deem-data/ArtiFact huggingface dataset:
Root Extractors
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: louis auguste lepère
Artist role: print maker
Artist nationality: french
Artist dates: 1849 – 1918
Jeune fille de Walcheren
Object type: photograph
Date: 1870 – 1910
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: folk costume, regional costume (+ women's clothes)
Inscriptions: number: ‘8’

Onderdeel van Leporelloalbum met Zeeuwse klederdrachten.
Gezicht op een beek nabij hotel Bosch van Bredius te Laren
Object type: album leaf
Date: 1912 – 1912
Materials: paper, cardboard
Techniques: gelatin silver print
Location: laren
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: brook
Tsagain Myo: Litters under a shed.
Object type: photograph
Techniques: albumen silver print, paper negative
Artist: linnaeus tripe
Artist role: artist
Artist nationality: british
Artist dates: 1822 – 1902
Subjects: architecture

Litters, or palanquins, were used to transport members of the royal family or important monks. Their size, shape, and manner of decoration varied according to the status of the occupant. Tripe’s photograph of these abandoned litters hints at the British fascination with the ritual and regalia of Burmese court protocol.
Waarschuwing tegen de onderhandelingen te Broekburg met Spanje, rekenpenning van de stad Gorinchem
Object type: jeton
Date: 1588 – 1588
Materials: copper
Techniques: striking
Location: netherlands
Artist: Anonymous
Subjects: bourbourg, gorinchem, onderhandelingen te broekburg

Koperen penning. Voorzijde: wapenschild in cartouche tussen jaartal onder opschrift binnen omschrift. Keerzijde: opschrift binnen lauwerkrans; afsnede: wapenschild en jaartal
Charity, from the Facade of the Penninckshuis in Deventer
Object type: sculpture
Date: 1588 – 1588
Materials: stone
Location: westphalia
Artist: Anonymous
Subjects: penninckhuis

Vrouw (Charitas) ten voeten uit staande, met haar linkerbeen gebogen. Links van haar staat een naakt kind. De vrouw draagt een gewaad dat rechter borst en linker been bloot laat. Om haar middel draagt zij een riem, waaraan een geschubde versiering. Van het beeld ontbreken enkele delen. Het beeld hoort bij zes beelden (BK-18757-A t/m BK-18757-F).
Ruit met een gezicht op een stadswal
Object type: light window
Date: 1600 – 1600
Materials: glass, lead
Techniques: leading
Location: northern netherlands
Artist: Anonymous
Portret van Coenraad van Heemskerk
Object type: book illustration
Date: 1749 – 1759
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, historical persons

Prent uit: Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (...). 21 dln. Amsterdam: Isaak Tirion, 1749-1759. Prent ook gebruikt in latere edities van dit werk.
Panel
Object type: panel
Date: 1801 – 1833
Materials: metal thread, silk
Artist: cavenezia workshop
Artist role: manufactory
Subjects: flowers
Tile
Object type: tile
Date: 1640 – 1660
Materials: earthenware
Techniques: glazing
Subjects: men,horses,ships
Portret van Marguerite Despretz
Object type: photomechanical print
Date: 1870 – 1875
Materials: paper
Techniques: woodburytype
Location: brussels
Subjects: portrait of actor, actress
Inscriptions: number: ‘No 22.’
Prince Padam Singh of Bikaner with His Bard Gordhar on a Terrace at Night
Object type: painting
Date: 1725 – 1725
Materials: gold, ink, paper, silver, watercolor
Culture: indian
Artist: bhavani das
Artist role: artist
Artist nationality: indian
Subjects: swords,men,hookah

