deem-data/ArtiFact huggingface dataset:
Luton Park, Bedfordshire, Plan for Planting South-East of the House
Object type: drawing ornament and design
Date: 1764 – 1764
Materials: ink
Techniques: brush, pen, wash
Artist: lancelot "capability" brown
Artist role: artist
Artist nationality: british
Artist dates: 1716 – 1783
Subjects: parks
Brief aan Philip Zilcken
Object type: letter
Date: 1890 – 1899
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: publisher, jacobus george robbers, aegidius willem timmerman, philip zilcken, photography, cinematography, historical persons (portraits and scenes from the life)
Inscriptions: collector's mark: ‘RPK’, watermark
François van Mieris
Object type: print
Date: 1750 – 1788
Materials: paper
Techniques: engraving
Location: paris
Subjects: leiden, painter, print maker, draughtsman, frans van mieris (i), historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Foto van een dame, gevat in een ronde houder bevestigd aan een pin
Object type: photograph
Date: 1900 – 1925
Materials: metal
Artist: Anonymous
Subjects: eugen wachenheimer, else wachenheimer-moos

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, gold alloy, silver
Culture: japanese
Location: japan
Subjects: bats
Kolonievaart; afbeelding van Schutsluis nr. 3, te Veenhuizen, gebouwd in 1878
Object type: photograph
Date: 1879 – 1879
Materials: cardboard, paper
Techniques: photography
Location: groningen
Artist: friedrich julius von kolkow
Artist role: fotograaf
Artist dates: 1839 – 1914
Subjects: veenhuizen
Inscriptions: date

De schutsluis werd gebouwd in opdracht van de provincie Drenthe. Er werd zonder machines gewerkt; ook het heien gebeurde met mankracht. De Veenhuizervaart was belangrijk voor het vervoer van de produkten van de kolonie Veenhuizen. Daar werden behoeftige stedelingen omgeschoold tot degelijke boeren.
Afbeelding der Plechtige Lykstatie van zyn Excellentie den Heer Jacob Mossel, Gouverneur Generaal op Batavia, den 19 May 1761
Object type: print
Date: 1762 – 1762
Materials: textile
Techniques: etching
Location: northern netherlands
Subjects: enkhuizen, batavia, cortege, funeral procession
Inscriptions: collector's mark: Lugt 2228

De lijkstatie bij de begrafenis van Jacob Mossel, de Governeur-Generaal te Batavia, 19 mei 1761. De stoet afgebeeld in 8 rijen onder elkaar, details genummerd 1-72. Gemerkt bovenaan: In de Mercurius Augustus 1762. Eerste stuk. pag. 38.
Tankard
Object type: tankard
Date: 1675 – 1675
Materials: glass, silver
Techniques: engraving

The adornment of already precious vessels by the application of silver mounts has a long tradition in England. Here the value of the tankard so beautifully embellished resided in the innovative glass technology used to make it. The vessel was perhaps imported from The Netherlands, but it may have been made in London, perhaps under the auspices of the glass merchant George Ravenscroft. The engraved decoration of the tankard appears to be English, and the silver mounts certainly are. Originally clear, to resemble rock crystal, the glass crizzled – internally broke down – shortly after it was made to give a pleasing smoky effect. Nonetheless, the tankard remained a highly valued art object.
Inhuldiging van Willem III tot koning der Nederlanden te Amsterdam
Object type: strooipenning
Date: 1849 – 1849
Materials: bronze
Techniques: striking
Location: netherlands
Artist: johannis petrus schouberg
Artist role: die cutter, draughtsman, print maker
Artist dates: 1798 – 1864
Subjects: brussels, willem iii (koning der nederlanden), amsterdam

Bronzen penning. Voorzijde: geopend boek op gekruiste scepter en zwaard binnen tot krans samengebonden oranje- en eiketak onder kroon. Keerzijde: opschrift binnen lauwerkrans onder ster binnen omschrift
De vlucht naar Egypte
Object type: drawing
Date: 1659 – 1660
Materials: chalk, ink, paper, watercolor
Techniques: brush
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Inscriptions: annotation: ‘Bartsch 52’

Kopie naar ets van Rembrandt (De vlucht naar Egypte: kleine etsplaat), B. 52 (1633).
Balletdansers
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, cutting, hand coloring, perforating
Artist: Anonymous
Subjects: the ballet, ballet performance
Inscriptions: retailer's mark: ‘D. WAKKER/ Kalverstraat/ bij de Heiligenweg D 133’, inscription: ‘f 1.25’
Stenen windmolen
Object type: print
Date: 1808 – 1881
Materials: paper
Techniques: etching
Artist: eugène verboeckhoven
Artist role: draughtsman, painter, print maker, printer
Artist dates: 1798 – 1881
Subjects: windmill in landscape, windmill
Symbola Divina et Humana Pontificum Imperatorum Regum
Object type: print
Date: 1666 – 1666
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: predatory birds: falcon, trees

