deem-data/ArtiFact huggingface dataset:
Spiegel: ovaal met een voorstelling van de dood van Julia
Object type: print
Date: 1561 – 1561
Materials: paper
Techniques: engraving
Location: france
Subjects: mirror
Inscriptions: date

Ovaal, in een omlijsting van rolwerk met grotesken, figuren, mascarons en guirlandes. Aan het handvat hangt een ring. Eén blad uit een serie van twee.
Gezicht op de Sint-Servaasbasiliek en de Sint-Janskerk te Maastricht
Object type: photograph
Date: 1893 – 1893
Materials: cardboard, photographic support
Techniques: albumen print
Location: maastricht
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: church (exterior)
Inscriptions: annotation: ‘Maastricht St. Jan’, annotation: ‘Maastricht/ St. Servaas & St. Janskerk/ gezien van het zuid-oosten/ Mei 1893’
Happy New Year 1890, from the New Years 1890 series (N227) issued by Kinney Bros.
Object type: print
Date: 1889 – 1890
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: boys,women,cooking

Trade cards from the "New Years 1890 Cards" series (N227), a set of 50 cards issued in 1889-90 to promote Kinney Tobacco Company.
Portret van een jonge vrouw, staand bij een stoel
Object type: cabinet photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: Anonymous
Subjects: adolescent, young woman, maiden, historical persons - bb - woman
Stencil
Object type: stencil
Date: 1801 – 1900
Materials: paper
Culture: japanese
Subjects: fruit,plants
Portret van Johannes Calvijn
Object type: book illustration
Date: 1815 – 1815
Materials: paper
Techniques: etching, letterpress printing
Location: geneva
Subjects: historical persons

Prent uit: Grenus-Saladin, François Théodore Louis. Fragmens biographiques et historiques, extraits des registres du Conseil d'Etat de la République de Genève (...). Genève: Magnet en Abraham Cherbuliez, 1815, p. 17.
Card Number 191, Miss Leo, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Zelfportret van Moses ter Borch
Object type: drawing
Date: 1660 – 1661
Materials: chalk, ink, paper
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Subjects: draughtsman, moses ter borch

Tekening is samen met een andere tekening op een blad geplakt.
Portret van een baby met boek
Object type: carte de visite
Date: 1880 – 1884
Materials: cardboard, photographic support
Techniques: albumen print
Location: purmerend
Artist: nicolaas jelles van ulsen
Artist role: fotograaf
Subjects: historical persons, book, infant, baby ~ the ages of man
Inscriptions: inscription: ‘N. J. VAN ULSEN/ PHOTOGRAAF/ KERKSTRAAT/ over de R.C.Kerk 95/ PURMEREND.’
Scheveningen
Object type: photomechanical print
Date: 1896 – 1910
Materials: paper
Techniques: photograph
Location: scheveningen
Artist: Anonymous
Subjects: beach (as place of recreation)
Inscriptions: inscription: ‘A.2005. Scheveningen.’, stamp: ‘Originalaufnahme/ von/ Dr. E. Mertens & Cie Berlin, W. 50./ Verlag: Haagsche Boekhandel- en Uitgevers-Maatschappij/ Gesetzlich geschützt 1896.’
Portret van de heer Nije
Object type: carte de visite
Date: 1857 – 1864
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Subjects: historical persons, amsterdam
Inscriptions: workshop stamp: ‘Photogr. Atelier/ Wegner & Mottu/ Prinsengracht BB, 439 Amsterdam’, annotation: ‘overgrootvader Nije’
Te Utrecht ongeldig gemaakte assignat van vijftig sols, serie 891, uitgegeven 23 mei 1793
Object type: assignat
Date: 1793 – 1793
Materials: paper
Techniques: printing
Location: france
Artist: nicolas marie gatteaux
Artist role: medailleur
Artist dates: 1751 – 1832
Subjects: utrecht, france

Eenzijdig bedrukte papiertje, assignaat van 50 sols. Onder: twee zittende figuren. Serie 891. Gemerkt; m.: stempel: 'Faux Utrecht'. Gesigneerd.
Convoi funeure arabe
Object type: album leaf
Date: 1895 – 1910
Materials: paper, photographic process
Location: cairo
Artist: Anonymous
Subjects: cortege, funeral procession, street
Inscriptions: number: ‘2118.’, name: ‘P.Z.’

