deem-data/ArtiFact huggingface dataset:
Diana en Actaeon
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: etching
Artist: andries lens
Artist role: print maker
Artist dates: 1739 – 1822
Subjects: actaeon changed into a stag: as punishment for seeing her bathe, diana changes actaeon, the hunter, into a stag (ovid, metamorphoses iii 193)
Inscriptions: collector's mark: Lugt 2228

Diana wordt omringd door drie nimfen, een vierde nimf bevindt zich op de voorgrond in het water. Links is Actaeon met een speer in de hand op de vlucht geslagen.
Portret van een onbekende man, mogelijk de heer Jorissen
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: lithograph
Location: leiden
Artist: johann peter berghaus
Artist role: print maker, printer
Artist dates: 1810 – 1870
Subjects: historical persons, book - mm - book open
Inscriptions: collector's mark: Lugt 2228

De geportretteerde zit gedraaid op een stoel achter een tafel. Zijn linkerarm rust op een opengeslagen boek, zijn rechterarm op de leuning van de stoel.
Rockaway #262
Object type: drawing
Date: 1860 – 1860
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Bronzen kanon La Flêche
Object type: cannon
Date: 1786 – 1786
Materials: bronze
Artist: i. felix dartieu
Artist role: geschutgieter

Bronzen kanon van 12 cm, glad frans model genaamd La Flêche. Ecuyer Com. de General des fontes de l'artillerie à Strasbourg.
Piece
Object type: piece
Date: 1735 – 1740
Materials: metal thread, silk
Subjects: animals,flowers
Portret van H.J. Lutjens
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: head-gear: bicorne, bicorn, knighthood order, historical persons (+ three-quarter length portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt een militair kostuum met ordetekenen en een sabel. Hij draagt de steek met pluim onder zijn rechterarm.
Mirabeau
Object type: print
Date: 1813 – 1868
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: carl mayer
Artist role: print maker
Artist dates: 1798 – 1868
Subjects: paris, politician, honoré-gabriel de riqueti (graaf van mirabeau), historical persons, ambassador
Titelpagina voor: Petronella Moens, Vijf Verhalen, ten geschenke aan mijne leesgrage landgenooten in uren van uitspanning, Haarlem 1831
Object type: print
Date: 1807 – 1831
Materials: paper
Techniques: etching
Location: haarlem
Subjects: family life, falling
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Petronella Moens, Vijf Verhalen, ten geschenke aan mijne leesgrage landgenooten in uren van uitspanning, Wed. A. Loosjes Pz. (uitgever), Haarlem 1831, illustratie bij tekst op p. 143.
Rotterdam een jaar na het bombardement
Object type: photograph
Date: 1941 – 1941
Materials: photographic support
Techniques: gelatin silver print
Location: rotterdam
Artist: Anonymous
Subjects: devastated, ruined place or city (~ warfare), occupation ~ war, rotterdam, rotterdam blitz

Rotterdam een jaar na het bombardement. In de verte staat een molen. Achterop staat: In Holland. 15.5.41. Blick auf das zerstörte Rotterdam.
Bowl
Object type: bowl
Date: 1001 – 1200
Materials: earthenware
Techniques: painting
Location: iran
Hungarian, from World's Smokers series (N33) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,smoking

Trade cards from the "World's Smokers" series (N33), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Printer's samples included in set, as well. The printer's sample cards are on thinner card stock and do not have any printed text.
Lila Cavanaugh, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Roma. Castel S. Angelo II
Object type: photograph
Date: 1906 – 1920
Materials: photographic support
Techniques: photography
Location: rome
Subjects: fortress, bridge
Bauxietwinning Suriname met arbeiders
Object type: album leaf
Date: 1929 – 1930
Materials: paper, photographic support
Techniques: gelatin silver print
Location: suriname
Artist: Anonymous
Subjects: opencast mine; strip mining, exterior of industrial structures, factories, suriname

