deem-data/ArtiFact huggingface dataset:
Kaart van het Hoogheemraadschap van de Krimpenerwaard (deel wapenrand)
Object type: print
Date: 1683 – 1683
Materials: paper
Techniques: engraving
Artist: Anonymous
Subjects: armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 195

Deel van de wapenrand van de derde druk van 'Het Hooge Heemraadschap vande Crimpenre Waard', een wandkaart (bestaande uit een kaart en een wapenrand) van het Hoogheemraadschap van de Krimpenerwaard.
Side Chair
Object type: side chair
Date: 1877 – 1880
Materials: wood
Culture: american
Location: united states
Gemor van de Grieken en Hebreeën vanwege verwaarlozing van de weduwen
Object type: print
Date: 1697 – 1697
Materials: paper
Techniques: etching
Subjects: christ and apostles distribute bread and fish among the multitude

Prent ook gebruikt in: Biblia ectypa : Bildnussen auss Heiliger Schrifft. Regensburg: Chr. Wiegel, 1697.
Arrowhead
Object type: arrowhead
Date: 201 – 700
Materials: iron
Culture: sasanian
Location: iran
Gezicht op het standbeeld van Hendrik IV
Object type: print
Date: 1652 – 1652
Materials: paper
Techniques: etching
Subjects: monument, statue, equestrian statue, paris
Inscriptions: collector's mark: Lugt 240

Prent maakt deel uit van een ongenummerde serie van twintig prenten.
Gezicht aan de Rijn
Object type: drawing
Date: 1842 – 1842
Materials: paper
Techniques: brush
Artist: théodore gudin
Artist role: draughtsman, painter
Artist dates: 1802 – 1880
Subjects: river (+ landscape with figures, staffage)
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 470
Materials: terracotta
Culture: greek, attic

Interior, bit of reserve line from tondo border; Exterior, unidentified subject
Glass mosaic ribbed bowl fragment
Object type: fragment, mosaic bowl
Date: 34 – 33
Materials: glass
Culture: roman

Rim fragment. Translucent honey brown, partially mixed with white and appearing opaque yellow, cobalt blue, and opaque white. Outsplayed rim with rounded lip; slightly convex curving side tapering downward. Ribbon mosaic pattern formed from lengths of one or more canes in a brown ground with wavy blue and white threads in parallel lines; on exterior, part of a broad vertical rib, with flattened and tooled top. Many bubbles; polished interior; pitting of surface bubbles; dulling and creamy iridescent weathering on exterior, lip of rim, and jagged edges.
Exterieur van Hotel Bretagne te Venetië
Object type: photograph
Date: 1900 – 1900
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: venice
Subjects: canal, façade (of house or building), hotel, hostelry, inn
Inscriptions: number: ‘3048.’, number: ‘27.’
Verschillende voorstellingen
Object type: popular print
Date: 1828 – 1913
Materials: paper
Techniques: colour, letterpress printing, line block, engraving
Location: netherlands
Artist: Anonymous
Subjects: characters (human types), group dancing, fighting
Inscriptions: collector's mark: Lugt 2760

Blad met 9 voorstellingen van verschillende aard, waaronder een ouder paar, een tweegevecht, dansende mensen en een gesprek over geldzaken. Onder elke afbeelding een onderschrift. Onder de eerste afbeelding het onderschrift: Waar men de wetten niet vereerd, / Daar gaan de zaken ras verkeerd. Genummerd rechtsboven: No. 27.
Glass jug
Object type: jug
Date: 1 – 50
Materials: glass
Culture: roman

