deem-data/ArtiFact huggingface dataset:
The march through snow of a portion of the sixth division from Tseszetai, S.E. of Wei-hai-Wei, towards Hooshan
Object type: photomechanical print
Date: 1895 – 1895
Materials: paper
Techniques: photograph
Location: japan
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: marching away (troops), snow
Inscriptions: inscription: ‘Expedition to Wei-Hai-Wei.’, inscription: ‘The group in the centre (...) to the left of the left mountain.’
River Landscape with Castle
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: pen, wash
Location: italy
Artist: giovanni francesco grimaldi, after
Inscriptions: Inscribed verso, upper center, on mount, in graphite: "Tiziano"
Elevation and transverse section of a domed and colonnaded hall
Object type: drawing
Date: 1851 – 1900
Materials: gold paint, graphite, watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: architecture
Godenparen
Object type: print
Date: 1575 – 1607
Materials: paper
Techniques: engraving
Subjects: cerberus, the three- or many-headed dog; 'cerbero' (ripa), pluto in love with proserpina
Inscriptions: collector's mark: Lugt 11, number: ‘4’, collector's mark: Lugt 10

De naakte Pluto en Proserpina in de onderwereld. Ze omhelzen elkaar. Achter Pluto de hellehond Cerberus. De prent is deel van een serie van godenparen en heeft een Latijns onderschrift.
Neu künstlich Modelbuch (page 44r)
Object type: book print ornament architecture
Date: 1598 – 1598
Techniques: woodcut
Artist: bernhard jobin
Artist role: publisher
Artist nationality: swiss
Artist dates: 1535 – 1597
Subjects: flowers

Published by Bernhard Jobin, Strassburg. Facsimile illustrated title page of 1579 edition, poem (2 pages), and 44 pages of designs.
The Actor Onoe Kikugoro I holding a puppet of the Actor Sanogawa Ichimatsu I
Object type: print
Date: 1740 – 1749
Techniques: hand coloring, woodblock print, sumizuri
Location: japan
Artist: ishikawa toyonobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1711 – 1785
Portret van Dietrich Schenk von Erbach
Object type: print
Date: 1610 – 1655
Materials: paper
Techniques: engraving
Location: germany
Artist: sebastian furck
Artist role: print maker
Artist dates: 1600 – 1655
Subjects: archbishop, bishop, etc. (roman catholic), historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: ‘P. mariette 1666’, inscription: ‘N. 2373/ 3s’, collector's mark: Lugt 2233

Rechtsonder genummerd: 13. Met onderschrift in het Latijn en rondom het portret zestien familiewapens.
Gazette du Bon Ton. Art – Modes & Frivolités: Famous Fashion Houses
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: hand coloring, letterpress printing, lithograph, pochoir
Location: paris
Subjects: picking fruit (+ forms of production and organization), head-gear (+ women's clothes), fashion plates, dress, gown (+ women's clothes)
Inscriptions: date

In 1912 the ambitious publisher Lucien Vogel decided to launch an exclusive magazine. Well-acquainted with the fashion world, he forged ties with several of most renowned fashion houses of Paris and gathered the crème de la crème of French illustrators for his project. They recorded the latest creations of designers such as Doeuillet, Doucet, Worth, Poiret and Redfern, and, later on, couture by Chéruit, Beer, Paquin and Lanvin. These designs were issued as separate plates. The Gazette was aimed at a small, extremely wealthy readership: in 1912-1913, a subscription for twelve issues cost an equivalent of around 400 euros today.
Klein schippersgilde van Rotterdam, gildepenning met no. 19
Object type: medal
Date: 1600 – 1700
Materials: brass
Techniques: engraving
Location: rotterdam
Artist: Anonymous
Subjects: rotterdam

Messing penning. Voorzijde: naar links varend zeilschip. Keerzijde: opschrift: N.O. 1.9
Titelpagina voor: Filips van Marnix, De Byen-corf der H. Roomscher Kercke, 1638
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: brussels, leiden, politician, filips van marnix van sint-aldegonde, ornament ~ medallion, insignia of the pope, e.g. tiara, historical persons, portrait of a writer, bee-hive, armorial bearing, heraldry, the roman catholic church vs. protestantism; (reformation and counter reformation)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Titelpagina voor: Marnix van Sint-Aldegonde, Filips van. De Byen-corf der H. Roomscher Kercke. Amsterdam: Evert Cloppenburgh, 1638.
Seated luohan with a servant
Object type: jade mountain
Date: 1767 – 1833
Culture: chinese
Subjects: men,buddhism

