deem-data/ArtiFact huggingface dataset:
Serie lithografieën
Object type: album leaf
Date: 1818 – 1819
Materials: paper
Techniques: lithograph
Artist: carle vernet
Artist role: draughtsman, print maker
Artist dates: 1758 – 1836
Subjects: stage costume, snuff-box, group of actors, troupe; actors on the stage

Twee mannen in een leeuwenkostuum en de uitrusting van een Romeinse soldaat. Prent maakt deel uit van een album.
Christus' voeten gezalfd door een zondares
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: a woman washes christ's feet with her tears, and wipes them with her hair

Christus is te gast voor de maaltijd in het huis van Simon de farizeeër. Een zondares zalft de voeten van Christus en droogt ze met haar haren. Naast haar staat de zalfpot. Christus is in gesprek met Simon. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Luc. 7. Deze prent maakt deel uit van een album.
Gezigt op de Bastille en de Poort van St. Antoine te Parys
Object type: print
Date: 1736 – 1775
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan caspar philips
Artist role: draughtsman, print maker
Artist dates: 1700 – 1775
Subjects: fortress, city-gate
Inscriptions: collector's mark: Lugt 2228
Ritual wine container (zun)
Object type: wine container
Date: 1034 – 1001
Materials: bronze
Culture: chinese

This elaborate set of wine vessels provides an idea of the splendor of Shang and early Zhou ritual ceremonies. The set is said to have come from a tomb uncovered in 1901; shortly thereafter, it entered the collection of Duan Fang, a senior Manchu official and one of the preeminent antiquarians of the late Qing period. The pieces vary in style and execution. Although eleven of the vessels are inscribed, only one grouping shares identical inscriptions: the two wine containers, or you (nos. 2, 3) and the tall wine container, or zun (no. 4). A second grouping has largely comparable inscriptions: the spouted water vessel, or he (no. 5) and one cup, or zhi (no. 11). A partial reconstruction of the set’s arrangement in the tomb may be established from corrosion outlines on the three principal vessels—the two wine containers, or you, and the central tall wine container, or zun—that were etched onto the surface of the altar table. The diagram shows a hypothetical arrangement of the remaining vessels around the major pieces. Even if this is accepted as the original grouping, the disparate inscriptions and vessel styles remain unexplained. Created around the time of the Zhou conquest of the Shang, and clearly by different foundries, the pieces of the set may represent the accumulated wealth of a family shrine. 青銅禁 1. Ritual Altar Table (Jin) (24.72.1) 青銅帶座卣 2. Ritual Wine Container (You) (24.72.2a-c) 青銅卣 3. Ritual Wine Container (You) (24.72.3a, b) 青銅尊 4. Ritual Wine Container (Zun) (24.72.4) 青銅盉 5. Spouted Ritual Water Vessel (He) (24.72.5a, b) 青銅觶 6. Ritual Wine Cup (Zhi) (24.72.6) 青銅斚 7. Ritual Wine Container (Jia) (24.72.7) 青銅斗 8. Ritual Ladle (Dou) (24.72.8) 青銅爵 9. Ritual Wine Vessel (Jue) (24.72.9) 青銅觚 10. Ritual Wine Beaker (Gu) (24.72.10) 青銅觶 11. Ritual Wine Cup (Zhi) (24.72.11) 青銅觶 12. Ritual Wine Cup (Zhi) (24.72.12) 青銅角 13. Ritual Wine Vessel (Jiao) (24.72.13) 青銅觶 14. Ritual Wine Cup (Zhi) (24.72.14)
Tiny bowl
Object type: bowl
Date: 4500 – 4000
Materials: pottery
Location: egypt
Portret van Willem Carel Hartsinck
Object type: print
Date: 1749 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent is oorspronkelijk bedoeld als aanvulling op Jan Wagenaars ‘Vaderlandsche historie’* en was zo vanaf 1796 verkrijgbaar bij Johannes Allart te Amsterdam.

Voor de advertentie waarin Allart de 60 portretten en 7 platen, allen gegraveerd door Houbraken, ter aanvulling op Wagenaars ‘Vaderlandsche historie’ aanbiedt, zie RP-P-OB-77.766.

