deem-data/ArtiFact huggingface dataset:
Anatomische studie van het vrouwelijk voortplantingsstelsel
Object type: book illustration
Date: 1685 – 1685
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: female sexual organs, womb, uterus, ovaries
Inscriptions: collector's mark: Lugt 2228

Boekillustratie voor Bidloo, Godefridus. Anatomia humani corporis centum & quinque tabulis, per art. G. de Lairesse ad vivum delineatis, de monstrata, veterum recentiorumque inventis explicata plurimisque, hactenus non detectis, illustrata. Amsterdam: Weduwe Joannes van Someren, Hendrick Boom en erven Dirk Boom, 1685.
Hoofdwagt der nationale garden te Muijderbergh voor het Blocade der vesting Naarden, van November 1813 tot Mey 1814
Object type: print
Date: 1814 – 1816
Materials: paper
Techniques: aquatint, etching, hand coloring
Location: netherlands
Artist: willem hendrik hoogkamer
Artist role: draughtsman, print maker
Artist dates: 1790 – 1864
Subjects: firearms: cannon, soldiers and civilians, snow
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 1105a

Soldaten in de sneeuw tijdens het beleg van Naarden. Een soldaat bij een kanon vraagt een vrouw om eten; zij heeft een juk op haar schouders en knielt neer om eten uit een van haar manden op een bord te doen. Links een soldaat in gesprek met een man, een kar wordt ontladen.
Bowl
Object type: bowl
Date: 618 – 907
Materials: earthenware
Culture: chinese
Mount Donald, Rocky Mountains, Canada
Object type: stereograph
Date: 1924 – 1926
Materials: paper
Techniques: gelatin silver print
Location: rocky mountains
Artist: james dearden holmes
Artist role: fotograaf
Artist dates: 1873 – 1937
Subjects: mountains
Inscriptions: number: ‘6340’
Portret van Salomon de Bray
Object type: print
Date: 1664 – 1664
Materials: paper
Techniques: woodcut
Location: netherlands
Artist: dirck de bray
Artist role: draughtsman, painter, print maker
Artist dates: 1625 – 1694
Subjects: amsterdam, print maker, draughtsman, salomon de bray
Inscriptions: collector's mark: Lugt 240

Portret van Salomon de Bray. In een kader zijn naam en beroep.
Brief aan Cornelis Gerardus 't Hooft
Object type: letter
Date: 1910 – 1910
Materials: ink, paper
Techniques: pen, writing
Location: bussum
Artist: jan veth
Artist role: designer, draughtsman, painter, print maker
Artist dates: 1864 – 1925
Subjects: cornelis gerardus 't hooft, historical persons (portraits and scenes from the life)
Inscriptions: watermark, collector's mark: ‘RPK’
Portret van Frédéric-Maurice de la Tour d'Auvergne, hertog van Bouillon
Object type: print
Date: 1868 – 1868
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jan frederik christiaan reckleben
Artist role: print maker
Artist dates: 1819 – 1879
Subjects: armour, historical persons, armorial bearing, heraldry

Prent uit: Arend, Johannes Pieter. Algemeene geschiedenis des vaderlands van de vroegste tijden tot op heden. Amsterdam: C. Schleijer en zoon, 1868, dl. 3-5.
Tea bowl with a grey glaze
Object type: tea bowl
Date: 1700 – 1799
Materials: glaze, stoneware
Techniques: firing, turning, vitrification
Location: japan
Artist: Anonymous
Inscriptions: label: ‘W639’

Theekom van steengoed, gedeeltelijk bedekt met een lichtgrijs glazuur (kohiki). Het onderste deel van de kom is ongeglazuurd. Een inkeping in de voetring. Oud label op de onderzijde met 'W639'. Hagi.
Vue du Palais Royal, et de la Place le Dam
Object type: print
Date: 1787 – 1834
Materials: paper
Techniques: aquatint, etching
Location: amsterdam
Subjects: square, place, circus, etc., city-view in general; 'veduta', townhall
Inscriptions: collector's mark: ‘15,40’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Stadhuis, als Paleis, op de Dam, van Buiten.
Panel
Object type: panel
Date: 1644 – 1911
Materials: metal thread, silk
Culture: chinese
Subjects: insects,butterflies,flowers
Skirt
Object type: skirt
Date: 1801 – 1900
Bowl
Object type: bowl
Date: 701 – 900
Materials: earthenware, glaze
Location: iran

