deem-data/ArtiFact huggingface dataset:
Relief fragment of a perfume press
Object type: relief, perfume press, neferu
Date: 2051 – 2030
Materials: limestone, paint
Location: egypt

This small fragment of relief comes from a representation of a wine or oil press. The angular pole at the right belongs to a wooden construction from which hangs a sack in a net. Tightening the sack with a lever pressed the contents together until the last drops of liquid oozed out of the bottom. The presence of a woman in this scene (part of her body is visible at left) suggests that we are seeing the production of perfume from flowers soaked in oil. Significantly, one of Neferu’s titles was “the one who sweetens the hall with her fragrant smell.” For other reliefs from the tomb of Neferu, see 31.3.1 and 26.3.353*.
Fortitudo, plate 6 from The Seven Virtues
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: belgium
Artist: hieronymus wierix
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1553 – 1619
Undecorated painted bowl with flared sides
Object type: bowl
Date: 600 – 201
Materials: ceramic, pigment
Culture: paracas
Location: peru
Jérusalem, Escalier arabe de Sainte-Marie-la-Grande, Détails de la partie supérieure
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture,arches
Schijven uit het wrak van de Oostindiëvaarder Hollandia
Object type: block
Date: 1700 – 1743
Materials: wood
Artist: Anonymous

Twee houten schijven van een takelblok en één van een katrol.
Menukaart Château de Haarzuylens déjeuner
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: woodcut
Subjects: ornaments ~ art

Menukaart voor kasteel De Haar in Haarzuilens.
Interieur van de Remigiuskerk te Duiven
Object type: photograph
Date: 1905 – 1905
Materials: cardboard, photographic support
Techniques: albumen print
Location: duiven
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: interior of church
Inscriptions: annotation: ‘Duiven (G.)/ R.K. Kerk’
The Cup of Long Life
Object type: print
Techniques: woodblock print, surimono
Location: japan
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891

This colorful print shows an engraved black-lacquer box and a red-lacquer sake cup with myriad characters. The box is inscribed “long life sake cup,” and the cup is covered with the many different versions of the character for “long life” (kotobuki). There were traditionally 100 variations of this character, emphasizing this number as the ultimate in longevity.
The host of this print was the poet, author, and essayist Kameda Hozan. Many examples of large-scale surimono by Shibata Zeshin exist; he must have set up a large establishment in order to cater to orders from poets and intellectuals. Since Zeshin was engaged in many official commissions in other media and had a large group of apprentices, he probably left most of the details of surimono production to his apprentices.
Menat fragment
Object type: menat fragment, necho i or ii
Date: 672 – 595
Materials: limestone
Techniques: glazing
Location: egypt
tegel
Object type: tile
Date: 1500 – 1525
Materials: earthenware
Location: sevilla
Artist: Anonymous

Vierkante tegel. Afbeelding van een mannenkop in profiel naar links, met lange haren en lange baard. De voorstelling is in de kleilaag uitgehold en daarna met glazuur gevuld.
J.B. Aug. Kessler op het balkon van zijn hotelkamer uitkijkend over het water
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Fragmentary stone oil lamp
Object type: lamp fragment
Date: 1750 – 1450
Materials: stone
Culture: minoan
Vajravarahi
Object type: figure
Date: 1601 – 1700
Materials: copper alloy, gilt, stone
Techniques: inlay
Culture: tibetan
Subjects: deities

Vajravarahi, a major deity in the Vajrayana tradition, witnesses the merging of Hindu iconography in the expanded Buddhist pantheon. This wrathful goddess has evolved from Varahi, one of the fearsome seven mother goddess of Hinduism, the Matrikas. Here she has lost the projecting boar head of earlier versions that linked her with Vishnu’s boar avatar Varaha.
Gezicht op de Brouwersgracht
Object type: drawing
Date: 1865 – 1925
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Location: amsterdam
Artist: jan hillebrand wijsmuller
Artist role: painter, print maker
Artist dates: 1855 – 1925
Subjects: city-view in general; 'veduta', canal, bridge in city across river, canal, etc.
Inscriptions: collector's mark: Lugt 800a

