deem-data/ArtiFact huggingface dataset:
Anton en Piet achter Tourtonne
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

Twee jongens genaamd Anton en Piet staande voor bomen achter de plantage Tourtonne. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Cupid Overcoming Pan
Object type: drawing and watercolor
Materials: chalk, ink, ivory, paper
Techniques: brush, pen, drawing, wash
Location: italy
Artist: orazio samacchini
Artist role: artist
Artist nationality: italian
Artist dates: 1532 – 1577
Coin Depicting a Male Bust
Object type: coin
Date: 55 – 55
Materials: bronze, copper alloy, metal
Culture: roman
Location: rome
Twee vrouwen van Culemborg
Object type: drawing
Date: 1590 – 1593
Materials: paint, gouache, ink, parchment, watercolor
Techniques: writing
Location: northern netherlands
Subjects: culemborg, heren en graven van, margaretha van maurik vrouwe van culemborg, petronella van abcoude vrouwe van culemborg, culemborg

Margaretha van Maurik en Petronella van Abcoude, de eerste en tweede vrouw van Johan, heer van Culemborg. Twee vrouwen, staande naast elkaar ten voeten uit. Met het wapen van Maurik en een gevierendeeld wapen van Abcoude met Culemborg. Onderdeel van een geïllustreerd handschrift met de genealogie van de heren en graven van Culemborg.
Drawing for a Mantelpiece
Object type: drawing
Date: 1780 – 1790
Materials: ink, watercolor
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: fireplaces
Sultana at Her Toilet
Object type: print
Date: 1746 – 1747
Techniques: engraving, etching
Artist: claude augustin duflos le jeune
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1786
Subjects: bathrooms,women
Avonturen van Telemachus
Object type: print
Date: 1715 – 1715
Materials: paper
Techniques: etching
Artist: jacob folkema
Artist role: draughtsman, print maker
Artist dates: 1692 – 1767
Subjects: (story of) neptune (poseidon), (story of) venus (aphrodite), (story of) telemachus
Inscriptions: collector's mark: Lugt 2228

Neptunus staat op een schelp en wordt voortgetrokken door zeepaarden. Hij is in gesprek met Venus die op haar wagen, voortgetrokken door vogels, uit de lucht is neergedaald. Illustratie vervaardigd bij een verhaal uit "Avonturen van Telemachus", geschreven door François de Fénélon.
Souvenir spoon with view of an alpine town among trees and arms of Switzerland
Object type: souvenir spoon
Date: 1867 – 1900
Materials: enamel, silver gilt
Subjects: coat of arms
Nehebkau (snake deity)
Object type: amulet, nehebkau
Date: 664 – 332
Materials: faience
Location: egypt
Vignet voor uitgever L.J. Veen
Object type: boekillustratie ontwerp
Date: 1910 – 1910
Materials: paper
Techniques: relief print
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: device (trade-mark of printer or publisher), fable of reynard the fox, beasts of prey, predatory animals: fox
Inscriptions: collector's mark: Lugt 2228

Ontwerp voor: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910. Deze prent is vermoedelijk een plaatsnede, ook al wordt in de literatuur veelal gesproken over een houtsnede. Voor zover Wierink zijn prenten in hoogdruk zelf nader heeft omschreven, heeft hij altijd de term 'plaatsnede' gebruikt.
Gold statuette of Zeus Serapis
Object type: statuette of a figure with cornucopia
Date: 101 – 200
Materials: gold
Culture: roman
Subjects: zeus,cornucopia

Serapis was essentially a construct of the Ptolemaic Greek rulers of Egypt, a conflation of the local gods Osiris and Apis. Although gradually subsumed into the all-pervading cult of Isis, Serapis was worshipped throughout the Roman world in the guise of Zeus, ruler of the heavens, or that of Hades, god of the Underworld. This small figure wears the Egyptian modius (grain measure) headdress and carries a cornucopia (horn of plenty) to symbolize a plentiful food supply.
Scarab Incised with Hierolgyphs and Flower in Circle Border
Object type: scarab, lotus flower, circle border, hieroglyph, nefer
Materials: stone
Location: egypt
Subjects: scarabs

