deem-data/ArtiFact huggingface dataset:
Design for a Leaf Motif
Object type: drawing
Date: 1825 – 1850
Materials: chalk, graphite
Techniques: heightening
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: leaves
Deez' prent vertoond Gods zoon, in smart en heerlykheid, / Uw hart zy vroeg en laat aan zynen dienst gewyd
Object type: print
Date: 1831 – 1854
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: new testament, series of scenes from the life of christ
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van verhalen uit het Nieuwe Testament, zoals de doop in de Jordaan en de intocht in Jerusalem. Onder elke afbeelding een tweeregelig vers en een verwijzing naar de bijbehorende Bijbeltekst. Genummerd rechtsboven: No. 30.
Maagd verschijnt aan de H. Antonius
Object type: print
Date: 1637 – 1637
Materials: paper
Techniques: engraving
Location: france
Subjects: st. antony abbot retreats into the desert, after having given away his possessions to the poor
Inscriptions: date
Portret van Johanna Cornelia Wattier
Object type: print
Date: 1816 – 1833
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: historical persons - bb - woman (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228
Zanze
Object type: zanze
Date: 1867 – 1900
Materials: wood
Culture: fan
Location: benin
Ruïne van Goodrich Castle
Object type: photograph
Date: 1857 – 1862
Materials: paper
Techniques: albumen print
Location: goodrich castle
Artist: francis bedford
Artist role: print maker
Artist dates: 1815 – 1894
Subjects: ruin of a dwelling, house, castle, etc.
Sheet with red floral pattern
Object type: print
Date: 1701 – 1800
Techniques: relief print
Artist: Anonymous
Artist role: artist
Plate 9: Argonauts Hicleus and Naucleus led in the float of Neptune (Hicleo e Naucleo Argon. condotti nel carro di Nattunno), from "The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke" (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc)
Object type: print
Date: 1664 – 1664
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: argonauts,neptune
View of the Surroundings of Narni in Lombardy
Object type: print
Date: 1770 – 1770
Techniques: engraving
Artist: joseph vernet
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1789
Necklace
Object type: necklace
Date: 1801 – 1900
Materials: silver
Location: yemen

Yemen’s location at the southern tip of the Arabian Peninsula made it an important site for the trade of goods from the Indian subcontinent and East Africa, as well as the rest of the Islamic world. Yemeni jewelry often displays foreign influence, as can be seen in this multi-strand necklace with triangular-shaped terminals—a form that is typical of India. The central pendant is in the form of an Ottoman coin, and references the occupation of Yemen by the Ottomans at various points in the early modern period.
Figuurstudies (derde blad), 1833
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: hand coloring, lithograph
Location: amsterdam
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: street-trader, folk costume, regional costume
Inscriptions: collector's mark:, collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met figuren: linksonder een groep vrouwen zittend op en bij manden, rechtsonder een staande vrouw bij een mand met palingen. Onderdeel van een serie van zes bladen met figuurstudies van Nederlandse klederdrachten, straatfiguren en gebuiken, 1833.
Palts-Zweibrücken, Johann I, 3 Kreuzer, 1602
Object type: drie kreuzer
Date: 1602 – 1602
Materials: silver
Techniques: striking

Zilveren munt. Voorzijde: samengesteld wapenschild, waarboven jaartal. Keerzijde: gekroonde dubbelkoppige adelaar met op borst cijfer 3 binnen cirkel.
Studioportret van twee jongens
Object type: cabinet photograph
Date: 1875 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: haarlem
Artist: g. a. vernout
Artist role: fotograaf
Artist dates: 1848 – 1913
Subjects: studio ~ photographer, boy (child between toddler and youth)
Inscriptions: inscription: ‘G.A. Vernout (...) Vergrootingen naar ieder portret’
Group of pins
Object type: pin
Date: 1301 – 1500
Materials: silver
Techniques: hammering
Culture: chimú or inca
Location: peru
Subjects: animals
Girdle clasp
Object type: girdle clasp
Date: 1736 – 1795
Materials: jade
Culture: chinese
Schotse kerk te Rotterdam
Object type: print
Date: 1790 – 1793
Materials: paper
Techniques: engraving, etching
Location: amersfoort
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 1641, collector's mark

