deem-data/ArtiFact huggingface dataset:
Seated Female Nude
Object type: drawing and watercolor
Date: 1660 – 1662
Materials: ink, paper, watercolor
Techniques: brush, drawing, highlighting, painting, pen, scraping, wash
Location: netherlands
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: interiors, nudes, women

For Rembrandt van Rijn, simple honesty of vision and sureness of line were far more important than the classical glorification of the nude. He focused on this subject only during certain phases of his career, and very few of the resulting studies, which he used to prepare biblical or mythological representations, survive today. This strong form is a late work, and one of only four extant drawings of the female nude attributed to Rembrandt with certainty. Unlike the almost scientific realism of his earlier nudes, his late studies are less detailed and more painterly. He attained a maximum of expression with a minimum of means. Rendered with a swift treatment by brush and the blunt reed pen favored by the artist in his late years, this ample figure projects a forceful presence. Her face is generalized, and her feelings are suggested through her contemplative pose. Her simple shape and external immobility seem to increase the viewer’s sense of her inner vitality. In Seated Female Nude, Rembrandt’s penstrokes and brushwork are integrated with the utmost lightness and perfection; the pen stresses structural features, while the brush provides a transparent, atmospheric tone linking figure and space.
Terracotta fragment of a kylix: eye-cup (drinking cup)
Object type: kylix fragment
Date: 530 – 510
Materials: terracotta
Culture: greek, attic

Exterior, hand, genitals, and left leg of a youth to right, facing a nude youth; tip of the eyebrow and part of an eye
The Gallery of H.M.S. Calcutta (Souvenir of a Ball on Shipboard) (La galerie du "Calcutta" (Souvenir d'un bal à bord)
Object type: print
Date: 1876 – 1876
Techniques: drypoint
Artist: james tissot
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1902
Subjects: men,women,ships
Candlestick
Object type: candlestick
Date: 1790 – 1790
Materials: copper, silver
Location: england
Terracotta fragment of an oinochoe (jug)
Object type: oinochoe fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

At the top, bit of band of tongues from the shoulder of an oinochoe; below, head, right shoulder, part of extended right arm, and upper back of a helmeted warrior to right
Portret van kardinaal Prospero Fagnano
Object type: print
Date: 1625 – 1669
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4030, collector's mark: Lugt 2760
Iacobus Dobrzensky de Nigro Ponte
Object type: print
Date: 1772 – 1799
Materials: paper
Techniques: engraving, etching
Location: prague
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Zwartornamenten voor wapensmeden
Object type: ornament print
Date: 1665 – 1665
Materials: paper
Techniques: etching
Location: paris
Artist: philippe cordier daubigny
Artist role: print maker

Gedecoreerd met bladranken en een draak. Blad uit een serie van 14. Derde editie.
Vrouwen in klederdracht
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: human types, folk costume, regional costume
Inscriptions: collector's mark: Lugt 2228a
Studie
Object type: sketchbook leaf
Date: 1884 – 1886
Materials: chalk, paper
Location: drenthe
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: arms, agricultural implements: plough

Mogelijk een arm of een ploegschaar. Pagina 40 uit een schetsboek met 67 bladen vervaardigd in Drenthe.
The Sea
Object type: painting
Date: 1872 – 1872
Materials: canvas, oil
Culture: american
Artist: john frederick kensett
Artist role: artist
Artist nationality: american
Artist dates: 1816 – 1872
Subjects: seascapes

This contemplative seascape likely depicts the Long Island Sound from Contentment Island, Darien, Connecticut, where Kensett lived and worked from 1867 until his death in 1872. In this boldly simplified composition, the artist distilled nature to its most essential elements—land, sea, and sky—the last covering two-thirds of the canvas. Small sailboats dot the horizon, creating the illusion of depth and emphasizing the limitlessness of the ocean. Such views were widely popular with urban collectors, who often sought out meditative idealizations of nature as antidotes to fast-paced city life.
Split Hair Dressing Tool (Kogai)
Object type: split hair dressing tool kogai
Date: 1801 – 1900
Materials: iron
Culture: japanese
Location: japan
In the Flower Market, Brussels, Belgium. / Auf dem Blumenmarkt, Belgien
Object type: stereograph
Date: 1894 – 1894
Materials: cardboard, paper
Techniques: albumen print
Location: brussels
Subjects: market
Inscriptions: inscription: ‘3.’, inscription: ‘Sold only by Underwood & Underwood/ Liverpool,- New York,- Chicago,- Toronto,- Ottawa,- Kas,- El Paso Tex.’
Six estampes gravées d'après les desseins originaux de Rembrand qui se trouvent dans la collection de la Bibliothèque Imp. et Roy. de Vienne
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: etching
Location: vienna
Artist: adam von bartsch
Artist role: print maker
Artist dates: 1757 – 1821
Inscriptions: collector's mark: Lugt 240

