deem-data/ArtiFact huggingface dataset:
Dress
Object type: dress
Date: 1888 – 1888
Materials: silk
Culture: french
Artist: house of worth
Artist role: design house
Artist nationality: french
Artist dates: 1858 – 1956

The bustle silhouette, although primarily associated with the second half of the 19th century, originated in earlier fashions as a simple bump at the back of the dress, such as with late 17th-early 18th century mantuas and late 18th- early 19th century Empire dresses. The full-blown bustle silhouette had its first Victorian appearance in the late 1860s, which started as fullness in skirts moving to the back of the dress. This fullness was drawn up in ties for walking that created a fashionable puff. This trendsetting puff expanded and was then built up with supports from a variety of different things such as horsehair, metal hoops and down. Styles of this period were often taken from historical inspiration and covered in various types of trim and lace. Accessories were petite and allowed for the focus on the large elaborate gowns. Around 1874, the style altered and the skirts began to hug the thighs in the front while the bustle at the back was reduced to a natural flow from the waist to the train. This period was marked by darker colors, asymmetrical drapery, oversize accessories and elongated forms created by full-length coats. Near the beginning of the 1880s the trends altered once again to include the bustle, this time it would reach its maximum potential with some skirts having the appearance of a full shelf at the back. The dense textiles preferred were covered in trimming, beadwork, puffs and bows to visually elevate them further. The feminine silhouette continued like this through 1889 before the skirts began to reduce and make way for the S-curve silhouette. Charles Frederick Worth was born in England and spent his young adulthood working for textile merchants in London while researching art history at museums. In 1845 he moved to Paris and worked as a salesman and a dressmaker before partnering with Otto Bobergh to open the dressmaking shop, Worth and Bobergh, in 1858. They were soon recognized by royalty and major success followed. In 1870 Worth became the sole proprietor of the business. At his shop, Worth fashioned completed creations which he then showed to clients on live models. Clients could then order their favorites according to their own specifications. This method is the origin of haute couture. Worth designed gowns which were works of art that implemented a perfect play of colors and textures created by meticulously chosen textiles and trims. The sheer volume of the textiles he employed on each dress is testimony to his respect and support of the textile industry. Worth's creative output maintained its standard and popularity throughout his life. The business continued under the direction of his sons, grandsons and great-grandsons through the first half of the twentieth century.
Portret van een onbekende man, mogelijk Hermann Josef
Object type: print
Date: 1823 – 1871
Materials: paper
Techniques: lithograph
Subjects: eyeglasses, spectacles, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Plate
Object type: plate
Date: 1830 – 1830
Materials: earthenware
Culture: american
Location: united states
Artist: john monday
Artist role: artist
Artist nationality: american
Artist dates: 1809 – 1862
Subjects: flowers
Kan'yōsai Picture Album (Kan'yōsai gafu) 寒葉斎画譜
Object type: illustrated book
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: kan'yōsai 寒葉斎 (tatebe ayatari 建部綾足)
Artist role: artist
Artist nationality: japanese
Artist dates: 1719 – 1774
The Prodigal Son
Object type: drawing
Date: 1615 – 1673
Materials: chalk
Techniques: wash
Artist: salvator rosa
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1673
Subjects: men,cows,goats
Gezichten op de voor- en achterzijde van Huis Te Blotinghe bij Rijswijk
Object type: print
Date: 1757 – 1757
Materials: paper
Techniques: engraving, etching
Subjects: farm or solitary house in landscape

Prent uit: Spilman, Hendrik. Het verheerlykt Nederland, of kabinet van hedendaagsche gezigten. 9 dln. Amsterdam: Isaac Tirion, 1745-1774, dl. 6, nr. 455-456.
Fukusa (Gift Wrapper)
Object type: fukusa gift wrapper
Materials: metal thread, silk
Culture: japanese
The Reredos, Westminster Abbey, perspective view
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: westminster abbey
Artist: frederick york
Artist role: fotograaf
Artist dates: 1823 – 1903
Subjects: altar with altar-piece, westminster abbey
Inscriptions: number: ‘207’
Wild Tulip
Object type: wallpaper
Date: 1884 – 1884
Techniques: printing
Artist: william morris
Artist role: designer
Artist nationality: british
Artist dates: 1834 – 1896
Subjects: tulips,leaves

