deem-data/ArtiFact huggingface dataset:
Brief aan de Commissie van de Tentoonstelling van Levende Meesters in Den Haag
Object type: letter
Date: 1843 – 1843
Materials: ink, paper
Techniques: pen, writing
Location: haarlem
Artist: christiaan immerzeel
Artist role: print maker
Artist dates: 1808 – 1886
Subjects: overschie, arnhem, draughtsman, simon van den berg, painting (including book-illumination, miniature-painting), exhibition ~ art, money
Inscriptions: collector's mark: Lugt 2233
Groepsportret van de familie Suyver en echtgenoten in de tuin van Herengracht 6 te Amsterdam
Object type: stereograph
Date: 1916 – 1916
Materials: paper, cardboard
Techniques: collodion silver print
Location: netherlands
Artist: machiel gerrit george suyver
Artist role: fotograaf
Artist dates: 1872 – 1933
Subjects: amsterdam, rotterdam, family group, especially parents with their child(ren), garden, historical persons
Hinge
Object type: hinge
Date: 1700 – 1800
Materials: iron
Culture: american
Location: united states
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of leg and seat of stool with an animal pelt and part of a seated, draped figure
Paardenrassen
Object type: print
Date: 1590 – 1637
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: horse
Inscriptions: collector's mark: Lugt 2228

Heuvelachtig landschap met paard, naar links gewend, op de rug gezien. In de marge een tweeregelig onderschrift in het Latijn. Prent uit een serie van dertig met paardenrassen.
Terracotta fragment of a closed shape
Object type: undetermined closed shape
Date: 600 – 501
Materials: terracotta
Culture: greek, attic
Stad met een fort, gezien vanuit de lucht
Object type: album leaf
Date: 1930 – 1940
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: fortress, airborne traffic, aviation, travelling; tourism

Albumblad met een foto van een stad met een ommuurd fort op een berg. Waarschijnlijk is het in de buurt van één van de plaatsen waar een tussenstop werd gemaakt op de KLM-vlucht Amsterdam-Batavia. Onderdeel van Herdenkingsalbum van de Indië-lijn van de KLM, deel I.
Model of a Chain Stopper
Object type: demonstration model
Date: 1831 – 1831
Materials: iron, wood
Location: france
Artist: Anonymous
Inscriptions: label, on the chock: ‘620’ former inventory label

Model van een kettingstopper tussen twee dekken, bestaande uit een glijbaan voor de ketting op een klos en doorlopend door het bakboord kluisgat, en een zware duivelsklauw hangend aan een klos aan de scheepswand. Een houten ketting met namaakgewicht is aan het model toegevoegd. Schaal 1:10 (schatting).
Moon flask with gilt floral decoration on pink ground
Object type: moon flask
Date: 1875 – 1875
Materials: bone china
Artist: minton(s)
Artist role: maker
Artist nationality: british
Artist dates: 1793 – 2001

Minton was the most important ceramics factory during the Victorian period and began exhibiting products at the first Great Exhibition of 1851. Founded in 1793 by Thomas Minton at Stoke-on-Trent, the firm initially specialized in transferware pottery before expanding under the ownership of Thomas’s son Herbert Minton, beginning in 1836. Under the ownership of Colin Minton Campbell, who succeeded his uncle in 1858, the factory became recognized as a specialist producer of Aesthetics movement porcelain, which were inspired by a rich array of exotic and eclectic decorative motifs.
Gezicht op een stad in een heuvellandschap
Object type: sketchbook leaf
Date: 1840 – 1840
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: city-view, and landscape with man-made constructions, low hill country
Inscriptions: kleurnotitie, handgeschreven

Blad 22 verso uit een schetsboek met 33 bladen.
De Haringpakkerij
Object type: photograph
Date: 1860 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: quay
Door Handle
Object type: door handle
Date: 1700 – 1800
Materials: steel
Leerlingen van Schule Schloss Salem tijdens moment stilte voor de maaltijd
Object type: photograph
Date: 1929 – 1929
Materials: photographic support
Techniques: gelatin silver print
Location: salem
Artist: Anonymous
Subjects: education, (family) meal

Onderdeel van Fotoalbum van Schule Schloss Salem.
Cylinder seal
Object type: cylinder seal
Date: 2350 – 2150
Materials: stone
Culture: akkadian
Location: mesopotamia
Subjects: animals
Jonge dame voor een spiegel
Object type: print
Date: 1635 – 1679
Materials: paper
Techniques: etching
Subjects: mirror
Inscriptions: collector's mark: Lugt 240

