deem-data/ArtiFact huggingface dataset:
Jupiter en Juno discussiëren over de vraag bij welke van de seksen de lust in liefde groter is
Object type: print
Date: 1615 – 1615
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: (story of) juno (hera), (story of) jupiter (zeus)

Jupiter en Juno zitten naast elkaar, voor een lange tafel die juist wordt afgeruimd, en discussiëren over de vraag bij welke van de seksen de lust in liefde groter is. Jupiter stelt dat dat het voorrecht van de vrouw is, Juno spreekt hem tegen.Onder de voorstelling twee keer twee versregels in het Latijn. De prent maakt deel uit van een album.
View of the Great Cascade at Tivoli
Object type: drawing
Date: 1667 – 1683
Materials: chalk, paint, ink, paper, watercolor
Techniques: brush, pen
Location: rome
Artist: adriaen honich
Artist role: painter
Artist dates: 1643 – 1674
Subjects: waterfall, italy, tivoli
Chrysanthemum Bowl
Object type: bowl
Date: 901 – 1300
Materials: ceramic glaze, glaze
Culture: japanese
Mordaxt
Object type: arm
Date: 1600 – 1630
Materials: metal alloy, metal, steel, wood
Culture: swiss
Location: switzerland
Hervormde Diakonie te Amsterdam, penning in de vorm van een armenpenning, geschonken aan nieuw aangekomen diakenen en diakenessen
Object type: broodpenning
Date: 1861 – 1861
Materials: silver
Techniques: striking
Location: amsterdam
Artist: david van der kellen (1804-1879)
Artist role: die cutter, draughtsman, print maker
Artist dates: 1804 – 1879
Subjects: amsterdam
Study for "M. de Pourceaugnac"
Object type: drawing
Date: 1701 – 1733
Materials: chalk, graphite
Artist: jean-baptiste joseph pater
Artist role: artist
Artist nationality: french
Artist dates: 1695 – 1736
Subjects: women
Houthakker zittend op een boomstam
Object type: print
Date: 1823 – 1873
Materials: paper
Techniques: lithograph
Artist: célestin françois nanteuil
Artist role: print maker
Artist dates: 1813 – 1873
Subjects: woodcutting, woodcutter ~ forestry, tools, aids, implements ~ crafts and industries: axe, forest, wood
Inscriptions: collector's mark: Lugt 964
Bottle
Object type: bottle
Date: 1601 – 1800
Materials: metal
Location: india
Zwolse arendschelling, op naam van Rudolf II
Object type: coin
Date: 1601 – 1601
Materials: silver
Techniques: striking
Location: zwolle

Voorzijde: gekroond gevierendeeld wapenschild. Keerzijde: gekroonde dubbelkoppige adelaar met rijksappel.
Ruïnelandschap met de boetvaardige Hieronymus
Object type: print
Date: 1552 – 1552
Materials: paper
Techniques: etching
Location: antwerp
Subjects: st. jerome as penitent in the desert, half naked, kneeling before a crucifix and holding a stone in his hand to beat his breast; a skull (and other 'vanitas' symbols), sometimes a scorpion and a snake beside him, landscape with ruins
Inscriptions: collector's mark: Lugt 2228

In een landschap met resten van Romeinse ruïnes knielt de heilige Hieronymus op de grond en slaat zichzelf met een steen. Zijn mantel en kardinaalshoed liggen op een stenen muur. Hij steunt op een schedel. De leeuw zijn symbool ligt boven aan een lage trap en likt zijn poten.
Drie portretten van een paar geliefden
Object type: photograph
Date: 1900 – 1930
Materials: cardboard, photographic support
Techniques: gelatin silver print, hand coloring
Subjects: historical persons - bb - woman, historical persons, couple of lovers
Inscriptions: monogram: ‘A S’, monogram: ‘EXTRA’

Deze foto's maken deel uit van een album.
E 113. Zuilen en pylonen van den tempel van Isis. Philae
Object type: photograph
Date: 1862 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: philae
Artist: antonio beato
Artist role: fotograaf
Artist dates: 1835 – 1906
Subjects: temple, shrine ~ egyptian religion
Inscriptions: stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, title: ‘E 113. Zuilen en pylonen van den tempel van Isis. Philae.’, check stamp: ‘Bristol/ L.M.’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Cabinet with figures in a landscape
Object type: cabinet
Date: 1701 – 1800
Materials: gilt bronze, lacquer
Techniques: carving
Culture: chinese
Subjects: men,mountains,trees,cabinets

