deem-data/ArtiFact huggingface dataset:
Cover for the first album of L'Estampe originale
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901

New developments in printing techniques resulted in an explosion of color lithography in the 1890s, and lithogra- phers like Henri de Toulouse-Lautrec regularly collaborated with professional printing workshops to improve consistency and efficiency in their production. Color lithography was used both for posters and for smaller prints or portfolios that could be purchased by a growing market of middle-class private collectors. Toulouse-Lautrec designed this cover for the first issue of L’Estampe originale, a quarterly portfolio that included prints by the era’s leading artists. The cover depicts the fashionable Jane Avril examining a print at the Ancourt printing workshop, where the older Père Cotelle, Toulouse-Lautrec’s trusted printer, operates the press.
Cup with poem
Object type: cup
Date: 1667 – 1733
Materials: porcelain
Culture: chinese
Riders and Dogs in Rocky Landscape
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: brush, wash
Location: netherlands
Artist: possibly after adam pynacker
Cow Lying on Haunches (recto); Head of a Woman and Sketch of Horse's Head (verso)
Object type: drawing and watercolor
Materials: chalk, paper
Techniques: heightening
Location: united kingdom
Artist: Anonymous
Artist nationality: english
Artist dates: 1800 – 1899
Fanny in Amerika. Ster der Olympische Spelen in New York
Object type: documentary photograph
Materials: photographic support
Techniques: photography
Location: hollywood
Artist: Anonymous
Subjects: ons vrije nederland, baarn, hoofddorp, atleet, fanny blankers-koen, hollywood

Fanny Blankers-Koen ondergaat een schoonheidsbehandeling in 'House of Westmore', een schoonheidssalon in Hollywood. Allereerst worden haar haren door een schoonheidsspecialiste gewassen. De serie 'Fanny in Amerika' bevat zes foto's.
Banquet of Distinguished Turkish Women
Object type: painting
Date: 1720 – 1737
Materials: canvas, oil
Artist: jean baptiste vanmour
Artist role: painter
Artist dates: 1671 – 1737
Subjects: slavery; serfs and enslaved persons, waiting at table, evening meal, dinner, supper

Here we see a group of women surrounded by enslaved female servants and on the sofa near the window a woman nursing her child. Affluent Turkish women visited one another frequently. The guests also often spent the night. It was said that a well-connected woman never had to stay at home, but could be out visiting all the time.
Faun of Praxiteles, Capitol
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: vatican city
Artist: Anonymous
Subjects: youth, adolescent, piece of sculpture, reproduction of a piece of sculpture

Onderdeel van Fotoalbum met opnames van bezienswaardigheden en kunstwerken in Rome.
King Solomon Receiving the Queen of Sheba
Object type: drawing
Date: 1624 – 1663
Materials: ink
Techniques: pen
Artist: francesco allegrini
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1679
Subjects: kings,queens,men,women
Cover of L'Estampe originale, with notes
Object type: print
Date: 1893 – 1893
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Landschappen met ruïnes en fantasie-architectuur en figuren in antieke en exotische dracht
Object type: print
Date: 1560 – 1570
Materials: paper
Techniques: etching
Location: vicenza
Artist: giovanni battista pittoni (i)
Artist role: print maker
Artist dates: 1520 – 1583
Subjects: landscape with ruins, fantastic architecture, unrealistic architectural fantasies
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Vermoedelijk is deze prentreeks onbeschreven (vergelijk Passavant, deel 6 p. 169-170, nr. 1). Het is vooralsnog onduidelijk of de reeks compleet is of wellicht uit meer prenten bestond.
Head of Tiye
Object type: head of tiye, human remains
Date: 1070 – 945
Location: egypt

In the 1923–24 the Metropolitan Museum excavated a tomb (MMA 60) that was used for the burials of at least twelve elite individuals who lived around 1000 BCE. The tomb included the mummified body and funerary equipment of a woman named Tiye, who was a singer for the god Amun. As was often the case at the time but is considered unethical today, her mummy was unwrapped, partially dissected, and studied by The Met’s archaeologists and a medical professional, in this case Douglas Derry, a professor of Anatomy at the School of Medicine in Cairo. It is unknown when and how Tiye’s head was detached from her body. This might have happened accidently during the unwrapping, but it is also possible that it was purposefully separated during the study of her body. Tiye’s extended ear lobes have very large piercings for the substantial earrings that she must have worn in life. A second set of piercings were made further up the lobe and are much smaller. During mummification Tiye’s cheeks had been filled with packing material to give a more life-like impression. However, the tip of her nose was crushed downward and to the side by the pressure of the linen bandages. At the time of the excavation a system called partage, or division of finds, was standard practice in Egypt. This meant that about half of the finds were allocated to the institution or individuals sponsoring the excavations, while the other half remained the property of the Egyptian government and went to the Egyptian Museum in Cairo or was stored locally. As part of this system the Museum received objects from Tiye’s burial equipment (such as her inner coffin, see 25.3.315a, b) as well as her head, while Tiye’s body seems to have remained in Egypt.
Staande vrouw met uitgestoken handen, in profiel
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, pencil
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: arm stretched forward - aa - both arms or hands, adult woman (+ standing)

