deem-data/ArtiFact huggingface dataset:
Crocodile
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: aquatint, etching
Location: united states
Artist: charles catton (ii)
Artist role: painter, print maker
Artist dates: 1756 – 1819
Subjects: crocodiles: alligator
Inscriptions: collector's mark: Lugt 2228
Twee vermoorde broers worden, voortgetrokken met touwen, aan het publiek getoond
Object type: book illustration
Date: 1693 – 1693
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: violent death ~ maltreatment, torture
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Havart, Daniël. Op- en ondergang van Cormandel, 2 delen. Amsterdam: Jan Claesz ten Hoorn, 1693.
Terracotta fragment of a kylix: Band cup (drinking cup)
Object type: kylix fragment
Date: 567 – 535
Materials: terracotta
Culture: greek, attic

Ram to right; behind the ram, a vine
Division Viol
Object type: division viol
Date: 1720 – 1720
Materials: ivory, shell, wood
Culture: german
Location: germany
Artist: school of tielke
Artist role: maker

Viols, the most esteemed bowed instruments of the late Renaissance, were only gradually displaced by the violin family. Viols differ from violins chiefly in shape, in number of strings and tuning, and in having fretted necks. All viols are played in an upright position between the knees or on the legs ("gamba" means "leg"), and the bow is held palm upward. The sound is less brilliant and quieter than that of the violin family of instruments. Chamber music for a consort of four to six viols was composed during the Renaissance and Baroque eras, and solo works for the bass viol were being played until nearly the end of the eighteenth century. This instrument is of the type known as a division viol, measuring between two and three inches shorter than a consort viol. Slightly smaller than the bass viola da gamba, the division viol is an instrument ideal for playing improvised variations (or "divisions") upon a repeated bassline, or ground. Division viols grew in popularity in England in the seventeenth century alongside publications of methodical treatises, such as Christopher Simpson's The Division Viol of 1665 and The Division-Violist of 1669, as well as John Playford's A Brief Introduction of 1667. Because of its large compass and range of over three octaves, the instrument allowed accomplished performers to play polyphonic compositions and rapid passagework, but was also ideal for informal consort playing. In its original condition, this viol's six strings would have been tuned to D–G–c–e–a–d', but its alterations—its modern German 'cello neck and pegbox, a reduction to four strings, and its coat of transparent red-orange varnish—indicate that at one time it was used as a 'cello, as many such instruments were. Despite this, the seven-grained spruce table, one-piece bird's eye maple back and ribs, double purfling, and rosette of inlaid tortoiseshell are excellent examples of Tielke's workmanship and influence on viol making.
Ornamentlijst met rolwerk en vijf oudtestamentische scènes
Object type: print
Date: 1561 – 1561
Materials: paper
Techniques: woodcut
Location: frankfurt am main
Subjects: the building of the tower of babel; nimrod may be present, supervising or assisting the construction, scrollwork, strapwork ~ ornament, moses receives the tables of the law from god, the ark is floating on the waters, while life on earth is destroyed ~ story of noah, the six days of creation (genesis 1:3-25), lot's daughters make their father drunk
Inscriptions: number: ‘173’

Prent gebruikt als titelpagina voor de publicatie: Luther, Martin. Biblia Das ist Die gantze Heylige Schrifft. Frankfurt am Main: Johann Rasch en Sigmund Feyerabend en David Zephelius, 1561. Twee gedeelten van de prent zijn uitgesneden.
Aankomst van Van Spilbergen te Batticaloa op Ceylon, 1602
Object type: print
Date: 1603 – 1605
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: floris balthasarsz. van berckenrode
Artist role: print maker
Artist dates: 1562 – 1616
Subjects: antwerp, bergen op zoom, landscapes in tropical and sub-tropical regions, exploration, expedition, voyage of discovery

