deem-data/ArtiFact huggingface dataset:
Map
Object type: folder container
Date: 1700 – 1800
Materials: cardboard, paper, textile
Techniques: colour, printing

Eén van drie mapjes, waarvan twee (A en B) met titel, waarin kaartjes, gedrukt en vervolgens ingekleurd, met 'toneelscènes' in diverse landschappen; enkele vormen een achter elkaar te zetten serie. De meeste hebben een met pen geschreven nummer. De indruk bestaat dat de juiste volgorde niet meer aanwezig is. De mapjes kunnen met touwtjes worden dichtgebonden. Opmerking: zie NG-1091-A en B.
Schweigestelle près Echternach
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: echternach
Artist: Anonymous
Subjects: adult man (+ five persons), adult woman (+ two persons), rock-formations
Inscriptions: inscription: ‘A3 - Schweigestelle’
Plaque
Object type: plaque
Date: 450 – 900
Materials: copper alloy
Culture: aguada
Location: argentina
Subjects: human figures
Serie 3: Franse Godsdienstoorlogen, 1559-1573
Object type: history print
Date: 1569 – 1571
Materials: paper
Techniques: etching
Location: cologne
Subjects: siege, position war

Aanslag door de hugenoten op Bourges verijdeld, 21 december 1569. Gezicht op de stad waarbij de aanval van de protestantse troepen wordt afgeslagen. Met onderschrift van 8 regels in het Duits. Linksonder genummerd: 70. De prent maakt deel uit van een album.
Straatscène met een optocht en figuren met parasols
Object type: sketchbook leaf
Date: 1931 – 1931
Materials: paper, pencil, watercolor
Techniques: brush
Location: thailand
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: parasol, sunshade, street (+ city(-scape) with figures, staffage)

Pagina 28 uit een schetsboek met 48 bladen.
Trees belt aan bij een voordeur
Object type: boekillustratie ontwerp
Date: 1893 – 1951
Materials: cardboard, ink, pencil
Techniques: pen
Artist: albert hemelman
Artist role: draughtsman, print maker
Artist dates: 1883 – 1951
Subjects: door-knocker, doorbell, girl (child between toddler and youth), front steps
Inscriptions: signature: ‘A.H.’, annotation: ‘Een harde ruk aan de bel. [...]je sloft enz.’, collector's mark: Lugt 2228, :

Trees staat op haar tenen op een trap voor een voordeur en belt aan. In haar hand heeft ze een tas.
Portrait of M.-J.-A.-N. de Coritat, Marquis de Condorcet
Object type: drawing
Materials: graphite
Techniques: brush, wash
Artist: jean-baptiste-françois bosio
Artist role: artist
Artist nationality: french
Artist dates: 1764 – 1827
Subjects: men,portraits
Invitation to Reclusion at Jingxi
Object type: handscroll
Date: 1611 – 1611
Materials: ink, paper
Culture: chinese
Artist: dong qichang
Artist role: artist
Artist nationality: chinese
Artist dates: 1555 – 1636
Subjects: mountains,landscapes

In this short handscroll, the artist-theorist Dong Qichang turns landscape forms into calligraphic abstractions. In the right half of the scroll, interlocking wedge-shaped masses create the illusion of a logical spatial recession. In the second half of the painting, logic is abandoned: ground planes shift, changes in scale are capricious, frequent contrasts between light and dark ink deny the blurring effects of atmosphere, and the illusion of recession is confounded by flat patterns of brushwork and patches of blank paper that continually assert the two-dimensionality of the picture surface. As the painting's title suggests, the scroll invites the viewer on a journey that leads not only from illusionism to abstraction but from the external world of appearances to the inner world of the recluse's mind. In so doing, it visualizes the disparate worlds between which both the artist and the scroll's recipient, Dong's longtime friend Wu Zhengzhi (d. ca. 1619), must choose. In a long colophon inscribed after the painting, Dong praises Wu, who, like himself, chose to withdraw from government service to live in retirement: I am like clouds returning to the mountain, You are like the rising sun. To go forth [and serve] or abide at home, Either is appropriate. Why must one live [in isolation like] the crane and gibbon? Only those who shun this world, Can live out their days in the Peach Blossom Spring [an idyllic community of hermits celebrated in poetry by Tao Qian (365–427)].
Penning op het uittrekken van twaalf compagnieën van de Amsterdamse schutterij voor de bezetting van Breda, 1674
Object type: book illustration
Date: 1829 – 1829
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), riding a horse, ass, or mule; rider, horseman, coat of arms (as symbol of the state, etc.) (+ city; municipal), medal (considered as a piece of sculpture, regardless of its specific function), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 1641b, inscription: ‘Op het uittrekken van 12 Com- / pagniën Amsterdamsche stads- / soldaten, ter bezetting van Breda. / 1674’

