deem-data/ArtiFact huggingface dataset:
Vaas, versierd met bloemen, bladeren en vlinders
Object type: vase
Date: 1915 – 1915
Materials: earthenware
Location: amsterdam
Artist: theo nieuwenhuis
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1951
Inscriptions: mark: ‘DISTEL; fecit Th.N; in zwart: No C2081 f40,-’, label: ‘nr. 301 f40,-’

Two vases. Earthenware decorated in the cuerda seca-technique, known as carduus earthenware. Amsterdam, c. 1915, made by Plateelbakkerij De Distel, designed by Theodorus W. Nieuwenhuis, factory under the direction of J.M. Lob.
The country of Balochistan, its geography, topography, ethnology, and history
Object type: book
Date: 1877 – 1877
Materials: cardboard, linen, paper, photographic support
Techniques: lithograph, printing, woodburytype
Location: london
Artist: albert william hughes
Artist role: auteur
Inscriptions: inscription: ‘[...] Hydrabad Sind’, number: ‘442’

Kaart van Balochistan aanwezig in sleuf in de achterkaft.
Maagd Maria
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Location: france
Artist: Anonymous
Subjects: 'portraits' of mary
Inscriptions: collector's mark: Lugt 2228
Kolf van een geweer
Object type: page
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Location: liège
Artist: edouard magis
Artist role: fotograaf
Artist dates: 1828 – 1906
Subjects: firearms: rifle
Inscriptions: number: ‘Planche 5.’, inscription: ‘Carabines de guerres systèmes Fougeroux’
Spring
Object type: print
Date: 1906 – 1906
Materials: paper
Techniques: etching
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926
Bord
Object type: plate dish
Date: 1867 – 1867
Materials: creamware
Techniques: transfer decoration
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: mark: ‘PARSEME No 3’, check stamp: ‘PR’

Bord van aardewerk, met blauw doorlopend bloemendecor, behorend tot een kinderservies.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, draped woman to right
Flowers and Insects
Object type: painting
Materials: ink, paper
Location: china
Artist: chai zhenyi 柴貞儀 and chai jingyi 柴靜儀
Inscriptions: Artists' inscription: 杭郡女子柴貞儀靜儀合摹於凝香室
[The ladies of Hangjun (Hangzhou) Chai Zhenyi and (Chai) Jingyi copied this together in the Frozen Fragrance Chamber]
Artist' seal: 貞靜合同
Collectors' seals: 青芝山房寶藏

This sensitively idyllic glimpse of nature is the collaborative work of two sisters, who resided in east coastal Hangzhou. The city’s mild climate and beautiful scenery attracted generations of intellectual elite. Fostered by that cultural ambience, both sisters became renowned as poets and painters, but their painting styles were quite distinct. Whereas Chai Jingyi specialized in semi-abstract images of nature that affirmed ideals of self-expression, Chai Zhengyi was most renowned for closely observant studies such as this. Depicted together with asters and Asiatic dayflowers, the fruiting wild rose (dog rose) places this scene in the autumn. Inhabiting this vegetation is a variety of graceful insects— the butterfly, mantis, locust, and other grasshoppers. Such creatures denoted the annual passage of seasons in early poetry, and from that literary tradition, became elegant and often allusive subjects of painting.
Vrouw met hoed met veer
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: drypoint, etching
Location: amsterdam
Subjects: head-gear: hat (+ men's clothes), morphology of human expression (+ adult female (human being))
Inscriptions: collector's mark: ‘RIJKS / MUSM’, collector's mark: ‘B’
Ex libris van J.J.C. Enschedé
Object type: bookplate
Date: 1870 – 1912
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: inscription: ‘Rietstap, 617.’
Gevel van het Pavillon Richelieu in het Palais du Louvre en de Rue de Rivoli
Object type: photograph
Date: 1857 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: permanent exhibition, museum, façade (of house or building), paris, tuileries palace

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 4.
Franz Nikolaus Baur
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: engraving, etching
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van Franz Nikolaus Baur, Duits vicaris en theoloog.
Aanrecht met twee kasten en een gemarmerd blad
Object type: miniature
Date: 1750 – 1750
Materials: wood
Location: amsterdam
Artist: Anonymous

