deem-data/ArtiFact huggingface dataset:
Au Louvre, Paris: Lundi 2 Mars: Nouveautés d'été:  pagina 25: pagina met advertenties
Object type: print
Date: 1913 – 1915
Materials: paper
Techniques: photography
Artist: Anonymous
Subjects: fashion plates
Inscriptions: title: ‘Au Louvre, Paris: Lundi 2 Mars: Nouveautés d'été’

Pagina in "Au Louvre - Paris" : pagina 25: advertenties van passementen, garen en band
Mother and Child
Object type: print
Date: 1901 – 1901
Materials: paper
Techniques: woodcut
Location: united states
Artist: helen hyde
Artist nationality: american
Artist dates: 1868 – 1919
Subjects: mothers, children
Armstoel
Object type: furniture
Date: 1600 – 1625
Materials: leather, wood
Location: northern netherlands
Artist: Anonymous

Armchair. Walnut, Netherlands, c. 1600 - 1625.
Cup with Foot and Geometric Decoration
Object type: cup
Date: 301 – 700
Materials: earthenware
Culture: coptic
Location: egypt
Zwaargewonde soldaten
Object type: book illustration
Date: 1514 – 1532
Materials: paper
Techniques: letterpress printing
Artist: Anonymous
Subjects: infections and wounds, disabled soldier, violent death, being killed; being mishandled and maltreated; seeking death

Deze prent is gebruikt in: Petrarca, Francesco. Von der Artzney bayder Glück, des guten und widerwertigen: unnd weß sich ain yeder inn Gelück und Unglück halten sol (...). Augsburg: Heinrich Steiner, 1532. Deze uitgave is ook bekend onder de titel 'Trostspiegel in Glück und Unglück'.
Portret van Anna van Hannover
Object type: print
Date: 1771 – 1816
Materials: paper
Techniques: engraving, etching
Location: amsterdam
Subjects: the hague, anna van hannover

Portret van Anna in een cirkel met randschrift. Op een voetstuk een oranjetak. Rechtsboven 'XXII .D .Pl .I .'.
Terracotta rim fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Exterior, part of draped figure
Secrétaire à abattant
Object type: secretary abattant
Date: 1835 – 1847
Materials: gilt brass, glass, ivory, wood, marble
Techniques: veneering
Culture: american
Location: united states
Artist: duncan phyfe
Artist role: maker
Artist nationality: american, born scotland
Artist dates: 1770 – 1854

The rippling figure of mahogany veneers sheaths the Classically inspired columnar supports and architectonic mass of this secrétaire à abattant, or "French secretary" according to the 1834 New York cabinetmakers’ price book. In the 1830s and 40s, the Phyfe workshop embraced the revival of Grecian designs and use of flashy veneering techniques popularized by their French counterparts. The Phyfe workshop produced very few secrétaires but may have based this form on number 368 of volume one (1813-1815) in Pierre de La Mésangère’s Collection de Meubles et Objets de Goût (1820–1831). The secrétaire employs sophisticated hardware such as spring-locked drawers for the safekeeping of valuables and a drop-fron with a weighted iron balance hinge.
Portret van een onbekend Senaatslid van de staat New York
Object type: photograph
Date: 1858 – 1859
Materials: photographic support
Techniques: salted paper print
Location: new york
Artist: d.t.t. davie
Artist role: publisher
Subjects: politician, e.g. party leader, upper house, senate, historical persons not known by name
Untitled (Portrait of a Seated Boy)
Object type: photograph
Date: 1847 – 1847
Techniques: daguerreotype, photography
Location: united states
Artist: Anonymous
Artist nationality: american
Artist dates: 1800 – 1899
Subjects: lundberg collection, portraits: male subject, portraits: child subject, portraits, portrait, photography, male, boys
Fragment
Object type: textile
Date: 1501 – 1700
Materials: silk
Location: europe
Beleg van Oostende: bestorming door Bucquoy op 7 januari 1602
Object type: print
Date: 1602 – 1604
Materials: paper
Techniques: etching, letterpress printing
Location: low countries
Subjects: siege, position war, battle (+ land forces)

