deem-data/ArtiFact huggingface dataset:
Christ Bearing the Cross
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: men,christ,cross
Twee gebarende naakte mannen
Object type: print
Date: 1510 – 1527
Materials: paper
Techniques: engraving
Artist: marcantonio raimondi
Artist role: print maker
Artist dates: 1470 – 1534
Subjects: the (nude) human figure; 'corpo humano' (ripa), male sex; man
Inscriptions: collector's mark: Lugt 12
Silver kylix (drinking cup)
Object type: kylix
Date: 334 – 235
Materials: silver
Culture: greek

Inscribed on underside of bowl, within foot; re-curved loop handles.
Courtesans of the Shin Kanaya, from the series "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 2
Object type: print
Date: 1776 – 1776
Techniques: woodblock print, cutting
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Kris with Sheath
Object type: kris with sheath
Date: 1701 – 1900
Materials: ivory, silver, steel, wood
Culture: madurese
Location: indonesia
Envelop aan Geertruid de Graaff
Object type: envelope
Date: 1812 – 1899
Materials: ink, paper, pencil
Techniques: pen, writing
Artist: Anonymous
Subjects: venlo, boekbinder, geertruid de graaff
Inscriptions: collector's mark: ‘RPK’
Duitse dog Hidalgo die een tweede prijs heeft gewonnen op de Internationale Ausstellung von Jagd und Luxus Hunden in 1891
Object type: photomechanical print
Date: 1891 – 1891
Materials: paper
Techniques: photograph
Location: frankfurt am main
Subjects: dog
Inscriptions: inscription: ‘II. Preis. Hidalgo-Doos. Besitzer : B. Ulrich, Doos.’, number: ‘Cat.-No. 734.’
Toren van de Oosterkerk te Hoorn
Object type: photograph
Date: 1893 – 1893
Materials: cardboard, photographic support
Techniques: albumen print
Location: hoorn
Subjects: church (exterior), tower (of house or building)
Inscriptions: annotation: ‘St. Anthonius of Oosterkerk/ Toren op snijding van het schip en transept/ Nov. 1893/ Hoorn’, annotation: ‘Hoorn/ Toren op snijding van schip en transept/ Oosterkerk/ Nov. 1893’
Batakkvrouwen (boven), Rijst stampende Batakkvrouwen (onder)
Object type: photomechanical print
Materials: paper
Techniques: photoaquatint
Location: munich
Subjects: adolescent, young woman, maiden, adult woman, sumatra
Inscriptions: number: ‘51’

Onderdeel van Album met heliogravures van Sumatra's oostkust.
Dieren met hun sporen
Object type: print
Date: 1751 – 1751
Materials: paper
Techniques: etching
Location: augsburg
Artist: johann elias ridinger
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1698 – 1767
Subjects: foot-print, track, hoofed animals: boar, forest, wood, hunt ~ mammals
Inscriptions: collector's mark: Lugt 2228
Box with Lid
Object type: box with lid
Date: 1801 – 1900
Materials: board, paste, varnish
Techniques: lacquer, painting
Location: iran
Drie putti met het wapen van het huis van Savoye
Object type: drawing
Date: 1667 – 1705
Materials: chalk, paper
Techniques: brush
Subjects: cupids: 'amores', 'amoretti', 'putti', coat of arms (as symbol of the state, etc.) (+ province; provincial)
Two Birds and Bamboo Plant
Object type: album leaf
Date: 1368 – 1911
Materials: ink, silk
Techniques: painting
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: birds,bamboo
Portret van Jan van den Tempel
Object type: print
Date: 1929 – 1929
Materials: paper
Techniques: woodcut
Artist: meijer bleekrode
Artist role: draughtsman, painter, print maker
Artist dates: 1896 – 1943
Subjects: politician, politician, e.g. party leader, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: Lugt 2228

