deem-data/ArtiFact huggingface dataset:
Kyōgen Overvest (kataginu) with Japanese Lobster
Object type: kyôgen overvest kataginu
Date: 1701 – 1800
Materials: hemp
Techniques: dyeing, painting, weave, resist
Culture: japanese
Subjects: lobsters

Sometimes called "the old man of the sea" because of its bent back, the Japanese lobster (ise-ebi or kamakuraebi) is a symbol of longevity. Here it appears on the back of a vest worn for theatrical performances. Kyōgen is a comic form of Japanese theater performed together with the more serious Noh. Boldly patterned overvests (kataginu) were worn for important kyōgen roles, such as Tarōkaja, the comical servant. The kataginu would be worn over a robe and with trousers patterned with circular crests.
Portret van Gualtherus van Doeveren
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: lithograph
Location: leiden
Artist: leendert springer (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1789 – 1871
Subjects: leiden, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Springer, Leendert. Galerij van hoogleeraren aan de Hoogeschool te Leijden, naar de oorspronkelijke afbeeldsels op de Senaat-zaal aldaar berustende. Leiden: Springer, Leendert., s.a. [circa 1850].
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1894
Materials: pencil
Techniques: writing
Artist: martinus cornelis lebret
Artist role: verzamelaar
Artist dates: 1833 – 1894
Subjects: jozef israëls, bernardus johannes blommers, dordrecht, designer, jan veth, delfshaven, rotterdam, gerke henkes, paris, camille corot, willem maris, the hague, painter, print maker, draughtsman, jacob maris, art trade, art shop, art collecting
Inscriptions: collector's mark: ‘RPK’
Silhouetportret van Samuel Joannes de Hoest
Object type: print
Date: 1809 – 1848
Materials: paper
Techniques: hand coloring, lithograph
Artist: pieter barbiers (iv)
Artist role: painter, print maker
Artist dates: 1798 – 1848
Subjects: amsterdam, historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Vijf arbeiders
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: etching, intaglio
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: working class, labourers
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een groep van vijf werklieden rondom en op een houten loopplank.
Cuneiform tablet: collection of ershemmas (nos. 45, 59, 53)
Object type: cuneiform tablet
Date: 367 – 400
Materials: clay
Culture: parthian or seleucid
Location: mesopotamia

The invention of writing in approximately 3300 B.C. was one of many developments in administrative technology--including the use of geometric tokens for counting and cylinder seals to guarantee transactions--that accompanied the growth of the first cities and states in southern Mesopotamia. Proto-cuneiform is the name given to the earliest form of writing--pictograms that were drawn on clay tablets. Gradually, the pictograms became abstracted into cuneiform (Latin, "wedge-shaped") signs that were impressed rather than drawn. At its greatest extent, cuneiform writing was used from the Mediterranean coast of Syria to western Iran and from Hittite Anatolia to southern Mesopotamia. It was adapted to write at least fifteen different languages. The last dated cuneiform text has a date corresponding to A.D. 75, although the script probably continued in use over the next two centuries. This clay tablet is made up of two two fragments joined together (86.11.288 and 86.11.557). The cuneiform text inscribed on it belongs to a genre of liturgical texts. Ershemmas were lamentations sung by priests called kalu and accompanied by shem drums. They were composed in the emesal dialect of Sumerian, a form of speech restricted to cultic performances.
Bordspel genaamd 'De Jood', ca. 1800-1810
Object type: print
Date: 1800 – 1810
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: jan oortman (sr.)
Artist role: print maker
Artist dates: 1753 – 1823
Subjects: board-games of chance, anti-semitism
Inscriptions: collector's mark: Lugt 2228

Jodenspel of bordspel genaamd 'De Jood' met centraal een afbeelding van een zittende joodse man achter een tafel waarop twee dobbelstenen, met negen vakjes met Romeinse cijfers. Onderaan de spelregels. Onderdeel van een groep van kinder- en gezelschapsspelen gedrukt in de periode ca. 1750-1850.
The Queen, from "The Dance of Death"
Object type: print
Techniques: woodcut
Artist: hans holbein the younger
Artist role: artist
Artist nationality: german
Artist dates: 1497 – 1543
Subjects: queens,skeletons,women,death,hourglass
Partizan
Object type: arm
Date: 1701 – 1800
Materials: steel, thread, wood
Culture: german
Location: saxony
Hommes illustres
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: johann giffen
Inscriptions: collector's mark: Lugt 2228

