deem-data/ArtiFact huggingface dataset:
Bergpas en tunnel in Zwitserland
Object type: tissue stereograph
Date: 1855 – 1875
Materials: cardboard, paper, photographic support
Techniques: albumen print, hand coloring
Location: switzerland
Artist: Anonymous
Subjects: underground road, tunnel, mountains, switzerland
Inscriptions: inscription: ‘x’
Wedding Dress
Object type: wedding dress
Date: 1817 – 1817
Materials: silk
Culture: american
Pijprokende Turken.
Object type: napkin
Date: 1850 – 1899
Materials: linen
Techniques: damask
Location: veghel
Inscriptions: mark: ‘KZ’

Vingerdoek van linnendamast met dessin van pijprokende Turken. Nederland, Veghel, firma Rath, 2de helft 19de eeuw.
Portret van Felicitas Abt
Object type: print
Date: 1752 – 1803
Materials: paper
Techniques: engraving
Artist: christian gottlieb geyser
Artist role: print maker
Artist dates: 1742 – 1803
Subjects: garland, wreath, historical persons - bb - woman, ornament ~ medallion
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 1388
De heilige Norbertus wordt door bliksem getroffen
Object type: print
Date: 1622 – 1622
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: the conversion of st. norbert: when riding on horseback, he is thrown out of the saddle by a thunderbolt

Tijdens een rit slaat de bliksem in vlak voor het paard van de heilige Norbertus. Hij valt van zijn paard en hoort God die hem vermanend toespreekt en hem tot inkeer brengt. De prent heeft twee Latijnse opschriften: een boven en een onder de voorstelling.
Welcoming Descent of Amida, the Buddha of Limitless Light, with Bodhisattvas Kannon and Seishi
Object type: panel
Date: 1201 – 1300
Materials: hair, panel, silk
Techniques: embroidery
Culture: japanese
Subjects: bodhisattvas

This embroidered scroll shows the Buddha Amida at center with attendant bodhisattvas descending to the earth on clouds to greet a person at the time of death. Kannon, at lower right, extends a small lotus pedestal, upon which the dead will travel to Amida’s Western Pure Land, a place free of suffering and pain. These hopeful images, whose makers often incorporated their own hair into the embroidery, were used in widely practiced deathbed rituals.
Portret van een zittende vrouw
Object type: carte de visite
Date: 1860 – 1870
Materials: cardboard, photographic support
Techniques: albumen print
Location: leeuwarden
Artist: eduard fuchs
Artist role: painter
Artist dates: 1832 – 
Subjects: historical persons - bb - woman
Inscriptions: number: ‘24’, number: ‘663-x’, inscription: ‘Photographie/ E. Fuchs/ Leeuwarden’
Miss Ethel Selwyn, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes
Object type: print
Date: 1888 – 1888
Techniques: color lithograph
Artist: allen & ginter
Artist role: publisher
Artist nationality: american
Subjects: women

Trade cards from "World's Beauties," Series 1 (N26), issued in 1888 in a set of 50 cards to promote Allen & Ginter brand cigarettes.
Gezicht op de Dam
Object type: photograph
Date: 1860 – 1900
Materials: cardboard, paper
Techniques: albumen print
Location: amsterdam
Artist: Anonymous
Subjects: ceremonial procession, parade, pageant ~ installation of a ruler, square, place, circus, etc., city-view in general; 'veduta'
Inscriptions: inscription: ‘Dam met de Keizerfeesten’, collector's mark: ‘7’ Lugt 1641b

Onderwerpsrubriek binnen de Atlas Amsterdam: Dam (na 1835).
Terracotta fragments of a kylix (drinking cup)
Object type: kylix fragment
Date: 550 – 526
Materials: terracotta
Culture: greek, attic

