deem-data/ArtiFact huggingface dataset:
Design for Phaeton, no. 406
Object type: drawing
Date: 1850 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Vrouw zittend op trede van tempelportaal
Object type: page
Materials: cardboard, paper
Techniques: photoaquatint
Artist: adelaide hanscom leeson
Artist role: painter
Artist dates: 1875 – 1931
Subjects: adult woman, front steps
Inscriptions: inscription: ‘O’

Prent op ongenummerde pagina. Adelaide Hanscom Leeson manipuleerde haar glasnegatieven om een schilderachtig efffect te bewerkstelligen.
Zelfportret van Jurriaan Cootwijck
Object type: print
Date: 1724 – 1798
Materials: paper
Techniques: print drawing
Location: amsterdam
Artist: jurriaan cootwijck
Artist role: print maker
Artist dates: 1714 – 1798
Subjects: jurriaan cootwijck
Inscriptions: collector's mark: Lugt 2228

Hoofd van Jurriaan Cootwijck. Gezicht licht naar rechts.
Apen in bomen
Object type: drawing
Date: 1904 – 1906
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: monkeys, apes
Gold and banded agate earring
Object type: earring, delta shaped
Date: 101 – 200
Materials: stone, gold
Culture: roman

Delta-shaped earrings have the free end of the hook-and-eye fastening prolonged beyond the eye into a long free hook with an agate bead in front of the fastening.
Hungarian Dancer, from the Dancing Women series (N186) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women,dancers

Trade cards from the "Dancing Women" series (N186), issued in an unnumbered set of 50 cards in 1889 by W.S. Kimball & Co.
Vis aan een haak
Object type: sketchbook leaf
Date: 1890 – 1946
Materials: paper, pencil
Artist: cornelis vreedenburgh
Artist role: draughtsman, print maker
Artist dates: 1880 – 1946
Subjects: fishes

Blad 54 verso uit een schetsboek met 56 bladen.
Study for the Muse Thalia
Object type: drawing
Date: 1801 – 1900
Materials: chalk, paper
Techniques: stumping
Location: france
Artist: paul baudry
Artist role: artist
Artist nationality: french
Artist dates: 1828 – 1886
Subjects: contemplation,women,muses
Roeibooten
Object type: photograph
Date: 1922 – 1922
Materials: photographic support
Techniques: gelatin silver print
Location: belawan
Artist: Anonymous
Subjects: rowing-boat, canoe, etc., building-site
Inscriptions: date: ‘9/10-22’, annotation: ‘No. 244 Roeibooten’

Twee roeiboten van de bouwonderneming 'G8' en 'G97'. Genummerd: 244. Onderdeel van de groep van losse foto's over de aanleg van de haven Belawan aan de kust voor Medan, Sumatra 1921-1922.
Portret van een vrouw
Object type: photograph
Date: 1863 – 1863
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Inscriptions: signature and address: ‘A. Greiner/Photographe/Nieuwendijk/Amsterdam’

Staande vrouw, met een arm leunend op een meubel. Een afbeelding van een landschap met hoge bomen als achtergrond.
Landschap met drie musicerende muzen
Object type: print
Date: 1683 – 1733
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: printed edition of musical score - cc - out of doors, (story of the) muses; 'muse' (ripa), viola, violoncello; double bass, vocal music, singing
Inscriptions: collector's mark: Lugt 2228

Landschap met een muze die de violoncello bespeelt, een muze met een opengeslagen liedboek op schoot en een derde muze. (Melpomene, Polyhymnia en Erato?).
Strook naaldkant met zigzagschulpen
Object type: strip
Date: 1810 – 1810
Materials: linen
Techniques: lace
Location: france
Artist: Anonymous

Aan een strakke, liggende tak groeien naar rechts gerichte zijtakjes, waaraan vergeetmijnietjes en drie typen van kelkbloempjes, De scherpe zigzagschulpen vertonen een dubbele contour, bestaande uit een blad- en een parelrandje, terwijl op elke punt een 'lovertje' is aangebracht. In het veld staat een strooipatroon van neerhangende madeliefjes. Alençon-kant.
A Group of Punchinelli Seated
Object type: drawing
Date: 1760 – 1760
Materials: chalk, ink
Techniques: pen, wash
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: men
Le Someil Trompeur
Object type: print
Date: 1789 – 1830
Materials: paper
Techniques: etching
Location: rotterdam
Subjects: interior of the house, keyboard instruments
Inscriptions: collector's mark: Lugt 2228
Portret van Pierre Louis Charles de Failly
Object type: print
Date: 1870 – 1870
Materials: paper
Techniques: letterpress printing, engraving
Location: germany
Subjects: commander-in-chief, general, marshal, historical persons
Inscriptions: monogram: ‘X.A.v.O.R.’

