deem-data/ArtiFact huggingface dataset:
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: links "L'Art grec" door Gabriel Bernard Seurre en rechts "La Pierre" door Auguste Poitevin
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘1015 en 958’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 2.
Piedra del Sol in Mexico-Stad
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: mexico city
Artist: abel briquet
Artist role: fotograaf
Artist dates: 1833 – 1926
Subjects: sculpture
Inscriptions: number: ‘No. 10’
Hof in der alten Akademie
Object type: page
Date: 1902 – 1907
Materials: paper
Techniques: autotype
Location: dusseldorf
Subjects: courtyard, place or institution of education and training of the artist, e.g.: academy of art
Cylinder seal and modern impression: war goddess flanked by goddesses with Egyptian-style sun-disk headdress and vertical wings
Object type: cylinder seal
Date: 1720 – 1650
Materials: mineral
Location: syria
Subjects: goddess
The Corpus Christi Procession, Nantes
Object type: print
Date: 1901 – 1901
Materials: gold, paper
Techniques: woodcut
Location: france
Artist: louis auguste lepère
Artist role: print maker
Artist nationality: french
Artist dates: 1849 – 1918
Necklace with pendants
Object type: pendant jewelry
Date: 1700 – 1550
Materials: gemstone, faience, mineral
Location: egypt
Snuffbox with miniature of sleeping Endymion and Selene
Object type: snuffbox, painting
Date: 1772 – 1773
Materials: gold, ivory, shell
Subjects: sleeping,men,dogs

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Pont over de Bergrivier
Object type: drawing
Date: 1709 – 1776
Materials: paper, watercolor
Techniques: brush, pen
Location: south africa
Artist: johannes schumacher
Artist role: draughtsman
Subjects: cape of good hope, river, ferry, covered wagon, hooded wagon, mountain-range, snow peaks
Inscriptions: label: ‘43’

Pont over de Bergrivier, bij de Paarlberg. In de verte de Drakensbergen. De ossenwagens maken een voor een de oversteek. Tekening gemaakt tijdens de tweede reis van Hendrik Swellengrebel, naar het noordoosten van de Kaapkolonie, 10 september - 26 december 1776. Volgens het reisjournaal nam het reisgezelschap de veerboot over de Bergrivier op 10 september 1776.
Portret van Heinrich August Ottokar Reichard
Object type: print
Date: 1792 – 1816
Materials: paper
Techniques: etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Key
Object type: key
Date: 1767 – 1900
Materials: brass
Jeanne Rivière femme de Plantin
Object type: page
Date: 1892 – 1897
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: adult woman
Twee natuurkundigen, om hen heen ontlede dieren en baby's op sterkwater
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: physicist, physiology and anatomy (+ scholar, scientist (at work)), dissection, interior of the house, laboratory, research room
Inscriptions: collector's mark: Lugt 2228

Volgens de beschikbare literatuur zou deze prent behoren tot 'Naturgeschichte' van Johann Friedrich Blumenbach, maar de daadwerkelijke publicatie wordt niet genoemd.
Vrouw, mogelijk op een balkon
Object type: sketchbook leaf
Date: 1887 – 1934
Materials: chalk, paper
Location: paris
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ sideview, profile), balcony, street (+ city(-scape) with figures, staffage), paris

Op de achtergrond een straat, mogelijk in Parijs. In de verte een gebouw met vlaggen. Pagina 15 uit schetsboek XLIX met 32 pagina's.
Medea gedragen door draken
Object type: print
Date: 1580 – 1580
Materials: paper
Techniques: woodcut
Subjects: medea kills her two children; she flees from corinth in a chariot drawn by winged dragons

Prent ook gebruikt in: Amman, Jost. Kunstbüchlein. Frankfurt am Main: Feyerabend, 1580.
Fotoreproductie van een portret van Johann Sebastian Bach
Object type: page
Date: 1866 – 1876
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: composer
Pitcher
Object type: pitcher
Date: 1800 – 1830
Materials: earthenware
Culture: american
Location: united states
Gold pin with pomegranate head
Object type: pin
Date: 700 – 501
Materials: gold, silver
Culture: greek

