deem-data/ArtiFact huggingface dataset:
Gans omarmd door een kind
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: engraving, etching
Artist: j. weyn
Artist role: print maker
Subjects: water-birds: goose, child
Inscriptions: collector's mark: Lugt 2228

Sterfdatum van de prentmaker is onbekend. Daarom is voor de bepaling van de rechten van dit object gebruik gemaakt van de verwervingsdatum Rijksmuseum Amsterdam.
Visitation, from the Book of Hours
Object type: print
Date: 1509 – 1509
Materials: paper, parchment
Techniques: hand coloring, letterpress, woodcut
Location: germany
Artist: thielmann kerver
Artist nationality: german
Artist dates: 1497 – 1524
Urn
Object type: urn
Date: 1885 – 1885
Materials: iron
Culture: american
Location: united states
Artist: hecla works
Artist role: maker
Artist nationality: american
Artist dates: 1885 – 1912
Amulet of Bes
Object type: costume and accessory
Materials: ceramic, faience
Culture: egyptian
Location: egypt
Subjects: gods (deities)

The dwarf Bes, with his feathered headdress, lion mane and tail, and protruding tongue, was the protector of women and children. Huge numbers of amulets were made of him in the Ptolemaic period.
Farmyard, Man Resting on a Fence left of Centre, from Landscapes (Verscheyden aerdige Lanthuysen...)
Object type: print
Date: 1620 – 1620
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: claes jansz. visscher
Artist nationality: netherlandish
Artist dates: 1550 – 1612
Inscriptions: Lettered lower right: "17"
Poster for Delft Salad Oil
Object type: poster
Date: 1894 – 1894
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: jan toorop
Artist role: draughtsman, painter, print maker
Artist dates: 1858 – 1928
Subjects: hair, preparation of food, oils and vegetable fats
Inscriptions: monogram: ‘J.T.’

This poster was commissioned by the Nederlandsche Oliefabriek, an oil manufacturer in Delft. Two women with wavy hair and billowing draperies occupy most of the composition. One of them is dressing a salad. The women with their emphatic contours draw attention away from the actual advertisement, namely for the salad oil. The poster became an icon and lent Dutch Art Nouveau its nickname, the ‘salad oil style’.
Kakogawa Konami, Oboshi Rikiya and the Maidservant Suki, (Kakogawa Konami, Oboshi Rikiya, gejo Suki) from the series "Models of Love Talk: Clouds Form Over the Moon (Chiwa kagami tsuki no murakumo) "
Object type: print
Date: 1798 – 1800
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Mammoth Grove Hotel
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: hotels
Zeetocht van sijne Konincklijcke Hoogheyt Willem Henrick de III; by de Gratie Gods Prince van Oranjen, Erff-Stadthouder, Capiteyn en Admirael Generael der Vereenigden Staets, voor de Vrijheyt en ware Godsdienst in Groot-Brittangien: Uyt Hellevoetsluys den 11. November 1688
Object type: text sheet
Date: 1688 – 1688
Materials: paper
Techniques: letterpress printing
Location: leiden
Artist: johannes tangena (17e eeuw)
Artist role: publisher
Artist dates:  – 1692
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), hellevoetsluis
Inscriptions: collector's mark: ‘RIJKSMUSEUM AMSTERDAM’

Tekstblad met een beschrijving van de gebeurtenissen, de legenda van de cijfers 1-12 en een lijst van de schepen die deel uit maken van de vloot, in 4 kolommen in het Nederlands. Tekstblad behorend bij de prent met Vlootschouw bij het vertrek van Willem III vanuit Hellevoetsluis naar Engeland, 11 november 1688. Zie de bijbehorende prent.
Het aardige sluisje
Object type: print
Date: 1913 – 1913
Materials: paper, pencil
Techniques: etching, intaglio
Artist: wijnand otto jan nieuwenkamp
Artist role: draughtsman, print maker
Artist dates: 1874 – 1950
Subjects: village, lift-lock, canal lock
Inscriptions: annotation: ‘5 exemplaren’, collector's mark: Lugt 2228, collector's mark: Lugt 2760
La Marchande d'Amour (The Merchant of Love) (Furnishing Fabric)
Object type: textile
Date: 1815 – 1817
Materials: cotton
Techniques: engraving, weave, printing
Location: jouy-en-josas
Artist: louis-hippolyte lebas after jacques firmin beauvarlet
Artist nationality: french
Artist dates: 1782 – 1867
Portret van Maarten Harpertszoon Tromp op 41-jarige leeftijd
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: brielle, maarten harpertszoon tromp, historical persons, medals and other marks of military honour, commander-in-chief, admiral

