deem-data/ArtiFact huggingface dataset:
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Interior, part of line border of tondo; Exterior, greaved calf and foot of warrior to left; left shoulder, right buttock, and greaved legs of warrior, holding a round shield in his left hand, and a spear in his right; helmeted warrior, with head looking over left shoulder, and extended right arm holding a spear, and a round shield in his left hand; two helmeted warriors looking over their left shoulders, with greaves, holding spears in their right hands, and shields in their left hands; left greaved calf and foot of a warrior to left; two parts of an inscription, reading from left to right, starting below the right hand of the warrior on the far right, HO P[AIS [K]ALO[S]; starting below the round shield of the warrior on the far right, reading from right to left, K[A]LOS; a second fragment has the handle root and one letter of an inscription, A; a third fragment has part of the handle patch
Stereoscopic Photographs of Kraantje Lek in the Snow, the Stairs to the Beach at Wijk aan Zee, and Fun on the Ice on the Wetering in Amsterdam
Object type: stereograph
Date: 1890 – 1920
Materials: paper, cardboard
Techniques: collodion silver print
Location: kraantje lek
Artist: Anonymous
Subjects: dunes (sea not visible); in the dunes, snow
Gloria Victis (Salon de 1874)
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Inscriptions: stamp, : ‘G’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Exterior, filleted youth with himation; to the right of the youth, a lambda
Spice box
Object type: spice box
Date: 1701 – 1750
Materials: silver
Pounce shaker with cover (part of a set)
Object type: pounce shaker with cover
Date: 1848 – 1849
Materials: crystal, silver

The firm of Nicholls & Plincke was founded by members of the relatively large community of English silversmiths and craftsmen working in Saint Petersburg. After 1840 it was one of the most important retailers of luxury items before Carl Fabergé overshadowed all competitors. Several contemporary Saint Petersburg newspapers praised the high-quality products of the magasin anglais Nicholls & Plincke. According to the donor's family tradition, this rare set with more than fifty items bearing the monogram CMI was "originally made for and used by Colin Macrae Ingersoll [1819–1903], when he accompanied his father, Ralph Isaacs Ingersoll [1788–1872], to the Court of Czar Alexander II of Russia, where the latter served President [James Knox] Polk [1795–1849] as Minister Plenipotentiary from 1846 to 1848. . . . The family story has always been that [the set and case were] made for stagecoach travel in Russia." Plain silver objects—like the ewer and the cup of this set—with simple outlines and restrained forms inspired silversmiths of the modern era. Only the elaborate cartouche framing the monogram indicates that the set was made in the early Victorian period.
Sulaiman the Magnificent, Sultan of Turkey (1520–1566)
Object type: medallion
Date: 1520 – 1520
Materials: bronze
Techniques: casting
Subjects: men,profiles

After he captured Belgrade in 1521, and the kingdom of Hungary in 1526 and laid siege to Vienna in 1529, the Ottoman sultan Süleyman the Magnificent (r. 1520–66) achieved international fame and notoriety. Like Mehmet II before him, Süleyman was often portrayed on medals. Rulers throughout Europe both admired and feared the sultan, who was recognized as one of the viri illustri of his time. Several different casts of this oversized medallion survive.
Gideon Elon, de derde echtgenoot van Isabel Wachenheimer, in een Nederlandse stad naast twee vrouwen in Nederlandse klederdracht
Object type: photograph
Date: 1956 – 1970
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: gideon elon

Gideon Elon, de derde echtgenoot van Isabel Wachenheimer, in een Nederlandse stad naast twee vrouwen in Nederlandse klederdracht.
Enquêteformulier ingevuld door William Fleming
Object type: manuscript
Date: 1840 – 1840
Materials: ink, paper
Techniques: pen, printing, writing
Location: leiden
Subjects: painter, william fleming
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Wensbrief met de prins van Oranje
Object type: print
Date: 1780 – 1899
Materials: paper
Techniques: colour, lithograph
Location: netherlands
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, prince, warfare; military affairs (+ cavalry, horsemen), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2760

