deem-data/ArtiFact huggingface dataset:
Orphrey woven with figurative repeat design of seraphim with IHS Christogram in glories
Object type: orphrey fragment
Date: 1801 – 1900
Materials: linen, silk

Although this object resembles the reverse of a chasuble– the tabard-like garment worn by a Catholic priest during church services– this is a modern composite of a central, figurative, woven orphrey strip (33.39.7) with two lengths of lampas silk (33.39.8a, .8b), assembled soon after the three elements entered The Met's collection in 1933. Although, at first glance, this orphrey (33.39.7) resembles the orphreys embellished with repeat figurative elements woven in Lucca in the sixteenth century (like, for example, 33.39.13 also in The Met's collection), the stiffness of the material, strong purple-black color, rigid contours of the motifs, and the use of "faux" metal-thread effects all suggest that this is a much later iteration– still woven in Lucca but probably made during the nineteenth century in emulation of the city's earlier production and representative of a long-standing and embedded weaving tradition. The side panels (33.39.8a, .8b), in contrast, almost certainly were created for and used as part of a sixteenth-century chasuble, long since dismembered.
Design for Phaeton, no. 650
Object type: drawing
Date: 1850 – 1874
Materials: graphite, ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Studies of the Pavilion at Fonthill, Wiltshire and Plans of the Ground and First Floors (recto); Studies for the Pavilion in Tudor-Gothic Style (verso)
Object type: drawing
Date: 1824 – 1824
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: architecture,houses
Handwerkende oudere vrouw in een stoel
Object type: sketchbook leaf
Date: 1865 – 1913
Materials: paper, pencil
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: sitting figure, adult woman, hand, home sewing; repair of clothes

Tevens studies van handen. Losse schets tussen pagina 1 en 2 uit een schetsboek met 68 bladen.
Bord, met op het plat een herder en een herderin in een tuin
Object type: plate dish
Date: 1853 – 1867
Materials: creamware
Techniques: transfer decoration
Location: maastricht
Artist: nicolaas antoine bosch
Artist role: ceramicist
Inscriptions: mark: ‘HERDERS // N. A. BOSCH’, check stamp: ‘N. A. BOSCH // 7 // MAASTRICHT’

Bord van aardewerk met lila transferdecor. Op het plat een herder en een herderin met hond in een tuin. Rond de voorstelling een band van eikentakken. De rand met vier cartouches met gebouwen. Tussen de cartouches c-voluten en geometrische motieven.
Bowl with Vegetal Motifs
Object type: bowl
Date: 1101 – 1200
Materials: glaze, stonepaste
Techniques: incising, painting
Location: syria

Syrian potters, like their counterparts in Iran, developed a version of black‑and‑blue underglaze‑painted ceramics, capitalizing on the properties of stonepaste to provide a white background. As on the Iranian examples, the contrast between the crisp elements painted in stable black pigment and the softer‑edged motifs executed in less stable blue pigment creates an attractive tension.
Hoofd van Minerva
Object type: print
Date: 1788 – 1888
Materials: paper
Techniques: etching
Location: paris
Subjects: (story of) minerva (pallas, athena), head turned sideways - aa - female human figure
Inscriptions: collector's mark: Lugt 2228
Huis van Hendrik Busserus op de Haarlemmerdijk
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: brush, etching
Artist: hendrik van hilten
Artist role: draughtsman, print maker
Subjects: urban housing, street
Reliëf van vrouwen met vazen
Object type: photomechanical print
Date: 1890 – 1893
Materials: cardboard, paper
Techniques: photograph
Location: athens
Artist: Anonymous
Subjects: piece of sculpture, reproduction of a piece of sculpture, carrying something on the head or on the shoulders
Inscriptions: inscription: ‘G 34. Vrouwen met vazen. Museum op het Parthenon, Athene.’, number: ‘864’, check stamp: ‘Bristol/ L.M.’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze fotomechanische afdruk is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
The Little Cloister Street, Troyes
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: etching
Location: france
Artist: gustave leheutre
Artist role: print maker
Artist nationality: french
Artist dates: 1861 – 1932
Susanna en de ouderlingen
Object type: drawing
Date: 1694 – 1766
Materials: paint, paper
Techniques: brush, pen
Artist: matthijs balen (1684-1766)
Artist role: draughtsman, painter, print maker
Artist dates: 1684 – 1766
Subjects: the elders spying upon susanna
Scènes uit het leven van de heilige Bonifatius
Object type: print
Date: 1640 – 1659
Materials: paper
Techniques: etching
Location: low countries
Artist: Anonymous
Subjects: the martyr boniface, 'apostle of germany', and archbishop of mainz; possible attributes: axe in root of tree, book pierced by a sword, fountain (springing up from under his staff), whip