Prent uit: Vries, Jeronimo de, en Johannes Cornelis de Jonge. Nederlandsche gedenkpenningen verklaard, en met verdere bijdragen tot de penningkunde. Den Haag en Amsterdam: Gebroeders van Cleef, 1829, pl. IX.
Saint Margaret
Object type: print
Date: 1639 – 1639
Techniques: etching
Artist: michel dorigny
Artist role: artist
Artist nationality: french
Artist dates: 1616 – 1665
Bankbiljet van een halve gulden uitgegeven door de Japanse Regering van Nederlands-Indië
Object type: bank note
Date: 1942 – 1945
Materials: paper
Techniques: printing
Location: indonesia
Subjects: dutch east indies, the, japan

Biljet met blauwe opdruk 'De Japansche Regeering betaalt aan toonder HALF GULDEN', '1/2' en gestempeld 'SL'. Papier in het midden vergeeld.
Madonna and Child with Saints
Object type: drawing
Date: 1601 – 1700
Materials: charcoal, ink, paper
Techniques: brush, pen, wash
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: madonna and child,saints
Twee takken met een pioenroos
Object type: drawing
Date: 1700 – 1800
Materials: paper
Techniques: brush, pen
Location: france
Artist: j. porteret
Artist role: draughtsman
Subjects: flowers: peony
Amstels Wintervreugd / Divertissement de l'Hiver sur l'Amstel
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: abraham zeeman
Artist role: print maker
Artist dates: 1695 – 1754
Subjects: city-view in general; 'veduta', river, winter landscape; landscape symbolizing winter (the four seasons of the year), skates (winter sports), bridge in city across river, canal, etc.

Onderwerpsrubriek binnen de Atlas Amsterdam: Amstel van Hogesluis stroomopwaarts. Genummerd rechtsboven: 2.
De jeugd
Object type: print
Date: 1680 – 1704
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: youth, adolescent, human life divided into stages, e.g. three, four, seven, twelve stages (with number), terrace, couple of lovers
Inscriptions: collector's mark: Lugt 2909a, collector's mark: Lugt 2228

Op een terras voor een herberg onder een pergola zit een jong liefdespaar in een intieme houding bij een tafel. Ze eten wafels en drinken wijn en bier. Op de achtergrond een tweede liefdespaar in een omhelzing. De prent is onderdeel van een reeks van vier prenten over de leeftijden van de mens.
Lodovico Ariosto
Object type: print
Date: 1753 – 1813
Materials: paper
Techniques: etching
Location: netherlands
Artist: charles ange boily
Artist role: print maker
Artist dates: 1738 – 1813
Subjects: ludovico ariosto
Inscriptions: collector's mark: Lugt 2228
Portret van Louis Robbe
Object type: print
Date: 1838 – 1844
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: brussels, print maker, louis robbe, cattle, historical persons, symbolic representations, allegories and emblems ~ drawing
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166

