deem-data/ArtiFact huggingface dataset:
Orestes and Pylades Disputing at the Altar (Euripides, Iphigenia in Tauris)
Object type: painting
Date: 1614 – 1614
Materials: oil, panel
Artist: pieter lastman
Artist role: draughtsman, painter, print maker
Artist dates: 1583 – 1633
Subjects: orestes and pylades argue about who is going to be sacrificed
Inscriptions: signature and date, centre, on the altar: ‘Pietro Lastman fecit 1614’

This painting depicts a story from Greek antiquity. Orestes and Pylades (left) were caught trying to steal a statue of Diana from the temple (left background). One of them will have to die. At the altar, the friends argue over who will give his life for the other. Lastman’s densely composed compositions, his bright colours and the expressive gestures of his figures – all had an impact on the young Rembrandt.
Allegorie op zonden met een skelet waaruit takken ontspruiten
Object type: print
Date: 1866 – 1866
Materials: paper
Techniques: drypoint, etching, intaglio
Artist: félicien rops
Artist role: draughtsman, print maker
Artist dates: 1833 – 1898
Subjects: vice, and the seven deadly sins, (human) skeleton, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 2228

De laatste staat van deze prent is gebruikt als illustratie tegenover de titelpagina in: Baudelaire, Charles. Les épaves. Amsterdam: À l'enseigne du Coq [=Brussel: A. Poulet-Malassis], 1866.
Portret van Lucas van Uden
Object type: print
Date: 1630 – 1641
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: antwerp, print maker, draughtsman, lucas van uden, drawing, sketch, portrait, self-portrait of painter

Portret van de Antwerpse prentmaker en tekenaar Lucas van Uden. In zijn hand een tekening van een boom in een landschap. Deze prent maakt deel uit van een album.
Fragment van tin uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: tin
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet
Male squatting figure of Wekhaher (wh' Hr ?)
Object type: statue, male squatting
Date: 1850 – 1640
Materials: limestone
Location: egypt
Subjects: men
Vase
Object type: vase
Date: 1667 – 1733
Materials: porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: women,trees
Staande, naakte vrouw
Object type: zinkplaat
Date: 1891 – 1893
Materials: zinc
Techniques: etching
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: woman (showing herself) undressed, quasi-nude
Het boetekleed ontsiert den man niet!
Object type: cartoon
Date: 1909 – 1909
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: the hague, abraham kuyper, penitence, repentance; 'penitenza', 'pentimento', 'pentimento de'peccati', 'purgatione de peccati' (ripa), looking in the mirror; contemplation of own beauty, self-castigation ~ ascetic life, political caricatures and satires

Abraham Kuyper in boetekleed bewondert zijn spiegelbeeld. Met een roe geselt hij licht zijn achterste.
Ruïne van de kruitfabriek Sollenburg na de ontploffing op 14 augustus 1758
Object type: drawing
Date: 1758 – 1799
Materials: paper
Location: northern netherlands
Artist: Anonymous
Subjects: gunpowder disaster
Inscriptions: collector's mark: Lugt 2228

Niet in Frederik Muller; door het RPK toegevoegd nummer. In het inventarisboek vermeld als door Paulus van Liender, tegenwoordig beschouwd als een anonieme kopie naar de prent van Paulus van Liender uit 1758 (FMH 4085a).
Monument voor Hendrik Danielsz. Hooft, 1794
Object type: print
Date: 1794 – 1794
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: amsterdam, mayor, hendrik danielsz. hooft, fortitude, 'fortitudo' ~ one of the four cardinal virtues, the all-seeing eye, triangle with eye ~ symbol of god the father, grave-building, monumental tomb, freedom, liberty; 'libertà' (ripa) (+ abstract concept represented by female figure)
Inscriptions: collector's mark: Lugt 2228

Ovale voorstelling van een allegorisch grafmonument voor Hendrik Danielsz. Hooft, oud-burgemeester van Amsterdam, overleden op 31 augustus 1794. Voor een piramide in een tempel het portret van Hooft, aan weerszijden staan de Vrijheid en de Standvastigheid. Op de voorgrond een trofee met het stadswapen van Amsterdam en meerdere allegorische figuren. In de wolken het Alziende Oog.
De groote mogendheden met de vredespijp
Object type: cartoon
Date: 1899 – 1899
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: wilhelm ii (keizer van duitsland), tepee, tipi, teepee, historical persons, pipe ~ tobacco, indigenous peoples of north america, ruler, sovereign, peace, political caricatures and satires
Inscriptions: date

