deem-data/ArtiFact huggingface dataset:
Gezicht op de Waag op de Nieuwmarkt te Amsterdam
Object type: print
Date: 1663 – 1664
Materials: paper
Techniques: engraving, etching
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: weigh-house, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Gezicht op de Waag op de Nieuwmarkt (Sint-Antoniesmarkt), ook wel bekend als de Sint-Antonieswaag, te Amsterdam. Deze waag was gevestigd in de voormalige Eerste Sint-Antoniespoort. Dit vijftiende-eeuwse gebouw kwam na de stadsuitbreidingen uit het einde van de zestiende eeuw binnen de stad te liggen en verloor zo zijn functie als stadspoort. In 1617-1618 werd het ingericht als waag. Voor het gebouw verschillende figuren. Onderwerpsrubriek binnen de Atlas Amsterdam: Markten, handel: C. Veemen, Waaggebouwen.
Portret van een matroos
Object type: album leaf
Date: 1880 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Artist: saverio ciantar preziosi
Artist role: fotograaf
Subjects: adult man, historical persons, seaman
Inscriptions: inscription: ‘133 Strada Teatro, St. George Palace Square, Valletta’
Mars en Cupido
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: etching
Location: italy
Subjects: (story of) mars (ares), (story of) cupid, amor (eros)
Inscriptions: collector's mark: Lugt 240 of 1838

Links staat de god Mars in volle wapenrusting. Met zijn linkerhand wijst hij naar Cupido. Rechts staat Cupido, met pijl en boog. Prent uit een serie naar diverse tekeningen van Parmigianino uit de collectie Arundel.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Black glaze fragment with a double ground line; sheared
Portret van een man, zittend
Object type: photograph
Date: 1864 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: the hague
Artist: maurits verveer
Artist role: painter
Artist dates: 1817 – 1903
Subjects: studio requisites ~ photographer, adult man, historical persons, the hague
Inscriptions: address: ‘52. Zeestraat 52, vis á vis du Willemspark, La Haye’

Onderdeel van Fotoalbum van de families Matthes, Doorman en Van Thiel.
Wilfried bij zijn moeder
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: steel etching
Location: amsterdam
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: mother with son(s) and daughter(s) (mother-love)
Inscriptions: collector's mark: Lugt 2228

Wilfried komt bij zijn moeder. Illustratie van een scène uit een boek met gedichten genaamd 'Helene'.
Varie inventioni di vasi da acqua benedetta fatti al moderno
Object type: ornament print
Date: 1677 – 1692
Materials: paper
Techniques: etching
Location: antwerp

De wijwaterbak wordt ondersteund door drie putti en zes cherubijnen. De achterplaat wordt gevormd door een ovaal medaillon, vastgehouden door twee engelen, met Christus aan het kruis.
Portion of Altar Frontal
Object type: textile
Date: 1801 – 1900
Materials: linen
Techniques: embroidery, weave
Location: russia
Subjects: altar
Gezicht op Las Arenas in Barcelona in aanbouw
Object type: page
Date: 1890 – 1890
Materials: paper
Techniques: photograph
Location: barcelona
Subjects: grounds, fields and accomodations for sports, games and physical performances (+ out of doors (sports, games, etc.)), building-site
Inscriptions: number: ‘-16-’
Cassetta frame
Object type: frame
Date: 1501 – 1600
Materials: wood
Culture: italian, veneto
Artist: italian
Artist role: artist
Straatgezicht bij de Royal Exchange in Londen
Object type: album leaf
Date: 1880 – 1910
Materials: paper, photographic support
Techniques: albumen print
Location: london
Artist: Anonymous
Subjects: stock exchange, stock-market, street (+ city(-scape) with figures, staffage), london
Inscriptions: number: ‘4896’

Onderdeel van Reisalbum met bezienswaardigheden in Engeland, Zwitserland, Frankrijk en Duitsland.
Oudere Sibille met een boek in haar hand
Object type: print
Date: 1520 – 1567
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: lambertus suavius
Artist role: print maker
Artist dates: 1514 – 1564
Subjects: sibyls
Inscriptions: collector's mark: Lugt 2228

Een oudere Sibille staande in een nis met een boek in haar rechterhand.
Ontwerp voor een toilettafel met een spiegel en toebehoren, vermoedelijk voor de hertogin van Parma
Object type: design drawing
Date: 1845 – 1848
Materials: graphite, paper
Location: paris
Artist: charles-eugène trioullier
Inscriptions: signature: ‘Char [?] Triouller’