Portret van SDAP-Tweede Kamerlid Jan van den Tempel.
Le delicie della Brenta
Object type: print
Date: 1750 – 1760
Materials: paper
Techniques: etching
Location: venice
Artist: giovanni francesco costa
Artist role: draughtsman, painter, print maker
Artist dates:  – 1773
Subjects: river, garden, hôtel, i.e. small palace in city

Gezicht op Palazzo delli N: N: H: H: Pisan en bijbehorende tuin aan de rivier de Brenta. Op het water vaart een trekschuit. Genummerd midden onder: XL en rechtsonder: Tom: II. Deze prent maakt deel uit van een album.
Clock-watch
Object type: clock watch
Date: 1720 – 1740
Materials: enamel, silver
Artist: gabriel tallans
Artist role: maker
Artist nationality: swiss
Artist dates: 1675 – 1775
Subjects: men,owls,trees
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, legs and drapery of male to left
Chest
Object type: decorative art
Date: 1301 – 1400
Materials: iron, wood
Culture: german
Location: alsace-lorraine
Subjects: furniture
String of 13 beads
Object type: bead, string
Materials: glass, stone
Location: egypt
Blad met bloemenmotieven over geometrisch meanderpatroon (één van drie identieke bladen)
Object type: decorated paper
Date: 1850 – 1950
Materials: paper, gold leaf, paint
Techniques: printing block
Location: japan
Artist: Anonymous
Subjects: ornament ~ meander, ornament derived from plant forms
Terracotta fragment of a stamnos (jar)
Object type: stamnos fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Three ribbed fronds of a palmette; part of the egg pattern, with dots at the interstices, from the handle attachment; start of handle root
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of left upper torso of male
Dish
Object type: dish
Date: 1501 – 1550
Materials: earthenware
Techniques: luster painting, glazing
Subjects: flowers,insignia

Tin-glazed earthenware, of which lusterware is one type, was developed in the Middle East in the ninth and tenth centuries to imitate the porcelains produced in China. The opaque white glaze concealed the clay body, which could range from pale buff to brick red, allowing for brilliant effects created by painting the white surface with metal oxides that fired to a range of colors. This technique, as well as the use of metallic luster—an iridescent, coppery painted glaze—spread throughout the Muslim world, arriving among the potters of Valencia in the thirteenth century. The so-called Hispano-Moresque lusterware, with its fusion of Islamic and Gothic styles and motifs, often in shaped imitating those of metal vessels, was treasured by the elite in Spain during the fifteenth century and exported to the courts of Europe. The Valencian industry declined in the late sixteenth century, as colorful Italian Renaissance maiolica gained in popularity among the fashionable and as Spanish centers were founded to produce versions of its pictorial forms. Adding to this decline was the expulsion from Valencia in 1609 of all the remaining Moriscos (Muslims converted to Christianity), though Christian potters reestablished the industry shortly thereafter.
Cup
Object type: cup
Date: 1767 – 1800
Materials: hard paste porcelain
Artist: la courtille
Artist role: factory
Artist nationality: french
Artist dates: 1771 – 1840
Subjects: men,women,dogs
Portret van Peter Hieronymus Frisch
Object type: print
Date: 1655 – 1677
Materials: paper
Techniques: etching
Location: nuremberg
Artist: stephan strauch
Artist role: painter, print maker
Artist dates: 1645 – 1677
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, part of line border of tondo; Exterior, on the left, fillet with tassels; to the right, calf and drapery of figure to left
De Opgaande Trap der Grooten
Object type: print
Date: 1690 – 1710
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Subjects: death dancing with more than one human being, death as skeleton, the ages of man represented by a staircase

