deem-data/ArtiFact huggingface dataset:
Frankrijk. - 34,500,000 inwoners
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: colour, letterpress printing, engraving
Location: netherlands
Subjects: maps, atlases, france, paris, marseille, lyon
Inscriptions: collector's mark: Lugt 2760

Na voltooiing van de acht jaargangen van de reeks 'Prenten-magazijn voor de jeugd' in 1850 heeft Jan Schuitemaker al deze prenten heruitgegeven en omgenummerd als nr. 1 t/m 192. De oorspronkelijke jaargang wordt telkens nog vermeld rechtsonder op de prent. Binnen de jaargangen zijn prenten van hetzelfde thema in clusters van vier achter elkaar gezet.
Venise, vue de l'ile Saint-George
Object type: stereoscopic photograph
Date: 1860 – 1870
Materials: glass, paper
Techniques: slide
Location: venice
Subjects: island, prospect of city, town panorama, silhouette of city
Inscriptions: number: ‘90.’, number: ‘4118’
Portret van Maarten Luther
Object type: print
Date: 1821 – 1879
Materials: paper
Techniques: lithograph
Location: copenhagen
Subjects: priest, martin luther, historical persons
Inscriptions: signature: ‘P. Gemzöe lith’, inscription: ‘Martin Luther / paa Rigsdagen i Worms.’, signature: ‘Lucas Cranach pinx’, signature: ‘Udg og forlagt af L.J. Flamand’, signature: ‘Bröde Berlings lith.Inst.’, inscription: ‘"Her staaer jeg, jeg kan ikke andet. hud hjoelpe mig! Amen."’, collector's mark: Lugt 2228
Ewer (one of a pair)
Object type: ewer
Date: 1778 – 1792
Materials: stone
Artist: church works
Artist role: factory
Drie fotoreproducties, voorstellende portretten van Giulia Grisi, Gabrielle Krauss en Luigi Lablache
Object type: page
Date: 1858 – 1868
Materials: paper, photographic support
Techniques: albumen print, printing
Location: france
Artist: antoine rené trinquart
Artist role: fotograaf
Subjects: portrait of opera-singer
Dood van Lucius Emilius Paulus
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: stippled etching
Location: amsterdam
Subjects: (story of) lucius aemilius paul(l)us - death of person from classical history
Inscriptions: collector's mark: Lugt 2228

Een Romeinse soldaat die wegvlucht voor de vijand ziet de stervende Lucius Emilius Paulus liggen. Hij biedt hem zijn paard aan. Lucius Emilius Paulus weigert echter en draagt de soldaat op zelf weg te vluchten.
Onversneden blad met loterijbriefjes van de 'Loterie impériale de france' / 1.re Feuille
Object type: text sheet
Date: 1810 – 1815
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: raffle, lottery
Inscriptions: collector's mark, collector's mark: Lugt 1641

Onversneden blad met loterijbriefjes nrs. 1-5 voor de 'Tirage d'Amsterdam' van de van de 'Loterie impériale de france'. Blad genummerd bovenaan '1e Feuille'. Zoals vastgelegd bij de wet in Vendémiaire (jaar 1797-1798), met voorgedrukte trekkingsdatum 181... Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Spel en Vermaak; Loterij.
Bulgaria, from the Natives in Costume series (N16), Teofani Issue, for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1886 – 1886
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men

Trade cards from the "Natives in Costume" series (N16), issued in 1886 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Secondary set from original Allen & Ginter plates printed by Teofani and distributed in Iceland. This set is printed on thinner card stock and does not have printed text on recto or verso.
Pantheon, pediment details (recto) Pantheon, pilaster capital profile and projected elevation, column diagram, bronze door detail (verso)
Object type: collection ornament architecture
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture
Brunswijk-Luneburg-Calenberg-Hannover, Georg I ludwig, 12 mariëngroschen, 1711
Object type: twaalf mariëngroschen
Date: 1711 – 1711
Materials: silver
Techniques: striking
Location: clausthal-zellerfeld

Zilveren munt. Voorzijde: in landschap staande wildeman, met rechterhand denneboom vasthoudend. Cijfer 12 in het veld. Keerzijde: waarde-aanduiding in vier regels. Jaartal aan het eind van het omschrift. Gladde rand.
[Reclining Female Nude]
Object type: photograph
Date: 1853 – 1853
Techniques: paper negative, salted paper print
Artist: julien vallou de villeneuve
Artist role: artist
Artist nationality: french
Artist dates: 1795 – 1866
Subjects: female nudes

