deem-data/ArtiFact huggingface dataset:
Uitgebloeide strelitzia
Object type: print
Date: 1934 – 1934
Materials: paper
Techniques: woodcut
Artist: samuel jessurun de mesquita
Artist role: draughtsman, print maker
Artist dates: 1868 – 1944
Subjects: flowers, face
Inscriptions: collector's mark: Lugt 2228

Rechtsonder het gezicht van een vrouw en profil.
Torrent de la cascade des Demoiselles, Bagnères de Luchon.
Object type: photograph
Date: 1853 – 1853
Techniques: paper negative, salted paper print
Artist: joseph vigier
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1862
Subjects: rivers,forests,landscapes

In the summer of 1853, Viscount Vigier spent two months photographing in the Pyrenees. He had learned the waxed paper process from Gustave Le Gray but preferred Talbot's original technique for its strong contrasts of light and dark. When Vigier exhibited his views in London and Paris in l854, they were highly acclaimed. These first photographs of the Pyrenees appealed to the English taste for the sublime and to the French romantic temperament.
Recueil de la diversité des habits
Object type: print
Date: 1562 – 1562
Materials: paper
Techniques: woodcut
Location: paris
Subjects: monsters of mixed human and animal shape; 'mostri' (ripa), monsters of the sea, monk(s), friar(s), folk costume, regional costume
Inscriptions: collector's mark: Lugt 2228

Dit is prent 51 uit een serie van 121. Binnen deze serie zijn er prenten gemaakt naar voorbeelden van Jean-François de Roberval en Enea Vico, onbekend welke precies.
Studieblad met staarten van karpers
Object type: drawing
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: bony fishes: carp
Inscriptions: number: ‘1090’
Lappets
Object type: lappet
Date: 1734 – 1766
Techniques: lace
Subjects: flowers
The Rape of Europa
Object type: print
Date: 1542 – 1545
Techniques: etching
Artist: léon davent
Artist role: artist
Artist nationality: french
Artist dates: 1540 – 1556
Subjects: women,bulls
Gezicht op Totland Bay en Coldwell Bay, Isle of Wight
Object type: photograph
Date: 1891 – 1891
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: great britain
Artist: poulton
Artist role: fotograaf
Inscriptions: inscription: ‘ILE DE WIGHT / CHENAL DES NEEDLES / Baie Totland et Baie Coldwell / Batterie Warden, Bie Cliff end, Fort Albert, Fort Golden Hill.’, annotation: ‘Ft Albert // B[atter]ie Warden // B[atter]ie Cliff end // Fort / Golden Hill’, inscription: ‘652 Totland Bay, Poulton's Series’

Foto uit een album met 35 topografische foto's van Britse kustplaatsen, waarop in pen militaire verdedigingswerken zijn aangegeven door een Franse militair.
Een Noord-Hollandsch Speelwagentje aan de Zaan/  Petite Caleche pour les parties de plaisir en Nordhollande
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: four-wheeled vehicle drawn by one animal
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Maaskamp, Evert. Tableau des principales vues des palais et édifices : représentations et des coutumes et usages, dans les provinces septentrionales du Royaume des Pays-Bas. Amsterdam, 1824.
Landschap
Object type: sketchbook leaf
Date: 1833 – 1841
Materials: paper, pencil
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: trees, landscapes
Inscriptions: kleurnotitie, handgeschreven in potlood

Blad 40 verso uit een schetsboek met 41 bladen.
Muts, gebreid, bol van zwarte zijde met ruitvormige, geometrische ornamenten van gouddraad en een omgekrulde rand van effen zwarte zijde
Object type: huismuts
Date: 1600 – 1699
Materials: gold thread, silk
Techniques: knitting
Location: monmouth
Artist: Anonymous

