deem-data/ArtiFact huggingface dataset:
Oosters tapijt
Object type: oriental rug
Date: 1800 – 1900
Materials: wool
Location: caucasus
Artist: Anonymous

Oosters tapijt van geknoopte wol, waarvan het donkerblauwe middenveld versierd is met zes verspringende rijen botehs. Rondom vijf randen met effen tussenzomen.
Geschiedenis van Joas en koningin Atalja
Object type: print
Date: 1565 – 1569
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: death of athalia: she is seized by soldiers, brought to the palace and killed at the horse gate, joash, protected by the soldiers, is crowned and anointed king; the people acclaim him, athalia hearing the noise of the people acclaiming king joash, comes to the temple and sees the new king standing by a pillar; she tears her clothes in dismay

De hogepriester Jojada giet zalfolie over het hoofd van Joas en roept hem uit tot koning. Omstanders blazen op trompetten en bespelen de harp. Tussen de soldaten rechts kijkt koningin Atalja toe, terwijl ze haar kleren scheurt. Rechts in de achtergrond wordt koningin Atalja gedood. Onderaan in de marge een vers in het Latijn en een verwijzing naar de Bijbeltekst in 2 Kon. 11:12. Deze prent maakt deel uit van een album.
Handschoen van wit kalfsleer
Object type: glove
Date: 1900 – 1925
Materials: leather, cotton, mother of pearl
Location: netherlands
Artist: Anonymous

Paar lange handschoenen van wit kalfsleer, met knoopsluiting. Gemerkt met inkt: Crone J. R.3836.
Lofdicht op Andreas Coenraad Bonn
Object type: poem
Date: 1787 – 1828
Materials: paper
Techniques: letterpress printing
Location: unknown
Artist: ludwig gottlieb portman
Artist role: print maker
Artist dates: 1772 – 1828
Inscriptions: collector's mark: Lugt 2228

Tienregelig gedicht in het Nederlands, ter nagedachtenis aan de Amsterdamse arts Andreas Coenraad Bonn.
Maansverduistering van 1740
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving, letterpress printing
Location: amsterdam
Subjects: eclipse of the moon, moon
Inscriptions: date

Bericht over de aanstaande maansverduistering van 13 januari 1740. Twee voorstellingen van de maan met de zones van voortschreidende en afnemende verduistering. Op het blad om de plaat tekst met de titel en tabellen van verduisterde plaatsen op de maan, samengesteld door Gerbrand Nicolaas Bak te Utrecht.
Brand te Broek op Langedijk, 1793
Object type: print
Date: 1793 – 1795
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: cornelis bogerts
Artist role: print maker
Artist dates: 1745 – 1817
Subjects: on fire, ablaze
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: J. Fokke, Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd, Johannes Allart, Amsterdam 1783-1795, 25 delen, dl. 24, pl. 8.
Duit uit Brabant van Philips IV, 1650
Object type: coin
Date: 1650 – 1650
Materials: copper
Techniques: striking
Location: antwerp

Koperen munt. Voorzijde: gekroond versierd samengesteld wapenschild. Keerzijde: tussen jaartal vuurijzer op stokkenkruis Daarboven kroon, daaronder gulden vlies. Hand aan het begin van het omschrift.
De ruiterschool
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: engraving
Location: leiden
Subjects: hacking and thrusting weapons: sword, warfare; military affairs (+ cavalry, horsemen)
Inscriptions: collector's mark: Lugt 2228a

Drie geharnaste mannen te paard, naar links rijdend, elk met een geheven zwaard in de rechterhand. Deze prent is onderdeel van een serie van 22 genummerde prenten: een titelprent, 20 prenten waarop één of enkele verschillende typen (meest geharnaste) ruiters zijn weergegeven, en een prent met een ruitergevecht.
Textile Fragment
Object type: textile fragment
Date: 501 – 700
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: men,horses
Studie
Object type: sketchbook leaf
Date: 1880 – 1906
Materials: chalk, paper
Location: netherlands
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: kleurnotitie, handgeschreven

Pagina 8 uit een schetsboek met 81 bladen.
H. Veronica
Object type: print
Date: 1628 – 1689
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: veronica; possible attributes: 'sudarium' (veil with the image of christ)
Inscriptions: collector's mark: Lugt 2228

De heilige Veronica met de zweetdoek met daarop de beeltenis van Christus.
Boeren
Object type: print
Date: 1656 – 1690
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: river, boy (child between toddler and youth), farmers - aa - female farmer, farmer's wife, farm (building)
Inscriptions: collector's mark: Lugt 240

In een rivierlandschap staat een in lompen gehulde boerin naast een jongen. Rechtsachter ligt een boerderij. Linksachter, op de andere rivieroever, nog een boerderij en een kerk.
Vase with cover (vase pot-pourri triangle) (one of a pair)
Object type: vase
Date: 1761 – 1761
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: musical instruments,firearms,flags

