deem-data/ArtiFact huggingface dataset:
Aankondigingen van preken in Groningen, 11 maart 1742
Object type: text sheet
Date: 1742 – 1742
Materials: paper
Techniques: letterpress printing
Location: groningen
Subjects: preaching (in general)
Inscriptions: stamp, collector's mark: Lugt 1641

Aankondigingen van de preken in Groningen, 11 maart 1742. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Godsdienst, Predikbeurtenlijstjes.
Twee mannen in gesprek bij een kop koffie
Object type: drawing
Materials: paint, ink, paper, pencil
Techniques: pen
Artist: hans borrebach
Artist role: draughtsman
Artist dates: 1903 – 1991
Subjects: inn, coffee-house, public house, etc., conversation, dialogue; conversation piece
Inscriptions: collector's mark: Lugt 2228a, signature: ‘HANS./ BORREBACH’, annotation: ‘1 blz 6/ maar ik kan die pakjes niet aan de post toevertrouwen...’, :

De twee mannen zitten aan een tafel, vermoedelijk in een koffiehuis. Op tafel staan twee koffiekopjes en ligt een schrift.
Hieratic Ostracon with accounts
Object type: ostracon, hieratic
Date: 525 – 404
Materials: ink, limestone
Location: egypt
Subjects: hieroglyphs
Gezicht op Avalon
Object type: photograph
Date: 1928 – 1928
Materials: photographic support
Techniques: gelatin silver print
Location: santa catalina island
Artist: Anonymous
Subjects: gulf, bay, city-view, and landscape with man-made constructions, (high) hill
Inscriptions: inscription: ‘Avalon, Catalina Island, Cal 104’, annotation: ‘Catalina eiland’
Fragment veelkleurige gebrocheerde zijde
Object type: fragment
Date: 1700 – 1760
Materials: silk
Techniques: brocade, gadrooning
Location: netherlands

Fragment veelkleurig zijdeweefsel. De witte grond heeft golvende, gelobde banden en velden met een fijn gestreept of een zig-zag patroon. Op het witte patroon heeft het patroon veelkleurige bloemtakken met kleine blauwe, roze en witte bloemen en grote rode bloemen.
Textile Design with Alternating Vertical Twisting Strips of Dots and Garlands of Pearls and Rosettes over a Striped Background
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating vertical twisting strips of dots of light tan color and garlands of pearls and rosettes over a background with horizontal stripes of ribbon of light tan color with brown stipples over a brown base. The rosettes are colored with purple, orange and green; the pearls are colored with white.
Rüine bij Baarland
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: zuid-beveland, baarland

Volgens het onderschrift overblijfselen van antiquiteiten bij Baarland, gelegen op het platteland in Zuid-Beveland. Op de voorgrond drie koeien, een man en een melkmeisje. Rechts de zee met schepen en een rijtuig op het strand. In de ondermarge drie regels tekst in het Italiaans. De prent maakt deel uit van een album.
Doctor Syntax arrives at Paris
Object type: book illustration
Date: 1820 – 1820
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: london
Subjects: names of literary characters, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, arrival and return ~ travelling, paris
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Doctor Syntax in Paris or A Tour in search of the Grotesque. A humorous & satirical poem. Londen: W. Wright, 1820.
Landschap met drie personen aan een pad
Object type: print
Date: 1648 – 1705
Materials: paper
Techniques: etching
Location: france
Subjects: landscapes
Inscriptions: collector's mark: Lugt 2228

Landschap met vrouw, staand bij aan pad zittende man en vrouw. Op de achtergrond een meer met brug naar kasteel.
Leiden. Jean Michelshof - Pieterskerkstraat
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1910
Materials: cardboard
Techniques: photograph
Location: the hague
Artist: Anonymous
Subjects: alms-house (dutch: 'hofje'), street, leiden
Inscriptions: date
Vitae D. Aurelii Augustini Libri IV
Object type: titelblad, titelpagina
Date: 1646 – 1646
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: augustine, bishop of hippo; possible attributes: arrows piercing his breast, book, child with spoon, flaming heart, heart (pierced with arrows), pen
Inscriptions: collector's mark: Lugt 240