Pin with a finial in the shape of a pomegranate.
Dancing children (one of a pair)
Object type: overdoor
Date: 1770 – 1790
Materials: canvas, oil
Artist: donatello
Artist role: artist
Artist nationality: italian
Artist dates: 1386 – 1466
Subjects: children,dancing

This overdoor and its companion (07.225.251a) appear to be free versions of portions of Donatello's Cantoria, Museo dell'Opera del Duomo, Florence.
Quentin Massys. Ensevelissement du Christ. Musée d'Anvers
Object type: carte de visite
Date: 1858 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Subjects: lamentation over the dead christ by his relatives and friends (christ usually without crown of thorns)

Het altaarstuk van Massijs bevindt zich in het Museum voor Schone Kunsten te Antwerpen.
Landschap met molen
Object type: print
Date: 1847 – 1874
Materials: paper
Techniques: etching
Artist: jan van lokhorst
Artist role: draughtsman, print maker
Artist dates: 1837 – 1894
Subjects: windmill in landscape
Inscriptions: collector's mark: Lugt 2228

Landschap met molen, links op de voorgrond lopen figuren langs het water richting een houten brug.
Dunne stok (badine) van hout belijmd met schildpad en voorzien van een knop van wit porseleinen, versierd met ornamentjes van bladgoud, gezet in een vergulde rand
Object type: swagger stick
Date: 1750 – 1775
Materials: brass, gold, porcelain, silver, shell, wood
Techniques: cutting, firing, silvering, striking
Location: netherlands
Artist: Anonymous

Dunne stok (badine) van hout belijmd met schildpad en voorzien van een knop van wit porseleinen, versierd met ornamenten van bladgoud, gezet in een vergulde rand. Met koperen ring.
Roskilde Domkirke
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph
Location: roskilde
Subjects: city-view, and landscape with man-made constructions, arch, archivolt ~ architecture
Inscriptions: mark: ‘CS’

Prentbriefkaart maakt deel uit van een album.
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: london
Artist: matthijs maris
Artist role: draughtsman, painter, print maker
Artist dates: 1839 – 1917
Subjects: philip zilcken, literature ~ arts, money
Inscriptions: collector's mark: ‘RPK’, watermark
Brief aan Philip Zilcken
Object type: letter
Date: 1913 – 1913
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: leiden
Artist: christiaan snouck hurgronje
Artist role: fotograaf, schrijver
Artist dates: 1857 – 1936
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Scarab: Aakheperura (Amenhotep II)
Object type: costume and accessory
Materials: glaze, stone
Techniques: glazing
Culture: egyptian
Location: egypt
Subjects: hieroglyphs, pharaohs, kings, insects, falcons
Ewe
Object type: ceramic
Date: 1780 – 1780
Materials: earthenware
Techniques: glazing
Location: staffordshire
Kandelaar
Object type: miniature
Date: 1704 – 1704
Materials: silver
Location: netherlands
Artist: Anonymous

Kandelaar op vierkante, afgekante voet. De stam is meerkantig, geprofileerd en balustervormig. De kandelaar is gemerkt: stk.= Amsterdam en een onbekend meesterteken. Bij de kandelaar hoort een identieke kandelaar (invnr. BK-NM-11177-139).
Portret van Leonard Beels
Object type: print
Date: 1747 – 1747
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: netherlands
Inscriptions: collector's mark: Lugt 2228

Medaillonportret van predikant Leonard Beels. Ten halven lijve iets naar rechts. In het randschrift rond het portret en op de sokkel onder het medaillon staan Latijnse teksten.
Isabel Wachenheimer in de tuin van de woning van de familie Wachenheimer aan de Hauptmannsreute met haar ouders Else Wachenheimer-Moos en Eugen Wachenheimer, 1936-1937, Stuttgart
Object type: photograph
Date: 1936 – 1937
Materials: paper, photographic support
Techniques: gelatin silver print
Location: stuttgart
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: eugen wachenheimer, else wachenheimer-moos, isabel wachenheimer-elon, family life at home
Inscriptions: inscription: ‘Papi am Spazier / auf d. Garage’