Titelprent van de serie 'Six estampes gravées d'après les desseins originaux de Rembrand qui se trouvent dans la collection de la Bibliothèque Imp. et Roy. de Vienne', bestaand uit een titelprent en zes prenten.
Zaandam. Czaar Peterhuisje ingang
Object type: ansichtkaart, prentbriefkaart
Date: 1897 – 1905
Materials: cardboard
Techniques: photograph
Location: amsterdam
Artist: Anonymous
Subjects: gate, entrance, permanent exhibition, museum
Fotoreproductie van een prent naar een schilderij door Benjamin West, voorstellend een scene uit Hamlet door William Shakespeare
Object type: reproduction
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: ophelia
Inscriptions: number: ‘Ph. LXXXIII. 331’

Te zien is akte IV, scene 5 met Ophelia en Laertes voor de koning en de koningin.
Chandelier
Object type: chandelier
Date: 1810 – 1820
Materials: gilt bronze, glass
Location: england
Ontwerp voor de versiering van de boeg van het fregat Delta
Object type: design
Date: 1839 – 1839
Materials: ink, paper
Techniques: pen
Artist: a.j. schouten (1775-1849)
Artist role: architect
Subjects: parts of ship's exterior: bow, ornamenting, decorating ~ applied arts
Inscriptions: inscription: ‘Koopvaardijfregat Delta’
Chippy McGarr, 2nd Base, St. Louis Browns, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Border
Object type: textile border
Date: 1801 – 1900
Materials: linen, metal, silk
Culture: unknown
Portret van Wilhelm Traugott Krug
Object type: print
Date: 1790 – 1899
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228, signature: ‘Vjr of Hjr’
South West View of the New Royal Exchange, William Tite, F.R.S. F.G.S. Architect
Object type: print
Date: 1839 – 1841
Materials: paper
Techniques: engraving, etching
Subjects: exchange, bourse, city-view in general; 'veduta' (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 12
Flash-light study
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: autotype
Location: paris
Subjects: studio ~ photographer, adult woman
Portret van keizer Mattias van Oostenrijk
Object type: print
Date: 1608 – 1629
Materials: paper
Techniques: engraving
Location: prague
Artist: aegidius sadeler (ii)
Artist role: draughtsman, print maker
Artist dates: 1568 – 1629
Subjects: vienna, matthias van oostenrijk (rooms-duits keizer), knighthood order of the golden fleece
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Portret van Keizer Mattias van Oostenrijk. Met ketting van de orde van het Gulden Vlies.
Evening muff
Object type: evening muff
Date: 1876 – 1900
Materials: silk
Culture: french
Subjects: flowers
Gezicht op een dorp met links een waterput
Object type: print
Date: 1767 – 1780
Materials: paper
Techniques: printmaking
Subjects: village
Inscriptions: collector's mark: Lugt 240
Owl
Object type: figure
Date: 1750 – 1750
Materials: stoneware
Techniques: salt glaze
Subjects: owls
Terracotta fragments of open shapes
Object type: undetermined open shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Two black glazed fragments from the bottoms of open shapes; the underside of each fragment has a reserved circle in the center, framed by a thin black glazed circular band
De intocht in Jerusalem
Object type: drawing
Date: 1734 – 1801
Materials: ink, paper
Techniques: brush, pen
Artist: jacobus buys
Artist role: draughtsman, print maker
Artist dates: 1724 – 1801
Subjects: entry into jerusalem: people spreading their clothes before christ on the ass, and waving palm branches (matthew 21:1-11, 21:14-16; mark 11:1-11; luke 19:28-40; john 12:12-19)
Halberg-Krauss "Freisinger Moos"
Object type: reproduction
Date: 1905 – 1930
Materials: cardboard
Techniques: color autotype
Location: munich
Subjects: swamp, inland marsh, fens
XLVII tecum habita
Object type: print
Date: 1614 – 1614
Techniques: engraving, printing
Location: amsterdam

XLVII tecum habita. Derde schok. Onderdeel van 'Sinnepoppen', R. Visscher, 1614.
De werken van Odysseus
Object type: print
Date: 1632 – 1633
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: theodoor van thulden
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: penelope and ulysses reunited (homer, odyssey xxiii)
Inscriptions: collector's mark: Lugt 2228

