deem-data/ArtiFact huggingface dataset:
Julius Caesar
Object type: bust
Date: 1512 – 1514
Materials: marble
Artist: andrea di pietro di marco ferrucci
Artist role: artist
Artist nationality: italian
Artist dates: 1465 – 1526
Subjects: eagles,julius caesar,faces,portraits

Ferrucci’s pleasing Julius Caesar exemplifies the delicately ornate, a l’antica style of Florentine sculpture fashionable in the fifteenth and early sixteenth centuries. While the face is strikingly naturalistic and portrait-like, the profuse amount of surface detail seems to disperse rather than unify form and to reduce the scale of the sculpture rather than create a sense of monumentality. The innovations of Michelangelo’s Brutus emerge when it is compared to Ferrucci’s bust. Ten years older than Michelangelo, Ferrucci was described by Vasari as one of those marvelous "sculptors who without knowing at all how to draw on paper nevertheless brings their works to a fine and praiseworthy finish with their chisels." He became head of the workforce at San Lorenzo in 1524, where his expertise in carving marble proved valuable to Michelangelo.
J'étais bon chasseur autrefois
Object type: print
Date: 1856 – 1859
Materials: paper
Techniques: etching
Artist: paul gavarni
Artist role: draughtsman, print maker
Artist dates: 1804 – 1866
Subjects: old man, the soldier; the soldier's life, the poor
Inscriptions: collector's mark: Lugt 964, annotation: ‘Il en manque... à cheval’
Portret van een staande jonge vrouw
Object type: carte de visite
Date: 1900 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: berlin
Subjects: adolescent, young woman, maiden, historical persons - bb - woman, standing figure - aa - female human figure
Inscriptions: inscription: ‘GLOBUS ATELIER/ BERLIN W./ LEIPZIGER STR. 132/135.’
Tray
Object type: tray
Date: 1801 – 1900
Materials: iron, silver
Techniques: incising, inlay
Location: iran
Subjects: fish,musicians
John Henshaw, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: men,portraits,actors

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Valse ½ duit van de VOC uit Holland, 1780
Object type: coin
Date: 1780 – 1799
Materials: copper
Techniques: striking

Valse koperen munt. Voorzijde: tussen wapenspreuk gekroond wapenschild van Holland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Vervalsing. Jaartal bestaat niet.
Verklaaring van den Tempel voor Nederland
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: anna catharina brouwer
Artist role: print maker
Subjects: extinct, 'historical' peoples
Inscriptions: collector's mark: Lugt 2228

Verklaring van de voorstelling van de prent getiteld Tempel voor Nederland, 1794. Tekst binnen een kader gevormd door putti, vignetten en festoenen, onderaan het Nederlandse land met twee Batavieren.
Ornament in the shape of a mammal
Object type: ornament
Date: 600 – 800
Materials: shell
Culture: maya
Location: guatemala or mexico
Artist: maya artist(s)
Artist role: artist
Subjects: dogs
Ontwerp voor een ex libris voor de zoon van de kunstenaar
Object type: drawing
Date: 1874 – 1945
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: ornament derived from animal forms, ex-libris, beasts of prey, predatory animals: lion, letter combinations such as letterword, anagram, letter square, monogram, etc.
Portret van een onbekende oude vrouw
Object type: print
Date: 1892 – 1892
Materials: paper
Techniques: etching, intaglio
Artist: frans proost
Artist role: painter, print maker
Artist dates: 1875 – 1941
Subjects: anonymous historical person portrayed alone - bb - woman, old woman
Inscriptions: collector's mark: Lugt 2228
Portret van Mary Carter
Object type: album leaf
Date: 1865 – 1875
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Mary Carter’
Man at a Table Writing
Object type: print
Date: 1634 – 1666
Techniques: mezzotint
Artist: wallerant vaillant
Artist role: artist
Artist nationality: dutch
Artist dates: 1623 – 1677
Subjects: men,writing
The Warriors
Object type: print
Date: 1500 – 1500
Materials: paper
Techniques: engraving
Location: germany
Artist: master m.z.
Artist nationality: german
Artist dates: 1500 – 1550

