deem-data/ArtiFact huggingface dataset:
Poort en torens van het fort Indrapat in Delhi
Object type: sketchbook leaf
Date: 1897 – 1898
Materials: pencil
Location: delhi
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: gate ~ fortified city, towers ~ fortified city
Inscriptions: kleurnotitie, handgeschreven

Pagina 122 uit een schetsboek met 84 bladen.
Staande man met drie rollen onder de arm
Object type: watercolor
Date: 1700 – 1800
Materials: chalk, paper, watercolor
Techniques: brush
Artist: Anonymous
Gezicht op het Palazzo Doria-Tursi te Genua
Object type: print
Date: 1700 – 1799
Materials: paper, watercolor
Techniques: brush, etching
Location: italy
Artist: Anonymous
Subjects: palace, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Cup with historical figures
Object type: cup
Date: 1834 – 1866
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: men
Twee studies van een paard
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: horse
Inscriptions: collector's mark: Lugt 2228
Dress
Object type: dress
Date: 1885 – 1888
Materials: cotton, silk
Culture: american

It gradually became more acceptable for women to participate in sporting activities throughout the second half of the 19th century. Clothing requirements for most sporting remained strict towards retaining foundation garments such as corsets and bustle, which were thought to stabilize women's frail and weak forms. This example would have been worn for tennis, yachting or general seaside walking. Striped textiles were fashionable for such activities, probably due to the nautical theme and their jaunty air which inspires vigor. Although the silhouette remained the same, with the exception of the shorter, more maneuverable length, the trimmings were reduced. This is a striking example of this type of dress, which is fairly rare in museum collections. The bustle silhouette, although primarily associated with the second half of the 19th century, originated in earlier fashions as a simple bump at the back of the dress, such as with late 17th-early 18th century mantuas and late 18th- early 19th century Empire dresses. The full-blown bustle silhouette had its first Victorian appearance in the late 1860s, which started as fullness in skirts moving to the back of the dress. This fullness was drawn up in ties for walking that created a fashionable puff. This trendsetting puff expanded and was then built up with supports from a variety of different things such as horsehair, metal hoops and down. Styles of this period were often taken from historical inspiration and covered in various types of trim and lace. Accessories were petite and allowed for the focus on the large elaborate gowns. Around 1874, the style altered and the skirts began to hug the thighs in the front while the bustle at the back was reduced to a natural flow from the waist to the train. This period was marked by darker colors, asymmetrical drapery, oversize accessories and elongated forms created by full-length coats. Near the beginning of the 1880s the trends altered once again to include the bustle, this time it would reach its maximum potential with some skirts having the appearance of a full shelf at the back. The dense textiles preferred were covered in trimming, beadwork, puffs and bows to visually elevate them further. The feminine silhouette continued like this through 1889 before the skirts began to reduce and make way for the S-curve silhouette.
Terracotta fragment of a plate
Object type: plate fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic
Fichu
Object type: fichu
Date: 1776 – 1800
Materials: cotton
Culture: american
Gezicht op de gevel van winkel De Palmboom
Object type: photomechanical print
Date: 1912 – 1912
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: shop, store, city-view in general; 'veduta', façade (of house or building)
Inscriptions: inscription: ‘[...] In februari (...) aan de / overzijde.’, collector's mark: ‘12,65’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Rokin, Rotterdammersloot, Rozengang, Rozengracht, Rozenstraat, Rusland, Rustenburgerstraat, Ruysdaelkade, Ruysdaelstraat, Ruyterkade (de), Ruyterweg (Admiraal de).
Emily Young, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Ornament for deity
Object type: ornament
Date: 1601 – 1900
Materials: gold, stone
Culture: nepali
Saltcellar
Object type: saltcellar
Date: 1820 – 1840
Materials: glass, lead
Techniques: glassblowing, molding
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888
Altar Cloth
Object type: altar cloth
Date: 1801 – 1900
Materials: silk
Culture: japanese
Subjects: buddha
Squirrel Eating Chestnuts
Object type: album leaf
Date: 1887 – 1892
Materials: ink, silk
Culture: japanese
Artist: kawabata gyokushō
Artist role: artist
Artist nationality: japanese
Artist dates: 1842 – 1913
Subjects: squirrels
Representation of the Dance-Play "Dōjōji"
Object type: print
Date: 1769 – 1825
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: utagawa toyokuni i
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Subjects: women,flowers
Silhouetportret van de heer Basedow
Object type: book illustration
Date: 1778 – 1778
Materials: paper
Techniques: engraving
Location: germany
Artist: johann friedrich gottlieb unger
Artist role: print maker
Artist dates: 1753 – 1804
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent afkomstig uit de publicatie: Olla Potrida. Berlijn: Weverschen Buchhandlung, 1778.
Portretten van Constantijn Huygens en zijn vijf kinderen
Object type: album leaf
Date: 1817 – 1818
Materials: paper
Techniques: etching
Location: haarlem
Subjects: constantijn huygens (i)

