deem-data/ArtiFact huggingface dataset:
Bouquet, from Collection of New Flowers of Taste for the Manufacture of Persian Cloth, Invented and Drawn by Jean Pillement
Object type: print
Date: 1765 – 1770
Materials: paper
Techniques: etching
Location: germany
Artist: johann heinrich hess
Artist nationality: German
Artist dates: 1746 –
Elf hevig gesticulerende mannen in een landschap
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: draughtsman, matthias claudius, gesture-language, literature
Inscriptions: collector's mark: Lugt 2228

Een latere staat van deze prent is ook gebruikt in 'Asmus omnia sua secum portans, oder Sämtliche Werke des Wandsbecker Bothen', een verzamelwerk in de vorm van een tijdschrift, uitgegeven tussen 1775-1812.
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Interior, satyr leaning on rock; Obverse, palmette, lower legs of figure moving right, lower legs of two other figures; Reverse, bearded satyr with knees bent; left hand rests on left knee and right arm is extended; head and upper torso of satyr with beard; leg; framing border
Versierde initialen
Object type: book illustration
Date: 1556 – 1556
Materials: paper
Techniques: letterpress printing
Location: zurich
Subjects: initial, ornament derived from plant forms

Prent afkomstig uit: Bibel, die gantze, das ist alle Bücher alts und news Testaments (...). Zürich: Johann Froschauer, 1556.
Seven-Panel Buddhist Monk’s Vestment (Shichijō kesa) with Lotus Arabesque
Object type: robe, priest's
Date: 1601 – 1633
Materials: gold, silk
Techniques: patterning, weave
Culture: japanese

The transmission of the Buddhist master’s vestment (kesa) to the disciple represents the transmission of the dharma (teaching), especially in Zen Buddhism. The only person able to recognize that the disciple is on the way to enlightenment (or has reached it) is the master, who has already experienced it. Kesa are treasured and associated with those who wore or owned them. Small, rectangular pieces of fabric are joined together to form one kesa. Many robes have been created from cut-up religious offerings, reflecting the idea that what is worthless in the secular world translates into the sacred in the Buddhist realm.
Kachio Temple in Settsu Province, No. 23 on the Saikoku Pilgrimage Route (Saikoku junrei nijusanban Settsu Kachiodera), from the series "The Miracles of Kannon (Kannon reigenki)"
Object type: print
Date: 1859 – 1859
Techniques: woodblock print
Location: japan
Artist: utagawa kunisada i (toyokuni iii)
Straatgezicht
Object type: photograph
Date: 1880 – 1940
Materials: photographic support
Techniques: gelatin silver print
Artist: cornelia hendrika jonker
Artist dates: 1874 – 1924
Subjects: village street
Design for Pony Phaeton, no. 3423
Object type: drawing
Date: 1878 – 1878
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
One Spigot to a Floor. Old-Time Tenement In New York
Object type: photograph
Date: 1912 – 1912
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: lewis wickes hine
Artist role: fotograaf
Artist nationality: american
Artist dates: 1874 – 1940
Subjects: collected by hugh edwards, documentary
Halberd
Object type: arm
Date: 1500 – 1550
Materials: metal alloy, metal, steel, wood
Culture: german
Location: germany
Gezicht op een gevel in de Damstraat in Haarlem
Object type: photomechanical print
Date: 1894 – 1894
Materials: paper
Techniques: photograph
Location: leipzig
Artist: Anonymous
Subjects: urban housing, front façade, haarlem

Afdruk uit: Krook, L. Architectur der Niederlande. Leipzig: Baumgärtner's Buchhandlung, 1894.
Nederlandsche Troepen. Zwitsersche Infanterie. Flankeur Reg.t No. 30 / Troupes des Pays-Bas. Infanterie Suisse. Flanqueur No. 30
Object type: print
Date: 1812 – 1824
Materials: paper, watercolor
Techniques: hand coloring, lithograph
Location: netherlands
Subjects: (military) uniforms
Inscriptions: collector's mark, collector's mark: Lugt 1641
portretten van patriotten
Object type: print
Date: 1788 – 1788
Materials: paper
Techniques: engraving, etching
Location: paris
Artist: abraham jacobsz. hulk
Artist role: print maker
Artist dates: 1751 – 1817
Subjects: historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Kerkraam en een portaal
Object type: sketchbook leaf
Date: 1827 – 1891
Materials: paper, pencil
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: church-window, e.g. rose-window, parts of church interior

