deem-data/ArtiFact huggingface dataset:
Kan, vermoedelijk van gedeeltelijk verguld zilver, op een marmeren sokkel
Object type: drawing
Date: 1780 – 1780
Materials: graphite, ink, paper
Techniques: aquarelle, pen, drawing
Location: france
Artist: Anonymous
Inscriptions: inscription: ‘J.J.F. Le Barbier 1738-1826’
Min statuette
Object type: statue, min
Date: 1070 – 332
Materials: metal
Techniques: inlay
Location: egypt
Portret van een onbekende vrouw met bontjas op straat
Object type: photograph
Date: 1910 – 1930
Materials: cardboard, paper
Techniques: carbon print
Location: netherlands
Artist: Anonymous
Subjects: historical persons - bb - woman, snow
St. Sebastian
Object type: page
Date: 1867 – 1872
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: st. sebastian, tied to a tree or a pillar, is pierced by arrows, sculpture (+ relief ~ sculpture)
Inscriptions: number: ‘No. 219. '65.’, inscription: ‘Fifteenth Century.’
Taka Beach, Tajima Province (Tajima Taka no hama) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”
Object type: print
Date: 1859 – 1859
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige ii (shigenobu)
Martin Van Buren
Object type: painting
Date: 1837 – 1838
Materials: canvas, oil
Culture: american
Artist: henry inman
Artist role: artist
Artist nationality: american
Artist dates: 1801 – 1846
Subjects: men,portraits
The New York Drawing Book, Containing a Series of Original Designs and Sketches of American Scenery, by F. Palmer, No. 2
Object type: book
Date: 1847 – 1847
Techniques: lithograph
Artist: frances flora bond palmer
Artist role: artist
Artist nationality: american, born england
Artist dates: 1812 – 1876
Moord op de protestanten in Tours, 1562
Object type: print
Date: 1567 – 1571
Materials: paper
Techniques: etching
Location: cologne
Artist: frans hogenberg
Artist role: print maker, publisher
Artist dates: 1538 – 1590
Subjects: massacre ~ war

Moord op de protestanten in Tours, juli 1562. Slachting door soldaten buiten de muren van stad, op de brug en in het water. Met onderschrift van 8 regels in het Duits. Linksonder genummerd: 29. De prent maakt deel uit van een album.
Portret van Pierre Gassendi
Object type: print
Date: 1634 – 1700
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: paris, priest, historical persons, scholar, philosopher (+ portrait of scholar, scientist)

Omkadering gedrukt van een aparte plaat.
Dieren
Object type: print
Date: 1635 – 1670
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: cow, pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 240

Een herder en een herderin met een kudde bestaande uit schapen en koeien. Prent uit een serie van 14 prenten met verschillende inheemse dieren.
Een lelie en drie afdrukken van een blad
Object type: drawing
Date: 1835 – 1860
Materials: paper, pencil
Location: munich
Artist: franz jakob kreuter
Artist role: architect
Artist dates: 1813 – 1889
Subjects: flowers: lily
Types d'orient. Serie III
Object type: photomechanical print
Date: 1903 – 1930
Materials: cardboard
Techniques: rotogravure
Location: tunisia
Artist: Anonymous
Subjects: head-gear, historical persons (portraits and scenes from the life) - bb - woman, ornaments, jewels
Nürnberg. Hof im Pellerhaus
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: nuremberg
Artist: Anonymous
Subjects: archive, public library
Gezicht op een kudde grazende koeien
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Subjects: cow, meadow, pasture, herd, flock
Petrus door de engel uit de gevangenis bevrijd
Object type: print
Date: 1703 – 1762
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: prison, jail, the angel leads peter past the sleeping guards
Inscriptions: collector's mark: Lugt 2228

De prent komt een eerste keer voor als boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel II. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Negen gezichten op gebouwen en ruïnes in West Dorset
Object type: photomechanical print
Date: 1868 – 1873
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: ruin of a building ~ architecture, church (exterior), exterior ~ representation of a building
Inscriptions: inscription: ‘Halswell (...) Heatherton’
Elegant Compositions Tower
Object type: ink tablet
Date: 1867 – 1933
Materials: ink
Culture: chinese
Artist: jian guzhai
Artist role: artist
Artist nationality: chinese
Subjects: fish