Exterior, one fragment has the right forearm and hand of a figure and part of a sea creature?; a second fragment has part of the head of a fish and part of a sea creature?
The Poet
Object type: print
Date: 1701 – 1800
Materials: ink
Techniques: printmaking, etching, printing
Artist: gilles demarteau
Artist role: artist
Artist nationality: french
Artist dates: 1722 – 1776
Pair of boat-shaped earrings with filigree and granule decoration
Object type: earring, boat shaped, filagree
Materials: gold
Location: egypt

Boat-shaped, sometimes called leech-shaped earrings, are a common type in Egypt and the eastern Mediterranean world, and few are well-dated. This earring with the addition of some granulation and and filagree decoration is likely to date from the late Ptolemaic Period into the second century AD.
Madonna met kind
Object type: print
Date: 1618 – 1655
Materials: paper
Techniques: etching
Artist: cornelis schut (i)
Artist role: draughtsman, print maker
Artist dates: 1597 – 1655
Subjects: madonna: mary sitting or enthroned, the christ-child in her lap (or in front of her bosom) (mary sometimes represented half-length)
Inscriptions: collector's mark: Lugt 240

Maria draagt het Christuskind in haar armen. Hij wijst omhoog; in zijn andere hand houdt hij een vrucht.
Terracotta fragment of a bell-krater (bowl for mixing wine and water)
Object type: bell krater fragment
Date: 467 – 435
Materials: terracotta
Culture: greek, attic

Toes of the right foot; part of a tree; legs of a male bending to right, wearing a chitoniskos with his arms outstretched; on the ground, a raised platform, with a sack-like container; craftsman at work?; below, a meander and checkerboard pattern
Wensbrief met spelende kinderen
Object type: print
Date: 1780 – 1899
Materials: paper
Techniques: colour, lithograph
Location: netherlands
Artist: Anonymous
Subjects: children's games and plays, swinging (children's game), (flying a) kite, seesaw
Inscriptions: collector's mark: Lugt 2760

Wensbrief met onbeschreven cartouche binnen een decoratief kader met voorstellingen van spelende kinderen en speelgoed. Genummerd rechtsonder: No. 5.
Wineglass
Object type: wineglass
Date: 1752 – 1762
Materials: glass
Artist: simon jacob sang
Artist role: engraver
Artist nationality: dutch
Artist dates: 1720 – 1786
Boerderij
Object type: print
Date: 1888 – 1931
Materials: paper
Techniques: etching, intaglio
Artist: willem adrianus grondhout
Artist role: draughtsman, painter, print maker
Artist dates: 1878 – 1934
Subjects: laundering, farm or solitary house in landscape

Naast het huis gebruikt een vrouw een wastobbe.
Young Mother at the Edge of the Woods
Object type: print
Date: 1856 – 1856
Materials: ivory, paper
Techniques: photography
Location: france
Artist: jean-baptiste-camille corot
Artist role: artist
Artist nationality: french
Artist dates: 1796 – 1875
Subjects: mothers, children
Titelblad: Vases à la moderne
Object type: titelblad, titelpagina
Date: 1659 – 1659
Materials: paper
Techniques: etching
Location: paris
Inscriptions: number: ‘13’

Op het lichaam van de vaas staat een portretbuste, de handvatten hebben de vorm van tritons. De titel van de serie staat onderaan in een cartouche.
Ointment Jar from a Foundation Deposit of Hatshepsut
Object type: ointment jar, foundation deposit
Date: 1479 – 1458
Materials: paint, stone
Location: egypt
Subjects: cartouches,hieroglyphs
Eusebius van Caesarea
Object type: print
Date: 1493 – 1493
Materials: paper
Techniques: letterpress printing
Location: nuremberg
Subjects: archbishop, bishop, etc. (roman catholic)
Inscriptions: inscription: ‘77’

