deem-data/ArtiFact huggingface dataset:
Interieur van een winkel
Object type: print
Date: 1866 – 1886
Materials: paper
Techniques: etching
Location: netherlands
Artist: willem steelink (ii)
Artist role: draughtsman, print maker
Artist dates: 1856 – 1928
Subjects: shop, store, counter ~ shop
Inscriptions: collector's mark: Lugt 2228

Een man met hoge hoed spreekt met een kruidenier, die achter zijn toonbank staat. Een vrouw verlaat de winkel. Linksonder in de marge een kroon, vlaggen en een vis.
Speel-vogel
Object type: popular print
Date: 1731 – 1732
Materials: paper
Techniques: woodcut
Location: haarlem
Subjects: caricatures (human types)

Koddige figuur, in het onderschrift in de overzichtsprent draagt deze figuur de naam: Speel-vogel. Onderdeel van het boekje: XXXVI. aartige figuuren, geinventeert door Izaak van Ostade tot Haarlem [1731-1732].
Iconographie
Object type: print
Date: 1630 – 1636
Materials: paper
Techniques: engraving, etching
Location: low countries
Subjects: mechelen, painter, jan snellinck (i), portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2228a, collector's mark: Lugt 2760

Portret van kunstenaar Jan Snellinck met onderschrift Joannes Snellinx Pictor Humanarum figurarum in Aulaeis et tapetibus Antuerpiae
Petunia's in een kan
Object type: print
Date: 1872 – 1950
Materials: paper
Techniques: etching, intaglio
Artist: barbara elisabeth van houten
Artist role: draughtsman, print maker
Artist dates: 1862 – 1950
Subjects: flowers: petunia, flowers in a vase
Inscriptions: inscription: ‘14 petunias eerste staat. niet exposeren zonder tweede staat.’, collector's mark: Lugt 2228
Portret van Vincent Laurensz. van der Vinne I
Object type: print
Date: 1696 – 1742
Materials: paper
Techniques: mezzotint
Location: haarlem
Subjects: haarlem, print maker, vincent laurensz. van der vinne (i), portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Pair of Child's Mocassins
Object type: textile
Date: 1885 – 1885
Culture: sioux
Location: plains
Plate 3: Emperor Tiberius on Horseback, from 'The First Twelve Roman Caesars'
Object type: print
Date: 1596 – 1596
Techniques: etching
Artist: antonio tempesta
Artist role: artist
Artist nationality: italian
Artist dates: 1555 – 1630
Subjects: swords,men,horses
Ontwerpen voor vaatwerk
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching, intaglio
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: lion's head ~ ornament, dolphin ~ ornament, animal-shaped drinking-vessel, container of ceramics: jar, jug, pot, vase
Inscriptions: collector's mark: Lugt 2228

Prent maakt deel uit van een serie van 24 prenten met ontwerpen voor vaatwerk.
Design for a Man's Tomb
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: anonymous, french, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture,tombs
Portret van Edward Stillingfleet
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: engraving, etching
Subjects: theologian, historical persons

Prent mogelijk uit: The Universal Magazine of Knowledge and Pleasure 64 (1779), mei 1779.
Peter and John heal a paralyzed man at the temple gate
Object type: print
Date: 1777 – 1780
Materials: paper
Techniques: etching
Location: amsterdam
Artist: benjamin martini
Artist role: print maker
Subjects: healing of a lame beggar at the beautiful gate of the temple by peter and john (acts 3 - 4:31), disabilities, deformations
Inscriptions: collector's mark: Lugt 240

De voorstelling is gebaseerd op de tekst uit Handelingen 3:4-31. In de Statenvertaling is de bedelaar beschreven als: “En een zeker man, die kreupel was van zijner moeders lijf, werd gedragen, welken zij dagelijks zetten aan de deur des tempels (…) Maar Petrus zei (…) In den Naam van Jezus Christus den Nazaréner, sta op en wandel. En hem grijpende bij de rechterhand, richtte hij hem op, en terstond werden zijn voeten en enkels vast”. In de Nieuwe Bijbelvertaling wordt er niet gesproken over ‘kreupel’ maar over verlamming: “Men had ook een man die al sinds zijn geboorte verlamd was naar de tempel gebracht (…) Maar Petrus zei (…) in de naam van Jezus Christus van Nazareth, sta op en loop.’ Hij pakte hem bij zijn rechterhand om hem overeind te helpen. Onmiddellijk kwam er kracht in zijn voeten en enkels.”
Hyena, from Quadrupeds series (N41) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: animals

