deem-data/ArtiFact huggingface dataset:
Bell
Object type: bell
Date: 1867 – 1900
Materials: iron
Culture: congolese
Location: democratic republic of the congo

Single bell struck with a stick, rod or animal horn. Single and double clapperless bells made from forged iron are sounded to send messages, make announcements, and perform divination. these widespread idiophones are called by many different names. Agogo, a term used by the Yoruba and other Nigerian peoples to indicate a struck clapperless bell, is also found in Afro-Caribbean cultures. The bell's timbre is varied by letting it ring freely or by damping it against the chest. Instruments made of sonorous materials (idiophones) comprises the largest and most widespread type in sub-Sahara Africa. Names of identical instruments change from region to region. Some instruments and the music linked to them have traveled beyond the African homeland to North and South America and the Caribbean. Idiophones are sounded by shaking (rattle, sistrums), beating together (iron clappers), or striking (xylophones, slit gongs, bells). they reinforce the rhythmic foundation of a piece, provide a melodic line, signal by imitating spoken languages, or perform rhythmic, melodic and communicative roles simultaneously.
Paul Seigneret séminariste de Saint-Sulpice
Object type: book
Date: 1875 – 1875
Materials: cardboard, leather, paper, photographic support
Techniques: marbled paper, albumen print, printing
Location: paris
Artist: adolphe josse
Artist role: publisher
Shell with traces of blue paint
Object type: fragment
Date: 601 – 1000
Materials: lapis lazuli, pigment, shell
Location: iraq

This fragment of a shell with traces of a blue paint was excavated in Ctesiphon, the Sasanian metropolis and administrative capital conquered by Arab Muslim armies in 637. The complete shell would have been likely used as a painter’s pigment holder, much likely as seen in another example also excavated at Ctesiphon that contains traces of a red paint (32.150.160). The city continued to be inhabited throughout the era, when it was known in Arabic as al-Mada’in, or "the cities", because of the expansive area it encompassed. Arab and Persian historians and poets indulged in describing al-Mada’in/Ctesiphon’s grand monuments. Muslim rulers also celebrated the glory of these monuments, which through time had acquired symbolic significance due to their association with the city’s imperial past. This was the case of the Taq-i Kisra, an impressive colossal ivan (a vaulted hall with one side open) that was partially dismantled to reuse its bricks in caliphal buildings in the new capital of Baghdad. Finds like this shell attest to the continued occupation of Ctesiphon’s urban area in the first centuries of the Islamic period, during which a pilgrimage site developed at Salman-i Pak, an area named after the tomb of Salman al-Farsi, one of the early companions of the Prophet and the first Iranian to convert to Islam. The site is still visited by pilgrims today. Excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the Taq-i Kisra, in a small, fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir. According to the agreements, the finds were first divided with the Iraqi authorities, between Berlin and New York.
Seal
Object type: seal
Date: 1901 – 1933
Materials: jade
Culture: chinese
Portret van August Wilhelm Hupel
Object type: print
Date: 1775 – 1799
Materials: paper
Techniques: engraving, etching
Artist: eberhard siegfried henne
Artist role: print maker
Artist dates: 1759 – 1828
Subjects: theologian, historical persons

Prent gebruikt in: Allgemeine deutsche Bibliothek. Berlijn en Stettin: Friedrich Nicolai, 1791, dl. 104.1.
Taylor, Lawn Tennis, from the Goodwin Champion series for Old Judge and Gypsy Queen Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,athletes

The Goodwin Champions series of trading cards (N162), was issued by Goodwin & Company in 1888 to promote Old Judge and Gypsy Queen Cigarettes. The series of 50 cards depicts athletes in various disciplines. The Metropolitan Museum of Art owns all 50 cards from the series.
Mitten Gauntlet for the Right Hand
Object type: armor
Date: 1540 – 1550
Materials: brass, steel
Location: nuremberg
Card Number 188, Jessie Ames, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-7), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the seventh subset, N145-7. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Ôhi (Stole)
Object type: textile
Materials: gold leaf, paper, silk
Techniques: bookbinding, interlacing, lacquer, lining, patterning, weave, satin weave
Location: japan
Wine bottle with decoration of landscape and poem
Object type: bottle
Date: 1634 – 1666
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Subjects: birds,landscapes
Gezicht op het Sognefjord met visplatform
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: photograph
Location: vienna
Subjects: fjord, sea loch, mountains (+ landscape with figures, staffage), fisherman
Inscriptions: number: ‘28’
Ontwerp voor een venster met honingraatpatroon
Object type: sketchbook leaf
Date: 1876 – 1924
Materials: chalk, paper
Artist: gerrit willem dijsselhof
Artist role: designer, draughtsman, print maker
Artist dates: 1866 – 1924
Subjects: window

Blad 13 recto uit een schetsboek met 24 bladen.
Tekstblad
Object type: print
Date: 1734 – 1734
Materials: paper
Techniques: letterpress printing
Location: paris
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Tekstblad uit: S.n. Explication de la prophétie d'Isaïe, Tome premier. Parijs: Babuty, François, 1734.
La vie de St. Bruno (...)
Object type: print
Date: 1623 – 1676
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: rome, the founder of the order of the carthusians, bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s), historical persons, pope
Inscriptions: collector's mark: Lugt 2165

Maakt deel uit van een serie met 24 prenten (inclusief twee titelprenten), naar schilderijen door Lesueur vervaardigd tussen 1645-1648 voor de Chartreuse de Paris. De serie is getiteld: La vie de St. Bruno fondateur de l'Ordre des Chartreux peinte au cloistre de la Chartreuse de Paris par Eustache Le Sueur.
Interieur de afgebrande Hervormde Kerk te Harmelen
Object type: photograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: harmelen
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: interior of church
Inscriptions: annotation: ‘Kerk der N.H. gemeente te Harmelen (U.)/ na den brand in juni 1900/ geizen naar het westen’, annotation: ‘Harmelen’
Het Huis te Cleef, near Haarlem, from Views in the Surroundings of Haarlem (Plaisante Plaetsen)
Object type: print
Date: 1610 – 1620
Materials: ink, paper
Techniques: etching
Location: netherlands
Artist: claes jansz. visscher
Artist nationality: netherlandish
Artist dates: 1550 – 1612
Inscriptions: Lettered lower right: "12"
Markttafereel in Nederland
Object type: stereograph
Date: 1890 – 1930
Materials: paper, cardboard
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Subjects: market, netherlands
Terracotta fragments of a neck-amphora (jar)
Object type: neck amphora, tyrrhenian fragment
Date: 575 – 551
Materials: terracotta
Culture: greek, attic

Four miscellaneous fragments from Tyrrhenian amphorae with unidentified subjects
The Secret
Object type: print
Date: 1804 – 1831
Techniques: engraving
Artist: jacques bonnefoy d'arles
Artist role: artist
Artist nationality: french
Artist dates: 1755 – 1828
Subjects: children,women,reading,goats
Squirrel on Grapevine
Object type: screen
Date: 1801 – 1900
Materials: ink, panel, paper
Culture: japanese
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Subjects: grapes,squirrels,leaves
Titelprent met kariatiden, putti en honden in een omlijsting
Object type: titelprent, frontispice
Date: 1644 – 1644
Materials: paper
Techniques: engraving, etching
Location: france
Subjects: caryatids ~ architecture, ornament derived from objects - aa - stylized, cupids: 'amores', 'amoretti', 'putti', dog
Inscriptions: collector's mark: Lugt 240
Wapenhandelinghe van Roers Musquetten ende Spiessen
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Subjects: manoeuvre ~ military training, firearms: rifle

Een soldaat, ten voeten uit, naar rechts, die een musket (een bepaald type vuurwapen) met zijn linkerhand vasthoudt. Met duim en middelvinger van zijn rechterhand geeft hij de brandende lont op de haan (onderdeel van het ontstekingsmechanisme) van zijn musket de juiste plek en vorm. Deze prent is onderdeel van de reeks van 43 genummerde prenten van musketiers uit de Wapenhandelinghe. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Krijgswezen, Wapens.
Buste van jongeman, naar rechts kijkend
Object type: print
Date: 1876 – 1876
Materials: paper
Techniques: etching
Location: london
Artist: john park
Artist role: print maker
Artist dates: 1830 – 
Subjects: head (human) (+ three-quarter view), piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228

Prent is deel van een groep prenten gemaakt door leerlingen van Alphonse Legros, naar kunstwerken in het Victoria & Albert Museum.
Head of a Man
Object type: sculpture
Date: 300 – 1
Materials: terracotta
Culture: greek
Location: greece
Rust op de vlucht naar Egypte
Object type: print
Date: 1622 – 1648
Materials: paper
Techniques: etching
Location: italy
Artist: simone cantarini
Artist role: draughtsman, print maker
Artist dates: 1612 – 1648
Subjects: rest on the flight into egypt
Inscriptions: collector's mark:, collector's mark: Lugt 2228, collector's mark: Lugt 1236

De Heilige Familie rust onder een boom tijdens de vlucht naar Egypte. Jozef geeft een kleine vrucht aan het Christuskind dat bij Maria op schoot ligt. Linksboven twee putti.
Man's Moccasins
Object type: costume and accessory
Date: 1885 – 1890
Materials: textile, glass, leather, thread
Location: central plains
Artist: Anonymous
Artist nationality: Arapaho
Baths of Diocletian, Rome
Object type: print
Date: 1817 – 1817
Materials: paper
Techniques: lithograph
Location: france
Artist: claude thienon
Artist nationality: french
Artist dates: 1772 – 1846
Neckcloth
Object type: neckcloth
Date: 1900 – 1900
Materials: metal
Culture: american or european
Dog Cart/Tandem Cart (unnumbered)
Object type: drawing
Date: 1850 – 1874
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Het oordeel van Paris
Object type: print
Date: 1501 – 1580
Materials: paper
Techniques: engraving, etching
Location: italy
Artist: giulio bonasone
Artist role: painter, print maker
Artist dates: 1510 – 1576
Subjects: the judgement of paris (mercury present), male roman deities, apollo in the chariot of the sun, drawn by four horses, usually preceded by aurora holding a torch; 'carro del sole' (ripa), female roman deities
Inscriptions: collector's mark: Lugt 240

Rechts vind het oordeel van Paris plaats, waarbij de zittende Paris zijn keuze maakt voor Venus. Achter hem staan Mercurius, Juno en Minerva. Uiterst rechts staan twee naakte vrouwen (mogelijk nimfen). Centraal staat Mars met helm en schild. Midden boven vliegt Apollo op zijn zonnewagen. Linksboven en onder zitten verschillende goden, onder wie Jupiter en Diana.
Corpus Christi in lijst
Object type: sculpture
Date: 1700 – 1700
Materials: wood
Location: france

Corpus Christi. Kersenhout. Frankrijk, ca. 1700.
Glass compound eye bead
Object type: bead
Date: 400 – 301
Materials: glass
Culture: greek, eastern mediterranean

Semi-opaque turquoise blue ground; additions in opaque white and translucent cobalt blue. Squat spherical shape with rounded ends to large vertical hole. Staggered pattern of six white disks, each with rosette of seven eyes in white and blue, but with one disks having only six eyes. Intact; dulling, some pitting, and faint creamy iridescent weathering. Sea blue bead with yellow spots, in which are groups of blue spots.
Studioportret van een staande man met baard en snor bij een tafel, hij draagt een lange jas
Object type: carte de visite
Date: 1863 – 1866
Materials: cardboard, paper
Techniques: albumen print
Location: istanbul
Inscriptions: stamp: ‘Abdullah freres Constantinopel’, name: ‘maccas’
Fotoalbum met 85 foto's van bezienswaardigheden in Nederland en 140 persoonlijke foto's van Berti Hoppe en Herman Besselaar
Object type: photograph album
Materials: cardboard, linen, paper, photographic support, fiber
Techniques: gelatin silver print
Location: netherlands
Subjects: herman besselaar, berti hoppe, dune coast, landscapes, historical persons - bb - woman, historical persons, sea (seascape), anonymous historical persons portrayed in a group, in a group-portrait, netherlands
Inscriptions: company name: ‘REISA’, retailer's mark: ‘REISA ALBUM/ mit ges. gesch. Falzrücken/ (...)’

Fotoalbum 48 pagina's met in totaal 225 foto's, bestaand uit 85 gestandaardiseerde opnamen van (architectonische) bezienswaardigheden in verschillende steden in Nederland en 140 persoonlijke foto's van Berti Hoppe en Herman Besselaar, hun omgeving en hun kennissen. Onderdeel van vijf albums van de Besselaars.
Fragment (Towel or Napkin)
Object type: textile
Date: 1875 – 1900
Materials: gold
Techniques: embroidery
Location: turkey
Suruga, Kai, and Izu, no. 5 from the series "Cutout Pictures of the Provinces (Kunizukushi harimaze zue)"
Object type: print
Date: 1852 – 1852
Techniques: woodblock print
Location: japan
Artist: utagawa hiroshige 歌川 広重
Artist role: artist
Artist nationality: japanese
Artist dates: 1797 – 1858
Ur-Namma cadastre
Object type: cuneiform inscription
Date: 2112 – 2095
Culture: neo-sumerian
Location: mesopotamia
Gold ring with sphinx or lion-shaped scaraboid
Object type: ring with scarab
Date: 664 – 334
Materials: glass, gold
Culture: egyptian

Sphinx shaped scarab of dark blue glass engraved with a standing figure much decayed.
Drie aangemeerde zeilschepen
Object type: print
Date: 1650 – 1664
Materials: paper
Techniques: etching
Location: netherlands
Artist: reinier nooms
Artist role: draughtsman, painter, print maker
Artist dates: 1623 – 1664
Subjects: sailing-ship, sailing-boat, mooring-buoy, bollard
Inscriptions: collector's mark: Lugt 2228a

Drie grote zeilschepen, vastgelegd met touwen aan drie meerpalen in het water.
Jonge jager
Object type: print
Date: 1670 – 1736
Materials: paper
Techniques: engraving, intaglio
Location: germany
Subjects: carrying something with carrying-pole, boy (child between toddler and youth), hare-hunting, rabbit-hunting, bird hunting, head-gear: hat
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Stoute daad van Jan van Schaffelaar
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: etching
Location: netherlands
Subjects: self-sacrifice, death in the service of a higher purpose
Inscriptions: date

Illustratie voor: Jacobus Kok, Vaderlandsch Woordenboek, Johannes Allart, Amsterdam 1785-1799, 35 delen, dl. XXVI, pl. IV. Staat met de letter.
Study for the Vision of Saint Francis of Assisi Taken to Heaven in a Fiery Chariot
Object type: drawing and watercolor
Date: 1600 – 1602
Materials: chalk, ink, paper, lead, pigment
Techniques: brush, heightening, pen, drawing, wash
Location: italy
Artist: jacopo ligozzi
Artist role: artist
Artist nationality: italian
Artist dates: 1547 – 1627
Kalenderblad mei 1900
Object type: print
Date: 1900 – 1900
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: may ~ other concepts
Keizer Maximiliaan I knielt voor Christus
Object type: print
Date: 1519 – 1519
Materials: paper
Techniques: woodcut
Location: nuremberg
Subjects: maximilian i (holy roman emperor), the virgin martyr barbara; possible attributes: book, cannon(ball), crown, cross, chalice with wafer, dioscuros (her father), peacock feather, sword, torches, mason's tools, tower, the apostle andrew; possible attributes: book, x-shaped cross, fish, fishing-net, rope, scroll, the martyr sebastian; possible attributes: arrow(s), bow, tree-trunk, male saints (with name), madonna (or mary without christ-child) as patroness or protectress, e.g. of a confraternity or lay order, the warrior martyr george (georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword
Inscriptions: collector's mark: Lugt 240

Keizer Maximiliaan I knielt voor Christus, omringd door de Heilige Joris, Maximiliaan, Barbara, Leopold, Sebastiaan, Andreas en Maria met het Christuskind. Binnen de voorstelling teksten op drie banderollen: één bij de mond van Maximiliaan, één bij de mond van Maria en één bij de mond van Christus. Boven en onder de voorsteling teksten in het Latijn, deels in versvorm.
Miss Rafelee, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
Boereninterieur met triktrakspelers
Object type: print
Date: 1670 – 1726
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: pipe ~ tobacco, open hearth, fire-place, backgammon, tric-trac, dog
Inscriptions: collector's mark: Lugt 240

Boeren spelen triktrak of backgammon aan een tafel bij een haard. Rechts op de voorgrond een hond. Op de achtergrond een man en een vrouw.
Portrait Study: Mrs. Philip, No. 4 [Studies of the Philips]
Object type: print
Date: 1897 – 1897
Materials: ink, paper
Techniques: printmaking, lithograph, printing, lithography
Location: united states
Artist: james mcneill whistler
Artist role: artist
Artist nationality: american
Artist dates: 1834 – 1903
Gun Hook
Object type: gun hook
Date: 1700 – 1800
Materials: iron
Portret van een meisje, staand op een stoel met geweer in de hand
Object type: album leaf
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: metz
Artist: jean bourens
Artist role: fotograaf
Subjects: historical persons - bb - woman, girl (child between toddler and youth), firearms: rifle, chair
Inscriptions: annotation: ‘Bourens’, inscription: ‘J. BOURENS/ Photographe/ METZ/ RUE SERPENOISE, No 27 & 29.’
The Meeting of Antony and Cleopatra from a set of The Story of Antony and Cleopatra
Object type: tapestry
Materials: silk, silver, silver gilt, thread, wool
Artist: justus van egmont
Artist role: designer
Artist nationality: flemish
Artist dates: 1601 – 1674
Subjects: cleopatra,mark antony,women,horses,boats

This panel depicts the moment at which Antony first sees Cleopatra, who is riding in the stern of a barge, fanned by youths dressed as cupids (as described by Plutarch). Cupid, leaning against the sail of the barge, aims an arrow at Antony, who is riding a spirited horse. The Latin inscription in the upper cartouche reads "Antony, sent to compel her, is captured by love of her." The exuberant style is typical of the tapestry designs of Justus van Egmont, who blended the dramatic figures of Rubens with a relish for billowing draperies and decorative details. Although the date of conception is unknown, sets of this design were being produced in Brussels from the early 1650s, and it evidently enjoyed considerable popularity. Several partial sets have survived, some numbering more than ten pieces.
Delflandia, Schielandia et insulae trans Mosam illis objacentes ut sunt Voorna, Overflackea, Goera, Yselmonda etc.
Object type: map
Date: 1631 – 1631
Materials: paper
Techniques: engraving, etching, hand coloring, letterpress printing
Location: amsterdam
Subjects: maps of separate countries or regions
Inscriptions: collector's mark: Lugt 2228

Kaart van Delfland, Schieland en de Zuid-Hollandse eilanden (onder andere Voorne, Overflakkee, Goeree en IJsselmonde). Rechtsboven de titelcartouche. Links daarvan een schaalstok: Milliare Hollandicu[m] sive 2000 virgae Rhijnlandicae. Oriëntatie: noorden rechts. Op verso Nederlandse tekst.
Ruiters te paard
Object type: toy
Date: 1775 – 1800
Materials: paint, tin
Techniques: casting
Location: europe
Subjects: riding a horse, ass, or mule; rider, horseman

Negen tinnen figuren van ruiters te paard, voorzien van willekeurig aangebrachte vlekken rode, groene en goudkleurige verf. Ze vormen een optocht.
Greep van een gevest uit het wrak van de Oost-Indiëvaarder Hollandia
Object type: greep gevest
Date: 1700 – 1743
Materials: copper, wood
Location: netherlands
Artist: Anonymous
Subjects: verenigde oostindische compagnie, hollandia (schip), annet

Hilt, grip; id. NG 1980-27H2582, damaged, 1 ferrule missing.