deem-data/ArtiFact huggingface dataset:
Nubia, from the Types of All Nations series (N24) for Allen & Ginter Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "Types of All Nations" series (N24), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Acteurs en actrices in verschillende rollen
Object type: print
Date: 1805 – 1836
Materials: paper
Techniques: etching
Artist: johannes jelgerhuis
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1836
Subjects: teunis christoffel beynink, historical persons, actor (on the stage)
Inscriptions: collector's mark: Lugt 964
Gezicht op kerken in en om Parijs
Object type: print
Date: 1631 – 1661
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: landscape with tower or castle
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van negen prenten.
Amber ring
Object type: ring
Date: 67 – 166
Materials: amber
Culture: roman
Subjects: heads

Decorated with head in high relief.
Sheet 4: Men carrying trophies at left, trumpeters at right, from "The Triumph of Julius Caesar"
Object type: print
Date: 1599 – 1599
Materials: ink
Techniques: woodcut
Artist: andrea andreani
Artist role: artist
Artist nationality: italian
Artist dates: 1558 – 1629
Subjects: men,trumpets,horses,trophies

This print is from a scrapbook (album) containing woodcuts and chiaroscuro prints. It was presumably taken apart when it was acquired by The Met in 1922. On the front page of the volume there appeared a statement that this collection was made by the poet Samuel Rogers (1763-1855) and then bought by Angela Coutts (1816-1906) in memory of him at the sale of the collection at his house (28 April – 20 May, 1856). #1615a Rogers Sale. #146 Burdett Coutts Sale (Sotheby’s, May 1922). The prints from the original album have the range 22.73.3-1–22.73.3-161.
Nouveau Livre d'Ornemens
Object type: print
Date: 1690 – 1700
Materials: paper
Techniques: engraving
Location: amsterdam

Bovenaan ontspruit een dubbele bladrank uit een rozet. Blad uit serie met kopieën naar Stefano della Bella, Gilles Légaré, Thomas Lejuge en anderen.
Studie van een vrouw
Object type: drawing
Date: 1812 – 1861
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Fantastic Rocky Landscape with a Farmhouse and Three Foot Bridges
Object type: drawing
Date: 1570 – 1583
Materials: chalk, ink
Techniques: pen, wash
Artist: anonymous, netherlandish, 16th century
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1500 – 1600
Subjects: houses,bridges,landscapes,trees
Portret van keizer Ferdinand I
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving
Location: prague
Artist: johann caspar dooms
Artist role: print maker
Artist dates: 1597 – 1685
Subjects: vienna, ferdinand i van habsburg (duits keizer), double-headed eagle, historical persons, ruler, sovereign, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order), globe
Inscriptions: collector's mark: Lugt 2228

Tweekoppige adelaar op een globe onder het portret. Met onderschrift in het Latijn.
Portret van Jacques Bénigne Bossuet
Object type: print
Date: 1674 – 1674
Materials: paper
Techniques: engraving
Location: paris
Subjects: paris
Inscriptions: collector's mark: Lugt 240

Portret van de Franse bisschop Jacques Bénigne Bossuet (1627-1704), afgebeeld ten halven lijve, naast een stenen pilaar. Onder het portret drie regels tekst in Latijn en in het midden het wapen van de bisschop.
Putto
Object type: sculpture
Date: 1740 – 1760
Materials: wood
Techniques: carved
Culture: german
Location: germany
Subjects: putti, children, child, bird, head, woman
Box
Object type: box
Date: 1780 – 1780
Materials: gilt, niello, silver
Subjects: buildings
Feast of Ceres
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: lodovico lipparini
Artist nationality: italian
Artist dates: 1800 – 1856
Wijnfles uit het wrak van de Oostindiëvaarder 't Vliegend Hart
Object type: wine bottle
Materials: cork, glass
Techniques: green glass
Location: netherlands
Artist: Anonymous

