deem-data/ArtiFact huggingface dataset:
Arrowhead
Object type: arrowhead
Date: 1100 – 300
Materials: bone
Culture: japanese

The Jōmon period is the earliest period in Japanese history, lasting from roughly 14,000 to 300 BCE. The Jōmon people were primarily hunter-gatherers, using arrowheads such as this one to hunt a variety of land animals. Archaeological evidence indicates that the Jōmon hunted over 60 species of mammal throughout the Japanese archipelago, including tanuki (Japanese raccoon dogs) and monkeys, both of which would likely be considered unpalatable in contemporary Japanese society.
Journal des Dames et des Modes, editie Frankfurt 19 aout 1821, Costumes Parisiens (34)
Object type: fashion print
Date: 1821 – 1821
Materials: paper
Techniques: engraving, hand coloring
Location: frankfurt am main
Subjects: handkerchief (+ women's clothes), lace (+ women's clothes), shoes, sandals (+ girls' clothes), underclothes for the lower part of the body: bloomers (+ girls' clothes), trousers, breeches (+ girls' clothes), clothing for the upper part of the body (mantelet) (+ girls' clothes), styles of hairdress - aa - ~ women, fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), gloves, mittens, etc. (+ women's clothes), dress, gown (+ women's clothes), jumping-rope games, dress, gown (+ girls' clothes)
Inscriptions: title: ‘Costumes Parisiens.’

De begeleidende tekst (p. 224) vermeldt: Fig. 1: Hoed van gaze, versierd met maraboeveren en een dubbele 'blonde'. Japon van gros-de- Naples, waarvan het lijfje uit kruislingse stroken en banden bestaat. De onderrand van de japon is gegarneerd met ruches. Witte handschoenen. Bruine Schoenen. Fig. 2: Kapsel à la Léontine. Japon van linnen met een pelerine, afgezet met zoompjes en een smalle strook tule. Broek van katoenbatist. Schoenen en slobkousen van rode katoenbatist. De prent maakt deel uit van het modetijdschrift Journal des Dames et des Modes, uitgegeven in Frankfurt als kopie van de Franse editie van Pierre de la Mésangère, Parijs, 1797-1839.
Twee paarden voor een schuur
Object type: print
Date: 1838 – 1863
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: horse
Inscriptions: collector's mark: Lugt 2228

Twee paarden staan te rusten voor een schuur. Rechts een schuit op een vaart, voortgetrokken door een paard.
Anatomische model van een menselijk skelet (achterkant)
Object type: print
Date: 1685 – 1685
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: grave, tomb, (human) skeleton
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Bidloo, Godefridus. Anatomia humani corporis centum & quinque tabulis, per art. G. de Lairesse ad vivum delineatis, de monstrata, veterum recentiorumque inventis explicata plurimisque, hactenus non detectis, illustrata. Amsterdam: Weduwe Joannes van Someren, Hendrick Boom en erven Dirk Boom, 1685.
Reliquary
Object type: reliquary
Date: 1801 – 1900
Materials: enamel, gold, quartz
Subjects: christ

The cult of relics was an integral part of Catholic devotion from early in the Christian era. Relics of the Passion of Christ (the events leading up to the Crucifixion), as well as those associated with numerous saints and martyrs, were prized by churches and pious individuals throughout western Europe and Byzantium. Believers in the miraculous power of relics promoted a sumptuous form of artwork by commissioning resplendent cases to surround the often miniscule fragments. Sometimes the framework would echo the source of the relic (an arm, a foot, a head). In other instances, relics were preserved in containers of more traditional form. Jewels containing relics served as gestures of piety as well as displays of personal wealth. Such devotional ornaments became especially popular in early-seventeenth-century Spain, where sumptuary laws restricted most nonreligious personal adornment. Many of the most elaborate works produced by goldsmiths and jewelers were rosaries, crucifixes, and other Catholic emblems, which enabled their wearers to evade royal prohibitions. Extraordinary jewels were also donated to churches for the embellishment of revered devotional images.
Nabootsing van VOC- duit Holland, 1777
Object type: coin
Date: 1777 – 1830
Materials: copper
Techniques: striking
Location: banjarmasin

