
Object type: photograph
Date: 1890 – 1911
Materials: paper, photographic support
Techniques: gelatin silver print
Location: cirebon
Artist: onnes kurkdjian
Artist role: fotograaf
Artist dates: 1851 – 1903

Suikerfabriek Nieuw Tersana in Tersana (Cirebon), voormalig Nederlands-Indië.
Cup with a Poem on Wine
Object type: cup
Materials: silver
Techniques: chasing, gilding, hammering
Location: iran
Artist: ibn sukkara al-hashimi
Artist role: poet
Artist dates: 970 – 1020
Subjects: poetry,wine,arabic

The decoration of this cup, with a calligraphic band at its rim and a vegetal scroll at its base, is rather austere in appearance, but the inscription, a verse in Arabic, celebrates the pleasures of drinking. The cup compares closely with items in a hoard of silver found in northwest Iran that has been associated with Buyid patronage.
Futuh al-Haramayn (Description of the Holy Cities)
Object type: illustrated manuscript
Date: 1501 – 1600
Materials: gold, ink, paper, watercolor
Location: uzbekistan
Artist: muhi al-din lari
Artist role: author
Artist nationality: iranian or indian
Subjects: cities

The Futuh al-Haramayn consists of a poetic description of the two holy Muslim sites of Mecca and Medina. It was intended to explain the rituals of the pilgrimage (hajj) all Muslims must complete once during their lifetime. The text was composed by Muhi al-Din Lari, completed in India in 1505–6, and copied many times afterwards. Often lavishly illustrated, the Futuh describes important sites to be visited during or after the pilgrimage. It was popular in the sixteenth and seventeenth centuries, when it was mainly copied in the Ottoman realm from Mecca to Istanbul, and also in Central Asia and India. Illustrations of sites and buildings are commonly shown from a bird’s-eye view. Symbols and other details often labeled with inscriptions, enable the reader to identify sites where important miracles of the Prophet and other events took place. Differences in style and quality exist. In the sixteenth century most copies were made in Mecca. This example is one of the first copies thought to have been made in Bukhara.
An Execution of Seven Boores Rebels in Lintz, June 16, 1636
Object type: drawing
Date: 1636 – 1636
Materials: ink
Techniques: pen
Artist: Anonymous
Artist role: artist
Subjects: buildings,men,crowd,punishment
Portrait of Agnes Margaretha Albinus, Wife of Coenraad van Heemskerck
Object type: painting
Date: 1750 – 1750
Materials: canvas, oil
Artist: mattheus verheyden
Artist role: draughtsman, painter
Artist dates: 1700 – 1777
Subjects: historical persons - bb - woman
Inscriptions: signature and date: ‘M. Verheijden Fecit 1750’

Portret van Agnes Margaretha Albinus (1713-73), echtgenote van Coenraad van Heemskerck. Ten halven lijve, bij een mand met een bloemstuk, een anjer in de rechterhand voor de borst. Pendant van SK-A-1438.
Engadin Campfèr & Silvaplana
Object type: photograph
Date: 1860 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: switzerland
Artist: Anonymous
Subjects: prospect of village, silhouette of village, switzerland

Onderdeel van Reisalbum met foto's van Zwitserland, Oostenrijk, Italië en Duitsland.
Gezicht op een berenjacht
Object type: print
Date: 1742 – 1801
Materials: paper, watercolor
Techniques: brush, etching
Location: augsburg
Subjects: hunting dogs, hunt ~ predatory animals (fox, lion), hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), beasts of prey, predatory animals: bear, horse
Inscriptions: midden

De serie “Jachttaferelen”, met het nummer 32, bevat vier prenten met de nummers 119-122, waarvan dit nummer 122 is.
Toujours Chic Les Deshabillés, Hiver 1921-1922: Dolitta
Object type: fashion print
Date: 1921 – 1922
Materials: paper
Techniques: letterpress printing, pochoir
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: fashion plates
Inscriptions: date