The Kishangarh school of painting emerged in the early eighteenth century, likely stimulated by a surplus of Mughal atelier-trained artists who were seeking employment at the time of the accession of Muhammad Shah in Delhi. Initially the Kishangarh court style emulated that of contemporaneous Mughal production, but under the inspired directorship of the painter Bhavani Das, who arrived at the court from Delhi in 1719, it quickly assumed a distinctive character. The early Kishangarh school flourished under Bhavani Das and his son Dalchand. This work is unsigned but such is its skill in capturing individual physiognomies and the psychological interplay between the two figures that it may confidently be assigned to either Bhavani Das or Dalchand. It is inscribed on the reverse in both Hindi and Persian, naming the two figures, and characterizing Gordhar as “a singer of good songs.” The scene is set on a palace terrace with a low white marble balustrade, overlooking a silvered lake in the afterglow of an early evening.
Fragment of woven silk with Seraphim and Crosses
Object type: fragment
Date: 1601 – 1700
Materials: silk
Landaulet #970
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van een jongen met hoepel
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: boy (child between toddler and youth), historical persons, (bowling a) hoop
Inscriptions: inscription: ‘Phototgraphie/ de l'Hotel de Ville/ L. Muller-Rault/ 48Bis/ Rue de Rivoli/ Paris/ (...)’
Noon, Plate Two from The Four Times of Day
Object type: print
Date: 1738 – 1738
Materials: paper
Techniques: engraving, etching
Location: england
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Twee zwanen
Object type: print
Date: 1635 – 1670
Materials: paper
Techniques: engraving, etching
Location: utrecht
Artist: frederick bloemaert
Artist role: print maker
Artist dates: 1614 – 1669
Subjects: water-birds: swan
Inscriptions: number: ‘10’, collector's mark: Lugt 240

Twee zwanen in hun nest. De ene zit op twee eieren te broeden. Prent uit een serie van 14 prenten met verschillende inheemse dieren.
The cloak remains in their hands, like in the story of Joseph, from 'News of the day,' published in Le Charivari, October 14, 1869
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: satire
Kameel
Object type: album leaf
Date: 1905 – 1906
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: hoofed animals: camel
Inscriptions: inscription: ‘No. 6./ Drommedaris.’

Deze prent maakt deel uit van een album.
Peaches on a Table
Object type: print
Date: 1801 – 1900
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: ryūryūkyo shinsai
Artist role: artist
Artist nationality: japanese
Artist dates: 1799 – 1823
Subjects: peaches,trees,tables
Henry II
Object type: print
Date: 1701 – 1791
Materials: paper
Techniques: stippling
Location: london
Subjects: historical persons, king
Inscriptions: collector's mark: Lugt 2228
Snuffers
Object type: snuffer
Date: 1780 – 1790
Materials: metal
Orlando verslaat in zijn razernij eigenhandig het leger
Object type: print
Date: 1771 – 1772
Materials: paper
Techniques: etching
Artist: louis wilhelm chodowiecki
Artist role: print maker
Artist dates: 1765 – 1805
Subjects: battle, rage, anger, (scenes from) specific works of literature: ariosto, orlando furioso

Vervaardigd voor Orlando Furioso van Ludovico Ariosto. Prent gebruikt voor: Almanac Genealogique pour l'année 1772. Berlijn: s.n.s.a.
Saucer with a whaling scene
Object type: platter
Date: 1700 – 1749
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: china
Artist: Anonymous
Tama River in Musashi Province (Musashi Tamagawa), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)"
Object type: print
Date: 1858 – 1858
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Ruit met twee mannen in koggeschip met vlag met wapen Amsterdam
Object type: light window
Date: 1600 – 1699
Materials: glass, lead
Techniques: leading
Artist: Anonymous

Groot raam met de afbeelding van twee mannen staande in het koggeschip. Eén draagt de vlag met het wapen van Amsterdam. Opmerking: Heeft dezelfde afbeelding als inv. nr. BK-KOG-232. Behoort tot de serie: BK-KOG-229 t/m 232.
Box
Object type: box
Date: 1801 – 1900
Materials: lacquer
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Subjects: leaves
Cows and Sheep at Cow Shed
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: brush, wash
Location: netherlands
Artist: style of albert jansz. klomp
Henry Howard
Object type: photograph
Date: 1862 – 1872
Materials: photographic support
Techniques: albumen print
Subjects: print, e.g.: engraving, etching, lithograph, portrait of a writer
Reichsmark uit Duitsland, Derde Rijk, 1936
Object type: reichsmark
Date: 1936 – 1936
Materials: nickel
Techniques: striking
Location: karlsruhe

