deem-data/ArtiFact huggingface dataset:
Platina standaard van 1 kg
Object type: cassette
Date: 1839 – 1839
Materials: copper, glass, metal, platinum, velvet, wood
Location: netherlands
Artist: Anonymous
Subjects: antoine lipkens, amsterdam, netherlands
Inscriptions: inscription: ‘Platina Kilogramme bij ZrMs / besluit van den 12 April 1839 No129 / verklaard tot eenige standaard van het Ned. Pond / Deze Kilogramme, welks volumen bij 17° C / bedraagt 46959 Cub: millimetres, is bij onmid- / delijke vergelijking bevonden in het luchtledige veertien honderste deelen van een milligramme / zwaarder te zijn dan de oorspronkelijke / platina prototype berustende in de / Staats archieven te Parijs.’

Platina standaard, te Parijs vergeleken met het Kilogramme des Archives door een commissie, benoemd bij K.B. van 10 augustus 1838 no. 58 en bestaande uit: Antoine Lipkens (1782-1847), Rehuel Lobatto (1797-1866) en Pieter Johannes Uijlenbroek (1798-1844). Bij K.B. van 12 april 1839 werd dit gewicht tot standaard verklaard van het Nederlands Pond en in bewaring gegeven bij het Koninlijk Instituut, de latere Koninklijke Akademie van Wetenschappen te Amsterdam. In 1887 werd de standaard naar de Polytechnische school, de latere Technische Hogeschool, te Delft overgebracht. Bij K.B. van 24 maart 1954 no. 171 is dit gewicht als standaard vervangen door het platina - iridium kilogram no. 53. (etiket NMi).
Portret van paus Paulus III
Object type: book illustration
Date: 1688 – 1688
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: rome, priest, paulus iii, adult man, historical persons, pope

Prent maakt deel uit van een grotere prent die later is verknipt. Prent uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Portret van Kaspar Brandt
Object type: print
Date: 1710 – 1780
Materials: paper
Techniques: engraving
Subjects: historical persons
Landschapsverdure met struisvogels en jachtscènes
Object type: tapestry
Date: 1650 – 1650
Materials: silk, wool
Techniques: tapestry
Location: brussels
Artist: erasmus oorlofs
Artist role: wever
Inscriptions: inscription: ‘DOMINARI PERPLACIT OMNI’

Wandtapijt met struisvogeljacht en de spreuk "dominari perplacet omni". (Uit een serie)
Denise Zola
Object type: photograph
Date: 1900 – 1900
Techniques: gelatin silver print
Artist: emile zola
Artist role: auteur, fotograaf
Artist nationality: french
Artist dates: 1840 – 1902
Subjects: girls,portraits
Verklaring over het plaatsen van een gedenksteen in een gebouw aan de Koestraat te Amsterdam waar Jan van der Heyden gewoond heeft, 1912
Object type: print
Date: 1912 – 1912
Materials: paper
Techniques: printed materials
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, painter, print maker, draughtsman, jan van der heyden, mayor, antonie röell
Inscriptions: collector's mark: Lugt 2228

Tekstblad met een verklaring over het plaatsen op 28 maart 1912 namens de Vereniging Amstelodamum van een gedenksteen in het een gebouw van de Openbare Lagere School aan de Koestraat 5 te Amsterdam waar Jan van der Heyden van 1681 tot 1712 gewoond en gewerkt heeft. Namens de burgemeester van Amsterdam A. Röell en het bestuur van de Vereniging Amstelodamum.
Gezicht op Amalfi, Italië
Object type: photograph
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Location: amalfi
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: city-view in general; 'veduta', coast, amalfi
Inscriptions: number: ‘No. 6169.’
Tea Caddy
Object type: tea caddy
Date: 1701 – 1800
Materials: glaze, iron, stoneware
Culture: japanese
Cushion Cover
Object type: textile
Materials: textile, silk
Techniques: embroidery, satin weave, stitching, weave
Culture: manchu
Location: china
Twaalf platen naar de oorspronkelijke teekeningen van Nicaise de Keizer, in steen gebragt door G.F. Eilbracht
Object type: wrapper
Date: 1844 – 1854
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: (scenes from) specific works of literature (with author, title)
Inscriptions: collector's mark: Lugt 2228

Buste van oude man met verenhoed. Los blad in een mapje met twaalf lithografieën naar de houtgravures gebruikt als illustraties in: Félix Bogaerts, El Maestro del Campo, 1839.
Outré Compliments
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women
Cahier d'études eau-fortes originales et inédites
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: drypoint, etching, intaglio
Location: brussels
Subjects: riding a horse, ass, or mule; rider, horseman

