deem-data/ArtiFact huggingface dataset:
Van schepping tot verdrijving uit paradijs
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: creation of sun, moon and stars
Inscriptions: collector's mark: Lugt 2542, collector's mark: Lugt 2228

Vierde dag van schepping: God schept de zon, maan en sterren en scheidt zo het licht van de duisternis. In medaillon met als opschrift een bijbeltekst in Latijn uit Genesis 1, binnen rechthoekige omlijsting.
George Washington
Object type: plaque
Date: 1840 – 1883
Materials: faience
Culture: french
Location: france
Artist: emile dupont-zipcy
Artist role: maker
Artist dates: 1822 – 1885
Subjects: george washington,men,portraits
Gezicht op het voormalige Bon Accord Temperance Hotel in Melbourne, Australië
Object type: photograph
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Location: melbourne
Artist: Anonymous
Subjects: advertising, hotel, hostelry, inn
Collage van uitgeknipte prenten
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: engraving
Location: paris
Artist: Anonymous

Collage van uitgeknipte prenten. Onderdeel van een album met 32 bladen, aan beide zijden beplakt met uitgeknipte prenten, vermoedelijk afkomstig uit 19e-eeuwse tijdschiften.
Léonard de Vinci
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: artist, leonardo da vinci, head-gear, portrait, self-portrait of sculptor, historical persons, portrait, self-portrait of architect, portrait, self-portrait of painter
Inscriptions: check stamp: ‘JC’, collector's mark: Lugt 2233

Prent waarschijnlijk ook gebruikt in: Chabert, Jean Claude. Galerie des peintres ou collection de portraits des peintres les plus célèbres de toutes les écoles. Accompagnée d'une notice sur chacun d'eux, et de copies de dessins originaux / Galerie des peintres ou collection de portraits des peintres les plus célèbres de toutes les écoles. Accompagnée de leur notice historique, de leurs dessins et d'un discours sur les arts. Parijs: Jean Claude Chabert, s.a. [1822-1834].

De samenstelling van tegenwoordig bekende en al dan niet gebonden exemplaren van deze uitgave verschillen. Dit omdat de prenten en bijhorende stukken tekst op inschrijving en waarschijnlijk ook los verkrijgbaar waren.
Terracotta statuette of Eros flying
Object type: statuette of eros
Date: 200 – 150
Materials: terracotta
Culture: greek
Subjects: eros

Eros wears a thick wreath and a skimpy chlamys (cloak) and is portrayed as a winged adolescent youth, a type that had a long history at Myrina beginning in the late third century B.C. The style of this finely executed terracotta likely reflects influence from the Pergamene school of sculpture, which flourished in the first half of the second century B.C. at the nearby city of Pergamon, seat of the kingdom ruled by the Attalid Dynasty.
Willem, hertog van Cumberland
Object type: history medal
Date: 1765 – 1765
Materials: bronze
Techniques: striking
Location: london
Artist: thomas pingo
Artist role: medailleur
Artist dates: 1692 – 1776
Subjects: prins, admiraal, willem van cumberland (hertog)

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: omschrift
Young Woman Seated by a Window (Saskia?)
Object type: drawing
Date: 1638 – 1638
Materials: paint, paper
Techniques: brush, pen
Location: amsterdam
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: historical persons

This drawing is often regarded as a ‘portrait’ of Saskia. If so, she consciously plays a role here. Wearing a simple cloth around her head and an apron, it seems as if she has come straight out of the kitchen. Saskia, however, was a mayor’s daughter and married to an artist full of social ambitions. She would thus never have walked around the house dressed like a kitchen maid.
Plate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)
Object type: print
Date: 1810 – 1810
Techniques: engraving, etching
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: men,women
Studies
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Vijf vrouwenfiguren
Object type: drawing
Date: 1800 – 1900
Materials: paper
Techniques: brush
Location: japan
Artist: katsushika hokusai
Artist role: draughtsman, print maker
Artist dates: 1760 – 1849

Blad met vijf opgeplakte tekeningen van vrouwenfiguren, waarvan een met een pijp, een lezende en een met een shamisen.
Lake Squam from Red Hill
Object type: watercolor
Date: 1874 – 1874
Materials: gouache, graphite, watercolor, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: lakes,landscapes

Among the earliest contributors to the annual exhibitions of the American Society of Painters in Water Color, the Philadelphian Richards contributed significantly to raising the profile of the medium in the United States. The artist successfully wedded topographical precision and authority of design to a marvelous sense of light and atmospheric breadth, creating small-scale landscapes that are the nearest counterpart in watercolor to the paintings of the contemporaneous Hudson River School. The view of island-studded Lake Squam from Red Hill in New Hampshire was a well-worn tourist staple by the time Richards executed this radiant prospect at sunset. The picture hints at his admiration for the sky spectacles in oil of New York landscape painter Frederic Church.
Sloop van linnen
Object type: sloop
Date: 1734 – 1734
Materials: linen
Location: northern netherlands
Inscriptions: date

