deem-data/ArtiFact huggingface dataset:
Zittende man met pijp
Object type: print
Date: 1779 – 1779
Materials: paper
Techniques: etching
Location: leiden
Subjects: pipe ~ tobacco, farmers, drinks, stimulants, drugs (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)
Inscriptions: collector's mark: Lugt 2228

Een boer zit omgekeerd op een stoel. In zijn handen heeft hij een smeulende pijp. Profiel naar links.
Portret van Daniel Colonius
Object type: print
Date: 1783 – 1783
Materials: paper
Techniques: engraving, etching
Location: leiden
Subjects: leiden, daniel colonius
Inscriptions: collector's mark: Lugt 240

Portret van de predikant Daniel Colonius.
Portrait of a Man
Object type: painting
Date: 1469 – 1494
Materials: paint, wood
Artist: domenico ghirlandaio (domenico bigordi)
Artist role: artist
Artist nationality: italian
Artist dates: 1448 – 1494
Subjects: men,portraits

The identity of the sitter of this portrait is unknown. It is an early work by Ghirlandaio, and was probably painted at about the same time as a famous fresco cycle in the principal church of San Gimignano. The lively expression of the sitter explains why Ghirlandaio’s portraits were so admired. The bright green background is the result of a cleaning that removed a layer of oxidized pigment.
Matchlock Gun of Horio Yoshiharu
Object type: matchlock gun
Date: 1567 – 1633
Materials: steel
Culture: japanese
Location: japan
Execution of Mary, Queen of Scots, from "Illustrated London News"
Object type: print
Techniques: engraving
Location: england
Artist: william luson thomas
Artist role: engraver
Artist nationality: british
Artist dates: 1830 – 1900
Subjects: queens,men,women,dogs,execution,mary queen of scots

Gilbert, a prolific illustrator for the "Illustrated London News," depicts the closing moment in the troubled life of Mary, Queen of Scots at Fotheringhay Castle, Northamptonshire. She had been imprisoned at various locations for over 18 years, found guilty the previous year of treason and was beheaded on February 8, 1587. Seated holding a large crucifix she listens intently to the reading aloud of her death warrant signed by Queen Elizabeth I; to the right her executioner waits, leaning on his axe. The print was later republished in the French weekly newspaper "L'Univers Illustré" on October 3, 1861.
Plate 13: Arch of Settimius Severus 1. Temple of Concord. 2. Ascent to the Capitoline Hill (Arco di Settimio Severo. 1. Tempio della Concordia. 2. Salita di Campidoglio.), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"
Object type: print
Date: 1748 – 1748
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: buildings,ruins
Interieur van de Geboortekerk in Bethlehem
Object type: photograph
Date: 1867 – 1885
Materials: paper
Techniques: albumen print
Location: bethlehem
Artist: félix bonfils
Artist role: fotograaf
Artist dates: 1831 – 1885
Subjects: interior of church
Inscriptions: number: ‘334’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 470 – 460
Materials: terracotta
Culture: greek, attic

Interior, unidentified subject; Exterior, part of a circumscribed palmette with tendrils; knobby stick; foot of figure to right
Hercules doodt de centaur Nessus
Object type: print
Date: 1515 – 1565
Materials: paper
Techniques: engraving
Location: italy
Artist: giovanni jacopo caraglio
Artist role: goldsmith, print maker
Artist dates: 1500 – 1565
Subjects: hercules shoots nessus, the centaur, who attempts to carry off deianira
Inscriptions: collector's mark: Lugt 240

De centaur Nessus is veerman bij een rivier. Als hij Deïanira overzet, probeert hij haar te roven en galoppeert hij met haar weg. Hercules die al op de andere oever stond, spant zijn boog om Nessus neer te schieten.
Detail van een gipsmodel voor de versiering van het Palais du Louvre
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘388’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 4.
Zelfportret van Hans Holbein
Object type: print
Date: 1827 – 1827
Materials: paper
Techniques: lithograph
Location: london
Subjects: london, painter, draughtsman, hans holbein (ii), head-gear, historical persons, portrait, self-portrait of artist
Inscriptions: collector's mark: Lugt 2228
Portret van Ferdinand Wilhelm Becker
Object type: print
Date: 1834 – 1849
Materials: paper
Techniques: lithograph
Artist: Anonymous
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
Bladranken in ovaal
Object type: ornament print
Date: 1696 – 1765
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: isaac walraven
Artist role: draughtsman, painter, print maker
Artist dates: 1686 – 1765
Subjects: foliage, tendrils, branches ~ ornament
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228
Im Sognefjord
Object type: photograph
Date: 1807 – 1889
Materials: cardboard, paper
Techniques: albumen print
Subjects: wilhelm ii (keizer van duitsland), norway
Inscriptions: number: ‘52’, number: ‘20’

