deem-data/ArtiFact huggingface dataset:
Reproductie van een prent van een christelijke voorstelling
Object type: photomechanical print
Date: 1884 – 1889
Materials: paper
Techniques: photochemical processes
Artist: paul pretsch
Artist role: printer
Artist dates: 1808 – 1873
Subjects: new testament
Inscriptions: inscription: ‘(Reduced to one-fifth from a Lithograph).’, inscription: ‘Fig. I. - Typographic Printing Block’
Kolkman de Alcimist
Object type: cartoon
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: felix hess
Artist role: draughtsman, print maker
Artist dates: 1878 – 1943
Subjects: the hague, politician, alchemist at work
Inscriptions: collector's mark: Lugt 2228

Spotprent waarin Maximilien Kolkmannaar, minister van Financiën, voorgesteld is als een alchemist in zijn werkplaats. Verschenen als bijvoegsel van de Nieuwe Amsterdammer van 28 oktober 1910, no. 7.
Ornamental Boss
Object type: lid or bos
Date: 1501 – 1600
Materials: steel
Location: iran

This ornamental boss consists of a hemispherical pierced interlace design, radiating from a central, ten-pointed star. The finely-finished openwork has been carefully crafted on this small object, and it may have been used as a decorative element on an object such as an ‘alam (standard), or a shield.
Plate (tondino)
Object type: plate
Date: 1519 – 1519
Techniques: maiolica, glazing
Artist: maestro giorgio andreoli
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1550
Subjects: women
Stamp seal (bifacial disk) with cultic scene and monsters
Object type: stamp seal
Date: 734 – 601
Materials: limestone
Culture: assyrian
Location: mesopotamia
Female Figure with Large Hat
Object type: drawing and watercolor
Date: 1892 – 1898
Materials: board, ink, paper
Techniques: pen
Location: england
Artist: imitator of aubrey vincent beardsley
Cup (part of a service)
Object type: cup
Date: 1765 – 1775
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008

Eighteenth- and nineteenth-century porcelain tea sets usually comprised a teapot and stand, milk jug, sugar bowl, tea caddy, spoon tray, slop basin, six or twelve tea bowls with or without handles, and six or twelve saucers, a coffee pot and six or twelve coffee cups and a dish for cake. The Worcester factory made tea bowls with a handle if the decoration was European and without a handle for Oriental designs.
The Inner Palace of Chiyoda (Chiyoda no Ōoku)
Object type: print
Date: 1895 – 1895
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: flowers
Ontwerp voor decoratie op het gebouw Felix Meritis met Huldiging van Amsterdam
Object type: drawing
Date: 1806 – 1806
Materials: graphite, ink, paper
Techniques: brush, pen
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Subjects: historical events and situations, amsterdam
Inscriptions: date

Detail van een ontwerp voor decoraties op het gebouw Felix Meritis te Amsterdam in 1806: Huldiging van Amsterdam.
Vase (one of a set of three)
Object type: vase
Date: 1761 – 1761
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Shawl
Object type: costume and accessory
Date: 1825 – 1850
Materials: cotton, wool
Techniques: printing, weave
Location: england
Bonnet
Object type: bonnet
Date: 1853 – 1853
Materials: silk
Culture: american
Profile of Male Head, Crowned with Laurel Leaves
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: heightening
Location: italy
Artist: francesco solimena
Artist role: artist
Artist nationality: italian
Artist dates: 1657 – 1747
Design for Curtains
Object type: drawing
Date: 1841 – 1917
Materials: graphite
Artist: charles hindley and sons
Artist role: artist
Artist nationality: british
Artist dates: 1841 – 1917
Subjects: curtains
Search and research
Object type: bookplate
Date: 1880 – 1939
Materials: paper
Techniques: printing block
Location: england
Artist: Anonymous
Subjects: measuring-instruments, globe, cupids: 'amores', 'amoretti', 'putti'
Feste de Faune
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: claude gillot
Artist role: artist
Artist nationality: french
Artist dates: 1673 – 1722