Prent mogelijk uit: Baugniet, Charles. Les artistes contemporains: portraits lithographiés d'après nature, accompagnés de notices sur la vie et les ouvrages de chacun d'eux. Brussel: De Wasme-Pletinckx, [1836-1840].
Twee ruiters
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: riding a horse, ass, or mule; rider, horseman

Pagina 17 uit een schetsboek met 19 bladen.
Vase Carpet
Object type: carpet
Date: 1601 – 1700
Materials: cotton, wool
Techniques: asymmetrically knotted pile
Location: iran

Although this carpet has been reduced in length and width the ogival layout can still be discerned. Large floral forms are arranged diagonally on vines which create these ogival systems. Known as "vase-carpets" by the sporadic presence of vases in the pattern, these carpets traditionally have four vertical rows of flowers. Although some "vase" carpets are attributed to the sixteenth century, this one probably dates from the seventeenth century on the basis of the border design and the comparatively simplified drawing of the flowers in the field.
Capelet for a statuette
Object type: capelet
Date: 1601 – 1800
Materials: glass, lace, lead, silk, silver, silver gilt
Techniques: polychrome
Handle shaped object
Materials: jade
Location: china
Eiectis Mediceis Florentini armati ipsorum edes invadunt, auleorum supellectilem antiqui operis diripiunt
Object type: album leaf
Date: 1645 – 1700
Materials: paper
Techniques: engraving, etching
Location: vatican city
Subjects: battle, the soldier; the soldier's life
Inscriptions: number: ‘25’

Soldaten in gevecht, omdat de Medici familie verbannen is uit Florence. Titel in ondermarge. Genummerd midden onder: 4. Prent maakt deel uit van een album.
Panel from a sham
Object type: sham panel
Date: 1890 – 1890
Materials: linen
A Woman Pulling the Cord of a Wheeled Book Case, from the series "A Set of Seven for the Katsushika Club"
Object type: print
Date: 1825 – 1825
Materials: pigment
Techniques: woodblock print, surimono
Location: japan
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Terracotta rim fragment of a kylix: eye-cup  (drinking cup)
Object type: kylix fragment, eye cup
Date: 525 – 515
Materials: terracotta
Culture: greek, attic

Exterior, part of eye brow and top of eye
Op reis / naar de huwelijksfeesten
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: lithograph, letterpress printing
Location: netherlands
Artist: c.l.g. veldt
Artist role: publisher
Subjects: board-games of chance, board-games, netherlands
Inscriptions: collector's mark: Lugt 2760

Bordspel met de kaart van Nederland met 63 genummerde met rondjes en plaatsnamen. Titel en spelregels linksboven in boekdruk.
Vitrail du XVIe Siècle
Object type: photomechanical print
Date: 1859 – 1864
Materials: paper
Techniques: photolithography
Location: paris
Subjects: mary and elisabeth shaking hands
Inscriptions: name: ‘Phot. Berthier. Procéde Poitevin/ F. Sorrieu perf.’
Belegering en ontzetting der stad Leyden
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: history, siege, leiden
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van het beleg en het ontzet van Leiden. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 46.
Samaritaanse vrouw bij de waterput
Object type: print
Date: 1831 – 1900
Materials: paper
Techniques: etching
Artist: jean-baptiste meunier
Artist role: print maker
Artist dates: 1821 – 1900
Subjects: the woman of samaria (john 4:4-42), container of ceramics: jar, jug, pot, vase
Inscriptions: collector's mark: Lugt 2228
Portret van Pieter Haan
Object type: photograph
Date: 1910 – 1910
Materials: paper, cardboard
Techniques: collodion silver print
Location: hoorn
Artist: alida beerding
Artist role: fotograaf
Artist dates: 1875 – 1949
Subjects: historical persons, infant, baby
Inscriptions: inscription: ‘Pieter Haan/ 20.3.1909’
Comic Valentine (shy woman)
Object type: valentine
Date: 1860 – 1860
Techniques: hand coloring, lithograph
Artist: Anonymous
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1899
Boomstammen
Object type: sketchbook leaf
Date: 1892 – 1913
Materials: chalk, paper
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: trees