Gezicht op de Schotse kerk te Rotterdam. Onderste helft van een plaat oorspronkelijk met twee voorstellingen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Kerk en kerkwezen & Armwezen en liefdadige instellingen; Kerkgebouwen elders. M-U.
Bomen in de wind aan een waterkant
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: paper, pencil
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: trees, landscapes with waters, waterscapes, seascapes (in the temperate zone)

Blad 23 verso uit een schetsboek met 43 bladen.
Dagger (Katar) with Sheath
Object type: dagger with sheath
Date: 1801 – 1900
Materials: cotton, silver, steel, velvet, wood
Culture: indian
Location: india
Kookpot van rood gelakt hout; met twee oren, losse deksel met (afgebroken) knop; oorspronkelijk stond de pot op drie pootjes (verdwenen).
Object type: pot
Date: 1675 – 1710
Materials: wood
Location: amsterdam
Artist: Anonymous

Kookpot van rond gelakt hout, met twee oren, losse deksel met (afgebroken) knop; oorspronkelijk stond de pot op drie pootjes (verdwenen).
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, lower feet and drapery of figure to left; behind figure, part of an altar?; Exterior, bit of drapery and stick of figure to right; bit of drapery and stick of figure to left
Allegorische grafmonumenten van illustere Britten
Object type: print
Date: 1735 – 1741
Materials: paper
Techniques: engraving, etching
Subjects: obelisk, needle, grave, tomb, ornamental fountain
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een twintigdelige serie met prenten van grafmonumenten van illustere Britten naar schilderijen uit de collectie van de Duke of Richmond. De serie bestaat uit prenten door verschillende kunstenaars en werd eerst uitgegeven door Mac Swiny en daarna door Basan.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Exterior, fillet or sandal?, youth to left with himation, tendril; volutes and handle palmette
Portret van Giovanni Battista Gaulli
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: engraving, letterpress printing
Location: paris
Subjects: draughtsman, giovanni battista gaulli, historical persons, portrait, self-portrait of painter

Prent uit: Dézallier d'Argenville, Antoine Joseph. Abrégé de la vie des plus fameux peintres. 4 dln. Parijs: De Bure l'aîné, 1745, dl. 1, p. 386.
De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 211.
Ferdinand de Lesseps
Object type: photomechanical print
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Artist: félix nadar
Artist role: ballonvaarder, fotograaf
Artist dates: 1820 – 1910
Subjects: engineer, adult man, historical persons
Kop van een man
Object type: drawing
Date: 1888 – 1926
Materials: chalk, paper
Artist: marius holleman
Artist role: draughtsman, print maker
Artist dates: 1878 – 1926
Subjects: head (human)
Gezicht van een vrouw met gesloten ogen
Object type: sketchbook leaf
Date: 1906 – 1945
Materials: paper, pencil
Artist: reijer stolk
Artist role: draughtsman, print maker
Artist dates: 1896 – 1945
Subjects: face - aa - mask (mould taken from face), eyes closed

Blad 44 verso uit een schetsboek met 69 bladen.
Pro lumine virtus
Object type: bookplate
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Part of the lower drapery of a figure
Anna te drieën
Object type: album leaf
Date: 1516 – 1516
Materials: paper
Techniques: woodcut
Location: nuremberg
Artist: hans springinklee
Artist role: print maker
Artist dates:  – 1540
Subjects: 'anna selbdritt', i.e. anna, mary and christ-child close together

Anna houdt het Christuskind op haar arm. Haar andere arm slaat ze om Maria heen, die een kroon draagt. Rond de voorstelling een ornamentele omlijsting. Prent maakt deel uit van een album.
Head
Object type: head
Date: 101 – 200
Materials: glass
Location: egypt and sudan
Plaque
Object type: plate
Date: 1751 – 1751
Materials: faience
Location: amsterdam
Artist: Anonymous
Subjects: sailing-ship, sailing-boat
Inscriptions: inscription: ‘Betrout op God mijn vrint/ Bij menschen is geen heijl/ Sy draaijen als de wint/ Hou zelfs een [rebus voor oog] in het zeijl’

