deem-data/ArtiFact huggingface dataset:
Inside Front Cover (from Sketchbook)
Object type: drawing
Date: 1860 – 1860
Materials: graphite, paper
Culture: american
Artist: john quincy adams ward
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1910

Ward, a student of Henry Kirke Brown, became known as the "Dean of American Sculpture." This page is from a sketchbook, which provides an intimate look at the artist’s working methods. Ward’s sketches include several classically influenced figures mingled with American Indians on horseback as well as a number of bison.
Durfal en Waaghals
Object type: popular print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: Anonymous
Subjects: mischief-making play, child, bad behaviour, death by drowning (non-violent), comedy
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen over de twee kwajongens Durfal en Waaghals die streken uithalen. Uiteindelijk verdrinken ze tijdens een van hun streken. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 308.
Amstels Harmonie Kapel
Object type: insignia
Date: 1825 – 1875
Materials: silver
Techniques: striking
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

eenzijdig draagteken in vorm van gekroond wapenschild op twee gekruiste blaasinstrumenten binnen lauwerkrans onder wimpel met opschrift; daaraan draagoog, waaraan kroon is bevestigd
Rijksmuseum, gezien vanaf de achterzijde van een pand in de P.C. Hooftstraat, Amsterdam
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: photograph
Location: amsterdam
Artist: gerrit hendricus heinen
Artist role: painter
Artist dates: 1851 – 1930
Subjects: permanent exhibition, museum
Inscriptions: check stamp: ‘G.H. Heinen Amsterdam/ Schilder & Fotograaf’
The Duke's tree at Ahmadnagar under which he breakfasted
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: autotype
Location: paris
Artist: Anonymous
Subjects: trees
Mandolin
Object type: mandolin
Date: 1770 – 1770
Materials: ivory, wood, mother of pearl, shell
Culture: italian
Location: italy
Artist: vincentius vinaccia
Artist role: maker
Artist nationality: italian, naples
Artist dates: 1769 – 1795

Neapolitan style mandolin with eight strings in two double courses tuned to the same pitches as a violin: E, A, D, G. The bowlback is made from twenty-one narrow strips of wood with ebony spacers. The peghead and back of the neck are inlaid with tortoiseshell and accented with ebony and ivory inlay. There are ten metal frets. The sound-board pierced with a circular hole, surrounded by a band of red wax, inlaid with ivory and ebony lines. Flat head, with 8 pegs inserted from behind.
Band
Object type: band
Date: 1101 – 1200
Materials: linen, silk
Location: egypt
Achter het Vleeshuis, Maastricht
Object type: print
Date: 1830 – 1899
Materials: paper
Techniques: etching
Artist: alexander schaepkens
Artist role: draughtsman, print maker
Artist dates: 1815 – 1899
Subjects: city-view, and landscape with man-made constructions, maastricht
Inscriptions: collector's mark: Lugt 2228

De poort gaf toegang tot het Vleeshuis, waar in vroeger tijden de slagers hun waar verkochten. Het perceel liep door tot in de Grote Staat, waar de hoofingang was.
Axe
Object type: axe
Date: 1902 – 1902
Materials: jade
Culture: canadian
Studieblad met vrouwen, mogelijk op het toneel
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ standing), the stage and its equipment

Blad 3 recto uit schetsboek XXVIII met 17 bladen.
Overzicht gedeelte bouwput en 9e caisson
Object type: photograph
Date: 1921 – 1921
Materials: photographic support
Techniques: gelatin silver print
Location: belawan
Artist: Anonymous
Subjects: harbour, railway, tramway; rack railway, building-site
Inscriptions: date: ‘2/4-21’, inscription: ‘No. 14. Overzicht gedeelte bouwput en 9e caisson’