De afdruk van de foto is rond, het papier vierkant
[Paul Nadar at the Breast of His Wet Nurse]
Object type: photograph
Date: 1856 – 1856
Techniques: glass negative, salted paper print
Artist: félix nadar
Artist role: artist
Artist nationality: french
Artist dates: 1820 – 1910
Subjects: infants,portraits,women,nursing
Bruges. Cheminée du Franc
Object type: photomechanical print
Date: 1913 – 1930
Materials: cardboard
Techniques: photograph
Location: brussels
Subjects: chimney, interior ~ representation of a building
London Bridge Railway Terminus
Object type: stereograph
Date: 1850 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: london
Artist: Anonymous
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach, railway, train, street, london
Inscriptions: inscription: ‘Instantaneous.’, number: ‘103’
Bronze bangle
Object type: bangle
Date: 601 – 900
Materials: metal
Culture: alanic
Location: caucasus
Laatste Avondmaal
Object type: print
Date: 1524 – 1562
Materials: paper
Techniques: engraving
Location: nuremberg
Artist: virgilius solis
Artist role: draughtsman, print maker
Artist dates: 1514 – 1562
Subjects: last supper (in general) (matthew 26:21-35; mark 14:18-31; luke 22:3, 22:15-23; john 13:21-38)
Inscriptions: collector's mark: Lugt 2228, number: ‘84’
Kleed van zijde met bloemdessin
Object type: woven material
Date: 1770 – 1850
Materials: cotton, silk
Techniques: brocade
Location: iran

Kleed van zijde met bloemdessin van gebrocheerde zijde met in het centrum een dessin van bloem- en bladranken in roze, geel en grijs op blauw fond; brede rand van idem dessin van boeketten/buta-motief. Gevoerd met changeantzijde in rood/geel en dwars genomen rand van katoen , bedrukt met patroon van strepen met bloemranken. Ingenaaid label met in 19de eeuw (?) handschrift: "Een weefsel met veelkleurige kleine bloemen, afkomstig uit Perzië, no. 5".
Sleutel met gekroond monogram
Object type: key
Date: 1675 – 1700
Materials: iron
Techniques: gilding

Fraai bewerkte sleutel van ijzer, het bovenstuk geheel verguld. Met kroon bedekte initialen, tussen ornamenten gevat.
“- It's useless to show you my apartment. We are not renting out to mothers with children,” plate 1 from Les Portiers De Paris
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: lithograph
Location: france
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Man's Jifu (Semiformal Court Robe)
Object type: costume and accessory
Materials: gilt, gold leaf, linen, metal, paper, textile, silk
Techniques: bookbinding, embroidery, damask, embroidered, interlacings, interlacing, lacquer, painting, patterning, satin weave, slit, tapestry weave, tapestry, weave
Culture: manchu
Location: china
Portret van Philip Waller
Object type: album leaf
Date: 1861 – 1874
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: albert greiner
Artist role: fotograaf, fotostudio
Artist dates: 1833 – 1890
Subjects: historical persons
Inscriptions: address: ‘NIEUWENDIJK. L. 87/ AMSTERDAM’
Soldaat
Object type: sketchbook leaf
Date: 1822 – 1880
Materials: paper, pencil
Artist: reinier craeyvanger
Artist role: draughtsman, print maker
Artist dates: 1812 – 1880
Subjects: military clothing and other equipment (uniforms, cap, armour, helmet, etc.)
Inscriptions: annotation: ‘Ti[...]ter/ bakkenesegracht’

De man draagt een militaire uitrusting, waaronder een jas met epauletten en helm. Tevens studies van details van het kostuum. Blad 37 verso uit een schetsboek met 45 bladen.
The Imperial Palace on the Palatine, Rome
Object type: painting
Date: 1834 – 1834
Materials: cardboard, oil, paint
Techniques: painting
Location: france
Artist: paul-jean flandrin
Artist nationality: french
Artist dates: 1811 – 1902
Subjects: ruins, buildings, building, walls, architecture, architecture, architechture, landscape, figures, figure, sky, trees, foliage, rocks, italy, roman, palace
Correction, plate 46 from Los Caprichos
Object type: print
Date: 1797 – 1799
Materials: paper
Techniques: aquatint, etching
Location: spain
Artist: goya (francisco de goya y lucientes)
Artist role: artist
Artist nationality: spanish
Artist dates: 1746 – 1828
John Ward, Retired, New York, from the Mayo's Cut Plug Baseball series (N300)
Object type: print, baseball card
Date: 1895 – 1895
Techniques: lithography
Artist: p.h. mayo & brother, richmond, virginia
Artist role: publisher
Artist nationality: american
Subjects: men,portraits,baseball,athletes