Tekening binnen de Atlas Van Eck ingedeeld op wijknummer 19.
The general attack of the infantry and artillery form the North of Kinchow
Object type: page
Date: 1894 – 1895
Materials: paper
Techniques: photograph
Location: china
Artist: kazumasa ogawa
Artist role: auteur, fotograaf
Artist dates: 1860 – 1929
Subjects: ships (in general), assault ~ siege, pier, quay, wharf
Inscriptions: inscription: ‘The fall of Kinchow.’

Boven een gezicht op de infanterieaanval op Chinchow, onder boten langs een tijdelijke pier bij Petsewo.
Het dorp Huizen in Gooiland van den Tafelberg te zien 1739/ Het Dorp Bussum in Gooiland 1739
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: etching
Location: haarlem
Subjects: prospect of village, silhouette of village, church (exterior), public road in village
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Het verheerlykt Nederland of kabinet van hedendaagsche gezigten van steden, dorpen, sloten ... en andere voornaame stad- en landgebouwen, in en omtrent alle de byzondere Vereenigde Nederlandsche Provinciën : gedurende de laatste jaaren door vermaarden kunsttekenaren na het leven getekent en ... in 't koper gebragt ... dienende tot opheldering der beschryvinge van den Tegenwoordigen Staat der Vereenigde Nederlanden. Deel VI, 1757. Amsterdam: Isaac Tirion, 1745-1774.
Portret van een onbekende vrouw met waaier
Object type: photograph
Date: 1877 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: the hague
Artist: heinrich wilhelm wollrabe
Artist role: fotograaf
Artist dates: 1843 – 1928
Subjects: adult woman, fan, anonymous historical person portrayed, the hague
Inscriptions: inscription: ‘H.W. Wollrabe/ Hofphotograaf van Z.M. den Koning./ 96. Noordeinde 96./ 's Gravenhage./ Portretten tot in levensgrootte/ Photographien van Gebouwen/ en Schildereijen./ Onvergankelijke vergrootingen/ naar elk portret./ Voor nabestelling wordt de origineele plaat bewaard.’, inscription: ‘H.W. Wollrabe, Hofphotograaf 's Gravenhage, Noordeinde 96.’
Portret van Maria Margaretha Schenk
Object type: print
Date: 1690 – 1713
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: pearl; pearl necklace (+ women's clothes)
Inscriptions: collector's mark: Lugt 2228

Maria Margaretha Schenk, een van de dochters van de prentmaker Pieter Schenk, met parels in het haar.
Allegorische voorstelling
Object type: print
Date: 1676 – 1735
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: most important deeds of hercules: the twelve labours
Inscriptions: collector's mark: Lugt 2228

Op een podium zit een vrouw met staf en lauwerkrans in haar handen. Ze wordt vergezeld door een naakte vrouw met zandloper en een man die pijlen schiet naar de personificaties van verschillende zonden. Een vrouw met een gevleugelde slang wijst omhoog naar een kader met de twaalf werken van Hercules.
Jude, from the Martyrdom of the Twelve Apostles
Object type: print
Date: 1472 – 1553
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: soldiers,suffering,apostles,crowd,execution
The Smoker Allegory of Transience
Object type: painting
Date: 1615 – 1625
Materials: canvas, oil
Artist: hendrick van someren
Artist role: draughtsman, painter
Artist dates: 1615 – 1685
Subjects: scenes symbolizing 'vanitas', pipe ~ tobacco, old man

De roker; allegorie op de vergankelijkheid. Een oude man die aan een tafel gezeten een pijp rookt, in de rechterhand een roemer, in de linkerhand een pijp. Op tafel ligt een opengeslagen boek.
Portret van Carl Philipp Emanuel Bach
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: engraving, etching
Subjects: historical persons, portrait of composer
Inscriptions: collector's mark: Lugt 2228
Soleiman met zijn gevolg
Object type: print
Date: 1526 – 1526
Materials: paper
Techniques: woodcut
Location: low countries
Artist: jan swart van groningen
Artist role: draughtsman, painter, print maker
Artist dates: 1500 – 1562
Subjects: archer's weapons: bow and arrow, asiatic races and peoples: turks
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Jeune greeff...’