This ceramic bowl was excavated at the site of Tepe Madrasa in Nishapur. Nishapur was a vital city in the early and middle Islamic periods, located along one of the main trajectories that connected Iran and West Asia Islamic lands with Central Asia and China. These itineraries are often referred by the term ‘Silk routes’ but were in fact crucial to the movement of constellations of materials and objects, as well as people and ideas. The diverse population of Nishapur and its surroundings, from the better-researched elite groups of merchants, land-owning aristocracy, and literates, to the less-known artisans, farmers, miners, and servants, were instrumental in adapting global cultural trends to create their own distinctive visual languages. This is seen in the material remains of everyday life in medieval Nishapur – from pots and pans to lighting devices, inkwells, textiles and trimmings, jewelry, games and toys, talismanic devices, weapons, coins, and architectural fragments. Nishapur lost its political prominence due to a series of earthquakes and invasions that peaked in the thirteenth century. Today, the medieval city is a vast archaeological area, while the relatively small modern city is situated to its north. Instead, Mashhad, a major pilgrimage site, emerged as a major prosperous metropolis in the region. Between 1935 and 1948, the "Persian Expedition" of the Metropolitan Museum of Art excavated at several sites at Nishapur under an agreement with the Iranian authorities. The recovered artifacts were divided in half between the two countries, resulting in over four thousand objects in the Met’s collection today. As part of the larger "Persian Expedition" project at Nishapur, American archaeologists and hundreds of Iranian workers excavated a mound named Tepe Madrasa. There, they uncovered an architectural complex which they tentatively associated with a palace or governmental center because of the solidity of the built structures and the extent and variety of wall decorations (including carved and painted brickwork, glazed tiles, wall paintings, and carved and painted stuccoes). This, together with the ceramic and metal finds, aided in attributing the site to the ninth or tenth century onwards. A mosque, refurbished multiple times up to the late eleventh century, was also unearthed, yielding the remains of a monumental entrance with a large terracotta inscription bearing the titles of a sultan (39.40.58, .60–64). Several twelfth century tombstones were also unearthed, showing the shift in purpose of what was earlier a residential area.
Creamer
Object type: creamer
Date: 1865 – 1865
Materials: silver
Culture: american
Location: united states
Artist: gorham manufacturing company
Artist role: maker
Artist nationality: american
Artist dates: 1831 – 9999

The mid-nineteenth century witnessed an efflorescence of creativity in the American silver industry, fueled by the burgeoning middle class’s increasing demand for refined luxury goods. Silversmiths devoted considerable time and creative energy to generating an endless variety of new designs and patterns. During the 1860s and 1870s silver flatware ornamented with portrait medallions inspired by antique coins and cameos enjoyed widespread popularity, with virtually every American silversmith producing their own proprietary "medallion" pattern. Gorham Manufacturing Company’s designer George Wilkinson patented a medallion flatware pattern in 1864, and the quantity and variety of surviving silver in this pattern attest to its success. Medallions from this flatware pattern ornament the tea set as well as a toast rack (.4) and goblet (.5) in the American Wing’s collection. Although the three pieces match, they are an assembled set; the teapot is engraved "Linda," and the creamer and sugar bowl are engraved "T. S. B." These objects would have been proudly displayed and used on the table as a testament to their owner’s taste and sophistication.
Varie Figuræ et Probæ
Object type: print
Date: 1645 – 1645
Techniques: etching
Artist: wenceslaus hollar
Artist role: artist
Artist nationality: bohemian
Artist dates: 1607 – 1677
Subjects: women

A young woman seated to right on a stone slab, looking towards the viewer with slightly open lips, holding upright on the ground a metal plate with figure studies and another on her knee; title-page to the series. Printed on the same sheet as P. 1605 and P. 1610
Kop met oor, wit, met blauwe biezen
Object type: cup
Date: 1860 – 1890
Materials: creamware
Location: maastricht
Artist: petrus regout
Artist role: plateelbakker
Artist dates: 1801 – 1879
Inscriptions: check stamp: ‘onduidelijk’

Kop met oor van aardewerk, behorend bij een koffie- en theeservies, wit, met blauwe biezen.
L'Illustration Nationale / 50e Anniversaire L'Indépendance de la Belgique / 1830-1880
Object type: print
Date: 1880 – 1880
Materials: paper
Techniques: engraving
Location: brussels
Subjects: belgische revolutie
Inscriptions: collector's mark: Lugt 2228

