deem-data/ArtiFact huggingface dataset:
Gold necklace
Object type: necklace
Date: 100 – 100
Materials: gold
Culture: roman
Wat den heer Vliegman overkwam
Object type: print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Subjects: flying, tales and fairy tales
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van de heer Vliegman die gaat zweven. Onder elke voorstelling een onderschrift. Genummerd linksboven: Série 7. - No. 6.
Patera
Object type: patera
Date: 567 – 535
Materials: bronze
Culture: etruscan
Laatste oordeel
Object type: print
Date: 1590 – 1650
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: last judgement
Inscriptions: collector's mark: Lugt 2228

Christus zit als rechter op de regenboog, zijn voeten rusten op de wereldbol. Hij maakt een spreekgebaar en wordt omringd door cherubijnen. Aan weerszijden van hem twee trompetterende engelen. Onder staat een dode op uit zijn graf, een ander wordt door twee duivels de hel ingetrokken. Met een Latijns onderschrift.
Aardrijkskundige beeldengalerij, verzameld door M.J. Broekhuijsen, hoofd eener school te Amsterdam
Object type: stereograph
Date: 1900 – 1902
Materials: paper, cardboard
Techniques: collodion silver print
Location: amsterdam
Subjects: harbour, toll gate, surabaya
Inscriptions: number: ‘D.19.’, inscription: ‘De Boom is de aanlegplaats voor kleine vaartuigen (als prauwen) die van de groote booten aan het tolkantoor komen, (...)’
Holy Prabha (Halo for a Buddhist Deity)
Object type: halo
Date: 801 – 900
Materials: bronze
Culture: indonesian, javanese
Portrait of Lord Newton, from Old English Masters
Object type: print
Materials: chine, paper
Techniques: engraving
Location: united states
Artist: timothy cole
Artist role: print maker
Artist nationality: american
Artist dates: 1852 – 1931
Oil Lamp with Open Reservoir
Object type: oil lamp
Date: 701 – 900
Materials: earthenware
Techniques: glazing
Location: iraq

This ceramic lamp was found and purchased in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The city was known in Arabic as al-Mada’in, or "the cities", for its extended area. Arab historians indulge in describing al-Mada’in/Ctesiphon’s grand monuments, which obsessed Muslim rulers and may have acquired a symbolic meaning related to its imperial past. This was the case of the Taq-i Kisra, an impressively-sized ivan (a vaulted hall with one side open) partially dismantled to reuse its bricks in caliphal buildings in the new capital Baghdad. Here, traces of fire are visible on the rim where the burning stub would have been placed. This lamp belongs to a long-standing tradition of turquoise-glazed ceramics made in Mesopotamia since the Parthian period, of which it represents a late Sasanian or Early Islamic evolution. Lamps with circular open reservoirs and slightly pinched spout were later abandoned in favor of more pinched shapes. Here, traces of fire are visible on the rim where the burning stub would have been placed.
Keukeninterieur, ca. 1600
Object type: print
Date: 1600 – 1624
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: kitchen, rich kitchen, low countries

Interieur van een volle rijke keuken met de leden van een welgestelde familie. Met veel keukengereedschap en etenswaren: gevogelte, groente, vissen etc. Links het roosteren van gevogelte bij het vuur, een oude vrouw bakt brood. Rechts plukt een keukenmeid een vogel. In het midden een elegant paar.
Vignette: Satyr's Head
Object type: print
Date: 1908 – 1909
Materials: paper
Techniques: lithograph
Location: norway
Artist: edvard munch
Artist role: print maker
Artist nationality: norwegian
Artist dates: 1863 – 1944
Sword Pommel (Kashira)
Object type: sword pommel kashira
Date: 1615 – 1868
Materials: copper, gold
Culture: japanese
Location: japan
Lord Roberts reading the Proclamation. June 5th 1900.
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Location: pretoria
Subjects: announcement, proclamation of laws
Inscriptions: negative number: ‘no. 707 Pretoria, Bus 545’

Onderdeel van Album met 191 foto's van een reis naar en door Zuid-Afrika.
Wijwateremmer, vijfzijdig
Object type: aspersorium
Date: 1475 – 1525
Materials: brass
Techniques: casting, metalworking
Location: southern netherlands
Artist: Anonymous

