deem-data/ArtiFact huggingface dataset:
Geboorte van Johannes de Doper
Object type: print
Date: 1595 – 1612
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: bed with tester, birth of john the baptist, sometimes mary present, lying-in room, naming of john the baptist; zacharias writing john's name
Inscriptions: collector's mark: Lugt 2760, caption: ‘ELISABETHA senex puerum parit...Scribit, IOANNES nomen erit puero.’, collector's mark: Lugt 2228

Kraamkamer met rechts Elisabet in een hemelbed. Links wordt de baby Johannes in bad gedaan. Een dienstmaagd houdt een doek voor het open haardvuur. Middenachter, voor de deuropening, zit Zacharias als oude man aan een tafeltje te schrijven (de naam van Johannes). Onder de voorstelling een Latijns vers.
Fan
Object type: fan
Date: 1867 – 1900
Materials: metal, mother of pearl, silk
Culture: american or european
Subjects: men,women
Strook kloskant met v-vormige compositie en anjers
Object type: strip
Date: 1735 – 1765
Materials: linen
Techniques: lace
Location: mechelen
Artist: Anonymous

Strook naturelkleurige kloskant: Mechelse kant. Het zich herhalende patroon bestaat uit een v-vormige compositie gevormd door twee schuin geplaatste cartouches, die vanaf de bovenzijde van de strook aansluiten op een rocaille-achtig cartouche langs de onderzijde van de strook. Halverwege de rechter cartouche hangt een gebogen tak naar beneden met vier anjers die bijna de hele breedte van de strook vullen. De motieven zijn gemaakt in linnenslag met uitsparingen en voorzien van dikkere en glimmende contourdraden. De motieven zijn met elkaar verbonden door een fijne traliegrond, de Mechelse grond. Siergronden, voornamelijk rozengronden, zijn onder andere toegepast in de cartouches en tussen de anjers. De flauwe schulpenrand is afgewerkt met picots. De bovenzijde is recht afgewerkt.
Te paard zittende jonge ruiter
Object type: drawing
Date: 1610 – 1663
Materials: chalk, paper
Artist: jan miel
Artist role: draughtsman, painter, print maker
Artist dates: 1599 – 1663
Subjects: riding a horse, ass, or mule; rider, horseman, boy (child between toddler and youth)
The Forge
Object type: painting
Date: 1755 – 1805
Materials: oil, wood
Artist: léonard defrance
Artist role: artist
Artist nationality: flemish
Artist dates: 1735 – 1805
Subjects: infants,men,women,working,hammers
View of Genoa
Object type: print
Date: 1604 – 1604
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: cities,maps
Portret van Henricus van Born
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: amsterdam, henricus van born, bible, theologian
Inscriptions: collector's mark: Lugt 2228

Portret van Henricus van Born, theoloog te Amsterdam. Zijn arm rust op de bijbel.
Hogepriester wordt gezalfd bij altaar
Object type: print
Date: 1659 – 1712
Materials: paper
Techniques: etching
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Ruitergevecht
Object type: print
Date: 1825 – 1883
Materials: paper
Techniques: aquatint, etching
Artist: theodoor schaepkens
Artist role: draughtsman, print maker
Artist dates: 1810 – 1883
Subjects: battle
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Orphrey
Object type: orphrey
Date: 1501 – 1600
Materials: linen, silk
Subjects: christ
The Flying Raven, Ex Libris for "The Raven" by Edgar Allan Poe
Object type: print
Date: 1875 – 1875
Materials: parchment
Techniques: lithograph
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: birds
Cake tray
Object type: cake tray
Date: 1701 – 1800
Materials: lacquer
Culture: japanese
Subjects: flowers
Vrede van Travendal tussen Denemarken en Zweden
Object type: history medal
Date: 1700 – 1700
Materials: bronze
Techniques: striking
Location: gotha
Artist: christian wermuth
Artist role: medailleur
Artist dates: 1661 – 1739
Subjects: faeröer, zweden, travendal, sleeswijk-holstein, vrede van travendal

Bronzen penning. Voorzijde: trom met gat erin onder opschrift; afsnede: jaartal. Keerzijde: hoorn van overvloed met olijf- en palmtak, die geleegd wordt boven korf waar nog klein gat in zit binnen omschrift
Jérusalem, croix en argent ciselé, donnée par Louis XIII à l'Eglise du Saint Sépulcre
Object type: photograph
Date: 1854 – 1854
Materials: photographic print
Techniques: paper negative
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: cross

