deem-data/ArtiFact huggingface dataset:
Pair of earflares with condors
Object type: earflare
Date: 501 – 700
Materials: gilt copper, gold, shell, silver
Culture: moche
Location: peru
Subjects: birds

Moche metalworkers were among the most inventive and talented in ancient Peru. They developed sophisticated mechanical and metallurgical techniques for joining the three basic metals they worked: gold, copper, and silver. On these technically complex earflares, the front plates are made of sheet gold to which repoussé silver birds are attached by small tabs. The back plates and shafts are of gilded copper and also join in this manner. The ornaments were worn in the distended lobes of the ears, the long tubular shafts counterbalancing the weight of the frontals. The birds with massive talons and strong, curved beaks adorning these earflares depict Andean condors, identified by the large caruncle (fleshy protuberance) at the base of their beaks and the wattle around their necks. Impressive birds with a wing span of up to ten feet, Andean condors inhabit the high Andes mountains above 9,000 feet. They are primarily carrion eaters, but will occasionally kill for food. Condors and vultures are highly symbolic birds and are a frequent theme in Moche art. They embellish tumis, or knives used in ritual sacrifice, and are often shown pecking at human and animal heads and bodies. Because of their eating habits, they have a natural connection with predation, death, and sacrifice. Perhaps these ornaments were worn by an individual performing a sacrifice.
Dish
Object type: ceramic
Date: 1750 – 1759
Materials: stoneware
Techniques: salt glaze
Location: staffordshire
Illustration to Vier Bücher von der Menschlichen Proportion, plate one from Woodcuts from Books of the XVI Century
Object type: print
Materials: ink, paper
Techniques: woodcut
Location: germany
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Petit Courrier des Dames, 1823, No. 135 : Robes de percal (...)
Object type: fashion print
Date: 1823 – 1823
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: clothing for the upper part of the body (shawl) (+ women's clothes), border, ribbon, braid (+ women's clothes), twigs ~ building material (+ variant), fashion plates, head-gear: hat (+ women's clothes), dress, gown (+ women's clothes), flowers: poppy, clothing for the upper part of the body (with name) (+ women's clothes)
Inscriptions: title: ‘Petit Courrier des Dames’, title: ‘Modes de Paris’, address: ‘Rue Meslée No. 25.’, caption: ‘Robes de percale et de baptiste écru,garnie de biais et de volants; corsage à la Figare; Chapeau de crépe orné de pavots, d'une branche de bois, et de larges rubans ombrés, formant des ailes de Chauve-Souris.’

Twee vrouwen, van wie één op de rug gezien, in japonnen van katoenbatist (percale) en ecrukleurig batist, gegarneerd met biaisband en volants. Lijfje 'à la Figaro'. Hoed van crêpe versierd met klaprozen, een tak en brede linten. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Mounted Scarab Incised with Nefer Sign in Scroll Border
Object type: scarab, nefer, scroll, ring mounting
Date: 1850 – 1640
Materials: gold, stone
Location: egypt
Subjects: scarabs

The majority of design scarabs of the late Middle Kingdom (late Dynasty 12–Dynasty 13, ca. 1850–1640 B.C.) are decorated with symmetric compositions of protective hieroglyphs and/or scrolls. Decorative scroll borders are very popular and enclose one or more hieroglyphs, which usually include the sign for good and beautiful (nefer).
Marble head of Athena: The so-called Athena Medici
Object type: head of athena
Date: 138 – 192
Materials: marble
Culture: roman
Subjects: heads,athena

Copy of a Greek statue of ca. 430 B.C. attributed to Pheidias This head is from a fine Roman copy of an over-life-sized statue of the goddess Athena which has long been attributed to Pheidias, the most famous artist of that period. The eyes were once inset with colored stones. The head retains part of the frontlet and neck guard of an Attic helmet that was originally completed in wood and gilded. This combination of marble and wood, whereby the drapery and attributes such as the helmet were worked in wood and gilded while the flesh parts were carved in marble, is known as the acrolithic technique. It imitated the appearance of immensely valuable gold and ivory statues, such as the great Athena Parthenos that stood inside the Parthenon in Athens and the colossal seated statue of Zeus at Olympia.
Design for Cabriolet or Victoria, no. 3831
Object type: drawing
Date: 1883 – 1883
Materials: gouache, ink
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Man wordt opgebracht door twee heren in burger
Object type: drawing
Date: 1832 – 1891
Materials: paper, pencil
Techniques: brush
Artist: herman frederik carel ten kate
Artist role: draughtsman, painter, print maker
Artist dates: 1822 – 1891
Inscriptions: inscription: ‘II’

