deem-data/ArtiFact huggingface dataset:
Peach-shaped Cup with Saucer
Object type: cup and saucer
Date: 1801 – 1900
Materials: jade
Culture: chinese
Subjects: leaves

According to myth, Xiwangmu, the queen mother of the west, had an orchard producing peaches that granted immortality, and the peach thus became a symbol of long life. The outer surface of this peach-shaped cup features a branch with leaves and blossoms, giving the impression that the fruit is still attached to an otherworldly tree. The cup's rim is enhanced with a tiny bat (fu), a pun with the word for blessings. (From Longevity in Chinese Art)
Veyangoda, Sri Lanka
Object type: photograph
Date: 1870 – 1900
Materials: paper
Techniques: albumen print
Location: sri lanka
Subjects: sri lanka
Inscriptions: name: ‘Skeen & Co.’, number: ‘1129’, caption: ‘Veangoda’

Straat met rietbedekte huizen aan weerszijden en een poserende man met paard en opgevouwen paraplu.
Ex libris van Wim Moubis
Object type: bookplate
Date: 1933 – 1933
Materials: paper
Techniques: printing block
Location: noordwijk
Artist: otto verhagen (i)
Artist role: draughtsman, print maker
Artist dates: 1885 – 1951
Subjects: wave, birth of venus; venus anadyomene: after uranus' castration venus rises from the sea wringing the water from her hair; usually she is awaited by the hours, book
Inscriptions: date
Les images presque de tous les empereurs
Object type: print
Date: 1557 – 1557
Materials: paper
Techniques: woodcut, etching, letterpress printing
Location: antwerp
Subjects: emperor

Portret van keizer Commodus, op een munt met randschrift. De prent maakt deel uit van een boek over de keizers vanaf Julius Caesar tot en met Karel V en zijn broer Ferdinand.
Flanged Ax
Object type: flanged ax
Date: 1500 – 1400
Materials: bronze
Culture: irish
Location: ireland
Portret van Taco Hajo van den Honert
Object type: print
Date: 1700 – 1749
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: leiden, theologian, historical persons
Inscriptions: inscription: ‘Henert’
Ring
Object type: ring
Date: 900 – 801
Materials: bronze
Culture: iranian
Location: iran
Glass mosaic dish fragment
Object type: fragment, mosaic dish
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent cobalt blue and opaque white. Outsplayed rim with rounded edge; concave curving neck; side tapering downward. Marbled mosaic pattern formed from polygonal sections of two canes: one in a blue ground with numerous white rods; the other in a blue ground with a white spiral. Polished interior; pitting of surface bubbles on interior; dulling, pitting, and faint weathering on exterior, outer edge of rim, and jagged edges.
Buidel van ecrukleurige wollen stof, versierd met een veelkleurige non-figuratieve contouren in (vilt)stift, onderaan een kwast met groene, roze en paarse uiteinden
Object type: purse
Date: 1900 – 1925
Materials: cotton, silk, wool
Techniques: braiding, drawing, felted
Location: netherlands
Artist: Anonymous

Buidel van ecrukleurige wollen stof, versierd met een veelkleurige non-figuratieve contouren in (vilt)stift. De stof heeft langs een naad en is onderaan samengeregen, waaraan een onversierde strook en een kwast van dezelfde wollen stof, met groen, roze en paars gekleurde uiteinden. Met een gevlochten koord van paarse zijde, gele wol en beige katoen, die door een een tunnel langs de bovenrand geregen is. De tas is ongevoerd.
Food container
Object type: vessel
Materials: bronze
Location: china

The handled tureen is one of an extensive array of bronze vessels commissioned by China's royal family and political aristocracy for the preparation and offering of millet and other food in ceremonial banquets. This vessel's distinctive style, with its basin cast onto a hollow square base derived from an altar or stand, was introduced soon after the Zhou conquest of China's first archaeologically verified dynasty, the Shang. Exuberantly imaginative creatures animate the surface. Two large, coiled dragons spread across each side of the bowl; animal-headed birds form the handles; and on the base, creatures with spiky, flame-like plumage display a clever ambiguity: they may be read as addorsed birds or as elephant-headed "dragons" facing each other.

