deem-data/ArtiFact huggingface dataset:
Uniformen en klederdrachten
Object type: print
Date: 1800 – 1841
Materials: paper
Techniques: etching
Location: rotterdam
Artist: joannes bemme
Artist role: print maker, printer
Artist dates: 1775 – 1841
Subjects: street-trader - bb - women engaged in trade and commerce, folk costume, regional costume, (military) uniforms
Inscriptions: collector's mark: Lugt 2228
Milvische brug
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: rome
Subjects: landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Behorend tot een set van 72 'Mahlerisch-radirte Prospecte von Italien', waarvoor de kunstenaar 24 prenten maakte. Albert Christoph Dies (1755-1822) en Johann Christian Reinhart (1761-1847) maakten eveneens 24 platen, in opdracht van Jean Fréderic Frauenholz.
Jean-Baptiste Colbert
Object type: print
Date: 1660 – 1660
Techniques: engraving
Artist: robert nanteuil
Artist role: artist
Artist nationality: french
Artist dates: 1623 – 1678
Subjects: men,portraits,coat of arms
Fragments
Object type: textile
Date: 1501 – 1600
Materials: silk, velvet
Techniques: cutting, weave, voiding
Location: spain
Ewer
Object type: ewer
Date: 1101 – 1300
Materials: earthenware
Techniques: molding
Location: iran

This earthenware pitcher was excavated from Nishapur in eastern Iran along with several other unglazed vessels (including 36.20.7 and 36.20.8). It provides a good example of one technique used at the site to create vessels with complex shapes. Like the other unglazed pieces found alongside it, this piece was made in several parts. Its bulbous body is composed of casts from two hemispherical molds that had been stamped with impressions. These impressions created the raised repeat patterns that decorate this part of the surface. The two hemispherical parts were then joined with a binding medium of wet clay. This join is still clearly visible in the band of smoothed clay that runs across the center of the body. After these two pieces were connected, the undecorated neck and handle were thrown on the potter’s wheel and attached to the molded body.
De eerste officiële kennismaking met de gedelegeerden van de R.T.C. vond plaats op 19 Augustus, tijdens de ontvangst van de Nederlandse regering in het Kurhaus te Scheveningen
Object type: photograph
Date: 1949 – 1949
Materials: paper, photographic support
Techniques: gelatin silver print
Location: the hague
Subjects: mohammad hatta, amsterdam, the hague, willem drees

Premier Willem Drees verwelkomt de deelnemers aan de conferentie in het Kurhaus te Scheveningen, 19 augustus 1949. Drees schudt Hatta de hand. Foto in het fotoalbum met 37 foto's van de rondetafelconferentie gehouden tussen 23 augustus en 2 november in Den Haag in 1949 tussen vertegenwoordigers van Nederland, de Republiek Indonesië en de Bijeenkomst Federaal Overleg. Het exemplaar aangeboden aan premier Willem Drees.
Portret van Lucas Schacht
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: lithograph
Location: leiden
Artist: leendert springer (i)
Artist role: draughtsman, painter, print maker
Artist dates: 1789 – 1871
Subjects: amsterdam, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Springer, Leendert. Galerij van hoogleeraren aan de Hoogeschool te Leijden, naar de oorspronkelijke afbeeldsels op de Senaat-zaal aldaar berustende. Leiden: Springer, Leendert., s.a. [circa 1850].
Roofdieren en zwijnen
Object type: print
Date: 1657 – 1677
Materials: paper
Techniques: etching
Location: the hague
Artist: marcus de bye
Artist role: print maker
Artist dates: 1639 – 1688
Subjects: pig
Inscriptions: collector's mark: Lugt 240
Een slapende nimf van voren gezien
Object type: print
Date: 1633 – 1672
Materials: paper
Techniques: etching
Location: amsterdam
Artist: willem basse
Artist role: draughtsman, print maker
Artist dates: 1613 – 1672
Subjects: satyr(s) pursuing nymph(s), sleeping; unconsciousness
Inscriptions: collector's mark: Lugt 240

