deem-data/ArtiFact huggingface dataset:
Die Manieren und das Leben derer Holländers, des Morgens, Middag, Nachmiddags und Abends
Object type: print
Date: 1718 – 1737
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: morning, kitchen-maid, kitchen servant, housewife giving orders to servants
Inscriptions: collector's mark, collector's mark: Lugt 1641

Titelprent voor de serie De vier tijden van de dag. Een dame staat in de deuropening van haar huis. Boven de titel ligt een beeld van een sfinx. Voor de vrouw staat een keukenmeid met een emmer aan de arm, die naar de markt wordt gestuurd. Onder de prent een vers van vier regels in het Nederlands. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Beroep en bedrijf. Vrouwelijk beroep en bedrijf. Dienstboden.
Snuffbox
Object type: snuffbox
Date: 1730 – 1735
Materials: gold, hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds,men,women,boats
Le Christ a la colonne
Object type: print
Date: 1605 – 1650
Techniques: etching
Artist: jean morin
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1650
Subjects: christ
Staand mannelijk naakt, op de rug gezien (3e prijs 1795)
Object type: drawing
Date: 1795 – 1795
Materials: chalk, paper
Artist: nicolaus ritter jr.
Artist role: draughtsman
Artist dates: 1777 – 1797
Subjects: standing figure (+ nude human being)
Terracotta fragment of a closed shape
Object type: undetermined closed shape
Date: 434 – 401
Materials: terracotta
Culture: etruscan
Man gehuld in mantel wordt aangevallen door ruiters
Object type: print
Date: 1655 – 1708
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: on fire, ablaze, wild man, wodewose, woodehouse, battle, fighting in general, cupids: 'amores', 'amoretti', 'putti'

Man met mantel en tulband wordt aangevallen door ruiters. In de lucht putti met vaatwerk en kandelaar. Linksvoor een kruipende wildeman. Links op achtergrond brandende stad.
Le Giessebach
Object type: photograph
Date: 1860 – 1890
Materials: paper
Techniques: albumen print
Location: bern
Artist: Anonymous
Subjects: waterfall, mountains
Terracotta mastoid (drinking cup in the form of a breast)
Object type: mastoid with handle
Date: 534 – 501
Materials: terracotta
Culture: greek, attic
Subjects: eyes,maenads,satyrs

Obverse, between eyes, satyr Reverse, between eyes, maenad
The Flower Girl
Object type: painting
Date: 1846 – 1846
Materials: canvas, oil
Culture: american
Artist: charles cromwell ingham
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1786 – 1863
Subjects: girls,portraits,flowers

The Irish-born Ingham was familiar with European depictions of street vendors hawking their wares. The choice of a flower girl as a subject for this work—rather than, for example, a newsboy—reveals the artist’s preference for female models and his passion for painting clearly identifiable flowers with chromatic lushness. The young woman’s plain dress and head covering contrast with her basket holding nearly twenty intensely colored flowers. In her right hand, she offers a potted fuchsia in a gesture emblematic of Flora, the Roman goddess of flowers. The plant itself is symbolic of love.
Brooch
Object type: brooch
Date: 1767 – 1800
Materials: gold, pearl
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: adolphe anjoux
Artist role: fotograaf
Artist dates: 1817 – 1889
Subjects: adult woman, anonymous historical person portrayed, paris
Inscriptions: inscription: ‘Ad. Anjoux/ photographe/ Rue St. Honoré, 270./ Paris’
Twee vrouwen en een kind in klederdracht op een dijk
Object type: photograph
Date: 1920 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: george hidderley
Artist role: fotograaf
Subjects: folk costume, regional costume
Portret van een onbekende oude man met peuter op de arm
Object type: album leaf
Date: 1889 – 1893
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: johanna margaretha piek
Artist role: fotograaf
Artist dates: 1870 – 1947
Subjects: toddler, old man, anonymous historical person portrayed, netherlands
München. Karlsplatz
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: munich
Subjects: square, place, circus, etc.
Inscriptions: inscription: ‘W.H.D.’
Portret van Willem Wissing op 31-jarige leeftijd
Object type: print
Date: 1687 – 1742
Materials: paper
Techniques: mezzotint
Subjects: amsterdam, painter, willem wissing, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Beads
Object type: bead
Date: 801 – 1200
Materials: lapis lazuli
Techniques: cutting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Bowl
Object type: bowl
Date: 1101 – 1200
Materials: earthenware
Techniques: glazing
Location: iran
Subjects: mythical creatures
Julius Caesar
Object type: drawing
Date: 1863 – 1863
Materials: graphite
Location: france
Artist: jean-léon gérôme
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1904
Subjects: julius caesar
Portret van Godard van Reede
Object type: print
Date: 1651 – 1668
Materials: paper
Techniques: engraving
Location: france
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Perzië, ten tijde van sjah Hoesein, falus,1122 [=1709], Erivan
Object type: coin
Date: 1709 – 1709
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: vis naar links, waaromheen versiering. Keerzijde: in Arabische lettertekens in vier regels muntplaats-aanduiding, waartussen op derde regel jaartal-aanduiding. Geslagen te Erivan.
Servet van linnen met pellenpatroon
Object type: napkin
Date: 1737 – 1737
Materials: linen
Techniques: peeled fabric
Location: northern netherlands

