deem-data/ArtiFact huggingface dataset:
Schilderij met voorstelling van een vrouw met sluier
Object type: miniature
Date: 1850 – 1899
Materials: alloy, glass, gold, gouache, ivory, lead, paper, tin
Location: unknown
Artist: Anonymous

Schilderij met voorstelling van een vrouw met sluier, miniatuur op ivoor. De vrouw is afgebeeld in profiel, naar links kijkend, gekleed in een zwarte jurk met witte omslagdoek, afgezet met kant en een doorzichtige sluier met kant gedrapeerd over hoog opgestoken donker haar. Gevat in een ovale lijst van metaal in neo-klassicistische stijl met parel- en ribbelrand, bekroond door een strik.
Vuurtoren in Sint-Petersburg
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-petersburg
Subjects: lighthouse, lightship
Inscriptions: name: ‘ST. PETERSBURG. Verlag von E. Linde's Depôt in Berlin’, inscription: ‘Phare de St Petersbourg’, name: ‘A. FELISCH. S. PETERSBOURG 42. GRANDEMORSKOY.’
Summer Jacket Court
Object type: jacket, court, summer
Date: 1701 – 1733
Materials: metal thread, silk
Culture: chinese
Subjects: dragons
Boutonnier, en Métal
Object type: book illustration
Date: 1751 – 1772
Materials: paper
Techniques: engraving, letterpress printing
Artist: prevost
Artist role: print maker
Subjects: button (+ other materials used for clothes), fashion plates

Over het maken van metalen knopen: Bovenaan gezicht in werkplaats; daaronder verschillend soort gereedschap en voorbeelden van knopen. Uit Encyclopédie ou dictionnaire raisonné des sciences, des arts et des métiers door Denis Diderot en Jean Le Rond d'Alembert, Parijs, 1751-1772.
Watch Hill, Rhode Island, from the Surf Beauties series (N232), issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: women,sports

Trade cards from the "Surf Beauties" series (N232), issued in 1889 to promote Kinney Tobacco Company.
Die Retouche der Photographie
Object type: book
Date: 1890 – 1890
Materials: cardboard, linen, paper
Techniques: photograph, printing
Location: halle an der saale
Im Hafen von Pola
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: santa pola
Subjects: harbour
Inscriptions: collector's mark: ‘Art[h]. FA[B]BRI/ Eigentum No.’, number: ‘36.’
Long Shawl
Object type: textile
Date: 1840 – 1845
Materials: cotton, silk, thread, wool
Techniques: bookbinding, dyeing, jacquard, patterning, weave
Location: europe
Portret van Johann Gottwerth Müller
Object type: print
Date: 1783 – 1828
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2233
Fragmenten van een kruithoorn uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: powder horn
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Powderhorn, nozzle; fragm, id. NG 1979-52/53H636, squashed, eroded.
Jacket
Object type: jacket
Date: 1867 – 1900
Materials: glass, metal, wool
Mitts
Object type: mitt
Date: 1876 – 1900
Materials: glass, metal, silk
Culture: american or european
Bloeimaand
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: etching
Location: haarlem
Subjects: may and its 'labours' (+ with scenes showing human occupations ~ seasons and months), village street, (farm) wagon, freight wagon, cart
Inscriptions: signature and date: ‘r.o.: I. de Wit Jz. fc; l.o.: J. Cats del.’, inscription: ‘m.o.: BLOEIMAAND’, collector's mark: Lugt 2228

Gezicht in een dorp met een verhuizing. De meubels en kisten worden van een kar met twee paarden ervoor geladen en een huis binnengedragen. Op de voorgrond een man met mand op de rug.
Tripod censer
Object type: censer
Date: 1734 – 1766
Materials: glass
Culture: chinese

The intense marbleized orange color of this incense burner successfully imitates realgar, an arsenic sulfide mineral used in Chinese traditional medicine. This mineral has long been understood as an antidote to various venoms and as a substance with the ability to ward off evil. By evoking realgar, this vessel would have been thought to be imbued with additional power, making it a highly appreciated item on a scholar’s desk.
Vrouw met lang haar
Object type: print
Date: 1665 – 1738
Materials: paper
Techniques: etching
Location: netherlands
Artist: carel de moor (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1655 – 1738
Subjects: adult woman, eyes closed
Inscriptions: collector's mark: Lugt 240

