deem-data/ArtiFact huggingface dataset:
Lijfje van een Empire-kinderjurk "lange jurk"
Object type: girls' wear
Date: 1815 – 1820
Materials: textile
Artist: Anonymous

Een lijfje van een Empire-kinderjurk "lange jurk".
Decanter with scene of children fishing (Summer) (one of a pair)
Object type: decanter with stopper
Date: 1870 – 1880
Materials: glass
Techniques: engraving
Subjects: boys,fishing
Zestien penningen met versierde lijsten, waarvan drie blanco
Object type: print
Date: 1647 – 1682
Materials: paper
Techniques: etching
Location: france
Artist: simon de la boissière
Artist role: print maker
Artist dates: 1637 – 1682
Subjects: medal (considered as a piece of sculpture, regardless of its specific function)
Portret van Wilhelmina van Pruisen (1751-1820)
Object type: print
Date: 1783 – 1851
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: berlin, painter, draughtsman, wilhelmina of prussia (princess of orange)
Inscriptions: collector's mark: Lugt 2228
Square Jar
Object type: jar
Date: 1506 – 1521
Materials: porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: human figures,flowers
Portret van Isaac da Costa Athias
Object type: physionotrace
Date: 1794 – 1800
Materials: paper
Techniques: engraving, etching, roulette
Location: the hague
Artist: françois gonord
Artist role: print maker
Artist dates: 1756 – 1825
Subjects: amsterdam
Inscriptions: caption: ‘DaCosta Athias lid der nationale Vergadering in Nederland’, collector's mark: Lugt 2228

Portret in een ronde lijst van Isaac da Costa Athias, een Amsterdamse koopman die tussen 1798 en 1800 lid was van het Vertegenwoordigend Lichaam voor het district Amsterdam. In profiel, buste naar rechts.
Ragini Bangali, Page from a Jaipur Ragamala Set
Object type: painting
Date: 1750 – 1770
Materials: gold, paper, watercolor
Location: rajasthan
Subjects: music, musicians
Gesigt van de groote vyver, Cabinet en Cascade / Veüe du Grand vivier, Cabinet et Cascade / Het Huys van agteren en ter syden over de groote vyver te zien / La Maison par derriere, et a Costé Regardent par dessus le vivier
Object type: print
Date: 1682 – 1726
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: garden buildings, garden pond
Inscriptions: collector's mark: Lugt 2228

Twee voorstellingen op een blad. Boven: Gezicht op de grote vijver ten noordwesten van Slot Zeist met het noordwestelijke tuinpaviljoen, uit het zuidwesten. Onder: Gezicht over de grote vijver ten noordwesten van Slot Zeist op de zij- en de achtergevel van het huis, uit het noordwesten.
Mensen die bamboe bewerken op Tahiti
Object type: page
Date: 1880 – 1880
Materials: paper
Techniques: photograph
Location: tahiti
Artist: henry stuart-wortley
Artist role: fotograaf, kolonel
Artist dates: 1832 – 1890
Subjects: other handicrafts ~ wood
Inscriptions: number: ‘No. 17.’
Fotoreproductie van een schilderij door Bartolomé Esteban Murillo, voorstellend Maria met Kind
Object type: reproduction
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: florence
Subjects: madonna: i.e. mary with the christ-child
Inscriptions: inscription: ‘IR’, number: ‘161’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Italiaanse steden en van kunstwerken.
Street Show (Paillasse) (recto); a clown playing a drum (verso)
Object type: drawing
Date: 1825 – 1879
Materials: chalk, graphite, paper, watercolor
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,drums,clowns,chairs
Design for a Stage Set
Object type: drawing
Date: 1688 – 1742
Artist: pietro righini
Artist role: artist
Artist dates: 1688 – 1742
Subjects: arches,columns,stage design
City of London Imperial Volunteers just arrived at the Orange River, S. Africa
Object type: stereograph
Date: 1900 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: orange river
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, volunteers ~ enlisting
Inscriptions: number: ‘290’, copyright notice: ‘Copyright 1900 by Underwood & Underwood.’, inscription, inscription: ‘Works and Studios ~/ Arlington, N.J. Littleton, N.H. Washington, D.C.’
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Two fragments of kylix feet with concave edge
Portret van een vader en dochter
Object type: photograph
Date: 1879 – 1879
Materials: cardboard, photographic support
Techniques: albumen print
Location: lille
Artist: a. pedroni
Artist role: fotograaf
Subjects: father and daughter(s) (family group)
Inscriptions: inscription: ‘Photographie-Photosculpture/ A. Pedroni/ C de l'Ordre Royal/ 1870/ 42, Rue Lafaurie de Montbadon/ Bordeaux’, annotation: ‘Souvenir offer[...] a/ Majeur Lemoine/ [Dromis]/ [9 X 79]’
Torino. Il monumento ad Amedeo di Savoia (Scultore Calandra)
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1920
Materials: cardboard
Techniques: lithograph
Location: venice
Subjects: public gardens, park (+ city(-scape) with figures, staffage), monument, statue
Five Figure Studies (from Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: women
Portret van Johann Rudolf Wettstein
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Location: switzerland
Artist: Anonymous
Subjects: theologian, historical persons, professor
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of a draped figure; in field, pair of sandals
Bowl with Alif-lam Motif
Object type: bowl
Date: 1101 – 1200
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: syria

