deem-data/ArtiFact huggingface dataset:
Fragment of the Knot of a Tunic
Object type: statuette
Date: 301 – 700
Materials: marble
Culture: coptic
Location: egypt
Neve
Object type: neve
Date: 1801 – 1900
Materials: bamboo, fiber
Culture: melanesian
Location: solomon islands
Knife (Barong) with Sheath
Object type: knife barong with sheath
Date: 1801 – 1900
Materials: copper, gold, ivory, silver, steel, wood
Culture: philippine
Location: philippines
Figure of a Saint
Object type: statuette
Date: 1630 – 1640
Materials: silver
Artist: francesco mochi
Artist role: artist
Artist dates: 1580 – 1654
Subjects: saints

The style of the figure is close to large-scale sculptures of Francesco Mochi (1580–1654). It was probably once part of a silver tabernacle.
Steatite block with intaglio motifs
Object type: block with intaglio motif
Date: 1400 – 1200
Materials: stone
Culture: minoan
Subjects: animals

Stone mold used for making intaglio motifs on gold or glass.
Ex libris A. de Foville
Object type: bookplate
Date: 1852 – 1913
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Subjects: paris, instruments of torture, execution or punishment: gallows, court jester, court fool
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2233
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, bit of framing border of meander; Exterior, part of neck, extended arms, bent at elbow, and torso, in profile, of youth with fillet? to left
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Date: 1910 – 1910
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: Anonymous
Subjects: glasgow, painter, draughtsman, daniel cottier, the hague, print maker, matthijs maris, pieter haverkorn van rijsewijk, painting (including book-illumination, miniature-painting), historical persons (portraits and scenes from the life), paris
Inscriptions: watermark
Kustlandschap met boom
Object type: print
Date: 1747 – 1807
Materials: paper
Techniques: etching
Artist: jacob philipp hackert
Artist role: painter
Artist dates: 1737 – 1807
Subjects: fabulous trees, coast (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Emperor Xuanzong (Japanese: Gensō) and Daoist Magician Lo Gongyuan Arising from an Inkstone; “Ink” (Sumi), from Four Friends of the Writing Table for the Ichiyō Poetry Circle (Ichiyō-ren Bunbō shiyū)
From the Spring Rain Collection (Harusame shū), vol. 1
Object type: print
Date: 1827 – 1827
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Subjects: poetry,men

Surimono are privately published woodblock prints, usually commissioned by individual poets or poetry groups s a form of New Year’s greeting card. The poems, most commonly kyōka (witty thirty-one-syllable verse), inscribed on the prints usually include felicitous imagery connected with spring, which in the lunar calendar begins on the first day of the first month. Themes of surimono are often erudite, frequently alluding to Japanese literary classics in both texts and images.
Isabel Wachenheimer in een stoel
Object type: photograph
Date: 1905 – 1934
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous

Dit object is onderdeel van de nalatenschap van Isabel Elon-Wachenheimer (1928-2010). Tot haar overlijden behoorde het samen met de andere objecten uit de nalatenschap tot haar privédomein van Isabel Wachenheimer. In die particuliere context zijn deze objecten tezamen en individueel aandenkens - aan de jeugd, ouders en familie van Isabel Wachenheimer vóór en tijdens de Shoah en aan haar leven na de Tweede Wereldoorlog. Isabel Wachenheimer, die van juni 1943 tot mei 1945 gevangen zat in Kamp Westerbork, Theresienstadt, Auschwitz, Lenzing a/d Oberdonau (een buitenkamp van Mauthausen), overleefde de Shoah. Haar ouders – Eugène Wachenheimer en Else Wachenheimer-Moos - werden op 14 oktober 1944 in Auschwitz-Birkenau vermoord.
Portret van Jacob Gilles
Object type: book illustration
Date: 1783 – 1795
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: kollum, rijswijk, raadpensionaris, jacob gilles
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Fokke, Jan. Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd Ie-XXVste deel. Amsterdam: Johannes Allart, 1783-1795. Deel XII.
Two fragments of a terracotta calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic
Artist: pioneer group
Artist role: artist

Parts of a chariot, warrior, and archer The fragments are augmented by L.1981.98, lent by the Ashmolean Museum.
Spelbord, te gebruiken als dambord en molenspelbord
Object type: miniature
Date: 1740 – 1760
Materials: wood
Location: amsterdam
Artist: Anonymous

