deem-data/ArtiFact huggingface dataset:
Amor en Psyche
Object type: book illustration
Date: 1811 – 1813
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: psyche, theatre, theatrical performance, psyche, on her way back, opens proserpina's casket and is overcome by sleep, (story of) cupid, amor (eros)
Inscriptions: collector's mark: Lugt 2228

Prent van scène vijf uit de vijfde acte van 'Psyché' door Jean Baptiste Molière. Dit betreft een van de dertig prenten, gemaakt in opdracht van Antoine Augustin Renouard, bestemd voor verschillende edities van Molières werk daterend van 1811 tot 1813. De prenten zijn vervaardigd door verschillende kunstenaars naar composities van Moreau.
Beroepen alfabet
Object type: print
Date: 1825 – 1825
Materials: paper
Techniques: lithograph
Location: rotterdam
Artist: Anonymous
Subjects: street-trader - bb - women engaged in trade and commerce, ballad singer, ballad seller
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen van de letters van het alfabet (J-R) geïllustreerd met vrouwelijke beroepen waarvan de woorden met de betreffende letter beginnen. Onder elke afbeelding een onderschrift.
Tiefenhasten
Object type: photograph
Date: 1860 – 1890
Materials: paper, photographic support
Techniques: albumen print
Location: switzerland
Artist: Anonymous
Subjects: prospect of village, silhouette of village, switzerland

Onderdeel van Reisalbum met foto's van Zwitserland, Oostenrijk, Italië en Duitsland.
Ovale doos, zwarte lak met een bloemtakken in makie
Object type: box
Date: 1700 – 1800
Materials: gold, lacquer, silver, wood
Techniques: lacquer
Location: japan
Artist: Anonymous

Ovaal doosje met een enigszins bolle deksel. Gedecoreerd op de deksel met een vaas met bloemen in goud-takamakie op een zwarte ondergrond.
Op het voorgaende Onderwerp
Object type: manuscript
Date: 1744 – 1744
Materials: ink, paper
Techniques: writing
Location: netherlands
Artist: kornelis westerbaen willemsz.
Artist role: schrijver
Artist dates: 1690 – 1774
Subjects: johan van oldenbarnevelt, dordrecht, print maker, frans greenwood
Inscriptions: date

Vers van Kornelis Westerbaen Wz. Onderdeel van het boek met gedichten uit de jaren 1743-1745 op het zwaard waarmee Johan van Oldenbarnevelt in 1619 zou zijn onthoofd. Het zwaard was eigendom van Frans Greenwood.
Advertentie voor Reinaert de Vos
Object type: print
Materials: paper
Techniques: relief print
Artist: bernard willem wierink
Artist role: draughtsman, print maker
Artist dates: 1856 – 1939
Subjects: advertisement, notice
Inscriptions: collector's mark: Lugt 2228

Deze prent is vermoedelijk een plaatsnede, ook al wordt in de literatuur veelal gesproken over een houtsnede. Voor zover Wierink zijn prenten in hoogdruk zelf nader heeft omschreven, heeft hij altijd de term 'plaatsnede' gebruikt.
Bottle
Object type: bottle
Date: 1601 – 1700
Materials: earthenware
Techniques: glazing
Location: iran
Subjects: human figures,leaves
La Mode, 1831, Pl. 120 : Toilette du soir
Object type: fashion print
Date: 1831 – 1831
Materials: paper
Techniques: hand coloring, lithograph, engraving
Location: paris
Subjects: clothing for the upper part of the body (vest) (+ men's clothes), neck-gear ~ clothing (+ men's clothes), trousers, breeches, etc. (pantalon) (+ men's clothes), coat (+ men's clothes), ensembles of pieces of clothing (dress suit) (+ men's clothes), ensembles of pieces of clothing (evening dress) (+ men's clothes), head-gear: hat (+ men's clothes), fashion plates, shoes, sandals (+ men's clothes), stockings, socks (+ men's clothes)
Inscriptions: caption: ‘Toilette du soir.’, title: ‘La Mode.’, address: ‘L'Administration est rue du Helder, 25.’

