deem-data/ArtiFact huggingface dataset:
Two Designs for Ceiling Decorations, Plate 1 from 'Unterschiedliche neu inventierte Deken oder Plafond'
Object type: album print ornament architecture
Techniques: etching
Artist: jeremias wachsmuth
Artist role: artist and engraver
Artist nationality: german
Artist dates: 1712 – 1771
Subjects: cartouches

Ornament print with two variants for the decoration of a ceiling, bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.
Terracotta fragment of a hydria (water jar)
Object type: hydria fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Chain of pomegranates from the panel border; unidentified object
Handled Vessel in Arhcaistic Style
Object type: vessel
Materials: crystal, quartz
Techniques: carving
Location: china
Figuren in zeventiende-eeuwse kleding
Object type: sketchbook leaf
Date: 1846 – 1882
Materials: paper, pencil
Location: netherlands
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: adult woman, adult man, clothes, costume (+ women's clothes), clothes, costume (+ men's clothes)
Inscriptions: kleurnotitie, handgeschreven

Figuren in zeventiende-eeuwse kleding. Blad 10 uit een schetsboek met 91 bladen.
Home of H.H.
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: colorado springs
Artist: Anonymous
Subjects: façade (of house or building)
Opstand van de façade van het Palazzo Carrega-Cataldi te Genua
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: exterior ~ architectural design or model, front façade
Inscriptions: collector's mark: Lugt 240
Sponge Box
Object type: metalwork
Date: 1865 – 1865
Materials: silver
Location: netherlands
Artist: s. t. reitsma, sr.
Chiyoda Castle (Album of Men)
Object type: print
Date: 1897 – 1897
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yōshū (hashimoto) chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: men,crowd
Paarden
Object type: sketchbook leaf
Date: 1887 – 1891
Materials: paper, pencil
Subjects: horse
Inscriptions: kleurnotitie, handgeschreven

Pagina 14 uit een schetsboek met 83 bladen.
Nieuwjaars Zegenwensch, van de Aanstekers der Gaz-Lantaarnen (...) 1841
Object type: new year card
Date: 1840 – 1841
Materials: paper
Techniques: letterpress printing
Location: haarlem
Artist: Anonymous
Subjects: gas-lamp (+ kindling a light; lit, burning light, lamp, candle), street lighting, street, haarlem
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens van de Haarlemse gaslantaarnopstekers voor het jaar 1841. Een lantaarnopsteker loopt met een ladder op de schouder langs een brandende straatlantaarn. Op de achtergrond de Sint-Bavo te Haarlem. Met een vers in twee kolommen.
Lidded vase
Object type: decoratief object
Date: 1725 – 1730
Materials: porcelain
Techniques: painted
Location: meissen
Subjects: chinese (+ other cultural aspects)
Inscriptions: factory mark: ‘AR’

Vaas met deksel van beschilderd porselein. De vaas is bedekt met een gele fond en binnen drie uitsparingen beschilderd met de geschiedenis van Shiba-Onkô, de 'drie vrienden' met vogels en twee kraanvogels bij een bloeiende plant. De vaas is gemerkt.
Detail van de San Marco in Venetië
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: photograph
Location: venice
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘N.19’, number: ‘N.21.’, number: ‘263.*’

Deze prent maakt deel uit van een omslag met 58 prenten op 50 bladen.
Sampler
Object type: sampler
Date: 1870 – 1870
Materials: canvas, wool
Subjects: birds,houses,flowers
Clara Vincent, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Dish with Mythical Bovine (Xiniu) Amid Waves Viewing the Moon and Constellations
Object type: vessel
Materials: metal, porcelain
Techniques: underglaze
Location: china
Vierkante ontwerpen
Object type: book
Date: 1901 – 1902
Materials: paper
Techniques: woodcut
Location: kyoto
Artist: kamisaka sekka
Artist role: print maker
Artist dates: 1866 – 1942
Inscriptions: date

Twee delen (compleet); met voorstellingen van voornamelijk landschappen en vogels in vierkante kaders.
Portret van Ferdinand Freiligrath
Object type: page
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Artist: ernest edwards
Artist role: fotograaf
Artist dates: 1837 – 1903
Subjects: ferdinand freiligrath, studio requisites ~ photographer, writer, poet, author
Inscriptions: name: ‘Photographed by Ernest Edwards, 20, Baker Street. W.’
Woman and Child (Silence)
Object type: painting
Date: 1855 – 1860
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: auguste boulard, the elder
Artist nationality: french
Artist dates: 1825 – 1867
Subjects: woman, sleep, night, interior, children, woman with children, women
Inscriptions: Inscribed lower right: J.F.M.
Spotprent van Pieter Jansz. Schaegen
Object type: cartoon
Date: 1710 – 1720
Materials: ink, parchment, watercolor
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: the hague, johan van oldenbarnevelt, politician, dragon (large fabulous serpent, sometimes with wings and legs), caricatures (human types), bad, corrupt judge, political caricatures and satires

