deem-data/ArtiFact huggingface dataset:
De voorgestelde Subsidie voor Kindervoeding geweigerd
Object type: cartoon
Date: 1890 – 1890
Materials: paper
Techniques: letterpress printing, lithograph
Location: amsterdam
Artist: alfaro reijding
Artist role: draughtsman, engineer
Artist dates: 1863 – 1930
Subjects: hunger, purse, money-bag, personification of a city, town-patron(ess), child
Inscriptions: collector's mark: Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Armwezen en liefdadige instellingen: IV. Prenten betrekking hebbende op Philantropie.
Gezicht op de daken van een straat door de kale takken van een boom
Object type: sketchbook leaf
Date: 1892 – 1913
Materials: chalk, paper
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: trees, street

Blad 10 verso uit een schetsboek met 31 bladen.
Snuffbox
Object type: snuffbox
Date: 1766 – 1767
Materials: enamel, gold
Artist: louis-philippe demay
Artist role: maker
Artist nationality: french
Artist dates: 1672 – 1772
Subjects: men,women,flowers,trees

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.
Frescoes on the rock, Sigiriya, Sri Lanka
Object type: photograph
Date: 1895 – 1915
Materials: cardboard, paper, photographic support
Techniques: albumen print
Location: sigiriya
Artist: Anonymous
Inscriptions: inscription: ‘7. Sigiri’, number: ‘381’
Zoo kunt ge u wederom verblyden, ô lieve jeugd! met prent, / Zoo leert men u het minder myden, Op dat ge u tot het meerder wendt
Object type: print
Date: 1830 – 1892
Materials: paper
Techniques: colour, letterpress printing
Location: zaltbommel
Subjects: craft-production, skilled handiwork, jeweller, goldsmith, silversmith, street-trader, crafts and industries, merchant, salesman
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen van ambachtsliedenen beroepen, zoals een brillenverkoper, een goudsmid en een gewerenmaker. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 120.
Cicero en discussiërende figuren
Object type: print
Date: 1661 – 1661
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: marcus tullius cicero, debate, discussion (~ meeting)
Inscriptions: collector's mark: Lugt 2228

Titelpagina voor: Cicero, Marcus Tullius. [bewerkt door] I. Gruterus en C. Schrevelius. Opera omnia. Amsterdam: Daniel en Lowijs III Elsevier en Leiden: Franciscus Hackius, 1661.
Meisje met een academische baret
Object type: page
Date: 1884 – 1894
Materials: paper
Techniques: photoaquatint
Location: united states
Subjects: adolescent, young woman, maiden, head-gear: beret
The Crucifixion (Round)
Object type: print
Date: 1519 – 1519
Techniques: engraving
Artist: albrecht dürer
Artist role: artist
Artist nationality: german
Artist dates: 1471 – 1528
Subjects: men,women,christ,cross,crucifixion
Twelve-light chandelier (lustre)
Object type: chandelier
Date: 1785 – 1785
Materials: copper alloy, gilt bronze, varnish
Artist: pierre rémond
Artist role: maker
Artist nationality: french
Artist dates: 1747 – 1812

The metal body of this graceful chandelier is composed of a vase fitted with a slender, spiral-fluted neck of gilt bronze, topped by an arrangement of various fruits. Two pairs of S-shaped candle branches emerge from the folded arms of two beautifully modeled female half-figures evolving from acanthus leaves, while additional branches spring from between the horns of two satyr masks. The combination of varnished metal and gilt bronze offers the kind of rich and sophisticated contrast favored during the late eighteenth century. This chandelier has been attributed to the bronze worker François Rémond, based on similarities with some of his documented work. A highly successful artist, Rémond worked for the marchand-mercier Dominique Daguerre and was patronized by the comte d’Artois and Marie-Antoinette. Several variants of this model are known; a closely related chandelier is in the collection of the Musée Nissim de Camondo, Paris.
Canopic Jar Lid Belonging to Senimen
Object type: canopic jar lid, senimen, human
Date: 1479 – 1458
Materials: paint, pottery
Location: egypt
Inkstand
Object type: inkstand
Date: 1830 – 1840
Materials: glass, pewter
Techniques: glassblowing, molding, pressed
Location: united states
Artist: boston & sandwich glass company
Artist role: manufacturer
Artist nationality: american
Artist dates: 1825 – 1888
St. Thomas
Object type: print
Date: 1470 – 1491
Techniques: engraving
Artist: martin schongauer
Artist role: artist
Artist nationality: german
Artist dates: 1430 – 1491
Subjects: men,saints
Descending Geese in the Archery Gallery (Yokyuba no Rakugan)
Object type: print
Date: 1770 – 1779
Techniques: woodblock print
Location: japan
Artist: attributed to kitao shigemasa
Artist nationality: japanese
Artist dates: 1739 – 1820
Corset
Object type: corset
Date: 1780 – 1780
Materials: cotton, metal, wood
Culture: british
Viervoudig schouwspel van wonderen
Object type: print
Date: 1700 – 1700
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: city-view, and landscape with man-made constructions, canals, waters (in city)
Inscriptions: collector's mark: Lugt 2233

