deem-data/ArtiFact huggingface dataset:
Babyjurk van fijn linnen met Engels borduurwerk in de mode van de Restauration
Object type: baby wear
Date: 1825 – 1835
Materials: linen
Location: netherlands
Artist: Anonymous

Babyjurk, ook wel "draagjurk" genoemd, van fijn linnen met Engels borduurwerk in de mode van de Restauration. Model: fijn aangerimpelde tweebaansrok met schulpzoom, van voren glad, vrij lang lijf met driehoekig sierstuk, waarlangs breed beginnende vleugelstroken; achter, aangerimpelde panden aan een schouderbies en ook met vleugelstroken. Korte afgebiesde mouw. Ajour borduurwerk van halfronde schulpen met nulletjes, waarboven tak met margieten en bladwerk. Lijf en stroken met sterren. Nederland,ca.1825-1835.
Portret van Jan van Arnhem, heer van Rosendael
Object type: print
Date: 1693 – 1704
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: jacobus baptist
Artist role: print maker
Artist dates: 1658 – 1704
Subjects: jan van arnhem, justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228, inscription

Portret van Jan van Arnhem, heer van Rosendael in een harnas. Aan weerszijden van het portret Jusitita en een vrouw die een boek leest. Onder het portret een motto: Qui va droit ne manque. Rechts van het motto een gezicht op het kasteel Rosendael, en links een gezicht op Arnhem.
Scarab Inscribed with the Name Maatkare Over a Papyrus Thicket
Object type: scarab
Date: 1479 – 1458
Materials: stone
Techniques: glazing
Location: egypt
Subjects: hieroglyphs,scarabs

During the 1926-1927 excavation season, the Museum's Egyptian Expedition uncovered three foundation deposits along the eastern enclosure wall of Hatshepsut's funerary temple at Deir el-Bahri in Western Thebes. Among the contents were 299 scarabs and stamp-seals. Sixty-five of these are now in the Egyptian Museum, Cairo, and the rest were acquired by the Museum in the division of finds. Among the inscriptions on the bases of these scarabs and seals are examples of every title Hatshepsut held, from the time she was "king's daughter" during the reign of her father, Thutmose I; through the time she was queen of her half-brother, Thutmose II; and during her regency and co-reign with her nephew/step-son, Thutmose III. After the death of her husband, Hatshepsut became regent for her nephew who was a small child. The length of this regency period is uncertain, with estimates ranging from two to seven years. At some time, probably toward the end of the regency, Hatshepsut adopted the name Maatkare which was usually enclosed in a cartouche and became her throne name as king. The name may be roughly translated as Maat (the goddess of truth) is the life force of Re (the sun god). In the inscription on the base of this scarab, the crouching figure of the goddess is identified by the ostrich plume, the word ka is written with the upstretched arms, and Re is represented by the sun disk. On two of the Museum's scarabs (27.3.224, .225), the name Maatkare is written above the hieroglyph that represents a papyrus thicket. This hieroglyph refers to the Delta region, also known as Lower Egypt, thus liking Hatshepsut to one of the Two Lands ruled over by the Pharaoh.
Evening bonnet
Object type: evening bonnet
Date: 1890 – 1890
Materials: feather, silk, fiber
Culture: french
Artist: camille
Artist role: maker
Artist nationality: french
Heart Scarab
Object type: heart scarab
Date: 945 – 525
Materials: faience
Location: egypt
Throne block with princess title and and border pattern
Object type: throne block, inscription, border pattern
Date: 1353 – 1336
Materials: limestone
Location: egypt
Paulus Merula I.C.et Historiarum Professor
Object type: print
Date: 1612 – 1650
Materials: paper
Techniques: engraving, etching
Artist: sebastian furck
Artist role: print maker
Artist dates: 1600 – 1655
Subjects: paulus merula, moustache, historical persons, beard
Inscriptions: inscription: ‘Franciscus [...] aure mala.’, inscription: ‘d.4.’

