deem-data/ArtiFact huggingface dataset:
Miniature Box with Lid in the form of an Egg and Stand
Object type: metalwork
Date: 1900 – 1900
Materials: gold, jade
Location: saint petersburg
Artist: fabergé workshop
Fragment
Object type: fragment
Date: 1902 – 1902
Materials: jade
Culture: new zealander
Brief aan Max Wilhelm Carl Weber en Anne Antoinette Weber-Van Bosse
Object type: letter
Date: 1920 – 1920
Materials: ink
Techniques: pen, writing
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: adolphe mouilleron, paris, print maker, draughtsman, eugène delacroix, amsterdam, anne antoinette weber-van bosse, the graphic arts, travelling; tourism, switzerland
Physic Street, Canton
Object type: photograph
Date: 1868 – 1868
Techniques: photograph
Location: scotland
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
S.M. Dom Pedro, empereur du Brésil
Object type: page
Date: 1881 – 1891
Materials: paper
Techniques: photoaquatint
Location: france
Subjects: ruler, sovereign
Limestone head of a man
Object type: head of a man
Date: 500 – 468
Materials: limestone
Culture: cypriot
Subjects: heads,men,leaves
L'Eau
Object type: print
Date: 1612 – 1676
Materials: paper
Techniques: engraving, etching
Subjects: water (one of the four elements), garden fountain
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie van vier prenten met de vier elementen in menselijke gedaanten.
Patiënten lijdend aan de huidziekte 'lepra arabum'
Object type: photomechanical print
Date: 1885 – 1895
Materials: paper
Techniques: photograph
Location: haarlem
Subjects: skin and venereal diseases, arms, hand, foot
Inscriptions: number: ‘Planche LIII. / Fig. 1. / Fig. 2’
Pair of stone mason's compasses
Object type: stone mason's compass
Date: 1601 – 1700
Materials: steel
Painted Bowl with Faunal and Floral Design
Object type: vessel
Date: 401 – 500
Materials: pigment, terracotta
Location: gandhara
Trinket Box
Object type: trinket box
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states
Subjects: animals
Bowl
Object type: bowl
Date: 1201 – 1300
Materials: stonepaste
Location: iran
Subjects: birds
Gezicht op de Aelbrechtskolk te Rotterdam
Object type: album leaf
Date: 1908 – 1913
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage), rotterdam
Inscriptions: inscription: ‘Aelbrechtskolk.’

Deze prent maakt deel uit van een album.
Dodendal
Object type: print
Date: 1849 – 1895
Materials: paper
Techniques: engraving
Location: netherlands
Artist: johannes walter
Artist role: print maker
Artist dates: 1839 – 1895
Subjects: dale, valley, plants; vegetation, rocks
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Het Doodendal [...]’

Een dal met rotsblokken te midden van begroeiing.
Scarab
Object type: scarab, uraei
Date: 1479 – 1425
Materials: glass
Location: upper egypt, thebes
Subjects: scarabs
Bord, veelkleurig beschilderd met een zwijnenjacht
Object type: plate dish
Date: 1750 – 1750
Materials: porcelain
Techniques: painted
Location: prísecná
Artist: franz ferdinand mayer
Artist role: porseleinschilder
Inscriptions: factory mark

Two plates with hunting scenes. Porcelain, Meissen, c. 1750, decorated by the 'Hausmaler' Franz Ferdinand Mayer von Pressnitz.
Bowl with archaic design
Object type: bowl
Date: 1801 – 1900
Materials: jade
Culture: chinese
Fotoreproductie van een schilderij, voorstellende een gezicht op de baai van Napels met op de achtergrond de Vesuvius
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: gulf, bay, eruption (of volcano), mount vesuvius, naples
Portret van een onbekend meisje in een kanten jurk
Object type: photograph
Date: 1900 – 1920
Materials: paper, cardboard
Techniques: gelatin silver print
Location: unknown
Artist: Anonymous
Subjects: anonymous historical person portrayed - bb - woman
Portret van Jacques Basnage de Beauval op 58-jarige leeftijd
Object type: print
Date: 1715 – 1715
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: the hague, theologian, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228
Winochs-Bergen, in Vlaanderen, aan de Kolme, tusschen Veurne (...) / Montes S. Winochii, in Flandriae ad Kolmum rivum, inter Veurnam (...)
Object type: area plan
Date: 1695 – 1711
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: fortified city, maps of cities
Inscriptions: collector's mark: Lugt 2228