Blad 22 verso uit schetsboek LII met 43 bladen.
The Apotheosis of the Spanish Monarchy
Object type: painting, sketch for a ceiling painting
Date: 1760 – 1769
Materials: canvas, oil
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: eagles,apollo,jupiter

This is one of two oil sketches at The Met that Tiepolo made in preparation for a painted ceiling in Madrid’s royal palace. Typical of Tiepolo’s practice, the final version incorporates elements of both preliminary sketches while also introducing new ideas. Here, Apollo lithely arrives on a bank of clouds while holding a royal scepter and cradling his lyre, the symbol of his domains of music and art. Mercury, messenger of the gods, presents a crown to the enthroned allegorical figure of Spain. Jupiter commands the scene, while Fame blows a trumpet. At lower left, loosely sketched allegories represent continents meant to be seen as subservient.
Twenty-five bust portraits of famous scholars
Object type: handscroll
Materials: ink, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: men,portraits

A series of twenty-five bust portraits spreads across this handscroll like a procession. Close examination of the paper reveals that each portrait was originally labeled, but these labels were removed prior to the painting’s entry into The Met collection, so it is difficult to identify the figures. They appear to be famous scholars from throughout Chinese history; the man with the distinctive dark beard and tall black hat near the end bears a striking resemblance to other portraits of the scholar and statesman Wang Yangming (1472–1529). Further research may reveal the identities of other figures.
Head of a Cat (Middle Size)
Object type: print
Date: 1646 – 1646
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: cats
Iconographie
Object type: print
Date: 1645 – 1646
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: sculptor, johannes van mildert
Inscriptions: collector's mark: Lugt 240

Prent gebruikt voor: Icones principum, virorum doctorum, pictorum, chalcographorum, statuariorum nec non amatorum pictoriae artis numero centum ab Ant. van Dyck ad vivum expressae ejusque sumptibus aeri incisae. Antwerpen: Gillis Hendricx, [1645-1646].
Willem III, bevrijder van Groot-Britannie en Lodewijk XIV, de bedrieger
Object type: copy
Date: 1691 – 1691
Materials: tin
Techniques: striking
Artist: Anonymous
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), lodewijk xiv (koning van frankrijk)
Shoes
Object type: shoe
Date: 1860 – 1869
Materials: linen
Culture: american or european
Portret van Christian Gottlieb Schwarz
Object type: print
Date: 1722 – 1722
Materials: paper
Techniques: engraving
Subjects: historical persons, portrait of a writer, historical disciplines; philology (+ portrait of scholar, scientist), professor, armorial bearing, heraldry

Prent waarschijnlijk uit: Apin, Siegmund Jacob. Vitae Professorum philosophiae qui a condita Academia Altorfina ad hunc usque diem claruerunt. Neurenberg en Altdorf: erven Johann Daniel Tauber, 1728.
Cleared Out
Object type: print
Materials: ivory, paper
Techniques: lithograph
Location: france
Artist: jean louis forain
Artist nationality: french
Artist dates: 1852 – 1931
Mold
Object type: mold
Date: 900 – 801
Materials: stone
Culture: iranian
Location: iran
Mannen verwijderen boeken uit de Bibliothèque du Roi
Object type: print
Date: 1775 – 1800
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: bookshelves, plunder of the arts, armillary sphere, skeleton celestial globe, public library
Inscriptions: collector's mark: Lugt 2228