Claude Gillot’s four-etching series of riotous woodland bacchanals celebrates Bacchus, Pan, fauns, and the nymph Diana (see 1969.279–80 and 1969.282). As stylistic precursors to the French Rococo with a deep interest in theater, Gillot’s prints are satirical and revolve around ancient sculpture.
Tuin met grote ronde parterre en vier kleinere perken
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: garden, labyrinth, maze ~ garden

Tuin met ronde parterre, omgeven door een balustrade. Ernaast liggen vier met balustrades omgeven perken. De prent maakt deel uit van een album.
Fragment
Object type: textile
Date: 1401 – 1500
Materials: linen, silk
Location: italy
Vrouwen en kinderen zien toe hoe Civilis slag levert met de Romeinen, 69-70
Object type: book illustration
Date: 1684 – 1684
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (story of) julius claudius civilis
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent uit: Tacitus, Cornelius. Jaarboeken en Historien (...). [Vertaald uit het Latijn door] Pieter Corneliszoon Hooft. Amsterdam: Jacob de Jonge (wed.), Dirk Boom (wed.) en Hendrick Boom, 1684.
Piece
Object type: piece
Date: 1750 – 1760
Materials: silk
Subjects: roses,leaves
Gezicht op de Soeploods op de Herenmarkt
Object type: drawing
Date: 1816 – 1850
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Location: amsterdam
Artist: gerrit lamberts
Artist role: bookseller, draughtsman, print maker
Artist dates: 1776 – 1850
Subjects: city-view in general; 'veduta', canal, shed, street
Inscriptions: collector's mark: ‘39-97’ Lugt 1641b, inscription: ‘Wy wandelen de (...) Logement van agteren.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Maatschappij van liefdadigheid - Soeploods op Heerengracht.
Fabels van La Fontaine
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: etching
Artist: eugène verboeckhoven
Artist role: draughtsman, painter, print maker, printer
Artist dates: 1798 – 1881
Subjects: fables, beasts of prey, predatory animals: lion
Inscriptions: date

Fabel van de leeuw, koe, schaap en geit die een bondgenootschap hebben gesloten. Als er een hert gevangen wordt, weet de leeuw alsnog ieders deel van de vangst op te eisen
Baan zijdedamast met een dessin van banen met bladwerk, geschakelde zeshoeken gevuld met bloemen, gelobde rechthoek gevuld met vogels en draken en dergelijke
Object type: textile
Date: 1900 – 1920
Materials: silk
Techniques: damask
Location: japan

Baan zijdedamast met een relatief groot dessin van banen met bladwerk, twee geschakelde zeshoeken gevuld met bloemen, gelobde rechhoek gevuld met vogels en draken, bladeren, omhoogrijzende bladranken, vierkanten gevuld met geschakelde achthoeken en een (lotus)bloem, een zespas gevuld met een bloem en een zeshoek, op zijn beurt gevuld met een vogel, omhoog rijzende bladranken. Dit alles in roze, groen, rood, blauw, wit, zilvergrijs, paars en écru op een oranje fond. Oosterse textiel.
Vrouw die op een stoel naast een wieg zit
Object type: print
Date: 1887 – 1920
Materials: paper
Techniques: aquatint, etching, roulette
Artist: albert roelofs
Artist role: print maker
Artist dates: 1877 – 1920
Subjects: cradle, crib, mother and child(ren), woman and child(ren) (family group)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, inscription: ‘laatste’, number: ‘1219 / 21’

De vrouw leunt met haar arm op de rand van de wieg.
Rocailles
Object type: ornament print
Date: 1731 – 1775
Materials: paper
Techniques: etching
Location: augsburg
Subjects: rocaille ornament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Lijntekeningen van rocaille ornamenten. Uitgeversnummer 15.
Riviergezicht met zwanen nabij Albury
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: etching
Location: antwerp
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: water-birds: swan, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 533b, collector's mark: Lugt 2228