Een vrouw met neergeslagen ogen. Over haar rechterschouder hangt een haarlok.
Joseph Charles Roettiers
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: engraving, etching
Subjects: paris, joseph charles roëttiers, portrait, self-portrait of sculptor, historical persons
Inscriptions: date
Fragmentary Tile from a Foundation Deposit (?)
Object type: tile fragment
Date: 1550 – 1295
Materials: faience
Location: northern upper egypt
Tafellaken van linnendamast met voorstelling Vrede Versailles, gedateerd 1919
Object type: tablecloth
Date: 1919 – 1919
Materials: linen
Techniques: damask, weave
Artist: Anonymous
Inscriptions: date

Tafellaken van linnendamast met de vrede van Versailles. De stijl is overgang Jugendstil-Art Deco. Het laken is gedateerd: 1919.
Pauluskerk te Baarn
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Location: baarn
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Baarn’, annotation: ‘Baarn/ N.H. Kerk’
J Tideman Remonstr. prof Amsterdam
Object type: carte de visite
Date: 1860 – 1887
Materials: paper
Techniques: albumen print
Location: unknown
Artist: Anonymous
Subjects: historical persons (portraits and scenes from the life)
Inscriptions: name: ‘J Tideman Remonstr. prof Amsterdam’
Horse blinker carved in relief with a wedjat eye
Object type: horse blinker
Date: 800 – 701
Materials: ivory
Culture: assyrian
Location: mesopotamia
Subjects: eyes

This fragmentary, spade-shaped piece is carved in relief with a stylized eye. It was found in a large storeroom at Fort Shalmaneser, a royal building at Nimrud that was probably used to store booty and tribute collected by the Assyrians while on military campaign. Originally bordered by a thin, raised strip of ivory, fragments of which are preserved along the upper and lower edges, the piece is broken at the flaring handle and the upper edge is abraded. The thick eyebrow is intricately woven into a braid and the eyelids are incised with short lines indicating the eyelashes. A tendril ornamented with two droplets curls under the eye. Certain details including the iris and pupil may have been added with paint that did not survive. In Egyptian art, the image of an eye with the curling tendril of a Horus falcon’s cheek is known as the wedjat. Egyptian features frequently appear on Phoenician style ivories such as this one. Originally, this piece was probably used as a blinker to protect a horse’s right eye. Two drilled holes perforate the ivory at the upper and lower points of the blade, suggesting that it was fastened to another material, perhaps a textile or leather backing that has disintegrated. Although horses wearing equestrian bridle-harness ornaments are shown in Neo-Assyrian palace reliefs, it is not possible to know whether the ornaments in the reliefs were meant to represent work in ivory or in more durable materials such as bronze or iron. Ivory pieces like this one may have been used ceremonially, as votive dedications or as processional regalia, rather than in battle. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
Studie
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: architecture

Mogelijk een weg met het silhouet van een gebouw. Pagina 25 uit een schetsboek met 58 bladen.
Scarf
Object type: scarf
Date: 1700 – 1945
Culture: american or european
Two gutti from a group of fragments from the Temple of Apollo at Phigaleia (Bassae)
Object type: gutti, two
Date: 500 – 401
Materials: marble
Culture: greek, arcadian

From a group of fragments from the Temple of Apollo at Phigaleia.
Livre d' Architecture contenant plusieurs beaux ornementz (...)
Object type: ornament print
Date: 1622 – 1622
Materials: paper
Techniques: etching
Location: germany

Hoofdgestellen met fantasiedecoraties. Blad H uit tweede editie van serie, bestaande uit 24 bladen.
Vouwwaaier met blad van Brussels naaldkant op een montuur van parelmoer voorzien van 'métal en quatre couleurs'
Object type: vouwwaaier
Date: 1865 – 1875
Materials: copper, ivory, mother of pearl
Techniques: cutting, embroidered
Location: new york city

