deem-data/ArtiFact huggingface dataset:
Icones Institutorum sex illustrium in Christiana religione ordinum
Object type: print
Date: 1579 – 1615
Materials: paper
Techniques: engraving
Location: augsburg
Artist: dominicus custos
Artist role: print maker
Artist dates: 1560 – 1615
Subjects: the founder of the jesuit order, ignatius of loyola; possible attributes: book (with 'ad majorem dei gloriam'), demon, dragon under feet, flames, flaming heart, globe, ihs monogram, skull (with crown), tears in eyes, torch
Inscriptions: collector's mark: Lugt 240

De heilige Ignatius van Loyola, stichter van de Jezuïeten orde, met een rozenkrans in zijn hand. Links in de hoek het IHS-monogram met hart en kruis, het symbool van de Jezuïeten.
Miss Hodges of Salem
Object type: photograph
Date: 1850 – 1850
Techniques: daguerreotype
Artist: southworth and hawes
Artist role: photography studio
Artist nationality: american
Artist dates: 1843 – 1863
Subjects: portraits,women

This first photographic process, invented by Louis Daguerre (1798-1851), spread rapidly around the world after its public presentation in Paris in 1839. Exposed in a camera obscura and developed in mercury vapors, each highly polished silver plate is a one-of-a-kind photograph that, viewed in proper light, exhibits extraordinary detail and three-dimensionality. The Boston partnership of Southworth and Hawes produced the finest portrait daguerreotypes in America for a clientele that included leading political, intellectual, and artistic figures. Nothing is known today about Miss Hodges, but Southworth and Hawes made two costly whole-plate portraits of her for their studio collection, suggesting that she was sufficiently well known – or sufficiently photogenic – to warrant displaying her likeness in the front-room public gallery.
Two vases (rolwagens or sleeve vases)
Object type: vase
Date: 1660 – 1685
Materials: earthenware, glaze
Location: delft
Artist: Anonymous
Subjects: chinese (+ other cultural aspects)

Vaas van faience met een decoratie naar het Chinese porselein uit de overgangsperiode.
Lapathum Sanguineum / Drake-bloed
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: plants and herbs
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Blankaart, Steven. Den Neder-landschen herbarius ofte Kruid-boek der voornaamste kruiden. Amsterdam: Jan Claesz ten Hoorn, 1698.
Harlequin dancing
Object type: figure
Date: 1763 – 1764
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men,dancing
Gezicht op Caprile in de Dolomieten, Italië
Object type: photograph
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Location: dolomites
Artist: eugène goblet dalviella
Artist role: politician
Artist dates: 1846 – 1925
Subjects: prospect of village, silhouette of village, mountain-range, snow peaks, mountains
Inscriptions: number: ‘34’
Armor (<i>Gusoku</i>)
Object type: armor i gusoku i
Date: 1767 – 1900
Materials: copper alloy, gold, iron, lacquer, leather, silk, silver
Culture: japanese
Location: japan

The breastplate is embossed in high relief with designs featuring a dragon and clouds.
Saucer
Object type: saucer
Date: 1801 – 1900
Materials: hard paste porcelain
Subjects: couples,men,women
Schouwburg met toneeldecor: De aloude Hofgallery
Object type: print
Date: 1736 – 1738
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: theatre, theatrical performance, stage design
Inscriptions: collector's mark: Lugt 2228

Scène uit het toneelstuk "Het huwelyk van Orondates en Statira. Treurspel." door Jean Magnon (vertaald door D. Lingelbach), Amsterdam 1715. Deze platen zijn in verschillende groepen in verschillende periodes vervaardigd tussen 1738-1760 en uitgegeven in verschillende series ca. 1760 (met dit passe-partout) en ca. 1770-1772 (met een ander passe-partout). De platen zijn door Muller ingedeeld bij de platen van de brand van de Amsterdamse Schouwburg in 1772.
L'arte di rendere i fiumi navigabili, in varij modi, con altre nuove inventioni, e varij altri segreti
Object type: print
Date: 1677 – 1677
Materials: paper
Techniques: etching
Location: rome
Subjects: river, dam (in canal)