Nikkelen munt. Voorzijde: enkelkoppige adelaar naar links. Letter G onderaan. Keerzijde: binnen twee samengebonden eiketakken waarde-aanduiding in twee regels. Jaartal onderaan. Randversiering.
Man weegt kostbaarheden bij lamplicht
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: etching, intaglio, retroussage, roulette
Location: antwerp
Subjects: adult man, scales, interior of the house, lighting; lamps, minerals and metals: gold
Inscriptions: mark: ‘Antwerpsche Etsers 1880’, collector's mark: Lugt 2228

Links is een hand te zien van iemand die via een ladder naar het raam klimt.
Grafsteede opgerecht ter eeren van den Hr. Michiel de Ruiter, Hartog, Ridder, &c. L. Admiraal Generaal van Hollandt en Westvrieslandt
Object type: book illustration
Date: 1687 – 1726
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: joseph mulder
Artist role: print maker
Artist dates: 1658 – 1718
Subjects: flushing, michiel adriaenszoon de ruyter, interior of church, grave-building, monumental tomb

Het praalgraf van Michiel Adriaenszoon de Ruyter in het koor van de Nieuwe Kerk te Amsterdam. De luitenant-admiraal-generaal van Holland en West-Friesland werd er op 18 maart 1677 begraven. Links twee bezoekers. Rechtsboven gemerkt: Pag. 1010.
Zeilschepen voor anker aan de waterkant
Object type: sketchbook leaf
Date: 1900 – 1931
Materials: chalk
Artist: willem bastiaan tholen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1931
Subjects: sailing-ship, sailing-boat, landscapes with waters, waterscapes, seascapes (in the temperate zone)

Blad 52 recto uit een schetsboek met 55 bladen.
Case (Inrō) with Design of Cherry Trees with a Shintō Shrine
Object type: inrō
Date: 1801 – 1900
Materials: gold, lacquer, silver
Culture: japanese
Subjects: trees,shintō
Study for "The Death of Major Peirson": Group of Dying French Officers
Object type: drawing
Date: 1782 – 1783
Materials: chalk, paper
Culture: american
Artist: john singleton copley
Artist role: artist
Artist nationality: american
Artist dates: 1738 – 1815
Subjects: men
The Mocking of Christ
Object type: panel
Date: 1529 – 1529
Materials: glass
Artist: jan rombouts
Artist role: maker
Artist nationality: south netherlandish (duchy of brabant)
Artist dates: 1475 – 1535
Subjects: soldiers,men,christ

A scene from the Passion of Christ, this window portrays Jesus being mocked and beaten by Roman soldiers. Such depictions of his suffering were very common, as the devout were encouraged to imagine the pain of Christ and the saints and respond empathetically to the close study of their images. Rendered in stained glass, the story would be illuminated by the light that filtered through the window, shaping the sacred space of chapels and cathedrals just as it shaped Christian understandings of the world.
Standbeeld van de personificatie van de Nijl
Object type: page
Date: 1873 – 1878
Materials: paper
Techniques: woodburytype
Artist: stephen thompson
Artist role: fotograaf, schrijver
Artist dates: 1831 – 1893
Subjects: sculpture, personification of river nile; 'nilo' (ripa)
Design for Unclassified Carriage, no. 908
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Landschap
Object type: print
Date: 1890 – 1890
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: floris verster
Artist role: draughtsman, painter, print maker
Artist dates: 1861 – 1927
Subjects: landscapes in the temperate zone
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Gaming purse
Object type: purse
Date: 1667 – 1700
Materials: silk, silver, silver gilt, thread, velvet
Techniques: embroidery

