deem-data/ArtiFact huggingface dataset:
Pendant with Scenes from the Life of Christ and Two Saints
Object type: pendant
Date: 1870 – 1895
Materials: gold, pearl
Techniques: enamel
Artist: reinhold vasters
Artist role: designer
Artist nationality: german
Artist dates: 1827 – 1909
Subjects: christ,saints

The frame of this pendant was made from an unpublished design by Reinhold Vasters in the collection of the Victoria and Albert Museum, London (inv. No. E 3569-1919). The pendant is based on a sixteenth-century type believed to have been made in northern Italy or perhaps Spain. Faith Dennis published an example from the J. Pierpont Morgan Collection in The Metropolitan Museum of Art (17.190.882). While it is possible that the frame may have been designed for existing pieces of verre églomisé, or reverse-painted glass, close examination of the paintings suggests that they, too, are the products of a nineteenth-century craftsman. There are four verre églomisé paintings, all apparently by the same hand. Those on one side of the jewel illustrate the Nativity and Annunciation to the Shepherds and, in the center, a separate piece shows a hermit saint kneeling before a crucifix; on the other side are the Adoration of the Magi and, in the center, a female saint seated in front of a crucifix. Leaving aside the question of whether or not it is probable that four complementary sixteenth-century pieces are likely to have been available for mounting in the nineteenth century, the vagueness of the iconographic scheme and the inferior quality of the painting indicate that the entire jewel is probably a nineteenth-century fabrication.
Execution Rocks, from the Lighthouses series (N119) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: lighthouses

Trade cards from the "Lighthouses" series (N119), issued in an unnumbered set of 25 die-cut cards in 1889 by W. Duke Sons & Co. to promote Honest Long Cut Tobacco.
Husbands Always Make Me Laugh: He goes on the loose
Object type: print
Date: 1853 – 1853
Materials: paper
Techniques: lithograph
Location: france
Artist: paul gavarni
Artist role: artist
Artist nationality: french
Artist dates: 1804 – 1866
Portret van Ludwig Hess
Object type: print
Date: 1800 – 1817
Materials: paper
Techniques: engraving
Artist: johann heinrich lips
Artist role: draughtsman, painter, print maker
Artist dates: 1758 – 1817
Subjects: painter, ludwig hess, historical persons
Inscriptions: collector's mark: Lugt 2228
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 480 – 470
Materials: terracotta
Culture: greek, attic

Exterior, hanging on wall, krotala; bent right arm and part of upper torso of youth
Cottage and Boundary Post on the Spaarndammerdijk ('L'Obelisque')
Object type: print
Date: 1650 – 1650
Techniques: drypoint, etching
Artist: rembrandt van rijn
Artist role: artist
Artist nationality: dutch
Artist dates: 1606 – 1669
Subjects: houses,obelisks,landscapes
Pater C. Musius, op bevel van Lumeij, te Leijden, in den nacht, opgehangen
Object type: print
Date: 1790 – 1790
Materials: paper
Techniques: etching
Location: netherlands
Subjects: delft, leiden, cornelis musius, violent death by hanging
Inscriptions: date

Gebruikt als illustratie in: Jacobus Kok, Vaderlandsch Woordenboek, Johannes Allart, Amsterdam 1785-1799, 35 delen, dl. XXII, pl. II. Staat met de letter.
Nederlandse klederdrachten naar Pieter van den Berge
Object type: print
Date: 1689 – 1713
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: sea and coastal fishery (+ men (labourers)), clothes, costume (+ men's clothes), folk costume, regional costume
Inscriptions: collector's mark: Lugt 1641, collector's mark

Een visser van het eiland Marken. Staande aan de wal met een stok en een visnet in de handen. Ongenummerd. Prent uit een serie prenten naar Pieter van den Berge met dorpelingen die klederdrachten dragen. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: De Kleeding, Volkskleederdracht, Noord-Holland.
Child with a Biscuit (Jean Renoir)
Object type: print
Date: 1898 – 1899
Materials: paper
Techniques: lithograph
Location: france
Artist: pierre auguste renoir
Artist role: artist
Artist nationality: french
Artist dates: 1841 – 1919
Spoon stand
Object type: spoon stand
Date: 1760 – 1760
Materials: hard paste porcelain
Artist: meissen manufactory
Artist role: manufactory
Artist nationality: german
Artist dates: 1710 – 9999
Goden en godinnen
Object type: print
Date: 1589 – 1590
Materials: paper
Techniques: woodcut
Location: haarlem
Artist: hendrick goltzius
Artist role: draughtsman, painter, print maker
Artist dates: 1558 – 1617
Subjects: (story of) oceanus
Inscriptions: collector's mark: Lugt 240

