deem-data/ArtiFact huggingface dataset:
"Gushtasp Kills the Wolf of Fasiqun", Folio from a Shahnama (Book of Kings)
Object type: folio from an illustrated manuscript
Date: 1300 – 1330
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: animals,men,hunting,horses,calligraphy
Inlay depicting male torso
Object type: inlay
Date: 2600 – 2500
Materials: shell
Culture: sumerian
Location: mesopotamia
Subjects: men
Snake Goddess Manasa
Object type: sculpture
Materials: stone
Location: bangladesh
Glass jug
Object type: jug
Date: 201 – 400
Materials: glass
Culture: roman

Translucent pale bluish green; handle and trails in same color. Rounded tubular rim to broad flaring mouth; funnel-shaped neck; sloping shoulder, slightly indented below handle; globular body; applied thick coil base ring; slightly pushed in bottom with thick, sharp, central pontil mark; strap handle applied to shoulder in an uneven, slanting pad, drawn out in a straight line, then in at an acute angle, and trailed on to underside of mouth over trail and up above lip of rim. One trail applied slightly over one time around underside of mouth; another trail, applied as a large pad drawn out slightly over one time around center of neck. Broken and repaired, with cracks in one side of body and small hole; many bubbles; black impurities in handle and base; dulling, faint iridescence, and one patch of weathering on inside of body.
Boats at Rest
Object type: painting
Date: 1895 – 1895
Materials: canvas, oil
Location: ipswich
Artist: arthur wesley dow
Artist nationality: american
Artist dates: 1857 – 1922
Subjects: landscapes, weather/seasons, water
Inscriptions: Signed, lower left: "Arthur W. Dow"

In 1891 Arthur Wesley Dow began to engage seriously with the formal elements of Japanese art in his prints and oil paintings. In works such as Boats at Rest, he depicted locales around his native Ipswich, Massachusetts, using the radical cropping, elevated perspective, and flattened pictorial space characteristic of ukiyo-e (Japanese woodblock) prints. His palette of bold colors, however, is more akin to the work of French Post-Impressionist artists such as Émile Bernard and Paul Gauguin. Dow’s Japanese-inspired theories of composition, which he outlined both in his publications and in the classes he taught at the Ipswich Summer School of Art and the Pratt Institute in Brooklyn, were immensely influential to artists and designers working in both two and three dimensions.
Piece
Object type: piece
Date: 1501 – 1600
Materials: metal thread, silk
Subjects: birds
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 63 (recto)
Object type: album print ornament architecture
Date: 1615 – 1635
Materials: ink
Techniques: pen, wash
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Landschap met schuit
Object type: painting
Date: 1886 – 1886
Materials: oil, panel
Artist: jacob maris
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1899
Subjects: water course
Inscriptions: signature: ‘J Maris’

Landschap met een schuit op het water. Langs de oevers struikgewas en enkele knotwilgen.
Diverse jacht- en strijdscènes
Object type: print
Date: 1605 – 1605
Materials: paper
Techniques: etching
Location: rome
Subjects: shore-birds and wading-birds: crane, hunter, hunters hunting (n.b.: in 1988-1990 this notation denoted the concept of 43c11421 'hunters resting during the hunt')
Inscriptions: collector's mark: ‘Hinloopen’, number: ‘43’

Een groep primitieve jagers in lendendoeken jaagt broedende kraanvogels in het nauw. Op de achtergrond vallen kraanvogels de jagers aan. Tekst in het Latijn in ondermarge.
Aryballos with four warriors
Object type: aryballos with four warrior
Date: 600 – 600
Materials: terracotta
Bord
Object type: plate dish
Date: 1680 – 1710
Materials: earthenware, glaze
Techniques: painted
Location: delft
Artist: Anonymous

Rond bord van blauw beschilderde faience, met op het plat vier zeilende schepen. Het bord is in 1967 in bruikleen gegeven aan het Goltzius Museum in Venlo. Bij het bord horen drie identieke borden met de invnrs. BK-NM-11168-b, BK-NM-11168-c en BK-NM-11168-d.
Writing Box
Object type: writing box
Date: 1900 – 1900
Materials: copper alloy, patina
Culture: italian
Artist: italian (manifattura di signa, florence?)
Artist role: artist
Subjects: centaurs,coat of arms

