deem-data/ArtiFact huggingface dataset:
Girl in the Dunes
Object type: drawing
Date: 1834 – 1933
Materials: chalk, watercolor
Artist: jozef israëls
Artist role: artist
Artist nationality: dutch
Artist dates: 1824 – 1911
Subjects: girls,landscapes,boats

Israëls was one of the most important artists of the Hague School, a term coined by a critic in 1875 to describe a group of artists working in a new realist manner. Like the Post-Impressionists, these artists shared friendships more than common artistic purpose. This beautiful watercolor of a girl looking out to sea was inspired by the impoverished fishermen and their families whom Israëls first encountered in 1855 at Zantvoort and Katwijk. The simplicity of the composition ennobles this girl and creates a melancholy mood. The drawing recalls Millet's sympathetic representations of peasants, which Israëls would have known from his trip to Paris and Barbizon in 1853. In Israëls's portrayal of the poor families of fishermen, Van Gogh found the same sympathetic dignity that characterizes Millet's peasant farmers. "When Israëls, or, say, Daumier or Lhermitte, draws a figure," Vincent wrote Theo (in July 1885), "one gets much more of a sense of the shape of the body, and yet . . . the proportions will sometimes be almost arbitrary, the anatomy and structure often anything but correct in the eyes of the academicians. But it will live." Colta Ives
Portret van Sigmund
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: lithograph
Location: vienna
Subjects: historical persons, professor
Inscriptions: collector's mark: Lugt 2228

Portret van een verder onbekende professor, met handtekening in facsimile waarin de naam Prof. Sigmund te lezen is.
Hert met gewei in een struik
Object type: print
Date: 1825 – 1850
Materials: paper
Techniques: lithograph
Subjects: hoofed animals: deer
Inscriptions: collector's mark: Lugt 2228
Mercurius doodt Argus
Object type: print
Date: 1602 – 1607
Materials: paper
Techniques: engraving
Location: cologne
Subjects: mercury beheads argus, argus' eyes changed into peacock's 'eyes' (ocelli): juno sets argus' eyes on her peacock, after argus, while watching io, has been slain by mercury (ovid, metamorphoses i 723)
Inscriptions: collector's mark: Lugt 2228

Mercurius slaat met zijn zwaard het hoofd van Argus af. Links op de achtergrond zet Juno de ogen van Argus in de staart van haar pauw. In de marge een vierregelig onderschrift, in twee kolommen, in het Latijn.
Portret van een man met bontkraag en pet, met het familiewapen van Van Slingelandt
Object type: drawing
Date: 1751 – 1751
Materials: ink, paper
Techniques: brush, pen
Artist: aert schouman
Artist role: draughtsman, painter, print maker
Artist dates: 1710 – 1792
Subjects: historical persons

Portret van een man met bontkraag en pet, met het familiewapen van Van Slingelandt. Linksboven, op papiertje: AEtats 60 Auspice deo / Compos mentis et / quinqe sensuum. Op papiertje in de linkerhand: Excissum / per duydui [?] / ano 1567.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1801 – 1833
Materials: gold alloy, silver alloy, gold, silver
Culture: japanese
Location: japan
Artist: marukawa hiroyoshi
Artist role: maker
Artist nationality: japanese
Artist dates: 1841 – 1841
Subjects: birds
Portretten van schilders
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Subjects: ghent, hubert van eyck, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2165