Titelblad van het tijdschrift 'L'Illustration Nationale', editie van augustus 1880 ter gelegenheid van het vijftigjarig jubileum van de Belgische onafhankelijkheid, 1830-1880. Negen gezichten op de belangrijkste Belgische steden, afgebeeld tussen bomen en torens. Bovenaan het Belgische wapen. Met tekst op verso.
Half coconut shell from the wreck of the Dutch East India ship Witte Leeuw
Object type: coconut fruit
Date: 1613 – 1613
Materials: plant material
Artist: Anonymous
Subjects: verenigde oostindische compagnie, sint-helena

Halve kokosnoot uit V.O.C.-schip de 'Witte Leeuw'. De bovenzijde.
Portret van drie jongens rond een tafel
Object type: carte de visite
Date: 1869 – 1873
Materials: cardboard, photographic support
Techniques: albumen print
Location: rotterdam
Artist: bernardus theodorus van loo
Artist role: print maker
Artist dates: 1816 – 1892
Subjects: boy (child between toddler and youth) (+ three persons), historical persons, table
Inscriptions: inscription: ‘B.T. VAN LOO. PHOTOGRAAF/ van/ Z.M. den Koning,/ ROTTERDAM/ Hugo de Groot-straat./ Wÿk 13 No. 496.’
Groepsportret van jolige mensen in Batuan, gekleed in het wit.
Object type: photograph
Date: 1910 – 1910
Materials: cardboard, paper
Techniques: gelatin silver print
Location: madura
Artist: frits freerks fontein fz.
Artist role: fotograaf
Artist dates: 1882 – 1928
Inscriptions: caption: ‘Batoewan bij Soemenep 1910’

De mannen dragen witte tropenuniformen waarvan een man met tropenhelm, twee andere mannen dragen een strooien hoed, de vrouwen dragen witte jurken of batik rokken met witte hes. Foto uit album 'Photographieën".
Beddesprei, passend op het kraambed, vervaardigd van gele zijde
Object type: miniature
Date: 1690 – 1710
Materials: cotton, silk
Location: amsterdam
Artist: Anonymous
Kerk te West-Souburg
Object type: print
Date: 1740 – 1795
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: village, church (exterior)
Inscriptions: collector's mark, collector's mark: Lugt 1641

Gezicht op de kerk te West-Souburg. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Kerk en kerkwezen & Armwezen en liefdadige instellingen; Kerkgebouwen elders. V-Z.
Tampan (Ceremonial Cloth)
Object type: textile
Date: 1801 – 1900
Materials: cotton, gilt, metal, paper, silk
Techniques: patterning, weave
Location: indonesia
Portret van een man zittend aan een tafel, aangeduid als de aannemer Visser Nieuwpoort
Object type: album leaf
Date: 1855 – 1868
Materials: cardboard, photographic support
Techniques: albumen print
Location: the hague
Artist: maurits verveer
Artist role: painter
Artist dates: 1817 – 1903
Subjects: sitting figure, historical persons, table
Inscriptions: name: ‘2. Visser Nieuwpoort’, inscription: ‘M. VERVEER/ PHOTOGRAPHE/ DE LL.M.M. KE ROI ET LA REINE DES PAYS-BAS./ 52, Zeestraat, vis à vis du Willemspark./ LA HAYE’
Bronze photographié à sec
Object type: photomechanical print
Date: 1891 – 1901
Materials: paper
Techniques: autotype
Location: paris
Subjects: sculpture
Inscriptions: number: ‘Fig. 3.’

Prent in album 'La photographie des objets immergés', 1901.
Silver earring with nail-head pendant
Object type: earring with nail head pendant, 6
Date: 600 – 501
Materials: silver
Culture: cypriot
Frederik d. 5tes Kapel
Object type: photomechanical print
Date: 1906 – 1920
Materials: cardboard
Techniques: photograph
Location: roskilde
Subjects: the place of worship and its equipment ~ christian churches, grave, tomb
Inscriptions: mark: ‘CS’

Prentbriefkaart maakt deel uit van een album.
Romeinse martelaressen
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: rome
Subjects: martyr(s) (often with palm-branches) - qq - female martyr, violent death by beheading
Inscriptions: collector's mark: Lugt 240

