deem-data/ArtiFact huggingface dataset:
Boer en meisje bij een ploeg
Object type: sketchbook leaf
Materials: paper, pencil
Artist: hendrik valkenburg
Artist role: draughtsman, painter
Artist dates: 1826 – 1896
Subjects: farmers, agricultural implements: plough

Op de achtergrond een beladen wagen. Blad 19 recto uit een schetsboek met 77 bladen.
Vier foto's van dierentuin Artis
Object type: album leaf
Date: 1895 – 1910
Materials: paper
Techniques: gelatin silver print
Location: amsterdam
Artist: Anonymous
Subjects: zoological garden, zoo, seen as place where non-domestic animals are kept, garden pond, beasts of prey, predatory animals: lion

Deze foto's maken deel uit van een album.
Food bottle (?)
Object type: food bottle
Date: 1701 – 1733
Materials: pewter
Subjects: human figures,birds,flowers
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 60 (recto)
Object type: album print ornament architecture
Date: 1615 – 1635
Materials: ink
Techniques: pen, wash
Artist: anonymous, dutch, 17th century
Artist role: artist
Artist nationality: dutch
Artist dates: 1600 – 1700
Subjects: birds,flowers
Theepot, beschilderd met een landschap met vee
Object type: tea service
Date: 1809 – 1814
Materials: porcelain
Techniques: painted
Location: nieuwer-amstel

Theepot beschilderd met landschap met vee. Gemerkt: Amstel in blauw.
Coin Depicting Pegasus
Object type: coin
Date: 500 – 450
Materials: metal, silver
Culture: greek
Location: levkás
Subjects: pegasus

The front of this coin depicts the winged horse Pegasus, wearing a bridle and flying.

On the back the goddess Athena faces left, wearing a Corinthian style helmet.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 468
Materials: terracotta
Culture: greek, attic

Exterior, part of the upper torso, in three-quarter view, and part of the buttocks, and leg of a helmeted warrior running to right, with his right arm bent, and his hand holding a spear in his hand
Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 67 (verso)
Object type: book print ornament architecture
Date: 1603 – 1603
Techniques: woodcut
Artist: federico de vinciolo
Artist role: designer
Artist nationality: italian
Artist dates: 1582 – 1599

Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604. "Discourse about lacing" continued from previous page.
Silkworm
Object type: folding fan mounted a an album leaf
Materials: ink, paper
Culture: chinese
Artist: ju chao
Artist role: artist
Artist nationality: chinese
Artist dates: 1823 – 1889
Subjects: insects

Ju Chao left Guangdong to serve as secretary to the official Zhang Jingxiu in Guangxi during the uprisings of the Taiping. After Zhang's retirement in 1856, Ju Chao and his cousin Ju Lian lived at Zhang's celebrated garden estate in Guangdong and taught painting to Zhang's young nephew. In his fifties, Ju Chao returned to his own villa and maintained a quiet life painting and studying Han seals. This tightly drawn depiction of silk moths and of silkworms on mulberry leaves reveals Ju Chao's playful and observant interest in unconventional subjects. He and his cousin were criticized by a contemporary Guangdong critic for choosing to paint such insignificant subjects as flies, fireflies, mosquitoes and ants. Zheng Qi, for instance, wrote: Certain artists only specialize in these to demonstrate their technical proficiency. How could they have taken such a crooked path; how can we discuss the principles of painting with them?
Bomen
Object type: sketchbook leaf
Date: 1914 – 1916
Materials: chalk, paper
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: trees

Blad 15 verso en 16 recto uit een schetsboek met 41 bladen.
Nautilus pompilius shell from the wreck of the Dutch East India ship Witte Leeuw
Object type: nautilus pompilius
Date: 1613 – 1613
Materials: shell
Artist: niet van toepassing
Subjects: verenigde oostindische compagnie, sint-helena

Schelp van een inktvis uit V.O.C.-schip de 'Witte Leeuw'.
The Card Players
Object type: painting
Date: 1863 – 1863
Materials: oil, wood
Artist: ernest meissonier
Artist role: artist
Artist nationality: french
Artist dates: 1815 – 1891
Subjects: men,playing cards,smoking
Tobias and the Angel
Object type: drawing
Date: 1662 – 1728
Materials: chalk, ink
Techniques: brush, pen, wash
Artist: paolo de matteis
Artist role: artist
Artist nationality: italian
Artist dates: 1662 – 1728
Subjects: children,angels
Buitensocieteit Het Park
Object type: photograph
Date: 1900 – 1905
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: paramaribo
Artist: eugen klein
Artist role: fotograaf
Artist dates: 1869 – 1927
Subjects: het park
Inscriptions: inscription: ‘Paramaribo / Buitensocieteit Het Park’

