deem-data/ArtiFact huggingface dataset:
Drie schapen in een landschap bij zonsondergang
Object type: drawing
Date: 1800 – 1900
Materials: paper, pencil, watercolor
Techniques: brush
Artist: johannes van reijn
Artist role: draughtsman
Subjects: landscapes, sheep
Das Glück des häuslichen Lebens
Object type: book illustration
Date: 1773 – 1773
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel berger
Artist role: print maker
Artist dates: 1744 – 1824
Subjects: handwriting, writing as activity, family life at home
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit: Genealogischer Calender auf das Jahr 1774. Mit Genehmigung der Königlichen Academie der Wissenschaften zu Berlin herausgegeben. Elfde scène uit de serie 'Das Leben eines Lüderlichen', bestaand uit twaalf scènes, gedrukt van een koperplaat.
Document Sealing With the Throne Name of Amenhotep III
Object type: sealing, nebmaatre, amenhotep iii, aten
Date: 1390 – 1352
Materials: mud
Location: egypt
Rekenpenning uit Dordrecht op de hongersnood in Artois 1587
Object type: history medal
Date: 1587 – 1587
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde een man tussen de Honger en de Dood, met afsnedetekst en omschrift, op de keerzijde een hoorn des overvloeds, met afsnedetekst en omschrift.
Miscellany of the Work of Salomon de Caus
Object type: book print ornament architecture
Date: 1612 – 1620
Techniques: engraving, woodcut
Location: germany
Artist: salomon de caus
Artist role: designer
Artist nationality: french
Artist dates: 1576 – 1626
Subjects: machines

Salomon de Caus (1576–1626) was a unique figure in garden history. Trained as an architect-mathematician and hydraulic engineer, he was renowned not only for his garden designs with magnificent waterworks, but also for his many publications on topics relating to the arts and sciences. His most influential works include the Hortus Palatinus (1620) on his Heidelberg garden designs, and Les raisons des forces mouvantes (1615), setting out the principles of hydraulics on which the automata or trick fountains and water jokes in the seventeenth-century garden were based. Familiar with the waterworks in Italian Renaissance gardens (Villa d'Este, Tivoli, and Pratolino, Florence), ultimately derived from the just reissued works of Hero of Alexandria (first century A.D.), de Caus introduced hydraulics into the Northern European garden. His influence was widespread at the courts of the Southern and Northern Netherlands, Germany, and also England, where his younger brother Isaac de Caus worked.
Katie Uhart, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Auf der Landstrasse
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Location: berlin
Artist: alexis mazourine
Artist role: fotograaf
Artist dates: 1846 – 1918
Subjects: snow, horse
A Short History: General Quincy Adams Gillmore, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: cannons,men,portraits,flags,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Marcherende Indische militairen op de weg van Jogyakarta naar Toegoe op Java
Object type: photograph
Date: 1904 – 1917
Materials: photographic support
Techniques: gelatin silver print
Location: java
Artist: Anonymous
Subjects: troop movements, transportation, street (+ city(-scape) with figures, staffage), java

Onderdeel van Familiealbum met foto's van een familie in de voormalige kolonie Nederlands-Indië en van een suikerfabriek in Purworejo.
Vijver bij Slot Zeist
Object type: photograph
Date: 1911 – 1916
Materials: paper
Techniques: gelatin silver print
Location: zeist
Artist: Anonymous
Subjects: pond, pool
Hollander Looking Far Away 紅毛人遠見之図 (Komojin enken zu)
Object type: print
Date: 1767 – 1800
Techniques: woodblock print
Location: japan
Artist: Anonymous
Portret van Johann Philip Schellenberg
Object type: print
Date: 1735 – 1799
Materials: paper
Techniques: engraving
Location: fulda
Artist: johan h. salver (ii)
Artist role: print maker
Subjects: theologian, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Portret van Auguste Mermet
Object type: photograph
Date: 1861 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: brussels, historical persons, portrait of composer
Inscriptions: name: ‘Mermet’, inscription: ‘Photographie/ Carjat & Cie/ fondée en 1861/ Legé & Bergeron (...)’, inscription: ‘Auguste Mermet fr. componist/ 1810-1889 (Lege Bergeron)’
Japanese Fiddle
Object type: japanese fiddle
Date: 1867 – 1900
Materials: metal, skin, wood
Culture: american
Location: united states
Gezicht op een veld met bloemen
Object type: photomechanical print
Date: 1882 – 1887
Materials: paper
Techniques: photoaquatint
Location: new york
Artist: james leon williams
Artist role: fotograaf
Subjects: flowers, field filled with a crop
Khambhavati Ragini: Folio from a ragamala series (Garland of Musical Modes)
Object type: folio
Date: 1675 – 1675
Materials: gold, ink, paper, watercolor
Culture: indian, rajasthani, bikaner
Subjects: women,fire,brahma

