deem-data/ArtiFact huggingface dataset:
Christus wordt ontkleed
Object type: book illustration
Date: 1480 – 1500
Materials: paper
Techniques: woodcut
Subjects: christ disrobed

Eén blad van 113 uit Ludolphus de Saxonia, "Dit es dleué ons liefs heeren ihesu christi". Anonieme Nederlandse vertaling. Uitgegeven door Henrick Eckert van Homberch te Antwerpen in 1503. Botke, K. Deze 113 houtsneden, die meestal reeds in vroege Nederlandse boeken gebruikt zijn, worden toegeschreven aan de tweede Meester van Delft, de Meester van de Delbecq-Schreiber-passie en de Meester van de Virgo inter Virgines. In Conway (1884) en in "De gulden passer"(1951) zijn ook eerdere versies opgenomen. Botke, K.
Pass in the Raccoon Range, Whiteside No. 1
Object type: photograph
Date: 1864 – 1864
Techniques: albumen print, photography
Location: united states
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: collected by hugh edwards, sherman's campaign 1866, documentary
Inscriptions: Printed recto, on album page, lower center, below image, in black ink: "Photo. from nature By. G. N. Barnard. / PASS IN THE RACOON RANGE WHITESIDE No. ["o" in superscript] 1."; unmarked verso
Footbridge in Forest (from Sketchbook X)
Object type: drawing
Date: 1885 – 1885
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: bridges,forests

This sketchbook contains fifty-one drawings in graphite and ink, primarily of Pacific Northwest landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.1) of New England and Pennsylvania landscape and marine subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Two men dueling on a stage in front of an audience, illustration for 'Teatro Infantil de Juan Tendrio'
Object type: print
Date: 1898 – 1898
Techniques: lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: theatre,men,spectators,actors

"Teatro infantil D. Juan Tenorio. Colección de comedias y zarzuelitas para niños" (Imprenta de A. Vanegas Arroyo, ca. 1898).
Mr. Morrett
Object type: photograph
Date: 1857 – 1867
Materials: photographic support
Techniques: albumen print
Subjects: diplomacy, diplomat
Vessel with a lid and incised decoration
Object type: vessel with lid
Date: 2700 – 2400
Materials: ceramic
Culture: yortan
Location: northwestern anatolia
Cameo with the Triumph of Bacchus
Object type: cameo
Date: 1826 – 1850
Materials: onyx
Culture: austrian or italian
Subjects: men,centaurs,bacchus
Plattegrond en profiel van Geertruidenberg, 1706
Object type: map
Date: 1706 – 1706
Materials: paper
Location: netherlands
Artist: samuel du ry de champdoré
Artist role: draughtsman, engineer
Artist dates: 1651 – 1729
Subjects: fortress, maps of cities, geertruidenberg
Inscriptions: date

Plattegrond van de versterkingen om en een profiel van de stad Geertruidenberg, 1706. Linksonder een cartouche met de legenda A-H in het Nederlands, met vier putti met passers en meetlint. Onderdeel van een verzameling getekende plannen van versterkte plaatsen in Nederland en omringende landen ten tijde van de Spaanse Successieoorlog (deel A).
Palatium Caesaris Parisiis, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
Object type: album print ornament architecture
Techniques: engraving, printing
Artist: monogrammist g.a. with the caltrop
Artist role: artist
Artist nationality: italian
Artist dates: 1535 – 1535
Subjects: architecture,arches,columns