This writing box is decorated with winged putti holding a laurel wreath with a Medusa head, surruonded by a rectangular band of palmettes on the cover. The front and back sides have a pair of centaurs carrying nymphs on their backs (Nessus and Deianeira?) and flanking the Medici coat of arms beneath a Tuscan crown on a pelta. This popular type of writing casket exists in various versions and was produced well into the twentieth century. Reproductions were offered by the Manifattura di Signa, Florence, in 1912. This box belongs to that category of late reproductions.
Textile Fragment
Object type: textile fragment
Date: 701 – 900
Materials: silk
Location: iran
Subjects: birds

This silk textile fragment displays a repeating design executed in green, yellow, and tan against a dark blue ground. The design consists of joined rows of four-pointed stars, in between which are roundels bearing stylized floral and bird forms in alternating rows.
The Celestial Globe-Southern Hemisphere
Object type: print
Date: 1515 – 1515
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: astronomy,coat of arms,maps

This woodcut of the southern sky is based on maps of the stars drawn by an anonymous artist living in Nuremberg in 1503. Recalculated to reflect the stellar positions of 1515, Dürer's celestial maps were the first ever published and attest to the role that Nuremberg played as a center for printing, as well as for the manufacture of scientific instruments.
Landschap met rotsen
Object type: print
Date: 1650 – 1690
Materials: paper
Techniques: etching
Location: paris
Subjects: waterfall, brook, rock-formations, public road (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 240

Een landschap met rotsen en een weg. Naast de weg een kleine beek en een waterval. De prent maakt deel uit van een serie van rivierlandschappen.
De stad Arnhem, te zien van de hoogtens naar den Eltenerberg
Object type: print
Date: 1741 – 1741
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: prospect of city, town panorama, silhouette of city, arnhem
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2233

Prent ook gebruikt in: Wagenaar, Jan. Tegenwoordige staat der Vereenigde Nederlanden, derde deel. Vervattende de beschryving der provincie Gelderland (…) / Hedendaagsche historie of tegenwoordige staat van alle volkeren: XIIIde deel. Vervolgende de (…) en vervattende byzonderlyk die der provincie Gelderland (…). Amsterdam: Isaak Tirion, 1741.
Nicolaaskerk te Amsterdam
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: chalk, paper
Location: amsterdam
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: church (exterior)

Blad 24 recto uit een schetsboek met 47 bladen.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, rim of a skyphos and an unidentified object?
Výroba ammoniaku z dehtové vody dle soustavy Fr. Sebora
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: machines; parts of machines; tools and appliances
Gezicht op gebouwen aan het Binnenhof tijdens de restauratie
Object type: photograph
Date: 1899 – 1899
Materials: cardboard, photographic support
Techniques: albumen print
Location: binnenhof
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: urban housing
Inscriptions: annotation: ‘Grafelijke Zalen/ Restauratie gebouwen ten Noordwesten der Loterij Zaal/ Juni 1899/ 's Gravenhage’, annotation: ‘'s Gravenhage Binnenhof (Z.H.)/ Gebouwen ten noord-westen der loterijzaal/ Juni 1899’
Portret van een staande man in militair uniform met sabel
Object type: carte de visite
Date: 1861 – 1874
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: hacking and thrusting weapons (with name), historical persons, (military) uniforms
Inscriptions: inscription: ‘Nieuwendijk L87, Amsterdam’
Judit met hoofd van Holofernes
Object type: print
Date: 1547 – 1591
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: holofernes beheaded by judith with his own sword; the maidservant may be keeping watch
Inscriptions: inscription: ‘181’, collector's mark: Lugt 2228, collector's mark: Lugt 2760

Judit staat met het hoofd van Holofernes en een zwaard in de handen bij de tent. Een dienstmaagd houdt een zak klaar om het hoofd in te doen. Op de achtergrond het kamp met vechtende soldaten. In de marge een onderschrift in het Latijn. Prent uit een serie van vier met scènes uit het verhaal over Judit en Holofernes.
Stone Mask
Object type: mask
Date: 1000 – 250
Materials: stone
Culture: japanese
Subjects: masks
't Licht is op den kandelaer gestelt
Object type: cartoon
Date: 1640 – 1699
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: theodorus beza, prague, priest, martin luther, reformation (roman catholic church vs. protestantism)

Anti-roomse spotprent met een groep van reformatoren gezeten om een tafel waarop een brandende kaars staat. De kandelaar staat op een boek aangeduid als de Evangelie. De duivel, de paus, een kardinaal en een monnik proberen tevergeefs de kaars uit te blazen. De figuren zijn met letters aangeduid die in het onderschrift, zes kolommen Nederlands, worden verklaard.
Erato
Object type: album leaf
Date: 1813 – 1815
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: title-page, erato (one of the muses); 'erato' (ripa)
Inscriptions: inscription: ‘63’

