deem-data/ArtiFact huggingface dataset:
Portret van Govert Flinck
Object type: print
Date: 1765 – 1828
Materials: paper
Techniques: etching
Artist: carl ernst christoph hess
Artist role: print maker
Artist dates: 1755 – 1828
Subjects: cleves, amsterdam, govert flinck, the liberal arts, 'artes liberales', historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240
Design for the painted decoration of a coffered ceiling incorporating the initial:  H
Object type: drawing
Date: 1830 – 1897
Materials: gouache, paper, oil
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: insignia
Hond en een zittende vrouw
Object type: sketchbook leaf
Date: 1710 – 1772
Materials: chalk, paper
Artist: petrus johannes van reysschoot
Artist role: draughtsman, print maker
Artist dates: 1702 – 1772
Subjects: sitting figure - aa - female human figure, dog

De vrouw heeft een voorwerp, mogelijk een waaier, in haar rechterhand. Blad 80 verso en 81 recto uit een schetsboek met 105 bladen.
Badge or Harness Pendant
Object type: badge or harness pendant
Date: 1400 – 1400
Materials: copper, enamel, gold
Culture: spanish
Location: spain
Subjects: men,lions,coat of arms

Heraldry, or coat-of-arms, were vitally important in Europe throughout the Middle Ages and the Renaissance. Heraldic emblems were used to identify noble families, cities, regions, and even countries. In addition to being displayed on shields and flags, heraldry was incorporated into architectural decoration on the interior and the exterior of buildings, on furniture, works of art, clothing, and horse equipment. Harness pendants, like this example, would have been attached to a headstall, bridle, or other straps making up the tack of a horse ridden by a nobleman or noblewoman, or a member of their household. Many harness pendants also have decoration that is simply ornamental, or have symbols that are not specifically heraldic in nature.
Claude Lorrain: Die Flucht nach Aegypten
Object type: reproduction
Date: 1870 – 1875
Materials: paper
Techniques: albumen print
Location: berlin
Subjects: flight into egypt and miracles during the journey
Incense burner in shape of a pistol
Object type: incense burner
Date: 1615 – 1868
Materials: earthenware, glaze
Techniques: polychrome
Culture: japanese
Subjects: firearms
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, back of head and left shoulder and left arm, bent at elbow, of male to left; in field, hanging on the wall, a sponge and aryballos
Fragment of Sash
Object type: textile fragment
Materials: silk
Location: iran
Farmyard
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: netherlands
Artist: attributed to adriaen van ostade
Artist nationality: dutch
Artist dates: 1610 – 1685
Vierde scheppingsdag: schepping van zon, maan en sterren
Object type: album leaf
Date: 1645 – 1646
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: pieter jacobsz. paets
Artist role: publisher
Artist dates: 1587 – 1667
Subjects: creation of sun, moon and stars

De prent werd gemaakt voor de uitgaven van P.J. Paets uit Amsterdam. Ze komt in ieder geval voor in: Bibels Tresoor ofte der zielen lusthof. Amsterdam, P.J. Paets, 1646. Mogelijk ook in: Historien ende Prophetien. [Amsterdam], P.J. Paets, 1645.
Het jonge paar uit het fotoverhaal met een andere jonge man wandelend in een Amsterdams park
Object type: photograph
Date: 1802 – 1899
Materials: paper
Techniques: collodion silver print
Location: amsterdam
Artist: gerard aalbersberg (us)
Artist role: amateurfotograaf, arts, chirurg, gynaecoloog
Artist dates: 1870 – 1934
Subjects: amsterdam
Inscriptions: date: ‘Feb. 1899’
Mère! est-ce que c'est le crevé de ce matin (...)
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: lithograph
Location: paris
Artist: paul gavarni
Artist role: draughtsman, print maker
Artist dates: 1804 – 1866
Subjects: parents with their children, evening meal, dinner, supper
Inscriptions: check stamp: Lugt 3855, collector's mark: Lugt 964

