deem-data/ArtiFact huggingface dataset:
Portret van de kardinaal-infant Ferdinand van Oostenrijk
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Artist: paulus pontius
Artist role: draughtsman, print maker
Artist dates: 1603 – 1658
Subjects: brussels, landvoogd der zuidelijke nederlanden ferdinand van oostenrijk
Inscriptions: collector's mark: Lugt 240
Schimmel in een wei
Object type: print
Date: 1747 – 1812
Materials: paper
Techniques: aquatint, etching
Location: the hague
Artist: tethart philip christian haag
Artist role: draughtsman, print maker
Artist dates: 1737 – 1812
Subjects: horse
Inscriptions: collector's mark: Lugt 2228
Fragment feestzaal. Kasteel de Haar
Object type: photograph
Date: 1900 – 1930
Materials: paper
Techniques: collodion silver print
Location: haarzuilens
Artist: Anonymous
Subjects: castle, interior of the house
Inscriptions: monogram: ‘EBvA’, monogram: ‘M.R.A. U.’
Cortile Centrale in Pentecoste
Object type: ansichtkaart, prentbriefkaart
Date: 1889 – 1910
Materials: cardboard
Techniques: photograph
Location: terni
Artist: Anonymous
Subjects: abbey, monastery, convent ~ roman catholic church, inner court of palace or 'hôtel'
Feestelijkheden bij het bezoek van Maria de' Medici aan Amsterdam in 1638
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: prague, francesco i de' medici, cologne, maria de' medici, ferdinand i van habsburg (duits keizer), 'tableau vivant', triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', blessing the married couple, (civil) marriage ceremonies, amsterdam

Prent ook gebruikt in:* Baerle, Caspar van. Medicea hospes, sive descriptio publicae gratulationis, qua Serenissimam, Augustissimamque Reginam, Mariam de Medicis (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1638. En in: Baerle, Caspar van. Marie de Medicis, entrant dans Amsterdam : ou, histoire de la reception faicte à la Reyne Mere du Roy tres-Chrestien (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1638. En in: Baerle, Caspar van en Joost van den Vondel. Blyde inkomst der allerdoorluchtighste koninginne, Maria de Medicis t' Amsterdam. Vertaelt uit het Latijn (…). Amsterdam: Johannes en Cornelis Willemsz. Blaeu, 1639.

* Doorgaans zijn de prenten in de bovengenoemde publicaties rechtsonder genummerd (van de huidige prent is dat de derde bekende staat). Maar er zijn ook exemplaren waarin eerdere, ongenummerde, staten van de prenten (van de huidige prent de eerste en tweede bekende staat) zijn ingebonden.
Three Children Among Clouds Carrying a Drapery
Object type: print
Date: 1738 – 1745
Techniques: engraving, etching
Artist: gabriel huquier
Artist role: artist
Artist nationality: french
Artist dates: 1695 – 1772
Subjects: children
Library Bookcase, from Chippendale Drawings, Vol. II
Object type: drawing ornament architecture
Date: 1753 – 1753
Materials: ink
Techniques: wash
Location: london
Artist: thomas chippendale
Artist role: artist
Artist nationality: british
Artist dates: 1718 – 1779
Subjects: cabinets

Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate LXVII in the 1754 and 1755 editions, renumbered as plate XCIII in the 1762 edition.
Engel wijst de drie vrouwen op het lege graf van Christus
Object type: print
Date: 1655 – 1699
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: angel(s) addressing the holy women ~ resurrection of christ
Inscriptions: collector's mark: Lugt 240
Terracotta shell
Object type: shell
Date: 2200 – 1050
Materials: clay
Culture: minoan
Subjects: shells

Pendant in the shape of a clay shell.
Erepoort aan de Haarlemmerpoort, 1816
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: antoni zürcher
Artist role: print maker
Artist dates: 1754 – 1837
Subjects: the hague, anna paulowna romanowa, william ii of the netherlands, public festivities on the occasion of royal events (+ decorated staff, portable structure ~ festive activities), triumphal arch, amsterdam
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Bruining, Gerbrand. Het verheugde Nederland, bij de aankomst van het te St. Petersburg gehuwde jeugdige vorstenpaar in de noordelijke en zuidelijke provinciën des Koningrijks, en de blijde geboorte der koninklijke telg uit dien heilvollen echt. Leiden: Leendert Herdingh en zoon, 1817.
Portret van Albrecht, aartshertog van Oostenrijk, in kardinaals gewaad
Object type: print
Date: 1597 – 1597
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: brussels, albrecht aartshertog van oostenrijk, globe, cupids: 'amores', 'amoretti', 'putti', star-globe
Inscriptions: collector's mark: Lugt 2228

