deem-data/ArtiFact huggingface dataset:
Groepsportret van Javaanse mensen en een Europeaan in Quala Bingei, Sumatra
Object type: photograph
Date: 1890 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: sumatra
Subjects: employer ~ employee, working class, labourers, anonymous historical persons portrayed in a group, in a group-portrait, sumatra
Inscriptions: number: ‘32’

In de lijst van afbeeldingen wordt deze foto beschreven met de woorden "Javanengruppe, Quala Bingei".
Voorbeelden voor de landschapstekenaar
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Artist: max josef wagenbauer
Artist role: print maker
Artist dates: 1774 – 1829
Subjects: trees, river bank

Onderdeel van een tweedelige serie waarvan het eerste deel bestaat uit een titelprent en twintig voorstellingen van takken, bladeren, bomen en landschappen.
Frontispiece, from Varie Figure Gobbi
Object type: print
Date: 1616 – 1616
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Steden en vestigingen in de Republiek der Nederlanden
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: etching
Location: antwerp
Subjects: prospect of city, town panorama, silhouette of city, grave
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Grave’

Gezicht op de vestingstad Grave. Op de voorgrond, buiten de stadsmuren, de rivier De Maas. Een veerpont vaart over het water met een huifkar en passagiers. Op het vasteland staan andere passagiers te wachten. Boven het stadsgezicht een cartouche met de naam van de stad.
Dressing table
Object type: dressing table
Date: 1740 – 1760
Materials: wood, brass
Culture: american
Location: united states

Japanning, the use of paint and gilded gesso to imitate the glossy finish on Asian lacquerwork, was a popular method of furniture decoration in colonial Boston. This group of japanned furniture (40.37.1,.2,.4) descended in the Pickman family of Salem, Massachusetts, and is an extraordinary survival. The painted decoration on the high chest, dressing table, and looking glass is all by the same hand.
Whose Sleeves? (Tagasode)
Object type: screen
Date: 1601 – 1700
Materials: gold, ink, panel, paper
Culture: japanese
Subjects: robes,butterflies
Vijf segmenten van een met viooltjes beschilderde knop
Object type: design drawing
Date: 1897 – 1897
Materials: graphite, ink, paper, watercolor
Techniques: aquarelle, pen
Location: sèvres
Artist: anatole-alexis fournier
Artist dates: 1864 – 1926
Subjects: flowers: violet, flowers ~ ornament
Inscriptions: inscription: ‘mauvais’, inscription: ‘Divisions en 6’, inscription: ‘Bouchon droit. / Violettes’, signature: ‘AF’

Daarboven een rond medaillon met een spiegelmonogram van de letters PP.
Vignet met Guillaume Cohardon die het land aan de koning overdraagt
Object type: print
Date: 1687 – 1701
Materials: paper
Techniques: engraving, etching
Location: toulouse
Subjects: historical persons, vignette

Prent gebruikt voor: La Faille, Germain de. Annales de la ville de Toulouse depuis la réunion de la Comté de Toulouse à la couronne (...). Toulouse: Guillaume-Louis Colomyez en Jérôme Posuel, 1687-1701.
Vignet voor: Divers titres et actes (...).
Table Spoon
Object type: spoon
Date: 1780 – 1790
Materials: silver
Culture: american
Location: united states
Artist: paul revere jr.
Artist role: maker
Artist nationality: american
Artist dates: 1734 – 1818
Strip
Object type: strip
Date: 1501 – 1600
Materials: linen
Techniques: embroidery
Bottle
Object type: bottle
Date: 1701 – 1900
Materials: glass
Techniques: glassblowing, painting, tooling
Location: iran
Monument, vermoedelijk ter nagedachtenis van een omgekomen militair
Object type: photograph
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: monument, statue
Inscriptions: inscription: ‘[...]ier rust Paul, François, Corneil[...]<BR />[...]reede Luit Kol der art Diveet [onz] va[...]<BR />[...]e art. Con[...] winkel. Ridder der[...]<BR />[...]de van Karel II[...]<BR />[...]an Spanje geboren den 16 mei 18[...]<BR />[...]verleden den 18 Mei 1861.<BR /><BR />Achterzijde<BR /><BR />Hulde van de officieren en va[...]<BR />beambten van den A.E.[...] aan<BR />nagedachtenis van hunnen hoogeachten en beminden Chef.<BR /><BR />op de [...] zijde<BR /><BR />Het wapen van den overleden’

