deem-data/ArtiFact huggingface dataset:
Vëue et Perspective du Château et du Jardin de Fontaine-Bleau
Object type: print
Date: 1673 – 1709
Materials: paper
Techniques: etching, hand coloring
Location: northern netherlands
Subjects: palace, french or architectonic garden; formal garden, bird's eye view ~ representation of building

Gezicht op het paleis en de tuinen van Fontainebleau. Onder de voorstelling een index in het Frans. Prent maakt deel uit van een album.
Militaire strafgevangenis te Leiden, huismunt ter waarde van tien cents
Object type: tien cent
Materials: zinc
Techniques: striking
Location: utrecht
Artist: Anonymous
Subjects: leiden

Zinken betaalpenning. Voorzijde: letter L binnen omschrift. Keerzijde: waardeaanduiding
A man leaning over the side of a bed vomiting, from a broadside entitled 'Death of  Aurelio Caballero due to yellow fever in Veracruz'
Object type: print
Date: 1892 – 1892
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: suffering,men

For the broadside see 46.46.265
Head of an Amulet Depicting a Goddess
Object type: amulet, head, goddess
Date: 712 – 343
Materials: faience
Location: egypt
Subjects: goddess
Coach Changing Horses
Object type: drawing and watercolor
Date: 1827 – 1827
Materials: board, graphite, ink, paint, paper, watercolor
Techniques: brush, pen
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Inscriptions: Signed lower right: "Rowlandson 1827"
Necklace
Object type: necklace
Date: 1801 – 1900
Materials: coral, metal, silk
Culture: tibetan

This collection of largely ethnographic jewelry includes examples from cultures in South America, North America, Europe, Asia, and Africa and dates from the Pre-Columbian period to the twentieth century. Owned by renowned art collector and fashion enthusiast Muriel Kallis Newman, the collection represents her knowledge and appreciation of a wide range of jewelry design and making traditions. Numerous items in her collection are composite artifacts made from various cultures and time periods reappropriated as modern jewelry creations by or for Muriel. It is important to note that Newman wore many of the pieces in the collection, interpreting them to suit and express her own singular, often avant-garde style.
Toulon. Le port et l'Arsenal
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: toulon
Artist: Anonymous
Subjects: harbour, toulon
Inscriptions: number: ‘50.’
A Reconstruction of the Theatre of Pompey
Object type: drawing
Date: 1704 – 1704
Materials: chalk, ink
Techniques: brush, pen, wash
Location: italy
Artist: jan goeree
Artist role: artist
Artist nationality: dutch
Artist dates: 1670 – 1731
Subjects: theatre,architecture
Bowl
Object type: bowl
Date: 1801 – 1866
Materials: enamel, glaze, gold, pottery
Culture: japanese
Brief aan Pieter Haverkorn van Rijsewijk
Object type: letter
Date: 1869 – 1915
Materials: ink
Techniques: pen, writing
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: pieter haverkorn van rijsewijk, drawing, exhibition ~ art
Inscriptions: collector's mark: ‘PRK’
Portretten van Duitse mannen
Object type: print
Date: 1848 – 1849
Materials: paper
Techniques: lithograph
Location: frankfurt am main
Subjects: eyeglasses, spectacles, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Paris. La Statue et la Place de la République / Républic Place
Object type: photomechanical print
Date: 1920 – 1932
Materials: cardboard
Techniques: photograph
Location: paris
Artist: Anonymous
Subjects: monument, statue (+ city(-scape) with figures, staffage), square, place, circus, etc. (+ city(-scape) with figures, staffage)
Terracotta rim from a vase with bands and dots in circles
Object type: vase fragment
Date: 1450 – 1400
Materials: terracotta
Culture: minoan

