deem-data/ArtiFact huggingface dataset:
Landschap met een afgespannen paard
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: drypoint, etching, intaglio
Subjects: horses and kindred animals, landscapes, four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach
Inscriptions: collector's mark: Lugt 2233
Glass appliqué with theatrical mask
Object type: appliqué
Date: 101 – 400
Materials: glass
Culture: roman
Subjects: masks

Translucent deep turquoise green, appearing black; vessel wall colorless. Thick oval appliqué attached to wall of vessel; on inside of wall, bulb. Grotesque female mask with straight-haired peruke, parted at middle and with an outturned fringe at sides of face; deep eye holes and large curved mouth cavity. Complete but with chipped and weathered edges, and most of nose missing; pitting, dulling, and iridescent weathering on all surfaces. The appliqué was probably attached to a large glass jug or bottle as decoration below the handle.
Het voeden van de vijfduizend
Object type: book illustration
Date: 1480 – 1500
Materials: paper
Techniques: woodcut
Subjects: multiplication of loaves and fishes for a multitude of four or five thousand people (matthew 14:13-21, 15:32-39; mark 6:32-44, 8:1-10; luke 9:10-17; john 6:1-14)

Eén blad van 113 uit Ludolphus de Saxonia, "Dit es dleué ons liefs heeren ihesu christi". Anonieme Nederlandse vertaling. Uitgegeven door Henrick Eckert van Homberch te Antwerpen in 1503. Botke, K. Deze 113 houtsneden, die meestal reeds in vroege Nederlandse boeken gebruikt zijn, worden toegeschreven aan de tweede Meester van Delft, de Meester van de Delbecq-Schreiber-passie en de Meester van de Virgo inter Virgines. In Conway (1884) en in "De gulden passer"(1951) zijn ook eerdere versies opgenomen. Botke, K.
Miss Durben, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
The Gathering of Manna
Object type: tapestry
Date: 1595 – 1596
Materials: silk, wool
Artist: alessandro allori
Artist role: designer
Artist nationality: italian
Artist dates: 1535 – 1607
Subjects: fruit,children,men,women,putti,flowers,manna

Depicting the Children of Israel gathering manna (Exodus 16) and Moses holding the tablets on which he inscribed the Ten Commandments, this tapestry was one of three (of an intended set of five) made in 1595/96 for the cathedral of Como. It is a rare example of a private commission under taken by the Florence tapestry workshops, whose production was largely reserved for the Medici. According to contractual documents, the tapestries were to be of medium-quality weave and each would be woven in eight months (two were required for the cartoons). Combining multiple narrative, an all-over composition, and an elaborate sculptural border, the designs typify those that Allori produced for the Medici workshop during the last quarter of the sixteenth century. Before completion, the set was appropriated by Ferdinand de' Medici as a gift for Alessandro de' Medici, archbishop of Florence (later Pope Leo XI), before his departure to France as papal ambassador.
Studie
Object type: sketchbook leaf
Date: 1834 – 1906
Materials: paper, pencil
Artist: maria vos
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1906

Blad 18 verso uit een schetsboek met 21 bladen.
St. Petersburg plein voor het Winterpaleis
Object type: photograph
Date: 1898 – 1898
Materials: paper, photographic support
Techniques: albumen print
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Glass bowl
Object type: bowl
Date: 67 – 233
Materials: glass
Culture: roman

Colorless; handle trails in same glass. Broad, outsplayed rim, turned up, round, down, and under; short convex side to body; tubular, slightly outsplayed, low foot ring, made by folding; downward rounded ridge around edge of bottom, pushed-in center with circular pontil mark, forming domed base to interior of bowl; two handles applied on opposite sides of rim, tooled to form a row of alternating vertical ridges and furrows. Intact; pinprick bubbles; dulling, pitting, creamy brown weathering, and iridescence. Small, with boss in center and plastic decoration on rim.
Joseph Lies
Object type: print
Date: 1885 – 1885
Materials: paper
Techniques: etching
Artist: piet verhaert
Artist role: print maker
Artist dates: 1852 – 1908
Subjects: antwerp, painter, print maker, joseph lies, adult man, historical persons, beard
Inscriptions: collector's mark: Lugt 2228
Wig rest
Object type: wig rest
Date: 1720 – 1720
Materials: faience
Techniques: glazing

