deem-data/ArtiFact huggingface dataset:
Gedeelte van de Grote of Sint-Laurenskerk te Alkmaar tijdens het afgraven in 1895
Object type: photograph
Date: 1895 – 1895
Materials: cardboard, photographic support
Techniques: albumen print
Location: alkmaar
Subjects: church (exterior), excavation ~ archaeology
Inscriptions: annotation: ‘Alkmaar (N.H.)/ Kerk v/d NH gemeente/ Noordelijk deel v/h Westfront/ Aug 1895’, annotation: ‘De N.H., Groote of St. Laurenskerk/ Noordelijk deel van het Westfront 1895/ Alkmaar’
De lustplaats Suypestyn / Suypestyn maison de plaisance
Object type: print
Date: 1756 – 1780
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: rural housing, e.g. country-house, villa, cottage, tow-boat, towing-barge, drunkenness
Inscriptions: collector's mark: Lugt 1641, stamp:, collector's mark: Lugt 1641

Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Handel, nijverheid en verkeer, Vervoermiddelen te land en te water, Vervoermiddelen te water.
Sacrae historiae acta a Raphael Urbin in Vaticanis xystis ad picturae miraculum expressa
Object type: album leaf
Date: 1649 – 1649
Materials: paper
Techniques: etching
Location: paris
Subjects: passage through the red sea, pharaoh and his army engulfed in the red sea (israelites not or barely visible)

Deze prent maakt deel uit van een album.
Bust of a Roman
Object type: bust
Date: 1501 – 1600
Materials: bronze, wood
Subjects: men,portraits

The anxious expression, bulging eyes, and cropped hair suggest emulation of Roman portraiture of the Julio-Claudian age.[1] The bust, an unchased indirect cast, exhibits mold cracks and bubble marks from casting in plaster, which suggests a northern Italian origin. Northern Italy certainly produced classicizing busts, but here the imitation of Republican style is so sedulously archaeological as to suggest a much later date, and the extremely thin casting implies the hand of a silversmith regardless of date or place.[2] A distinctly superior version, with pronounced, high cheekbones, is in the Galleria Estense, Modena (fig. 28a).[3] It is no doubt the original, its slightly larger size proving that ours is a shrunken after-cast of it. In Modena, it is paired with a bust of a woman in braids, apparently the one cited in the 1584 inventory of Alfonso II d’Este, duke of Ferrara. Currently, both are improbably assigned to Nicolò Roccatagliata.[4] A charming feature of the present work, absent from the Modena bronze, is the integrally cast scrolling floral volute on the back (fig. 28b). It once formed the top of a prong or strap that anchored the bust to the rear of its lost original base. The Modena bust has better-formed irises against the stained-bone whites of the eyes and a crisper rendering of the feathered locks, particularly noticeable at the crown of the head. In our bust, by contrast, these areas are mere blurs. -JDD Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. Compare, for example, ancient portraits sometimes discussed in relation to Brutus, such as a male bust in The Met, 14.40.696; see Picón et al. 2007, no. 381. The Augustan age also produced miniature bronze busts that could have inspired ours, for example, Kunsthistorisches Museum, VI 273. 2. R. Stone/TR, October 13, 2011. 3. Bode 1907–12, vol. 2, pl. CVII (as after the antique); Planiscig 1930, pl. 103 (as North Italian, 16th century, height mistakenly given as 12 cm); Salvini 1955, p. 41 (as North Italian, late 15th century); Franzoni 1982–83, p. 331, figs. 6, 7 (as Julius Caesar, discussed with a dissimilar self-portrait by Giulio della Torre [1481–ca. 1557], active in Verona and Padua, belonging to the Fondazione Miniscalchi Erizzo, Verona). 4. Information supplied by Annunziata Lanzetta. The female bust, with tiny shoulders, originally had glass eyes and a glass or enamel brooch and has a fifteenth-century appearance.
Two Figures (from Sketchbook X)
Object type: drawing
Date: 1885 – 1885
Materials: graphite, paper
Culture: american
Artist: william trost richards
Artist role: artist
Artist nationality: american
Artist dates: 1833 – 1905
Subjects: human figures

This sketchbook contains fifty-one drawings in graphite and ink, primarily of Pacific Northwest landscape and marine subjects. The addition to the Museum’s collection of this and one other sketchbook (1992.2.1) of New England and Pennsylvania landscape and marine subjects by Richards virtually completes a representation of the range of the artist’s graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard’s tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist’s uncanny facility in his better known paintings and watercolors.
Gastvrijheid
Object type: print
Date: 1894 – 1959
Materials: paper
Techniques: lithograph, letterpress printing
Location: liège
Artist: monogrammist g.j.
Artist role: print maker
Subjects: hospitality; 'hospitalità' (ripa), robber, murder, the soldier; the soldier's life
Inscriptions: collector's mark: Lugt 2760

Blad met 8 voorstellingen over drie soldaten die gastvrij worden ontvangen bij boer Piet, nadat de gierigaard vader Gregorius ze de deur had gewezen. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 315.
View of the Hamlet of Veerle, near Antwerp
Object type: drawing
Date: 1674 – 1674
Materials: ink, paper
Techniques: brush, pen
Location: veerle
Artist: barend klotz
Artist role: draughtsman
Subjects: prospect of village, silhouette of village, church (exterior), veerle
Women Inside a Mosquito Net During a Thunderstorm, from the illustrated book "Picture Book: Flowers of the Four Seasons (Ehon shiki no hana)," vol. 1
Object type: print
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Portret van wetenschapper en toneelschrijver Giambattista della Porta
Object type: print
Date: 1584 – 1637
Materials: paper
Techniques: engraving
Location: italy
Artist: jacobus laurus
Artist role: print maker, publisher
Artist dates: 1561 – 1645
Subjects: naples, historical persons, writer, poet, author, science and technology (+ portrait of scholar, scientist)
Groep Indiërs bij een liggende koe
Object type: sketchbook leaf
Date: 1924 – 1925
Materials: paper, pencil
Location: india
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: cow, asiatic races and peoples: indians

Pagina 103 uit een schetsboek met 87 bladen.
Marjo bij een loket met gebak
Object type: drawing
Materials: paint, ink, paper, pencil
Techniques: brush, pen
Artist: eddy de smet
Artist role: draughtsman
Inscriptions: :, annotation: ‘Pag. 36. Harder trekken, laat mij eens! zei Marjo geamuseerd.’, signature: ‘Eddy de Smet’, collector's mark: Lugt 2228, annotation: ‘Marjo’

Marjo en een jonge vrouw staan bij een loket in een muur. Het loket bestaat uit vijf lades met een greepje. Boven het loket staat 'Gebak'. Marjo trekt aan een greepje van één van de lades.
Madame Tang (To Fujin), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"
Object type: print
Date: 1848 – 1850
Techniques: woodblock print
Location: japan
Artist: utagawa kuniyoshi
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1861
Mariaplaats te Utrecht
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: tone lithography
Location: utrecht
Artist: pieter wilhelmus van de weijer
Artist role: print maker, printer, publisher
Artist dates: 1816 – 1880
Subjects: city-view, and landscape with man-made constructions
Inscriptions: collector's mark: Lugt 2228

Blik op de Mariaplaats vanuit het westen met links de Domtoren. Links gevel van het gebouw voor Kunsten en Wetenschappen gedeeltelijk.
Neptune
Object type: statuette
Date: 1700 – 1700
Materials: gilt bronze, marble, terracotta
Subjects: neptune

This and another pendant River God (1973.184.3a, b) are models, probably for much larger garden figures. They are amusingly distorted imitations of types current in French baroque classicism, in the manner of Girardon and Coysevox but gone awry.
De heilige Norbertus preekt tegen Tanchelm in Antwerpen
Object type: book illustration
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: st. norbert preaching at antwerp before the dissenter tankelin, antwerp

De heilige Norbertus wordt naar Antwerpen gestuurd waar hij preekt tegen de ketterse leer van de monnik Tanchelm. Norbertus vertrapt leden van de sekte van Tanchelm. Bovenaan het wapenschild van Antwerpen.De prent heeft twee Latijnse opschriften: een boven en een onder de voorstelling.
Sampler
Object type: sampler
Date: 1777 – 1777
Materials: linen, silk
Subjects: human figures,birds,trees
Bookbinding
Object type: bookbinding
Date: 1301 – 1400
Materials: leather
Techniques: gilding, stamping, tooling
Location: egypt
In quibus omne genus venationis, aucupij, piscatusque
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: hunting dogs, hunt ~ predatory animals (fox, lion), beasts of prey, predatory animals: wolf
Inscriptions: collector's mark: Lugt 2228

Een wolf wordt door honden opgejaagd en vervolgens met speren doorstoken. De prent heeft een Latijns onderschrift en maakt deel uit van een 43-delige serie over de jacht.
Fan
Object type: fan
Date: 1855 – 1865
Materials: mother of pearl, paper
Culture: european
Subjects: men,women,horses,chariots
Chair Strip
Object type: chair strip
Date: 1601 – 1800
Materials: metal thread, silk
Culture: chinese
Subjects: birds
Pripravy k oslave prvniho milionu
Object type: page
Date: 1891 – 1893
Materials: paper
Techniques: autotype
Location: prague
Subjects: façade (of house or building), temporary exhibition, 'salon'
Pillow Cover
Object type: textile
Date: 1601 – 1700
Materials: linen, textile, silk
Techniques: backing, cutting, embroidery, drawing, treatment, weave, stitching
Location: skíros
View of a Castle
Object type: drawing
Date: 1748 – 1748
Materials: ink
Techniques: brush, pen, wash
Culture: dutch
Artist: monogrammist pvh
Artist role: artist
Artist dates: 1748 – 1748
Subjects: castles,bridges
Vuurwerk bij de viering van de Vrede van Utrecht, 1713
Object type: print
Date: 1713 – 1713
Materials: paper
Techniques: etching, hand coloring
Location: amsterdam
Artist: Anonymous
Subjects: bonfire, fire-works, festivities (+ illumination, fire-works ~ festive activities)

Stellage met vuurwerk afgestoken in opdracht van de Staten-Generaal op de Hofvijver te 's-Gravenhage bij de viering van de Vrede van Utrecht, 14 juni 1713. Aan weerszijden van de voorstelling de titel en legenda in het Nederlands. Onderdeel van een atlas met 223 kaarten van landen en steden en oorlogstaferelen in Europa in de periode ca. 1690-1735.
Portret van Willem I, prins van Oranje
Object type: print
Date: 1752 – 1752
Materials: paper
Techniques: etching
Location: amsterdam
Artist: frans de bakker
Artist role: print maker
Subjects: william i (prince of orange)
Inscriptions: collector's mark: Lugt 963

Portret van Willem I prins van Oranje in ovaal. Onder het portret zijn naam.
Domstraat in Utrecht
Object type: photograph
Date: 1888 – 1888
Materials: paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912

De Domstraat in Utrecht, met door de straat een tramrails en wandelende mensen. Geschreven op object: Domsteeg. Utrecht, gezicht uit kamer achter St. Pieter.
Dish
Object type: dish
Date: 1830 – 1830
Materials: earthenware
Techniques: glazing
Culture: mexican
Location: mexico
Subjects: musical instruments,men,musicians
Primo prospetto del Palazzo e Giardino Pamphilio detto del bel respiro
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: etching
Location: rome
Subjects: city-view in general; 'veduta', garden, villa
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Metal Ecclesiastical Object
Object type: drawing
Date: 1851 – 1900
Materials: gouache
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900
River Landscape
Object type: drawing
Date: 1600 – 1600
Materials: ink
Techniques: pen
Artist: jaques saverij
Artist role: artist
Artist dates: 1565 – 1603
Subjects: rivers,landscapes

Jaques Saverij’s later drawings imitated, and emulated, Pieter Breugel the Elder (1525/30-1569) so successfully that they were often identified as the work of Breugel himself. River Landscape is one such sketch. Although similar to Breugel’s mountain landscapes of 1559-61, the Lehman sheet relates in both style and subject matter to Saverij’s etchings, and probably dates to about 1600. Saverij’s drawings of the period are more loosely modeled than is compatible with Breugel’s precise yet feathery technique.
Sur le glacier
Object type: photomechanical print
Date: 1905 – 1909
Materials: cardboard
Techniques: photograph, writing
Location: switzerland
Artist: Anonymous
Subjects: glacier (+ landscape with figures, staffage), switzerland
The Baptism in the river Jordan (mould with original impression)
Object type: mould
Date: 1550 – 1600
Materials: clay
Techniques: firing, forming
Location: leiden
Artist: Anonymous
Subjects: leiden

In the Middle Ages many cheap, simple religious items were produced, such as this terracotta pax. The mould was created directly from the costly ivory pax adjacent. While the scene of the baptism of Christ is an exact copy, the heraldic shield is omitted. This group of three objects shows how luxury works of art inspired cheap serial products.
Vue à Grindelwald. Suisse. (1)
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: grindelwald
Artist: william england
Artist role: fotograaf
Artist dates: 1816 – 1896
Subjects: city-view in general; 'veduta', façade (of house or building)
Inscriptions: inscription: ‘Views of Switzerland, photographed by W. England. (Registered) Under the Special Patronage of the Alpine Club.’, number: ‘96.’
Design for the decoration of a ceiling in the house of Baron Malet, Jouy-en-Josas (Seine et Gise)
Object type: drawing
Date: 1851 – 1900
Materials: gouache, paper
Techniques: inlay
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: flowers,ceilings
Needlepoint Picture
Object type: textile
Date: 1801 – 1900
Location: france
The Guardian of the Night
Object type: print
Techniques: aquatint
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women

A watchman walks towards the left with a lantern and a club. A man and a woman kiss in a booth behind him at right, and two men climb into a second story window with a ladder behind him at left.
Tile fragment
Object type: tile inlay, palace of ramesses ii, foreigner
Date: 1279 – 1213
Materials: ceramic, glaze
Location: egypt
The Presentation of the Virgin in the Temple, from "The Life of the Virgin"
Object type: print
Date: 1503 – 1503
Techniques: woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: temples,men,women,virgin mary
The Daughter Manju, illustration from Bugei Kurabu (Literary Club)
Object type: print
Date: 1906 – 1906
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki kason
Artist role: artist
Artist nationality: japanese
Artist dates: 1860 – 1919
Subjects: houses,women,trees
Gezicht op Château Lesdiguières
Object type: print
Date: 1839 – 1841
Materials: paper
Techniques: aquatint
Location: paris
Subjects: palace, façade (of house or building)
Inscriptions: inscription: ‘Rittner & Goupil Boulevd Montmartre 15’, inscription: ‘Hr. Bossance Quai Voltaire 11’, inscription: ‘N.P. Lerebours Place du Pont Neuf 15’
Portret van Joachim von Sandrart
Object type: print
Date: 1653 – 1693
Materials: paper
Techniques: engraving
Subjects: painter, print maker, draughtsman, joachim von sandrart (i), historical persons, portrait, self-portrait of painter, ornament ~ festoon, garland
Boereninterieur met een vrouw aan een spinnewiel
Object type: sketchbook leaf
Date: 1666 – 1666
Materials: chalk, ink, paper
Techniques: brush
Artist: cornelis saftleven
Artist role: draughtsman, painter, print maker
Artist dates: 1607 – 1681
Subjects: cat, cottage - aa - civic architecture: inside, farmers - aa - female farmer, farmer's wife

Blad 4 recto uit een schetsboek met 49 bladen.
Monument ter gelegenheid van de bruiloft van Jonas Witsen en Elisabeth Basseliers
Object type: print
Date: 1701 – 1701
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: amsterdam, print maker, mayor, jonas witsen, charity, 'caritas'; 'carità' (ripa) ~ one of the three theological virtues, (story of) apollo (phoebus), (story of) minerva (pallas, athena), mayor, burgomaster, monument, statue, frankness, loyalty; 'lealtà', 'realtà' (ripa), cupids: 'amores', 'amoretti', 'putti', ornamenting, decorating ~ applied arts (+ monumental art)
Inscriptions: collector's mark: ‘18.17’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Herinneringen aan regeringsleden en hunne huisgezinnen [voor 1800]. Genummerd rechtsboven: 27.
Beleg van Grave door Maurits, 1602
Object type: print
Date: 1756 – 1758
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: the hague, maurice (prince of orange), siege, position war, grave

De stad Grave, belegerd en veroverd door het Staatse leger onder prins Maurits, 18 juli - 20 september 1602. De prins te paard in het legerkamp, in de verte het profiel van de stad.
Tortoiseshell and Basketry Inrō
Object type: inrō
Date: 1601 – 1700
Materials: bamboo, bronze, ivory, lacquer, rattan, shell
Techniques: stain, urushi
Culture: japanese
Soucer of Chinese porcelain from the wreck of the Dutch East Indiaman Witte Leeuw
Object type: platter
Date: 1613 – 1613
Materials: porcelain
Location: jingdezhen
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Incomplete schotel van porselein uit V.O.C.-schip de 'Witte Leeuw'. Zie ook NG-1978-127-10518-2.
Double Clarinet
Object type: double clarinet
Date: 1801 – 1900
Materials: wax
Culture: indian
Location: india
Gezicht op de oude haven van Hamburg
Object type: stereograph
Date: 1873 – 1890
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: hamburg
Artist: Anonymous
Subjects: harbour, ships (in general) - cc - more than one ship, quay
Dresden. Theaterplattz mit "Italen. Dörfchen"
Object type: postcard
Date: 1920 – 1950
Materials: photographic support
Techniques: gelatin silver print
Location: dresden
Artist: Anonymous
Subjects: dresden
Vier dansende vrouwen
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: printing, engraving, hand coloring, lithography
Location: netherlands
Subjects: group dancing
Inscriptions: collector's mark: ‘wapenschild van Utrecht in een cirkel en rondom de tekst: School voor de grafische vakken te Utrecht’, collector's mark: Lugt 2228

Vier vrouwen dansen hand in hand in een kring.
Titelpagina voor: T. Salmon, Hedendaagsche historie, of Tegenwoordige staat van alle volkeren, 1729
Object type: titelblad, titelpagina
Date: 1729 – 1729
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: hand, arm of justice (symbol of sovereignty), 'historia'; 'historia' (ripa), globe, human races; peoples; nationalities
Inscriptions: collector's mark: Lugt 2228

Landschap met een architecturale nis waarin afgevaardigden van de volken van verschillende continenten zich hebben verzameld. Op de voorgrond Geschiedenis die in haar boek schrijft. Zij wordt vergezeld door een vrouw, in de hand de Hand van Justitie, die wijst naar het monument waarop de titel in het Nederlands. Op het monument een putto op een globe.
H. Theresia in extase
Object type: print
Date: 1707 – 1739
Materials: paper
Techniques: engraving
Location: france
Subjects: personal devotion of st. theresa - female saint meditating, in ecstasy, private worship and religious study
Inscriptions: collector's mark: Lugt 240
Verzameling gefossiliseerde armpotigen, Spirifer
Object type: photomechanical print
Date: 1889 – 1894
Materials: paper
Techniques: autotype
Location: brussels
Subjects: fossil animals
Inscriptions: inscription: ‘Bull. Soc. belge de Géol. de Paléont. et d'Hydr./ F. Béclard. - les spirifères du coblenzien Belge/ T. IX 1895. Mém., pl. XV.’, inscription: ‘Spirifer subcuspidatus, Schnur/ Spirifer trigeri, de Verneuil.’, inscription: ‘V. Lefebvre. AD. NAT. DEL.’
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1701 – 1800
Materials: brass, copper, gold alloy, gold, silver
Culture: japanese
Location: japan
Subjects: demons
[St. Pierre, Caen]
Object type: photograph
Date: 1850 – 1859
Techniques: paper negative, salted paper print
Artist: Anonymous
Artist role: artist
Subjects: towers,churches
Needle
Object type: needle
Materials: bronze
Location: egypt
Pilgrim bottle (one of a pair)
Object type: pilgrim bottle
Date: 1690 – 1690
Materials: silver gilt
Subjects: faces,coat of arms

This bottle and its pair (68.141.225) are engraved with the arms and coronet of Evelyn Pierrepont (1665–1726), fifth Earl of Kingston-upon-Hull, later Marquess and Duke of Kingston.
Pompadourtegel
Object type: pompadourtegel
Date: 1580 – 1625
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Pompadourtegel met een veelkleurige (blauw, groen en oranje) bloempot. In de hoeken, ornament in vultechniek.
Portret van Carl Friedrich Leopold von Gerlach
Object type: print
Date: 1800 – 1801
Materials: paper
Techniques: stippling
Subjects: mayor, historical persons, portrait of a writer

Prent mogelijk uit: Neue Berlinische Monatschrift 5 (1801). Berlijn en Stettin: Friedrich Nicolai, 1801.
The Upper Section of the Right Portal, with the Inscription on a Stag Skin; a Frieze with Busts of Roman Emperors; and the Entablature of the Columns, from the Arch of Honor, proof, dated 1515, printed 1517-18
Object type: print
Date: 1515 – 1515
Techniques: letterpress, woodcut
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: emperors,griffins

The drummer and griffon decorating the entablature are by Albrecht Dürer; the stag skin is by Hans Springinklee after Dürer; and the emperors are by Springinklee.
Portret van Latino Latini
Object type: print
Date: 1710 – 1736
Materials: paper
Techniques: engraving, etching
Location: germany
Subjects: archbishop, bishop, etc. (roman catholic), historical persons

Met Latijnse tekst onder het portret. Onder: Ex collectione Friderici Roth-Scholtzü, Norimbergae.
Marble torso of Aphrodite
Object type: torso
Date: 1 – 200
Materials: marble
Culture: greek

This work likely represents Aphrodite Anadyomene, capturing the moment when the goddess tying her hair as she rises from the sea after her birth.
Landscape after Huang Gongwang
Object type: painting
Materials: ink, paper
Location: china
Artist: wang yuanqi
Artist nationality: chinese
Artist dates: 1642 – 1715
Subjects: landscapes
Vrouw met sluier, ten halven lijve
Object type: sketchbook leaf
Date: 1841 – 1853
Materials: ink, paper, pencil
Techniques: brush, pen
Artist: johannes tavenraat
Artist role: draughtsman, painter, print maker
Artist dates: 1809 – 1881
Subjects: adult woman, veil

Blad 36 recto uit een schetsboek met 87 bladen.
View of the Roman Forum with the Column of Phocas and the Temple of Saturn
Object type: drawing
Materials: chalk, ink
Techniques: brush, pen, wash
Location: france
Artist: victor jean nicolle
Artist role: artist
Artist nationality: french
Artist dates: 1754 – 1826
Subjects: columns,temples,rome