Inspired by seventeenth-century Turkish brocades, the clarity of this wallpaper design is typical of Morris's late style. The pattern features tulips and stylized carnations or peonies, intertwined in a repeating meander. A leader of the Arts and Crafts movement in England, Morris used Moorish, Turkish, Persian, medieval, and Byzantine sources for his furniture, carpets, textiles, and papers. Over his long career, he produced forty-one wallpapers and five ceiling papers, printed by hand with wood blocks, which distinguished them from mass-produced products. Tulips were unknown in Europe until the sixteenth century. Originating as wildflowers indigenous to western Anatolia and eastern Persia, they were first brought to the Holy Roman Emperor Ferdinand I in bulb form by an ambassador who had encountered them in the Ottoman court of Süleyman I. The English word tulip derives from the Perisan dulband and the Turkish tulbant (turban).
Gazette du Bon Ton. Art – Modes & Frivolités: Artists
Object type: fashion print
Date: 1914 – 1914
Materials: paper
Techniques: hand coloring, letterpress printing, lithograph, pochoir
Location: paris
Subjects: ring (+ women's clothes), mirror, fashion plates, dress, gown (+ women's clothes), pillow
Inscriptions: date

What set this fashion magazine ‘of good taste, art and frivolity’ apart was its unique collaboration with the artists who produced its illustrations. As well as drawing the haute couture of the fashion houses, they were also granted space in each issue to present designs of their own making. In each issue, three out of ten plates were reserved for such independent creations.
Dutch Ships in the Roads of Texel; in the middle the 'Gouden Leeuw',  the Flagship of Cornelis Tromp
Object type: painting
Date: 1671 – 1671
Materials: canvas, oil
Artist: ludolf bakhuysen
Artist role: draughtsman, print maker
Artist dates: 1631 – 1708
Subjects: harbour, straits, narrows, sailing-ship, sailing-boat, pier, quay, wharf, ship in the roads, roadstead
Inscriptions: signature and date: ‘L. Bakh. 1671’

Marines embarking on the Texel roads by Ludolf Bakhuysen, 1671. Large ships sailed from the harbours of the Zuiderzee to Texel with a minimal crew and provisions. At Texel they took on water and victuals, and here the sailors, soldiers and officers embarked. A unit of marines led by their commander on the beach is marching towards the harbour pier. Boats are ready to ferry them to the warships. A high-ranking officer and his wife are watching the activity from a low dune. He is wearing a gold-embroidered sash with sword and is pointing out the ships lying at anchor with his walkingstick. In 1665 Baron Joseph van Gendt was given command of the marine company. Perhaps this is the man with the walkingstick.
Silhouette of Giles H. Case, to left
Object type: cut paper
Date: 1824 – 1824
Materials: paper
Techniques: cutting
Artist: william chamberlain
Artist role: artist
Artist nationality: american
Artist dates: 1790 – 1890
Subjects: men
Ace of Spades (black), from the Playing Cards series (N84) for Duke brand cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: playing cards

Trade cards from the "Playing Cards" series (N84), issued in a set of 53 cards in 1888 to promote W. Duke Sons & Co. brand cigarettes. The versos display a matching abstract floral pattern. The Joker and the Ace of Spades display an ad for Duke brand cigarettes. Besides Duke's Cigarettes, the same set of playing cards was also released to promote Turkish Cross Cut Cigarettes.
Gezichten op Kasteel Terborgt, Kasteel ter Tommen en Kasteel van Tervuren
Object type: print
Date: 1750 – 1799
Materials: paper
Techniques: engraving, etching, retroussage
Subjects: castle, rural housing, e.g. country-house, villa, cottage, landscape with tower or castle, armorial bearing, heraldry
Inscriptions: stamp, collector's mark: Lugt 1641