Andere staat prent met 'd4' rechtsonder gebruikt in: Boissard, Jean Jacques. Bibliotheca chalcographica (...) VI pars. Frankfurt am Main: Johannes Ammon, 1650.
Theatrum biblicum (...)
Object type: print
Date: 1585 – 1585
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: story of manasseh, son of hezekiah, king of judah (2 kings 21:1-18; 2 chronicles 33:1-20), amon is killed in his palace (+ variant), story of josiah, son of amon, king of judah (2 kings 22:1 - 23:30; 2 chronicles 34-35), story of amon, son of manasseh, king of judah (2 kings 21:19-26; 2 chronicles 33:21-25), saphan reads the book of law aloud to the king who tears his clothes in dismay, kings of israel and judah ~ the old testament (not in biblical context)
Inscriptions: collector's mark: Lugt 2228

De koningen Manasse, Amon en Josia. Op de achtergrond enkele belangrijke gebeurtenissen uit hun leven. Links op de achtergrond zit koning Manasse in zijn strijdwagen. Midden op de achtergrond de moord op Amon door zijn eigen dienaren. Rechts op de achtergrond laat koning Josia zich voorlezen uit een boekrol die in de tempel werd gevonden. Onder de voorstelling verwijzingen naar de Bijbelteksten in het Latijn.
Randornament met cherubijn
Object type: print
Date: 1618 – 1618
Materials: paper
Techniques: engraving
Location: paris
Stoom Balance
Object type: print
Date: 1834 – 1834
Materials: paper
Techniques: lithograph
Location: netherlands
Artist: Anonymous
Subjects: fraudulence, swindling, scales, industries ~ food, drink, stimulants, sugar
Inscriptions: collector's mark: Lugt 2228

Spotprent op het bedrog met een valse weegschaal van de firma C. de Bruyn & Zonen, 1834. De firma bezat de eerste stoomsuikerraffinaderij aan de Lijnbaansgracht in Amsterdam. Op 8 januari 1834 werden zij betrapt op het gebruik van een balans waarvan een arm was verlengd. Centraal de valse balans hangend aan de stoomwolken die uit de fabriek 'De Vijf Gebroeders' komen en waarop kisten met suiker worden gewogen. Rechts C. de Bruyn met zijn twee zoons. In de wolken een bijbelcitaat.
Infinitely Small, from "The Complete Works of Béranger"
Object type: print
Date: 1836 – 1836
Techniques: engraving
Artist: j. j. grandville
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1847
Teapot
Object type: ceramic
Date: 1750 – 1770
Materials: earthenware
Techniques: glazing
Location: staffordshire
Terracotta fragments of kylikes (drinking cups)
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Four kylix handles with handle patch; three complete, and one with right handle root missing; surface abraded
Nederland, gulden,1928
Object type: coin
Date: 1928 – 1928
Materials: silver
Techniques: striking
Location: utrecht
Artist: wilhelmina of the netherlands
Artist role: print maker
Artist dates: 1880 – 1962

Zilveren munt. Voorzijde: hoofd naar links. Keerzijde: tussen waarde-aanduiding 1 G gekroond rijkswapenschild. Jaartal onderaan in omschrift. Randschrift.
Meiping vase with birds and flowers
Object type: vase
Date: 1767 – 1800
Materials: enamel, porcelain
Techniques: engraving, overglaze, painting, polychrome
Culture: chinese
Subjects: birds
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: hendrik willem mesdag
Artist role: draughtsman, painter, print maker
Artist dates: 1831 – 1915
Subjects: philip zilcken, painting (including book-illumination, miniature-painting)
Inscriptions: watermark
Ear Ornament Garuda, Meru
Object type: ear ornament
Date: 701 – 1200
Materials: gold
Culture: indonesian, central java
Maritime scene
Object type: length
Date: 1780 – 1799
Materials: cotton
Subjects: men,women,boats,ships
Tambourine
Object type: tambourine
Date: 1801 – 1900
Materials: metal, wood
Culture: american
Location: united states
Portret van Isabella Clara Eugenia, infante van Spanje
Object type: print
Date: 1598 – 1604
Materials: paper
Techniques: engraving
Location: antwerp
Artist: antonie wierix (ii)
Artist role: draughtsman, print maker
Artist dates: 1555 – 1604
Subjects: infante van spanje isabella clara eugenia
Inscriptions: collector's mark: Lugt 2228, number: ‘22. - 31,a.’

