deem-data/ArtiFact huggingface dataset:
Portret van Willem Pieter Hoevenaar
Object type: drawing
Date: 1828 – 1863
Materials: paper, pencil
Artist: gijsbertus craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1810 – 1895
Subjects: willem pieter hoevenaar, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
Design for a Chalice (recto); Design for the Base of a Vase (verso)
Object type: drawing
Date: 1672 – 1725
Materials: chalk, graphite, ink
Techniques: brush, pen, wash
Artist: giovanni battista foggini
Artist role: artist
Artist nationality: italian
Artist dates: 1652 – 1725
Subjects: chalices
Mummy Bandage Inscribed for Paherer
Object type: bandage
Date: 750 – 700
Materials: linen
Location: egypt
Subjects: hieroglyphs
Glass amphoriskos (perfume bottle)
Object type: amphoriskos
Date: 534 – 401
Materials: glass
Culture: greek, eastern mediterranean

Translucent cobalt blue, with handles in same color; trails in opaque yellow and opaque turquoise blue. Inward-sloping rim-disk, with radiating tooling marks on upper surface; cylindrical neck, expanding downwards with fine tooling line around base; sloping shoulder; top-shaped body; two vertical strap handles applied to shoulder, drawn up and in, and pressed onto underside of rim-disk and top of neck. A fine yellow trail attached at edge of rim-disk; another thick yellow trail applied on edge of shoulder, tooled into a close-set zigzag pattern on upper half of body, where a turquoise blue trail is added, mingling with the yellow, forming vertical ridges in sides; below, a yellow and a turquoise blue trail wound horizontally around body. Broken with part of lower body and all of base-knob missing, and one small weathered chip in rim-disk; slight pitting and some encrustation around handles. This broken example enables us to see the rough and pitted interior surface of the bottle.
125 [in negatief]
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: carlo naya
Artist role: fotograaf
Artist dates: 1816 – 1882
Subjects: picture, painting, venice
Teabowl
Object type: teabowl
Date: 1750 – 1750
Materials: clay, glaze
Culture: japanese
Artist: raku chōnyū
Artist role: artist
Artist nationality: japanese
Artist dates: 1714 – 1770
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1615 – 1868
Materials: copper, gold alloy, gold, silver
Culture: japanese
Location: japan
Subjects: human figures
Abbildung wie bey den glucklichen Einzug unsers Durchlauchtigsten Herrn Erbstadhalters mit desselben Gemahlin Königliche Hoheit in Dem Haag der Banquier Tobias Boas sein Hauss den 9. Novembr. 1767 illuminiret
Object type: drawing
Date: 1767 – 1767
Materials: paper
Location: northern netherlands
Artist: Anonymous
Subjects: the hague, william v (prince of orange), berlin, painter, draughtsman, wilhelmina of prussia (princess of orange), triumphal arch (+ illumination, fire-works ~ festive activities)
Inscriptions: collector's mark: Lugt 2228

Illuminatie van het huis van de joodse bankier Tobias Boas te Den Haag, ter gelegenheid van de intrede van de pas getrouwde stadhouder Willem V en zijn echtgenote prinses Wilhelmina van Pruisen te Den Haag op 9 november 1767. Gevel versierd met panelen met allegorische voorstellingen, wapens en lampions.
Portret van een onbekende man met een kind op schoot voor een kamerscherm
Object type: photograph
Date: 1900 – 1915
Materials: cardboard, photographic support
Techniques: daylight paper print
Location: netherlands
Artist: Anonymous
Subjects: screen, folding screen, father and child(ren), man and child(ren) (family group)

RP-F-F20903 is op dezelfde plek genomen.
Scherven van borden uit V.O.C.-schip de 'Witte Leeuw'
Object type: plate dish
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven van borden uit V.O.C.-schip de 'Witte Leeuw', zak met scherven kraakporselein.
Textile Fragment
Object type: textile fragment
Date: 901 – 1000
Materials: linen, metal thread
Techniques: embroidery
Location: egypt
Boerderij aan een bospad
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: forest path or lane, conversation, dialogue; conversation piece, farm (building)
Inscriptions: collector's mark: Lugt 240

