deem-data/ArtiFact huggingface dataset:
Dancers, Pink and Green
Object type: painting
Date: 1890 – 1890
Materials: canvas, oil
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: women,dancers,ballet

The heavily impastoed surface suggests that Degas worked directly and extensively on this picture, building up passages of oil paint with brushes and his fingers. By mixing his colors with white to make them opaque, and by applying his pigments thickly and in several layers, he approximated the pastel technique that he had perfected in the 1880s. Degas punctuated the composition with the shadowy profile of a top-hatted patron of the Paris Opéra, who enjoys the privilege of dallying with the dancers in the wings during a performance.
Predikant spreekt vanaf kansel kerkgangers toe
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, cutting, hand coloring, perforating
Artist: Anonymous
Subjects: organization, functionaries and dignitaries in churches and in related institutions
Inscriptions: retailer's mark: ‘Au Jardin des Tuileries/ 202 rue de Rivoli/ B. GUÉRARD/ Grand Assortim de Stereoscopes et Vues/ Stéréoscopiques de l'ons pays (...)’
Deel van een kraag van gehaakte kant imitatie grove Venetiaanse naaldkant
Object type: collar
Date: 1890 – 1909
Materials: cotton
Techniques: crocheted lace, irish crochet lace
Location: ireland
Artist: Anonymous

Het is een aanname dat deze Ierse gehaakte kant ook daadwerkelijk in Ierland is gemaakt. Ierse gehaakte kant kent zijn oorsprong rond 1760 en kwam vanaf 1840 in ontwikkeling. Aangezien volgens Martine Bruggeman (Kant in Europa) de Ierse haakindustrie aan het eind van de 19e eeuw gereorganiseerd werd en in populariteit groeide, is het hier beschreven stuk gedateerd rond 1890, tot 1909 vanwege de datering in het eerste decennium van populariteit van Ierse gehaakte kant volgens het Kantlexicon (Johan Coene).
Newhaven Fishwife
Object type: photograph
Date: 1843 – 1847
Techniques: paper negative, salted paper print
Artist: hill and adamson
Artist role: photography studio
Artist nationality: british, scottish
Artist dates: 1843 – 1848
Subjects: women,working
Silver Statuette of St. Matthias, from the "Wittenberg Reliquaries"
Object type: print
Date: 1472 – 1553
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: reliquaries,saints
Verschillende munten en drie beelden van sfinxen
Object type: book illustration
Date: 1700 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: sphinx (lion/woman); 'sfinge' (ripa) - aa - female human figure, coin
Inscriptions: collector's mark: Lugt 2228

Prent uit een onbekend boek met objecten, kunstwerken en figuren uit de Romeinse geschiedenis en religie. Dit betreft een illustratie bij p. 17.
"Unwan", Folio from the Shah Jahan Album
Object type: album leaf
Materials: gold, ink, paper, watercolor
Location: india
Artist: mir 'ali haravi
Artist role: calligrapher
Artist dates: 1525 – 1575
Subjects: persian,calligraphy
Zeegezicht met zeilschip en sleepboot
Object type: photomechanical print
Date: 1883 – 1888
Materials: cardboard
Techniques: heliotype
Location: vienna
Subjects: sailing-ship, sailing-boat, sea (seascape), tug, pusher tug
Inscriptions: inscription: ‘Concours de négatifs 1888./ Médaille de Vermeil.’
Portret van Alessandro Farnese, hertog van Parma
Object type: print
Date: 1669 – 1731
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: rome, alessandro farnese (landvoogd van de nederlanden en hertog van parma en piacenza)
Inscriptions: collector's mark: Lugt 2228

Alessandro Farnese, hertog van Parma en landvoogd van de Nederlanden. Op de achtergrond het opblazen met branders van de schipbrug aangelegd door de hertog van Parma in de Schelde vóór Antwerpen, 5 april 1585.
Sestertius (Coin) Portraying Emperor Augustus
Object type: coin
Date: 34 – 35
Materials: bronze
Culture: roman
Location: roman empire
Subjects: chariots
Inscriptions: Obverse: DIVO AVGVSTO. S.P.Q.R. 
(To the divine Augustus, the Senate, and the Roman People)

Reverse: TI.CAESAR DIVI AVG.F.AVGVST.P.M. TR. POT XXIIII 
(Tiberius Caesar, son of the divine Augustus, sovereign pontiff [invested] for the 34th time with the Tribunitian power)
In field: S.C. 
(by decree of the Senate)

The front (obverse) of this coin portrays the emperor Augustus seated on a four-wheeled cart of honor drawn by four elephants, each of which has a conductor sitting on its back. He wears a radiate crown and holds an olive \ seated on a four-wheeled car of honor, drawn by four elephants, each of which has a conductor sitting on its back.

