deem-data/ArtiFact huggingface dataset:
Plattegrond van een huis aan de Geldersekade te Amsterdam
Object type: book illustration
Date: 1648 – 1648
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: plan ~ architecture

Prent uit: Afbeelsels der voornaemste gebouwen uyt alle die Philips Vingboons geordineert heeft. Amsterdam: Philips en Johannes Vinckboons en Johannes Willemszoon Blaeu, 1648.
Ear Clip Inlaid with Eight Stones
Object type: ear clip
Materials: gold, stone
Techniques: inlay
Culture: indonesian
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of draped figure with a knobby stick
Bedgordijn van "Beiderwand" weefsel in zwart en wit
Object type: bed curtain
Date: 1650 – 1700
Materials: linen, wool
Location: east frisia

Bedgordijn van z.g. "Beiderwand" weefsel. Het patroon in zwart en wit, is oneindig en symmetrisch op verticale assen, opgebouwd. De tekening bestaat uit vogeltjes, hertjes, palmetten, anjers, tulpen en druiventrossen. De texture is een dubbelweefsel, zodat aan de ene zijde het patroon wit op zwart is aan de andere zijde zwart op wit. Het gordijn is van wol en linnen.
James McLaughlin, Champion Jockey of America, from the Champions of Games and Sports series (N184, Type 2) issued by W.S. Kimball & Co.
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w.s. kimball & co.
Artist role: publisher
Subjects: men,horses,athletes,jockeys

Trade cards from the set "Champions of Games and Sports" (N184), issued in 1887 by W.S. Kimball & Company. There are two variations of cards in the series. Type 1 displays the W.S. Kimball brand on the card recto and verso. Type 2 only displays the Kimball brand on the card verso. This card is Type 2.
Nacht
Object type: print
Date: 1667 – 1736
Materials: paper
Techniques: engraving
Location: cologne
Subjects: flying mammals: bat, personification of the night, 'nox'; 'notte', 'carro della notte', 'serenità della notte' (ripa), night ~ landscape (sometimes titled 'nox'), owls, couple of lovers, night
Inscriptions: collector's mark: Lugt 2228

De slapende Nox, de personificatie van de nacht. Uit zijn mond ontsnapt een wolk van duisternis. Naast hem een uil, een vleermuis en een rat. Links een verliefd paar. Op de achtergrond brengt een gemaskerde man een gesluierde vrouw naar een tempel.
Pitcher
Object type: pitcher
Date: 1830 – 1870
Materials: earthenware
Culture: american
Subjects: hunting,dogs,horses
Portret van Christiaan VI van Denemarken
Object type: print
Date: 1733 – 1733
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: copenhagen (city), knighthood order
Inscriptions: collector's mark: Lugt 240

Portret van Christiaan VI, koning van Denemarken en Noorwegen. Hij draagt een keten met de Orde van de Olifant. In de marge een vijfregelig onderschrift in het Latijn.
Matthaeus Wesenbecius Jureconsultus
Object type: print
Date: 1597 – 1599
Materials: paper
Techniques: engraving
Location: france
Artist: robert boissard
Artist role: print maker
Artist dates: 1570 – 1611
Subjects: antwerp, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Capt. Scheerenberg stilt het oproer op den Dam te Amsterdam ao. 1747
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, church (exterior), townhall, street-fights, riots, strike (political demonstration)
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Onder leiding van kapitein Abraham Scheerenberg worden Oranjegezinde oproerkraaiers, aangevoerd door Daniël Raap, verjaagd uit het stadhuis en van de Dam op 9 november 1747. In het bezette stadhuis steekt een demonstrant een ragebol uit het raam, wat een spottende verwijzing is naar de door de schout gedragen roede. In het midden de Nieuwe Kerk en rechts een deel van de Waag. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Krijgswezen, Schutterij, Historieprenten.
Brief aan Philip Zilcken
Object type: letter
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: the hague, painter, draughtsman, philip zilcken, naples
Inscriptions: collector's mark: ‘RPK’
Tulp. / Tulipa. / Tulipe.
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, paper, watercolor
Techniques: brush
Subjects: flowers: tulip

