deem-data/ArtiFact huggingface dataset:
Palacio de marmol. San Petersburgo.
Object type: photograph
Date: 1850 – 1876
Materials: photographic support
Techniques: albumen print
Location: sint-petersburg
Artist: alfred lorens
Artist role: fotograaf
Artist dates: 1830 – 1896
Subjects: palace, travelling; tourism, square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: negative number: ‘159’

Onderdeel van Reisalbum met foto's en tekeningen van Manuel Mayo 1876.
Lochyndorbe, and Ruins of Castle, Morayshire
Object type: page
Date: 1858 – 1863
Materials: photographic support
Techniques: albumen print
Subjects: lake
Studie, mogelijk van boten in het water
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: ships (in general), canals, waters (in city) (+ city(-scape) with figures, staffage)

Pagina 41 uit een schetsboek met 29 bladen.
View of the interior of the city of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 6
Object type: print
Date: 1804 – 1804
Techniques: etching
Artist: francesco piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1758 – 1810
Subjects: cities,ruins
Orpheline Bourgeoise d'Amsterdam
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: folk costume, regional costume (+ women's clothes), studio requisites ~ photographer, folk costume, regional costume, orphans, amsterdam
Inscriptions: inscription: ‘Costumes des Pays-Bas. Publiés par A. Jager, Damrak 81 Amsterdam Le droit de reproduction réservé.’

Onderdeel van Fotoalbum met klederdrachten van Nederland.
Paarden aan de Cruquiusweg
Object type: photograph
Date: 1890 – 1910
Materials: paper
Techniques: gelatin silver print
Location: netherlands

Moderne afdruk van negatief BR 1614 (collectie RKD).
Foto's en beelden op een tafel
Object type: stereograph
Date: 1856 – 1922
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: london
Inscriptions: label: ‘Artistic Group.’, check stamp: ‘The London Stereoscopic Company 54 Cheapside’, annotation: ‘geschenk van Louh Tilaun (?) Leiden 21-V-2001 (?)’
Islamitische galeislaven in een Italiaanse haven
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: genoa
Artist: m. schaep
Artist role: print maker
Subjects: harbour, kitchen-utensils: cauldron, soup-kitchen, cook-shop, slavery; serfs and enslaved persons, seaman: sailor, eating
Inscriptions: collector's mark: Lugt 2228

Een kok roert in een ketel en deelt eten uit aan een groep islamitische galeislaven, de kok zelf behoort ook tot deze groep. Op de grond zit een aantal van hen te eten. Deze tot slaaf gemaakte mannen zijn als moslims te herkennen door het typerende kapsel (hoofd op een pluk na kaalgeschoren) dat zij verplicht waren te hebben. Rechts twee zeelieden in gesprek met een papasso (moellah en vertegenwoordiger van de islamitische tot slaaf gemaakten).
Roma. Palazzo Barberini
Object type: photomechanical print
Date: 1889 – 1906
Materials: cardboard
Techniques: photograph
Location: rome
Subjects: palace, gate, entrance
Korps Rijdende Artillerie tijdens een parade
Object type: photograph
Date: 1935 – 1935
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, the company, the unit, the troop ~ military service, military parade, pageant, netherlands
Inscriptions: number: ‘11’
Ewer
Object type: ewer
Date: 1801 – 1900
Materials: gold
Artist: johann ludwig ii biller
Artist role: maker
Artist nationality: german
Artist dates: 1692 – 1746

This electrotype is after an eighteenth-century original (1730–40) at the Winter Palace, St. Petersburg, at the time of reproduction. It belongs to a toilet service made for and presented to the Empress Anna Ivanovna.
De Schilder
Object type: print
Date: 1694 – 1694
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: handicrafts, craftsman at work, working situations ~ painter
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van de 100-delige serie beroepsprenten van Jan en Caspar Luyken, getiteld: Het menselyk bedryf. S.l.s.n., 1694 (eerste druk).
A lion headed goddess, possibly Wadjet
Object type: statuette, lion headed goddess, wadjet
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: sekhmet

