deem-data/ArtiFact huggingface dataset:
Figurine of a Bovine
Object type: figure
Date: 1101 – 1200
Materials: glaze, stonepaste
Location: syria
Subjects: animals

The relatively simple and unadorned style of Syrian figurines, as well as their often iridized and whitened glaze, could not be “improved” by early twentieth-century restorers. Objects like this figurine did not meet the taste of collectors to the same extent as the more extravagant Iranian works (whether medieval or modern). As a result, fewer Syrian figurines are present in today’s collections and displays, and their cultural background needs more research.
Figure Studies
Object type: drawing
Date: 1701 – 1800
Materials: ink
Techniques: brush, pen, wash
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Subjects: male nudes,female nudes
Jacob Ruysdaal
Object type: history print
Date: 1865 – 1870
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: jacob van ruysdael, painter making preliminary designs, sketching

De schilder Jacob van Ruysdael schetsend bij een watermolen, ca. 1670. Onderdeel van de groep staalgravures naar de schilderijen van de Historische Galerij der Maatschappij Arti et Amicitiae.
Prudhon, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 1), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Portret van Maurits, prins van Oranje
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving
Location: cologne
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: the hague, maurice (prince of orange)
Inscriptions: date

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Plattegrond van de stad Rome
Object type: print
Date: 1676 – 1676
Materials: paper
Techniques: etching
Location: rome
Subjects: maps, atlases, rome
Inscriptions: collector's mark: Lugt 2228
Ovaal medaillon met Adonis en Venus onder een boom
Object type: print
Date: 1610 – 1615
Materials: paper
Techniques: etching
Location: paris
Artist: antoine jacquard
Artist role: print maker, publisher
Artist dates:  – 1640
Subjects: ornaments ~ art, foliage ~ ornament, ornament ~ medallion, tales and fairy tales (with title), couple of lovers, venus and adonis as lovers
Inscriptions: collector's mark: Lugt 2228, number: ‘2’, collector's mark: Lugt 2760

Ontwerp voor een horlogekast in de vorm van een ovaal medaillon met ornamentele rand versierd met gestileerde bladeren en melusina, in het midden een scène van een naakt stel zittend onder een boom, de man (Adonis) heeft zijn arm om de vrouw (Venus) geslagen en wijst met zijn andere arm in de verte, achter hen een liggende hond.
Lezende vrouw
Object type: sketchbook leaf
Date: 1885 – 1911
Materials: paper, pencil
Artist: jozef israëls
Artist role: draughtsman, painter, print maker
Artist dates: 1824 – 1911
Subjects: reading, sitting figure - aa - female human figure

Blad 10 verso uit een schetsboek met 26 bladen.
Ontwerp voor een kandelaar
Object type: ornament print
Date: 1784 – 1784
Materials: paper
Techniques: engraving, etching
Location: england
Subjects: candlestick

Ontwerp voor een kandelaar met een vierkante voet, op het volle blad. Met detail van een ronde voet. Met gedrukt onderschrift en handgeschreven nr. 128. Onderdeel van een catalogus met assortiment modellen van Sheffield verzilverd vaatwerk (pleet) door Matthew Boulton.
Ornamental Design for Knife Handle with Earth, from The Four Elements
Object type: print
Date: 1590 – 1590
Materials: paper
Techniques: engraving
Location: belgium
Artist: johann theodor de bry
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1561 – 1623
Twee honden bij twee schotels met eten
Object type: boekillustratie ontwerp
Date: 1910 – 1940
Materials: ink, paper, pencil
Techniques: pen
Artist: adri ladenius
Artist role: draughtsman
Artist dates: 1883 – 1953
Subjects: dog (+ feeding animal), sausage, dog
Inscriptions: signature: ‘A. Ladenius.’, collector's mark: Lugt 2228, :, annotation: ‘Ons Thuis/ Nero & Fox/ Augustus IV’

Twee honden staan bij een buitenmuur van een huis. Op de grond staan twee schotels met eten. Eén van de honden heeft een worst in de bek.
Paperweight
Object type: glass
Date: 1847 – 1847
Materials: glass
Location: lunéville
Artist: baccarat glassworks

The colorful geometric clusters embedded in this paperweight reflect the nineteenth-century European fascination with optical effects. Sir David Brewster invented the kaleidoscope in 1815, and its colorful and changing patterns brought great visual entertainment. Paperweights such as this example reformed this childlike pastime for a sophisticated adult audience. Depicted in glass were tiny glittering flowers, small black and blue cameos of figures, and even miniature bottlecaps. These were delicately arranged within the orb for the observant eye to discover.

From the late 1840s to early 1860s, French manufacturers of fine glass and crystal—such as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)—catered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.
Portret van een onbekende vrouw in een fauteuil
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: autotype
Location: halle an der saale
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Das Atelier des Photographen.’

