deem-data/ArtiFact huggingface dataset:
Triomf van de lijdzaamheid
Object type: print
Date: 1559 – 1559
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: hoofed animals: dromedary, the sacrifice of isaac (genesis 22), triumphs (allegorical and symbolic), male persons from the old testament (with name) (not in biblical context)

Op de voorgrond Isaak, rijdend op een dromedaris. In zijn rechterhand een kruis met een vaandel. Op het vaandel twee boeien als teken van zijn vrijwillige lijdzaamheid. Hij trekt een kar met attributen van zijn lijdzaamheid: de ram die in zijn plaats werd geofferd, het zwaard van Abraham en het offervuur. Op de achtergrond rechts het offer van Isaak. De prent heeft een Latijns onderschrift van zes regels en maakt deel uit van een achtdelige serie over de triomf van de Lijdzaamheid.
Olympus naked seated on a tree stump holding pipes, set within a niche
Object type: print
Date: 1515 – 1527
Techniques: engraving
Artist: marco dente
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1527
Subjects: musical instruments,male nudes
Silver tetradrachm of Ptolemy VIII Euergetes
Object type: tetradrachm
Date: 164 – 145
Materials: silver
Culture: ptolemaic

head of Ptolemy/eagle with thunderbolt possibly Cyrenaica, North Africa
Portret van Konrad Christian von Stoffregen
Object type: print
Date: 1820 – 1885
Materials: paper
Techniques: lithograph
Location: hamburg
Artist: Anonymous
Subjects: historical persons, physician, doctor
St Sebastian
Object type: painting
Date: 1655 – 1665
Materials: canvas, oil
Artist: juan carreño de miranda
Artist role: painter
Artist dates: 1614 – 1685
Subjects: st. sebastian, tied to a tree or a pillar, is pierced by arrows

Attributed to Juan Carreño de Miranda (1614 - 1685). The Holy Sebastian. Presented by A. Willet, 1887.
Lendesloop
Object type: sloop
Date: 1880 – 1920
Materials: linen
Location: northern netherlands

Wit linnen lendesloopje met opengewerkte randen, merk kroon H WH 2oonl.
Thesaurus sacrarum historiarum veteris testamenti (...)
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the four latin (western) fathers of the church together: ambrose (usually as bishop), jerome (usually as cardinal), augustine (usually as bishop), gregory the great (usually as pope), st. ambrose as doctor of the latin church in his study at his writing desk with book, pen and sometimes a dove (divine inspiration)
Inscriptions: collector's mark: Lugt 2228

De H. Ambrosius zit in zijn studeervertrek aan een tafel vol met boeken. Hij draagt zijn bisschopsmantel. In zijn handen houdt hij zijn staf en een opengeslagen boek. Op de voorgrond staat de bijenkorf, een verwijzing naar de zwerm bijen die in zijn mond ging zitten toen hij in de wieg lag. In de marge een tienregelig onderschrift, in twee kolommen, in het Latijn.
Glass beaker
Object type: beaker
Date: 1 – 100
Materials: glass
Culture: roman

Translucent light green. Unworked, knocked-off rim; cylindrical body with deep concave sides; slight convex bottom. Two vertical mold seams run down sides, with a separate shallow disk-shaped base section. On body, two friezes, bordered above and below by two horizontal ridges and divided by a band of three horizontal ridges; in upper frieze, wreath pattern in four sections with sprays facing in alternating directions; on lower frieze, continuous ivy tendril with leaves on long stems above and below wavy stem; on bottom, rounded broad base ring with inner ring surrounding a double-set small ring at center forming overlapping figure-of-eight. Intact; pinprick bubbles; pitting, patches of whitish weathering, and iridescence.
The Clothing of the Elect, plate 4 from The Apocalypse
Object type: print
Date: 1523 – 1524
Techniques: woodcut
Location: germany
Artist: hans burgkmair
Artist role: artist
Artist nationality: german
Artist dates: 1473 – 1531