Muts, gebreid, bol van zwarte zijde met ruitvormige, geometrische ornamenten van gouddraad en een rand van effen zwarte zijde. Rond gebreid met vier of vijf naalden. Het gouddraad is meegebreid met de zwarte zijde. Middenachter een 'naad', waar geminderd is. Geheel rechts gebreid. De versiering bevindt zich op de bol, de omgekrulde 'rand' is effen. De muts is hoogstwaarschijnlijk in vorm gebracht door stomen en oprekken, aangezien er haast niet gemeerderd of geminderd is om de vorm te bereiken.
Plate from "Battles and Victories" (Combats et Triomphes)
Object type: print
Date: 1540 – 1583
Techniques: engraving
Artist: etienne delaune
Artist role: artist
Artist nationality: french
Artist dates: 1518 – 1583
Subjects: weapons,female nudes
Portret van Jacobus Joannes Driesen op bidprent
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: letterpress printing, lithograph
Location: schoonhoven
Subjects: adult man, historical persons
Inscriptions: inscription: ‘In uwe gebeden wordt aanbevolen/ de Ziel van Zaliger (...) <BR />Jesus, Maria, Joseph, Franciscus,/ ik beveel u mijn hart en mijne ziel./ R.K. Boekh. van F.J. Soeters, te Schoonhoven.’, inscription: ‘Heer, geef de Zielen/ der afgestorvenen het/ eeuwige licht!/ Dat zij rusten in vrede!/ Amen.’
Lopende vrouw op een pad langs een rij bomen
Object type: sketchbook leaf
Date: 1834 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: walking (+ female (human being) (not to be used where -aa- is prescribed)), road, path

De vrouw draagt een pet, blouse en lange rok en heeft een tas in de hand. Pagina 1 uit een omslag van een schetsboek met 7 losse bladen.
Les chagrins domestiques me minent!
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: lithograph
Location: paris
Artist: denis auguste marie raffet
Artist role: draughtsman, print maker
Artist dates: 1804 – 1860
Subjects: musician, horn, trumpet, cornet, trombone, tuba, violin, fiddle, windmill in landscape, dog
Inscriptions: collector's mark: Lugt 964
Venus en Amor in een rechthoekige omlijsting
Object type: print
Date: 1551 – 1580
Materials: paper
Techniques: engraving
Location: france
Artist: rené boyvin
Artist role: print maker
Artist dates: 1525 – 1598
Inscriptions: collector's mark: Lugt 240

Onderaan staat een Latijnse tekst. Uit serie van 16 deels genummerde bladen met vlakdecoraties van goden en godinnen in een omlijsting van grotesken met fantastische wezens, dieren, guirlandes en mascarons.
Portret van Adam Elsheimer
Object type: print
Date: 1675 – 1679
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: rome, print maker, adam elsheimer, historical persons, portrait, self-portrait of painter

Prent uit: Sandrart, Joachim von. Teutsche Academie der Edlen Bau- Bild- und Mahlerey-Künste (...). Neurenberg: Jakob von Sandrart, [1675-1679], dl. 1, p. 292.

Latere staat van de prent gebruikt in: Sandrart, Joachim von. Teutsche Academie der Bau- Bildhauer- und Maler-Kunst: worinn die Regeln und Lehrsätze dieser Künste gegeben. 14 dln. Neurenberg: erven Johann Andreas Endter, [1774], dl. 7, p. EE.

De samensteller heeft deze prent in het album geplakt als illustratie bij: Pilkington, Matthew en Johann Heinrich Füssli. A dictionary of painters, from the revival of the art to the present period. 4 dln. Londen: John Crowder, 1805, dl. 2, p. 175.
Titian. The Vision of St. Eustace. British Museum
Object type: reproduction
Date: 1902 – 1950
Materials: cardboard
Techniques: photograph
Location: oxford
Subjects: drawing, sketch, permanent exhibition, museum
Sealing wax case (étui)
Object type: étui
Date: 1774 – 1774
Materials: gold
Artist: melchior-rené barré
Artist role: maker
Artist dates: 1738 – 1791

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Cup (gobelet litron)
Object type: cup
Date: 1782 – 1782
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Lepel
Object type: spoon
Date: 1764 – 1764
Materials: silver
Location: utrecht
Artist: dirk van gameren
Inscriptions: mark