Albumblad bevat vier foto's. Alle foto's van Else Wachenheimer-Moos (als volwassen vrouw), Isabel Wachenheimer (als jong meisje) en Eugen Wachenheimer (in kostuum). Uit klein formaat fotoalbum, blauw lederen omslag met drukknopsluiting. Met foto's in klein formaat.
Saucer with figures in a landscape with trees, rocks and pavilions
Object type: dish
Date: 1700 – 1700
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, forming, vitrification
Location: arita
Artist: Anonymous
Inscriptions: mark: ‘大 明 成 化 年 製 <BR /><BR />dà míng Chénghuà nián zhì’

Schaal van porselein met accoladevormige wand en rand, beschilderd in onderglazuur blauw. Op het plat een landschap met daarin een ruiter en twee lopende mensen tussen rotsen en bomen. Op de achtergrond twee paviljoens en wolken. De binnenrand is met een blauwe band. Gemerkt op de onderzijde met het zes-karaktermerk van keizer Chenghua. Twee proenen op de onderzijde. Arita, blauw-wit.
Terracotta fragment of a Panathenaic prize amphora
Object type: panathenaic prize amphora fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

At the shoulder, a band of tongues, alternating with black and red
Glass mosaic bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Deep purple appearing black and opaque yellow. Vertical rim with rounded edge; shallow convex curving side tapering downward. Marbled mosaic pattern in purple ground with irregular solid yellow bands. Polished exterior; pitting of surface bubbles; dulling and thick creamy weathering on interior, rim, and three edges, but long edge at bottom unweathered.
Fragmentary Band with Scenes from the Infancy of Christ
Object type: fragmentary band
Date: 401 – 600
Materials: linen, silk, wool
Techniques: weave
Location: egypt
Subjects: christ,adoration of the shepherds,annunciation,nativity

The earliest events in the life of Christ appear in sequence on this exquisitely woven band, possibly made for a tunic. Read from the right, the scenes are the Annunciation to the Virgin (most of the angel Gabriel is lost), the Bathing of the Christ Child (a popular motif not recorded in the Gospel texts), the Nativity with the Child in a Stone Manger, and the Adoration of the Shepherds.
Opengewerkt model van een auto
Object type: photomechanical print
Date: 1904 – 1909
Materials: paper
Techniques: autotype
Location: ohio
Subjects: automobile

Prent op zesde ongenummerde pagina na pagina 213.
Portret van Petrus Broes
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: the bible as a book
Inscriptions: collector's mark: Lugt 2228

Portret van Petrus Broes, predikant te Amsterdam, predikend met voor zich een opengeslagen bijbel.
Annotaties
Object type: endleaf
Date: 1902 – 1902
Materials: ink, paper
Techniques: writing
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation: ‘Huizen Singel/ Beursstraat Rokin/ Kalverstraat/ afbraak Damrak/ Nieuwendijk/ oude huisjes Haarlem/ Schip Damrak/ Reguliersdw. str. regen/ Beulingstraat/ ged. Damrak/ Rijtuigje/ Schepen Damrak/ Kinderen in de zon. winkel./ Straatje Haarlem/ Rokin uit de Bodega/ Toren straat Rotterdam/ Kinderen b/ orgel. L. Leidsche dw. str/ Straatje Haarlem/ Brug Brouwsgr. b/d Prinsengr./ Nieuwe Brug steeg/ oude stoepen Vinkenstraat/ Damrak/ O.Z. Kolk/ Bagijnestraat [doorgestreept] straatje Rotterdam?/ Gerz.[?] Damrak/ Rozeboomstraat Kalverstraat/ afbraak Rembrandtsplein/ Dames tram/ huizen b/ Kalverstraat Singel/ Paard. Kleine Houtstraat/ Poortje Baan Rotterdam./ Brug Brouwergr. Prinsengr./ ged. Damrak/ poortje Haarlem/ Hofje van Zorgen Vrij Rotterdam/ Damrak. Bouwrij einde Overtoom/ Oude water[?], winter/ Bank v. Leening. O.Z. Voorburgwal’

Pagina 94, achterste schutblad, uit een schetsboek met 46 bladen vervaardigd in de omgeving van Amsterdam, Rotterdam en Haarlem.
Hoofd van een paard, naar links
Object type: drawing
Date: 1819 – 1881
Materials: chalk, ink, paper, pencil
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: horse
Vrouw met een mand voor een boerenhuis aan het water
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: drypoint, etching
Location: utrecht
Artist: hermanus jan hendrik van rijkelijkhuysen
Artist role: painter, print maker
Artist dates: 1813 – 1883
Subjects: trees, small canal, ditch, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228
Ruiterportret van Filips V van Spanje
Object type: print
Date: 1700 – 1707
Materials: paper
Techniques: engraving
Location: france
Subjects: filips v (koning van spanje)
Inscriptions: collector's mark: Lugt 240

