deem-data/ArtiFact huggingface dataset:
Yoshiwara Licensed Quarters at Dawn (Kakuchu shinonome), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: printing block, woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Constantijn de Grote met bisschoppen te Nicene / Prins van Aragon, zoon van koning Alfons Ferdinand, op berenjacht
Object type: print
Date: 1687 – 1687
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: archbishop, bishop, etc. (roman catholic), beasts of prey, predatory animals: bear, hunt ~ mammals
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Ziegler, Georg. Konst-spiegel der weereltlikke vermaken. Amsterdam: Johannes Boekholt, 1687.
Mitts
Object type: mitt
Date: 1667 – 1700
Materials: leather, silk
Culture: spanish
Gezadeld paard naar rechts
Object type: print
Date: 1810 – 1884
Materials: paper
Techniques: etching
Location: netherlands
Subjects: saddle, horse
Inscriptions: collector's mark: Lugt 2228
Schetsen van een pelikaan
Object type: drawing
Date: 1886 – 1886
Materials: chalk, paper
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: water-birds: pelican
A Rocky Landscape at Civita Castellana
Object type: drawing
Date: 1776 – 1776
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: jacob philipp hackert
Artist role: artist
Artist nationality: german
Artist dates: 1737 – 1807
Subjects: landscapes,trees
Hand Pavise
Object type: armor
Date: 1470 – 1500
Materials: canvas, gesso, leather, paint, wood
Culture: german
Location: nuremberg
Portret van een vrouw
Object type: print
Date: 1617 – 1677
Materials: paper
Techniques: etching
Subjects: historical persons not known by name - bb - woman
Inscriptions: collector's mark: Lugt 240, inscription
Untitled Valentine (Boy and Girl with Basket)
Object type: drawing and watercolor
Date: 1850 – 1859
Materials: paper
Techniques: collage, cutting, embossing
Location: england
Artist: thomas wood
Artist nationality: english
Artist dates: 1800 – 1899
Feestende boeren en soldaten voor een herberg
Object type: print
Date: 1636 – 1679
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: bird hunting, container of glass: bottle, jar, vase, hotel, hostelry, inn, drunken brawl (usually peasants fighting in an inn)
Inscriptions: collector's mark: Lugt 240, inscription: ‘het schelmen leven’

Een gezelschap soldaten en boeren heeft zich verzameld voor een herberg. In het midden heft een man zijn glas. Aan zijn voeten staat een grote kan. Links schiet een soldaat op de vogels die in de boom zitten.
Group of Imaginary Creatures, Turned to the Right
Object type: drawing
Date: 1617 – 1681
Materials: chalk, paper
Subjects: monsters of mixed human and animal shape; 'mostri' (ripa), violent death by hanging (+ instrument of execution), violent death by breaking on the wheel (+ instrument of execution)

Een groep fabelwezens van links opkomend, voorafgegaan door een driekoppig dier, waarop een krijgsman zit. Verder een staande duivel met een rad aan een as over de schouder en een bereden scharminkel op een soort hond.
Portret van Eduard von Schenk
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons, writer, poet, author
Inscriptions: collector's mark: Lugt 2228
Bottle
Object type: bottle
Date: 1801 – 1900
Materials: clay, glaze
Culture: japanese
Subjects: bamboo,leaves
Portret van Nicolaas Mulerius
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: engraving
Location: groningen
Subjects: flowers, armillary sphere, skeleton celestial globe
Inscriptions: collector's mark: Lugt 2228

Portret van Nicolaas Mulerius, dokter en wiskundige te Groningen, op 50-jarige leeftijd. In zijn ene hand houdt hij een bloem en de andere hand rust op een armillarium. Onderaan in de marge een zesregelige tekst in het Latijn.
Fragment met rode scherf, aan de bovenzijde voorzien van een bloem in sgrafitto-techniek in groen glazuur
Object type: sherd
Date: 1200 – 1899
Materials: earthenware
Location: italy
Artist: Anonymous
Haarlem. De Hal.
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: haarlem
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: façade (of house or building), square, place, circus, etc. (+ city(-scape) with figures, staffage)

Onderdeel van Fotoalbum met opnames van steden in Noord- en Zuid-Holland en Utrecht.
Portret van August von Werder
Object type: print
Date: 1811 – 1870
Materials: paper
Techniques: letterpress printing, engraving
Location: bielefeld
Subjects: commander-in-chief, general, marshal, historical persons, medals and other marks of military honour