Gezicht op een bospad waar een boerenhoeve aan ligt. Naast het pad zitten op verschillende plekken vrouwen te rusten, en op het pad zijn twee mannen met elkaar in gesprek. De prent is deel van een serie van zes prenten met landschappen.
Portret van Daniel Heinrich Arnoldt
Object type: print
Date: 1721 – 1771
Materials: paper
Techniques: engraving
Artist: johann david schleuen (i)
Artist role: print maker
Artist dates: 1711 – 1774
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Leven van de heilige Turibius de Mogrovejo
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: Anonymous
Subjects: priest, turibius de mogrovejo, archbishop, bishop, etc. (roman catholic)
Inscriptions: collector's mark: Lugt 240, inscription: ‘Car: Maratus inv: et fec:’

De heilige Turibius de Mogrovejo, aartsbisschop van Lima, knielend voor een altaar met een beeltenis van Maria met Kind. Onderaan een lege cartouche.
Broadside with 48 scenes depicting the triumphal entry and burial and entry of the new carnival
Object type: print
Date: 1860 – 1870
Techniques: lithograph, engraving
Artist: antonio bosch
Artist role: publisher
Artist nationality: spanish
Artist dates: 1860 – 1880
Subjects: men,women,horses
Vier vrouwen in zondagse kleding te Geispolsheim
Object type: photograph
Date: 1855 – 1865
Materials: photographic support
Techniques: albumen print
Location: geispolsheim
Subjects: stairwell, adolescent, young woman, maiden, clothes for official occasions, folk costume, regional costume
Inscriptions: number: ‘4’, inscription: ‘France. Alsace. Departement du Bas-Rhin.- Commune de Geispolsheim’, number: ‘No. 10.’
Schetsboek met 42 bladen
Object type: sketchbook
Date: 1866 – 1922
Materials: cardboard, chalk, ink, linen, paper, pencil
Techniques: brush, pen
Location: north brabant
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), village, windmill in landscape, farm (building), oostvoorne, brielle
Inscriptions: factory mark: ‘SvH/ No. [...]’, retailer's mark: ‘TH.J.DE KONING/ Kantoor-/ en Papierhandel/ PASSAGE 36-38-39’, signature and address: ‘Willem c Rip/ den Haag’, annotation: ‘H. Reinhardt/ Chicago/ Hotel Kurhaus/ A. Duey/ St Loui[...]/ [...]’

Schetsboek bestaande uit 42 bladen met landschappen met en zonder bebouwing, onder andere bij en van Oostvoorne, Zwartewaal, Den Briel, Dommelen, Leende, Waalre, Boekel, Arkel, Valkenswaard en Ravenstein.
A group of elegantly dressed people playing the harp and a guitar
Object type: print
Date: 1740 – 1768
Techniques: engraving
Artist: bartolomeo crivellari
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Terracotta bobbin
Object type: bobbin
Date: 460 – 450
Materials: terracotta
Culture: greek, attic
Artist: penthesilea painter
Artist role: artist
Subjects: eros,nike
Amsterdam, met d'Uytleggingh van den jare 1482
Object type: print
Date: 1663 – 1664
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), maps of cities, amsterdam
Inscriptions: collector's mark: Lugt 1641b

Prent mogelijk uit: Dapper, Olfert. Historische beschryving der stadt Amsterdam (…). Amsterdam: Jacob van Meurs, 1663. Of uit: Zesen, Philipp von. Beschreibung der Stadt Amsterdam (…). Amsterdam: Joachim Nosche, 1664.
Oever van de Theems bij Sonning
Object type: print
Date: 1863 – 1868
Materials: paper
Techniques: drypoint, etching
Location: england
Artist: francis seymour-haden (sir)
Artist role: print maker
Artist dates: 1818 – 1910
Subjects: river bank, thames
Inscriptions: collector's mark: Lugt 2228

Oever van de Theems met in de verte een aantal huizen.
Schetsen van bomen of gebladerte
Object type: drawing
Date: 1628 – 1652
Materials: ink, paper
Techniques: brush, pen
Artist: jan both
Artist role: draughtsman, painter, print maker
Artist dates: 1618 – 1652
Javaanse vrouwen maken een rubbertuin schoon.
Object type: stereograph
Date: 1900 – 1935
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: malang
Artist: neville keasberry
Artist role: fotograaf
Artist dates: 1866 – 1944
Inscriptions: signature: ‘Neville Keasberry, Malang (Java)’, inscription: ‘Stereoscopische Fotografie’
Portret van Floris III van Holland
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: historical persons, ruler, sovereign, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent uit: Sellius en Dujardin. Histoire générale des Provinces-Unies. Parijs: Pierre Guillaume Simon, 1757, dl. 3, p. 91.
Le gandin ivre
Object type: print
Date: 1864 – 1912
Materials: paper
Techniques: soft ground etching
Subjects: theatre (building), couple of lovers
Inscriptions: collector's mark: Lugt 2228
The View from Komagata Hall, from the series "Eight Precincts of Kinryuzan Temple in Asakusa (Asakusa Kinruzan hakkei)"
Object type: print
Date: 1782 – 1782
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Rev. James Scott
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits,profiles
Opwekking van Lazarus
Object type: print
Date: 1550 – 1599
Materials: paper
Techniques: engraving
Location: brussels
Subjects: the raising of lazarus ('lazarus, come out')
Inscriptions: collector's mark: Lugt 2228

