deem-data/ArtiFact huggingface dataset:
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 480
Materials: terracotta
Culture: greek, attic
Tulip vases (2)
Object type: tulip vase
Date: 1885 – 1885
Materials: enamel, gilt bronze
Techniques: enamel
Artist: elkington & co.
Artist role: factory
Artist nationality: british
Artist dates: 1829 – 1963
Subjects: tulips
Great Marbled Godwit, from the Game Birds series (N13) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Game Birds" series (N13), issued in 1889 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
A View in Kew Gardens of the Alhambra and the Pagoda
Object type: print
Date: 1813 – 1813
Materials: watercolor
Techniques: aquatint
Artist: heinrich joseph schütz
Artist role: artist
Artist nationality: german
Artist dates: 1800 – 1825

Shortly after being appointed architect to Augusta, Dowager Princess of Wales, William Chambers designed a series of exotic garden pavilions for the newly transformed Royal Botanic Gardens at Kew, near London. The Alhambra and the Chinese Pagoda, built in 1758 and 1761 respectively, are shown here. Schütz's aquatint stresses the magnificent trees of the garden setting, while the watercolor additions help to contrast the Alhambra's fanciful Rococo character with the greater Oriental accuracy of the 163-foot-high Pagoda.
Landschap met rechts drinkende runderen
Object type: print
Date: 1613 – 1666
Materials: paper
Techniques: etching
Location: paris
Subjects: water course, herd, flock
Inscriptions: collector's mark: Lugt 240

Prenten met het signatuur 'Perelle' kunnen zowel door vader Gabriel als door zonen Nicolas en Adam gemaakt zijn.
Souvenir de Blankenberghe
Object type: print
Date: 1850 – 1899
Materials: paper
Techniques: etching, intaglio
Artist: louis jaugey
Artist role: print maker
Artist dates: 1837 – 
Subjects: summer-house, arbour, garden-house (dutch: 'theekoepel'), public gardens, park
Inscriptions: collector's mark: Lugt 2228
Zeilschip
Object type: sketchbook leaf
Date: 1780 – 1848
Materials: paper, pencil
Artist: martinus schouman
Artist role: draughtsman, painter
Artist dates: 1770 – 1848
Subjects: sailing-ship, sailing-boat

Blad 24 verso uit een schetsboek met 53 bladen.
Landschap met twee wandelaars
Object type: print
Date: 1850 – 1913
Materials: paper
Techniques: etching, intaglio
Artist: h. van meerbeeck
Artist role: print maker
Subjects: road, path, walking, landscapes (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228
Roemer met drie rijen braamnoppen
Object type: roemer
Date: 1650 – 1700
Materials: glass
Techniques: glassblowing

Grote roemer met ingestoken bodem, op concave, uit een draad gesponnen voet. Bolle kelk, als één geheel geblazen met de holle stam, die bezet is met drie rijen braamnoppen. De overgang van de kelk naar de stam aangegeven door een geribde draad.
Laya, Jean-Louis
Object type: print
Date: 1821 – 1821
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons, portrait of a writer
Inscriptions: collector's mark: Lugt 2228a
Design for Curtains
Object type: drawing
Date: 1841 – 1900
Materials: graphite
Artist: charles hindley and sons
Artist role: artist
Artist nationality: british
Artist dates: 1841 – 1917
Subjects: curtains
Plattegrond van de begane grond van de Villa Giustiniani-Cambiaso te Genua
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: hôtel, i.e. small palace in city - aa - civic architecture: inside, plan ~ architecture

Deze prent maakt deel uit van een album.
Daalder, imitatie-noodmunt van Steenwijk, met het uiterlijk van een halve philipsdaalder, imitatie van een munt met instempeling gebruikt tijdens het beleg
Object type: coin
Date: 1883 – 1883
Materials: silver
Techniques: striking
Location: steenwijk
Artist: Anonymous
Subjects: steenwijk, tachtigjarige oorlog, beleg en ontzet van steenwijk
Portret van Michael Tarchaniota Marullus
Object type: book illustration
Date: 1674 – 1674
Materials: paper
Techniques: engraving
Artist: jan gerard damperviel
Artist role: print maker
Subjects: historical persons, portrait of a writer