Gertrude Bell, the famous archaeologists and writer, received the photograph of this bowl during her 1909 trip to Syria, likely from a diplomat and antiquity dealer in Aleppo. This and other vessels in the photo were said to come from Raqqa. While many of these objects were actually found in Raqqa, the high demand of "Raqqa ware" on the market in the early 20th century certainly had as a consequence that dealers would always claim such provenance for their objects. Archaeological research has now ascertained that similar objects, whose distribution included Anatolia, Syria, Egypt and even in Europe, were produced in several workshops in Syria and Egypt. The main design painted on this bowl recalls an epigraphic motif in which the vertical shafts of the letters lam and alif are richly interlaced among them.
Italian Pine & Cypress
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: aquatint, soft ground etching
Location: london
Artist: john robert cozens
Artist role: draughtsman, print maker
Artist dates: 1752 – 1797
Subjects: trees: cypress, trees: pine
Inscriptions: title: ‘Italian Pine & Cypress.’

Well-travelled contemporaries would have recognised the pine and cypress. They grew in the gardens of Villa Negroni near Rome, where Cozens was one of many artists who sketched the grounds. No surprise then to see a colleague at work, sitting by a tree. Here too, the yellowed paper conveys the Mediterranean atmosphere.
Gezicht op de omgeving van Heustrich-les-bains bij Spiez, Zwitserland
Object type: photomechanical print
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: landscapes, mountains
'Barbarous Entertainment', a blind guitarist on the horns of a bull
Object type: print
Date: 1800 – 1804
Materials: paper
Techniques: aquatint, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,guitars,bulls

Shortly after publishing the Caprichos in 1799, Goya made this independent print. It returns to the subject of the blind guitarist the artist had explored earlier an etching from around 1778 (see 22.63.29). The title Barbarous entertainment is taken from an inscription written by Goya on an impression of the print at the British Museum. It suggests his ambivalence toward the practice of bullfighting in Spain. The print might have been inspired by the comic bullfighter Ramón de la Rosa, whose antics were reported in a Madrid newspaper in 1797.
Fragment of a Tunic
Object type: tunic fragment
Date: 201 – 300
Materials: linen, wool
Location: egypt
Zittende hellebaardier
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: etching
Artist: charles emile jacque
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: the soldier; the soldier's life, helved weapons, polearms (for striking, hacking, thrusting): halberd
Inscriptions: collector's mark: Lugt 2760, inscription: ‘Le Truand’, collector's mark: Lugt 2228
Bladen met knipplaatjes en decoratieve randen
Object type: print
Date: 1750 – 1750
Materials: paper, watercolor
Techniques: etching, hand coloring
Location: paris
Artist: Anonymous
Subjects: presenting a work of art to the public; performing, interpreting, reciting, physician, doctor, jeweller, goldsmith, silversmith, wandering or travelling merchant, peep-show

