deem-data/ArtiFact huggingface dataset:
Sketchbook
Object type: drawing and watercolor
Materials: textile, graphite, paper, watercolor
Techniques: bookbinding, brush, drawing, wash
Location: france
Artist: gustave caillebotte
Artist nationality: french
Artist dates: 1848 – 1894
Inscriptions: Signed and inscribed inside front cover, upper left corner: “du / p. 75 (?) G. Caillebotte”

In 1881 Gustave Caillebotte purchased a home near Argenteuil, then a rural town on the outskirts of Paris, with his brother Martial, and this led to a notable decrease in his artistic productivity. Caillebotte’s “lost years” coincide with the use of this sketchbook.

The subjects of the drawings in the book—panoramic views, portraits, intimate garden scenes, details of trees and architecture, and copies after other works—reflect Caillebotte’s shift away from his earlier depictions of urban Parisians. None are studies for later works; instead this sketchbook is more experimental, as Caillebotte focused on developing his use of watercolor and drawing out of doors.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed rim fragment from a kylix with part of a hole from an ancient repair
Dragonder
Object type: print
Date: 1821 – 1829
Materials: paper
Techniques: engraving, etching, hand coloring
Artist: Anonymous
Subjects: military service
Inscriptions: collector's mark: Lugt 1641a, stamp, collector's mark: Lugt 1641

Prent waarschijnlijk uit: Hans Beuling, of St. Nicolaas- Nieuwejaars- Vastenavond- en kermisvermaak. Voor kinderen. Rotterdam: B. Schuurling, s.a [1821-1829]. Volgens de Atlas van Stolk ook gebruikt in: De nieuwe toverlantaarn. Amsterdam: s.n., 1797.
Portret van Jacob Muffel
Object type: print
Date: 1669 – 1669
Materials: paper
Techniques: etching
Location: nuremberg
Artist: johann friedrich leonard
Artist role: print maker
Artist dates: 1633 – 1680
Subjects: historical persons, upper house, senate
Inscriptions: collector's mark: Lugt 1337
Soldaat, van voren gezien, die zijn spies met zijn rechterhand rechtop vasthoudt
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving, hand coloring
Location: the hague
Artist: jacques de gheyn (ii)
Artist role: painter, print maker
Artist dates: 1565 – 1629
Subjects: handling of weapons ~ military training, helved weapons, polearms (for striking, hacking, thrusting): lance

Een soldaat, ten voeten uit, die een spies (lans) met zijn rechterhand rechtop vasthoudt. Deze prent is onderdeel van de reeks van 32 met de hand genummerde prenten van spiesdragers in de Wapenhandelinghe.
Wacquen
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: prospect of village, silhouette of village, coat of arms (as symbol of the state, etc.) (+ city; municipal), castle, armorial bearing, heraldry

Gezicht op Wakken en het Kasteel van Wakken in vogelvluchtperspectief. Onder het gezicht op Wakken een legenda A-S. Linksboven het wapen van Bourgondië. Rechtsboven het wapen Wakken. Met Latijnse tekst op verso.
Buddhist Scroll: The Eighteen Luohans
Object type: handscroll
Date: 1368 – 1911
Materials: gold, paper
Culture: chinese
Artist: unidentified artist
Artist role: artist
Subjects: animals,men,buddhism
Bos met loofbomen
Object type: print
Date: 1896 – 1939
Materials: paper
Techniques: woodcut
Artist: emilius wilhelmus dehé
Artist role: draughtsman, print maker
Artist dates: 1886 – 1947
Subjects: forest, wood
Inscriptions: collector's mark: Lugt 2228
Portret van Mehmed Fuad Pasja
Object type: print
Date: 1852 – 1869
Materials: paper
Techniques: letterpress printing, engraving
Location: england
Artist: Anonymous
Subjects: historical persons, politician, e.g. party leader, (military) uniforms
Mitaine van witte gebreide katoen met open duim
Object type: clothing
Date: 1730 – 1800
Materials: cotton
Techniques: knitting
Location: western europe
Artist: Anonymous