Blad 29 recto uit een schetsboek met 41 pagina's.
Carmagnole Ville d'Italie, Située pres du Po en Piemond (...) / Campagnole Assiegé par les Ennemis
Object type: print
Date: 1695 – 1697
Materials: paper
Techniques: etching
Location: france
Subjects: fortress, maps of cities

Plattegrond met de loopgraven van de belegeraars en de versterkingen om de Italiaanse stad Carmagnola tijdens de belegering. Onderdeel van het vierde deel (1697) van het prentwerk waarin gebundeld zijn de acht delen van Les forces de l'Europe uitgegeven tussen 1693-1697. Het prentwerk bestaat uit 175 platen met plannen (afkomstig van Sébastien Le Prestre, Seigneur de Vauban) van vermaarde sterke steden en vestingen in de Negenjarige Oorlog. Titel en opschriften in het Frans.
Man en vrouw in historisch kostuum
Object type: sketchbook leaf
Date: 1879 – 1885
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: standing figure, lower leg, adult woman, adult man, historical costume

Tevens een studie van een been. Pagina 87 uit een schetsboek met 58 bladen.
Très Parisien, 1923, No 6: 4.- EN ROUTE ! - Très chic....
Object type: fashion print
Date: 1923 – 1923
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: head-gear: beret (+ women's clothes), coat (+ women's clothes), fashion plates
Inscriptions: title: ‘Très Parisien / No 6. - 1923’, caption: ‘4. - EN ROUTE! - Très chic et cependant très sobre est ce manteau de crêpe Maroc imprimé. / Tissus de DIÉDERICHS-SOIERIES.’

Mantel van bedrukte crêpe Maroc. Stoffen van Diéderichs- Soieries. Accessoires: baret, pumps. Prent uit het modetijdschrift Très Parisien (1920-1936).
Gezicht op de Ka'aba te Mekka
Object type: photomechanical print
Date: 1883 – 1888
Materials: paper
Techniques: photograph
Location: mecca
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘III.’
Matroos in Vreugd Over het veroveren en vernielen van alle de Spaanse Gallioenen en Franse Oorlogs Scheepen, onder Monsr. de Chateaurenault in de Haven van Vigos Door de Gecombineerde Engelse en Hollandse Oorlogs Vlooten. Op den 22 October 1702
Object type: cartoon
Date: 1692 – 1692
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: political caricatures and satires

Spotprent op de overwinning van de Engelsen en Hollanders op de Fransen en Spanjaarden in de zeeslag bij Vigo, 23 oktober 1702. De Hollandse matroos met bezem over de schouder staat op rots bij zee waarop schepen aan het vergaan zijn. Aan zijn voeten smeekt een Fransman om genade. Rechts bedreigt een Engelsman een Spanjaard met een hakbijl. Op het blad onder de plaat een tekst met 2 kolommen in het Nederlands en 3 kolommen in het Frans.
Ferdinand I de'Medici, Grand Duke of Tuscany (1587–1609)
Object type: medal
Date: 1588 – 1588
Materials: bronze
Techniques: casting
Artist: michele mazzafirri
Artist role: artist
Artist dates: 1525 – 1597
Subjects: men,profiles,insects
Gezicht op Suez met op de voorgrond twee hurkende mannen
Object type: photograph
Date: 1880 – 1883
Materials: photographic support
Techniques: albumen print
Location: suez
Artist: Anonymous
Subjects: prospect of village, silhouette of village
Inscriptions: number: ‘180’

Onderdeel van Reisalbum met opnames van bezienswaardigheden in Egypte, Nederlands-Indië, Singapore en Ceylon.
Ereteken voor de honoraire leden van de schutterij Sint Joris te Dordrecht 1784
Object type: history medal
Date: 1784 – 1784
Materials: silver
Techniques: pressing
Location: dordrecht
Artist: johannes josephus van baerll
Artist dates: 1764 – 1799

Zilveren penning aan draagoog, op de voorzijde Sint Joris vechtend met de draak omringd door ketens van de Orden van het Gulden Vlies en van de Heilige Geest, beide hangend aan een voetboog bovenaan, op de keerzijde zeven regels tekst onder een Dordrechts wapenschild.
Vase with a Salt Glaze
Object type: vase
Date: 1910 – 1915
Materials: stoneware
Techniques: vitrification
Location: meudon
Artist: Anonymous
Inscriptions: signature: ‘HSim in zwart’

Vaas van steengoed, bedekt met zoutglazuur. De hals is versierd met witte cirkels, stippen en spitstoelopende langwerpige vormen in reliëf. Gemerkt met: HSim in zwart.
Jongen en meisje met pop
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: leiden
Subjects: (playing with) dolls, brothers or sisters (second degree family relationships)
Inscriptions: collector's mark: Lugt 2233