Onderdeel van Fotoalbum van de families Matthes, Doorman en Van Thiel.
Satire met een vrouw die een ezel vast houdt bij de staart
Object type: print
Date: 1535 – 1535
Materials: paper
Techniques: woodcut
Subjects: symbolic representations, allegories and emblems ~ satirical poetry; 'poema satirico' (ripa)
Inscriptions: collector's mark: Lugt 240
Koeien in een weiland
Object type: sketchbook leaf
Date: 1848 – 1888
Materials: chalk, paper
Artist: anton mauve
Artist role: draughtsman, painter, print maker
Artist dates: 1838 – 1888
Subjects: cow, meadow, pasture

Blad 19 recto uit een schetsboek met 33 bladen.
[Self-Portrait with Christine and Yvonne Lerolle]
Object type: photograph
Date: 1895 – 1896
Techniques: gelatin silver print
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Subjects: men,self-portraits,women

While Degas was aware of photography from the beginning of his career, he did not take up the medium until 1895, when he embraced it with great enthusiasm. By then, the motifs in his paintings and pastels-dancers, women at their toilette, horses, and even his rare forays into landscape-were established, as were his untraditional viewpoints, lighting effects, and compositions; what was novel was his approach to his materials. Characteristically, he eschewed the accepted standards of photographic practice, the decreed fashions of the portrait studio, and the aesthetics of the "Photo-Club" artist; instead, his technique was driven exclusively by the effect he wished to achieve. Degas's brief but passionate involvement with photography resulted in a small body of fascinating and engaging pictures. Most of his surviving photographs are figure studies, self-portraits, and portraits of his intimate circle of friends-the families of Ludovic Halévy, Stéphane Mallarmé, Henry Lerolle, Auguste Renoir, Jacques-Emile Blanche, and others-in settings suggestive of realms more psychological than physical. In this magical image-one of Degas's finest-the artist himself seems to lean back deep in thought, conjuring up an image of youthful feminine grace in the form of the white-clad Lerolle daughters.
Barkcloth Fragment (Kapa)
Object type: panel fragment
Date: 1801 – 1900
Materials: pigment
Culture: hawaiian
Location: united states
Kosode
Object type: kosode
Date: 1801 – 1900
Materials: metal thread, silk
Techniques: lampas
Culture: japanese
Fragment of a terracotta skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 430 – 400
Materials: terracotta
Culture: greek, south italian, lucanian
Artist: palermo painter
Artist role: artist
Subjects: eros,zeus,lions

Enthroned Zeus The Palermo Painter was a follower of the Amykos Painter but shows a much greater interest in detail and texture. The king of the gods sits on a throne whose armrest is embellished with a lion and a small face. He holds a scepter surmounted by a bird. Eros, god of love, hovers with a wreath and looks back at a figure who may be the seated Hera, Zeus's wife.
Piece
Object type: piece
Date: 1780 – 1780
Materials: cotton
Subjects: leaves
Twee mannen die een vacht of een takkenbos samenbinden
Object type: drawing
Date: 1648 – 1648
Materials: chalk, ink, paper
Techniques: brush
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Inscriptions: annotation: ‘Ha[rmen] ter Borch.fecit den 20 January 1648’
Christus bij het Laatste Avondmaal
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: institution of the eucharist, i.e. christ showing or blessing bread (host) and/or wine (matthew 26:26-27; mark 14:22-23; luke 22:19-20; john 13:26; 1 corinthians 11:23-25)
Inscriptions: collector's mark: Lugt 2228

Christus zit op een bankje. In zijn linkerhand houdt hij een stuk brood. Zijn rechterhand rust op zijn borst. Volgens het Nieuwe Testament brak Christus het brood tijdens het Laatste Avondmaal met de woorden: ‘Neem, eet, dit is mijn lichaam' (Mattëus 26:26). Naast hem staat een tafeltje met een wijnkelk.
Roof End Tile
Object type: tile
Date: 701 – 900
Materials: stoneware
Culture: korean

The lotus-petal motif, a symbol of Buddhism, adorns this tile, which would have capped off a row of tiles and lined up with other endpieces to form the eaves of a building. The Samguk Yusa (Memorabilla of the Three Kingdoms), one of the two earliest surviving histories of the Korean peninsula, informs us that the capital city of the Unified Silla, Gyeongju, was so prosperous that all of the dwellings, not just the residences of the nobility, had roofs of tile.
Page from Ein new kunstlich Modelbuch...(Page 6v)
Object type: book print ornament architecture
Date: 1544 – 1544
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550

