deem-data/ArtiFact huggingface dataset:
Portret van Neletta Jonker van der Linden
Object type: photograph
Date: 1899 – 1906
Materials: cardboard, photographic support
Techniques: albumen print
Location: amsterdam
Artist: max büttinghausen
Artist role: fotograaf
Artist dates: 1847 – 1906
Subjects: haarlem, historical persons, amsterdam
Inscriptions: workshop stamp: ‘M. Büttinghausen/ Amsterdam, eening atelier/ Kalverstraat, hoek Spui’, annotation: ‘Oma Jonker’
Hopelooze verdediging
Object type: print
Date: 1854 – 1886
Materials: paper
Techniques: tone lithography
Location: arnhem
Subjects: child robbing bird's nests
Inscriptions: collector's mark: Lugt 2228, monogram: ‘BL’

Verschenen als premieplaat bij het Familie Magazyn.
Design for Vis-A-Vis
Object type: drawing
Date: 1850 – 1870
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Textile Design with Alternating Vertical Stripes of Abstract Figures and Pearls
Object type: drawing ornament architecture
Date: 1840 – 1840
Materials: gouache
Artist: anonymous, alsatian, 19th century
Artist role: artist
Artist nationality: alsatian
Artist dates: 1800 – 1900

Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of a light tan base and vertical stripes of abstract ornamental motifs with irregular outlines of dark reddish-brown color that alternate with vertical stripes of pearls of white color and black outlines.
Reproductie van een portret van Abraham Bloemaert
Object type: reproduction
Date: 1859 – 1859
Materials: paper
Techniques: photolithograph
Location: amsterdam
Artist: eduard isaac asser
Artist role: amateurfotograaf
Artist dates: 1809 – 1894
Subjects: utrecht, painter, print maker, draughtsman, abraham bloemaert, adult man, historical persons, artist (in general), amsterdam
Inscriptions: annotation: ‘4e proef van/ autographi/ 8 January 1859.’
Kohl Stick (with Jar 16.10.361a, b)
Object type: kohl stick
Date: 1635 – 1458
Materials: paint, wood
Location: egypt
Portret van Wilhelm Müller
Object type: print
Date: 1812 – 1877
Materials: paper
Techniques: engraving
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Brief aan Jeannette Bouman-Stuyling de Lange
Object type: letter
Date: 1898 – 1898
Materials: ink, paper
Techniques: pen, writing
Location: amsterdam
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Maat amulet
Object type: amulet, maat
Date: 664 – 380
Materials: gold
Fragment titelpagina voor: Richard Marks, De terugblik of Gods goedertierene leidingen, 1854
Object type: titelblad, titelpagina
Date: 1854 – 1854
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: sailing-ship, sailing-boat, storm at sea

Boven een groep figuren in een boot varend van de kade naar een schip om daarmee te vertrekken. Onder een schip in de storm en figuren in de zee vasthoudend aan drijfhout.
Tegel met granaatappels in vierpas
Object type: tile
Date: 1640 – 1660
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Tegel met veelkleurige (blauw, oranje, groen en geel) geschilderde granaatappels binnen een vierpas. In de hoeken, een vleugelblad.
Prentbriefkaart aan Andries Bonger
Object type: ansichtkaart, prentbriefkaart
Date: 1871 – 1936
Materials: cardboard
Techniques: photograph
Artist: Anonymous
Subjects: andries bonger
Décidément, ce qui, cette année, obtient le plus de succès à l'exposition de sculpture..., from Le Salon de 1857, published in "Le Charivari"
Object type: print
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: men,women,swans
Bowl
Object type: bowl
Date: 1840 – 1840
Materials: glass
Culture: american
Location: united states
Coronis in een rolwerk omlijsting
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving, etching, intaglio
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: scrollwork, strapwork ~ ornament, coronis changed into a crow: to escape the love of neptune, coronis, daughter of coroneus, is changed into a crow by minerva (ovid, metamorphoses ii 569)
Inscriptions: collector's mark: Lugt 2228, number: ‘123’