Spotprent van Pieter Jansz. Schaegen, rechter van Van Oldenbarnevelt; vierkoppige draak met aan één hals een wapen, in krans van bloemen en bladeren. Daaronder cartouche waarin naam en daarboven nr. 13. Behorende bij serie aquarellen in boek.
Glass mosaic ribbed bowl fragment
Object type: mosaic bowl, fragment
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent honey brown, cobalt blue, and opaque white. Vertical, rounded rim; at top, straight side, then bulging outward with convex curving profile. Spiral mosaic pattern formed from sections of a single cane in brown ground with irregular white and blue threads in parallel lines; on exterior, two vertical ribs, with flattened tops and rounded outer edges, tapering downward. Polished exterior; pitting of surface bubbles on exterior; dulling and creamy iridescent weathering on interior, rim, and jagged edges.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, torso of draped woman with krotala
Shawl
Object type: shawl
Date: 1801 – 1900
Materials: wool
Location: india

Kashmir shawls are known for being part of the sophisticated male dress/garderobe at the court of the Mughal Emperor Akbar (r. 1555–1605). They became items of fashionable dress in Europe by the late 18th century and had reached the peak of their popularity there during the first half of the 19th century. Leaders of fashion such as the Empress Josephine in France and Emma Hamilton in Britain owned large collections of Kashmiri shawls, which elegantly complemented the loose-fitting "Empire" fashions of the time. By the mid-19th century, the designs became denser and more elaborate. The traditional pine-cone pattern became highly stylized to accommodate European tastes. The elaborate design of this shawl is typical of the kind woven in India for the British and European market in the 19th century. While the finest Kashmiri shawls are made of soft and expensive pashmina wool (the soft under-hair of the Himalayan goat) and have designs woven on the loom, many examples from the 1830s onwards, such as this one, favored embroidery to achieve similar decorative schemes. Such a technique was easier and quicker to manufacture and thus better positioned to respond to the growing demand and market in Europe in the second half of the 19th century.
Snuff Bottle with Pavilions in a Bamboo Grove and Garden
Object type: vessel
Materials: ivory
Techniques: incising
Location: japan
Tabriz
Object type: print
Date: 1843 – 1854
Materials: paper
Techniques: tone lithography
Location: paris
Artist: eugène flandin
Artist role: painter, print maker
Artist dates: 1809 – 1889
Subjects: temple, shrine ~ islam, mohammedanism, bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 2228

Prent uit: Coste, Pascal-Xavier en Eugène Napoléon Flandin. Voyage en Perse de mm. Eugène Flandin, peintre, et Pascal Coste, architecte (...). 8 dln. Parijs: Gide et Jules Baudry, 1843-1854.
Landschap met koeien langs waterkant
Object type: photograph
Date: 1875 – 1890
Materials: paper
Techniques: albumen print
Artist: Anonymous
Inscriptions: inscription: ‘q q’, inscription: ‘Cattle Study//Brokenhand (?) River’
Summer Robe (Hito-e) with Cormorant-Fishing Scene
Object type: robe
Date: 1767 – 1833
Materials: gold thread, paste, silk
Techniques: dyeing, embroidery, painting, resist
Culture: japanese
Subjects: birds

Unlined summer robes made from fine crepe silk were worn as the weather turned warm and humid, beginning in May. Here cormorants swim and fly among reeds and drying fishing nets; a boat with a fisherman’s straw raincoat and hat is also depicted. Meticulous goshodoki, or courtly style decoration, typically combined seasonal elements such as the robe’s scattered wild ginger leaves and cherry blossoms and its water scene with literary motifs recognizable to a well-educated upper-class woman. The fishing boat scene is itself a reference to the Noh play The Cormorant Fisher (Ukai). Crests of wild ginger leaves across the shoulders indicate that the owner was a princess from the Tokugawa shogun family. While the robe’s careful composition and delicate embroidery reflect the expensive tastes of a high-ranking samurai woman, simple stencil-dyed dots stand in for labor-intensive “fawn spot” tie-dye (kanoko shibori), a technique outlawed at the time for signifying personal extravagance.
Limestone incense burner on three legs
Object type: thymiaterion
Materials: limestone
Culture: cypriot
Sampler
Object type: sampler
Date: 1776 – 1776
Materials: linen, silk
Goldweight with a Geometric Design
Object type: decorative art
Date: 1701 – 1900
Materials: copper alloy, metal
Culture: asante or akan
Location: ghana
Subjects: geometric motif

