deem-data/ArtiFact huggingface dataset:
Les Propos de Thomas Vireloque: Brains cracked-but bottles
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: lithograph
Location: france
Artist: paul gavarni
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1866
Stirrup for a Child
Object type: stirrup
Date: 1651 – 1700
Materials: metal alloy
Culture: german
Location: germany

The very small size of this stirrup indicates that it was made for a young child. Children from wealthy families would start riding lessons as soon as they could sit on a pony, usually around the age of 3. Horsemanship was an important component of European noble society, and children of the elite were expected to master the art of equitation. Moreover, as many nobles served in the cavalry, it was essential for them to be skillful riders by the time they were old enough to go to war.
Sainte Foy
Object type: print
Date: 1690 – 1730
Materials: paper
Techniques: engraving
Location: paris
Subjects: female saints
Inscriptions: collector's mark: Lugt 2228
Mutterglück
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: photoaquatint
Location: berlin
Artist: heinrich riffarth
Artist role: printer
Subjects: watching a sleeping child

Prent op eenendertigste ongenummerde pagina na pagina 400.
Vierkante stoof
Object type: voetstoof, stoof
Date: 1690 – 1710
Materials: wood
Location: amsterdam
Artist: Anonymous

Vierkante stoof van eikenhout. De stoof heeft een opstaande rand aan de voorzijde en in de voetenplank zijn vier hartvormige en vijf ronde gaten aangebracht.
North Woods Club, Adirondacks (The Interrupted Tete-a-Tete)
Object type: drawing and watercolor
Date: 1892 – 1892
Materials: graphite, paint, paper, watercolor
Techniques: aquarelle, scraping
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Subjects: century of progress, animals, hunting, world's fairs, chicago world's fairs, wilderness
Inscriptions: Signed recto, lower right, in pen and brown ink: "Winslow Homer 1892/Northwoods Club N.Y."
Inscribed verso, center, in graphite: "The Interrupted tete-a-tete, Adirondacks"

In numerous watercolors, Homer explored aspects of the controversy over deer hunting practices in the Adirondack region without overtly expressing his own opinion. In North Woods Club, Adirondacks (The Interrupted Tête-à-tête), hunting is only hinted at in a subliminal way. Homer pictured two white-tailed deer, a doe and a buck, at the edge of a mountain meadow. Homer selected the exact moment when the deer become aware of another presence, the identity of whom is left to the viewer’s imagination. He juxtaposed a yellow-green flowering meadow with cool, purple-blue mountains, creating an entrancing summer vista. Yet Homer alluded to a less-benign narrative that would have been clear to his contemporaries. Two tall white pines stand silhouetted against the view, echoing the two deer. White pine had been dangerously over harvested in this period, and worry over its dwindling numbers in the Adirondacks paralleled concern for excessive hunting of deer. Homer drew the pine trees and deer carefully in pencil before adding watercolor, making sure that the distinctive characteristics of both threatened species would be clearly identifiable.
Houten meubels
Object type: album leaf
Date: 1920 – 1940
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: chair (+ wood and other phytogenic material), table (+ wood and other phytogenic material), communal rooms
Inscriptions: annotation: ‘B.’, number: ‘1 - 2 -3/ 4 - 5 - 6’

Zes foto's van stoelen en tafels van hout, waarvan twee foto's met een interieur. Deze foto's maken deel uit van een album.
Hat Badge: Woman Choosing Between Youth and Old Age
Object type: hat ornament
Date: 1520 – 1520
Materials: enamel, gold
Techniques: filigree
Culture: flemish
Subjects: men,women

