deem-data/ArtiFact huggingface dataset:
Histamenon (Coin) of Romanus III Argyrus with Christ Enthroned
Object type: coin
Date: 1028 – 1034
Materials: gold, metal
Culture: byzantine
Location: istanbul
Subjects: goddesses, gods (deities)
Inscriptions: Obverse: ΘΕΟDΟΝΟ RωΜΑnω  MΘ
Reverse: +IhSXRSREX REgNANTlnm (sic)

Portraits of important people appear on local currency all around the world. The same was true in ancient Rome, which began producing its first coinage in the late 4th century BC. Early coins depicted the heads of gods and goddesses on the front side, often in profile, while the back depicted animals, natural resources, symbols, and references to historical events. It was not until 44 BC that the portrait of a living person—Julius Caesar—appeared on coins. Thereafter, profile portraits of rulers or other members of the imperial family became the standard subject on coins throughout the Roman Empire.

Inscriptions on coins help identify the ruler. While the front side depicted the sovereign’s portrait, the back was often used to communicate the ruler’s accomplishments or aspirations. Until Late Antiquity, portraits usually appeared in profile. The tiny images were carved by engravers into bronze dies, with one for the front and another for the back. The coins were then struck, one by one, in a process similar to how coins are created today.

Coins were the ideal way for Byzantine rulers to rapidly circulate their images throughout the empire and beyond, since they were used to pay for imported merchandise and foreign mercenaries. They could also be employed as powerful vehicles for propaganda, promoting messages of dynastic legitimacy and the divine
source of the emperor’s right to rule.

After Christianity became the official religion of the Roman Empire, the Byzantine emperors adopted Christian themes and symbols, most notably the cross, to stand for both the religion and the political state. The previously ubiquitous profile portrait head was replaced by frontal or full-body depictions. Christ dominated the iconography, and Greek titles and phrases came to replace the Latin ones.

Romanos III Argyros (reigned 1028–34) was marked for succession to the throne by his father-in-law, Constantine VIII, whose reign lasted only three years. Romanos managed a six-year reign that was riddled with ill-conceived and poorly executed policies, including a disastrous attempt to reform taxation that left the empire’s finances in disarray and drove the less fortunate into enforced servitude. In an effort to halt the growing threat posed by Arabs along the eastern frontier, Romanos personally led the army to confront them, only to be thoroughly routed in a surprise attack. Later conquests and victories did little to improve his reputation, and he died, possibly at the hands or order of his entirely disillusioned wife, Zoe. On the front of this histamenon, the enthroned and haloed Jesus holds the Gospel book in his right hand. The inscription reads “Jesus Christ, King of Kings.” On the reverse, the Virgin Mary crowns the richly bedecked Romanos, who holds a globus cruciger, indicating that the emperor wields earthly power on behalf of the Christian God.
S. Matthaevs
Object type: print
Date: 1625 – 1674
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: the apostle and evangelist matthew (mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword, angel (possibly with book) ~ symbol of st. matthew
Inscriptions: collector's mark: Lugt 2228a

De evangelist Matteüs met zijn attribuut de engel
Letter C
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: engraving
Location: germany
Artist: peter aubry
Artist role: print maker, publisher
Artist nationality: german
Artist dates: 1596 – 1668
The Holy Family with the Virgin holding Christ over the cradle
Object type: print
Date: 1640 – 1660
Techniques: etching
Artist: giulio carpioni
Artist role: artist
Artist nationality: italian
Artist dates: 1613 – 1678
Snuffbox
Object type: decorative art
Date: 1840 – 1840
Materials: wood
Location: europe
“Paul and Virginie” Furnishing Fabric
Object type: textile
Date: 1802 – 1802
Materials: cotton
Techniques: weave, printing
Location: jouy-en-josas
Artist: jean baptiste huet, abraham girardet, jean-michel moreau the younger
Artist nationality: french, swiss, french
Artist dates: 1745 – 1811
Subjects: children, animals, babies, cactus, dogs, goats, people, ships, trees
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, on left, feet, to the right, heel of another
Bandontwerp voor: P.A.M. Boele van Hensbroek, Liefde en leed, 1903
Object type: drawing
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: flowers ~ ornament
Inscriptions: collector's mark: Lugt 2228, monogram:, :

