deem-data/ArtiFact huggingface dataset:
Pont de la Moselle à Coblentz (14)
Object type: photograph
Date: 1855 – 1865
Materials: cardboard, paper
Techniques: albumen print
Location: koblenz
Artist: Anonymous
Subjects: landscape with bridge, viaduct or aqueduct, bridge
Inscriptions: title: ‘Pont de la Moselle à Coblentz 14’
Medaillon met een portret van keizer Ferdinandus II
Object type: print
Date: 1645 – 1645
Materials: paper
Techniques: woodcut
Location: antwerp
Subjects: vienna, ferdinand ii (duits keizer), knighthood order of the golden fleece, emperor
Inscriptions: collector's mark: Lugt 240

Prent ook gebruikt voor: Icones Imperatorum Romanorum, Antwerpen: Ex officina Plantiniana Balthasaris Moreti, 1645, p. 389.
Toneelopvoering bij de heropening van de schouwburg aan de Keizersgracht te Amsterdam, 1749
Object type: print
Date: 1749 – 1749
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: group of actors, troupe; actors on the stage
Inscriptions: collector's mark

Toneelopvoering van het toneelstuk van Lucas Pater getiteld 'Leeuwendaal hersteld door de Vrede' bij de heropening van de Amsterdamse Schouwburg aan de Keizersgracht op 28 juli 1749. De schouwburg was sinds 1747 gesloten.
Shaffron (Horse's Head Defense)
Object type: shaffron horse's head defense
Date: 1401 – 1500
Materials: steel
Culture: mamluk
Location: ottoman empire
Stomme Passie
Object type: print
Date: 1520 – 1521
Materials: paper
Techniques: hand coloring
Location: amsterdam
Subjects: book in which illustrations are essential, meal at the house of simon the pharisee (luke 7:36-50), a woman washes christ's feet with her tears, and wipes them with her hair, christ's feet are anointed by mary (magdalene), meal in bethany (at the house of simon the leper) (matthew 26:6-13; mark 14:3-9; john 12:1-11)

Christus zit aan tafel te eten in het huis van Simon de Farizeeër. Maria Magdalena knielt op de grond zalft zijn voeten en droogt ze met haar haren. Prent maakt deel uit van een boek.
Fotoreproductie van een schilderij, voorstellende een man op een aanligbed en twee staande mannen
Object type: page
Date: 1850 – 1855
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: interior ~ representation of a building, lying figure, couch, sofa, settee
Footed Cup with Falconer
Object type: bowl
Date: 1401 – 1500
Materials: earthenware
Techniques: glazing
Culture: byzantine
Subjects: men

In this freely drawn design a man holds two lures used in the training of falcons; below them two birds appear. Contemporary travelers' accounts describe large hunting parties living for months in tents in the countryside. Laws regulating the ownership of birds of prey further attest to the popularity of hawking on medieval Cyprus.
Landscape with a Farmhouse, from Four Small Landscapes
Object type: print
Date: 1597 – 1600
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Pine Mountain
Object type: photograph
Date: 1866 – 1866
Techniques: albumen print, photography
Location: united states
Artist: george n. barnard
Artist role: artist
Artist nationality: american
Artist dates: 1819 – 1902
Subjects: collected by hugh edwards, sherman's campaign 1866
Inscriptions: Printed recto, on album page, lower center, below image, in black ink: "Photo. from nature By. G. N. Barnard. / PINE MOUNTAIN."; unmarked verso
7me Livre de Fleurs
Object type: titelprent, frontispice
Date: 1760 – 1784
Materials: paper
Techniques: etching
Location: paris
Subjects: flowers in a vase
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Links boven een vaas met rozen en narcissen. Midden boven een vaas met rozen en tulpen. Rechts boven een vaas met lelies. Links onder een mand met rozen. Midden onder een hortensia. Rechts onder rozen.
Gezicht op een gotisch klooster
Object type: print
Date: 1805 – 1878
Materials: paper
Techniques: lithograph
Artist: simon quaglio
Artist dates: 1795 – 1878
Subjects: abbey, monastery, convent ~ roman catholic church
Inscriptions: collector's mark: Lugt 3976, collector's mark: Lugt 2228, collector's mark: Lugt 2760
Textile Design of Horizontal Zig-Zagging Ribbons and Alternating Diagonal Groups of Three Pearls over a Striped Background
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of horizontal zig-zagging ribbons of light tan color with outlines of dark reddish-brown color with offsetting stipples of the same color and alternating groups of three diagonally-aligned pearls of white color over a background of stippled stripes of dark reddish-brown color over a light tan base.
Weiland met schapen en een koe
Object type: print
Date: 1750 – 1849
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: cattle, meadow, pasture, haarlem
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Twee mannen staan aan het hek van een weiland met schapen en een koe. Linksonder: 3. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Buitenleven.
Fabel van de boer en de sater
Object type: print
Date: 1617 – 1617
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: the satyr and the peasants; according to aesop: the satyrs and the peasant (meal, blowing to cool food, etc.)
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Een boer en een sater aan een tafel in een huis. De sater kijkt geboeid naar de boer die in zijn soep blaast. De fabel beschrijft hoe een sater te gast is bij een boer. De boer blaast eerst in zijn verkleumde handen en daarna in zijn kom soep. De sater is verbaasd dat de boer uit eigen mond zowel warmte als kou kan blazen en beschouwt hem als een tovenaar. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Boerenleven.
Terracotta shallow bowl
Object type: plate
Date: 2900 – 2300
Materials: terracotta
Culture: minoan

