deem-data/ArtiFact huggingface dataset:
Gros point needle lace border
Object type: border
Date: 1651 – 1675
Materials: lace
Techniques: gros point, lace

Seventeenth-century lace has a voluminous character—rather than the light and airy form of later periods—reflecting an era when luxury was equated with grandeur. Here, a careful balance is achieved between the solid forms of the formalized leaves and flowers and the voids in between. The sculptural relief of this type of lace appealed to artists working in other media: Baroque lace appears in the work of the English sculptor of wood, Grinling Gibbons, as well as in the marble sculpture of Bernini. Lace of this type was made in several sizes—the boldest designs on the largest scale being known as gros point. Smaller-scale designs were called rose point and point de neige.
[Buddha Sculpture]
Object type: photograph
Date: 1870 – 1879
Techniques: albumen silver print, glass negative
Artist: suzuki shin'ichi
Artist role: artist
Artist nationality: japanese
Artist dates: 1835 – 1919
Subjects: buddhism,buddha
Studie voor plafondschildering met een achterovergeleunde jongen
Object type: drawing
Date: 1621 – 1698
Materials: chalk, paper
Artist: baldassare franceschini
Artist role: draughtsman
Artist dates: 1611 – 1689
Subjects: boy (child between toddler and youth)
Drury Lane Rags
Object type: print
Date: 1888 – 1888
Materials: ink, paper
Techniques: lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Armored Guardian
Object type: sculpture
Materials: earthenware
Techniques: gilding, polychrome
Location: china

Ceramic figures made for burial in the tombs of princes and officials vividly evoke aspects of the elite life of China's expansive and multicultural Tang dynasty (618-907). This armored guardian of haughty, impenetrable expression stands on a rocky plinth and was probably stationed close to the burial chamber to repel potential evil. One hand turns down in a clenched fist and the other turns upward with an outstretched finger, suggesting that both hands once brandished a weapon, now lost. His multilayered parade armor combines a helmet with upturned earflaps; neck and shoulder guards; scalloped breast and backplates secured by knotted ropes over a tunic with pleated hem; flared elbow cuffs over long, tight sleeves; and protective leggings under a sweeping skirt. The elements of this elaborate uniform were meticulously modeled in clay before firing and richly embellished with colors and gold pigment afterward.

Because these so-called "cold pigments" are more vulnerable to deterioration than fired glazes, only traces of the most detailed patterns survive. These combine curled tendrils and scalloped floral scrolls on the armor, giving elegantly decorative flourishes to the armor of this impassive figure.

Unlike most Tang figures that were formed in molds, this guardian appears to have been primarily hand-modeled, probably from coils of clay. It has survived remarkably intact; examination by museum conservators revealed only minimal restoration.
Rest on the Flight into Egypt at Night
Object type: album leaf
Date: 1642 – 1646
Materials: paper
Techniques: drypoint, etching
Location: paris
Subjects: rest on the flight into egypt
Sleutel van een geldkist
Object type: key
Date: 1700 – 1800
Materials: iron
Brief aan Andries Bonger
Object type: letter
Date: 1896 – 1896
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: odilon redon
Artist role: draughtsman, painter, print maker
Artist dates: 1840 – 1916
Subjects: liège, paris, painter, print maker, draughtsman, paul cézanne, andries bonger, artist, leonardo da vinci, stéphane mallarmé, arnhem, the hague, publisher, martinus nijhoff, drawing, music, photography, cinematography, the graphic arts, historical persons (portraits and scenes from the life), london
Inscriptions: watermark
Alto recorder (foot)
Object type: flute
Date: 1700 – 1700
Materials: wood
Location: amsterdam
Artist: thomas coenrat boekhout
Artist role: musical instrument maker
Artist dates: 1666 – 1715
Inscriptions: signature: ‘VAN HEERDE’
Twee kinderen met druiventros
Object type: print
Date: 1664 – 1721
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: children's bacchanal, warming oneself at a fire (or hearth, stove, fire-pan, brazier), cupids: 'amores', 'amoretti', 'putti', bunch of grapes
Inscriptions: number: ‘2’, collector's mark: Lugt 11, collector's mark: Lugt 10