Prent geknipt uit een grotere plaat. Prent waarschijnlijk uit: Lambeck, Peter. Sacrae Caesareae Maiestatis Consiliarii (...). Wenen: Matthäus Cosmerovius, 1674, dl. 6.
Fragmenten steel van vork of lepel uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: spoon
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Cutlery, fragment: stem of fork or spoon; fragm, encrusted, sim. NG 1980-27H67.
Luxor. Statue of Rameses II, 19th dynasty, 1300 B.C.
Object type: ansichtkaart, prentbriefkaart
Date: 1907 – 1925
Materials: cardboard
Techniques: writing
Location: luxor
Artist: Anonymous
Subjects: temple, shrine ~ egyptian religion, statues, paintings, etc. ~ objects of worship (egyptian religion)
Inscriptions: postage stamp
Panel
Object type: panel
Date: 1501 – 1600
Materials: wood
Techniques: carving
Subjects: soldiers,spears
Stele with Buddha
Object type: stele
Materials: earthenware
Culture: chinese
Subjects: buddhism,bodhisattvas
Drawing of a Coptic Saint
Object type: relief, tomb of nespekashuty
Date: 501 – 700
Materials: limestone, paint
Location: egypt

Like most sites in the Theban necropolis, the tomb of Nespekashuty underwent repeated reuse and repurposing through the centuries. Nespekashuty's seventh century BC tomb itself had reused the courtyard and causeway of an early 11th Dynasty (ca. 2030 BC) tomb. And this block belongs to a Late Antique phase of reuse in connection with the spread of Coptic Christian monks and ascetics in Western Thebes in the 6th-7th centuries AD. On the left side of the block is a drawing of the head of a Coptic saint in red paint, on the right a pillar and staircase. Scratched over the staircase is a fish.
Cephalus en Procris
Object type: print
Date: 1750 – 1757
Materials: paper
Techniques: engraving, etching
Location: france
Artist: louis simon lempereur
Artist role: print maker
Artist dates: 1728 – 1807
Subjects: mourning of procris, hunting accidents
Inscriptions: collector's mark: Lugt 240

Prent gebruikt voor de 'Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde', verschenen in twee delen in 1753 en 1757, met in totaal 100 prenten naar schilderijen in de koninklijke kunstcollecties te Dresden. Dit betreft plaat 22.
Voor een latere staat zie British Museum, inv.nr. 1855,0609.1296.
The Effie Deans
Object type: photograph
Date: 1865 – 1865
Materials: paper
Techniques: albumen print, printing
Location: london
Artist: edouard frewin
Subjects: historical persons, portrait of actor, actress, clothes, costume

Boek met bladmuziek, "The Effie Deans" van Edouard Frewin, met op het voorblad een foto met een portret van Agnes Kelly Boucicault-Robertson, John Ryder en Edith Stuart in kostuum voor het theaterstuk "The Trial of Effie Deans" in het Westminster Theatre, Londen.
Fotoreproductie van een tekening van een landschap met beuken en herten
Object type: reproduction
Date: 1865 – 1879
Materials: photographic support
Techniques: albumen print
Location: munich
Artist: johann fischbach
Artist role: painter
Artist dates: 1797 – 1871
Subjects: trees: beech
"I'm de boss of de gang, you'se kin bet," from the Terrors of America set (N136) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1888 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: boys

Trade cards from the "Terrors of America" series (N136), issued in a set of 50 cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco. The original lithographs for the series were created by Knapp & Company, N.Y. This is the second time that Duke released the "Terrors of America" series. The cards of the first set (N88) are smaller than N136 cards.
Brabant, Maria-Theresia, dubbele oord, 1777
Object type: dubbele oord
Date: 1777 – 1777
Materials: copper
Techniques: striking
Location: brussels

Koperen munt. Voorzijde: portret van Maria-Theresia naar rechts. Keerzijde: binnen twee samengebonden lauwertakken vierregelig opschrift, waaronder jaartal. Daaronder engelenkop.
Venus and Eros, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1561 – 1561
Techniques: engraving
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: eros,venus

