deem-data/ArtiFact huggingface dataset:
Textile Design with Alternating Pearls over an Abstrack Honeycomb Pattern
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made of alternating pearls of red color with a white highlight surrounded by a light tan shade, over a background of an abstract honeycomb pattern rendered with dark reddish-brown stipples over a light tan base.
The Third Sawamura Sojuro as a Man Standing with Feet Spread Widely Apart
Object type: print
Date: 1795 – 1795
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shun'ei 勝川春英
Artist role: artist
Artist nationality: japanese
Artist dates: 1762 – 1819
Subjects: men,actors
Patton, Right Field, Des Moines Prohibitionists, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes
Familiefoto te Moengo
Object type: photograph
Date: 1925 – 1927
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: jetten, familie, moengo

Familiefoto met een lopende man te Moengo. Foto op een bladzijde van een los albumblad. Onderdeel van het ensemble met foto's van de familie van ingenieur Jetten in de mijnbouwstad Moengo in Suriname.
Slap-Bang Shop
Object type: print
Date: 1815 – 1815
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,restaurants,men,women,dogs,dining

The interior of a restaurant, with a young woman at left delivering dishes to a customer. All of the male customers look towards her. A dog sits at right, looking around hungrily.
Sacred Names of Shinto Deities and the "Oracles of the Three Shrines"
Object type: hanging scroll
Date: 1805 – 1805
Materials: ink, paper
Culture: japanese
Artist: mokujiki shōnin
Artist role: artist
Artist nationality: japanese
Artist dates: 1718 – 1810

The term mingei, generally translated as “folk art,” is often applied to the works of Mokujiki Shōnin, an itinerant priest and amateur artist who sculpted rough-hewn Buddhist deities and gods of good fortune. However, he was also a calligrapher, and his brush writing exhibits the same energy and heartfelt piety that appear in his sculptural works. Here, he inscribed the names of Shinto kami regarded as local manifestations of Buddhas and bodhisattvas, followed by the “Oracles of the Three Shrines” (Sansha takusen). The scroll is an example of calligraphic works that became devotional objects for people unable to travel to the great Shinto shrines of Ise, in Mie Prefecture; Iwashimizu Hachimangū, in Kyoto; and Kasuga, in Nara.
Windsor Castle
Object type: carte de visite
Date: 1862 – 1873
Materials: cardboard, paper
Techniques: albumen print
Location: windsor
Artist: Anonymous
Subjects: castle
Inscriptions: inscription: ‘PHOTOGRAPHERS TO H.R.H. THE PRINCE OF WALES,/ AND/ TO H.R.H. THE DUKE OF EDINBURGH./ BERLIN/ LONDON/ DUBLIN/ NEW YORK/ SOLE PHOTOGRAPHERS TO THE INTERNATIONAL EXHIBITION 1862/ THE LONDON/ STEREOSCOPIC & PHOTOGRAPHIC/ COMPANY/ 54, CHEAPSIDE,/ AND/ 110 & 108, REGENT STREET./ THIS NEGATIVE IS PRESERVED FOR FURTHER COPIES/ ENLARGEMENTS CAN AT ANY TIME BE PRODUCED/ WITHOUT ANOTHER SITTING.’
Gezicht op de Keizersgracht
Object type: drawing
Date: 1692 – 1749
Materials: paper, pencil, watercolor
Techniques: brush
Location: amsterdam
Artist: jan van huysum
Artist role: draughtsman, painter
Artist dates: 1682 – 1749
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc.
Inscriptions: signature: ‘J v Huysum’, collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 22.
Banda
Object type: print
Date: 1824 – 1824
Materials: paper
Techniques: lithograph
Location: rotterdam
Subjects: fortress
Inscriptions: inscription: ‘4 / 13-1-'75’

Schepen op kalm water met rechts op een heuvel fort Belgica en links de huizen te Bandaneira.
Fragment van een wandbespanning van cerise-rood zijden damast
Object type: upholstered wall
Date: 1850 – 1875
Materials: silk
Techniques: damask
Location: france
Artist: Anonymous

