deem-data/ArtiFact huggingface dataset:
Child with Grapes
Object type: figure
Date: 1770 – 1780
Materials: soft paste porcelain
Artist: real fabrica de buen retiro
Artist role: factory
Artist nationality: spanish
Subjects: grapes,children

The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894–1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.
Orphrey
Object type: orphrey
Date: 1467 – 1533
Materials: silk
Subjects: angels,jesus
Birds of the Capital (Miyakodori)
Object type: book
Date: 1802 – 1802
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849
Inscriptions: Block cutter: Andô Nabejirô
Publisher: Nogawa Poetry club, Maruya Jinpachi
Author of Preface: Shunkôtei Umemaro
Signature: Gakyôjin Hokusai
Kist, bekleed met schildpad,  met beslag van zilver
Object type: chest
Date: 1740 – 1760
Materials: silver, shell
Location: indonesia
Artist: hendrik rennenbaum
Artist role: silversmith
Portret van Sophia Dorothea, koningin van Pruisen
Object type: print
Date: 1734 – 1767
Materials: paper
Techniques: engraving
Location: leipzig
Artist: johann martin bernigeroth
Artist role: print maker, publisher
Artist dates: 1713 – 1767
Subjects: berlin, historical persons - bb - woman, mantle, gown, dress (symbol of sovereignty)
Inscriptions: collector's mark: Lugt 2228
The Long Gallery, Prado
Object type: drawing and watercolor
Date: 1903 – 1903
Materials: board, chalk, charcoal, paper, wood
Techniques: drawing, heightening, stumping
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Vase with Dragonfish Handles
Object type: vase
Date: 1101 – 1300
Materials: ceramic glaze, glaze, porcelain
Techniques: relief
Culture: chinese
Subjects: fish

Vases of this type were especially popular in Japan, where they were sometimes used in the tea ceremony. The vase’s form, known as a mallet shape, can be traced to glass vessels produced in Syria in the ninth and tenth century and was most likely introduced to China at around that time. The fanciful handles are a Chinese addition.
Parasol
Object type: textile
Date: 1866 – 1870
Materials: lace, silk, wood
Techniques: carving
Location: france
Grotesque Head
Object type: head
Date: 1101 – 1133
Materials: earthenware
Culture: central asian
Subjects: heads
Terracotta oil lamp
Object type: lamp
Date: 100 – 100
Materials: terracotta
Culture: roman
Boslandschap met beek
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: engraving, etching
Location: geneva
Subjects: forest, wood, brook, switzerland
Inscriptions: collector's mark: Lugt 12
Berglandschap
Object type: photograph
Date: 1850 – 1890
Techniques: albumen print
Artist: Anonymous
Woman's Haori with White and Red Cranes
Object type: kimono
Date: 1920 – 1940
Materials: silk
Techniques: painting, weave
Location: japan
Artist: Anonymous

Haori voor een vrouw met een versiering over het hele vlak van witte en rode kraanvogels in vlucht, de voering over het hele vlak met witte origami kraanvogels. Roze zijde met een damast geweven decoratie van kraanvogels, buitenkant en voering met geschilderde yuzen decoratie en goudfolie. Enkel familiewapen (mon) van een gestileerd bloemmotief (hanabishi).
Fellows Feasting
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: food,men,dining
Dood staat op het punt om de levensdraad van een stervende man door te knippen die hem probeert tegen te houden
Object type: print
Date: 1710 – 1710
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: dying, father time, man with wings and scythe, death as skeleton - ff - death as female
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. De onwaardige wereld, vertoond in vyftig zinnebeelden, met godlyke spreuken en stichtelyke verzen. Amsterdam: Pieter Arentsz. II (wed.) en Cornelis van der Sys, 1710, p. 200.
Sampler
Object type: sampler
Date: 1763 – 1763
Materials: silk, wool
Chisel
Object type: chisel
Date: 1902 – 1902
Materials: jade
Culture: mexican
Coin Depicting the Goddess Athena
Object type: coin
Materials: bronze, copper alloy, metal
Culture: greek
Location: athens
Inscriptions: Reverse: Α Θ Ε

