deem-data/ArtiFact huggingface dataset:
Gezicht op de ruïne van Kasteel Nijenbeek
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: drypoint, intaglio
Location: netherlands
Artist: jonkheer barthold willem floris van riemsdijk
Artist role: engineer, print maker
Artist dates: 1850 – 1942
Subjects: cow, landscape with ruins, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228

Gezicht op kasteel Nijenbeek, aan de oever van de Voorsterbeek (een oude bedding van de IJssel). Uit de beek drinkt een koe. Het kasteel wordt ook wel het Hooge Huis genoemd.
Vaas, bolvormig, met hals in de vorm van een bijenkorf met tien bijen
Object type: vase
Date: 1903 – 1903
Materials: earthenware
Location: lunéville
Artist: ernest bussière
Artist role: designer
Inscriptions: mark: ‘K.G // Luneville // Bussière ; I met horizontale streep eronder, met letter A ; elders een 5.’

Vaas van aardewerk, bolvormig op ingesnoerde voet, met een hals in de vorm van een bijenkorf met tien bijen in reliëf, met rieten bedekking. Op het bolvormige lichaam takken met eikenbladeren en eikels in reliëf en twee bijen, eveneens in reliëf aan de voorzijde. De vaas heeft twee oren in de vorm van bijenvleugels. De gehele vaas is bedekt met een groen en grijs gedekte engobe met gedeeltelijk luster over een rode glazuur. Bij de vaas hoort een voet (B) van kastanjehout met bronzen plaque met opschrift.
Mother and Son
Object type: painting
Date: 1840 – 1840
Materials: canvas, oil
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: boys,portraits,mothers,dogs

This grand, allegorically rich portrait of Sully's daughter Jane Cooper Sully Darley (1807-1877) and her son Francis Thomas Sully Darley (d.1914) has provoked many interpretations, the most ambitious of which equates mother and son with the mythological figure of Penelope, the ideal wife of Odysseus, and Telemachus, her perfect son. Sully filled the composition with attributes of blithe family life: the spray of ivy clinging to the wall is the emblem of a faithful wife; the scene on the urn--Hermes bringing the infant Dionysus to be nurtured by the nymphs--alludes to the duties of motherhood; the boy's foot lightly resting on his dog connotes fidelity and loyalty.
De val en verlossing van de mensheid
Object type: print
Date: 1506 – 1538
Materials: paper
Techniques: woodcut
Location: germany
Artist: albrecht altdorfer
Artist role: draughtsman, print maker
Artist dates: 1480 – 1538
Subjects: presentation of the christ-child in the temple, usually simeon (and anna) present (luke 2:22-39)
Inscriptions: number: ‘58’

Maria met het Christuskind in haar handen, staand bij het altaar in de tempel. Een priester staat tegenover haar. Twaalfde prent uit een serie van veertig.
Oosterbeek
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: etching
Location: the hague
Subjects: farm or solitary house in landscape (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Spoon
Object type: spoon
Date: 1819 – 1838
Materials: silver
Artist: françois-pamphile jozan
Artist role: maker
Artist dates: 1794 – 1877
Sleigh with Rumble Seat # 3545
Object type: drawing
Date: 1879 – 1879
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Twee lopende mannen met een mand op de rug en een kind met een mand in de hand
Object type: drawing
Date: 1700 – 1799
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Caen
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: caen
Artist: Anonymous
Subjects: landscape with ruins
Inscriptions: number: ‘Frankrijk 4’, annotation: ‘Caen’, collector's mark: ‘Rijks-normaalschool voor teekenonderwijzers Amsterdam’ Lugt 3937
Inhuldiging van Koningin Wilhelmina 1898
Object type: history medal
Date: 1898 – 1898
Materials: copper
Techniques: striking
Artist: bart van hove
Artist role: sculptor
Artist dates: 1850 – 1914