This ink tablet is from a sixty-four-tablet set (30.76.216–.279) commissioned by the Jiaqing emperor from the Studio for Appreciating the Antique (Jiangu Zhai) manufactory of the Wang Jinsheng family in Huizhou, Anhui Province. Each ink tablet commemorates a hall or pavilion in one of the imperial gardens. Each site’s name is written in gilt characters on one side; a view of the site is presented on the other. Such inks were purely decorative and not intended for use.
1/4 gulden van Curacao, 1944
Object type: coin
Date: 1944 – 1944
Materials: silver
Techniques: striking
Location: denver
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: hoofd naar links. Keerzijde: op een regel waarde-aanduiding 1/4 G. Omschrift: Munt van Curacao. Onderaan in omschrift tussen palmboom en letter D [=Denver] jaartal. Randschrift.
Washington. Armory Square Hospital
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: hospitals,soldiers,american civil war,men,women
PADOVA - Cappella degli Scrovegni all'Arena. I Vizi. L'Ira.
Object type: reproduction
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: scrovegnikapel
Artist: giotto de bondone
Artist role: painter, sculptor
Artist dates: 1266 – 1337
Subjects: anger; 'ira' (ripa) ~ personification of one of the seven deadly sins
Inscriptions: number: ‘No. 19422.’, collector's mark: Lugt 3937
Blad 57 uit Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel I (1921-1929)
Object type: album leaf
Materials: paper
Techniques: printing, writing
Location: the hague
Artist: Anonymous
Subjects: further education (+ pupil), further education, the hague

Twee pagina's met gegevens van de deelnemers aan de 18e driemaandelijkse cursus van 19 april tot en met 15 juli 1927, stamboeknummers 265 tot en met 269. Onderdeel van Stamboek van de leerlingen der Koloniale School voor Meisjes en Vrouwen te 's-Gravenhage deel I (1921-1929).
Galerie Mythologique
Object type: cartoon
Date: 1830 – 1830
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: water-pipe, hookah, narghile, (story of) juno (hera), (story of) jupiter (zeus), ornamental birds: parrot, hebe as cup-bearer of the gods
Inscriptions: collector's mark: Lugt 2228a, collector's mark: Lugt 2760
Throwing the Hammer, from the Games and Sports series (N165) for Old Judge Cigarettes
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,women,sports

The "Games and Sports" series of trading cards (N165) was issued by Goodwin & Company in 1889 to promote Old Judge Cigarettes. The Metropolitan Museum of Art owns all 50 cards in the series.
The Praying Nun
Object type: print
Date: 1829 – 1829
Materials: chine, paper
Techniques: etching
Location: germany
Artist: johann wilhelm schirmer
Artist nationality: german
Artist dates: 1807 – 1863
Panorama van Luzern en het Vierwoudstrekenmeer
Object type: panorama
Date: 1870 – 1895
Materials: paper
Techniques: photograph
Location: zurich
Artist: Anonymous
Subjects: city-view in general; 'veduta', lake, city-walls, mountain-range, snow peaks
Inscriptions: number: ‘No 548./ No 549./ No 550.’, collector's mark: ‘VOSMAER’
Thesaurus sacrarum historiaru[m] veteris testame[n]ti, elega[n]tissimis imaginibus expressu[m] excelle[n]tissimoru[m] in hac arte viroru[m] opera: nu[n]c primu[m] in luce[m] editus
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the attack on the midianites: gideon and his men blow their trumpets, break their pitchers, and hold their lamps

Gideon en zijn mannen overvallen de Midjanieten. Rond het kamp blazen Gideons mannen op ramshoorns. In hun handen houden ze waterkruiken met fakkels erin. De Midjanieten denken dat ze worden aangevallen, trekken het zwaard en beginnen hun eigen mannen te bevechten. Onder de voorstelling een verwijzing in het Latijn naar de Bijbeltekst in Ri. 7. Deze prent maakt deel uit van een album.
Card 805, Miss Emerson, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 2), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Landschap met soldaten
Object type: print
Date: 1626 – 1626
Materials: paper
Techniques: etching
Location: haarlem
Artist: pieter de molijn
Artist role: draughtsman, painter, print maker, publisher
Artist dates: 1595 – 1661
Subjects: landscapes in the temperate zone, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228a