Deze prent maakte oorspronkelijk deel uit van een publicatie bestaande uit drie delen, uitgegeven door G.G. Komarek in Rome in 1696. Het eerste deel zit achter een titelpagina met de titel: L'arte di rendere i fiumi navigabili, in varij modi, con altre nuove inventioni, e varij altri segreti. Deel twee zit achter een titelpagina met de titel: Racolta di varii segreti come si vedono nelle segventi figure. Deel drie zit achter een titelpagina met de titel: Osservazioni delle comete che dovranno seguire, e dell'ecclisse del primo satellite di Giove, et altre propositioni prosicue da farsi per commodo & ornamento della città. Deze prent komt uit het eerste deel. Prenten in de publicatie zijn naar ontwerp van Cornelis Meijer gemaakt door verschillende prentmakers, onder wie G.B. Falda, G. van Wittel, Gomar Wouters, etc. Er is ook een eerdere versie bekend van deze publicatie, uitgegeven in Rome in 1683, met de titel: L'arte di restituire a Roma la tralasciata navigazione del suo Tevere.
Pelletier
Object type: print
Date: 1835 – 1851
Materials: paper
Techniques: lithograph
Location: paris
Subjects: pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist, historical persons
Inscriptions: collector's mark: Lugt 2228
[86 Stereographic Views of The International Exhibition of 1862]
Object type: photograph
Date: 1862 – 1862
Materials: glass
Techniques: albumen silver print
Artist: william england
Artist role: fotograaf
Artist nationality: english
Artist dates: 1816 – 1896
Subjects: interiors
Fotoreproductie van een schilderij van twee meisjes die naar hun spiegelbeeld kijken in een plas
Object type: page
Date: 1874 – 1884
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: looking in the mirror; (possibly: contemplation of own beauty - aa - (for) women), pool, puddle, picture, painting
Woman in Night Robe Reading a Letter
Object type: woodblock print
Date: 1764 – 1772
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: women,reading

In his hashira-e, or pillar print, Harunobu depicts a woman reading a letter in an extremely casual manner. The thin, vertical nature of the pillar print helps to stress the languidness of the scene, as do the robe, sash, and letter, all draped heavily downward in an elongated manner.
Dress
Object type: dress
Date: 1888 – 1890
Materials: wool
Culture: american
Boot van Dai-ko-ku
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: etching, intaglio
Artist: félix hilaire buhot
Artist role: draughtsman, print maker
Artist dates: 1847 – 1898
Subjects: wooden container: barrel, cask, bucket, sailing-ship, sailing-boat, sea
Inscriptions: collector's mark: Lugt 2233

Prent uit een serie bestaande uit acht platen plus titelprent en ex libris, naar Japanse objecten uit de collectie van Philippe Burty, uitgegeven in Parijs door Edmond Sagot in (april) 1883.
In dat jaar vond er een belangrijke tentoonstelling plaats evenals andere Japan-georiënteerde activiteiten. Op 10 april 1883 opende de eerste retrospectieve tentoonstelling van Japanse kunst in de Westerse wereld in de Gallery Georges Petit op de Rue de Sèze te Parijs. Volgens een brief van Buhot aan Octave Uzanne, gedateerd 4 april 1883, had Buhot in 1875 reeds negen van de tien platen vervaardigd.
Bourcard & Goodfriend vermelden dat er van de serie vijftig waren gedrukt op Japans papier, honderd op Nederlands papier en enkelen op geel met goud bewerkt papier.
Seal Ring with Inscription
Object type: ring
Date: 1467 – 1533
Materials: gold, jade
Techniques: carving, casting, chasing
Location: iran
Subjects: arabic