In de bekroning het gekroonde alliantiewapen Parma (?) en Frankrijk.
Rijk geklede staande vrouw
Object type: drawing
Date: 1675 – 1725
Materials: chalk, paper
Location: netherlands
Artist: Anonymous
Portret van Theodore van Tulden
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: book - mm - book open
Inscriptions: collector's mark: Lugt 240

Portret van Theodore van Tulden, ten halven lijve. Hij staat voor een tafel met daarop een opengeslagen boek. Met zijn rechterhand wijst hij op een bladzijde. In de marge een tweeregelig onderschrift in het Latijn.
De onthoofding van Egmont en Horne in 1568
Object type: print
Date: 1618 – 1624
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: fernando álvarez de toledo (3rd duke of alba), brussels, earl, on the scaffold or place of execution, violent death by beheading, historical events and situations

Illustratie voor een (onbekende) uitgave van het populaire en vaak herdrukte werk getiteld: De Spaensche Tiranye gheschiet in Nederlant, waarschijnlijk voor het eerst ca. 1620 verschenen. Zie ook Hollstein (Dutch), vol. XXXVIII (Claes Jansz. Visscher II), p. 165, nr. 425 en een andere versie van dit werk uitgegeven in 1621 te Amsterdam bij C.L. vander Plasse, in de collectie van de Rijksmuseum Research Library, signatuur 327 K 30.
Terracotta stirrup jar
Object type: false necked jar
Date: 1400 – 1050
Materials: terracotta
Culture: mycenaean

The stirrup jar is one of the most common Mycenaean shapes used to contain liquids such as oil or wine.
Budova Ceské sporitelny v Praze
Object type: photomechanical print
Date: 1891 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: façade (of house or building), bank
De hovenier
Object type: print
Date: 1813 – 1863
Materials: paper
Techniques: etching
Location: netherlands
Artist: gerardus emaus de micault
Artist role: draughtsman, print maker
Artist dates: 1798 – 1863
Subjects: barn
Inscriptions: collector's mark: Lugt 2228

Bij een plaggenhut staan een man, vrouw en een kind; de man heeft een schep vast en de vrouw draagt een mand. Naast de waterpomp loopt een kat.
Men Playing Boules Outside Tavern
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: belgium
Artist: after david teniers the younger
Virgin and Child with St. John the Baptist
Object type: statuette group
Date: 1801 – 1900
Materials: plaster
Artist: jean-baptiste carpeaux
Artist role: maker
Artist nationality: french
Artist dates: 1827 – 1875
Subjects: madonna and child

According to legend, in 1008 the Virgin Mary encircled the city of Valenciennes with a protective cord, thus saving the citizens from the plague. Carpeaux sketched this group upon his return to Paris from his native Valenciennes, having attended the consecration of the church dedicated to the Virgin's miraculous intervention.
Ontwerp voor bord van het model ‘Square’ met een hen en drie kuikens
Object type: drawing
Date: 1875 – 1880
Materials: graphite, ink, paper, watercolor
Techniques: brush, pen
Location: sèvres
Artist: albert louis dammouse
Artist role: ceramicist
Artist dates: 1848 – 1926
Inscriptions: monogram: ‘A.D.’

Het plat gedecoreerd met een hen met drie kuikens, enkele huizen op de achtergrond.
Garuda with Dolphins
Object type: ornament
Date: 1701 – 1800
Materials: gold
Culture: indonesian
Subjects: dolphins
Fragment van een schotel met gelige scherf, voorzien van een schildering van een gebouw in blauw op een witte ondergrond
Object type: fragment
Date: 1500 – 1899
Materials: earthenware, glaze
Amaeniores Aliquot Regiunculae
Object type: print
Date: 1613 – 1613
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: rural housing, e.g. country-house, villa, cottage, staircase, mound, verge
Inscriptions: collector's mark: Lugt 2228

Landschap met trap naar huizen op een heuvel. Verschillende figuren dragen kannen water de trap op.
Skeletons (calaveras) dancing and drinking, relating to the coquettish waitress, corrido in bottom section
Object type: print
Date: 1892 – 1892
Materials: metal, paper
Techniques: engraving, letterpress, lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: skeletons,dancing

