deem-data/ArtiFact huggingface dataset:
Portret van Stephanie (Nita) Gonggrijp
Object type: photograph
Date: 1911 – 1911
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: suriname
Inscriptions: inscription: ‘Nita!’

Ovaal portret van een jonge vrouw genaamd Stephanie (Nita) Gonggrijp van plantage Morgenstond. Onderdeel van het fotoalbum van de familie Boom-Gonggrijp in Suriname en Curaçao.
Bronze statuette of a man
Object type: statuette of an orator
Date: 1 – 200
Materials: bronze
Culture: roman
Subjects: men

Weight on left leg; right arm extended with hand open; left lowered and bent at elbow; wearing a tunic and mantle.
Matthias i.d.g. Roman imperat. semp. Aug. Ungariae Bohem. & rex. arc. Aus. etc
Object type: text sheet
Date: 1614 – 1614
Materials: paper
Techniques: engraving, letterpress printing
Location: the hague
Subjects: vienna, matthias van oostenrijk (rooms-duits keizer), historical persons, emperor

Prent uit: Meteren, Emanuel van. Historie der Nederlandscher ende haerder na-buren oorlogen ende geschiedenissen (...). Den Haag: Hillebrant Iacobsz. van Wouw, 1614.
Zeeland, duit, 1780
Object type: coin
Date: 1780 – 1780
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: in rococo-lijst gekroond ovaal wapenschild van Zeeland. Keerzijde: in een rococo-versiering opschrift in drie regels, waarboven muntteken burcht tussen twee sterren en waaronder jaartal.
Portret van Thomas Burnet
Object type: print
Date: 1675 – 1724
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: theologian, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Serie 11: Varia Buitenlandse Gebeurtenissen, 1571-1631
Object type: print
Date: 1629 – 1632
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: siege, position war
Inscriptions: inscription: ‘427 427’

Beleg van Mantua door het keizerlijke leger, 1629-1630. Gezicht op de stad vanuit het legerlamp van de belegeraars. Zonder onderschrift. Rechtsonder met pen genummerd: 427. De prent maakt deel uit van een album.
Landschap met bacchanaal, met Bacchus
Object type: print
Date: 1667 – 1704
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: david van der plas
Artist role: draughtsman, painter, print maker
Artist dates: 1647 – 1704
Subjects: bacchanal: bacchus with his wine-flushed train (thiasos)
Inscriptions: collector's mark: Lugt 2228

Landschap met een bacchanaal. Op de voorgrond Bacchus die zijn beker wijn leeg giet boven twee bacchanten die op de grond liggen. Meanaden en putti kijken toe en lachen.
Gezicht op een voltooide weg, Zuid-Holland
Object type: lantern slide photographic
Date: 1956 – 1960
Materials: glass, paper
Techniques: gelatin silver transparency
Location: south holland
Artist: Anonymous
Subjects: public road
Inscriptions: number: ‘12’
Huizen aan het Canal Grande in Venetië en op de achtergrond de Rialtobrug
Object type: photograph
Date: 1870 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: venice
Artist: Anonymous
Subjects: canal, palace, bridge in city across river, canal, etc., venice
Inscriptions: negative number: ‘31’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Genua, Florence en Venetië.
Doos, inktkoker,  met gezaagd rankenornament en deksel van parelmoer waarop een voorstelling van de Geboorte van Christus. In de doos drie bussen met deksel
Object type: box
Date: 1773 – 1773
Materials: mother of pearl, silver
Location: zutphen
Inscriptions: mark

The Nativity. Mother-of-pearl. Middle Rhine, c. 1450 - 1475. Used as a lid on a silver ink pot. Zutphen, 1773, Hendrik Jurriën Wolters.
Journal des Dames et des Modes, Costumes Parisiens, 1914, No. 160 : Manteau d'après-midi, (...)
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: buckle (+ women's clothes), coat (+ women's clothes), head-gear (+ women's clothes), fashion plates
Inscriptions: caption: ‘Manteau d'après-midi, en duvetyn citron, avec une boucle de moire.’, title: ‘Costumes Parisiens’, inscription: ‘Cop. J. N. A. et Cie 1914’

Mantel voor de middag van citroengeel 'duvetyne', met een gesp van 'moire'. Proefdruk van een prent uit het modetijdschrift Journal des Dames et des Modes (1912-1914).
Fotoreproductie van (vermoedelijk) een schilderij met drie katten in een schaal
Object type: reproduction
Date: 1860 – 1870
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: cat

Onderdeel van Engels familiealbum met foto's van personen, reizen, cricket en kunstwerken.
Saint Andrew
Object type: metalwork
Date: 1765 – 1766
Materials: bronze, copper alloy, gilt bronze, metal
Location: italy
Artist: leandro gagliardi