Maakt deel uit van een serie van twaalf prenten met vrouwelijke mythologische figuren staand in rolwerk omlijstingen.
Gezicht op het portaal van de Dom van Verona
Object type: stereograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: verona
Artist: giorgio sommer
Artist role: fotograaf
Artist dates: 1834 – 1914
Subjects: parts of church exterior and annexes: portal
Inscriptions: number: ‘6760.’, inscription: ‘Verona : Dom’
Comic mask
Object type: mask, comic
Date: 334 – 201
Materials: terracotta
Culture: greek
Subjects: masks

The mask is mold-made and hollow. Broken extensively and mended, with restored patches. The back and part of the chin are missing.
Portret van Palamedes Palamedesz. I
Object type: print
Date: 1630 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: painter, palamedes palamedesz. (i), historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240
Geschiedenis van Joas en koningin Atalja
Object type: album leaf
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the people destroy the temple, altars and images of baal, and slay baal's priests

In de tempel van Baäl halen mensen de afgodsbeelden omver. Voor het altaar wordt de Baälspriester gedood met een hellebaard. De hogepriester Jojada kijkt met de zevenjarige koning Joas aan de hand toe. Onderaan in de marge een vers in het Latijn over de voorstelling. Deze prent maakt deel uit van een album.
The Adoration of the Holy Trinity in the New Covenant
Object type: drawing
Materials: ink
Techniques: pen, wash
Artist: friedrich sustris
Artist role: artist
Artist nationality: netherlandish, born italy (?)
Artist dates: 1535 – 1599
Subjects: virgin mary,cross
½ stuiver van Nederlands Indië, 1821
Object type: coin
Date: 1821 – 1821
Materials: copper
Techniques: striking
Location: surabaya
Artist: william i of the netherlands
Artist role: koning
Artist dates: 1772 – 1843

Koperen munt. Voorzijde: tussen waarde-aanduiding ½ St. gekroond generaliteitswapenschild. Keerzijde: tweeregelig opschrift, waarboven muntteken en waaronder jaartal. Gladde rand.
Jug
Object type: jug
Date: 1401 – 1600
Materials: earthenware
Techniques: glazing
Culture: british
Location: england

Jugs without spouts were used much like mugs are today. Potters were active in Kingston-on-Thames (now part of London) from the 1260s, and their earliest described products were royal orders. Both men and women were eventually listed among the city’s "Poters," who supplied large numbers of ceramic pieces to the nearby capital.
Portret van Leonhard Holtzhalb
Object type: print
Date: 1617 – 1724
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: mayor, burgomaster, historical persons, beard
Inscriptions: mark: ‘54’

Prent mogelijk gebruikt in: Appenzeller, Heinrich. Die von Konrad Meyer & Dietrich & Johannes Meyer in Kupfer gestochenen Bildnisse I: Bürgermeister, Antistes & Weltliche Herren. S.l.s.n., [1880-1912].
[Breastworks, Interior of Fort Sedgwick, in Front of Petersburg, Virginia]
Object type: photograph
Techniques: albumen silver print, glass negative
Artist: timothy h. o'sullivan
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1840 – 1882
Subjects: fortification,american civil war
Standbeeld van de Romeinse god van de Nijl
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: vatican city
Artist: Anonymous
Subjects: monument, statue
Inscriptions: inscription: ‘B.N’, number: ‘1354’, collector's mark: ‘VOSMAER’
Green and Crimson Cut Voided Satin Velvet
Object type: fragment
Date: 1401 – 1500
Materials: cotton, metal thread, silk

Although the loss of the green pile has exposed much of the red ground, it is nonetheless apparent that the velvet composing these two fragmentary strips was once very fine indeed: a thick, early velvet, with a large scale, bold repeat pattern in gold of ornamented roundels and six-petalled blooms. Many centuries after the velvet was woven, these two lengths were sewn together (one upside down to achieve an alternating matte and gloss of pile direction) in the partial shape of a chasuble, with the exaggerated tear-drop contour popular in the mid-nineteenth century. The Met's collection includes a small fragment of another velvet with this same design (2002.494.583).
Terracotta fragments of skyphoi (deep drinking cups)
Object type: skyphos fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Three black glazed fragments from skyphoi
Maria Magdalena wast de voeten van Christus
Object type: print
Date: 1592 – 1592
Materials: paper
Techniques: engraving, etching
Subjects: a woman washes christ's feet with her tears, and wipes them with her hair
Inscriptions: collector's mark: Lugt 2228