Portret van Albrecht, aartshertog van Oostenrijk, in kardinaals gewaad. Om dit portret twee palmbomen met putti. Bovenaan een hemel- en een aardglobe en een tweekoppige adelaar.
Portret van René-Aubert Vertot
Object type: book illustration
Date: 1755 – 1755
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: paris, priest, historical persons, armorial bearing, heraldry
Inscriptions: inscription, collector's mark: Lugt 2228

Prent uit: Dreux du Radier, Jean-François. L'Europe illustré, contenant l'histoire abregée des souverains, des princes, des prélats, des ministres, (...) en Europe: dans le XVe. siècle compris, jusqu'à présent. Parijs: Michel Odieuvre en Jean-Luc Nyon, ca. 1755.
Putti op zeewezens
Object type: print
Date: 1605 – 1605
Materials: paper
Techniques: engraving
Location: germany

Tegenzijdige kopie naar een prent van Giovanni Andrea Maglioli.
Eenendertig koningen verslagen door Jozua
Object type: album leaf
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the territory of the thirty-one kings is conquered by joshua and his army (joshua 12:7-24)

Jozua staat links in een landschap en wijst naar de 31 koningen op de grond, die hij verslagen heeft. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Joz. 12. Prent maakt deel uit van een album.
Beleg van Thionville
Object type: print
Date: 1838 – 1841
Materials: paper
Techniques: engraving
Location: france
Subjects: siege
Inscriptions: collector's mark: Lugt 2228

Prent uit: s.n. Galeries historiques de Versailles. Parijs: Charles Gavard, 1838-1841.
Strada St. Giovanni, Valletta
Object type: carte de visite
Date: 1859 – 1874
Materials: cardboard, paper
Techniques: albumen print
Location: valletta
Subjects: sloping street; street with steps or stairs
Inscriptions: inscription: ‘Malta’
Mourner
Object type: statuette
Date: 1453 – 1453
Materials: alabaster
Culture: french
Artist: etienne bobillet
Artist role: artist
Artist nationality: franco-netherlandish
Artist dates: 1453 – 1453
Subjects: human figures,sadness

The tomb at Bourges of Jean, duc de Berry (1340-1416), was begun by Jean de Cambrai and completed by Étienne Bobillet and Paul de Mosselman. For the duke's tomb, his life-size portrait-effigy was placed on top of a sarcophagus, with figures of mourners rendered in high relief along its sides. The idea of surrounding the tomb with such figures most likely derived from an early-thirteenth-century custom of attaching tokens of sorrowful remembrance of the deceased to his sarcophagus. Here the figures may represent specific members of the duke's family. The faces of the mourners are hidden by deep hoods, and their bodies are engulfed by the voluminous cloaks so typical of Burgundian sculpture. The duke's tomb was vandalized during the French Revolution, and the mourner figures were destroyed or dispersed. Of the original forty statuettes, only twenty-five survive, including this impressive example. One of two mourner figures in the collection. See also 17.190.389.
Venus stuurt Psyche naar een bron bewaakt door draken
Object type: print
Date: 1530 – 1560
Materials: paper
Techniques: engraving, intaglio
Location: italy
Artist: meester van de dobbelsteen
Artist role: print maker
Subjects: the eagle of jupiter fetches water from the styx with psyche's jar, psyche performing various tasks set to her by venus, styx (river of hades); 'stige' (ripa)
Inscriptions: collector's mark: Lugt 240

Venus draagt Psyche de taak op om water te halen uit een bron die bewaakt wordt door draken. Rechts op een berg de adelaar van Jupiter die Psyche water brengt uit de Styx.
Design for Wagon, no. 910
Object type: drawing
Date: 1870 – 1870
Materials: gouache, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Duinen bij Nieuwpoort
Object type: print
Date: 1854 – 1879
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: jules marie armand goethals
Artist role: print maker
Artist dates: 1844 – 1902
Subjects: dunes (sea not visible); in the dunes
Inscriptions: collector's mark: Lugt 2228
Four Sailing Vessels near a Breakwater
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: reinier nooms
Artist role: artist
Artist nationality: dutch
Artist dates: 1623 – 1664
Subjects: men,ships
Glass mosaic fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Thin-walled body fragment. Translucent blue, honey yellow, and opaque white. Shallow convex curving side. Mosaic pattern formed from large polygonal sections of a single cane in a yellow ground with a circle of white rods oultined in blue surrounding a white rosette of six petals around a central hexagonal rod. Chipped on one corner; pinprick bubbles; polished exterior; pitting of surface bubbles on exterior; dulling, pitting, and creamy weathering on interior and edges; chipped corner unweathered.
Terracotta votive statuette of two draped females
Object type: statuette of two goddess
Date: 400 – 201
Materials: terracotta
Culture: etruscan
Subjects: women
Portret van Napoleon Bonaparte bij de slag van Arcole
Object type: print
Date: 1783 – 1821
Materials: paper
Techniques: aquatint, etching
Location: france
Subjects: napoleon i (emperor of the french), historical persons
Inscriptions: collector's mark: ‘W[...]’, collector's mark: Lugt 2228
Gezicht op Finhaut op de weg van Chamonix naar Martigny
Object type: photograph
Date: 1880 – 1896
Materials: paper, photographic support
Techniques: albumen print
Location: finhaut
Artist: étienne neurdein
Artist role: publisher
Artist dates: 1832 – 1918
Subjects: prospect of village, silhouette of village
Inscriptions: negative number: ‘247’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Frankrijk, Spanje, Italië, Duitsland, Zwitserland en Oostenrijk.
Design for a Rapier Hilt and Scabbard Chape
Object type: etching and engraving
Date: 1555 – 1555
Techniques: engraving, etching
Culture: french
Location: france
Artist: pierre woeiriot de bouzey ii
Artist role: artist
Artist nationality: french
Artist dates: 1532 – 1599
Subjects: hilts,ornament