Wensbrief met onbeschreven cartouche binnen een decoratief kader met een voorstelling van een prins van Oranje te paard, met achter hem een leger. Genummerd linksonder: No. 4.
Sconce (one of a pair)
Object type: sconce
Date: 1720 – 1720
Materials: canvas, gesso, wood, silk, silver, wool
Techniques: gilding, stitching
Subjects: flowers
Adventures du Baron Munchhausen
Object type: book
Date: 1866 – 1866
Artist: adolf von gerlach, baron von münchhausen
Artist role: author
Artist nationality: german
Artist dates: 1688 – 1770
Portret van een man met snor
Object type: carte de visite
Date: 1867 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: numa blanc
Artist role: publisher
Artist dates: 1816 – 1897
Subjects: moustache, historical persons
Inscriptions: inscription: ‘Paris 1867/ Numa Blanc/ Langerock & Cie Succrs/ Peintres-Photographes/ de S.M. Le roi de Pruisse/ 29, Bould des Italiens, 29/ Paris’
Zuil
Object type: sketchbook leaf
Date: 1728 – 1732
Materials: paper, pencil
Artist: Anonymous
Subjects: column, pillar ~ architecture
Inscriptions: annotation: ‘T: Dekker aan de Kamer/ kope[...] 1 grond/ ...’

Tevens een bladzijde gebruikt als kasboek met aantekeningen over aankopen en prijzen. Bladzijde 82 uit een schetsboek met 96 bladzijden.
Bergen en rivier
Object type: print
Date: 1994 – 1994
Materials: paper
Techniques: aquatint, intaglio
Artist: harrie a. gerritz
Artist role: draughtsman, painter, print maker
Artist dates: 1940 – 
Subjects: river, mountains
Inscriptions: collector's mark: Lugt 2228, dedication: ‘voor Piet’, inscription: ‘PC’, watermark:

Schematische weergave van puntige bergtoppen met daartussen een meanderende rivier, tegen een gele achtergrond.
Groen zeemos met smalle bladeren
Object type: drawing
Date: 1575 – 1599
Materials: ink, paper
Techniques: pen
Location: netherlands
Artist: Anonymous
Subjects: plants; vegetation
Seated Figure (Xantil)
Object type: male figure
Date: 1201 – 1500
Materials: ceramic, pigment
Culture: eastern nahua
Location: mexico
Subjects: men
Saint Michael
Object type: statuette
Date: 1740 – 1745
Materials: silver
Artist: gaetano fumo
Artist role: artist
Artist dates: 1737 – 1759
Subjects: men,saint michael

Fumo is said to have ceased working silver in 1745 in favor of employment as an engraver at Capodimonte. In 1759, he followed Charles III to Spain, where he continued working at Buen Retiro. Here, the absence of a dragon beneath Saint Michael's feet is unusual. It has been proposed that the base itself may have belonged originally to a candlestick and that its soldered-on flat top, being made of rolled metal, must date to the late eighteenth century. This suggests that the base was adapted during that period as a pedestal for the figure, which had once stood on a dragon.
Admiral Martin Harpertszoon Tromp 1597-1653
Object type: medal
Date: 1653 – 1653
Materials: silver
Artist: jurriaen i pool
Artist role: engraver
Artist nationality: dutch
Artist dates: 1618 – 1699
Exposition Universelle d'Anvers 1894
Object type: page
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: antwerp
Artist: charles bernhoeft
Artist role: publisher
Artist dates: 1859 – 1933
Subjects: world fair, world exhibition, indigenous peoples of north america, horse, antwerp

Prent op derde ongenummerde pagina na pagina 62.
Bespanningsstof, jacquardweefsel met patroon van spitsovalen, groene inslag op paarse ketting
Object type: upholstery fabric
Date: 1920 – 1930
Materials: wool
Techniques: jacquard
Location: helmond
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951

Bespanningsstof, jacquardweefsel met patroon van spitsovalen, groene inslag op paarse ketting.
Homreh
Object type: vessel
Date: 201 – 700
Materials: ceramic
Culture: sasanian
Location: iran
Portret van een monnik met een ezel op straat
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: italy
Artist: Anonymous
Subjects: ass, donkey, monk(s), friar(s)
Studieblad met vijf vignetten
Object type: print
Date: 1773 – 1776
Materials: paper
Techniques: printmaking, etching
Location: paris
Subjects: (story of) diana (artemis), monkeys, apes, spoils of the hunt, game, venison, other birds: turtle dove
Inscriptions: collector's mark: Lugt 2228
Abklatsch van de krijttekening op pagina 73
Object type: sketchbook leaf
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 72 uit een schetsboek met 43 bladen.
Fotoreproductie van een tekening van de staalfabriek van de familie Krupp in Essen
Object type: reproduction
Date: 1882 – 1887
Materials: photographic support
Techniques: albumen print
Subjects: factory-building, iron and steel industry
Inscriptions: inscription: ‘Krupp et de Bange par Monthaye.’, name: ‘J. Sch[.]iner’
Variae architecturae formae
Object type: album leaf
Date: 1601 – 1601
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: column, pillar ~ architecture

