deem-data/ArtiFact huggingface dataset:
Mr. Manton, from the Racing Colors of the World series (N22b) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,jockeys

Trade cards from the "Racing Colors of the World" series (N22b), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. The series was published in two variations. N22a includes a white edge around the perimeter of each card and N22b does not.
Lekythos
Object type: lekythos
Date: 500 – 468
Materials: terracotta
Culture: greek, attic
Artist: class of athens 581
Artist role: artist
Subjects: soldiers,shields,men

Three warriors running to left with large, circular shields covering their bodies.
Scarab of the Vizier Minhotep
Object type: scarab, minhotep, scroll border, vizier, private name and title, official
Date: 1760 – 1670
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs
De kleine Passie
Object type: print
Date: 1523 – 1523
Materials: paper
Techniques: woodcut
Location: amsterdam
Subjects: meal at the house of simon the pharisee (luke 7:36-50), a woman washes christ's feet with her tears, and wipes them with her hair, christ's feet are anointed by mary (magdalene), meal in bethany (at the house of simon the leper) (matthew 26:6-13; mark 14:3-9; john 12:1-11)

Christus zit aan tafel te eten in het huis van Simon de Farizeeër. Maria Magdalena knielt op de grond zalft zijn voeten en droogt ze met haar haren. Prent maakt deel uit van een boek.
Fotoreproductie van het schilderij De bewening van Christus, van Anthony van Dyck
Object type: reproduction
Date: 1858 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Subjects: lamentation over the dead christ by his relatives and friends (christ usually without crown of thorns)
Inscriptions: inscription: ‘F. Tessaro/ 37, Marché aux Souliers, 37./ Anvers/ Grand Assortiment/ de/ photographies en tous genres’

Het schilderij bevindt zich tegenwoordig onder de naam Pietà in de collectie van het Museo del Prado, Madrid.
Kast
Object type: print
Date: 1839 – 1885
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Portret van Hildegard van Beieren, aartshertogin van Oostenrijk
Object type: print
Date: 1825 – 1868
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: carl mayer
Artist role: print maker
Artist dates: 1798 – 1868
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Vermoedelijk afkomstig uit: Almanach de Gotha.
Cylinder seal and modern impression: smiting weather god before a Syrian goddess, nude goddess; ankh symbols
Object type: cylinder seal
Date: 1720 – 1650
Materials: mineral
Location: syria
Subjects: gods,goddess

Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and iconography. The modern impression of the seal is shown so that the entire design can be seen. This seal shows a smiting weather god wielding a mace and a sickle sword, approached by a goddess wearing a square, horned miter and a long garment. Behind her stands a nude goddess wearing a brimmed cap, and a galloping ibex above a seated lion. A number of objects are arranged in the empty spaces of the pictorial field including a crescent, a sun disk, and ankh symbols.
Drie mannen aan een tafel in een restaurant
Object type: print
Date: 1836 – 1900
Materials: paper
Techniques: engraving
Location: the hague
Artist: elchanon verveer
Artist role: draughtsman, print maker
Artist dates: 1826 – 1900
Subjects: restaurant
Inscriptions: collector's mark: Lugt 2228
Hoofdtempel en Gomado-tempel in Nikko
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: nikko
Artist: Anonymous
Subjects: temple, shrine ~ hinduism, buddhism, jainism
Inscriptions: negative number: ‘F 199’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Japan.
La España Triunfara
Object type: print
Date: 1814 – 1815
Materials: ink
Techniques: hand coloring, engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Horse, plate 21 from "Various Animals" (Diversi Animali)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,horses
Settee
Object type: settee
Date: 1725 – 1790
Materials: wood
Culture: american
Location: united states
First Reception-room in wealthy Chinaman's house in Amoy
Object type: album leaf
Date: 1879 – 1890
Materials: paper
Techniques: albumen print
Location: xiamen
Artist: Anonymous
Subjects: interior of the house
Portret van Lucy Hay, hertogin van Carlisle
Object type: book illustration
Date: 1716 – 1716
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: lucy hay (hertogin van carlisle)
Inscriptions: collector's mark: Lugt 240