Prent naar schilderij van Titiaan dat zich bevindt in de collectie van het Louvre te Parijs.
Plate with Isaac Blessing Jacob
Object type: ceramic
Date: 1540 – 1545
Materials: ceramic, earthenware
Techniques: maiolica, glazing
Location: urbino
Artist: workshop of guido di merlino
Inscriptions: On reverse: benedicione de jacob
Gezicht op het exterieur van het koor van de Sint-Kastorbasiliek in Koblenz
Object type: page
Date: 1858 – 1868
Materials: paper
Techniques: woodburytype
Location: koblenz
Artist: Anonymous
Subjects: parts of church exterior and annexes: choir, church (exterior)
Expon 1900. Le Pont Alexandre III
Object type: stereograph
Date: 1900 – 1900
Materials: paper, cardboard
Techniques: gelatin silver print
Location: paris
Artist: Anonymous
Subjects: bridge, bridge in city across river, canal, etc., paris
Inscriptions: number: ‘52.’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, in the field, a sponge; right hand holding the handle of an oinochoe
Portret van Christoph Martin Burchard
Object type: print
Materials: paper
Techniques: engraving
Artist: christian fritzsch
Artist role: print maker
Artist dates: 1695 – 1769
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Cartouche met rolwerk
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: engraving, hand coloring
Artist: Anonymous
Subjects: scrollwork, strapwork ~ ornament, ornament ~ cartouche

Een cartouche met rolwerk en titel. Detail van een kaart van de historische graafschappen Anglesey en Caernarvonshire in het noordwesten van Wales.
Pastorale scène en initiaal I
Object type: book illustration
Date: 1745 – 1745
Materials: paper
Techniques: etching, letterpress printing
Location: venice
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., initial, (scenes from) specific works of literature: tasso, gerusalemme liberata, pastorals, arcadian scenes

Prent uit: Tasso, Torquato. La Gerusalemme liberata di Torquato Tasso con le figure de Giambatista Piazzetta. Venetië: Giambatista Albrizzi, 1745.
Tafellaken van katoenen damast
Object type: tablecloth
Date: 1900 – 1900
Materials: cotton

Tafellaken van katoenen damast, met godronrand, Jugendstil. Bij het tafellaken horen vier bijpassende servetten.
Die Ruine Stolzenfels / Les ruines de Stolzenfels
Object type: print
Date: 1832 – 1872
Materials: paper
Techniques: hand coloring
Location: zurich
Subjects: river, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228

Vanaf 1828 verschenen bij Franz Friedrich Röhling in Koblenz verschillende uitgaven met prenten van burchten en kastelen gelegen langs de Rijn, vervaardigd door Rudolf Bodmer naar tekeningen van Adolf Lasinsky. Vanaf 1832 verschenen deze publicaties bij Karl Baedeker, die het fonds van Röhling had overgenomen.
Terracotta fragment of a stemless cup
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, part of the lower back and lap of youth seated to right, with drapery; Exterior, profiled ring foot with a glazed outer edge; the resting surface is unglazed; the inner wall of the foot is glazed; the underside of the cup has black glaze with a thin band of reserve
Gezicht op de IJsselpoort te IJsselstein, 1630
Object type: print
Date: 1727 – 1733
Materials: paper
Techniques: printmaking
Location: amsterdam
Subjects: rowing-boat, canoe, etc., bridge, city-gate, fisherman
Inscriptions: collector's mark: Lugt 2228

Gezicht op de IJsselpoort te IJsselstein in de situatie omstreeks 1630. Links de poort en rechts een roeiboot en enkele vissers.
Saucer with landscape
Object type: saucer
Date: 1667 – 1700
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: landscapes
Desk
Object type: desk
Date: 1710 – 1730
Materials: wood
Culture: american
Location: united states
Twee foto's van prinses Juliana als kind, in een rijtuig en wandelend met koningin Wilhelmina en hofhouding
Object type: photograph
Date: 1918 – 1923
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, juliana of the netherlands, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, girl (child between toddler and youth)
Inscriptions: annotation: ‘Juliana met haar moeder’

Deze foto's maken deel uit van een album.
Dupondius (Coin) Portraying Emperor Domitian
Object type: coin
Date: 85 – 85
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP CAES DOMITIAN AVG GERM COS XI
Reverse: FIDEI PVBLICAE S C

The front (obverse) of this coin portrays the head of Emperor Domitian, facing to the right. On the back (reverse) Fides (Loyalty) is shown standing slightly left.
Aureus (Coin) Portraying Emperor Maximianus Herculius
Object type: coin
Date: 303 – 303
Materials: gold
Culture: roman
Location: roman empire
Subjects: portraits, lions, club, rulers (people), heracles
Inscriptions: Obverse: MAXIMIA - NVS P F AVG (Maximianus Pius Felix Augustus)
Reverse: HERCVLI – CONSER[VATORI] AUGG ET CAESS NN
(defender or protector, Our Augustus and Caesar).

