deem-data/ArtiFact huggingface dataset:
Liggende geit
Object type: print
Date: 1813 – 1813
Materials: paper
Techniques: etching
Artist: johann adam klein
Artist role: draughtsman, print maker
Artist dates: 1792 – 1875
Subjects: goat
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Award Medal of the New Orleans Cotton Centennial Exposition
Object type: medal
Date: 1884 – 1885
Materials: bronze
Culture: american
Artist: p. l. krider
Artist role: artist
Artist nationality: american
Artist dates: 1821 – 1895
Subjects: shields,women,stars
Nederlands Indië, ½ stuiver Java, 1810
Object type: halve stuiver
Date: 1810 – 1810
Materials: copper
Techniques: striking
Location: surabaya
Artist: louis napoleon (king of holland)
Artist role: koning
Artist dates: 1778 – 1846

Koperen munt. Voorzijde: tussen waarde/aanduiding ½ St ineen gestrengelde initialen L en N van Lodewijk Napoleon. Daarboven muntteken. Keerzijde: eenregelig opschrift, waaronder jaartal. Boven opschrift muntteken en onder jaartal muntmeesterteken Z [=muntmeester Zwekkert].
Domus Aurea, cryptoporticus, grotteschi, details (recto) blank (verso)
Object type: collection ornament architecture
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: ornament
Slippers
Object type: slipper
Date: 1830 – 1850
Materials: silk
Culture: american
Half of a Cartouche with Monsters
Object type: drawing
Date: 1701 – 1800
Materials: chalk, ink
Techniques: brush, pen, drawing, wash
Artist: quentin pierre chedel
Artist role: artist
Artist nationality: french
Artist dates: 1705 – 1763
Subjects: cartouches,monsters
Onderstok van parasol of parapluie van rotting met alpaca bol op ring en voorzien van stompe, metalen punt
Object type: onderstok
Date: 1920 – 1940
Materials: alloy, metal, rattan
Location: nijmegen
Artist: gustav schnitzler
Artist role: paraplufabrikant
Inscriptions: inscription: ‘?IPACCA’

Onderstok van parasol of parapluie van rotting met alpaca bol op ring en voorzien van stompe, metalen punt.
Beggar man and beggar woman conversing
Object type: print
Date: 1630 – 1630
Materials: paper
Techniques: etching, intaglio
Subjects: beggar
Inscriptions: collector's mark: Lugt 240

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Cupid Sleeping
Object type: print
Date: 1524 – 1530
Techniques: etching
Artist: parmigianino (girolamo francesco maria mazzola)
Artist role: artist
Artist nationality: italian
Artist dates: 1503 – 1540
Subjects: men,women,cupid

In Mariette Album, folio 13, top right
Tile
Object type: tile
Date: 1640 – 1660
Materials: earthenware
Techniques: glazing
Subjects: musical instruments,men
Buffet renaissance / Servante et table
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage, table

Een renaissance buffetkast, open kast en tafel. Prent uit 293e Livraison.
Mercury
Object type: print
Date: 1538 – 1538
Techniques: etching
Artist: andrea schiavone (andrea meldola)
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1563
Subjects: mercury

In Mariette Album, folio 42, middle
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: copper, gold alloy, gold, iron
Culture: japanese
Location: japan
Subjects: men
Bijeenkomst van de Société Royale de Numismatique de Belgique in Maastricht 1877
Object type: history medal
Date: 1877 – 1877
Materials: bronze
Techniques: striking

Bronzen penning, op de voorzijde het gekroonde wapenschild van Maastricht tussen samengestrikte eiken- en lauwertakken, met bovenaan omschrift, op de keerzijde zes regels tekst.
Prieur d'Enterrement à Amsterdam
Object type: print
Date: 1850 – 1870
Materials: paper, watercolor
Techniques: hand coloring, lithograph
Location: netherlands
Subjects: oral announcement (of death), undertaker's man, clothes, costume
Inscriptions: collector's mark: Lugt 1641, collector's mark