During the Renaissance, hat badges were a common form of personal adornment worn predominantly by wealthy men to assert the wearer’s character. They often depicted religious or mythological subjects, portraits or heraldic devices. However, the unusual subject depicted here, shows an old man, at left, clasping the breast of the woman, at center, while she takes money from his purse with her right hand. Her left hand holds that of the young man, on the right. The inscription reads: AMOUR FAIT MONLT ARGENT FAIT TOUT (Love does much; money does everything).
Bernard. Paul, Auguste. 32 ans, né à Crest (Drôme). Employé. Excitation au meurtre, anarchiste. 11/2/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
Ensemble
Object type: ensemble
Date: 1867 – 1933
Materials: cotton, leather, metal, silk, wool
Location: northern
Ambachten en beroepen
Object type: popular print
Date: 1822 – 1849
Materials: paper
Techniques: colour, letterpress printing
Location: zutphen
Subjects: craft-production, skilled handiwork, working class, labourers, street-trader, crafts and industries, merchant, salesman
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen van ambachtslieden en beroepen, zoals kleermaker, mattenklopper en straatverkoper. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: N. 61.
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Five black glazed fragments from kylikes
Border
Object type: border
Date: 1601 – 1633
Techniques: lace
Standing Male Saint (an Apostle?)
Object type: drawing
Date: 1700 – 1750
Materials: ink, ivory, paper
Techniques: pen
Artist: pedro  duque cornejo
Artist role: artist
Artist nationality: spanish
Artist dates: 1677 – 1757
Subjects: men

For the attribution of this drawing to the sculptor Pedro Duque Cornejo, see M. García Luque, 'Dibujos de Duque Cornejo en el Álbum Jaffe (I): la colección del Metropolitan Museum of Art’, Philiostrato. Revista de Historia y Arte, no. 3, 2018, cat.no. 27.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1905 – 1905
Materials: cardboard, ink
Techniques: pen, writing
Location: scheveningen
Artist: karel sluijterman
Artist role: designer
Artist dates: 1863 – 1931
Subjects: the hague, painter, draughtsman, philip zilcken, deventer, arnhem
Inscriptions: collector's mark: ‘RPK’
Bead
Object type: bead, flattened
Date: 100 – 200
Materials: glass, gold foil
Location: egypt

Gold glass beads were a Hellenistic development. They were created by combining drawn tubes of colorless glass with gold foil. The earliest examples were finished bead by bead. These are all modern stringings; most ancient stringing patterns are lost as the string decays.
Piece
Object type: piece
Materials: metal thread, silk
Subjects: flowers,leaves
Silver Statuette of St. Simon, from the "Wittenberg Reliquaries"
Object type: print
Date: 1472 – 1553
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: men,saints
Piece
Object type: piece
Date: 1567 – 1633
Materials: silk
Military coat
Object type: military coat
Date: 1775 – 1783
Materials: metal, wool
Culture: american
Subjects: army,american revolution

This example of a uniform jacket worn by an officer during the American Revolution is completely hand-made. Owned by Col. William Taylor, it shows a significant amount of wear. Color, style and number of buttons are among the features used to identify one's military unit, or regiment, in this case Connecticut Regiment 1776.
Pier Table
Object type: pier table
Date: 1900 – 1900
Materials: wood
Culture: american
Location: united states
Willem I, soeverein vorst der Nederlanden, 1814
Object type: photograph
Date: 1865 – 1865
Materials: cardboard, photographic support
Techniques: photography
Location: netherlands
Artist: Anonymous
Subjects: the hague, berlin, william i of the netherlands
Inscriptions: inscription: ‘den weled. Heer Fredr. Muller, van den uitgever J. Leendertz.’

Foto van een prent met een allegorie op de vrede en de aanstelling van prins Willem Frederik als soeverein vorst der Nederlanden, 30 maart 1814.
Portret van paus Pius VI
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: pius vi, historical persons, pope, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, inscription: ‘[...]’
Gezicht op het Walenweeshuis aan de Vijzelgracht te Amsterdam
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), rowing-boat, canoe, etc., orphanage, canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Huidige staat van prent ook gebruikt in: Commelin, Casparus. Beschryvinge van Amsterdam (…). 2de druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe Antony van Aeltwijk en Hermanus Uytwerf, 1726, dl. 2, p. 605.