Prickly thistles often appear underfoot, as here, and in nearby prints by Albrecht Dürer and Daniel Hopfer, underscoring the dangerous lifestyle of the Landsknechte.
Door fragment
Object type: door fragment
Date: 1667 – 1733
Materials: wood, wax
Techniques: polish
Braunschweig's Baudenkmäler
Object type: photomechanical print
Date: 1893 – 1893
Materials: paper
Techniques: photograph
Location: dresden
Subjects: arch, archivolt ~ architecture
Inscriptions: number: ‘No. 54.’
The Villa Sachetti
Object type: print
Date: 1778 – 1778
Techniques: mezzotint, printing
Artist: jean françois janinet
Artist role: artist
Artist nationality: french
Artist dates: 1752 – 1814
Brief aan Anna Dorothea Dirks
Object type: letter
Date: 1926 – 1926
Materials: ink, paper
Techniques: pen, writing
Location: leiden
Artist: johan huizinga
Artist dates: 1872 – 1945
Subjects: artist, anna dorothea dirks
Inscriptions: collector's mark: ‘RPK’
Fotoalbum met vakantiefoto's Lenzerheide, 1934
Object type: photograph album
Materials: cardboard, linen
Location: switzerland
Artist: else wachenheimer-moos
Artist dates: 1895 – 1944
Subjects: leiden, isabel wachenheimer-elon, the family travelling, on holiday
Inscriptions: inscription: ‘Lenzerheide Januar - Februar 1934’

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Portret van een oude vrouw
Object type: print
Date: 1863 – 1882
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: historical persons, old woman
Inscriptions: collector's mark: Lugt 2228
Console table
Object type: console table
Date: 1701 – 1800
Materials: wood
Techniques: carving, gilding
Portret van Johann Ernst Immanuel Walch
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: etching
Artist: georg christoph schmidt
Artist role: print maker
Artist dates: 1740 – 1811
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Henry en Poins doorzoeken de spullen van Falstaff
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: william shakespeare, curtains, literature, sleeping; unconsciousness, falstaff
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor William Shakespeares 'Henry IV'. Latere staat gebruikt voor: Goettinger Taschen Calender vom Jahr 1786. Göttingen: Johann Christoph Dietrich, 1785.
Fries met gebladerte en vijf dieren
Object type: ornament print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching, intaglio
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: foliage, tendrils, branches ~ ornament, rodents: rabbit (+ ornamental variants of animals)
Inscriptions: number: ‘33’, collector's mark: Lugt 2228
Holy Family with St. John the Baptist (recto); Study of a Foot (verso)
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink
Techniques: pen
Artist: anonymous, italian, 17th century
Artist role: artist
Artist nationality: italian
Artist dates: 1600 – 1700
Subjects: holy family,saint john the baptist
Fragment of onderdeel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: part
Date: 1743 – 1743
Materials: iron
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, bar(-shaped) fragments; fragm, eroded, broken rectangular in section, both ends widened amd flattened.
Zeegezicht
Object type: drawing
Date: 1830 – 1860
Materials: ink, paper
Techniques: brush, pen
Artist: albertus van beest
Artist role: draughtsman, print maker
Artist dates: 1820 – 1860
Subjects: sailing-ship, sailing-boat
View of Mulhouse
Object type: print
Materials: paper
Techniques: lithograph
Location: paris
Artist: mathieu mieg
Artist nationality: french
Artist dates: 1700 – 1899
Yakshi
Object type: sculpture
Materials: stone
Location: mathura
Dress
Object type: dress
Date: 1815 – 1820
Materials: cotton
Culture: american
Aeneas and the Sibyl in the Underworld
Object type: drawing
Materials: ink
Techniques: brush, pen, transfer, wash
Location: netherlands
Artist: arnold houbraken
Artist role: draughtsman, painter, print maker
Artist nationality: dutch
Artist dates: 1660 – 1719
Subjects: animals,aeneas,sibyl
Handkerchief
Object type: textile
Date: 1850 – 1875
Materials: cotton, lace, linen
Techniques: lace, weave
Location: england
Portret van Georgius de Mey
Object type: print
Date: 1695 – 1707
Materials: paper
Techniques: engraving
Location: gouda
Subjects: historical persons, functionaries and dignitaries ~ protestant churches
Inscriptions: collector's mark: Lugt 240

Met een achtregelig Nederlands vers als onderschrift.
Vrouw op strand voor een pretpark
Object type: photograph
Date: 1935 – 1950
Materials: paper
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Inscriptions: inscription: ‘Me’, stamp: ‘475’
Opgevouwen Telegraaf
Object type: boekillustratie ontwerp
Date: 1934 – 1936
Materials: ink, paper, pencil
Techniques: pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: (cohen, van anarchist tot monarchist) specific works of literature (with author, title), (other) historical names, newspaper, news-sheet
Inscriptions: clichéaanwijzing, recto, handgeschreven

Ontwerp voor een boekillustratie voor: Cohen, Alexander. Van anarchist tot monarchist. Amsterdam: De Steenuil, 1936.
Voyages pittoresques et romantiques dans l'ancienne France
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: lithograph
Location: paris
Subjects: church (exterior), procession ~ christian religion, france
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1463a