Spelbord van notenhout, nagenoeg vierkant, met een opstaande rand. Aan een kant te gebruiken als dambord, met uitgestoken vierkanten, gevuld met lichte vulpasta; aan de andere kant als molenspelbord met ingegutste lijnen, eveneens met lichtere pasta gevuld.
Statuette of a Female Figure
Object type: figure
Date: 1901 – 2000
Materials: glass
Culture: chinese
Subjects: women
Kohl Flask
Object type: kohl flask
Date: 901 – 1200
Materials: stone
Techniques: carving, incising
Location: iran

This charming object was designed to hold kohl, a black cosmetic powder applied around the eyes. In the past, kohl was widely used by men and children as well as women. It was thought not only to accentuate the beauty of the eyes, but also to guard against the glaring sun, ward off evil, and discourage eye disease. The narrow drill hole at the top of this flask would have accommodated a slender stick to collect the cosmetic.
Très Parisien, 1923, No. 3: Rubans et Tissus de A. PRÉVOST...SENTIMENTALES...
Object type: fashion print
Date: 1923 – 1923
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: border, ribbon, braid (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), belt, girdle, waistband (+ women's clothes)
Inscriptions: caption: ‘Rubans et Tissus de A. PRÉVOST & CIE ,de Lyon / SENTIMENTALES. - Une jolie robe de crêpe imprimé "Claridge" d'une grâce souple et enjôleuse; elle s'orne d'une ceinture de crêpe marocain gris. Ce corsage uni fait une amusante transition sur les trois volants montés avec assez d'ampleur de cette toilette exécutée en mousseline Royale imprimée "Syrienne". Petit chapeau entièrement fait de rubans...’, title: ‘Très Parisien / No 3. - 1923’

Linten en stoffen van A. Prévost & Cie. Een jurk van bedrukte 'crêpe de Chine' "Claridge" versierd met een ceintuur van grijze 'crêpe marocain'. Jurk met effen lijfje en rok met drie volants van bedrukte mousseline Royale "Syrienne". Kleine hoed volledig gemaakt van linten. Prent uit het modetijdschrift Très Parisien (1920-1936).
Twee figuren in een rivierlandschap met molen
Object type: print
Date: 1863 – 1880
Materials: paper
Techniques: etching
Artist: amédée paul greux
Artist role: print maker
Artist dates: 1836 – 1919
Subjects: windmill in landscape
Inscriptions: collector's mark: Lugt 2228
Heuvelachtig landschap met rivier en twee roeiboten
Object type: print
Date: 1619 – 1685
Materials: paper
Techniques: etching
Artist: herman saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1685
Subjects: river, (high) hill, rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2227

Anonieme prent, van dezelfde hand als RP-P-1881-A-4727.
Rua de palmeiras
Object type: page
Date: 1876 – 1886
Materials: paper
Techniques: photograph
Location: angola
Subjects: trees: palm-tree, lane, alley
Portret van een zittende man in toga met steek op en brief in de hand
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: william george henry wright
Artist role: fotograaf
Artist dates: 1860 – 1915
Subjects: head-gear, adult man, historical persons
Inscriptions: inscription: ‘W. Wright/ 83. Bishopsgate/ City’
Cordial Glass
Object type: cordial glass
Date: 1830 – 1870
Materials: glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Écuelle with cover and stand
Object type: écuelle with cover and stand
Date: 1739 – 1739
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: fruit,flowers
Koppen
Object type: drawing
Date: 1840 – 1880
Materials: ink, paper
Techniques: pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: head (human)
Inscriptions: collector's mark: Lugt 2228
Wedding shawl
Object type: wedding shawl
Date: 1801 – 1900
Materials: silk
Culture: indian
Strooibiljet voor prins en prinses Colibri
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: letterpress printing, engraving
Location: rotterdam
Subjects: little people
Inscriptions: stamp, collector's mark: Lugt 1641, stamp

