deem-data/ArtiFact huggingface dataset:
Figuren voor een brug
Object type: sketchbook leaf
Date: 1867 – 1923
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, bridge in city across river, canal, etc., amsterdam
Inscriptions: annotation: ‘[...]/ Zwammerdam-straat [sic]/ 60 2de etage’

Pagina 1, voorste schutblad, uit een schetsboek met 10 bladen.
Portret van Maria Catharina Jeukens op bidprent
Object type: prayer card
Date: 1943 – 1943
Materials: paper
Techniques: gelatin silver print, letterpress printing
Location: diemen
Artist: Anonymous
Subjects: adult woman, historical persons
Inscriptions: inscription: ‘Voor een dierbare overledene (...) verhoord te zullen worden. Amen.’, factory mark: ‘Agfa-Lupex’, inscription: ‘Maria Catharina Jeukens (...) het R.K. Kerkhof te Diemen.’
Ivoren diptiek van Flavius Stilicho met zijn vrouw en zoon
Object type: photomechanical print
Date: 1859 – 1864
Materials: paper
Techniques: photolithography
Location: paris
Subjects: commander-in-chief, general, marshal, mother and child(ren), woman and child(ren) (family group), sculpture (+ relief ~ sculpture)
Taperstick
Object type: taperstick
Date: 1793 – 1794
Materials: silver
Artist: henry chawner
Artist role: maker
Artist dates: 1750 – 1850
Portret van Franciscus van der Ee
Object type: print
Date: 1640 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: françois van der ee, bailiff
Inscriptions: collector's mark: Lugt 240

Portret van Franciscus van der Ee, amman (baljuw) van Brussel. Aan zijn pink een ring.
Portret van een man, naar rechts
Object type: drawing
Date: 1865 – 1930
Materials: paper, pencil
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: anonymous historical person portrayed alone
(From Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: human figures,animals,children
The Crucifixion
Object type: print
Date: 1521 – 1521
Techniques: woodcut
Artist: sebald beham
Artist role: artist
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: men,women,christ,crucifixion
Dodendans
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: etching
Location: antwerp
Subjects: coat of arms (symbol of sovereignty), dance of death; death together with one or more human beings
Inscriptions: collector's mark: Lugt 240

Een man en een vrouw staan op een sokkel aan weerszijden van het wapen van de Dood.
Drie engelen bewonderen een obelisk met scènes uit het Nieuwe Testament
Object type: print
Date: 1732 – 1732
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: obelisks (garden ornaments), single instruments of the passion, angels
Inscriptions: collector's mark: Lugt 2228

Landschap met drie engelen bij een obelisk. Op het monument de titel in het Nederlands, te midden van passiewerktuigen en andere attributen die verwijzen naar het leven van Christus. Op het basement scènes uit het Nieuwe Testament, respectievelijk de geboorte van Christus, de kruisiging, de opstanding en de hemelvaart. Op de achtergrond een zuil met scènes uit het Oude Testament. Op de voorgrond drie putti. Eén van hen bespeelt een harp, een ander rolt papier uit op de grond.
Filosoof
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: drypoint, etching
Location: amsterdam
Artist: ferdinand bol
Artist role: draughtsman, painter, print maker
Artist dates: 1616 – 1680
Subjects: scholar, philosopher
Inscriptions: collector's mark: Lugt 240
Aan de kade
Object type: photograph
Date: 1880 – 1940
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: hattem
Artist: cornelia hendrika jonker
Artist dates: 1874 – 1924
Subjects: historical persons, quay
Inscriptions: annotation: ‘Hattem?/ C’
Arm van een kaarsenkroon in twee hoogten
Object type: chandelier
Date: 1890 – 1910
Materials: brass
Techniques: casting, screwed
Location: netherlands
Artist: Anonymous

De arm heeft een S-vorm, naar buiten toe eindigend in een slangenkop en op het andere eind in vogelkop. De arm is aldaar met krullen versierd. Er is schroefdraden aangebracht in het uitsteeksel aan de kaarsenhouder, de arm of op het einde van de verbindingsstang. In het midden heeft de arm tevens een gestileerde dierenkop.
Dit is de tweede arm van de onderste standring, genummerd met het cijfer 2.
La Bourse
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: letterpress printing
Location: paris
Artist: a. provost
Artist role: print maker
Subjects: stock exchange, stock-market, paris
Inscriptions: collector's mark: Lugt 2228

Prent uit: Philipon, Charles ed. Paris et ses environs reproduits par le daguerréotype, sous la direction de M. Ch. Philipon (…). Parijs: Aubert & Cie, 1840.