The main image in the broadsheet "Calaveras Zalameras de las coquetas meseras" is also included in the broadsheet "Gran fandango y francachela" (Imprenta de A. Vanegas Arroyo, ca. 1892).
Mountain
Object type: figurine
Date: 1736 – 1795
Materials: jade
Culture: chinese
Subjects: men,mountains
Colt Paterson Percussion Revolver, No. 3, Belt Model, Serial no. 156, with Case and Accessories
Object type: percussion revolver with case and accessory
Date: 1838 – 1838
Materials: brass, copper, silver, steel, velvet, wood
Culture: american
Location: united states
Artist: samuel colt
Artist role: manufacturer
Artist nationality: american
Artist dates: 1814 – 1862

In 1835 and 1836, the American inventor and industrialist Samuel Colt (1814–1862) patented a revolutionary type of multishot pistol that is still used today. Colt's revolvers had a rotating cylinder that could be loaded with several rounds and fired quickly by cocking and releasing the hammer or, in later models, by simply pulling the trigger. Early Colt firearms used percussion ignition and had to be loaded with powder, bullets, and ignition caps in separate operations. After 1870, Colt models were produced for self-contained cartridges that are much like modern pistol ammunition. First manufactured by Colt's factory in Paterson, New Jersey (1836–42), from 1847, the revolvers were made at a much larger plant in Hartford, Connecticut. A special workshop at the Hartford factory employed highly skilled decorators and artisans, many of German origin. Their ornamental motifs, still popular in American gunmaking, centered on fine scrollwork. Animal and human figures and allegorical images were added to floral scrolls, sometimes enhanced with gold and silver inlay, particularly on deluxe firearms made for exhibition and display or as personal gifts from Colt to prominent individuals, including several heads of state.
Portret van een onbekende vrouw
Object type: photograph
Date: 1864 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: groningen
Artist: johannes hinderikus egenberger
Artist role: draughtsman, print maker
Artist dates: 1822 – 1897
Subjects: sitting figure, historical persons - bb - woman
Feather and uraeus attachment for the crown of a large statue of Osiris
Object type: headdress attachment, feather, osiris
Date: 664 – 332
Materials: bronze, copper alloy
Location: egypt

The element including a feather, horn and a uraeus fits on the side of a tall crown, almost certainly the atef crown worn by the standing mummiform Osiris. Judging by the size of the feather, the original statue must have been lifesize. The statue itself might have been either bronze or wood.
Gezicht op het koor van de Dominicuskerk te Amsterdam
Object type: photograph
Date: 1900 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print, letterpress printing
Artist: Anonymous
Subjects: roman catholic church, parts of church interior: choir
Inscriptions: collector's mark: ‘17’ Lugt 1641b

Ook wel bekend als De Pool. Onderwerpsrubriek binnen de Atlas Amsterdam: R.K. Gemeenten: Sint Nicolaaskerk t/m Willibrordus (Rustenburgerstraat).
Figure and Head Studies
Object type: print
Date: 1732 – 1736
Techniques: etching
Artist: rené michel (called michel ange) slodtz
Artist role: artist
Artist nationality: french
Artist dates: 1705 – 1764
Subjects: men,profiles
Gibson's Breaker, Rushdale, Pennsylvania
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: thomas h. johnson
Artist role: artist
Artist nationality: american
Artist dates: 1860 – 1870
Subjects: architecture,factories,industry

Rising above the treetops with a ramshackle glamour, this wooden coal breaker displays a rickety, almost Seussian superstructure. Thomas H. Johnson photographed the breaker for a company that transported anthracite coal from Pennsylvania mines to New York markets. His study locates the coal at its point of origin. In the foreground, chunks of anthracite catch the sun, awaiting treatment in the breaker, where they will be crushed, cleaned, and sorted for delivery. With an eye to the idiosyncrasies of this purpose-built structure, Johnson anticipates a vernacular documentary style later popularized by photographers like Walker Evans and Bernd and Hilla Becher.
Mold: Grapes with Cartouche
Object type: mold, grape, cartouche, nebmaatre
Date: 1390 – 1352
Materials: pottery
Location: egypt
Ontwerp voor illustratie in De Amsterdammer: De Balkanroovers: De Halve Maan! (2 Februari 1913)
Object type: design
Materials: paint, paper, pencil
Techniques: brush
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: historical events and situations, political caricatures and satires
Pergola in de tuin van Villa Tritone, Sorrento
Object type: ansichtkaart, prentbriefkaart
Date: 1930 – 1950
Materials: paper
Techniques: gelatin silver print
Location: sorrento
Artist: Anonymous
Subjects: garden, pergola
Staande man met een baard en hoge hoed
Object type: sketchbook leaf
Date: 1935 – 1936
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: standing figure, head-gear: top hat

