deem-data/ArtiFact huggingface dataset:
Rijtuig met passagiers, versierd met planten en voortgetrokken door paarden
Object type: stereograph
Date: 1895 – 1903
Materials: paper, photographic support
Techniques: collodion silver print
Location: netherlands
Artist: geldolph adriaan kessler (dolph)
Artist role: fotograaf, industrieel, voetballer
Artist dates: 1884 – 1945
Plate 75 from The Plan of Chicago, 1909: Chicago. Diagram of the City, Showing Complete System of Inner Circuits
Object type: architectural drawing
Date: 1909 – 1909
Materials: ink
Techniques: printing
Location: chicago
Artist: daniel hudson burnham
Artist nationality: american
Artist dates: 1846 – 1912
Subjects: chicago, architecture
Armenpenning met opschriften O.B. en A.H. 1670
Object type: alms token
Date: 1670 – 1670
Materials: brass
Techniques: casting
Artist: Anonymous

Messing penning. Voorzijde: gesloten, gevulde beurs aan lint tussen letters O en B. Keerzijde: opschrift A.H. 1670 boven schild met omgekeerd anker. Vermoedelijk een armenpenning.
Winschoter leedaanzegger
Object type: sketchbook leaf
Date: 1917 – 1917
Materials: chalk, paper
Location: winschoten
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: messenger
Inscriptions: date and inscription: ‘o.v./ 1917/ WINSCHOTER/ LEED-AANZEGGER’

De oudere man draagt een eenvoudig pak en gerafelde hoed en heeft een vel papier in de hand. Pagina 9 uit een schetsboek met 28 bladen.
Portret van paus Adeodatus I
Object type: print
Date: 1575 – 1674
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: rome, historical persons, pope
Brunswick Balke Collender Company Factory Building, Chicago, Illinois, Foundation Plan and Basement Plan
Object type: architectural drawing
Materials: graphite, ink, linen, pencil
Location: united states
Artist: adler & sullivan, architects
Subjects: chicago, office buildings, buildings, architecture, design, illinois
Fragment
Object type: textile
Date: 1601 – 1700
Materials: textile, silk, silver
Techniques: brocade
Culture: persian
Location: iran
Fotoreproductie van een schilderij van een vrouw met drie kinderen en drie engelen door P. J. Carpey
Object type: reproduction
Date: 1874 – 1881
Materials: photographic support
Techniques: albumen print
Artist: paul-joseph carpay
Artist role: painter
Artist dates: 1822 – 1892
Subjects: mother and child(ren), woman and child(ren) (family group), angels
Inscriptions: inscription: ‘Etabt. Ch. Claesen , Editeur , Liége , Paris , Berlin’

Deze foto maakt deel uit van een omslag met 24 foto's op 22 bladen.
Portret van Anna Judic
Object type: photomechanical print
Date: 1878 – 1883
Materials: paper
Techniques: woodburytype
Location: paris
Artist: wilhelm benque
Artist role: fotograaf
Artist dates: 1843 – 1903
Subjects: historical persons - bb - woman, portrait of actor, actress
Inscriptions: inscription: ‘Dans le role de mam'zelle nitouche’
Portrait of Adam van Vianen, plate 18 from "Modelli Artificiosi (...), parte seconda"
Object type: album print ornament architecture
Date: 1646 – 1652
Techniques: etching
Location: netherlands
Artist: theodor van kessel
Artist role: etcher
Artist nationality: dutch
Artist dates: 1620 – 1660
Subjects: men,portraits

Portrait of Adam van Vianen, inserted as plate 18 in the second part of a series of 48 plates with designs in the Auricular style, predominantly after Adam van Vianen although some might be designs by his son Christaen. The designs were etched by Theodoor van Kessel and published in Amsterdam by Christaen van Vianen around 1646-1652.
Fragment
Object type: fragment
Date: 1601 – 1700
Materials: linen
Techniques: lace
Full Dress, Infantry, Italy, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Fiamingo
Object type: print
Date: 1745 – 1765
Materials: paper
Techniques: mezzotint
Location: london
Subjects: brussels, draughtsman, sculptor, françois du quesnoy, portrait, self-portrait of sculptor, historical persons
Inscriptions: collector's mark: Lugt 240
Empress Eugenie (1826–1920)
Object type: portrait miniature
Date: 1855 – 1855
Materials: copper, enamel, gesso, gilt, wood
Techniques: painting
Artist: marie-pauline laurent
Artist role: maker
Artist nationality: french
Artist dates: 1805 – 1860
Subjects: portraits,women
Osiris
Object type: statuette, osiris
Date: 664 – 630
Materials: metal
Location: egypt