Uivormige wijnfles van glas. Twee grote fragmenten ontbreken en er zit een gat in. Kurk nog in de hals.
Portret van Teresa van Avila
Object type: design
Date: 1611 – 1613
Materials: ink, paper
Techniques: brush, pen
Artist: pieter de jode (i)
Artist role: draughtsman, print maker
Artist dates: 1570 – 1634
Subjects: the foundress of the reformed (discalced) carmelites, t(h)eres(i)a of avila; possible attributes: angel, arrow, dove, heart (flaming or pierced by an arrow), historical persons
Christus in de hof van Getsemane
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: agony of christ: to comfort him one or more angels appear to christ with chalice and/or cross
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Christus biddend in doodsangst in de hof van Getsemane. Een engel presenteert hem het kruis en een kelk. Petrus, Jakobus en Johannes liggen op de voorgrond te slapen. Rechts verschijnt Judas met een groep soldaten. Onderaan in de marge een vers in het Latijn. Prent maakt deel uit van een serie over de zeven bloedingen van Christus. Tijdens het gebed in Getsemane viel zijn zweet als bloeddruppels op de grond.
Terracotta fragment of a lid?
Object type: lid fragment
Date: 500 – 500
Materials: terracotta
Culture: greek, attic
MVSIQVE:
Object type: ornament print
Date: 1528 – 1583
Materials: paper
Techniques: engraving
Location: france
Inscriptions: collector's mark: Lugt 240

De Muziek, spelend op een snaarinstrument, onder een boog van bladeren. Uit serie van 6 bladen.
Intrede van de Franse ambassadeur De Bonac te Delft, 1753
Object type: print
Date: 1780 – 1795
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: reception ~ ambassador, delft
Inscriptions: collector's mark: Lugt 2228

Ontvangst van de Franse ambassadeur de Marquis de Bonac te Delft op 20 april 1753. De ambassadeur wordt bij zijn rijtuig verwelkomd door een gezant van de burgemeester van de stad. Gemerkt rechtsboven: XII.D.Pl.II.
Aarde en vuur
Object type: print
Date: 1558 – 1558
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: earth (one of the four elements), fire (one of the four elements)
Inscriptions: number, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Twee arcades met beelden. Links de personificatie van aarde en rechts de personificatie van vuur. Aarde is een naakte man met bloemen in het haar. Een leeuw en een boomstronk bevinden zich naast zijn voeten. Vuur is een naakte jongeling. Zijn rechtervingers en linkerarm ontbreken. Naast hem staat een vuurpot.
Plaque
Object type: plaque
Date: 1776 – 1830
Materials: glass, paste
Location: england
Artist: james tassie
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1735 – 1799
Subjects: benjamin franklin,profiles
Gezicht op de Heybridge Basin
Object type: print
Date: 1923 – 1923
Materials: paper
Techniques: drypoint
Location: maldon
Subjects: harbouring, (farm) wagon, freight wagon, cart, coast (+ landscape with figures, staffage)
Inscriptions: annotation: ‘Martin Hardie’, collector's mark: Lugt 2228, collector's mark: Lugt 2760
Sword Belt
Object type: sword belt
Date: 1767 – 1800
Materials: silk, thread
Culture: french
Location: france
Trade Card for Jones, Engraver and Printer
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Strooilepel van zilver
Object type: spoon
Date: 1400 – 1950
Materials: silver
Artist: Anonymous

Zilveren strooilepel met eenkorte omgebogen steel die bekroond wordt door een vogel. De brede bak heeft een geschulpte rand en een asymmetrisch opengewerkt décor Merk: een vogel en een herkeur.
Pair of Brackets
Object type: furniture
Date: 1740 – 1750
Materials: wood
Techniques: carving, gilding
Location: england
Subjects: furniture
't Slot te Woerden
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: castle
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 195

Prent gebruikt in: Blaeu, Johannes Willemszoon. Toonneel der steden van de Vereenighde Nederlanden. 2 delen. Amsterdam: Johannes Willemszoon Blaeu, 1652, dl. 1.
Vrouwen met lantaarns op straat
Object type: print
Materials: paper
Techniques: etching, intaglio
Artist: rik wouters
Artist role: draughtsman, print maker
Artist dates: 1882 – 1916
Subjects: village street, lantern
Inscriptions: collector's mark: Lugt 2228