Verzilverde penning, op de voorzijde het borstbeeld van Wilhelmina naar links met omschrift, op de keerzijde de Nederlandse Maagd met speer, een leeuw aan haar voeten, drukt de hand van de nieuwe koningin, met afsnedetekst.
Bullet Mold
Object type: bullet mould
Date: 1601 – 1900
Materials: brass, iron
Culture: himalayan
Location: bhutan
Portret van Raymundus van Peñafort
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: altarcross, crucifix, historical persons, sundial
Buddha with Two Attendants
Object type: hanging scroll
Date: 1501 – 1700
Materials: ink, paper
Culture: japanese
Artist: unidentified artist
Artist role: artist
Subjects: buddhism,buddha
Door of Holyrood Abbey
Object type: photograph
Date: 1867 – 1867
Techniques: albumen print
Location: edinburgh
Artist: archibald burns
Compiègne et ses Monuments (oise)
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Location: douai
Subjects: church (exterior)
Inscriptions: inscription: ‘Reproduction interdite.’, number: ‘Pl. VI.’

Prent op zesde ongenummerde pagina na pagina 4.
Model of a Lock Cover
Object type: demonstration model
Date: 1825 – 1825
Materials: brass
Location: netherlands
Artist: Anonymous

Dit model voor zinken kanonslotdeksels, ter vervanging van de platloden voor geschut met slot, werd in 1825 door P. Schuijt naar Den Haag gestuurd. Aan het fregat Rupel en de korvet Arend zouden in 1825 koperen slotdeksels verstrekt worden, maar om onbekende redenen ging dit niet door. In 1830 stelde Sesseler voor ze van lood te laten vervaardigen. In 1832 werden in Vlissingen zinken deksels besteld. Het model werd daarna in de modellenverzameling geplaatst.
Soldaat te paard vuurt een schot af en soldaat valt van zijn paard
Object type: print
Date: 1823 – 1824
Materials: paper
Techniques: lithograph
Location: paris
Subjects: riding a horse, ass, or mule; rider, horseman, private soldier (+ cavalry, horsemen), accident with horse (or kindred animal)
Inscriptions: collector's mark: Lugt 2228a

Twee voorstellingen met een soldaat die een schot vuurt vanaf zijn paard en een soldaat die met een getrokken zwaard van zijn paard afvalt.
Haardsteen met voorstelling van de ter dood veroordeelde Suzanna, die door Daniël tegemoet wordt getreden
Object type: hearthstone
Date: 1875 – 1900
Materials: earthenware
Techniques: printing, firing
Location: netherlands
Artist: Anonymous

Haardsteen met voorstelling van de ter dood veroordeelde Suzanna, die door Daniël tegemoet wordt getreden. Rechts draagt een jongen een mand met stenen aan.
Foreign Merchants in Japanese Trade Port
Object type: screen
Date: 1801 – 1833
Materials: ink, panel, paper
Culture: japanese
Subjects: peacocks,roosters,merchants,boats

Things foreign enjoyed great popularity in sixteenth- and early seventeenth-century Japan, and a number of genre paintings in the screen format were devoted to the curiosity and artistic interest aroused by the presence of Portuguese and Spanish traders at port. The exotic costumes of Jesuit priests, Christian icons, strange animals, and oddities like clocks and guns all found their way into Japanese painting. These diminutive screens, created later in the Edo period, are a pastiche of earlier Nanban (“Southern Barbarian”) scenes, and shows the foreign traders who imported rare birds. They reprise the genre at a time when foreign presence in Japan was once again a major impact on Japanese culture after a long period of limited international relations.
The Lamentation, from "The Small Passion"
Object type: print
Date: 1509 – 1509
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: lamentation
Portrait figure
Object type: portrait figure
Date: 1840 – 1840
Materials: pigment, wood
Culture: native american, haida
Location: canada
Subjects: women