Albumblad met twee foto's van de bauxietwinning in Moengo, Suriname. Boven transport door trein met wagens met erts, onder een panoramafoto van het fabriekscomplex samengesteld uit drie aparte foto's. Onderdeel van het album van de familie Guilonard over de bauxietwinning in Moengo en Albina in Suriname in de jaren 1929-1930.
Kop met oor, met rivierlandschap met boten
Object type: cup
Date: 1860 – 1890
Materials: creamware
Techniques: muffling, transfer decoration
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: mark: ‘11 in rood; 1 in blauw’

Kop van aardewerk met rood transferdecor en moffelkleuren. De buitenzijde met rivierlandschap met boten. Langs de mondrand c-voluten en bladwerk. De bodem toont een rivierlandschap met boot, de wand is aan de binnenzijde gedecoreerd met drie cartouches gevuld met bloemen. Tussen de cartouches drie boeketten en abstracte motieven. Het oor is versierd met krullen.
Portret van Pieter Cornelisz. van der Morsch
Object type: watercolor
Date: 1741 – 1820
Materials: chalk, paper, pencil, watercolor
Techniques: brush
Artist: abraham delfos
Artist role: draughtsman, painter, print maker
Artist dates: 1731 – 1820
Subjects: leiden, historical persons, fool's cap
Schetsblad met Hemelvaart van Christus
Object type: drawing
Date: 1869 – 1925
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: christ almost vanished: only feet visible ~ ascension
Twee tulpen met wesp en nachtvlinder
Object type: album leaf
Date: 1637 – 1637
Materials: paint, parchment, pencil, watercolor
Techniques: brush
Artist: jacob marrel
Artist role: draughtsman, painter
Artist dates: 1614 – 1681
Subjects: insects: wasp, insects: butterfly, flowers: tulip

De tekening maakt deel uit van een album.
Familieportret bij tent
Object type: photograph
Date: 1901 – 1901
Materials: cardboard, paper
Techniques: gelatin silver print
Location: netherlands
Artist: frits freerks fontein fz.
Artist role: fotograaf
Artist dates: 1882 – 1928

Twee vrouwen en een man zitten in strandstoelen voor een tent. Een vrouw heeft een witte hond op schoot. Foto uit album 'Photographieën".
Pont de la Tournelle in Parijs
Object type: print
Date: 1898 – 1898
Materials: paper
Techniques: etching, intaglio
Location: amsterdam
Artist: pieter dupont
Artist role: draughtsman, print maker
Artist dates: 1870 – 1911
Subjects: bridge in city across river, canal, etc.
Inscriptions: inscription: ‘No. 317 [...] No. 14’, collector's mark: Lugt 705a
Manuscript Leaf with Initial D, from an Antiphonary
Object type: antiphonary
Date: 1426 – 1450
Materials: ink, metal leaf, parchment, paint
Culture: german
Location: germany
Brief aan August Allebé
Object type: letter
Date: 1848 – 1888
Materials: ink, paper
Techniques: pen, writing
Artist: carel vosmaer
Artist role: draughtsman, print maker
Artist dates: 1826 – 1888
Subjects: amsterdam, painter, aert pietersz., august allebé, willem steelink (ii), drawing
Afbeelding van dat gedeelte van BATAVIA, alwaar eigentlyk de Schrikkelyke Slagting der CHINEZEN, na de Ontdekking van hun Verraad, geschied is, den 9. Octob: 1740.
Object type: print
Date: 1741 – 1741
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: massacre ~ war, batavia
Paradise
Object type: drawing
Date: 1519 – 1594
Materials: ink
Techniques: pen, wash
Artist: jacopo tintoretto (jacopo robusti)
Artist role: artist
Artist nationality: italian
Artist dates: 1518 – 1594
Subjects: human figures,angels
Stole
Object type: stole
Date: 1501 – 1600
Materials: metal thread, silk
"Old Abe/Frosted Eagle" pattern medium covered compote on pedestal
Object type: glass
Date: 1880 – 1890
Materials: glass
Location: ohio
Artist: crystal glass company
Corfu, gezicht van de haven op de stad Kerkyra
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: corfu
Artist: Anonymous
Subjects: harbour, fortress
Two Views of a Horse's Head; the Head of a Bearded Man in Profile
Object type: drawing
Date: 1550 – 1600
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: men,profiles,horses
Tafel en chiffoniere
Object type: ornament print
Date: 1772 – 1779
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: table, furniture to put things on
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Links een geornamenteerde tafel met een lade en rechts een geornamenteerde chiffoniere. Prentnummer 99.
Bust-Length Study for the Head of Saint Francis in Near Profile Facing Right
Object type: drawing
Date: 1601 – 1700
Materials: chalk, paper
Artist: anonymous, italian, bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: saint francis
Tazza
Object type: tazza
Date: 1600 – 1600
Materials: glass
Techniques: diamond point engraving, façon de venise, gilding, glassblowing
Location: northern netherlands
Artist: Anonymous