Koperen munt. Nabootsing van duit van de VOC uit Holland. Voorzijde: gekroond wapenschild van Holland. Keerzijde: monogram van de VOC, waarboven punt en waaronder fictief jaartal.
Art Gothique - XVe siècle - Rampant, bouquet et culot. Cathédrale de Troyes.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: adolphe giraudon
Artist role: publisher
Artist dates: 1849 – 1929
Subjects: foliage ~ ornament, capital (~ column, pillar)
Inscriptions: number: ‘T 1217’, collector's mark: ‘RIJKS-NORMAALSCHOOL voor TEEKENONDERWIJZERS AMSTERDAM’
Icones et segment (...)
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: etching
Location: paris
Subjects: maenad(s), female bacchant(es), male bacchant(es), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘37’, inscription: ‘Ende lib. No. 4. [...] fol. 66 [...] fol. 71 et 138. lib. No. 10. fol. 57. 58. 71. 77. lib. No. 20. fol. 71.’

Deze prent maakt deel uit van een reeks van 54 prenten (+ titelprent) naar antieke reliëfs. De nummering op de prenten loopt van 1 tot en met 50. Sommige prenten hebben dubbele nummers.
Naar een reliëf in Villa Borghese te Rome.
Ichimura Takenojo VIII
Object type: print
Date: 1720 – 1720
Materials: ink, paper
Techniques: hand coloring, woodblock print
Culture: japanese
Artist: torii kiyotomo
Artist role: artist
Artist nationality: japanese
Artist dates: 1815 – 1820
Subjects: musical instruments,men,actors
Schietprijs voor dienstdoende schutterij Leeuwarden
Object type: medal
Date: 1800 – 1920
Materials: metal
Location: leeuwarden
Artist: Anonymous
Stand for ice-cream cups (plateau Bourets) (one of four) (part of a service)
Object type: stand
Date: 1771 – 1771
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: birds,flowers,trees

The table services produced at Sèvres in the eighteenth century were highly prized and extremely expensive. They were not only purchased by the Crown and members of the aristocracy but also given by the king as diplomatic gifts to foreign courts and visiting dignitaries, and the esteem in which they were held did much to enhance the factory’s prestige and fortunes. Because the number of pieces composing a service was very large, the cost was enormous, but this did not deter many courtiers from ordering a dinner or dessert service, or both. One of the most celebrated services produced at Sèvres was delivered to Louis-René-Édouard, prince de Rohan-Guémenée (1734–1803), on September 7, 1772. All of the pieces were decorated with the rich turquoise ground color known as bleu céleste and with birds encircled by an elaborate gilt wreath of oak leaves and acorns. Many of the components of the service bear the initials LPR ( for Louis, prince de Rohan), executed in two tones of gilding. The service cost the substantial sum of 20,772 livres, which was roughly equivalent to twice the annual income of a successful doctor at the time. This stand for an ice cream cup is one of twenty-three pieces from the Rohan service now in the Museum’s collection. Originally composed of 368 pieces, the service was small in size compared to other Sèvres services, but the rich use of gilding, the expensive ground color, and the initials in two tones of gold account for its high cost.
Spotprent op de ministeriële krisis, 1870
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: personifications of countries, nations, states, districts, etc., tales and fairy tales (with title)

Spotprent op de langdurige ministeriële krisis. Blauwbaard (Heemskerk) dreigt zijn vrouw (Nederlandse Maagd) met het zwaard het hoofd af te slaan. Zij roept 'Anna! Zuster Anna! ziet gij ... nog niet komen?' Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 50, 1870.
Allegorische voorstelling met borstbeeld van Sybrand Feitama
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: draughtsman, sybrand feitama (ii), honouring the artist with laurel wreath, historical persons, parnassus, sacred to apollo musagetes, book, cupids: 'amores', 'amoretti', 'putti', smoking pot as symbol of 'vanitas'
Inscriptions: collector's mark: Lugt 240

Twee putti lauweren het borstbeeld van de kunstenaar Sybrand Feitama, dat op een sokkel staat. Op de grond staat een rokende pot, dat symbool staat voor zijn overlijden. Ook ligt er een lier en een rol papier. Links Apollo, de muzen en Pegasus op de Parnassus. Bovenaan op de omlijsting boeken en het eeuwigheidssymbool de Ouroboros.
Gand. Château de Gérard le Diable
Object type: ansichtkaart, prentbriefkaart
Date: 1913 – 1930
Materials: cardboard
Techniques: photograph
Location: brussels
Subjects: city-view, and landscape with man-made constructions, river, edifice, e.g.: public building, department store, ghent
Pair of Italian comedy actors (Pulcinella and Elizabeth (?))
Object type: group
Date: 1770 – 1780
Materials: soft paste porcelain
Artist: real fabrica de buen retiro
Artist role: factory
Artist nationality: spanish
Subjects: musical instruments,men,women,music,actors
Staande mannen, mogelijk op een strand
Object type: sketchbook leaf
Date: 1930 – 1940
Materials: chalk, paper
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: standing figure