Fragment van een wandbespanning, van cerise-rood zijden damast. (In satijn-, taft- en keperbinding). Een streng symmetrisch ornament van acanthusbladeren recht- en rondlijnen begrenst twee boven elkaar gelogen spitse velden, waarbinnen onsymmetrische motieven zijn opgehangen aan een lint met strik; het ene bestaande uit een precieus bloemenmandje met naturalistisch bloemenarrangement, het andere gevormd door een mandoline en een tamboerijn. Tussenliggende velden van ongeveer gelijke grootte, en verspringend met de eerste, dragen een ovaal medaillon met parelrand, eveneens hangende aan gestrikte linten, beginnende bij de knooppunten van het acanthus-ornament. De medaillons zijn gevuld met twee gekruiste hoorns van overvloed. Het hoofdornament is verlevendigd met fijne slingerende takjes en symmetrische veldjes met netvulling. Dit fragment is afkomstig van de balzaal in de ambtswoning van de burgemeester van Amsterdam, Herengracht 502, in september 1950 gesloopt.
Quarantine, Staten Island
Object type: watercolor
Date: 1833 – 1833
Materials: gouache, ink, watercolor, paper
Culture: american
Artist: william james bennett
Artist role: artist
Artist nationality: american
Artist dates: 1787 – 1844
Subjects: seas,waves,ships
Torch Holder
Object type: torch holder
Date: 1401 – 1600
Materials: iron
Culture: european
A Cabriolet or Curricle with a Man Holding Two Horses (A Post Chaise)
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: dogs,horses,carriages
Hanger in de vorm van een zeemeermin
Object type: pendant jewelry
Date: 1800 – 1900
Materials: gemstone, gold, pearl
Techniques: enameling
Location: italy
Artist: Anonymous

Hanger in de vorm van een zeemeermin, van goud, email, robijnen, smaragden en parels.
Album met voorstellingen uit het Oude en het Nieuwe Testament
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1675 – 1675
Materials: cardboard, leather, paper
Techniques: bookbinding, etching, marbling
Location: vatican city
Inscriptions: number: ‘276’

Album met 54 prenten op 54 albumbladen. Het album bevat 54 prenten uit een reeks van 55 prenten, bestaande uit drie ongenummerde prenten en een set van 52 genummerde prenten naar de schilderingen in de Loggia van Rafaël. Een kartonnen band, beplakt met bruin leer en groen gemarmerd papier. Voorin en achterin een blanco schutblad.
La lecture
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: etching
Location: nuremberg
Artist: ludwig kühn
Artist role: artist, painter, print maker
Artist dates: 1859 – 1936
Subjects: reading, book
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Prent afkomstig uit: L'art: revue hebdomadaire illustrée, 1888.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1780 – 1876
Materials: copper, gold
Culture: japanese
Location: japan
Subjects: men
Page of a Pilgrim’s Visiting Album
Object type: book fragment
Date: 1667 – 1800
Materials: gold, ink, paper, textile
Culture: japanese
Subjects: buddhism
Commercio e industria
Object type: magazine
Date: 1882 – 1882
Materials: paper, photographic support
Techniques: albumen print, printing
Location: lisbon
Inscriptions: annotation: ‘Pr[...]/ Lx.’
Scarf
Object type: scarf
Date: 1897 – 1897
Materials: silk
Culture: british
Subjects: women,queen victoria

The Diamond Jubilee was a grand celebration, marking 60 years of Queen Victoria's reign. On June 22, 1897 there was a grand procession, covering six miles of the streets of London. Following the Queen, were troops from each of the Dominions, including Indian princes and chiefs, as she became the Empress of India in 1877. Civilians flocked to the streets to acknowledge and celebrate the accomplishments of the British Empire made during her long reign and this scarf is a piece of memorabilia from the event.
Cylinder seal
Object type: cylinder seal
Date: 2000 – 1668
Materials: mineral
Location: mesopotamia
Portret van Franz Tucher
Object type: print
Date: 1567 – 1567
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: theologian, historical persons

Met zevenregelig onderschrift in het Duits. Rechtsboven genummerd: 57.
Plate
Object type: plate
Date: 1750 – 1750
Materials: hard paste porcelain
Subjects: human figures,reading
Bloemstudie
Object type: photograph
Date: 1875 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: a. calavas
Artist role: publisher
Subjects: flowers
Inscriptions: collector's mark: Lugt 3937, number: ‘17’

