deem-data/ArtiFact huggingface dataset:
Pair of Flintlock Pistols
Object type: pair of flintlock pistol
Date: 1815 – 1834
Materials: gold, horn, steel, wood
Culture: british
Location: england
Artist: john manton & son
Artist role: gunsmith
Artist dates: 1815 – 1878

The original owner of this remarkably decorated pair of pistols remains unknown, but the pair's opulence and Continental character suggests it may have belonged to George IV (1762–1830) or someone in his circle. Their gold-inlaid locks are among the most lavish produced by John Manton’s firm during his lifetime. The carved eagle on the grip—a feature also found on a pair of the king’s pistols, made for him when he was Prince of Wales, now in the Royal Collection at Windsor Castle (Acc. no. RCIN 6166)—is further enhanced on the Museum's pair with gold-inlaid eyes. The accomplished steel chiseler Manton commissioned to create the pistols' mounts took inspiration from Parisian pistols, which sometimes feature lion heads on their butts. The mounts, which also include elaborate belt hooks chiseled with swirling acanthus leaves, are unsigned. British gunmakers of the late eighteenth and early nineteenth centuries seldom deviated from the sober style that brought them fame throughout Europe and distinguished their work from that of the Continent. But for wealthy clients, particularly the Prince of Wales, later George IV (1762–1830), they shed standard decorative patterns in favor of more ostentatious embellishments. The prince was the preeminent patron of contemporary London gunmakers from the late 1780s through the 1820s, and over his lifetime he commissioned dozens of superlative firearms for sporting, personal use, and presentation. Gunmakers enhanced select firearms and accessories for the prince by substituting silver mounts for traditional steel, adding engraved and gilt ornament to the locks and barrels, and personalizing the weapons with the royal arms and Prince of Wales feathers. But the prince’s affinity for all things French also sometimes guided the gunmakers’ decorative choices. Indeed, he built his palatial London home at Carlton House (demolished in 1827) with an eye to the French Neoclassical style and decorated it with artworks, furniture, and other accoutrements from France. The most elaborate works by royally favored gunmakers catered to this taste and achieved a graceful blend of French-inspired decoration with traditional British design and technology.
Everything is topsy-turvy, plate 42 from The Disasters of War
Object type: print
Materials: gilt, paper
Techniques: engraving, burnishing, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
Subjects: war
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Interior, unidentified subject; Exterior, part of ground line and unidentified subject
Collection of Rules of Etiquette for Women (Onna shoreishū); 7 vols bound in 1 vol.
Object type: illustrated book
Date: 1660 – 1660
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Japanse soldaten met militair geschut, vermoedelijk bij een legerbasis
Object type: photograph
Date: 1937 – 1941
Materials: paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: the soldier; the soldier's life, projectiles, explosives, etc.
Verdrinkingsdood van prins Johan Willem Friso, 1711
Object type: print
Date: 1776 – 1776
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: reinier vinkeles (i)
Artist role: draughtsman, print maker
Artist dates: 1741 – 1816
Subjects: johan willem friso (prins van oranje-nassau), death by drowning (non-violent)

Johan Willem Friso, prins van Oranje-Nassau, verdrinkt tijdens het oversteken van de Moerdijk als de boot tijdens zwaar weer op 14 juli 1711 in problemen raakt.
Luohan
Object type: triptych panel
Date: 1368 – 1644
Materials: linen, panel, watercolor
Techniques: painting
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men,buddhism
Kop van een wild varken
Object type: drawing
Date: 1635 – 1654
Materials: chalk, paper
Artist: paulus potter
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1654
Subjects: pig
Amsterdam, Rembrandtsplein
Object type: photomechanical print
Date: 1904 – 1904
Materials: cardboard
Techniques: writing
Location: amsterdam
Subjects: square, place, circus, etc.
Inscriptions: number: ‘416’
Vallée du Cédron. Le couvent Mar Saba
Object type: stereograph
Date: 1903 – 1903
Materials: paper
Techniques: gelatin silver print
Location: mar saba
Artist: richard sochor
Artist role: painter
Artist dates: 1867 – 1925
Subjects: abbey, monastery, convent ~ roman catholic church
Inscriptions: address: ‘Parklaan 49/ HAARLEM/ (Holland)’, inscription: ‘Deze stereo-foto's worden in den handel gebracht en en gros en/ en détail verkocht door de ......... (...)’, number: ‘189.’, monogram, inscription: ‘Déposée.’
Study for The Terrace, Monte Carlo
Object type: print
Date: 1905 – 1906
Materials: graphite, paper
Techniques: drypoint
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926
Vernietiging van Sodom
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: sodom and gomorrah burning
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie voor: Luyken, Jan. Bybel printen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1712, p. 3.
Fragment pijpenkop
Object type: pipe
Date: 1740 – 1780
Materials: clay
Location: gouda
Artist: jan nieuwveld
Artist role: pijpenfabrikant
Subjects: the hague