The front (obverse) of this coin depicts the head of the goddess Athena, wearing a Corinthian helmet, facing to the right. On the back (reverse), the god Zeus stands and throws a fulmen (lightening bolt).
Pinning the Hat
Object type: print
Date: 1898 – 1898
Materials: paper, stone
Techniques: lithograph
Location: france
Artist: pierre auguste renoir
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1919
Ruins, with a Statue on the Left
Object type: drawing
Date: 1728 – 1728
Materials: ink
Techniques: pen, wash
Artist: giovanni paolo panini
Artist role: artist
Artist nationality: italian
Artist dates: 1691 – 1765
Subjects: architecture,ruins
Schöner Brunnen II, Nürnberg
Object type: photograph
Date: 1870 – 1895
Materials: paper
Techniques: albumen print
Location: nuremberg
Subjects: ornamental fountain, market
Inscriptions: number: ‘113.’, stamp: ‘Sigmund Soldan'sche/ Hof-Buch-Kunst & Musikalienhandlung/ Musikalienleihanstalt/ Inhaber: August Zemsch/ Nürnberg.’
Hendrik Maurits Wolf de Friderici (1818-1841)
Object type: painting
Date: 1838 – 1900
Materials: oil, paint, paper
Location: unknown
Artist: Anonymous
Subjects: suriname

Schilderij in lijst van zwart hout met sierlijst van latoenkoper.
Een rustig uurtje
Object type: photomechanical print
Date: 1901 – 1906
Materials: paper
Techniques: photoaquatint
Location: netherlands
Subjects: adult woman, reading
Knipsels met een hart en figuren
Object type: cut paper
Date: 1750 – 1849
Materials: paper
Techniques: cutting, snipping
Artist: Anonymous
Subjects: standing figure, heart
Inscriptions: stamp, collector's mark: Lugt 1641

Drie symetrische knipkunstwerken tegen elkaar aan op één blad geplakt met grote harten met initialen, links PKDJK, in het midden JKD en rechts KJL. Onder en boven de harten o.a. engeltjes met bazuinen, menselijke figuurtjes, vogels en huisjes. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Knipkunst.
Onduleerijzer (?) van staal, rechthoekig, in de vorm van een gesp
Object type: womenswear
Date: 1925 – 1930
Materials: steel
Techniques: forging
Location: netherlands
Artist: Anonymous
Inscriptions: number: ‘'PAT No 1719928'’

Onduleerijzer (?) of gesp van staal, rechthoekig, in de vorm van een gesp. Voorzien van patentnummer: 'PAT No 1719928'.
George Washington
Object type: painting
Date: 1803 – 1803
Materials: canvas, oil
Culture: american
Artist: gilbert stuart
Artist role: artist
Artist nationality: american
Artist dates: 1755 – 1828
Subjects: george washington,men,portraits

Stuart's most popular portraits of Washington are the so-called Athenaeum type, of which there are as many as sixty replicas dating from the turn of the nineteenth century until the artist's death. Often disparagingly referred to as his "hundred-dollar bills"--after the price of each painting--the striking portraits not only provided an income for Stuart but also made him a major player in the development of Washington as a cultural icon, as the works sold far and wide.
Gezicht op een zaal in Vlaamse stijl in het huis van E. van der Straeten in Oudenaarde, België
Object type: photomechanical print
Date: 1893 – 1898
Materials: paper
Techniques: photograph
Location: brussels
Artist: gustave choppinet
Artist role: fotograaf
Subjects: interior of the house
Inscriptions: inscription: ‘Maison de Madame E. van der Straeten/ Salle Flamande’, number: ‘PLANCHE 81’

Deze prent maakt deel uit van een omslag met 89 prenten en 5 tekstbladen.
Gezicht op een straat met een kerk
Object type: sketchbook leaf
Date: 1828 – 1897
Materials: paper, pencil
Location: netherlands
Artist: adrianus eversen
Artist role: draughtsman
Artist dates: 1818 – 1897
Subjects: urban housing, church (exterior), street