Een Amsterdamse aanspreker leest het bericht voor over het overlijden van iemand. Staande bij een halve deur waarachter een vrouw staat. Hij draagt een hoed met afhangend rouwlint aan de achterzijde. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Des Menschen Begin, Midden en Einde. Begrafenissen, aansprekers, doodgravers, enz.
Eye inlays
Object type: eye inlay
Date: 7000 – 330
Materials: bone, ivory
Subjects: eyes
Lovers Beneath an Umbrella in the Snow
Object type: print
Date: 1767 – 1767
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Bottle
Object type: bottle
Date: 1701 – 1800
Materials: clay
Techniques: overglaze, underglaze
Culture: japanese
Besiet u selven
Object type: print
Date: 1612 – 1665
Materials: paper
Techniques: engraving
Subjects: mirror, proverbs, sayings, etc., mocking, insulting; teasing, catching animals
Inscriptions: collector's mark: Lugt 2228

Verbeelding van het gezegde besiet u selven (kijk naar u zelf). Een man, behangen met dode katten, ratten en uilen, loopt naast vrouw met stoof op haar hoofd die zichzelf in een spiegel bekijkt. Zij zijn het middelpunt van spot en worden bekeken door een zeef en een verrekijker.
Landschap met berenjacht
Object type: print
Date: 1575 – 1603
Materials: paper
Techniques: etching
Location: low countries
Subjects: landscapes in the temperate zone, hunt ~ predatory animals (fox, lion), sports, games ~ animals (+ hunting with dogs)
Inscriptions: collector's mark: Lugt 2228a

In een bergachtig landschap jaagt een groep mannen met hun honden op een beer. Op de achtergrond rechts een dorp.
Pruisische grenadiers
Object type: print
Date: 1837 – 1868
Materials: paper
Techniques: hand coloring, lithograph
Location: nuremberg
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service
Inscriptions: stamp, collector's mark: Lugt 1641

Onderaan genummerd: No. 670. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Tureen
Object type: ceramic
Date: 1750 – 1750
Materials: enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Location: france
Vuurbok
Object type: design drawing
Date: 1830 – 1850
Materials: graphite, paper
Location: paris
Titelpagina voor: Tristan l'Hermite, La Mariane, 1637
Object type: print
Date: 1637 – 1637
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: canopy, baldachin, king
Inscriptions: collector's mark: Lugt 240

Titelpagina voor: Tristan l'Hermite, La Mariane. Parijs: Courbé, Augustin, 1637.
Fish Figurine
Object type: figurine
Date: 1901 – 2000
Materials: bronze
Culture: japanese
Subjects: fish
Altar frontal
Object type: altar frontal
Date: 1601 – 1633
Techniques: embroidery
Subjects: men,women,mythical creatures
Two panels of grotesque decoration, with winged human figures, birds, and griffins, from a series of panels of different dimensions representing grotesques
Object type: print
Date: 1541 – 1541
Techniques: engraving
Artist: enea vico
Artist role: artist
Artist nationality: italian
Artist dates: 1523 – 1567
Subjects: birds,griffins
De vier temperamenten (verbonden met de vier elementen)
Object type: print
Date: 1596 – 1597
Materials: paper
Techniques: engraving
Location: leiden
Subjects: air (one of the four elements), one person playing string instrument (plucked), lute, and special forms of lute, e.g.: theorbo, sanguine temperament
Inscriptions: collector's mark: Lugt 2228

Voorstelling van het sanguinische temperament in de vorm van een jeugdige man (een muzikant), in een lieflijk landschap bij opkomende zon spelend op een luit, een muziekboek, een fluit en een strijkstok aan zijn voeten. Onder de voorstelling twee regels tekst in Latijn. Deze prent is onderdeel van een serie van de vier temperamenten, elk verbeeld door een figuur ten voeten uit, verwikkeld in een handeling en zittend/staand in een omgeving die geassocieerd wordt met een van de vier elementen. Elke voorstelling heeft een tweeregelig Latijns onderschrift.
Glass ribbed bowl
Object type: bowl, ribbed
Date: 1 – 100
Materials: glass
Culture: roman