This two-door cabinet appears to be two separate boxes held together by gilt-bronze handles but it is actually a single piece. Six side panels represent figures along a riverbank and on a garden terrace with hills receding in the distance. Deer adorn the tops of the two drawers. The sharp, precise carving of the red lacquer is characteristic of Qianlong workshops, as is the deeply carved background of brocade patterns.
Woning van de geneesheer Wesenhagen in Paramaribo
Object type: photograph
Date: 1900 – 1910
Materials: photographic support
Techniques: photography
Location: suriname
Artist: jacob evert wesenhagen
Artist role: amateurfotograaf, arts
Artist dates: 1862 – 1924
Subjects: jacob evert wesenhagen, urban housing, suriname
Inscriptions: annotation

De woning van de geneesheer Jacob Evert Wesenhagen in Paramaribo. Houten woning met bijgebouw, met op de voorgrond een jongen. Onderdeel van een groep objecten afkomstig van de familie Wesenhagen in Suriname.
Ex libris van William Robinson
Object type: bookplate
Date: 1889 – 1889
Materials: paper
Techniques: engraving, etching
Location: england
Artist: charles william sherborn
Artist role: print maker
Artist dates: 1831 – 1912
Subjects: sitting figure, flowers ~ ornament - aa - stylized, birds, historical costume, book, writing and letters
Inscriptions: date
Saint Anthony and Saint Paul in the Desert
Object type: print
Date: 1503 – 1503
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: birds,trees,saint anthony,saint paul
Brief aan Philip Zilcken
Object type: letter
Date: 1919 – 1919
Materials: ink, paper
Techniques: pen, writing
Location: paris
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: the hague, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Plantstudie
Object type: photograph
Date: 1928 – 1928
Materials: ink, paper
Techniques: rotogravure
Location: berlin
Subjects: plants (in general)
Inscriptions: number: ‘56’

facher Vergrößerung. Afkomstig uit losbladige uitgave.
Bedelaars en landloopers
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: engraving, etching, roulette
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: crutches, wandering communities
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een groep mannen, vrouwen en kinderen, waarschijnlijk Roma, houdt zich op bij een boom. Rechts op de voorgrond loopt een man met twee krukken. Achter de groep een open landschap, dat begrensd wordt door heuvels.
Portret van Georg Streng
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: functionaries and dignitaries (with name) ~ episcopal protestant churches, historical persons

Prent uit: Würfel, Andreas. Diptycha ecclesiae Laurentianae (...). Neurenberg: Christoph Melchior Roth, 1756.
Zhang Xiao and Zhang Li (Cho Ko, Cho Rei), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"
Object type: print
Date: 1848 – 1850
Techniques: woodblock print
Location: japan
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Relief Fragment with Part of a Rosette
Object type: fragment
Date: 501 – 700
Materials: ivory
Culture: coptic
Location: egypt
Reckheimse oord van Ferdinand van Aspremont-Lynden (1636-1665)
Object type: oord, oortje
Date: 1636 – 1665
Materials: copper
Techniques: striking
Location: rekem
Artist: heer van reckheim

Koperen munt. Voorzijde: gekroond wapenschild. Keerzijde: onder een kroon de letters F en R. Daaronder een perron.
Drie zwevende putti
Object type: drawing
Date: 1705 – 1754
Materials: chalk, ink, paper
Techniques: brush, pen
Artist: jacob de wit
Artist role: draughtsman, painter, print maker
Artist dates: 1695 – 1754
Subjects: movement in the air, cupids: 'amores', 'amoretti', 'putti', (children or putti) blowing bubbles, 'homo bulla' ~ scene symbolizing 'vanitas'
Nederland, gulden,1915
Object type: coin
Date: 1915 – 1915
Materials: silver
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: gedrapeerd borstbeeld met diadeem naar links. Keerzijde: tussen waarde-aanduiding 1 G gekroond rijkswapenschild. Jaartal bovenaan in omschrift. Randschrift.
Part of the knob of a terracotta lid?
Object type: knob fragment
Date: 600 – 401
Materials: terracotta
Culture: unknown fabric
Beschouwd, ô jeugd! deez' agt bedryven, / Dan zal ons werk in achting blyven; / Strekt deze prent u tot vermaak, / Zyn wy voldaan in onze zaak
Object type: popular print
Date: 1791 – 1812
Materials: paper
Techniques: colour, letterpress printing
Location: rotterdam
Subjects: children's games and plays, dancing, street-trader, merchant, salesman
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van verschillende bezigheden, waaronder dansen, koekhakken en koorddansen. Onder elke voorstelling een tweeregelig vers. Genummerd rechtsboven: No. 13.
Praalgraf van Willem van Oranje
Object type: print
Date: 1834 – 1843
Materials: paper
Techniques: engraving
Location: delft
Subjects: william i (prince of orange), helmet, freedom, liberty; 'libertà' (ripa) (+ personification), justitia (justice) as roman personification, grave-building, monumental tomb, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2233

