deem-data/ArtiFact huggingface dataset:
Acht aanzichten van het verlossen van een baby
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: etching
Subjects: gynaecology, obstetrics, woman giving birth (lying-in)

Acht verschillende aanzichten van de manier waarop baby's verlost kunnen worden. De aanzichten zijn voorzien van letters. Onderaan nog een negende aanzicht met medische instrumenten bestemd voor een verlossing. Genummerd rechtsboven: Pl. 4.
Groep figuren
Object type: sketchbook leaf
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, adult man

Pagina 5 uit een schetsboek met 32 bladen.
Rivierlandschap met wilgen bij Deurne
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: etching
Artist: jean théodore joseph linnig
Artist role: draughtsman, print maker
Artist dates: 1815 – 1891
Subjects: river, trees: willow
Inscriptions: collector's mark: Lugt 2228
The Ide Jewel River
Object type: print
Date: 1781 – 1789
Techniques: woodblock print
Location: japan
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Plant met bloem
Object type: stereograph
Date: 1855 – 1865
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: unknown
Artist: Anonymous
Inscriptions: inscription: ‘bt [?]’, inscription: ‘E5- (?)’

Plant met onderaan een kaartje waarop de naam staat (Cler.... fallax?).
Afbeelding van de Zyp. Haer waere gelegentheit van dyckage, weegen, watringen en schey-slooten; alle de hofsteden, wooningen en watermolens inde selve geleegen: mitsgaders rechte aenwysinge van de scheydinge haerder groote en kleyne letteren. Begrypende in haren omring de somme van 9060 morgens, yder tot 600 Roeden Hontsbosscher maet
Object type: map
Date: 1665 – 1760
Materials: paper
Techniques: engraving
Location: gouda
Subjects: coat of arms (as symbol of the state, etc.), maps of separate countries or regions, polder, reclaimed land
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Deel (rechtsboven) van een kaart van de Zijpepolder.
The Ascension of Christ, from Speculum passionis domini nostri Ihesu Christi
Object type: print
Date: 1507 – 1507
Techniques: woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: men,women,saints
Drinkende dame
Object type: print
Date: 1676 – 1676
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: jan van somer
Artist role: draughtsman, print maker
Artist dates: 1645 – 1699
Subjects: drinking, dog
Inscriptions: collector's mark: Lugt 2228

Zittend in een stoel drinkt een vrouw uit een glas. Voor haar staat een dienstbode die samen met een man een dienblad voor haar ophoudt.
Head of an old man looking down, facing left, from "Small Heads in Oriental Headdress"
Object type: print
Date: 1645 – 1650
Techniques: etching
Artist: giovanni benedetto castiglione (il grechetto)
Artist role: artist
Artist nationality: italian
Artist dates: 1609 – 1664
Subjects: heads,men
Console (part of a set)
Object type: console
Date: 1770 – 1780
Materials: marble, wood
Techniques: gilding, painting
Artist: giocondo (giuseppe) albertolli
Artist role: maker
Artist nationality: italian
Artist dates: 1742 – 1839
Subjects: faces,flowers
Cherub
Object type: crèche figure
Date: 1751 – 1800
Materials: wood
Techniques: polychrome

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Scènes uit de Bijbel
Object type: print
Date: 1583 – 1583
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: pilate showing christ to the people, 'ostentatio christi', 'ecce homo' (john 19:4-6)
Inscriptions: collector's mark: Lugt 2228

Boekillustratie bij het verhaal van de passie van Christus (Johannes 19:5). Pontius Pilatus toont Christus, met doornenkroon en spotmantel, aan het Joodse volk. De prent bevat een onderschrift met een verwijzing naar de bijhorende Bijbelpassage.
Dish with various flower sprays
Object type: toy
Date: 1850 – 1850
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: france
Artist: Anonymous