Parelmoer montuur met 18 niet aaneengesloten benen met Rococo ornamenten in "quatre couleurs" ingelegd. De staken van het steundeel zijn van gesneden ivoor. In de buitenbenen met één cartouche met servetwerk. Blad van Brussels naaldkant (point a l'aiguille de Bruxelles of point de gaze de Bruxelles) met bloemen en bladeren. Koperen waaierring en sluitpin.
Purse
Object type: purse
Date: 1810 – 1820
Materials: cotton, glass, silk
Culture: dutch
Milk Jug (from a tea service)
Object type: ceramic
Date: 1770 – 1770
Materials: ceramic, enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Location: sèvres
Artist: sèvres porcelain manufactory
Sculpture
Object type: sculpture
Date: 1001 – 1200
Materials: earthenware
Techniques: molding
Location: iran
Virgin and Child
Object type: statuette
Date: 1350 – 1350
Materials: marble
Techniques: gilding
Culture: french
Location: france

The Virgin is shown with a crown and scepter as the Queen of Heaven. Her scepter, depicted as a rose branch, alludes to the homily of the Virgin as the rose without thorns (or without sin) or as the rose of Jericho that sprang up at the resting places of the Holy Family during the Flight into Egypt. The dove held by the Christ Child represents peace, purity and the Holy Spirit. This work, with its elegant proportions and horizontal, looping drapery folds, is related in style to a large sculpture of the Virgin and Child given to the abbey of St.-Denis in 1340 by Jeanne d'Evreux, the widowed queen of Charles IV. Her tiny book of hours can be found in The Cloisters Treasury.
Landschap met molens, vee en een huis tussen de bomen
Object type: sketchbook leaf
Date: 1809 – 1864
Materials: ink, paper, pencil
Techniques: brush
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: landscapes, cattle, rural housing, e.g. country-house, villa, cottage, windmill in landscape
Inscriptions: date and inscription: ‘1864/ 10/9 Berg met/ [...]onen.’

Blad 57 verso en 58 recto uit een schetsboek met 98 bladen.
Zwemmende naakte vrouwen
Object type: drawing
Date: 1891 – 1941
Materials: ink, paper, pencil
Techniques: pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: swimming (movement in water) - aa - female human figure (+ nude human being)
Inscriptions: watermark: ‘GW/ PAPIER/ 1671’, :, collector's mark: Lugt 2228
Huis met luiken, mogelijk een buitenhuis
Object type: sketchbook leaf
Date: 1885 – 1931
Materials: chalk, paper
Location: lage vuursche
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: window shutters on the outside, rural housing, e.g. country-house, villa, cottage

Mogelijk een huis op het landgoed Ewijckshoeve. Blad 5 recto uit een schetsboek met 28 bladen.
A Napoleonic dignitary
Object type: statuette
Date: 1810 – 1810
Materials: terracotta
Subjects: men

This statuette is of Napoleonic dignitary, French in origin.
Pendant for Horse Trappings
Object type: pendant for horse trapping
Date: 1401 – 1500
Materials: copper alloy, enamel, gold
Culture: spanish
Location: spain
Subjects: coat of arms

The decoration of this and similar pendants in the Metropolitan Museum's collection (04.3.305, .326, .365, .384, .429, .437) includes heraldic arms, mottoes, and religious expressions. Originally, they were attached to the straps of a horse's bridle, reins, crupper, or saddle.
Terracotta fragments of a bowl
Object type: fragment of a bowl
Date: 600 – 301
Materials: terracotta
Culture: unknown fabric

Black glazed fragment of a bowl, with part of the foot; the outer edge of the foot is glazed; the resting surface is unglazed; the top of the inner wall of the foot is glazed; towards the bottom, a band of miltos; the underside of the bowl has miltos; there are three smaller fragments, one is a rim fragment, and the two others are from the wall of the bowl
Gezicht op de tuinen bij het Huis ter Nieuburch in Rijswijk, 1697
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: garden, palace

Gezicht op de tuinen bij het Huis ter Nieuburch in Rijswijk. In het onderschrift de twee titels in het Frans en Nederlands. Onderdeel (prent 16) van de serie van zestien kleinere prenten over het Huis ter Nieuburch in Rijswijk en de daar gehouden vredesonderhandelingen resulterend in de Vrede van Rijswijk gesloten op 20 september 1697.
Vase
Object type: vase
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states
Subjects: grapes,flowers

