deem-data/ArtiFact huggingface dataset:
Miss Miller, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Heilige Stefanus gestenigd
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: the stoning of stephen; the witnesses lay down their clothes at saul's feet

Prent ook gebruikt in: Biblia ectypa : Bildnussen auss Heiliger Schrifft. Regensburg: Chr. Wiegel, 1697.
Coronation Procession of Charles II Through London (from John Ogilby's "The Entertainment of...Charles II," London, 1662)
Object type: print
Date: 1662 – 1662
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: soldiers,weapons,horses
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1920 – 1920
Materials: cardboard, ink
Techniques: pen, writing
Location: paris
Artist: vittorio pica
Artist role: criticus
Artist dates: 1864 – 1930
Subjects: print maker, vincent van gogh, venice, the hague, draughtsman, philip zilcken, painting (including book-illumination, miniature-painting), exhibition ~ art, money, italy
Inscriptions: collector's mark: ‘RPK’
Frankfurt a. M.
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: etching
Artist: georg bernhard liebig
Artist role: painter, print maker
Artist dates: 1873 – 1937
Subjects: city-view, and landscape with man-made constructions, church (exterior), canals, waters (in city), watermill, bridge in city across river, canal, etc.
Fotoreproductie van Nymphe des pres
Object type: album leaf
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: nymphs (in general); 'ninfe in commune' (ripa), painting, drawing and the graphic arts
Inscriptions: inscription: ‘Brochart,/ 29. Nymphe des prés.’, annotation: ‘[...]’
Portret van Gerard Hamel
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: engraving, letterpress printing
Location: utrecht
Subjects: official; civil servant; functionary (in general), historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Portret van de advocaat Gerard Hamel, met zijn wapenschild. In de marge een drieregelig onderschrift met de naam en functie van de geportretteerde in het Latijn. Daaronder een tienregelig lofdicht in boekdruk in het Latijn.
Ex libris voor J. Slagter (ontwerp)
Object type: bookplate
Date: 1935 – 1940
Materials: paper, pencil
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: j. slagter

Vliegend paard met eronder aan de lage horizon het gezicht op een stad. Het blad is in het midden gevouwen.
White Dog
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: dogs, animals

Images of dogs in the early modern period could have allegorical or moral meanings or simply offer literal portraits. Wenceslaus Hollar’s profile study of a popular type of dog likely presents its sitter as a status symbol as well as someone’s pet. While the untamed lion-like mane could belong to a small poodle, this engraving is sometimes thought to represent a Bolognese dog, an Italian breed owned by and portrayed with members of the Gonzaga family in the sixteenth century and later idolized by Catherine the Great of Russia.
Vase fragment
Object type: vase fragment
Date: 100 – 100
Materials: terracotta
Culture: roman

Winged figure holding floral swag.
Landscape Prospect with a Buggy and a Herd of Goats
Object type: drawing
Date: 1711 – 1767
Materials: chalk, charcoal, ink, paper
Techniques: brush, highlighting, pen, stumping, wash
Artist: giuseppe zocchi
Artist role: artist
Artist nationality: italian
Artist dates: 1711 – 1767
Subjects: buildings,goats,horses,landscapes,trees
Knielende Maria in een architectuur
Object type: drawing
Date: 1500 – 1520
Materials: chalk, ink, paper
Techniques: brush, pen
Location: northern italy
Artist: Anonymous
Shawl
Object type: shawl
Date: 1801 – 1900
Materials: silk, wool
Culture: french
View at Hebron
Object type: photograph
Date: 1857 – 1857
Techniques: albumen print
Location: england
Artist: francis frith
Artist role: publisher
Artist nationality: english
Artist dates: 1822 – 1898
Subjects: collected by hugh edwards, egypt and palestine
Water Jar (Mizusashi) with the Seven Sages of the Bamboo Grove
Object type: water jar
Date: 1767 – 1800
Materials: cobalt, glaze, lacquer, porcelain
Techniques: painting
Culture: japanese
Subjects: men,bamboo
Joined pair of cherubs
Object type: crèche figure
Date: 1751 – 1800
Materials: terracotta
Techniques: polychrome

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Burse
Object type: burse
Date: 1751 – 1800
Materials: metal thread, silk
Subjects: coat of arms
Brief aan Philip Zilcken
Object type: letter
Date: 1919 – 1919
Materials: ink
Techniques: pen, writing
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Plucking a Spoony
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,gambling,playing cards,drinking

