deem-data/ArtiFact huggingface dataset:
Murphy, Shortstop, New York, from Mayo's Cut Plug Baseball series (N300)
Object type: print, baseball card
Date: 1895 – 1895
Techniques: lithography
Artist: p.h. mayo & brother, richmond, virginia
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,baseball,athletes

Series of baseball cards from "Mayo's Cut Plug" series (N300), issued in 1895 by P.H. Mayo and Brother. Blank black back. Player is Yale Murphy with New York on uniform.
Liggende odaliske
Object type: print
Date: 1923 – 1923
Materials: paper
Techniques: etching
Artist: henri matisse
Artist role: print maker
Artist dates: 1869 – 1954
Subjects: odalisque
Inscriptions: collector's mark: Lugt 2228
Numismata virorum illustrium ex Barbadica gente
Object type: album leaf
Date: 1673 – 1743
Materials: paper
Techniques: engraving
Location: rome
Subjects: coat of arms (as symbol of the state, etc.), symbols, allegories of peace, 'pax'; 'pace' (ripa), knight, venice
Inscriptions: collector's mark: Lugt 2228

Voetstuk in de vorm van een cartouche. Daarop een medaillon met op de voorkant het portret van Francesco Barbarigo. Op de achterkant verbrandt Vrede een wapenuitrusting. Op het voetstuk zitten twee geharnaste mannen. Zij geven elkaar een lauriertak. De linker heeft een schild met het wapen van de Italiaanse provincie Brescia in zijn handen. De rechter heeft het wapen van de Italiaans provincie Bergamo vast. Brescia en Bergamo kwamen in de vijftiende eeuw onder Venetiaans bestuur. De prent maakt deel uit van een album.
Tray
Object type: tray
Date: 1250 – 1300
Materials: brass, silver
Techniques: inlay
Location: egypt or syria
Subjects: arabic
Voltaire (1770)
Object type: history medal
Date: 1770 – 1770
Materials: copper
Techniques: striking
Artist: georg christian waechter
Artist role: die cutter

Koperen penning, op de voorzijde het borstbeeld van Voltaire naar rechts met omschrift binnen een lauwerkrans, op de keerzijde een altaar waarop een trofee van symbolen van krijgskunst, handel, kunsten en wetenschappen op een stralende zon, binnen een ornamentale rand.
Putto Holding Staff
Object type: drawing and watercolor
Materials: chalk, ink, paper
Techniques: pen
Location: italy
Artist: possibly guido reni
Artist nationality: italian
Artist dates: 1575 – 1642
Meleager and Atalanta, Alpheus in pursuit of Arethusa
Object type: embroidered picture
Date: 1651 – 1675
Materials: canvas, silk, wool
Subjects: men,women,deer,dogs,trees
The Chinese Emperor
Object type: group
Date: 1766 – 1766
Materials: enamel, gold, hard paste porcelain
Techniques: polychrome
Artist: höchst manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1746 – 1796
Subjects: boys,men,dogs
Study after the Vatican Statue of Antinous as Osiris
Object type: drawing
Date: 1740 – 1760
Materials: chalk
Artist: anonymous, italian, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Subjects: sculpture,men,osiris
Touwslager aan het werk op de lijnbaan
Object type: print
Date: 1719 – 1759
Materials: paper
Techniques: etching, letterpress printing
Artist: Anonymous
Subjects: rope-making, handicrafts, craftsman at work
Inscriptions: stamp, collector's mark: Lugt 1641

Prent met andere letterzetting gebruikt in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Janssoons van Waesberge, 1719, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman de Jonge, 1741, dl. 2. En in: St. Clara, Abraham van. Iets voor allen. [Vertaald door] J. le Long. Amsterdam: Jan Roman, 1759, dl. 2. Huidige prent uit een andere editie. Naar een prent van: Jan Luyken.
Opstanding van Christus: Pasen
Object type: print
Date: 1560 – 1600
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: easter, christ's entombment (possibly by angels), cherubs, i.e. children's heads with wings, the episode of the last supper, christ washes peter's feet, christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers, god the father as bearded old man, usually with crown or tiara or sceptre and/or globe, crucified christ with mary and john on either side of the cross; holy rood
Inscriptions: collector's mark: Lugt 2228

Christus verrijst uit zijn graf. Aan weerszijden van zijn graf een engel. In ornamentlijst links vluchtende soldaten en rechts de drie vrouwen die naar het graf gaan. In de vier hoeken scènes uit de passie van Christus in ovalen. Middenboven engelenkoren met God de Vader.
Recueil de Plusieurs Jeux d'Enfants Chinois
Object type: ornament print
Date: 1759 – 1759
Materials: paper
Techniques: etching
Location: london
Subjects: children's games and plays, pick-a-back, piggyback, card games
Inscriptions: collector's mark: Lugt 2228