From Phylakopi, Melos Fragment of rim, with bands and dots in circles.
Teatret, Bergen
Object type: photomechanical print
Date: 1904 – 1930
Materials: cardboard
Techniques: photograph, lithograph
Location: bergen
Artist: Anonymous
Subjects: park, theatre (building)
Nanuku Levu, seen from the west
Object type: photomechanical print
Date: 1885 – 1899
Materials: paper
Techniques: photograph
Location: boston
Subjects: island, ocean, trees: palm-tree
Inscriptions: name: ‘Max Agassiz, Photo.’, name: ‘The Heliotype Printing Co. Boston’, number: ‘Plate 104.’
Cope
Object type: religious ritual object
Materials: gilt, linen, metal, metal thread, silk, velvet
Techniques: appliqué, embroidery, cutting, embroidered, weave, voiding
Location: england
Subjects: christianity, virgin mary, saints, saint paul, prophets, biblical, angels, eagles, fleur de lis, thistles

The production of textiles for churches—hangings, altar frontals, and liturgical vestments—was a thriving industry in Europe from the twelfth century through the eighteenth century. Among the finest ecclesiastical vestments is this resplendent velvet cope, a semicircular cloak worn as an outer garment in processions or during special ceremonies by a priest or bishop. The elegant needlework was called opus anglicanum (English work). Surrounding the cope’s central image of the Assumption of the Virgin, rendered in silk and gold threads, are seraphim standing on wheels, thistles, fleurs-de-lis, and double-headed eagles—all connected by tendrils animated by spangles. Old Testament prophets and New Testament saints with their attributes alternate on the orphrey band, which runs the full width of the work. Saint Paul is depicted on the hood, which rests on the back of the cope, while an image of God holding an orb decorates the morse, or closure. The brown-velvet ground is an unusual color for vestments of this style; it may have faded from purple or crimson.
Knife (Dha) with Sheath
Object type: knife dha with sheath
Date: 1701 – 1900
Materials: lacquer, silver, steel
Culture: thai
Location: thailand
Canaanite Cowroid Seal Amulet with Falcon Headed Deity
Object type: cowroid seal amulet, falcon headed deity
Date: 1600 – 1500
Materials: stone
Location: canaan
Vestingplattegrond van Stevensweert
Object type: print
Date: 1653 – 1672
Materials: paper
Techniques: engraving, etching
Location: arnhem
Subjects: fortified city, maps of cities
Inscriptions: collector's mark: Lugt 2228

Prent ook gebruikt in: Slichtenhorst, Arend van. XIV boeken van de Geldersse geschiedenissen (...) Arnhem: Jacob van Biesen, 1653-1654. En in: Slichtenhorst, Arend van. Cartes géographiques du duché de Gueldre et comté de Zutphen (...) Arnhem: Jacob van Biesen, 1672.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Exterior part of an inscription, OG or OP?
Stilleven (fragment)
Object type: drawing
Date: 1887 – 1924
Materials: paper, pencil, watercolor
Techniques: brush
Artist: julie de graag
Artist role: draughtsman, print maker
Artist dates: 1877 – 1924
Subjects: still life of related objects
Inscriptions: inscription: ‘R.P.’, number: ‘167’

Fragment van een stilleven met twee vazen.
Le Rhin Allemand
Object type: page
Date: 1874 – 1879
Materials: paper
Techniques: woodburytype
Artist: gustave doré
Artist role: draughtsman, print maker
Artist dates: 1832 – 1883
Subjects: preparation for war, land forces
Inscriptions: name: ‘G. Doré’
Verzoeking van de H. Antonius
Object type: print
Date: 1560 – 1580
Materials: paper
Techniques: engraving
Location: antwerp
Artist: pieter huys
Artist role: draughtsman, painter, print maker
Artist dates: 1509 – 1591
Subjects: st. antony abbot tormented by devils, attacking him on the ground or carrying him aloft, the erotic visions of st. antony abbot: he is tempted by (naked) women, but drives them off by praying, or by showing them a crucifix
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