Uit serie van vijf prenten met een stoet van Turken. Drie mannen te paard, met tulband op hoofd en koker met pijlen en boog.
Textile Fragment
Object type: textile fragment
Date: 501 – 700
Materials: linen, wool
Culture: byzantine
Portret van Nicolaes Tulp
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, mayor, historical persons, physician, doctor

Prent waarschijnlijk uit: Kok, Jacobus. Vaderlandsch woordenboek: met kaarten, plaaten en pourtraitten. Amsterdam: Johannes Allart, 1785-1796. Deel XXIX.
Portret van Johannes Frederik Lodewijk Schröder
Object type: print
Date: 1820 – 1849
Materials: paper
Techniques: engraving
Artist: johannes philippus lange
Artist role: print maker
Artist dates: 1810 – 1849
Subjects: utrecht, physicist
Inscriptions: check stamp, collector's mark: Lugt 2228

Portretbuste in ovaal naar rechts van Johannes Frederik Lodewijk Schröder, theoloog, wis- en natuurkundige, in toga met bef en ridderorde op de borst.
Portret van Honoré Daumier
Object type: album leaf
Date: 1868 – 1868
Materials: paper
Techniques: rotogravure
Location: france
Artist: Anonymous
Subjects: marseille, painter, print maker, draughtsman, honoré daumier, historical persons, artist (in general), france
Glass bowl
Object type: bowl
Date: 1 – 100
Materials: glass
Culture: roman

Colorless with blue green tinge Knocked-off, uneven, vertical rim; short concave neck; convex sides curving in to concave bottom. Decoration of four parallel bands of wheel-abraded lines on body, aslant to rim. Intact, except for one very small chip in rim; many pinprick bubbles; deep pitting, dulling, and iridescent weathering on exterior; creamy brown weathering on interior.
Gig #3695
Object type: drawing
Date: 1881 – 1881
Materials: gouache, gum arabic, watercolor
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Pouch
Object type: pouch
Date: 1701 – 1725
Materials: linen, metal, silk
Culture: russian
Subjects: birds

This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. This rare and expensive luxury accessory depicts the traditional goddess or tree of life motif. Depictions of the goddess are common in Russian embroidery, traditionally associated with fertility. Later depictions of the goddess are very stylized, resembling a plant or tree of life.
Tuin van het Keizerlijk Paleis in Kyoto, Japan
Object type: photograph
Date: 1890 – 1903
Materials: paper, photographic support
Techniques: albumen print
Location: kyoto
Artist: kusakabe kimbei
Artist role: fotograaf
Artist dates: 1841 – 1934
Subjects: trees, garden, palace
Inscriptions: inscription: ‘1339 Mikados Garden Kioto’
Lamp
Object type: lamp
Date: 1868 – 1875
Materials: brass, glass
Culture: american
Location: united states
Artist: atterbury and company
Artist role: maker
Artist nationality: american
Artist dates: 1864 – 1893
Subjects: swans
Vier voorstellingen uit het Nieuwe Testament
Object type: print
Date: 1703 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: on the way to damascus christ appears to saul, who falls from his horse and is blinded by the light, paul bitten by a viper (when throwing wood on the fire), philip baptizes the eunuch, resurrection of the dead ~ last judgement
Inscriptions: collector's mark: Lugt 2228