Aanrecht van geschilderd eikenhout, het blad gemarmerd als keukenvloer en de rest gehout als kozijnen, schoorsteenkap en pomp. In het aanrecht twee kasten met dubbele, openslaande deuren waarin een legplank en een breed vak met neerslaande klep (turfbak ?)
Brief aan Jan Veth
Object type: letter
Date: 1897 – 1897
Materials: ink, paper
Techniques: pen, writing
Location: charlottenburg
Artist: wilhelm von bode
Artist role: conservator, kunsthistoricus, museumdirecteur
Artist dates: 1845 – 1929
Subjects: the hague, jozef israëls, dordrecht, painter, designer, jan veth, berlin, print maker, draughtsman, max liebermann, leiden, rembrandt van rijn, printed matter
Inscriptions: collector's mark: ‘RPK’
Woman's Selendang Limar (Shoulder Cloth)
Object type: textile
Date: 1867 – 1900
Materials: gold, gold leaf, paper, textile, silk
Techniques: dyeing, embroidery, embroidered, lacquer, patterning, weave, resist, stitching
Location: indonesia
Subjects: paisley, floral
Strandgezicht in Zandvoort
Object type: stereograph
Date: 1906 – 1906
Materials: paper, cardboard
Techniques: collodion silver print
Location: zandvoort
Artist: Anonymous
Subjects: beach (as place of recreation), beach
Inscriptions: date: ‘1906’
Portretstudie van een jonge man met wilde haardos
Object type: drawing
Materials: paper, pencil
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Slagstempel van VOC
Object type: carver's punch
Date: 1700 – 1800
Materials: iron
Techniques: printing, casting
Location: netherlands
Artist: Anonymous
Subjects: netherlands
Inscriptions: mark: ‘VOC’

Rand slagstempel met enigszins ruw oppervlak. Vlakke voor- en achterzijde. Centraal in voorzijde: merk en midden in achterzijde rond gat.
Whiling Away the Summer at the Ink-Well Thatched Hut
Object type: handscroll
Date: 1679 – 1679
Materials: ink, paper
Culture: chinese
Artist: wu li
Artist role: artist
Artist nationality: chinese
Artist dates: 1632 – 1718
Subjects: birds,rivers,landscapes

In his inscription, Wu Li records that he painted this handscroll one clear morning after a rainfall, sitting alone in his studio thinking of an absent friend. There is a dreamlike quality about the painting: birds, trees, bamboo, mist, and even rocks dance joyously around the hermit-scholar, who sits quietly reading in his idyllic domain. Although he was an ardent admirer of Huang Gongwang (1269–1354), Wu transformed the Yuan painter's "hemp-fiber" texture strokes into a distinctly personal style: cool pale ink textures in intricate contrasting patterns, silhouetted and suspended in space, have been applied with both an athlete's vigor and a poet's gentle cadence. In 1681, two years after he painted this work, Wu Li was baptized as a Christian, a most uncommon thing to do for a man of his background. Ordained in Macao as a priest in 1688, he was sent in 1689 to do missionary work in Shanghai, where he died in 1718.
Chandravimba Ragaputra:  Page from a Dispersed "Boston" Ragamala Series (Garland of Musical Modes)
Object type: folio
Date: 1760 – 1760
Materials: ink, paper, silver, watercolor
Culture: indian
Subjects: cranes,women,lutes,krishna

Krishna, seated on a lotus throne, is being fanned by an attendant. He holds a lute in his lap and reaches toward a crane with his left hand
Bruidshandschoen van wasleer met losse kappen van blauw/grijs satijn versierd met borduurwerk in veelkleurige zijde, zilverdraad, zoetwaterparels, robijntjes(?) en zilveren lovertjes
Object type: bruidshandschoen
Date: 1600 – 1625
Materials: gold thread, linen, pearl, gemstone, silk
Techniques: lace, braiding, embroidered, tanning, weave
Location: northern netherlands
Artist: Anonymous

Paar handschoenen, kalfsleer, satijn, zoetwater parels, robijnen, floszijde, metalen strookjes, zilver cantille, zilveren lovers, goud- en zilverdraad, goudkant, zijde Nederland, ca. 1625 Inv. BK-KOG-20 In de rechter wijsvinger verticale insnijdingen om (trouw)ring zichtbaar te maken. Pair of gloves, kid, satin, seed pearls, rubies, floss silk, metal bands, silver cannetille, silver sequins, gold- and silverthread, gold lace, silk Netherlands, ca. 1625 Inv. BK-KOG-20 Vertical cuts in the righthand index-finger to expose the (wedding)ring
Highland Targe
Object type: armor
Date: 1701 – 1733
Materials: brass, leather, wood
Culture: scottish
Location: scotland
Vuurbok van verguld brons in de vorm van een liggende leeuw op een basement
Object type: vuurbok
Date: 1800 – 1800
Materials: bronze
Techniques: gilding
Location: france
Artist: Anonymous

