deem-data/ArtiFact huggingface dataset:
Paris. École Militaire.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: military academy (+ naval force), paris
Inscriptions: collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, number: ‘N. 3046.’, number: ‘35’, inscription: ‘CWN.’, inscription: ‘Tijdperk van Lodewijk XV - Frankrijk.’
Marbles, "Knuckle down, Shoot hard across the box," from the Terrors of America set (N136) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1888 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: boys,men

Trade cards from the "Terrors of America" series (N136), issued in a set of 50 cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The original lithographs for the series were created by Knapp & Company, N.Y. This is the second time that Duke released the "Terrors of America" series. The cards of the first set (N88) are smaller than N136 cards.
The Ferryboat
Object type: drawing
Date: 1601 – 1700
Materials: graphite, ink, watercolor
Techniques: pen
Artist: hendrick avercamp
Artist role: artist
Artist nationality: dutch
Artist dates: 1585 – 1634
Subjects: men,horses,rivers,boats
Staande naakte vrouw, op de rug gezien
Object type: page
Date: 1935 – 1935
Materials: paper
Techniques: letterpress printing, lithograph
Location: lausanne
Subjects: woman (showing herself) undressed, quasi-nude, standing figure - aa - female human figure

Prent in: Ovidius Naso, Publius. L'art d'aimer. [Vertaald uit het Latijn door] Henri Bornecque. Parijs/Lausanne: Les frères Gonin, 1935, na p. 116.
Deel van het exterieur van het stadhuis van La Rochelle
Object type: photograph
Date: 1880 – 1900
Materials: photographic support
Techniques: albumen print
Location: la rochelle
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: townhall, façade (of house or building)
Inscriptions: number: ‘820’, inscription: ‘Monuments Historiques’, name: ‘Mieusement photographe’

Onderdeel van Fotoalbum met opnames van monumenten in Frankrijk.
Some Account of the Art of Photogenic Drawing, or the Process by which Natural Objects May Be Made to Delineate Themselves without the Aid of the Artist's Pencil
Object type: photograph
Materials: paper
Location: england
Artist: william henry fox talbot
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1877
Keizerlyke Vergoding
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: ritual practices ~ roman religion, predatory birds: eagle, violent death by burning at the stake; pyre
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Bogaert, Abraham. De roomsche monarchy, vertoont in de muntbeelden der westersche en oostersche keizeren. Utrecht: François Halma en Willem van de Water, 1697.
The Virgin and the Child
Object type: print
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: angels,madonna and child
Finger Ring
Object type: ring
Date: 501 – 633
Materials: silver
Culture: frankish
A Foreigner and a Leopard Disguised as a Woman
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: ichiryūsai yoshitoyo
Artist role: artist
Artist nationality: japanese
Artist dates: 1830 – 1866
Subjects: swords,men,leopards
Stirrup
Object type: stirrup
Date: 901 – 1100
Materials: iron
Culture: german
Location: poland

