deem-data/ArtiFact huggingface dataset:
Gezicht op het Winterpaleis in Sint-Petersburg
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: berlin
Artist: louis gothe
Artist role: fotograaf
Subjects: palace
Inscriptions: number: ‘13.’, inscription: ‘Ansichten von St. Petersburg.’
Grazende koeien langs de Bure
Object type: page
Date: 1886 – 1891
Materials: paper
Techniques: photograph
Location: norfolk
Artist: john payne jennings
Artist role: fotograaf
Artist dates: 1843 – 1926
Subjects: cow, river
Teapot
Object type: teapot
Date: 1740 – 1740
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds,butterflies,roses
Landaulet #903
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Schouwburg van den Oorlog, Beginnende van Koning Karel den II. Tot op Koning Karel den III. Bestaande in IX. Historische Figuren op een Olifants Blad, als Veldslagen, Belegeringen te Water en te Lande, met de voornaamste Vestingen (...)
Object type: book illustration
Date: 1706 – 1727
Materials: paper
Techniques: etching
Location: amsterdam
Artist: pieter schenk (i)
Artist role: print maker
Artist dates: 1660 – 1711
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2228

Afbeelding op blad IV uit een van de edities van: Schouwburg van den Oorlog, Beginnende van Koning Karel den II. Tot op Koning Karel den III. Bestaande in IX. Historische Figuren op een Olifants Blad, als Veldslagen, Belegeringen te Water en te Lande, met de voornaamste Vestingen (...) / Theatrum Bellicum, incipiens a Carolo II. Hispaniarum Rege ad Carolum III. 1706-1727.
Leeuw op rechthoekig geprofileerd voetstuk
Object type: decoratief object
Date: 1740 – 1770
Materials: earthenware, glaze

Beeld van ongedecoreerde faience. Op een rechthoekig geprofileerd voetstuk zit een tempelleeuw met zijn staart over zijn rug geslagen. De leeuw heeft zijn kop naar rechts gewend.
Naval battle with ruined ship and smoking battlements, from "Italian landscapes" (Diverse vedute designate in Fiorenza / Paysages italiens)
Object type: print
Date: 1618 – 1635
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: boats,ships

This print is from a series of twelve entitled “Diverse vedute designate in Fiorenza / Paysages Italiens” (Different views of Italian Landscapes designed in Florence) that has generally been attributed to Jacques Callot’s apprentice, François Collignon. The set was first published after 1630 by Israël Henriet, whose name appears on these prints. But the date of the execution of the plates themselves, and indeed their attribution to Callot, has been called into question. Callot may have designed the landscapes while he was in Italy, but it is also possible that the drawings were made and etched by French artist Israel Silvestre after Callot’s death, based on ideas found in drawings in the possession of Henriet. The uncertainty surrounding the prints’ attribution demonstrates Callot’s fame and the popularity of his work during the seventeenth century.
Fotoreproductie van een schilderij, voorstellende Christus in de Hof van Getsemane
Object type: photograph
Date: 1868 – 1873
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: christ's prayer in the garden of gethsemane during the night
Castel Fusano—Near Rome
Object type: watercolor
Date: 1885 – 1885
Materials: gouache, graphite, watercolor, paper
Culture: american
Artist: william stanley haseltine
Artist role: artist
Artist nationality: american
Artist dates: 1835 – 1900
Subjects: landscapes
The Campaign of the Emperor Maximilian
Object type: roundel
Date: 1515 – 1515
Materials: glass
Artist: jörg breu the elder
Artist role: designer
Artist nationality: german
Artist dates: 1480 – 1537
Subjects: firearms,men,flags
Hofmakerij tussen elegant paar
Object type: design
Date: 1832 – 1891
Materials: paper, pencil
Techniques: brush
Artist: herman frederik carel ten kate
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1891
Inscriptions: inscription: ‘A’

