deem-data/ArtiFact huggingface dataset:
Design for a Pulpit
Object type: drawing
Date: 1701 – 1800
Materials: chalk, ink
Techniques: brush, pen, wash
Location: france
Artist: louis gustave taraval
Artist role: artist
Artist nationality: french
Artist dates: 1738 – 1794
Subjects: architecture,columns

Together with a second drawing in the collection, this drawing by Taraval shows ideas for the design of a pulpit. While they could represent an exercise, created without a specific location in mind, there is some evidence to suggest that they were, in fact, meant for the church of Saint-Sulpice in Paris. The church’s existing pulpit was built during Taraval’s lifetime after the design of his contemporary, the architect Charles de Wailly. The close correspondence between the sculpture crowning this structure and the two variants presented in Taraval’s drawings may indicate that Taraval had hoped to gain the commission himself. This suspicion seems to be confirmed by a related design by Taraval for the organ tribune in the same church.
Koeienkop
Object type: print
Date: 1812 – 1812
Materials: paper
Techniques: etching
Location: netherlands
Artist: pieter gerardus van os
Artist role: draughtsman, painter, print maker
Artist dates: 1776 – 1839
Subjects: cow
Inscriptions: collector's mark: Lugt 2228
The Curtain Clam
Object type: print
Date: 1725 – 1770
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: women,beaches

The young ladies are at the shore. One is getting out of a chair while the other ties a sash about her hips below her "obi." A subtle tone of carpe diem cleverly embedded in the poem deepens the provacative tinge of this charming scene, one of a series that plays on the theme of types of seashells. The "sudare-gai" is a mollusk that was named for the boiled blinds of reed or thin bamboo slats that are still used in Japan to provide the shade and privacy between the interior space and the outside garden. In poetic convention it is a motif of intrinsic eroticism and has a seasonal association with spring. In this print, a small "sudare" covers the window of the palalquin that has carried these courtesans to the shore for a spring outing. Nami kakaru fukiage no hama no sudaregai nami mo zo orusu isogi hirowan. A cool breeze whips the waves onto shore let's hurry to gather the shells.
Natural Trumpet in D
Object type: natural trumpet in d
Date: 1867 – 1900
Materials: brass
Culture: french or italian
Location: italy
Liggende figuur en een zittende man
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: lying figure, old man (+ sitting)

Blad 25 verso en blad 26 recto uit schetsboek IX met 28 bladen.
Beroepen in Rusland
Object type: print
Date: 1826 – 1899
Materials: paper
Techniques: letterpress printing, engraving
Artist: ch. reboul
Artist role: print maker
Subjects: merchant, salesman - bb - women engaged in trade and commerce, europeans (with name)
Inscriptions: collector's mark: Lugt 2233
Kop van hardgebakken aardewerk, creamware met gemarmerde decoratie.
Object type: cup
Date: 1780 – 1820
Materials: earthenware
Location: staffordshire
Artist: Anonymous

Halfbolvormige kop van hardgebakken aardewerk. De buitenzijde van de kop heeft een gemarmerde decoratie in wit, blauw, zwart, rood en geel.
Brief aan jonkheer Hendrik Teding van Berkhout (1879-1969)
Object type: letter
Date: 1931 – 1931
Materials: ink, paper
Techniques: pen, writing
Location: laren
Artist: maurits van der valk
Artist role: draughtsman, print maker
Artist dates: 1857 – 1935
Subjects: print room, amsterdam, jonkheer hendrik teding van berkhout (1879-1969), the graphic arts, art collecting, money
Inscriptions: watermark
Side Chair (one of a pair)
Object type: side chair
Date: 1755 – 1760
Materials: canvas, wood
Techniques: embroidery, stitching
Artist: thomas chippendale
Artist role: designer
Artist nationality: british
Artist dates: 1718 – 1779

