deem-data/ArtiFact huggingface dataset:
Pair of candlesticks
Object type: candlestick
Date: 1701 – 1702
Materials: silver
Artist: charles petit
Artist role: maker
Artist dates: 1629 – 1725
Subjects: coat of arms

In the era before gas lighting and electricity, candles played a principal role in illuminating the domestic interior of a house. The number of candles lit was an indication of the wealth and status of the owner: beeswax candles burned clean, had a pleasant smell, but were quite expensive compared to those made of tallow. In late seventeenth-century France, a change in dining habits had a significant effect on the production of silver candlesticks. Entertainment was increasingly orientated towards the evening and elegant lighting became an important part of the interior decoration. The Paris silversmith Charles Petit created these candlesticks which have a tapered stem, sockets decorated with strapwork, reeding, and female masks, and are supported on a round foot with gadrooned border. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865–1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture, and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, including a fair number of candlesticks.
Dog figure
Object type: sculpture
Materials: bronze
Location: mesopotamia
Subjects: dogs
Piece from a Kosode with Pine Boughs and Cherry Blossoms
Object type: piece from a kosode
Date: 1615 – 1868
Materials: silk
Techniques: dyeing, painting, weave, resist
Culture: japanese
Subjects: flowers
Staande man met gevogelte aan een stok
Object type: print
Date: 1616 – 1670
Materials: paper
Techniques: engraving
Artist: grégoire huret
Artist role: print maker
Artist dates: 1606 – 1670
Subjects: walking-stick, staff, fowl (cock, hen, chicken, etc.)
Inscriptions: collector's mark: Lugt 240
Overlijden van Maria II van Engeland
Object type: history medal
Date: 1695 – 1695
Materials: silver
Techniques: striking
Artist: jan luder (i)
Artist role: medailleur
Artist dates: 1648 – 1719
Subjects: london, maria ii stuart (koningin van engeland, schotland en ierland)

Zilveren penning. Voorzijde: borststuk vrouw met kroon binnen omschrift. Keerzijde: Wijsheid, Godvruchtheid en Standvastigheid staande voor een lijkstatie binnen omschrift; afsnede: opschrift.
Stole
Object type: stole
Date: 1790 – 1810
Materials: linen
Culture: french
Jagers in het bos van Fontainebleau
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt')
Inscriptions: collector's mark: Lugt 2228, annotation: ‘2me etat; 2 épreuves de cet etat’
Coast of Yorkshire, plate 24 from Liber Studiorum
Object type: print
Materials: ink, paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Portret van Abraham des Amorie van der Hoeven
Object type: print
Date: 1837 – 1840
Materials: paper
Techniques: lithograph
Location: the hague
Artist: nicolaas martinus schild
Artist role: draughtsman, print maker
Artist dates: 1822 – 1840
Subjects: rotterdam, arnhem, eyeglasses, spectacles, knighthood order, historical persons, professor
Sergius Galba, from "Twelve Caesars on Horseback"
Object type: print
Date: 1565 – 1587
Techniques: engraving
Artist: abraham de bruyn
Artist role: artist
Artist nationality: flemish
Artist dates: 1540 – 1587
Subjects: men,horses
Terracotta lekythos (oil flask)
Object type: lekythos
Date: 500 – 500
Materials: terracotta
Culture: greek, attic
Artist: diosphos painter
Artist role: artist
Subjects: women,theseus,minotaurs

Depicted on the vase, between two women, is Theseus slaying the Minotaur.
Meer van Bengadit bij Garut in Preanger
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: garut
Artist: Anonymous
Subjects: lake, mountains

Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Vrede van Rijswijk, ter ere van Lodewijk XIV
Object type: history medal
Date: 1699 – 1703
Materials: bronze
Techniques: striking
Location: paris
Artist: jean mauger
Artist role: medailleur
Artist dates: 1648 – 1722
Subjects: lodewijk xiv (koning van frankrijk)