Leiders van Europese landen verkleed als stereotiepe oorspronkelijke bewoners van Noord-Amerika, roken de vredespijp zittend op de grond voor een tipi. Twee vrouwen van de internationale vredesbeweging kijken goedkeurend toe.
Een standbeeld voor Frans Hals
Object type: print
Date: 1895 – 1895
Materials: paper
Techniques: lithograph
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: antwerp, frans hals, jan havicksz. steen, leiden, painter, rembrandt van rijn, historical persons, monument, statue, picture, painting, political caricatures and satires, netherlands
Inscriptions: collector's mark: Lugt 2228

Een standbeeld van Frans Hals is opgericht in een rij met beelden van Rembrandt, Jan Steen en andere kunstenaars. Op de voorgrond worden schilderijen in boten afgevoerd naar het buitenland. Spotprent op het oprichten van standbeelden voor kunstenaars, terwijl ondertussen hun werk naar het buitenland wordt verscheept. Verschenen in het bijvoegsel van 'De Kroniek' van 21 juli 1895.
Apostle spoon
Object type: apostle spoon
Materials: silver, wood
Subjects: apostles
Two cups
Object type: eating drinking utensil
Date: 1715 – 1715
Materials: porcelain
Location: meissen

Meissener Porzellan Manufaktur
Meissen, c. 1715
hard-paste porcelain
Scenes and Calligraphic Excerpts from The Tale of Genji
Object type: album
Date: 1601 – 1633
Materials: gold, ink, paper
Techniques: painting
Culture: japanese
Artist: tosa school
Artist role: artist
Artist nationality: japanese
Subjects: gardens,men,women

The work of Ono no Ozū, one of the most prominent women calligraphers of premodern Japan, graces decorated shikishi (poetry cards) in this pair of albums featuring scenes from The Tale of Genji by an unknown Tosa-school painter. The paintings were formerly attributed to Tosa Mitsuyoshi (1539–1613), associated with a colorful style and detailed brushwork. In the two chapters from Genji presented here, Ozū transformed canonical poems into novel calligraphic compositions.
Bergachtig landschap met vee
Object type: print
Date: 1761 – 1784
Materials: paper
Techniques: etching
Location: leiden
Artist: johannes janson
Artist role: draughtsman, painter, print maker
Artist dates: 1729 – 1784
Subjects: ass, donkey, pastorals, arcadian scenes
Inscriptions: collector's mark: Lugt 240

Landschap met bergpad waarop een herder en een herderin, rijdend op een ezel, met hun vee. Op de voorgrond drinkt een koe uit een beek.
Het dorp Katwijk aan zee
Object type: drawing
Date: 1736 – 1784
Materials: ink, paper
Techniques: brush, pen
Artist: hendrik spilman
Artist role: draughtsman, painter, print maker
Artist dates: 1721 – 1784
Subjects: prospect of village, silhouette of village, dunes (sea not visible); in the dunes
Inscriptions: inscription: ‘Katwyk aan Zee, uit de duinen te zien. 1736. A.D.H.’
Gezicht op een landschap met water
Object type: photograph
Date: 1873 – 1878
Materials: photographic support
Techniques: albumen print
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: landscapes with waters, waterscapes, seascapes (in the temperate zone)
Spoorweg nabij een moskee in de haven van Suez
Object type: stereograph
Date: 1903 – 1903
Materials: paper
Techniques: gelatin silver print
Location: suez
Artist: richard sochor
Artist role: painter
Artist dates: 1867 – 1925
Subjects: temple, shrine ~ islam, mohammedanism, railway, tramway; rack railway
Inscriptions: address: ‘Parklaan 49/ HAARLEM/ (Holland)’, inscription: ‘Deze stereo-foto's worden in den handel gebracht en en gros en/ en détail verkocht door de ......... (...)’, number: ‘247.’, monogram, inscription: ‘Déposée.’
Heart Scarab of Ibemnetjer ?
Object type: heart scarab, ibemnetjer
Date: 1550 – 1070
Materials: stone
Location: egypt
Landscape with Temple
Object type: print
Date: 1750 – 1770
Techniques: etching
Location: venice
Artist: joseph wagner
Artist role: artist and publisher
Artist nationality: italian
Artist dates: 1706 – 1780
Cleopatra
Object type: statuette
Date: 1534 – 1566
Materials: bronze
Artist: severo calzetta da ravenna
Artist role: artist
Artist nationality: italian
Artist dates: 1496 – 1543
Subjects: female nudes