Ovale, driemaal gelobde schaal van porselein, versierd op het glazuur met blauw, rood, roze, groen, geel, paars en goud. Op de voorzijde verschillende bloemtakken en een gouden lijn op de binnenrand.
The Prospect Before Us
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women
Allegorische voorstelling met personificatie van de Rooms-katholieke kerk
Object type: titelblad, titelpagina
Date: 1693 – 1693
Materials: paper
Techniques: engraving, etching
Location: antwerp
Artist: martin bouche
Artist role: print maker
Artist dates: 1640 – 1693
Subjects: triumph of the church (or religion), insignia of the pope, e.g. tiara
Inscriptions: date

De personificatie van de Rooms-katholieke kerk met bisschopsstaf, pauselijke tiara en een boek met altaar en de titel van het boek, omgeven door putti. Boven haar een duif als symbool van de heilige geest. Rechts twee putti met een pauselijk wapenschild. Aan de onderzijde Romulus en Remus en de wolvin.
Cinquedea
Object type: cinquedea
Date: 1500 – 1500
Materials: copper alloy, horn, steel
Culture: italian
Location: italy

By the end of the thirteenth century, the armor-producing cities of northern Italy had gained an international reputation and were exporting arms and armor throughout Europe. Milan was preeminent through the sixteenth century, followed by Brescia. The greatest Milanese armorers were members of the Missaglia family, a dynasty of merchant-armorers active from the late fourteenth to the early sixteenth century. During the fifteenth century, the Italians perfected complete armor of plate. Probably developed in Milan around 1400, it covered the wearer from head to foot. The advanced technical and stylistic features of Milanese armor influenced local craftsmen wherever it was exported. Thus, in the fifteenth century, armors worn across western Europe from Spain to Flanders displayed Italian characteristics. Thriving local centers of armor-making were found at Burgos and Calatayud in Spain; Paris, Tours, and Lyons in France; and Arbois in Burgundy.
Inkstone with Su Wu
Object type: inkstone
Date: 1701 – 1900
Culture: chinese
Subjects: men

The back of this inkstone is adorned with a picture of Su Wu (d. 60 B.C.), an emissary of the Han dynasty who was detained by a nomadic ruler to tend goats in the frigid steppeland of southern Siberia. It is carved out of a fine-grained stone with natural markings that was quarried in Shaoxiang, Guangdong Province. Its low water permeability and low absorbency, as well as the inclusion of moderately hard grains within its fine structures, make it an excellent material for inkstones.
Antilopen in berglandschap
Object type: print
Date: 1920 – 1920
Materials: paper
Techniques: engraving
Artist: joseph hecht
Artist role: print maker
Artist dates: 1891 – 1951
Subjects: hoofed animals: antelope, mountains
Inscriptions: collector's mark: Lugt 2228
Toevlucht der sondaren / Ware afbeeldinge van t' miraculues beelt van de Moeder Godts Maria in t' clooster Marienboom
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: mezzotint
Location: augsburg
Subjects: mary standing (or half-length), the christ-child lying on her arm (christ-child to mary's left), trees: oak, cloisters ~ monastery
Inscriptions: collector's mark: Lugt 2228
Portret van Joseph Carlottus
Object type: book illustration
Date: 1682 – 1682
Materials: paper
Techniques: engraving, etching
Location: padua
Subjects: historical persons, professor, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent uit: Patin, Charles. Lyceum Patavinum: sive icones et vitae professorum. Padua: Frambotti, Petri Mariae, 1682.
Portret van Dirck Volckertsz. Coornhert
Object type: print
Date: 1590 – 1592
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jan harmensz. muller
Artist role: draughtsman, print maker
Artist dates: 1571 – 1628
Subjects: amsterdam, print maker, draughtsman, dirck volckertsz. coornhert, portrait of a writer
Inscriptions: collector's mark: Lugt 240