Bestorming van de verdedigingswerken van Oostende door de Spaanse troepen onder de graaf van Bucquoy op 7 januari 1602. Linksonder gevechten bij de lunet aan de overzijde van de rivier de Geule, middenboven een cartouche met opschrift in het Latijn. Boven de prent de titel met verklaring van de cijfers, onderaan een beschrijving van de gebeurtenissen, in het Duits. Onderdeel van de illustraties bij een journaal van het beleg van Oostende 1601-1604.
Ruïne van de Basilica te Pompeï
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: pompeii
Artist: Anonymous
Subjects: column, pillar ~ architecture, ruin of a building ~ architecture
Inscriptions: inscription: ‘T&M B.[...].K.’
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 460 – 450
Materials: terracotta
Culture: greek, attic

Interior, unidentified subject; Exterior, at the left, drapery and toes to right; on the right, hand and lower legs and feet of a woman wearing a chiton and himation, reaching into a calyx krater to ladle wine; lower drapery and legs of a second woman to left, wearing a chiton and himation
Groep mensen op een strand
Object type: stereograph
Date: 1852 – 1863
Materials: cardboard, paper
Techniques: albumen print, hand coloring
Location: london
Artist: Anonymous
Subjects: in or beside the water (on the beach)
Dinner dress
Object type: dinner dress
Date: 1877 – 1880
Materials: silk
Culture: french
Artist: maison pingat
Artist role: design house
Artist nationality: french
Artist dates: 1860 –
Portret van James Townsend
Object type: print
Date: 1772 – 1772
Materials: paper
Techniques: etching
Artist: Anonymous
Subjects: politician, mayor, historical persons, politician, e.g. party leader

Prent waarschijnlijk uit: The London Magazine (1772), nr 41.
Vogelmarkt te Rotterdam
Object type: album leaf
Date: 1854 – 1887
Materials: ink, paper, watercolor
Techniques: brush, pen
Location: rotterdam
Artist: alexander ver huell
Artist role: draughtsman, print maker
Artist dates: 1822 – 1897
Subjects: birds, market, rotterdam
Inscriptions: annotation: ‘Schets uit mijn eersten tijd./ De vogelmarkt te Rotterdam.’, signature: ‘A. V. h.’

Recto van de tekening op blad 1 van een album met 35 tekeningen.
Staff Head
Object type: staff head
Date: 501 – 700
Materials: metal
Culture: moche
Location: peru
Subjects: animals
The Borders of the Tagus
Object type: drawing and watercolor
Date: 1903 – 1903
Materials: board, charcoal, paper
Location: united states
Artist: joseph pennell
Artist role: print maker
Artist nationality: american
Artist dates: 1857 – 1926
Brief aan Philip Zilcken
Object type: letter
Date: 1885 – 1885
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: jacob maris
Artist role: draughtsman, painter, print maker
Artist dates: 1837 – 1899
Subjects: philip zilcken, drawing, the graphic arts
Inscriptions: collector's mark: ‘RPK’
Virgin and Child Worshipped by Three Bishops
Object type: drawing
Date: 1501 – 1600
Materials: chalk, ink
Techniques: pen, wash
Artist: anonymous, italian, 16th century
Artist role: artist
Artist nationality: italian
Artist dates: 1550 – 1600
Subjects: angels,bishops,madonna and child,praying
Grafmonument van Egbert Meeusz Kortenaer te Rotterdam
Object type: print
Date: 1690 – 1690
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Artist: Anonymous
Subjects: helmet, protective weapons: shield, coat of arms (as symbol of the state, etc.) (+ nation; national), armour, historical persons, casting weapons: spear, grave, tomb

Prent waarschijnlijk uit: Bizot, Pierre. Medalische historie der republyk van Holland. Amsterdam: Pieter Mortier, 1690.
Figure of Mrs. Catherine Macaulay
Object type: figure
Date: 1775 – 1775
Materials: porcelain
Culture: british
Location: england
Artist: chelsea factory
Artist role: maker
Artist dates: 1742 – 1784
Subjects: books,portraits,women
Seated Buddha
Object type: figure
Date: 1467 – 1600
Materials: bronze
Culture: thai
Subjects: buddhism,buddha
Human-headed winged lion and bull
Object type: bookend
Date: 1893 – 1893
Materials: porcelain
Culture: british
Cat Statuette
Object type: figurine, cat
Date: 664 – 630
Materials: metal
Location: egypt
Subjects: cats

