deem-data/ArtiFact huggingface dataset:
Eros escaping by sea using his bow to propel a boat made from his quiver with an arrow as the mast and his blindfold as the sail, a banderole above
Object type: print
Date: 1515 – 1527
Techniques: engraving
Artist: marco dente
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1527
Subjects: bow and arrow,eros,boats
Plattegrond van de begane grond (eerste grondt) van het Stadhuis op de Dam
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: townhall, plan ~ architecture
Inscriptions: collector's mark: ‘17.48’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Stadhuis, van binnen: Kap, Plattegronden, Betimmering.
Actress holding rose, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Élévation d'un Temple antique que l'on croit estre celui de Jupiter Serapis à Pouzzoles pres de Naples
Object type: print
Date: 1762 – 1762
Materials: paper
Techniques: etching
Subjects: city-view, and landscape with man-made constructions, temple, shrine ~ roman religion, pozzuoli
Inscriptions: collector's mark: Lugt 240
Gezicht op de ruïnes van de abdij van Carlingford
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: london
Subjects: city-view, and landscape with man-made constructions, abbey, monastery, convent ~ roman catholic church, landscape with ruins
Inscriptions: date

Prent verschenen in: Grose, Francis. The antiquities of Ireland, dl. 2. Londen: S. Hooper, 1795.
Major Robert Rogers
Object type: print
Materials: paper
Techniques: lithograph
Location: united states
Artist: Anonymous
Artist nationality: likely american or british
Artist dates: 1800 – 1899
Tit (Isis knot) amulet
Object type: amulet, tit, isi knot
Date: 525 – 30
Materials: glass
Location: egypt

Some of the glass amulets from the later Late Period through the Ptolemaic Period can be specifically tied to spells of the Book of the Dead. For example, red is the preferred color for the tit knot: Book of the Dead chapter 156 prescribes a tit knot of red jasper at the throat of the deceased to provide him / her with the protection of Isis. This tit knot is blocky and not completely worked out. Presumably it meant to be wrapped between the bandages of the mummy where the presence of the amulet would do its job irrespective of its degree of finish.
The Main Doorway of the Palazzo della Cancellaria, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Location: rome
Artist: Anonymous
Artist role: artist
Subjects: architecture,doorways,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 3, plate 56 in the scrapbook.
S. Daniel et S. Ange (St. Daniel and St. Angelus), October 13th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Studie van een naakte vrouw
Object type: print
Date: 1846 – 1904
Materials: paper
Techniques: lithography
Artist: henri fantin-latour
Artist role: draughtsman, print maker
Artist dates: 1836 – 1904
Subjects: woman (showing herself) undressed, quasi-nude, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228a

Het blad is een fragment van de hele prent.
Musée des Modes, août 1851
Object type: fashion print
Date: 1851 – 1851
Materials: paper
Techniques: hand coloring, engraving
Artist: debierne
Artist role: print maker
Subjects: clothing for the upper part of the body (vest) (+ men's clothes), clothes, costume (+ children's clothes), head-gear: hat (+ children's clothes), monocle, single lorgnette, neck-gear ~ clothing (+ men's clothes), trousers, breeches, etc. (pantalon) (+ men's clothes), coat (+ men's clothes), fashion plates
Inscriptions: caption: ‘Etoffes des Magasins Thirier en Bertaux. Costume d'enfant des Mag"ins de M"r Maggi r N.ve des Petits Champs’, title: ‘Musée des Modes’, address: ‘Publié par Fontaine Place de la Bourse 7 Paris.’

Drie mannen, van wie één op de rug gezien, en een kind op een stenen bank. De mannen dragen diverse jassen en vesten op geruite of gestreepte spanbroeken. Volgens het onderschrift zijn de stoffen van Thirier en Bertaux en komt de kinderkleding uit de winkels van Maggi. Prent uit het modetijdschrift Musée des Modes (1837-1890).
James Anthony Froude
Object type: photomechanical print
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life) (+ (full) bust portrait), writer, poet, author
Portret van een onbekende man aan een bureau voor een boekenkast
Object type: glasnegatief, glasplaatnegatief
Date: 1907 – 1935
Materials: glass
Techniques: gelatin glass negative
Artist: Anonymous
Subjects: bookcase, with doors, study; 'studiolo'; library, historical persons not known by name
Vertrek van twaalf Nederlandse koopvaardijschepen uit de haven van Portsmouth, 1833 (plaat 2)
Object type: print
Date: 1808 – 1835
Materials: paper
Techniques: etching, hand coloring
Location: london
Subjects: harbour, sailing-ship, sailing-boat, merchant shipping, shipping trade, portsmouth
Inscriptions: collector's mark: Lugt 2228