Portret van Johann van Giffen. Rechtsonder: 111. Het portret is gevat in een ovale omlijsting met het wapenschild van de geportretteerde en een randschrift in het Latijn. In de cartouche een zevenregelig onderschrift in het Latijn. Prent uit een serie portretten naar schilderijen van Anselmus van Hulle van alle gedelegeerden bij de vredesonderhandelingen te Münster en Osnabrück.
Kiest kindren! naar uw zinsgenoegen, De zaak uit waar g 'u in wilt voegen / Maar zoo, dat g' uw begrip en staat, In 't kiezen niet te boven gaat
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: colour, letterpress printing
Location: zaltbommel
Subjects: craft-production, skilled handiwork, pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist, sculptor at work, physician, doctor, crafts and industries
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van ambachtslieden en beroepen, zoals dokter, apotheker en beeldhouwer. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 126.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, part of meander; Exterior, bent left arm of symposiast reclining on a cushion
Koblenz, Deutsches Eck
Object type: ansichtkaart, prentbriefkaart
Date: 1895 – 1939
Materials: cardboard
Techniques: rotogravure, writing
Location: cologne
Artist: Anonymous
Subjects: landscape with monument
Inscriptions: poststempel, verso, gestempeld
Jacket
Object type: jacket
Date: 1860 – 1869
Materials: silk, wool
Culture: american
Cup and saucer with stars and ornamental borders
Object type: kop en schotel, kop en schotel
Date: 1791 – 1801
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: vienna

Cup and saucer. Porcelain. Vienna, 1791. Given by Mrs J.E.F.E. de Kleyn-von Artner, 1956.
This trunk belongs no one, so it must be ours!, from 'News of the day,' published in "Le Charivari"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men
Sprei of palempore van sits, versierd met een boom met grote bloemen en twee hoorns van overvloed
Object type: palampore
Date: 1750 – 1775
Materials: cotton
Techniques: painted
Location: coromandel coast
Artist: Anonymous

Sprei of palempore van sits, versierd met een boom met grote bloemen en twee hoorns van overvloed.
The Protection of the Mother of God
Object type: painting, icon
Date: 1500 – 1599
Materials: paint, wood
Artist: russian painter
Artist role: artist
Artist nationality: russian
Subjects: men,women,virgin mary,saints
Straat met poorten
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: architecture, street (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘C[...]tunen?’

Pagina 95 uit een schetsboek met 84 bladen.
Ook al "gederailleerd"
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: tram, the hague

Spotprent op de ministeriële krisis, 1874. De Haagse tramwagen is ontspoord. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 26, 1874.
Putti with the Attributes of the Arts
Object type: drawing
Date: 1627 – 1703
Materials: charcoal, ink
Techniques: brush, pen, wash
Artist: domenico piola
Artist role: artist
Artist nationality: italian
Artist dates: 1627 – 1703
Subjects: putti,dogs
Etsen door E. Edwards
Object type: album leaf
Date: 1748 – 1806
Materials: paper
Techniques: etching
Artist: edward edwards
Artist role: painter
Artist dates: 1738 – 1806
Subjects: mother and baby or young child, landscapes (+ landscape with figures, staffage), river bank (+ landscape with figures, staffage)

Prent maakt deel uit van een serie van 51 prenten, bestaande uit twee delen met landschappen (36 prenten) en figuren en portretten (15 prenten), voor het eerst uitgegeven in Londen in 1790.
Studioportret van een onbekende jongen naast een tafel
Object type: photograph
Date: 1907 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: machiel hendricus laddé
Artist role: fotograaf
Artist dates: 1866 – 1932
Subjects: cut flowers; nosegay, bunch of flowers, boy (child between toddler and youth), table

RP-F-F20756 t/m RP-F-F20759 zijn 4 exemplaren van dezelfde foto.
Portret van Hendrik de Flines
Object type: print
Date: 1814 – 1820
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jacob ernst marcus
Artist role: draughtsman, print maker
Artist dates: 1774 – 1826
Subjects: hendrik de flines, historical persons, portrait of a writer, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228, inscription: ‘H.W. Caspari ad viv: del: 1813. J.E. Marcus fecit’, inscription: ‘H: de Flines/ Kunstminn:’