This unusual form of vase, which appears to have been used either for pot pourri or for growing small bulbs, was produced in very small quantities. Only two other pairs of this model are known today.
Advancing across the Ansong River at the Battle of Asan (Gazan gekisen Anjo no watashi shingeki no zu)
Object type: print
Date: 1894 – 1894
Techniques: woodblock print
Location: japan
Artist: kobayashi kiyochika
Artist role: artist
Artist nationality: japanese
Artist dates: 1847 – 1915
Statuette of Harpokrates
Object type: statuette, harpokrates
Date: 100 – 100
Materials: silver
Culture: roman
Subjects: harpokrates
Fotoreproductie van een tekening van een traditionele dans in Guyana
Object type: reproduction
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: group dancing
Inscriptions: number: ‘26’
Peter Plumb's Diary
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,sleeping,couples,men,women,dogs

A plump couple sleep in armchairs by the fireplace, while a young woman and man kiss by a piano at right.
Jupiter and Ganymede
Object type: drawing
Date: 1626 – 1626
Materials: ink
Techniques: heightening, pen, wash
Artist: joseph heintz the younger
Artist role: artist
Artist nationality: german
Artist dates: 1600 – 1678
Subjects: eagles,jupiter
Discovering the Address of a Husband's Lover, from the series "A Collection of Humorous Poems (Haifu yanagidaru)"
Object type: print
Date: 1790 – 1790
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Copper Disk Ornament with Triangles
Object type: ornament
Date: 901 – 1500
Materials: copper
Culture: peruvian
Location: peru
Staircase
Object type: print
Date: 1891 – 1891
Materials: chine, ink, ivory, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Temple of Antoninus and Faustina, plate thirty-six from the Ruins of Rome
Object type: print
Materials: paper
Techniques: aquatint, hand coloring
Location: england
Artist: m. dubourg
Artist nationality: english
Artist dates: 1786 – 1838
Commissariaat van Politie
Object type: photograph
Date: 1925 – 1931
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: solo
Artist: Anonymous
Subjects: dutch east indies, the

Albumblad met één foto: het gebouw van het commissariaat van politie te Solo. Onderdeel van het fotoalbum aangeboden aan S. Koster door de Vereeniging van Hoogere Politie Ambtenaren in Nederlandsch-Indië in 1931.
The Delivery of the Keys to Peter
Object type: print
Date: 1520 – 1570
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: sheep,christ,saint peter,keys
Stadsgezicht van Luzern gelegen tegen een berglandschap
Object type: album leaf
Date: 1895 – 1910
Materials: paper, photographic process
Location: zurich
Artist: Anonymous
Subjects: city-view in general; 'veduta', lake, parts of church exterior and annexes: tower, mountains
Inscriptions: number: ‘1406.’

Deze prent maakt deel uit van een album.
De branding
Object type: drawing
Date: 1851 – 1924
Materials: charcoal, paper
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: coast, france
Inscriptions: inscription: ‘Les brisants (Embouchure de l'Escaut)’
Pierced earrings
Object type: pierced earring
Date: 1885 – 1885
Culture: american
Exterieur van een kerk en een brug over een gracht
Object type: sketchbook leaf
Date: 1822 – 1893
Materials: paper, pencil, watercolor
Techniques: brush
Artist: willem troost (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1893
Subjects: church (exterior), canals, waters (in city)

Blad 7 verso uit een schetsboek met 36 bladen.
Interieur met man die zijn degen overhandigt aan een andere man
Object type: print
Date: 1750 – 1800
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Subjects: hacking and thrusting weapons: sword, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228

Achter de tweede man staan drie soldaten.
Tureen with rocks, flowers, and birds
Object type: bowl with lid
Date: 1701 – 1800
Materials: cobalt, enamel, glaze, porcelain
Techniques: painting
Culture: japanese
Subjects: birds,flowers

