deem-data/ArtiFact huggingface dataset:
Two men in an arena holding cocks in preparation for a fight, spectators around the perimeter
Object type: print
Date: 1890 – 1910
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: roosters,crowd
Kalender 1903 12 lithografien door Th. v. Hoytema
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: lithograph
Location: hilversum
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: ornamental birds: peacock, january ~ other concepts
Inscriptions: collector's mark: Lugt 2228

Bovenin twee reptielen. Onder het jaartal een scheurlijn.
Portret van Cornelis Bega
Object type: drawing
Date: 1654 – 1654
Materials: chalk, paper
Location: haarlem
Artist: leendert van der cooghen
Artist role: draughtsman, print maker
Artist dates: 1632 – 1681
Subjects: cornelis cornelisz. van haarlem, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
James William "Jim" Keenan, Catcher, Cincinnati, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Paulus Melissus
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: paul schede, historical persons, portrait of a writer
Inscriptions: inscription: ‘Inv N. 3760.’
Afmeting van de zon in vergelijking tot negen planeten
Object type: book illustration
Date: 1873 – 1873
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: earth, world as celestial body, sun as celestial body, planets (except the earth)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Brinkman, Bernardus. De Sterrenwereld, Guillemin gevolgd. Leiden: J.W. van Leeuwen, 1873.
Violist met een stapel boeken onder zijn arm
Object type: print
Date: 1800 – 1850
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: notation of music, violin, fiddle, book
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4780, collector's mark: Lugt 4779

Een man met een kaal hoofd en bloemen op zijn jas houdt onder zijn rechterarm een hoed en een stapel boeken. In de achtergrond staat een lessenaar met opengeslagen bladmuziek en een stoel met een viool.
Livre de diverses Perspectives et Paisages faits sur le naturel, mis en lumière par Israel 1650
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: etching
Location: france
Subjects: french or architectonic garden; formal garden, landscape with tower or castle
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van zestien prenten.
Reproduction of a Sarmatian box and lid
Date: 1801 – 1900

Electrotyping is a chemical process used historically to make high quality reproductions of works of art. During the Victorian era, one of the main producers was Elkington & Co. of Birmingham. They were licensed by the South Kensington Museum of London (now the Victoria & Albert Museum) to produce replicas of objects from royal treasuries and museums across Europe. The electrotypes approved by the Department of Science and Art, a British governmental agency, carry Messrs. Elkington’s mark in the form of an official stamp in metal. This modern electrotype is a copy of a gold box with a lid in the Hermitage Museum, St. Petersburg. The original was found in 1864 in the Kokhlach kurgan (burial mound) in the vicinity of Novocherkassk, one of the largest cities of the Don region. It was part of a group of precious objects – a crown, collars, ornaments, cups – known as the “Treasure of Novocherkassk” and thought to be the burial of an elite Sarmatian woman in the first century A.D. Sarmatian objects are decorated with animal imagery comparable to the Scythian “animal style” and frequently enhanced with colored inlays. The box and lid, covered with elk, lions and griffins (?), were originally inlaid with turquoise and coral. In the nineteenth century, many museums collected copies of ancient and historical works of art with the aim of presenting outstanding works to a broader public and to serve as inspiration for artists and manufacturers. The Metropolitan Museum of Art, founded in 1870, began to acquire electrotypes in its first decade. In 1883, Henry Marquand, a collector and early patron of the Museum, funded a large purchase from Elkington & Co. of nearly three hundred pieces. Today, these works are part of many departments in the Museum and along with plaster casts reflect the history of collecting and the role of the museum as a locus for the teaching of art history.
Apollo
Object type: print
Date: 1665 – 1673
Materials: paper
Techniques: etching
Location: paris
Subjects: model-books ~ implements of painter, (story of) apollo (phoebus)