Holy water vessel. Brass Southern Netherlands or Germany, c. 1500.
Head Runner or Runaways from the Leipzic Fair
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,napoleon i,men,rabbits,politics
Pole Fisherman
Object type: print
Date: 1878 – 1878
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: alphonse legros
Artist role: artist
Artist nationality: french and british
Artist dates: 1837 – 1911
Bezoek aan een kwekerij
Object type: drawing
Date: 1805 – 1805
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: amsterdam, print maker, draughtsman, christiaan andriessen, gardening
Inscriptions: inscription: ‘7 oct hij schiet zeer goed, wie?’, signature: ‘J Andriessen’

Dagboekblad uit het getekende dagboek dat Christiaan Andriessen bijhield van 1805 tot en met 1808.
Portret van de schilder Hendrik Verschuring
Object type: playing card
Date: 1700 – 1800
Materials: paper, pencil
Artist: Anonymous
Subjects: dordrecht, print maker, draughtsman, hendrik verschuring, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Document Sealing With Multiple Seal Impressions
Object type: sealing, nebmaatre, amenhotep iii, ptah
Date: 1390 – 1352
Materials: mud
Portret van Francesco Ferdinando Alfieri
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: engraving, etching
Location: padua
Subjects: historical persons

Prent uit: Alfieri, Francesco Ferdinando. La scherma. Padua: Sebastiono Sardi, 1640.
Titelprent met zicht op Parijs
Object type: print
Date: 1906 – 1911
Materials: paper
Techniques: etching, intaglio
Location: france
Artist: henri manesse
Artist role: print maker
Artist dates: 1854 – 1940
Subjects: city-view in general; 'veduta', bridge in city across river, canal, etc., paris
Inscriptions: collector's mark: Lugt 2228, dedication: ‘A Monsieur Moes en souvenir reconnaissant des heures délicieuses passées avec Lui à Amsterdam [...]our son musée/ H Manesse artiste peintre & graveur/ Paris/ Octobre 1911’, edition: ‘Tirage limité à 50 [?] Exemplaires’

Dit is de eerste serie uit een prentreeks die uit minstens elf series bestaat.
Dish
Object type: dish
Date: 1662 – 1722
Materials: porcelain
Culture: chinese
Subjects: animals,flowers,leaves
Diverse heiligen vereren Maria en het Christuskind
Object type: print
Date: 1844 – 1877
Materials: paper
Techniques: etching, intaglio
Artist: adolphe léonard de mol
Artist role: print maker
Artist dates: 1834 – 1877
Subjects: madonna: i.e. mary with the christ-child, the monk and hermit jerome (hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone, the warrior martyr george (georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword, the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: collector's mark: Lugt 2228

Maria houdt het Christukind in haar armen en wordt vereerd door onder andere Hiëronymus, Joris en Maria Magdalena.
Interruption or Inconvenience of a Lodging House
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women

A man enters the dressing room of a dowager and her maid. The dowager covers herself and the maid throws her hands up in surprise.
Portret van de staatsman Johannes Gerardus Luyken
Object type: print
Date: 1786 – 1809
Materials: paper
Techniques: etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: staatsman, representant, johannes gerardus luyken
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt als boekillustratie in: Wagenaar, Jan. Vaderlandsche historie, (...) ten vervolge van Wagenaars Vaderlandsche historie. Dl. 1-43. Amsterdam: Johannes Allart, 1786-1809.
Landschap met boerderij tussen de bomen
Object type: print
Date: 1818 – 1886
Materials: paper
Techniques: etching, roulette
Location: netherlands
Artist: christiaan immerzeel
Artist role: print maker
Artist dates: 1808 – 1886
Subjects: landscapes (+ landscape with figures, staffage), farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Landschap met drie figuren en een hond bij een waterplas. Daarachter ligt een boerderij tussen de bomen. Links een weg met figuren en een kar.
Schuren met schapen
Object type: print
Date: 1876 – 1915
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: sophie christina van den wall bake
Artist role: print maker
Artist dates: 1866 – 1915
Subjects: barn, trees, sheep
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Aiding the wounded after a battle
Object type: print
Date: 1635 – 1660
Techniques: etching
Artist: jacques courtois
Artist role: artist
Artist nationality: french
Artist dates: 1621 – 1676
Ex libris van August Theodor von Jordan
Object type: bookplate
Date: 1800 – 1899
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: archer's weapons: arrow, beasts of prey, predatory animals: lion, armorial bearing, heraldry
Inscriptions: inscription: ‘Rietstap, 1, 1049.’
Portret van Wilhelmina, koningin der Nederlanden
Object type: print
Date: 1887 – 1908
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: jan rinke
Artist role: painter
Artist dates: 1863 – 1922
Subjects: the hague, print maker, wilhelmina of the netherlands, dog
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Museum van Kunstnijverheid, Haarlem
Object type: photomechanical print
Date: 1906 – 1910
Materials: cardboard
Techniques: photograph
Location: haarlem
Subjects: interior of the house, permanent exhibition, museum, haarlem
Untitled Valentine (Church and Cupid)
Object type: drawing and watercolor
Date: 1850 – 1859
Materials: paper
Techniques: collage, cutting, embossing
Location: england
Artist: thomas wood
Artist nationality: english
Artist dates: 1800 – 1899
Amulet of a walking ram
Object type: amulet, ram
Date: 400 – 30
Materials: glass
Location: egypt
Subjects: rams