Published by Peter Guentel, Cologne. Illustrated title page, architectural border on reverse of title page, 99 pages of designs, arms of Cologne on last page (Merlos 1063.477, Van Worms).
Schepping van Eva
Object type: print
Date: 1565 – 1565
Materials: paper
Techniques: woodcut
Location: nuremberg
Subjects: eve emerges from adam's body, cat and mouse

Uitgesneden fragment van een prent afkomstig uit de publicatie: Biblische Figuren dess Alten Testaments. Frankfurt am Main: Johann Wolff, 1565.
Brief aan August Allebé
Object type: letter
Date: 1889 – 1889
Materials: ink, paper
Techniques: pen, printing, writing
Location: amsterdam
Artist: jérôme alexander sillem
Artist role: politician
Artist dates: 1840 – 1912
Subjects: essen, publisher, karl baedeker, august allebé, print maker, draughtsman, paul rink, education, tuition of the artist (in general)
Paperweight
Object type: glass
Date: 1834 – 1866
Materials: glass
Location: france
Twee liggende koeien voor een boom
Object type: print
Date: 1809 – 1812
Materials: paper
Techniques: etching
Location: amsterdam
Artist: anthony oberman
Artist role: draughtsman, painter, print maker
Artist dates: 1781 – 1845
Subjects: cattle
Inscriptions: collector's mark: Lugt 2228
Coin (Franc) Showing Jean le Bon
Object type: coin franc
Date: 1350 – 1364
Materials: gold
Culture: french
Location: france
Subjects: kings,coins
Shawl
Object type: shawl
Date: 1840 – 1840
Materials: silk
Culture: american
Subjects: flowers

This shows a very effective use of changeante silk which would constantly shimmer and change color with each movement of the wearer. This type of subdued color was popular in the 1840s.
A Hawk on a Cliff near a Kiri Tree
Object type: print
Date: 1716 – 1716
Techniques: hand coloring, woodblock print
Location: japan
Artist: attributed to torii kiyomasu i
Artist nationality: japanese
Artist dates: 1704 – 1718
Collar
Object type: collar
Date: 1894 – 1894
Materials: fur
Culture: american
Exhibition of Water Coloured Drawings, Old Bond Street
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: interiors,men,women
Interieur van de Tempio della Tosse bij Tivoli
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: ruin of a building ~ architecture, landscape with ruins, temple, shrine ~ roman religion, tivoli
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Measure (one of a set of seven)
Object type: measure
Date: 1801 – 1900
Materials: pewter
Vase with love motifs
Object type: vase
Date: 1470 – 1490
Techniques: maiolica, glazing
Subjects: birds,scrolls

Amorous symbols decorate this vessel. On one side, a graceful bird clutches a scroll inscribed with a romantic dedication: Non te posso lassar (I cannot leave you). This declaration of fidelity is paired, on the opposite side, with the image of an arrow piercing a heart from which flowers and acorns bloom. The broad span of the handles and the two-sided design suggest that it was intended more for display than for storage—possibly as a gift between lovers.
Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso)
Object type: drawing
Date: 1529 – 1566
Materials: ink
Techniques: brush, pen, wash
Artist: taddeo zuccaro
Artist role: artist
Artist nationality: italian
Artist dates: 1529 – 1566
Subjects: nymphs,diana,bathing

This graceful composition exhibits Taddeo's characteristically fluid line, which renders the forms at once animated, convincingly three-dimensional, and elegantly ornamental. Given the circular format of the designs on both sides of the sheet, it is likely that the drawings are preliminary sketches for a design to be painted on a majolica dish. It has been suggested that the design was part of a projected series of majolica illustrating the activities of Diana, goddess of the hunt, and would have preceded Taddeo's well-known commission to design a set of majolica for the king of Spain in 1562. The drawing entered the collection in 1956 as an anonymous Italian work of the sixteenth century and Jacob Bean recognized it as the work of Taddeo Zuccaro in 1964. John A. Gere has further pointed out that a second drawing in the Met collection depicting six bathing nymphs (acc. no. 1970.101.20) is a study for part of the same project. Taddeo's final design for this circular composition is recorded in a drawing in the Musée du Louvre, Paris (inv. 9030).
Groepsportret van een muziekensemble van het Leger des Heils te Stratford
Object type: photograph
Date: 1907 – 1920
Materials: photographic support
Techniques: gelatin silver print
Location: london
Artist: Anonymous
Subjects: functionaries and dignitaries in the salvation army, brass band, street band - cc - out of doors
Inscriptions: number: ‘No. 1’
Spoon board
Object type: spoon board
Date: 1760 – 1760
Materials: wood
Techniques: painting
Culture: european
Wedjat eye amulet
Object type: amulet, wedjat eye
Date: 1070 – 664
Materials: faience
Location: egypt
Subjects: eyes