Boven een tablet met titel een portretmedaillon van kerkvader Augustinus van Hippo. Links vertrapt een vrouw met schrijfveer een duivelse figuur. Rechts staat een vrouw met brandend hart in de hand, vanuit de hemel wordt zij beschenen. Aan de voorzijde liggen boeken, sleutels en de pauselijke tiara.
Portret van Henri Louis Habert de Montmor
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: engraving
Location: paris
Subjects: paris, henri louis habert de montmor, letter, envelope, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Portret van Henri Louis Habert de Montmor, een Franse geleerde. Hij houdt een brief in de hand. Op de piëdestal zijn wapenschild.
den 9 Nov. 1710 heeft sig de Stad Aire (...) met accoort over gegeven (...)
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: etching
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: maps of separate countries or regions, battle (+ land forces)

Kaart en voorstelling van de slag bij Brihuega in Castilië waar de Fransen door de Geallieerden werden verslagen, 10 december 1710. Met onderschriften in het Nederlands en Latijn. Fragment van een grote plaat met negen voorstellingen van gebeurtenissen uit het jaar 1710 van de Spaanse Successieoorlog.
Brief aan Max Wilhelm Carl Weber en Anne Antoinette Weber-Van Bosse
Object type: letter
Date: 1912 – 1912
Materials: ink
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: anne antoinette weber-van bosse, paris, draughtsman, alexandre-gabriel decamps, antwerp, painter, print maker, charles verlat, berlin, paul friedrich meyerheim, drawing
Het dorp IJmuiden
Object type: photograph
Date: 1885 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Inscriptions: annotation: ‘a IJmuiden / Hollande’

Stenen huizen van het dorp IJmuiden in de duinen bij de haven, Nederland. Links het Noordzeekanaal en geheel rechts de vuurtoren.
Ter ere van bouwmeester P.J.H. Cuyper bij de opening van het Rijksmuseum 1885
Object type: history medal
Date: 1885 – 1885
Materials: bronze
Techniques: striking
Location: utrecht
Inscriptions: factory mark: ‘mercuriusstaf’

Bronzen penning, op de voorzijde het portret van Cuyper naar links met omschrift, op de keerzijde negen regels tekst tussen samengestrikte lauwertakken.
Band
Object type: band
Date: 1201 – 1233
Materials: gilt copper, enamel
Techniques: enamel
Culture: french
Location: france
Subjects: men
Enkhuizen, Oude Westerstraat
Object type: ansichtkaart, prentbriefkaart
Date: 1899 – 1905
Materials: cardboard
Techniques: photograph, lithograph
Location: koog aan de zaan
Artist: simon bakker jz.
Artist role: printer, publisher
Artist dates: 1873 – 1930
Subjects: city-view, and landscape with man-made constructions, street, enkhuizen
Gezicht op de winkel van Haskell & Tripp in New Bedford, Massachusetts
Object type: photomechanical print
Date: 1880 – 1905
Materials: cardboard
Techniques: photoaquatint
Artist: Anonymous
Subjects: shop, store, advertising
Two Women in an Interior Listening to a Young Musician in Antique Times
Object type: drawing
Date: 1902 – 1902
Materials: charcoal
Artist: kristian zahrtmann
Artist role: artist
Artist nationality: danish
Artist dates: 1834 – 1912
Subjects: musical instruments,men,women,musicians
Die Männer des deutschen Volks oder Deutsche National-Gallerie
Object type: print
Date: 1848 – 1849
Materials: paper
Techniques: lithograph
Location: frankfurt am main
Subjects: cologne, politician, historical persons, portrait of a writer, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2233
Gezicht op de eerste Muiderpoort
Object type: drawing
Date: 1777 – 1777
Materials: ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: dirk verrijk
Artist role: draughtsman
Artist dates: 1734 – 1786
Subjects: city-view in general; 'veduta', river, windmill in landscape, bridge in city across river, canal, etc., city-gate
Inscriptions: inscription: ‘de Muy[...]poort’, signature and date: ‘T.Verrijk:del:ad.viv: / Ao 1777’, inscription: ‘Port. 6’, inscription: ‘Geschenk v/d Heer Koch 1882’, collector's mark: ‘6’ Lugt 1641b, inscription: ‘Gesigt de Muyder-Poort buyte Amsteldam,’

