deem-data/ArtiFact huggingface dataset:
Shirt
Object type: shirt
Date: 1795 – 1800
Materials: linen
Culture: american or european
Franz von Schwanenfeld
Object type: print
Date: 1815 – 1874
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: franz von schwanenfeld, moustache, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Ductus est Iesus in desertum
Object type: print
Date: 1644 – 1644
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: 'command these stones to become loaves of bread' ~ temptation of christ in the wilderness

Prent uit: Rosweyde, Heribert. 'tBosch der eremyten ende eremitinnen, van Aegypten ende Palestinen. Amsterdam: Pieter Jacobsz. Paets, 1644.
Toneelspeler die zich voor een spiegel schminkt
Object type: drawing
Date: 1905 – 1905
Materials: chalk, paper
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: actor (on the stage), making up
Fragment of Frieze with Acanthus Leaves Encircling Fruit and Flowers
Object type: fragment
Date: 501 – 600
Materials: limestone
Techniques: carving, relief
Location: egypt

In the 500s Apa (Father) Jeremias founded a Coptic monastery at Saqqara, the ancient Egyptian necropolis (cemetery) of the city of Memphis, near the oldest pyramids. He and the earliest monks lived in tombs at the site. As the monastery grew, several grand churches with lavish decoration were built, as well as many chapels, public buildings, and complexes of cells (rooms) for each monk. The monastery continued to grow after the Arab conquest with materials from early Byzantine tomb structures being reused for additional monastic structures. Inscriptions record prayers to numerous holy figures. Sculptural elements from Saqqara are often carved with deeply undercut patterns to intensify the play of light and shadow and to mask the solidity of the architecture. This sculptural style was popular throughout the Byzantine world in the 500s.
Piece
Object type: piece
Date: 1801 – 1900
Materials: cotton
Subjects: butterflies
The Massacre of the Innocents
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: marco dente
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1527
Sash
Object type: sash
Date: 1788 – 1788
Materials: silk
Culture: french
Portret van Simon Auguste André David Tissot
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Promenade parasol
Object type: promenade parasol
Date: 1860 – 1880
Materials: ivory, metal, silk
Culture: american
Subjects: flowers
Ste. Fauste et S. Evilase (St. Fausta and St. Evilasius), September 20th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Snuff Bottle
Object type: snuff bottle
Date: 1801 – 1900
Materials: crystal, glass, hair
Culture: chinese
Mariëtteklokje (Campanula medium) en marjolein (Thymus mastichina)
Object type: print
Date: 1604 – 1632
Materials: ink, paper, watercolor
Techniques: engraving, hand coloring
Location: cologne
Artist: Anonymous
Subjects: flowers: campanula, plants and herbs: marjoram

Mariëtteklokje en marjolein of thijm. Figs. 39 en 40 op een blad met de hand genummerd 21. In: Anselmi Boëtii de Boot I.C. Brugensis & Rodolphi II. Imp. Roman. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Onderdeel van het album met bladen en platen uit De Boodts herbarium van 1640. Het twaalfde van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II.
Plate
Object type: plate
Date: 1770 – 1770
Materials: soft paste porcelain
Artist: chantilly
Artist role: factory
Artist nationality: french
Subjects: garlands,flowers
Wall Painting
Object type: wall painting
Date: 801 – 900
Materials: plaster
Techniques: painting
Location: iran

Although the linear drawings inside the compartments have been transformed into half-palmettes and other designs, their origin in an attempt to imitate marble seems likely. The pattern of the layout is closely related to one which was popular in Roman floor mosaics.
Chess box-board
Object type: chess box board
Date: 1867 – 1900
Materials: leather, wood
Subjects: chess
Landscape with Woman and Cows (recto); Sketch of a Landscape (verso)
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: drawing, heightening, stumping
Location: england
Artist: richard wilson
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1714 – 1782
Vrouw met een olielamp
Object type: print
Date: 1662 – 1726
Materials: paper
Techniques: mezzotint
Subjects: oil-lamp, human figure at (open) window, seen from outside - aa - feigned window
Inscriptions: collector's mark: Lugt 2228