Koning Filips V van Spanje te paard. Naast hem staan twee personen die vaandels en speren dragen, boven hem musicerende engelen en vrouwen met symbolische attributen en banderollen. Een gekroonde leeuw kijkt toe.
Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... title page (recto)
Object type: book print ornament architecture
Date: 1527 – 1527
Techniques: woodcut
Artist: willem vorsterman
Artist role: printer
Artist nationality: netherlandish
Artist dates: 1500 – 1550
Subjects: men,women,looms

Printed by Willem Vorsterman. Title is printed in black and framed within a rectangle that exists at the center of the page. Surrounding the top, left, and right sides of the title is a decorative architectural frame comprised of figures and a set of roundels ornamented with coats of arms. Below the title is a scene depicting 2 women producing textiles on looms.
Dancer in the Role of Harlequin
Object type: statuette
Materials: bronze
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: female nudes,dancers

Upon Degas's death in 1917, more than 150 figurative sculptures were found in his studio. Most were made of fragile wax, clay, and plastiline (a wax- and oil-based modeling material). Many had deteriorated. Only a few were preserved in copies that had been cast from them in plaster. Except for the wax Little Fourteen-Year-Old Dancer (Washington: NGA) none of these sculptures had been publicly exhibited during the artist’s lifetime. Although Degas had not favored reproducing his sculptures in more permanent materials, his heirs authorized that copies be cast in bronze in order to preserve the compositions and to sell them as finished works. Paul-Albert Bartholomé, a sculptor and Degas's longtime friend, prepared 72 of the figures for casting, a process executed by the distinguished Paris foundry A.-A. Hébrard et Cie. The quality of the Degas bronzes was tightly controlled and their edition was limited. Only twenty-two editions of the series of 72 figures were cast. Each bronze within the series was assigned a number from one to seventy-two. The first twenty editions were assigned a letter from A-T. In most cases these numbers and letters were incised on the individual bronzes. The series of 72 bronzes was completed before May 1921 when it was exhibited in Paris. Edition A, comprising the first and best casts of the series, was reserved for the important Impressionist collector Mrs. H. O. Havemeyer. She later acquired the first bronze cast of the Little Fourteen-Year-Old Dancer (lettered A, but not numbered), which had been omitted from the initial series. In 1929 Mrs. Havemeyer bequeathed Little Fourteen-Year-Old Dancer and 70 of the 72 Edition A Degas bronzes to the Metropolitan Museum of Art. Formerly called Dancer Rubbing Her Knee, this figure has been identified with Harlequin in a pastel dated 1885 now in the Art Institute of Chicago. The pastel is part of a series of seven depicting scenes from the ballet Les Jumeaux de Bergame, probably the production that had its first performance at the Paris Opéra on January 26, 1886. Degas is known to have attended rehearsals for it in July of 1885. The figure in the pastel wears Harlequin's domino costume and carries a baton or slapstick in her right hand with which she has presumably just felled another character in the ballet. In the sculpture, Degas has presented Harlequin nude, abandoning any attempt at narrative context and concentrating on the figure in motion.
Poot van vaatwerk uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: vessel
Materials: tin
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Massief zwart dikkig pootje met stulpingen en aan een kant duidelijk het afgeplatte punt waar het ooit raakte aan de moederpot.
Penning met het portret van Georg von Frundsberg op 42-jarige leeftijd
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, coin
Inscriptions: inscription: ‘Georg Baron von Freundsberg’
Tile with dragon
Object type: tile
Date: 1617 – 1627
Techniques: maiolica, glazing
Subjects: dragons
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora, tyrrhenian fragment
Date: 575 – 551
Materials: terracotta
Culture: greek, attic