Starting in the later Late Period and continuing through the Ptolemaic Period, a type of glass amulet cast by pressing the glass into a shallow open mold appears. The back was left rough, and the amulets may look ragged because glass overflowed the mold around the edges. The earlier amulets are monochrome, bi- or multicolor amulets supplement the repertoire during the Ptolemaic Period. Some of the amulets can be specifically tied to spells of the Book of the Dead – for example, acc. no. 17.194.2526 – and most are clearly funerary amulets, presumably meant to be wrapped between the bandages of the mummy where the presence of the amulet would do its job irrespective of its degree of finish.
Saucer
Object type: saucer
Date: 1740 – 1740
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: houses,landscapes,trees,boats
Rural Sports or a Cricket Match Extraordinary
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,women,sports,games

Women play cricket on a field at center, while spectators watch. Two girls seated at right record the runs by cutting notches into a stick. Tegg's address is erased in this state.
Standing Bodhisattva, probably Maitreya
Object type: figurine
Date: 601 – 800
Materials: alloy, silver
Culture: northeast thai
Subjects: buddhism,bodhisattvas,maitreya
Wheellock Rifle of Emperor Leopold I
Object type: arm
Date: 1664 – 1664
Materials: brass, horn, steel
Location: gmünd
Artist: johann georg maucher

The cheek of the stock is decorated with the double-headed eagle, symbol of the Holy Roman Empire. A portrait of Emperor Leopold I is carved in its center, with the seven electors over the spread wings. This was likely meant to commemorate the emperor’s recent victory over the Ottomans, accomplished with the help of the electors. The rifle was one of a matching pair presented to him. The now lost mate to this gun was carved with the date 1664, the year a peace treaty was signed with the Ottoman sultan.
Virgin and Child
Object type: print
Date: 1401 – 1500
Materials: niello
Artist: anonymous, german, 15th century
Artist role: artist
Artist nationality: german
Artist dates: 1400 – 1500
Subjects: madonna and child
The King of the Netherlands
Object type: print
Date: 1861 – 1861
Materials: paper
Techniques: colour
Location: japan
Subjects: standing figure, hacking and thrusting weapons: sword
Inscriptions: poem, signature, signature

The Dutch were not always depicted with respect in Japan. Part of a series about people from foreign countries, this print portrays the king of the Netherlands accompanied by an inscription mocking Dutch handwriting. In Japan, European writing was sometimes compared to the horizontal marks left by crabs scuttling sideways.
Iconographic Drawing of a Rainmaking Mandala
Object type: hanging scroll
Date: 1101 – 1200
Materials: ink, paper
Culture: japanese
Subjects: mythical creatures,dragons,buddhism,bodhisattvas

This unusual mandala, a sketch from a compendium of esoteric Buddhist images, set in the watery world of dragon kings, was used in rites to end drought. Interestingly, there are no known polychrome or highly finished versions of this type of mandala, though they are recorded as having been used in sutra-reading services performed by monks from the Tōji and Daigoji temples in Kyoto as early as the ninth century. Perhaps these diagrams were made each time an extraordinary plea for rain was required. The transcendent repose of the bodhisattva Monju (Sanskrit: Manjushri), seated on a garuda bird and cloud at the center, is particularly striking amid the serpents and swirls of water that surround him. The text from which this visualization is drawn is known in Japanese as the Daiunrinshōukyō.
Old Beggar Woman
Object type: print
Date: 1833 – 1838
Techniques: drypoint, etching, roulette
Artist: alexandre-gabriel decamps
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1860
Bezoek van het eerste Japanse gezantschap in Nederland aan de Rijksmunt te Utrecht op 15 juli 1862
Object type: history medal
Date: 1862 – 1862
Materials: bronze
Techniques: striking
Location: utrecht
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: netherlands, utrecht, japan