Onderdeel van Verzamelband met foto's van bloemstudies.
Portret van Hubrecht van den Eynde
Object type: print
Date: 1630 – 1650
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: antwerp, sculptor, portrait, self-portrait of sculptor
Inscriptions: collector's mark: Lugt 2228

Portret van de Antwerpse beeldhouwer Hubrecht van den Eynde, naar links.
Gezicht op de binnenplaats en de toegang tot de kerk van San Lorenzo in het Escorial
Object type: album leaf
Date: 1694 – 1737
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: abbey, monastery, convent ~ roman catholic church, church (exterior), courtyard

Gezicht op de binnenplaats en de toegang tot de kerk van San Lorenzo in het Escorial. Onder de voorstelling een titel in het Latijn, Spaans, Nederlands en Frans. Prent maakt deel uit van een album.
Terracotta fragment of a pelike (jar)
Object type: pelike fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Below the glazed rim, parts of both handles; at the shoulder, an egg pattern; On the obverse, head, neck, and part of the upper torso of a draped woman to right, with her right arm extended; head, neck, and part of the upper torso of a draped woman to left; Reverse, top of head, nape of neck, and part of the upper back of a draped woman to right
Matthew Clarkson
Object type: painting
Date: 1823 – 1823
Materials: oil, wood
Culture: american
Artist: samuel lovett waldo
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1861
Subjects: men,portraits
The Church by the Water
Object type: print
Date: 1625 – 1677
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: churches,fishing
Scheveningen. Strandleven
Object type: photomechanical print
Date: 1905 – 1905
Materials: cardboard
Techniques: lithograph
Location: scheveningen
Artist: Anonymous
Subjects: beach (as place of recreation), hotel, hostelry, inn
Inscriptions: date
Roma. S. Giovanni in Laterano
Object type: photomechanical print
Date: 1906 – 1930
Materials: cardboard
Techniques: autotype
Location: rome
Artist: Anonymous
Subjects: church (exterior)
E 45. Struisvogelpark. Matarieh bij Caïro
Object type: photograph
Date: 1888 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: el matareya
Artist: jean pascal sébah
Artist role: fotograaf
Artist dates: 1872 – 1947
Subjects: walker and runner birds: ostrich
Inscriptions: check stamp: ‘Bristol/ L.M.’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, number: ‘418’, title: ‘E 45. Struisvogelpark. Maratieh bij Caïro.’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Vier vrouwen, gekleed volgens de Italiaanse mode van ca. 1580
Object type: album leaf
Materials: paper
Techniques: engraving
Artist: abraham de bruyn
Artist role: print maker, publisher
Artist dates: 1540 – 1587
Subjects: europeans (italians) (+ women), fan, europeans (with name) (+ costume), veil
Inscriptions: number: ‘36’

Prent uit het boek 'Omnium pene Europae, Asiae, Aphricae atque Americae gentium habitus...', 1581. De prent maakt deel uit van een album.
Schaar van roodkoper met ringvormige grepen, en scharnierend om een klink
Object type: scissors
Date: 1690 – 1710
Materials: copper
Location: amsterdam
Artist: Anonymous

Schaar van roodkoper met ringvormige grepen, en scharnierend om een klink.
Groepsportret met acht jonge vrouwen, schoolklas van Mej. v/d Velde
Object type: photograph
Date: 1907 – 1911
Materials: paper
Techniques: gelatin silver print
Location: gelderland
Artist: Anonymous
Subjects: adolescent, young woman, maiden, anonymous historical persons portrayed in a group, in a group-portrait, gelderland
Inscriptions: inscription: ‘Cursus Hollandsch. Zomer 1911.’
Cream pitcher (part of a set)
Object type: cream pitcher
Date: 1860 – 1880
Materials: silver
Subjects: food,snakes,cooking