Mogelijk een abklatsch van een niet langer in het schetsboek aanwezige tekening of een vervaagde schets. Blad 19 recto uit een schetsboek met 31 bladen.
Portret van Oberto Foglietta
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: rome, historical persons, portrait of a writer, armorial bearing, heraldry

Prent in eerdere staat gebruikt in: Graevius, Joannes Georgius. Thesaurus antiquitatum et historiarum Italiae (...). Leiden: Pieter van der Aa, 1704, dl. 1-1.
Blad 116 uit Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel II (1930-1949)
Object type: photograph
Materials: paper, photographic support
Techniques: photography, printing, writing
Location: the hague
Artist: Anonymous
Subjects: further education (+ pupil), further education, the hague

Twee pagina's met gegevens van de deelnemers aan de 53e driemaandelijkse cursus van januari tot april 1939, stamboeknummers 1061 tot en met 1065. Onderdeel van Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel II (1930-1949).
Houthakker in het bos
Object type: print
Date: 1830 – 1910
Materials: paper
Techniques: etching
Artist: lambert jacquelart
Artist role: print maker
Artist dates: 1820 – 
Subjects: woodcutting, woodcutter ~ forestry
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Love and Fortune
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: printmaking
Subjects: success; 'evento buono' (ripa), love personified
Inscriptions: collector's mark: Lugt 2228
Duitse Rijk, Pruisen, Wilhelm I, 5 mark, 1876 C
Object type: vijf mark
Date: 1876 – 1876
Materials: silver
Techniques: striking
Location: frankfurt am main

Zilveren munt. Voorzijde: hoofd van de keizer naar rechts. Daaronder letter C. Keerzijde: gekroonde enkelkoppige adelaar naar links met op borst door keten van orde met juweel omhangen samengesteld wapenschild. Daaronder waarde-aanduiding. Jaartal in omschrift. Randschrift.
Study for a Portrait of a Woman
Object type: painting
Date: 1670 – 1679
Materials: canvas, oil
Artist: peter lely (sir)
Artist role: artist
Artist nationality: dutch, british
Artist dates: 1618 – 1680
Subjects: portraits,women

This sketch provides a good example of Lely’s working method as one of the most successful portraitists in England in the second half of the seventeenth century. Following the example of Anthony van Dyck, Lely painted only the sitter’s head in his or her presence, sometimes laying in an outline for the pose and costume. He then employed assistants to complete the drapery and background. For certain well-known sitters, Lely would retain his original head study to aid in the production of replicas. Because Lely assimilated his female sitters to a contemporary ideal of beauty, it can often be difficult to identify them today, as is the case with this unknown woman.
Oude boerenvrouw
Object type: print
Date: 1635 – 1669
Materials: paper
Techniques: engraving
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: old woman
Inscriptions: collector's mark: Lugt 2233

Een oude vrouw, steunend op een stok, heeft de handen gevouwen om een rozenkrans.
Collar
Object type: collar
Date: 1883 – 1883
Materials: cotton
Culture: american
Vrouw bereidt vis
Object type: print
Date: 1840 – 1875
Materials: paper
Techniques: etching
Subjects: wooden container: barrel, cask, bucket, adult woman, fishes, dish, plate, saucer
Inscriptions: collector's mark: Lugt 2228
Private, 5th Light Battery, Massachusetts, V.M., from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Vrouw op een bank voor een tuin met en vrouw met hond op een bank voor een huis
Object type: album leaf
Date: 1907 – 1911
Materials: paper, cardboard
Techniques: collodion silver print
Location: moscow
Artist: Anonymous
Subjects: bench, historical persons - bb - woman, dog
Inscriptions: inscription: ‘- Moscou - Juillet 1911.’, inscription: ‘- Moscou - Juillet 1911.’