Lion-headed goddesses in Egypt encompassed numerous deities including Sakhmet, Wadjet, and Bastet, among others. In this guise, the goddesses were fierce protective deities, but ones that could also bring about destruction on behalf of the gods, both through violence and through plague and pestilence. This figure utilizes several iconographic elements common to many lion-headed goddesses including the upright standing posture, the lion’s mane combined with a tripartite wig, the long gown, and the sun disk. The sun disk, when worn by a lion-headed goddess, is sometimes linked with Wadjet, and alludes to her role as the daughter and eye of the sun god Re, but many goddesses shared this aspect and similar inscribed statuettes name several different deities; without an inscription or context, it is difficult to assign a precise identity to this figure. Several features of this particular goddess draw the gaze: her wide circular eyes and the hatching at the bottom of her ears; her collar and bracelets; the detailing at the top of her dress, with lines between and below the breasts, framing their contours; and the subtle but sensuous rendering of her waist, hips and thighs.
Groet uit Maastricht. Gezicht op de Ruine
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: sint-pietersberg
Artist: Anonymous
Subjects: ruin of a dwelling, house, castle, etc., mountains
Romeinse poort bij Zara
Object type: book illustration
Date: 1679 – 1679
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: triumphal arch
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Spon, Jacob. Voyage d'Italie, de Dalmatie, de Grece, et du Levant, 2 delen. Amsterdam: Hendrick en Dirk Boom, 1679, dl. I, p. 66.
Flask
Object type: flask
Date: 1840 – 1860
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Artist: kentucky glass works
Artist role: maker
Artist nationality: american
Artist dates: 1850 – 1855
Subjects: eagles
Miss Hading, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from "World's Beauties," Series 2 (N27), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Portret van Joachim Ludvig Phister als een schrijver uit Eventyr paa fodreisen
Object type: page
Date: 1862 – 1872
Materials: photographic support
Techniques: albumen print
Artist: harald paetz
Artist role: fotograaf
Artist dates: 1837 – 1895
Subjects: stage costume, portrait of actor, actress
Inscriptions: inscription: ‘Eneberettiget Eventyr paa fodreisen, 1ste Akt, 3de Scene.’
Basin
Object type: basin
Date: 1822 – 1850
Materials: pewter
Culture: american
Location: united states
Artist: thomas s. derby
Artist role: maker
Artist nationality: american
Artist dates: 1786 – 1852
Landscape with an Old Woman Holding a Spindle, after Domenico Campagnola
Object type: drawing
Date: 1715 – 1715
Materials: chalk, ink
Techniques: pen
Artist: antoine watteau
Artist role: artist
Artist nationality: french
Artist dates: 1684 – 1721
Subjects: towns,women,landscapes

A wealthy banker, Pierre Crozat (1661-1740) was one of the foremost collectors of drawings in the eighteenth century. He befriended Watteau, offering him commissions, housing, and access to his collection. Watteau was entranced with the sixteenth-century Venetian landscape drawings he found there and copied many of them. In this case, the original drawing by Domenico Campagnola (1500–1564) is also in the collection of the Museum (1972.118.243). Although he is faithful to Campagnola's composition, Watteau substituted his preferred medium, red chalk, for the Venetian's pen and brown ink.
Titelpagina voor: Theatrum biblicum
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the ten commandments represented together, the book exodus: story of moses and aaron, story of david
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Theatrum biblicum : hoc est historiae sacrae veteris et novi testamenti tabulis aeneis expressae. Opus praesentatissimorum huius ac superioris seculi pictorum atque sculptorum, summo studio conquisitum et in lucem editum. Amsterdam: Nicolaas, Visscher, 1639.
Sterfbed van een geliefde
Object type: print
Date: 1832 – 1902
Materials: paper
Techniques: etching
Artist: karel frederik bombled
Artist role: draughtsman, print maker
Artist dates: 1822 – 1902
Subjects: deathbed, crucifix ~ personal devotion, couple of lovers
Inscriptions: collector's mark: Lugt 2228