In the early second millennium B.C., many Egyptian stamp seals are incised with decorative compositions of circles or scrolls. Compositions with circles become even more popular on Second Intermediate Period Egyptian scarabs and on Canaanite scarabs of the Middle Bronze Age (ca. 1700–1500 B.C.). Hieroglyphs and a stylized lotus flower decorate the underside of this scarab. They are surrounded by a border of circles, a design frequently found on Canaanite scarabs like this one. The hieroglyphs are not meant to form words, but were chosen for their decorative and general protective powers.
Christ in Limbo, a circular composition
Object type: print
Date: 1520 – 1550
Techniques: woodcut
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: male nudes,female nudes,christ

A note on the verso suggests that this is a Venetian print
The Market, Bruges
Object type: print
Date: 1887 – 1887
Materials: ink, paper
Techniques: etching
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Johan Georg III, hertog van Saksen trekt over de Rijn
Object type: history medal
Date: 1691 – 1691
Materials: silver
Techniques: striking
Artist: Anonymous
Subjects: keurvorst van saksen johan georg iii, rijn, johan georg iii steekt rijn over, negenjarige oorlog

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: keurvorstelijke helm, Franse standaard en degen omwonden met lauwertakken liggend op altaar beschenen door hemellicht binnen omschrift; randschrift
Nederlandse militaire uniformen in de jaren 1830-1832
Object type: costume print
Date: 1835 – 1850
Materials: paper
Techniques: hand coloring, lithograph
Location: utrecht
Subjects: (military) uniforms, clothes, costume
Inscriptions: collector's mark: Lugt 2228

Een trompetter van het 10e Regiment Lansiers, te voet. Onderdeel van een serie van 157 losse bladen met Nederlandse militaire uniformen in de jaren 1830-1832.
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: antwerp
Artist: pol de mont
Artist role: dichter, prozaschrijver
Artist dates: 1857 – 1931
Subjects: the hague, draughtsman, philip zilcken, photography, cinematography, exhibition ~ art, antwerp
Inscriptions: collector's mark: ‘RPK’
Panel from a Mosque Frieze Bearing the Name of a Sultan
Object type: frieze fragment
Date: 1001 – 1100
Materials: terracotta
Techniques: carving, painting
Location: iran

This panel and the other five in the Met’s collection (39.40.58, .60–61, .63–64) were excavated near a mosque that served a dense residential neighborhood in medieval Nishapur. Together with other panels now in Iran, they are believed to have framed the entrance portal of the prayer hall. The frieze was originally painted in red and lapis blue on a white ground. It included the word "al-sultan", a title that first occurred in monumental epigraphy in the eleventh century with Seljuq and Ghaznavid rulers.This inscription originally bore the titles of the Seljuq Sultan Malik Shah (r. 1073–92). In this period Nishapur was a thriving center of religious and intellectual life that prospered due to its position on the trade route to Central Asia, natural resources such as turquoise and alabaster, the cultivation of cotton, and the production of both silk and cotton textiles.
S. Symphorien, martyr (St. Symphorian, Martyr), August 22nd, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Terracotta fragment of an undetermined shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic
History
Object type: print
Techniques: engraving, etching
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Key
Object type: key
Date: 1501 – 1600
Materials: iron
Culture: german

The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or coffrets and other types of storage chests was a result of the increasing urbanization of life and the new emphasis on material wealth and private ownership which developed in the late Middle Ages.
Die Conditorei im Bildern
Object type: book
Date: 1854 – 1854
Techniques: hand coloring, lithograph
Artist: conrad wegner
Artist role: author
Artist nationality: german
Curtain
Object type: curtain
Date: 1880 – 1880
Materials: cotton, lace, linen
Culture: american
Coupon witte katoen met crêpe en gladde weefbanen
Object type: coupon
Date: 1910 – 1940
Materials: cotton
Location: nijmegen
Artist: gustav schnitzler
Artist role: paraplufabrikant