The Haida woman represented in this carved figure wears a pleated cotton dress and holds what appears to be a wafer. In the mid-nineteenth century, Haida men and women made regular journeys to Victoria, British Columbia, five hundred miles south of their homeland on Haida Gwaii, also known as the Queen Charlotte Islands. The woman likely acquired her garment there, and the wafer may refer to the Christian Eucharist, perhaps symbolizing her religious conversion.
Figure of William Shakespeare's Birthplace in Stratford-on-Avon, England
Object type: figure
Date: 1830 – 1870
Materials: porcelain
Culture: american
Location: united states
Subjects: houses
Terracotta fragment of a pyxis (box)?
Object type: pyxis fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

On the top of the pyxis lid, a meander and checkerboard pattern; part of a Boeotian shield?
Sara Jewett, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products
Object type: photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actresses and Celebrities" series (N60), issued in 1887 to promote Little Beauties Cigarettes distributed by Allen & Ginter. There are two types of cards in the set. Type 1 cards have the brand name printed on front and Type 2 cards do not.
Panel with floral motifs
Object type: panel
Date: 1626 – 1650
Materials: linen, metal thread, silk
Techniques: stitching
Subjects: flowers
A Sibyl reading a book facing left
Object type: print
Date: 1518 – 1518
Techniques: woodcut
Artist: ugo da carpi
Artist role: artist
Artist nationality: italian
Artist dates: 1480 – 1532

This print is from a scrapbook (album) containing woodcuts and chiaroscuro prints. It was presumably taken apart when it was acquired by The Met in 1922. On the front page of the volume there appeared a statement that this collection was made by the poet Samuel Rogers (1763-1855) and then bought by Angela Coutts (1816-1906) in memory of him at the sale of the collection at his house (28 April – 20 May, 1856). #1615a Rogers Sale. #146 Burdett Coutts Sale (Sotheby’s, May 1922). The prints from the original album have the range 22.73.3-1–22.73.3-161.
Faience djed-pillar amulet
Object type: amulet, djed pillar
Date: 664 – 630
Materials: faience
Culture: egyptian

Symbolic objects used for amulets include a menat-pendant, the djed-sign, a papyrus capital are all common in Egyptian architecture. Also, a pectoral, such as is used on mummies, a bunch of grapes, or other clusters of fruit, and an inscribed bead are common shapes.
Interieur de afgebrande Hervormde Kerk te Harmelen
Object type: photograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: harmelen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: interior of church
Inscriptions: annotation: ‘Kerk der N.H. gemeente te Harmelen (U.0? na den brand in juni 1900/ gezien naar het zuider transept’, annotation: ‘Harmelen’
Man carrying a tray of loaves
Object type: figurine, man, tray of loaf
Date: 664 – 630
Materials: alloy
Location: egypt
The Banks of the Seine at Conflans
Object type: painting
Date: 1865 – 1870
Materials: canvas, oil
Artist: jean-baptiste-camille corot
Artist role: artist
Artist nationality: french
Artist dates: 1796 – 1875
Subjects: men,rivers,forests

In 1868, about the time this work was painted, the aspiring artist Odilon Redon noted Corot’s advice "to place an unknown next to a known" in his compositions. That approach to picture-making is evident in this scene of workers, which has a ring of familiarity although the precise labor depicted resists identification. It is replete with details, such as the fruit on the tree at the center and the lettering on the sign at the top right, that favor painterly qualities over legibility. Yet the painting appears to be far more grounded in observation than the landscapes Corot typically conjured in his later years.
Stadsmuur met verdedigingstorens
Object type: sketchbook leaf
Date: 1909 – 1909
Materials: pencil
Location: tunisia
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: city-view, and landscape with man-made constructions, towers ~ fortified city, walls ~ fortified city
Inscriptions: kleurnotitie, handgeschreven

Mogelijk de stadsmuur van Kairouan. Pagina 96 uit een schetsboek met 67 bladen.
Landschap met klif
Object type: sketchbook leaf
Date: 1823 – 1894
Materials: paper, pencil, watercolor
Techniques: brush
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: inland cliff face