Osiris, foremost of the Egyptian funerary gods and ruler of the underworld, stands upright in a close-fitting mummiform garment. The garment hugs the contours of his arms and buttocks and has a stiff upper edge along the back of the neck, a feature that occurs with some regularity on this garment, but one with an unclear meaning. He holds the royal crook and flail with his hands posed asymmetrically. The craftsmanship of the piece, despite its small size, is intricate, with delicately but clearly rendered striations on the crown feathers, a defined chin strap and beard, a detailed broad collar, and the decorated crook and flail. The elaboration continues on the back, with a back pillar in the form of Isis with wings – a figuration of Isis that protects and shelters Osiris. Above the suspension loop rests a falcon head wearing double plumes and a sun disk. Another curious feature is the presence of not one, but two suspension loops, one at the neck and one on the base, in addition to the regular tang. In fact, this piece is an excellent example of how a few particular characteristics tend to appear together on some Osiris figures: namely, the double loops and the decorated back pillar. Each feature can and does appear on its own, but their tendency to group together is striking; perhaps it is an innovation of a particular workshop, or signals a certain ritual context for the statuette. In general, Osiris statuettes were some of the most abundant temple offerings in Egypt by the first millennium B.C., reflecting both the god’s importance and changing cult practices that spurred the wide-scale dedication of deity statuettes. Many statues of Osiris were offered in temples and shrines belonging to him, but they have also been found in other contexts, for example near temples and shrines honoring other prominent deities or in animal necropoleis.
Reliquary Casket with Scenes from the Martyrdom of Saint Thomas Becket
Object type: reliquary box
Date: 1173 – 1180
Materials: foil, gilt silver, glass, niello
Techniques: tinting
Culture: british
Subjects: men,angels,saints

This precious silver box was created to contain a relic of the martyred English saint Thomas Becket. Saint Thomas was the archbishop of Canterbury from 1162 to 1170, and he is perhaps best known for his struggles with King Henry II of England over the separation between the rights of the monarch and the rights of the church. Thomas was killed by four knights of Henry's court in Canterbury Cathedral at twilight on December 29, 1170. The long sides of the reliquary display a brief narrative of the saint's martyrdom. On one side, the lower rectangular panel shows the four knights assaulting Thomas, while on the triangular lid above, an angel makes a sign of blessing over the event. On the other side, the lower panel shows Thomas's body lying in state, while above, an angel cradles a small child, the symbol of the saint's soul as it rises to heaven. This reliquary is dated to the years immediately following Thomas's canonization in 1173, making it one of the earliest objects commemorating his sainthood.
Album van het Gekostumeerd Bal, 17 en 19 February 1841
Object type: print
Date: 1841 – 1841
Materials: paper
Techniques: hand coloring, lithograph
Location: the hague
Subjects: anna paulowna romanowa, the hague, william ii of the netherlands, historical costume
Inscriptions: collector's mark: Lugt 2228

Vrouw in historisch kostuum van een vaandeldrager. Onderdeel van het album bestaande uit een omslag en zes platen van kostuums gedragen op het gekostumeerde bal gehouden te Den Haag op 17 en 19 februari 1841 ter gelegenheid van het 25-jarig huwelijk van koning Willem II en Anna Paulowna.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, bent right arm with hand on hip, and part of upper torso of male
Loeven
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: etching
Subjects: city-view, and landscape with man-made constructions, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., louvain

Gezicht op de stad Leuven. Op de voorgrond enkele herders. Rechts speelt een man op een fluit. Naast hem heeft een vrouw appels of pruimen in de schort van haar jurk. Een jongen neemt een hap van één van de vruchten. De prent maakt deel uit van een album.
Groom
Object type: sculpture
Materials: earthenware, glaze, lead, pigment
Location: china
Krooning van Willem de III. en Maria, tot koning en koningin van Engeland, enz. in Westmunsters Abdy den 11/21 April 1689
Object type: print
Date: 1689 – 1689
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), london, maria ii stuart (koningin van engeland, schotland en ierland), coronation of a ruler, festivities (+ parade, pageant, cavalcade ~ festive activities), westminster abbey