Bouwterrein met opzichter en arbeiders, rechts een spoor. Genummerd: 14. Onderdeel van de groep van losse foto's over de aanleg van de haven Belawan aan de kust voor Medan, Sumatra 1921-1922.
Standing cup with cover
Object type: standing cup with cover
Date: 1690 – 1700
Materials: hard paste porcelain
The Courtesan Shiratama of the Tamaya Brothel, from the series “A Pat-tern Book of the Year’s First Designs, Fresh as Spring Herbs” (“Hinagata wakana hatsu moyō”)
Object type: print
Date: 1777 – 1778
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: isoda koryūsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Subjects: boys,girls,women
Vrouwen vissen met schepnetten
Object type: boekillustratie ontwerp
Date: 1900 – 1970
Materials: chalk, ink, paper
Techniques: pen
Artist: Anonymous
Subjects: fishing net, historical costume, fisherman
Inscriptions: collector's mark: Lugt 2228a, annotation: ‘tegen over blz. 546’

Twee vrouwen staan in laag water. Eén steunt op de stok van een schepnet, de ander houdt het gevulde schepnet boven het water. In de achtergrond kijkt een man toe. De man is gekleed in een tuniek met pofmouwen.
Portret van een onbekende edelman
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: etching
Subjects: historical persons, neck-gear: collar
Inscriptions: collector's mark: Lugt 240
Jar
Object type: jar
Date: 1701 – 1733
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Fragment bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A dish without a flattened rim. An eight-sided thickly drawn medallion. A central decoration of a grasshopper on a rock under a flower. The medallions decoratedalternately with thrice a flower or fruit and twice a symbol.
Mahakala
Object type: stele
Date: 1001 – 1200
Materials: stone
Culture: indian

Mahakala is a wrathful manifestation of Shiva Bhairava, taken up in an Esoteric Buddhist context as a fierce manifestation of the bodhisattva Avalokiteshvara as guardian of the dharma (Buddhist law) and the sangha (community of monks and nuns). He is shown here enthroned on a lotus cushion—another supports his pendant foot—wielding a sword and trident and displaying a skull cup (kapala); his missing fourth hand likely held the flaying knife. He wears a skull diadem with radiating flames. A skull garland is slung around his waist, and snakes form his sacred cord and armbands. A kneeling couple, presumably the donors who commissioned the icon, make an offering below. A Sanskrit inscription in proto-Bengali script identifies them: it states, in part, “this is the pious gift of Dahapati.”
Gezicht op de omgeving van Stalheim, Noorwegen
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: stalheim
Artist: knud knudsen
Artist role: fotograaf
Artist dates: 1832 – 1915
Subjects: river, mountains
Inscriptions: number: ‘583’
Dragon Amid Clouds and Waves
Object type: hanging scroll
Date: 1401 – 1600
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: dragons
Faience aryballos (oil flask) in the form of a head wearing an animal skin
Object type: aryballos in the form of a head wearing an animal skin
Date: 600 – 501
Materials: faience
Culture: east greek
Subjects: heads

This unusual vase shows a human head of which all but the area of the eyes, nose, and mouth is enclosed in the head of an animal. The softness of the pelt is indicated by the way in which it tightly fits the human head. The small ears and spots are further animal attributes. It is difficult to identify the figure. It may possibly be a very Egyptianized interpretation of Herakles wearing the lion skin.
Fragment gefacetteerde steel van een fluitglas uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: drinking glass
Date: 1700 – 1743
Materials: glass
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Glass, stem glass, steel, faceted; fragment, hexagonal faceted, tapering downward, hollow core, bevelled upper end with base of bowl, conically everted.
Relief with offerings and bowing officials
Object type: talatat, offering and bowing official
Date: 1353 – 1336
Materials: limestone, paint
Plate 10 from Pietro Paulo Bissari, Antiopa
Object type: print, fete, ornament architecture
Date: 1662 – 1662
Techniques: etching
Artist: mathäus küsel
Artist role: artist
Artist nationality: german
Artist dates: 1621 – 1682
Subjects: horses