Op een voorbereidende tekening voor deze prent staat een opmerking dat het hier om het branden van een varken gaat: "On brule le cochon dans la rue".
Hinge
Object type: hinge
Date: 1700 – 1730
Materials: iron
Culture: american
Location: united states
Vestibule Doors, Bryan Lathrop House, Chicago, Illinois, Shop Drawing
Object type: architectural drawing
Date: 1892 – 1892
Materials: graphite, linen
Location: chicago
Artist: mckim, mead and white
Pair of Stirrups
Object type: pair of stirrup
Date: 1501 – 1800
Materials: gold, iron, silver
Culture: tibetan
Location: tibet

Although close in form to the well-known style of Mongolian, Chinese, and Tibetan stirrups still in use in the region today, this pair, with its slender proportions and accomplished decoration, is earlier and finer than most examples of this type. The dragon heads are chiseled in high relief with deep undercutting and some piercing. The treads, where the rider's feet would rest, are decorated with the interlocked design known as the King's Earrings, damascened in silver.
Ex libris van Gino Sabattini
Object type: bookplate
Date: 1940 – 1950
Materials: paper
Techniques: planographic printing, printing block
Location: italy
Subjects: gino sabattini, molluscs: octopus, monsters of the sea, cartilaginous fishes: shark, man (showing himself) undressed, quasi-nude
Contrabands Aboard U.S. Ship Vermont, Port Royal, South Carolina
Object type: photograph
Date: 1861 – 1861
Techniques: albumen silver print, glass negative
Artist: henry p. moore
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1911
Subjects: american civil war,men,slavery,slaves

In late fall 1861 or spring 1862 Henry P. Moore, a New Hampshire photographer, traveled from his home in Concord to make portraits of the Third New Hampshire Regiment in camp in Union-occupied South Carolina. While in residence, he made some of the earliest and most important Civil War photographs of slave life in the Deep South. Moore focused his camera on the changed lives of African Americans in the aftermath of the Union victory (navy and army) at the Battle of Port Royal, South Carolina, in November 1861. With the departure of their plantation owners, coastal plantation workers were no longer slaves but, before the Emancipation Proclamation, not yet free. They were considered "contrabands," a term coined by Union General Benjamin Butler to describe their status as conscripted former slaves who had escaped the Confederacy. The U.S.S. Vermont served in the South Atlantic Blockading Squadron as a store and receiving ship, a hospital, and here as the backdrop for one of the war’s most revealing group portraits.
Bowl with Floral Design
Materials: stoneware
Techniques: celadon glazed, molding, underglaze
Location: korea
Dode mol
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: etching
Location: antwerp
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: other mammals: mole
Inscriptions: collector's mark: Lugt 240
A country girl
Object type: page
Date: 1882 – 1892
Materials: paper
Techniques: autotype
Location: japan
Artist: Anonymous
Subjects: adult woman, studio requisites ~ photographer, folk costume, regional costume
Portrait Medallion of Johan de Witt (1625-1672)
Object type: relief sculpture
Date: 1735 – 1750
Materials: ivory
Techniques: cutting
Location: netherlands
Artist: Anonymous
Subjects: the hague, politician, johan de witt
Inscriptions: inscription, on the reverse, in ink: ‘Jan de Witt / Vente J. Moyet Amsterdam 1859 / <BR />J. Meulman Amsterdam 1869’

Portrait medallions of the De Witt brothers. Ivory, Northern Netherlands, 17th century.
Bak van aardewerk, versierd met gestileerde bloemmotieven
Object type: container
Date: 1925 – 1925
Materials: earthenware
Location: arnhem
Artist: theo colenbrander
Artist role: draughtsman
Artist dates: 1841 – 1930
Vierkant rond een gelijkbenige driehoek met onderaan een landschap
Object type: print
Date: 1669 – 1669
Materials: paper
Techniques: etching, letterpress printing
Location: france
Subjects: landscapes, planimetry, geometry