Boekillustratie voor roman uitgegeven door A.C. Kruseman te Haarlem, no.II (?)
Portret van een man met insigne op jas
Object type: carte de visite
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: batavia
Subjects: historical persons, insignia of companies, etc.
Inscriptions: inscription: ‘Woodbury & Page/ Photographers/ Java’
Brief aan Philip Zilcken
Object type: letter
Date: 1907 – 1907
Materials: cardboard, ink
Techniques: pen, printing, writing
Location: paris
Artist: vittorio pica
Artist role: criticus
Artist dates: 1864 – 1930
Subjects: venice, rome, politician, antonio fradeletto, painter, draughtsman, philip zilcken, the graphic arts, exhibition ~ art, the hague, brussels, paris
Inscriptions: collector's mark: ‘RPK’
Landschap met de barmhartige Samaritaan
Object type: print
Date: 1594 – 1635
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: landscapes in the temperate zone, a samaritan tending the wounds of the traveller
Inscriptions: collector's mark: Lugt 2228

In een Italiaans kustlandschap verzorgt de barmhartige Samaritaan de gewonde reiziger. Naast hen staat de ezel van de Samaritaan. Naar het Bijbelverhaal uit Luc. 10: 25-37.
Bronze ring
Object type: ring
Date: 400 – 301
Materials: bronze
Culture: greek
Subjects: warriors

Young warrior crouching in an attitude of defense.
De Vreede tusschen 's Lands Staaten en Prins Willem den Vyfde
Object type: print
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: calligraphy
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1641a

Kalligrafische allegorie op het herstel van de vrede tussen de Staten-Generaal en prins Willem V, ter gelegenheid van de inhaling van de prins en prinses van Oranje in Den Haag op 20 en 24 september 1787. Met twee allegorische medaillons met de Vrede en de Vrijheid, een portret van de prins en de Hollandse Leeuw. Onderaan een tweeregelig onderschrift.
Plate
Object type: plate
Date: 1771 – 1772
Materials: silver
Artist: marc-antoine-noel leroy
Artist role: maker
Artist dates: 1738 – 1838
Standing Female Nude
Object type: print
Date: 1701 – 1800
Materials: chalk
Artist: gilles-antoine demarteau
Artist role: artist
Artist nationality: french
Artist dates: 1756 – 1802
Subjects: female nudes
Naufrage de Virgine
Object type: print
Date: 1829 – 1898
Materials: paper
Techniques: etching
Artist: auguste thomas marie blanchard
Artist role: print maker
Artist dates: 1819 – 1898
Subjects: shipping accident; sickness and death at sea, (scenes from) specific works of literature: bernardin de saint-pierre, paul et virginie
Inscriptions: collector's mark: Lugt 2228
J. Bem. Es lebe Ungarn! Es lebe die Freiheit!
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: engineer, adult man, historical persons
Inscriptions: collector's mark: Lugt 2228, mark: Lugt 2141c
Portret van Johann Ehinger op 55-jarige leeftijd
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: engraving
Subjects: augsburg, theologian, historical persons, crucifix ~ personal devotion
Inscriptions: collector's mark: Lugt 2228

Een Bijbeltekst uit Gen. 32:10 in het Latijn op de sokkel onder het crucifix en tekst in het Duits in de ondermarge.
Goudvink
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: printing, engraving, lithography
Location: netherlands
Subjects: song-birds: goldfinch
Inscriptions: collector's mark: Lugt 2228
Koe loopt schuur in
Object type: print
Date: 1763 – 1804
Materials: paper
Techniques: woodcut
Artist: johann friedrich gottlieb unger
Artist role: print maker
Artist dates: 1753 – 1804
Subjects: cow, animals
Inscriptions: collector's mark: Lugt 2228
Het paarden spel is fraai om zien, / Ik zal er hier de schets van biên / Le tournoi bien souvent est beau, / Je vous en rendrai le tableau
Object type: print
Date: 1833 – 1900
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, warfare; military affairs (+ cavalry, horsemen), horses (circus performance)
Inscriptions: collector's mark: Lugt 2760