The back (reverse) bears an inscription.
[Houses on Village Street]
Object type: photograph
Date: 1850 – 1859
Techniques: paper negative, salted paper print
Artist: Anonymous
Artist role: artist
Subjects: houses,streets,villages
Man in een roeiboot op de Hintersee bij Berchtesgaden
Object type: photograph
Date: 1880 – 1899
Materials: paper, photographic support
Techniques: collodion silver print
Location: bavaria
Artist: Anonymous
Subjects: rowing-boat, canoe, etc., lake, mountain-range, snow peaks

Onderdeel van Reisalbum met bezienswaardigheden in Duitsland, Oostenrijk, Zwitserland, Luxemburg en België.
Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae
Object type: album leaf
Date: 1643 – 1643
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the meeting between esau and jacob

Esau en Jakob omhelzen elkaar. Rechts, achter Esau staat zijn leger. Links het vee en de geknielde vrouwen en kinderen van Jakob. Onder de voorstelling twee verzen in het Latijn en een verwijzing naar de Bijbeltekst in Gen. 33. Deze prent maakt deel uit van een album.
Portret van Alexander Mackenzie
Object type: photomechanical print
Date: 1884 – 1894
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: composer
Inscriptions: inscription: ‘57 & 61, Elbury Street, London.’
Portretten van leden van de familie Roelants
Object type: print
Date: 1648 – 1648
Materials: paper
Techniques: etching
Location: antwerp
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: jurist, raadslid, jacob roelants (1568-1651)
Inscriptions: collector's mark: Lugt 2228

Jacob Roelants, jurist en raadslid te Mechelen.
Twee figuren staan voor de Sint Nicolaaskerk in Arundel
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: soft ground etching
Subjects: church (exterior)
Inscriptions: collector's mark: Lugt 2228
Portret van een onbekende jongeman
Object type: photograph
Date: 1945 – 1945
Materials: paper
Techniques: gelatin silver print
Location: the hague
Subjects: historical persons not known by name
Inscriptions: date: ‘23 Nov. 1945’, stamp: ‘Gordon Studios/ Spuistraat 68/ Den Haag’
Sketches of Seated Man, Medici Coats of Arms
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: pen
Location: italy
Artist: attributed to stefano della bella
Artist nationality: italian
Artist dates: 1610 – 1664
Oom geeft een raadsel op
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: uncles, aunts (third degree family relationships), guessing games (children)
Inscriptions: collector's mark: Lugt 2228

Een latere staat van deze prent is ook gebruikt in: Schummel, Johann Gottlieb. Kinderspiele und Gespräche. Leipzig: Siegfried Lebrecht Crusius, 1776-1778, 3 dln.
Alexanderzuil en het Plein van de Admiraliteit in Sint Petersburg
Object type: cabinet photograph
Date: 1880 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-petersburg
Artist: joseph daziaro
Artist role: publisher
Artist dates: 1831 – 1892
Subjects: triumphal column with helical friezes (+ variant), square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘Colonne Alexandre I’

Onderdeel van Fotoalbum met opnames van Sint-Petersburg.
9 of Horns, from The Cloisters Playing Cards
Object type: playing card
Date: 1475 – 1480
Materials: glaze, gold, ink, paint, paper, silver
Techniques: pen
Culture: south netherlandish
Subjects: playing cards,horns,games

The Cloisters set of fifty-two cards constitutes the only known complete deck of illuminated ordinary playing cards (as opposed to tarot cards) from the fifteenth century. There are four suits, each consisting of a king, queen, knave, and ten pip cards. The suit symbols, based on equipment associated with the hunt, are hunting horns, dog collars, hound tethers, and game nooses. The value of the pip cards is indicated by appropriate repetitions of the suit symbol. The figures, which appear to be based on Franco-Flemish models, were drawn in a bold, free, and engaging, if somewhat unrefined, hand. Their exaggerated and sometimes anachronistic costumes suggest a lampoon of extravagant Burgundian court fashions. Although some period card games are named, it is not known how they were played. Almost all card games did, however, involve some form of gambling. The condition of the set indicates that the cards were hardly used, if at all. It is possible that they were conceived as a collector’s curiosity rather than a deck for play.
Piazza Sordello te Mantua
Object type: print
Date: 1810 – 1845
Materials: paper
Techniques: aquatint, etching
Location: italy
Subjects: square, place, circus, etc., church (exterior)
Inscriptions: collector's mark: Lugt 2228

