deem-data/ArtiFact huggingface dataset:
Two of Fox-Talbot's original photographs
Object type: page
Date: 1898 – 1908
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: print, e.g.: engraving, etching, lithograph, ladder
Inscriptions: inscription: ‘Fox-Talbot invented the method of taking negatives from which any number of positives may be produced. The photographs reproduced above were taken on paper negatives, which were waxed afterwards so that the possitive might be printed through them. The upper illustration was from life. The other was a copy of a French engraving. (See chap. iii.)’

Boven drie mannen bij een huis met een ladder, onder een fotoreproductie van een prent van Louis Léopold Boilly met 35 hoofden.
Maria met Kind met achter haar twee kerkgebouwen
Object type: print
Date: 1676 – 1719
Materials: parchment
Techniques: brush, engraving, hand coloring
Location: antwerp
Artist: jacobus de man (i)
Artist role: print maker, publisher
Artist dates: 1643 – 1719
Subjects: mary standing (or half-length), the christ-child on her arm (christ-child to mary's left)
Inscriptions: collector's mark: Lugt 2228

Maria met het Christuskind, beiden gekroond, het Christuskind met een rijksappel en Maria met een scepter. Bovenaan een banderol met tekst in het Latijn. Op de achtergrond een landschap met twee kerkgebouwen en figuren. Maria staat op een sokkel, met een cartouche met vier regels in het Latijn en een cherubijn.
200 mark uit Duitsland,1923
Object type: coin
Date: 1923 – 1923
Materials: aluminum
Techniques: striking
Location: karlsruhe

Aluminium munt. Voorzijde: enkelkoppige adelaar. Keerzijde: waarde-aanduiding in twee regels, waaronder jaartal. Daaronder letter G. Kartelrand.
Besnijdenis van Christus
Object type: print
Date: 1510 – 1550
Materials: paper
Techniques: etching
Subjects: circumcision of the christ-child by the priest in the temple (luke 2:21)
Inscriptions: collector's mark: Lugt 240

Kopie naar houtsnede van Jan Swart van Groningen
Gunhilda accused of adultery
Object type: print
Date: 1760 – 1760
Techniques: engraving
Artist: simon francis ravenet, the elder
Artist role: artist
Artist nationality: french
Artist dates: 1706 – 1774
Christuskind met de hand van Maria
Object type: drawing
Date: 1545 – 1577
Materials: chalk, paper
Techniques: drawing
Artist: federico barocci
Artist role: draughtsman, painter, print maker
Artist dates: 1528 – 1612
Phaeton #1082
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Peasant blouse fragment
Object type: blouse fragment
Date: 1701 – 1900
Materials: canvas, wool
Fragment
Object type: textile
Date: 1701 – 1800
Materials: silk
Techniques: bookbinding, satin weave, weave
Location: china
Ets met een landschap
Object type: photograph
Date: 1855 – 1855
Materials: cardboard, paper, photographic support
Techniques: salted paper print
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Fragment van een schotel met witbakkende scherf, met aan de voor- en achterzijde wit glazuur, waarop aan de voorzijde in oranje, licht- en donkerblauw strepen en stippen zijn beschilderd
Object type: sherd
Date: 1200 – 1899
Materials: earthenware
Location: italy
Artist: Anonymous
Silky Hen, from the Prize and Game Chickens series (N20) for Allen & Ginter Cigarettes
Object type: print
Date: 1891 – 1891
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: chickens

Trade cards from the "Prize and Game Chickens" series (N20), issued in 1891 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Studioportret van een man met snor en hoed in zijn hand
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: istanbul
Inscriptions: name: ‘Vernoni’

De afgebeelde man is mogelijk de heer Vernoni.
Mal uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: mould
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: batavia

Mal van brons, in de vorm van een leeuwenkop. Mogelijk bestemd voor het vervaardigen van loden tuinornamenten in parken en tuinen rondom Batavia.
The Students
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women,students
Kwispedoor met getorste ribben in reliëf, beschilderd met bloemtakken en bloem- en bladslingers
Object type: spittoon
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht

Cuspidor. Porcelain, decorated in underglaze blue. Loosdrecht, c. 1778 -1 782. Factory of Joannes de Mol.
View of the South side of the church of Santi Giovanni e Paolo in Venice, with Verrocchio's statue of Bartolomeo Colleoni
Object type: drawing
Date: 1807 – 1878
Materials: graphite
Techniques: brush, wash
Location: italy
Artist: friedrich nerly
Artist role: artist
Artist nationality: german
Artist dates: 1807 – 1878
Subjects: sculpture,churches,horses,venice
The Actor Ichikawa Komazo II as Kudo Saemon Suketsune (?) in the Play Haru wa Soga Akebono-zoshi (?), Performed at the Nakamura Theater (?) in the First Month, 1772 (?)
Object type: print
Date: 1772 – 1772
Techniques: woodblock print
Location: japan
Artist: ippitsusai buncho
Artist nationality: japanese
Artist dates: 1755 – 1790
Sleigh with Rumble Seat # 3848
Object type: drawing
Date: 1883 – 1883
Materials: gum arabic, ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Panel
Object type: textile
Date: 1890 – 1899
Materials: cotton, panel, textile, silk
Techniques: bookbinding, brocade, patterning, weave
Location: france
Maria bij de passiewerktuigen
Object type: print
Date: 1619 – 1675
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: mary with the instruments of the passion
Inscriptions: collector's mark: Lugt 240
Portrait of a Woman, Said to Be Madame Récamier (1777–1849)
Object type: painting, miniature
Date: 1812 – 1814
Materials: ivory
Artist: nicolas françois dun
Artist role: artist
Artist nationality: french
Artist dates: 1764 – 1832
Subjects: portraits,women
Terracotta neck-amphora (jar)
Object type: neck amphora
Date: 520 – 520
Materials: terracotta
Culture: greek, attic
Artist: antimenes painter
Artist role: artist
Subjects: shields,athena,hermes,chariots

Obverse, Herakles, Athena, and Hermes. Reverse, frontal chariot and archer.
Ovoid covered jar with ornamental borders
Object type: covered jar
Date: 1675 – 1699
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Eivormige dekselpot van porselein, beschilderd in onderglazuur blauw. Op de buik een brede band opgebouwd uit drie verschillende smallere banden met lotusranken uitgespaard in een blauwe achtergrond, één met kleine bloemrozetten en één met ruyi-motieven. Hierboven dezelfde band in omgekeerde volgorde. Boven de voet een rank. Op de korte hals en het deksel lotusranken uitgespaard in een blauwe achtergrond. Blauw-wit.
Turc, qui fait sa priere, plate 42 from "Recueil de cent estampes représentent differentes nations du Levant"
Object type: print
Date: 1714 – 1715
Techniques: engraving, etching
Artist: jean baptiste vanmour
Artist role: artist
Artist nationality: french
Artist dates: 1671 – 1737
Subjects: men
George III "Incorrupta" crown
Object type: crown coin
Date: 1817 – 1817
Materials: silver
Artist: william wyon
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1851
Subjects: men,profiles,coat of arms
Opstanding van de doden
Object type: book illustration
Date: 1625 – 1625
Materials: paper
Techniques: etching
Location: cleves
Subjects: resurrection of the dead ~ last judgement, 'carnis resurrectionem' ~ articles of faith
Inscriptions: collector's mark: Lugt 2228

Illustratie in: Peil, Johann. Tabula processum seu ordinem ultimi divini et criminalis judicii exhibens. Kleef: Gerhardus Verstegen, 1625, p. 28.
Paris. Perspective des Grands Boulevards. La Porte St. Denis / Perspective of the Great Boulevards. St. Denis Gate
Object type: photomechanical print
Date: 1910 – 1925
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: avenue, boulevard, promenade, esplanade (+ city(-scape) with figures, staffage), city-gate (+ city(-scape) with figures, staffage)
Vijfentwintigjarig regeringsjubileum van Koning Willem III en Koningin Sophia 1874
Object type: history medal
Date: 1874 – 1874
Materials: brass
Techniques: striking

Messing penning met draagoog, op de voorzijde twee ovale medaillons met de aanziende portretten van Willem III en Sophia, waarbuiten een gematteerd veld met bladornamenten, op de keerzijde zeven regels tekst.
Fotoreproductie van een schilderij, voorstellende een meisje tussen struikgewas
Object type: page
Date: 1875 – 1885
Materials: paper
Techniques: photograph
Location: munich
Subjects: shrubs, girl (child between toddler and youth)
Inscriptions: number: ‘Fig. 1.’, inscription: ‘Schnellpressen-lichtdruck auf mattem Papier (...) Delgemäldes’
Bottle with Splashed Design
Object type: bottle
Date: 1801 – 1850
Materials: glaze, stoneware
Culture: japanese
Tommy Warren, from the Celebrities and Prizefighters series (N174) for Old Judge Cigarettes
Object type: photograph
Date: 1887 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Celebrities and Prizefighters" series of trade cards (N174) was issued by Goodwin & Company from 1887-88 to promote Old Judge and Gypsy Queen Cigarettes.
Coffret
Object type: coffret
Date: 1730 – 1760
Materials: brass, copper, enamel
Location: china
Subjects: animals,men,women,landscapes
Knotted dragon pendant
Object type: pendant
Date: 300 – 201
Materials: jade
Culture: chinese
Subjects: dragons

