deem-data/ArtiFact huggingface dataset:
Bead
Object type: bead
Date: 701 – 1300
Materials: bone, ivory
Techniques: carving
Location: iran

This bead was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Primula auricula
Object type: drawing
Date: 1815 – 1830
Materials: paper
Techniques: drawing
Artist: Anonymous
Inscriptions: inscription: ‘EJE 1829’
Double Spout and Bridge Bottle with Feline
Object type: bottle
Date: 500 – 201
Materials: ceramic, pigment
Culture: paracas
Location: peru
Group of rustic figures
Object type: crèche figure
Date: 1701 – 1800
Materials: textile, gesso, wood
Techniques: polychrome
Subjects: children,men,bagpipes,bulls,sheep,plants

The nature of the Sicilian crèche technique is very different from that of the Neopolitan. The latter is the work of numerous hands not only in the production of the figures themselves but also in their orchestration within the assembled crèche. Sicilian figures, on the other hand, although rougher in finish are entirely made by the individual artists who not only mold their clothing but also control the grouping of the figures within separate vignettes.
Representanten van de eerste Nationale Vergadering van de Bataafse Republiek
Object type: silhouette
Date: 1796 – 1796
Materials: ink, paper
Techniques: drawing
Location: netherlands
Artist: hausdorff
Artist role: draughtsman, print maker
Subjects: rotterdam, mayor, historical persons (+ profile portrait), the hague

Silhouettes of members of the National Assembly. India ink on paper, 1796. Early in 1795 Stadholder William V fled to England. In the Republic a new regime was installed. A year later, the country held its first general election. Every Dutch man over the age of twenty and not on poor relief was entitled to vote for a candidate to the National Assembly, the parliament of the Batavian Republic, as the country was known between 1795 and 1806. The 126 representatives who sat in the assembly were drawn from the educated, progressive elite of Dutch society.
Fotoreproductie van een schilderij van een vrouw met jongen, door Laurens Lodewijk Kleijn
Object type: glasnegatief, glasplaatnegatief
Date: 1865 – 1900
Materials: glass
Techniques: collodion process
Artist: laurens lodewijk kleijn
Artist role: draughtsman, painter
Artist dates: 1826 – 1909
Subjects: mother and child(ren), woman and child(ren) (family group)

Onderdeel van een groep glasnegatieven uit de nalatenschap van de schilder Laurens Lodewijk Kleijn, met stillevens, portretten, zelfportretten en kunstreproducties.
Bedgordijn van glasbatist, versierd met tule doorstopborduursel
Object type: bed curtain
Date: 1800 – 1874
Materials: textile, copper
Techniques: stopwork
Artist: Anonymous

Bedgordijn van glasbatist, versierd met tule doorstopborduursel (wit op wit) in de vorm van bloemornament en voluten. Aangenaaid linnen band met drie koperen ringen.
Bukkende figuur, van achteren gezien
Object type: sketchbook leaf
Date: 1931 – 1931
Materials: pencil
Location: java
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: bending figure

Vermoedelijk staat de figuur tot zijn of haar middel in het water. Pagina 10 uit een schetsboek met 74 bladen.
Interieur van het Monte Carlo Casino te Monaco
Object type: photomechanical print
Date: 1889 – 1920
Materials: paper, photographic process
Location: zurich
Artist: Anonymous
Subjects: casino
Inscriptions: number: ‘16478.’
Portret van Jacob Roman
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: wig
Inscriptions: collector's mark: Lugt 964

De arts Jacob Roman. Hij draagt een lange krulpruik.
Portret van Hermann von der Hardt
Object type: print
Date: 1680 – 1733
Materials: paper
Techniques: engraving
Location: leipzig
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Wittekind.
Object type: book illustration
Date: 1821 – 1821
Materials: paper
Techniques: roulette
Subjects: crown (symbol of sovereignty), historical persons
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Jerrer, Georg Ludwig. Geschichte der Teutschen für die Jugend (...). Neurenberg: Friedrich Campe, 1821.
Reis van Falmouth naar Truro
Object type: drawing
Date: 1706 – 1778
Materials: paper, pencil, watercolor
Techniques: brush
Location: penryn
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: four-wheeled vehicle drawn by two animals, 'en route', traveller under way, england

Kleurtekening van ruiters en koetsen die een steile (kust)weg omhoog rijden in glooiend Zuid-Engels landschap. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 2 (1808), p. 65 en zie deel 2, p. 81-82.
Nippori, from the series "Famous Places in the Eastern Capital (Toto meisho)"
Object type: print
Date: 1835 – 1838
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Ereteken (gesp) voor vijfenveertig jaar eervolle, langdurige en werkelijke dienst bij de schutterij als officier
Object type: insignia
Materials: silver, textile
Artist: Anonymous

