deem-data/ArtiFact huggingface dataset:
Portret van Frederica Louise Wilhelmina
Object type: print
Date: 1780 – 1803
Materials: chalk, paper, watercolor
Techniques: brush
Subjects: louise (prinses van oranje-nassau)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Portret van Frederica Louise Wilhelmina van Pruisen, prinses van Oranje-Nassau. Buste naar rechts, in ovaal.
Portret van Moritz Damian Marschall von Bieberstein
Object type: print
Materials: paper
Techniques: engraving
Location: berlin
Subjects: historical persons, symbols of death, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Waistcoat
Object type: costume and accessory
Date: 1775 – 1800
Location: france
Girl with a Peacock Feather
Object type: painting
Date: 1877 – 1877
Materials: canvas, oil
Artist: jacob maris
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1899
Subjects: adolescent, young woman, maiden, historical persons not known by name - bb - woman, ornamental birds: peacock (+ feathers)
Inscriptions: signature: ‘J Maris’

Portret van een meisje zittend in een stoel met een pauwenveer in de handen.
Consoleklok van verguld en geciseleerd brons
Object type: sling
Date: 1745 – 1749
Materials: brass, bronze
Techniques: gilding
Location: paris
Inscriptions: inscription: ‘Richard (?) 785’, signature: ‘FOURRIER A PARIS’, signature: ‘Fourrier AParis’, mark, mark, signature: ‘fourrier a paris (?)’, signature: ‘.j.boullé l[e] jeune’

Slinger van de consoleklok van verguld en geciseleerd brons. De console in de vorm van een gelijkzijdige driehoek vertoont opengewerkte, asymmetrische rocaille-motieven. De klok is op dergelijke wijze versierd en rust op overhoeks geplaatste C-vormige poten, die aan de voorzijde S-vormige bladvoluten dragen, waarop de ronde wijzerplaat steunt. Ter bekroning dient een kraaiende haan en een door de wolken schijnende zon. De zijkanten hebben opengewerkte ruitvormige vullingen. Op console controlemerk van de gekroonde C.
Dr. Brian Walton (born about 1600, died 1661)
Object type: painting, miniature
Date: 1657 – 1657
Materials: parchment
Artist: john hoskins
Artist role: artist
Artist nationality: british
Artist dates: 1615 – 1665
Subjects: men,portraits
Snuffbox
Object type: snuffbox
Date: 1770 – 1770
Materials: gold, hard paste porcelain
Artist: nymphenburg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Subjects: castles
Microscopische weergave van witte kaneel
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Subjects: microscope (+ scientific research)
Inscriptions: number: ‘XIV’
Man verdedigt zichzelf met een zwaard tegenover een man met lantaarn en hond
Object type: print
Date: 1870 – 1913
Materials: paper
Techniques: etching, retroussage
Artist: jos ratinckx
Artist role: print maker
Artist dates: 1860 – 1937
Subjects: hacking and thrusting weapons: sword, lantern, being attacked; defence, dog
Inscriptions: mark: ‘Antwerpsche Etsers 1880’, collector's mark: Lugt 2228
Voorovergebogen man doodt een varken met een mes
Object type: drawing
Date: 1670 – 1704
Materials: chalk, paper
Location: netherlands
Artist: cornelis dusart
Artist role: draughtsman, painter, print maker
Artist dates: 1660 – 1704
Twee voorstellingen uit de geschiedenis van Catharina de Grote
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: catharina de grote, riding a horse, ass, or mule; rider, horseman, (military) camp with tents, history, camp-fire; watch-fire
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Historisch-genealogischer Kalender auf das Gemeinjahr 1798. Katharina II. Ein historischer Versuch (...). Berlijn: Johann Friedrich Unger, [1797].
Silenus voor koning Midas gebracht
Object type: print
Date: 1639 – 1700
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: silenus amicably entertained by midas
Inscriptions: collector's mark: Lugt 240

