deem-data/ArtiFact huggingface dataset:
Ontwerp voor schildering in de beurs van Berlage: De Industrie
Object type: drawing
Date: 1878 – 1938
Materials: paper, pencil, watercolor
Techniques: brush
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: mining, iron and steel industry
Portret van koningin Wilhelmina
Object type: album leaf
Date: 1898 – 1898
Materials: paper, cardboard
Techniques: retouching
Location: the hague
Subjects: the hague, print maker, wilhelmina of the netherlands, historical persons - bb - woman, queen
Inscriptions: inscription: ‘De Lavieter & Co. La Haye.’
Privatum monetariorum pegma, ad aedeis monetarias
Object type: print
Date: 1549 – 1550
Materials: paper
Techniques: woodcut
Artist: pieter coecke van aelst (i)
Artist role: draughtsman, print maker
Artist dates: 1502 – 1550
Subjects: philip ii of spain, 'tableau vivant', triumphal arch, antwerp

Illustratie in: Spectaculorum in susceptione Philippi Hisp. Prin. Divi Caroli. V. Caes. F. ann 1549 Antverpiae aeditorum, mirificus apparatus. Tekst van Cornelius Grapheus, opgedragen aan Filips II, uitgegeven met keizerlijke privilege door Pieter Coecke van Aelst, gedrukt door Gillis van Diest. Boek in de bibliotheek met signatuur: 325 B 13.
Souvenir spoon with view of Milan Cathedral
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, silver gilt
Subjects: cathedrals,coat of arms
Veduta della Mira Vecchi (...)
Object type: print
Date: 1750 – 1760
Materials: paper
Techniques: etching
Location: venice
Artist: giovanni francesco costa
Artist role: draughtsman, painter, print maker
Artist dates:  – 1773
Subjects: river

Gezicht op Mira Vecchia waar de rivier de Brenta doorheen stroomt. Genummerd midden onder: LVIII en rechtsonder: Tom: I. Deze prent maakt deel uit van een album.
Portret van To van der Sluys
Object type: drawing
Date: 1926 – 1926
Materials: paper, pencil
Artist: herman lugt
Artist role: draughtsman
Artist dates: 1881 – 1950
Subjects: historical persons, female singer
Inscriptions: date
Arangement des Tableaux de la grande Gallerie royale de Sans Souci
Object type: print
Date: 1766 – 1766
Materials: paper
Techniques: etching
Location: potsdam
Subjects: collection, exhibition, show
Inscriptions: collector's mark: Lugt 2228

Plattegrond met de schilderijen opstelling voor de 1766 expositie in de koninklijke galerie van Sanssouci, te Potsdam. In de negen kamers zijn schilderijen opgesteld van grootmeesters als Anthony van Dyck, Peter Paul Rubens, Titiaan en vele anderen.
Compass or divider, fragment
Object type: compass or divider, fragment
Date: 670 – 330
Materials: bronze
Culture: roman
Litera Anglicana
Object type: album leaf
Date: 1614 – 1614
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: scrollwork, strapwork ~ ornament, ornament ~ cartouche, calligraphy
Inscriptions: signature and date: ‘Op titelblad: Judoco Hondio celatore. Amstelodami apud Joannem Janssonium. 1614’

Schrijfvoorbeeld in een gotische hand met een titel in het Latijn en vier regels tekst in het Engels. Het voorbeeld is gevat in een rolwerkcartouche. De prent maakt deel uit van een album.
Oproer door Prinsgezinden op de markt te Goes, 1787
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: street-fights, riots, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Het oproer aangesticht door Prinsgezinden op de markt te Goes, 30 januari 1787. Gezicht op de Markt met het stadhuis en de Grote Kerk.
The Huis ten Bosch at The Hague and Its Formal Garden (View from the South)
Object type: painting
Date: 1668 – 1670
Materials: oil, wood
Artist: jan van der heyden
Artist role: artist
Artist nationality: dutch
Artist dates: 1637 – 1712
Subjects: houses,gardens

Both an artist and an inventor (among other urban improve­ments, he conceived the fire pump), Van der Heyden specialized in precise and luminous cityscapes and views of country houses. These two jewel-like paintings depict Huis ten Bosch (House in the Woods), the country home of the widowed Princess of Orange and still a residence of the Dutch royal family today. Van der Heyden shows the house amid its formal garden of hedgerows, pavilions, and obelisks, peopled by laboring gardeners and strolling aristocrats. French-style gardens like this one expressed an ideal of nature brought entirely under human control, ordered and harmonious. This painting was seized by the Nazis from Baron Karl Neuman (Charles Neuman de Végvár) in Paris and restituted to him by 1947.
Smiling Self-portrait, from the Front
Object type: drawing
Date: 1660 – 1661
Materials: chalk, ink, paper
Techniques: brush
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Inscriptions: annotation: ‘49; 149, 30 en 78’