Gezicht op een straat met bomen. Tussen de huizen staat een kerk of kapel. Blad 28 verso uit een schetsboek met 69 bladen vervaardigd in de omgeving van Delft, Rotterdam, Oudewater en Harlingen.
Terracotta miniature jug
Object type: jug, miniature
Date: 800 – 701
Materials: terracotta
Culture: cypriot

Miniature vases are found in Geometric-period tombs in Cyprus. As small-scale versions of full-size vessels, these miniature vases provide insights into the lives and funerary practices of non-elite segments of the population.
Shot by moonlight
Object type: photograph
Date: 1870 – 1880
Materials: photographic support
Techniques: albumen print
Subjects: drawing, sketch, hoofed animals: deer, hunt ~ mammals
Inscriptions: number: ‘Plate VI.’
Derde eeuwfeest van de Hervormde kerk in Frankrijk een eerste Nationale Synode van de Hervormde kerken
Object type: history medal
Date: 1859 – 1859
Materials: copper
Techniques: striking
Location: paris
Artist: jean françois antoine bovy
Artist role: medailleur
Artist dates: 1795 – 1877
Subjects: france
Kop, veelkleurig beschilderd met waterlandschappen in uitgespaarde vierpassen in een oranjerode fond
Object type: cup
Date: 1735 – 1735
Materials: porcelain
Techniques: painted
Location: meissen
Inscriptions: mark: ‘27’, factory mark, mold mark

Kop zonder oor, van beschilderd porselein. De kop is bedekt met een oranjerode fond, waarin accoladevormige vierpassen zijn uitgespaard met (water)landschappen met europese figuren, soms bij balen en schepen. De kop is gemerkt.
Portret van Friedrich Gottlieb Klopstock
Object type: print
Date: 1801 – 1801
Materials: paper
Techniques: etching
Location: london
Subjects: historical persons
Inscriptions: date
Robespierre (1758–1794)
Object type: medallion
Date: 1835 – 1835
Materials: bronze
Artist: pierre jean david d'angers
Artist role: maker
Artist nationality: french
Artist dates: 1788 – 1856
Subjects: men,portraits

Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first half of the nineteenth century. Throughout his almost fifty-year career (1819–1856) David remained true to his conviction that sculptural monuments dedicated to the achievements of great men and women most permanently and vividly express the greatness of a people. He continuously sought commissions for monuments portraying historical and contemporary figures whom he admired in order to commit their contributions to posterity. His most famous public commission, the figurative pediment of the Pantheon in Paris (1830–1837), which commemorates great men and was dedicated by a grateful nation, exemplifies these life-long principles. David d’Angers extended his definition of public monuments to include portrait medallions. In the 1820s he dedicated himself to a personal campaign of creating contemporary and retrospective medallic portraits of illustrious sitters. By the end of his life David had executed almost five-hundred portrait medallions, frequently travelling great distances to model his sitters from life. The medallions most often were not commissioned. David himself chose whom he deemed worthy of inclusion into his medallic pantheon. David also did not profit from the portraits. He generally delivered his wax models to professional founders for casting and dissemination through sale.
Andriessen met een man en twee vrouwen bestuderen de theorieën van Franz Joseph Gall
Object type: drawing
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: christiaan andriessen
Artist role: draughtsman, print maker
Artist dates: 1775 – 1846
Subjects: amsterdam, print maker, draughtsman, christiaan andriessen, standing figure, open window, index finger forwards, pointing, indicating
Inscriptions: inscription: ‘J Andriessen’, inscription: ‘'t Leersteldsel van Doctor Gall onderzocht (...)’