This print of an elaborately decorated rapier hilt is a fine impression from a rare series of plates by Pierre Woeiriot, a goldsmith and prolific engraver. It is also an excellent example of the design and ornamentation of luxury arms in mid-sixteenth century France. The use of human figures, grotesques and strapwork shows the influence of French mannerism and the Fontainebleau style, which was developed by court artists under the patronage of King Francis I. For two other engravings from this same series in the Museum's collection see 49.20.11 and 49.20.12.
S. Irénée et Ses Compagnons (St. Irenaeus and His Companions), December 15th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Military Festival at Boulogne with Napoleon Distributing Stars of the Legion of Honor
Object type: print
Date: 1801 – 1900
Techniques: lithograph
Artist: victor adam
Artist role: artist
Artist nationality: french
Artist dates: 1801 – 1866
Subjects: military,men,horses
Portret van een vrouw
Object type: photograph
Date: 1879 – 1913
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: the hague
Artist: adolphe zimmermans
Artist role: fotograaf
Artist dates: 1858 – 1922
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Adolphe Zimmermans/ de Riemerstraat 21,/ La Haye./ Specialité pour les agrandissements/ au charbon inalterable.’
Emperor Maximilian I (copy)
Object type: print
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: men,portraits
Glass jug
Object type: jug
Date: 1 – 200
Materials: glass
Culture: roman

Small, one-handled jug Translucent pale blue green; handle in same color. Rim folded out, down, and up, with vertical rounded lip above mouth; short cylindrical neck; conical body curving in to flat base; handle attached as a long vertical pad to body, drawn out and round, and trailed onto top of neck and outer edge of rim with vertical tooled thumb rest above. Decoration of four horizontal projecting pressed fins on pad below handle. Intact; some pinprick bubbles; dulling, some pitting, and iridescent weathering.
Portret van Shirley Temple als kind
Object type: album leaf
Date: 1930 – 1940
Materials: cardboard, paper
Techniques: rotogravure
Subjects: child, portrait of actor, actress
Inscriptions: number: ‘S 44’

Onderdeel van Album met foto's van spoorwegen in Nederlands-Indië en prentbriefkaarten.
A bearded old man seated on a rock and making a hortatory gesture toward three men opposite him, from Figurine series
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: salvator rosa
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1673

Salvator Rosa was a painter, etcher, poet, and actor, as well as a musician. Born in Naples, he was active there and in Rome and Florence. He produced over 100 etchings after 1650, including the series Diverse Figures, to which this print belongs.
Figure
Object type: figure
Date: 1001 – 1200
Materials: bronze
Techniques: casting, chasing
Location: central asia
Subjects: men

This small bronze figure, whose original use is unknown, represents a standing man wearing garments which are traditionally associated with Turkic traditions, such as the long flaring coat and the pointed hat. The gesture of holding a finger on the mouth was a sign of respect in the Achaemenid traditions in Iran, and was usually performed in front of rulers. On the coat, several inscriptions are incised in a simple Kufic, which might be of a talismanic nature.
Het Groote Stookhuis Der Princen dezes Tijds, in Europe
Object type: cartoon
Date: 1688 – 1689
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: jacobus ii (koning van engeland en schotland), lodewijk xiv (koning van frankrijk), paris, london, karel i (koning van engeland), alchemy