Whether Thomas Chippendale (1718-1779) invented the "ribband-back" chair is not known, but it is certainly the one chair design most frequently associated with his name. The present example, one of a pair of side chairs in the Museum [1] , is based on a design that was included in all three editions of his famous book, The Gentleman and Cabinet-Maker's Director. [2] The plate illustrates three "ribband back" chairs of similar design. In the first edition, he describes the three chairs without modesty as "the best I have ever seen (or perhaps have ever been made)." [3] In the third edition, he noted that "Several Sets have been made, which have given entire Satisfaction." [4] Little did he know just how many sets would be made by other cabinetmakers, both in London and the provinces, or that ribbonback chairs would continue to be popular throughout the Chippendale Revival in the nineteenth century and even into the twenty-first century. In the 1910s and 1920s chairs in this style were usually attributed to Chippendale because of their correspondence to his designs. There followed a period of revisionism among furniture historians (still ongoing) when they realized that because these chairs were executed in such a wide range of quality, an attribution to Chippendale could be sustained only with other documentation. The present chairs have no recorded history before the 1950s. It is only on the basis of their construction, the type of mahogany, and the quality of the carving that they are dated to the years immediately following the publication of The Director. One of the advantages of the design was its flexibility: parts of the ornament could be included or deleted as the cabinetmaker or patron wished. As Chippendale noted in the third edition of his book: "If any of the small Ornaments should be thought superfluous, they may be left out, without spoiling the Design." [5] In the case of the present chairs, the elements thought superfluous by the chairmaker were the ornament at the base of the splat and the entire apron. The ribbonback design was also executed as a settee. An example with the same design as the present chairs is in the Victoria and Albert Museum, London. It has a two-section back and is accompanied by four chairs.[6] Notes: 1. For further discussion of the Museum's two chairs, see Hackenbroch 1958a, p. 30, figs. 137, 138, pls. 110, 111; and Metropolitan Museum of Art 1977, p. 87, no. 155 (entry by William Rieder). The accession number of the second chair is 64.101.984. 2. Thomas Chippendale, The Gentleman and Cabinet-Maker's Director (London: privately printed). In the first and second editions, of 1754 and 1755, the chair is illustrated in plate XVI. In the third edition, of 1762, the same plate was renumbered as plate XV. 3. Note to Plate XVI, p. 8, in Chippendale 1754 and Chippendale 1755. 4. Note to Plate XV, p. 3, in Chippendale 1762. 5. Ibid. 6. Coleridge 1968, p. 191, figs. 173, 174.
Genretaferelen
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: farmers
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een boer (Bys boe) met een hoed op het hoofd en een stok op zijn schouder loopt naar links. De prent maakt deel uit van een serie van 32 prenten met genretaferelen.
Portret van een vrouw met muts, gelijkend op Friese kap
Object type: photograph
Date: 1884 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: alkmaar
Subjects: historical persons - bb - woman, head-gear: cap
Inscriptions: inscription: ‘Alkmaar, Verdronken Oord; Helder, Kanaalweg 99’
Houten huis en stenen toren
Object type: print
Date: 1866 – 1939
Materials: paper
Techniques: relief print
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: urban housing, tower (of house or building)
Inscriptions: collector's mark: Lugt 2228

Deze prent is vermoedelijk een plaatsnede, ook al wordt in de literatuur veelal gesproken over een houtsnede. Voor zover Wierink zijn prenten in hoogdruk zelf nader heeft omschreven, heeft hij altijd de term 'plaatsnede' gebruikt.
Portret van een (vermoedelijk) Franse militair, omlijst met bloemen en takken
Object type: album leaf
Date: 1885 – 1900
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: mézières
Subjects: warfare; military affairs, (military) uniforms, division of armed forces
Inscriptions: inscription: ‘on opère la Nuit à la Lumière Artificielle’, address: ‘Bould. Carnot à Mézières’

Onderdeel van Album met cartes-de-visite en kabinetfoto's van militairen in uniform.
Trade Card of Isaac Puller, Cane Chairs at the Golden Plow, St. Paul's Church Yard
Object type: print
Date: 1714 – 1714
Materials: ink
Techniques: pen, printing
Artist: isaac puller
Artist role: author
Artist nationality: british
Artist dates: 1700 – 1750
Plate 2: Abraham Liberating His Nephew Lot, from "The Battles of the Old Testament"
Object type: print
Date: 1590 – 1610
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: battles,soldiers,horses,abraham
Zijaanzicht van een moskee
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: kleurnotitie, handgeschreven

Pagina 29 uit een schetsboek met 58 bladen.
Mercurius, Minerva en putti bij cartouche
Object type: print
Date: 1721 – 1774
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: (story of) minerva (pallas, athena), (story of) mercury (hermes), ornament ~ cartouche, cupids: 'amores', 'amoretti', 'putti', brabant
Inscriptions: collector's mark: Lugt 2228