Onderwerpsrubriek binnen de Atlas Amsterdam: Buitensingel, Gezichten langs en op de Stadsvest van Raampoort tot Zeeburgerdijk.
Drie jongens in verkleedkleren spelen in een zelfgemaakte tent op het balkon
Object type: photograph
Date: 1910 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: the hague
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: child, family life
Inscriptions: annotation: ‘Gerard/ Gerrit/ Johann/ +_ 1910’
Titelpagina voor: Johannes Luyts, Disputatio juridica inauguralis, 1688
Object type: print
Date: 1688 – 1688
Materials: paper
Techniques: letterpress printing
Location: utrecht
Subjects: (story of) ceres (demeter), (story of) minerva (pallas, athena)
Inscriptions: collector's mark: Lugt 2228

Een vignet met Minerva met schild en boeken en Ceres met korenschoof. Tussen hen in een banderol met tekst Vivitur ingenio. In de achtergrond mensen werkend op het land.
Portret van John Tillotson
Object type: print
Date: 1683 – 1733
Materials: paper
Techniques: engraving, etching
Subjects: clergyman, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Portret van John Tillotson, aartsbisschop van Canterbury. Op de piëdestal zijn wapenschild.
Pijprokende man en jongen in landschap
Object type: print
Date: 1840 – 1843
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., pipe ~ tobacco

De man, mogelijk een herder, heeft zijn benen over elkaar geslagen en zijn hoed afgezet. De jongen kijkt naar hem.
Vases and Ornament Designs, nos. 200-208, plate 38 from "Designs for Various Ornaments"
Object type: print
Techniques: etching
Artist: michelangelo pergolesi
Artist role: artist and publisher
Artist nationality: italian
Artist dates: 1760 – 1801

These designs, numbered 200-208, center on a vase supported by a tripod stand, surrounded with other vessels and ornament. The print comes from a group that Pergolesi made and published serially in London between 1777 and 1792. There is no title page, but a prospectus of ca. 1786 described the group as: "A great variety of original designs of vases, figures, medallions, friezes, pilasters, panels and other ornaments, in the Etruscan and grotesque style." The complete set contains 67 plates numbered 1-66 (two are numbered 56), with designs within the plates irregularly numbered 1-435 (in Roman numerals at first, then with Arabic numbers). In 1801, after Pergolesi's death, four additional plates of designs were published by a bookseller Dulouchamp (or Dulonchamp).
Le Mendiant aux Béquilles Coiffé d'un Chapeau et Vu de Dos (The Beggar with Crutches and a Hat Viewed from Behind), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Object type: print
Date: 1623 – 1623
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Portret van dichter Francesco Petrarca
Object type: print
Date: 1768 – 1833
Materials: paper
Techniques: engraving, etching
Location: florence
Subjects: francesco petrarca, historical persons, portrait of a writer, writer, poet, author
Inscriptions: collector's mark: Lugt 12
Alva belegert Bergen in Henegouwen
Object type: history print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: delft, william i (prince of orange), fernando álvarez de toledo (3rd duke of alba), siege, position war

Bergen in Henegouwen, door graaf Lodewijk van Nassau met list gewonnen, belegerd door Alva, 18 augustus 1572. Van links komt het leger van Willem van Oranje in een poging om de stad te ontzetten. Met onderschrift van 4 regels in het Latijn. Genummerd: 31. Bedrukt op achterzijde met tekst in het Latijn.
Woning van de Banka-tinwinning te Merawang
Object type: photograph
Date: 1914 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, mining, villa
Inscriptions: inscription

Albumblad met 1 foto van de administrateurswoning van de Banka-tinwinning te Merawang. Onderdeel van het fotoalbum aangeboden aan Robert Julius Boers bij zijn vertrek naar Nederland in 1919 door het personeel van de Banka-tinwinning.
Stacking box
Object type: stapeldoos
Materials: ivory
Techniques: cutting
Location: guangdong
Artist: Anonymous
Subjects: dragon, ornament derived from plant forms

This pair of stacking boxes is exceedingly finely incised with figures in a detailed landscape. The boxes’ almost transparent carving indicates that they did not serve a utilitarian, but rather a decorative purpose. Due to global trade, Canton became the most important centre for processing and selling ivory. This type of openwork ivory ranks among the most costly souvenirs one could buy in Canton.
Optocht van mannen rijdend op paarden tijdens het Maalfeest
Object type: stereograph
Date: 1906 – 1906
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Inscriptions: title: ‘Maalfeest 1906’
Dress
Object type: dress
Date: 1815 – 1815
Materials: cotton
Culture: american

