deem-data/ArtiFact huggingface dataset:
Hanamurasaki of the Kadotamaya, from the series Six Flowery Immortals of the Pleasure Quarters (Seiro bijin rokkasen)
Object type: print
Date: 1794 – 1795
Techniques: woodblock print
Location: japan
Artist: chobunsai eishi
Artist role: artist
Artist nationality: japanese
Artist dates: 1756 – 1829
Adoration of the Kings
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: barns,dogs,horses,christ,virgin mary

In a barn in the snow three old men adore the child in Mary's arms. Foot-soldier and horsemen wait outside. In the foreground are three men with two horses and two dogs.
Portret van Gaspar de Guzmán y Pimentel
Object type: print
Date: 1620 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons, nobility and patriciate; chivalry, knighthood
Inscriptions: collector's mark: Lugt 2228
Soldier with Lance
Object type: glass
Materials: glass, metal, wood
Techniques: lampwork
Location: france
Herbouw van het Kasteel van Wijchen
Object type: photograph
Date: 1908 – 1908
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: wijchen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: castle, landscape with tower or castle (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘Wijchen/ Kasteel in herbouw/ Juni 1908’
Dish with Bush Clover Design
Object type: dish
Date: 1701 – 1800
Materials: enamel, porcelain
Techniques: overglaze, painting
Culture: japanese
Subjects: leaves
Portret van een onbekende groetende man
Object type: stereograph
Date: 1906 – 1936
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: adult man, street, historical persons not known by name
Inscriptions: stamp: ‘"QUICK"/ Foto's Filme/ Westermarkt 18/ AMSTERDAM’, date: ‘15 JUNI 1936’, inscription: ‘POST CARD/ CORRESPONDENCE ADRESS’, inscription: ‘Juni 1936’, inscription: ‘030’
Mevr. Boelen Schuurman
Object type: photograph
Date: 1862 – 1862
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: louis wegner
Artist role: print maker
Artist dates: 1816 – 1864
Subjects: haarlem, historical persons - bb - woman
Inscriptions: address: ‘Prinsengracht BB 439/ AMSTERDAM’
Restanten van het huis van Cornelio Rufo te Pompeï
Object type: photograph
Date: 1857 – 1875
Materials: cardboard, paper
Techniques: albumen print
Location: pompeii
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: urban housing, ruin of a building ~ architecture, landscape with ruins
Inscriptions: collector's mark: ‘VOSMAER’, number: ‘4119.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Artist: makron
Artist role: artist

Interior, seat of a stool and end of drapery
Watermelon (Citrullus vulgaris)
Object type: drawing
Date: 1596 – 1610
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Subjects: fruits: watermelon

Without the representation of the watermelon’s red flesh, this fruit is difficult to identify. The names in the box also provide little clarification. The term ‘pronk appel’ refers to an elongated or spherical, decorative fruit; a pumpkin or gourd, and not strictly a (water)melon. The three growth stages shown demonstrate that the fruit becomes large and heavy. In the case of watermelons, this can sometimes amount to twelve kilograms.
Netsuke of Noh Mask; Shōjō
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: masks
Bal voor sjako model 1828, van groene wol met wit ijzerdraad, voor alle rangen, bataljon of vrijwillige jagerkorpsen
Object type: bal
Date: 1830 – 1831
Materials: metal, wool
Techniques: stitching
Location: netherlands
Artist: Anonymous
Subjects: netherlands

Bal voor sjako model 1828, van groene wol met wit ijzerdraad, waaraan etiket met tekst: Rijksmuseum, Amsterdam. Voor alle rangen, bataljon, of vrijwillige jagerkorpsen, ca. 1830-1831.
Armida Encounters the Sleeping Rinaldo
Object type: painting
Date: 1742 – 1745
Materials: canvas, oil, paint
Techniques: painting
Location: italy
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: narrative, woman, woman, weapons, sky, rocks, nature, man, landscapes, landscape, helmets, decorative, decoration, clouds, beauty, century of progress, world's fairs, chicago world's fairs, sleep, love, animals, horses, shields, plants, dresses, armor, soldiers, trees, goddesses, women, men, cherubs, mythology, mythological figures