Named in reference to the ancient marble quarry on the Greek island of Parros, parian has a higher proportion of feldspar than conventional porcelain, resulting in a vitrified biscuit body that resembles white statuary marble. Stylish and affordable, parian statuary and hollowware were extremely popular household ornaments in the mid-nineteenth century. This vase (one of a pair, 47.90.34) was likely made by the United States Pottery Company, which exhibited parian to great acclaim at the 1853 New York Crystal Palace Exhibition in New York.
April (Aprills)
Object type: print
Date: 1628 – 1629
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: human figures,buildings,horses,trees
Border
Object type: textile
Date: 1575 – 1625
Materials: textile, linen
Techniques: treatment, embroidery, embroidered, stitching
Location: italy
Plate with an image of Aurora and the coat of arms of the Humbertson family
Object type: plate dish
Date: 1750 – 1774
Materials: glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: label: ‘9/ Aurora/ N.[?] Wattkins [...]’, label: ‘F. Bodenham/ Elmhurst, Hereford/ 71’

Bord op een voetring, gedecoreerd in encre de Chine en goud. Centraal een mythologische voorstelling, rondom een fleur de lys-rand. Op de rand drie plukken bloemen en bovenaan een wapen van de familie Humbertson.

Deze mooi uitgevoerde voorstelling is die van de ‘stralende’ Apollo, god van het goede en het schone, hij handhaaft recht en orde, desnoods met straffe hand. Hij is tevens god van de wijsheid, het licht, de muziek en poëzie, én een orakelgod, die de wil van de goden openbaart. Op deze voorstelling is Apollo als zonnengod afgebeeld. Hij staat in een wagen, getrokken door twee gevleugelde paarden; rondom wolken. Op de achtergrond het stralende licht.
Vase
Object type: glass
Date: 1900 – 1900
Materials: glass
Location: austria
Fall of the Giants
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Artist: anonymous, italian, roman-bolognese, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Succes in de strijd tegen Spanje
Object type: jeton
Date: 1578 – 1578
Materials: copper
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: tachtigjarige oorlog

Koperen penning. Voorzijde: Goliath met speer in volle wapenrusting en David met zijn slinger binnen omschrift. Keerzijde: Nederlandse leeuw bespringt Spaans everzwijn boven jaartal binnen omschrift
Huizen op het duin bij Scheveningen
Object type: sketchbook leaf
Date: 1873 – 1873
Materials: chalk, paper
Techniques: brush
Location: scheveningen
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: dunes (sea not visible); in the dunes, cottage

Blad 17 recto uit een schetsboek met 39 bladen.
Key
Object type: key
Date: 1301 – 1400
Materials: copper alloy
Culture: german

The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or coffrets and other types of storage chests was a result of the increasing urbanization of life and the new emphasis on material wealth and private ownership which developed in the late Middle Ages.
Fotoreproductie van een gravure van De Kruisdraging door Paulus Pontius, naar het schilderij door Peter Paul Rubens
Object type: page
Date: 1853 – 1858
Materials: photographic support
Techniques: albumen print
Location: brussels
Subjects: carrying of the cross: christ bearing the cross, alone or with the help of others (e.g. simon the cyrenian)
Inscriptions: number: ‘Vol. 1er. No 27.’
Portret van Christiaan Lodewijk van Brunswijk-Lüneburg
Object type: print
Date: 1642 – 1686
Materials: paper
Techniques: engraving
Artist: peter aubry (iii)
Artist role: print maker, publisher
Artist dates: 1610 – 1686
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2282, watermark:
Pair of Earrings (with 16.10.311)
Object type: earring, pennanular
Date: 1635 – 1458
Materials: bronze, copper alloy, gold foil
Location: egypt
Kop, veelkleurig beschilderd met bloemboeketten.
Object type: eating drinking utensil
Date: 1800 – 1800
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: mark: ‘3’, factory mark

Lage kop met oor, van beschilderd porselein. De kop is beschilderd met bloemboeketten en langs de rand een brede strook met strepen in goud op een rose fond, steeds afgezet met een rocaille-ornament in goud. De kop is gemerkt.
[Nude with Mirror]
Object type: photograph
Date: 1850 – 1850
Techniques: daguerreotype
Artist: Anonymous
Artist role: artist
Subjects: female nudes,mirrors

Censors have long struggled to keep pace with evolving technology and expanding distribution networks of photographic erotica. In nineteenth-century France, government officials regularly seized thousands of photographs similar to the daguerreotype displayed here, which were deemed lewd. Male nudity has frequently been subject to stricter control than pornography featuring women. The Arcadian photographs of Plüshow and his cousin and student Wilhelm von Gloeden were avidly collected in the late nineteenth century, but in the 1930s many of their prints and negatives, considered deviant by the Italian Fascist government, were destroyed. For much of the twentieth century, it was illegal in the United States to mail photographs that might be judged prurient, forcing photographers to mask genitalia and pubic hair with strategic props or with overpainting that could be easily removed by purchasers. Sale of erotic male physique magazines and bodybuilder pin-ups, ostensibly circulated to promote fitness, was legalized in a 1962 Supreme Court ruling, which concluded that "portrayals of the male nude cannot fairly be regarded as more objectionable than many portrayals of the female nude that society tolerates."
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1701 – 1800
Materials: copper, gold alloy, gold, silver
Culture: japanese
Location: japan
Subjects: birds
Begraeffenisse van Syne Hoogheyt Frederick Henrick, by der Gratien Gods Prince van Orange, Grave van Nassau &c
Object type: print
Date: 1647 – 1651
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: delft, the hague, frederick henry (prince of orange), cortege, funeral procession
Inscriptions: collector's mark

De begrafenisstoet van stadhouder Frederik Hendrik te 's-Gravenhage op 10 mei 1647. Plaat nr. 25 met een deel van de stoet met leden van de Staten-Generaal, boven de personen staat hun functie. Onderdeel van een serie van 30 platen en 20 tekstbladen, bedoeld om aan elkaar geplakt te worden.
Imagerie Artistique / Série 3
Object type: popular print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Subjects: correction of naughty children, mocking, insulting; teasing, tales and fairy tales, teasing (children's games and plays)
Inscriptions: collector's mark: Lugt 2760

Blad met 10 voorstellingen over de wraak van een zwarte man. Onder elke voorstelling een onderschrift. Genummerd linksboven: Série 3. - No. 15.
Old-Time Spinner in Southern Cotton Mill
Object type: photograph
Date: 1910 – 1910
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: lewis wickes hine
Artist role: fotograaf
Artist nationality: american
Artist dates: 1874 – 1940
Subjects: collected by hugh edwards, documentary
Spoorbaan bij Duinenberg
Object type: album leaf
Date: 1890 – 1894
Materials: paper
Techniques: collodion silver print
Location: velsen
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: railway, train

Foto 2 op albumblad 20 uit album "Amsterdam 1890-1894".
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1801 – 1900
Materials: copper
Culture: japanese
Location: japan
Subjects: dragons,horses,monkeys,rabbits,snakes
Utrecht, Hendrik van Vianden, penning
Object type: coin
Date: 1250 – 1267
Materials: silver
Techniques: striking
Location: deventer
Artist: hendrik i van vianden
Artist role: bisschop
Artist dates:  – 1267

Zilveren munt. Voorzijde: portret van de bisschop van voren met mijter met in rechterhand bisschopsstaf, in linkerhand boek. Keerzijde: lang dubbellijnig kruis, in hoeken P,A,X en sterretje.
Pavilion of the Hovering Rainbow Bridge
Object type: handscroll
Date: 1501 – 1600
Materials: ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: bridges,rivers,landscapes,boats
Self-Portrait in a Dark Cloth Coat and Self-Portrait in a Fur-Collared Coat
Object type: print
Date: 1817 – 1817
Materials: paper, stone
Techniques: lithograph
Location: france
Artist: jean antoine laurent
Artist nationality: french
Artist dates: 1763 – 1832
Subjects: portraits