Plaque van faience, beschilderd met de tekst: Betrout op God mijn vrint // Bij menschen is geen heijl // Sy draaijen als de wint // Hou zelfs een [rebus voor oog] in het zeijl.
Putto
Object type: drawing
Date: 1738 – 1743
Materials: chalk, paper
Artist: giovanni battista tiepolo
Artist role: draughtsman, painter, print maker
Artist dates: 1696 – 1770
Subjects: angel(s) represented as child(ren), cupids: 'amores', 'amoretti', 'putti'
Na den oorlog
Object type: cartoon
Date: 1898 – 1898
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: personifications of countries, nations, states, districts, etc., nursing, tending the sick, political caricatures and satires

Uncle Sam (Verenigde Staten) neemt het gewonde jongetje Cuba op de knie om hem te verzorgen. Verderop het bed van de Filipijnen. Na de Spaans-Amerikaanse oorlog.
Art - Goût - Beauté, Feuillets de l' élégance féminine, Janvier 1924, No. 41, 4e Année, p. 11
Object type: magazine
Date: 1924 – 1924
Materials: paper
Techniques: hand coloring, lithograph, pochoir
Subjects: dress, gown (robe manteau) (+ women's clothes), coat (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), street, belt, girdle, waistband (+ women's clothes)

De Rue de la Paix in Parijs, met vier dames in creaties van Premet, Molyneux, Martial et Armand en Drecoll. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).
Plateau (Banette)
Object type: plateau
Date: 1705 – 1720
Materials: faience
Techniques: glazing
Subjects: flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Zittende vrouw
Object type: print
Date: 1915 – 1916
Materials: paper
Techniques: drypoint, intaglio
Artist: willem de zwart
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1931
Subjects: adult woman, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Leeuwenjacht
Object type: print
Date: 1619 – 1672
Materials: paper
Techniques: engraving
Location: antwerp
Artist: theodor van merlen (ii)
Artist role: print maker, publisher
Artist dates: 1609 – 1672
Subjects: lion hunt
Inscriptions: collector's mark: Lugt 2228
Les Lorettes vieillies: ...Et à ce bal des Variétés, Adolphe...
Object type: print
Date: 1852 – 1853
Materials: paper
Techniques: lithograph
Location: france
Artist: paul gavarni
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1866
The Anointing of Louis XVI at His Coronation in Reims Cathedral, June 11, 1775
Object type: drawing
Date: 1814 – 1814
Materials: ink
Techniques: brush, pen, wash
Artist: françois joseph belanger
Artist role: artist
Artist nationality: french
Artist dates: 1744 – 1818
Subjects: cathedrals,louis xvi,ceremony,crowd
Varii Capricci, e Paesi inventati, e disegnati dal celebre Gio. Benedetto Castiglione ... tratti dal raccolta Zanettiana
Object type: book
Techniques: etching
Location: italy
Artist: gaetano gherardo zompini
Artist role: etcher
Artist nationality: italian
Artist dates: 1700 – 1778
Subjects: women,guitars