Translucent blue green. Plain rounded rim; sides curving in to slightly concave bottom. On exterior, fifteen prominent, almost vertical ribs with angular tops and tapering towards bottom, almost touching at center, with vertical tooling indents flanking some of ribs. Intact; a few pinprick bubbles; dulling, slight pitting, and very faint weathering. Rotary grinding marks on interior. Greenish-blue bowl with heavy ribs.
Manuscript Illumination with the Martyrdom of Saint Stephen in an Initial E, from a Gradual
Object type: gradual
Date: 1394 – 1402
Materials: gold, ink, parchment, paint
Culture: italian
Location: italy
Artist: niccolò di giacomo da bologna
Artist role: artist
Artist nationality: italian
Artist dates: 1349 – 1403
Subjects: men,saints

An archbishop of Lucca, whose family served as bankers to the pope, commissioned Niccolò da Bologna, a renowned illuminator, to create a set of choir books for the Carthusian monastery in nearby Farneta. In the nineteenth century, the monks had to sell the books, which eventually were cut up and divided among collectors. From this single initial, it is easy to understand Niccolò's fame. He infused the harrowing scene of the stoning of Stephen with elegance-in the lines of flowing drapery, touches of gold, and vibrant color. At the same time, he intensified the drama by compressing five figures and an outsized throne into the confines of the letter and then, after the scene was painted, emphatically separating the evil men from the saint with the finishing pink stroke of the crossbar of the E.
Mary queen of Scots signing her abdication
Object type: photomechanical print
Date: 1876 – 1881
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: abdication (of a ruler) - bb - female ruler, queen
River Landscape
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan van de velde (ii)
Artist role: draughtsman, painter, print maker
Artist nationality: dutch
Artist dates: 1593 – 1641
Gezicht op Fort Zoutman in Oranjestad op Aruba
Object type: page
Date: 1877 – 1887
Materials: paper
Techniques: photograph
Location: oranjestad
Subjects: fortress
Inscriptions: number: ‘Tab. XIII.’
Fig. 35 'De Galega' in De Boodts herbarium van 1640
Object type: text sheet
Date: 1640 – 1640
Materials: ink, paper
Techniques: letterpress printing
Location: bruges
Artist: anselmus boëtius de boodt
Artist role: draughtsman
Artist dates: 1550 – 1632

Beschrijving bij Fig. 35 op p. 68 in: Anselmi Boëtii de Boot I.C. Brugensis & Rodolphi II. Imp. Roman. medici a cubiculis Florum, Herbarum, ac fructuum selectiorum icones, & vires pleraeque hactenus ignotæ. Onderdeel van het album met bladen en platen uit De Boodts herbarium van 1640. Het twaalfde van twaalf albums met aquarellen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II.
Opening van de Nieuwe Beurs te Londen en oprichting van een standbeeld voor de hertog van Wellington
Object type: history medal
Date: 1844 – 1844
Materials: silver
Techniques: striking
Location: birmingham
Artist: joseph davis (medailleur)
Artist role: goldsmith
Artist dates:  – 1857
Subjects: victoria (koningin van het verenigd koninkrijk en keizerin van india), albert (prins van saksen-coburg en gotha), walmer castle, arthur wellesley of wellington, london

Zilveren penning. Voorzijde: gezicht op het nieuwe beursgebouw binnen omschrift; afsnede: opschrift. Keerzijde: ruiterstandbeeld op sokkel met opschrift binnen omschrift
Positie bij Hasselt 8 Aug. 1831
Object type: drawing
Date: 1831 – 1850
Materials: paper, pencil
Techniques: drawing
Artist: Anonymous
Subjects: battle arrays

Situatieschets van strategische posities van de Nederlandse en Belgische troepen bij de slag bij Hasselt, 8 augustus 1831.
Portret van Robert Leighton
Object type: print
Date: 1802 – 1832
Materials: paper
Techniques: etching
Location: london
Artist: Anonymous
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: inscription: ‘n. London, 1613 Evans 6414-16. +1684’
Vaas met bloemen in een interieur
Object type: drawing
Date: 1886 – 1886
Materials: chalk, paper
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: flowers in a vase
Vergelijkingen tussen schoonheden en bloemen
Object type: print
Date: 1887 – 1896
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: housing, umbrella, walking - aa - female human figure
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Vrouw met blauwe parasol, lopend tussen water en bloeiende heg; twee vrouwen toekijkend vanachter raam.
Bronze statuette of a striding warrior
Object type: statuette of a warrior
Date: 600 – 401
Materials: bronze
Culture: etruscan or umbrian
Subjects: helmets,men