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Design for a Frieze with Putti Supporting a Garland, with the inital "N" inside a Wreath (related to the Arc du Carrousel)
Object type: drawing ornament architecture
Date: 1806 – 1808
Materials: graphite, ink
Techniques: pen
Artist: anonymous, french, 19th century
Artist role: artist
Artist nationality: french
Artist dates: 1800 – 1900
Subjects: putti

This classicizing design for a frieze consists of four putti carrying a garland, with a laurel wreath at center. The wreath encircles the letter N for Napoleon. The prototype for this design can be found in Roman sarcophagi, and the motif was also popular during the High Renaissance. This and a second drawing in the collection (2001.753.3) can be related to the decorations of the Arc du Carrousel in Paris, built between 1806 and 1808 under the artistic direction of Charles Percier and Pierre Francois Leonard Fontaine. While they do not match the drawings precisely, four friezes on the arch closely follow the overall concept proposed in the two designs in the Museum's collection.
Ahaz, Hezekiah, Manasses, plate four, from The Twelve Kings of Israel
Object type: print
Date: 1520 – 1520
Materials: ink, paper
Techniques: pen, woodcut
Location: netherlands
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Amulet of a Lion-headed Walking Goddess, possibly Bastet
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: goddesses
Elevation of a Catafalque, Three Obelisks with Fleur-de-lys and Candles
Object type: drawing
Date: 1733 – 1733
Materials: ink
Techniques: pen
Artist: giuseppe galli bibiena
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1756
Subjects: obelisks,emblems
Philadelphia Sanitary Fair
Object type: medal
Date: 1864 – 1864
Materials: bronze
Culture: american
Artist: anthony paquet
Artist role: artist
Artist nationality: american
Artist dates: 1814 – 1882
Le Défilé Entrée des Chars de l'Afrique et de l'Aise (The Entrance Parade of the Chariots of Africa and Asia), from "La Guerre d'Amour" (Guerra d'Amore) (War of Love)
Object type: print
Date: 1615 – 1615
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Maison de plaisance de l'imperatrice de Russie
Object type: opticaprent
Materials: paper, watercolor
Techniques: brush, etching
Location: paris
Subjects: garden, garden fountain, ornamental plants, garden ornaments, country-house
Inscriptions: watermark, collector's mark: Lugt 2166
Portret van Rafaël
Object type: print
Date: 1738 – 1738
Materials: paper
Techniques: engraving
Subjects: rome, painter, rafaël, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228
Spoon
Object type: spoon
Date: 1663 – 1664
Materials: silver
Artist: john smith
Artist role: maker
Artist dates: 1641 – 1690
Concordaat tussen paus Leo XII en Willem I Frederik, koning der Nederlanden
Object type: history medal
Date: 1827 – 1827
Materials: silver
Techniques: striking
Location: bruges
Artist: franciscus johannes de hondt
Artist role: print maker
Artist dates: 1786 – 1862
Subjects: william i of the netherlands, rome

Zilveren penning. Voorzijde: naar elkaar gewende borststukken van twee mannen binnen omschrift; afsnede: jaartal. Keerzijde: stralende driehoek met opschrift in Hebreeuwse letters tussen oranjeboom en twee gekruiste sleutels, boven opschrift binnen kring van acht mijters.
Card Number 98, from the Actors and Actresses series (N145-1) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-1), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the first subset, N145-1. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Mes van zilver
Object type: miniature
Date: 1800 – 1800
Materials: silver
Artist: Anonymous

Mes van zilver met recht, rond heft en recht lemmet eindigend in een driehoekige punt.
Friedrich Wilhelm III of Prussia (1770–1840, r. 1797–1840)
Object type: medallion
Date: 1815 – 1815
Materials: biscuit, gilt copper, glass, porcelain
Artist: désprez
Artist role: maker
Artist dates: 1773 – 1815
Subjects: men,profiles
Fotoreproductie van een prent door Richomme van de Sacra Famiglia di Francesco I door Rafaël
Object type: reproduction
Date: 1859 – 1869
Materials: photographic support
Techniques: albumen print
Subjects: holy family, and derived representations
Mlle. Alma, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Ivoren beker, Hansje-in-de-kelder, glas en zakhorloge
Object type: photograph
Date: 1875 – 1925
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: drinking-vessel in unusual shape, glass, rummer, alcoholic drinks, watch
Inscriptions: collector's mark, collector's mark: Lugt 1641
Putti ontnemen Vader Tijd geschriften
Object type: print
Date: 1666 – 1707
Materials: paper
Techniques: engraving
Location: france
Subjects: father time, man with wings and scythe
Inscriptions: collector's mark: Lugt 240