Boekillustratie voor roman uitgegeven door A.C. Kruseman te Haarlem, no.A (?)
Jong paar in een bos
Object type: drawing
Date: 1834 – 1866
Materials: paper, pencil
Artist: jacobus van koningsveld
Artist role: draughtsman
Artist dates: 1824 – 1866
Subjects: lovers' meeting, forest, wood (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Het paar wordt op het bospad gevolgd door een jongeman die met de armen over elkaar loopt.
Galerie historique, collection de 200 portraits
Object type: print
Date: 1839 – 1839
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: paris
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Fliniaux, Adolphe. Galerie historique. Collection de 200 portraits des personnages les plus célèbres de l'histoire moderne (...). Parijs: Bénard, 1839.
Specvlvm Virginitatis
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: representation of wise virgin(s), adult christ with mary
Inscriptions: collector's mark: Lugt 2228

Christus en Maria verschijnen aan de vijf wijze maagden. De maagden hebben allen hun olielamp in de hand. In de marge een zesregelig gedicht, in drie kolommen, in het Nederlands.
Wijnkopersgilde van Utrecht, gildepenning van Nicolaas Vreem
Object type: medal
Date: 1650 – 1650
Materials: copper
Techniques: engraving, striking
Location: utrecht
Artist: Anonymous
Subjects: utrecht
Weerzien tussen vader en gezin
Object type: print
Date: 1867 – 1884
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: albertus barend hendrik braakensiek
Artist role: print maker
Artist dates: 1841 – 1884
Subjects: spinning-wheel, family life at home, recognizing
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een vader staat te midden van zijn vrouw en kinderen. Hij tilt een van de jongste kinderen op tot bij zijn gezicht, de andere kinderen staan juichend om hem heen. In de kamer staan een spinnewiel, een wieg en een open haard met borden op de schoorsteenmantel.
Portret van een zittende vrouw met een baby in doopjurk op schoot
Object type: photograph
Date: 1895 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: bremen
Artist: th. siebert
Artist role: fotograaf
Subjects: sitting figure - aa - female human figure, historical persons - bb - woman, baptism, christening gown, infant, baby ~ the ages of man
Inscriptions: inscription: ‘Atelier für moderne/ künstlerische Fotografie/ Th. Siebert/ BREMEN. Fehrfeld 61./ Platte bleibt für/ Vergrösserungen u./ Nachbestellungen/ aufbewahrt.’
New building of the army and navy, Y.M.C.A., Cristobal, Canal zone
Object type: ansichtkaart, prentbriefkaart
Date: 1920 – 1940
Materials: cardboard, paper
Techniques: autotype
Artist: Anonymous
Subjects: exterior ~ representation of a building
Inscriptions: number: ‘248b’

Onderdeel van Album met foto's van spoorwegen in Nederlands-Indië en prentbriefkaarten.
Ixion op het rad
Object type: book illustration
Date: 1655 – 1700
Materials: paper
Techniques: engraving
Location: paris
Subjects: ixion on a burning wheel
Inscriptions: collector's mark: Lugt 2228

Ixion heeft zijn schoonvader vermoord en ondergaat zijn straf in de Hades. Voor straf werd hij op een vurig, altijd brandend wiel gebonden. Het wiel wordt draaiende gehouden door centauren. Met een vers in het Latijn.
Deep dish (part of a service)
Object type: dish
Date: 1760 – 1770
Materials: hard paste porcelain
Subjects: flowers
Pellet Crossbow
Object type: arm
Date: 1570 – 1600
Materials: gold, hemp, iron, steel
Culture: french or italian
Location: france
Cupid with Weapons of Mars
Object type: print
Date: 1547 – 1562
Techniques: engraving
Artist: adamo scultori
Artist role: artist
Artist nationality: italian
Artist dates: 1530 – 1587
Subjects: arrows,helmets,shields,cupid

