deem-data/ArtiFact huggingface dataset:
Gezicht op de Wollefopse Plas bij Rotterdam
Object type: sketchbook leaf
Date: 1808 – 1864
Materials: ink, paper, pencil
Techniques: brush
Location: rotterdam
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), windmill in landscape, rotterdam
Inscriptions: date and inscription: ‘N/K Wollefopsche Plas/ [...]/ 4/8 64-’, signature: ‘Tavenraat’

Blad 17 recto uit een schetsboek met 98 bladen.
Horse Harness
Object type: horse harness
Date: 901 – 1100
Materials: bronze
Techniques: casting, gilding
Location: iran

This horse harness was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur — from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Sūūpmarkt. Sneek
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: lithograph
Location: arnhem
Subjects: shop, store, canal, street, parts of church exterior and annexes: tower
Playsante lantschappen ende vermakelycke gesichten
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: engraving, etching
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: container made of plant material other than wood: basket, skull as symbol of 'vanitas', crowning with laurel, fisherman
Inscriptions: collector's mark: Lugt 964

Een hengelaar zit op een kade, leunend tegen een sokkel waarop verschillende vanitassymbolen: een gelauwerde schedel en een uitgedoofde pijp en kaars. Op de grond de attributen van het landleven zoals hark en vissersgerei. Op de sokkel is de titel van de prentserie vermeld. Onder de titel op de sokkel is te lezen dat Claes Jansz. Visscher de titelprent heeft vervaardigd na de dood van de graveur van de serie: Jan van de Velde (II). Titelprent van een serie met 36 prenten van landschappen, verdeeld over zes delen.
Piece
Object type: piece
Date: 1650 – 1650
Materials: metal thread, silk
Subjects: flowers,leaves
Portret van predikant J. Gritton
Object type: photograph
Date: 1855 – 1867
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: adult man, historical persons
Jonge vrouw haalt een prent of tekening uit een portfolio dat op een stoel rust
Object type: fashion print
Materials: paper
Techniques: etching, hand coloring
Location: paris
Subjects: fashion plates, art collecting
Inscriptions: collector's mark: Lugt 4780, collector's mark: Lugt 2228

Prent uit het modetijdschrift Journal des Dames et des Modes. Paris: Sellèque en Mésangère, 1797-1839.
Little Dear, from "The Comic Natural History of the Human Race"
Object type: print
Date: 1851 – 1851
Materials: watercolor
Techniques: lithograph
Artist: henry louis stephens
Artist role: artist
Artist nationality: american
Artist dates: 1824 – 1882
Subjects: satire,heads,deer
Portret van John Tradescant (II)
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Location: united kingdom
Artist: Anonymous
Subjects: historical persons
Flagellation of Christ, from "The Passion"
Object type: print
Date: 1512 – 1512
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: christ
Vakantie in Zwitserland
Object type: photograph
Date: 1897 – 1897
Materials: photographic support
Techniques: photography
Location: switzerland
Artist: andries augustus boom
Artist role: amateurfotograaf, handelaar
Artist dates: 1878 – 
Subjects: andries augustus boom, switzerland
Inscriptions: date

Vakantie in Vitznau, Zwitserland. Onderdeel van het fotoalbum van de familie Boom-Gonggrijp in Suriname en Curaçao.
Helicum Fabricatot. Der Winden-Macher
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: tools, aids, implements ~ crafts and industries: windlass, handicrafts, craftsman at work, parts of ship's interior
Inscriptions: stamp, collector's mark: Lugt 1641

Prent uit: Comenius, Johannes Amosius. Orbis sensualium picti pars prima (...). Neurenberg: Martin Endter, 1719, dl. 2, p. 228. Prent eerder gebruikt in: Comenius, Johannes Amosius. Orbis Sensualium Picti denuo aucti Pars Secunda (...). Neurenberg: Martin Endter, 1730, dl. 2.
Franse militair bij een licht kanon met opschrift 'canon-revolver 1879'
Object type: photograph
Date: 1885 – 1885
Materials: photographic support
Techniques: albumen print
Location: france
Artist: Anonymous
Subjects: land forces (+ artillery), firearms: cannon (+ land forces), france

Onderdeel van Album van een Franse amateurfotograaf met opnames van familie, militairen, industrie, landschappen en bezienswaardigheden in Frankrijk.
Hoofd van een man met baard
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: etching
Location: france
Subjects: head (human), adult man, beard
Inscriptions: collector's mark: Lugt 240

