deem-data/ArtiFact huggingface dataset:
Gebochelde vioolspeler voor een herberg
Object type: print
Date: 1652 – 1656
Materials: paper
Techniques: etching
Location: haarlem
Artist: adriaen van ostade
Artist role: draughtsman, painter, print maker
Artist dates: 1610 – 1685
Subjects: one person playing string instrument (bowed), inn, coffee-house, public house, etc., (bowling a) hoop, hunchback, mother and baby or young child

Een gebochelde man speelt viool voor de ingang van een herberg. In de deuropening staat een vrouw met een klein kind op de arm. Bij haar staat een jongen met een hoepel. De man op het hek rookt een pijp. Deze prent maakt deel uit van een album.
Mouth of Wisconsin River
Object type: photograph
Date: 1885 – 1885
Techniques: cyanotype
Artist: henry p. bosse
Artist role: artist
Artist nationality: american, born germany
Artist dates: 1844 – 1893
Subjects: rivers,landscapes

With the goal of developing the Mississippi River into a secure transportation route, the United States Army Corps of Engineers hired Prussian-born cartographer Bosse to map the upper portion of the waterway between Minneapolis and St. Louis. Over the course of ten years, he documented its meandering path under the dome of the Midwestern sky. His choice of the cyanotype—the same process used until recently by architects to duplicate their line drawings—was likely one of economy, as the materials were readily available to draftsmen. While many of his photographs document the interplay between the natural and the manmade, in this tranquil image, Bosse emphasizes sky and water, evoking the immensity and utter expansiveness of a subject that seems to have no bounds.
Knoop uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: button
Date: 1700 – 1743
Materials: bone
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Studie van een in een deken gewikkeld kind
Object type: drawing
Date: 1588 – 1660
Materials: chalk, paper
Subjects: child, drapery, draped garment, 'gewandgebung'
Nieuwe kinderprenten
Object type: popular print
Date: 1872 – 1883
Materials: paper
Techniques: lithograph, letterpress printing
Location: haarlem
Subjects: animals acting as human beings, fables
Inscriptions: collector's mark: Lugt 2760

Blad met 7 voorstellingen uit een fabel over een wedloop tussen een haas en een zwijn-egel. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No. 27.
Six Designs for the Decoration of Rectangular and Horizontal reliefs
Object type: drawing
Date: 1782 – 1844
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: giuseppe bernardino bison
Artist role: artist
Artist nationality: italian
Artist dates: 1762 – 1844
Subjects: ornament
Concours de négatifs 1885
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: woodburytype
Artist: guillaume oury
Artist role: amateurfotograaf
Artist dates: 1840 – 1922
Subjects: girl (child between toddler and youth), (playing with) dolls
Inscriptions: inscription: ‘Association belge de Photographie’, inscription: ‘Médaille d'Argent’
Konijnen
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: rodents: rabbit

Blad 19 verso uit een schetsboek met 44 bladen.
Wijnhandelaren bij een ezel
Object type: print
Date: 1613 – 1667
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: ass, donkey, selling
Inscriptions: collector's mark: Lugt 240

Een man tapt wijn uit een vat dat op de rug van een ezel gebonden is. Een andere man nipt reeds uit zijn glas. In de marge een onderschrift in het Latijn.
Autograph Letter to Louis Prang, Discussing lithograph of "The Eastern Shore"
Object type: letter
Materials: graphite, ink
Techniques: pen
Artist: winslow homer
Artist role: author
Artist nationality: american
Artist dates: 1836 – 1910
Portrait Study of a Man
Object type: painting
Date: 1901 – 1901
Materials: canvas, oil, paint
Techniques: painting
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Subjects: portrait, portraits: male subject, portraits, man, smoking, smoke, jackets, gray (color)
The Story of Joseph
Object type: painting
Date: 1476 – 1504
Materials: paint, wood
Artist: biagio d'antonio
Artist role: artist
Artist nationality: italian
Artist dates: 1472 – 1516
Subjects: men,women,camels,dogs,horses