Deze prent maakt deel uit van een reeks van 73 prenten (+ titelprent) met voorstellingen van Romeinse martelaressen.
Venvs et Mavors
Object type: print
Date: 1576 – 1628
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: titus lucretius, mars and venus as lovers, envy; 'invidia' (ripa) ~ personification of one of the seven deadly sins, wealth, opulence; 'opulenza', 'richezza' (ripa), (story of) cupid, amor (eros), war, other birds: turtle dove, festivities
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Mars, gekleed als soldaat, ligt in de armen van een naakte Venus. In de lucht vliegen twee tortelduiven en Cupido, pijl en boog in aanslag. Bovenaan de prent in een ovaal kader het portret van de Romeinse dichter Lucretius. Boven in de hoeken: links de personificatie van Overvloed, rechts de personificatie van Wreedheid. Onder in de hoeken: links een feest, rechts de oorlog. De prent heeft een Latijns onderschrift.
Beleg van Coevorden, 1592
Object type: history print
Date: 1608 – 1610
Materials: paper
Techniques: engraving
Location: northern netherlands
Artist: pieter bast
Artist role: print maker, publisher
Artist dates: 1570 – 1605
Subjects: the hague, maurice (prince of orange), capture of city (after the siege), maps of cities
Inscriptions: number: ‘82’

Beleg van Coevorden door het Staatse leger onder Maurits en Willem Lodewijk, juli - september 1592. Plan van de vesting met het kasteel Coevorden met het omringende land met de posities van de belegerende troepen. Apart in boekdruk gedrukt onder de plaat drie regels Nederlandse tekst. met op het einde het opschrift 'Dit Sterck Casteel is in ghewonnen den 12. September. 1592.' Onderdeel van de verzameling kaarten genomen uit een latere editie van: Descrittione di tutti i Paesi Bassi van Lodovico Guicciardini.
String of Carnelian Ball  Beads
Object type: necklace, bead
Date: 1981 – 1295
Materials: gemstone
Location: egypt

Thousands of beads of carnelian, amethyst, quartz, gold faience, and shell were discovered in the surface sand, or radim, of the North Pyramid at Lisht. These have been assembled into a number of necklaces, such as this example, composed primarily of large carnelian ball beads.
Soldaat die zijn musket, steunend op zijn furket, afvuurt
Object type: print
Date: 1597 – 1607
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: manoeuvre ~ military training, firearms: rifle

Een soldaat, ten voeten uit, naar rechts, die een musket (een bepaald type vuurwapen) met beide handen richt op een doelwit, de loop steunend op een furket (musketvork), en afvuurt. Deze prent is onderdeel van de reeks van 43 genummerde prenten van musketiers uit de Wapenhandelinghe.
Double Column Base
Object type: base
Date: 1201 – 1400
Materials: limestone, stone
Culture: french
Location: france
Portret van een onbekende man, staande in een tuin
Object type: glasnegatief, glasplaatnegatief
Date: 1865 – 1900
Materials: glass
Techniques: collodion process
Artist: laurens lodewijk kleijn
Artist role: draughtsman, painter
Artist dates: 1826 – 1909
Subjects: garden, anonymous historical person portrayed

Onderdeel van groep glasnegatieven uit de nalatenschap van de schilder Laurens Lodewijk Kleijn, stillevens, portretten, zelfportretten en kunstreproducties.
Fotoreproductie van een ontwerp voor een deur naar Alexandre Eugène Prignot
Object type: photograph
Date: 1873 – 1880
Materials: cardboard, paper
Techniques: albumen print
Location: liège
Subjects: door
Inscriptions: number: ‘12’, stamp: ‘AFGESCHREVEN/ [...]’, inscription: ‘Eug. Prignot. inv.’, stamp: ‘TEEKENSCHOOL/ VOOR/ KUNSTNIJVERHEID/ HAARLEM’, inscription: ‘Déposé’

Deze foto maakt deel uit van een omslag met 61 foto's op 61 bladen.
Diogenes, seated before his barrel, reading from a book, a plucked hen standing behind him at right
Object type: print
Date: 1527 – 1530
Materials: ink
Techniques: woodcut, printing
Artist: ugo da carpi
Artist role: artist
Artist nationality: italian
Artist dates: 1480 – 1532
Subjects: chickens,diogenes,reading

