deem-data/ArtiFact huggingface dataset:
Blad met dieren
Object type: brocade paper
Date: 1750 – 1794
Materials: gold leaf, paint, paper
Techniques: relief print
Location: augsburg
Artist: johann carl munck
Artist role: ontwerper sierpapier, papiermaker
Subjects: unicorn, animals
Inscriptions: collector's mark: Lugt 2760

Blad met dieren; linksboven paard, rechtsboven eenhoorn, linksonder beer, rechtsonder dromedaris. Onderaan genummerd: 16.
Portal of the Temple of Romulus and Remus, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1582 – 1582
Techniques: engraving
Location: rome
Artist: Anonymous
Artist role: artist
Subjects: architecture,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 34 in the scrapbook.
L'Arrestation du Christ (The Arrest of Christ)
Object type: print
Date: 1801 – 1900
Techniques: etching
Artist: rodolphe bresdin
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1885
Subjects: human figures
Portret van Aleida Schaap
Object type: print
Date: 1835 – 1888
Materials: paper
Techniques: etching
Location: unknown
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: the hague
Inscriptions: collector's mark: Lugt 2228

Portret van Aleida Schaap, vrouw van kunstenaar Jozef Israëls, met haarband.
Fotoreproductie van een tekening, voorstellende Friederike en een spinnende vrouw voor een gebouw
Object type: page
Date: 1875 – 1885
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: adult woman, spinning-wheel, façade (of house or building)
Summer: The Salute
Object type: drawing
Date: 1625 – 1675
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: summer ~ human activities (the four seasons of the year), four-wheeled vehicle drawn by more than three animals

Kopie naar prent van Herman Breckerveld.
Standing Woman with a Fur
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: drypoint
Location: belgium
Artist: félicien rops
Artist role: artist
Artist nationality: belgian
Artist dates: 1833 – 1898
Creamer
Object type: cream pot
Date: 1870 – 1890
Materials: glass
Techniques: pressed
Culture: american
Location: united states
Artist: challinor, taylor and company
Artist role: maker
Artist nationality: american
Artist dates: 1866 – 1891
Subjects: corn
Zelfportret van Max Liebermann, staand en tekenend
Object type: print
Date: 1913 – 1913
Materials: chalk, charcoal, paper
Techniques: drypoint
Location: germany
Artist: max liebermann
Artist role: draughtsman, print maker
Artist dates: 1847 – 1935
Subjects: berlin, print maker, draughtsman, max liebermann
Inscriptions: signature: ‘MLiebermann’

Illustratie in: Missale Romanum, Antwerpen: Christopher Plantin 1585. In deze publicatie bevinden zich 48 illustraties van verschillende afmetingen, sommige afbeeldingen zelfs twee maal, naar ontwerpen van Peeter van der Borcht en Crispijn van den Broeck. Deze prent bevindt zich op p. 394.
Capital, Greco-Roman Theater, Miletus (71. Milet. Théatre ant. chap.)
Object type: daguerreotype
Date: 1843 – 1843
Techniques: daguerreotype
Artist: joseph-philibert girault de prangey
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1892

In 1842, the artist, archaeologist, and pioneer photographer Girault de Prangey embarked on a three-year photographic excursion around the eastern Mediterranean to study the origins of Islamic architecture. He returned to France in 1845 with at least 1,000 daguerreotypes, including this sculptural detail from a pillar near the theater of the ancient Greek city of Miletus in Turkey. The Neried, or se nymph, is indicative of the importance and proximity of the Mediterranean Sea.
Gezicht op Loch Venachar
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Location: london
Artist: francis nicholson
Artist role: print maker
Artist dates: 1753 – 1844
Subjects: two-wheeled vehicle drawn by one animal, lake (+ landscape with figures, staffage)
Inscriptions: mark: Lugt 1849a, collector's mark: Lugt 2228

