deem-data/ArtiFact huggingface dataset:
Orphrey Band
Object type: religious ritual object
Date: 1601 – 1700
Materials: gilt, hemp, linen, metal, textile, silk, velvet
Techniques: appliqué, embroidery, cutting, embroidered, laid work, weave, silvered, stitching
Location: italy
Vita, passio et Resvrrectio Iesv Christi
Object type: print
Date: 1598 – 1598
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: flight into egypt and miracles during the journey

Prent in: s.n. Aldernouwkeurigste verhandelinge der geschiedenissen van het Nieuw Testament (...). Antwerpen: Cornelis Marten Spanoghe, 1783, p. 18-19..
Porte Salinière, à Bordeaux
Object type: stereograph
Date: 1862 – 1876
Materials: cardboard, photographic support
Techniques: albumen print
Location: bordeaux
Artist: jean andrieu
Artist role: fotograaf
Artist dates: 1816 – 1872
Subjects: triumphal arch
Inscriptions: number: ‘1927.’
Puppies in the Snow
Object type: print
Date: 1773 – 1773
Techniques: woodblock print
Location: japan
Artist: isoda koryusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1790
Sculpture, XVe Siècle
Object type: page
Date: 1881 – 1889
Materials: paper
Techniques: photograph, photolithography
Location: antwerp
Subjects: sculpture, handicrafts ~ wood, timber
Inscriptions: monogram: ‘JJvY’, inscription: ‘SCULPTURE en bois (...)’, inscription: ‘SCULPTURES. PL. 33.’
Drilled Stone
Object type: stone
Date: 701 – 1300
Materials: gemstone
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
The Large Waterfall
Object type: print
Date: 1601 – 1700
Techniques: etching
Artist: anthonie waterloo
Artist role: artist
Artist nationality: dutch
Artist dates: 1609 – 1690
Subjects: waterfalls,trees
Heuvellandschap met bebouwing
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Location: italy
Artist: Anonymous
Subjects: landscapes, country-house
Inscriptions: collector's mark: Lugt 240
Fringe
Object type: fringe
Date: 1867 – 1900
Materials: silk
Composition of a House
Object type: drawing
Date: 1936 – 1936
Materials: pastel, paper
Artist: thomas flavell
Artist role: artist
Artist nationality: american
Artist dates: 1906 – 1975
Subjects: houses
Laster van Apelles
Object type: print
Date: 1572 – 1572
Materials: paper
Techniques: engraving
Location: rome
Subjects: calumny of apelles: bad judge with ass's ears on throne, with deceit, envy, ignorance, suspicion and treachery, confronted with innocent accused; remorse and truth present
Inscriptions: collector's mark: Lugt 240

Links op een troon zit een koning wiens domheid wordt getoond door zijn ezelsoren. Zijn adviseurs zijn Laster, Bedrog, Afgunst en Woede. Achter de troon staat Minerva om hem tegen te houden. Rechts een kunstenaar die onder valse voorwendsels door de koning veroordeeld zou worden. Hij wordt vergezeld door de naakte Waarheid en de god Mercurius.
Fringed Bag
Object type: bag
Date: 601 – 700
Materials: animal fiber
Culture: nasca
Location: peru
Wapenschouwing
Object type: popular print
Date: 1876 – 1890
Materials: paper
Techniques: lithograph, letterpress printing
Location: paris
Subjects: children's games and plays, tales and fairy tales, the soldier; the soldier's life
Inscriptions: : ‘marque de fabrique / deposée’, collector's mark: Lugt 2760

Blad met 4 voorstellingen van kinderen die op een vrije dag samen soldaatje spelen. Onder elke afbeelding een onderschrift. Genummerd linksboven: Série 13. - No. 3.
The Angel shows Saint John the New Jerusalem, from the Apocalypse
Object type: print
Techniques: engraving
Artist: jean duvet
Artist role: artist
Artist nationality: french
Artist dates: 1485 – 1561
Subjects: angels,saint john the baptist,apocalypse
Huisfaçade in Berlijn
Object type: photograph
Date: 1896 – 1901
Materials: paper, pencil, plant material
Techniques: albumen print, writing
Location: berlin
Artist: Anonymous
Subjects: urban housing, berlin
Inscriptions: inscription: ‘Hart[...]k [...]elkom’
Kabinet van mode en smaak 1791, pl. XI
Object type: fashion print
Date: 1791 – 1791
Materials: paper
Techniques: etching
Location: haarlem

vrouw met bonnet-fichu van krip gaas.... p. 348
Gold boat-shaped earring
Object type: earring, boat shaped
Date: 1200 – 1050
Materials: gold
Culture: cypriot