Pagina uit Jacob Typotius, Symbola Divina & Humana Pontificum Imperatorum Regum. Arnhem, J.F. Hagen, 1666 of uit de titeluitgave van 1669 of 1679. Het werk van Typotius werd voor het eerst uitgegeven in 1601 met prenten van Aegidius Sadeler.
Kaart van de heerlijkheid Mechelen
Object type: map
Date: 1700 – 1702
Materials: paper
Techniques: engraving, etching, hand coloring, lacquer
Location: amsterdam
Subjects: maps of separate countries or regions

Kaart van de heerlijkheid Mechelen. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Pair of Boots (Theatrical)
Object type: textile
Date: 1870 – 1879
Materials: leather, silk
Techniques: brocade, weave
Location: france
Subjects: flowers, yellow (color), white (color), red (color)
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, unidentified subject; part of inscription, [H]O PAIS [KALOS]
Herder en zijn vee bij een boom
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: etching, roulette
Location: amsterdam
Artist: jacob van de velde (graveur)
Artist role: print maker
Artist dates: 1744 – 1780
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., leaning figure, herd, flock
Inscriptions: collector's mark: Lugt 2725, collector's mark: ‘RIJKS / MUSM’

De prent werd opgenomen in: Collection d'imitations de dessins d'après les principaux maîtres hollandais et flamands, Londen, C. Josi, 1821.
The Blindness of Tobit:  A Sketch
Object type: print
Date: 1825 – 1825
Techniques: etching
Artist: william james smith
Artist role: artist
Artist nationality: british
Artist dates: 1824 – 1826
Subjects: men
Architectural Fragment from a Retable, Tabernacle, or Tomb
Object type: relief fragment
Date: 1400 – 1400
Materials: marble
Culture: french
Location: france
Subjects: tombs
Linen Mark on the Corner of a Sheet
Object type: linen mark
Date: 2030 – 1640
Materials: ink, linen
Location: egypt
Glass mosaic inlay fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Translucent turquoise blue and opaque pale yellow, partially mixed together and appearing green. Flat revetment plaque, with one beveled edge. Marbled mosaic pattern in blue ground with irregular pattern of yellow streaks. Polished upper side; pitting of surface bubbles; dulling, creamy weathering, and slight iridescence on underside, beveled and jagged edges; one long straight edge unweathered.
Eindhoven - Paterskerk
Object type: ansichtkaart, prentbriefkaart
Date: 1923 – 1950
Materials: cardboard
Techniques: photograph
Location: baarn
Artist: Anonymous
Subjects: church (exterior)
Old Furniture
Object type: photograph
Date: 1881 – 1881
Techniques: photography, woodburytype
Location: scotland
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Sluiting van het Twaalfjarig Bestand tussen de Republiek en Spanje
Object type: jeton
Date: 1609 – 1609
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: nijmegen

Koperen penning met gat erin. Voorzijde: opschrift binnen krans van olijftakken. Keerzijde: wapenschild onder twee gekroonde helmen binnen omschrift.
Vier foto's van de haven van Hamburg
Object type: album leaf
Materials: paper
Techniques: gelatin silver print
Location: hamburg
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: harbour, steamship, motorship

Deze foto's maken deel uit van een album.
Karikatuur van een rustend koppel
Object type: print
Date: 1620 – 1687
Materials: paper
Techniques: etching
Location: italy
Subjects: adult woman, caricatures (human types), adult man, resting - bb - out of doors
Inscriptions: collector's mark: Lugt 240
Jules Verne
Object type: ansichtkaart, prentbriefkaart
Date: 1895 – 1940
Materials: cardboard
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: adult man, historical persons
Inscriptions: number: ‘705’
No 12 Etager
Object type: page
Date: 1878 – 1885
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: table, cupboard
Inscriptions: inscription: ‘1. 2.’, inscription: ‘No 1. Ies. 40/ " 2 "170.’, inscription: ‘Alto, 145. Largo, 90. Fondo, 45.’
Staande figuren rond olifanten
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: paris
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: elephants (circus performance), adult man (+ standing), trunked animals: elephant

Mogelijk verzorgers of circusartiesten. Blad 5 verso uit schetsboek LI met 11 bladen.
Meer van Tiberias te Palestina
Object type: print
Date: 1850 – 1859
Materials: paper
Techniques: tone lithography
Location: munich
Artist: august löffler
Artist role: print maker
Artist dates: 1822 – 1866
Subjects: lake, trees: palm-tree
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Piloty&Loehle, München’, : ‘Mit gesetzl Schutze gegen Nachbildung’