Deze foto's maken deel uit van een album.
The Manager's Window, Gaiety Theatre
Object type: print
Date: 1896 – 1896
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Don Clarazel tot ridder geslagen in de huiskapel van een edelman nabij Avignon
Object type: book illustration
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: knighting ceremonies, knight
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Verdier, Gilbert Saulnier du (vert. Heinsius, Nicolaas junior). Don Clarazel de Gontarnos, ofte den buiten-spoorigen dolenden ridder, 2 delen. Amsterdam: Johannes Broersz en Nathanael Holbeex, 1697, dl. 1.
Textile
Object type: textile
Date: 1301 – 1400
Materials: gilt, silk, thread
Culture: italian
Shaped Sleeve Ruffle (Engageanté)
Object type: costume and accessory
Date: 1760 – 1769
Materials: linen
Location: burano
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: cotton, linen, silk
Subjects: animals,birds,flowers
Gezicht op de omgeving van een gouvernementsgebouw in Kameroen
Object type: photograph
Date: 1899 – 1899
Materials: photographic support
Techniques: albumen print
Location: cameroon
Artist: Anonymous
Subjects: prospect of village, silhouette of village, forest, wood

Foto 1 van een panorama van 4. Onderdeel van Fotoalbum met opnames van Kameroen rond 1899.
Portrait of Michel de Marolles
Object type: print
Date: 1648 – 1648
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: men,portraits,coat of arms
Portret van een Chinese vrouw uit Macao
Object type: album leaf
Date: 1867 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: singapore
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman
Inscriptions: number: ‘7’, annotation: ‘1 Lsin. Mädschen von Macao’
Schetsblad met verschillende stadstypes, waaronder een schoenpoetsers en koekkraam
Object type: drawing
Date: 1785 – 1846
Materials: paint, ink, paper, watercolor
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: handicrafts, craftsman at work, shoe-maker, cobbler
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), Het begin der 19de eeuw. Teekeningen van Christiaan Andriessen, † 1819. mannen en vrouwen. stadstypen.
Design for a Token: Galères, 1740
Object type: drawing
Date: 1740 – 1740
Materials: chalk
Techniques: wash
Artist: edme bouchardon
Artist role: artist
Artist nationality: french
Artist dates: 1698 – 1762
Jar
Object type: jar
Date: 801 – 1000
Materials: earthenware
Location: iran
Landau #889
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Kapel. Processie park O. L. Vrouw van Renkum
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1939
Materials: paper
Techniques: gelatin silver print
Location: renkum
Artist: Anonymous
Subjects: church (exterior) - qq - small church, chapel
Inscriptions: date
Kohl Tube and Applicator
Object type: kohl tube, stick
Date: 1550 – 1295
Materials: faience, gold, mineral
Location: egypt

This small kohl tube is made of bright blue Egyptian faience with gold mounts around the base and rim. A stick of hematite serves both as the closure for the tube and an applicator for the powdery cosmetic that would have been stored inside. Both the quality of the piece, and the use of gold indicate that it belonoged to a person of importance. This is confirmed by the the inscription on the side of the vessel which reads: Greatest of the Five, Djehutymose. The title "greatest of the five" was held by the high priest of Thoth at Hermopolis. In ancient Egypt, men as well as women used cosmetics and wore jewelry. For examples of this, see the collection of facsimile paintings (copies of wall paintings in Egyptian tombs - for example, 30.4.144); the cosmetic box of Kemeni (26.7.1438); and the jewelry of Wah (40.3.1).
Strafgevangenis te Leeuwarden, huismunt ter waarde van vijf cents
Object type: vijf cent
Materials: zinc
Techniques: striking
Location: utrecht
Artist: Anonymous
Subjects: leeuwarden

Zinken betaalpenning. Voorzijde: letter L binnen omschrift. Keerzijde: waardeaanduiding
Geiten
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: etching
Location: brussels
Artist: jan van den hecke (i)
Artist role: print maker
Artist dates: 1619 – 1684
Subjects: goat, rodents: squirrel
Inscriptions: collector's mark: Lugt 240