Met achtregelig lofdicht in het Latijn. Midden onder genummerd: 1 en Aiij.
Voorgevel van het stadhuis van Brouwershaven
Object type: photograph
Date: 1891 – 1891
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: brouwershaven
Artist: adriaan bos jr.
Artist role: fotograaf
Artist dates: 1869 – 1940
Subjects: townhall, façade (of house or building)
Inscriptions: name: ‘A. Bos Jr. Photograaf’, name: ‘S. Franco, b.i. den Haag.’, inscription: ‘Brouwershaven (1891)’
Nieuwjaarswens van de Amsterdamse courantombrengers voor het jaar 1849
Object type: new year card
Date: 1848 – 1849
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: delivery (of newspaper), street, amsterdam
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens namens de ombrengers van couranten (krantenbezorgers) te Amsterdam voor het jaar 1849. Bovenaan drie medaillons met centraal een gezicht op het Singel bij de Munt met op de kade een krantenbezorger, links de Schreierstoren, rechts de Leidsepoort. Onderaan een gedicht in drie kolommen. Van de courantombrenger: T. Kroon.
The Actors Ichikawa Danjuro V and Ichikawa Ebizo IV, from a pentaptych of eleven actors celebrating the festival of the shrine of the Soga brothers
Object type: print
Date: 1788 – 1788
Techniques: woodblock print
Location: japan
Artist: torii kiyonaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1815
Ontwerp voor een bankbiljet
Object type: design
Date: 1912 – 1912
Materials: ink, paper, pencil
Techniques: pen
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: bank-note
Inscriptions: date
Expulsion from Paradise
Object type: print
Date: 1687 – 1708
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: pieter van der plas (ii)
Artist role: print maker
Artist dates: 1647 – 1708
Subjects: expulsion of adam and eve from paradise (genesis 3:22-24)

Adam en Eva verlaten naakt en beschaamd de hof van Eden. Adam bedekt zijn gezicht met zijn handen.
Episode uit de Barmhartige Samaritaan: de gewonde man wordt de herberg binnen gedragen
Object type: drawing
Date: 1885 – 1922
Materials: chalk, paper
Artist: johannes hendricus jurres
Artist role: draughtsman, print maker
Artist dates: 1875 – 1946
Subjects: the samaritan and the wounded traveller arrive at the inn; the traveller is cared for
Groeninga
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: groningen
Subjects: coat of arms (as symbol of the state, etc.), maps of cities

Plattegrond in vogelvluchtperspectief. Linksboven schaalstok: Scala van 50 roeden. Linksonder legenda. Rechtsonder cartouche met het wapen van de stad Groningen, titel en opdracht. Op verso Latijnse tekst.
Maddalena, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence)
Object type: print
Date: 1611 – 1619
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Sampler
Object type: sampler
Date: 1827 – 1827
Materials: canvas, silk, wool
Eetzaal in het Witte Huis, Washington D.C.
Object type: stereograph
Date: 1879 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: white house
Artist: Anonymous
Subjects: dining-room
Rinaldo Abandons Armida
Object type: print
Date: 1757 – 1760
Materials: paper
Techniques: etching
Subjects: rinaldo, armida
Inscriptions: collector's mark: Lugt 2228

This is a scene from the epic poem Gerusalemme Liberata (Jerusalem liberated) by Torquato Tasso. A story in this 16th-century epos about the First Crusade tells of the sorceress Armida who falls in love with the valiant crusader Rinaldo. She enchants him, and he falls under her spell. When the charm is ultimately broken, Rinaldo, filled with revulsion, turns away from Armida – the moment depicted here.
Kerstmis 1933 Baarn
Object type: photograph
Date: 1912 – 1933
Materials: paper, film
Techniques: gelatin silver negative, gelatin silver print
Location: baarn
Artist: Anonymous
Subjects: family life
Inscriptions: inscription: ‘Kerstmis 1933/ Baarn’

Deze foto's maken deel uit van een album.
Mother ape
Object type: statue
Date: 1595 – 1596
Materials: bronze
Artist: camillo mariani
Artist role: maker
Artist nationality: italian
Artist dates: 1567 – 1611
Subjects: monkeys

