deem-data/ArtiFact huggingface dataset:
Portret van George Brydges Rodney
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: mezzotint
Location: london
Subjects: historical persons, commander-in-chief, admiral
Inscriptions: collector's mark: Lugt 240
Little Drawbridge, Amsterdam
Object type: print
Date: 1889 – 1889
Materials: ink, ivory, paper
Techniques: etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Textile Fragment
Object type: textile fragment
Date: 1601 – 1700
Materials: metal thread, silk
Location: iran
Subjects: birds,flowers,leaves
Zee Sterre / Stella Marina / Etoile de Mer
Object type: drawing
Date: 1786 – 1786
Materials: chalk, paint, paper, pencil, watercolor
Techniques: brush
Location: southern netherlands
Artist: Anonymous
Subjects: echinoderms: starfish

Zeester. Genummerd rechtsboven: 5. Linksboven gemerkt met een rode ster. Bovenaan een notitie over de vondst van deze zeester aan het strand van Blankenberge (in 1786). Onderdeel van het zesde album met tekeningen van vissen, schelpen en insekten. Zesde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Landschap met vier jonge vrouwen aan de oever van een rivier
Object type: print
Date: 1660 – 1700
Materials: paper
Techniques: etching
Location: unknown
Artist: adriaen frans boudewyns
Artist role: draughtsman, print maker
Artist dates: 1644 – 1711
Subjects: glade, 'lichtung im wald' (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 240
Landschap op midden Java
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: java
Artist: Anonymous
Subjects: landscapes in tropical and sub-tropical regions
Inscriptions: inscription: ‘FOTO’
Musée d'Amsterdam. Meindert Hobbema. - Le Moulin à eau.
Object type: photograph
Date: 1893 – 1912
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: johan marinus schalekamp
Artist role: publisher
Artist dates: 1844 – 1912
Subjects: picture, painting, watermill in landscape
Inscriptions: number: ‘19’

Onderdeel van Leporelloalbum met fotoreproducties van schilderijen uit het Rijksmuseum.
Afgezant van koning Chiram met boodschap voor Salomo
Object type: album leaf
Date: 1645 – 1646
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: pieter jacobsz. paets
Artist role: publisher
Artist dates: 1587 – 1667
Subjects: king hiram of tyre sends ambassadors to solomon

De prent werd gemaakt voor de uitgaven van P.J. Paets uit Amsterdam. Ze komt in ieder geval voor in: Bibels Tresoor ofte der zielen lusthof. Amsterdam, P.J. Paets, 1646. Mogelijk ook in: Historien ende Prophetien. [Amsterdam], P.J. Paets, 1645.
Portret van Gilbert Duprez
Object type: page
Date: 1857 – 1862
Materials: photographic support
Techniques: albumen print
Artist: andré-adolphe-eugène disdéri
Artist role: fotograaf
Artist dates: 1819 – 1889
Subjects: adult man, historical persons
Inscriptions: inscription: ‘Galerie des Contemporains’
Writing Nécessaire
Object type: nécessaire
Date: 1765 – 1770
Materials: copper, enamel
Subjects: animals,men,women
Kaart van Sicilië in de Romeinse tijd met een plattegrond van Syracuse
Object type: map
Date: 1721 – 1774
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: maps of separate countries or regions, maps of cities
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1641a
La Mode actuelle, ca. 1875, No 284 : Modes de la M.on Chiloret (...)
Object type: fashion print
Date: 1875 – 1875
Materials: paper
Techniques: engraving, hand coloring
Subjects: coat (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), skirt (+ women's clothes), gloves, mittens, etc. (+ women's clothes)
Inscriptions: caption: ‘Modes de la M.on Chiloret, 97.r. Richelieu _ Jupons et Corsets de la M.on de Plumet, 33, r. Vivienne _ Savon de toilette et Parfumerie de la M.on Pinaud et Meyer, f.rs de la reine d'Angleterre, 37, B.t de Strasbourg _ Piqûres à la Machine à Coudre Elias Howe Jeune. 48, B.t Sébastopol _ Pommade tannique pour la recoloration des Cheveux blancs Filliol et Andoque, 4 g. r Vivienne _ Cheveux et Postîches de la M.on A. Muzet, 1. pl. des petits Pères’, title: ‘La Mode actuelle’, address: ‘Paris, 19, rue des Petites Ecuries’

