deem-data/ArtiFact huggingface dataset:
Souvenir
Object type: souvenir
Date: 1768 – 1774
Materials: enamel, gold
Subjects: cupid

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Lilliputian Souvenir
Object type: photograph
Date: 1862 – 1863
Techniques: albumen silver print, glass negative
Artist: mathew b. brady
Artist role: artist
Artist nationality: american, born ireland
Artist dates: 1823 – 1896
Subjects: men,portraits,women,weddings
Seated Tambourine Player
Object type: figure
Date: 1101 – 1200
Materials: plaster
Techniques: molding, painting
Location: iran
Subjects: human figures,musical instruments

The representation of courtly life and activities was a very popular subject for artists working in the medieval Islamic period. Within this setting, a particularly favored subject is the depiction of musicians, such as the seated tambourine player seen here. This piece is unusually detailed for its size, and may have been part of a larger group. It is believed that objects such as this were used for decorative purposes, although the slight curvature present on the back of the piece suggests that this may have been one component of a larger composition set in plaster. mic
[Walls of Jaffa near the Jerusalem Gate]
Object type: photograph
Date: 1860 – 1860
Techniques: paper negative, salted paper print
Artist: louis vignes
Artist role: fotograaf
Artist nationality: french
Artist dates: 1831 – 1896
Subjects: architecture,landscapes

Vignes, a naval officer and amateur photographer, first made photographs on campaigns through Sicily, Turkey, and the Holy Land between 1859 and 1862. This picturesque view of the walls around Jaffa originally formed the left-hand portion of a panoramic triptych of the port city as seen from the road to Jerusalem. The walls—constructed during the rebuilding of Jaffa after its siege by Napoleon in 1799—were demolished in 1870 to allow for the expansion of the city.
Codpiece
Object type: armor
Date: 1534 – 1566
Materials: steel
Location: germany
Verzaameling van de afbeeldingen van veele voornaame mannen en leraaren
Object type: print
Date: 1743 – 1743
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: the bible as a book
Inscriptions: collector's mark: Lugt 2228

Prent als illustratie gebruikt in: Verzaameling van de afbeeldingen van veele voornaame mannen en leeraaren, die (...) het leeraars ampt onder de doopsgezinde christenen bediend hebben. Amsterdam: Kornelis de Wit, 1743.
The Martyrdom of St Simon and Judas Thaddaeus, from The Martyrdom of Christ and the Apostles
Object type: print
Date: 1578 – 1578
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hendrick goltzius
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1558 – 1617
Inscriptions: Lettered within image, upper left: "S. Simon." and "S. Judas Thadeus"; lower right: "Aux.4.vents."; and below image: "10. / Hic summo adsurgunt ... et sijdera scandunt."
Ontwerp voor een fries
Object type: drawing
Date: 1760 – 1819
Materials: paper, pencil
Techniques: brush, pen
Artist: jurriaan andriessen
Artist role: draughtsman, painter
Artist dates: 1742 – 1819
Subjects: decorations (interior of the house), classical mythology and ancient history

Deel van een mythologisch tafereel. Tekening maakt deel uit van een album.
Piece
Object type: piece
Date: 1701 – 1800
Materials: silk
Culture: japanese
Subjects: gourds
Drum
Object type: drum
Materials: brass, leather, fiber, wood
Location: netherlands
Artist: Anonymous
Inscriptions: inscription: ‘1855-30’

Music has always been a crucial element of public celebrations, such as military parades, coronations, royal weddings, and funerals, adding grandeur to the solemnity of the occasion. Musical ensembles entrusted with performing music at these events have existed in Europe since the Middle Ages. This display highlights various marching bands and their musical instruments dating from the 16th to the 19th century.
Portrait of René François de Beauveau du Rivau
Object type: print
Date: 1727 – 1727
Materials: paper
Techniques: engraving
Location: france
Artist: pierre drevet and pierre-imbert drevet
Artist nationality: french
Artist dates: 1663 – 1739
Patriarchen van het Oude Testament met hun vrouwen en kinderen
Object type: print
Date: 1530 – 1530
Materials: paper
Techniques: woodcut
Artist: Anonymous
Subjects: enoch (not in biblical context)
Inscriptions: collector's mark: Lugt 240