De H. Antonius zit geknield voor een hut, aan een ronde tafel waarop een open boek en crucifix. Voor hem verschijnt een vrouw met hertengewei en slangenstaart op het hoofd, een kruik in de hand. Links het zwijn. Op de achtergrond een brandende stad. Bovenaan in drie kaders drie scènes uit zijn leven. Onderaan een onderschrift in het Latijn in een cartouche.
Fibula, serpentine type
Object type: fibula, serpentine type
Date: 700 – 501
Materials: bronze
Culture: italic

The bow has two loops with one crosspiece and two pairs of bosses.
Grain serving vessel (Gui)
Object type: vessel
Date: 1034 – 968
Materials: bronze
Culture: chinese

The same four characters are cast on the interior of the vessel and on the inside of the lid: “Wen Xian [had this] made for deceased father Ding.”
Mephistopheles presents himself to Martha (Goethe, Faust)
Object type: print
Date: 1825 – 1827
Techniques: lithograph
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Subjects: men,women
Ex libris van Liliana Tarozzi
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: woodcut
Location: japan
Artist: Anonymous
Subjects: flowers
Vase
Object type: vase
Date: 1701 – 1900
Materials: jade
Culture: chinese
Subjects: flowers
Ned Samson and His Wife
Object type: drawing
Date: 1868 – 1868
Materials: graphite, paper
Culture: american
Artist: homer dodge martin
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1897
Subjects: men,women,boats
Série Bruges luxe
Object type: ansichtkaart, prentbriefkaart
Date: 1913 – 1930
Materials: cardboard
Techniques: photograph
Location: brussels
Subjects: interior of church
View of the Ruins of the Palatine Hill
Object type: drawing
Date: 1704 – 1704
Materials: chalk, ink
Techniques: brush, pen, drawing, wash
Location: italy
Artist: jan goeree
Artist role: artist
Artist nationality: dutch
Artist dates: 1670 – 1731
Subjects: buildings,ruins,men,horses
Portret van een onbekende man in uniform
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: halle an der saale
Subjects: historical persons, (military) uniforms
Inscriptions: inscription: ‘Das Atelier des Photographen.’

Prent op vijfde ongenummerde pagina na pagina 176.
Anatomie-studien
Object type: print
Date: 1828 – 1830
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: hand, foot
Inscriptions: watermark, collector's mark: Lugt 2228

Onderdeel van een omslag met in totaal achttien anatomische voorstellingen.
Vorlagen für Landschaft-zeichner, I Heft
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: lithograph
Location: munich
Artist: max josef wagenbauer
Artist role: print maker
Artist dates: 1774 – 1829
Subjects: rocks, mountains
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Prent behoort tot het eerste deel van de serie 'Vorlagen für Landschaft-zeichner'. Dit eerste deel bevat twintig prenten.
Head of a <em>was</em> scepter
Object type: wa scepter
Date: 1859 – 1813
Materials: wood
Location: egypt
Sailing Among the Hebrides (Picturesque Beauties of Boswell, Part the Second)
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,profiles,sailing
Kashyapa
Object type: figure
Materials: paint, wood
Techniques: polychrome
Culture: korean
Subjects: men,buddhism,monks

This standing figure in a monk’s robe is Kashyapa (Korean: Gaseop), the eldest of the two principal disciples of the historical Buddha Shakyamuni. His smiling face and relaxed posture convey benevolence and wisdom. According to the inscription with the votive offerings placed inside, the statue was made on the twenty-ninth day of the third month in 1700, together with a Buddha and arhat figures (Korean: nahan), at a temple retreat on Mount Duryun in Yeongam district, now part of Daeheung Temple in South Jeolla Province. The monk-sculptor Saengnan, whose works can be found today in Jeolla Province, was among the artists involved in this project.
Hoop op vrede, rekenpenning geslagen ter ere van Filips IV, koning van Spanje, op last van de Staten van Rijssel
Object type: jeton
Date: 1636 – 1636
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: filips iv (koning van spanje), lille