Roze tulp en een geelrode tulp. Genummerd rechtsboven: 16. Onderdeel van het eerste album met tekeningen van bloemen en planten. Achtste van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Portrait of Godart Alexander Gerard Philip, Baron van der Capellen, Governor-General of the Dutch East Indies
Object type: painting
Date: 1816 – 1857
Materials: canvas, board, oil
Artist: cornelis kruseman
Artist role: draughtsman, painter, print maker
Artist dates: 1797 – 1857
Subjects: godert alexander gerard philip capellen, colonial governor, historical persons

Portret van Godart Alexander Gerard Philip baron van der Capellen (1778-1848). Gouverneur-generaal (1816-26). Ten halven lijve, zittend in een stoel. In de document in de rechterhand, gebarend met de linkerhand. Links een tafel waarop een commandostaf en een steek. Onderdeel van een reeks van portretten van de gouverneurs-generaal van het voormalige Nederlands Oost-Indië.
Man bij een houten kruis aan de rand van een bos
Object type: print
Date: 1839 – 1901
Materials: paper
Techniques: drypoint, etching, intaglio, roulette
Artist: emile puttaert
Artist role: print maker
Artist dates: 1829 – 1901
Subjects: the cross ~ symbols of christ, other kinds of grave-markers, e.g. cross, forest, wood (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Prent toont veel overeenkomsten met RP-P-1913-2507, maar waarschijnlijk gaat het om een andere plaat.
Portret van Israel Gottlieb Canz
Object type: print
Date: 1747 – 1747
Materials: paper
Techniques: etching
Location: augsburg
Subjects: bookshelves, rocaille ornament, historical persons, ornament ~ cartouche, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Brucker, Jacob. Bildersal heutiges Tages lebender, durch Gelahrheit berühmter Schrifftsteller. Augsburg: Johann Jacob Haid, 1747.
Jonge held bij een altaar
Object type: print
Date: 1500 – 1536
Materials: paper
Techniques: engraving
Location: italy
Artist: agostino veneziano
Artist role: draughtsman, painter, print maker
Artist dates: 1490 – 1536
Subjects: armour, altar ~ roman religion
Inscriptions: collector's mark: Lugt 10

Een jongeman met helm op het hoofd staat bij een altaar. Op de grond liggen onderdelen van een wapenrusting en een omgevallen kruik.
Tiendaagse veldtocht, ter ere van Willem I Frederik, koning der Nederlandenen de kroonprins
Object type: history medal
Date: 1831 – 1831
Materials: bronze
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: the hague, berlin, william i of the netherlands, william ii of the netherlands, belgium

Bronzen penning. Voorzijde: borststuk man onder en boven wimpel met opschrift binnen eikenkrans. Keerzijde: borststuk man temidden van wapentuig en vaandels onder boven wimpel met opschrift binnen omschrift en eikenkrans.
Horn in D
Object type: horn in d
Date: 1701 – 1750
Materials: pottery
Culture: german
Location: germany

Both the horn's flairing bell size and the tubing correspond to brass hunting horns used by the middle of the eighteenth century. A scratched “D” on the bell indicates pitch and suggests that the horn was made to be played. The outer brown glaze imitates the color of brass, while the dark glaze on the black-stained surface of the inner bell imitates the black varnish often seen on seventeenth- and eighteenth-century brass hunting horns. This horn confirms a German source of 1745 that mentions that in some areas peasants made horns and trumpets of clay.
Portrait of Charles Meryon
Object type: print
Date: 1853 – 1853
Techniques: etching
Artist: félix bracquemond
Artist role: artist
Artist nationality: french
Artist dates: 1833 – 1914
Subjects: men,portraits
Zes gezichten op de kusten van de Hawaïaanse eilanden
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: coast

