deem-data/ArtiFact huggingface dataset:
The Evacuation of Fort Sumter
Object type: album
Materials: glass
Techniques: albumen silver print
Artist: osborn's gallery
Artist role: publisher
Artist nationality: american
Artist dates: 1850 – 1869

This exceptional early war carte-de-visite album inscribed "The Evacuation of Fort Sumter" was given by an unknown donor to a "Mrs. Crawford Washington" in 1862. It includes sixteen cartes de visite of Fort Sumter and the other batteries lining Charleston Harbor. On the inside front cover is a period inscription: These photographs were taken immediately after the evacuation of Fort Sumter by the U.S. Troops under Anderson, April 1861. Two of the photographs—including a study of Confederate soldiers sitting in the rubble of the fort—are the work of Osborn’s Gallery, of Charleston. J. M. Osborn was a partner of the firm of Osborn and Durbec’s Southern Stereoscopic and Photographic Depot. All the other photographs in the album, including the view of Beauregard’s "floating battery," are attributed to Alma Pelot and Jesse H. Bolles and are on Edward Anthony card mounts.
Sampler
Object type: sampler
Date: 1808 – 1808
Materials: linen, silk
The Fifth Month, from the series Twelve Months in the Southern Pleasure District (Minami jūni kō)
Object type: print
Date: 1784 – 1784
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Subjects: fans,women
Agate intaglio: Uterine symbol
Object type: intaglio
Date: 101 – 200
Materials: stone
Culture: roman
Kampen, dubbele stuiver, 1679
Object type: coin
Date: 1679 – 1679
Materials: silver
Techniques: striking
Location: kampen

Zilveren munt. Voorzijde: tussen waarde-aanduiding 2 S generaliteitsleeuw. Keerzijde: tweeregelig opschrift, waaronder jaartal.
Portret van Geertje Vink
Object type: carte de visite
Date: 1857 – 1898
Materials: cardboard, paper
Techniques: albumen print
Subjects: sitting figure, historical persons - bb - woman, head-gear: cap
Inscriptions: inscription: ‘Photographisch/ ATELIER/ P. Sieuwers & Zoon/ EDAM/ EN/ PURMEREND/ Te Edam dagelijks werkzaam/ Te Purmerend zondag & dinsdag/ de negatieven blijven bewaard tot nabestelling’, inscription: ‘Geertje Vink van K. Ton’
Vier dansende vrouwen
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: engraving, hand coloring, lithography
Location: netherlands
Subjects: group dancing
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Vier vrouwen dansen hand in hand in een kring.
Portret van Bartholomäus Kilian
Object type: print
Materials: paper
Techniques: engraving
Subjects: print maker, draughtsman, publisher, bartholomäus kilian (ii), trees: laurel (branch, stick), portrait, self-portrait of graphic artist, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Spotprent uit Utrechtse studentenalmanak, 1852
Object type: cartoon
Date: 1852 – 1852
Materials: paper
Techniques: tone lithography
Location: the hague
Artist: g.j. du marchie van voorthuysen
Artist role: lithograaf
Subjects: student, utrecht
Inscriptions: collector's mark: Lugt 2228

Spotprent uit de studentenalmanak van de Universiteit van Utrecht van het jaar 1852. Vader Tijd toont wat hij de student in de toekomst allemaal kan brengen. De student zit linksonder in een stoel.
Rectangular box with decoration of scattered fans
Object type: box
Date: 1615 – 1868
Materials: gold, mother of pearl, silver
Techniques: inlay, maki
Culture: japanese
Subjects: fans
Netsuke of Dog and Puppy
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: dogs
Rowel Spur
Object type: spur
Date: 1601 – 1633
Materials: metal alloy
Culture: european
Location: italy