Boekillustratie voor Gunst, Pieter van. Decem Magna Arte Et Summa Dexteritate Pictas Effigies. Amsterdam, voor Pieter van Gunst, 1716.
Plate 13: Buffalo lying down, from "Various animals" (Diversi animali)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: ruins,buffalos
Twee jongens met marmot
Object type: print
Date: 1750 – 1795
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: earning money with guinea-pig, child playing with animals
Inscriptions: collector's mark: Lugt 2228

Twee jongens met een marmot in een landschap. Tweeregelige Franse tekst in ondermarge.
Bracket
Object type: bracket
Date: 1534 – 1566
Materials: alabaster
Subjects: heads
Portret van Margo Kessler-de Lange, met An of Dolph Kessler
Object type: cabinet photograph
Date: 1882 – 1884
Materials: cardboard, paper
Techniques: albumen print
Location: batavia
Subjects: geldolph adriaan kessler (dolph), margaretha jacoba johanna kessler-de lange (margo), historical persons, mother and baby or young child
Swallows and Budding Wild Cherry
Object type: woodblock print
Date: 1835 – 1835
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: birds

The poem is unsigned, as is often the case with poems on Hiroshige’s bird-and-flower prints, but the verse is known to be by Takarai Kikaku (Enomoto Kikaku, 1661–1707), a professional poet who numbered among the top disciples of Matsuo Bashō (1644–1694). Swallows (tsubame) are common subjects in haikai set in spring, as in this example: 山の端に 乙鳥をかへす 入日かな 宝井其角 Yama no ha ni tsubame o kaesu irihi kana The setting sun— over the mountain ridge sends the swallows home. —Trans. John T. Carpenter
Gezicht op de Dubbele Buurt aan het einde van de Overtoom
Object type: drawing
Date: 1810 – 1810
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: pieter van der meulen
Artist role: draughtsman, painter, print maker
Artist dates: 1780 – 1858
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc., boat propelled by man or animal
Inscriptions: inscription: ‘Gezigt op de (...) Baarsjesweg te zien’, signature and date: ‘P.H.L.v.d. Meulen Fecit 1810’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 28.
The Actor Sawamura Sojuro III in an Unidentified Role
Object type: print
Date: 1781 – 1781
Techniques: woodblock print
Location: japan
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Meetkamp
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

Gezicht op de hut gebouwd van takken en bladeren in het meetkamp in het oerwoud. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Bracelet
Object type: bracelet
Date: 4500 – 4000
Materials: shell
Location: egypt
Card 49, Prepona Amphimachus, from the Butterflies series (N183) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: profiles,women,butterflies

Trade cards from the "Butterflies" series (N183), issued in a numbered set of 50 cards in 1888 by W.S. Kimball & Co.
Christening mitts
Object type: christening mitt
Date: 1701 – 1800
Materials: cotton, linen
Culture: american
Twee inktpotten en zes vazen
Object type: page
Date: 1868 – 1873
Materials: paper
Techniques: carbon print
Artist: joseph cundall
Artist role: fotograaf, schrijver
Artist dates: 1818 – 1895
Subjects: ink-well, container of ceramics: jar, jug, pot, vase, sculpture (+ relief ~ sculpture)
The Gion Shrine in Snow, from the series Famous Views of Kyoto (Kyōto meisho no uchi)
Object type: print
Date: 1834 – 1834
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: gates,women,winter,snow
Miniature sugar bowl (part of a set)
Object type: sugar bowl
Materials: silver
Artist: henry flavelle
Artist role: artist
Artist dates: 1750 – 1850