In eerdere staat uitgegeven voor de serie Studie-prentwerk/ Etudes gravées, op één plaat met de portretten van Jan Kamphuysen en Dirk Versteegh.
Stadsgezicht met een klokkentoren
Object type: photograph
Date: 1880 – 1940
Materials: photographic support
Techniques: gelatin silver print
Artist: cornelia hendrika jonker
Artist dates: 1874 – 1924
Subjects: tower, clock tower ~ monumental adornment, city-view in general; 'veduta'
Zeekaart van de haven van Praia, op het eiland Santiago
Object type: print
Date: 1795 – 1809
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: harbour, marine charts
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Cook, James. Reize rondom de waereld. 13 dln. Amsterdam, Leiden, Den Haag: Isaak van Cleef, Jan en Abraham Honkoop en Johannes Allart. 1795-1809.
Brief aan Philip Zilcken
Object type: letter
Date: 1888 – 1888
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: bart van hove
Artist role: sculptor
Artist dates: 1850 – 1914
Subjects: the hague, painter, draughtsman, philip zilcken, sculpture, brussels, paris, amsterdam
Inscriptions: collector's mark: ‘RPK’
Parlor from the James Duncan Jr. house, Haverhill, Massachusetts
Object type: parlor
Date: 1805 – 1805
Materials: wood, plaster
Culture: american
Location: united states

The Haverhill Room is the formal parlor (now furnished as a bedroom) from a house that originally belonged to James Duncan Jr. (1756–1822). Duncan was a merchant living in Haverhill, Massachusetts, a town thirty miles north of Boston. He grew wealthy as a partner in the shipping and mercantile business begun by his father, James Duncan Sr. (1726–1818). Financial success allowed Duncan to build an elegant house in the first decade of the nineteenth century. Its interior represents the neoclassical style of architecture that prevailed during the early 1800s and provides an appropriate backdrop for the American Wing’s strong collection of New England furniture from this era.
Angel
Object type: head
Date: 1760 – 1770
Materials: gesso
Artist: ignaz günther
Artist role: artist
Artist nationality: german
Artist dates: 1725 – 1775
Subjects: roses,angels
Gezelschap op plantage Clevia
Object type: photograph
Date: 1925 – 1925
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: suriname

Gezelschap bestaande uit een Nederlands gezin en een Surinaamse vrouw, staande bij een rails, op plantage Clevia. Onderdeel van een groep foto's van de familie Boom-Gonggrijp in Suriname.
Trade Card for Charles H. Matthews, glyphographic draughtsman
Object type: print, trade card
Date: 1801 – 1900
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Schotel met gekartelde rand en decoratie in blauw
Object type: platter
Date: 1790 – 1800
Materials: soft paste porcelain
Techniques: painted
Location: worcester
Artist: Anonymous

Schotel van soft paste porcelain, met gekartelde rand en versierd op witte grond met blauw: rand en plat met arabesken en Chinese emblemen. Aan de achterzijde twee dubbele cirkellijnen en een fantastisch geïmproviseerd Chinees merk.
Design for Landau, No. 3554
Object type: drawing
Date: 1879 – 1879
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Gezicht op Luxemburg gezien vanaf het spoorviaduct
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: luxembourg city
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions
Inscriptions: number: ‘No. 2.’, collector's mark: ‘Librairie de E. HOFFMAN à Luxembourg.’
Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 22 (recto)
Object type: book print ornament architecture
Date: 1554 – 1554
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: ornament

Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd, Wallis & Lloyd, British, active London after 1821. From top to bottom, and left to right: Design composed of 3 vertical columns printed upon a grid. Left column is decorated with an ornamented 'X' above an ornamented backward 'S'. Middle column is decorated with an interlace pattern that contains various floral motifs. Right column is decorated with a central zigzag line surrounded on either side by floral motifs.
Mystieke huwelijk van de heilige Catharina
Object type: print
Date: 1547 – 1586
Materials: paper
Techniques: etching
Location: italy
Subjects: the mystic marriage of st. catherine of alexandria with the infant christ: the christ-child puts a ring on her finger
Inscriptions: collector's mark: Lugt 240

Maria zit met het Christuskind op schoot. Anna knielt naast hen. Christus schuift een ring aan de vinger van de heilige Catharina die voor hem knielt. Op de achtergrond staat Jozef tegen een muur. Boven zweeft een engel met een lauwerkrans.
Handscreen (one of a pair)
Object type: handscreen
Date: 1834 – 1866
Materials: gilt, paper, wood
Techniques: gilding, lacquer, painting
Subjects: birds,flowers
Design for a Gothic Desk and Tray
Object type: drawing
Date: 1801 – 1833
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: desks,trays
Buiten Gewone Nederlandsche Staats-Courant. Vrijdag 16 Maart. N. 64**. 1849
Object type: newspaper
Date: 1849 – 1849
Materials: paper
Techniques: letterpress printing
Location: the hague
Subjects: william ii of the netherlands
Inscriptions: collector's mark: Lugt 2228