Prent uit een serie van 31 prenten naar getekende hoofden door Van Dyck, plus een titelprent naar Bouchardon, getiteld: "Recueil de Testes d'Antoine Van Dyck tirées du Cabinet de M. Crozat et gravées par M. le C. de C.".
Illuminated Manuscript Leaf from a Book of Hours
Object type: drawing and watercolor
Materials: gold leaf, ink, paint, parchment
Techniques: cutting
Culture: european
Location: europe
Saucer with flower sprays
Object type: service set
Date: 1860 – 1860
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: france
Artist: Anonymous
Inscriptions: mark: ‘II/ I6[?]II’

Schotel van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, geel, bruin en goud. Op het plat een dubbele gouden cirkel met daaromheen en op de binnenwand een band van bloemtakken. Gouden rand. Drie proenen op de onderzijde. Gemerkt op de onderzijde met II en I6[?]II.
Model of a Capstan
Object type: demonstration model
Date: 1750 – 1800
Materials: brass, wood
Location: netherlands
Artist: Anonymous
Inscriptions: label, on the front: ‘191’ former inventory label

Model van een kaapstander op een houten vloer. Het is een kaapstander voor acht windbomen; twee pallen in de vloer voorkomen het teruglopen, een voor elke draairichting. De trommel heeft vijf kiezen in de vorm van een flauwe Z, die beneden en bij de kop opgevuld zijn tot een cirkel. De messing koning zit vast in het dek, de trommel draait eromheen. Drie bouten borgen de dekplaat van de kop, die rust op de afgeronde punt van de koning en de trommel een weinig van de vloer tilt, om de wrijving te minimaliseren. Boven op de dekplaat is een steun voor onbekend gebruik gemonteerd. Schaal 1:15 (schatting).
Experiments at Dover or Master Charley's Magic Lanthorn
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,napoleon i,men,politics
Zittende kleermaker
Object type: drawing
Date: 1700 – 1800
Materials: chalk, paper
Artist: Anonymous
Subjects: tailor, dressmaker
Jérusalem, Vallée de Hinnom, Détails du flanc droit, 2
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: landscapes
Garibaldi Monument, Washington Square Park, New York City, from the Transparencies series (N137) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: monuments,men

Trade cards from the "Transparencies" series (N137), issued in an unnumbered set of 25 cards in the late 1880s by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco. Each image is printed on very thin paper, intended to be transparent when held up to the light.
Studioportret van een jongen in een te groot pak
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Inscriptions: name: ‘Albert Greiner Amsterdam’
Genova. Cattedrale. Dettaglio
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1935
Materials: photographic support
Techniques: photography
Location: como
Artist: Anonymous
Subjects: interior of church
Inscriptions: collector's mark: ‘AFE v S’
Mirror: Courtier
Object type: ceramic
Date: 1740 – 1760
Materials: earthenware, glass
Techniques: glazing
Location: italy
Subjects: furniture
Mock Auction or Boney Selling Stolen Goods
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,napoleon i,men,women,politics
Ovoid Jar
Object type: vessel
Materials: wood, glaze, iron, stoneware
Location: china

This elegant jar exemplifies the stoneware craftsmanship of the Lushan kiln, a center of stoneware production during the Tang Dynasty. Beneath the rolled lip, four handles that evoke the shape of stylized birds curve downward, directing the viewer’s gaze to the smooth, satiny surface. Covered with a captivating mottled brown "tea-dust" glaze and embellished with bold, lively splashes of milky lavender, the jar displays a timeless beauty. The brown glaze stops neatly with a clean sweep just above slightly flared foot, exposing the dense clay body tinged with a subtle orange hue from the firing process. Jars like this are recognized as innovative precursors to the renowned Song-dynasty Jun ware.
Portrait of actress wearing multiple necklaces, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Cabinet
Object type: cabinet
Date: 1640 – 1650
Materials: bone, wood, ivory, mother of pearl
Techniques: stain, veneering
Artist: herman doomer
Artist role: maker
Artist nationality: dutch
Artist dates: 1595 – 1650

The sophisticated ripple moldings on the cabinet’s exterior playfully bring out the lustrous quality of the severe black ebony. Other tropical veneers as well as inlays of mother-of-pearl and green-stained horn enliven the cabinet’s interior which encloses multiple drawers as well as a compartment with a mirror-lined "stage" for the display of a treasured artwork. This cabinet is attributed to Herman Doomer, one of the few cabinetmakers working with ebony and mother-of-pearl in Amsterdam, the foremost European market for such exotic materials. Doomer gained fame through the portrait Rembrandt painted of him, also in the Museum's collection (see 29.100.1).
Huwelijk van Karel Christiaan van Nassau-Weilburg en Carolina, prinses van Oranje-Nassau
Object type: history medal
Date: 1760 – 1760
Materials: silver
Techniques: striking
Location: amsterdam
Artist: johan george holtzhey
Artist role: mintmaster
Artist dates: 1726 – 1808
Subjects: carolina (prinses van oranje-nassau), karel christiaan vorst van nassau-weilburg, the hague
Koepeldecoraties door Correggio in de S. Giovanni Evangelista in Parma
Object type: print
Date: 1609 – 1660
Materials: paper
Techniques: etching
Location: parma
Artist: giovanni battista vanni
Artist role: print maker
Artist dates: 1599 – 1660
Subjects: (single) apostle, unspecified, angels
Inscriptions: collector's mark: Lugt 11, collector's mark: Lugt 10