Onderdeel van een serie van tien houtsnedes met de patriarchen.
Gedenk de sabbatdag: het derde Gebod
Object type: book illustration
Date: 1685 – 1685
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: mother and baby or young child, the ten commandments (exodus 20:3-17), 'remember the sabbath day' ~ separate representation of the fourth of the ten commandments
Inscriptions: collector's mark: Lugt 240

Prent uit: Hondorffius, Andreas. De tien geboden des Heeren (...). Amsterdam: Jan Bouman, 1685.
Wageningen, - Holle weg
Object type: photomechanical print
Date: 1905 – 1927
Materials: cardboard
Techniques: lithograph
Location: velsen
Subjects: forest path or lane
Trollhättan. Gamla Slussleder
Object type: photograph
Date: 1872 – 1876
Materials: cardboard, paper
Techniques: albumen print
Location: trollhättan
Artist: robert dahllöf
Artist role: publisher
Artist dates: 1842 – 1904
Subjects: sluice, weir
Inscriptions: inscription: ‘Trollhätan’, inscription: ‘Trollhättan’, inscription: ‘Fotografi/ af/ Robert Dahllöf/ Göteborg./ Pabeställning utföres fotografier at Eigendommar./ Fartyf, Machinerier m.m.’
Piece
Object type: piece
Date: 1501 – 1600
Materials: textile, metal thread, silk
Subjects: flowers,leaves
Medal
Object type: medal
Date: 1805 – 1805
Materials: bronze
Culture: american
Location: united states
Artist: webb
Artist role: maker
Subjects: men,profiles
Marineschepen aan de kust van Villefranche-sur-Mer
Object type: album leaf
Date: 1802 – 1893
Materials: paper
Techniques: albumen print
Location: villefranche-sur-mer
Artist: jean gilletta
Artist role: fotograaf
Artist dates: 1856 – 1933
Subjects: gulf, bay, ships (in general)
Inscriptions: number: ‘415’, inscription: ‘Le Bayard/ Le Condor/ Le Marceau/ Le Formidable/ Le Hoeke/ L.B.N. & C.C.B.’
Vijf wijze en vijf dwaze maagden
Object type: print
Date: 1518 – 1518
Materials: paper
Techniques: woodcut
Artist: niklaus manuel deutsch
Artist role: print maker
Artist dates: 1484 – 1530
Subjects: the wise and the foolish virgins ~ parable of christ (matthew 25:1-13)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228a

Dwaze maagd staand op blote voeten, een deel van haar naakte bovenbeen zichtbaar onder haar kleding. Zij staat naar links gewend terwijl ze haar olielamp in haar uitgestrekte hand houdt.
Mold for a Ring
Object type: mold, ring
Date: 1390 – 1352
Materials: pottery
Location: egypt
Baluster covered jar with a continuous landscape with figures, boats and pavillions
Object type: pot
Date: 1850 – 1899
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: china
Artist: Anonymous
Inscriptions: label: ‘S. Alberge et Fils/ Antiquaires 11 plaats[...]/ La Haye/ Ho[...]’