Blad 57 verso uit een schetsboek met 73 bladen.
Vrouw met een hand onder haar kin
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: ink, paper
Techniques: pen
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman
Inscriptions: watermark: ‘Ingres’

Blad 4 recto uit schetsboek IV met 27 bladen.
Gezicht op Angers
Object type: print
Date: 1561 – 1561
Materials: paper
Techniques: engraving, hand coloring
Location: the hague
Subjects: city-view in general; 'veduta'

Deze prent is in meerdere atlassen gebruikt. Onder andere in verschillende edities van: Braun, Georg & Frans Hogenberg. Civitates orbis terrarum, en in: Theatrum exhibens celebriores Galliae et Helvetae urbes. Amsterdam: Johannes Janssonius, 1657, en in: Tooneel der vermaarste koop-steden. Amsterdam: Erven Johannes Janssonius van Waesberge, 1682. Origineel op één blad gedrukt met het gezicht op Tours (RP-P-1956-255).
Fibula
Object type: fibula
Date: 700 – 601
Materials: bronze
Culture: etruscan

The end of the foot is twisted spirally around the bow.
Portret van Eleonora Duse
Object type: photomechanical print
Date: 1900 – 1950
Materials: paper
Techniques: rotogravure
Artist: Anonymous
Subjects: historical persons - bb - woman, actor (on the stage)
Portret van Friedrich Ernst Daniel Schleiermacher tijdens zijn laatste preek
Object type: print
Date: 1834 – 1849
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: berlin, theologian, historical persons, preaching (in general)
Inscriptions: collector's mark: Lugt 2228, monogram:, inscription: ‘D’
Tea Spoon
Object type: spoon
Date: 1790 – 1790
Materials: silver
Culture: american
Location: united states
Artist: nathaniel coleman
Artist role: maker
Artist nationality: american
Artist dates: 1765 – 1842
Design for Wallpaper or Panel (?) with an Orientalist Motif with Three Phoenix-Like Exotic Birds with Colorful Feathers and a Flowering Tree within an Ornamental Frame with Tassels Resembling a Tapestry
Object type: drawing ornament architecture
Date: 1870 – 1900
Materials: watercolor
Artist: anonymous, french, 19th century
Artist role: designer
Artist nationality: french
Artist dates: 1800 – 1900

Rectangular sheet of paper with a design, possibly for a wallpaper or a panel, maybe a tapestry, from the second half of the nineteenth century, inspired on the style of Louis XVI, forming part of the Neo-Classical Revival that took place in France and Britain from the 1850s on. The style was part of the Classical and Renaissance Revival that took place from about 1850, where the interest on the art and architecture from Ancient Rome and the 15th and 16th centuries was propelled by archaeological discoveries in Greece, Italy and Egypt. Through this style, Classical and Renaissance pieces of art and design were reinterpreted in a variety of forms and motifs, and classical figures, scrolling decorations, strapwork, and grotesques and moresques, became central element in design. This Revival was characterized by the use of design motifs that alluded to Classical Antiquity, including vases and trophies with pastoral attributes, classical figures and cameos, a mixture of real and fantastic figures, and swags and festoons. These swags and festoons comprised garlands of fabric and ribbon, as well as thin bundles and garlands of flowers and husks colored with pastels. The scale of this design is clearly not true to life and it is not unlikely that this drawing was made for a sample book of an upholsterer, to be shown to the customer as one of many different styles to choose from. The design features an Orientalist motif with three exotic birds and a flowering tree within an ornamental frame. Branches of green leaves and flowers, possibly resembling roses or camelias, of various tones of pink, hang on the top and right side of the design. A horizontal branch marking the bottom third of the design contains two phoenix-like Oriental birds with frathers of bright colors: carmine, pink, yellow, blue and green are all present. Another of these exotic birds can be seen eating from a flower in the bottom center of the design. The bottom part of the design contains what could be a pasture, although there is nothing other than green ground, a slight path of sand color, and what seems to be a row of mountains in the back. No traces of sky are seen in the design, and the paper is left bare above the pasture and under the branches of the flowering tree. This Orientalist motif is placed inside an ornamental frame colored with red and gold, adorned with lozenges of blue color, and scattered leaves of green color, placed around an inner frame of gold color. The bottom of the frame contains tassels of gold color, resembling a tapestry.
Suit
Object type: suit
Date: 1860 – 1869
Materials: silk
Culture: american
Allegorisch portret van Bartholomeus Spranger en zijn vrouw Christina Muller
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving
Location: prague
Subjects: antwerp, prague, painter, print maker, bartholomeus spranger, faith, 'fides'; 'fede', 'fede catholica', 'fede christiana', 'fede christiana catholica' (ripa) ~ one of the three theological virtues, (story of) minerva (pallas, athena), death as skeleton, tools, implements of painter, person(s) sitting among objects forming a 'vanitas' still life, fame; 'fama', 'fama buona', 'fama chiara' (ripa), ornament ~ festoon, garland, father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Gedenkprent voor de overleden vrouw van de schilder Batholomeus Spranger. Links Bartholomeus Spranger en rechts zijn vrouw Christina Muller. De twee portretten worden omringd door de personificaties van de vrije kunsten, het geloof, de tijd, de dood en de roem.
Kanaal met begroeiing langs de oevers
Object type: print
Date: 1860 – 1910
Materials: paper
Techniques: etching, intaglio
Artist: alfred elsen
Artist role: painter, print maker
Artist dates: 1850 – 1914
Subjects: canal
Inscriptions: collector's mark: Lugt 2228, inscription: ‘3e etat’
Portret van Henri II de Bourbon-Condé
Object type: print
Date: 1745 – 1765
Materials: paper
Techniques: engraving
Location: paris
Subjects: paris, henri (prince of condé), historical persons
Inscriptions: collector's mark: Lugt 2228