Ter gelegenheid van het bezoek aan Nederland van een Japanse overheidsgezantschap werden, toen dit gezelschap op 15 juli 1862 bij de Koninklijke Munt in Utrect was, drie zilveren en een aantal koperen gedenkpenningen geslagen. De zilveren penningen werden aan de Japanse gezanten geschonken, voor de andere aanwezige 'autoriteiten' was een koperen exemplaar beschikbaar. De teksten luiden (in het Japans) 'Nippon Taikoen no sei-si Holanda ni kataroe' (een gezantschap van de grootheer van Japan komt naar Nederland) en op de keerzijde (in Chinese karakters) 'Rijoo koku Sin-boku másu másu' (van beide rijken de vriendschap meer en meer innig').
Königswinter
Object type: photograph
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: königswinter
Artist: Anonymous
Subjects: river, village
Female Caryatid
Object type: drawing and watercolor
Materials: chalk, paper
Location: italy
Artist: after pietro buonaccorsi, called perino del vaga
Nova raccolta de li animali piu curiosi del mondo
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: vatican city
Subjects: monsters of the sea, mis-shapen animals; monsters
Inscriptions: collector's mark: Lugt 11, number: ‘195’

Deze prent maakt deel uit van een reeks prenten van dieren door Antonio Tempesta. Bekend is dat een tweede staat (met nummering) van deze serie is uitgegeven door Giovanni Giacomo de' Rossi in 1650. Onbekend is wie de eerste staat heeft uitgegeven en wanneer.
Ensemble
Object type: ensemble
Date: 1852 – 1852
Materials: cotton, silk
Culture: british
Piece
Object type: piece
Date: 1501 – 1700
Materials: silk
Subjects: flowers,leaves
Kossuth
Object type: print
Date: 1820 – 1880
Materials: paper
Techniques: lithograph
Artist: ludwig
Artist role: print maker
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Feeding the Hungry
Object type: painting
Date: 1646 – 1649
Materials: canvas, oil
Artist: michael sweerts
Artist role: painter, print maker
Artist dates: 1618 – 1664
Subjects: feeding the hungry, 'esuriens cibatur' ~ one of the (seven) acts of mercy

In the Catholic Church, the ‘Seven Works of Mercy’ served as a guiding principle for acts of human kindness. They are based on Christ’s teachings, as described in the Gospel of Matthew. Sweerts painted his series of – four of which four pictures are in the Rijksmuseum – while in Rome. His humble street scenes depict the
poorest of the poor with penetrating insight.
Shawl
Object type: shawl
Date: 1801 – 1900
Culture: british
Reinforcing Pieces for the Tourney
Object type: reinforcing piece for the tourney
Date: 1510 – 1515
Materials: copper alloy, gold, steel
Culture: german
Location: germany
Artist: kolman helmschmid
Artist role: armorer
Artist nationality: german
Artist dates: 1471 – 1532

In the late fifteenth century, specialized exchange and reinforcing pieces were devised that allowed a single field armor to be adapted for use in various forms of the tournament. The ensemble of pieces was known as a garniture. The armorers Lorenz Helmschmid (about 1445–1516) and his son Kolman, working for Emperor Maximilian I (1459–1519), were among the principal inventors of the garniture. Exhibited here are some of the earliest pieces stamped with the mark of Kolman, the most innovative armorer of his generation. These reinforces represent an early form of garniture for the tourney, a combat fought by groups of horseman armed with blunted lances and swords. The decoration imitates the elaborately brocaded textile that was fashionable in court costume.
Gezicht op een oever bij het Bolton klooster nabij Twickenham
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: tone lithography
Location: london
Subjects: park, forest, wood, abbey wall
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent maakt deel uit van een serie van 24 prenten.
De Hemel / Juwelen / Maan en sterren / Nachtrust
Object type: print
Materials: paper
Techniques: etching
Location: haarlem
Artist: cornelis van noorde
Artist role: draughtsman, print maker
Artist dates: 1731 – 1795
Subjects: contemplating the firmament, sleeping in bed, candle, jewel-box, moon as celestial body, dog
Inscriptions: collector's mark: Lugt 240