Een jonge vrouw ligt ziek en stervend in een bedstee. Haar man houdt haar hand vast en begraaft zijn hoofd in de dekens. Een hond ligt stil naast het bed. Aan de wand van het bed hangt een kruisbeeldje.
Gezicht op Kasteel IJsselstein
Object type: photograph
Date: 1888 – 1888
Materials: cardboard, photographic support
Techniques: albumen print
Location: ijsselstein
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: landscape with ruins (+ city(-scape) with figures, staffage), ruin of a dwelling, house, castle, etc.
Inscriptions: annotation: ‘Kasteel te IJsselstein/ afgebroken 1888’, annotation: ‘IJsselstein’
Fragment of a Head from a Statue of a King
Object type: sculpture
Materials: stone
Culture: egyptian
Location: egypt
Subjects: kings, snakes, portraits, pharaohs, faces

This fragmentary sculpture portrays the head of a king. Only the right side is preserved, leaving evidence that this figure wore the customary pleated headdress with uraeus on his brow. His face is beardless, and softly rounded with high cheekbones.
Portret van Juliana Cornelia de Lannoy
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: geertruidenberg
Inscriptions: collector's mark: Lugt 240

Buste naar links van Juliana Cornelia de Lannoy in een ovaal. Het portret rust op een plint waarop een vierregelig vers in het Nederlands.
Handle of a Cosmetic Spoon in the Form of a Leopard
Object type: cosmetic spoon, handle, feline, leopard
Date: 1390 – 1352
Materials: stone
Location: egypt
Subjects: leopards

This fragment originally formed the handle of a cosmetic spoon. Carved from Egyptian alabaster, it depicts a leaping feline. It was excavated by the Museum at the site of Malqata in western Thebes.
Cinquedea
Object type: arm
Date: 1500 – 1500
Materials: bone, brass, bronze
Culture: italian
Location: italy
Terracotta fragment of a pelike (jar)
Object type: pelike fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of the panel ornament of a pelike: dot net pattern
Dish
Object type: dish
Date: 1835 – 1845
Materials: glass
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Triumph from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate V. First edition
Object type: print
Date: 1881 – 1881
Techniques: aquatint, printmaking, drypoint, etching
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Subjects: horses,chariots
Cup and Saucer
Object type: ceramic
Date: 1805 – 1810
Materials: gilt, hard paste porcelain, porcelain
Location: germany
Artist: meissen porcelain manufactory
Artist nationality: german
Artist dates: 1710 –
Netsuke of Group of Animals
Object type: netsuke
Date: 1701 – 1800
Materials: ivory
Culture: japanese
Subjects: dragons,roosters,boars,horses,mice,monkeys,rabbits
Scherven van kommen uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A bowl. The cobalt blue is of a dark purple colour. In the centre the character for a long life: shou is drawn, encircled by a double band. On the lip-rim a stylized wave band is drawn. The outside wall is decorated with two four-clawed dragons chasing a flaming pearl.
Cosimo I
Object type: print
Materials: paper
Techniques: engraving
Location: netherlands
Artist: adriaen haelwegh
Artist role: print maker
Artist nationality: dutch
Artist dates: 1637 – 1702
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre: links "La Guerre" door Augustin Alexandre Dumont en rechts "La Paix" door Antoine Etex
Object type: photograph
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘521 en 522’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 2.
Portret van Johann Konrad Pfenninger
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: germany
Artist: j. pauli
Artist role: print maker
Subjects: theologian, historical persons
Inscriptions: inscription: ‘in Franken aanwezig/ Gm’, collector's mark: Lugt 2233

Prent waarschijnlijk uit: Olla potrida: eine Quartalschrift. Berlijn: Arnold Wever, 1793, dl. 1.
Aanleg van het Viaur Viaduct in Frankrijk door de Societé de Construction des Battignolles, 3 febrauri 1901
Object type: photograph
Date: 1901 – 1901
Materials: photographic support
Techniques: cyanotype
Location: france
Artist: Anonymous
Subjects: viaduct, making the overground structures (~ building activities)
Inscriptions: date
Garnalenboot
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: sailing-ship, sailing-boat, ships, boats on land, beached
Inscriptions: collector's mark: Lugt 2228

