deem-data/ArtiFact huggingface dataset:
Wine glass cooler (seau à verre)
Object type: wine cooler
Date: 1754 – 1754
Materials: soft paste porcelain
Artist: vincennes manufactory
Artist role: manufactory
Artist nationality: french
Artist dates: 1740 – 1756
Subjects: birds,flowers

This deep blue ground color was known at Vincennes as bleu lapis or lapis blue, named after the mineral lapis lazuli, long prized for the intensity of its color. Most ground colors were applied over the glaze once it had been fired; in contrast, blue lapis was applied and fired before the piece was glazed.
周順昌印
Object type: seal
Date: 1600 – 1625
Materials: silver
Culture: chinese
Subjects: turtles
Portret van Alexander I, tsaar van Rusland
Object type: print
Date: 1817 – 1840
Materials: paper
Techniques: etching
Location: théâtre des folies-marigny
Subjects: alexander i (tsaar van rusland), historical persons, emperor
De zeven wereldwonderen
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: engraving
Location: utrecht
Subjects: statue of zeus by phidias (wonder of the world)
Bewening van Maria en twee engelen
Object type: print
Date: 1620 – 1692
Materials: paper
Techniques: etching
Location: italy
Subjects: lamentation over the dead christ by his relatives and friends (christ usually without crown of thorns)
Inscriptions: collector's mark: Lugt 240

Maria en twee engelen treuren bij het lichaam van Christus. Een van de engelen prikt zijn vinger aan de doornenkroon die bij de voeten van Christus ligt.
Portret van een man met snor in uniform
Object type: photograph
Date: 1863 – 1863
Materials: cardboard, photographic support
Techniques: albumen print
Location: brussels
Subjects: moustache, historical persons, (military) uniforms
Inscriptions: inscription: ‘PHOTOGRAPHIE/ DE/ BARON & MITKIEWICZ/ 9, RUE NEUVE, 9/ Bruxelles’
I Love but Thee (Valentine)
Object type: drawing and watercolor
Date: 1840 – 1840
Materials: paper
Techniques: collage, embossing
Location: united states
Artist: Anonymous
Artist nationality: american or english
Artist dates: 1800 – 1899
Novissima comitatus Zutphaniae, totiusque fluminis isulae descriptio
Object type: map
Date: 1682 – 1720
Materials: paper
Techniques: engraving, etching, hand coloring
Artist: Anonymous
Subjects: maps of separate countries or regions, coat of arms (as symbol of the state, etc.) (+ province; provincial), gelderland
Inscriptions: collector's mark: Lugt 2228

Linksonder de titelcartouche. Rechtsonder een cartouche met het wapen van het graafschap Zutphen en twee schaalstokken: 2 Duytsche Mylen van 15 in een Graedt / 3 Franc Mylen ofte Uuren gaens. De kaart is voorzien van een gradenverdeling langs de randen.
From Courtlandt Street Ferry
Object type: print
Date: 1908 – 1908
Materials: paper
Techniques: mezzotint
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Head of a man
Object type: frieze panel
Date: 1501 – 1533
Materials: paint, wood
Subjects: men,profiles

One of fourteen panels from a frieze (23.188.1–.14), each depicting a profile portrait bordered by a molding of dentils to simulate architecture.
Omgevallen boom aan een waterkant
Object type: sketchbook leaf
Date: 1876 – 1877
Materials: paper, pencil
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922
Subjects: trees, landscapes with waters, waterscapes, seascapes (in the temperate zone)

Blad 22 recto uit een schetsboek met 41 bladen.
Portret van Thomas Lediard op 40-jarige leeftijd
Object type: print
Date: 1725 – 1725
Materials: paper
Techniques: engraving
Location: hamburg
Subjects: london, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Portret van George IV, koning van het Verenigd Koninkrijk
Object type: print
Date: 1823 – 1823
Materials: paper
Techniques: engraving, etching
Subjects: george iv (koning van het verenigd koninkrijk), historical persons, king
Inscriptions: collector's mark: Lugt 2228
Man op een bank omringd door vijf kinderen terwijl zijn vrouw naast hem staat
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: aquatint, etching, intaglio
Location: dresden
Subjects: the book of psalms (with book chapter:verse), family group, especially parents with their child(ren), ornament ~ medallion, cupids: 'amores', 'amoretti', 'putti'
Inscriptions: collector's mark: Lugt 240