Metrage parasolkatoen, stukgoed. In effen wit en met crêpe en gladde weefbanen.
Vuurwerk in Moskou bij de viering van het einde van de Russisch-Turkse Oorlog, 1775 (Acte I en II)
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: moscow
Artist: emelian alekseevič fedoseev
Artist role: print maker
Artist dates: 1745 – 1778
Subjects: catharina de grote, bonfire, fire-works, festivities on events of national importance (+ illumination, fire-works ~ festive activities)
Inscriptions: collector's mark: Lugt 2228

Vuurwerk in Moskou bij de viering op 23 juli 1775 van het einde van de Russisch-Turkse Oorlog met het sluiten van Verdrag van Küçük Kaynarca. Vuurwerk afgestoken in aanwezigheid van tsarina Catharina de Grote. Onderdeel van een serie van drie platen met onderschriften in het Russisch en Frans.
Act Eight: Bridal Journey, from the play "Treasury of Loyal Retainers (Chushingura)"
Object type: print
Date: 1779 – 1780
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Kasteel Neuschwanstein
Object type: photomechanical print
Date: 1901 – 1901
Materials: paper
Techniques: photograph
Location: kaufbeuren
Artist: Anonymous
Subjects: castle, mountains
Inscriptions: check stamp: ‘Ver. Kunstanstalten A.G./ Kaufbeuten-München’, date: ‘1901’
Glass bead in the form of a rosette
Object type: bead in the form of a rosette
Date: 1 – 33
Materials: glass
Culture: roman

Translucent cobalt blue and opaque white. Plano-convex oval with thin irregular white layer as backing to blue. Pierced with two small holes. Molded into a rosette of six petals in high relief. One large chip; dulling and slight weathering.
Pin
Object type: pin
Date: 1900 – 1900
Materials: gold
Culture: european
Napoleon
Object type: print
Techniques: etching, letterpress
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: eagles,satire,napoleon i,hands,spiders

A printed broadside, a second version translated into French and German from the English (59.533.1586). The printers, Schultze and Dean cannot be identified.
Landschap met bomen aan een oever nabij Leatherhead en Dorking
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: tone lithography
Location: london
Subjects: park, river bank, forest, wood
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Prent maakt deel uit van een serie van 24 prenten.
Blanket
Object type: textile
Materials: cotton, wool
Techniques: interlocking, weave
Culture: navajo, diné
Location: navajo

Brillant color and bold overall patterns with serrated diamonds, chevrons, and interlocking lines are hallmarks of the "Eye Dazzler" style of Navajo (Diné) textiles produced from the late-19th to the early-20th century. Earlier Navajo blankets featured broad horizontal bands of indigo blue, white, dark brown, black, and red, subsequently enhanced with the addition of small diamonds, bars, and squares. The lively approach of Eye Dazzler weaving developed out of a period of major cultural and artistic transformation beginning in 1864 when the U.S. government forcefully resettled the Navajo in the Bosque Redondo reservation. From the early 1860s, the Navajo received brightly colored commercial yarns as part of their U.S. government annuities. The new Eye Dazzler weaving also incorporated design elements characteristic of Mexican Saltillo blankets, which featured serrated diamonds and zigzag lines.
The creator of this blanket fully utilized the intense color of commercially dyed yarns and the Saltillo style to create a spectacular work. Internlocking serrated undulating lines appear to vibrate over the entire surface. The vivid interplay of red and orange hues with brillant blues, greens, yellow, white, and black produces an energetic, three-dimensional illusion.
Gallery lable, December 2012
Four drawings showing the manufacture of saws
Object type: drawing
Date: 1801 – 1900
Materials: chalk, graphite, ink, paper
Techniques: pen
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
Subjects: men,working
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of a circumscribed palmette with tendrils; part of handle patch, preserved to rim
The Hopes of the Family – An Admission at the University
Object type: print
Date: 1803 – 1803
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,dogs,students
Fragment (met objectnummer); (mogelijk) behorend tot het retabel van Soest
Object type: sculpture
Date: 1475 – 1499
Materials: wood
Pêcheuses à Granville.
Object type: print
Date: 1847 – 1913
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: coast, working class, labourers - aa - women
Inscriptions: collector's mark: Lugt 2233
Sword or dagger
Object type: sword or dagger
Date: 2300 – 2000
Materials: bronze
Culture: hattian
Location: central anatolia
Coat
Object type: coat
Date: 1780 – 1789
Materials: silk
Culture: french
Voorstellingen uit de Hoeksche en Kabeljaauwsche twisten
Object type: popular print
Date: 1841 – 1841
Materials: paper
Techniques: letterpress printing, engraving
Location: purmerend
Subjects: earl, willem v van holland (graaf van holland en zeeland), history, palace
Inscriptions: collector's mark: Lugt 2760