Giovanni Battista Tiepolo’s monumental ceiling and wall decorations epitomize the brilliant exuberance of the late Baroque style. Tiepolo enjoyed an international career and was called upon to use his mastery of light, color, and illusion to transform palaces and monasteries in his native Venice and elsewhere in Italy, as well as in Germany and Spain. This painting and three others at the Art Institute, together with smaller decorative panels and a ceiling painting, once graced the cabinet of mirrors, a richly decorated room in the Venetian palace of the powerful Cornaro family. The suite illustrates Torquato Tasso’s popular sixteenth-century epic romance Jerusalem Delivered, which is set in the eleventh century, during the First Crusade, when Western knights sought to take Jerusalem from the Muslims. The canvas captures the moment of Rinaldo’s seduction: the beautiful sorceress Armida has just arrived to divert the sleeping hero from his crusade. Accompanied by her attendant nymph and a cupid figure, she appears like a beautiful mirage, enthroned on a billowing cloud, her drapery and shawl wafting gently behind her. Altough Tasso’s story symbolizes the conﬂict between love and duty, Tiepolo’s depiction of a magical, bucolic world—enhanced by effervescent colors, luminous atmosphere, and dense, creamy paint—seems to evoke only love’s enchantment.
Gezicht op de klokkentoren aan de binnenplaats van het kasteel van Pierrefonds, Frankrijk
Object type: photograph
Date: 1870 – 1875
Materials: photographic support
Techniques: albumen print
Location: pierrefonds
Artist: séraphin-médéric mieusement
Artist role: fotograaf
Artist dates: 1840 – 1905
Subjects: tower, clock tower ~ monumental adornment, castle, courtyard
Inscriptions: inscription: ‘PIERREFONDS - Façade sur la Cour’, number: ‘PL. 3’
Portret van Paulo Giordano I Orsini
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: paulo giordano i orsini, historical persons

Prent met omlijsting gebruikt in: Sansovino, Francesco. L'Historia di Casa Orsina di Francesco Sansovino. Venetië: Filippo en Bernardino Stagnino, 1565.
Push Sleigh #3781
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: sleighs

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Table Carpet with Garlands of Flowers and Rinceaux
Object type: textile
Date: 1650 – 1675
Materials: silk, wool
Techniques: interlocking, slit, weave
Location: belgium
Landcertificaat 30 acre op Poyais
Object type: print
Date: 1823 – 1834
Materials: paper
Techniques: etching, letterpress printing
Artist: Anonymous
Subjects: stock exchange, stock-market
Inscriptions: check stamp, collector's mark: Lugt 1641b

In de negentiende eeuw verzon Gregor MacGregor de niet bestaande staat Poyais in Midden-Amerika. Hij verkocht staatsobligaties en landcertificaten. Daarnaast emigreerde 250 mensen naar de niet bestaande staat. Bovenaan genummerd: Class I. No. 291. Onderwerpsrubriek binnen de Atlas Amsterdam: Handel en Zeevaart, E. Spotprenten betreffende de Beurs.
Border (From an Insertion)
Object type: textile
Date: 1700 – 1700
Materials: lace, linen
Techniques: lace
Location: italy
Jar in the Form of a Figure with Patterned Waistband and Lizard Headdress
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Culture: moche
Location: peruvian north coast
Tuin met bijen en zelfportret van een fotograaf
Object type: album leaf
Date: 1910 – 1911
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: photographer at work - cc - out of doors, garden, bee-hive, portrait, self-portrait of photographer, netherlands

Albumblad met vijf foto's van een tuin met bijenkorven en van een kip die de nek wordt omgedraaid. Ook een opname van een (vermoedelijk) metalen bol waarin de fotograaf staand in een tuin wordt weerspiegeld. Onderdeel van Fotoalbum van de familie Palthe uit Almelo.
Berghen op Zoom
Object type: area plan
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), fortified city, maps of cities, coat of arms (as symbol of the state, etc.) (+ province; provincial), bergen op zoom