This luxurious carving was made for the Qing imperial court. The luohan, a Buddhist sage, sits in meditation with a rosary while a boy attends at his feet. From his long eyebrows and position beneath a tree, this luohan may be identified as Nakula. A poem of praise for Nakula in the upper right was authored by the Jiaqing emperor (r. 1796–1820) and inscribed by his elder brother Yongxing (1752–1823).
Clariofon Bass Clarinet in B-flat
Object type: clariofon bass clarinet n b flat
Date: 1852 – 1852
Culture: czech
Location: czech republic
Artist: franz losschmidt
Artist role: maker
Artist nationality: czech
Artist dates: 1852 – 1867

Losschmidt developed this type of bass clarinet, which he called the clariofon, in 1852. It follows a contemporary fashion of substituting brass for wood. Serial number 8 Overall size: 850 Bore: 15.5 Technical description: Brass body with German silver keys and ferrules. Four pieces: mouthpiece, crook, one-piece-body and bell. Metal mouthpiece with integral brass bell intended for a ligature. Brass crook. Two speakers, speaker tone hole on the back of the instrument featured with a chimney. Speaker liner projects almost to the centre of the bore. Key to close thumb hole. All other tone holes coverd by plates or keys. Throat A♭ for R2 like on an English simple system clarinet. No cross B♭3/F♮5. Shaped thumb rest with sling ring above. Chromatic extension to C3. Brass protection to prevent the F♯3/C♯5 and F3/C5 keyheads from being damaged. Wooden device to fix the instrument to a string or the musicians west. 19 keys, 3 plates. Bell with a German silver rim. L0: Thumbhole; speaker1 ; speaker 2; C♯3; C3. L1: P; throat A♮. L2: P; throat A♭. L3: C4/G5. L4: C♯4/G♯5; E3/B♮4; F♯3/C♯5. R0: D3; D♯3. R1: B♮3/F♯5; side F4/ C6; side E♭4/B♭5. R2: P. R3: G3/D5; side B♮3/F♯5. R4: F3/C5; G♯3/E♭5. Keyhead type: shallow cup Keymount type: screwed in pillars with push pins. Inscribed on main section " No. 8 / FR LOSSCHMIDT / k.[aiserlich] k.[oeniglich] ausch.[leisslich] priv[iligierter] Instrumenten Fabrikant / in Olmuetz" (Heike Fricke, 2014)
La ville de Cambray
Object type: area plan
Date: 1607 – 1609
Materials: paper
Techniques: etching
Location: southern netherlands
Artist: Anonymous
Subjects: maps of cities
Inscriptions: number: ‘7’

Plattegrond van de stad Cambrai, Kamerijk. Links boven een wapen met drie Franse lelies, rechtsboven het stadswapen en de legenda a-z en *. Onderdeel van de verzameling kaarten genomen uit een latere editie van: Descrittione di tutti i Paesi Bassi van Lodovico Guicciardini.
Twee bloemen
Object type: drawing
Date: 1902 – 1902
Materials: paint, ink, paper, pencil
Techniques: brush
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: flowers
Inscriptions: annotation: ‘Jeugdwerk van Leo Gestel./ gemaakt in 1902. toen wij nog/ met Gerard van Vliet op de/ Rijks Normaalschool in Amsterdam/ waren./ Bergen Jan. 1942/ Jan Ponstijn’
Thrusting Sword (Estoc)
Object type: arm
Date: 1390 – 1400
Materials: brass, iron, wood, steel
Location: germany
Portret van Roberto graaf van Tagliacozzo Orsini
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons

Prent met omlijsting gebruikt in: Sansovino, Francesco. L'Historia di Casa Orsina di Francesco Sansovino. Venetië: Filippo en Bernardino Stagnino, 1565.
Portrait of André Danican Philidor
Object type: print
Date: 1772 – 1772
Techniques: engraving, etching
Artist: augustin de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1807
Subjects: men,portraits
Glass perfume bottle
Object type: perfume bottle, marbled
Date: 1 – 100
Materials: glass
Culture: roman