The ape, of the tailless Barbary variety, once solicitously steadied two gamboling babies, of whom only pieces of arms and legs remain. Despite the loss, which may have occurred when this massively thick-walled bronze was wrenched from the place it occupied, the planar compositional arrangements of the mother are fully visible and quite ingratiating. In 1595, the architect Vincenzo Scamozzi recommended his fellow Vicentine, Camillo Mariani, to Francesco Maria II della Rovere, duke of Urbino. The following year, "the Venetian sculptor," whom scholars reasonably identify with Mariani, was paid for labor and materials "for the apes of the fountain of Miralfore." The latter is the villa in Pesaro, still extant, that served the duke as hunting lodge and guesthouse. Its waterworks were centered on the fountain, of which Mother Ape was the crowning element. Water flowed from the wide hole near her left shoulder; her prehensile left foot is poised as if to test the water in the fountain's basin. Three lesser apes that also belonged to this fountain are now in the Boboli Gardens in Florence, having arrived there among possessions inherited by the duke's granddaughter, Vittoria della Rovere, when she married Ferdinando II de' Medici. The Miralfore fountain, revealing a phenomenal gift for naturalism, comprised Mariani's only known exercise in animal sculpture and his sole work in bronze. Before and after, he worked chiefly in stucco, most notably after his move to Rome. The eight colossal stucco saints by him in the Roman church of San Bernardo alle Terme (1599-1600) are among the most arresting and profoundly spiritual portrayals of the late Counter-Reformation era.
Wait, we still need this to get the weight right!, from "News of the Day"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men,women
Standbeeld van Willem II, koning der Nederlanden, op het Buitenhof te Den Haag
Object type: print
Date: 1853 – 1871
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: the hague, william ii of the netherlands, monument, statue
Inscriptions: collector's mark: Lugt 963, collector's mark: Lugt 2165

Standbeeld van Willem II door Eduard François Georges op het Buitenhof te Den Haag. Op straat staan figuren. Midden onder zijn wapen met een kroon en twee leeuwen. Daaronder op een banderol zijn geslachtsspreuk. In de ondermarge zes regels Nederlandse tekst.
Landschap met op de achtergrond de baai van Shimabara en de vulkaan Unzen
Object type: print
Date: 1862 – 1862
Materials: paper
Techniques: chromolithography
Location: the hague
Subjects: hoofed animals: deer, volcano, japan
Lance for Joust or Quintain Course
Object type: arm
Date: 1710 – 1720
Materials: iron, paint, wood
Culture: german
Location: dresden
Hope (Spes) from The Virtues
Object type: print
Date: 1559 – 1560
Techniques: engraving
Artist: pieter bruegel the elder
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1525 – 1569
Subjects: men,women,fish,boats
Portret van Ernst Christian Westphal
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Subjects: ornament ~ medallion, historical persons, justitia (justice) as roman personification
Inscriptions: collector's mark: Lugt 2228
Johanna (Hans) de Jong en Johanna (Nan) Vreede met hond op schoot in heidelandschap
Object type: photograph
Date: 1900 – 1900
Materials: paper
Techniques: gelatin silver print
Subjects: leiden, johanna petronella lambertina stokhuyzen-de jong (hans), surabaya, johanna elisabeth borgerhoff mulder-vreede (nan), historical persons, dog, netherlands
Inscriptions: inscription: ‘H. + Nan.’
Open plek omringd door bomen
Object type: drawing
Date: 1915 – 1915
Materials: chalk, paper
Techniques: pasting
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: trees, public gardens, park

Mogelijk in het Kurpark te Wiesbaden. Tekening maakt deel uit van een album.
Jack Dempsey, Champion Middle Weight Pugilist of the World, from the Champions of Games and Sports series (N184, Type 1) issued by W.S. Kimball & Co.
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w.s. kimball & co.
Artist role: publisher
Subjects: men,boxing,athletes
Statue of Benjamin Franklin
Object type: decorative art
Date: 1800 – 1880
Materials: earthenware, porcelain
Culture: staffordshire potteries
Location: staffordshire
Helmet
Object type: helmet
Date: 1701 – 1900
Materials: steel
Culture: caucasian
Location: caucasus
Inzenýr Jaroslav Gröger
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: prague
Subjects: adult man
Textile Fragment
Object type: textile fragment
Date: 1667 – 1700
Materials: metal, silk, thread
Techniques: brocade
Location: iran
Subjects: leaves
Mask (Buk, Krar, or Kara)
Object type: mask
Materials: feather, fiber, paint, shell, wood
Culture: torres strait islander
Location: australia
Subjects: birds