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 59 in the scrapbook.
Oudtestamentische voorstellingen
Object type: print
Date: 1629 – 1641
Materials: paper
Techniques: engraving, etching
Location: rome
Subjects: ass, donkey, an angel holding a sword bars the way and causes balaam's ass to turn aside; the angel is invisible to balaam
Inscriptions: collector's mark: Lugt 2228

In een heuvelachtig landschap met boompartijen is links op de voorgrond Bileam zittend op een terugdeinzende ezel weergegeven. In zijn rechterhand houdt hij een zwaard en voor hem staat een engel die een zwaard uit de schede trekt.
Odevaere
Object type: print
Date: 1822 – 1832
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: brussels, painter, print maker, joseph-denis odevaere, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 2228a
Rooms-katholieke kerk te Liessel
Object type: photograph
Date: 1901 – 1901
Materials: cardboard, photographic support
Techniques: albumen print
Location: liessel
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘gem. Deurne/ Liessel’, annotation: ‘Toren v/d R.K. Kerk te Liessel (N.B.) 1901’
Tortoiseshell and Basketry Inrō
Object type: inrō
Date: 1601 – 1700
Materials: copper, lacquer, metal, rattan, shell, wood
Techniques: carving, inlay, urushi
Culture: japanese

The rare, early example in tortoiseshell was made at the beginning of the Edo period, when inrō were first developed. Several others from the seventeenth to the eighteenth century represent the early history and the high point of the object.
Pont Neuf, Paris
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,dogs
Koof, versierd met rolwerkcartouche met medaillon met gesluierde vrouwenkop, gepolychromeerd en verguld grenen
Object type: koof
Date: 1550 – 1599
Materials: wood
Techniques: polychromy
Location: southern netherlands
Artist: Anonymous

Koof van grenenhout, gepolychromeerd. De in hoog reliëf aangebrachte versiering bestaat uit een rolwerk-cartouche, waarop een medaillon met gesluierde vrouwenkop. Boven en onder een klein vrouwenborstbeeld. Het beeldhouwwerk is gepolychromeerd over een goudlaag, en plaatselijk met goud gehoogd.
Seal Matrix and Impression
Object type: seal matrix and impression
Date: 1401 – 1500
Materials: bronze
Culture: french
Subjects: madonna and child
Tea Urn
Object type: urn
Date: 1791 – 1791
Materials: ivory, silver
Culture: american
Location: united states
Artist: paul revere jr.
Artist role: maker
Artist nationality: american
Artist dates: 1734 – 1818

The urn is recorded in Revere's ledgers, where on April 20, 1791, a debit is charged to Mrs. Hannah Rowe for a silver tea urn weighing 111 ounces. It is the earliest and the largest of the three known tea or coffee urns by Revere.
Heike Biwa (平家琵琶)
Object type: heike biwa
Date: 1835 – 1835
Materials: leather, wood
Culture: japanese
Location: japan

Influenced by the recitations of blind priests, the music of the heike biwa reflects the mood of the text.
Bulletin de la Société d'anthropologie de Bruxelles
Object type: magazine
Date: 1887 – 1887
Materials: paper, textile
Techniques: photograph, printing
Location: brussels
Artist: f. hayez
Artist role: printer
Inscriptions: annotation: ‘SEPT/ 1997’
H. Franciscus
Object type: print
Date: 1601 – 1652
Materials: paper
Techniques: brush, engraving
Location: amsterdam
Subjects: founder of the order of friars minor (franciscans), francis(cus) of assisi; possible attributes: book, crucifix, lily, skull, stigmata, anchorite, hermit, meditation over skull and/or crucifix
Inscriptions: collector's mark: Lugt 2228

De heilige Franciscus, als kluizenaar teruggetrokken in het bos. Hij knielt met gevouwen handen voor een crucifix. In de marge een onderschrift in Latijn.
Portret van Anton Faber
Object type: print
Date: 1665 – 1721
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Le génie des arts (Salon de 1877)
Object type: photograph
Materials: cardboard, paper, photographic support
Techniques: albumen print
Inscriptions: stamp, : ‘G’