Lepel van zilver, met een ovale bak. De platte, gebogen steel verbreedt zich naar het afgeronde uiteinde.
Design for a Stage Set
Object type: drawing
Date: 1830 – 1890
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: theatre,stage design
Panel from Banner
Object type: banner panel
Date: 1368 – 1644
Materials: silk
Culture: chinese
Portret van Alexander Buys
Object type: carte de visite
Date: 1886 – 1906
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: max büttinghausen
Artist role: fotograaf
Artist dates: 1847 – 1906
Subjects: historical persons
Inscriptions: inscription: ‘Specialiteit in Vergrootingen/ Kooldruk/ Onveranderlijk/ M. Bütthinghausen/ Amsterdam/ Eenig Atelier/ Kalverstraat, hoek Spui (...)’, inscription: ‘M. Büttinghausen/ Amsterdam/ Kalverstr., hoek Spui/ Eenig Atelier’
Fotoreproductie van een schilderij van Mateo Cerezo, 'De boetvaardige Maria Magdalena' (coll. Rijksmuseum)
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: carbon print
Subjects: the penitent st. mary magdalene (often before a cave, possibly at la sainte-baume hill): her long hair covers her (naked) body, she reads, meditates or raises her tear-filled eyes towards heaven
The Ascension, from "The Small Passion"
Object type: print
Date: 1510 – 1510
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men
Daar wy hier by poezy, teeken, sny en drukkunst voegen, / Hopen wy dat u genoegen, 't loon van al ons pogen zy. / In uw vroegen levenstyd, ziet ge u hier voor 't volgend leven, / Leerzaam onderigt gegeven, op dat ge u voor onheil mydt
Object type: popular print
Date: 1782 – 1854
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: street-trader, tight-ropewalker, merchant, salesman
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen van kooplieden die hun waar aanprijzen en personen die wijze raad geven. Onder elke afbeelding een vierregelig vers. Genummerd rechtboven: N. 49.
Triomfwagen van Karel V, 1537
Object type: print
Date: 1537 – 1537
Materials: paper
Techniques: woodcut
Location: germany
Artist: hans schäufelein
Artist role: print maker
Artist dates: 1480 – 1540
Subjects: ghent, charles v (holy roman emperor and king of spain), chariot, triumphal car
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2228

Serie van 9 houtsneden van de triomfwagen van keizer Karel V die aan elkaar tot een doorlopend fries gemonteerd kunnen worden. De teksten boven de voorstellingen ontbreken in deze druk. Uitgave van deze tweede staat van de blokken is volgens German Hollstein (dl. XLII, p. 126) te dateren ca. 1537-1551. De watermerken van deze afdrukken wijzen op een latere datering ca. 1580-1616. De prenten worden hier beschreven naar de volgorde in Bartsch, een andere volgende dan in Hollstein en Geisberg staat, namelijk met de platen Hollstein German 51 en 52 (de plaat met het impressum) niet als de derde en vierde platen maar als achtste en negende (voorlaatste en laatste).
Studies of Ships and Boats
Object type: drawing
Date: 1634 – 1733
Materials: ink
Techniques: pen
Artist: willem van de velde (ii)
Artist role: artist
Artist nationality: dutch
Artist dates: 1633 – 1707
Subjects: boats,ships
Tray
Object type: tray
Date: 1800 – 1900
Materials: silver
Culture: american
Location: united states
Artist: william gale and son
Artist role: maker
Artist nationality: american
Artist dates: 1847 – 1866
Coat
Object type: coat
Date: 1787 – 1792
Materials: wool
Culture: french

Here is a dashing coat that anticipates the Macaroni exaggeration that will characterize menswear in the 1790s. In this early example, the proportions are already attenuating; there is a very high turn to the collar, though not yet to the point of caricature. This transitional garment is placed then right on the crucial years of the French Revolution and is remarkable as an extant garment from that time.
St Jerome kneeling in prayer, looking down
Object type: print
Date: 1635 – 1642
Materials: paper
Techniques: etching
Artist: willem van der vliet
Artist role: painter, print maker
Artist dates: 1584 – 1642
Subjects: the monk and hermit jerome (hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Cameo fragment with ivy and vine leaves from a skyphos (footed wine cup)
Object type: vase fragment skyphos, cameo, ivy
Materials: glass
Location: egypt or italy