Plattegrond in vogelvluchtperspectief. Boven in het midden de titel. Linksonder een legenda 1-33. Linksboven het wapen van Brabant. Rechtsboven het wapen van Bergen op Zoom. Op verso Latijnse tekst.
Portret van Herakleios, keizer van het Romeinse Rijk
Object type: print
Date: 1671 – 1671
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons

Prent ook gebruikt in: Hazart, Cornelius. Kerckelycke historie van de gheheele wereldt (...). 4 dln. Antwerpen: Michiel Cnobbaert, 1671, dl. 4.
Hofsteeden van de Heeren Schepper en Libarius / Maisons de Campagne de Mrs. Schepper, et Libarius
Object type: print
Date: 1730 – 1730
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: sailing-ship, sailing-boat, city-view in general; 'veduta', river, rural housing, e.g. country-house, villa, cottage, boat propelled by man or animal

Prent waarschijnlijk uit: Tijsens, Gijsbert. Hollands Arcadia, of de vermaarde rivier den Amstel (...) naar 't léven getekend en in 't ligt gebragt door Abraham Rademaker (...). Amsterdam: Leonardus Schenk, 1730.
Kaart van Zuid-Amerika
Object type: map
Date: 1700 – 1705
Materials: paper
Techniques: engraving, hand coloring
Location: northern netherlands
Artist: Anonymous
Subjects: (map of) south america, indigenous peoples of south america

Kaart van Zuid-Amerika, linksonder een vignet met oorspronkelijke bewoners van Zuid-Amerika die knielen voor Europeanen. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Portret van Alexandre Dumas fils
Object type: photograph
Date: 1884 – 1884
Materials: paper
Techniques: rotogravure
Location: france
Artist: Anonymous
Subjects: writer, poet, author, france
Presentation Robe
Object type: robe, presentation
Date: 1801 – 1900
Materials: silk
Culture: chinese or turkestani
Portret van Hendrik II van Longueville
Object type: book illustration
Date: 1656 – 1666
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons, ruler, sovereign
Inscriptions: number: ‘67’

Prent waarschijnlijk uit: Brachelius, Johannes Adolphus. Historia nostri temporis, dat is geschiedenis onses tijdts (…). Rotterdam: Andries van Hoogenhuysen, 1656. Prent ook gebruikt in de 1666-editie.
Vlakdecoraties en grafmonumenten / Veelderleij niewe inventien (...)
Object type: ornament print
Date: 1557 – 1557
Materials: paper
Techniques: etching
Location: netherlands
Subjects: 'cornucopia', horn of plenty, animals, scrollwork, strapwork ~ ornament

Op een basement, bestaande uit een driedelig fries met rolwerk en dieren, zit een man met een schop en hoorn des overvloeds. Uit zijn hoofd groeit een boom. Links van hem staan een paard en een kameel; rechts een rund, hond en leeuw. Hoort bij serie bestaande uit een titelblad, een tekstblad en 14 bladen met grotesken met rolwerk, saters, guirlandes, trofeeën, dieren en fantasiewezens.
Portret van Dirk II, graaf van Holland
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving, etching
Location: haarlem
Subjects: head-gear
Inscriptions: collector's mark: Lugt 12

Proefdruk van de tweede prent uit de serie 'Graven en gravinnen van Holland, Zeeland en West-Friesland', bestaande uit 38 prenten.
A Man O'War Lying at Anchor
Object type: drawing
Date: 1801 – 1833
Materials: graphite, ink, watercolor
Techniques: pen
Artist: johannes christiaan schotel
Artist role: artist
Artist nationality: dutch
Artist dates: 1787 – 1838
Subjects: soldiers,men,boats,ships