Blad met 6 voorstellingen van de Hoekse en Kabeljauwse twisten, zoals Graaf Willem die wordt opgesloten, de verwoesting van Slot Hagestein en Jan Schaffelaar die uit de toren te Barneveld springt. Boven elke voorstelling een titel en jaartal en onder elke voorstelling een vierregelig vers. Genummerd rechtsboven: No. 1.
Buurtcommissaris van Amsterdam, draagteken om toegang te verlenen tot het terrein van de brand
Object type: insignia
Materials: bronze
Techniques: striking
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Eenzijdige bronzen penning met draagoog en draagring. Voorzijde: gekroond wapenschild binnen omschrift. Keerzijde: blanco.
Flagon (Schnelle)
Object type: flagon
Materials: pewter, stoneware
Techniques: salt glaze
Artist: hans hilgers
Artist role: maker
Artist dates: 1565 – 1595
Subjects: coat of arms

German stoneware tankards were brought to America in large numbers on Dutch fur-trading ships. Shards of these popular vessels have been uncovered at seventeenth century sites in New York and New England.
Textile Fragment
Object type: fragment
Date: 1701 – 1900
Materials: linen, metal thread, silk
Techniques: embroidery, weave
Location: syria
Bowl (part of a service)
Object type: bowl
Date: 1785 – 1800
Materials: hard paste porcelain
Ontario Apartment Building, Chicago, Illinois, Isometric
Object type: architectural drawing
Date: 1880 – 1881
Materials: ink, linen
Techniques: wash
Location: chicago
Artist: treat and foltz

The Ontario Apartments were one of the first multifamily apartment buildings in Chicago catering to a middle- and upper-class clientele. The appearance of such a structure was novel in the then-semirural neighborhood of large houses in what is today the city’s River North neighborhood. Therefore, it was important that the structure conformed to the standards of fine houses, with brick and carved stone construction, decorative ironwork, and offered large apartments equipped with libraries, parlors, and servant rooms. The building was designed to be easily converted to a hotel, a change that was indeed made in 1893 to accommodate visitors to the World’s Columbian Exposition. Treat and Foltz had an active architectural practice in Chicago during the 1880s and 1890s, focusing largely on single-family residences in a range of styles. The large collection of drawings by the firm given to the Burnham Library represents an aspect of Chicago’s architectural history that otherwise would have likely been lost.
Portretten van leden van het Oostenrijkse Huis
Object type: print
Date: 1569 – 1569
Materials: paper
Techniques: engraving
Location: italy
Subjects: coat of arms (symbol of sovereignty), ornaments ~ art, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van een reeks van 58 prenten. Het meerendeel van de prenten bevat portretten van 74 leden van het Oostenrijkse Huis, naar tekeningen door Francesco Terzio, die deels getekend zijn naar de 28 levensgrote bronzen beelden die rond de cenotaaf van Maximiliaan I in de Hofkirche te Innsbruck staan.
Landschappen
Object type: print
Date: 1602 – 1649
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: defecation, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228