De prent maakt deel uit van een zesdelige serie met gezichten in de omgeving van Albury, Surrey.
The Seven Virtues
Object type: print
Date: 1600 – 1600
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: jacob matham
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1631
Inscriptions: Lettered lower left: "7"; lower center: "HG. Invent."; and below image: "Sola beat virtus ... sedulus arte dedit."
Stockholm
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: stockholm
Artist: Anonymous
Subjects: palace
Inscriptions: inscription: ‘Gezigt op het paleis van de rivier gezien Stockholm’

Het Koninklijk Paleis in Stockholm, gezien vanuit het noorden.
Diverses Pieces de Serruriers, page 10 (recto)
Object type: album print ornament architecture
Date: 1663 – 1663
Techniques: engraving
Artist: jean berain
Artist role: artist
Artist nationality: french
Artist dates: 1640 – 1711
Subjects: birds,owls,flowers

Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right: Design is for a lock plate and is in the shape of a rectangle. In the center of the design is a grey-shaded key hole that is surrounded by coiling vines of leaves, flowers, and composite man and plant figures. On top of the key hole is an owl that is flanked above by two other birds. At each corner of the design is a diverse foliage element.
Portrait of an unknown minstrel (Bhat) from Varanasi, Uttar Pradesh, India
Object type: photograph
Date: 1858 – 1868
Materials: photographic support
Techniques: albumen print
Location: varanasi
Artist: Anonymous
Subjects: minstrel, 'jongleur', human races; peoples; nationalities
Inscriptions: inscription, q: ‘BHAT./ WANDERING MINSTREL./ BENARES.’, number: ‘(91)’
Bust of a woman
Object type: medallion
Date: 1500 – 1550
Materials: wood
Subjects: profiles,women
Staande vrouw
Object type: drawing
Date: 1811 – 1873
Materials: chalk, paper
Artist: pieter van loon
Artist role: draughtsman
Artist dates: 1801 – 1873
Neptune
Object type: fountain statuette
Date: 1534 – 1566
Materials: bronze
Subjects: neptune

With its spouted base (thus clearly from a table fountain), this has all the vigor and humor that characterize the best of sixteenth-century German bronze statuettes.
Card Case
Object type: case, card
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Fragment of a Bowl
Object type: fragment of a bowl
Date: 801 – 1000
Materials: earthenware, glaze, pigment
Techniques: painting, polychrome
Location: iran

This ceramic fragment was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Ons Voorgeslacht
Object type: titelblad, titelpagina
Date: 1863 – 1863
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: giving alms or other charity, e.g.: handing out food, person with a physical disability
Inscriptions: collector's mark: Lugt 2228

Op de stoep van een huis deelt een man brood uit aan de armen. Enkelen van hen ondersteunen zichzelf met krukken.
Bekendmaking van de Vrede van Breda, 1667
Object type: history print
Date: 1877 – 1877
Materials: paper
Techniques: engraving
Location: netherlands
Artist: christiaan lodewijk van kesteren
Artist role: print maker
Artist dates: 1832 – 1897
Subjects: proclamation of peace
Inscriptions: date

Gebruikt als illustratie in: J.P. Arend, Algemeene geschiedenis des vaderlands, voortgezet door O. van Rees, W.G. Brille en J. van Vloten, Amsterdam, 5 delen, 1840-1882, dl. 4.1 (1879), titelpagina.
Uitgeleesene Gesichte van het Wijdvermaarde Loo als andere vorstelijke Huisen
Object type: print
Date: 1695 – 1705
Materials: paper
Techniques: etching
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: palace, french or architectonic garden; formal garden, greenhouse, orangery
Inscriptions: collector's mark: Lugt 2228