Drie mannen in avondkleding anno 1831: jas met brede revers, vest en lange broek. Geknoopte halsdoek, hoed in de hand. Platte schoenen met vierkante neuzen. Prent uit het modetijdschrift La Mode (1829-1855).
Wine Vessel of Archaistic Design
Object type: vessel
Date: 1501 – 1700
Materials: brass, bronze, gold, silver
Techniques: inlay
Culture: chinese
The moon, her motions, aspect, scenery, and physical condition
Object type: book
Date: 1873 – 1873
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, lithograph, printing
Location: london
Artist: richard anthony proctor
Artist role: astronoom
Artist dates: 1837 – 1888
Dress
Object type: dress
Date: 1760 – 1760
Materials: silk
Culture: french
Dress
Object type: dress
Date: 1882 – 1882
Materials: cotton, silk
Culture: american
Gezicht op Grenoble
Object type: print
Date: 1641 – 1695
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: landscapes
Inscriptions: collector's mark: Lugt 240

Dit object is omwille van een betere presentatie virtueel samengevoegd, maar bestaat fysiek uit losse onderdelen.
Vijftigjarige viering van kozakjesdag: herdenking van het binnentrekken van de kozakken te Utrecht, penning geslagen door de Rijksmunt
Object type: history medal
Date: 1863 – 1863
Materials: bronze
Techniques: striking
Location: utrecht
Artist: Anonymous
Subjects: utrecht

Bronzen penning. Voorzijde: wapenschild omgeven door oranjetakken, met wimpel vastgebonden aan speer, bekroond door vrijheidshoed. Keerzijde: datering binnen omschrift.
Carpet
Object type: textile
Date: 1734 – 1900
Materials: wool
Techniques: cutting, weave
Location: caucasus
Brief aan Philip Zilcken
Object type: letter
Date: 1918 – 1918
Materials: ink, paper
Techniques: pen, writing
Location: brussels
Artist: hélène van goethem
Artist dates: 1866 – 1919
Subjects: draughtsman, philip zilcken, family life, brussels
Portret van Johan van den Sande
Object type: print
Date: 1638 – 1660
Materials: paper
Techniques: engraving
Location: leeuwarden
Subjects: arnhem, johan van den sande, historical persons, portrait of a writer, book
Buddha Preaching
Object type: figure
Date: 701 – 833
Materials: alloy, silver
Culture: thai
Subjects: buddhism,buddha

This sculpture is a refined, elegant expression of the Mon aesthetic during the late phase of Buddhist art associated with the Dvaravati kingdom. It is not clear if that political entity was still viable during this period, but the distinct aesthetic created by its sculptors in the preceding two centuries still prevailed. The raised right hand gestures in teaching, the lowered hand grants boons. The image was cast from a silver alloy with a significant copper content and would have displayed a lustrous silver surface in its original state. cat. no. 120
Sketches of Tahitian Residence with Color Notations and Dogs
Object type: drawing and watercolor
Date: 1891 – 1893
Materials: chalk, paper
Location: france
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Portret van een onbekende lezende man in een stoel, Tanjung Pinang
Object type: photograph
Date: 1912 – 1913
Materials: paper, cardboard
Techniques: collodion silver print
Location: tanjung pinang
Artist: Anonymous
Subjects: writing-table, writing-desk, reading, anonymous historical person portrayed
Inscriptions: inscription: ‘Ma/ Tandjong-Pinang, Dec. 1913’

Zie gerelateerde objecten voor andere foto's van dezelfde man.
Aankomst van koning Willem I te Scheveningen, 1813
Object type: print
Date: 1813 – 1813
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: the hague, berlin, william i of the netherlands, being welcomed ~ travelling, homage to a ruler, landing of william frederick i (1813)
Inscriptions: collector's mark: Lugt 2228

Aankomst van prins Willem Frederik op het strand van Scheveningen, 30 november 1813, om als soeverein vorst de regering van het land op zich te nemen. De prins staande in de boerenwagen, links de visserspink 'De Jonge Karolina' die hem naar de kust heeft gebracht. Op het strand begroet een enthousiaste menigte de prins.
Plaque fragment
Object type: relief
Date: 800 – 601
Materials: ivory
Culture: assyrian
Location: mesopotamia