Anonieme kopie naar een prent uit de serie 'Metamorfosen van Ovidius', bestaand uit 150 prenten en een titelprent, uitgegeven tussen 1639-1641.
Tankard with Mansfeld Arms
Object type: glass
Date: 1590 – 1600
Materials: enamel, glass
Culture: german
Location: saxony
Alter Hof. München
Object type: reproduction
Date: 1907 – 1907
Materials: cardboard
Techniques: writing
Location: london
Subjects: palace
Inscriptions: inscription: ‘A.K.M.’
Brief aan Philip Zilcken
Object type: letter
Date: 1918 – 1918
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: rotterdam
Artist: henri evers
Artist role: architect, hoogleraar
Artist dates: 1855 – 1929
Subjects: the hague, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Spotprent over de Cunard Line
Object type: cartoon
Date: 1902 – 1902
Materials: paper
Techniques: line block
Location: england
Artist: edward linley sambourne
Artist role: draughtsman
Artist dates: 1844 – 1910
Subjects: catching animals, water-birds: duck, political caricatures and satires
Inscriptions: date

Spotprent over de Cunard Line. Een man probeert tevergeefs met Amerikaanse dollars eenden van de Cunard Line te lokken en te vangen. Spotprent in het Engelse satirische tijdschrift Punch, 8 oktober 1902.
Hunting Trophy with Stag Heads Below
Object type: print
Date: 1653 – 1653
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: deer,pigs
Romeinen brengen diverse offers
Object type: book illustration
Date: 1672 – 1672
Materials: paper
Techniques: etching
Location: netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: sacrifice ~ roman religion, funerary ritual, ancestor cult ~ roman religion

Romeinen brengen diverse offers ter ere van een veldheer wiens grafmonument met standbeeld op de achtergrond staat. Op de voorgrond liggen enkele geofferde dieren en een dode man.
Tafelkleed of sprei van applicatiekant met strepen en bloeiende tak en met oudroze voering
Object type: tafelkleed
Date: 1850 – 1874
Materials: cotton
Techniques: lace
Location: belgium
Artist: Anonymous

Tafelkleed of sprei van applicatiekant. Patroon met vijf staande strepen gevuld met een golvende bloeiende tak, die wordt oversneden door voluten met een rastervulling. Oudroze voering.
Textile Fragment
Object type: textile fragment
Date: 901 – 1100
Materials: linen, silk
Techniques: embroidery, weave
Location: egypt
Votive plaque of the actor Bando Mitsugoro III as Sasaki Takatsuna
Object type: print
Date: 1821 – 1821
Techniques: woodblock print, surimono
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Ipswich Museum Portraits
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Location: london
Subjects: walking-stick, staff, adult man, historical persons, chair
Inscriptions: check stamp: ‘Ipswich Museum’, collector's mark: Lugt 2228

Prent behoort tot de serie 'Ipswich Museum Portraits', ook bekend onder de titel 'Portraits of Honorary Members of the Ipswich Museum'. Deze serie is in 1852 door George Ransome uitgegeven en gedrukt door M&N Hanhart tussen 1848 en 1852. De serie bestaat uit ca. 60 portretten.
Portret van Joanna Emilia Agnes van den Berg (Jeanette)
Object type: photograph
Date: 1855 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: the hague
Inscriptions: inscription: ‘Jeanette / Trip - vd B’
Titelprent met het portret van Louis Roupert
Object type: titelprent, frontispice
Date: 1668 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: paris, goldsmith, louis roupert, tools, implements of craftsman (with name), ear-rings (+ men's clothes), historical persons, jeweller, goldsmith, silversmith
Inscriptions: inscription: ‘Louis Roupert Mtre Orfeure A Metz./ P. Rabon pinxit/ Ludouicus Coruinus sculp./ 1668.’

Portret van de goud- en zilversmid Louis Roupert, staand naast een tafel waarop de verschillend gereedschap van de goud- en zilversmid en een vaas met bladranken. Roupert draagt een oorbel in zijn rechteroor en houdt een ontwerptekening in zijn handen. Achter hem een draperie.
Wapenkaart van oude geslachten van Utrecht, middenblad
Object type: print
Date: 1769 – 1769
Materials: paper
Techniques: etching
Location: utrecht
Artist: johannes van hiltrop
Artist role: print maker
Artist dates: 1764 – 1814
Subjects: armorial bearing, heraldry, utrecht
Inscriptions: collector's mark: Lugt 2228

Middenblad van een geheel van negen prenten, allen met wapens van oude geslachten uit Utrecht.
Old Barmouth
Object type: photograph
Date: 1860 – 1894
Techniques: albumen print
Location: england
Artist: francis bedford
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1894
Glass perfume bottle
Object type: perfume bottle
Date: 67 – 300
Materials: glass
Culture: roman