Prent uit: Rops, Félicien (red.), Cahier d'études eaux-fortes originales et inédites. Brussel: Felix Callewaert père, 1875.
Lint
Object type: ribbon material
Date: 1831 – 1831
Materials: silk
Techniques: weave
Location: netherlands

Lint met zwarte zijden, rood-wit-blauwe banen onderbroken door verschoten oranje rechthoekjes met om de de beurt het opschrift "HASSELT...." en "LEUVEN".
Inrō with Cranes in Rice Fields
Object type: inrō
Date: 1701 – 1900
Materials: coral, gold, lacquer, shell, silver
Techniques: cutting, hiramakie, inlay, kirikane, maki, maki-e
Culture: japanese
Subjects: cranes
The Colorado River at foot of Bright Angel Trail, Grand Canyon National Park, Arizona
Object type: ansichtkaart, prentbriefkaart
Date: 1928 – 1928
Materials: paper
Techniques: four-color autotype
Location: grand canyon
Artist: Anonymous
Subjects: river, ravine, chasm, abyss, canyon
Inscriptions: annotation: ‘Grand Canyon’, number: ‘H - 1513’
Boom en een kei
Object type: sketchbook leaf
Date: 1874 – 1874
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: trees, boulder, stone

Blad 12 verso uit een schetsboek met 47 bladen.
Needle case
Object type: needle case
Date: 1601 – 1700
Materials: ivory
Subjects: men,writing,legs
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Exterior, black glazed fragment with the start of the handle root
Pattipan van theeservies
Object type: vessel
Date: 1784 – 1784
Materials: porcelain
Techniques: painted
Location: loosdrecht

Pattipan van theeservies voor suikerpot met deksel. De versiering bestaat uit strooibloemen op het plat en langs de rand een geornamenteerde band.
Marble relief fragment with gladiators
Object type: relief fragment with secutor and retiarius in arena
Date: 1 – 300
Materials: marble
Culture: roman
Subjects: shields,men

Gladiatorial shows were essentially a Roman phenomenon, but their popularity quickly spread to the Greek cities of the eastern part of the Empire. This fragmentary relief with its Greek inscription is evidence for the existence of gladiators in the Greek-speaking world. The scene shows two types of gladiators pitted against each other in the arena. In the Imperial period, there were seven main types of fighter; each was known by a different name, wore distinctive armor, and carried specific weapons. Most were heavily armed and wore helmets; these were the murmillo, thrax, hoplomachus, provocator, and secutor. In addition, there were the eques, who only fought against another eques since the contest started on horseback, and the retiarius, who was lightly armed with a trident, wore no helmet, and carried a net. Here a retiarius is being pursued by a secutor, and behind them to the left is part of the stage scenery or props that often featured in the games.
Pair of saltcellars
Object type: saltcellar
Date: 1771 – 1772
Materials: glass, silver
Artist: edward lowe
Artist role: maker
Artist dates: 1769 – 1778
Gezicht op Parijs met zeven bruggen over de Seine
Object type: stereoscopic photograph
Date: 1856 – 1890
Materials: glass, paper
Techniques: slide
Location: paris
Artist: Anonymous
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), city-view in general; 'veduta', paris
Inscriptions: annotation: ‘1 - Panorama des sept ponts’
Blad met fantasie 'Perzische' bloemen
Object type: printed paper
Date: 1800 – 1850
Materials: paper
Techniques: printing block
Location: netherlands
Artist: Anonymous
Subjects: ornament derived from plant forms
Gezicht op het Plataanhof in Amsterdam
Object type: photograph
Date: 1900 – 1970
Materials: paper
Techniques: bromoil process
Location: unknown
Artist: Anonymous
Subjects: amsterdam
Schetsen van randwerk
Object type: drawing
Date: 1876 – 1901
Materials: chalk, paper, pencil
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: ornament derived from plant forms
Double-spouted vase with cover
Object type: vase with cover
Date: 1870 – 1890
Materials: gold, quartz
Techniques: enamel
Artist: reinhold vasters
Artist role: artist
Artist nationality: german
Artist dates: 1827 – 1909
Sir John Gilbert
Object type: page
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: painter, john gilbert, portrait, self-portrait of painter, historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Alexander the Great Rescued from the River Cydnus
Object type: painting
Date: 1650 – 1650
Materials: canvas, oil
Artist: pietro testa
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1650
Subjects: soldiers,alexander the great,male nudes,horses,rivers,bathing

