deem-data/ArtiFact huggingface dataset:
Riders and Equipage
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: france
Artist: constantin guys
Artist nationality: french
Artist dates: 1802 – 1892
De Winter.
Object type: print
Date: 1765 – 1765
Materials: paper
Techniques: engraving, etching
Location: leeuwarden
Artist: rienk jelgerhuis
Artist role: draughtsman, print maker
Artist dates: 1729 – 1806
Subjects: horn, trumpet, cornet, trombone, tuba
Inscriptions: collector's mark: Lugt 2228

Stadsgezicht met drie mannen op een brug, van wie twee op een hoorn blazen. Achter hen staat een man die zijn hoed in de lucht houdt en omhoog kijkt. Op de achtergrond een molen. Prent uit een serie van dertien met wintertaferelen.
Fashionable "Turn-Outs" in Central Park
Object type: print
Date: 1869 – 1869
Techniques: hand coloring, lithograph
Artist: thomas b. worth
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1917
Subjects: parks,horses,carriages
Attention
Object type: drawing and watercolor
Date: 1698 – 1698
Materials: chalk, graphite, paper
Location: united kingdom
Artist: eduardus jacobus
Artist nationality: british
Artist dates: 1700 – 1799
Terracotta oil lamp
Object type: lamp
Date: 201 – 300
Materials: terracotta
Culture: roman, cypriot

Loeschcke Type 8. Unpierced handle. Mold-made. Discus: within a raised circle surrounding a Chi-Rho (?) with hollow circles between arms; two filling holes at top and bottom across raised circle. Shoulder: a herring-bone wreath around edge of discus, and vine scroll towards edge. Large wick hole. Undefined, concave base. Broken and repaired along seam, with one hole on left side and from edge of nozzle missing.
Monument voor kardinaal Marco Antonio Franciotti
Object type: book illustration
Date: 1642 – 1642
Materials: paper
Techniques: engraving
Location: italy
Subjects: cardinal, historical persons, interior of church
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van 15 prenten met portretten van kardinalen onder paus Urbanus VIII, verwerkt in monumenten in kerkinterieurs. De reeks is gebruikt voor de publicatie: Teti, Girolamo. Aedes Barberinae. Rome: Mascardi, 1642. De publicatie bevat beschrijvingen van het Palazzo Barberini te Rome en illustraties door onder meer Johann Friedrich Greuter en Cornelis Bloemaert.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, lower drapery of a woman? wearing a chiton and a himation
Terracotta fragments of kylikes: Band or lip cups (drinking cups)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Two fragments with a bit of reserve; below, black glaze
Farizeeër
Object type: print
Date: 1787 – 1852
Materials: paper
Techniques: engraving
Subjects: jewish sects, divisions, spiritual currents (pharisees)
Inscriptions: collector's mark: Lugt 2228

Buste van een farizeeër, frontaal. Het hoofd is naar rechts gedraaid. In de marge staan twee regels tekst in het Frans.
Portret van Nicolas Poussin
Object type: print
Date: 1833 – 1846
Materials: paper
Techniques: lithograph
Location: the hague
Artist: Anonymous
Subjects: rome, painter, draughtsman, nicolas poussin, historical persons, portrait, self-portrait of painter
Landschap met bereden artilleristen
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: land forces (+ artillery), landscapes, horse
Inscriptions: kleurnotitie, handgeschreven

Pagina 65 en pagina 66 uit een schetsboek met 35 bladen.
Ce qui est un
Object type: poem
Date: 1984 – 1984
Materials: paper, ink
Techniques: letterpress printing
Artist: heraclitus
Artist role: filosoof
Artist dates: 544 – 480
Subjects: heraclitus
Inscriptions: poem: ‘ce qui est un (...) et meme chemin/ héraclite’

Gedicht van de Griekse filosoof Héraclite, in het Frans.
Kaarsenarm van kaarsenkroon
Object type: chandelier
Date: 1475 – 1485
Materials: brass
Techniques: casting, metalworking