Large trade cards from the "Quadrupeds" series (N41), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N41 reproduces the cards from N21 in a larger size.
On the Balcony
Object type: drawing and watercolor
Date: 1871 – 1872
Materials: gouache, graphite, paint, paper, watercolor
Location: france
Artist: berthe morisot
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1895
Subjects: century of progress, women, leisure, children, world's fairs, chicago world's fairs
Inscriptions: Stamped lower right: "B.M.".
Arthur Moos te paard in het uniform van het 20e regiment Uhlanen, mei 1916, in Ludwigsburg
Object type: photograph
Date: 1905 – 1916
Materials: photographic support
Techniques: gelatin silver print
Location: ludwigsburg
Artist: Anonymous
Subjects: arthur moos

Arthur Moos te paard in het uniform van het 20e regiment Uhlanen in Ludwigsburg.
Landschap met S. Rochus
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Location: france
Subjects: the confessor and pilgrim roch(us) (rocco, rock) of montpellier; possible attributes: angel (with ointment box or spoon), dog (sometimes with loaf), (pointing at) plague-spot on thigh, pilgrim's shell, staff, hat and wallet, landscapes
Inscriptions: collector's mark: Lugt 2228

Achthoekig boomrijk landschap. Bij de boom in het midden zit de heilige Rochus. Een engel kijkt naar de pestbuilen op zijn been. Daarnaast een hond. De prent maakt deel uit van een album.
Sampler
Object type: textile
Date: 1771 – 1771
Materials: linen, silk
Techniques: embroidery, weave
Location: germany
Portret van een vrouw met een kruik op het hoofd op Corfu
Object type: photograph
Date: 1895 – 1905
Materials: paper, photographic support
Techniques: gelatin silver print
Location: corfu
Artist: Anonymous
Subjects: folk costume, regional costume (+ women's clothes), container of ceramics: jar, jug, pot, vase, carrying something on the head or on the shoulders

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Griekenland en Egypte.
Spoon
Object type: spoon
Date: 1787 – 1787
Materials: silver
Culture: american
Location: united states
Artist: paul revere jr.
Artist role: maker
Artist nationality: american
Artist dates: 1734 – 1818
Pair of Tiles with Floral Design
Object type: architectural fragment
Materials: ceramic, glaze
Techniques: painting
Culture: islamic
Location: iznik

During the sixteenth and seventeenth centuries, at the height of the Ottoman Empire, ceramic vessels and tiles of remarkable artistic and technical quality were produced at Iznik, a city in northwestern Anatolia. The middle of the sixteenth century was an important moment in the evolution of Iznik wares. To the existing blue-and-white palette was added color: first turquoise, green, and purple, then a red slip. The earlier focus on tableware was supplemented by a new demand for architectural tilework. Also at this time a new style emerged that emphasized floral motifs, such as familiar flowers (roses, carnations, tulips, etc.), as well as compositions of leaves and palmettes. The enduring quality of Iznik at its best and most representative is the effect of bold patterning in brilliant polychrome set against a pure white ground.

The design here consists of elaborate palmettes and sinuously writhing leaves with serrated edges. Rosettes are half-covered by leaves, which, in turn, are pierced by stems. This pattern is typical of the so-called saz style, a term that derives from the words saz kalem, or “reed pen.” The style developed in album drawings in black ink executed during the second half of the sixteenth century and became widely popular in various media. The two works in the Art Institute’s collection can be dated to about 1560, the apogee of Iznik tile production. They were meant to be contiguous since the pattern continues effortlessly from one to the other.
Statuette of Amenhotep III
Object type: statuette, amenhotep iii
Date: 1390 – 1352
Materials: mineral, stone
Location: egypt
Wilson's photographic magazine
Object type: magazine
Date: 1892 – 1892
Materials: paper, photographic support
Techniques: albumen print, printing, printing block
Location: new york city
Artist: edward livingston wilson
Artist role: publisher
Artist dates: 1838 – 1903
Document Sealing With Multiple Seal Impressions
Object type: sealing, not enough information
Date: 1390 – 1352
Materials: mud
Berechting van Thomas Hardy 1794
Object type: history medal
Date: 1794 – 1794
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde het borstbeeld van Hardy naar links met omschrift en afsnedetekst, op de keerzijde vijf regels tekst.
Terracotta glazed bowl fragment
Object type: vase fragment
Date: 20 – 70
Materials: terracotta
Culture: roman
Subjects: leaves