Translucent blue, with opaque white trails. Rounded and partially folded rim; flaring mouth; cylindrical neck, expanding downwards; squat, globular body; uneven, flat bottom. Striped mosaic pattern of applied triple trail wound round in a spiral on a blue ground and then tooled in four upward strokes into a festoon pattern around upper body and neck. Complete, but broken and repaired around rim; some bubbles; dulling, iridescence, and patches of brownish weathering.
Pouch
Object type: pouch
Date: 1830 – 1860
Materials: cotton, glass, linen, silk
Culture: american

The beautiful combination of colors used in the work on this bag, show the infinite variety of colored beads available at the time. The striped faille top is a perfect match to the beads and as a surviving original drawstring top, it is a rarity. Margaret S. Bedell (1861-1932) donated, by gift or bequest, over 500 objects to the Brooklyn Museum, including furniture, quilts, samplers, costume and Native American beadwork. Her collection of American and European beaded bags includes examples from Philadelphia and the Catskill Mountain region of New York State, as well as Italy, Austria, Germany, and Holland.
Ionic Capital, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1528 – 1528
Techniques: engraving
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
Subjects: capitals

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally plate 14, volume 2.
Twelve long-handled teaspoons
Object type: teaspoon
Date: 1895 – 1895
Materials: enamel, silver
Saucer with an image of the Four Days' Battle
Object type: platter
Date: 1794 – 1794
Materials: glaze, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: schwarzburg
Artist: Anonymous
Subjects: flushing, michiel adriaenszoon de ruyter
Inscriptions: inscription: ‘VIERDAAGSE SLAG VAN DE RUYTER, 1666’, mark: ‘103-N/ 15’

Schotel,één van een serie van tien,onderdeel van een servies met in bruin geschilderde medaillons waarin historische voorvallen en portretten van personen uit de vaderlandse geschiedenis. Schotel is gedecoreerd met een voorstelling van de vierdaagse slag van Michiel Adriaansz. de Ruyter in 1666. Gemerkt.
Dreaming Cat
Object type: hanging scroll
Date: 1634 – 1666
Materials: ink, paper
Culture: japanese
Artist: hōzōbō shinkai
Artist role: artist
Artist nationality: japanese
Artist dates: 1626 – 1688
Subjects: cats

A chubby cat, sensitively rendered in soft brushstrokes of ink in varying tones, is blissfully resting. We see the feline from the front, with its front legs tucked beneath, so that its body forms nearly a perfect circle, with the rear haunches symmetrically protruding from each side. The background is completely blank, with the exception of the three columns of gracefully brushed calligraphy of the artist’s own poem, accompanied by the artist’s signature and anchored by a square red seal. The overall effect is one of serenity, yet at the same time humor and playfulness. The artist’s own witty poem—a kyōka (literally, “madcap verse”)—makes us reinterpret the image: とっくりとねこのねむりのふかみぐさ 胡蝶の夢をみるにやあるらむ Tokkuri to neko no nemuri no fukami-gusa kochō no yume o miru ni aruramu Deep asleep the cat lies as if amid “deep grasses” of peony blossoms, perhaps having a dream in which he is a butterfly! —Trans. John T. Carpenter The poem alludes to the famous episode of “Zhuang Zhou dreaming he is a butterfly” from the second chapter (Of the Equality of Things) of the Daoist classic Zhuangzi. Instead of portraying the philosopher Zhuang Zhou (the proper name of Zhuangzi) slumped over in sleep, as sometimes depicted by Japanese artists, the artist Shinkai has depicted a rotund cat fast asleep. The kyōka poem includes wordplay by making fukami-gusa a pivot word (kakekotoba) first read as part of the phrase nemuri no fukami (fast asleep) and then read as the poetic term fukami-gusa (deep grasses), which is an alternative name for peonies. Cleverly, through verbal allusion, the painter-poet conjures up a picture of peonies and butterflies—a favorite theme of East Asian painting. The artist Hōzōbō Shinkai was a Buddhist monk active in the early Edo period, whose name derives from the type of “monk’s dwelling” (hōzōbō) in certain Kyoto Shingon temples affiliated with the Otokoyama Hachiman Shrine. He studied tea ceremony under Kobori Enshū and is said to have studied calligraphy under the tutelage of Shōkadō Shōjō, one of the top calligraphy masters of the era when Shinkai was growing up. He studied haikai poetry with Matsunaga Teitoku, who inspired him to create of playful forms of kyōka, as represented by the poem here.
Jardinière met goud en bronzitdecor
Object type: jardinière
Date: 1910 – 1911
Materials: glass
Techniques: etching, gilding, glassblowing
Location: adolf
Artist: josef hoffmann
Artist role: designer
Artist dates: 1870 – 1956