Twee naakte kinderen bij een vuurpot. Het ene kind probeert druiven van de druiventros van de ander te ontfutselen. Onder de voorstelling een tweeregelig vers in het Nederlands, waarin wordt aangegeven dat druiven in de wintertijd fel begeerd worden.
Gelderland, gulden, 1764
Object type: coin
Date: 1764 – 1764
Materials: silver
Techniques: striking
Location: harderwijk

Zilveren munt. Voorzijde: tussen waarde-aanduiding gekroond generaliteitswapenschild. Keerzijde: staande Nederlandse maagd, in rechterhand lans met hoed, met linkerhand steunend op pilaar, waarop bijbel. In afsnede jaartal.
Ruiter op een heide
Object type: drawing
Date: 1882 – 1912
Materials: paper, pencil
Location: gelderland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: private soldier (+ land forces), plain (+ landscape with figures, staffage), horse
Inscriptions: annotation: ‘hei’

Voor de ruiter zitten soldaten. Mogelijk is het een manoeuvreterrein.
Vrouw op een brug in de tuin van Landgoed De Paauw
Object type: photograph
Date: 1913 – 1913
Materials: paper, photographic support
Techniques: photography
Location: netherlands
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Subjects: huize de paauw
Triomfen van Karel V
Object type: history print
Date: 1555 – 1555
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: antwerp
Subjects: ghent, charles v (holy roman emperor and king of spain), surrender of keys

De onderwerping van de Duitse steden van het Schmalkaldisch Verbond, 1547. Vertegenwoordigers van de overwonnen steden leggen geknield de sleutels aan de voeten van de keizer. Onderschriften in twee regels Latijn, vier regels Spaans en vier regels Frans.
Landschap met waterput en zon
Object type: print
Date: 1638 – 1638
Materials: paper
Techniques: engraving
Subjects: well, sun as celestial body, farm or solitary house in landscape
Inscriptions: collector's mark: Lugt 2228

Prent naar schilderij van Peter Paul Rubens. Hollstein beschrijft een serie kleine landschappen onder de nrs. 305 t/m 325 maar deze prenten zijn niet als reeks vervaardigd. De beschreven staten bij Hollstein lijken niet van toepassing op deze prent, waarschijnlijk betreft het de eerste staat voor het nummer (vergelijk RP-P-1895-A-18925 en RP-P-BI-2636).
Drum
Object type: drum
Date: 1801 – 1900
Materials: skin, wood
Culture: native american
Location: united states
Card Number 70, Louise Pauline, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-4), issued in the 1880s by W. Duke Sons & Co. to promote Cameo Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the fourth subset, N145-4. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Stone Bridge over the Aji River, Osaka
Object type: print
Date: 1838 – 1838
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: yashima gakutei
Artist role: artist
Artist nationality: japanese
Artist dates: 1786 – 1868
Subjects: human figures,bridges,mountains,trees,boats
A wild boar running towards the left, a dog biting its ear behind to left, other dogs and horsemen in the background, from "Hunts of various animals" (Chasses à différents animaux)
Object type: print
Date: 1651 – 1657
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: men,boars,dogs,horses
Panorama delle scene popolari di Napoli
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: etching
Location: naples
Artist: karl johan lindström
Artist role: draughtsman, painter, print maker
Artist dates: 1800 – 1849
Subjects: customs, private soldier, art dealer (+ graphic arts), pier, quay, wharf, seaman: sailor, book-shop, bookseller, naples
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Links een douanekantoor met zeelieden en een soldaat voor een wachthuisje. In het midden de kramen van een prenthandelaar en een boekhandelaar. Geheel rechts loopt een vrouw arm in arm met een militair; naast hen een jongen verkleed als soldaat. In de achtergrond een bedelares met een kind op haar schoot en de kademuur met de haven.
Vier waterbronnen in en rond Spa
Object type: print
Date: 1631 – 1675
Materials: paper
Techniques: etching
Location: netherlands
Artist: allaert van everdingen
Artist role: draughtsman, painter, print maker
Artist dates: 1621 – 1675
Subjects: spring (fluids extracted from the earth)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1904, collector's mark: Lugt 2760

