deem-data/ArtiFact huggingface dataset:
Portret van Carel Willink met wandelstok
Object type: photograph
Date: 1930 – 1930
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: amsterdam, print maker, draughtsman, carel willink, portrait, self-portrait of artist
Salome met het hoofd van Johannes de Doper
Object type: print
Date: 1831 – 1904
Materials: paper
Techniques: drypoint, etching
Artist: arnoud schaepkens
Artist role: print maker
Artist dates: 1816 – 1904
Subjects: the head of john the baptist on a platter
Inscriptions: collector's mark: Lugt 2228
Libellus Novus Elementorum Latinorum Cum AEneis picturis usui Aurifabrorum inservientib
Object type: ornament print
Date: 1645 – 1650
Materials: paper
Techniques: engraving
Location: germany

In het midden staat een soort griffioen. Blad met de letter C uit serie van 26 bladen met letters uit het alfabet.
Beer (Bruun) wordt aangevallen door een menigte
Object type: print
Date: 1910 – 1910
Materials: paper
Techniques: lithograph
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: fable of reynard the fox

Prent gebruikt in: Streuvels, Stijn (Frank Lateur). Reinaert de Vos naar verschillende uitgaven van het middeleeuwsche epos. Amsterdam: L.J. Veen, 1910.
Staande katholieke geestelijke die een zegenend gebaar maakt, zonder hoofd
Object type: drawing
Date: 1600 – 1699
Materials: parchment, watercolor
Techniques: brush
Artist: Anonymous
Subjects: abuses of the clergy, e.g. simony, organization, functionaries and dignitaries in roman catholic church; clergy in general

Staande katholieke geestelijke in een witte pij. Hij maakt een zegenend gebaar. Van het ronde blad is een stuk uitgesneden waardoor het hoofd ontbreekt. De tekening is een onderdeel van een combinatie van twee schijven, het andere draaischijf (met verschillende hoofden) ontbreekt. Anti-roomse satire voorstelling.
Five Putti with Books
Object type: drawing and watercolor
Date: 1543 – 1543
Materials: chalk, graphite, paper
Techniques: brush, wash
Location: italy
Artist: after bernardino gatti
Pagina 123 van fotoboek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.)
Object type: photograph
Date: 1924 – 1925
Materials: paper, photographic support
Techniques: printing
Location: sumatra
Artist: j.w. meyster
Artist role: fotograaf
Artist dates: 1887 – 1945
Subjects: truck, van, (non-fruit) products of plants or trees: rubber, working class, labourers, sumatra

Boekpagina met een foto van Indische werkkrachten die thee op vrachtwagens laden bij een theefabriek te Pagar Djawa. Onderdeel van een fotoboek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.).
To Commemorate the Arrival in London of the Princess Alexandra of Denmark to Wed Albert Edward, Prince of Wales (Edward VII) in March, 1863
Object type: medal
Date: 1863 – 1863
Materials: bronze
Techniques: struck
Artist: alfred benjamin wyon
Artist role: artist
Artist nationality: british
Artist dates: 1837 – 1884
Subjects: princesses,profiles,women
Portret van Madame Pasca
Object type: page
Date: 1872 – 1882
Materials: paper
Techniques: photograph
Subjects: lyon, paris, portrait of opera-singer
Amphoriskos
Object type: amphoriskos
Date: 600 – 480
Materials: terracotta
Culture: cypriot

Miniature krater with horizontal bands and moulded knobs.
Ontwerp van het wapen van Lodewijk Napoleon
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: amsterdam
Artist: alphonse pierre giraud
Artist role: print maker
Artist dates: 1786 – 1863
Subjects: louis napoleon (king of holland), armorial bearing, heraldry - aa - female
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Ontwerp van het wapen van Lodewijk Napoleon als heerser over het koninkrijk Holland. Op het schild een helm, gekroond met een kroon. Om de helm een koningsmantel. Achter het schild twee scepters, eindigend in een kroon (rechts) en een platte hand (links). Het wapen combineert de gouden adelaar van het Franse Keizerrijk en de Bataafse leeuw.
De Spaansche Inquizitie
Object type: carte de visite
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: buried alive (violent death)
Inscriptions: number: ‘No. 7.’, inscription: ‘Anneke van den Hove, te Brussel in 1597 levend begraven.’

