deem-data/ArtiFact huggingface dataset:
3rd Base, from the Girl Baseball Players series (N48, Type 2) for Virginia Brights Cigarettes
Object type: baseball card, photograph
Date: 1886 – 1886
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,women,baseball,athletes

Trade cards from the "Girl Baseball Players" series (N48), issued in 1886 by Allen & Ginter to promote Virginia Brights and Dixie Cigarettes. There are two types of card in the series. Type 1 shows a female baseball player in a uniform with a polka dotted bib, and most often the cards are numbered. Type 2 depicts a female baseball player in a standard uniform with her player position noted on the image.
Laatste Oordeel
Object type: print
Date: 1570 – 1600
Materials: paper
Techniques: engraving
Location: germany
Subjects: comprehensive representation of last judgement: christ (with sword and lily), often surrounded by elders and sometimes accompanied by mary and john the baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the passion); after the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils, resurrection of the dead ~ last judgement, the fall of the damned ~ last judgement, death's head, skull (symbol of death)
Inscriptions: collector's mark: Lugt 240

Christus zit op een wereldbol in de wolken, omringd door engelenscharen. Hij oordeelt over de wereld tijdens het Laatste Oordeel. Op de voorgrond rechts zit een man in een doodskist. Hij is herrezen uit de dood. Links wordt een geketende man door duivels naar de hel gevoerd. Op de achtergrond een nis met doodshoofden.
Waterspuwer van de Notre-Dame te Parijs in de vorm van een olifant
Object type: print
Date: 1877 – 1909
Materials: paper
Techniques: etching, intaglio
Artist: marie danse
Artist role: print maker
Artist dates: 1867 – 1942
Subjects: piece of sculpture, reproduction of a piece of sculpture, trunked animals: elephant
Inscriptions: inscription: ‘De Notre Dame de Paris; 3em etat’, collector's mark: Lugt 2228
Twaalf landschappen
Object type: print
Date: 1620 – 1664
Materials: paper
Techniques: etching
Location: france
Subjects: walking, hiking (recreation), landscapes, farmers
Inscriptions: collector's mark: Lugt 240

Een landschap met op de voorgrond een man, leunend op zijn stok. Op de achtergrond links huizen. Op de achtergrond rechts een man met een paard en een vrouw te paard.
Portretten van hedendaagse kunstenaars uit het Verenigd Koninkrijk der Nederlanden
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: antwerp, historical persons, portrait, self-portrait of architect
Inscriptions: collector's mark: Lugt 12
An Investor of Spanish Cortes Bonds. An Investor of Spanish Government Bonds, plate 423
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Le voyage de [Pierre / Pieter's reis]
Object type: print
Date: 1833 – 1911
Materials: paper
Techniques: lithograph, letterpress printing
Location: turnhout
Artist: Anonymous
Subjects: devil(s) and demons, travelling; tourism, princess, tales and fairy tales, mis-shapen animals; monsters

Blad met 16 voorstellingen over de avonturen van Pieter op reis. Onder elke afbeelding een onderschrift in het Nederlands en in het Frans.
Afscheid van en man en vrouw in de bergen
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: hand coloring, lithograph
Artist: Anonymous
Subjects: weeping, waving farewell ~ departure on a journey
Inscriptions: collector's mark: Lugt 1641, stamp

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, De Kleeding, Kleederdrachten (tijdvakken), Het midden der 19de eeuw. Mannen en vrouwen.
Detail van De Emmaüsgangers
Object type: watercolor
Date: 1865 – 1930
Materials: chalk, paper, watercolor
Techniques: brush
Artist: jac van looij
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1930
Subjects: the supper at emmaus: christ is recognized while blessing or breaking the bread, picture, painting