Koperen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: wapenschild, omgeven door vier wapenschilden binnen omschrift
Hoofd van man, opziend
Object type: drawing
Date: 1642 – 1681
Materials: chalk, paper
Artist: leendert van der cooghen
Artist role: draughtsman, print maker
Artist dates: 1632 – 1681
Christmas Belles
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Preparing to Start
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: spectators,horses,jockeys

A horse race is about to begin. Crowds are gathered on both sides of the track.
Manuscript Version of the “Travel” Section of the Linked Verse (Renga) Collection “Aged Leaves” (Wakuraba), compiled by Sōgi (1421–1502)
Object type: handscroll
Date: 1533 – 1533
Materials: ink, paper
Culture: japanese
Artist: ryūkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1500 – 1573

This scroll of elegant but forceful calligraphy comprises the “Travel” (Tabi) section of the “Aged Leaves” (Wakuraba) poetry anthology, compiled by the great medieval poetry master Sōgi (1421-1502). The type of verse transcribed here is a special kind of linked verse (renga), in which the first three lines of the verse is composed by one poet, and the final two lines by another poet. During an age when printing was still rare, students of poetry had to make their own transcriptions of anthologies for study. Little is known about the calligrapher here, who signed himself Ryūkō, except that he was a renga poet of the Warring States period, who was active in Yamashiro in Kyoto and also the Mizokui district of Settsu (Osaka). Ryūkō was a pupil of the renga master Shōhaku 肖柏 (1443–1527), who had received training from Sōgi, so we can retrace the transmission of this manuscript over three generations.
Tentoonstelling kunstnijverheid
Object type: insignia
Date: 1888 – 1888
Materials: cardboard, copper, gold thread, paper, silk
Techniques: embroidered, forging, printing, stitching, weave
Location: the hague
Inscriptions: date

Koperen ovaal draagteken waaraan twee rood-wit-blauwe vlaggetjes met gevorkte uiteinden hangen. De rand van het draagteken is zwart-geel-zwart met zwarte letters in de gele baan, het middengedeelte bestaat uit een blauw veld waarop het gekroonde wapen van Nederland in hermelijnmantel geborduurd is. Keerzijde: een veiligheidsspeld en etiket van de maker. Randschrift: NAT: TENT: v: O&N: KUNSTNIJVERHEID. Gesigneerd keerzijde op etiket: A. A. KNUIJVER / FABRIEKANT. Gedateerd midden onder: 1888.
Ondergedoken Amerikaanse piloten
Object type: newspaper clipping
Date: 1944 – 1945
Materials: paper, plastic
Techniques: photography
Location: amsterdam
Artist: Anonymous
Subjects: tonny van renterghem, berlin, fritz kahlenberg, underground movement, partisans, newspaper, news-sheet, netherlands

Een foto van ondergedoken Amerikaanse piloten. Twee Amerikaanse piloten ondergedoken in Amsterdam in de ingang van hun schuilplaats. Onder: pagina uit een Engelse krant met foto's van het verzet van de onderduiksituaties van piloten.
Allegorie op het gelijkstellen van de rooms-katholieke godsdienst met andere gezindten, 1799
Object type: print
Date: 1799 – 1799
Materials: paper
Techniques: engraving, etching
Location: dordrecht
Subjects: equality, equity, fairness, righteousness; 'equalità', 'equità', 'giuditio giusto', 'ordine dritto e giusto', 'ugualità' (ripa) (+ abstract concept represented by female figure), personifications of countries, nations, states, districts, etc., brotherly love (+ two or more personifications pursuing one aim), the three theological virtues, allegorical representations ~ religion; 'religione', 'religione de ss. mauritio e lazaro', 'religione vera christiana' (ripa), netherlands
Inscriptions: collector's mark: Lugt 2228