De god Oceanus, gezeten op een grote vis (dolfijn), een roeispaan in de linkerhand. Deze prent is onderdeel van een serie van zeven ovale prenten van klassieke goden en godinnen.
Knave of Nooses, from The Cloisters Playing Cards
Object type: playing card
Date: 1475 – 1480
Materials: glaze, gold, ink, paint, paper, silver
Techniques: pen
Culture: south netherlandish
Subjects: men,playing cards,games

The Cloisters set of fifty-two cards constitutes the only known complete deck of illuminated ordinary playing cards (as opposed to tarot cards) from the fifteenth century. There are four suits, each consisting of a king, queen, knave, and ten pip cards. The suit symbols, based on equipment associated with the hunt, are hunting horns, dog collars, hound tethers, and game nooses. The value of the pip cards is indicated by appropriate repetitions of the suit symbol. The figures, which appear to be based on Franco-Flemish models, were drawn in a bold, free, and engaging, if somewhat unrefined, hand. Their exaggerated and sometimes anachronistic costumes suggest a lampoon of extravagant Burgundian court fashions. Although some period card games are named, it is not known how they were played. Almost all card games did, however, involve some form of gambling. The condition of the set indicates that the cards were hardly used, if at all. It is possible that they were conceived as a collector’s curiosity rather than a deck for play.
Lieutenant, je cherche du fourrage pour mon cheval
Object type: print
Date: 1828 – 1828
Materials: paper
Techniques: lithograph
Location: paris
Subjects: mess ~ the soldier off duty, plundering ~ soldiers, interior of the house
Inscriptions: collector's mark: Lugt 2228a

De soldaat heeft zijn degen in een betimmering aan de muur gestoken. Het interieur is overhoop gehaald. Als verklaring zegt hij tegen de luitenant dat hij hooi zoekt voor zijn paard.
Herinnering aan den feestelijken avond van 19 Junij 1856. In de Nieuwe Baan
Object type: print
Date: 1856 – 1856
Materials: paper
Techniques: lithograph
Location: utrecht
Subjects: students' pageant, party (students), costumes used in pageants, commemoration of the founding of a university, utrecht
Inscriptions: collector's mark: Lugt 2228

Feestelijke bijeenkomst van de studenten van de Utrechtse Hogeschool op 19 juni 1856 bij de viering van het 220-jarig bestaan van de Hogeschool. De studenten in kostuums uit de tijd van prins Willem van Oranje bijeen in de Nieuwe Baan aan het eind van de Maliebaan te Utrecht, bij avond. Links wordt een concert gegeven.
Ida Cushman
Object type: painting, miniature
Date: 1856 – 1856
Materials: ivory, watercolor
Culture: american
Artist: george hewitt cushman
Artist role: artist
Artist dates: 1814 – 1876
Subjects: girls,portraits

The sitter (1852-1936) was a daughter of the artist.
Semiramus Inspecting a Plan of Babylon
Object type: drawing
Date: 1750 – 1811
Materials: chalk, paper
Artist: jean simon berthélemy
Artist role: artist
Artist nationality: french
Artist dates: 1742 – 1811
Subjects: men,women
The Borghese Gladiator from the Statue in Rome
Object type: drawing and watercolor
Date: 1774 – 1774
Materials: charcoal, crayon, paper
Techniques: drawing, stumping
Location: england
Artist: john downman
Artist role: artist
Artist nationality: british, welsh
Artist dates: 1749 – 1824
Fotoreproductie van (vermoedelijk) een tekening van de Visitatie
Object type: photograph
Date: 1850 – 1870
Materials: paper, photographic support
Techniques: albumen print
Location: england
Artist: Anonymous
Subjects: mary and elisabeth, both pregnant, embracing

Onderdeel van Album met foto's van bezienswaardigheden en landschappen in Engeland en van kunst.
Almelo, het tooneel der jongste werkstaking
Object type: print
Date: 1888 – 1888
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: johan braakensiek
Artist role: draughtsman, print maker
Artist dates: 1858 – 1940
Subjects: city-view in general; 'veduta', strike (political demonstration)