Twee putti ontnemen Vader Tijd geschriften, die twee andere putti op een obelisk bevestigen.
Design for Vis-à-vis/ Charabanc, no. 848
Object type: drawing
Date: 1850 – 1870
Materials: ink, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Huwelijkspaar bij een offerzuil
Object type: marriage print
Date: 1710 – 1759
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: jan wandelaar
Artist role: draughtsman, print maker
Artist dates: 1690 – 1759
Subjects: envy; 'invidia' (ripa) ~ personification of one of the seven deadly sins, marriage, married couple, 'matrimonium', (story of) cupid, amor (eros), sacrifice ~ non-christian religions
Inscriptions: collector's mark: Lugt 2228

Vooraan staat een priester bij een offerzuil in een tempel. Op de zuil worden twee duiven verbrand en de rook stijgt op in de richting van een beeld dat de liefde symboliseert. De zuil is versierd met twee ineengesloten handen als symbool van verbondenheid en harten als liefdessymbolen. Achter de zuil staat een jong paar dat trouw aan elkaar belooft. Rechtsvoor jaagt Amor met zijn boog de personificatie van Afgunst met water de tempel uit.
Miss Oteri, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Vase (one of a pair)
Object type: vase
Date: 1701 – 1733
Materials: hard paste porcelain
Artist: ignaz preissler
Artist role: decorator
Artist nationality: bohemian
Artist dates: 1676 – 1741
Subjects: birds,chinoiserie,men,flowers

This Chinese vase was initially decorated in red enamel and gilding, but after it was exported to Europe additional decoration in black enamel and gold was applied by Ignaz Preissler (1676–1753). The depiction of “Chinese” figures is typical of chinoiserie, a term used to describe the European fascination with the peoples of Asia and their fanciful evocation in European decorative arts.
Vier schapen
Object type: copper plate
Date: 1842 – 1870
Materials: copper
Techniques: etching
Artist: johann heinrich maria hubert rennefeld
Artist role: print maker
Artist dates: 1832 – 1877
Gold earring with hollow disc and pendant
Object type: earring with pendant
Date: 101 – 200
Materials: gold
Culture: roman
Doedelzakspeler en herderin in landelijke kleding ca. 1695
Object type: costume print
Date: 1695 – 1700
Materials: paper
Techniques: etching
Location: paris
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., head-gear: hat (+ men's clothes), clothes, costume (+ women's clothes), clothes, costume (+ men's clothes), bagpipe, musette - cc - out of doors, head-gear: hat (+ feathers used for clothes)

Links een doedelzakspeler met hoed met pluim; rechts een herderin met herdersstaf, in landelijke kleding ca. 1695.
Ia orana Maria (Hail Mary)
Object type: print
Materials: ink, paper
Techniques: transfer, lithography
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Landschap met een kasteel op een heuvel
Object type: print
Date: 1625 – 1677
Materials: paper
Techniques: etching
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: landscape with tower or castle
Inscriptions: collector's mark: Lugt 2228
Antwerpen. Lucas van Valckenborch. Ansicht von Antwerpen
Object type: photograph
Date: 1850 – 1900
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: antwerp
[Shipping Lying in the Hoogly River, Calcutta]
Object type: photograph
Date: 1858 – 1861
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: rivers,boats,ships
Chūkei Fan with Queen Mother of the West and King Mu of Zhou (obverse) and Plum Tree and Young Pines (reverse)
Object type: folding fan chūkei
Date: 1801 – 1900
Materials: bamboo, gold leaf, gold paint, ink, lacquer, paper
Culture: japanese
Subjects: balconies,houses,men,women

An important accessory of Noh actors is the chūkei fan. In the refined and simplified performances, the fan plays an important role in delineating character. Differentiations in fans include the design, the colors of the ground, and the color of the bamboo frame, depending on the particular role being performed. This kind of chūkei fan is appropriate for a female role. Each side of this fan features a different design, both richly painted on gold-leafed paper. One side of the fan portrays a legendary encounter between the Queen Mother of the West (in Chinese, Xiwangmu; in Japanese, Seiōbo) and King Mu of China's ancient Zhou Dynasty. The Queen Mother is shown in the garden at left. Her young female attendant carries a tray of the Queen's magical Peaches of Immortality. A blossoming plum tree, young pines, and bamboo grass are depicted on other side. This fan is one of a pair, each with nearly identical scenes (see 42.40.1).
Portret van een Javaanse danseres
Object type: album leaf
Date: 1930 – 1940
Materials: paper, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: adeline andrea. du celliée muller
Artist dates: 1899 – 
Subjects: adult woman, portrait of dancer, dutch east indies, the
Islands: Evening
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: drypoint
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Silhouetportret van Dirk Harting
Object type: print
Date: 1809 – 1848
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Artist: pieter barbiers (iv)
Artist role: painter, print maker
Artist dates: 1798 – 1848
Subjects: enkhuizen, historical persons
Inscriptions: collector's mark: Lugt 2228, : ‘Gedeponeerd.’