Een cartouche met titel wordt versierd door drie putti. Mercurius met caduceus en Minerva met lans kijken vanaf de bovenzijde toe. Aan de onderzijde hangen wapens, papieren en een globe. Detail van een kaart van Brabant.
Scarab
Object type: scarab, menkheperre, maatkare, men menes
Date: 1479 – 1458
Materials: faience
Location: egypt
Subjects: scarabs
Gezicht op antieke ruïnes
Object type: drawing
Date: 1600 – 1699
Materials: graphite, ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: ruin of a building ~ architecture, landscape with ruins, italy
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Interior, line border of tondo; Exterior, wreathed satyr moving to left, with right arm bent at elbow, and hand holding a skyphos; wreathed satyr moving to left, with extended right arm and hand holding a skyphos, and his left hand above his genitals; near the head and left shoulder of the satyr on the right, two letters of an inscription, AI
Gebouwen, mogelijk winkelpuien
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: civic architecture; edifices; dwellings, shop-window, show-window

Voor de gebouwen staan figuren. Blad 7 verso uit schetsboek XXXI met 10 bladen.
Stool
Object type: stool
Date: 1601 – 1800
Materials: wood
Culture: chinese

While usually used around the house, these stools doubled as seats on litter-bearer platforms. Holes drilled into the legs enabled them to be attached to the platform; the person sitting on the stool steadied himself by resting his heels on the bottom rung and grasping the sides of the seat.
Portret van een onbekend meisje met een hond
Object type: photograph
Date: 1883 – 1913
Materials: paper, cardboard
Techniques: collodion silver print
Location: hoorn
Artist: albert a. kleintjes
Artist role: fotograaf
Artist dates: 1854 – 1942
Subjects: toddler, anonymous historical person portrayed, dog
Inscriptions: address: ‘Hoorn/ Kerkstraat,/ 4e huis v.d. Kaasmarkt.’, inscription: ‘Nabestellingen en Vergrootingen van deze en andere/ Portretten kunnen ten allen tijde geleverd worden.’
View on an Encampment of the Army of Willem III near Lembeek, Flemish Brabant
Object type: drawing
Date: 1675 – 1675
Materials: ink, paper
Techniques: brush, pen
Location: lembeek
Subjects: william iii (prince of orange and king of england, scotland, and ireland), (military) camp with tents, lembeek
Inscriptions: date: ‘16 8/2 75’

Kampement van het leger van Willem III bij het dorp Lembeek in Henegouwen, 2 augustus 1675. Soldaten en tenten.
Nusretiye moskee in Tophane, Istanboel
Object type: stereograph
Date: 1861 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: nusretiye moskee
Artist: charles gaudin
Artist role: publisher
Artist dates: 1825 – 1905
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: inscription: ‘La mosquée de Cop-LLama, Constantinople [?]’, number: ‘328’
Small collar
Object type: collar
Date: 1667 – 1733
Techniques: lace
Portret van een vrouw in een stoel
Object type: album leaf
Date: 1934 – 1934
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: historical persons not known by name - bb - woman
Beleg van Middelburg, 1574
Object type: print
Date: 1574 – 1576
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: siege, position war, middelburg

Beleg van Middelburg door de opstandelingen, januari 1574. Gezicht op de belegerde stad en de omgeving. Op de voorgrond de schepen van de geuzen, Fort Rammekens en Arnemuiden. Met onderschrift van 6 regels in het Duits. Genummerd: 19.
A Fisherman Drinking Beside His Canoe
Object type: print
Date: 1894 – 1894
Materials: ink, paper
Techniques: printing, woodblock print
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Inscriptions: Not signed
Titelpagina voor: François Tristan l'Hermite sieur du Soliers, Les Amours de Tristan, 1638
Object type: titelblad, titelpagina
Date: 1638 – 1638
Materials: paper
Techniques: engraving
Location: paris
Subjects: (story of) apollo (phoebus)
Inscriptions: collector's mark: Lugt 240