A promising young "spooney" seated at left, entering into life's dangers, represented by the framed pictures above inscribed "Whoring," "Drinking," and "Gaming." He sits with his legs across a woman at left. A man at center pours two bottles into a punch bowl, and a man at right deals cards.
Porringer
Object type: porringer
Date: 1667 – 1733
Materials: silver
Artist: john bradley
Artist role: maker
Artist dates: 1694 – 1694
Fragment
Object type: fragment
Date: 1601 – 1700
Subjects: flowers,leaves
Sampler
Object type: sampler
Date: 1801 – 1801
Materials: canvas, silk, wool
Subjects: houses,flowers
The Vatican Obelisque, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1550 – 1550
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: obelisks,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 110 in the scrapbook.
Goblet
Object type: goblet
Date: 1800 – 1830
Materials: earthenware
Culture: british
Location: england
Caddy spoon
Object type: caddy spoon
Date: 1767 – 1833
Materials: silver
Artist: christoffel oepkes
Artist role: maker
Artist dates: 1812 – 1819
Portret van een onbekende man
Object type: carte de visite
Date: 1877 – 1897
Materials: cardboard, paper
Techniques: albumen print
Location: utrecht
Artist: lodewijk hendrikus serré
Artist role: fotograaf
Artist dates: 1847 – 1897
Subjects: youth, adolescent, anonymous historical person portrayed
Inscriptions: inscription: ‘Voor nabestelling blyft de plaat bewaard.’, address: ‘NACHTEGAALSTRAAT, over het Park Tivoli/ Utrecht/ 's Hage, Tiel en Arnhem.’
Lucidario di Recami, page 15 (recto)
Object type: book print ornament architecture
Date: 1564 – 1564
Techniques: woodcut
Location: italy
Artist: iseppo foresto
Artist role: designer
Artist nationality: italian
Artist dates: 1520 – 1580
Subjects: flowers

Designed by Iseppo Foresto, published by Jeronimo Calepino, 1564. From top to bottom, and left to right: Design composed of 3 vertical columns; middle column is printed upon a grid. Left column is decorated in the center with a flower that has coiling stems of leaves upon which 2 putti sit. Middle column is decorated with a central floral element with coiling stems that move outward and connect to another set of coiling vines. Right column is decorated in the center with a hanging flower, which is flanked on both sides by a leaf that forms the top half of a horse.
H. Franciscus van Paola wekt een kind tot leven
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: st. francis of paola raising a child from the dead, one or more angels appear to st. francis of paola holding a tablet with the inscription 'charitas'
Inscriptions: collector's mark: Lugt 2228
Magical figurine of foreigner
Object type: figurine of foreigner, magical
Date: 1981 – 1650
Materials: stone
Location: egypt
Portret van Jacob van Lennep
Object type: print
Date: 1827 – 1839
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: amsterdam, jacob van lennep, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, : ‘Gedeponeerd.’
VOC, duit Holland, 1780
Object type: coin
Date: 1780 – 1780
Materials: copper
Techniques: striking
Location: dordrecht

Koperen munt. Voorzijde: gekroond wapenschild van Holland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Inwijding van de Arc de Triomphe te Parijs 1836
Object type: history medal
Date: 1836 – 1836
Materials: silver
Techniques: striking
Artist: montagny