Wit linnen servet met pellenpatroon, genaamd "Oostindische caracters". Merk kroon WG 36 1737.
Poem by Ki no Tsurayuki (ca. 872–945) on Decorated Paper with Cherry Blossoms
Object type: hanging scroll
Materials: gold, ink, paper
Culture: japanese
Artist: ogata sōken
Artist role: artist
Artist nationality: japanese
Artist dates: 1621 – 1687

Ogata Sōken headed a wealthy Kyoto merchant family that specialized in textiles, had close ties to the palace, and helped revive traditional Japanese arts in early eighteenth-century Kyoto. His crisp, elegant, and dynamic calligraphy shows indebtedness to the style of Hon’ami Kōetsu, who had revolutionized the art of brush writing in the early seventeenth century. Here, Sōken transcribed a waka (31-syllable court verse) by Ki no Tsurayuki and—to add an unexpected twist—included the poet’s name in the middle of the composition. It reads: Hana no ka ni koromo wa fukaku nari ni keri [Tsurayuki] ko no shita kage no kaze no ma ni ma ni The scent of blossoms has soaked ever deeper into our robes, [by the poet Tsurayuki] as breezes come and go in the shade of the trees. (Trans. John T. Carpenter)
Anatomische studie van het skelet een voet
Object type: drawing
Date: 1812 – 1861
Materials: ink, paper, pencil
Techniques: pen
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: tarsus and metatarsus, parts of the foot
Vijfentwintigjarig regeringsjubileum van Koning Willem III 1874
Object type: history medal
Date: 1874 – 1874
Materials: brass
Techniques: striking

Klein messing penninkje met draagoog, op de voorzijde het geuniformeerde borstbeeld van Willem naar rechts met omschrift, op de keerzijde het gekroonde Nederlandse wapenschild dragers, met onder en boven tekst.
H. Catharina van Siena
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the virgin and dominican tertiary, catherine of siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata
Inscriptions: collector's mark: Lugt 2228

De heilige Catharina van Siena in gebed voor een cruxifix. Ze draagt de tunica met sluier en een mantel van de derde dominicaner orde. Op haar hoofd de doornenkroon. In de marge een Bijbelcitaat uit Hoogl. 2 in het Latijn.
Reliquary with the Trinity, from "Wittenberg Reliquaries"
Object type: print
Date: 1472 – 1553
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: putti,christ

Additional woodcut to the Wittenberg Reliquaris (not used in the first edition) according to Hollstein. Cut out of a book. Printed text on verso.
Zuil met het beeld van een gevleugelde leeuw bij het San Marco Plein in Venetië
Object type: sketchbook leaf
Date: 1895 – 1895
Materials: chalk
Location: venice
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: column, pillar ~ architecture, sculpture, beasts of prey, predatory animals: lion

Het beeldhouwwerk van de 'Leeuw van Venetië' staat symbool voor de stad en de patroonheilige Sint Marcus.
Terracotta fragment of a mastoid (drinking cup with narrow base) or a kyathos (cup-shaped ladle)
Object type: mastoid or kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic
Key
Object type: key
Date: 1501 – 1600
Materials: copper alloy
Culture: french
Gezichten op de Hofstede Elswout en Huis Rolland te Overveen
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: etching
Location: haarlem
Subjects: landscapes in the temperate zone, open-air recreation, bridge