Kaarsenarm behorende bij een kaarsenkroon van drie hoogten met Mariakapel in het midden. De arm is twee maal gebogen en heeft elf bladeren. Aan het uiteinde rust de vetvanger, die aan de onderzijde een verticale gekartelde rand met kruisbloemmotieven heeft. De kaarsenhouder is zesvlakkig met een geperforeerde zijde aan voor- en achterkant en heeft een verticaal ringvormig onderstuk. Dit is de vijfde arm van de middelste ring (midden van de spijlen), genummerd met 5 stippen.
Holy Family with Saint Anne
Object type: painting
Date: 1601 – 1633
Materials: canvas, oil
Artist: french painter
Artist role: artist
Artist nationality: french
Subjects: holy family,saint anne,virgin mary,jesus,saints,joseph
Wachtlokaal met apen, ca. 1720
Object type: print
Date: 1710 – 1730
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: monkeys, apes, animals acting as human beings, in the guard-room, 'kortegaard'
Inscriptions: collector's mark: Lugt 240

Wachtlokaal of kortegaard waarin apen als soldaten kaarten en dobbelen en drinken en roken, ca. 1720. Bij de deur wordt een kat door twee wachten binnengebracht. In het onderschrift twee vierregelige verzen.
Handhaving van de munt te Harderwijk
Object type: history medal
Date: 1721 – 1721
Materials: silver
Techniques: striking
Location: harderwijk
Artist: Anonymous
Subjects: staten van gelderland, staten van zutphen, harderwijk

Zilveren penning. Voorzijde: Nederlandse maagd met vrijheidshoed op speer leunt met arm op bijbel staand op altaar binnen omschrift (stempel van twee guldenstuk); onder afbeelding: vogel tussen twee sterren (merkteken van munt van Harderwijk). Keerzijde: opschrift onder gekroond wapenschild van Gelderland, geflankeerd door twee gekroonde leeuwen.
Charing Cross Bridge, London
Object type: painting
Date: 1901 – 1901
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: claude monet
Artist role: painter
Artist nationality: french
Artist dates: 1840 – 1926
Subjects: landscapes, bridge, england, london, building, buildings, structure, river, light, weather/seasons, water, urban life, century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed lower right: Claude Monet 1901

Beginning in September 1899, Claude Monet made almost one hundred paintings of the river Thames in London. These works show only three different views—Charing Cross Bridge and Waterloo Bridge, both painted from the Savoy Hotel; and the Houses of Parliament, painted from Saint Thomas’s Hospital. In the smoggy, industrial city, Monet challenged himself to capture effects of light seen through a dense atmospheric screen. Beyond the rectilinear skeleton of Charing Cross Bridge—reminiscent of bridges in Japanese prints, which the artist collected—rises the ghostlike silhouette of the Houses of Parliament.
Christ on the Road to Emmaus
Object type: drawing and watercolor
Materials: gouache, ink, paint, paper, watercolor
Techniques: heightening, pen
Location: netherlands
Artist: style of jan van de velde i
Drapery Study for a Standing Male Figure in Profile Facing Left
Object type: drawing
Date: 1512 – 1517
Materials: chalk, paper
Techniques: highlighting
Artist: fra bartolomeo (bartolomeo di paolo del fattorino)
Artist role: artist
Artist nationality: italian
Artist dates: 1473 – 1517
Subjects: men,profiles