Een slapende nimf van voren gezien, vanachter een gordijn kijkt een sater naar haar. Op de achtergrond is een landschap met een stadsgezicht.
Design for the Headpiece of the "Gazette de France"
Object type: drawing
Date: 1701 – 1800
Materials: chalk
Artist: hubert françois gravelot
Artist role: artist
Artist nationality: french
Artist dates: 1699 – 1773
Subjects: cartouches,coat of arms
Man op een paard in galop
Object type: photomechanical print
Date: 1883 – 1893
Materials: paper
Techniques: autotype
Location: france
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, horse
Buste van een jonge man met hoofddeksel, in profiel
Object type: sketchbook leaf
Materials: paper, pencil
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: head-gear (+ men's clothes), youth, adolescent (+ sideview, profile)

Pagina 49 uit een schetsboek met 32 bladen.
Lobed Basin for Flowerpot with Four Cloud-Shaped Feet
Object type: decorative art
Date: 1300 – 1399
Materials: glaze, stoneware
Location: china
Elms Court, Natchez, Mississippi, Residence of the Honorable A. P. Merrill
Object type: photograph
Date: 1850 – 1859
Techniques: albumen silver print
Artist: Anonymous
Artist role: artist
Subjects: architecture,houses
Gezicht op een meer met enkele zeilboten met op de achtergrond een besneeuwde berg, vermoedelijk in Japan
Object type: drawing
Date: 1870 – 1900
Materials: cardboard, paint
Techniques: brush
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, mountain-top, peak, lake

Deze tekening maakt deel uit van een album.
T' Hoogheymraedschap van Rhynland
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: maps of separate countries or regions, polder, reclaimed land
Inscriptions: collector's mark: Lugt 195

Deze prent behoort tot de tweede druk (1687) van 'T' Hoogheymraedschap van Rhynland', een wandkaart van het Hoogheemraadschap van Rijnland bestaande uit een kaart van het gebied en een sierrand.

Van deze kaart zijn voor zover na te gaan drie verschillende drukken bekend, uit respectievelijk 1647, 1687 en 1746.

Het kaartdeel is gedrukt van twaalf platen die voor elke druk zijn aangepast. Het vijfde blad van het kaartdeel (RP-P-AO-10-8H) is in of na 1766 nog een keer bijgewerkt en los uitgegeven. Hierdoor zijn van het vijfde blad vier staten bekend en van de overige bladen drie. Zie documentatie voor meer informatie.

Bij de eerste en tweede druk hoort een sierrand met daarop de titel, wapenschilden en octrooiverleningen. Delen van de zijkant van de rand van de eerste druk zijn voor de tweede druk herbruikt, terwijl andere delen van de zijkanten en de hele bovenkant nieuw zijn gemaakt door Romeyn de Hooghe. De derde druk heeft slechts een nieuw gemaakte titelstrook langs de bovenkant.
Lady Alphonsine, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-7), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the seventh subset, N145-7. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Portret van Maximilian Joseph Chelius
Object type: print
Date: 1785 – 1858
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Auf der Dresdener Gallerie
Object type: print
Date: 1851 – 1851
Materials: paper
Techniques: tone lithography
Artist: monogrammist hr (duitsland)
Artist role: print maker
Subjects: standing figure, painter at work, in his studio, easel
Inscriptions: collector's mark: Lugt 2228

Prent uit: Düsseldorfer Monathefte 4 (1851), afb. 26.
Suecia Antiqua et Hodierna
Object type: album leaf
Date: 1670 – 1674
Materials: paper
Techniques: etching
Subjects: housing

Kungliga Biblioteket, 'Suecia': http://www.kb.se/samlingarna/Kartor-bilder/Suecia-antiqua/ (geraadpleegd november 2016).
Twee voorstellingen: Moeder en kinderen nemen afscheid van echtgenoot
Object type: print
Date: 1776 – 1851
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: daniël veelwaard (i)
Artist role: print maker
Artist dates: 1766 – 1851
Subjects: embracing each other, kissing, waving farewell ~ departure on a journey, taking leave
Inscriptions: collector's mark: Lugt 2228

Twee voorstellingen: Moeder en kinderen nemen afscheid van echtgenoot. Links wordt de man door de vrouw en kinderen omhelsd in een interieur. Rechts zwaait hij hen uit in een landschap, met op de achtergrond een kerktoren.
Kinderhemd van fijn wit linnen met een rechte platte kraag, halssplit en korte mouw; gemerkt in roze kruissteek: DCM12
Object type: chemise
Date: 1785 – 1815
Materials: linen
Location: netherlands
Artist: Anonymous

