deem-data/ArtiFact huggingface dataset:
Plateau
Object type: plateau
Date: 1720 – 1720
Materials: faience
Techniques: glazing
Subjects: chinoiserie,children,men,women

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth centuries, prior to the establishment of soft-paste porcelain factories. Although characterized as more provincial in style than porcelain, French faience was used at the court of Louis XIV as part of elaborate meals and displays, with large-scale vessels incorporated into the Baroque garden designs of Versailles. Earlier examples of French faience attest to the strong influence of maiolica artists from Italy. Later works demonstrate the ways in which cities such as Nevers, Rouen, Lyon, Moustiers, and Marseille developed innovative vessel shapes and decorative motifs prized among collectors throughout Europe. While faience can be created from a wide mixture of clays, it is foremost distinguished by the milky opaque white color achieved by the addition of tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces that have been decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience, developed in the second half of the eighteenth century, refers to a process whereby the clay body is fired before being glazed and decorated with metallic oxides and then fired again at a lower temperature; pieces can also go through a third firing. Grand feu pieces have a more limited color palette that consists of blue, yellow, brown-purple, and green. By contrast, the lower firing temperature of petit feu faience enabled both greater precision in painting techniques and variety in the range of colors.
Landscape
Object type: drawing
Date: 1855 – 1875
Materials: charcoal, paper
Techniques: highlighting
Artist: jean-baptiste-camille corot
Artist role: artist
Artist nationality: french
Artist dates: 1796 – 1875
Subjects: landscapes,trees
Salzburg
Object type: stereograph
Date: 1860 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: salzburg
Artist: Anonymous
Subjects: square, place, circus, etc.
Inscriptions: number: ‘No 1415’
Book cover with overall circular pattern
Object type: print
Date: 1701 – 1800
Techniques: relief print
Artist: Anonymous
Artist role: artist
Antigonus wordt op bevel van zijn broer Aristobulus gedood / Sterfbed van koning Aristobulus
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: deathbed, attempt, political murder
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Josephus, Flavius. XX. boeken van de oude geschiedenissen der joden, 4 delen. Amsterdam: Barent Visscher, Willem de Coup, Willem van Lamsveld, Andries van Damme, 1698, dl. IV.
Sugar bowl
Object type: sugar bowl
Date: 1760 – 1770
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: men,horses,flowers
Lamp
Object type: lamp
Date: 1870 – 1890
Materials: glass, marble
Techniques: pressed
Culture: american
Location: united states
Artist: challinor, taylor and company
Artist role: maker
Artist nationality: american
Artist dates: 1866 – 1891
De geest van Van Speyk
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: amsterdam, antwerp, jan van speyk, projectiles, explosives, etc.: gunpowder (+ sailing-ships)
Inscriptions: : ‘Op steen / getekend door / den onderge / tekende / Amsterdam / den 21 Mey / 1831 / R vd Meulen’, collector's mark: Lugt 2228, : ‘Aangeboden aan het gemeentebestuur der stad Amsterdam / door den ondergetekende, als uitgever van dit werk / ter voldoening aan Art 6. van de Wet van 25 January 1827 / Amsterdam den 21 Mey / 1831 / E Maaskamp’, : ‘Het werk is gedrukt ter drukkerij / van den ondergetekenden alhier / Amsterdam den 21 Mey 1831 / Desguerrois et Co’

In de voorgrond een Nederlandse officier, matroos en infanteris. Zij staan zodanig gegroepeerd dat tussen hen in de geest van Van Speyk zichtbaar wordt. Verderop het slagveld. Aan de horizon ligt Antwerpen, links ontploft de kanonneerboot van Van Speyk.
Mbira
Object type: mbira
Date: 1867 – 1900
Materials: wood
Culture: nigerian
Location: nigeria
Lower Half of Kohl Tube
Object type: kohl tube, tiye
Date: 1390 – 1352
Materials: faience
Location: egypt
Christoph Aug. Tiedge
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: lithograph
Location: munich
Subjects: christoph august tiedge, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Foto en een fotoreproductie van een tekening van beelden uit het fries van het Parthenon
Object type: reproduction
Date: 1901 – 1901
Materials: paper
Techniques: cyanotype
Subjects: piece of sculpture, reproduction of a piece of sculpture
Inscriptions: inscription: ‘Horae or Demeter and Persephone’

Deze foto's maken deel uit van een album.
Portret van Joseph Marie Terray aan een bureau met een pen en brief in zijn hand
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: joseph marie terray, writing-table, writing-desk, minister ~ government, quill, historical persons
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Abklatsch van de krijttekening op blad 15 recto
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper
Techniques: printmaking
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934

Blad 14 verso uit schetsboek XX met 26 bladen.
Dish with Flowers
Object type: vessel
Materials: stoneware
Techniques: carving, underglaze
Location: china
Naar rechts vliegende smient
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: printing, engraving, lithography
Location: netherlands
Subjects: water-birds: duck
Inscriptions: collector's mark: Lugt 2228
Schetsboek met 58 bladen
Object type: sketchbook
Date: 1819 – 1849
Materials: cardboard, chalk, leather, paper, pencil
Techniques: stumping
Location: groenendijk
Artist: willem hendrik schmidt
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1849
Subjects: historical costume, interior of the house, picture, painting, architecture
Inscriptions: number: ‘210’, collector's mark: Lugt 2228a

Schetsboek bestaande uit 58 bladen met architectuur, figuren, historisch kostuum, interieurs met figuren, kopieën naar schilderijen en compositiestudies. Tussen het voorste schutblad en blad 1 recto zit een visitekaartje van de schilder 'J.M. Ranftl, Wieden, Hauptstrasse Waaggasse No. 501' met verso in potlood de annotatie '[...] 31'.
Landschap met schapen
Object type: print
Date: 1808 – 1808
Materials: paper
Techniques: etching
Location: netherlands
Artist: j. puttemans
Artist role: print maker
Subjects: landscapes, sheep, pond, pool
Inscriptions: collector's mark: Lugt 2228
Erxian (二弦)
Object type: erxian
Date: 1801 – 1900
Materials: bone, skin, wood
Culture: chinese
Location: china
Edmond Charly (Rose Michel)
Object type: photomechanical print
Date: 1870 – 1875
Materials: paper
Techniques: woodburytype
Location: brussels
Subjects: portrait of actor, actress
Inscriptions: number: ‘No 39.’
Waterloo-plein, Batavia
Object type: page
Date: 1883 – 1894
Materials: paper
Techniques: photograph
Location: haarlem
Artist: Anonymous
Subjects: square, place, circus, etc., monument, statue
Ancestor Figure
Object type: figure
Date: 1801 – 1900
Materials: fiber, metal, paint, wood
Culture: sawos
Location: papua new guinea

The Sawos people of the Middle Sepik River region of New Guinea are divided into a number of clans, each of which is associated with specific ancestors and totemic species. These ancestral and totemic beings are represented by wooden figures kept in the men's ceremonial houses. Wooden figures such as this represent a category of powerful and dangerous ancestral beings called wan or waken and each figure owned by a specific clan is named for an important clan ancestor. This figure which bears the name Minjemtimi and is reputed to be ten generations old. It is said to have been made in the village of Kwalunggei. When warriors from neighboring Yamok village raided Kwalunggei, the figure is said to have come to life and fought the invaders until hit by a spear, which broke off its left arm (the wound is still visible as a repair). The wounded Minjemtimi fell to the ground and turned back into a wooden figure that was carried off by the raiders. In Yamok the figure was kept by the Ainggun clan in a ceremonial house in the hamlet of Wolembi. The marks on the abdomen represent rooster heads joined by a length of intestine and are similar to the ritual scarifications made on the bodies of initiated Sawos men.
Gekroonde Jupiter te midden van de elementen en planeten
Object type: print
Date: 1597 – 1656
Materials: paper
Techniques: engraving
Artist: michiel le blon
Artist role: print maker
Artist dates: 1587 – 1656
Subjects: the four elements, and ether, the fifth element, the (five) senses, (story of) jupiter (zeus), winds, zodiac; the twelve zodiacal signs together, planets; planetary system, solar system
Inscriptions: collector's mark: Lugt 2228

De gekroonde Jupiter staat binnen een cirkel op een schildpad en wordt omringd door dieren die de vijf zintuigen symboliseren: aap (smaak), hond (reuk), hert (gehoor), schildpad (gevoel) en adelaar (gezicht). Buiten de cirkel staan de vier elementen, de planeten, de winden en de dierenriemtekens weergegeven.
Amulet of a Lion-Headed Goddess Holding a Scepter
Object type: costume and accessory
Materials: faience
Culture: egyptian
Location: egypt
Subjects: goddesses
Three beads
Object type: bead
Date: 7000 – 330
Materials: glass
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, meander, part of an inscription: an iota; Exterior, two legs and hand, unidentified subject
Kop, veelkleurig beschilderd met chinoiserieën en het wapen van de Venetiaanse familie Morosini
Object type: eating drinking utensil
Date: 1731 – 1731
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: factory mark, mark

Tea and coffee service with the arms of the Venetian ducal family Morosini. Porcelain in leather travelling case. Meissen, 1731, decorated in the style of Johann Gregorius Höroldt.
Christuskind in de wolken met kruis over zijn schouder
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: bridge in city across river, canal, etc., christ-child carrying the cross
Inscriptions: collector's mark: Lugt 2228
Zwölf der schönsten Ansichten des Rheins
Object type: print
Date: 1822 – 1868
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: castle, river

Deze prent maakt deel uit van een album met twaalf prenten.
Twee staande mannen in tuin
Object type: photograph
Date: 1906 – 1906
Materials: photographic support
Techniques: photography
Location: netherlands
Subjects: dordrecht
Inscriptions: date: ‘Dordrecht 1906’

Foto op bruin albumblad 12 van familiealbum van Alphons Diepenbrock.
Rapier
Object type: rapier
Date: 1580 – 1580
Materials: copper, silver, steel
Culture: german or italian
Location: germany

The rapier was the principal civilian sidearm throughout the sixteenth and seventeenth centuries. Designed for cut-and-thrust fencing of progressively complex techniques, the rapier is characterized by a double-edged blade with an acute point and an elaborate guard for the hand. The guards, usually of iron or steel, were subject to a variety of embellishment. They were engraved, chiseled, gilded, damascened, and encrusted in gold and silver in keeping with fashionable styles. Unless otherwise noted, the materials, attributions, and dating given here refer to the hilts. Rapier blades, invariably of steel, bear a variety of maker’s marks denoting their origin in the two principal centers of blademaking, Toledo in Spain and Solingen in Germany.
Biddende monnik, en profil
Object type: drawing
Date: 1635 – 1713
Materials: chalk, paper
Artist: carlo maratta
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1713
Subjects: monk(s), friar(s), kneeling figure, one person praying
Suit
Object type: suit
Date: 1892 – 1892
Materials: cotton
Culture: american
Handle Spout Vessel in the Form of a Mountain with Deceased Human Figures and Animals
Object type: vessel
Date: 100 – 500
Materials: ceramic, pigment
Culture: moche
Location: peruvian north coast
Christus verschijnt aan Maria Magdalena
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: mary magdalene kneeling before christ, who is usually represented as a gardener with a hoe and/or a spade; 'noli me tangere'
Inscriptions: number: ‘124’, collector's mark: Lugt 2228

Proefdruk van illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. II.
Bedcover
Object type: bedcover
Date: 1767 – 1833
Materials: silk
Culture: chinese
Subjects: flowers
Saint Francis Penitent in a Large Landscape
Object type: print
Date: 1575 – 1575
Materials: paper
Techniques: engraving
Location: netherlands
Artist: cornelis cort
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1533 – 1578

Trained in Venice, Muziano came to Rome around 1550 and created many important landscape decorations in inaccessible villas and ecclesiastical buildings. His fame was thus dependent on the ten engravings that Cort made after his work, which were very popular and influential. Muziano frequently depicted Saint Francis, the thirteenth-century saint, withdrawn in a forest on Mount Alvernia, receiving the stigmata, or identical wounds, from a vision of Christ on the cross.
Man zittend voor schildersezel
Object type: print
Date: 1875 – 1875
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: art collector, person stimulating the arts; art lover, connoisseur, maecenas, patron, picture, painting
Inscriptions: collector's mark: Lugt 2760, collector's mark: ‘AFE v S’, collector's mark: Lugt 2228
At the four penny baths, from 'Summer sketches,' published in Le Charivari, August 12, 1865
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women,bathing
Spring
Object type: costume print
Date: 1643 – 1643
Materials: paper
Techniques: etching
Location: london
Artist: wenceslaus hollar
Artist role: draughtsman, print maker
Artist dates: 1607 – 1677
Subjects: alatheia talbot (gravin van arundel), bow (ornamental part of clothing) (+ women's clothes), spring, 'ver'; 'primavera' (ripa), fashion plates, skirt (+ women's clothes), sleeves: cuffs (+ women's clothes), dress, gown (+ women's clothes), fan (+ women's clothes), flowers: tulip, piece of clothing covering the breast or décolleté (fichu) (+ women's clothes), sleeves (+ women's clothes), country-house
Inscriptions: collector's mark: Lugt 240

Two years after producing his half-length Spring (adjacent), Hollar also published a full-length version. The large vase is missing this time. In the left background some visitors stroll around a formal garden with rectangular flowerbeds. In the caption Spring is addressed as the bearer of copious gifts.
Aankomst van de Spaanse gezanten te Rijswijk, 1608
Object type: print
Date: 1780 – 1795
Materials: paper
Techniques: etching
Location: netherlands
Subjects: the hague, maurice (prince of orange), peace negotiations, meeting

Waarschijnlijk gebruikt als illustratie in: J. Fokke, Geschiedenissen der Vereenigde Nederlanden voor de vaderlandsche jeugd, Johannes Allart, Amsterdam 1783-1795, 25 delen, dl. VI, pl. VI. Staat vóór de letter.
Betel box
Object type: tobacco box
Date: 1859 – 1859
Materials: silver
Location: sumatra
Artist: Anonymous
Subjects: ornament derived from plant forms

Tabaks- of Sirihdoos versierd met bloemmotieven, gewelfde deksel, achthoekige vorm, op bodem een bloemenornament ingegrift en twee inscripties.
Bolhoed van zwart laken
Object type: dophoed, bolhoed
Date: 1945 – 1950
Materials: textile, leather
Location: england
Artist: Anonymous

Bolhoed van zwart laken. Rand iets gewelfd en met sterk naar binnengebogen buitenkant waarop een zwart ripslintje is genaaid. Om de bol een zelfde hoedenlint. Voering van wit satijn en bruin leren hoofdband. Wapen in gouddruk van de Prince of Wales (?).
Enkele personen bij een gebouw (doorgestreept)
Object type: drawing
Date: 1888 – 1888
Materials: chalk, paper
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Pont Saint-Bénezet
Object type: photograph
Date: 1860 – 1915
Materials: cardboard, paper, photographic support
Techniques: gelatin silver print
Location: avignon
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: pont saint-bénezet
Coin Depicting a Female Head
Object type: coin
Date: 201 – 300
Materials: bronze, copper alloy, metal
Culture: greek
Location: greece
Subjects: female
Inscriptions: Reverse:
Catechisatielokaal van de Grote of Sint-Michaëlskerk te Zwolle
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: zwolle
Artist: Anonymous
Subjects: church (exterior)
Inscriptions: annotation: ‘Zwolle’
Stamp seal
Object type: stamp seal
Date: 201 – 700
Culture: sasanian
Location: iran
Subjects: stars
Studieblad, onder andere met een kelk
Object type: sketchbook leaf
Date: 1837 – 1921
Materials: paper, pencil
Artist: pierre joseph hubert cuypers
Artist role: draughtsman
Artist dates: 1827 – 1921
Subjects: chalice

Blad 17 recto uit een schetsboek met 23 bladen.
Antwerpen, Napoleon, noodmunt van 10 centimes, 1814
Object type: siege coin
Date: 1814 – 1814
Materials: bronze
Techniques: striking
Location: antwerp

Bronzen noodmunt. Voorzijde: binnen een krans van twee samengebonden takken letter N. Bovenaan plaats-aanduiding: Anvers en onderaan jaartal. Keerzijde: waarde-aanduiding: 10 cent. in twee regels. Omschrift: Monnaie Obsidionale.
Deurne. Groot Kasteel
Object type: photomechanical print
Date: 1930 – 1950
Materials: cardboard
Techniques: photograph
Location: deurne
Artist: Anonymous
Subjects: castle
Diverse kastelen, tuinen en stadsgezichten
Object type: titelprent, frontispice
Date: 1650 – 1650
Materials: paper
Techniques: etching
Location: paris
Subjects: church (exterior), street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Design for Religious Motto
Object type: drawing
Date: 1830 – 1900
Materials: graphite
Artist: robert william hume
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1904
Subjects: leaves,cross
Red polished ware jar
Object type: jar, red polished ware
Date: 4500 – 4000
Materials: pottery
Location: egypt
Ensemble
Object type: ensemble
Date: 1878 – 1878
Materials: glass, leather, silk
Culture: american

The provenance and history, as well as the general appeal of this ensemble are of interest. Worn by Louise Carnahan (Mrs. Deming) at the age of twelve to the wedding of her uncle Oliver Hanna in Fort Wayne, Indiana, on December 5, 1878, the dress is fashioned in women's late 1870s style. It is an excellent example of a young girl's special occasion garment. The extra detail in the dickey effect is especially stylish.
Picknick
Object type: photograph
Date: 1912 – 1912
Materials: photographic support
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: tennis, lawn-tennis, picnic, alfresco, 'déjeuner sur l'herbe', suriname

Picknick onder een boom, met leden van de familie Gonggrijp. Onderdeel van het fotoalbum over het leven van de familie Gonggrijp in Suriname rond 1912.
Landschap met zwerm vogels en torii
Object type: painting
Date: 1887 – 1945
Materials: silk
Techniques: brush
Location: japan
Artist: ohara koson
Artist role: print maker
Artist dates: 1877 – 1945
Inscriptions: signature: ‘Koson’, seal: ‘Koson’, seal: ‘Koson’

Een landschap met een zwerm vogels, een tempelpoort (torii) temidden van een silhouet van naaldbomen.
Gezicht in Amsterdam
Object type: sketchbook leaf
Date: 1914 – 1923
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, city-view, and landscape with man-made constructions, amsterdam

Gezicht in Amsterdam. Pagina 79 uit een schetsboek met 43 bladen vervaardigd te Amsterdam.
Fantastisch landschap met beek, waterval en antieke ruïnen
Object type: print
Date: 1550 – 1570
Materials: paper
Techniques: engraving
Subjects: waterfall - hh - ideal landscapes
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Covered jar with floral patterns (one of a pair)
Object type: covered jar
Date: 1667 – 1700
Materials: enamel, porcelain
Techniques: overglaze, painting, polychrome
Culture: chinese
Subjects: flowers
Munten uit het wrak van de Oostindiëvaarder Hollandia
Object type: coin
Date: 1700 – 1743
Materials: silver
Location: unknown
Artist: Anonymous

Vier munten, waaronder één acht reaal (type met de pilaren van Hercules), één vier reaal (Mexico 1740), één vier reaal (ondetermineerbaar, type met de pilaren) en een ondetermineerbare acht reaal (type cob).
Portret van Georg Joseph Beer
Object type: print
Date: 1804 – 1804
Materials: paper
Techniques: etching
Location: berlin
Subjects: historical persons

Prent uit: Neue allgemeine deutsche Bibliothek. Berlijn en Stettin: Friedrich Nicolai, 1804, dl. 86.
Silver Statuette of the Christ Child, from the "Wittenberg Reliquaries"
Object type: print
Date: 1472 – 1553
Techniques: woodcut
Artist: lucas cranach the elder
Artist role: artist
Artist nationality: german
Artist dates: 1472 – 1553
Subjects: christ

Cut out of a book. Cut printed text on verso. The print has been cut and the base with the owl has been removed.
Glazed disk in the shape of rosette
Object type: tile, palace of ramesses ii, rosette
Date: 1279 – 1213
Materials: faience
Location: egypt
The Third Segawa Kikunojō in the Role of Soga no Gorō Tokimune
Object type: woodblock print nishiki e
Materials: ink, paper
Techniques: nishiki e, woodblock print
Culture: japanese
Artist: katsukawa shunshō　勝川春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Subjects: weapons,actors
Illustraties vaderlandse geschiedenis
Object type: print
Date: 1752 – 1782
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: capture of city (after the siege), brielle
Inscriptions: collector's mark: Lugt 2228

Voorstelling uit de vaderlandse geschiedenis. Gezicht op de stadspoort van Brielle en het omliggende land tijdens de inname door de Watergeuzen. Op de achtergrond de zee met schepen.
Portret van Francisco Hurtado de Mendoza
Object type: print
Date: 1595 – 1800
Materials: paper
Techniques: engraving, letterpress printing
Artist: h. jacopsen
Artist role: publisher
Subjects: commander-in-chief, general, marshal, historical persons

Met vijfregelig onderschrift in het Nederlands.
De eerste leeraars aan de Theologische school te Kampen, opgerigt den 6n december 1854
Object type: print
Date: 1863 – 1863
Materials: paper
Techniques: tone lithography
Location: amsterdam
Subjects: amsterdam, scholar, philosopher, professor
Inscriptions: collector's mark: Lugt 2228

Van links naar rechts: Tammes Foppes de Haan, Simon van Velzen, Anthony Brummelkamp en Helenius de Cock.