deem-data/ArtiFact huggingface dataset:
Flora Walsh, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes
Object type: photograph
Date: 1890 – 1890
Techniques: albumen silver print
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: portraits,women,actresses

Trade cards from the set "Actors and Actresses" (N245), issued in 1890 by Kinney Brothers Tobacco to promote Sweet Caporal Cigarettes.
New forms of 36 ghosts
Object type: print
Date: 1812 – 1889
Materials: paper
Techniques: woodcut
Location: japan
Subjects: spirit, ghost, storm

Een woest kijkende man afgebeeld middenin een donkere stormachtige lucht met bliksemschichten. Dit is de geest van Genta Yoshihira die op wraak uit is nadat zijn vader verslagen werd. Volgens het verhaal veranderde Genta Yoshihira in een dondergod vlak voordat hij onthoofd werd door Nanba no Jirô en doodde Nanba vervolgens met een bliksemschicht
Portret van Toussaint-Guillaume Picquet de la Motte
Object type: print
Date: 1836 – 1836
Materials: paper
Techniques: lithograph
Location: paris
Subjects: naval officer, historical persons
Inscriptions: collector's mark: Lugt 2228
Baron
Object type: page
Materials: paper
Techniques: woodburytype
Location: paris
Subjects: historical persons
Inscriptions: number: ‘No 134’, inscription: ‘Du 19 au 15 Décembre 1875’
Design for a Coffee Urn
Object type: drawing
Date: 1770 – 1790
Materials: graphite, ink, paper
Techniques: brush, pen, drawing, wash
Artist: anonymous, french, 18th century
Artist role: artist
Artist nationality: french
Artist dates: 1700 – 1800
Subjects: urns

This work is part of a collection of drawings for furniture, clocks, candelabra, etc. for decoration of the Chateau de Laeken (outside Brussels in the area formerly called Schoonenberg, now the Belgian Royal Palace). The designs were sent to Albert, Duke of Saxe-Teschen and the Archduchess Marie Christine, governors of Belgium from 1780-1790, from artisans in Paris, Vienna, and England. See 65.547.18b for a hand-written estimate for a repair to the object
Courtyard of the Palazzo Vecchio, Florence
Object type: drawing
Date: 1801 – 1900
Materials: watercolor
Artist: s. cecchi
Artist role: artist
Artist nationality: italian
Artist dates: 1800 – 1900
Subjects: fountains,courtyards
A profile of a skeleton with a tophat, a coat, and glasses, from a broaside entitled 'La Calavera de Cupido', published by Antonio Vanegas Arroyo.
Object type: print
Date: 1892 – 1892
Materials: metal
Techniques: engraving
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: skeletons

Image included in the broadsheet "La Calavera de Cupido" (Imprenta de A. Vanegas Arroyo, ca. 1892).
De exercitie met schild en spies: de soldaat in een verdedigende houding met een voet naar voren en met zijn rapier en schild op de knie voor het lichaam, gezien van voren (nr. 22), 1618
Object type: print
Date: 1616 – 1618
Materials: paper
Techniques: engraving
Location: northern netherlands
Subjects: maurice (prince of orange), handling of weapons ~ military training, weapons

Illustratie in: Adam van Breen, De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe : beyde figuerlick afgebeelt, ende gestelt na de nieu ordening [van] ... Maurits van Nassau, 's-Gravenhage, [Aert Meuris] 1618, plaat nr. 22. In het exemplaar in de collectie van de Rijksmuseum Research Library (326 F 22).
Boeddhistische heiligen
Object type: drawing
Date: 1900 – 1970
Materials: paper
Techniques: brush
Location: tibet
Artist: Anonymous
Inscriptions: inscription

Een mannelijk figuur omklemd door een vrouw, hij heeft twee paar armen en houdt in elke hand een ander voorwerp vast, beide figuren zitten op een paard. Een afbeelding uit een serie van drie waarop Boeddhistische heiligen voorkomen.
Mail Cart #4107
Object type: drawing
Date: 1890 – 1890
Materials: gouache, gum arabic, ink, watercolor
Techniques: pen
Artist: brewster & co.
Artist role: manufacturer
Artist nationality: american
Subjects: carriages

Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management–James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866–1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee. Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d’Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World’s Fair). In appreciation for this achievement the Carriage Builders’ National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art. Merri Ferrell, 2016
The Famous Battle Between Thomas Johnson and Michael Ryan, February 11, 1789
Object type: print
Techniques: etching
Artist: thomas rowlandson
Artist role: artist
Artist nationality: british
Artist dates: 1757 – 1827
Subjects: men,spectators,boxing,athletes