Here a female mendicant makes a Vedic fire offering to the god Brahma who is represented with four overlapping faces and holds a text, rosary (mala), and flower. An earlier ragamala text of 1550 provides the following description of Brahma: “He [Brahma] teaches the Vedas . . . and causes other to perform the fire-oblation. A bright garment covers the beauty of [her] body; [her] fair colour gleams.”
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, left arm and part of upper torso of youth bending to left, with left arm inside of a vessel (krater?)
Schilderkunst en tekenkunst
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Subjects: 'pictura', symbolic representations, allegories and emblems ~ painting; 'pittura' (ripa), tools, implements of draughtsman
Inscriptions: collector's mark: Lugt 2228

De schilderkunst en de tekenkunst gepersonifieerd door een vrouw met schilderspalet en penselen en een jongeman met tekenstift en papier.
Inkwell
Object type: inkwell
Date: 1810 – 1850
Materials: pewter
Culture: american
Location: united states
Artist: thomas danforth boardman
Artist role: maker
Artist nationality: american
Artist dates: 1784 – 1873
Covered Box
Object type: covered box
Date: 1868 – 1912
Materials: lacquer
Culture: japanese
Piece
Object type: piece
Date: 1601 – 1700
Materials: metal thread, silk
Subjects: flowers
Teacup (part of a service)
Object type: teacup
Date: 1780 – 1785
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds,trees
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of head and extended arms of youth holding a diskos in both hands
Necklace of amulets
Object type: necklace, bead
Date: 1981 – 1295
Materials: faience
Location: egypt
Terracotta skyphos (deep drinking cup)
Object type: skyphos
Date: 500 – 500
Materials: terracotta
Culture: greek, attic
Subjects: deer,lions

Obverse, between hunters, lioness felling fallow deer Reverse, between hunters, lion felling deer This vase gives noteworthy testimony to the persistence of tradition in Attic vase-painting. Introduced from the Near East and depicted as early as Geometric vases, the motif of a feline felling a bull or deer appears here in mannerly, decorative form. The hunters to either side reflect the predilection for symmetrical compositions with decorative elements, figural or floral, at the handles. The shape of the skyphos readily accommodates the narrative frieze.
Fenêtre à Draperies (Rideaux à l'Italienne)
Object type: print
Date: 1878 – 1904
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery

Een venster met gedrapeerde gordijnen. Prent uit 49e Livraison.
Textile with Floral Ornaments
Object type: textile
Date: 1301 – 1500
Materials: gold, silk
Culture: italian
Pot met deksel van veelkleurig beschilderde faïence
Object type: covered jar
Date: 1700 – 1735
Materials: faience
Location: delft
Artist: Anonymous
Inscriptions: label: ‘363’, mark: ‘D/ 12/ 8’, collector's mark: ‘collection JF Loudon’

Pot met deksel van faïence. Veelkleurig beschilderd met bloemen op een blauw fond.
Opera Selectiora
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: etching
Location: venice
Subjects: st. jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast; a skull (and other 'vanitas' symbols), sometimes a scorpion and a snake beside him
Inscriptions: collector's mark: Lugt 2228

De heilige Hieronymus is in de wildernis met een steen in zijn handen neergeknield bij een crucifix. Rechts op de achtergrond een leeuw. De prent maakt deel uit van een 53-delige serie prenten naar schilderijen van Titiaan en Veronese.
Gezicht op Quimperlé
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: j.g. beers
Artist role: fotograaf
Subjects: city-view, and landscape with man-made constructions
Inscriptions: number: ‘26433 C’, number: ‘686’
Knife
Object type: knife
Date: 7500 – 4500
Materials: stone
Location: southern levant
Jar
Object type: jar
Date: 1900 – 1640
Materials: pottery
Location: egypt
Side Chair
Object type: side chair
Date: 1843 – 1843
Materials: wood
Culture: american or french
Location: france
Artist: auguste-emile rinquet-leprince
Artist role: maker
Artist nationality: french
Artist dates: 1801 – 1886

