deem-data/ArtiFact huggingface dataset:
Samson and Delilah
Object type: print
Date: 1401 – 1500
Techniques: engraving
Artist: master es
Artist role: artist
Artist nationality: german
Artist dates: 1445 – 1467
Subjects: men,women
Portret van een onbekende jonge vrouw in klederdracht
Object type: carte de visite
Date: 1865 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: stockholm
Artist: frederik renard
Artist role: fotograaf
Artist dates: 1824 – 1895
Subjects: adult woman, anonymous historical person portrayed
Inscriptions: inscription: ‘Plåten förvaras för efterbeställning.’, address: ‘Stockholm/ Regeringsgatan No 28, B.’
Stamp seal (oval conoid) with deity
Object type: stamp seal
Date: 700 – 501
Materials: lapis lazuli
Culture: assyro-babylonian
Location: mesopotamia
Voorstellingen uit het Oude Testament
Object type: print
Date: 1685 – 1725
Materials: paper
Techniques: etching
Location: rome
Subjects: judith shows holofernes' head to the people
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Judit toont het hoofd van Holofernes aan het volk, naast haar staat haar dienstmaagd. Zij houdt de zak open waarin het hoofd opgeborgen was. Prent uit een serie van vier voorstellingen uit het Oude Testament naar fresco's van Domenichino.
Heldendood van Jan Carel Josephus van Speyk
Object type: history medal
Date: 1831 – 1831
Materials: silver
Techniques: striking
Location: utrecht
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: jan van speyk, antwerp
Terracotta fragments of column-kraters (bowls for mixing wine and water)
Object type: column krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Four miscellaneous fragments with unidentified subjects
Studie van aquarium decoratie
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: aquarium
Inscriptions: number: ‘539’, number: ‘17’

Met aantekeningen en met op verso een schets met lijnen en afmetingen.
Bottle
Object type: bottle
Date: 1601 – 1633
Materials: glaze, iron, stoneware
Culture: japanese
Parure (set of matching jewellery)
Object type: jewellery
Date: 1854 – 1858
Materials: gold
Location: voorschoten
Subjects: the hague, amalia of solms-braunfels

The writer and journalist E.J. Potgieter was among the first in the 19th century to devote attention to women from the past. He commissioned this jewellery set as a gift for a relative. The seven depicted Dutch women symbolize decisiveness and fortitude. Potgieter believed his lethargic countrymen could learn a lesson from them. The medallion contains a photograph of Potgieter and a lock of his hair.
Riding coat
Object type: riding coat
Date: 1775 – 1775
Materials: hair, silk
Culture: british

Many male critics of social behavior, including Pepys and Addison, disliked the "immodest custom" of ladies wearing masculine attire. The ladies, however, found masculine tailoring not only practical for their sports clothes but alluring as well. A discerning but, alas, anonymous gentlemen agreed with them and made the following lively remarks in the weekly Register of July 10, 1731: The Riding Habit simply, with the black velvet cap and white feather, is in my opinion, the most elegant dress that belongs to the ladies’ wardrobe; there is a grace and gentility in it that all other dresses want; it displays the shape and turn of the body to great advantage, and betrays a negligence that is perfectly agreeable…. She who makes her actions most conformable to that standard, will always be most secure of conquests and reputation.
Three Votive Implements: Incense Burner, Candlestick, and Vase
Object type: votive implement
Date: 1801 – 1900
Materials: bronze
Culture: japanese

This set of votive implements comprises a decorative convention for the tokonoma alcove and is derived from the ancient Indian practice of offering gifts to a deity. The use of this arrangement in Japan can be traced to the Kamakura period (1185–1333), when it was standard practice in Zen temples to place offerings before an image of the Buddha. With the spread of religious architecture into secular contexts in the Muromachi period (1392–1573), the implements became part of the formal decoration of the tokonoma alcove.
Plate 20: Wolf, from "Various animals" (Diversi animali)
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: anonymous, 17th century
Artist role: printmaker
Artist dates: 1600 – 1700
Subjects: animals
Tapkranen uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: spigot
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Tap, spigot, removable; consisting of tapering cylinder with circular, ring-shaped handle, circular drainage-hole, arrester lugs missing, marks id. NG 1979-523H, partly legible.
Liberté pour tous
Object type: drawing
Date: 1833 – 1898
Materials: graphite
Artist: félicien rops
Artist role: artist
Artist nationality: belgian
Artist dates: 1833 – 1898
Subjects: female nudes
Gezelschappen en kinderen
Object type: photograph
Date: 1900 – 1925
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: adult woman, adult man, child, (playing with) barrow, wagon, netherlands