Inside the bottom of the basin, an inscription of eleven characters is countersunk in the metal and runs from top to bottom in two columns reading right to left: Zhong Cheng zuo you bao yi yong xiang wang ni wei yong ["Zhong Cheng makes his treasured vessel, to use to feast the king's reciprocal immortalizing." (translation by Edward L. Shaughnessy)]. This brief text commemorates a celebratory event: the commission of this vessel to entertain the king by a court official or attendant named Zhong Cheng. The strongly rendered and well-balanced script incorporates a few pictographic characters, among which "feast" (left column, second character) depicts two figures kneeling face-to-face over a grain vessel.
Parijse types
Object type: cartoon
Date: 1841 – 1841
Materials: paper
Techniques: letterpress printing, lithograph
Location: paris
Artist: honoré daumier
Artist role: draughtsman, painter, print maker
Artist dates: 1808 – 1879
Subjects: downpour, rain shower, caricatures (human types), fisherman, paris
Inscriptions: collector's mark: Lugt 2228a

Prent uit: Le Charivari, 10 juli 1841. Prent voor het eerst gebruikt in: Le Figaro, 15 september 1839.
Ex libris van H.J. Tijenk
Object type: bookplate
Date: 1938 – 1938
Materials: paper
Techniques: printing block
Location: netherlands
Subjects: h.j. tijenk
Inscriptions: signature and date: ‘typ ipse 1938’
Man in Saami kleding met een hond
Object type: photograph
Date: 1807 – 1889
Materials: cardboard, paper
Techniques: gelatin silver print
Subjects: norway
Inscriptions: number: ‘31’

De afdruk van de foto is rond, het papier vierkant. foto gemaakt met Nr. 1 Kodak Camera
Louis XIII, King of France (b. 1601, r. 1610–43)
Object type: medal
Materials: bronze
Artist: guillaume dupré
Artist role: artist
Artist nationality: french
Artist dates: 1579 – 1640
Subjects: kings,men,portraits,profiles,women
Lintel block from the false door of Mery's chapel
Object type: false door, lintel block, mery's mastaba
Date: 2575 – 2520
Materials: limestone
Location: egypt
Subjects: hieroglyphs

This portion of a lintel block above gives some of Mery's priestly and administrative titles. His wife and child are depicted in another relief (X.179).
Alameen Ben Mohammed el Kenemy
Object type: print
Date: 1808 – 1827
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: politician, historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 2228
Karlsbad. Alte Wiese
Object type: photomechanical print
Date: 1894 – 1903
Materials: cardboard
Techniques: photograph, writing
Location: karlovy vary
Artist: Anonymous
Subjects: street
Inscriptions: poststempel, verso, gestempeld
Gold serpentine fibula (safety pin) with animals in granulation
Object type: fibula, serpentine type
Date: 700 – 601
Materials: gold
Culture: etruscan
Subjects: animals
Rummer
Object type: glass
Date: 1800 – 1800
Materials: glass
Location: england
Girandole met vaas en masker
Object type: print
Date: 1771 – 1771
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: chandelier, candelabrum, ornament ~ festoon, garland

Een geornamenteerde tweearmige girandole met een vaas met figuren, bladmotieven en een masker.
The Shoemaker
Object type: print
Date: 1896 – 1896
Materials: ink, paper
Techniques: printing, stumping, lithography
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Subjects: men,women
Gezicht op Weststreet te Durban, Zuid-Afrika
Object type: album leaf
Date: 1896 – 1896
Materials: photographic support
Techniques: gelatin silver print
Location: durban
Artist: t.o. oole
Artist role: fotograaf
Subjects: street (+ city(-scape) with figures, staffage)
Inscriptions: inscription: ‘[T. OoLe] Photo, Durban’
Fan
Object type: fan
Date: 1701 – 1800
Materials: ivory, mother of pearl, paper
Ontwerpen van kapitelen
Object type: album leaf
Date: 1686 – 1724
Materials: paper
Techniques: etching
Location: augsburg
Subjects: ornaments ~ art, capital (~ column, pillar)
Inscriptions: number: ‘3’, signature: ‘I. Berain inv.’, signature: ‘Ier. Wolff excudit Aug. Vind.’