Strooibiljet voor prins en prinses Colibri. Zij traden op als kleine personen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin. Volksleven. Volksfeesten. Kermistypen, wondermenschen en dergelijken.
Miss England 1930
Object type: photograph
Date: 1930 – 1930
Materials: paper
Techniques: gelatin silver print
Location: dresden
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Die schönsten/ Frauen der Welt/ dargestellt durch die Schön-/ heitsköniginnen aller Länder,/ finden Sie in 190 echten/ Bromsilber-Fotos, die nur den/ CLUB-und-LIGA-Packun-/ gen beiliegen. Eind prächtiges/ Sammel-Album erhalten Sie/ für 75 Pfennig vom Händler/ oder bei Einsendung von/ 75 Pfennig in Briefmarken/ von der Bilderstelle Lohse,/ Dresden A24, Nossener Str. 1./ Ges. gesch. Nachdruck verboten!’
Medaille met busteportret van paus Clemens XI
Object type: print
Date: 1732 – 1732
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jan punt
Artist role: draughtsman, print maker, publisher
Artist dates: 1711 – 1779
Subjects: rome, clemens xi, medal (considered as a piece of sculpture, regardless of its specific function), sun represented as face, wheel, etc., pope
Inscriptions: collector's mark: Lugt 2228

Blad met de voor- en achterzijde van een medaille. Links: Busteportret van Clemens XI. Rechts: Landschap met een stralende zon en een banderol: Cunctis Clemens. Bovenaan genummerd: N. III.
Standing female flute player
Object type: statuette of a flute player
Date: 434 – 368
Materials: terracotta
Culture: cypriot
Subjects: women,flutes,musicians

The figurine, from a ring dance group, is handmade and solid, with a mold-made head. The figure is preserved from the head to about the thighs, where there is a clean horizontal break.
Otto, Count of Nassau and his Wife Adelheid van Vianen
Object type: drawing
Date: 1530 – 1535
Materials: chalk, ink, watercolor
Techniques: pen
Artist: bernard van orley
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1492 – 1542
Subjects: men,women,horses,landscapes,coat of arms

At the end of the 1520s, Henry III of Nassau, advisor to Emperor Charles V, commissioned eight tapestry designs from the Brussels master Bernard van Orley glorifying his ancestors in the house of Orange-Nassau. The tapestries were woven by Willem de Moyen in Brussels, but were probably destroyed in a fire in 1760, and this and six other drawings are the only record of the commission. Discovered only shortly before the Museum acquired it in 1995, this drawing depicts one of Henry's fourteenth-century ancestors, Count Otto II of Nassau and his wife Adelheid van Vianden, seated on horseback, splendidly dressed, against the backdrop of an elaborate landscape. Their coats of arms, a festoon, and a cartouche mentioning their names top the composition, but the tapestry would also have had an ornamental border all around the composition. The contrast between the figures and their carefully observed horses in the foreground, and the deeply receding landscape is characteristic of van Orley's new approach to tapestry, which differs markedly from the more two-dimensional designs of earlier Northern artists.
Bottle
Object type: vessel
Date: 100 – 100
Materials: glass
Techniques: glassblowing
Culture: roman
Location: syria
Subjects: bottles
Lakenhalle van Ieper
Object type: photograph
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: ieper
Artist: Anonymous
Subjects: edifice, e.g.: public building, department store
Inscriptions: number: ‘2034’
Seal of Louis XIV
Object type: wax impression
Date: 1661 – 1715
Materials: wax
Subjects: louis xiv

See 21.1.1 for a duplicate of this seal.
Sheet with various vertical designs
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Portret van de cartograaf Gerardus Mercator
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: instrument maker, gerardus mercator
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt als boekillustratie in: Kok, Jacobus. Vaderlandsch woordenboek : met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796. Deel XXIII.
Friezen
Object type: album leaf
Date: 1682 – 1723
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: ornament ~ grotesque, ornament ~ arabesque
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Rushing Bear, Pawnee, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits

Trade cards from the "American Indian Chiefs" series (N2), issued in 1888 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
Tankard
Object type: tankard
Date: 1750 – 1768
Materials: silver
Culture: american
Location: united states
Artist: nicholas roosevelt
Artist role: maker
Artist nationality: american
Artist dates: 1715 – 1769
Brief aan Philip Zilcken
Object type: letter
Date: 1894 – 1894
Materials: ink
Techniques: pen, writing
Location: noordwijk aan zee
Artist: albert verwey
Artist role: criticus, dichter, essayist
Artist dates: 1865 – 1937
Subjects: cologne, johan thorn prikker, the hague, painter, philip zilcken, money, printed matter
Inscriptions: collector's mark: ‘RPK’
Bronze support for a mirror
Object type: mirror support
Date: 400 – 301
Materials: bronze
Culture: greek
Subjects: eros