Zilveren draagteken in de vorm van een gesp op lint.
Brief aan Philip Zilcken
Object type: letter
Materials: ink
Techniques: pen, writing
Location: hampstead
Artist: ernestine hadkinson
Artist dates: 1863 – 1928
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’

Vormt samen met RP-D-1982-43-HADKINSON(E.)-6B en RP-D-1982-43-HADKINSON(E.)-6C een doorlopende brief.
Death of Aridaeus and Eurydice
Object type: drawing
Date: 1790 – 1800
Materials: ink
Techniques: brush, pen, wash
Artist: edward francis burney
Artist role: artist
Artist nationality: british
Artist dates: 1760 – 1848
Subjects: men,women,death,eurydice
Cup with cover
Object type: cup with cover
Date: 1801 – 1900
Materials: gold
Subjects: satyrs,globes
De Spaansche Inquizitie
Object type: photograph
Date: 1855 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: prison, jail, violent death by mutilation or maiming
Inscriptions: inscription: ‘De voltrekking van de doodvonnissen (...) in het jaar 1560.’, number: ‘No. 4.’

De oorspronkelijke prent van Jan Luyken is van 1685. Zie ook RP-P-OB-44.285.
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1615 – 1868
Materials: silver alloy, gold
Culture: japanese
Location: japan
Subjects: houses
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, lower drapery and feet of woman to right; lower drapery and right foot of woman to right
Cross
Object type: cross
Date: 501 – 600
Materials: copper alloy
Techniques: casting
Culture: byzantine
Subjects: cross
Broek, van beige zijde, poffend model
Object type: miniature
Date: 1690 – 1710
Materials: silk
Location: amsterdam
Artist: Anonymous

Broek van beige zijde met een crème zijden voering. Poffend model, aangerimpeld aan een taille band met gefestoneerd knopsgat en knoopje van stof. Eén kruisnaad vormt een split. Pijpen eveneens aangerimpeld aan bandje en met gefestoneerde splitjes.
Shabti of Petosiris, son of Djedhor
Object type: shabti, petosiris
Materials: faience
Location: egypt
Sir Edward Fry
Object type: page
Date: 1876 – 1881
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait), magistracy, judges
Bordes. Auguste. 15 ans, né à Paris XVIIIe. Garçon Marchand de vins. Anarchiste. 9/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Fragment van een linnen servet
Object type: napkin
Date: 1600 – 1699
Materials: linen
Techniques: weave

Verknipt servet van linnen, met een "kruiswerk" patroon. Bij het fragment hoort een tweede fragment van een verknipt servet met invnr. BK-16697-A. Het weefsel is een combinatie van linnen- en keperbinding.
Liberale voorwendsels van conservatieven
Object type: print
Date: 1869 – 1869
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: fable of reynard the fox

Spotprent op de houding van de conservatieven bij de herziening van het kiestabel. Reinaert de vos (conservatieven) verkleedt zich als herder (liberalen) bij een kudde schapen. Naar de fabel van De la Fontaine. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 19, 1869.
Lewis's sketches of Spain & Spanish character, made during his tour in that country, in the years 1833-4
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: tone lithography
Location: london
Subjects: bullfight, bull-fighter, toreador, spain
Inscriptions: collector's mark: Lugt 2228
Brooch
Object type: brooch
Date: 1800 – 1900
Materials: gold, pearl
Subjects: flowers
Intocht van Leopold Willem, landvoogd der Zuidelijke Nederlanden, te Gent (rechtsonder)
Object type: print
Date: 1653 – 1653
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: vienna, leopold willem van oostenrijk (landvoogd der zuidelijke nederlanden), equestrian state-portrait, conqueror triumphing, triumphal entry of victor
Inscriptions: collector's mark: Lugt 240

Intocht van Leopold Willem, landvoogd der Zuidelijke Nederlanden, te Gent. Prent bestaande uit vier delen. Dit is het deel rechtsonder. Na de intocht van Leopold Willem vluchten de vijanden uit Gent. Op de achtergrond een kaart van de Zuidelijke Nederlanden met rechts de stad Gent.
Tulp. / Tulipa. / Tulipe.
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, paper, watercolor
Techniques: brush
Subjects: flowers: tulip

Roze-witte tulp, met twee bloemblaadjes in detail. Genummerd rechtsboven: 25. Onderdeel van het eerste album met tekeningen van bloemen en planten. Achtste van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Kinderen in middeleeuwse theaterdracht
Object type: album leaf
Date: 1926 – 1934
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: theatre, theatrical performance, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘Opnamen gemaakt met de "Kodak" Serie III No. 3./ Afdrukken gemaakt op "Velox" papier.’
Vier waterbronnen in en rond Spa
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: spring (fluids extracted from the earth)