Fragment pijpenkop, rondbodem model, met knorren in omlijning (floraal uitwaaiend motief), aan de bovenzijde eindigend in boogjes waarin afwisselend gestileerde roosjes en lelies en boven de boogjes een rij bloemen. Van de opgravingen op de Hofstede Arentsburg 1827-1831 onder toezicht van Professor Reuvens.
Oosters tapijt
Object type: oriental rug
Date: 1875 – 1900
Materials: cotton
Location: central persia

Oosters tapijt, bloemenkleed. In het middenveld een herati-patroon tegen een donkerblauwe achtergrond. Veelvoudige rand, waarvan de breedste versierd is met bloemen.
Scarab Inscribed for the God's Wife Neferure
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: scarabs
Title page from "Quelque navieres deisseigner & graver par Remy Zeeman"
Object type: print
Date: 1652 – 1652
Techniques: etching
Artist: reinier nooms
Artist role: artist
Artist nationality: dutch
Artist dates: 1623 – 1664
Subjects: men,working,ships
Clarence # 799
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Leest met Atentie. De Ondergeteekende (...) heeft te bezigtigen een Electrieke Spiegel
Object type: text sheet
Date: 1852 – 1857
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: illusionist, conjurer, juggler, 'legerdemain', fortune-teller ~ pleasure fair and circus, pleasure fair and circus, amsterdam
Inscriptions: collector's mark, collector's mark: Lugt 1641
Sealing
Object type: sealing
Date: 601 – 700
Materials: clay
Culture: sasanian
Location: iran
Subjects: birds
Fotoreproductie van een tekening van een gezelschap in een tuin die kijken naar een streep licht aan de hemel
Object type: page
Date: 1867 – 1868
Materials: photographic support
Techniques: albumen print
Location: vienna
Subjects: garden
Inscriptions: inscription: ‘Die Originale wurden von Sr Majestat den Kaiser Franz Josef, auf der Pariser Weltausstellung im Jahre 1867 angekauft.’, number: ‘II.’
Mary, Queen of Scots
Object type: print
Date: 1840 – 1840
Techniques: lithograph
Location: france
Artist: delpech
Artist role: printer
Artist nationality: french
Subjects: queens,portraits,women,mary queen of scots
Doodshoofd met kroon en scepter
Object type: ornamenttekening
Date: 1600 – 1800
Materials: ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral), death's head, skull (symbol of death)
Inscriptions: collector's mark: Lugt 2228
Twee hazewindhonden bij een dode haas
Object type: print
Date: 1811 – 1874
Materials: paper
Techniques: etching, intaglio
Artist: joseph moerenhout
Artist role: draughtsman, painter, print maker
Artist dates: 1801 – 1874
Subjects: hunting dogs, rodents: hare, hare-hunting, rabbit-hunting
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228
Vrouw met hoed, op de rug gezien
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ back view), head-gear: hat (+ women's clothes)

Pagina 45 uit schetsboek XLIII met 61 pagina's.
Façade van het voormalige jachtslot van Oldenbarnevelt of Torenzicht te Poeldijk
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, photographic support
Techniques: albumen print
Location: poeldijk
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: castle, façade (of house or building)
Inscriptions: annotation: ‘Voormalig jachtslot van Oldenbarneveldt/ Nov. 1904/ Poeldijk’, annotation: ‘Poeldijk (Z.H.)/ Torenzicht/ Voormalig jachtslot van Oldenbarneveldt/ Nov 1904’
Brick with guilloche design
Object type: brick
Date: 900 – 801
Materials: ceramic, glaze
Culture: assyrian
Location: mesopotamia