Bastet was a powerful goddess of Lower Egypt, one who was protective and could bring about great prosperity. In zoomorphic form, she was represented as a cat and cats were considered sacred to her. As a cat, she is poised and alert, on guard against external forces. Cat statuettes were among some of the most common zoomorphic dedications of the Late and Ptolemaic Periods. Small statuettes would have been dedicated as offerings to temples or deposited in catacombs alongside cat mummies, as at the extensive catacombs at Bubastis and Saqqara. Sometimes larger hollow examples held a cat mummy inside.
Portret van Frederik Verachter aan zijn bureau in het archief
Object type: print
Materials: paper
Techniques: etching
Location: antwerp
Artist: philippus jacobus van bree
Artist role: draughtsman, print maker
Artist dates: 1786 – 1871
Subjects: historical persons, archive (+ scholar, scientist (at work)), armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228

Portret van de Antwerpse stadsarchivaris Frederik Verachter, zittend aan zijn bureau in het archief. Rechts in de hoek staat een beeld van Rubens op een tafel. In het glas-in-lood van het raam zit het wapen van de stad Antwerpen verwerkt.
Country landscape with a river running at right and houses in the background
Object type: print
Date: 1845 – 1875
Techniques: etching
Artist: xavier de dananche
Artist role: artist
Artist nationality: french
Artist dates: 1828 – 1894
Portret van Jacqueline de Caestre
Object type: print
Date: 1882 – 1882
Materials: paper
Techniques: etching, intaglio
Artist: louis joseph greuse
Artist role: print maker
Artist dates: 1863 – 1950
Subjects: historical persons - bb - woman
Inscriptions: annotation: ‘1m etat’, collector's mark: Lugt 2228
Vase
Object type: vase
Date: 1701 – 1733
Materials: copper, glaze, porcelain
Culture: chinese
Wagon # 577a
Object type: drawing
Date: 1865 – 1865
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Portret van Dagobert I, koning der Franken
Object type: book illustration
Date: 1598 – 1598
Materials: paper
Techniques: engraving, etching, intaglio
Location: nuremberg
Subjects: scrollwork, strapwork ~ ornament, historical persons, ruler, sovereign
Inscriptions: number: ‘158’, collector's mark: Lugt 2228

Prent afkomstig uit de publicatie: Michael Eizinger. Könige in Frankreich. Keulen: Johann Bussemacher, 1598, p. 22. De publicatie bevat prenten van Jost Amman en Virgil Solis.
Dienstbode staande bij een pomp
Object type: print
Date: 1871 – 1911
Materials: paper
Techniques: etching, intaglio, roulette
Artist: achille kas
Artist role: print maker
Artist dates: 1861 – 1927
Subjects: adult woman, maid ~ house personnel, utilitarian, public pump or water fountain
Inscriptions: collector's mark: Lugt 2228
Slapende boer, zittend op een bank
Object type: print
Date: 1620 – 1688
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: sleeping; unconsciousness - bb - out of doors, drunkard, inn, coffee-house, public house, etc.
Inscriptions: collector's mark: Lugt 240

Een slapende boer zit op een lage bank en leunt tegen een hek. Hij houdt een bierkruik in zijn hand. Op de achtergrond zijn drie drinkende boeren aan een tafel te zien.
Durga and Kali Approach the Gathered Armies of Chanda and Munda: Scene from the Devi Mahatmya
Object type: folio
Date: 1780 – 1780
Materials: ink, paper, watercolor
Culture: indian, guler, himachal pradesh
Subjects: swords,horses,lions,demons,goddess,durga

The second great battle in the Devi Mahatmya occurs when Durga tells the terrible demon Shumbha that she will only marry a man who defeats her in battle. He responds by sending the demons Chanda and Munda and their armies to drag her back by her hair for her insolence. After Durga manifests Kali from her brow, the two enter the battle. This work directly corresponds to the text, which describes Kali, looking gruesome with emaciated skin, devouring elephants and riders by pulverizing them with her teeth. This preparatory sketch includes color notations and initial coloring. The page was overlaid with a grid, presumably to allow the image to be transferred or enlarged.
A winsome trio
Object type: page
Date: 1888 – 1893
Materials: paper
Techniques: autotype
Subjects: girl (child between toddler and youth)
Tableaux decoratifs : plafonds et panneaux : allégories, groupes, attributs. Nouv. sér. / composés et peints par P.-J. Carpey
Object type: wrapper
Date: 1879 – 1881
Materials: cardboard, linen, paper, photographic support
Techniques: albumen print, printing
Inscriptions: date: ‘SEPT/ 2009’, name: ‘Yolaine’
Schilder aan het werk in zijn atelier
Object type: book illustration
Date: 1758 – 1758
Materials: paper
Techniques: etching, letterpress printing
Location: northern netherlands
Subjects: painter at work, in his studio
Inscriptions: collector's mark: Lugt 2228