Erato, de muze van de lyriek en liefdespoëzie, zit aan een schrijftafel. Tegen de tafel staat een fluit en een lier. Links een putto met fakkel en een sokkel met twee bustes. De prent maakt deel uit van een album.
The Picnic Excursion
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Portret van een zittend meisje met boek op schoot
Object type: album leaf
Date: 1855 – 1865
Materials: cardboard, photographic support
Techniques: albumen print
Artist: pierre julien calixte fourié
Artist role: fotograaf
Artist dates: 1832 – 
Subjects: adolescent, young woman, maiden, historical persons, book
Inscriptions: inscription: ‘behoeft restauratie 28 Rue Ste Catherine, Bordeaux’
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1767 – 1833
Materials: gold alloy, gold
Culture: japanese
Location: japan
Subjects: flowers
Gezicht op de cementfabriek te Lille
Object type: page
Date: 1878 – 1882
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: factory in landscape, lille
Inscriptions: inscription: ‘Le Nord Contemporain/ Revue Industrielle & Scientifique’, inscription: ‘Vue générale de la fabriqu de ciment & carreaux céramiques á Lambersart-lez-Lille, de M. Léon de Smet & Co, de Grand.’, inscription: ‘Journal le Nord Contemporain, No 11, année 1882’

Prent op vijfde ongenummerde pagina na pagina 176.
Gezicht vanaf Merwede op Blauwpoort en Catharijnepoort te Dordrecht
Object type: print
Date: 1803 – 1803
Materials: paper
Techniques: etching
Location: dordrecht
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: prospect of city, town panorama, silhouette of city, dordrecht
Inscriptions: collector's mark: Lugt 2228

Prent uit: XII Gezichtjes der Stadt Dordrecht. Langs de water zijde. Getekent en int koper gebracht door K.F. Bendorp, 1803
Dood van Maria II Stuart, koningin van Engeland, 1695
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching, letterpress printing
Location: leiden
Subjects: london, maria ii stuart (koningin van engeland, schotland en ierland), deathbed
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Gottfried, Johann Ludwig. Historische kronyck; vervattende een (...) beschrijvingh der aldergedenckwaerdigste geschiedenissen des weerelds, van den aenvangh der scheppingh tot (...) 1576 (2 delen). Leiden: Pieter van der Aa, 1698, dl. II, p. 1491.
Quilt, Star of Bethlehem pattern variation
Object type: quilt
Date: 1840 – 1850
Materials: cotton
Culture: american
Location: united states

Unfortunately, little is known about the provenance of this quilt; however, it can be dated to the mid-nineteenth century by the type and palette of the brightly colored calicos. The clear hues of the reds and yellows are especially notable. This cheerful palette is shared by other quilts in the American Wing's collection, such as 46.152.2, 1980.498.3, and 2011.374, all of which can be accurately dated to the second half of the 1840s.
Nieuwe-Jaars-Eer-Dicht, Opgedragen aan die van den Edelen Manhaften Ouden Schuts, ofte Voet-boog Binnen de Hoofd-stad s'Hertogenbosch, op 't Jaar MDCCXLIII
Object type: print
Date: 1739 – 1739
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: den bosch
Subjects: warfare; military affairs (+ citizen soldiery, civil guard, citizen militia), the warrior martyr george (georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword, den bosch
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarsprent van de schutterij De Oude Schuts of Voetboogdoelen van de stad 's-Hertogenbosch voor het jaar 1743. Embleem met Sint Joris die de draak doodt boven een gezicht op Den Bosch, links en rechts wapens, vaandels en de wapena van Den Bosch en Sint-Joris. Op het blad onder de plaat een vers in twee kolommen.
Tree branches (Smaller Italian sketchbook, leaf 30 recto)
Object type: drawing
Date: 1774 – 1775
Materials: graphite
Artist: joseph wright (wright of derby)
Artist role: artist
Artist nationality: british
Artist dates: 1734 – 1797
Subjects: leaves,trees
Away with Doubts (valentine)
Object type: print
Date: 1840 – 1840
Materials: paper
Techniques: embossing, hand coloring, lithograph
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Mexico, koning Philips V, reaal, 1743
Object type: real
Date: 1743 – 1743
Materials: silver
Techniques: striking
Location: mexico city

