deem-data/ArtiFact huggingface dataset:
Panel with trophy representing Africa
Object type: door panel
Date: 1780 – 1785
Materials: wood

The panels are each carved with a trophy comprising arms and armor suspended from a tasseled ribbon: in antiquity, military victories were commemorated with a display of arms captured from enemy troops and hung on a tree or temple. Oak branches are added to the martial symbols on 07.225.100a. Laurel branches, a laurel wreath and a standard with SPQR (short for Senatus Populusque Romanus or the Senate and the Roman People) above a portrait of a Roman emperor or general are added to the arms and armor on 07.225.100b. The shield with the horse on this panel and the one with a lion on the other, symbolize Europe and Africa respectively, and suggest an originally larger ensemble of woodwork with references to the four continents, a popular decorating theme during the eighteenth-century. Stripped of their original paint layer, these carvings may have served as door or shutter panels. This pair of panels was once part of the model collection of woodwork, paneling, and seat furniture of Maison Leys, a successful decorating business, located at the Place de la Madeleine in Paris. Since 1885 the business was directed by Georges Hoentschel who installed the collection in 1903 in a museum-like display at Boulevard Flandrin, Paris. Three years later, Hoentschel sold the collection to J. Pierpont Morgan who gave the panels with the rest of the decorator’s seventeenth and eighteenth century objects to the Metropolitan Museum of Art in 1907.
Comforts of Bath, Plate 8
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: interiors,women
Design for a Statue of Prudence with Sketches at Upper Left Corner
Object type: drawing
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: giuseppe bernardino bison
Artist role: artist
Artist nationality: italian
Artist dates: 1762 – 1844
Subjects: women,mirrors
Letter D met twee dolfijnen
Object type: print
Date: 1639 – 1643
Materials: paper
Techniques: engraving
Location: paris
Artist: claude mellan
Artist role: draughtsman, print maker
Artist dates: 1598 – 1688
Subjects: decoration of printed matter, swimming mammals: dolphin, letters, alphabet, script
Inscriptions: collector's mark: Lugt 240

Dit betreft één van de 21 letters die Mellan voor de Imprimerie Royale vervaardigde. Elke letter wordt vergezeld door een afbeelding van een onderwerp dat met dezelfde letter begint.
Tussen 1639-1643 werkte Mellan samen met de Imprimerie Royale (IFF 17e siècle, p. 21-22). Hij vervaardigde verschillende vignetten, letters, culs-de-lampe en decoratieve banden (IFF 17e siècle, p. 215-220).
Groepsportret tijdens de receptie van muziekvereniging 'Crescendo' ter gelegenheid van het 60-jarig bestaan
Object type: photograph
Date: 1961 – 1961
Materials: cardboard, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Halve stuiver, noodmunt uit Leiden, waartegen de papieren noodmunten uit de eerste fase van het beleg ingewisseld konden worden
Object type: halve stuiver
Date: 1574 – 1574
Materials: silver
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: leiden

Siege coins from Leiden, 1574. When towns were besieged for long periods money would often become scarce. In order to pay the soldiers who defended the town, for example, special coins were minted. When there was no more gold or silver, copper and tin were used. Coins were even made of pieces of layered paper. One of these paper coins from Leiden bears the motto: Haec Libertatis Ergo, 'this (is endured) for freedom'.
Terracotta head of a bearded man
Object type: head of dionysos
Date: 400 – 368
Materials: terracotta
Culture: greek, south italian, tarentine
Subjects: heads,men

The head is certainly part of a representation of a reclining figure, whose identity is unclear. He wears a flat band around his forehead and, above it, a thicker one, embellished with rosettes.
The Circle of the Corrupt Officials; the Devils Mauling Each Other. Inferno, canto XXII.
Object type: print
Materials: ink, paper
Techniques: printmaking, engraving, hand coloring
Location: england
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Figure of a Girl
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: pen
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: girls
Portret van Eberhard Gockel
Object type: print
Date: 1670 – 1716
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, physician, doctor
Lot and his Daughters
Object type: print
Date: 1530 – 1530
Techniques: woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: fathers,women
Optocht met publiek en praalwagens, mogelijk in Menton
Object type: album leaf
Date: 1880 – 1910
Materials: paper, photographic support
Techniques: daylight paper print
Location: france
Artist: Anonymous
Subjects: festivities (+ parade, pageant, cavalcade ~ festive activities), france

