deem-data/ArtiFact huggingface dataset:
Tripod incense burner
Object type: incense burner
Date: 1801 – 1850
Materials: glaze, porcelain
Culture: chinese

With its three straight legs, deep bowl, and two handles, this porcelain echoes the ding, one of the most important forms of ancient Chinese ritual vessel. Ding were used as food and storage vessels and for ritual offerings. Like many ancient Chinese bronzes, ding were symbols of power and authority, and vessels in their shape were made in various materials and were popular with collectors.
The Nativity with God the Father and Angels
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: etching
Location: italy
Artist: giovanni benedetto castiglione (il grechetto)
Artist role: artist
Artist nationality: italian
Artist dates: 1609 – 1664

Although he was Genoese by birth, Giovanni Battista Castiglione worked among the greatest artists in Baroque Rome. A prolific painter, etcher, and draftsman, he produced several innovative renditions of the Nativity. The epic horizontal sweep of the present etching emphasizes the cosmic power of Christ’s heavenly father (entirely omitting Joseph, Christ’s earthly stepfather). This conceit reappears in an intimate vertical format in God the Father Regarding His Newborn Son (1972.986).
Block from an Arch with a Cross
Object type: voissoir
Date: 501 – 700
Materials: stone
Techniques: carving, relief
Location: egypt

The more important buildings were decorated with courses of sculpted stone freely combining floral and geometric motifs inspired by classical art – rosettes, acanthus leaves, meander patterns – with more recent Christian themes. These sculptural elements, demonstrating the Byzantine love of complex patterning with lush textures, were originally painted in rich, vibrant colors like those surviving in textiles.
Chair Cover
Object type: textile
Date: 1894 – 1894
Materials: cotton, silk, wool
Techniques: interlocking, slit, weave
Location: new york city
Artist: william baumgarten and company
Artist dates: 1893 – 1912
Gezicht op de Prinsessegracht te Den Haag
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: engraving, etching
Location: the hague
Subjects: city-view, and landscape with man-made constructions, bridge in city across river, canal, etc., street (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Gezicht op de Prinsessegracht, gelegen op het 'eiland' de Nieuwe Uitleg, te Den Haag, gezien richting de Bosbrug en de hoek met het Korte Voorhout. Op de voorgrond links het gebouw van de Franse ambassade op de hoek met de Casuariestraat. Aan de overkant van de vaart rechts het park de Koekamp. Prent uit een serie van acht gezichten in Den Haag.
Collar
Object type: textile
Materials: cotton
Techniques: lace
Location: belgium
Hope
Object type: print
Date: 1501 – 1600
Techniques: etching
Artist: master f. p.
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: female nudes,pegasus

In Mariette Album, folio 42, bottom middle
Surinamers in Nederland: 29 foto's uit het archief van Ons Vrije Nederland
Object type: documentary photograph
Date: 1902 – 1948
Materials: photographic support
Techniques: photography
Location: the hague
Subjects: historical persons, netherlands, suriname, the hague

Een van de deelnemers namens Suriname aan de Ronde Tafel Conferentie tussen Nederland en de West: de politicus Salikin M. Hardjo tijdens een telefoongesprek. Hij is voorzitter van "Pergerakan Bangsa Indonesia Indonesia", een partij voor Javanen in Suriname, en werkt bij de medische voorlichting.
Neo-gothische boekenkast
Object type: bookcase
Date: 1835 – 1845
Materials: glass, wood, silk
Techniques: embroidered
Location: netherlands
Artist: Anonymous

Neo-gothische boekenkast, ingelegd met een geborduurd paneel.
Portret van Abraham Bloemaert
Object type: print
Date: 1720 – 1725
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: utrecht, painter, print maker, draughtsman, abraham bloemaert, historical persons, portrait, self-portrait of painter, tools, implements of painter

