deem-data/ArtiFact huggingface dataset:
Sarajevo in Joegoslavië, april 1943
Object type: album leaf
Date: 1904 – 1943
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: sarajevo
Artist: Anonymous
Subjects: city-view in general; 'veduta', temple, shrine ~ islam, mohammedanism, market, occupation ~ war
Inscriptions: inscription

Albumblad met vier foto's gemaakt in Sarajevo in Joegoslavië, april 1943: straatbeelden en interieur van moskee of gebedshuis. Onderdeel van het fotoalbum Abrechnungsintendantur van de Wehrmacht 1941-1943.
Nocturne: Palaces
Object type: print
Date: 1879 – 1880
Materials: ink, paper
Techniques: drypoint, etching, printing
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: venice
Piece
Object type: piece
Date: 1601 – 1700
Materials: silk
Subjects: birds
Man in een kerkinterieur, een ezel en figuurstudies
Object type: sketchbook leaf
Date: 1822 – 1893
Materials: paper, pencil, watercolor
Techniques: brush
Artist: willem troost (ii)
Artist role: draughtsman, painter, print maker
Artist dates: 1812 – 1893
Subjects: anatomy (non-medical), interior of church, mule

Blad 59 verso uit een schetsboek met 36 bladen.
Terracotta larnax (chest-shaped coffin)
Object type: larnax with lid
Date: 1267 – 1235
Materials: terracotta
Culture: minoan

The larnax was the standard type of coffin in Crete from the early fourteenth century to the twelfth century B.C. The structure with recessed panels on each side suggests a wooden prototype, and recent scholarship has identified Egyptian chests as the probable models. The decoration on each side consists of geometric and vegetal ornaments well represented on contemporary pottery. The larnax stands at the beginning of an impressive series of large-scale funerary monuments in the Greek and Roman collection.
Abaya Cloak
Object type: cloak
Date: 1867 – 1933
Materials: cotton, metal thread, silk
Techniques: weave, tapestry weave
Location: syria

The abaya (cloak) is a unisex type of garment, perhaps the most characteristic garment in the Arab world. Wealthy Bedouin and people living in cities and villages commissioned ornate silk abayas (cloaks) from workshops in Aleppo and Damascus for weddings and ceremonies or as diplomatic gifts for high-ranking officials. Sophisticated abayas often feature special motifs centered on the wearer’s back, which most likely convey symbolic meanings, such as protective powers, or perhaps reflect the wearer’s socio-religious identity. Syrian abayas were worn by different social groups in Syria and beyond and were considered one of the most characteristic and fashionable garments of Arab dress.
Bord, veelkleurig beschilderd met bloemtakken en een vlinder
Object type: plate dish
Date: 1730 – 1735
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: factory mark

Rond bord van veelkleurig beschilderd porselein. Het licht verdiepte bord heeft een smalle rand en is op de spiegel beschilderd met een vlinder op een bloeiende tak en op de rand drie grote bloemtakken afgewisseld door drie kleinere takken. De rand heeft een bruine bies. Het bord is gemerkt.
Poort tussen de tombe van Mahmud Begada en de tombe van zijn vrouw op Sarkhej Roza bij Ahmedabad
Object type: page
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Location: sarkhej roza
Artist: thomas biggs
Artist role: fotograaf, kapitein
Artist dates: 1822 – 1905
Subjects: grave, tomb, loggia, verandah, porch
Inscriptions: number: ‘45.’, inscription: ‘N’
Brief aan Philip Zilcken en Henriette Wilhelmina van Baak
Object type: letter
Date: 1911 – 1911
Materials: ink, paper
Techniques: pen, printing, writing
Location: elsene
Artist: hélène van goethem
Artist dates: 1866 – 1919
Subjects: voorburg, renée hélène laure zilcken, henriette wilhelmina van baak, painter, draughtsman, philip zilcken, brussels
Geseling van Christus
Object type: print
Date: 1597 – 1667
Materials: paper
Techniques: engraving
Subjects: flagellation by soldiers, christ usually tied to a column (matthew 27:26; mark 15:15; john 19:1)
Inscriptions: collector's mark: Lugt 2228