Boektitel en auteursnaam met daarboven een motief van bloeiende rozen met bladeren. De takken van de rozen lopen verticaal naar beneden over de band en eindigen in een verzameling gestileerde wortels.
Nagakubo Station
Object type: print
Date: 1836 – 1836
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: bridges,men,horses,moon,trees
S. Arsène, ermite (St. Arsenius, Hermit), July 19th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Modèles d'Orfèvrerie
Object type: album leaf
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: paris
Subjects: oil, vinegar, sauces, dinner-service, single muses
Inscriptions: number: ‘1.er Cah.er’

Ontwerp voor een houder voor twee flessen olie en azijn met decoratie van vlinders, vogels en muzen. Prent maakt deel uit van een album.
Atelier van een prentmaker
Object type: print
Date: 1745 – 1850
Materials: paper
Techniques: etching
Artist: varin
Subjects: engraver, etcher, artist at work, in his workshop (+ graphic arts), tools, implements of graphic artist, workshop, studio of the artist (in general)
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228, collector's mark: Lugt 4780

Kopie in spiegelbeeld naar een illustratie gebruikt in: Bosse, Abraham. De la maniere de graver a l'eau forte et au burin. Paris: C.A. Jombert, 1745.
Dorpsgezicht
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: etching
Artist: johanna de bruyn
Artist role: draughtsman, print maker
Artist dates: 1722 – 1782
Subjects: wheelbarrow, village lane, alley, bridge in village across river, canal, etc.
Inscriptions: collector's mark: Lugt 2228

Gezicht op een dorp. Een man met een kruiwagen wandelt op de weg langs de rivier. Op de achtergrond een andere wandelaar bij een boerderij.
Ax head
Object type: ax head
Date: 2100 – 1950
Materials: bronze, copper alloy
Location: egypt
Tay ferry steamer
Object type: page
Date: 1887 – 1897
Materials: paper
Techniques: autotype
Location: scotland
Artist: Anonymous
Subjects: river, steamship, motorship
Schouw, wandtapijten en trumeau
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: etching
Location: paris
Artist: jean françois de neufforge
Artist role: print maker
Artist dates: 1714 – 1791
Subjects: panelling, open hearth, fire-place, tapestry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een geornamenteerde schouw met medaillon, geflankeerd door wandtapijten met bloemmotieven. Daaronder een trumeau met groot ovaal medaillon met twee figuren in een landschap. Wandtapijten met bladmotieven flankeren de trumeau. In het midden staat een tafel, rechts een deur. Prentnummer 210.
Landschap met paard en twee koeien bij boerderij aan water
Object type: print
Date: 1777 – 1829
Materials: paper
Techniques: etching
Location: netherlands
Artist: cornelis bisschop (1762-1829)
Artist role: print maker
Artist dates: 1762 – 1829
Subjects: cow, horse, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Fragment of an Inscribed Stele Enclosed in a Frame with Swastikas and Rosettes; Part of a Gable with Bird and  a Pilaster.
Object type: stele fragment
Date: 601 – 800
Materials: limestone
Techniques: carving, incising, relief
Location: egypt

Funerary stelae from the Byzantine period in Egypt are thought to have been produced in quantity, then modified for individual use. Inscriptions were often added to identify the deceased.
Rembrandt's Sacrifice of Issac - Heads of Abraham and Angel
Object type: drawing and watercolor
Date: 1655 – 1655
Materials: ink, paper
Techniques: pen
Location: italy
Artist: Anonymous
Artist nationality: italian
Artist dates: 1600 – 1699
Mantel from Drawing Room of the Craig House, Baltimore, Maryland
Object type: mantel
Date: 1810 – 1810
Materials: wood
Culture: american
Location: united states
Subjects: fireplaces

The architectural elements of the Baltimore Room are from the parlor of a brick row house built for Henry Craig between 1810 and 1811. The parlor was the most important room in Henry Craig's dwelling devoted to entertaining guests. Accordingly, it contained the finest woodwork, which illustrates a delicacy and restraint typical of the Neoclassical style of the period.
Torenkruis
Object type: torenkruis
Date: 1400 – 1950
Materials: iron
Location: unknown
Artist: Anonymous
Gebruik van de halve cirkel geïllustreerd
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: etching
Location: paris
Subjects: planimetry, geometry