Detail van schilderij De Emmaüsgangers van Marco Marziale.
Pendant: satyr's head
Object type: head of a satyr
Date: 500 – 401
Materials: amber
Culture: italic
Subjects: satyrs
Landweg tussen smalle bomen
Object type: print
Date: 1850 – 1909
Materials: paper
Techniques: etching, intaglio
Artist: van berg
Artist role: print maker
Subjects: trees, road, path, mechelen
Inscriptions: collector's mark: Lugt 2228
The Taking of Jericho from Catholische Bibell, plate ten from Woodcuts from Books of the XVI Century
Object type: print
Materials: paper
Techniques: woodcut
Location: germany
Artist: virgil solis
Artist role: artist
Artist nationality: german
Artist dates: 1514 – 1562
Fantasy View of the Roman Forum
Object type: drawing
Materials: ink, watercolor
Techniques: pen
Location: france
Artist: victor jean nicolle
Artist role: artist
Artist nationality: french
Artist dates: 1754 – 1826
Subjects: ruins,rome
Brief aan Philip Zilcken
Object type: letter
Date: 1899 – 1899
Materials: ink, paper
Techniques: pen, printing, writing
Location: new york city
Artist: samuel putnam avery
Artist role: verzamelaar
Artist dates: 1822 – 1904
Subjects: arnhem, publisher, martinus nijhoff, painter, draughtsman, philip zilcken, art trade, art shop, the graphic arts, art collecting
Inscriptions: collector's mark: ‘RPK’
Portret van William Pitt
Object type: print
Date: 1766 – 1766
Materials: paper
Techniques: mezzotint
Location: london
Subjects: london, earl, politician, william pitt (i), historical persons, politician, e.g. party leader
Inscriptions: collector's mark: Lugt 240
Pair of "triple-gourd" vases
Object type: vase
Date: 1667 – 1733
Materials: earthenware
Techniques: glazing
Subjects: flowers,trees
Sheet of Sketches: Cavalry Battles and Mounted Soldiers
Object type: drawing and watercolor
Date: 1813 – 1814
Materials: graphite, paper
Location: france
Artist: jean louis andré théodore géricault
Artist role: artist
Artist nationality: french
Artist dates: 1791 – 1824
Lay Figure at Somerset House
Object type: drawing and watercolor
Date: 1822 – 1827
Materials: graphite, ink, paint, paper, watercolor
Techniques: brush, pen
Location: england
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Schoenmakers
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: etching
Location: leiden
Artist: jan gillisz. van vliet
Artist role: draughtsman, painter, print maker
Artist dates: 1600 – 1668
Subjects: manufacture of leather, shoe-maker, cobbler
Inscriptions: collector's mark: Lugt 240

Een man bewerkt leer, staand achter een tafel en een zittende man maakt een schoen in een schoenmakerij.
Porto de Desire
Object type: print
Date: 1601 – 1602
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: utrecht, landscapes in tropical and sub-tropical regions, exploration, expedition, voyage of discovery

Gebruikt als illustratie eerst in: O. van Noort, Beschryvinghe vande voyagie om den geheelen werelt cloot, ghedaen door Olivier van Noort van Utrecht. ... door de Strate Magellanes, ... langs de custen van Cica, Chili ende Peru, om den gantschen aerden cloot, ende door de Molucques wederom thuys te comen. : Te zeyl gegaen van Rotterdam ... 1598. Ende ... weder ghekeert ... 1601. Daer in dat vertelt wort zyne wonderlijcke avontueren, Jan van Waesberge (II) te Rotterdam en Cornelis Claes te Amsterdam 1602. Later gebruikt in: Oost-Indische ende West-Indische voyagien, Michiel Colijn, Amsterdam 1619 en in deze staat eerst gebruikt in: Beschrijvinge van de Schipvaerd by de Hollanders ghedaen onder 't beleydt ende Generaelschap van Olivier van Noort, door de Straet of Engte van Magallanes, ende voorts de gantsche kloot des Aertbodems om. Opgenomen in: I. Commelin, Begin ende voortgangh, van de Vereenighde Nederlantsche Geoctroyeerde Oost-Indische Compagnie, J. Janssonius, Amsterdam 1646. Genummerd: 7.
Inneming der schans voor Zutphen
Object type: history print
Date: 1823 – 1829
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: robert dudley (1st earl of leicester), siege, position war