Het kind maakt een opmerking, waardoor zijn moeder zich ongemakkelijk voelt ten aanzien van de gast.
Staande figuur met hoed en staf
Object type: drawing
Date: 1840 – 1880
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: standing figure, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 2228
Uraeus fitting from shrine
Object type: figurine, uraeus
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: serpents
Hat
Object type: hat
Date: 1850 – 1870
Materials: fiber
Culture: american
Naar aanleiding van een droom
Object type: cartoon
Date: 1902 – 1902
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: petrus van geldorp
Artist role: draughtsman, print maker
Artist dates: 1872 – 1939
Subjects: historical persons, piece of sculpture, reproduction of a piece of sculpture, political caricatures and satires
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdamsche Courant, 10 januari 1902.
Stephen Kemble on the Stage
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: scotland
Artist: daniel terry
Artist nationality: scottish
Artist dates: 1770 – 1829
Blockzyl
Object type: area plan
Date: 1650 – 1700
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: fortified city, maps of cities
Amnestia, Ofte Vergetelheyd. Vermanende d'Inwoonders der Vereenighde Nederlanden tot Eendracht ende vergetelheyd van al de bitterheden / die onder de naem van Remonstranten, Arminianen, &c. in hare harten gheherberght zijn gheweest ende noch souden moghen wesen
Object type: print
Date: 1623 – 1623
Materials: paper
Techniques: etching, letterpress printing
Location: utrecht
Subjects: agreement, unity; 'concordia', 'concordia insuperabile', 'concordia militare', 'concordia di pace', 'unione civile' (ripa), reconciliation ~ diplomacy, reconciliation, burning of books
Inscriptions: date

Blad met een allegorische voorstelling en twee verzen waarin gepleit wordt voor eensgezindheid, eendracht en verzoening tussen de godsdiensten in de Verenigde Nederlanden, 1623. Vier personificaties van Eendracht, Godvruchtigheid, Oprechtheid en Voorzichtigheid verbranden in het Vuur van de Liefde opruiende boeken, pamfletten en prenten die door engeltjes aangedragen worden. Rechts verdrijft Liefde des Vaderlands Tweedracht en Ongeoorloofde Staatszucht. Links sleuren Oorlog en Waakzaamheid de personificatie aangeduid als Gelegenheid aan het haar. Bovenaan verzoent Christus twee aanhangers van verschillende godsdiensten met elkaar. Onder de prent geplakt een blad met een uitleg van de voorstelling in versvorm in 2 en 3 kolommen in het Nederlands.
Hendrik Waller (1887-1951) op driejarige leeftijd
Object type: painting
Date: 1890 – 1890
Materials: canvas, oil
Location: netherlands
Artist: pieter oyens
Artist role: draughtsman, painter
Artist dates: 1842 – 1894
Subjects: (playing with) toy animals
Inscriptions: signature and date: ‘P: Oyens f 1890’

Portret van Hendrik Waller (1887-1951) op driejarige leeftijd. Kniestuk, zittende in een wit jurkje op een stoel, in de handen een speelgoedpaardje op wielen.
Ruiter
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: riding a horse, ass, or mule; rider, horseman

Pagina 34 uit schetsboek XL met 40 pagina's.
Asch-Karmans Kermis-Wensch (...) 1834
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: public road - ii - ideal city, garbage collection, amsterdam
Inscriptions: collector's mark: Lugt 2228

Kermisprent namens de askarrenmannen (karrenman of vuilnisman) te Amsterdam voor het jaar 1834. Gezicht in een straat te Amsterdam met een man die een asemmer naar de kar brengt terwijl een andere man aan huis geld ophaalt. Onderaan een gedicht in twee kolommen. Namens J.D. Farjon, de askarreman van wijk no. 19.
Portret van Sebastian Brant
Object type: book illustration
Date: 1650 – 1650
Materials: paper
Techniques: engraving
Artist: jean jacques boissard
Artist dates: 1528 – 1598
Subjects: sebastian brant, historical persons, lawyer, attorney at law, portrait of a writer, writer, poet, author