In a succession of episodes, marked with the names of the chief characters, the painting illustrates the biblical story of Joseph (Genesis 37,39,42-27). In the background to the left is the sale into slavery of Joseph to Potiphar; Joseph fleeing the seductive advances of Potiphar's wife; and his subsequent imprisonment. In the foreground on the right is the dream of the Pharoah and Joseph interpreting it, and, on the left, Joseph greeting his father and kinsmen on their arrival in Egypt. A companion panel (J. Paul Getty Museum, Los Angeles) shows earlier episodes of the story, before Joseph was sold into slavery in Egypt. The panels originally were installed in the wainscoting of a bedroom, and date from about 1482.
Bier- of wijnvat, van eikenhouten duigen, omwonden door 4 x 3 hoepels van rotan
Object type: wijnvat
Date: 1690 – 1710
Materials: brass, wood, rattan
Techniques: gilding
Location: amsterdam
Artist: Anonymous

Bier- of wijnvat, van eikenhouten duigen, omwonden door 4 x 3 hoepels van rotan. Op de voorkant is met witte verf een zwaantje geschilderd.
Grafmonument voor Johannes Schelhammer
Object type: book illustration
Date: 1730 – 1736
Materials: paper
Techniques: etching
Location: leiden
Subjects: the hague, johannes schelhammer, 'pleurants', epitaph
Inscriptions: collector's mark: Lugt 2228

Grafmonument of epitaaf voor Duitse theoloog Johannes Schelhammer in de Evangelisch Lutherse kerk aan de Lutherse Burgwal te Den Haag. Een plaat met Latijns opschrift ter nagedachtenis aan hem is het middelpunt van een architecturale omlijsting. Deze wordt bekroond met een medaillon waarop het symbool van Christus' lijden is afgebeeld: een pelikaan voedt haar jongen met haar eigen bloed. Twee treurende vrouwen flankeren een portret van Schelhammer.
Reichsadlerhumpen (Imperial eagle beaker)
Object type: reichsadlerhumpen
Date: 1649 – 1649
Materials: glass
Techniques: glassblowing
Location: oberfranken
Artist: Anonymous

The coats of arms of the Electors and the Quaterniones Imperii (representatives of the German Empire) have nestled safely under the wings of he Holy Roman Emperor, who watches over them like an eagle. This presented an ideal image, however, for in reality there was little unity in the onflict-ridden empire in the 17th century. At the same time, this made it a popular toasting motif.
Johannes Fridericus Weidlerus
Object type: print
Date: 1680 – 1733
Materials: paper
Techniques: engraving
Artist: martin bernigeroth
Artist role: print maker
Artist dates: 1670 – 1733
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Lobed Bowl
Object type: decorative art
Date: 1890 – 1900
Materials: porcelain
Techniques: incising
Location: japan
Artist: seifu yohei iii
Artist nationality: japanese
Artist dates: 1851 – 1914
Textile Design with a Paisley Motif Decorated with Branches with Small Stylized Flowers and Leaves Framed by Two Vertical Stripes
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of a paisley motif decorated with branches with small stylized flowers of red color and leaves framed by two vertical stripes of green color with black outlines over a dark burgundy ground. The upper part of the stripes is outlined with alternating squares of black and green color.
Lord Rich
Object type: print
Materials: paper
Techniques: engraving
Location: italy
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Neptune
Object type: statuette
Date: 1634 – 1666
Materials: ivory
Artist: adam lenckhart
Artist role: artist
Artist nationality: german
Artist dates: 1610 – 1661
Subjects: male nudes,neptune,dolphins

Neptune is shown calming the stormy sea, represented by the wild-eyed dolphin. The sea god's trident has been lost. Neptune's swirling hair and beard parallel the spiral of his stance; these features may owe a debt to Italian prototypes but may also have been determined by the form of the tusk. The anatomical precision of the musculature, body hair, and folds of flesh are marks of the northern carving tradition in which Lenckhart was first trained.
Tobacco box
Object type: tobacco box
Date: 1701 – 1800
Materials: brass
Subjects: men,women,horses