Broad band inside rim, dark-on-light Geometric ware.
The Virgin Mary
Object type: statuette
Date: 1585 – 1590
Materials: gilt bronze
Artist: germain pilon
Artist role: artist
Artist nationality: french
Artist dates: 1525 – 1590
Subjects: virgin mary

This figure comes from a Crucifixion group in which the Virgin and Saint John the Evangelist would have flanked Christ on the Cross. The slender proportions and flowing drapery folds relate closely to Germain Pilon’s Mourning Virgin (ca. 1585), commissioned by Catherine de Médicis (1519–1589) for her funerary chapel at Saint-Denis.
Mount Hermon, The Mount of Transfiguration
Object type: photograph
Date: 1857 – 1857
Techniques: albumen silver print, glass negative
Artist: francis frith
Artist role: publisher
Artist nationality: english
Artist dates: 1822 – 1898
Subjects: mountains,landscapes
Stencil
Object type: stencil
Date: 1801 – 1900
Materials: paper
Culture: japanese
Subjects: human figures,bridges,landscapes
The Crucifixion
Object type: plaquette
Date: 1467 – 1500
Materials: bronze
Artist: moderno (galeazzo mondella)
Artist role: artist
Artist nationality: italian
Artist dates: 1467 – 1528
Subjects: men,christ,crucifixion
Gezicht op het kasteel van Bentheim
Object type: watercolor
Date: 1743 – 1743
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: isaac de moucheron
Artist role: draughtsman, painter, print maker
Artist dates: 1667 – 1744
Subjects: castle, germany
Inscriptions: inscription: ‘Gezicht naar 't huys te Bentheim (?)’
Twee schetsen van mannenhoofden
Object type: drawing
Date: 1844 – 1844
Materials: paper, pencil
Artist: georgius jacobus johannes van os
Artist role: draughtsman, painter, print maker
Artist dates: 1782 – 1861
Soldaat presenteert boek aan koning
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: book, the soldier; the soldier's life, king
Inscriptions: collector's mark: Lugt 2228

Een koning met kroon en scepter zit op een troon. Naast hem staat Minerva met lans en lauwerkrans. Een soldaat presenteert een open boek aan de koning. Links staan twee soldaten in harnas. Rechts een groep mannen met boeken in de hand, op de grond liggen boekrollen.
Vaas
Object type: design drawing
Date: 1743 – 1743
Materials: ink, paper
Techniques: brush, pen
Location: augsburg
Artist: Anonymous
Subjects: containers
Inscriptions: watermark:, collector's mark: Lugt 1493a
Haesig. Léon. 18 ans, né à St-Denis. Chaudronnier. Disposition du Préfet de Police. 14/4/94.
Object type: mugshot
Date: 1894 – 1894
Techniques: albumen silver print, glass negative
Artist: alphonse bertillon
Artist role: artist
Artist nationality: french
Artist dates: 1853 – 1914
Subjects: men,portraits

Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of police identification. The system, which became known as Bertillonage, had three components: anthropometric measurement, precise verbal description of the prisoner’s physical characteristics, and standardized photographs of the face. In the early 1890s Paris was subject to a wave of bombings and assassination attempts carried out by anarchist proponents of "propaganda of the deed." One of Bertillon’s greatest successes came in March 1892, when his system of identification led to the arrest of an anarchist bomber who went by the name Ravachol (2005.100.375.348). The publicity surrounding the case earned Bertillon the Legion of Honor and encouraged police departments around the world to adopt his anthropometric system.
The grand duke of Hesse
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: woodburytype
Location: london
Artist: Anonymous
Subjects: ruler, sovereign, (military) uniforms
Inscriptions: inscription: ‘57 & 61, Elbury Street, London.’
Architectural Study of Classical Entablature
Object type: drawing ornament architecture
Date: 1801 – 1900
Materials: chalk, ink
Techniques: pen, wash
Artist: f. or t. grossbach
Artist role: artist
Artist nationality: central european
Subjects: architecture
Vues remarquables des montagnes de la Suisse
Object type: print
Date: 1763 – 1820
Materials: paper
Techniques: etching
Location: paris
Subjects: cave, grotto, outing, pleasure trip
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, dedication: ‘Dediée a S. A. J.M. La Princese de Nassau Weilburg Née Princesse d' Orange/par sons tres humble et tres obéissant serviteur R. Bentzi’

Gezicht vanuit een grot in Unterwalden in Zwitserland. Drie heren, een dame en een hond rusten uit in de grot. Op het tweede plan twee heren die naar het dal wijzen. Onder de voorstelling tekst en een wapenschild van Carolina van Nassau-Weilburg.
Piece
Object type: piece
Date: 1501 – 1700
Materials: silk
Subjects: putti
Zittende vrouw op een stoel
Object type: sketchbook leaf
Date: 1873 – 1873
Materials: paper, pencil
Techniques: stumping
Location: netherlands
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: sitting figure - aa - female human figure (+ back view), chair
Inscriptions: date: ‘15 nov 73’

Een vrouw met een omslagdoek en een muts zit op een stoel. Blad 28 uit een schetsboek met 46 bladen.
Brief aan Jan Veth
Object type: letter
Date: 1892 – 1892
Materials: ink, paper
Techniques: pen, writing
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: jan veth, den bosch, amsterdam, painter, print maker, draughtsman, antoon derkinderen, painting (including book-illumination, miniature-painting)
Inscriptions: collector's mark: ‘RPK’
Maurits, graaf van Nassau, ingehuldigd als graaf van Moers
Object type: jeton
Date: 1601 – 1601
Materials: copper
Techniques: striking
Location: dordrecht
Artist: Anonymous
Subjects: the hague, maurice (prince of orange)

Koperen penning. Voorzijde: portret man met zwaard in rechterhand, rustend op schouder binnen omschrift. Keerzijde: gekroond wapenschild binnen omschrift
Zeeman voor een zeedecor
Object type: stereograph
Date: 1880 – 1910
Materials: cardboard, paper
Techniques: autotype
Artist: Anonymous
Subjects: fisherman
Inscriptions: : ‘Doubly Stereoscopic, seen in the Stereoscope the subject will appear behind the Mount (...)’
Cassone
Object type: cassone
Date: 1534 – 1566
Materials: wood
Aquamanile in the Form of a Mounted Knight
Object type: aquamanile
Date: 1250 – 1250
Materials: copper alloy
Culture: german
Location: germany
Subjects: men,horses,knights

Aquamanilia, from the Latin words meaning "water" and "hands," served to pour water over the hands of priests before celebrating Mass and of diners at table. This aquamanile, in the form of a horse and rider, exemplifies the courtly ideals of knighthood that pervaded Western medieval culture and influenced objects intended for daily use. It depicts a type of armor that disappeared toward the third quarter of the thirteenth century. Unfortunately, the shield—which probably displayed the arms of the owner—and the lance are no longer extant.
Composite Armor for the Joust and Tourney
Object type: armor
Materials: brass, leather, steel
Culture: german
Location: augsburg
Terracotta fragment of an open shape
Object type: undetermined open shape
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the bottom of an open shape; the underside has miltos; in the center there is a black glazed circle which has a dot in the center
Jug with pierced sides
Object type: jug
Date: 1625 – 1649
Materials: glaze, stoneware, tin
Techniques: embroidery, firing, forming, relief, turning, vitrification
Location: altenburg
Artist: Anonymous

