deem-data/ArtiFact huggingface dataset:
Luftwaffe militairen op straat
Object type: photograph
Date: 1910 – 1941
Materials: photographic support
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: occupation ~ war, amsterdam

Twee Luftwaffe militairen staan op straat bij een reclamebord voor ijzerhandel De Haan&Co in de Halvemaansteeg in Amsterdam. Zij staan dus op het Rembrandtplein.
Design for 6 seat Rockaway, no. 3660
Object type: drawing
Date: 1881 – 1881
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Michaeas
Object type: book illustration
Date: 1577 – 1577
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Artist: johann sadeler (i)
Artist role: print maker
Artist dates: 1550 – 1600
Subjects: male persons from the old testament (with name) (not in biblical context), violin, fiddle
Inscriptions: collector's mark: Lugt 240

Boekillustratie voor Hillesem, Louis. Sacrarum antiquitatum monumenta. Antwerpen: Christoffel Plantin, 1577.
Gateway Near a Landing Bridge
Object type: drawing and watercolor
Date: 1780 – 1785
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: francesco guardi
Artist role: artist
Artist nationality: italian
Artist dates: 1712 – 1793
Detail van de Regeringsbank in de Grote of Bartholomeüskerk te Schoonhoven
Object type: photograph
Date: 1891 – 1891
Materials: cardboard, photographic support
Techniques: albumen print
Location: grote of bartholomeüskerk
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: parts of church interior
Inscriptions: annotation: ‘Detail Regeringsbank N.H. of Bartholomeus Kerk/ Juli 1891/ Schoonhoven’, annotation: ‘Schoonhoven/ Detail Regerings bank’
Gezicht op Valley Forge
Object type: photograph
Date: 1871 – 1876
Materials: photographic support
Techniques: albumen print
Location: valley forge
Artist: Anonymous
Subjects: dale, valley
Netsuke of Coiled Dragon
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: dragons
In Tivoli (A Tivoli), from the series Picturesque Views of Italy (Malerisch Radierte Prospekte aus Italien)
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: etching
Location: germany
Artist: johann christian reinhart
Artist role: artist
Artist nationality: german
Artist dates: 1761 – 1847
Opgezadeld legerpaard, en profil gezien
Object type: photomechanical print
Date: 1895 – 1895
Materials: paper
Techniques: photolithography, rotogravure
Location: netherlands
Artist: Anonymous
Subjects: saddling and bridling, horse
Inscriptions: inscription: ‘No 112/ TOP.INR./ 1895./ BH VOORPAARD RA/ (RECHTS GEZIEN)’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 490
Materials: terracotta
Culture: greek, attic

Interior, right calf, foot, and lower drapery of woman to left
Coaster
Object type: coaster
Date: 1785 – 1785
Materials: metal
Ruins of Gallego Flour Mills, Richmond
Object type: panorama
Date: 1865 – 1865
Materials: glass
Techniques: albumen silver print
Artist: alexander gardner
Artist role: artist
Artist nationality: american, scottish
Artist dates: 1821 – 1882
Subjects: buildings,american civil war

In 1861, at the outset of the Civil War, the Confederate government moved its capital from Montgomery, Alabama, to Richmond, Virginia, to be closer to the front and to protect Richmond’s ironworks and flour mills. On April 2, 1865, as the Union army advanced on Richmond, General Robert E. Lee gave the orders to evacuate the city. A massive fire broke out the following day, the result of a Confederate attempt to destroy anything that could be of use to the invading Union army. In addition to consuming twenty square blocks, including nearly every building in Richmond’s commercial district, it destroyed the massive Gallego Flour Mills, situated on the James River and seen here. Alexander Gardner, Mathew B. Brady’s former gallery manager, then his rival, made numerous photographs of the "Burnt District" as well as this dramatic panorama from two glass negatives. The charred remains have become over time an iconic image of the fall of the Confederacy and the utter devastation of war.
A King Seated on His Throne
Object type: painting
Date: 1725 – 1725
Materials: ink, paper, watercolor
Culture: indian
Subjects: kings,men,thrones
Paris, Le Pont-au-Change
Object type: print
Materials: paper
Techniques: aquatint, etching
Location: england
Artist: john gendall
Artist nationality: english
Artist dates: 1790 – 1865
Kate Roselie Dodge
Object type: painting, miniature
Date: 1854 – 1854
Materials: ivory, watercolor
Culture: american
Artist: john wood dodge
Artist role: artist
Artist nationality: american
Artist dates: 1807 – 1893
Subjects: books,girls,portraits