De houtsnede wordt herhaaldelijk gebruikt als boekillustratie in de Liber Chronicarum (of Neurenbergkroniek) van Hartmann Schedel, verschenen in het Latijn en Duits in 1493. Zie de Latijnse uitgave, folio 128r.
Blad met dieren
Object type: brocade paper
Date: 1750 – 1820
Materials: gold leaf, paint, paper
Techniques: relief print
Location: germany
Artist: Anonymous
Subjects: unicorn, animals
Inscriptions: collector's mark: Lugt 2228

Blad met dieren, linksboven eenhoorn, rechtsboven paard, linksonderstaande dromedaris, rechtsonder beer.
Calaïs en Zetes helpen Phineus
Object type: book illustration
Date: 1655 – 1655
Materials: paper
Techniques: engraving
Location: southern netherlands
Subjects: calais and zetes chase away the harpies that plagued phineus

Het schip met de Argonauten is aangekomen in het koninkrijk van Phineus, wiens eten voortdurend door drie Harpijen wordt gestolen. De twee zonen van Boreas, Calaïs en Zetes, staan met getrokken zwaarden voor de blinde Phineus. Ze staan op het punt om de Harpijen te achtervolgen. In de marge een tweeregelig onderschrift in het Latijn.
Boog van Titus op het Forum Romanum in Rome
Object type: photograph
Date: 1860 – 1900
Materials: photographic support
Techniques: albumen print
Location: forum romanum
Artist: Anonymous
Subjects: triumphal arch
Inscriptions: number: ‘119’

Onderdeel van Fotoalbum met opnames van bezienswaardigheden in Italiaanse steden en van kunstwerken.
Groep Egyptische mannen en vrouwen, vermoedelijk langs de Nijl
Object type: album leaf
Date: 1903 – 1905
Materials: cardboard, paper, photographic support
Techniques: collodion silver print
Location: nile
Artist: Anonymous
Subjects: adult woman, adult man

Onderdeel van Reisalbum van een Nederlandse familie met bezienswaardigheden in Europa, Egypte en New York.
Vissersboten op het strand van Scheveningen
Object type: stereograph
Date: 1873 – 1890
Materials: cardboard, paper
Techniques: albumen print
Location: scheveningen
Artist: Anonymous
Subjects: ships, boats on land, beached
Inscriptions: inscription: ‘12 1/2’
Holland, Karel V, stuiver, 1499
Object type: coin
Date: 1506 – 1520
Materials: silver
Techniques: striking
Location: dordrecht
Artist: charles v (holy roman emperor and king of spain)
Artist role: keizer, koning
Artist dates: 1500 – 1558

Zilveren munt. Voorzijde: gekroond wapenschild van Oostenrijk-Bourgondië. Keerzijde: op een vierpas lang versierd kruis, in hart roos.
Porringer
Object type: porringer
Date: 1780 – 1790
Materials: pewter
Culture: american
Location: united states
Artist: elisha kirk
Artist role: maker
Artist nationality: american
Artist dates: 1780 – 1790
Two mushrooms
Object type: ornament
Date: 1701 – 1800
Materials: jade
Culture: chinese
Subjects: vegetables
Jongeman te paard met een bediende
Object type: print
Date: 1739 – 1780
Materials: paper
Techniques: engraving, etching
Subjects: riding a horse, ass, or mule; rider, horseman, ruin of a building ~ architecture, measuring-instruments, tools, implements of painter, piece of sculpture, reproduction of a piece of sculpture
Inscriptions: collector's mark: Lugt 2228
Inname van elf steden en forten door Frankrijk 1646
Object type: history medal
Date: 1646 – 1646
Materials: copper
Techniques: striking
Artist: jean mauger
Artist role: medailleur
Artist dates: 1648 – 1722

Koperen penning, op de voorzijde het jeugdig portret van Koning Lodewijk XIV naar rechts met omschrift, op de keerzijde Mars staand met een lans waaraan stadskronen, met omschrift en afsnedetekst.
Portret van Gerardus Mercator
Object type: print
Date: 1587 – 1606
Materials: paper
Techniques: engraving
Location: antwerp
Subjects: gerardus mercator
Inscriptions: collector's mark: Lugt 2228