Perspectival view of a part of the complex of the Roman baths in Paris, now known as the Baths of Cluny, referred to here as the ‘Palatium Caesaris Parisiis’. What was left of the baths was incorporated into the construction of the monastery Cluny III and now part of the Musee du Cluny in Paris. The current rendition appears to show part of the frigidarium. As with other prints in this group, the building is depicted in isolation without the surrounding architecture. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation. Most copper plates for this series have been engraved on both sides. This print is taken from the same plate as the 'Termae Diocletiani'. This group of prints was purchased as part of an an album in 1926, but taken apart by the Museum in 1934. The album appears to have been compiled in the 17th century, although the majority of prints date from the 16th century. The larger part of the prints is focused on mythological subjects and objects and architecture from Antiquity. The album was part of the collection of the architect Hippolyte Destailleur and was sold in the sale of his books and prints in 1895. The Museum acquired the album at G. Rapilly & Fils in 1926. Where the album had been kept in the mean time is unclear and several prints were taken out in this period. The museum's numbering does not reflect the order of the original album, but Destailleur's numbering system is retained on the inidividual sheets, allowing for the reconstruction of its original content.
Mirandor de Lindaraja in het Alhambra te Granada, Spanje
Object type: photograph
Date: 1914 – 1937
Materials: photographic support
Techniques: gelatin silver print
Location: alhambra
Artist: f. linares
Artist role: publisher
Artist dates: 1870 – 1937
Subjects: fortress, palace, stuccoeing, interior ~ representation of a building
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, head and right shoulder of filleted youth to left
Tang Stone Pillar Inscribed with Names
Object type: rubbing
Date: 1901 – 2000
Materials: ink, paper
Culture: chinese
Consultations that are not free of charge, from 'News of the day,' published in Le Charivari, February 3, 1868
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire,men
Gezicht op het Paleis op de Dam
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching, iris print
Artist: Anonymous
Subjects: square, place, circus, etc., city-view in general; 'veduta', townhall
Inscriptions: collector's mark: ‘15,46’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Stadhuis, als Paleis, op de Dam, van Buiten.
Gezicht op de Villa Medici en tuin te Rome
Object type: print
Materials: paper
Techniques: etching
Location: italy
Subjects: plan, map of garden, garden, hôtel, i.e. small palace in city
Inscriptions: number: ‘108’, inscription: ‘Ende lib. No. 10. folio 1.’

Gezicht op de Villa Medici en tuin te Rome. Mensen flaneren in de tuin. In de ondermarge de titel en een verklarende lijst met nummers. Prent maakt deel uit van een album.
Salle des Gardes
Object type: photograph
Date: 1875 – 1899
Techniques: albumen print
Location: france
Artist: Anonymous
Huwelijk door liefde
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: betrothal and marriage
Inscriptions: collector's mark: Lugt 2228

Latere staat gebruikt voor: Goettinger Taschen Calender vom Jahr 1789. [Göttingen]: Johann Christoph Dietrich, [1788].
Arthur Wellesley, hertog van Wellington, ter ere van zijn overwinningen in Portugal, Spanje, Frankrijk en België
Object type: history medal
Date: 1815 – 1815
Materials: bronze, paper
Techniques: striking
Location: england
Artist: Anonymous
Subjects: walmer castle, arthur wellesley of wellington, france, spain, belgium

Bronzen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift binnen eikekrans; inhoud: elf ronde plaatjes met opschrift op voorzijde en keerzijde twee ronde plaatjes met opschrift alleen op de voorzijde.
Altar Cover
Object type: religious ritual object
Date: 1701 – 1800
Location: italy
Subjects: altar
Embroidered cross from an Omophorion
Object type: embroidered cross
Materials: linen, metal thread, silk
Techniques: backing, embroidery, weave
Subjects: men,flowers,christ,cross,crucifixion

Formed as sprays of floral ornament, this embroidered cross from a bishop's outer stole, or omophorion, reflects the eastward spread of the Baroque style via Venice. This embroidered cross and its pair (see 17.120.107) depict the Crucifixion of Christ and the Pentecost, surrounded, respectively, by the writers of the Gospels and four prophets.
Portret van Josephus Albertus Alberdingk Thijm
Object type: print
Date: 1887 – 1887
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: willem steelink (ii)
Artist role: draughtsman, print maker
Artist dates: 1856 – 1928
Subjects: amsterdam, painter, draughtsman, publisher, josephus albertus alberdingk thijm, historical persons
Inscriptions: collector's mark: Lugt 2228

Proefdruk voor prent uit: De Amsterdammer, 1887-08-18.
Glass mosaic base ring fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Part of the base ring of a large bowl.
Portret van paus Lucius I
Object type: book illustration
Date: 1595 – 1595
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: historical persons, pope, armorial bearing, heraldry