Most of the raw materials for Cypriot jewelry came from the East. Gold became plentiful in the Late Bronze Age, when Syria and Egypt were the primary sources. Types of jewerly include the boat-shaped earring, inspired by Near Eastern imports and types of Cypriot creation, such as the ornaments in the form of bulls' heads.
Cover
Object type: textile
Date: 1801 – 1900
Materials: wool
Techniques: embroidery, weave
Location: turkey
Portret van Jean Baptiste Fidèle Bréa
Object type: print
Date: 1848 – 1853
Materials: paper
Techniques: lithograph
Location: paris
Subjects: commander-in-chief, general, marshal, historical persons

Prent uit: Le voleur et le cabinet de lecture réunis, 1842-1856.
Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 22 (recto)
Object type: book print ornament architecture
Date: 1603 – 1603
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599
Subjects: flowers

Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604. From top to bottom, and left to right: Design is printed upon a grid and is decorated in the center with a square framing a flower, which is flanked on the top and bottom by borders with a different foliage pattern.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Interior, crouching, sleeping satyr, with his right arm stretched over his head; Exterior, start of handle root, bit of handle patch and palmette with tendrils; filleted Herakles wrestling the Nemean Lion; in the background a tree; part of a palmette with tendrils
Figure of Christ from a Deposition Group
Object type: appliqué figure
Date: 1125 – 1150
Materials: copper alloy, gilt
Culture: british
Subjects: men

This group probably originates from a reliquary chasse or altarpiece. The English attribution is based upon comparisons with excavated metalwork and manuscript illuminations. Most English metalwork was melted down as a result of the break with Rome and the dissolution of the monasteries in 1539 and the rise of Puritanism in the 1600s.
Young Breton Woman
Object type: print
Date: 1892 – 1892
Materials: ink
Techniques: brush
Artist: emile bernard
Artist role: artist
Artist nationality: french
Artist dates: 1868 – 1941
Subjects: women
Schuldeisers
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: lithograph
Location: paris
Artist: paul gavarni
Artist role: draughtsman, print maker
Artist dates: 1804 – 1866
Subjects: debit, debt, money-lender, usurer
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 20 september 1846.
Neckcloth
Object type: neckcloth
Date: 1840 – 1849
Materials: silk
Culture: european
Textile Fragment
Object type: textile fragment
Date: 401 – 600
Materials: silk
Location: iran
Desseins De lambris à l'Italienne
Object type: ornament print
Date: 1670 – 1680
Materials: paper
Techniques: etching
Location: france

Met verschillende figuren gekleed in de laatste mode. Uit serie bladen met houten lambrisering, op Italiaanse wijze uitgevoerd. Derde editie.
Servet van linnendamast met acanthusvoluten en wapens Van Bronckhorst en Van der Capellen
Object type: woven material
Date: 1680 – 1680
Materials: linen
Techniques: damask
Location: flanders
Artist: Anonymous
Inscriptions: mark: ‘TO’, label: ‘57’

Servet van linnendamast met patroon van acanthusvoluten en wapens Eustatius van Bronckhorst (1640-1697) en Margaretha van der Capellen (1641-1716), die in 1680 huwden. Hoort bij tafellaken BK-1976-112.
Gedenkteken voor Rutger Schutte
Object type: print
Date: 1784 – 1821
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: amsterdam, rutger schutte, historical persons, portrait of a writer
Overlijden in gezelschap van liefdevolle familie
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: peaceful dying, happy death, family, relationship, descent, weeping
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Heitere Abschieds stunde’

