deem-data/ArtiFact huggingface dataset:
Studieblad met vrouwen en kinderen
Object type: sketchbook leaf
Date: 1856 – 1861
Materials: paper, pencil
Location: zeeland
Artist: cornelis springer
Artist role: draughtsman, painter, print maker
Artist dates: 1817 – 1891
Subjects: adult woman, child

Vrouw met twee kinderen. Ernaast nog twee vrouwen. Blad 23 verso uit een schetsboek met 44 bladen vervaardigd in Zeeland en Utrecht.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic
Artist: brygos painter
Artist role: artist

Interior, at left, in field, strigil and aryballos?; lower drapery and feet of male to right; one letter of an inscription, H
Towel borders
Object type: border
Date: 1800 – 1850
Materials: linen, silk
Moses Brought to Pharaoh's Daughter
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: girls,men,women,moses
Schriver, Catcher, Philadelphia, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
6. Brabandsche Schuur met en zonder brand (dongen) Kaatsheuvel
Object type: wrapper
Date: 1858 – 1918
Materials: paper, pencil
Location: netherlands
Artist: cornelis van der griendt
Artist role: draughtsman, painter, print maker
Artist dates: 1827 – 1918
Inscriptions: inscription: ‘[...] 52, 9 [...]’
Strook kloskant met hart-vormige cartouches
Object type: strip
Date: 1850 – 1850
Materials: linen
Techniques: lace
Location: tonderen
Artist: Anonymous

Strook naturelkleurige kloskant: Rijselse kant. Het zich herhalende patroon bestaat uit min of meer hart-vormige cartouches die langs de bovenzijde van de strook liggen en worden gevormd door gespiegelde vraagtekens met onderaan een zeslobbige bloem. De cartouches hangen in een geschulpt halfcirkelvormig veld. Deze velden worden gevormd door bogen van aaneengeschakelde cartouches en bladvoluten. De motieven zijn gemaakt in linnenslag, met dikkere en glimmende contourdraden. De motieven zijn met elkaar verbonden door een fijne traliegrond, een tulegrond. In de cartouches zijn siergronden toegepast waaronder een rozengrond. De bovenzijde is recht afgewerkt. De zeer flauw geschulpte onderzijde is afgewerkt met picots.
Sword Guard (Tsuba)
Object type: sword guard tsuba
Date: 1615 – 1868
Materials: copper, gold, iron, silver
Culture: japanese
Location: japan
Subjects: men
Amsterdam, brandspuitpenning van wijk 53 A met no. 64
Object type: medal
Date: 1831 – 1857
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Eenzijdige messing penning. Voorzijde: opschrift W 53 A, onderbroken door drie boven elkaar geplaatste kruisjes; daaronder: opschrift No. 64. Keerzijde: blanco
Calendar watch
Object type: calendar watch
Date: 1650 – 1650
Materials: brass, gilt, leather, silver, steel
Artist: thomas alcock
Artist role: maker
Artist nationality: british
Artist dates: 1630 – 1688
Subjects: calendars

The concentric chapter rings of this unusual dial indicate the time of tides (presumably at London Bridge), mean solar time (I.XII), the age of the moon in its monthly cycle (1.291.2), and the day of the month (1.31). The moon's phases can be read though the circular aperture in the center disk. The February 1661 issue of Kingdoms Intelligencer, a newspaper published by the English parliament in opposition to the king, reported the loss of a comparable watch by Alcock.
Gardener
Object type: figure
Date: 1763 – 1770
Materials: hard paste porcelain
Artist: niderviller
Artist role: factory
Artist nationality: french
Artist dates: 1735 – 
Subjects: women,gardeners
Leaf from a Beatus Manuscript: the Fourth Angel Sounds the Trumpet and an Eagle Cries Woe
Object type: beatus
Date: 1180 – 1180
Materials: gold, ink, parchment, paint
Culture: spanish
Subjects: eagles,trumpets,angels