Mogelijk gebruikt als boekillustratie in: Constantini Hugenii De vita propria, sermonum inter liberos libri duo. Primum editit et annotatione illustravit Petrus Hofman Peerlkamp; belgicis versibus adumbravit Adrianus Loosjes. Haarlem: A. Loosjes, 1817.
Gezicht op het stadhuis van Zierikzee, 1743
Object type: book illustration
Date: 1747 – 1747
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: townhall
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Wagenaar, Jan. Tegenwoordige staat der Vereenigde Nederlanden (...). Amsterdam: Isaak Tirion, 1751, dl. 9, tussen p. 326 en 327.

Zie RP-P-AO-15-23-1 voor proefdruk.
Ruins Along a Road, from Landscapes (Playsante Lantschappen)
Object type: print
Date: 1641 – 1641
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: attributed to claes jansz. visscher ii
Artist nationality: dutch
Artist dates: 1586 – 1652
Inscriptions: Lettered lower right: "20"
Le puits saint dans la Cathédrale de Ratisbonne
Object type: print
Date: 1845 – 1845
Materials: paper
Techniques: tone lithography
Location: brussels
Subjects: well, interior of church
Inscriptions: collector's mark: Lugt 2228

Prent uit: Haghe, Louis en Octave Delepierre. Monuments Anciens recueillis en Allemagne. Brussel en Leipzig: C. Muquardt, 1845.
Petit Courrier des Dames, 1822, No. 78 : Robe de mousselin (...)
Object type: fashion print
Date: 1822 – 1822
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: head-gear: toque (+ women's clothes), fashion plates, dress, gown (+ women's clothes), fan (+ women's clothes), couch, sofa, settee
Inscriptions: title: ‘Petit Courrier des Dames’, caption: ‘Robe de mousseline garnie de volans brodés et garnis de dentelle, Toque à l'Ecossaise en Cachemire.’, address: ‘Rue Meslée No. 25.’, title: ‘Modes de Paris.’

Vrouw, zittend op een chaise-longue(?), in een japon van mousseline versierd met geborduurde volants en versierd met kant. 'Toque à l'Ecossaise' van kasjmier. Verdere accessoires: oorbellen, collier, waaier, lange handschoenen. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Coin purse
Object type: coin purse
Date: 1799 – 1820
Materials: metal, silk
Culture: american or european
Portret van Kleinjogg
Object type: print
Date: 1759 – 1815
Materials: paper
Techniques: etching
Artist: heinrich pfenninger
Artist role: print maker
Artist dates: 1749 – 1815
Subjects: switzerland, historical persons
Inscriptions: collector's mark: Lugt 2228
Traditionele Indonesische dansvoorstelling
Object type: sketchbook leaf
Date: 1925 – 1925
Materials: paper, pencil
Location: indonesia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: asiatic races and peoples, the audience ~ art performance, folk costume, regional costume, one person dancing alone, parasol, sunshade
Inscriptions: kleurnotitie, handgeschreven

Enkele toeschouwers zitten onder parasols. Pagina 125 uit een schetsboek met 74 bladen.
Portret van Marguerite Deval
Object type: photomechanical print
Date: 1897 – 1902
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: female singer
Inscriptions: inscription: ‘Divette des &lt; Mathurins &gt; en représentations à l Ólympia.’
Cup
Object type: cup
Date: 1701 – 1800
Materials: stone, silver gilt
Portret van Gédéon Berbier du Metz
Object type: print
Date: 1698 – 1707
Materials: paper
Techniques: engraving
Location: france
Subjects: paris, gédéon berbier du metz
Inscriptions: collector's mark: Lugt 240