Statuette of a warrior with right armed raised, wearing a helmet.
Card Number 755, Miss Perichol, from the Actors and Actresses series (N145-5) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Gebouw met drie rondbogen
Object type: sketchbook leaf
Date: 1896 – 1899
Materials: paper, pencil
Location: rotterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: architecture

Pagina 11 uit een schetsboek met 13 bladen.
Zonder titel
Object type: drawing
Materials: ink, paper, pencil
Techniques: brush
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: mask

Twee maskers voor gebouw en rotsen, de ondertekening in potlood zichtbaar.
Design for large fireplace white tiles produced in Wedgwood's factory
Object type: drawing
Date: 1801 – 1900
Materials: graphite, ink
Techniques: pen
Artist: john flaxman
Artist role: artist
Artist nationality: british
Artist dates: 1755 – 1826
Subjects: birds,soldiers,shields
Dona Victorina, Dochter van Jacomo Beraldi, Venetiaansch edelman, binnen Venetien, gehangen en verbrand
Object type: history print
Date: 1699 – 1699
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: violent death by burning at the stake; pyre, on the scaffold or place of execution
Inscriptions: collector's mark: Lugt 2228

Victorina, de dochter van de edelman Iacomo Beraldi, wordt aan een ladder gebonden om verbrand te worden. Ze wordt terechtgesteld vanwege de moord op haar man, Ludovico Fassino. Op de achtergrond verzamelen de beulen stro en hout voor de brandstapel.
Paleis met fonteinen in Peterhof (Sint Petersburg)
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: sint-petersburg
Artist: Anonymous
Subjects: palace
Abraham Kuyper en politie die op demonstranten schiet
Object type: drawing
Date: 1900 – 1920
Materials: ink, paint, paper
Techniques: brush, pen
Location: netherlands
Artist: patricq kroon
Artist role: draughtsman
Artist dates: 1862 – 1941
Subjects: abraham kuyper, revolution, revolt, political caricatures and satires

Abraham Kuyper met achter hem enkele mannen met bontmutsen (politie of soldaten) die met pistolen vuren op demonstranten. Mogelijk naar aanleiding van de Russische Revolutie in 1917. Ontwerp voor een politieke spotprent.
Maison antique a Nymmes, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: brush, engraving
Artist: Anonymous
Artist role: artist
Subjects: architecture,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 32 in the scrapbook.
Verraad van Christus
Object type: album leaf
Date: 1570 – 1573
Materials: paper
Techniques: engraving
Location: rome
Subjects: judas iscariot is revealed as christ's betrayer (communion of judas)

Deze prent maakt deel uit van een album.
Design for Ceiling
Object type: drawing
Date: 1701 – 1800
Materials: graphite, drawing material
Artist: leonardo marini
Artist role: artist
Artist nationality: italian
Artist dates: 1730 – 1797
Mask
Object type: mask
Date: 1801 – 1900
Materials: paint, wood
Culture: siassi islands or umboi
Location: papua new guinea

Artists of the coastal Huon peninsula and the Vitiaz Strait in northeast New Guinea formerly practiced a closely related series of masking traditions that also extended into some portions of the neighboring island of New Britain. The masks depict stylized human faces with pointed ears and open, toothsome mouths typically shown, as here, with short protruding tongues. Representing powerful spirits associated with men’s secret societies, the masks appear to have been almost universally associated with male initiation rites. This example may have originated on Umboi Island, where the masks often were worn by men in heavily padded costumes made from bark cloth, or in later times, Western shirts, which gave the performer, and the spirit he represented, a bulky and intimidating appearance.
Lady Godina's Rout:–or– Peeping-Tom spying out Pope Joan, vide Fashionable Modesty
Object type: print
Techniques: engraving, etching
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Subjects: satire,men,women,playing cards,fashion

