deem-data/ArtiFact huggingface dataset:
Le Tribunal du Côté du Septentrion
Object type: print
Date: 1719 – 1719
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), personification of a city, town-patron(ess), river personified, 'fiumi' (ripa), river-gods, townhall, sculpture, caduceus (staff with two snakes, attribute of mercury), beasts of prey, predatory animals: lion, cupids: 'amores', 'amoretti', 'putti', armorial bearing, heraldry
Inscriptions: collector's mark: ‘Instituut voor kunst-nijverheidsonderwijs Gabriël Metsustraat No. 16 Amsterdam’, collector's mark: ‘Kunstnijverheidschool Quellinus Amsterdam Frans Halsstraat 14’

Prent waarschijnlijk uit: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. Of uit de uitgave van dit werk door Gerard Valck uit 1719, of uit: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).

Prent werd in een eerdere staat gebruikt in: Afbeelding van 't stadt huys van Amsterdam, In dartigh Coopere Plaaten, geordineert door Jacob van Campen; en Geteeckent door Iacob Vennekool. Amsterdam: Dancker Danckerts, 1661. En in de editie van dit werk uitgegeven door Frederik de Wit, s.a. [1666-1706].
De Amstel vanuit het Amstelhotel
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: etching
Artist: francis seymour-haden (sir)
Artist role: print maker
Artist dates: 1818 – 1910
Subjects: amstel (rivier)
Inscriptions: date

Gezicht op de Amstel, gezien vanuit een raam van het Amstelhotel te Amsterdam.
Bird
Object type: figure
Date: 1752 – 1752
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: birds
Familiewapen van Adriaan Hoogeveen
Object type: print
Date: 1754 – 1754
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: armorial bearing, heraldry

Familiewapen van Adriaan Hoogeveen, baljuw van Loenen, Hoog Heemraad 1754. Waarschijnlijk deel van de wapenrand van een kaart van een Hoogheemraadschap (van Rijnland?). Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Wapens (Heraldiek), Geslachtswapens.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, part of a draped male; goal post?; Exterior, profiled ring foot; the resting surface of the foot is unglazed and the inner wall of the foot is glazed; the underside of the floor is decorated by concentric circles; the outermost edge is in reserve, followed by a wide band of black glaze; a thin band of reserve, and a thin band of black glaze frames the center, which is in reserve
The Mocking of Christ, from the Circular Passion
Object type: print
Date: 1509 – 1509
Techniques: engraving
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: children,men,christ
Teapot
Object type: teapot
Date: 1790 – 1790
Materials: silver
Culture: american
Location: united states
Artist: simeon a. bayley
Artist role: maker
Artist nationality: american
Artist dates: 1784 – 1799
Lodewijk van Bourbon-Condé aan het hof van koning Frans II van Frankrijk
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: palace - aa - civic architecture: inside
Inscriptions: collector's mark: Lugt 964

Prent gebruikt in: Ténint, Wilhelm. Album du Salon de 1842. Collection des principaux ouvrages exposés au Louvre (…). Parijs: Augustin Challamel, 1842.
Vier figuren rondom kader met gezicht op Dordrecht
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: etching
Location: middelburg
Subjects: dordrecht
Inscriptions: collector's mark: Lugt 2228

Vier figuren rondom een kader waarop een wapenschild, een gezicht op de stad Dordrecht en figuren in het water. Daarboven twee engelen met banderol waarin de titel. In een cartouche de naam van de boekverkoper.
Justice
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,women
Mourning dress
Object type: mourning dress
Date: 1883 – 1883
Materials: silk
Culture: american
Awarra-laan bij Saron
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: gelatin silver print
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname
Inscriptions: inscription: ‘C7 / Awarra-laan bij Saron.’