Seated Eros The mirror disk fit into the curved surface above; the tang below was inserted into a handle made of ivory, bone, or wood.
Antigone & Ismene
Object type: drawing
Date: 1833 – 1875
Materials: chalk, paper
Artist: alfred george stevens
Artist role: artist
Artist nationality: british
Artist dates: 1817 – 1875

This small image may be Stevens's first idea for a figural grouping in a mural scheme. It captures the interaction of Antigone and Ismene, daughters of Oedipus who appear in Sophocles play "Antigone" as opposing types. Their differences are brought into focus by the death of their brother Polyneices when their uncle Creon, ruler of Thebes, forbids the body to be retrieved and buried. In response, Ismene urges compliance but Antigone is determined to disobey. Later in the play, Antigone is herself condemned to be buried alive and Ismene offers to share that punishment.
Lullaby! Sooth him with a Lullaby!
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: james gillray
Artist role: artist
Artist nationality: british
Artist dates: 1756 – 1815
Bedhanging
Object type: bed hanging
Date: 1770 – 1770
Materials: linen, wool
Techniques: embroidery
Culture: american
Location: united states
Subjects: flowers
De grote Passie
Object type: print
Date: 1619 – 1624
Materials: paper
Techniques: engraving, etching
Location: florence
Artist: jacques callot
Artist role: draughtsman, print maker
Artist dates: 1592 – 1635
Subjects: the crowning with thorns: soldiers with sticks place a thorny crown on christ's head and give him a reed (matthew 27:27-31; mark 15:16-20; john 19:2-3)
Inscriptions: collector's mark: Lugt 240

Soldaten duwen Christus, zittend voor een gebouw, een doornenkroon op het hoofd. Vanaf een balkon kijken drie mannen toe. Deze prent is onderdeel van de onvoltooide prentserie 'De grote Passie', bestaande uit 7 scènes uit het Lijdensverhaal.
Area S. Rocchi cum ejusdem Templo et Schola
Object type: album leaf
Date: 1742 – 1742
Materials: paper
Techniques: etching
Location: venice
Artist: antonio visentini
Artist role: draughtsman, print maker
Artist dates: 1688 – 1782
Subjects: square, place, circus, etc., city-view, and landscape with man-made constructions, canal

Gezicht op Campo San Rocco te Venetië, met de Scuola Grande di San Rocco. De prent maakt deel uit van een album.
View in a Forest
Object type: zijpaneel
Date: 1505 – 1515
Materials: oil, panel
Artist: gerard david
Artist role: draughtsman, painter
Artist dates: 1460 – 1523
Subjects: forest, wood

Bosgezicht. Eén van de twee bosgezichten op de buitenzijde van de twee zijpanelen van een drieluik (zie ook SK-A-3135). Het betreft hier het linkerzijpaneel met een poortgebouw. De binnenzijden van deze zijpanelen en het middenpaneel (met een aanbidding van het kind) bevinden zich in het Metropolitan Musuem of Art in New York.
Portret van een onbekende vrouw met twee meisjes
Object type: photograph
Date: 1900 – 1914
Materials: paper, cardboard
Techniques: collodion silver print
Artist: Anonymous
Subjects: adult woman, girl (child between toddler and youth), anonymous historical person portrayed
Versailles, Parterre d' Eau
Object type: photograph
Date: 1901 – 1901
Techniques: albumen print
Location: france
Artist: jean-eugène-auguste atget
Artist nationality: french
Artist dates: 1857 – 1927
Subjects: collected by hugh edwards
Dertien mannen uit verschillende standen, gekleed volgens de Franse mode van ca. 1580
Object type: album leaf
Materials: paper
Techniques: engraving
Artist: abraham de bruyn
Artist role: print maker, publisher
Artist dates: 1540 – 1587
Subjects: europeans (with name) (+ costume), europeans (frenchmen) (+ men), bourgeoisie, middle class, citizens, burghers, clothes, costume (+ men's clothes), nobility and patriciate; chivalry, knighthood
Inscriptions: number: ‘28’