Dagboekblad uit het getekende dagboek dat Christiaan Andriessen bijhield van 1805 tot en met 1808.
Poëzie of Dichtkunst
Object type: print
Date: 1693 – 1693
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: symbolic representations, allegories and emblems ~ poetry; 'poesia' (ripa), (decorated) ceiling

Plafondstuk met de gepersonifieerde Dichtkunst, leunend tegen een schrijftafel met lauwerkrans op het hoofd. Rondom haar putti met muziekinstrumenten en een masker. Links een boekenkast. Op de achtergrond rechts een theater waar het toneelstuk Cinna wordt opgevoerd. Prent maakt deel uit van een album.
God Vishnu Riding His Mount, Garuda
Object type: sculpture
Date: 1501 – 1700
Materials: stone
Location: nepal
Clarinet in C
Object type: clarinet in c
Date: 1800 – 1814
Materials: wood, brass, ivory
Culture: british
Location: united kingdom
Artist: astor & co.
Artist role: maker
Artist dates: 1778 – 1831

The Astor workshop was established in London by the two brothers Georg (George) Peter Astor (born Waldorf/Heidelberg, Germany, 28 April 1752; Died London December 1813) and Johann (John) Jacob Astor (born Waldorf 17 July 1763; died New York 28/29 March 1848) around 1780. In 1783 John Jacob left for Baltimore. The workshop was at the address 79 Cornhill between 1797/8 and 1814. (Waterhouse, NLI, 12). Overall size: 590 Bore: c-hole 13.4; f-hole 13.6. Conical part: 106 Technical description: Boxwood with ivory ferrules and brass keywork. Six pieces: mouthpiece, barrel, upper section, middle section for the fingers of the right hand, lower section with keys, bell. Long tenon ebony mouthpiece grooved for cord. English-style flask shaped barrel. Speaker liner projects almost to the centre of the bore. Pins at the blocks in order to avoid cracking. Levers for L4, tone-hole and key for R4 mounted in a bell-shaped swelling. Zig-zag F♯3/C♯5 lever guided in a rudiment of a round ring. L0: T; speaker. L1: T; throat A♮. L2: T. L3: T. L4: E3/B♮4; F♯3/C♯5. R1: T; trill key for throat A-B♮. R2: T. R3: T. R4: T; G♯3/E♭5. Keyhead type: flat square. Keymount type: blocks and swelling. Inscribed on upper section crown / "C / ASTOR & Co. / 79 / CORNHILL / LONDON" / unicorn head; on bell unicorn head / ASTOR & Co. / 79 / CORNHILL / LONDON"; on middle and lower section "ASTOR & Co. / LONDON" / unicorn head; on barrel "ASTOR & Co. / LONDON". Playing accessories: a boxwood reed-cap (Heike Fricke, 2014)
Ruiner af en vattenreservoir
Object type: page
Date: 1891 – 1893
Materials: paper
Techniques: autotype
Location: vienna
Artist: gustaf nordenskiöld
Artist role: fotograaf, schrijver
Artist dates: 1868 – 1895
Subjects: ruin of a building ~ architecture
Inscriptions: name, number: ‘Fig. 46.’
Fotoreproductie van een geschilderd portret van Hendrick Bicker, door Joachim von Sandrart
Object type: photograph
Date: 1885 – 1915
Materials: paper
Techniques: collodion silver print
Location: amsterdam
Artist: koop remmerts semplonius
Artist role: draughtsman
Artist dates: 1847 – 1915
Subjects: mayor, historical persons, officer
Inscriptions: collector's mark: Lugt 2228
Koeien in het Meijendel bij Wassenaar en Den Haag
Object type: photograph
Date: 1923 – 1923
Materials: photographic support
Techniques: collodion silver print
Location: netherlands
Artist: Anonymous
Subjects: cow
Inscriptions: annotation: ‘Koeien bij Meyendel / 23 Juli 1923 / matige zon / 1/25 sec. Focus 5,4 / "Gem" plaat.’
The Entombment
Object type: print
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: sadness,christ,mary magdalene,virgin mary,entombment
Portret van een jonge vrouw
Object type: photograph
Date: 1865 – 1887
Materials: cardboard, photographic support
Techniques: albumen print
Location: haarlem
Artist: jan george mulder
Artist role: fotograaf
Artist dates: 1816 – 1895
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Inscriptions: annotation: ‘19 jaar’, inscription: ‘JGM/ PHOTOGR. ATELIER/ J. G. MULDER/ Lange Bagijnestraat/ over de Israëlitische Kerk./ HAARLEM/ De plaat blijft tot nabestelling bewaard.’
Daar is niet aan aftedingen: het is de gezette prys / C'est un prix fait: il n'y a rien à en rabattre
Object type: costume print
Date: 1804 – 1804
Materials: paper
Techniques: etching, hand coloring
Location: netherlands
Subjects: shop, store, clothes, costume, zeist

