deem-data/ArtiFact huggingface dataset:
Rotherhithe (Wapping)
Object type: print
Date: 1860 – 1860
Materials: ink, ivory
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men,ships
Print
Object type: print
Date: 1780 – 1850
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Subjects: balconies,men
De vijf zintuigen
Object type: print
Date: 1640 – 1670
Materials: paper
Techniques: etching
Location: amsterdam
Artist: clement de jonghe
Artist role: print maker, publisher
Artist dates: 1624 – 1677
Subjects: hearing, listening (one of the five senses), vocal music, singing - cc - out of doors
Inscriptions: number: ‘2’, caption: ‘Ay geeft doch wat gehoor, en let wat grobbe singht / Wat dunckie kome floor, dat stemmetje dat klinght’, collector's mark: Lugt 2228

Een man staat op een kruk te zingen. Rondom hem staan toeschouwers. Onder de voorstelling een tweeregelig vers in het Nederlands. De prent maakt deel uit van een serie van vijf prenten met de vijf zintuigen.
Gezicht op Kasteel Rijnenburg te Jutphaas
Object type: book illustration
Date: 1773 – 1792
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: castle, bridge

Prent ook gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen (…). 9 delen. Amsterdam: Isaak Tirion en weduwe Isaak Tirion, 1745-1774, dl. 7, 8 of 9 (weduwe Isaak Tirion, 1773-1774), ill. 76. Of in: Nederlandsche tafereelen; of eene keurige verzameling van negen honderd fraaije gezigten van steden, dorpen, sloten, oudheden (….). 9 delen. Amsterdam: Jan de Groot, 1792, dl. 7, 8 of 9, ill. 76.

Uit welke druk het huidige exemplaar precies komt is niet na te gaan.
Ram en schaap
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: etching
Artist: frans lebret
Artist role: draughtsman, painter, print maker
Artist dates: 1820 – 1909
Subjects: ram, sheep
Inscriptions: collector's mark: Lugt 2228
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Two complete kylix handles with handle patch preserved to rim
Terracotta Eros
Object type: seated eros
Date: 400 – 351
Materials: terracotta
Culture: greek, attic
Subjects: musical instruments,eros

Eros is shown seated on rocky terrain and holding a lyre. The instrument refers not only to music but also to youth, as music lessons belonged to a good Athenian education.
Schepping van de mens
Object type: print
Date: 1659 – 1659
Materials: paper
Techniques: etching
Location: amsterdam
Artist: nicolaes cornelisz. witsen
Artist role: mayor, print maker
Artist dates: 1641 – 1717
Subjects: creation of man by some creative force, groups of animals
Inscriptions: collector's mark: Lugt 2165

God schept de eerste man. Ze worden door verschillende dieren omringd. Onder de voorstelling een vierreglige toelichting in het Latijn.
Faust et Marguerite
Object type: reproduction
Date: 1875 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: leaving the church after service, (scenes from) specific works of literature: goethe, faust
Inscriptions: inscription: ‘[...] Kunsthandelaar Bakkerstraat 70 Arnhem’
Fragment from a Molding with Vines and an Amphora (Vase)
Object type: fragment
Date: 501 – 600
Materials: limestone
Techniques: carving, relief
Location: egypt

The monastic community of Bawit, founded in the 300s by Apa (Father) Apollo at a small village, grew to consist of numerous complexes with residences, chapels, and service structures and two large churches profusely decorated with sculptures and paintings, often reused from other sites, all affiliated with the Coptic church. The more important buildings were decorated with courses of sculpted stone freely combining floral and geometric motifs inspired by classical art – rosettes, acanthus leaves, meander patterns – with more recent Christian themes. These sculptural elements, demonstrating the Byzantine love of complex patterning with lush textures, were originally painted in rich, vibrant colors like those surviving in textiles.
Fragment schroefplaat van een musket uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: musket
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fragm, id. NG 1978-74H986 or NG 1980-27H3069, eyes broken off, side plate.
Portret van een groep meisjes, China
Object type: photograph
Date: 1907 – 1907
Materials: paper, photographic support
Techniques: collodion silver print
Location: china
Artist: jan adriani
Artist role: fotograaf
Subjects: girl (child between toddler and youth), anonymous historical persons portrayed in a group, in a group-portrait, china
Inscriptions: address: ‘Weledelgeb. Hee[..] / Dr J.B. Adriani-[...] / Nieuwe Gr[...]/U[...]’
Penning met het portret van koningin Anna Stuart en de namen van Engelse koningen
Object type: print
Date: 1702 – 1714
Materials: paper
Techniques: etching
Location: amsterdam
Artist: Anonymous
Subjects: london, anna stuart (koningin van engeland en schotland), king, seal (symbol of sovereignty)
Inscriptions: number: ‘27’

