deem-data/ArtiFact huggingface dataset:
Omnibus Wagonette  #3361
Object type: drawing
Date: 1877 – 1877
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Bell
Object type: bell
Date: 1775 – 1776
Materials: silver
Subjects: musical instruments,lions
Zes voorstellingen uit Camille
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: vienna, help (to an endangered fellow man), city-view, and landscape with man-made constructions, (carrying a person on a) litter, stretcher, literature, interior of the house, evening meal, dinner, supper, meeting, giving alms; collection
Inscriptions: collector's mark: Lugt 2228
Spiegel
Object type: mirror
Materials: bronze
Location: china
Artist: Anonymous

Mirror with star motif and four birds. Late Eastern Zhou period (481 - 222 BC).
Hototogisu
Object type: magazine
Date: 1908 – 1909
Materials: paper
Techniques: woodcut, letterpress printing
Location: japan

Zeven uitgaven uit de jaren 1908-1909 van het literaire maandblad Hototogisu, waar veel verschillende schrijvers en kunstenaars aan hebben meegewerkt.
Philoshopher Seated near a Window
Object type: print
Date: 1514 – 1536
Techniques: engraving
Artist: agostino veneziano (agostino dei musi)
Artist role: artist
Artist nationality: italian
Artist dates: 1490 – 1536
Studies of Heads and Hands
Object type: drawing
Date: 1601 – 1700
Materials: chalk
Artist: anonymous, french, 17th century
Artist role: artist
Artist nationality: french
Artist dates: 1600 – 1700
Subjects: hands,heads
Xiao (簫 )
Object type: xiao flute
Date: 1867 – 1900
Materials: bamboo, ivory
Culture: chinese
Location: china

There are two types of Chinese end-blown flutes: those like this xiao, associated with central China, with a small U-shaped hole cut into the closed nodal end of the bamboo tube; and those from southeastern China and Taiwan called dongxiao, also seen in this case, with a completely open blowing end. Legend holds that this particular type of end-blown, notched flute was created by disassembling a panpipe called a paixiao and placing equidistant finger holes on each pipe. Used in Confucian ceremonies, including weddings and funerals, and often associated with scholars, xiao are sometimes inscribed with poems.
Pair of Tiles with Qur'anic Inscription from Sura 36 (Ya-Sin): 9 and 15
Object type: tile panel
Date: 1251 – 1300
Materials: glaze, stonepaste
Techniques: luster painting, molding
Location: iran
Subjects: qur'an

Two Ceramic Tiles: 40.181.14 and .15 Probably originally the upper border of a tiled dado, the inscriptions on both of these tiles are from the same chapter of the Qur'an, separated by approximately six verses. The scrolls of the background are drawn in a way typical for Kashan luster-painted wares.
Zandpad door het bos
Object type: print
Date: 1829 – 1844
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: barend cornelis koekkoek
Artist role: draughtsman, painter, print maker
Artist dates: 1803 – 1862
Subjects: forest path or lane
Inscriptions: collector's mark: Lugt 2228

In 1829 en 1830 gaf Koekkoek, samen met Daiwaille, zes cahiers uit met ieder zes prenten getiteld Landschapstudiën. Deze werden gebruikt in het tekenonderwijs. Vijftien jaar later werd deze reeks, in een andere samenstelling nogmaals uitgegeven door Meyer en Comp in Amsterdam. Zie: De Bruyn Kops, 1963.
Turtle
Object type: print
Date: 1840 – 1849
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Ontwerp voor wijnkoeler (op ware grootte)
Object type: design drawing
Date: 1830 – 1835
Materials: paper, pencil
Techniques: brush, drawing
Location: paris
Artist: charles nicolas odiot
Artist role: jeweler
Artist dates: 1789 – 1869
Subjects: dinner-service, wine-cooler
Inscriptions: stamp

Rechts van het ontwerp een vooraanzicht van een oor, in de vorm van een ramskop.
In een geschechetste rococo-cartouche op het lichaam van de wijnkoeler: place pour le / nom.
Necklace with cameo of Veronica's Veil
Object type: necklace
Date: 1870 – 1870
Materials: gold, gemstone
Artist: castellani
Artist role: maker
Gezicht op de Nieuwezijds Kapel te Amsterdam
Object type: print
Date: 1662 – 1706
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: church (exterior) - qq - small church, chapel, street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Rechtsonder genummerd: I. Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: Hervormde Gemeente: Nieuwezijds Kapel.
Restanten van de Tempel van Augustus (Pantheon) in Pompeï
Object type: album leaf
Date: 1870 – 1900
Materials: paper, photographic support
Techniques: albumen print
Location: pompeii
Artist: Anonymous
Subjects: column, pillar ~ architecture, temple, shrine ~ roman religion, excavation ~ archaeology, pompeii
Inscriptions: negative number: ‘9’