Andere staat ook gebruikt in: Call, Jan van. Admirandorum Quadruplex Spectaculum. Amsterdam: Pieter Schenk (I), 1700.

De titelprent, opdracht en het portret van Frederik van Saksen zijn gegraveerd door Pieter Schenk (I). De overige prenten uit deze serie zijn, zoals aangegeven op de titelprent, van de hand van Jan van Call (I).
Onze Koningin
Object type: brochure
Date: 1930 – 1930
Materials: paper
Techniques: printing, stapling
Location: de bilt
Artist: jacob stamperius
Artist role: schrijver
Artist dates: 1858 – 1936
Subjects: the hague, print maker, wilhelmina of the netherlands, netherlands
Inscriptions: date

22 pp op glanspapier in papieren omslag. Gedateerd; titelp.: 1930.
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846
Object type: drawing
Date: 1846 – 1846
Materials: ink
Techniques: pen
Artist: j. j. grandville
Artist role: artist
Artist nationality: french
Artist dates: 1803 – 1847
Allegorische voorstelling van Amerika met Benjamin Franklin
Object type: print
Date: 1778 – 1778
Materials: paper
Techniques: etching
Artist: jean honoré fragonard
Artist role: draughtsman, painter, print maker
Artist dates: 1732 – 1806
Subjects: physicist, america represented allegorically; 'america' (ripa), historical persons
Inscriptions: inscription: ‘43-1/2’, inscription: ‘Eripuit coelo fulmen sceptrumque tirannis/ Au genie de Franklin’
Allegorie op de politieke toestand in het jaar 1673
Object type: print
Date: 1673 – 1673
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: scales
Inscriptions: date

Allegorie op de politieke toestand in het jaar 1673. In een weegschaal in de hand van God worden de vrijheid van de Republiek met bijbel en wetstafelen gewogen tegen het geld en de wapens van de vijanden van de Republiek. Links worden personifacties van Frankrijk en de Duitse bisschoppen gestraft door Jupiter in de wolken. Op de achtergrond een zeeslag en de ondergaande zon. Onder de voorstelling een vers in twee kolommen.
Petit Courrier des Dames, 15 octobre 1834, No. 1101 : Chapeau en crêpe Mme Thomas (...)
Object type: fashion print
Date: 1834 – 1834
Materials: paper
Techniques: engraving, hand coloring
Location: paris
Subjects: embroidery (ornamentation) (+ women's clothes), coat (+ women's clothes), fashion plates, head-gear: hat (+ women's clothes), shoes, sandals (+ women's clothes), skirt (+ women's clothes), gloves, mittens, etc. (+ women's clothes), neck-gear ~ clothing (+ women's clothes)
Inscriptions: title: ‘Modes de Paris.’, title: ‘Petit Courrier des Dames.’, address: ‘Boulevard des Italiens No.2 près le passage de l'Opéra. / Mess.rs S.&J. Fuller No. 34 Rathbone Place. London.’, caption: ‘Chapeau en crêpe M"me Thomas rue des filles S"t Thomas. Manteaux en Pondichéry brodé et tissu à carreaux M'me Armand rue feydeau 22.’