Prent uit: Pratique de la géometrie, sur le papier et sur le terrain. Avec un nouvel ordre et une méthode particulière. Parijs: Thomas Jolly, 1669.
Kop van een oosterling naar Rembrandt
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: etching, intaglio, retroussage
Artist: charles tichon
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1924
Subjects: moustache, adult man, head-gear: turban
Inscriptions: inscription: ‘Rembrandt; 1e etat; 1895; 2 epreuves T’, collector's mark: Lugt 2228
Studioportret van twee onbekende mannen aan een tafel
Object type: cabinet photograph
Date: 1870 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: goslar
Artist: gustav schlüter
Artist role: fotograaf
Subjects: studio ~ photographer, adult man, table
Briefkaart aan Willem Bogtman
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: bloemendaal
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: haarlem, willem bogtman, applied arts, arts and crafts; industrial design, exhibition ~ art, paris
Heropening Tweede Kamer na Duitse bezetting
Object type: documentary photograph
Date: 1945 – 1945
Materials: photographic support
Techniques: photography
Location: the hague
Artist: theo van haren noman
Artist role: cineast, fotograaf, regisseur
Artist dates: 1917 – 
Subjects: the hague
Inscriptions: number: ‘8286’

Voor het eerst sinds de Duitse bezetting werd op dinsdag 25 september 1945 de Tweede Kamer der Staten Generaal weer geopend. Een vogelvluchtbeeld van een gevulde Tweede Kamer (en ook een drukke publiekstribune) tijdens de openingsrede van Tweede Kamer voorzitter Josef van Schaik.
The Third Month (Sangatsu), from the series "Popular Versions of Immortal Poets in Four Seasons (Fuzoku shiki kasen)"
Object type: print
Date: 1768 – 1768
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
By the sea
Object type: book
Date: 1890 – 1890
Materials: cardboard, linen, paper
Techniques: photoaquatint
Location: portland
Artist: c.r. white
Artist role: auteur
Armchair (fauteuil en cabriolet) (one of a pair) (part of a set)
Object type: armchair
Date: 1785 – 1785
Materials: wood, silk
Techniques: carving, gilding, lampas
Artist: jean-baptiste-bernard demay
Artist role: maker
Artist dates: 1759 – 1849
Subjects: women

This pair of armchairs formerly belonged to the Marquise de Ganay just as the Neoclassical bergères à la reine by Demay also in the museum’s collection (1973.305.3). Made of carved and gilded beechwood, the armchairs have a slightly curved back. Two pinecone finials terminate the top rail while the decorative motifs of pearls and guilloches, acanthus scrolls, and columns are frequently found on Neoclassical furnishings created during the reign of Louis XVI. Seen together with the bergères (1973.305.3) and sofa (1973.305.1) also by the same joiner or menuisier, this pair of armchairs demonstrates how furnishings at the end of the eighteenth century were typically conceived as part of a stylistically unified ensemble.
Voorstelling van Arion op de dolfijn, 1577
Object type: print
Date: 1577 – 1578
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: antoni van leest
Artist role: print maker
Artist dates: 1545 – 1592
Subjects: delft, william i (prince of orange), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', arion rides on a dolphin, holding his lyre, brussels

Illustratie in: J. B. Houwaert, Declaratie van die triumphante incompst vande doorluchtighen ende hoogheboren Prine van Oraingnien, binnen die princelijcke stadt van Brussele, geschiet in t' iaer ... 1578, den 18 Septembris, Christoffel Plantijn, Antwerpen 1579. Boek in de bibliotheek met signatuur: 325 D 29.
Panel
Object type: textile panel
Materials: hemp, linen, silk
Culture: italian or spanish
Scarab Finger Ring
Object type: ring with scarab
Date: 1560 – 1479
Materials: gold, stone
Techniques: glazing
Location: egypt
Fabels van La Fontaine
Object type: print
Date: 1808 – 1881
Materials: paper
Techniques: etching
Artist: eugène verboeckhoven
Artist role: draughtsman, painter, print maker, printer
Artist dates: 1798 – 1881
Subjects: monkeys, apes, fables, beasts of prey, predatory animals: fox, beasts of prey, predatory animals: wolf

Prent maakt deel uit van een serie van acht prenten met scènes uit de fabels van Jean de La Fontaine.
Zuid-Afrika, Zuidafrikaansche Republiek (Z.A.R.), 2½ shillings, 1897
Object type: coin
Date: 1897 – 1897
Materials: silver
Techniques: striking
Location: pretoria