The Assyrian palaces were originally decorated with bright colors and elaborate patterns. Sadly, little of this polychromy survives. Small amounts of pigment remain visible on some reliefs but rarely on ivories, while images in art can also give some impression of textiles that have not survived. Perhaps the best sources for polychromy in the palaces are fragments of painted and glazed ceramic architectural elements. This six-sided brick consisting of two joined fragments provides an example in color of a guilloche pattern found in much Assyrian art. Painted and glazed brickwork is a major category in ancient Near Eastern art. Some of the most spectacular examples can be seen in Nebuchadnezzar’s Babylon, and at the palace of the Achaemenid Persian king Darius I at Susa.
Vouwblad met figuurstudies
Object type: drawing
Date: 1695 – 1705
Materials: chalk, graphite, ink, paper
Techniques: brush, pen
Artist: ludolf bakhuysen
Artist role: draughtsman, print maker
Artist dates: 1631 – 1708
Subjects: standing figure, standing figure - aa - female human figure

Vouwblad met aan de keerzijde een staande vrouw met een vogel op de hand en het boven- en onderlichaam van een schaatsende man.
Herders en herderinnen
Object type: popular print
Date: 1633 – 1679
Materials: paper
Techniques: etching
Location: netherlands
Subjects: pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 2228

Blad met 2 voorstellingen van herders en herderinnen in een landschap. Boven: een musicerende herder en een herderin bij een fontein. Onder: een herder en herderin rustend.
Ongemakken
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: hand coloring, lithograph
Location: utrecht
Subjects: downpour, rain shower, umbrella
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Plate
Object type: plate
Date: 1881 – 1881
Materials: bone china
Artist: minton(s)
Artist role: factory
Artist nationality: british
Artist dates: 1793 – 2001
Subjects: flowers
Fotoreproductie van een prent naar een schilderij door Joshua Reynolds, voorstellend een scene uit Macbeth door William Shakespeare
Object type: page
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: london
Subjects: macbeth
Inscriptions: number: ‘Ph. LXXXI. 323’

Te zien is akte IV, scene 1 met Macbeth in een grot met de drie heksen.
Hoender-, konijn- en vogelverkopersgilde van Amsterdam, gildepenning van H. Kloekjes
Object type: medal
Date: 1803 – 1803
Materials: brass
Techniques: casting, engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: naar rechts gewende haan binnen bladerkrans. Keerzijde: opschrift onder naar rechts gewende vogel
Adreskaart van Jean Bernard
Object type: business card
Date: 1775 – 1833
Materials: cardboard
Techniques: printing
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: drawing, education, tuition of the artist (in general)
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van een getekend portret van een onbekende jonge man
Object type: page
Date: 1864 – 1869
Materials: paper
Techniques: albumen print
Artist: Anonymous
Subjects: drawing, historical persons, youth, adolescent
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 510
Materials: terracotta
Culture: greek, attic

Exterior, part of a circumscribed palmette with ribbed fronds
Soldiers Recreating
Object type: print
Techniques: aquatint, etching
Artist: heinrich joseph schütz
Artist role: artist
Artist nationality: german
Artist dates: 1800 – 1825
Subjects: soldiers,women,dancing,music
Wilhelmshöhe. Merkur-Tempel
Object type: stereograph
Date: 1876 – 1876
Materials: cardboard, paper
Techniques: albumen print
Location: berlin
Artist: sophus williams
Artist role: publisher
Artist dates: 1835 – 1900
Subjects: summer-house, arbour, garden-house (dutch: 'theekoepel')
Inscriptions: number: ‘7.’
Portret van Pieter Janszoon Kies
Object type: print
Date: 1749 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: historical persons

Deze prent is oorspronkelijk bedoeld als aanvulling op Jan Wagenaars ‘Vaderlandsche historie’* en was zo vanaf 1796 verkrijgbaar bij Johannes Allart te Amsterdam.

Voor de advertentie waarin Allart de 60 portretten en 7 platen, allen gegraveerd door Houbraken, ter aanvulling op Wagenaars ‘Vaderlandsche historie’ aanbiedt, zie RP-P-OB-77.766.