Bed. Mahogany and other woods, partly gilded, gilt bronze mounts. Netherlands, c. 1808. From Paviljoen Welgelegen in Haarlem. Probably supplied to King Louis Napoleon while in residence there. Two firedogs. Gilt bronze. Paris, c. 1800. Two candelabra. Gilt and patinated bronze. Paris, c. 1800, by Pierre Philippe Thomire. Presented by the staff of the Rijksmuseum on the 50th anniversary of the museum building, 1935.
Imperial Residences
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: versailles
Artist: ernest eléonor pierre lamy
Artist role: publisher
Artist dates: 1828 – 1900
Subjects: staircase, sculpture
Inscriptions: inscription: ‘E. Lamy's collection’, number: ‘93.’
The Antique Gallery, plate ten from Les Soirées de Rome
Object type: print
Materials: paper
Techniques: etching, printing
Location: france
Artist: hubert robert
Artist role: artist
Artist nationality: french
Artist dates: 1733 – 1808
Berglandschap met rivier in maanlicht
Object type: print
Date: 1867 – 1867
Materials: paper
Techniques: drypoint, etching, intaglio
Location: netherlands
Artist: willem matthias jan van dielen
Artist role: print maker
Artist dates: 1805 – 1867
Subjects: river, moonlight, mountains
Inscriptions: collector's mark: Lugt 2228
Le blessé
Object type: photomechanical print
Date: 1885 – 1901
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, landscapes in the temperate zone (+ landscape with figures, staffage)

Tweede prent na pagina 46 van Figaro-Salon.
Titelprent met 3 personen en Hebr. opschrift
Object type: print
Date: 1659 – 1712
Materials: paper
Techniques: etching
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Landschappen in de omgeving van Rome
Object type: print
Date: 1644 – 1652
Materials: paper
Techniques: etching
Location: utrecht
Artist: jan both
Artist role: draughtsman, painter, print maker
Artist dates: 1618 – 1652
Subjects: mule
Inscriptions: number: ‘5’, collector's mark: Lugt 10
Nieuwjaarswens van Colijn
Object type: cartoon
Date: 1900 – 1935
Materials: ink, paper, pencil
Techniques: brush, pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: hendrikus colijn, the bible as a book, political caricatures and satires
Inscriptions: inscription: ‘Nieuwjaarswensch van Colijn - Proost! Grootedel achtbaren ter Tweede Kamer! Veel heil en zegen!’

H. Colijn met één hand op de Bijbel, in de andere hand een zak 'oliegeld'. Ontwerp voor een politieke spotprent.
Seated Female Figure (from Sketchbook)
Object type: drawing
Date: 1796 – 1886
Materials: graphite, paper
Culture: american
Artist: asher brown durand
Artist role: artist
Artist nationality: american
Artist dates: 1796 – 1886
Subjects: women
Prise de la Ville de Bone (Capture of the City of Bonne), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)
Object type: print
Date: 1614 – 1620
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

According to the inscription on the second state of the prints in this series, Callot's engravings are after designs by Matteo Rosselli. Mariette attributes the designs of the prints in the series to Rosselli, Bernardino Poccetti, and possibly Antonio Tempesta.
Nederlandse militaire uniformen in de jaren 1830-1832
Object type: print
Date: 1835 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Subjects: (military) uniforms, clothes, costume
Inscriptions: collector's mark: Lugt 2228

Een huzaar van het Regiment Huzaren Nr 7 (mogelijk te Oost-Indië), te paard. Onderdeel van een serie van 157 losse bladen met Nederlandse militaire uniformen in de jaren 1830-1832.
La Clochette, from "Contes et nouvelles en vers par Jean de La Fontaine"
Object type: print
Date: 1795 – 1795
Techniques: etching
Artist: jean dambrun
Artist role: artist
Artist nationality: french
Artist dates: 1741 – 1808
Subjects: men,women,cows
Maastricht. - St. Pieter. Chalet en panorama
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: maastricht
Artist: Anonymous
Subjects: river, cottage, mountains
Amsterdamse straatfiguren rond 1770
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: person with a physical disability
Inscriptions: collector's mark, collector's mark: Lugt 1641

Een kreupele man beweegt zich voort in een rond bakje. In de marge een vierregelig vers in het Nederlands. Onderdeel van een serie van prenten van Amsterdamse straatfiguren rond 1770. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Mannelijk beroep en bedrijf: Marskramers, straatventers, straatslijpers, bedelaars, straatvertooningen enz.
Boer bij een ton
Object type: print
Date: 1690 – 1750
Materials: paper
Techniques: etching
Subjects: inn, coffee-house, public house, etc.
Inscriptions: collector's mark: Lugt 2228