This small broken piece of ivory was originally part of a plaque. Carved ivory plaques were widely used in the production of elite furniture during the early first millennium B.C. They were often inlaid into a wooden frame using joinery techniques and glue, and could be overlaid with gold foil or inlaid with colored glass or stone pieces to create a dazzling effect of gleaming surfaces and bright colors. This fragment is made up of thin-walled carved cells, called cloisons, that were filled with colored inlays, although no traces of them remain here. When the royal buildings at Nimrud were sacked during the fall of Assyria in 614 and 612 B.C., looters stripped the gold inlay from the ivory furniture and left the broken pieces behind. This piece was probably part of a flower, which formed the background of many ornately carved inlaid ivories. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
Visiting potentate calls at the pentagon
Object type: photograph
Date: 1949 – 1949
Materials: photographic support
Techniques: gelatin silver print
Location: new york city
Subjects: new york (city)
Inscriptions: stamp: ‘International new photos’, stamp: ‘pcopyright photo press belgium’
Algerian Jewess
Object type: print
Date: 1833 – 1833
Materials: paper
Techniques: etching
Location: france
Artist: eugène delacroix
Artist role: artist
Artist nationality: french
Artist dates: 1798 – 1863
Length
Object type: length
Date: 1775 – 1775
Materials: cotton
Artist: bromley hall printworks
Artist role: manufactory
Artist nationality: english
Artist dates: 1694 – 1823
Subjects: birds

The rare design of this printed cotton reflects two trends prevalent in English decorative arts of the second half of the eighteenth century: the use of birds as decorative motifs, especially in ceramics and porcelains, and the continuing fascination with chinoiserie. Here thin, delicate branches, tied at intervals, rise from the earth and sprout elegantly whimsical blossoms and foliage of various types. Exotic birds are shown in flight or alighting on these slender stems. Two birds confront each other amid decorative rockery, while below four others scratch for food. The inspiration for this design, with its elaborately feathered and crested birds and fanciful foliage, would seem to come not from the several ornithological studies printed in England during the eighteenth century, but rather from the influence of imported Chinese painted wallpapers. Highly unusual is the presence of three small Arabic numbers, 3 7 3, visible at the lower right edge of the groundline. Numbers are known to appear on impressions printed on paper and kept as records of the designs, but they are not normally found on the printed cottons themselves. Stylistically the design bears similarities to other plate-printed textiles made at Bromley Hall, a printworks in Middlesex belonging to the Ollive, Talwin, and Foster families. The presence of three blue threads in the selvage provides further information as to place of origin and date; in 1774 a ban against textile printing on English-made cottons was rescinded with the proviso that three blue threads be woven into the selvages to identify the piece as of English manufacture.
Twee fotoreproducties van een prent en een schilderij van portretten van Jonathan Swift en Joseph Addison
Object type: reproduction
Date: 1901 – 1901
Materials: paper
Techniques: cyanotype
Artist: Anonymous
Subjects: politician, joseph addison, historical persons, writer, poet, author
Inscriptions: inscription: ‘Jonathan/ Swift/ 1667-1745/ Joseph Addison/ 1672-1719.’

Deze foto's maken deel uit van een album.
Dualities - Dorothy Norman
Object type: photograph
Date: 1932 – 1932
Materials: paper
Techniques: gelatin silver print, photography
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Inscriptions: Unmarked recto; inscribed verso, on second mount, upper left, in graphite: 248C

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Courtesans of Kiriya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami)," vol. 2
Object type: print
Date: 1776 – 1776
Techniques: woodblock print, cutting
Location: japan
Artist: katsukawa shunsho 勝川 春章
Artist role: artist
Artist nationality: japanese
Artist dates: 1726 – 1792
Boom met een afgebroken top, een herder rechts op de voorgrond
Object type: print
Date: 1812 – 1832
Materials: paper
Techniques: etching
Location: hamburg
Artist: andré paul de beurs-stiermans
Artist role: print maker
Artist dates: 1802 – 1832
Subjects: landscapes, herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Inscriptions: collector's mark: Lugt 2228
As Pines the Dove It's Mate to See (valentine)
Object type: drawing and watercolor
Date: 1850 – 1850
Materials: ink, paper, watercolor
Techniques: embossing, pen
Location: england
Artist: george kershaw
Artist nationality: english
Artist dates: 1800 – 1899
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, head, neck, shoulders, part of upper right arm and torso of youth with hair tied up in a fillet
Morning Walk, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: engraving
Location: france
Artist: charles louis lingée
Artist role: artist
Artist nationality: french
Artist dates: 1748 – 1819
Insecten
Object type: print
Date: 1635 – 1660
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: insects: butterfly, insects: grass-hopper, insects: fly