Prent uit: Leclerc, Sébastien. Traité de géométrie (...). Parijs: Jean Jombert, 1690.
The Final Outing, "from The Old Tales"
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: brush, coloring, lithograph, printing
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: human figures
Portret van Isaak van Goudoever
Object type: print
Date: 1783 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: drum (musical instrument), (military) flags and standards
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Is. van Goudoever XVII, 92’

Latere staat prent gebruikt in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd Ie-XXVste deel. Amsterdam: Johannes Allart, 1783-1795. Deel XVII. Vergelijk: C.J. de Bruyn Kops, 'Een portret van Egbert van Drielst, geschilderd door Jan Ekels de Jonge', Bulletin van het Rijksmuseum 16 (1968), p. 65, afb. 6.
Guisarme
Object type: guisarme
Date: 1490 – 1490
Materials: steel, wood
Culture: italian
Location: italy
Le petit Maitre
Object type: print
Materials: paper
Techniques: etching
Location: france
Subjects: clothing for the upper part of the body (vest) (+ men's clothes), coat (+ men's clothes), shoes, sandals (+ men's clothes), letter, envelope, trousers, breeches, etc. (breeches) (+ men's clothes), lover with love-letter, walking-stick, staff, cane (+ men's clothes)
Inscriptions: poem: ‘Quand Belise, Araminte, Ismene/ Vous font tenir des billets doux, / Chitandre, vous croyés sans peine / Qu'elles n'ont d'Amour que pour vous. / J'en doule fort, et j'imagine / Que dans la route des faveurs / Messagers d'aussi bonne mine / Souvent sont vos avant-coureurs.’, address: ‘A Paris, ches la Ve, de F. Chérau, rue St. Jacques, aux 2. Piliers d'Or A.P.D.R.’, title: ‘LE PETIT MAITRE’

In een vertrek in rococo-stijl zit een elegant geklede jongeman, een zogenoemde 'petit maitre", in een leunstoel, een liefdesbrief in de hand. Voor hem staat een heer met staartpruik, ...stok in de linkerhand. Met 2 x 4 regels Frans vers.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Exterior, right half of handle; two frond of a circumscribed palmette; below rim, an egg pattern
Gezicht op het Beurspoortje
Object type: photomechanical print
Date: 1882 – 1950
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: square, place, circus, etc., city-view in general; 'veduta', gate, entrance, market-hall
Inscriptions: collector's mark: ‘12,29’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Rokin, Rotterdammersloot, Rozengang, Rozengracht, Rozenstraat, Rusland, Rustenburgerstraat, Ruysdaelkade, Ruysdaelstraat, Ruyterkade (de), Ruyterweg (Admiraal de).
Het martelaarschap van de H. Laurentius
Object type: print
Date: 1618 – 1655
Materials: paper
Techniques: etching
Artist: cornelis schut (i)
Artist role: draughtsman, print maker
Artist dates: 1597 – 1655
Subjects: martyrdom, suffering, misfortune, death of st. laurence
Inscriptions: collector's mark: Lugt 2228

De diaken Laurentius wordt geroosterd boven een vuur. Hij richt zich half op om zich om te draaien. Op de voorgrond zijn dienaren bezig het vuur verder op te stoken met een blaasbalg en extra brandstof.De Romeinse prefect kijkt vanaf een stoel op een balkon toe. Rondom Laurentius een grote groep toeschouwers. In de lucht twee engelen met een palmtak en een lauwerkrans.
Papyrus burnisher
Object type: papyrus burnisher
Date: 1850 – 1640
Materials: ivory
Location: egypt
Portret van een man in Hollandse klederdracht
Object type: album leaf
Date: 1904 – 1905
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: historical persons, folk costume, regional costume
Inscriptions: inscription: ‘No. 5./ Zeeland/ (Zuid-Beveland.)’
Weigering van de Staten Generaal om over vrede te onderhandelen 1592
Object type: history medal
Date: 1592 – 1592
Materials: silver
Techniques: striking