Zilveren munt. Voorzijde: tussen waarde-aanduiding: R 1 gekroond samengesteld wapenschild. Keerzijde: tussen twee uit zee oprijzende gekroonde zuilen, waarop banderol met opschrift, twee in elkaar grijpende wereldbollen, waarboven kroon. Jaartal onderaan in omschrift. Links daarvan muntplaats-aanduiding: Mo. Bloemrand.
Damascus Room
Object type: period room
Materials: brass, ceramic, gesso, glass, glaze, gold, iron, marble, mother of pearl, paint, plaster, stone, tin, wood
Techniques: relief
Location: syria

The Damascus Room is a residential winter reception chamber (qa'a) typical of the late Ottoman period in Damascus, Syria. Among the earliest extant, nearly complete interiors of its kind, the room’s large scale and refined decoration suggest that it was part of the house of an important, affluent family. Poetry inscribed on its walls indicates that the patron was Muslim and possibly a member of the religious elite who claimed descent from the Prophet Muhammad. The Damascus Room, like most winter reception rooms (qa'as) of its time, is divided into two areas: a raised, square seating area (tazar) and a small antechamber ('ataba) entered through a doorway from a courtyard. The opening from which visitors view the room today would originally have been a wall with a cupboard. (The cupboard doors are now mounted in the passageway leading to the room.) Wealthy Damascene homeowners periodically refurbished reception rooms in accordance with shifting trends and tastes in interior decoration. Therefore, houses in the old city of Damascus as well as their interiors rarely date to a single building phase. Although the inscription dates most of the woodwork elements in the room to A.D. 1707, alterations were made to the room in the subsequent three centuries. The woodwork’s relief decoration is made of gesso covered with gold leaf, tin leaf with tinted glazes, and bright egg tempera paint. Known as 'ajami, this characteristic Ottoman-Syrian technique and style creates a rich texture with varied surfaces that are responsive to changes in light. The palette of the 'ajami decoration was originally much more colorful and more varied than it appears today. Periodically the surfaces were coated with a layer of varnish as a form of maintenance. Over time, subsequent coats of varnish have darkened, muting the colorful surfaces in the Damascus Room. The Damascus Room is decorated with forty stanzas of poetry.
Issachar, from The Twelve Sons of Jacob
Object type: print
Date: 1584 – 1594
Techniques: engraving
Location: amsterdam
Artist: jacques de gheyn (ii)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1629
Subjects: animals,men
Evening cloak
Object type: evening cloak
Date: 1885 – 1889
Materials: metal, silk
Culture: french
Subjects: birds,butterflies

The chinoiserie print covered in the vermiculate gold chainstitch alongside the contrasting embroidered net trim encompasses the wearer in lavish exoticism. It was fashionable in the period to seek such exoticism in home furnishings as well as fashion. The design vocabulary of the world was often reinterpreted in embroidery styles throughout the period.
Draagpenning der buurtcommissarissen te Amsterdam
Object type: medal
Date: 1850 – 1850
Materials: bronze, textile
Artist: Anonymous

Bronzen draagpenning met oog, ring en lint.
Inkstand
Object type: inkstand
Date: 1780 – 1780
Materials: soft paste porcelain
Artist: lowestoft
Artist role: factory
Artist nationality: british
Artist dates: 1757 – 1803
Copper Ring
Object type: ring
Date: 1401 – 1500
Materials: copper
Culture: peruvian
Location: peru
Sauceboat
Object type: sauceboat
Date: 1760 – 1760
Materials: stoneware
Techniques: salt glaze
Subjects: animals,trees
Saucer
Object type: saucer
Date: 1785 – 1790
Materials: porcelain
Culture: chinese
Location: china
Subjects: birds,coat of arms

This object belongs to a large dinner service (10.149.1–.248) bearing the Townley family coat-of-arms. The service, probably ordered by Justice Samuel Chase (1741–1811) of Annapolis, Maryland, displays the enamel-painted arms of Margaret Townley, Chase's aunt.
Soldaat die zijn musket van zijn schouder neemt (nr. 3), ca. 1600
Object type: print
Date: 1597 – 1608
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons
Inscriptions: inscription: ‘Sinke ye rest and unshoulder ye Muskett’