Plate 4 from a series of 21 woodcuts with scenes from the Apocalypse for Martin Luther's translation of the New Testament. Four editions were published in Augsburg by Silvan Otmar between March 1523 and April 1524.
Nicolas Rubens, the artist's son
Object type: painting
Materials: oil, paint, panel, wood
Techniques: painting
Location: belgium
Artist: attributed to peter paul rubens
Artist nationality: flemish
Artist dates: 1577 – 1640
Subjects: portraits, portrait, portraits: male subject, man, hat
Saint Catherine
Object type: statue
Date: 1401 – 1600
Materials: paint
Techniques: gilding
Culture: german
Brief aan Elsie Maud Cownie
Object type: letter
Date: 1906 – 1906
Materials: ink
Techniques: pen, printing, writing
Location: arles
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Subjects: amsterdam, the hague, painter, print maker, draughtsman, isaac israels, renée hélène laure zilcken, frédéric mistral, manchester, elsie maud cownie, travelling; tourism, painting (including book-illumination, miniature-painting), money, printed matter, brussels, marseille, vienna
Groep mensen aan de kust
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: letterpress printing, engraving
Location: london
Subjects: avenue, boulevard, promenade, esplanade, city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage), coast (+ landscape with figures, staffage)

Prent uit: Gleanings from the Graphic. Londen: George Routledge & Sons, 1889. Dit werk is een bundel van diverse illustraties die eerder verschenen in verschillende jaargangen van het Engelse weekblad 'The Graphic'. De bundel is na het overlijden van Randolph Caldecott uitgegeven.
Small vase
Object type: vase
Date: 1801 – 1900
Materials: paste, porcelain
Techniques: painting, underglaze
Culture: chinese
Artist: chinese
Artist role: artist
Subjects: flowers
Cup and Cover
Object type: cup with cover
Date: 1901 – 1933
Materials: crystal, silver gilt
Culture: german
Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Pentecost
Object type: painting
Date: 1495 – 1495
Materials: oil, paint, panel, wood
Techniques: painting
Culture: french
Location: france
Subjects: christian subjects, architecture, architecture, architechture, biblical, religious figures, religious scenes, religious, religion, christianity, virgin mary, men, bird, doves, saints, century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed: AM / [illegible] BE / SALVE:REGINA / VITA:DULCEDO ESSPES:NOSTRA:SALVE:ADTE/ FOR (on hem of the Virgin’s mantle)

This panel was once part of the altarpiece decorating the high altar of the Carthusian monastery at Thuison, outside of Abbeville in northern France. Four saints standing in niches were painted on the exterior of the altarpiece’s wings. When the wings were open, the interior of the altarpiece told the story of Christ’s Passion and Resurrection through painted narratives on the inside of the wings and painted and gilded carvings in the central shrine whose central subject was undoubtedly the Crucifixion. The carvings have not survived. The fronts and backs of the wings were sawn apart in the mid 19th century; all the wing panels except one narrative (The Entry into Jerusalem, Hermitage, Saint Petersburg) are in the Art Institute.

A rich border region north of Paris, Picardy was a possession of the Burgundian Netherlands in the mid-15th century, becoming part of France in 1477. Its painters were strongly influenced by artists from the neighboring provinces of the Low Countries, among them Rogier van der Weyden and Simon Marmion.
Gezicht op een rotsformatie in de Sächsische Schweiz
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard, photographic process
Location: dresden
Artist: Anonymous
Subjects: rock-formations
Portret van een onbekende jonge vrouw
Object type: cabinet photograph
Date: 1860 – 1920
Materials: paper, cardboard, metal
Techniques: collodion silver print
Artist: Anonymous
Subjects: adult woman, anonymous historical person portrayed
Elevation and Plan of a Small Building, from "Russian Palaces and Gardens"
Object type: print
Techniques: engraving
Artist: ivan kuvakin
Artist role: artist
Artist nationality: russian
Artist dates: 1751 – 
Subjects: architecture
Soup Tureen with Cover from the Hood Service
Object type: metalwork
Date: 1806 – 1807
Materials: metal, silver
Location: england
Artist: paul storr
Bottle
Object type: bottle
Date: 1701 – 1800
Materials: glaze, paste
Culture: japanese
Portret van Philippus van Limborch op 61-jarige leeftijd
Object type: print
Date: 1700 – 1711
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, theologian, ornament ~ medallion, historical persons
Inscriptions: collector's mark: ‘C.L.J.C.’

