deem-data/ArtiFact huggingface dataset:
Severall Wayes of Hunting, Hawking, and Fishing, According to the English Manner
Object type: print
Date: 1671 – 1671
Materials: paper
Techniques: etching
Location: london
Subjects: hunting dogs, walker and runner birds: partridge, bird hunting
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De prent maakt deel uit van de twaalfdelige serie: Severall Wayes of Hunting, Hawking, and Fishing, According to the English Manner, 1671. Vier van de twaalf prenten uit deze serie zijn van Hollar's hand. De resterende acht prenten zijn ongesigneerd en waarschijnlijk door Richard Gaywood (zie NHG(2009)).
Gezicht op de Hogere Burgerschool aan de Keizersgracht
Object type: carte de visite
Date: 1875 – 1896
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: andreas theodorus rooswinkel
Artist role: fotograaf
Artist dates: 1838 – 1909
Subjects: city-view in general; 'veduta', canal, the usual house or row of houses, street
Inscriptions: stamp: ‘Gebr. Douwes / Atelier / Grimburgwal 15 / Amsterdam’, collector's mark: ‘9.65’ Lugt 1641b, inscription: ‘69 / Hoogere Burgerschool met / 5 ongen m[...] keizersgracht’

Onderwerpsrubriek binnen de Atlas Amsterdam: Kadijksplein, Karthuizerkerkhof, Kattegat, Kattenburg, Kapelsteeg O.Z., Enge Kerksteeg, Kerkstraat, Kinkerstraat, Kolk O.Z., Koningsplein, Kromboomsloot [Krom Boomssloot], Kostverlorenkade, Kwakersdwarspad, Kalverstraat, Keizersgracht (v.d. Brouwersgracht – Amstel), Klerensloot (Gedempte), Klimopstraat, Kloveniersburgwal, Kraansluis.
Design for an Urn
Object type: drawing
Date: 1770 – 1790
Materials: chalk, ink, watercolor
Techniques: brush, pen
Artist: george heinrich von kirn
Artist role: artist
Artist nationality: german
Artist dates: 1736 – 1793
Subjects: faces,urns
Gevel van de Hervormde Kerk te Hulst
Object type: photograph
Date: 1911 – 1911
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: hulst
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Ned. Herv. Kerk/ Juni 1911/ Hontenisse’
Dish
Object type: dish
Date: 1501 – 1600
Materials: earthenware
Techniques: glazing
Plan de La Bassee, Attaque par les Armes de S.M. Catholique dous la Conduite de son Excellence Don Francisco de Mello, Le 21. Avriel et gaigner le 13. Mey. 1642
Object type: print
Date: 1642 – 1642
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: maps of separate countries or regions, siege, position war

Kaart met de herovering van de vestingstad La Bassée door het Spaanse leger onder landvoogd Francisco de Melo op 11 mei na een belegering begonnen op 19 april 1642. Bovenaan een deel van de versterkte stad, daaronder de dijken en loopgraven aangelegd door de belegeraars. Rechtsboven op een kleed een kaart van het groter gebied. Linksonder de legenda A-Q in het Frans, rechtsonder een groep ruiters.
Hoefsmid aan het werk bij Falkenhagen aan de Brouwersgracht te Amsterdam
Object type: sketchbook leaf
Date: 1912 – 1912
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: farrier, shoeing-smith, adult man
Inscriptions: annotation: ‘Falkenhagen Brouwersgr.’, date: ‘24/9 12.’

Hoefsmid beslaat een paard bij Hoefsmederij Falkenhagen aan de Brouwersgracht 32 te Amsterdam. Pagina 18 uit een schetsboek met 46 bladen vervaardigd te Amsterdam.
Canopic jar of Ameny
Object type: canopic jar
Date: 1950 – 1750
Materials: stone
Location: egypt
Woman sheltering a child in a landscape
Object type: drawing
Date: 1770 – 1780
Materials: graphite, ink
Techniques: brush, pen, wash
Artist: william hamilton
Artist role: artist
Artist nationality: british
Artist dates: 1751 – 1801
Subjects: children,women