Eerste staat van prent (zonder opgewerkte lucht- en waterpartijen) ook gebruikt in: Commelin, Casparus. Beschryvinge van Amsterdam (…). Amsterdam: Abraham Wolfgang, Gillis Janssonius van Waesberge of Johannes Janssonius van Waesberge, Hendrick Boom of weduwe Dirk Boom, Abraham van Sanderen en Rembertus Goethals, 1693, dl. 2, p. 605. En in: Commelin, Casparus. Beschryvinge van Amsterdam (…). Amsterdam: weduwe Aart Dircksz. Oossaan, 1694, dl. 2, p. 605.
Figure of a man
Object type: figure
Date: 1750 – 1750
Materials: stoneware
Techniques: salt glaze
Subjects: men
The Actor Matsumoto Koshiro IV Seated in an Outer Room
Object type: print
Date: 1789 – 1789
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Subjects: men,actors
Boots
Object type: boot
Date: 1860 – 1869
Materials: leather
Culture: american or european
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 334 – 301
Materials: terracotta
Culture: etruscan

Interior, part of the line from the tondo border; Exterior, part of a palmette
Paard
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: chalk, paper
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: horse

Blad 3 recto uit een schetsboek met 45 bladen.
Cardinal Richelieu, Kneeling, Presents His Book to the Virgin and Child
Object type: print
Date: 1646 – 1646
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: books,men,angels,madonna and child
Tegel
Object type: tile
Date: 1530 – 1570
Materials: earthenware, glaze
Techniques: maiolica
Location: iberian peninsula
Artist: Anonymous

Tegel met een veelkleurig (blauw, paars en geel) wezen, half man en half leeuw rechts van een vaas.
Mamluk Philae Dish
Object type: dish
Date: 1345 – 1360
Materials: brass, gold, silver
Techniques: inlay
Location: egypt or syria
Lago di Garda. Riva. Veduta verso la strada del Ponale e Monte Baldo
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard, photographic process
Location: zurich
Artist: Anonymous
Subjects: ships (in general), lake, mountains
Drinkhoorn met een stam in de vorm van een dragende Bacchus, een cylindrische dekselbokaal met een zonovergoten landschap, en een cylindrische dekselbeker met jongens die in wijnbomen klimmen
Object type: drawing
Date: 1835 – 1860
Materials: ink, paper
Techniques: pen
Location: vienna
Artist: franz jakob kreuter
Artist role: architect
Artist dates: 1813 – 1889
Subjects: mug, beaker, goblet, drinking-horn
Inscriptions: edge inscription: ‘LINZ.1834.MON SOR.’
Amulet of the Head of the Goddess Hathor
Object type: costume and accessory
Materials: ceramic, faience
Culture: egyptian
Location: egypt
Subjects: goddesses
Gebakschotel versierd met blokmotief en stippen in geel en zwart
Object type: cake plate
Date: 1900 – 1925
Materials: earthenware
Location: netherlands
Artist: chris van der hoef
Artist role: ceramicist, draughtsman, sculptor
Artist dates: 1875 – 1933
Inscriptions: mark: ‘Amphora Holland ontw. C.J. v d Hoef 268A//horizontale streep 1 J.d V.’