*Van dit werk zijn in de achttiende eeuw meerdere uitgaves verschenen, zoals:

Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden (…). 21 delen. Amsterdam: Isaak Tirion, 1749-1759.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: weduwe Isaak Tirion, 1770.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam, Leiden, Dordrecht en Harlingen: P. Schouten e.a., 1782.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: Johannes Allart, 1790-1796.
Portret van Thomas Otway
Object type: print
Date: 1747 – 1781
Materials: paper
Techniques: engraving
Location: london
Subjects: historical persons

Prent uit: Universal Magazine, uitgegeven tussen 1747-1814.
I. Kappeyne van de Coppello
Object type: print
Date: 1833 – 1842
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: the hague, historical persons
Inscriptions: collector's mark: Lugt 2228
Water Coupe in the Shape of a Mouse
Object type: water coupe
Date: 1701 – 1800
Materials: biscuit, enamel, porcelain
Techniques: painting
Culture: chinese
Subjects: mice
Pedestal
Object type: pedestal
Date: 1801 – 1900
Materials: marble
Titelhoofd met mannen die druiventrossen dragen
Object type: book illustration
Date: 1893 – 1893
Materials: paper
Techniques: galvanoplasty
Location: amsterdam
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: flowers ~ ornament - aa - stylized, bunch of grapes

Titelhoofd uit: Crane, Walter. Kunst en samenleving. [Vertaald uit het Engels door] Jan Veth. Amsterdam: Scheltema & Holkema's Boekhandel, 1894 [1893], p. 50.
Later zijn deze afbeeldingen door de uitgever veelvuldig gebruikt voor andere uitgaven. Zie bijvoorbeeld RP-P-1969-415, een catalogus van de in 1894 bij Scheltema & Holkema's Boekhandel verkrijgbare publicaties.
Bos en een hoeve
Object type: print
Date: 1822 – 1845
Materials: paper
Techniques: lithograph
Location: dordrecht
Subjects: forest, wood, forest path or lane, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Twee landwegen lopen door en langs een bos, verderop een hoeve. Op het erf staat een kar met een figuur ernaast.
Design for Landau, No. 3267
Object type: drawing
Date: 1876 – 1876
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Wehrmacht militair bij machinegeweer
Object type: photograph
Date: 1941 – 1942
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: firearms (with name), occupation ~ war, netherlands

Een Duitse militair staat bij een machinegeweer in een open terrein. Aan zijn voeten staat een kistje.
Portret van Ernest Alexandre Honoré Coquelin
Object type: print
Date: 1840 – 1890
Materials: paper
Techniques: engraving
Artist: alphonse descaves
Artist role: print maker
Artist dates: 1830 – 1890
Subjects: historical persons, portrait of actor, actress
Inscriptions: collector's mark: Lugt 2228
Terracotta rim fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Artist: dresden painter
Artist role: artist

Draped, winged woman to right, with a sakkos on her head; above her right wing, one letter of an inscription?
Jonge vrouw te midden van druïden bij een offertafel
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: printmaking, etching
Artist: eugène françois de block
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1893
Subjects: adult woman, human sacrifice ~ non-christian religions, druid (celtic religious functionary)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Margaretha van Oostenrijk
Object type: history medal
Materials: copper
Techniques: striking
Artist: adolphe jouvenel
Artist dates: 1798 – 1867

Bronzen penning, op de voorzijde het borstbeeld van Magaretha naar links met omschrift, op de keerzijde een kroon met linten en twee boeken op een kussen, waaronder negen regels tekst.
Portret van IJsbrand van Hamelsveld
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, ijsbrand van hamelsveld, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Loosjes, Petrus. Vaderlandsche historie, (...) ten vervolge van Wagenaars Vaderlandsche historie. Amsterdam: Johannes Allart, 1798, dl. 21.
Deposition
Object type: drawing and watercolor
Date: 1601 – 1700
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: after paolo farinati
Gezicht op een muziekkoepel in het Parc de Sept Heures in Spa
Object type: stereograph
Date: 1866 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: spa
Artist: jules hippolyte quéval
Artist role: publisher
Artist dates: 1824 – 
Subjects: bandstand, public gardens, park
Inscriptions: number: ‘No1778’
Watch
Object type: watch
Date: 1600 – 1600
Materials: gilt, metal, quartz, silver
Artist: claude du cleron
Artist role: maker
Artist nationality: french
Artist dates: 1537 – 1637
Subjects: rabbits,flowers
Dish
Object type: dish
Date: 1626 – 1650
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome, underglaze
Culture: chinese
Subjects: houses,mountains,trees,boats