Celebrates the birth of the Bavarian Crown prince, Max Emanuel, in Munich, 1662.
"The Battle of Pashan Begins", Folio 243v from the Shahnama (Book of Kings) of Shah Tahmasp
Object type: folio from an illustrated manuscript
Date: 1530 – 1535
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: battles,men,horses

When Kai Khusrau's letter arrives, Tus and his clan depart, leaving Fariburz in command of the Iranian army. After a one-month truce, another battle ensues, with Giv on the right and Fariburz in the center. In due course the Turanians break through the center, and Fariburz is forced to retreat. Although the tide is turning against the Iranians, Giv and his men stay the course, determined to fight beneath the banner of Kava, the symbolic apron of the blacksmith who rebelled against the evil tyrant Zahhak.
Strook machinale tule met smalle strook kloskant met moesjes en een rand van ovaaltjes en rozetbloempjes
Object type: strip
Date: 1775 – 1795
Materials: linen
Techniques: lace
Location: southern netherlands
Artist: Anonymous

Strook naturelkleurige kant, bestaande uit een brede strook machinale tule, met daaronder een smalle strook kloskant: Mechelse kant. Het patroon van de gekloste strook bestaat uit een rij moesjes met langs de rechte onderzijde een aaneengeschakeling van zeer kleine ovaaltjes afgewisseld door een rozetbloempje en een schuin omhoog stekend blaadje. De spaarzame motieven zijn gemaakt in linnenlag en zijn voorzien van dikkere en glimmende contourdraden. De motieven zijn met elkaar verbonden door een fijne traliegrond, de Mechelse grond. De lange zijden zijn recht afgewerkt, met langs de onderzijde van de gekloste strook picots. Eén korte zijde is afgewerkt met een zoompje.
Portret van Lodewijk XVI van Frankrijk
Object type: print
Date: 1793 – 1795
Materials: paper
Techniques: aquatint
Location: france
Artist: Anonymous
Subjects: paris, lodewijk xvi (koning van frankrijk), historical persons, king

Boven en onder het portret twee regels in het Frans: Il sut aimer souffrir et Pardonner/ ò Louis ò mon roi!.
Twee filosofen
Object type: print
Date: 1500 – 1536
Materials: paper
Techniques: engraving
Location: italy
Subjects: group of scholars or philosophers
Inscriptions: collector's mark: ‘P mariette’, collector's mark: Lugt 12

Twee filosofen staan in onenigheid naast elkaar, beiden een boek in hun handen houdend. Achter hen een nis met bovenaan een oculus.
Two Deformed Heads with Very Long Upper Lips
Object type: print
Date: 1645 – 1645
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Beroemde mannen aan de universiteit van Leiden
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: etching
Location: leiden
Subjects: historical persons
Inscriptions: number: ‘141’
Food offering, conical loaf of bread
Object type: food offering, conical loaf of bread
Date: 1981 – 1975
Location: egypt
Ornamentele bloemenkrans
Object type: album leaf
Date: 1579 – 1579
Materials: paper
Techniques: woodcut
Location: antwerp
Subjects: garland, wreath
Inscriptions: inscription: ‘Historia Samsonia sive folijn’

Ornamentele bloemenkrans met in het midden een handgeschreven titel. Prent maakt deel uit van een album.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of shaft of stick or spear
Sadie Lane, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 450 – 440
Materials: terracotta
Culture: greek, attic

Obverse, lower drapery and left foot of a woman running to left; tendrils and one palmette frond; Reverse, part of the right calf and foot of a male to right; below the figures, a double ground line; the outer edge of the foot is glazed; the resting surface is unglazed; the inner wall of the foot is glazed; the underside of the foot is unglazed; in the center, there is a black glaze circle with a dot in the middle
Riding crop
Object type: riding crop
Date: 1885 – 1885
Materials: hair, leather, linen, metal, silk
Culture: american
Country Inn
Object type: painting
Date: 1690 – 1690
Materials: oil, panel
Artist: cornelis dusart
Artist role: draughtsman, painter, print maker
Artist dates: 1660 – 1704
Subjects: farmers, pavement, terrace in front of inn or restaurant, alcoholic drinks
Inscriptions: signature and date: ‘Cor. Dusart. 1690.’

