deem-data/ArtiFact huggingface dataset:
Zeil- en roeiboten op open water
Object type: sketchbook leaf
Date: 1900 – 1931
Materials: chalk
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: city-view, and landscape with man-made constructions, sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone), rowing-boat, canoe, etc.

Op de achtergrond een landschap met molens. Blad 51 recto uit een schetsboek met 55 bladen.
Leven van Samson
Object type: print
Date: 1679 – 1728
Materials: paper
Techniques: etching
Subjects: the time of samson ~ the book of judges
Inscriptions: collector's mark: Lugt 2228
Rug
Object type: textile
Date: 1801 – 1900
Materials: cotton, wool, thread
Techniques: treatment, weave
Location: united states
Plate from the Duke of Clarence Service
Object type: ceramic
Date: 1792 – 1792
Materials: ceramic, enamel, porcelain, soft paste porcelain
Techniques: gilding
Location: worcester
They Do Not Arrive in Time, plate 52 from The Disasters of War
Object type: print
Materials: gilt, paper
Techniques: engraving, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: war
Afscheid van de anatomie
Object type: print
Date: 1945 – 1963
Materials: paper, ink
Techniques: lithograph
Artist: aat verhoog
Artist role: print maker
Artist dates: 1933 – 
Inscriptions: signature: ‘Aat Verhoog’, edition: ‘5/10’, inscription: ‘AND. VESALI DE CORPORIS SEXTA MUSCULDRYM TABULA’

Vier gedeformeerde figuren op paarden en een staand figuur met spitse oren, allen zonder gezicht. Met links van het midden een appel.
Fietsers in Den Haag
Object type: photograph
Date: 1945 – 1970
Materials: photographic support
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Subjects: bicycle, the hague
Piece of Cloth for Kimono with Pattern of Stylized Rosettes
Object type: piece of cloth for kimono
Date: 1801 – 1900
Materials: cotton
Techniques: patterning, weave
Culture: japanese
Artist's paint pallette, from the Novelties series (N228, Type 4) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,flowers

Trade cards from the "Novelties" series (N228), issued in 1889 to promote Kinney Tobacco Company. There are five types of card within the series. Type 1 cards are round. Type 2 cards are round with colored borders. Type 3 cards are die cut to the shape of a novelty item. Type 4 are also die cut with embossing. Type 5 depict novelties on a rectangular card. Finally, Type 6 are die cut in the shape of an egg.
Gezicht op Ellewoutsdijk
Object type: print
Date: 1657 – 1657
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: pieter hendricksz. schut
Artist role: print maker
Artist dates: 1618 – 1660
Subjects: prospect of village, silhouette of village, castle, church (exterior), prospect of city, town panorama, silhouette of city, ellewoutsdijk

Prent ook gebruikt in: Speculum Zelandiae dat is een beschryvinge ofte afbeelding der steden, ambachts-heerlijckheden, dorpen castelen, ridderlijcke hofsteden, huysen en gebouwen gelegen inde eylanden en de graeflijckheyt van Zeelandt. Amsterdam: weduwe Ottens en Zoonen, s.a. [1719-1725].

Eerdere staat/staten van prent is/zijn gebruikt in eerdere uitgaven van 'Speculum Zelandiae' en in andere publicaties uitgegeven door Zacharias Roman en Nicolaes Visscher (I).

De eerste publicatie waarin de eerste staat van de huidige prent voorkomt dateert uit 1657.

Verwarring rondom de datering kan ontstaan door het feit de prenten uit 'Speculum Zelandiae' ook voorkomen in eerder uitgegeven publicaties, waar ze later in zijn ingebonden. Zo komen prenten uitgegeven door Roman/Visscher voor in sommige exemplaren van: Boxhorn, Marcus Zuerius van. Chroniick van Zeelandt (…). 2 delen. Middelburg: Zacharias Roman, 1644. De door weduwe (Joachim) Ottens en Zoonen uitgegeven prenten zijn later ingebonden in sommige exemplaren van: Smallegange, Mattheus. Nieuwe Cronyk van Zeeland (…). Middelburg en Amsterdam: Johannes Meertens en Abraham van Someren, 1696.
Gezicht op een brug of sluis
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Techniques: stumping
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: sluice, weir, village street