In 1597 werd de doopsgezinde Anneke van den Hove levend begraven in Brussel. Naar een prent van een anonieme maker. Vgl. RP-P-OB-78.998.
Fan
Object type: fan
Date: 1895 – 1895
Materials: feather, silk, shell
Culture: austrian
Artist: rodeck brothers
Artist role: designer
Artist nationality: austrian
Portret van een onbekende man
Object type: print
Date: 1864 – 1923
Materials: paper
Techniques: intaglio, soft ground etching
Artist: peter von halm
Artist role: print maker
Artist dates: 1854 – 1923
Subjects: anonymous historical person portrayed
Inscriptions: collector's mark: ‘Onleesbare naam.’, collector's mark: Lugt 2228, collector's mark: Lugt 3761
Pin head
Object type: pin head
Date: 1000 – 1
Materials: bronze
Culture: iranian
Location: western iran
Schilderingen in Palazzo Farnese te Rome
Object type: print
Date: 1570 – 1659
Materials: paper
Techniques: etching
Location: rome
Subjects: hercules wooing iole, (story of) cupid, amor (eros)
Inscriptions: collector's mark: Lugt 2228

De godin Diana omarmt de eeuwig slapende jongeling Endymion. Op de voorgrond slaapt een hond. Op de achtergrond twee putti.
De binnen Amstel, van de Blaauwe-brug naa den Amstel sluys te zien
Object type: print
Date: 1700 – 1748
Materials: paper
Techniques: etching
Subjects: city-view in general; 'veduta', canal, ships (in general) - cc - more than one ship, bridge in city across river, canal, etc., boat propelled by man or animal
Inscriptions: collector's mark: ‘4B 53a n b’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Amstel van Blauwbrug tot Hogesluis. Rechtsonder: B.
Das romantische Ahrthal
Object type: accordion book
Date: 1885 – 1903
Materials: paper
Techniques: photograph, printing block
Location: ahrtal
Subjects: bunch of grapes

Leporelloalbum met zestien prentbriefkaarten.
Fragment
Object type: fragment
Date: 1567 – 1633
Materials: metal thread, silk
Studie
Object type: sketchbook leaf
Date: 1881 – 1883
Materials: chalk, paper, pencil
Location: south holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: name: ‘Edmond Winandy’

Studie. Pagina 120 uit een schetsboek met 70 bladen.
Plate
Object type: plate
Date: 1769 – 1769
Materials: faience
Techniques: glazing
Subjects: roses

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Landschap
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Subjects: landscapes
Syrians Bringing Horses, Tomb of Rekhmire
Object type: facsimile, rekhmire tt 100, syrian, horse
Date: 1504 – 1425
Materials: paper, paint
Location: egypt
Artist: nina de garis davies
Artist role: artist
Artist dates: 1881 – 1965
Subjects: men,horses,rekhmire-exhibition

This facsimile painting copies a detail from a scene of foreignors bringing offerings in the tomb of Rekhmire (TT 100) in western Thebes. This section of the scene depicts Syrians bringing a metal ingot and a chariot (31.6.34), horses (31.3.41), exotic animals (31.6.43), vessels and weapons (30.4.83).
Journal des Dames et des Modes 1824, Costume Parisien (2228)
Object type: fashion print
Date: 1824 – 1824
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: fashion plates, clothes, costume (+ men's clothes)
Inscriptions: date

Prent uit het tijdschrift Journal des Dames et des Modes, 1824.
Gournah, Nécropole de Thèbes; Thèbes, plate 60 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Object type: photograph
Materials: paper
Techniques: salted paper print
Location: france
Artist: maxime du camp
Artist role: artist
Artist nationality: french
Artist dates: 1822 – 1894
Subjects: collected by hugh edwards, egypte, nubie, palestine et syrie
Brief aan Philip Zilcken
Object type: letter
Date: 1907 – 1907
Materials: ink
Techniques: pen, writing
Location: the hague
Artist: hendrik willem mesdag
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1915
Subjects: johannes bosboom, amsterdam, artist, willem jan gerrit van meurs, the hague, painter, philip zilcken, photography, cinematography, exhibition ~ art, venice
Inscriptions: collector's mark: ‘RPK’
Fujieda
Object type: print
Date: 1840 – 1840
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: men,horses,trees,working
Allegorisch ruiterportret van Lodewijk XIV, koning van Frankrijk
Object type: print
Date: 1677 – 1677
Materials: paper
Techniques: engraving
Location: france
Subjects: lodewijk xiv (koning van frankrijk)
Inscriptions: collector's mark: Lugt 240