In the 1840s, many well-to-do New Yorkers preferred French furniture to that made in their native city. In 1844, Mrs. Samuel Jaudon of New York wrote to her friend Mrs. James C. Colles that "we on this side feel as if everything [is] so much handsomer, and better, and desirable that comes from Paris." Upon orders from New York clients, Parisian cabinetmaker and decorator Ringuet-Leprince shipped entire rooms of furniture, carpets, looking glasses, wallpapers, decorative objects, and sculpture. This side chair is part of a formal drawing room suite that was custom-made by Ringuet-Leprince as part of a suite for the abovementioned Colles family. The suite includes a pair of sofas, four armchairs, four side chairs, a firescreen, and a table (see 69.262.1-10). In 1850, the Colles' daughter, Frances, married John Taylor Johnston, a New York railroad executive who later served as the first president of The Metropolitan Museum of Art from 1870 to 1889. The suite of furniture descended in the family, original upholstery intact, and, except for two armchairs, was given to the Museum in 1969.
Banner
Object type: banner
Date: 1701 – 1733
Materials: silk
Culture: italian, savoy
Location: france
Cuneiform tablet: fragment
Object type: cuneiform tablet
Date: 568 – 568
Materials: clay
Culture: babylonian
Location: mesopotamia
Hand guard
Object type: tsuba, zwaardstootplaat
Date: 1600 – 1699
Materials: iron
Location: japan
Artist: Anonymous

Ronde gelobde tsuba in de vorm van een gestileerde chrysant met 64 opengewerkte bladeren.
Mountain Villa after Rain
Object type: painting
Materials: ink, paper
Location: china
Artist: yang jin
Artist role: artist
Artist nationality: chinese
Artist dates: 1644 – 1728
Inscriptions: Inscribed by the artist:

	After rain the mountain villa
		rises rather late
	At the small window the light dawn
		as yet only half warms;
	The old man still wants his pillow
		and listens to the oriole’s warble
	The young boy pushes open the shutters
		and releases the swallows to fly.

On the sixteenth of the lunar month in the Lesser Spring 
(tenth month) of the year 1725, by Xiting [Yang Jin], 
age eighty-two.
Het Kasteel van Batenburg uit het SZ: Oostens in het jaar 1790
Object type: page
Date: 1902 – 1907
Materials: paper
Techniques: collodion silver print
Artist: benjamin charlé
Artist dates: 1845 – 1925
Subjects: castle
The Actor Segawa Kikunojo III as the Courtesan Kisegawa in a "Nuno Sarashi" Dance, in the Play Hana-zumo Genji Hiiki, Performed at the Nakamura Theater in the Eleventh Month, 1775
Object type: print
Date: 1775 – 1775
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Rosary
Object type: rosary
Date: 1601 – 1900
Materials: glass, gold
Culture: filipino
Changarnier. Général commandant en chef les gardes nationales de la Seine, représentant du peuple (Seine)
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: lithography
Location: new york city
Subjects: historical persons
Inscriptions: number: ‘[...] 16’, check stamp: Lugt 5004, collector's mark: Lugt 2228
Covered Serving Dish
Object type: serving dish
Date: 1860 – 1866
Materials: porcelain
Culture: chinese
Location: china
Subjects: birds,flowers
Sash
Object type: costume and accessory
Date: 1701 – 1800
Materials: gilt, linen, metal, textile, silk
Techniques: embroidery, weave, stitching
Location: turkey
Verhaal van Amor en Psyche
Object type: print
Date: 1530 – 1560
Materials: paper
Techniques: engraving, intaglio
Location: italy
Artist: meester van de dobbelsteen
Artist role: print maker
Subjects: pain, sorrow, sadness; 'dolore', 'dolore di zeusi' (ripa), other scenes from the story of cupid and psyche
Inscriptions: collector's mark: Lugt 2228

Prent uit een serie met scènes uit het verhaal van Amor en Psyche naar ontwerp van Michiel Coxie, waarvan 29 prenten door de Meester van de Dobbelsteen en 3 door Agostino Veneziano. Rondom is een groot gedeelte van de prent afgescheurd.
Photographic view album of Bolton Abbey and woods
Object type: book
Date: 1900 – 1900
Materials: cardboard, linen, paper
Techniques: photograph, printing
Location: ilkley
Inscriptions: inscription: ‘ex libris SFJ’
Dagger with Scabbard
Object type: dagger with scabbard
Date: 1575 – 1575
Materials: leather, silver, skin, steel, wood
Culture: german
Location: germany
Artist: wolf paller
Artist role: sword maker
Artist nationality: german
Artist dates: 1483 – 1583
Scent bottle
Object type: scent bottle
Date: 1870 – 1870
Materials: copper
Techniques: enamel
Artist: samson and company
Artist role: manufactory
Subjects: human figures,buildings