Onderdeel van Reisalbum met bezienswaardigheden in Engeland, Zwitserland, Frankrijk en Duitsland.
The Court of the Princess
Object type: painting
Date: 1844 – 1886
Materials: oil, wood
Artist: adolphe monticelli
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1886
Subjects: princesses,men,women
Gezicht op de dolmen La Pierre-Levée bij Poitiers
Object type: print
Date: 1596 – 1682
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: megalithic chambered tomb, dolmen

Deze prent is in een aantal atlassen gebruikt. Onder andere in: Braun, Georg & Franz Hogenberg. Civitates orbis terrarum. S.l.s.n., 1596-1597, en in: Theatrum exhibens celebriores Galliae et Helvetae urbes. Amsterdam: Johannes Janssonius, 1657, en in: Tooneel der vermaarste koop-steden. Amsterdam: erven Johannes Janssonius van Waesberge, 1682.
Deze prent is origineel gedrukt van één plaat met een gezicht op Henrichemont en een gezicht op Poitiers (RP-P-1956-218).
Koreanen bezig met een spel
Object type: print
Date: 1832 – 1852
Materials: paper
Techniques: hand coloring
Subjects: asiatic races and peoples, board-games (+ out of doors (sports, games, etc.))
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2166

Vier Koreaanse mannen zitten op de grond rondom een bordspel. Links staat een vrouw met een klein kind, rechts staat een man met een buidel en een stok. In de voorgrond ligt een zwarte hoed op de grond. De prent is genummerd linksboven: Nippon VII en rechtsboven: TAB. I.
Violin
Object type: violin
Date: 1867 – 1933
Materials: wood
Culture: american
Location: united states

This folk-instrument was found near the Shaker community of New Lebanon, Pennsylvania. The unusual outline has a very broad and boxy upper and lower bouts. Made at the end of the nineteenth century, it is possible that the instrument was used by Shakers, who only allowed musical instruments into their sect after 1870. Technical description: Folk fiddle (a) of boxy shape, scribed line imitates purfling, pegbox cracked and repaired with new sides, black-stained fingerboard, tailpiece with fine tuner, squared tailpin, commercial pegs, two-piece top with wings on upper and lower bouts, two-piece back with two nails through button and heel of neck, furnished with new Aubert bridge placed on original marks well below notches in F holes, opaque orange-brown varnish showing brush marks and clamp marks at corners. Oblong commercial case with rounded ends. Case (b).
Jeanne d'Albret met het kind Henry de Bourbon
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: etching
Location: netherlands
Artist: philippus velijn
Artist role: print maker
Artist dates: 1787 – 1836
Subjects: antoine de bourbon (koning van navarra), paris, mother and son(s) (family group), prince - bb - female ruler, grave, tomb
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Jeanne d'Albert’

Jeanne d'Albret met het kind Henry de Bourbon, bij de graftombe van haar echtgenoot Antoine de Bourbon, koning van Navarra. Rechtsonder: bl. 39.
Italian Family, Chicago
Object type: photograph
Date: 1910 – 1910
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: lewis wickes hine
Artist role: fotograaf
Artist nationality: american
Artist dates: 1874 – 1940
Subjects: collected by hugh edwards, documentary
Drie mannen en twee vrouwen in een kamer
Object type: drawing
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: pouring, living-room, parlour, sitting-room
Inscriptions: inscription: ‘J Andriessen’, inscription: ‘8 Febr den hoeveelsten is het vandaag’

Drie mannen en twee vrouwen in een kamer. Een vrouw schenkt drank in en man schrijft voorovergebogen op een blad op tafel.
Plate with various flower sprays
Object type: kinderservies
Date: 1850 – 1850
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: france
Artist: Anonymous
Inscriptions: mark: ‘twee cijfers of letters?’