Mogelijk prent uit: Dreux du Radier, Jean-François. L'Europe illustré, contenant l'histoire abregée des souverains, des princes, des prélats, des ministres, (...) en Europe: dans le XVe. siècle compris, jusqu'à présent. Parijs: Michel Odieuvre en André-François Le Breton, 1755-1765, dl. 3.
Kruisdraging
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: carrying of the cross: christ bearing the cross, alone or with the help of others (e.g. simon the cyrenian)
Inscriptions: collector's mark: Lugt 2228

Prent uit serie van twaalf prenten met scènes uit de Passie. Reeks geïnspireerd door de prenten van Hendrick Goltzius en Lucas van Leyden.
Portret van Christian Weiss
Object type: print
Date: 1830 – 1848
Materials: paper
Techniques: lithograph
Location: leipzig
Artist: Anonymous
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228
Pergola met bloemenmand
Object type: ornament print
Date: 1760 – 1784
Materials: paper
Techniques: etching, hand coloring
Location: paris
Subjects: cut flowers; nosegay, bunch of flowers, pergola
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Onder een pergola met druivenranken staat een mand met bloemen op een plateau. Op het plateau een ovaal medaillon met een engel. Boven de mand de serietitel.
Een der bruggen over de rivier Zendeh Rud, ter verbinding van Isphahan met Julfa.
Object type: photograph
Date: 1925 – 1925
Materials: cardboard, paper
Techniques: gelatin silver print
Location: unknown
Artist: a.g.a. van eelde
Artist role: engineer
Artist dates: 1862 – 1950
Subjects: iran
Inscriptions: number: ‘24.’

Titel op object afkomstig uit inventaris (Verklaring der Photo's) behorend bij het album.
Symbola Divina et Humana Pontificum Imperatorum Regum
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: prague, rudolf ii van habsburg (duits keizer), double-headed eagle, garland, wreath

Pagina uit Jacob Typotius, Symbola Divina & Humana Pontificum Imperatorum Regum. Arnhem, J.F. Hagen, 1666 of uit de titeluitgave van 1669 of 1679. Het werk van Typotius werd voor het eerst uitgegeven in 1601 met prenten van Aegidius Sadeler.
Twee kreupele paren
Object type: print
Date: 1606 – 1640
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: dancing, crutches, person with a physical disability, social stratification, social groups, more than one couple dancing, folk costume, regional costume
Inscriptions: collector's mark: Lugt 2228

In de tijd waarin deze serie ontstond was 'kreupel' een generiek woord om een lichamelijke beperking aan het onderlichaam te beschrijven. Deze serie is sociale satire. Twee dansende paren. Naast hen twee muzikanten waarvan een met een draailier. Prent uit een serie van drie prenten naar de serie van twaalf prenten door Cornelis Massys.