Prent op derde ongenummerde pagina na pagina 176.
De moderne Gulliver van den Oceaan-Trust
Object type: cartoon
Date: 1902 – 1902
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: merchant shipping, shipping trade, political caricatures and satires

De Amerikaanse bankier John Pierpont Morgan trekt met zijn 'goudmagneet' alle schepen van de internationale koopvaardij naar zich toe.
Two Costume Designs or Portrait Types and a Sketch
Object type: collection ornament architecture
Date: 1785 – 1790
Materials: gouache, graphite, ink
Techniques: pen
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: portraits,women

Page with two round portraits in gouache and a third round sketch in graphite and ink. The left portrait shows a woman turned slightly toward the left. She is wearing a red jacket with a fichu and a creme corseted dress. She wears a large straw hat with pink bows, a blue flower, and green leaves. The woman in the portrait on the right turned towards the left, but has turned her had towards the viewer. She wears a corseted, blue and yellow striped dress with yellow trimming and buttons. She has a large white hat with blue stripes and ribbons. The graphite sketch above the two gouache portraits shows a bust of woman who wears an oversized bonnet-style hat. The portrait is framed and part of the frame is decorated by a string of garlands.
Panel with Dragons
Object type: panel
Date: 1567 – 1633
Materials: enamel
Techniques: enamel
Culture: chinese
Subjects: dragons
Belt Plaque in the Shape of a Wild Boar
Object type: belt plaque
Date: 300 – 101
Materials: gilt bronze
Culture: northwest chinese
Subjects: boars
Ivory fragment
Object type: relief
Date: 800 – 601
Materials: ivory
Culture: assyrian
Location: mesopotamia

This small ivory fragment is rounded in shape and was probably blackened through exposure to fire when the palace complexes at Nimrud were sacked during the final defeat of Assyria at the end of the seventh century B.C. It is incised with overlapping triangles filled with cross-hatched decoration and outlined by a single-line border. A hole drilled through the piece horizontally may have allowed it to be attached to another element by a nail or peg. Carved ivory pieces such as this were widely used in the production of elite furniture during the early first millennium B.C. They were often inlaid into a wooden frame using joinery techniques and glue, and could be overlaid with gold foil or inlaid with colored glass or stone pieces to create a dazzling effect of gleaming surfaces and bright colors. This piece is too broken to reconstruct its original appearance, although its cylindrical form suggests it may have formed part of a decorative column. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
Figuur in een landschap
Object type: sketchbook leaf
Date: 1880 – 1882
Materials: chalk, paper
Location: the hague
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone), landscapes (+ landscape with figures, staffage)

Links mogelijk water. Pagina 31 uit een schetsboek met 25 bladen.
Kirghiz Bag Face
Object type: saddle bag
Date: 1867 – 1900
Materials: cotton, wool
Location: kyrgyzstan
Passie van Christus
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: engraving
Location: rotterdam
Artist: nicolaes de bruyn
Artist role: print maker
Artist dates: 1571 – 1656
Subjects: christ before king herod; sometimes a gorgeous robe is brought (luke 23:8-11)
Inscriptions: date
Bibliotheca chalcographica
Object type: print
Date: 1650 – 1650
Materials: paper
Techniques: engraving
Subjects: france, leiden, franciscus raphelengius (i), historical persons

Latere staat van de prent uit: Boissard, Jean Jacques. Bibliotheca chalcographica (...). Frankfurt am Main: Johannes Ammon, 1650, dl. 7.
Coupe de la halle
Object type: reproduction
Date: 1874 – 1884
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: station; shelter (railway, tramway)
Ecce Homo
Object type: print
Date: 1470 – 1482
Techniques: engraving
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Subjects: spears,men,dogs,jesus
The Saw Mill, Putney
Object type: print
Date: 1888 – 1889
Materials: paper
Techniques: etching
Location: england
Artist: theodore roussel
Artist role: print maker
Artist nationality: french, worked in england
Artist dates: 1847 – 1926
Prijspenning van het schuttersgezelschap te Amsterdam (1779)
Object type: history medal
Date: 1779 – 1779
Materials: silver
Techniques: pressing
Location: amsterdam
Artist: hendrik de meijer
Artist role: die cutter
Artist dates: 1766 – 1789