Drie voorstellingen. Boven: Gezicht op een brug bij de Hofstede Elswout en aan de horizon de stad Haarlem. Midden: Gezicht op de sluis bij de Hofstede Elswout in Overveen. Onder: Gezicht op de overblijfselen van Huis Rolland te Overveen. Deze prent maakt deel uit van een album.
Schetsen van een rotslandschap, een staande man en een draperiestudie
Object type: drawing
Date: 1500 – 1640
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: Anonymous
Vue au Croeselberg
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: pol craps
Artist role: print maker
Artist dates: 1877 – 1939
Subjects: clay and sand, etc. ~ building material
Inscriptions: annotation: ‘eau-forte originale; 2eme etat; deux epreuves P.C.’, collector's mark: Lugt 2228
Fragment van een schotel
Object type: fragment
Date: 1600 – 1625
Materials: earthenware, glaze
Techniques: maiolica
Location: northern netherlands
Artist: Anonymous

Fragment van een schotel op een lage voetring. Lichtrode scherf bedekt met tinglazuur aan de voorzijde en loodglazuur aan de achterzijde. Beschilderd in blauw en oranje met een Chinees met vlag over de linkerschouder op een grondje.
Portrait of John Lockhart, Esquire
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: mezzotint
Location: ireland
Artist: james mcardell
Artist role: engraver
Artist nationality: irish
Artist dates: 1728 – 1765
Gezicht op de achterkant van huizen, met kleurnotities
Object type: drawing
Date: 1873 – 1932
Materials: cardboard, chalk
Artist: wilhelmus johannes steenhoff
Artist role: draughtsman, print maker
Artist dates: 1863 – 1932
Subjects: public road
Auspicious Emblem with Pururavas and Urvashi
Object type: rattle
Date: 100 – 100
Materials: terracotta
Culture: indian
Subjects: shunga,emblems
Man in een leunstoel
Object type: print
Materials: paper
Techniques: etching
Location: berlin
Artist: Anonymous
Subjects: armchair, seat
Inscriptions: collector's mark: Lugt 2228

De serie met negen schetsen die Chodowiecki maakte in de randen van de koperplaat met illustraties voor de Duitse versie van Minna van Barnhelm werd twee keer gekopieerd.
Panel
Object type: panel
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: birds,flowers
Stucco Fragment
Object type: fragment
Date: 701 – 1200
Materials: plaster
Techniques: painting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 4 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Artist: domenico da sera
Artist role: publisher
Artist nationality: french
Artist dates: 1500 – 1599

Published by Domenico da Sera Lyons. From top to bottom, and left to right: Design composed of 2 vertical columns. Left column is decorated with a curving vine of leaves and other foliage elements resembling an "S" motif. Right column is divided into 3 sections: 2 vertical columns on top and 1 square on the bottom; vertical columns are decorated with a different foliage pattern and the square is ornamented with an angular linear pattern.
Cardinal Roberto Bellarmino at his desk, writing
Object type: print
Date: 1604 – 1604
Techniques: engraving
Artist: francesco villamena
Artist role: artist
Artist nationality: italian
Artist dates: 1565 – 1624
Subjects: men,writing,desks
Le Passage de la tête noire près de Martigny. Savoie
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: wallis
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: underground road, tunnel, mountains
Inscriptions: number: ‘52.’, inscription: ‘Views of Switzerland, photographed by W. England. (Registered) Under the Special Patronage of the Alpine Club.’
Raderboot
Object type: print
Date: 1883 – 1942
Materials: paper
Techniques: woodcut
Subjects: flag, colours (as symbol of the state, etc.), paddle-wheel boat

Raderboot met vlaggen achter een raster. Bovenaan zijn de vlakken van het raster gevuld met vlaggen van verschillende landen. Rechts Japanse karakters.
Man in a Green Coat
Object type: painting
Date: 1779 – 1785
Materials: canvas, oil
Culture: american
Artist: gilbert stuart
Artist role: artist
Artist nationality: american
Artist dates: 1755 – 1828
Subjects: men,portraits

This portrait seems to have been begun as a rectangle and then changed to an oval format. It is one of Stuart’s most virtuosic paintings, clearly from his first years in London, but both its date and the identity of the sitter are unknown. The vague, brushy treatment of the background has raised the suggestion that the work is unfinished. Yet it seems rather to be inspired by Thomas Gainsborough, whose paintings the young American certainly saw and admired in England. Gainsborough also favored oval portraits and such light pastel colors as the pleasing green of the young sitter’s coat.
Leaf from a Beatus Manuscript: Angels Restrain the Four Winds; the Angel Ascends from the Rising Sun
Object type: beatus
Date: 1180 – 1180
Materials: gold, ink, parchment, paint
Culture: spanish
Subjects: angels