Prent afkomstig uit de serie 'Album Seiner Majestät des Königs Ludwig I. von Bayern', verschenen in verschillende afleveringen. De prenten gaan terug op het album dat Lodewijk I van Beieren op 9 oktober 1850 kreeg overhandigd van verschillende kunstenaars.
L'Hymen et l'Amour (Hymen and Cupid)
Object type: print
Date: 1701 – 1800
Techniques: engraving, etching
Artist: jacques firmin beauvarlet
Artist role: artist
Artist nationality: french
Artist dates: 1731 – 1797
Subjects: men,cupid
Portret van humanist Marco Girolamo Vida
Object type: print
Date: 1834 – 1842
Materials: paper
Techniques: engraving
Location: italy
Artist: giuseppe guzzi
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Blad met vier slingerende banen omwonden door ranken met bloemen en vruchten
Object type: brocade paper
Date: 1750 – 1820
Materials: gold leaf, paint, paper
Techniques: relief print
Artist: Anonymous
Subjects: ornament derived from plant forms
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Blad met vier slingerende kantachtige banen omwonden door ranken met bloemen en vruchten, op regelmatige afstand van elkaar geplaatst.
Deventer, Wohnhaus
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: leipzig
Artist: Anonymous
Subjects: decorated gable, stone tablet in façade

Afdruk uit: Krook, L. Architectur der Niederlande. Leipzig: Baumgärtner's Buchhandlung, 1894.
The Acropolis of Athens
Object type: print
Date: 1845 – 1845
Materials: paper, ivory
Techniques: etching, printing
Location: france
Artist: théodore caruelle d'aligny
Artist nationality: french
Artist dates: 1798 – 1871
Les Forces de l'Europe, Asie, Afrique et Amerique, ou description des principales villes avec leurs fortifications. Dessignées par les meilleurs ingenieurs, particulierement celles qui sont sous la domination de la France (...) et ornées de plusieurs superbes edifices
Object type: map
Date: 1702 – 1703
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: maps of separate countries or regions

Kaart van de noordkust van Galicië. Gemerkt rechtsonder: Cc. Onderdeel van het tweede van twee delen van het prentwerk: Les costes de France et d'Espagne (oftewel deel 14 van: Les Forces de l'Europe, Asie, Afrique et Amerique), uitgegeven ca. 1702. Het prentwerk bestaat in totaal uit 43 gemerkte platen van de kust van Frankrijk en Spanje, in het kader van de Spaanse Successieoorlog. Deze platen zijn gekopieerd naar anonieme Franse platen oorspronkelijk uitgegeven door Nicolas de Fer te Parijs. Titel en opschriften in de plaat in het Frans.
Another interior view of the Villa of Maecenas, Tivoli, from Views of Rome
Object type: print
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Titelpagina voor: Uren toegewijd aan de hoogste belangen des levens: voor jeugdige christenen, 1825
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: engraving, etching
Location: leeuwarden
Subjects: 'cornucopia', horn of plenty, the sacred heart, light shining out of the heavens, the bible as a book
Inscriptions: collector's mark: Lugt 2228

Een opengeslagen bijbel, een zandloper, een bloemenkrans, een crucifix, een hoorn des overvloeds en een anker, waarboven een brandend hart in een stralenkrans.
Portret van Ulrich Ludwig Friedrich Wolf
Object type: print
Date: 1821 – 1835
Materials: paper
Techniques: etching
Location: germany
Subjects: berlin, painter, print maker, draughtsman, ludwig wolf, historical persons
Inscriptions: collector's mark: Lugt 2228
Landing op het eiland Oland
Object type: print
Date: 1845 – 1908
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: warfare; military affairs (+ during the battle), fighting
Inscriptions: date: ‘Oland 31 Mai 1612’, inscription: ‘Tapijt te Frederiksborg in Denemarken : / De landing op het eiland Oland, 31 Mai 1612 /: vervaardigd door Carel van Mander te Delft. naar de tekening van F.C. Lund.’, collector's mark: Lugt 2228

Studie van een tapijt dat in 1859 verloren is gegaan en oorspronkelijk bestemd was voor kasteel Frederiksborg. Op het tapijt is de landing op het eiland Oland op 31 mei 1612 te zien. Karel van Mander maakte het ontwerp voor het tapijt, Heinrich Hansen maakte een tekening naar het tapijt en een onbekende lithograaf maakte naar de tekening deze lithografie.
Fragment
Object type: textile
Date: 1601 – 1633
Materials: textile, silk, velvet
Techniques: cutting, satin weave, voiding, weave
Location: italy
Reverse Copy of Le Gentilhomme aux Mains Jointes (The Gentleman with his Hands Joined), from La Noblesse (The Nobility)
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Hollandse meesters
Object type: print
Date: 1823 – 1900
Materials: paper
Techniques: etching
Subjects: delft
Inscriptions: collector's mark: Lugt 2228