Ontwerp van een ronde penning met, in zes concentrische cirkels, de namen van Engelse koningen en hun regeringsjaren, beginnende bij koning Egbert van Wessex en eindigend bij koning Stefanus. In het midden van de penning het portret van koningin Anna Stuart.
Portret van Johann Zacharias Richter
Object type: print
Date: 1764 – 1767
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: historical persons, book
Inscriptions: collector's mark: Lugt 2228

Naast koopman en raadsheer was Johann Zacharias Richter ook kunstliefhebber. Op de voorgrond ligt een boek met de titel 'Rembrandt Opera'. Daarachter een boek met de titel 'Raphael'.
Roeiboot
Object type: sketchbook leaf
Date: 1841 – 1853
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: rowing-boat, canoe, etc.

Blad 44 recto uit een schetsboek met 87 bladen.
Omlijsting
Object type: drawing
Date: 1809 – 1814
Materials: paper, pencil, watercolor
Techniques: brush, pen
Location: southern netherlands
Artist: Anonymous

Lege omlijsting. Rechtsboven genummerd: 357. Onderdeel van het vierde album met tekeningen van bloemen en paddestoelen. Elfde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Horrible Murder!
Object type: print
Date: 1890 – 1899
Materials: paper
Techniques: engraving, etching, relief
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Het offer van Manoach
Object type: drawing
Date: 1677 – 1755
Materials: chalk, paper, pencil, watercolor
Techniques: brush
Artist: elias van nijmegen
Artist role: draughtsman, painter
Artist dates: 1667 – 1755
Subjects: manoah's sacrifice; the angel ascends in the flames
Vrouw uit de Pyreneeën
Object type: costume print
Date: 1569 – 1569
Materials: paper
Techniques: engraving
Location: venice
Artist: ferando bertelli
Artist role: print maker, publisher
Subjects: fashion plates, europeans: spaniards (+ women), old woman

Oude vrouw uit de Pyreneeën, hoge muts op het hoofd, naar links. Onderdeel van het kostuumboek getiteld 'Omnium fere gentium nostrae aetatis habitus, nunquam ante hac aediti', Venetië 1569. Heruitgave uit 1569 van de eerste editie uit 1563.
Cyanus / Bluet / Blew both / Kornblumen
Object type: book illustration
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: arnhem
Subjects: flowers

Prent uit: Passe, Crispijn van de (II). Hortus floridus in quo rariorum & minus vulgarium florum icones ad vivam veramque formam. Arnhem: Johannes Janssonius, 1617.
Portret van Fanny Edith
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman
Ontwerp voor een zilveren lamp in de vorm van een vogel
Object type: photograph
Date: 1874 – 1932
Materials: paper, pencil
Techniques: blueprint
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: work of applied art (+ precious metals ~ arts), electric lamp
Tureen with Cover
Object type: metalwork
Date: 1783 – 1784
Materials: metal, silver
Location: edinburgh
Artist: william davie
Parable of the Wise and Foolish Virgins: The Wise Virgins
Object type: print
Date: 1567 – 1570
Materials: ink, ivory, paper
Techniques: engraving
Location: netherlands
Artist: herman jansz muller
Artist nationality: netherlandish
Artist dates: 1540 – 1617
Inscriptions: Lettered lower left: "1"; lower center: "HMuller fecit."; and below image: "Virginibus simile est ... neglecta lampade stultae."
Pagina 52 van fotoboek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.)
Object type: photograph
Date: 1924 – 1925
Materials: paper, photographic support
Techniques: printing
Location: dutch east indies
Artist: j.w. meyster
Artist role: fotograaf
Artist dates: 1887 – 1945
Subjects: plantation, (non-fruit) products of plants or trees: rubber, sumatra