*Van dit werk zijn in de achttiende eeuw meerdere uitgaves verschenen, zoals:

Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden (…). 21 delen. Amsterdam: Isaak Tirion, 1749-1759.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: weduwe Isaak Tirion, 1770.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam, Leiden, Dordrecht en Harlingen: P. Schouten e.a., 1782.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: Johannes Allart, 1790-1796.
Plate
Object type: plate
Date: 1750 – 1770
Materials: stoneware
Culture: british
Location: england
Erf met een schuur
Object type: drawing
Date: 1834 – 1911
Materials: ink, paper, pencil
Techniques: pen
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: farm (building)
Alwaardij ontvangt Blisil
Object type: book illustration
Date: 1749 – 1749
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: specific works of literature, accusing
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als illustratie in: Fielding, Henry. [Vertaald uit het Engels door] Pieter Le Clercq. Historie van den vondeling Tomas Jones, dl. 3, p. 484. Amsterdam: Gerrit de Groot, 1749.
Trionfo Di Virtu. Libro Novo..., page 16 (verso)
Object type: book print ornament architecture
Date: 1563 – 1563
Techniques: woodcut
Artist: matteo pagano
Artist role: publisher
Artist nationality: italian
Artist dates: 1515 – 1588
Subjects: ornament

Published by Matteo Pagano, Italian, 1515-1588, Venice. From top to bottom, and left to right: Design is decorated with 6 curving scrolls. In between the second and third scrolls, and the fourth and fifth scrolls is a heart impaled with by a sharp object (either arrows or a knife). The first and third scrolls contain an inscription that reads: "OCCHI PIANGE TE ACOPAGNATE IL CORE / TUS INCLITAVIR".
Receptacle with Figurative Relief and Stopper
Object type: vessel with stopper
Date: 1880 – 1890
Materials: ivory
Culture: kongo
Location: democratic republic of the congo
Subjects: men
Collar
Object type: collar
Date: 1867 – 1900
Materials: lace
Techniques: lace
Cylinder seal
Object type: cylinder seal
Date: 1001 – 1333
Materials: mineral
Location: mesopotamia
Façade en doorsnede van een gebouw
Object type: sketchbook leaf
Date: 1864 – 1864
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: willem springer jr.
Artist role: draughtsman
Artist dates: 1815 – 1907
Subjects: façade (of house or building), section ~ architectural design or model

Pagina 55 uit een schetsboek met 164 pagina's.
Gevelsteen aan de Nieuwe Teertuinen te Amsterdam
Object type: drawing
Date: 1870 – 1926
Materials: paint, ink, paper, pencil
Techniques: pen
Location: amsterdam
Artist: willem wenckebach
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1860 – 1937
Subjects: stone tablet in façade, amsterdam
Attributs pastorals
Object type: print
Date: 1744 – 1771
Materials: paper
Techniques: etching
Location: paris
Subjects: trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament, agricultural implements
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Twee trofeeën met agrarische attributen zoals een zeis, een melkkan, een wan, een karnton, manden, harken, dorsvlegels en manden met bloemen.
Fontaine des Quatre Parties du Monde
Object type: cabinet photograph
Date: 1874 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Subjects: ornamental fountain, public gardens, park
The Thin Kitchen
Object type: print
Date: 1563 – 1563
Techniques: engraving
Artist: pieter bruegel the elder
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1525 – 1569
Subjects: kitchens,men,women,working
Willem Carel Hendrik Friso, Prince d'Orange & Nassou
Object type: print
Date: 1725 – 1780
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: the hague, willem iv (prins van oranje-nassau), equestrian state-portrait, trees, floral interlace ~ ornament, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2760

Portret van Willem IV te paard in een landschap met links een boom en rechts een wapenschild. De voorstelling is gevat in een sierlijst met ranken, vruchten, wapenschilden, putti en sfinxen. Genummerd rechtsboven: 5.
Architectura
Object type: page
Date: 1593 – 1595
Materials: paper
Techniques: etching
Location: straatsburg
Subjects: column, pillar ~ architecture, other architectural details, capital (~ column, pillar), corinthian order ~ architecture
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent gebruikt in: Dietterlin, Wendel (I). Architectura de quinq[ue] columnarum simmetrica distributione et variis eorundem or namentis: Liber I. Straatsburg: Bernhard Jobin, 1593.
Man vaart in een punter in Giethoorn
Object type: photograph
Date: 1900 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Mythologische voorstelling met een ingeslapen vrouw
Object type: print
Date: 1500 – 1599
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, 'cornucopia', horn of plenty, diana as moon-goddess, i.e. luna (selene), river-gods, cupids: 'amores', 'amoretti', 'putti', herd, flock
Inscriptions: collector's mark: Lugt 240, inscription: ‘f. 220:4: A Veneziano’