Trap der groten. Opgaande trap waarop de wereldlijke en geestelijke rangen en standen staan, vanaf het spelend kind, boer en burger onderaan tot aan de paus, keizer en koning bovenaan. In het midden onderaan richt de Dood zijn kruisboog op de beschouwer, rechts een nar. Tussen de bogen doorkijkjes op oorlog ter land en ter zee. Op het blad onder de plaat verzen behorend bij de rangen en standen genummerd 1-16 in het Nederlands.
Portret van een vrouw met lorgnet
Object type: carte de visite
Date: 1883 – 1887
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: eyeglasses, spectacles, historical persons - bb - woman
Inscriptions: inscription: ‘Anno./ No 9806av./ De plaat blijft bewaard, gelieve bij/ bestelling dit Nummer op te geven./ Albert Greiner/ Photograaf van wijlen Z.M. den Koning Willem III/ en van H.M. de Koningin Weduwe./ BEKROOND/ te/ Paris 1878/ Amsterdam 1877/ Arnhem 1879/ Amsterdam 1883/ Amsterdam/ Nieuwendijk No 89./ SPECIALITEIT IN VERGROOTINGEN.’
De Comediant
Object type: print
Date: 1719 – 1759
Materials: paper
Techniques: etching, letterpress printing
Artist: Anonymous
Subjects: comedy
Inscriptions: collector's mark: Lugt 1641, stamp

Prent met andere letterzetting gebruikt in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Janssoons van Waesberge, 1719, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman de Jonge, 1741, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman, 1759, dl. 2. Huidige prent uit een andere editie. Naar een prent van: Jan Luyken.
Hemelvaart van Christus
Object type: print
Date: 1608 – 1611
Materials: paper
Techniques: engraving
Location: rome
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: christ ascends into heaven; apostles (and mary) beneath
Inscriptions: collector's mark: Lugt 240

Christus rijst in een wolk met engelen ten hemel, terwijl de apostelen, Maria, Maria Magdalena en nog twee heilige vrouwen op aarde knielen. Deze prent is onderdeel van (de tweede staat van) een serie van 29 voorstellingen van schilderijen en sculpturen in kerken te Rome, genummerd 1-16 en 1-13. (De eerste staat van deze serie, waarin de prenten ongenummerd zijn, behelst ook een titelprent).
Uittocht van het Spaanse garnizoen uit Breda (plaat 3), 1637
Object type: print
Date: 1637 – 1637
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: delft, the hague, frederick henry (prince of orange), retreat of the defeated

De uittocht van het Spaanse garnizoen uit Breda na de verovering door het Staatse leger onder Frederik Hendrik, 10 oktober 1637. Derde blad uit een ongemonteerd ensemble van vier bladen (waarvan slechts drie aanwezig). In de stoet soldaten, monniken en de gouverneur van Breda in een wagen. Op de achtergrond een deel van de stoet met kanonnen en legervoorraden.
Allegorie op de dichtkunst
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: symbolic representations, allegories and emblems ~ poetry; 'poesia' (ripa), cupids: 'amores', 'amoretti', 'putti', angels
Inscriptions: collector's mark: Lugt 240

Onder een boom bespeelt een vrouwelijk personificatie van de Poëzie een lier. Ze wordt door een engel gekroond. Op de voorgrond twee geknielde putti met een schaal bloemen.
Breastplate from an Armor of Francesco Maria II della Rovere (1548–1631), Duke of Urbino
Object type: breastplate
Date: 1570 – 1570
Materials: gold, steel
Culture: italian
Location: italy