Balustervormige dekselpot van porselein, beschilderd op het glazuur in blauw, rood, roze, groen, zwart en goud. Op de buik een doorlopend rivierlandschap met personen in boten. In de rivier enkele eilanden met personen op terrassen of bij paviljoens. In het landschap verschillende pijn- en prunusbomen. In de achtergrond bergen. Rond de voet en op de schouder een band met bloemranken onderbroken door een chrysant. De nek met drie pioentakken. De hals van de pot is gebroken geweest. Oud label in de deksel met 'S. Alberge et Fils/ Antiquaires 11 plaats[...]/ La Haye/ Ho[...]'. Famille rose.
Landschap met laan richting Oostende
Object type: print
Date: 1876 – 1913
Materials: paper
Techniques: drypoint, etching, intaglio
Location: belgium
Artist: albert baertsoen
Artist role: draughtsman, print maker
Artist dates: 1866 – 1922
Subjects: landscapes in the temperate zone, forest path or lane
Inscriptions: annotation: ‘1a/ 12/77 [in getekende driehoek]’, collector's mark: Lugt 2228, collector's mark: Lugt 2233
Gezicht op museum De Zwinger in Dresden vanaf het Theaterplatz
Object type: cabinet photograph
Date: 1880 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: dresden
Subjects: palace, permanent exhibition, museum
Inscriptions: annotation: ‘cliché even groot’, number: ‘4a’
Crucifixion with Four Angels
Object type: print
Date: 1475 – 1480
Techniques: engraving
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Subjects: angels,jesus,crucifixion
Capital (one of two)
Object type: capital
Date: 1501 – 1600
Materials: marble
Coin Portraying Empress Lucilla
Object type: coin
Date: 164 – 169
Materials: bronze, copper alloy, metal
Culture: roman
Location: roman empire
Inscriptions: Obverse:  LVCILLAE  AVG  ANTONINI AVG
Reverse:  IVNONI  LVCINAE

The front of this coin portrays the empress Lucilla, facing right.

On the back, the goddess Juno is shown seated, holding flowers.
Man met een pakezel
Object type: photomechanical print
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Location: colorado
Artist: Anonymous
Subjects: ass, donkey, mule
Advertenties
Object type: photomechanical print
Materials: paper
Techniques: printing
Location: netherlands
Artist: Anonymous
Subjects: advertising, ships (in general), hotel, hostelry, inn

Advertenties voor onder andere Horel-Ponsen de Klanderij, Hotel Amicitia, Hotel de Nieuwe Doelen, Modern Fotografisch Atelier Gerard Reijers en Omnia Motors Ltd. Bij enkele advertenties is een autotypie gedrukt. Deze pagina maakt deel uit van een album.
Terracotta Nicosthenic neck-amphora
Object type: nicosthenic neck amphora
Date: 600 – 501
Materials: terracotta
Culture: etruscan

On the handles in relief, female figure with two felines The contrast between the narrow neck and the full body, the thinness of the handles, and the hard glossy surface give this Nicosthenic neck-amphora a mannered character.
Edward Hanlan, Champion Sculler of America, from the Champions of Games and Sports series (N184, Type 1) issued by W.S. Kimball & Co.
Object type: print
Date: 1887 – 1887
Techniques: color lithograph
Artist: w.s. kimball & co.
Artist role: publisher
Subjects: men,rowing,athletes

Trade cards from the set "Champions of Games and Sports" (N184), issued in 1887 by W.S. Kimball & Company. There are two variations of cards in the series. Type 1 displays the W.S. Kimball brand on the card recto and verso. Type 2 only displays the Kimball brand on the card verso. This card is Type 1.
Cup
Object type: cup
Date: 500 – 201
Materials: silver
Techniques: gilding
Culture: chinese
Kite Flying
Object type: print
Date: 1766 – 1766
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: suzuki harunobu
Artist role: artist
Artist nationality: japanese
Artist dates: 1725 – 1770
Subjects: children,men,women,kites
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Materials: terracotta
Culture: greek, attic

Interior, seated nude woman wearing a sakkos
Design for a Stage Set at the Opéra, Paris
Object type: drawing
Date: 1828 – 1890
Materials: graphite
Artist: eugène cicéri
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1890
Subjects: landscapes,stage design
Three Cherubs Playing around a Rock
Object type: drawing and watercolor
Materials: ink, paper
Techniques: brush, cutting, pen, wash
Location: netherlands
Artist: follower of or after jacob de wit
Liggende naakte vrouw op een rustbed
Object type: print
Date: 1824 – 1853
Materials: paper
Techniques: etching, intaglio
Artist: ernst buschmann
Artist role: bookseller, print maker, printer, publisher
Artist dates: 1814 – 1853
Subjects: woman (showing herself) undressed, quasi-nude, the (nude) human figure; 'corpo humano' (ripa) - aa - female human figure
Inscriptions: collector's mark: Lugt 2228
Nederlandsche Courant, 3 mei 1784
Object type: newspaper
Date: 1784 – 1784
Materials: paper
Techniques: letterpress printing
Location: nieuwer-amstel
Subjects: newspaper, news-sheet