According to Testa’s earliest biographer, the artist sought to study the light and atmosphere of night by standing along Rome’s Tiber River “drawing and observing some reflections of the rainbow in the water.” The results were melancholy landscapes that prefigure the work of nineteenth-century Romantic landscape painters. It was in such a situation of direct observation by night that Testa evidently drowned, allegedly by suicide, in 1650. This dramatic depiction of Alexander the Great suffering from a sudden chill while bathing in the river Cydnus is considered one of his final paintings, and it eerily echoes his biography.
Gezicht op Frankfurt am Main
Object type: print
Date: 1643 – 1679
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), coat of arms (as symbol of the state, etc.) (+ province; provincial), prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Gezicht op Frankfurt am Main. Onder een tekst in het Duits, Latijn en Nederlands.
Lobed Melon-Shaped Ewer
Object type: vessel
Materials: porcelain
Techniques: molding, underglaze
Location: china
Portretbuste van de dichter Pieter Corneliszoon Hooft
Object type: print
Date: 1634 – 1689
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: johannes lutma (1624-1689)
Artist role: print maker
Artist dates: 1624 – 1689
Subjects: amsterdam, the hague, pieter corneliszoon hooft, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228
Gezicht in het Haagse Bos
Object type: drawing
Date: 1899 – 1899
Materials: chalk, paper
Location: the hague
Artist: johannes gijsbert vogel
Artist role: draughtsman, painter, print maker
Artist dates: 1828 – 1915
Subjects: meadow, pasture, the hague
Inscriptions: date
Untitled Valentine (Woman in Profile)
Object type: drawing and watercolor
Date: 1860 – 1869
Materials: gold paint, paper
Techniques: collage, cutting, embossing
Location: england
Artist: john windsor
Artist nationality: english
Artist dates: 1800 – 1899
Portret van een onbekende jongen met een boek in zijn hand
Object type: photograph
Date: 1870 – 1920
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: boy (child between toddler and youth), book, anonymous historical person portrayed
Portret van Christoph Molitor
Object type: print
Date: 1669 – 1728
Materials: paper
Techniques: engraving
Subjects: christoph molitor, historical persons, geography (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228, number: ‘22’
Gezicht op de haven van Honfleur
Object type: drawing
Date: 1866 – 1866
Materials: chalk, ink, paper, pencil
Techniques: pen
Artist: johan barthold jongkind
Artist role: draughtsman, painter, print maker
Artist dates: 1819 – 1891
Subjects: harbour, sailing-ship, sailing-boat, station; shelter (railway, tramway), france
Inscriptions: date: ‘1866’

Voorstelling op voorzijde (RP-T-1963-307(R)) doorgetrokken en aangevuld. Ontwerp voor een prent.
"A Supplicant at a Hindu Temple," Folio from the Hamzanama (The Adventures of Hamza)
Object type: folio from an illustrated manuscript
Date: 1570 – 1570
Materials: textile, cotton, gold
Location: india

Hamzanama paintings reflect the painting styles of two Persian artists (Mir Sayyid Ali and Abdus Samad) working with a number of local Indian artists (Daswant, Basawan among others) in a hybrid idiom known as the early Mughal style. The illustrations to this action-packed narrative of the fictional adventures of Amir Hamza, a figure of early Islam, also offered a visual analogue to the cultural exchange that was taking place at every level of Indian society. This folio depicts a scene of a worshipper making a respectful salutation at the door of a Hindu shrine where he is received by a priest. It offers a fascinating glimpse into the world of idolatry, a practice deplored by Hamza as against the tenets of Islam, but represented nevertheless with conviction as an essential part of the narrative. A later intervention has resulted in the deliberate smudging of some of the faces of the human and sculptural elements (some subsequently repainted), evidence of how iconoclasm has remained an active response through the ages down to our present time.
Portret van een vrouw met muts en strik
Object type: photograph
Date: 1863 – 1863
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Subjects: historical persons - bb - woman, head-gear: hat
Inscriptions: inscription: ‘Atelier de Photographie/ Ghémar Frères/ Photographes du Roi/ 27, rue de l'Ecuyer/ entrée par la porte cochère/ Bruxelles’, annotation: ‘a mon excellent ami/ Alex Lemoine/ [Laddy]/ 17 1/63’
Two Children Teasing a Cat
Object type: painting
Date: 1587 – 1588
Materials: canvas, oil
Artist: annibale carracci
Artist role: artist
Artist nationality: italian
Artist dates: 1560 – 1609
Subjects: boys,girls,cats,crayfish
New Modelbüch allen Nägerin u. Sydenstickern (Page 24v)
Object type: book print ornament architecture
Date: 1556 – 1556
Techniques: woodcut
Artist: hans hoffman
Artist role: designer
Artist nationality: german
Artist dates: 1556 – 1556
Subjects: birds,ornament,unicorns,owls