In een landelijke omgeving staan en zitten soldaten bij een huis of herberg te praten. Op de achtergrond een zittende vrouw en een ruiter bij een (tweede) herberg. Deze prent is onderdeel van een serie van vier prenten van landschappen met figuren.
Herengracht, hoek Leidsegracht, Amsterdam
Object type: photograph
Date: 1913 – 1940
Materials: paper
Techniques: rotogravure
Location: amsterdam
Artist: bernard eilers
Artist role: fotograaf
Artist dates: 1878 – 1951
Subjects: snow, street (+ city(-scape) with figures, staffage)
Inscriptions: annotation: ‘Serie B Herengracht, hoek Leidsegracht, Amsterdam ("Uit Breitner's tijd")’, name: ‘Bern. F. Eilers’, annotation: ‘Eilers Artistieke kaarten - uitg.-mij. "Kosmos" - Amsterdam’
Insigne van de Vereeniging Gezondheids- en Vacantiekolonies te Amsterdam 1887
Object type: history medal
Date: 1887 – 1887
Materials: brass, textile
Inscriptions: inscription: ‘17-18-19 - FEB / 18 - 87 / GEZONDHEIDS / EN / VAKANTIE / KOLONIES’

Messing broche op aangehecht rood-zwart lint, in de vorm van een druppelvormige gekroonde cartouche, waarop blauw en rood geëmailleerde velden met opschriften onder een rood en zwart geëmaileerd Amsterdams wapenschild, met een kleine blauw geëmaillerde flesvormige hanger.
Hungarian-Style Shield
Object type: hungarian style shield
Date: 1500 – 1550
Materials: gesso, leather, wood
Techniques: polychromy
Culture: eastern european
Location: europe
Subjects: swords

This wing-shaped shield and others like it in the Metropolitan Museum's collection (42.50.29, .30), with the distinctive upward-sweeping back edge, were the characteristic light-cavalry shields of Hungary. During the sixteenth century, the style was adopted across much of eastern Europe by both Christian and Islamic horsemen. The shield's elongated upper edge was designed to defend the back of the head and neck against cuts from a saber, the preferred cavalry weapon in that region. This shield is painted on its exterior with the double-bladed sword of the prophet Muhammad and on its interior with the Crucifix and instruments of the Passion. This unusual mix of Islamic and Christian symbols suggests that the shield was used in a tournament by a Christian warrior dressed in Muslim fashion. In these "Hungarian style" tournaments, the participants wore Hungarian and Turkish costumes and used sabers to strike off feathers attached to their opponents' helmets and to the apex of their painted shields. Even at a time when Turkish armies were a constant threat to eastern Europe, their costumes and tactics were imitated by their foes.
Waterspuwers van de kathedraal van Amiens
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: david young cameron
Artist role: draughtsman, print maker
Artist dates: 1865 – 1945
Subjects: church (exterior), chimera (lion/goat/snake); 'chimera' (ripa)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Algerijn, ten halven lijve
Object type: sketchbook leaf
Date: 1922 – 1922
Materials: paper, pencil
Location: biskra
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: africans, adult man

Pagina 5 uit een schetsboek met 32 bladen.
Portret van Johann Tobias Mayer
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: christoph wilhelm bock
Artist role: print maker
Artist dates: 1755 – 1836
Subjects: physicist, historical persons
Inscriptions: collector's mark: Lugt 2228
Pair of armchairs
Object type: armchair
Date: 1765 – 1765
Materials: wood

Part of a set of seat furniture previously at Lavington Park, Sussex, the chair is related to a design for a so-called "French chair" in the third edition of Thomas Chippendale's The Gentleman and Cabinet-Maker's Director (1762). Chippendale suggested to create an open space between the cartouche-shaped back and the seat in order to lighten the overall effect of this drawing-room chair.
Illustraties uit de Lof der Zotheid
Object type: print
Date: 1516 – 1516
Materials: paper
Techniques: etching, letterpress printing
Subjects: tetramorph: human figure with four different heads (human head, ox, eagle, lion), commoners

Prent afkomstig uit: Erasmus, Desiderius. Morias enkomion (...). Bazel: Johann Rudolf Genath, 1676.
De prenten hierin zijn naar tekeningen die Hans en Ambrosius Holbein maakten voor de theoloog Oswald Myconius in diens uitgave van de Moriae encomium (Lof der Zotheid) van 1516.
Title Page: Monkey-Ana or Men, in Miniature
Object type: print
Techniques: etching
Location: france
Artist: thomas landseer
Artist role: artist
Artist nationality: british
Artist dates: 1795 – 1880
Subjects: faces,monkeys
Buste van een vrouw met hoofddeksel
Object type: album leaf
Date: 1646 – 1670
Materials: paper
Techniques: engraving
Location: antwerp
Artist: hubert quellinus
Artist role: print maker
Artist dates: 1619 – 1687
Subjects: piece of sculpture, reproduction of a piece of sculpture, female persons from classical history
Inscriptions: number: ‘75’