Prent uit: Cavalieri, Giovanni Battista de'. Effigies pontificum romanorum cum eorum vitis (...). Rome: Bartolomeo Bonfadino, 1595. Prent voor het eerst verschenen in: Cavalieri, Giovanni Battista de'. Pontificum romanorum effigies (...). Rome: Domenico Basa en Francesco Zanetti, 1580. Prent ook gebruikt in latere publicaties.
Over Towel Section
Object type: textile
Date: 1775 – 1775
Materials: cotton
Techniques: brocade, weave
Location: sweden
Serie naar schilderijen door Vouet voor de bibliotheek van het Hôtel Séguier
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: the olympian gods together: jupiter, juno, neptune, ceres, apollo, diana, mars, venus, mercury, minerva, vulcan, vesta (or bacchus)
Inscriptions: watermark, collector's mark: Lugt 240
Case (Inrō) with Design of Stylized Flowers and Scrolls
Object type: inrō
Date: 1801 – 1900
Materials: enamel, metal, silver
Culture: japanese
Subjects: flowers
Portret Pierre Bouchu
Object type: print
Date: 1669 – 1669
Materials: paper
Techniques: engraving
Artist: robert nanteuil
Artist role: print maker
Artist dates: 1623 – 1678
Subjects: pierre bouchu
Inscriptions: date

Buste naar rechts, in ovale lijst met randschrift. Wapen middenonder.
Landschap
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Subjects: trees, landscapes
Inscriptions: number: ‘No. 96’
Bezoekt Ommen
Object type: photomechanical print
Date: 1905 – 1913
Materials: cardboard
Techniques: printing block
Location: ommen
Subjects: maps, atlases
Krantenknipsel betreffende Louis Meijer
Object type: newspaper clipping
Date: 1865 – 1865
Materials: paper, ink
Techniques: printing
Artist: Anonymous
Subjects: amsterdam, utrecht, painter, print maker, draughtsman, louis meijer
Recueil de quatre-vingt-cinq estampes originales
Object type: album leaf
Date: 1634 – 1634
Materials: paper
Techniques: etching
Location: paris
Subjects: potiphar's wife catches joseph by his robe, usually while lying in bed; joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)
Inscriptions: date
Arthur Wallace, Champion Swimmer of California, from the Champions of Games and Sports series (N184, Type 2) issued by W.S. Kimball & Co.
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w.s. kimball & co.
Artist role: publisher
Subjects: men,swimming,athletes

Trade cards from the set "Champions of Games and Sports" (N184), issued in 1887 by W.S. Kimball & Company. There are two variations of cards in the series. Type 1 displays the W.S. Kimball brand on the card recto and verso. Type 2 only displays the Kimball brand on the card verso. This card is Type 2.
Puzzle Card Number 4, from the Jokes series (N118) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: playing cards

Trade cards from the "Puzzles'" series (N125), issued in a numbered set of 15 cards ca. 1890 by W. Duke Sons & Co. Each card presents a puzzle to be solved on the recto and the answer to another puzzle card from the set.
Card Number 36, Frankie Kemble, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Ewer
Object type: ewer
Materials: glaze, stonepaste
Techniques: luster painting, painting, underglaze
Location: syria

Nineteenth-century antiquarians’ fascination with The Thousand and One Nights and its 9th-century protagonist, Harun al‑Rashid, provoked interest in the Syrian city of Raqqa, where this Abbasid caliph once resided, and in the ceramics unearthed there. These prized objects date to the Ayyubid period, however, not Harun’s time. Recent study confirms that Raqqa was an important ceramics center, especially in the first part of the twelfth century, but other centers produced so‑called Raqqa ware as well.
Pair of Stirrups
Object type: stirrup
Date: 1401 – 1450
Materials: iron
Culture: bohemian or german
Location: czech republic

The purpose of the asymmetrical shape of these stirrups was to better accommodate the foot and to give the rider more comfort and stability. Each is adorned on its external side with pierced gothic ‘windows’ decoration typical of Bohemian ironwork. This type of ornament is also found on the equestrian equipment made in nearby regions, especially Austria and Bavaria.
Village by a River
Object type: painting
Date: 1867 – 1867
Materials: oil, wood
Artist: eugène boudin
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1898
Subjects: villages,rivers,landscapes