Prent uit Catalogus "Toujours Chic" waarin een overzicht van de wintermode 1921-1922.
Chepstow Castle in Monmouth Shire, plate one from Twelve Views in South Wales
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: aquatint, etching
Location: england
Artist: paul sandby
Artist role: draughtsman, print maker, publisher
Artist nationality: british
Artist dates: 1731 – 1809
Anencéphalie
Object type: page
Date: 1865 – 1870
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: diseases of the head or parts of the head, medical research, branches of medicine
Inscriptions: inscription: ‘Revue photographique/ des hopitaux/ Planche V.’
Revue des Modes de Paris, Mai 1834, No. 23 : 1. et 2 Capote à demi voil (...)
Object type: fashion print
Date: 1834 – 1834
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Artist: montaut doleron. gabriel xavier
Artist role: print maker
Artist dates: 1789 – 1852
Subjects: head-gear: turban (+ women's clothes), head-gear (capote) (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), veil (+ women's clothes), bag (handbag) (+ women's clothes), styles of hairdress - aa - ~ women, head-gear: cap (+ women's clothes), fashion plates, apron (+ women's clothes)
Inscriptions: caption: ‘1. et 2 Capote à demi voile et turban. 3. Coiffure de M. Urbain Peullier fils, rue Ville-l'évêque 2. 4.5.8.9. Bonnets. Sac et Canezou des M"s de M"de Navarre, rue de Seine. Tablier et écharpe des M"s de M. Delille rue Choiseul 8.’, address: ‘Le Bureau du Journal. Place du Louvre No. 18.’, title: ‘Revue des Modes de Paris. / Journal à 6 fr. par an.’

'Capote' met een halve sluier en een tulband. 'Coiffure' van M Urbain Peullier fils. Mutsen, tasje en 'canezou' uit de winkels van M de Navarre. Sierschort en sjaal uit de winkels van M Delille. Prent uit het modetijdschrift Revue des Modes de Paris (1833-1834).
Broadside with 48 scenes telling the 'impartial' story of the civil war in Spain (Part 3)
Object type: print
Date: 1860 – 1870
Techniques: engraving
Artist: antonio bosch
Artist role: publisher
Artist nationality: spanish
Artist dates: 1860 – 1880
Subjects: soldiers,men,spanish civil war
Pan en Syrinx
Object type: print
Materials: paper
Techniques: etching
Subjects: river, syrinx changed into a reed: while fleeing from pan, the nymph syrinx is changed into reed by her sisters, the naiads (ovid, metamorphoses i 705)

Pan achtervolgt Syrinx, maar zij verandert in riethalmen als ze bij de rivier is. Pan omarmt het riet.
Terracotta pyxis (box with lid)
Object type: pyxis with lid
Date: 800 – 760
Materials: terracotta
Culture: greek, attic

This type of pyxis, a toilette box for personal objects and cosmetics, appeared in Athens around 850 BCE, based on influences from Mycenaean and Protogeometric pyxides and wooden boxes. It features a strongly curving body and a lid smaller in diameter than the box itself. The handle of the lid is surmounted by a small reproduction of the pyxis, including a sort of conical handle often found on vessels of this type. Geometric pyxides were deposited as gifts in sanctuaries and especially in tombs. Ancient repairs on many of these vessels indicate their use during an owner's lifetime. A similar but much smaller pyxis with traces of a white substance inside, perhaps a cosmetic, was discovered in a wealthy woman’s grave at Eleusis in Attica.
Outer Coffin of the Chantress of Amun-Re Henettawy
Object type: coffin, singer of amun re, henettawy f
Date: 1000 – 945
Materials: gesso, paint, varnish, wood
Location: egypt
Subjects: hieroglyphs,anubis,horus,isis,coffins,d21-coffins