Moses ter Borch was one of the few artists in the second half of the 17th century who, inspired by Rembrandt’s self-portraits, frequently studied his own face. The young artist recorded himself with different expressions in these three studies. Thus he is not looking out at us, but rather examining his reflection in a mirror.
Hat
Object type: hat
Date: 1701 – 1800
Materials: fiber
Fragment pijpenkop
Object type: fragment
Date: 1750 – 1780
Materials: clay
Location: gorinchem
Artist: jan van aten
Artist role: pijpenfabrikant
Subjects: directeur, hoogleraar, caspar jacob christiaan reuvens

Fragment pijpenkop met een kroon en een vis en drie golven, en de letters I V A afgebeeld. Van de opgravingen op de Hofstede Arentsburg 1827-1831 onder toezicht van Professor Reuvens.
Madame Alexandre Lethière, née Rosa Meli, and Her Daughter, Letizia
Object type: drawing
Date: 1815 – 1815
Materials: graphite
Artist: jean auguste dominique ingres
Artist role: artist
Artist nationality: french
Artist dates: 1780 – 1867
Subjects: children,portraits,women

This drawing is closely related to the Museum’s Madame Alexandre Lethière and Her Daughter Letizia by Ingres and is in fact a nearly identical tracing that the artist excised and pasted onto a new sheet of heavy white paper. A member of the Lethière family, who wanted a copy, may have requested the traced version. Rosa Meli, an Italian apothecary’s daughter, was the second wife of Alexandre Lethière, whose father, Guillaume, was director of the French Academy in Rome and a close friend of Ingres’s.
Cylinder seal cap
Object type: cylinder seal cap
Date: 1700 – 1501
Materials: gold
Culture: babylonian or kassite
Location: mesopotamia

This gold cap is part of a group of gold jewelry elements and cylinder seals found buried together at the ancient city of Dilbat, a site south of Babylon (47.1a-h). The cap and two others like it from the so-called “Dilbat hoard” (41.1j, 41.1k) are decorated with triangles of gold granulation. Originally, this cap would have been one of a pair that encased a cylinder seal. (The seals found in the hoard do not fit the caps.) A hole at the top of the cap suggests that the cap and its cylinder were meant to be strung and worn by the individual owner, but probably not as part of a composite ensemble represented by the hoard, which includes pendants and beads made in a range of styles and gold alloys, and executed with varying levels of craftsmanship. Although it is rare for a cylinder to be preserved with its caps, impressions of cylinder seals showing borders of triangles indicate that the use of caps like this one became particularly popular during the Kassite period (ca. 1595-1155 B.C.). The combination of gold caps with brightly colored and highly polished cylinder seal stones would have created an appealing item of jewelry and emphasized the magical powers of the stone, which could act as a protective amulet for the wearer.
Veuë de la Cascade de Lusigny
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: etching
Location: paris
Subjects: french or architectonic garden; formal garden, garden cascade
Inscriptions: collector's mark: Lugt 240, collector's mark: Lugt 2228

Prent maakt deel uit van een ongenummerde serie van 21 prenten.
Twee cartelklokken met gevleugelde figuur en kippen
Object type: print
Date: 1758 – 1820
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: clock, fowl (cock, hen, chicken, etc.), fabulous beings with wings

Ontwerpen voor twee cartelklokken. De klok links wordt gedragen door een gevleugelde figuur wiens benen in bladeren overlopen. Twee kippen flankeren de rechterklok.
Après la Tempête
Object type: photomechanical print
Date: 1877 – 1877
Materials: cardboard, paper
Techniques: woodburytype
Location: paris
Subjects: adult woman, grandchildren (second degree family relationships), sculpture, france
Inscriptions: address: ‘12, boul. Magenta.’