Bladzijde uit: Spinniker, Adriaan. Vervolg der leerzaame zinnebeelden, spiegel der boetvaardigheid en genade (...). Haarlem: Jan Bosch, 1758, p. 82.
Boer met een ploegpaard in een weiland
Object type: photomechanical print
Date: 1897 – 1907
Materials: paper
Techniques: photoaquatint
Location: kyiv
Artist: nicolas de bobir
Artist role: fotograaf
Subjects: farmers, horse, ploughing
Inscriptions: inscription
Vier kerkvaders
Object type: print
Date: 1600 – 1600
Materials: paper
Techniques: engraving
Location: haarlem
Subjects: st. jerome as doctor of the latin church in his study with book, pen and ink; lion and cardinal's hat beside him
Inscriptions: collector's mark: Lugt 240
Jug
Object type: jug
Date: 1725 – 1725
Materials: earthenware, silver gilt
Techniques: glazing
Artist: justus alexander ernst glüer
Artist role: decorator
Artist nationality: german
Artist dates: 1675 – 1775
Subjects: men,flowers
Tobacco Box
Object type: tobacco box
Date: 1801 – 1900
Materials: ivory
Culture: japanese
Dish with Petal-Lobed Rim, Lotus, and Waterweeds
Object type: vessel
Materials: stoneware
Techniques: molding, underglaze
Location: china
Moeder en kind
Object type: drawing
Date: 1662 – 1662
Materials: chalk, paint, gouache, ink, paper
Techniques: brush
Location: zwolle
Artist: moses ter borch
Artist role: draughtsman
Artist dates: 1645 – 1667
Inscriptions: annotation
Ex libris van Iacobus Christophorus
Object type: bookplate
Date: 1550 – 1650
Materials: paper
Techniques: letterpress printing
Location: basel
Artist: Anonymous
Subjects: madonna: i.e. mary with the christ-child, insignia of bishop, e.g. mitre, crozier, armorial bearing, heraldry
Inscriptions: inscription: ‘Basel / Gerster 101 / 1575-1608’
Verwoestingen in de Steinstraße in Straatsburg na gevechten van de Frans-Duitse oorlog
Object type: photograph
Date: 1870 – 1870
Materials: cardboard, paper
Techniques: albumen print, letterpress printing
Location: straatsburg
Subjects: devastated, ruined place or city (~ warfare)
Zuil in Brugse Vrije
Object type: print
Date: 1800 – 1899
Materials: paper
Techniques: lithograph
Location: liège
Artist: Anonymous
Subjects: column, pillar ~ architecture, bruges
Spiraal met onderaan een ruïne
Object type: book illustration
Date: 1669 – 1669
Materials: paper
Techniques: etching, letterpress printing
Location: paris
Subjects: spiral (~ planimetry, geometry), landscape with ruins

Prent uit: Pratique de la géometrie, sur le papier et sur le terrain. Avec un nouvel ordre et une méthode particulière. Parijs: Thomas Jolly, 1669.
Goldweight with a Geometric Design
Object type: decorative art
Date: 1701 – 1900
Materials: copper alloy, metal
Culture: asante or akan
Location: ghana
Subjects: geometric motif

Brass gold weights were used to measure gold dust, the local currency in the Akan-speaking regions of southern Ghana and the Ivory Coast before the 20th century. This small, square weight has a relatively tall base and consists of a raised abstract rectangle with four linear pieces removed. It is a striking and dynamic composition in its simplicity and clean geometry. While interpretations of such abstract patterns are speculative, some do have parallels in architecture and textile design. Many probably relate to West African cultural items such as Adinkra symbols or are abstract interpretations of plants and animals.
Wall Sconce
Object type: metalwork
Date: 1880 – 1900
Materials: brass, copper
Location: england
Artist: william arthur smith benson
Artist nationality: english
Artist dates: 1854 – 1924

William Arthur Smith Benson’s novel designs in brass, copper, and iron forged a link between late-19th-century Arts and Crafts aesthetics and industrial production. Though he was a friend and business associate of William Morris—the leader of a movement advocating handcrafted rather than machine-made goods—Benson saw the possibilities of mass production and founded his own factory in 1880, equipped with the latest machines to streamline the manufacturing process. He created innovative designs for everything from chandeliers, electric lamps, and fireplace accessories to such newly invented modern conveniences as the electric kettle. Rather than relying on elaborate decoration for effect, Benson took advantage of the inherent reflective qualities of his materials. The polished metal surface of these wall sconces would have enhanced the light from the candles they held.
At the Tsutsui Well
Object type: print
Date: 1781 – 1800
Materials: ink, paper
Techniques: woodblock print
Culture: japanese
Artist: chōbunsai eishi
Artist role: artist
Artist nationality: japanese
Artist dates: 1756 – 1829
Subjects: poetry,men,women