Twee vrouwen, van wie één op de rug gezien. Onder de voorstelling enkele regels reclametekst voor verschillende producten.
Gezicht op de École nationale supérieure des beaux-arts in Parijs
Object type: stereograph
Date: 1855 – 1860
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: place or institution of education and training of the artist, e.g.: academy of art
Inscriptions: inscription: ‘Palais des Beaux Arts’, number: ‘No. 13.’
Johannes de Evangelist op Patmos
Object type: print
Date: 1621 – 1635
Materials: paper
Techniques: etching
Location: nancy
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: the apostle john the evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll, an angel sent by christ appears to john on patmos
Inscriptions: collector's mark: Lugt 240

Johannes de Evangelist zit op een eiland met een boekrol in de hand. Hij kijkt op naar een engel die op een bazuin blaast. Op de achtergrond een kustplaats.
Openwork Copper Bead with Bird Design
Object type: bead
Date: 1101 – 1500
Materials: copper
Culture: chimú
Location: peru
Subjects: birds
Fan
Object type: fan
Date: 1701 – 1733
Materials: gold, mother of pearl, parchment, shell
Subjects: men,women
Table Cover
Object type: textile
Date: 1701 – 1900
Materials: lace
Location: spain
Barrel
Object type: flower pot
Date: 1750 – 1750
Materials: earthenware
Techniques: glazing
Culture: mexican
Location: mexico
Water Bottle
Object type: water bottle
Date: 1801 – 1900
Materials: silver
Culture: japanese
Curb Bit
Object type: bit
Date: 1530 – 1550
Materials: copper alloy, metal alloy
Culture: bit
Location: south netherlands

According to contemporary equestrian manuals, this complex mouthpiece, characteristic of the bits made between ca. 1530 and ca. 1550, was designed for lowering the horse's head. The shanks (the levers on the sides of the bit to which the reins were attached), are shaped as waving snakes or dragons, their heads hidden behind the large copper alloy bosses. These bosses, contemporary but not originally attached to this bit, bear a proverb in French stamped on their rims. They belong to a large group of bosses, some inscribed, produced in Northern France or in the Southern Netherlands (see also 42.50.227).
Portret van de karninaal Luis Manuel Fernández de Portocarrero
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: luis manuel fernandez de portocarrero
Snuffbox
Object type: snuffbox
Date: 1744 – 1745
Materials: gold, mother of pearl

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
At Nympharum Hecates Scapulis Timor Addidit  Alas
Object type: print
Date: 1526 – 1550
Techniques: etching
Artist: léon davent
Artist role: artist
Artist nationality: french
Artist dates: 1540 – 1556
Subjects: nymphs,landscapes,trees
Ontwerp voor de kast van een staand horloge, met drie maskers
Object type: drawing
Date: 1770 – 1775
Materials: ink, paper
Techniques: brush, pen
Location: paris
Artist: jean charles delafosse
Artist role: print maker
Artist dates: 1734 – 1791
Hoofd van een oude man, in profiel
Object type: drawing
Date: 1660 – 1660
Materials: chalk, paper
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Het gezigte van Ezechiel, by de riviere Chebar. En eenige afbeeldingen der gezigten van Joannis, in het eiland Patmos
Object type: print
Date: 1761 – 1804
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: ezekiel's visions

Blad met een grote voorstelling van het visioen van Ezechiël en tien kleinere voorstellingen van de visioenen van de openbaring aan Johannes de Evangelist op Patmos. Onder elke voorstelling een verwijzing naar de relevante bijbelverzen met bijbelcitaat. Genummerd linksboven: No. 17.
Scarab Inscribed for the God's Wife Hatshepsut
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs

This scarab was found in one of the foundation deposits located along the front of Hatshepsut's funerary temple at Deir el-Bahri. The inscription on the base reads: God's Wife Hatshepsut. The title "god's wife" was held by the principal queen or the queen mother. Hatshepsut inherited the title while she was principal queen of her half-brother, Thutmose II. Soon after taking on the titles of King, Hatshepsut passed the title to her daughter, Neferure (see 27.3.324).
Terracotta statuette of a standing woman
Object type: statuette of a woman
Date: 334 – 268
Materials: terracotta
Culture: greek, attic
Subjects: women

Weight on left leg, right foot drawn to side. Enveloping mantle from shoulders to right ankle and left calf. Right arm bent, hand beneath mantle pulls cloth down from neck. Left hand at hip, zigzag drapery falls from arm to hem. Rough melon coiffure, with punched chignon at nape. Plaque base.
Herders bij een ruïne
Object type: print
Date: 1594 – 1635
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., landscape with ruins, pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 2228

Voor een ruïne, die deels is overwoekerd door bomen, staan enkele herders met hun schapen. Rechts uitzicht op een vallei. Prent uit een serie Italiaanse landschappen.
Fragment of mosaic vessel
Object type: vessel fragment, mosaic
Date: 100 – 100
Materials: glass
Techniques: polychrome
Location: egypt
Reclamekaart voor 'Bouw- en sierkunst'
Object type: advertising card
Date: 1898 – 1898
Materials: paper
Techniques: woodcut
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: caryatids ~ architecture, advertisement, notice
Inscriptions: collector's mark: Lugt 2228