Onder de voorstelling een éénregelige tekst uit Psalm 128:4 en de opdracht in het Duits.
Gezelschap rond een tafel te Leiden
Object type: cabinet photograph
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: leiden
Artist: jan goedeljee
Artist role: fotograaf
Artist dates: 1824 – 1905
Subjects: garden, leiden
Inscriptions: retailer's mark: ‘J. GOEDELJEE/ POTOGRAAF (...) LEIDEN/ Hoogewoerd 160, nabij de Plantage.’
Heilige Petrus in rolwerk omlijsting
Object type: print
Date: 1568 – 1568
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: scrollwork, strapwork ~ ornament, peter crucified upside down, the apostle peter, first bishop of rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara
Inscriptions: number: ‘87’, collector's mark: Lugt 2228, collector's mark: Lugt 240

Prent gebruikt voor het gebedenboek: Solis, Virgil. Ein New Künstlich Betbüchlein. Neurenberg: Hieronymus Petri, 1568. Bij elke prent met afbeelding van een apostel behoort een prent met een gebed in het Latijn en in het Duits. Bij elkaar horende prenten hebben dezelfde nummering en het monogram VS is steeds verspreid over twee bladen met dezelfde nummering.
Morning cap
Object type: morning cap
Date: 1835 – 1835
Materials: cotton
Culture: american

This elegant and detailed morning cap with refined details would have been worn primarily at home in the early part of the day as an informal head covering, prior to donning the more formal structured bonnets required for the afternoon or evening. It follows the same silhouette as the period's fashionable hats and bonnets constructed of more rigid materials such as straw.
Plate
Object type: ceramic
Date: 1601 – 1700
Materials: earthenware
Techniques: glazing
Location: delft
Geheime bijeenkomst van Napoleon en zijn broers, 1815
Object type: cartoon
Date: 1815 – 1815
Materials: paper
Techniques: brush, pen
Location: netherlands
Artist: wijnand esser
Artist role: draughtsman, print maker
Artist dates: 1779 – 1860
Subjects: paris, napoleon i (emperor of the french), banquet of elegant company (+ toast at meal, banquet), devil(s) and demons
Inscriptions: collector's mark: Lugt 2228

Spotprent op Napoleon en zijn broers, 1815. Keizer Napoleon gebruikt een maaltijd aan een tafel samen met zijn broers Jerome, Jozef en Lucien Bonaparte. Napoleon stoot het glas aan met de duivel. Bij de deur staat een andere duivel op wacht. Bij alle zes figuren banderollen met tekst.
Breast (?) with pleating and shawl fringe
Object type: breast garment fringe, pleating relief
Date: 1353 – 1336
Materials: limestone
Location: egypt
Portret van Pius VII
Object type: print
Date: 1800 – 1828
Materials: paper
Techniques: etching
Artist: friedrich ludwig neubauer
Artist role: print maker
Artist dates: 1767 – 1828
Subjects: rome, clergyman, pius vii, liturgical vestments, canonicals, historical persons
Inscriptions: collector's mark: Lugt 2228
Vogels
Object type: print
Date: 1580 – 1590
Materials: paper
Techniques: etching
Location: italy
Subjects: birds
Inscriptions: inscription: ‘di Gecci gia[...]’, collector's mark: Lugt 2228, collector's mark: Lugt 2760, number: ‘103’

Deze prent maakt deel uit van een reeks prenten van vogels.
Pair of vases
Object type: vase
Date: 1882 – 1886
Materials: clay, stoneware
Artist: edouard-alexandre dammouse
Artist role: decorator
Artist nationality: french
Artist dates: 1850 – 1903
Subjects: flowers

The Dammouse brothers specialized in stylized floral motifs in the manner of Japanese prints. Their delicately drawn flowers were filled in with polychrome colors in low relief, sometimes outlined in gold. After years of working for others at various factories, the ceramicist Albert-Louis Dammouse and his painter brother Édouard-Alexandre opened their own workshop in Sèvres, where they focused on artistic pottery, porcelain, and glass.
Tegel met granaatappel
Object type: tile
Date: 1580 – 1625
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Tegel met een veelkleurig (blauw, oranje, geel en groen) geschilderde granaatappel met bladeren omlijst door een kwadraat met in de hoeken, ornament in vultechniek.
Schotel van zilver
Object type: platter
Materials: silver
Location: amsterdam
Artist: wessel jansen
Artist role: silversmith
Artist dates:  – 1696
Inscriptions: maker's mark: ‘W (Citroen 1975, nr. 903)’

