deem-data/ArtiFact huggingface dataset:
Stadstimmerwerf a. h. Galgewater
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: leiden
Artist: Anonymous
Subjects: carpenter, workshop
Dish
Object type: dish
Date: 1801 – 1900
Materials: earthenware
Techniques: glazing
Subjects: profiles,women,flowers
In 't Jaar 690
Object type: drawing
Date: 1789 – 1810
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Subjects: merovingische en karolingische tijd in nederland
Card Number 559, Miss Bartine, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-7), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the seventh subset, N145-7. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Design for Phaeton, no. 1002
Object type: drawing
Date: 1850 – 1874
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Nederlanders nemen de Duitse stad Elten over
Object type: documentary photograph
Date: 1949 – 1949
Materials: photographic support
Techniques: photography
Location: elten
Subjects: elten

Nederlandse ambtenaren lopen over de marktplaats van Elten op weg naar het stadhuis waar de bestuursoverdacht van het gebied zal plaatsvinden. Op de marktplaats staan een luxe auto's gereed met chauffeur. De plaatselijke bevolking is uitgelopen om de ceremonie gade te slaan.
Man met tulband zittend onder een boom
Object type: sketchbook leaf
Date: 1841 – 1841
Materials: paper, pencil
Artist: Anonymous
Subjects: sitting figure, head-gear: turban, kneeling figure

De man heeft een baard en zit met de benen gekruist onder een boom. Hij draagt een doek om zijn middel en heeft een staf in de hand. Naast hem knielt een jongen met een voorwerp in de handen. Blad 10 recto uit een schetsboek met 33 bladen.
Terracotta bell-krater (bowl for mixing wine and water)
Object type: bell krater
Date: 440 – 440
Materials: terracotta
Culture: greek, attic
Artist: persephone painter
Artist role: artist
Subjects: swords,men,women,hermes,persephone,demeter

Obverse, the ascension of Persephone from the underworld Reverse, libation scene Persephone, the daughter of the goddess Demeter, was condemned to spend half of each year with Hades, the ruler of the underworld. In this grandiose representation, Persephone ascends to earth through a rocky outcrop. She is guided by Hermes, the divine messenger, and Hekate, a goddess of fertility, magic, and dark things who typically carries torches. At the far right stands the regal Demeter, waiting to receive her daughter and the renewal of life that her return engendered.
La Musique et la Poesie secourant les Artistes
Object type: print
Date: 1909 – 1909
Materials: paper
Techniques: woodcut
Artist: auguste lepère
Artist role: print maker
Artist dates: 1849 – 1918
Subjects: 'musica', symbolic representations, allegories and emblems ~ music; 'musica'(ripa), symbolic representations, allegories and emblems ~ poetry; 'poesia' (ripa), artist (in general)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Landschap met de personificaties van muziek en poëzie die een treurende kunstenaar helpen.
Portret van een acteur uit de Comedie Française, genaamd Lerou
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Subjects: historical persons, portrait of actor, actress
Cuneiform tablet: fragment of Syllabary A
Object type: cuneiform tablet
Date: 333 – 1
Materials: clay
Location: mesopotamia
Button or Bead
Object type: spindle whorl
Date: 801 – 1000
Materials: bone, paint
Techniques: incising, inlay, tinting
Location: iran
Plate
Object type: plate
Materials: stoneware
Techniques: salt glaze
Matchlock Gun
Object type: matchlock gun
Date: 1501 – 1600
Materials: bone, brass, mother of pearl, steel, wood
Culture: german
Location: germany
Noordzijde van de Sint-Janskerk te Hoensbroek
Object type: photograph
Date: 1910 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: hoensbroek
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Hoensbroek R.K. Kerk/ na restauratie oct 1910’
Hotel de Ville, avant l'incendie
Object type: page
Date: 1866 – 1871
Materials: paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: townhall
Water dropper
Object type: water dropper
Date: 1271 – 1368
Materials: glaze, stoneware
Culture: chinese
Mantle
Object type: mantle
Date: 1891 – 1891
Materials: feather, metal, silk, wool
Culture: french
Artist: maison pingat
Artist role: design house
Artist nationality: french
Artist dates: 1860 – 

Emile Pingat had a proclivity for designing carefully finished dresses and outerwear which made him one of the top three French fashion designers during the second half of the 19th century. Active between 1860 and 1896, Pingat was adroit at manipulating multiple textiles and trimmings into a cohesive and elevated garment. He was inspired by design elements of other cultures and often reinterpreted them into his own work, making them unique and intriguing. His elaborately decorated and impeccably tailored outwear was particularly sought after. The Islamic iconography represented here in the appliqués shows Pingat's knowledge and interest in Eastern cultures. His couture mix of the European aesthetic and cross-cultural detailing makes his work distinctly memorable. This mantle was designed with the shorter panel in the back to accommodate the skirt styles at the end of the century, which still had some fullness left over from the bustle silhouette of the previous decade.
Toujours Chic, catalogus met modeprenten
Object type: catalog
Date: 1921 – 1922
Materials: paper
Techniques: letterpress printing, pochoir
Location: paris
Artist: g-p. joumard
Artist role: publisher
Subjects: fashion plates
Inscriptions: date