Prent uit: Cook, James. Reize rondom de Waereld (...) met kaarten en plaaten. [Vertaald uit het Engels door] Jan David Pasteur. Leiden: Honkoop, Amsterdam: Allart, Den Haag: Van Cleef, 1802, dl. 11, p. 388.
Plate
Object type: ceramic
Date: 1760 – 1760
Materials: ceramic, earthenware
Techniques: glazing
Location: rouen
Inscriptions: Mark: "C" in iron red
Piece
Object type: piece
Date: 1701 – 1800
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Top of a lekythos with a meander?
Gezicht op Glion aan het meer van Genève en daarachter de Dents du Midi
Object type: page
Date: 1874 – 1884
Materials: paper
Techniques: photograph
Location: montreux
Artist: Anonymous
Subjects: lake, prospect of city, town panorama, silhouette of city, mountains
Fotoreproductie van een prent naar een schilderij, voorstellende de tronende Madonna met de heilige Sebastiaan
Object type: reproduction
Date: 1870 – 1876
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: madonna: mary sitting or enthroned, the christ-child in her lap (or in front of her bosom) (mary sometimes represented half-length), the martyr sebastian; possible attributes: arrow(s), bow, tree-trunk
Inscriptions: inscription: ‘Stoke Newington Public Libraries’
' ’De Koninginne Tuin met 't Groene Kabinet , en de Oranjerie, van Achteren gezien", in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld
Object type: book print ornament architecture
Techniques: engraving, lithography
Location: amsterdam
Artist: carel allard
Artist role: publisher
Artist nationality: dutch
Artist dates: 1648 – 1709
Subjects: palaces,gardens

Depiction of the Queen's Garden at the Loo Palace with overgrown walkways and the Orangery seen from the back of the garden. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century.
Opdragt aan de jonge en leerzame jeugd / Présent pour la jeunesse docile
Object type: print
Date: 1800 – 1833
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: counting, calculating
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van verschillende aard met versjes over rekenen (rekenles) in het Nederlands en in het Frans. Genummerd midden boven: N. 113. B.
Stomme Passie
Object type: print
Date: 1520 – 1521
Materials: paper
Techniques: hand coloring
Location: amsterdam
Subjects: the flight into egypt: mary, joseph, the child (and sometimes others) on their way; mary usually riding on an ass, book in which illustrations are essential

Maria zit met het Christuskind in haar armen op de ezel, die door Jozef wordt voortgeleid. Prent maakt deel uit van een boek.
Amulet of a Djed Column
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt

Amulets could be strung on cords to be worn by the living or the dead. This group of ancient amulets features a pillar with cross bars, (the djed column) that represented the backbone of the god Osiris and conveyed stability. The center djed is flanked by eyes of Horus, which promised health.
Gezicht op een kerkgebouw in een stad aan een rivier
Object type: print
Date: 1852 – 1890
Materials: paper
Techniques: etching, intaglio
Artist: willem linnig (ii)
Artist role: print maker
Artist dates: 1842 – 1890
Subjects: city-view in general; 'veduta', church (exterior)
Two Monks Looking up at a Dragon in a Tower
Object type: drawing
Date: 1500 – 1550
Materials: ink, parchment
Techniques: brush, pen, wash
Artist: anonymous, italian, tuscan, early 15th century
Artist role: artist
Artist nationality: italian
Artist dates: 1400 – 1425
Subjects: towers,dragons,monks

This scene, loosely sketched in its most essential elements, may allude to Petrus de Cruce's real or imaginary journey to two popular holy sites located on the pilgrimage route between Damascus and Beirut: the holy mountain where Noah built his ark and the place outside Beirut where Saint George supposedly slayed the dragon that was devouring the local youth. On a rocky outcrop at the upper left is a wooden structure with one window, meant to represent Noah's ark. In the foreground, Petrus de Cruce (Pierre de la Croix, fl. Late 13th century) is shown standing at the foot of a tower next to an unidentified lay figure holding a pilgrim's staff and pointing toward a dragon. The image might refer to the tower where, according to popular belief, the dragon's victims awaited their fate. This illustration is one of two from the same roll that may be attributed to the young Florentine artist Fra Angelico, both being markedly distinct in figural style and technique. (The second, formerly in the Koenigs Collection in Amsterdam, is now on deposit at the Pushkin Museum, Moscow.) Despite their less-finished quality, both works stand out for their spatial clarity, linear fluidity, and confident use of simple uninterrupted pen strokes to articulate volume and structure.
Declaraties van de kunstenaar, Johannes Bosboom en Bart van Hove
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Inscriptions: annotation: ‘Willem 19 Junij f 2,- Diné/ Bosboom/ 18 Junij f1.50 Soupé/ Hove 22 Jun f3 3- wijn/ ...’