De ingekleurde foto toont mensen op straat, het merendeel in lange kleding en met hoofddeksel.
Wig
Object type: wig
Date: 1851 – 1900
Materials: hair
Culture: italian
Agrippina
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Artist: bernhard rode
Artist role: artist, print maker
Artist dates: 1725 – 1797
Subjects: 98c(agrippina the elder)5
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Met verwijzing naar Tacitus Annales III.
Winter in Paris
Object type: print
Date: 1879 – 1879
Materials: paper
Techniques: aquatint, etching, roulette
Location: france
Artist: félix hilaire buhot
Artist role: draughtsman, print maker
Artist nationality: french
Artist dates: 1847 – 1898
Pyxis (Container for Personal Objects)
Object type: vessel
Date: 450 – 440
Materials: terracotta
Location: greece
Artist: attributed to the euaion painter

This pyxis, which has concave sides, a flange over the base, and a flat lid with a handle in the shape of a pomegranate, is attributed to the Euaion Painter, who was a follower of Douris. Douris’s name is known because he signed his vases. However, the painter of this vase is unknown, so he is now called after an inscription on another vase that names one Euaion as a handsome boy.
Muster zu Zimmer-Verzierungen und Ameublements
Date: 1794 – 1795
Location: germany
Artist: voss und compagnie
Artist role: publisher
Artist nationality: german
The Assumption of the Virgin with Saints Michael and Benedict
Object type: painting, altarpiece
Date: 1493 – 1496
Materials: gold, oil, wood
Artist: luca signorelli
Artist role: artist
Artist nationality: italian
Artist dates: 1470 – 1523
Subjects: angels,saint michael,virgin mary,devil,assumption of the virgin,saints
Servet van linnendamast met bladeren
Object type: napkin
Date: 1890 – 1910
Materials: linen
Techniques: damask, weave
Artist: Anonymous
Inscriptions: mark: ‘KUP’, monogram: ‘KS’, number: ‘2559’

Servet van linnendamast met bladeren aan kronkelende stengels en een rand van gestileerde bloemen. Het servet heeft een aangenaaid nummer (2559 in rood op wit) en een in wit geborduurd monogram KS. Het servet hoort bij vijf servetten (BK-1970-129-B t/m BK-1970-129-G) en een tafellaken (BK-1970-129-A).
Plastron
Object type: plastron
Date: 1801 – 1900
Figurine
Object type: sculpture
Date: 1500 – 1500
Materials: bronze
Culture: canaanite
Location: syria
Ansichten von Deutschland / Thüringen und Thüringer Wald
Object type: stereograph
Date: 1868 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: weimar
Artist: hermann selle
Artist role: fotograaf
Subjects: palace, tower (of house or building)
Inscriptions: number: ‘No. 23.’
Netsuke of Old Man with a Fan
Object type: netsuke
Date: 1801 – 1900
Materials: wood
Culture: japanese
Subjects: men
Verzoening van Jakob en Esau
Object type: print
Date: 1795 – 1899
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: jacob and esau are reconciled (genesis 33)
Inscriptions: collector's mark: Lugt 1641, collector's mark: Lugt 2233, stamp:

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Godsdienst, Figuren van Christus en heiligen.
Bowl with Incised Falcoln
Object type: bowl
Date: 500 – 301
Materials: ceramic, paint
Techniques: firing
Culture: paracas
Location: peru
Subjects: falcons
The Straw Hut Seen from Behind
Object type: print
Date: 1621 – 1675
Techniques: engraving
Artist: allart van everdingen
Artist role: artist
Artist nationality: dutch
Artist dates: 1621 – 1675
Sarcofaag met dansende bacchanten en leeuwenkoppen
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: europe
Artist: Anonymous
Subjects: lion's head ~ ornament, male bacchant(es), sarcophagus, sculpture (+ relief ~ sculpture), europe
Inscriptions: inscription: ‘Sarcophaag.<BR />Dansende Bacchanten’, collector's mark: ‘RIJKS-NORMAALSCHOOL voor TEEKENONDERWIJZERS AMSTERDAM’
Boom met fantastiekoppen
Object type: zinkplaat
Date: 1881 – 1934
Materials: zinc
Techniques: etching, roulette
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Aus der Bücherei Jutta Keyenberg
Object type: bookplate
Date: 1900 – 1999
Materials: paper
Techniques: woodcut
Location: germany
Artist: ellen beck
Artist role: print maker
Subjects: reading, song-birds: crow, old man, book, standing figure - aa - female human figure
Portret van een jonge man met snor
Object type: photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: moustache, historical persons, youth, adolescent
Het meest ô jeugd! dat gy hier' ziet / Is kinder spel en anders niet (...)
Object type: print
Date: 1818 – 1828
Materials: paper
Techniques: colour, letterpress printing
Location: breda
Subjects: children's games and plays, (playing with) toys
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van verschillende kinderspelen, zoals spelen met poppen, hoepelen en vliegeren. Onder elke afbeelding een vierregelig vers. Genummerd rechtboven: No. 51.
Poet's-narcissus textile
Object type: sample
Date: 1883 – 1900
Materials: linen
Techniques: printing, weave
Culture: american
Location: united states
Artist: associated artists
Artist role: designer
Artist nationality: american
Artist dates: 1883 – 1907
Subjects: flowers