Reclamekaart voor het tijdschrift 'Bouw- en sierkunst' met twee kariatiden. De linker heeft een weegschaal vast; de rechter een zuil.
Jesus Christ
Object type: print
Date: 1726 – 1726
Techniques: engraving, etching
Artist: simon de la vallée
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1700
Subjects: trees,jesus
Presentiepenning van het Zijdelakerkopers- en Kramersgilde te Middelburg, 1689
Object type: medal
Date: 1689 – 1689
Materials: brass
Techniques: casting
Artist: jan stangeniete
Inscriptions: inscription: ‘1’, circumscription: ‘(burcht) IOH V CANEGIES OVD DEKEN ANDS ANDRIESEN HVI RVISSCAERT BELEED’, circumscription: ‘(burcht) D H BURG STEVEN VOET OVERDEKEN DAVID SANDRA DEKEN (rozet)’

Gegoten messing penning, op de voorzijde het interieur van een lakenwinkel, bovenaan 1689, onderaan gegraveerd het getal 1, met omschrift, op de keerzijde kramerswaren: bril, gekroonde hoed met pluim, snuiter, kam, kwast, kaart knopen, etc. met omschrift
Lantern Hill on Lifeboat Day
Object type: photomechanical print
Date: 1900 – 1920
Materials: paper
Techniques: autotype
Location: ilfracombe
Artist: Anonymous
Subjects: cape (coast), rowing-boat, canoe, etc.
Ring with Reddish-purple Stone and Ribbed Hoop
Object type: ring
Materials: gold, stone
Culture: indonesian, javanese
Vijftigjarig bestaan van het Letterkundig Gezelschap V.W. te Amsterdam
Object type: history medal
Date: 1856 – 1856
Materials: bronze
Techniques: striking
Location: utrecht
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: amsterdam

Bronzen penning. Voorzijde: letters V en W in Gothisch schrift binnen lauwerkrans. Keerzijde: opschrift.
Portret van een onbekende vrouw
Object type: sketchbook leaf
Date: 1884 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: anonymous historical person portrayed - bb - woman

Pagina 49 uit een schetsboek met 29 bladen.
Vogel in een rietkraag
Object type: drawing
Date: 1848 – 1927
Materials: paper, pencil
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Chloë ontvoerd door de herder Lampis
Object type: book illustration
Date: 1937 – 1937
Materials: paper
Techniques: woodcut
Artist: aristide maillol
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1861 – 1944
Subjects: daphnis (in greek mythology a shepherd who invented pastoral poetry, chloe, man abducting woman
Inscriptions: collector's mark: Lugt 2228

Latere staat van deze prent gebruikt in: Longus. Les Pastorales de Longus ou Daphnis & Chloé. Parijs: Frères Gonin, 1935, p. 202.
Julia Marlowe in Colors of Dorchester Yacht Club, from the Yacht Colors of the World series (N140) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: profiles,women,flags

Trade cards from the "Yacht Colors of the World" series (N140), issued in an unnumbered set of 50 cards in 1890 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The same set was released by Duke in a smaller size, as well (N91).
Sample
Object type: sample
Date: 1700 – 1900
Materials: linen
Techniques: weave
Culture: american
Location: united states
Maria met Christuskind, omringd door heiligen en engelen
Object type: print
Date: 1661 – 1684
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the monk and hermit jerome (hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone, madonna: i.e. mary with the christ-child (+ donor(s), supplicant(s), whether or not with patron saint(s)), the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: collector's mark: Lugt 240

Maria toont het Christuskind aan de heiligen, onder wie Maria Magdalena, die haar omringen. Drie engelen lauweren het Christuskind. Op de voorgrond de H. Hiëronymus, vergezeld door zijn leeuw, die de bijbel vasthoudt en zijn hand opsteekt. In de marge een onderschrift in het Latijn.
Zeilboot
Object type: sketchbook leaf
Date: 1797 – 1838
Materials: paper, pencil
Artist: johannes christiaan schotel
Artist role: draughtsman, painter, print maker
Artist dates: 1787 – 1838
Subjects: sailing-ship, sailing-boat

Blad 38 recto uit een schetsboek met 44 bladen.
Gezicht op Rothenburg ob der Tauber
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Location: rothenburg ob der tauber
Artist: delizy
Artist role: manufacturer
Subjects: prospect of village, silhouette of village