Ugo da Carpi was the first Italian artist to experiment with a multiblock woodcut technique known as chiaroscuro. The method requires a different block for each shade; the blocks are inked and printed one over the other to create the composition. In this remarkable example of the medium, the artist creates form through areas of tone. Ugo seems to have drawn inspiration from the wash drawings of Parmigianino, with whom he may have collaborated. The print shows the Greek philosopher Diogenes immersed in his studies. The chicken at right is a reference to his mocking response to Plato’s definition of man as a featherless biped: Diogenes is said to have presented a plucked chicken, saying, “Here is Plato’s man!”
Virgin and Child with a Donor Presented by Saint Jerome
Object type: painting
Date: 1450 – 1450
Materials: gold, oil, panel, wood
Culture: bavarian
Artist: master of the munich bavarian panels
Artist role: artist
Subjects: men,madonna and child,saint jerome
L'imprimerie
Object type: print
Date: 1654 – 1682
Materials: paper
Techniques: etching
Location: paris
Subjects: abstract ideas and concepts (+ clothed), tools, implements of printer
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 4779

Een elegant geklede vrouw zit achter een bureau met daarop een letterkast waarop een tekst is bevestigd. In haar hand houdt ze een zetsel.
Glass perfume bottle
Object type: perfume bottle
Date: 1 – 200
Materials: glass
Culture: roman

Colorless with very pale blue green tinge and purple streaks. Uneven rim, folded out, over, and in, flattened on upper surface; flaring mouth; cylindrical neck, tapering slightly downwards, with deep tooled indent around base; elongated ovoid body; small, flattened but uneven bottom. Complete except for about half of rim and part of upper neck; many pinprick bubbles and blowing striations; dulling, slight pitting, and brilliant iridescent weathering.
Seated Falconer
Object type: one of a pair of figure
Materials: earthenware, pigment
Culture: chinese
Subjects: falcons,men
Design for Cabriolet or Victoria, no. 3831b
Object type: drawing
Date: 1883 – 1883
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Terracotta fragment of a neck-amphora (jar)
Object type: neck amphora fragment
Date: 534 – 501
Materials: terracotta
Culture: greek, attic

Bit of the shoulder and bent arm of a male
Ex libris van Hans Conrad Escher vom Luchs
Object type: bookplate
Date: 1753 – 1814
Materials: paper
Techniques: etching
Location: switzerland
Artist: Anonymous
Subjects: head-gear: hat, beasts of prey, predatory animals: lion, armorial bearing, heraldry
Inscriptions: inscription: ‘Escher vom Luchs / Gerster 628’
Ludovicus Magnus Rex Christianiss.
Object type: album leaf
Date: 1687 – 1687
Materials: paper
Techniques: engraving, etching
Artist: sébastien leclerc (i)
Artist role: print maker
Artist dates: 1637 – 1714
Subjects: lodewijk xiv (koning van frankrijk), reception, cocktail party, historical persons, king, recovery, convalescence of sick person
Inscriptions: date

Receptie van de koning in het Hôtel de Ville ter gelegenheid van zijn genezing na een ziekte. Prent maakt deel uit van een album.
Flask
Object type: flask
Date: 1770 – 1830
Materials: glass
Techniques: glassblowing, molding
Culture: american
Location: united states
Hagar en Ismaël door Abraham verstoten
Object type: print
Date: 1751 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the banishment of hagar and ishmael (genesis 21:9-21)
Inscriptions: collector's mark: Lugt 2228

Abraham staat voor zijn huis en stuurt Hagar en Ismaël weg. Ismaël heeft een wandelstok, Hagar droogt haar tranen met een zakdoek. Achter Abraham staat Sara in de deuropening.
Restauration du Dome de S. Maria del Fiore a Florence (The Restoration of the Dome of S. Maria del Fiore in Florence), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis" (The Life of Ferdinand I de'Medici also called The Medici Battles)
Object type: print
Date: 1614 – 1620
Techniques: engraving
Artist: jacques callot
Artist role: artist
Artist nationality: french
Artist dates: 1592 – 1635

According to the inscription on the second state of the prints in this series, Callot's engravings are after designs by Matteo Rosselli. Mariette attributes the designs of the prints in the series to Rosselli, Bernardino Poccetti, and possibly Antonio Tempesta.
Portret van Johann Gottfried von Herder
Object type: print
Date: 1800 – 1800
Materials: paper
Techniques: stippled etching
Location: nuremberg
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228
St. Stephen's Walbrook, plate 90 from "Microcosm of London"
Object type: print
Techniques: aquatint, etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: interiors,churches

St. Stephen's Walbrook stands near Mansion House in the City of London, was designed by Sir Christopher Wren and opened in 1679, after the 15th century church on the site was destroyed in the Great Fire of 1666. Within a rectangular plan, twelve corinthian columns support a high dome based onthat in St. Paul's Cathedral. Rowlandson and Pugin show a service in progress with figures in box pews listening to a minister in a pulpit to the right of the altar.