Zilveren munt. Voorzijde: borstbeeld van president Krüger naar links. Omschrift: Zuid Afrikaansche Republiek. Keerzijde: binnen een stel vlaggen, waarboven adelaar en waaronder banderol met wapenspreuk rond wapenschild van de Z.A.R. Bovenaan waarde-aanduiding met rechts jaartal.
Groep mensen heft het glas op het bruidspaar
Object type: stereograph
Date: 1902 – 1902
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: h.c. white & co. publishers
Artist role: fotograaf
Subjects: wedding feast, wedding meal
Inscriptions: number: ‘5518’, : ‘The 'Perfec' Stereograph (Trade Mark), Patented April 14, 1903. Other Patents Pending’
Dood van de eerstgeborenen in Egypte
Object type: print
Date: 1711 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the plague of the first-born: the destroying angel passes through the land and kills every egyptian first-born of man and animal
Inscriptions: collector's mark: Lugt 2228

God straft de Egyptenaren door al hun eerstgeborenen te doden. In elk huis is een dood kind te betreuren. Ook de zoon van de farao is gedood. Rechts boven de engel Gods die de dood over Egypte heeft gebracht. Illustratie voor het Oude Testament, Exod. 12:29-33. Onder de voorstelling een titel in het Hebreeuws, Engels, Duits, Latijn, Frans en Nederlands.
Blad met accoladepatroon
Object type: printed paper
Date: 1800 – 1900
Materials: paint, paper
Techniques: printing block
Artist: Anonymous
Subjects: fantasy ornament, ornament ~ geometric motifs
Inscriptions: collector's mark: Lugt 2760

Blad met accoladepatroon en geometrische vlakvulling.
Mrs. Piozzi
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: london
Subjects: historical persons - bb - woman, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Needlework
Object type: print
Date: 1896 – 1896
Materials: ink, paper
Techniques: printing, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: women
Jug
Object type: jug
Date: 550 – 450
Materials: terracotta
Culture: italic, daunian or south italian
Piece
Object type: piece
Date: 1886 – 1886
Materials: cotton
Techniques: printing
Culture: american
Subjects: boats
Ceramic Fragment
Object type: fragment
Date: 701 – 800
Materials: earthenware
Techniques: glazing
Location: iraq

This ceramic fragment was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this fragment attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Gezicht op Mayrhofen
Object type: stereograph
Date: 1904 – 1904
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: tirol
Subjects: city-view in general; 'veduta', mountains
Inscriptions: number: ‘1’, inscription: ‘Neue Photographische Gesellschaft A.-G. Steglitz-Berlin 1904.’
Caarte van den Overwaart
Object type: print
Materials: paper
Techniques: engraving, etching
Artist: jan van vianen
Artist role: print maker
Artist dates: 1660 – 1726
Subjects: cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 195

Zie RP-P-AO-14-13 voor een proefdruk van de bijhorende kaart.

In de collectie Atlas Ottens zijn slechts dit en nog één ander blad (RP-P-AO-14-13-5) van de sierrand te vinden. De sierrand bestond naast deze twee bladen met de titel 'Caarte van den Overwaart' uit allegorische voorstellingen en de wapens van de bestuursleden van het waterschap.
Maria, het kind der toovergodin / Marie, l'enfant de la fée
Object type: print
Date: 1833 – 1911
Materials: paper
Techniques: lithograph, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: tales and fairy tales, representations ~ goddesses, demi-goddesses, heroines, etc. (non-christian religions)
Inscriptions: octrooivermelding, gedrukt

Blad met 16 voorstellingen uit het sprookje van Maria, het kind van een tovergodin. Onder elke afbeelding een onderschrift in het Nederlands en in het Frans. Genummerd midden boven: N. 2.
Tea Jar
Object type: tea jar
Date: 1601 – 1700
Materials: clay, glaze
Techniques: overglaze
Culture: japanese
The Adventure of the Bear and the Fiddle (Plate 3: Illustrations to Samuel Butler's Hudibras)
Object type: print
Date: 1725 – 1730
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: bears,weapons,men,horses
Portret van Renata van Lotharingen
Object type: print
Date: 1579 – 1615
Materials: paper
Techniques: engraving
Location: augsburg
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Subjects: renata van lotharingen
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760