The suicide of Cleopatra by pressing a poisonous asp to her breast is one of the great melodramatic moments in Western art. In the nineteenth century, this composition was probably seen as Greco-Roman. Baron Larrey presumably acquired the first bronze as a reminder of his heroic service as a physician in Napoleon Bonaparte’s Egyptian campaign (1798–1801). Richard Stone’s radiographs show these two statuettes to have been similarly cast, with Severo’s telltale rectangular plugs in the smalls of their backs.[1] The second (B) better preserves his intentions, however, with a more detailed head and scaly skin for the serpent. On the other hand, the diadem of the first (A) is slightly more elegant. The only real differences are in their subsequent treatment: the first was stripped and given a coat of mock verdigris, which survives on much of its surface, while the second was almost entirely stripped of its dark, painted patination, then covered with wax. Patrick De Winter saw unfathomable resemblances to a Venus in the Walters Art Museum, Baltimore, sometimes ascribed to Antico.[2] He also sensed a strong relationship to Severo’s Queen Tomyris in the Frick, which indeed has similarly sloping shoulders and a knock-kneed stance but is far more vibrant and engagingly theatrical.[3] It is as yet unclear when Severo developed this un-anatomical female physiognomy, which sometimes works but more often fails. -JDD Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. Stone 2006, p. 813. 2. Accepted as Antico in Luciano 2011, pls. 55A–B. 3. Introduced by Pope-Hennessy 1970, pp. 146–50. For it, see especially Stone 2006, p, 811, fig. 1.
Rituele wijnbeker
Object type: wine cup
Materials: bronze
Location: china
Artist: Anonymous

Rituele wijnbeker met vijf banden van vlechtwerk om het vat, waarvan één om de voet.
Zonsverduistering bij de dood van Christus
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: darkness from the sixth to the ninth hour (represented by a solar eclipse) ~ christ's death
Inscriptions: collector's mark: Lugt 2228

De berg Golgota met Christus aan het kruis tussen de twee misdadigers. De zon is verdwenen en het is donker. Mensen slaan zich op de borst in paniek. Op de achtergrond links Jeruzalem.
Reisnecessaire met initialen J.M.S.S
Object type: reisnecessaire
Date: 1924 – 1924
Materials: canvas, silk, silver, skin
Location: birmingham
Inscriptions: assayer's mark: ‘Bimingham’, maker's mark: ‘A Bros’, date letter: ‘Z’

In de deksel zitten een spiegel en twee nagelgarnituren. De bekleding is van moire zijde. Op de deksel zijn initialen J.M.S.S. Het geheel is verpakt in een foul weather cover, eveneens voorzien van initialen. Twee sleutels aanwezig. Inhoud: kledingborstel, borstel, kam, twee ronde flacons, ovale flacon, cilinder flacon, rechthoekige flacon, tandenborstel flacon, alle met geguillocheerde paarse emaille deksels en vergulde randen.
Synode gehouden in de Nieuwe Kerk te Amsterdam, 1730
Object type: print
Date: 1738 – 1739
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: organizations, assemblies, etc. in protestant churches, interior of church, parts of church interior: choir
Inscriptions: collector's mark: Lugt 195

Prent ook gebruikt in: Wagenaar, Jan. Tegenwoordige staat der Vereenigde Nederlanden, eerste deel. Vervattende eene algemeene beschryving des lands (…) / Hedendaagsche historie, of tegenwoordige staat der Vereenigde Nederlanden. XIde deel (…). Amsterdam: Isaak Tirion, 1739, p. 34.
La Factoria (The Factory), from Les Caprices Series A, The Florence Set
Object type: print
Date: 1617 – 1617
Techniques: etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
Teekenzaal.
Object type: photograph
Date: 1904 – 1931
Materials: photographic support
Techniques: gelatin silver print
Location: surabaya
Subjects: colonial system, trade-company, engineering, surabaya, java
Inscriptions: inscription: ‘Teekenzaal.’