Een man en een vrouw helpen de oude Lazarus uit zijn graf. Nadat Christus hem had geroepen werd Lazarus weer tot leven gewekt. De omstanders in de grot kijken met ongeloof naar de oude man.
Het Paleis van Justitie
Object type: book illustration
Date: 1846 – 1846
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johannes hilverdink
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1902
Subjects: court building, sailing-ship, sailing-boat, city-view in general; 'veduta', canals, waters (in city), boat propelled by man or animal
Inscriptions: collector's mark: Lugt 1641b

Prent uit: Vijver, Cornelis van der. Geschiedkundige Beschrijving der Stad Amsterdam (...). Amsterdam: Gebroeders Diederichs, 1846, dl. 3.
Afternoon dress
Object type: afternoon dress
Date: 1890 – 1893
Materials: cotton, silk
Culture: american
Barbe of hoofdtooi van naaldkant met treurwilgenblaadjes
Object type: headdress
Date: 1860 – 1880
Materials: linen
Techniques: needle lace
Location: brussels

Een zuivere rechthoek vertoont een eindeloze tak van fijne treurwilgenblaadjes binnen een parellijstje en een snoer van rozetjes. In de uiteinden is de parellijst in een hartvorm gelegd die een tuiltje roosjes en margrietjes omkranst. In de hoeken staan grote eikebladeren. Bladvoluten oversnijden de parellijst en verdelen het vlak in compartimenten met bloemtakjes. Point de gaze de Bruxelles.
Zittende vrouw die iets schilt
Object type: drawing
Date: 1820 – 1830
Materials: chalk, paper
Location: the hague
Artist: Anonymous
Subjects: adult woman, sitting figure - aa - female human figure, cleaning fruit, e.g. peeling

Tekeningen waarschijnlijk ontstaan bij het Haagse kunstgenootschap ‘Tot Nut der Tekenkunst’, waar twee keer per week tekenavonden werden georganiseerd met geklede modellen.
Icones Principum Vivorum Doctorum Pictorum Chalcographorum Statuariorum nec non Amatorum Pictoriae Artis Numero Centum ab Antonio van Dyck Pictore ad Vivum Expressae Eiusq: Sumptibus aeri incisae
Object type: album leaf
Date: 1630 – 1641
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: utrecht, print maker, draughtsman, gerard van honthorst, portrait, self-portrait of painter

Deze prent maakt deel uit van een album.
Handschrift betreffende Louis Ricquier
Object type: manuscript
Date: 1840 – 1841
Materials: ink, paper
Techniques: pen, writing
Subjects: antwerp, paris, painter, louis ricquier

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Portret van een man
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: max büttinghausen
Artist role: fotograaf
Artist dates: 1847 – 1906
Subjects: adult man, historical persons
Cabinet of Drawers with Birds, Flowers, and Court Carriage
Object type: cabinet with drawer
Date: 1567 – 1600
Materials: gold, mother of pearl, silver, wood
Techniques: hiramakie, inlay, lacquer
Culture: japanese
Subjects: flowers,cabinets

The Portuguese and Spanish who visited Japan during the Momoyama period were fascinated by the exotic appearance of gold‑decorated lacquer associated with the taste of warlord Toyotomi Hideyoshi (1537–1598). As a result, lacquer commissioned for the European market typically adopted this flamboyant style (Kōdaiji maki‑e). Among the earliest goods exported from Japan, such pieces are known collectively as nanban (Southern Barbarian), the Japanese appellation for foreigners. The form of this cabinet is based on the European vargueno or escritorios, a chest of drawers with a drop front that served as a surface for writing. Its decorative patterns depict Japanese subjects, including a court carriage and courtiers, maple, mandarin orange, and cherry trees, camellia flowers, wisteria branches, and birds. The decorative bands of the borders are embellished with geometric designs.
Watch with the Liberation of Andromeda
Object type: jewellery
Date: 1765 – 1766
Materials: gold
Techniques: repoussé
Location: rotterdam
Inscriptions: date letter: ‘H of K’, mark: ‘saterkop’, maker's mark: ‘I W’, mark: ‘liggende leeuw’, signature