This is a fine example of the type of gaming purse used by the French aristocracy to hold their game pieces, and money, when playing at board games, cards or other entertainments at court. Typically, these bags had drawstring necks, like this one, and flat bases on which the owner’s coat of arms or heraldic devices could be represented, usefully avoiding any debates of ownership amongst competing players, distracted by their game! The device, with stars and crescent moon on this bag, has not yet been identified.
Terracotta rim fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Exterior, two rim fragments with tendril loop
Regner, koning der Denen, gevangen genomen en in een kuil met adders geworpen
Object type: print
Date: 1687 – 1687
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: pit, hole, king, snakes: viper
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Ziegler, Georg. Konst-spiegel der weereltlikke vermaken. Amsterdam: Johannes Boekholt, 1687.
Portret van James Gibbs
Object type: print
Date: 1740 – 1754
Materials: paper
Techniques: mezzotint
Location: london
Subjects: james gibbs, historical persons, portrait, self-portrait of architect
Inscriptions: collector's mark: Lugt 240
Box
Object type: box
Date: 1775 – 1820
Materials: wood
Culture: american
Location: united states
Artist: christian selzer
Artist role: maker
Artist nationality: american
Artist dates: 1777 – 1800
Subjects: flowers
Ex libris van H.A.Z.R.
Object type: bookplate
Date: 1650 – 1750
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: cherubs, i.e. children's heads with wings, insignia of bishop, e.g. mitre, crozier, beasts of prey, predatory animals: lion, armorial bearing, heraldry
Inscriptions: inscription: ‘Roth / Monta[...] / Prämonstrantenser / Abtei in Schwaben / Abtei Roth [...] / W. 1795 / 1.80’
Design for Vis-à-vis, no. 458
Object type: drawing
Date: 1850 – 1870
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Khonsu shrine amulet
Object type: shrine amulet, khonsu
Date: 664 – 332
Location: egypt
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, copper alloy, enamel
Culture: japanese
Location: japan
Syn Mayesteyt William de III wort tot Koning over Engelant Scotlant Vranckryk en Yrlant gesalft
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), anointing the ruler (during coronation), westminster abbey

Willem III wordt knielend tot de nieuwe koning van Engeland gezalft, 21 april 1689. Genummerd rechtsboven: 207. Plaat Q in de serie 'Engelants schouwtoneel' over de Glorious Revolution 1688-1689 (tweede deel). Met onderschriften in het Nederlands en Frans.
Terracotta kantharos (drinking cup)
Object type: kantharos
Date: 300 – 268
Materials: terracotta
Culture: etruscan

From a group of 6 undecorated vessels, simple objects that may have been used in a drinking ritual.
Utrecht. Oude gracht
Object type: photograph
Date: 1905 – 1926
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Subjects: scaffold (~ building activities), church (exterior), canals, waters (in city), bridge in city across river, canal, etc., street
Johann Jacob Schüblers Neunzehende Ausgabe seines vorhabenden Wercks, Worinnen vorgestellet werden Unterschiedliche Moderne Garten-Ornemens (...)
Object type: ornament print
Materials: paper
Techniques: engraving, etching
Location: augsburg
Subjects: (story of) bacchus (dionysus), liber, garden fountain
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

In een landschap staat een geornamenteerde fontein met voluten en een buste van Bacchus met wijnranken en thyrsus. In de achtergrond ligt een tuin. In de ondermarge een vijfregelige Duitse tekst.
Een der schoonste gesigten van 't vermaarde perk van Sorgvliet
Object type: print
Date: 1691 – 1698
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: french or architectonic garden; formal garden, greenhouse, orangery, the hague
Inscriptions: collector's mark: Lugt 2228

Vogelvluchtaanzicht van de parterretuin op het landgoed Zorgvliet, Den Haag. Op de middenas achtereenvolgens het Catshuis (24), een grote fontein (28) en de Oranjerie.
The Virgin Mary between St. Dominic and St. Francis
Object type: sculpture
Date: 1701 – 1800
Materials: glass, hair, silk, wax
Subjects: dogs,angels,virgin mary,saints