Gebruikt als illustratie in: P.G. Witsen Geysbeek en G. Engelberts Gerrits, Schoonheden en merkwaardige tafereelen uit de Nederlandsche geschiedenis. G. Portielje, Amsterdam 1825-1829, 8 delen. Staat met de letter. Niet in Frederik Muller; door het RPK toegevoegd nummer.
Bottle
Object type: bottle
Date: 1815 – 1845
Materials: amber
Techniques: molding
Culture: american
Location: united states
Man leest een Valentijnskaart van een vrouw
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: etching
Subjects: reading, writing and letters, family relationships (first, second, third and fourth degree), generations
Inscriptions: stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en Gewoonten in Engeren Zin, Des menschen beging, midden en einde, Kinderleven – Kinderspel en Kinderprenten.
Abbéville
Object type: print
Date: 1905 – 1905
Materials: ink, paper
Techniques: etching
Location: england
Artist: charles john watson
Artist role: print maker
Artist nationality: english
Artist dates: 1846 – 1927
Gezicht op een rivier nabij Bemmel
Object type: print
Date: 1847 – 1891
Materials: paper
Techniques: etching
Location: amsterdam
Artist: johan conrad greive
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1891
Subjects: river (+ landscape with figures, staffage)
Inscriptions: collector's mark: Lugt 2228

Een rivier met op de achtergrond het dorpje Bemmel.
Cascade de Saint-Cloud
Object type: stereoscopic photograph
Date: 1860 – 1890
Materials: glass
Techniques: slide
Location: saint-cloud
Artist: Anonymous
Subjects: garden cascade
Inscriptions: number: ‘4751.’
Visitekaartje van H.M. Fletcher, boekhandelaar te Londen
Object type: print
Date: 1950 – 1996
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: book-shop, bookseller
Inscriptions: annotation: ‘Bill Fletche [?]’, annotation: ‘Dear Mr. Hertzberger / It seems to me that the / enclosed is a likely sort of item for you / Quoted to me at £160. / Yours sincerely. / H.M.F.’, collector's mark: Lugt 2228

Interieur van de boekhandel met op de grond stapels boeken. Achter een van de stapels staat een man, waarschijnlijk de eigenaar, Bill Fletcher.
St Antony of Padua embracing the Christ Child
Object type: print
Date: 1641 – 1641
Techniques: etching
Artist: Anonymous
Artist role: artist
Subjects: christ,saints
Four-poster bed
Object type: canopy bed
Date: 1715 – 1720
Materials: wood
Location: netherlands
Artist: Anonymous
Subjects: ornament derived from plant forms
Beeld, benedengedeelte, van een Maria met het lijk van Christus op schoot
Object type: fragment
Date: 1500 – 1550
Materials: gypsum
Artist: Anonymous

Beeld, benedengedeelte, van een Maria met het lijk van Christus op schoot. Afgietsel in gips. De vorm bevindt zich in de gemeenteverzameling in Utrecht.
Zittend mannelijk naakt, het hoofd op de knie
Object type: drawing
Date: 1809 – 1809
Materials: chalk, paper
Artist: jacob willemz. de vos
Artist role: draughtsman
Artist dates: 1774 – 1844
Subjects: sitting with arms or elbows on the knees
Inscriptions: inscription: ‘Jb d Voswillemsz 1809’
Head of Hercules
Object type: cameo
Date: 1826 – 1850
Materials: gemstone
Artist: giuseppe girometti
Artist role: artist
Artist nationality: italian
Artist dates: 1780 – 1851
Subjects: heads,hercules