Exemplaar van de krant 'Nederlandsche Courant' van 3 mei 1784. Enkelbladig, beide zijden bedrukt. Bovenaan een vignet met de Vrijheid en Mercurius. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Regeering, Officieele Nieuwsbladen.
26 Ontwerpen voor zijden stoffen
Object type: design drawing
Date: 1930 – 1950
Materials: gouache, graphite, paper, plastic
Techniques: pasting
Location: lyon
Artist: Anonymous
Inscriptions: label: ‘Suzie Bernardin / Bois.Colombes’
Terracotta pulled rim bowl
Object type: cup
Date: 1400 – 1200
Materials: terracotta
Culture: minoan

The style of decoration on this bowl is known as dip and run. The rim has been dipped into paint and then turned over to dry, causing drips to run down the side on the interior and exterior.
Januarius
Object type: print
Date: 1614 – 1614
Materials: paper
Techniques: engraving
Subjects: january and its 'labours', skates (winter sports), landscape symbolizing january (+ with scenes showing human occupations ~ seasons and months)
Inscriptions: signature and address: ‘Henricus Hondius sculpsit. et excudit.’, collector's mark: Lugt 240, signature:, privilege: ‘Cum Privillegio.’, number: ‘1’, date: ‘1614’

Winterlandschap met ijsgezicht en enkele boerenhuizen. Op het ijs, rechts, wordt geschaatst. Links op de voorgrond een winkel waar koek (?) wordt verkocht. Linksachter een kerk. Onderaan (tussen excudit en Cum) de boraxbus als Hondius persoonlijke signatuur. Onder de voorstelling een tekst in het Latijn. Prent uit een serie van de twaalf maanden.
Gezicht op de haven van vermoedelijk Triëst
Object type: cabinet photograph
Date: 1870 – 1890
Materials: cardboard, photographic support
Techniques: albumen print
Location: trieste
Artist: giuseppe wulz
Artist role: fotograaf
Subjects: harbour, ships (in general)
Inscriptions: name: ‘Vosmaer’, inscription: ‘Trieste Déposé Garanti d'apres Nature’
Europeaan in de deuropening van een opslag voor oogst
Object type: photograph
Date: 1891 – 1912
Materials: paper
Techniques: albumen print
Artist: christiaan benjamin nieuwenhuis
Artist role: publisher
Artist dates: 1863 – 1922
Subjects: storage space, railway, train

Een hal waar de oogst van het veld per spoor binnen wordt gereden. Bij de deur 'poseert een man in een 'tropenuniform'.
Vooraanzicht San Marco, Venetië, Italië
Object type: photograph
Date: 1875 – 1900
Materials: paper, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: basiliek van san marco

Opvallend zijn de meerdere ladders die tegen de gevel zijn geplaatst. Renovatie?
Handkerchief
Object type: handkerchief
Date: 1801 – 1900
Techniques: embroidery
Subjects: flowers
Fontein in een tuin (vermoedelijk) te Rome
Object type: photograph
Date: 1875 – 1900
Materials: photographic support
Techniques: albumen print
Location: rome
Artist: gustave eugène chauffourier
Artist role: fotograaf
Artist dates: 1845 – 1919
Subjects: woman (showing herself) undressed, quasi-nude, ornamental fountain, sculpture
Inscriptions: collector's mark: Lugt 3937
Design for a Stage Set
Object type: drawing
Date: 1736 – 1806
Materials: ink
Techniques: brush, pen, wash
Artist: claude nicolas ledoux
Artist role: artist
Artist nationality: french
Artist dates: 1736 – 1806
Subjects: buildings,stage design
Vergadering des Oeconomischen Taks. eerst gehouden den 15 september 1778, in de zaal van het Diaconie Huys te Haerlem
Object type: print
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: meeting, assembly
Inscriptions: collector's mark: Lugt 2228