The Mistress of the House, Singer of Amun-Re, Henettawy died at the young age of twenty-one. She was buried in a plundered tomb, which had originally been the resting place of Minmose, an official of Hatshepsut. The burial was a modest one, including a set of coffins and personal jewelry. Henettawy's body was not embalmed but simply wrapped in layers of linen bandages. Aside from her rather simple personal jewelry, Henettawy's main burial equipment consisted of two splendid coffins (25.3.182a, b; 25.3.183a, b) and a mummy board (25.3.184), fitting one into the other like parts of a Russian doll. Both coffins and the innermost lid are shaped like wrapped mummies with elaborate masks fastened over the heads. The outer coffin lid, intended to resemble a wrapped mummy, wears an elaborate pectoral in the shape of a small shrine within which are two winged wedjat eyes, with suspended uraeus cobras holding ankhs. Below these, Horus falcons flank a central scarab that pushes a sun disk upward, an image of the rising sun and of rebirth. The composition is similar to the Middle Kingdom pectoral of SitHathoryunet (16.1.3). At the sides of this pectoral are figures of Anubis, god of mummification, represented as a jackal wearing the crowns of Upper and Lower Egypt and holding empowering scepters. Beneath the protective wings of Nut, vertical and horizontal yellow bands, representing gold, cover the white mummy wrapping. The hieroglyphs on the center band read: "Recitation by the Osiris, housemistress and chantress of Amun-Re, king of the gods, Henettawy, justified, who says: 'O my mother Nut! Spread your wings over my face and cause me to be like the imperishable stars, like the unwearying stars, without dying a second time in necropolis!'" In the rectangular spaces between the bands, Henettawy in a rich golden garment shakes a sistrum and prays to Osiris (the two uppermost scenes), the four sons of Horus stand behind altars with offerings (middle scenes), and Anubis, god of the cemetery and mummification, holds empowering scepters in the bottom scenes. At the feet, the goddesses Isis (viewer left) and Nephthys (viewer right) mourn Hennetawy's death.
Oboe
Object type: wind instrument
Date: 1690 – 1700
Materials: wood, brass, copper, horn
Location: amsterdam
Artist: richard haka
Artist role: musical instrument maker
Artist dates: 1646 – 1705

The oboe originated in 17th-century France. Dutch instrument makers immediately started making copies of these first French exemplars. In Amsterdam, Richard Haka started producing French hautbois (a name corrupted to oboe) already in 1680. Oboes were made of hardwoods – like boxwood, ebony, fruitwoods – and ivory. The keys were made of brass or, for fancier instruments, of silver.
Vrouw aan piano
Object type: photograph
Date: 1907 – 1916
Materials: glass
Techniques: autochrome process
Artist: johannes hendrikus antonius maria lutz
Artist role: fotograaf
Artist dates:  – 1916
Subjects: pianoforte
Kris
Object type: kris
Date: 1701 – 1900
Materials: cord, ivory, steel, wood
Culture: philippine
Location: philippines
Sneeuwwitje met de prins en de zeven dwergen
Object type: album leaf
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: tales and fairy tales
Inscriptions: inscription: ‘No. 6./ De prins verzoekt aan de dwergen het glazen kistje met sneeuwitje te geven.’

Deze prent maakt deel uit van een album.
Coverlet
Object type: textile
Date: 1820 – 1825
Materials: cotton, textile, wool
Techniques: treatment, patterning, weave
Location: united states
Subjects: coverlet
Triumph of the Church over the Synagogue
Object type: panel
Date: 1566 – 1572
Materials: metal thread, silk
Subjects: children,angels
Study for "The Enrollment of the Volunteers of 1792"
Object type: drawing
Date: 1848 – 1851
Materials: chalk, paper
Location: france
Artist: thomas couture
Artist role: artist
Artist nationality: french
Artist dates: 1815 – 1879
Subjects: cannons,men,working

Following the Revolution of 1848, the new Second Republic government commissioned Couture to paint "The Enrollment of the Volunteers of 1792" for the Hall of Sessions of the National Assembly. The government sought a unifying message of patriotism by highlighting a historical moment when, amid the turbulence of the Revolution initiated in 1789, Frenchmen of many classes came together in defense of the Republic, then at war with Austria. This study for the left portion of the composition lays out the frieze-like procession of the volunteers. The workmen strain with the labor of pulling a cannon forward, while a young aristocrat following at their heels raises his arm with enthusiasm.
In land en zee-gezigten hier / Wild daar in scheppen u pleyzier
Object type: popular print
Date: 1725 – 1780
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: cow, animals, farmers, ships (in general), horse
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met 8 voorstellingen van boeren en dieren op het platteland en van schepen op zee. Elke voorstelling is gevat in een sierlijst. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: **22.
S. Luc, évangéliste (St. Luke, Evangelist), October 18th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: painting,men,saint luke