Een boerenherberg. Op de voorgrond een zittende man en vrouw, op de grond een kruik. De man heeft een glas in de hand, de vrouw heeft een koek op een doek op haar schoot. Voor de herberg drinkende mannen rond een tafel, rechts een soort uitbouw waar meer gasten zitten.
Le Tombeau (The Tomb), plate 20 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Object type: print
Date: 1621 – 1635
Techniques: etching, letterpress
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Kade met huizen en zeilboot, vermoedelijk bij Volendam
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: gelatin silver print
Location: volendam
Artist: george hidderley
Artist role: fotograaf
Subjects: sailing-ship, sailing-boat, quay

Onderdeel van fotoalbum met opnames van Volendam, Dordrecht, Gorinchem en Woudrichem.
Covered jar with lions
Object type: covered jar
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: lions
Personificatie van de Koninklijke Souvereiniteit
Object type: album leaf
Date: 1673 – 1743
Materials: paper
Techniques: engraving
Location: rome
Subjects: predatory birds: eagle, regality, majesty; 'maestà regia', 'regalità' (ripa)
Inscriptions: collector's mark: Lugt 2228

Een console met de vrouwelijke personificatie van de Koninklijke Souvereiniteit: een zittende vrouw met in haar rechterhand een scepter en op haar schoot voor haar linker borst een adelaar. De prent maakt deel uit van een album.
Groepsportret van acht onbekende mannen
Object type: photograph
Date: 1900 – 1930
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult man (+ eight persons), anonymous historical persons portrayed in a group, in a group-portrait
Souvenirs des Armées Françaises (Campagnes d'Italie, Bonaparte, Général en Chef)
Object type: print
Date: 1829 – 1830
Materials: paper
Techniques: lithograph
Location: paris
Subjects: commander-in-chief, general, marshal, dying
Inscriptions: collector's mark: Lugt 2228

Dood van generaal Louis-Charles-Antoine Desaixtijdens de slag bij Marengo op 14 juni 1800. Onder de voorstelling een portretje van Desaix tussen tekst. No. 5 in een serie platen over de Italiaanse veldtochten van Napoleon 1796-1800.
Zither
Object type: zither
Date: 1767 – 1866
Materials: metal, wood
Culture: european
Misbruiken van de katholieke geestelijkheid
Object type: print
Date: 1724 – 1724
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob gole
Artist role: print maker
Artist dates: 1660 – 1724
Subjects: flagellants ~ ascetic life, monk(s), friar(s), (aspects of) christian religion or the church (as institution) ridiculed, criticized, or caricaturized, whip, the franciscan monk antony of padua; possible attributes: ass, book, crucifix, flowered cross, flaming heart, infant christ (on book), lily
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een monnik met een baard staat voor een beeld van de heilige Antonius van Padua. Hij heeft een gesel in de hand. In plaats van zichzelf te geselen zwaait hij het wapen in de richting van het beeld. De prent is deel van een 50-delige serie met als onderwerp de misbruiken van de katholieke geestelijkheid.
EL Paula
Object type: bookplate
Date: 1901 – 1945
Materials: paper
Techniques: linocut
Location: czech republic
Artist: josef prinke
Artist role: print maker
Artist dates: 1891 – 1945
Subjects: sailing-ship, sailing-boat, woman (showing herself) undressed, quasi-nude
Inscriptions: inscription: ‘Voor: Zahnartzt Dr. Leicht - Mühr Ostrau [?]’
Fotoreproductie van twee anatomische tekeningen van een ontsteking aan het vaatvlies in een oog
Object type: reproduction
Date: 1871 – 1891
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: anatomy (non-medical), eyes
Inscriptions: inscription: ‘Fig. 69. Choroïdite atrophique centrale circonscrite Fig. 70. Choroïdite atrophique centrale circonscrite’
Head of a Bearded King
Object type: sculpture
Date: 1301 – 1400
Materials: marble, paint
Techniques: gilding
Culture: french