Prent uit een twaalfdelige serie, getiteld 'Studiën van Hollandsche Schepen naar de Natuur geteekend en op Steen gebracht door J.C. Greive Jr., uitgegeven door Frans Buffa en Zonen in Amsterdam.
Vrouw met teil voor de deur van woning
Object type: photograph
Date: 1907 – 1935
Materials: glass
Techniques: autochrome process
Location: netherlands
Artist: Anonymous
Subjects: cleaning (the house), netherlands
Spring Festival on the River
Object type: handscroll
Date: 1701 – 1800
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: rivers,landscapes,boats

In the early twelfth century the court artist Zhang Zeduan painted a handscroll depicting the Northern Song capital of Bianliang (Kaifeng) at the time of the Spring Festival (Qingming jie). Zhang's painting, which lovingly and minutely describes the daily life of the capital's inhabitants, became the paradigm for more than forty later evocations of this theme. This version, which is longer, compositionally more complex, and more brilliantly colored than the Song original, reflects the stylistic innovations of the Suzhou professional painter Qiu Ying (ca. 1495–1552), whose signature has been added at the end. But there are several reasons for assigning the scroll to a later date. Not only is the execution less meticulous than that of genuine works by Qiu, but the addition of elaborate palaces, a display of horsemanship and archery skills, an imperial procession, and a hunt— none of which appear in the original—point to the influence of imperially sponsored commemorative paintings that originated with the Southern Inspection Tour of the Kangxi emperor (r. 1662–1722).
Médinet-Habou, Péristyle du Palais de Ramsès-Méiamoun; Thèbes, plate 50 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie
Vissers en vrouwen langs het water
Object type: indian miniature
Date: 1870 – 1890
Materials: paper
Techniques: brush
Location: india
Artist: Anonymous
Inscriptions: inscription: ‘.’

Een lichtgekleurde voorstelling van een drietal vissers met hun netten in het water en vier vrouwen op het droge met vismanden.
Madonna and Child
Object type: sculpture
Date: 1475 – 1475
Materials: terracotta
Techniques: modeling, painting, polychrome, polychromy, carved
Location: italy
Artist: antonio rossellino
Artist role: artist
Artist nationality: italian
Artist dates: 1427 – 1479
Subjects: virgin and child/madonna and child, devotion, religious figures, religious, religion, christian subjects, christianity, mother and child, mother, mothers, sons, boys, child, jesus, virgin mary
New Law Courts, London
Object type: photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Artist: george washington wilson
Artist role: publisher
Artist dates: 1823 – 1893
Subjects: court building, prospect of city, town panorama, silhouette of city, street (+ city(-scape) with figures, staffage), london
Inscriptions: number: ‘3768’

Onderdeel van Fotoalbum met bezienswaardigheden in Edinburgh en Londen.
Corpus of Christ
Object type: sculpture
Date: 1201 – 1300
Materials: wood
Techniques: painting, polychrome, polychromy, carved
Culture: spanish
Location: spain
Subjects: jesus, christianity, christian subjects, religious figures, religious, religion, man, body, figure, crucifixions, corpus christi

This sculpture of the crucified Christ reportedly came from a church in Banyoles in northeastern Spain. It was displayed between the choir and the nave, which was the space reserved for the congregation. Originally painted and gilded, it would have provided a dramatic focal point for the faithful. Christ’s figure, with drooping head, closed eyes, and limp body, emphasizes his humanity and suffering. This resigned treatment of the crucified Christ gained currency around 1200, in contrast to more upright and triumphant representations of Christ on the cross of earlier centuries.
Cover
Object type: textile
Location: italy
Hertogen van Bourgondië
Object type: book illustration
Date: 1605 – 1647
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: simon van de passe
Artist role: print maker
Artist dates: 1595 – 1647
Subjects: knighthood order of the golden fleece
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Emanuel van Meteren, Historien der Nederlanden, en haar naburen oorlogen tot het jaar 1612 : met heerelijker konterfeijtsels dan ooyt voor dezen verciert en verbetert. Amsterdam: Jan Jacobsz Schipper, 1663.
Portret van François-Hercule de Valois, hertog van Anjou
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: paris, françois-hercule de valois (hertog van anjou)
Loddereindoos
Object type: box
Date: 1800 – 1900
Materials: silver
Techniques: gilding
Location: netherlands
Artist: Anonymous