Een soldaat, ten voeten uit, naar rechts, die een musket (een bepaald type vuurwapen) van zijn linkerschouder neemt met zijn rechterhand (nr. 3), ca. 1600. In zijn linkerhand behalve de kolf van het musket ook een furket (musketvork) en een brandende lont. Plaat 3 in de instructies voor het hanteren van het musket: Shorte instruction for the figures, so much concerneth the right use of muskett. Onderdeel van de illustraties in een Engelse editie van J. de Gheyns Wapenhandelinghe: J. de Gheyn, The exercise of armes for calivres, muskettes and pikes after the ordre of Maurits Prince of Orange, 's-Gravenhage 1608. Krijgswezen rond 1600.
Tumi with Feline
Object type: knife
Date: 101 – 700
Materials: copper, shell
Techniques: casting
Culture: moche
Location: peru
Subjects: animals
Sleeve Band
Object type: sleeve band
Date: 1801 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: flowers,plants
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Subjects: flowers
Pendant: head of a woman
Object type: head of a woman to left
Date: 500 – 401
Materials: amber
Culture: italic
Subjects: heads
Lamp
Object type: lamp
Date: 401 – 600
Materials: earthenware
Techniques: molding
Location: egypt
Subjects: cross

Small earthenware lamps, made from double molds, were the most commonly used source of light during the Coptic period. A wick produced from plant fiber or linen fabric was placed in a reservoir filled with oil, generally castor or sesame oil, and illuminated. Religious symbols used as decoration, such as this variation of the Chi-Rho Christogram, the monogram for Christ 's name, were thought to offer protection for the lamp’s owner.
Famille-Rose 'Flower Basket' Dish
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, painting
Location: china
Galloon
Object type: galloon
Date: 1701 – 1900
Materials: silk
Subjects: flowers
Sash
Object type: sash
Date: 1701 – 1800
Materials: metal thread, silk
Subjects: flowers
Bordeaux. Les Colonnes Rostrales
Object type: photomechanical print
Date: 1903 – 1920
Materials: cardboard
Techniques: photograph, lithograph, writing
Location: paris
Subjects: harbour, full moon, monument, statue (+ city(-scape) with figures, staffage)
Cœnotaphiorum (3)
Object type: collection ornament architecture
Date: 1563 – 1563
Techniques: etching
Artist: hans vredeman de vries
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1527 – 1606
Subjects: birds,tombs,coat of arms

Freestanding funeral monument shaped like an encased tomb. The encasing structure is decorated with birds (of prey?) and a frieze made up out of triglyphs and blank coats of arms in the metopes. The monument is crowned by a classical portico supported by Corinthian pillars. Below the image is a Latin inscription made up out of four lines, divided over two columns.
Diverse gezichten op Frankrijk en Italië
Object type: print
Date: 1631 – 1657
Materials: paper
Techniques: etching
Location: paris
Subjects: city-view, and landscape with man-made constructions, abbey, monastery, convent ~ roman catholic church, paris
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240

De prent maakt deel uit van een serie van twaalf prenten.
This is my "bullet," from 'News of the day,' published in "Le Charivari"
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men
Banknote motif: number 5 against a circular panel of lace-like lathe work with a scalloped edge
Object type: print
Date: 1824 – 1842
Techniques: engraving
Artist: cyrus durand
Artist role: artist
Artist nationality: american
Artist dates: 1787 – 1868
West door and window
Object type: photograph
Date: 1857 – 1862
Materials: photographic support
Techniques: albumen print
Location: tintern abbey
Artist: william russell sedgfield
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: ruin of church, monastery, etc.
Zilverwerk en edelsmeedkunst, tweede deel
Object type: album leaf
Date: 1748 – 1748
Materials: paper
Techniques: etching
Location: paris
Subjects: sugar-basin

Een aantal van de objecten in deze reeks heeft een eigen ondertitel, die verwijst naar genummerde 'cahiers' (afleveringen) waarin de prenten werden uitgegeven. Het is onduidelijk welke objecten recies bij welke aflevering horen. Daarom is die ondertitel enkel verwerkt bij de prent waarop die voorkomt.
Schoorsteenmantel
Object type: ornament print
Date: 1561 – 1561
Materials: paper
Techniques: etching
Location: paris
Artist: jacques androuet
Artist role: draughtsman, print maker
Artist dates: 1515 – 1584
Subjects: caryatids ~ architecture, landscape with ruins, piece of sculpture, reproduction of a piece of sculpture, architectural design or model, chimney-piece, mantelpiece

Schoorsteenmantel met kariatiden en op de schouw een voorstelling van antieke ruïnes. Onderdeel van 'Seconde livre d'architectvre' (1561): 64 etsen met geornamenteerde architectuuronderdelen.