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Besneeuwd boslandschap
Object type: photograph
Date: 1895 – 1918
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: willem de jong (fotograaf)
Artist role: arts, fotograaf
Artist dates: 1864 – 1918
Subjects: forest, wood, forest path or lane
Inscriptions: inscription: ‘foto Willem de Jong’
Essempio di recammi, page 13 (verso)
Object type: book print ornament architecture
Date: 1530 – 1530
Techniques: woodcut
Artist: giovanni antonio tagliente
Artist role: author
Artist nationality: italian
Artist dates: 1465 – 1528
Subjects: ornament

Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and left to right: Design composed of 4 horizontal registers. Top register is decorated with 2 different types of 4-petaled flowers connected together by diamonds to form diagonal lines. 2nd register is decorated with Moresque motif of flowers and intertwining vines. 3rd register is decorated with various circles linked together by short horizontal bands; coiling around these circles are vines with flowers. Bottom register is divided into 2 sections: left one with man's face flanked on either side with vine and leaves, and right one is decorated with flowers.
München v. Petersturm aus
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: lithograph
Location: munich
Subjects: city-view, and landscape with man-made constructions, church (exterior), townhall
Kamerheersleutel
Object type: kamerheersleutel
Date: 1700 – 1800
Materials: copper
Techniques: gilding

Geboorde kamerheersleutel waarvan de ronde greep gevormd wordt door het monogram A.C., ingesloten door twee bladranken, die onderaan in vissekoppen overgaan en boven een koningskroon insluiten. De schacht en baard doen vermoeden dat de sleutel ook voor het openen van sloten gebruikt werd.
Arch of the Silversmiths
Object type: photograph
Date: 1857 – 1857
Techniques: albumen print, photography
Location: scotland
Artist: robert macpherson
Artist role: artist
Artist nationality: scottish
Artist dates: 1811 – 1872
Subjects: collected by hugh edwards
Stadsgezicht met figuren
Object type: sketchbook leaf
Date: 1893 – 1893
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), amsterdam

Stadsgezicht, waarschijnlijk een gezicht in Amsterdam, met figuren. Pagina 17 en pagina 18 uit een schetsboek met 22 bladen vervaardigd te Amsterdam.
Brandewijnverkoper
Object type: print
Date: 1694 – 1737
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter van den berge
Artist role: draughtsman, print maker, printer, publisher
Artist dates: 1659 – 1737
Subjects: stall, booth (~ market), wine-testing, wine-grading
Inscriptions: collector's mark: Lugt 2228

Op de markt staat een brandewijnverkoper achter zijn kraam en biedt een klant een slokje aan. Voor de kraam vechten twee honden om een bot. Met onderschrift in het Frans: Ah! ma bonne Eau de vie qu'elle a de Vertus! Eerste prent uit een serie met zes prenten van marktkooplui.
Two Courtesans on a Moonlit Balcony at a House of Pleasure in Shinagawa, from the series "Nan'eki Shufu"
Object type: print
Date: 1774 – 1774
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Back to back, from a series of 12 prints
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: woodblock print, sumizuri
Location: japan
Artist: attributed to furuyama moroshige
Artist nationality: japanese
Artist dates: 1684 – 1704
Verjaardagsgedicht van mevrouw van Delden-Ament (geboren 1869) aan haar vader J.A. Ament
Object type: document
Date: 1879 – 1879
Materials: paper
Location: dutch east indies
Subjects: justine van beusechem, van delden-ament, buitenzorg, bandung, jan abraham ament, mojokerto
Inscriptions: date

Verjaardagsgedicht met een poësieplaatje erop van Justien aan haar vader. Gedateerd en ondertekend.
Papyrus Fragments of a Letter
Object type: fragment
Date: 601 – 700
Materials: ink, papyrus
Culture: coptic
Location: egypt
Teapot (part of a traveling tea service)
Object type: teapot
Date: 1788 – 1788
Materials: hard paste porcelain
Artist: dihl et guérhard
Artist role: factory
Artist nationality: french
Artist dates: 1781 – 1824
Subjects: garlands,insignia
Het gebeente van Joost van den Vondel, Feb. 1870
Object type: page
Date: 1802 – 1870
Materials: photographic support
Techniques: albumen print
Artist: p. oosterhuis
Artist role: fotograaf
Artist dates: 1816 – 1885
Subjects: (human) skull, (human) skeleton
Silhouetportret van Michaël Henricus Witbols
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: netherlands
Artist: antoni zürcher
Artist role: print maker
Artist dates: 1754 – 1837
Subjects: rotterdam, hierarchy of jurisdiction ~ roman catholic church, historical persons, politician, e.g. party leader