Sloop van linnen, merk WG22 en 1734 en HW13.
Drie stukken 18de-eeuws Duits borduurwerk uit de collectie van het Kunstgewerbemuseum in Dresden, Duitsland
Object type: photomechanical print
Date: 1888 – 1888
Materials: paper
Techniques: photograph
Location: dresden
Artist: Anonymous
Subjects: embroidery (ornamentation)
Inscriptions: number: ‘Tafel 48.’, inscription: ‘E. KUMSCH, SPITZEN UND WEISS-STICKEREIEN DES XVI.-XVIII. JAHRH./ aus dem Königlichen Kunstgewerbe-Museum zu Dresden’

Deze prent maakt deel uit van een omslag met 49 prenten en een lijst van afbeeldingen.
Epergne
Object type: metalwork
Date: 1755 – 1756
Materials: metal, silver
Location: london
Artist: eliza godfrey
Edward Beetham, bust in profile to right in an oval, with two caricature heads in small ovals in the upper corners
Object type: print
Date: 1770 – 1818
Techniques: mezzotint
Artist: isaac jehner
Artist role: artist
Artist nationality: british
Artist dates: 1750 – 1818
Subjects: men
Duinlandschap met rustende herders en mannen die vlinders vangen
Object type: print
Date: 1764 – 1765
Materials: paper
Techniques: etching
Location: leiden
Artist: abraham delfos
Artist role: draughtsman, painter, print maker
Artist dates: 1731 – 1820
Subjects: dunes (sea not visible); in the dunes, hunting butterflies
Inscriptions: collector's mark: Lugt 240

Prent in latere staat gebruikt voor: Dirk Kuipers, Dichtlievende mengelingen, Leiden, Wed. A. Honkoop en Zoon & C. van Hoogeveen Jr., 1764-1765, deel 2, p. 103
Portret van Johann Georg Heinrich Feder
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: mezzotint
Location: augsburg
Artist: johann elias haid
Artist role: print maker
Artist dates: 1739 – 1809
Subjects: germany, historical persons, scholar, philosopher (+ portrait of scholar, scientist)
Inscriptions: date
Cape
Object type: cape
Date: 1895 – 1900
Culture: american or european
Scènes uit de Bijbel
Object type: print
Date: 1583 – 1583
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: making of the cross ~ prelude to christ's death on the cross, the erection of the cross: christ is nailed to the cross which lies on the ground
Inscriptions: collector's mark: Lugt 2228

Boekillustratie bij het verhaal van de kruisiging van Christus (Marcus 15:24). Romeinse soldaten kruisigen Christus en nemen zijn mantel af. De prent bevat een onderschrift met een verwijzing naar de bijhorende Bijbelpassage.
Groepsportret van een onbekende familie op een strand (vermoedelijk) te Frankrijk
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: beach (as place of recreation), family group, especially parents with their child(ren)
Inscriptions: inscription: ‘Jeanne a été (...) L. Mariniée’
Philon le Juif
Object type: print
Date: 1615 – 1647
Materials: paper
Techniques: engraving
Location: paris
Subjects: scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228
Aap als slager, ca. 1720
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: matthijs pool
Artist role: print maker
Artist dates: 1676 – 1740
Subjects: monkeys, apes, animals acting as human beings, butcher, slaughterman
Inscriptions: collector's mark: Lugt 2228

Apen die varkens aan het slachten zijn, op de achtergrond een ontsnapt rund. In het onderschrift versjes in het Frans en Nederlands. Prent nr. 6 in een serie van 16 prenten van ca. 1720 waarin apen als mensen figureren in allerlei huishoudelijke taferelen.
Gezicht op een tempel
Object type: album leaf
Date: 1673 – 1673
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: paris
Subjects: temple, shrine ~ roman religion

Plattegrond en voor- en linkerzijde van een tempel. De tempel is een amphiprostylos met Ionische zuilen. Prent maakt deel uit van een album.
Snuffbox with portrait of a member of the French royal family, probably a daughter of Louis XV
Object type: snuffbox, painting
Date: 1783 – 1784
Materials: textile, enamel, glass, gold, gouache
Artist: joseph etienne blerzy
Artist role: maker
Artist nationality: french
Artist dates: 1750 – 1806
Subjects: portraits,women

