deem-data/ArtiFact huggingface dataset:
Pennensnijder
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: dordrecht
Subjects: book, sharpening pen (quill)
Inscriptions: collector's mark: Lugt 2228

Een oude man zit aan een bureau en snijdt zijn pen. Op het bureau liggen twee dikke boeken en een opengeslagen boek.
De Binnenamstel
Object type: photograph
Date: 1860 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: ships (in general) - cc - more than one ship
Fotoalbum Moengo, Suriname
Object type: scrapbook
Date: 1927 – 1931
Materials: linen, metal, paper, photographic support
Techniques: gelatin silver print
Location: suriname
Artist: Anonymous
Subjects: suriname

Fotoalbum met 117 foto's over de bauxietwinning in Moengo en Albina, Suriname. Album in band bekleed met geplastificeerd gewoven stof (linnen) en bedrukt in imitatieleerpatroon in geel en bruin. Het album bevat 27 bladen van zwart karton, bijeengehouden door twee metalen schroeven. De foto's zijn eind jaren twintig, begin jaren dertig genomen en het album is mogelijk samengesteld door de familie Guilonard. Het album geeft niet alleen een beeld van de bauxietwinning maar ook van het koloniale leven aldaar: veel privéfoto's van uitstapjes, bezoeken aan dorpen in het binnenland, jachtpartijen, woonsituaties en huwelijken.
Pop, voorstellende mejuffrouw Erkelens, conservatrice textiel in het Rijksmuseum
Object type: doll
Date: 1959 – 1959
Materials: textile
Location: amsterdam
Artist: beate c.g. gleistein
Subjects: utrecht, rijksmuseum amsterdam, anna maria louise elisabeth mulder-erkelens, amsterdam

Pop van textiel gemaakt voor het afscheid van de heer Roëll als directeur van het Rijksmuseum.
Gazette du Bon Ton, 1921 - No. 10 : Croquis No XIX
Object type: fashion print
Date: 1921 – 1921
Materials: paper
Techniques: hand coloring, letterpress printing, lithograph, pochoir
Location: paris
Subjects: cut flowers; nosegay, bunch of flowers (+ variant), belt, girdle, waistband (+ materials used for clothes), head-gear (+ women's clothes), fashion plates, dress, gown (+ women's clothes)
Inscriptions: date

Staande vrouw gekleed in een japon met een ceintuur van lint en bloemen. Op het hoofd een hoed met band onder de kin. Croquis No XIX uit een serie van acht schetsen: "Pour la Riviera robes garnies de fleurs naturelles, dans la mesure où l'on en a et où l'on ne préfère pas d'employer, moins coûteuses, les fleurs artificielles." uit Gazette du Bon Ton 1921, No. 10.
Trieste. Chiesa S. Antonio di Padova
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1909
Materials: cardboard, photographic process
Techniques: writing
Location: munich
Artist: Anonymous
Subjects: ships (in general), church (exterior), square, place, circus, etc. (+ city(-scape) with figures, staffage)
Portret van Frederik Willem van Brunswijk-Lüneburg-Oels
Object type: print
Date: 1792 – 1816
Materials: paper
Techniques: engraving
Subjects: knighthood order (red eagle order), historical persons
Inscriptions: collector's mark: Lugt 2228
Monseigneur Innocentius Ferrièri
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Location: the hague
Artist: franciscus bernardus waanders
Artist role: print maker
Artist dates: 1809 – 1880
Subjects: rome, historical persons
Inscriptions: : ‘Gedeponeerd.’, collector's mark: Lugt 2228
De Rede maant de kerken tot verdraagzaamheid
Object type: print
Date: 1560 – 1599
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, gouda, print maker, draughtsman, dirck volckertsz. coornhert, martin luther, reformation (roman catholic church vs. protestantism), rationality, reasoning; 'ratiocinatione o discorso' (ripa), evening meal, dinner, supper

De Rede maant de kerken tot verdraagzaamheid. Aan een tafel zitten de paus, Luther en Calvijn. Twee katten zitten op de schouders van de paus die pap eet, Luther speel op de luit en Calvijn knijpt sinaasappelsap op zijn kalfsvlees. Rechts knielt een doper bij de haard. Boven de haard een beeldengroep van Charitas. Op de voorgrond staat een personificatie van de Rede (Ratio) in de figuur van een keukenmeid, links bij de deur een andere keukenmeid die waarschijnlijk Verdraagzaamheid personifieert met een hert (een verwijzing naar Coornhert?). Allegorie op de hervorming, ca. 1560. In de voorstelling meerdere cartouches met teksten in het Nederlands. Misschien het origineel of anders een vroege kopie naar een onbekend origineel.
Lamentation
Object type: medallion
Materials: copper, enamel, gilt
Techniques: painting
Culture: french
Subjects: christ,virgin mary,lamentation,saints
Gezicht op de Montelbaanstoren
Object type: sketchbook leaf
Date: 1887 – 1887
Materials: chalk, paper
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: canals, waters (in city)
Inscriptions: kleurnotitie, handgeschreven