Portret van Gédéon Berbier du Metz (1626-1709), hoofd van de Franse koninklijke rekenkamer, afgebeeld in ovale omlijsting met wapen.
Portret van Alexandros Mavrokordatos
Object type: print
Date: 1822 – 1834
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Coup de Vent
Object type: table piece
Materials: terracotta, wood
Techniques: molding, painting, pressing
Location: london
Artist: gustave joseph chéret
Artist role: sculptor
Artist dates: 1838 – 1894
Inscriptions: stamp: ‘J. Chéret’, : ‘Bellman & Ivey Manufacturers of Pedestals for Statuary &c. to the Queen 1851 Prize Medals 1862<BR />95 Wigmore Str. W. London.’

Aan de voorzijde zweven op een rond voetstuk drie putti op een wolk, terwijl ze een sterk opbollend zeil of doek vasthouden, waarachter zich vier andere putti zwevend en tuimelend schuilen voor de sterke wind. Het doek fungeert als schaal. Gesigneerd met stempel: J. Chéret (op de zijkant boven de ronde voet). De bijgemaakte draaibare voet van hout is Engels en is gemerkt met een rond plaatje: Bellman & Ivey Manufacturers of Pedestals for Statuary &c. to the Queen 1851, Prize Medals 1862, 95 Wigmore Str. W. London.
Portret van Raden Sarief Bastaman Saleh
Object type: print
Date: 1847 – 1865
Materials: paper
Techniques: lithograph
Location: the hague
Artist: Anonymous
Subjects: painter, draughtsman, raden sarief bastaman saleh, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Das Pferd und seine Benutzung
Object type: print
Date: 1850 – 1920
Materials: paper, watercolor
Techniques: lithograph
Location: germany
Artist: Anonymous
Subjects: farrier, shoeing-smith, horse, crafts and industries

Blad met centraal een paard met een veulen, daaromheen kleine voorstellingen van paarden en toebehoren. Rechtsonder genummerd: No. 16. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Mannelijk beroep en bedrijf: Varia en kinderprenten betrekkelijk het onderwerp.
Musica
Object type: print
Date: 1560 – 1600
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: musical instruments; group of musical instruments, horn, trumpet, cornet, trombone, tuba, 'musica' (~ quadrivium); 'musica' (ripa), violin, fiddle, harp, clarinet, bassoon, oboe, shawm, lute, and special forms of lute, e.g.: theorbo
Inscriptions: collector's mark: Lugt 240

De personificatie van Muziek, de luit spelend. Ze zit aan een tafel met andere muziekinstrumenten zoals hoorn, viool, lier en schalmei. De prent heeft een Latijns onderschrift over de muziek en maakt deel uit van een zevendelige serie over de zeven vrije kunsten.
Ängste (Fears) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VII. First edition
Object type: print
Date: 1881 – 1881
Techniques: aquatint, printmaking, drypoint, etching
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Subjects: human figures,fear
Portret van een vrouw
Object type: carte de visite
Date: 1860 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: guildford
Subjects: historical persons, styles of hairdress - aa - ~ women
Inscriptions: address: ‘Guildford’

Onderdeel van Engels fotoalbum van E.A. Kettle met 42 cartes-de-visite.
Portret van Sebastian Kurz
Object type: print
Date: 1632 – 1699
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons
Terracotta oinochoe (jug)
Object type: oinochoe, ribbed
Date: 400 – 201
Materials: terracotta
Culture: etruscan
Artist: group of vienna o.565
Artist role: artist
Portret van een jonge dame met een boeketje in haar handen
Object type: print
Date: 1830 – 1845
Materials: paper
Techniques: engraving
Location: zaltbommel
Subjects: historical persons not known by name - bb - woman
Inscriptions: collector's mark: Lugt 2228
Secretaire met marqueterieversiering: op de deuren vazen met bloemen en op de zijpanelen boeketten. Blad van grijs marmer.
Object type: furniture
Date: 1770 – 1770
Materials: wood, marble
Techniques: marquetry
Location: northern netherlands
Artist: Anonymous