Een landschap met een korenveld en verschillende personen in voet en te paard. Op de voorgrond twee ruiters en twee staande personen bij een stroompje afkomstig uit een waterbron.
Tree (from Sketchbook)
Object type: drawing
Date: 1890 – 1890
Materials: graphite, paper
Culture: american
Artist: albert bierstadt
Artist role: artist
Artist nationality: american
Artist dates: 1830 – 1902
Subjects: trees
Design for a ceiling painted with grotesque motifs
Object type: drawing
Date: 1801 – 1900
Materials: gold paint, graphite, ink, paper, watercolor
Techniques: pen
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: birds,grotesques,ornament,putti
Strook van blauw en wit gestreept linnendamast
Object type: strip
Date: 1880 – 1900
Materials: linen
Techniques: damask, weave
Location: france
Artist: Anonymous

Strook van blauw en wit gestreept linnendamast. De blauwe en w itte strepen hebben beide een lopend patroon van bloemenranken; de blauwe in lichtblauw, de witte in wit.
Wapen van Amsterdam
Object type: print
Date: 1684 – 1684
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.), specific aspects, allegorical aspects of mercury; mercury as patron, amsterdam
Inscriptions: date

Wapen van Amsterdam vastgehouden door Mercurius en Faam. Onder het stadswapen hangen vier familiewapens (G. Geelvinck, C. van Beuningen, J. Hudde en J. Huydecoper) en een wapenschild met daarop een schip.
Vier boomstammen in het bos
Object type: print
Date: 1829 – 1830
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: forest, wood, groups of trees
Inscriptions: collector's mark: Lugt 2228

In 1829 en 1830 gaf Koekkoek, samen met Daiwaille, zes cahiers uit met ieder zes prenten getiteld Landschapstudiën. Deze werden gebruikt in het tekenonderwijs. Vijftien jaar later werd deze reeks, in een andere samenstelling nogmaals uitgegeven door Meyer en Comp in Amsterdam. Zie: De Bruyn Kops, 1963 en Nollert, 1997.
Weesper Poort / La Porte de Weesp
Object type: print
Date: 1680 – 1749
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: city-gate
Inscriptions: collector's mark: Lugt 1641b

Prent waarschijnlijk uit: Alle de voornaamste Gebouwen der wiitvermaarde Koopstad Amsterdam (...). Amsterdam: Hieronymus Sweerts, Jan Bouman en Aart Oossaan, [1680]. Of uit: Beknopte beschryving van alle de voornaamste gebouwen der wydvermaarde koopstad Amsterdam. Amsterdam: Jan Roman (II), 1741. Of uit: Beknopte beschrijving Van alle de voornaamste Gebouwen der Wydvermaard Koopstad Amsterdam (...). Amsterdam: Jan van der Heyde, 1749. Eerdere staat gebruikt in: Beschryvinge van Amsterdam, Haar eerste oorspronk uyt den Huyze der Heeren van Aemstel en Aemstellant (...). Amsterdam: Marcus Willemsz. Doornick, 1665.
Portret van Johann Picardt op 44-jarige leeftijd en een vignet met voorstelling van de uitstorting van de Heilige Geest
Object type: print
Date: 1711 – 1722
Materials: paper
Techniques: engraving, etching
Subjects: johan picardt, theologian, historical persons, pentecost: the holy ghost descends upon (mary and) the apostles, sometimes paul and/or representatives of the nations present (acts 2:1-4)
Inscriptions: number: ‘22’, collector's mark: Lugt 2228

Bovenaan een vignet voor de faculteit van theologie van de universiteit van Altdorf met een voorstelling van de uitstorting van de Heilige Geest. Tekst in het Latijn in de ondermarge van het portret.
Standing cup with cover
Object type: standing cup with cover
Date: 1730 – 1730
Materials: glass
Subjects: men,hunting,deer,dogs,leaves
Landschap met enkele huizen en kerktoren van een dorp
Object type: drawing
Date: 1610 – 1670
Materials: chalk, paper
Techniques: brush
Artist: salomon van ruysdael
Artist role: draughtsman, painter
Artist dates: 1600 – 1670
Subjects: prospect of village, silhouette of village
Snow on the Sumida River (Sumida), from the series, Snow, Moon, and Flowers (Setsugekka)
Object type: woodblock print
Date: 1833 – 1833
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsushika hokusai
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Subjects: rivers,landscapes,snow,boats