Een interieur van een huis met op de voorgrond Christus en zijn leerlingen aan een tafel. Maria Magdalena, een lichtekooi, droogt de voeten van Christus met haar haren. Ze gaat vervolgens de voeten zalven. Judas Iskariot protesteert, maar Christus legt uit dat men haar moet vergeven.
Glass beaker with cut decoration
Object type: beaker, inscribed
Date: 301 – 433
Materials: glass
Culture: roman

Translucent pale blue. Vertical rim, cracked-off and ground flat, with bulge below; conical body with side tapering gently downwards; solid projecting knob on bottom. Wheel-abraded decoration comprising at top two broad horizontal bands of lines, enclosing Greek letters with a diagonal band of short lines marking the beginning and/or end of the inscription; at center, a broad frieze containing two bunches of stylized grapes suspended from a T bar and flanked by wavy ribbons, alternating around side with two eight-armed stars; below, two bands of two horizontal lines flanking a band of short diagonal lines. Intact; a few bubbles; faint iridescent weathering, with slight soil encrustation at bottom of interior. The Greek inscription PIE ZHCHC (Drink [so that] you may live [well]) is an exhortation commonly found on both pottery and glass vessels. It probably echoes the kind of toast that would have been given at a drinking or dinner party. This beaker was likely made and decorated at a workshop in Syria, demonstrating that glassmakers (vitrarii) worked closely with glass cutters (diatretarii) in the production of glass tableware.
Paris
Object type: painting
Date: 1787 – 1787
Materials: canvas, oil, paint
Techniques: painting
Location: germany
Artist: johann heinrich wilhelm tischbein
Artist role: artist
Artist nationality: german
Artist dates: 1751 – 1829
Subjects: paris, greece, greek mythology, yellow (color), red (color), portraits: male subject, portraits, portrait, man, head, hat, gold (color)
Portret van Joseph Xaupi
Object type: print
Date: 1761 – 1761
Materials: paper
Techniques: engraving, etching
Subjects: paris, clergyman, bookshelves, writer, poet, author, organization, functionaries and dignitaries in roman catholic church; clergy in general
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1669f, collector's mark: Lugt 1669e, collector's mark: ‘L.A. de Vries’

Portret van de Franse auteur en geestelijke Joseph Xaupi, zittend in een stoel met een boek in zijn schoot voor een geopend raam. Naast hem een boekenkast met bovenop een globe.
Wandbespanning
Object type: upholstered wall
Date: 1911 – 1915
Materials: linen
Techniques: damask
Location: eindhoven
Artist: chris lebeau
Artist role: draughtsman, print maker
Artist dates: 1878 – 1945

Olijfgroene damasten wandbespanning met een dessin van nagelbloemen.
Portret van mevrouw Boelen-Waller, zittend
Object type: cabinet photograph
Date: 1882 – 1903
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: hilversum
Artist: henri de paauw
Artist role: fotograaf
Artist dates: 1849 – 1922
Subjects: adult woman, studio requisites ~ photographer, historical persons - bb - woman
Inscriptions: inscription: ‘Mr. Schmidt van Gelder Singel 42 Amsterdam’, address: ‘Hilversum D 362 Kerkstraat’

Onderdeel van Fotoalbum van de familie Boelen.
The Rajah Starting on a Hunt
Object type: painting
Date: 1895 – 1895
Materials: canvas, oil
Culture: american
Artist: edwin lord weeks
Artist role: artist
Artist nationality: american
Artist dates: 1849 – 1903
Subjects: birds,palaces,men,horses,leopards