Bovenste deel van een prent met een allegorie op de zege van koning Lodewijk XIV. De heilige drieëenheid houdt de Franse kroon boven het hoofd van koning Lodewijk XIV te paard. Naast haar twee engelen waarvan één een vlag met door Frankrijk veroverde gebieden vasthoudt.
Whistler with the White Lock
Object type: print
Date: 1879 – 1879
Materials: ink, ivory
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men,portraits
Haan en hen
Object type: print
Date: 1667 – 1718
Materials: paper
Techniques: engraving
Location: england
Subjects: fowl (cock, hen, chicken, etc.)
Inscriptions: collector's mark: Lugt 2228

Een haan en een hen zitten op een nest met enkele kuikens.
Gebruik van de meetplank op drie manieren
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: etching, letterpress printing
Location: france
Subjects: planimetry, geometry

Prent uit: Leclerc, Sébastien. Traité de géométrie (...). Parijs: Jean Jombert, 1690.
Twee muzikanten op een toneel, vermoedelijk Franse amateurtoneelspelers
Object type: photograph
Date: 1900 – 1910
Materials: paper, photographic support
Techniques: daylight paper print
Location: france
Artist: Anonymous
Subjects: set, scenery ~ stage, theatre, theatrical performance, historical costume, wind instruments, string instruments (plucked), france

Onderdeel van Fotoalbum van een Franse amateurfotograaf met opnames van een familie, distilleerderij Delizy & Doistau Fils, het leger en bezienswaardigheden in Frankrijk.
Spoon
Object type: spoon
Date: 1698 – 1699
Materials: silver
Love (Valentine)
Object type: drawing and watercolor
Date: 1855 – 1860
Materials: paper
Techniques: collage, cutting, embossing
Location: united states
Artist: Anonymous
Artist nationality: american or english
Artist dates: 1800 – 1899
The Annunciation
Object type: painting
Materials: canvas, oil, panel, wood
Techniques: painting
Location: germany
Artist: johann koerbecke
Artist nationality: german
Artist dates: 1420 – 1490
Subjects: virgin mary, germany, architecture, architecture, architectural, architechture, fabric, interior, bibles, prayer, angels, altar, religious scenes, religious, biblical, christianity, christian subjects, century of progress, world's fairs, chicago world's fairs
Inscriptions: Inscribed: [a]ve gratia plena dominus tecum (on Gabriel’s scroll)

The Annunciation was one of eight scenes from the life of the Virgin decorating the inside of the wings of Johann Koerbecke’s masterpiece, the altarpiece formerly on the high altar of the Cistercian abbey of Marienfeld, near Münster in northwest Germany. The wings framed the altarpiece’s center, where relics and a gilded statue of the Virgin and Child were displayed when the altarpiece was opened on feast days. The gilded backgrounds and festive architecture of the wings enhanced the splendor of the open altarpiece. The backs of the moveable wings, decorated with more somber Passion subjects in naturalistic landscape settings, were visible when the altarpiece was closed. The ensemble was dismantled in the late 17th century, and the panels were dispersed in the early 19th century, after the wings had been sawn apart, separating the Passion scenes from those on the interior.
Canada, from "Court Game of Geography"
Object type: print
Date: 1838 – 1855
Techniques: engraving, hand coloring
Artist: william and henry rock
Artist role: publisher
Artist nationality: british
Artist dates: 1821 – 1884
Subjects: playing cards,maps
Battle of the Tritons
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: etching
Location: germany
Artist: christian wilhelm ernst dietrich
Artist role: artist
Artist nationality: german
Artist dates: 1712 – 1774

In 1763, Dietrich was appointed professor of landscape painting at the newly founded Akademie der Bildenden Künste in Dresden and became Director of the Kunstschule at the porcelain manufactory in Meissen. Confident after these appointments, Dietrich took a more original approach to his work, refraining from copying the styles of other artists. In this freely etched plate, one can see the style of Dietrich’s direct hand.
Gezicht op de eerste schouwburg aan het Leidseplein in Amsterdam
Object type: print
Date: 1789 – 1789
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: concert hall