Loch Venachoir: gezicht op het meer, omgeven door bomen op de voorgrond en heuvels op de achtergrond. Op de landweg een kar waarop drie figuren. Landschap bij stormachtig weer.
Teapot
Object type: teapot
Date: 1750 – 1755
Materials: enamel, stoneware
Techniques: salt glaze
Subjects: human figures,animals,horses
Expugnatio Fortissimae Urbis Bredae Ao.-1637
Object type: map
Date: 1637 – 1637
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: balthasar florisz. van berckenrode
Artist role: draughtsman, print maker, publisher
Artist dates: 1591 – 1645
Subjects: delft, the hague, frederick henry (prince of orange), maps of separate countries or regions, siege, position war

De belegering en verovering van Breda door het Staatse leger onder Frederik Hendrik, 23 juli - 10 oktober 1637. Onderdeel van een ongemonteerde ensemble bestaande uit 9 bladen (en 2 hier ontbrekende tekstbladen). Blad rechtsboven met het wapen van Frederik Hendrik en een deel van de kaart.
Academische studies
Object type: ornament print
Date: 1682 – 1706
Materials: paper
Techniques: engraving
Location: paris

In het midden staat een jongeman, in de hoek linksboven het hoofd van een sater. Uit tweede editie.
Hercules doodt de Hydra van Lerna
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: (2) the hydra of lerna is killed by hercules
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt in: Ténint, Wilhelm. Album du Salon de 1842. Collection des principaux ouvrages exposés au Louvre (…). Parijs: Augustin Challamel, 1842.
Soldaat die zijn laadstok uit de houder onder de loop van zijn musket haalt (nr. 25), ca. 1600
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Een soldaat, ten voeten uit, naar rechts, op de rug gezien, die met zijn linkerhand bij zijn linkerdijbeen een musket (een bepaald type vuurwapen) vasthoudt en met zijn rechterhand de laadstok uit de houder onder de loop haalt (nr. 25), ca. 1600. In zijn linkerhand behalve het musket ook een brandende lont; aan zijn linkerpols een furket (musketvork). Plaat 25 in de instructies voor het hanteren van het musket: Corte onderrechtinghe op de figuerlicke afbeeldinghe, soo veel aengaet het recht ghebruyck van Musquet. Onderdeel van de illustraties in: J. de Gheyn, Wapenhandelinghe van Roers Musquetten ende spiessen, Amsterdam, 1608. Krijgswezen rond 1600.
Doorway of an Ancient Convent, in the rue Mirabeau, Bourges
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Harmony Before Matrimony
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Silhouetportret van man naar links
Object type: print
Date: 1778 – 1838
Materials: paper
Techniques: etching
Location: netherlands
Artist: anthonie van den bos
Artist role: draughtsman, print maker
Artist dates: 1763 – 1838
Subjects: anonymous historical person portrayed alone (+ profile portrait)
Inscriptions: collector's mark: Lugt 2228
The Head Ache
Object type: print
Techniques: etching
Location: london
Artist: george cruikshank
Artist role: artist
Artist nationality: british
Artist dates: 1792 – 1878
Subjects: satire,men,demons,hammers

Cruikshank physically embodies the pains of a severe headache as a group small demons who here attack a man collapsed in a chair next to a fireplace, holding a bottle of medicine.
Mask
Object type: mask
Date: 300 – 600
Materials: stone
Culture: teotihuacan
Location: mexico
Artist: teotihuacan artist(s)
Artist role: artist
Subjects: faces
Gezicht op de Utrechtsepoort in Amsterdam
Object type: print
Date: 1700 – 1750
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: sleigh, sledge (non-sport), skates (winter sports), bridge in city across river, canal, etc., city-gate
Inscriptions: annotation: ‘N 13 (?)’