In het onderschrift staat ten onrechte vermeld dat het gaat om het graf van Willem II.
Box
Object type: box
Date: 1787 – 1788
Materials: crystal, gold
Subjects: garlands
Velvet Fragment
Object type: textile
Date: 1701 – 1800
Materials: velvet
Location: france
Filippus en de eunuch
Object type: print
Date: 1582 – 1582
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: philip baptizes the eunuch, translocation of philip (by an angel), philip explains the scripture to the eunuch, philip meets the eunuch, who is travelling in a chariot
Inscriptions: collector's mark: Lugt 2228, caption: ‘Den gesneeden word gedoopt’

Filippus spreekt met de eunuch die hij ontmoet op de weg van Jeruzalem en Gaza. Als schatmeester van de koningin van Ethiopië rijdt de eunuch in een mooie koets. Filippus bekeert de eunuch tot het christendom en doopt hem in een rivier. Vervolgens wordt hij door een engel meegenomen. De prent heeft een Latijns onderschrift en maakt deel uit van een 34-delige serie met als onderwerp de Handelingen van de apostelen.
Monuments at Emperor Palace, Pekin
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Silhouetportret van J. Mansen
Object type: print
Date: 1809 – 1848
Materials: paper
Techniques: hand coloring, lithograph
Location: netherlands
Artist: pieter barbiers (iv)
Artist role: painter, print maker
Artist dates: 1798 – 1848
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret de signatuur van de geportretteerde.
Borghese vase
Object type: vase
Date: 1795 – 1795
Materials: bronze
Artist: giovanni zoffoli
Artist role: maker
Artist nationality: italian
Artist dates: 1745 – 1805
Subjects: masks,faces,goats

Giovanni Zoffoli was the brother or nephew of Giacomo Zoffoli, a Roman silversmith and bronze founder who built a successful practice, continued by Giovanni, of producing reductions after antique sculptures for those making the Grand Tour. It is difficult to separate the two, their work being quite consistent.[1] About 1785, Giovanni printed a list of available models, which on February 15 of that year the architect Charles Heathcote Tatham annotated and sent from Rome to fellow architect Henry Holland. Number 15 on the list, the “Vaso a Pila,” or basinlike vase, offered for 15 zecchini, is the same model as ours.[2] The model was in fact the smaller of two antique vases in the collection of the Borghese family, then in Rome but now in the Louvre, having been bought by Napoleon from his brother-in-law Camillo Borghese in 1807.[3] The Borghese “Vaso a Pila” originally had low handles, of which Zoffoli was unaware and which would have counterbalanced the extraordinarily flared neck. The bronze does, however, replicate the four satyr’s masks and the thyrsi ending in pinecones and hung with goatskins. The lower body was cast separately and joined by means of an iron bolt and nut with solder. The underside is filled with wood. Another cast appeared at auction in 2003, having undergone changes: it is initialed on a different side, the heads of the animal skins are a bit more caprine than our slightly bovine ones, and the metal is redder.[4] Two casts of another Zoffoli model, “Vaso a Urna,” larger and thus more expensive (20 zecchini each), are in the Ashmolean.[5] -JDD Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. First studied by Honour 1961. 2. The list was published in ibid., p. 205, and in Haskell and Penny 1981, p. 342. 3. See Jean-Luc Martinez in Giroire and Roger 2007, p. 160, cat. 89. 4. Sotheby’s, London, July 8, 2003, lot 161. 5. Penny 1992, vol. 1, pp. 162–63, nos. 110, 111.
Pocket set of drawing instruments
Object type: pocket set of drawing instrument
Date: 1755 – 1760
Materials: brass, ivory, silver, steel
Artist: peter dollond
Artist role: maker
Artist dates: 1730 – 1820

This étui contains tools for a draftsman, including a protractor, dividers, and an ivory rule. The maker of the instruments, John Dollond, was trained as a silk weaver, a trade he abandoned in 1752, when he began to collaborate with his son making optical instruments. From the 1760s on, such English luxury goods were available in Paris in magasins anglais.
Glass perfume bottle
Object type: bottle
Date: 1 – 100
Materials: glass
Culture: roman