Vestingplattegrond van Sint-Winoksbergen. Onder de voorstelling onderschriften in het Nederlands en Latijn.
Titelvignet met gebalde vuist voor De Paradox
Object type: vignette
Date: 1898 – 1898
Materials: paper
Techniques: woodcut
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: vignette
Inscriptions: collector's mark: Lugt 2228

Titelvignet voor het tijdschrift De Paradox van Alexander Cohen.
Servet met pellenpatroon, gemerkt RR
Object type: napkin
Date: 1650 – 1699
Materials: linen
Techniques: damask
Location: northern netherlands

Servet van wit linnen met pellen patroon:'omsingelde kattepoot en dubbel omsingeld tegenbeeld daarvan', merk kroon RR.
Perspective Drawing of an Interior
Object type: drawing
Date: 1801 – 1833
Materials: graphite
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: interiors
Porringer
Object type: porringer
Date: 1754 – 1790
Materials: silver
Culture: american
Location: united states
Artist: bancroft woodcock
Artist role: maker
Artist nationality: american
Artist dates: 1732 – 1817
Flute
Object type: flute
Date: 1300 – 1500
Materials: ceramic
Culture: tairona people or la aguja style
Location: colombia
Head
Object type: head
Date: 1501 – 1800
Materials: pigment, terracotta
Culture: edo period
Location: nigeria
Subjects: heads

Edo terracotta heads differ from comparable works cast in brass in their greater simplicity, both stylistically and in the incorporation of less regalia. Generally, they are less delicate or refined, with thicker, fuller facial features, and reflect the relative speed with which they were made. It has also been suggested that the king's coral regalia might have been stored on terracotta heads, or that they were used as molds from which to cast brass heads.
G 31. De Universiteit. Athene
Object type: photomechanical print
Date: 1890 – 1893
Materials: cardboard, paper
Techniques: photograph
Location: athens
Artist: Anonymous
Subjects: university
Inscriptions: check stamp: ‘Bristol/ L.M.’, title: ‘G 31. De Universiteit. Athene.’, number: ‘3’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze fotomechanische afdruk is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Scarab: Wish Formula
Object type: costume and accessory
Materials: stone
Culture: egyptian
Location: egypt
Subjects: scarab beetle, monuments, insects, hieroglyphs, children, babies
A Cosey Corner
Object type: painting
Date: 1884 – 1884
Materials: canvas, oil
Culture: american
Artist: frank millet
Artist role: artist
Artist nationality: american
Artist dates: 1846 – 1912
Subjects: fireplaces,women,reading

Millet, who specialized in American and English costume genre paintings, first visited Broadway, the picturesque Cotswolds village, in 1884. His home and studio there would become the center of an Anglo-American artists colony to which John Singer Sargent and Henry James were frequent visitors. The costume of the figure reading in "A Cosey Corner" is a romantic re-creation of several different English eighteenth-century fashions, and the interior architecture also seems English. Several features of the room, however, correspond to a published description of the colonial New England kitchen in Millet's East Bridgewater, Massachusetts, studio. Later in his life, Millet was active in many arts organizations, including the American Academy in Rome. Returning to New York on academy business, Millet went down on the Titanic.
Portret van Paul Stirn
Object type: print
Date: 1655 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Tiles (4)
Object type: tile
Date: 1701 – 1733
Materials: earthenware
Techniques: glazing
Subjects: men
Le Pompe: Opera Nova, page 15 (recto)
Object type: book print ornament architecture
Date: 1557 – 1557
Techniques: woodcut
Artist: giovanni battista & marchio sessa
Artist role: publisher
Artist nationality: italian
Subjects: ornament

Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design is decorated with intertwining lines that form diamonds and quatrefoils, inside which are 4-petaled flowers. Interspersed throughout the whole design is another floral motif.
Vaticano. Apollo Sauroctono
Object type: photograph
Date: 1851 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: vatican city
Artist: Anonymous
Subjects: (story of) apollo (phoebus), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: ‘VOSMAER’, inscription: ‘G. des statues’, number: ‘2563’
Portret van D.H. Schuurman [?]
Object type: carte de visite
Date: 1877 – 1877
Materials: cardboard, paper
Techniques: albumen print
Location: java
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Aan mijne lieve Margo/ die ook door dezelfde/ band nu aan ons is verbonden/ van [...] innig liefde/ D.H. Schuurman/ 7 Sept. 77’
Still Life with Bottles and Pail
Object type: drawing and watercolor
Materials: chalk, graphite, paper
Techniques: heightening
Location: england
Artist: school of peter de wint
Clove Boiler
Object type: clove boiler
Date: 1760 – 1760
Materials: glaze, porcelain
Culture: japanese
Subjects: dragons
Quelques Figures Chevaux paysages present's a Monseigneur le Duc de Bourgogne (...)
Object type: album leaf
Date: 1696 – 1700
Materials: paper
Techniques: etching
Location: france
Subjects: model-books ~ implements of painter, folk costume, regional costume, horse, building-site

Deze prenten maken deel uit van een zestigdelige serie met verschillende reeksen bestaande uit figuren, paarden, landschappen en gebouwen. De serie werd onderverdeeld in negen boeken, waarvan acht boeken met ieder zes prenten en één met twaalf prenten. Leclerc vervaardigde deze reeks voor Lodewijk van Frankrijk om diens tekenles te faciliteren.
A parody of Narihira's eastern journey
Object type: print
Date: 1764 – 1764
Techniques: printmaking, woodblock print
Location: japan
Artist: torii kiyomitsu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1785
Netsuke: Group of Figures
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: human figures,monkeys
Louis Le De Bonnaire
Object type: print
Date: 1642 – 1678
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: france, historical persons, king
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een grootschalige serie met portretten van prominente figuren. Binnen de serie bevindt zich een sectie getiteld 'Les Augustes Représentations De tous les Roys De France depuis Pharamond Iusqu'à Louys XIIII'.
De serie werd respectievelijk uitgegeven door Pierre Bertrand, door zijn weduwe en door De Larmessin zelf.
Coin
Object type: coin
Materials: copper
Location: iran
Fragment
Object type: textile
Techniques: slit, tapestry
Culture: moche or wari
Location: peru
Funerary Cone
Object type: cone, davy 585, khaempashemes, butler, divine adoratrice
Date: 1550 – 1295
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Footed Vessel
Object type: vessel
Date: 200 – 700
Materials: ceramic, pigment
Location: mexico
XIIe Cahier de l'Oeuvre M Cheminées avec leurs Trumeaux &c
Object type: print
Date: 1784 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: chandelier, candelabrum, open hearth, fire-place

Een geornamenteerde schouw met een vierarmige kroonluchter. Aan de bovenzijde een vogel met guirlandes. Aan weerszijden van de schouw twee rookvaten en Korinthische zuilen met vazen met bloemen.
Verschillende regio's en steden in het hertogdom Brabant
Object type: print
Materials: paper
Techniques: etching
Location: amsterdam
Artist: claes jansz. visscher (ii)
Artist role: draughtsman, print maker, publisher
Artist dates: 1586 – 1652
Subjects: village street, sleeping on the ground, farm or solitary house in landscape
Inscriptions: stamp, collector's mark: Lugt 1641

Gezicht op een landweg met links enkele huizen en een man die bij een put ligt te rusten. In de lucht vliegen vogels. Prent uit een serie bestaande uit één titelprent en 25 prenten. Rechtsonder genummerd: 3. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Buitenleven.
Round-bodied jar with greyish green glaze
Object type: pot
Date: 1200 – 1399
Materials: glaze, stoneware
Techniques: firing, turning, vitrification
Location: sawankhalok
Artist: Anonymous

