deem-data/ArtiFact huggingface dataset:
Paarden en een koe
Object type: drawing
Date: 1891 – 1941
Materials: paper, pencil
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: trees, cow, sailing-ship, sailing-boat, birds, horse
Inscriptions: collector's mark: Lugt 2228
Corbel
Object type: corbel
Date: 1401 – 1500
Materials: stone
Culture: french
Subjects: animals
Schaal en boek op een stoel
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: table, book, bowl

Blad 27 verso uit een schetsboek met 36 bladen.
Seated Draped Male Figure (recto); Rough Studies of Putti (verso)
Object type: drawing
Date: 1582 – 1647
Materials: chalk, paper
Artist: giovanni lanfranco
Artist role: artist
Artist nationality: italian
Artist dates: 1582 – 1647
Subjects: men
Ovaal met het element water
Object type: ornament print
Date: 1615 – 1630
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: (story of) neptune (poseidon), scrollwork, strapwork ~ ornament, water (one of the four elements)

Ovaal met ornamentele ranken en bladranken. Bovenaan zit Neptunus. Tweede editie.
Lavanture du pot de chambre
Object type: print
Date: 1696 – 1755
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: (scarron, roman comique) specific works of literature (with author, title), chamber-pot
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van 21 prenten.
Kaart van het westelijk deel van Vlaanderen
Object type: map
Date: 1633 – 1633
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: maps of separate countries or regions

Kaart van het westelijk deel van Vlaanderen. Linksonder de titelcartouche, met bovenin het wapen van Vlaanderen. Rechtsonder een cartouche met twee schaalstokken: 2 Milliaria Germanica communia / 2 Milliaria Gallica communia. De kaart is voorzien van een coördinaten-net en een gradenverdeling langs de randen.
Compassion (Le Brun Travested, or Caricatures of the Passions)
Object type: print
Materials: ink
Techniques: etching, printing
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men
The Virgin and Child with the cat and the snake
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: madonna: mary sitting on the ground, the christ-child in her lap
Inscriptions: collector's mark: Lugt 240, signature and date: ‘Rembrandt.f.1654’
Figurine
Object type: print
Date: 1656 – 1657
Materials: paper
Techniques: drypoint, etching, intaglio
Location: italy
Artist: salvator rosa
Artist role: draughtsman, painter, print maker
Artist dates: 1615 – 1673
Subjects: walking-stick, staff, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van de serie 'Figurine', bestaande uit een titelprent en 80 prenten van klein formaat met voorstellingen van mannelijke en vrouwelijke figuren. Rosa produceerde de serie waarschijnlijk gedurende de jaren 1656 en 1657.
Chariot #845
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Vrouw bij fornuis houdt een schorpioen boven een pan
Object type: print
Date: 1740 – 1795
Materials: paper
Techniques: etching
Artist: ferdinand landerer
Artist role: painter, print maker
Artist dates: 1730 – 1795
Subjects: witch, sorceress, unprofessional or illegal practice, popular medicine, brewing, boiling (in a cauldron); witches' kitchen
Inscriptions: collector's mark: Lugt 2228
Charles I
Object type: portrait
Date: 1649 – 1649
Materials: silk
Artist: r. hayes
Artist role: maker
Subjects: kings,men,portraits
Chicomecoatl goddess
Object type: figure
Date: 1325 – 1521
Materials: stone, plaster
Culture: mexica, aztec
Location: mexico
Artist: mexica artist(s)
Artist role: artist
Subjects: deities
Medaillon met portret van Frederica Louise Wilhelmina van Oranje-Nassau
Object type: locket
Date: 1782 – 1782
Materials: bronze, porcelain
Techniques: casting, firing, gilding
Location: england
Artist: johann heinrich schepp
Artist role: sculptor
Artist dates: 1736 – 1811
Subjects: the hague, amsterdam, louise (prinses van oranje-nassau), historical persons - bb - woman

Borststuk in relief van meisje in profiel naar rechts. Zij draagt en gedecolleteerde jabon met speld of knoop op schouder. Het haar valt in gedraaide krullen in de nek. Het portret is wit en het heeft een violet-blauwe achtergrond, zogemaamd Jasperware. Aan keerzijde zitten in de achtergrond twee verticaal gelegen gaten. De lijst is versierd met tweemaal een parelrand en daaromheen een rand versierd met bladmotieven en lint. Opschrift keerzijde: Frederique Louise / Willemine. Gemerkt; gestempeld keerzijde, m.o.: WEDGEWOOD.
Utrecht omstreeks de 8e eeuw
Object type: print
Date: 1873 – 1875
Materials: paper
Techniques: tone lithography
Location: leiden
Subjects: castle, utrecht
Inscriptions: stamp, collector's mark: Lugt 1641

Vestingmuur met torens en burcht, Utrecht omstreeks de 8e eeuw. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Krijgswezen, Verdedigingswerken.
Vrouw in een japon
Object type: sketchbook leaf
Date: 1710 – 1772
Materials: chalk, paper
Artist: petrus johannes van reysschoot
Artist role: draughtsman, print maker
Artist dates: 1702 – 1772
Subjects: adult woman