Gebruikt als illustratie in: Evert Maaskamp, Afbeeldingen van de kleedingen, zeden en gewoonten in de noordelijke provincien van het Koningrijk der Nederlanden, met den aanvang der negentiende eeuw = Tableaux des habillemens, mœurs et coutumes dans les provinces septentrionales du Royaume des Pays-Bas, au commencement du dix-neuvième siècle. Amsterdam: Evert Maaskamp, 1829 [heruitgave van de oorspronkelijke platen eerst verschenen in 1803-1807].
Dorp met schapen en zittende herder
Object type: print
Date: 1559 – 1561
Materials: paper
Techniques: etching
Location: antwerp
Subjects: sheep, public road in village
Inscriptions: collector's mark: Lugt 2228

Gezicht op een dorp met op de voorgrond een kudde schapen en een herder op een bankje.
Fotoreproductie van een tekening van Leonardo da Vinci (kop van een vrouw)
Object type: photograph
Date: 1880 – 1900
Materials: cardboard, paper, photographic support
Techniques: carbon print
Elegantia, of tijdschrift van mode, luxe en smaak voor dames, Mei 1807, No. 10: Capote de Taffetas.Robe de Perkale.
Object type: fashion print
Date: 1807 – 1807
Materials: paper
Techniques: engraving, hand coloring
Location: amsterdam
Subjects: head-gear (capote) (+ women's clothes), gloves, mittens (long gloves) (+ women's clothes), embroidery (ornamentation) (+ women's clothes), fashion plates, shoes, sandals (+ women's clothes), dress, gown (+ women's clothes), necklace (+ women's clothes)
Inscriptions: caption: ‘Capote de Taffetas, Robe de Perkale’
Serinette
Object type: serinette
Date: 1801 – 1833
Materials: metal, wood
Culture: french
Location: france

This small mechanical instrument has a hand crank that when operated pumps a bellows and turns a pinned barrel that activates windpipes to play a tune. Known as a serinette, such instruments were typically used to teach songs to birds. Technical description: rectangular wood case enclosing barrel organ mechanism operated by turning crank extending from right side of front; wood barrel pinned with brass staples (8 tunes); 10 metal flue pipes; wedge-shaped bellows at front of case, mounted below wedge-shaped reservoir; pipes (at rear of case) sounded by stickers pressed down by levers above the barrel, in turn pressing valves in small windchest below pipes.
Huizen langs de kust
Object type: print
Date: 1852 – 1906
Materials: paper
Techniques: etching
Artist: emilie rolin-jacquemijns
Artist role: print maker
Artist dates: 1842 – 1906
Subjects: housing, coast, sea
Inscriptions: collector's mark: Lugt 2228
Kinderportretten
Object type: photomechanical print
Date: 1890 – 1900
Materials: cardboard, paper
Techniques: autotype
Artist: Anonymous
Subjects: shore-birds and wading-birds: stork, clothes, costume, child (at home)

Zes portretten van kinderen, waaronder één van een meisje met een ooievaar en één van een jongen in kostuum met pruik. Deze pagina is deel van een album.
Stamp seal
Object type: stamp seal
Date: 600 – 301
Culture: achaemenid
Location: iran
Miniature pitcher
Object type: pitcher
Date: 1848 – 1856
Materials: porcelain
Culture: american
Location: united states
Artist: charles cartlidge and company
Artist role: maker
Artist nationality: american
Artist dates: 1848 – 1856
Vase with daffodils
Object type: vase
Date: 1902 – 1902
Materials: stoneware
Culture: american
Location: united states
Artist: artus van briggle
Artist role: designer
Artist nationality: american
Artist dates: 1869 – 1904