Maakt deel uit van een 32-delige serie met tekenvoorbeelden van goden en helden uit de klassieke oudheid. Een eerste editie werd in 1673 uitgegeven en een tweede in 1684 door Nicolas Langlois.
Bowl
Object type: bowl
Date: 1201 – 1300
Materials: stonepaste
Techniques: painting, underglaze
Location: syria
Subjects: human figures
Portret van Tobias Taufrer
Object type: print
Date: 1656 – 1689
Materials: paper
Techniques: engraving
Artist: johann jacob schollenberger
Artist role: print maker, publisher
Artist dates: 1646 – 1689
Subjects: historical persons, counsellor, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228
Head Pendants
Object type: costume and accessory
Materials: glass
Culture: carthaginian
Location: carthage
Subjects: head
Portret van Mohammed Ben Abdelmalik, pasja van Tanger
Object type: print
Date: 1783 – 1850
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, diplomacy, diplomat
Portret van Jacob Pignatelli
Object type: book illustration
Date: 1675 – 1700
Materials: paper
Techniques: engraving, etching
Subjects: jurist, jacob pignatelli
Inscriptions: collector's mark: Lugt 2228

Portret van de jurist Jacob Pignatelli in ovaal in een ornamentele lijst die wordt gehouden door twee putti. Onder aan de lijst een banderol met Pignatelli's familiewapen. Bladzijde uit een boek met tekst op het verso.
De wallen van Naarden
Object type: print
Date: 1933 – 1933
Materials: paper
Techniques: lithograph
Location: the hague
Artist: simon moulijn
Artist role: draughtsman, print maker
Artist dates: 1866 – 1948
Subjects: defence of fortification or city, bastion, bulwark
Inscriptions: stamp: Lugt 2362b, collector's mark: Lugt 2228

Prent gebruikt voor: Moulijn, Simon. De wallen van Naarden. 's-Gravenhage: Stichting Menno van Coehoorn, 1934.
Het jagtvermaak
Object type: popular print
Date: 1875 – 1903
Materials: paper
Techniques: lithograph, letterpress printing
Location: haarlem
Subjects: hunting dogs, hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), hunt ~ mammals
Inscriptions: collector's mark: Lugt 2760

Blad met 18 voorstellingen van jagers, jachthonden en wild om uit te knippen. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 35.
Portret van Zachariah Mudge
Object type: print
Date: 1766 – 1768
Materials: paper
Techniques: mezzotint
Location: london
Artist: james watson (prentmaker)
Artist role: print maker, publisher
Artist dates: 1740 – 1790
Subjects: clergyman, non-roman catholic episcopal churches, e.g. anglicans, historical persons
Inscriptions: collector's mark: Lugt 240
Ribbenkast van een paard
Object type: drawing
Date: 1926 – 1941
Materials: paper, pencil
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: horse
Inscriptions: collector's mark: Lugt 2228
Plattegrond van Fort Louis, ca. 1701-1713
Object type: map
Date: 1701 – 1714
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: fortress, maps of cities

Gekopieerd naar de Franse prenten in: Nicolas de Fer, Les forces de l'Europe, ou description des principales villes, avec leurs fortifications : dessignées par les meilleurs ingenieurs, particulierement celles ... de la France, dont les plans ont esté levez par M. de Vauban, Nicolas de Fer, Parijs 1693-1696, of andere voorbeelden.
De soldaat uit The seven ages of man - As you like it van William Shakespeare
Object type: page
Date: 1872 – 1877
Materials: photographic support
Techniques: albumen print
Artist: james m. landy
Artist role: fotograaf
Artist dates: 1838 – 1897
Subjects: theatre, theatrical performance, adult man, historical persons, the soldier; the soldier's life
Whitechapel Cart #3576
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Fotoreproductie van een tekening van de poort van het Dolhuis te Amsterdam
Object type: photograph
Date: 1900 – 1908
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Subjects: gate, entrance, lunatic asylum, mental home, street (+ city(-scape) with figures, staffage), dolhuis
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: I. Stadsinrichtingen: Dolhuis.
Landschap met bomen en een molen
Object type: sketchbook leaf
Date: 1834 – 1903
Materials: paper, pencil
Artist: johan hendrik weissenbruch
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1903
Subjects: windmill in landscape

Blad 4 recto uit een schetsboek met 43 bladen.
Catharina heeft een visioen van een crucifix
Object type: print
Date: 1603 – 1603
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the virgin and dominican tertiary, catherine of siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata
Inscriptions: collector's mark: Lugt 2228