De tekenzaal waar Javaanse werknemers werken aan technische tekeningen. Foto in het het fotoalbum aangeboden aan A. van der Eyk namens de chefs en het personeel van de Handelsvereniging Amsterdam (HVA) te Soerabaja bij zijn vertrek van Java in april 1931.
A View of Two Obelisks, One in the Vatican and the Other on the Esqualine Hill
Object type: drawing
Date: 1704 – 1704
Materials: chalk, ink
Techniques: brush, incising, pen, wash
Location: italy
Artist: jan goeree
Artist role: artist
Artist nationality: dutch
Artist dates: 1670 – 1731
Subjects: obelisks,children,male nudes,crocodiles
Venus en Adonis
Object type: print
Date: 1643 – 1683
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: venus and adonis as lovers
Inscriptions: collector's mark: Lugt 240
Panel
Object type: panel
Date: 1401 – 1500
Materials: ivory, wood
Techniques: carving, inlay
Location: egypt
Portret van Bernhard Nicolaus Harz op 45-jarige leeftijd
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: engraving
Subjects: bookshelves, historical persons, book, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Cahier de six Baraques Chinoises
Object type: ornament print
Date: 1772 – 1779
Materials: paper
Techniques: etching
Location: paris
Artist: jeanne deny
Artist role: print maker
Artist dates: 1749 – 1836
Subjects: standing figure, container of glass: bottle, jar, vase
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

In een landschap onder luifels staat een man op de rug gezien. Hij zet flessen op een tafel.
Zuil met beeldhouwwerk op een plein
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: monument, statue, street

Mogelijk een monument in Wenen of Straatsburg. Pagina 30 uit een schetsboek met 49 bladen.
Head of King Lear
Object type: drawing and watercolor
Date: 1747 – 1785
Materials: chalk, graphite, paper
Location: italy
Artist: attributed to giovanni battista cipriani
Artist nationality: italian
Artist dates: 1727 – 1785
Heilige Andreas voor zijn kruisiging
Object type: print
Date: 1691 – 1752
Materials: paper
Techniques: engraving
Location: rome
Subjects: martyrdom and death of andrew, the apostle andrew; possible attributes: book, x-shaped cross, fish, fishing-net, rope, scroll - martyrdom, suffering, misfortune, death of male saint
Inscriptions: collector's mark: Lugt 240
The Fourth Spring
Object type: print
Date: 1621 – 1675
Techniques: etching
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Subjects: human figures,trees,spring
Pair of Sword-Grip Ornaments (Menuki)
Object type: pair of sword grip ornament menuki
Date: 1601 – 1700
Materials: gold alloy, gold
Culture: japanese
Location: japan
Effluent of Lake Albano
Object type: drawing and watercolor
Materials: graphite, ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: Anonymous
Artist nationality: possibly italian
Artist dates: 1800 – 1899
Design for a Vessel with Two Griffons
Object type: drawing
Date: 1701 – 1800
Materials: graphite, ink
Techniques: pen
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: griffins
Deksel van wit steengoed met zoutglazuur; Whieldon ware
Object type: lid
Date: 1750 – 1760
Materials: stoneware
Techniques: salt glaze
Location: england
Artist: Anonymous

Het deksel heeft een liggende hond of leeuw als knop.
Sirih box
Object type: pot
Date: 1700 – 1799
Materials: gold, silver
Techniques: gilding
Location: indonesia

Two sirih boxes. Silver. Batavia (?), c. 1770 - 1790. A quid of sirih (betel) comprises areca nut, gambir and lime wrapped in a betel leaf. Chewing sirih was popular throughout Southeast Asia. Purchased from Stichting Cultuurgeschiedenis Nederlanders Overzee.
Landschap met een diagonale steen
Object type: print
Date: 1836 – 1912
Materials: paper
Techniques: engraving
Location: netherlands
Artist: isaac weissenbruch
Artist role: print maker
Artist dates: 1826 – 1912
Subjects: landscapes (+ landscape with figures, staffage)
Actress posing with tilted chair, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Jan C. Schüller op een spoortunnel, Meramec Highlands tijdens de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904
Object type: photograph
Date: 1904 – 1904
Materials: cardboard, paper
Techniques: gelatin silver print
Artist: Anonymous
Subjects: painter, print maker, draughtsman, jan schüller
Inscriptions: annotation: ‘Jan C. Schüller’, annotation: ‘Tunnel bij Meramec Highlands // Ik zelf boven op den tunnelmuur // genomen door Backers’

Jan C. Schüller op een spoortunnel, Meramec Highlands tijdens de wereldtentoonstelling in St. Louis (Louisiana Purchase Exposition), 1904.
Card Number 382, (Louise Weber), from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-3), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the third subset, N145-3. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy. This card depicts Louise Weber (1866-1929) – better known by her stage name “La Goulue” (The Glutton) although printed below the image in all caps is the name Christol Heeth.
Staande vrouw
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ standing)