Portret van geleerde, schrijver en kunstenaar Dirck Volckertsz. Coornhert met een hoed op zijn hoofd. Onderaan in de marge zijn naam en een vierregelig vers over hem in het Latijn.
Gezicht op een aquaduct te Ariccia
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: lazio
Artist: Anonymous
Subjects: landscape with bridge, viaduct or aqueduct
Frankfurt
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228
Offerings, Mastaba of Perneb
Object type: facsimile, perneb
Date: 2381 – 2323
Materials: paper, paint
Location: egypt
Artist: hazel de berard
Artist role: artist
Huwelijk van Koning Willem III en Emma van Waldeck Pyrmont 1879
Object type: history medal
Date: 1879 – 1879
Materials: brass
Techniques: striking
Location: the hague
Artist: edouard louis geerts
Artist role: medailleur
Artist dates: 1846 – 1889
Inscriptions: circumscription: ‘HH. MM. DE KONIG EN KONINGIN DER NEDERLANDEN’, signature: ‘ED. GEERTS F.’, signature: ‘J. SMULDERS UITGS.’, circumscription: ‘HUWELIJKSVOLTREKKING TE AROLSEN 7 JANUARI 1879 (ster)’

Messing penning met draagoog, op de voorzijde de geconjugeerde bostbeelden van Willem III en Emma naar rechts met omschrift, op de keerzijde onder één kroon de wapenschilden van Nederland en Waldeck-Pyrmont op een rozentak, met omschrift.
Newhaven Fisherman with Two Boys
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: boys,men,boats
Louis Duparré Des Isles
Object type: reproduction
Date: 1882 – 1887
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons
Fotoreproductie van een decoratief patroon met bloemen en bladeren
Object type: photograph
Date: 1890 – 1900
Materials: photographic support
Techniques: albumen print
Location: paris
Subjects: ornament derived from plant forms, flowers ~ ornament
Inscriptions: number: ‘10’
Portret van Abraham Keyser
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: france
Subjects: historical persons, armorial bearing, heraldry

Rechtsonder genummerd: 24. Links naast het portret zijn wapenschild.
Judith Allijn (d 1702), Wife of Harmen Lijnslager
Object type: painting
Date: 1699 – 1699
Materials: canvas, oil
Artist: jan van haensbergen
Artist role: painter, print maker
Artist dates: 1642 – 1705
Subjects: plymouth, amsterdam, historical persons - bb - woman
Inscriptions: signature and date: ‘J.V.H. f. 1699’

Portret van Judith Allijn, echtgenote van Harmen Lijnslager. Kniestuk in ovaal, zittend bij een fontein met een sinaasappel in de linkerhand. Pendant van SK-C-1546.
Het oude Stadhuis te Amsterdam
Object type: book illustration
Date: 1875 – 1875
Materials: paper
Techniques: letterpress printing, engraving
Location: haarlem
Subjects: townhall

Naar een schilderij van Cornelis Springer uit de verzameling van de heer J.A. Langerhuizen.
Prent uit: Eigen Haard: geïllustreerd volkstijdschrift. Haarlem: Kruseman & Tjeenk Willink, 1875.
Antelope, from Quadrupeds series (N41) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: antelope

Large trade cards from the "Quadrupeds" series (N41), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N41 reproduces the cards from N21 in a larger size.
Ex libris van René Virard
Object type: bookplate
Date: 1948 – 1948
Materials: paper
Techniques: printing block
Location: france
Subjects: woman (showing herself) undressed, quasi-nude, (military) uniforms
Inscriptions: date
Piece
Object type: piece
Date: 1831 – 1851
Materials: cotton
Subjects: flowers
Gezicht op de tabaksplantage Glen Bervie, Langkat Sumatra
Object type: photograph
Date: 1900 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: bindjai
Subjects: tobacco, sumatra

vgl. tweede afdruk RP-F-2003-116 met stempel verso
Gezicht op een baai met rotsen, vermoedelijk in de buurt van Sydney
Object type: album leaf
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: sydney
Artist: charles bayliss
Artist role: fotograaf
Artist dates: 1850 – 1897
Subjects: gulf, bay (+ landscape with figures, staffage), rock-formations, coast