Nadat Odysseus Penelope heeft verteld van zijn avonturen, is hij in slaap gevallen. Penelope is nog wakker en vraagt zich af of de man naast haar werkelijk Odysseus is.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Exterior, part of draped woman, wearing a chiton, in profile to left
Portions of an Armor for
 Vincenzo Luigi di Capua (d. 1627)
Object type: portion of an armor
Date: 1595 – 1595
Materials: copper alloy, gold, leather, steel
Culture: italian
Location: italy
Artist: pompeo della cesa
Artist role: armorer
Artist nationality: italian
Artist dates: 1512 – 1635

These elements form part of a light-cavalry or infantry armor made for the Neapolitan nobleman Vincenzo Luigi di Capua (d. 1627), count of Altavilla and prince of Riccia. The breastplate bears his personal impresa (emblem), a sunburst above the motto Nulla Quies Alibi (No Repose But Here). Pompeo della Cesa, whose etched signature “Pompeo” is found near the top of the breastplate in the center, was the foremost Milanese armorer of the late sixteenth century. His patrons included Philip II of Spain, who also ruled as duke of Milan; Alessandro Farnese, duke of Parma; and Emanuele Filiberto, duke of Savoy. Pompeo probably headed a large workshop and also acted as a contractor in cooperation with other shops to fill particularly large commissions. The decoration includes bands of trophies alternating with bands of allegorical and Biblical figures, one of several distinct decorative styles employed in Pompeo’s workshop.
Relief of Akhenaten, probably from a parapet
Object type: relief, akhenaten, parapet
Date: 1353 – 1336
Materials: quartzite
Location: egypt
Amulet, Taweret
Object type: pendant
Date: 100 – 100
Techniques: mosaic glass
Location: egypt
Subjects: taweret
Portret van Johann Dietrich Schaffhausen
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: engraving
Location: hamburg
Artist: pieter van den berge
Artist role: draughtsman, print maker, printer, publisher
Artist dates: 1659 – 1737
Subjects: writing-table, writing-desk, wig, law and jurisprudence
Inscriptions: collector's mark: Lugt 2228

Portret van Johann Dietrich Schaffhausen op 48-jarige leeftijd. Hij staat bij zijn schrijftafel met in de hand een brief. Op de achtergrond een doorgang waarboven ornamenten en beelden die rechtspraak symboliseren. In de marge zijn naam, titels, leeftijd en een wapenschild.
Teapot
Object type: teapot
Date: 1745 – 1745
Materials: earthenware
Techniques: glazing
Artist: john astbury
Artist role: maker
Artist dates: 1688 – 1743
Subjects: birds,lions,coat of arms
Beaded Wrist Ornament
Object type: bracelet
Date: 1301 – 1500
Materials: cotton, shell
Culture: chancay or chimú
Location: peru
Grafmonument met twee vrouwen
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: etching
Artist: charles françois hutin
Artist role: draughtsman, print maker, sculptor
Artist dates: 1715 – 1776
Subjects: grave, tomb, standing figure - aa - female human figure
Inscriptions: collector's mark: Lugt 2228

Grafmonument in een nis geflankeerd door twee staande vrouwen. Op de top van het monument staat een urn, waaromheen de linker vrouw een bloemenkrans legt. Onderaan in een cartouche: UMBRA.
Bowl
Object type: bowl
Date: 1850 – 1850
Materials: enamel, glaze, porcelain
Culture: japanese
Stupa, Leaf from a dispersed Ashtasahasrika Prajnaparamita (Perfection of Wisdom) Manuscript
Object type: folio
Date: 1101 – 1200
Materials: ink, leaf
Culture: indian
Subjects: buddhism,stupas

Stupa for the preservation and veneration of Buddha relics, adorned with flags
Minister-president Gerbrandy houdt een toespraak ter herdenking aan de Duitse inval op het terrein van de verwoeste Nederlandse kerk 'Austin Friars' te Londen
Object type: documentary photograph
Date: 1941 – 1941
Materials: photographic support
Techniques: photography
Location: london
Subjects: the hague, pieter sjoerds gerbrandy, london

In de restanten van de totaal aan puin geschoten Nederlands Hervormde Kerk 'Austin Friars' te Londen houdt minister-president Gerbrandy een toespraak ter herdenking aan de Duitse inval in Nederland. Met op het podium naast Gerbrandy het wapen van Nederland bevestigd aan een vlaggenstok met daaraan wapperend de Nederlandse vlag, in de hoek de Engelse vlag. Op het podium een militaire kapel.
½ franc uit het koninkrijk Frankrijk van Louis Philippe I, 1841
Object type: coin
Date: 1841 – 1841
Materials: silver
Techniques: striking
Location: paris