Colorless with blue-green tinge. Everted rim, partially folded over and in; slender, concave neck expanding downwards and joining imperceptibly with small, bulbous body; slightly pushed-in bottom. Complete except for weathered hole in neck near rim; many bubbles; deep pitting, some thick enamel-like weathering, and brilliant iridescence.
Kleed van oosterse textiel met veelkleurig borduurwerk
Object type: textile
Date: 1800 – 1899
Materials: cotton, silk
Techniques: tambouring
Location: east indies

Kleed van veelkleurig getamboereerde katoen, versierd met bloemranken en ornament, gevoerd met katoen.
Scheveningen, Rotonde op het Wandelhoofd
Object type: ansichtkaart, prentbriefkaart
Date: 1912 – 1912
Materials: cardboard
Techniques: writing
Location: the hague
Subjects: pier, quay, wharf
Portret van een onbekende man met baard
Object type: carte de visite
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print, lithograph
Location: south carolina
Artist: l. gamberth
Artist role: fotograaf
Subjects: adult man, anonymous historical person portrayed
Inscriptions: inscription: ‘L. Gamberth S.C.’
Mustard spoon
Object type: mustard spoon
Date: 1781 – 1792
Materials: silver
Subjects: coat of arms
Sigillum Haganae Societatis Civicae MDCCLXXXVII
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: seal, stamp, seal (as symbol of the state, etc.), the hague
Inscriptions: collector's mark: Lugt 2228

Zegel van het oranjegezinde genootschap Oprechte Vaderlandsche Sociëteit van Den Haag, opgericht op 10 april 1787. In het midden drie handen die een eed afleggen en een ring vasthouden. Hieromheen de motto van het genootschap: Incidit in Scyllam Cupiens Vitare Charybdin.
Portret van Wilhelm Ludwig von Otto
Object type: print
Date: 1746 – 1799
Materials: paper
Techniques: engraving, etching
Artist: jan balzer
Artist role: print maker
Artist dates: 1736 – 1799
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Le duche de Gueldres
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: maps of separate countries or regions, gelderland, guelders
Inscriptions: collector's mark: Lugt 2228

Deze staat van prent ook gebruikt in: De vyerighe colom klaer vertoonende in vyftich onderscheydene curieuse caarten de XVII. Nederlantsche Provincien (…). Amsterdam: Jacob Aertsz Colom (I), s.a. [ca. 1660].

En in latere uitgaven met de platen van deze publicatie, uitgegeven door Pieter van Alphen (1691) en Pieter van der Slaart (1696).

Eerdere staat van prent (zonder '10' rechtsonder) ook gebruikt in eerdere drukken van deze publicatie
Frog Pendant
Object type: pendant
Date: 1001 – 1600
Materials: gold
Culture: veraguas
Location: panama
Subjects: frogs
Gun Barrel
Object type: barrel
Date: 1701 – 1900
Materials: copper, coral, silver, steel
Location: india
Subjects: weapons
Portret van een staande vrouw in bruidsjurk
Object type: album leaf
Date: 1850 – 1890
Materials: cardboard, photographic support
Techniques: albumen print, hand coloring
Location: london
Artist: robert faulkner
Artist role: fotograaf
Artist dates: 1823 – 1890
Subjects: historical persons - bb - woman, standing figure - aa - female human figure, bride (in wedding-dress)
Inscriptions: inscription: ‘ROBERT FAULKNER,/ PORTRAIT PAINTER & PHOTOGRAPHER,/ 46, KENSINGTON GARDENS SQUARE,/ WESTBOURNE GROVE,/ BAYSWATER, W.’, date: ‘1943’
Design for a Chair
Object type: drawing
Date: 1801 – 1900
Materials: gouache, graphite
Techniques: brush, wash
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: chairs
Quilt, Fruit Baskets pattern
Object type: quilt
Date: 1860 – 1860
Materials: silk, velvet
Culture: american
Location: united states
Subjects: fruit