Series of baseball cards from "Mayo's Cut Plug" series (N300), issued in 1895 by P.H. Mayo and Brother. Blank black back. Player is John (Monte) Ward (retired).
Banderol met cherubijnen
Object type: ornamenttekening
Date: 1600 – 1800
Materials: ink, paper
Techniques: pen
Artist: Anonymous
Subjects: cherubs, i.e. children's heads with wings, ribbon, scroll, banderole ~ ornament
Inscriptions: collector's mark: Lugt 2228

Een banderol met palmtakken en twee cherubijnen.
Portret van Ferdinand VII van Spanje
Object type: print
Date: 1814 – 1850
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: ferdinand vii (koning van spanje), historical persons, knighthood order of the golden fleece, king
Figuurstudies
Object type: sketchbook leaf
Date: 1895 – 1895
Materials: chalk, paper
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: anatomy (non-medical)

Blad 14 recto uit een schetsboek met 23 bladen.
Diana en Callisto
Object type: print
Date: 1740 – 1740
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: coelenterata: coral, diana with her nymphs discovers the pregnancy of callisto, ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228

Grisaille, met de voorstelling van de godin Diana, die de zwangerschap van de nimf Callisto ontdekt, in de hoek van het plafond van de Chambre des Bains in het Hôtel Lambert. De voorstelling van Diana en callisto wordt geflankeerd door een stroomgodin en een stroomgod, ieder met een waterkan. Midden onder twee putti met koraal. Prent maakt deel uit van een serie prenten naar schilderijen in het Hôtel Lambert te Parijs.
Landschap met boerderij en vee
Object type: drawing
Date: 1610 – 1705
Materials: ink, paper
Techniques: brush, pen
Subjects: cattle, farm (building)
Tobacco Box
Object type: metalwork
Date: 1740 – 1740
Materials: pewter
Location: netherlands
Camee met de verheerlijking van Germanicus
Object type: print
Date: 1616 – 1707
Materials: paper
Techniques: engraving
Location: antwerp
Artist: Anonymous
Subjects: (story of) germanicus (+ ideal or heroic representation), lapidary, brooch, agraffe, clasp, precious and semiprecious stones
Inscriptions: collector's mark: Lugt 240, number: ‘27’

Een camee (Gemma Tiberiana) met een voorstelling van de verheerlijking van Germanicus. Keizer Tiberius en zijn moeder Livia zitten op een troon. De Romeinse veldheer Germanicus neemt afscheid van hen. Boven hen stijgen de lichamen van overledenen op naar de hemel. Onder hen een groep barbaren die door de Romeinen gevangen zijn genomen.
Ezechias
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: persons from the old testament (not in biblical context, nor occurring in legendary/historical extensions included in division 71)
Inscriptions: inscription: ‘110’

Een bloemkelk met een man met pluimhoed, rijksappel en scepter. De voorstelling is een fragment van de stamboom van Christus in de Liber Chronicarum. De tekst identificeert hem als Ezechias, de zoon van Achaz. De prent maakt deel uit van een album.
Wanddecoratie met nissen
Object type: ornament print
Date: 1748 – 1753
Materials: paper
Techniques: etching
Location: augsburg
Subjects: rocaille ornament, wall-covering
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Ontwerp voor een rocaille wanddecoratie met bloemmotieven en nissen aan weerszijden. Prentnummer 585.
Holland, duit, 1739. Afslag in zilver
Object type: coin
Date: 1739 – 1739
Materials: silver
Techniques: striking
Location: dordrecht

Zilveren munt. Voorzijde: binnen omheining staande leeuw met vrijheidshoed op speer. Keerzijde: opschrift: provincienaam in drie regels, daaronder jaartal.
Twee schetsen naar het kostuum van een Marker vrouw
Object type: drawing
Date: 1683 – 1733
Materials: paper, pencil
Artist: bernard picart
Artist role: draughtsman, print maker, publisher
Artist dates: 1673 – 1733
Subjects: folk costume, regional costume
Presentation chalice
Object type: presentation chalice
Date: 1870 – 1888
Materials: glass
Techniques: glassblowing
Culture: american
Location: united states
Artist: boston & sandwich glass company
Artist role: maker
Artist nationality: american
Artist dates: 1825 – 1888