One of the most popular amulets in ancient Egypt, the wedjat eye represents the healed eye of the god Horus. It depicts a combination of a human and a falcon eye, since Horus was often associated with a falcon. Its ancient Egyptian name, wedjat, means "the one that is sound." In Egyptian mythology Horus’ eye was injured or stolen by the god Seth and then restored by Thoth. The wedjat eye embodies healing power and symbolizes rebirth. An amulet in this shape was thought to protect its wearer and to transfer the power of regeneration onto him or her. It was used by the living as well as for the dead.
Specimen
Object type: specimen
Date: 1801 – 1900
Materials: silk
Techniques: crochet
Subjects: flowers
Print
Object type: print
Date: 1771 – 1835
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: eishōsai chōki
Artist role: artist
Artist nationality: japanese
Artist dates: 1700 – 1900
Subjects: men,women
Garrick and his wife, from Old English Masters
Object type: print
Materials: chine, paper
Techniques: engraving
Location: united states
Artist: timothy cole
Artist role: print maker
Artist nationality: american
Artist dates: 1852 – 1931
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic

Exterior, top of head of male with hair band; flute case
Portret John Charles Frémont
Object type: print
Date: 1819 – 1853
Materials: paper
Techniques: engraving
Artist: johann georg nordheim
Artist role: print maker
Artist dates: 1804 – 1853
Subjects: new york (city), politician, historical persons
Inscriptions: collector's mark: Lugt 2228
Margo J.J. Kessler-de Lange wandelend op landgoed De Paauw in Wassenaar
Object type: photograph
Date: 1913 – 1913
Materials: paper, photographic support
Techniques: gelatin silver print
Location: wassenaar
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Subjects: huize de paauw
Gevolgen van de eerbied van de kinderen
Object type: drawing
Date: 1535 – 1620
Materials: chalk, ink, paper
Techniques: pen
Artist: Anonymous
Subjects: on fire, ablaze, carrying a person, (story of) amphinomus and anapias

Het schilderij door Fiorentino bevond zich in de galerie François I, Fontainebleau, ca. 1535-1540.
Goblet
Object type: metalwork
Date: 1848 – 1848
Materials: silver
Location: philadelphia
Artist: attributed to james m. bennett
Inscriptions: inscribed "SECUNDUS HOC CONTENTUS ABITO/1848"//"Franklin Peale"
Landschappen met mythologische figuren
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: etching
Artist: salomon gessner
Artist role: painter, print maker
Artist dates: 1730 – 1788
Subjects: nymphs (in general); 'ninfe in commune' (ripa), spring (fluids extracted from the earth), cupids: 'amores', 'amoretti', 'putti', flute, aulos, tibia
Inscriptions: collector's mark: Lugt 240
Book cover with overall zigzag pattern
Object type: print
Date: 1801 – 1900
Techniques: relief print
Artist: Anonymous
Artist role: artist
Collar
Object type: collar
Date: 1860 – 1869
Materials: cotton
Culture: american
Tullus vertelt Numa over zijn vader en moeder
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: engraving, letterpress printing
Location: brussels
Subjects: grave, tomb, male literary characters (with name)
Inscriptions: collector's mark: Lugt 2228

Numa knielt en kust de urn van zijn moeder in de grafkelder van zijn ouders, terwijl de hogepriester Tullus over hun leven vertelt. Met een Frans onderschrift.
No. 4: Personally Arranged Flower (Teike no hana), from the series "A Comparison of Flowers (Hana awase)"
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: yanagawa shigenobu ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1820 – 1859
Tile
Object type: tile
Date: 1580 – 1580
Materials: earthenware
Techniques: glazing
Subjects: animals,coat of arms
Fabrieksgebouw van Rieth & co dat is verwoest door de ontploffing van een munitiefabriek in Oosterweel bij Antwerpen op 6 september 1889
Object type: photomechanical print
Materials: paper
Techniques: photograph
Location: oosterweel
Subjects: ruin of a building ~ architecture
Inscriptions: number: ‘8’
Interior of the Church of St Bavo in Haarlem
Object type: painting
Date: 1860 – 1891
Materials: oil, panel
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: interior of church, haarlem
Inscriptions: signature: ‘J. Bosboom’