Prent uit: Daheim: ein Deutsches Familienblatt mit Illustrationen 6 (1870), nr. 51.
Gezicht op een straat
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: urban housing, street

Gezicht op een straat met aan weerszijden gebouwen. Blad 39 verso uit een schetsboek met 69 bladen vervaardigd in de omgeving van Delft, Rotterdam, Oudewater en Harlingen.
Portret van een staand meisje
Object type: carte de visite
Date: 1877 – 1883
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: johan hendrik hoffmeister
Artist role: print maker
Artist dates: 1823 – 1904
Subjects: historical persons - bb - woman, girl (child between toddler and youth), standing figure - aa - female human figure
Inscriptions: inscription: ‘Photographie/ van/ J. H. Hoffmeister./ 's Gravenhage/ 1.Anna Polownastraat 1./ Specialiteit in Vergrootingen’
Bottle
Object type: ceramic
Date: 1690 – 1700
Materials: earthenware
Techniques: glazing
Location: delfland
Ste. Blandine et Ses Compagnes (St. Blandina and Her Companions), June 2nd, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: animals,women,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
De schepping
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: rome
Artist: antonio tempesta
Artist role: draughtsman, painter, print maker
Artist dates: 1555 – 1630
Subjects: the giving of the test commandment: god warns adam and eve not to eat from the tree of knowledge of good and evil
Inscriptions: number: ‘10’, collector's mark: ‘Hinloopen’

Deze prent maakt deel uit van een serie van twaalf prenten van de schepping. De prenten zijn deels naar ontwerpen van Rafaël voor de Loggia van Rafaël in het Vaticaan, en deels naar prenten door Nicolaes de Bruyn naar ontwerpen van Maerten de Vos (zie: Holl. Dutch. vol. 45 nr. 1-10).
Fotoreproductie van prent van een gezicht op de Louisberg bij Aken
Object type: album leaf
Date: 1860 – 1885
Materials: cardboard, photographic support
Techniques: collodion silver print
Subjects: city-view, and landscape with man-made constructions, (high) hill
Inscriptions: annotation: ‘Louisberg bij Aken’, annotation: ‘Louisberg/ bij Aken’
Harpokrates figurine
Object type: figurine, harpokrates
Date: 664 – 630
Materials: faience
Location: egypt
Danjurō V as Kakogawa Honzō with a Komuso Hat and a Flageolet
Object type: woodblock print nishiki e
Date: 1726 – 1792
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: hats,men,actors
Vertoning van het Verpletteren van de Oorlog, 1648
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: symbols, allegories of peace, 'pax'; 'pace' (ripa), theatre, theatrical performance, festivities on events of national importance, stones turning into men: stones thrown by deucalion and pyrrha, as directed by the oracle of themis, turn into men (ovid, metamorphoses x 400), the giants buried beneath volcanoes

Vertoning van het Verpletteren van de Oorlog. Onderdeel van de vertoningen opgevoerd op 23 juni 1648 op de Schouwburg te Amsterdam naar aanleiding van het sluiten van de Vrede van Munster. De vijfde voorstelling toont hoe de Oorlog onder een stapel rotsblokken wordt verpletterd. Deucalion en Vrede zien toe. In het onderschrift een vers van 4 regels in het Nederlands.
Chameaux des Noces arabes, en Egypte
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1930
Materials: cardboard
Techniques: lithograph
Location: egypt
Artist: Anonymous
Subjects: wedding-gift
Gezicht op het Muiderslot
Object type: photograph
Date: 1899 – 1899
Materials: cardboard, photographic support
Techniques: albumen print
Location: muiden
Subjects: castle
Inscriptions: annotation: ‘Muiderslot, gevels ten Zuid Westen Sept. 1899/ Muiden’, annotation: ‘Slot te Muiden (N.H.)/ gevels ten zuidwesten/ sept 1899’
Head of Buddha
Object type: head
Date: 801 – 900
Materials: plaster
Culture: thai
Subjects: heads,buddhism,buddha

This head is an ideal example of the refined Mon-Dvaravati period. The subtle articulation of planes that make up the face is characteristic of this high moment of sculptural refinement. The fact that it is fabricated in stucco suggests it originally embellished an architectural structure.
Madonna vereerd door twee heiligen
Object type: drawing
Date: 1575 – 1700
Materials: chalk, graphite, ink, paper
Techniques: brush, pen, drawing
Artist: jacopo da empoli
Artist role: draughtsman, painter
Artist dates: 1554 – 1640
Subjects: benedict of nurcia, abbot of monte cassino and founder of the benedictine order; possible attributes: aspergillum, book, cup (sometimes broken), raven with loaf, sieve (or tray), madonna accompanied by saint(s)