The union between Venus, goddess of love, and Mars, god of war, was often understood as emblematic of love's power to calm the aggressive spirit. In 'De rerum natura' (On the Nature of Things, 1.29–40) of 55 B.C., Lucretius called on Venus to seduce Mars and bring peace to the Romans. Scultori's image suggests that she has done so. While his parents are occupied, Cupid carries off the heavy shield and sword of Mars, ensuring love's victory over war.
Rank Badge with Crane
Object type: rank badge
Date: 1867 – 1900
Materials: silk
Culture: korean
Subjects: cranes
Woman with Female Servant in a Palace Garden
Object type: painting
Materials: ink, silk
Location: china
Artist: Anonymous
Fotoreproductie van een prent naar een portret van Karel I van Engeland door Anthony van Dyck
Object type: page
Date: 1864 – 1874
Materials: paper
Techniques: woodburytype
Location: london
Subjects: london, karel i (koning van engeland), ruler, sovereign, picture, painting
Eve with a Stag
Object type: print
Date: 1529 – 1529
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: deer,serpents,eve

Eve, standing at center and receiving the apple from the serpent at top right. In her left hand she hold a branch, which she uses to cover herself. Behind her, a seated stag, with its head at right center, and a bull, with its head at left center.
Big Chief, Ponca, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Trade cards from the "American Indian Chiefs" series (N36), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N36 reproduces the cards from N2 in a larger size.
Dish with Design of Seven Jars
Object type: dish
Date: 1700 – 1720
Materials: ceramic glaze, glaze, porcelain
Techniques: underglaze
Culture: japanese
Subjects: jars
Beakervase with women and flower pots in panels
Object type: vase
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: mark: ‘玉<BR />Yù’

Trompetvormige bekervaas van porselein, beschilderd in onderglazuur blauw. De wand is verdeeld in vier rijen met zeshoekige vakken met daarin afwisselend een vrouw (lange lijs) in een omheinde tuin en een bloemenvaas in een landschap. Gemerkt op de onderzijde met het karakter 'yù', jade, in een dubbele cirkel. Een barst in de rand. Onderdeel van een kaststel met nummer AK-RBK-16290. Blauw-wit.
[A.S. Howard Building Under Construction]
Object type: tintype
Date: 1885 – 1885
Techniques: tintype
Artist: Anonymous
Artist role: artist
Subjects: architecture,buildings,working
Gezicht op de haven van Genua
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: genoa
Artist: Anonymous
Subjects: harbour, city-view in general; 'veduta'
Inscriptions: inscription: ‘Genova - Panorama dalla Cada’
Gezicht op de piramides van Gizeh met op de voorgrond hotel 'Mena House'
Object type: photograph
Date: 1886 – 1898
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: gizeh
Subjects: pyramid (historical grave form), hotel, hostelry, inn
Inscriptions: negative number: ‘1434’

Onderdeel van Reisalbum met 80 foto's van Egypte.
Mask
Object type: mask
Materials: iron, lacquer
Culture: japanese
Location: japan
Artist: myōchin muneakira
Artist role: armorer
Artist nationality: japanese
Artist dates: 1673 – 1745
Subjects: masks
Card Number 121, Miss Sadie Martinot, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Poort van het Theatrum Anatomicum in de Waag op de Nieuwmarkt
Object type: photomechanical print
Date: 1907 – 1907
Materials: paper
Techniques: letterpress printing, line block
Subjects: weigh-house, amsterdam
Inscriptions: collector's mark: Lugt 1461b

Prent mogelijk uit: Wenckebach, Ludwig Willem Reymert. Oud-Amsterdam: 100 stadsgezichten. Amsterdam: Het Nieuws van de dag, 1907.
Self-portrait
Object type: print
Date: 1918 – 1918
Techniques: etching
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Subjects: men,self-portraits
Hood
Object type: hood
Date: 1591 – 1591
Materials: metal thread, silk
Studie voor Cimon en Pero
Object type: drawing
Date: 1616 – 1620
Materials: chalk, paper
Artist: guido reni
Artist role: draughtsman, painter, print maker
Artist dates: 1575 – 1642
Subjects: pero suckling cimon ('caritas romana')