Sculptuur door A. Mercié van een gevleugeld paard met een man als berijder en een vrouw daarnaast.
Gezicht op Lowicz
Object type: print
Date: 1650 – 1749
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), coat of arms (as symbol of the state, etc.) (+ province; provincial), prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228
Portret van koning Dagobert II
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Staande geleerde omringd door symbolen, naast hem een allegorische vrouwenfiguur
Object type: print
Date: 1532 – 1532
Materials: paper
Techniques: woodcut
Subjects: wisdom; 'sapienza', 'sapienza humana', 'sapienza vera' (ripa), scholar, philosopher
Inscriptions: collector's mark: Lugt 2228

Prent voor het eerst gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück. Augsburg: Heinrich Steiner, 1532.
Glass mosaic inlay fragment
Object type: fragment, mosaic
Date: 34 – 33
Materials: glass
Culture: roman

Translucent blue green and opaque brick red. Flat, rectangular plaque, with two long straight side and rounded corners; irregular tooling indents on underside. Marbled mosaic pattern in blue green ground with multiple red streaks. Chipped edges; polished upper side; pitting of surface bubbles; dulling and some pitting on underside; iridescent weathering on most of edges but part of one long side ground flat. Translucent blue green and opaque brick red.
Woman on a Verandah About to Open a Letter
Object type: print
Techniques: woodblock print, hashira
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
De vijf zintuigen
Object type: print
Date: 1670 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: smell, smelling (one of the five senses), pipe ~ tobacco
Inscriptions: collector's mark: Lugt 240

Het zintuig Reuk. Een man rookt een pijp en blaast rook uit. De prent maakt deel uit van een serie met de vijf zintuigen.
Brief aan Andries Bonger
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: colombes
Artist: émile bernard
Artist role: print maker
Artist dates: 1868 – 1941
Subjects: odilon redon, print maker, henri jean guillaume martin, paul sérusier, paul signac, sculptor, ignacio zuloaga, paul gauguin, rome, painter, alessandro turchi, pierre bonnard, paris, draughtsman, ferdinand roybet, venice, titiaan, amsterdam, andries bonger, anacapri, saar de swart, publisher, henri louis ambroise vollard, maurice denis, jacques-émile blanche, passions, emotions, affections, family life, painting (including book-illumination, miniature-painting), exhibition ~ art, italy
Vogels en insecten
Object type: print
Date: 1594 – 1594
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: shore-birds and wading-birds: crane, walker and runner birds: ostrich
Inscriptions: collector's mark: Lugt 2228

Prent uit serie van twaalf prenten met vogels en insecten. Bij Hollstein zijn bladen van een andere serie prenten afgebeeld, zie De Groot 1988, p. 37.
Ipern
Object type: print
Date: 1654 – 1700
Materials: paper
Techniques: engraving, etching
Location: frankfurt am main
Artist: caspar merian
Artist role: print maker
Artist dates: 1627 – 1689
Subjects: church (exterior), prospect of city, town panorama, silhouette of city
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt in: Zeiller, Martin. M.Z. Topographia Circuli Burgundici Oder Beschreibung une Eigentliche Abbildung der Vornehmsten Örter in dem Hochlöblichen Burgund- un Niderlandischen Crayse. Frankfurt am Main: Caspar Merian, 1654. Of in: Zeiller, Martin. M. Z. Topographia Germaniae-Inferioris vel Circuli-Burgundici, das ist Beschreibung (…). Frankfurt am Main: Caspar Merian, 1659. Of in een van de twee latere uitgaven van deze publicatie die, hoewel het jaar 1659 erin staat vermeld als jaar van uitgave, zijn uitgegeven in respectievelijk ca. 1670 en ca. 1700.
Mauritshuis te Den Haag
Object type: print
Date: 1830 – 1846
Materials: paper
Techniques: tone lithography
Location: the hague
Subjects: permanent exhibition, museum
Inscriptions: collector's mark: Lugt 2228