Illustrated Beatus manuscripts bring to life an extraordinary vision of the end of the world, as recorded by Saint John in the Apocalypse (Book of Revelation) and filtered through the lens of Beatus of Liébana, an eighth-century Asturian monk. These manuscripts are unique to medieval Spain and a testament to the pervasive artistry and intellectual milieu of monastic culture there. The leaf shown here comes from a manuscript disassembled in the 1870s. This illustration presents two key protagonists from the eighth chapter of the Apocalypse: the fourth angel, who sounds a trumpet as the sun, moon, and stars darken; and an eagle who cries woe to the inhabitants of the earth.
Christ in Limbo, from "The Passion"
Object type: print
Date: 1512 – 1512
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: male nudes,female nudes,jesus
Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto Ve(nez)iano
Object type: print
Date: 1748 – 1778
Materials: paper
Techniques: etching
Location: rome
Artist: giovanni battista piranesi
Artist role: designer, draughtsman, print maker
Artist dates: 1720 – 1778
Subjects: city-view, and landscape with man-made constructions, ruin of a building ~ architecture, landscape with ruins, temple, shrine ~ roman religion, rome
Inscriptions: collector's mark: Lugt 2228

Deze prent maakt deel uit van de serie 'Vedute di Roma'. Piranesi werkte aan deze 135 platen tellende serie tussen 1748 en zijn dood in 1778. Francesco Piranesi voegde later nog twee prenten toe aan de reeks van zijn vader.
Figuren met huisraad in een dorpsstraat
Object type: print
Date: 1806 – 1806
Materials: paper
Techniques: etching
Location: haarlem
Subjects: may and its 'labours' (+ with scenes showing human occupations ~ seasons and months), village street, (farm) wagon, freight wagon, cart
Inscriptions: collector's mark: Lugt 2228

Gezicht in een dorp met een verhuizing. De meubels en kisten worden van een kar met twee paarden ervoor geladen en een huis binnengedragen. Op de voorgrond een man met mand op de rug.
Card Number 68, Sadie Roosevelt, from the Actors and Actresses series (N145-6) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,cats,actresses
Covered Serving Dish
Object type: serving dish
Date: 1860 – 1866
Materials: porcelain
Culture: chinese
Location: china
Subjects: birds,butterflies,flowers
Gemma pretiosa della virtuose donne, page 10 (recto)
Object type: book print ornament architecture
Techniques: woodcut
Artist: isabella catanea parasole
Artist role: designer
Artist nationality: italian
Artist dates: 1565 – 1625
Subjects: ornament

Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca.1625, published by Gugliemo Facciotti, Rome. From top to bottom, and left to right: Designed composed of a central section that is framed on the top and bottom by a border ornamented with triangles and diamonds. The middle section is ornamented with a pattern of triangles that form a sideway 'S' shape, which is then surrounded by other linear motifs.
Isabella Clara Eugenia
Object type: print
Techniques: engraving
Artist: abraham verhouven
Artist role: artist
Artist nationality: flemish
Artist dates: 1580 – 1639
Subjects: portraits,women,coat of arms

Part of a bound album containing 92 drawings and prints of anonymous and famous women of Europe.
Hercules vecht met Cacus
Object type: print
Date: 1515 – 1565
Materials: paper
Techniques: engraving
Location: italy
Artist: giovanni jacopo caraglio
Artist role: goldsmith, print maker
Artist dates: 1500 – 1565
Subjects: cacus, the fire-breathing monster is killed in his cave by hercules, cacus steals some of the cattle of geryon which hercules was driving home
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 3761, collector's mark: Lugt 567, collector's mark: Lugt 2228

Hercules staat met geheven knots op het punt Cacus aan te vallen omdat hij de runderen van Geryon probeert te stelen. Cacus trekt aan de staart van een van de runderen.
Poort van het Zwinger in Dresden
Object type: photograph
Date: 1850 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: dresden
Artist: Anonymous
Subjects: gate, entrance
Inscriptions: inscription: ‘Dresden. Zwinger.’, inscription: ‘C’
Sample
Object type: sample
Date: 1801 – 1900
Techniques: crochet
Standing cup
Object type: standing cup
Date: 1501 – 1550
Materials: quartz, silver
Subjects: animals,men

The bands of silver above and below baluster of stem are not contemporary with the crystal cup.
Fantasiestrijdwagen
Object type: drawing
Date: 1543 – 1543
Materials: ink, paper, watercolor
Techniques: brush, pen
Artist: cornelis floris (ii)
Artist role: draughtsman, print maker
Artist dates: 1514 – 1575
Subjects: ornament ~ hybrid animals, anthropomorphic ornament, chariot, triumphal car, ornament derived from plant forms
Inscriptions: date