Prent uit: Bloemaert, Abraham. Eerste beginselen der teken-kunst. Amsterdam: erven Joachim Ottens, [1720-1725], dl. 1.
Zijkapel van de Sint-Jacobskerk met figuren bij het altaar
Object type: print
Date: 1851 – 1909
Materials: paper
Techniques: etching
Artist: théodore joseph cleynhens
Artist role: print maker
Artist dates: 1841 – 1916
Subjects: (public) prayer, interior of church, altar, antwerp
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Ve état’
Stand
Object type: stand
Date: 1743 – 1745
Materials: silver gilt
Artist: friedrich schwestermuller ii
Artist role: maker
Artist nationality: german
Artist dates: 1713 – 1752
Snuffbox with portrait of a child holding a dog
Object type: snuffbox, painting
Date: 1782 – 1783
Materials: enamel, gold
Artist: david lhonorey
Artist role: maker
Artist dates: 1752 – 1852
Subjects: children,portraits,dogs

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Button
Object type: button
Date: 1780 – 1780
Materials: glass, ivory
Culture: french
Subjects: couples,men,women
De Amerika-zeppelin ZR 3 bij de landing voor een hangar in Friedrichshafen
Object type: photograph
Date: 1924 – 1924
Materials: photographic support
Techniques: gelatin silver print
Location: friedrichshafen
Artist: Anonymous
Inscriptions: inscription: ‘AMERIKA-ZEPPELIN Z R III nach der Landung vor seiner Halle (Aufgenommen von Prof. Maerker aus dem Dornier Flugboot von Ing. Trückenbrodt, Konstanz)’

Een zeppelin in de lucht met een hangar op de grond en gebouwen op de voorgrond.
Schilbe fish, sacred to Hatmehyt, on standard
Object type: figurine, hatmehyt a standard
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: fish,goddess

The schlibe fish was illustrated atop the standard of the nome of Mendes in the eastern Delta since earliest times. It was very closely associated with the local goddess Hatmehyt , whose name in fact means "Foremost of the Fishes" and who wore the schilbe atop her crown and hanging down her back (89.2.517). Hatmehyt was the only Egyptian god(dess) associated so closely with a fish, and this certainly has to do with the importance of the swampy damp environment of the area.
Portret van Willem II, koning der Nederlanden
Object type: print
Date: 1840 – 1849
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: william ii of the netherlands
Inscriptions: collector's mark: Lugt 963, collector's mark: Lugt 2165

Portret van Willem II met een hermelijnen mantel. Hij staat in een vertrek naast een tafel met daarop een kroon en een scepter. Rechts een doorkijkje naar militaire troepen en de zee.
Five Weeks after Marriage
Object type: stereograph
Date: 1856 – 1861
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: london
Artist: james elliott
Artist role: publisher
Artist dates: 1832 – 1900
Subjects: breakfast
Inscriptions: inscription: ‘Entered at Stationers' Hall.’, stamp: ‘J. C. Meerburg/ Leijden’
Johanna van Rijswijk (b. 1715), Wife of Jan Hendrik van Rijswijk
Object type: painting
Date: 1754 – 1754
Materials: canvas, oil
Artist: isaac lodewijk la fargue van nieuwland
Artist role: draughtsman, painter, print maker
Artist dates: 1726 – 1805
Subjects: historical persons - bb - woman
Inscriptions: inscription: ‘Johanna van Rijswijk Nat 30 November 1715’

Portret van Johanna van Rijswijk, echtgenote van Jan Hendrik van Rijswijk. Staand, ten halven lijve, een waaier in de linkerhand. Pendant van SK-A-637.
Foltering: verminking van het gezicht
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: vatican city
Subjects: violent death ~ maltreatment, torture, torture
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 47 prenten (+ titelprent) met voorstellingen van martelmethoden. Deze prenten zijn in een andere editie gebruikt als illustraties voor Antonio Gallonio's 'Trattato degli Instrumenti di Martirio e delle Varie Maniere di Martoriare Usate dai Gentili contro Christiani' (Rome, Ascanio en Girolamo Dongangeli, 1591).
Tokaiji no Bansho, from the series "Shinagawa Hakkei (Eight Views of Shinagawa)"
Object type: print
Date: 1771 – 1771
Techniques: woodblock print
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Handvat van zwarte kunststof met geribbeld oppervlak en afgesneden stekels, voor een paraplu of parasol
Object type: parasolknop
Date: 1910 – 1920
Materials: plastic
Location: nijmegen
Artist: gustav schnitzler
Artist role: paraplufabrikant