The sitter (1846-?) was the artist's daughter, known as Roselie.
Portret van Johann Baptist Stiglmaier
Object type: print
Date: 1825 – 1899
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: sculptor, johann baptist stiglmaier, portrait, self-portrait of sculptor, historical persons
Inscriptions: collector's mark: Lugt 2228

Met eenregelig onderschrift in het Duits.
Het dorp Giessen-Nieuwkerk
Object type: drawing
Date: 1733 – 1784
Materials: ink, paper
Techniques: brush, pen
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: prospect of village, silhouette of village
Inscriptions: inscription: ‘Spilman del. Giessen-Nieuwkerk. 1733. A.D.H.’
Aalmoezeniersweeshuis te Amsterdam
Object type: tax token
Date: 1797 – 1797
Materials: tin
Techniques: striking
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

eenzijdig loodje met gat erin. Voorzijde: wapenschild op twee gekruiste bladertakken tussen jaartal. Keerzijde: blanco
Gezicht op Makkum
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: jan bulthuis
Artist role: draughtsman, print maker
Artist dates: 1750 – 1801
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, canal
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave. Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Fotoreproductie van een ets van een landschap met boerderij en grote boom door Rembrandt van Rijn
Object type: page
Date: 1848 – 1853
Materials: photographic support
Techniques: salted paper print
Location: paris
Subjects: trees, farm or solitary house in landscape
Divers Ornemens, Trophées et Panneaux
Object type: ornament print
Date: 1660 – 1670
Materials: paper
Techniques: etching
Location: france

De nimfen hebben beide een palmtak in de hand. Blad 10 uit serie van 12.
Brief aan de Commissie van de Tentoonstelling van Levende Meesters in Den Haag
Object type: letter
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: hendrikus van de sande bakhuyzen
Artist role: draughtsman, painter, print maker
Artist dates: 1795 – 1860
Subjects: painting (including book-illumination, miniature-painting), exhibition ~ art
Inscriptions: collector's mark: Lugt 2233, watermark
Snuff Bottle
Object type: snuff bottle
Date: 1701 – 1800
Materials: silver, stone
Techniques: inlay
Culture: chinese
Baluster
Object type: baluster
Date: 1601 – 1800
Materials: marble
Culture: chinese
Portret van Alfred Grévin
Object type: photograph
Date: 1887 – 1887
Materials: paper
Techniques: rotogravure
Location: france
Artist: Anonymous
Subjects: print maker, draughtsman, alfred grévin, historical persons, artist (in general), france
Ex libris van Van Nassau la Lecq
Object type: bookplate
Date: 1650 – 1799
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: beasts of prey, predatory animals: lion, armorial bearing, heraldry
Inscriptions: inscription: ‘Rietstap, II, 297.’
Toilet jar
Object type: toilet jar
Date: 1775 – 1780
Materials: soft paste porcelain
Artist: sceaux
Artist role: factory
Subjects: flowers
Briefkaart aan Adrianus Daniël de Vries Azn.
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: leiden
Artist: p.a. tiele
Artist role: auteur
Artist dates: 1834 – 1889
Subjects: james de rijk, print maker, draughtsman, jacobus ludovicus cornet, amsterdam, leiden, publisher, johannes tiberius bodel nijenhuis, drawing, the graphic arts
Portret van Friedrich Dintner I
Object type: print
Date: 1641 – 1665
Materials: paper
Techniques: engraving
Subjects: historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
English Farmhouse
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: switzerland
Artist: samuel hieronymus grimm
Artist nationality: swiss
Artist dates: 1733 – 1794
Pinhead
Object type: pinhead
Date: 670 – 330
Materials: glass
Culture: roman