Verschillende insecten: onder andere vlinders, libelle, bromvlieg, lieveheersbeest, slak en sprinkhanen. Deze prent maakt deel uit van een album.
Landschappen, serie vijf
Object type: print
Date: 1648 – 1705
Materials: paper
Techniques: etching
Location: france
Subjects: landscapes
Inscriptions: collector's mark: Lugt 240

Landschap met gezicht op dorp met drie torens. Op de voorgrond, links, een man met lange stok en wapperende mantel zittend bij vrouw, onder hoge boom. Vierde prent uit de serie van zes.
Molukschen archipel / Iles Moluques
Object type: print
Date: 1847 – 1847
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: chandelier, candelabrum, interior of the house, group of women (folk dancing)
Inscriptions: collector's mark: Lugt 2228
Memorial Stele for the Buddhist Master Daoyin (Ink Rubbings)
Object type: painting
Materials: ink, paper
Location: china
Artist: qiu ying
Portrait of Joseph Marie Jacquard (1752–1834)
Object type: textile
Date: 1801 – 1900
Materials: silk
Techniques: bookbinding, interlacing, jacquard, patterning, weave
Location: lyon
Artist: jean-claude bonnefond
Artist role: designer
Artist nationality: french
Artist dates: 1796 – 1860
Painted Bowl
Object type: bowl
Date: 500 – 600
Materials: ceramic, pigment
Culture: machalilla
Location: ecuador
Spotprent over het nieuwe treinstation in Amsterdam
Object type: print
Date: 1886 – 1886
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: draughtsman, pierre joseph hubert cuypers, station; shelter (railway, tramway), political caricatures and satires, amsterdam
Inscriptions: collector's mark: Lugt 2228

De architect, Pierre Cuypers, staat naast een groepje toeschouwers. Hij draagt een conducteurspet. Achter hen zakt het station weg in de grond. Deze prent werd uitgegeven bij De Lantaarn.
Corset
Object type: corset
Date: 1880 – 1880
Materials: bone, cotton, metal, silk
Culture: american
Artist: bcn
Artist role: manufacturer
Gérard
Object type: print
Date: 1818 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228a
Arco di Constantino
Object type: album leaf
Date: 1638 – 1799
Materials: paper
Techniques: etching
Subjects: landscape with ruins (+ city(-scape) with figures, staffage), arch of constantine

Prent maakt mogelijk deel uit van een serie van 200 prenten. Deze serie is onder de titel 'A Collection of two hundred original etchings' voor het eerst uitgegeven door J.M. Greery in 1816.
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 534 – 468
Materials: terracotta
Culture: greek, attic

From above the foot, a band of rays; at the juncture of the body and top of the foot, a band of red glaze; on the outer top edge of the foot, a band of red glaze; foot in two degrees; the resting surface and underside of the foot is unglazed
Bamborough Castle
Object type: page
Date: 1856 – 1866
Materials: photographic support
Techniques: albumen print
Location: northumberland
Artist: thomas annan
Artist role: fotograaf
Artist dates: 1829 – 1887
Subjects: façade (of house or building), ruin of a dwelling, house, castle, etc.
Inscriptions: inscription: ‘p. 33.’
Figured flask
Object type: flask
Date: 1840 – 1840
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Subjects: houses
Gezicht op de Bloemmarkt, Amsterdam
Object type: print
Date: 1795 – 1813
Materials: paper
Techniques: etching
Subjects: flowers, plants; vegetation, market, bridge in city across river, canal, etc., royal palace of amsterdam
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Gezicht op de Bloemmarkt aan de Nieuwezijds Voorburgwal in noordelijke richting naar de achtergevel van het Koninklijk Paleis. De brug op de achtergrond verbindt de Stilsteeg en de Gasthuisstraat, tegenwoordig allebei onderdeel van de Paleisstraat. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Marktwezen, Amsterdam.
Ringvormig fragment uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: fragment
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Varied parts or fragments, rings or ring-shaped fragments; id. 80H946.
Ontscheping in Soerabaja
Object type: album leaf
Date: 1949 – 1949
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: troop movements, transportation, dutch east indies, the, surabaya
Inscriptions: inscription