Onder het portret de signatuur van de geportretteerde.
20 centimes uit Zwitserland, 1859
Object type: twintig centime
Date: 1859 – 1859
Materials: nickel
Techniques: striking
Location: bern

Nikkelen munt. Voorzijde: het wapenschild van Zwitserland tegen een achtergrond van bloemen. Jaartal onderaan. Keerzijde: binnen twee samengebonden takken in een regel waarde-aanduiding. Onderaan letter B [=Bern]. Gladde rand.
J.H. Freyherr v. Wessenberg
Object type: print
Date: 1820 – 1850
Materials: paper
Techniques: lithograph
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Koninklijke Academie van Wetenschappen en Letteren te Brussel
Object type: medal
Date: 1816 – 1816
Materials: silver
Techniques: striking
Location: brussels
Artist: joseph pierre braemt
Artist role: print maker
Artist dates: 1796 – 1864
Subjects: william i of the netherlands, brussels

Zilveren penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: opschrift binnen krans van olijftakken
Panorama de la Wengernalp
Object type: photomechanical print
Date: 1890 – 1910
Materials: cardboard, paper
Techniques: photograph
Location: wengernalp
Artist: Anonymous
Subjects: mountains
Inscriptions: inscription: ‘5708. Panorama de la Wengernalp’, inscription: ‘5708 B.’, inscription: ‘14 00’

Deze fotomechanische afdruk maakt deel uit van een omslag.
Fotoreproductie van een ontwerptekening van de façade van de Dom van Milaan door Giuseppe Brentano
Object type: reproduction
Date: 1886 – 1889
Materials: paper
Techniques: photograph
Location: milan
Subjects: drawing, sketch, parts of church exterior and annexes: façade
Inscriptions: number: ‘Tavola No. 51.’
Soldaten in sneeuwgebergte
Object type: print
Date: 1915 – 1915
Materials: paper
Techniques: aquatint, etching, intaglio
Artist: emil orlik
Artist role: painter, print maker
Artist dates: 1870 – 1932
Subjects: mountain climbing, mountaineering, the soldier; the soldier's life
Inscriptions: name: ‘Orlik’, collector's mark: Lugt 2760, collector's mark: Lugt 2228
Vlucht van Walraven van Brederode
Object type: print
Date: 1840 – 1884
Materials: paper
Techniques: engraving
Artist: johann wilhelm kaiser (i)
Artist role: draughtsman, print maker
Artist dates: 1813 – 1900
Subjects: windmill, wijk bij duurstede, burgundian netherlands
Inscriptions: collector's mark: Lugt 2228, inscription: ‘A 1471’

Illustratie in: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. 5 delen, Amsterdam: Schleijer, J.F. 1840-1884, dl 2.3, p. 104.
Deksel van een bokaal
Object type: lid
Date: 1725 – 1750
Materials: glass
Techniques: glassblowing, grinding
Location: bohemia
Artist: Anonymous

Gewelfde deksel met koepelvormige verhoging, bekroond met gelede dekselknop, bestaande uit een gefacetteerde knop en een gefacetteerde, peervormige uiteinde. Op de deksel rondlopend een gegraveerde gestileerde bloemslinger.
Treurende moeder bij het ziekbed van een kind
Object type: print
Date: 1822 – 1893
Materials: paper
Techniques: etching
Artist: eugène françois de block
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1893
Subjects: sick-bed, mother and baby or young child
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1485
Boer voor zijn woning
Object type: print
Date: 1912 – 1931
Materials: paper, ink
Techniques: woodcut
Artist: else berg
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1877 – 1942
Subjects: farmers
Inscriptions: number: ‘4’, signature: ‘E. Berg’

Boer leunend tegen een hek, met achter hem een boerin in een deuropening.