This magnificent gold ring holds a jade stone engraved with religious verses known as the Nad-i 'Ali, an invocation to 'Ali ibn Abi Talib, son-in-law of the Prophet Muhammad. The text is written in mirror reverse, suggesting that the stone may once have served as a seal. Further tiny poetic inscriptions—in cartouches around the golden bezel—contain prayerlike verses, perhaps invested with apotropaic qualities, placed there to ensure the safety of its wearer.
Antibes
Object type: drawing
Date: 1882 – 1882
Materials: watercolor
Location: france
Artist: henry victor burgy
Artist role: artist
Artist nationality: french
Artist dates: 1801 – 1901
Portret van Sarah Bernhardt in kostuum
Object type: photomechanical print
Date: 1874 – 1879
Materials: paper
Techniques: woodburytype
Subjects: paris, sculptor, sarah bernhardt, adult woman, historical persons
Inscriptions: signature: ‘Srarah Bernhardt/ in/ Ruy Blas’
Vase
Object type: vase
Date: 1801 – 1900
Materials: gemstone, glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Night Rain at the Paulownia Grove at Akasaka (Akasaka Kiribatake uchu yukei), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"
Object type: print
Date: 1859 – 1859
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige ii (shigenobu)
Untitled Valentine (Wedding Scene)
Object type: drawing and watercolor
Date: 1840 – 1840
Materials: paper
Techniques: collage, embossing
Location: england
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Portret van G.C. Verenet
Object type: print
Date: 1842 – 1880
Materials: paper
Techniques: lithograph
Location: utrecht
Artist: pieter wilhelmus van de weijer
Artist role: print maker, printer, publisher
Artist dates: 1816 – 1880
Subjects: historical persons (+ half-length portrait)
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Dubbelportret van twee onbekende kinderen
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: engraving, etching
Artist: louis joseph greuse
Artist role: print maker
Artist dates: 1863 – 1950
Subjects: child
Inscriptions: collector's mark: Lugt 2228
Gezicht op de De Wittenkade
Object type: photograph
Date: 1917 – 1917
Materials: cardboard, paper
Techniques: albumen print
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc., street
Inscriptions: collector's mark: ‘14 134’ Lugt 1641b, inscription: ‘De Wittenkade / in 1917. / April 1920. / Geschenk v/d Heer J. van Eck.’

Onderwerpsrubriek binnen de Atlas Amsterdam: Waal (Kromme en Oude), Walenpleintje, Warmoesgracht, Warmoesstraat, Waterlooplein, Westerdoksdijk, Westermarkt, Weteringschans, Willemspark, Willemsstraat, Wittenburg, Wittenkade (de), Wittenstraat (de).
Étui
Object type: étui
Date: 1767 – 1800
Materials: paper, fiber

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Ex libris van Walter Heinemann
Object type: bookplate
Date: 1900 – 1913
Materials: paper
Techniques: autotype
Subjects: notation of music, dress, gown: ball gown, standing figure - aa - female human figure
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 2760
Toyo Fujin gaho
Object type: magazine
Date: 1908 – 1908
Materials: paper
Techniques: letterpress printing, lithograph
Location: japan
Inscriptions: date

Nummer 16 (1908) van het tijdschrift Toyo Fujin gaho: rode kaft waarop pauw tussen zonnebloemen; binnenin: frontispies waarop vrouw op veranda.
Zeegezicht
Object type: design
Date: 1780 – 1780
Materials: ink, paper
Techniques: brush, pen
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Inscriptions: date: ‘1780’
Kaart van Europa waarin alle landen door personen zijn voorgesteld, ca. 1867
Object type: print
Date: 1867 – 1867
Materials: paper
Techniques: lithograph
Location: breda
Artist: flier
Artist role: print maker
Subjects: (map of) europe, europe
Inscriptions: company name: ‘Academische Boekhandel van de firma ... Hazenberg Corn.sZ / Rapenburg Leyden’, collector's mark: Lugt 2228

Politieke kaart van Europa waarop alle landen door personen zijn voorgesteld, ca. 1867. Met Otto van Bismarck centraal in Pruisen. Met zesregelig onderschrift in het Frans.
[Hutchinson Family Singers]
Object type: photograph
Date: 1845 – 1845
Techniques: daguerreotype
Artist: Anonymous
Artist role: artist
Subjects: men,portraits

The original members of the Hutchinson Family Singers were thirteen of the sixteen children of Jesse and Mary Hutchinson of Milford, New Hampshire. The eleven sons and two daughters made their singing debut in the late 1830s and at first sang sentimental, patriotic tunes celebrating the virtues of rural life. In 1842, however, they began to associate closely with the abolitionists, and soon their repertory of songs championed such reformist causes as temperance, women's rights, and above all, the abolition of slavery. Both praised and vilified by the press and public, America's first group of social protest folk singers performed throughout the country for more than fifty years.
Chessmen (32) and board
Object type: chessman and board
Date: 1801 – 1900
Materials: amber
Subjects: chess
Portret van keizer Otto III
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: utrecht
Subjects: crown (symbol of sovereignty), historical persons, hacking and thrusting weapons: sword, emperor