Studie voor Cimon en Pero in een 'Caritas Romana'.
Portret van een vrouw
Object type: photograph
Date: 1868 – 1909
Materials: cardboard, photographic support
Techniques: albumen print
Location: leeuwarden
Artist: idanus hendrikus slaterus
Artist role: fotograaf
Artist dates: 1846 – 1921
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Photographie/ I. H. Slaterus/ Leeuwarden/ Weerd K. 13,/ hoek Bagÿnestraat.’
Rooster
Object type: sculpture
Materials: bronze
Culture: greek
Location: thessaly
Subjects: bird

These precious bronze objects are votives, or devotional gifts, which were offered to the gods. They come in many forms. Some are miniature sculptures of animals, primarily horses, deer, and birds. Others are items of personal adornment, including beads and brooches. Many seem once to have been attached to something else. This assemblage is characteristic of the thousands of votives that were hung from sacred trees or placed in sanctuaries around Greece. Once a shrine was full, the votives were ceremonially buried to make room for more offerings.
Interieurs van monumenten
Object type: print
Date: 1843 – 1848
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: interior of church
Inscriptions: collector's mark: Lugt 2228a
Alexander de Grote laat de werken van Homerus veilig opbergen
Object type: print
Date: 1515 – 1570
Materials: paper
Techniques: engraving
Location: rome
Artist: Anonymous
Subjects: (story of) alexander the great
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, watermark, number: ‘9’

Folio 9 uit het prentalbum van Johann Georg I. Zobel von Giebelstadt (1543-07-20 Röttingen - Bamberg 1580-09-07), de latere bisschop van Bamberg. Het album was vermoedelijk samengesteld tussen 1568 en 1570 in Venetië. Het werd in 1999 uit elkaar genomen door een antiquair. De in totaal 124 folio's met prenten uit het "Zobel Album", werden aangekocht door verschillende musea en privéverzamelingen. De grootste groep (68 folio's) bevindt zich in de collectie van het Rijksmuseum.

Spiegelbeeldige kopie naar een prent door Marcantonio Raimondi (RP-P-OB-12.125). Raimondi kopieërde de voorstelling van een tekening door Rafaël (Oxford, Ashmolean Museum, inv. nr.: WA1935.152), welke diende als een voorstudie voor het fresco door Rafaël op de noord wand van de Stanza della Segnatura (Stanze di Raffaello) in het Apostolisch paleis, deel van de Vaticaanse musea.
Washed Up Ships
Object type: drawing and watercolor
Date: 1864 – 1864
Materials: ink, paper
Techniques: pen
Location: france
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Inscriptions: Signed and dated lower left, in image, in pen and black ink: "rodolphe / Bresdin / 1864"

In addition to being an accomplished draughtsman, Bresdin was a proficient printmaker. In its intense detail, and with its clear tonal contrasts, this linear drawing recalls his etchings. Unlike many of his works, however, it bears a date and signature. A friend of writers and poets, Bresdin worked frequently as an illustrator. Although it does not seem that this work was destined for a particular project, much of his imagery borders on the fantastic. The buildings on the shoreline seem to lean with the mast of the larger ship. Above a spire, meanwhile, a flock of birds peppers the sky.
Bloemenvaas
Object type: print
Date: 1771 – 1816
Materials: paper
Techniques: etching, roulette
Location: haarlem
Subjects: flowers in a vase
Inscriptions: collector's mark: Lugt 2228

Een vaas met bloemen, waaronder pioenrozen. Op de plint ligt een rozentak.
Twee afbeeldingen van details van de San Marco in Venetië
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: photograph
Location: venice
Subjects: architectural detail, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘B.7.’, number: ‘B.8.’, number: ‘196’, number: ‘B.8’, number: ‘B.7’

Deze prenten maken deel uit van een omslag met 79 prenten op 53 bladen en 2 tekstbladen.
Scheermes van staal met het lemmet overlangs gebogen en een vatting van zwart bakeliet (?)
Object type: scheermes
Date: 1925 – 1925
Materials: bakelite, steel
Location: sheffield
Artist: Anonymous
Inscriptions: inscription: ‘'Warranted German/HOLLOW GROUD'’

