deem-data/ArtiFact huggingface dataset:
Detail van een schilderij van Madonna met kind
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: paper
Techniques: gelatin silver print
Subjects: picture, painting
Inscriptions: collector's mark: ‘AFE v S’
Terracotta spindle bottle
Object type: spindle bottle
Date: 1600 – 1050
Materials: terracotta
Culture: cypriot
November, from "Album of Rustic Subjects"
Object type: print
Date: 1859 – 1859
Techniques: engraving
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Portret van Jean Jacques Olier
Object type: print
Date: 1644 – 1671
Materials: paper
Techniques: engraving
Location: paris
Artist: nicolas pitau (i)
Artist role: print maker, publisher
Artist dates: 1632 – 1671
Subjects: priest (roman catholic)
Inscriptions: collector's mark: Lugt 2228

Portret van de priester Jean Jacques Olier, op 48-jarige leeftijd. In de marge een vierregelig onderschrift in het Latijn.
La Chasse aux Oiseaux, Vüe de Flandre
Object type: print
Date: 1747 – 1747
Materials: paper
Techniques: etching
Subjects: bird hunting, forest, wood (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2028, collector's mark: Lugt 2228
Willem III overziet het verbond tussen Wijsheid en Vrede
Object type: sketchbook leaf
Date: 1696 – 1696
Materials: paper, watercolor
Techniques: brush
Location: northern netherlands
Artist: hendrick van beaumont
Artist role: draughtsman
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), symbols, allegories of peace, 'pax'; 'pace' (ripa), 'sapientia', wisdom; 'sapienza divina' (ripa) ~ one of the seven gifts of the holy ghost
Inscriptions: annotation: ‘PAX’

Blad 43 recto uit een schetsboek met 91 bladen.
The harbour
Object type: page
Date: 1900 – 1920
Materials: paper
Techniques: autotype
Location: ilfracombe
Subjects: harbour
St. Anthony of Egypt Driving Away Devils
Object type: drawing
Date: 1601 – 1700
Materials: chalk, paper
Techniques: heightening
Location: france
Artist: grégoire huret
Artist role: artist
Artist nationality: french
Artist dates: 1606 – 1670
Subjects: saint anthony,devil
Kobako with cover
Object type: kobako with cover
Date: 1601 – 1700
Materials: gold, lacquer
Techniques: maki
Culture: japanese
Subjects: flowers
Façade met trapgevel te Hoorn
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: hoorn
Artist: Anonymous
Subjects: urban housing, façade (of house or building), hoorn (north holland)
Inscriptions: annotation: ‘[...] huis/ VI/3 c’, annotation: ‘Hoorn’
Emanuel College, Cambridge
Object type: print
Techniques: aquatint, etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: schools,men

A nobleman presenting busts to scholars in the courtyard of the college.
Isle of Aligre Landscape, with Two Women
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: etching
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Stole
Object type: textile
Date: 1870 – 1880
Materials: silk
Techniques: lace
Location: england
Tocht van Frederik III, keurvorst van Brandenburg naar de Spaanse Nederlanden
Object type: history medal
Date: 1690 – 1690
Materials: silver
Techniques: striking
Location: berlin
Artist: raimund faltz
Artist dates: 1658 – 1703
Subjects: berlin, frederik i koning van pruisen, southern netherlands

Zilveren penning met gat erin. Voorzijde: borststuk man binnen omschrift. Keerzijde: Pallas Athena met helm, speer en schild beschermt Nederlandse leeuw binnen omschrift; afsnede: opschrift
God Vishnu
Object type: sculpture
Materials: stone
Location: cambodia
Kasumigaseki, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1857 – 1857
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Townscape with a Bridge
Object type: drawing
Date: 1601 – 1700
Materials: chalk, paper
Techniques: brush, wash
Mantle
Object type: mantle
Date: 1848 – 1851
Materials: silk
Culture: american
Clothes press
Object type: clothes press
Date: 1760 – 1760
Materials: wood
Techniques: veneering
Artist: william vile
Artist role: maker
Artist nationality: british
Artist dates: 1715 – 1767
Briefkaart aan Frans Buffa en Zonen
Object type: postcard
Date: 1885 – 1885
Materials: cardboard, ink
Techniques: pen, writing
Location: brussels
Artist: willem roelofs (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1897
Subjects: publisher, art trade, art shop, money
Inscriptions: collector's mark: Lugt 2233
Studioportret van een oudere vrouw in een lange, bolle zwarte jurk
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: i.h. hoffmeister
Artist role: fotograaf
Ex libris van Willm. Chas. Farrell Skeffington
Object type: bookplate
Date: 1752 – 1815
Materials: paper
Techniques: engraving
Artist: mussett
Artist role: print maker
Subjects: armorial bearing, heraldry
Minister of Marine, Russia, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: flags