Zes mannen met enterhaken verwijderen boeken van de planken in de Bibliothèque du Roi. Drie van hen dragen scharen om hun middel en een van hen draagt een vlag met een schaar en de tekst: 'Ils nous ont derobe, derobons nos ayeux!' In het midden trekt een geestelijke op een trap met zijn enterhaak boeken van de plank af. Naast hem vernielt een man met geografische werken onder zijn arm met zijn enterhaak een hemelglobe. Rechts op de voorgrond is een man bezig met het overschrijven van werken van Pietro Metastasio. In de achtergrond vechten twee mannen om een boek getiteld 'Vaudeville'.
Dirck Barendsz (1534-92), Painter
Object type: painting
Date: 1590 – 1590
Materials: canvas, oil
Artist: cornelis ketel
Artist role: draughtsman, painter
Artist dates: 1548 – 1616
Subjects: amsterdam, draughtsman, dirck barendsz., historical persons, portrait, self-portrait of artist
Inscriptions: signature, date and inscription: ‘Aetatis 55 1590 CK F. Swygende hoop ick’

Portret van de schilder Dirck Barendsz. Buste, naar rechts, met een zwarte hoed.
Brief aan Christiaan Moes
Object type: letter
Date: 1925 – 1925
Materials: ink, paper
Techniques: pen, writing
Location: leiden
Artist: johan huizinga
Artist dates: 1872 – 1945
Subjects: den bosch, painter, print maker, draughtsman, antoon derkinderen, engineer
Inscriptions: collector's mark: ‘RPK’
Zilli mașa
Object type: zilli mașa
Date: 1867 – 1900
Materials: brass, iron
Culture: turkish
Location: turkey
Portret van Johannes Bosboom
Object type: photomechanical print
Date: 1882 – 1924
Materials: paper
Techniques: autotype
Subjects: the hague, painter, print maker, draughtsman, johannes bosboom, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2233
Portret van Johan Maurits van Nassau-Siegen
Object type: print
Date: 1635 – 1676
Materials: paper
Techniques: drypoint, engraving
Location: northern netherlands
Artist: theodor matham
Artist role: draughtsman, print maker
Artist dates: 1605 – 1676
Subjects: earl, johan maurits graaf van nassau-siegen, helmet, protective weapons: shield, armour, baton of general, armorial bearing, heraldry, dog
Inscriptions: collector's mark: Lugt 12, collector's mark: Lugt 573

Portret van de gouverneur in Brazilië, Johan Maurits van Nassau-Siegen, in wapenrusting. Aan zijn voeten een hond en naast hem een schild waarop het motto: Qua patet orbis. Rechts een helm. Op de achtergrond de aanzet voor een figuur met een paard.
Hoka-zo, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Portret van Gaspar de Gusmán, graaf van Olivares, hertog van St. Lucar
Object type: print
Date: 1638 – 1650
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: gaspard de gusmán (graaf van olivares, hertog van san lucar)
Inscriptions: collector's mark: Lugt 240

Portret van Gaspar de Gusmán in een allegorische omlijsting met fakkels, een uil en palmbladeren. Links de knots en de leeuwenhuid van Hercules, rechts een wapenschild met het hoofd van Medusa. Onder het portret op een sokkel het wapen van Filips IV van Spanje.
Miniature cake basket
Object type: cake basket
Date: 1799 – 1800
Materials: silver
Artist: nicolas hearnden
Artist role: maker
Artist dates: 1773 – 1773
Groep figuren, mogelijk in een café
Object type: sketchbook leaf
Date: 1877 – 1932
Materials: chalk, paper
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: anatomy (non-medical), inn, coffee-house, public house, etc., chair

Pagina 33 uit een schetsboek met 32 bladen.
Kelkglas met een trechtervormige kelk
Object type: goblet
Date: 1600 – 1699
Materials: glass
Techniques: façon de venise, glassblowing
Location: low countries
Artist: Anonymous

Platte voet. De stam opgebouwd uit drie holle, geribde nodi, vier gladde verbindingsstukken, drie gladde nodi en vier schijven. Wijde, trechtervormige, aan de onderzijde afgeronde kelk.
Bomen zonder blad
Object type: drawing
Date: 1939 – 2009
Materials: charcoal, paper
Artist: kees stoop
Artist role: draughtsman
Artist dates: 1929 – 2019
Subjects: groups of trees
Inscriptions: signature: ‘KS’
The Hahakigi Chapter from "The Tale of Genji" (Genji Hahakigi), from a series of Genji parodies
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: woodblock print, sumizuri
Location: japan
Artist: okumura masanobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1686 – 1764
Ruïne van een toren te Aarschot
Object type: print
Date: 1852 – 1906
Materials: paper
Techniques: etching, intaglio
Artist: emilie rolin-jacquemijns
Artist role: print maker
Artist dates: 1842 – 1906
Subjects: landscape with ruins
Inscriptions: collector's mark: Lugt 2228
A Couple
Object type: print
Date: 1801 – 1833
Techniques: woodblock print, surimono
Location: japan
Artist: ryuryukyo shinsai
Artist role: draughtsman, print maker
Artist nationality: japanese
Artist dates: 1764 – 1820
Arm and hand from statuette
Object type: arm and hand from statuette
Date: 7000 – 330
Materials: bronze
Subjects: hands
Vlucht van Dumouriez, 1793
Object type: print
Date: 1793 – 1795
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: joannes bemme
Artist role: print maker, printer
Artist dates: 1775 – 1841
Subjects: putting the enemy to flight
Inscriptions: collector's mark: Lugt 2228

