deem-data/ArtiFact huggingface dataset:
Patched strip of red, yellow and white lampas silk; possibly originally part of a chasuble
Object type: chasuble fragment
Date: 1501 – 1600
Materials: linen, metal thread, silk

With its ornate and intricate knotwork patterning- still discernable despite surface losses- this textile is an evocative survival of Spanish, sixteenth-century weaving. When this strip was first part of The Met's collection, it was attached to two additional fragments of the same textile (17.29.16a) and assembled to imitate the front of a liturgical garment (as revealed in black-and-white photography). This was probably an early twentieth-century construction created by dealers to make the fragments more saleable.
Twee timmermannen in een werkplaats
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: carpenter
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Twee timmermannen in een werkplaats, mogelijk maken zij een wagen of koets. Rechtsboven genummerd: 14. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en verkeer, Beroep en bedrijf, Mannelijk, Bewerkers van het hout.
Card Number 57, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Ceres en Bacchus
Object type: print
Date: 1595 – 1678
Materials: paper
Techniques: engraving
Location: netherlands
Artist: Anonymous
Subjects: (story of) ceres (demeter), (story of) bacchus (dionysus), liber
Inscriptions: collector's mark: Lugt 240

Ceres en Bacchus lopen hand in hand. Ceres houdt een sikkel in de hand en draagt korenaren in haar haren. Bacchus houdt een druiventros in de hand.
Mary, Queen of Scots
Object type: print
Techniques: engraving
Location: england
Artist: john keyse sherwin
Artist role: artist
Artist nationality: british
Artist dates: 1751 – 1790
Subjects: queens,portraits,women,mary queen of scots
Dressing-table mirror
Object type: dressing table mirror
Date: 1700 – 1700
Materials: brass, wood, glass, shell
Techniques: engraving

An engraving by André-Charles Boulle (1642–1732), cabinetmaker to the French crown, depicts a mirror similar to this example, as does Jean-Marc Nattier’s portrait Madame Marsollier and Her Daughter of 1749, suggesting that luxurious boulle-work objects made during the time of Louis XIV remained fashionable long after his reign.
Amulets (string): Eye of Horus, Djed Pillars, Scarabs
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt

Amulets could be strung on cords to be worn by the living or the dead. This group of ancient amulets features a pillar with cross bars, (the djed column) that represented the backbone of the god Osiris and conveyed stability. The center djed is flanked by eyes of Horus, which promised health.
Panelen met vrouwelijke herme en medaillion
Object type: print
Date: 1650 – 1761
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous

In het midden van het linkerpaneel staat een herme met een mand vol bloemen op haar hoofd, bovenaan het rechterpaneel hangt een portretmedaillon onder een baldakijn. Blad uit serie met moderne grotesken waartussen zich ornamenten en consoles met serviesgoed bevinden.
Schotel, veelkleurig beschilderd met een havengezicht
Object type: eating drinking utensil
Date: 1804 – 1804
Materials: porcelain
Techniques: painted
Location: meissen
Artist: johann gottlob karl liebezeit
Artist role: porseleinschilder
Artist dates: 1766 – 1814
Inscriptions: mold mark, factory mark, painter's mark: ‘115’, mark: ‘4’

Déjeuner (small tea or coffee set) with views of Mediterranean ports. On the tray a view ofthe harbour at Marseille. Porcelain. Meissen, dated 1804.
Unfinished Sketch of Lady Haden
Object type: print
Date: 1895 – 1895
Materials: chine, ink, ivory, paper
Techniques: lithograph, scraping
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Gezicht op de Latijnse School in Nijmegen
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Location: leipzig
Artist: Anonymous
Subjects: façade (of house or building)
Inscriptions: number: ‘8.’
Stamp seal
Object type: stamp seal
Date: 201 – 700
Materials: gemstone
Culture: sasanian
Location: iran