Salzmann revered this processional cross of engraved silver, which the king of France, Louis XIII, gifted to the church treasury in 1625. Placed against a velvety backdrop with a royal seal at top right, the cross is framed by contrasting stripes. Salzmann was eager for viewers to grasp the cross’s detailed workmanship: "The photographic reproduction of this remarkable piece of metalwork, though it was executed in unfavorable light conditions . . . is, however, better than the most minute description." As a capstone to the Holy Sepulchre series, the photograph conveys a sense that the site is rich with a history of French piety.
Piece
Object type: piece
Date: 1434 – 1466
Materials: silk
Figure of an immortal
Object type: figure
Date: 1751 – 1800
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: boys
Cylinder seal
Object type: cylinder seal
Date: 1500 – 1201
Materials: stone
Culture: cypriot
Location: cyprus
Goblet
Object type: goblet
Date: 1567 – 1600
Materials: glass
Jacob Abbott
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Het sneuvelen van Kapitein Herman van der Helling, 23 november 1577
Object type: design
Date: 1722 – 1784
Materials: ink, paper, pencil
Techniques: brush, pen
Location: netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: haarlem, (revolutionary) plot, conspiracy, historical persons, violent death, being killed; being mishandled and maltreated; seeking death, historical events and situations, amsterdam

Aanslag van Helling en Ruychaver op Amsterdam, 23 november 1577. Gevechten op de Dam voor het stadhuis waarbij Gelling sneuvelt. Ontwerp voor een prent.
Netsuke of Acrobat
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: acrobats
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, symposiast with drapery?
Morning dress
Object type: morning dress
Date: 1860 – 1860
Materials: cotton
Culture: american
Portret van een jonge man met vlinderstrik
Object type: album leaf
Date: 1899 – 1909
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: hamburg
Artist: j. anton m. kleiner
Artist role: fotograaf
Subjects: historical persons, youth, adolescent
Inscriptions: inscription: ‘Photographisches Atelier/ J.A.M. Kleiner/ Hamburg/ [...]’
L'art de dessiner le paysage d'apres nature
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: lithograph
Artist: richard sasse
Artist role: print maker
Artist dates: 1774 – 1849
Subjects: waterfall, switzerland
Inscriptions: collector's mark: Lugt 2228

Prent behoort tot de serie 'L'art de dessiner le paysage d'apres nature'. Deze serie is in tien delen met elk zes lithografieën uitgegeven.
Histoire de Jason et de la conquête de la toison d'or
Object type: print
Date: 1563 – 1563
Materials: paper
Techniques: engraving
Artist: rené boyvin
Artist role: print maker
Artist dates: 1525 – 1598
Subjects: aeetes, in pursuit of the argo, is obliged to stop to gather up apsyrtus' limbs, the story of the argonauts: the quest for the golden fleece
Inscriptions: collector's mark: Lugt 11

Maakt deel uit van een serie van 26 prenten met scènes uit het verhaal van Jason en het gulden vlies, uitgegeven in 1563 te Parijs.
Gezicht op de Gotische Zaal te Den Haag
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: square, place, circus, etc. (+ city(-scape) with figures, staffage), the hague
Inscriptions: collector's mark: Lugt 2228
Portret van Samuel Seelandt
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: engraving
Location: hamburg
Artist: christian fritzsch
Artist role: print maker
Artist dates: 1695 – 1769
Subjects: theologian, historical persons, book
Inscriptions: collector's mark: Lugt 2228
Zicht op de Pont d'Arc over de Ardèche
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: london
Subjects: bridge forms, river (+ landscape with figures, staffage), rock-formations (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228a, check stamp: Lugt 3987
Médinet-Habou, Partie Orientale du Péristyle du Palais de Ramsès-Méiamoun; Thèbes, plate 51 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie
I.M. Baud
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Subjects: historical persons, medicine, medical science (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228

Prent verschenen in: Hess, Marcel. Iconographie des professeurs des universites des Pays-Bas. Brussel: Van Someren, 1827.
Foliate Bowl with Stylized Poeny Spray
Object type: vessel
Materials: porcelain
Techniques: carving, underglaze
Location: china
Photographs from the Estate of Isabel Wachenheimer
Object type: photograph
Date: 1891 – 1896
Materials: photographic support
Techniques: gelatin silver print
Location: straatsburg
Artist: anton hruschka
Artist role: fotograaf
Subjects: eugen wachenheimer, ensembles of pieces of clothing (matelot) (+ boys' clothes)