Met twintigregelig onderschrift in het Nederlands.
Steengroeve van een diamantmijn te Kimberley
Object type: album leaf
Date: 1896 – 1896
Materials: photographic support
Techniques: albumen print
Location: kimberley
Artist: charles h. evans
Artist role: fotograaf
Subjects: quarry
Inscriptions: annotation: ‘Kimberley, uitwendige mijn/ 2-7 april 1896’, inscription: ‘C. Evans/ Photographer/ Du Toit's Pan Road/ Kimberley’
Dish
Object type: dish
Date: 1700 – 1710
Materials: porcelain
Artist: nicolas bonnart
Artist role: artist
Artist dates: 1637 – 1718
Subjects: musical instruments,men,women,music

The central scene is copied from an engraving by Nicolas Bonnart (ca. 1637–1718) of a drawing "Simphonie du Tympanum, du Luth et de la flute d'Allemagne" after a drawing by his brother Robert (1652–after 1729).
Dorps- en stadsgezichten te Kleef
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: engraving, etching
Subjects: village, church (exterior), landscape with tower or castle
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Het Kleefse.
Laocoön
Object type: print
Date: 1493 – 1551
Materials: paper
Techniques: engraving
Location: france
Artist: jean de gourmont (i)
Artist role: goldsmith, painter, print maker, publisher
Artist dates: 1483 – 1557
Subjects: laocoon and his twin sons are strangled by two serpents during the preparations for a sacrifice
Inscriptions: collector's mark: Lugt 2773, collector's mark: Lugt 2228

Laocoön en zijn twee zonen worden door twee zeeslangen omgebracht. Naast hen brandt een offervuur op een altaar, op de achtergrond een stad en ruïnes.
Earflares
Object type: pair of earflares
Date: 900 – 400
Materials: jade
Culture: olmec
Location: mexico
Artist: olmec artist(s)
Artist role: artist
Incense Burner in Form of a Praying Mantis
Object type: incense burner
Date: 1801 – 1900
Materials: gold, iron, silver
Techniques: lining
Culture: japanese
Subjects: insects

Articulated forms first made as novelties for samurai became popular items in the export market.
Zittende vrouw in een nis
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: sitting figure

Blad 27 recto uit een schetsboek met 36 bladen.
Gezicht op een detail van de toegangsboog van het klooster van Batalha, Portugal
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Location: batalha
Artist: charles thurston thompson
Artist role: fotograaf
Artist dates: 1816 – 1868
Subjects: arch, archivolt ~ architecture, cloisters ~ monastery
Inscriptions: number: ‘15.’
Kleine figuren
Object type: print
Date: 1656 – 1657
Materials: paper
Techniques: drypoint, etching, intaglio
Location: italy
Artist: salvator rosa
Artist role: draughtsman, painter, print maker
Artist dates: 1615 – 1673
Subjects: walking-stick, staff, hacking and thrusting weapons: sword, the soldier; the soldier's life, index finger forwards, pointing, indicating
Inscriptions: number: ‘36’, collector's mark: Lugt 240

Prent spiegelbeeldig naar een tekening in het British Museum te Londen (inv.nr. Ff,2.168). Deze prent maakt deel uit van de serie 'Figurine', bestaande uit een titelprent en 80 prenten van klein formaat met voorstellingen van mannelijke en vrouwelijke figuren. Rosa produceerde de serie waarschijnlijk gedurende de jaren 1656 en 1657.
Dublin Castle
Object type: print
Date: 1848 – 1874
Materials: paper
Techniques: etching
Location: london
Subjects: castle
Inscriptions: collector's mark: Lugt 2228
Deventer, dubbele stuiver, 1707
Object type: coin
Date: 1707 – 1707
Materials: silver
Techniques: striking
Location: deventer

Zilveren munt. Voorzijde: tussen waarde-aanduiding 2 S generaliteitsleeuw. Keerzijde: tweeregelig opschrift. Daarboven muntmeesterteken en daaronder jaartal.
Gezicht op de Weesperzijde met spoorwegovergang
Object type: drawing
Date: 1895 – 1942
Materials: chalk, paper
Location: amsterdam
Artist: tinus de jongh
Artist role: print maker
Artist dates: 1885 – 1942
Subjects: city-view in general; 'veduta', road, path, railway, train, the usual house or row of houses
Inscriptions: inscription: ‘afbraak bestemd veel (...) [...] met overweg.’, signature: ‘"TinusdeJongh"’, signature and date: ‘TinusdeJongh’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 33.
Figuren naast een olifant
Object type: sketchbook leaf
Date: 1924 – 1925
Materials: paper, pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: asiatic races and peoples: indians, trunked animals: elephant