Illustrated Beatus manuscripts bring to life an extraordinary vision of the end of the world, as recorded by Saint John in the Apocalypse (Book of Revelation) and filtered through the lens of Beatus of Liébana, an eighth-century Asturian monk. These manuscripts are unique to medieval Spain and a testament to the pervasive artistry and intellectual milieu of monastic culture there. The leaf shown here comes from a manuscript disassembled in the 1870s. In the seventh chapter of the Apocalypse text, Saint John describes an angel commanding the winds to hold back their fury and protect the earth until God's people have been identified. He cried, "Hurt not the earth, nor the sea, nor the trees, till we sign the servants of our God in their foreheads." (Apoc. 7.3)
Amulet of Bes with tambourine
Object type: pendant, be, tambourine
Date: 1390 – 1352
Materials: faience
Location: egypt
Subjects: bes
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, meander; Exterior, calf of figure
Watch
Object type: watch
Date: 1620 – 1625
Materials: brass, silver, steel
Techniques: gilding
Artist: isaac symms
Artist role: maker
Artist nationality: british
Artist dates: 1615 – 1628
Subjects: houses,churches,sailing,boats
Gorham L. Freeman
Object type: painting, miniature
Date: 1813 – 1813
Materials: ivory, watercolor
Culture: american
Artist: henry williams
Artist role: artist
Artist nationality: american
Artist dates: 1787 – 1830
Subjects: men,portraits
Smoker's companion (?)
Object type: smoker's companion
Date: 1601 – 1700
Materials: steel
Saint Christopher
Object type: print
Date: 1511 – 1511
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,christ,saint christopher
Portret van Georg Adam Struve
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: historical persons, lawyer, attorney at law, professor

Prent mogelijk uit: Struve, Georg Adam. Iurisprudentia Romano-germanica forensis. 16de druk. Frankfurt: Franciscum Varrentrapp, 1739.
Soldaat die kruit in de pan van zijn musket giet
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: manoeuvre ~ military training, firearms: rifle

Een soldaat, ten voeten uit, die kruit uit een kruitfles in de pan (het kruitreservoir) van een musket (een bepaald type vuurwapen) giet. In zijn linkerhand behalve het musket ook een furket en een brandende lont. Deze prent is onderdeel van de reeks van 43 genummerde prenten van musketiers uit de Wapenhandelinghe.
Décember 1910 Regentesselaan "Rozenburg"
Object type: album leaf
Date: 1910 – 1912
Materials: paper
Techniques: collodion silver print
Location: hilversum
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: historical persons - bb - woman, villa, bicycle

Deze foto's maken deel uit van een album.
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, unidentified subject; Exterior, forelegs of horse and start of handle root; forelegs of horse; foot and leg of fallen, draped warrior, seen from the back; toes of figure to left; horse hooves?; band of linked palmettes, up and down, with dots above and below; the second small fragment has two horse hooves
Glass striped mosaic bowl fragment
Object type: fragment, striped mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent blue layered with white, turquoise blue layered with yellow appearing green, purple, opaque white, yellow, with colorless glass. Applied coil rim with rounded, vertical lip; convex curving side, tapering downward. Rim in colorless glass with double spiral yellow threads; body decorated with vertical bands slanting slightly from top right to bottom left, forming a pattern: colorless with double spiral yellow threads, blue, green with single spiral purple thread, white, colorless with double spiral yellow threads, purple with white stripe, colorless with double spiral yellow threads, and white. Many pinprick bubbles; exterior polished, with slight surface pitting; dulling and iridescent weathering on interior and edges.
Hoofd van een man in een staat van pijn
Object type: print
Date: 1732 – 1732
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: pain, sorrow, sadness; 'dolore', 'dolore di zeusi' (ripa), morphology of facial expression, physiognomy, pain
Inscriptions: collector's mark: Lugt 2233

Prent uit een serie met hoofden met verschillende uitdrukkingen naar Charles Le Brun, uitgegeven door Martin Engelbrecht in 1732.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Interior, head and part of upper body of wreathed youth to right