Een meisje houdt een pop in haar rechterhand omhoog. De jongen staat naast haar.
Plate
Object type: ceramic
Date: 1680 – 1700
Materials: earthenware
Techniques: glazing
Location: hanau
Bergachtig landschap
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: etching
Artist: ludwig hess
Artist role: painter, print maker
Artist dates: 1760 – 1800
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), 'en route', traveller under way, mountains
Inscriptions: collector's mark: Lugt 2228

Onderdeel van een serie van mogelijk tien prenten met bergachtige landschappen met reizigers. Prent nummer 10 in British Museum: 1878,0713.2123.
S. Castule (St. Castulus), March 26th, from "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)
Object type: print
Date: 1636 – 1636
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Subjects: men,saints

This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.
Purse mount
Object type: purse mount
Date: 1801 – 1900
Materials: gilt, iron
Techniques: chasing

This electrotype is after a sixteenth-century original, at the time of reproduction in the Louvre, Paris.
Portret van Carel Reyniersz
Object type: print
Date: 1702 – 1749
Materials: paper
Techniques: engraving
Subjects: batavia
Inscriptions: collector's mark: Lugt 2228

Portret ten halven lijve naar links van Carel Reyniersz, gouverneur-generaal van Nederlands-Indië, met hoed. Onder het portret staan de naam, titel en het wapenschild van de geportretteerde. Prent linksboven gemerkt: T.T.
Terracotta fragment of a skyphos (deep drinking cup)
Object type: skyphos fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Part of the calf of a male to left
An Unidentified Actor in the Role of a Samurai
Object type: print
Date: 1700 – 1787
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shunjō
Artist role: artist
Artist nationality: japanese
Artist dates: 1700 – 1787
Subjects: men,actors
Gedenkboek betreffende het volkspetitionnement
Object type: book
Date: 1878 – 1878
Materials: linen, paper, photographic support
Techniques: albumen print, printing
Location: amsterdam
Inscriptions: date: ‘Feb 1996’, annotation: ‘75,-’
Brief aan Françoise W.M. Bonger
Object type: letter
Date: 1948 – 1948
Materials: ink, paper
Techniques: pen, printing, typewriting, writing
Location: zutphen
Artist: w.g. douma
Artist role: inspecteur
Subjects: françoise w.m. bonger, money
Inscriptions: watermark
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 301
Materials: terracotta
Culture: greek, attic

Black glazed fragment from a kylix?
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Part of a draped figure wearing a patterned garment beneath the himation
Gezicht op een straat in een bergdorp
Object type: print
Date: 1883 – 1883
Materials: paper
Techniques: drypoint, etching, intaglio, retroussage
Artist: maria van hohenzollern-sigmaringen (gravin van vlaanderen)
Artist role: print maker
Artist dates: 1845 – 1912
Subjects: village street, mountains
Inscriptions: annotation: ‘Madame la Comtesse de Flandres (postage)’, collector's mark: Lugt 2228
Jérusalem, Enceinte du Temple, Détails de l'appareil de la piscine probatique
Object type: photograph
Date: 1854 – 1854
Techniques: paper negative, salted paper print
Artist: auguste salzmann
Artist role: artist
Artist nationality: french
Artist dates: 1824 – 1872
Subjects: architecture

This site is associated with the New Testament’s Gospel of John, which describes Jesus’s healing of paralytics in the Probatic Pool’s waters. Here, Salzmann fills the entire frame with pocked and mottled stones of varying textures, re-creating the experience of standing within the basin. Placing the camera perfectly perpendicular to his subject, he records the physical present in order to connect with a biblical past. This temporal layering occurs throughout Salzmann’s album as he follows the Bible’s path in search of archaeological fragments.
The Genius of Painting
Object type: drawing and watercolor
Materials: charcoal, paper
Techniques: stumping
Location: france
Artist: gabriel de saint-aubin
Artist role: artist
Artist nationality: french
Artist dates: 1724 – 1780
Inscriptions: verso, upper edge, in black chalk (above sketch of an angel in graphite by another hand): "qui les re... en digne neveu de...IV.g.d.S.a / ... Mr de S martin ... Rei..."; inscribed verso of mount, upper left, in graphite: "Dacier no. 94: Le Genie de la Peinture presentant des portraits / au Duc d'Orléans-- / Note de la main de l'artiste en bas du dessin / Coll: Delaherche vte en mars 1888"; lower left, in graphite: "Lot 40 / 207 7419/1"
Paard
Object type: print
Date: 1746 – 1788
Materials: paper
Techniques: woodcut
Location: haarlem
Artist: hendrik numan
Artist role: draughtsman, print maker, publisher
Artist dates: 1736 – 1788
Subjects: horse
Inscriptions: collector's mark: Lugt 240
Gallerie des Modes et Costumes Français, 1787, qqq 367 : Jeune Elégante coeffé (...)
Object type: fashion print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: head-gear: toque (+ women's clothes), walking-stick, staff, cane (+ women's clothes), dress, gown: morning dress (+ women's clothes), fashion plates, piece of clothing covering the breast or décolleté (fichu) (+ women's clothes)
Inscriptions: caption: ‘Jeune Elégante coeffée en Toque à la Couronne d'Amour, vêtue d'une petite Robe du matin &a.’, title: ‘qqq. 59e Cahier de Costumes Françaois, Habillements à la mode. 367’, address: ‘A Paris chez Esnauts et Rapilly, rue St. Jacques, à la Ville de Coutances, No. 259. Avec Privil. du Roi.’