Gebruikt als illustratie eerst in: J. van Spilbergen, t'Historiael iournael, van tghene ghepasseert is van weghen drie schepen (...) onder tbeleyt van Ioris van Speilberghen generael, anno 1601 (...) tot in t'eylant Celon, Floris Balthasars, Delft, 1605. In deze staat gebruikt als illustratie in: 't Historiael Journael, van tghene ghepasseert is van weghen drie Schepen ghenaemt den Ram, Schaep, ende het lam, ghevaren uyt Zeelandt, van der Stadt Camp-Vere, naer d'Oost-Indien, onder 't beleyt van den heer Admirael Joris van Splibergen, gedaen in de Jaren 1601. 1602. 1603. ende 1604. Opgenomen in: I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: No. 4.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1911 – 1911
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: nicolaas van der waay
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1936
Subjects: publisher, jan schüller, the hague, philip zilcken, drawing
Inscriptions: collector's mark: ‘RPK’
Drie oorspronkelijke bewoners van Jayapura, West-Nieuw-Guinea
Object type: stereograph
Date: 1900 – 1940
Materials: paper, cardboard
Techniques: gelatin silver print
Location: jayapura
Artist: Anonymous
Subjects: adult man
Alphons Diepenbrock met zijn gezin in de Holtwiek
Object type: photograph
Date: 1911 – 1911
Materials: photographic support
Techniques: photography
Location: amsterdam
Subjects: alphons diepenbrock, jonkvrouw wilhelmina elisabeth petronella cornelia de jong van beek en donk
Inscriptions: date

Foto op bruin albumblad 9 van familiealbum van Alphons Diepenbrock.
Gezicht in Amsterdam met rokende schoorstenen
Object type: sketchbook leaf
Date: 1886 – 1898
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: city-view, and landscape with man-made constructions, smoke-stack, amsterdam
Inscriptions: kleurnotitie, handgeschreven

Pagina 26 uit een schetsboek met 21 bladen.
Portret van Hiëronymus van Praag
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: theologian, historical persons
Florence - Logia
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: florence
Artist: Anonymous
Subjects: gallery of sculptures, loggia, verandah, porch
Saint Catherine of Siena
Object type: statue
Date: 1600 – 1600
Materials: bronze, gilt, oil
Artist: fulvio signorini
Artist role: artist
Artist dates: 1563 – 1609
Subjects: saint catherine

During her lifetime, Saint Catherine achieved enormous fame as a Dominican visionary all over Italy, but particularly in her native Siena. Though she belonged to a rival religious order, this bronze was formerly in the Church of San Francesco in Siena, where she was adopted as a protector of the city.
Portret van Rochus Grässl
Object type: print
Date: 1624 – 1724
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, politician, e.g. party leader

Tekst in het Latijn in de ondermarge en in de omlijsting.
The Actor Matsumoto Koshiro II as Kagekiyo Disguised as Omi Yawatanosuke in the Play Haru wa Soga Akebono-zoshi, Performed at the Nakamura Theater in the First Month, 1772
Object type: print
Date: 1772 – 1772
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Deksel van een pot
Object type: lid
Date: 1820 – 1850
Materials: earthenware, glaze
Techniques: painted, polychromy
Location: delft
Inscriptions: mark: ‘IVP & C’, collector's mark: ‘collection J.F. Loudon’

Deksel van van veelkleurig beschilderde faïence. De pot is achtkantig en op de acht kanten zijn acht vakken geschilderd. In vier vakken is een vaas met twee s-vormige handvatten, staand op een driepotig voetstuk en gevuld met bloemen geschilderd, in de andere vier vakken een pot met deksel op een driepotig voetstuk waarboven een feniks. De pot is onderdeel van een stel en is gemerkt.
May Waldron, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Plan de la Ville Imperiale et Forteresse de Ulm du temps de l'attacque par les trouppes de l'Empereur (...)
Object type: map
Date: 1704 – 1704
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: siege, position war, maps of cities

Plattegrond van Ulm, belegerd door de keizerlijke troepen en ingenomen op 13 september 1704.
Binnenwasser
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Subjects: river, rowing-boat, canoe, etc.
Man neemt achterwaartse sprong vanaf de bok
Object type: glasnegatief, glasplaatnegatief
Date: 1882 – 1890
Materials: glass, paper
Techniques: gelatin glass negative
Location: france
Artist: étienne-jules marey
Artist role: fotograaf
Artist dates: 1830 – 1904
Subjects: vaulting horse (gymnastics), adult man, automobile
Inscriptions: inscription: ‘Ki 14’

Bij de negatieven zijn ook de duplicaatnegatieven en moderne afdrukken die voor de boekpublicatie vervaardigd zijn.
Carolus Alfonsus du Fresnoy pictor Gallus de pictura & pingendo et scribendo benemeritus
Object type: print
Date: 1665 – 1709
Materials: paper
Techniques: etching, intaglio
Subjects: painter, draughtsman, charles alphonse dufresnoy, portrait, self-portrait of painter