Artus Van Briggle began his career in ceramics at the Rookwood Pottery, but because of respiratory issues, moved to Colorado, where, with his wife Anna Van Briggle, he established his own pottery in Colorado Springs in 1901. The Van Briggles and some other designers produced models from which molds were made, and the vases were then slip-cast in multiple forms. They were particularly noteworthy for their glazes in satiny soft textures in unusual colors, sometimes one or more combine on a single piece. Like many American artists, Artus Van Briggle had traveled to and studied in Paris in the late 1890s and was much influenced by not only the artistic ceramics he saw there, but much of the French art that was on exhibition. Van Briggle’s early work often exhibits the stylistic characteristics of the Art Nouveau, especially in the sinuous curves of the stems on his floral-decorative vases. As seen in this vase, he kept the botanic identity of the daffodil, but emphasized a sense of organic vitality in the whiplash curves of the stems.
Square bottle with lion heads
Object type: jug
Date: 1640 – 1700
Materials: cobalt, glaze, stoneware, tin
Techniques: firing, forming, relief, turning, vitrification
Location: westerwald
Artist: Anonymous

Vierkante fles van steengoed met een ronde schouder en korte, smalle nek. Enkele profielen op de nek. Gedeeltelijk bedekt met kobaltblauw. Op elke hoek van de schouder een gedrukte en opgelegde reliëfdecoratie van een leeuwenkop; de schouder en hoeken met blauwe stippen. Aan de nek bevestigd een tinnen montuur met schroefdop. Westerwald.
Box
Object type: decorative art
Date: 1801 – 2000
Materials: jade, gemstone, silver
Location: nepal
Pitcher
Object type: pitcher
Date: 1800 – 1830
Materials: gemstone, glass, lead
Techniques: glassblowing, molding
Culture: american
Location: united states
Page from Ein new kunstlich Modelbuch...(Page 15r)
Object type: book print ornament architecture
Date: 1544 – 1544
Techniques: woodcut
Artist: peter quentel
Artist role: publisher
Artist nationality: german
Artist dates: 1500 – 1550

Published by Peter Guentel, Cologne. Illustrated title page, architectural border on reverse of title page, 99 pages of designs, arms of Cologne on last page (Merlos 1063.477, Van Worms).
Rond ontwerp met ornamenten en een buste van Hector
Object type: ornament print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: fruits and vegetables ~ ornament, satyr(s) (in general), mask, mascaron ~ ornament, hector
Inscriptions: collector's mark: Lugt 2228
The Virgin and Child Seated on a Grassy Bank
Object type: print
Date: 1553 – 1553
Materials: paper
Techniques: engraving
Location: germany
Artist: heinrich aldegrever
Artist role: artist
Artist nationality: german
Artist dates: 1502 – 1561
Chateau de Jehay-Bodegnee
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: amay
Subjects: castle
Lopende man, naar rechts
Object type: drawing
Date: 1770 – 1825
Materials: paper, pencil
Artist: simon andreas krausz
Artist role: draughtsman, print maker
Artist dates: 1760 – 1825
Maison de la mission de Léopoldville
Object type: photomechanical print
Date: 1887 – 1892
Materials: paper
Techniques: autotype
Location: congo
Subjects: façade (of house or building)
Standing Bodhisattva
Object type: figure
Date: 960 – 1279
Materials: gilt, wood
Culture: chinese
Subjects: bodhisattvas
Bambridge on Trial for Murder by a Committee of the House of Commons
Object type: print
Techniques: engraving
Artist: thomas cook
Artist role: engraver
Artist nationality: british
Artist dates: 1744 – 1818
Subjects: men,punishment
Ceiling Design for the "Salle des Cerfs", Fontainebleau
Object type: drawing
Date: 1851 – 1900
Materials: graphite
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: flowers,leaves