Gebakschotel van aardewerk. De randen van de schotel zijn versierd met een blokmotief met stippen in geel en zwart tussen aan weerszijden drie gele biezen.
Tree of life pitcher
Object type: pitcher
Date: 1865 – 1885
Materials: glass
Culture: american
Location: united states
Artist: portland glass company
Artist role: maker
Artist nationality: american
Artist dates: 1864 – 1873
Gezicht op Wageningen
Object type: drawing
Date: 1786 – 1786
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: hendrik hoogers
Artist role: draughtsman, mayor, print maker
Artist dates: 1747 – 1814
Subjects: prospect of city, town panorama, silhouette of city
Inscriptions: inscription: ‘Wageningen ten suijdoosten getekend’
Beads and Pendants
Object type: bead and pendant
Date: 701 – 1300
Materials: stone
Techniques: cutting
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Vrouw en jongen in een tuin, vermoedelijk bij een bijenkast
Object type: photograph
Date: 1860 – 1890
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: mother and son(s) (family group), bee-hive
Bivouac der Kosacken
Object type: print
Date: 1808 – 1814
Materials: paper
Techniques: etching
Location: vienna
Subjects: (military) camp with tents
Inscriptions: collector's mark: Lugt 2228, : Lugt 2760
Ruth leest aren in het veld van Boaz
Object type: print
Date: 1580 – 1580
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: ruth in the field of boaz (ruth 2:3-17), boaz speaks to ruth; ruth usually bowing down, or kneeling before him
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, date: ‘1580’

Ruth en Boaz op de voorgrond. Op de achtergrond worden de aren geoogst. Twee regels Latijn en tweemaal twee regels Duits in marge onder prent.
Olav wijst enkele biddende mannen op de zon
Object type: book illustration
Date: 1806 – 1806
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: spur, ruler, sovereign, kneeling figure, index finger forwards, pointing, indicating, insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral)
Inscriptions: collector's mark: Lugt 240

Olav wijst enkele Noren op de zon als bewijs van de macht van God. Op de achtergrond vernietigt een man met zijn knuppel het beeld van Thor, waardoor de machteloosheid van deze god wordt bewezen.
Portret van Johann Conrad Kalt von Kaltenberg
Object type: print
Date: 1637 – 1637
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: historical persons, lawyer, attorney at law
Inscriptions: collector's mark: Lugt 2228

Tekst in het Latijn in de omlijsting en in de ondermarge.
Netsuke
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: fans,men
Portret van Beaumier
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: engraving
Location: paris
Subjects: fleur-de-lis ~ ornament, political caricatures and satires
Inscriptions: collector's mark: Lugt 240

Titelpagina voor: Les Heros de la Ligue: ou la procession monacale, conduitte par Louis XIV, pour la conversion des Protestants de son royaume. Chez. Pere Peters en Louis le Grand: Parijs, 1691. (De uitgevers zijn fictief.)
Het laatste oordeel, blad I
Object type: print
Date: 1530 – 1582
Materials: paper
Techniques: engraving
Location: rome
Subjects: last judgement
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een groep van tien prenten die samen één grote voorstelling vormen naar het fresco met het Laatste Oordeel door Michelangelo in de Sixtijnse Kapel in het Vaticaan.
Two Gossips
Object type: print
Date: 1610 – 1685
Techniques: etching
Artist: adriaen van ostade
Artist role: artist
Artist nationality: dutch
Artist dates: 1610 – 1685
Subjects: men
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic
Artist: antiphon painter
Artist role: artist

Interior, part of elbow, forearm and fingers of figure; part of an inscription, …OS; Exterior, legs of male to right
Kuro Tomesode
Object type: textile
Materials: gold leaf, paper, silk
Techniques: embroidery, dyeing, lacquer, laid work, lining, painting, weave, resist, stitching
Location: japan
Paneel behorende bij een ongesneden frak van zijdenvelours
Object type: coat
Date: 1780 – 1790
Materials: silk
Techniques: embroidered, weave

In de 18e eeuw werden kledingstukken à disposition geborduurd. Dit betekent dat de contour van het kledingstuk met alle daarbij behorende versieringen door de borduurwerker werden geborduurd en pas daarna werden de panden of panneaux naar de kleermaker gebracht voor verdere verwerkingen. De knopen b.v. werden door de kleermaker uitgeknipt en rondom een kern van hout of ander stevig materiaal gewerkt.
Les anglais chez eux: Bouquets de violettes.
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Location: france
Artist: paul gavarni
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1866
Vrouw tapt rubber op een plantage op Sumatra
Object type: photograph
Date: 1900 – 1920
Materials: paper, photographic support
Techniques: gelatin silver print
Location: sumatra
Artist: Anonymous
Subjects: plantation, (non-fruit) products of plants or trees: rubber, working class, labourers, sumatra