Gezicht op de zijkant van de orangerie van Het Loo vanuit de tuin, waarin elegant geklede dames en heren langs een fontein en langs de parterres flaneren. Prent uit een serie van 71 prenten met Rijnlandschappen, gezichten op vorstelijke paleizen en stadsgezichten uit Den Haag en Amsterdam.
David simuleert krankzinnigheid voor koning Achis en vlucht
Object type: print
Date: 1580 – 1596
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: david sent away by achish
Inscriptions: collector's mark: Lugt 240

Koning Achis op een troon in zijn paleis, omringd door zijn hovelingen en soldaten. David, rechts, simuleert krankzinnigheid door in zijn baard te kwijlen. Met het zwaard van Goliat ontvlucht hij het paleis. De prent heeft een Latijns onderschrift met uitleg en rechts in de hoek een vers uit psalm 33.
Onderstel van een tafel
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: table
Gezicht op de grot in de tuinen van Château de Saint-Cloud
Object type: print
Date: 1631 – 1691
Materials: paper
Techniques: etching, hand coloring
Location: the hague
Subjects: french or architectonic garden; formal garden, artificial grotto in garden

Gezicht op de grot in de tuinen van Château de Saint-Cloud. Prent maakt deel uit van een album.
The Galliot of Jean de Vyl of Rotterdam
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: engraving, etching, roulette
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Sobieski Stuart
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Portret van Nicolaas Verkolje
Object type: print
Date: 1753 – 1763
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: arnout rentinck
Artist role: draughtsman, print maker
Artist dates: 1712 – 1774
Subjects: delft, painter, print maker, nicolaas verkolje, portrait, self-portrait of painter, tools, implements of painter, wig
Inscriptions: collector's mark: Lugt 2228

De schilder, tekenaar en prentmaker Nicolaas Verkolje met een penseel en een portefeuille. Op de achtergrond een schildersezel.
Pijprokende man met hoed en cape
Object type: drawing
Date: 1650 – 1700
Materials: chalk, paper
Location: netherlands
Artist: Anonymous
Covered baluster jar with figures in an interior behind framework, prunus trees and floral scrolls
Object type: covered jar
Date: 1650 – 1699
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: japan
Artist: Anonymous

Deksel van balustervormige dekselpot van porselein, beschilderd in onderglazuur blauw en op het glazuur rood, zwart en goud. Op de wand beschilderd traliewerk, versierd met gemodelleerde en gedecoreerde prunusbomen en banden met bloemranken. Onder het traliewerk een band met bloemranken. Rond de voet een band met lotusranken. Dekselknop in de vorm van een vogel op een stronk. Imari.
Madonna
Object type: photomechanical print
Date: 1951 – 1954
Materials: paper
Techniques: writing
Location: munich
Subjects: madonna (i.e. mary with the christ-child) accompanied or surrounded by others
Inscriptions: inscription: ‘(Nachdruck verboten - Copyright)’, number: ‘3262’
Veduta del Panteon d'Agrippa in oggi chiesa di S. Maria ad Martyres comunemente detta la Rotonda (...)
Object type: print
Date: 1775 – 1785
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: church (exterior), ornamental fountain
Inscriptions: collector's mark: Lugt 2228

Zicht op het Piazza della Rotonda in Rome met het Pantheon en de Fontana del Pantheon. Titel in de ondermarge in het Italiaans en in het Frans.
Octagonal Jar with Cover
Object type: jar with cover
Date: 1700 – 1700
Materials: enamel, glaze, gold, porcelain
Culture: japanese
Subjects: animals
Een aap scheert een kat
Object type: print
Date: 1635 – 1668
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: Anonymous
Subjects: monkeys, apes, animals acting as human beings, barber, barbershop
Inscriptions: collector's mark: Lugt 2228