Mensen op het plein voor het Mauritshuis. Links de Mauritspoort richting het Binnenhof.
Serie 1
Object type: ansichtkaart, prentbriefkaart
Date: 1898 – 1906
Materials: cardboard
Techniques: photograph
Location: brussels
Artist: Anonymous
Subjects: square, place, circus, etc., city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Five Figure Studies (from Sketchbook)
Object type: drawing
Date: 1810 – 1820
Materials: ink, paper
Techniques: wash
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: boys,men
Box for Books with Waterfall
Object type: book box
Date: 1501 – 1600
Materials: foil, gold, lacquer, silver, wood
Techniques: cutting, hiramakie, inlay, lacquer, maki-e
Culture: japanese
Subjects: waterfalls,trees

Originally this extravagantly decorated box held books, which could be pushed up through a hole at the base. It was later converted into a box for writing implements. The decoration of a pine, cypress, plum, and camellia set in a mountainous landscape with a waterfall and temples fills the entire surface of the box, from the top to the beveled sides, and remains uninterrupted whether the box is open or closed. The decoration may refer to classical poetry, though the scene cannot be definitively identified.
Border for wall fabric
Object type: wall fabric border
Date: 1813 – 1813
Materials: metal thread, silk
Artist: séguin et cie
Artist role: manufactory
Subjects: flowers
Fragment of a Letter
Object type: non illustrated single work
Date: 701 – 900
Materials: ink, papyrus
Location: egypt
Meijer's prenten
Object type: print
Date: 1873 – 1873
Materials: paper
Techniques: lithograph, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: animals, birds, handicrafts ~ maintenance and repair (with name of trade or profession), the soldier; the soldier's life, fruits: cherry
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van verschillende aard, waaronder dieren, kinderen die hout sprokkelen, soldaten en een schoorsteenveger. Onder enkele afbeeldingen een onderschrift. Genummerd rechtsboven: No. 16.
Table fork
Object type: table fork
Date: 1601 – 1700
Materials: ivory, steel
Subjects: men
Waste Bowl, part of Tea and Coffee Service
Object type: metalwork
Date: 1878 – 1878
Materials: silver
Location: connecticut
Artist: rogers, smith, and company
Artist nationality: american
Artist dates: 1862 – 1900
Inscriptions: Engraved side of each piece "E.B", impressed shield on bottom each piece "Rogers Smith & Co." and number "1670" below
Ornament
Object type: ornament
Date: 1850 – 1900
Materials: chalk
Location: italy
Kelmscott Manor: In the Garden
Object type: photograph
Date: 1896 – 1896
Materials: glass
Location: england
Artist: frederick h. evans
Artist role: fotograaf
Artist nationality: english
Artist dates: 1853 – 1943
Lucrezia Agliardi Vertova (1490?–1558)
Object type: painting
Date: 1557 – 1557
Materials: canvas, oil
Artist: giovanni battista moroni
Artist role: artist
Artist nationality: italian
Artist dates: 1524 – 1578
Subjects: portraits,women
Piece
Object type: piece
Date: 1767 – 1800
Materials: metal thread, silk
Zittende naakte man
Object type: print
Date: 1820 – 1833
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: jean augustin daiwaille
Artist role: draughtsman, print maker, printer
Artist dates: 1786 – 1850
Subjects: the (nude) human figure; 'corpo humano' (ripa), sitting on an elevation
Inscriptions: collector's mark: Lugt 2228

De man zit op een blok en houdt zijn handen boven elkaar en voor zich uitgestrekt. Hij kijkt naar linksonder.
Jacobo Baart de la Faille
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: engraving
Location: groningen
Subjects: hoogleraar, geneeskundige, arts, jacob ii baart de la faille
Inscriptions: collector's mark: Lugt 2228

Portretbuste naar rechts van Jacobus Baart de la Faille, hoogleraar in de geneeskunde te Groningen, blootshoofds. In de marge staat een onderschrift in Latijn.
Intaglio in ring
Object type: intaglio in ring
Date: 601 – 700
Materials: stone, gold
Culture: langobardic
Subjects: men

Head of bearded man in a gold ring.
Tafel in neo-rococo-stijl met daarop een kandelaber met acht kaarsen
Object type: design drawing
Date: 1850 – 1850
Materials: graphite, paper
Techniques: brush
Location: france
Artist: jules fossey
Artist role: draughtsman
Artist dates: 1806 – 1858
Inscriptions: inscription: ‘1450 f’, signature: ‘Fossey a Paris’