Deze prent behoort tot de serie 'Voyages pittoresques et romantiques dans l'ancienne France'. De serie is uitgevoerd onder leiding van Isidore Justin Séverin baron Taylor en bevat begeleidende teksten van Charles Nodier en Alphonse de Cailleux. Voor het project zijn vele kunstenaars naar delen van Frankrijk afgereisd. De reeks is tussen 1821 en 1878 in ca. 21 delen gepubliceerd.
Wangedrag van de zonen van Eli
Object type: print
Date: 1720 – 1728
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the sinfulness of eli's sons, hophni and phinehas (1 samuel 2:12-17)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Utrechts Fundatie huijs’

De zonen van Eli, die als priesters in de tempel dienst doen, misdragen zich. Het vlees dat de Israëlieten brengen om aan God te offeren, wordt door de zonen van Eli in beslag genomen om het zelf op te eten. Op de achtergrond het altaar en de tempel. Op de voorgrond geeft een zoon van Eli opdracht vlees uit een pan te halen. Een andere zoon zit achter de vrouwen aan. Onderaan in de marge een verwijzing naar de Bijbeltekst en de titel in het Hebreeuws, Engels, Duits, Latijn, Frans en Nederlands.
Portret van Alphonse des Vignolles
Object type: print
Date: 1714 – 1744
Materials: paper
Techniques: etching
Location: augsburg
Subjects: berlin, clergyman, bookshelves, historical persons, ornament ~ cartouche, scroll, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Rotswoning te Geulhem, Limburg
Object type: photograph
Date: 1880 – 1920
Materials: cardboard, paper
Techniques: albumen print
Location: valkenburg
Artist: jos. crolla-falise
Artist role: printer, publisher
Subjects: rock-formations
Inscriptions: company name: ‘Stoomdrukkerij boekhandel boekbinderij Jos. Crolla-Falise, Valkenburg. Alle mogelijke photographien van Valkenburg en omstreken, Steeds te ontbieden voor het opnemen van groepen, enz.’, signature: ‘Photographische inrichting van Jos. Crolla-Falise, Valkenburg’, title: ‘Rotswoning te Geulem’
A Short History of General A. E. Burnside, from the Histories of Generals series (N114) issued by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: firearms,men,portraits,generals

Trade cards from the "Histories of Generals" series (N114), issued in 1888 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.
Doorsnede over de Lengte
Object type: print
Date: 1859 – 1874
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: representation of real building (either existing or having existed)
Inscriptions: collector's mark, collector's mark: Lugt 1641

Doorsnede van de Ridderzaal, Binnenhof, Den Haag. Onderaan een schaalstok. Architectuurvoorstelling. Plaat XXVI. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Staten-Generaal.
Portret van een man in marine-uniform
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Artist: Anonymous
Subjects: ranks in the navy
Foockel Frons-muyl en Pietje Hard-loop
Object type: print
Date: 1612 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: head-gear, farmers
Inscriptions: collector's mark: Lugt 700, collector's mark: Lugt 240

Prent uit een serie van 36 prenten met koppen van boeren en boerinnen.
Telemaque est re à Lacedemone (...)
Object type: book illustration
Date: 1712 – 1744
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: telemachus and pisistratus, son of nestor, in sparta with menelaus and helen
Inscriptions: collector's mark: Lugt 2228

Telemachus (zoon van Odysseus) en Peisistratos (zoon van Nestor) bezoeken Helena en Menelaos in Sparta. Helena en Menelaos zitten aan een tafel, vergezeld door hovelingen. Rechts op de voorgrond een hond. Afbeelding bij het vierde deel van Homerus' Odyssee.
Drie foto's van Poets' Corner in Westminster Abbey en van de kroonjuwelen in de Tower of London
Object type: photograph
Date: 1901 – 1901
Materials: paper
Techniques: cyanotype
Location: london
Artist: Anonymous
Subjects: crown (symbol of sovereignty), interior of church
Inscriptions: inscription: ‘Bust of Thackeray./ Weaths on Dickens Grave./ Bust of Longfellow./ Crown Jewels. Tower of London’

Deze foto's maken deel uit van een album.
Amphora (Storage Jar)
Object type: vessel
Date: 1 – 200
Materials: glass
Techniques: glassblowing
Culture: roman
Location: syria
Portret van Frederik Alewijn
Object type: photomechanical print
Date: 1912 – 1949
Materials: paper
Techniques: photograph, letterpress printing
Subjects: amsterdam
Salome bij het banket van Herodes
Object type: print
Date: 1589 – 1607
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: salome dancing during the banquet of herod