Gezicht op een brug of sluis. Blad 10 recto uit een schetsboek met 27 bladen.
Swept frame
Object type: frame
Date: 1750 – 1760
Materials: wood
Culture: french
New Ministers Going on Duty
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: charles williams
Artist nationality: english
Artist dates: 1797 – 1830
Ninety days in the tropics, or letters from Brazil
Object type: book
Date: 1874 – 1874
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print
Artist: william stuart auchincloss
Artist role: schrijver
Inscriptions: name: ‘J.[...]ayard Dec. 1874.’, name: ‘Compliments of William S. Auchincloss’
Ex libris van Eduard van Amerongen
Object type: bookplate
Date: 1938 – 1938
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: fré cohen
Artist role: draughtsman, print maker
Artist dates: 1903 – 1943
Subjects: chess

De Hebreeuwse tekst is afkomstig uit Zacharia 4:6 en wordt als volgt vertaald: 'Niet door kracht, noch door geweld, maar door mijn Geest.'
H. Martinus van Tours als bisschop
Object type: print
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: beggar, martin(us), bishop of tours; possible attributes: beggar, goose
Inscriptions: collector's mark: Lugt 2542

De heilige Martinus van Tours draagt zijn bisschopsgewaad en leest in een boek. Achter hem een zwerver. In de marge een onderschrift in het Latijn.
Ex libris van S. Arbo Høeg
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: denmark
Subjects: book, predatory birds
Inscriptions: inscription: ‘Jens/ Blom’
Card Number 751, Margaret Mather, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Illustraties voor Reijntje de Vos
Object type: print
Date: 1665 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: fable of reynard the fox
Inscriptions: collector's mark: Lugt 2228

Reinaert de vos ligt op zijn rug in het gras. Op de achterkant van de prent een Duits tekstfragment uit het verhaal van Reinaert de vos.
Portable clock
Object type: portable clock
Date: 1801 – 1900
Materials: brass, enamel
Artist: décombat
Artist role: maker
Artist dates: 1800 – 1900
Le Combat (The Combat), from "Le Combat a la Barrière"
Object type: print
Date: 1627 – 1627
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Ovale broche van zilver met groen glas
Object type: brooch
Date: 1916 – 1916
Materials: glass, silver
Techniques: hammering
Location: schoonhoven
Artist: p. heerens
Artist role: designer, jeweler, silversmith
Inscriptions: alloy mark: ‘(oud) zwaard’

Ovale broche van gehamerd zilver met in het midden een groen glas voorzien van een haaksluiting.
Dish
Object type: dish
Date: 1720 – 1730
Materials: earthenware
Culture: german
Location: germany
Subjects: birds,fruit
Myddelton Biddulph Armorial Medallion
Object type: textile
Date: 1846 – 1846
Materials: cotton, linen, paper, textile, silk, velvet
Techniques: appliqué, embroidery, cutting, embroidered, weave, stitching
Location: wales
Artist: augustus welby northmore pugin
Artist role: designer
Artist nationality: british
Artist dates: 1812 – 1852
Banshoku zuko, one vol. of 5 published
Object type: book
Materials: ink, paper
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Cap
Object type: cap
Date: 1815 – 1820
Culture: american
Excerpt from “Song of Leyou Park”
Object type: hanging scroll mounted a handscroll
Date: 1201 – 1300
Materials: ink, paper
Culture: chinese
Artist: zhang jizhi
Artist role: artist
Artist nationality: chinese
Artist dates: 1186 – 1266

Zhang Jizhi, the last important calligrapher of the Song period, was a devout Buddhist who often transcribed religious texts as an act of devotion. He obtained his jinshi degree, the highest rank in the civil service examination, but never rose to high office. As a calligrapher, however, his fame spread beyond the borders of the Song to the Jin empire in northern China as well as to Japan, where his handwriting was particularly prized by Zen monks. Zhang was noted for his forceful large-character standard script, with its boldly contrasting blunt and sinuous brushstrokes. This piece, remounted centuries ago in Japan for display in a tokonoma, was cut from a long handscroll transcribing a poem by Du Fu (712–770) in such a manner that the poetic phrasing of the original is completely fragmented. The original two couplets may be translated as follows (the text of this scroll is on the fourth and fifth lines): Heavenly gates open in clear skies, ripples vastly trembling; By the Serpentine, kingfisher curtains hang arrayed with silver plaques. Brushing the water, hovering, dancing sleeves flutter; Climbing to the clouds, crisp and clear, the sounds of songs arise. (Translated by Jonathan Chaves)
Prentbriefkaart aan Philip Zilcken
Object type: ansichtkaart, prentbriefkaart
Date: 1894 – 1930
Materials: cardboard, ink
Techniques: pen, writing
Location: milan
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Bencharong (Five-Colored) Ware, Spittoon
Object type: decorative art
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Location: china
Courtesans of the Yadaya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 1
Object type: print
Date: 1776 – 1776
Techniques: woodblock print, cutting
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Zouaven / Zouaves
Object type: print
Date: 1833 – 1911
Materials: paper
Techniques: lithograph, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: the soldier; the soldier's life, (military) uniforms
Inscriptions: collector's mark: Lugt 2760