This dress presents a lively and engaging textile with its overall small prints. This style of print was in high demand in the teens and although it could have been made in New England by this time, it was probably imported from England, which shipped large quantities throughout the period. The Empire silhouette is readily identified with its origins in the chiton of ancient Greco-Romans, which was a tubular garment draped from the shoulders and sometimes belted beneath the bust. Several re-interpretations have occurred throughout costume history but none have been as notable as the period bridging the rectangular panierred skirts of the 18th century and the conical hoop skirts of the 19th century. The neoclassic style was adopted in all forms of decoration after the French Revolution and was upheld during the Napoleonic Wars partly due to Napoleon Bonaparte's (1769-1821) alliance with Greco-Roman principles. In fashion, the style began as children's wear made from fine white cotton, but was adopted by women in the form of a tubular dress with skirts that were gathered under the bust with some fullness over a pad at the back. As the style progressed the skirts began to flatten at the front and solely gather from the bodice at the center back. The style persisted until the 1820s when the waist slowly lowered and the skirts became more bell shaped.
View of Mount Fuji from a tea house
Object type: print
Date: 1820 – 1829
Materials: pigment
Techniques: woodblock print, surimono
Location: japan
Artist: keisai eisen
Artist role: artist
Artist nationality: japanese
Artist dates: 1790 – 1848
Ariosto en Rodomonte vallen in het water
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: ludovico ariosto, 'tropaion', i.e. decorative ornament ~ weapons, bridge, fighting, (scenes from) specific works of literature: ariosto, orlando furioso
Inscriptions: collector's mark: Lugt 240

Canto negenentwintig uit 'Ariosto Furioso'. Ariosto en Rodomonte raken met elkaar in gevecht op de brug die leidt naar het mausoleum dat Rodomonte heeft laten bouwen ter ere van Isabella. De mannen vallen in het water waarna de geharnaste Rodomonte verdrinkt. In de achtergrond bekijkt Fordelis de wapens van door Rodomonte verslagen ridders die aan de muur van het mausoleum zijn bevestigd. Linksonder genummerd: 9.
Fragment
Object type: fragment
Date: 1701 – 1733
Materials: metal thread, silk
Fragment of an Oil Lamp
Object type: lamp
Date: 301 – 700
Materials: earthenware
Culture: coptic
Location: egypt
Fragment
Object type: textile
Date: 1360 – 1380
Materials: textile, silk
Techniques: damask, weave
Location: italy
Ponen in een aquarium
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: aquarium, bony fishes: gurnard
De Kathedraal St Jan te s' Hertogenbosch
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: den bosch
Artist: Anonymous
Subjects: church (exterior)
Palmenhaus zu Frankfurt a/M
Object type: stereograph
Date: 1900 – 1940
Materials: cardboard, film, metal
Techniques: gelatin silver print
Location: frankfurt am main
Artist: Anonymous
Subjects: botanic garden, 'hortus botanicus'
Inscriptions: number: ‘551.’
Saint Sebastian, Saint Anthony, and Saint Roch
Object type: print
Date: 1550 – 1555
Materials: paper
Techniques: engraving
Location: france
Artist: jean duvet

There are few impressions of this rare, unfinished engraving by Jean Duvet, a metalworker in Dijon and Langres who served as royal goldsmith to both François I and Henri II. The artist likely made this depiction of the three patron saints of the plague to offer hope during a pandemic sweeping eastern France. In the center forefront Saint Sebastian, usually portrayed with multiple lacerations from arrows, is shown without visible wounds. Saint Roch, on the right with the dog that rescued him offering bread, lifts his tunic to show the buboes on his thigh are gone. Saint Anthony died from ergotism, a sickness with gangrene-like symptoms that blackens the skin and is now commonly called Saint Anthony’s fire. Here he is shown healthy and holding a book and bell.
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