Vijf gezichten in de stad Almelo, waar een staking plaatsvindt: het woonhuis van dhr. J. Scholten Gzn., een kantoor met magazijn, het Marktplein, het voormalig stadhuis en het Kerkplein.
Providentia/Oeconomia
Object type: sculpture
Date: 1637 – 1637
Materials: stone
Location: the hague
Artist: pieter adriaensz t hooft
Artist role: sculptor
Artist dates: 1610 – 1650
Subjects: constantijn huygens (i)
Inscriptions: monogram, on the reverse of the tree stump, incised: ‘PH’

Het beeld staat op het bovenblad van BK-18042-B-2.
–Papa, I 'm getting sick. –Too bad, my son, but in this world you must learn to go in circles, from 'News of the day,' published in Le Charivari, April 30, 1866
Object type: print
Materials: paper
Techniques: lithograph
Artist: honoré daumier
Artist role: artist
Artist nationality: french
Artist dates: 1808 – 1879
Subjects: boys,men,horses
Amsterdam, brandspuitpenning van wijk 8
Object type: fire engine medal
Date: 1680 – 1800
Materials: brass
Techniques: casting
Location: amsterdam
Artist: Anonymous
Subjects: amsterdam

Messing penning. Voorzijde: gekroond wapenschild, geflankeerd door twee leeuwen boven cartouche met opschrift W 8. Keerzijde: brandspuit onder leeg cartouche binnen slangerond
The Enclosed Valley
Object type: print
Date: 1625 – 1630
Materials: paint, paper
Techniques: brush, drypoint, etching, hand coloring
Location: amsterdam
Artist: hercules segers
Artist role: draughtsman, painter, print maker
Artist dates: 1589 – 1640
Subjects: dale, valley
Design for an Embroidered Waistcoat Corner
Object type: textile
Date: 1780 – 1790
Materials: paper
Location: france
Ooster Littens naar de kerk te zien
Object type: print
Date: 1786 – 1792
Materials: paper
Techniques: etching
Artist: carel frederik bendorp (i)
Artist role: print maker
Artist dates: 1736 – 1814
Subjects: village, church (exterior)
Inscriptions: collector's mark: Lugt 2228

Prent uit: Vaderlandsche gezichten, of afbeeldingen van den tegenwoordigen staat der Vereenigde Nederlanden (…). Amsterdam: Hendrik Gartman, Willem Vermandel en Jan Willem Smit, 1786-1792. Uitgegeven in afleveringen met ieder een eigen bifolium en inhoudsopgave.

Alle prenten in deze publicatie zijn gegraveerd door Carel Frederik Bendorp (I) en, in de meeste gevallen, gebaseerd op tekeningen van Jan Bulthuis.
Portretten van kardinalen met twee wapenschilden
Object type: print
Date: 1795 – 1805
Materials: paper
Techniques: engraving
Location: italy
Artist: carlo antonini
Artist role: print maker
Artist dates: 1749 – 1835
Subjects: clergyman, cardinal, historical persons
Inscriptions: collector's mark: Lugt 2228

Prent uit een reeks van onbekende omvang met portretten van kardinalen. De prenten werden vanaf 1657 vervaardigd in opdracht van uitgever Giovanni Giacomo de’ Rossi, waarna de productie werd voortgezet onder leiding van zijn opvolgers Domenico de’ Rossi en Lorenzo Filippo de’ Rossi, en tenslotte onder leiding van de Calcographia R.C.A.
Plate two, from A Harlot's Progress
Object type: print
Date: 1732 – 1732
Materials: paper
Techniques: engraving
Location: england
Artist: william hogarth
Artist role: artist
Artist nationality: british
Artist dates: 1697 – 1764

Here Hogarth’s titular harlot, Moll Hackabout, enjoys life as the mistress of a wealthy man. In order to allow her lover, seen hiding in the background, to escape, Moll distracts the master of the house by overturning a table and enticing him with a view of her chest. The two paintings of Old Testament scenes on the wall underscore the moral depravity of Moll’s situation. Because of her careless antics and seemingly boundless sexual appetite, however, Moll will soon be returned to the brothel from which she was effectively purchased.
Shaiva Saint Appar, Holding a Spade
Object type: sculpture
Date: 1301 – 1400
Materials: bronze
Location: thanjavur
Embleem: mens
Object type: book illustration
Date: 1695 – 1705
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: birthday, old man, street, index finger forwards, pointing, indicating, abstract ideas and concepts
Inscriptions: collector's mark: Lugt 240