Boudin frequently painted landscapes along the coast of Brittany. This view of the village of Le Faou, east of Brest, was probably executed during Boudin's first visit there in 1867.
Zelfopoffering van Jan van Scaffelaar
Object type: print
Date: 1844 – 1846
Materials: paper
Techniques: engraving
Location: netherlands
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: self-sacrifice, death in the service of a higher purpose

Illustratie voor: J.P. Arend, Algemeene geschiedenis des vaderlands, Amsterdam, 5 delen, 1840-1882, dl. 2.3, p. 126. Niet in Frederik Muller; door het RPK toegevoegd nummer.
Studie
Object type: sketchbook leaf
Date: 1880 – 1906
Materials: chalk, paper
Location: netherlands
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923

Pagina 2 uit een schetsboek met 81 bladen.
Portret van paus Urbanus V
Object type: book illustration
Date: 1595 – 1595
Materials: paper
Techniques: engraving, letterpress printing
Location: rome
Subjects: historical persons, pope, armorial bearing, heraldry

Prent uit: Cavalieri, Giovanni Battista de'. Effigies pontificum romanorum cum eorum vitis (...). Rome: Bartolomeo Bonfadino, 1595. Prent voor het eerst verschenen in: Cavalieri, Giovanni Battista de'. Pontificum romanorum effigies (...). Rome: Domenico Basa en Francesco Zanetti, 1580. Prent ook gebruikt in latere publicaties.
Het Kruit-Magazyn te Maastricht Gesprongen den 21 December 1761
Object type: print
Date: 1762 – 1762
Materials: textile
Techniques: etching
Location: northern netherlands
Subjects: gunpowder disaster, maastricht
Inscriptions: collector's mark: Lugt 2228

De ontploffing van het kruitmagazijn te Maastricht op 21 december 1761. Door de explosie worden brokstukken van het gebouw en mensen de lucht in geblazen. Gemerkt bovenaan: In de Mercurius, Maart Eerste Stuk. 1762. Pag. 80.
Fotoreproductie van een schilderij met een monnik die wijn drinkt bij een wijnvat naar Eduard Grützner
Object type: photograph
Date: 1875 – 1875
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: wine-vault, 'cave', monk(s), friar(s)
Glass gold-band mosaic bottle
Object type: bottle, gold band mosaic
Date: 1 – 50
Materials: glass
Culture: roman

Translucent cobalt blue, honey brown, and bluish green, colorless encasing gold leaf, and opaque white (?). Everted, horizontal rim with rounded outer lip; cylindrical neck; sloping shoulder; carinated body with straight side above carination and convex curving side below; slightly concave bottom. Gold-band mosaic pattern formed from a single serpentine length of layered canes formed in the following order: blue, colorless with gold leaf, green, and thin stripes of white; the length is wound three times round body, being fused together across bottom. A single fine horizontal line incised on upper surface of rim near outer edge; a band of two grooves flanking a raised line at junction of shoulder and side; and another band of two grooves flanking a raised line at junction of side and bottom. Intact, except for one weathered chip in rim and two deep weathered chips in side of body; many pinprick bubbles; dulling, pitting, and creamy brown weathering with brilliant iridescence. Rotary grinding marks on exterior.
Vlaerdinge
Object type: print
Date: 1666 – 1698
Materials: paper
Techniques: engraving, etching
Location: rotterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), sailing-ship, sailing-boat, church (exterior), townhall, windmill, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 195

Gezicht op Vlaardingen gezien vanaf het water. Links het stadhuis en rechts daarvan de Grote Kerk. In het water verschillende zeilschepen. Boven in het midden het wapen van de stad en de titel.
Beaver, from Quadrupeds series (N41) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: animals

Large trade cards from the "Quadrupeds" series (N41), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N41 reproduces the cards from N21 in a larger size.
Spaanse cavalerist ontvoert een vrouw
Object type: book illustration
Date: 1867 – 1867
Materials: paper
Techniques: etching
Location: brussels
Subjects: private soldier (+ cavalry, horsemen), man abducting woman
Inscriptions: collector's mark: Lugt 2228