In the early 17th century spurs became true fashion accessories often worn outside the equestrian context, and some of them were real pieces of jewelry. Even if this spur is simpler and more practical than some of its luxurious contemporaries, the lines of its body, the curves of its buckle and its floral pierced rowel give it enough elegance to align it with this idea.
The Bridge, Chioggia
Object type: print
Date: 1926 – 1926
Materials: paper
Techniques: drypoint, etching
Location: chioggia
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, annotation: ‘Martin Hardie’
Portret van Johann Rudolph von Puchaim
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: engraving
Location: vienna
Artist: elias widemann
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Heemskerk als Wethouder
Object type: cartoon
Date: 1901 – 1909
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: political caricatures and satires, amsterdam
Inscriptions: collector's mark: ‘19,87’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan regeringsleden en hunne huisgezinnen [na 1800].
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, two fragments with meanders and cross squares with dots in the corners
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, top of head of youth and lower legs of a youth playing aulos, above aulos KALOS, retr.; one fragment has part of a basket; another has part of a pillow and drapery?; Obverse, under the handle, top right corner of an altar; door with meat? hanging from it; part of the lower body of a draped youth to left, wearing a himation, holding a branch in his right hand; lower drapery of a figure and part of a column base?; youth with himation to left, with his raised right arm bent; under the handle, a louterion resting on a base; Reverse, tree with cloak draped over one of the branches; bearded man wearing himation, with shield and spear, helmet in field, upright spear, right arm and shoulder of figure; From the exterior: fragment with drapery and tablet? with silhouette form; fragment with a silhouette tripod; fragment with drapery and part of a round shield?; fragment with drapery and part of the arm of a youth to left?; sheared fragment; black glazed fragment; part of foot and stem of kylix
Last Judgment
Object type: painting
Date: 1500 – 1500
Materials: oil, panel
Location: westphalia
Artist: Anonymous
Subjects: comprehensive representation of last judgement: christ (with sword and lily), often surrounded by elders and sometimes accompanied by mary and john the baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the passion); after the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils

Het laatste oordeel. Christus zittend op de regenboog met links Maria en rechts Johannes de Doper. In de hemel engelen met de passiewerktuigen. Lager zitten de discipelen op wolken, boven de aarde waar de doden uit hun graven opstaan.
Portret van Bertha van Holland
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: holland, historical persons
Inscriptions: collector's mark: Lugt 2228a
Portret van keizer Jozef II
Object type: print
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: jozef ii (duits keizer), historical persons, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 2228
Het tractaat met Frankrijk
Object type: cartoon
Date: 1904 – 1904
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personifications of countries, nations, states, districts, etc., political caricatures and satires

Minister van Buitenlandse Zaken Robert Melvil baron van Lynden sprekend met de Nederlandse Maagd op een bankje in de tuin, na een bezoek aan Marianne (Frankrijk).
Tea bowl decorated with chrysanthemums and wavy lines
Object type: teabowl
Date: 1700 – 1700
Materials: clay, glaze
Culture: japanese

The white slip, stamp technique, and chrysanthemum motif of this tea bowl echo the decoration of fifteenth-century buncheong ware, such as the adjacent vessel. Yet this cylindrical bowl was made specifically for the Japanese market, probably in the early seventeenth century. It is also possible that it was a product of the so-called Busan kilns (active 1639–1718) in southeastern Korea, which manufactured and exported revivalist Korean-style ceramics that catered to the tastes of Japanese consumers.
Design for Landau, No. 3102
Object type: drawing
Date: 1875 – 1875
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
For Ever Thine (Valentine)
Object type: drawing and watercolor
Materials: paper
Techniques: collage, embossing
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Dress
Object type: dress
Date: 1750 – 1775
Materials: silk
Culture: british
Oboe
Object type: wind instrument
Date: 1780 – 1800
Materials: wood, ivory, silver
Location: tilburg
Artist: johannes van de knikker
Artist role: musical instrument maker
Artist dates: 1731 – 1815
Inscriptions: mark, on the bell, stamped: ‘I.V.D/ KNIKKER/ TILBORGH’ I.V.D/ KNIKKER/ TILBORGH/ [a star], mark, above tone hole 1 and between holes 4 and 5, stamped: ‘KNIKKER’ KNIKKER/ [a star]