Exemplaar van de Nederlandse Staatscourant van 16 maart 1849 met de publicatie van een medisch bulletin van 16 maart uit Tilburg over de gezondheid van koning Willem II. Blad bedrukt op één zijde. Bovenaan het rijkswapen.
Bodhisattva Avalokiteshvara
Object type: sculpture
Date: 701 – 900
Materials: mica, stone
Location: pakistan
Portret van een jonge man
Object type: photograph
Date: 1807 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: eisenach
Artist: c.w. hensgen
Artist role: fotograaf
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘C.W. Hensgen/ EISENACH/ Obere Querstrasse/ B. 78.’, date: ‘Juli 1870.’
Emmaüsgangers
Object type: book illustration
Date: 1703 – 1762
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: the journey to emmaus: two disciples (cleopas and peter) under way
Inscriptions: collector's mark: Lugt 2228

De prent komt een eerste keer voor als boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel II. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Portret van Egbert Meeusz Kortenaer
Object type: photomechanical print
Date: 1857 – 1927
Materials: paper
Techniques: photograph, letterpress printing
Artist: Anonymous
Subjects: historical persons
Het dorp Middelharnasch
Object type: book illustration
Date: 1796 – 1798
Materials: paper
Techniques: etching
Location: amsterdam
Artist: anna catharina brouwer
Artist role: print maker
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2228

afkomstig uit: L. van Ollefen, De Nederlandsche stad- en dorp-beschrijver. Deel 6, Amsterdam: Hendrik Arend Banse, 1798.
Coin Portraying Emperor Arcadius
Object type: coin
Date: 392 – 395
Materials: metal, silver
Culture: roman
Location: trier
Subjects: portrait
Inscriptions: Obv: D N ARCADIVS P F AVG
Rev: VIRTVS ROMANORVM

The front (obverse) of this coin portrays Emperor Arcadius. The back (reverse) depicts Roma seated with a spear.
Portret man en vrouw met vier honden van drie maanden met reclameteksten om
Object type: photograph
Date: 1930 – 1940
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman, advertising, adult man, historical persons, dog
Inscriptions: annotation: ‘Jonge Honden/ 3 Maanden’
Enquêteformulier ingevuld door Ferdinand Berckmans
Object type: questionnaire
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: antwerp
Subjects: ferdinand berckmans
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Ceres en Fortuna
Object type: ornament print
Date: 1731 – 1775
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: specific aspects, allegorical aspects of ceres; ceres as patroness, fortuna as roman personification, ornament ~ cartouche
Inscriptions: collector's mark: Lugt 2228

Twee cartouches met busten van godinnen. Links Ceres met druivenranken en de hoorn des overvloeds. Rechts Fortuna met een herdersstaf, scepter en kroon. Uitgeversnummer 52.
Gezicht op de Halvemaansbrug en het Doelenhotel
Object type: photograph
Date: 1892 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Artist: gerrit hendricus heinen
Artist role: painter
Artist dates: 1851 – 1930
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc., hotel, hostelry, inn
Inscriptions: inscription: ‘op een der perceelen / S Ru[...]co glasfabrikanten / eng[...] export / Legaat Joh. M. Coffeng 1966.’, collector's mark: ‘4A’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Amstel van Doelensluis tot Blauwbrug.
Caricature Shop
Object type: print
Date: 1801 – 1809
Materials: paper
Techniques: etching, hand coloring
Subjects: print maker, draughtsman, piercy roberts, caricatures (human types), print, e.g.: engraving, etching, lithograph, art dealer (+ graphic arts), africans, person with a physical disability, shop-window, show-window
Inscriptions: collector's mark: Lugt 4779, collector's mark: Lugt 2228, watermark

Menigte voor de etalage van karikaturist, prentmaker en uitgever Piercy Roberts, Middle Row 28, Holborn. Onder het publiek bevinden zich een meisje dat haar handen uitstrekt naar de prenten, een man zonder benen en een zwarte man. In de deuropening staat een man, waarschijnlijk Percy Roberts zelf.
Portret van Eberhard Julius von Massow
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: stippling
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
De Visschers
Object type: print
Date: 1835 – 1838
Materials: paper
Techniques: lithograph
Location: den bosch
Subjects: recreation ~ the soldier off duty, water-birds: duck
Inscriptions: collector's mark: Lugt 2228

Een van de militairen trekt een eend naar de kant. De militair naast hem heeft een dode eend in zijn handen en blaast tussen de veren om te zien of het een vette vangst is. Tussen de bomen staan een boerin en twee kinderen naar het tafereel te kijken. Onder de afbeelding: 'Ach! onze arme eenden.'