Jardinière. Vienna, J. & L. Lobmeyr, c. 1910 - 1911, designed by Josef Hoffman.
Driekoningenfeest
Object type: print
Date: 1894 – 1894
Materials: paper
Techniques: etching
Subjects: feasts of saints (and their relics), periodic celebrations, popular feasts
Inscriptions: collector's mark: Lugt 2228
Portret van Adelbert von Chamisso
Object type: print
Date: 1832 – 1854
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: berlin, adelbert von chamisso, historical persons
Inscriptions: collector's mark: Lugt 2282
English Noblewoman in Winter Clothing
Object type: print
Date: 1643 – 1643
Materials: paper
Techniques: etching
Location: bohemia
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Portret van een onbekende man, mogelijk W. Ph. J. van Dielen
Object type: print
Date: 1868 – 1868
Materials: paper
Techniques: lithograph
Artist: anthony grolman
Artist role: draughtsman, print maker
Artist dates: 1843 – 1926
Subjects: historical persons (+ head (and shoulders) (portrait)), knighthood order
Inscriptions: collector's mark: Lugt 2228

De geportretteerde draagt bakkebaarden en een ordeteken op de revers van zijn jas.
Bowl with a lavender blue glaze
Object type: bowl
Date: 1100 – 1299
Materials: glaze, stoneware
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

The glaze of Jun ware from the Yuan Dynasty (1279-1368) is bright blue, thick, and opaque. The sky blue colour of these objects was derived by mixing iron and copper, and monitoring the kiln temperature closely while the objects were being fired. The oxidized copper particles produced purple spatters.
Openwork and Pelta-Shaped Ornament
Object type: ornament
Date: 101 – 300
Materials: bronze, enamel
Techniques: enamel
Culture: roman
Venus and Cupid Pleading Their Cause in the Presence of Jupiter and Other Gods
Object type: print
Date: 1530 – 1540
Materials: ink, paper
Techniques: backing, engraving
Location: italy
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Portret van Anna, prinses van Oranje Nassau
Object type: print
Date: 1783 – 1851
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, anna van hannover
Inscriptions: collector's mark: Lugt 2228
Mace head
Object type: mace
Date: 900 – 801
Materials: limestone
Culture: iranian
Location: iran
Exposition Nationale de 1880
Object type: page
Date: 1880 – 1880
Materials: paper
Techniques: photograph
Location: brussels
Subjects: trade exhibition, industries fair, brussels
Inscriptions: inscription: ‘Propriété exclusive des Editeurs.’, address: ‘Photographie Fussen, 108, Boulevard du Nord, Bruxelles.’, inscription: ‘Déposé.’
Portret van een onbekende man
Object type: photograph
Date: 1880 – 1940
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: historical persons
Inscriptions: annotation: ‘J. [...]’, annotation: ‘Jodeboer’
Portret van Thomas Powell
Object type: print
Date: 1675 – 1676
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Heuvel in Rome
Object type: print
Date: 1873 – 1931
Materials: paper
Techniques: etching
Artist: etienne bosch
Artist role: print maker
Artist dates: 1863 – 1933
Subjects: city-view, and landscape with man-made constructions, low hill country, tower (of house or building), rome
Inscriptions: collector's mark: Lugt 2228, number: ‘no. 172’

Een gebouw met een toren op een heuvel. Links zicht op de stad Rome.
Songs of Innocence: The Blossom
Object type: print
Materials: gold, ink, shell, watercolor
Techniques: etching, hand coloring, printing, relief
Artist: william blake
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: poetry