Portraits of important people appear on local currency all around the world. The same was true in ancient Rome, which began producing its first coinage in the late 4th century BC. Early coins depicted the heads of gods and goddesses on the front side, often in profile, while the back depicted animals, natural resources, symbols, and references to historical events. It was not until 44 BC that the portrait of a living person—Julius Caesar—appeared on coins. Thereafter, profile portraits of rulers or other members of the imperial family became the standard subject on coins throughout the Roman Empire.

Inscriptions on coins help identify the ruler. While the front side depicted the sovereign’s portrait, the back was often used to communicate the ruler’s accomplishments or aspirations. Until Late Antiquity, portraits usually appeared in profile. The tiny images were carved by engravers into bronze dies, with one for the front and another for the back. The coins were then struck, one by one, in a process similar to how coins are created today.

On the front of this well-preserved coin is a portrait of the Roman emperor Maximianus Herculius (reigned 286–305). He was one of the four men (called tetrarchs) who together ruled the Roman Empire at this time, after its division into east and west halves under Diocletian. Maximianus is identified by the inscription that encircles his portrait—MAXIMIA - NVS P F AVG. The phrase P[ius] F[elix] Augustus indicates that he is a “dutiful” and “happy” emperor. Diocletian gave Maximianus the title of Herculius, a reference to the great hero Hercules, who is depicted on the back of the coin with his characteristic club and lion skin.
Sentiment d'Art en Photographie
Object type: photomechanical print
Materials: paper
Techniques: photograph
Subjects: historical persons - bb - woman
Inscriptions: number: ‘Vol. 1, No 5, Planche 3.’

Deze prent maakt deel uit van 8 omslagen met 22 tekstbladen en 89 prenten op losse bladen in en tussen de omslagen.
Maria met kind en knielende Antonius van Padua
Object type: print
Date: 1620 – 1686
Materials: paper
Techniques: engraving, etching
Subjects: visions of st. antony of padua, madonna: i.e. mary with the christ-child
Inscriptions: collector's mark: Lugt 240
Teabowl and saucer
Object type: teabowl and saucer
Date: 1755 – 1755
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Subjects: insects
Schildpadden
Object type: surimono
Date: 1826 – 1826
Materials: paper
Techniques: blind stamped, woodcut
Location: japan
Subjects: tortoises, turtles, plants; vegetation (+ flowers, blossom, blossoming)
Inscriptions: collector's mark, passe-partout, bottom left, printed: JABdH with a rooster., collector's mark, verso, stamped: Lugt 2228

Een surimono is een luxe uitgevoerde prent waarop beeld met één of meerdere gedichten gecombineerd is. Bij het drukken van een surimono werd vaak gebruik gemaakt van dikker papier, blinddruk en metaal pigmenten, zoals koper- en zilverpoeder. De prenten werden vaak in opdracht van dichters gemaakt en als exclusief geschenk aan vrienden en relaties gegeven.
Untitled (Portrait of Two Women)
Object type: photograph
Date: 1848 – 1848
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: african american, portrait, females, women, portraits: female subject, portraits: multiple subjects, lundberg collection, portraits, portraits: african american subject
Inhalen en uitleiden van de actrice Adelaide Ristori door de Utrechtse studenten, 1860
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: arrival and return ~ travelling, student life, serenade to the beloved, utrecht
Inscriptions: collector's mark: Lugt 2228

Drie scènes van het inhalen te Utrecht van de Italiaanse tragédienne (Marchese) Adelaide Ristori, de serenade haar gebracht in juni 1860 en het uitleiden door de Utrechtse studenten. Blad uit het Utrechtse studentenalmanak van 1861.
Portret van een onbekende vrouw
Object type: print
Date: 1861 – 1889
Materials: paper
Techniques: etching
Location: vienna
Subjects: historical persons not known by name - bb - woman, pendant, trinket, 'breloque'
Inscriptions: collector's mark: Lugt 2228
Buffetkast
Object type: print
Date: 1895 – 1935
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Fragment (Dressing Fabric)
Object type: textile
Materials: gold leaf, paper, silk, velvet
Techniques: embroidery, cutting, lacquer, patterning, weave, voiding
Location: china
Zwolse duit, 1618
Object type: coin
Date: 1618 – 1618
Materials: copper
Techniques: striking
Location: zwolle