This magnificent altar set, made by the Roman Rococo goldsmith Leandro Gagliardi, is comprised of statuettes of four apostles—Saints Andrew, John, Peter, and Paul; four candlesticks; a crucifix; and three frames to hold cards indicating the part of the Mass being performed. The altar set was made for Flavio Chigi (1711–1771) and bears the Chigi and Albani coats of arms. It might have been intended for use in the family chapel of the Palazzo Chigi in the Piazza Colonna, Rome.
The Wedding of the Gods: Second Scene, Diana
Object type: print
Date: 1637 – 1637
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: landscapes
Poenitentia
Object type: print
Date: 1676 – 1676
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: penitence, repentance; 'penitenza', 'pentimento', 'pentimento de'peccati', 'purgatione de peccati' (ripa), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228

Voor- en rugaanzicht van een beeld van een naakte jongen met boeteriem om zijn middel. De jongen leunt op een zuil en wrijft met zijn hand in zijn oog. Tegen de zuil aan leunt een schedel van een dier, in het midden van de zuil hangt een afbeelding van twee oren.
Foto van Moffat ovens
Object type: photograph
Date: 1935 – 1940
Materials: paper, photographic support, textile
Techniques: gelatin silver print
Location: canada
Artist: Anonymous
Inscriptions: inscription: ‘E 30-M WITH THE THERM-O-MATIC OVEN CONTROL’, label: ‘FROM PUBLIC UTILITIES COMMISSION E36M. Electric Light Department NAPANEE, ONTARIO To Std - $15400 C - $16200 spec - $. 16600 Complete with Automatic Oven Control. Via Date’
At the Universal Exhibition: The producer of felt hats. Here you can see a live rabbit, which I will dump into the machine like that…..
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: charles maurand
Artist nationality: french
Artist dates: 1824 – 1904
Terracotta fragment of a pot; glazed on the inside
Object type: pot fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of the leg of a figure to left
Zand spuiten i/d grondverbetering
Object type: photograph
Date: 1922 – 1922
Materials: photographic support
Techniques: gelatin silver print
Location: belawan
Artist: Anonymous
Subjects: harbour, building-site
Inscriptions: date: ‘14/7-22’, annotation: ‘No. 180a / Zand spuiten i/d grondverbetering’

Gezicht op het bouwterrein met het opspuiten van elders gebaggerd zand op het terrein van de haven voor grondverbetering, juli 1922. Genummerd: 180a. Onderdeel van de groep van losse foto's over de aanleg van de haven Belawan aan de kust voor Medan, Sumatra 1921-1922.
Wapenbord
Object type: interieuronderdeel
Date: 1700 – 1800
Materials: paint, wood
Location: northern netherlands
Inscriptions: monogram

Wapenbord van eikenhout met monogram van Arent Pauw. Drie Andreaskruisjen van Amsterdam, kroontje in het midden, arend en pauw boven op de hoeken.
Portret van Willem I, prins van Oranje
Object type: book illustration
Date: 1622 – 1622
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Subjects: delft, william i (prince of orange)
Inscriptions: collector's mark: Lugt 2228

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt. Prent uit: Winsemius, Pierius. Chroniqve ofte historische geschiedenisse van Vrieslant. Franeker: Joannes Lamrinck, 1622.
Kind van Wilhelmus Johannes Steenhoff aan de borst van zijn moeder
Object type: drawing
Date: 1873 – 1932
Materials: chalk, paper
Artist: wilhelmus johannes steenhoff
Artist role: draughtsman, print maker
Artist dates: 1863 – 1932
Subjects: nursing, suckling
Portret van een onbekende jongen
Object type: carte de visite
Date: 1860 – 1894
Materials: cardboard, paper
Techniques: albumen print
Location: brussels
Subjects: boy (child between toddler and youth), historical persons
Inscriptions: inscription: ‘GHÉMAR FRÈRES/ PHOTOGRAPHES DU ROI/ 27, Rue de l'Ecuyer, 27./ Entrée par la porte cochère/ BRUXELLES/ Les Clichés sont conservés indéfiniment.’
Kolonie Veenhuizen, huismunt geslagen op last van de Maatschappij van Weldadigheid ter waarde van 1 cent
Object type: monetary token
Date: 1818 – 1859
Materials: brass
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: maatschappij van weldadigheid, veenhuizen
Card Number 192, Miss Cignari, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses
Gezicht op het eiland Nisida in de baai van Napels
Object type: photograph
Date: 1860 – 1889
Materials: cardboard, paper
Techniques: albumen print
Location: naples
Artist: roberto rive
Artist role: fotograaf
Artist dates: 1825 – 1868
Subjects: island, two-wheeled, animal-drawn vehicle, beach, nisida, isola di
Inscriptions: number: ‘No. 97’
Titelprent met drie hoofden
Object type: print
Date: 1754 – 1772
Materials: paper
Techniques: etching
Location: parma
Artist: benigno bossi
Artist role: print maker
Artist dates: 1727 – 1792
Subjects: head (human), title-page
Preface to the Thousand-character Essay
Object type: rubbing
Date: 1901 – 2000
Materials: ink, paper
Culture: chinese
Ontwerpen voor sieraden in de vorm van zwartornamenten
Object type: ornament print
Date: 1612 – 1612
Materials: paper
Techniques: engraving
Location: leiden