Feet of a feline to right; legs of an animal to left; hoof of a lion or panther to right; in the frieze below, part of the tail, hindquarters, and hind leg of a panther to left?; goat to right; part of a panther to left
Gewichten apothekersbalans uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: prescription scale
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Tools and instruments, medical, apothecaries' weight; id. NG 1980-27H2750 drachms, eroded.
Covered Bowl and Stand
Object type: glass
Date: 1834 – 1866
Materials: glass
Techniques: pressed
Location: lunéville
Artist: baccarat glassworks
Artist nationality: french
Artist dates: 1764 –
Portret van Hendrik Jacob baron van Doorn van Westcapelle
Object type: print
Date: 1820 – 1860
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: the hague, politician, hendrik jacob baron van doorn van westcapelle, historical persons, politician, e.g. party leader
Cup
Object type: cup
Date: 1701 – 1750
Materials: glass

The brown exterior imitates the "dead leaf" glaze of a large class of Chinese export wares.
Kaarte vande polders der Eemlandtsche leege landen etc. Ao. 1666
Object type: map
Date: 1666 – 1666
Materials: paper
Techniques: engraving
Subjects: maps of separate countries or regions, polder, reclaimed land
Inscriptions: collector's mark: Lugt 195

Onderste deel van een polderkaart van Eemland.
Patterns (2)
Object type: pattern
Date: 1701 – 1800
Materials: parchment
Subjects: leaves
Portret van Matthias Wesenbeck
Object type: print
Date: 1574 – 1611
Materials: paper
Techniques: letterpress printing
Location: germany
Subjects: historical persons, lawyer, attorney at law
Inscriptions: collector's mark: Lugt 2228

Met twaalfregelig onderschrift in het Latijn.
Blad met ruitpatroon
Object type: printed paper
Date: 1750 – 1950
Materials: paper
Techniques: printing block
Artist: Anonymous
Subjects: ornament ~ geometric motifs
Inscriptions: annotation: ‘Dr. v. Geuns’
Fragmenten van pijpenkoppen en pijpenstelen uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: pipe bowl
Materials: clay
Techniques: firing
Location: gouda
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Twee koppen van aarden Goudse pijpen: beide met hielmerk gekroonde WS, waarvan éen gebroken. Vijf stukken steel. Fragments of bowls and stems.
Chinese landscape with figures and a pavilion
Object type: album leaf
Date: 1715 – 1725
Materials: paper
Techniques: etching
Location: amsterdam
Artist: pieter schenk (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1693 – 1775
Subjects: chinese, landscapes in the temperate zone

This album contains 84 etchings: with only two exceptions, all the chinoiserie prints that are currently known by father and son Schenk. The prints were made in a pseudo-Chinese style that was then unknown in Northern Europe: their paintbrush-like lines and flattened perspective hark back to Chinese woodcuts and paintings.
Torque
Object type: torque
Date: 701 – 833
Materials: gold
Culture: indonesian, javanese
Deep-sea sounding and dredging
Object type: book
Date: 1880 – 1880
Materials: cardboard, linen, paper
Techniques: photograph, lithograph, printing
Location: washington d.c.
Artist: charles d. sigsbee
Artist role: militair
Inscriptions: inscription: ‘surplus -1 Library of Congress duplicate’, inscription: ‘Library Feb. 23 1888 U. S. Patent Office’, name: ‘Scientific Library United States Patent Office’
Les forces de l'Europe, ou description des principales villes, avec leurs fortifications : dessignées par les meilleurs ingenieurs, particulierement celles (...) de la France, dont les plans ont esté levez par M. de Vauban
Object type: print
Date: 1693 – 1696
Materials: paper
Techniques: etching
Location: paris
Subjects: fribourg, negenjarige oorlog

Gezicht op de Zwitserse stad Fribourg. Onderdeel van het vijfde deel (1696) van het prentwerk waarin gebundeld zijn de acht delen van Les forces de l'Europe uitgegeven tussen 1693-1697. Het prentwerk bestaat uit 175 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog. Titel en opschriften in het Frans.
Deventer, halve plak, 1476
Object type: coin
Date: 1476 – 1476
Materials: silver
Techniques: striking
Location: deventer

Zilveren munt. Voorzijde: eenkoppige adelaar met onder zijn poten wapenschild. Keerzijde: kort gevoet kruis.
Netsuke
Object type: netsuke
Date: 1701 – 1800
Materials: wood
Culture: japanese
Subjects: men
The Pancake Woman
Object type: print
Date: 1649 – 1658
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: cornelis visscher
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1658