Schotel van zilver, rond, met brede gladde rand met groefversiering. Op de schotel staat de plaats van een lampetkan door middel van een cirkel aangegeven.
De Heilige Familie
Object type: drawing
Date: 1655 – 1667
Materials: chalk, ink, paper
Techniques: brush
Location: zwolle
Proportiestudie van een meisje
Object type: drawing
Date: 1851 – 1851
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: standing figure (canon, proportions) - aa - female human figure, child (at home) - aa - girl, postures and gestures of arms and hands
Wasvrouw en herder bij een beek
Object type: print
Date: 1600 – 1647
Materials: paper
Techniques: engraving, etching
Location: the hague
Artist: moyses van wtenbrouck
Artist role: painter, print maker
Artist dates: 1590 – 1647
Subjects: herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc., laundering
Inscriptions: collector's mark: Lugt 240

Een wasvrouw zit geknield bij een beek en kijkt op naar een herder, die een herdersstaf in zijn hand houdt.
Straat met figuren en een gebouw met een koepeldak
Object type: sketchbook leaf
Date: 1888 – 1888
Materials: chalk
Location: istanbul
Artist: marius bauer
Artist role: draughtsman, print maker
Artist dates: 1867 – 1932
Subjects: dome ~ architecture, street (+ city(-scape) with figures, staffage)

Mogelijk de koepel van een moskee. Pagina 73 uit een schetsboek met 58 bladen.
Haniwa Horse's Head
Object type: haniwa head
Date: 501 – 600
Materials: earthenware
Culture: japanese
Subjects: horses
Straat in Semur-en-Auxois
Object type: print
Date: 1921 – 1926
Materials: paper
Techniques: drypoint
Location: semur-en-auxois
Subjects: city-view in general; 'veduta', sloping street; street with steps or stairs
Inscriptions: collector's mark: Lugt 2228, annotation: ‘Martin Hardie’
Gezicht op de mijlpaal aan de Amsteldijk
Object type: drawing
Date: 1786 – 1850
Materials: paper, pencil, watercolor
Techniques: brush
Subjects: obelisk, needle, city-view in general; 'veduta', road, path
Inscriptions: inscription: ‘Mijlpaal a.d Amsteldijk.’, collector's mark: ‘5’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Amstel buiten de stad, Amsteldijk.
Small, baluster vase with lightly incised flower spray
Object type: vase
Date: 1750 – 1774
Materials: glaze, porcelain
Techniques: firing, turning, vitrification
Location: china
Artist: Anonymous

AK-NM-6533 Twee kleine balustervormige vazen

• Dehua blanc de China
• Onderdeel van Royers studiecollectie (inventaris Van de Kasteele 1816, nr. 287)
• Mogelijk afkomstig van Susanna Louisa Huygens

Het is opmerkelijk dat in de rubriek ‘Wit Porceleyn Beeldwerk’ in de boedelbeschrijving van Royers oudtante Susanna Louisa Huygens (1714-1785) blijkbaar ook vaatwerk voorkwam. We treffen daar ‘Twee tonnetjes en een kannetje dito [met bloemen, opwerk] met oiren’. Mogelijk zijn Royers vaasjes de twee tonnetjes uit deze beschrijving, al zijn de bloemtakken ingegrift en geen ‘opwerk’, reliëf. Royer nam veel porselein over uit de nalatenschap van zijn oudtante, maar er is helaas niet precies vastgelegd welke stukken.
Plan van het fort Amsterdam op Curaçao
Object type: print
Date: 1818 – 1818
Materials: paper
Techniques: engraving
Location: the hague
Subjects: maps of separate countries or regions

Kaart uit: Bosch, Js. van den. Atlas der overzeesche bezittingen van Zijne Majesteit den Koning der Nederlanden, aan hoogst denzelven opgedragen. Den Haag en Amsterdam: Gebroeders van Cleef, 1818.
Portret van Serrurier
Object type: print
Date: 1750 – 1821
Materials: paper
Techniques: engraving
Artist: heinrich schmidt
Artist role: print maker
Artist dates: 1740 – 1821
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Madonna and Child
Object type: painting
Date: 1319 – 1347
Materials: gold leaf, paint, wood
Artist: ambrogio lorenzetti
Artist role: artist
Artist nationality: italian
Artist dates: 1319 – 1347
Subjects: madonna and child
Boekhandel van Thomas Thorp te Londen
Object type: print
Date: 1933 – 1933
Materials: paper
Techniques: autotype
Location: london
Subjects: shop, store, book-shop, bookseller
Inscriptions: date