Uncertain, possibly colorless. Everted rim, folded over and in, with beveled upper surface; cylindrical neck, with horizontal tooling marks around base; piriform body; concave bottom. On body, two broad horizontal cut grooves: one immediately below neck, the other midway down side. Intact, but a crack in rim and upper neck; pinprick bubbles and blowing striations; deep pitting and brilliant iridescent weathering.
Hanging Abalone Out to Dry, illustration for Abalone (Awabi), from the series "A Matching Game with Genroku-period Poem Shells (Genroku kasen kai awase)"
Object type: print
Date: 1821 – 1821
Materials: pigment
Techniques: woodblock print, surimono
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Enframement for alcove
Object type: alcove enframement
Date: 1715 – 1723
Materials: wood
Techniques: carving
Ruïnes van het tempelcomplex te Philae
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: autotype
Location: philae
Artist: edward livingston wilson
Artist role: publisher
Artist dates: 1838 – 1903
Subjects: temple, shrine ~ egyptian religion, ruin of a building ~ architecture
Inscriptions: signature: ‘Moss Eng. Co. N.Y.’

Prent op ongenummerde pagina tegenover pagina 264.
Schoorsteenveger
Object type: print
Date: 1850 – 1913
Materials: paper
Techniques: etching, intaglio
Artist: charles tichon
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1924
Subjects: handicrafts ~ maintenance and repair (with name of trade or profession)
Inscriptions: collector's mark: Lugt 2228, inscription: ‘1e etat’
Gezicht op het Paleis voor Volksvlijt met daarvoor de Hogesluis
Object type: print
Date: 1925 – 1930
Materials: paper
Techniques: etching, intaglio
Artist: st. a. schouten
Artist role: print maker
Subjects: rowing-boat, canoe, etc., bridge in city across river, canal, etc., amsterdam

Aangezien geboorte- en sterfdatum van de kunstenaar onbekend zijn, is voor de rechtenbepaling van dit object de productiedatum gehanteerd. De titel van deze prent is overgenomen van de rekening voor deze prenten, door de kunstenaar geschreven.
Zwarte voile van fijne tule, met kleine stippen
Object type: veil
Date: 1900 – 1900
Materials: silk
Techniques: weave
Location: nijmegen

Zwarte voile van fijne tule, met kleine stippen.
Aangemeerde boot, mogelijk een schuit
Object type: sketchbook leaf
Date: 1886 – 1923
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: ships (in general)

Pagina 7 uit een schetsboek met 14 bladen.
Meifeest op een dorpsplein
Object type: print
Date: 1535 – 1604
Materials: paper
Techniques: etching
Location: france
Artist: etienne dupérac
Artist role: draughtsman, painter, print maker
Artist dates: 1525 – 1604
Subjects: landscape symbolizing may, trees, village square, place
Inscriptions: collector's mark: Lugt 2228
Cuneiform tablet: medical commentary
Object type: cuneiform tablet
Date: 333 – 1
Materials: clay
Location: mesopotamia
De Ziel in beschouwing van den regen
Object type: print
Date: 1714 – 1714
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: rain, the soul
Inscriptions: collector's mark: Lugt 2228

Proefdruk van illustratie uit: Luyken, Jan. Jezus en de Ziel, 3 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1714, dl. I, p. 31.
Hond
Object type: print
Date: 1768 – 1796
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: dog
Inscriptions: collector's mark: Lugt 240
Aäron en Chur stutten Mozes' handen tijdens de strijd van het volk Israël tegen de Amalekieten
Object type: print
Date: 1703 – 1762
Materials: paper
Techniques: etching, letterpress printing
Location: haarlem
Subjects: moses goes to the top of a hill with aaron and hur and raises his arms to make the israelites victorious
Inscriptions: collector's mark: Lugt 2228, inscription: ‘opgeplakt en afgesneden en het marge behoort te staan Exod XVII v. 9’

De prent komt een eerste keer voor als boekillustratie voor David Martin. Historie des Ouden en Nieuwen Testaments. Amsterdam, Pieter Mortier, 1703. Deel I. De boekillustraties voor de Mortierbijbel hebben verschillende staten en kopieën, waarbij de chronologische volgorde moeilijk te achterhalen valt. Als boekillustraties werden ze bovendien herhaaldelijk opnieuw gebruikt voor andere boekwerken.
Card 310, Lotta, "La Cigale," from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
S. Petrus
Object type: print
Date: 1609 – 1611
Materials: paper
Techniques: engraving
Location: leiden
Subjects: landscapes, the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara - portrait of male saint
Inscriptions: collector's mark: Lugt 2228