Hoed van crêpe van Thomas. Mantel van geborduurde 'pondichéry' en geruite stof van Mme Armand. Verdere accessoires: handschoen, schoen met vierkante neus. Prent uit het modetijdschrift Petit Courrier des Dames (1821-1868).
Proportiestudie van een meisje
Object type: drawing
Date: 1856 – 1856
Materials: paper, pencil
Artist: jacobus everhardus josephus van den berg
Artist role: draughtsman
Artist dates: 1802 – 1861
Subjects: anatomy (non-medical), standing figure (canon, proportions) - aa - female human figure, child (at home) - aa - girl
Inscriptions: inscription: ‘D'idea/ C'ecay/ ac Dr EF/ 13 fb 56’
Snuffbox
Object type: snuffbox
Date: 1760 – 1760
Materials: diamond, gold, hard paste porcelain, gemstone, silver
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Subjects: dogs
Portaal van de Kerk van het Heilige Kruis te Bordeaux
Object type: album leaf
Date: 1880 – 1910
Materials: photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: parts of church exterior and annexes: portal
Inscriptions: annotation: ‘Bordeaux Gironde/ Portail de l'église Ste Croix’
Family & Friends at Mittenwalk
Object type: photograph
Date: 1884 – 1884
Location: united states
Artist: alfred stieglitz
Artist role: fotograaf
Artist nationality: american
Artist dates: 1864 – 1946
Trade Card for Thompson, Seal Engraver
Object type: print, trade card
Date: 1801 – 1900
Techniques: engraving
Artist: anonymous, british, 19th century
Artist role: artist
Artist nationality: british
Artist dates: 1800 – 1900

This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.
Fables
Object type: book
Date: 1802 – 1802
Techniques: engraving, printing
Artist: jean de la fontaine
Artist role: author
Artist nationality: french
Artist dates: 1621 – 1695

This two-volume edition of La Fontaine's Fables is one of several illustrated editions of the poet's work that Didot published. It is fourth in Didot's five-part "Louvre editions," following the The Works of Racine (1801–5) and preceding The Works of Boileau (1816). The twelve headpiece illustrations were designed by Charles Percier, who also designed the illustrations for the second installment of the "Louvre editions," namely the The Works of Horace. Like the other "Louvre editions," it is a large folio printed on wove paper from the famous factory at Annonay.
Head of Iyoba
Object type: head
Date: 1701 – 1900
Materials: brass, iron
Culture: edo period
Location: nigeria
Subjects: heads
Portret van een vrouw
Object type: carte de visite
Date: 1850 – 1900
Materials: cardboard, photographic support
Techniques: albumen print
Artist: Anonymous
Subjects: historical persons - bb - woman
Terracotta fragment of a column-krater (bowl for mixing wine and water)
Object type: column krater fragment
Date: 440 – 420
Materials: terracotta
Culture: greek, attic
The Temple of Fortune in Rome, from "Speculum Romanae Magnificentiae"
Object type: print
Date: 1501 – 1600
Techniques: engraving
Location: rome
Artist: nicolas beatrizet
Artist role: artist
Artist nationality: french
Artist dates: 1515 – 1566
Subjects: architecture,temples,rome

This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place). Originally volume 1, plate 32 in the scrapbook.
Christus met kruisvaandel maakt zegenend gebaar
Object type: print
Date: 1517 – 1577
Materials: paper
Techniques: engraving
Location: italy
Artist: Anonymous
Subjects: 'salvator mundi', making a blessing gesture; an orb in his hand or at his feet
Inscriptions: collector's mark: Lugt 12

Kopie naar prent van Marcantonio Raimondi. Raimondi vervaardigde de serie van dertien kleine prenten van Christus en de apostelen naar ontwerp van Raphael.
Fragment of a Prajnaparamita Sutra manuscript folio
Object type: manuscript fragment
Date: 1001 – 1200
Materials: ink, paper
Culture: kashmiri
Artist: unidentified
Artist role: artist

This is a rare and early representation of the goddess personification of the Prajnaparamita Sutra text. She is shown two armed, gesturing the turning of the wheel, the wisdom teaching mudra, dharmachakra. She is seen seated on a lotus cushion with floating ribbons along with energy waves that radiate from her body into the heat of the encircling mandorla. She wears a beautifully patterned waist skirt. All is contained in a pillared shrine, with diaper-patterned uprights and a six-cusped arch with red curtains and pendant lotus buds. The goddess fixes the devotee with a unfaltering gaze. The figure’s exaggerated and stylized treatment of anatomy typifies the Kashmiri painting style as practiced in the western Himalayas. Colors are radiant and have a luminosity that enhances the figure’s other-worldliness. The goddess floats against a gold to red radiance that is in turn enveloped in a rainbow aureole of red, yellow and green. All is set against a deep blue ground. This painting belonged to an edition of the Prajnaparamita Sutra, a text largely composed of spells and charms (dharani) which was widely worshipped in 10th–12th centuries, widely copied as an act of merit. Its recitation was understood to bring protection and material benefit to all who worshipped it. A provenance to Tholing monastery or another in that monastery’s sphere of influence seems probable. Nearly identical painted folios now in LACMA were purchased by G. Tucci at Tholing in the 1930s.
Aan D. ingang vanden Hout
Object type: print
Date: 1688 – 1690
Materials: paper
Techniques: etching
Location: haarlem
Artist: jan vincentsz. van der vinne
Artist role: draughtsman, print maker
Artist dates: 1663 – 1721
Subjects: riding a horse, ass, or mule; rider, horseman, walking, hiking (recreation), forest path or lane (+ landscape with figures, staffage), haarlem
Inscriptions: collector's mark: Lugt 195

Wandelende figuren bij een laan met bomenrijen. Rechts twee ruiters. Rechtsonder genummerd: 2.
Portret van Edward Young
Object type: print
Date: 1818 – 1832
Materials: paper
Techniques: stippling
Location: berlin
Artist: friedrich wilhelm bollinger
Artist role: print maker
Artist dates: 1777 – 1825
Subjects: edward young, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent gebruikt door de serie 'Bildnisse der berühmtesten Menschen aller Völker und Zeiten' van de gebroeders Schumann, uitgegeven in 1818-1832 te Zwickau.
Winter
Object type: print
Date: 1735 – 1786
Techniques: engraving, etching
Artist: claude augustin duflos le jeune
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1786
Subjects: children,fire,winter
Piece
Object type: piece
Date: 1725 – 1730
Materials: metal, silk
Oostende door de Spanjaarden veroverd op de Fransen, 1658
Object type: book illustration
Date: 1698 – 1698
Materials: paper
Techniques: etching, letterpress printing
Location: amsterdam
Subjects: attack ~ siege
Inscriptions: collector's mark: Lugt 2228

Illustratie uit: Gottfried, Johann Ludwig. Historische kronyck; vervattende een (...) beschrijvingh der aldergedenckwaerdigste geschiedenissen des weerelds, van den aenvangh der scheppingh tot (...) 1576 (2 delen). Leiden: Pieter van der Aa, 1698, dl. II, p. 179.
Brief aan Adriaan van der Willigen
Object type: letter
Date: 1816 – 1816
Materials: ink, paper
Techniques: pen, writing
Artist: wybrand hendriks
Artist role: draughtsman, painter, print maker
Artist dates: 1744 – 1831
Subjects: rotterdam, haarlem, draughtsman, adriaan van der willigen, painting (including book-illumination, miniature-painting)
Inscriptions: watermark
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 510 – 500
Materials: terracotta
Culture: greek, attic

Exterior, at the far left, part of a thrysos; head, torso, extended right arm, extended left arm with hand holding krotala, torso, in three-quarter view, genitals, left hip and part of thigh and tail of satyr; below, left arm of satyr, top of a thrysos
Gezicht op de Amstel tussen hofstede Kostverloren en Ouderkerk aan de Amstel
Object type: print
Date: 1708 – 1740
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Artist: matthijs pool
Artist role: print maker
Artist dates: 1676 – 1740
Subjects: sailing-ship, sailing-boat, river, rowing-boat, canoe, etc.
Inscriptions: collector's mark: Lugt 2233, collector's mark: Lugt 195

Prent gebruikt in: Pool, Matthijs. Verscheyde gesigten van de vermaarde rievier de buyten Amstel van de stadt Amsterdam, tot het dorp Ouwerkerk (…) / Plusieurs veuës et perspectives de la fameuse riviére de Buyten-Amstel depuis Amsterdam jusqu'au village d'Ouwerkerk (…). Amsterdam: Matthijs Pool, z.j. [1708-1740].
Le temple de d'Apollon a Phigalie
Object type: photomechanical print
Date: 1905 – 1910
Materials: paper
Techniques: photoaquatint
Location: berlin
Artist: frédéric boissonnas
Artist role: fotograaf
Artist dates: 1858 – 1946
Subjects: landscape with ruins
Vase with overlapping pattern and three bands of palm trees
Object type: vase
Materials: mineral
Location: persian gulf region or southern iran
Subjects: palms

Vessels carved of a gray-green stone in what is called the "Intercultural Style" were made in the greater Gulf area as well as in southern Iran. At the site of Tepe Yahya in Iran, workshops were found with vessels and the raw materials—chlorite or steatite—for their manufacture, dating to the mid-third millennium B.C. The stones were available in the nearby hills. Fragments of containers were also found at sites in the Gulf area. Vessels decorated in this style were found across the ancient Near East from Syria to the Indus Valley, evidence of the flourishing long-distance trade of the times. This piece has a tall shape with a flaring rim and is carved in alternating bands of an overlapping mountainlike pattern and date palm trees. The repertoire of motifs of the "Intercultural Style" includes vegetal, architectural, and abstract or naturalistic representations of people and animals. Many excavated examples have been found in palaces and temples or in graves of the privileged classes in major urban centers, including Sumerian (Early Dynastic) Mesopotamia. The vessels may also have been valuable for their contents.
Portrait of Alessandro Casolani
Object type: print
Date: 1634 – 1634
Techniques: etching
Artist: bernardino capitelli
Artist role: artist
Artist nationality: italian
Artist dates: 1590 – 1639
Subjects: men,portraits
Beelden en fresco
Object type: kopie naar fresco
Date: 1550 – 1570
Materials: chalk, ink, paper
Techniques: pen
Location: low countries
Artist: Anonymous

Album "Maarten de Vos schetsboek", blad 5r(12).
Skirt
Object type: skirt
Date: 1750 – 1750
Materials: linen, wool
Culture: american
Democritus lacht
Object type: print
Date: 1661 – 1726
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: laughing, globe, (story of) democritus, the philosopher
Inscriptions: collector's mark: Lugt 240

De Griekse filosoof Democritus zit in zijn werkkamer bij een aardbol en lacht.
Toren met landennamen
Object type: print
Date: 1917 – 1917
Materials: paper
Techniques: lithograph
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: the building of the tower of babel; nimrod may be present, supervising or assisting the construction, italy, russia, france, japan, england
Inscriptions: collector's mark: Lugt 2228, date and inscription: ‘Bergopwaarts 17 November 1917’

Een toren in de steigers met op elke verdieping de naam van een gebied. Van onder naar boven: Amerika, Engeland, Frankrijk, Rusland, Italië, Japan en Afrika. Boven de toren de tekst: 'En God zoekt het weggedrevene'.
Een huis vol feestrumoer
Object type: print
Date: 1581 – 1656
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: drunkenness, mother and baby or young child, courting
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2004

Verbeelding van één van de wijsheden volgens het boek Prediker (nr. 7). In een interieur zit een feestend en vrijend gezelschap van mannen en vrouwen aan een tafel die vol staat met lekkernijen en drank. Volgens Prediker gedragen zij zich dwaas omdat zij genoegen scheppen in een huis vol plezier. In de marge onder een vers met zes regels Latijn.
Schaftende bemanningsleden van de Willem Barentsz
Object type: sketchbook leaf
Materials: chalk
Location: novaya zemlya
Artist: louis apol
Artist role: draughtsman, painter, print maker
Artist dates: 1850 – 1936
Subjects: crew ~ ship, interior of the house, midday meal, lunch
Inscriptions: annotation: ‘schaften [...]’

Blad 79 verso uit een schetsboek met 110 bladen betekend tijdens de expeditie naar Nova Zembla in 1880.
Sword-Hilt Collar and Pommel (Fuchigashira)
Object type: sword hilt collar and pommel fuchigashira
Date: 1615 – 1868
Materials: copper, gold alloy, gold
Culture: japanese
Location: japan
Subjects: birds,leaves