The production of miniature silver furniture and tea, coffee, and chocolate equipment was a specialty of goldsmiths known as "toy men." The miniatures were probably intended for dollhouses. From the mid-eighteenth century in England until the present, porcelain and fine earthenware miniatures have been made as well.
Study of a Boy Carving a Crucifix
Object type: drawing
Date: 1908 – 1908
Materials: gouache, graphite, paper
Culture: american
Artist: toby e. rosenthal
Artist role: artist
Artist nationality: american
Artist dates: 1848 – 1917
Subjects: boys,crucifixion,working
Staatsiekoets van den Keizer van Solo, vervaardigd in de Fabriek van M.L. Hermans en Co., te 's Gravenhage
Object type: stereograph
Date: 1859 – 1859
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: passenger carriage, the hague
Inscriptions: inscription: ‘foto Pieter Oosterhuis’, inscription: ‘Voiture d'apparat/ de/ l'empereur de Solo,/ fait par/ M.L. Hermans et Co.,/ à la Haye.’, inscription: ‘Gephotographieerd in Augustus 1859./ Uitgegeven bij A. Jager,/ Amsterdam, Water 110.’, initials: ‘P.O.’

Solo was in de negentiende eeuw een gangbare benaming voor Soerakarta in het Nederlands.
Bes
Object type: head and torso of be
Date: 100 – 100
Materials: terracotta
Culture: cypriot
Subjects: heads,bes

The figurine, representing the Egyptian deity Bes, is mold-made and solid. The back is handmade and flat. The figure is preserved from the head to the waist.
Portret van een onbekende man met kanten kraag
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: etching
Subjects: adult man, lace
Inscriptions: collector's mark: Lugt 2228
Kabuki Actor Nakamura Shikan Backstage (Nakamura Shikan rakuya no zu)
Object type: woodblock print
Date: 1826 – 1826
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: juyōdō toshikuni 壽陽堂歳国
Artist role: artist
Artist nationality: japanese
Artist dates: 1816 – 1830
Subjects: men,actors
Pendant
Object type: decorative art
Date: 1601 – 1700
Materials: gold, quartz
Techniques: enamel
Culture: spanish
Location: spain
Case for an animal mummy topped by a falcon
Object type: mummy case, falcon, double crown
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: falcons,horus

The falcon god Horus stands with his wings swept back. He has a prominent beak, large rounded eyes, and a strong brow, which supports the double crown of Egypt. This royal crown symbolizes the union of Lower and Upper Egypt, and highlights Horus’ role as the legitimate ruler of the entire land. On this particular figure, the crown’s elements are closely modeled together but are still distinct: the red crown of Lower Egypt, complete with its curling spiral at the front, and the white crown of Upper Egypt. The falcon wears the double crown because Horus and the concept of kingship were closely tied, as early as the Predynastic Period. The falcon stands on a rectangular receptacle that would have held an animal mummy. The back end is open where the mummy, now lost, would have been inserted. Such falcon mummy boxes, or sarcophagi, would have been offered for deposition in animal necropoleis, not just in relation to the cult of Horus, but also more broadly in association with solar cult.
Abraham Lincoln
Object type: photograph
Techniques: gelatin silver print
Artist: alexander gardner
Artist role: artist
Artist nationality: american, scottish
Artist dates: 1821 – 1882
Subjects: abraham lincoln,men,portraits
Portret van de Hiëronymus Bock in ornamentele omlijsting
Object type: print
Date: 1546 – 1546
Materials: paper
Techniques: woodcut
Subjects: fantasy ornament, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent voor het eerst gebruikt in: Bock, Hiëronymus. Kreuter Buck. Straatsburg: Wendel Rihel, 1546.
Bethlehem, with the Church of the Nativity
Object type: photograph
Date: 1857 – 1857
Techniques: albumen print
Location: england
Artist: francis frith
Artist role: publisher
Artist nationality: english
Artist dates: 1822 – 1898
Subjects: collected by hugh edwards, egypt and palestine
Portret van Henri Herz
Object type: print
Date: 1837 – 1846
Materials: paper
Techniques: lithograph
Location: the hague
Artist: Anonymous
Subjects: vienna, paris, henri herz, historical persons, portrait of composer
Wineglass
Object type: wineglass
Date: 1720 – 1720
Materials: glass
Jug with a dancing couple
Object type: jug
Date: 1580 – 1600
Materials: engobe, glaze, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: raeren
Artist: Anonymous
Inscriptions: inscription: ‘GERHET DV MVS DAPER BLASEN SO DANSSEN DEI BVREN ALS WEREN SI RASEN FRS VF SPRICHT BASTOR ICH VER DANS DY KAPA KO[...]’, mark: ‘W.Z.’