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Italië en Zuid-Frankrijk.
Water Dropper with a Leaf Spray Design
Object type: water dropper
Date: 1901 – 2000
Materials: cobalt, copper, porcelain
Techniques: underglaze
Culture: korean
Capriccio of a Bridge with the Arcus Argentariorum by a Mediterranean Harbor
Object type: drawing
Date: 1634 – 1666
Materials: chalk, graphite, ink
Techniques: brush, wash
Artist: johannes abrahamsz beerstraten
Artist role: artist
Artist nationality: dutch
Artist dates: 1622 – 1666
Subjects: arches,bridges,boats
Tankard
Object type: tankard
Date: 1701 – 1800
Materials: earthenware, pewter
Techniques: glazing
Subjects: flowers
Box with dragon design
Object type: box
Date: 1522 – 1566
Materials: lacquer
Techniques: carving
Culture: chinese
Subjects: dragons

The five-clawed dragon in the center of this lid holds up the character sheng, which means “divine (or imperial) majesty.” The rocks and waves below the dragon symbolize the mountain and the sea. Taken together, these motifs illustrate the imperial authority ruling over the universe. Similarly styled dragons are seen on works in different materials, such as textile medallions, from the same period.
Mold (Bird-Shaped)
Object type: mold
Date: 901 – 1100
Materials: bronze
Culture: indonesian
Subjects: birds
R. K. Kerk, Veghel
Object type: photomechanical print
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: veghel
Artist: Anonymous
Subjects: city-view, and landscape with man-made constructions, church (exterior)
Fragment
Object type: textile
Date: 1701 – 1800
Materials: gold foil, silk, velvet
Techniques: cutting, patterning, weave, voiding
Location: france
Feestmaal bij Madame Pineau
Object type: print
Date: 1787 – 1790
Materials: paper
Techniques: engraving, etching
Location: southern netherlands
Artist: Anonymous
Subjects: antwerp, priest, brabant
Inscriptions: collector's mark: Lugt 2228

Interieur van een salon bij Madame Pineau (of Pinau) waar een feestmaal gehouden wordt. Aan tafel zitten genodigden, waaronder Van Eupen, met hun maîtresses. Onderdeel van een grote groep van prenten betrekking hebbend op de gebeurtenissen van de Brabantse Omwenteling en de periode 1787-1790.
Deksel van bokaal
Object type: dubbelbokaal
Date: 1800 – 1900
Materials: glass
Location: bohemia
Artist: Anonymous

Bokaal met deksel, staande op een voet welke gediend heeft als deksel van een grotere bokaal (bovenstuk van een dubbelbokaal)
Interior of the Diwan-i-Khas in the Red Fort at Delhi, India
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper
Techniques: gelatin silver print
Location: delhi
Artist: Anonymous
Subjects: delhi
Inscriptions: title: ‘Diwan-i-Khas, Fort Delhi’, number: ‘25.’

De Zaal der Besloten Audiënties (Diwan -i-Khas) bevindt zich binnen het Rode Fort van Delhi.
Kinderkopje
Object type: drawing
Date: 1769 – 1789
Materials: chalk, paper
Artist: jan anton garemyn
Artist role: draughtsman
Artist dates: 1712 – 1799
Subjects: head (human), child
Inscriptions: date
Rear Admiral, United States, from the Naval Flags series (N17) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,flags

Trade cards from the "Naval Flags" series (N17), issued ca. 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Portret van Ewaldus Kist
Object type: print
Date: 1780 – 1829
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: dordrecht, ewaldus kist
Inscriptions: collector's mark: Lugt 2166

Portret in ovale lijst van Ewaldus Kist, een Dordrechtse prediker. Buste naar rechts. Kist draagt een predikersgewaad.
Three (Women) Calligraphers (Sanpitsu) at a Calligraphy Reunion (Shokai)
Object type: print
Date: 1800 – 1810
Techniques: woodblock print, surimono
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Portret van Charles de Fieux de Mouhy
Object type: print
Date: 1702 – 1767
Materials: paper
Techniques: engraving, etching
Subjects: paris
Inscriptions: number: ‘7’, collector's mark: Lugt 240