Ovale loddereindoos van zilver in Lodewijk XV-stijl. Onder en bovenzijde met bloemen en rocailles versierd. Van binnen verguld.
Titelpagina voor: Bibliothèque de Campagne. Tome dixième, Amsterdam, 1764
Object type: titelblad, titelpagina
Date: 1764 – 1764
Materials: paper
Techniques: etching
Location: amsterdam
Inscriptions: collector's mark: Lugt 2228

Een vrouw komt 's-nachts uit haar kamer, op de gang komt ze twee mannen met lantaarns tegen.
Paardenrit in Honduras
Object type: photograph
Date: 1908 – 1912
Materials: photographic support
Techniques: photography
Subjects: riding a horse, ass, or mule; rider, horseman
Inscriptions: inscription: ‘Rivier bij San Pedro Sula. Honduras. Aug. '12.’

Een groep van vier mannen laat hun paarden drinken in een rivier bij San Pedro Sula in Honduras, augustus 1912. Onderdeel van het fotoalbum van de familie Boom-Gonggrijp in Suriname en Curaçao.
Gezicht op de Hervormde Kerk te Dussen
Object type: photograph
Date: 1908 – 1908
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: dussen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Dussen NB./ N.H. Kerk/ oct. 1908’
Te atua (The God), from the Noa Noa Suite
Object type: print
Date: 1893 – 1894
Materials: ink, paper
Techniques: printing, woodblock print
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Doopvont in St Swithin's Church in Launcells
Object type: photograph
Date: 1899 – 1899
Materials: paper, photographic support
Techniques: daylight paper print
Location: launcells
Artist: Anonymous
Subjects: interior of church, baptismal font

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Engeland en Frankrijk.
Portret van Johannes Calvijn
Object type: print
Date: 1580 – 1580
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: historical persons

Prent met ander onderschrift in: Bèze, Théodore de. Icones id est Verae imagines (...). Genève: Jean de Laon, 1580.
Staande man met bontmuts en pak op de rug
Object type: drawing
Date: 1700 – 1800
Materials: chalk, paper
Artist: Anonymous
Subjects: standing figure
Portret van Marie van Oranje-Nassau, prinses der Nederlanden
Object type: carte de visite
Date: 1855 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: germany
Subjects: historical persons - bb - woman, princess, germany
Inscriptions: annotation: ‘Prinses Marie, dochter prins Frederik/ 1841- Fürstin zu Wied’, inscription: ‘L. Haase & Comp. in Berlin,/ Königl. Hof-Photographen/ und Hof-Photographen Ihrer Kgl. Hoheit der Frau/ Kronprinzessin v. Preussen./ 178. Grosse Friedrich-Strasse 178./ Breslau/ 10. Tauensienstr. 10.’
The Breakfast
Object type: print
Date: 1813 – 1813
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,interiors,men,women,reading,dogs,dining
Pair of Stirrups
Object type: pair of stirrup
Date: 1650 – 1675
Materials: brass, enamel, gold
Culture: british
Location: england
Artist: stephen pilcherd
Artist role: artist
Artist nationality: british
Artist dates: 1570 – 1670

These stirrups are rare examples of a distinctive group English enameled brassware made in London in the workshops of Stephen Pilcherd and Anthony Hatch during the second half of the seventeenth century. Formed of sturdy cast brass and decorated with elaborate foliate and figural ornament picked out in a variety of colors, the majority of these wares were made for domestic use, like candlesticks and firedogs, though the rugged materials were equally well suited for equestrian equipment like stirrups and spurs.
Armed heroes performing ballets
Object type: print, fete, ornament architecture
Date: 1601 – 1700
Techniques: etching
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: human figures,soldiers,dancing

Three plates on one sheet illustrating ballets performed by soldiers.