Kroning van Willem en Maria tot koning en koningin van Engeland in de Westminster Abbey, 21 april 1689. Uitvoerige voorstelling van de kroningsceremonie in de kerk met aan weerszijden drie kleine scènes van belangrijke momenten uit de plechtigheid. Hieronder een aparte voorstelling van de processie. Vastgeplakt onder de prent een tekstblad met een beschrijving van de gebeurtenissen en de legenda's 1-45 en a-u in 4 kolommen in het Nederlands.
The actor Ichikawa Hakuen as Akushichibyoe Kagekiyo in the play "Hatsumonbi Yosooi Soga," performed at the Kawarazaki Theater in the first month, 1802
Object type: print
Date: 1802 – 1802
Techniques: woodblock print
Location: japan
Artist: utagawa toyokuni i 初代 歌川 豊国
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Jeronimo de Vries vijfentwintig jaar Secretaris van Amsterdam 1819
Object type: history medal
Date: 1819 – 1819
Materials: silver
Techniques: striking

Zilveren penning, op de voorzijde zeven, op de keerzijde acht regels tekst.
Horoscope with Floral Drawings
Object type: painting
Date: 1850 – 1850
Materials: ink, paper, watercolor
Culture: indian
Subjects: men,women,flowers,astrology
Rustic summer House
Object type: page
Materials: paper
Techniques: photograph
Location: montreal
Artist: Anonymous
Subjects: cemetery, park-like burying ground
Gisors (Eure). Vieille Maison recouverte de délicates sculptures datant du XVIe siècle
Object type: ansichtkaart, prentbriefkaart
Date: 1903 – 1930
Materials: cardboard
Techniques: photograph
Location: gisors
Subjects: façade (of house or building)
Inscriptions: collector's mark: ‘AFE v S’
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1701 – 1800
Materials: copper, gold, iron, silver
Culture: japanese
Location: japan
Panel
Object type: panel
Date: 1634 – 1666
Materials: wool
Artist: savonnerie manufactory
Artist role: manufactory
Artist dates: 1626 – 2050
Subjects: landscapes,trees
Portret van Louis de Geer
Object type: print
Date: 1649 – 1649
Materials: paper
Techniques: engraving
Subjects: amsterdam, historical persons, merchant, salesman
Inscriptions: collector's mark: Lugt 2228
Vijf beroepen
Object type: lantern slide
Date: 1700 – 1790
Materials: glass, wood
Techniques: painted
Location: netherlands
Artist: Anonymous

Vijf glaasjes met uitbeeldingen van beroepen in een houten vatting. Het uitgebeelde beroep wordt ook steeds op het glas vermeld. Uiterst links: 'silver smit', een zilversmid, zittend aan het werk bij een raam. Rechts daarvan: 'wiel draijjer', een man gezeten achter een houtdraaibank. In het midden: 'raak wat slager', een man brengt een koe aan terwijl een andere man klaarstaat met een hamer. Rechts daarvan 'molenaar', de molenaar tilt een zak met graan of meel, op de achtergrond een houten molen. Uiterst rechts: 'bakker', deze kneedt deeg aan een tafel waarboven een weegschaal hangt, links van hem een oven.
Afbeeldingen lijken ten dele terug te gaan op de prenten het Menselyk Bedryf van Jan en Caspar Luyken, maar zijn hier niet direct van gekopieerd of overgetrokken. De uitgebeelde beroepen en de compositie van de afbeeldingen wijken hiervoor te zeer af van de oorspronkelijke prenten.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 476
Materials: terracotta
Culture: greek, attic

Interior, top of head with fillet; hanging on the wall, a situla or writing tablets
Scarab Inscribed Lord of the Two Lands Maatkare (Hatshepsut)  Flanked by Two Falcons
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: falcons,hieroglyphs,scarabs
Gymnastiek
Object type: album leaf
Date: 1890 – 1894
Materials: paper
Techniques: collodion silver print
Location: amsterdam
Artist: hendrik herman van den berg
Artist role: amateurfotograaf, jurist
Artist dates: 1875 – 1944
Subjects: gymnastic exercises on the ground, historical persons, amsterdam

De foto is gemaakt bij flitslicht afkomstig van bliksempoeder.
Bereneigenaar
Object type: sketchbook leaf
Date: 1892 – 1893
Materials: paper, pencil
Artist: alfred william rich
Artist role: draughtsman
Artist dates: 1856 – 1921
Subjects: standing figure
Inscriptions: annotation: ‘The Bear Man’

De man draagt hoge laarzen en een jas. Hij heeft een fles in zijn rechterhand en wijst met zijn uitgestrekte linkerhand richting de grond. Blad 47 recto uit een schetsboek met 86 bladen.
Portret van Isaac Hilaire de la Rivière
Object type: book illustration
Date: 1613 – 1613
Materials: paper
Techniques: engraving, letterpress printing
Location: utrecht
Artist: crispijn van de passe (i)
Artist role: draughtsman, print maker
Artist dates: 1564 – 1637
Subjects: schrijver, isaac hilaire de la rivière
Inscriptions: inscription: ‘F 660’, collector's mark: Lugt 240, inscription: ‘38-69’