Prent in eerdere staat gebruikt in: Limborch, Philippus van. Theologia christiana ad praxin pietatis ac promotionem pacis Christianae unice directa. Amsterdam: Sebastiaan Petzold, 1700.
Geographia totius orbis
Object type: print
Date: 1650 – 1790
Materials: paper
Techniques: engraving, hand coloring
Location: netherlands
Artist: Anonymous
Subjects: europe represented allegorically; 'europa' (ripa), asia represented allegorically; 'asia' (ripa), africa represented allegorically; 'africa' (ripa), america represented allegorically; 'america' (ripa), native peoples of the americas, continents represented allegorically
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Op een triomfwagen zit de personificatie van de Geographia totius orbis met een stedenkroon op haar hoofd, een sleutel in haar linkerhand en een scepter in haar rechterhand. Links loopt de personificatie van het werelddeel Amerika met een verentooi. Voor Amerika voert Europa met een kroon en een scepter een paard aan de hand mee. Rechts loopt de personificatie van Afrika in de gedaante van een zwarte vrouw naast een olifant. Voor haar is Azië weergegeven als een vrouw met bloemen in het haar, die een kameel meevoert. De kar wordt getrokken door twee leeuwen met twee putti. In de lucht vijf putti met de titel op een banderol.
Les Singuliers et Nouveaux Portraicts... page 51 (recto)
Object type: book print ornament architecture
Date: 1588 – 1588
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: flowers

Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top to bottom, and left to right: Design is printed upon a grid and is decorated in the center with a white 4-petaled flower.
Gezicht op het Château de Saint-Germain-en-Laye
Object type: print
Date: 1700 – 1799
Materials: paper, watercolor
Techniques: brush, etching
Location: france
Subjects: civic architecture; edifices; dwellings
Inscriptions: collector's mark: Lugt 2166
Sacred animal mummy in the form of a falcon
Object type: mummy, falcon shaped
Date: 400 – 100
Materials: linen
Location: egypt
Subjects: mummies

Animal cults The Egyptians considered certain individual animals to be living manifestations of a god, such as, since earliest times, the Apis bull . Those individuals were duly mummifed when they died and buried for eternal life, then replaced by another single living manifestation. During the first millennium BC, many multiples of animals associated with certain gods were specially raised in temple precincts as simultaneous avatars of that god and then mummified in large contingents and deposited in catacombs for eternal life. The ancient perception of these multiples, the evolution of the practice in this direction, and variations within the practice are not easily accessible to us. But the hundreds of thousands of often elaborately prepared animal mummies found in catacombs and other locales testify to its ancient resonance. Animal mummies Research on animal mummies has shown that the majority of mummies found at the large animal cemetery sites are pre-adults who were purposely killed for use. Some of the mummies are actually ‘substitute’ mummies containing only a few bones or feathers or possibly just sticks or sand. Recently a review of the museum's animal mummies and their x-rays was conducted in consultation with an expert in their study, and brought to light a number of interesting points.Size of this mummy suggests it was intended to serve as a falcon mummy, although the face is missing; x-rays do not reveal any recognizable bones so it appears to be a substitute mummy.
Ruïne Rome
Object type: print
Date: 1873 – 1931
Materials: paper, ink
Techniques: drypoint, etching
Artist: etienne bosch
Artist role: print maker
Artist dates: 1863 – 1933
Subjects: landscape with ruins, rome
Inscriptions: signature: ‘EBosch’, collector's mark: Lugt 2228, edition: ‘1e et. 39/100’, title: ‘Ruins a Rome’

Gezicht op een ruïne met rechtsvoor struiken in silhouet.
Glass globular bottle
Object type: bottle, globular
Date: 201 – 400
Materials: glass
Culture: roman

Colorless with light green tinge. Vertical ground rim; cylindrical neck with slightly concave profile; globular body; round bottom, slightly flattened at center. Deep-cut geometric decoration: on neck, two horizontal grooves below rim and a band of seven close-set horizontal grooves at mid-point; on body, at top and bottom, a pair of horizontal concentric grooves, two pairs of horizontal grooves above and below mid-point of side, and a pattern of 32 overlapping circles covering most of side. Intact, but with minor internal cracks and surface chips; some pinprick bubbles; slight pitting and weathering on exterior, patches of whitish iridescent weathering on interior.
Ruine van de Poterne No. 12 gen.d Stoelemat te Bergen op den Zoom, veroorzaakt door eene Uitbarsting voorgevallen den 29 Maart 1831
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: laboratory, research room, gunpowder disaster, bergen op zoom
Inscriptions: collector's mark: Lugt 2233