Boekillustratie voor Weigel, Christoph. Ethica Naturalis seu Documenta Moralia e Variis rerum Naturalium proprietatibus Virtutum Vitiorumq symbolicis imaginibus collecta. Neurenberg: Christoph Weigel: c. 1700.
Markt op het Buitenhof
Object type: print
Date: 1635 – 1635
Materials: paper
Techniques: engraving, etching
Location: netherlands
Subjects: pleasure fair and circus, market
Inscriptions: collector's mark, collector's mark: Lugt 1641

Marktscène op het Buitenhof, tijdens de Haagse Kermis. Rechts Tamme Lubbert sprekend met Fijtje Goris. Op de achterkant bedrukt met tekst. Onderwerpsrubrieken binnen de Atlas Zeden en Gewoonten: Volksfeesten; Kermis.
Cottages in a Rocky Landscape
Object type: drawing
Date: 1501 – 1600
Materials: ink
Techniques: pen
Location: germany
Artist: wolfgang huber
Artist role: draughtsman, print maker
Artist nationality: german
Artist dates: 1490 – 1553
Subjects: landscapes
Nouveau Cahier de Meubles Français
Object type: print
Date: 1815 – 1825
Materials: paper
Techniques: etching
Location: france
Subjects: seating furniture, bed
Inscriptions: collector's mark: Lugt 2228, collector's mark: Lugt 2760

Acht empire meubelen zoals voetenbanken, twee stoelen, een fauteuil en twee ligbedden. In de ondermarge een Franse beschrijving.
Finland Imatra waterval.
Object type: photograph
Date: 1897 – 1897
Materials: paper, photographic support
Techniques: albumen print
Location: helsinki
Artist: henry pauw van wieldrecht
Artist role: fotograaf
Artist dates: 1863 – 1912
Mirror, and Mirror Box (Kagami-bako) with Feather Crest and Peony Scrolls
Object type: covered box
Date: 1185 – 1799
Materials: bronze, gold, lacquer, wood
Techniques: hiramakie, lacquer
Culture: japanese
Fotoreproductie van een tekening van een drankgezelschap door Arthur von Ramberg
Object type: page
Date: 1855 – 1862
Materials: paper
Techniques: albumen print
Subjects: reception, cocktail party, alcoholic drinks

Foto op ongenummerde pagina na pagina 282.
Titelpagina voor: F. C. de Greuve, Letterhof voor Roomsch-Katholijken, 1822
Object type: print
Date: 1822 – 1822
Materials: paper
Techniques: etching
Location: amsterdam
Subjects: mary (without the christ-child)
Inscriptions: collector's mark: Lugt 2228

Maria met een kruis bij een offerzuil. Op de achtergrond wolken en lichtstralen. Rechts op de voorgrond een jongen met een passer bij een kaart, een wereldbol, een schilderspalet en een lier. Links een jongen met boeken.
Bottle
Object type: bottle
Date: 1801 – 1900
Techniques: glassblowing
Culture: american
Location: united states
Inrō with Wisteria Trellis
Object type: inrō
Date: 1834 – 1866
Materials: gold, gold foil, lacquer, silver, wood
Techniques: carving, hiramakie, lacquer, maki-e
Culture: japanese
Subjects: monkeys,plants
Portret van Werner Munzinger
Object type: print
Date: 1865 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Subjects: switzerland, historical persons
Inscriptions: collector's mark: Lugt 2228
Het smalle voetpad
Object type: print
Date: 1881 – 1881
Materials: paper
Techniques: lithograph, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: fat (human type), comedy
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen over twee mannen, dokter Dikbuik en advocaat Puntkin, die niet door een smalle steeg kunnen. Onder elke afbeelding een vierregelig vers. Genummerd rechtsboven: No. 78.
Titelpagina voor Aubert Le Mire, Illustrium Galliae Belgicae Scrioptorum Icones, 1608
Object type: print
Date: 1608 – 1608
Materials: paper
Techniques: engraving, letterpress printing
Location: antwerp
Subjects: justice, 'justitia'; 'giustitia divina' (ripa) ~ one of the four cardinal virtues, personification of a city, town-patron(ess), hope, 'spes'; 'speranza divina e certa' (ripa) ~ one of the three theological virtues - mm - virtues triumphant
Inscriptions: collector's mark: Lugt 2228

Centraal de titel van het boek, geflankeerd door Hoop en Rechtvaardigheid. Boven de titel de personificatie van Antwerpen. De prent is de titelpagina van Aubert Le Mire, Illustrium Galliae Belgicae Scrioptorum Icones, 1608.
Portret van Joseph-Louis Lagrange
Object type: print
Date: 1842 – 1842
Materials: paper
Techniques: lithograph
Location: paris
Subjects: paris, historical persons
Inscriptions: collector's mark: Lugt 2228a
Pieter Huidekoper, burgemeester van Amsterdam
Object type: honorary medal
Date: 1850 – 1850
Materials: bronze
Techniques: striking
Location: utrecht
Subjects: amsterdam