Blad 73 verso en 74 recto uit een schetsboek met 105 bladen.
Portret van Maurits, prins van Oranje
Object type: print
Date: 1586 – 1626
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: the hague, maurice (prince of orange)
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Portret van Nicolaas Struyck
Object type: print
Date: 1738 – 1780
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: mathematicus, nicolaas struyck
Inscriptions: collector's mark: Lugt 240

Portret ten halven lijve van Nicolaas Struyck op 52-jarige leeftijd in een architectonisch ovaal, waarbij zijn linkerhand met daarin een opgerolde tekening over de rand steekt. Onder het ovaal een cartouche met zijn naam en zijn leeftijd in twee regels.
Our Watering Places – The Empty Sleeve at Newport (from "Harper's Weekly," Vol. IX)
Object type: print
Techniques: engraving
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: men,women,carriages
Pier Table
Object type: pier table
Date: 1835 – 1840
Materials: glass, wood, marble
Culture: american
Location: united states
Artist: duncan phyfe
Artist role: maker
Artist nationality: american, born scotland
Artist dates: 1770 – 1854

Designated for the pier wall between two windows, a pier table was considered an integral part of an elegant parlor. The mirror below the tabletop reflected light into the room, amplifying the soft glow of candle and fuel-based light sources. Two similar Phyfe pier tables are known: one, for which there is an 1834 bill of sale, is in the White House; the other, bearing the D. Phyfe & Sons label (1837–1840), was made for Phyfe's daughter Eliza Phyfe Vail (1801–1890). However, neither of those examples have scroll supports placed at a 45 degree angle to the table's top as seen here. The other two documented tables have scroll supports and bases that face straight out. This table carefully follows the design illustrated in Plate 631 of volume three of Pierre de La Mésangère's Collection de Meubles et Objets de Goût.
Portret van Ernst Casimir, graaf van Nassau-Dietz
Object type: print
Date: 1615 – 1616
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: ernst casimir graaf van nassau-dietz

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Prent uit: Baudartius, Willem. Afbeeldinghe, ende beschrĳvinghe van alle de veld-slagen (...) ghevallen in de Nederlanden, geduerende d'oorloghe teghens den coningh van Spaengien. Amsterdam: Michiel Colijn, 1615-1616.
Silhouetportretten van Abraham Gijsbertus Verster
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: den bosch, deventer, official; civil servant; functionary (in general), historical persons

Prent uit: Rogge, Cornelis. Geschiedenis der staatsregeling, voor het Bataafsche volk. Amsterdam: Johannes Allart, 1799.
Portret van Willem I Frederik, koning der Nederlanden
Object type: print
Date: 1813 – 1819
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, william i of the netherlands, knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order)

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Textile Fragment
Object type: textile fragment
Date: 1401 – 1500
Materials: silk
Techniques: lampas
Location: spain
Subjects: birds,flowers

This rectangular silk textile fragment displays a repetitive pattern of small flowers and plants in green, yellow, white, and blue in offset rows on a red ground. From the base of each plant spring small leaves and stems. Above each base, a lotus-like yellow flower with green buds and leaves rises from a palmette. Confronted long-necked birds with raised wings flank the stock. This textile fragment is ornamented with a pattern of confronting long-necked birds perched on flower stalks, facing a taller central lotus. This imagery suggests the principle of the tree of life. At the bottom of the trees, date clusters spring from both sides at the base of the three lotus stalks, suggesting fertility and abundance.
Brief aan Carel Vosmaer
Object type: letter
Date: 1878 – 1878
Materials: ink, paper
Techniques: pen, printing, writing
Location: london
Artist: lourens alma tadema
Artist role: draughtsman, print maker
Artist dates: 1836 – 1912
Subjects: the hague, print maker, draughtsman, carel vosmaer, the graphic arts
Inscriptions: watermark
Empirevoorwerpen
Object type: ornament print
Date: 1820 – 1840
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: snuffers, chandelier, candelabrum, styles in the fine arts (+ later developments), spoon
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Waarschijnlijk onderdeel van een catalogus.
Mogelijke prentmaker of drukker is Firma Leudesdorf-Mansfeld te Elberfeld. Zie RP-P-1965-504 en 505.
Zalige Tutto van Regensburg
Object type: print
Date: 1627 – 1627
Materials: paper
Techniques: engraving
Location: munich
Artist: raphaël sadeler (ii)
Artist role: print maker
Artist dates: 1584 – 1632
Subjects: codex, male saints (with name), archbishop, bishop, etc. (roman catholic), emperor, altar, the bible as a book
Inscriptions: collector's mark: Lugt 240

Z. Tutto, de blinde abt-bisschop van Regensburg, staat samen met twee jongens voor het altaar van een kerk. Links op de achtergrond keizer Arnulf van Karinthië op een paard. Hij stuurt een dienaar de kerk binnen om de Z. Tutto de Codex Aureus aan te bieden. De prent heeft een Latijns onderschrift.
Portret van graaf Heinrich Larisch von Moennich
Object type: photomechanical print
Materials: paper
Techniques: photograph, hand coloring
Artist: Anonymous
Subjects: earl, aristocracy; 'aristocratia' (ripa), historical persons