Portretbuste in ovaal naar links van de Franse schrijver Charles de Fieux de Mouhy, blootshoofds. Het portret staat op een met wapenschild getooide sokkel waarop de naam en het geboortejaar van de geportretteerde.
Bath, from the Fancy Bathers series (N187) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women

Trade cards from the "Fancy Bathers" series (N187), issued in an unnumbered set of 50 cards in 1889 by Wm. S. Kimball & Co.
Asia (part of a set)
Object type: tile
Date: 1801 – 1900
Materials: earthenware
Artist: castelli
Artist role: maker
Artist dates: 1700 – 1900
Subjects: animals,men,women,trees
Begrafenisstoet van Anna Paulowna (blad 1), 1865
Object type: drawing
Date: 1865 – 1865
Materials: paper, pencil
Location: netherlands
Artist: Anonymous
Subjects: anna paulowna romanowa, military music, cortege, funeral procession, delft
Inscriptions: inscription: ‘No. 1’

Muziekkorps en militairen te paard. Eerste tafereel in een schetsboek met een weergave van de begrafenisstoet van wijlen koningin Anna Paulowna te Delft op 17 maart 1865, omslag met tien losse bladen.
Collection cup
Object type: collection cup
Date: 1725 – 1730
Materials: silver
Artist: joseph lucas
Artist role: maker
Artist dates: 1639 – 1739

This type of bowl is known in France is known as a "coupe à quêter" (collection cup). At provincial weddings such cups are passed around among the wedding guests who drop coins into them as gifts for the young couple.
The Actor Segawa Kikunojo II as the nun Seigen
Object type: print
Date: 1762 – 1762
Techniques: printmaking, woodblock print, hashira
Location: japan
Artist: torii kiyomitsu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1785
Meubilair
Object type: furniture
Date: 1700 – 1800
Materials: silk, wood
Location: northern netherlands
Artist: Anonymous

Ledikant met matras, twee kussens en twee gestikte zijden dekens, voorzien van rood zijden gordijnen, afgezet met passement.
Messire Nicolas Lambert Seigneur de Thorigny
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: engraving
Location: france
Subjects: historical persons, counsellor
Inscriptions: collector's mark: Lugt 240
Coverlet
Object type: textile
Date: 1820 – 1830
Materials: cotton, wool
Techniques: patterning, weave
Location: united states
Subjects: geometric motif, squares, snowflake, grids, geometric, coverlet
Strook kloskant met pioenroos tussen twee kleinere pioenrozen
Object type: strip
Date: 1650 – 1660
Materials: linen
Techniques: lace
Location: antwerp
Artist: Anonymous

Strook naturelkleurige Hollandse kloskant. Het patroon bestaat uit een zich herhalend symmetrisch motief van een gestileerde pioenroos met links en rechts een golvende zijtak. Aan het eind van elke zijtak krult een kleinere pioenroos omhoog en richt zich naar de grote centrale bloem. De motieven zijn met elkaar verbonden door een ronde traliegrond met vlechtslagen. De motieven zijn gemaakt in linnenslag met opengewerkte randjes. De boven- en onderzijde van de strook zijn recht afgewerkt, met aan één zijde picots.
View of a part of Calais (Veue d'un coin de Calais), from "Views of seaports" (Vues de ports de mar)
Object type: print
Date: 1647 – 1647
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,seas,working,boats,ships
Landschap met bomen
Object type: sketchbook leaf
Date: 1870 – 1931
Materials: chalk, paper
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: trees, landscapes

Blad 16 recto uit een schetsboek met 28 bladen.
Vogels
Object type: print
Date: 1598 – 1618
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: song-birds: finch, farm or solitary house in landscape, doves, pigeons
Inscriptions: collector's mark: Lugt 2228