Mogelijk gaat het om een contractarbeidster. Onderdeel van reisalbum met foto's van bedrijvigheid en bezienswaardigheden op Sumatra en Java en van de reis naar en van Nederlands-Indië.
Square Piano
Object type: square piano
Date: 1767 – 1800
Materials: bone, wood
Culture: german
Location: germany
Artist: ignace-joseph senft
Artist role: maker
Artist nationality: german

This square piano has an unveneered oak and softwood case with four square, tapered legs. It has 61 keys (FF–f3), ebony naturals with plain fronts, and bone slips on stained accidental blocks. There are two knee levers located under the keyboard, the left raises the dampers, and the right activates a cloth mute, called a sordin or moderator stop. The piano has a German prellmechanik action with hammers facing away from the player that pivot in brass kapsels mounted on the key levers.
Man en vrouw zittend in interieur
Object type: stereograph
Date: 1860 – 1860
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: living-room, parlour, sitting-room, paris
Stadhuis van Parijs aan het Place de Grève
Object type: page
Date: 1839 – 1840
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: townhall
Inscriptions: inscription: ‘PARIS DAGUERRÉOTYPÉ No. 21.’

Prent op drieëntachtigste ongenummerde pagina.
Netsuke
Object type: netsuke
Date: 1801 – 1900
Materials: enamel, gilt, metal, stone
Techniques: inlay
Culture: japanese
Subjects: men
Duitsland, Deutsche Länder, 50 Pfennig, 1949 D
Object type: vijftig pfennig
Date: 1949 – 1949
Materials: nickel
Techniques: striking

Nikkelen munt. Voorzijde: zittende vrouw die boom plant. Jaartal onderaan. Keerzijde: waarde-aanduiding in twee regels, waartussen letter D. Geslagen in Mùnchen. Kartelrand.
Three Worthy Christians: Charlemagne, King Arthur, and Geoffrey of Bouillon
Object type: print
Date: 1516 – 1516
Techniques: etching
Artist: daniel hopfer
Artist role: artist
Artist nationality: german
Artist dates: 1470 – 1536
Subjects: shields,swords,kings,knights
Jonkheer doctor J. Loudon (Vereniging voor Penningkunst 1937, tweede penning)
Object type: history medal
Date: 1937 – 1937
Materials: bronze
Techniques: striking
Artist: toon dupuis
Artist role: sculptor
Artist dates: 1877 – 1937

Bronzen penning, op de voorzijde het borstbeeld van Loudon naar links met omschrift, op de keerzijde vier regels tekst en het jaartal, met verklaring.
Ear flare frontal
Object type: earflare frontal
Date: 200 – 600
Materials: gold
Culture: moche
Location: peru
Artist: moche artist(s)
Artist role: artist
Bottle
Object type: bottle
Date: 1701 – 1800
Materials: clay, glaze
Techniques: stain
Culture: japanese
Wandbord met drie bloemmotieven op het plat
Object type: plate dish
Date: 1888 – 1888
Materials: earthenware
Techniques: painted
Location: the hague
Artist: theo colenbrander
Artist role: draughtsman
Artist dates: 1841 – 1930
Inscriptions: mark: ‘W. v met vlag G. / den Haag / D, daaronder: Moite en tevens vier punten, waaronder een horizontale streep (alles in zwart).’

Decorative plate. Earthenware. The Hague, Haagsche Plateelbakkerij Rozenburg, 1888, designed by Theodorus A.C. Colenbrander. Factory under the direction of Wilhelm W. von Gudenberg.