Zilveren penning, op de voorzijde Mercurius die Argus, de bewaker van Io, in slaap speelt, met omschrift en afsnedetekst, op de keerzijde een palm met een bord PRIVILEGI door soldaten en geestelijken belaagd, met omschrift en afsnedetekst
Axe
Object type: axe
Date: 1300 – 1101
Materials: bronze
Culture: chinese
Holyrood Palace and Arthur Seat
Object type: page
Date: 1862 – 1867
Materials: photographic support
Techniques: albumen print
Location: edinburgh
Artist: archibald burns
Artist role: fotograaf
Artist dates: 1831 – 1880
Subjects: city-view in general; 'veduta', (high) hill, palace
Life in Camp, Part 2: In the Trenches; Good Bye; Fording; Extra Ration; The Field Barber; The Girl He Left Behind Him; Drummer; A Deserter; Home on Furlough; The Rifle Pit; Teamster; Our Special
Object type: print
Date: 1864 – 1864
Techniques: lithograph
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: soldiers,american civil war,men,writing

In 1864 Homer designed two series of lithographed collectors’ cards titled Life in Camp for the Boston publisher Louis Prang & Co. Unlike his serious war-time images for Harper’s Weekly, the artist felt free to inject humor into these miniature comments on army life which include images of wives and sweethearts and soldiers enjoying themselves on leave. Several Zouaves are depicted, members of Union volunteer regiments whose colorful North-African inspired uniforms were distinguished by baggy trousers, a short jackets and tasseled caps. Homer even caricatured himself in a card titled Our Special. By 1864 the war was entering its final months and formerly sacrosanct subjects could be approached more lightly.
Noordzijde van de Oude Onze-Lieve-Vrouw Visitatiekerk te Budel
Object type: photograph
Date: 1902 – 1902
Materials: cardboard, photographic support
Techniques: albumen print
Location: budel
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Budel R.K. Kerk (N.B.)/ Noordelijk: gevel/ Mei 1902’, annotation: ‘Budel’
Landscape with Waterfall and Figures (from Sketchbook)
Object type: drawing
Materials: graphite, paper
Culture: american
Artist: francis william edmonds
Artist role: artist
Artist nationality: american
Artist dates: 1806 – 1863
Subjects: houses,waterfalls,landscapes

The execution of sketches and studies was a crucial part of Edmonds’s creative process. Many of his drawings exist as independent works--apparently never taken further--but many others represent an initial step in his conception for paintings. This sketchbook, which he began about 1838, includes both types of drawings of a variety of subjects.
Jacket
Object type: jacket
Date: 1860 – 1869
Culture: american
Card Number 79, Miss Couti, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Visitekaartje van Gerrit Willem Dijsselhof
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: woodcut
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: print maker, draughtsman, gerrit willem dijsselhof, visiting-card, calling-card
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een visitekaartje met bloemen bij een tuinhek, drie vissen, een rij hoeden, het wapen van Nieuwer-Amstel en het adres van Gerrit Willem Dijsselhof: Verlengde Hoedemakerskade 7 te Nieuwer-Amstel, de huidige Sint Willibrordusstraat in Amsterdam.
Ben Arthur, Scotland (Liber Studiorum, part XIV, plate 69)
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: mountains,landscapes
Portret van Johann Matthias Schröckh
Object type: print
Date: 1752 – 1803
Materials: paper
Techniques: engraving
Artist: christian gottlieb geyser
Artist role: print maker
Artist dates: 1742 – 1803
Subjects: vienna, ornament ~ medallion, historical persons, professor
Inscriptions: collector's mark: Lugt 2228
Mourning shawl
Object type: mourning shawl
Date: 1840 – 1850
Materials: silk, wool
Culture: british
Geschiedenis van David
Object type: print
Date: 1580 – 1596
Materials: paper
Techniques: engraving
Location: unknown
Subjects: shimei curses david and casts stones at him
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Simi vervloekt koning David en gooit stenen naar hem. De soldaten van David willen hem verdedigen maar de koning houdt hen tegen. De prent heeft een Latijns onderschrift met uitleg en rechts in de hoek een vers uit psalm 36.
Praetexta of an Antependium
Object type: praetexta
Date: 1450 – 1450
Materials: gold thread, linen, silk
Techniques: embroidery, weave
Culture: german
Location: germany
Subjects: infants,women
Three Boats on Water (Long Island Sound?) (from Sketchbook)
Object type: drawing
Date: 1858 – 1916
Materials: graphite, ink, paper
Culture: american
Artist: henry ward ranger
Artist role: artist
Artist nationality: american
Artist dates: 1858 – 1916
Subjects: seascapes