Pagina 54 uit een schetsboek met 29 bladen.
Vase
Object type: vase
Date: 1830 – 1830
Materials: glaze, porcelain
Culture: japanese
Subjects: butterflies,leaves
Castor Bottle
Object type: bottle
Date: 1800 – 1860
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Ronde doos van blauw karton, beplakt met witte lijsten
Object type: menswear
Date: 1890 – 1890
Materials: cardboard
Techniques: pasting
Location: utrecht
Artist: Anonymous

Ronde doos van blauw karton, beplakt met witte lijsten.
Writing Box with Design of Elderly Couple under Pine from the Noh Play Takasago
Object type: writing box
Date: 1801 – 1900
Materials: gold, lacquer
Techniques: maki
Culture: japanese
Subjects: couples,plants
Divers Ornements D'Architecture, Recueillis et Dessegnes Apres L'Antique
Object type: book
Date: 1658 – 1658
Techniques: engraving
Location: france
Artist: jacques stella
Artist role: artist
Artist nationality: french
Artist dates: 1596 – 1657

In 1658, Françoise Bouzonnet etched this book of antique ornament designs under the supervision of her older sister and teacher, Claudine Bouzonnet Stella. Baroque painters kept architectural pattern books like this one in their workshops as references when composing their classical landscapes. In her dedication to the volume, Bouzonnet Stella assumes leadership of its publication and thanks a French royal arts administrator, Antoine Ratabon, for his support of her family’s artistic pursuits. Yasemin Altun, June 2024
Visitekaartje van de Lithografische Drukkerij van J. Jaeger te Groningen
Object type: porcelain card
Date: 1843 – 1856
Materials: paper
Techniques: tone lithography
Location: groningen
Subjects: lithographer, printing press
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Links- en rechtsboven twee engelen. In de vignetten een lithograaf tekent op steen, twee figuren bij een drukpers en het pand van de drukkerij aan de Oosterstraat.
Pendant Design with Niche and a Vase with Two Handles Above Rectangular Ornaments
Object type: print ornament architecture
Date: 1573 – 1573
Techniques: embroidery, engraving
Artist: jan collaert i
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1530 – 1581
Subjects: pendants

Vertical panel with a design for a pendant at center with a niche and a two-handled vase on a pedastal, on an arabesque pattern. At bottom, two horizontal ornaments, possibly designs for earrings or buttons. The pendant hangs from a ribbon and has three pearls descending below. From a set of ten plates with pendant designs incorporating arabesque decoration. This plate belongs to the first edition, published by Hans I Liefrinck in Antwerp before 1573.
The Favorite Cat
Object type: print
Date: 1838 – 1848
Techniques: hand coloring, lithograph
Artist: nathaniel currier
Artist role: publisher
Artist nationality: american
Artist dates: 1813 – 1888
Subjects: cats
Interieur met trap
Object type: photograph
Date: 1900 – 1920
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amiens
Artist: lucien hacquart
Artist role: fotograaf
Subjects: vestibule, hall, staircase, france
Inscriptions: check stamp: ‘Hacquart/ Amiens’
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 470 – 450
Materials: terracotta
Culture: greek, attic
Zingende zaag
Object type: print
Date: 1899 – 1938
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan van hell
Artist role: print maker
Artist dates: 1889 – 1952
Subjects: accordion, popular music, street music, more than one musician with instrument
Inscriptions: collector's mark: Lugt 2228
Processie
Object type: book illustration
Date: 1809 – 1809
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: landscapes, procession ~ christian religion
Inscriptions: collector's mark: Lugt 2228

Deze prent is ook gebruikt als illustratie in: Hamelsveld, Ysbrand van. Algemeene kerkelijke geschiedenis, der Christenen, deel 18. Haarlem: François Bohn, 1809, p. 306.
Ribbon
Object type: textile
Date: 1801 – 1900
Location: spain
Portret van Hieronymus Imhof (II)
Object type: print
Date: 1624 – 1624
Materials: paper
Techniques: engraving
Artist: lucas kilian
Artist role: draughtsman, print maker
Artist dates: 1579 – 1637
Subjects: augsburg, historical persons, book, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Imp. Caes. Caroli V.S.A. (...). Ausburg: Lucas Kilian, 1624.
Schotel met geschulpte rand en vijf opgelegde appels
Object type: decoratief object
Date: 1755 – 1760
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: amsterdam
Artist: arie blankers
Artist role: plateelbakker