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Sydney.
Promise (Seiyaku no ukei), from the series "Eighteen Illustrations of the Ladder of Ancient Words (Kogentei juhachiban tsuzuki)"
Object type: print
Date: 1831 – 1831
Techniques: woodblock print, surimono
Location: japan
Artist: totoya hokkei
Artist role: artist
Artist nationality: japanese
Artist dates: 1780 – 1850
Portret van Gerard van Schuylenborgh
Object type: print
Date: 1770 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons

Met vijfregelig onderschrift in het Nederlands.
Man in gesprek met een vrouw bij een volière
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: engraving, etching
Location: haarlem
Artist: vincent laurensz. van der vinne (ii)
Artist role: draughtsman, print maker
Artist dates: 1686 – 1742
Subjects: nesting-box, caring for birds, birds (+ animals used symbolically), fence, wall, paling, dove-cote, ornamental birds: peacock
Inscriptions: collector's mark: Lugt 2228

Een man is in gesprek met een vrouw, die met en lege mand bij het hek staat van een volière. Links op het hek een pauw. Zinnebeeld op het vertrouwen dat men stelt iets terug te ontvangen voor aardse daden, terwijl men alleen op God kan vertrouwen.
Paris. L'Avenue de l'Opéra
Object type: photomechanical print
Date: 1904 – 1906
Materials: cardboard
Techniques: photograph, writing
Location: paris
Subjects: avenue, boulevard, promenade, esplanade (+ city(-scape) with figures, staffage), opera house
Inscriptions: postage stamp
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, bit of drapery; Exterior, lower drapery and legs of male to left, with shod feet; two sticks or spears
Maria met kind bij een muur
Object type: print
Date: 1514 – 1514
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: albrecht dürer
Artist role: draughtsman, painter, print maker
Artist dates: 1471 – 1528
Subjects: mary sitting or enthroned, the christ-child in front of her in her lap (or in front of her bosom)
Inscriptions: collector's mark: Lugt 240

Mogelijk had deze prent oorspronkelijk het inventarisnummer RP-P-1877-A-34 (zie opmerking aldaar). Klinkert, C.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Exterior, draped male bending towards left, with right arm, bent at elbow, holding stick
Theatrum Hispaniae (...)
Object type: book illustration
Date: 1694 – 1737
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: garden pond

Prent uit: Theatrum Hispaniæ, exhibens regni urbes, villas ac viridaria magis illustria. Het aanmerkelykste en voortreffelykste in Spanjen (...). Amsterdam: Pieter van den Berge, ca. 1694-1737.
Flayed man with left hand on hip, holding skin in right hand
Object type: print
Date: 1531 – 1576
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: male nudes
Court Robe, Imperial
Object type: robe, imperial court
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: dragons
Corn: Henr: à Roy
Object type: bookplate
Date: 1760 – 1833
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: horse, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Piece
Object type: piece
Date: 1600 – 1600
Materials: silk
Subjects: flowers,leaves
Cuneiform tablet: Gula incantation
Object type: cuneiform tablet
Materials: clay
Culture: achaemenid or babylonian
Location: mesopotamia