Handvat van dofzwarte kunststof voor een paraplu of parasol. Het oppervlak is geribbeld en heeft afgesneden stekels. Mogelijk voor de rouw.
Gezicht op een huis met tennisbaan in Nederlands-Indië
Object type: panoramic photograph
Date: 1917 – 1917
Materials: photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: tennis, lawn-tennis, rural housing, e.g. country-house, villa, cottage, dutch east indies, the

Onderdeel van Familiealbum met foto's van een familie in de voormalige kolonie Nederlands-Indië en van een suikerfabriek in Purworejo.
Vues de Paris
Object type: print
Date: 1630 – 1661
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: city-view, and landscape with man-made constructions, church (exterior)
Inscriptions: collector's mark: Lugt 240
Tot Embrick
Object type: drawing
Date: 1700 – 1799
Materials: ink, paper
Techniques: pen
Artist: Anonymous
Subjects: well, prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228
The Prophet Joel; from the series of Prophets and Sibyls in the Sistine Chapel
Object type: print
Date: 1570 – 1575
Techniques: engraving
Artist: giorgio ghisi
Artist role: artist
Artist nationality: italian
Artist dates: 1515 – 1582
Subjects: caryatids,infants,men,male nudes,women

As explained by Boorsch (in Boorsch, Lewis and Lewis 1985, p. 164) the dates of 1540 and 1549 engraved on some of the plates from the series is false. The plates should rather be dated to the early 1570s.
Portret van een onbekende vrouw met een hoed en een paraplu
Object type: photograph
Date: 1900 – 1915
Materials: photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman, head-gear: hat, umbrella
Reliekschrijn van de Heilige Gorik
Object type: titelblad, titelpagina
Date: 1676 – 1755
Materials: paper
Techniques: engraving, etching
Artist: pieter balthasar bouttats
Artist role: print maker
Artist dates: 1666 – 1755
Subjects: saints, relics (and reliquaries), ornamenting, decorating ~ applied arts, scales of notation (arithmetic), male saints (gaugericus), the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara, the apostle paul of tarsus; possible attributes: book, scroll, sword
Inscriptions: collector's mark: Lugt 2228, inscription: ‘Pag. 260, Tab. I.’, inscription: ‘Tom II’

Een afbeelding uit een boek. Een reliekschrijn, frontaal. Het schrijn wordt gedragen door liggende leeuwen. Het schrijn zelf is versierd met architectonische krullen. Drie portalen aan de voorkant bevatten telkens twee heiligen, o.a. Petrus en Paulus. Het dak van het schrijn is versierd met afbeeldingen van andere heiligen. Een schaal onder het schrijn toont de verhoudingen.
Coin (Crown) Showing Charles I
Object type: crown coin
Date: 1625 – 1625
Materials: gold, silver
Culture: british
Location: england
Subjects: men,horses
Landscape
Object type: hanging scroll
Date: 1368 – 1644
Materials: silk
Culture: chinese
Portret van Eugen Wenzel von Wrbna-Freudenthal
Object type: print
Date: 1749 – 1796
Materials: paper
Techniques: engraving, etching
Artist: johann ernst mansfeld
Artist role: print maker
Artist dates: 1739 – 1796
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Roundel with Human Face
Object type: textile fragment
Date: 401 – 500
Materials: linen, wool
Culture: coptic
Location: egypt
Subjects: faces
Textile Sample Book
Object type: sample book
Date: 1845 – 1860
Materials: cotton
Artist: frier riber
Artist role: artist
Artist dates: 1750 – 1900
Subjects: flowers
Romeinen verslagen bij een verrassingsaanval op hun kamp aan de Moezel, 69-70
Object type: print
Date: 1612 – 1612
Materials: paper
Techniques: etching
Location: italy
Subjects: battle, fighting in general, extinct, 'historical' peoples (with name), netherlands