Scheermes van staal. Model: knipmes, het lemmet overlangs gebogen. Vatting van zwart bakeliet (?) Op het mes: Warranted German/HOLLOW GROUD. In kartonnen foedraal met schuifdeksel, beplakt met zwart gegranuleerd papier.
Two-Handled Jar with Stag
Object type: jar
Materials: earthenware
Techniques: glazing
Culture: italian
Location: italy
Subjects: deer

A manuscript from the early 1400s gives a recipe for a "blue [pigment] raised in the Florentine manner," a likely reference to the striking cobalt-blue paint found on this jar and many others associated with Florentine potters. Sometimes called "relief blue," the paint is applied so thickly as to create a raised surface.
Relief met Bijbelse voorstelling
Object type: relief sculpture
Date: 1400 – 1500
Materials: bone
Techniques: cutting
Artist: Anonymous

Basrelief van been. Van boven driekantig verder vierkant. Voorstellende Christus aan het kruis tussen Maria en Johannes.
Cravat
Object type: cravat
Date: 1880 – 1889
Materials: silk
Culture: european
Ioram
Object type: print
Date: 1500 – 1599
Materials: paper
Techniques: engraving, intaglio
Location: italy
Artist: Anonymous
Subjects: story of jehoram (joram), son of ahab, king of israel
Inscriptions: collector's mark: Lugt 2228

Koning Joram van Israël staand in een landschap. Op zijn hoofd draagt hij een kroon en in zijn hand houdt hij een stok.
Wellhead
Object type: wellhead
Date: 25 – 220
Materials: terracotta
Culture: chinese
Subjects: roosters
Zegen by Hoogstad op de Fransen en Beyersen Door S.H. Marbourg en Pr. Eugenius van Savoyen verkreegen. 13. Aug. 1704
Object type: print
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: haarlem
Subjects: paris, vienna, eugenius van savoye, john churchill (1e hertog van marlborough), battle, fighting in general

Slag bij Höchstädt, bij Blenheim, in Beieren op 13 augustus 1704. Overwinning van de geallieerde troepen onder de hertog van Marlborough en de prins van Savoye, wier portretten bovenaan de voorstelling staan, op de Franse en Beierse troepen. In het onderschrift de legenda's 1-24 en A-z.
Socitiets tent in het Bosch / Tente de la Société au Bois
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: tone lithography
Subjects: brass band, street band, wood and park (as places of recreation), the hague
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

At the juncture of the neck and shoulder, a band of tongues; below, part of an ivy branch and part of a bent elbow of a draped figure?; part of the head of a woman to left
Blad met licht- en donkerbruine helften met uitgespaard ruitenmotief
Object type: decorated paper
Date: 1974 – 1984
Materials: paper, paint
Techniques: printing
Location: japan
Artist: Anonymous
Subjects: ornament ~ geometric motifs
Inscriptions: collector's mark: Lugt 2760
Gezicht op de klokkentoren van Ivan de Grote in het Kremlin te Moskou
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: moscow
Artist: Anonymous
Subjects: tower, clock tower ~ monumental adornment
Inscriptions: number: ‘6’, inscription: ‘Moscou, Tour Iwan Wilichi au Kremlin’
Art - Goût - Beauté, Feuillets de l' élégance féminine, Mai 1931, No. 129, 11e Année, p. 11
Object type: magazine
Date: 1931 – 1931
Materials: paper
Techniques: printing, photography
Location: paris
Subjects: dress, gown: evening dress (+ women's clothes), clothing for the upper part of the body (shawl) (+ women's clothes), lace (+ women's clothes), fashion plates

Vier vrouwen, van wie er twee dezelfde avondjurk dragen. Links: avondjurk van zwart kant geborduurd met kralen op een ondergrond van 'crêpe satin' "Bellita" A.G.B., van Worth. Midden: avondjurk van witte crêpe satin, van Jean Patou. Rechts: avondjurk van kant met bijpassende sjaal, van Premet. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Vest
Object type: vest
Date: 1880 – 1889
Materials: silk
Culture: american
Brooch with Assyrian human-headed winged bull
Object type: brooch
Date: 1850 – 1894
Materials: gold
Culture: british