Ronde, witte schotel met appels, van veelkleurig beschilderde faience schotel heeft een geschulpte rand en op de schotel zijn vijf appels bevestigd.
Table clock
Object type: table clock
Date: 1580 – 1585
Materials: brass, gilt brass, silver, steel
Techniques: chasing, engraving
Artist: bartholomew newsam
Artist role: maker
Artist nationality: british
Artist dates: 1487 – 1587

Bartholomew Newsam is the earliest known native English maker of small domestic clocks, yet his few surviving works are remarkably similar to French clocks. In this example, the cylindrical gilded-brass case contours to the shape of the movement contained inside: the perforated dome of the upper section follows the form of an interior bell. The leather and gilded-brass outer case, which protected the clock during travel, has a special opening at the top for easy access to the dial.
Water Jar
Object type: jar
Date: 1678 – 1688
Materials: glaze, porcelain
Techniques: incising
Culture: chinese
Colonel Francis Barber
Object type: print
Techniques: engraving
Location: united states
Artist: stephen henry gimber
Artist nationality: american
Artist dates: 1806 – 1862
Bhringi
Object type: figure
Date: 1700 – 1800
Materials: dye, wood
Location: india
Artist: Anonymous

De wijsgeer (rishi) Bhringi met drie benen; het derde is verwijderd.
Sepulchre of Metella, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1549 – 1549
Techniques: engraving
Location: rome
Artist: Anonymous
Artist role: artist
Subjects: tombs,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 50 in the scrapbook.
D'Amstel Sluys en Brugh
Object type: print
Date: 1693 – 1694
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: sluice, weir, bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), city-gate, canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 195

Huidige staat van prent ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, desselfs eerste oorspronk uyt den Huyse (…). 2 delen. Amsterdam: Abraham Wolfgang, Gillis Janssonius van Waesberge, Johannes Janssonius van Waesberge II, weduwe Dirk Boom I, Hendrick Boom en Rembertus Goethals, 1693. En in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. Amsterdam: weduwe Aart Dircksz Oossaan, 1694.

Latere staat ook gebruikt in: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 delen. 2e druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe A. van Aaltwyk en Hermanus Uytwerf, 1726.
Portrait of Warren Hastings, Esq.
Object type: print
Techniques: engraving
Artist: george townley stubbs
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: men,portraits
Assumption of the Virgin
Object type: drawing and watercolor
Materials: chalk, graphite, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: guglielmo caccia, called il moncalvo
Artist role: artist
Artist nationality: italian
Artist dates: 1568 – 1625
Heythrop College
Object type: photomechanical print
Date: 1915 – 1930
Materials: cardboard
Techniques: photograph, writing
Location: heythrop
Artist: Anonymous
Subjects: university building, college
Inscriptions: poststempel, verso, gestempeld
Le cardinal Pierre de Bonzi
Object type: print
Date: 1678 – 1678
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits
Fragment (From a Border)
Object type: textile
Date: 1601 – 1650
Materials: linen, textile
Techniques: cutting, drawing, embroidery, lace, weave, stitching
Location: italy
Shoes
Object type: shoe
Date: 1801 – 1833
Materials: leather
Culture: italian
Vier Kunstplaten voorstellende het Rapenburg binnen de stad Leyden, zoodanig als het (ter wederzijde) zich vertoond heeft, even vóór de noodlottige gebeurtenis, op den 12den Januarij 1807. als mede de wederzijdsche ruïnes door die ijselijke uitbarsting veroorzaakt
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2228

Gezicht op het Steenschuur, een gracht in het verlengde van het Rapenburg, te Leiden, in welstand vóór de buskruitramp van 12 januari 1807. Links op de voorgrond de Nieuwsteegbrug met daarachter het Steenschuur. Links op de hoek van het Steenschuur het huis van schepen J.W. van Noort. Op de achtergrond de Saaihal (de latere Sint-Lodewijkskerk).
Coat of Arms of Ferdinand I
Object type: print
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: coat of arms
Portret van Ada Krüseman met Teddy als baby
Object type: photograph
Date: 1907 – 1934
Materials: paper
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: historical persons - bb - woman, mother and baby or young child, dutch east indies, the
Inscriptions: inscription: ‘Ada Burch +/ Teddy./ July 1934’
Portret van Sibrandus Stratingh
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: engraving
Artist: johannes philippus lange
Artist role: print maker
Artist dates: 1810 – 1849
Subjects: chemistry (+ portrait of scholar, scientist), historical persons
Inscriptions: collector's mark: Lugt 2228
Bladzijde uit het fotoalbum van de familie Diepenbrock met 2 foto's van Alphons Diepenbrock en zijn omgeving
Object type: album leaf
Date: 1895 – 1925
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam

Bruin albumblad 36 van familiealbum van Alphons Diepenbrock. Bladzijde uit het fotoalbum van de familie Diepenbrock met twee portretten van Cécile.
Military Fork
Object type: military fork
Date: 1540 – 1540
Materials: steel, wood
Culture: italian
Location: italy
Bust of Prince Eugene of Savoy (1663-1736)
Object type: bust
Materials: marble, wood
Techniques: cutting, painted, carved
Location: dresden
Artist: francois coudray
Artist role: sculptor
Artist dates: 1678 – 1727
Subjects: eugenius van savoye
Inscriptions: inscription, on the marble socle, incised and gilded: ‘EVGENIO DI SAVOIA’, on the front side of the stone disc on top of the fluted column, incised: ‘EVGENIO DI SAVOIA DONATIVO DEL PRINCIPE A G: CLIFFORD A° MDCCXXIV’

Eugene of Savoy, attributed to François Coudray, 1724. The Austrian general Prince Eugene of Savoy (1663-1736) was one of the commanders of the anti-French alliance of the War of the Spanish Succession (1701-1714). In 1716 he was appointed viceroy of the Austrian (Southern) Netherlands. Eugene is portrayed here as a general dressed in a richly decorated state cuirass. About his neck is the insignia of the Order of the Golden Fleece. Eugene gave the bust to the Amsterdam banker George Clifford who had helped facilitate the princes many art purchases in Amsterdam.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed rim fragment from a kylix, with a bit of the handle patch and the start of the handle root
Study of Bearded Man
Object type: drawing
Date: 1580 – 1600
Materials: chalk
Artist: camillo procaccini
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1629
Subjects: heads,men
Mr. Robt. Whinham
Object type: photograph
Date: 1875 – 1885
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons
Holland, halve gulden, 1751
Object type: coin
Date: 1751 – 1751
Materials: silver
Techniques: striking
Location: dordrecht

Zilveren munt. Voorzijde: tussen waarde-aanduiding X St gekroond generaliteitswapenschild. Jaartal boven kroon. Keerzijde: staande Nederlandse maagd met in rechterhand speer, waarop hoed en met linkerhand steunend op altaar, waarop bijbel. Zonder kabelrand
Vouwsleutel
Object type: key
Date: 1800 – 1900
Materials: bronze

Vouwsleutel waarvan de greep over pijp en baard heen klapt.
Ruiterstandbeeld van koning Lodewijk I van Beieren te München
Object type: stereograph
Date: 1860 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: munich
Artist: georg böttger
Artist role: fotograaf
Artist dates: 1821 – 1902
Subjects: equestrian statue
Inscriptions: number: ‘G. 5.’
Prinses Maria neemt afscheid bij haar vertrek naar Engeland, 1689
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: london, maria ii stuart (koningin van engeland, schotland en ierland), arrival and return ~ travelling, brielle

De prinses van Oranje Maria II Stuart neemt afscheid van regeringsvertegenwoordigers bij haar vertrek vanuit Brielle op 20 februari 1689 naar Engeland. Genummerd rechtsboven: 186. Plaat H in de serie 'Engelants schouwtoneel' over de Glorious Revolution 1688-1689 (tweede deel). Met onderschriften in het Nederlands en Frans.
Dragon Carpet
Object type: carpet
Date: 1601 – 1700
Materials: wool
Techniques: pile
Location: azerbaijan
Subjects: dragons
Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): This is worse (Esto es peor)
Object type: print
Date: 1810 – 1810
Techniques: drypoint, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: male nudes,trees
Fan
Object type: fan
Date: 1801 – 1833
Materials: mother of pearl, parchment
Subjects: ruins
Terracotta amphoriskos (perfume vase)
Object type: amphoriskos
Date: 575 – 550
Materials: terracotta
Culture: greek, corinthian
Subjects: deer,panthers

On the body, fallow deer and panthers. On the shoulder, goat and palmette-cross.
Sugar sifter
Object type: sugar sifter
Date: 1745 – 1745
Materials: faience
Techniques: glazing
Artist: laufier-ouéry
Artist role: factory
Subjects: flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
The King and Queen of Tunis (Rex et Regina de Tunis)
Object type: print
Date: 1645 – 1645
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Minister Heemskerck in de Tweede Kamer
Object type: drawing
Date: 1887 – 1887
Materials: chalk, ink, paper
Location: the hague
Artist: pieter de josselin de jong
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1906
Subjects: the hague, politician, minister ~ government, historical persons, netherlands
Inscriptions: inscription: ‘Heemskerck’

De Minister van Staat en Binnenlandse zaken Mr. J. Heemskerck Azn. zittend, van opzij met gevouwen handen. Rechts twee schetsjes van voorovergebogen lezende of schrijvende man. Onderdeel van een groep schetsen van de bespreking in de Tweede Kamer van de grondwetsherziening van 1887 gepubliceerd in het weekblad Eigen Haard (1887).