Albumblad met vier foto's van de manschappen tijdens hun ontscheping in Soerabaja. Vanuit hun vorige standplaats Priok waren ze per schip naar Soerabaja gebracht. Onderdeel van het fotoalbum 'Mijn jaren in Indië' met foto's over de militaire acties in Nederlands-Indië.
Voyage en Italie, en Sicile et à Malte - 1778
Object type: watercolor
Date: 1778 – 1778
Materials: chalk, paper, watercolor
Techniques: brush
Artist: louis ducros
Artist role: draughtsman, print maker
Artist dates: 1748 – 1810
Inscriptions: number: ‘No 33 Vue d'un Arc de Triomphe moderne, sur le Mole de la Ville de Napels’
Monsieur de Kraut
Object type: book illustration
Date: 1733 – 1733
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: historical persons, high-school riding, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Portret van een man te paard, met een zweep in de hand, de piaffe uitvoerend. Op de achtergrond een muur waarop rechts een zuil. Onder de afbeelding de titel en een gekroond familiewapen met drie kolen tussen twee bladertakken.
No. 7: Votive paintings of Six Immortal poets, flying geese, and a pagoda made of coins, from the series "Seven Pictures for the Hisakataya (Hisakataya shichiban no uchi)"
Object type: print
Materials: pigment
Techniques: woodblock print, surimono
Location: japan
Artist: kubo shunman
Artist role: artist
Artist nationality: japanese
Artist dates: 1757 – 1820
Norham Castle, plate 57 from Liber Studiorum
Object type: print
Materials: ivory, paper
Techniques: engraving, etching
Location: england
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Onversneden blad met loterijbriefjes van de 'Loterie impériale de france' / 5.re Feuille
Object type: text sheet
Date: 1810 – 1815
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: raffle, lottery

Onversneden blad met loterijbriefjes nrs. 21-25 voor de 'Tirage d'Amsterdam' van de van de 'Loterie impériale de france'. Blad genummerd bovenaan '3e Feuille'. Zoals vastgelegd bij de wet in Vendémiaire (jaar 1797-1798), met voorgedrukte trekkingsdatum 181... Op de buitenzijde ook bedrukt met een in te vullen 'Récapitilation du Registre'. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Spel en Vermaak; Loterij.
Twee vastgebonden honden
Object type: print
Date: 1837 – 1880
Materials: paper
Techniques: etching
Location: the hague
Artist: jan weissenbruch
Artist role: painter, print maker
Artist dates: 1822 – 1880
Subjects: animals tied up, dish, plate, saucer, dog
Inscriptions: collector's mark: Lugt 2228

Een hond ligt op de grond naast een bot. Hij is vastgebonden aan de tweede hond die achter hem zit. Rechts vooraan staat een leeg bord.
Covered Tureen
Object type: tureen
Date: 1750 – 1775
Materials: earthenware
Culture: british
Location: england

Creamware, so-called for its cream-colored body, is a refined earthenware with a lead-based glaze that was developed in Staffordshire, England around 1750. Due to its light color and glossy glaze, it was ideal for dinnerware. Economically affordable to produce, creamware was imported to America in large quantities. Although much creamware was used in America, it is rare to find pieces associated with a particular family. This dinner service (36.22.1 -.38) bears the initials “SBW” for Samuel Blachley Webb. The set was imported from England in 1774 by Webb, who was an aide-de-camp and military secretary to General George Washington.
Teapot (part of a service)
Object type: teapot
Materials: soft paste porcelain
Artist: lowestoft
Artist role: factory
Artist nationality: british
Artist dates: 1757 – 1803
Subjects: boys,women

The term "chinoiserie" refers to an 18th-century European style inspired by the art of China, Japan, and other Asian countries. In Britain, porcelain imported from China and Japan was extremely fashioinable and highly coveted. This caused British factories to imitate Asian wares, both by copying Asian originals, but more often by creating their own imaginative "chinoiserie" designs. The chinoiserie style was at its height in Britain in the 1750s and 1760s. It is related to the rococo style, which was also characterized by asymmetry and an element of fantasy. In British porcelain, it is not uncommon to find objects that combine both aspects of chinoiserie and rococo.
Achterste deel van de Grote kerk te Edam
Object type: drawing
Date: 1727 – 1727
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: cornelis pronk
Artist role: draughtsman, painter
Artist dates: 1691 – 1759
Subjects: church (exterior)