Platte voet met omgeslagen rand en pontilmerk. Balustervormige stam, in de vorm geblazen in een motief van twee leeuwenmaskers en twee rozetten. Komvormige kelk. Op de kelk zijn twee banden met bladranken gegraveerd. Tussen de banden zijn twee takken met elk drie oranjeappels en twee bloemtakken afgebeeld.
Man met de Dood
Object type: print
Date: 1550 – 1600
Materials: paper
Techniques: woodcut
Location: low countries
Artist: Anonymous
Subjects: tailless amphibians: toad, death as skeleton

Gedrukt rechtsonder op blad met drie andere voorstellingen. Een man en een skelet leunend op een doodskist, padden en slang bij zich.
Groepsportret van cricketspelers bij een tent in Christiania
Object type: photograph
Date: 1866 – 1866
Materials: paper, photographic support
Techniques: albumen print
Location: christiania
Artist: Anonymous
Subjects: trees, adult woman, clothing for the lower part of the body, tent, cricket (ball game), head-gear, adult man
Inscriptions: inscription: ‘Christiania 1866’

Onderdeel van Engels familiealbum met foto's van personen, reizen, cricket en kunstwerken.
Schouw en deuren
Object type: ornament print
Date: 1735 – 1745
Materials: paper
Techniques: etching
Location: germany
Subjects: open hearth, fire-place, door

Een geornamenteerde schouw met rocailles en twee tweearmige kandelaars. Aan weerszijden twee geornamenteerde deuren met dessus-de-porte met ruïnelandschappen.
Three heads of women: one asleep
Object type: print
Date: 1637 – 1637
Materials: paper
Techniques: etching, intaglio
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Inscriptions: collector's mark: Lugt 240, signature and date: ‘Rembrandt f 1637’
[Mermaid Gateway, Kaiser Bagh, Lucknow, India]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: architecture,buildings
Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydra in rocky landscape, a hawk attacks a heron in the sky
Object type: print
Date: 1500 – 1520
Techniques: engraving
Artist: cristofano robetta
Artist role: artist
Artist nationality: italian
Artist dates: 1462 – 1535
Subjects: hercules,monsters
Onbekende buurt te 's-Gravenhage, buurtpenning met no. 8
Object type: buurtpenning
Date: 1655 – 1655
Materials: brass
Techniques: casting, engraving
Location: the hague
Artist: Anonymous
Subjects: the hague

Messing penning. Voorzijde: zittende vrouw met drie kinderen; links boven: cijfer 8 binnen omschrift. Keerzijde: herder met hoed op hoofd houdt met stok wolf van zijn kudde vandaan binnen omschrift
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, helmeted warrior holding shield in left arm, fighting the approaching helmeted warrior with spear in right hand and shield in the left; part of shield, spear and drapery of a third warrior at far right
Bartje de Buikspreekster (dagboek, 22 januari)
Object type: drawing
Date: 1805 – 1808
Materials: paper, pencil, watercolor
Techniques: brush
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: historical persons

Blad uit het getekende dagboek dat Christiaan Andriessen bijhield van 1805 tot en met 1808
Koeien
Object type: sketchbook leaf
Date: 1854 – 1868
Materials: ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: cow
Inscriptions: kleurnotitie, handgeschreven

Blad 77 recto uit een schetsboek met 88 bladen.
Trade Card
Object type: drawing
Materials: ink
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Groepsportret van zeven mannen en vier vrouwen, Oberbronn (Bas-Rhin), Frankrijk
Object type: photograph
Date: 1902 – 1902
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: public road in village (+ city(-scape) with figures, staffage), france
Inscriptions: annotation: ‘Oberbronn 5 Août 1902 [?]’

