deem-data/ArtiFact huggingface dataset:
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Exterior, reclining, filleted youth, resting against a cushion, wearing a himation draped around his bent left arm and upper torso; in the field part of a flute case with the glottokomeion; reclining, filleted youth, with a staff, resting against a cushion, with a himation draped around his left shoulder, and lower body, and his right hand resting on top of his right knee; above, hanging on the wall, a basket and a kylix; left hand of handle and part of handle patch; a second fragment depicts a bit of the himation of a draped reclining youth resting against a cushion, a second reclining, draped youth, rests against a cushion and plays kottabos with his right hand; and a third reclining, filleted youth, rests against a cushion, with a himation draped around his bent left arm and lower body, and holds a skyphos in his left hand; a third fragment depicts a bit of the himation of a male reclining against a cushion, and the upper torso and left hand of a second draped male reclining against a cushion
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, top of head of wreathed figure to right; Exterior, part of lower torso, genitals, thighs, and left hand holding krotala, of a nude woman
fragmentarisch bord
Object type: sherd
Date: 1650 – 1670
Materials: earthenware, glaze
Techniques: painted
Location: delft
Artist: Anonymous
Subjects: leiden

fragmentarisch achthoekig bord van blauw beschilderde faience. Op het plat is een landschap met een gebouw met een toren geschilderd en op de rand vierbladige rozettenen. Het bord is een bodemvondst uit Leiden en bestaat uit twee stukken.
Pulling Oars under Clearing Autumn Skies 晴秋涉櫂圖
Object type: painting
Materials: ink, paper
Location: china
Artist: lu zhi
Artist role: artist
Artist nationality: chinese
Artist dates: 1495 – 1576
Inscriptions: Inscribed by the artist:
Beyond the sky the distant mountains seem to float like 
green jade. In the evening light, on my magnolia boat, 
I watch numberless hibiscus spread toward me in the 
rapid wind. I feast my eye on the cold river in autumn. 
Lu Zhi.

Landscape painting offered artists the opportunity to create visual poems about the beauty and continuity of nature and man's place in it. Lu Zhi, a 16th-century artist, belonged to a class of highly educated men who painted for their own pleasure. In Distant Mountains, he used multiple ground planes and suggestive voids to create a majestic vista of jagged peaks and a meandering, wide river. Through the crystalline precision of his brush strokes, the artist achieved an image of great clarity and refinement.
Amulet of the God Imsety (one of the four Sons of Horus)
Object type: costume and accessory
Materials: glass
Culture: egyptian
Location: egypt
Subjects: gods (deities), mummies
Landschap met een houten brug
Object type: print
Date: 1601 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: landscape with bridge, viaduct or aqueduct, bridge
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Fan
Object type: fan
Date: 1701 – 1750
Materials: ivory
Subjects: girls,men
S 51. Gezicht op Bethlehem
Object type: photograph
Date: 1870 – 1895
Materials: cardboard, paper
Techniques: albumen print
Location: ottoman empire
Subjects: prospect of village, silhouette of village
Inscriptions: check stamp: ‘Bristol/ L.M.’, title: ‘S 51. Gezicht op Bethlehem.’, inscription: ‘[...] Bethleem’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze foto is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Graf Josef Hoyos
Object type: photomechanical print
Materials: paper
Techniques: photograph, hand coloring
Artist: Anonymous
Subjects: aristocracy; 'aristocratia' (ripa), historical persons

Deze prent maakt deel uit van een omslag met 86 prenten op 78 bladen en 11 tekstbladen.
Entombment of Christ, whose chest is grasped by Joseph of Arimathea, with two kneeling and two standing female mourners at left and crown of thorns at bottom right
Object type: print
Date: 1543 – 1543
Techniques: engraving
Artist: enea vico
Artist role: artist
Artist nationality: italian
Artist dates: 1523 – 1567
Subjects: women,christ,entombment
Principes Hollandiae et Zelandiae
Object type: book illustration
Date: 1578 – 1578
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: dirk iv (graaf van holland)

Dirk IV, graaf van Holland, staande, ten voeten uit. Hij heeft een speer in de hand. Op zijn linkerschouder het wapenschild van Holland. De prent dient als een illustratie bij een boek over de geschiedenis van de graven van Holland.
Portret van Petrus Johannes van Regemorter
Object type: print
Date: 1803 – 1850
Materials: paper
Techniques: lithograph
Location: brussels
Subjects: painter, conservator, petrus johannes van regemorter, historical persons
Inscriptions: collector's mark: Lugt 12
Bag
Object type: bag
Date: 1840 – 1860
Materials: leather, silk
Culture: american
Mummy label
Object type: mummy label
Materials: wood
Location: egypt
Budapest. Kilátás a kir Várkertböl / Aussicht vom königl. Schloβgarten
Object type: ansichtkaart, prentbriefkaart
Date: 1905 – 1930
Materials: cardboard
Techniques: photograph
Location: budapest
Artist: Anonymous
Subjects: castle, monument, statue, canals, waters (in city), bridge in city across river, canal, etc.
Head of a Bearded Old Man
Object type: drawing
Date: 1520 – 1529
Materials: chalk, down, paper
Artist: wolfgang huber
Artist role: artist
Artist nationality: german
Artist dates: 1485 – 1553
Subjects: heads,men
Gezicht op de Sorbonne te Parijs
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: etching
Location: paris
Subjects: city-view in general; 'veduta', paris
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie met 60 platen van monumenten, kathedralen en paleizen in Parijs.
Autre nièce du propriétaire du no. 7
Object type: photograph
Date: 1854 – 1856
Techniques: paper negative, salted paper print
Artist: louis-pierre-théophile dubois de nehaut
Artist role: artist
Artist nationality: french
Artist dates: 1799 – 1872
Subjects: portraits,women
Moschee des Sultans Hamet
Object type: stereograph
Date: 1873 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: sultan ahmetmoskee
Artist: Anonymous
Subjects: temple, shrine ~ islam, mohammedanism
Inscriptions: number: ‘30’
Diverse kaartjes inzake railvervoer in Nederland en Duitsland
Object type: photograph
Date: 1930 – 1930
Materials: cardboard, ink, paper
Techniques: printing, writing
Location: netherlands
Artist: Anonymous
Subjects: tramway, tram, railway, train

Albumblad met toegangsbewijs voor het Nederlandsch Spoorweg-Museum (linksboven), een perronkaartje (rechtsboven), een reserveringsopschrift (midden), een Duits tramkaartje voor het traject Aken-De Locht (linksonder) en een Nederlands tramkaartje voor het traject De Locht-Heerlen. Onderdeel van Fotografische reisverslag van het bezoek van de Stephenson Locomotive Society aan Nederland.
Japanese white-eye and persimmons
Object type: print
Date: 1830 – 1839
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Celery vase
Object type: celery vase
Date: 1850 – 1870
Materials: diamond, glass
Techniques: pressed
Culture: american
Location: united states

With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late 1840s. By this time, pressed tablewares were being produced in large matching sets and innumerable forms. During the mid-1850s, colorless glass and simple geometric patterns dominated. Catering to the demand for moderately-priced dining wares, the glass industry in the United States expanded widely, and numerous factories supplied less expensive pressed glassware to the growing market. At the Exhibition of the Industry of All Nations at New York’s Crystal Palace in 1853, for example, the New England Glass Company exhibited 130 pieces of one design, "consisting of bowls, tumblers, champagnes, wines, and jelly glasses." This object belongs to one such service. Although the glass manufactory is not known, the glassware is very typical of the large services that were very popular with America’s middle class in the nineteenth century.
Willemynken in gesprek met aap als pottenbakker
Object type: book illustration
Date: 1590 – 1627
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: monkeys, apes, animals tied up, animals acting as human beings, pilgrimage, pilgrim(s) under way, potter, ceramist
Inscriptions: collector's mark: Lugt 2228

Prent uit: Boëtius Adamsz. Bolswert, Duyfkens en Willemynkens pelgrimagie tot haren beminden binnen Iervsalem. Haerlieder teghenspoet, belet en eynde, Antwerpen, Hendrick Aertssens, 1638. Op het verso staat een verklarende Nederlandse tekst bij de voorgaande illustratie in dit devotie boekje (vergelijk RP-P-BI-2208).
2nd Belooch Regiment, Ind. Conting't, England, 1879, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: military,men

Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.
Portret van Maurits, prins van Oranje
Object type: print
Date: 1597 – 1597
Materials: paper
Techniques: engraving
Location: the hague
Subjects: maurice (prince of orange)
Inscriptions: collector's mark: Lugt 963

Portret van Maurits in een ovaal van eikenloof. Midden boven zijn wapen met daarboven een omstraald Tetragram. Aan weerszijden van het portret figuren met palmtakken en pijlen. Links-en rechtsonder twee sfinxen. Links- en rechtsboven cherubijnen en in twee cartouches zes regels Latijnse tekst. Op het voetstuk twee kolommen met elk vijf regels Latijnse tekst en de Oranjeboom met zijn lijfspreuk op een banderol.
Covered baluster jar with large flower sprays
Object type: covered jar
Date: 1720 – 1740
Materials: cobalt, glaze, gold, paint, porcelain
Techniques: firing, gilding, turning, vitrification
Location: japan
Artist: Anonymous

Dekselvaas, gedecoreerd in Imari-kleuren, met bloemtakken tussen decoratieve banden. Leeuw op deksel.
Portrait of Emperor Jahangir Praying
Object type: illustrated single work
Date: 1601 – 1633
Materials: ink, paper, watercolor
Location: india
Subjects: men,praying

This work, completed shortly before the high point of Mughal portraiture, shows the emperor Jahangir (r. 1605–27) praying. It was painted near the beginning of his reign and is paired with a portrait of his father Akbar, also in the Museum’s collection. Although neutral tones dominate, Jahangir’s jewelry and the sash around his waist are accented in red and blue. The underdrawing, especially visible at Jahangir’s feet and legs, indicates that the artist departed from his original plan in the process of executing this portrait.
Rue des toiles, Bourges
Object type: print
Materials: paper
Techniques: etching
Location: france
Artist: charles meryon
Artist role: artist
Artist nationality: french
Artist dates: 1821 – 1868
Coin Depicting the Goddess Tyche
Object type: coin
Date: 98 – 192
Materials: bronze, copper alloy, metal
Culture: roman
Location: smyrna
Inscriptions: Obverse: CMV PNA

Reverse: CMV[P]  NAIΩN

The front (obverse) of this coin depicts a draped and turreted head of the goddess Tyche facing to the right. On the back (reverse), a lion is depicted, walking to the right.
Figuren in een ommuurde tuin met kweekbakken
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: etching
Location: haarlem
Subjects: forcing bed, april and its 'labours' (+ with scenes showing human occupations ~ seasons and months), gardening-tools
Inscriptions: collector's mark: Lugt 2228

Bezoekers in een tuin of kwekerij bekijken planten. Op de voorgrond een kruiwagen met daarin een gieter en een schop.
Louis seize
Object type: print
Date: 1781 – 1832
Materials: paper
Techniques: aquatint, etching
Location: france
Subjects: paris, lodewijk xvi (koning van frankrijk), historical persons, ruler, sovereign
Inscriptions: collector's mark: Lugt 2228
Fortuna
Object type: print
Date: 1665 – 1675
Materials: paper
Techniques: etching
Location: italy
Subjects: luck, fortune, lot; 'fato', 'fortuna', 'fortuna aurea', 'fortuna buona', 'fortuna pacifica overo clemente', 'sorte' (ripa)
Inscriptions: collector's mark: Lugt 240

Fortuna zweeft over een globe. Ze kiept een zak met munten om. Een putto trekt aan haar haren.
Mary Magdalen carried to Heaven
Object type: print
Date: 1544 – 1544
Techniques: etching
Artist: anonymous, french, school of fontainebleau, 16th century
Artist role: artist
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: mary magdalene,heaven
The Abalone (Awabi), from an untitled series of Shells
Object type: print
Date: 1769 – 1769
Techniques: woodblock print
Location: japan
Artist: suzuki harunobu 鈴木 春信
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Plaque
Object type: plaque
Date: 701 – 900
Materials: mother of pearl
Techniques: polychromy
Culture: coptic
Location: egypt
The Priest, from "The Dance of Death"
Object type: print
Techniques: woodcut
Artist: hans holbein the younger
Artist role: artist
Artist nationality: german
Artist dates: 1497 – 1543
Subjects: skeletons,men,lamps,priests
Reliëf, voorstellende een man te paard
Object type: photograph
Date: 1850 – 1860
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: riding a horse, ass, or mule; rider, horseman, sculpture (+ relief ~ sculpture)
Deurtje van een kast
Object type: door
Date: 1500 – 1500
Materials: wood
Powder Flask
Object type: arm
Date: 1610 – 1640
Materials: brass, gilt, ivory, shell
Culture: german
Location: munich
Terracotta globular cup with two handles
Object type: cup
Date: 525 – 501
Materials: terracotta
Culture: etruscan
Subjects: birds

The shape of the cup is derived from Etruscan bucchero models. The decoration shows influences from both East Greece and the Greek mainland. Most noteworthy is the phallos bird that was popular in Athenian vase-painting during the second half of the sixth century B.C.
Ontwerpen voor edelsmeedkunst
Object type: ornament print
Date: 1805 – 1805
Materials: paper
Techniques: etching
Location: paris
Subjects: mug, beaker, goblet, ornamental birds: peacock, bowl
Inscriptions: number: ‘4.e Cah.er’

Ontwerpen voor een schaal met een pauw en drie bokalen. Prent maakt deel uit van een album.
Stoel en fauteuil
Object type: print
Date: 1832 – 1877
Materials: paper
Techniques: hand coloring, lithograph
Location: paris
Subjects: seating furniture

Een stoel en fauteuil in de stijl van de neo-grec. Prent uit 13e Livraison.
Harpokrates in double crown
Object type: statuette, harpokrates, double crown
Date: 664 – 630
Materials: metal
Location: egypt

The figure represents a child god in a striding/standing position, wearing the double crown, which alludes to his royal status. The child god is distinguished from adult gods by a range of iconographic clues: his nudity, the finger raised to the mouth (a child-like gesture), and the sidelock on the right side of his head. He wears an amulet on his chest, another attribute common to child gods but not adult gods. Child gods grew in popularity and cult from the Third Intermediate Period onwards, rivaling even the most powerful and ancient gods, especially as temple offerings. Without an inscription, it can be very difficult to securely distinguish and identify particular child gods, but here the double crown identifies the god as Harpokrates (Horus the Child), who was the son of Osiris and Isis. This royal crown symbolizes the union of Lower and Upper Egypt, and highlights Horus’ role as the legitimate ruler of the entire land and his direct association with the king.
Negen gezichten op gebouwen en bruggen in West Dorset
Object type: photomechanical print
Date: 1868 – 1873
Materials: paper
Techniques: photoaquatint
Artist: Anonymous
Subjects: church (exterior), exterior ~ representation of a building, bridge
Inscriptions: inscription: ‘St Mary Bridgwater (...) Bridgwater’
Shell
Object type: shell
Date: 501 – 700
Materials: shell
Culture: frankish
Location: germany
Italian Landscape with Ruins
Object type: print
Materials: paper
Techniques: etching, printing
Location: germany
Artist: jonas umbach
Artist role: artist
Artist nationality: german
Artist dates: 1624 – 1693

The German painter Jonas Umbach was well known in his day and patronized by a major Augsburg bishop. He was also a prolific printmaker, producing some 300 etchings. This work come from a series of Italian landscapes he may have made during a trip to Italy around 1648. Umbach’s magnificent trees and vistas were particularly influenced by 16th-century German landscapes by the Danube School and 17th-century works by the Dutch painter and printmaker Jacob van Ruisdael. Umbach signed his name and hometown, Augsburg, in the pedestal of the lion statue at the beginning of the series.
Strook kloskant met drie besjes aan een takje
Object type: strip
Date: 1875 – 1899
Materials: linen
Techniques: lace
Location: ieper
Artist: Anonymous

Op een fond van vierkante mazen staan boven een brede en gesloten schulprand stijve takjes, waaraan drie besjes groeien. Tussen elk takje is een moesje geplaatst. Valenciennes-kant.
Italianate Landscape with the Ruins of Brederode Castle
Object type: drawing
Date: 1634 – 1700
Materials: ink
Techniques: pen, wash
Artist: nicolaes pietersz berchem
Artist role: artist
Artist nationality: dutch
Artist dates: 1620 – 1683
Subjects: animals,castles,ruins,landscapes
Café-Concert (The Spectators)
Object type: drawing and watercolor
Date: 1876 – 1877
Materials: paper, pastel
Location: france
Artist: edgar degas
Artist role: artist
Artist nationality: french
Artist dates: 1834 – 1917
Inscriptions: Signed, lower right, in black pastel: “Degas”
Friderico Wilhelmo
Object type: print
Date: 1682 – 1682
Materials: paper
Techniques: etching, letterpress printing
Artist: govert van der leeuw
Artist role: print maker
Artist dates: 1645 – 1688
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 240

Gekroond wapenschild van Frederik Willem, graaf van Limburg en Bronckhorst. Aan weerszijden twee kolommen tekst.
Manchet van batist met Engels borduurwerk en een strook machinale kant
Object type: cuff
Date: 1880 – 1880
Materials: textile
Techniques: english embroidery
Location: amsterdam
Artist: Anonymous

Manchet van batist met een sluiting van twee haken en ogen. Het batist is versierd met Engels borduurwerk in de vorm van vierbladige bloemen. Aan de manchet is een strook machinaal kant bevestigd.
Terracotta statuette of a woman looking into a box mirror
Object type: statuette of a woman with foot on rock, mirror
Date: 300 – 101
Materials: terracotta
Culture: greek
Subjects: women,mirrors

This woman holds a box mirror on her knee. The lid has dropped and she gazes into the reflective surface, which would have been of highly polished bronze.
Rank Badge with Manchurian Crane
Object type: rank badge
Date: 1701 – 1800
Materials: metal thread, silk
Culture: chinese
Subjects: bats,cranes
Ring
Object type: jewellery
Date: 1750 – 1775
Materials: gold
Location: middelburg
Artist: Anonymous
Inscriptions: mark
Zondag Morgen
Object type: print
Date: 1834 – 1879
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: foot-stove, open hearth, fire-place, interior of the house, reading to somebody
Inscriptions: collector's mark: Lugt 2228

Een jonge dame leest een oude dame voor, die bij een haardvuur in een leunstoel zit. De voet van de oude vrouw rust op een voetstoof.
Shepherd Boy with Flock, Watched by Warrior, Women and Children
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: england
Artist: Anonymous
Ewer
Object type: ewer
Date: 1801 – 1900
Materials: glass
Techniques: glassblowing, tooling
Location: palestine
Meisje kijkt naar de maan
Object type: boekillustratie ontwerp
Date: 1915 – 1935
Materials: paint, ink, paper
Techniques: brush, pen
Artist: d. viel
Artist role: draughtsman
Subjects: curtains, full moon represented as face, window
Inscriptions: collector's mark: Lugt 2228, :, signature: ‘D Viel’

Een meisje staat tussen de gordijnen bij een raam. Ze kijkt door het raam naar buiten naar een volle maan die boven de daken schijnt.
Female bust in an oval medallion draped with a garland (one of a pair)
Object type: overdoor panel
Date: 1770 – 1775
Materials: canvas, oil
Artist: french painter
Artist role: artist
Artist nationality: french
Subjects: garlands,profiles,women

This overdoor panel is one of a pair with 07.225.505a.
Reliëf met hond als allegorie op de Trouw boven de linker deur naar het Secretarie in het Stadhuis op de Dam
Object type: print
Date: 1663 – 1668
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: faithfulness, 'bona fide', fidelity; 'fedeltà' (ripa), roman personifications of abstract concepts, townhall, frankness, loyalty; 'lealtà', 'realtà' (ripa), dog
Inscriptions: collector's mark: ‘16,77’ Lugt 1641b

Huidige staat van prent ook gebruikt in: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Artus Quellinus (I), 1663. En in: Secunca pars Praecipuarum effigierum ac ornamentorum amplissime Curiae Amstelrodamensis maiori ex parte in cadido marmore effectorum per Artum Quellinium eiusdem Civitatis Statuarium / Het tweede deel Van de voornaemste Statuen ende Cieraten van 't konst-rijcke Stadt-huys van Amstelredam 'tmeeste in Marmer gemaeckt door Artus Quellinus Beelthouwer der voorseyde Stadt. Amsterdam: Frederik de Wit, 1668.

Latere staat van prent ook gebruikt in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: David Mortier, 1719. En in: Architecture peinture et sculpture de la Maison de Ville d'Amsterdam, representee en CIX. figures en taille-douce (…). Amsterdam: Gerard Valck, 1719. En in: Bouw schilder en beeldhouwkonst, van het Stadhuis te Amsteldam, vertoont in CIX figuuren (…). Amsterdam: Covens & Mortier & Covens Jr., s.a. (1774-1783).