Uitgegeven in januari 1850 ter gelegenheid van het afscheid van Huidekoper als burgemeester van Amsterdam op 31 december 1849.
Portret van David Forrest
Object type: photomechanical print
Date: 1865 – 1875
Materials: paper, photographic support
Techniques: carbon print, woodburytype
Subjects: functionaries and dignitaries (with name) ~ protestant churches
Brief aan Philip Zilcken
Object type: letter
Materials: ink, paper
Techniques: pen, writing
Location: the hague
Artist: lydia lyta
Subjects: painter, draughtsman, philip zilcken, london
Inscriptions: watermark, collector's mark: ‘RPK’
Helmet and Shield in the Classical Style
Object type: helmet and shield
Date: 1760 – 1770
Materials: bronze, gold, silk, silver, thread
Culture: french
Location: france
Subjects: dragons
G 32. Universiteits museum. Athene
Object type: photomechanical print
Date: 1890 – 1895
Materials: cardboard, paper
Techniques: photograph
Location: athens
Artist: Anonymous
Subjects: university
Inscriptions: check stamp: ‘Bristol/ L.M.’, stamp: ‘Gemeentelijke bibliotheek/ Rotterdam’, number: ‘4’, title: ‘G 32. Universiteits museum. Athene.’

Onderdeel van een groep door fotograaf Richard Polak op reis verzamelde foto’s. Deze fotomechanische afdruk is samen met andere op zijn reizen verzamelde foto's tentoongesteld bij de Rotterdamsche Kunstkring (1895), Arti en Amicitiae te Amsterdam (1897-1898?) en Societeit 't Collegie te Kampen (datum vooralsnog onbekend).
Gig #3772
Object type: drawing
Date: 1882 – 1882
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
Archtop Guitar
Object type: archtop guitar
Date: 1919 – 1919
Materials: wood, mother of pearl, nickel, silver
Culture: american
Location: united states
Artist: gibson mandolin-guitar manufacturing co., ltd.
Artist role: maker
Artist nationality: american
Artist dates: 1902 – 9999

Gibson O model guitar with a light to dark red sunburst finish, serial number 51670. The O model guitar is has an unusual, but now iconic, body shape with a scroll on the upper left shoulder that mimics the F series mandolins. The right shoulder is lower than on a typical guitar ending in a point at the end of the corner, creating a "cutaway" that allows players to play farther up on the fingerboard. The guitar has a carved, arched top and back, a design patented by Orville Gibson in 1898. Five businessmen bought the name and patent from Orville Gibson in 1902 and started The Gibson Mandolin-Guitar Manufacturing Co., Ltd. The model was introduced in 1902 and discontinued in 1925. The oval soundhole has a decorative ring of mother-of-pearl diamonds in black mastic. The binding around the top and back of the instrument, the fingerboard, and the headstock is also ivoroid. There are twenty-two nickel-silver frets with mother-of-pearl position dots on the fingerboard and upper edge of the neck. The instrument has a floating bridge and a "trapeze" style tailpiece. Headstock inlaid with mother-of-pearl words "The Gibson" and a fleur-de-lis. Waverly three-on-a-plate ivoroid machine guitar tuners.
Zittend paar op een terras
Object type: drawing
Date: 1770 – 1790
Materials: paper
Techniques: brush
Artist: Anonymous
Inscriptions: inscription: ‘.’
Aantekening uit archief Philip Zilcken
Object type: aantekening
Date: 1811 – 1890
Materials: ink, paper
Techniques: pen, printing, writing
Artist: philip zilcken
Artist role: draughtsman, painter
Artist dates: 1857 – 1930
Inscriptions: collector's mark: ‘RPK’, watermark

Aantekeningen van Philip Zilcken op briefpapier van de Nederlandsche Etsclub.
Portret van een man in uniform en een vrouw en kind
Object type: album leaf
Date: 1901 – 1901
Materials: cardboard, photographic support
Techniques: collodion silver print
Artist: theodorus ferdinant van de pol
Artist role: fotograaf
Artist dates: 1861 – 1953
Subjects: parents with their children, historical persons, (military) uniforms
Inscriptions: inscription: ‘TH. F. v.d. Pol/ Amersfoort’, annotation: ‘Van [...]/ [...]/ 1 Nov 1901’