Bord van porselein, versierd op het glazuur met blauw, rood, roze, groen, geel, paars en goud. Op de voorzijde verschillende bloemtakken en een gouden lijn op de rand. Gemerkt op de onderzijde met twee onleesbare cijfers of letters.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, hanging from wall, an aryballos
Studie van een staande man met hoed onder de arm
Object type: drawing
Date: 1600 – 1699
Materials: chalk, paper
Artist: Anonymous
Subjects: standing figure
Gebouwen te Blinjoe
Object type: album leaf
Date: 1907 – 1919
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: bangka
Artist: Anonymous
Subjects: robert julius boers, colonial system, rural housing, e.g. country-house, villa, cottage
Inscriptions: inscription

Albumblad met vier foto's genummerd 65-68 van verschillende gebouwen te Belinyu (Blinjoe) op Banka: ziekenhuis, pier en woning. Onderdeel van het Banka-Album met foto's over het eiland Banka en de tinwinning door het staatsbedrijf de Banka-tinwinning in de periode ca. 1907-1919.
Piece
Object type: piece
Date: 1551 – 1600
Materials: metal thread, silk
Subjects: flowers,leaves
John Eager Howard
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: engraving
Location: france
Artist: e. prud'homme
Artist nationality: french
Artist dates: 1800 – 1899
Brug
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: drypoint, etching, intaglio
Location: the hague
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: bridge, small canal, ditch
Inscriptions: collector's mark: Lugt 2228

Gemetselde duikerbrug, met houten leuningen, over een sloot. Bij de sloot staan bloemen.
Horibe Yasube Taketsune tijdens een nachtelijke aanval
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: woodcut, nishiki e
Location: japan
Subjects: snow, fighting, violent death by lance, spear
Inscriptions: collector's mark: Lugt 2228

Horibe Yasube Taketsune met speer een tegenstander in een bevroren meer duwend; in sneeuwlandschap bij nacht.
Verovering van San Salvador in Brazilië door admiraal Jacob Willekes, 1624
Object type: print
Date: 1624 – 1699
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: amsterdam, battle (+ naval force), capture of city (after the siege)

De verovering van San Salvador in Brazilië door admiraal Jacob Willekes voor de WIC, 10 mei 1624. Gezicht op de stad en forten aan de ingang van de baai van waaruit de Hollandse vloot beschoten wordt. Linksonder een inzet met een kaartje van het groter gebied.
Daroku no Daraku near willow branches
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: woodcut
Location: japan
Artist: utagawa kuniyoshi
Artist role: draughtsman, print maker
Artist dates: 1798 – 1861
Subjects: head-gear, portrait of actor, actress

De timmerman Dokko no Daroku, gespeeld door kabuki acteur Ichikawa Ebizô V, met blauw geruite mantel en brede hoed op zijn rug, ten voeten uit afgebeeld onder wilgentakken.
Figuren in kostuums uit 1517-1520
Object type: sketchbook leaf
Date: 1885 – 1885
Materials: charcoal
Techniques: pen
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: adult woman, walking-stick, staff, adult man, historical costume, pilgrim's dress and attributes, e.g. flask, hat, mantle, staff
Inscriptions: annotation: ‘1517/ 1520’

De figuren dragen onder andere ridderkostuum en een pelgrimskostuum met wandelstok. Tevens een studie van een vrouw in werkkleding met een emmer. Pagina 10 uit een schetsboek met 6 bladen.
Brayette
Object type: brayette
Date: 1510 – 1515
Materials: copper alloy, steel
Culture: italian
Location: italy
Bell
Object type: bell
Date: 1 – 100
Materials: bronze
Culture: italian, roman
Location: italy
Merwede
Object type: photograph
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: dordrecht
Artist: henricus jacobus tollens
Artist role: painter
Artist dates: 1864 – 1936
Subjects: machine driven by steam, steamship, motorship (+ propulsion of vehicle, ship, etc. by steam), dredge, dredging machine
Inscriptions: name: ‘H.J. Tollens C. Hzn. Dordrecht’

Emmerbaggermolen Merwede. Foto geplakt op karton met technische informatie over het schip in Duits, Frans, Spaans en Engels. Onderdeel van de map met 44 foto's van baggerschepen van de firma A. Bos & J.P. Heijblom te Dordrecht.
Opening van de trekvaart van Haarlem naar Leiden 1657
Object type: history medal
Date: 1657 – 1657
Materials: silver
Techniques: striking