Prent uit: Coster, Charles de. La légende et les aventures héroiques, joyeuses et glorieuses d'Ulenspiegel et de Lamme Goedzak (...). Brussel: s.n., 1867, p. 446.
Stockings
Object type: stocking
Date: 1860 – 1860
Materials: cotton
Culture: swiss
Self-Portrait in Profile
Object type: drawing and watercolor
Materials: graphite, paint, paper, watercolor
Location: england
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Portret van een peuter
Object type: cabinet photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: toddler, historical persons
La Pratique de l'Aiguille, page 51 (recto)
Object type: book print ornament architecture
Date: 1605 – 1605
Techniques: woodcut
Artist: matthias mignerak
Artist role: author
Subjects: ornament

Written by Matthias Mignerak, title page engraved by Pierre Firens, French, born Paris 1641, dedicated to Marie de Medici, Florence 1575-1642 Cologne, published by Jean Le Clerc, Paris. From top to bottom, and left to right: Design is printed upon a grid and is decorated in the center with 2 squares that are ornamented with a different floral and foliage motif. The squares are framed on the left and right by borders with diverse foliage patterns.
Paris. Chapelle du Val-de Grâce, le Maître-Autel
Object type: photomechanical print
Date: 1904 – 1906
Materials: cardboard
Techniques: photograph
Location: paris
Artist: Anonymous
Subjects: interior of church, altar, paris
Studieblad met vier mannen te paard en een op een steen
Object type: drawing
Date: 1606 – 1674
Materials: paint, ink, paper
Techniques: brush, pen
Artist: leonaert bramer
Artist role: draughtsman, painter, print maker
Artist dates: 1596 – 1674
Subjects: riding a horse, ass, or mule; rider, horseman, sitting figure

In twee rijen zijn vijf studies getekend van vier mannen te paard, bovenaan twee naar elkaar toegewend en onderaan beiden naar links, waartussen en vijfde studie van een man die op een steen zit en zijn sabel trekt.
The Sacrifice of Iphigenia
Object type: painting
Date: 1789 – 1789
Materials: canvas, oil
Artist: gaetano gandolfi
Artist role: artist
Artist nationality: italian
Artist dates: 1734 – 1802
Subjects: putti,diana,deer

Using many of the Tiepolos’ compositional innovations, Gandolfi’s painting presents a story related by the ancient Greek playwright Euripides. Agamemnon’s daughter is about to be sacrificed to appease the goddess Artemis, who at the climactic moment appears and substitutes a deer on the altar. Daring foreshortening results in an unlikely compression of the figures and a suitably theatrical structure. This oil sketch was preparatory to a ceiling in the Palazzo Gnudi Scagliarini in Bologna. The frame designed for this painting was probably inspired by the plasterwork of the palace for which it was commissioned.
Bamboo
Object type: furniture
Date: 1801 – 1833
Materials: gold leaf, ink, panel, paper
Location: japan
Artist: kishi ganku
Artist role: artist
Artist nationality: japanese
Artist dates: 1749 – 1838
Valentine
Object type: valentine
Date: 1850 – 1870
Materials: lace, paper
Techniques: chromolithography, embossing, open work
Artist: esther howland
Artist role: artist
Artist nationality: american
Artist dates: 1828 – 1904
Fotoreproductie van (vermoedelijk) een prent naar een schilderij van Tom Faed
Object type: carte de visite
Date: 1860 – 1890
Materials: cardboard, paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: interior of the house
Inscriptions: number: ‘55’, inscription: ‘Home and the homeless’

Onderdeel van Fotoalbum met 36 opnames van Europese landen.
Zeilschip nabij een dorp
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: etching
Location: netherlands
Artist: gijsbertus johannes verspuy
Artist role: print maker
Artist dates: 1823 – 1862
Subjects: sailing-ship, sailing-boat, river, windmill in landscape, parts of church exterior and annexes: tower
Inscriptions: collector's mark: Lugt 2228

Een zeilschip op een rivier met op de rechteroever een dorp. In de verte een molen.
Marie Antoinette: ein Lebensbild in Briefen von eigener Hand
Object type: book
Date: 1865 – 1875
Materials: cardboard, paper, textile
Techniques: albumen print, letterpress printing
Location: berlin
Inscriptions: number: ‘204’, inscription: ‘25,-/ 3.2836/ medaillon on title in photography/ (c. 1875)’