Fantasiestrijdwagen met een riviergod, drie centauren, een vrouw en een jongen op een zeemonster.
River Scene
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: pen, wash
Artist: jan brueghel the elder
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1568 – 1625
Subjects: human figures,rivers,boats
Thailand, koning Chulalongkorn, att, 109 [=1890]
Object type: coin
Date: 1890 – 1890
Materials: copper
Techniques: striking

Koperen munt. Voorzijde: borstbeeld van de koning naar links. Keerzijde: Siam naar rechts met staf, gezeten op het Thaise wapenschild. Waarde-aanduiding rondom. In afsnede jaartal in telling van Bangkok: 109. Gladde rand.
Panel
Object type: textile
Date: 1830 – 1830
Materials: cotton
Techniques: weave, printing
Location: france
Mannen in uniform aan boord van de Hohenzollern
Object type: photograph
Date: 1807 – 1889
Materials: cardboard, paper
Techniques: gelatin silver print
Subjects: wilhelm ii (keizer van duitsland), norway
Inscriptions: number: ‘23’

De afdruk van de foto is rond, het papier vierkant. foto gemaakt met Nr. 1 Kodak Camera
Franklin Washington "Gid" Gardner, Shortstop, Washington Nationals, from the Old Judge series (N172) for Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

The "Old Judge" series of baseball cards (N172) was issued by Goodwin & Company from 1887 to 1890 to promote Old Judge Cigarettes.
Coming Home from the Marshes
Object type: photograph
Date: 1886 – 1886
Techniques: platinum print
Location: england
Artist: peter henry emerson
Artist role: fotograaf
Artist nationality: english, born cuba
Artist dates: 1856 – 1936
Vóór den arbeid
Object type: print
Date: 1866 – 1904
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: horse, stall, stable
Inscriptions: collector's mark: Lugt 2228

Een stal met een boer en boerin bij de paarden. De vrouw tilt een emmer water. Links een open deur. Rechts een open ruif en een jongen bij de paarden.
Openwork Headband
Object type: headband
Date: 901 – 1400
Materials: cotton
Culture: chancay
Location: peru
Bord, beschilderd met het Flügelmuster-decor
Object type: eating drinking utensil
Date: 1901 – 1901
Materials: porcelain
Techniques: painted
Location: meissen
Artist: konrad hentschel
Inscriptions: factory mark

Bord van beschilderd porselein. Het bord is beschilderd in groen en blauw met het Flügelmuster. Het bord hoort bij een servies (BK-1976-65-1 t/m BK-1976-65-34) en is gemerkt.
Louise Adele Dickerson Gould
Object type: bust
Materials: marble
Culture: american
Artist: augustus saint-gaudens
Artist role: artist
Artist nationality: american
Artist dates: 1848 – 1907
Subjects: portraits,women

After Saint-Gaudens completed the high-relief portrait of Louise Gould (1856-1883) (15.105.1), her widower Charles Gould asked the sculptor to adapt the portrait to three dimensions. In this smooth bust-length rendering with a socle base, she is chastely dressed in a classicizing drape with knots at the shoulders. Gould expressed his pleasure at Saint-Gaudens’s ability to capture his wife’s "girlish simplicity and sweetness." This and the other two portraits of Louise Gould (15.105.1; 32.62.1) were translated to marble by the Piccirilli Brothers, the carvers of choice for such American leading sculptors as Saint-Gaudens, John Quincy Adams Ward, and Daniel Chester French.
Gebogen been van een paard
Object type: sketchbook leaf
Date: 1869 – 1925
Materials: paper, pencil
Artist: antoon derkinderen
Artist role: draughtsman, painter, print maker
Artist dates: 1859 – 1925
Subjects: horse

Blad 2 recto uit een schetsboek met 28 bladen.
Filips III van Croy, hertog van Aarschot en Johanna van Blois
Object type: jeton
Date: 1585 – 1585
Materials: copper
Techniques: striking
Artist: Anonymous
Subjects: venice, earl