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Brougham #4041
Object type: drawing
Date: 1889 – 1889
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages
Lamp in the Form of a Mask
Object type: lamp
Materials: earthenware
Techniques: molding
Subjects: masks
Waldiepers Nieuwjaars-Wensch (...) 1855
Object type: print
Date: 1854 – 1855
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: canals, waters (in city) - ii - ideal city, dredging (industrial process), amsterdam
Inscriptions: collector's mark: Lugt 2228

Nieuwjaarswens van de Amsterdamse waldiepers (baggeraars) voor het jaar 1855. Gezicht op een Amsterdamse gracht waar twee mannen in een schuit bezig zijn de gracht uit te diepen, een andere man haalt bij een huis geld op. Met een vers in twee kolommen. Namens de waldiepers Frans Hohender en Klaas van Leeuwen.
The Little Red Man, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: illustrator
Artist nationality: french
Artist dates: 1803 – 1847
C. van den Burg krijgt het zwaard over 't hoofd
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: mayor, pardon, reprieve, violent death by hanging, patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

Terechtstelling van Cornelis van der Burg, uitgesproken patriotse burgemeester van Bolsward, te Leeuwarden op 16 mei 1789. Als de burgemeester knielt op het schavot houdt de beul het zwaard boven zijn hoofd en wordt het doodsvonnis omgezet in een verbanning van twintig jaar.
Titelpagina voor: Dordrechtsche Arcadia, 1701
Object type: text sheet
Date: 1701 – 1701
Materials: paper
Techniques: letterpress printing
Location: middelburg
Subjects: flowers
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Titelpagina voor: Bos, Lambert van den, Dordrechtsche Arcadia. Amsterdam: Philip Verbeek, 1701.
The Proposition, from A Life
Object type: print
Date: 1884 – 1884
Materials: paper, ivory
Techniques: aquatint, drypoint, etching
Location: germany
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Bronze arrowhead
Object type: arrowhead
Date: 1600 – 1050
Materials: bronze
Culture: cypriot

Two-edged triangular blade with straight, flaring sides, rounded below. With midrib and a four-edged tang.
La Folie
Object type: print
Techniques: etching
Artist: jean françois janinet
Artist role: artist
Artist nationality: french
Artist dates: 1752 – 1814
Subjects: birds,putti
Silhouetportret van Johannes Josephus Havermans
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: historical persons, politician, e.g. party leader

Prent uit: Rogge, Cornelis. Geschiedenis der staatsregeling, voor het Bataafsche volk. Amsterdam: Johannes Allart, 1799.
King Richard the Third, Act III, Scene 1: London
Object type: reproduction
Date: 1874 – 1874
Materials: paper
Techniques: woodburytype
Location: london
Subjects: theatre, theatrical performance
Tric-trac spelende apen
Object type: print
Date: 1630 – 1688
Materials: paper
Techniques: engraving
Subjects: monkeys, apes, animals acting as human beings, backgammon, tric-trac, glass of wine

De linkeraap houdt een glas wijn in de hand. De rechter aap heeft een hoed met veer op zijn hoofd. Verschillende bedrijven uit het menschelijke leven door apen voorgesteld. Zes stuks. Naar I. Teniers.
Banquet Cloth
Object type: textile
Materials: linen, silk
Techniques: embroidery
Location: india
Head of a young girl wearing a jeweled headdress
Object type: print
Date: 1645 – 1645
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: jewelry,girls,portraits

One of a group of Four Heads after Parmigianino. Head and shoulders of a young girl, directed to front, with head turned slightly to look to left; wearing a jewelled headdress, pearl necklace and loose shirt.
Length of Woven Silk
Object type: textile
Date: 1575 – 1625
Materials: silk
Techniques: bookbinding, interlacing, patterning, weave
Location: italy
Subjects: crowns, vines, palmette

This textile features leafy vines clasped by crowns encircling floral palmettes to create a continuous network. Notably, both the crowns and the palmettes reverse orientation from one row to the next, ensuring that the fabric would never appear upside-down, whether it was used as a wall covering, furniture upholstery, or even a garment.

Italian merchants bought Iranian raw silk in Bursa, at the western edge of the ancient trade route known as the Silk Road (in present-day Turkey). They sold the resulting goods to the Ottoman court in Istanbul. During the 1500s and 1600s, Ottoman sultans were avid consumers of luxury textiles from the Italian peninsula, buying more than Western European monarchs and the Roman Catholic Church.
Man in een studeerkamer
Object type: print
Date: 1814 – 1859
Materials: paper
Techniques: brush, etching
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: globe
Inscriptions: collector's mark: Lugt 2228

Een oudere man met schrijfveer in de hand zit aan zijn bureau, waarop een globe. Achter hem een boekenkast.
Marble relief with a horseman
Object type: relief of a horseman
Date: 400 – 301
Materials: marble
Culture: greek
Subjects: men,horses