Elf ontwerpen van kapitelen, waarvan een met een deel van de zuil. Allemaal variërend versierd met maskers, florale motieven, kariatiden en een doodshoofd. Prent maakt deel uit van een album. Hoogstwaarschijnlijk gespiegelde kopie naar Frans origineel.
Meeting between Yaoshan and Li Ao
Object type: hanging scroll
Date: 1256 – 1256
Materials: ink, paper
Techniques: painting
Culture: chinese
Artist: zhiweng
Artist role: artist
Artist nationality: chinese
Artist dates: 1200 – 1250
Subjects: men

This painting was inscribed by the Chan (Zen) Buddhist priest Yanxi Guangwen between 1254 and 1256, while he was abbot of Lingyin temple in Hangzhou. The work is an important example of early Chan Buddhist "apparition" painting, so called for its pale, sensitive brushwork. Depicted here is a famous encounter between the Confucian scholar Li Ao (active ca. 840) and the Chan master Yaoshan. Having heard of the master's reputation, the scholar went to see him but was disappointed and remarked: "Seeing your face is not as good as hearing your name." The master replied: "Would you distrust your eye and value your ear?" Then, pointing up and down, the master indicated that the ultimate reality is in what can be seen, such as "clouds in the sky and water in a vase." Yanxi Guangwen's inscription on the painting reads: All moments of enlightenment come in a flash, Why distrust your eye and value your ear? Just as between the water and the clouds, Do not say there is nothing there. Just as the Chan master used riddles to sharpen the student's perception in spite of distracting hearsay, the Chan painter used a simple and spontaneous, albeit elusive, brush style to capture his fleeting vision of truth.
Michael the Archangel Guido Church of the Capucins
Object type: reproduction
Date: 1863 – 1873
Materials: photographic support
Techniques: albumen print
Subjects: the archangel michael fighting the dragon (devil, satan)
Harp Guitar
Object type: harp guitar
Date: 1831 – 1831
Materials: metal, wood
Culture: american
Location: united states
Artist: emilius n. scherr
Artist role: maker
Artist nationality: american
Artist dates: 1794 – 1874
Box
Object type: box
Date: 1801 – 1900
Culture: japanese
Plate 10: a horse lying down, a cow and two goats, two seated shepherds, a waterfall and a mountain in the background, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Object type: print
Date: 1643 – 1648
Techniques: etching
Artist: stefano della bella
Artist role: artist
Artist nationality: italian
Artist dates: 1610 – 1664
Subjects: cows,goats,horses,mountains,shepherds
Case (Inrō) with Design of River in Spring with Flowering Cherry Trees (obverse); River in Autumn with Maple Leaves (reverse)
Object type: inrō
Date: 1801 – 1900
Materials: lacquer, silver
Techniques: fundame, hiramakie, maki-e
Culture: japanese
Subjects: rivers,mountains,trees
Drie staande vrouwen
Object type: drawing
Date: 1646 – 1654
Materials: ink, paper, watercolor
Techniques: brush
Location: zwolle
Artist: gesina ter borch
Artist role: draughtsman
Artist dates: 1633 – 1690

Tekening naast een andere tekening geplakt in het Familie-plakboek.
Aanspreker
Object type: book illustration
Date: 1806 – 1806
Materials: paper, watercolor
Techniques: etching, hand coloring
Location: netherlands
Subjects: oral announcement (of death), undertaker's man, inn, coffee-house, public house, etc., clothes, costume
Inscriptions: collector's mark, collector's mark: Lugt 1641