Translucent turquoise green, with handle in uncertain color. Rim folded out, round, and in, with beveled edges; flaring mouth; cylindrical neck with irregular indents around top; convex sloping shoulder; cylindrical body with recessed central panel, then cup-shaped below; low circular base with rounded edge and flat bottom; a strap handle applied to shoulder in a large bifurcated pad, drawn up in an outward curving loop, and pressed onto top of neck and underside of rim, with projecting thumb rest above rim. Three mold seams run from base of neck, across shoulder, and down sides to top of prominent horizontal ridge; a separate cup-shaped section forms the lower body and base. Decoration in three registers: on shoulder, downturned tongues in raised outline, interspersed at bottom with pointed darts, with two horizontal raised ridges below; on body, central panel divided into three sections by a vertical thrysos-like staff or rod, with bud-like knobs on each end, floral sprays shoot out horizontally from each staff in symmetrical but different designs of ivy, vines, and laurel with berries, with a plain raised band below expanding outwards to prominent horizontal ridge; above the base, a frieze of twenty-four upturned tongues in raised outline, interspersed at top with pointed darts; on bottom, three raised concentric circles, decreasing in thickness towards center, and central small knob. Intact, except for three small holes and cracks in upper ridge below shoulder; pinprick and larger bubbles, blowing striations, and large black impurity streaked across bottom; pitting, dulling, iridescence, and patches of thick creamy weathering on handle, shoulder, and neck.
Bust of a young man, possibly a Hapsburg Prince
Object type: cameo
Date: 1790 – 1790
Materials: gemstone
Subjects: princes,profiles
Terracotta fragment of a kylix (drinking cup)
Object type: kylix fragment
Date: 490 – 480
Materials: terracotta
Culture: greek, attic

Interior, lower body of draped figure
Plaat met afgeronde bovenkant en veelkleurig beschilderd met een vaas met bloemen
Object type: plate
Date: 1700 – 1730
Materials: faience
Location: delft
Artist: Anonymous

De plaat is een fragment, aan de bovenrand zijn resten van verdere decoraties zichtbaar. Aan de achterkant zijn de randen afgeschuind, waardoor de originele dikte van de plaat niet zichbaar is.
Verwoeste fabriek en landschappen
Object type: photograph
Date: 1948 – 1949
Materials: cardboard, photographic support
Techniques: gelatin silver print
Location: dutch east indies
Artist: Anonymous
Subjects: the company, the unit, the troop ~ military service, factory-building, historical persons, devastated, ruined place or city (~ warfare), dutch east indies, the
Inscriptions: inscription

Albumblad met 5 foto's. De meest interessante is een foto, middenonder, van een verwoeste rubberfabriek, met op de achterzijde het opschrift: Door bende vernielde rubberfabriek. Blad in het album getiteld Ter herinnering aan mijn diensttijd overzee, over de politionele acties in Nederlands-Indië.
Earring
Object type: earring
Date: 501 – 700
Materials: glass, gold, pearl
Culture: byzantine or langobardic

Fashionable in Italy for at least a century before the arrival of the Langobards, earrings of the “basket” variety, like the many shown in this case, quickly became part of Langobardic women’s dress.
Die Stimm im Wald
Object type: book illustration
Date: 1710 – 1710
Materials: paper
Techniques: etching
Location: nuremberg
Subjects: pier, quay, wharf, kissing the hand (lovers)
Inscriptions: collector's mark: Lugt 240

Illustratie uit: Abraham a Sancta Clara. Heilsames Gemisch Gemasch, das ist: Allerley seltsame und verwunderliche Geschichten (...). Neurenberg: Christoph Weigel, 1710, p. 20.
Band stand near Machinery Hall
Object type: photomechanical print
Date: 1893 – 1893
Materials: paper
Techniques: photograph
Location: chicago
Subjects: world fair, world exhibition, music-hall - aa - open-air performances
Inscriptions: number: ‘Plate 25’
Landscape with Thatched Cottages
Object type: print
Date: 1844 – 1844
Materials: paper
Techniques: drypoint
Location: france
Artist: charles émile jacque
Artist role: artist
Artist nationality: french
Artist dates: 1813 – 1894
Vase (part of a Garniture of 5 Vases)
Object type: ceramic
Date: 1820 – 1820
Materials: earthenware, silver
Location: leeds
Artist: adam buck
La Madone du Grand-Duc / Madonna di Gran Duca / Die Madonna des Grossherzogs
Object type: photograph
Date: 1855 – 1885
Materials: cardboard, paper
Techniques: albumen print
Location: paris
Artist: Anonymous
Subjects: madonna: mary standing (or half-length), christ-child close to her bosom
Inscriptions: inscription: ‘La gravure est de St./ 30 x 21’, number: ‘No 334’, inscription: ‘Goupil & Cie/ Éditeurs/ 9, rue Chaptal, 9/ Paris’, monogram: ‘G’, inscription: ‘Peint par Raphaël’