Catalogus met een overzicht van de wintermode 1921-1922 in 70 prentjes in pochoir techniek (en 16 pagina's index).
Miyato of the Kadotamaya, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"
Object type: print
Date: 1777 – 1777
Techniques: woodblock print
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Vuurwerk bij de intocht van koning Willem III te Den Haag, 1691
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: william iii (prince of orange and king of england, scotland, and ireland), bonfire, fire-works

Vuurwerk afgestoken op het water van de Hofvijver bij de intocht van koning Willem III te Den Haag, 5 februari 1691.
Gazette du Bon Ton, 1921 - No. 7, Pl. 51: The country girl
Object type: fashion print
Date: 1921 – 1921
Materials: paper
Techniques: hand coloring, letterpress printing, photochemical processes, pochoir
Location: buenos aires
Subjects: head-gear (+ women's clothes), fashion plates, dress, gown (+ women's clothes), garden vase
Inscriptions: date

Jonge vrouw bij een tuinvaas, gekleed in een eenvoudige japon met op het hoofd een hoge hoed. In de handen een schaal. Planche 51 uit Gazette du Bon Ton 1921, No. 7. Uitleg over de kleding op pagina "Explication des Planches Hors-Texte. Contenues dans le numéro 7."
Noordwijk aan Zee - Duin-panorama met sportterreinen
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: noordwijk aan zee
Artist: Anonymous
Subjects: grounds, fields and accomodations for sports, games and physical performances, dunes (sea not visible); in the dunes
Beads, 5
Object type: bead, 5
Date: 670 – 330
Materials: glass
Culture: roman
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Part of the foot of a skyphos, the outer edge is glazed; the resting surface is unglazed; the inner wall of the foot is glazed
Gezicht op Klemskerke
Object type: print
Date: 1889 – 1889
Materials: paper
Techniques: etching, intaglio
Artist: lisette wesmael
Artist role: print maker
Artist dates: 1861 – 1953
Subjects: dune coast, de haan
Inscriptions: collector's mark: Lugt 2228
Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor de opening van de tentoonstelling van werken bijeengebracht door de werkende leden van het genootschap, 8 februari 1906
Object type: invitation
Date: 1902 – 1906
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: criticizing and discussing art, art criticism, circle, club of artists, collecting and exhibiting products of the fine arts, forest, wood
Inscriptions: collector's mark: Lugt 2228

Boslandschap. Uitnodiging van Schilder- en Teekenkundig Genootschap "Kunstliefde" voor de opening op 8 februari 1906 van de tentoonstelling van werken bijeengebracht door de werkende leden van het genootschap, bestemd voor verloting.
Plate 78: Poultry maid
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: simon guillain ii
Artist role: artist
Artist nationality: french
Artist dates: 1618 – 1718
Portret van Franz Ferdinand von Schrötter
Object type: print
Date: 1746 – 1780
Materials: paper
Techniques: mezzotint
Subjects: vienna, bookshelves, historical persons
Inscriptions: collector's mark: Lugt 2228
Reverse copy of Au Vinaigre (Vinegar), plate 6 from "Le Cris de Paris" (The Cries of Paris)
Object type: print
Date: 1701 – 1800
Techniques: engraving, etching
Artist: simon francis ravenet, the elder
Artist role: artist
Artist nationality: french
Artist dates: 1706 – 1774
Subjects: men,women,working
Pair of Tassets for Light Field Use
Object type: armor
Date: 1570 – 1570
Materials: steel
Location: germany
Kraam met Chinese waren tijdens de Wereldtentoonstelling van 1900 in Parijs
Object type: stereograph
Date: 1900 – 1900
Materials: paper, cardboard
Techniques: gelatin silver print
Location: paris
Artist: Anonymous
Subjects: stall, booth (~ market), paris
Inscriptions: number: ‘48’
Physiognomy of the Stock Exchange. The despair of the baissier and the triumph of the haussier - or crying and laughing, plate 440 from Actualités
Object type: print
Date: 1857 – 1857
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Cartouche met Hercules
Object type: design drawing
Date: 1770 – 1770
Materials: paper
Techniques: drawing
Location: paris
Artist: jean charles delafosse
Artist role: print maker
Artist dates: 1734 – 1791
Sieur de Grammont, Entering the Fort, from the Pirates of the Spanish Main series (N19) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,profiles