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: Lodewijk, in Romeins tenue schenkt aan Frankrijk, in gedaante van knielende vrouw met wapenschild vredestak binnen omschrift; afsnede: opschrift
Ritual Scraper
Object type: scraper
Date: 1301 – 1400
Materials: iron
Culture: sino-tibetan
Landscape
Object type: drawing
Date: 1785 – 1785
Materials: graphite, ink, watercolor
Techniques: pen
Artist: jacob wilhelm mechau
Artist role: artist
Artist nationality: german
Artist dates: 1745 – 1808
Subjects: windmills,cows,landscapes
Portret van Jacob Cay
Object type: print
Date: 1588 – 1588
Materials: paper
Techniques: woodcut
Location: germany
Artist: monogrammist dh (duitsland)
Artist role: print maker
Subjects: painter, print maker, jacob cay, 'pictura', symbolic representations, allegories and emblems ~ painting; 'pittura' (ripa), 'sculptura', symbolic representations, allegories and emblems ~ sculpture; 'scoltura' (ripa), portrait, self-portrait of painter, tools, implements of painter, tools, implements of sculptor
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Portret in een ornamentele omlijsting, waaraan zijn wapen hangt. Omgeven door twee putti (links en rechtsonder), ieder zittend op een hond. Bovenaan links een personificatie van de schilderkunst en rechts de beeldhouwkunst. In het midden de uil van Minerva.
Wahre und eigentliche Delineatio der Trefflichen undt weitberhümten belägerung der vesten Statt Hertzogenbusch Alles nach seiner rechten Mass abgetheilt
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: etching
Location: germany
Subjects: the hague, frederick henry (prince of orange), maps of separate countries or regions, siege, position war, den bosch

Kaart van het beleg van Den Bosch door het Staatse leger onder Frederik Hendrik, van 1 mei tot 17 september 1629. Kaart van Den Bosch en het omliggende gebied met de omsingeling van de stad, rechts Crèvecoeur aan de Maas. Rechtsonder een cartouche met de Duitse titel. Bovenaan links het wapen van Frederik Hendrik, rechts het wapen van de stad.
Maar een iegelyk zal zijn loon ontvangen naar zynen arbeid
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, glass, metal, paper, fiber
Techniques: albumen print
Artist: Anonymous
Man toont een prent aan een vrouw, bij kaarslicht
Object type: print
Date: 1683 – 1746
Materials: paper
Techniques: mezzotint
Location: amsterdam
Subjects: print, e.g.: engraving, etching, lithograph, home sewing; repair of clothes, candlestick
Inscriptions: collector's mark: Lugt 2228

Een man toont, bij het licht van een kaars, een prent aan een vrouw die van de prent weg kijkt. Haar decolleté is half ontbloot. Op haar schoot ligt een naaikussen en stof.
Portret van een onbekende vrouw
Object type: photograph
Date: 1840 – 1860
Materials: copper, glass, leather, velvet
Techniques: daguerreotype
Artist: Anonymous
Subjects: adult woman, historical persons
Sibertz Cap, Mount Tacoma Aug 23 1885 (from Sketchbook X)
Object type: drawing
Date: 1885 – 1885
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: mountains,trees

This sketchbook contains fifty-one drawings in graphite and ink, primarily of Pacific Northwest landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.1) of New England and Pennsylvania landscape and marine subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Teksten bij de voorstelling van het ongeluk van graaf Johan Maurits op de brug van Franeker, 1665
Object type: print
Date: 1665 – 1665
Materials: paper
Techniques: etching
Location: northern netherlands
Inscriptions: collector's mark: Lugt 12, collector's mark: Lugt 2165, collector's mark: Lugt 573

Blad met een cartouche met twee teksten behorend bij de eerste plaat met de voorstelling van het ongeluk van graaf Johan Maurits op de brug van Franeker, 6 januari 1665. Cartouche gevormd door een festoen van vruchten vastgehouden door twee griffioenen. Links een vers van zes regels in het Latijn, rechts een vers van 4 regels in het Nederlands.
Alessandro Vittoria (1525–1608)
Object type: painting
Date: 1580 – 1580
Materials: canvas, oil
Artist: paolo veronese (paolo caliari)
Artist role: artist
Artist nationality: italian
Artist dates: 1528 – 1588
Subjects: men,portraits,artists
Glass Fragment
Object type: fragment
Date: 801 – 1100
Materials: glass
Location: iraq