Landschap met op de achtergrond bomen en een stenen gebouw. Bij een torenachtig gebouw op de voorgrond wachten mensen op hun beurt om water te halen.
Vioolspeler voor een herberg
Object type: print
Date: 1766 – 1770
Materials: paper
Techniques: etching, hand coloring, roulette
Location: amsterdam
Subjects: one person playing string instrument (bowed), inn, coffee-house, public house, etc., dog
Inscriptions: collector's mark: Lugt 2725, collector's mark: Lugt 2760

Een man met viool en een jongen met draailier maken muziek bij een herberg. Volwassenen en kinderen luisteren. Een vrouw leunt over de onderdeur.
Mystieke huwelijk van de heilige Catharina
Object type: print
Date: 1635 – 1713
Materials: paper
Techniques: etching
Location: rome
Artist: carlo maratta
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1713
Subjects: the mystic marriage of st. catherine of alexandria with the infant christ: the christ-child puts a ring on her finger
Inscriptions: collector's mark: Lugt 240

Maria zit met het Christuskind op schoot in een landschap. Christus schuift een ring aan de vinger van de heilige Catharina die voor hem knielt.
Portretten van vier leden van het Lagerhuis van de staat New York
Object type: photomechanical print
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Location: united states
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life) (+ head (and shoulders) (portrait))
Inscriptions: annotation, number: ‘169’

Linksboven Hector H. Tuthill, rechtsboven Russell M. Tuttle, linksonder Cornelius van Buren, rechtsonder William H. Waring.
Ewer
Object type: ceramic
Date: 1790 – 1790
Materials: ceramic, jasper, stoneware
Location: england
Artist: william adams & sons ltd.
Artist nationality: english
Artist dates: 1657 – 
Inscriptions: Mark: "ADAMS" impressed
Gezicht op de Westerpoort en gezicht op de Braak- of Keerenpoort te Medemblik, 1726
Object type: print
Date: 1752 – 1792
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: windmill, city-gate
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 4 (1752), ill. 355 en 356. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 4, ill. 355 en 356.

Uit welke druk het huidige exemplaar precies komt is niet na te gaan.
The churches, castles, and ancient halls of North Lancashire, volume 1
Object type: book
Date: 1880 – 1880
Materials: leather, paper
Techniques: heliotype, photoaquatint
Location: lancaster
Screen: Asia (Panel Three)
Object type: furniture
Date: 1820 – 1820
Materials: paper
Techniques: printing block, printing
Location: france
Wedding dress
Object type: wedding dress
Date: 1890 – 1890
Materials: feather, silk
Culture: french
Fukui Bridge in Echizen Province (Echizen Fukui no hashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran)
Object type: woodblock print
Date: 1830 – 1830
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: bridges,men,horses,landscapes
Carew Castle, plate eight from Twelve Views in Wales
Object type: print
Date: 1777 – 1777
Materials: paper
Techniques: aquatint
Location: england
Artist: paul sandby
Artist role: draughtsman, print maker, publisher
Artist nationality: british
Artist dates: 1731 – 1809
Fish hook
Object type: fish hook
Date: 1000 – 300
Materials: bone
Culture: japanese

These implements—an arrowhead, fishhooks, needle, and harpoon—were skillfully carved from bone, a material worked by Japanese artisans since Paleolithic times. They were found in the Obara Shell Mound at Ofunato Bay in Iwate Prefecture. According to information gleaned from shell mounds, or middens, the people of the Jomon period relied on a variety of strategies to obtain food. The large number of fishhooks, fashioned with and without barbs, together with the rich array of marine remains found in these rubbish heaps since very early times indicate that some fifty species of fish and shellfish constituted an essential dietary staple. Toggle-head harpoons, a later innovation, facilitated the hunting of sea mammals. Attaching a line to the toggle allowed the hunter to draw in his prey once the toggle had broken away from the harpoon shaft. Further evidence gathered from these refuse dumps suggests that the Jomon people also relied heavily on nuts, collected most actively in the autumn, and hunted animals, notably wild boar and deer. (1975.268.333–.345)
Naakte man houdt twee paarden in bedwang
Object type: drawing
Date: 1891 – 1941
Materials: chalk, paper, pencil
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: standing figure (+ nude human being), horse
Inscriptions: collector's mark: Lugt 2228
Portret van Lucia Sophia de Flavard de Wolff
Object type: reproduction
Date: 1888 – 1913
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Echtgenoote van J.F.[...] v. Römer’, collector's mark: Lugt 2228
Portret van een kind met verentooi en geweer
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: the hague
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: studio requisites ~ photographer, head-gear, indigenous peoples of north america (+ costume), child, firearms: rifle, the hague