The German Eugen Wachenheimer had a brilliant career at the Deutsche Bank and served as a naval officer in the First World War. In 1922 he married Else Moos. The Anti-Jewish laws instituted by the Nazi regime forced them to flee to the Netherlands in 1937. The photograph at the lower right is the last one taken of Eugen. He stands with his back to the camera behind his daughter. Eugen and Else were gassed at Auschwitz-Birkenau in 1944.
Houtconstructies en een klokgevel
Object type: sketchbook leaf
Date: 1862 – 1867
Materials: paper, pencil
Artist: isaac gosschalk
Artist role: draughtsman
Artist dates: 1838 – 1907
Subjects: wood, timber ~ building material, exterior ~ representation of a building
Inscriptions: annotation: ‘okeer bo[...]er’

Blad 28 recto uit een schetsboek met 58 bladen.
Ramsgate, England, from the Surf Beauties series (N232), issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: profiles,women,sports
Landschap bij Cassis
Object type: photograph
Date: 1903 – 1903
Materials: paper, photographic support
Techniques: gelatin silver print
Location: cassis
Artist: delizy
Artist role: manufacturer
Subjects: harbour (+ view ~ vehicle, ship, etc.)

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Icon with Christ Pantokrator
Object type: plaque
Materials: stone
Culture: byzantine
Location: greece
Subjects: christ

The inscription identifies the image as Christ Antiphonetes, an icon type used by the empress Zoe (r. 1028–50) for her coinage. Steatite, easily carved stone, usually soft green or buff in color, came to be widely used for the production of small icons.
General, White Cuirassiers, Germany, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,soldiers,swords,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Affiche bij de schenking van het 'Monument de la Hollande amie' aan Verdun
Object type: print
Date: 1919 – 1919
Materials: paper
Techniques: lithograph
Subjects: symbols, allegories of peace, 'pax'; 'pace' (ripa), monument, statue
Inscriptions: annotation: ‘18 proefdruk 1919’

Centraal het beeld 'La Défense' door Auguste Rodin. Links en rechts daarvan landschappen met de jaartallen 1914 en 1918. Daarboven: 'Au peuple Français la Hollande amie de la France dédie 'La Défense' d'Auguste Rodin en témoignage de sympathie, d'admiration et de reconnaissance'. Onder de afbeelding de tekst: 'En défendant leur noble patrie les armées de France ont defendu les droits de l'humanité et la liberté de tous les peuples'.
Schetsen van een straat en twee zittende personen
Object type: drawing
Date: 1834 – 1872
Materials: paper, pencil
Artist: frans arnold breuhaus de groot
Artist role: draughtsman, print maker
Artist dates: 1824 – 1872
Subjects: street
Galliae (...)
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: engraving, hand coloring
Location: netherlands
Artist: Anonymous
Subjects: ruler, sovereign - bb - female ruler, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2228

Notularum explicatio (verklaring) geflankeerd door een soldaat en een vrouw met kroon. Aan de bovenzijde staat een leeuw met zwaard op kanonnen. Aan de onderzijde guirlandes en een wapenschild. Detail van een kaart van Gallië.
Portret van Willem I
Object type: plate dish
Date: 1800 – 1825
Materials: earthenware, glaze
Techniques: painted
Location: netherlands
Artist: Anonymous
Subjects: the hague, berlin, william i of the netherlands, historical persons, king
Inscriptions: mark

Schotel van (Delfts?) aardewerk beschilderd in mangaan en geel op de witte tinglazuur. Op het plat het portret van koning Willem I. Op de rand een krans van tulpen. Gemerkt. Het object is VALS.
Fragment of a Cup
Object type: decorative art
Date: 100 – 100
Materials: glass
Culture: roman
Location: roman empire
Subjects: decoration