Bovenste en middelste plaat hebben rechtsboven een wapenschild. Onderste plaat heeft linksboven een wapenschild. Iedere prent is rechtsboven genummerd: C.No. 62, C.No. 63, C.No. 64. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning. Kastelen en buitenplaatsen. Over de Grenzen.
Grisaille Panel
Object type: panel
Date: 1265 – 1265
Materials: glass, metal, paint
Culture: french
Location: france

These grisaille panels are part of a set of eight once in three different chapels at the Norman residence of the French monarchs. They represent a mid-century transitional stage in royal French ateliers. The conventionalized acanthus buds are a continuation of earlier tastes, while the ivy leaves, delineated with hair-thin veins, reflect the newer, naturalizing tendencies. The castles in the border are devices of the kingdom of Castile and indicate royal patronage, probably that of Louis IX (1226-1272), who claimed the right to the Spanish throne through his mother, Blanche of Castile. See 69.236.2–.9.
Ecce Homo (Jos Maier)
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: oberammergau
Subjects: christ alone (also called 'ecce homo'), portrait of actor, actress
Inscriptions: inscription: ‘Gemeinde Oberammergau Passionsspiel 1890’
Mannen aan het werk aan de oever van de Mississippi
Object type: photograph
Date: 1880 – 1880
Materials: paper, photographic support
Techniques: albumen print
Location: mississippi river
Artist: Anonymous
Subjects: mississippi
La Feste des Trois Rois, aux Invalides
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: northern netherlands
Artist: Anonymous
Subjects: jacobus ii (koning van engeland en schotland), lodewijk xiv (koning van frankrijk), paris, dauphin van frankrijk lodewijk, rome, twelfth night, usually falling on the eve of january 6

Spotprent op de vlucht van Jacobus II naar Frankrijk, en zijn aankomst aldaar op Driekoningen (6 januari) 1689. Koning Lodewijk XI omhelst Maria van Modena die met het ondergeschoven kind is gearriveerd. Rechtsvoor koning Jacobus II in kleding versierd met Jacobsschelpen. In het midden de jezuïet pater Peters (Edward Petre) met een pauselijke kroon onder zijn mantel. Op de achtergrond valt de dauphin uit een door paarden getrokken slee. Onder de voorstelling een vers in 4 kolommen met een verklaring van de cijfers 1-11 in het Nederlands. Anonieme kopie naar de originele prent door Romeyn de Hooghe.
Miniature Italian-Style Armor for Man and Horse
Object type: miniature italian style armor for man and horse
Date: 1860 – 1860
Materials: steel
Culture: french
Location: france
Artist: granger leblanc
Artist role: armorer
Artist nationality: french
Artist dates: 1815 – 1895
Geliefde jeugd in ieder dier / Blinkt Gods weldadig albestier
Object type: print
Date: 1827 – 1894
Materials: paper
Techniques: colour, letterpress printing
Location: schaarbeek
Subjects: beasts of prey, predatory animals: tiger, cow, animals, birds, owls, horse
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van dieren, zoals een tijger, een wolf, een paard en een uil. Onder elke voorstelling een vierregelig vers. Genummerd rechtsboven: No 153.
Paris Fire (The Facade of City Hall), from the series "Paris Incendié"
Object type: photograph
Techniques: albumen print
Location: france
Artist: charles soulier
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1875
Subjects: collected by hugh edwards, paris
Ewer
Object type: glass
Date: 1700 – 1700
Materials: glass
Culture: dutch or flemish
Location: netherlands
Hammered Silver Rattle Beaker
Object type: rattle
Date: 701 – 1566
Materials: gilt, silver
Techniques: hammering
Culture: peruvian
Location: peru
Armstoel van zwartgelakt en -gebeitst notenhout
Object type: furniture
Date: 1675 – 1700
Materials: wood
Techniques: lacquer
Location: netherlands
Artist: Anonymous