De prenten zijn gebruikt op de binnenzijde van verkoopcatalogus no. 164 van Thomas Thorpe, uitgeven in 1933. Op de achterzijde van de catalogus is de kelder te zien.
Hudibras Sallying Forth, plate two from Hudibras
Object type: print
Materials: paper
Techniques: engraving, etching
Location: england
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764

William Hogarth illustrated the story of a sad-sack adventurer named Hudibras in twelve engravings. His source was Samuel Butler’s satirical, mock-heroic poem written in the vein of Cervantes and Rabelais. Ridiculing the puritan party’s attempts to overthrow the British monarchy during the Great Civil War of 1640, Butler’s poem exposes the hypocrisy and pretensions of the Presbyterians, Independents, and Zealots who hoped to establish themselves as leaders.
Hudibras’ grand departure into the world appears to be neither impressive, nor particularly noble, from the point of view of the frightened fruit seller at the lower right of this print. Accompanied, Don Quixote-like, by a single squire, the paunchy ruffian is hardly a grand knight sallying forth. He barely seems to be aware of where he is going, and appears unable to stay upright on his overtaxed horse.
Portret van Eduard Mulder, hoogleraar wis- en natuurkunde en rector magnificus van de Universiteit Utrecht 1879-1880
Object type: photograph
Date: 1878 – 1879
Materials: paper
Techniques: albumen print
Location: utrecht
Subjects: rotterdam, utrecht, historical persons, professor
Inscriptions: signature: ‘E. Mulder’
The Bodies of Saints Peter and Paul Hidden in the Catacombs
Object type: print
Date: 1647 – 1651
Materials: paper
Techniques: drypoint, etching
Location: italy
Artist: giovanni benedetto castiglione (il grechetto)
Artist role: artist
Artist nationality: italian
Artist dates: 1609 – 1664

Giovanni Benedetto Castiglione was one of the most original graphic artists of the 17th century, exchanging prints and ideas with his contemporary Rembrandt. This ambitious composition reflects the influence of Rembrandt’s luminous compositions in which Christian tales are transformed into something metaphysical. The subject derives from the Golden Legend of Jacobus de Voraigne, which suggests that the saints’ bodies were cast into a well near the clandestine catacomb vault, seen here in Castiglione’s dramatic rendering. The artist often etched such erudite subjects to advertise his art and prowess as a painter-philosopher to the literati in Rome and those on the grand tour.
Incense burner
Object type: incense burner
Date: 1601 – 1700
Materials: brass
Culture: japanese
Edward A. Freeman
Object type: photomechanical print
Date: 1881 – 1886
Materials: paper
Techniques: woodburytype
Subjects: adult man, historical persons
Edelvrouwen, 13e eeuw
Object type: costume print
Date: 1857 – 1864
Materials: paper
Techniques: tone lithography
Location: haarlem
Artist: david van der kellen (1827-1895)
Artist role: draughtsman, print maker
Artist dates: 1827 – 1895
Subjects: clothes, costume (+ women's clothes), nobility and patriciate; chivalry, knighthood, netherlands

Illustratie voor: W.J. Hofdijk, Ons voorgeslacht in zijn dagelyksch leven geschilderd, Kruseman, Haarlem 1859-1864.
Il Callotto resuscitato oder Neü eingerichtes Zwerchen Cabinet
Object type: caricature
Date: 1716 – 1716
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: caricatures (human types), little people, opera-singer (female)

De kleine mens Patrones der Scheel-heyd in de Opera der Heese Concertridders, als Parijse schone. In het onderschrift verzen in het Duits, Frans en Nederlands. Afdruk binnen een decoratieve omlijsting gedrukt van een aparte plaat met bloemen en bladeren. Genummerd rechts midden: 19. Onderdeel van de Nederlandse gebonden uitgave uit 1716 van een serie karikaturen van kleine mensen, bekend als Het Dwergentooneel, gekopieerd naar een ouder Duits voorbeeld.
Stadsgezicht met kerk
Object type: print
Date: 1823 – 1869
Materials: paper
Techniques: lithograph
Location: netherlands
Subjects: sailing-ship, sailing-boat, church (exterior), rowing-boat, canoe, etc., city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

In de voorgrond liggen boten in het water.
Cauterets, cascade de Gérizet
Object type: photograph
Date: 1906 – 1906
Materials: paper, cardboard
Techniques: gelatin silver print
Location: cauterets
Artist: françois buys
Artist role: advocaat, amateurfotograaf
Artist dates: 1871 – 1934
Subjects: waterfall
Inscriptions: number: ‘21’