This rectangular gold weight has a surface composition consisting of four vertical raised bars and five horizontal raised bars. Gold weights were used for five centuries, between 1400 and 1900, throughout the Akan area of southern Ghana and Côte d’Ivoire as a tool for weighing the local currency, gold dust. Made of a copper alloy, the gold weights enabled merchants to trade with towns in the West African Sahel and North Africa, and later with the Europeans in the late 15th century. Brass cast gold weights ceased being used at the beginning of the 20th century when gold was replaced by bank notes and coinage. However, they continued to be made for sale to tourists.
Stamp Seal in the Form of  a Squatting Child
Object type: seal, squatting child
Date: 1570 – 1526
Materials: stone
Techniques: glazing
Location: egypt
Subjects: human figures
Lauffenbourgh on the Rhine, plate 31 from Liber Studiorum
Object type: print
Materials: ivory, paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Ruth knielt voor Boaz
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: boaz speaks to ruth; ruth usually bowing down, or kneeling before him

Boaz spreekt met Ruth, die op zijn akker aren heeft geraapt. Ruth knielt voor hem met een bundel aren onder de arm. Boaz wijst op zijn akker en zegt dat ze aren mag blijven rapen. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Ruth 2. Prent maakt deel uit van een album.
Pharmacy Jug
Object type: ceramic
Date: 1650 – 1650
Materials: earthenware
Techniques: glazing
Location: winterthur
Portret van Maria de' Medici
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: engraving, letterpress printing
Location: the hague
Subjects: cologne, print maker, maria de' medici, historical persons - bb - woman, ornament ~ medallion, queen
Inscriptions: inscription: ‘1600’

Prent uit: Meteren, Emanuel van. Historie der Neder-landscher ende haerder Na-buren Oorlogen ende geschiedenissen (...). Den Haag: Hillebrant Jacobsz. van Wouw, 1614. De prent is mogelijk ook gebruikt in andere edities van dit werk.
Plattegrond van Haarlem met de verwoestingen na het beleg en de grote brand van 1576
Object type: print
Date: 1628 – 1628
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: on fire, ablaze, maps of cities, haarlem
Inscriptions: date

Plattegrond van Haarlem met de verwoestingen in de stad na het beleg en de grote brand van 1576. Met onderschrift van 3 verzen van 4 regels in het Nederlands. Rechtsonder de legenda 1-30.
Jug
Object type: jug
Date: 670 – 330
Materials: terracotta
Culture: roman

Reddish brown jug with stamped bands; unglazed.
Ornemens à la Mode
Object type: titelprent, frontispice
Date: 1670 – 1690
Materials: paper
Techniques: etching
Location: paris
Subjects: trees, landscapes, acanthus ~ ornament
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 2760

Drie ornamenten met medaillons met van boven naar beneden daarin een boom, de titel en een landschap. Deze prent maakt deel uit van een album.
Document Sealing With Multiple Seal Impressions
Object type: sealing, amenhotep iii, nebmaatre, horus, onuris, re, thoth
Date: 1390 – 1352
Materials: mud
Lotus cup
Object type: cup
Date: 1801 – 1900
Materials: glaze, porcelain
Culture: chinese
Subjects: flowers
Saint Catherine of Siena
Object type: print
Date: 1534 – 1666
Techniques: etching
Artist: Anonymous
Artist role: artist
The Nera River near Narni
Object type: drawing
Date: 1844 – 1844
Materials: chalk, paint, paper
Techniques: brush
Subjects: rocks
Inscriptions: date and inscription: ‘Narni 11 Junij 44.’