Gezicht op gebouwen en terras van de sociëteit Het Park te Paramaribo. Onderdeel van een groep van 44 foto's van Paramaribo, Suriname en Curaçao, ca. 1900-1905, opgeplakt op kartons en voorzien van opschriften.
Queen of Collars, from The Cloisters Playing Cards
Object type: playing card
Date: 1475 – 1480
Materials: glaze, gold, ink, paint, paper, silver
Techniques: pen
Culture: south netherlandish
Subjects: queens,playing cards,games

The Cloisters set of fifty-two cards constitutes the only known complete deck of illuminated ordinary playing cards (as opposed to tarot cards) from the fifteenth century. There are four suits, each consisting of a king, queen, knave, and ten pip cards. The suit symbols, based on equipment associated with the hunt, are hunting horns, dog collars, hound tethers, and game nooses. The value of the pip cards is indicated by appropriate repetitions of the suit symbol. The figures, which appear to be based on Franco-Flemish models, were drawn in a bold, free, and engaging, if somewhat unrefined, hand. Their exaggerated and sometimes anachronistic costumes suggest a lampoon of extravagant Burgundian court fashions. Although some period card games are named, it is not known how they were played. Almost all card games did, however, involve some form of gambling. The condition of the set indicates that the cards were hardly used, if at all. It is possible that they were conceived as a collector’s curiosity rather than a deck for play.
Limestone head of a beardless male votary with a wreath of rosettes
Object type: head of a man
Date: 525 – 501
Materials: limestone
Culture: cypriot
Subjects: heads,men,wreaths

Head of a man wearing a frontlet.
Grand Hôtel des Salines in Bex, Zwitserland
Object type: carte de visite
Date: 1869 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: bex
Artist: Anonymous
Subjects: exterior ~ representation of a building, hotel, hostelry, inn
Armored Skirt (Base)
Object type: armored skirt base
Date: 1510 – 1515
Materials: gold, steel
Culture: austrian
Location: austria
Artist: konrad seusenhofer
Artist role: armorer
Artist nationality: austrian
Artist dates: 1417 – 1517

The base was an imitation in steel of the cloth skirt that was sometimes worn over armor. The deep, arched cutouts in front and back allowed the wearer to sit on horseback; the close-set holes along these openings were for the attachment of textile decoration, probably fringe. The etching imitates the elaborate embroidery and cut velvet of fashionable court costume. Skirts of this type were a specialty of the imperial armor workshop in Innsbruck under the direction of Konrad Seusenhofer.
Plate
Object type: plate
Date: 1750 – 1750
Materials: hard paste porcelain
Subjects: crucifixion
Lantern
Object type: lantern
Date: 801 – 1000
Materials: earthenware
Techniques: carving, incising
Location: iran

This ceramic lantern was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Cruveilhier
Object type: print
Date: 1838 – 1838
Materials: paper
Techniques: lithograph
Location: paris
Subjects: historical persons, physician, doctor
Inscriptions: collector's mark: Lugt 2228
Fotoreproductie van (vermoedelijk) een tekening van een man met een baard
Object type: reproduction
Date: 1890 – 1902
Materials: photographic support
Techniques: gelatin silver print
Location: united states
Artist: Anonymous
Subjects: adult man, historical persons, beard, united states of america

Onderdeel van Familiealbum met voornamelijk foto's van een jong Amerikaans meisje.
Koninklijke loge in de schouwburg
Object type: drawing
Date: 1877 – 1932
Materials: ink, paper
Techniques: pen
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: the audience ~ art performance
Calash
Object type: calash
Date: 1701 – 1800
Materials: silk
Culture: american
De Nachtwacht
Object type: new year card
Date: 1878 – 1879
Materials: paper
Techniques: lithograph
Location: amsterdam
Subjects: night patrol, station; shelter (railway, tramway), amsterdam