Prent uit een reeks van 8 prenten naar de koepeldecoraties door Correggio in de S. Giovanni Evangelista in Parma.
Nicholas Laniere
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: etching
Location: london
Subjects: historical persons, portrait of a musician, portrait of composer
Inscriptions: collector's mark: Lugt 2228

Prent uit: Vertue, George, en Horace Walpole. Anecdotes of Painting in England (...). Londen: John Major, 1826, dl. 2, p. 270.
Portret van een vrouw
Object type: photograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Location: bremen
Artist: willy dose
Artist role: fotograaf
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Willy Dose/ Photograph./ Bremen/ Wall 117.’
Goeschenen (v. Goeschenthal ges.)
Object type: photomechanical print
Date: 1870 – 1930
Materials: cardboard, paper
Techniques: photograph
Location: göschenen
Artist: Anonymous
Subjects: dale, valley, village
Inscriptions: number: ‘141.’
Two warriors, one holding a sward, the other a halberd; an old brearded man behind them, from Figurine
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: salvator rosa
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1673
Design for a Stage Set at the Opéra, Paris
Object type: drawing
Date: 1830 – 1890
Materials: gouache, graphite, watercolor
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: tents,trees,stage design
Col. Porter's Men ready to meet Boer Cavalry Charge on Naauwpoort (Dec. 13), South Africa
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Artist: Anonymous
Subjects: the soldier; the soldier's life
Inscriptions: inscription, number: ‘20’, inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’, copyright notice: ‘Copyright 1900 by Underwood & Underwood.’
Fotoreproductie van het fresco De scheiding van water en land door Michelangelo in de Sixtijnse kapel
Object type: reproduction
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: vatican city
Artist: Anonymous
Subjects: picture, painting
Inscriptions: collector's mark: ‘VOSMAER’
Water Pot for Tea Ceremony (Mizusashi)
Object type: pot
Date: 1573 – 1615
Materials: glaze, iron, stoneware
Culture: japanese

Made in the shape of a wooden bucket, this pot, used to bring water into the tea room, reflects the sophistication of taste and ceramic technique that developed in the practice of tea in the Edo period. The shape, though providing an appreciated element of novelty, demanded finesse on the part of its user, who would draw water from it with a long-handled wooden ladle. Its manufacture required considerable skill in molding and firing. The splashed glaze enhances the rustic effect and reflects the potter's control of the effects of ash falling on the vessel in a wood-fired kiln.
Sampler
Object type: sampler
Date: 1825 – 1825
Materials: canvas, silk, wool
Subjects: flowers
Belt
Object type: belt
Date: 1701 – 1733
Materials: leather, metal, silk

Although the culture associated with this belt has yet to be identified, the details suggest it is European, possibly Russian. The embroidery work in the central motif is quite fine and whimsical, especially in the depiction of lions' tails and legs. The heraldic device is specific to the origin of the object.
Bronze statuette of a warrior
Object type: statuette of a warrior
Date: 500 – 401
Materials: bronze
Culture: etruscan
Subjects: shields,spears,men

The spear is intact; the shield decorated with alternating incised concentric bands, zigzags abd a central boss. The breastplate is ornamented with a pattern of punch marks.
Glass beaker
Object type: beaker or jar
Date: 101 – 300
Materials: glass
Culture: roman

Translucent pale blue green. Rounded, slightly thickened rim; flaring mouth; elongated body with slightly bulbous side; integral, thick pad base; slightly pushed-in bottom with jagged pontil scar. Intact; some pinprick bubbles and blowing striations; dulling and faint iridescent weathering on exterior; one large patch of soil encrustation and weathering on interior.
Graf met daarop de naam van Napoleon in spiegelbeeld, twee zeilboten op de achtergrond
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: etching
Artist: eduard augustyns
Artist role: print maker
Subjects: napoleon i (emperor of the french), sailing-ship, sailing-boat, grave, tomb
Inscriptions: collector's mark: Lugt 2228

Zie RP-P-1909-1583 voor de latere staat, met titel.
Portret van Hendrick Goltzius
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: neck-gear ~ clothing (with name) (+ men's clothes), moustache, portrait, self-portrait of painter, clothing for the upper part of the body (doublet) (+ men's clothes), beard, portrait, self-portrait of graphic artist
Inscriptions: inscription: ‘Geb: 1558.’, collector's mark: Lugt 240