This type of stirrup, with its wide rectangular suspension eye and its flaring sides at the bottom, is characteristic of the Germanic (Viking) populations living around the Baltic and Northern Seas. It evolved from types used by the Avars in Eastern Europe in the 7th and 8th centuries and was brought to Central Europe through the migration of Eastern populations. If the Vikings are mostly known for being talented sailors, one may forget they were also horse riders, and as in all the Germanic cultures, horses had great importance in their society, in both its social and religious aspects. Equestrian equipment, like stirrups, spurs and bits, are regularly found in Viking burials, among the goods warriors wanted to bring with them to the afterlife. The elite would sometimes even be accompanied by sacrificed horses, a meaningful practice at that time, considering the high economic value of horses.
Boerenerf met kippen
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: etching
Location: the hague
Artist: joseph hartogensis
Artist role: painter, print maker
Artist dates: 1822 – 1865
Subjects: fowl (cock, hen, chicken, etc.), farm (building)
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, bit of sakkos, ear, lips, neck, and shoulders of draped woman to right
Fotoreproductie van een tekening van Girodet, god met engel, illustratie bij Apothéose d'Anacréon
Object type: reproduction
Date: 1859 – 1864
Materials: paper
Techniques: albumen print
Subjects: gods ~ classical mythology
Jongen te paard
Object type: print
Date: 1848 – 1895
Materials: paper
Techniques: etching, intaglio, retroussage
Artist: alfred verwee
Artist role: print maker
Artist dates: 1838 – 1895
Subjects: riding a horse, ass, or mule; rider, horseman, jockey
Inscriptions: inscription: ‘Ep Unique le cuivre est de tuit Verwée’, collector's mark: Lugt 2228
Zeegezicht met volle maan
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: transfer, print drawing
Location: amsterdam
Subjects: sailing-ship, sailing-boat, moonlight
Inscriptions: collector's mark: Lugt 2725, collector's mark: Lugt 240, inscription: ‘L. Bakhuizen del. Ploos van Amstel. J.C. Fecit: 1781.’

Op zee varen twee zeilschepen. Een visser haalt vanuit een sloep zijn netten binnen.
Boom met afgebroken tak
Object type: print
Date: 1803 – 1807
Materials: paper
Techniques: lithograph
Artist: thomas hearne
Artist role: draughtsman, print maker
Artist dates: 1744 – 1817
Subjects: trees
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Deze prent behoort tot de serie 'Specimens of polyautography'. Deze serie is een van de vroegste reeksen lithografieën in Groot-Brittannië en de eerste editie werd uitgegeven door Philipp André in 1803. Deze prent behoort waarschijnlijk tot de tweede editie, uitgegeven door Georg Jacob Vollweiler in 1806-1807. De serie is door Vollweiler uitgegeven in zes delen met zes lithografieën.
Reproductie van een schilderij van een interieur met een pianospelende vrouw door Gotthardt Kuehl
Object type: page
Date: 1885 – 1901
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: adolescent, young woman, maiden, interior of the house, keyboard instruments

Prent op pagina 101 van Figaro-Salon (par Albert Wolff).
Razor
Object type: razor
Date: 7000 – 330
Materials: bronze
Ruiterformaties (Sesta)
Object type: print
Date: 1667 – 1667
Materials: paper
Techniques: etching
Location: vienna
Subjects: high-school riding, military honours (+ cavalry, horsemen)
Inscriptions: collector's mark: Lugt 2228
Aus A. Hendschel's Skizzenbuch
Object type: reproduction
Materials: photographic support
Techniques: albumen print
Location: frankfurt am main
Subjects: adult woman, reading, adult man
Inscriptions: number: ‘42’, monogram: ‘AH’

Deze foto maakt deel uit van een omslag met 50 foto's op 48 bladen, een lijst van afbeeldingen en een titelblad.
Model voor een haakplaat van een chatelaine
Object type: chatelaine
Date: 1775 – 1800
Materials: copper
Techniques: repoussé
Location: amsterdam
Artist: Anonymous

Het uit plaat gemaakte driehoekige model voor een gietvorm heeft een gedreven versiering met een medaillon, waaromheen tegen een gearceerde achtergrond een doorlopende over krullen en ander ornament gedrapeerde slinger, welke wordt opgehouden door een vogel. In het medaillon een vaas met bloemen op een balustrade waarvoor een hond en een vogel.
Menu van het diner ter ere van het zilveren huwelijksjubileum van meneer en mevrouw Jos. Steijns-Clemens
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: lithograph, pen
Artist: Anonymous
Subjects: maastricht, marriage, married couple, 'matrimonium'