Salome en een jonge man dansen(?) voor een lange tafel, waaraan verschillende personen zitten, onder wie Herodes. Links houdt een man een vat vast. Rechtsachter knielt de geblinddoekte Johannes de Doper voor een man met een opgeheven zwaard. Onder de voorstelling een zesregelige, Latijnse tekst met een toelichting op de scène.
Red and White Poppies
Object type: screen
Date: 1601 – 1633
Materials: gold leaf, ink, panel, paper
Culture: japanese
Artist: tosa mitsumochi
Artist role: artist
Artist nationality: japanese
Artist dates: 1525 – 1559
Subjects: poppies

The summer motif of red and white poppies arrayed across the gold-leaf surface of the screen is a decorative formula that developed during the seventeenth century and was taken up by various schools throughout the Edo period. An unusual feature of this painting is the pattern of family crests that decorates the lattice fence. In the lower right corner an inscription by Ogata Kōrin (1658–1716) attributes the work to the court painter Tosa Mitsumochi, who died a century before the celebrated Rinpa artist was born. The attribution, however, is speculative; based on its style, the work probably dates to the early seventeenth century. Nevertheless, the screen reveals the kind of court paintings that Kōrin, famous for formalized depictions of natural themes, had direct access to and would have studied.
Lago di Garda. S. Virgilio
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: como
Artist: Anonymous
Subjects: ships (in general), lake
Sleeve (one of a pair)
Object type: sleeve
Date: 1701 – 1800
Techniques: lace
Ceramic
Object type: ceramic
Date: 701 – 1200
Materials: earthenware
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Island of Little People (Kobitojima)
Object type: print
Date: 1863 – 1863
Techniques: woodblock print
Location: japan
Artist: utagawa yoshikazu
Artist role: artist
Artist nationality: japanese
Artist dates: 1845 – 1870
Madonna and Child with Angels
Object type: relief
Date: 1451 – 1475
Materials: gilt, plaster, wood
Techniques: painting, relief
Artist: antonio rossellino
Artist role: artist
Artist nationality: italian
Artist dates: 1427 – 1479
Subjects: angels,madonna and child

The Virgin Mary is shown presenting her infant son, Jesus, to the viewer. The holy child sits erect on her lap, his dignified posture expresses his divinity. After this relief had been molded in stucco (a form of plaster), it was sent to another artist’s workshop to be painted. The collaboration between sculptor and painter creates lifelike effects: Christ’s plump cheeks project into space and are flushed like those of a real child. However, the sparkle of gold - on the throne, in Mary’s hair, and the angels’ wings - underscores the scene’s heavenly nature.
Terracotta statuette of a woman
Object type: statuette of a woman
Date: 300 – 201
Materials: terracotta
Culture: greek, south italian, tarentine
Subjects: women

Draped, standing head enveloped in himation, right arm akimbo, left at side.
From My Window at An American Place, North
Object type: photograph
Date: 1930 – 1931
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Inscriptions: Unmarked recto; inscribed verso, on second mount, lower left, in graphite: 8D

“My first memory of Alfred Stieglitz,” recalled the photographer’s wife, the painter Georgia O’Keeffe, “was on a day in 1908 when . . . I went with two or three other students to see the Rodin drawings at ‘291.’ . . . where a new kind of art was shown—and it was the only place in New York you could see anything like it.” O’Keeffe’s reminiscence suggests the influential character of the work Stieglitz promoted, and of his gallery itself. The photographer operated galleries throughout his life, using them as a platform to present his vision of modern art in America; he also treated his last gallery, An American Place, as a site for artistic creativity in its own right. The Art Institute was one of several major museums to receive gifts from Stieglitz’s collection—via O’Keeffe, his executor—in 1949; these donations often marked (as here) the institutions’ first acquisition of photographs as art.
For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Shawl
Object type: shawl
Date: 1860 – 1860
Culture: indian
Pot with Foliate Design
Object type: pot
Materials: earthenware, glaze, iron
Techniques: underglaze
Culture: thai
Bathsheba at Her Bath
Object type: painting
Date: 1700 – 1700
Materials: canvas, oil
Artist: giuseppe bartolomeo chiari
Artist role: artist
Artist nationality: italian
Artist dates: 1654 – 1727
Subjects: women,bathsheba,bathing
Classical Landscape: A Town and a Mountain by the Coast
Object type: drawing
Materials: ink
Techniques: heightening, pen, wash
Artist: francesco zuccarelli
Artist role: artist
Artist nationality: italian
Artist dates: 1702 – 1788
Subjects: towns,landscapes
Textile Fragment
Object type: textile fragment
Date: 1701 – 1800
Materials: wool
Location: india
Mand, beschilderd met een veelkleurig bloemboeket
Object type: basket
Date: 1778 – 1782
Materials: porcelain
Location: loosdrecht

Two baskets. Porcelain. Loosdrecht, c. 1778 - 1782. Factory of Joannes de Mol.