Prent gebruikt in: Boissard, Jean Jacques. Bibliotheca chalcographica. 8 dln. Frankfurt am Main: Johannes Ammon, 1650-1652. Ook gebruikt in latere edities. Eerdere staat van prent verschenen in: Boissard, Jean Jacques. Icones quinquaginta virorum illustrium doctrina & eruditione praestantium ad vivum effictae. 4 dln. Frankfurt am Main: s.n., 1597-1599. Mogelijk ook gebruikt in latere edities.
Portret van keizer Ferdinand II
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: vienna, ferdinand ii (duits keizer), historical persons, knighthood order of the golden fleece, emperor

Prent met tekst op verso gebruikt in: Historis oft waerachtich verhael van den gantschen toestant van oorlooge, soo die ghevoert is in Duytschlandt (...). Amsterdam: Cornelis Danckerts, 1642, p. 4.
Cope
Object type: religious ritual object
Date: 1775 – 1825
Materials: gilt, metal, textile, silk, thread
Techniques: embroidery, treatment, laid work, weave, silvered, stitching
Location: france
Kinderkakstoel, zeshoekig, met groen kussen
Object type: kinderkakstoel, kakstoel
Date: 1700 – 1799
Materials: leather, silk, wood
Techniques: tufting
Location: amsterdam
Artist: Anonymous

Kinderkakstoel van notenhout. Zeskantig model met een hoge rug, los tafelblad, zitting met pottegat en een lichtgroen gecapitonneerd rugkussen
Brief aan Philip Zilcken
Object type: letter
Date: 1892 – 1892
Materials: ink, paper
Techniques: pen, printing, writing
Location: nantes
Artist: gustave bourcard
Artist role: verzamelaar
Artist dates: 1846 – 1925
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Portrait of Frouck, Barones van Aylva, Wife of Hans Willem van Aylva after 1658
Object type: painting
Date: 1693 – 1717
Materials: copper, oil
Artist: hendrick de valk
Artist role: painter
Artist dates: 1674 – 1719
Subjects: historical persons - bb - woman
Inscriptions: signature: ‘H. de Falk Fc.’

Portret van Frouck, barones van Aylva, sedert 1658 echtgenote van Hans Willem van Aylva. Kniestuk in ovaal, zittend voor een balustrade, op de achtergrond een landschap. Pendant van SK-A-1401.
Bloemornamenten
Object type: drawing
Date: 1884 – 1952
Materials: pencil, paper
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: flowers ~ ornament

Vermoedelijk een ontwerp voor: Ravesteijn, P.J. Gedenkboek Hilversum 1424-1924. Hilversum: Gemeente Hilversum, 1924.
Portret van vier onbekende acolieten
Object type: page
Date: 1870 – 1890
Materials: paper
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: acolyte, chorister, lector, ostiarius, etc. ~ functionaries in roman catholic church, anonymous historical person portrayed
Inscriptions: number: ‘8.’
Kavalleristen der koninklijke Nederlandsche armée
Object type: print
Date: 1819 – 1840
Materials: paper
Techniques: colour, letterpress printing
Location: gorinchem
Subjects: warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van soldaten te paard. Onder elke voorstelling een onderschrift. Gemerkt rechtsboven: E.
Stad Middelburg, loodje dat bij uitdeling recht gaf op turf
Object type: armenloodje
Date: 1660 – 1660
Materials: copper
Techniques: striking
Location: middelburg
Artist: Anonymous
Subjects: middelburg

Koperen penning. Voorzijde: burcht tussen twee sterretjes binnen omschrift en parelrand. Keerzijde: opschrift onder wapenschild binnen omschrift en parelrand
Pair of Earrings with Granulation
Object type: pair of earring
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
De Bankbreuk
Object type: photomechanical print
Date: 1903 – 1910
Materials: paper
Techniques: autotype
Location: netherlands
Artist: albert hahn (i)
Artist role: draughtsman
Artist dates: 1877 – 1918
Subjects: bankruptcy, banker, the rich, working class, labourers, the poor, political caricatures and satires