In this boxing match the renowned English fighter Tom Johnson opposes the Irishman Michael Ryan. They had met previously in December 1787 at Wraysbury, Buckinghamshire with a disputed outcome. This much anticipated rematch was held at Rabbit Dell in Cassiobury Park, Hertfordshire, on February 11, 1789, for prize money of six hundred guineas. Johnson's second was Richard Humphreys and John Jackson acted as his bottle holder (both well-known boxers). Ryan's second was Mr. Rolfe, a baker, and Nowlan was his bottle-holder. After 33 minutes, Ryan was defeated. Contemporary journalist Pierce Egan wrote, "the set-to was one of the finest ever witnessed and much science was displayed; the parries and feints eliciting general admiration ... [The second round] was terrible beyond description – science seemed forgotten – and they appeared like two blacksmiths at an anvil, when Ryan received a knock-down blow. The battle was well sustained on both sides for some time; but Ryan's passion getting the better of him, he began to lose ground. Ryan's head and eyes made a dreadful appearance and Johnson was severely punished."
Curtain
Object type: textile
Date: 1701 – 1900
Location: england
Vase
Object type: vase
Date: 1701 – 1900
Materials: glass
Techniques: glassblowing, tooling
Location: iran
Kapitein Statink bij Calais in gevecht met twee Engelse oorlogsschepen, 1780
Object type: print
Date: 1792 – 1792
Materials: paper
Techniques: engraving, etching
Location: northern netherlands
Subjects: battle (+ naval force), english channel, fourth anglo-dutch war
Inscriptions: collector's mark: Lugt 2228

Het schip de Prinses Carolina onder bevel van kapitein Statink wordt in het Kanaal bij Calais aangevallen en opgebracht door twee Engelse oorlogsschepen, 25 december 1780. Gemerkt rechtsboven: XXVII.Dl.pl.IV.
Saucer with a roundel and golden panels
Object type: platter
Date: 1790 – 1800
Materials: glaze, gold, paint, porcelain
Techniques: firing, forming, gilding, turning, vitrification
Location: france
Artist: Anonymous
Inscriptions: mark: ‘I’

Schotel van porselein met een rechte wand, beschilderd op het glazuur in bruin en goud. Op het plat een rozet in een gouden medaillon. De wand met drie gouden cartouches op een donkerbruine achtergrond. Gemerkt op de onderzijde met I.
Reproductie naar een fotoportret van Marie Koens, de latere echtgenote van Frank van der Goes door Willem Witsen
Object type: photograph
Date: 1860 – 1915
Materials: paper, photographic support
Techniques: gelatin silver print
Location: netherlands
Artist: Anonymous
Muzikanten in een herberg
Object type: print
Date: 1650 – 1800
Materials: paper
Techniques: mezzotint
Artist: Anonymous
Subjects: inn, coffee-house, public house, etc., pipe ~ tobacco, more than one musician with instrument
Inscriptions: inscription, collector's mark: Lugt 2228

In een herberg maken drie mannen muziek. Een jongen zingt, een oude man speelt fluit en de derde man bespeelt een viool. Op de achtergrond twee pijprokende mannen.
Leven en daden van Thyl Ulenspiegel
Object type: popular print
Date: 1761 – 1804
Materials: paper
Techniques: colour, letterpress printing
Location: amsterdam
Artist: Anonymous
Subjects: eulenspiegel
Inscriptions: collector's mark: Lugt 2760

Blad met 16 voorstellingen over het leven van Tijl Uilenspiegel. Onder elke afbeelding een tweeregelig onderschrift. Genummerd linksboven: No. 13.
Ex libris van Desarts
Object type: bookplate
Date: 1700 – 1799
Materials: paper
Techniques: etching
Location: france
Artist: Anonymous
Subjects: armorial bearing, heraldry
Gezichten op Rome en omgeving
Object type: print
Date: 1758 – 1803
Materials: paper
Techniques: colour, etching
Location: italy
Subjects: temple, shrine ~ roman religion
Inscriptions: collector's mark: Lugt 2760, number: ‘239’, collector's mark: Lugt 2228, inscription: ‘Ducros Volpato’

Gezicht op de resten van de Tempel van Saturnus (op de prent verward met de resten van de Tempel van Concordia) op het Forum Romanum te Rome. Voor de zuilen van de tempel een groep dansende en musicerende figuren. Op de achtergrond de Boog van Septimius Severus. Titel in het Frans onder de voorstelling.
Cover
Object type: cover
Date: 1601 – 1633
Techniques: embroidery
Crystal Ball on Stand
Object type: crystal ball on stand
Date: 1901 – 2000
Materials: crystal
Culture: chinese
Mold for a Hemispherical Boss
Object type: mold, hemisphere
Date: 1390 – 1352
Materials: pottery
Location: egypt
Statuette of a standing goddess
Object type: statuette
Date: 525 – 500
Materials: terracotta
Culture: greek, boeotian