Deze prent maakt deel uit van een omslag met 86 prenten op 78 bladen en 11 tekstbladen.
Gezicht op de scheepstimmerwerf van de Admiraliteit van Amsterdam
Object type: watercolor
Date: 1850 – 1900
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: church (exterior), shipyard, shipdock - cc - more than one ship
Inscriptions: inscription: ‘Het zogenaamd "Dok" waar 's Lands Oorlogschepen liggen bij de Admiraliteits Scheepstimmerwerf te Amsterdam met de Oosterkerk in 't verschiet’, collector's mark: Lugt 2233
Cicada
Object type: necklace, bead
Date: 206 – 220
Materials: jade
Culture: chinese
Subjects: insects
Portret van Jean de Gorris
Object type: print
Date: 1520 – 1581
Materials: paper
Techniques: woodcut
Artist: andré wechel
Artist role: publisher
Artist dates: 1510 – 1581
Subjects: paris, historical persons
Cosmetic Applicator
Object type: costume and accessory
Date: 301 – 400
Materials: bronze
Culture: roman, levantine
Location: syria
Drie geiten bij een oever
Object type: print
Date: 1719 – 1780
Materials: paper
Techniques: etching
Subjects: river bank, sheep, goat
Inscriptions: collector's mark: Lugt 240
Deep platter (part of a service)
Object type: platter
Date: 1765 – 1765
Materials: hard paste porcelain
Subjects: birds,fish,coat of arms
Reticule in een afgeronde vorm van ecrukleurig kant bestaande uit een patroon van twaalf rozetten aan beide zijden, onderaan een kwast
Object type: reticule
Date: 1900 – 1900
Materials: silk
Techniques: lace, weave
Location: malta
Artist: Anonymous
Inscriptions: initials: ‘'CC'’

Reticule in een afgeronde vorm van ecrukleurig kant bestaande uit een patroon van twaalf rozetten, elk in een ruitmotief. De voor- en achterkant hebben hetzelfde patroon. Langs de bovenrand een baan van drie ovale medaillons, met in de middelste een Malteser kruis en vier kleine rozetten. Daaronder openingen voor een paarsroze rijglint van ripszijde. Onderaan de tas een kwast. De voering is van lichtpaarse kunstzijde.
Market Town
Object type: print
Materials: ivory, paper
Techniques: etching
Location: netherlands
Artist: simon de vlieger
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1653
Gezicht vanuit de abdij van Quincy met schaapsherder met kudde
Object type: print
Date: 1631 – 1691
Materials: paper
Techniques: etching
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscape with tower or castle
Inscriptions: collector's mark: Lugt 240
Portret van Gijsbertus Wilhelmus van Heukelum
Object type: drawing
Date: 1909 – 1909
Materials: paper, pencil
Artist: willem van den heuvel
Artist role: draughtsman
Artist dates: 1874 – 1925
Subjects: priest, gijsbertus wilhelmus van heukelum, priest (roman catholic), historical persons
Madonna met Kind en Johannes de Doper
Object type: print
Date: 1618 – 1655
Materials: paper
Techniques: etching
Subjects: mary and the christ-child with john the baptist (as child)
Inscriptions: collector's mark: Lugt 240

Maria houdt het slapende Christuskind in haar armen. Aan haar voeten staat de jonge Johannes de Doper die een kruis vasthoudt.
Studieblad met een ruiter in harnas, een straatlantaarn en mogelijk een architectuurstudie
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: paris
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: riding a horse, ass, or mule; rider, horseman, architectural detail, armour, street lighting, knight

De ruiter, mogelijk een ridder, houdt een banier vast. Pagina 27 en pagina 28 uit een schetsboek met 25 bladen.
Box Wagon #573
Object type: drawing
Date: 1865 – 1865
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Anna Vislair, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Portret van een Frans stel met een kind in een geruite jurk, bij een strandstoel
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: daylight paper print
Location: france
Artist: Anonymous
Subjects: family group, especially parents with their child(ren), dress, gown, chair, france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Oudere mensen bij een maaltijd
Object type: photograph
Date: 1966 – 1966
Materials: paper
Techniques: gelatin silver print
Location: den bosch
Artist: Anonymous
Subjects: midday meal, lunch, den bosch
Inscriptions: date: ‘15.8.66’, number: ‘707A’
Representanten van de eerste Nationale Vergadering van de Bataafse Republiek
Object type: silhouette
Date: 1796 – 1796
Materials: ink, paper
Techniques: drawing
Location: netherlands
Artist: hausdorff
Artist role: draughtsman, print maker
Subjects: historical persons (+ profile portrait), the hague

Silhouettes of members of the National Assembly. India ink on paper, 1796. Early in 1795 Stadholder William V fled to England. In the Republic a new regime was installed. A year later, the country held its first general election. Every Dutch man over the age of twenty and not on poor relief was entitled to vote for a candidate to the National Assembly, the parliament of the Batavian Republic, as the country was known between 1795 and 1806. The 126 representatives who sat in the assembly were drawn from the educated, progressive elite of Dutch society.