deem-data/ArtiFact huggingface dataset:
Portret van Moritz von Fries
Object type: print
Date: 1796 – 1826
Materials: paper
Techniques: stippling
Subjects: paris, moritz von fries, banker, historical persons, patron (or client) visiting the artist
Inscriptions: collector's mark: Lugt 2228
Reliekbuste van de heilige Lambertus van Maastricht
Object type: print
Date: 1653 – 1653
Materials: paper
Techniques: engraving
Location: liège
Subjects: lambert(us), martyr bishop of maastricht and patron of liège; possible attributes: arrow, bear, cloth with flames, lance, nobleman under crozier, rationale, sword, two armed men under feet, relics (and reliquaries), liège
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 3418

De reliekbuste van de heilige Lambertus van Maastricht te Luik ingelegd met edelstenen. De buste toont Lambertus met staf en boek, een mijter op zijn hoofd. Op het pedestal drie scènes uit het leven van de heilige Lambertus, de middelste scène toont zijn dood. Onderaan in de marge twee vierregelige teksten in het Latijn.
Boereninterieur met dansend paar
Object type: print
Date: 1657 – 1672
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: inn, coffee-house, public house, etc., violin, fiddle, one pair dancing; man and woman dancing as a couple, vocal music, singing
Inscriptions: collector's mark: Lugt 240

In een herberginterieur maken een oude vrouw en een oude man hand in hand een dansje. Links van hen een vioolspeler en zingende en drinkende mensen. Rechts een zittende man met een pijp in zijn hand. Rechts op de voorgrond een hond.
Driemanschap van 1813
Object type: print
Date: 1813 – 1815
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: Anonymous
Subjects: berlin, william i of the netherlands, rotterdam, gijsbert karel graaf van hogendorp, deventer, adam françois jules armand van der duyn, landing of william frederick i (1813)
Inscriptions: collector's mark: Lugt 2228

Een putto hangt de portretten van de leden van het Driemanschap van 1813 aan een zuil: Van Hogendorp, Van Limburg Stirum en Van der Duyn van Maasdam. Op de achtergrond twee potten met oranjebomen.
Hakone: Night Procession in the Mountains (Hakone, sanchu yagyo no zu), no. 11 from the series "Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue)," also known as the Vertical Tokaido
Object type: print
Date: 1855 – 1855
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Smallsword with Scabbard
Object type: smallsword with scabbard
Date: 1785 – 1785
Materials: gold, skin, steel, wood
Culture: french
Location: france

By the early seventeenth century, the rapier, a long slender thrusting sword, began to dominate as the gentleman’s weapon of choice. During the course of the century, however, as civilian fencing techniques became more specialized and refined, the rapier developed into a lighter, trimmed-down weapon known by about 1700 as the smallsword. Smallswords, often richly decorated, remained an integral part of a gentleman’s wardrobe until the wearing of swords in civilian settings went out of fashion at the end of the eighteenth century, at which time pistols were replacing swords as arms most frequently used in personal duels. The majority of smallsword hilts are made of silver or steel, but many also employ a wide variety of luxurious materials, such as gold, porcelain, and enamel. At their best, smallswords combine the crafts of swordsmith, cutler, and jeweler to create an elegant weapon that was also a wearable work of art.
Adelle III espouse du roy Louys VII dict le Jeune
Object type: book illustration
Date: 1643 – 1643
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: historical persons, queen