Designed by Hans Hoffman (German, active Strasbourg 1556) and published by Jacob Frӧlich, Strasbourg. Illustrated title page with Hoffman's monogram, narrative scene on verso of title page, dedication (2 pages), 49 pages of designs, page with publisher’s information, and narrative scene on last page.
Jeanne
Object type: photograph
Date: 1917 – 1917
Techniques: gelatin silver print
Artist: morton schamberg
Artist role: artist
Artist nationality: american
Artist dates: 1881 – 1918
Subjects: girls,portraits
Koning Nebukadnessar in zijn paleis
Object type: titelblad, titelpagina
Date: 1669 – 1669
Materials: paper
Techniques: engraving
Location: leiden
Subjects: daniel and king nebuchadnezzar
Inscriptions: collector's mark: Lugt 2228

Koning Nebukadnessar, met een scepter in de hand, wijst naar een doorgang in zijn paleis. Onder zijn voeten een verwijzing naar het Bijbelverhaal Dan. 2. Bovenaan in een cartouche de titel in het Latijn. Onderaan in een cartouche het impressum.
Fotoreproductie van een wandtapijt van de wonderbaarlijke visvangst, ontworpen door Rafaël
Object type: photograph
Date: 1861 – 1866
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: the miraculous draught of fishes (before the resurrection) on the lake of gennesaret (sea of galilee); james and john helping to bring in the nets (luke 5:1-11)
Moses Brought to Pharaoh’s Daughter
Object type: drawing and watercolor
Date: 1751 – 1751
Materials: chalk, paper
Location: england
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Inscriptions: Inscribed recto, lower right center, in red chalk: "W.H. 1751"; lower center at edge, in red chalk: "EXODUS CHIIV [?]…"

Around 1747 William Hogarth completed a series of history paintings that were much more serious in tone than the satirical works on which he had built his fame. This drawing and Paul before Felix (2011.641) were both likely made after those paintings as studies for engravings. Paul before Felix, showing the apostle’s self-defense, was commissioned for the chapel of Lincoln’s Inn, where lawyers were admitted to the bar. Moses was similarly appropriate for its location, the London Foundling’s Hospital, as it shows the prophet’s mother reluctantly giving him up for adoption.
Gezicht op de ruïnes van Blaney Castle
Object type: book illustration
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: london
Subjects: landscape with ruins, landscape with tower or castle
Inscriptions: date

Prent verschenen in: Grose, Francis. The antiquities of Ireland. Londen: S. Hooper, 1795, dl. 2.
Elisabeth Zachariae
Object type: print
Date: 1595 – 1599
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: mary and elisabeth, both pregnant, embracing, elisabeth, mother of john the baptist; possible attributes: john the baptist as child
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond de Elisabet, moeder van Johannes de Doper, lezend op een stoel. Op de achtergrond de ontmoeting tussen Elisabet en Maria. De prent heeft een Latijns onderschrift en maakt deel uit van een prentserie met beroemde vrouwen uit het Nieuwe Testament.
Glass snake-thread flask shaped like a mouse
Object type: flask, snake thread mouse shaped
Date: 201 – 300
Materials: glass
Culture: roman
Subjects: mice

Translucent cobalt blue, with same color added head, ears, eyes, feet, and snake-thread decoration. Rounded and thickened rim; funnel-shaped, elongated neck with tooling marks around base; misshapen piriform body, with separate large blob of glass (solid?) applied to rounded bottom of body. The neck has been turned upwards to appear like the mouse’s tail; added to the body of the vessel to create the animal are four separate tooled trails for the feet and for the head a large blob that has been drawn out to make a pointed nose; ears and eyes have also been added to the head; the body is further decorated with snake-thread trails, all flattened and notched, in the form of two long-necked, thin-legged birds, one on the animal’s back, the other on his belly between his feet, interspersed with foliage comprising tendrils and ivy leaves; a plain spiral trail is wound twice around the lower part of the neck. Broken and repaired, with small losses to body below head and part of spiral trail on neck is missing. Dulling and iridescent weathering. Snake-thread is a term used by modern scholars to describe the distinctive type of trailed decoration that is found on this mouse-shaped flask. The trails have been applied in an irregular pattern and then tooled with hatching. Both the shape and the deep blue color of the flask are most unusual.
Koba. Groeve met installatie voor het machinaal opvoeren van den grond door middel van een transportband; opvoer van grond en erts door middel van werklieden en stoompomp-installatie
Object type: photograph
Date: 1900 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: koba
Artist: Anonymous
Subjects: mining, minerals and metals: tin

