deem-data/ArtiFact huggingface dataset:
Christus als man van smarten, vergezeld door engelen
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: reed ~ instruments of the passion, man of sorrows, 'imago pietatis', 'erbärmdebild', 'schmerzensmann'; the upright christ showing his wounds, usually bearing the crown of thorns, and accompanied by the instruments of the passion, standing or sitting in his tomb (+ angel(s))
Inscriptions: collector's mark: Lugt 240, number: ‘59’

Christus zit aan de voet van het kruis en toont zijn wonden. Aan weerszijden van hem engelen met de passiewerktuigen. Een geknielde man overhandigt de rietstengel aan Christus. In de marge een tweeregelig Bijbelcitaat uit Ps. 34 in het Latijn.
Spotprent op de Franse verliezen bij Kaap la Hogue, 1692
Object type: cartoon
Date: 1692 – 1692
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: political caricatures and satires

Spotprent op de verbranden van de Franse schepen door de Nederlanders en Engelsen na de overwinning in de slag bij Kaap la Hogue in het Kanaal, 29 mei t/m 3 juni 1692. De Hollandse Matroos met bezem en mes, aan zijn voeten een knielende smekende Fransman. Links dreigt een Engelsman een Jacobiet met een hakbijl. Met onderschrift in twee kolommen.
Galleria Giustiniana del Marchese Vincenzo Giustiniani II
Object type: print
Date: 1636 – 1647
Materials: paper
Techniques: engraving
Location: rome
Subjects: piece of sculpture, reproduction of a piece of sculpture

Twee Romeinse portretbustes van Giulia Domna en Giulia Mamea. Op de basis van de onderste buste het wapenschild van Vincenzo Giustiniani. Prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling in de Galleria Giustiniani te Rome.
Adreskaart van Jean Bernard
Object type: business card
Date: 1775 – 1833
Materials: paper
Techniques: engraving
Subjects: print maker, draughtsman, jean bernard, visiting-card, calling-card, amsterdam

In een ovale omlijsting: 'Jean Bernard geeft Onderwijs in de Teekenkunst Met en Zonder Kleuren. Woont in de Kalverstraat ten Huijze van den Wedwe. A. Bernard'.
Cabinet
Object type: furniture
Date: 1640 – 1640
Materials: brass, wood, iron, ivory
Location: augsburg
Artist: adam eck
Subjects: furniture, animals, plant-derived motif, mothers, children, women, clocks, filigree, putti

Cabinets made in the southern German town of Augsburg during the sixteenth and seventeenth centuries are famous for their ornate decoration, which was typically executed in ebony veneer and ivory inlay. This exceptional example also includes delicately carved figures, bronze mounts, and narrative panels made from ivory and stained wood relief. The exquisite craftsmanship of this decoration is matched in inventiveness by the cabinet’s interior structure, which is part display case, part tool chest, and part safe-deposit box. Hidden compartments to the right of a built-in clock (a 1715 replacement of an earlier timepiece) contain a set of five medicine canisters and at least twenty-two other utensils, including hammers, scissors, and a mortar and pestle. These and the other compartments in the cabinet would often have housed jewelry, gems, and important papers, among other precious items. Thematically, the cabinet’s decoration ranges from pure ornament to hunting themes (especially related to the sport of falconry, which may have been a favorite pastime of the cabinet’s owner) and from mythological tales to the allegorical figure of the Christian virtue Charity, who crowns the object.
Het hobbelpaard
Object type: popular print
Date: 1833 – 1856
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: rocking-horse
Inscriptions: collector's mark: Lugt 2760

Blad met een grote voorstelling van een jongen op een hobbelpaard. Geheel omgeven door een sierrand. In de ondermarge een vierregelig vers in twee kolommen. Genummerd midden boven: (No 156.
Otia delectant
Object type: print
Materials: paper
Techniques: engraving
Location: utrecht
Artist: cornelis bloemaert (ii)
Artist role: draughtsman, print maker
Artist dates: 1603 – 1692
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., pastorals, arcadian scenes, spinning (manufacture of yarn)
Inscriptions: collector's mark: Lugt 240