Stamp seals were used in antiquity as marks of ownership and badges of status. This seal is hemispheroid in shape and is pierced so that it could be suspended and perhaps worn. On its flattened side, a monogram under a chevroned arch is depicted. The image is carved into the surface of the stone and appears in relief when the seal is pressed into clay. The seal was excavated in the fortress at Qasr-i Abu Nasr. The site is located near Shiraz in southern Iran at a strategic point at the intersection of defensive mountains, available water sources, and along roads entering the Shiraz plain. It was excavated by archaeologists from The Metropolitan Museum of Art for three seasons from 1932-1935. The town was occupied, at least intermittently, from the Parthian period (3rd century B.C.–3rd century A.D.) to the Muzaffarid period (13th-14th century A.D.). The major occupation, including the extensive fortress, dates to the Late Sasanian period (6th-7th century A.D.). The eastern part of Qasr-i Abu Nasr is a raised plateau of a roughly triangular shape. During the Sasanian period the plateau was fortified by a wall and densely occupied. Archaeological finds from the fortress show a wide range of defensive and administrative practices.
De kleine figuren
Object type: print
Date: 1635 – 1669
Materials: paper
Techniques: engraving
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: soldiers and civilians
Inscriptions: collector's mark: Lugt 2233

Jonge soldaat, op de rug gezien met zijn linkerhand op een speer steunend.
Boslandschap
Object type: photograph
Date: 1858 – 1858
Materials: paper
Techniques: albumen print
Artist: portier
Artist role: fotograaf
Subjects: forest, wood, france
Inscriptions: inscription: ‘75,-’, number: ‘102’, inscription: ‘Portier: 1858’
Relief, filling jars with wine
Object type: relief, filling wine in jar
Date: 1981 – 1950
Materials: limestone
Location: egypt
Subjects: men,working
Dukes Place Lovers
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,lovers,women
Kniegesp uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: knee buckle
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Buckle, chape buckle, knee buckle; ring, id. NG 1980-27H3336.
Model Pick from a Foundation Deposit
Object type: pick, model, tool, senenmut
Date: 1479 – 1458
Materials: wood
Location: egypt
Papyrus
Object type: papyrus
Date: 699 – 699
Materials: ink, papyrus
Culture: coptic
Location: egypt
Paarden die een boomstam voortslepen over een besneeuwd bospad
Object type: print
Date: 1878 – 1938
Materials: paper
Techniques: etching, intaglio
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: forestry, forest path or lane, snow, horse
Inscriptions: inscription: ‘eigendom mevr. D. Klinkhamer-Bastert / Voert 3’, collector's mark: Lugt 2760, collector's mark: Lugt 2228
De tabak
Object type: popular print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: a. de ker
Artist role: print maker
Subjects: tobacco
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen over het productieproces van tabak. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 153.
Spotprent op Talleyrand, 1813
Object type: cartoon
Date: 1813 – 1813
Materials: paper
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: paris, politician, charles maurice hertog van talleyrand-périgord, ass, donkey, oral advertising, lantern, 'cris de paris', cries of london, etc.
Inscriptions: collector's mark: Lugt 2228

Spotprent waarin de Franse minister Talleyrand als een lantaarnopsteker en/of stadsomroeper is voorgesteld die de tijd - elf uur - omroept. Voor hem op de grond ligt een ezel waarop de tekst 'Aanspraak Parijs - den 14 Nov.ber 1813, vous éts un inposteur'.
Zittende schilder omringd door kinderen
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Location: paris
Subjects: child, workshop, studio ~ painter, picture, painting
Inscriptions: collector's mark: Lugt 964

Serie bestaat uit titelprent en tien prenten. Tweede prent in de serie van elf prenten.
Gezicht op nissen in de Galerie Henri II van het Kasteel van Fontainebleau, Frankrijk
Object type: photograph
Date: 1870 – 1875
Materials: photographic support
Techniques: albumen print
Location: fontainebleau
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: castle - aa - civic architecture: inside
Inscriptions: number: ‘PL. 25.’