Een man bindt een bos takken bijeen. Fragment uit een voorstelling van de geseling van Christus.
The Arrest of Schlomé Fuss, from Au Pied du Sinaï
Object type: print
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Fotoreproductie van een tekening van meneer Gillenormand uit Les Misérables van Victor Hugo
Object type: page
Materials: photographic support
Techniques: albumen print
Location: paris
Subjects: literary characters and objects
Inscriptions: inscription: ‘(LES MISÉRABLES)’, address: ‘A. FAUCHEUR & C. DANELLE, 18, Bt. Pigalle.’
Bugaku Mask
Object type: bugaku mask
Date: 1535 – 1538
Materials: wood
Culture: japanese
Subjects: masks
Portret van Louis de Sancerre
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: paris, commander-in-chief, general, marshal, historical persons
Circular Bead
Object type: bead
Date: 500 – 600
Materials: glass
Culture: frankish

Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and forms. Though the beads seen here were made in the seventh century, the particular combination in which they were strung together is a creation of the late nineteenth century, when the beads were first found in graves.
The Sistine Madonna
Object type: print
Techniques: engraving, etching
Artist: johann friedrich wilhelm müller
Artist role: draughtsman, print maker
Artist nationality: german
Artist dates: 1782 – 1816
Subjects: men,women,angels,madonna and child
Hakgebied te Normandië
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: normandy
Artist: Anonymous
Subjects: timber yard, lumber stack, historical persons not known by name
Inscriptions: inscription: ‘Chantier de bois, Normandie’, number: ‘44’
Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 4 (verso)
Object type: book print ornament architecture
Date: 1527 – 1527
Techniques: woodcut
Artist: willem vosterman
Artist role: printer
Artist nationality: netherlandish
Subjects: ornament

Printed by Willem Vosterman. From top to bottom, and left to right: Design composed of 2 horizontal registers that are each framed on the top and bottom by a diverse decorative border. Top register is decorated with a pattern of diamonds that contain a quatrefoil motif in the center. Bottom register is decorated with a pattern of 'X's that contain a snowflake in the center.
Buste van een kind met een baret met veren
Object type: print
Date: 1652 – 1690
Materials: paper
Techniques: mezzotint
Artist: abraham bloteling
Artist role: draughtsman, print maker, publisher
Artist dates: 1640 – 1690
Inscriptions: collector's mark: Lugt 2228
Small Street on the Outskirts of Florence with Puppy
Object type: print
Date: 1870 – 1875
Materials: paper, zinc
Techniques: aquatint, etching
Location: italy
Artist: giovanni fattori
Artist role: print maker
Artist nationality: italian
Artist dates: 1825 – 1908
Tasbeugel van smeedijzer
Object type: tasbeugel
Date: 1500 – 1600
Materials: iron
Techniques: engraving, forging
Location: netherlands

Een smeedijzeren beugel van een dubbele beugeltas of beurs hangende aan een dito lus gesmeed in de vorm van een samengeknepen, gerekt leeren riem, en met een oogje verbonden aan een oog, dat aan de midden beugelvleugel is gehecht. De beugel is halfcirkelvormig en scharniert aan de beide uiteinden op twee zijvleugels, over welke rug twee gegraveerde lijnen lopen.
The Four Angels Holding the Winds, from "The Apocalypse"
Object type: print
Date: 1498 – 1498
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: angels,apocalypse
Het badhuis te Zwolle
Object type: print
Date: 1832 – 1845
Materials: paper
Techniques: lithograph
Location: zwolle
Subjects: public baths, windmill
Inscriptions: collector's mark: Lugt 2228

Voor het huis, aan het water, ligt een tuin. Op de gevel staat: Geneeskundig Badhuis. Rechts een molen.
Berry Pomeroy Castle, plate 58 from Liber Studiorum
Object type: print
Materials: paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Virgin and Child
Object type: relief
Date: 1401 – 1500
Materials: plaster
Techniques: gilding, painting
Subjects: madonna and child
Portret van Jan van 's-Gravenweerd
Object type: print
Date: 1820 – 1830
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: harmanus langerveld
Artist role: print maker
Artist dates: 1777 – 1830
Subjects: amsterdam, eyeglasses, spectacles, historical persons (+ (full) bust portrait)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

De geportretteerde draagt een bril. Onder het portret zijn naam.
Statuette of a man
Object type: statuette of a man
Date: 601 – 700
Materials: bronze
Culture: italic
Subjects: men
Pool Lighted Studio
Object type: ink tablet
Date: 1867 – 1933
Materials: ink
Culture: chinese
Artist: jian guzhai
Artist role: artist
Artist nationality: chinese