The prints have at times been attributed to Zanetti. A letter written by Francesco Algarotti on January 16, 1759, congratulates Zanetti for his success at producing etchings after two of Zanetti's Castiglione drawings at his advanced age. These are the 'Chiron Teaching Music' and 'Chiron Teaching Alchemy. The 'Memoria' of Zompini, that was inserted in the 1785 edition of the 'Arti che vanno per via,' states that Zanetti recognized the merit of Zompini and employed him in various tasks, including working on some etchings based on drawings by Castiglione. According to this account, in order to make the collection more numerous, Zompini invented some new designs in the manner of Castiglione. The title page, produced almost thirty years later, states that the prints were etched by Zompini. The style is similar to his "Arti" but are nowhere signed by him. Some of the plates (5,7,10,12) bear the signature of Castiglione, written in such a way that it seems to have been copied from the original drawing. A number of the prints (1,2,3,10,12) bear Zanetti's monogram and a date, either 1758 or 1759. There have been various interpretations of this evidence. Many scholars in the past (see Pellegrini 1997 for attribution history) attributed the prints to Zanetti, because of the monogram and the letter of Algarotti. More recently, scholars favor Zamboni because of the style, the title page, and the 'Memoria'. Sopher suggests that Zanetti added his monogram as well as dedications to friends and family that appear in the second state in order to pass off the prints as his own, as a sort of joke. Algarotti would have been one of the recipients who were fooled. Bozzolato (1978) suggested that Zanetti began the work but then turned it over to Zompini, 'without doubt the true author.' However, if Zanetti began the work, might not some of the prints be by him? Alternatively or additionally, might some of the inventions in the style of Castiglione be by him? We know he produced intermediate drawings from his Parmigianino drawings on which he based his woodcuts. Perhaps he translated the Castiglione drawings into a more linear form before Zompini etched them. The most attractive print in the series 'Chiron Teaching Music to Achilles' bears a monogram of Castiglione as well as Zanetti's monogram and the date of 1758. This is one of the prints Zanetti sent to Algarotti, implying it was his own work. Only two first states of this print are known. One, which was earlier with the dealer Faltieri in Florence, was sold at auction at Bassenge, December 2004. Another is in the Rijkmuseum. In the second state, this print had a dedication from Zanetti to his cousin, Anton Maria Zanetti the Younger. Zompini was interested in the subject--he had painted 'Thetis Entrusting Achilles to Chiron' in around 1736. A drawing in reverse of this etching exists in the Hamburg Kunsthalle.
Tabakspijp.
Object type: tabakspijp
Date: 1400 – 1950
Materials: earthenware, clay
Artist: Anonymous

Tabakspijp waarop in relief IANM waaronder een gekroonde vis. Op de steel bolletjes en relief.
Tile with a man holding a trumpet
Object type: tile
Date: 1635 – 1645
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, forming, vitrification
Location: china
Artist: Anonymous

Tegel van porselein, beschilderd in onderglazuur blauw. In het centrum een man met een blaasinstrument aan zijn mond. In elke hoek een Europees fleur-de-lis motief. Tegel is beschadigd. Overgangsporselein in blauw-wit.
Collection of specimens and illustrations of the textile manufactures of India. Second series : Kincobs, Nos. 401 to 458
Date: 1873 – 1880
Location: england
Artist: john forbes watson
Artist role: editor
Artist nationality: scottish
Artist dates: 1827 – 1892

Fabric samples are featured from various regions of colonial India, including the modern South Asian nations of Afghanistan, Bangladesh, Nepal, Pakistan, and Sri Lanka. Caption titles for each sample include information on length, width, weight, price, and place of manufacture
Quakers vergaderingen te Londen en Amsterdam
Object type: book illustration
Date: 1736 – 1736
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: protestant churches and denominations (with name)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Op de Keijzersgragt, tusschende Leliegragt en Princestraat, over 't Huys met de Hoofden’