Prent uit: Daheim, nr. 8 (jaargang 1871), november 1870.
Wisseloord te Muiderberg
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Subjects: rural housing, e.g. country-house, villa, cottage
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2233

Wisseloord te Muiderberg, buitenplaats van de kunstverzamelaar J. de Groot uit Amsterdam. Met een onderschrift van een regel in het Nederlands.
Portret van paus Clemens XIII
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: clemens xiii
Inscriptions: collector's mark: Lugt 240

Portret van paus Clemens XIII met zijn pauselijk wapen onder het portret. Hij werd paus op 6 juli 1758.
Stockings
Object type: stocking
Date: 1873 – 1877
Materials: cotton
Culture: american
Twee zilveren en vergulde bokalen uit de zeventiende eeuw, Bautzen
Object type: photomechanical print
Date: 1869 – 1887
Materials: cardboard, paper
Techniques: photograph
Location: munich
Subjects: mug, beaker, goblet
Inscriptions: title: ‘Blatt 50. Zwei silberne und vergoldete Pokale. 17. Jahrh. Stadrath von Bautzen.’, number: ‘118’
"Wid me one hand," from the Terrors of America set (N136) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1888 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: boys

Trade cards from the "Terrors of America" series (N136), issued in a set of 50 cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The original lithographs for the series were created by Knapp & Company, N.Y. This is the second time that Duke released the "Terrors of America" series. The cards of the first set (N88) are smaller than N136 cards.
Kunsthallet
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: hamburg
Subjects: theatre (building), permanent exhibition, museum, concert hall
Inscriptions: inscription: ‘Originalaufnahmen von Wilh. Dreesen, Hof.-Photogr., Flensburg. 1894.’, number: ‘X.’

Deze prenten maken deel uit van een omslag met 126 prenten op 37 bladen en een tekstblad.
Hoey door Haugière met krygslist ingenomen en weêr verlooren in den Jaere MDXCV
Object type: print
Date: 1681 – 1684
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: capture of city (after the siege)
Inscriptions: collector's mark: Lugt 2228

Gebruikt als illustratie in: Bor Christiaansz, Pieter. Oorsprongk, begin, en vervolgh der Nederlandsche oorlogen, 4 delen, dl. IV (1684), p. 10. Amsterdam: weduwe Joannes van Someren, Abraham Wolfgang, Hendrick en Dirk Boom, 1679-1684. Tevens in: Groot, Hugo de. Nederlandtsche Jaerboeken en Historien. Amsterdam: weduwe Joannes van Someren, Abraham Wolfgang, Hendrick en Dirk Boom, 1681, p. 322.
Oodmoet versoent / Clementia Memor
Object type: print
Date: 1655 – 1655
Materials: paper
Techniques: engraving, letterpress printing
Location: northern netherlands
Subjects: david sees the avenging angel in jerusalem; he prays to god, leiden, amsterdam

Blad met oude plaat van de verschijning van wrekende engel Gods aan koning David, op de achtergrond de slachtoffers van de door God opgelegde straf van drie dagen pest. De oude plaat genummerd: 45. Op het blad onder de plaat is een tekst gedrukt waarin de pest die in de maanden juli-december 1654 in de stad Amsterdam woedt, geïnterpreteerd wordt als een straf van God. Met een lijst van de doden per maand in Amsterdam en in Leiden. Met enkele bijbelcitaten.
Blanche Massey, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Simla trees
Object type: page
Date: 1870 – 1880
Materials: photographic support
Techniques: albumen print
Location: shimla
Artist: Anonymous
Subjects: trees
Fragmenten schoengesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: shoe buckle
Date: 1700 – 1743
Materials: silver
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Buckle, chape buckle, shoe buckle; fragment of ring, heavily corroded, sim. NG 1980-27H2049.
Jachtscènes (deel 3)
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: etching
Location: rome
Subjects: hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt'), hoofed animals: bison
Inscriptions: collector's mark: ‘Hinloopen’

Deze prent maakt deel uit van een reeks van vijftien prenten met jachtscènes (+ opdracht).
Bouwfragment
Object type: capital
Date: 1700 – 1800
Materials: wood
Location: netherlands
Artist: Anonymous