Pagina 19 uit een schetsboek met 48 bladen.
Antonio Canova, ritratto il giorno della sua morte
Object type: print
Date: 1826 – 1840
Materials: paper
Techniques: lithograph
Artist: angelo gentili
Artist role: print maker
Subjects: venice, painter, draughtsman, antonio canova, deathbed, historical persons
Inscriptions: collector's mark: Lugt 2228
Portrait of Louis XIII
Object type: drawing
Date: 1632 – 1635
Materials: chalk, paper, pastel
Artist: simon vouet
Artist role: artist
Artist nationality: french
Artist dates: 1590 – 1649
Subjects: kings,men,portraits

Recalled to France in 1627 by the French king Louis XIII, Vouet brought with him an up-to-date Baroque manner and set up a sizable studio to help him meet the growing demand for large scale decorative painting for the hôtels and châteaux in and around Paris. Even while his impressive output of paintings was establishing Paris as a new center of Baroque style, Vouet also had a more personal relationship with the king, who not only commissioned from the painter a series of strikingly intimate pastel portraits of members of his court, but also had Vouet teach him to draw. Here, Vouet sketches the king’s own likeness; seen in three-quarter view, its broadly handled technique and psychological directness suggest an immediacy and comfort that erases any sense of distance between artist and sitter. Like other products of this joint drawing project, the Portrait of Louis XIII bears the imprint of Vouet's Roman Caravaggesque period and reveals his knowledge of the pastel manner of Italian artists such as Barocci and the Bassanos. Thus, Vouet continues the rarified court tradition of portrait drawing which had begun during the reign of François I (1515–1547), but reinvigorates it with a new naturalism and directness.
25 portretten van Andrée de Lys, Méaty Fleuron, Goby Carter en Stochetti
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: number: ‘No 363’
Oor van een theepot (De Caluwe bakafval)
Object type: lug
Date: 1700 – 1725
Materials: earthenware
Techniques: firing
Location: delft
Artist: jacobus de caluwe
Artist role: plateelbakkerij
Artist dates:  – 1730

Toegeschreven aan Jacobus de Caluwe, omdat dit voorwerp samen met gemerkte stukken (‘Jacobus De Caluwe’ en rennend hert) gevonden is op de plaats waar zich De Caluwes tweede werkplaats bevond. Er is een duidelijke stilistische overeenkomst tussen de gemerkte en niet gemerkte voorwerpen uit deze archeologische vondst.
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1878 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: brighton
Artist: henry joseph spink
Artist role: fotograaf
Artist dates: 1840 – 1892
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: inscription: ‘FURTHER/ COPIES MAY ALWAYS BE HAD/ BY SENDING NAME & DATE OF SITTING/ This or any other Portrait enlarged up to life/ size and painted on Oil or Water colors to order’, address: ‘109, WESTERN Rd BRIGHTON/ Goldstone Villas,/ Cliftonville,/ Brighton.’
Game Piece with a Scene from the Life of Apollonius of Tyre
Object type: game piece
Date: 1170 – 1170
Materials: ivory
Culture: german
Location: germany
Subjects: men,boats,games

This piece, from the medieval game of tables (a precursor to backgammon), illustrates the Late Antique legend of Apollonius of Tyre, whose wife was miraculously resurrected after being buried at sea. Here two men lower her coffin while two others watch. The scene is conceived in spatial layers: coffin, figures lowering it, onlookers, and sail. The illusion of deep space is enhanced by almost three-dimensional carving, with some areas in the round, a rare feature in walrus-ivory reliefs. While the subject is unique in Romanesque art, the plastic style of figure carving and the fine detail have parallels in Cologne ivories of the second half of the twelfth century. The figures and acanthus border can be related to an ivory reliquary in Brussels and to a cupola reliquary in Berlin produced in Cologne between 1170 and 1190. The Brussels reliquary has nearly identical borders, indicating that a single workshop produced ecclesiastical and secular objects. Another gamepiece, depicting the Entombment of Christ (Burrell Collection, Glasgow), is so similar that it may be from the same set, one divided thematically between the life of Christ and typological parallels based on classical literature. Frequently, pieces would depict feats of strength, such as those of Hercules (from mythology) pitted against those of Samson (from the Old Testament).
Dubbelportret van twee onbekende jonge vrouwen
Object type: photograph
Date: 1880 – 1910
Materials: paper, cardboard
Techniques: collodion silver print
Artist: Anonymous
Subjects: adult woman, historical persons not known by name - bb - woman, hand on shoulder (friends)