Nieuwjaarswens van de Amsterdamse nachtwacht (ratelwacht) voor het jaar 1879. Centraal een gedicht, bovenaan een gezicht op het hulpstation Westerdok van het Oosterspoor van de Hollandsche IJzeren Spoorweg-Maatschappij op de Droogbak. Om het gedicht wapenschilden. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Zeden en gewoonten in engeren zin, Volksleven, Volksbladen, Nieuwjaars- en Kerstwenschen, Amsterdam.
Basreliëf met een vrouwengezicht, afkomstig van een huis in Caen
Object type: photograph
Date: 1875 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: adolphe giraudon
Artist role: publisher
Artist dates: 1849 – 1929
Subjects: mask, mascaron ~ ornament, flowers ~ ornament, sculpture (+ relief ~ sculpture)
Inscriptions: collector's mark: Lugt 3937, inscription: ‘pl 19’, name: ‘A. GIRAUDON ÉDITEUR 15. R. BONAPARTE. PARIS’, number: ‘T 424’
Kast
Object type: kast
Date: 1650 – 1700
Materials: wood
Techniques: painting
Culture: american
Location: united states

A kast is a distinctive type of cupboard that was made in the New York—New Jersey area settled by the Dutch. Strongly architectural in design, the kast derived from Dutch prototypes and was made in America until the early 1800s. The most important piece of furniture in the home, it was probably often a dowry gift. The striking painted surface on this kast simulates stone and is highly unusual. Certain features of the construction and design details reflect, as does the form of the kast itself, Continental rather than English influences. This kast, one of a small number in the seventeenth-century style to have survived, is a rare example of joined oak furniture from the New York area.
Graf van zesde shogun in het Shiba-park in Tokyo
Object type: photograph
Date: 1890 – 1894
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: tokyo
Artist: Anonymous
Subjects: temple, shrine ~ hinduism, buddhism, jainism
Inscriptions: negative number: ‘342’

Onderdeel van Album met 69 foto's van een reis door Japan.
Woman leaning to left
Object type: print
Date: 1722 – 1728
Techniques: etching
Artist: françois boucher
Artist role: artist
Artist nationality: french
Artist dates: 1703 – 1770
Subjects: women
Landscape with Travelers
Object type: drawing and watercolor
Materials: ink, parchment
Techniques: pen
Location: italy
Artist: valerio spada
Artist role: artist
Artist nationality: italian
Artist dates: 1613 – 1688
Subjects: romani, people, prints and drawings
Cup-Hilted Rapier
Object type: arm
Date: 1650 – 1670
Materials: metal alloy, metal, steel
Culture: italian
Location: italy
The Rose
Object type: print
Materials: ink, paper
Techniques: aquatint, engraving, etching
Location: france
Artist: louis philibert debucourt
Artist role: artist
Artist nationality: french
Artist dates: 1755 – 1832
Bord met verdiept plat, veelkleurig beschilderd met satyr met spitse oren en baard
Object type: plate dish
Date: 1520 – 1530
Materials: earthenware, glaze
Techniques: maiolica, painted, polychromy
Artist: Anonymous

Bord met voorstelling van een satyrkop. Majolica met een extra decoratie in metaalluster. Gubbio, ca. 1520 - 1530.
Schetsblad met een katachtige
Object type: drawing
Date: 1848 – 1927
Materials: paper, pencil
Artist: august allebé
Artist role: draughtsman, print maker
Artist dates: 1838 – 1927
Subjects: beasts of prey, predatory animals
Furnes, hôtel de ville
Object type: ansichtkaart, prentbriefkaart
Date: 1906 – 1918
Materials: cardboard
Techniques: autotype
Location: veurne
Artist: Anonymous
Subjects: townhall, city-view in general; 'veduta' (+ city(-scape) with figures, staffage)
Girl with a cow, Himachal Pradesh, India
Object type: photomechanical print
Date: 1890 – 1895
Materials: paper
Techniques: photograph
Location: himachal pradesh
Subjects: adolescent, young woman, maiden, cow
Inscriptions: caption: ‘A HILL MAIDEN’
Portrait of Cesare Bonesana, Marchese di Beccaria
Object type: drawing
Materials: graphite
Techniques: brush, wash
Artist: jean-baptiste-françois bosio
Artist role: artist
Artist nationality: french
Artist dates: 1764 – 1827
Subjects: men,portraits
Havens met slaven en zeelieden
Object type: print
Date: 1647 – 1647
Materials: paper
Techniques: engraving, etching
Location: genoa
Artist: cornelis de wael
Artist role: draughtsman, print maker
Artist dates: 1592 – 1667
Subjects: kitchen-utensils: cauldron, slavery; serfs and enslaved persons, repairing, caulking, careening (~ ship), seaman, beach, dog
Inscriptions: collector's mark: Lugt 240