Wegdragen van de slachtoffers en het opruimen van de puinhopen na de ontploffing in de kruitmagazijn van laboratorium Stoelemat te Bergen op Zoom, 29 maart 1831.
VOC, duit Zeeland, 1766
Object type: coin
Date: 1766 – 1766
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: gekroond wapenschild van Zeeland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Gezicht op een weiland met twee paarden voor een span met een onbekende man
Object type: page
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: berlin
Artist: arthur g. da cunha
Artist role: fotograaf
Subjects: horse, two-wheeled vehicle drawn by two animals
Aureus (Coin) Portraying Emperor Trajan
Object type: coin
Materials: gold, metal
Techniques: striking
Culture: roman
Location: rome
Subjects: portraits
Inscriptions: Obverse: IMP CAES NER TRAIANO OPTIMO AVG GER DAC
Reverse: REGNA.ADSIGNATA

Obverse: Bust of Trajan right, laureate, wearing cuirass and paludamentum
Reverse: Trajan, seated on sella castrensis on raised dais, hand resting on parazonium, with two officers standing behind him, establishes three client kings dressed in trousers

The Roman Empire, which flourished from 27 B.C. to A.D. 410, was ruled by a variety of emperors, some who inherited the throne and some who seized it. As rulers came and went, it was important to announce the transition of power quickly. Since the Mint regularly struck coins to pay the armies stationed throughout the empire, it was easy to change the portrait, revise names in the inscription, and publish the news.
During the reign of the emperor Trajan, Rome reached the apogee of its power and territory. Wars of expansion extended the empire from Scotland in the north to Egypt and Gibraltar in the south and east to the Euphrates River. This rare coin was minted during his conquest of Parthia and Armenia. Instead of victory, however, the newly pacified territories soon rose in revolt, ending in Rome’s retreat and Trajan’s death.
The Sunbeam
Object type: drawing
Date: 1834 – 1933
Materials: watercolor
Artist: christoffel bisschop
Artist role: draughtsman, print maker
Artist nationality: dutch
Artist dates: 1828 – 1904
Subjects: interiors,infants,women,cradles,chairs
De pedagoog
Object type: book illustration
Date: 1778 – 1785
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: farmers, teacher and pupil
Inscriptions: collector's mark: Lugt 2228

Prent bij: Gellert, Christian Fürchtegott. Fabelen en vertelsels. 3 dln. Amsterdam: Pieter Meyer, 1772-1774. De prenten bij deze publicatie werden later uitgegeven. De exemplaren uitgegeven door de weduwe Jacobus Loveringh & Johannes Allart tussen 1777 en 1778, de exemplaren uitgegeven door alleen Johannes Allart tussen 1778 en 1785.
Didrachm (Coin) Depicting the Goddess Athena
Object type: coin
Date: 400 – 335
Materials: metal, silver
Culture: greek
Location: oria
Subjects: goddesses, bull, gods (deities)
Inscriptions: Reverse: ΑИΙΔΥ

Obverse: Head of Athena to left, with crested helmet
Reverse: Man-headed bull to right
Panurge dans l'île des lanternes (Panurge on the Isle of Lanterns) (Furnishing Fabric)
Object type: textile
Date: 1785 – 1790
Materials: cotton
Techniques: weave, printing
Location: nantes
Artist: petitpierre et cie.
Artist nationality: french
Artist dates: 1760 – 1791
Landschappen door Legros naar verschillende meesters
Object type: print
Date: 1769 – 1834
Materials: paper
Techniques: etching
Subjects: rapids, mountains
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie met landschappen door Legros naar verschillende meesters.
Gezicht op de Alcántara brug over de Taag in Toledo
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: paper, pencil
Location: toledo
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: city-view, and landscape with man-made constructions, bridge
Inscriptions: annotation: ‘Toledo’

Pagina 28 en 29 uit een schetsboek met 30 bladen.
Gezicht op Anzio
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: anzio
Artist: Anonymous
Subjects: prospect of village, silhouette of village, gulf, bay (+ landscape with figures, staffage), harbour (+ view ~ vehicle, ship, etc.), anzio

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Rome.
Desseins de la Mode neuve au Gout antique (...)
Object type: print
Date: 1781 – 1781
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: johann thomas hauer
Artist role: print maker
Artist dates: 1748 – 1820
Subjects: half-column, pilaster ~ architecture
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Ontwerp voor een trumeau tussen twee ramen. Met laurierguirlande en medaillon met pauwen.
Lady's Stirrup
Object type: stirrup
Date: 1767 – 1833
Materials: iron
Culture: french
Location: france