Prent uit: Eudes de Mézeray, François. Histoire de France, depuis Faramond jusqu’au regne de Louis le Juste (...). 3 dln. Parijs: Mathieu Guillemot, 1643, dl. 2. Prent waarschijnlijk voor het eerst verschenen in: Bie, Jacques de. Les vrais portraits des rois de France (...). Parijs: Jacques de Bie en Pierre Rocolet, 1634. Prent ook gebruikt in latere publicaties.
Gezichten rond de Middellandse Zee
Object type: drawing
Date: 1679 – 1683
Materials: ink, paper
Techniques: pen
Artist: johan teyler
Artist role: draughtsman, print maker
Artist dates: 1648 – 1712
Subjects: river, sea and coastal fishery
Portret van Karel I Lodewijk van de Palts
Object type: print
Date: 1635 – 1668
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: historical persons, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2228
Composities met menselijke lichaamsdelen
Object type: print
Date: 1773 – 1814
Materials: paper
Techniques: printmaking
Location: paris
Subjects: head (human) - aa - female human figure
Inscriptions: watermark, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Deze prent maakt deel uit van een album dat uit minstens elf delen bestaat. Dit is het zesde blad uit het negende album. Waarschijnlijk dienden deze albums als voorbeeld voor tekenaars, schilders en graveurs.
Crab from "Cleopatra's Needle"
Object type: obelisk support, crab
Date: 13 – 13
Materials: bronze
Location: egypt
Subjects: crabs

The two bronze crabs (81.2.1 and 81.2.2) are from a set of four originally used in Roman times as supports for the broken corners of the obelisk that now stands in Central Park. Thutmose III erected the obelisk about 1443 B.C. in Heliopolis, now part of modern Cairo. It was re-inscribed by Ramesses II and later moved to Alexandria by the Romans, who inserted the crabs when they re-erected it. The Roman crabs were replaced with newly cast substitutes in 1881 when the obelisk was moved to New York and placed in Central Park behind The Metropolitan Museum of Art. The originals were given to the Museum by Lieutenant Commander Henry H. Gorringe, who brought the obelisk to New York; the obelisk itself was a gift from Egypt to the City of New York. The claw of 81.2.2 has an inscription in Latin on the inside and one in Greek on the outside. Both state that the Roman prefect Barbarus and the architect Pontius re-erected the obelisk in Alexandria during the eighteenth year of an emperor, probably Augustus, who also built the Temple of Dendur.
Het huis van Paul Sandel in Tandjong Poera, Langkat Sumatra
Object type: photograph
Date: 1900 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: bindjai
Subjects: sumatra
Bowl
Object type: bowl
Date: 801 – 900
Materials: earthenware, glaze, pigment
Techniques: painting, polychrome, underglaze
Location: iran

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Card Number 550, Mlle. Elois, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Portret van mevrouw Melvill van Carnbee
Object type: print
Date: 1851 – 1883
Materials: paper
Techniques: lithograph
Location: the hague
Artist: johan hendrik hoffmeister
Artist role: print maker
Artist dates: 1823 – 1904
Subjects: historical persons - bb - woman (+ (full) bust portrait), cape: mantelet (+ women's clothes), head-gear: cap
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een muts met linten en een stola
'Mellomints', Packet of 'Candies' Sold by Brandle & Smith Company, Philadelphia
Object type: photograph
Date: 1915 – 1915
Materials: paper, paint, textile
Techniques: hand coloring
Location: minneapolis
Subjects: advertising, sugar-candy
Inscriptions: number: ‘48.’

Reclame voor snoepfabrikant Brandle & Smith Co., Philadelphia.
Portret van Hendrik VI, koning van Engeland
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: london, historical persons, king