A student of the painter Jean François Millet and a lithographer of scenes of daily life, costume, and erotica in the 1820s and 1830s, Vallou reportedly took up photography in the early 1840s, but his early photographs have not been identified. Perhaps they depicted naked women, a subject for which it was improper to acknowledge authorship. Between 1851 and 1855, however, Vallou made a series of photographs of female nudes that he marketed (and legally registered) as models for artists. Vallou’s nudes have long been associated with those of Gustave Courbet, who is known to have used photographs in his painting process. Although no absolute one-to-one correspondence can be pointed to, the heavy soporific quality of Vallou’s models is very close to Courbet’s concept of the nude, and the reclining figure displayed here is strikingly similar in pose to the painter’s Woman with a Parrot (1866), on view in the galleries for nineteenth-century painting.
Maria Elisabeth van Oostenrijk, sinds twee jaar landvoogdes der zuidelijke Nederlanden
Object type: new year medal
Date: 1727 – 1727
Materials: bronze
Techniques: striking
Location: paris
Artist: philippe roëttiers (iii)
Artist role: medailleur
Artist dates: 1686 – 1873
Subjects: maria elisabeth (aartshertogin van oostenrijk)

Bronzen penning. Voorzijde: borststuk vrouw binnen omschrift. Keerzijde: zon bestraalt bergachtig landschap, daarboven gedeelte van dierenriem binnen omschrift
Sword
Object type: sword
Date: 300 – 600
Materials: gilt bronze, iron
Culture: japanese
Victoria's Visit to the Corporation of London
Object type: medal
Date: 1837 – 1837
Materials: bronze
Artist: william wyon
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1851
Subjects: buildings,profiles,flags
Portret van een onbekende vrouw
Object type: photograph
Date: 1905 – 1907
Materials: paper, cardboard
Techniques: gelatin silver print
Location: chester
Subjects: adult woman, anonymous historical person portrayed
Portret van Karel Hasban
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: letterpress printing
Location: antwerp
Artist: jan molijns
Artist role: print maker, publisher
Artist dates: 1498 – 
Subjects: hacking and thrusting weapons: sword, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent uit: Dit is die afcoemste ende genalogie der hertoghen ende hertoginnen van Brabandt, (...). Antwerpen: Jan Molijns, 1565.
Bottle with Stopper
Object type: bottle
Date: 1301 – 1400
Materials: terracotta
Culture: thai
Plate
Object type: plate
Date: 1880 – 1885
Materials: porcelain
Culture: american
Location: united states
Artist: union porcelain works
Artist role: maker
Artist nationality: american
Artist dates: 1863 – 1922
Subjects: flowers
Design for Dog Cart or 2 Wheeler, no. 3968
Object type: drawing
Date: 1886 – 1886
Materials: ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Mason's Template for the Battlement over a Cornice at Lyndhurst for George Merritt, Tarrytown, New York
Object type: drawing ornament architecture
Date: 1864 – 1865
Materials: graphite, watercolor
Artist: alexander jackson davis
Artist role: artist
Artist nationality: american
Artist dates: 1803 – 1892
Parkgezicht met fontein
Object type: print
Date: 1640 – 1698
Materials: paper
Techniques: etching
Artist: anna maria de koker
Artist role: print maker
Artist dates:  – 1698
Subjects: garden ornaments, public gardens, park
Inscriptions: collector's mark: Lugt 2228

Parkgezicht met een grote fontein, met een gedecoreerde boog en zuilen. Voor de fontein staat een gezelschap van zes personen deze te bewonderen. Rechts op de voorgrond een man met een stok in de hand, naast hem een zittende vrouw.
Young man wearing a cap
Object type: print
Date: 1564 – 1564
Materials: paper
Techniques: woodcut
Artist: melchior lorck
Artist role: draughtsman, painter, print maker
Artist dates: 1526 – 1588
Subjects: historical persons, head-gear: beret
Inscriptions: collector's mark: Lugt 2228, collector's mark: ‘DC’, collector's mark: Lugt 2760, collector's mark: Lugt 269