Secretaire. Oak, veneered with sycamore, tulipwood and other woods. Netherlands, c. 1770 - 1780.
Portrait of Emperor Napoleon I
Object type: painting
Date: 1805 – 1815
Materials: canvas, oil
Location: paris
Artist: françois gérard
Artist role: painter
Artist dates: 1770 – 1837
Subjects: napoleon i (emperor of the french), insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral), france

After having seized power through a coup d’état in 1799, General Napoleon proclaimed himself emperor in 1804. In the meanwhile, he conquered large parts of Europe. The year 1812 was a turning point. His invasion of Russia failed and his forces lost the Battle of the Nations near Leipzig. In 1814 Napoleon was exiled to the island of Elba. He escaped, but was definitively defeated 100 days later at the Battle of Waterloo.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic
Artist: ambrosios painter
Artist role: artist

Exterior, head, neck, shoulders, and upper arms of wreathed youth in profile, to right
Jongen speelt met een stokpaard en een meisje met een pop
Object type: print
Date: 1800 – 1849
Materials: paper
Techniques: hand coloring, engraving
Artist: Anonymous
Subjects: hobby-horse, children's games and plays (+ out of doors (sports, games, etc.))
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), Het begin der 19de eeuw. Mannen en vrouwen.
Brief aan Alberto Caramelli
Object type: letter
Date: 1872 – 1872
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: david bles
Artist role: draughtsman, painter, print maker
Artist dates: 1821 – 1899
Subjects: utrecht, amsterdam, publisher, alberto caramelli, art trade, art shop, drawing, money
Inscriptions: collector's mark: Lugt 2233
Gezicht op Rome vanaf Basiliek van Sint-Bonifatius en Alexius op de Aventijn
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: bridge in city across river, canal, etc., prospect of city, town panorama, silhouette of city, rome
Inscriptions: number: ‘202’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Italiaanse steden en van kunstwerken.
Vissers bij een fort met toren aan een kust
Object type: print
Date: 1787 – 1802
Materials: paper
Techniques: etching
Location: paris
Subjects: fortress, coast, fisherman
Inscriptions: collector's mark: Lugt 2228
Foot Scraper
Object type: foot scraper
Date: 1700 – 1800
Materials: iron
Hammered Copper Tweezers
Object type: tweezer
Date: 1 – 1566
Materials: copper
Techniques: hammering
Culture: peruvian
Location: peru
Fragment schroefplaat van een musket uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: schroefplaat, schroefblik
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Id. NG 1980-27H3069, right eye damaged, side plate.
Terracotta fragment of a pelike (jar)?Pelike fragment?
Object type: pelike fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Part of the panel border: two vertical bands of dots separated by a black glaze line
"The Death of King Dasharatha, the Father of Rama", Folio from a Ramayana
Object type: folio from an illustrated manuscript
Date: 1605 – 1605
Materials: gold, paper, watercolor
Location: india
Subjects: men,women,death

King Dasharatha emerges in the Ramayana as essentially a noble character, though flawed by the weakness that allowed him to be swayed by his second wife Kaikeyi, whose ambitions for her own son caused the king to banish the crown prince Rama for fourteen years. Having succumbed to this pressure, Dasharatha, plagued by regrets, took to his sickbed, where he eventually died of grief. The sorrow of his queens and female attendants is conveyed by their disheveled hair and by the cradling of their cheeks in their hands.
Fire screen (Écran) (part of a set)
Object type: fire screen
Date: 1788 – 1788
Materials: cotton, silk, wood
Techniques: carving, embroidery, gilding, painting, weave
Artist: jean-baptiste-claude sené
Artist role: maker
Artist dates: 1748 – 1803
Subjects: women,insignia