Boekpagina met een foto van mannen poserend temidden van tien jaar oude hevea-aanplant te Gadja Meuntah. Onderdeel van een fotoboek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.).
St. Denis. (Claude de France.) Charlotte de France.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: palais du trocadéro
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: historical persons - bb - woman, permanent exhibition, museum, sculpture
Inscriptions: name: ‘KUNSTBOEKHANDEL <BR />J. A. G. DE LEUR <BR />PHOTOGRAAF - UITGEVER <BR />HUIGENSPARK, 40b. <BR />DEN HAAG.’, number: ‘No. 1261.’, inscription: ‘MONUMENTS HISTORIQUES’, name: ‘MIEUSEMENT <BR />PHOTOGRAPHE’, collector's mark: Lugt 3937
Limestone horse with a rider
Object type: statuette of a horse
Materials: limestone
Culture: cypriot
Subjects: horses

This rider is one of the earliest representations of a horseman in Cypriot sculpture.
Panel
Object type: textile
Date: 1860 – 1880
Materials: cotton, textile, silk, velvet
Techniques: cutting, satin weave, voiding, weave
Location: lyon
Artist: mathevon et bouvard
Artist nationality: french
Artist dates: 1810 – 1895
Subjects: fruit, lace, foliage
Portret van papierknipster Johanna Koerten
Object type: print
Date: 1734 – 1735
Materials: paper
Techniques: engraving, etching
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: draughtsman, johanna koerten, honouring the artist with laurel wreath, drawing, sketch, historical persons - bb - woman, horn, trumpet, cornet, trombone, tuba, portrait, self-portrait of artist, tools, aids, implements ~ crafts and industries: scissors
Inscriptions: stamp, collector's mark: Lugt 1641

Haar portret is omringd door vijf putti. Eén van hen blaast de loftrompet. De andere drie hebben respectievelijk een schaar, een tekening en een lauwerkrans in de handen, en de laatste wijst naar haar beeltenis. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Portretten, Portretten van bijzondere personen.
The Little Marine -- Souvenir of Medway
Object type: print
Date: 1879 – 1879
Techniques: etching
Artist: félix-hilaire buhot
Artist role: artist
Artist nationality: french
Artist dates: 1847 – 1898
Meir Wachenheimer, Mathilde Wachenheimer-Wertheimer, Eugen Wachenheimer, Isabel Wachenheimer in kamer, 1 september 1929
Object type: photograph
Date: 1929 – 1929
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: eugen wachenheimer, isabel wachenheimer-elon
Inscriptions: number: ‘67’

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Lady Mary Berkeley
Object type: painting
Date: 1700 – 1700
Materials: canvas, oil
Artist: sir godfrey kneller
Artist role: artist
Artist nationality: german
Artist dates: 1646 – 1723
Subjects: portraits,women
Moonrise
Object type: print
Date: 1908 – 1909
Materials: paper
Techniques: lithograph
Location: norway
Artist: edvard munch
Artist role: print maker
Artist nationality: norwegian
Artist dates: 1863 – 1944
Portret van Lodewijk XIII van Frankrijk
Object type: print
Date: 1747 – 1799
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: lodewijk xiii (koning van frankrijk), ornament ~ medallion, historical persons, king
Cup plate
Object type: glass
Date: 1801 – 1900
Materials: glass
Techniques: pressed
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Maffet Ledger: Two Indians on horseback
Object type: drawing
Date: 1874 – 1881
Materials: crayon, graphite, paper, watercolor
Culture: cheyenne
Location: united states
Subjects: bow and arrow,men,horses
Portret van Johann Gossner
Object type: print
Date: 1788 – 1860
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: berlin, theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Dish with Peonies and Phoenixes
Object type: vessel
Materials: copper, porcelain
Techniques: molding, underglaze
Location: china
Bodice
Object type: bodice
Date: 1860 – 1869
Materials: silk
Culture: american
Zittende man in middeleeuwse kleding
Object type: print
Date: 1850 – 1909
Materials: paper
Techniques: engraving
Artist: eduard augustyns
Artist role: print maker
Subjects: sitting on an elevation
Inscriptions: collector's mark: Lugt 2228

Sterfdatum kunstenaar onbekend. Derhalve is voor bepaling van de rechten van dit object de verwervingsdatum aangehouden.
Stroom- en waternimfen
Object type: print
Date: 1587 – 1587
Materials: paper
Techniques: engraving
Location: antwerp
Artist: philips galle
Artist role: print maker, publisher
Artist dates: 1537 – 1612
Subjects: story of hermaphroditus and salmacis, single named nymphs (with name), hermaphroditus and salmacis changed into a hermaphrodite: at the prayer of the fountain-nymph salmacis, who holds the bathing hermaphroditus closely embraced, their bodies fuse (ovid, metamorphoses iv 373)
Inscriptions: collector's mark: Lugt 2228