Linkermitaine van witte gebreide katoen in ruitjespatroon. Met een open duim. De handrug heeft een onversierde gladde rand.
Koning Frederik van Bohemen laat de beelden uit de Slotkerk te Praag verwijderen, 1619
Object type: print
Date: 1698 – 1698
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: frederik v (keurvorst van de palts, koning van bohemen), interior of church, sculpture, prague
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Gottfried, Johann Ludwig. Historische kronyck; vervattende een (...) beschrijvingh der aldergedenckwaerdigste geschiedenissen des weerelds, van den aenvangh der scheppingh tot (...) 1576 (2 delen). Leiden: Pieter van der Aa, 1698, dl. I, p. 1291.
Bather (Evening) II
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: etching
Location: sweden
Artist: anders zorn
Artist role: artist
Artist nationality: swedish
Artist dates: 1860 – 1920
Ruiterportret van Willem III, prins van Oranje
Object type: print
Date: 1688 – 1691
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: william iii (prince of orange and king of england, scotland, and ireland)
Inscriptions: collector's mark: Lugt 963

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Twee ruiters in oosterse kleding, op de rug gezien
Object type: sketchbook leaf
Date: 1899 – 1899
Materials: chalk, paper
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: riding a horse, ass, or mule; rider, horseman, clothes, costume

Pagina 36 uit een schetsboek met 42 bladen.
John Finley
Object type: painting
Date: 1821 – 1821
Materials: canvas, oil
Culture: american
Artist: thomas sully
Artist role: artist
Artist nationality: american
Artist dates: 1783 – 1872
Subjects: men,portraits
The Passenger in Cabin 54—The Cruise
Object type: print
Date: 1896 – 1896
Materials: paper
Techniques: lithograph
Location: france
Artist: henri de toulouse-lautrec
Artist role: artist
Artist nationality: french
Artist dates: 1864 – 1901
Mozaïek op een boog tussen het schip en het koor in de Sint-Laurens buiten de Muren te Rome, voorstellend Christus en meerdere heiligen
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: sint-laurens buiten de muren
Subjects: interior of church
Inscriptions: collector's mark: Lugt 3937, inscription: ‘S.K. 31.’, number: ‘P.e 2.a N.o 7150.’
Zonnewijzer in de vorm van een engel en een schilderij met een gezicht op Idar-Oberstein
Object type: photograph
Date: 1862 – 1867
Materials: paper
Techniques: albumen print
Artist: f. cole
Artist role: fotograaf
Subjects: city-view in general; 'veduta', sundial, angels
Inscriptions: number: ‘166, 167’
Presentatie van Christus in de tempel
Object type: print
Date: 1712 – 1712
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: simeon, holding the christ-child, sings his canticle: 'nunc dimittis'
Inscriptions: number: ‘6’, collector's mark: Lugt 2228

Proefdruk van illustratie uit: Luyken, Jan. De schriftuurlyke geschiedenissen en gelykenissen van het Oude en Nieuwe Verbond, 2 delen. Amsterdam: Wed. Pieter Arentsz II en Cornelis van der Sys, 1712, dl. II.
Interieur met een jonge vrouw die een brief leest
Object type: print
Date: 1870 – 1875
Materials: paper
Techniques: etching, intaglio
Artist: henri de braekeleer
Artist role: draughtsman, print maker
Artist dates: 1840 – 1888
Subjects: adolescent, young woman, maiden, letter, envelope, interior ~ representation of a building
Inscriptions: collector's mark: Lugt 2228
Simson
Object type: print
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: with an ass's jaw-bone samson slays a thousand philistines, samson (not in biblical context); possible attributes: broken pillar, club, jawbone, lion's head, lion's pelt

Simson met het kaakbeen van een ezel in zijn hand, de andere hand in zijn zij. Op de achtergrond is te zien hoe Simson met het kaakbeen de Filistijnen verslaat omdat ze hem bespot hebben. In ovaal met randschrift in het Latijn door Theodorus Schrevelius.
Terracotta fragment of an amphora (jar)
Object type: amphora fragment
Date: 520 – 520
Materials: terracotta
Culture: greek, attic

Shoulder, seen from under drapery, of a figure to left
Laocoon, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1561 – 1561
Techniques: etching
Artist: sisto badalocchio
Artist role: artist
Artist nationality: italian
Artist dates: 1585 – 1619
Subjects: male nudes

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 79 in the scrapbook.
Doorgang of poort
Object type: sketchbook leaf
Date: 1880 – 1906
Materials: chalk, paper
Techniques: stumping
Location: netherlands
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: gate, entrance, passage