Een boer zit bij een ton. Naast hem een vrouw met een mes en een wortel in de handen.
Ingekleurd portret van een man met snor en bolhoed
Object type: photograph
Date: 1920 – 1940
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: ceko
Artist role: fotograaf
Subjects: historical persons not known by name, netherlands
Case (Inrō) with Design of Treasure Boat on Waves (obverse); Crane in Flight and Tortoise on Rocks (reverse)
Object type: inrō
Date: 1701 – 1900
Materials: gold, lacquer, silver
Techniques: fundame, hiramakie
Culture: japanese
Subjects: cranes,turtles,waves,boats
Chinese Sage Evoking a Dragon
Object type: print
Date: 1825 – 1825
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Subjects: men,dragons
Groepsfoto met Habbema en staf
Object type: album leaf
Date: 1910 – 1928
Materials: paper, photographic support
Techniques: drawing
Location: grobogan
Artist: Anonymous
Subjects: colonial government, anonymous historical persons portrayed in a group, in a group-portrait

Albumblad met een groepsfoto met Habbema omringd door leden van zijn staf in Grobogan. Het blad is versierd met randwerk om de foto's. Onderdeel van het fotoalbum aangeboden aan J. Habbema door het Binnenlandsch Bestuur Corps van het Regentschap Grobogan, bij het beëindigen van zijn bestuur over het Regentschap, waarschijnlijk in 1928.
Terracotta fragment of a hydria (water jar)
Object type: hydria fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

On the shoulder, legs of a male mounting a chariot; tails and hindquarters of horses to right; at the bottom left, ivy from the panel ornament; at the shoulder, metopes and part of a superstructure; below, part of the head of a male to right; capital and part of the shaft of a Doric column; part of the head of a male to right
Cannes. L'Ile St. Honorat. Le Château
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1930
Materials: cardboard, photographic process
Location: cannes
Artist: Anonymous
Subjects: castle, sea (seascape)
Portret van John Borlase Warren
Object type: print
Date: 1709 – 1794
Materials: paper
Techniques: etching
Location: london
Subjects: politician, historical persons, ships (in general), politician, e.g. party leader, diplomacy, diplomat, commander-in-chief, admiral
Sterfbed van Maria
Object type: print
Date: 1633 – 1634
Materials: paper
Techniques: etching
Location: paris
Subjects: the dormition: mary on her deathbed; the apostles are gathered around her (john the evangelist may be shown sleeping or dreaming)
Inscriptions: collector's mark: Lugt 240

Maria ligt in een bed, omringd door de apostelen. Een van hen staat met een brandende kaars naast haar, een ander met een opengeslagen boek. Onder de voorstelling een onderschrift in Latijn. Deze prent is onderdeel van een reeks prenten rond het leven van Maria, bestaande uit een titelprent en dertien verhalende voorstellingen.
De nieuwe Koorn Beurs te Amsterdam, van Vooren / Vuë de la Nouvelle Bourse aux grains à Amsterdam, du côté de la Face
Object type: book illustration
Date: 1770 – 1770
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, market-hall, parts of church exterior and annexes: tower
Inscriptions: collector's mark: ‘41-96’ Lugt 1641b

Prent uit: Atlas, of verzameling van afbeeldingen der voornaamste gebouwen, torens en gezichten der stad Amsterdam, voor kinderen. Amsterdam: H. Moolenijzer, 1824, dl. 1, pl. 1. Eerdere staat van prent verscheen in: Elwe, Jan Barend. Atlas van de wereldberoemde koopstad Amsteldam (...). Amsterdam: Jan Barend Elwe, 1804. Mogelijk bestaat er een nog eerdere plaat gezien de datering op het object zelf (1770).
Bust of Man Facing Left
Object type: drawing
Date: 1777 – 1785
Materials: graphite
Artist: baron dominique vivant denon
Artist role: artist
Subjects: men,portraits

The attribution of this and a related sheet (60.620.77) to Dominique Vivant Denon was made by Marie-Anne Dupuy-Vachey in 2015 (see references). They are from a large series of drawn portraits made by Denon in Naples. In style, they reflect his training in the workshop of Augustin de Saint-Aubin (1736-1807). The identity of the sitter has been lost, but the number in purple ink suggests that there was once a list with sitter's names.
Kunstenaarszelfportretten in de Galleria degli Uffizi te Florence
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: brush
Location: italy
Artist: carlo lasinio
Artist role: painter, print maker
Artist dates: 1759 – 1838
Subjects: rome, jacques courtois, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228

Naar een geschilderd zelfportret door Courtois in de Galleria degli Uffizi te Florence.