Armchair. Walnut, varnished and lacquered black. Northern Netherlands, c. 1700. On loan from the Royal Antiquarian Society.
Zittende man steekt pijp aan
Object type: kopie naar prent
Date: 1642 – 1714
Materials: paper
Techniques: etching
Location: netherlands
Artist: monogrammist ch (graveur
Artist role: print maker
Subjects: pipe ~ tobacco, male sex; man
Inscriptions: collector's mark: Lugt 2228a

Kopie in spiegelbeeld naar prent van Cornelis Pietersz. Bega
Stirrup
Object type: stirrup
Date: 801 – 1000
Materials: iron
Culture: west slavic
Location: poland

This simple stirrup of Slavic type is said to have been found on the site of Dolkheim, today in Northern Poland. Horses had great importance in Slavic society, in both its social and religious aspects. Equestrian equipment, like stirrups, spurs and bits, are regularly found in their burials, even after their Christianization, among the goods warriors wanted to bring with them to the afterlife. The elite would sometimes even be accompanied by sacrificed horses, a meaningful practice at that time, considering the high economic value of horses.
The Battle, plate three from The Large Miseries of War
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: gerrit lucasz van schagen
Artist role: print maker, publisher
Artist nationality: dutch
Artist dates: 1642 – 1690
Pausin Johanna met Christus in haar armen
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: adult woman, christ as child or youth (in general) ~ christian religion, pope

Deze prent is gemaakt naar een houtsnede uit de 'Kroniek van Neurenberg' door Hartmann Schedel in 1493.
Agate scepter head
Object type: scepter head
Date: 950 – 950
Materials: stone
Culture: cypriot

Scepter and mace heads are well-attested Cypriot implements, but this example is exceptional in the magnificence of its material, which is matched by the precision of its execution. The head itself is set on an iron shaft. During the Late Geometric and Archaic periods, rulers of the major centers of Cyprus gained considerable wealth from natural resources, notably copper, and from active trade, in which the Phoenicians were conspicuous. The luxurious and finely wrought objects with which these kinds surrounded themselves are particularly well represented by this scepter and by the bowls in precious metals exhibited nearby.
Earring with filigree
Object type: earring with filigree
Date: 3900 – 100
Materials: gold
Culture: cypriot
Christ Appearing to the Magdalen as a gardener, from "The Passion of Christ", after Dürer
Object type: print
Date: 1500 – 1534
Techniques: engraving
Artist: marcantonio raimondi
Artist role: artist
Artist nationality: italian
Artist dates: 1475 – 1534
Subjects: plants,christ,mary magdalene,gardeners
Portret van Karel I, koning van Engeland
Object type: photomechanical print
Date: 1866 – 1900
Materials: paper
Techniques: rotogravure
Location: london
Artist: Anonymous
Subjects: london, karel i (koning van engeland), historical persons, king
Portretten van hedendaagse kunstenaars uit het Verenigd Koninkrijk der Nederlanden
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: print maker, gerard van spaendonck, historical persons, portrait, self-portrait of artist

Met drieregelig onderschrift in het Frans.
Eros Escaping by Sea; Cupid using his bow to propel a boat made from his quiver with an arrow as the mast and his blindfold as the sail, a banderole above
Object type: print
Date: 1515 – 1527
Techniques: engraving
Artist: marco dente
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1527
Subjects: cupid,eros,boats

Rectangular plate with oval shaped image.
Paijs-Bas / Eene Moeder en ongehuwde Dochter van de Broeder gemeente te Seist / Une Mère et sa Fille membres de la Société des Frères Moraves à Seist
Object type: print
Date: 1840 – 1851
Materials: paper, watercolor
Techniques: etching, hand coloring
Location: netherlands
Subjects: one person playing keyboard instrument, dress, gown (+ women's clothes), clavichord, harpsichord, knitting, zeist
Inscriptions: stamp, collector's mark: Lugt 1641