Greenish-yellow fragment of glazed bowl with raised leaf and rod pattern around shoulder.
Briefkaart aan Jan Veth
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: dordrecht, designer, jan veth, historical persons (portraits and scenes from the life), the hague
Inscriptions: collector's mark: ‘RPK’

Briefkaart gedateerd 23 Mei 87 in latere hand.
Autumn
Object type: print
Date: 1766 – 1812
Techniques: engraving
Artist: etienne claude voysard
Artist role: engraver
Artist nationality: french
Artist dates: 1746 – 1812
Subjects: grapes,sleeping,infants
Two Percussion Exhibition Pistols
Object type: percussion pistol
Materials: gold, steel
Culture: french
Location: france
Artist: gilles michel louis moutier-le page
Artist role: gunsmith
Artist nationality: french
Artist dates: 1842 – 1865

Commissioned by the renowned Paris gunmaking firm of Le Page, these are the only known pistols executed by Antoine Vechte (1799–1868), a virtuoso silversmith, sculptor, and chiseler, who was famous in his day as the "nineteenth-century Cellini" in reference to the accomplished Renaissance artist Benvenuto Cellini. The pistols are unique in their all-steel construction and in the variety of highly original Renaissance-inspired figural ornament. One of the pistols (acc. no. 2013.514.2) was probably not finished when its companion (acc. no. 2013.514.1) was shown at the French Industry Exhibition in Paris in 1849. Instead, it appears to have been completed by Vechte in London, to which he had emigrated. It certainly was featured at the Great Exhibition of the Works of Industry of All Nations in London in 1851, where Vechte received a prize medal for his collective achievements.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, animal tail?; tendril from handle ornament
Gezicht op de rand van een bos met een terugkerende jager
Object type: print
Date: 1640 – 1698
Materials: paper
Techniques: etching
Artist: anna maria de koker
Artist role: print maker
Artist dates:  – 1698
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., road, path, forest, wood, return from the hunt
Inscriptions: collector's mark: Lugt 2228

Langs de rand van een bos loopt een jager met over zijn schouder een stok waaraan een haas hangt. Links van het pad zit een drietal mensen en op de achtergrond is een herder met zijn schapen te zien. In de lucht vliegen enkele vogels.
Portret van de architect Jacob de Breuck
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: sculptor, compasses, portrait, self-portrait of architect
Inscriptions: collector's mark: Lugt 2166, collector's mark: Lugt 2760, collector's mark: Lugt 2228
Index Sheet, from the series "One Hundred No Dramas (Nogaku hyakuban)"
Object type: print
Date: 1898 – 1903
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Gematigdheid
Object type: design
Date: 1551 – 1551
Materials: ink, paper
Techniques: brush, pen
Artist: heinrich aldegrever
Artist role: draughtsman, print maker
Artist dates: 1502 – 1561
Subjects: temperance, 'temperantia'; 'temperanza' (ripa) ~ one of the four cardinal virtues
A Design for a Monument Dedicated to the Memory of Mr. Henderson
Object type: print
Date: 1786 – 1786
Techniques: engraving, etching
Artist: thomas prattent
Artist role: engraver
Artist nationality: british
Artist dates: 1780 – 1810
Subjects: monuments,men,women,putti
Design for an Altar with the Virgin of the Immaculate Conception in the Center
Object type: drawing
Date: 1601 – 1700
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: anonymous, spanish, 17th century
Artist role: artist
Artist nationality: spanish
Artist dates: 1600 – 1700
Subjects: altars,angels,virgin mary
Elijah in the Wilderness Fed by Ravens, from Four Scenes from the Life of the Prophets, Isaiah, Ahajah and Elisha
Object type: print
Date: 1604 – 1604
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: jan saenredam
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1565 – 1607
Inscriptions: Lettered lower left: "Abraham Bloemaert invn. Joan Saenredam sculp. et excudebat 1604" and below image: "Iusserat irriguas Carithi ... cadente recedunt. Schrevelius"
Mask of a woman with her hair rolled back at the forehead and temples
Object type: mask, woman, hair rolled back
Materials: glass, paint, plaster
Location: egypt