Eikenhouten Corintische pilasterkapiteel, waarvan één der voluten is afgebroken.
Enslaved Men Digging Trenches
Object type: watercolor
Date: 1850 – 1850
Materials: paper
Techniques: aquarelle
Location: paramaribo
Artist: Anonymous
Subjects: plantation, slavery; serfs and enslaved persons, suriname

Suriname consists largely of impenetrable forests. In order to establish a plantation, first a stretch of forest had to be reclaimed and trenches for drainage and transport dug. In the scorching heat, men were forced to dig broad canals and narrow trenches using nothing more than a shovel. This was incredibly hard work, which is still cited in the oral traditions as one of the principal reasons for fleeing a plantation.
Portret van Johann Christian Friedrich Scherf
Object type: print
Date: 1789 – 1792
Materials: paper
Techniques: etching
Location: berlin
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228

Prent waarschijnlijk uit: Krünitz, Johann Georg. Oeconomische Encyclopädie oder Allgemeines System (...). Berlijn: Joachim Pauli, 1792, dl. 57.
Fries met bloemenmand
Object type: print
Materials: paper
Techniques: etching
Subjects: cut flowers; nosegay, bunch of flowers, ornaments ~ art, container made of plant material other than wood: basket

Prent uit: Bardin, Philippe. Le Triomphe De Son Altesse Charles IIII (...). Nancy: Poirel, Dominique, Charlot Anthoine en Charlot Claude, 1664.
Coin
Object type: coin
Date: 767 – 775
Materials: copper
Location: iran
Huwelijk van Perseus en Andromeda
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: battista angolo del moro
Artist role: print maker
Artist dates: 1514 – 1575
Subjects: perseus and andromeda married by cepheus
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt onderdeel uit van een reeks van onbekende omvang met scènes uit het leven van Perseus.
Lint van zijdebrokaat; op een witte ondergrond is een zilverkleurig zigzagpatroon aangebracht waartussen rode en roze bloemen
Object type: clothing
Date: 1790 – 1810
Materials: silk, thread
Techniques: brocade, weave
Location: western europe
Artist: Anonymous

Lint van zijdebrokaat; op een witte ondergrond is een zilverkleurig zigzagpatroon aangebracht waartussen rode en roze bloemen. De randen zijn afgezet met een sierband. Aan de uiteinden franje van zilverdraad.
Belt plaque
Object type: belt plaque
Date: 1501 – 1700
Materials: jade
Culture: chinese
Subjects: animals
Staande vrouw, op de rug gezien
Object type: sketchbook leaf
Date: 1883 – 1885
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: adult woman, standing figure - aa - female human figure (+ back view)

Pagina 6 uit een schetsboek met 18 bladen.
The Bridal Pair and Death
Object type: print
Date: 1651 – 1651
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Gezicht op een kasteel bij Napels
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: lithograph
Subjects: landscape with tower or castle, naples
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Gereed maken van de arena in Cuenca voor het stierengevecht
Object type: print
Date: 1739 – 1780
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: fighting
Inscriptions: collector's mark: Lugt 2228

Grote massa mensen in de arena in Cuenca in Peru. De heer Seniergues en leden van de academie meten de aarde onder de middenlijn op 29 augustus 1739. In een oproer tegen hen is Seniergues dood gestoken. Links en rechts een legenda met persoons- en plaatsaanduidingen.
Fragment of a Cover or Blanket with Interlace Roundel and Stripes
Object type: textile fragment
Date: 201 – 500
Materials: linen, wool
Location: egypt

This fragment has three ornamental inserts--a roundel containing a complex interlace pattern and two narrow horizontal bands. Surviving fringe and selvage indicate that the fragment formed the end corner of a large piece that would have had other roundels in the field and stripes at the other end. The weft-loop pile provided added warmth to these domestic textiles.
Optocht met ruiters bij het bezoek van tsaar Nicolaas II van Rusland aan Parijs
Object type: photograph
Date: 1896 – 1896
Materials: paper, photographic support
Techniques: gelatin silver print
Location: paris
Artist: delizy
Artist role: manufacturer
Subjects: land forces (+ cavalry, horsemen), festivities (+ parade, pageant, cavalcade ~ festive activities), paris