Kinderhemd van fijn wit linnen met een rechte platte kraag, halssplit en korte mouw; gemerkt in roze kruissteek: DCM12.
Foreigners Visiting the Famous Site of Mt. Gongen in Kanagawa
Object type: print
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa yoshikazu
Artist role: artist
Artist nationality: japanese
Artist dates: 1845 – 1870
Subjects: men,women,horses,mountains,landscapes
Buttermilk Creek Ithaca Cascades and 4t Fall looking down
Object type: photograph
Date: 1860 – 1865
Techniques: albumen print
Location: ithaca
Artist: j. c. burritt
Artist nationality: american
Artist dates: 1860 – 1869
In Paul en Virginia ziet men op deze prent, / De liefde en deugd als op den zelfden stam geënt / On voit dans cette estampe en Paul et Virginie, / L'amour et la vertu qui unirent leur vie
Object type: print
Date: 1866 – 1902
Materials: paper
Techniques: colour, letterpress printing
Location: turnhout
Subjects: drowning, shipwrecked person, tales and fairy tales, death by drowning (non-violent)
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen uit het verhaal van Paul en Virginia. Virginia verdrinkt. Onder elke voorstelling een tweeregelig vers in het Nederlands en in het Frans. Genummerd midden boven: n. 86.
Maebyeong with chrysanthemum decoration
Object type: vase
Date: 1201 – 1300
Materials: ceramic glaze, glaze, iron, stoneware
Culture: korean

Maebyeong, a Korean transliteration of the Chinese term meiping (plum bottle), refers to a shape like this vessel’s, with rounded shoulders and curved contours as well as a distinctive lip.
The Pines
Object type: print
Date: 1935 – 1943
Techniques: drypoint
Artist: mortimer borne
Artist role: artist
Artist nationality: american, born poland
Artist dates: 1902 – 1987
Subjects: houses,pinecones
Schotel van loodglazuur aardewerk, met verdiept plat
Object type: platter
Date: 1575 – 1625
Materials: earthenware, glaze
Location: italy
Artist: Anonymous

Schotel van loodglazuur aardewerk. Het plat is verdiept en versierd met drie concentrische cirkels in relief, waar omheen twee cirkelvormig gerangschikte reeksen van kuiltjes. De brede rand heeft een reeks noppen afgewisseld met kuiltjes. De schotel is bedekt met roodbruine, blauwe, groene en paarse en geelwitte sliblagen die geschud zijn. De achterkant is bedekt met bruine, roodbruine en geelwitte geschudde sliblagen.
Musket
Object type: musket
Date: 1650 – 1675
Materials: brass, iron, wood
Techniques: cutting, forging, striking
Location: utrecht
Artist: Anonymous

Caliver, made in Utrecht, third quarter 17th century.
Portret van Frederik I van Pruisen
Object type: print
Date: 1688 – 1740
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: berlin, frederik i koning van pruisen, obelisk, needle, the three theological virtues
Inscriptions: collector's mark: Lugt 2228

Frederik I van Pruisen zit leunend tegen een voetstuk met een Franse tekst. Hij wordt met een lauwerkrans gekroond door Liefde (Caritas), met een kind aan haar schouder en een vlam op haar hoofd. Op de achtergrond een monumentale obelisk en de personificaties Geloof (Fides) en Hoop (Spes).
Studie, mogelijk van eent trap
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: chalk, paper
Location: the hague
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: staircase

Pagina 20 uit schetsboek XLII met 32 pagina's.
Christus als Man van Smarten, vergezeld door Maria
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: engraving
Location: hirschbach
Subjects: man of sorrows together with others, single instruments of the passion
Inscriptions: collector's mark: Lugt 2228

Met het wapenschild van de Duitse familie Gugel.
Homer u. die Griechen
Object type: page
Date: 1860 – 1870
Materials: photographic support
Techniques: albumen print
Location: berlin
Subjects: wall-covering, (story of) homer
Inscriptions: number: ‘855.’
Vechtende dieren
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: etching
Location: rome
Subjects: animals, dragon, fighting
Inscriptions: number: ‘23’, collector's mark: ‘Hinloopen’