Portret van een jonge man met baret. Mogelijk portret van de schrijver Andreas Charopus.
Twee vrouwen met een pop
Object type: print
Date: 1775 – 1876
Materials: paper
Techniques: woodcut
Location: japan
Artist: katsushika hokusai
Artist role: draughtsman, print maker
Artist dates: 1760 – 1849
Subjects: dolls for adults, (playing with) dolls
Inscriptions: collector's mark: Lugt 2228
Portret van Herman Hubert
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: historical persons, functionaries and dignitaries ~ episcopal protestant churches, book
Inscriptions: date
The Flight into Egypt, from The Life of the Virgin
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: virgin and child/madonna and child, christian subjects, mythology, prints and drawings, rest on the flight into egypt, joseph
The Little Bridge Across the Isar, Paris
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: etching
Location: germany
Artist: johann georg von dillis
Artist role: artist
Artist nationality: german
Artist dates: 1759 – 1841
Corset
Object type: corset
Date: 1885 – 1885
Materials: bone, cotton, metal, silk
Culture: american
Artist: madame warren's
Artist role: manufacturer
Gordijn van blauw en wit gestreept linnendamast
Object type: curtain
Date: 1880 – 1900
Materials: linen
Techniques: damask, weave
Location: england
Artist: Anonymous

Gordijn van blauw en wit gestreept linnendamast. De blauwe en witte strepen hebben beide een lopend patroon van bloemenranken; de blauwe in lichtblauw, de witte in wit.
Fotoreproductie van Der Rettungsfelsen naar Johannes Adam Simon Oertel
Object type: carte de visite
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: other kinds of grave-markers, e.g. cross
Inscriptions: annotation: ‘der rettungsfelsen’
Brief aan Philip Zilcken
Object type: letter
Date: 1904 – 1904
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: lionel de la laurencie
Artist role: muziekwetenschapper
Artist dates: 1861 – 1933
Subjects: lyon, daniël françois scheurleer, the hague, draughtsman, philip zilcken, music, netherlands
Inscriptions: collector's mark: ‘RPK’
Vest
Object type: vest
Date: 1885 – 1890
Materials: cotton
Culture: american
Pont Charles Albert. Route royale de Turin à Genève
Object type: print
Date: 1828 – 1882
Materials: paper
Techniques: lithograph
Location: geneva
Subjects: suspension bridge, ravine, chasm, abyss, canyon
Inscriptions: collector's mark: Lugt 2228a
Drietal zittend op de achterbank van een auto, vooraan een jongen
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: automobile (+ three persons ~ traffic and transport), sri lanka

Twee vrouwen en een man, allen in westerse kledij, zitten op de achterbank van een cabriolet. Op de voorgrond een jongen met lendendoek en riem. Op de achtergrond een verkeersbord, onder meer in het Engels. Onderdeel van familiealbum Nederlands-Indië.
Spotpenning op Keizer Napoleon III `Le Petit` 1870
Object type: history medal
Date: 1870 – 1870
Materials: bronze
Techniques: striking

Bronzen penning, op de voorzijde het borstbeeld van Keizer Napoleon III naar links met pickelhaube, met dubbel omschrift, op de keerzijde de Franse adelaar met vampierskop, met omschrift.
Ink Tablet Decorated with Mythical Horse and the Eight Trigrams
Object type: ink tablet
Date: 1867 – 1933
Materials: ink
Culture: chinese
Artist: xiu fangzhai
Artist role: artist
Artist nationality: chinese
Subjects: mythical creatures
Piece
Object type: piece
Date: 1701 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: flowers,plants
Huis met de Hoofden te Amsterdam
Object type: print
Date: 1848 – 1902
Materials: paper
Techniques: drypoint, etching
Location: amsterdam
Artist: frans schikkinger
Artist role: print maker
Artist dates: 1838 – 1902
Subjects: the usual house or row of houses
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Het Huis met de Hoofden aan de Keizersgracht te Amsterdam.
Slip
Object type: slip
Date: 1880 – 1889
Materials: linen
Culture: american
Twee kasten met beelden
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: furniture for storage

Ieder Livraison in de serie Le Garde-Meuble bevat negen platen: drie 'sièges' (zitmeubels), drie 'meubles' (diverse meubels zoals tafels en kasten) en drie 'tentures' (gordijnen en draperieën).
Gazette du Bon Ton. Art- Modes & Frivolités, 1924 - No. 6 : L'hiver / Tailleur en fourrure, de Max-Leroy
Object type: fashion print
Date: 1924 – 1924
Materials: paper
Techniques: printing, hand coloring, letterpress printing, photochemical processes
Location: paris
Subjects: ensembles of pieces of clothing (suit) (+ women's clothes), skirt (+ fur used for clothes), head-gear: cap (+ women's clothes), fashion plates, clothing for the upper part of the body (+ fur used for clothes), automobile, necklace (+ women's clothes), head-gear: cap (+ fur used for clothes)
Inscriptions: caption: ‘Modèle déposé. Reproduction interdite.’