Singerie. Een kat zit buiten op een rietenstoel, een aap mengt de scheerzeep en scheert haar.
David with the head of Goliath
Object type: print
Date: 1515 – 1516
Techniques: engraving, etching
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: heads,david
Portret van een jonge man in kostuum met degen, aangeduid als C.A. Bergsma
Object type: carte de visite
Date: 1860 – 1905
Materials: cardboard, photographic support
Techniques: albumen print
Location: leiden
Artist: jan goedeljee
Artist role: fotograaf
Artist dates: 1824 – 1905
Subjects: historical persons, historical costume, hacking and thrusting weapons: rapier
Inscriptions: inscription: ‘J. Goedeljee/ Photograaf/ Z. K. H. PRINS ALEXANDER/ der Nederlanden/ PRINS van ORANJE/ en H. K. H./ PRINSES HENDRIK/ der Nederlanden/ Hoogewoerd 160/ nabij de Plantage.’, name: ‘C. A. Bergsma./ 99.’
Levee and River Views
Object type: stereograph
Date: 1863 – 1897
Materials: cardboard, paper
Techniques: albumen print
Location: new orleans
Subjects: harbour, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, steamship, motorship
Inscriptions: number: ‘No. 101’
A Herdswoman Seated Amongst Her Animals, with a Lamb in Her Arms
Object type: drawing
Date: 1690 – 1690
Materials: chalk, ink, parchment
Techniques: brush, pen, wash
Artist: dirck van bergen
Artist role: artist
Artist nationality: dutch
Artist dates: 1645 – 1690
Subjects: women,cows,lambs,trees
Scroll Cover with Mythical Creature
Object type: scroll cover
Date: 1701 – 1800
Materials: textile, silk
Techniques: embroidery
Culture: chinese
Subjects: mythical creatures

The unusual animal on this rank badge is an alternative representation of the qilin, an auspicious mythological beast that is said to appear in the reign of a virtuous ruler. In the Ming dynasty, qilin badges were worn as the insignia of nobles. The qilin seen here is similar to one on a badge excavated from the tomb of Duke Xu Fu, who died in 1517. The animal in Xu Fu's badge has a slightly longer neck, but its coat has a similar hexagonal pattern. That pattern is also found on a painted giraffe exhibited nearby. A gift of this exotic beast to the Yongle emperor in 1414 occasioned many flattering comments among senior officials that a qilin had appeared, implying that the Yongle emperor, a usurper, was the rightful ruler. This occurrence must have been the beginning of the conflation of giraffe and qilin.
A Dog with a dead Goose and Peacock (A Study of Game and Fruit)
Object type: painting
Date: 1700 – 1700
Materials: canvas, oil
Artist: jan weenix
Artist role: draughtsman, painter
Artist dates: 1640 – 1719
Subjects: hunting dogs, spoils of the hunt, game, venison, dog

Een hond bij een stilleven van gevogelte (dode gans en een pauw) en fruit (druiven, meloen, perziken en appels). Op een balustrade zit een papegaai, in de lucht enkele andere vogels. Op de achtergrond een laan in een park of tuin.
Portret van Gerardus Mercator
Object type: print
Date: 1574 – 1574
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: instrument maker, gerardus mercator, historical persons
Inscriptions: collector's mark: Lugt 2228

In de eerste staat is Mercator 72 jaar. Als deze leeftijd correct is, klopt de datering (1576) niet. In de tweede staat is de leeftijd gecorrigeerd in 64 en blijft de datering onveranderd. In de derde staat is Mercator twee jaar jonger geworden (62) en is de datering aangepast tot 1574. Er bestaat twijfel of dit portret van Mercator daadwerkelijk van Goltzius' hand is (zie documentatie: Leeflang 2003). Jacobs, G.
Aanbidding der koningen
Object type: print
Date: 1645 – 1706
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)
Inscriptions: collector's mark: Lugt 240

Maria houdt het Christuskind vast zodat de geknielde koning zijn voet kan kussen. Op de voorgrond twee jongens met kostbare geschenken. De twee andere koningen staan rechts in aanbidding bij het Christuskind. Op de trap wordt een groep mannen tegengehouden.