Het vertrek van de twaalf Nederlandse koopvaardijschepen uit de haven van Portsmouth, na de opheffing van het embargo, 2 juni 1833. Het Britse embargo was ingesteld ca. november 1832 om de Nederlanders te bewegen de Citadel van Antwerpen over te dragen aan België. Hierbij werden alle Nederlandse schepen in Britse havens aan de ketting gelegd. Tweede plaat in een serie van drie. Links het schip Prins van Oranje dat door een stoomboot wordt gesleept. Onderaan in de marge de namen van de schepen. Het wapen van koning Willem I onderaan centraal tussen de Nederlandse en Engelse titel en opdracht.
Interieur van de Begijnhofkapel te Bolsward
Object type: photograph
Date: 1902 – 1902
Materials: cardboard, photographic support
Techniques: albumen print
Location: bolsward
Subjects: parts of church exterior and annexes: chapel
Inscriptions: annotation: ‘Bolsward (Fr) / Begijnenhofkapel / Interieur / april 1902’, annotation: ‘Bolsward’
Ornament
Object type: ornament
Date: 960 – 1279
Materials: gold
Culture: chinese
Subjects: dragons
Fragment baksteen uit het wrak van de Oostindiëvaarder Hollandia
Object type: brick clay product
Date: 1700 – 1743
Materials: brick
Artist: Anonymous
Façade met herderin, goden en ruiterstandbeelden
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., equestrian statue, façade (of house or building), roman deities, and foreign deities included in the classical pantheon
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Façade met in het midden een staande herderin met panfluit en staf. Links en rechts van haar staan de goden Mars en Pallas Athena op voetstukken tussen pilasters. Daarboven draagt Hercules de wereld op zijn schouders. Ruiterstandbeelden van Lodewijk XIV van Frankrijk en Lodewijk van Frankrijk flankeren hem. Aan de bovenzijde zitten twee op bazuinen blazende vrouwen aan weerszijden van een bekroond wapenschild. De prent is oorspronkelijk de titelpagina voor: Sanson, Nicolas, Atlas Nouveau Contenant Toutes les Parties du Monde (...), 1689. De titel is weggesneden en vervangen door de prent van de herderin.
Theestoof, versierd met waaiermotief in marqueterie.
Object type: heating system
Date: 1775 – 1800
Materials: wood
Techniques: marquetry
Location: northern netherlands
Artist: Anonymous

Vierkante theestoof van eikenhout, belijmd met andere houtsoorten. De stoof met afgeschuinde hoeken rust op vier conische poten en vertoont panelen, die in het midden een ovaalvormig waaiermotief in marqueterie vertonen.
Clump of Leaves and Flowers
Object type: drawing and watercolor
Date: 1808 – 1847
Materials: chalk, paper
Location: england
Artist: joshua cristall
Artist role: artist
Artist nationality: english
Artist dates: 1767 – 1847
Portret van Helene van Mecklenburg-Schwerin te paard
Object type: print
Date: 1811 – 1866
Materials: paper
Techniques: engraving
Location: germany
Subjects: helene van mecklenburg-schwerin, equestrian state-portrait, historical persons - bb - woman
Inscriptions: collector's mark: Lugt 2228
In menig beeld vertoont u deze plaat, / Hoe 't Hollandsch hart voor land en koning slaat
Object type: print
Date: 1832 – 1850
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: military band, battle, weapons, warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met 12 voorstellingen van militairen in strijd. Onder elke voorstelling een tweeregelig vers. Genummerd rechtsboven: No. 10.
The Bride Traveling in the Rain, from the series "The Foxes' Wedding"
Object type: print
Date: 1765 – 1765
Techniques: woodblock print
Location: japan
Artist: tachibana minko
Artist nationality: japanese
Artist dates: 1764 – 1772
Tentoonstelling tot Bevordering van Veiligheid en Gezondheid in Fabrieken en Werkplaatsen te Amsterdam 1890
Object type: history medal
Date: 1889 – 1889
Materials: bronze
Techniques: striking
Location: utrecht

Bronzen penning, op de voorzijde een gevleugelde vrouw met zwaard en schild tussen drie arbeiders, op de keerzijde de wapenschilden van Nederland en Amsterdam onder één kroon op samengestrikte lauwertakken, met omschrift.
Sugar Bowl
Object type: sugar bowl
Date: 1760 – 1760
Materials: silver
Culture: american
Location: united states
Artist: philip syng jr.
Artist role: maker
Artist nationality: american
Artist dates: 1703 – 1789
Douze paysages de Daubigny
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: lithograph
Location: new york city
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 1090

Het volgnummer in de serie is niet vermeld.
Abraham's Sacrifice
Object type: illustrated single work
Materials: gold, ink, paper, watercolor
Location: iran
Artist: fathallah sani'zada
Artist role: artist
Subjects: birds,men,flowers,angels,abraham

