deem-data/ArtiFact huggingface dataset:
Angel
Object type: crèche figure
Date: 1701 – 1800
Materials: terracotta, fiber, metal
Techniques: polychrome
Artist: giuseppe sanmartino
Artist role: maker
Artist nationality: italian
Artist dates: 1720 – 1793
Subjects: angels

In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem — the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of terracotta and accurately finished. Their attire, often enriched by accessories, jewels, and embroideries, is a sheer joy for the lover of folklore and eighteenth-century costumes. According to a tradition that seems to be supported by stylistic comparisons with figures in the collections of Naples and in the vast holdings of the Bavarian National Museum in Munich, some of the winsome heads of the Howard angels are to be credited to the best eighteenth-century masters: Giuseppe Sammartino (1720–1793), well known for his monumental sculptures in marble and in stucco, his pupils Salvatore di Franco, Giuseppe Gori, and Angelo Viva, and one Lorenza Mosca (d. 1789), who was employed at the Royal Porcelain Factory at Capodimonte and stage director of the Royal Christmas Crib. Since Mrs. Howard's gift, the Museum has recreated the Neapolitan Christmas crib scene, much to the delight of visitors during the holiday season.
Le Retour
Object type: print
Date: 1843 – 1845
Materials: paper
Techniques: lithograph
Location: paris
Subjects: mother and daughter(s) (family group) (with number of daughters), one person praying, bedroom
Inscriptions: collector's mark: Lugt 964

Prent gebruikt als illustratie voor de chansonnette Le Retour, in het album met bladmuziek Les Lys et les roses. Prent ook gebruikt voor: Curmer, L. Les Beaux-Arts. Illustration des Arts et de la Littérature. Parijs: L. Curmer, 1843. Vol. 1, 20e livraison. Prent eveneens gebruikt voor: Curmer, L. La Giralda. Parijs: L. Curmer, 1845.
Gertrude Whitty, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Slot
Object type: lock
Date: 1600 – 1699
Materials: iron
Fotoalbum met opnames van de Wereldtentoonstelling van 1900 in Parijs
Object type: photograph album
Date: 1900 – 1900
Materials: cardboard, leather, linen, paper, photographic support
Techniques: albumen print
Location: paris
Subjects: world fair, world exhibition, prospect of city, town panorama, silhouette of city, paris
Inscriptions: bookplate: ‘Ex-libris Leo Polak’

Fotoalbum in rode band. Op het voorplat een afbeelding van een stralende zon en een boom, de titel en de naam van de uitgever. Op de rug (onderaan) de naam van de fotografen en nogmaals de titel. De schutbladen hebben een geometrisch motief in goud en bruin. Het album bevat achttien dikke bladen met goud op snee waarop in totaal 36 afdrukken zijn geplakt. Het zijn opnames gemaakt tijdens de Wereldtentoonstelling van 1900 in Parijs. In beeld worden onder andere gebracht het Grand en het Petit Palais, de Pont Alexandre-III over de Seine, de Avenue des Palais, de Esplanade des Invalides, de Palais des Nations (landenpaviljoens) aan de Rue des Nations, het Palais des Machines, het Palais du Trocadéro, het Parc du Champ de Mars en de Eiffeltoren. Ook de bewegende loopbanden waarmee bezoekers over het expositieterrein werden vervoerd, destijds een noviteit, komen aan de orde.
Antieke bouwfragmenten
Object type: ornament print
Date: 1536 – 1536
Materials: paper
Techniques: engraving
Location: rome
Subjects: capital (~ column, pillar)
Inscriptions: collector's mark: Lugt 12

Deze prent maakt deel uit van een reeks van negen prenten met antieke bouwfragmenten. De nummering op de prenten wijkt af.
Pierced acanthus-leaf frame
Object type: frame
Date: 1640 – 1640
Materials: wood
Culture: italian
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1929 – 1929
Materials: cardboard, ink
Techniques: pen, writing
Location: megève
Artist: simonne ratel
Artist role: schrijver
Artist dates: 1900 – 1948
Subjects: the hague, painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Bureau
Object type: desk
Date: 1840 – 1845
Materials: wood
Techniques: veneering
Location: leeuwarden
Artist: jan adolf hillebrand jr.
Amsterdamse schepen door de Geldersen verbrand, 1512
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: battle, fighting in general, amsterdam, guelders