Hokusai's snowy landscape at Mukōjima along the Sumida River is similar to his pupil Katsushika Isai's fan painting, seen on the right. At the lower right of Hokusai's print is a small shrine, the Umewaka Jinja, dedicated to a little boy who was kidnapped and died there in ancient times.
Trout, section of a harimaze sheet
Object type: print
Date: 1858 – 1858
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Medal of the Marquis de Lafayette
Object type: medal
Date: 1800 – 1883
Materials: bronze
Location: france
Subjects: men,profiles,marquis de lafayette
Kerkinterieur te Rome
Object type: drawing
Date: 1861 – 1904
Materials: ink, paper
Techniques: pen
Artist: thomas cool
Artist role: draughtsman, painter
Artist dates: 1851 – 1904
Subjects: interior of church, rome
Gezicht op de Rasphuispoort aan de Heiligenweg te Amsterdam
Object type: photograph
Date: 1890 – 1910
Materials: cardboard, photographic support
Techniques: collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: gate, entrance
Inscriptions: annotation: ‘Poort Heiligenweg Amsterdam/ Amsterdam’, name: ‘Margaretha van Parma’
Emblemata Sacra è praecipuis utriusque testamenti historiis concinnata (Oude Testament)
Object type: print
Date: 1582 – 1593
Materials: paper
Techniques: etching, letterpress printing
Location: antwerp
Subjects: sodom and gomorrah are plundered; lot is taken into captivity
Inscriptions: inscription: ‘Loth, neveu d'Abraham emmené captif’

Lot wordt bij de val van Sodom gevangengenomen en weggevoerd door de koningen van Sinear, Ellasar, Elam en Goïm (Gen. 14: 3). Met een motto in het Latijn boven de voorstelling en een vierregelig onderschrift in het Latijn onder de prent. De prent maakt deel uit van een album.
Round saucer with the 'three friends of winter'
Object type: platter
Date: 1670 – 1700
Materials: glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: japan
Artist: Anonymous

Ronde schotel van porselein, beschilderd op het glazuur in blauw, rood, groen, zwart en goud met de 'drie vrienden van de winter' (bamboe, prunus, pijnboom), bij twee gebonden heggen. Bruine rand. Kakiemon-stijl.
Vlakdecoraties met godenfiguren in een omlijsting van grotesken (latere versie)
Object type: print
Date: 1528 – 1583
Materials: paper
Techniques: engraving
Location: france
Inscriptions: collector's mark: Lugt 240
Ring with Green Stone in Circular Mount
Object type: ring
Materials: gold, stone
Culture: indonesian, javanese
Portret van Charles de La Cerda
Object type: print
Date: 1846 – 1846
Materials: paper
Techniques: etching
Location: france
Subjects: earl, historical persons

De prent is mogelijk gemaakt voor: Gavard, Charles. Galeries historiques du palais de Versailles. Parijs: Imprimerie Royale, 1846, dl. 8.
Gezicht op een strand
Object type: page
Date: 1898 – 1903
Materials: paper
Techniques: autotype
Location: berlin
Artist: john cimon warburg
Artist role: fotograaf
Artist dates: 1867 – 1931
Subjects: beach
Terracotta askos (flask with a spout and handle)
Object type: askos in the form of a black youth seizing a duck
Date: 400 – 301
Materials: terracotta
Culture: greek or south italian or campanian
Subjects: boys