In ancient Rome, there was a high demand for colorful glass that could dazzle banquet guests alongside the expensive silver and gold serving wares meant to impress. Fragments like this one would have once been a part of larger mosaic dishes. The mosaic pattern was made by sagging molten glass into bowl-shaped molds, a technique used on many of these fragments is similar to millefiori, “thousand flowers” in Italian, a modern glass-making method in which tiny rods of colored glass are bundled together, wrapped in a sheet of glass, fused, and then thinly sliced to reveal swirls of a flower-like patterns. They were arranged side by side, sometimes together with bits of colored glass, and fused together with heat.
Fries van het Parthenon
Object type: page
Date: 1905 – 1910
Materials: paper
Techniques: photoaquatint
Location: acropolis
Artist: frédéric boissonnas
Artist role: fotograaf
Artist dates: 1858 – 1946
Subjects: sculpture
Architectonisch grafmonument met Petrus
Object type: album leaf
Date: 1563 – 1563
Materials: paper
Techniques: etching
Location: antwerp
Subjects: effigies portraying half-decayed state, kneeling figure, grave-building, monumental tomb, grave, tomb and other grave-forms and grave-markers, the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara

Architectonisch grafmonument bedoeld om tegen een muur te worden geplaatst. Het monument heeft een tweeledige opbouw met een vooruitspringend middenrisaliet. Onderaan de beeltenis van de overledene in vergane toestand, tussen twee hermen in de vorm van monniken. Bovenaan een knielende man geflankeerd door Petrus als zijn patroonheilige. In de ondermarge acht regels tekst, in twee kolommen, in het Latijn. De prent maakt deel uit van een album.
Moeder met overleden kind
Object type: photograph
Date: 1865 – 1875
Materials: cardboard
Techniques: albumen print
Location: united states
Artist: Anonymous

Carte-de-Visite met portret van moeder met op haar schoot een overleden kind.
Isabel Wachenheimer op een driewieler in en voor de woning van de familie Wachenheimer, mei 1930, München
Object type: album leaf
Date: 1905 – 1930
Materials: paper, photographic support
Techniques: gelatin silver print
Location: munich
Subjects: leiden, isabel wachenheimer-elon, tricycle, family life at home, mother and baby or young child, infant, baby
Inscriptions: inscription: ‘das ,,Rolbrad" zu jeden Tageszeit.’

Albumblad met acht foto's. Alle foto's, Isabel Wachenheimer. Foto midden onder, met onbekend meisje. Onderdeel van het fotoalbum met foto's van Isabel Wachenheimer als kind (1928-1931).
Koba. Koeliewoningen
Object type: photograph
Date: 1900 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: koba
Artist: Anonymous
Subjects: mining, minerals and metals: tin, child, rural housing, e.g. country-house, villa, cottage, working class, labourers

Onderdeel van Fotoalbum over de tinwinning op Bangka.
Mass Bell
Object type: mass bell
Date: 1801 – 1900
Materials: metal
Culture: belgian
Location: belgium
Husbands Always Make Me Laugh: Come, Mme. Rabat-joie, shut up
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: lithograph
Location: france
Artist: paul gavarni
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1866
Plaster with painted chevrons
Object type: painted plaster
Date: 900 – 601
Materials: paint, plaster
Culture: assyrian
Location: mesopotamia
Portret van Otto van Veen
Object type: print
Date: 1661 – 1661
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: leiden, brussels, draughtsman, otto van veen, historical persons, portrait, self-portrait of painter
Inscriptions: number: ‘5’

Prent met tekst op verso gebruikt in: Bie, Cornelis de. Het gulden Cabinet vande edel vry schilder const (...). Antwerpen: Joannes Meyssens, 1661.
Student in zijn studentenkamer, mogelijk op de campus van Denison University in Ohio
Object type: album leaf
Date: 1910 – 1920
Materials: paper
Techniques: cyanotype
Location: granville
Artist: Anonymous
Subjects: student
Letter-spel
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: netherlands
Subjects: animals, letters, alphabet, script
Inscriptions: collector's mark: Lugt 2760

Blad met 25 voorstellingen van de letters van het alfabet geïllustreerd met dieren waarvan de woorden met de betreffende letter beginnen. Onder elke afbeelding de naam van het dier in boekdruk. Genummerd rechtsboven: No. 7.
The Tempest
Object type: relief
Materials: marble
Artist: auguste rodin
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1917
Subjects: faces,women