Deze prent maakt deel uit van een album.
Cylinderbureau met messing beslag
Object type: cylinderbureau
Date: 1740 – 1740
Materials: wood, brass
Location: indonesia
Artist: Anonymous

Cylinderbureau van Andaman padoek met messing beslag.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of a meander with cross squares
Piece
Object type: piece
Date: 1765 – 1770
Materials: silk
Subjects: leaves
Portret van een onbekende man, mogelijk een lid van de familie Onnen-van den Berg
Object type: photograph
Date: 1877 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: the hague
Artist: heinrich wilhelm wollrabe
Artist role: fotograaf
Artist dates: 1843 – 1928
Subjects: anonymous historical person portrayed
Inscriptions: address: ‘96. Noordeinde 96/ 's Gravenhage’
Design for a Gothic "Belle Vue"
Object type: drawing
Date: 1800 – 1800
Materials: watercolor
Artist: william hurst ashpitel
Artist role: artist
Artist nationality: british
Artist dates: 1776 – 1852
Subjects: architecture,trees
Rubberbomen en koffie op Brussel
Object type: album leaf
Date: 1913 – 1915
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: east sumatra
Artist: Anonymous
Subjects: plantation, (non-fruit) products of plants or trees: rubber, fruits: coffee
Inscriptions: inscription

Blad met negen foto's van rubberbomen en koffieplanten op plantage Brussel. Onder de foto's etiketten met onderschriften. Onderdeel van het fotoalbum over de plantages Brussel en Pernantian van de Sumatra Caoutchouc Maatschappij op de Oostkust van Sumatra in de jaren 1910-1935.
Head of a Nubian Man (Sculptor's Trial Piece?)
Object type: trial piece, relief of a nubian head, earring
Date: 1353 – 1336
Materials: limestone, paint
Location: egypt
Subjects: heads

The heightened expressiveness with which the sculptor depicted the ethnic features of a Nubian (a native of the area south of Egypt) is characteristic of the art of Amarna. In particular, this work is reminiscent of the images of Nubians and West Asians found in Haremhab’s tomb at Saqqara, which he built for himself while he was still the chief of Tutankhamun’s army.
Card table
Object type: card table
Date: 1800 – 1800
Materials: wood
Culture: american
Location: united states

This card table was acquired in 1971 to match a superb Baltimore example (32.55.4) already in the collection for display in the Baltimore Dining Room (gallery 724) in the American Wing.
Portret van Sarah Churchill, hertogin van Marlborough
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: engraving, etching, pen
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: sarah churchill (hertogin van marlborough)
Inscriptions: collector's mark: Lugt 240, name: ‘The Duchess of Marlborough’

Prent ook gebruikt in: Nicholas Tindal. The History of England, by Mr. Rapin de Thoyras. Continued from the Revolution to the Accession of King George II (...). 13 dln. Londen: John en Paul Knapton, 1744-1747.
Aankomst van twee pelgrims in een dorp
Object type: album leaf
Date: 1490 – 1537
Materials: paper
Techniques: letterpress printing
Subjects: pilgrimage, pilgrim(s) under way

Twee ornamentele stroken met plantmotieven aan weerszijden. Prent maakt deel uit van een album.
Het hobbelpaard
Object type: popular print
Date: 1833 – 1856
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: rocking-horse
Inscriptions: collector's mark: Lugt 2760

Blad met een grote voorstelling van een jongen op een hobbelpaard. Geheel omgeven door een sierrand. In de ondermarge een vierregelig vers in twee kolommen. Genummerd midden boven: (No 156).
Lausanne
Object type: stereograph
Date: 1860 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: lausanne
Artist: Anonymous
Subjects: city-view in general; 'veduta'
Inscriptions: number: ‘No. 1281’
The Rich Man at His Table, from "The Parable of the Rich Man and Lazarus"
Object type: print
Date: 1554 – 1554
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: men,male nudes,women,dogs,drinking,tables

Dives, at center, dining with a woman before a trellis. A variety of other figures are gathered around the table, including at woman in a bath, a flautist, a fool, a figure letting blood from a seated female, and a servant bringing food to the table. Based on Luke 16:19. Plate 1 from a series of five engravings.
Brusselse vrouw en dienstmeid
Object type: costume print
Date: 1815 – 1815
Materials: paper
Techniques: etching, hand coloring
Location: netherlands
Subjects: folk costume, regional costume, clothes, costume, brussels