Deze prent maakt deel uit van een reeks van 25 prenten (+ titelprent) van vechtende dieren.
Portret van Süleyman I
Object type: print
Date: 1692 – 1745
Materials: paper
Techniques: engraving, etching
Location: france
Artist: claude dubosc
Artist role: print maker
Artist dates: 1682 – 1745
Subjects: historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 240
Azie
Object type: popular print
Date: 1850 – 1870
Materials: paper
Techniques: colour, letterpress printing
Location: netherlands
Artist: Anonymous
Subjects: asiatic races and peoples
Inscriptions: collector's mark: Lugt 2760

Blad met 15 voorstellingen van verschillende Aziatische paren. Onder elke afbeelding een tweeregelig vers. Genummerd rechtsboven: No. 90.
Landschap met een ruïne en een ploegende boer in de regen
Object type: print
Date: 1807 – 1807
Materials: paper
Techniques: etching
Location: haarlem
Subjects: downpour, rain shower, march and its 'labours' (+ with scenes showing human occupations ~ seasons and months), landscape with ruins, ploughing
Inscriptions: collector's mark: Lugt 2228
Adreskaart en envelop van D. Kruijf, architect
Object type: business card
Date: 1896 – 1896
Materials: paper
Techniques: woodcut
Artist: mathieu lauweriks
Artist role: designer, draughtsman, print maker
Artist dates: 1864 – 1932
Subjects: zeist, visiting-card, calling-card, letter, envelope

De naam en het adres van de architect in een decoratief kader. Gelijmd op een bijbehorend smal envelopje met daarop het monogram DK.
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic
Artist: curtius painter
Artist role: artist
Usages et cérémonies qu'on observoit anciennenemt aux mariages des Czar
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: etching
Location: france
Subjects: russian orthodox church, (civil) marriage ceremonies
Inscriptions: collector's mark: Lugt 2228

Prent uit: d'Auteroche, Chappe. Voyage en Sibérie: Fait Par Ordre Du Roi en 1761. Parijs: De Bure I, 1768.
Portret van Johann Jacob Wolf
Object type: print
Date: 1625 – 1668
Materials: paper
Techniques: engraving
Location: paris
Subjects: historical persons, lawyer, attorney at law, diplomacy, diplomat, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Relief fragment with two young dogs
Object type: relief, two young dog
Date: 2400 – 2323
Materials: limestone, paint
Location: egypt
Subjects: dogs

Two puppies stand side by side with slightly lowered heads, as if hesitating to approach some problem or adversary they cannot yet handle. They must have belonged to a subregister of a larger composition-perhaps a hunt in the desert. The impression of overlap is achieved by the use of incised lines that slope up into the surface of the relief rather than by actual variations in height. This technique, used from the time of Niuserre onwards, allowed much easier execution of intricate groupings.
Apollon et Marsyas
Object type: print
Date: 1644 – 1644
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: apollo,trees
Rockaway #915
Object type: drawing
Date: 1870 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
The Weird Sisters (Shakespeare, MacBeth, Act 1, Scene 3)
Object type: print
Techniques: mezzotint
Location: london
Artist: john raphael smith
Artist role: engraver
Artist nationality: british
Artist dates: 1751 – 1812
Subjects: shakespeare,women,witches,macbeth

Smith’s mezzotint reproduces Fuseli’s striking conception of the witches as first encountered by Macbeth and Banquo in Shakespeare’s play (act 1, scene 3), prompting Banquo to ask: "What are these So wither’d and wild in their attire, That look not like the inhabitants o’ the earth, And yet are on’t?.../ You seem to understand me, By each at once her chappy finger laying / Upon her skinny lips . . ." After a seven-year sojourn in Rome, Fuseli settled in London in 1779 and became known for painting imaginative and disturbing subjects. The overlapping, profile presentation of the witches echoes classical reliefs, but their features, gestures, and flying skull-headed companion demonstrate an equal familiarity with macabre precedents in the work of Italian painters such as Domenico Veneziano and Salvator Rosa.
Twee bloemen
Object type: print
Date: 1831 – 1832
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: anton weiss
Artist role: draughtsman, print maker
Artist dates: 1801 – 1851
Subjects: flowers
Walking Stick-Hammer-Sword-Wheellock Pistol
Object type: arm
Date: 1590 – 1600
Materials: brass, bronze, wood, iron, steel
Techniques: gilding
Location: augsburg
Inscriptions: Inscription In blade groove:  I M O N I N O L
Vest
Object type: vest
Date: 1860 – 1869
Materials: cotton, mother of pearl
Culture: american