Madonna tronend op een halve maan op wolken, vereerd door twee heiligen (mogelijk de H. Benedictus of de H. Fredianus), die voor haar knielen. Ontwerp voor een schilderij.
Chemisette
Object type: chemise
Date: 1876 – 1900
Materials: cotton
Culture: american
Chapter 42, the perfumed prince
Object type: print
Date: 1801 – 1859
Materials: paper
Techniques: woodcut
Location: tokyo
Subjects: adult woman, adult man, lantern
Inscriptions: date

Een vrouw, op blote voeten, reikt een man zittend bij waterbekken een handdoek aan. De titel van dit diptiek is een woordspeling op hoofdstuk 4 van het Verhaal van Genji.
Buffet cupboard
Object type: buffet
Date: 1755 – 1765
Materials: wood
Techniques: carved
Location: amsterdam

The buffet cupboard is surmounted by the sea god Neptune, accompanied by two tritons, and is supported by two tigers. The ornamental carving is closely related to work done by Frauen in 1744 in a house in Alkmaar. In making this piece, which was also richly adorned with carving on the inside, the sculptor played a more important role than the cabinetmaker.
Bijbelsche geschiedenissen uit het Oude Testament
Object type: print
Date: 1871 – 1908
Materials: paper
Techniques: letterpress printing, engraving
Location: amsterdam
Subjects: david's instructions to solomon, david mourning for absalom's death, david rebuked by nathan, solomon and the queen of sheba (1 kings 10:1-3; 2 chronicles 9:1-9), old testament
Inscriptions: collector's mark: Lugt 2760

Blad met 4 voorstellingen van verhalen uit het Oude Testament. David wordt door Natan bestraft, David treurt om de dood van zijn zoon Absalom, de stervende David liggend in bed met zijn zoon Salomo aan zijn zijde en Salomo en de koningin van Seba. Onder elke afbeelding de bijbehorende Bijbeltekst. Genummerd linksboven: No. 15.
Uitnodiging voor de tentoonstelling 'Jonge Belgische schilderkunst'
Object type: invitation
Date: 1946 – 1946
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: fowl (cock, hen, chicken, etc.), collection, exhibition, show

Op de voorzijde een haan. Binnenin de tekst van de uitnodiging voor de tentoonstelling, van 9 november tot 5 december 1946 in Kunstzaal van Lier, Amsterdam. Deze tentoonstelling werd georganiseerd door de vereniging 'Jeune peinture Belge' (De Jonge Belgische Schilderkunst).
Stole
Object type: stole
Date: 1601 – 1633
Materials: metal thread, silk, velvet
Techniques: brocade
Coin
Object type: coin
Materials: silver
Location: nishapur

This coin was found and purchased in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Stilleven met rozen en koolblad
Object type: drawing
Date: 1836 – 1892
Materials: paper, pencil, watercolor
Techniques: brush
Artist: gerardine jacoba van de sande bakhuyzen
Artist role: draughtsman, painter
Artist dates: 1826 – 1895
Subjects: cut flowers; nosegay, bunch of flowers, flowers: rose
Glass pendant in the form of a demonic mask
Object type: head pendant of a demon
Date: 600 – 401
Materials: glass
Culture: phoenician
Subjects: masks

Semi-opaque turquoise blue, with additions in opaque yellow and translucent cobalt blue. Conical, splayed at bottom with rounded edge; circular suspension loop applied to top; rod hole underneath. Applied large eyebrows in blue, tooled flat at outer ends to form horns (or ears), eyes as blue knobs applied over yellow circles, and blue edge at bottom. Intact; slight dulling, pitting, and weathering, with encrustation inside rod hole.
Aanbidding door de koningen
Object type: print
Date: 1635 – 1713
Materials: paper
Techniques: etching
Location: rome
Artist: carlo maratta
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1713
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh) (+ donor(s), supplicant(s), whether or not with patron saint(s))
Inscriptions: collector's mark: Lugt 240

Maria zit met het Christuskind op schoot. Jozef zit achter hen. De drie koningen knielen voor het Christuskind. Op de achtergrond een kameel.
Man jaagt kinderen weg met zweep, vrouw met zak geld en hond staan in de deuropening
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Location: paris
Subjects: purse, money-bag, adult woman, adult man, child, dog, whip
Inscriptions: collector's mark: Lugt 964