Prent aangetroffen in een omslag voor een deel van de Nederlandse uitgave: Philipon, Charles ed. Parys en deszelfs omstreken, voorgesteld door de daguerréotype, onder toezigt van M. Ch. Philipon. Bewerkt naar het Fransch met de oorspronkelyke platen. Amsterdam: Elix & Co., 1840-1842. Deze uitgave is in delen uitgegeven en kon uiteindelijk tot een boek worden ingebonden.
Pair of spitoons
Object type: spitoons
Date: 1830 – 1830
Materials: wood
Techniques: veneering
Gallery of Fashion, vol. III: April 1 1796 - March 1 1797
Object type: book costume
Date: 1794 – 1802
Techniques: engraving, etching, hand coloring
Location: england
Artist: nicolaus heideloff
Artist role: publisher
Artist nationality: british
Artist dates: 1761 – 1837
Subjects: women,fashion

Volume of costume plates from the series "Gallery of Fashion", published monthly by Nicolaus Heideloff between 1794 and 1803. Heideloff was born in Stuttgart, and spent the early years of his career in Paris. He fled from there to London during the French Revolution, and spent the next 30 years there. During this time he contributed to the growing market in popular prints through various endeavors including the Gallery of Fashion. In 1815, he was appointed to the directorship of the national paintings gallery in The Hague, now commonly known as the Mauritshuis.
Portret van Antoine Arnauld
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: paris, brussels, historical persons, pedestal of a piece of sculpture (perhaps in the form of a herm)
"A Raja and a Guest Seated on a Terrace Listening to Musicians Perform", Folio from a manuscript of the Raga Darshan of Anup
Object type: folio from an illustrated manuscript
Materials: paper, watercolor
Location: india
Subjects: kings,men,musicians
Johannes de Doper predikt tot de menigte
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: john the baptist preaching (perhaps christ among the bystanders)
Inscriptions: collector's mark: Lugt 2228

Johannes de Doper zit op een rots voor een menigte. Gekleed in zijn kamelenhuid predikt hij voor zijn toehoorders in een boomrijk landschap met een waterpartij op de achtergrond. In de verzamelde groep bevinden zich moeders met kinderen, pelgrims, herders, geleerden en edelmannen. In de marge onder staat een vers in Latijn.
Het kloekmoedig besluit
Object type: print
Date: 1778 – 1785
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: last hours before execution, hacking and thrusting weapons: sword, ugly old woman, hag
Inscriptions: stamp, stamp:, collector's mark: Lugt 1641, collector's mark: Lugt 1641

Prent bij: Gellert, Christian Fürchtegott. Fabelen en vertelsels. 3 dln. Amsterdam: Pieter Meyer, 1772-1774. De prenten bij deze publicatie werden later uitgegeven. De exemplaren uitgegeven door de weduwe Jacobus Loveringh & Johannes Allart tussen 1777 en 1778, de exemplaren uitgegeven door alleen Johannes Allart tussen 1778 en 1785.
Nude Child Seated Under Trees
Object type: drawing and watercolor
Materials: chalk, paper
Location: france
Artist: style of edme bouchardon
Panel
Object type: panel
Date: 1801 – 1900
Subjects: men
Illustrations of Beautiful Women (Bijin e-zukushi) 美人絵づくし
Object type: illustrated book
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: hishikawa moronobu 菱川師宣
Artist role: artist
Artist nationality: japanese
Artist dates: 1618 – 1694
Subjects: women
Kamp voor Nederlandse kinderen in Engeland
Object type: photograph
Date: 1911 – 1945
Materials: photographic support
Techniques: photography
Location: england
Subjects: the hague, print maker, wilhelmina of the netherlands, england
Inscriptions: inscription, stamp: ‘COPYRIGHT / 'ANEFO' / ALGEMEEN NEDERLANDSCH FOTOBUREAU’

Koningin Wilhelmina op bezoek in een kamp voor Nederlandse kinderen in Engeland. Zij waren uit het al in 1944 bevrijde zuidelijke deel van Nederland naar Engeland gekomen voor herstel.
FAÇADE PRINCIPALE DE L'ÉGLISE A ATOCHA A MADRID
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: madrid
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: church (exterior), façade (of house or building)
Inscriptions: number: ‘2690.’
Twee mannen in een automobiel op een landweg bij Varaville
Object type: photograph
Date: 1808 – 1897
Materials: paper, photographic support
Techniques: gelatin silver print
Location: varaville
Artist: delizy
Artist role: manufacturer
Subjects: road, path, automobile