Twee voorstellingen op een blad. Boven: een vergadering van de quakers in Londen. Mannen en vrouwen zijn in een kerkzaal bijeen, en zitten beneden en op het balkon. Onder: een vergadering van quakers in Amsterdam.
Virgin and Child
Object type: forgery
Materials: wood
Location: cologne
Artist: nikolaus elscheidt
Artist dates: 1835 – 1874
Hafted Ax (type 9a)
Object type: hafted ax
Date: 500 – 300
Materials: bronze
Culture: indonesian
Plate
Object type: plate
Date: 1401 – 1500
Materials: stone
Culture: south highlands
Location: peru
Studies van een ezel
Object type: drawing
Date: 1545 – 1612
Materials: chalk, paper
Artist: federico barocci
Artist role: draughtsman, painter, print maker
Artist dates: 1528 – 1612
Shell
Object type: shell
Date: 2900 – 2350
Materials: shell
Location: mesopotamia
Liège. Statue de Charlemagne
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: liège
Artist: Anonymous
Subjects: charlemagne (holy roman emperor), equestrian statue, liège
Inscriptions: inscription: ‘Augustus 1878 [...]’
Brief aan Philip Zilcken
Object type: letter
Date: 1921 – 1921
Materials: ink, paper
Techniques: pen, writing
Location: nice
Artist: jeanne erlich
Subjects: the hague, painter, draughtsman, philip zilcken, literature ~ arts, temporary exhibition, 'salon'
Inscriptions: collector's mark: ‘RPK’
Petit Courrier des Dames, 1826, No. 403 : Habit à poches ouvertes (...)
Object type: fashion print
Date: 1826 – 1826
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (vest) (+ men's clothes), neck-gear ~ clothing (+ men's clothes), trousers, breeches (+ boys' clothes), trousers, breeches, etc. (pantalon) (+ men's clothes), clothing for the upper part of the body (+ boys' clothes), head-gear (+ boys' clothes), coat (+ men's clothes), fashion plates, shoes, sandals (+ men's clothes), gloves, mittens, etc. (+ men's clothes), walking-stick, staff, cane (+ men's clothes)
Inscriptions: address: ‘Boulevard des Italiens No.2 près le passage de l'Opera’, title: ‘Petit Courrier des Dames.’, caption: ‘Habit à poches ouvertes, Cravattes en coeur, Pantalons en soie des Indes ecrue, Chapeau très évidé garni d'étoffe d'Argent, bourdaloue en torsades, Des magasins de Gérard Successeur d'Imbault Rue Vievienne No. 20. Coupe de cheveux de Mr. Foucher Rue de Valois No. 8. Costume d'Enfant: petite Veste Anglaise en drap garnie de tresses plattes et de boutons de soie.’, title: ‘Modes de Paris.’

Man in een 'habit' met open zakken, vest en spanbroek van ecrukleurige 'soie des Indes' (zijde). Op het hoofd een hoge hoed met opstaande smalle rand versierd met zilverkleurige stof en koordvormig hoedenlint, uit de winkels van Gérard, opvolger van Imbault. Kapsel door Mr Foucher. 'Cravattes en coeur' Verdere accessoires: handschoenen, wandelstok, platte schoenen met strikken. Naast hem een jongen gekleed in een 'veste Anglaise' (jas) van laken, versierd met platte tressen en knopen van zijde. Spanbroek. Accessoires: hoge hoed, sabel aan twee afhangriemen, platte schoenen met strikken. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Head of a Bearded Man
Object type: drawing
Date: 1820 – 1825
Materials: chalk
Artist: johann friedrich overbeck
Artist role: artist
Artist nationality: german
Artist dates: 1789 – 1869
Subjects: men,portraits
The Dream of Cecco Bravo
Object type: drawing and watercolor
Date: 1630 – 1660
Materials: chalk, paper
Location: italy
Artist: cecco bravo
Artist nationality: italian
Artist dates: 1607 – 1661
Piece
Object type: piece
Date: 1670 – 1690
Materials: silk
Subjects: flowers,leaves
Buffinton, Pitcher, Philadelphia, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Teacup
Object type: teacup
Date: 1877 – 1877
Materials: bone china
Artist: worcester factory
Artist role: maker
Artist nationality: british
Artist dates: 1751 – 2008

After the end of the Flight, Barr & Barr ownership of the Worcester factory in 1840, the firm went through a succession of owners and mergers before falling under the ownership of Kerr & Binns in 1852. During the partnership, the factory sought to rebuild its former eighteenth-century reputation in porcelain and known for Renaissance-inspired designs. With the establishment of the Royal Worcester Porcelain Company in 1862, the company gradually gained recognition for its Japanese-inspired designs, which formed part of Japonisme, a collective fascination with Japan that took place in Europe and the United States following the opening of Japanese markets to the West by Commodore Perry in 1853.
Het kasteel te Helmond
Object type: drawing
Date: 1720 – 1740
Materials: ink, paper, pencil
Techniques: pen
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: city-view, and landscape with man-made constructions, castle, church (exterior)
Inscriptions: inscription: ‘casteel te Helmond’, inscription: ‘casteel te Helmond’

Links het poortgebouw en rechts de Sint-Lambertuskerk.