The Dordrecht native Johannes Christiaan Schotel was the Netherlands’s preeminent marine painter in the nineteenth century. His clientele included Prince William VI (1772-1843) (the future William I, King of the Netherlands) and various international patrons, including the English diplomat and collector Sir Robert Peel (1788-1850). Schotel’s work, like that of his close contemporary J.M.W. Turner, reveals an admiration for, and dialogue with, seventeenth-century seascape painting, while often also reflecting recent history. For a contemporary audience, the combination of the anchored man-of-war, blue sky and calm water, and apparently commercial, rather than military, activity of the waterfront in this sheet might have operated as an expression of the peace and prosperity that followed the end of the Napoleonic wars and control of the Netherlands. The scene is populated by figures—members of distinctly different classes—at work. On the quay at left, laborers roll barrels to be loaded onto, or unloaded from, a rotating crane. In the boat in the foreground, two officers in bicorn hats are accompanied by a group of sailors. Even the poor figures on the shore appear happy with their prospects. (JSS, 8/23/2018)
Alfabet
Object type: popular print
Date: 1850 – 1870
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Subjects: letters, alphabet, script, child
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van de letters (R-Z) van het alfabet geïllustreerd met kinderen waarvan de namen met de betreffende letter beginnen. Onder elke afbeelding een vers. Rechtsboven genummerd: No. 37.
1/8 asrafi uit Nepal van Jaya Prakasa Malla van Katmandu, 1732 - 1768
Object type: coin
Date: 1732 – 1768
Materials: gold
Techniques: striking

Gouden munt van 1/64 ashrafi. Voorzijde: stupa, waaromheen tekens in Nagari-schrift. Keerzijde: drietand, waaromheen tekens in Nagari-schrift. Rafelrand.
French Mirror of the XVI Century
Object type: print
Date: 1865 – 1865
Techniques: etching
Artist: jules-ferdinand jacquemart
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1880
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Interior, two males, one holding staff; Exterior; males, bows and arrows
Vlinders van Java
Object type: drawing
Date: 1784 – 1784
Materials: paper, pencil, watercolor
Techniques: brush
Location: jakarta
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: insects: butterfly, java
Inscriptions: inscription: ‘1784 in Febr geteekend en gevangen<BR />Papilio Almana.<BR />Papilio Polytas.<BR />Papilio Corus.<BR />Papilio Hecabe.<BR />Febr 15<BR />Papilio aceris.’

Kleurtekening van een aantal Javaanse vlinders en motachtigen. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 1 (1808), p. 137.
Portret van een man met bril, aangeduid als Gustaf Bodström
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: sweden
Artist: axel rydin
Artist role: fotograaf
Artist dates: 1837 – 1912
Subjects: eyeglasses, spectacles, historical persons
Inscriptions: annotation: ‘Natarien Gustaf Bodström/ Westerås’, name: ‘Natarien G. Bodstrom’, inscription: ‘Fotografi/ af/ Axel Rydin/ WESTERÅS’
Kwart taler uit het bisdom Straatsburg, op naam van Karel van Lotharingen (1592-1608)
Object type: coin
Date: 1593 – 1607
Materials: silver
Techniques: striking
Subjects: nancy, kardinaal, bisschop, karl von lotharingen (hertog)

Zilveren munt. Voorzijde: portret naar links. Keerzijde: samengesteld wapenschild, waarboven bisschopshoed.
The Second Premium Design for the Capitol of Ohio, Columbus
Object type: drawing ornament architecture
Date: 1839 – 1839
Materials: graphite, ink, watercolor
Artist: alexander jackson davis
Artist role: artist
Artist nationality: american
Artist dates: 1803 – 1892
Subjects: architecture,buildings
Titelpagina voor: Erasmus, Annotationes, 1663
Object type: print
Date: 1663 – 1663
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: rotterdam, desiderius erasmus, the evangelists writing
Inscriptions: collector's mark: Lugt 2228

De vier evangelisten met hun symbolen mens, leeuw, adelaar en os, terwijl zij schrijven. Op de voorgrond aan weerszijden twee mannenfiguren met aureool die naar boven wijzen, naar het portret van Desiderius Erasmus, dat wordt vastgehouden door twee engelen.
Theelepel, afgezet met fijn geribde kabel
Object type: spoon
Date: 1868 – 1868
Materials: silver
Location: netherlands
Artist: theodorus lambertus uriot
Artist role: silversmith
Inscriptions: assay office mark, date letter: ‘I’, alloy mark, maker's mark

De spits eivormige bak gaat geleidelijk over in de platte, gebogen steel, die zich verbreedt en vervolgens verjongt naar het rechte uiteinde en die aan de bovenzijde omgeven wordt door een gegraveerde kabelrand.
Two Studies of a Shepherd Resting
Object type: drawing
Date: 1666 – 1671
Materials: chalk, paper
Artist: adriaen van de velde
Artist role: draughtsman, painter, print maker
Artist dates: 1636 – 1672
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., lying figure