This sketchbook contains thirty-one undated drawings in graphite and ink of Noank and Lyme, Connecticut subjects. Beginning in 1899, Ranger became a leading member of the artists’ colony at Old Lyme, Connecticut, where a group of painters influenced by the Barbizon and impressionist styles gathered in the summer at the home of Florence Griswold. Ranger later acquired a country home in Noank, on Long Island Sound, near New London, Connecticut, and did much of his sketching there.
Bijbelillustraties
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: christ preaching or teaching (in general)
Inscriptions: collector's mark: Lugt 240

Prent afkomstig uit een onbekende Latijnse bijbel, mogelijk gedateerd 1590.
Half Model of a 14-Gun Cutter
Object type: ship model
Date: 1780 – 1820
Materials: wood
Techniques: polychromy
Location: netherlands
Artist: Anonymous
Inscriptions: scale, top centre: paper scale in Amsterdam feet, label, bottom right: ‘410’ former inventory label

Gepolychromeerd mallenmodel (stuurboord) van een eenmaster. Gewrongen spiegel, hol wulf, gesloten hek, sterk vallende achtersteven; recht roer met vierkante roerkoning. De zeeg loopt naar achter sterk op, één barkhout en één reehout. Gepiekt rondspant, scherp onderwaterschip, zeer veel stuurlast. Sterk achterover hellende mast.
Table
Object type: table
Date: 1801 – 1900
Materials: wood
Portret van Filips Willem, prins van Oranje
Object type: book illustration
Date: 1663 – 1663
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: buren, bruges, filips willem (prins van oranje), knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Prent uit: Meteren, Emanuel van. Historien der Nederlanden, en haar naburen oorlogen tot het iaar 1612. Amsterdam: Jan Jacobsz Schipper, 1663.
Portret van keizer Karel V
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: ghent, charles v (holy roman emperor and king of spain), historical persons, knighthood order of the golden fleece, cupids: 'amores', 'amoretti', 'putti', king
Alum Bay en The Needles
Object type: page
Date: 1897 – 1930
Materials: paper
Techniques: printing
Location: isle of wight
Artist: Anonymous
Subjects: gulf, bay (+ landscape with figures, staffage), travelling; tourism, rock-formations, coastal cliff or crag, isle of wight

Pagina 23 met 2 foto's van Alum Bay en de The Needles en een bijschrift. Onderdeel van Fotografische reisreportage van het eiland Wight.
Portret van een onbekende man
Object type: sketchbook leaf
Date: 1710 – 1772
Materials: chalk, paper
Artist: petrus johannes van reysschoot
Artist role: draughtsman, print maker
Artist dates: 1702 – 1772
Subjects: anonymous historical person portrayed

Blad 71 verso en 72 recto uit een schetsboek met 105 bladen.
Plan du Siége de la Ville et du Château de Namur
Object type: print
Date: 1746 – 1746
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: frans de bakker
Artist role: print maker
Subjects: maps of separate countries or regions, siege, position war
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2228

Gedetailleerd plan van de stad Namen en alle versterkingen om de stad, belegerd vanaf 12-13 september en door de Fransen ingenomen op 19 september 1746. Rechtsboven en linksonder legenda's in het Frans.
Tuilerieën met rechts het Tuilerieënpaleis, Parijs
Object type: tissue stereograph
Date: 1855 – 1871
Materials: cardboard, paper
Techniques: albumen print, hand coloring, perforating
Location: paris
Artist: Anonymous
Subjects: park, sphinx (lion/woman); 'sfinge' (ripa), public gardens, park, tuileries palace
Inscriptions: inscription: ‘60 dro/ mio [onz]’
Cake Box (?)
Object type: cake box
Date: 1801 – 1900
Materials: gold, lacquer
Culture: japanese
Subjects: leaves