Open hal met zuilen van de Toscaanse orde, gedecoreerd met rustica en mascarons. Rechts een stadsplein. De prent maakt deel uit van een album.
Alphabet Letters (5 Vowels)
Object type: print
Date: 1701 – 1800
Techniques: engraving
Artist: martin engelbrecht
Artist role: artist
Artist nationality: german
Artist dates: 1684 – 1756
Subjects: men
Portret van Jan Six
Object type: print
Date: 1823 – 1853
Materials: paper
Techniques: etching, roulette
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: mayor, jan six (1618-1700)
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve van Jan Six, burgemeester van Amsterdam.
Portret van Geneviève d'Urfé
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: hertogin, geneviève d'urfé
Inscriptions: collector's mark: Lugt 2228

Portret van Geneviève d'Urfé, ten halven lijve. Ze houdt haar linkerhand tegen haar buik. In de marge de naam van de geportretteerde.
The Winged Hat
Object type: print
Date: 1890 – 1890
Materials: ink, paper
Techniques: scraping, lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Montelbaanstoren aan de Oudeschans te Amsterdam
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: city-view, and landscape with man-made constructions, tower (of house or building)

Blad 33 verso uit een schetsboek met 56 bladen.
Natfruitschaal van blauw beschilderde faience, met gaatjes in een bloemvorm
Object type: dish
Date: 1739 – 1785
Materials: faience
Location: delft
Inscriptions: mark: ‘IB(ineen)’

Natfruitschaal met gaatjes in een bloemvorm, in blauw beschilderde faience. Onderschotel ontbreekt.
Het verschepen van de tabak, Tandjong Kafsan, Sumatra (Verschiffen der Taback, Tandjong Kafsan)
Object type: photograph
Date: 1885 – 1900
Materials: photographic support
Techniques: collodion silver print
Location: sumatra
Artist: carl j. kleingrothe
Artist role: fotograaf
Artist dates: 1864 – 1925
Subjects: tobacco, sumatra

Aanvoer van balen tabak in ossenwagens en verdere verscheping in prauwen vanaf Tandjong Kafsan op Sumatra. Onderdeel van het Sumatra fotoalbum van Paul en Lucie Sandel uit 1900.
Nègre affranchi de Surinam
Object type: photomechanical print
Date: 1878 – 1883
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: archer's weapons: bow and arrow, world fair, world exhibition, adult man
Inscriptions: inscription: ‘Fascicule II/ PL. 17’
Luxusdruck
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1905
Materials: cardboard
Techniques: photograph
Location: hamburg
Subjects: ferry, canals, waters (in city), bridge in city across river, canal, etc.
Inscriptions: date
Terracotta amphora (jar)
Object type: amphora, type b
Date: 560 – 550
Materials: terracotta
Culture: greek, attic
Subjects: centaurs,herakles

Obverse, Herakles battling a centaur Reverse, Warrior battling a centaur The warrior depicted on the reverse of the vase may be a lapith. The fight of the lapiths, a Thessalian clan usually represented in hoplite armor, and the centaurs was a common depiction in early Archaic Greek Art. The artistic representation of this battle even continued into Roman times and appears in Latin literature, including Ovid's Metamorphoses.
Simple Retreat
Object type: hanging scroll
Date: 1370 – 1370
Materials: ink, paper
Culture: chinese
Artist: wang meng
Artist role: artist
Artist nationality: chinese
Artist dates: 1308 – 1385
Subjects: mountains,landscapes