Trade cards from the "Naval Flags" series (N17), issued ca. 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Artist: maurits van der valk
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Subjects: helène lambertine hauzeur, the hague, painter, draughtsman, philip zilcken, passions, emotions, affections
Inscriptions: watermark
Portret van Friedrich Wilhelm Gotter
Object type: print
Date: 1766 – 1799
Materials: paper
Techniques: etching
Artist: f.w.m. mueller
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Les Dames de Rouen, 1800 présentant à Madme la Dse d'Angouleme des produits des Manufact(u)res de leur Ville
Object type: fashion print
Date: 1810 – 1810
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: fashion plates

Les Dames de Rouen présentant à Madme la Dse d'Angouleme des produits des Manufact(u)res de leur Ville
James "Jim" McCormick, Pitcher, Pittsburgh Alleghenys, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Terracotta fragment of a lekythos (oil flask)
Object type: lekythos fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Calf and foot of a figure to right; part of a vine; lower body of a draped male to right; calf and foot of a figure to right
Square with Quail
Object type: textile fragment
Date: 401 – 500
Materials: linen, wool
Techniques: weave
Location: egypt

Squares like this one are a type of textile ornament related to mosaic emblemata or allegorical devices. Unlike earlier pieces, however, which clearly belonged to allegorical cycles, later squares were probably made as independent pieces and had a more general meaning.
Panel
Object type: panel
Date: 1801 – 1900
Materials: cotton, linen
Culture: chinese
Zomerhoed van fijn geruite blauwgrijze zijde en donkerblauw stro
Object type: zomerhoed
Date: 1955 – 1956
Materials: silk
Location: netherlands
Artist: Anonymous

Zomerhoed van fijn geruite blauwgrijze zijde en donkerblauw stro. Bijna cylindrische toque van met stof overtrokken strooien vorm met platte bodem en iets uitstaand ondereind. Rondom loopt een brede blauwe strooien band over de gehele hoogte, zelfs iets over de platte bodem heen, maar onderaan een eindje van de kant af. Voering en adres zijn verdwenen.
Portret van een staande vrouw
Object type: album leaf
Date: 1855 – 1878
Materials: cardboard, photographic support
Techniques: albumen print
Location: shoreditch
Artist: henry lock
Artist role: fotograaf
Artist dates: 1825 – 1890
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Henry Lock/ Photographen/ 248, Shoreditch’, annotation: ‘died May 19-78’
Groepsportret van bemanningsleden aan boord van een schip
Object type: carte de visite
Materials: cardboard, photographic support
Techniques: albumen print
Artist: marc ferrez
Artist role: fotograaf
Artist dates: 1843 – 1923
Subjects: crew ~ ship, anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘Photographia Brazilleira/ Marc Ferrez/ Phtoographo da Marinha Imperal/ e das Construccões Navaes do/ Rio de Janeiro/ 96 Rua de S. José 96/ Rio de Janeiro’, inscription: ‘A.L. B.te S.C.D.G.’
Biddende man aan een gedekte tafel
Object type: sketchbook leaf
Date: 1812 – 1880
Materials: paper
Techniques: pen
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: sitting figure, adult man, interior of the house, prayer at table, saying grace, laid table: table-ware, table-decoration, etc.