This drapery study for a standing male figure wearing a voluminous mantle was executed in a distinctive drawing technique-featuring soft, very granular black chalk with white chalk highlights-that is closely associated with Fra Bartolommeo and his workshop in Florence. The anatomical features of the figure are awkward in form, in contrast to the accomplished rendering of the draperies, but this is explained by the fact that the study, like a number of others by this artist, were in all probability drawn from a mannequin wearing cast draperies of real cloth (two wooden lay figures are mentioned in the inventory of Fra Bartolommeo's studio and possessions, drafted soon after his death in 1517). Here, the telltale clues of the mannequin are the curiously spherical head and pug-nose, along with the clumpy hands and large feet. The sheet was inscribed by an early collector at lower left del frate (by the friar), a typical reference to Fra Bartolommeo, who took vows in the Dominican order at the convent of San Marco, Florence.
Last of Old London, Cloth Fair
Object type: print
Date: 1907 – 1907
Materials: paper
Techniques: etching
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Mausoleum van Helena
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: ruin of a building ~ architecture, grave, tomb, mausoleum, container of stone: stone vase
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Le Antichità Romane'. Piranesi deed meer dan acht jaar voorstudie voor deze 250 platen tellende serie die in vier volumes werd uitgegeven. Hij produceerde de prenten tussen ca. 1756 en 1757. De serie bevat ook prenten door of naar andere prentmakers, onder wie Francesco Bianchini en Girolamo Rossi.
Mosaïque
Object type: photograph
Date: 1850 – 1889
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: andré-adolphe-eugène disdéri
Artist role: fotograaf
Artist dates: 1819 – 1889
Subjects: paris, london, napoleon iii (keizer der fransen), brussels, willem iii (koning der nederlanden), historical persons - bb - woman, historical persons
Inscriptions: inscription: ‘Breveté s.g.d.g.’, number: ‘12€’, address: ‘DISDÉRI/ PHOTOGRAPHE DE S.M. L'EMPEREUR/ 8, Boulevard des Italiens/ PARIS’
Overzicht van twee eikenhouten kastdeuren
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: daylight paper print
Location: netherlands
Artist: Anonymous
Subjects: interior of the house, closed door, sculpture (+ relief ~ sculpture), netherlands
Inscriptions: number: ‘5’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL <BR />QUELLINUS <BR />AMSTERDAM <BR />FRANS HALSSTRAAT 14.’, inscription: ‘Gothische Kunst. Deur van een eikenhouten muurkastje.’, name: ‘CWN.’, collector's mark: ‘INSTITUUT VOOR KUNST- <BR />NIJVERHEIDSONDERWIJS <BR />GABRIËL METSUSTRAAT No. 16. <BR />AMSTERDAM’, number: ‘7’

Links een eikenhouten deur van een muurkastje met wapenschilden gedecoreerd, rechts een eikenhouten deur van een muurkastje.
Figures gathered at a seaport as a ship arrives; set design from 'Il Fuoco Eterno'
Object type: print, fete, ornament architecture
Date: 1674 – 1674
Techniques: etching
Artist: mathäus küsel
Artist role: artist
Artist nationality: german
Artist dates: 1621 – 1682
Subjects: opera,stage design

One of twelve plates depicting the stage sets designed by Lodovico Burnacini for 'Il Fuoco Eterno Custodito Dalle Vestali', an opera celebrating the birth of Maria Anna Antonia, Archduchess of Austria in 1672. The Archduchess was the daughter of Emperor Leopold I and his second wife Claudia Felicitas, heiress of Tirol. Composed by Antonio Draghi with a libretto by Nicoló Minato, the opera was performed in the Hoftheater in Vienna on October 30, 1674.
Kastelen
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: landscape with ruins, landscape with tower or castle, cloisters ~ monastery
Inscriptions: collector's mark: Lugt 964

Ruïne van de abdij van Rijnsburg, op de voorgrond links een man met een hond en rechts drie converserende figuren. Derde prent uit een serie van zes.
Landschappen
Object type: print
Date: 1615 – 1616
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: prospect of village, silhouette of village
Inscriptions: collector's mark: Lugt 964
Zelfportret met puntmuts
Object type: drawing
Date: 1701 – 1759
Materials: ink, paper
Techniques: pen
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: amsterdam, painter, draughtsman, cornelis pronk, historical persons, portrait, self-portrait of artist
Alabastron
Object type: alabastron
Materials: glass
Location: mesopotamia
Putto zwevend boven een landschap
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: crown (symbol of sovereignty), landscapes, book, bee-hive, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Boven een landschap zweeft een putto in de stralen van de zon. Op de grond liggen attributen waaronder een bijenkorf, een boek en een kroon.
Nebula, I. H. 1V. ebula 73 H. IV. (Analogous to 45 H. IV)
Object type: photograph
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: stars and constellations
Fragment of a Frieze
Object type: frieze fragment
Date: 1001 – 1100
Materials: earthenware
Techniques: carving, painting
Location: iran