Prent uit: Stijl, Simon. Amsterdam in zyne geschiedenissen, voorregten, koophandel (...). Amsterdam: Petrus Conradi, Harlingen: Volkert van der Plaats, 1789, dl. 4, na p. 284.
Fragment uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, sheet metal fragments: worked, with solder; fragm of sheet, eroded, with soldered band, curved in section.
Page. (aanleggen van Sawahs (boven), Tonging (onder)
Object type: photomechanical print
Materials: paper
Techniques: photoaquatint
Location: sumatra
Subjects: gulf, bay (+ landscape with figures, staffage), sawahs, rice paddies, sumatra
Inscriptions: number: ‘61’

Onderdeel van Album met heliogravures van Sumatra's oostkust.
Jonge herder met een stier
Object type: print
Date: 1659 – 1659
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: bull, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 240

Eerste prent uit een serie van tien prenten met verschillende dieren. Van de Velde nam het thema met de jonge herder en de stier over van een vroeg schilderij van Jacob Isaacksz. van Ruisdael uit 1646. In het landschap met een boerderij van Ruisdael zijn de herder en de stier met de opvallende witte vlek op de flank klein in de compositie geplaatst. Van de Velde maakte het groepje los uit de oorspronkelijke context en volgde bij zijn weergave nauwkeurig ieder detail. De herder die op zijn hoorn blaast terwijl hij de stier aan een touw vasthoudt staan groot op de voorgrond in een licht glooiend landschap.
Portret van Elisabeth Ludovika van Beieren
Object type: print
Date: 1815 – 1840
Materials: paper
Techniques: engraving
Location: vienna
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Great Indian Fruit Bat
Object type: painting
Date: 1777 – 1782
Materials: ink, paper, pencil, watercolor
Location: india
Artist: bhawani das
Artist role: artist
Artist nationality: indian
Subjects: bats

This dramatic image is of the great Indian fruit bat (Pteropus giganteus) frontally displayed with one wing out-stretched. The body is shown in considerable detail, with the bat’s fur, eyes, curling claws, and wing veins naturalistically articulated. This work is closely related to another image of a bat painted by the well-known artist Bhawani Das, who was trained in Mughal miniature painting and commissioned by Sir Elijah Impey, Chief Justice of Bengal (1774–1782), and his wife, Lady Mary, to make extensive natural history studies at their estate in Calcutta. It was perhaps made by a follower of Bhawani Das who worked in a slightly more naturalistic mode.
Paten
Object type: paten
Date: 1450 – 1500
Materials: silver gilt
Culture: spanish
Subjects: insignia

Although they often do not survive together, chalices and patens were concieved as ensembles, much like cups and saucers. The paten sat on top of the chalice and held the bread consecrated during the Mass as the body of Christ.
Gezicht op een boerderij
Object type: drawing
Date: 1841 – 1915
Materials: chalk, paper
Artist: hendrik willem mesdag
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1915
Subjects: farm (building)

Mogelijk op het landgoed van Kasteel Twickel.
Fragment kom uit V.O.C.-schip de 'Witte Leeuw'
Object type: bowl
Date: 1613 – 1613
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

A dish with a flattened rim. In the centre part of a lion is visible, encircled by a single band. The outside is fairly undecorated. Bands are drawn around the foot-ring. On the base part of a six character mark is visible: ta ming (jia) jing (1522-1566).
Ex libris van C.H.F. Wöhrmann
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: bookbinding, book, armorial bearing, heraldry
Fragment
Object type: fragment
Date: 1567 – 1633
Materials: silk
Sealed Amphora Containing Oil
Object type: pottery, amphora, sealed, hatnefer
Date: 1492 – 1473
Materials: clay, linen, mud
Location: egypt

This amphora has an inscription in hieratic dated to year 7 of the joint reign of Hatshepsut and Thutmose III. The inscription indicates that the jar contains two measures of setwy oil. The mud stopper, which completely covers the neck and mouth of the jar, was stamped with the seal of "Hatshepsut, God's Wife of Every Land." As a further security measure, a narrow strip of linen cloth has been passed through one handle, wound around the stopper, and the tied ends have been covered mud that was then stamped with a rectangular seal.
Amor en herder met kudde bij bron
Object type: book illustration
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: (story of) cupid, amor (eros), pastorals, arcadian scenes, herd, flock
Inscriptions: collector's mark: Lugt 2228