Een oudere en jonge man zitten met een vrouw op het gras. De vrouw houdt een stok omwonden met garen in haar hand. Met tweeregelig Latijns onderschrift.
Treinwagon die is verwoest door de ontploffing van een munitiefabriek in Oosterweel bij Antwerpen op 6 september 1889
Object type: page
Materials: paper
Techniques: photograph
Location: oosterweel
Subjects: railway wagon
Inscriptions: number: ‘7’
Vedova nobile di Spagna
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Creamer
Object type: cream pot
Date: 1870 – 1885
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Afternoon dress
Object type: afternoon dress
Date: 1897 – 1898
Materials: silk
Culture: american or european
Twee mannen bij de wortels van een boom
Object type: photomechanical print
Date: 1887 – 1892
Materials: paper
Techniques: autotype
Location: congo
Subjects: trees, historical persons
Portret van Louis Pasteur
Object type: album leaf
Date: 1852 – 1852
Materials: paper
Techniques: rotogravure
Location: france
Artist: Anonymous
Subjects: historical persons, science and technology (+ portrait of scholar, scientist), france
Needlework picture
Object type: needlework picture
Date: 1820 – 1820
Materials: paint, silk, thread, watercolor
Culture: american
Location: united states
Artist: anna matilda curtis
Artist role: maker
Artist nationality: american
Artist dates: 1802 – 1839
Subjects: children,men,women,jesus
Cologne Bottle
Object type: cologne bottle
Date: 1870 – 1900
Techniques: glassblowing
Culture: czech
Location: czech republic
Terracotta lekythos (oil flask) with an owl
Object type: lekythos
Date: 400 – 301
Materials: terracotta
Culture: greek, south italian, apulian
Subjects: owls
Brooch
Object type: brooch
Date: 1767 – 1800
Materials: crystal, gold, hair
Culture: american
Location: united states
Die Deutsche Kaiser-Hackmaschine (...)
Object type: book
Date: 1897 – 1897
Materials: paper, cardboard, leather
Techniques: gelatin silver print, letterpress printing, line block
Location: magdeburg
Artist: Anonymous
Inscriptions: date: ‘NOV 2017’
Twee Indische jongens zittend in overkapte houten boot
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: dutch east indies, the

Onderdeel van familiealbum Nederlands-Indië.
Fragment From the Chasuble of San Valero
Object type: textile
Date: 1201 – 1300
Materials: animal substrate, gilt, silk
Techniques: weave
Culture: islamic
Location: spain
The Veterans
Object type: book illustration
Date: 1825 – 1825
Materials: paper
Techniques: engraving
Location: london
Subjects: veteran, reunion, memorial gathering (~ veteran soldiers), inn, coffee-house, public house, etc., person with a physical disability, political caricatures and satires

Twee veteranen, een 'Greenwich pensioner' met een houten been en een 'Chelsea pensioner' zonder arm drinken samen in een herberg. Spotprent bij een blad met de tekst van het lied: The Veterans. Illustratie (p. 273/274) genomen uit een uitgave van de liederenbundel: The Universal Songster, or Museum of Mirth, vol. I., eerst verschenen in 1825.
Portret van een onbekend meisje, aangeduid als Elsa
Object type: photograph
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: stockholm
Artist: lindman
Artist role: fotograaf
Subjects: historical persons, girl (child between toddler and youth)
Inscriptions: inscription: ‘Elsa’, inscription: ‘FOTOGRAFISK ATELIER/ LINDMAN/ Wahrendorffsgatan No. 8/ vid. Berzelii park.’
James I and Anne of Denmark
Object type: print
Date: 1651 – 1651
Techniques: engraving
Artist: renold elstrack
Artist role: engraver
Artist nationality: british
Artist dates: 1570 – 1625
Subjects: portraits,women
Vrouw op een stoel
Object type: sketchbook leaf
Date: 1871 – 1871
Materials: paper, pencil
Techniques: stumping
Location: netherlands
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: sitting on an elevation - aa - female human figure
Inscriptions: date: ‘21 Febr 71’

Vrouw op een stoel. Blad 7 verso uit een schetsboek met 39 bladen, deels vervaardigd te Ulm en Leiden.
Shell Necklace
Object type: necklace
Date: 401 – 1000
Materials: shell
Culture: venado beach
Location: panama
Medallion
Object type: medallion
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: dragons
Chassinet met Willem van Oranje en Minerva voor de Leidse stedenmaagd, bij het 250-jarige Academiefeest te Leiden, 1825
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: etching
Location: netherlands
Artist: jacob elias van varelen
Artist role: draughtsman, print maker
Artist dates: 1757 – 1840
Subjects: delft, william i (prince of orange), mayor, minerva as patroness, personification of a city, town-patron(ess), leiden
Inscriptions: collector's mark: Lugt 2228, name: ‘J. van Varelen inv. et sculps.’