The guttus and askos are two kinds of flask for liquids, often probably oil. In Southern Italy they may assume figural forms of some complexity. These examples show Black African youths in unguarded moments. The vertical spout of the guttus has been turned into the neck of an amphora against which the boy leans dozing. The sack-like askos is transformed into a youth who subdues a duck.
Sumirena: The Mistress of Yojiya (Yojiya musume, Sumirena), from the series "Beauties of the Floating World Compared to Flowers (Ukiyo bijin hana ni yosu)"
Object type: print
Date: 1768 – 1769
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Hot milk pot
Object type: hot milk pot
Date: 1740 – 1740
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Odeonsplatz
Object type: carte de visite
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: munich
Artist: Anonymous
Subjects: lodewijk i (koning van beieren), square, place, circus, etc., church (exterior), equestrian statue, loggia, verandah, porch
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, part of thigh, bent knee, and calf of right leg of male
Massage implement
Object type: massage implement
Date: 1701 – 1800
Materials: stone, gemstone, jade, lapis lazuli
Culture: chinese
Voorgevel van de Prinses Juliana School
Object type: photograph
Date: 1933 – 1933
Materials: photographic support
Techniques: gelatin silver print
Location: jogjakarta
Artist: Anonymous
Subjects: vocational education, e.g.: junior technical school (+ building ~ education, tuition), colonial government, dutch east indies, the
Inscriptions: inscription: ‘Voorgevel / PJS’

Voorgevel van de Prinses Juliana School te Jogyakarta. Panorama opgebouwd uit zes aan elkaar geplakte foto's en delen van foto's, in een openslaand mapje. Foto ingeplakt in het fotoalbum aangeboden aan J.H.A. van der Hoeven bij het beëindigen op 31 juli 1933 van zijn diensttijd bij het Nijverheidsonderwijs in Nederlandsch-Indië.
Fotoreproductie van een tekening naar Modestia et Vanitas door Leonardo da Vinci
Object type: page
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: drawing
Gezicht op de Oudezijds Kolk te Amsterdam
Object type: sketchbook leaf
Date: 1902 – 1902
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: urban housing, street
Inscriptions: annotation: ‘deze ramen/ weerkaatsen het licht/ licht/ O.Z. Kolk’

Pagina 33 uit een schetsboek met 46 bladen vervaardigd in de omgeving van Amsterdam, Rotterdam en Haarlem.
Portret van Peter Krukenberg
Object type: print
Date: 1812 – 1874
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Bird with exuberant curls
Object type: sierstuk, sierobject
Date: 800 – 1000
Materials: bronze
Location: java
Artist: Anonymous

Bekroning in de vorm van een vogel met krulstaart.
De ridder-hofstad Reinauwen
Object type: book illustration
Date: 1745 – 1774
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: castle, landscape with tower or castle

Prent uit: Spilman, Hendrik. Het verheerlykt Nederland; of, kabinet van hedendaagsche gezigten (...). 9 dln. Amsterdam: Isaak Tirion, 1745-1774.
Spotprent op de veranderingen in de Britse Marine, 1827
Object type: cartoon
Date: 1827 – 1827
Materials: paper
Techniques: etching, hand coloring
Location: london
Subjects: officer, political caricatures and satires, england

Spotprent op de veranderingen in de Britse Marine. Links een oudere forse matroos uit 1757, naast hem een kist met boeken en een kaart. Rechts een jonge dandyachtige zeeofficier van 1827, naast hem een kistje met flesjes eau de cologne.
Fragment
Object type: textile
Materials: paper, silk
Techniques: weave
Location: japan
Lamp
Object type: lamp
Date: 901 – 1000
Materials: stone
Techniques: carving
Location: iran

This object was found and purchased near Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Phrygian Sibyl, from the series of Sibyls
Object type: print
Date: 1530 – 1530
Techniques: woodcut
Artist: lucas van leyden
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1494 – 1533
Subjects: sibyl
Glass cylindrical bottle
Object type: bottle, cylindrical
Date: 67 – 200
Materials: glass
Culture: roman

Colorless. Rim folded out, down, round, and in, flattened on top surface and forming a slight constriction to mouth with off-center oval opening; short cylindrical neck with tooling marks around base; slanting shoulder with rounded lower edge; cylindrical body, tapering downwards; pushed-in bottom. Intact; severe weathering and pitting, with areas of creamy white weathering and brilliant iridescence.