Pagina 13 en pagina 14 uit een schetsboek met 81 bladen.
Bouwval op een heuvel
Object type: drawing
Date: 1588 – 1619
Materials: paper, chalk
Artist: govert jansz. genaamd mijnheer
Artist role: draughtsman
Artist dates: 1578 – 1619
Subjects: ruin of a building ~ architecture

Bouwval op een heuvel; links op de voorgrond de begroeide resten van een poort.
Shard:  Forepaws of Carnivore
Object type: shard
Date: 301 – 500
Materials: terracotta
Techniques: painting
Culture: pakistani
Subjects: gandhara
Necklace
Object type: costume and accessory
Date: 800 – 800
Materials: crystal, quartz
Culture: chavín
Location: chavín de huantar
Subjects: jewelry, elite, status
Pillow cover
Object type: pillow cover
Date: 1501 – 1700
Materials: cotton, linen
Subjects: animals
Bottle decorated with chrysanthemums and lotus petals
Object type: bottle
Date: 1267 – 1400
Materials: ceramic glaze, glaze, stoneware
Techniques: inlay, stamping
Culture: korean

The repeating patterns of simplified chrysanthemum flowers that compose the main design on this celadon bottle were achieved using stamps. This technique continued in early Joseon-period buncheong ware.
Hiroshige no fude Tôkaidô
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1906
Materials: cardboard
Techniques: woodcut
Location: japan
Inscriptions: date

Een processie van een krijgsheer (daimyo) steekt een brug over tijdens een regenbui.
Study of a tree
Object type: drawing
Date: 1848 – 1848
Materials: watercolor
Artist: george richmond
Artist role: artist
Artist nationality: british
Artist dates: 1809 – 1896
Subjects: trees

This fresh watercolor study of foliage may have been made during a family holiday to Guildford (a similar landscape of Mickleham Downs, now at Eton College, is dated 1848 and inscribed “Sketched in company with my dear friend Samuel Palmer”). Palmer and Richmond had been close since the 1820s and the present watercolor recalls nature studies both made during their heady Shoreham days as young unmarried members of “The Ancients.”
Luster-Painted Bottle
Object type: bottle
Date: 1651 – 1700
Materials: glaze, silver, stonepaste
Techniques: luster painting
Location: iran
Subjects: birds,flowers,cypresses

In the seventeenth century, lusterware production was revived in Iran. Painted with dark red‑brown luster on a cream-colored ground, this bottle is decorated with cypresses, birds, spiky flowers, and grass. In contrast to Safavid blue-and-white ceramics, lusterware was produced in a limited range of shapes, such as bottles, small cups, sand shakers, and bowls.
Amma No Fue
Object type: amma no fue
Date: 1801 – 1900
Materials: bamboo
Culture: japanese
Location: japan
Wittevrouwenpoort te Utrecht
Object type: print
Date: 1847 – 1874
Materials: paper
Techniques: etching
Artist: jan van lokhorst
Artist role: draughtsman, print maker
Artist dates: 1837 – 1894
Subjects: city-walls, city-gate (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Gezicht op de Wittevrouwenpoort te Utrecht, gezien van buiten de stadsmuur. Links lopen enkele figuren op een weg langs de Wittevrouwensingel.
Armchair
Object type: chair
Date: 1795 – 1795
Materials: rattan, wood
Techniques: colour, lacquer
Location: guangdong
Artist: Anonymous
Subjects: koopman, andreas everardus van braam houckgeest, kanton

This armchair was made in China after a model that was popular in England at the end of the 18th century. The Chinese furniture-maker probably relied on a print as his source of inspiration. It was commissioned by Van Braam Houckgeest, whose initials are on the back of the chair.
Conrad[us] Pellican[us] theol. Tigurinus
Object type: book illustration
Date: 1688 – 1688
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Subjects: theologian, historical persons
Inscriptions: inscription: ‘Zijn Duitsche geslagtnaam was Kuerschner (...)’