Trade cards from the "Pirates of the Spanish Main" series (N19), issued ca. 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Vojtech Hynais
Object type: page
Date: 1891 – 1895
Materials: paper
Techniques: autotype
Location: prague
Subjects: honouring the artist with laurel wreath, battle
Antico mosaico (Facciata). Il corpo di S. Marco portato processionalmente in chiesa
Object type: reproduction
Date: 1906 – 1920
Materials: cardboard
Techniques: lithograph
Location: milan
Subjects: parts of church interior: vault, the monumental arts

Oorspronkelijke prent uit: La Basilica di San Marco in Venezia. Venetië: Ferdinando Ongania, 1881-1884.
De oorspronkelijke prenten uit dit werk zijn gesigneerd.
Riding hat
Object type: riding hat
Date: 1857 – 1857
Materials: cotton, silk
Culture: british
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, lower torso and part of left thigh of male to lef5032 t
Scherven aardewerk uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: sherd
Date: 1700 – 1743
Materials: earthenware, glaze
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Scherven roodbakkend aardewerk met glazuur.
Portret van Nicolaas Verkolje
Object type: print
Date: 1722 – 1774
Materials: paper
Techniques: mezzotint
Location: low countries
Artist: arnout rentinck
Artist role: draughtsman, print maker
Artist dates: 1712 – 1774
Subjects: delft, painter, nicolaas verkolje, historical persons, portrait, self-portrait of painter, tools, implements of painter, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 2760, inscription: ‘N. Verkolje (?) Pinx. / Arentinc F.’, inscription: ‘Het pourtret van de kunstschilder / Nicolaas Verkolje / Geofreerd aan mijnen / Zeer Waarde Vriend / de W.Ed heer, Cornelius (?) / P.v.A.’, collector's mark: Lugt 2228
Mrs. John Puget (Catherine Hawkins)
Object type: painting
Date: 1774 – 1797
Materials: copper, oil
Artist: richard gainsborough dupont
Artist role: artist
Artist nationality: british
Artist dates: 1789 – 1874
Subjects: portraits,women
Exterieur van Huis Het Zeepaard aan de Wijnstraat 59 in Dordrecht
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: daylight paper print
Location: wijnstraat
Artist: a.j.m. mulder
Artist role: engineer
Artist dates: 1856 – 1936
Subjects: façade (of house or building), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 3937, annotation:, inscription: ‘Gotisch woonhuis in de Wijnstraat te Dordrecht N:59’
Het huis op de rots
Object type: print
Date: 1720 – 1720
Materials: paper
Techniques: etching
Subjects: house built upon a rock; house built upon sand ~ doctrine of christ on love, etc. (matthew 7:24-27; luke 6:47-49)
Inscriptions: collector's mark: Lugt 2228, number: ‘3’

Prent opgenomen in: Het Nieuw Testament onzes Heere Jesus Christus. Amsterdam: Wed. Albert Klumper en Jan Kalverum, 1720. In dit boek is de gehele serie met 24 scènes uit het Nieuwe Testament naar Jan Luyken opgenomen. De originele prent door J. Luyken verscheen mogelijk voor het eerst in: Het Nieuwe Testament ofte alle Boecken des Nieuwen Verbondts onses Heeren Iesu Christi. Amsterdam: Hieronymus Sweerts, Jan ten Hoorn, Jan Bouman en Daniel van den Dalen, 1681.
Fotoreproductie van La Paix door Gustav Doré
Object type: album leaf
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: prospect of village, silhouette of village, symbols, allegories of peace, 'pax'; 'pace' (ripa)
Inscriptions: annotation: ‘DORÉ: LA PAIX’
L. Mercier
Object type: print
Date: 1773 – 1834
Materials: paper
Techniques: etching
Location: amsterdam
Artist: lambertus antonius claessens
Artist role: draughtsman, print maker
Artist dates: 1763 – 1834
Subjects: paris, historical persons
Brief aan Jan Veth
Object type: letter
Date: 1917 – 1917
Materials: ink, paper
Techniques: pen, writing
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: rotterdam, george hendrik breitner, dordrecht, amsterdam, painter, print maker, draughtsman, designer, jan veth, the hague, isaac israels, money
Inscriptions: collector's mark: ‘RPK’
Pier met kleedkamers in de Zuiderzee bij het strand van Valkeveen
Object type: photograph
Date: 1925 – 1950
Materials: paper
Techniques: gelatin silver print
Location: valkeveen
Artist: Anonymous
Subjects: pier, quay, wharf, zuiderzee
Inscriptions: inscription: ‘AI’

Pier met badhokjes bij het strand van Vinkeveen.
Najaar 1945
Object type: photograph
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: non-combatants ~ war, modern forms of military vehicles (with name), netherlands
Inscriptions: inscription: ‘Najaar 1945’