Vier voorstellingen. Linksboven: een vrouw in een landschap, terwijl zij in verwondering haar handen opheft en naar de hemel kijkt. Rechtsboven: twee mannen en een vrouw voor de deur van een juwelier, terwijl zij in een juwelenkist kijken naar diamanten. Op straat een hond en op de brug een koets. Linksonder: een man en een vrouw kijken over het water naar de maan en de sterren. Op het water een zeilschip. Rechtsonder: een slaapkamer met op tafel een brandende kaars. In bed ligt iemand te slapen.
Gezichten op Amsterdam
Object type: print
Date: 1824 – 1825
Materials: paper
Techniques: aquatint, etching
Location: the hague
Subjects: interior of church
Inscriptions: collector's mark: Lugt 2233

Interieur van het schip van de Nieuwe Kerk te Amsterdam, gezien naar het orgel. Rechts de preekstoel.
Rudolph II, Holy Roman Emperor
Object type: print
Date: 1609 – 1609
Materials: paper
Techniques: engraving
Location: belgium
Artist: aegidius sadeler (ii)
Artist role: artist
Artist nationality: flemish
Artist dates: 1568 – 1629
Inscriptions: Lettered below image: "Augustissimo et Gloriosissimo Rom. Imperatori Rudolpho ... Aegidius Sadeler in demissae et debitae observantiae signum dedicabat anno MDCVIIII PRagae. Marco Sadeler excudit."
Portret van Hillegond Kramer
Object type: photograph
Date: 1890 – 1918
Materials: cardboard, photographic support
Techniques: collodion silver print
Subjects: historical persons - bb - woman, head-gear: cap
Inscriptions: inscription: ‘Photographische/ ATELIERS/ J. Siewers & Zoon/ EDAM/ HILVERSUM./ Specialiteit in vergrootingen.’, inscription: ‘Hillegond Kramer’
Two Rowboats (from Sketchbook)
Object type: drawing
Date: 1891 – 1891
Materials: gilt, graphite, leather, paper
Techniques: bookbinding
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: boats
[Looking Toward Marye's Heights, Fredericksburg]
Object type: panorama
Date: 1864 – 1864
Techniques: albumen silver print, glass negative
Artist: andrew joseph russell
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Portret van Gottfried Ludolf Grassmann
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Location: berlin
Subjects: ornament ~ medallion, historical persons
Inscriptions: collector's mark: Lugt 2228
Jonge herder met schalmei en oude herder met panfluit
Object type: print
Date: 1510 – 1527
Materials: paper
Techniques: engraving
Location: italy
Subjects: panpipes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 12, collector's mark: ‘F Rechberger 1802’ Lugt 2133

Prent mogelijk naar ontwerp van Marcantonio Raimondi.
Vijf etsproeven
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Artist: pierre louis dubourcq
Artist role: draughtsman, painter, print maker
Artist dates: 1815 – 1873
Subjects: fowl (cock, hen, chicken, etc.) (+ animal cage)
Inscriptions: collector's mark: Lugt 2228
Gezicht op Slot Zuylen
Object type: book illustration
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: rural housing, e.g. country-house, villa, cottage

Prent gebruikt in: Leth, Andries de. De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende (...). Amsterdam: Weduwe Nicolaus Visscher, 1719.
Prent ook gebruikt in: Brouërius van Nidek, Matthaeus. De Vechtstroom, van Utrecht tot Muiden (...). Amsterdam: H. Gartman, W. Vermandel en J.W. Smit, 1790.
Sampler
Object type: sampler
Date: 1801 – 1900
Materials: silk, wool
Subjects: chickens,swans,dogs,flowers
Gezicht op Smyrna
Object type: photograph
Date: 1859 – 1869
Materials: photographic support
Techniques: albumen print
Location: smyrna
Artist: alexander svoboda
Artist role: fotograaf
Subjects: harbour, city-view in general; 'veduta'
Bowl
Object type: vessel
Materials: enamel, iron, stoneware
Techniques: overglaze, painting
Location: china
Fragmentary relief plaque with falcon
Object type: sculptor's model votive, falcon
Date: 400 – 200
Materials: limestone
Location: egypt
Subjects: falcons