Een ongehuwde jongedame speelt op de tafelpiano. Haar moeder zit, breiend, naast haar. Beiden behoren tot de Broedergemeente te Zeist. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Muziek en muziekinstrumenten: Clavecimbaal en zang.
Zes proefdrukken voor 'Kate Greenaway's Almanack for 1892'
Object type: print
Materials: paper
Techniques: wood engraving
Location: london
Subjects: harvest, the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months'

Proefdrukken van zes van de bladzijden uit de almanak, de maanden januari, februari, juli, augustus, september en oktober. Voor elk van de maanden een vrouwenfiguur dat symbool staat voor die maand.
Presentiepenning van het Chirurgijnsgilde te Amsterdam, groot model 1654
Object type: medal
Date: 1654 – 1654
Materials: brass
Techniques: casting
Inscriptions: inscription: ‘Theodorus / van - Rhyn’

Gegoten messing penning, op de voorzijde de Dood met zeis en zandloper op altaar, op de keerzjde een gekroond wapenschild Amsterdam met dragers boven een inscriptieruimte en een doodshoofd, op naam van Theodorus van Rhyn
Broadsheet relating to the new clock installed in the cathedral in Mexico City in June 1905
Object type: print
Date: 1905 – 1905
Materials: paper
Techniques: letterpress, lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Stad Antwerpen
Object type: insignia
Date: 1800 – 1875
Materials: textile, tin
Techniques: striking
Location: antwerp
Artist: Anonymous
Subjects: antwerp

Eenzijdig insigne, bestaande uit ovaal schildje met gekroond wapenschild, gemonteerd op twee rozetten van geplooid blauw en wit textiel. Keerzijde draagspeld.
Geiss, Pitcher, Chicago, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Inundatie bij de sluis van Drimmelen, 1794
Object type: drawing
Date: 1794 – 1795
Materials: paper
Location: northern netherlands
Artist: Anonymous
Subjects: dike-break
Inscriptions: collector's mark: Lugt 2228

Schets van de inundatie van het land in de omgeving van de sluis van Drimmelen, tegen de oprukkende Franse troepen, op 3 december 1794. Links een schets van een plattegrond met de sluis en de dijk met de batterij, rechts handschrift met een beschrijving van de situatie.
Manege
Object type: print
Date: 1669 – 1717
Materials: paper
Techniques: etching
Location: unknown
Artist: dirk maas
Artist role: draughtsman, print maker
Artist dates: 1659 – 1717
Subjects: training of horses, horse, riding-school, manège
Inscriptions: collector's mark: Lugt 2228

Man met een zweep bij een paard dat is vastgebonden aan een paal, op een binnenplaats. Prent uit een serie van negen prenten met onderwerp de manege.
Terracotta fragment of a kylix: eye-cup (drinking cup)?
Object type: kylix fragment
Date: 525 – 501
Materials: terracotta
Culture: greek, attic

Exterior, part of the face of a frontal, bearded satyr; in the background, vines
Box decorated with auspicious symbols
Object type: box
Date: 1801 – 1900
Materials: horn, wood
Techniques: inlay, lacquer, painting
Culture: korean
Subjects: cranes,dragons,deer,flowers

This lacquered wood box is decorated with thin sheets of ox horn painted in bright colors. The technique developed fully in later Joseon lacquer ware, becoming a fashionable art form during this period, alongside lacquer with mother-of-pearl. Decorative motifs on this piece include animals symbolizing good fortune, longevity, or protection, such as cranes, deer, dragons, phoenixes, and tigers. Similar imagery was also popular on paintings and ceramics during the nineteenth century.
Bronzen deur van de San Marco in Venetië
Object type: photomechanical print
Date: 1880 – 1885
Materials: paper
Techniques: photograph
Location: venice
Subjects: church (exterior), closed door
Inscriptions: number: ‘277’, number: ‘O.3’

Deze prent maakt deel uit van een omslag met 58 prenten op 50 bladen.
Card 661, Louise Paullin, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.