Scènes uit het leven van de heilige Bonifatius, platen IX en X. De heilige tussen pausen en bij de bouw van een kerk. Zesde prent in een serie prenten over het leven van de heilige Bonifatius, bestaande uit een grote afbeelding van de heilige gevolgd door 8 platen met telkens twee kleinere genummerde voorstellingen onder elkaar.
Schepping van Eva
Object type: album leaf
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: eve emerges from adam's body

De houtsnede wordt gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie folio 6v.
London from Greenwich, part V, plate 26 from "Liber Studiorum"
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: buildings,cities,london

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to detail a vista of London from Greenwich Park. The paired cupolas of the Royal Naval College mark the edge of the Thames, which loops west toward the city where the dome of St. Paul's echoes their forms, both great works by Sir Christopher Wren. At the base of the hill, Inigo Jones's elegantly Vitruvian Queen's House, regarded as the first fully classical building in England, introduces Turner's category of Architectural Landscape, indicated by the letter "A" in the upper margin.
Galloon
Object type: galloon
Date: 1801 – 1833
Twee wachters van de Hualintempel van Guangzhou
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: temple, shrine ~ traditional chinese religions
Inscriptions: annotation: ‘Canton-Guardians of the Temple of 500 Genii’
Crystal Drinking Glass
Object type: print
Date: 1868 – 1868
Techniques: etching
Artist: jules-ferdinand jacquemart
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1880
Subjects: drinking glasses
Portrait of an unknown woman from a Sindhi tribe in Sindh, Pakistan
Object type: photograph
Date: 1862 – 1872
Materials: photographic support
Techniques: albumen print
Subjects: head-gear (with name), human races; peoples; nationalities
Inscriptions: inscription: ‘SINDEE WOMAN./ MUSSULMAN./ SIND.’, number: ‘319.’
Het verhaal van Phaëthon
Object type: print
Date: 1542 – 1603
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: phaethon asks apollo (sol) for the chariot of the sun, phaethon is taunted with not having a father, by epaphus, son of io and jupiter
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

In een ovale lijst een afbeelding: Apollo zit in een troon in de wolken. Rondom hem de vier jaargetijden. Zijn zoon, Phaëthon, knielt voor hem en vraagt of hij in de zonnewagen mag rijden. Onder de wolken is Phaëthon in debat met Epaphus voor een tempel. Epaphus gelooft niet dat hij de zoon van Apollo is. In de ovale lijst een Latijnse tekst. De prent is deel van een serie die het verhaal van Phaëthon afbeeldt.
Wall revetment, agate pattern
Object type: wall revetment
Date: 200 – 100
Materials: glass
Location: egypt

Glass plaques imitating expensive marble or stones were used as wall coverings.
Romeinse martelaressen
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: rome
Subjects: martyr(s) (often with palm-branches) - qq - female martyr
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 73 prenten (+ titelprent) met voorstellingen van Romeinse martelaressen.
Hobnail Cheese Dish
Object type: cheese dish
Date: 1886 – 1886
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: hobbs, brockunier and company
Artist role: maker
Artist nationality: american
Artist dates: 1863 – 1891
Portret van Pons de Lauzières-Thémines
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: commander-in-chief, general, marshal, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van een portret van Ernest Legouvé
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: historical persons, portrait of a writer
Inscriptions: inscription: ‘Figaro-Album/ Legouvé/ d'après Pierre Petit Phot.’
Dodendans
Object type: book illustration
Date: 1524 – 1526
Materials: paper
Techniques: woodcut
Subjects: child, dance of death; death together with one or more human beings

De houtblokken werden voor 1526 vervaardigd door Hans Lützelburg en pas in 1538 voor het eerst gebruikt als boekillustraties in: Les simulachres & historiees faces de la mort avtant elegamment pourtraictes que artificiellement imaginées... a Lyon, Soubsz l'escu de Coloigne, MDXXXVIII, (M. en G. Trechsel, voor F. Frellon in Lyon), 1538. Later verschenen nog andere uitgaven.
Sketches of a Cavalry Battle and the Forepaws of a Dog
Object type: drawing and watercolor
Date: 1813 – 1814
Materials: graphite, paper
Techniques: brush, wash
Location: france
Artist: jean louis andré théodore géricault
Artist role: artist
Artist nationality: french
Artist dates: 1791 – 1824
Astronomie
Object type: print
Date: 1750 – 1778
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: 'astronomia', 'cosmografia'; 'cosmografia' (ripa), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Allegorie van de astronomie. Twee putti met telescopen en een globe. Uitgeversnummer 190.
Portret van Hendrik VII, koning van Engeland
Object type: print
Date: 1750 – 1762
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons, king, armorial bearing, heraldry