This ink tablet is from a sixty-four-tablet set (30.76.216–.279) commissioned by the Jiaqing emperor from the Studio for Appreciating the Antique (Jiangu Zhai) manufactory of the Wang Jinsheng family in Huizhou, Anhui Province. Each ink tablet commemorates a hall or pavilion in one of the imperial gardens. Each site’s name is written in gilt characters on one side; a view of the site is presented on the other. Such inks were purely decorative and not intended for use.
Pugna ad Engelmunsterum anno 1580
Object type: print
Date: 1649 – 1651
Materials: paper
Techniques: etching
Location: rome
Artist: Anonymous
Subjects: battle

Kopie naar de illustratie in: F. Strada, De Bello belgico decades duae auctiores et correctiores cum figuris encis prodeunt a Famiano Strada Soc: Jesu Romano Moguntiae 1651.
Kopie naar de onbekende prent uit de oorspronkelijke editie van 1647.
Groepsportret van een groep onbekende mensen
Object type: ansichtkaart, prentbriefkaart
Date: 1910 – 1930
Materials: paper
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: anonymous historical persons portrayed in a group, in a group-portrait
Inscriptions: inscription: ‘klas/ Holwerk’
Chinoiserie, from "Nouvelle Suite de Cahiers arabesques chinois a l'usage des dessinateurs et des peintres"
Object type: print ornament architecture
Date: 1790 – 1799
Techniques: etching, lithography
Artist: jean pillement
Artist role: artist
Artist nationality: french
Artist dates: 1728 – 1808
Subjects: birds,chinoiserie,men
Portret van Filips III van Frankrijk
Object type: print
Date: 1610 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons, king
Inscriptions: collector's mark: Lugt 2228
Portret van Christian Gottlieb Schwarz
Object type: print
Date: 1746 – 1746
Materials: paper
Techniques: etching
Location: augsburg
Subjects: historical persons, portrait of a writer, historical disciplines; philology (+ portrait of scholar, scientist), professor, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk uit: Brucker, Jacob. Bildersal heutiges Tages lebender und durch Gelahrheit berühmter Schrifftsteller. Augsburg: Johann Jacob Haid, 1746.
Onbekende mannen en vrouwen in Zeeuwse klederdracht tijdens de Wereldtentoonstelling van 1894 te Antwerpen
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: antwerp
Subjects: europeans, world fair, world exhibition, historical persons, antwerp
Inscriptions: inscription: ‘Exposition Universelle D'Anvers 1894.’
Stadsgezicht met twee torens
Object type: print
Date: 1887 – 1927
Materials: paper
Techniques: etching, intaglio
Artist: georg heine
Artist role: print maker
Artist dates: 1877 – 
Subjects: tower, clock tower ~ monumental adornment, city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2228
Faience aryballos (oil flask) in the form of a hedgehog
Object type: aryballos in the form of a hedgehog
Date: 600 – 501
Materials: faience
Culture: east greek
Subjects: hedgehogs

Hedgehogs are among the most common forms of faience oil flasks. The center of production of these vases has traditionally been identified as Naucratis, a Greek trading colony on the Nile Delta, in Egypt.
Ex libris van Theodule comte de Grammont
Object type: bookplate
Date: 1896 – 1896
Materials: paper
Techniques: printing
Artist: robert anning bell
Artist role: painter, print maker
Artist dates: 1863 – 1933
Subjects: politician, fairy, lute, and special forms of lute, e.g.: theorbo - cc - out of doors
Inscriptions: date
Bol van millefioriglas
Object type: sphere
Date: 1500 – 1600
Materials: glass, silver
Techniques: glassblowing
Location: venice
Artist: Anonymous
Inscriptions: duty mark

Bol van millefioriglas, doorboord en voorzien van een zilveren pen met oog, waaraan een platte zilveren ring is bevestigd die geopend kan worden. Een zilveren rozet aan beide zijden van het pennegat.
Christoph Glockengiesser
Object type: print
Date: 1665 – 1703
Materials: paper
Techniques: etching
Artist: martin heinrich omeis
Artist role: print maker
Artist dates: 1650 – 1703
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Vrouw maakt zweefduik in zwembad
Object type: photograph
Date: 1900 – 1920
Materials: paper, ink
Techniques: rotogravure
Artist: Anonymous
Subjects: diving (movement in water), swimming (sport)