Wang Meng depicted scholars in their retreats, creating imaginary portraits that capture not the physical likeness of a person or place but rather an interior world of shared associations and ideals. He presented the master of Simple Retreat as a gentleman recluse. Seated at the front gate of a rustic hermitage, he is shown holding a magic fungus, as a servant and two deer approach from the woods. In the courtyard, another servant offers a sprig of herbs to a crane. The auspicious Daoist imagery of fungus, crane, and deer as well as the archaic simplicity of the figures and dwelling evokes a dreamlike vision of paradise. In creating this visionary world, Wang transformed the monumental landscape imagery of the tenth-century master Dong Yuan. Rocks and trees, animated with fluttering texture strokes, dots, color washes, and daubs of bright mineral pigment, pulse with a calligraphic energy barely contained within the traditional landscape structure. Encircled by this energized mountainscape, the retreat becomes a reservoir of calm at the vortex of a world whose dynamic configurations embody nature's creative potential but may also suggest the ever-shifting terrain of political power.
Ex-libris Caroli Bill
Object type: bookplate
Date: 1893 – 1893
Materials: paper
Techniques: printing block
Location: germany
Subjects: notation of music, standing figure, historical costume, tools, implements of architect
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Reliëf van Maria met kind
Object type: page
Date: 1877 – 1882
Materials: photographic support
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: madonna: i.e. mary with the christ-child, sculpture (+ relief ~ sculpture)
Fotoreproductie van een tekening, voorstellende dr. Lightfoot overhandigt een cricketbat aan dr. Leighton
Object type: reproduction
Date: 1855 – 1866
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: cricket (ball game), caricatures (human types), professor, student life
Schalmen emmerketting
Object type: photograph
Date: 1921 – 1921
Materials: photographic support
Techniques: gelatin silver print
Location: belawan
Artist: Anonymous
Subjects: harbour, building-site
Inscriptions: inscription: ‘No. 70 / Oceaanhaven Belawan / Schalmen emmerketting’, date: ‘17/10-21’

Onderdelen van de emmerketting van een baggerschip. Genummerd: 70. Onderdeel van de groep van losse foto's over de aanleg van de haven Belawan aan de kust voor Medan, Sumatra 1921-1922.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1900 – 1900
Materials: cardboard, ink
Techniques: writing
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: frans erens, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Head of a Man
Object type: head of a man
Date: 1802 – 1650
Materials: granite
Location: egypt

This head belonged to a mid-level official who was able to commission a respectable artwork for his burial place or as a temple offering. The smooth wig swept behind the ears is typical for the Middle Kingdom, while the elongated eyes and slight smile date the work more specifically to the Thirteenth Dynasty.
Treffen tussen Fielding en Van Bylandt, 1779
Object type: print
Date: 1779 – 1784
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: battle (+ naval force)
Inscriptions: collector's mark: Lugt 2228

Treffen tussen een Engels eskader onder bevelhebber Charles Fielding en een Nederlands eskader onder Lodewijk van Bylandt dat een konvooi begeleidde, bij Isle of Wight op 31 december 1779.
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora, tyrrhenian fragment
Date: 575 – 551
Materials: terracotta
Culture: greek, attic

In the top frieze, parts of two sirens to left; in the second frieze, part of a palmette-lotus ornament; sphinx to left; part of a goat to left; in the third frieze, head, neck, and foreleg of a ram to right; panther to left; part of the hindquarters, tail, and leg of a deer to right?; below, black glaze
No. 19: Karuizawa, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"
Object type: print
Date: 1835 – 1838
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Philosopher with an Hourglass
Object type: print
Date: 1620 – 1674
Techniques: woodcut
Artist: jan lievens
Artist role: artist
Artist nationality: dutch
Artist dates: 1607 – 1674
Subjects: men,profiles,philosophers,hourglass
Glas in vorm van een pistool
Object type: pistoolfles
Date: 1650 – 1700
Materials: glass, tin
Techniques: glassblowing

Kolf en loop geblazen uit een flauw geribde, blauwe buis. Aan de onderzijde een rozetvormige kolfknop. De opgesmolten delen -radslot, slotplaat, trekker en beugel - zijn massief. De monding van de loop is afgewerkt met een tinnen schroefdraadmontuur.
Mask
Object type: mask
Date: 1185 – 1333
Materials: lacquer, wood
Culture: japanese
Subjects: masks
Kaartspelende mannen
Object type: print
Date: 1812 – 1844
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: card games
Inscriptions: collector's mark: Lugt 2228