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Werkende vrouwen op de akker
Object type: drawing
Date: 1871 – 1906
Materials: chalk, paper
Artist: pieter de josselin de jong
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1906
Subjects: potatoes, reaping, picking, mowing ~ harvest
Altar candlestick
Object type: candlestick
Date: 1565 – 1565
Materials: copper alloy, patina, varnish
Artist: andrea di alessandri, called il bresciano
Artist role: artist
Artist nationality: italian
Artist dates: 1530 – 1569
Subjects: women,sphinx,putti
Card Number 209, Bessie, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: girls,portraits,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Varie capricci
Object type: titelprent, frontispice
Date: 1636 – 1679
Materials: paper
Techniques: engraving, etching
Subjects: easel, cupids: 'amores', 'amoretti', 'putti', working situations ~ painter
Inscriptions: collector's mark: Lugt 240

Een putto zit op een schilderskrukje en werkt aan een schilderij op een ezel. Op het schilderij staat de titel van de serie plus een putto-kopje.
Gelderse duit, 1690
Object type: coin
Date: 1690 – 1690
Materials: copper
Techniques: striking
Location: harderwijk

Koperen munt. Voorzijde: binnen lauwerkrans in drie regels D/GEL/RIAE, daaronder jaartal. Keerzijde: gekroond Gelders wapenschild.
Medal of Major General Z. Taylor
Object type: medal
Date: 1846 – 1846
Materials: bronze
Subjects: men,profiles
Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 11 (recto)
Object type: book print ornament architecture
Date: 1620 – 1620
Techniques: woodcut
Artist: cesare vecellio
Artist role: author
Artist nationality: italian
Artist dates: 1521 – 1601
Subjects: ornament

Written by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, published by Alessandro de' Vecchi. From top to bottom, and left to right: Design is in the shape of a triangle with the top right corner left blank. It is decorated with a pattern of diamonds containing an image of figure playing a different music instrument framed within a square, as well as circles and smaller diamonds that are ornamented with floral motifs.
Gezicht op de Westerpoort te Hoorn, 1726
Object type: print
Date: 1757 – 1792
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: bridge, city-gate
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 6 (1757), ill. 402. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 6, ill. 402.

Uit welke druk het huidige exemplaar precies komt is niet na te gaan.
Bord van aardewerk, beschilderd met het patroon "Los"
Object type: plate dish
Date: 1925 – 1925
Materials: earthenware
Location: arnhem
Artist: theo colenbrander
Artist role: draughtsman
Artist dates: 1841 – 1930
Perfume Bottle
Object type: perfume bottle
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states
Christ and the Pilgrims of Emmaus
Object type: drawing
Date: 1827 – 1827
Materials: graphite
Artist: (johann heinrich) ferdinand olivier
Artist role: artist
Artist nationality: german
Artist dates: 1785 – 1841
Subjects: human figures,buildings,christ
De elegante zes Tama rivieren
Object type: print
Date: 1812 – 1814
Materials: paper
Techniques: woodcut, nishiki e
Location: japan
Subjects: adult woman, river
Inscriptions: collector's mark: ‘kenfuru’

Courtisane, de rechter hand bij het kapsel, in de linker hand een tissue, staand tegen witte achtergrond waarop gedicht, waarboven rivierlandschap.
Terracotta vessel fragment with spiral and linear motifs
Object type: vase fragment
Date: 2300 – 2100
Materials: terracotta
Culture: minoan

From Gournia, Crete Fragment with running spiral.
Trumpeter for the Monkey Band
Object type: ceramic
Date: 1765 – 1765
Materials: ceramic, enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: meissen
Artist: meissen porcelain manufactory

In 1733, the sculptor Johann Joachim Kändler became the chief modeler at the Meissen Porcelain Manufactory, a position he held until his death in 1775. Kändler, along with his assistant Peter Reinicke, devised novel and innovative forms and figures for Meissen porcelain. One of the most admired products of the factory were the monkey bands, witty examples of 18th-century singerie: subjects in which monkeys literally “ape” the behavior of supposedly more sophisticated humans.

The first version of the monkey band was designed in 1753 and Madame de Pompadour, mistress of King Louis XV of France and a discerning patron of the arts, ordered a set at Christmas of that year. The group was so popular that it was reissued in the early 1760s. The Art Institute’s monkey band comes from this second edition.