Portret van Gerardus Mercator, beroemde cartograaf uit Rupelmonde. Buste naar rechts. In zijn handen een wereldglobe en een passer. De prent heeft een Latijns onderschrift en maakt deel uit van een serie van beroemde geleerden.
Two marble portrait heads from a relief
Object type: portrait head of a woman from a relief
Date: 13 – 5
Materials: marble
Culture: roman
Subjects: heads,portraits,women

The sculptural style of these heads, characterized by smooth features and fashionable hairstyles, is one of refined Augustan classicism. The portraits, probably of mother and daughter, are from a funerary relief that might have included likenesses of other members of the family.
Plate with a scene from Métamorphoses du Jour (plate 37)
Object type: plate
Date: 1830 – 1840
Materials: earthenware
Techniques: glazing, transfer
Artist: creil
Artist role: manufactory
Artist nationality: french
Artist dates: 1797 – 1895

Creil’s usage of popular prints as decoration is in sharp contrast to the highly regimented and controlled forms of decoration used on porcelains made at the state-run factory of Sèvres, which specialized in diplomatic services and pieces made for a wealthy clientele. Here, Creil incorporated the image from plate 37 of Grandville’s popular lithograph series, Les Métamorphoses du jour (1829), which used animal caricatures to mock French society. France’s legal system is the target of this satire. In this image, a cockatoo lawyer pleads the case of his goat-headed client before a group of sleeping animal judges, while a feline clerk takes notes.
Portret van Claudia de' Medici, aartshertogin van Oostenrijk
Object type: print
Date: 1629 – 1629
Materials: paper
Techniques: engraving, etching
Subjects: claudia de' medici (aartshertogin van oostenrijk), historical persons
Inscriptions: date
Loom weight
Object type: loom weight
Date: 1295 – 1070
Materials: mud
Location: egypt
Wine container (Hu) in the style of the Han dynasty
Object type: wine container
Date: 1701 – 1800
Materials: bronze
Culture: chinese
Kop van een man met een snor
Object type: sketchbook leaf
Date: 1892 – 1913
Materials: ink, paper
Techniques: brush
Artist: a.a.l. de grammont-hubrecht
Artist role: draughtsman, painter, print maker
Artist dates: 1855 – 1913
Subjects: head (human), adult man

Blad 11 verso uit een schetsboek met 31 bladen.
Portret van Adriaan Pauw
Object type: print
Date: 1749 – 1780
Materials: paper
Techniques: engraving
Location: amsterdam
Artist: jacob houbraken
Artist role: draughtsman, print maker
Artist dates: 1698 – 1780
Subjects: historical persons
Inscriptions: collector's mark: Lugt 2228

Deze prent is oorspronkelijk bedoeld als aanvulling op Jan Wagenaars ‘Vaderlandsche historie’* en was zo vanaf 1796 verkrijgbaar bij Johannes Allart te Amsterdam.

Voor de advertentie waarin Allart de 60 portretten en 7 platen, allen gegraveerd door Houbraken, ter aanvulling op Wagenaars ‘Vaderlandsche historie’ aanbiedt, zie RP-P-OB-77.766.

*Van dit werk zijn in de achttiende eeuw meerdere uitgaves verschenen, zoals:

Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der Vereenigde Nederlanden (…). 21 delen. Amsterdam: Isaak Tirion, 1749-1759.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: weduwe Isaak Tirion, 1770.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam, Leiden, Dordrecht en Harlingen: P. Schouten e.a., 1782.
Wagenaar, Jan. Vaderlandsche historie, vervattende de geschiedenissen der nu Vereenigde Nederlanden (…). 21 delen. Amsterdam: Johannes Allart, 1790-1796.
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 475 – 451
Materials: terracotta
Culture: greek, attic