Albumblad met foto's van een gezelschap, mogelijk tijdens een uitstapje en een portret van een zittende vrouw met boek. Ook foto's van kinderen, onder meer een bolderkar voorttrekkend. Onderdeel van Fotoalbum van een onbekende Nederlandse familie met connecties in Suriname en Nederlands-Indië (2).
A Peep at St. Peter or The Poet in a Pickle
Object type: print
Techniques: etching
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800
Subjects: satire,men,women
Sketch of a German Village
Object type: drawing
Date: 1876 – 1876
Materials: graphite, ink, paper
Culture: american
Artist: andrew fisher bunner
Artist role: artist
Artist nationality: american
Artist dates: 1841 – 1897
Subjects: houses,villages
Theater Plays in Beijing. The love for the theater in Beijing is reaching almost absurd dimensions, and strangely enough in all the plays it is about whether Mr. Alfred will marry Miss Josephine. There is no better proof for the stupidity of the Chinese people caused by opium, because they don't even realise that they see the same play every night and they stand in line in front of different theaters every day, worried that Miss Josephine marries Mr. Oscar without them attending the touching wedding ceremony, plate 27 from Voyage En Chine
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Bottle with fox head
Object type: bottle
Date: 500 – 800
Materials: ceramic
Culture: moche
Location: peru
Artist: moche artist(s)
Artist role: artist
Subjects: foxes
Allegorical figure
Object type: relief
Date: 1672 – 1675
Materials: marble
Artist: françois girardon
Artist role: artist
Artist nationality: french
Artist dates: 1628 – 1715
Subjects: women,flowers

The relief belonged to the funerary monument to Anne Marie Martinozzi, princesse de Conti (d. 1672), in the Church of Saint-André-des-Arts, Paris. An engraving of the monument shows that the figure embodied three religious virtues: Charity (flaming heart), Hope (anchor), and Faith (block under the figure's right foot). In 1793, the monument was dismantled and removed to the Musée des Monuments Français. In 1809 the relief was placed in the park of the Empress Josephine's estate, Malmaison. At that time, the attributes were reworked. The anchor on the figure's left was transformed into a piece of drapery and the flaming heart in the left hand into a poppy, symbol of sleep.
The Last Judgment with Christ on a Cloud above and with the damned below
Object type: print
Date: 1600 – 1622
Techniques: woodcut
Artist: geronima parasole
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1622

This print is from a scrapbook (album) containing woodcuts and chiaroscuro prints. It was presumably taken apart when it was acquired by The Met in 1922. On the front page of the volume there appeared a statement that this collection was made by the poet Samuel Rogers (1763-1855) and then bought by Angela Coutts (1816-1906) in memory of him at the sale of the collection at his house (28 April – 20 May, 1856). #1615a Rogers Sale. #146 Burdett Coutts Sale (Sotheby’s, May 1922). The prints from the original album have the range 22.73.3-1–22.73.3-161.
Kop van een man, van opzij
Object type: drawing
Date: 1878 – 1938
Materials: chalk, paper
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: anonymous historical person portrayed alone

Kop van een man, van opzij; op de verso een fragment van de litho Mélisande.
Collection of the editions of Jonson's Rasselas
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: printing block
Location: north and central america
Artist: Anonymous
Subjects: lying figure, bunch of grapes
Singapore, kepeng,1804
Object type: coin
Date: 1831 – 1844
Materials: copper
Techniques: striking
Location: birmingham