De gevels van enkele huizen aan een straat in Delft. Tussen de huizen een steegje waar een vrouw over een wastobbe gebogen staat. In de openstaande deur van het huis rechts zit een vrouw te handwerken, links voor het huis op de stoep twee spelende kinderen. Deze prent maakt deel uit van een serie van 25 prenten naar Hollandse meesters. Boven de afbeelding: PL XIV.
Plan for a Circular Room
Object type: drawing
Date: 1770 – 1790
Materials: ink
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: architecture
Brigella
Object type: print
Date: 1694 – 1725
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: types in 'commedia dell'arte', group of actors, troupe; actors on the stage
Inscriptions: collector's mark: Lugt 2228
More of the Clarke or Fresh Accusations
Object type: print
Techniques: etching
Location: london
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women

Wardle stands at right in a bedroom addressing a crowd in the street below through an open window. Mrs. Clarke stands at left with her arms outstretched, pointing at Wardle, and declaring: "And Clarke said unto Felix. Thou art the Man— behold the Furniture! and Felix Trembled." Wardle says to the people: "Good People of the United Kingdom suspend your judgement for the present till I get this woman placed in the pillory—I never did any thing naughty with her no more than the child unborn—it was all for the good of my Country I assure you I am as firm a patriot as ever purchased a convex Mirror, or a red turkey Carpet"
Façade van een podium in de Tuilerieën
Object type: print
Date: 1810 – 1810
Materials: paper
Techniques: etching, hand coloring, roulette
Location: paris
Artist: Anonymous
Subjects: parts of church exterior and annexes: façade, stage design
Inscriptions: collector's mark: Lugt 2228, : ‘Déposé à la Bibliothèque’, watermark
Game Wagon # 3323
Object type: drawing
Date: 1877 – 1877
Materials: gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Starnberg - Blick auf Schloss u. Kirche
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1909
Materials: cardboard
Techniques: photograph, writing
Location: starnberg
Subjects: castle, church (exterior)
Griekse krijger met zijn vrouw
Object type: drawing
Date: 1874 – 1925
Materials: paper, pencil
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: griekenland
Bell
Object type: bell
Date: 7000 – 330
Materials: bronze
Subjects: musical instruments
Raadhuisstraat - brug over den Singel
Object type: stereograph
Date: 1898 – 1898
Materials: paper, cardboard
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands, bridge in city across river, canal, etc. - ii - ideal city, amsterdam

Brug 8, tot 5 juli 2016 de Huiszittenbrug genoemd. In de verte het Hoofdpostkantoor en het Koninklijk Paleis Amsterdam
Card Number 18, Mrs. Roach, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Pendant
Object type: pendant
Date: 601 – 800
Materials: glass
Location: syria
Mrs. Potter Palmer
Object type: sculpture
Date: 1871 – 1871
Materials: marble
Location: united states
Artist: hiram powers
Artist nationality: american
Artist dates: 1805 – 1873
Subjects: chicago, people, portraits
Inscriptions: Signed on back: "H. POWERS / Sculp"

Chicago businessman Potter Palmer and his wife Bertha commissioned a pair of portraits in 1871 from Hiram Powers, an American sculptor living in Florence (see Mr. Potter Palmer). Executed in marble, with folded draperies and restrained features, the busts exemplify the classicizing style that Powers honed in Italy—and some Americans found so appealing—in the mid-19th century. They are among the first works of art purchased by the couple, who soon became major art collectors and philanthropists. Bertha Honoré Palmer, in particular, was a discerning collector, responsible for bringing some of the first works by French Impressionists to Chicago. An important cultural leader, she organized the displays and programming for the Woman’s Building at the 1893 World’s Columbian Exposition in the city.
Duinlandschap De Muy, Texel
Object type: photograph
Date: 1900 – 1930
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Inscriptions: annotation: ‘In de Muy duinen op Tessel’
Gloves
Object type: glove
Date: 1501 – 1600
Materials: lace, metal thread, silk
Man spelend op een luit
Object type: print
Date: 1823 – 1873
Materials: paper
Techniques: lithograph
Artist: célestin françois nanteuil
Artist role: print maker
Artist dates: 1813 – 1873
Subjects: female sex; woman, adult man, balcony, lute, and special forms of lute, e.g.: theorbo
Inscriptions: collector's mark: Lugt 964
Portret van Hieronymus Joachim Waeger
Object type: print
Date: 1755 – 1755
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: bookshelves, historical persons, book - mm - book open
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘[...] in Berlin’