Illustratie voor een almanak. Staat vóór de letter. De titel met pen op de prent geschreven.
Portret van een vrouw met bloemen
Object type: album leaf
Date: 1880 – 1920
Materials: paint, photographic support, silk, textile, watercolor
Techniques: brush, gelatin silver print
Artist: Anonymous
Subjects: flowers, adult woman, historical persons
Console a glace Louis XV
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: mirror

Twee spiegels in de Lodewijk XV-stijl. Prent uit 280e Livraison.
Panel
Object type: panel
Date: 1600 – 1600
Materials: metal thread, silk
Culture: japanese
Subjects: fans,flowers
Spoon
Object type: spoon
Date: 401 – 800
Materials: bronze
Location: palestine
Christus en de overspelige vrouw
Object type: print
Date: 1598 – 1618
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ points to or writes on the ground, pharisees bring a woman accused of adultery before christ (john 8:2-11)
Inscriptions: collector's mark: Lugt 2228

In de tempel van Jeruzalem brengen de Farizeeën een vrouw die betrapt is op overspel naar Christus. Hij moet oordelen over haar. Christus schrijft met zijn vinger in de grond en zegt: "Wie zonder zonde is, werpe de eerste steen" (Johannes 8:2-11). De prent heeft een Latijns onderschrift. De prent maakt deel uit van een serie over het leven van Christus.
A Woman and a Cat
Object type: print
Date: 1793 – 1794
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kitagawa utamaro
Artist role: artist
Artist nationality: japanese
Artist dates: 1754 – 1806
Subjects: women,cats
Panel
Object type: textile
Date: 1801 – 1900
Materials: gilt, metal, silk
Techniques: bookbinding, brocade, interlacings, jacquard, patterning, weave
Location: italy
Sauceboat, cream pots and plate, part of a service
Object type: lid
Date: 1784 – 1809
Materials: porcelain
Location: ouder-amstel

Onderschotel, behorend bij servies van porselein, versierd met een geslingerd lintmotief in paars en goud met groene bladertakken, bloemboeketten en gestrooide bloemtakken. Randen lichtgegolfd met decoratie in goud met paars bladmotief waartussen groen gekruist bladmotief. Gemerkt: M.O.L. en Amstel.
Lidded wine glass with the alliance arms of two German families
Object type: standing cup
Date: 1725 – 1750
Materials: glass
Techniques: glassblowing, grinding
Location: silesia
Artist: Anonymous
Subjects: palmette ~ ornament

Kelkglas met deksel. Radgravure met twee wapens. Silezië, ca. 1725 - 1750.
Brougham #3082
Object type: drawing
Date: 1874 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Illustration from Turnierbuch (Tournament Book), plate seven from Woodcuts from Books of the XVI Century
Object type: print
Materials: paper
Techniques: woodcut
Location: germany
Artist: monogrammist h.h.
Artist nationality: german
Artist dates: 1539 – 1559
Twee takken met elk een bloem
Object type: drawing
Date: 1714 – 1760
Materials: paper, pencil, watercolor
Techniques: brush
Location: northern netherlands
Artist: michiel van huysum
Artist role: draughtsman
Artist dates: 1704 – 1760
Subjects: flowers: anemone
Inscriptions: number: ‘13457’, number: ‘No 42’
The Triumph of Bacchus
Object type: print
Date: 1633 – 1663
Techniques: etching
Artist: jan popels
Artist role: artist
Artist nationality: flemish
Artist dates: 1633 – 1663
The Fair Penitent.
Object type: costume print
Date: 1776 – 1776
Materials: paper
Techniques: engraving
Subjects: styles of hairdress - aa - ~ women, fashion plates, dress, gown (+ women's clothes), actress (on the stage)
Inscriptions: inscription: ‘Published for Bells British theatre July 16th.1776.’, title: ‘Act IV. The Fair Penitent. Scene 4.’, caption: ‘Mrs. Yates in the character of Calista. Strike home & I will bless thee for the blow.’