This pendant takes the shape of a dragon with a sinuous body grooved to resemble twisted rope. Its elegant curves illustrate the extraordinary talent and skill of early Chinese jade carvers, in whose hands hard, intractable jade seems a supple and malleable material.
Houtduif in boom
Object type: print
Date: 1874 – 1917
Materials: paper
Techniques: lithograph
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: doves, pigeons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4731

Prent is een proefdruk voor kalenderblad november 1918.
Gezicht op een aantal bomen
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Subjects: trees, landscapes
Inscriptions: inscription: ‘O. Scharf 99’, monogram: ‘BX’
Westfriese scheepjesschelling, 1678
Object type: coin
Date: 1678 – 1678
Materials: silver
Techniques: striking
Location: enkhuizen
Artist: dirck bosch
Artist role: mintmaster

Zilveren munt. Voorzijde: tussen waarde-aanduiding 6 S gekroond wapenschild van West-Friesland. Keerzijde: schip met zeilen naar rechts.
Paris, Nouveau Louvre
Object type: photograph
Date: 1874 – 1874
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: paris
Mace head
Object type: mace head
Date: 3850 – 2960
Materials: limestone
Location: egypt
Christus discussieert met farizeeërs over het plukken van aren op sabbat
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Location: paris
Subjects: discussion with pharisees about the plucking of corn
Inscriptions: collector's mark: Lugt 240

Christus voert een discussie met enkele farizeeërs, terwijl achter hem zijn discipelen aren plukken in een graanveld. Deze prent is onderdeel van een reeks van tien prenten met voorstellingen uit het Nieuwe Testament, waaraan na Callots dood een titelprent is toegevoegd.
The "Old Sugar House," Rose St., New York
Object type: medal
Date: 1892 – 1892
Materials: copper
Culture: american
Artist: emil sigel
Artist role: artist
Artist nationality: american
Subjects: buildings
Strook kloskant met ranken en 'hoorn van overvloed'
Object type: strip
Date: 1750 – 1750
Materials: linen
Techniques: lace
Location: southern netherlands
Artist: Anonymous

Strook naturelkleurige kloskant, Binche-kant. Op een geringde sneeuwvlokkengrond staat een lopend patroon. Aan een golvend rankje groeien twee kelkbloempjes en een bij een bladknop beginnende 'hoorn van overvloed' met een trosbloem, die in voluutbladeren gevat, met deze de schulpjes vormt. De bovenzijde van de strook is recht afgewerkt. De schulpenrand langs de onderzijde is afgewerkt met picots.
Drumsticks
Object type: percussion instrument
Date: 1800 – 1900
Materials: wood
Location: europe
Artist: Anonymous
Budapest. Mátyás templom / Mathias Kirche
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: budapest
Artist: Anonymous
Subjects: church (exterior)
Saint John the Evangelist with Acteus and Eugenius
Object type: painting
Date: 1370 – 1370
Materials: gold leaf, paint, wood
Artist: francescuccio ghissi (francesco di cecco ghissi)
Artist role: artist
Artist nationality: italian
Artist dates: 1359 – 1374
Subjects: men,women,saint john the evangelist
M Cahier de Trophées
Object type: print
Date: 1772 – 1806
Materials: paper
Techniques: etching
Location: paris
Subjects: musical instruments; group of musical instruments, trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, hunting, chase, weapons
Inscriptions: collector's mark: Lugt 2228

Zes trofeeën met diverse attributen zoals geschoten wild, manden, een zeis, kroon en gevleugelde zandloper, muziekinstrumenten en een helm, schild en wapens.
Jar
Object type: jar
Date: 7000 – 5001
Materials: alabaster
Location: syria
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, head, part of round shield, right shoulder and part of extended right arm of draped warrior with helmet
Inkstand
Object type: inkstand
Date: 1701 – 1900
Materials: gilt bronze, glass, hard paste porcelain
Subjects: boys,flowers
Dante and Beatrice
Object type: print
Date: 1801 – 1900
Artist: narcisse lecomte
Artist role: artist
Artist nationality: french
Artist dates: 1794 – 1882
Subjects: men,women
Spagnuole di Santander / Di Bilbao / Dixeres de la Frontera
Object type: costume print
Materials: paper
Techniques: engraving
Artist: bartolomeo grassi
Artist role: publisher
Subjects: europeans: spaniards (+ costume)
Inscriptions: number: ‘25’