Deze foto maakt deel uit van een groep van 49 foto's.
Christus in de hof van Getsemane
Object type: print
Date: 1745 – 1745
Materials: paper
Techniques: woodcut
Subjects: christ's prayer in the garden of gethsemane during the night
Inscriptions: collector's mark: Lugt 2228

Op het recto een proefdruk van één blok in bruin, voorstellende de presentatie van Maria in de tempel. Zie British Museum nr. 1958,0712.84. Prent maakt deel uit van een ongenummerde serie van 24 prenten.
Goudweegster
Object type: print
Date: 1635 – 1668
Materials: paper
Techniques: etching
Location: southern netherlands
Subjects: weighing gold or money
Inscriptions: collector's mark: Lugt 2228

Een oude vrouw zit aan tafel met een weegschaal in haar hand. Op tafel liggen gouden munten.
Veld van zestien tegels met tulpen
Object type: tegelveld
Date: 1610 – 1630
Materials: earthenware, glaze
Techniques: maiolica
Location: netherlands
Artist: Anonymous

Veld van zestien tegels (4 x 4) elk met een veelkleurige (blauw, groen en oranje) tulp in een bloempot of bol. In de hoeken, een lelie.
Porta della Carta in de basiliek van San Marco te Venetië, Italië
Object type: photograph
Date: 1851 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: venice
Artist: Anonymous
Subjects: parts of church exterior and annexes: portal
Inscriptions: number: ‘5.’
Lijf van brei en/of haakwerk
Object type: corsage
Date: 1917 – 1920
Materials: yarns
Techniques: crochet, knitting
Location: amsterdam
Artist: Anonymous
Panel with Inscription
Object type: panel
Date: 1201 – 1300
Materials: wood
Techniques: carving
Location: egypt or syria

The bold naskh lettering intertwined with delicate background scrolls on this panel recalls illuminated calligraphy of manuscripts and inscription bands of inlaid metalwork. Traces of red and blue pigment and gilding indicate that the panel, probably part of a wall frieze, was once similarly polychromatic. Medieval authors refer to such epigraphic architectural friezes as tiraz, a term for inscribed textiles. These connections demonstrate the aesthetic continuities between a wide variety of media, on dramatically different scales.
Tafellaken
Object type: fragment
Date: 1650 – 1665
Materials: linen
Techniques: damask
Location: northern netherlands

Wit linnendamasten tafellaken met patroon van gestrooide bloempjes, merk HW 6.
Wood Duck, from the Game Birds series (N40) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1890
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: ducks

Trade cards from the "Game Birds" series (N40), issued in 1888-90 in a set of 50 cards to promote Allen & Ginter brand cigarettes. Series N40 reproduces the cards from N13 in a larger size.
Saturn, Eros, and a Woman
Object type: print
Date: 1650 – 1700
Techniques: etching
Artist: giuseppe diamantini
Artist role: artist
Artist nationality: italian
Artist dates: 1621 – 1705
Subjects: women,eros,saturn
Garuda Finial
Object type: architectural fragment
Materials: bronze
Location: cambodia
Coin Depicting Shields and Spears
Object type: coin
Materials: bronze, copper alloy, metal
Culture: roman
Location: israel

The front (obverse) of this coin depicts shields and spears, while the back (reverse) depicts a palm tree.
Design for Pony Phaeton, no. 3275a
Object type: drawing
Date: 1876 – 1876
Materials: gouache, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Overdekte markt in Fez
Object type: print
Date: 1928 – 1928
Materials: paper
Techniques: drypoint
Location: fez
Subjects: market
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228, annotation: ‘Martin Hardie’
Saint Andrew
Object type: painting
Date: 1610 – 1610
Materials: canvas, oil
Artist: el greco (domenikos theotokopoulos)
Artist role: artist
Artist nationality: greek
Artist dates: 1540 – 1614
Subjects: men,saints
Titelprent met twee figuren bij een rots in het water
Object type: print
Date: 1763 – 1763
Materials: paper
Techniques: etching
Location: france
Subjects: landscapes (+ landscape with figures, staffage), rocks
Inscriptions: collector's mark: Lugt 12

Titelprent voor een tiendelige serie met landschappen, uitgegeven door Basan te Parijs in 1763.
Cuneiform tablet: promissory note for silver, Ebabbar archive
Object type: cuneiform tablet
Date: 626 – 626
Materials: clay
Culture: assyrian
Location: mesopotamia