Prent gebruikt voor: Lang, Carl. Almanach und Taschenbuch für Haeusliche u. Gesellschaftl. Freunden (...). [Frankfurt]: Heilbronn, 1797.
Sturefors, Östergötland, Zweden
Object type: postcard
Date: 1920 – 1950
Materials: photographic support
Techniques: photograph
Location: sweden
Artist: swensson
Artist role: fotograaf
Subjects: zweden
Aardappelrooiers
Object type: sketchbook leaf
Date: 1887 – 1887
Materials: chalk, paper
Location: ewijkshoeve
Artist: willem witsen
Artist role: draughtsman, painter, print maker
Artist dates: 1860 – 1923
Subjects: farmers, cultivated land, reaping, picking, mowing ~ harvest

Voorstudie voor de ets 'Aardappelrooiers', ca. 1887.
Physionomie de l'Assemblée
Object type: cartoon
Date: 1849 – 1849
Materials: paper
Techniques: lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: caricatures (human types), lower house, parliament, chamber, political caricatures and satires
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 19 november 1849.
Portret van Frederik de Grote
Object type: print
Date: 1740 – 1788
Materials: paper
Techniques: engraving, etching
Location: augsburg
Artist: johann esaias nilson
Artist role: draughtsman, print maker, publisher
Artist dates: 1721 – 1788
Subjects: berlin, frederick ii (king of prussia), knighthood order (with name) - insignia of a knighthood order, e.g.: badge, chain (with name of order), walking-stick, staff, historical persons
Inscriptions: collector's mark: Lugt 2228
Bowl with Cover
Object type: bowl with cover
Date: 1736 – 1795
Materials: porcelain
Culture: chinese
Coffee and tea service (déjeuner chinois réticulé)
Object type: tea and coffee service
Date: 1855 – 1861
Materials: hard paste porcelain
Artist: sèvres manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 9999

The various shapes employed for this exuberant service evoke both China and the Near East-the origins of tea and coffee, respectively. The Sèvres factory described the service as a déjeuner chinois reticulé, or a Chinese service with openwork decoration, but its fidelity to Chinese models is slight. The shape of the tray, with its scrolling feet, is based on Chinese lacquerware, and the double-walled forms with openwork exteriors appear to have been inspired by Chinese porcelains sold in Paris in 1826. Additional Chinese-inspired elements include the simulated bamboo handles and the painted Chinese emblems, but the profusion of decorative motifs and the color scheme of white, pink, and gold are entirely European in character. This blending of Asian forms with European decoration reflected the taste for exoticism in mid-nineteenth-century France. It is not clear if services of this design were intended for display or use, but several were given as diplomatic gifts by Queen Marie-Amélie, who purchased at least seven examples between 1835 and 1843. The double-walled, openwork construction was very difficult to produce, and the factory's obvious success demonstrated its considerable technical expertise.
Ex libris van Pierre Edmond Lévy
Object type: bookplate
Date: 1920 – 1969
Materials: paper
Techniques: woodcut
Location: paris
Subjects: collecting (leisure time activity), sitting figure, printed matter
[St. Domenic's Orange Tree on the Aventine]
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: buildings,men,trees
Suecia Antiqua et Hodierna
Object type: album leaf
Date: 1694 – 1694
Materials: paper
Techniques: etching
Subjects: housing

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
Bottle
Object type: bottle
Date: 1701 – 1800
Materials: glass, metal
Hengsel van vertind ijzer met speun
Object type: hengsel
Date: 1600 – 1800
Materials: iron, tin
Techniques: tinning
Artist: Anonymous