Koperen penning. Voorzijde: borststuk man binnen omschrift. Keerzijde: wapenschild in cartouche tussen jaartal onder kroon binnen omschrift
Terracotta oil lamp
Object type: lamp
Date: 100 – 100
Materials: terracotta
Culture: roman
Subjects: cupid
Twee zijden van een ivoren blad met reliëfs, voorstellende de doop van Christus en de intocht van Christus in Jeruzalem
Object type: photomechanical print
Date: 1859 – 1864
Materials: paper
Techniques: photolithography
Location: paris
Subjects: baptism of christ in the river jordan: john the baptist pouring out water on christ's head: the holy ghost descends, entry into jerusalem: people spreading their clothes before christ on the ass, and waving palm branches (matthew 21:1-11, 21:14-16; mark 11:1-11; luke 19:28-40; john 12:12-19), sculpture (+ relief ~ sculpture)
Pictures in prose : of nature, wild sport, and humble life
Object type: book
Date: 1894 – 1894
Materials: paper, cardboard, linen
Techniques: letterpress printing, rotogravure, salted paper print
Location: london
Artist: aubyn trevor-battye
Artist role: traveler
Artist dates: 1855 – 1922
Inscriptions: check stamp: ‘MUSSOORIE/ SANDHURST ROAD/ TUNBRIDGE WELLS.’, inscription: ‘JOHN CLIFFORD MILL, ESQ.’
Pen Box
Object type: pen box
Date: 1067 – 1133
Materials: copper alloy, ivory
Techniques: carving
Location: italy
Subjects: animals,birds

Islam, Christianity, and Judaism exalted the written word, and this elegant box, created to house writing tools, would have had special meaning for its owner. The Latin inscription (Taurus, the son of Mansone) links the box with the Mansone family, a ducal power in Amalfi during the eleventh century.
Collar of Venetian Needlepoint Lace
Object type: rabat
Date: 1675 – 1700
Materials: linen
Techniques: weave
Location: venice
Artist: Anonymous

Kraag of rabat van Venetiaans naaldkant met linnen halsstuk. Sluiting middenvoor. Het patroon heeft rijk vertakte, gevederde ranken met bloemknoppen en kleine bloemen in composiet, lelie- en granaatmotief. Hierdoor blijft weinig ruimte meer over voor vulling. De grond is opgebouwd uit stokjes met picots. De kraag is afgezet met een rand van fijne punten, voorzien van picots.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 410 – 400
Materials: terracotta
Culture: greek, attic
Artist: painter of london e 106
Artist role: artist

Interior, head of a figure to left; in the field, a sakkos; Exterior, drapery; feet of a draped figure to left
Chessmen (32) and box-board
Object type: chessman and box board
Date: 1801 – 1900
Materials: amber, brass, leather
Subjects: chess

Each piece has a number from 1 to 32 wheel-engraved on the base, a feature noted in other German sets. The workmanship is typically German, and the horses are well modeled. A box of black Morocco leather, with brass mounts and gold tooling is en suite; it opens flat to reveal a hinged board with storage for the chessmen beneath. The set has been attributed to the Hohenzollerns, and although there is no proof for the suggestion, a symbol with words underneath, which would have indicated the original owner, has been obliterated from the box.
Waz Amulet
Object type: pendant
Date: 1295 – 1070
Materials: faience
Location: egypt
Schedelbasis van een beer, onderaanzicht
Object type: photomechanical print
Date: 1860 – 1869
Materials: paper
Techniques: photolithography
Location: paris
Subjects: animals (+ skeleton of an animal), palaeontology, france
Inscriptions: inscription: ‘Ville de Paris. Atelier photo & photo litho E. Lacan, dir Procédé spécial photo-litho A. Bilordeaux’, number: ‘Pl. 62.ter’

Voor plek prent in boek: zie nummer onder 'Opschriften / Merken'.
Fotoreproductie van een getekend post-mortem portret van een onbekende vrouw
Object type: glasnegatief, glasplaatnegatief
Date: 1865 – 1900
Materials: glass
Techniques: collodion process
Artist: laurens lodewijk kleijn
Artist role: draughtsman, painter
Artist dates: 1826 – 1909
Subjects: anonymous historical person portrayed - bb - woman

Onderdeel van een groep glasnegatieven uit de nalatenschap van de schilder Laurens Lodewijk Kleijn, met stillevens, portretten, zelfportretten en kunstreproducties.
Portret van Charles Gobinet
Object type: print
Date: 1691 – 1691
Materials: paper
Techniques: engraving
Subjects: paris, theologian, historical persons
Inscriptions: inscription: ‘E’, collector's mark: Lugt 2228
The Muse Erato Writing Verses Inspired by Love
Object type: drawing
Date: 1797 – 1797
Materials: chalk, gouache, ink, paper
Techniques: brush, heightening, pen, drawing, wash
Artist: charles meynier
Artist role: artist
Artist nationality: french
Artist dates: 1768 – 1832
Subjects: musical instruments,poetry,love,muses
Atreus Farnese, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1567 – 1600
Techniques: engraving
Artist: Anonymous
Artist role: artist
Subjects: boys,male nudes