Staande vrouw in een landschap, gekleed in een mantelpak van bont, van Max-Leroy. Op het hoofd een muts. Op de achtergrond een auto. Planche 27 uit Gazette du Bon Ton 1924, No. 6.
Rustende figuren aan de kust
Object type: print
Date: 1835 – 1908
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni fattori
Artist role: print maker
Artist dates: 1825 – 1908
Subjects: resting - bb - out of doors, coastal structures
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark

Kustlandschap met op de voorgrond twee kinderen en rechts drie figuren op een bankje.
Column Shaft
Object type: column shaft
Date: 1267 – 1333
Materials: marble
Culture: french
Location: france
Sutro Tunnel's Road to Virginia City
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: roads,mountains,plants
Set of twelve tiles with scenes from Aesop's Fables
Object type: tile
Date: 1760 – 1760
Materials: earthenware
Techniques: glazing
Subjects: birds
Miller, Catcher, Pittsburgh, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen print, photography
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Crowned and Jeweled Buddha
Object type: sculpture
Date: 801 – 900
Materials: copper, silver
Techniques: inlay
Culture: kashmiri
Subjects: kashmir,buddhism,buddha

Buddha sits in a yogic posture, wearing a high tripartite crown and fully articulated robes. His lowered hand grants boons to the male donor kneeling before him presenting an offering, likely a garland. The crown with flying ribbons demonstrates the powerful influence of Sasanian royal imagery on later Kashmiri art.
Design for Phaeton, no. 543
Object type: drawing
Date: 1850 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Marble torso of a boy
Object type: torso of a boy
Materials: marble
Culture: roman
Subjects: boys

Copy of a Greek statue of ca. 425–400 B.C. The small scale and violent action of this figure suggest it may represent one of Niobe's children, who were killed after Niobe boasted she was superior to Leto, mother of Apollo and Artemis, because she had more offspring. Sculptural groups depicting the boys and girls vainly trying to escape the deadly arrows of Apollo and Artemis were popular throughout antiquity.
Head of a crozier
Object type: crozier head
Date: 1601 – 1700
Materials: wood
Subjects: croziers
Casino, Nice
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring, perforating
Location: nice
Artist: Anonymous
Subjects: façade (of house or building), casino
Inscriptions: inscription: ‘st/ 75’

Casino in Nice aan de Promenade des Anglais.
Man verstopt zich onder crinolinerok van vrouw
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, cutting, hand coloring, perforating
Artist: Anonymous
Subjects: hiding, hiding oneself
Terracotta vase in the form of a pig
Object type: vase in the form of a pig
Date: 600 – 501
Materials: terracotta
Culture: greek
Subjects: pigs

Figural vases in the form of animals were produced particularly in Corinth and in Rhodes. These objects were also exported to Etruria and adapted by local artists. Their place of origin is, therefore, often difficult to establish. The articulation of the pig with glaze dots is a feature often found on Corinthian examples.
Cosmetic box in the shape of a composite capital
Object type: cosmetic box, swivel lid, composite capital
Date: 664 – 300
Materials: faience
Location: egypt
Sleeping figure of Diana the huntress
Object type: print
Date: 1644 – 1652
Techniques: engraving, etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: bow and arrow,sleeping,diana,landscapes,trees
Bomenlaan
Object type: drawing
Date: 1872 – 1872
Materials: ink, paper
Techniques: brush
Artist: louis charles hora siccama
Artist role: draughtsman, print maker
Artist dates: 1807 – 1880
Subjects: forest, wood
Inscriptions: date
Fringe
Object type: fringe
Date: 1601 – 1633
Materials: silk
Brieventas van witte katoen versierd met florale motieven in 'point de Marseille' of Zaans stikwerk, rondom afgezet met een smalle strook kloskant
Object type: bag
Date: 1750 – 1770
Materials: cotton
Techniques: lace, quilting
Location: zaanstreek
Artist: Anonymous
Inscriptions: circumscription: ‘'Zaans stikwerk, 18e eeuw, met kloskant. Zakje voor speldenkussen. Het is uitgevoerd in Zaans Stikwerk. Beschrijving van hierboven. Het is versierd met een eenvoudig kantje. Geschenk van mevrouw Schuurman-Meeters te Arnhem'’

Brieventas van witte katoen versierd met florale motieven in 'point de Marseille' of Zaans stikwerk, rondom afgezet met een smalle strook kloskant. Het stikwerk heeft een symmetrische opbouw van gestileerde bloemmotieven. De rand is afgezet met een kanten boord. Aan de punt van de klep een lus, die om de met effen katoen omvouwde knoop midden op de tas geslagen kan worden. De binnenkant is aan de achterkant gedeeltelijk gevoerd onversierd katoen. Zaans stikwerk.