Groepsportret van zeven mannen en vier vrouwen, Oberbronn (Bas-Rhin), Frankrijk.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1913 – 1913
Materials: cardboard, ink
Techniques: pen, writing
Location: utrecht
Artist: n.j. singels
Artist role: leraar, schrijver
Artist dates: 1857 – 1931
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Miniature daybed
Object type: daybed
Date: 1689 – 1702
Materials: wood
Subjects: beds
Six Designs for Decorated Plates
Object type: drawing
Date: 1845 – 1855
Materials: ink, watercolor
Techniques: pen
Artist: alfred henry forrester [alfred crowquill]
Artist role: artist
Artist nationality: british
Artist dates: 1804 – 1872
Subjects: ornament
Twee kinderen, zittend op een steen in een bos
Object type: photograph
Date: 1910 – 1915
Materials: paper
Techniques: matte daylight collodion silver print
Artist: liesbeth overhoff
Artist role: fotograaf
Artist dates: 1895 – 1969
Subjects: forest, wood, child (+ two persons), boulder, stone
't Verrassen van de Franse Linien, Aug: 1711 / La Surprise des Lignes des Francois 1711
Object type: print
Date: 1711 – 1711
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: john churchill (1e hertog van marlborough), battle (+ land forces)

Verrassingsaanval van de Geallieerden onder de hertog van Marlborough op de Franse linies, 5 augustus 1711. Op het blad onder de plaat het verhaal van de actie in het Nederlands en Frans.
Vierentwintig scènes uit het Nieuwe Testament
Object type: print
Date: 1681 – 1681
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: 'command these stones to become loaves of bread' ~ temptation of christ in the wilderness
Inscriptions: collector's mark: Lugt 2228

Twintig prenten van deze serie (waaronder de hier besproken prent) verschenen mogelijk voor het eerst in: Het Nieuwe Testament ofte alle Boecken des Nieuwen Verbondts onses Heeren Iesu Christi. Amsterdam: Hieronymus Sweerts, Jan ten Hoorn, Jan Bouman en Daniel van den Dalen, 1681. De complete vierentwintigdelige serie prenten is opgenomen in: Het Nieuwe Testament ofte alle Boecken des Nieuwen Verbondts onses Heeren Iesu Christi. Dordrecht: Pieter en Jacob Keur, 172X (niet voor 1727). De prenten werden, hetzij alle tezamen, hetzij gedeeltelijk, veel gebruikt tot versiering van Nieuwe Testamenten en verschenen tevens in kopie.
Illustration design for "The Economy of Human Life"
Object type: drawing
Date: 1834 – 1834
Materials: ink
Techniques: brush, pen, wash
Artist: frank howard
Artist role: artist
Artist nationality: british
Artist dates: 1805 – 1866
Subjects: children,men,women

A mother and child kneel before a minister. One of a group of twelve book illustration designs reproduced as an engraving in an 1834 edition of Robert Dodsley's "The Economy of Human Life," published in London John van Voorst. The image illustrates the text: "To the one who is supreme, most wise and beneficent, and to him alone, belong worship, adoration, thanksgiving and praise."
Fotoreproductie van een schilderij, voorstellende Aeneas ontvangt nieuwe wapens van Venus, scène uit Virgilius' Aeneis
Object type: page
Date: 1853 – 1858
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: venus hands over the armour to aeneas
Staff Finial with Bell Ring and Bird
Object type: finial
Date: 206 – 220
Materials: jade
Culture: chinese
Object type: covered beaker
Date: 1501 – 1600
Materials: glass
Techniques: glassblowing
Culture: italian
Monogram van Everhard Meyster
Object type: print
Date: 1630 – 1679
Materials: paper
Techniques: woodcut
Location: utrecht
Artist: everard meyster
Artist role: print maker
Artist dates: 1617 – 1679
Subjects: letter combinations such as letterword, anagram, letter square, monogram, etc.
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Het monogram van schrijver Everhard Meyster met zijn motto in het Latijn. Op recto en verso tekst. Blad uit één van de boeken van Everhard Meyster.
Orpheus and Eurydice
Object type: group
Materials: marble
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: male nudes,female nudes,orpheus,eurydice