Hobo ebbenhout met ivoren randen en drie zilveren kleppen.
Vier honden
Object type: cabinet photograph
Date: 1857 – 1908
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: dog
Portret van een onbekende jonge man
Object type: carte de visite
Date: 1881 – 1887
Materials: paper, cardboard
Techniques: collodion silver print
Location: haarlem
Artist: jacques chits
Artist role: fotograaf
Artist dates: 1835 – 1917
Subjects: youth, adolescent, anonymous historical person portrayed
Inscriptions: address: ‘Haarlem/ Waaigat/ No. 14./ Amsterdam/ Plantage/ Kerklaan No. 15/ over de Koningskroon.’, inscription: ‘De plaat blijft ter nabestelling bewaard.’
Page 11r, from "Eyn New Kunstlichboich"
Object type: book
Date: 1529 – 1529
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550
Subjects: ornament

Published by Peter Guentel, Cologne, woodcut border designed by Anton Woensam von Worms, German, active first half 16th century, died 1538. Italian translation of title page, illustrated title page, portrait of Charles V, 46 pages of designs including pages of the alphabet.
Vue de la Ville d'Alcamo
Object type: watercolor
Date: 1778 – 1778
Materials: chalk, paper, watercolor
Techniques: brush
Artist: louis ducros
Artist role: draughtsman, print maker
Artist dates: 1748 – 1810
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: inscription: ‘No 280 Vue de la Ville d'Alcamo’

Tekening uit het album 'Voyage en Italie, en Sicile et à Malte', 1778.
Blad met drie vignetten waaronder naam Bilderdijk
Object type: vignette
Date: 1766 – 1831
Materials: paper
Techniques: etching
Location: netherlands
Artist: willem bilderdijk
Artist role: draughtsman, print maker
Artist dates: 1756 – 1831
Subjects: torch, agricultural implements: spade, urn, vignette, tools, aids, implements ~ crafts and industries: pickaxe, epitaph
Inscriptions: collector's mark: Lugt 2228

Blad met drie vignetten boven elkaar geplaatst: begroeid stenen muurtje of graf en daar bovenop een urn met kronkelende slangen, zowel op het eerste als tweede vignet zijn een schop en houweel weergegeven, bij het tweede liggen ze bovenop een grafmonument naast een gedoofde fakkel en band met opschrift quid en stat hic a fun diff, de lijst van de epitaaf is gedecoreerd met een schild met urn. Het derde vignet draagt de naam van Bilderdijk.
Riverbank with Trees
Object type: painting
Date: 1887 – 1887
Materials: canvas, oil, paint
Location: paris
Artist: vincent van gogh
Artist role: draughtsman, painter, print maker
Artist dates: 1853 – 1890

In 1886, Van Gogh moved to Paris to familiarise himself in the painting style of the French Impressionists. This painting reflects his experimentation with their bright vibrant colours, short brushstrokes, and modern compositions. The scene is a close-up of a bank of the Seine River near Asnières, a town northeast of Paris. Van Gogh enjoyed painting there during the summer of 1887.
Studieblad met twee saters
Object type: drawing
Date: 1656 – 1657
Materials: chalk, paper
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Inscriptions: inscription: ‘naar J. Muller. B 71’

Kopie naar "Saters trekken een doorn uit", gegraveerd door J. Muller naar B. Spranger.
Prairie Dog, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: animals

Trade cards from the "Quadrupeds" series (N21), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Corpus
Object type: corpus
Date: 1601 – 1700
Materials: ivory
Subjects: jesus
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, three rim fragments with part of handle patch
Sleperswagen
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: (farm) wagon, freight wagon, cart

Blad 5 verso uit schetsboek XXXI met 10 bladen.
Folio from a Qur'an Manuscript
Object type: folio from a non illustrated manuscript
Date: 751 – 800
Materials: gold, ink, parchment, watercolor
Location: syria