Koperen munt. Voorzijde: versierd wapenschild van Zwolle. Keerzijde: binnen krans tweeregelig opschrift, waaronder jaartal tussen wapenschildje.
Nijmegen, ruiterschelling, 1690/1
Object type: coin
Date: 1690 – 1691
Materials: silver
Techniques: striking
Location: nijmegen

Zilveren munt. Voorzijde: tussen waarde-aanduiding 6 S gekroond wapenschild van Nijmegen. Naast de kroon tweecijferig niet goed leesbaar jaartal. Keerzijde: ridder te paard naar rechts rijdend.
Voorzichtigheid
Object type: print
Date: 1595 – 1599
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: prudence, 'prudentia'; 'prudenza' (ripa) ~ one of the four cardinal virtues
Inscriptions: collector's mark: Lugt 240

Prudentia (voorzichtigheid) als naakte vrouw, zittend, op de rug gezien, kijkend in een spiegel.
Cathedral Rocks from the Point, Ausable Chasm, No. 1155 from the series "Crystal"
Object type: photograph
Date: 1870 – 1876
Techniques: albumen print
Location: glens falls
Artist: seneca ray stoddard
Artist role: fotograaf
Artist nationality: american
Artist dates: 1844 – 1917
Pair of pomade pots (part of a toilet service)
Object type: pomade pot
Date: 1684 – 1684
Materials: silver gilt
Artist: thomas jenkins
Artist role: maker
Artist dates: 1668 – 1708
Subjects: birds,flowers
Side chair
Object type: side chair
Date: 1755 – 1775
Materials: wood
Culture: american
Location: united states
Bridle Gauntlet
Object type: bridle gauntlet
Date: 1501 – 1600
Materials: steel
Culture: german
Location: germany
Brocade Fragment
Object type: textile fragment
Date: 1701 – 1800
Materials: gold, silk, thread
Techniques: brocade
Location: iran
Schaatsende man, van achter gezien
Object type: print
Date: 1630 – 1665
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: salomon savery
Artist role: print maker, publisher
Artist dates: 1594 – 1683
Subjects: skates (winter sports)
Inscriptions: collector's mark: Lugt 240, inscription: ‘zeden en gewoonten’

De prent maakt deel uit van een twaalfdelige serie prenten met voorstellingen van boeren.
Plate
Object type: plate
Date: 1750 – 1760
Materials: soft paste porcelain
Subjects: human figures,cranes,chinoiserie,dogs
Aurora
Object type: print
Date: 1613 – 1613
Materials: paper
Techniques: engraving, etching, printing
Location: netherlands
Artist: hendrik goudt
Artist nationality: dutch
Artist dates: 1583 – 1648

Goudt was an engraver, draughtsman and painter. In 1604, he traveled to Rome, where he lived with the German artist Adam Elsheimer from 1607 on, serving as his patron and pupil. His seven engravings after Elsheimer's work made him famous for his extraordinary mastery of technique. Goudt created this print following his departure from Rome, and probably modeled it after a painting in his own collection.
The concierge the day after, from 'News of the day,' published in Le Charivari, January 1, 1867
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men
Roundel with Saints Barbara and Catherine
Object type: roundel
Date: 1500 – 1510
Materials: glass, paint, pigment
Culture: german
Location: germany
Subjects: women,saint catherine,saints

The artist who painted this roundel, probably from Swabia in southwestern Germany, had a sure command of multiple techniques including point of brush, stylus and stick work, badger brushing and other reductive means of texturing unfired mattes as well as of silver stain. Another roundel of exactly the same size and subject is now in the Bayerisches Nationalmuseum, Munich. When one scale image is overlaid with the other the outlines correspond precisely indicating that both were executed from the same design. The only difference was that the individual painters aligned the like-sized blank roundel over the same or duplicate drawing in slightly different positions. In this case the haloes of both saints were slightly trimmed, whereas in the Munich example, the halos are intact but the lower folds of their robes are abridged.
Back View of the Elephant at the Regent's Park Zoological
Object type: drawing and watercolor
Materials: graphite, ink, paint, paper, watercolor
Techniques: pen
Location: england
Artist: john leech
Artist role: artist
Artist nationality: british
Artist dates: 1817 – 1864
The Life of Christ
Object type: painting, triptych
Date: 1400 – 1449
Materials: gold leaf, paint, wood
Artist: franceschino zavattari
Artist role: artist
Artist nationality: italian
Artist dates: 1414 – 1453
Subjects: christ,saint john the baptist,adoration of the magi,last supper,nativity,flight into egypt