Prent gebruikt in: Orleans, Pierre Joseph d’. Histoire des revolutions d'Angleterre, depuis le commencement de la monarchie. Parijs: Pierre-François Giffart en Jacques Rolin, 1750. Prent ook gebruikt in de 1762-editie uitgegeven in Lyon door de gebroeders Duplain. Mogelijk ook gebruikt in andere edities of andere publicaties.
Head of a Figure
Object type: head of a figure
Date: 201 – 500
Materials: ivory, wood
Techniques: carving, incising
Location: egypt
Subjects: heads
Armlet
Object type: armlet
Date: 1796 – 1875
Materials: jade
Culture: chinese
Staf en leerlingen en onderwijzerswoning te Pangkalpinang
Object type: album leaf
Date: 1914 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, mining, elementary school; class, form (+ teacher, professor), elementary school; class, form (+ pupil), villa
Inscriptions: inscription

Albumblad met 2 foto's van het staf en de leerlingen van de Hollandsche School en van de woning van de hoofdonderwijzer van de mijnbouwonderneming te Pangkalpinang. Onderdeel van het fotoalbum aangeboden aan Robert Julius Boers bij zijn vertrek naar Nederland in 1919 door het personeel van de Banka-tinwinning.
Gezicht op Sedan
Object type: album leaf
Date: 1656 – 1656
Materials: paper
Techniques: engraving, etching, hand coloring
Location: frankfurt am main
Subjects: city-view in general; 'veduta'

Prent uit: Zeiller, Martin. Topographia Galliae. 13 dln. Frankfurt: Caspar Merian, 1656, dl. 3, na p. 30. Origineel op één blad gedrukt met een gezicht op Toul (RP-P-1957-607-182).
Terracotta fragment of neck-amphora (jar)
Object type: neck amphora fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Obverse, warrior to right wearing a cuirass, chitoniskos, and greaves, holding his helmet in his right hand and a spear in his left; draped woman to right wearing a patterned peplos and a red and black himation; helmeted warrior to right, with his right arm bent, wearing a chitoniskos, chlamys, and greaves; woman to left, wearing a patterned peplos, and a red and black himation, with her himation draped over her head; helmeted warrior to left, wearing a cuirass, chlamys, and greaves, holding a spear in his right hand; part of a palmette with tendrils and a lotus bud; Reverse, warrior wearing a red tunic to left; palmettes with red and black fronds, tendrils, and a lotus bud; below the figures; two black glaze lines, a band of upright lotuses; two black glaze lines; a rightward meander; two black glaze lines; a band of rays
Juwelenkoffer van ijzer
Object type: jewel case
Date: 1400 – 1500
Materials: iron

Een ijzeren juwelenkoffer op vier poten met hengsel, boogvormig deksel en verborgen slot, en uitgeslagen versieringen, waaronder een bisschopsbeeld.
George III (1738–1820), King of England (1760–1820)
Object type: medallion
Date: 1801 – 1900
Materials: glass, gold, silk, wax, wood
Subjects: kings,portraits
Kuras
Object type: ornament print
Date: 1820 – 1820
Materials: paper
Techniques: etching
Location: paris
Subjects: ornaments ~ art, cuirass

Ornamentprent met een Romeins kuras en enkele vazen. Onderdeel (4e. Cah. N. 23) van het prentalbum met twee series van in totaal 138 ornamentprenten door Beauvallet en Normand, 'Fragmens d'Ornemens dans le Style Antique'.
Engraved copies of The Little Passion
Object type: print
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: soldiers,weapons,cross,jesus,crucifixion
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic
Liège. Place du Théâtre
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph
Location: liège
Artist: Anonymous
Subjects: square, place, circus, etc., prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage), liège
Ossenspan voor huifwagen en voor ploeg
Object type: drawing
Date: 1806 – 1806
Materials: paper, pencil
Techniques: brush
Location: skälsebo
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: covered wagon, hooded wagon, agricultural implements: plough, ox
Inscriptions: inscription: ‘kiörning och plöjning i cabo de goede hop, ritat den 8 Febr 1806’

Kleurtekening van een wagen met 12 ossen, en een ploeg achter 8 ossen in rotsachtig Zuidafrikaans landschap bij de plaats van Lochner. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 2 (1808), p. 113.
Beeldengroep
Object type: sculpture group
Date: 618 – 907
Materials: bronze
Techniques: gilding
Location: china
Artist: Anonymous

Voetstuk bij de zeven Boeddha's van het Verleden, rustend op de uiteinden van gestileerde ranken. Mogelijk is dit een vervalsing
Minister Drees verlaat een vliegtuig
Object type: documentary photograph
Materials: photographic support
Techniques: photography
Location: schiphol
Artist: Anonymous
Subjects: amsterdam, willem drees, indonesia
Arcadisch landschap met een rivier
Object type: print
Date: 1656 – 1726
Materials: paper
Techniques: etching
Location: unknown
Artist: johannes glauber
Artist role: draughtsman, painter, print maker
Artist dates: 1646 – 1726
Subjects: river, landscape with ruins (+ city(-scape) with figures, staffage), pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 240