The poet's-narcissus pattern was probably inspired by Candace Wheeler's (1827-1923) own garden at Nestledown, her home in Jamaica, Long Island. Wheeler wrote that she planted a large bed of flowers there near a "sluggish brook and a ferny swamp … It came to me to utilize this place by transplanting into it an army of poet's narcissus which regularly every spring budded on the lawn in millions …the swampy ground was, and is, every recurring spring, covered with a blanket of creamy white blossoms." The blanketing effect is captured in this densely composed print, drawn so as to disguise the pattern's repetition. This is the only known design by Associated Artists printed on linen; the natural ground color and irregular surface texture may have been intended to create an unpretentious, "homespun" look, in keeping with the tenets of the Arts and Crafts movement.
Portret van L. Thijs
Object type: print
Date: 1831 – 1890
Materials: paper
Techniques: etching, roulette
Artist: jean baptiste pierre michiels
Artist role: print maker
Artist dates: 1821 – 1890
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228
Fragment of a Bowl
Object type: fragment
Date: 601 – 800
Materials: earthenware
Techniques: painting, underglaze
Location: iran
Studies van een jachthond
Object type: drawing
Date: 1821 – 1891
Materials: oil, paper
Techniques: brush
Artist: guillaume anne van der brugghen
Artist role: draughtsman, print maker
Artist dates: 1812 – 1891
Subjects: dog
Gezicht op de herberg Zeeburg op de Zeeburgerdijk
Object type: print
Date: 1750 – 1799
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: city-view in general; 'veduta', street, hotel, hostelry, inn
Inscriptions: collector's mark: ‘14.139’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Zaagmolensloot, Zandpad, Zeeburg, Zeeburgerdijk, Zeeburgerpad, Zeeburgerstraat, Zwanenburgwal, Zwartebijlsteeg. Genummerd rechtsboven: 4.
Henriëtte Wassink en Johannes van Zijll de Jong bij een waterpomp
Object type: album leaf
Date: 1930 – 1935
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: batavia, the hague, henriëtte wassink, mother and son(s) (family group), pump, netherlands
Madrid. Estatua de Colón y Casa de la Moneda
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1930
Materials: cardboard
Techniques: photograph, writing
Location: madrid
Artist: Anonymous
Subjects: square, place, circus, etc., monument, statue, villa
William Waterfield "Wild Bill" Widner, Pitcher, Cleveland, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1889 – 1889
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Fisherman’s Festival Robe (Maiwai) with Waves, Ship, and Fan
Object type: ceremonial robe
Date: 1801 – 1900
Materials: paste, silk
Techniques: dyeing, painting, resist
Culture: japanese
Subjects: boats