Hengsel van vertind ijzer met een speun op de hoek. Vanaf de hoek lopen twee lange benen, waarvan een met een nodus, uitmondend in een opengewerkte punt met voluten en krullen.
Terracotta rim fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Two black glazed rim fragments from a kylix; some of the glaze has flaked off
Studieblad met schetsen van Scheveningse visserstypen
Object type: drawing
Date: 1824 – 1894
Materials: paper, pencil
Artist: charles rochussen
Artist role: draughtsman, painter, print maker
Artist dates: 1814 – 1894
Dagger axe
Materials: jade
Location: china
Koepelgrot te Geulem
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: geulhem
Artist: Anonymous
Subjects: cave, grotto, herd, flock
Bibliothèque Imperial du Louvre, Paris
Object type: photograph
Date: 1854 – 1854
Techniques: albumen print
Location: france
Artist: bisson frères (louis-auguste bisson)
Artist role: fotograaf
Artist nationality: french
Artist dates: 1814 – 1876
Subjects: collected by hugh edwards, architecture, paris
Portret van Cornelius Jansenius
Object type: print
Date: 1787 – 1814
Materials: paper
Techniques: engraving
Artist: françois bonneville
Artist role: draughtsman, painter, print maker, publisher
Subjects: louvain, priest, archbishop, bishop, etc. (roman catholic), theologian, historical persons
Arrivée en Alsace du commissaire extraordinaire Coco Romieu, published in Le Charivari
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,carriages,caricature
Seven Gods of Good Fortune
Object type: print
Date: 1808 – 1827
Materials: ink, paper
Techniques: surimono, woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: men,women
Exterior of the Tomb of Itimad-ud-Daulah at Agra, Uttar Pradesh, India
Object type: page
Date: 1864 – 1869
Materials: paper
Techniques: woodburytype
Location: agra
Subjects: mausoleum, façade (of house or building)
Inscriptions: caption: ‘TOMB OF ETMADDOWLA. (Sixteenth Century.)/ From a Photograph by Mr. Bourne.’
Brief aan Philip Zilcken
Object type: letter
Date: 1888 – 1888
Materials: ink, paper
Techniques: pen, writing
Location: paris
Subjects: jonkheer victor eugène louis de stuers, marinus van der maarel, maastricht, amsterdam, engineer, jonkheer barthold willem floris van riemsdijk, rotterdam, frederik daniel otto obreen, paris, print maker, draughtsman, félix hilaire buhot, abraham bredius, publisher, edmond sagot, félicien rops, utrecht, johan de meester, the hague, painter, philip zilcken, exhibition ~ art, money, printed matter
Inscriptions: collector's mark: ‘RPK’
The Maid Sewing (Bonne Femme Cousant)
Object type: print
Date: 1860 – 1898
Techniques: aquatint, etching
Artist: félix-hilaire buhot
Artist role: artist
Artist nationality: french
Artist dates: 1847 – 1898
Subjects: women,sewing
Simplicité
Object type: page
Materials: paper
Techniques: autotype
Subjects: historical persons not known by name - bb - woman
Inscriptions: inscription: ‘ASSOCIATION BELGE DE PHOTOGRAPHIE’

Prent op derde ongenummerde pagina na pagina XVI.
Rapid Transit
Object type: print
Date: 1935 – 1943
Techniques: engraving
Artist: fred becker
Artist role: artist
Artist nationality: american
Artist dates: 1913 – 2004
Subjects: buildings,streets,crowd,cars
Fluitglas met het wapen van Bohemen
Object type: flute glass
Date: 1650 – 1700
Materials: glass
Techniques: diamond point engraving, façon de venise, glassblowing
Location: germany
Artist: Anonymous

Fluitglas met stam, opgebouwd uit een getordeerde buis. Hoge trechtervormige kelk boven een schijf. Op de kelk in diamantgravure de keizerlijke adelaar met het gekroonde wapen van Bohemen in het hart van de adelaar. Voet en deel van de stam ontbreekt.
Ontwerp voor ex libris van F.A. Schaly
Object type: bookplate
Date: 1929 – 1929
Materials: paper, pencil
Techniques: drawing
Location: netherlands
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: crown (symbol of sovereignty), griffin (lion/eagle); 'griffo' (ripa), rodents: rat
Werkzaamheden in een tabaksschuur op Sumatra: persen en verpakken (boven en midden), fermenteren (onder)
Object type: photomechanical print
Materials: paper
Techniques: photoaquatint
Location: munich
Subjects: plantation, barn, tobacco, sumatra
Inscriptions: number: ‘31’