Koperen munt. Voorzijde: door twee leeuwen gehouden wapenschild van de Engelse Oostindische Compagnie, waarboven aanduiding Island of Sumatra en waaronder wapenspreuk. Daaronder bevroren jaartal 1804. Keerzijde: op een regel in het Maleis waarde-aanduiding: satoe kepeng. Daarboven cijfer: 1 in Arabische cijfers en daaronder jaartal in Islamitische tijdsrekening en in Arabische cijfers:1247. Gladde rand.
Rotspunt begroeid met struiken
Object type: print
Date: 1831 – 1904
Materials: paper
Techniques: etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: rock-formations
Inscriptions: collector's mark: Lugt 2228
Portret van Willem I, koning van Württemberg
Object type: print
Date: 1816 – 1864
Materials: paper
Techniques: lithograph
Location: europe
Artist: Anonymous
Subjects: willem i koning van württemberg, historical persons, king
Miss Ritter, from the Actresses series (N246), Type 2, issued by Kinney Brothers to promote Sporting Extra Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actresses" (N246), issued ca. 1890 by Kinney Brothers Tobacco to promote Sporting Extra Cigarettes. There are two types of cards in the series, varying by size.
Oeuvre van Antoine Watteau
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: types in 'commedia dell'arte': colombine, types in 'commedia dell'arte': harlequin, sculpture
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie van 271 platen naar schilderijen door Watteau, verdeeld over drie delen, gecoördineerd door Jean de Jullienne en uitgegeven in Parijs in 1735. Sommige platen werden reeds tijdens Watteau's leven gemaakt. De Julienne en Watteau waren goede vrienden.
Het schilderij door Watteau bevindt zich in de Wallace Collection te Londen, inv.nr. P387.
Jerusalem van Antiochus Epiphanes overvallen; beroofd den Tempel, verbrand de Wet-boeken, voerd d'afgoderie in en laat vele Joden jammerlyk mishandelen en ombrengen
Object type: book illustration
Date: 1690 – 1690
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: breaking into city or fortress ~ siege, violent death, being killed; being mishandled and maltreated; seeking death
Inscriptions: collector's mark: Lugt 2228

Illustratie opgenomen in: Goeree, Wilhelmus. Voor-bereidselen tot de bybelsche wysheid, en gebruik der heilige en kerklijke historien, 3 delen. Amsterdam: Wilhelmus Goeree I, 1690, dl. I.
Vase
Object type: vase
Date: 1701 – 1900
Materials: glaze, pottery
Culture: japanese
Piece
Object type: piece
Date: 1601 – 1700
Materials: silk
Culture: japanese
Subjects: flowers
Woman in a Black Kimono
Object type: hanging scroll
Date: 1783 – 1789
Materials: gold, ink, silk
Culture: japanese
Artist: katsukawa shunshō 勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: women

Judging from her garments and hairstyle, this woman, posed alone against a blank background, is probably the daughter or young wife of a wealthy merchant family. The black kimono nicely offsets the white obi decorated with spring flower motifs. The cuffs and hems of the undergarment add elements of visual frisson in an otherwise elegant and subdued painting. Katsukawa Shunshō is perhaps better known for his prints of Kabuki actors, which he started producing in about 1765; he and his pupils dominated this area of print production for a generation. Later in his career he achieved renown for his meticulously rendered paintings of beauties. The use of a distinctive handwritten seal (kaō) allows the painting to be dated to the mid to late 1780s.
Plaque with Triton and Nereids
Object type: ceramic
Date: 1767 – 1800
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 – 
Inscriptions: Mark: "WEDGWOOD" impressed
Portret van Justus Jonas
Object type: print
Date: 1563 – 1642
Materials: paper
Techniques: etching
Subjects: theologian, historical persons, portrait of composer
Inscriptions: collector's mark: Lugt 2228