Prent uit: Bos, Lambert van den. Het vorstelyck treurtoonneel, of op- en onder-gangh der grooten. Amsterdam: Nicolaes van Ravesteyn, 1652. Prent mogelijk ook gebruikt in de 1655- en de 1658-editie.
Snuffers tray
Object type: snuffer tray
Date: 1820 – 1820
Materials: metal
Artist: d. & g. holy
Artist role: maker
66. Theil. Une Tabernacle à la nouvelle Mode
Object type: print
Date: 1737 – 1806
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: altarcross, crucifix, tabernacle ~ altar, angels
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een tabernakel met een kruis en guirlandes. Aan weerszijden staat een engel met een rookvat.
Plattegrond van Amsterdam
Object type: print
Materials: ink, paper
Techniques: lithograph, pen
Location: haarlem
Subjects: maps of cities, amsterdam
Schetsboek met 28 bladen
Object type: sketchbook
Date: 1919 – 1919
Materials: cardboard, chalk, linen, paper, watercolor
Techniques: brush
Location: luxor
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: temple, shrine ~ egyptian religion, africans, desert, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Schetsboek bestaande uit 28 bladen met schetsen gemaakt tijdens een reis in Egypte met straatscènes in Luxor, tempels en woestijnlandschappen met waterdragers.
Portret van Andreas Burckhardt
Object type: print
Date: 1650 – 1699
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: politician, historical persons, politician, e.g. party leader
Christus aan het kruis
Object type: print
Date: 1684 – 1749
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: john the baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff, bystanders at the foot of the cross, among whom mary, mary magdalene and john the evangelist; mary may be shown swooning - dd - only christ on the cross, the superscription: i(esus) n(azarenus) r(ex) i(udaeorum) ~ christ's crucifixion, the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: collector's mark: Lugt 240

Maria, Johannes en Maria Magdalena onder de gekruisigde Christus.
Fragment uit boek IV van Miltons 'Paradise Lost'
Object type: sketchbook leaf
Date: 1819 – 1870
Materials: ink, paper, pencil
Techniques: pen
Artist: Anonymous
Inscriptions: annotation: ‘Paradise lost./ Book IV ... reluctant, amorous delay./ Milton."’

Blad 10 verso uit een schetsboek met 39 bladen.
Ontvangst van passagiers op een schip
Object type: print
Date: 1841 – 1870
Materials: paper
Techniques: etching
Artist: henri adolphe schaep
Artist role: draughtsman, painter, print maker
Artist dates: 1826 – 1870
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 1485
Holland, duit
Object type: coin
Date: 1590 – 1598
Materials: copper
Techniques: striking
Location: dordrecht

Koperen munt. Voorzijde: binnen lauwerkrans in drie regels opschrift HOL/LAN/DIA. Keerzijde: Hollandse maagd met opgestoken rechterarm, zittend in een tuin met gesloten omheining.
Constantijn Huygens
Object type: drawing and watercolor
Materials: charcoal, paper
Location: belgium
Artist: after anthony van dyck
Blad met vier portretten van studenten
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, paint, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Inscriptions: inscription: ‘Etudiants Heidelberg’

De petten en sjerpen zijn gekleurd met gele verf.
Montbars
Object type: photomechanical print
Date: 1873 – 1880
Materials: paper
Techniques: woodburytype
Artist: ferdinand mulnier
Artist role: painter
Artist dates: 1817 – 1891
Subjects: historical persons, portrait of actor, actress
Vue de la chute du torrent de Gelten
Object type: print
Date: 1785 – 1785
Techniques: aquatint, engraving, etching
Artist: charles melchior descourtis
Artist role: artist
Artist nationality: french
Artist dates: 1753 – 1820
Hammered Silver Petal Ornament
Object type: ornament
Date: 701 – 1466
Materials: gilt, silver
Techniques: hammering
Culture: peruvian
Location: peru
Almanak van den Delftschen Studentenbond voor 1901
Object type: book
Date: 1900 – 1900
Materials: paper, cardboard, linen
Techniques: letterpress printing
Location: the hague
Artist: frederik joseph cohen belinfante
Artist role: boekdrukker
Artist dates: 1843 – 1910
Inscriptions: inscription: ‘Spoorwegen 25,-/ opl. ± 100/ stuks’
Portret van Frederik Ulrich van Brunswijk-Wolfenbüttel
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: engraving, etching
Location: france
Artist: Anonymous
Subjects: armour, historical persons
Inscriptions: number: ‘+20’
Kind bij een kanon
Object type: print
Date: 1618 – 1655
Materials: paper
Techniques: etching
Artist: cornelis schut (i)
Artist role: draughtsman, print maker
Artist dates: 1597 – 1655
Subjects: child, firearms: cannon
Inscriptions: collector's mark: Lugt 240

Een kind vuurt een kanon af. Het heeft een lont in de hand. Rechts op de voorgrond een stapel kanonskogels.
Hendrik Conscience op zijn doodsbed
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: etching
Artist: piet verhaert
Artist role: print maker
Artist dates: 1852 – 1908
Subjects: deathbed, historical persons, beard, lying in state
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1ste staat’
Goddess Uma, Consort of Shiva
Object type: sculpture
Materials: bronze
Location: tamil nadu
Subjects: goddesses
Europe
Object type: sculpture
Date: 1670 – 1700
Materials: ivory
Techniques: cutting
Subjects: europe represented allegorically; 'europa' (ripa)

Europe and Africa. Ivory, Netherlands, c. 1660.
A Short History of General Nathan B. Forrest, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: cannons,men,portraits,flags,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Easel
Object type: easel
Date: 1890 – 1890
Materials: wood
Culture: american
Location: united states
Hercules
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: engraving, etching
Artist: george andries karsen
Artist role: print maker
Artist dates: 1843 – 1912
Subjects: (story of) hercules (heracles)
Inscriptions: inscription: ‘G.A. Karsen 12 Maart 1860’

Afbeelding van een standbeeld van Hercules met een kind op zijn arm en een leeuwenvel over zijn schouder.
Portret van een gezin met zes kinderen
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: adolescent, young woman, maiden, sideburns, belt, girdle, waistband, family group, especially parents with their child(ren), child, historical persons, styles of hairdress - aa - ~ women, family, relationship, descent, shoes, sandals, dress, gown, tot, toddler ~ the ages of man, netherlands

Onderdeel van Familiealbum van H.W.F. Ligtenberg en L.M. Swart met 149 foto's en cartes-de-visite.
Huismunt van de kolo9nies Rijkevorsel en Merksplas ter waarde van vijf cent
Object type: huismunt prison money
Date: 1823 – 1839
Materials: zinc
Techniques: striking
Location: brussels
Artist: Anonymous

Zinken munt. Voorzijde: monogram van letters R en M boven merktekentje. Keerzijde: waardeaanduiding.
Crossing the Sumida River on New Year's Day
Object type: print
Date: 1830 – 1839
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Fragment of a terracotta neck-amphora (jar)
Object type: neck amphora fragment
Date: 600 – 501
Materials: terracotta
Culture: greek, east, clazomenian
Subjects: sphinx

Sphinx The use of white dots for articulation is characteristic of Clazomenian vase-painting.
Lotus-Shaped Plaque
Object type: foundation deposit, plaque, lotus, lily, ramesses iv
Date: 1153 – 1147
Materials: faience
Location: egypt

Ramesses IV initiated several building projects and sent large expeditions to mining regions and quarries early on in his reign. His plans and ambitions were cut short by his death in the sixth year of his reign, but he had been able to complete and decorate his tomb in the Valley of the Kings. He also began work on a gigantic processional temple in Thebes, in which a number of intact foundation deposits were found with literally hundreds of plaques and other objects, like this lotus or lily-shaped plaque.
Mary, Queen of Scots
Object type: print
Techniques: engraving
Location: england
Artist: thomas kelly
Artist role: publisher
Artist nationality: british
Artist dates: 1800 – 1850
Subjects: queens,portraits,women,mary queen of scots
Kaart van Nederlands Oostindische bezittingen
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: daniël veelwaard (ii)
Artist role: print maker
Artist dates: 1796 – 1868
Subjects: maps of separate countries or regions, dutch east indies, the
Inscriptions: collector's mark: Lugt 2228
Landbouwwerktuig van de Eureka Mower Co. te Utrica
Object type: photograph
Date: 1915 – 1915
Materials: paper
Techniques: gelatin silver print
Location: utica
Artist: lewis
Artist role: fotograaf
Subjects: agricultural implements