Niet in Frederik Muller; door het RPK toegevoegd nummer.
Untitled (Portrait of Seated Man Wearing a Hat)
Object type: photograph
Date: 1854 – 1854
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, male, portraits, portraits: male subject
Seated Buddha
Object type: figurine
Date: 767 – 833
Materials: bronze
Culture: indian
Subjects: buddhism,buddha
Aanbidding door de koningen
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jan harmensz. muller
Artist role: draughtsman, print maker
Artist dates: 1571 – 1628
Subjects: adoration of the kings: the wise men present their gifts to the christ-child (gold, frankincense and myrrh)
Inscriptions: collector's mark: Lugt 1494, collector's mark: Lugt 2228

De drie koningen en hun gevolg aanbidden het Christuskind. Een koning knielt voor het Kind. Links de stal met de os en de ezel. Aan de hemel de ster.
Portret van Siwert Haverkamp
Object type: print
Date: 1732 – 1780
Materials: paper
Techniques: engraving
Subjects: leiden, historical persons, portrait of a writer, book, cupids: 'amores', 'amoretti', 'putti'

Één van de boeken op de prent verwijst naar: Josephus, Flavius en Siwert Havercamp. Alle de werken. Amsterdam: Marten Schagen, 1732.
Tentoonstellingsaffiche met een pauw en een fazant voor een tentoonstelling van Theo van Hoytema bij Firma Frans Buffa en Zonen te Amsterdam in 1896
Object type: print
Materials: paper
Techniques: lithograph
Artist: theo van hoytema
Artist role: draughtsman, painter, print maker
Artist dates: 1863 – 1917
Subjects: publisher, walker and runner birds: pheasant, ornamental birds: peacock
Inscriptions: collector's mark: Lugt 2233
Rekenpenning uit Dordrecht voor de Staten Generaal op de benoeming van Prins Maurits tot stadhouder 1590
Object type: jeton
Date: 1590 – 1590
Materials: copper
Techniques: striking

Koperen penning, op de voorzijde twee ineengeslagen handen boven een pijlenbundel, met tekst in het veld en omschrift, op de keerzijde zes handen die een zuil omvatten waarop een vrijheidshoed en staand op een bijbel, met tekst in het veld en omschrift.
Buitengewone Nederlandsche Staatscourant, 20 juni 1815
Object type: newspaper
Date: 1815 – 1815
Materials: paper
Techniques: letterpress printing
Location: the hague
Subjects: national government, newspaper, news-sheet
Inscriptions: collector's mark: Lugt 1641, collector's mark

Exemplaar van de krant 'Buitengewone Nederlandsche Staatscourant' van 20 juni 1815 over de slag bij Waterloo. Gedrukte tekst met bovenaan het landswapen. Rechtsboven een stempel betaalde accijnzen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Publicaties.
Vier elementen
Object type: print
Date: 1802 – 1802
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: swimming mammals: dolphin, water (one of the four elements), cupids: 'amores', 'amoretti', 'putti'
Inscriptions: stamp

Drie putti beelden het element Water uit. Links een putto met een stuk koraal in zijn hand. In het midden een putto op een dolfijn en met een caduceus in zijn hand en rechts nog een putto met een dolfijn. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in engeren zin. Volksleven. Zinnebeeldige voorstellingen uit het volkleven op serieprenten. Elementen.
Bosgezicht met links een beek
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: etching
Artist: alfred elsen
Artist role: painter, print maker
Artist dates: 1850 – 1914
Subjects: forest, wood, brook
Inscriptions: collector's mark: Lugt 2228
Le Loup, la Chévre et le Chévreau
Object type: print
Date: 1747 – 1847
Materials: paper
Techniques: etching
Artist: pierre savart
Artist role: painter
Artist dates: 1737 – 1780
Subjects: fables, goat, beasts of prey, predatory animals: wolf
Inscriptions: collector's mark: Lugt 2228