The painting at the center of this page is copied after a Flemish engraving, and depicts the biblical story of Abraham's sacrifice of his son Isaac. European paintings and engravings were first available in Iran and copied during the Safavid period (1501–1722), and this scene in particular remained popular through the eighteenth and nineteenth centuries. This version is in fact quite similar to a seventeenth-century painting signed by the Safavid artist Muhammad Zaman. The painting has been set into a frame with a dense flower and bird (gul-o-bul-bul) design, signed by Fathallah Sani'zada. The inscriptional medallion at the bottom of the page that gives his name also dedicates the work to Vusuq al-Dawleh, who was prime minister at the time.
Bowl with Cover
Object type: bowl with cover
Date: 1736 – 1795
Materials: porcelain
Culture: chinese
Subjects: flowers
Artesian well
Object type: page
Date: 1870 – 1880
Materials: paper
Techniques: albumen print
Location: san lazzaro degli armeni
Artist: Anonymous
Subjects: well
De aanbidding der koningen
Object type: print
Date: 1593 – 1594
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)
Inscriptions: collector's mark: ‘Hinloopen’, collector's mark: Lugt 11, collector's mark: Lugt 10

Maria en Jozef tonen, gezeten in/bij een ruïne, hun pasgeboren kind aan de drie koningen of wijzen uit het Oosten en hun gevolg. Onder de voorstelling vier Latijnse versregels. Deze prent is onderdeel van een serie van zes prenten met scènes uit het vroege leven van Maria. Die worden de 'Meesterstukken' genoemd, omdat Goltzius er het werk van verschillende illustere voorgangers in heeft nagebootst.
Converserende edellieden
Object type: print
Date: 1826 – 1866
Techniques: engraving, etching
Location: amsterdam
Artist: dirk jurriaan sluyter
Artist role: draughtsman, print maker
Artist dates: 1811 – 1886
Subjects: book, conversation, dialogue; conversation piece, globe
Inscriptions: collector's mark: Lugt 2228

Een edelman zit op een stoel bij een tafel met zijn voeten op een kussen. Op de tafel liggen boeken, oorkondes en schrijfgerei. Op de grond staat een globe. Een andere edelman praat met hem. Door een deur zijn tenten en vlaggen te zien.
Firenze. La Cattedrale presa da Orsanmichele
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph, lithograph
Location: dresden
Subjects: city-view, and landscape with man-made constructions, church (exterior)
De zeilwagen van Simon Stevin (linkerplaat), 1602
Object type: print
Date: 1603 – 1603
Materials: paper
Techniques: engraving
Location: leiden
Subjects: the hague, maurice (prince of orange), bruges, simon stevin, sailing-car
Inscriptions: collector's mark: Lugt 2228

De zeilwagen van Simon Stevin (linkerplaat), 1602. Prins Maurits maakt samen met een groep vrienden een tocht over het strand van Scheveningen naar Petten in de zeilwagen gebouwd door Simon Stevin, april-mei 1602. Vóór de toevoeging van de grote cartouche. Op het strand toeschouwers, vissers en twee ruiters. Linkerplaat van een grote voorstelling bestaande uit drie delen.
Mainz
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: rotogravure
Location: siegburg
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, canals, waters (in city)
Inscriptions: monogram: ‘K.T.F.’
Portret van Erasmus Quellinus II
Object type: print
Date: 1640 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: antwerp, print maker, draughtsman, erasmus quellinus (ii), historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent later gebruikt in: The Portraits of the Most Eminent Painters, and Other Famous Artists, that Have Flourished in Europe. Londen: Olive Payne, 1739.
Shipley Bridge, Devon, from Picturesque Selections
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: lithograph
Location: england
Artist: james duffield harding
Artist role: draughtsman, painter, print maker
Artist nationality: english
Artist dates: 1798 – 1863
Festoen met attributen van de personificatie van het element Vuur aan oostzijde van de Burgerzaal in het Stadhuis op de Dam
Object type: print
Date: 1663 – 1668
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: hubert quellinus
Artist role: print maker
Artist dates: 1619 – 1687
Subjects: fire (one of the four elements), townhall
Inscriptions: collector's mark: ‘16,70’ Lugt 1641b

Huidige staat van prent ook gebruikt in: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Artus Quellinus (I), 1663. En in: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Frederik de Wit, 1668.