Een jonge vrouw leunt met een brandende olielamp uit een venster.
Portret van Johann Heinrich Schulze
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: engraving, etching
Artist: wolfgang philipp kilian
Artist role: artist, draughtsman, print maker
Artist dates: 1654 – 1732
Subjects: halle, historical persons, physician, doctor, professor
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Baier, Johann Jacob. Biographiae professorum medicinae qui in Academia Altorfina unquam vixerunt. Neurenberg/Altdorf: erven Johann Daniel Tauber, 1728.
Galgewater te Leiden, ca. 1790
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: windmill, leiden
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Huidige staat van prent uitgegeven als onderdeel van een plaatwerk uit ca. 1824-1825 met 74 (ongenummerde) platen van de belangrijkste topografische gezichten en verschillende zeden en gewoonten in het Verenigd Koninkrijk der Nederlanden, getiteld 'Tableau des principales vues des palais et édifices : représentations et des coutumes et usages, dans les provinces septentrionales du Royaume des Pays-Bas'.

Eerdere staat gebruikt in: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Textile
Object type: textile
Date: 1501 – 1600
Culture: chinese
Glass oinochoe (perfume jug)
Object type: oinochoe
Date: 334 – 268
Materials: glass
Culture: eastern mediterranean or south italian

Translucent cobalt blue, with handle and pad-base in same color; trails in opaque yellow, opaque white, and opaque turquoise blue. Applied trefoil rim-disk with long spout; cylindrical neck; narrow angular shoulder; straight-sided cylindrical body, expanding downward, and then curving in to applied low circular pad-base with uneven flattish bottom; strap handle attached in pad to upper body over trail decoration, drawn up and round in a loop, arching above the rim-disk, and pressed onto back of rim-disk and top of neck. A fine yellow trail attached at edge of rim-disk; another unmarvered yellow trail wound spirally five and a quarter times around neck; a third yellow trail, marvered, begun on shoulder and wound round on body, tooled into a feather pattern and extending as far as the point of greatest diameter; mingling with it in alternating bands, turquoise blue and white trails in nine vertical panels with alternating upward and downward strokes; a fine turquoise blue trail wound round edge of pad-base. Intact, except for weathered chip in rim-disk; dulling, pitting, and much of surface covered with creamy white weathering and iridescence. Among the rarer shapes of Mediterranean Group II vessels are the tall, slender oinochoe (jug/pitcher) with a trefoil spout and the lentoid aryballos with twisted glass canes running between the ring handles.
XIV Sit oneri, erit usui
Object type: album leaf
Date: 1614 – 1614
Techniques: engraving, printing
Location: the hague

XIV Sit oneri, erit usui. Eerste schok. Onderdeel van 'Sinnepoppen', R. Visscher, 1614.
Ikuyo no mutsugoto (Nocturnal pillow talk)
Object type: book
Techniques: woodblock print
Location: japan
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Bruxelles. L'Eglise du Sablon
Object type: photomechanical print
Date: 1903 – 1906
Materials: cardboard
Techniques: photograph
Location: brussels
Artist: Anonymous
Subjects: scaffold (~ building activities), church (exterior), city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
gouden dukaat, noodmunt uit Frankenthal, geslagen tijdens het beleg door Verdugo
Object type: siege coin
Date: 1623 – 1883
Materials: gold
Techniques: striking
Location: frankenthal
Artist: Anonymous
Subjects: frankenthal, beleg van frankenthal (1623)

eenzijdige, ruitvormige noodmunt. Voorzijde: een stempel: hoeksteen tussen jaartal boven letter F binnen parelrand en omschrift. Keerzijde: blanco
Portretten van vredesonderhandelaars in Westfalen 1641
Object type: print
Date: 1644 – 1671
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: official; civil servant; functionary (in general), historical persons