Deze prent (een impressie) hoort bij een serie portretten van sturende personen tijdens de reformatie.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, upper back of a male bending to right and two locks of hair?
Three Mice. Painting on Silk
Object type: photomechanical print
Date: 1914 – 1950
Materials: cardboard
Techniques: rotogravure
Location: boston
Artist: Anonymous
Subjects: rodents: mouse, animals (+ animals eating and drinking)
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, pair of sandals, the left frontal, the right in profile
Design for a Side Table and Mirror
Object type: drawing
Date: 1841 – 1884
Materials: graphite, watercolor
Artist: charles hindley and sons
Artist role: artist
Artist nationality: british
Artist dates: 1841 – 1917
Subjects: garlands,tables,mirrors
Piece
Object type: piece
Date: 1801 – 1900
Materials: metal thread, silk
Subjects: flowers,leaves
Kestergat
Object type: drawing
Date: 1676 – 1676
Materials: ink, paper
Techniques: pen
Artist: constantijn huygens (ii)
Artist role: draughtsman
Artist dates: 1628 – 1697
Subjects: prospect of village, silhouette of village
Inscriptions: date: ‘25 apr. 1676’
Gedenkpenning Sint-Helenamedaille, ingesteld door Napoleon III in 1857 en toegekend aan veteranen die tussen 1792 en 1815 in Franse dienst hadden gevochten
Object type: ereteken
Date: 1857 – 1857
Materials: bronze, textile
Artist: désiré-albert barre
Artist role: graficus, medailleur
Artist dates: 1818 – 1878

Bronzen draagpenning met knop, ring en lint, in bijbehorende doos met opdruk.
Painting
Object type: print
Date: 1752 – 1752
Techniques: engraving, etching
Artist: marie madeleine igonet
Artist role: artist
Artist nationality: french
Artist dates: 1744 – 1760
Subjects: painting,boys,infants,men,women
Covered Bowl
Object type: ceramic
Date: 1735 – 1735
Materials: ceramic, enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: vienna
Artist: du paquier porcelain manufactory
Artist nationality: austrian
Artist dates: 1718 – 1744
Vrouw met een cape
Object type: drawing
Date: 1848 – 1927
Materials: paper, pencil
Techniques: brush
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Jonge vrouw met uitgestrekte armen
Object type: drawing
Date: 1930 – 1970
Materials: ink, paper, pencil
Techniques: pen
Artist: Anonymous
Subjects: adolescent, young woman, maiden, arm stretched forward - aa - both arms or hands
Inscriptions: number: ‘26’, :, collector's mark: Lugt 2228a, factory mark: ‘606 '' DUIFJE " R’, annotation: ‘de rivale’

Een jonge vrouw staat op straat met uitgestrekte armen. Ze maakt een grijpbeweging met haar vingers.
Pitcher
Object type: pitcher
Date: 1700 – 1800
Materials: amber, glass
Techniques: glassblowing
Culture: american
Location: united states
Sloop van grof linnen met entre-deux van grove kloskant met slingerende rank met vruchten. 1802
Object type: sloop
Date: 1852 – 1852
Materials: linen
Techniques: lace
Location: netherlands
Inscriptions: date

Sloop van grof linnen met entre-deux van grove kloskant met slingerende rank met vruchten. Nederland (?), 1802.
Magdalena Moons, from Quatuor Personae
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: netherlands
Artist: cornelis visscher
Artist role: artist
Artist nationality: dutch
Artist dates: 1628 – 1658
Bosrijk landschap
Object type: print
Date: 1819 – 1891
Materials: paper
Techniques: drypoint, etching, intaglio
Location: england
Subjects: trees, landscapes
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Geschenk van den Heer. K.H. de Haas / te Rotterdam’
The Annunciation
Object type: sculpture
Date: 1583 – 1583
Materials: bronze, copper alloy, metal
Techniques: casting, relief, carved
Location: venice
Artist: alessandro vittoria (alessandro vittoria di vigilio della volpa)
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1608
Subjects: religion, wings, clouds, mythological figures, christianity, biblical, christian subjects, angels, virgin mary, devotion, religious, religious figures, religious scenes

Alessandro Vittoria translated into bronze the flickering light of Venetian Renaissance paintings. Working in wax (from which the finished bronze was then cast), he manipulated this relief’s form and edges to catch the light. The result is a highly animated surface in which everything—figures, drapery, clouds, and sky—seems to move with excitement, heightening the drama between the startled Virgin Mary and the archangel Gabriel, who has descended from heaven to announce that Mary will bear the son of God. Fully sculpted in the round, the archangel’s arm points to the smallest feature in the scene: a dove, representing the Holy Spirit of the Christian Trinity.