The unique turtle-shell masks of the Torres Strait Islands that lie between Australia and New Guinea are among the most striking works of Oceanic art. Attributed to Mabuiag Island, this work displays the composite human and animal imagery typical of western Torres Strait masks. Turtle-shell masks in the Western Torres Strait reportedly were used during funerary ceremonies and increase rites, designed to ensure bountiful harvests and an abundance of fish and game. The ceremonies often involved performances in which senior men, wearing the masks and rustling costumes of grass, reenacted events from the lives of culture-heroes, which were drawn from oral tradition. Worn over the head like a helmet, this work depicts a human face, possibly representing once such culture-hero. It is surmounted by a frigate bird, perhaps representing his personal totem.
The photographic news : a weekly record of the progress of photography
Object type: book
Date: 1859 – 1859
Materials: cardboard, leather, paper
Techniques: photoglyphic engraving, printing, marbling
Location: london
Inscriptions: annotation: ‘DEC/1995’

Op pagina 25 staat een beschrijving van het proces van photoglyphic engraving.
Portret van Gaspard Duchange
Object type: album leaf
Date: 1755 – 1755
Materials: paper
Techniques: engraving, etching
Subjects: paris, print maker, publisher, gaspard duchange, historical persons, portrait, self-portrait of graphic artist
Inscriptions: date
Man met hoed en paraplu leest een krant
Object type: print
Date: 1826 – 1870
Materials: paper
Techniques: engraving
Subjects: adult man, umbrella, newspaper, news-sheet, head-gear: top hat
Inscriptions: collector's mark: Lugt 2228
Gezicht op het afvoerkanaal van het meer bij Albano
Object type: print
Date: 1811 – 1811
Materials: paper
Techniques: etching
Location: rome
Artist: wilhelm friedrich gmelin
Artist role: print maker
Artist dates: 1760 – 1820
Subjects: sluice, weir, fishing (sports)
Inscriptions: collector's mark: Lugt 2228
Headlight, from the Novelties series (N228, Type 3) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Brief aan Philip Zilcken
Object type: letter
Date: 1898 – 1898
Materials: ink, pencil
Techniques: pen, printing, writing
Location: amsterdam
Subjects: marseille, gabriel mourey, the hague, draughtsman, philip zilcken, haarlem, amsterdam
Inscriptions: collector's mark: ‘RPK’

Brief bevat aantekeningen van Philip Zilcken op verso.
Sheet with overall patterns of pearls and zigzags
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Design for Omnibus or Wagonette, no. 3840
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Evening dress
Object type: evening dress
Date: 1848 – 1848
Materials: silk
Culture: american
6 pence uit Engeland van George III, 1816
Object type: coin
Date: 1816 – 1816
Materials: silver
Techniques: striking
Location: london

Zilveren munt. Voorzijde: gelauwerd hoofd van de koning naar rechts. Jaartal in omschrift onderaan. Keerzijde: door de band van de Orde van de Kousenband, waaraan juweel, omhangen gekrooond wapenschild. Kartelrand.
Rébus on the subject of love, a riddle depicted on drapery, below a landscape with a pyramid and two obelisks, a bust of a sphinx at bottom
Object type: print
Date: 1637 – 1642
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: obelisks,men,cupid,sphinx