Prent uit: Bogaert, Abraham. De Roomsche monarchy, vertoont in de muntbeelden der westersche en oostersche keizeren (...). Utrecht: François Halma en Willem van de Water, 1697, p. 369. Eerste staat verschenen als grotere prent met 12 portretten, gedateerd 1695.
Corset
Object type: corset
Date: 1872 – 1872
Materials: bone, cotton
Culture: american
Artist: worcester corset company
Artist role: manufacturer
Artist nationality: american
Artist dates: 1861 – 1950
Portable diptych sundial
Object type: portable diptych sundial
Date: 1598 – 1598
Materials: brass, ivory
Artist: hans tröschel the elder
Artist role: maker
Artist nationality: german
Artist dates: 1549 – 1612
Subjects: sundials

The growing production of mechanical clocks during the Renaissance had the effect of stimulating the construction of a variety of timekeeping instruments. Sundials were used for setting clocks, as well as for regulating their still inaccurate movements. Both the variety and number of sundials proliferated, but Nuremberg sundial makers specialized in small, folding, easily portable types made of ivory or wood. This dial, which can be used to tell the time in several different systems of counting the hours, was made to be used in Nuremberg's latitude of 49 1/2 degrees. Other portable sundials made in Nuremberg can be adjusted for use in several latitudes.
Back of the Gaiety Theatre
Object type: print
Date: 1895 – 1895
Materials: ink, paper
Techniques: printmaking, lithograph
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
The Passing of Venus
Object type: drawing
Date: 1898 – 1898
Materials: cardboard, gouache, paint
Artist: sir edward burne-jones
Artist role: artist
Artist nationality: british
Artist dates: 1833 – 1898
Subjects: bow and arrow,cupid,venus,trees,carriages

Overwhelming passion was a constant theme in Burne-Jones’s art. He was working on this study for a Morris & Company tapestry showing Venus’ conquest when he died in 1898. Although preliminary, the intricate composition is clearly established: the goddess enters at left in a winged chariot while Cupid prepares the way. As women fall before him, he fits an arrow for the next victim among a crowd of nervous beauties. Burne-Jones invented the motif, drawing on medieval poetry and Renaissance allegories of the triumph of love, for his personal homage to the irresistible power of desire. The design was used by Merton Abbey Tapestry Works to weave two tapestries, in 1908 and 1922. The first was destroyed by fire and the second is now at the Detroit Institute of Arts.
Mountain Scenery
Object type: hanging scroll
Date: 1801 – 1900
Materials: ink, silk
Culture: japanese
Artist: senkaku toshu
Artist role: artist
Artist dates: 1804 – 1871
Subjects: waterfalls,mountains,landscapes
Brief aan Philip Zilcken
Object type: letter
Date: 1891 – 1891
Materials: ink
Techniques: pen, printing, writing
Location: new york city
Artist: samuel putnam avery
Artist role: verzamelaar
Artist dates: 1822 – 1904
Subjects: the hague, painter, print maker, draughtsman, jozef israëls, philip zilcken, art trade, art shop, sending and receiving postal matter, the graphic arts, art collecting
Inscriptions: collector's mark: ‘RPK’
Portret van een meisje, leunend op een stoel
Object type: carte de visite
Date: 1874 – 1877
Materials: cardboard, photographic support
Techniques: albumen print
Location: alkmaar
Artist: jacques chrispijn
Artist role: fotograaf
Artist dates: 1851 – 1927
Subjects: historical persons - bb - woman, girl (child between toddler and youth), chair
Inscriptions: inscription: ‘Photographisch/ Atelier/ van/ J. CHRISPIJN/ Langestraat/ Zuidzijde A No. 98/ Alkmaar’
Plate 9: Procession on Corpus Christi Day in the Piazza San Marco, from 'Ducal Ceremonies and Festivals' (Le Feste Ducali)
Object type: print
Date: 1766 – 1766
Techniques: engraving, etching
Artist: giovanni battista brustolon
Artist role: artist
Artist nationality: italian
Artist dates: 1712 – 1796
Subjects: venice
Card Number 6, cut-out from banner advertising the Opera Gloves series (G29) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: gloves,women