Interior, arm of woman with sleeve of chiton
Architectuurontwerp
Object type: design
Materials: chalk, paper
Artist: jan martszen de jonge
Artist role: draughtsman, painter, print maker
Artist dates: 1609 – 1647
Subjects: land forces (+ cavalry, horsemen), triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée', military celebrations, historical events and situations
Inscriptions: annotation: ‘1792 4; merk RPK (L.2228); daarnaast: J. Martsen de Jonge’
Saucer with pomegranates and peaches
Object type: saucer
Date: 1401 – 1500
Materials: cobalt, porcelain
Techniques: painting, underglaze
Culture: chinese
Suikerpot uit het koffie- en theeservies 'Saxonia'
Object type: sugar box
Date: 1904 – 1904
Materials: porcelain, chemical
Techniques: painted
Location: meissen
Artist: otto eduard voigt
Artist role: keramiekontwerper
Artist dates: 1870 – 
Inscriptions: mark: ‘57’, model number: ‘U 125’, factory mark

Suikerpot van porselein, beschilderd in blauw en grijs. De pot heeft een deksel. De pot hoort bij het koffie- en theeservies Saxonia. De suikerpot is gemerkt.
Twee voorstellingen uit Familie Hellmuth van Hiemer
Object type: print
Date: 1798 – 1798
Materials: paper
Techniques: etching
Location: berlin
Artist: daniel nikolaus chodowiecki
Artist role: draughtsman, print maker
Artist dates: 1726 – 1801
Subjects: arrival and return ~ travelling, family, descendance, acquiring riches
Inscriptions: collector's mark: Lugt 2228

Vervaardigd voor 'Familie Hellmuth' van Franz Karl Hiemer. Prent gebruikt voor: Tasschenbuch für Häusliche und Gesellschaftliche Freuden auf das Jahr 1799, 1801 und 1802 (...). Frankfurt am Main: Philipp Heinrich Guilhauman, [1797].
The British Architect; or, the Builder's Treasury of Staircases
Object type: book
Date: 1775 – 1775
Artist: abraham swan
Artist role: author
Artist nationality: british
Artist dates: 1700 – 1800
Subjects: architecture

On December 5, 1774, John Norman, an engraver recently arrived in Philadelphia from London, advertised Proposals for Printing by Subscription, the American edition of Swan's British Architect. Published by Robert Bell, the city's leading printer and bookseller. The volume was available the following June and was the first architectural book printed in America. It faithfully copied Abraham Swan's British Architect, first published in London in 1745, and contains a title page, list of subscribers, twenty pages of text, and sixty folio plates whose images reverse those of the English edition, all but one etched by Norman.
Perseus op Pegasus
Object type: print
Date: 1651 – 1691
Materials: paper
Techniques: engraving
Location: france
Subjects: pegasus, the winged horse, (story of) perseus
Inscriptions: collector's mark: Lugt 240
Watch
Object type: watch
Materials: enamel, metal
Artist: g. gamos
Artist role: maker
Subjects: children,women,female nudes,dogs
Birds Pursued by an Eagle
Object type: hanging scroll
Date: 1667 – 1700
Materials: ink, silk
Culture: japanese
Subjects: ducks,eagles,swans
Design for Landaulet, no. 3468
Object type: drawing
Date: 1878 – 1878
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Candelabrum perfume burner (one of a pair)
Object type: candelabrum perfume burner
Date: 1770 – 1770
Materials: bronze, metal, wood
Techniques: gilding
Artist: matthew boulton
Artist role: maker
Artist nationality: british
Artist dates: 1728 – 1809
Subjects: caryatids

