deem-data/ArtiFact huggingface dataset:
Portraits of Maximilian's Relatives; and the Base of the Left Outer Column with the Date 1515, from the Arch of Honor, proof, dated 1515, printed 1517-18
Object type: print
Date: 1515 – 1515
Techniques: letterpress, woodcut
Artist: albrecht altdorfer
Artist role: artist
Artist nationality: german
Artist dates: 1480 – 1538

The portraits of Friedrich Barbarossa, Konrad III and Rudolf I and the column base are by Albrecht Altdorfer; the remaining portraits and the arms and armorial decoration on the pedestal are by Hans Springinklee after Albrecht Dürer
Adolph Kolping
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: cologne
Subjects: cologne, priest ~ roman religion, historical persons
Trees by an entrance to a park
Object type: drawing
Date: 1760 – 1775
Materials: graphite, watercolor
Techniques: brush, wash
Artist: theodosius forrest
Artist role: artist
Artist nationality: british
Artist dates: 1728 – 1784
Subjects: parks,trees

Forrest trained as an artist under George Lambert, took drawing lessons from Paul Sandby, then followed his father into law. He worked as a solicitor for the Covent Garden Theatre while exhibiting as an amateur at the Royal Academy until shortly before his death. In this rare work, delicate layered washes are used to describe abundant summer foliage within a fenced park. Trees glimpsed through a gate may grow at Hampstead or Windsor. The way the composition is built from contrasting patches of light and shade, with blocks of color left suggestively undefined around the edges, demonstrates the influence of both Paul Sandby and his brother Thomas. Forrest remained particularly close to the latter, accompanying him on sketching tours.
Courtesans of the Chojiya and their attendants playing kemari
Object type: print
Date: 1791 – 1793
Techniques: woodblock print
Location: japan
Artist: utagawa toyokuni i 初代 歌川 豊国
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Bracelet: Three Heads
Object type: bracelet
Date: 1701 – 1900
Materials: brass, copper alloy
Culture: edo period
Location: nigeria
Subjects: heads
St. Malo
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving, etching, hand coloring
Location: the hague
Subjects: maps of cities

Prent uit: Tassin, Christophe. Les plans et profils de toutes les principales villes et lieux considérables de France (...). Parijs: Michel van Lochom, 1638, prent nummer 13 in het deel 'Bretaigne'.
Plate with the arms of the Cornets de Groot family
Object type: plate dish
Date: 1780 – 1790
Materials: glaze, gold, paint, porcelain
Techniques: embroidery, firing, gilding, turning, vitrification
Location: china
Artist: Anonymous

Bord van porselein met opengewerkte (ajourwerk) rand, beschilderd op het glazuur in rood, groen, bruin, zwart en goud. Op het plat in een medaillon het wapen van de familie Cornets de Groot in zwart en goud. Het wapen is verdeeld in vier delen: 1. en 4. drie hoorns met in het midden een hartschild met een zwarte achtergrond en een gouden ster, 2. en 3. op een zwarte achtergrond drie gouden byzantijnen of ballen en drie kraaien. Boven het wapen is een kroon met elf parels afgebeeld. Aan weerszijden van het schild staan twee wildemannen die een knots vasthouden. Het geheel wordt ondersteund door een voetstuk in rococo-stijl. Op de wand vier bloemtakken en vier losse bloemen. Wapenporselein met emailkleuren.
Titelprent voor een prentalbum met moraliserende voorstellingen
Object type: album leaf
Date: 1455 – 1455
Materials: paper
Techniques: etching
Artist: Anonymous
Inscriptions: collector's mark: Lugt 2166, annotation: ‘Hans Weiditz (Hans Schäufelein)’, collector's mark: Lugt 2165, annotation: ‘Th. Musper: Die Holzschnitte des Petrarkameisters’

De tekst rechtsonder op de titelprent verwijst naar volume één, boek drie, hoofdstuk twee en pagina 219 van Joachim von Sandrarts boek uit 1675 'Der Teutschen Academie (...) / Von Der Hoch- und Nieder-Teutschen berühmten Mahler/ Bildhauer und Baumeister/ Leben und Lob.'. Door deze referentie en de datering van de boekillustraties (publicatiedata) kan worden aangenomen dat dit factice album ouder is dan de gedrukte datum op de titelprent '1455'.
Portret van Gerrit Moll
Object type: print
Date: 1837 – 1837
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: historical persons (+ (full) bust portrait)
Inscriptions: : ‘Gedeponeerd.’, : ‘Door mij geschilderd in 1837 / Servaas de Jong’, : ‘Door mij getekend / C. F. Curtenius Bentinck’, : ‘Door ons uitgegeven / Utrecht 20 November 1837 / Caramelli &Co’, : ‘Dit portret is gedrukt ter steendrukkerij / van den ondergeteekende alhier / Dordt. (...) 1837 / H:J:Backer’