Portret van de schrijver Isaac Hilaire de la Rivière. In het randschrift van de omlijsting de naam van de geportretteerde in het Latijn. Op de versozijde boekdruk in het Latijn over de Trojaanse oorlog.
Liefdesring
Object type: ring
Date: 1375 – 1500
Materials: gold
Techniques: enameling
Location: paris
Artist: Anonymous
Inscriptions: inscription: ‘Amours portent mon cuer à mon ami’

Gouden ring met aan de binnenzijde een inscriptie: Amours portent mon cuer à mon ami, ofwel ‘Liefde voert mijn hart naar mijn lief'. De dichtregel wordt onderbroken door een zwartgevlekte witte hond en een hartje. De buitenzijde van de ring is gegraveerd met twee repeterende motieven, een Gotische letter Y en en ster.
Enquêteformulier ingevuld door Charlotte Hay
Object type: questionnaire
Date: 1841 – 1841
Materials: ink, paper
Techniques: pen, printing, writing
Location: antwerp
Subjects: painter, charlotte hay
Inscriptions: inscription: ‘Vraagpunten,/ van welke de beantwoording verzocht wordt, om daarvan het noodig gebruik te maken in het uit te geven Werk, getiteld: De levens en werken/ der Hollandsche en Vlaamsche kunstschilders, beeldhouwers,/ graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden/ door J. Immerzeel, Jr.’, watermark

Opgenomen in: Immerzeel, J. Jr., De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouwers, graveurs en bouwmeesters, van het begin der vijftiende eeuw tot heden, Amsterdam: J.C. van Kesteren, 1842-1843.
Crypte van de kathedraal van Glasgow
Object type: album leaf
Date: 1870 – 1890
Materials: paper
Techniques: albumen print
Location: glasgow
Artist: Anonymous
Subjects: parts of church interior (crypt)
Plattegrond van Carmagnola, ca. 1702
Object type: map
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: fortress, maps of cities

Plattegrond met de loopgraven van de belegeraars en de versterkingen om de Italiaanse stad Carmagnola tijdens de belegering. Plaat nr. 180 in het prentwerk bestaande in totaal uit 276 genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in de plaat in het Frans.
Kazuraki, from the series "Pictures of No Performances (Nogaku Zue)"
Object type: print
Date: 1898 – 1898
Techniques: woodblock print
Location: japan
Artist: tsukioka kogyo
Artist role: print maker
Artist nationality: japanese
Artist dates: 1869 – 1927
Design for a Bed and a Canopy
Object type: drawing
Date: 1701 – 1800
Materials: ink, watercolor
Techniques: brush, pen, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: beds
Dark prison with a courtyard for the punishment of criminals... (Carcere oscura con Antenna pel suplizio dè malfatori...), from "Prima Parte di Architettura, e Prospettive"
Object type: print
Date: 1750 – 1750
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: prisons,courtyards
Haardsteen met pastorale scène
Object type: hearthstone
Date: 1550 – 1575
Materials: earthenware
Techniques: printing, firing
Location: southern netherlands
Artist: Anonymous

Haardsteen met pastorale scène. Op de voorgrond twee herders (waarvan er een op een doedelzak speelt) aan weerszijden van een fontein; op de heuvelachtige achtergrond een kudde schapen, enkele bomen en een tempel.
Head of a Deity or a Deified King
Object type: sculpture
Materials: terracotta
Location: uttar pradesh
Oakwell Hall near Bristol, the Field Head of Shirley
Object type: photograph
Date: 1860 – 1869
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: architecture,houses
Bell Rock Lighthouse
Object type: photograph
Date: 1867 – 1872
Materials: photographic support
Techniques: albumen print
Location: scotland
Artist: Anonymous
Subjects: lighthouse, lightship, sea
H. Hieronymus
Object type: print
Date: 1603 – 1630
Materials: paper
Techniques: etching
Location: france
Subjects: the monk and hermit jerome (hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone
Inscriptions: inscription: ‘St: hironimus’, collector's mark: Lugt 240
The Actors Bando Aizo as the courtesan Kewaizaka no Shosho and Ichikawa Raizo I as Soga no Goro in the play "Satsuki Matsu Unohana Soga," performed at the Morita Theater in the fourth month, 1766
Object type: print
Date: 1766 – 1766
Techniques: printmaking, woodblock print
Location: japan
Artist: torii kiyomitsu i
Artist role: artist
Artist nationality: japanese
Artist dates: 1735 – 1785
Piece
Object type: piece
Date: 1801 – 1900
Materials: silk
Culture: japanese
Subjects: children,playing
Bull amulet
Object type: amulet, bull
Date: 1295 – 1070
Materials: faience
Location: egypt
Sword Bayonet, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: weapons,men