In een landschap ligt een ingeslapen vrouw tegen een boom. Een strijder in harnas nadert haar, gevolgd door twee mannen met een hoorn des overvloeds (cornucopia). Links op de voorgrond een riviergod en in de lucht Diana als maangodin in een wagen getrokken door paarden. Rechts op een rotspartij zit een herder met zijn kudde.
Two Dogs
Object type: drawing
Materials: ink
Techniques: pen
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: dogs
Going sick to the rear
Object type: print
Date: 1815 – 1815
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,carts,ox

Johnny lying on his back in a two-wheeled cart led by oxen and driven by a peasant. Teague smokes a pipe behind the cart at left.
Panorama di Capri
Object type: photograph
Date: 1865 – 1875
Materials: paper
Techniques: albumen print
Location: capri
Artist: giovanni crupi
Artist role: fotograaf
Artist dates: 1859 – 1925
Subjects: city-view in general; 'veduta', capri, isola di
Inscriptions: number: ‘No. 12’
Fragment
Object type: fragment
Date: 1601 – 1633
Materials: silk
Subjects: flowers,leaves
Oude gevel - Krommenie
Object type: photomechanical print
Date: 1920 – 1937
Materials: cardboard
Techniques: photograph, writing
Location: krommenie
Artist: Anonymous
Subjects: urban housing
Inscriptions: inscription: ‘Geboortehuis van/ Guurtje van Leyden’

Deze prent maakt deel uit van een album.
Visit to a Shrine at the Hour of the Ox (Ushi no toki mairi)
Object type: print
Date: 1765 – 1765
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: women,trees,hammers

In her hands the woman carries nails and a hammer to drive them into a tree to set a curse. Known as the ushi no toki mairi (ox-hour visit), the curse is cast in the dead of night (the ox hour is around 2 a.m.) and is meant to spite either a faithless lover or a successful rival. Usually, a straw effigy was nailed to a tree near a shrine, and appropriate curses were chanted during the act. Harunobu has omitted the effigy, and the woman is not wearing the iron crown bearing three candles that was normally worn on the occasion. She also does not seem to be cursing. Instead, she looks almost as if dreaming, perhaps of sweet revenge. This is a picture-calendar (e-goyomi) for the year 1765. As shown in the diagram below, the dai and shō months for that year appear in the light patches of the pattern on the woman's kimono: the dai months appear in the upper section (some characters are illegible) and the shō months in the lower section of her kimono. Because the numbers are embossed as relief without coloration, they are extremely difficult to read. The print bears the commissioner's seal, kin, on the left side. The names of the carver, Sekine Kaei, and the artist, Suzuki Harunobu, appear in the lower left corner.
Mace with Wheellock Pistol
Object type: mace with wheellock pistol
Date: 1550 – 1550
Materials: gold, silver, steel
Culture: french
Location: france
Bracelet
Object type: bracelet
Date: 1801 – 1900
Materials: cotton, metal
Culture: indian

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Ixion, from "The Four Disgracers"
Object type: print
Date: 1588 – 1588
Techniques: engraving
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: male nudes