At the shoulder, a band of tongues; below, head and part of the upper torso of a seated male wearing a chiton, and holding a lyre?
Michael Denis
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: etching
Location: vienna
Subjects: priest, historical persons
Inscriptions: collector's mark: Lugt 2228
Ontwerp voor ex libris van F.A. Schaly
Object type: design drawing
Date: 1929 – 1929
Materials: paper, pencil
Techniques: drawing
Location: netherlands
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: crown (symbol of sovereignty), griffin (lion/eagle); 'griffo' (ripa), rodents: rat
Historia Insectorum Generalis...
Object type: book
Date: 1693 – 1693
Artist: john swammerdam
Artist role: author
Artist nationality: netherlandish
Subjects: insects
Chessmen (32)
Object type: chessman
Date: 1867 – 1900
Materials: ivory
Subjects: chess,games
Omslag voor 68 foto's en fotomechanische afdrukken van Griekenland
Object type: wrapper
Date: 1895 – 1915
Materials: cardboard, leather, linen, paper
Techniques: gold embossing
Location: greece
Subjects: architectural detail, landscape with ruins, piece of sculpture, reproduction of a piece of sculpture, temple, shrine ~ greek religion
Jager van het Korps van Cleerens
Object type: costume print
Date: 1835 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: utrecht
Subjects: (military) uniforms, clothes, costume
Inscriptions: collector's mark: Lugt 2228

Een jager van het Korps Jagers van Cleerens, te paard. Onderdeel van een serie van 157 losse bladen met Nederlandse militaire uniformen in de jaren 1830-1832.
Plaque with Ibex and Kid
Object type: garment plaque
Date: 500 – 301
Materials: bronze
Culture: north chinese
Subjects: ibex
Feline Effigy Bottle
Object type: bottle
Date: 700 – 301
Materials: ceramic
Culture: paracas
Location: peru
"The Derelict" or "The Lost Boat"
Object type: proof print
Date: 1916 – 1916
Techniques: woodcut
Culture: american
Location: united states
Artist: arthur wesley dow
Artist role: artist
Artist nationality: american
Artist dates: 1857 – 1922
Subjects: abstraction
Portret van keizer Maximiliaan II
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: engraving
Location: straatsburg
Subjects: vienna, maximiliaan ii (keizer van heilige roomse rijk), predatory birds: eagle, historical persons, emperor, knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Aquila Austriaca Das ist Historische Beschreibung und Abbildungen Aller Römischen Kaiser und Könige (...). Neurenberg: Paul Fürst, [1660].
Gezicht op Parijs over de Pont des Arts
Object type: print
Date: 1914 – 1914
Materials: paper
Techniques: etching
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: bridge in city across river, canal, etc., parts of church exterior and annexes: tower, paris
Inscriptions: collector's mark: Lugt 2760, inscription: ‘No. 596’, collector's mark: Lugt 2228, dedication: ‘'pour Esther Rolin Cladel/ (Paris 1913-'14)'’, inscription: ‘'Tours. tourelles et flèches/ du vieux Paris' (Anatole France)’
McCulloch's Tomb, Greyfriars Churchyard
Object type: photograph
Date: 1845 – 1845
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: tombs
Passie van Christus
Object type: print
Date: 1582 – 1586
Materials: paper
Techniques: engraving
Location: antwerp
Artist: antonie wierix (ii)
Artist role: draughtsman, print maker
Artist dates: 1555 – 1604
Subjects: the holy women (the three maries) on their way to or at the tomb, to anoint christ's body, mary magdalene kneeling before christ, who is usually represented as a gardener with a hoe and/or a spade; 'noli me tangere'
Inscriptions: collector's mark: Lugt 2542, collector's mark: Lugt 2228

Na de Opstandig verschijnt Christus als tuinman aan Maria Magdalena. Zij zit voor Christus geknield in een tuin. Op de achtergrond de drie Maria's met hun zalfpot op weg naar het graf. Bij het lege graf zit een engel.
Bracelet with sliding clasp
Object type: bracelet, sliding clasp
Materials: gold
Location: egypt

This type of bracelet is termed an overlap-twist bracelet after its construction: the ends of a hoop extend into a long wire that twists around the opposite terminal. This example employs two rods twisted together to form the hoop. These bracelets were popular throughout the Roman Period. In Egypt depictions show they were worn with the overlapped part of the bracelet on the exterior of the wrist.
Pleziervaartuig van de maharadja van Benares op de Ganges
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: drypoint, intaglio
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: places and objects of worship ~ hinduism, buddhism, jainism, ships (in general), horse
Inscriptions: collector's mark: Lugt 2233

De voorsteven van het schip is met twee steigerende paarden versierd. Op de achtergrond enkele tempels.