Kruik van steengoed op hoge voet met een cilindrisch lichaam, ronde schouder en wijde nek. Profielen op de nek, het lichaam en de voet. Bedekt met een bruine engobe. Op de buik in reliëf een gedrukte en opgelegde band met een boerendans. Links zijn de muzikanten afgebeeld met daarnaast het dansende paar. In het tweede vak van links de datum '1597'. Onder de band het opschrift 'GERHET DV MVS DAPER BLASEN SO DANSSEN DEI BVREN ALS WEREN SI RASEN FRS VF SPRICHT BASTOR ICH VER DANS DY KAPA KO[...]'. Tussen de muzikanten en het eerste paar het merk 'W.Z.'. Het onderste deel van de buik loopt schuin af naar de voet en heeft, net als de schouder, ingegrifte vakken. Op de nek een band in reliëf met vazen met bloemranken onderbroken door maskers in medaillons. Raeren.
Pont Napoléon, à St. Saveur,(a)
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: pyrenees
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: bridge
Inscriptions: number: ‘67.’
5 Dec. Een Sint Nikolaasgeschenk voor de Nederlandsche jeugd
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: rome, priest, herman johannes aloysius maria schaepman

Spotprent met Schaepman en Loman die een kruis en een Bijbel in de hoofden van kinderen proberen te krijgen. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 49, 1883.
Chrysanthemums
Object type: painting
Date: 1881 – 1882
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: pierre auguste renoir
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1919
Subjects: chrysanthemums, yellow (color), white (color), vase, table, red (color), leaves, leaf, green (color), foliage, flowers, floral, flora, orange (color), still life, century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed upper right: Renoir

“I just let my brain rest when I paint flowers,” Pierre-Auguste Renoir remarked. “I don’t experience the same tension as I do when confronted by the model. When I am painting flowers, I establish the tones, I study the values carefully without worrying about losing the picture. I don’t dare do this with a figure piece for fear of ruining it.”
Whitehall te Londen, gezien vanaf de Theems
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: etching
Location: antwerp
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: city-view, and landscape with man-made constructions, river, thames
Doop van Christus
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: baptism of christ in the river jordan: john the baptist pouring out water on christ's head: the holy ghost descends, tetragram (in roman or hebrew script) ~ symbol of god the father
Inscriptions: number: ‘2’, collector's mark: Lugt 2228

Christus wordt door Johannes de Doper, in het bijzijn van twee engelen, in de Jordaan gedoopt. Eén van hen wijst naar het tetragram - symbool van God de Vader - dat aan de hemel is verschenen nadat Christus uit het water omhoog kwam. God in de gedaante van een duif daalt op hem neer. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Mat. 3:13.
Robe à la française
Object type: robe à la française
Date: 1750 – 1750
Materials: cotton, metal thread, silk
Culture: european

In a rare example of a full eighteenth-century dress in quilting, the proficiency of the silk to contain body heat is transferred from the more familiar elements of separate jackets and petticoats for winter. In this instance and a related quilted outfit in the Victoria & Albert Museum, the density of quilting mitigates the sleek lines of mid-eighteenth century. With some uncertainties in its state of preservation, this ensemble combined at-home coziness and social grace despite the added bulk.
Samson and Delilah seated on a bed, Samson tearing apart the ropes binding his hands as soldiers look on from behind a curtain; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni
Object type: print
Date: 1730 – 1739
Techniques: engraving, etching
Location: venice
Artist: pietro monaco
Artist role: artist and publisher
Artist nationality: italian
Artist dates: 1707 – 1772