Dubbele kaart met op de voorzijde de details van het diner. Binnenin handgeschreven het menu. Op de achterzijde handgeschreven de naam van de genodigde ('Monsieur Emile Steijns Pharmacien').
Dicky Baud en drie andere jongens spelend in een tuin
Object type: photograph
Date: 1930 – 1935
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: children's games and plays, boy (child between toddler and youth), netherlands
A Dell, Helmingham Park, Suffolk
Object type: print
Date: 1830 – 1830
Materials: chalk
Techniques: mezzotint
Artist: david lucas
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1881
Subjects: bridges,parks,trees

In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention—to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.
Woman Reclining, to the Left
Object type: print
Date: 1906 – 1906
Materials: paper
Techniques: etching
Location: france
Artist: pierre auguste renoir
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1919
Venus, from "Twelve Muses and Goddesses"
Object type: print
Date: 1540 – 1556
Techniques: etching
Artist: léon davent
Artist role: artist
Artist nationality: french
Artist dates: 1540 – 1556
Subjects: venus
Fleurs dessinées d'après nature (...)
Object type: ornament print
Date: 1799 – 1801
Materials: paper
Techniques: engraving
Location: paris
Subjects: cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet)
Inscriptions: collector's mark: Lugt 2228

De serie Fleurs dessinées d'après nature (...) bestaat uit 24 prenten verdeeld over zes omslagen. Het Rijksprentenkabinet heeft 23 prenten in zes omslagen in bezit. De verdeling over de omslagen lijkt willekeurig. Zie RP-P-1909-4220 t/m 4242 en RP-P-2016-53 t/m 58.
Portret van Herman Gorter
Object type: photograph
Date: 1900 – 1920
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: herman gorter, adult woman, historical persons
Inscriptions: annotation: ‘Gorter/ vriend van Jonker-familie’
Portret van François Broussais
Object type: photomechanical print
Date: 1895 – 1940
Materials: paper
Techniques: rotogravure
Artist: Anonymous
Subjects: historical persons, physician, doctor
Veduta dell'arco di Tito (boven)
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: city-view, and landscape with man-made constructions, ruin of a building ~ architecture
Inscriptions: collector's mark: Lugt 2228

Deze prenten maken deel uit van de serie 'Le Antichità Romane'. Piranesi deed meer dan acht jaar voorstudie voor deze 250 platen tellende serie die in vier volumes werd uitgegeven. Hij produceerde de prenten tussen ca. 1756 en 1757. De serie bevat ook prenten door of naar andere prentmakers, onder wie Francesco Bianchini en Girolamo Rossi.
Portret van een onbekende zittende vrouw
Object type: carte de visite
Date: 1860 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: birmingham
Subjects: adult woman, anonymous historical person portrayed, birmingham
Inscriptions: inscription: ‘Oldham & Cooper,/ Photographers,/ City Chambers/ &/ Town Hall Chambers/ 82 & 86, New Street/ Birmingham/ Copies may be had/ Copyright Marion Déposé’, inscription: ‘Oldham & Cooper Photos Birmingham’
Bartholdus à Gent, provinciae Geldriae plenipotentiarius
Object type: print
Date: 1824 – 1827
Materials: paper
Techniques: tone lithography
Location: munster
Artist: christian espagne
Artist role: print maker, printer
Artist dates: 1794 – 1838
Subjects: adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228

Prent uit: Bildnisse der beim westfälischen Friedensschluß zu Münster und Osnabrück versammelt gewesenen Gesandten. Münster: Christian Espagne, [1824-1827]. Deze publicatie bevat een onbekend aantal lithografieën, die in afleveringen verschenen als illustratie bij de tekst.
Beheading of Saint John the Baptist
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: style of salvator rosa
Portret van keizer Karel VI
Object type: print
Date: 1703 – 1742
Materials: paper
Techniques: mezzotint
Subjects: vienna, charles vi (holy roman emperor), historical persons, king
Inscriptions: collector's mark: Lugt 240
Portret van Arnoldus Vinnius op 49-jarige leeftijd
Object type: print
Date: 1665 – 1689
Materials: paper
Techniques: engraving
Location: leiden
Subjects: scholar, philosopher, historical persons