Vier scènes van vrouwen bij mannen in verschillende beroepen: een textielverkoper, een man met een kijkkast, een arts en een goudsmid. Midden onder genummerd: Y. 2. Een van 39 bladen met knipplaatjes en decoratieve randen.
Foto behorend bij album Kriegserinnerungen
Object type: photograph
Date: 1940 – 1945
Materials: photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: netherlands, germany

Foto behorend bij album 'Kriegserinnerungen'.
Venus zoogt drie Amors
Object type: print
Date: 1610 – 1700
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: venus suckling cupid
Inscriptions: collector's mark: Lugt 2228

Venus knielt op de grond en zoogt Amor. Twee andere putti, eentje met vleugels de ander met libellenvleugels staan in de rij te wachten om ook de borst te krijgen.
Brief aan Jan Veth
Object type: letter
Date: 1898 – 1898
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: pieter lodewijk tak
Artist role: politician
Artist dates: 1848 – 1907
Subjects: painter, print maker, draughtsman, jan veth, maurits van der valk
Inscriptions: collector's mark: ‘RPK’, watermark
Geometric gold weight
Object type: weight
Date: 1501 – 1700
Materials: brass
Culture: akan
Location: côte d’ivoire
Artist: akan artist
Artist role: artist

In the fifteenth century, cast Akan gold weights (brass figurines used to measure units of gold dust) were developed in response to the extensive trade in gold mined in Kumasi that was initially transported across Saharan trade routes. Locally, gold was prized for its decorative qualities, status, and because of a strong belief in its inherent power and mystery. The earliest treatment of gold weights was probably in the style seen in these examples—graphic, abstract—as a result of the Islamic influence in the gold trade at this time. This heavy rectangular form has very faint surface designs that were engraved or punched into the metal. Its edges are rounded, indicating extensive human wear. While these miniature artifacts, created as weights, were commonly melted down and recast, historic motifs were valued and constantly reintroduced. Although this example was probably made in the eighteenth or even nineteenth century, its designs are of great longevity.
Louis Racine
Object type: print
Date: 1746 – 1820
Materials: paper
Techniques: engraving
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228
Roedel wolven jagend op schapen
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: fable of reynard the fox

Prent gebruikt in: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910.
Ceramium diaphanum
Object type: photogram
Date: 1853 – 1853
Techniques: cyanotype
Artist: anna atkins
Artist role: artist
Artist nationality: british
Artist dates: 1799 – 1871
Subjects: plants
Portret van James Hay
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: engraving
Location: london
Artist: simon van de passe
Artist role: print maker
Artist dates: 1595 – 1647
Subjects: james hay (hertog van carlisle)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Portret van de Schotse aristocraat James Hay, hertog van Carlisle, met zijn wapenschild. In een cartouche een vierregelig lofdicht in het Engels.
Portret van Willem, markgraaf van Baden
Object type: print
Date: 1632 – 1632
Materials: paper
Techniques: engraving, etching
Location: straatsburg
Artist: willem panneels
Artist role: print maker
Artist dates: 1600 – 1632
Inscriptions: collector's mark: Lugt 2228

Busteportret van Willem, markgraaf van Baden, in harnas. Met zijn linkerhand steunt hij op een commandostaf. Het portret is gevat in een ovale omlijsting met vierkant randwerk en randschrift in het Latijn.
Model of a Wood Kiln
Object type: demonstration model
Date: 1798 – 1807
Materials: brass, iron, fiber, wood
Location: amsterdam
Artist: Anonymous
Inscriptions: label, left: ‘20’ former inventory label