Rafaëls Madonna met kind bevindt zich in het Palazzo Pitti in Florence.
Liggend wild zwijn
Object type: drawing
Date: 1801 – 1801
Materials: chalk, paper, pencil
Artist: jean bernard
Artist role: draughtsman, print maker
Artist dates: 1765 – 1833
Subjects: hoofed animals: boar
Cherebourg, France, from the Surf Beauties series (N232), issued by Kinney Bros.
Object type: print
Date: 1889 – 1889
Techniques: color lithograph
Artist: kinney brothers tobacco company
Artist role: publisher
Artist nationality: american
Artist dates: 1869 – 2011
Subjects: profiles,women

Trade cards from the "Surf Beauties" series (N232), issued in 1889 to promote Kinney Tobacco Company.
Toilet box or handle
Object type: toilet box
Date: 3900 – 100
Materials: bone
Culture: cypriot
Fragment of a Relief
Object type: relief fragment
Date: 201 – 700
Materials: plaster
Culture: central asian
Envy or Avarice at the right being driven from the temple of the Muses by Hercules who raises a club, the muses watching from the left
Object type: print
Date: 1530 – 1560
Techniques: engraving
Artist: master of the die
Artist role: artist
Artist nationality: italian
Artist dates: 1525 – 1560
Subjects: weapons,female nudes,hercules,muses
Roundel with Grotesque
Object type: roundel
Date: 1320 – 1340
Materials: glass, paint, pigment
Culture: british
Location: england
Subjects: dragons
Balance standard with a counterweight
Object type: balance
Date: 1560 – 1570
Materials: bronze, silver
Techniques: engraving, gilding
Location: nuremberg
Artist: wenzel jamnitzer
Artist role: print maker
Artist dates: 1508 – 1585
Subjects: ornaments ~ art

Originally two little pans hung on long cords from the ends of the lower crosspiece: one for the precious objects to be weighed, and the other for the weights. The counterweight is connected with a cord to the hinge at the top via the little wheel at the bottom of the stem. By sliding the counterweight closer to the foot of the scales, the balance can be adjusted, allowing different metals and precious stones to be weighed.
Clay jar sealing impressed faintly with name of Khasekhemwy
Object type: sealing, jar
Date: 2650 – 2650
Materials: clay
Pouring Vessel (Kendi) with Flowers and Fruits
Object type: kendi
Date: 1567 – 1600
Materials: cobalt, glaze, porcelain
Techniques: painting
Culture: chinese
Subjects: fruit,flowers

Chinese manufacture of this drinking vessel with a long neck and a spout, known as kendi (a Malay word), began during the fourteenth century for export to Muslim communities in Southeast Asia. By the sixteenth century it was carried farther afield to the Middle East, where Persian copies were made. This late sixteenth-century version, not necessarily made for export to Europe, is decorated in patterns that commonly were applied to kraak porcelain.
Bowl
Object type: bowl
Date: 550 – 450
Materials: terracotta
Culture: italic, daunian or south italian
Ornament met een cherubijn
Object type: print
Date: 1604 – 1616
Materials: paper
Techniques: engraving
Location: paris
Subjects: cherubs, i.e. children's heads with wings, mask, mascaron ~ ornament

de serie bestaat uit 7 prenten ipv 6 (Orn Cat I). Zie: 'Comments on catalogue entries' by P. Fuhring, in: Print Quarterly VI, (1989), p. 327
s' Lants Zee-magazyn en Scheeps Timmer-werf
Object type: book illustration
Date: 1726 – 1726
Materials: paper
Techniques: engraving, etching, hand coloring
Location: amsterdam
Subjects: large-scale structure for storage, e.g.: warehouse, depot, silo, shipyard, shipdock, ammunition store, arsenal, shipbuilding industry
Inscriptions: collector's mark: ‘42A.49’ Lugt 1641b

Prent waarschijnlijk uit: Commelin, Caspar. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt (…). 2 dln. 2de druk. Amsterdam: Andries van Damme, Johannes Ratelband, weduwe A. van Aeltwyk en Hermanus Uytwerf, 1726.