Gezicht op het Piazza Sordello te Mantua. Links de façade van de Dom, rechts het Palazzo del Capitano. Op het plein verscheidene figuren.
Rosewater sprinkler or bottle vase with light brown and antiquities
Object type: sprinkler flask
Date: 1700 – 1724
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous
"The Riverside, Favourable Wind and the Trout Rising as Fast as Possible"
Object type: drawing
Date: 1830 – 1864
Materials: graphite, ink, watercolor
Techniques: pen
Artist: john leech
Artist role: artist
Artist nationality: british
Artist dates: 1817 – 1864
Subjects: animals,men,fishing,rivers,trees
Strook kloskant met aaneengeschakelde gebogen bloemstengels
Object type: strip
Date: 1650 – 1699
Materials: linen
Techniques: lace
Location: southern netherlands
Artist: Anonymous

Tussenzetsel van naturelkleurige kloskant: oudvlaamse kloskant met vlechtengrond. Het zich herhalende patroon bestaat uit een aaneenschakeling van steeds eenzelfde gebogen bloemstengel, die onderaan de strook begint en met een boog langs de bovenzijde loopt en eindigt in een grote rozetbloem. De motieven zijn deels gemaakt in linnenslag met opengewerkte randjes en uitsparingen. Enkele (bloem)bladeren zijn gemaakt in vetergatslag en andere bladeren zijn gevormd door een sneeuwvlokkengrond of spinnengrond. De bloemharten van de grote rozetbloemen zijn voorzien van een zespuntige ster gemaakt in vormslag. De motieven zijn met elkaar verbonden door een vlechtengrond met lange vlechten. Boven- en onderzijde van de strook zijn recht afgewerkt waarbij de onderzijde is voorzien van picots.
Snuffbox
Object type: snuffbox
Date: 1770 – 1780
Materials: copper, enamel
Subjects: men,drinking,tables
Verzameling van bloemen, elke soort in verschillende aspecten weergegeven
Object type: album leaf
Date: 1650 – 1676
Materials: paper
Techniques: engraving, etching
Subjects: flowers

Deze prent maakt deel uit van een album.
Gedicht aan Carel baron van Boetzelaer
Object type: poem
Date: 1793 – 1793
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: didericus rooleeuw lepie
Artist role: schrijver
Subjects: the hague
Inscriptions: watermark
Gezichten op Amsterdam
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Subjects: square, place, circus, etc., city-view in general; 'veduta', church (exterior), townhall
Inscriptions: collector's mark: ‘15,50’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Stadhuis, als Paleis, op de Dam, van Buiten.
Gezicht op de Via dell'Abbondanza te Pompeï
Object type: photograph
Date: 1857 – 1914
Materials: cardboard, paper
Techniques: albumen print
Location: pompeii
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: devastated, ruined place or city (~ warfare), street
Inscriptions: collector's mark: ‘VOSMAER’, inscription: ‘11’, inscription: ‘Sommer (t)’
Storage Bag (Chuval) Face
Object type: storage bag
Date: 1801 – 1833
Materials: cotton, wool
Techniques: asymmetrically knotted pile
Location: central asia
Wearing Blanket (Phase II)
Object type: costume and accessory
Date: 1850 – 1865
Materials: dye, wool
Techniques: interlocking, tapestry, weave
Culture: navajo, diné
Location: navajo
Subjects: geometric, arrow, squares, stripes

According to Navajo (Diné) legend, the deity Spider Woman taught women to weave. Since that time, textiles have been thought to have a life force of their own that lies in the very processes of weaving. Ideally, finished blankets are supposed to radiate a sense of vitality. In creating a weaving, the artist participates inhozho, the Navajo concept of beauty and harmony. Made using fine churro wool and natural dyes, this warm and waterproof blanket was valued as a work of special artistic significance and as a prestige trade item.

By the early 1830s, "chief" blankets were prized by prominent men among tribes as far away as the Northern Plains, Southwest, and Great Basin. The design of "chief" blankets evolved in an identifiable pattern. Phase I, dated from the early 19th century, is characterized by alternating broad horizontal stripes of white, black-brown, red, and indigo blue. Phase II innovations appeared by 1850, as Navajo weavers incorporated small red blocks into the ends and centers of the blue stripes. Phase III emerged by the 1860s. Blankets made at this time typically display a full terraced diamond in the center, quarter diamonds at each corner, and half diamonds in the center of each edge. The stripes of white, black-brown, red, and indigo blue were retained. By the late 1970s, a wide range of designs began to appear, as traders introduced textile models from Mexico and the Near East.