Prent uit: La Fontaine, Jean de. Fables choisies, mises on vers. Bouillon: La Société Typographique, 1776, fabel LXXV.
Vierge sculptée du XVme siècle découverte à Havré
Object type: book
Date: 1883 – 1883
Materials: paper
Techniques: photoaquatint, printing
Inscriptions: date: ‘APR 1987’
Illustrated Book of Floral Arrangements in the Mishō Style
Object type: illustrated book
Date: 1931 – 1931
Techniques: woodblock print
Culture: japanese
Artist: mishōsai kōho
Artist role: artist
Artist nationality: japanese
Artist dates: 1791 – 1861
Subjects: houses
Handkerchief
Object type: textile
Date: 1875 – 1900
Materials: cotton, lace, linen, textile
Techniques: lace, embroidery, treatment, weave, stitching
Location: france
Portret van de weduwe van Clarence Ivy Toms
Object type: photograph
Date: 1925 – 1928
Materials: paper, photographic support
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Inscriptions: annotation: ‘Mrs C Ivy Toms widow of druggist killed by Hickman’, annotation: ‘9-’, stamp: ‘REFERED E. DEPT.<BR />FEB 25 28<BR />N.E.A.’, annotation: ‘179199’, annotation: ‘696’

Clarence Ivy Toms, drogist in Rosehill, CA, in 1926 vermoord door William Edward Hickman.
Netsuke of Female Figure
Object type: netsuke
Date: 1801 – 1900
Materials: ivory, wood
Culture: japanese
Subjects: women
May Perkins, from the Actresses series (N203) issued by Wm. S. Kimball & Co.
Object type: photograph
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N203), issued in 1889 by Wm. S. Kimball & Co.
Reproductie van een geschilderd portret van Richard Wagner
Object type: reproduction
Date: 1905 – 1906
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: richard wagner, historical persons, portrait of composer
Inscriptions: inscription: ‘No. 6./ Richard Wagner.’

Deze prent maakt deel uit van een album.
Tea Bowl with Peony Decoration
Object type: teabowl
Date: 1801 – 1900
Materials: stoneware
Techniques: inlay
Culture: japanese

The nineteenth-century example of inlaid Yatsushiro ware displayed here is emblematic of late Edo-period revivals of buncheong idioms, reflecting the antiquarian predilections of the tea culture and, by extension, of ceramic industries throughout Japan during this period.
Passage des rochers à Bergün - Route de l'Abula (Engadine)
Object type: photograph
Date: 1860 – 1890
Materials: paper
Techniques: albumen print
Location: bergün
Artist: Anonymous
Subjects: ravine, chasm, abyss, canyon
Verscheyden Lantschapjes
Object type: print
Date: 1621 – 1621
Materials: paper
Techniques: etching
Location: netherlands
Subjects: country-house
Inscriptions: collector's mark: Lugt 240
Portret van een onbekende man en een onbekende vrouw
Object type: photograph
Date: 1868 – 1870
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Subjects: adult woman, adult man, historical persons
Inscriptions: inscription: ‘12’, inscription: ‘Photogaphisch Etablissement/ VAN/ C. Stapert & van Caspel./ Bloemgracht D.D.43./ AMSTERDAM.’
Samson en de leeuw
Object type: print
Date: 1632 – 1693
Materials: paper
Techniques: engraving
Location: rome
Artist: françois de poilly (i)
Artist role: print maker, publisher
Artist dates: 1622 – 1693
Subjects: samson finds a swarm of bees in the lion's body, beasts of prey, predatory animals: lion
Inscriptions: collector's mark: Lugt 240

Samson zit op de leeuw die hij zojuist gedood heeft, en schrikt terug voor de zwerm bijen die uit de geopende bek komt.
Saint-Gilles, Kirche
Object type: photograph
Date: 1900 – 1950
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: france
Box and Cover
Object type: box with cover
Date: 1201 – 1300
Materials: clay
Culture: korean