Petrus zit met gevouwen handen op een rots onder een boom. Voor hem liggen twee sleutels en een boek, het evangelie. Schuin achter hem staat een haan, die verwijst naar de verloochening van Christus. In de verte staan enkele gebouwen. Onder de voorstelling bevindt zich een zesregelige, Latijnse tekst over de verloochening en een passage over de sleutels.
A priest and a group of nuns
Object type: print
Date: 1823 – 1823
Techniques: engraving, etching
Artist: barthélemy joseph fulcran roger
Artist role: artist
Artist nationality: french
Artist dates: 1767 – 1841
Slapende man met hoed
Object type: print
Date: 1618 – 1655
Materials: paper
Techniques: etching
Artist: cornelis schut (i)
Artist role: draughtsman, print maker
Artist dates: 1597 – 1655
Subjects: sleeping; unconsciousness
Inscriptions: collector's mark: Lugt 2228
The Forum of Trajan, Rome
Object type: drawing
Date: 1767 – 1866
Materials: ink
Techniques: drawing, pen, wash
Artist: giovanni battista cipriani
Artist role: artist
Artist nationality: italian
Artist dates: 1766 – 1839
Subjects: monuments,men,women,rome
Family of Darius before Alexander
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: after polidoro caldara, called polidoro da caravaggio
Trumpet-Mouthed Bottle with Abstract Floral Designs
Object type: vessel
Materials: stoneware
Techniques: incising, underglaze
Location: china
Border
Object type: border
Date: 1551 – 1600
Materials: silk
Vase with floral scrolls
Object type: vase
Date: 1667 – 1733
Materials: cobalt, porcelain, silver
Techniques: painting, underglaze
Culture: chinese
Plafond met trompe-l'oeil gewelf
Object type: ornament print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: daniël marot (i)
Artist role: draughtsman, print maker
Artist dates: 1661 – 1752

Het gewelf bevindt zich boven een brede randdecoratie met in de hoeken medaillons met Venus en Cupido (linksboven) en drie zittende figuren (linksonder). Uit serie van 6 bladen met ontwerpen voor plafonds.
Portret van Jean de Santeul
Object type: print
Date: 1689 – 1750
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: paris, jean de santeul, historical persons, writer, poet, author, printed matter
Twee jongens met een speelgoedkanon
Object type: print
Date: 1750 – 1850
Materials: paper
Techniques: etching
Location: germany
Artist: Anonymous
Subjects: miniature imitations (children's games and plays), firearms: cannon
Inscriptions: collector's mark: Lugt 2228
Scent bottle
Object type: scent bottle
Date: 1765 – 1770
Materials: copper
Techniques: enamel
Subjects: birds,men
The Fountain at Grottaferrata
Object type: painting
Date: 1832 – 1832
Materials: canvas, oil, paint
Techniques: painting
Location: germany
Artist: adrian ludwig richter
Artist role: artist
Artist nationality: german
Artist dates: 1803 – 1884
Subjects: fountains, women, water, trees, sky, men, leisure, landscape, italy, goats, figures, dog, countryside, clouds, children, building, animals
Inscriptions: Signed and dated lower left: L. Richter 1832

With its golden light and peaceful figures in a bucolic environment, this painting represents an idealized view of life in the Italian countryside, as seen through a German lens. Like many young artists of the period, German painter and etcher Ludwig Richter traveled to Rome to study Classical ruins and the Mediterranean landscape. The Fountain at Grottaferrata, completed some years after the artist returned to Germany, is based on his detailed drawings of the countryside just outside Rome. Richter carefully reproduced the features that made this site famous, such as the fortified monastery in the background.
Gezicht op Broughty Ferry
Object type: page
Date: 1872 – 1877
Materials: photographic support
Techniques: albumen print
Location: broughty ferry
Artist: james valentine
Artist role: fotograaf
Artist dates: 1815 – 1880
Subjects: city-view, and landscape with man-made constructions, landscapes with waters, waterscapes, seascapes (in the temperate zone)
Inscriptions: number: ‘108 j.v.’
Eendenvijver van Kasteel Heemstede
Object type: print
Date: 1706 – 1719
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: bird's eye view ~ architectural design or model, garden pond, water-birds
Inscriptions: stamp, stamp, stamp, collector's mark: Lugt 1641

De eendenvijver op het landgoed van Kasteel Heemstede. Rechtsonder genummerd: 15. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Woning, Oude Nederlandsche Tuinkunst, De 17de en 18de eeuw. Stadtuinen.