The two left panels of this triptych depict the love of a young man and woman who were next-door neighbors and playmates during their childhood. The artist Eishi quotes their love poems from The Tales of Ise along the top of the composition. The man sent to his love: By the barrel-well's built-up crib I'd pull myself measuring my height: I've grown to be a man this long while we've been apart. The girl sent back: Since we vied for height my once childish hair has grown beyond my shoulders: If it is not to be you, who then best should tie it up? The print cleverly combines this story of lovers whose bond was to endure throughout their lives with a story related earlier in The Tales of Ise about an unfortunate young man who, after a year, reminisces about his lost love. The poem he recites upon returning to the now-deserted residence of his beloved is quoted at the top of the sheet on the right side of the triptych: The moon: is it not . . . the spring: is it not . . . last year's spring yet unchanged? No, this body of mine alone seems the same as once before. Although the text of The Tales of Ise makes no connection between these two nonsequential episodes, the illustration brings them together as if to comment that both are stories of love and the passage of time, though time strengthened love in one case and deepened its sadness in the other. This subtle interpretation, however, is represented in the form of a mitate, a humorous contemporary parody of a classical narrative: all the players are shown as beautiful Edo-period women in the lavish costume of their own time.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 500 – 451
Materials: terracotta
Culture: greek, attic

Interior, part of arm?; Exterior, part of ground line
Scent bottle
Object type: bottle
Date: 201 – 700
Materials: glass
Culture: sasanian
Location: mesopotamia
Parasol
Object type: parasol
Date: 1855 – 1870
Culture: american
Subjects: flowers
Rank- en bladmotieven met dieren
Object type: ornament print
Materials: paper
Techniques: engraving
Location: netherlands
Artist: hans janssen
Artist role: print maker
Artist dates: 1605 – 

Rank-en bladmotieven, vogels, een vos en een eekhoorn. (vergelijk prenten Hans Janssen)
"Claudius Civilis Besieges the Romans in Vetera Castra
Object type: painting
Date: 1600 – 1613
Materials: oil, panel
Artist: otto van veen
Artist role: draughtsman, painter
Artist dates: 1556 – 1629
Subjects: siege

In 1613, the Dutch parliament (States General) commissioned Otto van Veen to paint twelve paintings depicting the revolt of the Batavians against the Romans in AD 69 and 70. These were displayed in Binnenhof, the central government building in The Hague. In the early years of the Dutch Republic, many compared their own revolt against Spain to the Batavian uprising.
Duit van de VOC uit Zeeland, 1778
Object type: coin
Date: 1778 – 1778
Materials: copper
Techniques: striking
Location: middelburg

Koperen munt. Voorzijde: gekroond wapenschild van Zeeland. Keerzijde: monogram van de VOC, waarboven muntteken en waaronder jaartal. Gladde rand.
Hood
Object type: hood
Date: 1720 – 1720
Materials: metal thread, silk
Drapery Study for Sainte-Clotilde (upper register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
Object type: drawing
Date: 1830 – 1875
Materials: chalk
Techniques: stumping
Artist: isidore pils
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1875
Subjects: books,saints
Staande eend naar links
Object type: print
Date: 1688 – 1698
Materials: paper
Techniques: printing, engraving, lithography
Location: netherlands
Subjects: water-birds: duck

Deze prent maakt deel uit van een album.
Cartouche
Object type: ornament print
Date: 1581 – 1635
Materials: paper
Techniques: etching
Location: netherlands

Kopie van blad XXII (Orn Cat I-176.15) uit serie met als titel Exercitatio alphabetica nova et utilissima.... Gearceerde achtergrond. Een van 6 bladen uit een serie van 8?
Queen Intervening to Spare the Life of a Bishop Saint
Object type: drawing and watercolor
Date: 1634 – 1634
Materials: chalk, ink, paper, lead
Techniques: brush, heightening, pen, drawing, wash
Location: italy
Artist: lazzaro tavarone
Artist role: artist
Artist nationality: italian
Artist dates: 1556 – 1641