Bolvormige pot van steengoed met een smalle, korte nek met opstaande rand, bedekt met een grijsgroen gecraqueleerd glazuur. Vanuit de schouder twee halfronde oren. Celadon.
Man en vrouw in heuvelachtig landschap
Object type: print
Date: 1780 – 1851
Materials: paper
Techniques: etching
Artist: pieter janson
Artist role: draughtsman, print maker
Artist dates: 1765 – 1851
Subjects: landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Heuvelachtig landschap met een man, zittend bij een boom, in gesprek met een vrouw. Beiden hebben een stok in hun hand.
Tea Jar
Object type: tea jar
Date: 1601 – 1700
Materials: clay, glaze
Culture: japanese
Seimseim, from the Musical Instruments series (N82) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: musical instruments,women,musicians

Trade cards from the "Musical Instruments" series (N82), issued in a set of 50 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes.
Alceste
Object type: print
Date: 1840 – 1840
Techniques: engraving
Artist: horace vernet
Artist role: artist
Artist nationality: french
Artist dates: 1789 – 1863
Veld van zestien tegels met bloempotten
Object type: tile
Date: 1625 – 1670
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van zestien tegels (4 x 4) met een veelkleurige (blauw, groen en oranje) bloempot met in de hoeken, een ossenkop.
Candlestick
Object type: candlestick
Date: 1750 – 1760
Materials: faience
Techniques: glazing

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Portret van Aurangzeb
Object type: print
Date: 1731 – 1731
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: standing figure, historical persons

Prent mogelijk uit: Salmon Thomas. Hedendaegsche historie of tegenwoordige staet van alle volkeren (...). Amsterdam: Isaak Tirion, 1731.
Statuette of a lion, 3
Object type: statuette of a lion, 3
Date: 7000 – 30
Materials: lead
Culture: greek, laconian
Subjects: lions
Portret van Józef Chłopicki
Object type: print
Date: 1839 – 1855
Materials: paper
Techniques: etching
Location: hildburghausen
Artist: Anonymous
Subjects: historical persons

Prent uit: Meyer, Joseph. Conversations-Lexikon für die gebildeten Stände. Hildburghausen: Bibliographisches Institut, 1839-1855.
Fragment of a Jar (Study Collection)
Object type: fragment of a jar
Date: 1046 – 256
Culture: chinese
Portaal van de kerk te Saint-Gilles-du-Gard
Object type: photograph
Date: 1850 – 1855
Materials: cardboard, paper
Techniques: salted paper print
Location: saint-gilles-du-gard
Artist: emile pecarrère
Artist role: advocaat, fotograaf
Artist dates: 1816 – 1904
Subjects: parts of church exterior and annexes: portal
Inscriptions: signature: ‘PEC/ St Gilles 4’
Terracotta fragment of a stemless cup or plate?
Object type: stemless cup or plate
Date: 434 – 401
Materials: terracotta
Culture: greek, attic
Batavorum cum Romanis Bellum, à Corn. Tacito / De Batavische Oft Oude Hollandtsche Oorloghe teghen de Romeynen
Object type: history print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: italy
Subjects: battle, fighting in general, extinct, 'historical' peoples (with name), netherlands

Civilis wordt herkend en beschoten en moet van zijn paard af en zwemmend vluchten. Prent nummer 31 in de serie prenten over de Bataafse Opstand: Batavorum cum Romanis bellum / à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, auctore Othone Vaenio Lugdunobatava = De Batavische oft oude Hollandtsche oorloghe teghen de Romeynen. Otto Vaenius, Antwerpen 1612. Onderaan twee verzen van vier regels in het Nederlands en in het Latijn. Op de achterzijde tekst in het Latijn.
Des eersten werelds ondergang door de zundvloed
Object type: popular print
Date: 1550 – 1650
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: the flood and destruction of mankind ~ story of noah (genesis 7:10 - 8:17), the building of the ark, and the embarkation (genesis 7:5-9)
Inscriptions: collector's mark: Lugt 2760