Een van de vrouwen is de geportretteerde van RP-F-F15659.
Portret van Joachim Ernst von Brandenburg-Ansbach
Object type: print
Date: 1603 – 1637
Materials: paper
Techniques: engraving
Subjects: joachim ernst von brandenburg-ansbach, historical persons, ambassador
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de ondermarge.
Portret van Anna van Hannover, prinses van Oranje-Nassau
Object type: print
Date: 1750 – 1750
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, anna van hannover, unicorn, harp
Inscriptions: collector's mark: Lugt 240

Portret van Anna van Hannover, prinses van Oranje-Nassau, omgeven door een ornamenteel kader. Linksonder de Hollandse leeuw, rechtonder een eenhoorn.
Capitolijnse Venus in de Capitolijnse Musea in Rome
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: (story of) venus (aphrodite)
Klisteerspuit uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: enema syringe
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Tools and instruments, medical, enema syringe; fragm of cylinder and pump system, extremely corroded: ffragm of upper end, circular, moulded rim, flat with fragm of shaft protruding, broken off (moulding 3.2d): (1)fragm of straight cylinder, broken, with piston inside sim. NG 1980-27H1456: fragm of lower end, circular, flanged, externally threaded rim with central hollow shaft: fragm of tube, sim. NG 1980-27H1632/1799.
Baton (Bian)
Object type: baton bian
Date: 1701 – 1900
Materials: stone, coral, gold, iron, silver
Culture: chinese
Location: china
Titelpagina voor Johannes Lundius, Heiligdommen godsdiensten, en gewoontens der oude jooden, 1726
Object type: titelblad, titelpagina
Date: 1726 – 1726
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, tables of the law, ezekiel (not in biblical context); possible attributes: book or scroll, double wheel, cupids: 'amores', 'amoretti', 'putti', anthropomorphic symbols of the evangelists
Inscriptions: collector's mark: Lugt 2228

In het midden op een verhoging staat Mozes. Hij legt zijn hand op het hoofd van een man. Naast hem zit de profeet Ezechiël. Hij wijst naar een portret van de verrezen Christus, wiens komst hij voorspelde. Op de achtergrond de vier apocalyptische dieren uit zijn visioen. Op de voorgrond verschillende putti die prenten tonen met voorstellingen van elementen uit de Joodse godsdienst.
Jar with cover
Object type: jar with cover
Date: 1725 – 1730
Materials: silver gilt, soft paste porcelain
Subjects: human figures,birds
Woman with houpette on forehead turned to left
Object type: print
Date: 1643 – 1643
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: portraits,women

A woman with long curly hair, shown nearly half-length in three-quarter profile to left, wearing a houpette, veil, transparent shoulder wrap over low-cut laced bodice, trimmed with scalloped lace.
Tyrannidi Explosae
Object type: propagandaprent
Date: 1577 – 1577
Materials: paper
Techniques: etching, letterpress printing
Location: antwerp
Subjects: don juan van oostenrijk, justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, symbols, allegories of peace, 'pax'; 'pace' (ripa), fame; 'fama', 'fama buona', 'fama chiara' (ripa), father time, man with wings and scythe, the arts of the stage: ballet, theatre, musical drama, motion picture
Inscriptions: collector's mark: Lugt 2760

Toneel waarin de Tijd een einde maakt aan de heerschappij van Tweedracht, allegorisch verbeeld als een strijd tussen goed en kwaad. Links vluchten de personificaties van ondeugden van het toneel. In de wolken omhelzen de personificaties van Vrede (Pax) en Rechtvaardigheid (Justitia) elkaar, rechts blaast Faam op haar bazuin. In de voorstelling cartouches met opschriften in het Latijn. Onder de voorstelling gedrukt drie verzen van elk 6 regels in het Nederlands, Latijn en Frans.
Model of a figurehead
Object type: scale model
Date: 1820 – 1830
Materials: copper, wax, wood
Location: flushing
Subjects: (story of) neptune (poseidon)