Onderdeel van Fotoalbum over de tinwinning op Bangka.
Stadsmuren
Object type: print
Date: 1763 – 1826
Materials: paper
Techniques: drypoint
Location: europe
Artist: christiaan friedrich ruppe
Artist role: print maker
Artist dates: 1753 – 1826
Subjects: city-walls
De Eersten-steenlegging van de kerk van den H. Vincentius te Amsterdam
Object type: photomechanical print
Date: 1900 – 1900
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: roman catholic church, ceremonial laying of the foundations, laying the first stone
Inscriptions: collector's mark: ‘35-50’ Lugt 1641b

Geknipt uit een onbekende publicatie. Onderwerpsrubriek binnen de Atlas Amsterdam: R.K. Gemeenten: Sint Nicolaaskerk t/m Willibrordus (Rustenburgerstraat).
Portret van een onbekende vrouw
Object type: cabinet photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: cornelis johannes lodewicus vermeulen
Artist role: fotograaf
Artist dates: 1861 – 1936
Subjects: adult woman
Inscriptions: inscription: ‘Photographische Ateliers (...) Specialiteit in vergrootingen.’
Landschap met de verzoeking van Christus
Object type: print
Date: 1608 – 1612
Materials: paper
Techniques: engraving, etching
Location: delft
Subjects: landscapes, christ, sometimes accompanied by guardian angel(s), tempted by satan, who usually appears in human form
Inscriptions: collector's mark: Lugt 240

Bergachtig landschap aan een water. Links Satan tegenover Christus. Rechts Christus en Satan staand op een bergtop. Onder de voorstelling één regel Latijnse tekst. Deze prent is onderdeel van een serie van zes (op één na) genummerde prenten met landschappen.
Sword Guard (<i>Tsuba</i>)
Object type: sword guard tsuba
Date: 1667 – 1733
Materials: copper, iron
Culture: japanese
Location: japan
Artist: shōami denbei
Artist role: fittings maker
Artist nationality: japanese
Artist dates: 1650 – 1750
Vues du Nord. Suède
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: gulf, bay (+ landscape with figures, staffage), peninsula (+ landscape with figures, staffage), rocks (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228a
Gebouwen onder bomen
Object type: photograph
Date: 1903 – 1907
Materials: paper
Techniques: gelatin silver print
Location: kalimantan
Artist: Anonymous
Subjects: landscapes in tropical and sub-tropical regions, borneo

Gezicht op enkele gebouwen onder palmbomen in een plaats op Borneo. Foto in het fotoalbum over de oliewinning op Borneo door de Koninklijke Nederlandsche Petroleum Maatschappij (KNPM) in de jaren 1903-1907.
Vue de Saïgon (Feuille No. 1)
Object type: photograph
Date: 1866 – 1866
Techniques: albumen silver print, glass negative
Artist: emile gsell
Artist role: artist
Artist nationality: french
Artist dates: 1838 – 1879
Subjects: cities,rivers
Oor van een theepot (De Caluwe bakafval)
Object type: fragment
Date: 1700 – 1725
Materials: earthenware
Techniques: firing, vitrification
Location: delft
Artist: jacobus de caluwe
Artist role: plateelbakkerij
Artist dates:  – 1730

Toegeschreven aan Jacobus de Caluwe, omdat dit voorwerp samen met gemerkte stukken (‘Jacobus De Caluwe’ en rennend hert) gevonden is op de plaats waar zich De Caluwes tweede werkplaats bevond. Er is een duidelijke stilistische overeenkomst tussen de gemerkte en niet gemerkte voorwerpen uit deze archeologische vondst.
The Presentation of The Virgin in the Temple, from "The Life of The Virgin"
Object type: print
Date: 1503 – 1503
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: temples,sheep,virgin mary,saints,crowd
The Sick Lion and The Asses
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,donkeys,lions,politics
Vier illustraties bij: Nannie van Wehl, De buren, 1907
Object type: boekillustratie ontwerp
Materials: cardboard, ink, paper, pencil
Techniques: pen
Artist: c. rovers
Artist role: illustrator
Subjects: shrubs, door, weeping, staircase
Inscriptions: annotation: ‘griseldis’

Ontwerp voor: Wehl, Nannie van. De buren. Amsterdam: Veen, 1907.