Blad met 12 voorstellingen van curcusartiesten, ruiters en militairen met paarden. Onder elke voorstelling een tweeregelig vers in het Nederlands en in het Frans. Genummerd midden boven: N. 37.
Man in een roeiboot bij een steiger
Object type: sketchbook leaf
Date: 1876 – 1877
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: rowing-boat, canoe, etc., pier, quay, wharf

Blad 21 verso uit een schetsboek met 41 bladen.
Landscape Study (from Sketchbook)
Object type: drawing
Date: 1904 – 1904
Materials: graphite, paper
Culture: american
Artist: mary newbold sargent
Artist role: artist
Artist nationality: american
Artist dates: 1826 – 1906
Subjects: landscapes
Groep Algerijnen
Object type: sketchbook leaf
Date: 1922 – 1922
Materials: paper, pencil
Location: biskra
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: making music; musician with instrument, africans

Mogelijk zijn de figuren aan het musiceren. Eén man lijkt een fluit te bespelen, een ander draagt mogelijk een slagwerkinstrument. Pagina 1 uit een schetsboek met 31 bladen.
Boeloe Hawar, Battak Kampong
Object type: photograph
Date: 1890 – 1900
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: medan
Subjects: human races, peoples and nationalities (other than prehistoric or extinct), sumatra

Boeloe Hawar, Battak Kampong op Sumatra. Foto geplakt op losgesneden blad uit album, op verso bevindt zich nog een foto uit dezelfde serie
Zittende mannen
Object type: sketchbook leaf
Date: 1887 – 1887
Materials: chalk, paper
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: sitting figure, adult man, head-gear: hat (+ men's clothes), historical costume

Eén figuur draagt historisch, mogelijk zeventiende-eeuws, kostuum. Pagina 13 uit een schetsboek met 19 bladen.
Des vor Schlosser aufgezeichnete neuen Bandel-Wercks anderer Theil (...)
Object type: ornament print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Location: germany

De tekst staat in twee cartouches van rolwerk met bladranken, dieren en figuren. Tussen de cartouches in staat: N.o 207.
Venster met gordijnen
Object type: print
Date: 1885 – 1895
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: window, hangings and drapery
Inscriptions: : ‘Droits de reproduction réservés.’

Kruisvenster met gordijnen in gotische stijl. Prent uit 302e Livraison.
Dish
Object type: dish
Date: 1710 – 1730
Materials: hard paste porcelain
Subjects: flowers

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Wet Under Foot
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Guisarme for a Child
Object type: guisarme for a child
Date: 1601 – 1700
Materials: steel, wood
Culture: italian
Location: italy
Gevel van het Ca' d'Oro te Venetië
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: venice
Artist: Anonymous
Subjects: canal, façade (of house or building)
Inscriptions: inscription: ‘Palazzo Ca' Doro Venezia’
Het stadhuis te Goch
Object type: drawing
Date: 1744 – 1744
Materials: ink, paper
Techniques: brush, pen
Artist: jan de beijer
Artist role: draughtsman, print maker
Artist dates: 1703 – 1780
Subjects: townhall, public road, germany
Head of a Woman
Object type: sculpture
Date: 1450 – 1500
Materials: limestone, stone
Techniques: carved
Culture: french
Location: france
Subjects: woman, busts, crowns, faces, fragment, head, headdresses
Illustration for a Book:  Figures in Conversation in a Garden
Object type: drawing
Date: 1696 – 1770
Materials: chalk
Artist: giovanni battista tiepolo
Artist role: artist
Artist nationality: italian
Artist dates: 1696 – 1770
Subjects: gardens,men,women,dogs
Man geeft geld aan twee bedelaars
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: etching
Subjects: giving alms or other charity, e.g.: handing out food, beggar
Inscriptions: collector's mark: Lugt 2228
Design for the Decoration of the Lower Right Corner of a Ceiling, Plate 1 from: 'Unterschiedliche neü inventirte Decken oder Plafond.'
Object type: album print ornament architecture
Techniques: etching
Artist: carl pier
Artist role: artist
Artist nationality: german
Artist dates: 1700 – 1790
Subjects: ornament