Zilveren munt. Voorzijde: hoofd van de koning met krans van eikenbladeren naar rechts. Keerzijde: binnen twee samengebonden lauriertakken waarde-aanduiding in twee regels, waaronder jaartal. Onderaan rechts letter A [=Parijs]. Kartelrand.
Meubilair
Object type: hall stand
Date: 1747 – 1747
Materials: wood
Location: netherlands
Artist: Anonymous

Eikenhouten kapstok met vier knoppen en versierd met in laag reliëf gesneden krullen en het jaartal 1747.
Royal Institution, Albemarle Street
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: libraries,interiors,men,reading
Portret van een man, mogelijk Johan van der Linden van Slingeland
Object type: print
Date: 1720 – 1792
Materials: paper
Techniques: brush
Artist: aert schouman
Artist role: draughtsman, painter, print maker
Artist dates: 1710 – 1792
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Design for Grotesque Wall Decoration
Object type: drawing
Date: 1501 – 1533
Materials: ink
Techniques: pen
Artist: perino del vaga (pietro buonaccorsi)
Artist role: artist
Artist nationality: italian
Artist dates: 1501 – 1547
Subjects: birds,grotesques,ornament
Goblet
Object type: glass
Date: 1831 – 1851
Materials: glass
Techniques: glassblowing
Location: new york city
Artist: redford glass company
Subjects: dining, drinking
La Pointe de Caugaussa
Object type: print
Date: 1927 – 1927
Materials: paper
Techniques: engraving
Location: hammersmith
Artist: lucien pissarro
Artist role: painter, print maker
Artist dates: 1863 – 1944
Subjects: lake, sunrise
Inscriptions: collector's mark: Lugt 2228, stamp: Lugt 1756b

Landschap met een zonsopgang bij een meer.
Bandontwerp voor: Edmund Hahn, Lisa wordt vrouw (Lisa wird eine Frau), 1933
Object type: study for binding design
Materials: paint, paper, pencil
Techniques: brush, printing
Artist: Anonymous
Subjects: face
Inscriptions: collector's mark: Lugt 2228a, :, signature: ‘VDH’

Gezicht van een jonge vrouw met kort haar in een blouse met opstaande kraag.
Cuneiform tablet case impressed with cylinder seal, for cuneiform tablets 1983.135.4a, b: private letter
Object type: cuneiform tablet case
Date: 2000 – 1801
Materials: clay
Culture: assyrian
Location: anatolia

Kültepe, the ancient city of Kanesh, was part of the network of trading settlements established in central Anatolia by merchants from Ashur (in Assyria in northern Mesopotamia) in the early second millennium B.C. Travelling long distances, and often living separately from their families, these merchants traded vast quantities of goods, primarily tin and textiles, for Anatolian copper and other materials. Although the merchants adopted many aspects of local Anatolian life, they brought with them Mesopotamian tools used to record transactions: cuneiform writing, clay tablets and envelopes, and cylinder seals. Using a simplified version of the elaborate cuneiform writing system, merchants tracked loans as well as business deals and disputes, and sent letters to families and business partners back in Ashur. At Kültepe, thousands of these texts stored in household archives were preserved when fire destroyed the city in ca. 1836 B.C. Because the tablets document the activities of Assyrian merchants, they provide a glimpse into the complex and sophisticated commercial interactions that took place in the Near East during the beginning of the second millennium B.C. This clay envelope or case was used to hold two small tablets (MMA 1983.135.4a, b) that comprise a letter from a merchant to his family. A cylinder seal was rolled twice across the reverse of the case. The seal impressions shows a scene in which a worshipper approaches the sun god. Behind this figure, a suppliant goddess and the warrior goddess Ishtar appear. These figures, along with the nude youth with a forelock who stands on a platform and carries a bucket, evoke Mesopotamian motifs, and show how merchants living abroad may have retained their sense of identity through personal possessions. Cuneiform writing on the obverse of the case indicates the recipients of the letter, and identifies the seal impression as that of Ashur-muttabbil, who wrote the missive.
Theatrum pontificum, imperatorum, regum, ducum, principum, etc.
Object type: print
Date: 1628 – 1670
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: karel van valois (hertog van angoulême), armour
Inscriptions: collector's mark: Lugt 2228