Het model werd vervaardigd voor het linieschip van 84 stukken Neptunus, lang 57.8 m, gebouwd door C. Soetermeer te Vlissingen in 1821-1835. Het schip werd herdoopt Koning der Nederlanden in 1844 en was de laatste driedekker van de Nederlandse Marine. In 1858 werd zij omgebouwd tot drijvende batterij van 32 stukken en weer herdoopt Neptunus; in 1876 afgevoerd.
Maternal Love
Object type: print
Date: 1784 – 1784
Techniques: etching, engraving
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Christoph. Mondragon
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: engraving, letterpress printing
Location: the hague
Subjects: armour, historical persons

Prent uit: Meteren, Emanuel van. Historie der Neder-landscher ende haerder na-buren oorlogen ende geschiedenissen. (...) Den Haag: Hillebrant Jacobsz. van Wouw, 1614, p. 98.
On the Atlantic
Object type: print
Date: 1899 – 1899
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Doctor Syntax at Liverpool, from The Tour of Doctor Syntax
Object type: print
Date: 1812 – 1812
Materials: paper
Techniques: aquatint, etching
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Huilend meisje en jongen spelend in het water
Object type: drawing
Date: 1900 – 1930
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: elly verstijnen
Artist role: draughtsman
Subjects: weeping, child and nature (games and plays), mountains
Inscriptions: :, collector's mark: Lugt 2228, signature: ‘E.V./ E. VERSTIJNEN’

In een kaal landschap met bergen zit een meisje op haar knieën. Ze heeft een hoed op en houdt haar handen voor haar ogen. Onder een jongen met opgerolde broekspijpen die in het water speelt.
Terracotta fragment of a mastoid (drinking cup with narrow base) or a kyathos (cup-shaped ladle)
Object type: mastoid or kyathos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Head, neck, left shoulder, part of the upper left arm, and upper torso of a youth to left
Necklace or Torque
Object type: necklace, torque
Date: 900 – 701
Materials: bronze
Culture: italic, villanovan
Terracotta oil lamp
Object type: lamp
Date: 40 – 100
Materials: terracotta
Culture: roman
Subjects: nike

Loeschcke Type 4. Mold-made. Discus: winged Nike (Victory) standing on globe, facing forward, with wreath in outstretched right hand, and long palm in lowered left hand; a single filling hole at lower left; band of lines and grooves at edge. Volutes flanking nozzle. Incised base ring, and flat base. Complete, except for one hole on discus down proper right side of Nike.
Nieuwjaarswens van de Amsterdamse askarrenmannen voor het jaar 1841
Object type: print
Date: 1840 – 1841
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: public road - ii - ideal city, garbage collection, amsterdam
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens namens de askarrenmannen (karrenman of vuilnisman) te Amsterdam voor het jaar 1841. Gezicht in een straat te Amsterdam waar een man asemmers naar de kar draagt terwijl een andere man aan huis geld ophaalt. Onderaan een gedicht in twee kolommen. Namens Jan de Jong, de askarreman van wijk no. 18.
Elements d'orfevrerie divisés en deux parties de cinquante feuilles
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: etching
Location: paris
Subjects: jeweller, goldsmith, silversmith, container of ceramics: jar, jug, pot, vase

Een aantal van de objecten in deze reeks heeft een eigen ondertitel, die verwijst naar genummerde 'cahiers' (afleveringen) waarin de prenten werden uitgegeven. Het is onduidelijk welke objecten recies bij welke aflevering horen. Daarom is die ondertitel enkel verwerkt bij de prent waarop die voorkomt.
Landscape after Hua Yan
Object type: handscroll
Date: 1843 – 1843
Materials: ink, paper
Culture: chinese
Artist: liu yanchong
Artist role: artist
Artist nationality: chinese
Artist dates: 1808 – 1847
German's Day, California Midwinter Exposition
Object type: stereograph
Date: 1850 – 1919
Techniques: albumen silver print
Artist: kilburn brothers
Artist role: artist
Artist nationality: american
Artist dates: 1863 – 1892
Subjects: buildings,fountains,crowd
Arm met een litteken na het verwijderen van een tumor
Object type: page
Date: 1874 – 1884
Materials: paper
Techniques: photograph
Subjects: scar, cicatrix, tumours
Inscriptions: inscription: ‘Observation XXX. - Pl. B. / M. C. B...., 64 ans, de la Haye (Hollande). / Bras photographié six mois après la guérison. (...)’
Virgin and Child
Object type: print
Date: 1776 – 1776
Techniques: etching
Artist: giovanni david
Artist role: artist
Artist nationality: italian
Artist dates: 1749 – 1790
Friese & Birke, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Fragments
Object type: fragment
Date: 301 – 700
Materials: copper alloy, earthenware, glass, shell
Techniques: glazing
Culture: coptic
Location: egypt