This large early Abbasid Qur'an leaf in kufic script includes segments from suras of Ibrahim (sura 14) and the Rock (sura 15). The sixteen lines of text are penned in a distinct syle of kufic which priveleges horizontality over verticality. The letters are stretched horizontally along the baseline while descending letters are rounded like hooks making for a graphically striking overall effect. As in many early Qur'an folios, the vowels are marked with red and green dots and illumination is kept to a minimum.
Fakkel
Object type: ornament print
Date: 1688 – 1688
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous

De fakkel is gedecoreerd met bladranken. Uit serie vignetten met zeegoden en allegorieën, als illustratie gebruikt in het boek Histoire metallique de la république de Hollande van P. Bizot.
Terracotta jug
Object type: jug
Date: 1400 – 1190
Materials: terracotta
Culture: mycenaean

Course ware terracotta jug without decoration.
Boom
Object type: print
Date: 1977 – 1977
Materials: paper
Techniques: etching
Artist: kees stoop
Artist role: draughtsman
Artist dates: 1929 – 2019
Subjects: trees
Inscriptions: signature: ‘KEES STOOP’
Het nieuwe Rijkspost- en telegraafkantoor te Amsterdam (bouwmeester C.H. Peters)
Object type: photomechanical print
Date: 1898 – 1898
Materials: paper
Techniques: autotype
Location: amsterdam
Artist: Anonymous
Subjects: post-office

Het (voormalige) Amsterdamse Hoofdpostkantoor, gelegen aan de Nieuwezijds Voorburgwal achter het Paleis op de Dam.
Poems for Jingzhai Presented upon his Triumphant Return from Pacifying Taiwan
Object type: album
Date: 1788 – 1788
Materials: ink, paper
Culture: chinese
Artist: hongwu
Artist role: artist
Artist nationality: chinese
Artist dates: 1743 – 1811
achtste daalder, noodmunt uit Deventer, vervaardigd tijdens het beleg uit het raadszilver ter betaling van de oorlogskosten
Object type: coin
Date: 1672 – 1672
Materials: silver
Techniques: striking
Location: kampen
Artist: Anonymous
Subjects: deventer

Achtste daalder. Eenzijdige, ruitvormige noodmunt. Voorzijde: twee stempels: grote, ronde stempel: gekroonde adelaar; daaronder: rechthoekige stempel met jaartal. Keerzijde: blanco.
Ereteken voor dertig jaar trouwe dienst voor ondergeschikten (1808)
Object type: insignia
Date: 1808 – 1808
Materials: brass, glass, iron, thread, textile
Techniques: embroidered, soldering

Rond medaillon van messing en ijzer met achter glas op rood laken een borduursel in zilverdraad van twee gekruiste zwaarden binnen een cirkel, met messing draagoog.
Portret van Pauline von Schätzel
Object type: print
Date: 1827 – 1899
Materials: paper
Techniques: lithograph
Location: berlin
Artist: Anonymous
Subjects: adult woman, historical persons
Inscriptions: check stamp: Lugt 5415
NSB
Object type: contact print
Date: 1940 – 1944
Materials: photographic support
Techniques: photography
Location: utrecht
Subjects: occupation ~ war, utrecht

A. Een militair op de rug gezien loopt door een straat, links van hem fietsers, in de verte een stoplicht. B. Militair van voren gezien in dezelfde straat. Hij heeft een krant in zijn hand.
Principatus Camael
Object type: print
Date: 1585 – 1637
Materials: paper
Techniques: engraving
Subjects: agony of christ; three (or eleven) apostles sleeping, other archangels than michael, gabriel and raphael (with name), pilgrimage, pilgrim(s) under way
Inscriptions: number: ‘8’