Portret van een kind met verentooi en geweer. Onderdeel van Fotoalbum met opnames van het gezin en het huis van fotograaf C.J.L. Vermeulen in Den Haag.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, gold alloy, gold, silver
Culture: japanese
Location: japan
Subjects: horses
Pen Case and Inkwell
Object type: pen case and inkwell
Date: 1801 – 1900
Materials: brass
Location: egypt or syria

Objects like this pen case and inkwell were typically stored in open niches in reception rooms of upper-class Syrian residences during the Ottoman period.
Ex libris: Josefine Poeschel
Object type: bookplate
Date: 1886 – 1951
Materials: paper
Techniques: printing block
Location: germany
Subjects: reading, historical costume, flowers: rose, head (human) - aa - female human figure
Covered Urn
Object type: urn
Date: 1816 – 1823
Materials: porcelain
Culture: french
Location: rotorua whakarewarewa
Subjects: fruit
Draagteken uitgereikt aan Bart van Hove, een van de juryleden van de Wereldtentoonstelling te Brussel, 1910
Object type: insignia
Date: 1910 – 1910
Materials: silver
Location: belgium
Artist: jean lecroart
Artist role: medailleur
Artist dates: 1883 – 1967
Subjects: the hague, amsterdam, sculptor, bart van hove, brussels
Inscriptions: signature: ‘J. LECROART’, inscription: ‘JURY<BR />EXPOSITION DE BRUXELLES<BR />1910’, inscription: ‘FONSON<BR />.&c;.<BR />BRUX’

Penning in vorm halve ovaal. Voorzijde: in midden binnen omlijsting borstfiguur van naar rechts gekeerde vrouw in profiel die in rechterhand beeldje van gevleugelde ridder (Sint Joris) vasthoudt, met op de achtergrond een gebouw; in bovenhoeken bloemmotief, onder jaartal in cartouche, boven- en zijkanten in zilveren letters op blauwe achtergrond omschrift. Keerzijde: leeg met bevestiging (bedoeld voor knoopsgat) waarop merk.
Sacra Eremus Ascetriarum
Object type: print
Date: 1590 – 1662
Materials: paper
Techniques: engraving
Subjects: anchorite, hermit, female saints
Inscriptions: collector's mark: Lugt 2228

Prent uit: Sacra Eremus Ascetriarum, uitgever Boëtius Adamsz. Bolswert, 1612 of Hendrik Aertssen, Antwerpen 1619. Prent uit de serie van vijfentwintig kluizenaressen in deze uitgaven. In 1612 verscheen een ongebonden editie maar op basis van de gewijzigde opschriften en samenstelling van de serie kluizenaars wordt aangenomen dat de prenten van de uitgave 1619 ook in 1612 of iets daarvoor gedrukt werden. De serie kluizenaressen bleef vrijwel ongewijzigd in de ongebonden uitgave van 1612, dit compliceert de datering van de losse bladen in de collectie van het RMA, zie Roethlisberger 1993, p. 171-175.
Gold necklace with emerald and variscite beads
Object type: necklace with gold chain and green bead
Date: 201 – 300
Materials: gemstone, gold
Culture: roman

24 green beads: 1 emerald and 23 variscite.
Jongens gluren door het toneeldoek
Object type: print
Date: 1823 – 1825
Materials: paper
Techniques: etching
Location: england
Artist: theodore lane
Artist role: draughtsman, painter, print maker
Artist dates: 1800 – 1828
Subjects: theatre, theatrical performance, the audience ~ art performance, political caricatures and satires

Jongens die door het tentdoek naar het toneel proberen te kijken worden weggejaagd. Onderdeel van een groep van zeven boekillustraties uit: The Life of an Actor (1825).
Herderin met geiten in een landschap met een meer
Object type: watercolor
Date: 1781 – 1781
Materials: paint, paper, watercolor
Techniques: brush
Artist: aert schouman
Artist role: draughtsman, painter, print maker
Artist dates: 1710 – 1792
Subjects: landscapes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., goat
Inscriptions: inscription: ‘A. Schouman fec. na een stukje van S. v.dr does. 1781 welk stukje onder zijn berustende is’
Modèles de voitures Louis XV
Object type: ornament print
Date: 1740 – 1758
Materials: paper
Techniques: engraving
Location: paris
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach
Inscriptions: collector's mark: Lugt 2228

Een berline is een gesloten reiskoets voor vier personen.