The mythical poet Orpheus braved the underworld to rescue his dead wife, Eurydice. The gods allowed her ghost to follow him and regain life, provided that Orpheus did not look at her until both had reached the sunlit earth. Rodin depicts Eurydice’s spirit floating in the underworld’s dark entrance while Orpheus hesitates at the threshold. Because he cannot feel her phantom embrace, or hear her spectral voice, Orpheus turns to see if his beloved has come. An instant later he will glimpse her, and Eurydice will vanish. This exquisitely carved sculpture, one of the first Rodin works to come to America, is the only marble example of the composition.
Pair of Rowel Spurs
Object type: spur
Materials: copper alloy, iron
Culture: german, south
Location: austria

This pair is composed of a genuine iron spur plated covered with brass foil, and a 19th-century reproduction covered with red copper plated with a brass-like patina. The authentic one bears the stamp of its maker, a letter R. Its original mate which the copy is replacing is preserved in the Kunsthistorisches Museum in Vienna (A131). Around 1400, the length of the rowel spurs’ necks started to increase in western Europe, some examples extending even as long as the rider’s foot in the 15th century. At this period, the elevated war saddles and the very specific riding style, with long stirrup leathers and legs extended forward, had the consequence of taking away the rider’s feet from the horse’s flank. Thus, these long necks gave them easier access without having to disturb the rider’s position too much. As the riding position changed at war in the first decades of the 16th century, such long necks were not needed anymore. However, they were kept in use for jousting, for which the medieval riding style survived a bit longer.
Preserved Shoulder of Beef and Half of a Food Box
Object type: food, box, beef, shoulder
Date: 1550 – 1479
Materials: linen
Location: egypt
Subjects: food
Feesten op Versailles in 1664
Object type: print
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: lodewijk xiv (koning van frankrijk), performance, walking (horse in motion), french or architectonic garden; formal garden, festivities, king
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

'Les plaisirs de l'Isle enchantée, ou les festes, et diverstissements du Roy, à Versailles [...]' is een serie van negen prenten met de feesten die Lodewijk XIV in 1664 in Versailles organiseerde ter ere van zijn moeder Anna van Oostenrijk en zijn echtgenote Maria-Theresia.
Bladzijden uit Eigen Haard over het draadloze telegrafie station aan de Overtoom
Object type: page
Date: 1903 – 1904
Materials: paper
Techniques: letterpress printing
Location: haarlem
Artist: Anonymous
Subjects: city-view in general; 'veduta', (morse) telegraph
Inscriptions: inscription: ‘Draadloze Telegrafie / Station Overtoom / Eigen Haard Maart 1904’, collector's mark: ‘5’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Overtoom. Twaalf bladzijden uit Eigen Haard van maart 1904.
Marteldood van Petrus aan het kruis
Object type: print
Date: 1658 – 1677
Materials: paper
Techniques: mezzotint
Subjects: peter crucified upside down
Inscriptions: collector's mark: Lugt 2228

Petrus wordt met zijn hoofd naar beneden gekruisigd.
Portret van Armand Thomas Hue de Miromesnil
Object type: photomechanical print
Date: 1875 – 1930
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons
Cattle and Carts, leaving Balaklava
Object type: photograph
Date: 1855 – 1855
Materials: paper
Techniques: photography, salted paper print
Location: england
Artist: roger fenton
Artist role: artist
Artist nationality: english
Artist dates: 1819 – 1869
Subjects: collected by hugh edwards
Firenze. Chiesa del Carmine. Cappella Brancacci. I SS. Pietro e Paolo dinanzi al Proconsolo e crocifissione di S. Pietro
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: florence
Subjects: interior of church, picture, painting
Inscriptions: collector's mark: ‘AFE v S’