Aartsengel Chamuël met staf en kelk. Links op de achtergrond ondersteunt Chamuël bedevaartgangers. Rechts op de achtergrond bidt Christus in het Hof van Olijven. Genummerd in het inderschrift: 3. Maakt in dit album deel uit van een serie van twaalf voorstellingen van aartsengelen en andere engelen. Onderdeel van een album met voornamelijk christelijke voorstellingen.
Portret van Frédéric van de Kerkhove met ster erboven
Object type: print
Date: 1832 – 1881
Materials: paper
Techniques: etching
Artist: jan van de kerkhove
Artist role: print maker
Artist dates: 1822 – 1881
Subjects: painter, frédéric van de kerkhove, child, historical persons
Inscriptions: collector's mark: Lugt 2228
Genezing van twee blinden
Object type: print
Date: 1570 – 1610
Materials: paper
Techniques: engraving
Location: germany
Artist: Anonymous
Subjects: healing of two blind men, or one (bartimaeus), sitting near jericho (matthew 20:29-34; mark 10:46-52; luke 18:35-43)

Genezing van twee blinden voor de stadspoort van Jericho. Onderdeel van een prentalbum met titelprent en 56 scènes uit het Nieuwe Testament. Elke voorstelling gemonteerd in een gravure met ornamentele cartouches waarin een venster is gesneden en voorzien van handgeschreven bijbelpassages.
Brief aan Philip Zilcken
Object type: letter
Date: 1875 – 1930
Materials: ink
Techniques: writing
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: the hague, painter, draughtsman, philip zilcken, drawing
Inscriptions: collector's mark: ‘RPK’
Portret van een jongeman
Object type: album leaf
Date: 1884 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: north holland
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘Alkmaar, Verdronken Oord; Helder, Kanaalweg 99’
Dining Room and Stage Offices at White Sulphur Springs
Object type: watercolor
Date: 1832 – 1832
Materials: watercolor, paper
Culture: american
Artist: john hazelhurst boneval latrobe
Artist role: artist
Artist nationality: american
Artist dates: 1803 – 1891
Subjects: houses,mountains,landscapes,trees
Wind Instrument
Object type: wind instrument
Date: 1801 – 1900
Materials: wood
Culture: japanese
Location: japan
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Part of the head of a woman to right; behind her, part of a lyre?
Decoratie
Object type: drawing
Date: 1770 – 1808
Materials: paper, pencil
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: cupids: 'amores', 'amoretti', 'putti'

Deel van de decoratie voor een plafond: engeltjes, een monogram en een oprijlaan of perk. Het papier is gesneden in de vorm van een waaier.
Fortified Wall at Tivoli
Object type: painting
Date: 1786 – 1806
Materials: oil, paper, wood
Artist: simon denis
Artist role: artist
Artist nationality: flemish
Artist dates: 1755 – 1813
Subjects: mountains,landscapes
SS Annunziata
Object type: photograph
Date: 1858 – 1893
Materials: cardboard, paper
Techniques: albumen print
Location: genoa
Artist: alfredo noack
Artist role: fotograaf
Artist dates: 1833 – 1895
Subjects: interior of church
Inscriptions: inscription: ‘Noack (t)’, number: ‘3084.’
Dodendans
Object type: print
Date: 1524 – 1526
Materials: paper
Techniques: woodcut
Subjects: other sovereign (with title) - bb - female ruler, female sex; woman, dance of death; death together with one or more human beings, nobility and patriciate; chivalry, knighthood

De houtblokken werden voor 1526 vervaardigd door Hans Lützelburg en pas in 1538 voor het eerst gebruikt als boekillustraties in: Les simulachres & historiees faces de la mort avtant elegamment pourtraictes que artificiellement imaginées... a Lyon, Soubsz l'escu de Coloigne, MDXXXVIII, (M. en G. Trechsel, voor F. Frellon in Lyon), 1538. Later verschenen nog andere uitgaven.
Candelabrum (one of a pair)
Object type: candelabrum
Date: 1794 – 1814
Materials: silver gilt
Artist: martin-guillaume biennais
Artist role: maker
Artist nationality: french
Artist dates: 1764 – 1843

Part of a large table service reputedly given by Napoleon I to his sister, Pauline, and her husband, Prince Camillo Borghese.
Teapot
Object type: teapot
Date: 1825 – 1835
Materials: earthenware
Techniques: transfer
Culture: british
Location: england
Subjects: eagles,boats