Onderdeel van Album met heliogravures van Sumatra's oostkust.
View of a Formal Garden with an Arched Gateway and a Mermaid Fountain
Object type: drawing
Date: 1702 – 1702
Materials: ink, paper
Techniques: brush, pen
Artist: josua de grave
Artist role: draughtsman
Artist dates: 1645 – 1712
Subjects: merman - aa - mermaid, siren, garden fountain, garden buildings
Jewelry element in the shape of a star
Object type: jewelry element in the shape of a star
Date: 1390 – 1352
Materials: faience
Location: egypt
Subjects: stars

This small five-pointed star features piercings at the top and bottom for horizontal strings. The star was probably a jewelry element that was part of a larger piece, such as a broad collar, which was usually made from many small separate pieces strung together (see 40.2.5).
Vissers en drinkende mannen
Object type: print
Date: 1832 – 1897
Materials: paper
Techniques: lithograph
Subjects: fishing (sports), sleeping; unconsciousness, drinking
Inscriptions: collector's mark: Lugt 2228

Links staat een visser op de oever en ligt een man te slapen in een boot. Twee vissers komen aanlopen. Achter hen zitten twee drinkende mannen aan tafel en loopt een man met een ketel.
Portret van twee vrouwen in verkleedkleding
Object type: album leaf
Date: 1897 – 1900
Materials: paper
Techniques: gelatin silver print
Location: france
Artist: Anonymous
Subjects: adult woman, historical persons, historical costume, france

Over de foto is een ander negatief afgedrukt van een voorstelling van bomen.
Portret van Annibale Gonzaga
Object type: print
Date: 1670 – 1674
Materials: paper
Techniques: engraving
Location: vienna
Subjects: knighthood order of the golden fleece - insignia of a knighthood order, e.g.: badge, chain (with name of order)
Inscriptions: collector's mark: Lugt 2228

Portret van Annibale Gonzaga, commandant van Wenen, met de ordeketen van de Orde van het Gulden Vlies om zijn hals. Onderaan in de marge zijn titels in het Italiaans.
Standing Figure
Object type: figure
Date: 1 – 1500
Materials: stone
Culture: guerrero
Location: mexico
The Tripod, 94 feet circumference
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: carleton e. watkins
Artist role: artist
Artist nationality: american
Artist dates: 1829 – 1916
Subjects: men,horses,trees
Palette with antelope heads and a turtle
Object type: palette, antelope head, turtle
Date: 3650 – 3500
Location: egypt
Subjects: animals
Shoes
Object type: shoe
Date: 1720 – 1749
Materials: silk
Culture: british

Through most of the 18th century, fashionable ladies' shoes were seldom made of plain fabrics. The majority were constructed with patterned fabric, whether self-figured, brocaded, or embroidered. It was not uncommon for a lady to embroider her own uppers and bring them to the shoemaker to be made up into shoes. By the last quarter of the 18th century, embroidery patterns for shoe vamps were being published in ladies magazines. This shoe in the classic shape of the period is a representative example of early 18th century domestic needlework in a popular Indian-inspired floral design. In some areas the embroidery has worn away, showing how the design was first drawn on the fabric in pencil.
Fotoreproductie van een schilderij, voorstellende een portret van Alexander Hamilton
Object type: page
Date: 1863 – 1868
Materials: photographic support
Techniques: albumen print
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: politician, historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Inscriptions: number: ‘306’
Saucer with bouquets
Object type: platter
Date: 1791 – 1791
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: vienna
Inscriptions: mark: ‘schild/ 14, 24’

Schotel van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, geel, zwart en goud. Op het plat een boeket van verschillende bloemen omringd door losse bloemtakken. De binnenwand met een blauwe lijn, onderbroken door telkens tweemaal een schuin gouden streepje. Gouden rand. Gemerkt op de onderzijde met het schild, de nummers 24 en 14.
Small covered wine pot or teapot
Object type: covered winepot or teapot
Date: 1662 – 1722
Materials: enamel, gilt, porcelain
Techniques: overglaze, painting
Culture: chinese
Artist: chinese
Artist role: artist
Subjects: butterflies,flowers