Een aanspreker (aanzegger) deelt het overlijden van iemand mee aan een huisvrouw in de deuropening van een wijnhuis. Op het uithangbord: Vry Wyn. Onderdeel van de serie verkleinde kopieën uit 1806 naar de platen van Nederlandse klederdrachten uit de jaren 1803-1807. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Des Menschen Begin, Midden en Einde. Begrafenissen, aansprekers, doodgravers, enz.
Harpocrates
Object type: print
Date: 1593 – 1593
Materials: paper
Techniques: engraving
Location: netherlands
Artist: jan muller
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1571 – 1628
Inscriptions: Lettered upper center: "Digito compesce labellum / An.o 1593. / Loqui ignorabit, qui tacere nesciet."; and lower center: "Harpocrates Philosophus, silentij Deus. Johan Muller fecit. / Harman Muller excudebat."
Een rij beelden (boeddha?), Toshogu heiligdom, Nikko, Japan
Object type: photograph
Date: 1907 – 1907
Materials: paper, photographic support
Techniques: gelatin silver print
Location: japan
Artist: jan adriani
Artist role: fotograaf
Subjects: gallery of sculptures
東海道五十三次　戸塚
Object type: print
Date: 1901 – 1933
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: utagawa hiroshige
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Subjects: roads,men,mountains,trees
Portret, mogelijk zelfportret, van landschapsschilder Nicolas Didier Boguet
Object type: print
Date: 1793 – 1793
Materials: paper
Techniques: etching
Location: france
Artist: nicolas didier boguet
Artist role: print maker
Artist dates: 1755 – 1839
Subjects: rome, nicolas didier boguet, historical persons, portrait, self-portrait of painter, portrait, self-portrait of artist
Inscriptions: date: ‘L an 4.e’, collector's mark: Lugt 2228, collector's mark: Lugt 2760
Trofee van Marius
Object type: album leaf
Date: 1572 – 1585
Materials: paper
Techniques: engraving, intaglio
Location: rome
Subjects: armour, trophy ~ battle, war, 'victoria'; 'vittoria', 'vittoria navale', 'vittoria degl'antichi' (ripa), piece of sculpture, reproduction of a piece of sculpture, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: number: ‘72’, inscription: ‘[...] lib. vol. 18. fol. 25. [...] lib. vol. 10. fol. 14 [...] lib. vol. 6. [...] 2. vol. 118. lib. vol. 21. fol. 463. 464.’, number: ‘2’, number: ‘81’

Deze prent behoort tot het prentcorpus dat bekend staat als de ‘Speculum Romanae Magnificentiae’ (‘Spiegel van Romeinse pracht’). Dit corpus, bestaande uit prenten met voorstellingen van kunstwerken en gebouwen uit het antieke en het moderne Rome, vond zijn oorsprong bij uitgevers Antonio Salamanca en Antonio Lafreri. Deze twee buitenlandse uitgevers bundelden hun krachten te Rome in de periode 1553-1563. Hun prenten werden al snel razend populair bij toeristen en verzamelaars, die de prenten individueel of in grote groepen aanschaften. Grote groepen Speculum-prenten werden vaak op aanvraag samengebonden in albums. Er zijn verschillende Speculum-albums overgeleverd die allemaal verschillen van inhoud. Tussen 1573 en 1577 gaf Antonio Lafreri een speciale titelpagina uit (met de titel ‘Speculum Romanae Magnificentiae’) die mensen voor hun verzamelingen konden voegen. Het overlijden van Lafreri in 1577 betekende niet het einde van het corpus. Een groot deel van de koperplaten ging over op Claudio en Stefano Duchetti. De rest raakte verspreid over verschillende andere uitgevers. De populariteit van de Speculum-prenten wist nog geruime periode uitgevers te inspireren tot het laten maken van kopieën en het toevoegen van nieuwe prenten aan het corpus.
Portret van Andrea Doria
Object type: book illustration
Date: 1617 – 1617
Materials: paper
Techniques: engraving, letterpress printing
Location: delft
Subjects: historical persons, commander-in-chief, admiral

Prent uit: Tooneel der beroemder hertogen princen graven ende krygs-helden van christenrijck binnen deze drij laetste eeuwen. Delft: Nicolaes de Clerck, 1617, p. 410.
Schotel, beschilderd met vijftien scènes uit het leven van Christus
Object type: platter
Date: 1729 – 1729
Materials: earthenware, glaze
Location: delft
Artist: johannes verhagen
Artist role: plateelbakker
Artist dates:  – 1739
Subjects: trial of christ, christ before his judges
Inscriptions: date: ‘1729’, signature: ‘I.V.H.’