This glass fragment was found and purchased in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this fragment attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Weidelandschap met grazende koeien
Object type: print
Date: 1867 – 1939
Materials: paper
Techniques: etching
Artist: gerarda wilhelmina ten hoet
Artist role: print maker
Artist dates: 1857 – 1939
Subjects: insects: dragon-fly, meadow, pasture, bovine cattle
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond een poel. Linksonder een libelle.
Truchsess wordt te Delft ontvangen, 1584
Object type: print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: siege, position war, delft

Gebhard Truchsess, bisschop van Keulen, wordt te Delft statelijk ontvangen, 20 april 1584. Een delegatie van de stad ontmoet de bisschop buiten de stad. Episode uit de Keulse Oorlog. Met onderschrift van 4 regels in het Latijn. Genummerd 154. Bedrukt op achterzijde met tekst in het Latijn.
Dish
Object type: dish
Date: 1830 – 1830
Materials: earthenware
Techniques: glazing
Culture: mexican
Location: mexico
Subjects: men,drums
Portret van een man met snor, baard en vlinderstrik
Object type: carte de visite
Date: 1895 – 1920
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Location: eskilstuna
Artist: gustaf lesser
Artist role: fotograaf
Subjects: moustache, historical persons, beard
Inscriptions: inscription: ‘Gustaf Lesser/ Eskilstuna/ Atelje/ Smedjegatan 2.C./ Telefon 460./ Plåten förvaras.’
Christus met kruis
Object type: drawing
Date: 1848 – 1927
Materials: paper, pencil
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: piece of sculpture, reproduction of a piece of sculpture
Saint George and the Dragon
Object type: plaquette
Date: 1467 – 1500
Materials: bronze
Artist: gian francesco enzola
Artist role: maker
Artist nationality: italian
Artist dates: 1456 – 1478
Subjects: battles,dragons,horses,saint george
Kwitantie voor Johan Conrad Greive
Object type: ontvangstbewijs, kwitantie
Date: 1874 – 1874
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: johan conrad greive
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1891
Subjects: amsterdam, painter, draughtsman, johan conrad greive, money
Inscriptions: collector's mark: Lugt 2233
Snow Field, Morning, Roxbury
Object type: painting
Date: 1864 – 1864
Materials: wood, oil, panel
Location: roxbury
Artist: john la farge
Artist nationality: american
Artist dates: 1835 – 1910
Subjects: landscapes, winter
Girl with a Cushion
Object type: print
Date: 1575 – 1642
Techniques: etching
Artist: guido reni
Artist role: artist
Artist nationality: italian
Artist dates: 1575 – 1642
Subjects: children,women,female nudes

In Mariette Album, folio 46, top left
The Mass of Saint Gregory
Object type: painting
Date: 1485 – 1495
Materials: gold, oil, wood
Artist: spanish painter
Artist role: artist
Artist nationality: spanish
Subjects: altars,men,christ,saints
Plate 20: Civilis Having his Hair Cut, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Object type: print
Date: 1611 – 1611
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: soldiers,men,working
Portret van een onbekende jongen
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: autotype
Location: hamburg
Subjects: boy (child between toddler and youth)
Saucer with flower sprays in panels on a brown glaze
Object type: kop en schotel, kop en schotel
Date: 1730 – 1760
Materials: glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Schotel van porselein, bedekt met een bruin glazuur en beschilderd in blauw, rood, roze, groen, geel en zwart. De schotel is aan de voorzijde bedekt met een bruin glazuur met hierin uitgespaard vier bladvormige cartouches met bloemtakken. Schotel is gebroken geweest. Famille rose met monochroom bruin.
The old elm, Waverly
Object type: page
Date: 1880 – 1890
Materials: paper
Techniques: photograph
Location: massachusetts
Subjects: trees: elm
Inscriptions: number: ‘IX.’
Tankard with cover
Object type: tankard with cover
Date: 1767 – 1800
Materials: glass
Een ezel en twee geiten
Object type: print
Date: 1812 – 1812
Materials: paper
Techniques: etching
Location: netherlands
Artist: pieter gerardus van os
Artist role: draughtsman, painter, print maker
Artist dates: 1776 – 1839
Subjects: ass, donkey
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Waarschijnlijk titelprent voor een serie uit 1812. Het is echter onduidelijk welke prenten bij deze serie horen, zie Kramm.
Joachim de Bueckeleer
Object type: photomechanical print
Date: 1872 – 1877
Materials: cardboard, paper
Techniques: photograph
Location: antwerp
Subjects: antwerp, draughtsman, joachim bueckelaer, historical persons
Inscriptions: inscription: ‘1515? - 1573.’