Busteportret van Isabella Clara Eugenia, infante van Spanje Albrecht en gemalin van aartshertog van Oostenrijk. In de hoeken allegorische vrouwfiguren. In de marge een vierregelig onderschrift in het Latijn.
The Abbot's Kitchen & Refectory, Fountain's Abbey
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: etching
Subjects: abbey garden
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Bowl with two handles
Object type: bowl
Materials: earthenware, paint
Techniques: firing, forming
Location: kansu
Artist: Anonymous

Two Small Jars.
Jars such as these usually have a geometrical shape with the elegant lines of the swirling curvilinear pattern decorating the body as a striking detail. The jars were quite often painted while being turned on a pottery wheel. By holding the brush still in one position, the potter could create lines of the same thickness.
Figure of a Turtle
Object type: figure
Date: 1701 – 1900
Materials: bronze
Culture: japanese
Elephant Bathing
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Portret van Madeleine Armande de Cambout
Object type: book illustration
Date: 1829 – 1829
Materials: paper
Techniques: etching, letterpress printing
Location: paris
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Devéria, Dieu. Collection de 25 portraits des personnages les plus célèbres du Siècle de Louis XIV (...). Parijs: Lemarchand, 1829.
Bepakte muilezel
Object type: print
Date: 1761 – 1784
Materials: paper
Techniques: etching
Location: leiden
Artist: johannes janson
Artist role: draughtsman, painter, print maker
Artist dates: 1729 – 1784
Subjects: mule
Inscriptions: collector's mark: Lugt 2228

Bepakte muilezel met pluimen op kop en rug.
Stencil
Object type: stencil
Date: 1801 – 1900
Materials: paper, silk
Culture: japanese
Subjects: fans
Predikanten in ambtskleding
Object type: print
Date: 1775 – 1775
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: berlin, publisher, friedrich nicolai, literature, functionaries and dignitaries ~ episcopal protestant churches
Inscriptions: inscription: ‘- 4’, collector's mark: Lugt 240

Deze scène behoort tot een serie prenten die het verhaal van Sebaldus Nothanker door Friedrich Nicolai illustreren. De tweede staat van deze prent is gebruikt in: [Nicolai Friedrich]. Das Leben und die Meinungen des Herrn Magister Sebaldus Nothanker. Berlijn en Stettin: Friedrich Nicolai, 1776 [eerste editie], dl. 2.
Portret van Samuel Maresius
Object type: print
Date: 1660 – 1670
Materials: paper
Techniques: engraving
Location: groningen
Artist: baltzar lölinck
Artist role: print maker
Subjects: professor, samuel maresius
Inscriptions: collector's mark: Lugt 2228

Portret van Samuel Maresius, predikant en hoogleraar in de theologie te Groningen.
Hellespontische Sibille
Object type: print
Date: 1575 – 1575
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: sibyls (with name)
Inscriptions: collector's mark: Lugt 1967, collector's mark: Lugt 2228

De Hellespontische Sibille zit op een stenen bankje. Ze heeft een boek vast. De prent heeft een Latijns onderschrift en maakt deel uit van een tiendelige serie over de Sibillen.
Vase with animal masks
Object type: vase
Date: 1767 – 1800
Materials: glaze, porcelain
Culture: chinese
Battle before Troy
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, pen, wash
Location: italy
Artist: after luca penni
Twee vrouwen in een prauw aan het strand
Object type: photograph
Date: 1930 – 1935
Materials: paper
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: adult woman, rowing-boat, canoe, etc., dutch east indies, the
Inscriptions: inscription: ‘Pasir Poefik bij/ Probakin op./ Zondag 5 October.’
Tea Spoon
Object type: spoon
Date: 1825 – 1825
Materials: silver
Culture: american
Location: united states
Artist: james d. stout
Artist role: maker
Artist nationality: american
Artist dates: 1802 – 1839
Paard met halster bij een boom
Object type: print
Date: 1831 – 1831
Materials: paper
Techniques: etching
Artist: auguste herman marie de noter
Artist role: print maker
Artist dates: 1806 – 1838
Subjects: landscapes, horse
Inscriptions: collector's mark: Lugt 2228
Maart
Object type: print
Date: 1722 – 1784
Materials: paper
Techniques: etching
Location: amsterdam
Artist: simon fokke
Artist role: draughtsman, print maker
Artist dates: 1712 – 1784
Subjects: march ~ other concepts
Inscriptions: collector's mark: Lugt 240

Uit een serie van twaalf prenten, de verbeelding van de maand maart. Zicht op het strand met vissers en boten.
Belisarius
Object type: print
Date: 1756 – 1757
Materials: paper
Techniques: engraving, etching
Location: london
Subjects: beggar, belisarius, ruin of a dwelling, house, castle, etc.
Inscriptions: collector's mark: Lugt 2228
Memorial ring
Object type: ring
Date: 1767 – 1800
Materials: gold, pearl
Prentbriefkaart aan Andries Bonger en Anne Marie Louise van der Linden
Object type: ansichtkaart, prentbriefkaart
Materials: cardboard, ink
Techniques: photograph, pen, writing
Location: venice
Subjects: amsterdam, andries bonger, travelling; tourism