Willem van Oranje en Minerva staande voor de stedenmaagd van Leiden die van haar troon probeert op te staan om de twee te begroeten. Achter haar twee staande mannen: Johan van der Does en burgemeester Pieter van der Werff. Tegen een achtergrond van een doorgebroken bakstenen muur. Door de muur zicht op boten op het water waarmee voedsel naar de stad wordt gebracht tijdens het ontzet van Leiden. In de lucht vertrekt Mars in zijn strijdwagen. Deze voorstelling stond afgebeeld op een chassinet opgesteld op de ruïne bij de Langebrug te Leiden ter gelegenheid van het 250-jarige Academiefeest op 8 februari 1825 (van de inwijding van Universiteit van Leiden, 8 februari 1575).
Fotoreproductie van een schilderij van Christus die een maaltijd zegent
Object type: photomechanical print
Date: 1874 – 1884
Materials: paper
Techniques: photograph
Subjects: beatitudes and blessings of christ
Inscriptions: inscription: ‘O, du, der uns begegnet, Und unser herz gewann’
Brooch
Object type: brooch
Date: 1867 – 1933
Materials: glass, metal
Culture: american or european
Print
Object type: print
Date: 1750 – 1835
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: women
Stoomlocomotief voor goederenvervoer gemaakt door Sharp, Stewart and Company
Object type: page
Date: 1874 – 1884
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: steam locomotive
Inscriptions: number: ‘886’, inscription: ‘Class 886. “Conslidation” goods engine.’
Second Performance: Les Fossiles, for Le Théatre Libre
Object type: print
Date: 1892 – 1893
Materials: paper
Techniques: lithograph
Location: france
Artist: henri-gabriel ibels
Artist nationality: french
Artist dates: 1867 – 1936
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 451 – 500
Materials: terracotta
Culture: greek, attic

Exterior, right hand and part of draped woman; left leg of male wearing a tunic
Flight into Egypt
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: donkeys,christ,holy family,saint joseph,virgin mary
Uitnodiging aan Philip Zilcken
Object type: invitation
Date: 1867 – 1930
Materials: cardboard
Techniques: printing
Artist: anton l. koster
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1937
Subjects: painter, draughtsman, philip zilcken, painting (including book-illumination, miniature-painting), exhibition ~ art, copenhagen (city)
Inscriptions: collector's mark: ‘RPK’
De geboorte van Christus
Object type: drawing
Date: 1650 – 1700
Materials: ink, paper
Techniques: pen
Artist: jean-baptiste corneille
Artist role: print maker
Artist dates: 1649 – 1695
Subjects: adoration of the christ-child by mary and joseph (+ angel(s))
Portret van een vrouw met muts
Object type: photograph
Date: 1868 – 1869
Materials: cardboard, photographic support
Techniques: albumen print
Location: rotterdam
Subjects: historical persons - bb - woman, head-gear: cap
Inscriptions: inscription: ‘Photographisch Atelier/ C. Janssens & E. Radermacher/ Nieuwe Veemarkt 14-341/ Rotterdam’
Statuette of lion holding a Nubian captive
Object type: statuette, lion, nubian
Date: 1850 – 1550
Materials: wood
Location: egypt
Subjects: boys,lions
Cosmetic dish in the shape of a dog
Object type: cosmetic spoon, dog
Date: 1550 – 1295
Materials: bone
Location: egypt
Subjects: dogs

This spoon, intended for use as a cosmetic holder, is also a very skilled representation of a dog at rest. The artist, working with a very thin piece of bone, has managed to create the illusion of a sculpture in the round. The spoon side clearly represents the dog's left side, while the back of the spoon is the animal's right side. Another cosmetic spoon in the collection (44.4.55) represents a mouse in a similar fashion.
Ishibe, from the series “Fifty-Three Stations of the Tokaido”
Object type: print
Date: 1855 – 1855
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Begravenis van hare Koninglyke Hoogheid, de Vrouwe Gouvernante, in de Nieuwe Kerk te Delft, op den 23 der Sprokkelmaend des jaers 1759, en Vertooning van de Illuminatien aen de Vorstelyke Graftombe, by die gelegenheid
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: the hague, anna van hannover, burial, grave-building, monumental tomb
Inscriptions: collector's mark: Lugt 2228

Begrafenis van Anna van Hannover, prinses van Oranje-Nassau, in de Nieuwe Kerk te Delft op 23 februari 1759. Het interieur van de kerk en het praalgraf van Willem van Oranje is verlicht met talloze kaarsen.
Erasmus of Rotterdam
Object type: print
Date: 1526 – 1526
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: books,men,writing