Een duif en een vink in een landschap met een hoeve. De prent maakt deel uit van een serie met vogels als onderwerp.
Portret van een onbekende jonge vrouw in Turkse klederdracht
Object type: print
Date: 1831 – 1877
Materials: paper
Techniques: etching
Artist: adolphe alexandre dillens
Artist role: draughtsman, painter, print maker
Artist dates: 1821 – 1877
Subjects: adolescent, young woman, maiden, historical persons, standing figure - aa - female human figure
Inscriptions: collector's mark: Lugt 2228
Twee zeilschepen en een roeiboot in stormachtig weer
Object type: drawing
Date: 1650 – 1799
Materials: ink, paper
Techniques: brush, pen
Location: netherlands
Artist: Anonymous
Twee foto's van een boottocht op de Maas
Object type: photograph
Date: 1951 – 1951
Materials: paper
Techniques: gelatin silver print
Location: meuse
Artist: Anonymous
Subjects: river
Inscriptions: inscription: ‘Maashotel in Arcen’

Deze foto's maken deel uit van een album.
Balkon (vermoedelijk) te Italië
Object type: photograph
Date: 1875 – 1907
Materials: photographic support
Techniques: gelatin silver print
Location: italy
Artist: Anonymous
Subjects: column, pillar ~ architecture, loggia, verandah, porch

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Italië.
Sleeping Girl with Needlework in her Lap
Object type: print
Techniques: mezzotint
Artist: gerard valck
Artist role: artist
Artist nationality: dutch
Artist dates: 1651 – 1726
Subjects: sleeping,girls,needlework
Fotoreproductie van een ets van de presentatie van Christus in de tempel door Rembrandt van Rijn
Object type: page
Date: 1848 – 1853
Materials: photographic support
Techniques: salted paper print
Location: paris
Subjects: presentation of the christ-child in the temple, usually simeon (and anna) present (luke 2:22-39)
Landscape with Waterfall
Object type: drawing
Date: 1767 – 1833
Materials: ink, watercolor
Techniques: pen
Location: germany
Artist: friedrich christian klass
Artist role: artist
Artist nationality: german
Artist dates: 1752 – 1827
Subjects: waterfalls,landscapes,trees
Wedjat Eye Amulet
Object type: amulet, wedjat eye
Date: 1550 – 1070
Materials: stone
Location: egypt

One of the most popular amulets in ancient Egypt, the wedjat eye represents the healed eye of the god Horus. It depicts a combination of a human and a falcon eye, since Horus was often associated with a falcon. Its ancient Egyptian name, wedjat, means "the one that is sound." In Egyptian mythology Horus’ eye was injured or stolen by the god Seth and then restored by Thoth. The wedjat eye embodies healing power and symbolizes rebirth. An amulet in this shape was thought to protect its wearer and to transfer the power of regeneration onto him or her. It was used by the living as well as for the dead.
Dubbelportret van Johanna Cornelia Beucker Andreae met haar zus Sophia Adriana
Object type: photograph
Date: 1895 – 1910
Materials: metal
Techniques: ferrotyping
Artist: Anonymous
Subjects: the hague, adult woman
Inscriptions: inscription: ‘Anna Cornelia Beucker Andreae/ Sophie Beucker Andreae’
Koningin Elizabeth, Koningin Juliana en prinses Beatrix bekijken diamanten
Object type: photograph
Date: 1958 – 1958
Materials: paper, photographic support
Techniques: gelatin silver print
Location: amsterdam
Subjects: beatrix (koningin der nederlanden), juliana of the netherlands, amsterdam
Inscriptions: inscription: ‘Eng en Ned Kon. paren’, date: ‘25/3 '58’, stamp: ‘Copyright ANEFO Kerkstraat 310 Amsterdam -C No. 94322’
Ishizara Plate with Rabbit Design
Object type: plate
Date: 1767 – 1800
Materials: stoneware
Culture: japanese
Subjects: rabbits
Inname van Conde door Lodewijk XIV, koning van Frankrijk
Object type: jeton
Date: 1676 – 1676
Materials: copper
Techniques: striking
Location: paris
Artist: Anonymous
Subjects: lodewijk xiv (koning van frankrijk)

Koperen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: drie waterkruiken voorstellende de rivieren Schelde, Aisne en Haisne met daartussen Mercuriusstaf met palm- en lauwertak binnen omschrift; afsnede: ornament
Portret van Ulric Grundherr
Object type: print
Date: 1648 – 1663
Materials: paper
Techniques: engraving
Subjects: mayor, gloves, mittens, etc., historical persons, hacking and thrusting weapons: sword, pendant, trinket, 'breloque', armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Portret van Sigismund III, koning van Polen
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: engraving, etching
Subjects: sigismund iii (koning van polen), historical persons, king