Prent maakt deel uit van een serie van 43 prenten. Eerdere staat van prent gebruikt in de serie 'Icones legatorum Monasterii et Osnabrugae existentium', uitgegeven door Abraham van Waesbergen in Amsterdam.
Portret van Dirck Evertsz. van Bleyswijck
Object type: print
Date: 1671 – 1693
Materials: paper
Techniques: engraving
Artist: jan verkolje (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1650 – 1693
Subjects: dirck evertsz. van bleyswijck, historical persons, compasses, 'historia'; 'historia' (ripa), father time, man with wings and scythe
Fotoreproductie van een prent naar een schilderij, voorstellende schepen op zee
Object type: photograph
Date: 1859 – 1869
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: ships (in general), sea
Passementerie
Object type: passementerie
Date: 1701 – 1900
Materials: metal thread
Nederlands opperhoofd met Javaanse bediende
Object type: print
Date: 1800 – 1850
Materials: paper
Techniques: woodcut
Location: japan
Artist: Anonymous
Subjects: standing figure, landscapes (+ landscape with figures, staffage), house personnel, servants
Inscriptions: collector's mark: Lugt 2228

Nederlander met hond, staand naast bediende met parasol, in westers landschap; 'berg en landschap' zoals vermeld op de prent is een letterlijke vertaling van het Japanse woord voor 'landschap': sansui. (Nagasaki-e)
Twee reproducties van een kleurenlithografie van een portret van een onbekende vrouw met hoed
Object type: photomechanical print
Date: 1885 – 1885
Materials: paper
Techniques: autotype
Location: dusseldorf
Subjects: historical persons not known by name - bb - woman
Inscriptions: inscription: ‘nach dem alten Verfahren,/ mittelst Chlorophyll-Platte./ Fred. Ives' isochromatisches Verfahren.’

Prent op ongenummerde pagina tegenover pagina 112.
Axe Head
Object type: axe head
Date: 1501 – 1700
Materials: copper alloy, silver, steel
Culture: circassian or tatar
Location: central asia

This steel head for a small axe or hatchet has a single asymmetrical blade at one end and a squared poll, or butt, at the opposite end. The top of the axe head forms a straight horizontal line from the upper corner, or toe, of the blade to the end of the poll. The bottom corner, or heel, of the cutting edge is set slightly back to form a steep point, or beard, at the base of the blade. The eye (opening for the missing haft) is slightly oval. The axe head is incised with the same decorative patterns along the length of both sides. These designs feature a triangle with a spade at each corner on the cheeks of the blade and a circle containing a whirling motif on the sides of the poll. Portions of the triangle-spade motif, the whirling motif, and other incised patterns are overlaid with copper alloy. The top of the poll and the area forward of the eye also have incised decoration, including a crescent overlaid in copper alloy at the rear of the eye. There may be traces of silver on other parts of the designs.
Triomf van Luther, 1707
Object type: print
Date: 1707 – 1707
Materials: paper
Techniques: etching, hand coloring, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: priest, martin luther, rome, clergyman, clemens xi, signing of peace treaty, concluding the peace, political caricatures and satires

Triomf van Luther, ca. 1707. Koning Karel XII van Zweden komt op voor het herstel van de rechten van de lutheranen volgens het verdrag van Altranstädt, 1707. De koning staat aan het hoofd van een tafel waaraan het verdrag getekend wordt en wijst met zijn zwaard naar een razende paus aan de linker kant van de tafel. Rechts kijkt Martin Luther vanuit een venster glimlachend toe. Onder de plaat 2 kolommen tekst in het Frans en Nederlands. Spotprent op de paus en de Roomse kerk.
Paus Pius VII zegent kinderen tijdens zijn verblijf in Lyon
Object type: print
Date: 1805 – 1805
Materials: paper
Techniques: drypoint, etching, roulette
Location: france
Artist: jean jacques de boissieu
Artist role: draughtsman, print maker
Artist dates: 1736 – 1810
Subjects: rome, clergyman, pius vii, historical persons, pope, lyon
Inscriptions: collector's mark: Lugt 12
Panel
Object type: textile
Date: 1700 – 1725
Materials: silk, silver, wool
Techniques: brocade, damask
Location: france
Studioportret van een man leunend tegen een pilaar
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous

De man draagt een zwart kostuum en heeft een rieten hoed in zijn hand.
Georgshöhe
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: georgshöhe
Artist: hermann selle
Artist role: fotograaf
Subjects: forestry
Inscriptions: number: ‘No. 44.’, inscription: ‘Hof-Photograph. Potsdam.’
Landscapes of the Twelve Months
Object type: album
Date: 1685 – 1685
Materials: ink, paper
Techniques: painting
Culture: chinese
Artist: gong xian
Artist role: artist
Artist nationality: chinese
Artist dates: 1619 – 1689
Subjects: landscapes,boats
Valance
Object type: valance
Date: 1601 – 1800
Materials: metal thread, silk
Culture: chinese
Subjects: mythical creatures
A Candidate. “Who do you want?... An upright, conscientious, sober man, an industrialist, a man who doesn't need the government to enrich himself, a man familiar with the law, who knows it well, through practice, very long practice... a long practice of law... you can't choose any better than... my honorable friend,” plate 48 from Caricaturana
Object type: print
Date: 1837 – 1837
Materials: gum arabic, paper
Techniques: hand coloring, heightening, lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879

Daumier could no longer overtly criticize the French government in his art after King Louis Philippe imprisoned him for six months in 1832. In this print, however, the artist derived his humor not from character assassination but from the buildup the perpetually scheming Robert Macaire, an archetypal villain from French popular literature, gives his preferred candidate, the rotund gentleman standing in the middle.
Man met twee paarden op een brug
Object type: sketchbook leaf
Date: 1874 – 1875
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: horse, bridge

Blad 39 recto uit een schetsboek met 46 bladen.
Ball gown
Object type: ball gown
Date: 1895 – 1900
Materials: silk
Culture: french
Artist: house of worth
Artist role: design house
Artist nationality: french
Artist dates: 1858 – 1956

Charles Frederick Worth was born in England and spent his young adulthood working for textile merchants in London while researching art history at museums. In 1845 he moved to Paris and worked as a salesman and a dressmaker before partnering with Otto Bobergh to open the dressmaking shop, Worth and Bobergh, in 1858. They were soon recognized by royalty and major success followed. In 1870 Worth became the sole proprietor of the business. At his shop, Worth fashioned completed creations which he then showed to clients on live models. Clients could then order their favorites according to their own specifications. This method is the origin of haute couture. Worth designed gowns which were works of art that implemented a perfect play of colors and textures created by meticulously chosen textiles and trims. The sheer volume of the textiles he employed on each dress is testimony to his respect and support of the textile industry. Worth's creative output maintained its standard and popularity throughout his life. The business continued under the direction of his sons, grandsons and great-grandsons through the first half of the twentieth century. Jean-Philippe Worth began as an assistant to his father, Charles Frederick Worth, in 1875. Gradually he was allowed to create his own designs and when his father died in 1895, he became the lead designer for the house. He was praised for making elaborate artistic gowns with intricate trimmings on unique textiles, much like his father had before him. Although the House of Worth was still favored by royalty and celebrities through the turn of the century, their styles were no longer the forefront of French fashion after 1900. Around 1910 Jean-Philippe limited his design work to important orders and hired his nephew, Jean-Charles Worth, as the new lead designer before leaving the company entirely after World War I.
Pendant Cross
Object type: pendant
Date: 401 – 700
Materials: bone
Location: egypt

This small cross would haven been strung on a necklace or string and worn around the neck. Crosses were everywhere in the early Byzantine world. They marked religious, secular, and domestic buildings, public works, clothes and jewelry, and objects in the home. The cross was a sign of Christ's triumph over death and the hope of eternal life and was frequently ascribed apotropaic, or protective, powers by the faithful.
Grafmonument voor Engelbrecht II, graaf van Nassau-Dillenburg-Breda, 1504
Object type: photograph
Date: 1850 – 1930
Materials: photographic support
Techniques: photography
Location: netherlands
Artist: Anonymous
Subjects: brussels, interior of church, grave-building, monumental tomb