Titelpagina voor: l'Hermite sieur du Soliers, François Tristan. Les Amours de Tristan. Parijs: Pierre Billaine en Augustin Courbé, 1638.
Portret van Katharina Voit von Wendelstein
Object type: print
Date: 1714 – 1726
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: johann christoph dehne
Artist role: print maker
Subjects: historical persons
1/10 gulden van Nederlands Indië,1941
Object type: coin
Date: 1941 – 1941
Materials: copper
Techniques: striking
Location: san francisco
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: tussen waarde-aanduiding 1/10 G gekroond rijkswapenschild. Boven kroon landsaanduiding en onder wapenschild jaartal. Keerzijde: tweeregelig Maleis opschrift in Arabische tekens, waaromheen omschrift in het Javaans. Kartelrand.
Keizer Justinianus I ontvangt de eerste zijdewormeitjes
Object type: print
Date: 1595 – 1595
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: special processes for silk fabric, silkworm, silk (material ~ textile industry)
Inscriptions: collector's mark: Lugt 240

Keizer Justinianus I ontvangt de eerste zijdewormeitjes van Nestoriaanse monniken. Onderaan twee regels in het Latijn. Tweede prent van een serie van zes prenten over de introductie van de zijderups en de zijdeproductie in Europa.
Pear-shaped bottle vase with floral scrolls and petals
Object type: vase
Date: 1680 – 1720
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

AK-NM-6733 Twee vazen

• Blauw-wit Kangxi-porselein
• Lambrequin- of ruyi-ornament
• Onderdeel van Royers porseleincollectie
• Oorspronkelijk drie exemplaren (Inventaris 1876)

Hier is het ruyi-motief nadrukkelijk aanwezig: in de brede band met geschakelde velden op de buik en in de smalle band op de schouder. Het geheel geeft een rustig beeld met een evenwichtige verdeling van het blauw en wit, geheel passend bij de visie van Daniël Marot. Zie ook de toelichting bij AK-NM-6720.
Applicatie van machinale kant voor een ronde halslijn
Object type: belegstuk
Date: 1920 – 1930
Materials: cotton
Techniques: lace
Location: england
Artist: Anonymous
Portret van Henry Jenkins
Object type: print
Date: 1750 – 1800
Materials: paper
Techniques: mezzotint
Location: england
Subjects: historical persons, old man
Inscriptions: collector's mark: Lugt 2228
Landschap met vier mensen bij een monument
Object type: print
Date: 1665 – 1714
Materials: paper
Techniques: etching
Artist: albert meyering
Artist role: draughtsman, print maker
Artist dates: 1645 – 1714
Subjects: inscription, forest, wood, brook, angling
Inscriptions: collector's mark: Lugt 2228

Beek met beboste oevers. Links twee hengelaars bij de beek. Rechts vier mensen bij een monument met inscriptie.
Sheet with horizontal and diagonal stripe pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Ogura Imitation of the One Hundred Poems
Object type: print
Date: 1845 – 1848
Materials: paper
Techniques: woodcut
Location: japan
Subjects: carrying something, thief

De dief Hakamadara Yasusuku in gestolen kleding en op zijn rug een kist waarin zijn buit zit. Scene uit een kabukitoneelstuk. Gedicht door Fujiwara no Tadamichi.
Portret van Arnoul de Loo
Object type: print
Date: 1713 – 1739
Materials: paper
Techniques: engraving
Location: france
Subjects: reading, monastic orders, monastic life: benedictines, historical persons, monk(s), friar(s)
Inscriptions: collector's mark: Lugt 240
Terracotta fragments of oinochoai (jugs)
Object type: oinochoe fragment
Date: 450 – 430
Materials: terracotta
Culture: greek, attic

Three fragments with unidentified subjects
Bloemenmand
Object type: print
Date: 1728 – 1728
Materials: paper
Techniques: letterpress printing
Location: amsterdam
Subjects: cut flowers; nosegay, bunch of flowers
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Onoe Matsusuke I als vrouwelijk spook
Object type: print
Date: 1805 – 1810
Materials: paper
Techniques: nishiki e
Location: tokyo
Artist: utagawa kunihisa
Artist role: print maker
Artist dates: 1832 – 1891
Subjects: portrait of actor, actress, spirit, ghost
Inscriptions: collector's mark: ‘v D’