From the series of 112 prints of the sacred history, after paintings by various artists.
Plate 76: Seller of Parmesan Cheese
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: simon guillain ii
Artist role: artist
Artist nationality: french
Artist dates: 1618 – 1718
Subjects: cheese
Zu Frühe war sein Tod!
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: germany
Artist: Anonymous
Subjects: the hague, willem george frederik (prins van oranje-nassau), grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 2228

Allegorisch grafmonument voor Willem George Frederik, prins van Oranje-Nassau, overleden te Padua, 6 januari 1799. Monument met urn en wapentrofee, in een hof met bomen. Met twee flappen die opgetild kunnen worden waardoor de onderliggende in goud gedrukte opschriften over de overleden prins zichtbaar worden.
Panorama of Camdbo and the Sneeuberg Mountains, see from Bruintjeshoogte
Object type: drawing
Date: 1711 – 1777
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Inscriptions: annotation: ‘Gesigt van de Camdebo, en Sneeuw Berge, van Bruijns Hoogte af gesien na de West Syde’

Oorspronkelijk in omslag van roodkleurig halfleer en roodgemarmerd plat, dorso met ribben en goudopdruk; 71 x 99 x 6 cm.
Les Divers Pourtraicts & figures faictes sus les meurs Des habitans du Nouveau Monde
Object type: print
Date: 1610 – 1640
Materials: paper
Techniques: engraving
Location: france
Subjects: parts of church interior: niche, woman (showing herself) undressed, quasi-nude
Inscriptions: collector's mark: Lugt 2228

In deze serie worden naakte figuren in vier architecturale niches geplaatst. Zij stellen de inwoners voor van de Nieuwe Wereld.
Platina standaardmeter uit 1839 met koperen plaat
Object type: case
Date: 1839 – 1839
Materials: copper, cork, platinum, wood
Subjects: maastricht, engineer, antoine lipkens, amsterdam, netherlands
Inscriptions: inscription: ‘PLATINA METER<BR />Een commissie bestaande uit de heren Lipkens, Lobatto en Prof. Uylenbroek heeft in 1838 de opdracht gekregen in Parijs een nieuwe nationale standaard van de meter en het kilogram te vervaardigen.<BR />De standaard van lengte (platina meter) werd in 1839 de "enige standaard van de Nederlandse El" en in bewaring gegeven bij het Konkinklijk Instituut.’, inscription: ‘platina meter 1839 - 1887’, inscription: ‘EIGENDOM VAN KONINKLIJKE ACADEMIE VAN WETENSCHAPPEN AMSTERDAM’

Platina standaardmeter waarop aan beide zijkanten met 1 meter tussenruimte kruisen zijn gegraveerd. Meter rust op 2 houders met rolletjes in koperen, grijsgroen geverfde rechthoekige foedraal, opgevuld met 6 stukken hout en kurk. Foudraal wordt dichtgeschoefd met 8 schroeven. Op foedraal is rechthoekig eigendomsplaatje aangebracht van de Koninklijke Academie. Oorspronkelijk zat deze meter in een houten doos, waarop een koperen plaat was bevestigd (zie NG-2002-83-B).
Yashima, a Warrior Play, from the series "Noh Songs of Gardens (Hanazono yokyoku bantsuzuki)"
Object type: print
Date: 1826 – 1826
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
[Album of 131 Views of a French Family & Their Travels]
Object type: album
Date: 1880 – 1909
Materials: photographic print
Artist: Anonymous
Artist role: artist
Subjects: monuments,men,women

This amateur snapshot album documents the life of a bourgeois French family at home and on their travels throughout Europe and the Middle East.
Diverse ornamenten
Object type: ornament print
Date: 1820 – 1820
Materials: paper
Techniques: etching
Location: paris
Subjects: ornaments ~ art, piece of sculpture, reproduction of a piece of sculpture, ceres, patroness of agriculture

Ornamentprent met diverse objecten, centraal een beeld van Ceres met twee kinderen. Onderdeel (9e. Cah. f.le 1) van het prentalbum met twee series van in totaal 138 ornamentprenten door Beauvallet en Normand, 'Fragmens d'Ornemens dans le Style Antique'.