De man zit met zijn handen gevouwen en bidt mogelijk voor de maaltijd die voor hem op de tafel staat. Pagina 44 uit een schetsboek met 34 bladen.
Studieblad met tekenvoorbeelden: portretten, dieren, insecten
Object type: print
Date: 1640 – 1660
Materials: paper
Techniques: engraving
Location: antwerp
Artist: michael snijders
Artist role: print maker, publisher
Artist dates: 1586 – 1672
Subjects: louvain, antwerp, painter, draughtsman, quinten massijs (i), london, print maker, anthony van dyck, head (human), model-books ~ implements of painter, beasts of prey, predatory animals, fruits: peach, flowers: tulip, goat, insects, other birds: toucan, insects: beetle
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Negentiende prent uit een serie tekenvoorbeelden van onbekende omvang. Studieblad met koppen, dieren en insecten. In het midden twee portretten, van links naar rechts: Frederik III de Wijze ( keurvorst van Saksen) en Quinten Massijs (de laatste met zijn naam, sterfplaats en -jaar). Daartussen twee perziken. Rondom de portretten diverse dieren en insecten waaronder een toekan (naar illustratie in Gessner), vos, haas (naar Aegidius Sadeler) en olifantskever en vlinder (naar Hoefnagel).
Kerk bij het provinciaal ziekenhuis van Bloemendaal met op de voorgrond mogelijk fotograaf Pieter Oosterhuis en zijn assistent.
Object type: stereograph
Date: 1860 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: photographer at work - cc - out of doors, church (exterior)
Inscriptions: address: ‘UITGAVE VAN A. JAGER, WATER 110, AMSTERDAM.’, inscription: ‘Coll RBK’
Zomer
Object type: print
Date: 1902 – 1902
Materials: paper
Techniques: lithograph
Artist: simon moulijn
Artist role: draughtsman, print maker
Artist dates: 1866 – 1948
Subjects: prospect of village, silhouette of village, cultivated land, sheaf
Inscriptions: collector's mark: Lugt 2228
Blade for a Dagger (<i>Tantō</i>) with Mounting (<i>Chisagatana</i>)
Object type: blade and mounting for a dagger tantō
Materials: bone, gold alloy, silver alloy, lacquer, shell, silk, skin, steel, wood
Culture: japanese
Location: japan
Scent bottle
Object type: scent bottle
Date: 1753 – 1758
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: fruit,butterflies
Hollandse adelaarsgroot van Albrecht van Beieren, 1389-1404
Object type: groat
Date: 1393 – 1395
Materials: silver
Techniques: striking
Location: dordrecht
Artist: duke of bavaria albert i
Artist dates: 1336 – 1404

Zilveren munt. Voorzijde: adelaar met in zijn klauwen de wapenschilden van Beieren-Holland en Holland, tussen de wapenschilden een roos. Keerzijde: lang gevoet kruis, in de hoeken letters H, L, A en D.
Portrait of the imperial guard Zhanyinbao
Object type: hanging scroll
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: bow and arrow,men,portraits

Under the Manchu emperors of the Qing dynasty, portraiture again became an important court-sponsored art. This full-length depiction of an imperial bodyguard of the first rank is from a set of one hundred portraits of loyal officials and valiant warriors commissioned by the Qianlong emperor (r. 1736–95) that originally hung in the Hall of Imperial Brilliance (Ziguang Ge), the pavilion in the Forbidden City where the emperor received tribute offerings and entertained foreign emissaries. The poem inscribed in both Chinese and Manchu above the painting lauds Zhanyinbao's valor in combating nomadic rebels in the desert wastes of Central Asia: Barehanded he rode the giant whale, Capturing Weinuo in battle. The bandits' heads were strung together The length of his long lance. With both hands he held open the declaration of war All the way to Balikun [in Sinjiang Province]. Without [even pausing] to comb his horse's mane, He returned and reported to his commander.
Bekers, bokalen en schalen
Object type: ornament print
Date: 1594 – 1635
Materials: paper
Techniques: engraving
Location: germany