A Roman Catholic reformer and one the most important Netherlandish humanists, Erasmus of Rotterdam held a deep admiration for Albrecht Dürer, whom he praised in a eulogy as the greatest of graphic artists: "And is it not more wonderful to accomplish without the blandishment of colors what Apelles accomplished with their aid?" In likening Dürer to Apelles—indeed, in asserting the German's superiority over the Greek artist—Erasmus echoed a tradition dating back to antiquity of judging artists and the visual character of their work by the standards set by their predecessors. Dürer would certainly have appreciated the praise for his graphic talents. The portrait amply demonstrates the virtuous effects Dürer was able to achieve without the benefit of color or a liquid medium. Convincingly aligned at an angle to the picture plane, Erasmus stands writing in his study, with the books that indicate his substantial intellect and scholarship arranged around him. The vase of lilies probably refers to the purity of his mind, while the Latin and Greek inscription, prominently framed like a picture on the wall, underscores the scholar's humanistic interests: "This image of Erasmus of Rotterdam was drawn from life by Albrecht Dürer." Below are the date, 1526, in Roman numerals, and the artist's monogram. Dürer met Erasmus at least once in Brussels and twice in Rotterdam during a trip to the Netherlands in 1520 and 1521. Although he sketched Erasmus several times during his trip, he did not execute the engraving until six years later, and only then with the encouragement of his close friend Willibald Pirkheimer; apparently, for certain reasons Dürer had been disappointed by the well-known Protestant reformer. Dürer based the portrait on a medal of 1519 in Pirkheimer's collection by Quentin Massys and reproduced the Greek inscription found on the medal, which states: "A better portrait his writings show." Presumably Erasmus agreed, because he made known his disappointment with this portrait to at least two of his colleagues. And yet, Dürer's Erasmus remains one of history's richest and most powerful depictions of scholarly preoccupation and the humanist ideal.
Neck-amphora
Object type: neck amphora
Date: 525 – 501
Materials: terracotta
Culture: greek, attic
Artist: painter of toronto 313
Artist role: artist
Subjects: battles,weapons,amazons,herakles
Mr. JN. Mason Aged 46
Object type: print
Date: 1800 – 1850
Materials: paper
Techniques: engraving, etching
Location: england
Artist: Anonymous
Subjects: ornament ~ medallion, historical persons
Henricus MeursII Amsterdamensis
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: amsterdam, historical persons, pen

Met vierregelig onderschrift in het Nederlands.
Landscape with Mountains of Samaria, 1904 (from Sketchbook)
Object type: watercolor
Date: 1904 – 1904
Materials: graphite, paper, watercolor
Culture: american
Artist: mary newbold sargent
Artist role: artist
Artist nationality: american
Artist dates: 1826 – 1906
Subjects: mountains,landscapes,trees
Cong
Object type: religious ritual object
Materials: jade, stone
Location: china
Rondel with the Goddess Hariti
Object type: rondel
Date: 1 – 100
Materials: gold foil, silver
Culture: gandhara
Subjects: gandhara,infants,goddess,nursing

The goddess Hariti is shown nursing a child and sitting on a throne flanked by lotuses and surmounted by auspicious geese (hamsa), the Buddha’s messengers. Stylistically this roundel can be related to first-century finds from the Taxila city of Sirkap, a dating that would make it one of the earliest known representations of Hariti. Buddhist texts tell us that Hariti originally stole and devoured children, but with the Buddha’s intervention she became their protector.
Zonder geld door 't land te wandlen, / Is als zonder waaren, handlen. / Let dus, leezer! op de munt, / Daar gij veel voor koopen kunt
Object type: popular print
Date: 1794 – 1804
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: coin

Blad met 17 voorstellingen van oude Nederlandse munten, voor- en keerzijde. Boven elke voorstelling de naam en waarde van de munt, eronder een tweeregelig vers. Genummerd rechtsboven: G.
Piece
Object type: piece
Date: 1701 – 1900
Materials: silk
Culture: japanese
Subjects: animals,boys,insects
Chasteau de Richelieu du costé qui regarde sur le parc, et Palmail
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving, etching, hand coloring
Location: paris
Subjects: castle

Uit een serie van twaalf ongenummerde prenten.
A Concert
Object type: print
Date: 1703 – 1764
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: musician(s) accompanying singer(s), cithern, mandolin, guitar, balalaika, flute, aulos, tibia, more than one musician with instrument
Inscriptions: collector's mark: Lugt 2228