Hamilton belonged to a generation determined to expand the scope of the arts in Britain. He traveled to Rome as a teenager to study with Antonio Zucchi, returned to England to make decorative paintings for Robert Adam, then entered the Royal Academy Schools in 1769. From that point forward he focused on historical and literary subjects, together with portaits. This early drawing of a woman sheltering her child beneath a tree may represent Margaret of Anjou, who fled into the woods with prince Edward after the Lancasterian defeat at the Battle of Hexham, during the Wars of the Roses.
Hoedendoos, met groen papier beplakt
Object type: verpakking
Date: 1900 – 1950
Materials: cardboard
Techniques: pasting
Location: paris
Inscriptions: factory mark: ‘MANUFACTURE // DE PARIS // CHAPEAUX MECANIQUES // PERFECTIONNES; in het midden het wapen van Parijs’

Hoedendoos, plat model, met groen papier beplakt. Op de doos: MANUFACTURE // DE PARIS // CHAPEAUX MECANIQUES // PERFECTIONNES en het wapen van Parijs.
Bonte kraai (Corvus cornix)
Object type: drawing
Date: 1596 – 1610
Materials: paint, paper, pencil, watercolor
Techniques: brush, pen
Subjects: song-birds: hooded crow

Bonte kraai. Genummerd rechtsboven: 12. Onderdeel van het eerste album met tekeningen van vogels. Derde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Otii Oblectationem Hanc Honestissimam Esse Judico
Object type: bookplate
Date: 1790 – 1849
Materials: paper
Techniques: engraving, etching
Artist: howe
Artist role: print maker
Subjects: study; 'studiolo'; library, specific aspects, allegorical aspects of minerva; minerva as patroness
Inscriptions: collector's mark: Lugt 2233, number: ‘125’, collector's mark: Lugt 2760, inscription: ‘14 Days’
White, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Boeren aan een tafel met brood
Object type: print
Date: 1695 – 1695
Materials: paper
Techniques: etching
Location: paris
Artist: nicolaes van haeften
Artist role: draughtsman, painter, print maker
Artist dates: 1653 – 1715
Subjects: farmers, eating
Inscriptions: collector's mark: Lugt 2228
Ellemaat met handvat
Object type: ellemaat
Date: 1797 – 1797
Materials: wood
Location: netherlands
Artist: Anonymous
Subjects: netherlands
Inscriptions: inscription: ‘97’, inscription: ‘IB’

Lengtemaat van 1 el met handvat. V.z.v. stempel.
Pedestal dish with catfish and aquatic plants décor
Object type: pedestal dish
Date: 1401 – 1500
Materials: iron, stoneware
Techniques: painting, underglaze
Culture: thai

Pedestal bowls of this type are one of the high points in the ceramic aspirations of the Thai potters, represent a class of ceramic expressly emulating Southeast Asian metalwork. Such pedestal bowls served as presentation vessels for temple offerings. This example displays the use of a white slip over a coarse beige body, the signature body-features of ceramics produced at the kilns of Sukhothai, the first Thai kingdoms capital in north-central Thailand. This bowl has one of the most skillfully painted interiors of any ceramic from the Sukhothai kilns.
Lotus-Leaf Dish
Object type: dish
Date: 1662 – 1722
Materials: jade
Culture: chinese
Portret van schrijver en historicus Filippo Villani
Object type: print
Date: 1755 – 1805
Materials: paper
Techniques: engraving
Location: italy
Subjects: historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228

Onder het portret een tekst in het Italiaans en een wapenschild in een cirkelvormig kader.
Carved Lacquer Boxes
Object type: vessel
Materials: lacquer
Techniques: carving
Location: china
Bowl
Object type: bowl
Date: 1801 – 1900
Materials: hard paste porcelain
Subjects: men

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Cushion
Object type: cushion
Date: 1601 – 1700
Materials: linen, metal, silk
Culture: italian
Sampler
Object type: sampler
Date: 1848 – 1848
Materials: cotton
Subjects: flowers,leaves
Basin
Object type: basin
Date: 1727 – 1729
Materials: silver
Artist: léopold antoine
Artist role: maker
Artist dates: 1676 – 1759
Subjects: coat of arms