Middenboven hangt een granaatappel, middenonder twee bloemen. Tegenzijdige kopieën van de onder Orn Cat I-324.A vermelde serie. Titelblad en 14 deels genummerde bladen uit een serie van 25.
Crab Pendant
Object type: pendant
Date: 1001 – 1600
Materials: gold
Techniques: casting
Culture: costa rican
Location: costa rica
Subjects: crabs
Interieur van de kapel van Lourdes, Frankrijk
Object type: carte de visite
Date: 1872 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: lourdes
Artist: provost
Subjects: parts of church interior: choir
Inscriptions: inscription: ‘ROME 1er PRIX/ PHOTOGRAPHIE PROVOST, TOULOUSE./ PRIÈRE À NOTRE-DAME DE LOURDES/ Soyez bénie, Vierge très-pure, qui avez/ (...)/ A.N.~D. de Poueylaün en tournée/ pastorale le 4 Mai 1872./ P.A., Ev. de Tarbes./ Déposé’, inscription: ‘PROVOST Déposé’
Speculum Romanae Magnificentiae
Object type: print
Date: 1537 – 1613
Materials: paper
Techniques: etching, intaglio
Location: italy
Subjects: piece of sculpture, reproduction of a piece of sculpture, equestrian statue
Inscriptions: number: ‘1’, number: ‘82’

Deze prent behoort tot het prentcorpus dat bekend staat als de ‘Speculum Romanae Magnificentiae’ (‘Spiegel van Romeinse pracht’). Dit corpus, bestaande uit prenten met voorstellingen van kunstwerken en gebouwen uit het antieke en het moderne Rome, vond zijn oorsprong bij uitgevers Antonio Salamanca en Antonio Lafreri. Deze twee buitenlandse uitgevers bundelden hun krachten te Rome in de periode 1553-1563. Hun prenten werden al snel razend populair bij toeristen en verzamelaars, die de prenten individueel of in grote groepen aanschaften. Grote groepen Speculum-prenten werden vaak op aanvraag samengebonden in albums. Er zijn verschillende Speculum-albums overgeleverd die allemaal verschillen van inhoud. Tussen 1573 en 1577 gaf Antonio Lafreri een speciale titelpagina uit (met de titel ‘Speculum Romanae Magnificentiae’) die mensen voor hun verzamelingen konden voegen. Het overlijden van Lafreri in 1577 betekende niet het einde van het corpus. Een groot deel van de koperplaten ging over op Claudio en Stefano Duchetti. De rest raakte verspreid over verschillende andere uitgevers. De populariteit van de Speculum-prenten wist nog geruime periode uitgevers te inspireren tot het laten maken van kopieën en het toevoegen van nieuwe prenten aan het corpus.
Hollandse provinciale halve gulden, 1682
Object type: coin
Date: 1682 – 1682
Materials: silver
Techniques: striking
Location: dordrecht

Zilveren munt. Voorzijde: gekroond wapenschild van Holland. Boven kroon jaartal. Keerzijde: staande Nederlandse maagd met in rechterhand speer, waarop hoed en met linkerhand steunend op altaar, waarop bijlbel.
Design for 4 seat Phaeton, no top, no. 4033
Object type: drawing
Date: 1889 – 1889
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Grazing Calf, plate 8 from "Different Animals"
Object type: print
Date: 1658 – 1658
Techniques: etching
Artist: adriaen van de velde
Artist role: artist
Artist nationality: dutch
Artist dates: 1636 – 1672
Subjects: cows
Stad Amsterdam, loodje met no. 5999
Object type: tax token
Date: 1878 – 1878
Materials: copper
Techniques: striking
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

eenzijdig, ruitvormig loodje met holle zijden, aan bovenzijde afgeschuinde hoeken en gat, en aan onderzijde afgeronde hoeken en eindigend in punt. Voorzijde: gekroond wapenschild tussen jaartal boven cijfer 5999. Keerzijde: blanco
Berlin. Hochbahn Schlesisches Tor
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: berlin
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, railway, train, berlin
Glaszegel van een fles met het ruiterportret van Willem III
Object type: glaszegel
Date: 1696 – 1696
Materials: glass
Techniques: glassblowing, printing
Location: holstein
Artist: Anonymous