An oblong box with rounded ends. On the lid several episodes of the parable of the rich man and the poor Lazarus are depicted, the scenes divided by classical columns. To the right the sick Lazarus can be seen sitting in the street while the dogs lick his sores. In the center the rich man is at home, seated behind a banquet table. At the left the rich man is seen burning in hell and Lazarus has come to God's throne in heaven. The entire representation is framed by leaf scrolls which contain the first part of a rebus. The rebus can be interpreted as: Vat [barrel] den tijd [winged hourglass] en ... , or Take the time and ... (the rebus is completed on the underside). The underside illustrates the parable of the Prodigal Son in several episodes, which are similarly divided by classical columns. At the right the son leaves his father's house. At the center in the background the son is tending the swine, and in the foreground he has returned to his father. In the left-hand scene the son embraces a semi-naked woman in the company of three musicians. Inscribed (in the center background): Ik wil opstan en tot mijn vader gaan (I will arise and go to my father) (Luke l5:18). The scenes are surrounded by leaf scrolls and the second part of the rebus: Leer [ladder] de wereld [globe] kenne ( ... get to know the world). The front side is inscribed: Het lijkt wel aen den reijke vreck in zijn wel lustig leeven / Laaserus most neeme zijn vertreck zonder wat brood te geeven / Dat heeft de gierig heijt gedaan laaserus heeft gods troon ontfaan/ Maar den reijke vreck begraaven in de hel bij de helsche slaaven (It seems to the rich miser with his sumptuous life/ that Lazarus had to depart without giving him any bread / The avarice has caused this, Lazarus has received God's throne/but the rich miser is buried in hell with the infernal slaves). Inscribed on the back side is: Een reijke loose zoon was heulps en onbedaegt/ Zijn vaders erf en goet zoo schandig door gebraegt (A reckless son, lascivious and inconsiderate / ran disgracefully through his father's fortune). Both stories illustrated, those of Lazarus and of the Prodigal Son, treat the theme of charity. Rims are lined and corded, edges are molded. The rounded ends are decorated with leaf scrolls. A. O. van Kerkwijk, "Oude rabaksdoozen," Het huis oud en nieuw (1911) P: 154, fig. 4, mentions a similar inscription about the Prodigal Son. The rebus occurs regularly on tobacco boxes. See Van der Linden, "Les boîtes en cuivres," p. 203.
Shoe Buckle
Object type: buckle
Date: 1810 – 1810
Materials: silver
Culture: american
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, hand and wrist of figure
Portret van Anna van Hannover
Object type: print
Date: 1735 – 1735
Materials: paper
Techniques: mezzotint
Location: london
Subjects: willem iv (prins van oranje-nassau), the hague, anna van hannover, knighthood order (garter) - insignia of a knighthood order, e.g.: badge, chain
Inscriptions: date

Portret van Anna. Midden onder haar wapen en het wapen van Willem IV, gedecoreerd met de Kousenband en het devies van de Orde van de Kousenband, met een kroon en twee leeuwen. In de ondermarge haar naam, haar titels en twee kolommen met elk vier regels Nederlandse tekst.
Incense Burner
Object type: incense burner
Date: 1701 – 1800
Materials: copper alloy
Techniques: gilding
Culture: chinese
Ronde hoedendoos van karton, beplakt met crèmekleurig papier; met los deksel dat langs de randen is beplakt met steenrood papier
Object type: hat box
Date: 1950 – 1975
Materials: cardboard, paper
Location: western europe
Artist: Anonymous

Ronde hoedendoos van karton, beplakt met crèmekleurig papier. Het losse deksel is langs de randen beplakt met steenrood papier. Met draaglinten.
Trionfo Di Virtu. Libro Novo..., page 27 (verso)
Object type: book print ornament architecture
Date: 1563 – 1563
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: flowers

Published by Matteo Pagano, Italian, 1515-1588, Venice. From top to bottom, and left to right: Design is decorated with a twisting branch that is surrounded by several intertwining leaves. There is a bird at the top left, top right, and bottom right corners of the design.
S. Adrien et Ses Compagnons (St. Adrian and His Companions), March 8th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Gazette du Bon Ton, 1922 - No. 10. Pl. II verso: Les veilleuses électriques
Object type: fashion print
Date: 1922 – 1922
Materials: paper
Techniques: letterpress printing, lithograph
Location: london
Subjects: fashion plates, electric lamp

Vijf verschillende nachtlampjes. Croquis No. II verso uit Gazette du Bon Ton 1922, No. 10. Uitleg over de lampen op pagina "Description et explication des planches hors-texte et pages de croquis."
Fontein in de vorm van een zittende man
Object type: fountain
Date: 1760 – 1775
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: delft
Inscriptions: collector's mark: ‘collection JF Loudon’, mark: ‘figuratief teken klauw’

Fontein van veelkleurig beschilderde faïence. De fontein heeft de vorm van een man, zittend op een geprofileerd voetstuk.
Alexandria - Dahabeahs near Nouzha
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1909
Materials: cardboard
Techniques: lithograph, writing
Location: alexandria
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, river
Dish
Object type: ceramic
Date: 1926 – 1926
Materials: earthenware
Techniques: transfer
Location: england
Artist: wedgwood
Portret van Corry Mak van Waay-Zulver met een hond
Object type: album leaf
Date: 1930 – 1935
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: historical persons - bb - woman, dog, netherlands
Portret van een man, vermoedelijk uit de Balkan
Object type: album leaf
Date: 1861 – 1883
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: maurits verveer
Artist role: painter
Artist dates: 1817 – 1903
Subjects: historical persons, folk costume, regional costume
Inscriptions: inscription: ‘M. Verveer/ Photographie/ 52, Zeestraat 52/ vis a vis du Willemspark/ La Haye’
Zeilboten aan een kade
Object type: photograph
Date: 1907 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, quay, netherlands

Zeilboten aan een kade. Onderdeel van het losbladige fotoalbum met 39 foto's van een reis door Nederland, ca. 1907-1910.
Triomftocht van Julius Caesar
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: woodcut
Location: italy
Artist: andrea andreani
Artist role: print maker, printer
Artist dates: 1558 – 1629
Subjects: torch, triumph of caesar
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een fries dat bestaat uit een titelprent en negen prenten die samen een triomftocht van Julius Caesar vormen. Bij de serie hoort tevens een prent met daarop zes Korinthische pilasters, bedoeld om te worden uitgeknipt en gebruikt als verbindingsstukken tussen de verschillende bladen.
Ruins and a barred gate on the Esquiline Hill in Rome, from "Roman Ruins"
Object type: print
Date: 1673 – 1673
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: gates,ruins

Roman ruins on a rock on the Esquiline Hill in Rome, beyond barred gate in wall.
Portret van Gottfried Moebius
Object type: print
Date: 1664 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, physician, doctor