A candelabrum of this design sold in 1771 was described in the sale catalogue as "a large vase of radix amethysti and or moulu lined with silver and perforated for insence with four branches for candles, supported by two caryatids standing on an ornamented ebeny plinth."
Portret van Isaäc Rammelman Elsevier
Object type: print
Date: 1849 – 1854
Materials: paper
Techniques: lithograph
Location: the hague
Subjects: amsterdam, colonial governor, historical persons, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Portret van Daniël Marot
Object type: print
Date: 1689 – 1724
Materials: paper
Techniques: engraving
Location: amsterdam
Subjects: paris, the hague, print maker, draughtsman, daniël marot (i)
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Portret in ovale lijst van Daniël Marot, een Nederlandse architect en prentmaker. Ten halven lijve naar links. Rondom het portret een draperie. De prent heeft een Frans onderschrift.
San Lorenzo, north portal, elevation (recto) San Lorenzo, north portal, cornice, profile (verso)
Object type: drawing
Materials: chalk, ink
Techniques: incising
Artist: anonymous, french, 16th century
Artist role: draftsman
Artist nationality: french
Artist dates: 1500 – 1600
Subjects: architecture
Wall tile
Object type: wall tile
Date: 1501 – 1600
Materials: earthenware
Techniques: luster painting, glazing
Subjects: coat of arms

Tin-glazed earthenware, of which lusterware is one type, was developed in the Middle East in the ninth and tenth centuries to imitate the porcelains produced in China. The opaque white glaze concealed the clay body, which could range from pale buff to brick red, allowing for brilliant effects created by painting the white surface with metal oxides that fired to a range of colors. This technique, as well as the use of metallic luster—an iridescent, coppery painted glaze—spread throughout the Muslim world, arriving among the potters of Valencia in the thirteenth century. The so-called Hispano-Moresque lusterware, with its fusion of Islamic and Gothic styles and motifs, often in shaped imitating those of metal vessels, was treasured by the elite in Spain during the fifteenth century and exported to the courts of Europe. The Valencian industry declined in the late sixteenth century, as colorful Italian Renaissance maiolica gained in popularity among the fashionable and as Spanish centers were founded to produce versions of its pictorial forms. Adding to this decline was the expulsion from Valencia in 1609 of all the remaining Moriscos (Muslims converted to Christianity), though Christian potters reestablished the industry shortly thereafter.
Man met hoed en vrouw in jas
Object type: print
Date: 1881 – 1934
Materials: paper
Techniques: etching, intaglio
Artist: johannes josephus aarts
Artist role: draughtsman, print maker
Artist dates: 1871 – 1934
Subjects: standing figure, head-gear: hat
Inscriptions: collector's mark: Lugt 2760, collector's mark: Lugt 2228

Staande man met hoed, die zijn linkerhand in de zak van zijn vest heeft gestoken. Linksachter hem een vrouw in een jas met twee knotten in haar haar.
Rothschild lamp
Object type: oil lamp
Date: 1510 – 1520
Materials: bronze, wood
Artist: andrea briosco, called riccio
Artist role: maker
Artist nationality: italian
Artist dates: 1470 – 1532
Subjects: grotesques,putti,rams
View of the palace of the illustrious Barberini family on the Quirinal Hill, designed by Cavaliere Bernini, from Vedute di Roma (Roman Views)
Object type: print
Date: 1750 – 1759
Techniques: etching
Artist: giovanni battista piranesi
Artist role: artist
Artist nationality: italian
Artist dates: 1720 – 1778
Subjects: palaces,rome
Coronation of George IV
Object type: medal
Date: 1821 – 1821
Materials: bronze
Artist: benedetto pistrucci
Artist role: maker
Artist nationality: italian
Artist dates: 1783 – 1855
Subjects: kings,men,profiles
Hanglamp met twee kappen
Object type: sketchbook leaf
Date: 1905 – 1906
Materials: paper, pencil
Artist: carel adolph lion cachet
Artist role: draughtsman, print maker
Artist dates: 1864 – 1945
Subjects: lighting; lamps

Blad 18 recto uit een schetsboek met 34 bladen.