Onder het portret de signatuur van de geportretteerde.
Studie van een vrouwenhoofd
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: head (human) - aa - female human figure
Inscriptions: collector's mark: Lugt 240

Genummerde staat van deze prent opgenomen in: Impostures innocentes, ou recueil d'estampes d'apres divers peintres (...) par Bernard Picart (...) avec son elogue historique et le catalogue de ses ouvrages. Amsterdam: weduwe Bernard Picart, 1734.
Vase
Object type: vase
Date: 1550 – 1295
Materials: pottery
Location: egypt
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, chin and part of upper torso of draped youth with himation
Apostelen, aartsengelen en heiligen
Object type: album leaf
Date: 1507 – 1543
Materials: paper
Techniques: woodcut
Location: switzerland
Artist: hans holbein (der jüngere)
Artist role: draughtsman, painter
Artist dates: 1497 – 1543
Subjects: the martyr and deacon laurence of rome; possible attributes: book, censer, cross, dalmatic, gridiron, palm, purse (or cup with golden coins)

De heilige Laurentius met een open boek in zijn linkerhand en het rooster in zijn rechterhand. Prent maakt deel uit van een album.
Oak Struck by Lightning, Badger, 1856.
Object type: photograph
Date: 1856 – 1856
Techniques: albumen silver print, paper negative
Artist: alfred capel cure
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1896
Subjects: oaks,trees

Cure joined the army at age eighteen, rising through the ranks to the level of major in 1855. Perhaps he saw the awkwardly arching limbs and shattered form of this young oak struck by lightning as an analogue for the agonies he had witnessed during the Crimean War, when so many colleagues and friends in his regiment were torn apart by shot and shell. This death portrait of a tree was made almost exactly a year after he was severely wounded and nearly lost his life leading his men successfully into battle during the siege of Sebastapol. Curiously, Cure accidentally killed himself while dynamiting the roots of a tree in his park, Badger Hall, some decades later.
Headband with Ram's Head
Object type: print
Date: 1600 – 1688
Techniques: engraving
Artist: claude mellan
Artist role: artist
Artist nationality: french
Artist dates: 1598 – 1688
Subjects: rams
Sheet, linen mark, medium spin, close weave
Object type: linen mark
Date: 1492 – 1473
Materials: linen
Location: egypt
Plattegrond van Damme
Object type: area plan
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: fortified city, maps of cities
Inscriptions: collector's mark: Lugt 195

Plattegrond van Damme met gebouwen in vogelvluchtperspectief. Rechtsboven de titel. Linksonder een legenda a-g en daaronder een schaalstok: 1000 Pedes Flandrici. Met Nederlandse tekst op verso.
Spotprent over de strijd tussen Lodewijk XIV en paus Innocentius XI, 1687
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: lodewijk xiv (koning van frankrijk), rome, clergyman, innocentius xi, (story of) hercules (heracles), justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, battle, fighting in general, devil(s) and demons: satan, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Gottfried, Johann Ludwig. Historische kronyck; vervattende een (...) beschrijvingh der aldergedenckwaerdigste geschiedenissen des weerelds, van den aenvangh der scheppingh tot (...) 1576 (2 delen). Leiden: Pieter van der Aa, 1698, dl. II, p. 1241.
De gevallen engel
Object type: painting
Date: 1885 – 1931
Materials: oil, paint, panel
Artist: willem de zwart
Artist role: draughtsman, painter, print maker
Artist dates: 1862 – 1931
Subjects: fall of the rebel angels, who become devils

Een gevallen engel ligt met de armen uitgestrekt op een rotsachtige bodem.
Wandbespanning
Object type: upholstered wall
Date: 1911 – 1915
Materials: linen
Techniques: damask
Location: eindhoven
Artist: chris lebeau
Artist role: draughtsman, print maker
Artist dates: 1878 – 1945

Beige-grijze damasten wandbespanning met een dessin van waterlelies (?).
Ring
Object type: ring
Date: 401 – 400
Materials: gold
Culture: celtic
Subjects: rings

This ring evokes the splendor of the Celts and their love of personal adornment. Its combination of tendril motifs echo symmetrical designs that appear to be abstractions of a face.
Herbert D. Cutler
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: adult man
Floris V tijdens het jagen gevangengenomen, 1296
Object type: print
Date: 1782 – 1784
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: leiden, floris v (graaf van holland en zeeland), sports, games ~ animals (+ hunting with falcon, hawk; falconry), netherlands