Gezicht op de Awarralaan bij Saron, onverharde weg langs hoge bamboe. Onderdeel van het fotoalbum Souvenir de Voyage (deel 2), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Nachtelijk tocht van Spaanse soldaten door het water naar Duiveland, 1575
Object type: history print
Date: 1701 – 1703
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: coenraet decker
Artist role: print maker
Artist dates: 1650 – 1685
Subjects: brussels, mayor, luis de zúñiga y requesens, army 'en route'

Nachtelijk tocht van Spaanse soldaten van Sint-Philipsland door het water naar het eiland Duiveland, 28 september 1575. Op de voorgrond op Tholen zegent een jezuïet de vertrekkende soldaten, in de verte het eiland Duivenland en Zierikzee. Onderaan de legenda A-I in het Nederlands.
Omlijsting met symbolen van de Passie en de Eucharistie
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: engraving
Location: southern netherlands
Artist: Anonymous
Subjects: 'pesah', passover ~ jewish religion, the eucharist ~ the fourth of the seven sacraments, single instruments of the passion
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 240

Een omlijsting met links en rechts vier putti die de passiewerktuigen tonen: kelk, doornenkroon, roede en zweep en kruis. Midden boven het Pesachmaal: brood, wijn en een geslacht lam. Midden onder een altaar met daarop de attributen van de eucharistie en een opengeslagen Bijbel.
Donker vertrek met een lezende vrouw
Object type: print
Date: 1860 – 1909
Materials: paper
Techniques: lithograph
Artist: henri patrice dillon
Artist role: print maker
Artist dates: 1850 – 1909
Subjects: reading, lighting; lamps
Inscriptions: signature: ‘Dillon’, collector's mark, collector's mark: Lugt 2228

Op de tafel naast de vrouw staat een lamp.
Eagle (from Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: eagles
Brief aan Philip Zilcken
Object type: letter
Date: 1901 – 1901
Materials: ink, paper
Techniques: pen, writing
Location: blaricum
Artist: jan zoetelief tromp
Artist role: draughtsman, painter
Artist dates: 1872 – 1947
Subjects: the hague, painter, draughtsman, philip zilcken, exhibition ~ art
Inscriptions: watermark, collector's mark: ‘RPK’
Clay jar sealing
Object type: sealing, jar, neithhotep,
Date: 3100 – 2649
Materials: clay
Location: egypt
Subjects: hieroglyphs
Pair of Rowel Spurs
Object type: spur
Date: 1601 – 1700
Materials: gold, metal alloy
Culture: german
Location: germany

The points of the rowels of this pair of spurs alternate birds’ heads and fleurons, while their bodies are chiseled with zigzags motifs in relief.
The Canterbury pilgrimage.
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: relief engraving
Location: france
Subjects: ornament ~ medallion, 'en route', traveller under way
Inscriptions: collector's mark: Lugt 2228
Furniture plaque: wing of a hawk
Object type: furniture element
Date: 1800 – 1701
Materials: ivory
Culture: assyrian
Location: anatolia
Subjects: hawks

This piece belongs to a group of five carved ivory plaques probably found at the site of a palace at Acemhöyük in central Anatolia. Originally, they formed the composition of a falcon with outstretched wings grasping antelopes in its extended talons. The central plaque forms the head and body of the bird, finely carved to indicate the swelling of the breast, the stylized peregrine falcon cheek markings, and the large eyes with holes for inlaid pupils, now missing. Traces of gilding survive on the eyes and beak. The plaque is discolored with a combination of reddish areas, where iron oxides are present on the surface, and a gray hue that indicates the object was exposed to considerable heat, perhaps during the destruction of the palace. Scans of the surface revealed traces of silver in the more intensely red areas, although it cannot be determined whether this is due to a metal overlay that is no longer preserved or to the proximity of a silver object during burial. There is one hole in the top of the head for attachment to another furniture element and two on the bottom, probably for attachment to the missing legs. Mortises at the sides of the breast held the tenons that extended from the large wings; only one of the original wings survives in the Metropolitan Museum collection. Two small plaques depicting antelopes held by powerful talons must have belonged to such an ensemble. While there are two holes at the bottom of each plaque, there are no visible means by which to attach them to the bird’s body. The larger antelope has a light pink surface discolored by black stains, while the smaller is red with a surface that has bubbled from burning. As only one plaque is in proper proportion to this falcon, the antelopes probably belonged to two different but similar compositions. This image of a bird of prey recalls Egyptian depictions of the god Horus as a falcon. Here, it has been transformed from divine symbol to hunter, clasping prey in its talons, perhaps deriving from a Near Eastern tradition in which the lion-headed eagle known as the Imdugud bird is sometimes depicted with stags held in its talons.
Silhouetportret van C. Rieken
Object type: print
Date: 1809 – 1848
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Artist: pieter barbiers (iv)
Artist role: painter, print maker
Artist dates: 1798 – 1848
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, : ‘Gedeponeerd.’