Blad met 2 horizontale rijen met in totaal 12 voorstellingen van Zoeaven (Franse militairen) met een geweer en een pofbroek. Genummerd rechtsboven: n. 234.
The Temple of Peace, plate nine from the Ruins of Rome
Object type: print
Materials: paper
Techniques: aquatint, hand coloring
Location: england
Artist: m. dubourg
Artist nationality: english
Artist dates: 1786 – 1838
Dieren en fabelwezens
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: vatican city
Subjects: hoofed animals: stag
Inscriptions: number: ‘204’, collector's mark: Lugt 11

Deze prent maakt deel uit van een reeks prenten van dieren door Antonio Tempesta. Bekend is dat een tweede staat (met nummering) van deze serie is uitgegeven door Giovanni Giacomo de' Rossi in 1650. Onbekend is wie de eerste staat heeft uitgegeven en wanneer.
Een krijgsraad in de zeventiende eeuw
Object type: print
Date: 1867 – 1909
Techniques: printmaking, etching
Location: netherlands
Subjects: interrogation of arrested person
Inscriptions: collector's mark: Lugt 2228

Coll. de la Faille. naar het schilderij in Museum Boijmans Van Beuningen, Rotterdam, inv.nr. 1396
Burgonet with Falling Buffe possibly from an Armor of William Herbert, Earl of Pembroke
Object type: armor
Date: 1555 – 1555
Materials: leather, steel
Techniques: gilding
Culture: english
Location: greenwich
Su Shi Riding a Donkey
Object type: hanging scroll
Date: 1401 – 1433
Materials: gold, ink, paper
Culture: japanese
Artist: bokudō sojun
Artist role: artist
Artist nationality: japanese
Artist dates: 1373 – 1459
Subjects: men,donkeys

This sparse painting of a man and a donkey in a windswept landscape illustrates an episode in the life of the Song-dynasty poet Su Shi (1037–1101). The aged Su, in exile, had been visiting a friend. As it began to rain when he took his leave, Su borrowed a wide-brimmed hat and clogs from a local farmer. The sight of a scholar-official from the city plodding through the rain dressed in the humble garb of a farmer is said to have startled the local women and children. The artist, Bokudō Sōjun, was a Zen monk from Tenryūji Temple in Kyoto. His use of gold outlines on Su Shi’s hat, headcloth, and the bridle bit, touches of brightness in an otherwise austere composition, may have been influenced by professional painters of the era who used gold highlighting in Buddhist paintings.
Folding Fan with representations of Pompeii and the 1786 eruption of Vesuvius
Object type: fan
Date: 1795 – 1795
Materials: gilt, glass, gouache, metal, parchment, shell
Subjects: buildings,volcanoes

This is a typical, and very elegant, eighteenth-century souvenir fan, depicting the dramatic eruption of Mount Vesuvius, flanked by sunny scenes of Classical ruins identified by inscriptions as sites in Pompeii. These landscapes are set against a delicate decorative design inspired by Roman wall paintings. Such fans were made in some quantities for wealthy visitors enjoying their Grand Tour vacations in Italy to take home as mementoes. Though the painted fan leaves were made in Italy, often the sticks and guards were attached once home in Britain. This example relates to others in The Met's collection of Vesuvius (14.73; 63.90.73; 38.91.105), of the Colosseum (24.80.32, 63.90.76), and of the Bay of Naples (63.90.79)
Untitled
Object type: photograph
Date: 1844 – 1844
Materials: paper
Location: england
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Subjects: collected by hugh edwards
Hyacint
Object type: drawing
Date: 1853 – 1880
Materials: paper, pencil, watercolor
Techniques: brush
Location: netherlands
Artist: joannes carolus alberdingk thijm (jan)
Artist role: pater, schrijver
Artist dates: 1847 – 1926
Subjects: flowers: hyacinth
Wine pot
Object type: wine pot
Date: 1790 – 1790
Materials: enamel, faience
Techniques: relief
Culture: japanese
Subjects: flowers
Portret een man, zittend aan een tafel
Object type: album leaf
Date: 1855 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: sitting figure, adult man, historical persons
Inscriptions: inscription: ‘Hennah & Kent/ 108, King's Road/ Brighton’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 301
Materials: terracotta
Culture: greek, attic