This garment was most likely created as a festival robe for a fisherman (maiwai) donned when celebrating a successful catch. At some point it was refashioned into a woman’s kimono while still manifesting its “folk art” (mingei) origins. The boldly graphic ship on the seas motif is based on an episode from the Tale of the Heike (Heike monogatari) when Nasu no Yoichi (ca. 1169–ca. 1232), a celebrated archer fighting on the side of the Minamoto clan, was challenged by an aristocratic woman on a distant Taira ship to shoot a fan they had placed atop a pole. Mounted on a horse galloping through waves by the shore, Nasu no Yoichi was able hit the target of the fan with a disk of the sun at first attempt, earning him the esteem even of the enemy side. This kimono was once owned and occasionally worn in public in the 1970s by the noted New York sculptor Louise Nevelson (1899–1988), who also achieved notoriety for flamboyant fashion sense, including wearing dramatic dresses, scarves, and extra-long false eyelashes.
Portret van Joanna en Thea Diepenbrock staand aan een bijzettafel met daarop een vaas bloemen
Object type: photograph
Date: 1916 – 1916
Materials: paper
Techniques: gelatin silver print
Location: netherlands
Subjects: historical persons - bb - woman, table, flowers in a vase, sisters (second degree family relationships)
Inscriptions: date: ‘1916.’
Flagon
Object type: flagon
Date: 1801 – 1900
Materials: metal, silver

This electrotype is after the sixteenth-century original, a Treasure of the Patriarch, Moscow.
Illuminated Manuscript Leaf
Object type: drawing and watercolor
Date: 1450 – 1450
Materials: gold leaf, ink, paint, parchment
Techniques: cutting
Culture: italian
Location: italy
Le Mois, Journal historique, littéraire et critique, avec figures, Tome 3, No. 8, An. 8 (1799-1800) : Echantillons de Satins...
Object type: fashion print
Date: 1799 – 1799
Materials: paper
Techniques: etching, hand coloring
Subjects: clothing for the upper part of the body (vest) (+ men's clothes), coat (+ men's clothes), fashion plates, boots (+ men's clothes), walking-stick, staff, cane (+ men's clothes)
Inscriptions: inscription: ‘No. 8’, caption: ‘Echantillons de Satins pour gilets’

Man in profiel naar links, in gilet met hoge halsdoek, blauwe frak, een pantalon met banden om de kuiten (?) en laarzen. Hoge hoed. Kort kapsel met lange bakkebaarden. Rotting in de handen. Volgens de tekst in het tijdschrift is het een karikatuur van de heersende mode die vooral door de jongeren wordt gedragen en de lachlust van anderen opwekt. Onderaan 2 staaltjes van satijn voor gilets: 'Echantillons de Satins pour gilets'. Prent uit het tijdschrift Le Mois: Journal historique, littéraire et critique avec figures, An 7 en 8 (1798-1800).
Tetradrachm (Coin) Portraying Emperor Probus
Object type: coin
Date: 279 – 280
Materials: alloy, metal, silver
Culture: roman
Location: alexandria
Inscriptions: Obverse: ΑΚΜΑVΡΠΡΟΒΟCCΕΒ
Reverse: E L

The front (obverse) of this coin portrays the emperor Probus, laureate and cuirassed, facing to the right. The back (reverse) depicts Nike advancing to the right, holding a wreath and palm.
Drum Beater for the Monkey Band
Object type: ceramic
Date: 1765 – 1765
Materials: ceramic, enamel, hard paste porcelain, porcelain
Techniques: gilding, polychrome
Location: meissen
Artist: meissen porcelain manufactory

In 1733, the sculptor Johann Joachim Kändler became the chief modeler at the Meissen Porcelain Manufactory, a position he held until his death in 1775. Kändler, along with his assistant Peter Reinicke, devised novel and innovative forms and figures for Meissen porcelain. One of the most admired products of the factory were the monkey bands, witty examples of 18th-century singerie: subjects in which monkeys literally “ape” the behavior of supposedly more sophisticated humans.

The first version of the monkey band was designed in 1753 and Madame de Pompadour, mistress of King Louis XV of France and a discerning patron of the arts, ordered a set at Christmas of that year. The group was so popular that it was reissued in the early 1760s. The Art Institute’s monkey band comes from this second edition.

In addition to a conductor and two female singers, the orchestra consists of musicians playing wind, string, and percussion instruments. There are also two instruments that were associated with rustic rather than courtly music: the bagpipe and the hurdy gurdy, in which the sound is produced by turning a hand crank that rotates a wheel that bows a set of strings.
Frontispiece, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Object type: print
Date: 1620 – 1620
Techniques: engraving, etching
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635
View of the Park at Versailles: Arch of Ladders with Plants; Statuary
Object type: drawing and watercolor
Materials: graphite, paper
Techniques: brush, drawing, transfer, wash
Location: france
Artist: pierre antoine mongin
Artist nationality: french
Artist dates: 1761 – 1824
Telemachus wordt herkend door zijn grootvader Arcelius
Object type: print
Date: 1785 – 1785
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: (fenelon, telemachus) specific works of literature (with author, title), (story of) telemachus, ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228