Boston-born and Paris-trained, Edwin Lord Weeks was a leading expatriate painter, illustrator, photographer, writer, explorer, and collector as well as the first known American artist to visit India. This painting depicts preparations for a hunting expedition at a palace in Ajmer, Rajasthan. Likely dating from the artist’s 1892-93 trip to the country, he described the palace façade in his published accounts as "completely covered by tiers of projecting windows . . . wonderfully light and airy in effect." The striking period frame is not original to the painting, but suggests the "Orientalist"-style setting that Weeks favored for his work.
Madonna
Object type: print
Date: 1826 – 1886
Materials: paper
Techniques: etching
Location: amsterdam
Artist: dirk jurriaan sluyter
Artist role: draughtsman, print maker
Artist dates: 1811 – 1886
Subjects: 'portraits' of mary, veil
Inscriptions: collector's mark: Lugt 2228

Maria met neergeslagen ogen. Op het hoofd draagt zij een sluier.
Schotel
Object type: platter
Date: 1777 – 1790
Materials: porcelain
Techniques: painted
Location: the hague

Soft-paste porcelain decorated in the factory of Anton Lyncker or his heirs at The Hague. Plate. Tournai, decorated in The Hague, c. 1777 - 1790.
Wesel
Object type: book illustration
Date: 1650 – 1699
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: siege
Inscriptions: collector's mark: Lugt 1641, stamp, stamp

Gezicht op het beleg van Wesel in 1614. Rechtsboven genummerd: 218. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Krijgswezen, Verdedigingswerken.
Tekening van het Aarstbisschoppelijk Seminarie te Driebergen
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: utrecht
Artist: abraham adrianus vermeulen
Artist role: painter
Artist dates: 1817 – 1894
Subjects: institution for ecclesiastical education and training, e.g. seminary
Portret van keizer Karel V
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: charles v (holy roman emperor and king of spain), historical persons, hacking and thrusting weapons: sword, king
Inscriptions: collector's mark: Lugt 4925

Prent mogelijk uit: Halma, François. Tooneel der Vereenigde Nederlanden en onderhorige landschappen. Leeuwarden: Hendrik Halma, 1725, dl. 2.
Christ at Emmaus: the larger plate
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: etching
Artist: rembrandt van rijn
Artist role: draughtsman, painter, print maker
Artist dates: 1606 – 1669
Subjects: the supper at emmaus: christ is recognized while blessing or breaking the bread
Inscriptions: mark: Lugt 2228, mark: Lugt 2775, signature and date: ‘Rembrandt f. 1654’

Three days after Christ had risen from the dead, two of his disciples encountered him on the road to Emmaus. They only became aware of their travelling companion’s true identity while sharing a meal together later that day. This is the moment Rembrandt depicted here. For the beholder, too, it is clear that the figure seated beneath a kind of baldachin and emanating a heavenly light can only be Christ.
Jar
Object type: jar
Date: 2000 – 2000
Materials: ceramic
Culture: elamite
Location: iran
Anklet, One of a Pair
Object type: anklet
Date: 1801 – 1900
Materials: silver
Location: central india

These large and heavy anklets were worn as part of a suite of jewelry by women in the state of Gujarat. They are ornamented with floral and vegetal motifs which are typical of Indian jewelry. The chain and cluster of balls would have created a musical noise as the wearer moved wearing these jewels. This ornament was formerly in the collection of American artist and designer Lockwood de Forest (1850–1932) who purchased many jeweled objects while traveling in India between 1879–1881. Today, his collection of Indian jewelry in the Met serves as a near-comprehensive assemblage of late nineteenth century bodily adornment.
Molen met molenaar
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: miller, windmill
Inscriptions: stamp, stamp, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Onderwijs en Wetenschappen, Opvoeding en Onderwijs, Haneboeken en schoolprenten.
The Settlement and Church of Heart's Content, Newfoundland
Object type: drawing
Date: 1866 – 1866
Materials: gouache, graphite, watercolor
Artist: robert charles dudley
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1909
Subjects: men,ships,transatlantic cable