Vrouw met kleinzoon op schoot, de jongen is gewikkeld in visnetten.
Overall Pattern with Acanthus Scrolls and a Chubby Putto
Object type: drawing
Date: 1601 – 1700
Materials: graphite
Techniques: brush, wash
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: ornament
Straatgezicht in Berlijn
Object type: photograph
Date: 1873 – 1875
Materials: paper
Techniques: albumen print
Location: berlin
Artist: Anonymous
Subjects: diligence, omnibus, horse-tram, street, berlin
Vooraanzicht van het palazzo van Vincenzo Giustiniani
Object type: album leaf
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Artist: matthäus greuter
Artist role: print maker
Artist dates: 1564 – 1638
Subjects: piece of sculpture, reproduction of a piece of sculpture, civic architecture; edifices; dwellings, rome

Vooraanzicht van het palazzo van Vincenzo Giustiniani te Rome. Prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Verwoeste Antwerpse gebouwen na bombardement van oktober 1914
Object type: photograph
Date: 1914 – 1914
Materials: photographic support
Techniques: photography, writing
Location: antwerp
Subjects: city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), bombardment, demolishing (of conquered city), antwerp
Inscriptions: inscription: ‘Bombardement. Antwerpen/ Oct. 1914.’
zittend mannelijk naakt, op de rug gezien (1e prijs 1769)
Object type: drawing
Date: 1769 – 1769
Materials: chalk, paper
Artist: willem joseph laquy
Artist role: draughtsman, painter
Artist dates: 1738 – 1798
Subjects: sitting figure (+ nude human being)
Crimson Silk Damask
Object type: piece
Date: 1600 – 1600
Materials: silk

Beginning in the twelfth century, the Tuscan town of Lucca and the Adriatic port of Venice dominated European silk weaving, which subsequently spread to Genoa, Florence, and Milan. Spanish silk weavers, long established in Granada and Valencia, were, by the 1500s, emulating their Italian counterparts. Raw silk, imported from the Near East or cultivated locally, was spun, dyed, spooled, and woven within family workshops under the patronage of wealthy, sometimes noble, silk manufacturers. This crimson silk damask was displayed in Arms, Armor, and Textiles: 1492–1776, on view at the George Bruce branch, New York Public Library (visible at far right in the photograph of 1934), and later in European Textiles and Costume Figures, at Walton High School (visible at far right in the photograph of February 16, 1939). [Elizabeth Cleland, 2020]
Ruïnes
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1593 – 1641
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscape with ruins
Inscriptions: collector's mark: Lugt 964

Fluit spelende herder met schapen bij een ruïne in een landschap. Dertiende prent uit een serie van twintig.
Stained Glass Design with Flowering Vase
Object type: drawing
Date: 1867 – 1900
Materials: ink, watercolor
Techniques: pen
Artist: e. e. q.
Artist role: artist
Artist nationality: american
Artist dates: 1800 – 1900
The Puny Cryptogamia
Object type: print
Date: 1860 – 1860
Techniques: etching
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Subjects: plants
Blad met ranken met bloemen en vruchten
Object type: wrapper
Date: 1740 – 1780
Materials: gold leaf, paint, paper
Techniques: relief print
Location: augsburg
Artist: johann wilhelm meyer
Artist role: papiermaker
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met ranken met bloemen en vruchten. Met etiket met opschrift: 'H.G. Brantsen / de jure ... Gueldria'. Helft van een omslag.
Gezicht op de Jardin du Luxembourg te Parijs
Object type: stereograph
Date: 1895 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: paris
Subjects: park, garden
Inscriptions: number: ‘262’, inscription: ‘NPG’
Hotel Continental, Ajaccio, Corsika.
Object type: photograph
Date: 1886 – 1896
Materials: cardboard, photographic support
Techniques: albumen print
Location: corsica
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Subjects: ajaccio
Boekenstal
Object type: print
Date: 1938 – 1938
Materials: paper
Techniques: lithograph
Artist: henk henriët
Artist role: draughtsman, print maker
Artist dates: 1903 – 1945
Subjects: book-stall, kiosk
Inscriptions: date

Een man met een bolhoed, sigaar en wandelstok staat voor de boekenstal en leest in een boek. De verkoper leunt naar voren vanachter zijn kraam.
Miya, from the series The Fifty-three Stations of the Tōkaidō Road
Object type: print
Date: 1901 – 1933
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,docks,gates,boats
Glaive for the Bodyguard of Emperor Maximilian II
Object type: arm
Date: 1564 – 1564
Materials: iron, wood, silk, steel, textile
Techniques: gilding
Location: austria
Artist: jörg hopfer
Artist nationality: austrian
Inscriptions: initials M M; "Deus Providebit"

Pole arms (staff weapons) were used not only in warfare and hunting, but also in sporting combat and ceremonies. The term refers to a family of edged weapons attached to wooden staffs. With the exception of the lance, which remained the weapon of the mounted knight, all other staff weapons were wielded by men on foot by 1600. With the development of firearms and their introduction as infantry weapons, pole arms lost their importance on the field, and from the mid-16th century, they were reserved for use in sporting contests and by princely bodyguards for ceremony and parade. The blades lent themselves to embellishment—engraving, etching, or other forms of decoration—and provided a perfect surface for the coats of arms of noble or princely families. The ceremonial use of staff weapons continues to this day with the Swiss Guards at the Vatican and Britain’s Yeomen of the Royal Guard.
Fotoreproductie van een prent van een portret van Jean-Frédéric Oberlin
Object type: photograph
Materials: photographic support
Techniques: albumen print
Location: colmar
Artist: anton meyer
Artist role: fotograaf
Subjects: theologian, historical persons
Inscriptions: inscription: ‘Déposé’