De Romeinen worden aanvankelijk verslagen bij een verrassingsaanval op hun kamp aan de Moezel, maar slaan dezelfde dag weer terug. Prent nummer 27 in de serie prenten over de Bataafse Opstand: Batavorum cum Romanis bellum / à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, auctore Othone Vaenio Lugdunobatava = De Batavische oft oude Hollandtsche oorloghe teghen de Romeynen. Otto Vaenius, Antwerpen 1612. Onderaan twee verzen van vier regels in het Nederlands en in het Latijn. Op de achterzijde tekst in het Latijn.
Fragment of a Carved or Molded and Glazed Tile
Object type: mold fragment
Date: 1101 – 1200
Materials: earthenware, glaze
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
Marseille. La Corniche, Anse du Prophète
Object type: photomechanical print
Date: 1903 – 1913
Materials: cardboard
Techniques: rotogravure
Location: marseille
Subjects: tramway, tram, sea (seascape), marseille
Bar in de Folies-Bergère
Object type: print
Date: 1882 – 1897
Materials: paper
Techniques: etching, roulette
Subjects: inn, coffee-house, public house, etc. (+ waiter, waitress, etc.), paris
Inscriptions: collector's mark: Lugt 2228
Twee kinderen onder een gotisch gewelf
Object type: print
Date: 1823 – 1834
Materials: paper
Techniques: lithograph
Location: paris
Subjects: vault ~ architecture
Inscriptions: collector's mark: Lugt 2228a
The Industrious 'Prentice a Favorite, and Entrusted by his Master: Industry and Idleness, plate 4
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: animals,men,women,working
The College Gate
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,horses
Terracotta oinochoe: olpe (round-mouthed jug)
Object type: olpe
Date: 520 – 520
Materials: terracotta
Culture: greek, attic
Artist: euphiletos painter
Artist role: artist
Subjects: apollo,muses,lyres

Apollo and muses Like many other artists active at the time of the introduction of the red-figure technique in Athens, about 530 B.C., the Euphiletos Painter worked in both the new red-figure and the old black-figure techniques. His name derives from the inscription praising Euphiletos as fair that occurs on several vases decorated by him. It appears on this one as well.
Portret van Maerten de Vos op 60-jarige leeftijd
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving
Location: rome
Subjects: antwerp, painter, draughtsman, maerten de vos, neck-gear ~ clothing (with name) (+ men's clothes), coat (+ fur used for clothes), coat (+ men's clothes), portrait, self-portrait of painter, beasts of prey, predatory animals: fox
Inscriptions: collector's mark: Lugt 2233

Portret van de Antwerpse schilder en tekenaar Maerten de Vos, op 60-jarige leeftijd. Twee allegorische vrouwenfiguren (Retorica (r.) en Minerva (l)) houden een lauwerkrans boven het portret. In de lauwerkrans een embleem van een vogel die op een vos zit.
Amelius en Amicus
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: human life and its ages (young, adult, old, etc.)

De houtsnede wordt gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 164v.
Portrait of Govert van Slingelandt (1623-1690), with his First Wife Christina van Beveren (1632-1656) and their Two Children
Object type: painting
Date: 1657 – 1657
Materials: canvas, oil
Artist: jan mijtens
Artist role: painter
Artist dates: 1614 – 1670
Subjects: dordrecht
Inscriptions: signature and date, lower right: ‘Joan: Mijtens f. / a°: 1657.’