Part of the left half of a kylix handle and part of the crosspiece; at the bottom left, a hole from an ancient repair
Begging Monkey
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: france
Artist: auguste andre lançon
Artist role: print maker
Artist nationality: french
Artist dates: 1836 – 1887
Voor- en achteraanzicht van een staande man
Object type: sketchbook leaf
Date: 1873 – 1873
Materials: paper, pencil
Location: rotterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: standing figure (+ front view), standing figure (+ back view)

Blad 16 verso uit een schetsboek met 25 bladen.
Boerenerf
Object type: print
Date: 1878 – 1931
Materials: paper
Techniques: etching, intaglio
Artist: dirk berend nanninga
Artist role: print maker
Artist dates: 1868 – 1954
Subjects: fowl (cock, hen, chicken, etc.), farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Links een schuur en een hooiberg; rechts een boom en een kar. Over het erf lopen kippen.
Theelepel met spits ovale bak en platte, gebogen steel, die zich verbreedt naar het spitse uiteinde
Object type: spoon
Date: 1804 – 1804
Materials: silver
Location: amsterdam
Artist: hendrik overhulsman
Artist role: silversmith
Artist dates: 1756 – 1836
Inscriptions: town mark, date letter: ‘V’, maker's mark

De spits ovale bak is door middel van enkel lof verbonden met de platte, gebogen steel, die zich verbreedt naar het spitse uiteinde.
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Drapery of a figure wearing a patterned garment to left; warrior to left, wearing a helmet and chitoniskos, with a baldric and scabbard; his right arm is bent, and his left arm holds his shield, which has a dolphin as a shield device
Self-Portrait with Inscription
Object type: print
Date: 1904 – 1904
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Flintlock Longrifle
Object type: flintlock longrifle
Date: 1770 – 1770
Materials: brass, iron, steel, wood
Culture: american
Location: united states
Artist: george schreyer, sr.
Artist role: gunsmith
Artist nationality: american
Artist dates: 1739 – 1819

This elegant, and beautifully made rifle probably dates to about 1770. It is complete and in nearly original condition, which is rare for an American longrifle of this period. Although the rifle is unsigned, the architecture of its stock, particularly the low comb and straight lines of the buttstock, and the form of the brass mountings suggest it comes from York County, a region that was home to many talented gunsmiths. Among the most prominent of these was George Schreyer Sr. (1739–1819), whose style influenced a generation of gunmakers in York and neighboring parts of Maryland and Virginia. This rifle display’s Schreyer’s signature motif, a fleur-de-lis carved on the top of the stock at the base of the barrel and on the underside behind the rear ramrod pipe, which appears on all of his signed works. One of the most noteworthy features of this rifle is the very unusual, lively, and skillfully rendered carving on the cheek side of the buttstock, which has no parallels on Schreyer's many other rifles from later in his career. If Schreyer had a hand in the creation of this rifle, it may be that he was responsible for some areas or parts of it at a time when he was still an apprentice or a journeyman working for another gunsmith, perhaps in Reading or Lancaster in the late 1760s or early 1770s, before returning to York, where he spent the rest of his life. Joe Kindig Jr. (see references) said of this rifle: "This is a very beautiful Lancaster daisy patch box rifle made before or during the Revolution. The very flat butt plate and thick heavy stock indicate its earliness. The barrel displays three more early details: it tapers from the broad breech to within six or eight inches of the muzzle and gradually flares again; it is fastened to the stock with pins; the tang is square. These details suggest that this was one of the earliest guns made with an ornamented patch box. The patch box is not as sophisticated in outline as some, but it bears very nicely designed, deep engraving. The relief carving is beautifully designed and well executed. There is nicely carved forestock molding too. The stock is finer curly maple than we expect to find in the early period, and it has the high comb…This is a fine detail which was executed only by the best early gunsmiths. I hope the maker of this rifle will be known eventually, for he was certainly one of the best of his period." George Shumway (see references, Shumway, 1982) described the decoration on the cheek of the butt stock as "a rather sophisticated and beautifully designed display of relief and incised carving…"
Portret van Francisco Verdugo
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: historical persons, stadtholder

Prent waarschijnlijk uit: Meteren, Emanuel van. Historie van de oorlogen en geschiedenissen der Nederlanderen, en der zelver naburen: (...). Gorinchem en Breda: Nicolaas en Willem Goetzee, 1750, dl. 3, p. 376
Ontwerp voor een bewijs van toegang
Object type: sketchbook leaf
Date: 1896 – 1896
Materials: ink, paper
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: letters, alphabet, script
Inscriptions: annotation: ‘1895-1896/ Bewijs van toegang/ tot alle exposities/ voor den Heer/ [...]/ Bewijs van toegang/ tot/ elke tentoonstell/ in het jaar 1895-1896/ voor/ Bewijs van toegang/ tot alle exposities/ in het jaar 1895-1896’

Blad 25 verso uit een schetsboek met 44 bladen.
Man op een brug over de beek Skelton Beck nabij Saltburn-by-the-Sea
Object type: photograph
Date: 1874 – 1879
Materials: paper
Techniques: carbon print, hand coloring
Location: north yorkshire
Artist: arthur brown
Artist role: fotograaf
Subjects: adult man, brook, bridge
Inscriptions: inscription: ‘By thirty hills (...) a hundred bridges.’, number: ‘2’

Deze foto maakt deel uit van een omslag met dertien foto's.
Vlinders en een mot
Object type: print
Date: 1646 – 1646
Materials: paper
Techniques: etching
Location: antwerp
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: insects: moth, insects: butterfly
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van de twaalfdelige serie (incl. titelprent) met verschillende insecten: "Muscarum Scarabeorum".
Gelijkenis van de verloren zoon
Object type: print
Date: 1580 – 1588
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: brothel, clothes, costume (+ women's clothes), neck-gear ~ clothing (with name) (+ women's clothes), clothes, costume (+ men's clothes), 'sine cerere et baccho friget venus', lute, and special forms of lute, e.g.: theorbo, the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn, more than one musician with instrument, private festivities, merry company, head-gear (with name) (+ women's clothes)
Inscriptions: collector's mark: Lugt 2228

De dames dragen Spaanse hoedjes* met hoge bol en een kleine platte rand, versierd met strik en veren. Molenstaankragen* en geplooide manchetten.
Twee schutters in zeventiende-eeuwse kleding
Object type: sketchbook leaf
Date: 1846 – 1882
Materials: paper, pencil
Techniques: stumping
Location: amsterdam
Subjects: adult man, clothes, costume (+ men's clothes)
Inscriptions: annotation: ‘Van der Helst/ 1639’

Naar figuren op 'Officieren en andere schutters van wijk VIII in Amsterdam onder leiding van kapitein Roelof Bicker en luitenant Jan Michielsz Blaeuw' van Bartholomeus van der Helst, 1639 (Rijksmuseum Amsterdam).
Pharmacy bottle
Object type: pharmacy bottle
Date: 1470 – 1500
Techniques: maiolica, glazing
Subjects: feathers

Vessels of this shape, with long, narrow necks, were designed to hold liquid preparations. In this example, the inscription shows that it was meant to contain water of the bugloss plant, once valued as an antivenom. Such labels first appeared on Italian pharmacy jars in the mid-1400s and became commonplace by the end of the century. The striking peacock-feather ornament helps trace the bottle’s manufacture to the town of Pesaro, where it was a favorite design.
Gezicht op het Lago Maggiore en het Isolino di San Giovanni
Object type: cabinet photograph
Date: 1870 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: italy
Artist: alfredo noack
Artist role: fotograaf
Artist dates: 1833 – 1895
Subjects: prospect of village, silhouette of village, island, italy
Inscriptions: address: ‘Vico del Filo No. 1 Genova’

Onderdeel van Fotoalbum van de familie Boelen.
Beaker
Object type: beaker
Date: 1600 – 1670
Materials: glass
Techniques: enamel
Artist: johann ludwig faber
Artist role: enameler
Artist dates: 1648 – 1727
Subjects: coat of arms