The invention of writing in approximately 3300 B.C. was one of many developments in administrative technology--including the use of geometric tokens for counting and cylinder seals to guarantee transactions--that accompanied the growth of the first cities and states in southern Mesopotamia. Proto-cuneiform is the name given to the earliest form of writing--pictograms that were drawn on clay tablets. Gradually, the pictograms became abstracted into cuneiform (Latin, "wedge-shaped") signs that were impressed rather than drawn. At its greatest extent, cuneiform writing was used from the Mediterranean coast of Syria to western Iran and from Hittite Anatolia to southern Mesopotamia. It was adapted to write at least fifteen different languages. The last dated cuneiform text has a date corresponding to A.D. 75, although the script probably continued in use over the next two centuries. This late Babylonian tablet contains the text of an incantation. The text, which reads from left to right, addresses Gula and Marduk (here identified by his Sumerian name, Asalluhi) – deities associated with healing – and calls upon them to help cure an afflicted patient, who is thought to have been attacked by a ghost. Although physicians (Akkadian asus) treated a variety of medical problems, exorcists (Akkadian ashipus) also played an important role in healing by battling with the malevolent beings held responsible for medical problems through incantations, amulets, and accompanying rituals. The lore of the ashipu was considered secret, but texts such as this one show how spoken words could be handed down across generations. It is likely that this tablet came from Sippar and was part of a large archive of medical texts.
Slaghout met portret van Ichikawa Danjûrô VII en langoustine
Object type: surimono
Date: 1825 – 1825
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: crustaceans
Inscriptions: collector's mark, verso, stamped: Lugt 2228, collector's mark, passe-partout, bottom left, printed: JABdH with a rooster.

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Gezicht op de ruïne van Kasteel Spangen, 1573
Object type: book illustration
Date: 1727 – 1733
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: rowing-boat, canoe, etc., ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham Rademaker, Matthaeus Brouërius van Niedek, Isaac Le Long, Kabinet van Nederlandsche en Kleefsche outheden en (...) voorname stads- en landgebouwen, Willem Barents en Antoni Schoonenburg: Amsterdam, 1727-1733, ill. nr. 140.
Herder met een hond en kudde schapen bij een boom
Object type: sketchbook leaf
Date: 1876 – 1888
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., sheep, herd, flock

Blad 33 verso uit een schetsboek met 34 bladen.
Eidgenossisches Freischiessen te Zurich
Object type: marksman medal
Date: 1859 – 1859
Materials: silver
Techniques: striking
Location: augsburg
Subjects: zürich (stad)
Kerchief
Object type: kerchief
Date: 1601 – 1700
Techniques: embroidery
Subjects: flowers
Twee vrouwen
Object type: sketchbook leaf
Date: 1870 – 1870
Materials: paper, pencil
Techniques: stumping
Location: netherlands
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: adult woman (+ two persons)
Inscriptions: date: ‘8 Febr 70’

De linker vrouw draagt een draperie over haar arm. De rechter vrouw draagt een omslagdoek. Blad 22 verso uit een schetsboek met 40 bladen, vervaardigd in Woerden en Gouda.
Astronomie in een vertrek
Object type: print
Date: 1703 – 1767
Materials: paper
Techniques: etching
Subjects: 'astronomia', 'cosmografia'; 'cosmografia' (ripa), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

De personificatie van Astronomie, een van de Zeven Vrije Kunsten, zit in een vertrek achter een tafel waar boeken op liggen. Naast haar staat een globe, op de grond liggen meetinstrumenten en boeken. Astronomie wordt vergezeld door een putto die met een passer speelt.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 400 – 351
Materials: terracotta
Culture: greek, attic

Interior, unidentified subject; Exterior, part of a handle palmette with tendrils
Uilenspel
Object type: print
Date: 1795 – 1819
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: board-games of chance, owls, board-games
Inscriptions: collector's mark: Lugt 2760

Het Uilenspel. Een cirkelvormig bordspel met vakjes met daarin voorwerpen, dieren en dobbelstenen. In het midden een uil met een spiegel. Onder de voorstelling de spelregels in twee kolommen.
Limestone statuette of a temple boy
Object type: statuette of a temple boy
Date: 400 – 301
Materials: limestone
Culture: cypriot
Subjects: birds,boys

The body of the seated boy is flat and very awkwardly rendered. A pleated tunic covers the body. The right hand holds a large bird against his lower body.
His favorite wife
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: colombo
Artist: Anonymous
Inscriptions: caption: ‘His favorite wife’

De vrouw is mogelijk een van de vrouwen van de koning van Rauden
The Return
Object type: print
Date: 1907 – 1907
Materials: paper
Techniques: woodcut
Location: united states
Artist: helen hyde
Artist nationality: american
Artist dates: 1868 – 1919