Voorste schutblad uit een schetsboek met 36 bladen.
Piazza del Mercato Vecchio te Florence
Object type: photograph
Date: 1858 – 1863
Materials: photographic support
Techniques: albumen print
Location: florence
Artist: Anonymous
Subjects: market, façade (of house or building)
Australia (Indian), from the Natives in Costume series (N16), Teofani Issue, for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1886 – 1886
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "Natives in Costume" series (N16), issued in 1886 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Secondary set from original Allen & Ginter plates printed by Teofani and distributed in Iceland. This set is printed on thinner card stock and does not have printed text on recto or verso.
Relief of a head of woman
Object type: relief of a head of woman
Date: 7000 – 330
Materials: ivory
Subjects: heads,profiles,women

Portrait head with profile to the right.
Bermuda yacht Undine
Object type: page
Date: 1879 – 1884
Materials: paper
Techniques: photograph
Location: bermuda
Artist: james h. stark
Artist role: fotograaf, schrijver
Subjects: ships (in general)
August, from Twelve Months of Flowers
Object type: print
Materials: ink, paper, watercolor
Techniques: engraving
Location: england
Artist: henry fletcher
Artist nationality: english
Artist dates: 1710 – 1750
Card Table
Object type: card table
Date: 1790 – 1804
Materials: wood, ivory
Culture: american
Location: united states
Artist: stephen goddard
Artist role: maker
Artist nationality: american
Artist dates: 1764 – 1804
Torque of Twisted Wire
Object type: torque
Date: 300 – 200
Materials: bronze
Culture: thai
Pie-Us Ecstacy – or Godliness (the Itinerant Preachers) Great Gain
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,caricature

Rowlandson created this grotesque image of greed to condemn false piety. It portrays William Huntington, a wealthy, eccentric Nonconformist preacher who began life as a coal-heaver. He is shown in a state of ecstasy brought on not by a heavenly vision but by thoughts of venison and mulligatawny soup. Verses below parody an epitaph that Huntington wrote in anticipation of his own demise, in which he declared himself to be an unrecognized prophet. Rowlandson’s less complimentary version states: "Here lies W. H. once a heaver of Coals/ but he left his employ, and turned saver of Souls/ And he changed for the better too, fifty times o'er/ For instead of a Coal-cart–he kept Coach and four."
Specimen posterioris circumvallationis circulo passuum LII. millium
Object type: print
Date: 1625 – 1626
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: Anonymous
Subjects: fortifications, military engineering

Illustratie in: Hermannus Hugo, Obsidio Bredana armis Philippi IIII avspiciis Isabellae Dvctv Ambr. Spinolae perfecta, ex off. Plantiniana, Antwerpen 1629, p. 78. Exemplaar in de collectie van de Rijksmuseum Research Library met signatuur 327 I 25. In M. Funck, Le livre belge à gravures : guide de l'amateur de livres illustrés imprimés en Belgique avant le XVIIIe siècle (1925) worden deze illustraties toegeschreven aan Theodoor Galle (11) en Schelte en Boëtius Bolswert (4). Ze worden echter in Hollstein niet bij deze prentmakers vermeld.
Untitled (Postmortem portrait)
Object type: photograph
Date: 1870 – 1870
Techniques: tintype
Location: unknown place
Artist: Anonymous
Fragment of onderdeel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: part
Date: 1743 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, bar(-shaped) fragments; slightly bent, straight notched ends.
Volute Krater (Mixing Bowl)
Object type: funerary object
Date: 330 – 320
Materials: ceramic, terracotta
Location: apulia
Artist: attributed to the white saccos group

On the front of this vessel, a warrior and his horse stand in a naiskos (tomb) surrounded by attendants with offerings; above them is the god Eros and on the handles male and female followers of the god Dionysos are depicted.

On the back another naiskos (tomb) is decorated with large white figures. Since the krater is a funerary vessel, these figures may be symbolic representations of the dead or they may depict marble statues of the tomb’s occupants.
De markt, het stadhuis en kerk te Wyk te Duurstede
Object type: print
Date: 1745 – 1772
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: townhall, public road in village (+ city(-scape) with figures, staffage), parts of church exterior and annexes: tower, wijk bij duurstede
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent ook gebruikt in: Tegenwoordige staat der Vereenigde Nederlanden, twaalfde deel, vervolgende de beschryving van de provincie van Utrecht. Met landkaarten, en printverbeeldingen versierd / Hedendaagsche historie, of tegenwoordige staat van alle volkeren; XXII. deel (…). Amsterdam: weduwe Isaac Tirion, 1772, tussen p. 92 en p. 93.
An Oriental Merchant with Merchandise at Riverside
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: thomas wijck
Artist role: artist
Artist nationality: dutch
Artist dates: 1616 – 1677
Subjects: buildings,men,rivers,merchants,boats
Onuris
Object type: statuette, onuris
Date: 664 – 630
Materials: metal
Location: egypt