A Chinese-style garden wraps around the curved surfaces of this large bowl and its round cover. With its pair of birds on rocks with peonies on one side and chrysanthemums on the other, it is a type that is known in several examples found in Europe, where it was highly prized in the late seventeenth and early eighteenth centuries. Its white body and palette of bright clear greens and blues with red and yellow were inspired by Chinese famille verte of the Kangxi era (1662–1722) and characterize the enameled ware traditionally known as Kakiemon porcelain.
Impregnable Defenses in Fort Methuen, south of Kimberley on the Broshof Road, S.A.
Object type: stereograph
Date: 1901 – 1901
Materials: cardboard, paper
Techniques: albumen print
Location: kimberley
Artist: Anonymous
Subjects: defensive measures (military)
Inscriptions: number: ‘152’, inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’, inscription, copyright notice: ‘Copyright 1901 by Underwood & Underwood.’
Baumester. Augustin, Etienne. 49 ans, né le 16/1/45 à Paris VIe. Décorateur. Anarchiste. 2/7/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Sleigh with Rumble Seat #3480
Object type: drawing
Date: 1879 – 1879
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
The Grand Piazza, from "Carceri d'invenzione" (Imaginary Prisons)
Object type: print
Date: 1749 – 1750
Techniques: burnishing, engraving, etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: arches,prisons
Briefkaart aan Jan Veth
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: chap van deventer
Artist role: kunstcriticus, scheikundige, schrijver
Artist dates: 1860 – 1931
Subjects: painter, print maker, draughtsman, designer, jan veth, literature ~ arts, anonymous historical person portrayed
Inscriptions: collector's mark: ‘RPK’
Vue des Environs de Rome
Object type: print
Date: 1765 – 1775
Materials: paper
Techniques: etching
Location: paris
Subjects: landscapes, rome
Inscriptions: collector's mark: Lugt 2228
Cap
Object type: cap
Date: 1820 – 1820
Materials: leather, silk
Culture: european
Subjects: flowers
Tuin van Getsemane, Olijfberg bij Jeruzalem, Palestina
Object type: photograph
Date: 1850 – 1900
Materials: paper, photographic support
Techniques: albumen print
Subjects: olijfberg
Inscriptions: inscription: ‘Bonfils.’, inscription: ‘303. Jardin de Géthseman’

De tuin of de Hof van Gethsemane [" betekent "Oliepers"] was de locatie waar Jezus volgens het Nieuwe Testament in de nacht voor zijn kruisiging een aantal uren doorbracht. Waar de hof precies lag is niet duidelijk, maar vaak wordt aangenomen dat dat op de Olijfberg was, buiten de muren van Jeruzalem, aan de overkant van de beek Kidron, waar de tuin tegenwoordig is gelocaliseerd.
Iuncus Floridus / Bloem-biese. Water-lisch
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: plants and herbs
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Blankaart, Steven. Den Neder-landschen herbarius ofte Kruid-boek der voornaamste kruiden. Amsterdam: Jan Claesz ten Hoorn, 1698.
Theelepel van zilver
Object type: teaspoon
Date: 1850 – 1850
Materials: silver
Location: den bosch
Artist: antonius hendrikus der kinderen
Artist role: jeweler
Inscriptions: mark

Zilveren theelepel met een kolenschopbak, en gegraveerd met initialen FA. Merken: leeuw met 2. gehelmde kop, Q (1850), meesterteken: onder elkaar DK-44.
Kandelaar van zilver met achthoekige voet en achthoekige balustervormige stam en kaarsenhouder. Met gegraveerde rocaillemotieven.
Object type: candlestick
Date: 1752 – 1752
Materials: silver
Location: rotterdam
Artist: louis de haan
Inscriptions: mark

Kandelaar van zilver. De voet is achthoekig en in de vlakke bovenzijde bevindt zich een ronde verdieping. De balustervormige stam is achthoekig evenals de kaarsenhouder. Voet, stam en kaarsenhouder zijn gegraveerd met rocaille-motieven.
Schip vol passagiers met op de achtergrond de haven
Object type: photograph
Date: 1928 – 1928
Materials: photographic support
Techniques: gelatin silver print
Location: boulogne-sur-mer
Artist: Anonymous
Subjects: historical persons, ships (in general), sea
Inscriptions: annotation: ‘Pasagiers afladen Boulogne Sur Mer’
Ten Pripih (Funerary objects) Depicting Various Animals
Object type: funerary object pripihs
Date: 1001 – 1300
Materials: gold
Culture: indonesian, javanese
Subjects: animals,birds
Heer in een vertrek
Object type: print
Date: 1727 – 1780
Materials: paper
Techniques: etching
Artist: pieter barbiers (i)
Artist role: print maker
Artist dates: 1717 – 1780
Subjects: interior of the house, letter, envelope
Inscriptions: collector's mark: Lugt 2228

Een heer zit op een stoel in een vertrek. Hij leest een brief die hij in zijn rechterhand houdt, in de linkerhand houdt hij een pen.
Priest's Robe and Stole
Object type: robe, priest's
Date: 1801 – 1900
Materials: metal thread, silk
Culture: japanese
Model of Part of a Floating Dry Dock
Object type: demonstration model
Date: 1863 – 1864
Materials: brass
Location: amsterdam