Deze foto maakt deel uit van een omslag met 29 foto's op 29 bladen en 23 teksbladen.
Greywacke head of a satyr
Object type: head of a satyr, upper part
Date: 1 – 100
Culture: roman
Subjects: heads,satyrs

Copy or variant of a Hellenistic work, perhaps of the 2nd century B.C.
Terracotta plaque with King Oinomaos and his charioteer
Object type: relief of king oinomaos and his charioteer myrtilos
Date: 27 – 68
Materials: terracotta
Culture: roman
Subjects: men,horses,chariots

Relief with King Oinomaos and his charioteer Myrtilos
Portretten van beroemde mensen
Object type: print
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: anton wachsmann
Artist role: print maker
Artist dates: 1765 – 1836
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Brief versierd met bloemornament
Object type: sketchbook leaf
Date: 1837 – 1881
Materials: paper, pencil
Artist: johannes huybertus van hove bzn
Artist role: print maker
Artist dates: 1827 – 1881
Subjects: flowers ~ ornament
Inscriptions: annotation: ‘Ma chère soeur/ [...]’

Brief aan de zuster van de kunstenaar. Blad 24 verso uit een schetsboek met 33 bladen en 10 losse tekeningen.
Ontmoeting tussen twee Europeanen en een oorspronkelijke bewoner van Noord-Amerika
Object type: titelblad, titelpagina
Date: 1772 – 1772
Materials: paper
Techniques: engraving, etching
Location: utrecht
Subjects: indigenous peoples of north america, exploration, expedition, voyage of discovery, new york (city), québec
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Landschap in Noord-Amerika met een ontmoeting tussen twee Europese ontdekkingsreizigers en een oorspronkelijke bewoner van Noord-Amerika. Op de achtergrond de schepen waarmee de reizigers zijn aangekomen. De voorstelling is gevat in een omlijsting met zes medaillons waarin: een gezicht op Philadelphia, New York, Québec, Montréal en de portretten van Christoffel Columbus en William Penn.
Eerste Italiaanse Tentoonstelling te Florence 1859
Object type: history medal
Date: 1859 – 1859
Materials: silver
Techniques: striking

Zilveren penning, op de voorzijde de stadsgodin van Florence met zwaard, schild en lelie, een leeuw aan haar voeten en op de achtergronf de stad Florence, met omschrift en afsnedetekst, op de keerzijde het portret van Koning Victor Emanuel met omschrift binnnen een krans van cirkels met wapenschilden en symbolen.
Drie jongens van de Nationale Jeugdstorm
Object type: photograph
Date: 1938 – 1938
Materials: photographic support
Techniques: photography
Location: baarn
Subjects: the hague, juliana of the netherlands

Een oefen-optocht van kinderen, drie jongens met een vlag van de Nationale Jeugdstorm, de jeugdafdeling van de NSB, door de straten van Baarn.
Floral print
Object type: floral print
Date: 1778 – 1778
Materials: linen
Subjects: flowers
Teapot and Brazier with Design of Birds Flying over Waves
Object type: teapot
Materials: porcelain
Techniques: underglaze
Culture: japanese
Subjects: birds
Thesaurus sacrarum historiarum veteris testamenti (...)
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: 'as a shepherd (the son of man) separates the sheep from the goats' (matthew 25:32), representation of last judgement, with the archangel michael weighing the souls (or dividing the blessed and the damned)
Inscriptions: number: ‘85’, inscription: ‘Lorsque le fils de l'homme viendra, il rassemblera devant lui toutes les nations de la terre, aloin il separera les justes des coupables, comme un berger separe le brebis des boucs.’, collector's mark: Lugt 2228

De aartsengel Michael scheidt de schapen van de bokken. Christus troont op de wolken, geflankeerd door Maria en Johannes. De doden worden door engelen naar de hemel geleid (links) of naar de hel gevoerd (rechts). Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst.
A Harvest of Death, Gettysburg, Pennsylvania
Object type: photograph
Techniques: albumen print, photography
Location: united states
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: collected by hugh edwards, street scenes, photography, documentaries, war, gardner's photographic sketch book
Gelderse duit, 1785
Object type: coin
Date: 1785 – 1785
Materials: copper
Techniques: striking
Location: harderwijk