This Fruit Baskets quilt is said to have been made in Providence, Rhode Island. Its gray background is charmingly ornamented with meticulously quilted baskets and epergnes, topped by brightly colored appliquéd velvet fruits and flowers. Stitched to each corner of the white silk backing is an appliquéd block like the ones on the front. Such intricacies indicate that this quilt was surely made for display. Silk quilts have a long tradition in America. Made in Massachusetts in the early eighteenth century, the Saltonstall quilt (Peabody Essex Museum, Salem, Massachusetts), which is composed of small triangles of silk, is believed to be the earliest known American pieced quilt. Quilted silk petticoats were worn in the eighteenth century by fashion-conscious American women, and whole-cloth silk quilts very similar to those petticoats may be found in a number of collections. However, it was during the 1850s and 1860s that silk attracted new interest as a favored material for pieced quilts. Dress silks were generally used; these silks were often "weighted," an industrial process in which the cloth was treated with mineral salts to give it more body. Fashions in clothing had changed by mid-century, and fine cotton dresses were being replaced by silks. One reason for this was that silk became more plentiful and less expensive after 1826, when the British government rescinded its prohibition against the importation of French silks. The English silk industry was forced to expand rapidly in order to compete with the better-equipped French manufacturers. Probably borrowing from the technical advances made by their European neighbors, the Americans began to experiment with large-scale silk production during the 1840s. The 1845 edition of Webster's "Encyclopedia of Domestic Economy" notes: "From some specimens of American silk lately sent over to this country [England] there appears to be some reason for supposing that, before long, the material may be produced to a considerable extent in that country." It seems that with more silk being imported from England and France and silk also being produced in this country, Americans had easy access to silks of all types by about 1860.
Aoi Plant, Cherry Blossoms, Drum and Eboshi Hat Representing the "Aoi" Chapter of The Story of Genji
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: drums,flowers,plants
Piece
Object type: piece
Date: 1650 – 1670
Materials: silk
Ancien bain thermal
Object type: print
Date: 1832 – 1832
Materials: paper
Techniques: lithograph
Location: paris
Subjects: ruin of a building ~ architecture, watering-place, spa
Inscriptions: collector's mark: Lugt 2228a
Overcoat
Object type: overcoat
Date: 1825 – 1830
Materials: wool
Culture: american
Patiënt lijdend aan de huidziekte 'phtheiriasis capitis'
Object type: photomechanical print
Date: 1870 – 1881
Materials: paper
Techniques: photograph, hand coloring
Location: new york city
Subjects: head (human), skin and venereal diseases, hair
Voorbijgangers en een ossenkar op een weg, vermoedelijk op het terrein van een ziekenhuis in Nederlands-Indië
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: two-wheeled, animal-drawn vehicle, hospital, walking, trees: palm-tree, nursing, tending the sick, dutch east indies, the

Onderdeel van fotoalbum van een ziekenhuis in Nederlands-Indië.
Versailles, Bassin de Midi
Object type: photograph
Date: 1901 – 1901
Techniques: albumen print
Location: france
Artist: jean-eugène-auguste atget
Artist nationality: french
Artist dates: 1857 – 1927
Subjects: collected by hugh edwards
Prometheus geboeid
Object type: print
Date: 1897 – 1897
Materials: paper
Techniques: woodcut
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: punishment of prometheus; he is chained to a rock, usually by vulcan and/or mercury, death's head, skull (symbol of death)
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prometheus staat met een van zijn voeten op een tak en steekt beide armen, met daaraan vleugels, de lucht in. Zijn handen lijken geboeid. Op de achtergrond zonnestralen. Onder de tak twee schedels.
Maud Waldemere, Corsair Co., from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Bust of beardless old man in profile facing right, from "Small Heads in Oriental Headdress"
Object type: print
Date: 1645 – 1650
Techniques: etching
Artist: giovanni benedetto castiglione (il grechetto)
Artist role: artist
Artist nationality: italian
Artist dates: 1609 – 1664
Subjects: profiles
Negen broches en oorbellen
Object type: ornament print
Materials: paper
Techniques: engraving
Location: amsterdam

Onderaan loopt een putto met een boeket bloemen.
"A Tight Fit"
Object type: drawing
Date: 1872 – 1872
Materials: gouache, ink
Techniques: brush, pen, wash
Artist: charles samuel keene
Artist role: artist
Artist nationality: british
Artist dates: 1823 – 1891
Subjects: satire,bedrooms,men

A tipsy man who has buttoned his jacket crookedly is puzzled by his reflection in a long mirror. Keene's design was intended to be reproduced as a wood-engraving, probably in Punch, the popular periodical with which he was associated between 1864 and 1890. A leading British illustrator, Keene generally focused on humorous situations in humble surroundings, while his contemporary George Du Maurier satirized London society.
Two Men Digging
Object type: print
Date: 1855 – 1856
Materials: ink, paper
Techniques: etching
Location: france
Artist: jean françois millet
Artist role: draughtsman, painter, print maker
Artist nationality: french
Artist dates: 1814 – 1875
Netsuke of Noh mask; Face of Usume
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: masks
Apothekerspot 'S MANNATUS'
Object type: apothecary jar
Date: 1740 – 1775
Materials: faience
Location: delft
Inscriptions: mark: ‘lpk’