Ewers and basins of this size were either part of dressing table services or were independent pieces. They were used for the daily grooming in the bedroom rather than for the rinsing of hands at the dining table or for display on the sideboard or tiered buffet. During the later seventeenth century and early eighteenth century, the silver toilet set evolved into one of the most fashionable luxury accessories and was an eloquent symbol of the owner’s social status. A lidded ewer such as this held warm scented water for washing the hands and face at the beginning of the toilet. A remarkable variety of scented waters was available, many emphasizing a single floral note or derived from fruits, while others were more complex. Some had purported benefits such as removing smallpox scars with regular use, improving the memory or lifting the spirits. Here, amidst the strapwork decoration influenced by the designs of Jean Berain, and the cut-card work, is another fashionable device. Small cast medallions with the heads of Roman men and women in profile as well as figures of putti are applied on both the ewer and the basin. Together with these pieces, several other items (48.187.269,.316,.325) in the Wentworth Collection may have originally been part of a large toilet service supplied by a number of different Parisian silversmiths during the 1720’s. Catherine D. Wentworth Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865-1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, much of it provincial, and includes a number of rare early pieces.
Canal with a large boat and a bridge ('Het schuytje op de voorgrond')
Object type: print
Date: 1923 – 1957
Materials: paper
Techniques: etching
Subjects: rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Spiegelbeeldige kopie naar de gelijknamige prent van Rembrandt.
Das geistliche Kräuer-Buch
Object type: book illustration
Date: 1704 – 1704
Materials: paper
Techniques: etching, letterpress printing
Location: nuremberg
Subjects: release from prison, slavery; serfs and enslaved persons
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Abraham a Sancta Clara. Heilsames Gemisch Gemasch, das ist: Allerley seltsame und verwunderliche Geschichten (...). Neurenberg: Christoph Weigel, 1704, p. 353.
Staand mannelijk naakt, naar rechts voorover gebogen
Object type: drawing
Date: 1770 – 1770
Materials: chalk, paper
Artist: Anonymous
Subjects: standing figure
Bull's head mask with human characteristics
Object type: mask of a bull
Date: 600 – 480
Materials: terracotta
Culture: cypriot
Subjects: masks,bulls

The mask, which may represent Acheloos, is handmade. It has bulging eyes, a flat muzzle, and a flat projection that emerges from the forehead below a pellet between the horns.
Study for a Portrait of a Doge
Object type: drawing
Date: 1576 – 1600
Materials: chalk, paper
Artist: circle of tintoretto
Artist role: artist
Artist dates: 1538 – 1594
Subjects: men,portraits
Twee penningen ter ere van burgemeester Pieter van der Werff, 1604
Object type: historical object representation
Date: 1700 – 1749
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: mayor, medal (considered as a piece of sculpture, regardless of its specific function), leiden

Twee penningen met portret van burgemeester Pieter Adriaansz. van der Werff, bij zijn overlijden in 1604. Voorzijde: borstbeeld van Van der Werff binnen omschrift. Keerzijde: vers boven gezicht op Leiden.
Still Life and Embroidery
Object type: photograph
Date: 1856 – 1856
Techniques: albumen silver print
Artist: robert wilfred skeffington lutwidge
Artist role: artist
Artist nationality: british
Artist dates: 1802 – 1873
Subjects: birds,still life
Gezicht
Object type: sketchbook leaf
Date: 1915 – 1934
Materials: paper, pencil
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: face

Blad 23 verso uit schetsboek XVII met 31 bladen.
Cries of London, No. 4: Do You Want Any Brickdust?
Object type: print
Techniques: aquatint, etching
Artist: henri merke
Artist role: artist
Artist nationality: swiss
Artist dates: 1760 – 1820
Subjects: men,women,dogs,donkeys
De Brink te Dwingeloo
Object type: sketchbook leaf
Date: 1732 – 1732
Materials: paper, pencil
Location: dwingeloo
Artist: abraham de haen (ii)
Artist role: draughtsman, print maker
Artist dates: 1707 – 1748
Subjects: public road in village
Inscriptions: date and inscription: ‘te dwingloo aandenbrink/ 3 Julij’