Jonge elegante vrouw gekleed in een ochtendjapon. Op het hoofd een 'toque à la Couronne d'Amour'. Fichu. Wandelstok. Uit de serie qqq. 69e (pour 59) cahier de costumes français, habillemens à la mode, Gallerie des Modes et Costumes Français. Twee afbeeldingen op één plaat gedrukt, zie ook qqq. 368.
Netsuke
Object type: netsuke
Date: 1601 – 1700
Materials: wood
Culture: japanese
Saucer
Object type: saucer
Date: 1760 – 1770
Materials: enamel, glass
Culture: british
Location: england
Subjects: flowers
Onweer op zee.
Object type: sketchbook leaf
Date: 1882 – 1882
Materials: paper, pencil
Artist: george washington schwartze
Artist role: draughtsman
Artist dates: 1857 – 1909
Subjects: sea (seascape), lightning, flash of lightning, thunderbolt
Inscriptions: title: ‘Onweer op zee.’, signature and date: ‘G.W. Schwartze. 82.’

Tekening in een kader. Blad 44 recto uit een schetsboek met 54 bladen.
Altar
Object type: sculpture
Materials: bronze
Culture: greek
Location: greece
Subjects: altar

These precious bronze objects are votives, or devotional gifts, which were offered to the gods. They come in many forms. Some are miniature sculptures of animals, primarily horses, deer, and birds. Others are items of personal adornment, including beads and brooches. Many seem once to have been attached to something else. This assemblage is characteristic of the thousands of votives that were hung from sacred trees or placed in sanctuaries around Greece. Once a shrine was full, the votives were ceremonially buried to make room for more offerings.
Portret van Aart van der Goes
Object type: print
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: historical persons
Inscriptions: collector's mark: Lugt 240

Portret van Aart van der Goes in een ovaal. Het portret rust op een plint met daarop een leeg veld voor zijn naam en gegevens.
Jar
Object type: jar
Date: 901 – 1000
Materials: earthenware
Techniques: incising
Location: iran

This ceramic jar was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Terracotta rim fragment of a bowl
Object type: vase fragment
Date: 5700 – 3600
Materials: terracotta
Culture: cretan

From Knossos, Crete Fragment of a rim, gray ware.
Portret van Philipp Melanchthon
Object type: book illustration
Date: 1584 – 1584
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: paris
Subjects: theologian, historical persons, book
Inscriptions: collector's mark: Lugt 2233

Prent uit: Thevet, André. Les vrais pourtraits et vies des hommes illustres grecz, latins et payens (...). Parijs: weduwe Jacques Kerver en Guillaume Chaudière, 1584, dl. 2, f. 575.
Hanging Strip from Temple
Object type: hanging, temple, strip from
Date: 1801 – 1900
Materials: silk
Culture: chinese
Subjects: dragons
Column Shaft
Object type: shaft
Date: 1901 – 1933
Materials: marble
Culture: european
Gezicht op de Porte des Dunes te Boulogne
Object type: cabinet photograph
Date: 1895 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: boulogne-sur-mer
Artist: Anonymous
Subjects: gate, entrance, façade (of house or building)
Inscriptions: date: ‘15 Septembre 1895’, annotation: ‘Boulogne, Porte des Dunes’
Enquêteformulier ingevuld door jonkheer Jacob Constantijn Martens van Sevenhoven (1793-1861)
Object type: questionnaire
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: utrecht
Subjects: utrecht, jonkheer jacob constantijn martens van sevenhoven (1793-1861)
Inscriptions: watermark, inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.