Illustratie voor: J.W. te Water, De vaderlandsche Historie van den heere J. Wagenaar, verkort, en met leerzaame aanmerkingen, ten dienste der Nederlandsche jeugd, 1784-1800, 4 delen, blz. 241. Staat vóór de letter.
Dwarsdoorsnede van de bodem onder een provinciale weg in Zuid-Holland
Object type: lantern slide
Date: 1956 – 1960
Materials: glass, paper
Techniques: printing block
Artist: Anonymous
Subjects: statistic diagram, graph; pictorial chart, etc., public road
Inscriptions: number: ‘II’
Vase (vase à perles) (one of a pair)
Object type: vase
Date: 1767 – 1768
Materials: soft paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999
Subjects: children,men,women

This model of vase, introduced at the Sèvres factory in 1766, represents one of the earliest neoclassical forms produced there. In contrast to the relative severity of the vase's form, the military scenes of the oval reserves do not reflect the prevailing neoclassical taste of the 1760s and 1770s. This lack of correspondence between the painted decoration and the neoclassical form was typical of the factory's production during this period. [Jeffrey H. Munger, 2008]
Ziet, kindren! wat men u wil leeren, / Wilt ge in de waereld wel verkeeren, / Daar deeze prent het zelf u zegt, / Doet niets verkeerd, maar alles recht
Object type: print
Date: 1715 – 1813
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: 'mundus inversus', the reversed world, the topsy-turvy world, 'le monde bestourné', animals acting as human beings
Inscriptions: collector's mark: Lugt 2228

Blad met 36 voorstellingen van de verkeerde wereld, waar onder andere dieren zich als mensen gedragen. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 66.
Gezicht op een bouwplaats, Zuid-Holland
Object type: lantern slide photographic
Date: 1956 – 1960
Materials: glass, paper
Techniques: gelatin silver transparency
Location: south holland
Artist: Anonymous
Subjects: building-site
Inscriptions: number: ‘16’
Vier aangezichten van eens schedel van een wolharige neushoorn
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: photoaquatint
Subjects: animals (+ skeleton of an animal), hoofed animals: rhinoceros
Inscriptions: number: ‘PL IV./ 2/ 1a/ 1b/ 1c’
Mug with portrait of Frederick I (1688–1740), King of Prussia (1713–40)
Object type: mug
Date: 1700 – 1740
Materials: glass
Subjects: kings,men,profiles
Livre De tombeaux
Object type: ornament print
Date: 1755 – 1782
Materials: paper
Techniques: etching
Location: paris
Subjects: niche-tomb, wall-tomb, column, pillar ~ architecture, standing figure - aa - female human figure

Een tombe in een halfronde nis, daarvoor flankeren twee staande vrouwen een zuil.
Ontwerp voor raam in het Zuidertransept van de Dom te Utrecht
Object type: watercolor
Date: 1878 – 1938
Materials: paper, pencil, watercolor
Techniques: brush
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Subjects: church-window, e.g. rose-window, utrecht
Tafellaken met het wapen van Cornelis Hop
Object type: tablecloth
Date: 1700 – 1724
Materials: linen
Techniques: damask
Subjects: amsterdam
Inscriptions: mark: ‘H.’

Tafellaken van linnendamast met het wapen van Cornelis Hop. Middenveld: symmetrische patroon van veelsoortige voluutranken met op de knooppunten geblokte verdikkingen. Daartussen een liggend ovaal schild met een wapen van Cornelis Hop (1685-1762), ambassadeur aan het hof van koning Lodewijk XV van Frankrijk: gevierendeeld, 1 en 4 kopvogel staande op bol (de vogel van 1 omgewend, die van 4 omziend); 2 en drie twee afgewende vleugels. Hartschild gedeeld: 1 een dwarsbalk, 2 rechts een vijfpuntige ster, links een gewende wassenaar. Het schild gedekt met vijfbladerige kroon. Schildhouders: rechts een afgewende adelaar, links een afgewende leeuw. Randen: wapentrofeeën. Hoeken: een rondas. Rondom blokkenrand.
Strandgezicht, Scheveningen
Object type: photograph
Date: 1890 – 1920
Materials: cardboard
Techniques: photograph, writing
Location: scheveningen
Artist: Anonymous
Subjects: beach
Le vray pourtraict des abus du monde renverse
Object type: print
Date: 1640 – 1660
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: proverbs, sayings, etc.