Prent uit: Freher, Paul. Theatrum virorum eruditione clarorum. Neurenberg: Johann Hoffmann, 1688.
Recueil de portraits (...)
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: engraving
Location: paris
Artist: étienne desrochers
Artist role: print maker, publisher
Artist dates: 1668 – 1741
Subjects: clergyman, innocentius xii, historical persons, pope
Inscriptions: collector's mark: Lugt 2228

Behoort waarschijnlijk tot een serie portretten, grotendeels door Etienne Desrochers, getiteld: 'Recueil de portraits de personnes qui se sont distinguées tant dans les Armes que dans Belles-Lettres et les Arts, comme aussi la famille royale de France et autres cours étrangères'. De serie werd initieel uitgegeven door Desrochers en aangekondigd in 'Mercure' in mei 1726, p. 985. Echter was Desrochers reeds enkele jaren eerder begonnen met het uitgeven van de serie. Na de dood van Desrochers werd de serie voortgezet door Gilles Edme Petit. Een latere staat werd uitgegeven door Jean François Daumont in Parijs.
Fotoreproductie van Les Orphelins door Jozef Israëls
Object type: album leaf
Date: 1870 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Subjects: adult woman, orphans
Inscriptions: inscription: ‘Breveté S.G.D.G.’, inscription: ‘190 JOSEPH ISRAELS./ Les Orphelins.’
Group of 11 Pendant Heads
Object type: pendant, head
Date: 332 – 330
Materials: gold
Location: egypt
Olympia
Object type: print
Date: 1923 – 1923
Materials: ink, paper, parchment
Techniques: woodcut, printing
Artist: édouard manet
Artist role: artist
Artist nationality: french
Artist dates: 1832 – 1883
Subjects: female nudes,cats
Exterieur van het Palazzo Vendramin-Calergi te Venetië
Object type: photomechanical print
Date: 1882 – 1892
Materials: paper
Techniques: photoaquatint
Location: boston
Artist: Anonymous
Subjects: hôtel, i.e. small palace in city, façade (of house or building)
Inscriptions: title: ‘Grand Canal, Palace Vendramin Calergi’
Portret van Georges-Louis Leclerc
Object type: print
Date: 1805 – 1855
Materials: paper
Techniques: etching
Artist: james hopwood (ii)
Artist role: print maker
Artist dates: 1795 – 1855
Subjects: earl, historical persons, mathematics (+ portrait of scholar, scientist)
Inscriptions: collector's mark: Lugt 2228
Flowers, from the series "Snow, Moon, and Flowers of the Floating World (Ukiyo setsugekka)"
Object type: print
Date: 1784 – 1785
Techniques: woodblock print
Location: japan
Artist: katsukawa shuncho
Artist role: artist
Artist nationality: japanese
Artist dates: 1781 – 1795
Effen zwart papier
Object type: wrapper
Date: 1800 – 1900
Materials: paint, paper
Techniques: painting
Artist: Anonymous

Effen zwart papier. Gebruikt als omslag.
Trekkerplaat in concretie van een musket uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: trekkerplaat
Date: 1700 – 1743
Materials: stone, copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Musket, trigger plate; id. NG 1980-27H2541, concreted.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Exterior, part of frontal torso, thighs, and genitals of youth to right
Theatrum biblicum (...)
Object type: print
Date: 1579 – 1579
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: lot and the two angels (genesis 19:1-23)
Inscriptions: collector's mark: Lugt 2228

Deze staat wordt niet beschreven in The New Hollstein. De prent mist het seriemerk g linksboven, maar is wel uitgegeven door Claes Jansz. Visscher (II). Latere staat van prent gebruikt in: Theatrum biblicum : hoc est historiae sacrae veteris et novi testamenti tabulis aeneis expressae. Opus praesentatissimorum huius ac superioris seculi pictorum atque sculptorum, summo studio conquisitum et in lucem editum. Amsterdam: Claes Jansz. Visscher, 1643.
Drinkende man zittend voor een herberg
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: etching
Artist: ferdinand de braekeleer (i)
Artist role: draughtsman, print maker
Artist dates: 1792 – 1883
Subjects: drinking, hotel, hostelry, inn
Inscriptions: collector's mark: Lugt 1485, collector's mark: Lugt 2228
Mercury Lulling Argus to Sleep, plate 4 from The Story of Mercury and Argus
Object type: print
Date: 1620 – 1626
Materials: paper
Techniques: etching
Location: netherlands
Artist: moses van uyttenbroeck
Minnie Thackeray
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: julia margaret cameron
Artist role: artist
Artist nationality: british, born india
Artist dates: 1815 – 1879
Subjects: portraits,women
Folding fan with The Finding of Romulus and Remus
Object type: fan
Date: 1734 – 1766
Materials: bronze, gold, gouache, metal leaf, mother of pearl, paint, paper, paste, silver, shell
Techniques: carving, veneering
Culture: italian
Subjects: infants,men,women,horses
Creamer
Object type: cream pot
Date: 1799 – 1799
Materials: silver
Culture: american
Location: united states
Artist: john mcmullin
Artist role: maker
Artist nationality: american
Artist dates: 1765 – 1843
Atlanta, U.S.N., from the Famous Ships series (N50) for Virginia Brights Cigarettes
Object type: photograph
Date: 1895 – 1895
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: ships