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Thomas H. "Toad" Ramsey, Pitcher, Louisville Colonels, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Plaque from a Reliquary Shrine
Object type: plaque
Date: 1185 – 1185
Materials: copper alloy, enamel, gilt
Techniques: enamel
Culture: german
Location: germany

Among the most splendid objects in the great churches of Cologne are large architectural shrines containing relics associated with local saints. These ambitious goldsmiths’ works are among the greatest artistic achievements of their time. Refined decorative fragments like the small rectangular plaques shown here are often all that remain of these monumental objects, as many were dismantled or even destroyed following the secularization of church property in this region in the first decade of the nineteenth century. During later efforts to restore shrines, some fragments were replaced and the originals sold to collectors and museums.
Kruik, versierd met blauwe bloem- en rankmotieven op een wit fond
Object type: jug
Date: 1700 – 1799
Materials: wood
Techniques: painted
Location: amsterdam
Artist: Anonymous

Een kruik, gedraaid van hout, wit geschilderd en versierd met blauwe bloem- en bladrank. Twee aanzetpunten voor oor (afgebroken). Imitatie Delfts aardewerk.
Illuminated Manuscript Leaf
Object type: drawing and watercolor
Date: 1450 – 1450
Materials: ink, parchment
Techniques: cutting
Culture: italian
Location: italy
Portret van Jean-Philotée Achillini spelend op een vihuela de mano
Object type: print
Date: 1510 – 1527
Materials: paper
Techniques: engraving
Location: italy
Artist: marcantonio raimondi
Artist role: print maker
Artist dates: 1470 – 1534
Subjects: making music; musician with instrument, cithern, mandolin, guitar, balalaika
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11

Man zittend in landschap, mogelijk Jean-Philotée Achillini (1466-1538), speelt op een vihuela de mano (een acht-vormig snaarinstrument). Op een tekstbordje dat hangt in de boom staat een naam: PHIL/ONE/O.
Portret van een jonge vrouw
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Portret van een onbekende oudere man
Object type: print
Date: 1876 – 1909
Materials: paper
Techniques: etching, intaglio
Artist: clément benoit
Artist role: draughtsman, painter, print maker
Artist dates: 1866 – 1953
Subjects: historical persons, old man
Inscriptions: collector's mark: Lugt 2228
Stadsgezicht van Londen
Object type: print
Date: 1860 – 1915
Materials: paper
Techniques: photograph
Location: united kingdom
Subjects: tower of london
Handcooler
Object type: glass
Date: 1845 – 1860
Materials: glass
Location: baccarat
Artist: baccarat glassworks
Portaal van de Église Sante-Clotilde in Parijs
Object type: stereograph
Date: 1855 – 1875
Materials: cardboard, paper
Techniques: albumen print, cutting
Location: paris
Artist: Anonymous
Subjects: parts of church exterior and annexes: portal
Inscriptions: monogram: ‘E.L.’
Porte, XVIe Siècle
Object type: photomechanical print
Date: 1876 – 1881
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: city-gate, enkhuizen
Inscriptions: inscription: ‘PORTE DE VILLE (...)’, inscription: ‘LITT. P. - PL. 65.’, monogram: ‘JJvY’
Design for Vis-à-vis/ Caleche, no. 725
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
The Market on the Molo, from Vedute
Object type: print
Date: 1735 – 1744
Materials: paper
Techniques: etching
Location: italy
Artist: canaletto
Artist role: artist
Artist nationality: italian
Artist dates: 1697 – 1768
Portret van een vrouw
Object type: photograph
Date: 1865 – 1865
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: rotterdam
Artist: a. böeseken
Artist role: fotograaf, lithograaf
Artist dates: 1834 – 1919
Inscriptions: address: ‘A. Böeseken/Photograph/Rotterdam/’

Vrouw in een donkere japon, zittend aan een tafel.
Diverse bijlen en gereedschappen
Object type: page
Date: 1864 – 1869
Materials: paper
Techniques: photoaquatint
Subjects: tools, aids, implements ~ crafts and industries: axe
Inscriptions: inscription: ‘23/40 nature’, inscription: ‘1519’
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Three rim fragments with tendrils from kylikes with offset lips
Ontwerp voor een oorkonde ter gelegenheid van de onthulling van het verzetsmonument van Hilversum
Object type: drawing
Date: 1949 – 1949
Materials: chalk, paint, paper, pencil
Techniques: brush
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure (+ sitting), flowers ~ ornament
Inscriptions: collector's mark: ‘R:MVS.’

Het betreft de onthulling van het verzetsmonument in het Rosarium aan de Boombergselaan te Hilversum. Het monument is ontworpen door Prof. Vincent Pieter Semeyn Esser.