This extraordinary tondo is one of the most daring works to have resulted from the brief collaboration between Goltzius and the painter Cornelis Cornelisz van Haarlem. The common bond of the four fallers in the series is that each one tried to enter the realm of the gods and was punished for his hubris. Although he worked from Cornelisz's designs, Goltzius should be given just as much credit as the painter for the striking nature of these scenes. His bold, meshed, swelling strokes lend the figures a powerful presence and masterfully evoke the reflections of light and shadow on their rippling muscles. The sense of confusion surrounding the falls of Ixion (seen here) and Tantalus (53.601.338(3)) into their hellish surroundings is heightened by repeated patterns of swirling lines. The four seemingly varied poses are in fact more or less the same pose (one leg bent down, the other raised; one arm raised, the other lowered) viewed from different angles.
Tekstblad over het gebruik van een armstoel door Willem van Oranje in het bezit van burgemeester Diederik Jansz. Graeff
Object type: print
Date: 1700 – 1799
Materials: ink, paper
Techniques: engraving, pen
Artist: Anonymous
Subjects: delft, william i (prince of orange), politician, handwriting, written text, amsterdam
Inscriptions: collector's mark: ‘18.2’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan regeringsleden en hunne huisgezinnen [voor 1800].
La Nourrice
Object type: group
Date: 1750 – 1752
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: infants,mothers,women,nursing
Gedenkstuk op het Sluiten der Alliantie tusschen de Fransche en Bataafsche Republieken. geslooten den 16 Mey 1795."
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: leiden
Subjects: tetragram (in roman or hebrew script) ~ symbol of god the father, freedom, liberty; 'libertà' (ripa), merchant shipping, shipping trade, alliance, league, union, foedus
Inscriptions: collector's mark: Lugt 2228

Allegorische voorstelling op het bondgenootschap tussen Nederland en Frankrijk, 1795. In het midden reiken de Maagden der Franse en Bataafse republiek elkaar boven een altaar de hand door een slangenring, die wordt vastgehouden door een gevleugelde Vrijheid. Het geheel wordt beschenen door het licht afkomstig van een zon met Tetragrammaton. Boven de Vrijheid vliegt een putto met een palmtak. Links wordt voor een brandend kasteel de dwingelandij verjaagd, rechts zijn schepen te zien die de herlevende zeehandel symboliseren.
Young woman
Object type: bust
Date: 1875 – 1875
Materials: marble
Artist: mino da fiesole (mino di giovanni)
Artist role: artist
Artist nationality: italian
Artist dates: 1429 – 1484
Subjects: portraits,women
Wheellock Rifle Made for Emperor Leopold I
Object type: wheellock rifle
Date: 1685 – 1685
Materials: ivory, mother of pearl, steel
Culture: german
Location: germany
Artist: johann michael maucher
Artist role: stock maker
Artist nationality: german
Artist dates: 1670 – 1701

One of Maucher's greatest masterpieces, the stock is delicately worked in low relief and decorated with inset panels of ivory. The largest panel, on the lid of the patchbox, depicts the goddess Fortuna or the Birth of Venus. In his signature on the stock, Maucher identifies himself as a "sculptor and stock carver."
Man naast een paard voor een huifkar
Object type: sketchbook leaf
Date: 1914 – 1916
Materials: chalk, paper
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: covered wagon, hooded wagon, horse

Blad 7 verso uit een schetsboek met 41 bladen.
View of the Valley, from Between Trees and Mountain House (from Sketchbook)
Object type: drawing
Materials: graphite, paper
Culture: american
Artist: john william casilear
Artist role: artist
Artist nationality: american
Artist dates: 1811 – 1893
Subjects: landscapes
Portret van Palamedes Palamedesz. I
Object type: album leaf
Date: 1630 – 1641
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: delft, painter, palamedes palamedesz. (i), historical persons, portrait, self-portrait of painter

Deze prent maakt deel uit van een album.
Portret van Gerrit Hooft junior
Object type: print
Date: 1767 – 1769
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: dichter, gerrit hooft junior
Inscriptions: collector's mark: Lugt 2228

Proefdruk van de prent volgens Ver Huell gebruikt in: Gerardus Hooft junior [bewerkt door Jeronimo de Bosch], Poëmata. Amsterdam: César Noel Guerin, 1770.
Portret van Pedro Enríquez de Acevedo, graaf van Fuentes
Object type: book illustration
Date: 1730 – 1730
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: Anonymous
Subjects: pedro enríquez de acevedo (count of fuentes), commander-in-chief, general, marshal, armour, historical persons

Prent waarschijnlijk uit: Clerc, Jean Le. Geschiedenissen der Vereenigde Nederlanden, sedert den aanvang van die republiek tot op den vrede van Utrecht in 't jaar 1713 en het Tractaat van Barriere in't jaar 1715 gesloten. Amsterdam: Zacharias Chatelain, 1730, dl. 1. Prent eerder gebruikt in publicaties uit 1681.
Geweven portret van wever en handelaar J.M. Jacquard
Object type: woven material
Date: 1870 – 1880
Materials: silk
Techniques: weave
Artist: françois carquillat
Artist role: wever
Artist dates: 1803 – 1884
Subjects: lyon, joseph marie jacquard, adult man, craftsman ~ applied arts

Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
NAPLES
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: piazza del plebiscito
Artist: Anonymous
Subjects: equestrian statue, village square, place
Inscriptions: inscription: ‘Place S Ferdinand’
Portret van Gaspar de Crayer
Object type: print
Date: 1613 – 1658
Materials: paper
Techniques: engraving
Subjects: antwerp, print maker, gaspar de crayer, historical persons
Design for interior
Object type: drawing
Date: 1830 – 1830
Materials: watercolor
Artist: charles de brocktorff
Artist role: artist
Artist nationality: danish
Artist dates: 1830 – 1830
Subjects: interiors
Boer types - waiting examination for passes to go home, Public Square, Pretoria, South Africa
Object type: stereograph
Date: 1901 – 1901
Materials: cardboard, paper
Techniques: albumen print
Location: pretoria
Artist: Anonymous
Subjects: square, place, circus, etc.
Inscriptions: copyright notice: ‘Copyright 1901 by Underwood & Underwood.’, inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’, inscription, number: ‘140’
Kleine Johannes en Windekind
Object type: drawing
Date: 1878 – 1887
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: willem van konijnenburg
Artist role: draughtsman, painter, print maker
Artist dates: 1868 – 1943
Subjects: male literary characters (kleine johannes)
Inscriptions: monogram: ‘WA v K’

In: Krabbels en kapitale tekeningen, nr. 236. Boekillustratie voor Frederik van Eeden, De kleine Johannes (gepubliceerd in 1887, maar niet met deze illustratie).
Bentside spinet
Object type: bentside spinet
Date: 1769 – 1769
Materials: wood
Techniques: veneering
Culture: american
Location: united states
Artist: john harris
Artist role: maker
Artist nationality: american
Artist dates: 1727 – 1769

Spinets were so rarely made in colonial America that in 1769, when this example was finished, the Boston Gazette reported: "A few days since was shipped for Newport, a very curious Spinnet, being the first ever made in America, the performance of the ingenious Mr. John Harris, of Boston (Son of the late Mr. Joseph Harris, of London, Harpsichord and Spinnet Maker), and in every respect does Honour to that Artist".
Portrait of Louis XVI, Marie Antoinette and The Dauphin
Object type: print ornament architecture
Date: 1791 – 1791
Techniques: engraving, etching
Artist: augustin de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1807
Subjects: girls,men,profiles,women
Folder uit archief Philip Zilcken
Object type: folder
Date: 1911 – 1911
Materials: paper
Techniques: printing
Location: charleroi
Artist: auguste joseph biernaux
Artist role: bierbrouwer, wethouder
Artist dates: 1811 – 1876
Subjects: politician, jules destrée, the hague, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Koning loopt richting een kasteel
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: etching, letterpress printing
Location: haarlem
Subjects: castle, proverbs, sayings, etc., king
Inscriptions: collector's mark: Lugt 1641, stamp

Embleem bij het motto: Welke eene Eere. Onderaan een dertienregelige tekst in het Nederlands. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in engeren zin. Volksleven. Zinnebeeldige voorstellingen uit het volkleven op serieprenten. Maanden en diversen (allegorieën).
Rijke man staat bij een arme vrouw met kinderen
Object type: album leaf
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: contrast between rich and poor, mother and child(ren), woman and child(ren) (family group)

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Exterieur van de Opéra Garnier te Parijs
Object type: photograph
Date: 1875 – 1900
Materials: paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: square, place, circus, etc., taking photographs - cc - out of doors, opera house
Inscriptions: title: ‘N. 3073. Paris. Le nouvel Opera’

Rechts bij de lantaarnpaal staat een fotograaf.
View of the Old Church of Amsterdam
Object type: drawing
Materials: ink, watercolor
Techniques: pen
Artist: hermanus petrus schouten
Artist role: artist
Artist nationality: dutch
Artist dates: 1747 – 1822
Subjects: churches,amsterdam