Pagina 3 recto uit een schetsboek met 37 bladen.
Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing, 28 december 1909 - 2 januari 1910
Object type: print
Date: 1909 – 1912
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: criticizing and discussing art, art criticism, circle, club of artists, collecting and exhibiting products of the fine arts, sailing-ship, sailing-boat
Inscriptions: collector's mark: Lugt 2228

Zeilboot. Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor een kunstbeschouwing op 28 december 1909 - 2 januari 1910 van het werk van de kunstschilders G. Altmann, Aug. LeGras en Alex. C. Sleeswijk.
Pion 5
Object type: chess piece
Date: 1923 – 1925
Materials: bronze, oxide
Techniques: casting, lost wax process, patinaed
Location: naples
Artist: saar de swart
Artist role: sculptor
Artist dates: 1861 – 1951
Rope Climbing, from the Gymnastic Exercises series (N77) for Duke brand cigarettes
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,sports,athletes

Trade cards from the "Gymnastic Exercises" series (N77), issued in a set of 25 cards in 1887 to promote W. Duke Sons & Co. brand cigarettes. There are two versions of the series. All images are the same but the printed text is blue in one set and brown in the other.
Scroll flask
Object type: flask
Date: 1840 – 1850
Materials: gemstone, glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Morning dress
Object type: morning dress
Date: 1887 – 1887
Materials: cotton
Culture: american
Blanco wensbrief
Object type: print
Date: 1842 – 1866
Materials: paper, watercolor
Techniques: hand coloring
Location: amsterdam
Artist: weduwe c. kok geboren van kolm
Artist role: printer, publisher
Subjects: pentecost: the holy ghost descends upon (mary and) the apostles, sometimes paul and/or representatives of the nations present (acts 2:1-4)
Inscriptions: collector's mark, collector's mark: Lugt 1641

Blanco wensbrief. Onbeschreven cartouche op een voorgedrukt blad met een kader gevormd door scènes van het verhaal van Pinksteren. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Nieuwjaars- en kermiswenschen.
Begrafenis van aartshertog Albrecht, 1622
Object type: print
Date: 1623 – 1623
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: cornelis galle (i)
Artist role: print maker
Artist dates: 1576 – 1650
Subjects: brussels, albrecht aartshertog van oostenrijk, cortege, funeral procession

Deelnemers aan de begrafenisstoet. Plaat XXVII in de serie van de begrafenis van aartshertog Albrecht van Oostenrijk te Brussel op 12 maart 1622.
Zuidtransept van de kathedraal van Rouen
Object type: photograph
Date: 1806 – 1880
Materials: photographic support
Techniques: albumen print
Location: rouen
Artist: paul robert
Artist role: fotograaf
Artist dates: 1865 – 1905
Subjects: parts of church exterior and annexes: portal, parts of church exterior and annexes: transept
Inscriptions: number: ‘419’, name: ‘[...] Robert Paris’, inscription: ‘Monuments Historiques’

Onderdeel van Fotoalbum met opnames van monumenten in Frankrijk.
Villain, Thou Diest, plate ten from Othello
Object type: print
Date: 1844 – 1844
Materials: paper, ivory
Techniques: aquatint, engraving, etching
Location: france
Artist: théodore chassériau
Artist nationality: french
Artist dates: 1819 – 1856
Scherven van diep bord uit V.O.C.-schip de 'Witte Leeuw'
Object type: sherd
Date: 1613 – 1613
Materials: bone china
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Scherven van diep bord uit V.O.C.-schip de 'Witte Leeuw'.
Portret van J.F.J. Baerken
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: lithograph
Location: the hague
Artist: Anonymous
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2228
Portret van Johann Ludwig Hocker
Object type: book illustration
Date: 1731 – 1731
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: theologian, historical persons, book

Prent uit: Hocker, Johann Ludwig. Hailsbronnischer Antiquitäten-Schatz (...). Neurenberg: Peter Conrad Monath, 1731.
Hierauf geruhten Allerhöchstdieselben, ihre erlauchten Kïnder zu segnen
Object type: book illustration
Date: 1841 – 1842
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: animals acting as human beings, throne-room, beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 2228