The plaster masks derive from pharaonic traditions, in which the mask served as a substitute for the head of the deceased and as a means of elevating him or her to immortal status. The derivation is often reflected in paintings and texts located on the mantle surrounding the head. Like the painted mummy portraits, the masks suggest strongly individualized appearances and affect Roman fashions in hairstyle, jewelry, and dress. They follow, however, a somewhat different pattern. For example, female masks may have coiffures that combine Roman arrangements of the upper part of the hair with long corkscrew locks that were considered typically Egyptian. Despite the seeming individuality of the masks, most faces were made in a mold. Distinguishing details were worked in the plaster with a spatula or knife. The ears were added separately, and sometimes eyes were inlaid with glass or stone. The mask was then frequently painted or gilded. This woman's hair is pulled back from her forehead in tight rolls. A fine braid covers the part and joins a large round bun that sits below the crown of her head. Her inlaid eyes are heightened with deep-blue glass rims. Traces indicate her flesh was originally peach-colored. She wears drop earrings.
Nude Model, Standing
Object type: print
Date: 1891 – 1891
Materials: paper, ink, ivory
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Gezicht op Kasteel Ter Hooge
Object type: album leaf
Date: 1662 – 1662
Materials: paper
Techniques: etching
Artist: pieter hendricksz. schut
Artist role: print maker
Artist dates: 1618 – 1660
Subjects: city-view, and landscape with man-made constructions, castle, middelburg
Inscriptions: collector's mark: Lugt 195

Gezicht op Kasteel Ter Hooge met in het verschiet Middelburg. Op de voorgrond bedelen arme mensen bij welgestelde heren en dames te voet en te paard. De prent maakt deel uit van een album.
Drie sleeën op elkaar gestapeld
Object type: photograph
Date: 1860 – 1915
Materials: cardboard, photographic support
Techniques: albumen print, pen
Location: michigan
Artist: charles titus cornwell
Subjects: sledge, sleigh (winter sports)
Inscriptions: number: ‘6/ 7/ 8/ 9/ 10/ 12’
Fotoreproductie van Die drei Kirschen
Object type: album leaf
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: fruits: cherry, mother and child(ren), woman and child(ren) (family group), painting, drawing and the graphic arts
Inscriptions: annotation: ‘Die drei Kirschen’, inscription: ‘Hopfgarten./2746/ Les trois cerises./ Die drei Kirchen./ The three cherrys.’
Gezicht op Paleis Soestdijk, in de situatie van voor 1815
Object type: print
Date: 1815 – 1900
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: castle
Ex libris van H. Fransen
Object type: bookplate
Date: 1910 – 1951
Materials: paper
Techniques: printing block
Location: netherlands
Artist: arend hendriks
Artist role: print maker
Artist dates: 1901 – 1951
Subjects: founder of the order of friars minor (franciscans), francis(cus) of assisi; possible attributes: book, crucifix, lily, skull, stigmata
Inscriptions: signature: ‘A. Hendrikxs’
Drie meisjes met poppen op een pad
Object type: boekillustratie ontwerp
Date: 1893 – 1953
Materials: ink, paper, pencil
Techniques: pen
Artist: adri ladenius
Artist role: draughtsman
Artist dates: 1883 – 1953
Subjects: road, path, (playing with) dolls
Inscriptions: signature: ‘A. Lade’, :, collector's mark: Lugt 2228

Twee meisjes staan met een pop op de arm op een pad. Een derde meisje komt aanlopen met een poppenwagen. Rond een boom zitten nog eens vier poppen.
Anna Lewis, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Untitled (Julia Jackson)
Object type: photograph
Date: 1865 – 1866
Techniques: albumen print
Location: england
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Riformato & modesto
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: fashion plates
Vrouw met een hoofddoek en parel oorbellen
Object type: print
Date: 1731 – 1775
Materials: paper
Techniques: mezzotint
Artist: richard houston
Artist role: print maker
Artist dates: 1721 – 1775
Subjects: adolescent, young woman, maiden, masquerade, masked ball
Inscriptions: collector's mark: Lugt 240
Rijks Ethnographisch Museum Serie 1119
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: rijks ethnographisch museum
Artist: Anonymous
Subjects: musical instruments; group of musical instruments
Inscriptions: inscription: ‘Rijks Ethnographisch Museum/ Serie 1119/ No 28/ Koperen/ trompet met/ [...] versierd/ No 27/ Guitaar/ Thibet’
Entrée de Léopold a Bruxelles
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: belgium
Artist: Anonymous
Subjects: laeken, leopold i (koning der belgen), public festivities at other royal events, not meant or mentioned above, triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', wheelbarrow, brussels
Inscriptions: collector's mark: Lugt 2228