Prentbriefkaart behoort tot een album samengesteld door weduwe Françoise W.M. Barones van der Borch van Verwolde met afschriften van brieven met betrekking tot (de familie van) Odilon Redon. De prentbriefkaart werd bewaard op pagina 144.
Poules et Coq cochinchinois de race pure, from "Le Magasin Pittoresque"
Object type: print
Date: 1852 – 1852
Techniques: engraving
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
A Dutch Burgomaster, after Bartholomeus van der Helst
Object type: print
Date: 1871 – 1871
Techniques: printmaking, etching
Location: paris
Artist: jules-ferdinand jacquemart
Artist role: artist
Artist nationality: french
Artist dates: 1837 – 1880
Subjects: men,portraits
Tureen with Cover
Object type: metalwork
Date: 1783 – 1784
Materials: metal, silver
Location: london
Artist: john wakelin and william taylor
Shrine of Saint Patrick's Hand
Object type: shrine
Date: 1901 – 1933
Materials: silver, stone
Culture: irish
Ia Orana Maria (Hail Mary)
Object type: painting
Date: 1891 – 1891
Materials: canvas, oil
Artist: paul gauguin
Artist role: artist
Artist nationality: french
Artist dates: 1848 – 1903
Subjects: women,landscapes,angels,virgin mary,jesus

Before embarking on a series of pictures inspired by Polynesian religious beliefs, Gauguin devoted this, his first major Tahitian canvas, to a Christian theme, describing it in a letter of March 1892: "An angel with yellow wings reveals Mary and Jesus, both Tahitians, to two Tahitian women, nudes dressed in pareus, a sort of cotton cloth printed with flowers that can be draped from the waist. Very somber, mountainous background and flowering trees . . . a dark violet path and an emerald green foreground, with bananas on the left. I'm rather happy with it." Gauguin based much of the composition on a photograph he owned of a bas-relief in the Javanese temple of Borobudur.
Christus en de gepersonifieerde ziel vullen bij een wijnpers een kruik met wijn
Object type: book illustration
Date: 1678 – 1687
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: wine-press, christ and the soul
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Luyken, Jan. Jezus en de Ziel, 3 delen. Amsterdam: Pieter Arentsz II, 1678-1687. Tussen 1678-1744 verschenen van dit emblemataboek 10 edities.
Dukaat uit het aartsbisdom Salzburg van Guidobald von Thun,1657
Object type: ducat
Date: 1657 – 1657
Materials: gold
Techniques: striking

Gouden munt. Voorzijde: versierd wapenschild, waarboven kruis met de hoed van de aarstbisschop. Keerzijde: zittende bisschop met mijter en staf. Jaartal aan het eind van het omschrift.
Gezicht op het Château de Beloeil
Object type: page
Date: 1903 – 1908
Materials: photographic support
Techniques: gelatin silver print
Location: beloeil
Artist: coppin-goisse
Artist role: printer
Subjects: castle
Pleasures of the Four Seasons: Colors and Scents of Flowers, left (Shiki no asobi hana no iroka, ge)
Object type: print
Date: 1783 – 1783
Techniques: woodblock print
Location: japan
Artist: kitagawa utamaro 喜多川 歌麿
Artist role: artist
Artist nationality: japanese
Artist dates: 1753 – 1806
Portret van Arnold Ruge
Object type: print
Date: 1845 – 1884
Materials: paper
Techniques: lithograph
Location: frankfurt am main
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Onder het portret een facsimile van de handtekening van de geportretteerde.
Portret van Arnaud d'Aux
Object type: book illustration
Date: 1660 – 1660
Materials: paper
Techniques: engraving, etching, letterpress printing
Subjects: archbishop, bishop, etc. (roman catholic), historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit: Du Chesne, François. Histoire de tous les cardinaux françois de naissance, ou qui ont esté promeus au cardinalat. Parijs: François Du Chesne, 1660.
H. Lucas schildert Maria met kind
Object type: print
Date: 1835 – 1899
Materials: paper
Techniques: etching
Location: munich
Subjects: st.luke painting or drawing the madonna (i.e. mary and the christ-child), sometimes joseph present
Inscriptions: number: ‘20’, collector's mark: Lugt 2228
Dorpsgezicht met molen
Object type: print
Date: 1892 – 1928
Materials: paper
Techniques: etching
Artist: johannes löhr
Artist role: print maker
Artist dates: 1882 – 1928
Subjects: village, windmill in landscape
Inscriptions: collector's mark: Lugt 2228