This sculpture was commissioned by Hans Fugger, a member of a prominent Augsburg banking family, to decorate an altarpiece for the chapel of his family’s castle in Kirchheim in the Swabia region of Germany.
Singer Standing Between Two Smokers
Object type: print
Date: 1610 – 1685
Techniques: etching
Artist: adriaen van ostade
Artist role: artist
Artist nationality: dutch
Artist dates: 1610 – 1685
Subjects: men,smoking,singers
Jardinière
Object type: jardinière
Date: 1890 – 1890
Materials: porcelain
Culture: french
Artist: ernest chaplet
Artist role: designer
Artist nationality: french
Artist dates: 1835 – 1909
Musée du Caire: Momie de Seti Ir.
Object type: album leaf
Date: 1895 – 1905
Materials: paper
Techniques: autotype
Location: cairo
Artist: Anonymous
Subjects: permanent exhibition, museum, mummy
Inscriptions: number: ‘IVe Série N. 1’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Griekenland en Egypte.
Terracotta bell-krater (bowl for mixing wine and water)
Object type: bell krater
Date: 434 – 401
Materials: terracotta
Culture: greek, attic
Artist: nikias painter
Artist role: artist
Subjects: altars,men

Obverse, sacrifice at an altar Reverse, three youths The altar is stacked with wood to burn the meat offering, prepared on skewers and being carried by attendants on either side. The other two attendants carry a tray and a basket. The recipient of the sacrifice is not identified. The laurel tree behind the altar might indicate Apollo.
Collar
Object type: collar
Date: 1834 – 1866
Materials: cotton
Culture: american or european
Susanna en de ouderlingen
Object type: print
Date: 1598 – 1665
Materials: paper
Techniques: etching
Location: italy
Subjects: susanna bathing, usually in or near a fountain and sometimes accompanied by two female servants
Inscriptions: collector's mark: Lugt 240

Susanna zittend bij een fontein. Zij wordt vastgegrepen door twee oude mannen die dreigen haar aan te geven op beschuldiging van overspel indien zij zich tegen hen verzet.
Titelpagina voor A. Kircher, Oedipus Aegyptiacus, Rome: 1652-1654
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving
Location: rome
Subjects: rome, oedipus and the sphinx; he solves the riddle
Inscriptions: collector's mark: Lugt 240

Oedipus, koning van Thebe, staat tegenover de sfinx, een monster met het hoofd en borsten van een vrouw, het lichaam van een leeuw, de staart van een slang en de vleugels van een adelaar. Elke langskomende reiziger wordt door het monster ondervraagd. Wie het antwoord niet weet, wordt verscheurd. Oedipus vernietigt de sfinx door het juiste antwoord te geven.
Plate 35, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: fans,women

Trade cards from the "Fans of the Period" series (N7), issued in 1889 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Lot and his Daughters
Object type: statuette group
Date: 1601 – 1700
Artist: leonhard kern
Artist role: artist
Artist nationality: german
Artist dates: 1588 – 1662
Subjects: men,women

After their home in Sodom was destroyed, Lot and his two daughters fled to the mountains, where the girls concluded that their only hope of procreating was with their own father (Genesis 19:30-38). This group shows one of them plying him with wine to achieve her goal; her sister turns away in shame. The scene was popular with artists, its scandalous nature being justified by its biblical source. Like the nearby Standing Woman, this work is carved from a soft wood; its generalized details differ from those of the more incisively cut boxwood sculpture of Christ at the Column beside it.
A Study of the Beatrice Cenci
Object type: photograph
Techniques: albumen print
Location: england
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: collected by hugh edwards
Grégoire. Alphonse. 27 ans, né à La Montagne (Loire-Inférieure). Mécanicien. Anarchiste. 2/7/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Portret van Justus van Meerstraten
Object type: print
Date: 1847 – 1889
Materials: paper
Techniques: etching
Subjects: historical persons, piece of sculpture, reproduction of a piece of sculpture

Prent naar het schilderij door Anthony van Dyck in de Gemäldegalerie Alte Meister te Kassel (inv.nr. GK 420).