Weaving remains a vital aspect of Navajo culture, in which women function as artists. In a religious sense, Spider Woman continues to work through these weavers, directing the growth and beauty of every blanket or rug.
Ontmoeting van David en Abigaïl
Object type: print
Date: 1708 – 1708
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: meeting of david and abigail, who kneels before him
Inscriptions: collector's mark: Lugt 2228

Proefdruk van een prent welke is opgenomen als illustratie in: Historiae Celebriores Veteris Testamenti. Christoph Weigel, 1708.
The Fall of the Magician
Object type: print
Date: 1565 – 1565
Techniques: engraving
Artist: pieter van der heyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1525 – 1569
Subjects: musical instruments,animals,circus,magicians
Gezicht op de Nieuwe Stadsherberg aan het IJ in Amsterdam
Object type: print
Date: 1710 – 1711
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, rowing-boat, canoe, etc., bridge in city across river, canal, etc., hotel, hostelry, inn

Prent uit: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Pieter Schenk (I), [1710-1711]. Of: 100 Afbeeldinge der voornaamste gebouwen van Amsterdam. Amsterdam: Barent Greve, [1757-1766], prent nummer 20.
In de tweede uitgave, uitgegeven door Barent Greve, is alleen de titelprent aangepast. De overige prenten zijn onveranderd gebleven.
Collar
Object type: collar
Date: 1850 – 1850
Materials: linen
Culture: american
Voorstellingen van heroïsche daden
Object type: print
Date: 1677 – 1677
Materials: paper
Techniques: engraving, etching
Location: vatican city
Subjects: (story of) diana (artemis), sleeping; unconsciousness - bb - out of doors, hunting dogs
Inscriptions: collector's mark: Lugt 11, collector's mark: ‘Hinloopen’

Naar een fresco door Pietro da Cortona in de Sala di Venere in Palazzo Pitti te Florence. De prent maakt deel uit van een reeks van 15 ongenummerde prenten.

Deze prent maakte oorspronkelijk deel uit van liber nr. 22 van de Atlas van Rome, uit de collectie Hinloopen. In dit album waren een aantal prentreeksen naar bekende zeventiende eeuwse frescoseries bijeengebonden. In 1709 heeft Schijnvoet op last van de burgemeesters van Amsterdam de collectie herordend. De prenten uit liber 22 kwamen terrecht in Schijnvoet boek nr. 10. De laatst gedateerde reeks in het album is gedateerd 1691. Het album moet dus na deze datum gebonden zijn. De band is in de Rijksakademietijd uit elkaar gehaald. De marges van de prenten zijn bij het opbergen in het Rijksprentenkabinet vaak drastisch afgesneden. Van een aantal series waren de prenten teruggeslagen om in het album te passen. (Zie: Waals, Jan van der. De prentschat van Michiel Hinloopen. 's-Gravenhage: SDU uitgeverij, 1988, pp. 173-174.)
Allegorie op Horatius
Object type: titelblad, titelpagina
Date: 1684 – 1684
Materials: paper
Techniques: engraving
Location: low countries
Subjects: abstract ideas and concepts (+ allegorical scene, i.e. two or more personifications involved in an action), fama as roman personification, tools, implements of painter, sculpture
Inscriptions: inscription: ‘T. III. bis’, collector's mark: Lugt 11

In het midden een portretbuste van de Romeinse dichter Horatius op een sokkel. De sculptuur wordt met een lauwerkrans gekroond door Faam, die op haar bazuin blaast. Rechts een allegorische figuur met schildersbenodigdheden in haar handen. Haar hoofddeksel is versierd met een lauwerkrans en een sfinx als symbool van wijsheid. Links een allegorische figuur met een instrument in haar hand.
Coin Portraying Emperor Hadrian
Object type: coin
Date: 118 – 118
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse: IMP  CAESAR  TRAIANVS  (HADRIANIUS  AVG)
Reverse:  LIBERALITA)  S  AVG  (S  C  PONT  MAX  TR  POT) COS II

The front of this coin portrays the emperor Hadrian, facing right.