Verhagen had van ca. 1720 t/m 1729 een huisoven waar hij poppengoed, maar ook enkele grotere stukken maakte. In 1729 kocht hij De Paauw, die hij tot zijn dood in 1739 bezat. Zijn weduwe zette de fabriek nog een jaar voort, voor ze deze aan Jacobus de Milde verkocht.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, youth with himation draped over extended arms and behind his back, holding krotala in his right hand
Schip op het water
Object type: print
Date: 1700 – 1799
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: Anonymous
Subjects: ships (in general)
Inscriptions: collector's mark: Lugt 2228
Marcus Curius Dentatus rejecting the bribes of the Samnites
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: manius curius dentatus, while cooking a simple meal at his hearth, refuses the gifts of the samnites
Inscriptions: collector's mark: Lugt 240

Consul Manius Curius Dentatus weigert de kostbare geschenken van de Samnieten en verkiest zijn eenvoudige maal van geroosterde rapen, ca. 270-290 v.Chr.
Portret van Charles Fourier
Object type: book illustration
Date: 1846 – 1846
Materials: paper
Techniques: etching
Location: paris
Artist: l. deymarie
Artist role: print maker
Subjects: paris, scholar, philosopher, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Loménie, Louis de. Galerie des contemporains illustres / par un homme de rien. Parijs: René, A. 1840-1847.
Portret van Anna Louisa Geertruyda Bosboom-Toussaint
Object type: page
Date: 1878 – 1887
Materials: paper
Techniques: woodburytype
Artist: Anonymous
Subjects: the hague, anna louisa geertruyda bosboom-toussaint, historical persons - bb - woman, writer, poet, author
Gallerie Moderner Meister
Object type: photograph
Date: 1879 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: munich
Inscriptions: caption: ‘Photographie nach dem Originale.//GALLERIE MODERNER MEISTER//F. WAGNER//DER MUTTER GEBET//Verlag von Fr. Hanfstaengl in München//New York, Geo Kirchner & Co..//Registered//Déposé’

Genretafereel van moeder met twee kinderen en een hond, biddend voor een kruisbeeld aan een boom
Model of a Colour Mill
Object type: demonstration model
Date: 1842 – 1842
Materials: brass, wood
Location: hellevoetsluis
Artist: l. cramer
Artist role: timmerman
Inscriptions: label, left corner: ‘71’ former inventory label

Twee molenstenen worden aangedreven door een raderwerk met vliegwiel en twee verfstoffen kunnen dus tegelijkertijd gemalen worden. De molen is uitgevonden door de commandeur der smeden van de Rijkswerf te Hellevoetsluis L. Groeneveld en op de werf geinstalleerd. Cramer was huistimmerman op dezelfde werf en werd voor dit model bevorderd.
Faun and Nymphs
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: france
Artist: possibly after raymond de lafage
Amulet in the Form of Ptah-Sokar
Object type: amulet, ptah sokar
Date: 1850 – 1775
Materials: lapis lazuli
Location: egypt

The piece is part of a group of objects found in tomb V21 at Abydos with two bodies. It was strung with other pieces in the Museum. The group includes 04.18.1–04.18.49.
A Letter to Me and You (Memento Mori)
Object type: print, ephemera
Date: 1860 – 1860
Techniques: lithograph
Artist: anonymous, german, 19th century
Artist role: artist
Artist nationality: german
Artist dates: 1800 – 1899