Onuris is depicted here, recognizable by his short hair and distinctive garment, which comprises a long skirt with a short kilt worn overtop. His curled hair is arranged in three layers of thick, almost shaggy locks. A break at the top of the head shows where his crown would have rested; the crown would have comprised four tall feathers, either represented flat and side-by-side or forming a three-dimensional cylinder. Onuris was a fierce god, known for capturing enemies in battle or hunting dangerous animals. In this role, he personified good conquering and controlling forces of chaos and disruption. Most copper alloy statuettes show him with his right arm raised in the act of spearing a defeated enemy or animal, or holding a rope, which presumably he used to snare his prey. This representation is unusual, first for the treatment of the thick locks of hair, and second for the arm position; his right arm is not raised in a striking position but rests at his side, while the left arm is extended and held an attribute that does not survive. There may be some confusion with Neferhotep, who commonly has this hand position and exhibits similar iconography, although he wears a short kilt and a different crown than the one suggested here.
Three pigs lying on their sides, a pigsty and trough beyond
Object type: print
Date: 1652 – 1652
Techniques: etching
Artist: karel dujardin
Artist role: artist
Artist nationality: dutch
Artist dates: 1622 – 1678
Subjects: pigs
Tang Furen, from the series Twenty-four Paragons of Filial Piety
Object type: print
Date: 1840 – 1840
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Subjects: infants,men,women

Filial devotion is shown by Tang Furen (J.: Tō Fujin) breast-feeding her mother, who would otherwise have starved due to her lack of teeth.
Cymbal
Object type: music, cymbal
Materials: copper alloy
Location: egypt
Spotprent bij het nieuwe wetboek van Strafrecht, 1 september 1886
Object type: cartoon
Date: 1886 – 1886
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues

Spotprent nav de invoering van het nieuwe wetboek van Strafrecht, 1 september 1886. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 36, 1886.
Landschap te Delden
Object type: drawing
Date: 1886 – 1886
Materials: paper, pencil
Artist: johannes gijsbert vogel
Artist role: draughtsman, painter, print maker
Artist dates: 1828 – 1915
Subjects: landscapes
Inscriptions: date and inscription: ‘Delden 86’
Portret van Bernardino Ramazzini op 81-jarige leeftijd
Object type: print
Date: 1716 – 1717
Materials: paper
Techniques: engraving
Artist: johann georg seiller
Artist role: print maker
Artist dates: 1663 – 1740
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit: Ramazzini, Bernardino. Opera omnia medica & physiologica (...). Genève: Cramer & Perichon, 1716. Of uit een latere editie (1717).
Bird on a Stand
Object type: sculpture
Materials: bronze
Culture: greek
Location: greece
Subjects: bird

These precious bronze objects are votives, or devotional gifts, which were offered to the gods. They come in many forms. Some are miniature sculptures of animals, primarily horses, deer, and birds. Others are items of personal adornment, including beads and brooches. Many seem once to have been attached to something else. This assemblage is characteristic of the thousands of votives that were hung from sacred trees or placed in sanctuaries around Greece. Once a shrine was full, the votives were ceremonially buried to make room for more offerings.
Slow Pull Up, from the Gymnastic Exercises series (N77) for Duke brand cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,sports,athletes

Trade cards from the "Gymnastic Exercises" series (N77), issued in a set of 25 cards in 1887 to promote W. Duke Sons & Co. brand cigarettes. There are two versions of the series. All images are the same but the printed text is blue in one set and brown in the other.
Design for a Triumphal Arch with Three Arches
Object type: drawing
Date: 1501 – 1600
Techniques: brush, pen, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: architecture,arches,horses
Wielrenners rijden een wedstrijd
Object type: drawing
Date: 1891 – 1941
Materials: pencil
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: bicycle racing