Twee mannen zitten aan tafel en spelen een kaartspel. Een derde man met pijp in de hand kijkt naar het tweetal.
Reverse Copy of Le Paysan Portant sa Pelle sur L'Épaule (The Peasant Carrying his Shovel over his Shoulder), from "Les Caprices" Series A, The Florence Set
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: men
Hoofd en handen van David
Object type: drawing
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: david as musician, usually playing the harp

Voorstudie voor het schilderij 'David en Saul' dat zich in het Groninger Museum bevindt.
Portret van Kilian van Würzburg
Object type: print
Date: 1713 – 1713
Materials: paper
Techniques: engraving
Subjects: archbishop, bishop, etc. (roman catholic), theologian, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Ludewig, Johann Peter von. Geschicht-Schreiber von dem Bischoffthum Wirtzburg. Frankfurt am Main: Thomas Fritsch, 1713.
Banknote motifs: panel of lathe work ornament with rounded ends, with a repeating floral pattern
Object type: print
Date: 1824 – 1842
Techniques: printmaking, engraving
Artist: cyrus durand
Artist role: artist
Artist nationality: american
Artist dates: 1787 – 1868
Subjects: flowers
Portret van Antonie van den Bosch
Object type: drawing
Date: 1802 – 1802
Materials: chalk, paper, pencil, watercolor
Techniques: brush
Artist: gabriël van rooyen
Artist role: draughtsman
Artist dates: 1752 – 1817
Subjects: nijmegen, amsterdam, print maker, draughtsman, anthonie van den bos, engraver, etcher, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Deur met gedecoreerde omlijsting
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: blois
Artist: Anonymous
Subjects: door
Inscriptions: annotation: ‘Blois’, annotation: ‘Blois.’, annotation: ‘Frankrijk 46’, collector's mark: ‘RIJKS [NORMA]ALSCHOOL voor T[EEKENONDERWIJZERS] AMSTERDAM’
Zogende moeder
Object type: print
Date: 1768 – 1796
Materials: paper
Techniques: etching
Location: leiden
Artist: pieter de mare
Artist role: print maker
Artist dates: 1758 – 1796
Subjects: nursing, suckling
Inscriptions: collector's mark: Lugt 240
Portret van Frans Meerts aan zijn ezel
Object type: print
Date: 1881 – 1881
Materials: paper
Techniques: drypoint, etching
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: ghent, brussels, painter, frans meerts, painter at work, in his studio, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228, annotation: ‘2 épreuves 1er etat’
Turquie au Stéréoscope
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: eyüp cemetery
Artist: charles gaudin
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: cemetery, park-like burying ground, eyüp cemetery
Inscriptions: number: ‘332’
Portret van een onbekende man, mogelijk S.P. Huykens, staande voor een deur
Object type: photograph
Date: 1900 – 1940
Materials: paper, cardboard
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons not known by name
Inscriptions: inscription: ‘S.P. Huykens [?]/ 10429’
Ensemble
Object type: ensemble
Date: 1885 – 1885
Materials: cotton, silk
Culture: american
Juno, Zeus and Aeolus
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: italy
Artist: after pietro da cortona
Staande Catalaanse mannen op de Ramblas
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: lithograph
Location: paris
Subjects: cigarette, walking-stick, staff, adult man
Inscriptions: collector's mark: Lugt 964
Landschap met water bij Genk
Object type: sketchbook leaf
Date: 1846 – 1851
Materials: paper, pencil
Location: genk
Artist: willem roelofs (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1897
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: annotation: ‘Genck.’, date: ‘NOV 2 __’

Blad 24 recto uit een schetsboek met 25 bladen.
Pocket
Object type: pocket
Date: 1820 – 1820
Materials: cotton
Culture: british
Boerderijen en molens
Object type: sketchbook leaf
Date: 1780 – 1800
Materials: ink, paper, pencil
Techniques: brush

Blad 7 verso uit een schetsboek met 17 bladen.
Boerderij
Object type: print
Date: 1918 – 1918
Materials: paper
Techniques: woodcut
Artist: gustave de smet
Artist role: print maker
Artist dates: 1877 – 1943
Subjects: farm or solitary house in landscape
Inscriptions: date
Godt laet groien
Object type: bookplate
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry