deem-data/ArtiFact huggingface dataset:
Broadside with 48 scenes from the life of the Count of Monte Cristo
Object type: print
Date: 1860 – 1860
Techniques: engraving
Artist: josé maría marés
Artist role: publisher
Artist nationality: spanish
Artist dates: 1850 – 1870
Subjects: soldiers,prisoners,suffering,men
Adam Smith, Political Economist
Object type: medallion
Date: 1876 – 1876
Materials: bronze
Techniques: casting
Artist: françois-joseph-hubert ponscarme
Artist role: artist
Artist nationality: french
Artist dates: 1827 – 1903
Subjects: men,profiles
Portret van de schilder Simon de Vos
Object type: print
Date: 1616 – 1657
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: painter, portrait, self-portrait of painter
Inscriptions: collector's mark: Lugt 906, collector's mark: Lugt 2228, collector's mark: Lugt 654
The Powhatan
Object type: print
Date: 1854 – 1854
Techniques: woodblock print
Location: japan
Artist: Anonymous
Fragmentary Seal Impression from Tutankhamun's Embalming Cache
Object type: seal impression, tutankhamun, beloved of ptah
Date: 1336 – 1327
Materials: mud
Location: egypt
Reuzensequoia
Object type: page
Date: 1867 – 1877
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: trees: cypress
Histoire de Joseph
Object type: print
Date: 1702 – 1753
Materials: paper
Techniques: etching
Location: france
Subjects: joseph as overseer of pharaoh, genesis: the story of joseph, joseph prepares for the famine and stores up corn
Inscriptions: collector's mark: Lugt 240

Maakt deel uit van een serie getiteld: "Histoire de Joseph", bestaande uit tien platen naar tekeningen, voorheen toegeschreven aan Rembrandt, maar tegenwoordig gecatalogiseerd als tekeningen in de manier van Rembrandt, waarbij de naam Gerbrandt van den Eeckhout wordt gesuggereerd. De serie wordt genoemd in een veilingcatalogus van Coypel in 1753. In 1757 werd de serie uitgegeven door Jean Néaulme in Amsterdam.
Gezicht op het Collège des Quatre-Nations te Parijs, 1726
Object type: print
Date: 1726 – 1726
Materials: paper
Techniques: etching
Location: northern netherlands
Subjects: collège des quatre-nations, spaanse successieoorlog

Gezicht op het Collège des Quatre-Nations te Parijs. Plaat nr. 41 in deel II van het prentwerk: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme aussi les Cartes des Côtes de France et d'Espagne uit 1726, dit eerste deel met 238 met de hand genummerde platen van vermaarde sterke steden en vestingen in het kader van de Spaanse Successieoorlog 1701-1713. Voor het merendeel zijn deze platen gekopieerd naar de anonieme Franse platen van vermaarde sterke steden en vestingen: in Les forces de l'Europe en in: Le theatre de la guerre, dans les Pays-Bas, beide oorspronkelijk uitgegeven door Nicolas de Fer te Parijs (1693-1697) in het kader van de Negenjarige Oorlog. Titel en opschriften in het Frans.
Abklatsch van de krijttekening op blad 10 verso
Object type: sketchbook leaf
Date: 1892 – 1892
Materials: paper
Techniques: printmaking
Artist: willem cornelis rip
Artist role: draughtsman, painter
Artist dates: 1856 – 1922

Blad 11 recto uit een schetsboek met 25 bladen.
Initial letter C on patterned background
Object type: print
Date: 1520 – 1520
Techniques: woodcut
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1500 – 1600
Subjects: leaves,insignia
De heilige Jozef
Object type: print
Date: 1620 – 1668
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the foster-father of christ, joseph of nazareth, husband of mary; possible attributes: flowering rod or wand, lily, carpenter's tools
Inscriptions: collector's mark: Lugt 240

De heilige Jozef met het Christuskind op de arm. In zijn andere hand draagt hij een lelie. Prent uit een serie van heiligen.
Portret van Henricus Petrus Joannes van den Berg
Object type: photograph
Date: 1860 – 1880
Materials: cardboard, photographic support
Techniques: albumen print
Location: java
Subjects: henricus petrus joannes van den berg
Inscriptions: name: ‘W.&P. Phot. JAVA’, name: ‘WOODBURY & PAGE , / PHOTOGRAPHERS / JAVA .’, inscription: ‘vader H.P.J.v.d. Berg’
Landschap met veemarkt en drinkende boeren
Object type: print
Date: 1755 – 1755
Materials: paper
Techniques: etching
Subjects: city-view, and landscape with man-made constructions, cattle, drinking
Inscriptions: collector's mark: Lugt 240
Fragment
Object type: textile
Date: 1775 – 1825
Materials: silk
Techniques: bookbinding, patterning, weave
Location: china
View of an Encampment of the Army of Willem III near Binche, Hainaut
Object type: drawing
Date: 1675 – 1675
Materials: ink, paper
Techniques: brush, pen
Location: binche
Artist: josua de grave
Artist role: draughtsman
Artist dates: 1645 – 1712
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), (military) camp with tents, binche
Inscriptions: date: ‘16 9/10 75’

Kampement van het leger van Willem III bij Binche in Henegouwen, 10 september 1675. Soldaten bij tenten, op de achtergrond de kerktoren.
Portret van een meisje
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Artist: théodore saglio
Artist role: fotograaf
Subjects: historical persons - bb - woman, girl (child between toddler and youth)
Inscriptions: inscription: ‘Photographie Alsacienne/ ANCIENNE MAISON/ ERWIN./ THÉODORE SAGLIO/ SUCCESSEUR/ 4, Rue Frochot, 4/ (Quartier St. Georges)/ PARIS.’
La Décoration Industrielle.
Object type: print
Date: 1866 – 1900
Materials: paper
Techniques: lithograph
Location: paris

Drie omkaderde voorstellingen, in het midden staat een vrouw in een omlijsting van bloemen, rechts is een kansel te zien. Rechtsonder: 17.
Weidman, Pitcher, New York, from the series Old Judge Cigarettes
Object type: baseball card, photograph
Date: 1887 – 1887
Techniques: albumen silver print
Artist: goodwin & company
Artist role: publisher
Artist dates: 1850 – 1950
Subjects: men,portraits,baseball,athletes

From the Old Judge Cigarettes series N173, 1887-1889. Series consists of 407 cabinet cards total, and the Metropolitan Museum of Art owns 152. Issued by Goodwin & Company, New York.
Windmill and  Lock, part VI, plate 27 from "Liber Studiorum"
Object type: print
Techniques: etching, mezzotint
Artist: joseph mallord william turner
Artist role: artist
Artist nationality: british
Artist dates: 1775 – 1851
Subjects: windmills,men,cows,evening

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. In this case he probably etched the image directly onto the copper plate without a preliminary drawing, deriving it from his 1810 oil "Grand Junction Canal at Southall Mill." The conception echoes a famous painting then attributed to Rembrandt ("The Mill", now at the National Gallery, Washington), but mostly celebrates the progress of British commerce. Directed by Turner, the professional engraver Say added mezzotint to detail the windmill, shown at sunset above men who work the gates of a lock near a white horse. The letter "P" above the image indicates Turner's category of Pastoral landscape.
Portret van Georgius Deodatus
Object type: print
Date: 1717 – 1731
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: prague, historical persons, portrait of a writer

Prent mogelijk uit: Deodatus, Georgius. Kurtze Vorstellung und Erklärung derer drey vornehmsten in der gantzen Welt befindlichen Glauben (...). Praag: Johann Wenzel Helm, [1717-1731].
Gezicht op Acquoy
Object type: print
Date: 1758 – 1758
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view in general; 'veduta'
Inscriptions: collector's mark: Lugt 2228

Gezicht op het dorp Acquoy, aan de rivier de Linge. Met een lege marge.
The Adoration of the Magi
Object type: painting
Date: 1475 – 1475
Materials: gold, wood, oil
Artist: hieronymus bosch
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1450 – 1516
Subjects: cows,dogs,angels,virgin mary,jesus,adoration of the magi
Boer met drie ploegende paarden
Object type: print
Date: 1904 – 1904
Materials: paper
Techniques: etching, intaglio
Artist: gerrit haverkamp
Artist role: print maker
Artist dates: 1872 – 1926
Subjects: horse, ploughing
Inscriptions: collector's mark: Lugt 2228
Draakenfels
Object type: print
Date: 1767 – 1767
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: river, ships (in general), mountains
Inscriptions: collector's mark: Lugt 2228

Gezicht op de berg Drachenfels in het Zevengebergte, gezien vanaf de Rijn. De prent maakt deel uit van een elfdelige serie prenten met gezichten langs de Rijn.
Model of a Ladder
Object type: demonstration model
Date: 1850 – 1850
Materials: brass, wood
Location: the hague
Artist: petrus van der loo
Artist dates: 1806 – 1864
Inscriptions: inscription, on a rung: ‘No 6’

Model van een eenvoudige tweedelige werkladder. Het uitschuifbare gedeelte heeft een wieltje bovenaan iedere poot. Twee haken aan de beugel van het uitschuifbare gedeelte kunnen om de sporten van het onderdeel worden geslagen om het terugschuiven te beletten.
Tabula III. Hannibal cum exercitu Alpes transmittit
Object type: history print
Date: 1635 – 1636
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: brussels, landvoogd der zuidelijke nederlanden ferdinand van oostenrijk, triumphal arch, hannibal crosses the alps with his army and his elephants, ghent

Hannibal steekt het zijn leger de Alpen over (218 v.Chr.), zoals later Ferdinand ook zou doen. Voorstelling linksboven op de achterzijde van de triomfpoort Arcus Fernandi op de Vrijdagmarkt. Blad nr. 15 in een geheel van 42 platen die de uitgave van de beschrijving van de intocht van de Kardinaal Infant Ferdinand van Oostenrijk te Gent op 28 januari 1635 als de nieuwe landvoogd voor de Spaanse Nederlanden illustreren.
<em>Sib</em> sphinx for a barque
Object type: barque sphinx
Date: 664 – 525
Materials: bronze
Location: egypt
Subjects: sphinx

Images of gods were carried out of temples on festival days on processional barque-shrines. Most often the image itself was concealed in a shrine, but sculpted heads at the prow and stern identified the god to the populace, small royal statuary surrounded and protected the god hidden in the shrine, and other gods including the one represented here rode at the prow. Solar hymns of about 1400 B.C. identify this divinely poised and alert animal as a "sib," and describe it as "trampling the sun god's enemies." At the prow of the portable barque, its expressive and magical form telegraphed to the crowds the otherworldly nature of the appearance and the forces surrounding it. Alongside the sphinx rode Maat and Hathor, daughters of Re, and with the sib they constituted an entourage inherited from the voyage of the solar barque through the day and night sky. While the goddesses attended to the guidance of the barque, the sib dealt terrifyingly with any enemy that dared to approach. The barque sphinx is a standard, that is to say it appears on a platform meant to be raised on a pole. Two cobras, heads broken, undulate alongside the animal on the platform, reinforcing the dangerous power of the sib. The sphinx itself is a composite of human and lion, the identity of the latter clearly indicated by the long striated mane depicted on the animal's chest. But this very beautiful example with elongated body, extremely slim and high hips and backward thrusting legs probably alludes to the dangerous grace of leopards and panthers, who are associated with the solar barque voyage, and also recalls the jackal standard. The human head of the animal has a truly ethereal beauty: narrowed slightly tilted eyes with full lids in a perfect oval smiling face. This is one strain in the art of the Saite period that in subsequent centuries came to be the dominant mode for depicting the supernaturally perfect features of kings and gods.
Stuiver van Kampen
Object type: coin
Date: 1590 – 1610
Materials: silver
Techniques: striking
Location: kampen

Zilveren munt. Voorzijde: tussen waarde-aanduiding I S gekroond vereenvoudigd Spaans wapenschild. Keerzijde: op dubbellijnige vierpas lang gevoet kruis met in het centrum een rooosje.
Lake at Appledale
Object type: drawing and watercolor
Date: 1884 – 1884
Materials: paper, pastel
Location: united states
Artist: walter launt palmer
Artist nationality: american
Artist dates: 1854 – 1932
Theodoor Brouwers op plantage Accaribo
Object type: stereograph
Date: 1913 – 1930
Materials: glass
Techniques: photography
Location: suriname
Artist: Anonymous
Subjects: theodoor brouwers, plantation, suriname

In de periode 1911-1932 woonde op plantage Accaribo in Suriname de familie Brouwers van wie de foto's afkomstig zijn. Rond 1910 vond Theodoor Brouwers werk op plantage Accaribo. In 1929 werd hij eigenaar van de plantage. Op Accaribo werden in zijn tijd bananen geproduceerd en wat koffie.
Les malades et les médecins
Object type: print
Date: 1843 – 1843
Materials: paper
Techniques: lithograph
Location: paris
Artist: charles emile jacque
Artist role: draughtsman, painter, print maker
Artist dates: 1813 – 1894
Subjects: caricatures (human types), quack, charlatan, mountebank, 'saltimbanco', physician, doctor
Inscriptions: collector's mark: Lugt 2228a

Prent gebruikt voor: Le Charivari, 1843.
De tooverlantaarn van Mr. Laronde [(...)]
Object type: print
Date: 1827 – 1894
Materials: paper
Techniques: colour, letterpress printing
Location: schaarbeek
Subjects: street-trader, merchant, salesman
Inscriptions: collector's mark: Lugt 2760

Blad met 5 horizontale rijen met voorstellingen van straatverkopers. Onder elke afbeelding een onderschrift. Genummerd rechtsboven: No 150.
Portret van Erasmus Sarcerius
Object type: print
Date: 1600 – 1699
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: theologian, historical persons
Inscriptions: collector's mark: Lugt 2228
Youth with Fish Net
Object type: painting
Materials: ink, paper
Location: japan
Artist: shibata zeshin
Artist role: artist
Artist nationality: japanese
Artist dates: 1807 – 1891
Droogvloer op "Ma retraite"
Object type: photograph
Date: 1903 – 1910
Materials: photographic support
Techniques: cyanotype
Location: suriname
Artist: hendrik doijer
Artist role: engineer
Artist dates: 1863 – 1925
Subjects: suriname

Cacaobonen drogend in de zon op droogvloeren bij loodsen op het terrein van de plantage Ma Retraite. Onderdeel van het fotoalbum Souvenir de Voyage (deel 1), over het leven van de familie Doijer in en rond de plantage Ma Retraite in Suriname in de jaren 1903-1910.
Handkerchief
Object type: handkerchief
Date: 1865 – 1865
Materials: cotton
Techniques: lace
Artist: convent of notre dame de visitation
Artist role: maker
Subjects: flowers,leaves,insignia

While most lace handkerchiefs consist of a woven fabric with a wide lace border, this example is made entirely of bobbin lace, a specialty of the Convent of Notre Dame de Visitation in Ghent. In 1852 Sister Marie-Joseph patented a new style of lace, now called Ghent Lace with Varied Ground, making it possible to employ workers of varying skill levels and to assemble large pieces quickly using motifs that could be prepared ahead of time. The use of the royal monogram of King Leopold II and the repetition of the crown motif suggest that this handkerchief was made in celebration of his ascent to the throne in 1865. It may have been a presentation piece for his wife, Marie-Henriette, who was a patroness of both the convent and the Belgian lace industry.
Arbeiders bereiden de aanleg van een spoorlijn voor te Port Arthur
Object type: page
Date: 1898 – 1899
Materials: paper
Techniques: photograph
Location: port arthur
Subjects: working class, labourers, railway, tramway; rack railway
Inscriptions: number: ‘20’
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Part of the upper torso of a male with a baldric?
Rijckje Schimmel-penninghs en Lubbert Leever-worst
Object type: print
Date: 1612 – 1652
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: head-gear, farmers
Inscriptions: collector's mark: Lugt 2228

Prent uit een serie van 36 prenten met koppen van boeren en boerinnen.
Glass jar
Object type: jar, indented
Date: 101 – 300
Materials: glass
Culture: roman

Translucent blue green. Outsplayed, rounded, and thickened rim; short, concave neck; squat, bulbous body; tubular base ring; flat bottom with central kick and pontil scar. On body, six deep, circular indents. Intact; many pinprick and large bubbles, with some glassy inclusions; patches of encrusted weathering, especially on interior below neck.
Terracotta calyx-krater (mixing bowl)
Object type: calyx krater
Date: 400 – 390
Materials: terracotta
Culture: greek, south italian, lucanian
Artist: dolon painter
Artist role: artist
Subjects: geese,men,male nudes,actors

Obverse, scene from a phlyax play. Reverse, three youths The representation shows a stage structure at the far right and the characters of a phlyax play, a type of farce favored in Southern Italy. A recent interpretation characterizes the two male figures in the center as accomplices about to steal the hag's goose and kid or to defy her threats to turn them in. Written in Attic Greek, the inscriptions indicate that the farce originated in mainland Greece but do not explain the story. Formerly attributed to the Tarporley Painter, a major Apulian master, the vase is now recognized as Lucanian under Apulian influence.
Neck and Rim of a Vessel
Object type: fragment
Date: 301 – 433
Materials: glass
Culture: coptic
Location: egypt
Nova raccolta de li animali piu curiosi del mondo
Object type: print
Date: 1565 – 1630
Materials: paper
Techniques: etching
Location: rome
Subjects: goat
Inscriptions: collector's mark: Lugt 11, number: ‘45’

Deze prent maakt deel uit van een reeks prenten van dieren door Antonio Tempesta. Bekend is dat een tweede staat (met nummering) van deze serie is uitgegeven door Giovanni Giacomo de' Rossi in 1650. Onbekend is wie de eerste staat heeft uitgegeven en wanneer.
Korendragers- en -stortersgilde van Amsterdam, gildepenning van Jan C. Lachmulder
Object type: medal
Date: 1817 – 1817
Materials: brass
Techniques: engraving
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: man met last op hoofd en face; op achtergrond: lichterschuit en poort. Keerzijde: opschrift
Studie van een paardenkop
Object type: print
Date: 1791 – 1839
Materials: paper
Techniques: etching, intaglio
Location: netherlands
Artist: pieter gerardus van os
Artist role: draughtsman, painter, print maker
Artist dates: 1776 – 1839
Subjects: horse
Inscriptions: collector's mark: Lugt 2228
Collection cup
Object type: collection cup
Date: 1713 – 1753
Materials: silver
Artist: guillaume hamon
Artist role: maker
Artist nationality: french
Artist dates: 1683 – 1783
Fotoreproductie van een schilderij van een bijeenkomst van girondijnen door Paul Delaroche
Object type: carte de visite
Date: 1861 – 1878
Materials: cardboard, photographic support
Techniques: albumen print
Location: paris
Subjects: meeting, assembly, france
Inscriptions: inscription: ‘PHOTOGRAPHIE GOUPIL & Cie/ PARIS, 19, Bd Montmartre./ LONDRES-LA HAYE-BERLIN-NEW YORK’
Portrait of Andreas Vesalius, half-length in profile standing in front of a table dissecting the arm of a body; frontispiece to Andreas Vesalius 'De humani corporis fabrica libri septem'
Object type: print
Date: 1542 – 1542
Techniques: woodcut
Artist: john of calcar (john stephen calcar)
Artist role: artist
Artist nationality: netherlandish
Artist dates: 1499 – 1550
Subjects: hands,men,portraits
Censer in Form of a Shishi
Object type: censer
Date: 1820 – 1820
Materials: enamel, porcelain
Culture: japanese
Subjects: lions,censers
The Actor Sanogawa Ichimatsu as a Young Man Holding a Folded Letter
Object type: print
Date: 1765 – 1765
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: nishimura shigenaga
Artist role: artist
Artist nationality: japanese
Artist dates: 1697 – 1756
Subjects: men,actors
Head of Camel
Object type: statuette
Date: 301 – 700
Materials: earthenware, pigment
Culture: coptic
Location: egypt
Subjects: camels
Kobako
Object type: kobako
Date: 1701 – 1800
Materials: gold, lacquer
Culture: japanese
Subjects: dragons
Dish
Object type: dish
Date: 1467 – 1533
Materials: earthenware
Techniques: glazing
Culture: spanish
Location: spain
Subjects: coat of arms

Lusterware is the term used to describe a glazed earthenware ceramic decorated with an iridescent finish. The technique for creating this finish was developed in the ninth century under the rule of the Abbasid Caliphate in present-day Iraq. The medium involves a technique that is difficult to master, but if completed successfully, the surfaces of the ceramic objects display an iridescent sheen which is achieved through multiple firings and the application of a metal-based pigment (including silver, copper, tin, or a combination of these). Lusterware manufacture is still difficult to understand from a technical perspective because for generations, production was kept secret to protect workshop practices from being replicated by competitors. Therefore, pigment formulas and trade techniques were passed down from master to pupil and rarely recorded. Knowledge of the technique for creating lusterware made its way to the Iberian Peninsula by the twelfth century, when most of the region was still under Islamic rule. By the 1400s, the Iberian center of lusterware production was in Manises, near the city of Valencia. Previously a Muslim taifa, or principality, the Kingdom of Valencia was conquered in the thirteenth century by James I for the Crown of Aragon, and it was here that Christians and Muslim potters worked, sometimes together, for a diverse clientele with a voracious appetite for high quality lustered wares.
Caryatid (one of a pair)
Object type: caryatid
Date: 1551 – 1600
Materials: stone
Artist: school of burgundy
Artist role: maker
Subjects: caryatids
Schets van paddestoelen
Object type: drawing
Date: 1878 – 1943
Materials: paper, pencil
Artist: willem van konijnenburg
Artist role: draughtsman, painter, print maker
Artist dates: 1868 – 1943
Subjects: mushrooms
The Pedestrian Hobbies, or the Difference of Going Up and Down Hill
Object type: print
Materials: paper
Techniques: etching
Location: england
Artist: william heath ('paul pry')
Artist role: artist
Artist nationality: british
Artist dates: 1794 – 1840
Mlle. Ascenseur, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes
Object type: photograph
Date: 1888 – 1888
Techniques: albumen silver print
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: portraits,profiles,women,actresses

Trade cards from the "Actors and Actresses" series (N45, Type 8), issued ca. 1888 by Allen & Ginter to promote Virginia Brights, Dixie, Our Little Beauties and Opera Puffs Cigarettes.
Common-Wealth, The Colossus
Object type: print
Date: 1766 – 1766
Techniques: etching
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800
Subjects: satire,american revolution,men,politics
Head of a Bodhisattva
Object type: head
Date: 351 – 400
Materials: stone
Culture: indian
Subjects: kushan,mathura,faces,heads,bodhisattvas,buddha
Ninsei-style Sake Bottle with Floral Patterning
Object type: sake bottle
Date: 1734 – 1766
Materials: clay, enamel, glaze, gold
Culture: japanese
Subjects: flowers
Lakenkopersgilde van Utrecht, gildepenning van Jacobus Aldenhove
Object type: medal
Date: 1671 – 1671
Materials: copper
Techniques: engraving
Location: utrecht
Artist: Anonymous
Subjects: utrecht
Inscriptions: inscription: ‘L - G / IACOBVS / ALDEN HOVE / 1671’, inscription: ‘L - G / JA(C)QVES VAN / VFFELEN / 16(5 of 6)1’

Koperen penning. Voorzijde: wapenschild van Utrecht tussen letters L en G boven de doorgekraste naam Ja(c)ques van Uffelen en jaartal 1651 of 1661. Keerzijde: wapenschild tussen letters L en G boven opschrift.