Deze prent maakt deel uit van een omslag met 150 prenten en een katern met een lijst van afbeeldingen.
Bird and red vine
Object type: print
Date: 1804 – 1893
Materials: paper
Techniques: woodcut
Location: osaka
Subjects: plants; vegetation, birds
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘Rijksschool voor kunstnijverheid’ Lugt 3937

Vogel met blauwe kop, bij een tak met rood blad.
Gezicht op het stadhuis van Veere
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: autotype
Location: london
Artist: george christopher davies
Artist role: fotograaf, geoloog
Artist dates: 1849 – 1922
Subjects: townhall, civic architecture; edifices; dwellings
Liturgical Incense Burner
Object type: drawing
Date: 1851 – 1900
Materials: graphite, watercolor
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: incense burners
Compositie met munten, een camee, een schilderij en drie beelden van Pan, het sterrenbeeld Waterman en een vrouw
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Subjects: coin, sculpture, aquarius (zodiacal sign of january)
Inscriptions: collector's mark: Lugt 2228

Prent uit een onbekend boek met objecten, kunstwerken en figuren uit de Romeinse geschiedenis en religie. Dit betreft een illustratie bij p. 51.
Tobacco Pipe
Object type: tobacco pipe
Date: 1801 – 1900
Materials: bamboo, brass, silver
Culture: japanese
Verklaring / hoe men op het Ganzenbord spelen moet
Object type: print
Date: 1839 – 1851
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: water-birds: goose, board-games
Inscriptions: stamp, collector's mark: Lugt 1641

Bordspel met 63 vakken met in het midden een afbeelding van een vader, een moeder en drie kinderen die om een tafel een spel spelen. In de deuropening een man met een kop in zijn hand. Onder het spel de spelregels. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Spel en vermaak, Gezelschapsspel II, Ganzenbord en dergelijke.
Groningse vlieger, 1476
Object type: coin
Date: 1476 – 1476
Materials: silver
Techniques: striking
Location: groningen

Zilveren munt. Voorzijde: enkelkoppige adelaar, waaronder schuin geplaatst wapenschild. Keerzijde: lang versierd gevoet kruis, in het hart letter G. Jaartal in omschrift.
Close Helmet of Claude Gouffier (1501–1570)
Object type: close helmet
Date: 1555 – 1560
Materials: brass, gold, steel
Culture: french
Location: france

This is an excellent example of a French heavy cavalry helmet of the mid-sixteenth century. Its elaborate decoration includes the monogram of Claude Gouffier (1501–1570), Master of the Horse (Grand Écuyer) for Henry II and Charles IX. This monogram is also on a knee piece from the armor of Gouffier's in the Metropolitan Museum's collection (acc. no. 1994.390).
Carpetaniae Partis Descr / Guipuscoae Regionis Typus / Hanc Insulam Perustrabat (...)
Object type: album leaf
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: (story of) hercules (heracles), ornaments ~ art, fruits and vegetables ~ ornament, birds, ornament ~ cartouche

Hoekornament met trossen fruit en vogels. Daarbij een rolwerkcartouche met Hercules in een boot. Het ornament is een fragment van een kaart van Carpetania, Gipuzkoa en Cadiz. De prent maakt deel uit van een album.
Oriental Jasper Bezel
Object type: print
Date: 1864 – 1864
Techniques: etching
Artist: jules-ferdinand jacquemart
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1880
Ewer and basin
Object type: dish
Date: 1649 – 1649
Materials: silver
Techniques: repoussé
Location: amsterdam
Artist: johannes grill
Artist role: silversmith
Artist dates: 1614 – 1670
Subjects: auricular ornament, lobe style ~ ornament, the four elements, and ether, the fifth element, seasons of the year (esp. personifications); 'stagione', 'le quattro stagione dell'anno' (ripa)
Inscriptions: mark