Tankard with a double wall. Saxony, Altenburg, c. 1630 - 1640. On loan from the Koninklijk Oudheidkundig Genootschap.
Pek en schroefdop uit het wrak van de Oostindiëvaarder Hollandia
Object type: pitch tar
Date: 1700 – 1743
Materials: iron, pitch
Artist: Anonymous

Pek met mogelijk metalen object erin en twee fragmenten van een zeer gecorrodeerde schroefdop.
Corvers Hof
Object type: book illustration
Date: 1907 – 1907
Materials: paper
Techniques: letterpress printing, line block
Location: amsterdam
Subjects: alms-house (dutch: 'hofje'), canals, waters (in city) (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: III. Verschillende gestichten en instellingen / Hofjes: Corvershof der N. Hervormde Gemeente.
Salad or fruit bowl
Object type: salad or fruit bowl
Date: 1701 – 1900
Materials: glass
The Chronicler (recto and verso)
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: heightening
Location: germany
Artist: max klinger
Artist role: artist
Artist nationality: german
Artist dates: 1857 – 1920
Inscriptions: Signed: "M.K. / April 5, 1888"

Drawings by the Symbolist artist Max Klinger are very rare. This intimate drawing was completed over April 5-6, 1888, while the artist was staying in Rome on the Via Claudia near the Colisseum. This sensitive figure drawing helped to prepare Klinger's most important painting of those years, The Crucifixion, 1888/1891. In an almost autobiographical reflection, it depicts the scribe who unemotionally documents the world's greatest tragedy that rages around him.
Scharenpoort en Meerpoort te Xanten, 1746
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: etching
Subjects: city-gate
Inscriptions: collector's mark: Lugt 240

Twee voorstellingen van één plaat. Gezichten op de Scharenpoort (boven) en de Meerpoort (onder) in de Duitse stad Xanten. De prent maakt deel uit van een 100-delige serie met gezichten op dorpen en steden te Kleef.
Pitcher
Object type: pitcher
Date: 1430 – 1430
Materials: earthenware
Techniques: glazing
Culture: spanish
Location: spain

Pitchers with exaggeratedly tall necks, beaklike spouts, and large heavy handles were common in fifteenth-century Spain. This unusually large pitcher, probably made in Manises, the principal center of Spanish lusterware throughout the fifteenth century, holds almost eight quarts, and is a rare example of earthenware technique. Although pitchers were common items of tableware, this particular example, when full, would have been much too heavy to wield conveniently. It therefore might have been used for dispensing wine or water to smaller table pitchers, or for serving wine at large banquets. Its large size and ornamentation have also made it a valuable decorative piece, which perhaps explains its fine state of preservation. The decoration, which includes patterns of pseudo-Kufic script, points to the Muslim origin of all Spanish lusterware. The technique, which originated in the Near East, found its way into Andalusia by the tenth century. By the fifteenth century, piracy and the wars with the Christians had prompted many craftsmen to move northward into the region of Valencia, where all artisans, whether Muslims, Mudejares (Muslims living under a Christian king), or Christians, were allowed to work, and where ships sailed freely to their Mediterranean markets, unhindered by pirates.
Le bouquiniste Napolitain
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: book-stall, kiosk, art dealer (+ graphic arts), street-trader, naples
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Op zit een boekhandelaar op een muur achter zijn boekenkraam. Twee mannen met hoeden en een geestelijke bekijken het aanbod. Aan een koord aan de muur hangen prenten. Op het plein enkele mannen, vrouwen en kinderen.
Blauwe reiger (Ardea cinerea)
Object type: drawing
Date: 1596 – 1610
Materials: paint, ink, paper, pencil, watercolor
Techniques: brush, pen
Subjects: shore-birds and wading-birds: heron

Blauwe reiger. Genummerd rechtsboven: 2. Linksboven de Latijnse naam. Onderdeel van het derde album met tekeningen van vogels. Vijfde van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
Elegant paar in Duitse kleding
Object type: print
Date: 1610 – 1638
Materials: paper
Techniques: engraving
Subjects: handkerchief (+ women's clothes), bow (ornamental part of clothing) (+ men's clothes), cape, head-gear: hat (+ men's clothes), shoes, sandals (+ men's clothes), trousers, breeches, etc. (breeches) (+ men's clothes), europeans: germans, germany
Inscriptions: collector's mark: Lugt 963, collector's mark: Lugt 1641, stamp, stamp:

Voor een gebouw met tuinmuur staat een elegant paar in Duitse kleding uit ca. 1620. Voor het paar een hond. De prent maakt deel uit van een serie met zes prenten over kostuums in Europa. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), Het begin der 17de eeuw. (De Fransche mode).
Portret van Karel II, koning van Spanje
Object type: print
Date: 1679 – 1720
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: karel ii (koning van spanje), historical persons, knighthood order of the golden fleece, king, armorial bearing, heraldry
Portret van Johann Friedrich Bause
Object type: print
Date: 1795 – 1795
Materials: paper
Techniques: engraving
Location: nuremberg
Subjects: draughtsman, johann friedrich bause, historical persons, portrait, self-portrait of graphic artist
Inscriptions: collector's mark: Lugt 994, collector's mark: Lugt 2228, collector's mark: Lugt 2760
Gezicht op Jaarsveld en drie straatgezichten te Culemborg
Object type: album leaf
Date: 1907 – 1932
Materials: cardboard, paper, photographic support, plastic
Techniques: gelatin silver print
Subjects: city-view in general; 'veduta', street (+ city(-scape) with figures, staffage)

Foto's gemaakt tijdens het bezoek van Berti Hoppe en Herman Besselaar aan Culemborg in juli 1932. Deze pagina maakt deel uit van een album.
Pear-shaped ewer with a scholar and attendant in a fenced garden, floral scrolls and tulip motif
Object type: flagon
Date: 1635 – 1650
Materials: cobalt, glaze, paint, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

Schenkkan met oor, tuit en verbindingsstuk. Versiering in onderglazuurblauw met een zittende figuur en een staande in een landschap. Op de hals het tulpenmotief. Chine de Commande.
Bottle
Object type: bottle
Date: 1825 – 1845
Materials: porcelain
Culture: chinese
Location: china
Subjects: men,women,horses,flowers,musicians
The Old Sailor
Object type: print
Materials: paper
Techniques: etching
Location: netherlands
Artist: jozef israëls
Artist role: artist
Artist nationality: dutch
Artist dates: 1824 – 1911
Portret van Emewuj Omer, een patiënt met een deel van zijn opperarmbeen geamputeerd
Object type: photograph
Date: 1878 – 1880
Materials: photographic support
Techniques: albumen print, hand coloring
Artist: Anonymous
Subjects: arms, patient, sick person, amputation
Inscriptions: number: ‘Figure 6.’
Portret van Johann Peter Uz
Object type: print
Date: 1760 – 1860
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: Anonymous
Subjects: historical persons, portrait of a writer
Illustraties uit de Lof der Zotheid
Object type: print
Date: 1516 – 1516
Materials: paper
Techniques: etching, letterpress printing
Subjects: rotterdam, desiderius erasmus, court jester, court fool, folly, foolishness; 'pazzia', 'sciocchezza', 'stoltitia' (ripa), sausage

Prent afkomstig uit: Erasmus, Desiderius. Morias enkomion (...). Bazel: Johann Rudolf Genath, 1676.
De prenten hierin zijn naar tekeningen die Hans en Ambrosius Holbein maakten voor de theoloog Oswald Myconius in diens uitgave van de Moriae encomium (Lof der Zotheid) van 1516.
General Washington
Object type: print
Techniques: mezzotint
Artist: valentine green
Artist role: engraver
Artist nationality: british
Artist dates: 1739 – 1813
Subjects: american revolution,george washington,men,portraits,generals,black african

Engraved and published in London, this mezzotint by the British engraver Green is based on an important early portrait of Washington by the American artist Trumbull (also in the Museum's collection (24.109.88)). Wearing military uniform, the general stands on a bluff overlooking the Hudson River with a Black figure assumed to be William Lee–his enslaved valet, groom and military aide. Trumbull had served on Washington's staff as an aide-de-camp early in the Revolutionary War, then traveled to London in 1780 to pursue his artistic career. The image he created from memory was the first authoritative portrayal of Washington widely available in Europe and soon engraved. Trumbull would have known Lee from his wartime service, yet chose to depict him unnaturalistically in a turban, based on European "orientalist" convention associated with Black figures. An accurate visual portrait of Lee–who Washington freed and granted an annuity in his will–is unknown.
Fragment
Object type: textile
Date: 1725 – 1775
Materials: gold, silver
Techniques: brocade
Location: poland