Pagina 40 uit een schetsboek met 60 bladen.
Rederijkersoptocht te Rotterdam, 1658
Object type: print
Date: 1868 – 1868
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: pageant of a guild, chamber of rhetoric (dutch: 'rederijkerskamer'), rotterdam
Inscriptions: collector's mark: Lugt 2228

Rederijkersoptocht te Rotterdam, 1658. Optocht voorafgegaan door vier trompetters met het stadswapen, gevolgd door de rederijkers met hun banieren. De stoet trekt over een brug en langs huizen, rechts een kade met boten.
Scarab Incised with Hieroglyphs
Object type: scarab, papyrus, sa hieroglyph, nb
Date: 1850 – 1640
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs

The majority of design scarabs of the late Middle Kingdom (late Dynasty 12–Dynasty 13, ca. 1850 –1640 B.C.) are decorated with symmetric compositions of hieroglyphs and/or scrolls. These signs are not meant to form words but are chosen for their positive, protective meaning. The composition on this scarab shows a sign of life (ankh) flanked by Red Crowns and the sign for good and beautiful (nefer). Below are two papyrus stems, crossing each other. This scarab is, however, likely of Canaanite manufacture and inspired by Egyptian Middle Kingdom symmetric designs.
Part of a Circular Medallion
Object type: medallion, fragment
Date: 1902 – 1902
Materials: jade
Culture: burmese
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, unidentified; Exterior, volute and tendrils
Ladle
Object type: ladle
Date: 500 – 300
Materials: bronze
Culture: vietnamese
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Exterior, shield crest; to the left, part of an inscription, and omicron
Te Utrecht ongeldig gemaakte assignat van tien livres, serie 60, uitgegeven 16 december 1791
Object type: assignat
Materials: paper
Techniques: printing
Location: paris
Artist: Anonymous
Subjects: utrecht, france

Eenzijdig bedrukte papiertje, assignaat van £10, met stempel 'Faux Utrecht' aan beide zijden. Nr. 60.
Tureen with cover
Object type: tureen with cover
Date: 1801 – 1900
Materials: metal, silver
Artist: paul charvel
Artist role: maker
Artist dates: 1800 – 1900

This electrotype is after an eighteenth-century original (1769) in the Winter Palace, St. Petersburg, at the time of reproduction.
Allegorical Female Figure with Lion, Lamb, Two Putti
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: brush, wash
Location: united kingdom
Artist: baron frederic leighton
Artist nationality: english
Artist dates: 1830 – 1896
Nude children eating grapes and playing with a goat; an allegory of Fall, after a bas-relief on the Fontaine des Quatre-Saisons (Paris)
Object type: print
Date: 1745 – 1745
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: grapes,children,playing,goats
A skeleton selling cheese from a broadside entitled 'Una Calavera Chusca'
Object type: print
Date: 1880 – 1910
Techniques: lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: cheese,skeletons
Zondagmorgen in huis
Object type: page
Date: 1894 – 1899
Materials: paper
Techniques: autotype
Artist: t. lee syms
Artist role: fotograaf
Subjects: washing and bathing, interior of the house, dressing oneself, getting dressed
Inscriptions: collector's mark: ‘Worcester Public Library/ Victoria Institute’

Prent op vierde ongenummerde pagina na pagina 72.
Saint John the Evangelist
Object type: statuette
Date: 1425 – 1450
Materials: stone
Culture: french
Location: france
Subjects: saint john the evangelist
Exterieur van de Omarmoskee te Jeruzalem
Object type: page
Date: 1890 – 1900
Materials: paper
Techniques: photoaquatint
Location: jerusalem
Artist: Anonymous
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: title: ‘Mosque of Omar, Jerusalem.’
Gezicht op de Nieuwezijds Voorburgwal te Amsterdam
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: aquatint
Location: amsterdam
Artist: willem hendrik hoogkamer
Artist role: draughtsman, print maker
Artist dates: 1790 – 1864
Subjects: canals, waters (in city), amsterdam
Inscriptions: collector's mark: Lugt 2228