Een gezette bankier zakt door een houten zitbank en verplettert een groep mensen die onder de bank schuilen met loonzakjes in hun handen, oktober 1903. Onderdeel van het boek 'Albert Hahn Prenten', heruitgave van een selectie politieke prenten uit de periode 1902-1906.
Unlined Summer Kimono (Hito-e) with Carp, Water Lilies, and Morning Glories
Object type: kimono
Date: 1876 – 1876
Materials: textile, silk
Techniques: dyeing, embroidery, painting, patterning, weave, resist
Culture: japanese
Subjects: fish,water lilies

A pond with carp and water lilies adorns the lower part of this kimono, and morning glories bloom at the shoulders. This early summer scene is resist dyed and painted on a blue-and-white ground of high-quality silk gauze (ro), subtly patterned in the weave with goldfish in water. The donor’s grandmother, one of four generations of female textile artists, wore this summer kimono during her thirteenth year, around 1876, for her jūsan-mairi (literally, “thirteenth temple visit”) to Arashiyama Hōrinji, a temple in Saga, Kyoto, to receive blessings as she entered adolescence. The kimono has three family crests: one on the center of the back and one on each sleeve.
Cup
Object type: cup
Date: 901 – 1000
Materials: glass
Techniques: cutting
Location: iran

This glass cup was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Boslaan in Sint Hubert
Object type: sketchbook leaf
Date: 1873 – 1873
Materials: paper, pencil
Location: sint hubert
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: forest path or lane
Inscriptions: date and inscription: ‘met A & A. St Hubert 73 plantage’

Blad 19 recto uit een schetsboek met 46 bladen.
Brief aan Jeannette Bouman-Stuyling de Lange
Object type: letter
Date: 1893 – 1893
Materials: ink, paper
Techniques: writing
Location: amsterdam
Artist: eva
Artist role: schrijver

Brief gericht aan mevrouw J. Bouman de Lange, 1ste Parkstraat, Amsterdam. Met getekende plattegrond van haar nieuwe woning.
Trimming Wood with an Adze, Tomb of Rekhmire
Object type: facsimile, rekhmire tt 100, carpenter
Date: 1504 – 1425
Materials: ink, paint, paper
Location: egypt
Artist: nina de garis davies
Artist role: artist
Artist dates: 1881 – 1965
Subjects: men,working,tools,rekhmire-exhibition
Inname van den Briel
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: freedom, liberty; 'libertà' (ripa), historical events and situations
Inscriptions: collector's mark: Lugt 2228

De Inname van den Briel afgebeeld met twee historische figuren in ovaal portret. Tussen de portretten staat de personificatie van de Vrijheid met vrijheidshoed op stok.
Pijpenkomfoor
Object type: miniature
Date: 1780 – 1780
Materials: copper, silver
Location: amsterdam
Artist: Anonymous

Rond pijpenkomfoor op drie poten en een aanzet voor een steel. De steel ontbreekt. De bak is wijd klokvormig en heeft een brede opengewerkte rand. In de bak zit een koperen binnenbak. Het komfoor is gemerkt: stk.= Amsterdam, jrl.= V (1780) en een onbekend meesterteken. Het komfoor is gelijk aan een komfoor met invnr. Bk-NM-11177-147.
Berglandschap
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil, watercolor
Techniques: brush
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: landscapes, mountains

Pagina 86 uit een schetsboek met 67 bladen.
Visitekaartje aan Philip Zilcken
Object type: visiting card
Date: 1900 – 1914
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: amsterdam
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Portret van Edward Dering
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Sorrento - Alberghi visti dal mare
Object type: photograph
Date: 1954 – 1954
Materials: paper
Techniques: gelatin silver print, writing
Location: como
Artist: Anonymous
Subjects: rocky coast, villa
Inscriptions: poststempel, verso, gestempeld
Portret van koning Léopold I van België
Object type: photograph
Date: 1861 – 1865
Materials: photographic support
Techniques: albumen print
Location: brussels
Subjects: laeken, leopold i (koning der belgen), historical persons, king