Spotprent op de intocht van koning Leopold I in Brussel voor de inhuldiging op 21 juli 1831. De koning met zijn poedel (Sylvain van de Weyer) zittend in een kruiwagen voortgeduwd door een Belgische opstandeling en getrokken door vijf honden (de vijf grote mogendheden).
A Short History of General John Clifford Pemberton, from the Histories of Generals series of booklets (N78) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: men,portraits

Miniature booklets from the "Histories of Generals" series (N78), issued in a set of 50 booklets in 1888 to promote W. Duke Sons & Co. brand cigarettes. Each booklet consists of 16 pages with covers.
Olga, from the Ballet Queens series (N182) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,dancers

Trade cards from the "Ballet Queens" series (N182), issued in an unnumbered set of 50 cards in 1889 by Wm. S. Kimball & Co.
Sacha en Renee Pauw van Wieldrecht met andere kinderen en een vrouw op het strand
Object type: photograph
Date: 1909 – 1909
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Inscriptions: annotation: ‘No 3569. / 1909.’, annotation: ‘Sacha + Renée’
Contes des fées
Object type: popular print
Date: 1893 – 1894
Materials: paper
Techniques: colour, letterpress printing, lithograph
Location: epinal
Artist: Anonymous
Subjects: alarm, fright; 'spavento', 'terrore' (ripa), handicrafts ~ maintenance and repair (with name of trade or profession)

Blad met zestien voorstellingen over een meisje dat schrikt van de schoorsteenveger. Onder elke voorstelling een onderschrift in het Engels. Deze prent maakt deel uit van een album.
Earring
Object type: earring
Date: 1001 – 1300
Materials: gold
Location: iran
Figure of Warrior
Object type: figure
Date: 960 – 1279
Materials: pottery
Culture: chinese
Subjects: men
De martelingen van de Engelsen door de Hollanders op Ambon in 1622
Object type: print
Date: 1673 – 1673
Materials: paper
Techniques: engraving
Location: london
Subjects: torture

Illustratie gemerkt 'E', afkomstig uit W. Stubbe, 'A Further Justification of the Present War against the United Netherlands', Londen 1673. De voorstelling toont de martelingen van de Engelsen door de Hollanders op Ambon in 1622. Links wordt een man volgegoten met water; rechts wordt een man met brandende kaarsen gepijnigd. De prenten zijn door de Engelsen gebruikt als propaganda om de oorlog tegen de Verenigde Provincies te rechtvaardigen.
Gezicht op de Zuiderkerk te Amsterdam
Object type: print
Date: 1685 – 1726
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: daniël stopendaal
Artist role: print maker
Artist dates: 1672 – 1726
Subjects: church (exterior), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Tweede staat van prent (met Franse titel) ook gebruikt in: Description de la fameuse ville d'Amsterdam (...) / Afbeeldinge van de wydt-vermaarde stadt Amsterdam (...). Amsterdam: Hendrik de Leth, [ca. 1740].

Derde staat van prent (rechtsboven gemerkt Pag. 144) ook gebruikt in: Le guide, ou nouvelle description d'Amsterdam (…). Amsterdam: Covens & Mortier & Covens Jr., 1772.
Portret van een man van de Duitse Koninklijke familie
Object type: plaque
Date: 1825 – 1825
Materials: iron
Techniques: casting
Location: berlin
Artist: leonhard posch
Artist role: sculptor
Artist dates: 1750 – 1831
Subjects: berlin

IJzeren penning. Voorzijde: borststuk man.
Tile
Object type: tile
Date: 1650 – 1680
Materials: earthenware
Techniques: glazing
Subjects: men,ships
Brief aan Jan Veth
Object type: letter
Date: 1887 – 1887
Materials: ink
Techniques: pen, writing
Location: dordrecht
Artist: frans lebret
Artist role: draughtsman, painter, print maker
Artist dates: 1820 – 1909
Subjects: designer, jan veth, printer, joseph bouwens, the graphic arts, brussels
Inscriptions: collector's mark: ‘RPK’
Theepot of wijnketel van melkglas met blauwe emailverf beschildering, imitatie Chinees porselein; bolvormig met tuit en hoog vast hengsel en losse deksel
Object type: teapot
Date: 1675 – 1710
Materials: glass
Location: amsterdam
Artist: Anonymous
Garonong
Object type: garonong
Materials: brass, bronze
Culture: bornean or dyak
Location: borneo