Interieur van de Grote of Sint-Bavokerk te Haarlem. Van het plafond hangen drie scheepsmodellen.
Trompetter en jager van de jagers, 1830-1831
Object type: costume print
Date: 1831 – 1832
Materials: paper, pencil
Techniques: brush, lacquer
Location: netherlands
Artist: Anonymous
Subjects: professional clothes, (military) uniforms, netherlands

Een trompetter en een jager van de jagers, te voet. Onderdeel van het album met 39 ingeplakte tekeningen van militairen van de Koninklijke Nederlandsche Armee uit 1830-1831.
Button with Signs of the Zodiac
Object type: ceramic
Date: 1767 – 1800
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 –
September from a set of The Months of Lucas
Object type: tapestry
Materials: silk, wool
Artist: master of the months of lucas
Artist role: designer
Artist nationality: netherlandish
Artist dates: 1535 – 1535
Subjects: men,women,dogs

This tapestry is one from a twelve-piece series known as the Months of Lucas. Updated by the French artists Joseph Yvart and Charles Chasterlain, the core designs are based on a considerably earlier, sixteenth-century Netherlandish cycle, the so-called Months of Lucas, attributed to an artist in the circle of Bernard van Orley. Both the original Brussels-woven series and the Gobelins re-edition proved exceedingly popular and were woven multiple times. The set from which this September comes was made for the comte de Toulouse, son of Louis XIV and Madame de Montespan.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, meander and cross square with dots in corners; Exterior, lower drapery and feet of woman with a chiton and a himation
Chain
Object type: chain
Date: 501 – 700
Materials: copper alloy
Culture: frankish
Location: germany
Phineus en zijn volgelingen in steen veranderd
Object type: print
Date: 1656 – 1656
Materials: paper
Techniques: etching
Location: italy
Subjects: phineus and his attendants are turned into stone, the wedding-feast of perseus and andromeda is interrupted by phineus, a former suitor; a fight ensues
Inscriptions: collector's mark: ‘Hinloopen’

Prent uit een reeks prenten met nummers van 1 tot en met 29 (sommige prenten hebben hetzelfde nummer), plus titelprent en opdracht, naar schilderingen in Palazzo Farnese te Rome.

Deze prent maakte oorspronkelijk deel uit van liber nr. 22 van de Atlas van Rome, uit de collectie Hinloopen. In dit album waren een aantal prentreeksen naar bekende zeventiende eeuwse frescoseries bijeengebonden. In 1709 heeft Schijnvoet op last van de burgemeesters van Amsterdam de collectie herordend. De prenten uit liber 22 kwamen terrecht in Schijnvoet boek nr. 10. De laatst gedateerde reeks in het album is gedateerd 1691. Het album moet dus na deze datum gebonden zijn. De band is in de Rijksakademietijd uit elkaar gehaald. De marges van de prenten zijn bij het opbergen in het Rijksprentenkabinet vaak drastisch afgesneden. Van een aantal series waren de prenten teruggeslagen om in het album te passen. (Zie: Waals, Jan van der. De prentschat van Michiel Hinloopen. 's-Gravenhage: SDU uitgeverij, 1988, pp. 173-174.)
Ex libris van Joannes Steyger
Object type: bookplate
Date: 1850 – 1950
Materials: paper
Techniques: printing block
Location: switzerland
Artist: Anonymous
Subjects: ram, armorial bearing, heraldry
Reclining tiger
Object type: ornament
Date: 400 – 201
Materials: bronze
Culture: chinese
Subjects: tigers

Modeled in the round with keenly observed naturalistic details, this regally posed tiger exemplifies the artistic principles of its time. The surface is ornamented with abstract arabesques, a common decorative motif in the fifth to third century B.C. Together with two comparable pieces, the ornament once embellished the cover of a large ritual vessel.
Tool
Object type: tool
Date: 3100 – 2649
Materials: stone
Location: egypt
Napkin
Object type: napkin
Date: 1848 – 1852
Materials: linen
Subjects: eagles,flowers,coat of arms
Spotprenten uit 'De Amsterdammer' van het jaar 1902
Object type: cartoon
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: political caricatures and satires

Bundel van 52 spotprenten van Braakensiek gepubliceerd als bijvoegsel bij 'De Amsterdammer' in het jaar 1902. Bundel geplakt in slappe omslag van grijsgroen karton met handgeschreven etiket '1902'.
James G. Fogarty, Right Field, Philadelphia, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.