Een arcadisch landschap met een rivier. Langs de oever ruïnes. Op de voorgrond een man met een speer en een zittende vrouw. Beiden zijn in Romeinse kleding. Op de achtergrond een stad. De prent maakt deel uit van een serie met arcadische landschappen.
Portret van Hendrik I de Bourbon-Condé
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: engraving
Subjects: historical persons

Prent waarschijnlijk uit: Desormeaux, M. Histoire de la maison de Bourbon (...). Parijs: L'Imprimerie Royale, 1786, dl. 4.
Axe
Materials: jade
Location: china
Ostrakon
Object type: ostrakon
Date: 580 – 640
Materials: ink, pottery
Culture: coptic
Location: egypt
Subjects: coptic,documents
Allegorie op de Vrijheid, 1795
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: johannes christiaan bendorp
Artist role: print maker
Artist dates: 1766 – 1849
Subjects: fortitude, 'fortitudo' ~ one of the four cardinal virtues, prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues, freedom, liberty; 'libertà' (ripa) (+ abstract concept represented by female figure)
Inscriptions: collector's mark: Lugt 2228

Allegorie op de Vrijheid en de Rechten van de Mens, 1795. Vrijheid zittend op troon geflankeerd door Voorzichtigheid en Kracht. Op de voorgrond de verslagen Heerszucht, op de achtergrond het volk voor een tempel. Met tweeregelig vers.
Allegory of the Course of Human Life (Choosing Virtue)
Object type: drawing
Materials: ink
Techniques: brush, heightening, pen, wash
Artist: jan van der straet, called stradanus
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1523 – 1605
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1615 – 1868
Materials: copper, gold
Culture: japanese
Location: japan
Subjects: men
Plegtige Intogt van Z.M. den Koning Willem II binnen Leyden op den 1 junij 1841
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: hand coloring, lithograph
Location: leiden
Subjects: the hague, william ii of the netherlands, public festivities at other royal events, not meant or mentioned above, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', leiden
Inscriptions: collector's mark: Lugt 2228

Intocht van koning Willem II te Leiden, 1 juni 1841. De koning te paard begeleid door een erewacht met twee banieren komt aan bij het stadhuis in de Breestraat te Leiden.
Triomftocht van Christus met figuren uit het Oude en Nieuwe Testament (zevende deel)
Object type: print
Date: 1687 – 1694
Materials: paper
Techniques: engraving, etching, hand coloring
Location: france
Subjects: the apostle thomas; possible attributes: book, chalice, girdle, heart, lance or spear, scroll, square, stones, the apostle and evangelist matthew (mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword, triumphs (allegorical and symbolic), martial(is), bishop of limoges; possible attributes: staff, the apostle paul of tarsus; possible attributes: book, scroll, sword
Inscriptions: collector's mark: Lugt 2228
XIV Ut ardentius
Object type: album leaf
Date: 1614 – 1614
Techniques: engraving, printing
Location: the hague

XIV Ut ardentius. Derde schok. Onderdeel van 'Sinnepoppen', R. Visscher, 1614.
Mount Athos Carved as a Monument to Alexander the Great
Object type: painting
Date: 1796 – 1796
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: pierre-henri de valenciennes
Artist nationality: french
Artist dates: 1750 – 1819
Subjects: alexander the great, monumental structures, monuments, people, figure, figures, women, men, animals, dog, dogs, river, mountain, mountains, trees, landscape, bushes, landscapes, rocks
Inscriptions: Inscribed lower right: P. Valenciennes / [...] 1796

Pierre-Henri de Valenciennes, a leading landscape artist in late-18th-century France, sought to elevate the art of landscape to the level of history painting. In the hierarchy of subjects set by the French artistic establishment, the painting of inspiring religious and historical narratives was placed higher than the imitation of nature. Valenciennes followed the 17th-century precedent of Nicolas Poussin by imbuing his landscapes with moral content. This work and its companion, Alexander at the Tomb of Cyrus the Great, address questions of fame and mortality through episodes from the life of Alexander the Great (356–323 B.C.). Here Valenciennes depicted an unrealized project to perpetuate Alexander’s glory—a monumental image of the ruler carved into Mount Athos.
Frans I van Frankrijk
Object type: history medal
Date: 1607 – 1640
Materials: silver
Techniques: striking
Location: paris
Artist: pierre regnier
Artist role: medailleur
Artist dates: 1577 – 1640
Subjects: frans i van valois-angoulême (koning van frankrijk), globe, star-globe

Zilveren penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: wereldbol en hemelglobe onder kroon binnen omschrift, boven opschrift