Blad 46 recto uit een schetsboek met 51 bladen.
Snoek
Object type: print
Date: 1829 – 1860
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: rotterdam, amsterdam, historical persons, portrait of actor, actress
Inscriptions: stamp, : ‘Déposé’, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Tooneel, Portretten van toneelspelers.
Harpy Eagle (thrasaëtus harpyja)
Object type: drawing
Date: 1902 – 1902
Materials: chalk, paper
Techniques: brush
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: predatory birds: harpy eagle

Like his teacher August Allebé, Bernard Willem Wierink went to Artis Zoo almost daily to sketch all kinds of animals. According to him, the beauty of nature was not solely to be found in a bird of paradise, but also in less attractive animals, such as this ill-tempered looking harpy eagle. The manner in which he drew the lines – first sketchily, and then with greater control and even stylized – is typical of his book illustrations.
Roeiboten met lokale bewoners langs zij van een aangemeerde grote stoomboot.
Object type: photograph
Date: 1900 – 1915
Materials: paper, photographic support
Techniques: albumen print
Location: jakarta
Artist: johanna hermina marmelstein
Artist dates: 1897 – 1990
Schetsboek met 21 bladen
Object type: sketchbook
Date: 1895 – 1898
Materials: cardboard, chalk, ink, linen, paper, pencil
Techniques: marbling
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: rotterdam, amsterdam, print maker, draughtsman, george hendrik breitner, portrait, self-portrait of artist, 'en route', traveller under way, street
Inscriptions: annotation: ‘Amsterdam’

Schetsboek bestaande uit 21 bladen met figuurstudies, gezichten te Amsterdam en een zelfportret. Achterin een losse foto van een foto.
Portret van Alexander Pope
Object type: print
Date: 1828 – 1852
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: london, alexander pope, historical persons, writer, poet, author

Prent uit: Meyer, Joseph. Das große Conversations-Lexikon für die gebildeten Stände. 52 dln. Hildburghausen: Bibliographisches Institut, [1828-1852].
Mu Yu
Object type: mu yu
Date: 1901 – 1933
Materials: wood
Techniques: polychrome
Culture: chinese
Location: china
Subjects: fish

The fish is a Buddhist symbol of watchfulness, reflecting a belief that the fish never sleeps. This state of wakeful awareness is reinforced by the hollow sound of the muyu, a fish-shaped slit drum used to accompany Buddhist chant. Laid flat and struck on the red circle with a mallet in measured beats, this version, from Yunnan Province, is a less abstract rendering than most temple instruments. The muyu may also be found in vocal and instrumental ensembles of Guangzhou
Onderboezem met vierkant schilderij
Object type: print
Date: 1665 – 1670
Materials: paper
Techniques: etching
Location: france

Op het schilderij staat de dood van Procris (?). Blad 4 uit serie van 6.
Portret van Carolina Frederika Holle
Object type: carte de visite
Date: 1865 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: marienbad
Artist: ernst pflanz
Artist role: painter
Subjects: carolina frederika van den berg-holle
Inscriptions: name: ‘CF. van den Berg- / Holle’, name: ‘Ernst Pflanz MARIENBAD’, name: ‘VIRIBUS UNITIS / ERNST PFLANZ MALER / & PHOTOGRAPH / MARIENBAD / WALDQUELL ALLEE / VILLA PFLANZ’
Ansichten von Deutschland / Berlin und Potsdam
Object type: stereograph
Date: 1868 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: johann friedrich stiehm
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: prospect of city, town panorama, silhouette of city, berlin
Inscriptions: number: ‘No. 178.’
Jar
Object type: jar
Date: 1700 – 1710
Materials: porcelain
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Drinkend gezelschap
Object type: print
Date: 1629 – 1670
Materials: paper
Techniques: engraving, etching
Location: france
Artist: jacques dassonville
Artist role: print maker
Artist dates: 1619 – 1670
Subjects: beer, ale, drinking, private festivities, merry company
Gold Solidus of Justinian I (527–65)
Object type: solidus
Date: 538 – 565
Materials: gold
Culture: byzantine
Location: constantinople
Subjects: emperors,men