Amber scarab shaped pinhead with white opaque decoration.
Glass Fragment
Object type: fragment
Date: 801 – 900
Materials: glass
Techniques: glassblowing, cutting
Location: iran

Another widely-exported early relief-cut type, which is often in cameo technique with a different colored outer layer that is cut away to reveal the body as background, leaving the decoration in the contrasting color.
Interieur van een klooster met twee monniken op de achtergrond
Object type: print
Date: 1837 – 1843
Materials: paper
Techniques: tone lithography
Location: paris
Subjects: abbey, monastery, convent ~ roman catholic church
Inscriptions: collector's mark: Lugt 2228
Head of a woman
Object type: facsimile
Date: 1758 – 1758
Materials: ink
Techniques: etching, printing
Artist: pietro testa
Artist role: artist
Artist nationality: italian
Artist dates: 1612 – 1650
Jupiter slaat Ate met een knuppel
Object type: print
Date: 1516 – 1516
Materials: paper
Techniques: etching, letterpress printing
Subjects: jupiter seizes ate by her hair and hurls her down from olympus, possibly because of the delayed birth of hercules

Prent afkomstig uit: Erasmus, Desiderius. Morias enkomion (...). Bazel: Johann Rudolf Genath, 1676.
De prenten hierin zijn naar tekeningen die Hans en Ambrosius Holbein maakten voor de theoloog Oswald Myconius in diens uitgave van de Moriae encomium (Lof der Zotheid) van 1516.
Urged by Fürwittig, Theurerdanck Tries to Manipulate a Polishing Stone, from "Theurerdanck"
Object type: print
Date: 1517 – 1517
Techniques: woodcut
Artist: hans schäufelein
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1540
Subjects: buildings,soldiers,men
Ruitertafereel op Koninklijke Houtvesterij Het Loo: geüniformeerde ruiter neemt hindernis op renbaan
Object type: album leaf
Date: 1900 – 1925
Materials: photographic support
Techniques: gelatin silver print
Location: het loo
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, crowd, mob, hunting, chase, hunting-ground, horse-racing, race-track, jumping (horse in motion)

Onderdeel van Fotoalbum van de heer Brams, opperhoutvester van koningin Wilhelmina op Koninklijke Houtvesterij Het Loo.
Criger, St. Louis, American League, from the White Border series (T206) for the American Tobacco Company
Object type: baseball card
Date: 1909 – 1911
Techniques: lithography
Artist: american tobacco company
Artist role: publisher
Subjects: men,portraits,baseball,athletes

Trade cards from "White Border" series (T206), issued 1909-11 to promote sixteen brands of cigarettes and loose tobacco distributed by the American Tobacco Company.
Chirurgijnsgilde van Amsterdam, gildepenning van A.D. Ham
Object type: medal
Date: 1776 – 1776
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: Dood, afgebeeld als geraamte, in bloemenveld met zeis in rechterhand en met linkerhand op zandloper, die op sokkel staat. Keerzijde: gekroond wapenschild, geflankeerd door twee leeuwen boven cartouche met opschrift en doodshoofd
Garniture with three vases and two beaker vases
Object type: kaststel
Date: 1740 – 1760
Materials: earthenware, glaze
Techniques: painted
Location: delft
Artist: zacharias dextra
Artist role: plateelbakker

Garnitures were extremely popular decorative elements in 18th-century Dutch interiors, where they were placed on cabinets or buffets. Although the forms of some garnitures evolved with the times, popular models, like this set with decorations inspired by Chinese porcelain, remained in production for many decades.
Krishna's Earthly Ties, Page from a Dispersed Bivamangalastava
Object type: page
Date: 1695 – 1700
Materials: gold, ink, paper, watercolor
Culture: mewar
Subjects: men,women,elephants,krishna

This work presents the devotional vision of Amar Singh II, who sits in the upper left. An inscription along the top, drawn from the devotional text of the Bivamangalastava, states: On earth there are in all probability only three hitching posts for the elephant called Murari [a name for Krishna]: the wooden mortar, the mind of the ascetics, and the budlike breasts of milkmaids. The central elements of this passage appear in the image: the blue figure of Krishna, dragging a mortar, approaches his foster mother, Yashoda, while below, an ascetic sits on the riverbank near the elephant Murari.
Maria met Kind, de H. Elisabet en de jonge Johannes de Doper
Object type: print
Date: 1515 – 1565
Materials: paper
Techniques: engraving
Location: italy
Subjects: mary, the christ-child and john the baptist, elisabeth present
Inscriptions: collector's mark: Lugt 240