In addition to a conductor and two female singers, the orchestra consists of musicians playing wind, string, and percussion instruments. There are also two instruments that were associated with rustic rather than courtly music: the bagpipe and the hurdy gurdy, in which the sound is produced by turning a hand crank that rotates a wheel that bows a set of strings.
Tile
Object type: tile
Date: 1620 – 1630
Materials: earthenware
Techniques: glazing
Subjects: arrowheads,firearms,men
Lindsey Houses
Object type: print
Date: 1876 – 1877
Materials: ink, paper
Techniques: drypoint
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 550 – 540
Materials: terracotta
Culture: greek, attic

Part of a shield; leg of a warrior to right wearing a greave; behind him, leg of a second warrior to right
Archeologische vondsten uit Albano en Castel Gandolfo
Object type: titelprent, frontispice
Date: 1764 – 1764
Materials: paper
Techniques: etching
Location: rome
Subjects: ornaments ~ art, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie van 33 prenten (inclusief titelprent, opdracht, vignet en ornamentele letter) met de titel 'Antichità d'Albano e di Castel Gandolfo'.
Portret van Desiderius Erasmus
Object type: print
Date: 1630 – 1680
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: rotterdam, desiderius erasmus, historical persons, scholar, philosopher (+ portrait of scholar, scientist)
Vignet met twee putti met een brandend hart in een gevaarlijk gebied
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: snakes, heart symbolism, beasts of prey, predatory animals: lion, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240
Treinstation van Hannover
Object type: stereograph
Date: 1869 – 1872
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: square, place, circus, etc., station; shelter (railway, tramway)
Inscriptions: number: ‘No 70.’
Trade Card for Cross, Engraver, Print and Map Publisher
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Portret van Viktor Amadeus Adolf von Anhalt-Bernburg-Schaumburg-Hoym
Object type: print
Date: 1720 – 1757
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Potpourri vase with cover (one of a pair)
Object type: potpourri vase
Date: 1772 – 1774
Materials: earthenware
Techniques: glazing
Artist: abraham leihamer
Artist role: artist
Artist dates: 1745 – 1774
Portret van Georg Jacob Friedrich Meister
Object type: print
Date: 1832 – 1900
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons

Met facsimile handschrift en drieregelig onderschrift in het Duits.
Le prisonnier de Chillon
Object type: print
Date: 1848 – 1862
Materials: paper
Techniques: lithograph
Location: paris
Subjects: prisoner; in fetters
Inscriptions: check stamp: Lugt 36a, collector's mark: Lugt 2228
Card Number 40, Olga Brandon, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Coronation of Czarina Elizabeth, Moscow, April 25, 1742
Object type: print
Date: 1742 – 1742
Techniques: mezzotint
Subjects: fireworks,ceremony
Silver Bucket
Object type: bucket
Materials: silver
Culture: byzantine
Location: albania
Subjects: birds

Silver stamps on the bottom identify this bucket as a Byzantine product, likely of a much earlier date than the rest of the treasure. The Avars The Avars were a nomadic tribe of mounted warriors from the Eurasian steppe. The Byzantine emperor Justinian negotiated with them in the sixth century to protect the Empire’s northern border along the Black Sea. Emboldened by their subjugation of numerous tribes, they unsuccessfully attempted to seize the Empire’s capital, Constantinople. They remained a scourge of both Byzantium and the Western kingdoms until Charlemagne defeated them through a series of campaigns in the 790s and early 800s. All the money and treasure that the Avars had been years amassing was seized, and no war in which the Franks have ever engaged . . . brought them such riches and such booty. Up to that time the Avars had passed for a poor people, but so much gold and silver was found . . . that one may well think that the Franks took justly from the Avars what the Avars had formerly taken unjustly from other nations. — Einhard (ca. 770–840), biographer of the Frankish ruler Charlemagne, early 800s The Vrap Treasure Tribute payments from the Byzantine Empire and war booty provided the Avars with enormous amounts of gold and silver. Avar goldsmiths created work of exceptionally high quality and were counted among the Avars’ ruling class. This ensemble of objects, all found together in Vrap, in present-day Albania, would seem to attest to the wealth of the Avars. Why this varied group was brought together remains a mystery. Some scholars have suggested that these objects were part of a treasure belonging to an Avar chief; others have speculated that they were the materials of an Avar artist. Others question whether an Avar metalsmith made them at all and assert these objects to be the products of a provincial Byzantine artist.
Portret van Maximiliaan Emanuel von Württemberg-Winnental
Object type: print
Date: 1699 – 1740
Materials: paper
Techniques: engraving
Location: schaffhausen
Artist: johann georg seiller
Artist role: print maker
Artist dates: 1663 – 1740
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228