Model van een houtstoof of stoomkist met dubbele bodem voor het buigen van planken, op een grondplank. Het is een lange, gebogen kist waarin twee niveaus zijn aangebracht. Eén van de lange kanten, waarin kleine deurtjes zijn aangebracht, is bol gebogen. Op de vloeren van zowel het onderste als het bovenste compartiment zijn ijzeren leggers aangebracht. De kist heeft aan een korte kant een schuifdeur met een takel voor het bovenste compartiment, de deur voor het onderste compartiment ontbreekt. Aan de andere kant staat een ketel met leidingen naar de twee compartimenten; onder de ketel, onder grondniveau, is een ovendeur.
Ontwerp voor een kerkgestoelte
Object type: drawing
Date: 1756 – 1756
Materials: graphite, ink
Techniques: brush
Location: germany
Artist: Anonymous
Inscriptions: inscription: ‘Pros: und accordiret kor inden Kürchenstühl, deren an der Zahl. 39. sint, .4. [?]: 45x:, Jedoch auf Guat-heissen, und Bangemombung [??] hochg’dig Herrschaft p. den 16.tr Merz Anno. 1756. [?]’
Half of an Arch [Arcus Lutii Septimi] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'
Object type: book print ornament architecture
Date: 1554 – 1554
Techniques: etching
Artist: lambert suavius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1510 – 1576
Subjects: architecture,arches

Perspectival depiction of the left half of a double triumphal arch, said to be the ‘Arcus Lutii Septimii’ set in a stylized landscape. The arch appears to be placed on a square and is stripped from all its ornaments and relief decorations, aside from a statue which crowns one of the protruding piers with Ionic or Composite pillars that flank the arches. While the proportions are incorrect, the overall composition of the arch resembles the arch of Septimius Severus in Rome. This print and several others in this series published by Gerard de Jode were copied after a group of Italian architectural prints, previously attriputed to the Master G. A. with the Caltrop, and first published in Rome between 1530 and 1550. The prints depict buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states.
Friederike wordt door zijn vrouw aan de jager voorgesteld
Object type: print
Date: 1786 – 1786
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: literature, hunter, embracing each other, kissing, dog
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor August Wilhelm Ifflands 'Die Jäger'. Latere staat gebruikt voor: Berliner genealogischen Calender auf das Jahr 1787. Berlijn: s.n., 1786.
Twee koetsen in de stoet voor de inhuldiging van Willem I te Brussel op 21 september 1815
Object type: history print
Date: 1825 – 1826
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: brussels
Subjects: the hague, william i of the netherlands, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', brussels
Inscriptions: collector's mark: Lugt 2228

Plechtige intrede van de stoet voor de inhuldiging van koning Willem I te Brussel op 21 september 1815. Twee hofkoetsen, ieder met zes paarden. Onderaan het wapen van koning Willem I. Onderdeel van een serie platen van de aankomst en inhuldiging van Willem I in Brussel.
Covered Dish
Object type: metalwork
Materials: copper, enamel
Techniques: enamel
Location: junyao
Inscriptions: "SALDANHA/DEAL/BU/QUER/QUE" in the design.
Cover: "McCann/353.53b"; "1087-41 (red); 605 (black)"; Dish Foot: "McCann/ 353.53a"; "608"
Ushiwaka, the Young Yoshitsune Serenading Jorurihime
Object type: print
Date: 1772 – 1772
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitao shigemasa
Artist role: artist
Artist nationality: japanese
Artist dates: 1739 – 1820
Subjects: houses,men,women,trees
Dorp verscholen in vegetatie, Java (?)
Object type: topographical view
Date: 1816 – 1846
Materials: paper, pencil
Location: java
Artist: adrianus johannes bik
Artist role: draughtsman, print maker
Artist dates: 1790 – 1872
Inscriptions: annotation: ‘zon, schaduw, kleur van een boom’