Links staat een islamitische galeislaaf naast een zeeman die in gesprek is met een papasso (moellah en vertegenwoordiger van de islamitische tot slaaf gemaakten). Voor hen een hond. Rechts een islamitische galeislaaf die een hellebaard vasthoudt. Voor hem een kanon, kogels, vaten, een anker en een roeispaan. Op de achtergrond islamitische galeislaven rond een ketel, waarschijnlijk ter voorbereiding van het breeuwen van een schip. Deze tot slaaf gemaakte mannen zijn als moslims te herkennen door het typerende kapsel (hoofd op een pluk na kaalgeschoren) dat zij verplicht waren te hebben.
Meisje op ezel aan het strand (Noordzeekust), Nederland of Duitsland
Object type: photograph
Date: 1900 – 1900
Materials: paper, photographic support
Techniques: gelatin silver print
Subjects: donkey-riding (on the beach), netherlands, germany
Inscriptions: number: ‘B’
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Exterior, head of draped woman to right
Medaillons met de verovering van de citadel van Antwerpen in 1577
Object type: propagandaprent
Date: 1578 – 1578
Materials: paper
Techniques: engraving
Location: antwerp
Artist: wierix
Subjects: negotiations for truce, ingratitude; 'ingratitudine' (ripa), generosity, liberality; 'generosità', 'liberalità' (ripa), punishment; 'castigo', 'pena', 'punitione' (ripa)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Onderhandelingen tussen Liedekercke, Roeck en Bourse en de Duitse commandanten over een afkoopsom voor het vertrek van het Duitse garnizoen, 2 augustus 1577. Groep mannen staande in overleg, op de achtergrond de citadel. In de wolken de personificatie van Gods bestraffing. Voorstelling in een rond medaillon met ornamentale allegorische omlijsting met bovenaan de zittende vrouwelijke personificaties van Vrijgevigheid (Liberalitas) en Ondankbaarheid (Ingratitudo). Onderaan een cartouche met 2 verzen van elk 6 regels in het Frans en Nederlands.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 520 – 500
Materials: terracotta
Culture: greek, attic

Interior, lower drapery of figure and branch with fruit or leaves; part of an inscription, above branch, ID; below branch, A
Innenaufname, BLick auf den Laufgang
Object type: photograph
Date: 1924 – 1924
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: germany
Artist: Anonymous
Subjects: 46c35 airship, zeppelin

Loopgang in het interieur van de zeppelin. Onderdeel van een map twintig productfoto's van het Zeppelinluchtschip LZ 126.
Portret van Wilhelmina, koningin der Nederlanden
Object type: photograph
Date: 1887 – 1887
Materials: paper, photographic support
Techniques: albumen print
Location: netherlands
Artist: Anonymous
Subjects: the hague, print maker, wilhelmina of the netherlands

De hier vermelde titel verwijst naar de hoogst verkregen titel van de geportretteerde, niet per se naar de titel die de geportretteerde op deze voorstelling draagt.
Blinde borstelmaker
Object type: drawing
Date: 1868 – 1892
Materials: charcoal, paper
Artist: anthon gerhard alexander van rappard
Artist role: draughtsman, print maker
Artist dates: 1858 – 1892
Subjects: (household) utensils and implements (with name), handicrafts ~ other animal material (+ men (labourers)), blind, blindness
A tortilla vendor balancing a tray on his head, from a group of drawings depicting Peruvian dress
Object type: drawing
Date: 1848 – 1848
Materials: watercolor
Artist: francisco (pancho) fierro
Artist role: artist
Artist nationality: african peruvian
Artist dates: 1807 – 1879
Subjects: men,women

For comment on the group of drawings to which this belongs, see 38.145.451.
Christus aan het volk getoond (Ecce Homo)
Object type: print
Date: 1602 – 1602
Materials: paper
Techniques: engraving
Location: rome
Subjects: pilate showing christ to the people, 'ostentatio christi', 'ecce homo' (john 19:4-6)
Inscriptions: address: ‘Ioannes Orladij [sic] formis romae’, date: ‘1602’, signature: ‘Corn. Co. f:’, address: ‘Antonij Lafrerij Romae’, date: ‘1572’