In het midden twee gestileerde ranken met rolwerk, midden boven een traanvormig ornament en aan beide zijkanten een ornament opgedeeld in twee helften en een oorring.
Portret van Johann Christian Brand
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: vienna
Artist: adam von bartsch
Artist role: print maker
Artist dates: 1757 – 1821
Subjects: vienna, painter, print maker, draughtsman, johann christian brand, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Portret van de tekenaar en schilder Gottfried Kneller
Object type: print
Date: 1670 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: london, painter, gottfried kneller, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2165
Prospectus voor: Vladimir Kirin, Narodne nošnje Jugoslavije, 1954-1955
Object type: prospectus
Materials: paper
Techniques: lithograph, letterpress printing, stapling
Location: zagreb
Artist: Anonymous
Subjects: folk costume, regional costume

Prospectus in de vorm van twee gevouwen bladen met op de voorzijde de titel. Binnenin beschrijvende tekst over de publicatie, in het Kroatisch en in het Duits, evenals drie voorbeeldafbeeldingen met figuren in traditionele Joegoslavische klederdracht.
Innocent VII, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence)
Object type: print
Date: 1611 – 1619
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,beds
Kasteel van Egmond (Egmond aan den Hoef), 11e eeuw
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: castle

Kasteel Egmond aan den Hoef, het Hof van Egmond in welstand, rondom door water omsingeld. Links in de verte het dorp Egmond aan Zee, rechts Alkmaar. Op de voorgrond voorbeelden van mensen van allerlei rangen en standen. In de lucht twee engelen met een wapen. Onder en boven de legenda. Naar een schilderij in de collectie Six van Hillegrom, vroeger in bruikleen in het Rijksmuseum (no. 62).
Man in venster
Object type: cabinet photograph
Date: 1880 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: cairo
Artist: Anonymous
Subjects: anonymous historical person portrayed, open window
Inscriptions: annotation: ‘[...]/ Cairo April 1880’
Cross
Object type: cross
Date: 1180 – 1180
Materials: copper, enamel, gilt
Techniques: appliqué, enamel, chasing, engraving
Culture: french
Location: france
Subjects: human figures,christ
Netsuke of Quail and Millet
Object type: netsuke
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Subjects: birds
Louvain. Le vieux marché
Object type: ansichtkaart, prentbriefkaart
Date: 1913 – 1914
Materials: cardboard
Techniques: photograph
Location: brussels
Subjects: square, place, circus, etc., market, prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage), louvain
Straat met figuren
Object type: sketchbook leaf
Date: 1924 – 1925
Materials: paper, pencil, watercolor
Techniques: brush
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: street (+ city(-scape) with figures, staffage)

Pagina 19 uit een schetsboek met 87 bladen.
Pitcher
Object type: pitcher
Date: 1848 – 1856
Materials: porcelain
Culture: american
Location: united states
Artist: charles cartlidge and company
Artist role: maker
Artist nationality: american
Artist dates: 1848 – 1856
Subjects: acorns,anchors

The mid-nineteenth century porcelain manufactory of Charles Cartlidge and Company in Greenpoint, Brooklyn produced a variety of slip-cast wares for the middle class market. The firm offered a wide array of forms which included tablewares and pitchers, along with mundane, everyday objects (inkstands, paper weights, spittoons, etc.) to highly specialized items. Among the company’s favorite designs are the relief-molded pitchers of either corn and cornstalks or oak leaves and acorns. The most significant Cartlidge pitchers are those with shields and inscribed with names, often made for tradesmen or saloon keepers. Inscribed "CAPT. C. A. WOOLSEY" in the shield, this presentation pitcher was made for Captain Charles Augustus Woolsey (1809–1877), Superintendent of the ferries of the Pennsylvania Railway Company, and perhaps given to him to mark a milestone in his career or to celebrate some other achievement. This example appears to be unique with its applied handle in the form of an anchor, fully in relief and highly sculptural. This pitcher may have been a special commission for Woolsey and the anchor a symbolic nod to his business in the shipping industry.
Portret van een artieste, mogelijk Marie van Joodt ten Jahve
Object type: cabinet photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Artist: wilhelm benque
Artist role: fotograaf
Artist dates: 1843 – 1903
Subjects: adult woman
Inscriptions: inscription: ‘Benque & Co/ 33. Rue Boissy D'Anglas/ Exposition 5, Rue Royale/ Paris/ Lith. K. Krziwanek Vienne’, name: ‘Marie van Joodt ten Jahve’, name: ‘Benque & Co 33. Rue Boissy D'Anglas Paris’
Vase with cover
Object type: vase with cover
Date: 1701 – 1800
Materials: glass
Snuffbox
Object type: snuffbox, painting
Date: 1789 – 1790
Materials: enamel, gold
Artist: adrien jean maximilien vachette
Artist role: maker
Artist nationality: french
Artist dates: 1753 – 1839
Subjects: children,men,women,dogs