Het schilderij is gemaakt door Valentin de Boulogne en niet door Caravaggio, zoals op de prent staat. Vanaf 1763 tot 1786 publiceerde John Boydell prenten naar schilderijen uit Engelse collecties. Deze waren vanaf 1769 gebonden verkrijgbaar.
Incoming Boats at Tsukuda Island (Tsukudajima irifune no zu), from the series "Famous Places in the Eastern Capital (Toto meisho)"
Object type: print
Date: 1832 – 1838
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Fa. Meebeeck Cruywaghen
Object type: reproduction
Date: 1880 – 1910
Materials: paper, cardboard
Techniques: collodion silver print
Subjects: family life
Inscriptions: collector's mark: Lugt 2228
Kanonnierschutter
Object type: sculpture
Date: 1795 – 1795
Materials: wood
Location: northern netherlands
Artist: Anonymous
Subjects: military service (+ artillery)

Houten beeldje van een kanonierschutter in een uniform van 1795, bezig om de lont in het kruit te steken. Het beeldje is geverfd met de oorspronkelijke kleuren.
[Vesuvius from Mergellina]
Object type: photograph
Date: 1855 – 1855
Techniques: paper negative, salted paper print
Artist: giacomo caneva
Artist role: artist
Artist nationality: italian
Artist dates: 1812 – 1865
Subjects: volcanoes,landscapes

In this diffuse print trimmed to a narrow horizontal format, sea, sky, and land meet to create a minimalist study of light and tone. Caneva produced numerous marine views in the coastal towns of Anzio, Nettuno, and Ostia. In 1855 he traveled south, where he made photographs of Pompeii and this panorama of Vesuvius and the Bay of Naples. The same year, he published the first essay on photography in Italy: A Practical Treatise on Photography. He wrote of his preferred medium, “For every occasion, the paper negative offers an advantage, and for handling they can be conserved in a portfolio, they give no added weight to the assembly of the camera, and they do not puzzle in the laboratory.”
Salient with North-west Casemates, Fort Sumter
Object type: carte de visite
Techniques: albumen silver print, glass negative
Artist: j. m. osborn
Artist role: artist
Artist nationality: american
Artist dates: 1850 – 1869
Subjects: fortification,soldiers,cannons,american civil war
Descendant joyeuseument le fleuve de la vie, from "Croquis d'Été"
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,drunkenness,men,summer,boats
Ruïne
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: aquatint, etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228

Ruïne van een burcht, op de voorgrond twee figuren bij een waterbassin.
Grote menigte figuren met kap op een begraafplaats
Object type: print
Date: 1877 – 1930
Materials: paper
Techniques: lithograph
Artist: henri de groux
Artist role: painter, print maker, sculptor
Artist dates: 1866 – 1930
Subjects: crowd, mob, head-gear: hood, churchyard, cemetery
Inscriptions: inscription: ‘les catafalques; 11670’, collector's mark: Lugt 2228, collector's mark: Lugt 2760
Pendant Necklace
Object type: decorative art
Materials: diamond, gold, pearl, gemstone
Techniques: enamel
Culture: european
Location: europe
Henry L. Taylor
Object type: painting, miniature
Date: 1833 – 1833
Materials: ivory, watercolor
Culture: american
Artist: george harrison hite
Artist role: artist
Artist nationality: american
Artist dates: 1807 – 1880
Subjects: men,portraits

The sitter was a grandfather of the donor.
Sword handle
Object type: sword handle
Date: 501 – 600
Materials: bronze, gilt
Culture: japanese
Hommes illustres
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: 'cornucopia', horn of plenty, lyre, cithara, psaltery, armour, weapons, caduceus (staff with two snakes, attribute of mercury)
Inscriptions: collector's mark: Lugt 2228

Busteportret van Johann Geyso, in harnas. Rechtsonder: 95. Het portret is gevat in een ovale omlijsting met het wapenschild van de geportretteerde en een randschrift in het Latijn. In de cartouche een vierregelig onderschrift in het Latijn. Op de voorgrond diverse wapens, een lier en een caduceus. Prent uit een serie portretten naar schilderijen van Anselmus van Hulle van alle gedelegeerden bij de vredesonderhandelingen te Münster en Osnabrück.
Tunic Fragment (?)
Object type: costume and accessory
Culture: inca
Location: peru
Diana Resting with Her Hounds (recto); Flora Seated by a Vase with Two Harks on the Ground, after Jost Amman (verso)
Object type: drawing
Materials: ink
Techniques: pen, wash
Artist: hermann weyer
Artist role: artist
Artist nationality: german
Artist dates: 1596 – 1621
Subjects: diana,dogs,vases