Gezicht op de eerste vergadering van de Oeconomische Tak, een zelfstandige onderafdeling van de Hollandsche Maatschappij der Wetenschappen, gehouden op 15 september 1778 in de eetzaal van het Diaconiehuis te Haarlem.
Portret van Eugenius van Savoye
Object type: print
Date: 1857 – 1900
Materials: paper
Techniques: lithograph
Location: haarlem
Artist: Anonymous
Subjects: paris, vienna, eugenius van savoye, helmet, historical persons, knighthood order of the golden fleece
Jules Verne
Object type: photomechanical print
Date: 1871 – 1876
Materials: paper
Techniques: woodburytype
Location: france
Subjects: portrait of a writer, historical persons (portraits and scenes from the life) (+ (full) bust portrait)
Prick Spur
Object type: spur
Date: 1101 – 1300
Materials: metal alloy
Culture: german
Location: poland

The prick spur was the first type of spur to be invented, and it consists of a goad or prick, more or less pointed, connected to side arms or a heel plate. The earliest spurs were probably simple thorns attached at the back of the heel, before they started to be made out of metal in antiquity. Prick spurs were the main type of spurs used in the Middle Ages until the mid-14th century, when they were supplanted by rowel spurs, which appeared in Europe a century before and with which they had cohabitated for a time. As a knight’s status was closely related to his horse, spurs became one of the symbols of chivalry, and one of the tokens given to him during his knighting.
Putto met bloemenguirlande
Object type: putto
Date: 1912 – 1925
Materials: earthenware, glaze, chemical
Techniques: firing
Location: gmunden
Artist: michael powolny
Artist role: sculptor
Artist dates: 1871 – 1954
Inscriptions: mark: ‘bloem in pot tussen de letters G en K binnen vierkant en het nr. 60’

Putto. Earthenware. Gmunden, c. 1915, made by Vereinigte Wiener und Gmundner Keramik, designed by Michael Powolny c. 1908.
Barbute
Object type: barbute
Date: 1460 – 1460
Materials: steel
Culture: italian
Location: italy
Artist: jacopo da cannobio, called bichignola
Artist role: armorer
Artist nationality: italian, brescia
Artist dates: 1435 – 1485

This barbute is stamped with the mark attributed to the Brescian armorer Jacopo da Cannobio, called Bichignola, and with the lion of Saint Mark, which signified ownership by the Republic of Venice.
Beaker
Object type: lime container
Date: 1200 – 500
Culture: chavín or cupisnique
Location: peru
Artist: cupisnique artist(s)
Artist role: artist
Subjects: feet
Battle of the Sea Gods (right portion of frieze)
Object type: print
Date: 1481 – 1481
Techniques: engraving
Artist: andrea mantegna
Artist role: artist
Artist nationality: italian
Artist dates: 1431 – 1506
Subjects: battles,female nudes,mythical creatures

An artist who was profoundly interested in the world of classical antiquity, Mantegna was also one of the first Italian painters to use engraving as a medium for his original designs. In this engraving, the right half of a two-part frieze, the artist's point of departure is a sarcophagus like the one etched by Mercati at left. From such a source, Mantegna took the sea centaurs with Nereids on their backs and the Triton blowing his horn. Yet Mantegna added to the mix the violence of ancient battle sarcophagi and the muscular physique of the famous Horse Tamer statues on the Quirinal Hill in Rome to create a work of great originality and power. Among the many artists who admired this engraving was Albrecht Dürer, who in 1494 produced a drawing of this print that was one of the starting points for his marvelous Sea Monster.
Vues d'Italie et de France
Object type: print
Date: 1654 – 1654
Materials: paper
Techniques: etching
Location: france
Subjects: city-view in general; 'veduta', landscape with tower or castle
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een serie van zestien prenten, deels ongenummerd.
Portret van Cyriac Schnaus
Object type: print
Date: 1668 – 1668
Materials: paper
Techniques: etching
Artist: johann friedrich leonard
Artist role: print maker
Artist dates: 1633 – 1680
Subjects: pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist, historical persons
Ceiling design, Castle Blayney
Object type: drawing
Date: 1851 – 1900
Materials: gilt, gouache, watercolor
Artist: jules-edmond-charles lachaise
Artist role: artist
Artist nationality: french
Artist dates: 1897 – 1897
Subjects: ceilings
Stellina en Edouard
Object type: book illustration
Date: 1799 – 1799
Materials: paper
Techniques: engraving, etching
Location: paris
Subjects: literary characters and objects, cave, grotto
Inscriptions: collector's mark: Lugt 2228