Vlucht van de Franse generaal Dumouriez, 4 april 1793. De generaal steekt met een aantal officieren te paard een riviertje over, achterna gezeten en beschoten door een leger aan de overzijde.
Dancer standing with pointed toe, from the Actresses series (N668)
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Subjects: profiles,women,actresses,dancers

Trade cards from the "Actresses" series (N668), issued ca. 1888. The publisher is unknown.
Plan de la ville d'Ostende
Object type: map
Date: 1707 – 1707
Materials: paper
Techniques: etching
Location: brussels
Subjects: françois nicolaas fagel, the hague, maps of separate countries or regions, siege, position war
Inscriptions: collector's mark: ‘Archives Hollandaises’, collector's mark: ‘Depot General des Fortifications’

Kaart van het beleg van Oostende door de Geallieerden onder Hendrik van Nassau, heer van Ouwerkerk, belegerd vanaf 17 juni, ingenomen op 6 juli 1706. Linksboven een cartouche met de titel en de legenda 1-57 in het Frans. Linksonder een cartouche met een lijst van de regimenten die deel namen aan de belegering met bovenin het wapen van Hendrik van Nassau, heer van Ouwekerk en rechtsonderin een schaalstok: Eschelle de 300 Toises.
Kunstmatige waterval in het parc français tijdens de Wereldtentoonstelling van 1867
Object type: stereograph
Date: 1867 – 1867
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Subjects: world fair, world exhibition, garden cascade, paris
Inscriptions: check stamp: ‘CONCESSION/ */ UNIQUE’, inscription: ‘32.’
Stag and doe running towards the right, two dogs behind them to left, from "Hunts of various animals" (Chasses à différents animaux)
Object type: print
Date: 1651 – 1657
Techniques: etching, printing
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: deer,dogs
Platstaartslangen
Object type: print
Date: 1764 – 1784
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Subjects: snakes
Inscriptions: collector's mark: Lugt 2228

Kopie naar prent in: Vosmaer, Arnouth. Natuurkundige beschryving eener uitmuntende verzameling van zeldsaame gedierten : bestaande in Oost- en Westindische viervoetige dieren, vogelen en slangen : weleer leevend voorhanden geweest zynde, buiten den Haag, op het Kleine Loo van Z.D.H. den Prins van Oranje-Nassau. Amsterdam: J.B. Elwe, 1804.
Sleeves
Object type: sleeve
Date: 1601 – 1800
Materials: linen, wool
Subjects: fish
Briefkaart aan Jan Veth
Object type: postcard
Date: 1891 – 1891
Materials: cardboard, ink
Techniques: pen, writing
Location: amsterdam
Artist: chap van deventer
Artist role: kunstcriticus, scheikundige, schrijver
Artist dates: 1860 – 1931
Subjects: painter, print maker, draughtsman, designer, jan veth, literature ~ arts, family life
Inscriptions: collector's mark: ‘RPK’
Portret van een (vermoedelijk) Nederlandse militair
Object type: album leaf
Date: 1875 – 1875
Materials: cardboard, paper, photographic support
Techniques: carbon print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: warfare; military affairs, (military) uniforms, division of armed forces, amsterdam
Inscriptions: address: ‘Amsterdam Nieuwendijk L. 89.’, inscription: ‘1875’

Onderdeel van Album met cartes-de-visite en kabinetfoto's van militairen in uniform.
Très Parisien, 1931, No. 6 : Créations Jenny. / 1. - D'un esprit très sport....
Object type: fashion print
Date: 1931 – 1931
Materials: paper
Techniques: hand coloring, letterpress printing, lithography
Location: paris
Subjects: neck-gear ~ clothing (revers) (+ women's clothes), coat (+ women's clothes), head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), flowers in a vase, sleeves (+ women's clothes)
Inscriptions: caption: ‘1. Créations Jenny. / 1.- D'un esprit très sport est ce charmant ensemble en jersey fantaisie jaune découpé sur du lainage marron. La petite veste a de curieuses manches élargies au-dessus d'un poignet serré et des revers en lainage uni.’, title: ‘"Très Parisien"/ No 6. - 1931’