De waternimf Salamcis, gezeten op een stenen blok. Op de achtergrond Salmacis en Hermaphroditus die elkaar in het water omhelzen, waarna ze volgens de mythe zouden versmelten tot een tweeslachtig wezen. De prent maakt deel uit van een zeventiendelige serie over stroom- en waternimfen.
Blad met beroepen in zes rijen
Object type: brocade paper
Date: 1750 – 1800
Materials: gold leaf, paint, paper
Techniques: relief print
Artist: Anonymous
Subjects: handicrafts ~ maintenance and repair, mason at work

Blad met beroepen in zes rijen; linksboven twee mannen met ladders (schoorsteenvegers?), rechtsboven metselaar, linksonder smid, rechtsonder pottenbakker.
Recto: "Libro Primo, Chapo Quarto..." (Vitruvius, Book 1, Chapter 4); Verso: The Fortification of City Walls (Vitruvius, Book 1, Chapter 5).
Object type: drawing ornament architecture
Date: 1530 – 1545
Materials: ink
Techniques: pen
Location: france
Artist: sangallo family
Artist role: artist
Artist nationality: italian
Artist dates: 1530 – 1545
Subjects: buildings,fortification

The creator of this drawing was an experienced draftsman of military technology and architecture, as is evident by his use of perspective and in the level of surface detail with which he elaborated the forms presented here. This proficiency is clear when compared to illustrations of military fortifications in early printed editions of Vitruvius (see the edition of 1524 by Durantino).The fortification of cities and ports was a specialty of the Sangallo family and of Antonio da Sangallo "The Younger" in particular, as he worked as a military engineer in the papal court in Rome. A prolific architect and draftsman, Antonio "The Younger" owned, among others, a pocket-sized, printed Latin edition of Vitruvius, which he annotated with drawings and text. It is today part of the Metropolitan Museum's vast collection of early Vitruvius editions. His younger brother and much-overshadowed amanuensis for many of his military drawings, Giovanni Battista da Sangallo "Il Gobbo," left an insightful book of commentary on Vitruvius, which, according to a 1568 biography by Giorgio Vasari, "never saw the light of publication." A recent discovery, this sheet and seven others (acc. nos. 2008.105.1-8) comprised a manuscript draft for an Italian edition of the sole surviving architectural treatise of Roman antiquity, Ten Books on Architecture by Marcus Pollius Vitruvius (late first century B.C.). Had the project been completed, it would have ranked among the brilliantly imaginative works of Renaissance interpretive architectural theory. The drawings also exhibit a beautifully expressive handling of the pen. Comparisons of style as well as of the shorthand notation in the sketching of human figures suggest a close kinship with drawings by Bastiano "Aristotile" da Sangallo (Florence, 1481 – Florence 1551) and the collaborators that helped him draw and write the motifs of marginalia in a printed 1486 edition of Vitruvius (Biblioteca Corsiniana, Accademia Nazionale dei Lincei, Rome) that was reworked in the 1530s. By all accounts a virtuoso stage set designer, Bastiano da Sangallo-the cousin and closest collaborator of Antonio da Sangallo "The Younger" and Giovanni Battista da Sangallo "Il Gobbo"-was Michelangelo's assistant in the Sistine Chapel and took the surname of "Aristotile" for his love of antiquity. Members of the Sangallo family had been deeply interested in Vitruvius for at least two generations.
Microscopische opname van een waterstekel, 25 keer vergroot
Object type: photograph
Date: 1887 – 1888
Materials: paper
Techniques: albumen print
Location: netherlands
Artist: marinus pieter filbri
Artist role: instrument maker
Artist dates: 1852 – 1917
Subjects: plants; vegetation, netherlands
Inscriptions: number: ‘32’, inscription: ‘No. 32. id. waterstekel, id., id., bemerking id.’
Christ Taking Leave of His Mother, from "The Life of the Virgin"
Object type: print
Date: 1504 – 1504
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: women,christ,virgin mary
Pink and Rose
Object type: wallpaper
Date: 1890 – 1890
Techniques: printing
Artist: william morris
Artist role: designer
Artist nationality: british
Artist dates: 1834 – 1896
Subjects: roses,leaves