Scenes chased on silver were an Amsterdam speciality. This ewer and basin demonstrate Johannes Grill’s mastery in combining fanciful motifs with Classical figures. His work was also admired outside of the Netherlands: this ensemble, for instance, was made for Edward Sebright, an English nobleman. These showpieces were used to wash one’s hands before and after a meal.
Portret van Francisco Gómez de Quevedo y Santibáñez Villegas
Object type: print
Date: 1750 – 1811
Materials: paper
Techniques: etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Janny Macnab
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: sydney
Artist: b.c. boake
Artist role: fotograaf
Subjects: historical persons - bb - woman
Inscriptions: annotation: ‘To Mw. Van Braam/ with kind [...]/ Janny Macnab’
Lijst met in het album afgebeelde onderwerpen (blad 23 t/m 48)
Object type: list
Date: 1930 – 1930
Materials: paper
Techniques: writing
Location: netherlands
Artist: Anonymous

Onderdeel van Album met foto's van Amsterdam en omgeving.
Très Parisien. La Mode, Le Chic, L’Elégance
Object type: fashion print
Date: 1925 – 1925
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: dress, gown: evening dress (+ women's clothes), cigarette, coat (evening coat) (+ women's clothes), mirror, head-gear: cap (+ women's clothes), fashion plates, bracelet, wristlet (+ women's clothes)
Inscriptions: caption: ‘EN RETARD - Cette simple robe de crêpe de Chine noir est artistement brodée d'or. <BR />Cape de lamé fond satin blanc imprimé de tons bleus, rouges et jaunes er rebrodé d'or. <BR />Tissus de chez Kismett, 370, rue Saint-Honoré, Paris’

Très Parisien promoted itself as chic and elegant. Between 1920 and 1936 it presented creations by such couturiers as Chéruit, Premet, Philip et Gaston, and Lanvin. The young, svelte models are all ultra-modern, shown talking on the phone, smoking and playing tennis. The illustrations also show that over the course of the 1920s, skirt lengths had risen to just below the knee, before dropping back down to calf length in the 1930s. The small plates were printed on transparent paper using a stencilling technique known as en pochoir and then hand coloured; many of them are unsigned. The signature ‘Joujou’ belonged to Germaine Paule Joumard, who was the director of Très Parisien, as well as one of the magazine’s illustrators.
Frontispiece for Heft IV of "Homer nach Antiken gezeichnet", Göttingen: Heinrich Dieterik, 1801–05 and Stuttgart: J. G. Cotta, 1821
Object type: print
Date: 1796 – 1796
Materials: chalk
Techniques: etching
Artist: johann heinrich wilhelm tischbein
Artist role: artist
Artist nationality: german
Artist dates: 1751 – 1829
Subjects: garlands,trees
Rothesay Castle
Object type: print
Materials: paper
Techniques: etching
Location: scotland
Artist: john clerk of eldin
Brief aan jonkheer Hendrik Teding van Berkhout (1879-1969)
Object type: letter
Date: 1932 – 1932
Materials: ink
Techniques: pen, writing
Location: bergen
Artist: frans huysmans
Artist role: draughtsman
Artist dates: 1885 – 1954
Subjects: print room, haarlem, amsterdam, jonkheer hendrik teding van berkhout (1879-1969), drawing

Brief bevat briefkaart betreffende teruggezonden werken.
Menukaart met het portret van Theodorus Marinus Roest
Object type: menu, menukaart
Materials: paper
Techniques: hand coloring, lithograph
Artist: Anonymous
Subjects: historical persons

Menukaart ter gelegenheid van zijn 20-jarig jubileum bij de Leidsche Spaarbank.
Hand
Object type: hand
Date: 201 – 700
Materials: clay
Culture: central asian
Subjects: hands
Bracelet
Object type: bracelet
Date: 1001 – 1600
Materials: copper alloy
Culture: middle niger civilization
Location: mali
Artist: middle niger artist
Artist role: artist