The dramatic forward thrust of the head identifies this sculpture as one of Rodin's attempts to capture the effects of violent motion or extreme stress on the human figure.
Armchair of a guild of Saint George
Object type: furniture
Date: 1550 – 1599
Materials: wood
Location: northern netherlands
Artist: Anonymous
Subjects: acanthus ~ ornament, archer's weapons: crossbow

The flourishing of civic militia companies testifies to the growing power of ordinary citizens. Each guild had its own building, the doelen. This chair stood in the doelen of a guild of crossbowmen, as can be seen from the crossbow depicted on its back. From which town it came is unknown. The patron saint of crossbowmen was Saint George.
Portret van Herman Jacob Dijckmeester
Object type: print
Date: 1810 – 1849
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Tree of Jesse
Object type: print
Date: 1455 – 1503
Materials: paper
Techniques: engraving
Location: bocholt
Artist: israhel van meckenem
Artist role: print maker
Artist dates: 1440 – 1517
Subjects: tree of jesse: genealogical tree showing christ's ancestors, sprouting from jesse's loins, plants; vegetation (+ ornamental variants of plants)
Inscriptions: collector's mark: Lugt 240

Friesvormige voorstelling van een slapende man (Jesse, uiterst links) uit wie een boom groeit in de vorm van een lange rank. Tussen de bladeren verschillende gekroonde figuren, onder wie koning David met zijn harp (links) en Maria met het Christuskind (uiterst rechts). Pendant van een ornamentprent met hazen die een jager braden.
Portrait of a Man
Object type: painting fragment
Date: 1470 – 1470
Materials: oil, wood
Artist: dieric bouts
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1457 – 1475
Subjects: men,portraits
Portret van Lucas Jonker
Object type: carte de visite
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: historical persons, amsterdam
Inscriptions: inscription: ‘Lucas Jonker/ 1861-1926’, workshop stamp: ‘Photographisch Artistisch Atelier van/ Wegner & Mottu/ Amsterdam, Rokin over de Bank 138/ Utrecht, Hamburgerstraat, F 237’
Vase
Object type: vase
Date: 1368 – 1644
Materials: jade
Culture: chinese
Subjects: mythical creatures
Portrait of a Family
Object type: portrait of a family
Date: 1551 – 1600
Culture: italian
Location: italy
Artist: girolamo forni and assistant
Artist role: maker
Artist nationality: italian
Subjects: girls,men,portraits,women,harps,lutes

The three figures at the lower right are by Girolamo Forni: the other figures were added later, possibly in the early 17th century. The instruments represented are a a harp, two lutes, and a theorbo-lute.
The Prince of Whales or the Fisherman at Anchor
Object type: print
Techniques: etching
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Subjects: satire,mermaids,fish

This light-hearted marine triumph casts George, Prince of Wales as a sea monster distracted by pleasure. In January 1812 the prince had officially become Regent and Cruikshank emphasizes his fleshly self-indulgence and weakness for mistresses and flatterers. When he became Regent, the prince surprised his former Whig friends by retaining the Tory Spencer Perceval as chief minister. Perceval, the fisherman of the title, stands in a small boat holding his prize fast on a golden chain while being showered by the "Dew of Favor." The disgruntled Whigs at left receive only "the Liquor of Oblivion." Clearly bored with politics, the Regent eyes a buxom mermaid, his most recent mistress Isabella, Marchioness of Hertford. He ignores both her scowling merman husband, and a second mermaid, his former mistress Maria Fitzherbert. The background colonnade represents Carlton House, the prince’s palatial home on Pall Mall.
Au secours, au secours!.. Mon mari qui se bat contre un taureau!..
Object type: cartoon
Date: 1845 – 1845
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: caricatures (human types), ram
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 14-12-1845.
Pope Innocent XI (Benedetto Odescalchi) (1611–1689, Pope 1676–89)
Object type: medallion
Date: 1676 – 1678
Materials: gilt bronze
Subjects: profiles,popes
Portret van Adriaan Pietersz. Loosjes
Object type: print
Date: 1830 – 1830
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: haarlem, publisher, bookseller, adriaan pietersz. loosjes, hacking and thrusting weapons: sword, harp, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228

De geportretteerde is in een wolkenpartij met sterren afgebeeld. Hij is naar rechts gewend. Onder het portret een zwaard met een kruis, een harp met de woorden 'Deo et Populo' en een lint met de woorden: 'Tot nut van 't Algemeen.' Daaronder de naam van de geportretteerde en een zesregelig onderschrift.