Deze foto maakt deel uit van een omslag met veertien foto's.
Metal plaque with Fudō Myōō and attendants Seitaka Dōji and Kongara Dōji
Object type: panel
Date: 1501 – 1600
Materials: iron
Culture: japanese
Artist: myōchin nobuie
Artist role: artist
Artist nationality: japanese
Subjects: mythical creatures
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, left eye, nose, mouth, and chin of youth to left
Follis (Coin) Portraying Emperor Licinius
Object type: coin
Date: 312 – 312
Materials: bronze
Culture: roman
Location: roman empire
Duinlandschap
Object type: sketchbook leaf
Date: 1903 – 1908
Materials: chalk, paper
Artist: alexander shilling
Artist role: draughtsman, print maker
Artist dates: 1859 – 1937
Subjects: dunes (sea not visible); in the dunes
Inscriptions: date and inscription: ‘Saty/ Mch 21/08/ sand dunes-’

Blad 25 recto uit een schetsboek met 30 bladen.
Fragment (From a Sampler)
Object type: textile
Date: 1821 – 1821
Materials: cotton, lace, textile
Techniques: cutting, drawing, embroidery, interlocking, weave, stitching
Location: sweden
Artist: charlotte m. berge
Artist nationality: swedish
Artist dates: 1821 –
Mazer Bowl and Foot
Object type: mazer bowl and foot
Date: 1901 – 1933
Materials: wood, silver gilt
Culture: british
Achilles and Patroclus
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen
Location: england
Artist: john flaxman
Artist role: artist
Artist nationality: british
Artist dates: 1755 – 1826
Portret van Willem III, prins van Oranje
Object type: print
Date: 1670 – 1708
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain
Inscriptions: collector's mark: Lugt 2228

Portret van Willem III in een ovaal van lauwerbladen en lint met schrift. In zijn rechterhand een commandostaf. Daar omheen een aantal allegorische objecten en figuren, waaronder de Nederlandse Maagd, Religie en Vrijheid. Midden onder zijn wapen, gedecoreerd met de Kousenband en het devies van de Orde van de Kousenband.
Copper plate printed cotton with King George III and his family
Object type: piece
Date: 1785 – 1785
Materials: cotton
Artist: j. seymour
Artist role: artist
Artist dates: 1725 – 1825
Subjects: kings,dogs,horses,trees,family

The balloon in the upper left is based on the Charles and Robert's hydrogen balloon, launched December 1, 1783. The figure of the Prince of Wales is from an engraving by J.R. Smith, 1783, after a painting by Gainsborough. The group of the three princesses is adapted from an engraving by Thomas Watson, 1776, from the painting of "the three Montgomery sisters decorating a terminal figure of Hymen" by Reynolds.
The Strappado, plate ten from The Large Miseries of War
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: gerrit lucasz van schagen
Artist role: print maker, publisher
Artist nationality: dutch
Artist dates: 1642 – 1690
Briefkaart aan Willem Bogtman
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: achtmaal
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: willem bogtman
Fotoreproductie van twee anatomische tekeningen van een bloeding en een vervorming van een oog door glaucoom
Object type: photograph
Date: 1871 – 1881
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: anatomy (non-medical), eyes
Inscriptions: inscription: ‘Fig. 15. Glaucome hémorrhagique. Fig. 16. Excavation glaucomateuse.’
The vision of Saint Jerome who is asleep in the bottom right, the Virgin and Child appear above being pointed to by Saint John the Baptist
Object type: print
Date: 1531 – 1576
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: sleeping,saint jerome,saint john the baptist,virgin mary,jesus
Penning tegen Jozef II, 1787
Object type: print
Date: 1787 – 1790
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: Anonymous
Subjects: philip ii of spain, vienna, jozef ii (duits keizer), medal (considered as a piece of sculpture, regardless of its specific function), brabant
Inscriptions: collector's mark: Lugt 2228

Beide zijden van een penning oorspronkelijk tegen de tiran Filips II geslagen in 1583 tijdens de Nederlandse Opstand en heruitgegeven tegen de Oostenrijkse keizer Jozef II in 1787. Met uitleg in het Frans. Onderdeel van een grote groep van prenten betrekking hebbend op de gebeurtenissen van de Brabantse Omwenteling en de periode 1787-1790.