Onder het portret de signatuur van de geportretteerde.
Yamatoya: Iwai Hanshiro IV as Okaru, from the series "Portraits of Actors on Stage (Yakusha butai no sugata-e)"
Object type: print
Date: 1795 – 1795
Techniques: woodblock print
Location: japan
Artist: utagawa toyokuni i 初代 歌川 豊国
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
The Actors Sanogawa Ichimatsu I as Soga no Goro and Ikushima Daikichi II as Kewaizaka no Shosho in the play "Monzukushi Nagoya Soga," performed at the Ichimura Theater in the first month, 1748
Object type: print
Date: 1748 – 1748
Techniques: printmaking, woodblock print
Location: japan
Artist: torii kiyomasu ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1706 – 1763
Versiersel in den groenen bruidskroon
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: bridal wreath, bridal chaplet, pomander, musk ball - aa - (for) women, wedding-gift
Inscriptions: collector's mark, collector's mark: Lugt 1641

Metalen object, mogelijk een pomander, in de vorm van een hart doorboord met twee pijlen. Onderdeel van een bruidskroon. Uitgeknipte illustratie geplakt op een blad. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Des Menschen Begin, Midden en Einde. Bruiloft en huwelijk.
Study for "Underneath the Cork Oaks"
Object type: drawing
Date: 1908 – 1908
Materials: graphite, watercolor
Location: france
Artist: henri-edmond cross (henri-edmond delacroix)
Artist role: artist
Artist nationality: french
Artist dates: 1856 – 1910
Subjects: animals,landscapes

This unfinished drawing reveals how the Neo-Impressionist artist, Henri-Edmond Cross, built up his watercolors from an underlying graphite sketch to a mosaic of brush marks in variously saturated colors. This sheet relates to an oil painting of 1908, titled "Under the Cork Oaks" (private collection), which situates three figures within a grove of curvilinear trees, characteristic of the Mediterranean environment where the artist lived on the Côte d'Azur. Instead of people as in the painting, the study includes an animal grazing in the undergrowth and reprised in the margin at right. By reserving areas of the paper amidst the accumulation of watercolor strokes, the artist began to suggest the dappled nature of the light among the leaves.
Kostuum van een portier bij de Katholieke Kerk
Object type: costume print
Date: 1803 – 1808
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: dresden
Subjects: folk costume, regional costume, porter, bearer
Inscriptions: collector's mark: Lugt 2228
Brief aan Filippo Tessaro
Object type: letter
Date: 1890 – 1890
Materials: ink, paper
Techniques: pen, writing
Location: dordrecht
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: painter, print maker, draughtsman, jacob maris, dordrecht, martinus cornelis lebret, art trade, art shop, money
Inscriptions: collector's mark: Lugt 2233
Koffiekan met deksel, beschilderd met het Krokus-decor
Object type: eating drinking utensil
Date: 1896 – 1896
Materials: porcelain
Techniques: painted
Location: meissen
Artist: konrad hentschel
Inscriptions: model number: ‘Q108b’, factory mark, mark: ‘52’, mark: ‘87’

Koffiekan met deksel van beschilderd porselein. De kan heeft een deksel en is beschilderd in groen en bruin. De kan is gemerkt.
Figuren met verschillende beroepen
Object type: print
Date: 1735 – 1809
Materials: paper
Techniques: etching
Artist: paul sandby
Artist role: draughtsman, print maker, publisher
Artist dates: 1725 – 1809
Subjects: containers, adult man
Inscriptions: collector's mark: Lugt 2228
Opwekking van Lazarus
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: etching
Location: italy
Artist: salvatore castiglione
Artist role: print maker
Artist dates: 1620 – 1696
Subjects: the raising of lazarus ('lazarus, come out')
Inscriptions: date

Christus wekt Lazarus op uit de dood. Lazarus komt omhoog uit zijn graf. Een groep toeschouwers reageert verbaasd en verwonderd.
Thomas ontvangt reisadvies van zijn vader
Object type: print
Date: 1771 – 1823
Materials: paper
Techniques: etching
Artist: karl heinrich grünler
Artist role: print maker
Artist dates: 1761 – 1823
Subjects: adult man
Inscriptions: collector's mark: Lugt 2228
Titelprent met de personificatie van Götaland
Object type: album leaf
Date: 1701 – 1701
Materials: paper
Techniques: engraving, etching
Location: stockholm
Subjects: personifications of countries, nations, states, districts, etc., fame; 'fama', 'fama buona', 'fama chiara' (ripa)
Inscriptions: date