Portret van actrice Mrs. Mary Ann Yates (1728–1787) in de rol van Calista tijdens Act IV, Scene 4. Zij draagt een rijkelijk versierde japon met sleep. De rok bestaat uit drie lagen, elk versierd met veren en gedecoreerd band. Het haar is opgekapt en versierd met veren. Om beide polsen armbanden. De prent is uitgegeven voor het Bells British Theatre op 16 juli 1776.
Bowl (part of a service)
Object type: bowl
Date: 1800 – 1830
Materials: soft paste porcelain
Artist: j. spode
Artist role: factory
Cup
Object type: cup
Date: 1662 – 1722
Materials: porcelain
Culture: chinese
Subjects: flowers,leaves
Leeuw en een leeuwenkop
Object type: sketchbook leaf
Date: 1841 – 1841
Materials: paper, pencil
Artist: Anonymous
Subjects: beasts of prey, predatory animals: lion

Blad 11 recto uit een schetsboek met 33 bladen.
Fragment
Object type: fragment
Date: 1750 – 1775
Materials: silk
Subjects: flowers,leaves
Gezicht op het Sophiaplein (Muntplein) in Amsterdam met links de Munttoren
Object type: photograph
Date: 1875 – 1910
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: andries jager
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: towers ~ fortified city, canal, ships (in general)

Onderdeel van Leporelloalbum met 28 foto's van Amsterdam en omstreken.
Fibula (leech type)
Object type: costume and accessory
Materials: bronze
Culture: greek
Location: thessaly

This precious bronze object is a votive, or devotional gift, made as an offering to the gods. They come in many forms, such as animals, beads and brooches. Many seem once to have been attached to something else. Votives were hung from sacred trees or placed in sanctuaries around Greece. Once a shrine was full, the votives were ceremonially buried to make room for more offerings.
Boerderijen
Object type: sketchbook leaf
Date: 1780 – 1800
Materials: ink, paper, pencil
Techniques: brush

Blad 9 verso uit een schetsboek met 17 bladen.
Clark, Catcher, Brooklyn Bridegrooms, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Wormer, brandspuitpenning van de Oosterspuit
Object type: medal
Date: 1680 – 1800
Materials: brass
Techniques: casting
Location: wormer
Artist: Anonymous
Subjects: wormer

Messing penning met gat erin. Voorzijde: bebaard mannenhoofd in cartouche omgeven door versierd loofwerk; daarachter: lint met opschrift. Keerzijde: brandspuit onder leeg cartouche binnen slangerond
Delfshaven
Object type: print
Date: 1666 – 1698
Materials: paper
Techniques: etching
Location: rotterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), sailing-ship, sailing-boat, windmill, prospect of city, town panorama, silhouette of city, fisherman, delfshaven
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Gezicht op Delfshaven gezien vanaf de Nieuwe Maas. In het water een vissersboot en enkele zeilschepen. Boven in het midden het wapen van Delft (waar Delfshaven destijds toe behoorde) en de titel.
Soldaat die zijn roer van zijn schouder neemt (nr. 2), ca. 1600
Object type: print
Date: 1597 – 1608
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, die een roer (een bepaald type vuurwapen) van zijn linkerschouder neemt met zijn rechterhand (nr. 2), ca. 1600. In zijn linkerhand behalve de kolf van het roer ook een brandende lont. Plaat 2 in de instructies voor het hanteren van de roer: Brief enseignement, sur la representation des figures, du droit maniement de l'Harquebuse. Onderdeel van de illustraties in een Franse editie van J. de Gheyns Wapenhandelinghe: J. de Gheyn, Maniement d'armes, d'arquebuses, mousquetz et piques : en conformité de l'ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. Krijgswezen rond 1600.
Hebrew ritual lace (one of four)
Object type: hebrew ritual lace
Date: 1701 – 1733
Materials: silk
Techniques: lace
Bowl
Object type: bowl
Date: 750 – 600
Materials: terracotta
Culture: cypriot

Decorated with triangular red openings and concentric circles in black.
Prostirka
Object type: page
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: embroidering ~ textile industry, table-ware
Autocoureur Manchon, deelnemer aan de race Parijs-Amsterdam, in zijn automobiel te Nijmegen
Object type: photograph
Date: 1807 – 1898
Materials: paper, photographic support
Techniques: collodion silver print
Location: nijmegen
Artist: delizy
Artist role: manufacturer
Subjects: motorcar racing, automobile, nijmegen

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van uitstapjes in Frankrijk, Spanje, België, Luxemburg en Nederland, de eerste automobielen en autoraces.
Plate
Object type: plate
Date: 1725 – 1733
Materials: faience
Techniques: glazing
Subjects: flowers

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Pellen. Merk: TC1.
Object type: tablecloth
Date: 1690 – 1728
Materials: linen
Location: northern netherlands
Artist: Anonymous

Tafellaken van wit linnen met pellen patroon, merk TC 1
Luipaard doodt een hond
Object type: indian miniature
Date: 1575 – 1585
Materials: paper
Techniques: brush
Artist: Anonymous
Subjects: dog