Deze foto maakt deel uit van een omslag met dertig foto's en twee tekstbladen.
Evangelist Lucas
Object type: print
Date: 1588 – 1588
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: luke the evangelist; possible attributes: book, (winged) ox, portrait of the virgin, surgical instruments, painter's utensils, scroll

Lucas de evangelist, ten halven lijve, lezend in een boek. Aan zijn linkerzijde staat een gevleugeld rund. Om de voorstelling een Latijnse tekst. Deze prent is onderdeel van een serie van vier ronde voorstellingen van de evangelisten, elk omgeven door een witte band waarin een regel Latijn. Deze derde prent is abusievelijk '4' genummerd onderin.
Gezicht uit de Berceaux over de groote Waterkom naer achteren / Vuë du Berceau sur le grand Bassin vers le derriere
Object type: print
Date: 1729 – 1732
Materials: paper
Techniques: engraving, etching
Artist: hendrik de leth
Artist role: draughtsman, print maker, publisher
Artist dates: 1703 – 1766
Subjects: french or architectonic garden; formal garden, garden pond
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Prent mogelijk uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in 100 heerlyke gezichten. Amsterdam: Jan Roman, s.a. Of uit: Brouërius van Nidek, Matthaeus. Het zegepralend Kennemerland, vertoond in veele heerlyke gezichten. Amsterdam: Andries en Hendrik de Leth, s.a [1729-1732].
Portaal van de Al-Azhar-moskee te Caïro
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, paper, ink
Techniques: photograph
Location: zurich
Artist: Anonymous
Subjects: parts of church exterior and annexes: porch, flat decoration ~ applied arts (+ islamic art), temple, shrine ~ islam, mohammedanism
Inscriptions: collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, number: ‘5163.’
Portret van Filips de Goede, hertog van Bourgondië
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: engraving
Location: italy
Subjects: philip iii the good, historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van 58 prenten. Het meerendeel van de prenten bevat portretten van 74 leden van het Oostenrijkse Huis, naar tekeningen door Francesco Terzio, die deels getekend zijn naar de 28 levensgrote bronzen beelden die rond de cenotaaf van Maximiliaan I in de Hofkirche te Innsbruck staan.
Head of a Male Figure
Object type: head
Date: 501 – 700
Materials: clay
Culture: india, jammu and kashmir, akhnur
Subjects: kashmir,heads,men

A major Buddhist monastery and stupa site was excavated at Akhnur (Akhnoor), near Jammu, revealing a series of both large- and small-scale terracotta reliefs decorating the monuments. These heads once formed part of those sculptural programs and likely depict Buddhist laity.
Netsuke of Man and Two Children with a Sambaso Dancer Puppet
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Artist: masahide
Artist role: artist
Subjects: children,men,puppets
recto: "Portrait of Raja Suraj Singh Rathor", verso: Page of Calligraphy. Folio from the Shah Jahan Album
Object type: album leaf
Materials: gold, ink, paper, watercolor
Location: india
Artist: bishan das
Artist role: artist
Subjects: men,portraits

verso: This panel of calligraphy conforms closely to the type probably established by the celebrated calligrapher Sultan 'Ali about forty or fifty years earlier. The border illumination is signed by the artist Daulat, who executed paintings and marginalia for three generations of Mughal emperors, from Akbar to Shah Jahan. Mir 'Ali was both the calligrapher and author of the lines written here: One with the eye of gazelles hunted the bird of my heart, Robbed me of steadfastness, robbed me, poor lover, of rest. Counsel and good advice is no longer of use– There is no use anymore, friends, in counseling me! The poor 'Ali.
Visverkoop op het strand van Zandvoort
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: etching, intaglio
Artist: carel nicolaas storm van s-gravesande
Artist role: draughtsman, print maker
Artist dates: 1841 – 1924
Subjects: commercial fishery, buying and selling, beach (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

In de branding liggen vissersboten. Daarvoor staat een groep mensen vis te verhandelen.
Het boetekleed ontsiert den man niet!
Object type: cartoon
Date: 1909 – 1909
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: abraham kuyper, looking in the mirror; contemplation of own beauty, self-castigation ~ ascetic life, political caricatures and satires, public penance, general avowal of faults
Inscriptions: date