Maria, het Chistuskind, Elisabet en de jonge Johannes de Doper zitten voor een stenen muur. Christus heeft het gezicht van Johannes in zijn handen
Commodore's Pennant, Denmark, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,flags

Trade cards from the "Naval Flags" series (N17), issued ca. 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Saint Syra
Object type: sculpture
Date: 1525 – 1550
Materials: limestone
Techniques: carved
Culture: french
Location: france
Subjects: saints, book, christian subjects, christianity, devotion, religion, religious, religious figures, woman
Boerenwoning
Object type: print
Date: 1809 – 1845
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Boerenwoning met boerendeur waarvan het bovenste deel geopend is. Rechts een plas. Onderdeel van een omslag met een serie van zes landschappen.
Man zit voor een vervallen herberg
Object type: print
Date: 1929 – 1929
Materials: paper
Techniques: etching
Artist: frederick landseer maur griggs
Artist role: print maker
Artist dates: 1876 – 1938
Subjects: hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 760a, signature: ‘F.L. Griggs’
Gezicht op de Kleersloot
Object type: drawing
Date: 1895 – 1942
Materials: paint, gouache, paper, pencil
Techniques: brush
Location: amsterdam
Artist: tinus de jongh
Artist role: print maker
Artist dates: 1885 – 1942
Subjects: city-view in general; 'veduta', the usual house or row of houses, lane, alley
Inscriptions: inscription: ‘Gedempte Kleerensloot’, inscription: ‘Port. 9-210’, collector's mark: ‘9’ Lugt 1641b, signature: ‘Tinus de Jongh’

Onderwerpsrubriek binnen de Atlas Amsterdam: Kadijksplein, Karthuizerkerkhof, Kattegat, Kattenburg, Kapelsteeg O.Z., Enge Kerksteeg, Kerkstraat, Kinkerstraat, Kolk O.Z., Koningsplein, Kromboomsloot [Krom Boomssloot], Kostverlorenkade, Kwakersdwarspad, Kalverstraat, Keizersgracht (v.d. Brouwersgracht – Amstel), Klerensloot (Gedempte), Klimopstraat, Kloveniersburgwal, Kraansluis.
"Bhil Couple Hunting Deer at Night", Folio from the Davis Album
Object type: illustrated album leaf
Date: 1734 – 1766
Materials: gold, ink, paper, watercolor
Location: india
Subjects: couples,men,women,hunting,deer

Night hunts were a favorite object of seventeenth- and eighteenth-century Mughal painters, serving as settings for both royal hunts and for a genre of paintings featuring tribal forest dwellers, such as the couple seen here dressed in leaf skirts and hunting deer. The woman catches the herd's attention with a torch while her companion shoots an arrow, felling the stag. Their village of thatched huts, set in a forest clearing, occupies the middle ground. Illuminated by the soft glow of the moon, the composition is a study in light and shadow, the master exponent of which in the mid-eighteenth century was the painter Mir Kalan Khan, whose atelier may have been responsible for this painting.
Drie foto's van mensen in de duinen
Object type: album leaf
Date: 1908 – 1911
Materials: paper
Techniques: gelatin silver print
Location: noordwijk
Artist: carolina frederika onnen (lien/loen)
Artist dates: 1896 – 1983
Subjects: dunes (sea not visible); in the dunes

Deze foto's maken deel uit van een album.
Adam Ploughing, from "The Dance of Death"
Object type: print
Techniques: woodcut
Artist: hans holbein the younger
Artist role: artist
Artist nationality: german
Artist dates: 1497 – 1543
Subjects: skeletons,infants,women,adam,nursing
Jérusalem, Enceinte du Temple, Vue générale de la face Est, Pl. 3
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture,cities