Zakhorloge, etui van schildpad, gouden binnenkast, zeldzaam mooi gedreven in hoog-reliëf, voorstellend de bevrijding van Andromeda, Nederlandse émail wijzerplaat met gouden wijzers, fraaie zilveren kloof met putto, inscriptie: kent uzelve, gemerkt: Michiel de Haan, Rotterdam, nr 15.
Kind gezeten in een kinderstoel, mogelijk Jacques Bernimolin
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: etching, intaglio
Artist: adrien de witte
Artist role: print maker
Artist dates: 1850 – 1935
Subjects: baby-chair, child
Inscriptions: collector's mark: Lugt 2228

Mogelijk portret van de neef van Adrien de Witte: Jacques Bernimolin.
"On porte beaucoup de fleurs, ce printemps, surtout sur les chapeaux", from Les Anglais Chez Eux, Masques et Visages, plate 9, bound in Oeuvres Nouvelles, vol. III
Object type: print
Date: 1853 – 1853
Techniques: lithograph
Artist: paul gavarni
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1866
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of stick; draped figure with stick
Portret van Albertje Kuyskens
Object type: print
Date: 1800 – 1802
Materials: paper
Techniques: etching
Location: netherlands
Artist: hermanus van brussel
Artist role: draughtsman, print maker
Artist dates: 1763 – 1815
Subjects: old woman
Inscriptions: collector's mark: Lugt 2228, inscription
Atjeh monument
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: chromolithography
Location: netherlands
Artist: Anonymous
Subjects: world fair, world exhibition, amsterdam

Het Atjehmonument van architect P.H.J.Cuypers met een bronzen Victorie door de beeldhouwer Bart van Hove. Opgericht op de Wereldtentoonstelling op het Museumplein te Amsterdam. Onderdeel van een groep van zestien platen en een plattegrond van de Wereldtentoonstelling in Amsterdam van 1 mei tot 1 oktober 1883. Uitgave van het Nieuws van den Dag.
Gectoirs Du Burreau Des Finan. De Lem / Fundatori Quietis
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: ghent, charles v (holy roman emperor and king of spain), snakes, predatory birds, basilisk (cock with posterior of snake)

Pagina uit Jacob Typotius, Symbola Divina & Humana Pontificum Imperatorum Regum. Arnhem, J.F. Hagen, 1666 of uit de titeluitgave van 1669 of 1679. Het werk van Typotius werd voor het eerst uitgegeven in 1601 met prenten van Aegidius Sadeler.
Kermisprent van de Amsterdamse nachtwacht voor het jaar 1851
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: letterpress printing, engraving
Artist: Anonymous
Subjects: night patrol, armorial bearing, heraldry, amsterdam

Kermisprent van de Amsterdamse nachtwacht, 8 september 1851. Centraal een gedicht met bovenaan het wapen van Amsterdam en een gevleugelde vrouw. Aan de zijkanten verschillende gezichten op de kermis. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Portret van een man in uniform
Object type: carte de visite
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: tunis
Artist: j. adamo
Artist role: fotograaf
Subjects: adult man, historical persons, (military) uniforms
Inscriptions: annotation: ‘Chacun prend son plaisir où il de trouve.’, annotation: ‘L'Aristocratie ligne progressive descendante scholie’, inscription: ‘Phot. J. Adamo Tunis/ Rue des Maltais, 10.’
Fireplace Design
Object type: drawing
Date: 1801 – 1900
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: fireplaces
Porte, XVIIe Siècle
Object type: page
Date: 1876 – 1881
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: decorated gable, haarlem
Inscriptions: inscription: ‘PIGNON en pierres (...)’, monogram: ‘JJvY’, inscription: ‘LITT. P. - PL. 27.’
The Deification of Aeneas by Nymphs and Cupids
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: etching
Location: belgium
Artist: daniël van den dyck
Artist role: draughtsman, painter, print maker
Artist nationality: flemish
Artist dates: 1614 – 1663
Inscriptions: Printed in plate, below image: "Jupiter, Ænea Veneris …………..olympum / ... Coeli...patet. / Abluitr Nympha prius indefessa Semeitus / Nec mirrum piros nam deiet ene Deos / Jllmo Dno Bartholomeis Bellono Marchioni Gualterij ac Patritio Veneto opusculum hoc die incisum obsequij et observantia  argum? Daniel Vanden Dyck dust dedicat consecratque"; inscribed verso, lower right, in graphite: "14S1 / 24 / MG-82-15-PAM"