Busteportret van Karel van Valois, in harnas. Het portret is gevat in een achthoekige omlijsting. In de marge het wapenschild van de geportretteerde en een tweeregelig onderschrift in het Frans.
Brief aan Christiaan Kramm
Object type: letter
Date: 1861 – 1861
Materials: ink, paper
Techniques: pen, writing
Location: rotterdam
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: hendrik tollens, edouard hamman, utrecht, print maker, draughtsman, christiaan kramm, literature ~ arts, the graphic arts, painting (including book-illumination, miniature-painting), art collecting, paris
Inscriptions: collector's mark: Lugt 2233, seal
Portret van arts Johan Carl Krauss
Object type: print
Date: 1789 – 1826
Materials: paper
Techniques: etching, hand coloring, lithography
Location: germany
Artist: friedrich christoph dietrich
Artist role: print maker
Artist dates: 1779 – 1847
Subjects: leiden, historical persons, physician, doctor (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Naar links opziende man, met gespreide armen
Object type: drawing
Date: 1588 – 1660
Materials: chalk, paper
Subjects: male sex; man
Tussenzetsel van kloskant met ruitvormige velden gevormd door dunne vlechten
Object type: entre deux, tussenzetsel
Date: 1900 – 1915
Materials: silk
Techniques: lace
Location: malta
Artist: Anonymous

Tussenzetsel van naturelkleurige kloskant: Maltezer kant. Het zich herhalende en symmetrische patroon bestaat uit een rij aaneengeschakelde ruitvormige velden, die gevormd worden door dunne vlechten. In elk veld staat een bloem met vier bloemblaadjes gemaakt in vormslag, tussen twee driehoekige motieven in linnenslag. De driehoekige velden boven en onder deze rij ruiten vertonen een gehalveerde versie van dit patroon. Boven- en onderzijde van de strook zijn recht afgewerkt.
Lid of a Relic Casket
Object type: lid
Date: 1 – 100
Materials: stone
Culture: gandhara
Subjects: gandhara
Watch case
Object type: watch case
Date: 1601 – 1700
Materials: enamel, metal
Subjects: ruins
Coiffures, Poufs, Hats and Bonnets: Eleven Coiffures and Headdresses
Object type: fashion print
Date: 1780 – 1780
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: ear-rings (+ women's clothes), head-gear (pouf) (+ women's clothes), border, ribbon, braid (+ women's clothes), neck-gear ~ clothing (neckerchief) (+ women's clothes), head-gear (straw hat) (+ women's clothes), styles of hairdress - aa - ~ women, head-gear: cap (+ women's clothes), fashion plates
Inscriptions: inscription: ‘Coefure a la mode sans toque fermée d'un rang de petites boucles et recouvertes d'un Pouf de Gaze Ceint d'un ruban.’, inscription: ‘Petit Bonet dont le dessus est une Crete de Gaze d'Italie sur une frisure a 4 boucles le Chignon retroussé a 2 boucles pendantes.’, inscription: ‘La meme vue de face, recouverte d'un Chapeau de paille.’, inscription: ‘Chapeau noir de paille teinte retroussé devant et derriere sur une Coefure a 3 boucles tombantes et point de toque.’, address: ‘A Paris chez Esnauts et Rapilly rue St. Jacques a la Ville de Coutances. A.P.D.R.’, title: ‘34e Cahier de Costumes Français 8e Suite de Coëffures a la mode en 1780.’

Ladies’ hairstyles were ingenious works of art, built around a core of cushions and horsehair. Hair was piled high in curls and twists (chignons) and adorned with feathers, ribbons, artificial flowers, tulle and jewels to create various fancifully named poufs. Because the hair was dressed using animal fat and powdered with wheat flour, these poufs attracted all manner of insects. Far from hygienic, they moreover did not last long. When they went out, ladies protected their hairdos with a voluminous ribbed hood called a calèche 1. Hairdressers of the time, who styled themselves as artists, used prints to advertise their latest creations and craftsmanship 2 3.
Vrouwen op een plantage in Zuidoost-Azië
Object type: tissue stereograph
Date: 1865 – 1875
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: asia
Artist: Anonymous
Subjects: plantation
Portret van paus Pius VII
Object type: print
Date: 1800 – 1819
Materials: paper
Techniques: engraving
Subjects: rome, clergyman, pius vii, insignia of the pope, e.g. tiara, historical persons, pope
Inscriptions: collector's mark: Lugt 2228
Pendant with head of the Virgin
Object type: pendant
Date: 1601 – 1633
Materials: gold
Techniques: enamel
Artist: ottavio miseroni
Artist role: maker
Artist nationality: italian
Artist dates: 1567 – 1624
Subjects: heads,virgin mary

See 39.22.6 for a smaller version of this head of the Virgin in the form of a heliotrope cameo.