This breastplate belongs to an armor made for Francesco Maria II della Rovere (1548–1631), duke of Urbino from 1574. The armor is represented in a portrait of the prince painted by Federico Barocci soon after Francesco Maria returned to Urbino following his participation in the destruction of the Turkish fleet at the battle of Lepanto in October 1571. It is not known if Francesco Maria wore this armor during the battle or if he had it made afterward to celebrate his role in this historic victory. The heavy weight of the breastplate suggests that it was intended for battlefield use. The Barocci portrait depicts the prince wearing an infantry armor, which includes an open-faced helmet (burgonet) and a shield. However, the breastplate has a turning-pin at the top for the attachment of a reinforcing breastplate fitted for a lance-rest (now in the Musée de l'Armée, Paris). This indicates that the armor was intended for cavalry use as well and originally would have included a close-helmet and leg defenses.
Sketch of a Standing Male Figure Wearing a Cape
Object type: drawing
Date: 1800 – 1900
Materials: chalk
Techniques: pen
Artist: anonymous, italian, early 19th century
Artist role: artist
Artist nationality: italian
Artist dates: 1800 – 1825
Subjects: men
Cart #3716
Object type: drawing
Date: 1881 – 1881
Materials: gouache, gum arabic, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Benjamin Lindner
Object type: print
Date: 1754 – 1779
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: martin tyroff
Artist role: print maker, publisher
Artist dates: 1704 – 1779
Subjects: bookshelves, historical persons
Inscriptions: number: ‘835’, collector's mark: Lugt 2228
Beleg van Geertruidenberg door Prins Maurits 1593
Object type: history medal
Date: 1593 – 1593
Materials: silver
Techniques: striking

Zilveren penning, op de voorzijde de plattegrond van het belegerde Geertruidenberg, met omschrift, op de keerzijde zeven regels tekst in een versierde rechthoek
Glass square bottle
Object type: bottle, square
Materials: glass
Culture: roman

Translucent blue green; handle in same color. Rim folded out, down, round and in, with broad, flattened upper surface; cylindrical neck, with slight horizontal tooling marks around the base; slightly indented horizontal shoulder with rounded corners; square body with flat sides slightly tapering downward; flat bottom; broad strap handle, combed at base, applied as a long pad to edge of shoulder, drawn up vertically, then bent in and down, and attached to neck with upward trail. On bottom, pattern in relief from base mold, comprising a circle enclosing three large letters with serifs (N A E, but with N written in retrograde). Complete except for a chip in handle at base with cracks across handle and in one side of body; many pinprick and some larger bubbles, with one very large weathered bubble on inside of neck and shoulder, rim streaked with black impurities, and a few glassy impurities; slight dulling and pitting, thin patches of weathering, and faint iridescence. Rectangular jug with circular neck, of bluish-green glass, mark on bottom.
A Winter Landscape with Ice Skaters and an Imaginary Castle
Object type: painting
Date: 1615 – 1620
Materials: oil, wood
Artist: christoffel van den berghe
Artist role: artist
Artist nationality: dutch
Artist dates: 1590 – 1628
Subjects: castles,men,women,skating,winter
Two Boys Sleeping Besides a Tree
Object type: print
Date: 1750 – 1760
Techniques: etching
Artist: marie jeanne boucher
Artist role: artist
Artist nationality: french
Artist dates: 1716 – 1785
Subjects: sleeping,boys
"Pleasures of Summer"
Object type: furnishing textile
Date: 1815 – 1825
Materials: cotton
Subjects: buildings,men,women,horses,summer
Straat met figuren
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: asiatic races and peoples, street (+ city(-scape) with figures, staffage)