Met eenregelig onderschrift in het Duits.
Rue des Toiles, Bourges
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Elf geoden en cameeën
Object type: photograph
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Artist: f. cole
Artist role: fotograaf
Subjects: carving ~ applied arts, gem, gemstone, sculpture (+ relief ~ sculpture)
Inscriptions: number: ‘93 - 103’
Enquêteformulier ingevuld door Jan Eduard de Vries
Object type: manuscript
Date: 1840 – 1840
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Subjects: amsterdam, painter, jan eduard de vries
Inscriptions: watermark, inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Portret van een onbekende jongeman
Object type: photograph
Date: 1873 – 1884
Materials: cardboard, celluloid, paper
Techniques: albumen print
Location: haarlem
Artist: j.j. geels
Artist role: fotograaf
Artist dates: 1833 – 1890
Subjects: adult man, anonymous historical person portrayed, haarlem
Inscriptions: inscription: ‘Photographie/ van/ J.J. Geels./ Nieuwe gracht No. 12,/ Haarlem./ Fijn afgewerkte Salonportretten, Vergrootingen/ en Reproductie to zeer lage prijzen.’
Portret van Maria de' Medici, koningin van Frankrijk
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving
Location: the hague
Artist: hendrick hondius (i)
Artist role: draughtsman, print maker, publisher
Artist dates: 1573 – 1650
Subjects: cologne, print maker, maria de' medici, ear-rings (+ women's clothes), brooch, agraffe, clasp (+ women's clothes), neck-gear: collar (+ lace used for clothes), pearl; pearl necklace (+ women's clothes)
Inscriptions: collector's mark: Lugt 2228

Buste naar links van Maria de' Medici, koningin van Frankrijk in een ovale omlijsting. Onder het portret drie regels in het Latijn.
Ongevoerde rok met zijsplitten van witte geribde katoen, meerkleurig in wol getamboereerd (?) met bloem- en bladranken en losse bloem- en bladtakken
Object type: skirt
Date: 1700 – 1800
Materials: cotton, wool
Techniques: embroidered
Artist: Anonymous

Rok van zware geribde witte katoen, waarop geborduurde wollen bloemen en takken.
Netsuke of Frog on a Leaf
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: frogs
Funerary Cone of the Scribe of the Treasury of Amun Mery
Object type: cone, mery, circular impression, scribe, treasury, amun
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Rectangular plaque seal
Object type: stamp seal
Date: 3100 – 2900
Materials: mineral
Location: mesopotamia or syria
Spruce Creek stroomt in de Little Juniata River
Object type: stereograph
Date: 1859 – 1862
Materials: cardboard, paper
Techniques: albumen print
Location: new york city
Subjects: trees, brook
Inscriptions: number: ‘520’, address: ‘501 Broadway, New-York.’
Portret van Wilhelm Martin Leberecht de Wette
Object type: print
Date: 1807 – 1870
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: theologian, historical persons
Fragment
Object type: fragment
Date: 1801 – 1833
Materials: metal thread
Tile
Object type: tile
Date: 1601 – 1650
Materials: stonepaste
Techniques: glazing, painting
Location: syria
Subjects: flowers,leaves
Verscheyde Playsante Jagten
Object type: print
Date: 1718 – 1757
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: hunted animal attacking man, hunting dogs, casting weapons: spear, beasts of prey, predatory animals: bear, hunt ~ mammals
Inscriptions: collector's mark: Lugt 2228

Op de prent staan zeven landschappen met jachtvoorstellingen. Centraal een voorstelling van twee honden die een beer aanvallen. Om de beer heen vier jagers met speren.
VON DER EINFASSUNG DER NOERDLICHEN THUER DER BAPTISTERIUMS IN FLORENZ (1403-1427.) VON LORENZO GHIBERTI. (1378-1455.)
Object type: photograph
Date: 1875 – 1900
Materials: paper, ink
Techniques: photograph
Location: florence
Subjects: birds, beasts of prey, predatory animals: ferret, sculpture (+ relief ~ sculpture)
Inscriptions: number: ‘Taf. 2.’, collector's mark: Lugt 3937
Standing cup with cover
Object type: standing cup with cover
Date: 1840 – 1850
Materials: glass
Artist: august böhm
Artist role: engraver
Artist dates: 1812 – 1890
Subjects: deer,trees
Soup Bowl
Object type: ceramic
Date: 1750 – 1750
Materials: ceramic, enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: jingdezhen
Sauce tureen
Object type: sauce tureen
Date: 1701 – 1800
Materials: faience
Techniques: glazing
Artist: levavasseur
Artist role: manufactory
Artist nationality: french
Artist dates: 1715 – 1825
Subjects: birds,turkeys

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.