Zilveren penning, op de voorzijde een gezicht op de trekvaart bij Haarlem, op de voorgrond het wapen van Haarlem met leeuwen als dragers te midden van trofeeen en boven een lint met de wapenspreuk en twee Damiaatjes, met omschrift, op de keerzijde elf egels tekst binnen een eikenkrans waarop vier wapenschilden en een lint met tekst.
Portret van een man uit de familie Marmelstein, vermoedelijk de vader van A. F. Marmelstein
Object type: carte de visite
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: willem gerhardus kuijer
Artist role: fotograaf, hoffotograaf
Artist dates: 1834 – 1899
Subjects: adult man, historical persons
Inscriptions: retailer's mark: ‘W.G. Kuijer/ Westermarkt 19/ Amsterdam/ 5’
The Actor Yamashita Kinsaku II as Naoe in the Play Tsuma Mukae Koshiji no Fumizuki, Performed at the Nakamura Theater in the Eighth Month, 1780
Object type: print
Date: 1780 – 1780
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Studieblad met staande mannen met hoofddeksels
Object type: sketchbook leaf
Materials: paper, pencil
Artist: hendrik abraham klinkhamer
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1872
Subjects: standing figure, head-gear: hat (+ men's clothes)

Tussen de mannen staat één vrouw met een hoed. Blad 31 recto uit een schetsboek met 40 bladen.
Spoon
Object type: spoon
Date: 1801 – 1900
Materials: coral, silver gilt
Plate 6: view of a village with a horse trough in center, horses and houses to either side, a church in center background
Object type: print
Date: 1636 – 1661
Techniques: etching
Artist: françois collignon
Artist role: artist
Artist nationality: french
Artist dates: 1605 – 1687
Subjects: human figures,houses,churches,villages,horses
Unidentified woman's portrait
Object type: portrait miniature
Date: 1790 – 1800
Materials: copper, enamel
Subjects: portraits,women

Enameled objects like this one were intended to imitate the lustrous quality of porcelain at more affordable prices. By the middle of the eighteenth century, technological innovations had made it possible to roll copper, instead of the far costlier gold, into very thin sheets. Powdered glass mixed with minerals (to determine the opacity and color of the enamel) would then be applied onto the copper sheets and fired at high temperatures. A design—whether a famous portrait, generic pastoral scene, or floral motif— could be painted on by hand or copied from an engraving through the newly invented process of transfer printing. Many enameled objects combined both methods of decoration and would be refired after the application of each new layer or color.
Portret van Balthazar Phélypeaux de Châteauneuf
Object type: print
Date: 1669 – 1709
Materials: paper
Techniques: engraving
Artist: pierre mignard (1612-1695)
Artist role: draughtsman, painter
Artist dates: 1612 – 1695
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Twee slapende kinderen
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: sleeping in bed, child (+ two persons)

In een bed of wieg. Blad 11 recto uit schetsboek XII met 19 bladen.
Design for an Upright Drop-Front Secretary
Object type: drawing
Date: 1780 – 1780
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: furniture
Vinaigrette
Object type: vinaigrette
Date: 1829 – 1829
Materials: silver
Artist: gervase wheeler
Artist role: maker
Artist nationality: british
Artist dates: 1831 – 1875

Gervase Wheeler whose mark was registered in Birmingham in 1831, ran a successful business in that city. His work is represented in The Met’s holdings by two purse-shaped vinaigrettes (1983,575.19 and .49), both with twisted rope handles. Here, the front and back are pricked with basket-weave decoration. The hinged cover is decorated with bright-cut leaf design, the interior with a foliate pierced grille. A vinaigrette was intended to hold a tiny sponge dipped in aromatic vinegar. Its interior Is gilded to protect the silver from oxidation caused by the acidity of the vinegar. A hinged and decoratively pierced inner lid or grille kept the sponge in place while its perforations allowed the odor to waft through. A whiff of the vinegar might revive someone from a fainting spell. Such vinaigrettes were worn around the neck, on a chatelaine suspended from the waist, or carried in a pocket.
Mannen-gewaad
Object type: print
Date: 1859 – 1864
Materials: paper
Techniques: tone lithography
Location: haarlem
Artist: david van der kellen (1827-1895)
Artist role: draughtsman, print maker
Artist dates: 1827 – 1895
Subjects: public festivities, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2228