One of the 19th century's great technological achievements was to lay a telegraphic cable beneath the Atlantic, allowing messages to speed back and forth between North America and Europe in minutes, rather than ten or twelve days by steamer. An initially successful attempt in 1858, led by Cyrus W. Field and financed by the Atlantic Telegraph Company, failed after three weeks. Two working cables were finally laid in July and September 1866, the result of repeated efforts by the indefatigable Field, a cadre of engineers, technicians, and sailors, two groups of financial backers, and significant help from the British and United States navies. Dudley documented the process in a series of watercolors and oils, this example looking across Trinity Bay from the deck of the Great Eastern which had arrived July 28, 1866. In 1892 Field donated art works by Dudley, commemorative medals, memorabilia, and specimens of cable to the Museum.
Seal
Object type: seal
Date: 1001 – 1200
Materials: stone
Techniques: carving
Location: iran
The Scrupulous Nymphs
Object type: print
Materials: paper
Techniques: engraving, etching, roulette, stippling
Location: france
Artist: gérard vidal
Artist nationality: french
Artist dates: 1742 – 1801
Ex libris van Charles Lord Maynard
Object type: bookplate
Date: 1700 – 1775
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry
Hyacinthe Rigaud
Object type: print
Date: 1714 – 1721
Materials: paper
Techniques: engraving, etching
Artist: pierre drevet
Artist role: print maker, publisher
Artist dates: 1663 – 1738
Subjects: draughtsman, hyacinthe rigaud, historical persons, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 240
Vrede van Rastatt
Object type: history medal
Date: 1714 – 1714
Materials: bronze
Techniques: striking
Location: paris
Subjects: lodewijk xiv (koning van frankrijk)

Bronzen penning. Voorzijde: borststuk man met lauwerkrans binnen omschrift. Keerzijde: Mars en pallas Athene met speer houden ieder een lauwerkrans in handen binnen omschrift; afsnede: opschrift
Suite de la vue de No. 30
Object type: watercolor
Date: 1778 – 1778
Materials: chalk, paper, watercolor
Techniques: brush
Artist: louis ducros
Artist role: draughtsman, print maker
Artist dates: 1748 – 1810
Inscriptions: number: ‘Suite de la vue de No. 30D’
Bottle
Object type: bottle
Date: 601 – 733
Materials: glass
Techniques: glassblowing
Location: egypt or syria

This bottle is a rare example of hot-worked glass decorated in the so-called spectacle pattern, in which horizontally applied trails were tooled to create a sequence of ovals around the body. The pattern is characteristic of the transition between Roman and Islamic glass production.
Portret van Viktor Friedrich von Anhalt-Bernburg
Object type: print
Date: 1721 – 1757
Materials: paper
Techniques: engraving, etching
Location: germany
Artist: johann christoph sysang
Artist role: print maker
Artist dates: 1703 – 1757
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

De prent is gemonteerd op een opzetvel voorzien van een dubbel kader met pen in bruin.
Fortificatie en schutsluis te Arnhem, de Pruisische Bril genaamd, 1787
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: etching
Location: northern netherlands
Artist: Anonymous
Subjects: sluice, weir, arnhem
Inscriptions: collector's mark: Lugt 2228

Gezicht op de fortificatie en schutsluis te Arnhem, de Pruisische Bril genaamd, ca. 1787, ten tijde van de Pruisische inval in Nederland.
Pius II (Pope, 1458–64)
Object type: medal
Date: 1567 – 1600
Materials: bronze
Artist: giovanni paladino
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1650
Subjects: men,profiles,popes

This is a copy by Paladino of an original struck during the reign of Pius II.
Huia, from the Song Birds of the World series (N23) for Allen & Ginter Cigarettes
Object type: print
Date: 1890 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: birds

Trade cards from the "Song Birds of the World" series (N23), issued in 1890 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
The Soap Bubble
Object type: print
Date: 1756 – 1776
Materials: ink
Techniques: printmaking, engraving, printing
Artist: gilles demarteau
Artist role: artist
Artist nationality: french
Artist dates: 1722 – 1776
Subjects: boys,portraits,playing