Prent uit: Bonaparte, Lucien. La Tribu Indienne. Parijs: Honnert, 1799.
Boy Chasing a Butterfly
Object type: drawing
Date: 1591 – 1666
Materials: ink
Techniques: pen
Artist: guercino (giovanni francesco barbieri)
Artist role: artist
Artist nationality: italian
Artist dates: 1591 – 1666
Subjects: boys,butterflies
Zondeval, omringd door uiteenlopende voorstellingen
Object type: print
Date: 1784 – 1784
Materials: paper
Techniques: engraving, etching
Subjects: theseus kills the minotaur, eve offers the fruit to adam, (story of) the minotaur
Inscriptions: collector's mark: Lugt 2228

Maakt deel uit van een serie encyclopedische prenten door verschillende kunstenaars naar ontwerp van Daniel Nikolaus Chodowiecki bij Johann Sigmund Stoy's 'Bilder-Akademie für die Jugend', uitgegeven te Neurenberg in 1784.
De prenten waren bedoeld voor kinderen om uit te knippen, op kaarten te plakken en vervolgens op logische wijze te rangschikken (zie Heesen, Anke te. The World in a Box: The Story of an Eighteenth-Century Picture Encyclopedia. Chicago: University of Chicago Press, 2002).
Daoist Priest with Zodiac Animal, Monkey
Object type: figure
Date: 960 – 1279
Materials: stoneware
Culture: chinese
Subjects: animals,men
Toasting wineglass with cover
Object type: wineglass with cover
Date: 1740 – 1740
Materials: glass
Small oval box
Object type: box
Date: 1773 – 1775
Materials: silver gilt
Artist: johann christian neuss
Artist role: maker
Artist dates: 1740 – 1803
Subjects: fruit,flowers
Coin (Thaler) Showing Prince Sigismund Báthori
Object type: coin thaler
Date: 1593 – 1593
Materials: silver
Culture: hungarian
Location: hungary
Subjects: princes,coins
Crucifixion of Saint Peter
Object type: sculpture
Date: 1770 – 1780
Materials: bronze, gilt, gilt bronze, lapis lazuli, metal, silver
Techniques: gilding, carved
Location: rome
Artist: luigi valadier and workshop
Artist nationality: italian
Artist dates: 1726 – 1785
Subjects: saints, christian subjects, christianity, metal, metalwork, religion, religious, religious figures, religious scenes, sculpture, silver
A young boy cowering from a demon, illustration from 'El cuento Nniño de los dulces'
Object type: print
Date: 1880 – 1910
Techniques: lithography
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: fear,boys,demons
Portret van Justus Lipsius op 43-jarige leeftijd
Object type: print
Date: 1591 – 1591
Materials: paper
Techniques: engraving, letterpress printing
Artist: Anonymous
Subjects: louvain, justus lipsius, ornament ~ medallion, historical persons, portrait of a writer

Met vierregelig vers in het Latijn onder het portret.
Intaglio with Figure of Justice
Object type: ceramic
Date: 1767 – 1800
Materials: ceramic, jasper, stoneware
Location: burslem
Artist: wedgwood manufactory
Artist nationality: england
Artist dates: 1759 –