Apothekerspot van faience. Blauw beschilderd met opschrift: MANNATUS.
Bord, met op het plat twee gebouwen en een schip
Object type: plate dish
Date: 1859 – 1863
Materials: creamware
Techniques: transfer decoration
Location: maastricht
Inscriptions: check stamp: ‘G. ster L.’, mark: ‘TONQUIN’

Bord van aardewerk met vloeiblauw transferdecor. Op het plat twee gebouwen en een schip. De rand met vier cartouches, waarin onder andere bloemen. Tussen de cartouches vier bloemen.
The Madame B Album
Object type: photograph
Date: 1870 – 1879
Techniques: albumen print
Location: france
Artist: marie-blanche hennelle fournier
Artist nationality: french
Artist dates: 1831 – 1906
Saint Peter Released from Prison
Object type: drawing
Date: 1601 – 1700
Materials: chalk, paper
Techniques: drawing, engraving
Artist: anonymous, italian, bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: prisons,prisoners,men,angels,saint peter
Gezicht op Sackville Street in Dublin
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: dublin
Artist: Anonymous
Subjects: urban housing, obelisk, needle, street
Prenten-magazijn voor de jeugd
Object type: popular print
Date: 1850 – 1881
Materials: paper
Techniques: letterpress printing, engraving
Location: leiden
Subjects: family, relationship, descent, wreck ashore, preaching (in general), fishing (sports)
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van verschillende aard, waaronder voorstellingen van een visser, een gezin en een scheepswrak. Boven elke afbeelding een titel, onder elke afbeelding een achtregelig vers. Genummerd rechtsboven: No. 193.
Driekranenkan
Object type: coffee urn
Date: 1700 – 1700
Materials: silver
Location: leeuwarden
Artist: johannes jans de vos
Artist role: silversmith
Subjects: ornament derived from plant forms
Inscriptions: mark

Coffee urn. Silver. Leeuwarden, 1700, by Johannes de Vos.
Dish
Object type: dish
Date: 1701 – 1800
Materials: earthenware
Techniques: glazing
Location: pakistan
Subjects: flowers,leaves
Doedelzakspeler
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: etching
Location: vienna
Subjects: one person playing wind instrument, bagpipe, musette
Inscriptions: collector's mark: Lugt 2228

Naast het adres van de uitgever staat 'No. 9' vermeld.
Staal zijde in album
Object type: sample
Date: 1910 – 1932
Materials: silk
Techniques: printing block, weave
Location: vienna

Staal bedrukte zijde, groen, rood, geel en paars op naturel, met gestileerde bloemplant binnen paralellepipedum-vormige omlijsting (dessinnr. 7134 5/21).
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1894 – 1894
Materials: cardboard, ink
Techniques: pen, writing
Location: brussels
Artist: octave maus
Artist role: painter
Artist dates: 1856 – 1919
Subjects: the hague, draughtsman, philip zilcken, printed matter
Inscriptions: collector's mark: ‘RPK’
Suikerlepel AVRO, zomer 1937
Object type: suikerschep
Materials: metal
Location: zeist
Subjects: netherlands
Afbeelding der Vreugdebedryven en Plegtigheden die by de aankomst en gedurende het verblyf (...) Willem (...) en zyne Gemaalinne (...) zyn voorgevallen te Amsterdam, op maandag, den 30 Mey, en eenige volgende dagen, des jaars 1768
Object type: print
Date: 1772 – 1773
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, william v (prince of orange), berlin, painter, draughtsman, wilhelmina of prussia (princess of orange), interior ~ representation of a building
Inscriptions: collector's mark: Lugt 2233
Landscape Painters at Work, plate 309 from Souvenirs d'artistes
Object type: print
Date: 1862 – 1862
Materials: ivory, paper
Techniques: printmaking, lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Gezicht op Kronborg
Object type: drawing
Date: 1632 – 1632
Materials: ink, paper
Techniques: pen
Artist: Anonymous
Subjects: castle
Inscriptions: collector's mark: Lugt 2228

Tekening is een schets voor of gemaakt naar een prent ook gebruikt in: Iournael, vande legatie, gedaen inde Iaren 1627 en 1628 (...). Amsterdam: Michiel Colijn, 1632.