Waistcoats and vests of the 18th and 19th centuries served as a layer protection and ornamentation during a period in fashion when the coat was intended to be left open in the front. The color was often chosen to complement the suit and covered in imaginative embroideries, heavily woven patterns or shiny satins made to draw the eye. The style of the neck, the length and the hem treatment fluctuated as the tastes changed from over-sized coats of the early 18th century to narrow tightly fitted coats of the late 18th century and onward. The patterning on this vest is composed of the highly sinuous paisley form seen on French paisley shawls which were at the height of their popularity in the 1860s. The paisley motif was adapted by Europeans from the Indian boteh form after the appearance of goods, such as shawls, began to be imported from India by the East India Trading Companies in the 17th century. This motif has endured through the century and has become one of the most popular designs in fashion history.
De Koren-Beurs
Object type: book illustration
Date: 1665 – 1665
Materials: paper
Techniques: engraving, etching, letterpress printing
Location: amsterdam
Subjects: sailing-ship, sailing-boat, market-hall, parts of church exterior and annexes: tower
Inscriptions: collector's mark: ‘41-86’ Lugt 1641b

Huidige staat van prent (met Franse titel) ook gebruikt in: Domselaer, Tobias en Isaac Commelin. Beschryvinge van Amsterdam: haar eerste oorspronk uyt den huyze der heeren van Aemstel en Aemstellant (…). 6 dln. Amsterdam: Marcus Willemsz van Doornick, 1665, dl. 3, p. 173.
Le Magnifique Carousel fait sur le fleuve de l'Arne à Florence pour le Mariage du grand Duc
Object type: print
Date: 1624 – 1631
Materials: paper
Techniques: etching
Location: paris
Subjects: (story of) diana (artemis), ships (in general), the story of the argonauts: the quest for the golden fleece
Inscriptions: number: ‘25’, collector's mark: Lugt 2228

Een schip met zwijnskop als boegbeeld, op het achtersteven zitten Atalanta en Diana.
Amulet of a Cross
Object type: costume and accessory
Materials: glass
Culture: byzantine
Location: egypt
Portret van Arnold Hermann Ludwig Heeren
Object type: print
Date: 1826 – 1826
Materials: paper
Techniques: etching
Location: cassel
Artist: ludwig emil grimm
Artist role: print maker
Artist dates: 1790 – 1863
Subjects: historical persons, book, professor
Inscriptions: collector's mark: Lugt 2228

Op het opzetvel is een blad geplakt met daarop de handtekening van Heeren, een strookje met de tekst: 'Geassocieerde van de 3e klasse van het Koninklijk-Nederlandsche Instituut, benoemd 1809. Overl. 1842' en een strookje met biografische gegevens.
Venus Lamenting the Dead Adonis (or Diana and Endymion)
Object type: drawing
Date: 1740 – 1797
Materials: chalk, paper
Artist: januarius zick
Artist role: artist
Artist nationality: german
Artist dates: 1730 – 1797
Subjects: adonis,venus
Iceberg Cañon, Looking Above
Object type: photograph
Date: 1871 – 1871
Techniques: albumen silver print, glass negative
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Portrait of a Woman, Possibly Barbara (1768–1829), Marchioness of Donegall
Object type: painting, miniature, snuffbox
Date: 1790 – 1790
Materials: ivory
Artist: anne foldsone mee
Artist role: artist
Artist nationality: british
Artist dates: 1765 – 1851
Subjects: portraits,women
Vrouw met mand op houten brug over een rivier
Object type: print
Date: 1759 – 1815
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: water course, bridge, carrying something on the head or on the shoulders
Inscriptions: collector's mark: Lugt 2228