Zilveren penning, op de voorzijde de elkaar toegewende portretten van Napoleon en Louis-Phillipe elk boven een jaartal, met omschrift, op de keerzijde Arc de Triomphe waarboven een ster.
Staande oude man met stok
Object type: indian miniature
Date: 1900 – 1990
Materials: paper
Techniques: brush
Artist: Anonymous
Inscriptions: inscription: ‘.’
Portret van een man met snor
Object type: album leaf
Date: 1873 – 1886
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: max büttinghausen
Artist role: fotograaf
Artist dates: 1847 – 1906
Subjects: moustache, historical persons
Inscriptions: inscription: ‘M. Büttinghausen/ Photographisch artistisch Atelier./ Amsterdam/ Singel bij het Koningsplein No. 512./ SPECIALITEIT IN VERGROOTINGEN.’
Kaart van het gebied ten noordwesten van Lokeren
Object type: map
Date: 1869 – 1869
Materials: paper
Techniques: lithograph
Location: brussels
Artist: j. vanderborght
Artist role: printer
Subjects: maps of separate countries or regions
Inscriptions: check stamp: ‘Depot de la Guerre Belgique’
Kii Province: Wakanoura Bay (Kii, Wakanoura), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)"
Object type: print
Date: 1855 – 1855
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Portrait of a Woman
Object type: painting, miniature
Date: 1805 – 1810
Materials: ivory
Artist: jacques delaplace
Artist role: artist
Artist nationality: french
Artist dates: 1767 – 1831
Subjects: portraits,women,flowers
Gold Double-Headed Frog Ornament
Object type: pendant
Date: 1001 – 1600
Materials: gold
Culture: chiriqui
Location: costa rica
Subjects: frogs
Portrait of Elizabeth Cromwell, Daughter of Oliver Cromwell
Object type: painting, miniature
Date: 1650 – 1650
Materials: enamel, gold, metal
Techniques: painting
Location: switzerland
Artist: paul prieur
Artist nationality: swiss
Artist dates: 1620 – 1683
Subjects: portrait, woman, portraits, black (color), bows, brown (color), elderly, jewelry, necklace, pearls, portraits: female subject, white (color)
Wine taster
Object type: wine taster
Date: 1775 – 1776
Materials: silver

Also known as a tasse à vin, a tâte-vin, or a tastevin, a wine taster was used by a wine merchant to assess the quality, clarity, and color of wine. The reflective properties, resistance to corrosion, and the fact that it would not taint the wine in any way, made silver the ideal material for a winetaster. Shallow in form, these bowls frequently have a convex bottom. The polished surface, either left smooth or embellished with gadrooning and other decorations, would catch the light and reflect it throughout the wine so that it could be checked for impurities. Holding just a small amount of wine, silver wine tasters are often personalized with initials, names, and dates or coats-of-arms. Made by an unknown Parisian silversmith, the ring-shaped handle of this wine taster comprises a reticulated serpent, a symbol of Dionysus, the god of wine. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, much of it made in provincial centers.
Rasphuis
Object type: print
Date: 1719 – 1759
Materials: paper
Techniques: etching, letterpress printing
Artist: Anonymous
Subjects: criminal law; punishment, workhouse, penal camp, penitentiary, chain gang
Inscriptions: collector's mark: Lugt 1641, stamp

Prent met andere letterzetting gebruikt in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Janssoons van Waesberge, 1719, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman de Jonge, 1741, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman, 1759, dl. 2. Huidige prent uit een andere editie. Naar een prent van: Jan Luyken.
[Frustules of Diatoms]
Object type: micrograph
Date: 1870 – 1870
Techniques: cyanotype
Artist: julius wiesner
Artist role: artist
Artist nationality: austrian
Artist dates: 1838 – 1916
Subjects: science
Portret van Christian Furchtegott Gellert
Object type: print
Date: 1748 – 1850
Materials: paper
Techniques: engraving
Subjects: lyre, cithara, psaltery, historical persons, writer, poet, author, cupids: 'amores', 'amoretti', 'putti'
Tout ce qu'on voudra
Object type: cartoon
Date: 1849 – 1849
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: theatre, theatrical performance, caricatures (human types), paris
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 14 februari 1849.
Console table
Object type: console table
Date: 1701 – 1800
Materials: marble, wood
Techniques: carving, painting
Portret van een zittende moeder met kind
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: mother and baby or young child
Inkwell with Crosses
Object type: inkwell
Date: 901 – 1000
Materials: earthenware, glaze
Techniques: polychrome
Location: iran

This inkwell preserves a small ball inside that was probably used to stir the ink it once held. The color scheme of this object is typical of the buff ware group, but the main decorative motif—a cross-like symbol—is not. The cross may indicate that the object belonged to one of Nishapur's Christians, or it may simply have been a decorative device improvised by the potter.
Ornamenti di fregi et fogliani
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: france
Subjects: lion's head ~ ornament, ram's head ~ ornament, foliage ~ ornament, predatory birds: eagle (+ ornamental variants of animals)
Inscriptions: collector's mark: Lugt 2228