Met achtregelig onderschrift in het Latijn.
Optochten en ruiterspelen
Object type: album leaf
Date: 1618 – 1618
Materials: paper
Techniques: etching
Subjects: riding a horse, ass, or mule; rider, horseman, the story of the three wise men (kings or magi) (matthew 2:1-12), performance in the open air (pleasure fair), specific aspects, allegorical aspects of mercury; mercury as patron

Mogelijk verbeelden de drie personen de Wijzen uit het Oosten uit het Nieuwe Testament, die hier de doop van de baby Ulrich von Württemberg bezoeken.
Deze prent is onderdeel van een serie.
And the Angel Took the Censer, plate 4 of 12
Object type: print
Date: 1899 – 1899
Materials: paper, ink
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Venationes ferarum avium, piscium...
Object type: book
Date: 1501 – 1600
Techniques: engraving
Artist: jan van der straet, called stradanus
Artist role: designer
Artist nationality: netherlandish
Artist dates: 1523 – 1605
Subjects: spectators,dogs,elephants,lions
Pluto and Proserpine, from "The Loves of the Gods"
Object type: print
Date: 1531 – 1576
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: female nudes,putti,dogs,pluto
The Sheepshearers
Object type: painting
Date: 1857 – 1861
Materials: canvas, oil, paint
Techniques: painting
Location: france
Artist: jean-françois millet
Artist nationality: french
Artist dates: 1814 – 1875
Subjects: rural life, sheep, man, woman, labor, animals, fences, farm, building, barns, scissors, century of progress, world's fairs, chicago world's fairs
Inscriptions: Stamped lower right: J.R. Millet
Thatched Cottage
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: england
Artist: paul sandby
Artist role: draughtsman, print maker, publisher
Artist nationality: british
Artist dates: 1731 – 1809
Oberst Fürst Pückler-Muskau
Object type: print
Date: 1825 – 1850
Materials: paper
Techniques: lithograph
Location: leipzig
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van een baby
Object type: photograph
Date: 1900 – 1900
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: drachten
Artist: roelof pieters lammers
Artist role: fotograaf
Artist dates: 1853 – 1910

Baby in een wit jurkje, liggend op een kussen op een deken met tijgerachtig motief.
Vegetable Dish
Object type: vegetable dish
Date: 1885 – 1885
Materials: porcelain
Culture: american
Location: united states
Artist: union porcelain works
Artist role: maker
Artist nationality: american
Artist dates: 1863 – 1922

Union Porcelain Works was one of the most important and inventive American porcelain manufacturers in the second-half of the nineteenth century. In addition to their imaginative works designed by the German-born artistic director, Karl H. L. Müller, the firm’s mainstay was the production of heavy porcelain hotel dinnerware. This extensive service was made by Thomas Carll Smith, head of the Union Porcelain Works, as a gift to his daughter, Pastora Forest Smith Chace. The neoclassical decoration of the gilt bellflower and basket motif is complimented by turquoise enamel. Unlike the firm’s more eccentric and lavish designs created for their display at the Philadelphia Centennial Exposition in 1876, the pottery favored a more restrained classical style for their dinner services. This service descended in the Chace family.
Le Pont St. Esprit
Object type: area plan
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: maps of cities

Prent uit: Tassin, Christophe. Les plans et profils de toutes les principales villes et lieux considérables de France (...). Parijs: Michel van Lochom, 1638, prent nummer 24 in het deel 'Languedoc'.
Brieventas van dik papier bekleed met petitpoint borduurwerk, waarin het monogram van admiraal Isaac Sweers, met gegraveerd zilveren slot
Object type: brieventas
Date: 1700 – 1715
Materials: linen, paper, silk, silver, silver leaf
Techniques: embroidered, engraving, weave
Location: netherlands
Artist: Anonymous
Subjects: kijkduin, schout-bij-nacht, isaac sweers
Inscriptions: inscription: ‘si ie vous perd/ ie suis perdu’, coat of arms, inscription: ‘sur la paix’, monogram: ‘IS’