Zilveren penning, op de voorzijde een gekroonde adelaar met voor zich een vierkante schietroos, met omschrift, op de keerzijde Pallas die een schutter lauwert en een medaille met adelaar overhandigt, met links een vaandel en een barok medusaschild en rechts een monument waartegen een Amsterdams wapenschild, met omschrift en afsnedetekst.
La Salle Échevinale de Courtrai : restaurée par les soins de l'administration communale et ornée de peintures murales / études historique par Charles Mussely, en collaboration avec Gustave Mussely
Object type: book
Date: 1876 – 1876
Materials: paper
Techniques: printing, woodburytype
Location: ghent
Inscriptions: annotation: ‘2.50 vijt 12 aout 85/ 58 Ro[.]ten/ 3.08’, date: ‘MAR/ 1985’
Marble torso of Aphrodite
Object type: torso
Date: 200 – 101
Materials: marble
Culture: greek

This work likely represents Aphrodite Anadyomene, capturing the moment when the goddess ties or wrings her hair as she rises from the sea, where she was born.
Snuff Bottle with Monkey on Rockwork
Object type: vessel
Materials: stone, quartz
Techniques: carving
Location: china
Colosseum, met golfspelers
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving
Location: the hague
Subjects: ruin of a building ~ architecture, amphitheatre, golf, rome
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2028

Gezicht in het Colosseum met op de voorgrond een paar golfspelers. Op de achtergrond twee mannen op een ezel. Prent uit een serie van zes met voorstellingen van Romeinse ruïnes.
Prins Bernhard draagt Beatrix op de arm en de koninklijke familie in een auto
Object type: photograph
Date: 1939 – 1939
Materials: photographic support
Techniques: gelatin silver print
Location: the hague
Artist: Anonymous
Subjects: bernhard (prins der nederlanden), beatrix (koningin der nederlanden), the hague, juliana of the netherlands, crown princess, prince, princess
Taler (guldiner) van kardinaal Matthaeus Lang van Wellenburg, aartsbisschop van Salzburg en bisschop van Gurk
Object type: guldiner
Date: 1522 – 1522
Materials: silver
Techniques: striking
Location: salzburg
Subjects: augsburg, matthäus lang von wellenburg

Voorzijde: borststuk man met kardinaalsmuts tussen jaartal, binnen omschrift onderbroken door drie wapenschilden. Keerzijde: wapenschild met aartsbisschoppelijk kruis en bischopsstaf onder kardinaalshoed binnen omschrift
Wineglass (Spitzglas)
Object type: wineglass
Date: 1701 – 1733
Materials: glass
Subjects: birds,grapes,flowers
Lance
Object type: lance
Date: 1701 – 1800
Materials: gold, silver, steel
Culture: indian
Location: india

This finely decorated lance was acquired in 1771 by the English collector Horace Walpole (1717–1797) for display in his armory at Strawberry Hill, one of the earliest and most influential Gothic Revival houses in England.
Portret van Joseph Lehmann
Object type: print
Date: 1835 – 1899
Materials: paper
Techniques: lithograph
Location: germany
Artist: Anonymous
Subjects: journalist, reporter, historical persons
Inscriptions: collector's mark: Lugt 2228
Uitschrijving van een algemene Dank-, Vast- en Bededag op 13 januari 1814
Object type: text sheet
Date: 1801 – 1814
Materials: paper
Techniques: letterpress printing
Location: netherlands
Artist: anton reinhard falck
Artist role: minister van koloniën, minister van nijverheid, minister van onderwijs, advocaat, secretaris-generaal
Artist dates: 1777 – 1843
Subjects: the hague, william i of the netherlands
Inscriptions: collector's mark: Lugt 2166

Bekendmaking van de uitschrijving namens Willem Frederik, prins van Oranje als souverein vorst van een algemene Dank-, Vast- en Bededag te houden op 13 januari 1814. Dubbelgevouwen blad bedrukt op drie zijden. Tekst namens Willem I en A.R. Falck.
Zusammendruck der Gelb-Purpur- und Cyan-Coloritplatte ohne Conturplatte
Object type: photomechanical print
Date: 1894 – 1899
Materials: paper
Techniques: three-color autotype
Location: munich
Artist: j. schoyrer
Artist role: fotograaf
Subjects: landscapes, sunset

Prent op tweede ongenummerde pagina na pagina 216.
Cape
Object type: cape
Date: 1896 – 1896
Materials: linen, silk
Culture: french
Artist: house of worth
Artist role: design house
Artist nationality: french
Artist dates: 1858 – 1956
Verschillende mode-drachten
Object type: print
Date: 1806 – 1830
Materials: paper
Techniques: letterpress printing
Location: zaltbommel
Subjects: fashion, clothing, fashion
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van figuren in modieuze kleding. Genummerd rechtsboven: No. 18.
Brunehaut
Object type: playing card
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: ruler, sovereign - bb - female ruler