artikel over deze collectie in Bulletin van het Rijksmuseum 49 [2001], nr. 4, pp 342 e.v., p. 352, afb. 10
II. Dans la Glu
Object type: print
Date: 1898 – 1898
Materials: paper, stone
Techniques: lithograph, printing
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Subjects: women
Titelpagina voor: J. van den Bosch, Atlas der overzeesche bezittingen, 1817
Object type: titelblad, titelpagina
Date: 1817 – 1817
Materials: paper
Techniques: engraving
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Bosch, Johannes van den. Atlas der overzeesche bezittingen van Zijne Majesteit den Koning der Nederlanden. Den Haag en Amsterdam: Gebroeders van Cleef, 1817.
Ontwerp voor zout- en pepervaten
Object type: design
Date: 1874 – 1932
Materials: ink, pencil, paper
Techniques: pen
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: spice-box, salt-cellar, salt-shaker
Panel
Object type: panel
Date: 1826 – 1850
Materials: metal thread, silk
Subjects: flowers
Square
Object type: square
Date: 1801 – 1900
Culture: peruvian
Location: peru
Portret van Johann van Giffen
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: johann giffen
Inscriptions: collector's mark: Lugt 2228

Portret van Johann van Giffen. Het portret is gevat in een ovale omlijsting met het wapenschild van de geportretteerde en een randschrift in het Latijn. In de cartouche een zevenregelig onderschrift in het Latijn. Prent uit een serie portretten naar schilderijen van Anselmus van Hulle van alle gedelegeerden bij de vredesonderhandelingen te Münster en Osnabrück.
Card Number 105, Fanny Davenport, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Titelpagina voor: Buiten, 14 oktober 1911
Object type: titelblad, titelpagina
Date: 1911 – 1911
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: tower, clock tower ~ monumental adornment, traffic on the water, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Montelbaanstoren.
Portret van Sebastian Felix, Freiherr von Schwanenberg
Object type: print
Date: 1736 – 1736
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Die Neue Europäische Fama, Welche den gegenwärtigen Zustand der vornehmsten Höfe entdecket. dl. 18. Leipzig: Gleditsch, 1736.
Derde eeuwfeest van de uitvinding van de boekdrukkunst
Object type: history medal
Date: 1740 – 1740
Materials: silver
Techniques: striking
Location: amsterdam
Artist: martinus holtzhey
Artist role: medailleur, muntmaker
Artist dates: 1697 – 1764
Subjects: haarlem
Ruïnes op het Steenschuur (zuidzijde) na de Leidse buskruitramp, 1807
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: engraving, etching
Location: leiden
Artist: leendert overbeek
Artist role: draughtsman, painter, print maker
Artist dates: 1752 – 1815
Subjects: gunpowder disaster
Inscriptions: collector's mark: Lugt 2228

Opruimwerkzaamheden bij de verwoeste gebouwen aan de zuidzijde van het Steenschuur te Leiden na de buskruitramp op 12 januari 1807. Zie ook de pendant.
Portret van prentmaker Alexander Schaepkens
Object type: print
Date: 1831 – 1904
Materials: paper
Techniques: etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: maastricht, draughtsman, alexander schaepkens
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 470
Materials: terracotta
Culture: greek, attic

Interior, framing border of tondo; Exterior, fillets; part of draped figure
Textile Fragment
Object type: fragment
Date: 301 – 500
Materials: wool
Techniques: tapestry, weave
Location: egypt
Epidemie op Majorca, noodmunt van dertig sous
Object type: dertig sou
Date: 1821 – 1821
Materials: silver
Techniques: striking
Location: majorca
Artist: Anonymous
Subjects: ferdinand vii (koning van spanje)
Inscriptions: date
Kop van een man
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: head (human)

Blad 63 verso uit een schetsboek met 71 bladen.
Studie van de echtgenote van Carel Adolph Lion Cachet, handwerkend, van opzij
Object type: drawing
Date: 1874 – 1945
Materials: ink, paper
Techniques: pen
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: historical persons - bb - woman, (other forms of) needlework, e.g.: crocheting, knitting, embroidering
Air (Melancholicus), from "The Four Temperaments"
Object type: print
Date: 1596 – 1597
Techniques: engraving
Artist: jacques de gheyn (ii)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1629
Untitled (Lady Godiva)
Object type: photograph
Date: 1857 – 1857
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: collected by hugh edwards
Mr. Jean-Joseph-Chaboulard... first prize for good health!, plate 28 from Professeurs et Moutards
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Portret van Francisco Sanchez Garrido Pardo
Object type: print
Date: 1630 – 1654
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: official; civil servant; functionary (in general), historical persons