Eerdere staat van prent (RP-P-AO-25-58) gebruikt in uitgaven uit 1693 en 1694.
Portret van Christian August Crusius
Object type: print
Date: 1775 – 1799
Materials: paper
Techniques: engraving, etching
Artist: Anonymous
Subjects: historical persons
Heilige Rochus verdeelt zijn rijkdommen onder de armen
Object type: print
Date: 1610 – 1610
Materials: paper
Techniques: engraving, etching, intaglio
Location: italy
Subjects: st. roch distributes his riches to the poor, and leaves on a pilgrimage, violin, fiddle, patient, sick person
Inscriptions: inscription: ‘6,1. - 33.’, collector's mark: Lugt 240

In een binnenplaats staat links op een verhoging de heilige Rochus. Hij geeft munten aan een menigte die voor hem staat. In het midden een man met een viool en links een zieke liggend op een wagen.
Luitenant-kolonel
Object type: print
Date: 1587 – 1595
Materials: paper
Techniques: engraving
Location: netherlands
Subjects: siege, position war, helved weapons, polearms (for striking, hacking, thrusting), officer
Inscriptions: collector's mark: Lugt 2228a

Een man in militaire uitdossing (een luitenant-kolonel), ten voeten uit, een zwaard aan zijn gordel, een stokwapen (partizaan) in zijn rechterhand. Op de achtergrond een heuvelachtig landschap waarin een stad belegerd wordt. Onder de voorstelling twee regels tekst in Latijn. Deze prent is onderdeel van een serie van 12 prenten van militairen, ten voeten uit weergegeven tegen een landschappelijke achtergrond waarin krijgshandelingen verricht worden, en met een tweeregelig Latijns onderschrift.
Design for one Half of a Frame
Object type: drawing
Date: 1700 – 1780
Materials: graphite, ink
Techniques: pen
Artist: anonymous, italian, piedmontese, 18th century
Artist role: artist
Artist nationality: italian
Artist dates: 1700 – 1800
Schetsblad met compositie-studies
Object type: drawing
Date: 1878 – 1938
Materials: paper, pencil
Artist: richard nicolaüs roland holst
Artist dates: 1868 – 1938
Tafereelen uit de tijden der richteren
Object type: print
Date: 1850 – 1850
Materials: paper
Techniques: letterpress printing, engraving
Location: netherlands
Subjects: the time of the judges, old testament
Inscriptions: collector's mark: Lugt 2760

Na voltooiing van de acht jaargangen van de reeks 'Prenten-magazijn voor de jeugd' in 1850 heeft Jan Schuitemaker al deze prenten heruitgegeven en omgenummerd als nr. 1 t/m 192. De oorspronkelijke jaargang wordt telkens nog vermeld rechtsonder op de prent. Binnen de jaargangen zijn prenten van hetzelfde thema in clusters van vier achter elkaar gezet.
Wineglass
Object type: wineglass
Date: 1701 – 1800
Materials: glass
Pitji van het Sultanaat Kedah, deel van Thailand
Object type: coin
Date: 1821 – 1900
Materials: tin
Techniques: casting

Tinnen munt. Voorzijde: lotusbloem. Keerzijde: niet nader te determineren omschrift in Arabische lettertekens. In het midden zeshoekig gat.
Vrouw, in profiel
Object type: sketchbook leaf
Date: 1875 – 1934
Materials: paper, watercolor
Techniques: brush
Artist: isaac israels
Artist role: draughtsman, painter, print maker
Artist dates: 1865 – 1934
Subjects: adult woman (+ sideview, profile)

Blad 22 recto uit schetsboek LII met 43 bladen.
Hurstmonceux Castle
Object type: photograph
Date: 1854 – 1864
Materials: photographic support
Techniques: albumen print
Location: herstmonceux
Artist: william russell sedgfield
Artist role: fotograaf
Artist dates: 1826 – 1902
Subjects: ruin of a dwelling, house, castle, etc.
Mother Goddess Brahmani Seated in Royal Ease (Lalitasana) with Attendants
Object type: sculpture
Date: 801 – 900
Materials: stone
Location: madhya pradesh
Card Number 247, Miss Fulton, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes
Object type: print
Date: 1880 – 1889
Techniques: albumen silver print
Artist: w. duke, sons & co.
Artist role: publisher
Artist nationality: american
Artist dates: 1870 – 1920
Subjects: women,actresses