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 2, plate 111 in the scrapbook.
Portret van twee onbekende kinderen
Object type: photograph
Date: 1911 – 1914
Materials: paper, cardboard
Techniques: collodion silver print
Location: amsterdam
Artist: hieronymus david fraenkel
Artist role: fotograaf
Artist dates: 1877 – 1943
Subjects: toddler, girl (child between toddler and youth), anonymous historical person portrayed
Inscriptions: address: ‘1e V. SWINDENSTRAAT 33/ AMSTERDAM.’
Hug-mug-gin
Object type: print
Date: 1815 – 1815
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,couples,men,women,dogs

A copy after Rowlandson. A man sits in a high-backed chair and puts his arms around a pretty girl who stands in front of him. She kisses him and holds his face between her hands. Cheese and bread are on the table behind him at left.
Karikatuur van een apotheker uit Vichy
Object type: cartoon
Date: 1866 – 1870
Materials: paper
Techniques: lithograph
Location: vichy
Subjects: pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist, balance, equilibrium (+ symbolical representation of concept), caricatures (human types), historical persons
Inscriptions: collector's mark: Lugt 2228a

Prent gepubliceerd in: Le Programme de Vichy, 1866-1870. Tussen ca. 1859 en 1877 speelde in Vichy de juridische affaire tussen de apothekers Nicolas Larbaud en Monsieur Bru. Beiden beweerden de echte bonbons van Vichy te maken. In 1877 kreeg Larbaud uiteindelijk het monopolie op de verkoop van zout, pastilles en bonbons van Vichy. Zie Cassier, R., 'Nicolas Larbaud (1822-1889), pharmacien à Vichy', in: Revue d'Histoire de la Pharmacie (1998), pp. 429-430.
Mlle. Saracco, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes
Object type: photograph
Date: 1891 – 1891
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N145-8), issued in the 1880s by W. Duke Sons & Co. to promote Duke Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the eighth subset, N145-8. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Terracotta fragment of a pot; unglazed on the inside
Object type: pot fragment
Date: 460 – 440
Materials: terracotta
Culture: greek, attic

Locks of hair, neck, and part of upper torso of a frontal, draped figure wearing a chiton and an over garment with a meander border
Omlijstingen met dieren
Object type: ornament print
Date: 1758 – 1820
Materials: paper
Techniques: engraving, etching
Artist: johann thomas hauer
Artist role: print maker
Artist dates: 1748 – 1820
Subjects: ornaments ~ art (+ framing decorations)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Twee rechthoekige omlijstingen met guirlandes, dierenkoppen, insecten en zeedieren.
Portret van een onbekende jonge vrouw
Object type: photomechanical print
Date: 1891 – 1896
Materials: paper
Techniques: photoaquatint
Location: paris
Subjects: adolescent, young woman, maiden, historical persons not known by name - bb - woman
Boerenkar naar links
Object type: drawing
Date: 1773 – 1843
Materials: paper, pencil
Artist: georges michel
Artist role: draughtsman
Artist dates: 1763 – 1843
Subjects: covered wagon, hooded wagon, four-wheeled vehicle drawn by two animals, (farm) wagon, freight wagon, cart

Een van 120 tekeningen, afkomstig uit een 19e eeuws album met tekeningen van Georges Michel.
Ontwerp voor een penning met mansportret
Object type: medal
Date: 1800 – 1972
Materials: gypsum

Ontwerp van gips voor een penning met mansportret.
String of ring beads with two ball beads
Object type: bead, string
Date: 2030 – 1640
Materials: faience
Location: egypt
Bierpul met portret keizer Wilhelm I, 'Geflügel Ausstellung 1872 / Preuss: Hof: Altenburg'
Object type: stave tankard
Date: 1872 – 1872
Materials: glass, tin
Artist: Anonymous
Veil
Object type: veil
Date: 1801 – 1900
Techniques: lace
Subjects: flowers
Bowl
Object type: bowl
Date: 664 – 332
Materials: stone
Location: egypt
Cylinder seal
Object type: cylinder seal
Date: 1820 – 1730
Materials: mineral
Location: syria