Prent verschenen in: Gezicht op de Maatschappij tot nut van het Algemeen te Amsterdam. Amsterdam: Frans Buffa & Zonen, [1845].
Shawl
Object type: shawl
Date: 1701 – 1800
Materials: silk
Techniques: weave
Location: india
Reinaert de vos
Object type: print
Date: 1665 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: fable of reynard the fox

Reinaert de vos en Grinbeert de das aan de oever van een rivier. Op de achtergrond een dorp en drie personen bij roeiboten.
Op de tennisbaan
Object type: photograph
Date: 1913 – 1913
Materials: paper, photographic support
Techniques: gelatin silver print
Location: switzerland
Subjects: else wachenheimer-moos, tennis, lawn-tennis, switzerland
Inscriptions: inscription: ‘Gidony met Familie Holm.’

Albumblad met een foto van Gidony met de familie Holm, naast de tennisbaan, bij Hotel Waldhaus Vulpera, Zwitserland. Onderdeel van het fotoalbum van Else Wachenheimer-Moos en haar broers Arthur en Willy Moos en anderen in de periode 1913-1918.
Portret van twee jonge kinderen
Object type: carte de visite
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: studio requisites ~ photographer, trousers, breeches, child, historical persons, clothing for the upper part of the body, family, relationship, descent, hairdress, netherlands

Onderdeel van Familiealbum van H.W.F. Ligtenberg en L.M. Swart met 149 foto's en cartes-de-visite.
Slaughtering a bull as part of funeral rites
Object type: relief, slaughter, bull
Date: 690 – 645
Materials: limestone, paint
Location: egypt

Mentuemhat was the virtual ruler of Thebes alongside the concurrent God's Wife during part of Dynasty 25 and early 26. He constructed a large tomb in the Asasif, as did other major figures of late Dynasty 25 and Dynasty 26, most of the others closely associated with the God's Wife. His huge tomb is sometimes referred to as a palace tomb. It is marked at its eastern end by a large brick pylon with an arch. The actual entry is from a gate and descending entry at the northeast corner of a huge sunken open court west of the pylon. A second smaller open court follows. Subterranean rooms and corridors branch off these courts, and descending corridors continue further west to suites of rooms and the burial chamber, Although parts have long been known, this huge edifice has only been recently completely cleared, and the tomb remains under study. While the stone is poor and the walls of relief decoration in the tomb have greatly suffered, this relief has convincingly assigned to the west portico which opens from the west side of the first sunken court and leads to the second. This is the only area known to have raised relief at this point, and the north wall, which seems to have been concerned with the funeral procession and activities during the funeral, has been shown to be the location for this cattle slaughtering scene.
Dress
Object type: dress
Date: 1869 – 1869
Materials: silk
Culture: american or european
Vijf mannen met kruiwagen en draagstok te Shanghai
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: shanghai
Artist: Anonymous
Subjects: carrying something with carrying-pole, wheelbarrow
Inscriptions: annotation: ‘Shanghai-Wheel barrow’
Passio et resurrectio D.N. Iesu Christi. Edita et excusa ab Ad. Collaert
Object type: print
Date: 1580 – 1590
Materials: gold, paper, silver
Techniques: engraving
Location: antwerp
Subjects: flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)

Geseling van Christus. Onderdeel van de prentserie over de passie van Christus: Passio et resurrectio D.N. Iesu Christi. Edita et excusa ab Ad. Collaert. In prentalbum met twee reeksen van respectievelijk 34 en 24 gravures met scènes uit het leven en het lijdensverhaal van Christus.
3e Cahier / Cahier des Girandoles de Bureau
Object type: print
Date: 1759 – 1800
Materials: paper
Techniques: aquatint, etching
Location: paris
Artist: claude dominique vinsac
Artist role: print maker
Artist dates: 1749 – 1800
Subjects: chandelier, candelabrum, caduceus (staff with two snakes, attribute of mercury)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een tweearmige girandole met ranken, vlechtwerk, maskers en een caduceus.
Familie en vrienden
Object type: album leaf
Date: 1941 – 1942
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: the soldier off duty, street, occupation ~ war, netherlands