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Firenze - Galleria Uffizi. La Vergine col S. Bambino - A. Durero, dip.
Object type: photograph
Date: 1905 – 1925
Materials: paper
Techniques: gelatin silver print
Location: florence
Artist: carlo brogi
Artist role: fotograaf
Artist dates: 1850 – 1925
Subjects: permanent exhibition, museum, picture, painting
Inscriptions: monogram: ‘RI’, monogram, collector's mark: ‘AFE v S’, monogram
Piece
Object type: piece
Date: 1830 – 1830
Materials: silk
Subjects: leaves
Kraters op de maan
Object type: photomechanical print
Materials: paper
Techniques: autotype
Subjects: surface of the moon
Inscriptions: inscription: ‘Société Belge D'Astronomie Atlas Lunaire Pl. XVIII/ 1896, Septembre 29, 16 h. 0m. (T. M. de Paris)’

Transparante pagina voor prent als kaart met daarop de namen van de verschillende kraters.
Hoofdweg van Tanjong Pagar in Singapore met voorbijgangers, karren en reclameborden voor de krant 'The Straits Times'
Object type: photograph
Date: 1890 – 1905
Materials: photographic support
Techniques: albumen print
Location: singapore
Subjects: advertising, public road, singapore

Onderdeel van Fotoalbum van de Tanjong Pagar Dock Co. Ltd. in Singapore.
Twee scènes uit de komedie Eunuchus van Terentius
Object type: print
Date: 1716 – 1718
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: specific works of literature
Inscriptions: collector's mark: Lugt 2165

Definitieve staat van deze prenten ook gebruikt als illustratie in: Terentius, Publius. Les comedies de Terence: avec la traduction et les remarques, deel I, na p. 476 en na p. 500. [Geannoteerd door] Anne Dacier. Rotterdam: Caspar Fritsch, 1717.
Cap
Object type: cap
Date: 1815 – 1820
Materials: cotton, linen
Culture: american
Landscape with Saint Christopher and Male Monastic Saint (recto); Victory Crowning a Warrior, and Two Other Figures (verso)
Object type: drawing
Date: 1501 – 1600
Materials: gouache, ink
Techniques: brush, highlighting, pen, wash
Artist: anonymous, italian, north italy, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: landscapes,saint christopher
Portret van Yeme de Ringh
Object type: print
Date: 1702 – 1767
Materials: paper
Techniques: engraving, etching
Subjects: harlingen
Inscriptions: collector's mark: Lugt 2228, inscription: ‘44’

Portretbuste in ovaal naar links van predikant Yeme de Ringh, blootshoofds. Onder het portret staan de naam van de geportretteerde en een vierregelig vers in het Nederlands.
Plate
Object type: plate
Date: 1860 – 1885
Materials: pottery
Artist: castle hedingham
Artist role: factory
Subjects: faces,flowers
Brief aan Jan Veth
Object type: letter
Date: 1874 – 1925
Materials: ink, paper
Techniques: pen, writing
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, applied arts, arts and crafts; industrial design, painting (including book-illumination, miniature-painting), utrecht
Inscriptions: collector's mark: ‘RPK’
Jacob als herder in een landschap
Object type: print
Date: 1603 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: jacob works as a herdsman for seven years in exchange for rachel
Inscriptions: collector's mark: Lugt 964

Jacob werkend als herder in ruil voor Rachel, in een landschap met een ruïne.
Terracotta pyxis (box)
Object type: pyxis, type d
Date: 510 – 510
Materials: terracotta
Culture: greek, attic
Artist: thaliarchos painter
Artist role: artist
Subjects: satyrs

On the lid, satyr Satyrs were popular not only because of their connection to Dionysos but also because they provided artists the opportunity to depict the nude male body in a particularly wide variety of poses. This satyr, within a tondo, finds good counterparts on the somewhat later coinage of Naxos on Sicily. The inscription praises the beauty of Lysikles. The box would have contained small personal items probably belonging to a lady.
Hera, Aphrodite, and Athena preparing themselves for the contest of beauty before Paris; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Perino del Vaga
Date: 1729 – 1740
Techniques: engraving, etching
Artist: philippe simonneau
Artist role: artist
Artist nationality: french
Artist dates: 1685 – 1785
Subjects: female nudes,juno,minerva,venus
Iconographie de l'Institut Royal de France
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, physicist, historical persons
Inscriptions: collector's mark: Lugt 2228a
Standing Youth Seen from Behind Holding a Bowl (Ganymede?)
Object type: drawing
Date: 1635 – 1645
Materials: chalk
Artist: guercino (giovanni francesco barbieri)
Artist role: artist
Artist nationality: italian
Artist dates: 1591 – 1666
Subjects: men,bowls