Portret van de kunstenaar Hendrick Goltzius, op 56-jarige leeftijd. In het randschrift van de omlijsting de naam, functie en leeftijd van de geportretteerde. In de marge een drieregelig lofdicht in het Latijn.
Golden Hood of Linz
Object type: cap
Date: 1835 – 1835
Materials: linen, metal, silk

This is a magnificent example of the type of headdress particular to the area around the city of Linz in Upper Austria called a "Golden Hood" or "Goldhaube", variations of which women have worn since the 13th Century on feast days and holy days. An internal wire frame is covered with woven gilded metallic threads on which sparkling sequins and spangles mark out elaborate foliate patterns. This particular form, with its distinctive pommel and swooping peak at the back– perhaps initially inspired by Turkish fashion– is associated with the first half of the nineteenth century. The Met has two examples in its collection: this piece and 2009.300.2087. Given the cultural significance of such Linzer Goldhauben, their making and wearing is on the UNESCO Intangible Cultural Heritage list.
Prince Rupert
Object type: page
Date: 1875 – 1885
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: commander-in-chief, admiral
Portret van een onbekende vrouw
Object type: photograph
Date: 1855 – 1865
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: marie alexandre alophe
Artist role: print maker
Artist dates: 1811 – 1883
Subjects: adult woman, historical persons not known by name - bb - woman, paris
Inscriptions: check stamp, inscription: ‘M. Alophe peintre & photographe/ 35, Boulevart des Capucines.’
Portret van een man als de H. Sebastiaan, mogelijk de zoon van Francesco Filetto
Object type: album leaf
Date: 1660 – 1660
Materials: paper
Techniques: engraving, etching
Location: brussels
Subjects: the martyr sebastian; possible attributes: arrow(s), bow, tree-trunk, historical persons

De prent is vervaardigd naar het schilderij van Titiaan dat zich in de collectie van het Kunsthistorisches Museum te Wenen bevindt (inventarisnummer: GG_84). David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.
Portret van Prins Ruprecht van de Palts
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: engraving
Location: the hague
Subjects: painter, print maker, draughtsman, prinz ruprecht
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent komt voor in: De konst-kamer der allerschoonste portraitten van verscheide prinsen en prinsessen (...). Geschildert door (...) Antoni van Dyck. Den Haag: Rutger Christoffel Alberts en Isaac van der Kloot, 1728.
Arcus Triumphalis Genuensium
Object type: print
Date: 1594 – 1595
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: pieter van der borcht (i)
Artist role: print maker
Artist dates: 1545 – 1608
Subjects: brussels, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', antwerp

Triomfboog van Genua (voorzijde). Opgericht op de Meir bij de Lange Klarenstraat. Onderdeel van de beschrijving van de intocht van aartshertog Ernst te Antwerpen, 18 juli 1594, door Joannes Bochius, Descriptio publicae gratulationis, spectaculorum et ludorum, in adventu Sereniss. Principis Ernesti Archiducis Austriae, Ex Officina Plantiniana, Antwerpen 1595.
Tea service for two people (tête-à-tête)
Object type: platter
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht

Manufactuur Oud-Loosdrecht
Loosdrecht, c. 1778–1782
hard-paste porcelain
Kalender 1902 12 lithografien door Th. v. Hoytema
Object type: print
Date: 1901 – 1901
Materials: paper
Techniques: lithograph
Location: hilversum
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: spiders, september ~ other concepts, insects: grass-hopper, rodents: rabbit
Inscriptions: collector's mark: Lugt 2228

Ook de andere bladen van deze kalender bevinden zich de collectie, zie nummers RP-P-1980-88, RP-P-1980-89, RP-P-1974-219 t/m 229 en RP-P-1977-410.
Herder fluitspelend bij zijn schapen
Object type: drawing
Date: 1654 – 1655
Materials: ink, paper, watercolor
Techniques: brush
Location: zwolle

De tekening is opgeplakt in het Poëzie-album. De stijl lijkt erg op die van de tekening op folio 89 (BI-1890-1952-89(R)), ook het formaat is ongeveer gelijk, mogelijk zijn beide tekeningen afkomstig uit hetzelfde schetsboek.
The Kinuta Jewel River in Settsu Province (Settsu Kinuta), from the series "Six Jewel Rivers in the Various Provinces (Shokoku Mu Tamagawa)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Vest van zwart laken, onderdeel van smoking
Object type: main garment
Date: 1929 – 1929
Materials: cotton
Location: zwolle
Inscriptions: date

Vest van zwart laken, onderdeel van smoking. Korte en van onder recht gesneden panden. Mouwloos. Diepe, afgeronde shawlkraag. Twee horizontale steekzakjes. Eén enkele rij van vier bolle passementknopen.