Prent waarschijnlijk uit: Rogge, Cornelius. Geschiedenis der staatsregeling, voor het Bataafsche volk. Amsterdam: Johannes Allart, 1799.
Stadssilhouet, mogelijk Amsterdam
Object type: sketchbook leaf
Date: 1915 – 1920
Materials: chalk, paper
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: city-view, and landscape with man-made constructions, amsterdam

Blad 6 recto uit een schetsboek met 23 bladen.
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: noordwijk
Artist: albert verwey
Artist role: criticus, dichter, essayist
Artist dates: 1865 – 1937
Subjects: painter, draughtsman, philip zilcken, photography, cinematography, rotterdam
Inscriptions: collector's mark: ‘RPK’
Afscheid van Kupers
Object type: photograph
Date: 1949 – 1949
Materials: paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Subjects: gifts being accepted, modern professional organization, trade union, reception, cocktail party, amsterdam
Inscriptions: company name: ‘Fotodienst Het Vrije Volk / Hekelveld 15, Amsterdam’

Blad met twee foto's waarin Kupers een bord als geschenk ontvangt (boven) en gezicht op het publiek in de zaal (onder). Onderdeel van het fotoalbum ter gelegenheid van het afscheid van Evert Kupers als voorzitter van de NVV op 14 juli 1949 in Amsterdam.
Salvator Rosa among the Brigands
Object type: print
Date: 1844 – 1844
Techniques: aquatint, printmaking, etching
Artist: adolphe pierre riffaut
Artist role: etcher
Artist nationality: french
Artist dates: 1821 – 1859
Fotograaf aan het werk
Object type: ansichtkaart, prentbriefkaart
Date: 1900 – 1949
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: jan adriani
Artist role: fotograaf
Subjects: photographer at work
Inscriptions: annotation: ‘G.! / Veel geluk in 1901. / Mijn reis naar Slobbegat zal / nu wel overgaan denk ik / [etc.]’, inscription: ‘Briefkaart’, name: ‘den Heer K. Hoekstra / Iba s (?) / Slobbegat (Fr)’
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Twenty black glazed rim fragments from kylikes
Soldiers Refeshing Themselves
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: england
Artist: possibly after john hamilton mortimer
Artist nationality: english
Artist dates: 1740 – 1779
Kohl Jar
Object type: vessel
Materials: stone
Culture: egyptian
Location: egypt
Terracotta oil lamp
Object type: lamp
Date: 101 – 200
Materials: terracotta
Culture: roman, cnidian

Loeschcke Type 8. Mold-made. Plain, concave discus with small, central filling hole; a single raised line around edge; broad, convex-curving shoulder, decorated with indistinct pattern around inner edge and a large petalled rosette at back. Volutes flanking nozzle with four raised dots between. Base ring, and uneven, slightly convex base, with a central raised circle. Intact.
Two of Diamonds, from the Transparent Playing Cards series (N220) issued by Kinney Bros.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: playing cards

Playing cards issued as trade cards from the series "Transparent Playing Cards" (N233), issued in 1888 to promote Kinney Bros. Cigarettes for Kinney Tobacco Company. Some card versos state that there are 52 cards included in the deck whereas other versos confirm the number at 53. Each card verso reads, "Hold to the light/ Read your fortune."
Petticoat
Object type: petticoat
Date: 1867 – 1873
Materials: cotton
Culture: american
Grondtekening der stad Amsteldam, in derzelver eerste beginselen, omtrend Ao. 1200
Object type: map
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maps of cities

Prent mogelijk uit: Fokke, Jan. Amsteldam en zyne geschiedenissen, in’t kort. Amsterdam: Johannes Allart, 1788, dl. 1.