De Blauwe Huyck, 71 spreekwoorden verbeeld in een fantasielandschap. Met opschriften in het Frans en Nederlands bij elk spreekwoord.
Historische en mythologische scènes
Object type: print
Date: 1770 – 1770
Materials: paper
Techniques: etching
Location: france
Subjects: ceres, patroness of agriculture
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Ceres in een zegewagen getrokken door twee gevleugelde slangen, omgeven door nimfen van het veld die bossen korenaren verzamelen.
Design for a Stage Set
Object type: drawing
Date: 1828 – 1890
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: stage design
Christus met doornenkroon
Object type: easter card
Date: 1892 – 1940
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: henri verstijnen
Artist role: draughtsman, print maker
Artist dates: 1882 – 1940
Subjects: head of christ with crown of thorns
Inscriptions: stamp: ‘Ph. J.’, collector's mark: Lugt 2228, collector's mark: Lugt 2760

Hoofd van Christus met doornenkroon. Onderaan de tekst: 'Sta op volhardt overwin'.
De Maanden van het Jaar
Object type: print
Date: 1635 – 1670
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: transverse flute - cc - out of doors, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., may and its 'labours'
Inscriptions: collector's mark: Lugt 240

Op een boomstronk speelt een herder fluit voor een meisje. Op de achtergrond twee schapen.
Drie putti bij een boom
Object type: design
Date: 1705 – 1754
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: Anonymous
Subjects: devotion, piety; 'divotione' (ripa), cupids: 'amores', 'amoretti', 'putti'

Drie putti bij een boom; godsvrucht. Ontwerp voor een decoratie.
Petticoat
Object type: petticoat
Date: 1701 – 1800
Materials: silk
Culture: american or european
Design for a Cup (?) with Bacchus and Two Figures Warming Themselves (January)
Object type: drawing
Date: 1801 – 1900
Materials: ink, paper
Techniques: incising, pen, transfer
Artist: anonymous, german, 19th century
Artist role: artist
Artist nationality: german
Artist dates: 1800 – 1899
Subjects: men,bacchus,fire
Officer, Municipal Guard, French Army, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Johan Melchior Kemper (1776-1824), Jurist and Statesman
Object type: painting
Date: 1815 – 1815
Materials: oil, panel
Artist: david pièrre giottino humbert de superville
Artist role: draughtsman, painter, print maker
Artist dates: 1770 – 1849
Subjects: amsterdam, jonkheer joan melchior kemper, historical persons
Inscriptions: date: ‘NOV. MDCCCXIII’

Joan Melchior Kemper (1776 - 1824) by D.P.G. Humbert de Superville, c. 1815. Former Patriot Kemper was the author of the proclamation with which Prince William of Orange presented himself as 'William I, sovereign lord' on 2 December 1813, a few days after arriving in the Netherlands. In it William I promised a constitution guaranteeing the freedom of his subjects. As a professor the jurist Kemper was the mentor of many later politicians such as Thorbecke and Groen van Prinsterer. In 1817 Kemper became a member of the Lower House. Kemper's decorations are the symbols of Commander of the Orde van de Nederlandse Leeuw. The order was established in 1815. Kemper was a personal friend of the painter. Humbert gave Kemper's daughters drawing lessons. And Kemper had ensured that Humbert was appointed lecturer at Leiden University in 1814.
Plantstilleven
Object type: photograph
Date: 1900 – 1930
Materials: photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: richard tepe
Artist role: fotograaf
Artist dates: 1864 – 1952
Gebreide borstrok van wit katoen, met tricotsteek en kruisranden en driemaal twee strikbanden
Object type: childrenswear
Materials: cotton
Techniques: knitting
Artist: Anonymous
(18) [Inscription, Old Persian in Cuneiform]
Object type: photograph
Techniques: albumen silver print
Artist: luigi pesce
Artist role: artist
Artist nationality: italian
Artist dates: 1818 – 1891
Subjects: architecture
Overgave van Brugge aan de Oostenrijkse troepen, 1790
Object type: print
Date: 1800 – 1806
Materials: paper
Techniques: engraving, etching
Location: nördlingen
Subjects: surrender of keys, bruges
Inscriptions: collector's mark: Lugt 2228

Overgave van de stad en Staten van Brugge aan de Oostenrijkse troepen, 2 december 1790. Vertegenwoordigers van de stad bieden de Oostenrijkse bevelhebbers de sleutels van de stad aan. Op de achtergrond de stad Brugge. Genummerd bovenaan: V en rechtsonder: 5.
Zittende bedelaar
Object type: print
Date: 1791 – 1826
Materials: paper
Techniques: drypoint, etching
Location: netherlands
Subjects: beggar
Inscriptions: inscription: ‘Copei naar Callot / Meaume N: 708 / vd tegenzyde / I R Smidt’, collector's mark: Lugt 2228, inscription: ‘Dit plaatje is door den Hr / Smidt aan der Heer Nagels / ten geschenken gegeven en vd hr Nagels/ door my op [...] auctie gekocht / J Ph vd K’
Breistertje
Object type: print
Date: 1894 – 1908
Materials: paper
Techniques: etching, intaglio, roulette
Location: netherlands
Subjects: dune coast, knitting, hay-stack
Inscriptions: collector's mark: Lugt 2228