Trade cards from the set "Actors and Actresses" (N145-2), issued in the 1880s by W. Duke Sons & Co. to promote Cross Cut Cigarettes. There are eight subsets of the N145 series. Various subsets sport different card designs and also promote different tobacco brands represented by W. Duke Sons & Company. This card is from the second subset, N145-2. Note that actors' names are spelled differently on cards throughout set and are not dependable for accuracy.
Knife Handle (Kozuka)
Object type: knife handle kozuka
Date: 1770 – 1852
Materials: silver alloy, gold, silver
Culture: japanese
Location: japan
Subjects: birds
Emilie en Camille vinden de gewonde Melinte en Palamède
Object type: print
Date: 1639 – 1639
Materials: paper
Techniques: engraving, etching
Subjects: nursing, tending the sick
Inscriptions: collector's mark: Lugt 240

Prent uit: Desmarets de Saint-Sorlin, Jean. L'Ariane. Parijs: Guillemot, Matthieu, 1639.
Gedenkplaat bij het 25-jarige regeringsjubileum van koning Willem III 1849-1874
Object type: print
Date: 1874 – 1874
Materials: paper
Techniques: engraving
Location: dusseldorf
Artist: richard brendamour
Artist role: print maker
Artist dates: 1831 – 1915
Subjects: the hague, brussels, willem iii (koning der nederlanden), willem (prins der nederlanden), hendrik (prins der nederlanden), frederik (prins der nederlanden), historical persons
Inscriptions: collector's mark: Lugt 2228

Gedenkplaat bij de viering van het 25-jarige regeringsjubileum van koning Willem III, 12 mei 1874. Centraal de portretten van de koning, de kroonprins en de prinsen Hendrik, Frederik en Alexander. Hieromheen portretten uit het huis van Oranje-Nassau en scènes van belangrijke historische gebeurtenissen vanaf de tijd van Willem van Oranje.
The Puritan
Object type: sculpture
Materials: bronze
Culture: american
Artist: augustus saint-gaudens
Artist role: artist
Artist nationality: american
Artist dates: 1848 – 1907
Subjects: men

This statuette is a reduction after Saint-Gaudens’s monument to Deacon Samuel Chapin (1598-1675), which was unveiled in Springfield, Massachusetts, in 1887. As there was no record of Chapin’s appearance, Saint-Gaudens modeled an idealized settler who conveys the fortitude and upright morals associated with the White, Protestant founders of the Massachusetts Bay Colony. Eyes focused downward, the stern figure strides with a walking stick though the New England wilderness, symbolized by pine branches scattered on the base. About 1894, Saint-Gaudens resolved to make reductions after the full-size "Puritan," because of the statue's popularity and for the income he would derive. By mid-1898 bronze reductions were being cast in Paris. Located reductions, which number more than forty, reveal minor alterations to the figure. Examples vary in the angles of the hat and the walking stick and particularly in the coloration, which ranges from gold to brown to the green of the Metropolitan's cast.
Matras van blauw-wit gestreept linnen / katoen weefsel
Object type: mattress
Date: 1690 – 1710
Materials: cotton, down, linen, silk
Location: amsterdam
Artist: Anonymous

Matras van blauw-wit gestreept linnen/katoen weefsel, omboord met gevlochten koordje van gele en rode zijde (als het behangsel van het kraambed); gevuld met dons.
The Infant Moses before Pharaoh, after Giovanni Battista Ruggieri
Object type: drawing
Date: 1759 – 1770
Materials: chalk, ink
Techniques: pen
Artist: jean robert ango
Artist role: artist
Artist nationality: french
Artist dates: 1759 – 1773
Subjects: infants,men,women,moses
Oorlogsschip een schot lossend
Object type: print
Date: 1759 – 1759
Materials: paper
Techniques: etching, roulette
Location: amsterdam
Subjects: sailing-ship, sailing-boat, cannon shots (military salute)
Inscriptions: inscription: ‘Geoffreerd aan de WEd Heere van ... Ten verzoeke van mijnen Vriend de Heer ... W van de Velde del Ploos v Amstel fecit’, collector's mark: Lugt 240