Foto op twintigste ongenummerde pagina na voorplat.
Bronze needle
Object type: needle
Date: 2000 – 1001
Materials: bronze
Culture: minoan
Armchair (one of a pair)
Object type: armchair
Date: 1760 – 1760
Materials: wood, velvet
Techniques: carving, gilding
Artist: louis i cresson
Artist role: maker
Artist nationality: french
Artist dates: 1706 – 1761

Armchairs with a flat (rather than a curved) back were known as « fauteuils à la reine » for the French Queen Marie Leszczynska (1703–1768) who allegedly favored them during the mid-eighteenth century. They are part of the same set as the two bergères (1971.206.5 and 1971.206.6) also in the Met’s collection. In contrast to the bergères, however, intended to be used in the center of the room, these armchairs were most likely placed against the paneling (meublant) and considered as part of the wall decoration. Made around 1760, these chairs bear the mark L.CRESSON underneath their frames which probably refers to the joiner (menuisier) Louis I Cresson. It is difficult, however, to attribute this stamp with certainty to a particular member of the Cresson family since ten of them were masters of the Parisian Corporation des Menuisiers-Ébénistes (Parisian guild of furniture makers) in the eighteenth century, four of whom were called Louis. Famous in Paris, Louis I Cresson’s workshop was called « L’image de Saint-Louis ». Among his prestigious clients were the Prince of Condé and the Duke of Orléans. Executed in the rococo style, his chairs are known for their gilded frames in beechwood carved with flowers and leaf motifs. With their fine and elegant decoration, this pair of chairs is emblematic of Cresson’s work.
Begraeffenisse van syne hoogheyt Frederick Henrick. Luxe ingekleurde uitgave van de prenten van de begrafenisstoet van Frederik Hendrik in 1647
Object type: book
Date: 1651 – 1651
Materials: paint, paper
Techniques: colour, etching
Location: amsterdam
Subjects: delft, the hague, frederick henry (prince of orange)

De begrafenisstoet van Frederik Hendrik, plaat nr. 12. Ingekleurde prent in een omlijsting versierd met goud en ingeplakt in de luxe editie uit ca. 1755 van het boek 'Begraeffenisse van syne hoogheyt Frederick Henrick' van Pieter Post, uitgegeven te Amsterdam in 1651.
Fotoreproductie van een schilderij van een stilleven van een patrijs
Object type: page
Date: 1879 – 1879
Materials: photographic support
Techniques: albumen print
Location: cologne
Subjects: walker and runner birds: partridge
Inscriptions: inscription: ‘Collection NEVEN/ Weenix (Jean).’
Ontwerp voor een gedenkpenning voor Hendrik Gravé
Object type: photomechanical print
Date: 1900 – 1940
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: amsterdam, commander-in-chief, general, marshal, historical persons, memorial medal

Tekst in het Nederlands in de ondermarge.
Dodelijke val van Willem III van zijn paard, 4 maart 1702
Object type: drawing
Date: 1792 – 1794
Materials: ink, paper
Techniques: brush, pen
Location: northern netherlands
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), death by accident (non-violent death), hunting accidents, dying from the effects of a fall, england

Op 4 maart 1702, tijdens een jachtpartij in de buurt van Londen, kwam de koning-stadhouder ten val doordat zijn paard struikelde. Twee weken later overleed de prins in een Londens paleis. Ontwerptekening voor illustratie in: Jacobus Kok, Vaderlandsch Woordenboek, Johannes Allart, Amsterdam 1785-1799, 35 delen, dl. XXXII, pl. I.
Gezicht op een kasteel met afgebrande kerk, vermoedelijk te Schotland
Object type: photograph
Date: 1899 – 1899
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: landscape with tower or castle
Inscriptions: annotation: ‘1899’