Prent uit: Gessner. Oeuvres. Parijs: Hubert-Martin Cazin, s.a.
Second Livre de Vases
Object type: ornament print
Date: 1667 – 1667
Materials: paper
Techniques: engraving
Location: france
Inscriptions: number: ‘38’

Het lichaam is gedecoreerd met guirlandes, festoenen en putti. Rechtsonder: 10, dit blad behoorde oorspronkelijk tot de eerste serie van de vazen, nummer 10 (?). Blad 38 uit serie van 25 bladen, genummerd: II (voorheen 26), 27-50.
Landschap met bomen, huizen en rechts een hek
Object type: drawing
Date: 1801 – 1856
Materials: chalk, paper
Techniques: brush
Artist: henricus turken
Artist role: draughtsman, print maker
Artist dates: 1791 – 1856
"Sultan Sanjar and the Old Woman", Folio 17 from a Khamsa (Quintet) of Nizami of Ganja
Object type: folio from an illustrated manuscript
Materials: gold, ink, paper, watercolor
Location: afghanistan
Artist: nizami
Artist role: author
Artist dates: 1141 – 1209
Subjects: men,women,horses

This folio is from a lavishly illustrated copy of the Khamsa (Quintet) by the poet Nizami. The calligrapher of this manuscript, Sultan Muhammad Nur, is known to have worked in Herat during the reign of the Timurid ruler Sultan Husain Baiqara, along with the famous painter Bihzad. By the time this manuscript was produced, however, the city had come under Safavid control. Nevertheless, this painting exemplifies the fine drawing and jewel‑like finish of the style established within Sultan Husain’s royal workshop.
Hemelbed en een wandkleed
Object type: sketchbook leaf
Date: 1819 – 1849
Materials: paper, pencil
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: tapestry, four poster bed

Blad 41 verso uit een schetsboek met 60 bladen.
Kimball's Book of Designs: Furniture and Drapery.
Object type: book
Date: 1876 – 1876
Techniques: lithograph
Artist: j. w. kimball
Artist role: author
Artist nationality: american
Artist dates: 1850 – 1900
Portret van Simon van den Berg
Object type: print
Date: 1848 – 1883
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: overschie, arnhem, print maker, simon van den berg, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Lead figure of a rooster
Object type: statuette of a cock
Date: 600 – 401
Materials: lead
Culture: greek, laconian
Subjects: roosters

Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of Laconia; over one hundred thousand, dating from the seventh century B.C. to the Classical period, were dedicated to the goddess Artemis Orthia in Sparta.
Peasant Digging
Object type: print
Date: 1863 – 1863
Materials: charcoal, paper
Techniques: woodcut
Location: france
Artist: jean françois millet
Artist role: draughtsman, painter, print maker
Artist nationality: french
Artist dates: 1814 – 1875
Brief aan Philip Zilcken
Object type: letter
Date: 1910 – 1910
Materials: ink
Techniques: pen, printing, writing
Location: amsterdam
Artist: gabriel mourey
Artist role: criticus, schrijver
Artist dates: 1865 – 1943
Subjects: painter, print maker, draughtsman, hendrik willem mesdag, philip zilcken, the hague, brussels, amsterdam
Inscriptions: collector's mark: ‘RPK’
Groep van vijf schapen
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: etching
Location: netherlands
Artist: jacob van der does (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1673
Subjects: sheep
Inscriptions: collector's mark: Lugt 240
Loading the Canon, plate eleven from The Military Exercises
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Art Gothique - XIIIe diècle - Tympan d'une arcature. Cloître de Mont Saint-Michel.
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: france
Artist: adolphe giraudon
Artist role: publisher
Artist dates: 1849 – 1929
Subjects: flowers ~ ornament, sculpture (+ relief ~ sculpture)
Inscriptions: collector's mark: ‘RIJKS-NORMAALSCHOOL voor TEEKENONDERWIJZERS AMSTERDAM’, name: ‘A. GIRAUDON ÉDITEUR 15, R. BONAPARTE, PARIS’, number: ‘T 953’