Twee friezen. Boven: een fries met links een leeuwenkop uitlopend in bladornament en rechts een kop van een adelaar uitlopend in bladornament. Onder: twee tegen elkaar opbotsende rammen die uitlopen in bladornament.
Bronze jug handle
Object type: handle
Date: 1 – 200
Materials: bronze, silver
Culture: roman
Subjects: medusa,leaves

The handle is decorated with acanthus leaves in low relief. On the lower attachment is a head of Medusa. The eyes of the Medusa are inlaid with silver.
Rafaël Bijbel
Object type: print
Date: 1675 – 1675
Materials: paper
Techniques: etching
Location: italy
Subjects: jacob at the well of haran (genesis 29:1-13)
Inscriptions: number: ‘144’

Rachel laat de kudde schapen en geiten van haar vader drinken bij een bron. Bij de bron ontmoeten Rachel en Jakob elkaar. Bijbelvers onder de voorstelling. Prent maakt deel uit van een album.
Musée de Saint-Germain-en-Laye
Object type: photomechanical print
Date: 1904 – 1906
Materials: cardboard
Techniques: photograph
Location: paris
Artist: Anonymous
Subjects: monument, statue, permanent exhibition, museum
Bandontwerp voor: Caesar Gezelle, De dood van Yper, 1916
Object type: study for binding design
Materials: chalk, paint, ink, paper
Techniques: brush, pen
Artist: emmanuel viérin
Artist role: draughtsman
Artist dates: 1869 – 1954
Subjects: ruin of church, monastery, etc., parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 2228a, :, signature: ‘E.V.’

De afgebrokkelde toren van de Sint-Maartenskerk te Ieper bij nacht.
Lady Barkley
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Petit Courrier des Dames, 1827 (514)
Object type: magazine
Date: 1827 – 1827
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: fashion plates

Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Hongarije, Moravië, keizer Rudolph II, taler,1603
Object type: coin
Date: 1603 – 1603
Materials: silver
Techniques: striking
Location: kremnica
Subjects: rudolf ii van habsburg (duits keizer)

Zilveren munt. Voorzijde: tussen twee wapenschilden geharnast borstbeeld met kraag van de keizer naar rechts. Keerzijde: tussen letters N en B [=Kremnitz] gekroonde dubbelkoppige adelaar met rijksappel, waarin wapenschild op de borst en in zijn poten een zwaard en een scepter. Jaartal aan het eind van het omschrift.
Token on Martin Van Buren
Object type: token
Date: 1876 – 1876
Materials: bronze
Initiation Card (Tsakalis): Door Keeper
Object type: initiation card
Date: 1401 – 1433
Materials: paper, watercolor
Culture: tibetan
Subjects: buddhism,deities

These tsakali cards, when arranged on the ground as a mandala, create a fixed sacred space like a temple. They show the celestial Buddhas, bodhisattvas, protectors, and, at bottom, the six possible realms of rebirth. Monastic teachers used tsakali cards to align (initiate) a disciple with one of many Vajrayana Buddhist deities. The disciple sought permission from the deity (via dream or supervised by a teacher) and visualized the deity as described in recited mantras and represented on the card. A Nepali artist probably made this set for a Tibetan patron of the Nyingma school of Tibetan Buddhism.
Le garde-meuble / Collection de Meubles
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage, palace

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Landschap in Zwitserland
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: aquatint
Location: amsterdam
Subjects: mountains, switzerland
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Promenade Pittoresque dans l'évêché de bâle aux bords de la Birs (...). Amsterdam: T.B. Groebe, 1710.
Double beaker
Object type: double beaker
Materials: gilt silver, mother of pearl
Artist: georg rühl
Artist role: maker
Artist dates: 1598 – 1625

This beaker, which when assembled has the form of a barrel, incorporates bands of mother-of-pearl that were most likely appropriated from an object made by the specialist artisans of Gujarat, India. Rühl, a celebrated German goldsmith, is known for mounting imported precious materials like shell and hardstone in gilded silver
Bedcover (Peony Quilt)
Object type: textile
Date: 1840 – 1840
Techniques: appliqué
Location: united states
Roman Commander Ordering Attack
Object type: drawing and watercolor
Materials: chalk, graphite, paper
Location: italy
Artist: after pietro da cortona
Studie, mogelijk van een wolkenlucht boven een landschap
Object type: sketchbook leaf
Date: 1882 – 1884
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes, clouds, civic architecture; edifices; dwellings

Pagina 43 uit een schetsboek met 24 bladen.