Trade cards from the "Arms of All Nations" series (N3), issued in 1887 in a series of 50 cards to promote Allen & Ginter Brand Cigarettes.
LI in Engeland
Object type: cartoon
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: anton molkenboer
Artist role: print maker
Artist dates: 1872 – 1960
Subjects: politician, old man, political caricatures and satires, china, england
Inscriptions: date

Prent uit het bijvoegsel van: De Kroniek 2 (1896), 23 augustus 1896.
Kayoi Komachi, from the series "Seven Episodes of the Poet Komachi"
Object type: print
Date: 1795 – 1795
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa toyokuni i
Artist role: artist
Artist nationality: japanese
Artist dates: 1769 – 1825
Subjects: women

This print is one of the most exquisite ukiyo-e prints featuring women. The subject matter of "Kayoi Komachi," inscribed in the upper right corner, is drawn from a tragic Noh play. The poet Ono no Komachi promises to meet her ardent suitor Fukakusa Shōjō if he agrees to spend a hundred nights on the stepstool of an oxcart. After ninety-nine nights, he dies. This print is a parody of the popular story. A courtesan is on her way home from visiting her favorite customer, knowing that their meetings will eventually end. Both Fukakusa Shōjō, in the Noh play, and the courtesan in this print share a profound sense of promise unfulfilled. Here, the mistiness of the night (achieved by means of an ink spray) and the woman's disheveled hair are suggestive of their romantic lingering.
America
Object type: armchair
Materials: silk, wood, wool
Techniques: carving, gilding
Artist: beauvais
Artist role: manufactory
Subjects: men,women,sheep,ox
Brief aan Philip Zilcken
Object type: letter
Date: 1923 – 1923
Materials: ink, paper
Techniques: pen, writing
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: the hague, painter, draughtsman, philip zilcken, music, workshop, studio of the artist (in general), exhibition ~ art
Inscriptions: collector's mark: ‘RPK’
Saddle Trappings
Object type: saddle trapping
Date: 1501 – 1600
Materials: metal thread, silk
Techniques: embroidery
Location: india
Barmouth, from above Bellevue
Object type: photograph
Date: 1860 – 1894
Techniques: albumen print
Location: england
Artist: francis bedford
Artist role: artist
Artist nationality: british
Artist dates: 1816 – 1894
Terracotta alabastron (perfume vase)
Object type: alabastron
Date: 620 – 590
Materials: terracotta
Culture: greek, corinthian
Artist: potnia painter
Artist role: artist
Subjects: animals,swans

Winged Artemis holding two swans As one of her aspects, the goddess Artemis was mistress of animals, potnia theron. In Archaic representations from all parts of Greece, she appears with her hands firmly gripping a pair of lions, deer, or other animals or birds.
Portret van Richard I Leeuwenhart, koning van Engeland
Object type: print
Date: 1740 – 1769
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: historical persons, king, armorial bearing, heraldry

Bovenaan genummerd: Tom. I. Pag. 234, rechtsonder genummerd: 2. Onder het portret zijn wapenschild.
Galloon
Object type: textile
Date: 1701 – 1800
Materials: linen
Location: italy
Brief aan August Allebé
Object type: letter
Date: 1902 – 1902
Materials: ink
Techniques: pen, writing
Location: paris
Artist: betsy van manen
Artist role: print maker
Artist dates: 1873 – 1915
Subjects: print maker, draughtsman, august allebé, léon bonnat, agnieta cornelia gijswijt, antwerp, peter paul rubens, paris, painter, françois émile michel, anonymous historical person portrayed, exhibition ~ art, artist at work, in his workshop - bb - out of doors
Portret van Thomas Catesby Paget
Object type: book illustration
Date: 1799 – 1799
Materials: paper
Techniques: etching
Location: london
Artist: edward harding
Artist role: print maker, publisher
Artist dates: 1755 – 1840
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: inscription, collector's mark: Lugt 2228

Prent uit: Adolphus, John. The British Cabinet (...). Londen: Edward Harding, 1799.
Gezicht op Suomenlinna, de omgeving van Helsinki en Helsinki
Object type: print
Date: 1855 – 1855
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: fortress, prospect of city, town panorama, silhouette of city

Prent gebruikt in: The Illustrated London News, 14 april 1855.