Prent nr. 26 uit album 'Dei veri ritratti degl'habiti di tvtte le parti del mondo intagliati in rame per opra di Bartolomeo Grassi', 1585.
Frontispiece for the Catalogue of the work of Thomas De Leu
Object type: print
Date: 1866 – 1866
Techniques: engraving, etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: fountains,men,women
Arnhem. Stadhuis
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1904
Materials: cardboard
Techniques: lithograph
Location: leipzig
Artist: Anonymous
Subjects: townhall, street
Inscriptions: date
Panel
Object type: textile
Date: 1801 – 1900
Materials: cotton
Techniques: woodblock print
Location: india
Wedding dress
Object type: wedding dress
Date: 1851 – 1851
Materials: silk
Culture: american

This wedding dress presents a conundrum in that some stylistic aspects of the dress appear to be later than the marriage date of 1851 provided in the original accession records. While the bodice has very fashionable full size pagoda sleeves, which were a new shape in 1851, the skirt with bustle, train and ruffles at bottom is more consistent with the 1870s rather than the dome shape of the 1850s. While it is possible that the skirt was re-made for a later bride, there is no obvious indication of that being the case. Wedding clothes have traditionally been vehicles for fantasy and historicism, however, which may be the case in the styling of this one. It nevertheless is a grand dress made for a wedding in Grace Church, a high society Brooklyn house of worship.
Khamsa (Quintet) of Nizami of Ganja
Object type: illustrated manuscript
Date: 1509 – 1510
Materials: ink, leather, paper
Techniques: gilding, tooling
Location: iran
Artist: nizami
Artist role: author
Artist dates: 1141 – 1209
Subjects: men,horses
Stilstaande boerenwagen
Object type: drawing
Date: 1600 – 1699
Materials: chalk, paper
Artist: Anonymous
Subjects: (farm) wagon, freight wagon, cart
Textile Fragment
Object type: textile fragment
Date: 1301 – 1400
Materials: silk
Techniques: weave
Location: egypt

Although the original textile survives only in fragments, enough pieces in The Met’s collection allow for a proper reconstruction (see also 2019.297.15.1, .2). Two bands alternate through the ground of this turquoise and navy silk: one which consists of pairs of facing split-palmettes, a motif that was common from Turkey to Egypt during the 12th–14th centuries; and the other which is dominated by a series of lozenges framing the truncated form of the word al-sultan, the title bestowed upon rulers. Both the medium of silk and the royal title of Sultan indicates that these fragments can be associated with the highest form of Mamluk patronage
Fragment From Decorated Bowl
Object type: bowl fragment, decorated
Date: 1279 – 1213
Materials: bronze, copper, gold, silver
Techniques: inlay
Location: egypt

The cup is richly inlaid with copper, silver, and gold, with elaborate decoration: An elaborate lotus fills the center; in the outer register a series of pendant lotuses and cornflowers encircles composite plants, caprids, a leaping bovine, desert animals, and a pair of female sphinxes with wild hair; and the inner frieze is a swamp scene with flying ducks, a mongoose, and a man ferrying what might be a standing cow. The owner of this decorated vessel most probably served in the cult of a goddess during the Ramesside period. His name—Sakawahikhana, which suggests foreign connections—in inscribed on a fragmentary bowl (1989.281.100) which is assumed to have come from the same find. The shape of this cup and of the other vessels from this find as well as their decoration indicate that they belonged to a wine service, like the jugs, jars, bottles, and situlae from Tell Basta (see for example 07.228.15 and .20).
Komeet boven Amsterdam, 1769
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: etching
Artist: aert schouman
Artist role: draughtsman, painter, print maker
Artist dates: 1710 – 1792
Subjects: comet, amsterdam
Inscriptions: collector's mark: Lugt 2228

Nachtvoorstelling met een komeet aan de hemel boven de Amstelsuis te Amsterdam, augustus-september 1769.
Een huis vol rouw
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: deathbed, mourning the dead
Inscriptions: collector's mark: Lugt 2228

Verbeelding van één van de wijsheden volgens het boek Prediker (nr. 7). In een interieur rouwen familieleden om overledenen, een fase in het leven van ieder mens. Volgens Prediker moeten we droevigheid nastreven omdat het ons hart goed doet. De man die door de geopende deur binnenstapt neemt mogelijk deze wijsheid ter harte en betreedt een huis vol rouw. In de marge onder een vers met zes regels Latijn.
Monumental Vase in Ornamental Frame (recto); Sketch of Standing Man with Parasol and Parrot, and Architectural Studies (verso)
Object type: drawing and watercolor
Materials: charcoal, graphite, ink, paper
Techniques: brush, pen, wash
Location: france
Artist: Anonymous
Artist nationality: french
Artist dates: 1800 – 1899