Onderdeel van Familiealbum met foto's van een familie in de voormalige kolonie Nederlands-Indië en van een suikerfabriek in Purworejo.
Vlag van het Heilige Roomse (Duitse) Rijk
Object type: drawing
Date: 1667 – 1670
Materials: ink, paper, watercolor
Techniques: brush, pen
Location: france
Artist: Anonymous
Subjects: flag, colours (as symbol of the state, etc.), holy roman empire
Inscriptions: number: ‘11 / XI / 11’

Vlag van het Heilige Roomse (Duitse) Rijk met op een wit veld een dubbele zwarte adelaar onder een keizerskroon en met in de poten een zwaard en scepter, om de hals het ordeteken van het Gulden Vlies en op de borst een wapenschild met wederom het wapen van het Heilige Roomse (Duitse) Rijk met in het midden op dit wapenschild een blanco wapenschildje waar het wapen van de regerende koning of keizer ingetekend kon worden. Vlag op vlaggensteng en mastvoet. Afgebeeld op folio 6r. Onderdeel van een vlaggenboek met vlaggen uit Europa, Noord-Afrika, Nabije en Verre Oosten.
Terracotta fragment of a stemless kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, double reserve line framing tondo; start of foot
Gezicht op Deventer en de IJssel
Object type: print
Date: 1679 – 1679
Materials: paper
Techniques: etching
Location: antwerp
Artist: gaspar bouttats
Artist role: print maker
Artist dates: 1640 – 1695
Subjects: city-walls, geographical names of countries, regions, mountains, rivers, etc., bridge, prospect of city, town panorama, silhouette of city, deventer
Inscriptions: collector's mark: Lugt 1641, stamp

Gezicht op de stad Deventer. Op de voorgrond, buiten de stadsmuren, de rivier De IJsel. Een sloep brengt passagiers naar een zeilschip. Wandelaars en karren gaan over de brug richting Deventer. Boven het stadsgezicht een cartouche met de naam van de stad. De prent heeft een Nederlands en Frans onderschrift. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, Nijverheid en Verkeer, Scheepsvaart.
Pastor Kneipp's uitstapje van Kleef naar Amsterdam
Object type: photomechanical print
Date: 1893 – 1893
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Subjects: public baths, fire-hose
Inscriptions: signature: ‘R&Hz.’, collector's mark: Lugt 1641b

Prent uit: De Amsterdammer 17 (1893), nr. 830, 21 mei 1893, p. 7.
Annotaties
Object type: sketchbook leaf
Date: 1891 – 1894
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Inscriptions: annotation

Pagina 23 uit een schetsboek met 15 bladen.
Bottle with leaf-nosed bat head
Object type: bottle
Date: 1200 – 800
Materials: ceramic, paint
Culture: cupisnique
Location: peru
Artist: cupisnique artist(s)
Artist role: artist
Portrait of Brechtje Overrijn van Schoterbosch (1592-1618)
Object type: painting
Date: 1614 – 1614
Materials: oil, panel
Artist: cornelis van der voort
Artist role: draughtsman, painter
Artist dates: 1576 – 1624
Subjects: haarlem, historical persons - bb - woman
Inscriptions: label, on the reverse: ‘Dirk Hasselaar: Major van de Militie / Vader van / Aagje Hasselaar: vrouwe van / Henrich Hooft: Vader en Moeder van / Bregje Hooft: vrouwe van Harman van de Poll.’, inscription and date, upper left: ‘Ætatis Suae.22. / Anno 1614.’

Portret van Brechtje van Schoterbosch (1592-1618). Echtgenote van Dirck Hasselaer. Kniestuk, staande, ketting met hanger in de rechterhand. Pendant van SK-A-1242.
Gezicht op de Dam te Amsterdam met de Nieuwe Kerk
Object type: sketchbook leaf
Date: 1895 – 1895
Materials: chalk, paper
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: diligence, omnibus, horse-tram, church (exterior), square, place, circus, etc. (+ city(-scape) with figures, staffage)
Inscriptions: kleurnotitie, handgeschreven

Vooraan een paardentram. Pagina 27 en pagina 28 uit een schetsboek met 20 bladen.
Bukkende figuren
Object type: sketchbook leaf
Date: 1890 – 1890
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: bending figure

Blad 7 recto uit een schetsboek met 38 bladen.
Zilverwerk en edelsmeedkunst, eerste deel
Object type: print
Date: 1748 – 1748
Materials: paper
Techniques: etching
Location: paris
Subjects: relics (and reliquaries), jeweller, goldsmith, silversmith