De prent maakt deel uit van een album met een serie prenten naar de sculpturen in de verzameling van Gerard Reynst.
Fukusa (Gift Cover)
Object type: textile
Materials: cotton, gold leaf, paper, silk, silver
Techniques: lacquer, tapestry weave
Location: japan
Gezicht op de Pont de la Concorde over de Seine in Parijs
Object type: photograph
Date: 1887 – 1900
Materials: paper
Techniques: albumen print
Location: paris
Subjects: bridge in city across river, canal, etc.
Inscriptions: number: ‘176’

Tussen 1887 en ca. 1900 werkten Neurdein frères onder andere onder de naam 'X phot.'.
Plattegrond van de Slag bij Landen
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Europische Mercurius, behelzende al het voornaamste 'tgeen, zo omtrent de zaaken van staat als oorlog (...) is voorgevallen (...). Vierde Stuk, begrypende (...) het jaar 1693. Amsterdam: Timotheus ten Hoorn, 1693, dl. II.
Stater (Coin) Depicting the Siren Parthenope
Object type: coin
Date: 280 – 241
Materials: metal, silver
Culture: greek
Location: kavala
Inscriptions: Reverse: [ΝΕ]ΩΠΟΛΙΤ[ΩΝ]
(in exergue: ΙΣ or ΙΚ)

The front (obverse) of this coin depicts the head of Parthenope to the left with a symbol behind. The back (reverse) depicts a man-headed bull to right, crowned by Nike.

During Odysseus’s return from the Trojan War, which is recounted in Homer’s Odyssey, Parthenope and other Sirens tried to lure his ship onto rocks with their beautiful song. When they failed, Parthenope drowned herself and washed ashore at Neapolis (modern Naples), where she was honored as the local goddess. Coins like this were issued during the festivals and games that were dedicated to Parthenope.
Aan de kade
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: willem de zwart
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1931
Subjects: harbour, pier, quay, wharf
Inscriptions: collector's mark: Lugt 2228

Prent verscheen in 1887 als onderdeel van de jaarlijkse uitgave van de 'Portefeuille der Nederlandsche Etsclub'.
Choga
Object type: coat
Date: 1867 – 1900
Materials: metal thread, silk
Techniques: embroidery
Location: india
Khamsa Standard
Object type: religious ritual object
Materials: brass, silver
Culture: islamic
Location: iran
Servet met het Plus Oultre-patroon
Object type: napkin
Date: 1612 – 1612
Materials: linen
Techniques: damask
Location: flanders
Artist: Anonymous
Collection Dupont
Object type: photograph
Date: 1859 – 1873
Materials: cardboard, paper
Techniques: albumen print
Location: antwerp
Artist: joseph dupont
Artist role: fotograaf
Artist dates: 1818 – 1901
Subjects: print maker, draughtsman, hendrik jozef franciscus van der poorten, historical persons
Inscriptions: address: ‘Place de Meir, 32,/ ANVERS’
Personificatie van Hoop
Object type: print
Date: 1670 – 1670
Materials: paper
Techniques: etching
Location: augsburg
Subjects: hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues, hope; 'speranza', 'speranza delle fatiche' (ripa)
Inscriptions: collector's mark: Lugt 2228

Een vrouw houdt een anker vast en heeft een vogel in haar andere hand. Achter haar schepen in zwaar weer. Mogelijk ook de personificatie van zeevaart. Tekst in het Duits in de ondermarge. Rechtsonder genummerd: 26. Prent maakt deel uit van een album.
Serie portretten van vijftiende- en zestiende-eeuwse geleerden
Object type: print
Date: 1597 – 1599
Materials: paper
Techniques: engraving
Location: france
Artist: robert boissard
Artist role: print maker
Artist dates: 1570 – 1611
Subjects: physicist, flowers ~ ornament - aa - stylized, insects: grass-hopper - ff - fabulous animals (sometimes wrongly called 'grotesques'; 'mostri' (ripa), historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Naakte vrouw met sjaal in haar armen op de rug gezien
Object type: print
Materials: paper
Techniques: lithograph
Location: paris
Artist: aristide maillol
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1861 – 1944
Subjects: standing figure - aa - female human figure
Inscriptions: stamp: Lugt 2921b, monogram: ‘M’, check stamp: ‘Galerie des Peintres-Graveurs Paris’ Lugt 1057b, inscription: ‘Epreuve d'essai du 1e état, tiré à 5 epreuves sur vergé Maillol’, stamp: Lugt 2921c, inscription: ‘31318’