Verschillende zeilschepen op zee, waarvan één een schot lost.
Portret van Johann Carl Wilhelm Moehsen
Object type: print
Date: 1771 – 1775
Materials: paper
Techniques: etching
Subjects: historical persons
Inscriptions: collector's mark: Lugt 240
Stone Ear Flare
Object type: earflare
Date: 1501 – 1600
Materials: stone
Culture: mexican
Location: mexico
Singing Couples and Violin
Object type: print
Date: 1610 – 1685
Techniques: etching
Artist: adriaen van ostade
Artist role: artist
Artist nationality: dutch
Artist dates: 1610 – 1685
Subjects: couples,men,women,singing,violins
Uyt roeping tot de Krooning van Willem de III, en Maria de II, tot Koning en Koninginne van Engeland, Schotland, Vrankryk en Ierland. den 23 February 1689, binnen Londen
Object type: print
Date: 1689 – 1691
Materials: paper
Techniques: etching
Location: amsterdam
Artist: jan luyken
Artist role: draughtsman, print maker
Artist dates: 1649 – 1712
Subjects: the hague, william iii (prince of orange and king of england, scotland, and ireland), london, maria ii stuart (koningin van engeland, schotland en ierland), ceremonial procession, parade, pageant ~ installation of a ruler, lower house, parliament, chamber
Inscriptions: collector's mark: Lugt 2228

Een lange stoet met de leden van het Parlement door de straten van Londen om een uitroep te doen tot kroning van de prins en prinses van Oranje tot koning en koningin van Engeland, 23 februari 1689. In het onderschrift de legenda 1-15. Prent rechtsboven gemerkt: derde Deel: fol: 33.
A tous jours loyal
Object type: bookplate
Date: 1814 – 1828
Materials: paper
Techniques: engraving
Location: great britain
Artist: thomas bewick
Artist role: draughtsman, painter, print maker
Artist dates: 1753 – 1828
Subjects: fabulous animals ~ birds: phoenix, armorial bearing, heraldry
Inscriptions: collector's mark: Lugt 2228
Landweg met bomenrij
Object type: print
Date: 1888 – 1931
Materials: paper
Techniques: etching
Artist: suze de lint
Artist role: print maker
Artist dates: 1878 – 1953
Subjects: trees, road, path
Inscriptions: collector's mark: Lugt 2228
In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)
Object type: print
Date: 1890 – 1896
Materials: metal, paper
Techniques: engraving, letterpress
Artist: josé guadalupe posada
Artist role: artist
Artist nationality: mexican
Artist dates: 1852 – 1913
Subjects: skeletons,women

The overall conceit of this broadside is the futility of human existence and the inevitability of death. The title can be interpreted as a reference to pretentious women who expect gifts as proof of true love but receive death instead. In the image, a water seller and a well-dressed woman argue. Water sellers were highly visible in Mexico City, and this exchange probably has to do with commerce while alluding to issues of class. The pair are flanked by people with power and privilege: those connected with the church, the army, and royalty. The text beneath opens with a reminder that irrespective of nationality, status, or position in life, in the grave all people end up the same. La idea general de esta hoja volante es la futilidad de la existencia humana y la inevitabilidad de la muerte. El título puede interpretarse como una referencia a las mujeres pretenciosas que esperan obsequios como prueba de amor verdadero, pero reciben en su lugar la muerte. En la imagen, un aguador y una mujer bien vestida discuten. Los aguadores eran muy visibles en Ciudad de México y el intercambio tiene que ver probablemente con el comercio, aunque alude también a cuestiones de clase. La pareja está flanqueada por personas con poder y privilegios: las relacionadas con la Iglesia, el Ejército y la realeza. El texto comienza con un recordatorio de que, con independencia de la nacionalidad, el estatus o la posición en la vida, todo el mundo termina en la tumba.
A Night Scene. The Cable Entangled and Nearly Broken, July 18th, 1866
Object type: drawing
Date: 1865 – 1866
Materials: gouache, graphite, watercolor
Artist: robert charles dudley
Artist role: artist
Artist nationality: british
Artist dates: 1826 – 1909
Subjects: men,night,working,ships,transatlantic cable