Voor een vergelijkbare prent, waarvan de bovenste helft van de plaat verdwenen is, maar de verdere afbeelding vrijwel identiek, zie RP-P-2018-3956. Deze prent heeft ook een ander opschrift. Onduidelijk is welke prent een kopie van welke is.
Exterieur van een kerk en een landschap met hut
Object type: sketchbook leaf
Date: 1780 – 1800
Materials: paper, pencil, watercolor
Techniques: brush
Subjects: church (exterior), hut, cabin, lodge

Blad 15 recto uit een schetsboek met 25 bladen.
Staande man met een stok onder de arm
Object type: drawing
Date: 1619 – 1685
Materials: chalk, paper
Techniques: brush
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: standing figure
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Exterior, tendril from a palmette
Heude of heu
Object type: print
Date: 1627 – 1627
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat

Een heude of heu op het water. Rechts een bruinvis. De prent maakt deel uit van een album.
Paris. Notre-Dame. Chimère
Object type: ansichtkaart, prentbriefkaart
Date: 1904 – 1906
Materials: cardboard
Techniques: photograph
Location: paris
Artist: Anonymous
Subjects: church (exterior), chimera (lion/goat/snake); 'chimera' (ripa), sculpture
Limestone pediment from a funerary stele (shaft)
Object type: grave stele pediment of aristokretes
Date: 300 – 101
Materials: limestone
Culture: cypriot
Subjects: men,women,lions

In the center two women stand tearing their hair in mourning. They are flanked by lions and diminutive figures that may represent a Master of the Animals, known in Near Eastern art, or else the Egyptian god Bes. An inscription on the lower edge reads: "I am Aristokretes, my brothers set [this] down in memory of good deeds that I once did well."
Dn. Balthasar Mentzerus
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: engraving
Artist: peter isselburg
Artist role: print maker
Artist dates: 1568 – 1630
Subjects: theologian, historical persons
Vijfig jaar Rijksmuseum Amsterdam
Object type: history medal
Date: 1935 – 1935
Materials: bronze
Techniques: casting, striking
Location: netherlands
Artist: dirk bus
Artist role: sculptor
Artist dates: 1907 – 1978
Subjects: rijksmuseum amsterdam, amsterdam
Inscriptions: date
Twee vrouwen aan een waterkant met hun weerspiegeling in het water
Object type: page
Date: 1889 – 1899
Materials: paper
Techniques: autotype
Subjects: forest, wood - hh - ideal landscapes, pond, pool
Schön newes Modelbuch (Page 97r)
Object type: book print ornament architecture
Date: 1608 – 1608
Techniques: woodcut
Artist: sigismundus latomus
Artist role: publisher
Artist nationality: german
Artist dates: 1599 – 1632
Subjects: birds,ornament

Published by Sigismundus Latomus, Frankfurt a.M. Illustrated and hand-colored title page, 94 pages of designs for lace and embroidery.
Rokende boer met pijp
Object type: print
Date: 1724 – 1798
Materials: paper
Techniques: print drawing
Location: amsterdam
Artist: jurriaan cootwijck
Artist role: print maker
Artist dates: 1714 – 1798
Subjects: pipe ~ tobacco, farmers, human figure at (open) window, seen from outside
Inscriptions: collector's mark: Lugt 2228

Boer met pijp in een raamopening. Hij heeft een glas in zijn andere hand.
Darning Sampler
Object type: textile
Date: 1759 – 1759
Materials: linen, silk
Techniques: embroidery, weave, stitching
Location: england
Inscriptions: Inscription: H I  1759
De tuin van de Tuilerieën
Object type: drawing
Date: 1760 – 1780
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: gabriel jacques de saint-aubin
Artist role: draughtsman, print maker
Artist dates: 1724 – 1780
Subjects: public gardens, park (+ city(-scape) with figures, staffage), monument, statue
Inscriptions: collector's mark, recto, lower right: Lugt 3604, collector's mark, verso, centre: Lugt 2228
Het genot van een laars
Object type: print
Date: 1965 – 1968
Materials: paper, watercolor
Techniques: brush, etching
Location: amsterdam
Artist: pieter holstein
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1934 – 
Inscriptions: edition: ‘3/9’, signature: ‘p. holstein’, title: ‘het genot van een laars.’