Gillray uses evening card-playing to satirize contemporary women's fashion in this print. Seated around a table, four people play the game Pope-Joan with the focus placed on a pretty young woman who wears huge feathers in her turban and a loose semi-transparent gown that almost exposes her breasts. Her outfit has attracted a servant who trims a candle to gain a good view. She has been identified as Lady Georgiana Gordon, later Duchess of Bedford, while the stout lady seen from the back is probably Albinia Hobart, Countess of Buckinghamshire, and the elderly man the Reverend John Sneyd. An additional layer of humor hinges on knowing the game Pope Joan, where the 9 of diamonds is a trump card (also called a universal stop), held up here by the seated lady who has stopped the servant in his tracks. Her semi-nudity, combined with the name Godina in the title, also evokes the medieval figure of Lady Godiva.
Dood begeleidt oude man
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: death as skeleton, old man
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De Dood als skelet met zeis begeleidt een oude man met baard en wandelstok. Aan de bovenzijde een draperie met vierregelige Franse tekst.
Pot
Object type: pot
Date: 400 – 400
Materials: earthenware
Culture: coptic
Location: egypt
Drie portretten van vrouwen met bloemen, waarvan één met bloemen met kinderhoofden
Object type: photomechanical print
Date: 1900 – 1930
Materials: cardboard, ink, photographic support
Techniques: gelatin silver print, hand coloring, pen
Subjects: flowers, historical persons - bb - woman, infant, baby ~ the ages of man
Inscriptions: monogram: ‘A.S.’, monogram: ‘SYLA’

Deze foto's en prent maken deel uit van een album.
Haagse Kermis met de prins en prinses van Oranje, 1686 (linkerblad)
Object type: print
Date: 1686 – 1686
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: william iii (prince of orange and king of england, scotland, and ireland), london, maria ii stuart (koningin van engeland, schotland en ierland), (annual) fair, trade fair, pleasure fair and circus, market, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 963, collector's mark: Lugt 1641, collector's mark:

Linkerblad van een prent van de Haagse Kermis met de prins en prinses van Oranje, 1686. Haagse kermis in 1686 gehouden op het Buitenhof, met de paraderende schutterij vanaf het Noyelleshuis (later Vijverhof) links tussen de kramen over de markt tot aan de poort waar saluutschoten worden gebracht voor het prinselijk paar dat vanuit het raam in het Stadhouderlijk Kwartier toekijkt. Rechts staat de wacht van de prins te paard opgesteld voor de Kaatsbaan en de Komedie. In de lucht twee engelen met het prinselijke wapen van Willem III. Onderaan de opdracht in 4 regels in het Frans en de legenda's 1-14 in het Nederlands en Frans. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Volksfeesten; Kermis.
Spijker afkomstig uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: nagel, spijker
Date: 1700 – 1743
Materials: iron
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip)

Nails; corroded, sim. 80H1245, head probably faceted.
The Martyrdom of Saint Bartholomew
Object type: print
Date: 1625 – 1640
Techniques: etching
Artist: jusepe de ribera (called lo spagnoletto)
Artist role: artist
Artist nationality: spanish
Artist dates: 1591 – 1652
Subjects: suffering,men,saints,execution,punishment
285. - Petit Trianon. - Le Musee - Salle a manger (L.P. Phot) (Lustre a 18 lumieres style Louis XVI).
Object type: photograph
Date: 1860 – 1900
Materials: canvas, cardboard, paper
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Inscriptions: annotation: ‘285. - Petit Trianon. - Le Musee - Salle a manger (L.P. Phot) (Lustre a 18 lumieres style Louis XVI).’

Onderdeel van een serie met betrekking tot het interieur van het paleis van Versailles met kroonluchters, deuren, portalen en meubelstukken.
Four Connoisseurs Seated at a Table
Object type: drawing
Date: 1767 – 1800
Materials: ink
Techniques: heightening, pen, wash
Artist: antonio zucchi
Artist role: artist
Artist nationality: italian
Artist dates: 1726 – 1796
Subjects: men
Adoration of the Magi
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770