Serie bestaat uit titelprent en tien prenten. Derde prent in de serie van elf prenten.
The actor Bando Hikosaburo III as Godai Saburo Chikatada
Object type: print
Date: 1794 – 1794
Techniques: woodblock print
Location: japan
Artist: toshusai sharaku 東洲斎 写楽
Artist role: artist
Artist nationality: japanese
Artist dates: 1794 – 1795
Dark Peak
Object type: print
Date: 1887 – 1887
Materials: ink, ivory, paper
Techniques: lithograph
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Seated Male Figure
Object type: figure
Date: 500 – 300
Materials: bronze
Culture: vietnamese
Subjects: men
Putto
Object type: drawing
Date: 1756 – 1797
Materials: chalk, paper
Location: netherlands
Artist: hendrik willem schweickhardt
Artist role: draughtsman, painter, print maker
Artist dates: 1746 – 1797
Inscriptions: signature: ‘HW Schweickhardt’
Embroidered Border Fragment
Object type: border fragment
Date: 400 – 101
Materials: animal fiber, cotton
Culture: paracas
Location: peru
Subjects: mythical creatures
Titelpagina voor: P. de Witte, Catechizatie over den Heidelbergschen catechismus, 1657
Object type: print
Date: 1657 – 1657
Materials: paper
Techniques: engraving
Location: hoorn
Artist: harmen de mayer
Artist role: print maker
Artist dates: 1624 – 1701
Subjects: interior of church
Inscriptions: collector's mark: Lugt 2228

Interieur van een kerk met een menigte mensen. Links de preekstoel. Midden onder een cartouche met een gezicht op een havenstad.
Terracotta column-krater (bowl for mixing wine and water)
Object type: column krater
Date: 460 – 460
Materials: terracotta
Culture: greek, attic
Artist: orchard painter
Artist role: artist
Subjects: apples,men,women

Obverse, women gathering apples Reverse, two youths and two women This scene of five women gathering apples into wicker baskets is taken from daily life, but it brings to mind representations of the beautiful Hesperids, who guarded a tree of golden apples that brought immortality.
Passage in warenhuis GOeM in Moskou
Object type: photograph
Date: 1888 – 1900
Materials: photographic support
Techniques: albumen print
Location: moscow
Artist: Anonymous
Subjects: department store, supermarket, passage

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Georgië, Sint-Petersburg en Moskou.
Graven in de muur, vermoedelijk in de catacomben van Sint-Calixtus in Rome
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: Anonymous
Subjects: ancient grave forms, rome
Study for Lucain's "La Pharsale", Canto I
Object type: drawing and watercolor
Date: 1766 – 1766
Materials: graphite, ink, paper
Techniques: incising, pen, transfer
Location: france
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Representation des estats du noble pays et comte de Flandres
Object type: print
Date: 1618 – 1628
Materials: paper
Techniques: engraving, etching
Subjects: coat of arms (as symbol of the state, etc.)

Wapenkaart van het graafschap Vlaanderen. Onderdeel van de Zuidelijke Nederlanden onder bestuur van de landvoogden Albrecht (Albert) en Isabella (Elisabeth). Buiten de omheining staan vier beren met banieren. In twee delen, dit is het rechter blad.
Portret van Filips de Goede, hertog van Bourgondië
Object type: photomechanical print
Date: 1929 – 1929
Materials: paper
Techniques: photoaquatint
Location: utrecht
Subjects: bruges, philip iii the good, adult man, historical persons, knighthood order of the golden fleece

Prent uit: Beeldende Kunst (16) 1929, nr. 9.
Alpenlandschap
Object type: photograph
Date: 1861 – 1861
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Subjects: mountains
Case (Inrō) with Design of  Flaming Dragon with Clouds
Object type: inrō
Date: 1834 – 1866
Materials: gold, lacquer, metal, silver
Techniques: hiramakie, roiro, maki-e
Culture: japanese
Subjects: dragons
Graftombe van hertog Jan II van Brabant en graftombe van aartshertog Ernest van Oostenrijk in de Sint-Michiel-en-Sint-Goedelekathedraal in Brussel, België
Object type: page
Date: 1882 – 1887
Materials: paper
Techniques: photograph, photolithography
Location: sint-michiel en sint-goedelekathedraal
Subjects: brussels, gravestone, tombstone
Inscriptions: inscription: ‘TOMBEAUX. - PL. 1.’, monogram: ‘JJvY’, inscription: ‘TOMBEAUX placés dans (...)’
View of the Theaters in Nichomachi (Nichomachi shibai no zu), from the series "Famous Places in the Eastern Capital (Toto meisho)"
Object type: print
Date: 1832 – 1838
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Prijspenning van de Nederlandsche Vereeniging Aviculture 1895
Object type: medal
Date: 1887 – 1895
Materials: bronze
Techniques: striking
Location: arnhem
Artist: alexander isaac de vries
Artist role: graveur, koopman, medailleur
Artist dates: 1820 – 1901
Inscriptions: inscription: ‘1895 / S.J. van den Berg / TWEEDE PRIJS / BUFF LEGHORN HEN’

Bronzen penning, op de voorzijde een adelaar, met borstschild Nederland, met gespreide vleugels zittend op een maistak onder een stralende hemel, met omschrift, op de keerzijde een inscriptieruimte tussen takken van diverse planten, waartussen een uil, een kip en een haan.