Duinlandschap waarin een meisje zit te breien. In de marge een hooiberg.
Covered Jar with Medallions
Object type: vessel
Materials: earthenware, glaze, lead
Location: china
Fragment (Band)
Object type: textile
Techniques: slit, tapestry
Location: peru
Jar with Paired Dragons Chasing Flaming Pearls amid Stylized Clouds
Object type: vessel
Materials: enamel, porcelain
Techniques: overglaze, painting
Location: china
Abdul Hamid, Sultan of Turkey, from the Rulers, Flags, and Coats of Arms series (N126-1) issued by W. Duke, Sons & Co.
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: kings,portraits,coat of arms,flags

Trade cards from the "Rulers, Flags, and Coats of Arms" series (N126-1), issued in 1888 by W. Duke, Sons & Co. There are two types of cards from the series. The first type, pictured here, is made of thick stock and does not fold. This variation promotes Honest Long Cut tobacco. The second type is printed on thinner stock and is meant to be folded in three parts. This variation promotes Duke's Cigarettes, Cameo, and Turkish Cross-Cut brands.
Briefkaart aan Philip Zilcken
Object type: postcard
Date: 1903 – 1903
Materials: cardboard, ink
Techniques: pen, writing
Location: hampstead
Artist: ernestine hadkinson
Artist dates: 1863 – 1928
Subjects: the hague, painter, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Portret van een vrouw
Object type: carte de visite
Date: 1860 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: england
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Negative No. 22997/ Position No. 3’, inscription: ‘Hills & Saunders/ Photogrpahers/ London (...)’
July from a set of The Months of Lucas
Object type: tapestry
Materials: silk, wool
Artist: master of the months of lucas
Artist role: designer
Artist nationality: netherlandish
Artist dates: 1535 – 1535
Subjects: animals,men,horses,plants
Dootje van Zijll de Jong en een vrouw bij een meer, nabij Bandoeng
Object type: album leaf
Date: 1933 – 1933
Materials: paper
Techniques: gelatin silver print
Location: west java
Artist: Anonymous
Subjects: historical persons - bb - woman, lake
Jonge graveur aan het werk
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: auguste danse
Artist role: print maker
Artist dates: 1829 – 1929
Subjects: engraver, etcher
Inscriptions: annotation: ‘1er etat; étude d'après nature; deux épreuves de c'est etat’, collector's mark: Lugt 2228
Square with Bucolic Landscape
Object type: square
Date: 301 – 600
Materials: linen, wool
Techniques: weave
Location: egypt
Subjects: dancing,shepherds

At the center of this finely woven square, a dancing shepherd wearing an animal-skin exomis (a short tunic fastened at the shoulder worn for exercise, riding, or labor) holds in the air what may be a libation vessel used for the ritual pouring of a liquid in honor of gods, heroes, or the dead. He is surrounded by a flock of leaping, horned animals. Two naked, dancing women, possibly nymphs, occupy opposite corners; the remaining corners are filled with plants, perhaps lotus. Pastoral scenes inhabited by figures associated with classical mythology were common on late antique textiles. Along with maenads and satyrs, shepherds and nymphs often made up Dionysos’s entourage. Almost identical imagery is found on the lower part of a tunic in the collections of the Musée départmental des Antiquités in Rouen, France; this square may have been part of that tunic or one very similar to it.
Portret van een naakte vrouw in de natuur
Object type: stereograph
Date: 1873 – 1910
Materials: cardboard, paper
Techniques: autotype
Artist: Anonymous
Subjects: woman (showing herself) undressed, quasi-nude, anonymous historical person portrayed
Les Deux Turcs Coiffés d'un Turban Avec un Aigrette (Two Turks Wearing Turbans with an Egret Feather), plate 8 from "Varie Figure" (Various Figures)
Object type: print
Date: 1620 – 1620
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Die Sinnlichkeit
Object type: print
Date: 1889 – 1891
Materials: paper
Techniques: etching, intaglio
Location: germany
Artist: franz von stuck
Artist role: draughtsman, painter, print maker, sculptor
Artist dates: 1862 – 1928
Subjects: snakes, sensuality
Inscriptions: collector's mark: Lugt 2228