Justinian in 539 was the first Byzantine emperor to adopt a completely frontal portrait, the imperial standard pose for the rest of Byzantine history. Coins connected an emperor to his subjects. He paid the army in coins, received taxes in coins, and was responsible for maintaining their weight and purity. These coins of early Byzantine emperors conveyed imperial ideals through inscriptions and images.
Fragmenten lood uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: lead
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Covered jar with floral pattern
Object type: covered jar
Date: 1767 – 1800
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: flowers
Sampler
Object type: textile
Date: 1801 – 1900
Materials: linen
Techniques: embroidery, weave
Location: germany
Verovering van het kasteel te Broek en de moord  op Wirich von Daun, graaf van Falkenstein, 1598
Object type: history print
Date: 1613 – 1615
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: capture of city (after the siege), violent death, being killed; being mishandled and maltreated; seeking death

Verovering van het kasteel te Broek aan de Ruhr en de moord op Wirich von Daun, graaf van Falkenstein, door de Spanjaarden onder Francisco de Mendoza begaan op 11 oktober 1598. Met onderschrift van vier regels in het Latijn. Genummerd 236. Bedrukt op de achterzijde met tekst in het Latijn.
Hugues Capet
Object type: print
Date: 1642 – 1678
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: historical persons, king
Inscriptions: inscription: ‘frère de lotaire.’, collector's mark: Lugt 2228

Maakt deel uit van een grootschalige serie met portretten van prominente figuren. Binnen de serie bevindt zich een sectie getiteld 'Les Augustes Représentations De tous les Roys De France depuis Pharamond Iusqu'à Louys XIIII'.
De serie werd respectievelijk uitgegeven door Pierre Bertrand, door zijn weduwe en door De Larmessin zelf.
Transverse Flute in B-flat
Object type: transverse flute in b flat
Date: 1819 – 1819
Materials: ivory, silver, wood
Culture: british
Location: united kingdom
Artist: clementi & co.
Artist role: maker
Artist nationality: british
Artist dates: 1798 – 1828
Portret van Ulrich von Hutten
Object type: print
Date: 1848 – 1848
Materials: paper
Techniques: letterpress printing, engraving
Artist: h. rühling
Artist role: print maker
Subjects: theologian, historical persons, monk(s), friar(s), armorial bearing, heraldry

Met aan weerszijden mannen, waaronder een monnik, die voor hem wegdeinzen.
The Creation of Eve, from The Story of Adam and Eve
Object type: print
Date: 1540 – 1540
Techniques: engraving
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Subjects: men,trees,adam,eve

Eve, at center, emerges from Adam's side, while God kneels over them at left. The figures are set in a landscape before a tree at center, with a stag in the background at right. Based on Genesis 2:21-22. Plate 1 from a series of six engravings.
Portret van Frans Hals
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: antwerp, draughtsman, frans hals, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2760, inscription: ‘N. 1584 O. Aug: 1666’, collector's mark: Lugt 2166
Italiaanse en Duitse landschappen
Object type: print
Date: 1710 – 1747
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: hoofed animals: deer, hunter, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: collector's mark: Lugt 240

Arcadisch rivierlandschap met jagers en honden die herten achterna jagen. Op de achtergrond staan twee koeien op de oever. De prent maakt deel uit van een 40-delige serie prenten met voorstellingen van Italiaanse en Duitse landschappen.
Fotoreproductie van een schilderij door Domenichino, voorstellend de communie van de heilige Hieronymus
Object type: reproduction
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: the last communion of st. jerome: he is attended and supported by younger priests, one of whom is about to administer the sacrament; usually st. paula is present
Inscriptions: number: ‘2100’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Italiaanse steden en van kunstwerken.
Zelfportret van Christoph Daniel Arzberger
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: print maker, christoph daniel arzberger, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Corfou, olijvenwoud
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: corfu
Artist: Anonymous
Subjects: trees: olive-tree
Inscriptions: number: ‘1903’