Part of a set that includes a teapot (1972.116.1) and sugar bowl (1972.116.2). The decoration combines Indian festival scenes amid palms and temples with domestic ones in European-style interiors.
Speelplaats van het Burgerweeshuis te Amsterdam
Object type: ansichtkaart, prentbriefkaart
Date: 1890 – 1920
Materials: cardboard
Techniques: four-color autotype
Artist: Anonymous
Subjects: orphanage, orphans
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: I. Stadsinrichtingen: Burgerweeshuis.
Oriental Man
Object type: figure
Date: 1840 – 1840
Materials: hard paste porcelain
Artist: popov manufactory
Artist role: manufactory
Artist nationality: russian
Artist dates: 1811 – 1875
Subjects: men,flowers
Tuin met waterpartij
Object type: watercolor
Date: 1757 – 1822
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: hermanus petrus schouten
Artist role: draughtsman, painter, print maker
Artist dates: 1747 – 1822
Subjects: garden
Terracotta fragment of a neck-amphora of Nicosthenic shape (jar)
Object type: neck amphora fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Greaved leg of a draped warrior to right, with his round shield seen in profile; lower body of a draped woman to right
Bracelet with lion's-head terminals
Object type: bracelet
Date: 800 – 601
Materials: iron
Culture: iranian
Location: western iran
Studies van papegaaien
Object type: drawing
Date: 1880 – 1946
Materials: paper, pencil, watercolor
Techniques: brush
Artist: anna maria kruijff
Artist role: draughtsman, print maker
Artist dates: 1870 – 1946
Subjects: ornamental birds: parrot
Portret van Pieter Corneliszoon Hooft
Object type: print
Date: 1655 – 1690
Materials: paper
Techniques: engraving
Subjects: amsterdam, the hague, pieter corneliszoon hooft, historical persons, book, writer, poet, author, globe
Inscriptions: collector's mark: Lugt 2228
Portret van een arbeider
Object type: carte de visite
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: historical persons, working class, labourers
Mevrouw Diepenbrock met dophoed
Object type: photograph
Date: 1900 – 1915
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: jonkvrouw wilhelmina elisabeth petronella cornelia de jong van beek en donk, netherlands

Foto op bruin albumblad 53 van familiealbum van Alphons Diepenbrock.
Vrouw in een interieur
Object type: sketchbook leaf
Date: 1895 – 1900
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: interior of the house

De vrouw staat voorovergebogen, vermoedelijk bij een tafel. Blad 18 verso uit een schetsboek met 19 bladen.
Couple Walking to the Left (VI), from The Wedding Dancers (restrike)
Object type: print
Date: 1500 – 1540
Techniques: woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: swords,couples,men,women,dancers
Jachtknecht
Object type: print
Date: 1878 – 1943
Materials: ink, paper
Techniques: drypoint, intaglio
Artist: willem van konijnenburg
Artist role: draughtsman, painter, print maker
Artist dates: 1868 – 1943
Subjects: hunter, dog
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een geknielde figuur die een hond aan een halsband vasthoudt. Links op de achtergrond nog enkele figuren met honden.
Venus Reprimanding Her Son, from The Story of Psyche
Object type: print
Date: 1530 – 1540
Materials: ink, paper
Techniques: engraving
Location: italy
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

Back of the head, part of the beard, bent left arm, and upper torso of a satyr to left
Projet d’assiette (Leda) (Design for a Plate [Leda]), frontispiece from the Volpini Suite
Object type: print
Materials: paper
Techniques: lithography
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Inscriptions: Signed recto, in plate, upper right, in image, printed in black ink: "homis soit qui mal y pense PGO [in reverse]"; inscribed in plate, below image, printed in black ink: "Projet d’asiet en 89 [in reverse]"; lower left, below image, in graphite: "R1163x"; inscribed verso, lower left, in graphite: "28.238 / 3707"
Rosace
Object type: ornament
Date: 1501 – 1533
Materials: brass
Culture: european
Woodcutters and Fishermen
Object type: screen
Date: 1790 – 1795
Materials: ink, panel, paper
Culture: japanese
Artist: matsumura goshun
Artist role: artist
Artist nationality: japanese
Artist dates: 1752 – 1811
Subjects: men,trees