This chalice may have been made by Lutz, a glassmaker for the Boston and Sandwich Glass Company famous for his flower compositions and his fine threaded stemware. Tradition has it that he presented the piece to a fellow employee before the company shut down in 1888.
Snuffers and tray
Object type: snuffer tray
Date: 1718 – 1719
Materials: silver
Artist: achille bellanger
Artist role: maker
Artist dates: 1673 – 1745
Subjects: coat of arms
Still Life with Roses and Fruit
Object type: painting
Date: 1863 – 1863
Materials: canvas, oil
Artist: henri fantin-latour
Artist role: artist
Artist nationality: french
Artist dates: 1836 – 1904
Subjects: pears,roses,still life

In this early painting, which is interesting for its slightly eccentric, off-balance composition, Fantin had yet to achieve the extraordinary realism associated with his still lifes of the mid- to late 1860s. However, his eye for subtle color harmonies was already well-developed, as evident in the juxtaposition of the pinkish-white Malmaison roses, purple-tinged grapes, and golden pear.
Brief aan Philip Zilcken
Object type: letter
Date: 1924 – 1924
Materials: ink
Techniques: pen, writing
Artist: rose imel
Artist role: draughtsman, painter
Artist dates: 1901 – 
Subjects: painter, draughtsman, philip zilcken, criticizing and discussing art, art criticism, brussels, paris
Inscriptions: collector's mark: ‘RPK’
Actress holding vine above head, from the Actresses series (N664) promoting Old Fashion Fine Cut Tobacco
Object type: photograph
Date: 1888 – 1890
Techniques: albumen silver print
Subjects: portraits,women,actresses

Trade cards from the "Actresses" series (N664), issued 1888-90 to promote Old Fashion Fine Cut Tobacco.
Tabernakels en biechtstoelen
Object type: print
Date: 1780 – 1780
Materials: paper
Techniques: engraving, etching
Location: ravensburg
Subjects: confessional ~ part of the confession
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Ontwerp en plattegrond van een biechtstoel met vazen en guirlandes. Uitgeversnummer XXXIII.
Portret van Albrecht von Haller
Object type: print
Date: 1777 – 1807
Materials: paper
Techniques: etching
Artist: balthasar anton dunker
Artist role: draughtsman, print maker
Artist dates: 1746 – 1807
Subjects: physicist, herbarium, lyre, cithara, psaltery, attributes of aesculapius: rod and serpent, ornament ~ medallion, historical persons, book - mm - book open, writing accessories, female saints
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt voor: Haller, Albrecht von. Des Herrn von Hallers Tagebuch der medicinischen Litteratur der Jahre 1745 bis 1774. 2 dln. Bern: s.n., 1789-1790.
Kamer in het huis van Antonin Terme met zijn collectie antiquiteiten, houten spinnewiel en een kast
Object type: page
Date: 1880 – 1885
Materials: photographic support
Techniques: platinum process
Location: liège
Artist: Anonymous
Subjects: art collection, art gallery, 'kunstschrank', other rooms
Snuffbox
Object type: snuffbox
Date: 1785 – 1790
Materials: enamel, gold, porcelain
Subjects: flowers

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Man met festoen van fruit bij acanthusmotief
Object type: ornament print
Date: 1679 – 1700
Materials: paper
Techniques: etching
Location: augsburg
Subjects: acanthus ~ ornament, ornament ~ festoon, garland
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760
Moron fluistert iets in het oor van de prinses van Elide, die naar prins Euryale kijkt
Object type: book illustration
Date: 1811 – 1813
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: theatre, theatrical performance, princess
Inscriptions: collector's mark: Lugt 2228

Prent van scène één uit de vierde acte van 'La Princesse d'Élide' door Jean Baptiste Molière. Dit betreft één van de dertig prenten, gemaakt in opdracht van Antoine Augustin Renouard, bestemd voor verschillende edities van Molières werk daterend van 1811 tot 1813. De prenten zijn vervaardigd door verschillende kunstenaars naar composities van Moreau.
The Launch of a Ship
Object type: print
Date: 1601 – 1700
Techniques: drypoint, etching
Artist: reinier nooms
Artist role: artist
Artist nationality: dutch
Artist dates: 1623 – 1664
Subjects: human figures,buildings,boats,ships
Livre de Fleurs & de Feuilles pour servir a l'art d'orfevrerie
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: salomon savery
Artist role: print maker, publisher
Artist dates: 1594 – 1683