Prent uit het bijvoegsel van: De Amsterdammer. Weekblad voor Nederland, 28 november 1909.
Title page, from "A Lecture on Heads" by George Alexander Stevens
Object type: print
Techniques: letterpress, engraving
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: masks
Female Politicians
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,women,reading
Gezicht op plein met een kerktoren op de achtergrond
Object type: album leaf
Date: 1900 – 1930
Materials: photographic support
Techniques: matte daylight collodion silver print
Artist: Anonymous
Subjects: village square, place, parts of church exterior and annexes: tower
Doos horend bij een bronzen penning
Object type: box
Date: 1889 – 1889
Materials: cardboard
Location: antwerp
Artist: francois ignace baetes
Artist role: sculptor
Artist dates: 1826 – 1890
Subjects: antwerp

Rond kartonnen doosje, geel met twee zwarte strepen. De binnenzijde is gewatteerd, deksel ontbreekt.
Snuifdoos uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: snuffbox
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Snuffbox; box, oval, partly damaged: five-lugged "stand-away" hinge, with lid, moulded double-reeded vertical rim, engraved decoration of foliage pattern around triangle with letter [M (?)] at base.
Ferdinand de Neufville de Villeroy
Object type: print
Date: 1664 – 1664
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits,cross,coat of arms
Manchet van batist versierd met Engels borduurwerk
Object type: cuff
Date: 1875 – 1925
Materials: textile
Techniques: english embroidery, festoon stitch
Location: western europe
Artist: Anonymous

Manchet van batist versierd met Engels borduurwerk. De manchet is afgezet met een gefestonneerde schulprand.
Trade Card for Rob Kirkwood, Engraver
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Compartmented stamp seal
Object type: stamp seal
Date: 2333 – 1668
Materials: faience
Culture: bactria-margiana archaeological complex
Location: bactria-margiana
Prisoniers
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: prisoners,men
Statue of Crouching Venus
Object type: drawing and watercolor
Date: 1774 – 1774
Materials: charcoal, crayon, paper
Techniques: drawing, stumping
Location: england
Artist: john downman
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1749 – 1824
Woman teaching children to read and write calligraphy, from four-print set “Women teaching children the four accomplishments”
Object type: print
Date: 1736 – 1795
Materials: ink, paper
Techniques: hand coloring, woodblock print
Culture: chinese
Gezicht op Groningen
Object type: print
Date: 1709 – 1755
Materials: paper
Techniques: etching
Subjects: city-view in general; 'veduta', windmill in landscape
Inscriptions: collector's mark
Toegangsweg met versieringen naar het paleis van de Sultan van Langkat
Object type: album leaf
Date: 1919 – 1919
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: palace, road, path, gate, entrance, sumatra
Indian camp on the road to Lake St. John
Object type: page
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Subjects: tent-camp
Vue instantanée du palais des Tuileries. No 1, Paris
Object type: stereoscopic photograph
Materials: glass, paper
Techniques: slide
Location: paris
Subjects: park, palace, tuileries palace
Inscriptions: number: ‘27 bis’, number: ‘93a’
Panel
Object type: panel
Date: 1501 – 1600
Techniques: lace
Subjects: cross,jesus,crucifixion
St Catherine ('the little Jewish bride')
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: printmaking, drypoint, etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: bride (in wedding-dress)
Inscriptions: collector's mark: Lugt 240, signature and date: ‘Rembrandt f 1638’
Studieblad met elf verschillende kevers
Object type: drawing
Date: 1824 – 1900
Materials: ink, paper, pencil, watercolor
Techniques: brush, pen
Artist: albertus steenbergen
Artist role: draughtsman
Artist dates: 1814 – 1900
Subjects: insects: beetle
Yaksha, possibly Kubera
Object type: bust
Date: 567 – 633
Materials: stone
Culture: vietnamese