Latere staten van prent ook verschenen in: Album Les Peintres Lithographes de Manet à Matisse. Parijs: Frapier, 1924.
De stervende Bubbel-Heer in den schoot van Madame Compagnie
Object type: cartoon
Date: 1706 – 1707
Materials: paper
Techniques: etching, letterpress printing
Location: southern netherlands
Subjects: patient, sick person

De stervende windhandelaar of bubbelheer John Law achterover liggend in de schoot van Madame Compagnie wordt getroost door een non en een biechtvader. Met een vers aan weerszijden van de plaat. Prent in de gebonden eerste uitgave (304 B 10) van Het Groote Tafereel der Dwaasheid met spotprenten op de Windhandel of Actiehandel van 1720.
Faith, Hope and Charity
Object type: statuette
Date: 1739 – 1740
Materials: ivory, wood
Techniques: stain
Artist: balthasar ferdinand moll
Artist role: maker
Artist nationality: austrian
Artist dates: 1717 – 1785
Cup with petal-shaped panel around a central medallion, filled with flower sprays
Object type: kop en schotel, kop en schotel
Date: 1750 – 1774
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Imari. Beschilderd met vakken waarin takjes in blauw, rood en goud.
Portret van een onbekende man
Object type: print
Date: 1906 – 1906
Materials: paper
Techniques: lithograph
Artist: johan henri gustaaf cohen gosschalk
Artist role: draughtsman, print maker
Artist dates: 1873 – 1912
Subjects: anonymous historical person portrayed alone, head-gear: cap, ear-rings
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Newes Modelbuch in Kupffer
Object type: book print ornament architecture
Date: 1604 – 1604
Techniques: etching
Artist: johann sibmacher
Artist role: artist
Artist nationality: german
Artist dates: 1590 – 1611
Subjects: men,women

Designed by Johann Sibmacher, German, active 1590-1611. 2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs. The first title appears on leaf 4 a as title to the "Dialogue" in other copies, according to Lotz. This copy lacks the second leaf of dedication (supplied). The first title has been restored on right side. Note "et excudit" is missing after fecit. and photostat of title of 1602 edition. According to Lotz there were five editions of this second Sibmacher book. The first appeared in 1601, the second in 1602 with same contents. Facsimile of this ed. in MMA library 156.11 Si 1. Pls. 1-37 embroidery (Note "spitzen" on pl. 34 which Lotz says doesn't mean lace, but a cheap imitation made by embroidery). Pls. 38-55, cut-linen and reticella; pls. 56-58 gold-embroidery. 67 leaves, plates numbered 1 - 58. (should have 68 leaves). Sigs: A, AA-Z, ZZ, A - E 2. Note: Letter dated 16 April 1896 from Molini and Green (booksellers London) asking if they should bid on this volume for Edward Arnold tipped in at back. In white vellum covers.
Descriptio agri Frisii Antiqui (...)
Object type: history print
Date: 1697 – 1700
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: maps of separate countries or regions, netherlands
Inscriptions: collector's mark: Lugt 195, collector's mark: Lugt 2228

Maakt deel uit van 16 kaarten van het land van de Bataven en de Friezen eerst vervaardigd voor en opgenomen in Alting, Menso. Descriptio, secundum antiquos, agri Batavi & Frisii. 2 delen. Amsterdam: Henricus Wetstein, 1697-1700. Hergebruikt in Halma, François. Tooneel der Vereenigde Nederlanden, en onderhorige landschappen (...). 2 delen. Leeuwarden: Hendrik Halma, 1725.

Deze kaart is gebruikt in Halma's Tooneel der Vereenigde Nederlanden (1725) en is volgens opschrift rechtsboven te vinden in deel 2, p. 1b.
Circular Design with Saturn
Object type: print
Date: 1583 – 1583
Materials: paper
Techniques: engraving
Location: germany
Artist: jonas silber (master j.s.)
New Book of Various Figures
Object type: print
Date: 1751 – 1751
Techniques: etching
Location: france
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Subjects: weapons,men
Reverse Copy of Le Gentilhomme Enroulé dans son Manteau Bordé de Fourrures (The Gentleman Wrapped in his Fur Lined Mantle), from La Noblesse (The Nobility)
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: Anonymous
Artist role: artist
Anteros Victorious
Object type: drawing
Date: 1560 – 1609
Materials: chalk
Artist: annibale carracci
Artist role: artist
Artist nationality: italian
Artist dates: 1560 – 1609