Twee rijen boven elkaar. Prent uit het boek 'Omnium pene Europae, Asiae, Aphricae atque Americae gentium habitus...', 1581. De prent maakt deel uit van een album.
Actors Ichikawa Danjûrô V as Watanabe Kiou Takiguchi and Nakamura Nakazô I as Taira no Kiyomori in the “Shibaraku” scene from “Forest of the Nue Monster: Target of the Eleventh Month” (“Nue no Mori Ichiyô no Mato”)
Object type: print
Date: 1770 – 1770
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Interieur van een boekhandel anno 1815
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: rotogravure
Location: leiden
Artist: Anonymous
Subjects: book-shop, bookseller
Inscriptions: collector's mark: Lugt 4780, collector's mark: Lugt 4779, collector's mark: Lugt 2228

Rechts onder met: Bijlage Maandblad Typografie No. 9, September 1915.
Drie comtoise klokken en tien motieven
Object type: print
Materials: paper
Techniques: etching
Artist: Anonymous

Met onderaan drie ornamentele randen met variaties. In de klok rechts zit een kariatide verwerkt. Uit serie van 6 bladen met kopieën naar prenten uit de serie Second Liure d'Orlogeries, uitgegeven door Daniel Marot.
Dunfermline
Object type: drawing and watercolor
Materials: board, graphite, ink, paper
Techniques: pen
Location: scotland
Artist: william leighton leitch
Artist role: artist
Artist nationality: scottish
Artist dates: 1804 – 1883
Pair of sauceboats
Object type: sauceboat
Date: 1750 – 1750
Materials: stoneware
Techniques: salt glaze
Betrokkenen bij de rechtszaak over de moord op Fualdès in 1818
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a

Antoine Bernardin Fualdès werd op 19 maart 1817 vermoord te Rodez. Deze moord leidde in 1818 tot een rechtszaak die de geschiedenis in zou gaan als een van de beroemdste justitiële affaires van de negentiende eeuw (de 'Affaire Fualdès').
Gezicht op een baai te Japan
Object type: photomechanical print
Date: 1882 – 1892
Materials: paper
Techniques: photograph
Location: japan
Subjects: gulf, bay
Portret van Anthoni Jacobi Roscius
Object type: print
Date: 1624 – 1647
Materials: paper
Techniques: engraving
Subjects: historical persons
On the Gulf of Salerno near Vietri
Object type: drawing
Materials: graphite, watercolor
Techniques: brush
Artist: john robert cozens
Artist role: artist
Artist nationality: british
Artist dates: 1752 – 1797
Subjects: lakes,mountains,boats

In May 1782, Cozens left England for the continent, employed by William Beckford as draughtsman. The party arrived in Italy via the Tyrol and reached Naples by July. On September 18th, the artist and his patron parted and Cozens moved south to Salerno. A number of views along the Gulf of Salerno occur in his sketchbooks from the journey. A pencil outline drawing inscribed "On the Gulf of Salerno -- near Vietri -- Sept. 27" on page 15 of the third "Beckford" sketchbook, now in the collection of the Whitworth Art Gallery, Manchester, provides the skeleton of this watercolor, which was probably made several years later in England. Other watercolors and sketches of the same stretch of coast are preserved at the Whitworth Art Gallery, Manchester, the Cecil Higgins Art Gallery, Bedford, the Victoria and Albert Museum, London, and the Yale Center for British Art, New Haven.
De Spaensche Tiranye gheschiet in Nederlant
Object type: print
Date: 1618 – 1624
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: fernando álvarez de toledo (3rd duke of alba), brussels, earl

Illustratie voor een (onbekende) uitgave van het populaire en vaak herdrukte werk getiteld: De Spaensche Tiranye gheschiet in Nederlant, waarschijnlijk voor het eerst ca. 1620 verschenen. Zie ook Hollstein (Dutch), vol. XXXVIII (Claes Jansz. Visscher II), p. 165, nr. 425 en een andere versie van dit werk uitgegeven in 1621 te Amsterdam bij C.L. vander Plasse, in de collectie van de Rijksmuseum Research Library, signatuur 327 K 30.
Tuin achter een huis met een luifel
Object type: drawing
Date: 1874 – 1945
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: garden
Achtste daalder; noodmunt uit Groningen, geslagen tijdens het beleg
Object type: siege coin
Date: 1672 – 1672
Materials: silver
Techniques: striking
Location: groningen
Artist: Anonymous
Subjects: groningen, beleg van groningen (1672)

Achtste daalder uit Groningen; ruitvormige noodmunt met afgeronde hoeken. Voorzijde: gekroond wapenschild tussen waardeaanduiding binnen omschrift. Keerzijde: gekroonde, dubbelkoppige adelaar