De prent maakt onderdeel uit van een grotere prent met 12 portretten die later verknipt is. Prent gebruikt in: Gottfried, Johan Ludwig en Simon de Vries. Historische kronyck: vervattende een nauwkeurige en volkomene beschrijvingh der aldergedenck waerdiste geschiedenissen des weerelds (...). Leiden: Pieter van der Aa, 1698, dl. 1. Eerdere staat van prent voor het eerst gebruikt in hetzelfde boek uitgegeven in Amsterdam door weduwe Joannes Brouwer en Jacobus van Meurs in 1660. Prent mogelijk ook gebruikt in latere edities.
Vrouw die op een stoel naast een wieg zit
Object type: print
Date: 1887 – 1920
Materials: paper
Techniques: etching, intaglio
Artist: albert roelofs
Artist role: print maker
Artist dates: 1877 – 1920
Subjects: cradle, crib, mother and child(ren), woman and child(ren) (family group)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760, inscription: ‘1a [...] / 1. bovenrand entre deux (...)’

De vrouw leunt met haar arm op de rand van de wieg.
Model of a Hengst
Object type: ship model
Date: 1819 – 1819
Materials: brass, lead, fiber, textile, wood
Location: rotterdam
Artist: Anonymous
Inscriptions: inscription, on the rudder: ‘ROTTERDAM / 1819’

Een dergelijk hengst werd in het begin van de 19de eeuw gebruikt bij het Strijense Sas om de koninklijke familie naar de Moerdijk over te zetten. Hengsten werden meer als veerboten gebruikt: de oudste vermelding van een hengst betreft het proces-verbaal van 1711 betreffende de verdrinkingsdood van Johan Willem Friso tijdens het oversteken van het Hollands Diep. Dit model vertoont opvallende verschillen met de hengsten zoals door Petrejus en Van Beylen beschreven. Het model werd in 1882 in Londen tentoongesteld.
Planche XLII
Object type: print
Date: 1673 – 1673
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: amphitheatre

Prent uit: Perrault, Claude. Les dix livres d'architecture de Vitruve. Parijs: Jean-Baptiste Coignard, 1673.
Key
Object type: key
Date: 1601 – 1633
Materials: iron
Ovale borstelrug van faïence
Object type: borstelrug
Date: 1725 – 1750
Materials: earthenware, glaze
Techniques: painted
Location: delft
Artist: Anonymous

Ovale borstelrug van blauw beschilderde faïence, beschilderd met bladeren en bloemenranken en langs de rand een bloemmotief. De borstelrug is sinds 1958 in bruikleen afgestaan aan J.H. Loudon (Aerdenhout) en in maart 1996 geretourneerd.
La cabane du chiffonnier
Object type: print
Date: 1860 – 1924
Materials: paper
Techniques: color etching
Artist: jean françois raffaëlli
Artist role: print maker
Artist dates: 1850 – 1924
Subjects: hut, cabin, lodge
Inscriptions: collector's mark: Lugt 2113, collector's mark: Lugt 2760, collector's mark: Lugt 2521a, collector's mark: Lugt 2228, collector's mark: Lugt 1774b
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Four rim fragments and three fragments from the wall of a kylix; one of the fragments from the wall of the kylix has part of a hole from an ancient repair; the glaze is worn
Saint Jerome
Object type: plaquette
Date: 1601 – 1633
Materials: gilt bronze
Subjects: lions,saint jerome
Assumption of the Virgin
Object type: drawing and watercolor
Materials: gouache, graphite, ink, paper, paint, watercolor
Techniques: brush, heightening, pen, wash
Location: italy
Artist: francesco bartolozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1728 – 1815
Dorpsstraat met boomstammen
Object type: print
Date: 1559 – 1561
Materials: paper
Techniques: etching
Location: antwerp
Subjects: public road in village
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Gezicht op een dorpsstraat met boomstammen op de voorgrond.
Lochem. Huize: "de Cloese"
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1906
Materials: cardboard
Techniques: lithograph
Location: leipzig
Artist: Anonymous
Subjects: castle, canal
Loterij Zaal Binnenhof
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print
Location: the hague
Artist: Anonymous
Subjects: façade (of house or building)
Inscriptions: inscription: ‘fo-50’