Dubourcq and his travelling companion, the painter Willem Bodeman, spent the winter in Rome. Dubourcq later wrote to a colleague ‘…for the ordinary traveller Rome is rather somber and sad, but for us it was a favourite place to be.’ The friends headed back north in the spring of 1844, making ‘a study tour’ of their journey. They stayed in Narni, a hilltop village in
Umbria, for a few days in June.
Reflections of the Moon in the Rice Fields of Sarashina in Shinshu
Object type: print
Date: 1832 – 1832
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: moon,hills,landscapes,trees
Ornament in the Shape of a Bee
Object type: ornament
Materials: gold
Culture: indonesian, javanese
Subjects: bees
Library Case / End View
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving
Location: holborn
Subjects: bookcase, with doors

Genummerd: Pl. 45. Boekenkast gemerkt met: A. Schaalverdeling in de ondermarge. Prent maakt deel uit van een boek.
De rommelpotspeler
Object type: print
Date: 1768 – 1796
Materials: paper
Techniques: etching
Location: leiden
Artist: pieter de mare
Artist role: print maker
Artist dates: 1758 – 1796
Subjects: one person playing wind instrument
Inscriptions: collector's mark: Lugt 240
Meisje serveert een jonge man thee
Object type: page
Date: 1905 – 1910
Materials: paper
Techniques: photograph
Location: north holland
Artist: Anonymous
Subjects: folk costume, regional costume, cup of tea
Palais des Tuileries Incendié. Intérieur du Grand Escalier d'Honneur
Object type: page
Date: 1871 – 1872
Materials: photographic support
Techniques: albumen print
Location: paris
Artist: alphonse-justin liébert
Artist role: fotograaf, marinier
Artist dates: 1827 – 1914
Subjects: stairwell, ruin of a building ~ architecture
Inscriptions: address: ‘31, Rue St. Lazare’, number: ‘(No. 13)’
Salmacis en Hermaphroditus
Object type: print
Date: 1600 – 1647
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: story of hermaphroditus and salmacis
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2610

De nimf Salmacis reikt naar Hermaphroditus, die haar probeert af te weren, voordat zij hem zou omhelzen en ze volgens de mythe zouden versmelten tot een tweeslachtig wezen. Ze zitten aan de rand van een bosmeer. Scène uit Ovidius’ Metamorfosen (Met. II, 341-357).
Sauceboat
Object type: sauceboat
Date: 1701 – 1900
Techniques: printing
Artist: r. hall
Artist role: maker
Ontwerp voor het interieur van een eetkamer
Object type: album leaf
Date: 1725 – 1750
Materials: paper
Techniques: etching
Location: paris
Subjects: ornaments ~ art, panelling, dining-room

Variant in spiegelbeeld van RP-P-2003-474-35. Daarop staan zowel Pineau als Mariette vermeld.
Portret van Lieuwe van Aitzema
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: the hague
Inscriptions: collector's mark: Lugt 240

Portret van Lieuwe van Aitzema. Onder het portret een Latijns vers van vier regels.
In Honor of Nicholas Keder, the Swedish antiquarian (1695–1735)
Object type: medal
Date: 1701 – 1800
Materials: bronze
Artist: johann carl hedlinger
Artist role: artist
Artist dates: 1691 – 1771
Subjects: men,profiles
Purse with Cover
Object type: purse
Date: 1801 – 1900
Materials: metal thread, silk
Techniques: embroidery
Culture: chinese

The paired fish embroidered on this small purse are said to symbolize harmony, and the purse’s cover is in the shape of a stone chime—a rebus for “celebration.”
Portret van Georg Friedrich Beer
Object type: print
Date: 1724 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons
't Relletje
Object type: print
Date: 1864 – 1910
Materials: paper
Techniques: etching, intaglio
Artist: cornelia christina johanna van trigt-hoevenaar
Artist role: print maker
Artist dates: 1854 – 1924
Subjects: trees, pond, pool
Inscriptions: collector's mark: Lugt 2228

Rechts hangen twee bomen boven het water.
Bracelet, Repousse and Foliate
Object type: bracelet
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Portret van een onbekende vrouw naast een open raam
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1920
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman, opening the window, interior ~ representation of a building
Zonder klanten
Object type: photograph
Date: 1868 – 1878
Materials: photographic support
Techniques: albumen print
Subjects: child, stall, booth (~ market), umbrella
Inscriptions: number: ‘4’
Terpsichore
Object type: print
Date: 1816 – 1837
Materials: paper
Techniques: engraving
Location: italy
Subjects: piece of sculpture, reproduction of a piece of sculpture, terpsichore (one of the muses); 'terpsicore' (ripa)
Inscriptions: collector's mark: Lugt 12