Shijō Street in central Kyoto, where Goshun opened the studio that came to be known as the Shijō school, was also the site of the artist’s residence. Born to a family of officials at the government mint, Goshun studied with the Nanga, or literati school, artist Yosa Buson (1716–1783). Following several years as a Buddhist monk in Ikeda, he joined a group of artists in Kyoto in 1787 to work with Maruyama Ōkyo (1733–1795), whose school combined traditional methods of Japanese painting with aspects of Western realism and perspective. In this composition, Chinese fishermen and woodcutters, their faces weathered and animated, move through a hazy spring landscape in which a hint of linear perspective indicative of Ōkyo’s influence melds with the lyricism that Goshun absorbed from Buson. The artist chose fishermen to symbolize the purity of the life of the recluse-scholar, following in the tradition of Chinese literati painters.
Twee 16de-eeuwse Franse stoelen van hout, op de Exposition Rétrospective van 1877 in Lyon, Frankrijk
Object type: photomechanical print
Date: 1877 – 1878
Materials: paper
Techniques: photoaquatint
Location: paris
Subjects: chair (+ wood and other phytogenic material), lyon
Inscriptions: number: ‘PL. XL.’, inscription: ‘EXPOSITION RÉTROSPECTIVE DE LYON/ PAR J. B. GIRAUD.’, number: ‘PL. XLI.’, inscription: ‘CAQUETEUSES/ FRANCE_XVIe SIÈCLE/ COLLECTION DE Mme Vve ROUGIER.’

Deze prenten maken deel uit van een omslag met 79 prenten op 54 bladen en 65 tekstbladen.
Ensemble
Object type: ensemble
Date: 1885 – 1885
Materials: feather, plastic, silk
Culture: american
Artist: franziska noll gross
Artist role: designer
Artist nationality: american, born germany
Artist dates: 1831 – 1906

This dress was designed to be worn in an open top carriage which, at the time, was a social event and everyone had to dress the part. The bustle silhouette, although primarily associated with the second half of the 19th century, originated in earlier fashions as a simple bump at the back of the dress, such as with late 17th-early 18th century mantuas and late 18th- early 19th century Empire dresses. The full-blown bustle silhouette had its first Victorian appearance in the late 1860s, which started as fullness in skirts moving to the back of the dress. This fullness was drawn up in ties for walking that created a fashionable puff. This trendsetting puff expanded and was then built up with supports from a variety of different things such as horsehair, metal hoops and down. Styles of this period were often taken from historical inspiration and covered in various types of trim and lace. Accessories were petite and allowed for the focus on the large elaborate gowns. Around 1874, the style altered and the skirts began to hug the thighs in the front while the bustle at the back was reduced to a natural flow from the waist to the train. This period was marked by darker colors, asymmetrical drapery, oversize accessories and elongated forms created by full-length coats. Near the beginning of the 1880s the trends altered once again to include the bustle, this time it would reach its maximum potential with some skirts having the appearance of a full shelf at the back. The dense textiles preferred were covered in trimming, beadwork, puffs and bows to visually elevate them further. The feminine silhouette continued like this through 1889 before the skirts began to reduce and make way for the S-curve silhouette.
Ivory disk with rosette
Object type: roundel, disk
Date: 1300 – 1101
Materials: ivory
Culture: cypriot

Ivory was imported to Cyprus from the Near East or Egypt. The rosette was a popular decorative motif originally inspired by designs on Syrian and Phoenician minor arts and textiles.
Onze tijd
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: factory-building, globe

Een aantal objecten uit de negentiende eeuw, waaronder een tandwiel en een fabriek.
Hat
Object type: hat
Date: 1806 – 1806
Materials: silk, fiber
Culture: french
Christus-Verlosserkathedraal in Moskou
Object type: photograph
Date: 1860 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: moscow
Artist: Anonymous
Subjects: russian orthodox church
La Conversation
Object type: print
Date: 1742 – 1742
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: tools, aids, implements ~ crafts and industries: grindstone, outskirts of village
Inscriptions: collector's mark: Lugt 240
Twee naakte mannen in een landschap
Object type: print
Date: 1535 – 1540
Materials: paper
Techniques: engraving
Location: italy
Artist: domenico beccafumi
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1486 – 1551
Subjects: the (nude) human figure; 'corpo humano' (ripa), male sex; man
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een voorstudie bevindt zich in Chatsworth.
Portret van Hendrik Tollens
Object type: print
Date: 1834 – 1856
Materials: paper
Techniques: engraving, etching, roulette
Location: haarlem
Subjects: rotterdam, hendrik tollens, adult man, historical persons, chair
Inscriptions: collector's mark: Lugt 2228

Portret van Hendrik Tollens, dichter. Hij zit op een stoel voor een gordijn en houdt schrijfgerei in zijn rechterhand. Zijn rechterarm rust op een opengeslagen boek. Onder de voorstelling bevindt zich de signatuur van de geportretteerde.