Many artworks of the Roman Period in Egypt represent the taste of wealthy urban merchant and rich farming classes of Roman Egypt. Wide trade of luxury works is evident, and Greco-Roman style dominates. Since Egyptian pharaohs had first authorized Greek trading colonies and employed Greek mercenaries in the seventh century BC., there was a considerable Greek presence in Egypt. With Alexander's conquest, Macedonian Greek Ptolemies ruled as successors to the pharaohs, and Ptolemaic Greek and eastern Mediterranean soldiery was heavily settled in parts of Egypt. Although the Ptolemaic kings maintained traditional Egyptian religious and political forms, elite society, of mixed Greek and Egyptian descent, aspired to Greek culture in many respects. With the replacement of a Ptolemaic pharaoh in Memphis and Alexandria by a Roman emperor in Rome, the status of Greek culture and art, if anything, increased. However, multiple cultural influences were t play, and their reconciliation differed, depending on the identity of the patron and on whether personal, public, religious, or funerary purposes were in question. Cameo glass is created by delicately cutting back a layer of white glass to an underlying layer of blue glass. As far as is known, this type of cameo glass was produced for a rather brief period in Rome itself.
Studioportret van een onbekende oude man en een jongen
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1925
Materials: photographic support
Techniques: gelatin silver print
Location: rome
Artist: francesco reale
Artist role: fotograaf
Subjects: family group, especially parents with their child(ren)
Inscriptions: inscription: ‘Studio Artistico Fotografico Francesco Reale Corso Vittorio Emanuele, 24 - Roma’
Naaiende dames
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: sewing
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Almanac Généalogique pour l'année 1781 (...). S.l.s.n., [1780]. Een serie van twaalf prenten betreffende bezigheden voor dames.
Landschap met de boetvaardige Maria Magdalena
Object type: print
Date: 1616 – 1680
Materials: paper
Techniques: etching
Location: rome
Subjects: landscapes, the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Een weids landschap met op de voorgrond rechts de boetvaardige heilige Maria Magdalena onder een boom.
Portret van George II Augustus van Groot-Brittannië
Object type: print
Date: 1714 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: london, george ii augustus (koning van groot-brittannië), harness
Inscriptions: collector's mark: Lugt 2228

George II Augustus van Hannover, koning van Groot-Brittannië. Hij draagt een harnas en een kraag van kant.
Pyramus en Thisbe
Object type: print
Date: 1580 – 1596
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: thisbe kills herself with pyramus' sword (the scene may be represented near a fountain)

De prenten in de Nova Zembla collectie zijn tijdens een expeditie van Willem Barendsz en Jacob van Heemskerk in 1596-1597 noodgedwongen in het winterkamp, het ‘Behouden Huis’, op het eiland achtergelaten. De prenten waren in één of meerdere stapels als handelswaar meegenomen vanuit Amsterdam. Bijna drie eeuwen later, in 1871, keerde de Noor Elling Carlsen terug naar Nova Zembla en vond daar de restanten van het ‘Behouden Huis, inclusief een groot deel van de inventaris. Een deel van de prenten, in de vorm van aaneengekoekte kluiten, werd toen ook teruggevonden. De papierkluiten waren soms op meerdere plekken gebroken. Tussen 1975-1979 zijn de prenten van elkaar gescheiden. Dit leverde in totaal ca. 1000 fragmenten van ca. 400 afdrukken van ca. 150 verschillende prenten op. Voor zover mogelijk zijn de fragmenten samengevoegd en zijn de prenten gereconstrueerd.
Portret van Pasquier Quesnel
Object type: print
Date: 1717 – 1717
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: gilbert schouten
Artist role: print maker
Subjects: amsterdam, theologian, historical persons
Inscriptions: number: ‘504’

Met achtregelig onderschrift in het Frans in twee kolommen.
"Rakhsh Kills a Lion while Rustam is Asleep", Folio from a Shahnama (Book of Kings) of Firdausi
Object type: folio from an illustrated manuscript
Date: 1300 – 1330
Materials: gold, ink, paper, silver, watercolor
Location: iran
Artist: abu'l qasim firdausi
Artist role: author
Artist nationality: iranian
Artist dates: 935 – 1020
Subjects: men,horses,lions