Van de Velde here drew the same model twice: in one study the boy is asleep with his head resting on his right arm, and in the other awake and semi upright. The artist could use the same pair of legs for both poses, which explains why he only drew them once on the sheet of paper. Seventeenth-century artists did not like doing the same work twice.
Medal
Object type: medal
Date: 1450 – 1499
Materials: bronze
Artist: savelli sperandio
Artist role: artist
Artist nationality: italian
Artist dates: 1425 – 1504
Subjects: men,profiles
The Devil Butts With His Head
Object type: print
Materials: paper
Techniques: engraving, relief
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Le sacre hagard
Object type: book illustration
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: predatory birds: falcon
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Een valk zittend op een steen met zee in de achtergrond. Een haggard (of hagerd) is een wilde vogel die bij het invangen al één of meerdere malen gemuit is.
Beaker
Object type: glass
Date: 1701 – 1733
Materials: glass, gold leaf
Techniques: engraving
Location: bohemia
Noge in Yokohama, Bushu Province (Bushu Yokohama Noge) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”
Object type: print
Date: 1859 – 1859
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige ii (shigenobu)
The Kite
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: etching
Location: united states
Artist: donald shaw maclaughlan
Artist role: painter, print maker
Artist nationality: american, born canada
Artist dates: 1876 – 1938
Portret van Pietro da Cortona
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: etching
Location: london
Artist: thomas worlidge
Artist role: print maker
Artist dates: 1700 – 1766
Subjects: rome, painter, draughtsman, designer, pietro da cortona, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Awa Province: Inner Bay at Kominato (Awa, Kominato uchiura), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)"
Object type: print
Date: 1853 – 1853
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Abklatsch van de krijttekening op pagina 43
Object type: sketchbook leaf
Date: 1886 – 1891
Materials: paper
Techniques: printmaking
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923

Pagina 42 uit een schetsboek met 40 bladen.
Opgezette kat en aap in kleding voor een spiegel als reclame voor kledingwinkel Deux Têtes in Parijs
Object type: carte de visite
Date: 1850 – 1915
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: alphonse pestel
Artist role: fotograaf
Subjects: advertising, cat, monkeys, apes, clothes manufacture, clothing industry
Inscriptions: inscription: ‘AUX DEUX TÊTES,/ MAISON DANIEL,/ LOISEAU Sucr./ FABRIQUE SPÉCIALE/ DE/ COLS-CRAVATES/ FAUX COLS./ Passage du Saumon,/ 47, 49, 51./ PARIS/ PORTAITS/ en tous genres/ PHOTOGRAPHIE/ DE LA/ PORTE St. DENIS/ PESTEL,/ Boult. Bonne Nouvelle, 3./ PARIS/ REPRODUCTIONS’
Prins Bernhard met militairen van Binnenlandse Strijdkrachten
Object type: photograph
Date: 1906 – 1945
Materials: photographic support
Techniques: photography
Location: delft
Subjects: utrecht, bernhard (prins der nederlanden), delft
Inscriptions: stamp: ‘COPYRIGHT / 'ANEFO' / ALGEMEEN NEDERLANDSCH FOTOBUREAU’, inscription

Prins Bernhard maakte ter ere van zijn verjaardag, 29 juni 1945, een tocht langs Nederlandse steden met militairen van Binnenlandse Strijdkrachten. Iedereen droeg een witte anjer.
Cordial glass
Object type: cordial glass
Date: 1601 – 1800
Materials: glass
Deksels met dolfijnen, saterkoppen en vaas
Object type: ornament print
Date: 1670 – 1725
Materials: paper
Techniques: etching
Location: germany
Subjects: dolphin ~ ornament, snuff-box, vase ~ ornament, satyr(s) (in general)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Vier deksels van snuifdozen. Links boven met saterkoppen. Rechts boven met termen aan weerszijden van een vaas. Links- en rechts onder met dolfijnen en een masker.