The hero of Virgil’s epic the Aeneid, Aeneas is associated with the foundation of Roman culture following the fall of Troy and an arduous journey to his destined homeland in Italy. In this print, Aeneas is prepared for deification; his armor has been removed, and nymphs and cupids perform a ritual cleansing of his body. Van den Dyck, an artist who emerged from the orbit of Peter Paul Rubens, realized this print during one of his many years in Italy. After settling first in Venice, the artist eventually became a court painter to Duke Carlo Gonzaga II in Mantua.
Stem cup
Object type: stem cup
Date: 601 – 800
Materials: silver
Culture: chinese
Twee borden beschilderd met voorstellingen en mythologische dieren
Object type: album leaf
Date: 1880 – 1940
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: fabulous animals (sometimes wrongly called 'grotesques'); 'mostri' (ripa), dish, plate, saucer
Inscriptions: number: ‘B. 2. 30’
Gezicht op de beurs, te Sint-Petersburg
Object type: book illustration
Date: 1847 – 1847
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: exchange, bourse
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Witkamp, P.H. Beschrijving van Oost- en Noord-Europa. Amsterdam: J.H. Laarman, 1847.
Madonna and Child with the Infant Saint John
Object type: drawing
Date: 1527 – 1585
Materials: ink
Techniques: brush, pen, wash
Artist: luca cambiaso
Artist role: artist
Artist nationality: italian
Artist dates: 1527 – 1585
Subjects: infants,madonna and child,saint john the baptist
Der neue Palast Michailow.
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: berlin
Artist: louis gothe
Artist role: fotograaf
Subjects: palace
Inscriptions: inscription: ‘Ansichten von St. Petersburg.’, number: ‘40.’
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1890 – 1890
Materials: cardboard, ink
Techniques: pen, writing
Location: scheveningen
Artist: taco mesdag
Artist role: draughtsman, painter
Artist dates: 1829 – 1902
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Allegorie op de uitwerking van bijgeloof en huichelarij
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: mask, 'superstitione' (ripa), lightning, flash of lightning, thunderbolt, rage, anger
Inscriptions: collector's mark: Lugt 240

De personificaties van Natuur en Rede worden onder de voet gelopen door een geblinddoekte man met dolk en toorts. De man wordt voortgeduwd door een vrouw die zich achter een masker verschuilt.
La lecture de la bible
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: aquatint, engraving, etching, roulette
Location: new york city
Subjects: reading the bible or other religious books, family life at home
Inscriptions: collector's mark: Lugt 2228
Gezichten op de Raadzaal en de Vestibule van het stadhuis op het Prinsenhof
Object type: photomechanical print
Date: 1890 – 1890
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: townhall
Inscriptions: collector's mark: ‘17.64AB’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Stadhuis, van binnen: Vaartuigen en Gebouwen ten dienste der Stedelijke Regeering en Administratie; Stadhuis (Prinsenhof).
Dish
Object type: dish
Date: 1601 – 1700
Materials: glass

During the Renaissance, Venetian glassmakers, working on the island of Murano, were celebrated across Europe for their fine and sparkling work. Called “cristallo” emulating the clarity of rock crystal, in the hands of the most skilled glassblowers the medium could be delightfully manipulated, variously stretched paper-thin flat, or playfully twisted, or blown into molds with spectacular patterns.
Isola Bella. Lago Maggiore
Object type: photomechanical print
Date: 1905 – 1909
Materials: cardboard
Techniques: photograph, writing
Location: zurich
Artist: Anonymous
Subjects: prospect of village, silhouette of village, lake, mountains
Medaillons met muziekinstrumenten en wapens
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Location: paris
Subjects: musical instruments; group of musical instruments, trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, weapons
Inscriptions: collector's mark: Lugt 2228

Zes medaillons. Links boven met trommel en doedelzak. Midden boven, links- en midden onder met bloemen. Rechts onder met schild en wapens.
Gezicht langs de oever van de rivier de Wampoe, Sumatra (Wampoe Fluss)
Object type: photograph
Date: 1890 – 1900
Materials: photographic support
Techniques: collodion silver print
Location: medan
Subjects: sumatra
Inscriptions: number: ‘Sumatra 30.’, signature: ‘Stafhell & Kleingrothe Medan-Deli’

Benedenloop van de Wampu (Wampoe) rivier. Langs de kant een bootje met een man. Onderdeel van het Sumatra fotoalbum van Paul en Lucie Sandel uit 1900.