On the back, Hadrian is shown seated on a balcony with the goddess Liberty.
Teatro delle Nobili et Virtuose Donne..., page 45 (recto)
Object type: book print ornament architecture
Date: 1616 – 1616
Techniques: engraving, woodcut
Artist: isabella catanea parasole
Artist role: author
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: ornament

Written by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Mauritio Bona, Rome. From top to bottom, and left to right: Design consists of a central section that is divided into halves and framed on the left by a decorative border labeled "P. 28" and on the right by a decorative border labeled "P. 24." Left side of middle section is comprised of 3 half-registers that are ornamented with various floral and foliage patterns formed by geometric shapes and curvilinear lines. The registers are labeled in the following order (from top to bottom): "P. 66," "P.48," and "P.44." Similar to the left side, the right side of middle section is comprised of 3 half-registers that are ornamented with various floral and foliage patterns formed by geometric shapes and curvilinear lines. The registers are labeled in the following order (from top to bottom): "P. 58," "P. 14," "P.46."
Arcadisch landschap met ruïnes
Object type: print
Date: 1656 – 1726
Materials: paper
Techniques: etching
Location: unknown
Artist: johannes glauber
Artist role: draughtsman, painter, print maker
Artist dates: 1646 – 1726
Subjects: villa, landscape with ruins (+ city(-scape) with figures, staffage), pastorals, arcadian scenes, public road
Inscriptions: collector's mark: Lugt 240

Een arcadisch landschap met ruïnes. Centraal de ruïne van een klassieke sokkel. Naast de sokkel rust een vrouw uit aan de kant van de weg. Op de achtergrond een villa en een vijver. De prent maakt deel uit van een serie met arcadische landschappen.
Glass spindle whorl
Object type: spindle whorl
Date: 1 – 200
Materials: glass
Culture: roman

Translucent cobalt blue. Domed body; flat bottom but with circular groove; vertical hole, larger on bottom. Intact; pinprick bubbles; dulling, pitting, and iridescence, with patches of creamy weathering. Made by winding trail in a spiral around rod.
Brief aan L.P. Denekamp
Object type: letter
Date: 1916 – 1916
Materials: ink
Techniques: pen, writing
Location: bussum
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: leiden, amsterdam, painter, print maker, draughtsman, rembrandt van rijn, l.p. denekamp, hoorn (north holland), the hague, art trade, art shop, the graphic arts, art collecting, money
Inscriptions: collector's mark: ‘RPK’
Passie en wederopstanding van Christus
Object type: print
Date: 1590 – 1638
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the kiss of judas: accompanied by soldiers with torches and lanterns, he kisses christ, the arrest of christ ~ garden of gethsemane
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Christus en zijn leerlingen in de hof van Getsemane. Judas kust Christus op de wang. De soldaten omsingelen en arresteren hem. Op de voorgrond tracht Petrus Christus te verdedigen en valt een van de soldaten aan. De prent heeft een Latijns onderschrift met een tekst uit de Bijbel en is de derde prent van een veertiendelige serie over de passie van Christus.
Privathaus
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: photograph
Location: vienna
Artist: Anonymous
Subjects: atlantes ~ architecture, gate, entrance, façade (of house or building)
Inscriptions: number: ‘XXXIV.’, inscription: ‘I. Schulhof 4’
Seated actress with chin resting on hand, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
IJsgezicht nabij een stad
Object type: book illustration
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: woodgathering, woodgatherer, winter landscape; landscape symbolizing winter (the four seasons of the year), skates (winter sports)
Inscriptions: collector's mark: Lugt 2228

IJsvermaak en vissers op bevroren water nabij een stad. Op de voorgrond sprokkelen figuren hout. Prent linksboven gemerkt: XIV.
Regena
Object type: photograph
Date: 1912 – 1912
Techniques: gelatin silver print
Artist: morton schamberg
Artist role: artist
Artist nationality: american
Artist dates: 1881 – 1918
Subjects: portraits,women
Album Page with Cut-Paper Decoration
Object type: illustrated album leaf
Date: 1625 – 1650
Materials: gold, paper, watercolor
Techniques: cutting
Location: india
Subjects: birds,deer,plants

The decoration on this page is cut from tan paper and laid down on a blue paper background. It depicts flowering plants and a pair of long-legged water birds flanking a deer. The calligraphy, only partially deciphered, is integrated into the floral pattern, resembling foliage in the lower section and a tendril-like motif in the upper section. The words may provide the name of the artist (Baz Khan?) and an invocation to 'Ali.
Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault
Object type: print, fete, ornament architecture
Date: 1629 – 1629
Techniques: etching
Artist: melchior tavernier
Artist role: artist
Artist nationality: french
Artist dates: 1564 – 1641
Subjects: arches,coat of arms
Sketches of Swine and an Ox
Object type: drawing and watercolor
Materials: graphite, paper
Location: france
Artist: charles françois daubigny
Artist nationality: french
Artist dates: 1817 – 1878