Ontwerpen van modehuis Jenny. Ensemble van gele 'jersey fantaisie' en bruine wol. Jas met bijzondere mouwen: gladde bovenmouw en poffende ondermouw. Revers van effen wol. Prent uit het modetijdschrift Très Parisien (1920-1936).
Portret van Cesare Brancadoro
Object type: print
Date: 1789 – 1849
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: rome, cardinal, historical persons
Saucer
Object type: saucer
Date: 1815 – 1821
Materials: hard paste porcelain
Fan
Object type: fan
Date: 1867 – 1900
Materials: feather, ivory, lace, paper, textile
Gezicht op het Friedrichsbau, onderdeel van het Schloss Heidelberg
Object type: cabinet photograph
Date: 1895 – 1900
Materials: cardboard, paper
Techniques: photograph
Location: heidelberg
Artist: Anonymous
Subjects: palace, façade (of house or building)
Inscriptions: inscription: ‘Heidelberg (slot) 3 Aug. 1900.’
Coverlet
Object type: textile
Date: 1840 – 1840
Materials: textile, cotton, wool
Techniques: weave
Location: pennsylvania
Subjects: diamond shapes, foliage, flowers, pine trees, lines, keys, squares, coverlet
Inscriptions: Inscription (in bottom left corner block): Joseph [illegible last name of weaver or owner]  Wove in 1840.; (on reverse): P W H
The Elephant from a set of five Grotesques
Object type: tapestry
Materials: silk, wool
Artist: jean-baptiste monnoyer
Artist role: designer
Artist nationality: french
Artist dates: 1636 – 1699
Subjects: birds,men,women,dancing,sphinx,elephants,leopards

Presenting musicians, acrobats, and exotic animals within a fanciful architectural setting, this tapestry is from a set known as the Berain Grotesques, in reference to the pervasive stylistic influence of Jean Berain (1640–1711), who may even have provided preliminary sketches. The Classical architecture, flora, fauna and figures against the blank ground was in emulation of the Roman wall-paintings excavated in the subterranean chambers of Nero's palace in Rome (erroneously called 'grotti', hence 'grotesques'.) The light-hearted subject matter and whimsical design contrast with the heavier, ornate style that had characterized French tapestry during the third quarter of the seventeenth century. The series enjoyed immense popularity during the late seventeenth and early eighteenth centuries, and the Beauvais workshop produced many weavings for international clients.
De bekering van Paulus
Object type: print
Date: 1595 – 1596
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: on the way to damascus christ appears to saul, who falls from his horse and is blinded by the light
Inscriptions: collector's mark: Lugt 2228

Een reisgezelschap in een berglandschap wordt opgeschrikt door een stem en fel licht uit de hemel (verbeeld door de tekst 'Savl Savl qvid persequeris me' in een lichtstraal). Links op de voorgrond zit Paulus op de grond nadat hij van zijn paard is gevallen; reisgezellen staan bezorgd om hem heen. Rechts op de voorgrond worden een man en een vrouw geboeid meegevoerd door een troep ruiters. Op de achtergrond is een stad zichtbaar. Onder de voorstelling een achtregelig Latijns gedicht.
View of Hill Town
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: belgium
Artist: Anonymous
Artist nationality: flemish
Artist dates: 1600 – 1699
Coin
Object type: coin
Date: 1001 – 1100
Materials: copper
Location: iran
Strip
Object type: strip
Date: 1601 – 1700
Techniques: lace

Gorgeous apparel The work of professional female lace-makers from Genoa was highly sought-after in the seventeenth century throughout Europe. This ornately worked edging is a reminder of the textile layering used in the finest fashions of the period.
Hat
Object type: hat
Date: 1820 – 1820
Materials: silk
Culture: american
De Roomsch Catholyke Kerk De Liefde, Buiten de Raampoort te Amsteldam
Object type: print
Date: 1791 – 1791
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: interior of church
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Kerkwezen: R.K. Gemeenten: Begijnhof t/m Petrus en Paulus.
Mosque Lamp
Object type: mosque lamp
Date: 1201 – 1300
Materials: earthenware
Techniques: glazing
Location: syria
Gezicht op Tiel vanaf de Waal
Object type: book illustration
Date: 1740 – 1740
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: river (+ landscape with figures, staffage), prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage)
Inscriptions: date

Prent uit: Wagenaar, Jan. Tegenwoordige staat der Vereenigde Nederlanden (...). Amsterdam: Isaak Tirion, 1741, dl. 3.