Pagina 3 uit schetsboek XLVIII met 62 pagina's.
Nose or mustache scissors (part of a set)
Object type: scissors
Date: 1848 – 1849
Materials: steel

The firm of Nicholls & Plincke was founded by members of the relatively large community of English silversmiths and craftsmen working in Saint Petersburg. After 1840 it was one of the most important retailers of luxury items before Carl Fabergé overshadowed all competitors. Several contemporary Saint Petersburg newspapers praised the high-quality products of the magasin anglais Nicholls & Plincke. According to the donor's family tradition, this rare set with more than fifty items bearing the monogram CMI was "originally made for and used by Colin Macrae Ingersoll [1819–1903], when he accompanied his father, Ralph Isaacs Ingersoll [1788–1872], to the Court of Czar Alexander II of Russia, where the latter served President [James Knox] Polk [1795–1849] as Minister Plenipotentiary from 1846 to 1848. . . . The family story has always been that [the set and case were] made for stagecoach travel in Russia." Plain silver objects—like the ewer and the cup of this set—with simple outlines and restrained forms inspired silversmiths of the modern era. Only the elaborate cartouche framing the monogram indicates that the set was made in the early Victorian period.
Bomen aan het water
Object type: print
Date: 1906 – 1906
Materials: paper
Techniques: lithograph
Artist: simon moulijn
Artist role: draughtsman, print maker
Artist dates: 1866 – 1948
Subjects: trees, water course
Inscriptions: collector's mark: Lugt 2228

Prent mogelijk gebruikt voor: Onze kunst. Geïllustreerd maandschrift voor beeldende en decoratieve kunsten. Antwerpen: Buschman, 1906, dl. IX.
Briefkaart aan Philip Zilcken
Object type: postcard
Materials: cardboard, ink
Techniques: pen, writing
Location: the hague
Artist: adriaan pit
Artist role: print maker
Artist dates: 1860 – 1944
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Aankomst van den Graave van Leicester te Vlissingen, in 't jaar 1585
Object type: print
Date: 1753 – 1753
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: robert dudley (1st earl of leicester), flushing

Aankomst van Robert Dudley, graaf van Leicester, in Vlissingen op 20 december 1585. Ontvangst van de graaf op de kade door een grote menigte.
The Actors Sanogawa Ichimatsu I as Senjiro disguised as Kichisaburo and Nakamura Tomijuro I as Oshichi in the joruri "Midaregami Yoru no Amigasa," performed at the Nakamura Theater in the first month, 1742
Object type: print
Date: 1742 – 1742
Techniques: hand coloring, woodblock print, urushi
Location: japan
Artist: torii kiyomasu ii
Artist role: artist
Artist nationality: japanese
Artist dates: 1706 – 1763
Begrafenis van Willem III, 1702
Object type: print
Date: 1702 – 1703
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), cortege, funeral procession, london

Gebruikt als illustratie in: A. Montanus, Het leven, bedryf, en oorlogs-daaden van Wilhem den Derden, Jan Claesz ten Hoorn, Amsterdam 1703, dl. IV.
Afbeelding van 't omslaan van 's lands schip van oorlog d'Unie, in de Noord-zee, voorgevallen den 19 october 1782; Zijnde gevoerd geweest door Capitein Graaf van Welderen
Object type: print
Date: 1782 – 1782
Materials: paper
Techniques: engraving, etching
Location: netherlands
Artist: hendrik r. van rossen
Artist role: print maker
Subjects: shipwreck (+ propulsion of vehicle, ship, etc. by wind)
Inscriptions: collector's mark: Lugt 2228

Het vergaan van het oorlogsschip de "Unie" onder bevel van kapitein-ter-zee Louis Marie Graaf van Welderen op de Noordzee op 19 oktober 1782.
Bracelet of Hepy
Object type: bracelet
Date: 1950 – 1885
Materials: gold, lapis lazuli
Location: egypt
Italiaanse handwerkslieden en verkopers
Object type: print
Date: 1613 – 1667
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: eyeglasses, spectacles, merchant, salesman
Inscriptions: collector's mark: Lugt 240

Een man zet een bril op zijn neus, die een brillenverkoper hem aanbiedt. Op de achtergrond toeschouwers rond een muzikant op een plein. In de marge een onderschrift in het Latijn.
Sword Cane with Two Blades and Sheath
Object type: sword cane with two blade and sheath
Date: 1801 – 1900
Materials: silver, wood
Culture: burmese
Location: burma
Paneel met putto en adelaar bovenaan
Object type: ornament print
Materials: paper
Techniques: etching
Location: france