Deze prent maakt deel uit van een album.
New Modelbüch allen Nägerin u. Sydenstickern (Page 5r)
Object type: book print ornament architecture
Date: 1556 – 1556
Techniques: woodcut
Artist: hans hoffman
Artist role: designer
Artist nationality: german
Artist dates: 1556 – 1556
Subjects: ornament

Designed by Hans Hoffman (German, active Strasbourg 1556) and published by Jacob Frӧlich, Strasbourg. Illustrated title page with Hoffman's monogram, narrative scene on verso of title page, dedication (2 pages), 49 pages of designs, page with publisher’s information, and narrative scene on last page.
Plate with reclining zebu
Object type: plate
Date: 2333 – 1668
Materials: copper alloy
Location: iran
Subjects: animals

Made from a sheet of copper alloy with a rim that has now broken away, this shallow plate is decorated at the center with an image of a zebu, a breed of cattle from southwestern Asia. The zebu’s distinctive hump and upraised curved horns are clearly visible as the recumbent animal turns to face its rump and arched tail. Details such as the texture of the fur on the neck and chest and the long tuft of hair at the tip of the tail are incised. The body is formed in low relief, and the modeling of the face is especially delicate, combining the techniques of repoussé and chasing. The Bronze Age cemetery at Shahdad, in southeastern Iran, yielded three copper-alloy plates similar to this piece, which were likewise decorated with animals in low relief. Another low-sided copper plate, embellished with a lion attacking a bull, comes from a Bronze Age level at the site of Tepe Hissar, in northwestern Iran. These closely related, excavated examples suggest that The Met's plate also comes from Iran.
Gezicht op Tienhoven en het huis Herlaar
Object type: watercolor
Date: 1750 – 1750
Materials: paint, ink, paper, watercolor
Techniques: brush, pen
Artist: jan de beijer
Artist role: draughtsman, print maker
Artist dates: 1703 – 1780
Subjects: castle, prospect of city, town panorama, silhouette of city
Parasol Cover
Object type: textile
Date: 1850 – 1859
Materials: lace, silk
Techniques: lace
Location: france
Man en vrouw pratend bij een hek
Object type: drawing
Date: 1650 – 1650
Materials: pencil, paper
Location: zwolle
Artist: harmen ter borch
Artist role: draughtsman
Artist dates: 1638 – 1677
Inscriptions: annotation: ‘Ger jr.(?)’
Graflegging van Christus
Object type: print
Date: 1588 – 1588
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: christ's entombment (possibly by angels) (+ angel(s))
Inscriptions: collector's mark: Lugt 240

Het lichaam van Christus wordt door drie engelen in het graf gelegd. De prent heeft een Latijns onderschrift.
Seated Apostles and Putti
Object type: drawing
Date: 1637 – 1638
Materials: chalk
Artist: giovanni lanfranco
Artist role: artist
Artist nationality: italian
Artist dates: 1582 – 1647
Subjects: sibyl,angels,apostles

One of Lanfranco's major commissions in Naples were the frescoes painted in 1637-38 on the rib-vault of the nave in the church of the Certosa di San Martino. In the circular compartments along the center of the vault, Lanfranco painted Christ appearing in a glory of angels, and in the triangular compartments above the windows groups of apostles, prophets, sibyls, and putti. Walter Vitzthum identified in this drawing a scheme for one of these triangular compartments. The broad-based triangular composition takes into consideration the whole area to be painted, while the faint red chalk indications of a narrower triangle suggest the area of the steeply rising vault that would be visible to the viewer standing directly below. Not only are Lanfranco's cloud-seated figures in this drawing, as in the fresco, strikingly Correggesque, but the handling of the red chalk reveals as well Lanfranco's early Emilian traning. Two drawings for a first overall scheme for the Certosa vault were identified by Hermann Voss in the Teylers Museum at Haarlem.
Grill
Object type: grill portion
Date: 1101 – 1300
Materials: iron
Culture: spanish
Location: spain
Dode haas
Object type: print
Date: 1778 – 1830
Materials: paper
Techniques: etching
Location: switzerland
Artist: johan jakob biedermann
Artist role: painter, print maker
Artist dates: 1763 – 1830
Subjects: rodents (with name) (+ dying animal; death of animal; dead animal)
Inscriptions: collector's mark: Lugt 2228, watermark: ‘Thurneisen’

Dode haas, vastgespijkerd tegen een houten wand. Rechtsboven genummerd: 40.