This model was exhibited at the Exposition Universelle of 1867–1868 in Paris. It represents a floating iron dry dock built in 1863–1864. The dock had been shipped in parts to Surabaya in Indonesia, whereit was assembled and towed to the island of Onrust. The dock comprised two halves. This model represents part of one half.
Vasa a se inventa atq. studii causa delin. et incisa
Object type: album leaf
Date: 1746 – 1746
Materials: paper
Techniques: etching
Artist: jacques francois joseph saly
Artist role: print maker, sculptor
Artist dates: 1717 – 1776
Subjects: merman, mask, mascaron ~ ornament, ornament ~ festoon, garland, garden vase

Deze prent maakt deel uit van een album.
Arabian Fantasy
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: france
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Christ at Emmaus
Object type: print
Materials: paper
Techniques: engraving
Location: germany
Artist: israhel van meckenem the younger
Artist nationality: german
Artist dates: 1440 – 1503
Portret van de schilder Lucas Gassel
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Subjects: print maker, draughtsman, lucas gassel, portrait, self-portrait of painter, palette
Inscriptions: collector's mark: Lugt 2165

In zijn hand houdt hij een schilderspalet. In de marge een achtregelig onderschrift in het Latijn.
Gezicht op de tuinen bij het Orangeriepaleis te Potsdam
Object type: album leaf
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: adolphe block
Artist role: publisher
Artist dates: 1829 – 1918
Subjects: trees, terrace
Inscriptions: inscription: ‘BK’
Scherzi di fantasia
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista tiepolo
Artist role: draughtsman, painter, print maker
Artist dates: 1696 – 1770
Subjects: satyr(s) (in general)
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van serie met drieëntwintig prenten, bekend als Scherzi di fantasia. Na Giovanni Battista Tiepolo's dood werden de prenten in wisselende samenstellingen tot twee keer toe uitgegeven door zijn zoon, Giovanni Domenico. De serie in de collectie van het RMA is gedrukt in de eerste staat voor deze uitgaven, herkenbaar aan het ontbreken van een nummering.
Jozef en het Christuskind
Object type: print
Date: 1739 – 1780
Materials: paper
Techniques: etching
Location: venice
Subjects: joseph and the christ-child ~ daily life in nazareth
Inscriptions: collector's mark: Lugt 2228
Portret van G. Jaeger
Object type: print
Date: 1810 – 1853
Materials: paper
Techniques: lithograph
Artist: ludwig ferdinand schnorr von carolsfeld
Artist role: print maker
Artist dates: 1788 – 1853
Subjects: historical persons not known by name
Inscriptions: collector's mark: Lugt 2228

Portret van een verder onbekende man, met de naam G. Jaeger.
Wato-Ticaba a Wapsiana Village
Object type: page
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Location: guyana
Artist: Anonymous
Subjects: village
Inscriptions: number: ‘21’
Little Venice (The Little Venice)
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: boats,venice

Born in New England, Whistler studied painting in Paris and then based himself in London. There he introduced the French practice of etching and lithographing as seriously as one painted. In his prints of the river Thames, as in those of the lagoons of Venice, Whistler developed subtle tonal variations that alluded dreamily to a triumph of water and air over substance.
David Teniers le jeune
Object type: print
Date: 1826 – 1852
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: antwerp, painter, print maker, draughtsman, david teniers (ii), historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Chabert, Jean Claude. Galerie des peintres ou collection de portraits des peintres les plus célèbres de toutes les écoles. Accompagnée d'une notice sur chacun d'eux, et de copies de dessins originaux / Galerie des peintres ou collection de portraits des peintres les plus célèbres de toutes les écoles. Accompagnée de leur notice historique, de leurs dessins et d'un discours sur les arts. Parijs: Jean Claude Chabert, s.a. [1822-1834].

De samenstelling van tegenwoordig bekende en al dan niet gebonden exemplaren van deze uitgave verschillen. Dit omdat de prenten en bijhorende stukken tekst op inschrijving en waarschijnlijk ook los verkrijgbaar waren.
Portrait of Whistler
Object type: drawing and watercolor
Date: 1877 – 1877
Materials: ink, paper
Techniques: brush
Location: italy
Artist: carlo pellegrini
Artist role: artist
Artist nationality: italian
Artist dates: 1839 – 1889
Inscriptions: Inscribed verso, at top, in ink: "Portrait of James Whistler. Done & given to me by / Pellegrini at the Arts Club. Tuesday night. 11. Dec. / J.H. McC. 1877."

Caricaturist Carlo Pellegrini, an admirer of Whistler, participated in London’s club life. He was member of the Beefsteak Club as well as the Arts Club, where one evening he drew this impromptu portrait of Whistler on a scrap of paper and gave it to Justin McCarthy, an Irish literary figure and politician. About two years later, Whistler presented Pellegrini with a freely drawn sketch after his oil painting Arrangement in Brown and Black: Portrait of Miss Rosa Corder (1876–78; Frick Collection, New York), referring to the Italian-born artist in his dedication as “mon Eleve,” or “my pupil.”