An agate cameo also signed by Girometti with Hercules’ head reversed is in the Vatican’s Museo Gregoriano Profano. In this sardonyx version four strata were deployed: the plummy brown of the Nemean lion’s mask is defined against the blush of Hercules’ cheek, which in turn sets off the paler flesh of the hero’s profile and the white of the beast’s fang and paw.
Pair of candlesticks (part of a set)
Object type: candlestick
Date: 1667 – 1733
Materials: wood
Artist: nicolas françois foulon
Artist role: maker
Artist nationality: french
Artist dates: 1628 – 1698
Subjects: birds

Pair of candlesticks with turned shafts and octagonal bases carved with scrolling acanthus leaves and floral motifs typical for a group of objects made in Nancy, eastern France. The very fine-grained cherry wood, known as “bois de Sainte Lucie,” grew in a nearby forest. Named for the patron saint of the Lorraine region, this type of fruitwood was appreciated for its reddish-brown color and its pleasant smell reminiscent of cinnamon. Furthermore, it lent itself beautifully to carving often in intricate patterns resembling goldsmith work. These candlesticks would have been part of a larger dressing-table set which would also have included a mirror, a series of different boxes, brushes, and a pincushion. The use of “bois de Sainte Lucie” for dressing-table sets was stimulated by Louis XIV’s sumptuary edicts of 1689 and 1709, which caused much French silver to be melted down.
The entry of Christ in Jerusalem
Object type: photomechanical print
Date: 1885 – 1890
Materials: paper
Techniques: photograph
Location: oberammergau
Subjects: group of actors, troupe; actors on the stage, entry into jerusalem: people spreading their clothes before christ on the ass, and waving palm branches (matthew 21:1-11, 21:14-16; mark 11:1-11; luke 19:28-40; john 12:12-19)
Inscriptions: inscription: ‘Gemeinde Oberammergau Passionsspiel 1890’
Teatro delle Nobili et Virtuose Donne..., page 44 (recto)
Object type: book print ornament architecture
Date: 1616 – 1616
Techniques: engraving, woodcut
Artist: isabella catanea parasole
Artist role: author
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: flowers

Written by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Mauritio Bona, Rome. From top to bottom, and left to right: Design is printed upon a grid and is composed of 3 horizontal registers. Top register is decorated in the center with a flower that has curving stems with leaves ornamented with a checkerboard pattern. Middle register is decorated with a curving vine of leaves. Bottom register is decorated with vines forming figure-8 shapes that frame various flowers.
Drie studenten in een zaal
Object type: print
Date: 1835 – 1835
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: student life
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Prent mogelijk geknipt uit een grotere prent met de titel op object: Stichtsche School-prent. Prent gepubliceerd bij: Utrechtsche Studenten almanak. Utrecht: J. van Druten, 1885.
Stadsgezichten van Neurenberg
Object type: print
Date: 1716 – 1716
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: city-view in general; 'veduta', bourgeoisie, middle class, citizens, burghers, fortified house in city
Inscriptions: collector's mark: Lugt 2228

Deze prent behoort tot een serie van Neurenbergse stadsgezichten. Het Rijksmuseum heeft zestien prenten uit deze reeks in bezit, waarvan de laatste is voorzien van nummer 24. Het is onduidelijk uit hoeveel prenten de originele serie bestaat.
Landschap met wolkenlucht
Object type: sketchbook leaf
Date: 1886 – 1908
Materials: paper, pencil
Location: north holland
Artist: george hendrik breitner
Artist role: draughtsman, painter, print maker
Artist dates: 1857 – 1923
Subjects: landscapes, clouds

Pagina 22 uit een schetsboek met 46 bladen vervaardigd te Amsterdam, Haarlem en Antwerpen.
Gourd Bowl Commemorating Independence from Spain
Object type: gourd
Date: 1821 – 1821
Materials: pigment
Techniques: carving
Culture: mexican
Artist: Anonymous
Artist role: artist