Deze prent maakt deel uit van een kaartspel met 52 kaarten met voorstellingen van beroemde koninginnen. De serie is uitgedacht door Jean Desmarests de Saint-Sorlin in opdracht van Kardinaal Mazarin. Het kaartspel werd gemaakt voor de jonge Lodewijk XIV, samen met het Jeu des Fables, Jeu de la Géographie en Jeu des Rois de France.
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Part of the head, neck, shoulders, and upper torso of a Scythian archer wearing a cap with lappets, a patterned garment, and a baldric
Drie alen in het gras
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: etching
Location: paris
Subjects: eels: eel
Inscriptions: collector's mark: Lugt 2228
Neptune and Melanthe, from "The Loves of the Gods" (Amorosi diletti degli dei)
Object type: print
Date: 1531 – 1576
Techniques: engraving
Artist: giulio bonasone
Artist role: artist
Artist nationality: italian
Artist dates: 1510 – 1576
Subjects: children,neptune
Algemene Nederlandse Drankbestrijdersorganisatie
Object type: honorary medal
Date: 1960 – 1990
Materials: brass
Techniques: engraving, striking
Location: voorschoten
Subjects: amsterdam, the hague, willem drees, netherlands

Messing penning met op de voorzijde in gestileerde letters opschrift: ANDO; EREPENNING / ALGEMENE / NEDERLANDSE / DRANKBESTRIJDERS ORGANISATIE. Keerzijde: centraal: cirkel opgebouwd uit kubussen. Links onder is een kubus uit de cirkel naar voren geplaatst. Op afsnede is opschrift gegraveerd: Dr. Willem Drees. Bij de penning is vierkant blauw plastic doosje.
Notre-Dame, Evening, plate eight from Le Long de la Seine et des Boulevards
Object type: print
Materials: paper
Techniques: engraving
Location: france
Artist: louis auguste lepère
Artist role: print maker
Artist nationality: french
Artist dates: 1849 – 1918
Illuminatie en vuurwerk te Gent, 1717
Object type: print
Date: 1717 – 1719
Materials: paper
Techniques: etching
Location: brussels
Artist: jacobus harrewijn
Artist role: print maker
Artist dates: 1660 – 1740
Subjects: vienna, charles vi (holy roman emperor), bonfire, fire-works (+ illumination, fire-works ~ festive activities)

Gebruikt als illustratie in: Relation de l'inauguration solemnelle de sa Sacrée Majesté Impériale et Catholique Charles VI ... celebrée à Gand ... le 18 Oct. 1717, Gent 1719. Deze staat van de prent vóór de titel: "Représentation de la cérémonie solennelle de l'Inauguration de sa Majesté Impériale et Catholique Charles VI Empereur des Romains et III du nom Roy des Espagnes, célébrée au Grand Théâtre dressé sur la Place du Vendredy en la Ville de Gand, Capitale de la Province le 18 octobre 1717".
Deze prent is door Muller eerst onjuist beschreven onder FMH 2222B als een voorstelling van de illuminatie en vuurwerk te Gent ter ere van de troonsbestijging van de Spaanse koning Karel II, december 1665.
Landschap met ruiter en herder met twee runderen bij een boom met klimplanten aan het water
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Artist: johann christian klengel
Artist role: print maker
Artist dates: 1751 – 1824
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., boulder, stone, towing path
Inscriptions: collector's mark: Lugt 240
Twee zeilschepen opgetild door de golven tijdens een storm
Object type: print
Date: 1640 – 1640
Materials: paper
Techniques: etching
Location: vienna
Artist: johann wilhelm baur
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1642
Subjects: sailing-ship, sailing-boat, storm at sea
Inscriptions: collector's mark: Lugt 2228, annotation: ‘hierna heb ik de (...) / (...) was door een / duitsch etser. - op een de / platen staet de naam de / prenten zijn in de RBH genommerd / J[ohan] Ph[ilip] vd K[ellen]’, collector's mark: Lugt 2228

Vierde prent uit de serie 'Schepen in stormachtig weer', bestaand uit vier genummerde prenten. Door een restauratie in de rechterbovenhoek is het nummer weggevallen. Van deze serie bestaan ook latere drukken, uitgegeven te Augsburg door Joachim Wolf en de erven van Johann Michael Probst.
Nude Lying On Bed
Object type: drawing and watercolor
Date: 1894 – 1894
Materials: graphite, paper, watercolor
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Ancient Sarcophagus Relief with the Labors of Hercules
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: attributed to girolamo sellari, called girolamo da carpi
Artist nationality: italian
Artist dates: 1501 – 1556
Design for Pony Phaeton, no. 3771
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Cup
Object type: cup
Date: 1815 – 1820
Materials: glass
Putto as Saturn
Object type: figure
Date: 1755 – 1756
Materials: hard paste porcelain
Artist: nymphenburg porcelain manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1747 – 9999
Subjects: putti,saturn