Henry James described William Morris as "the poet and paper-maker" in 1881 and, despite his prolific work as a designer of stained glass, textiles, tapestries, furniture, and books, it is for his wallpapers that Morris is best known today. Reinventing the decorative vocabulary of his time, Morris believed that "any decoration is futile…when it does not remind you of something beyond itself." He turned to nature for inspiration, seeking to "turn a room into a bower." Throughout his more than three decades as a wallpaper designer, the native field and garden flowers of the English countryside proved a touchstone. Beginning in 1862 with the firm Morris, Marshall, Faulkner, and Company, and later on his own with Morris & Company, Morris designed forty-one wallpapers and five ceiling papers. "Pink and Rose," from about 1890, is typical of his late style, which is characterized by naturalism and a clearly articulated repeating pattern. Morris believed that beauty, imagination, and order were the essential components of a successful design, with all three qualities evident in this example. As well as being a great commercial success, his papers helped to raise British wallpaper to a position of international preeminence in the last quarter of the nineteenth century.
Heilige Familie met Johannes de Doper
Object type: print
Date: 1618 – 1655
Materials: paper
Techniques: etching
Subjects: holy family with john the baptist (as child)
Inscriptions: collector's mark: Lugt 2228

Maria zit op een stoel met het Christuskind op schoot. Het kind reikt naar de baard van Jozef, die zich naar Maria wendt. De jonge Johannes de Doper buigt zich over de voeten van het kind. In zijn hand heeft hij een overwinningsbanier.
Cartouche met helm
Object type: ornament print
Date: 1731 – 1775
Materials: paper
Techniques: etching
Location: augsburg
Subjects: helmet, rocaille ornament, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Rocaille cartouche met aan de bovenzijde een helm. Uitgeversnummer 53.
Leporello van tien miniatuurfoto's met verschillende gezichten op Driebergen
Object type: photograph
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Location: driebergen
Artist: Anonymous
Subjects: city-view in general; 'veduta'

Leporello van tien miniatuurfoto's met verschillende gezichten op Driebergen, Utrecht.
Landschap met water en een molen
Object type: sketchbook leaf
Date: 1907 – 1907
Materials: chalk, paper
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), windmill in landscape

Blad 21 recto uit een schetsboek met 41 bladen.
Portret van Hans Caspar Landolt
Object type: print
Date: 1749 – 1781
Materials: paper
Techniques: mezzotint
Location: augsburg
Subjects: mayor, mayor, burgomaster, historical persons, seal, stamp, scroll
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Amann’ Lugt 9
Girandoles
Object type: page
Date: 1787 – 1787
Materials: paper
Techniques: engraving
Location: holborn
Subjects: chandelier, candelabrum

Genummerd: Pl. 114. Prent maakt deel uit van een boek.
Responding to the Call of a Beloved Queen - Arrival of a British Transport, South Africa
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: south africa
Subjects: ships (in general), the soldier; the soldier's life
Inscriptions: number: ‘220’, name: ‘Works and Studios Sun Sculpture trade mark Arlington N.J. Littleton N.H. Washington D.C.’
Boerenwoning tussen bomen
Object type: print
Date: 1800 – 1815
Materials: paper
Techniques: etching
Location: netherlands
Artist: hermanus van brussel
Artist role: draughtsman, print maker
Artist dates: 1763 – 1815
Subjects: landscapes in the temperate zone, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Portret van een zittende man met hoge hoed in de hand
Object type: cabinet photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: copenhagen
Subjects: sitting figure, historical persons, head-gear: top hat
Inscriptions: inscription: ‘Photographiske Etablissement/ af/ Hansen & Weller/ 15, Östergade 15./ Kjöbenhavn.’
Lower Ausable Lake-Indian Head
Object type: photomechanical print
Date: 1891 – 1891
Materials: paper
Techniques: photograph
Location: new york
Subjects: lake
Inscriptions: number: ‘Plate XVIII.’
Drievoet en schaal
Object type: print
Date: 1775 – 1797
Materials: paper
Techniques: aquatint, etching
Location: paris
Artist: nicolas xavier willemin
Artist role: print maker
Artist dates: 1763 – 1839
Subjects: serving-dish, platter, the tripod (delphi)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een drievoet met vazen en termen. Daarboven een schaal met handvat met ramskop.