Links, gescheiden van de menigte, zitten edelen en welgestelde burgers bij een tafel. Rechts zijn mensen aan het feesten en drinken.
Disk Brooch
Object type: brooch
Date: 601 – 700
Materials: gold, paste, metal
Culture: frankish
Fragment schede uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: knife with sheath
Date: 1700 – 1743
Materials: leather, wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Fragm, id. NG 1980-27H1832, both ends broken.
Amulet of a standing deity
Object type: amulet, deity
Date: 1295 – 1070
Materials: faience
Location: egypt
Ontwerpen voor hekken
Object type: ornament print
Date: 1719 – 1749
Materials: paper
Techniques: etching
Location: augsburg
Subjects: floral interlace ~ ornament, gate, entrance
Inscriptions: inscription: ‘1e / 27-10-80’, collector's mark: Lugt 2228

Midden boven 5 genummerd. De prent hoort bij een serie van vier prenten.
Pair of gold earrings with pendant Erotes
Object type: earring with eros, pair
Date: 300 – 1
Materials: gold
Culture: greek
Subjects: eros

Each Eros holds a phiale (libation bowl) and an oinochoe (jug).
Carpet with a Geometricized Medallion Design
Object type: carpet
Date: 1701 – 1800
Materials: wool
Techniques: pile
Location: azerbaijan

This large carpet is representative of the Transcaucasian weaving tradition with its bold overall design and contrasting rich color palette. A series of interlocking stepped lozenge-shaped medallions on a red ground and other warm colors, enclose a four-pointed star on a contrasting white ground at the center. The geometricized and stylized details depicting birds and animals, palmettes, lotus and other flowers are another distinguishing feature of the carpet. A few flowers with rounded leaves and the compositions repeated in the four corners, which depict animals and potted cypress trees, soften the overall geometrized composition and reflect Persian influence on this carpet. This powerful design is especially striking on a carpet of this large size. It was preferred by commercial workshops, where such carpets with a low knot-count were produced in large quantities for trade. Rugs from the broad Transcaucasian region are woven in diverse centers representing a multi-ethnic society in which Armenians, Turkic, Kurdish, Persianate, and other people lived alongside each other. While this diverse society may complicate the attribution to an exact workshop and its cultural identity, it may help explain the development of a shared repertoire of rich and colorful designs often found in these Transcaucasian rugs. Although the compositions relate to traditions that developed in large workshops in regions between Iran and Turkey, such rugs bear distinct features that are considered artistic hallmarks of the vast and diverse Transcaucasian region.
Two Designs for Chinese Lanterns, possibly meant for the Decoration of a Wall Panel
Object type: drawing ornament architecture
Date: 1768 – 1780
Materials: graphite
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: chinoiserie
Ibis on a shrine shaped box, probably for an animal mummy
Object type: coffin box, ibis
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: birds,coffins
Erotic Print
Object type: print
Date: 1753 – 1806
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: male nudes,female nudes
Bowl
Object type: bowl
Date: 1101 – 1300
Materials: ceramic glaze, glaze, stoneware
Techniques: relief
Culture: chinese
Tazza with a landscape
Object type: service set
Date: 1850 – 1860
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: europe
Inscriptions: mark: ‘A.V./ M’

Tazza van porselein op een hoge, spreidende voet, beschilderd op het glazuur in sepia en goud. Op het plat een persoon in een waterlandschap met twee aangemeerde boten, een huis, bergen en bomen. Gouden rand en gouden lijnen op de buitenwand en de voet. Gemerkt op de onderzijde met A.V. en M.
Penning voor de burgerwacht bij het bezoek van Willem IV aan Amsterdam 1747
Object type: history medal
Date: 1747 – 1747
Materials: tin
Techniques: casting
Artist: johann conrad marmé
Artist role: die cutter
Artist dates: 1710 – 1772

Tinnen penning, op de voorzijde Amsterdam als Minerva tronend naast een oranjeboom en een brandend altaar, met afsnedetekst, op de keerzijde tien regels tekst onder lauwer- en palmtakken.
Parody of a scene from "The Pillow Book"
Object type: print
Date: 1793 – 1797
Techniques: woodblock print, surimono
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
L'astrologo
Object type: print
Date: 1743 – 1803
Materials: paper
Techniques: engraving, etching
Location: venice
Subjects: astrologer at work
Inscriptions: collector's mark: Lugt 2228

Een astroloog zittend op een verhoging. Voor hem een vrouw die hem wil betalen.