Trade cards from the "Famous Ships" series (N50), issued in 1895 by Allen & Ginter to promote Virginia Brights Cigarettes. Full series consists of 48 unnumbered cards.
Benjamin's Tomb, 1904 (from Sketchbook)
Object type: drawing
Date: 1904 – 1904
Materials: graphite, paper
Culture: american
Artist: mary newbold sargent
Artist role: artist
Artist nationality: american
Artist dates: 1826 – 1906
Subjects: tombs,trees
Vultus trifrons or an Allegory of Prudence
Object type: sculpture fragment
Date: 1340 – 1355
Materials: marble
Artist: pacio bertini da firenze
Artist role: artist
Artist dates: 1325 – 1351
Subjects: faces

The three faces on this small bust, a fragment from a larger monument, represent the cardinal virtue Prudence. Prudence's three natures (memory, intelligence, and providence) are represented by a crowned face shown at different stages of life. This personification thus conflates Prudence with the concept of the Ages of Man. The merging of the notions of virtue and the human life cycle coincided with a more nuanced understanding of human nature as well as a focus on the individual.
Textile with Fleur-De-Lis Motif
Object type: textile
Date: 1201 – 1300
Materials: metal thread, silk
Culture: italian
Location: italy
Portret van Peter I de Grote, tsaar van Rusland
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving, etching
Artist: j. mulder
Artist role: print maker
Subjects: peter i de grote (tsaar van rusland), adult man, historical persons, hacking and thrusting weapons: sword, beasts of prey, predatory animals: lion

Portret van Peter I de Grote omringd door acht voorstellingen bestaande uit de zon, arenden, een rots, een leeuw met prooi, een man met gewicht op zijn rug en een arm met zwaard en olijftak.
XXII In dese hoeck
Object type: print
Date: 1614 – 1614
Techniques: engraving, printing
Location: amsterdam

XXII In dese hoeck. Tweede schok. Onderdeel van 'Sinnepoppen', R. Visscher, 1614.
Cycling suit
Object type: cycling suit
Date: 1896 – 1898
Materials: cotton, leather, linen, silk, wool
Culture: american

A past time originally dominated by men, bicycling became more acceptable for women after Queen Victoria bought bicycles for her daughters. By the 1890s, clothing to be worn while participating in the activity was being produced. The bifurcated clothing worn while astride a bicycle not only opened the door for women to engage in the sport but also to gain their independence from strict societal rules. This particular ensemble features a bifurcated skirt that allowed the rider a more comfortable ride while also giving the modest appearance of a skirt at front. Other more daring ensembles featured fully bifurcated Knickerbockers. This suit also includes a pair of gaiters, which would provide protection for the legs.
Fan
Object type: fan
Date: 1870 – 1890
Materials: gouache, metal, mother of pearl, paper
Culture: french
Subjects: children,men,women

The Victorians were adept at making copies of 18th century fans which are sometimes difficult to differentiate from the originals. One of several clues is in the treatment of the hair, which in the origial fans is a powdered gray rather than natural or whiter hues, as illustrated here.
Portefeuille met de etsen van John Chalon
Object type: prentrecueil, prentenalbum, prentalbum
Date: 1748 – 1795
Materials: linen, leather, paper
Techniques: bookbinding, drypoint, etching, letterpress printing
Location: london
Subjects: morphology of human expression
Inscriptions: collector's mark: ‘RIJKS / MUSM’, collector's mark: ‘B’

Portefeuille met een titelpagina en 96 voorstellingen op 40 losse bladen. Het gaat om afbeeldingen van allerlei mannen en vrouwen geëtst naar eigen ontwerp door Jan Chalon. Rood marokijnen band.
Sophokles.
Object type: photograph
Date: 1895 – 1895
Materials: cardboard, paper, ink
Techniques: photograph
Location: munich
Artist: Anonymous
Subjects: writer, poet, author, sculpture
Inscriptions: collector's mark: Lugt 3937, number: ‘No. 9.’, inscription: