deem-data/ArtiFact huggingface dataset:
Inwoners van het Kampereiland
Object type: sketchbook leaf
Date: 1875 – 1875
Materials: ink, paper, pencil
Techniques: pen
Location: kampereiland
Artist: george clausen
Artist role: draughtsman
Artist dates: 1852 – 1912
Subjects: head (human), folk costume, regional costume
Inscriptions: annotation: ‘Eiland Kampen’

Blad 10 verso uit een schetsboek met 38 bladen.
Pair of pilasters from an armoire
Object type: armoire pilaster
Date: 1667 – 1733
Materials: wood
Half a Double Saddle Bag (Khorjin)
Object type: saddle bag
Date: 1875 – 1875
Materials: wool
Techniques: asymmetrically knotted pile, slit, tapestry, weave
Location: iran

Dense pile makes up the composition, with a central lozenge, geometric patterns, and floral rosettes. A few stylized birds almost blend into the ornamental motifs. As is typical of tribal bags, the closure is made with loops on the back that are inserted and interlaced through slits on the front. The two narrow horizontal strips with repeating lozenges in a checkerboard pattern, woven in complementary weft weave in blue and white, are a distinct feature of Qashqa’i weavings.
Figure of a sultana
Object type: figure
Date: 1768 – 1775
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, vitrification
Location: fulda
Inscriptions: mark: ‘kruis’

A sultan and sultana. Porcelain. Fulda, c. 1768 - 1775.
Landscape in the Mist
Object type: print
Date: 1834 – 1866
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa kunisada
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1864
Subjects: mountains,landscapes,streams

One of a series of eleven prints on the theme of atmospheric phenomena such as mist and rain, this picture demonstrates how Kunisada has freed himself from the constraints of the conventional genre of illustrations of "famous places". Though the distant profile of Mt. Fuji is a vestige of that tradition, the picture demonstrates a sophisticated new sensitivity to landscape which appeared in prints of the late Edo Period.
Charles Sumner
Object type: painting
Date: 1875 – 1875
Materials: canvas, oil
Culture: american
Artist: william morris hunt
Artist role: artist
Artist nationality: american
Artist dates: 1824 – 1879
Subjects: men,portraits,profiles
Fontaneldoek met een strook Rijsselse kant, met rechte picotrand en enkele moesjes
Object type: fontaneldoek
Date: 1785 – 1800
Materials: linen
Techniques: lace
Location: europe
Artist: Anonymous

Fontaneldoekje met een strook Rijsselse kant, met rechte picotrand en enkele moesjes.
Portret van Friedrich von Hotze
Object type: print
Date: 1799 – 1801
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons

Prent gebruikt in: Revolutions-Almanach von 1801. Göttingen: Dieterichsche Buchhandlung, 1801.
François de Neufchateau
Object type: print
Date: 1828 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Amulet of a Lion-Headed Cobra
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: goddesses, cobras, lions

With the body of a rearing cobra and the head of a ferocious lion, this faience amulet is small but mighty. During the mummification process, amulets like this one were folded into the linen wrappings of a body to protect the deceased.

Such objects often depicted gods and goddesses in their human, animal, or mixed forms. This amulet likely represents a goddess—either Sekhmet or Wadjet—but because the image is not inscribed with a name, her identity remains uncertain. Sekhmet typically is depicted as a lioness or lion-headed woman, while Wadjet appears in the form of a cobra. In Egyptian mythology, Sekhmet and Wadjet both acted as the Eye of Re—the daughter of the sun god, Re, who also served as his protector. In the fearsome mixed form shown here, they would embody protection and power. The lion-headed cobra form could be an allusion to the uraeus, a hooded cobra worn on the crowns of royalty and deities for protection. Though the amulet’s color has mostly worn away, the original dark blue is visible on the underside.
Ceramic Fragment
Object type: ceramic fragment
Date: 1301 – 1400
Materials: glaze, stonepaste
Techniques: painting, polychrome
Location: egypt or syria
Relief with two foreigners
Object type: talatat, foreigner
Date: 1353 – 1336
Materials: limestone, paint
Subjects: feet
Portret van een jongen
Object type: album leaf
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: james u. stead
Artist role: fotograaf
Subjects: historical persons, girl (child between toddler and youth)
Inscriptions: name: ‘Jas. U. Stead, 383 6th Ave. New York.’
Tuin in Laren
Object type: print
Date: 1897 – 1897
Materials: cardboard
Techniques: lithograph
Artist: simon moulijn
Artist role: draughtsman, print maker
Artist dates: 1866 – 1948
Subjects: garden, farm or solitary house in landscape, plants and herbs: bean
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond twee bomen; erachter een rij stokbonen. Op de achtergrond is een boerderij zichtbaar.
Fox and stork in a group
Object type: toy
Date: 1753 – 1758
Materials: soft paste porcelain
Artist: chelsea porcelain manufactory
Artist role: factory
Artist nationality: british
Artist dates: 1744 – 1784
Subjects: birds,foxes
Mevrouw
Object type: design
Date: 1893 – 1893
Materials: ink, paper
Techniques: pen
Artist: alfred ronner
Artist role: draughtsman
Artist dates: 1852 – 1901
Subjects: (reiger, a.f.j., vluchtige schetsen uit het volksleven) specific works of literature (with author, title), kitchen-maid, kitchen servant

Illustratie voor 'Vluchtige Schetsen uit het Volksleven' door A.F.J. Reiger. Ontwerp voor een prent.
Miss Boulard, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Dorps- en stadsgezichten te Kleef
Object type: print
Date: 1760 – 1760
Materials: paper
Techniques: etching
Subjects: landscape with tower or castle, cleves
Inscriptions: collector's mark: Lugt 240

Twee voorstellingen van één plaat. Gezicht op Kasteel Eyll (boven) en Kasteel Ossenbroek (onder) bij Kleef, Duitsland. De prent maakt deel uit van een 100-delige serie met gezichten op dorpen en steden te Kleef.
Zwarte strik
Object type: menswear
Date: 1920 – 1980
Materials: textile
Techniques: weave
Location: europe
Artist: Anonymous
Inscriptions: label: ‘Paul Emy’

Zwarte strik met aan de binnenzijde een label.
Gezicht op slot Tidö, ook vanuit het zuiden
Object type: print
Date: 1702 – 1702
Materials: paper
Techniques: etching
Location: stockholm
Subjects: war and peace
Inscriptions: date

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
De fluitspeler
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: mezzotint
Location: amsterdam
Artist: abraham bloteling
Artist role: draughtsman, print maker, publisher
Artist dates: 1640 – 1690
Subjects: one person playing wind instrument
Inscriptions: collector's mark: Lugt 240

Een man, in profiel, bespeelt een fluit.
Game Box for Playing Senet and Twenty Squares
Object type: game box, senet, gazelle, hound, lion
Date: 1635 – 1458
Materials: copper alloy, ivory, wood
Location: egypt
Subjects: games
Voorovergebogen aardappelrooister met een mand en zak
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: etching, intaglio
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: harvest, farmers - aa - female farmer, farmer's wife, potatoes
Inscriptions: collector's mark: Lugt 2228, inscription: ‘3e staat’, signature: ‘Witsen’
Aër
Object type: print
Date: 1640 – 1655
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: air (one of the four elements), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Vliegende putti in de lucht. Prent uit een serie van de vier elementen.
Prinsdom Chateau-Renaud, Francois de Bourbon, liard, 1613
Object type: coin
Date: 1613 – 1613
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: portret van de prins naar rechts. In afsnede jaartal. Keerzijde: gekroond wapenschild.
Shawl
Object type: costume and accessory
Date: 1810 – 1815
Materials: silk, wool
Techniques: brocade, weave
Location: england
Zalig wie zuiver van hart zijn
Object type: print
Date: 1564 – 1568
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: blessed are the pure in heart, the annunciation: mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation) - aa - mary to the left, the angel to the right
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De engel Gabriël kondigt aan Maria aan dat ze zwanger zal worden. Maria zit geknield bij een bed, waarop een opengeslagen boek ligt. De Heilige Geest daalt als een duif neer. Op de achtergrond hakt Jozef hout. Prent maakt deel uit van een serie over de acht zaligsprekingen van Christus en illustreert de zaligspreking: Zalig wie zuiver van hart zijn. In de rechter benedenhoek deze tekst uit Mat. 5:8 in het Latijn. Onderaan in de marge een vers in het Latijn over de zaligspreking en de voorstelling.
Amphora
Object type: amphora
Date: 750 – 600
Materials: terracotta
Culture: cypriot

Groups of broad and narrow bands.
De agter vyver van Rozendael van boven te zien uyt het kabinet naer t Huys
Object type: book illustration
Date: 1718 – 1718
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: castle, garden fountain, french or architectonic garden; formal garden, garden pond
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Outrein, Johannes d’. Wegwyser door de heerlykheid Roosendaal ofte, de Roosendaalsche vermakelykheden. 3e druk. Amsterdam: Gerard van Keulen, 1718.
De maaltijd
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: etching
Location: paris
Artist: nils gustav wentzel
Artist role: print maker
Artist dates: 1859 – 1927
Subjects: (family) meal
Inscriptions: collector's mark: Lugt 2228

Interieur met een gezin aan de maaltijd.
Marie. Léon, Louis. 23 ans, né le 19/8/70 à Adouzeval (Calvados). Couvreur. Anarchiste. 16/3/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Strooipenning bij de inhuldiging van Koning Willem III te Amsterdam 1849
Object type: history medal
Date: 1849 – 1849
Materials: bronze
Techniques: striking
Location: utrecht
Artist: johannis petrus schouberg
Artist role: die cutter, draughtsman, print maker
Artist dates: 1798 – 1864

Bronzen penning, op de voorzijde het boek der grondwet op gekruisd zwaard en scepter onder een kroon tussen een samengestrikte eiken- en lauwertak, op de keerzijde vier regels tekst binnen een lauwerdiadeem, met omschrift.
Toef struisveren in gemeleerd geel en grijs
Object type: womenswear
Date: 1880 – 1925
Materials: metal
Techniques: painting
Location: western europe
Artist: Anonymous

Toef struisveren in gemeleerd geel en grijs.
Bowl
Object type: bowl
Date: 1835 – 1835
Materials: earthenware
Techniques: glazing
Culture: mexican
Location: mexico
The Nativity
Object type: print
Date: 1530 – 1573
Techniques: etching
Artist: geoffroy dumoûtier
Artist role: artist
Artist nationality: french
Artist dates: 1530 – 1578
Subjects: nativity
Coin Portraying Emperor Constantius II
Object type: coin
Date: 351 – 354
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: D N CONSTANTIVS P  F AVG
Reverse: FEL TEMP REPARTIO
In exergue: SNK 
In field: l, II

The front (obverse) of this coin portrays the emperor Constantius II, facing right.

The back (reverse) depicts a combat scene.
The taking of the Golden Apples, from Perseus and the Golden Apples
Object type: print
Date: 1570 – 1615
Techniques: engraving
Artist: cherubino alberti (zaccaria mattia)
Artist role: artist
Artist nationality: italian
Artist dates: 1553 – 1615
Subjects: apples,female nudes,perseus
Women of Algiers
Object type: print
Date: 1833 – 1833
Techniques: lithograph
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: women
Portret van Aleksandr Soevorov
Object type: print
Date: 1798 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: commander-in-chief, general, marshal, historical persons
Anomæpus major
Object type: photograph
Date: 1858 – 1863
Materials: photographic support
Techniques: albumen print
Location: amherst
Artist: j.l. lovell
Artist role: fotograaf
Subjects: foot-print, track
Inscriptions: number: ‘Plate XIX.’
Vrouwen in klederdracht op een markt, met manden en een juk
Object type: photograph
Date: 1920 – 1940
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: george hidderley
Artist role: fotograaf
Subjects: historical persons, folk costume, regional costume, market
Willem V, prins van Oranje-Nassau
Object type: insignia
Date: 1787 – 1795
Materials: silver
Techniques: embroidery, striking
Location: netherlands
Artist: Anonymous
Subjects: the hague, william v (prince of orange)