Albumblad met zes foto's, o.a. van de geallieerde militair Martin O'Brienn en vrouwen poserend achter de stuur van een jeep, najaar 1945, Onderdeel van het Familiealbum 1940-1947.
Mrs Forbes
Object type: carte de visite
Date: 1865 – 1867
Materials: cardboard, photographic support, watercolor
Techniques: albumen print, aquarelle
Location: england
Artist: Anonymous
Subjects: historical persons - bb - woman
Inscriptions: annotation: ‘Mrs Forbes’

Portret van Mrs Forbes. Foto op albumblad in album met 68 foto's merendeels met geaquarelleerde randversieringen. Het zijn voornamelijk portretten op carte-de-visite formaat.
Mustard pot
Object type: mustard pot
Date: 1701 – 1800
Materials: soft paste porcelain
Artist: worcester factory
Artist role: factory
Artist nationality: british
Artist dates: 1751 – 2008
Subjects: birds,flowers,plants
Foto's van tekeningen van de Franse inval in de Nederlanden in 1672 door Adam Frans van der Meulen bewaard in de Manufacture des Gobelins
Object type: photograph
Date: 1900 – 1903
Materials: paper
Techniques: gelatin silver print
Location: france
Subjects: lodewijk xiv (koning van frankrijk), city-view, and landscape with man-made constructions, rampjaar (disaster year)

Niet in Frederik Muller; door het RPK toegevoegd nummer. Onderdeel van een groep van ca. 50 foto's van tekeningen van de Franse inval in de Nederlanden in 1672 door Adam Frans van der Meulen, bewaard in de Manufacture Nationale des Gobelins te Parijs.
Portret van een onbekende, mogelijk Meir Wachenheimer
Object type: photograph
Date: 1870 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: straatsburg
Artist: anton hruschka
Artist role: fotograaf
Subjects: straatsburg (frankrijk)

Portret van een onbekende man met snor, dichte witte boord en bovenkleed met twee sluitknopen
,,Alcazar"te Sevilla.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: royal palace of seville
Artist: Anonymous
Subjects: flat decoration ~ applied arts (+ islamic art), arch, archivolt ~ architecture, palace
Inscriptions: inscription: ‘CWN.’, inscription: ‘Moorsche Kunst.’, collector's mark: ‘KUNSTNIJVERHEIDSCHOOL QUELLINUS AMSTERDAM FRANS HALSSTRAAT 14.’, collector's mark: ‘INSTITUUT VOOR KUNST-NIJVERHEIDSONDERWIJS GABRIËL METSUSTRAAT No. 16 AMSTERDAM’
Foliated dish with floral scrolls
Object type: dish
Date: 1401 – 1433
Materials: enamel
Techniques: enamel
Culture: chinese
Subjects: flowers

This lovely scalloped dish depicts stylized lotus scrolls set in a swirling circular rhythmic pattern. Such design is classic among early Ming imperial works, including ceramics, lacquer ware, and textiles. The surfaces of early cloisonné works like this dish often feature vivid colors (red, yellow, lapis blue, white, and green), set against a turquoise blue background.
Drachm (Coin) Depicting a Shield
Object type: coin
Date: 500 – 301
Materials: metal, silver
Culture: greek
Location: thebes
Subjects: shields, vessels
Inscriptions: Reverse: KA B

The use of coins as a form of money was invented in western Asia Minor in the early 7th century BCE. At the time this coin was struck, Greece was made up of separate city-states that issued their own currency. Made of gold, silver, bronze, and electrum (a gold-silver alloy), coins were literally worth their weight, but their value varied according to the percentage of their precious metal content. Occasionally a city needed more money than it had in reserves. By reducing the amount of precious metal and substituting a base metal, a coin could be
produced of the same weight but no longer of the same value. Some currency was only honored within its own city walls, but trustworthy money encouraged trade. Athens had the biggest economy, and its coin became the standard in the Greek world.

The population was largely illiterate, but it could identify the place of origin of a coin by its imagery. Many of these images referred to myths that were associated with the history of the community and thus were well known to the populace from religious ceremonies and theatrical entertainment. The story of a city’s founding, a local hero, the city’s guardian deity, and even the reason for the city’s wealth were subjects for a coin’s insignia.

The distinctive shield shown on the front (obverse) of this coin was particular to the Theban army. It remained a symbol of the city for centuries until 335 BCE, when the city was razed for opposing Alexander the Great, and its citizens, who used this coinage, were enslaved. The back (reverse) of this coin depicts a volute krater.
Willows and White Poplars
Object type: print
Date: 1871 – 1871
Materials: paper
Techniques: printing, lithography
Location: france
Artist: jean-baptiste-camille corot
Artist role: artist
Artist nationality: french
Artist dates: 1796 – 1875