Colorful details painted on a white slip accentuate the elaborate makeup, accessories, and drapery adorning this female figure. Yellow ocher applied to the headdress, earrings, and garment evokes gold, and red ocher painted on her neck probably depicts a necklace of pomegranates, a symbol of death and rebirth. The headdress with rays suggests the woman is a goddess, perhaps Persephone, queen of the Underworld. Discovered primarily in graves, statuettes of this type may have been intended specifically for funerary use.
Gezicht op een molen aan de Nieuwe Vaart
Object type: ansichtkaart, prentbriefkaart
Date: 1899 – 1899
Materials: cardboard
Techniques: photograph
Location: germany
Artist: Anonymous
Subjects: sailing-ship, sailing-boat, city-view in general; 'veduta', canal, windmill in landscape
Inscriptions: collector's mark: ‘10,65’

Onderwerpsrubriek binnen de Atlas Amsterdam: Nieuwe Grachtje, Nieuwendijk, Nieuwe Vaart, Nieuwlandsstraat (Pieter).
Poort van Slot Haamstede
Object type: photograph
Date: 1890 – 1920
Materials: cardboard, photographic support
Techniques: albumen print
Location: haamstede
Artist: anoniem (monumentenzorg)
Artist role: fotograaf
Subjects: castle, gate, entrance, slot haamstede
Inscriptions: annotation: ‘Ingangspoort/ v.h. Kasteel te Haamstede’, annotation: ‘Ingangspoort v/h Kateel Haamstede/ Zeeland’
Ontwerp voor een kamerversiering: twee panelen met vogels
Object type: drawing
Date: 1767 – 1823
Materials: ink, paper, pencil
Techniques: pen
Artist: abraham meertens
Artist role: draughtsman
Artist dates: 1757 – 1823
Subjects: groups of birds
Servet van pellendamast
Object type: napkin
Date: 1699 – 1749
Materials: linen
Techniques: weave

Servet van pellendamast. Rijen van elkaar oversnijdende cirkels en ovalen zijn verticaal en horizontaal gesteld. Tussen liggende kleinere cirkels. Vulling van blokken: de grote cirkels met vijf, de ovalen met twee en de kleinere cirkels met een. Het servet hoort bij tien servetten en een tafellaken (BK-16823-A t/m BK-16823-L). Het servet is gehalveerd.
A Sheet of Studies with Architectural Motifs and Two Sketches for a Visitation (recto); Sketch for a Funerary Monument (verso)
Object type: drawing
Date: 1672 – 1725
Materials: chalk, ink
Techniques: pen
Artist: giovanni battista foggini
Artist role: artist
Artist nationality: italian
Artist dates: 1652 – 1725
Subjects: architecture
Gipsmodel voor beeldhouwwerk op het Palais du Louvre: "La Terre et l'Eau" door Victor Vilain
Object type: album leaf
Date: 1855 – 1857
Materials: paper, photographic support
Techniques: salted paper print
Location: paris
Artist: édouard denis baldus
Artist role: fotograaf
Artist dates: 1813 – 1889
Subjects: piece of sculpture, reproduction of a piece of sculpture, permanent exhibition, museum, paris, tuileries palace
Inscriptions: number: ‘750’

Onderdeel van Réunion des Tuileries au Louvre 1852-1857, album 1.
Portret van Elisabeth Ludovika van Beieren
Object type: print
Date: 1823 – 1840
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons - bb - woman, pearl; pearl necklace
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 600 – 401
Materials: terracotta
Culture: greek, attic

Black glazed fragment from the center of the kylix with part of the stem
Dam en Tairlingspel onder de Germaanen
Object type: history print
Date: 1712 – 1714
Materials: paper
Techniques: etching
Location: netherlands
Artist: Anonymous
Subjects: games of skill, extinct, 'historical' peoples (with name), netherlands

Gebruikt als illustratie in: Hugo de Groots Antiquitates Germanicæ, of Hoogduitsche oudtheden: waar in de gelegentheid en zeeden der Germaanen, beschreeven door Tacitus, naaukeurig verklaart, en met printverbeeldingen opgeheldert worden: benevens H. Grotius verhandeling van de oudtheid der Batavische republyk. Amsterdam: Jacob van Royen, 1714.