This large gourd bowl celebrates Mexican independence from Spain, which was achieved in 1821. Its carved decoration features victorious America, personified by an Indigenous man who stands on top of the Spanish imperial symbol of a lion with two globes, the uppermost one inscribed "Amer[ica]," and the one beneath it, "esp[aña]." The winged figure of victory, also characterized as a native American, blows a trumpet and displays a banner that reads: VI ET JUSTITIA. INDEP. LIBERAQUE AMER. (By strength and justice America is independent and free). He holds a cornucopia in on hand and spills coins that symbolize not just wealth, but natural abundance. In his other hand he holds the reins of a horse (often a symbol of New Spain) with a broken scepter beneath its hooves. The eleven eight-pointed stars in the background point to a widely held patriotic genre of astrology in which the bigger, brighter, and more numerous stars of America’s skies were thought to reveal God’s providential design. Under their beneficial influence, the land was a temperate and bountiful paradise. More than half of the gourd is carved with representations of native flora, including a date palm, bananas, and calabash and cacao trees, as well as other unidentified plants.
Mount Fuji
Object type: hanging scroll
Date: 1801 – 1833
Materials: ink, paper
Culture: japanese
Artist: yokoi kinkoku  横井金谷
Artist role: artist
Artist nationality: japanese
Artist dates: 1761 – 1832
Subjects: mountains,landscapes

This large picture by the Nanga painter Yokoi Kinkoku shows a view from Suruga Bay of Mount Fuji with the Miho Pine Strand in the foreground. It is accompanied by a quatrain brushed by the artist himself: Alone it towers above the white clouds. Who can help feeling the chill of the snow vapor? Viewed from any angle, it has no front or back, just erupts from midair to catch people’s eyes. --trans. Miyeko Murase and Shiyee Liu Much of what we know about Kinkoku's life and career can be gleaned from his autobiography, the Kinkoku Dōjin go-ichidai ki. Born in Ōtsu, a town near Kyoto on the shores of Lake Biwa in Ōmi Province, Kinkoku became a Buddhist monk as a young man and in adulthood practiced extreme austerities as a follower of the syncretic Shugendō sect. Traveling widely and never tied to a single teacher, Kinkoku drew from a variety of sources for his painting but is most closely associated with the great Yosa Buson (1716–1783), whose influence is apparent throughout Kinkoku's body of work. Although he never actually studied directly with Buson, so close to Buson's style was Kinkoku's that he gained the nickname "Buson of Ōmi Province" (Ōmi Buson). The rightmost of the two seals Kinkoku affixed to this painting, which consists of nine Chinese characters that can be translated as, "At the age of fifty-five I devoted myself to learning" 吾五十有五而志於學, is a playful allusion to the first line of a passage in chapter 2 of the Analects, in which Confucius describes his lifelong process of self-cultivation: "At the age of fifteen, I devoted myself to learning. At thirty, I became established. At forty, I no longer doubted. At fifty, I was fully committed to the mandate of heaven. At sixty, nothing I heard upset me. At seventy, I followed by heart without breaking any rule."
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 440
Materials: terracotta
Culture: greek, attic

Exterior, on the left, unidentified object; volute from handle ornament
Pion 2
Object type: chess piece
Date: 1923 – 1925
Materials: bronze, oxide
Techniques: casting, lost wax process, patinaed
Location: capri
Artist: saar de swart
Artist role: sculptor
Artist dates: 1861 – 1951
Fabel van de wolf en het schaap
Object type: print
Date: 1608 – 1679
Materials: paper
Techniques: etching
Location: prague
Subjects: sheep, fables, church (exterior) - qq - small church, chapel, beasts of prey, predatory animals: wolf
Inscriptions: collector's mark: Lugt 2228

Een schaap rent een kerk binnen, gevolgd door een wolf. De fabel beschrijft hoe een wolf een schaap achtervolgt en opgesloten wordt in een kerk. De moraal van het verhaal leert dat men beter zijn lusten kan bedwingen.
Portret van vier mensen, mogelijk in een café
Object type: photomechanical print
Date: 1886 – 1891
Materials: paper
Techniques: autotype
Artist: Anonymous
Subjects: window, glass of beer, anonymous historical persons portrayed in a group, in a group-portrait
De exercitie met de targe en rapier: de soldaat houdt de getrokken rapier niet hoger dan zijn gezicht (nr. 5), 1618
Object type: print
Date: 1616 – 1618
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), handling of weapons ~ military training, weapons