Spotprent op Jacobus II en Lodewijk XIV als alchemisten, 1688. Alchemistenwerkplaats met een grote ketel waarin het vuur onder het keizerrijk. Rechts probeert de paus de bisschop-kardinaal zijn hoed af te nemen. Op de achtergrond de aankomst van de vloot van Willem III. Hieronder 3 kleine scènes met de verongelukte koets van Lavardin (de Franse gezant te Rome), de duivel verschijnt aan pater Peters (Edward Petre) en de geest van koning Karel I die door de straten dwaalt. Onder de voorstelling een vers in 2 kolommen met een verklaring van de cijfers 1-16 in het Nederlands.
Fragment of the Outer Decorated Surface of Siptah's Canopic Box
Object type: canopic chest, siptah, outer decoration, palace facade
Date: 1194 – 1188
Materials: stone
Location: egypt
Studieblad met diverse boten en meeuwen
Object type: drawing
Date: 1870 – 1931
Materials: chalk, paper
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: ships (in general) - cc - more than one ship
Christus aan het kruis met Maria en Johannes de Evangelist
Object type: print
Date: 1500 – 1553
Materials: paper
Techniques: woodcut
Artist: wolfgang huber
Artist role: draughtsman, print maker
Artist dates: 1490 – 1553
Subjects: crucified christ with mary and john on either side of the cross; holy rood
Inscriptions: collector's mark: Lugt 240

Maria en Johannes de Evangelist staan onder het kruis van Christus op de berg Golgotha. Maria heeft haar handen gevouwen in gebed en Johannes heft zijn handen in een wanhopig gebaar. Christus is met opvallend grote spijkers aan het kruis genageld.
Portret van Eva Catharina von Ribbeck
Object type: print
Date: 1671 – 1749
Materials: paper
Techniques: engraving
Location: berlin
Artist: heinrich jakob otto
Artist role: print maker
Subjects: historical persons - bb - woman, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Portret van Jan Nieuwenhuyzen
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: haarlem, amsterdam, jan nieuwenhuyzen, historical persons, candle, functionaries and dignitaries ~ protestant churches
Inscriptions: collector's mark: Lugt 2228
Souvenir
Object type: souvenir
Date: 1786 – 1787
Materials: gold, ivory
Subjects: birds,women,dragons

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Portret van Petrus Koninks, naar links
Object type: drawing
Date: 1903 – 1903
Materials: chalk, paper
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: historical persons, portrait, self-portrait of artist
Suriname. Gouvernements-huis en plein te Paramaribo
Object type: print
Date: 1860 – 1862
Materials: paper
Techniques: lithograph, hand coloring, lacquer
Location: netherlands
Subjects: colonial system, prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage), suriname

Gezicht vanaf het water op de gouvernementsgebouwen in Paramaribo. Op de plaat staan aangegeven: Waterkant, Gouvernements-trap, Tentboot, Marine trap, Tamarinde-laan, corjaal met indianen en Gouvernements-huis. Onderdeel van het plaatwerk 'Gezigten uit Neerland's West-Indien'.
Snuff bottle with stopper
Object type: snuff bottle with stopper
Date: 1701 – 1900
Materials: coral, gilt, metal, quartz
Culture: chinese
Bloemstilleven met rozen en anemonen
Object type: print
Date: 1860 – 1888
Materials: paper
Techniques: etching, intaglio
Artist: louise elsen
Artist role: print maker
Artist dates: 1853 – 1937
Subjects: flowers: anemone, still life of plants, flowers and fruit, flowers: rose
Inscriptions: inscription: ‘1e état’, collector's mark: Lugt 2228

Onder andere rozen en anemonen in het midden, een pioenroos rechts en fuchsia linksonder.
San Clemente, Rome
Object type: photograph
Date: 1850 – 1899
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: san clemente
Avondstemming met herder
Object type: painting
Date: 1855 – 1855
Materials: wood, oil, paint
Subjects: sunset, pastorals, arcadian scenes
Inscriptions: signature: ‘C. Lieste fecit’

In een heuvelachtig landschap bevindt zich op de voorgrond een herder met schapen bij een beek. Tegen de blauw-roze vrijwel wolkenloze avondlucht tekenen scherp enkele parasoldennen af.
Portret van Carel Borchaert Voet
Object type: print
Date: 1700 – 1746
Materials: paper
Techniques: mezzotint
Subjects: dordrecht, draughtsman, carel borchaert voet, drawing, portrait, self-portrait of painter, easel, picture, painting
Inscriptions: collector's mark: Lugt 270, collector's mark: Lugt 964, collector's mark: Lugt 2228

De stillevenschilder Carel Borchaert Voet staat in een venster. In zijn hand heeft hij een paneel, waarop diverse planten, en een rol papier, waarop twee insecten zijn afgebeeld. Op de achtergrond en schildersezel.
Zelfmoord van Lucretia
Object type: print
Date: 1541 – 1541
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: city-view, and landscape with man-made constructions, death of lucretia: she commits suicide by stabbing herself
Inscriptions: collector's mark: ‘Hinloopen’, number: ‘3’, collector's mark: Lugt 11, collector's mark: Lugt 10

Lucretia staat op het punt zich te doorsteken met een dolk. Op de achtergrond een doorkijk naar een landschap. Rechts een tekst in het Grieks.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, on exergue, unidentified object; Exterior, legs of male to left