Series G29 presents cut-outs from a tobacco advertising banner issued by Allen & Ginter between 1885 and 1890. Citing Burdick's "The American Card Catalog": "Banners are paper hangers with a metal binding at top and bottom edges. The popular size was about 30 inches long but a few measured over five feet in length...The tobacco firms were prolific advertisers using a constant procession of banners, especially to publicize their current insert card sets...The usual design illustrates the card pictures [from the series inserted into tobacco packaging] with a large appropriate center picture." Many consumers would cut up banners in order to "collect" the whole series of cards at once. Although series G29 is not listed in Burdick's "The American Card Catalog," he included notes in his own edition of the book, now included in the collection at the Metropolitan Museum, labeling the series as G29. They are included not as the original banner, but as cut-outs affixed to an album. Each card in the series is numbered and depicts a leather opera glove holding a portrait of a woman. The original banner advertised Richmond Straight Cut Number 1 Cigarettes issued by Allen & Ginter as a branch of the American Tobacco Company. In 1890, the American Tobacco Company purchased Allen & Ginter, as well as many of the large American cigarette manufacturers.
Ruins of a Temple by a Lake
Object type: drawing
Date: 1644 – 1736
Materials: graphite
Techniques: brush, wash
Artist: etienne allegrain
Artist role: artist
Artist nationality: french
Artist dates: 1644 – 1736
Subjects: temples,ruins,men,lakes,trees
Portret van Friedrich Wilhelm III van Pruisen
Object type: print
Date: 1797 – 1842
Materials: paper
Techniques: engraving
Subjects: berlin, frederik willem iii koning van pruisen, historical persons
Inscriptions: collector's mark: Lugt 2228
Het graf van Keizer Leopold II in de Kapucijner Grafkelder te Wenen
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: vienna
Artist: august angerer
Artist role: publisher
Subjects: leopold ii (keizer van oostenrijk), grave, tomb, vienna
Inscriptions: inscription: ‘Vervielfültigung vorbehalten.’, collector's mark: Lugt 3937
Portret van Henri Ernie
Object type: album leaf
Date: 1880 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: paris
Artist: louis larger
Artist role: fotograaf
Artist dates: 1849 – 
Subjects: boy (child between toddler and youth), historical persons
Inscriptions: inscription: ‘Grand-Prix/ Plusieurs Fois Membre du Jury/ Hors Concours/ PHOTOTYPIE-HÉLIOTYPIE/ Impression Rapide aux Encres Grasses/ Ancne. Mon. JAMIN/ L. LARGER Sr./ 13, Rue Chapon, 13/ PARIS’, name: ‘Henri Ernie +1915’
Fragment of the Lower Edge of Siptah's Canopic Chest
Object type: canopic chest, siptah, outer decoration, palace facade
Date: 1194 – 1188
Materials: stone
Location: egypt
Armor
Object type: armor
Materials: leather, steel
Culture: german
Location: germany

At the turn of the sixteenth century, German armorers abandoned the slender lines of the late Gothic style and adopted the fuller, more rounded forms favored in Italy. In the new style, the shallow parallel channels that covered almost the entire armor were not only decorative but actually strengthened the metal. This is often referred to as "Maximilian style" because it was introduced during the time of Emperor Maximilian I (1459–1519). Fluted armor appears to have been a specialty of Nuremberg. On this armor the two-piece construction of the breastplate and its pierced decoration, while standard on German Gothic armors, is highly unusual for this period. The waistplates and tassets (upper thigh defenses) are of a later date. The breastplate is stamped with the maker's mark: in a shield, a half lion or a bear above the letters L.B.
Sino, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence)
Object type: print
Date: 1611 – 1619
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Veldpolitie per motor en rijwiel
Object type: photograph
Date: 1925 – 1931
Materials: cardboard, photographic support
Techniques: collodion silver print, gelatin silver print
Location: batavia
Artist: Anonymous
Subjects: dutch east indies, the, batavia

Albumblad met één foto: twee agenten met fietsen en drie agenten op een motor met zijspan van de veldpolitie te Batavia. Onderdeel van het fotoalbum aangeboden aan S. Koster door de Vereeniging van Hoogere Politie Ambtenaren in Nederlandsch-Indië in 1931.
Linker zijpaneel van de schoorsteen van het Huydecoperhuis
Object type: interieuronderdeel
Date: 1639 – 1639
Materials: wood
Techniques: gilding
Location: northern netherlands
Subjects: architectural detail, meeting of nausicaa and ulysses: ulysses, almost naked, comes out of the bushes; nausicaa and her companions are startled at the sight

Linker zijpaneel van de schoorsteen van het Huydecoperhuis.