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Portret van Franz Arnold Wolff-Metternich zur Gracht
Object type: print
Date: 1704 – 1707
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: pieter van gunst
Artist role: print maker
Artist dates: 1658 – 1731
Subjects: bisschop, franz arnold wolff-metternich zur gracht (prins-bisschop van münster en paderborn)
Inscriptions: collector's mark: Lugt 2228, number: ‘28’, collector's mark: Lugt 240

Franz Arnold Wolff-Metternich zur Gracht, prins-bisschop van Münster en Paderborn. De prent heeft een Latijns onderschrift over zijn leven. Rondom het portret de vier wapenschilden van zijn familie.
Armchair
Object type: armchair
Date: 1701 – 1800
Materials: wood
Techniques: carving, painting
Subjects: flowers
Table d'Hote, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution"
Object type: print
Date: 1821 – 1821
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: food,dining rooms,men,women,dining
Storage Jar
Object type: jar
Date: 601 – 700
Materials: earthenware
Techniques: painting
Location: egypt
Subjects: animals,birds

The painted patterns on this large storage jar are arranged to emphasize the swelling shape of the vessel. The animal, bird, and plant motifs are closely related to those found on contemporary textiles.
Het leven van de heilige Antonius de Grote
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: etching
Location: rome
Subjects: disabilities, deformations, beggar, the hermit antony abbot (antonius abbas) of egypt, also called the great; possible attributes: bell, book, t-shaped staff, flames, pig
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 27 prenten (+ titelprent) over het leven van de heilige Antonius, naar een frescocyclus in de S. Antonio Abbate in Rome door Giovanni Battista Lombardelli en Niccolò Circignani.
Cover for 'Las Lindas Mexicanas', two elegantly dressed women
Object type: print
Date: 1890 – 1910
Materials: paper
Techniques: letterpress, printing, lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: women
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Interior, framing border of meander; Exterior, left forearm and hand
Wine Glass
Object type: glass
Date: 1760 – 1760
Materials: glass
Location: england
Liggende koe, van achteren gezien
Object type: drawing
Date: 1815 – 1815
Materials: chalk, paper
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: cow
Inscriptions: date: ‘1815’
Cup
Object type: cup
Date: 1736 – 1795
Materials: enamel
Techniques: painting
Culture: chinese
Design for Rockaway, no. 452
Object type: drawing
Date: 1860 – 1860
Materials: ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Girl with Eggs and Geese
Object type: drawing and watercolor
Materials: graphite, ivory, paint, paper, watercolor
Location: england
Artist: kate greenaway
Artist role: artist
Artist nationality: british
Artist dates: 1846 – 1901
The Kinryusan Temple at Asakusa
Object type: print
Date: 1856 – 1856
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: human figures,temples,trees,snow
Funerary Cone of the Royal Cup-Bearer Neferrenpet
Object type: cone, davy 335, neferrenpet, cup bearer, king
Date: 1390 – 1352
Materials: pottery
Location: egypt
Subjects: hieroglyphs
Landscape with a Walker and a Cascade, plate 5 from the second suite Livre de paysages (Book of Landscapes)
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: etching
Location: france
Artist: jean-pierre-louis-laurent hoüel
Artist nationality: french
Artist dates: 1735 – 1813
Harriet White
Object type: painting
Date: 1835 – 1840
Materials: canvas, oil
Location: united states
Artist: samuel lovett waldo
Artist nationality: american
Artist dates: 1783 – 1861
Miniature posset cup with cover
Object type: posset cup with cover
Date: 1691 – 1692
Materials: silver
Artist: george manjoy
Artist role: maker
Artist nationality: british
Artist dates: 1685 – 1685
Athènes. Boulevard Amélia
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph, hand coloring
Location: athens
Artist: Anonymous
Subjects: avenue, boulevard, promenade, esplanade

Voor de Franse titel staat de titel in het Grieks.