In een vlak landschap staat een kasteelruïne met daarnaast een rietgedekt boerenhuisje. Op de voorgrond een vrouw en een zich ontlastende marskramer.
Friedrich I ondertekent het decreet voor de bouw van de kerk in Friedrichstadt
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: berlin, friedrich i (koning van pruisen), interior of the house, building of church, ruler, sovereign, tapestry
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Erman, Jean Pierre. Mémoires pour servir à l'histoire des réfugiés françois dans les états du roi. 9 dln. Berlijn: Fred. Barbiez, 1794, dl. 8.
Caerphilly Castle, from "Remarks on a Tour to North and South Wales, in the year 1797"
Object type: print
Techniques: aquatint, etching
Artist: john hill
Artist role: artist
Artist nationality: british
Artist dates: 1714 – 1775
Muff
Object type: muff
Date: 1899 – 1899
Materials: fur
Culture: american
Portret van een jonge vrouw
Object type: carte de visite
Date: 1860 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: geneva
Artist: j. temporel
Artist role: fotograaf
Subjects: adolescent, young woman, maiden
Inscriptions: inscription: ‘J. Temporel/ Chemin Dancet & Rue Masbou/ Plainpalais/ Genève’
Portret van Pierre le Turcq
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: capuche, pirate, corsair, buccaneer, ship's portrait, hacking and thrusting weapons: sword
Inscriptions: collector's mark: Lugt 2228

Portret van kaper en kapitein Pierre le Turcq met een verrekijker onder zijn arm en pistolen aan zijn jas. Op de achtergrond zijn schip 'De Zeeuw'. Onder op de lijst ligt een sabel.
A musketeer galloping towards the left, other horsemen galloping towards the left in background, from "Various cavalry exercises" (Diverses exercices de cavalerie)
Object type: print
Date: 1642 – 1645
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,horses
The Body of the Martyr President, Abraham Lincoln, Lying in State at the City Hall, N.Y., April 24th & 25th, 1865
Object type: print
Date: 1865 – 1865
Techniques: lithograph
Artist: currier & ives
Artist role: publisher
Artist nationality: american
Artist dates: 1857 – 1907

Viewers file past the body of President Lincoln whose coffin is reverently displayed to the public in the rotunda of New York's City Hall, the site draped with black curtains. After the president's assassination on April 15th, three weeks of mourning ceremonies took place in fourteen cities. After lying in state in both the White House and the Capitol, the body was taken by train to Baltimore, Harrisburg and Philadelphia, arriving in New York City on April 24th. Further stops were then made in Albany, Buffalo, Cleveland, Columbus, Indianapolis, Michigan City, Indiana and Chicago before the arrival in Springfield, Illinois on May 3rd and burial the next day. The New York firm of Currier & Ives grew from a printing business established by Nathaniel Currier (1813–1888) in 1835. Expansion led, in 1857, to a partnership with James Merritt Ives (1824–1895). The firm operated until 1907, lithographing over 4,000 subjects for distribution across America and Europe with popular categories including landscape, marines, natural history, genre, caricatures, portraits, history and foreign views. Until the 1880s, images were printed in monochrome, then hand-colored by women who worked for the company.
Les buveurs
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: inn, coffee-house, public house, etc., alcoholic drinks
Inscriptions: collector's mark: Lugt 2760, collector's mark: ‘AFE v S’, watermark, collector's mark: Lugt 2228
Gathering of various Olympian gods and mythological figures among clouds, Apollo at center with his lyre, Vulcan, Mercury, Hercules, and Hermes to right, various figures below, horses and attendants behind in center, from "Giove che fulmina li giganti", after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua
Object type: print
Date: 1680 – 1680
Techniques: etching
Artist: pietro santi bartoli
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1700
Subjects: apollo,hermes,hercules,mercury,vulcan
Oude West Sijde, Den Haag
Object type: buurtpenning
Date: 1646 – 1646
Materials: bronze
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: the hague
Jug with floral scrolls
Object type: ewer
Date: 1650 – 1749
Materials: cobalt, glaze, mineral, stoneware
Techniques: firing, forming, relief, turning, vitrification
Location: westerwald
Artist: Anonymous

Kan van steengoed op hoge voet met een bolvormig lichaam en smalle, lange nek met een geknepen tuit. Het C-vormige oor is bevestigd aan de nek en de schouder. Op de nek een profiel en enkele ingegrifte lijnen op de voet. Gedeeltelijk bedekt met kobaltblauw en mangaanpaars. De voorzijde van de kan twee vakken met een bloeiende plant bestaande uit ingegrifte ranken uitgespaard in een paarse achtergrond. De bloemen zijn gedrukt, opgelegd en met blauw gekleurd. Westerwald.