Catharina ziet een crucifix in een stralenkrans en kastijdt zich met een ketting die ze op haar blote rug slaat. Zo verslaat ze demonen die haar proberen te verleiden. De demonen, in de gedaante van naakte mannen met vleugels, vluchten door een stenen poort. Deel van een serie over Catharina van Siena bestaande uit een titelprent, een portret en 32 genummerde scènes uit haar leven.
Terracotta Nolan neck-amphora (jar)
Object type: nolan neck amphora with ridged handle
Date: 460 – 450
Materials: terracotta
Culture: greek, attic
Artist: achilles painter
Artist role: artist
Subjects: boys,goddess

Obverse, Eos and Tithonos Reverse, youth The composition on the obverse of the vase masterfully catches the element of pursuit, which is at the heart of the story of Eos, the goddess of dawn, and the schoolboy Tithonos. Eos is so close that she almost touches the youth and their feet overlap, but the artist makes the distance between them eternal. The figure on the reverse has not attracted Eos's interest.
Henkelom, met de overblyfsel van de veer-poort
Object type: print
Date: 1770 – 1800
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: river, ruin of a building ~ architecture, village (+ city(-scape) with figures, staffage)
Overlijdensbericht aan Philip Zilcken
Object type: overlijdensbericht, overlijdensadvertentie
Materials: ink, paper
Techniques: pen, printing, writing
Location: the hague
Artist: frits jansen
Artist role: painter
Artist dates: 1856 – 1928
Subjects: gerard van der laan, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Portret van een staande jonge vrouw
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: stockholm
Artist: oscar json runstedt
Artist role: fotograaf
Subjects: adolescent, young woman, maiden, historical persons - bb - woman, standing figure - aa - female human figure
Inscriptions: inscription: ‘Oscar Json Runstedt/ Stockholm/ 15 Brunkebergstorg/ Plåten förvaras för efterbeställning.’
Portrait of a Young Man
Object type: drawing
Date: 1834 – 1866
Materials: chalk, paper
Techniques: heightening
Artist: wilhelm von kügelgen
Artist role: artist
Artist nationality: german
Artist dates: 1802 – 1867
Subjects: men,portraits
Terracotta fragment of a neck-amphora of Nicosthenic shape (jar)
Object type: neck amphora fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

On the shoulder, hinds legs of an animal to right; lower legs of a human figure to right; part of an inscription, NIKOSTHENES; below, dotted ivy
Man met een verrekijker en een liggende vrouw
Object type: sketchbook leaf
Date: 1928 – 1930
Materials: chalk, paper, pencil
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: lying figure, binoculars, spy-glass, etc.

Pagina 19 uit een schetsboek met 51 bladen.
Design for Stage Scenery (Hampton Court) with Mythological Figures
Object type: drawing and watercolor
Date: 1695 – 1734
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: england
Artist: james thornhill
Artist role: artist
Artist nationality: british
Artist dates: 1675 – 1734
Portret van Johann Risselmann
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: engraving
Artist: heinrich jakob otto
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, number: ‘14’
Tunic with Dionysian Ornament
Object type: tunic
Date: 401 – 500
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: dionysus

A longer, wider version of the tunic was the ubiquitous garment of the Late Antique period. This tunic is one of four in the Museum's collection said to be from Akhmim, an ancient weaving center and apparently a center of both pagan and Christian thought and religion. The burgeoning ornament of this tunic expresses Dionysian themes, culminating with an image of the god himself on the shoulder squares.
Vier vrouwen met twee kinderen op een landweg nabij Caïro
Object type: stereograph
Date: 1909 – 1935
Materials: paper
Techniques: gelatin silver print
Location: cairo
Artist: Anonymous
Subjects: walking - aa - female human figure (+ four persons), road, path
Inscriptions: number: ‘122’
Piece from a Summer Kosode (katabira) with Flowering Vine and Cypress Fence
Object type: piece from a summer kosode katabira
Date: 1615 – 1868
Materials: fiber, metal thread, silk
Techniques: dyeing, embroidery, weave, resist
Culture: japanese
Subjects: flowers
Toren in de steigers
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: scaffold (~ building activities), tower (of house or building)