Ornament print with a design for the decoration of the lower right corner of a ceiling with thin elegant rocaille motifs and the offshoot of a plant in the corner. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.
Taweret amulet
Object type: amulet, taweret
Date: 2110 – 2030
Materials: ivory
Location: egypt
Coin
Object type: coin
Date: 206 – 220
Materials: bronze
Culture: chinese
Toegangspoort van Versailles
Object type: photograph
Date: 1900 – 1920
Materials: paper
Techniques: gelatin silver print
Location: versailles
Artist: Anonymous
Subjects: gate, entrance
Inscriptions: number: ‘1’
Bronze belt end tip
Object type: belt tip
Date: 601 – 900
Materials: metal
Culture: alanic
Location: caucasus
Cup (one of a set)
Object type: cup
Date: 1501 – 1600
Materials: gilt, silver
Subjects: animals,women
Kaart van Schouwen-Duiveland
Object type: map
Date: 1753 – 1760
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: (story of) neptune (poseidon), maps of separate countries or regions
Inscriptions: collector's mark: Lugt 19

Linksonder de titelcartouche met rechts Neptunus. Rechtsboven een cartouche met de legenda. Rechtsonder een schaalstok: Schaale van duisend roeden Rynlands. Gradenverdeling langs de randen.
Capital of a Double Pilaster
Object type: capital
Date: 501 – 700
Materials: limestone
Techniques: carving
Location: egypt

In the 500s Apa (Father) Jeremias founded a Coptic monastery at Saqqara, the ancient Egyptian necropolis (cemetery) of the city of Memphis, near the oldest pyramids. He and the earliest monks lived in tombs at the site. As the monastery grew, several grand churches with lavish decoration were built, as well as many chapels, public buildings, and complexes of cells (rooms) for each monk. The monastery continued to grow after the Arab conquest with materials from early Byzantine tomb structures being reused for additional monastic structures. Inscriptions record prayers to numerous holy figures. Sculptural elements from Saqqara are often carved with deeply undercut patterns to intensify the play of light and shadow and to mask the solidity of the architecture. This sculptural style was popular throughout the Byzantine world in the 500s.
Portret van een onbekende oude man in een stoel
Object type: print
Date: 1797 – 1797
Materials: paper
Techniques: etching
Subjects: sitting figure, head-gear (+ feathers used for clothes), old man
Inscriptions: collector's mark: Lugt 2228

Portret van een onbekende oude man in een stoel. Kniestuk, zittend naar rechts gedraaid. Zijn handen omklemmen een wandelstok. De man is gehuld in een met bont omzoomde mantel, zijn hoofd is getooid met een gevederde hoed.
Bead ornamented with coarse granules
Object type: bead ornamented with coarse granule
Date: 600 – 401
Materials: gold
William Ewing, Catcher, New York, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes
Object type: baseball card
Date: 1888 – 1888
Techniques: lithography
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,baseball,athletes

Trade cards from "World's Champions," Second Series (N43), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Potpourri Jar
Object type: ceramic
Date: 1810 – 1820
Materials: earthenware
Techniques: glazing
Location: staffordshire
Suzanna en de ouderlingen
Object type: print
Date: 1624 – 1624
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the elders making advances towards susanna
Inscriptions: collector's mark: Lugt 10, collector's mark: Lugt 11