Albumblad met vijf foto's van familie en vrienden en portretten van een jonge vrouw. Onderdeel van het fotoalbum Abrechnungsintendantur van de Wehrmacht 1941-1943.
Studieblad, onder andere met landschappen en dieren
Object type: sketchbook leaf
Date: 1834 – 1906
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906
Subjects: landscapes, animals

Blad 46 verso uit een schetsboek met 46 bladen.
Jungfer Lorenzen of Tangermünde
Object type: sculpture
Date: 1837 – 1837
Materials: bronze, copper alloy, metal, gemstone, silver, stone
Techniques: casting, inlay, carved
Location: germany
Artist: christian daniel rauch
Artist nationality: german
Artist dates: 1777 – 1857
Subjects: girl, animals, germany, mythology, youth
Sugar bowl
Object type: sugar bowl
Date: 1769 – 1775
Materials: glass
Techniques: glassblowing, molding
Culture: american or british
Location: england
Ex libris van Enrique Saez
Object type: bookplate
Date: 1953 – 1953
Materials: paper
Techniques: printing block
Location: spain
Subjects: cat, book, zodiac; the twelve zodiacal signs together
Inscriptions: inscription: ‘[...] Barandi 1953/ Le signe de Zodiaque/ est ech[...] sans lequel je suis nait/ Le chat posant sur le/ livre fait allusion a/ ma fout [?] pour les/ chats di [...] choisie’
Man met bedelzak en stok bedelt bij vrouw
Object type: cartoon
Date: 1844 – 1844
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Artist: cham
Artist role: print maker
Artist dates: 1818 – 1879
Subjects: walking-stick, staff, female sex; woman, adult man, begging bowl
Inscriptions: collector's mark: Lugt 2228

Prent uit: Le Charivari 13 (1844), nr. 12, 12 januari 1844.
Leeuw en leeuwin
Object type: print
Date: 1918 – 1919
Materials: paper
Techniques: relief print
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2228

Deze prent is vermoedelijk een plaatsnede, ook al wordt in de literatuur veelal gesproken over een houtsnede. Voor zover Wierink zijn prenten in hoogdruk zelf nader heeft omschreven, heeft hij altijd de term 'plaatsnede' gebruikt.
“Birds and Squirrels” Furnishing Fabric
Object type: textile
Date: 1806 – 1806
Materials: cotton, ink
Techniques: printing
Location: france
Artist: jean baptiste huet
Artist nationality: french
Artist dates: 1745 – 1811
Subjects: birds, animals

The late 18th and early 19th centuries were an incredibly fertile period for innovation in the European textile industries, especially in the field of direct printing. Decades of experimentation led to the development of a variety of ways to apply color and pattern to cloth, which enabled artists and designers to invent new design vocabularies and quickly respond to cultural trends and ideas. One of the most enduring of these innovations was the ability to print on cloth with copperplates and then subsequently with engraved copper metal rollers. The quality of detail achieved through this method was unrivaled in terms of clarity, precision.
Cage crinoline
Object type: cage crinoline
Date: 1857 – 1857
Materials: cotton, steel
Culture: american
Inscribed marble statue base
Object type: statue base
Date: 270 – 250
Materials: marble
Culture: greek, cypriot

A dedication to the Ptolemaic queen Arsinoe II Philadelphos by Aristokles, (the son) of Aristokles, an Alexandrian. After her death she was deified by her husband/brother, Ptolemy Philadelphos (r. 285–246 B.C.).
Messenheften uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: knife handle
Date: 1700 – 1743
Materials: wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Knife, handle, cylindrical: tapering; id. 403H.
De laatste communie van de heilige Hieronymus
Object type: print
Date: 1637 – 1691
Materials: paper
Techniques: etching
Location: italy
Subjects: extreme unction ~ the last of the seven sacraments, the monk and hermit jerome (hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Gezicht in een kerk waar de heilige Hieronymus de laatste teerspijze krijgt van een priester. Hieronymus wordt omringt door mensen die hem steunen. Bij zijn voeten ligt de leeuw. Boven zweven putti. Onderschrift in het Italiaans.
Page from Ein new kunstlich Modelbuch...(Page 49r)
Object type: book print ornament architecture
Date: 1544 – 1544
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550

Published by Peter Guentel, Cologne. Illustrated title page, architectural border on reverse of title page, 99 pages of designs, arms of Cologne on last page (Merlos 1063.477, Van Worms).