The two miniatures 69.74.8 and 69.74.9 illustrate the first and second of Rustam's seven ordeals. The first depicts the frequently illustrated scene of Rustam's gallant horse Rakhsh killing a lion while the hero sleeps. The subject of the second miniature is, on the other hand, rarely depicted. Rustam and Rakhsh nearly die of heat and thirst in the desert before, with the help of divine providence, they find a spring. Rustam bathes and grooms his faithful steed by the water's edge, as seen here. The painter is very sympathetic to the closeness between the hero and his trustworthy Rakhsh.
Plattegrond van Amsterdam, 1902
Object type: area plan
Date: 1902 – 1902
Materials: linen, paper
Techniques: lithograph
Location: amsterdam
Subjects: maps of cities, amsterdam
Inscriptions: collector's mark: Lugt 2228
Court suit
Object type: court suit
Date: 1774 – 1793
Materials: silk
Culture: french
Landscape
Object type: hanging scroll
Date: 1840 – 1895
Materials: ink, paper
Culture: chinese
Artist: wu tao
Artist role: artist
Artist nationality: chinese
Artist dates: 1840 – 1895
A Squall
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Pouch
Object type: pouch
Date: 1701 – 1733
Materials: metal, pearl, silk
Culture: russian
Subjects: birds

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. Depictions of the goddess are common in Russian embroidery, traditionally associated with fertility. Later depictions of the goddess are very stylized, resembling a plant or tree-of life. The figure is commonly depicted with upraised arms, holding flowers or birds in her hands, and wearing a floral headdress. The shape of the plant on this bag as well as the presence of birds suggests that it is a filtered version of the goddess figure.
Jérusalem, Église de Sainte-Marie-Madeleine
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture,churches,ruins
Faith and Hope
Object type: stained glass window
Date: 1867 – 1869
Materials: glass
Culture: american
Location: united states
Artist: henry e. sharp
Artist role: artist
Artist nationality: american
Artist dates: 1847 – 1897

The mid-1850s saw the growth of a stained-glass industry on and around Broadway, the primary commercial district of Manhattan, partly because numerous churches were being built in New York during the period, requiring the industry’s services. Sharp joined this movement in the early 1850s, when he established himself as a glass stainer, in partnership with William Steele, at 216 Sixth Avenue. Sharp provided this window and several others for Saint Ann’s Episcopal Church in Brooklyn, a grand Gothic Revival structure built by the firm Renwick and Sands. (James Renwick Jr. designed Saint Patrick’s Cathedral in Manhattan shortly before Saint Ann’s was completed.) The richly colored windows, typical of the period, feature full-size figures within an elaborate Gothic canopy.
Tiles (10)
Object type: tile
Date: 1501 – 1700
Materials: earthenware
Techniques: glazing
Subjects: flowers
Portret van Menno Simons
Object type: print
Date: 1687 – 1698
Materials: paper
Techniques: engraving
Location: leiden
Subjects: scholar in his study
Inscriptions: collector's mark: Lugt 240

Portret van Menno Simons, leider van de Mennonieten, staande in zijn studeerkamer. Hij houdt een opengeslagen boek in de hand. Aan de wand boekenplanken. Links een tafel met daarop boeken, een schel en een kaars. Onderaan in de marge een vierregelig vers in het Latijn en in het Nederlands.
Gourd-shaped vase with gourds on vines and bats
Object type: vase
Date: 1701 – 1733
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: vegetables,vines

Beyond the appeal of its sinuous form and elegant blue-and-white decoration, this gourd-shaped vase would have been treasured for the layers of auspicious meaning encoded in its decoration. The image of gourds on vines is a rebus, or visual word puzzle, for “fortune and prosperity through ten thousand generations” (fulu wandai), while the combination of bats and gourds forms a second rebus for “good fortune and wealth” (fulu).
Derniers moments de S.A.R. Monseigneur le duc de Berry
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: engraving, etching
Subjects: paris, deathbed, historical persons
Inscriptions: collector's mark: Lugt 5062, collector's mark: Lugt 12
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of an inscription, a pi
Ruïne van de Tempel van Vesta te Tivoli
Object type: photograph
Date: 1870 – 1880
Materials: photographic support
Techniques: gelatin silver print
Location: tivoli
Artist: Anonymous
Subjects: ruin of a building ~ architecture, temple, shrine ~ roman religion