This ceramic fragment was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Dressing jacket
Object type: dressing jacket
Date: 1885 – 1885
Materials: silk, wool
Culture: french

Made of soft, comfortable wool, this jacket would have only been worn indoors. There is nothing restricting about the style, defining it as informal home wear. The fabric has a sense of importance as it is clearly an inspiration from Persian designs and could be seen outside of the boudoir. Likely, the jacket was worn with house guests and intimate friends at casual meetings indoors.
War Dance, from National Dances (N225, Type 1) issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: dance,men,dancing
Kameyama, Seki, Sakanoshita, Tsuchiyama, and Minakuchi, no. 11 from the series "Cutout Pictures of the Tokaido (Tokaido harimaze zue)"
Object type: print
Date: 1848 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
The Hyde, Cheltenham
Object type: photograph
Date: 1853 – 1856
Techniques: albumen silver print
Artist: james knight
Artist role: artist
Artist nationality: british
Subjects: gardens,landscapes
Titelpagina voor: Bosch, J. de, Poëmata, 1808
Object type: titelblad, titelpagina
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: utrecht
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: amsterdam, jeronimo de bosch
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Bosch, Jeronimo de. Poëmata editio altera auctor. Utrecht: B. Wild en J. Altheer, 1808.
Sugar bowl (part of a service)
Object type: sugar bowl
Date: 1800 – 1830
Materials: soft paste porcelain
Artist: j. spode
Artist role: factory
Birds and Jutting Rocks
Object type: album leaf
Date: 1807 – 1868
Materials: gold, lacquer, paper, silver
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Subjects: birds
Franciscus van Assisi ontvangt de stigmata
Object type: print
Date: 1599 – 1599
Materials: paper
Techniques: engraving
Location: venice
Subjects: stigmatization of st. francis of assisi: in retreat on mount alverna, he beholds a vision of christ on the cross enveloped by wings (like a seraph with six wings); rays passing down to the body of the kneeling saint form the marks of the five wounds of christ
Inscriptions: collector's mark: Lugt 240

De H. Franciscus zit geknield in de wildernis. Hij krijgt een visioen van een engel met zes vleugel en ontvangt zijn stigmata. Op de achtergrond zit een andere monnik. Op de voorgrond een schedel.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1927 – 1927
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: adriaan pit
Artist role: print maker
Artist dates: 1860 – 1944
Subjects: draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Bowl
Object type: bowl
Date: 1660 – 1660
Materials: enamel, porcelain
Techniques: overglaze
Culture: japanese
Gezicht op het Kasteel van Versailles vanuit de tuinen
Object type: photograph
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: versailles
Artist: Anonymous
Subjects: palace
Inscriptions: number: ‘10’
Kleed van oosterse textiel met veelkleurig borduurwerk
Object type: kleed
Date: 1800 – 1899
Materials: cotton, silk
Techniques: embroidered, weave
Location: east indies

Kleed van veelkleurig getamboereerde katoen, versierd met bloemenranken en ornament, gevoerd met katoen.
Suka of 1/4 mohar uit Nepal van Bhupalendra Malla van Katmandu, 810-816 [= 1689-1695]
Object type: coin
Date: 1689 – 1695
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: rondom stupa tekens in devanagari-schrift. Keerzijde: tekens in devanagari-schrift.
Funerary Cone of Nakht and His Wife Senhotep
Object type: cone, circular impression, nakht
Date: 1479 – 1458
Materials: pottery
Location: egypt
Subjects: hieroglyphs
'The Man Sweeping the Interpreter's Parlour,' from Bunyan's Pilgrim's progress
Object type: print
Date: 1820 – 1822
Materials: ink, paper
Techniques: engraving, etching, relief
Location: england
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Landschap
Object type: sketchbook leaf
Date: 1879 – 1879
Materials: paper, pencil
Artist: theo hanrath
Artist role: draughtsman, painter
Artist dates: 1853 – 1883
Subjects: landscapes
Inscriptions: kleurnotitie, handgeschreven in potlood