Christus staat geboeid op een bordes van een antiek gebouw, met doornenkroon op het hoofd, omgeven door drie soldaten. Pilatus, rechts, toont Christus aan het volk dat, op de voorgrond op de rug gezien, schreeuwt dat hij gekruisigd moet worden. Een van de mannen houdt een kruis vast.
Pot Fair Cambridge
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: satire,men,women,dogs

Pots are laid out on tables for sale. A fat divine at left stumbles backward as dogs fight in the foreground. A seller at left is alarmed as he threatens to fall onto her table.
Limb with adjacent element (bull's tail?)
Object type: unknown part
Date: 1353 – 1336
Materials: limestone
Location: egypt
Viervoudig schouwspel van wonderen
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: bridge in city across river, canal, etc., canals, waters (in city) (+ city(-scape) with figures, staffage), street (+ city(-scape) with figures, staffage), parts of church exterior and annexes: tower

Andere staat ook gebruikt in: Call, Jan van. Admirandorum Quadruplex Spectaculum. Amsterdam: Pieter Schenk (I), 1700.

De titelprent, opdracht en het portret van Frederik van Saksen zijn gegraveerd door Pieter Schenk (I). De overige prenten uit deze serie zijn, zoals aangegeven op de titelprent, van de hand van Jan van Call (I).
Gezicht op Pontikonisi bij Corfu
Object type: album leaf
Date: 1905 – 1905
Materials: paper, photographic support
Techniques: gelatin silver print
Location: corfu
Artist: Anonymous
Subjects: island

Onderdeel van Reisalbum met foto's van bezienswaardigheden in Griekenland en Egypte.
Twee mannen bereiden zich voor op een duel
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: lithograph
Location: paris
Artist: nicolas toussaint charlet
Artist role: draughtsman, painter, print maker, printer
Artist dates: 1792 – 1845
Subjects: duelling, hotel, hostelry, inn, witnesses
Inscriptions: collector's mark: Lugt 2228a
Nouvelle Iconologie Historique Ou Attributs Hierogliphyques (...)
Object type: ornament print
Date: 1768 – 1771
Materials: paper
Techniques: etching
Location: paris
Subjects: the trojan horse, ornament ~ medallion
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Een ovaal medaillon met het paard van Troje en de stad in de achtergrond. Prentnummer 15B.
Compote
Object type: ceramic
Date: 1849 – 1849
Materials: ceramic, enamel, porcelain, soft paste porcelain
Techniques: gilding, polychrome
Culture: worcester porcelain
Location: england
Punch Bowl
Object type: ceramic
Date: 1789 – 1789
Materials: ceramic, enamel, glaze, hard paste porcelain, porcelain
Techniques: gilding
Location: china
Artist: Anonymous
Artist nationality: chinese
Subjects: canton, factory, port, cities, building, drinking

Chinese officials limited all international trading to the city of Canton, and segregated foreigners within a 15-acre area. Decorated in grisaille, or monochrome, the exterior of this punch bowl shows the 13 trade buildings, known as hongs (foreign factories), that lined this restricted area. Each building was associated with a particular country, and they doubled as counting houses and living quarters, where agents resided during the fall trading season. In this view of the hongs, the American factory lies between those of the United Kingdom and the Netherlands, suggesting that this was an early rendering, made before the United States permanently established its factory next to Sweden’s.
Vijf mensen aan het strand van Valkeveen, waaronder Catharina Maria Groennou en Daan en Ben Ochse
Object type: photograph
Date: 1930 – 1950
Materials: paper
Techniques: collodion silver print
Location: valkeveen
Artist: Anonymous
Subjects: beach (as place of recreation)
Inscriptions: inscription: ‘AB’

Portret van vijf mensen zittend op een strand aan de rand van een kuil (Vinkeveen?).
Vrouwen in het gras
Object type: photograph
Materials: paper, photographic support
Techniques: gelatin silver print
Artist: Anonymous
Subjects: adult woman, historical persons

Twee foto's van een vrouw in het gras in een heuvelachtig landschap met als onderschrift Tour Duin. Deze pagina is onderdeel van een album.