This is one portion of a three-part panorama that forms an all-encompassing view from outside Jerusalem’s walls. It displays the city’s architectural diversity, including domed mosques and churches, ancient masonry, and towering minarets. Although other photographic views of Jerusalem had been produced by Maxime Du Camp and Joseph-Philibert Girault de Prangey, Salzmann’s project was the most thorough and ambitious to date. Before its integration into the 1856 album, this panorama was offered separately in 1854. A review in the prominent Paris bulletin Annales Archéologiques suggested that the photographs forged a spiritual relationship with the sacred city: "We have here living Jerusalem. . . . An identical panorama should be exposed in all the churches and in all the seminaries, under the eyes of the young people who are destined for the priesthood; there is no description that inspires thoughts more numerous or more profound."
Aan de Heiligen Ganges
Object type: print
Date: 1912 – 1912
Materials: paper
Techniques: etching
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: temple, shrine ~ hinduism, buddhism, jainism, ritual practices ~ hinduism, buddhism, jainism, washing and bathing
Inscriptions: collector's mark: Lugt 2760, inscription: ‘1e staat’, inscription: ‘Staat.’, collector's mark: Lugt 2228
Landschap met bomen en kerk aan het water
Object type: sketchbook leaf
Date: 1823 – 1894
Materials: paper, pencil
Location: the hague
Artist: jan bedijs tom
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: trees, church (exterior), lake

Pagina 12 recto uit een schetsboek met 61 bladen.
Portret van een zittende man, aangeduid als Rudolf Andersson
Object type: photograph
Materials: cardboard, photographic support
Techniques: albumen print
Location: stockholm
Artist: august roesler
Artist role: fotograaf
Artist dates: 1837 – 1896
Subjects: sitting figure, historical persons
Inscriptions: name: ‘Ingeniör Rudolf Andersson’, inscription: ‘AUGUST ROESLER/ Drottninggatan No 23/ STOCKHOLM/ samma hus som/ Apotheket Morian.’, annotation: ‘Ingeniör Rudolf Andersson/ New York.’
The Marquess of Dufferin and Ava
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: photoaquatint
Artist: henry herschel hay cameron
Artist role: fotograaf
Artist dates: 1852 – 1911
Subjects: historical persons
Inscriptions: inscription: ‘The Marquess of Dufferin and Ava./ (from life.)’
Belt Buckle with Wolf and Ram
Object type: belt buckle
Date: 300 – 101
Materials: bronze
Techniques: gilding
Culture: north chinese
Subjects: animals,rams
Scherven van een martavaan uit V.O.C.-schip de 'Witte Leeuw'
Object type: martavaan
Date: 1613 – 1613
Materials: porcelain
Location: southeast asia
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A jar. This exceptional jar has a wide waist and narrows towards the neck which ends in a narrow flaring mouth. The thin, double walled base has bursted open. The grey coloured clay contains few impurities. There are no traces of glaze on the outside or inside. It ha possibly been covered with a glaze or a slip. The upper half of the exterior has concentric grooves neatly incised from the neck to the waist.
De verkeerde Weerelt / Le Monde a rebous
Object type: propagandaprent
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, 'mundus inversus', the reversed world, the topsy-turvy world, 'le monde bestourné', father time, man with wings and scythe, dissimulation, hypocrisy; 'hippocresia', 'simulatione' (ripa), dictatorial government, tyranny; 'tirannide' (ripa)
Inscriptions: signature: ‘M.V.CLE.INV’, signature: ‘W.Haecht.compo.et ex.’, number: ‘I’, inscription: ‘De verkeerde Weerelt. / Le Monde a rebous.’, signature: ‘A.WIE’, caption: ‘Gheueijstheijt, met Tijranij...ons macht bekant.’

Landschap waarin allegorische figuren en beeldelementen samen een rebus vormen. Personificaties van Geveinsdheid en Tirannie houden links de wereld ondersteboven, daarnaast de slapende Liefde en Tijd met een opengeslagen boek. In het onderschrift de oplossing van de rebus in 3 verzen van elk 2 regels in het Nederlands, Frans en Duits. Genummerd rechts- en linksonder: I / I.