Er zijn geen bronnen bekend waaruit blijkt dat de Germanen het damspel kenden. De Romeinen speelden alleen het latrunculispel (soldatenspel).
Engels huurkoets en paardentuig in Falmouth
Object type: drawing
Date: 1778 – 1778
Materials: ink, paper, pencil
Techniques: pen
Location: falmouth
Artist: jan brandes
Artist role: draughtsman
Artist dates: 1743 – 1808
Subjects: four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach

Pentekening van een wapen met honingraat, paarden in tuig, de huif van een koets en het chassis van een koets. Zie deel 2, pp. 50, 65. Met opschrift. Onderdeel uit het schetsboek van Jan Brandes, dl. 2 (1808), p. 49.
Fist
Object type: inlay, fist
Date: 664 – 630
Materials: glass
Location: egypt
Subjects: hands

Glass figural inlay elements could be fitted in individual wooden cells, or placed immediately adjacent to other elements and attached to a background. This rather large glass hand might have represented the hand of a god holding an ankh toward a god. Rather oddly the hand only has a thumb and three fingers.
Portrait of an unknown priest from the Vaishnav Brahmin community of Mysore, Karnataka, India
Object type: photograph
Date: 1865 – 1875
Materials: photographic support
Techniques: albumen print
Location: mysore
Artist: Anonymous
Subjects: brahma (supreme being, creator, etc. ~ hinduism, buddhism, jainism), human races; peoples; nationalities
Inscriptions: inscription: ‘SRI VISHNU./ BRAHMIN./ MYSORE.’, number: ‘410.’
A king with his horse, alarmed by ghostly women
Object type: drawing
Date: 1770 – 1780
Materials: graphite, ink, watercolor
Techniques: brush, pen, wash
Artist: william hamilton
Artist role: artist
Artist nationality: british
Artist dates: 1751 – 1801
Subjects: kings,men,women,horses

Hamilton belonged to a generation determined to expand the scope of the arts in Britain. He traveled to Rome as a teenager to study with Antonio Zucchi, returned to England to make decorative paintings for Robert Adam, then entered the Royal Academy Schools in 1769. From that point forward he focused on historical and literary subjects, together with portaits. This early drawing of an armored king with his horse, disturbed by a ghostly procession echoes a famous scene in Shakespeare's King Richard III, but may in fact illustrate a subject from Ossian.
Safe Conduct Pass (Paiza) with Inscription in Phakpa Script
Object type: pas
Date: 1267 – 1300
Materials: iron, silver
Techniques: inlay
Culture: chinese

The openwork inscription on this circular plaque has been filled with silver to the extent that the characters project from the surface of the plaque on both sides; the inscription on the reverse is thus inverted. The type of script—used early on to write the Mongol language—is named for its inventor, Phakpa (1235–1280), the Tibetan monk and scholar who served as the imperial preceptor for the Mongol court during the reign of Khubilai Khan (1215–94). The inscription reads, “By the strength of Eternal Heaven, an edict of the Emperor [Khan]. He who has not respect shall be guilty.” The form of the pass (paiza), with its animal mask decoration, is similar to that of a Tibetan mirror for reflecting evil.
Fragment of a Sleeve
Object type: textile fragment
Date: 301 – 400
Materials: linen, wool
Techniques: weave
Location: egypt
Cover
Object type: cover
Date: 1850 – 1850
Materials: glass
Portret van Franz von Dingelstedt
Object type: print
Date: 1849 – 1892
Materials: paper
Techniques: engraving
Location: leipzig
Artist: august weger
Artist role: print maker, printer
Artist dates: 1823 – 1892
Subjects: vienna, historical persons
Inscriptions: collector's mark: Lugt 2228
Plate 17: four street vendors from Madrid selling parsley, mats etc, from 'Los Gritos de Madrid' (The Cries of Madrid)
Object type: print
Date: 1809 – 1817
Techniques: engraving, hand coloring
Artist: miguel gamborino
Artist role: artist
Artist nationality: spanish
Artist dates: 1760 – 1828
Petticoat
Object type: petticoat
Date: 1896 – 1898
Materials: silk
Culture: french
The Laughing Demoness (Warai Hannya), from the series "One Hundred Ghost Tales (Hyaku monogatari)"
Object type: print
Date: 1831 – 1832
Techniques: woodblock print
Location: japan
Artist: katsushika hokusai 葛飾 北斎
Artist role: artist
Artist nationality: japanese
Artist dates: 1760 – 1849

Here, a female demon (hannya) with horns holds the decap-itated head of a child; blood oozes from the wounds caused by her long fingernails. This image references the legend of Kishimojin, a goddess from early Buddhism known in Sanskrit as Hariti. Originally, this goddess was a terri-fying ogress who was determined to eat all of the babies in the town of Rajgir, India. The Buddha heard the pleas of the townspeople and hid one of Hariti’s own children, leading her to understand the grief she had caused. She then converted to Buddhism and was eventually accepted as a goddess and a protector of children.