Allegorische titelprent voor de reeks getiteld: Suecia antiqua et hodierna. Op een sokkel de vrouwelijke personificatie van Götaland, het zuidelijkste landsdeel van Zweden. In haar handen een palmtak en Victoria. Faam houdt een lauwerkrans boven haar hoofd. Op de voorgrond wapens en verslagen vijanden. De prent maakt deel uit van een album.
Ring of Priest Sienamun
Object type: ring, sienamun
Date: 664 – 525
Materials: gold
Location: egypt
Subjects: hieroglyphs
Sobrietas
Object type: print
Date: 1560 – 1560
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: sobriety; 'sobrietà', 'astinenza' (ripa)

De personificatie van de Soberheid zit voor een muur, haar benen op een vis. In haar haar draagt ze een diadeem, in haar hand houdt ze een grote sleutel. De sleutel staat symbool voor het goede huishouden. Op de achtergrond duiven die naar een duiventil vliegen. Deze prent maakt deel uit van een album.
Louis Joseph de Potter
Object type: history medal
Date: 1830 – 1830
Materials: silver
Techniques: striking
Location: brussels
Artist: adrien hippolyte veyrat
Artist role: medailleur
Artist dates: 1803 – 1883
Subjects: bruges, politician

Zilveren penning. Voorzijde: borststuk man; rechts daarvan een voor de helft ontrold papier met opschrift binnen omschrift. Keerzijde: opschrift binnen eikenkrans en omschrift.
Parangun Vizo Rei Acosta / Broene Purper Acosta
Object type: album leaf
Date: 1637 – 1637
Materials: paint, parchment, pencil, watercolor
Techniques: brush
Artist: jacob marrel
Artist role: draughtsman, painter
Artist dates: 1614 – 1681
Subjects: insects: butterfly, flowers: tulip, insects: caterpillar

De tekening maakt deel uit van een album.
Polish hussar in profile facing right with wings attached to his back, a circular composition, from "Figures on Horseback" (Cavaliers nègres, polonais et hongrois)
Object type: print
Date: 1651 – 1651
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: swords,men,profiles,horses
Footed Jar
Object type: vessel
Materials: earthenware
Techniques: burnishing, carving, incising
Location: china
Napoli
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: naples
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: eruption (of volcano), mount vesuvius
Inscriptions: inscription: ‘Eruzione del 8 Xbre 1861’, number: ‘K 8.’
Grote Kerk te Beverwijk
Object type: sketchbook leaf
Date: 1820 – 1872
Materials: chalk, paper, watercolor
Techniques: brush
Location: beverwijk
Artist: hendrik abraham klinkhamer
Artist role: draughtsman, painter, print maker
Artist dates: 1810 – 1872
Subjects: church (exterior)

Blad 24 recto uit een schetsboek met 39 bladen.
Krulzuring
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: letterpress printing
Subjects: groups of plants (herbs)
Mrs. Craik
Object type: photograph
Date: 1850 – 1865
Location: england
Artist: Benjamin Mulock
Artist nationality: English
Artist dates: 1829 – 1863
Maria met kind
Object type: print
Date: 1655 – 1690
Materials: paper
Techniques: engraving
Location: low countries
Subjects: madonna: i.e. mary with the christ-child
Inscriptions: collector's mark: Lugt 240
Francisco Goya y Lucientes, Painter, plate one from Los Caprichos
Object type: print
Date: 1797 – 1799
Materials: paper
Techniques: aquatint, engraving, drypoint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
The Visitation
Object type: print
Date: 1540 – 1550
Techniques: engraving
Artist: giorgio ghisi
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1582
Subjects: men,women
Staande vrouw
Object type: sketchbook leaf
Date: 1923 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ standing)
Inscriptions: annotation: ‘g[...] au[?] senat / papier teinté’