Prent uit: Gerard, Jean-Ignace-Isidore. Das neunzehnte Jahrhundert des Thierreichs oder Scenen aus dem Familien- und Staatsleben der Thiere. Leipzig: Friedrich Volckmar, [1841-1842].
Philippvs Avstrivs Pvlcher
Object type: book illustration
Date: 1628 – 1688
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: filips de schone (hertog van bourgondië)
Inscriptions: collector's mark: Lugt 2228

Portret van Filips de Schone, hertog van Bourgondië. Staande, ten voeten uit. In zijn rechterhand een scepter. Een hond ligt aan zijn voeten. Naast hem een helm en zijn wapenschild.
Portret van Antoine Arnauld
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, brussels, historical persons
Inscriptions: collector's mark: Lugt 2228a
Gezicht op de polder bij de voormalige gemeenten Reeuwijk (links) en Sluipwijk (rechts), ten noordoosten van Gouda
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: photoaquatint
Location: amsterdam
Subjects: water course, village, windmill in landscape
Joseph's Brothers Showing His Coat to Jacob
Object type: drawing and watercolor
Date: 1640 – 1649
Materials: ink, paper
Techniques: brush, pen, wash
Location: netherlands
Artist: jan victors
Artist role: painter
Artist nationality: dutch
Artist dates: 1619 – 1676
Tethys reclining in a giant shell chariot pulled by two sea creatures, from "The Deities"
Object type: print
Date: 1588 – 1590
Techniques: woodcut
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Subjects: women,mythical creatures,chariots
Les sept oeuvres de miséricorde
Object type: print
Date: 1664 – 1723
Materials: paper
Techniques: engraving
Artist: cornelis van merlen
Artist role: print maker, publisher
Artist dates: 1654 – 1723
Subjects: feeding the hungry, 'esuriens cibatur' ~ one of the (seven) acts of mercy, the (seven) acts of mercy
Inscriptions: collector's mark: Lugt 2228

Betreft een gedeeltelijke, spiegelbeeldige kopie naar een prent door Abraham Bosse uit een serie van zeven prenten met als onderwerp de zeven werken van barmhartigheid, uitgegeven tussen 1640 en 1642 door Jean Leblond (I) in Parijs. Zie Lothe 2008, nrs. 22-28.
Governor Lee, Virginia, from "Governors, Arms, Etc." series (N133-1), issued by Duke Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: birds,men,portraits,coat of arms,flags

Trade cards from the "State Governors, Arms, Etc." sseries (N133-1), issued in an unnumbered set of 48 cards ca. 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type, pictured here, is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Study of Standing Woman, Seen from Front
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Location: france
Artist: henri fantin-latour
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1904
Chinoiserie with a woman playing a gong, from Suite de Figures Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt (Series of Chinoiserie Figures. . .From the Chambers of Mr. d'Azaincourt), plate 6
Object type: print
Date: 1755 – 1776
Techniques: engraving, etching
Location: france
Artist: jean pierre louis laurent hoüel
Artist role: artist
Artist nationality: french
Artist dates: 1735 – 1813
Subjects: musical instruments,chinoiserie,women
Modèles d'Orfèvrerie
Object type: ornament print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: paris
Subjects: griffin (lion/eagle); 'griffo' (ripa), sphinx (lion/woman); 'sfinge' (ripa), andiron, fire-dog
Inscriptions: number: ‘2.me Cah.er’, : ‘Déposé à la Bibliothèque Impériale’

Ontwerpen voor instrumenten om te gebruiken bij de haard zoals een asschep. Ook zijn er drie gedetailleerde vuurbokken, met als decoratie onder meer een sfinx en een griffioen. Prent maakt deel uit van een album.
Vernal Fall, Yosemite
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: waterfalls,mountains,landscapes
Medallion
Object type: medallion
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: flowers
[Calligraphers]
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: men,calligraphy