Blake etched twenty-seven printing plates for Songs of Innocence in 1789, completing those for the Songs of Experience in 1794. He then printed and hand-colored copies of the combined sets over succeeding decades as patrons ordered them, each one visually distinct. Verse and image work together to celebrate poetic inspiration and reveal aspects of the divine as expressed through nature. The poetic voice is often that of a child, whose emotions range from delight to fear, with darker feelings usually resolved in the earlier Songs of Innocence by adult intervention. This first group of Songs was shaped by the heady early days of the French Revolution, when British liberals and radicals believed that true reform was imminent on both sides of the Channel. The artist Edward Calvert met Blake around 1825 and commissioned this copy of Songs of Innocence and of Experience soon thereafter. These richly decorated pages, with their deeply saturated hues and distinctive ornamental borders, reveal Blake’s late vision and the order is established by small red numbers at upper right. This copy of Songs was later the first work to be purchased by the Museum’s new Department of Prints in 1917, recommended by its distinguished curator William M. Ivins, Jr.
Handbell
Object type: percussion instrument
Date: 1758 – 1758
Materials: silver
Location: amsterdam
Artist: johannes van somerwil (i)
Artist role: silversmith
Artist dates: 1715 – 1764
Inscriptions: maker's mark

Klokvormige tafelbel met handvat. Het handvat is balustervormig. Op de bel ligt halverwege een opgelegde bies. De tafelbel is gemerkt: stk.= Amsterdam, jrl.= Y (1758), mt.= toegeschreven aan Johannes van Somerwil (I).
Nightcap
Object type: nightcap
Date: 1835 – 1835
Materials: linen
Culture: american
Jacobite mug with Prince Charles Edward Stuart (1720–1788)
Object type: mug
Date: 1745 – 1745
Materials: gilt, stoneware
Techniques: salt glaze
Subjects: shields,swords,men
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, top of head, forehead, and left eyebrow of male with left hand to head
Allegorie op het element aarde, in een cartouche
Object type: book illustration
Date: 1670 – 1670
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: harvest, (story of) ceres (demeter), (story of) cybele, rhea cybele, great mother of the gods (berecynt(h)ia), earth (one of the four elements)

Prent gebruikt voor: Félibien, André. Devises pour les tapisseries du Roy, où sont représentez les quatre éléments et les quatre saisons de l'année (...). Parijs: Imprimerie Royale, 1670.
Jug with Portuguese arms
Object type: jug
Date: 1520 – 1540
Materials: cobalt, glaze, hard paste porcelain
Subjects: coat of arms

This ewer with the Portuguese royal arms is witness to the first East-West trade in Chinese porcelain carried on by the Portuguese in the mid-sixteenth century. The form is neither Chinese nor European; rather, it is based on an Islamic metalwork vessel made for the Near Eastern market that was appropriated for the new European trade. The Chinese painters have misunderstood the Portuguese coat of arms, which appears upside down.
Perseus Beheading Medusa (recto); Studies of a Child and Ornament Sketches (verso)
Object type: drawing
Date: 1560 – 1609
Materials: chalk, charcoal, ink
Techniques: brush, pen, wash
Artist: annibale carracci
Artist role: artist
Artist nationality: italian
Artist dates: 1560 – 1609
Subjects: ornament,children,medusa,perseus
The Adoration of the Shepherds
Object type: print
Date: 1597 – 1597
Materials: ink, paper
Techniques: engraving
Location: netherlands
Artist: jacob matham
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1631
Inscriptions: Lettered lower center: "Abrahamus Blommaert Inventor. JMatham sculp." and below image: "Jacques Razet Divulg. / O ter, et o quoties ... nec desere curam HSS"
Bucket
Object type: bucket
Date: 1840 – 1840
Materials: porcelain
Culture: japanese
Subjects: birds,dragons,trees
Dish
Object type: dish
Date: 1470 – 1480
Techniques: maiolica, glazing
Subjects: men,profiles
Portret van Johann Reichard Starhemberg
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Location: vienna
Artist: elias widemann
Artist role: print maker
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit de publicatie: Widemann, Elias. Honori Sacrum. Wenen: s.n., 1649.
Scholars and Monkeys under Trees
Object type: handscroll
Date: 1368 – 1911
Materials: ink, silk
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men,monkeys,trees
Portraits d'écrivains
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: paris
Subjects: london, lord byron, historical persons, portrait of a writer, (scenes from) specific works of literature (with author, title)
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Byron’
Gezicht op de Rialtobrug te Venetië
Object type: photomechanical print
Date: 1882 – 1892
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: canals, waters (in city), bridge in city across river, canal, etc.
Inscriptions: title: ‘Bridge of the Rialto and the Grand Canal’