Pagina 56 uit een schetsboek met 67 bladen.
Studies van menselijke anatomie
Object type: drawing
Date: 1874 – 1945
Materials: ink, paper, pencil
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: spine, (human) skull, bones in general (human body)
De kleinen en hun vriendjes
Object type: popular print
Date: 1874 – 1874
Materials: paper
Techniques: colour, letterpress printing, lithograph
Location: amsterdam
Artist: Anonymous
Subjects: animals, child, child playing with animals
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van kinderen die met dieren spelen. Onder elke afbeelding een vierregelig vers in twee kolommen. Genummerd rechtsboven: No. 43.
Yachtclub, Rotterdam
Object type: stereograph
Date: 1873 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: rotterdam
Artist: Anonymous
Subjects: urban housing, quay
Het afloopen van een schip
Object type: stereograph
Date: 1902 – 1902
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: launching a ship
Inscriptions: inscription: ‘F.4.’, number: ‘4.’, inscription: ‘De "Hertog Hendrik" (...) No. 3.’
Terracotta fragment of a skyphos (deep drinking cup)?
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Portret van Cristóbal de Mondragón y Otalora
Object type: book illustration
Date: 1786 – 1786
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: antwerp, armour
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als illustratie in: Meteren, Emanuel van. Oorlogen en geschiedenissen der Nederlanderen en derzelver nabuuren, deel II, p. 229. Amsterdam: Steven Jacobus Baalde, 1786.
Kalender 1905 12 lithografien door Th. v. Hoytema
Object type: calendar leaf
Date: 1904 – 1904
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: walker and runner birds: pheasant, may ~ other concepts
Inscriptions: collector's mark: Lugt 2228
Mary Magdalen Annointing the Feet of Christ
Object type: drawing
Date: 1570 – 1573
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Artist: raffaellino da reggio (raffaello motta)
Artist role: artist
Artist nationality: italian
Artist dates: 1545 – 1578
Subjects: christ,mary magdalene
t'Huys te Lovensteyn
Object type: print
Date: 1619 – 1621
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: delft, hugo de groot, hoorn (north holland), castle, imprisonment, loevestein castle
Inscriptions: inscription: ‘33’

Gezicht op Slot Loevestein. Rombout Hogerbeets en Hugo de Groot waren beiden op 18 mei 1619 tot levenslange opsluiting in het kasteel veroordeeld. Linksboven het wapen van Holland, rechtsboven dat van Maurits van Oranje. Links de aankomst van de gevangenen begeleid door soldaten. In de verte de steden Woudrichem en Gorinchem. Onderaan twee portretten van de veroordeelden en een tweede gezicht op Loevestein met een korte beschrijving van gebeurtenis.
Gold earrings with pendant vase and ring
Object type: earring with rosette and amphora pendant
Date: 400 – 301
Materials: gold
Culture: etruscan

Amphora shaped pendant enclosed in a ring.
Samurai Admiring Pine-Tree and Plum Blossoms
Object type: print
Date: 1750 – 1835
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: human figures,houses,samurai
Avarice is the Root of all Evil, from Litis Abusus (The Abuses of the Law)
Object type: print
Date: 1576 – 1576
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered within image: "Meum / Tuum / Opinio / Lis / Testamenta / Cupido caecus" and below image: "Waenrecht hartneckichk duister testment ... die menschen ins verderben."
Bust Portrait of a Man with a Beard
Object type: print
Date: 1776 – 1802
Materials: chalk
Artist: gilles-antoine demarteau
Artist role: artist
Artist nationality: french
Artist dates: 1756 – 1802
Subjects: men,portraits,profiles
Grazende stier
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: etching
Location: netherlands
Artist: pieter gerardus van os
Artist role: draughtsman, painter, print maker
Artist dates: 1776 – 1839
Subjects: bull
Inscriptions: collector's mark: Lugt 2166
Brief aan de heer van Herpen
Object type: letter
Date: 1922 – 1922
Materials: ink, paper
Techniques: pen, writing
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: willem bogtman, applied arts, arts and crafts; industrial design
Inscriptions: watermark

Brief gedateerd 12 augustus 1922 in latere hand.
Chinese goddess in a temple on Nan'ao
Object type: print
Date: 1644 – 1646
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: mayor, statues, paintings, etc. ~ objects of worship (traditional chinese religions), altar ~ traditional chinese religions, landscapes in tropical and sub-tropical regions, exploration, expedition, voyage of discovery, china

Gebruikt als illustratie: Historisch Verhael Vande treffelijcke Reyse, gedaen naer de Oost-Indien ende China, met elf Schepen. Door den Manhaften Admirael Cornelis Matelief de Jonge. Inden Jaren 1605. 1606. 1607. ende 1608. Deze tekst opgenomen in : I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: No. 9.
Schoengesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: shoe buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Buckle, chape buckle, shoe buckle; ring, plain.