Een burgervrouw met haar dienstmeid terugkomend van de markt, te Brussel. Illustraties van Vlaamse klederdrachten uit 1815, in aanvulling op de verkleinde kopieën uit 1812 naar de platen van Nederlandse klederdrachten uit de jaren 1803-1807.
Standing cup
Object type: standing cup
Date: 1870 – 1890
Materials: gold, jasper
Techniques: enamel
Artist: reinhold vasters
Artist role: designer
Artist nationality: german
Artist dates: 1827 – 1909
Subjects: dragons,mermaids

Although believed to have been made in France, this standing cup was possibly inspired by drawings by the South German (Aachen) goldsmith Reinhold Vasters (1827–1909), who in turn had looked to the lapidary and goldsmiths' work of the sixteenth-century Mannerists. A mature style of the Renaissance, Mannerism reached its height in German and Dutch decorative arts and, like the other "antique" styles, was imitated in the nineteenth century. Mannerism frequently employed grotesque decoration and contorted, exaggerated forms that were readily adapted to metalwork. The cup of carved jasper is set with a fantastic and bejeweled dragon further enameled in gray, blue, green, red, blue, and white, and an enameled mermaid with gold hair issuing from the mouth of a dolphin. The cup is also ornamented with precious stones and enameled with garlands and scrolls. Exotic specimens, such as coconut shells and hardstones found in nature, were prized in the sixteenth and seventeenth centuries and inspired goldsmiths to create ornate gold mounts decorated with enamel and encrusted with jewels.
Saint Alexander
Object type: painting
Date: 1425 – 1425
Materials: gold leaf, paint, wood
Artist: fra angelico (guido di pietro)
Artist role: artist
Artist nationality: italian
Artist dates: 1395 – 1455
Subjects: bishops,croziers,miter
Jug
Object type: decorative art
Date: 1825 – 1825
Materials: earthenware
Culture: staffordshire potteries
Location: staffordshire
Folio from a Qur'an Manuscript
Object type: folio from a non illustrated manuscript
Date: 1180 – 1180
Materials: gold, ink, paper, watercolor
Location: iran or afghanistan
Subjects: qur'an

This folio from a Qur'an manuscript is written in "new style" script, which is noted for its elegant verticals. The folio exhibits two letters (alif and lam) that form distinctive pointed ovals, producing a graphic decorative quality.The elaborate arabesques in the background are light in color, allowing the script to stand out. The script and illumination are related to a Qur'an manuscript dated 573/1177–78, and to contemporaneous architectural inscriptions, suggesting a unity of style in Seljuq art of this period.
Panel
Object type: textile
Date: 1780 – 1780
Materials: gilt, metal, silk
Techniques: brocade, patterning, weave
Location: france
Subjects: lattices, flowers
Londen. Kensington Museum
Object type: wrapper
Date: 1900 – 1950
Materials: cardboard, paper
Techniques: lithograph, writing
Artist: Anonymous

In de omslag zit een kaart ingestoken met daarop een korte beschrijving van de inhoud.
Various Animals
Object type: print
Date: 1540 – 1600
Techniques: engraving
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: animals
Delen van twee aan elkaar gevormde bakstenen uit het wrak van de Oost-Indiëvaarder 't Vliegend Hart
Object type: brick clay product
Materials: brick, stone
Artist: Anonymous
Subjects: 't vliegend hart (schip), verenigde oostindische compagnie

Bijna twee complete geelbruine, rechthoekige baksteen, aan elkaar "gesmolten" door concretie. Brick.
Servet met het familiewapen Van der Dussen
Object type: napkin
Date: 1870 – 1870
Materials: linen
Techniques: damask
Location: boxtel
Inscriptions: mark: ‘bladrank 35’

Servet van linnendamast met het familiewapen Van der Dussen. Middenveld: wapenschild temidden van gestrooide bloemknoppen. Randen: drie drievoudige banden, de middelste met een bladrank, de andere glad en omslingerd met een spiraaltak.
Zeilschepen en sloepen op kalme zee
Object type: print
Date: 1600 – 1700
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: sailing-ship, sailing-boat
Inscriptions: inscription: ‘FM 1884’