Susanna wordt bij het baden door twee oudsten betast. Ze probeert haar lichaam te bedekken.
Allegorical cartouche
Object type: drawing
Date: 1842 – 1888
Materials: graphite
Artist: felix octavius carr darley
Artist role: artist
Artist nationality: american
Artist dates: 1822 – 1888
Ramleh
Object type: photograph
Date: 1857 – 1857
Techniques: albumen print
Location: england
Artist: francis frith
Artist role: publisher
Artist nationality: english
Artist dates: 1822 – 1898
Subjects: collected by hugh edwards, egypt and palestine
Vrouw met twee peuters met dezelfde kleding en petten in een bolderkar, waarschijnlijk de tweeling Ad en Johanna van der Kop en een familielid
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: schoonhoven
Artist: willem carel van der kop
Artist role: amateurfotograaf
Artist dates: 1869 – 1924
Subjects: baby-carriage, pram, perambulator, twins, family life, head-gear: cap, tot, toddler ~ the ages of man, brothers or sisters (second degree family relationships)

Onderdeel van Fotoalbum met opnames van Ad, Johanna en Han van der Kop, hun moeder W.G. Hoogendijk en familieleden.
View of Houses in Delft, Known as The Little Street
Object type: painting
Date: 1658 – 1658
Materials: canvas, oil
Artist: johannes vermeer
Artist role: draughtsman, painter
Artist dates: 1632 – 1675
Subjects: home sewing; repair of clothes, children's games and plays (+ out of doors (sports, games, etc.)), civic architecture; edifices; dwellings, street, delft
Inscriptions: signature: ‘I. VMeer’

This is an unusual painting in Vermeer’s oeuvre, and remarkable for its time as a portrait of ordinary houses. The composition is as exciting as it is balanced. The old walls with their bricks, whitewash, and cracks are almost tangible. The location is Vlamingstraat 40–42 in Delft. Vermeer’s aunt Ariaentgen Claes lived in the house at the right, with her children, from around 1645 until her death in 1670.
Rivierlandschap met enkele gebouwen
Object type: print
Date: 1854 – 1911
Materials: paper
Techniques: etching, intaglio
Location: brussels
Subjects: river
Inscriptions: collector's mark: Lugt 2228
Servius Sulpicius Galba
Object type: locket
Date: 1700 – 1800
Materials: mother of pearl
Location: netherlands
Artist: Anonymous

Een medaillon van parelmoer, waarop een afbeelding is gesneden van een Romeinse keizer, met randschrift: SER:GALBA.
Tentoonstelling met tekeningen en prenten van Willem Molkenboer, waarschijnlijk in de Rijksnormaalschool voor Teekenonderwijzers
Object type: photograph
Date: 1880 – 1910
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: wilhelmus bernardus gerardus molkenboer, interior ~ representation of a building, temporary exhibition, 'salon'
Inscriptions: inscription: ‘Tent Molkenboer?’
Rank Badge with Wild Goose
Object type: rank badge
Date: 1867 – 1900
Materials: metal thread, silk
Culture: chinese
Subjects: bats,geese
Lord Talbot de Malahide
Object type: photomechanical print
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: politician, historical persons (portraits and scenes from the life) (+ (full) bust portrait), politician, e.g. party leader
Portret van een onbekende vrouw
Object type: carte de visite
Date: 1894 – 1900
Materials: cardboard, photographic support
Techniques: matte daylight collodion silver print
Location: antwerp
Artist: henri van boghout
Artist role: fotograaf
Artist dates: 1861 – 1933
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Photographie/ Henry/ DIPLÔME A L'EXPOSITION/ UNIVERSELLE 1894/ ANVERS/ MARCHÉ ST. JACQUS 47 2/ ATELIER DE POSE AU JARDIN/ Les clichés sont conservés * De platen worden bewaard.’
Terracotta fragment of a closed shape
Object type: undetermined closed shape
Date: 480 – 470
Materials: terracotta
Culture: greek, attic
Jupiter en Antiope
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving, etching
Location: italy
Subjects: jupiter, disguised as a satyr, approaches the sleeping antiope; the eagle may be standing nearby, satyr(s) spying upon, (story of) venus (aphrodite), venus asleep, venus and cupid (cupid not being mere attribute)
Inscriptions: collector's mark: Lugt 240

Een sater (mogelijk Jupiter in de gedaante van een sater) nadert de slapende Venus (mogelijk Antiope). Achter Venus staat Amor met zijn boog in zijn hand. Op de achtergrond links een landschap.