Een luipaard heeft een hond die aan de rivier zijn dorst leste een dodelijke beet toegediend; boven en onderaan de voorstelling een rand met tekst. Rond de voorstelling een rode en een gouden bies met zwarte kaderlijnen.
The Monuments of Paris
Object type: print
Date: 1806 – 1806
Materials: ink
Techniques: brush, pen, wash
Artist: régine carey
Artist role: artist
Artist nationality: german, born nuremberg
Artist dates: 1760 – 1821
Subjects: paris
Blad met tien eenden (Anas) en andere watervogels
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Subjects: shore-birds and wading-birds: heron, water-birds: northern gannet, water-birds: duck

Blad met tien watervogels: verschillende soorten eenden, een jan-van-gent en een reiger. Genummerd rechtsboven: 8. Met de Latijnse namen. Onderdeel van het derde album met tekeningen van vogels. Vijfde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Ruïne van de Tempel van Apollo te Pompeï
Object type: photograph
Date: 1875 – 1907
Materials: photographic support
Techniques: gelatin silver print
Location: pompeii
Artist: Anonymous
Subjects: ruin of a building ~ architecture
Inscriptions: number: ‘8607’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Italië.
Denis de La Barde
Object type: print
Date: 1657 – 1657
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits,cross
Oude man met baard en muts
Object type: print
Date: 1784 – 1839
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: cornelia scheffer-lamme
Artist role: print maker
Artist dates: 1769 – 1839
Subjects: head-gear: cap (+ men's clothes), old man
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, collector's mark: Lugt 789a, collector's mark: Lugt 138
Cartes-de-visite
Object type: photograph
Date: 1878 – 1878
Materials: cardboard, paper
Techniques: albumen print
Location: oxford
Artist: lewis carroll
Artist role: fotograaf, schrijver
Artist dates: 1832 – 1898
Subjects: london, great britain
Inscriptions: negative number: ‘2543’, negative number: ‘2543’

Cartomanie was a collecting craze. From 1855 hundreds of thousands of these portraits were annually sold worldwide. People had photographs taken of their loved ones, including their pets, and kept them in an album. Portraits of kings, writers, artists, actors, and statesmen were also collected. Photography was no longer the preserve of the wealthy; farmers and maidservants now also stood before the camera.
Jefta offert zijn dochter
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: fulfilment of jephthah's vow to the lord: jephthah's daughter is sacrificed

Jefta heft zijn zwaard om zijn dochter te doden en te offeren. De dochter knielt bij het altaar. Links de weeklagende vriendinnen van Jefta's dochter. Rechts kijken soldaten toe. Op de achtergrond een stad in het landschap. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Ri. 11. Deze prent maakt deel uit van een album.
The Mortuary, Paris
Object type: print
Date: 1854 – 1854
Materials: paper
Techniques: drypoint, etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Vissersboot uit Blankenberge op rollen
Object type: print
Date: 1831 – 1860
Materials: paper
Techniques: etching
Artist: egidius linnig
Artist role: draughtsman, print maker
Artist dates: 1821 – 1860
Subjects: sailing-ship, sailing-boat, ships, boats on land, beached
Inscriptions: collector's mark: Lugt 2228
Snow Landscape
Object type: painting
Date: 1845 – 1845
Materials: canvas, oil
Artist: alexander joseph daiwaille
Artist role: print maker
Artist dates: 1818 – 1888
Subjects: forest, wood, winter landscape; landscape symbolizing winter (the four seasons of the year), snow
Inscriptions: signature and date: ‘A.J. Daiwaille ft. 1845’

Sneeuwlandschap. Verschillende figuren en huisjes in een winterlandschap.
Christi Iesu vitae admirabiliumque actionum speculum a Philippo Gallaeo apparatum Bened. Ariae Montani singuloribus distichis instructum
Object type: print
Date: 1573 – 1573
Materials: paper
Techniques: engraving
Location: antwerp
Artist: philips galle
Artist role: print maker, publisher
Artist dates: 1537 – 1612
Subjects: thomas touching or stretching out his hands to touch the wound in christ's side, sometimes christ leading thomas' hand
Inscriptions: watermark: ‘gotische letter P’

Onderdeel van een album met een titelprent en een serie van 50 prenten betreffende het leven en de passie van Christus.
Souvenir spoon with view of Palais Royal and arms of Spain
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, gilt, silver
Subjects: palaces,coat of arms