Familieportret van Govert van Slingelandt, heer van Dubbeldam, pensionaris van Dordrecht. Met zijn eerste vrouw Christina van Beveren en hun beide zoontjes Barthoud en Govert Johan van Slingelandt zittend onder een boom in een landschap. De oudste zoon heeft een tros druiven in de handen. De jongste zoon zit bij zijn moeder op schoot en blaast bellen. Rechts een hondje.
Gezicht vanuit het huis van de fotograaf richting logement Rondeel, Amsterdam
Object type: papiernegatief
Date: 1845 – 1846
Materials: paper
Techniques: paper negative
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: hotel het rondeel, reguliersbreestraat, kloveniersburgwal

Uitzicht uit het huis van de fotograaf, Singel 548, naar Logement Rondeel. De opname is gemaakt na de renovatie van het hotel in 1845.
Fragment with Relief Decoration
Object type: relief
Date: 1101 – 1300
Materials: stone
Culture: french
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 460
Materials: terracotta
Culture: greek, attic

Interior, on exergue, athlete holding a javelin with both hands; behind the right hand of the athlete, a second javelin; goal post; Exterior, tendrils from a handle palmette; goal post; athlete to right, holding jumping weights in both hands; athlete to right, with frontal torso, holding jumping weights in both hands; right hand of an athlete to left, holding a jumping weight
Purse
Object type: purse
Date: 1676 – 1700
Materials: glass, metal, silk
Culture: european
Terracotta fragment of a calyx-krater (bowl for mixing wine and water)
Object type: calyx krater fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Below the rim, ivy separated by a red vine
Amazzone
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Artist: Anonymous
Subjects: (story of) the amazons, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: number: ‘45.’
Plate (one of a pair)
Object type: plate
Date: 1740 – 1740
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: bow and arrow,fruit,boys,flowers
Bruges / Brugge / Eglise Notre-Dame. Tombeau de Charles le Téméraire / O.-L. Vrouwkerk. Graf van Karel de Stoute
Object type: ansichtkaart, prentbriefkaart
Date: 1913 – 1930
Materials: cardboard
Techniques: photograph
Location: brussels
Subjects: grave, tomb, interior of church
Christ before Pilate, from The Passion
Object type: print
Date: 1596 – 1596
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered lower left: "5. / Ao. HG 96."
Zwarten Beir / Ursus niger / Ours noir
Object type: drawing
Date: 1790 – 1814
Materials: chalk, paint, paper, watercolor
Techniques: brush
Location: southern netherlands
Artist: Anonymous
Subjects: beasts of prey, predatory animals: bear

Zwarte beer. Rechtsboven genummerd: 8. Linksboven gemerkt met een rood sterretje. Onderdeel van het eerste album met tekeningen van viervoeters. Eerste van twaalf albums met tekeningen van dieren, vogels en planten bekend rond 1600, gemaakt in opdracht van keizer Rudolf II. Met toelichting in Nederlands, Latijn en Frans.
23-cm Palliser Shot
Object type: bullet ammunition
Date: 1868 – 1868
Materials: brass, bronze, iron
Location: woolwich

De Palliser shot MK I 9 inch RML werden van 1867 geproduceerd. Palliser kogels waren gehard door een koelingsproces (zgn. 'glasharde kogels'). Kogels waren projectielen zonder spinglading: de lichtere kalibers waren massief, de zwaardere werden hol gemaakt vanwege problemen bij het gieten en afkoelen. Zij waren bedoeld voor getrokken voorlaadgeschut. De Nederlandse Marine gebruikte vanaf 1867 23 cm Armstrong geschut.
Druif of ronde knop van een zwengelboor
Object type: knob
Date: 1590 – 1596
Materials: wood
Techniques: cutting
Artist: Anonymous
Subjects: willem barendsz., amsterdam, jacob van heemskerck

Druif of ronde knop van een zwengelboor. De druif hoort mogelijk bij NG-NM-7775.
Portret van Vincent Priessnitz
Object type: print
Date: 1839 – 1863
Materials: paper
Techniques: lithograph
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228