Prent uit: Carlo Lasiano, Gli Autoritratti della Real Galleria di Firenze, 1789.
Joys of the Fisherman
Object type: handscroll
Date: 1410 – 1410
Materials: ink, paper
Culture: chinese
Artist: wang fu
Artist role: artist
Artist nationality: chinese
Artist dates: 1362 – 1416
Subjects: men,fishing,landscapes,boats

A twelfth-century couplet inscribed on the wall of a tavern characterized the lives of the fisherman and the scholar-official: Right and wrong reach not where men fish; Glory and disgrace dog the official riding his horse. To painters living in the tumultuous days of the late Yuan and early Ming dynasties, the theme of the fisherman symbolized a perfect escape from their strife-torn world. Wang Fu, a fellow townsman of Ni Zan (1306–1374), returned to Wuxi in 1401, after twenty years of exile at the desolate northern outpost of Datong, Shanxi Province; like Ni Zan, he had been a wanderer in his native land. In this long scroll Wang echoes Wu Zhen's (1280–1354) treatment of the fisherman theme. Poised between descriptive realism and calligraphic abstraction, Wang's painting exemplifies how Ming- and Qing-dynasty scholar-artists expressed themselves through the brush idioms of the Song and Yuan masters.
Saint Bartholomew, from The Martyrdom of the Apostles
Object type: print
Date: 1512 – 1512
Materials: paper
Techniques: woodcut
Location: germany
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Saint James Major, looking upwards and holding a staff, from "Christ, the Virgin, and Thirteen Apostles"
Object type: print
Date: 1600 – 1640
Materials: ink
Techniques: etching, pen
Artist: anonymous, 17th century
Artist role: artist
Artist dates: 1600 – 1700
Subjects: saints

From Christ, the Virgin and Thirteen Apostles, a series of fifteen busts in oval frames printed from one plate, after Reni. Brown ink drawn around the outer border of the sheet.
Nymph Watching a Heron Flying Away
Object type: print
Date: 1542 – 1545
Techniques: etching
Artist: léon davent
Artist role: artist
Artist nationality: french
Artist dates: 1540 – 1556
Subjects: birds,nymphs
Chest
Object type: chest
Date: 1650 – 1700
Materials: wood
Culture: british
Location: england
Portret van Willem II, prins van Oranje
Object type: print
Date: 1747 – 1759
Materials: paper
Techniques: engraving, pen
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: william ii (prince of orange)
Inscriptions: name: ‘Willem de Tweede’, collector's mark: Lugt 2228

Proefdruk van de prent gebruikt in: Jan Wagenaar, Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden, inzonderheid die van Holland (...), 21 delen. Amsterdam, Isaak Tirion, 1749-59.
Eleonora verwijt haar gemaal zijne verwijdering
Object type: book illustration
Date: 1840 – 1884
Materials: paper
Techniques: engraving
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: arnhem, deventer, nijmegen
Inscriptions: collector's mark: Lugt 2228

Eleonora van Engeland verwijt in Nijmegen haar man graaf Reinoud II van Gelre zijn verwijdering in het jaar 1342. Zij bewijst haar man dat zij niet melaats is en dat hij haar dus ten onrechte heeft verstoten. Zij voorspelt de ondergang van zijn huis, beide zonen die naast haar staan, zullen sneuvelen in de strijd om hun vaders naam.
Piece
Object type: piece
Date: 1785 – 1785
Materials: cotton
Subjects: grapes,boys,men,women,dogs
Vessel with Flaring Foot
Object type: vessel
Date: 300 – 200
Materials: earthenware
Culture: thai
Hunting cape
Object type: hunting cape
Date: 1900 – 1900
Materials: wool
Culture: british
Twee zeilschepen op het strand
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: photograph
Subjects: sailing-ship, sailing-boat, ships, boats on land, beached
Inscriptions: number: ‘Vol. II, No 6, Planche 1.’

Deze prent maakt deel uit van 8 omslagen met 22 tekstbladen en 89 prenten op losse bladen in en tussen de omslagen.
A29: South Carolina Ballroom, 1775-1835
Object type: miniature room
Date: 1940 – 1940
Location: united states
Artist: narcissa niblack thorne
Maius
Object type: print
Date: 1554 – 1641
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: may and its 'labours' (+ with zodiacal signs)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Bezigheden in de maand mei. Vooraan een dansend en musicerend gezelschap. Rechts een banket onder een pergola. In de verte een kasteel. Linksboven in de lucht het dierenriemteken Stier.