Veterlaars, brandende sigaret en neonroze sok.
Young Shepherdess and old man with a Monkey, from the Scherzi
Object type: print
Date: 1740 – 1740
Techniques: etching
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: men,women,bulls,monkeys
Cloak Pin
Object type: pin
Date: 1750 – 1800
Materials: brass, copper, enamel
Location: england
Subjects: men,portraits,profiles
Oranjezaal (Plafond met Koepelgewelf)
Object type: photomechanical print
Date: 1880 – 1925
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: palace - aa - civic architecture: inside, palace, (decorated) ceiling, the hague
Fotoalbum van Bennink en Riphagen, architecten en aannemers te Medan 1914-1919
Object type: photograph album
Date: 1914 – 1919
Materials: cardboard, linen, paper, photographic support
Techniques: gelatin silver print
Location: medan
Artist: Anonymous
Subjects: architecture
Inscriptions: inscription: ‘DELI SUMATRA'S OOSTKUST 1914-19’

Zwart oblong fotoalbum met 91 foto's van projecten uitgevoerd door het Nederlandse architectenbureau en aannemersbedrijf Bennink en Riphagen in de jaren ca. 1914-1919, gevestigd in Medan te Deli op Oost-Sumatra. Album met 39 bladen van bruin papier met op beide bladzijden één of meerdere foto's geplakt. Band bekleed met zwart linnen met op voorzijde in goud gestempeld opschrift: Deli Sumatra's Oostkust 1914-19.
Ribbon
Object type: textile
Date: 1870 – 1870
Materials: textile, silk
Techniques: brocade, interlacings, jacquard, satin weave, weave
Location: france
Kamer in het huis van Antonin Terme met zijn collectie antiquiteiten, borden en beelden
Object type: page
Date: 1880 – 1885
Materials: photographic support
Techniques: platinum process
Location: liège
Artist: Anonymous
Subjects: art collection, art gallery, interior of the house, dish, plate, saucer
Tekst: Indeuenturus est...
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Covered Cup
Object type: glass
Date: 1760 – 1760
Materials: glass
Location: poland
Servet met het Offer van Abraham
Object type: napkin
Date: 1600 – 1625
Materials: linen
Techniques: damask, weave
Location: haarlem
Artist: Anonymous
Subjects: the sacrifice of isaac (genesis 22)
Inscriptions: mark: ‘HW 23 K’

Servet van linnendamast met het Offer van Abraham. Middenveld: Offer van Abraham. Staande en liggende randen: gestapeld bloem- en bladornament en vogels; daarbuiten: blokkenrand. Hoeken: Tudorroos.
Like Butterflies with Pretty Wings (valentine)
Object type: print
Date: 1860 – 1869
Materials: paper
Techniques: embossing, hand coloring, lithograph
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Still Life with Fruit and Oysters
Object type: painting
Date: 1660 – 1679
Materials: canvas, oil
Artist: abraham mignon
Artist role: painter
Artist dates: 1640 – 1679
Subjects: fruit, molluscs: oyster, laid table as still life, watch
Inscriptions: signature: ‘A. Mignon. fe.’

This carefully laid table likely never existed in reality. However, the food items depicted did form part of the meals enjoyed by the wealthy. They washed down fresh fruit and oysters with a glass of fine wine. Despite appearing local, many of the products and raw materials were imported from neighbouring countries. For instance, bread was baked locally, but the used grain came from countries bordering the Baltic Sea.
Border
Object type: border
Date: 1801 – 1900
Materials: linen
Techniques: crochet
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

On the offset part of the rim, a chain of upright lotuses and circumscribed palmettes
Portret van keizerin Maria Theresia
Object type: print
Date: 1736 – 1776
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maria theresia (rooms-duits keizerin)
Inscriptions: collector's mark: Lugt 2228

Portret van Maria Theresia, keizerin van Oostenrijk, koningin van Hongarije en Bohemen.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1906 – 1906
Materials: cardboard, ink
Techniques: pen, writing
Location: bergen
Artist: jacobus gerardus veldheer
Artist role: draughtsman, print maker
Artist dates: 1866 – 1954
Subjects: johannes mattheus graadt van roggen, painter, draughtsman, philip zilcken, exhibition ~ art, money, venice
Inscriptions: collector's mark: ‘RPK’
Bronze support in the form of a ram's head and foreleg
Object type: support in the form of a ram's head and foreleg
Date: 100 – 100
Materials: bronze
Culture: roman
Subjects: rams