The concept of "Memento mori" reflects on the insignificance of earthly life in comparison to the enduring experience of the afterlife. This nineteenth-century moralizing double-sided folded letter is addressed to "me and you". It is printed on both sides and reveals various different images and written messages as it is unfolded. On the outside, other than the address to the recipient, a religious illustration is printed. The image begins as Adam depicted alone in Paradise, and then unfolds to show Adam and Eve on either side of the Tree of Wisdom, committing their sin by eating the apple. The image culminates in in the figure of the crucified Christ, and visualizes the sacrifice made to redeem this primordial sin. The other side of the letter addresses worldly sins, and reminds not to care too much for earthly riches. The image begins as a depiction of a well-dressed man and woman in a landscape. By unfolding the letter, the depiction of their lower halves changes to show their skeletons, and below their feet is an image of a corpse being eaten by worms.
Le Lac Chambon
Object type: photograph
Date: 1870 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: mont-dore
Artist: étienne neurdein
Artist role: publisher
Artist dates: 1832 – 1918
Subjects: lake
Inscriptions: number: ‘131’, initials: ‘N.D.’, retailer's mark: ‘PAPETERIE PAITRE/ 29. - Rue Saint-Hérem. - 29/ CLERMONT-FERRAND’, inscription: ‘ENVIRONS DU MONT-DORE’
Poetic Twilight
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: lithograph
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Portret van een man met bakkenbaarden
Object type: album leaf
Date: 1863 – 1863
Materials: cardboard, photographic support
Techniques: albumen print
Artist: alfred louviot
Artist role: fotograaf
Artist dates: 1835 – 1891
Subjects: sideburns, adult man, historical persons
Inscriptions: annotation: ‘[...] 1863’, inscription: ‘A. Louviot/ Photographe/ 14. Rue du Nord/ Melun’
Stadsgezicht, mogelijk in Amsterdam
Object type: drawing
Date: 1886 – 1923
Materials: chalk, paper
Techniques: stumping
Location: amsterdam
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: city-view, and landscape with man-made constructions, amsterdam
Inscriptions: workshop stamp: Lugt 291d
Shawl
Object type: shawl
Date: 1840 – 1840
Techniques: lace
Subjects: flowers,plants
American Trotter, “Sunol”
Object type: page
Date: 1883 – 1893
Materials: paper
Techniques: photograph
Subjects: horse
Inscriptions: inscription: ‘The property of Mr. Robert Bonner.’
Paardenbenen
Object type: sketchbook leaf
Date: 1904 – 1904
Materials: chalk, paper
Subjects: horse
Inscriptions: workshop stamp: Lugt 291d

Pagina 2 uit een schetsboek met 14 bladen.
Twee scènes uit de Deserteur
Object type: print
Date: 1774 – 1774
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: paris, fainting, swooning, literature
Inscriptions: collector's mark: Lugt 2228

Derde en tiende scène uit een serie van twaalf scènes die de opéra comique 'Le déserteur' door Michel-Jean Sedaine illustreren. De scènes werden op een plaat geëtst. De tweede staat van deze serie werd ook gebruikt in: 'Berliner genealogischen Calender auf das Jahr 1775'.
Brief aan Philip Zilcken
Object type: letter
Date: 1924 – 1924
Materials: ink, paper
Techniques: pen, writing
Location: menton
Artist: jeanne boels de buck
Subjects: painter, draughtsman, philip zilcken
Inscriptions: collector's mark: ‘RPK’
Portret van Stanislas Marie Adélaïde graaf van Clermont-Tonnerre
Object type: print
Date: 1792 – 1808
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: lambertus antonius claessens
Artist role: draughtsman, print maker
Artist dates: 1763 – 1834
Subjects: politician
Inscriptions: collector's mark: Lugt 2228
Badende meisjes
Object type: print
Date: 1768 – 1768
Materials: paper
Techniques: etching
Location: moordrecht
Artist: simon klapmuts
Artist role: print maker
Subjects: adolescent, young woman, maiden, landscape with ruins, washing and bathing - aa - in the open air, in or beside the water (on the beach)
Inscriptions: collector's mark: Lugt 2228

In een heuvelachtig landschap bij een ruïne staan twee meisjes te baden aan de oever van een beek.