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Longcase clock with calendar
Object type: longcase clock
Date: 1720 – 1720
Materials: brass, gilt brass, wood, steel
Techniques: gilding, inlay, silvered, veneering
Artist: daniel delander
Artist role: maker
Artist nationality: british
Artist dates: 1678 – 1733

Delander, a former journeyman in the workshop of Thomas Tompion, was another innovative clockmaker who contributed to the superb reputation of English horology in the seventeenth and eighteenth centuries. The eightday movement of this example has rack-and-snail striking and bolt-and shutter maintaining power. It has an unusual duplex escapement that was apparently invented by the clockmaker and used in a small number of his clocks. The maker of Delander’s distinctive case is unknown. One of several variants of the same model, this case has a number of features that are rare for the period: the chamfered corners of the base and hood, the hexagonal panel in the base, and the shape of the low broken-arch dial, which is repeated in the outline of the top of the door to the trunk. The dome at the top of the hood is a later addition, as are the finials.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Artist: angular painter
Artist role: artist
Sauceboat
Object type: sauceboat
Date: 1701 – 1800
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Subjects: human figures,chinoiserie,children
Armchair
Object type: armchair
Date: 1760 – 1760
Materials: wood, velvet
Techniques: carving, cutting, painting, voiding
Artist: michel gourdin
Artist role: maker
Artist nationality: french
Artist dates: 1677 – 1777
Varkens in een stal
Object type: print
Date: 1870 – 1941
Materials: paper
Techniques: etching, intaglio
Artist: eduard karsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1941
Subjects: pig, stall, stable
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Courtesans of Yotsumaya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 2
Object type: print
Date: 1776 – 1776
Techniques: woodblock print, cutting
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Woman's Rank Badge with Crane
Object type: woman's rank badge
Date: 1767 – 1833
Materials: silk
Culture: chinese
Subjects: cranes
The Entombment
Object type: print
Date: 1525 – 1535
Materials: paper
Techniques: etching, printing
Location: italy
Artist: parmigianino (girolamo francesco maria mazzola)
Artist role: artist
Artist nationality: italian
Artist dates: 1503 – 1540
Portret van zes onbekende vrouwen of meisjes uit Zwitserland
Object type: page
Date: 1879 – 1889
Materials: photographic support
Techniques: albumen print
Location: switzerland
Artist: Anonymous
Subjects: adolescent, young woman, maiden, adult woman, switzerland
Vrouwenhoofd
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: head (human) - aa - female human figure

Blad 19 recto uit schetsboek LXV met 27 bladen.
Terracotta lamp nozzle and rim
Object type: lamp nozzle and rim
Date: 900 – 30
Materials: terracotta
Culture: greek or lydian
Design for a Monumental Altar, Plate d from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'
Object type: album print ornament architecture
Techniques: etching
Artist: georg gottfried winckler
Artist role: engraver
Artist nationality: german
Subjects: altars,women,reliquaries
Calvary
Object type: print
Date: 1503 – 1504
Materials: ink, paper
Techniques: printing, woodcut
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528

Albrecht Dürer described this deceptively simple image of Jesus Christ’s Crucifixion as one of his “schlechtes Holzwerk,” his “plain” or “homely woodcuts.” Yet the number of figures represented, the receding landscape, and the pathos embodied by the swooning Virgin Mary and the kneeling Mary Magdalene exceed the artist’s own modest assessment of the work. In comparison with earlier woodcuts, especially the quickly produced book illustrations undertaken in Wolgemut’s workshop, the woodblock must have been cut particularly closely to the artist’s own design. While busier than Dürer’s monumental Passion woodcuts from the same period, this moving woodcut hints at the artist’s past and future.
Medal Showing Henry IV of France (b. 1553, r. 1589–1610) and Marie de Médicis (1573–1642)
Object type: medal
Materials: bronze
Culture: french
Location: france
Artist: guillaume dupré
Artist role: artist
Artist nationality: french
Artist dates: 1579 – 1640
Subjects: men,profiles