The foot combines a ram's head and leg.
No. 47: Oi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"
Object type: print
Date: 1835 – 1838
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Heuvellandschap met dieren in het water
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: low hill country, animals, water course
Nagato Province: Shimonoseki (Nagato, Shimonoseki), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)"
Object type: print
Date: 1856 – 1856
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Vier scènes met pijprokende mannen en vrouwen
Object type: print
Date: 1731 – 1788
Materials: paper
Techniques: engraving, etching
Location: augsburg
Artist: johann esaias nilson
Artist role: draughtsman, print maker, publisher
Artist dates: 1721 – 1788
Subjects: pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)
Inscriptions: collector's mark: Lugt 2228

Vier scènes op een blad, genummerd 5-8. Links boven een man met een pijp en rechts een vrouw met een hark. Rechts boven een man en vrouw in gesprek. Links onder een man met een tulband met een lange pijp op een rocaille ornament. Rechts onder een man met een pijp naast een rocaille ornament met een bierpul.
Gezicht op een stadspoort te Fez
Object type: page
Date: 1887 – 1897
Materials: paper
Techniques: photoaquatint
Location: fez
Subjects: city-gate
Inscriptions: title: ‘A Gate of Fez.’
Three Poems from Poetry in the Three Styles (Santai shi)
Object type: handscroll
Date: 1640 – 1640
Materials: ink, paper
Culture: japanese
Artist: okamoto hansuke (mumei)
Artist role: artist
Artist nationality: japanese
Artist dates: 1575 – 1657
Terracotta fragment of a bowl?
Object type: fragment of a bowl
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Fragment from a bowl?; the top of the rim is glazed; on the exterior, there is a band of reserve; below, black glaze
Gezicht op de tuin van de buitenplaats Nieuwerhoek
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, etching
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: french or architectonic garden; formal garden, river (+ landscape with figures, staffage), country-house, vecht

Prent gebruikt in: Leth, Andries de. De zegepraalende Vecht, vertoonende verscheidene gesichten van lustplaatsen, heeren huysen en dorpen, beginnende van Uitrecht en met Muyden besluytende (...). Amsterdam: Weduwe Nicolaus Visscher, 1719.
Prent ook gebruikt in: Brouërius van Nidek, Matthaeus. De Vechtstroom, van Utrecht tot Muiden (...). Amsterdam: H. Gartman, W. Vermandel en J.W. Smit, 1790.
Verschillende volken uit Europa
Object type: print
Date: 1819 – 1840
Materials: paper
Techniques: colour, letterpress printing
Location: gorinchem
Subjects: europeans, human races; peoples; nationalities, europe
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van telkens een man en een vrouw uit een Europees land of een Europese stad, waaronder een stel Fransen, een stel Schotten en een stel Zweden. Onder elke voorstelling een onderschrift. Gemerkt rechtsboven: A.
Zuidzijde van het stadhuis te Hasselt
Object type: photograph
Date: 1895 – 1895
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: hasselt
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: townhall
Inscriptions: annotation: ‘Hasselt/ Zuidzijde v/h Raadhuis/ Juli 1895’
Dish with figures in a fenced garden near a pavilion
Object type: platter
Date: 1725 – 1730
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

The various stages of silk production are depicted on the rim of this dish. In the centre, three women are seated at a table and a fourth woman is standing, holding a pot of tea. This is an early example of a famille rose plate: porcelain painted with pink enamel. Famille rose became one of the most popular forms of porcelain imported to Europe in the later 18th century.
Drie kinderen spelen met een vogeltje
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: children's games and plays, bird in a cage
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Broadsheet with a verse about a woman who rejects a male suitor for another, vignettes of a woman talking to various men
Object type: print
Date: 1900 – 1913
Materials: paper
Techniques: letterpress, lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: men,women