Boven: Twee Chinese kinderen staan bij een ronde tafel en bouwen een kaartenhuis. Een derde kind met een stok komt aangelopen. Onder: Een Chinees kind zit op de rug van een ander kind. Links staat een derde kind. Rondom beide voorstellingen een omlijsting met hekken en bladeren.
Gezicht op kasteel Brederode
Object type: print
Date: 1865 – 1918
Materials: paper
Techniques: etching, intaglio
Location: netherlands
Artist: jonkheer barthold willem floris van riemsdijk
Artist role: engineer, print maker
Artist dates: 1850 – 1942
Subjects: castle, horse
Inscriptions: inscription: ‘Brederode’, collector's mark: Lugt 2228

Gezicht vanaf een weiland op kasteel Brederode te Santpoort. Op de voorgrond graast een paard.
Design for Pony Phaeton, no. 4189
Object type: drawing
Date: 1892 – 1892
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Ovale hengselmand van gespleten wilgenteen (fijnscheenwerk), aan één zijde geborduurd met bloemmotieven.
Object type: miniature
Date: 1675 – 1710
Materials: plant material, silk
Location: halle
Artist: Anonymous
St. Dunstans Fleet Street, plate 23 from Original Views of London as It Is
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: hand coloring, lithograph
Location: england
Artist: thomas shotter boys
Artist role: artist
Artist nationality: british
Artist dates: 1803 – 1874
Oor van een kardoeskoker uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: cartridge canister
Date: 1700 – 1743
Materials: copper
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Cartridge canister, lug; fragm of strip, cut-corner end with rivet-hole sim. NG 1980-27H2394.
Cuneiform tablet: fragment of an astronomical table (?)
Object type: cuneiform tablet
Date: 333 – 1
Materials: clay
Location: mesopotamia
Don't Move, from "The Graphic" Christmas Number
Object type: print
Techniques: engraving
Artist: william small
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1843 – 1929
Subjects: soldiers,girls,men

Small was considered the most successful illustrator of his time. Born and trained in Scotland, he moved to London in 1865 and exhibited oils and watercolors at the Royal Acadmey and Royal Institution. He designed wood engravings for "Once a Week", "Good Words" and "The Graphic," and illustrated Thomas Hardy's "Jude the Obscure" (the author treasured the original drawings). This large color print reproduces a charming family subject, selected by "The Graphic" as a bonus issued to subscribers at Christmas in 1884. The black painted side chair held by the girl, lacquered cabinet and porcelains all reflect Japoniste-Aesthetic taste of the period. The father's uniform connects him to the infantry, perhaps the Duke of Wellington's regiment. Large colored wood engravings such as this were made using multiple blocks and required careful printing. They were, as a result, expensive to produce.
Portret van Hendrik Tilly
Object type: print
Date: 1764 – 1764
Materials: paper
Techniques: etching, lithography
Location: haarlem
Artist: cornelis van noorde
Artist role: draughtsman, print maker
Artist dates: 1731 – 1795
Subjects: hendrik tilly
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Portret van Hendrik Tilly op 102-jarige leeftijd. Hij woonde in het Aalmoezeniershuis van Haarlem en stierf op 105-jarige leeftijd.
Maria Magdalena in de wildernis
Object type: print
Date: 1726 – 1791
Materials: paper
Techniques: engraving, etching
Subjects: the penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge
Inscriptions: collector's mark: Lugt 240
Paperweight
Object type: glass
Date: 1845 – 1860
Materials: glass
Location: saint-louis-lès-bitche
Artist: saint-louis glassworks (cristalleries de saint-louis)

Technological improvements to optical scientific instruments in the mid-nineteenth century spurred a veritable obsession across Europe with identifying and classifying the natural world. Amateur botanists were eager to collect and preserve floral specimens, which they intently researched and catalogued. In response to this broad appeal, French glassmakers made paperweights that portrayed the very botanical subjects that were so enthusiastically sought. Many weights represented specimens with horticultural correctness, but others were entirely fanciful creations. Paperweights like this example speak to the period’s fascination with taxonomic systems.

From the late 1840s to early 1860s, French manufacturers of fine glass and crystal—such as Baccarat (Alsace), Clichy (Paris), and Saint-Louis (Lorraine)—catered to the vast public enthusiasm for beautiful yet functional desk accessories. Paperweights, which were designed to secure loose papers against drafts, were among their most popular products.
Portret van George II, koning van Groot-Brittannië
Object type: print
Date: 1727 – 1760
Materials: paper
Techniques: mezzotint
Subjects: london, historical persons, king
Inscriptions: collector's mark: Lugt 240
Vier seizoenen
Object type: drawing
Date: 1864 – 1902
Materials: paper, pencil
Artist: karel frederik bombled
Artist role: draughtsman, print maker
Artist dates: 1822 – 1902
Subjects: harvest, hunting, chase, throwing snowballs, agriculture, the four seasons of the year ~ human activities
Inscriptions: stamp, collector's mark: Lugt 1641

Ontwerp voor het AB boek van Karel Frederik Bombled. Een boom verdeelt het blad in vier vakken. In iedere tak linksonder de naam van een jaargetij. Linksboven lente met mannen en vrouwen met landbouwwerktuigen en een paard. Rechtsboven zomer met gegoed stel kijken naar boeren die aan het hooien zijn. Linksonder herfst met het verwerken van de oogst, een visser en een jager. Rechtsonder winter met twee meisjes die door het raam naar buiten kijken waar er met sneeuwballen wordt gegooid. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Schoone kunsten, Schilderkunst, Tekeningen.
Rockaway, from the Fancy Bathers series (N187) issued by Wm. S. Kimball & Co.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: william s. kimball & company
Artist role: publisher
Subjects: women