Latere staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).
Portret van een onbekende man
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: etching
Location: the hague
Artist: bastiaan de poorter
Artist role: painter, print maker
Artist dates: 1813 – 1880
Subjects: anonymous historical person portrayed alone
Inscriptions: collector's mark: Lugt 2228

Portret van een man met baard en plooikraag.
Woodwork and Wallpaper from the Great Hall of Van Rensselaer Manor House
Object type: architectural element
Date: 1765 – 1769
Materials: paint, paper, wood
Culture: american
Location: united states
Bloedspetters op een met zeep gewassen zakdoek
Object type: page
Date: 1893 – 1903
Materials: photographic support
Techniques: gelatin silver print
Subjects: blood, handkerchief
Inscriptions: inscription: ‘(Cliché fait sous une lumière incidente)’, number: ‘Planche 1.’
Needle sheath
Object type: needle sheath
Date: 1667 – 1700
Materials: silver
Rest on the Flight into Egypt
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: france
Artist: michel corneille the younger
Artist role: artist
Artist nationality: french
Artist dates: 1642 – 1708
A Study of Trap Rock (Buttermilk Falls)
Object type: painting
Date: 1863 – 1863
Materials: canvas, oil
Culture: american
Artist: john henry hill
Artist role: artist
Artist nationality: american
Artist dates: 1839 – 1922
Subjects: waterfalls,landscapes

"The most elaborately literal study from nature I ever made," Hill wrote of this work. "It was done in July and o[c]cupied me nearly every afternoon in the month while our civil war was going on." Hill was a member of the American Pre-Raphaelites, a band of artists who were followers of the English critic John Ruskin and the British Pre-Raphaelite Brotherhood. Advocating "truth to nature," the group executed precise landscapes exclusively out of doors. Hill’s inclusion at the lower right of a portrait of Thomas Charles Farrer, the American Pre-Raphaelites’ founder, testifies to the group’s commitment to sketching in nature. Hill’s painting shows a quarry near Nyack known as "Trap Rock," formed by millions of years of volcanic rifting.
Schip de Princesse Royale van vice-admiraal Witte de With
Object type: drawing
Date: 1621 – 1693
Materials: ink, paper, pencil
Techniques: brush, pen
Subjects: sailing-ship, sailing-boat, names of artefacts and man-made objects (buildings excluded), navy (+ sailing-ships)
Hercules Killing Cerberus
Object type: print
Date: 1501 – 1600
Techniques: etching
Artist: master f. p.
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: hercules

In Mariette Album, foliof 43, bottom row, right
Relief depicting cattle farming
Object type: relief, cattle farming
Date: 2323 – 2150
Materials: limestone, paint
Location: egypt
Subjects: men,farmers

This relief comes from a scene of cattle-tending or cow milking. The older man leaning on his staff is the overseer of the whole operation. To the left are the hindquarters of a cow, and to the right is the upper part of another man, perhaps kneeling to hold a tether.
Platte grond van het groote doop-park voor den plegtigen doop van Frederica Louisa Wilhelmina. Erf-princesse van Orange en Nassau, enz: enz: enz:, welke zal geschieden in de Groote of St. Jacobs Kerk in 's Hage; op woensdag den 19den decembr. 1770
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: leonardus schenk jansz
Artist role: print maker
Artist dates: 1732 – 1800
Subjects: the hague, louise (prinses van oranje-nassau), baptism ~ protestant service
Inscriptions: collector's mark: Lugt 2228

Plattegrond met het arrangement van de zitplaatsen bij de doop van prinses Frederica Louise Wilhelmina (Louise) in de Grote Kerk te Den Haag op 19 december 1770. Linksonder een schaalstok: 12 Rhynlandsche voeten maat. Rechts een cartouche met de legenda A-WW per provincie en stad. Rechtsboven gemerkt: Resolie. 18 decbr. 1770.
Olifant met omstanders
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: printmaking
Location: england
Subjects: trunked animals: elephant
Inscriptions: date
Betws-y-Coed. The Miner's Bridge
Object type: photomechanical print
Date: 1880 – 1900
Materials: paper
Techniques: photograph
Location: bettws-y-coed
Artist: Anonymous
Subjects: brook, bridge
Inscriptions: number: ‘29519.’, inscription: ‘Betwys-y-Coed/ 5’

Deze prent maakt deel uit van een album.
Portret van Andreas Vesalius
Object type: photomechanical print
Date: 1925 – 1925
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: brussels, scholar, philosopher, historical persons, physician, doctor
Inscriptions: inscription: ‘MAGGS BROTHERS’

Fotomechanische afdruk komt uit een editie van: Paul Heger et al, 'The Iconography of Andreas Vesalius: André Vésale, Anatomist and Physician 1514-1564', Research studies in medical history 3 (1925).
Four Fragments
Object type: textile
Date: 1801 – 1900
Materials: textile
Techniques: brocade
Location: russia
Penton Hook
Object type: print
Date: 1864 – 1864
Materials: paper
Techniques: drypoint, etching
Location: england
Artist: francis seymour-haden (sir)
Artist role: print maker
Artist dates: 1818 – 1910
Subjects: river, thames
Inscriptions: collector's mark: Lugt 1048, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een oude boom staand in het water van de rivier. Op de begroeide oever twee zittende figuren, één met een hengel.
Border
Object type: textile
Date: 1755 – 1765
Materials: lace, linen
Techniques: lace
Location: brussels