Deze prent maakt deel uit van een reeks van onbekende omvang met voorstellingen van sculpturen van Antonio Canova door verschillende prentmakers naar tekeningen van Giovanni Tognolli. Originele sculptuur door Canova staat in het Cleveland Museum of Art, Cleveland, Ohio, USA.
Armorial jug (boccale)
Object type: jug
Date: 1470 – 1500
Techniques: maiolica, glazing
Culture: italian
Karikaturale portret- en figuurstudies van mannen
Object type: drawing
Date: 1869 – 1923
Materials: ink, paper
Techniques: pen
Artist: théophile alexandre steinlen
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1859 – 1923
Subjects: head (human), caricatures (human types)
Jupiter and Calisto, from "Game of Mythology" (Jeu de la Mythologie)
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: nymphs,jupiter,dogs,hills
Dress
Object type: dress
Date: 1815 – 1815
Materials: cotton, wool
Culture: american
Dressing gown
Object type: dressing gown
Date: 1860 – 1865
Materials: cotton
Culture: american or european
Portret van Carl Theodor Anton Maria von Dalberg
Object type: print
Date: 1779 – 1850
Materials: paper
Techniques: engraving
Artist: karl traugott riedel
Artist role: print maker
Artist dates: 1769 – 1832
Subjects: priest, karl theodor von dalberg, historical persons
Inscriptions: : ‘te Frankfort’, collector's mark: Lugt 2228
Boat in a Storm at Sea
Object type: print
Date: 1784 – 1788
Techniques: etching
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: waves,storms,boats
Pisa. Duomo. Battistero
Object type: photomechanical print
Date: 1906 – 1909
Materials: cardboard
Techniques: photograph, writing
Location: pisa
Artist: Anonymous
Subjects: square, place, circus, etc., church (exterior)
Pastoralen en dieren
Object type: print
Date: 1611 – 1650
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: cow, milkmaid, dog
Tall Clock
Object type: tall clock
Date: 1805 – 1810
Materials: wood
Techniques: veneering
Culture: american
Location: united states
Artist: thomas seymour
Artist role: maker
Artist nationality: american
Artist dates: 1771 – 1848

Over nine-feet-tall, this majestic clock is among the finest and most aesthetically significant examples produced in North America during the Federal period (1790–1825). The manufacture of such pieces was a joint venture between the clockmaker, the cabinetmaker whom he employed to furnish the case, and the patron. In this instance we are able to identify with precision only the man responsible for the works, James Doull of Charlestown, Massachusetts, whose name is painted on the appropriately oversized thirteen-inch dial. The brilliantly veneered and inlaid case, although unsigned, is quite likely by Thomas Seymour (1771–1848) of Boston, whose signature-style lunette inlays of shaded maple border the door and the lower part of the case; they are also used to face the plinths below the brass finials and the reeded and richly carved, engaged quarter columns of curled maple. The clock dial depicts charmingly naive versions of the personifications of the four seasons—standard motifs on imported English painted dials of the period—and a portrait in the tympanum of a young girl in an idealized landscape. These images may be by John Penniman (active 1806–28), an artist documented as having decorated dials for the renowned Willard family of clockmakers in nearby Roxbury and Grafton.
Wapen van Zweden
Object type: album leaf
Date: 1669 – 1669
Materials: paper
Techniques: engraving, etching
Subjects: coat of arms (as symbol of the state, etc.)

Schild met het wapen van Zweden en de keten van de orde van de Serafijnen, geflankeerd door twee leeuwen. Daarboven meer gekroonde wapenschilden van het Zweedse rijk. De prent maakt deel uit van een album.
Storage Bag
Object type: storage bag
Date: 1801 – 1833
Materials: silk, wool
Techniques: asymmetrically knotted pile
Location: turkmenistan
The Horse Guards &c. from St. James's Park
Object type: print
Date: 1842 – 1842
Techniques: hand coloring, lithograph
Artist: thomas shotter boys
Artist role: artist
Artist nationality: british
Artist dates: 1803 – 1874
Subjects: parks,ponds
Pavilon knizete Josefa Adolfa schwarzenberge
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: výstaviště
Subjects: façade (of house or building), temporary exhibition, 'salon'
Les nièces de Mazarin moeurs et caractères au XVIIe siècle
Object type: book
Date: 1858 – 1858
Materials: leather, paper, photographic support
Techniques: marbled paper, marbling, salted paper print
Location: paris
Artist: amédée renée
Artist role: publicist, schrijver
Artist dates: 1808 – 1859
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, part of line border of tondo; Exterior, feet and hooves