De acteur Onoe Matsusuke I in de rol van vrouwelijk spook, met wit kostuum en lange zwarte pruik; tegen grijze achtergrond.
Landscape with a figure seated on a rock
Object type: print
Date: 1640 – 1640
Techniques: etching
Artist: salvator rosa
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1673
Subjects: human figures,landscapes,trees
Pouzol: Amphithéâtre: (35000 spectateurs) Auguste y assista aux jeux celebrèsen son honneur.
Object type: photograph
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: albumen print
Location: pozzuoli
Artist: Anonymous
Subjects: theatre (building) - aa - open-air performances, pozzuoli
Inscriptions: negative number: ‘4509’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Napels en omgeving.
Gezicht op een folly in Beerschoten-Willinkshof
Object type: album leaf
Date: 1851 – 1900
Materials: paper
Techniques: albumen print
Location: beerschoten-willinkshof
Artist: Anonymous
Subjects: architectural folly
Groepsportret van de deelnemers aan een bijeenkomst voor vertrouwenspersonen van de Rechtsschutzverbandes Deutscher Photographen in Dresden
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: leipzig
Subjects: anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: monogram: ‘LEIPZIG/ S G’, name: ‘Loevinson/ Nürnberg/ Glock/ Würzburg (...) Brand/ Mittweida i. S./ Ostermayer/ München’
Marble leg from a statuette
Object type: statuette leg
Date: 3200 – 2200
Materials: marble
Culture: cycladic
Gevangenisgeld van tien cent uit Aalst
Object type: monetary token
Date: 1827 – 1830
Materials: silver, metal
Techniques: silvering, striking
Location: leiden
Artist: d.a. schretlen junior
Artist role: blikslager
Subjects: elst

eenzijdige betaalpenning. Voorzijde: waardeaanduiding boven klop: met opschrift 'ELST'. Keerzijde: blanco
Terracotta fragment of a stamnos (jar)
Object type: stamnos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of a centaur to left; behind the centaur, tree branches with leaves
Portret van Rock de Braziliaan
Object type: print
Date: 1678 – 1678
Materials: paper
Techniques: engraving, etching
Artist: herman padtbrugge
Artist role: print maker
Artist dates: 1656 – 1687
Subjects: groningen (province), historical persons, hacking and thrusting weapons: sword

Rechtsboven genummerd: fol. 43. Op de achtergrond wordt Rock de Braziliaan en zijn bemanning achtervolgd door Spaanse soldaten in de buurt van Campeche.
Heuvellandschap met brug in Bath
Object type: print
Date: 1805 – 1899
Materials: paper
Techniques: etching, intaglio
Location: paris
Artist: pieter dupont
Artist role: draughtsman, print maker
Artist dates: 1870 – 1911
Subjects: low hill country, plants and herbs: nettle, bridge
Inscriptions: collector's mark: ‘v.D’, collector's mark: Lugt 2228

Op de voorgrond dovenetels. Linksonder de tekst 'voor Frederike', een verwijzing naar de verloofde van Pieter Dupont, Frederike Vaarzon Morel.
Curb Bit
Object type: bit
Materials: copper alloy, gold, metal alloy, tin
Culture: bit
Location: italy
Portret van een onbekende Griekse boer uit Nafplion
Object type: photograph
Date: 1900 – 1910
Materials: paper, cardboard
Techniques: gelatin silver print
Location: nafplion
Artist: mr. l. de bruyn
Artist role: fotograaf
Subjects: farmers, coat, cape, historical persons not known by name
Inscriptions: inscription: ‘Grieksche landbouwer/ uit Nauplia/ door LdB’, check stamp: ‘Bristol/ L.M.’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is rond 1910 gemaakt door zijn reisgenoot mr. L. de Bruyn. Foto’s die hij op eerdere reizen verzamelde zijn tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
De vroedschap te Utrecht beëdigt het nieuwe regeerings reglement, op den 20 Maart Ao. 1786
Object type: print
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: city council, swearing an oath (with two fingers raised), patriots (1780-1795)
Inscriptions: collector's mark: Lugt 2228

De leden van de vroedschap van Utrecht leggen de eed af op het nieuwe regeringsreglement, in het stadhuis van Utrecht, 20 maart 1786. Interieur met de leden opgesteld in een kring rond een tafel.
Huwelijk van Maximiliaan van Oostenrijk en Maria van Bourgondië 1477
Object type: history medal
Date: 1477 – 1477
Materials: tin
Techniques: casting

Tinnen penning, op de voorzijde het portret van Maximiliaan naar rechts met omschrift, op de keerzijde het portret van Maria naar links met omschrift.