Despite its close resemblance to English enamelware, this scent bottle was in fact made by Samson of Paris, a ceramics firm dedicated to producing convincing reproductions. Small enough to carry in a pocket or attach to a belt, scent bottles (or smelling bottles, as they were referred to in the eighteenth century) held perfumes that could be sniffed throughout the day, either directly from the bottle or when applied to a handkerchief. Strong odors were primarily thought to help govern disordered emotions, though smelling bottles were advertised as a solution to a variety of ailments. As one scent bottle salesman put it in 1785, "Considering the many sudden Disorders we are liable to, no one is really safe without it." Enameled objects like this one were intended to imitate the lustrous quality of porcelain at more affordable prices. By the middle of the eighteenth century, technological innovations had made it possible to roll copper, instead of the far costlier gold, into very thin sheets. Powdered glass mixed with minerals (to determine the opacity and color of the enamel) would then be applied onto the copper sheets and fired at high temperatures. A design—whether a famous portrait, generic pastoral scene, or floral motif— could be painted on by hand or copied from an engraving through the newly invented process of transfer printing. Many enameled objects combined both methods of decoration and would be refired after the application of each new layer or color.
Schetsen van staande mannen met een jongetje
Object type: drawing
Date: 1683 – 1733
Materials: ink, paper, pencil
Techniques: pen
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Siervazen en -kannen
Object type: ornament print
Date: 1718 – 1760
Materials: paper
Techniques: etching
Location: augsburg
Subjects: crown (symbol of sovereignty), rocaille ornament, jar, jug (used as drinking-vessel), molluscs: snail
Inscriptions: collector's mark: Lugt 2228

Een sierkan met rocaille ornamenten en een slak staat op een voetstuk met de serietitel. Rondom de kan een rocaille omlijsting met een kroon en een draakachtig wezen. Uitgeversnummer 20.
Arbeiders tijdens de aanleg van een irrigatiekanaal
Object type: photograph
Date: 1860 – 1900
Materials: paper
Techniques: albumen print
Location: middle east
Artist: Anonymous
Subjects: irrigation ~ cultivation
Holy Roman Emperor Henry IV at Canossa
Object type: statuette
Date: 1770 – 1775
Materials: terracotta
Artist: ubaldo gandolfi
Artist role: maker
Artist nationality: italian
Artist dates: 1728 – 1781
Subjects: kings,reading

Emperor Henry IV was excommunicated by Pope Gregory VII for his part in the Investiture Controversy that arose from imperial interference in the appointment of clergy. In the winter of 1088, a repentant Henry followed the pope to his temporary residence at Canossa and waited barefoot in the snow outside the castle for three days before being pardoned. The scene, rarely shown in the eighteenth century, perhaps found special resonance in nearby Bologna, the leading city of the Papal States. Ubaldo Gandolfi, an accomplished and expressive painter who also occasionally sculpted, conceived an original and picturesque compositional solution, sheltering Henry in a blasted tree trunk, his crown at his feet.
Paar gekleed als burgers
Object type: print
Date: 1577 – 1577
Materials: paper
Techniques: engraving
Location: antwerp
Artist: cornelis massijs
Artist role: painter, print maker
Artist dates: 1510 – 1557
Subjects: dancing, crutches, one pair dancing; man and woman dancing as a couple, social stratification, social groups, bourgeoisie, middle class, citizens, burghers, folk costume, regional costume, beggar
Inscriptions: collector's mark: Lugt 1967

In de tijd waarin deze serie ontstond was 'kreupel' een generiek woord om een lichamelijke beperking aan het onderlichaam te beschrijven. Deze serie is sociale satire. Een man met een baret op het hoofd, leunend op een kruk, houdt de hand vast van een vrouw, die op een stok leunt. Zij gaan gekleed als burgers. Genummerd: 6.
Verhaal van Amor en Psyche
Object type: print
Date: 1530 – 1560
Materials: paper
Techniques: engraving, intaglio
Location: rome
Subjects: psyche and her sisters in the palace, psyche's sisters are brought to her by zephyrus
Inscriptions: collector's mark: Lugt 11, collector's mark: Lugt 10, number: ‘24’, collector's mark: ‘Hinloopen’