This diminutive head of a crowned king fits into the palm of the hand. The rough, uncarved back of the head nonetheless suggests it was originally part of a larger relief sculpture. The smooth, oval face is symmetrical, with high, lightly arched brows over eyes with fleshy lids. The nose has a slender bridge and broad nostrils, though the tip has broken off. Short, curly hair and a neatly trimmed beard frame these features, and the crown, accented with lily-shaped terminals, rests upon the head. Though carved of white marble, which often went unpainted in late medieval France, the head (including the underside of the neck) is covered in a preparatory layer intended to receive paint, and traces of color and gilding still cling to the prepared surface. This addition to the stone seems to post-date the head’s removal from its original sculpted context, hinting at an intriguing later episode in this object’s long life. In late medieval France, marble tended to be reserved for elite ecclesiastical furnishings and funerary monuments. Together with the object’s dimensions, the material indicates that the head of a king came from an altarpiece or other decoration originally intended for engagement at close proximity. It could have formed part of a narrative display, perhaps representing a biblical king such as David or Herod.
Portret van een dame
Object type: drawing
Date: 1796 – 1850
Materials: chalk, paper, pencil
Artist: jean augustin daiwaille
Artist role: draughtsman, print maker, printer
Artist dates: 1786 – 1850
Subjects: anonymous historical person portrayed alone
Silver cup
Object type: cup
Date: 334 – 301
Materials: gold, silver
Culture: greek

This sturdy wine cup is similar to several cups found in northern Greece.
Portret van Sophia Antonia von Sachsen-Coburg-Saalfeld
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: engraving, etching
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: crown (symbol of sovereignty), historical persons - bb - woman, ornaments, jewels, mantle, gown, dress (symbol of sovereignty), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Rimius, Heinrich. Geschichte des Hauses Braunschweig. Coburg: Georg Otto, 1753.
Bottle with One Handle
Object type: bottle
Date: 1701 – 1800
Materials: glaze, porcelain
Culture: japanese
Subjects: men,trees
Design for Phaeton, no. 160
Object type: drawing
Date: 1850 – 1874
Materials: graphite, ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Madonna and child
Object type: plaquette
Date: 1701 – 1800
Materials: bronze
Artist: Anonymous
Artist role: artist
Miss Allen, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Heilige Familie met heiligen
Object type: print
Date: 1563 – 1615
Materials: paper
Techniques: engraving
Location: italy
Subjects: holy family, and derived representations
Inscriptions: collector's mark: Lugt 2228

Rechts zit Maria op een troon met in haar armen het Christuskind dat een appel in de hand heeft. Achter haar staat Jozef. Voor de troon staan twee vrouwen, een engel en een oude man. Op de voorgrond de kleine Johannes de Doper zittend op een lam. Op de achtergrond pilaren en een draperie.
Needle
Object type: needle
Date: 901 – 1600
Materials: wood
Culture: peruvian
Location: peru
Hippopotamus-Head Design Amulet Inscribed With Four Linked Ibex Heads.
Object type: amulet, hippopotamus, ibex head
Date: 2150 – 2040
Materials: stone
Techniques: glazing
Location: egypt
Subjects: crocodiles,hippos

The back of this design amulet is decorated in relief with the head of a hippopotamus holding the tails of two crocodiles in its mouth. The base is inscribed with a device consisting of four ibex heads.
Schoenenbazaar te Caïro
Object type: copper plate
Date: 1924 – 1932
Materials: copper
Techniques: etching
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Tile
Object type: tile inlay, palace of ramesses ii, foreigner
Date: 1279 – 1213
Materials: faience
Location: egypt