Traditionally identified as a study for the figure of Ganymede – the beautiful youth abducted by Zeus – this drawing has since been titled "Standing Boy (or Youth) Holding a Bowl," as neither a Ganymede nor this particular youthful figure can be found in any of Guercino's extant works (Bean 1964b, no. 31). Jacob Bean (1967, no. 46, p. 40) dated the drawing to the artist's middle period, the 1630s and 1640s, because its "subtle contrasts of light and shade so successfully indicate the modeling of back and head..." Bean thought the free application of red chalk to differ from the more polished red chalk figure drawings of Guercino's done in the 1650s. The general and dynamic contrast of flesh areas smoothly stumped and draperies quickly sketched is typical of Guercino's drawings of the 1630s to 1640s. In this drawing, the outlines of the crown of the head have been somewhat erased or rubbed out. This drawing evidently belongs in the 1640s, as Julian Brooks noted in connection to the Bathsheba and her Maid drawing (Coll. Mr. and Mrs. Edward D. Baker) for a documented, now lost painting of 1640 (Brooks 2006, no. 28, p. 83.)
Portret van Heinrich Wilhelm August Alexander, graaf van Danckelmann
Object type: print
Date: 1825 – 1870
Materials: paper
Techniques: lithograph
Location: poznan
Subjects: cleves, minister ~ government, knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order), historical persons
Inscriptions: collector's mark: Lugt 2228
Flessenlabel met Port
Object type: label
Date: 1800 – 1900
Materials: silver
Location: great britain
Artist: Anonymous

Wijnetiket van zilver, aan een ketting. Opschrift: PORT.
Tsiitsiito (rattle)
Object type: tsiitsiito rattle
Date: 1867 – 1900
Materials: feather, stone, wood
Culture: hiwi
Location: colombia
Artist: hiwi indians
Artist role: culture
Artist nationality: native american

The Hiwi shaman's rattle is the principal musical instrument used for healing and divination among the Hiwi. It helps the entranced healer to call upon málike and málikai, spirits who may take the form of birds. The rattle’s carefully incised calabash body has small holes at the cardinal points and contains seeds and magical crystals (wánali stones). The handle features curassow feathers which add to the rattle’s power.
Omhoogkijkende monnik met lange baard en één oog
Object type: print
Date: 1775 – 1874
Materials: paper
Techniques: printmaking, etching
Artist: van der straalen
Artist role: print maker
Subjects: monk(s), friar(s)
Inscriptions: collector's mark: Lugt 2228
Portret van Rott
Object type: print
Date: 1849 – 1849
Materials: paper
Techniques: lithograph
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228

Portret van een verder onbekende man, met handtekening in facsimile waarin de naam Rott te lezen is.
Parijse schippers
Object type: cartoon
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: caricatures (human types), river, rowing-boat, canoe, etc., saving a person from drowning
Inscriptions: number: ‘134’, collector's mark: Lugt 2228a

Prent gepubliceerd in: Le Charivari, Aubert: Parijs, 11-06-1843. Le Charivari was een humoristische krant met karikaturen en (politieke) cartoons.
Jean Racine de l'Academie
Object type: print
Date: 1700 – 1751
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: france
Subjects: france, paris, jean racine, theatre, theatrical performance, ornament ~ medallion, portrait, self-portrait of artist, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Mogelijk diende deze prent als boekillustratie voor een onbekend boek.
King Arthur
Object type: medallion
Date: 1541 – 1541
Materials: copper, enamel
Techniques: gilding, painting
Artist: colin nouailher
Artist role: enameler
Artist nationality: french
Artist dates: 1471 – 1571
Subjects: swords,kings,horses

Three of the four heroes depicted in this case—Alexander the Great, King Arthur, and Godefroy de Bouillon—were based on woodcuts from the "Nine Heroes" series by the Dutch artist Jacob Cornelisz. van Oostsanen (before 1470–1533). Jan van Boendale’s poem Der Leken Spieghel (The Layman’s Mirror) introduced the heroes to the Netherlands shortly after Jacques de Longuyon’s romance appeared in France.