In 1785 Louis XVI purchased the Château de Saint Cloud in Marie Antoinette's name from the duc d'Orléans. The château, situated on a hillside overlooking the Seine not far from Paris, became the queen's favorite summer residence. Built in the sixteenth century and rebuilt during the seventeenth, the palace was in need of renovation. The architect Richard Mique (1728-1794) enlarged and altered it, and appropriate furnishings were ordered for the queen's apartment. Many pieces of furniture were commissioned from Jean-Baptiste-Claude Sene (1748-1803), a member of an important dynasty of Parisian chair makers who received a royal appointment in 1784. Sene provided a set of seat furniture for the queen's dressing room, called her cabinet particulier ox cabinet de toilette that is described in the 1789 inventory of Saint Cloud. The daybed, the bergère (a comfortable chair upholstered between the arms and the seat), and the fire screen from the set are now in the Museum's collections. They were the gift of Ann Payne Blumenthal, the second wife of George Blumenthal. The painted and gilt frame of the low daybed is embellished with floral motifs. Six short tapering and fluted legs surmounted by Ionic capitals support the piece. The front stiles of the head- and footboard, which are of equal height, are carved with female half-figures wearing Egyptian headdresses. The bergre, which has a medallion with Marie Antoinette's initials on its top rail is decorated in a similar manner. A decade before Napoleon's North African campaign was to inspire the fashion known as égyptomanie, the queen appears to have had a taste for ornament derived from ancient Egyptian art. Seated classical female figures, rather than Egyptian caryatids, decorate the feet of the fire screen, and a woman who once held a cornucopia reclines on its top. The carver is not known, but Louis-François Chatard (ca. 1749-1819) was responsible for painting and gilding the frames. According to the 1789 inventory the set was originally upholstered in a white-twilled cotton with rows of individual flowers embroidered by the queen herself. When the three pieces came to the Museum in 1941 only the fire screen's show cover had survived. Although the cotton ground is much discolored, Marie Antoinette's interlaced initials, composed of blossoms embroidered in satin stitch, are in remark ably good condition.
Stockings
Object type: stocking
Date: 1894 – 1894
Materials: silk
Culture: british
Half Model of a 32-Gun Frigate
Object type: ship model
Date: 1780 – 1825
Materials: wood
Techniques: polychromy
Location: netherlands
Artist: Anonymous
Inscriptions: inscription, top centre, on a square black metal label: ‘FREGAT à 32 STUKKEN.’, label, bottom right: ‘294’ former inventory label

Gepolychromeerd mallenmodel (stuurboord) van een driemaster. Zeventien geschutpoorten verdeeld over geschutdek en halfdek. Gewrongen spiegel, hol wulf, geen details van hek of zijgalerij; recht roer met vierkante roerkoning. Zeeg aan beide uiteinden iets oplopend, één berghout en één reehout. Gepiekt rondspant.
Zicht op het Blauwe Paleis in Warschau
Object type: ansichtkaart, prentbriefkaart
Date: 1920 – 1960
Materials: cardboard
Techniques: rotogravure
Location: warsaw
Subjects: palace, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Section of the East Front, Houghton Hall, Norfolk
Object type: drawing
Date: 1735 – 1735
Materials: ink
Techniques: brush, pen, wash
Artist: isaac ware
Artist role: artist and architect
Artist nationality: british
Artist dates: 1704 – 1766
Subjects: architecture,buildings,houses

This drawing relates to Isaac Ware's and Thomas Ripley's book "The Plans, Elevations and Sections, Chimney-pieces and Ceilings of Houghton in Norfolk" (first published 1735; second edition 1755 with added "Description of the Pictures at Houghton" by Horace Walpole).
Fringe
Object type: fringe
Date: 1701 – 1800
Materials: cotton, metal thread
Cosmetic Saucer Decorated with Swans
Object type: vessel
Materials: stone
Culture: egyptian
Location: egypt
Subjects: birds, rituals, animals, beauty

Swans, which appear on the underside of this dish, are often included in romantic or erotic compositions. Their portrayal on this dish may be a reference to the allure of cosmetics.
Scenes from the Plum in the Golden Vase
Object type: album leaf
Date: 1667 – 1733
Materials: ink, silk
Culture: chinese
Artist: gu jianlong
Artist role: artist
Artist nationality: chinese
Artist dates: 1606 – 1687
Jennie Stone, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 450 – 401
Materials: terracotta
Culture: greek, attic

Black glaze rim fragment with part of handle
Man in Plaid Shirt
Object type: drawing and watercolor
Materials: ink, paper
Techniques: pen
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Port of Clwyd and South Brent, Devon, from Picturesque Selections
Object type: print
Date: 1860 – 1860
Materials: paper
Techniques: lithograph
Location: england
Artist: james duffield harding
Artist role: draughtsman, painter, print maker
Artist nationality: english
Artist dates: 1798 – 1863
Circus Game
Object type: print
Materials: paper
Techniques: engraving, etching, relief
Location: mexico
Artist: manuel manilla