Blad 7 verso uit een schetsboek met 27 bladen.
Jug
Object type: jug
Date: 1767 – 1800
Materials: soft paste porcelain
Artist: real fabrica de buen retiro
Artist role: factory
Artist nationality: spanish
Galerij met archeologische vondsten aan het Camposanto, Pisa
Object type: stereograph
Date: 1865 – 1881
Materials: cardboard, paper
Techniques: albumen print
Location: pisa
Artist: giacomo brogi
Artist role: fotograaf
Artist dates: 1822 – 1881
Subjects: gallery (spacious corridor), sculpture
Inscriptions: number: ‘3374.’, address: ‘Lung'Arno delle Grazie, 15.’
Lans van het wapenrek van Gouverneur-Generaal J.C. baron Baud
Object type: partisan
Date: 1700 – 1800
Materials: iron, paint, silver, wood
Techniques: casting, cutting, forging, painted
Location: india
Artist: Anonymous
Subjects: the hague

Ronde houten schacht beschilderd in zwart, rood, geel en groen met voorstellingen van Boddhisattva's, menselijke figuren en geometrische motieven. Onderzijde schacht heeft ijzeren kegelvorm met geschulpte rand en toelopend in stompe vierkante punt. Brede kling uitlopend in scherpe punt, met vier lippen. Kling is rijk versierd in reliëf met boddhisattva's en bloem- en bladmotieven. Centraal in kling verticale inkepingen.
Portret van Arthur Wellesley of Wellington
Object type: print
Date: 1775 – 1840
Materials: paper
Techniques: engraving
Artist: ernst ludwig riepenhausen
Artist role: print maker
Artist dates: 1765 – 1840
Subjects: walmer castle, arthur wellesley of wellington, historical persons, medals and other marks of military honour
Inscriptions: collector's mark: Lugt 2228
Fragment uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: leather, metal
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
De redder uit den suikernood
Object type: print
Date: 1884 – 1884
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: personifications of countries, nations, states, districts, etc., saint nicholas day

Spotprent over de suikernood: Sinterklaas en Zwarte Piet op bezoek bij de zieke Nederlandse Maagd. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 49, 1884.
Canapé, fauteuil en stoel
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Een canapé, fauteuil en een stoel in de Lodewijk XV-stijl. Prent uit 315e nummer (livraison).
Archway, Brussels
Object type: print
Date: 1887 – 1887
Materials: ink, paper
Techniques: etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Sampler
Object type: sampler
Date: 1792 – 1792
Materials: silk, wool
Subjects: birds,butterflies,flowers
Portret van diplomaat Simone Contarini
Object type: print
Materials: paper
Techniques: engraving
Location: venice
Artist: giacomo piccini
Artist role: print maker
Artist dates: 1617 – 1669
Subjects: simone contarini, historical persons, diplomacy, diplomat
Inscriptions: collector's mark: Lugt 2228
Twee ovalen met een jong en oud paar
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: etching
Location: amsterdam
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Subjects: forest, wood, lovers' meeting
Inscriptions: collector's mark: Lugt 2228, workshop stamp: ‘Charles Rochussen’

Twee afbeeldingen in met ranken versierde medaillons. Links: Een jonge man die in het bijzijn van een jonge vrouw de eerste letters van hun namen in een boom snijdt. Rechts: mogelijk hetzelfde paar op dezelfde plaats op hoge leeftijd. Tussen de medaillons een zandloper en een strik.