Met in het midden een lelie en bovenaan een iris. Blad komt mogelijk uit de tweede of derde editie van serie boeketten voor goud- en zilversmeden.
Amulet Case, One of a Pair
Object type: amulet case
Date: 1801 – 1900
Materials: coral, glass, silver
Location: uzbekistan

This ornament, one of a pair with 91.1.1147, takes the form of an amulet holder, a design that was intended to hold furled pieces of paper inscribed with verses of the Qur’an or other holy words. Such amulets were worn on the body to protect the wearer. This pair is studded with turquoise, coral, and glass beads and would have been pinned on each side of the wearer’s chest.
[Chief Judge]
Object type: photograph
Date: 1865 – 1865
Techniques: albumen silver print, glass negative
Artist: john thomson
Artist role: artist
Artist nationality: british, scottish
Artist dates: 1837 – 1921
Subjects: men,portraits
Verwoeste huizen na bomaanval
Object type: photograph
Date: 1940 – 1940
Materials: photographic support
Techniques: photography
Location: amsterdam
Subjects: devastated, ruined place or city (~ warfare), amsterdam

Verwoeste huizen na een aanval van de Engelsen op 7 oktober, aldus het bijschrift. Pas 10 dagen later voor publicatie vrijgegeven. Tekststrookje aan foto geplakt.
Handschoen van witte wol
Object type: menswear
Date: 1900 – 1920
Materials: wool
Techniques: knitting
Location: england
Artist: Anonymous

Paar heren schaatshandschoenen van witte gebreide wol, z.g. "Ringwood". Model: Kort, met dubbel en gesloten polsboord. Patroon: Gerstenkorrel-Breisel.
View of Ranby's House
Object type: print
Techniques: engraving, etching
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764
Subjects: human figures,houses,landscapes
Wapen van Hilversum met bloemornamenten
Object type: design
Date: 1924 – 1924
Materials: pencil, paper
Artist: reinier willem petrus de vries (1874-1953)
Artist role: draughtsman, print maker
Artist dates: 1874 – 1953
Subjects: coat of arms (as symbol of the state, etc.) (+ city; municipal), flowers ~ ornament

Ontwerp voor: Ravesteijn, P.J. Gedenkboek Hilversum 1424-1924. Hilversum: Gemeente Hilversum, 1924.
Saint Valentine's Day—The Old Story in All Lands
Object type: print
Materials: paper
Techniques: engraving
Location: united states
Artist: winslow homer
Artist role: artist
Artist nationality: american
Artist dates: 1836 – 1910
Vissers in een haven
Object type: drawing
Date: 1891 – 1941
Materials: charcoal, ink, paper, pencil
Techniques: pen
Artist: leo gestel
Artist role: draughtsman, print maker
Artist dates: 1881 – 1941
Subjects: harbour, commercial fishery, ships (in general), fisherman
Brabantse Omwenteling, 1787-1790
Object type: print
Date: 1787 – 1787
Materials: paper
Techniques: engraving, etching
Location: brussels
Artist: Anonymous
Subjects: revolutionary government, brabant
Inscriptions: collector's mark: Lugt 2228

Gezicht op de Grote Markt van Brussel waar het volk bijeen is gekomen om de Staten van Brabant toe te juichen op 31 mei 1787. Met onderschriften in het Nederlands en Frans. Onderdeel van een grote groep van prenten betrekking hebbend op de gebeurtenissen van de Brabantse Omwenteling en de periode 1787-1790.
Portret van François-Vincent Raspail
Object type: print
Date: 1830 – 1878
Materials: paper
Techniques: lithograph
Location: paris
Artist: Anonymous
Subjects: politician, historical persons
Aanleg van het Viaur Viaduct in Frankrijk door de Societé de Construction des Battignolles, 3 mei 1901
Object type: photograph
Date: 1901 – 1901
Materials: photographic support
Techniques: cyanotype
Location: france
Artist: Anonymous
Subjects: viaduct, making the overground structures (~ building activities)
Inscriptions: date

Met potloodschets (van een technische constructie?) achterop.
The Journey to Emmaus, from Landscapes with Old and New Testament Scenes and Hunting Scenes
Object type: print
Date: 1584 – 1584
Materials: paper
Techniques: engraving
Location: belgium
Artist: adriaen collaert
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1560 – 1618
Le Panier Misterieux (The Mysterious Basket)
Object type: print
Date: 1701 – 1800
Techniques: engraving, etching
Artist: rené gaillard
Artist role: artist
Artist nationality: french
Artist dates: 1714 – 1790
Subjects: men,women,dogs,trees