Ladies’ side saddles of the 18th and early 19th century were made with only one stirrup on the left side of the horse, and were shaped at this time as slippers that would give more stability and elegance to the rider. A leather slipper was originally attached to the iron sole of this stirrup. The pierced decoration, however, showing a fleur-de-lis and two letter Ds, has been added later, to falsely suggest it belonged to Diane de Poitiers (1499-1566), the mistress of the French king Henri II.
Untitled (Group Portrait of Men, Women, and Children)
Object type: photograph
Date: 1846 – 1846
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits, families, family, people, portrait, portraits: child subject, portraits: female subject, portraits: male subject, portraits: multiple subjects, photography
Verbum Dei
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: cologne
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: last judgement, angel(s) represented as child(ren)
Inscriptions: collector's mark: Lugt 2228

Medaillon met een putto die een tablet vasthoudt met het Laatste Oordeel. De prent heeft een omlijsting met een Bijbelcitaat uit 2 Petr. 3 in het Latijn.
Liber Chronicarum
Object type: book illustration
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: city-view, and landscape with man-made constructions

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 23r, 44v, 61r, 110v en 194v.
Chiyoda Inner Palace: No.20 Flower Arranging in Turn (Chiyoda no Ōoku: Chanoyu mawaribana)
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: hashimoto chikanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1838 – 1912
Subjects: women
Portret van Ruprecht van de Palts
Object type: book illustration
Date: 1755 – 1765
Materials: paper
Techniques: engraving
Location: paris
Subjects: amberg, historical persons
Inscriptions: collector's mark: Lugt 2228

Mogelijk prent uit: Dreux du Radier, Jean-François. L'Europe illustré, contenant l'histoire abregée des souverains, des princes, des prélats, des ministres, (...) en Europe: dans le XVe. siècle compris, jusqu'à présent. Parijs: Michel Odieuvre en André-François Le Breton, 1755-1765, dl. 1.
Simson en Delila
Object type: print
Date: 1549 – 1549
Materials: paper
Techniques: engraving
Location: antwerp
Artist: cornelis massijs
Artist role: painter, print maker
Artist dates: 1510 – 1557
Subjects: samson grinding in prison (in a treadmill), samson's hairlocks are cut off by delilah
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2542

Simson ligt met zijn hoofd op Delila's schoot te slapen, terwijl zij zijn haren afknipt. Drie Filistijnen staan klaar om Simson gevangen te nemen. Links op de achtergrond maalt de gevangen en blind gemaakte Simson meel.
Montelbaans Toren / La Tour Montelbaan / Montelbaans Thurm / Montelbaans Tower
Object type: print
Date: 1861 – 1862
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage), sailing-ship, sailing-boat, tower, clock tower ~ monumental adornment, pier, quay, wharf
Inscriptions: collector's mark: Lugt 1641b

Prent uit: Witkamp, Pieter Harmen. Amsterdam in Schetsen. Amsterdam: George Willem Tielkemeijer, 1861. Of uit latere editie van 1862.
Miss Ferrare, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: fans,portraits,women,actresses
Crossing the Frozen Suwa Lake in Shinano Province (Shinshu Suwa kosui kori watari)
Object type: print
Date: 1833 – 1834
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Standbeelden uit de tuinen van Versailles
Object type: print
Date: 1709 – 1709
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: piece of sculpture, reproduction of a piece of sculpture, autumn, fall, 'autumnus'; 'autunno' (ripa)
Inscriptions: collector's mark: Lugt 240

Standbeeld in de tuinen van Versailles. De mannelijke personificatie van Herfst, een drinkbeker in de hand. Aan zijn voeten een tros druiven. In de marge een onderschrift in het Frans.
Piece
Object type: piece
Date: 1776 – 1800
Materials: silk
Subjects: flowers,leaves
Sampler
Object type: sampler
Date: 1854 – 1854
Materials: cotton, silk
Subjects: houses,trees
Slag van Waterloo / Bataille de Waterloo
Object type: popular print
Date: 1814 – 1848
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Subjects: battle, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen over de Slag bij Waterloo. Onder elke voorstelling een vierregelig vers in het Nederlands en in het Frans.