Youth on horse charging to left.
Portret van Johann Augustin Philipp Gesner
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Triumph of Silenus
Object type: print
Date: 1607 – 1661
Techniques: engraving
Artist: pierre biard ii
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1661
Subjects: musical instruments,silenus,satyrs
Victoria #1056
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Opstand der Titanen
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: engraving, letterpress printing
Location: harderwijk
Subjects: war of the titans against jupiter and allies: titanomachy, amsterdam

Opstand van de Titanen tegen Jupiter. llustratie bij het vers: Ter Gedachtenis van de vernietigde Pachten en verjaagde Pachters, op den 25ste van July 1748, op p. 27, onderdeel van: Den Bedroefden Pachter door Jan Weetal over de Pachtersoproer in 1748.
Imaginary portrait, Shuihuzhuan of Stage:  Tōryūdai (Mitate Suikoden Tōrōdai) - Actor, Bandō Hikozaburō plays as Nyūunryū
Object type: print
Date: 1875 – 1875
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: toyohara kunichika
Artist role: artist
Artist nationality: japanese
Artist dates: 1835 – 1900
Subjects: men,actors
A19: Maryland Dining Room, 1770-74
Object type: miniature room
Date: 1940 – 1940
Location: united states
Artist: narcissa niblack thorne
Ceres
Object type: print
Date: 1564 – 1564
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: (story of) ceres (demeter), sheaf, attributes of ceres: sickle, agricultural implements: sickle
Inscriptions: date

Ceres, de godin van de landbouw en het graan. Zittend oogstend in een graanveld met een korenschoof op schoot, sikkel in de hand. Deze prent maakt deel uit van een album.
als Geisha
Object type: photograph
Date: 1920 – 1930
Materials: photographic support
Techniques: hand coloring
Artist: Anonymous
Subjects: adult woman, dress-up party, courtesan, hetaera

Onderdeel van fotoalbum van een onbekende Nederlandse familie met opnames van Suriname, Europa en Nederlands-Indië.
Vuursteenzakpistool
Object type: pocket pistol
Date: 1765 – 1775
Materials: iron, silver, thread, wood
Techniques: casting, metalworking, embroidery, encrustation, engraving, relief
Location: amsterdam
Artist: johan george ertel
Artist role: geweermaker, pistoolmaker
Artist dates: 1728 – 1795
Subjects: netherlands
Inscriptions: signature: ‘I.G.ERTEL // AMSTERDAM’
Saucer (part of a service)
Object type: saucer
Date: 1780 – 1785
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: birds,plants
Portret van Wilhelmina van Pruisen
Object type: print
Date: 1815 – 1851
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: berlin, painter, draughtsman, wilhelmina of prussia (princess of orange)

Portret van Wilhelmina. In de ondermarge vijf regels Nederlandse tekst. Rechtsonder 'Proefdruk'.
Christus aan het kruis
Object type: print
Date: 1600 – 1700
Materials: paper
Techniques: etching
Location: low countries
Artist: Anonymous
Subjects: crucified christ with stephaton and/or longinus - dd - the three crosses, comprehensive representations of the events on golgotha during christ's hanging on the cross, no particular event emphasized, longinus pierces christ's side with a lance
Inscriptions: collector's mark: Lugt 240

Christus hangt aan het kruis tussen de twee kruisen met misdadigers. De Romeinse soldaat Longinus rijdt te paard en steekt Christus met zijn lans in de zij. Rechts staan Maria en Johannes.
Aalscholver
Object type: watercolor
Date: 1720 – 1792
Materials: paper, watercolor
Techniques: brush
Artist: aert schouman
Artist role: draughtsman, painter, print maker
Artist dates: 1710 – 1792
Subjects: water-birds: cormorant
Inscriptions: inscription: ‘wijfjes Een Schollevaar, kleijnder als halflevensgroot A. S. 17[..]’
Fragment tabakspijp
Object type: fragment
Date: 1750 – 1800
Materials: clay
Location: netherlands
Artist: Anonymous
Subjects: rotterdam

Fragment tabakspijp met een kroon en daaronder een ooievaar afgebeeld. Van de opgravingen op de Hofstede Arentsburg 1827-1831 onder toezicht van Professor Reuvens.
Alcazar Jardines Sevilla
Object type: photograph
Date: 1880 – 1905
Materials: paper
Techniques: albumen print
Location: sevilla
Artist: emilio beauchy
Artist role: fotograaf
Artist dates: 1847 – 1928
Subjects: garden
Inscriptions: number: ‘No 83.’
Granulated Tube Pendant
Object type: pendant, granulated tube
Date: 1479 – 1425
Materials: gold
Location: upper egypt, thebes
Coin
Object type: coin
Date: 767 – 800
Materials: copper
Location: iran