Eenzijdig zilveren ovaal opengewerkt draagteken. Voorzijde: borststuk man binnen parelrand. Keerzijde: blanco
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: copper, iron
Culture: japanese
Location: japan
Subjects: gourds
Rokitno, from the Dancing Girls of the World series (N185) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women

Trade cards from the "Dancing Girls of the World" series (N185), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
View of the Gardens of a Palace
Object type: drawing
Date: 1534 – 1633
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: lodewijk toeput (called pozzoserrato)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1550 – 1603
Subjects: fountains,palaces,gardens,boats
Water Bottle
Object type: water bottle
Date: 1720 – 1750
Materials: stoneware
Culture: british
Location: england
Petticoat
Object type: petticoat
Date: 1701 – 1800
Materials: silk
Culture: american
Valentine - Mechanical - romantic symbolism
Object type: valentine
Date: 1875 – 1875
Techniques: chromolithography, cutting
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: boys,girls,flowers,angels
A Brook in the Forest
Object type: painting
Date: 1868 – 1877
Materials: canvas, oil
Artist: gustave courbet
Artist role: artist
Artist nationality: french
Artist dates: 1819 – 1877
Subjects: forests,landscapes,streams
Monument voor Paus Clemens XI
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: etching
Location: vatican city
Subjects: clemens xi, temperance, 'temperantia'; 'temperanza' (ripa) ~ one of the four cardinal virtues, justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, monument, statue
Inscriptions: collector's mark: Lugt 2228

Monument voor Paus Clemens XI met zijn wapenschild, geflankeerd door Rechtsvaardigheid (Justitia) en Voorzichtigheid (Temperantia). Boven twee putti die een tiara en twee sleutels dragen.
Les dernieres
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: pierre-louis pierson
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1913
Subjects: portraits,women
Ablatsch van de krijttekening op blad 18A
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper
Techniques: printmaking
Location: london
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Pagina 21 en pagina 22 uit schetsboek XXXV met 36 pagina's.
Abreissung des Navarrischen Legers vor Amiens
Object type: print
Date: 1597 – 1612
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: paris, hendrik iv (koning van frankrijk en navarra), siege, position war

Beleg van Amiens door het leger van koning Hendrik IV, 3 april 1597. Gezicht op de stellingen van de belegeraars, boven de ommuurde stad. Met onderschrift van 8 regels in het Duits. Ongenummerd.
Sārindā
Object type: sārindā
Date: 1801 – 1900
Materials: wood
Culture: indian
Location: india
Saucer with two figures in a water landscape and a flowering tree
Object type: kop en schotel, kop en schotel
Date: 1700 – 1724
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Schotel van porselein met rechte wand, beschilderd op het glazuur in rood, zwart en goud. Op het plat van de schotel twee personen naast een bloeiende boom en een hek in een rivierlandschap; de rand met krulwerk. Melk en bloed.
Étude de nuages
Object type: photograph
Date: 1856 – 1857
Materials: glass
Techniques: albumen silver print
Artist: gustave le gray
Artist role: artist
Artist nationality: french
Artist dates: 1820 – 1884

Le Gray’s majestic marine views created an international sensation when they were first exhibited in London and Paris. At a time when camera exposures often lasted for several seconds, viewers were amazed by Le Gray’s ability to freeze the motion of breaking waves, and the perfectly backlit clouds drifting above reinforced the feeling of spontaneity. That the clouds and waves were printed from two separate negatives remained the artist’s secret during his lifetime. Although Le Gray never publicly acknowledged his method, he did leave some inadvertent clues in the pictures themselves. Here, the same dramatic cloud formation floats above two different beaches—one in Normandy, the other two along France’s Mediterranean coast.
Croisée assortie à la Pl. 1107
Object type: print
Date: 1895 – 1910
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery
Inscriptions: : ‘Droits de reproduction réservés.’