Psyche wordt er door haar twee zusters van overtuigd dat zij niet met Amor heeft geslapen maar met een giftige slang. Rechtsboven de twee zusters die naar Psyche worden gebracht door Zephyrus (de personificatie van de westenwind). Italiaanse tekst in twee cartouches in ondermarge. Tweemaal genummerd linksonder: 12.
Gezicht op de Nieuwezijds Kapel te Amsterdam
Object type: print
Date: 1663 – 1664
Materials: paper
Techniques: etching
Artist: jacob van meurs
Artist role: draughtsman, print maker, publisher
Artist dates: 1619 – 1680
Subjects: sailing-ship, sailing-boat, canal, church (exterior), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Huidige staat van prent ook gebruikt in: Dapper, Olfert. Historische beschryving der stadt Amsterdam: waer in de voornaemste geschiedenissen (na een kort verhael van gansch Hollant en d'omleggende dorpen (…). Amsterdam: Jacob van Meurs, 1663.* En in: Zesen, Philipp von. Beschreibung der Stadt Amsterdam: darinnen von derselben ersten Ursprunge bis auf gegenwärtigen Zustand (…). Amsterdam: Joachim Nosche, 1664. * In sommige exemplaren van deze uitgave komt de huidige staat van de prent voor. In andere exemplaren is een latere staat ingebonden, waarop boven de Nederlandse een Franse titel is toegevoegd.
Sconce
Object type: sconce
Date: 1800 – 1820
Materials: gesso, gilt, metal, wood
Culture: american or british
Location: england
Subjects: cornucopia,flowers
Portret van Paul van Alff
Object type: print
Date: 1933 – 1933
Materials: paper
Techniques: etching, intaglio
Artist: arend hendriks
Artist role: print maker
Artist dates: 1901 – 1951
Subjects: the hague, print maker, paulus nicolaas van alff, landscapes with waters, waterscapes, seascapes (in the temperate zone), portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Paul. N. van Alff. [...] Heeft niet gegeven wat van hem verwacht werd.’

Een portret van kunstenaar Paul van Alff in een landschap met water.
Portret van Johann Andreas Pfeffel
Object type: print
Date: 1707 – 1767
Materials: paper
Techniques: engraving, etching
Subjects: print maker, johann andreas pfeffel (der ältere), historical persons, pamphlet ~ printed matter
Inscriptions: collector's mark: Lugt 2228
Stucwerk in de Sala degli Stucchi in Palazzo del Te te Mantua
Object type: print
Date: 1680 – 1680
Materials: paper
Techniques: etching
Location: vatican city
Subjects: triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', military parade, pageant, the soldier; the soldier's life
Inscriptions: number: ‘4’

Prent maakt deel uit van een reeks van 25 prenten (+ titelprent) naar het stucwerk door Giulio Romano en Francesco Primaticcio in de Sala degli Stucchi in Palazzo del Te te Mantua.
Half Mask (Menpō) with Gorget
Object type: half mask menpō with gorget
Date: 1615 – 1868
Materials: iron, lacquer, silk
Culture: japanese
Location: japan
48 portretten van graven, barons, ridders en generaals
Object type: print
Date: 1715 – 1730
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: commander-in-chief, general, marshal, armour, historical persons
Inscriptions: number: ‘(a)38’
Monument voor Hendrik Danielsz. Hooft, 1787
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: noach van der meer (ii)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1822
Subjects: mayor, hendrik danielsz. hooft, the all-seeing eye, triangle with eye ~ symbol of god the father, freedom, liberty; 'libertà' (ripa) (+ abstract concept represented by female figure), patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Allegorisch monument voor de Amsterdamse burgemeester Hendrik Danielsz. Hooft, naar aanleiding van zijn verdediging van de patriotse belangen in de raad op 26 februari 1787. Portretmedaillon op voetstuk, bekroond met krans door de Vrijheid, links omhangen drie putti eikenloof om het wapen van Hooft. Bovenaan het stralende Alziende Oog.
De twaalf sibillen
Object type: print
Date: 1601 – 1601
Materials: paper
Techniques: engraving
Location: cologne
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: samian sibyl
Inscriptions: collector's mark: Lugt 2228

Buste van de Sibille van Samos. In haar linkerhand houdt ze een doornenkroon en in haar rechterhand een opengeslagen boek. De voorstelling is gevat in een medaillon met een randschrift in het Latijn. In de marge een zesregelig onderschrift in het Latijn. Prent uit een serie met de twaalf sibillen.