The Art Institute’s collection boasts one of the most well-preserved and appreciated editions of Katsushika Hok usa i’s One Hundred Ghost Tales series (1831–32). The artist apparently planned to produce a full hundred images, but the series was not completed and only five prints are known. The title refers to a game in which people would gather at night to tell scary stories, putting out a candle after each tale until the room was completely dark. These small-format works feature a bright-blue color made possible by Berlin blue pigment (often called “Prussian blue”), which had become affordable shortly before their production. Although this hue may seem cheery to us, Hokusai’s original audience would have associated it with death and the occult.
Houten wapenbord met in het wapen drie adelaars, vermoedelijk van de familie van Echten
Object type: wapenbord
Date: 1650 – 1800
Materials: wood
Artist: Anonymous

Houten gepolychromeerd wapenbord. het wapen wordt gedekt door een helm en door twee griffioenen gehouden. Het wapen draagt drie zwarte adelaars (twee boven, éen onder). Het helmteken bestaat uit twee zwarte (adelaars)vleugels waarvan de linker is afgebroken. Van de linker griffioen is ook een vleugel afgebroken. De kleuren zijn grotendeels afgesleten.
The Book (Saint Theresa)
Object type: print
Date: 1892 – 1892
Materials: ink, paper
Techniques: drypoint, etching
Location: france
Artist: odilon redon
Artist role: artist
Artist nationality: french
Artist dates: 1840 – 1916
Buttermilk Creek, Ithaca, N.Y. Cascade above 4th Fall
Object type: photograph
Date: 1860 – 1865
Techniques: albumen print
Location: ithaca
Artist: j. c. burritt
Artist nationality: american
Artist dates: 1860 – 1869
Saints Lawrence, Sixtus, Peter, and Paul adoring the Coronation of the Virgin by Christ above
Object type: print
Date: 1576 – 1576
Techniques: engraving
Artist: Anonymous
Artist role: artist
Six Jewel Rivers
Object type: handscroll
Date: 1839 – 1839
Materials: gold, ink, silk
Culture: japanese
Artist: sakai ōho
Artist role: artist
Artist nationality: japanese
Artist dates: 1808 – 1841
Subjects: men,rivers,landscapes

The titles of the six small-format handscrolls in this set refer to the six rivers in various parts of Japan that are named Tamagawa, or Jewel River. Each scroll shows a horizontal expanse of landscape in which the main elements of the composition are gradually introduced and then slowly fade out in almost cinematic fashion. The theme of six beautiful rivers enjoyed great popularity in the nineteenth century among both poets and ukiyo-e printmakers. Sakai Ōho, one of the last Rinpa artists of the Edo period, died when he was quite young, leaving only a small body of work. Many of his paintings are based on or inspired by the work of Sakai Hōitsu, his adoptive father and teacher.
Kalenderblad voor de oogstmaand, augustus, van een kalender van Kunstnijverheidsschool Quellinus
Object type: calendar leaf
Date: 1885 – 1925
Materials: paper
Techniques: lithograph
Location: amsterdam
Artist: g. de jong
Artist role: print maker
Subjects: plants (in general), ornaments ~ art, calendar, almanac

Bij gebrek aan gegevens over de vervaardiger is voor de bepaling van de rechten van dit object gebruik gemaakt van de vervaardigingsdatum.
Trade Card for D. Rymer, Book & Print Seller
Object type: print, trade card
Date: 1701 – 1800
Techniques: engraving
Artist: anonymous, british, 18th century
Artist role: artist
Artist nationality: british
Artist dates: 1700 – 1800
Portretten uit het Ipswich Museum
Object type: print
Date: 1852 – 1852
Materials: paper
Techniques: lithograph
Location: london
Subjects: adult man, historical persons
Inscriptions: collector's mark: Lugt 2228, check stamp: ‘Ipswich Museum’

Prent behoort tot de serie 'Ipswich Museum Portraits', ook bekend onder de titel 'Portraits of Honorary Members of the Ipswich Museum'. Deze serie is in 1852 door George Ransome uitgegeven en gedrukt door M&N Hanhart tussen 1848 en 1852. De serie bestaat uit ca. 60 portretten.
Valentine
Object type: valentine
Date: 1879 – 1879
Materials: lace, paper
Techniques: chromolithography, embossing, open work
Artist: Anonymous
Artist role: artist