Op de voorgrond water met aangemeerde boten.
Terracotta fragment of a kylix: Droop cup (drinking cup)
Object type: kylix fragment
Date: 567 – 535
Materials: terracotta
Culture: greek, attic

Exterior, upright lotus buds with dots in the interstices; three thin bands of red glaze; band of black glaze; three thin bands of red glaze; a frieze of inverted animals in silhouette: hindquarters of a quadruped and part of an unidentified animal; two thin red glazed lines
Albrecht Beiling neemt afscheid van vrouw en kind
Object type: print
Date: 1840 – 1841
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: self-sacrifice, death in the service of a higher purpose
Inscriptions: collector's mark: Lugt 2228

Albrecht Beiling neemt afscheid van vrouw en kind, voordat hij in 1425 levend wordt begraven.
Fob
Object type: fob
Date: 1767 – 1800
Materials: metal, silk
Culture: british
Pair of Mitten Gauntlets
Object type: armor
Date: 1500 – 1520
Materials: leather, steel
Culture: spanish
Location: spain
Dedication
Object type: print
Date: 1823 – 1823
Materials: ink, paper
Techniques: lithograph
Location: germany
Artist: ferdinand olivier
Artist role: artist
Artist nationality: german
Artist dates: 1785 – 1841
Hansom Cab (unnumbered)
Object type: drawing
Date: 1880 – 1880
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Pætus and Arria
Object type: print
Date: 1773 – 1773
Materials: paper
Techniques: mezzotint
Location: london
Subjects: female persons from classical history (aria) - death of person from classical history, death of arria: to show her husband how to die she stabs herself and hands her husband the dagger with the words 'paete non dolet'
Inscriptions: collector's mark: Lugt 2228
The Popular Songbook, no. 6
Object type: print
Materials: paper
Techniques: etching, relief
Location: mexico
Artist: josé guadalupe posada
Artist nationality: mexican
Artist dates: 1852 – 1913
Drie foto's van Amsterdam, kinderen op een stoep, een gracht en een zeilschip
Object type: album leaf
Date: 1895 – 1910
Materials: paper
Techniques: collodion silver print
Location: amsterdam
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, child, canals, waters (in city), amsterdam

Deze foto's maken deel uit van een album.
Fragment of a terracotta kylix
Object type: kylix fragment
Date: 500 – 401
Materials: terracotta
Culture: greek, attic

Part of the foot of a kylix, with a chamfer; the outer edge is reserved; the underside is reserved, with a band of black glaze towards the outer edge.
Bowl
Object type: bowl
Date: 901 – 1000
Materials: earthenware, glaze
Location: uzbekistan

The presence of part of another vessel fused to the exterior of this bowl during the firing process seems a fairly good indication it was not imported, a conclusion supported by the fact that a waster of this ware was also found.
Perkenkleed, KARABAGH of SHIRWAN
Object type: perkenkleed
Date: 1800 – 1900
Materials: wool
Techniques: ghiordes knot
Location: karabakh
Artist: Anonymous

Perkenkleed, Karabagh of Shirwan. Middenveld: donkerblauw fond met vier op elkaar staande en de volle breedte beslaande achthoeken. De kleuren zijn wit, gebrande Sienna, zeegroen en nogeens gebrande Sienna. In elk staat een trapgevelblok in blauw, rood en wit met buitenwaartse haken. In de zwikken strooigoed. Rand: drievoudig. Drie even smalle randen zijn resp. rood, geel en blauw en gevuld met zigzaglijnen, rozetten en krabmotieven.
Triple Long-Necked Bottle Vase with Double Dragon Roundels and Elongated Curly Dragons (Gui)
Object type: vessel
Materials: porcelain
Techniques: painting, underglaze
Location: china
Schematisch overzicht van een deel van een vestingmuur
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: drawing (industrial process) (+ technical aspects ~ crafts, industries, agriculture), fortifications, military engineering
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Illustratie voor: Henrich Ruse. Versterckte Vesting. Amsterdam: Johannes Willemszoon Blaeu, 1654.