Proefdruk van boekillustraties voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel II. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Portret van een man met baard
Object type: photograph
Date: 1875 – 1885
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Artist: eugene guérin
Artist role: fotograaf
Artist dates: 1845 – 
Subjects: historical persons, beard
Inscriptions: inscription: ‘Eugène Guerin/ Bruxelles 32, Rue de Louvain’
Interieur van de Hervormde Kerk te Hellendoorn
Object type: photograph
Date: 1909 – 1909
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: hellendoorn
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: interior of church
Inscriptions: annotation: ‘Hellendoorn/ Ned. Herv. kerk/ sept 1909’
Hond en straatgezicht
Object type: photograph
Date: 1948 – 1949
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: station; shelter (railway, tramway), barracks, street, dog, dutch east indies, the
Inscriptions: inscription

Albumblad met vier foto's van een hondje en een straatgezicht in Bandoeng (met de toren van het D.E.N.I.S. gebouw). Onderdeel van het fotoalbum 'Ter herinnering aan mijn diensttijd overzee' 1948-1949.
Temperance
Object type: drawing and watercolor
Date: 1521 – 1556
Materials: chalk, paper
Location: italy
Artist: attributed to girolamo sellari, called girolamo da carpi
Artist nationality: italian
Artist dates: 1501 – 1556
The Old Gamekeeper
Object type: photograph
Date: 1844 – 1844
Techniques: paper negative, salted paper print
Artist: david kinnebrook
Artist role: artist
Artist nationality: british
Artist dates: 1819 – 1865
Subjects: men,portraits
Saint John the Baptist embracing the Christ Child who sits on the Virgin's knee, she is being crowned by angels, other saints at left
Object type: print
Date: 1500 – 1550
Techniques: woodcut
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: angels,madonna and child,saint john the baptist,saints

Presumed to be Italian, possibly Venetian. Suggested dating is inconclusive. But it seems to be a late impression, and the print might have been split resulting in the odd texture on the verso.
De zondige mensheid vóór de zondvloed
Object type: print
Date: 1601 – 1636
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: carousal, drinking-bout, orgy - cc - out of doors, the ark is floating on the waters, while life on earth is destroyed ~ story of noah, the wickedness of mankind; the wicked are usually shown feasting and revelling
Inscriptions: collector's mark: Lugt 240

Een groep naakte mensen aan een gedekte tafel in de open lucht. Ze feesten, maken muziek, eten en plegen ontucht. Rechtsachter de zondvloed met de ark. De prent heeft een Latijns onderschrift met uitleg.
Portret van Albrecht Daniel Thaer
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: stippling
Location: berlin
Subjects: albrecht daniel thaer, historical persons
Inscriptions: collector's mark: Lugt 2228
Portret van Johannes Henricus Scholten
Object type: print
Date: 1849 – 1863
Materials: paper
Techniques: lithograph
Location: leiden
Subjects: leiden, historical persons
Inscriptions: collector's mark: Lugt 2228, : ‘Gedeponeerd.’

Onder het portret de signatuur van de geportretteerde.
Brabantsch Dorpsleven - Hondekar
Object type: ansichtkaart, prentbriefkaart
Date: 1918 – 1918
Materials: cardboard
Techniques: photograph, lithograph, writing
Location: amsterdam
Subjects: two-wheeled vehicle drawn by one animal (+ one person ~ traffic and transport), dog
Inscriptions: inscription: ‘J. H. Schaefer's Fotocoleur, Amsterdam B 517/17 Nadruk verboden’
Petit Courrier des Dames, 1823, No. 103 : Chapeau de velours plein (...)
Object type: fashion print
Date: 1823 – 1823
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: ornamental parts of clothing (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), chair, neck-gear ~ clothing (+ women's clothes), belt, girdle, waistband (+ women's clothes)
Inscriptions: title: ‘Modes de Paris.’, address: ‘Rue Meslée No.25.’, caption: ‘Chapeau de velours plein, orné de marabous, Robe de velours épinglé garnie de bandes de satin, bordées en blondes.’, title: ‘Petit Courrier des Dames.’