Brieventas of portefeuille van dik papier bekleed met petitpoint borduurwerk, waarin het monogram van admiraal Isaac Sweers, met gegraveerd zilveren slot. Model: enveloppe met overslag die middenvoor sluit door middel van gegraveerd zilveren slot. Twee vakken met tussenschot. Gevoerd met roze zijde. De sleutel van het slot ontbreekt. Versiering: bekleed met stramien waarop in petitpoint een groen fond is geborduurd, omgeven door slingerende rand van 'appeltjes van oranje'. Op de klep de dubbele initialen IS. Onder de klep 'si ie vous perd/ ie suis perdu'. Op de vouw 'sur la paix'. Op de achterkant een gekroond wapen. Rondom afgezet met een smal passement van zilverdraad.
Portret van John Mennis
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons, commander-in-chief, admiral
Inscriptions: collector's mark: Lugt 2228
Stand
Object type: stand
Date: 867 – 933
Materials: earthenware
Location: iran
Toujours Chic, Toilettes de Soirées, Hiver 1921-1922: Roseau
Object type: titelprent, frontispice
Date: 1921 – 1922
Materials: paper
Techniques: letterpress printing, pochoir
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: fashion plates
Inscriptions: date

Prent uit Catalogus "Toujours Chic" waarin een overzicht van de wintermode 1921-1922 in 80 prentjes in pochoir techniek.
Earring with Fused Discs
Object type: earring
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Cabriolet #3221
Object type: drawing
Date: 1876 – 1876
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Scène in een tuin tussen een oude man in een stoel en een buigende man
Object type: wood block
Date: 1818 – 1897
Materials: wood
Techniques: engraving
Artist: willem bal
Artist role: print maker
Artist dates: 1808 – 1897
A Raja Receives Homage Outside the City:   Page from a Dispersed Manuscript
Object type: folio
Date: 1676 – 1700
Materials: ink, paper, watercolor
Culture: indian
Subjects: buildings,cities,kings,men,goats,horses

This page from an unidentified Hindu chronicle of a king depicts a mountain city with typical multistoried hill architecture atop abstract mounds strewn with clumps of flowers. Outside the gates on the right is a Saivite shrine with a lingum covered by floral offerings to which a goat is led, probably for sacrifice. At the left, courtiers pay their respects to the king under a pavilion. The flat treatment of space; the thin beige, green, and blue coloring; and the influence of seventeenth-century Moghul painting are characteristic of this series.
Buitenpartij
Object type: print
Date: 1650 – 1750
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: one pair dancing; man and woman dancing as a couple, drinking
Inscriptions: collector's mark: Lugt 2228

Mensen vieren buiten feest. Links een lange tafel met etende en drinkende mensen. Rechts een dansend paar en een dansend hondje. Geheel rechts muzikanten.
Wolle Kruijd. / Verbascum, candela regia. / Bouillon blanc
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: flowers: great mullein

Koningskaars, of wolkruid. Genummerd rechtsboven: 331. Hierbij ook de naam in zes talen. Onderdeel van het vierde album met tekeningen van bloemen en paddestoelen. Elfde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Seated female figurine
Object type: statuette of a woman
Date: 500 – 468
Materials: terracotta
Culture: cypriot
Subjects: women

The figurine is mold-made and hollow. The back is handmade and flat.
Fujin gaho
Object type: magazine
Date: 1920 – 1920
Materials: paper
Techniques: letterpress printing, planographic printing
Location: japan
Inscriptions: date
Portrait of Franz Jauner (Vienna 1832-1900 Vienna), Theater Director and Actor in Vienna
Object type: drawing
Date: 1800 – 1865
Materials: graphite
Artist: ferdinand georg waldmüller
Artist role: artist
Artist nationality: austrian
Artist dates: 1793 – 1865
Subjects: men,portraits,actors