Spirits—some protective, many malevolent—have always populated the landscape of Southeast Asia. Among the earliest surviving figurative sculptures from the region are enigmatic images best understood as personifications of the land and its elements—rocks, rivers, and trees. These nature-cult figures (yakshas and yakshis) existed alongside the emerging Hindu culture in mainland Southeast Asia and reflect a marriage of the two traditions. In an Indic setting, this deity probably represented Kubera, king of the yakshas and guardian of nature’s wealth. cat. no. 14
Joe Acton, Wrestler, from World's Champions, Series 1 (N28) for Allen & Ginter Cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,athletes

Trade cards from "World's Champions," Series 1 (N28), issued in 1887 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Tegeltableau met prins Maurits
Object type: tile
Date: 1600 – 1625
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Losse tegel behorende tot het tegeltableau met Prins Maurits.
The workshops, Roorkee
Object type: photograph
Date: 1862 – 1867
Materials: photographic support
Techniques: albumen print
Location: roorkee
Artist: thomas george glover
Artist role: fotograaf, luitenant-kolonel
Artist dates: 1825 – 1881
Subjects: chimney, trees, civic architecture; edifices; dwellings
Inscriptions: inscription: ‘Plate XVI’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Exterior, drapery?; below rim, two letters of an inscription, PA[IS]?
Sketch of Actor Sitting
Object type: drawing and watercolor
Materials: graphite, paper
Location: england
Artist: john sell cotman
Artist role: artist
Artist nationality: british
Artist dates: 1782 – 1842
"Get off there! Do you think I'm a feather bed?," from the Terrors of America set (N136) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1888 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: boys

Trade cards from the "Terrors of America" series (N136), issued in a set of 50 cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The original lithographs for the series were created by Knapp & Company, N.Y. This is the second time that Duke released the "Terrors of America" series. The cards of the first set (N88) are smaller than N136 cards.
Man leunend op een stok
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: walking-stick, staff
Inscriptions: collector's mark: Lugt 2228

Een man met op het hoofd een hoed met een brede rand, leunt op een wandelstok. Op de achtergrond een heuvel. De prent maakt deel uit van een serie van 32 prenten met genretaferelen.
Lamentation of Christ
Object type: painting
Date: 1470 – 1520
Materials: oil, panel
Artist: bernardino zaganelli di bosio
Artist role: painter
Artist dates: 1460 – 1512
Subjects: christ's body lying on the ground

De bewening van Christus. In een landschap knielen de heilige vrouwen en Jozef van Arimathea bij het lichaam van Christus. Rechts staan Johannes en Nikodemus. Op de achtergrond het lege kruis en een groep figuren rond het geopende lege graf.
Portico van de tempel van Kom Ombo
Object type: page
Date: 1857 – 1862
Materials: photographic support
Techniques: albumen print
Location: kom ombo
Artist: francis frith
Artist role: publisher
Artist dates: 1822 – 1898
Subjects: temple, shrine ~ egyptian religion, ruin of a building ~ architecture, capital (~ column, pillar), egyptian hieroglyphs
Inscriptions: name: ‘Frith’, number: ‘XLIVIII’, inscription: ‘View through the Portico’
Titelblad voor het pamflet: De Ongerse Pallasch, de Boere Caraffa, en Hoerensmeerdoos, 1701
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Artist: romeyn de hooghe
Artist role: draughtsman, goldsmith, painter, print maker
Artist dates: 1645 – 1708
Subjects: making toilet

Titelblad voor het pamflet: De Ongerse Pallasch, de Boere Caraffa, en Hoerensmeerdoos, 1701. Tafel met een bloedig Hongaarse sabel, karaf en een toiletdoos, hierboven een vrouwenportret. Op de achtergrond een slagveld met Hongaarse troepen en vluchtende Fransen.
Brief aan Philip Zilcken
Object type: letter
Date: 1894 – 1894
Materials: ink, paper
Techniques: pen, writing
Location: cairo
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: the hague, painter, draughtsman, philip zilcken, river
Inscriptions: collector's mark: ‘RPK’