Staande vrouw met op het hoofd een hoed van effen fluweel , versierd met maraboeveren. ZIj draagt een japon van 'velours épinglé', versierd met banden van satijn, afgezet met Blonde (kloskant). Links een zittende vrouw op een stoel, op de rug gezien, gekleed in eenzelfde japon. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Badge with Five-Clawed Dragon Surrounded by Plum Blossoms
Object type: badge
Date: 1567 – 1633
Materials: metal thread, silk
Techniques: embroidery, weave
Culture: chinese
Subjects: dragons

Badges with festival symbols were not used at the Chinese court after 1644, and those showing plum blossoms are especially rare. Plum-blossom badges were appropriate for the winter solstice, a festival of the eleventh lunar month. Both the form of the dragon's head seen here and the embroidery technique have close parallels in the finds from Dingling, the tomb of the Ming-dynasty Wanli emperor (r. 1573—1620).
Het leven van Johannes de Doper
Object type: print
Date: 1595 – 1612
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: mary and elisabeth, both pregnant, embracing
Inscriptions: caption: ‘SEDULA Zachariae in domum abit Maria....vox simulatq[ ] venit.’, collector's mark: Lugt 2228, number: ‘2’, collector's mark: Lugt 2760

Maria en Elisabet ontmoeten en omhelzen elkaar in een voorportaal van een huis. Elisabet ziet de zwangerschap van Maria. Linksachter staat Zacharias tussen een groepje vrouwen. Onder de voorstelling een Latijns vers.
Portret van Michel Ney
Object type: print
Date: 1815 – 1849
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: paris, commander-in-chief, general, marshal, historical persons
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, figure at left, hand with clump of drapery?
Hattie Moore, from the Actors and Actresses series (N171) for Old Judge Cigarettes
Object type: photograph
Date: 1886 – 1890
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: portraits,women,guitars,actresses

The "Actors and Actresses" series of trade cards (N171) was issued by Goodwin & Company from ca. 1886-90 to promote Old Judge, Gypsy Queen, and Temple Bar Cigarettes.
Christ Healing the Lame Man
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: after francesco solimena
A Low Class Prostitute (Gun [teppo]), from the series “Five Shades of Ink in the Northern Quarter" ("Hokkoku goshiki-zumi")
Object type: print
Date: 1794 – 1795
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Portret van Albertus Brondgeest al tekenend
Object type: drawing
Date: 1800 – 1810
Materials: chalk, paper
Artist: wouter johannes van troostwijk
Artist role: draughtsman, painter, print maker
Artist dates: 1782 – 1810
Subjects: amsterdam, print maker, draughtsman, albertus brondgeest, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist, portrait, self-portrait of draughtsman
L.P. van de Spiegel naar de Gevangenpoort gebracht, 1795
Object type: print
Date: 1796 – 1796
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: transport (of arrested person)
Inscriptions: collector's mark: Lugt 2228

De voormalige raadspensionaris Laurens Pieter van de Spiegel wordt 's avonds naar de Gevangenpoort te Den Haag overgebracht, 14 oktober 1795. Spiegel stapt uit het rijtuig, op de voorgrond links een escorte soldaten te paard.
Landschap met een grote boom
Object type: print
Date: 1873 – 1944
Materials: paper
Techniques: aquatint, etching
Artist: lucien pissarro
Artist role: painter, print maker
Artist dates: 1863 – 1944
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 1756b, collector's mark: Lugt 2228

Landschap met pad naar een huis en een grote boom .
Portret van een jonge vrouw
Object type: carte de visite
Date: 1877 – 1884
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: inscription: ‘American/ PHOTOGRAPHY/ Hisgen Bros/ 128, P. C. HOOFTSTRAAT/ Amsterdam’