Blad 59 verso uit een schetsboek met 69 bladen.
Richmond Seminary, Staten Island, N.Y.
Object type: print
Date: 1847 – 1848
Materials: stone
Techniques: hand coloring, lithograph
Artist: frances flora bond palmer
Artist role: artist
Artist nationality: american, born england
Artist dates: 1812 – 1876
Subjects: buildings,trees

A rural New York view showing a three-storey white building with a peaked roof containing an attic window, set on top of a hill, surrounded by trees.At the base of the hill is a fenced field, and a house with a columned porch, a dirt road in the foreground. When Frances "Fanny" Flora Bond Palmer moved to New York from England in 1844, she already was an accomplished artist and printmaker. Palmer and her husband Seymour initially operated a small printshop in lower Manhattan and produced this print. By the time their business closed and they moved to Brooklyn in 1849, Nathaniel Currier was commissioning drawings from Fanny. After Currier & Ives was established in 1857, Palmer became one of their staff artists and one of the leading women lithographers of the 19th century.
Half Elevation and Half Ground Plan for Catafalque for Antonio Farnese, Duke of Parma (d. 1731)
Object type: drawing
Date: 1731 – 1731
Materials: ink
Techniques: pen, wash
Artist: giuseppe galli bibiena
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1756
Subjects: architecture
Portret van Lodewijk XIII van Frankrijk
Object type: book illustration
Date: 1729 – 1738
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: lodewijk xiii (koning van frankrijk), ornament ~ medallion, armour, historical persons, king

Prent waarschijnlijk uit: Le Clerc, Jean. Geschiedenissen der Vereenigde Nederlanden. Amsterdam: Zacharias Chatelain, 1730, dl. 2. Of uit de tweede druk uit 1738.
Visitekaartje van A.H.J.M. Schreurs
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: woodcut
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: antoine h.j.m. schreurs
Inscriptions: collector's mark: Lugt 2228
Haerlem verwoest door beleg, ende brand: ten tydt als sy wederom gekomen was onder de regeringe vande Prinze van Oranjen Ao. 1578
Object type: book illustration
Date: 1628 – 1628
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: on fire, ablaze, maps of cities, haarlem
Inscriptions: collector's mark: Lugt 240

Plattegrond van Haarlem met de verwoestingen in de stad na het beleg en de grote brand van 1576. Met onderschrift van drie verzen van elk vier regels in het Nederlands: Siet hier de goede Stad van Haerlem als gestorven [...]. Rechtsonder de legenda 1-30.
Schepen bij een steiger
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: rotterdam
Artist: gerrit groenewegen
Artist role: draughtsman, print maker
Artist dates: 1754 – 1826
Subjects: ships (in general), rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2228

Verschillende schepen op rustig water bij een steiger. Links een roeiboot met vier figuren waarvan er een roeit. Deze prent maakt deel uit van een serie van zes prenten met verschillende zeilschepen op zee.
Design for Landau, No. 3795
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Tea gown
Object type: tea gown
Date: 1880 – 1880
Materials: cotton
Culture: american
Brief aan Philip Zilcken
Object type: letter
Date: 1901 – 1901
Materials: ink
Techniques: pen, writing
Location: the hague
Artist: pieter andreas martin boele van hensbroek
Artist role: publisher
Artist dates: 1853 – 1912
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Brush holder with narrative scene
Object type: brush holder
Date: 1701 – 1800
Materials: ivory
Culture: chinese
Subjects: animals,men,fishing,trees

The solitary angler may be a reference to an eleventh-century B.C. narrative in which King Wen seeks the advice of a scholar named Jiang Shang. Here, Jiang is about to receive a royal visit.
Vier seizoenen
Object type: print
Date: 1587 – 1595
Materials: paper
Techniques: engraving
Location: germany
Subjects: autumn ~ human activities (the four seasons of the year), treading grapes, autumn, fall, 'autumnus'; 'autunno' (ripa)
Inscriptions: collector's mark: Lugt 240

Een herfstlandschap met herfstactiviteiten. Op de voorgrond druiven geplukt en geperst. De prent heeft een Latijns onderschrift en maakt deel uit van een vierdelige serie met als onderwerp de vier seizoenen.