Arcelius, staand onder een boom, herkent zijn kleinzoon Telemachus aan de linkerzijde. Het geheel wordt gekaderd door een sierlijst met olijftakken en onderaan een strik. Genummerd rechtsboven: No. II.
Friedrich Wilhelm IV, König von Preussen
Object type: print
Date: 1830 – 1860
Materials: paper
Techniques: lithograph
Location: berlin
Subjects: frederik willem iv (koning van pruisen), adult man, historical persons, (military) uniforms
Inscriptions: collector's mark: Lugt 2228
Boslandschap
Object type: drawing
Date: 1856 – 1909
Materials: ink, paper
Techniques: pen
Artist: sientje mesdag-van houten
Artist role: draughtsman, painter
Artist dates: 1834 – 1909
Subjects: forest, wood
Bead
Object type: bead
Date: 701 – 1200
Materials: glass, stone
Location: iran

This object was excavated at Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred to by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. American archaeologists and hundreds of Iranian workers excavated archaeological areas named Tepe Madrasa, Village Tepe, Sabz Pushan, Qanat Tepe, Tepe Alp Arslan, Vineyard Tepe, among others. They uncovered vast neighborhoods with mostly residential buildings, but also mosques, bathhouses, and possibly a governmental palace. Two main chronological phases were recognized in the sites: the first covers the ninth-tenth centuries and the second covers the eleventh-twelfth centuries. Thousands of artifacts were also recovered, mostly ceramic, glass, metal, and stone vessels, as well as carved and painted stuccoes and wall paintings, which were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today.
[View of a small town with wooden sheds in distance].  Brady album, p. 123
Object type: photograph
Date: 1861 – 1865
Techniques: albumen silver print, glass negative
Artist: Anonymous
Artist role: artist
Subjects: towns,american civil war
The Nativity
Object type: painting
Date: 1350 – 1350
Materials: gold leaf, paint, wood
Artist: puccio di simone
Artist role: artist
Artist nationality: italian
Artist dates: 1340 – 1362
Subjects: virgin mary,jesus,nativity,saints
Candelabra
Object type: candelabrum
Date: 1501 – 1600
Materials: iron
Culture: european
Vooraanzicht van een bouwwerk met drie verdiepingen
Object type: sketchbook leaf
Date: 1827 – 1891
Materials: paper, pencil
Artist: johannes bosboom
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: architecture

Mogelijk een deel van een kerkinterieur. Blad 11 verso uit een schetsboek met 41 pagina's.
Arashi Ryuzo as a Tall Woman Standing on the Engawa
Object type: print
Date: 1789 – 1789
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: katsukawa shunkō
Artist role: artist
Artist nationality: japanese
Artist dates: 1743 – 1812
Subjects: women,trees,actors
De bomvrije kazerne te Vlissingen
Object type: painting
Date: 1850 – 1870
Materials: oil, panel
Artist: johan conrad greive
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1891
Subjects: fortress, sailing-ship, sailing-boat, barracks, flushing
Inscriptions: signature: ‘J.C. Greive Jr.’

De bomvrije kazerne te Vlissingen, ca. 1860.
Small Bowl
Object type: vessel
Materials: glaze, porcelain
Location: china
Sir J. Thornhill, The Ceiling of Greenwich Hospital
Object type: photograph
Date: 1855 – 1858
Materials: cardboard, paper, photographic support
Techniques: albumen print
Subjects: drawing, sketch

Fotoreproductie van tekening in 'The Reveley Collection of Drawings at Brynygwin', afb. 59.
Fotoreproductie van een penning met Latijnse tekst, geslagen ter gelegenheid van de oprichting van de Stoomvaart Maatschappij Nederland (achterzijde)
Object type: photograph
Date: 1874 – 1880
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: memorial medal

Onderdeel van Fotoalbum van Robert Daniel Crommelin (1841-1907).
Marseille. Coucher de Soleil. Le Château d'If et les Iles
Object type: photomechanical print
Date: 1903 – 1920
Materials: cardboard
Techniques: photograph, lithograph
Location: paris
Subjects: sailing-ship, sailing-boat, castle, sea (seascape), sunset