The interpretation of the riddle per line is as follows: 'Ove è Amore è fedeltà / Amor solicito è segreto. / Dove è Amore è gelosia. / Amore è cieco e vede di lontano. / Amore passa il guanto e l'acqua li stivali. / Amor Amore, tu sei la mia rovina.'
Groepsportret van vier onbekende jonge mannen met sigaren
Object type: photograph
Date: 1917 – 1917
Materials: paper
Techniques: gelatin silver print
Location: groningen
Subjects: cigar, youth, adolescent, anonymous historical persons portrayed in a group, in a group-portrait
A game for children with 48 scenes
Object type: print
Date: 1865 – 1865
Materials: paper
Techniques: printing, engraving
Artist: antonio bosch
Artist role: publisher
Artist nationality: spanish
Artist dates: 1860 – 1880
Subjects: musical instruments,animals,men,women
Étagère
Object type: étagère
Date: 1885 – 1890
Culture: american
Location: united states
Artist: a. kimbel and sons
Artist role: maker
Artist nationality: american
Artist dates: 1882 – 1941
Graecorum Troianorumque concursus
Object type: print
Date: 1606 – 1606
Materials: paper
Techniques: etching
Location: antwerp
Subjects: the trojan war (94c - 94h), battle, warfare; military affairs (+ cavalry, horsemen), the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 150 prenten (+ titelprent) met voorstellingen van de Metamorfosen van Ovidius.
Italorum Doctrina Illustrium imagines
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving
Location: antwerp
Inscriptions: collector's mark: Lugt 2228

Portret van Gian Francesco Poggio Bracciolini, een Florentijns historicus. Buste naar rechts. De prent heeft een Latijns onderschrift en maakt deel uit van een serie met portretten van beroemde Italiaanse geleerden.
Parody of Ariwara no Narihira's eastern journey
Object type: print
Date: 1803 – 1803
Techniques: woodblock print, surimono
Location: japan
Artist: attributed to katsushika hokusai 葛飾 北斎
Artist nationality: japanese
Artist dates: 1760 – 1849
Portret van keizer Matthias
Object type: book illustration
Date: 1750 – 1750
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: vienna, matthias van oostenrijk (rooms-duits keizer), knighthood order of the golden fleece, emperor
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Meteren, Emanuel van. Historie van de oorlogen en geschiedenissen der Nederlanderen, en der zelver naburen: beginnende met den jare 1315, en eindigende met den jare 1611, deel III, p. 71. Gorinchem/Breda: Nicolaas Goetzee/Willem Goetzee, 1750.
Pont et Place de la Concorde, Paris
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring, perforating
Location: paris
Artist: Anonymous
Subjects: square, place, circus, etc., bridge in city across river, canal, etc.
Johannes en Robinetta in een veld met bloemen
Object type: boekillustratie ontwerp
Materials: paper
Techniques: lithograph
Artist: edzard koning
Artist role: draughtsman, print maker
Artist dates: 1869 – 1954
Subjects: picking flowers, flowers
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor: Eeden, Frederik van, De kleine Johannes. Den Haag: Mouton & Co., 1898.
A gentleman wearing a short coat, a helmet, and boots with spurs, standing on the steps and turned towards the right, from "The Garden of the French Nobles In Which One Can Pick Up Their Way of Dressing"
Object type: print
Date: 1629 – 1629
Techniques: etching
Artist: abraham bosse
Artist role: artist
Artist nationality: french
Artist dates: 1602 – 1676
Subjects: men
Yellow House, Lannion
Object type: print
Date: 1893 – 1893
Materials: ink, stone, parchment, paper
Techniques: scraping, lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Vijf lofdichten op de politicus Joan Derk van der Capellen tot den Pol
Object type: text sheet
Date: 1785 – 1785
Materials: paper
Techniques: letterpress printing
Location: dordrecht
Subjects: joan derk van der capellen tot den pol, historical persons
Inscriptions: date
M. Morando, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Gezicht op Kaapstad vanaf de baai
Object type: photograph
Date: 1877 – 1882
Materials: photographic support
Techniques: albumen print
Location: cape town
Artist: Anonymous
Subjects: city-view in general; 'veduta', landscapes with waters, waterscapes, seascapes (in the temperate zone)