Koperen munt. Voorzijde: in drie regels D/GEL/RIAE, daaronder jaartal en muntmeesterteken. Keerzijde: gekroond Gelders wapenschild.
Picture (Needlework)
Object type: textile
Date: 1825 – 1875
Materials: linen, wool
Techniques: embroidery, weave
Location: england
Scarab Inscribed with the Throne Name of Thutmose I
Object type: scarab, thutmose i, aakheperkare, falcon
Date: 1504 – 1492
Materials: stone
Techniques: glazing
Location: egypt
Subjects: cartouches,hieroglyphs,scarabs
Blad met ornamenten, boot, wagen en wapen van Nederland
Object type: print
Date: 1874 – 1945
Materials: paper
Techniques: woodcut
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: coat of arms (as symbol of the state, etc.), ornaments ~ art
Inscriptions: collector's mark: Lugt 2228
Heiligenlevens
Object type: print
Date: 1604 – 1604
Materials: paper
Techniques: engraving, etching, intaglio
Location: italy
Subjects: male saints (with name)
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een door Andrea Vaccari uitgegeven serie, bestaande uit ten minste tien prenten met voorstellingen van heiligen, omringd door kleinere voorstellingen met scènes uit het leven van desbetreffende heilige.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1801 – 1900
Materials: copper, gold alloy, silver alloy, enamel, gold, silver
Techniques: enamel
Culture: japanese
Location: japan
Verklaaring der Monteeringen
Object type: manuscript
Date: 1789 – 1789
Materials: paper
Techniques: writing
Location: northern netherlands
Artist: Anonymous
Subjects: (military) uniforms (+ citizen soldiery, civil guard, citizen militia), patriots (1780-1795)

Handgeschreven inhoudsopgave met een lijst met de namen van de afgebeelde monteringen, met later bijgeschreven nummers 1-38. Onderdeel van een schetsboek met 41 gekleurde tekeningen van de monteringen van de gewapende schutterijen en burgercorpsen in Nederland, 1789.
Studieblad met ijspret, monniken en bedelaars
Object type: sketchbook leaf
Date: 1839 – 1894
Materials: paper, pencil
Artist: lambertus lingeman
Artist role: draughtsman, painter, print maker
Artist dates: 1829 – 1894
Subjects: monk(s), friar(s), ice ~ freezing weather, sledge, sleigh (winter sports), beggar

Blad 28 recto uit een schetsboek met 51 bladen.
Zilverwerk en edelsmeedkunst, eerste deel
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: etching
Location: paris
Subjects: ornaments ~ art, cruets and basin ~ communion ware

Een aantal van de objecten in deze reeks heeft een eigen ondertitel, die verwijst naar genummerde 'cahiers' (afleveringen) waarin de prenten werden uitgegeven. Het is onduidelijk welke objecten recies bij welke aflevering horen. Daarom is die ondertitel enkel verwerkt bij de prent waarop die voorkomt.
Fish
Object type: statuette
Date: 301 – 700
Materials: copper alloy
Culture: coptic
Location: egypt
Subjects: fish
Nightwatchman
Object type: figure
Date: 1760 – 1760
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: men,women,flowers
Maria met kind
Object type: print
Date: 1524 – 1540
Materials: paper
Techniques: etching
Location: rome
Artist: parmigianino
Artist role: draughtsman, painter, print maker
Artist dates: 1503 – 1540
Subjects: madonna: i.e. mary with the christ-child
Inscriptions: collector's mark: Lugt 240

Maria met het Christuskind in haar armen.
Ereboog op het plein voor het Kasteel bij de intrede van Willem IV te Breda, 1737
Object type: print
Date: 1737 – 1737
Materials: paper
Techniques: etching, writing
Location: northern netherlands
Subjects: willem iv (prins van oranje-nassau), anna van hannover, triumphal arch
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Het blyde Breda ofte korte verhaal van de plegtige intrede van ... Willem Carel Hendrik Friso ... als Heer en Baron van Breda : ende H.K. Hoogheid Anna ... geschied op den XIII. van herfstmaand, 1737. 's-Gravenhage en Breda: Jacobus van den Kieboom & Johannnes van den Kieboom, 1737.
Gezicht op een huis en het water van Gunung Sahari in Batavia
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: batavia
Artist: otto hisgen
Artist role: fotograaf
Artist dates: 1874 – 1944
Subjects: dikes, levee, canals, waters (in city), batavia
Inscriptions: inscription: ‘Goenoen sahari’

Onderdeel van Album met foto's van Batavia en van de zusters Ursulinen.