Blad met een grote voorstelling van dieren die aan boord gaan van de ark van Noach. Op de achtergrond de Zondvloed. Rechtsboven een uitsparing voor twee kolommen tekst uit Genesis 6 en 7. Genummerd rechtsboven: 63.
Dish with the arms of the province of Limburg
Object type: platter
Date: 1700 – 1724
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: inscription: ‘LIMBURGH’

Schotel van porselein, 'Chine de Commande'. Beschilderd in 'famille verte' kleuren. In het plat het wapen van Limburg, met daaronder het woord Limburgh, omgeven door bloemtakken met vogels en vlinders.
David Maitland Makgill Crichton, Rankeillour
Object type: paper negative
Date: 1843 – 1847
Techniques: paper negative
Artist: hill and adamson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: men,portraits
Piece
Object type: piece
Date: 1801 – 1900
Techniques: lace
Vrouw en een meisje, staand in een tuin
Object type: photograph
Date: 1900 – 1910
Materials: photographic support
Techniques: daylight paper print
Artist: Anonymous
Subjects: garden, mother and baby or young child

Onderdeel van Familiealbum met onder meer foto's van Wijnhandel Kraaij & Co. Bordeaux-Amsterdam.
Portret van chirurg Marco Aurelio Severino
Object type: print
Date: 1597 – 1649
Materials: paper
Techniques: engraving
Location: italy
Artist: camillo cungi
Artist role: print maker
Subjects: cosenza, naples, historical persons, barber; surgeon
Inscriptions: collector's mark: Lugt 2228
Twee figuren in een interieur
Object type: print
Date: 1835 – 1888
Materials: paper
Techniques: etching
Location: unknown
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: adult woman, interior of the house, (other forms of) needlework, e.g.: crocheting, knitting, embroidering, built-in bedstead (dutch: 'bedstee')
Inscriptions: collector's mark: Lugt 2228

Links een vrouw zittend op een stoel in een interieur. Zij verstelt netten. In de bedstee ligt een oude man. Boven de bedstee hangen vijf borden aan de muur.
Portret van Lodewijk XV van Frankrijk
Object type: print
Date: 1727 – 1769
Materials: paper
Techniques: printmaking
Location: paris
Subjects: louis xv of france, historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
Elizabeth, Duchess of Manchester and Her Son
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: mezzotint
Location: ireland
Artist: james watson (prentmaker)
Artist role: engraver
Artist nationality: irish
Artist dates: 1740 – 1790

James Watson created this print for the map- and print-seller Robert Sayer after an original painting by Sir Joshua Reynolds. Here the Duchess of Manchester is seen reenacting the classical myth of Diana disarming Cupid, in the manner of mythological dress-up that luminaries such as Horace Walpole deemed inappropriate. It was commonplace for engravers to produce prints after popular paintings. In fact, painters often worked in tandem with printmakers in order to market themselves to a wider audience. James Watson in particular engraved pictures after many artists, including 50 portraits after Reynolds alone.
Large Jar
Object type: jar
Materials: stonepaste
Techniques: glazing
Location: iran
Subjects: animals,birds

Alighting birds and leaping quadrupeds in leafy foliage decorate the upper portion of this large, deep‑blue glazed jar. Scholars have likened these motifs to similar designs on Chinese silk tapestries, which were widely traded along the Silk Road between China and Iran at the time that this jar was made. The verses on this dated vessel suggest that it may have held wine or another type of beverage. They read: "Tumultuous air and boiling earth; Joyous is he whose heart is happy. Drink!"
Double gourd vase with gourd vines
Object type: vase
Date: 1801 – 1900
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome, relief
Culture: chinese
De vrienden van Dolph Kessler poseren onder Gainsborough Bridge
Object type: photograph
Date: 1903 – 1904
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: gainsborough
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945

Dolph Kessler (rechts) en twee vrienden poseren onder Gainsborough Bridge, op de achtergrond de rivier de Trent. Onderdeel van het fotoalbum van Dolph Kessler met opnamen die hij maakte tijdens zijn verblijf in Engeland en op een wereldreis die hij als secretaris van Henri Deterding (directeur Koninklijke Olie) ondernam naar Nederlands-Indië, Japan, China en de Verenigde Staten, tussen 1906 en 1908.