Links een zeilschip en sloep. Rechts een oorlogsschip met een klein zeilschip en een sloep langszij.
Grafmonument
Object type: carte de visite
Date: 1870 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: grave, tomb
Inscriptions: annotation: ‘Wellington (...)’, annotation: ‘750/ Wellington Monument’
Marc Antoine Raimondi
Object type: page
Date: 1848 – 1853
Materials: photographic support
Techniques: salted paper print
Subjects: noah's sacrifice; various animals are offered, possibly a lamb, a dove and a ram (often combined with the rainbow of the covenant)
Reverse molding
Object type: frame
Date: 1910 – 1910
Materials: wood
Culture: british
In memoriam Johannes de Koo
Object type: tekst
Date: 1909 – 1909
Materials: ink
Techniques: pen, typewriting
Location: paris
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: johannes de koo
Inscriptions: collector's mark: ‘RPK’

Transcriptie van RP-D-1982-43-DEKOO(J.)-50B1.
Dinner ensemble
Object type: dinner ensemble
Date: 1874 – 1874
Materials: silk
Culture: french
Artist: kingsbury
Artist role: design house

The bustle silhouette, although primarily associated with the second half of the 19th century, originated in earlier fashions as a simple bump at the back of the dress, such as with late 17th-early 18th century mantuas and late 18th- early 19th century Empire dresses. The full-blown bustle silhouette had its first Victorian appearance in the late 1860s, which started as fullness in skirts moving to the back of the dress. This fullness was drawn up in ties for walking that created a fashionable puff. This trendsetting puff expanded and was then built up with supports from a variety of different things such as horsehair, metal hoops and down. Styles of this period were often taken from historical inspiration and covered in various types of trim and lace. Accessories were petite and allowed for the focus on the large elaborate gowns. Around 1874, the style altered and the skirts began to hug the thighs in the front while the bustle at the back was reduced to a natural flow from the waist to the train. This period was marked by darker colors, asymmetrical drapery, oversize accessories and elongated forms created by full-length coats. Near the beginning of the 1880s the trends altered once again to include the bustle, this time it would reach its maximum potential with some skirts having the appearance of a full shelf at the back. The dense textiles preferred were covered in trimming, beadwork, puffs and bows to visually elevate them further. The feminine silhouette continued like this through 1889 before the skirts began to reduce and make way for the S-curve silhouette.
Gezicht op La Madeleine te Parijs
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: other architectural details (with name), church (exterior)
Inscriptions: collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, inscription: ‘CWN.’, inscription: ‘Tijdperk van Lodwijk XV XVI - Frankrijk.’, number: ‘66’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’
Dubbelportret van Bernard Berenson en zijn vrouw Mary in een tuin in Fernhurst
Object type: photomechanical print
Date: 1900 – 1930
Materials: paper
Techniques: letterpress printing, rotogravure
Artist: Anonymous
Subjects: historical persons - bb - woman, historical persons
Verschillende bedrijven uit het menselijke leven door apen voorgesteld
Object type: print
Date: 1635 – 1690
Materials: paper
Techniques: etching
Location: southern netherlands
Subjects: animals acting as human beings
Inscriptions: collector's mark: Lugt 2228

Twee apen zitten op de grond naast een triktrak spel. De rechte draagt een hoed met een hanenveer, de linke drinkt wijn uit een glas. Prent uit een serie van zes prenten en een titelprent waarin verschillende menselijke bezigheden door apen voorgesteld worden.
Plate
Object type: plate
Date: 1750 – 1775
Materials: earthenware
Techniques: glazing
Artist: the "greek a" factory
Artist role: manufactory
Subjects: deer,flowers
Brug bij Pré Catalan en een monument op begraafplaats Père-Lachaise
Object type: sketchbook leaf
Date: 1858 – 1858
Materials: paper, pencil
Location: paris
Artist: gerrit postma
Artist role: draughtsman
Artist dates: 1819 – 1894
Subjects: bridge, grave, tomb and other grave-forms and grave-markers
Inscriptions: annotation: ‘Pré Catalan/ Pere Lachaise’

Blad 1 recto uit een schetsboek met 52 bladen.
Profil du pont suspendu à Fribourc
Object type: print
Date: 1859 – 1859
Materials: paper
Techniques: lithograph
Location: paris
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage)
Inscriptions: check stamp: Lugt 1090

De oude hangbrug uit 1834 over de Sarine is in 1923 afgebroken en vervangen door de Zähringen-brug.
Achttiende verjaardag van prinses Juliana (Vereniging voor Penningkunst 1927, eerste penning)
Object type: history medal
Date: 1927 – 1927
Materials: bronze
Techniques: striking

Bronzen penning, op de voorzijde het borstbeeld van Juliana naar rechts met omschrift, op de keerzijde drie regels tekst rechts van een halfronde oranjetak, met verklaring.