Illustratie in: Adam van Breen, De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe : beyde figuerlick afgebeelt, ende gestelt na de nieu ordening [van] ... Maurits van Nassau / Korte Onderwijsinge op de figuerlijcke af-beeldinghe belangende 'trecht ghebruyck van al 'tghene een Soldaet noodigh is in het handelen vande Targes met het Rappier, 's-Gravenhage, [Aert Meuris] 1618, plaat nr. 5. In het exemplaar in de collectie van de Rijksmuseum Research Library (326 F 22).
Head of Buddha
Object type: sculpture
Materials: stone
Location: gandhara
Emblemes d'Amour
Object type: print
Date: 1686 – 1686
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: jan van vianen
Artist role: print maker
Artist dates: 1660 – 1726
Subjects: (story of) cupid, amor (eros), numerals
Inscriptions: collector's mark: Lugt 2228

Amor heeft heeft een bordje met daarop het nummer één in zijn hand en hangt dit in een boom. Onder zijn voet vertrapt hij het bordje met daarop de nummers één, twee en drie. Net zoals een opgesplitste beek zijn kracht in loop verliest, zo verliest verdeelde liefde ook zijn kracht. Zesendertigste embleem uit Emblemata Amatoria.
Penning met verschijning van de engel aan Maria en de aanbidding van het Christuskind
Object type: medal
Date: 1600 – 1699
Materials: silver
Techniques: engraving
Artist: Anonymous
Subjects: the annunciation: mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Zilveren penning aan draagoog en draagring in opengewerkte rand. Voorzijde: engel met scepter in hand in stralenkrans, staande op wolken voor vrouw, die naast lessenaar zit binnen sierrand. Keerzijde: Christuskind in kribbe in stralenkrans, beschenen door ster aan hemel; daaromheen vijf mannen, vrouw met aureool en dieren binnen sierrand
Acht portretten van onbekende vrouwen
Object type: photomechanical print
Date: 1895 – 1900
Materials: paper
Techniques: photograph
Location: halle an der saale
Subjects: historical persons - bb - woman
Gezicht op de eetzaal van het kasteel van Loppem in Zedelgem-Loppem, België
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photograph
Location: zedelgem
Subjects: castle, dining-room
Inscriptions: number: ‘Pl. no XI.’
The Resurrection
Object type: print
Materials: paper
Techniques: engraving
Location: germany
Artist: israhel van meckenem the younger
Artist nationality: german
Artist dates: 1440 – 1503
Renier Chalon, voor de vijfentwintigste maal tot voorzitter van de Societe Royale de Numismatique de Belgique gekozen, penning aangeboden door de Nederlandse leden van de vereniging
Object type: honorary medal
Date: 1873 – 1873
Materials: bronze
Techniques: striking
Location: brussels
Artist: karel wiener
Artist role: medailleur
Artist dates: 1831 – 1888
Subjects: bergen (belgië), numismaat, fotograaf, verzamelaar, renier chalon, société royale de numismatique de belgique

Bronzen penning. Voorzijde: opschrift in medaillon binnen in bogen verdeelde rand: in iedere boog een letter in Gothisch schrift van naam van Renier Chalon. Keerzijde: bloemvormig ornament, opgevuld met namen van leden van vereniging binnen omschrift
Contouren van benen
Object type: design
Date: 1863 – 1911
Materials: paper, pencil
Artist: ferdinand hodler
Artist role: draughtsman, print maker
Artist dates: 1853 – 1918

Doorgetrokken contouren van de benen van "Die Erwackende" (Der Tag) op de recto. Ontwerp voor een prent.