Blad 14 verso uit schetsboek LVIII met 14 bladen.
Andiron
Object type: andiron
Date: 1792 – 1814
Materials: brass, iron
Culture: american
Location: united states
Artist: john bailey
Artist role: maker
Artist nationality: american
Artist dates: 1736 – 1815
Paus Pius V allieert zich met Filips II, koning van Spanje
Object type: print
Date: 1566 – 1572
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: martino rota
Artist role: print maker
Artist dates: 1520 – 1583
Subjects: philip ii of spain, rome, pius v, god the father, ruler, sovereign, other sovereign: doge, pope, angels, holy ghost represented as a dove (in flames)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Mars
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: delft
Subjects: mars (planet)
Inscriptions: inscription

Prent gebruikt als illustratie in: Const-toonneel, inhoudende de beschrijvinghe ende XL. Heerlijcke afbeeldindinghen: Onses Heeren Jesu Christi, met sijne apostelen, ende evangelisten, midtsgaders de hooft-deuchden ende ondeuchden. Ende ten laetsten de seven planeten. In coper gesneden door Johannis Wierix. De beschrijvinge is (...). Delft: Nicolaes de Clerck, 1609.
Waterschade aan twee bijbels
Object type: photograph
Date: 1902 – 1953
Materials: photographic support
Techniques: gelatin silver print
Location: zeeland
Artist: Anonymous
Subjects: the bible as a book, north sea flood of 1953
Inscriptions: copyright notice: ‘Copyright I.P.O. International Photopress Office’, label: ‘Weinig of niets konden de bewoners ... herinnering tevens aan het voorgeslacht.’

Twee Statenbijbels en een psalmboek liggen in een raamkozijn in de zon te drogen na in het water te zijn gekomen tijdens de watersnoodramp, Sint-Philipsland, begin februari 1953.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Exterior, part of palmette and palmette heart
Portret van een onbekende, zittende vrouw die haar voet vasthoudt
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: sitting figure, europe
Devananda's Fourteen Auspicious Dreams Foretelling the Birth of Mahavira: Folio from a Kalpasutra Manuscript
Object type: folio
Date: 1465 – 1465
Materials: paper, watercolor
Culture: indian
Artist: master of the jaunpur kalpasutra
Artist role: artist
Artist nationality: indian
Subjects: women,elephants

This folio is from an illustrated Kalpasutra (Book of Rituals), which contains the biographies of the Jain tirthankaras (ford crossers). It depicts the fourteen auspicious dreams of the Brahmani Devananda, who would become the mother of Mahavira. All of the dreams are alluded to by the emblems above the bedchamber scene. The use of gold and an intense ultramarine derived from lapis lazuli demonstrates an awareness of Iranian painting, which had become accessible during the Delhi Sultanate period of the fourteenth and fifteenth centuries. While retaining the broad conventions of the archaic style of western India, the work displays a bold approach to color and ornamentation that connects it to the emerging North Indian schools, which gained their fullest expression in Delhi and the surrounding regions. The horizontal format preserves a memory of the earliest illustrated books in India, printed on trimmed and treated palm-leaf pages.
Boat with three figures and objects
Object type: figure
Date: 1279 – 1368
Materials: glaze, stoneware
Techniques: firing, forming, vitrification
Location: china
Artist: Anonymous

Even though the head of the main figure is missing, it can be deduced from this motif that this is Guanyin and his/her servants Shancai and Longnu. They are sitting in a boat, a symbol of rescue; Guanyin saves people at risk of drowning in a sea of misfortune.
Violoncello
Object type: violoncello
Date: 1834 – 1866
Materials: wood
Culture: french
Location: france
Artist: jean baptiste vuillaume
Artist role: maker
Artist nationality: french
Artist dates: 1798 – 1875
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of a draped figure
Scepter with Head in Form of a Double Cloud (Ruyi)
Object type: decorative art
Materials: wood
Location: china
Subjects: clouds
Twee panorama's in Genua
Object type: photograph
Date: 1895 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: genoa
Artist: Anonymous
Subjects: tourism, city-view in general; 'veduta' (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘Genes Panorma/ id.’

Albumblad met twee foto's van Genua. Onderdeel van een fotoalbum van een reis door Italië, ca. 1900.
Inscribed Stele
Object type: stele
Date: 501 – 700
Materials: limestone
Techniques: incising
Location: egypt
Subjects: coptic

Funerary stelae from the Byzantine period in Egypt are thought to have been produced in quantity, then modified for individual use. Inscriptions were often added to identify the deceased.