Trade cards from the "Fancy Bathers" series (N187), issued in an unnumbered set of 50 cards in 1889 by Wm. S. Kimball & Co.
Card Number 77, Patti, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-6), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the sixth subset, N145-6. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Fantesche
Object type: costume print
Date: 1598 – 1598
Materials: paper
Techniques: woodcut
Subjects: veil (+ women's clothes), missal, aids for prayer, e.g. rosary, fashion plates, dress, gown (+ women's clothes), maid ~ house personnel

Vrouw in eenvoudig overkleed waarover een grote omslagdoek die over het hoofd is geslagen. Rozenkrans en missaal in de handen. In ornamentrand.
Portret van Elizabeth Sandby
Object type: print
Date: 1756 – 1756
Materials: paper
Techniques: mezzotint
Location: london
Subjects: historical persons - bb - woman
Inscriptions: collector's mark: Lugt 240
Haardplaat met het wapen van de provincie Utrecht
Object type: fireback
Date: 1625 – 1675
Materials: iron
Techniques: casting
Location: germany
Artist: Anonymous
Subjects: utrecht (provincie)

Haardplaat van gietijzer, met halfronde bovenzijde. In het midden is het gekroonde wapenschild van de provincie Utrecht, dat wordt opgehouden door vier putti. Daarboven een mascaron. Het tafereel wordt omlijst door een parelrand en een versierde buitenrand, met boven- en onderaan bladranken en aan beide zijden een colonnet. Het geheel wordt bekroond met drie schelpmotieven, met aan weerszijden een omhoogklimmende dolfijn.
Four Figures Studies, One of a Standing Archer
Object type: drawing
Date: 1624 – 1663
Materials: ink
Techniques: pen
Artist: francesco allegrini
Artist role: artist
Artist nationality: italian
Artist dates: 1615 – 1679
Subjects: human figures
Landau #942
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Card Number 239, Lester, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Portret van Johann Christoph Dommerich
Object type: print
Date: 1739 – 1791
Materials: paper
Techniques: engraving
Subjects: bookshelves, historical persons, writing accessories
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a stamnos (jar)
Object type: stamnos fragment
Date: 450 – 426
Materials: terracotta
Culture: greek, attic

Part of the neck of a stamnos; at the juncture of the neck and shoulder, a ring in between two tooled grooves; at the shoulder, band of tongues; on the body of the stamnos, part of circumscribed palmette with tendrils; bit of hair, right shoulder and bent right arm of a woman performing the gesture of anakalypsis with her right hand
Bed curtain border
Object type: border
Date: 1780 – 1820
Materials: linen, silk
Ontwerp voor raam in het Amsterdams Lyceum
Object type: design
Date: 1927 – 1927
Materials: cardboard, chalk
Techniques: brush
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Snuffbox with household scenes
Object type: snuffbox, painting
Date: 1769 – 1770
Materials: gold
Artist: jean-joseph barrière
Artist role: maker
Artist nationality: french
Artist dates: 1733 – 1833
Subjects: children,men,women,genre scene

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Offer van Isaak
Object type: print
Date: 1660 – 1660
Materials: paper
Techniques: engraving, etching
Location: antwerp
Subjects: when abraham has his hand raised to kill isaac, an angel restrains abraham's hand

De prent is vervaardigd naar een schilderij van Veronese en zijn atelier dat zich in de collectie van het Kunsthistorisches Museum te Wenen bevindt (inventarisnummer GG_3825). David Teniers heeft waarschijnlijk van alle schilderijen uit de collectie van Leopold Willem van Oostenrijk een olieverfstudie op doek of paneel vervaardigd (zgn. pasticcio), die als voorbeeld voor de prentmakers diende. Het is niet altijd duidelijk of de pasticci door hem zijn gemaakt of door zijn atelier. Niet alle pasticci zijn overgeleverd.
Cylinder seal
Object type: cylinder seal
Date: 2000 – 1668
Materials: mineral
Culture: assyrian
Location: anatolia
Reproductie van een tekening van de heks die een koets tovert voor Assepoester
Object type: reproduction
Date: 1906 – 1907
Materials: paper
Techniques: photograph
Artist: Anonymous
Subjects: tales and fairy tales (with title)
Inscriptions: inscription: ‘No. 7./ Zij tooverde een prachtige équipage.’

Deze prent maakt deel uit van een album.
Madonna and Child
Object type: statue
Date: 1466 – 1499
Materials: terracotta
Techniques: painting
Subjects: madonna and child
Franse etsen uit 1881
Object type: print
Date: 1881 – 1881
Materials: paper
Techniques: drypoint, etching, intaglio
Location: paris
Subjects: slaughtered ox or pig, butcher, slaughterman
Inscriptions: collector's mark: ‘AFE v S’, collector's mark: Lugt 2760, collector's mark: Lugt 2228