Orange souvenirs. William III's popularity, and later also that of his wife Mary, gave rise to a wide variety of objects sporting their pictures: medallions, glasses, tiles, cutlery and Delftware pottery.
Portret van een onbekende man
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: brussels
Artist: joseph maes
Artist role: fotograaf
Artist dates: 1838 – 1908
Subjects: adult man, anonymous historical person portrayed
Inscriptions: address: ‘Place de la Monnaie/ 36, Rue Fossé-aux-Loups./ BRUXELLES.’
Amulet case
Object type: amulet case
Materials: copper, patina
Culture: sasanian
Location: mesopotamia

A group of ten amulet cases (32.150.95, 32.150.96, 32.150.97, 32.150.98, 32.150.99, 32.150.100, 32.150.101, 32.150.102, 32.150.103, 32.150.104) were found inside a plain unglazed jar (32.150.94). The cases are made from sheet copper rolled into cylinders and the ends stopped with bitumen. Although only one fragment of papyrus was found, the texts probably contained exorcisms or blessings. The city of Ctesiphon was located on the east bank of the Tigris River, 20 miles (32 km) south of modern Baghdad in Iraq. It flourished for more than 800 years as the capital of the Parthians and the Sasanians, the last two dynasties to rule the ancient Near East before the Islamic conquest in the seventh century. Systematic excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the main palace (Taq-i Kisra), in a small fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. Over the course of the excavations in the Ctesiphon area, six houses from a series of small mounds called el Ma’aridh were excavated. These houses follow typical Sasanian design with a mix of square and elongated rooms. Ma’aridh II is a large house that is entered through a small entry way rather than directly from the street. The house is divided into a utilitarian, or service, sector on the eastern side of the building, and a monumental decorated space to the west of the entryway. The western rooms were decorated with pillars, a double horseshoe archway, and stucco reliefs. A long barrel vaulted arched room, 19 meters in length, was probably the most important room of the house. It was entered through a smaller room with four pillars. This large house, with the excavated portion revealing more than 1800 square meters, represents an elite household. Excavation Number: O.1406i
Paris (5e). Marché aux Puces. Rue St-Médard
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1906
Materials: cardboard
Techniques: photograph
Location: paris
Subjects: market, street (+ city(-scape) with figures, staffage), paris
Twee paarden staand voor een stal
Object type: drawing
Date: 1851 – 1921
Materials: paper, pencil, watercolor
Techniques: brush
Artist: wouter verschuur (1841-1936)
Artist role: draughtsman
Artist dates: 1841 – 1936
Subjects: horse, stall, stable
Portret van Magnus Daniel Omeis
Object type: print
Date: 1708 – 1728
Materials: paper
Techniques: engraving
Subjects: magnus daniel omeis, history and archaeology (+ portrait of scholar, scientist), further education (+ portrait of teacher, professor), historical persons, portrait of a writer
Inscriptions: number: ‘22’, collector's mark: Lugt 2228
Rekenpenning uit Dordrecht op de strijd tegen Spanje 1578
Object type: history medal
Date: 1578 – 1578
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde Goliath en David met slinger, met omschrift, op de keerzijde een leeuw die een zwijn aanvalt, met afsnedetekst en omschrift.
Goblet Commemorating Queen Caroline
Object type: glass
Date: 1820 – 1820
Materials: glass
Location: england
Costume Ornament
Object type: ornament
Date: 1101 – 1500
Materials: silver
Culture: chimú
Location: peru
Subjects: birds
Vase
Object type: vase
Date: 1901 – 2000
Materials: pottery
Culture: chinese
Art - Goût - Beauté, Feuillets de l' élégance féminine, Novembre 1931, No. 135, 12e Année, p. 36
Object type: magazine
Date: 1931 – 1931
Materials: paper
Techniques: printing, photography
Artist: charles goy
Subjects: fashion plates

Tekst 'Une grande production cinématographique " Après l Ámour"' met drie afbeeldingen uit de film. Pagina uit het modetijdschrift Art-Goût-Beauté (1920-1933).