This small triptych is remarkable both for its preservation and for the fact that it is still intact. The spaces below the center panel were originally filled with small relics. It is curious that the right wing shows events from the life of Christ leading up to the Flight into Egypt while the left shows events following it. There is, however, no technical reason for believing that the two wings have been reversed. In style the picture is related to the work of the Late Gothic Veronese painter Giovanni Badile. The frames have been regilded.
Port de Dinan, Brittany
Object type: photograph
Date: 1856 – 1856
Techniques: albumen silver print
Artist: w.a. mansell
Artist role: artist
Artist nationality: british
Subjects: houses,bridges,rivers,boats
Plaque Inscribed with the Name Ahmose
Object type: plaque, ahmose
Date: 1550 – 1525
Materials: stone
Location: egypt
Two Glass Inkwells
Object type: inkwell
Date: 801 – 900
Materials: glass
Techniques: glassblowing
Location: iraq
Cornelis Tromp en ter herdenking van de Vierdaagse Zeeslag
Object type: history medal
Date: 1666 – 1666
Materials: silver
Techniques: casting, engraving
Location: amsterdam
Artist: wouter muller
Artist role: publisher
Artist dates: 1604 – 1673
Subjects: cornelis tromp

Zilveren penning. Voorzijde: borststuk man waarboven twee tritons lauwerkrans houden te midden van wapentuig, daaronder banderol met opschrift binnen omschrift. Keerzijde: zeeslag binnen omschrift.
Karakoto of Chojiya on Parade
Object type: print
Date: 1790 – 1790
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: chōbunsai eishi
Artist role: artist
Artist nationality: japanese
Artist dates: 1756 – 1829
Subjects: girls,women

An oiran, the highest class of courtesan, was accompanied by two young attendants, who were modeled on Heian pages, and two shinzo, or ladies-in-waiting, who were learning the profession. Each evening, the oiran and her entourage would parade through the streets. The young attendants wore the sleeves of their robes tied shut with a bow. The parade was as much for promotion as it was for exercise, and depictions of the ritual served as business advertisements and as fashion plates—the smart, city clothing might be copied by provincial women. The event is captured here in a dark palette known as beni-girai, or "hatred of red," which reflected a sophisticated fashion for gray and brown fabric dyes. Eishi highlights the somber range of colors with touches of peach and yellow.
Fragment
Object type: textile
Date: 1601 – 1700
Materials: linen, silk
Techniques: embroidery, weave
Location: italy
Laban Looking for the Images and Making a Covenant with Jacob from The Story of Jacob series
Object type: tapestry
Date: 1550 – 1575
Materials: silk, wool
Subjects: grotesques,men,women,parrots,pheasants,elephants,foxes,leopards,sheep

The story of Jacob as depicted in this set of six tapestries (1983.73.1–.6) begins with the scene of Esau selling his birthright to Jacob (Gen. 25:29–34). Esau, the hunter, sits with his bow and quiver at his feet. He clasps hands with Jacob, his brother, who is clad in the starred robe that will identify him throughout the story. By this handshake Esau and Jacob seal their agreement, and the former accepts a bowl of food in exchange for his birthright as firstborn. The secondary scenes represent different moments in time and serve to advance the story. In the center distance Esau is shown hunting with two dogs. To the right, Rebecca, mother of Esau and Jacob, is seen cooking outside the tent, probably preparing food for Jacob to present o his father, Isaac (Gen. 27). The narrative continues to unfold in the other tapestries, which depict Rachel giving her servant Bilhah to Jacob (Gen. 30:1–4), Rachel and Bilhah with her son Dan, and Jacob making a covenant with his father-in-law
Portret van een onbekende oude man
Object type: photograph
Date: 1900 – 1914
Materials: paper, cardboard
Techniques: collodion silver print
Location: remich
Artist: pierre thorn
Artist role: fotograaf
Subjects: adult man, anonymous historical person portrayed
Inscriptions: address: ‘REMICH/ G. D. LUXEMBOURG.’
Marble bowl
Object type: bowl
Date: 2700 – 2200
Materials: marble
Culture: cycladic

Marble bowl with no decoration.
Gezicht op de Ronde Lutherse Kerk vanaf Droogbak
Object type: drawing
Date: 1850 – 1950
Materials: ink, paper, pencil
Techniques: brush
Location: amsterdam
Artist: jan baureis
Artist role: draughtsman
Subjects: city-view in general; 'veduta', parts of church exterior and annexes: dome, street
Inscriptions: signature: ‘JanBaureis’

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 19.
Piece
Object type: piece
Date: 1745 – 1750
Materials: silk
Subjects: flowers,leaves