Kruisvenster met gedrapeerde gordijnen, passend bij serienr. 1107. Prent uit 373e Livraison.
Nieuwe Kerk, van de Wijnhaven gezien
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print
Location: the hague
Artist: Anonymous
Subjects: parts of church exterior and annexes
Inscriptions: inscription: ‘50’
Portret van Maria de' Medici
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: konrad westermayr
Artist role: print maker
Artist dates: 1765 – 1834
Subjects: maria de' medici, historical persons
Inscriptions: collector's mark: Lugt 2228
Souvenir
Object type: souvenir
Date: 1801 – 1900
Materials: diamond, enamel, gold, ivory
Subjects: girls,portraits
Personification of Asia
Object type: plaquette
Date: 1580 – 1590
Materials: lead
Techniques: gilding
Subjects: animals,men,lions

During the Renaissance, Europeans recognized four continents. Each figure on these plaquettes (60.70.1-.4) personifies one of them. Europe’s clothing and attributes denote empire, military strength, and artistic accomplishments, whereas those of Africa, America, and Asia represent the precious goods that Europeans coveted. Far from accurate representations, this imagery reinforced the fiction of European superiority over other peoples and cultures.
Omslagontwerp voor: Wendingen, 1931
Object type: wrapper
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: mommie schwarz
Artist role: print maker
Artist dates: 1876 – 1942
Subjects: eyes
Inscriptions: stamp: ‘Instituut voor sier- en nijverheidskunst.’, inscription: ‘Schwarz No. 6112B litho's 1932’, collector's mark: Lugt 2228

Prent gebruikt voor: Wendingen. Maandblad voor bouwen en sieren van "Architectura et Amicitia". Amsterdam: De Hooge Brug, 1931, nr. 2, omslag.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 490
Materials: terracotta
Culture: greek, attic

Interior, hair, forehead, bridge of nose, and left eye of woman with spotted sakkos and diadem?; one letter of an inscription, L
The Festival of Psyche, with Bacchus from a set of Mythological Subjects after Giulio Romano
Object type: tapestry
Materials: metal thread, silk, wool
Artist: giulio romano
Artist role: artist
Artist nationality: italian
Artist dates: 1499 – 1546
Subjects: women,bacchus,camels,lions

In a gently wooded landscape, mythological figures gather. Together with the contiguous scene in the tapestry the Festival of Psyche with Mercury (53.225.8), the composition broadens to include a glorious credenza display of gilded plate with precious textiles, in a scene traditionally identified as depicting preparations for the wedding feast of Cupid and Psyche. This tapestry is from a set of eight, traditionally called Les Sujets de la Fable. The designs for all eight tapestries are based in part upon drawings then in Louis XIV's collection- now preserved in the Louvre- which were all, at that time, attributed to Giulio Romano. Four of the tapestries in this series- all of which are part of The Met’s collection- ultimately take as their inspiration frescos by Giulio Romano and his assistants in the Palazzo Te, Mantua. The design source of this tapestry is Giulio’s fresco depicting preparations for Cupid and Psyche’s wedding, painted in the Palazzo’s sala di Psiche.
Allegorie op het overlijden van Thorbecke, 1872
Object type: print
Date: 1872 – 1872
Materials: paper
Techniques: lithograph
Location: arnhem
Subjects: johan rudolf thorbecke, personifications of countries, nations, states, districts, etc., grave-building, monumental tomb

Allegorie op het overlijden van Thorbecke, 4 juni 1872. De Nederlandse Maagd in rouw legt een krans op het grafmonument van Thorbecke waarop de inscripte 'Grondwet 1848'. Plaat verschenen bij het weekblad De Nederlandsche Spectator, nr. 23, 1872.
Piece
Object type: piece
Date: 1850 – 1855
Materials: cotton